diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:19:28 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:19:28 -0700 |
| commit | f9e243e82912ee9df7c88ae055fcdbc0e37fa65e (patch) | |
| tree | 54c9fadb1a59b872c1e341813a58c69560254d0f | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 2596-0.txt | 12102 | ||||
| -rw-r--r-- | 2596-0.zip | bin | 0 -> 225588 bytes | |||
| -rw-r--r-- | 2596-h.zip | bin | 0 -> 1329123 bytes | |||
| -rw-r--r-- | 2596-h/2596-h.htm | 15248 | ||||
| -rw-r--r-- | 2596-h/images/cover.jpg | bin | 0 -> 91053 bytes | |||
| -rw-r--r-- | 2596-h/images/cutpages.jpg | bin | 0 -> 135878 bytes | |||
| -rw-r--r-- | 2596-h/images/editon.jpg | bin | 0 -> 10806 bytes | |||
| -rw-r--r-- | 2596-h/images/frontis1.jpg | bin | 0 -> 62445 bytes | |||
| -rw-r--r-- | 2596-h/images/frontis1s.jpg | bin | 0 -> 91053 bytes | |||
| -rw-r--r-- | 2596-h/images/frontis2.jpg | bin | 0 -> 112262 bytes | |||
| -rw-r--r-- | 2596-h/images/frontis3.jpg | bin | 0 -> 123654 bytes | |||
| -rw-r--r-- | 2596-h/images/spines.jpg | bin | 0 -> 208175 bytes | |||
| -rw-r--r-- | 2596-h/images/subscription.jpg | bin | 0 -> 13141 bytes | |||
| -rw-r--r-- | 2596-h/images/test.jpg | bin | 0 -> 112038 bytes | |||
| -rw-r--r-- | 2596-h/images/titlepage1.jpg | bin | 0 -> 39910 bytes | |||
| -rw-r--r-- | 2596-h/images/titlepage3.jpg | bin | 0 -> 38359 bytes | |||
| -rw-r--r-- | 2596-h/images/titlpage2.jpg | bin | 0 -> 53049 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/2006-06-14-2596-h.zip | bin | 0 -> 397186 bytes | |||
| -rw-r--r-- | old/2006-06-14-2596.zip | bin | 0 -> 223604 bytes | |||
| -rw-r--r-- | old/24092004.2596.txt | 11978 | ||||
| -rw-r--r-- | old/24092004.2596.zip | bin | 0 -> 229105 bytes | |||
| -rw-r--r-- | old/tolet10.txt | 12353 | ||||
| -rw-r--r-- | old/tolet10.zip | bin | 0 -> 223047 bytes | |||
| -rw-r--r-- | old/tolet11.txt | 12420 | ||||
| -rw-r--r-- | old/tolet11.zip | bin | 0 -> 228689 bytes |
28 files changed, 64117 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/2596-0.txt b/2596-0.txt new file mode 100644 index 0000000..b69a175 --- /dev/null +++ b/2596-0.txt @@ -0,0 +1,12102 @@ + + +The Project Gutenberg EBook of The Forsyte Saga, Complete, by John +Galsworthy + +This eBook is for the use of anyone anywhere at no cost and with almost +no restrictions whatsoever. You may copy it, give it away or re-use +it under the terms of the Project Gutenberg License included with this +eBook or online at www.gutenberg.org + + +Title: The Forsyte Saga, Awakening and To Let + +Author: John Galsworthy + +Release Date: June 14, 2006 [EBook #2596] +Last Updated: February 22, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE AWAKENING AND TO LET *** + + + + +Produced by David Widger + + + + +spines (203K)” src= + + + +subscription (12K)” src= + + + +editon (10K)” src= + + + + + +FORSYTE SAGA AWAKENING AND TO LET + + +By John Galsworthy + + + + +Contents + + + +AWAKENING + + +TO LET + +PART I + +I.—ENCOUNTER + +II.—FINE FLEUR FORSYTE + +III.—AT ROBIN HILL + +IV.—THE MAUSOLEUM + +V.—THE NATIVE HEATH + +VI.—JON + +VII.—FLEUR + +VIII.—IDYLL ON GRASS + +IX. GOYA + +X.—TRIO + +XI.—DUET + +XII.—CAPRICE + + +PART II + +I.—MOTHER AND SON + +II.—FATHERS AND DAUGHTERS + +III.—MEETINGS + +IV.—IN GREEN STREET + +V.—PURELY FORSYTE AFFAIRS + +VI.—SOAMES' PRIVATE LIFE + +VII.—JUNE TAKES A HAND + +VIII.—THE BIT BETWEEN THE TEETH + +IX.—THE FAT IN THE FIRE + +X.—DECISION + +XI.—TIMOTHY PROPHESIES + + +PART III + +I.—OLD JOLYON WALKS + +II.—CONFESSION + +III.—IRENE + +IV.—SOAMES COGITATES + +V.—THE FIXED IDEA + +VI.—DESPERATE + +VII.—EMBASSY + +VIII.—THE DARK TUNE + +IX.—UNDER THE OAK-TREE + +X.—FLEUR'S WEDDING + +XI.—THE LAST OF THE OLD FORSYTES + + + + + + +titlepage3 (37K)” src= + + + +frontis3 (120K)” src= + + + +THE FORSYTE SAGA—VOLUME III. By John Galsworthy + + + + + +AWAKENING + + +TO CHARLES SCRIBNER + + + + + +AWAKENING + +Through the massive skylight illuminating the hall at Robin Hill, the +July sunlight at five o'clock fell just where the broad stairway turned; +and in that radiant streak little Jon Forsyte stood, blue-linen-suited. +His hair was shining, and his eyes, from beneath a frown, for he was +considering how to go downstairs, this last of innumerable times, before +the car brought his father and mother home. Four at a time, and five +at the bottom? Stale! Down the banisters? But in which fashion? On his +face, feet foremost? Very stale. On his stomach, sideways? Paltry! On +his back, with his arms stretched down on both sides? Forbidden! Or on +his face, head foremost, in a manner unknown as yet to any but himself? +Such was the cause of the frown on the illuminated face of little +Jon.... + +In that Summer of 1909 the simple souls who even then desired to +simplify the English tongue, had, of course, no cognizance of little +Jon, or they would have claimed him for a disciple. But one can be too +simple in this life, for his real name was Jolyon, and his living father +and dead half-brother had usurped of old the other shortenings, Jo and +Jolly. As a fact little Jon had done his best to conform to convention +and spell himself first Jhon, then John; not till his father had +explained the sheer necessity, had he spelled his name Jon. + +Up till now that father had possessed what was left of his heart by the +groom, Bob, who played the concertina, and his nurse “Da,” who wore +the violet dress on Sundays, and enjoyed the name of Spraggins in that +private life lived at odd moments even by domestic servants. His mother +had only appeared to him, as it were in dreams, smelling delicious, +smoothing his forehead just before he fell asleep, and sometimes docking +his hair, of a golden brown colour. When he cut his head open against +the nursery fender she was there to be bled over; and when he had +nightmare she would sit on his bed and cuddle his head against her neck. +She was precious but remote, because “Da” was so near, and there is +hardly room for more than one woman at a time in a man's heart. With his +father, too, of course, he had special bonds of union; for little +Jon also meant to be a painter when he grew up—with the one small +difference, that his father painted pictures, and little Jon intended to +paint ceilings and walls, standing on a board between two step-ladders, +in a dirty-white apron, and a lovely smell of whitewash. His father also +took him riding in Richmond Park, on his pony, Mouse, so-called because +it was so-coloured. + +Little Jon had been born with a silver spoon in a mouth which was rather +curly and large. He had never heard his father or his mother speak in an +angry voice, either to each other, himself, or anybody else; the groom, +Bob, Cook, Jane, Bella and the other servants, even “Da,” who alone +restrained him in his courses, had special voices when they talked to +him. He was therefore of opinion that the world was a place of perfect +and perpetual gentility and freedom. + +A child of 1901, he had come to consciousness when his country, just +over that bad attack of scarlet fever, the Boer War, was preparing for +the Liberal revival of 1906. Coercion was unpopular, parents had exalted +notions of giving their offspring a good time. They spoiled their rods, +spared their children, and anticipated the results with enthusiasm. In +choosing, moreover, for his father an amiable man of fifty-two, who had +already lost an only son, and for his mother a woman of thirty-eight, +whose first and only child he was, little Jon had done well and wisely. +What had saved him from becoming a cross between a lap dog and a little +prig, had been his father's adoration of his mother, for even little Jon +could see that she was not merely just his mother, and that he played +second fiddle to her in his father's heart: What he played in his +mother's heart he knew not yet. As for “Auntie” June, his half-sister +(but so old that she had grown out of the relationship) she loved him, +of course, but was too sudden. His devoted “Da,” too, had a Spartan +touch. His bath was cold and his knees were bare; he was not encouraged +to be sorry for himself. As to the vexed question of his education, +little Jon shared the theory of those who considered that children +should not be forced. He rather liked the Mademoiselle who came for two +hours every morning to teach him her language, together with history, +geography and sums; nor were the piano lessons which his mother gave him +disagreeable, for she had a way of luring him from tune to tune, never +making him practise one which did not give him pleasure, so that he +remained eager to convert ten thumbs into eight fingers. Under his +father he learned to draw pleasure-pigs and other animals. He was not a +highly educated little boy. Yet, on the whole, the silver spoon stayed +in his mouth without spoiling it, though “Da” sometimes said that other +children would do him a “world of good.” + +It was a disillusionment, then, when at the age of nearly seven she held +him down on his back, because he wanted to do something of which she did +not approve. This first interference with the free individualism of a +Forsyte drove him almost frantic. There was something appalling in the +utter helplessness of that position, and the uncertainty as to whether +it would ever come to an end. Suppose she never let him get up any more! +He suffered torture at the top of his voice for fifty seconds. Worse +than anything was his perception that “Da” had taken all that time +to realise the agony of fear he was enduring. Thus, dreadfully, was +revealed to him the lack of imagination in the human being. + +When he was let up he remained convinced that “Da” had done a dreadful +thing. Though he did not wish to bear witness against her, he had been +compelled, by fear of repetition, to seek his mother and say: “Mum, +don't let 'Da' hold me down on my back again.” + +His mother, her hands held up over her head, and in them two plaits of +hair—“couleur de feuille morte,” as little Jon had not yet learned to +call it—had looked at him with eyes like little bits of his brown velvet +tunic, and answered: + +“No, darling, I won't.” + +She, being in the nature of a goddess, little Jon was satisfied; +especially when, from under the dining-table at breakfast, where he +happened to be waiting for a mushroom, he had overheard her say to his +father: + +“Then, will you tell 'Da,' dear, or shall I? She's so devoted to him”; +and his father's answer: + +“Well, she mustn't show it that way. I know exactly what it feels like +to be held down on one's back. No Forsyte can stand it for a minute.” + +Conscious that they did not know him to be under the table, little Jon +was visited by the quite new feeling of embarrassment, and stayed where +he was, ravaged by desire for the mushroom. + +Such had been his first dip into the dark abysses of existence. Nothing +much had been revealed to him after that, till one day, having gone down +to the cow-house for his drink of milk fresh from the cow, after Garratt +had finished milking, he had seen Clover's calf, dead. Inconsolable, +and followed by an upset Garratt, he had sought “Da”; but suddenly +aware that she was not the person he wanted, had rushed away to find his +father, and had run into the arms of his mother. + +“Clover's calf's dead! Oh! Oh! It looked so soft!” + +His mother's clasp, and her: + +“Yes, darling, there, there!” had stayed his sobbing. But if Clover's +calf could die, anything could—not only bees, flies, beetles and +chickens—and look soft like that! This was appalling—and soon forgotten! + +The next thing had been to sit on a bumble bee, a poignant experience, +which his mother had understood much better than “Da”; and nothing of +vital importance had happened after that till the year turned; when, +following a day of utter wretchedness, he had enjoyed a disease composed +of little spots, bed, honey in a spoon, and many Tangerine oranges. +It was then that the world had flowered. To “Auntie” June he owed that +flowering, for no sooner was he a little lame duck than she came rushing +down from London, bringing with her the books which had nurtured her +own Berserker spirit, born in the noted year of 1869. Aged, and of many +colours, they were stored with the most formidable happenings. Of +these she read to little Jon, till he was allowed to read to himself; +whereupon she whisked back to London and left them with him in a heap. +Those books cooked his fancy, till he thought and dreamed of nothing but +midshipmen and dhows, pirates, rafts, sandal-wood traders, iron horses, +sharks, battles, Tartars, Red Indians, balloons, North Poles and other +extravagant delights. The moment he was suffered to get up, he rigged +his bed fore and aft, and set out from it in a narrow bath across green +seas of carpet, to a rock, which he climbed by means of its mahogany +drawer knobs, to sweep the horizon with his drinking tumbler screwed to +his eye, in search of rescuing sails. He made a daily raft out of the +towel stand, the tea tray, and his pillows. He saved the juice from his +French plums, bottled it in an empty medicine bottle, and provisioned +the raft with the rum that it became; also with pemmican made out of +little saved-up bits of chicken sat on and dried at the fire; and with +lime juice against scurvy, extracted from the peel of his oranges and a +little economised juice. He made a North Pole one morning from the whole +of his bedclothes except the bolster, and reached it in a birch-bark +canoe (in private life the fender), after a terrible encounter with a +polar bear fashioned from the bolster and four skittles dressed up +in “Da's” nightgown. After that, his father, seeking to steady his +imagination, brought him Ivanhoe, Bevis, a book about King Arthur, and +Tom Brown's Schooldays. He read the first, and for three days built, +defended and stormed Front de Boeuf's castle, taking every part in the +piece except those of Rebecca and Rowena; with piercing cries of: “En +avant, de Bracy!” and similar utterances. After reading the book about +King Arthur he became almost exclusively Sir Lamorac de Galis, because, +though there was very little about him, he preferred his name to that of +any other knight; and he rode his old rocking-horse to death, armed +with a long bamboo. Bevis he found tame; besides, it required woods and +animals, of which he had none in his nursery, except his two cats, Fitz +and Puck Forsyte, who permitted no liberties. For Tom Brown he was as +yet too young. There was relief in the house when, after the fourth +week, he was permitted to go down and out. + +The month being March the trees were exceptionally like the masts of +ships, and for little Jon that was a wonderful Spring, extremely hard +on his knees, suits, and the patience of “Da,” who had the washing and +reparation of his clothes. Every morning the moment his breakfast was +over, he could be viewed by his mother and father, whose windows looked +out that way, coming from the study, crossing the terrace, climbing the +old oak tree, his face resolute and his hair bright. He began the day +thus because there was not time to go far afield before his lessons. The +old tree's variety never staled; it had mainmast, foremast, top-gallant +mast, and he could always come down by the halyards—or ropes of the +swing. After his lessons, completed by eleven, he would go to +the kitchen for a thin piece of cheese, a biscuit and two French +plums—provision enough for a jolly-boat at least—and eat it in some +imaginative way; then, armed to the teeth with gun, pistols, and sword, +he would begin the serious climbing of the morning, encountering by the +way innumerable slavers, Indians, pirates, leopards, and bears. He was +seldom seen at that hour of the day without a cutlass in his teeth (like +Dick Needham) amid the rapid explosion of copper caps. And many were the +gardeners he brought down with yellow peas shot out of his little gun. +He lived a life of the most violent action. + +“Jon,” said his father to his mother, under the oak tree, “is terrible. +I'm afraid he's going to turn out a sailor, or something hopeless. Do +you see any sign of his appreciating beauty?” + +“Not the faintest.” + +“Well, thank heaven he's no turn for wheels or engines! I can bear +anything but that. But I wish he'd take more interest in Nature.” + +“He's imaginative, Jolyon.” + +“Yes, in a sanguinary way. Does he love anyone just now?” + +“No; only everyone. There never was anyone born more loving or more +lovable than Jon.” + +“Being your boy, Irene.” + +At this moment little Jon, lying along a branch high above them, brought +them down with two peas; but that fragment of talk lodged, thick, in his +small gizzard. Loving, lovable, imaginative, sanguinary! + +The leaves also were thick by now, and it was time for his birthday, +which, occurring every year on the twelfth of May, was always memorable +for his chosen dinner of sweetbread, mushrooms, macaroons, and ginger +beer. + +Between that eighth birthday, however, and the afternoon when he stood +in the July radiance at the turning of the stairway, several important +things had happened. + +“Da,” worn out by washing his knees, or moved by that mysterious +instinct which forces even nurses to desert their nurslings, left the +very day after his birthday in floods of tears “to be married”—of +all things—“to a man.” Little Jon, from whom it had been kept, was +inconsolable for an afternoon. It ought not to have been kept from him! +Two large boxes of soldiers and some artillery, together with The Young +Buglers, which had been among his birthday presents, cooperated with +his grief in a sort of conversion, and instead of seeking adventures in +person and risking his own life, he began to play imaginative games, in +which he risked the lives of countless tin soldiers, marbles, stones and +beans. Of these forms of “chair a canon” he made collections, and, using +them alternately, fought the Peninsular, the Seven Years, the Thirty +Years, and other wars, about which he had been reading of late in a big +History of Europe which had been his grandfather's. He altered them to +suit his genius, and fought them all over the floor in his day nursery, +so that nobody could come in, for fearing of disturbing Gustavus +Adolphus, King of Sweden, or treading on an army of Austrians. Because +of the sound of the word he was passionately addicted to the Austrians, +and finding there were so few battles in which they were successful +he had to invent them in his games. His favourite generals were +Prince Eugene, the Archduke Charles and Wallenstein. Tilly and Mack +(“music-hall turns” he heard his father call them one day, whatever that +might mean) one really could not love very much, Austrian though they +were. For euphonic reasons, too, he doted on Turenne. + +This phase, which caused his parents anxiety, because it kept him +indoors when he ought to have been out, lasted through May and half of +June, till his father killed it by bringing home to him Tom Sawyer and +Huckleberry Finn. When he read those books something happened in him, +and he went out of doors again in passionate quest of a river. There +being none on the premises at Robin Hill, he had to make one out of +the pond, which fortunately had water lilies, dragonflies, gnats, +bullrushes, and three small willow trees. On this pond, after his father +and Garratt had ascertained by sounding that it had a reliable bottom +and was nowhere more than two feet deep, he was allowed a little +collapsible canoe, in which he spent hours and hours paddling, and lying +down out of sight of Indian Joe and other enemies. On the shore of the +pond, too, he built himself a wigwam about four feet square, of old +biscuit tins, roofed in by boughs. In this he would make little fires, +and cook the birds he had not shot with his gun, hunting in the coppice +and fields, or the fish he did not catch in the pond because there were +none. This occupied the rest of June and that July, when his father +and mother were away in Ireland. He led a lonely life of “make believe” +during those five weeks of summer weather, with gun, wigwam, water and +canoe; and, however hard his active little brain tried to keep the +sense of beauty away, she did creep in on him for a second now and then, +perching on the wing of a dragon-fly, glistening on the water lilies, or +brushing his eyes with her blue as he lay on his back in ambush. + +“Auntie” June, who had been left in charge, had a “grown-up” in the +house, with a cough and a large piece of putty which he was making +into a face; so she hardly ever came down to see him in the pond. Once, +however, she brought with her two other “grown-ups.” Little Jon, who +happened to have painted his naked self bright blue and yellow in +stripes out of his father's water-colour box, and put some duck's +feathers in his hair, saw them coming, and—ambushed himself among the +willows. As he had foreseen, they came at once to his wigwam and knelt +down to look inside, so that with a blood-curdling yell he was able to +take the scalps of “Auntie” June and the woman “grown-up” in an almost +complete manner before they kissed him. The names of the two grown-ups +were “Auntie” Holly and “Uncle” Val, who had a brown face and a little +limp, and laughed at him terribly. He took a fancy to “Auntie” Holly, +who seemed to be a sister too; but they both went away the same +afternoon and he did not see them again. Three days before his father +and mother were to come home “Auntie” June also went off in a great +hurry, taking the “grown-up” who coughed and his piece of putty; and +Mademoiselle said: “Poor man, he was veree ill. I forbid you to go into +his room, Jon.” Little Jon, who rarely did things merely because he was +told not to, refrained from going, though he was bored and lonely. In +truth the day of the pond was past, and he was filled to the brim of +his soul with restlessness and the want of something—not a tree, not a +gun—something soft. Those last two days had seemed months in spite of +Cast Up by the Sea, wherein he was reading about Mother Lee and her +terrible wrecking bonfire. He had gone up and down the stairs perhaps a +hundred times in those two days, and often from the day nursery, where +he slept now, had stolen into his mother's room, looked at everything, +without touching, and on into the dressing-room; and standing on one leg +beside the bath, like Slingsby, had whispered: + +“Ho, ho, ho! Dog my cats!” mysteriously, to bring luck. Then, stealing +back, he had opened his mother's wardrobe, and taken a long sniff which +seemed to bring him nearer to—he didn't know what. + +He had done this just before he stood in the streak of sunlight, +debating in which of the several ways he should slide down the +banisters. They all seemed silly, and in a sudden languor he began +descending the steps one by one. During that descent he could remember +his father quite distinctly—the short grey beard, the deep eyes +twinkling, the furrow between them, the funny smile, the thin figure +which always seemed so tall to little Jon; but his mother he couldn't +see. All that represented her was something swaying with two dark eyes +looking back at him; and the scent of her wardrobe. + +Bella was in the hall, drawing aside the big curtains, and opening the +front door. Little Jon said, wheedling, + +“Bella!” + +“Yes, Master Jon.” + +“Do let's have tea under the oak tree when they come; I know they'd like +it best.” + +“You mean you'd like it best.” + +Little Jon considered. + +“No, they would, to please me.” + +Bella smiled. “Very well, I'll take it out if you'll stay quiet here and +not get into mischief before they come.” + +Little Jon sat down on the bottom step, and nodded. Bella came close, +and looked him over. + +“Get up!” she said. + +Little Jon got up. She scrutinized him behind; he was not green, and his +knees seemed clean. + +“All right!” she said. “My! Aren't you brown? Give me a kiss!” + +And little Jon received a peck on his hair. + +“What jam?” he asked. “I'm so tired of waiting.” + +“Gooseberry and strawberry.” + +Num! They were his favourites! + +When she was gone he sat still for quite a minute. It was quiet in the +big hall open to its East end so that he could see one of his trees, +a brig sailing very slowly across the upper lawn. In the outer hall +shadows were slanting from the pillars. Little Jon got up, jumped one of +them, and walked round the clump of iris plants which filled the pool +of grey-white marble in the centre. The flowers were pretty, but only +smelled a very little. He stood in the open doorway and looked out. +Suppose!—suppose they didn't come! He had waited so long that he felt he +could not bear that, and his attention slid at once from such finality +to the dust motes in the bluish sunlight coming in: Thrusting his hand +up, he tried to catch some. Bella ought to have dusted that piece of +air! But perhaps they weren't dust—only what sunlight was made of, and +he looked to see whether the sunlight out of doors was the same. It was +not. He had said he would stay quiet in the hall, but he simply couldn't +any more; and crossing the gravel of the drive he lay down on the grass +beyond. Pulling six daisies he named them carefully, Sir Lamorac, Sir +Tristram, Sir Lancelot, Sir Palimedes, Sir Bors, Sir Gawain, and fought +them in couples till only Sir Lamorac, whom he had selected for a +specially stout stalk, had his head on, and even he, after three +encounters, looked worn and waggly. A beetle was moving slowly in the +grass, which almost wanted cutting. Every blade was a small tree, +round whose trunk the beetle had to glide. Little Jon stretched out +Sir Lamorac, feet foremost, and stirred the creature up. It scuttled +painfully. Little Jon laughed, lost interest, and sighed. His heart felt +empty. He turned over and lay on his back. There was a scent of honey +from the lime trees in flower, and in the sky the blue was beautiful, +with a few white clouds which looked and perhaps tasted like lemon ice. +He could hear Bob playing: “Way down upon de Suwannee ribber” on his +concertina, and it made him nice and sad. He turned over again and put +his ear to the ground—Indians could hear things coming ever so far—but +he could hear nothing—only the concertina! And almost instantly he did +hear a grinding sound, a faint toot. Yes! it was a car—coming—coming! +Up he jumped. Should he wait in the porch, or rush upstairs, and as +they came in, shout: “Look!” and slide slowly down the banisters, head +foremost? Should he? The car turned in at the drive. It was too late! +And he only waited, jumping up and down in his excitement. The car came +quickly, whirred, and stopped. His father got out, exactly like life. He +bent down and little Jon bobbed up—they bumped. His father said, + +“Bless us! Well, old man, you are brown!” Just as he would; and the +sense of expectation—of something wanted—bubbled unextinguished in +little Jon. Then, with a long, shy look he saw his mother, in a blue +dress, with a blue motor scarf over her cap and hair, smiling. He jumped +as high as ever he could, twined his legs behind her back, and hugged. +He heard her gasp, and felt her hugging back. His eyes, very dark blue +just then, looked into hers, very dark brown, till her lips closed on +his eyebrow, and, squeezing with all his might, he heard her creak and +laugh, and say: + +“You are strong, Jon!” + +He slid down at that, and rushed into the hall, dragging her by the +hand. + +While he was eating his jam beneath the oak tree, he noticed things +about his mother that he had never seemed to see before, her cheeks for +instance were creamy, there were silver threads in her dark goldy hair, +her throat had no knob in it like Bella's, and she went in and out +softly. He noticed, too, some little lines running away from the corners +of her eyes, and a nice darkness under them. She was ever so beautiful, +more beautiful than “Da” or Mademoiselle, or “Auntie” June or even +“Auntie” Holly, to whom he had taken a fancy; even more beautiful than +Bella, who had pink cheeks and came out too suddenly in places. This new +beautifulness of his mother had a kind of particular importance, and he +ate less than he had expected to. + +When tea was over his father wanted him to walk round the gardens. +He had a long conversation with his father about things in general, +avoiding his private life—Sir Lamorac, the Austrians, and the emptiness +he had felt these last three days, now so suddenly filled up. His father +told him of a place called Glensofantrim, where he and his mother had +been; and of the little people who came out of the ground there when it +was very quiet. Little Jon came to a halt, with his heels apart. + +“Do you really believe they do, Daddy?” “No, Jon, but I thought you +might.” + +“Why?” + +“You're younger than I; and they're fairies.” Little Jon squared the +dimple in his chin. + +“I don't believe in fairies. I never see any.” “Ha!” said his father. + +“Does Mum?” + +His father smiled his funny smile. + +“No; she only sees Pan.” + +“What's Pan?” + +“The Goaty God who skips about in wild and beautiful places.” + +“Was he in Glensofantrim?” + +“Mum said so.” + +Little Jon took his heels up, and led on. + +“Did you see him?” + +“No; I only saw Venus Anadyomene.” + +Little Jon reflected; Venus was in his book about the Greeks and +Trojans. Then Anna was her Christian and Dyomene her surname? + +But it appeared, on inquiry, that it was one word, which meant rising +from the foam. + +“Did she rise from the foam in Glensofantrim?” + +“Yes; every day.” + +“What is she like, Daddy?” + +“Like Mum.” + +“Oh! Then she must be...” but he stopped at that, rushed at a wall, +scrambled up, and promptly scrambled down again. The discovery that his +mother was beautiful was one which he felt must absolutely be kept to +himself. His father's cigar, however, took so long to smoke, that at +last he was compelled to say: + +“I want to see what Mum's brought home. Do you mind, Daddy?” + +He pitched the motive low, to absolve him from unmanliness, and was a +little disconcerted when his father looked at him right through, heaved +an important sigh, and answered: + +“All right, old man, you go and love her.” + +He went, with a pretence of slowness, and then rushed, to make up. He +entered her bedroom from his own, the door being open. She was still +kneeling before a trunk, and he stood close to her, quite still. + +She knelt up straight, and said: + +“Well, Jon?” + +“I thought I'd just come and see.” + +Having given and received another hug, he mounted the window-seat, and +tucking his legs up under him watched her unpack. He derived a pleasure +from the operation such as he had not yet known, partly because she was +taking out things which looked suspicious, and partly because he liked +to look at her. She moved differently from anybody else, especially from +Bella; she was certainly the refinedest-looking person he had ever seen. +She finished the trunk at last, and knelt down in front of him. + +“Have you missed us, Jon?” + +Little Jon nodded, and having thus admitted his feelings, continued to +nod. + +“But you had 'Auntie' June?” + +“Oh! she had a man with a cough.” + +His mother's face changed, and looked almost angry. He added hastily: + +“He was a poor man, Mum; he coughed awfully; I—I liked him.” + +His mother put her hands behind his waist. + +“You like everybody, Jon?” + +Little Jon considered. + +“Up to a point,” he said: “Auntie June took me to church one Sunday.” + +“To church? Oh!” + +“She wanted to see how it would affect me.” “And did it?” + +“Yes. I came over all funny, so she took me home again very quick. I +wasn't sick after all. I went to bed and had hot brandy and water, and +read The Boys of Beechwood. It was scrumptious.” + +His mother bit her lip. + +“When was that?” + +“Oh! about—a long time ago—I wanted her to take me again, but she +wouldn't. You and Daddy never go to church, do you?” + +“No, we don't.” + +“Why don't you?” + +His mother smiled. + +“Well, dear, we both of us went when we were little. Perhaps we went +when we were too little.” + +“I see,” said little Jon, “it's dangerous.” + +“You shall judge for yourself about all those things as you grow up.” + +Little Jon replied in a calculating manner: + +“I don't want to grow up, much. I don't want to go to school.” A sudden +overwhelming desire to say something more, to say what he really felt, +turned him red. “I—I want to stay with you, and be your lover, Mum.” + +Then with an instinct to improve the situation, he added quickly “I +don't want to go to bed to-night, either. I'm simply tired of going to +bed, every night.” + +“Have you had any more nightmares?” + +“Only about one. May I leave the door open into your room to-night, +Mum?” + +“Yes, just a little.” Little Jon heaved a sigh of satisfaction. + +“What did you see in Glensofantrim?” + +“Nothing but beauty, darling.” + +“What exactly is beauty?” + +“What exactly is—Oh! Jon, that's a poser.” + +“Can I see it, for instance?” His mother got up, and sat beside him. +“You do, every day. The sky is beautiful, the stars, and moonlit nights, +and then the birds, the flowers, the trees—they're all beautiful. Look +out of the window—there's beauty for you, Jon.” + +“Oh! yes, that's the view. Is that all?” + +“All? no. The sea is wonderfully beautiful, and the waves, with their +foam flying back.” + +“Did you rise from it every day, Mum?” + +His mother smiled. “Well, we bathed.” + +Little Jon suddenly reached out and caught her neck in his hands. + +“I know,” he said mysteriously, “you're it, really, and all the rest is +make-believe.” + +She sighed, laughed, said: “Oh! Jon!” + +Little Jon said critically: + +“Do you think Bella beautiful, for instance? I hardly do.” + +“Bella is young; that's something.” + +“But you look younger, Mum. If you bump against Bella she hurts.” + +“I don't believe 'Da' was beautiful, when I come to think of it; and +Mademoiselle's almost ugly.” + +“Mademoiselle has a very nice face.” “Oh! yes; nice. I love your little +rays, Mum.” + +“Rays?” + +Little Jon put his finger to the outer corner of her eye. + +“Oh! Those? But they're a sign of age.” + +“They come when you smile.” + +“But they usen't to.” + +“Oh! well, I like them. Do you love me, Mum?” + +“I do—I do love you, darling.” + +“Ever so?” + +“Ever so!” + +“More than I thought you did?” + +“Much—much more.” + +“Well, so do I; so that makes it even.” + +Conscious that he had never in his life so given himself away, he felt +a sudden reaction to the manliness of Sir Lamorac, Dick Needham, Huck +Finn, and other heroes. + +“Shall I show you a thing or two?” he said; and slipping out of her +arms, he stood on his head. Then, fired by her obvious admiration, he +mounted the bed, and threw himself head foremost from his feet on to +his back, without touching anything with his hands. He did this several +times. + +That evening, having inspected what they had brought, he stayed up to +dinner, sitting between them at the little round table they used when +they were alone. He was extremely excited. His mother wore a French-grey +dress, with creamy lace made out of little scriggly roses, round her +neck, which was browner than the lace. He kept looking at her, till at +last his father's funny smile made him suddenly attentive to his slice +of pineapple. It was later than he had ever stayed up, when he went to +bed. His mother went up with him, and he undressed very slowly so as to +keep her there. When at last he had nothing on but his pyjamas, he said: + +“Promise you won't go while I say my prayers!” + +“I promise.” + +Kneeling down and plunging his face into the bed, little Jon hurried +up, under his breath, opening one eye now and then, to see her standing +perfectly still with a smile on her face. “Our Father”—so went his last +prayer, “which art in heaven, hallowed be thy Mum, thy Kingdom Mum—on +Earth as it is in heaven, give us this day our daily Mum and forgive us +our trespasses on earth as it is in heaven and trespass against us, for +thine is the evil the power and the glory for ever and ever. Amum! Look +out!” He sprang, and for a long minute remained in her arms. Once in +bed, he continued to hold her hand. + +“You won't shut the door any more than that, will you? Are you going to +be long, Mum?” + +“I must go down and play to Daddy.” + +“Oh! well, I shall hear you.” + +“I hope not; you must go to sleep.” + +“I can sleep any night.” + +“Well, this is just a night like any other.” + +“Oh! no—it's extra special.” + +“On extra special nights one always sleeps soundest.” + +“But if I go to sleep, Mum, I shan't hear you come up.” + +“Well, when I do, I'll come in and give you a kiss, then if you're awake +you'll know, and if you're not you'll still know you've had one.” + +Little Jon sighed, “All right!” he said: “I suppose I must put up with +that. Mum?” + +“Yes?” + +“What was her name that Daddy believes in? Venus Anna Diomedes?” + +“Oh! my angel! Anadyomene.” + +“Yes! but I like my name for you much better.” + +“What is yours, Jon?” + +Little Jon answered shyly: + +“Guinevere! it's out of the Round Table—I've only just thought of it, +only of course her hair was down.” + +His mother's eyes, looking past him, seemed to float. + +“You won't forget to come, Mum?” + +“Not if you'll go to sleep.” + +“That's a bargain, then.” And little Jon screwed up his eyes. + +He felt her lips on his forehead, heard her footsteps; opened his eyes +to see her gliding through the doorway, and, sighing, screwed them up +again. + +Then Time began. + +For some ten minutes of it he tried loyally to sleep, counting a great +number of thistles in a row, “Da's” old recipe for bringing slumber. He +seemed to have been hours counting. It must, he thought, be nearly time +for her to come up now. He threw the bedclothes back. “I'm hot!” he +said, and his voice sounded funny in the darkness, like someone else's. +Why didn't she come? He sat up. He must look! He got out of bed, went to +the window and pulled the curtain a slice aside. It wasn't dark, but he +couldn't tell whether because of daylight or the moon, which was very +big. It had a funny, wicked face, as if laughing at him, and he did not +want to look at it. Then, remembering that his mother had said moonlit +nights were beautiful, he continued to stare out in a general way. The +trees threw thick shadows, the lawn looked like spilt milk, and a long, +long way he could see; oh! very far; right over the world, and it all +looked different and swimmy. There was a lovely smell, too, in his open +window. + +'I wish I had a dove like Noah!' he thought. + +“The moony moon was round and bright, It shone and shone and made it +light.” + +After that rhyme, which came into his head all at once, he became +conscious of music, very soft-lovely! Mum playing! He bethought himself +of a macaroon he had, laid up in his chest of drawers, and, getting it, +came back to the window. He leaned out, now munching, now holding his +jaws to hear the music better. “Da” used to say that angels played on +harps in heaven; but it wasn't half so lovely as Mum playing in the +moony night, with him eating a macaroon. A cockchafer buzzed by, a moth +flew in his face, the music stopped, and little Jon drew his head in. +She must be coming! He didn't want to be found awake. He got back into +bed and pulled the clothes nearly over his head; but he had left a +streak of moonlight coming in. It fell across the floor, near the foot +of the bed, and he watched it moving ever so slowly towards him, as if +it were alive. The music began again, but he could only just hear it +now; sleepy music, pretty—sleepy—music—sleepy—slee..... + +And time slipped by, the music rose, fell, ceased; the moonbeam crept +towards his face. Little Jon turned in his sleep till he lay on his +back, with one brown fist still grasping the bedclothes. The corners of +his eyes twitched—he had begun to dream. He dreamed he was drinking milk +out of a pan that was the moon, opposite a great black cat which watched +him with a funny smile like his father's. He heard it whisper: “Don't +drink too much!” It was the cat's milk, of course, and he put out his +hand amicably to stroke the creature; but it was no longer there; the +pan had become a bed, in which he was lying, and when he tried to get +out he couldn't find the edge; he couldn't find it—he—he—couldn't get +out! It was dreadful! + +He whimpered in his sleep. The bed had begun to go round too; it was +outside him and inside him; going round and round, and getting fiery, +and Mother Lee out of Cast up by the Sea was stirring it! Oh! so +horrible she looked! Faster and faster!—till he and the bed and Mother +Lee and the moon and the cat were all one wheel going round and round +and up and up—awful—awful—awful! + +He shrieked. + +A voice saying: “Darling, darling!” got through the wheel, and he awoke, +standing on his bed, with his eyes wide open. + +There was his mother, with her hair like Guinevere's, and, clutching +her, he buried his face in it. + +“Oh! oh!” + +“It's all right, treasure. You're awake now. There! There! It's +nothing!” + +But little Jon continued to say: “Oh! oh!” + +Her voice went on, velvety in his ear: + +“It was the moonlight, sweetheart, coming on your face.” + +Little Jon burbled into her nightgown + +“You said it was beautiful. Oh!” + +“Not to sleep in, Jon. Who let it in? Did you draw the curtains?” + +“I wanted to see the time; I—I looked out, I—I heard you playing, Mum; +I—I ate my macaroon.” But he was growing slowly comforted; and the +instinct to excuse his fear revived within him. + +“Mother Lee went round in me and got all fiery,” he mumbled. + +“Well, Jon, what can you expect if you eat macaroons after you've gone +to bed?” + +“Only one, Mum; it made the music ever so more beautiful. I was waiting +for you—I nearly thought it was to-morrow.” + +“My ducky, it's only just eleven now.” + +Little Jon was silent, rubbing his nose on her neck. + +“Mum, is Daddy in your room?” + +“Not to-night.” + +“Can I come?” + +“If you wish, my precious.” + +Half himself again, little Jon drew back. + +“You look different, Mum; ever so younger.” + +“It's my hair, darling.” + +Little Jon laid hold of it, thick, dark gold, with a few silver threads. + +“I like it,” he said: “I like you best of all like this.” + +Taking her hand, he had begun dragging her towards the door. He shut it +as they passed, with a sigh of relief. + +“Which side of the bed do you like, Mum?” + +“The left side.” + +“All right.” + +Wasting no time, giving her no chance to change her mind, little Jon got +into the bed, which seemed much softer than his own. He heaved another +sigh, screwed his head into the pillow and lay examining the battle of +chariots and swords and spears which always went on outside blankets, +where the little hairs stood up against the light. + +“It wasn't anything, really, was it?” he said. + +From before her glass his mother answered: + +“Nothing but the moon and your imagination heated up. You mustn't get so +excited, Jon.” + +But, still not quite in possession of his nerves, little Jon answered +boastfully: + +“I wasn't afraid, really, of course!” And again he lay watching the +spears and chariots. It all seemed very long. + +“Oh! Mum, do hurry up!” + +“Darling, I have to plait my hair.” + +“Oh! not to-night. You'll only have to unplait it again to-morrow. I'm +sleepy now; if you don't come, I shan't be sleepy soon.” + +His mother stood up white and flowey before the winged mirror: he could +see three of her, with her neck turned and her hair bright under the +light, and her dark eyes smiling. It was unnecessary, and he said: + +“Do come, Mum; I'm waiting.” + +“Very well, my love, I'll come.” + +Little Jon closed his eyes. Everything was turning out most +satisfactory, only she must hurry up! He felt the bed shake, she was +getting in. And, still with his eyes closed, he said sleepily: “It's +nice, isn't it?” + +He heard her voice say something, felt her lips touching his nose, and, +snuggling up beside her who lay awake and loved him with her thoughts, +he fell into the dreamless sleep, which rounded off his past. + + + + + +TO LET + +“From out the fatal loins of those two foes A pair of star-crossed +lovers take their life.” —Romeo and Juliet. + +TO CHARLES SCRIBNER + + + + +PART I + + + + + +I.—ENCOUNTER + +Soames Forsyte emerged from the Knightsbridge Hotel, where he was +staying, in the afternoon of the 12th of May, 1920, with the intention +of visiting a collection of pictures in a Gallery off Cork Street, and +looking into the Future. He walked. Since the War he never took a cab +if he could help it. Their drivers were, in his view, an uncivil lot, +though now that the War was over and supply beginning to exceed demand +again, getting more civil in accordance with the custom of human nature. +Still, he had not forgiven them, deeply identifying them with gloomy +memories, and now, dimly, like all members, of their class, with +revolution. The considerable anxiety he had passed through during the +War, and the more considerable anxiety he had since undergone in the +Peace, had produced psychological consequences in a tenacious nature. +He had, mentally, so frequently experienced ruin, that he had ceased to +believe in its material probability. Paying away four thousand a year in +income and super tax, one could not very well be worse off! A fortune of +a quarter of a million, encumbered only by a wife and one daughter, and +very diversely invested, afforded substantial guarantee even against +that “wildcat notion” a levy on capital. And as to confiscation of war +profits, he was entirely in favour of it, for he had none, and “serve +the beggars right!” The price of pictures, moreover, had, if anything, +gone up, and he had done better with his collection since the War began +than ever before. Air-raids, also, had acted beneficially on a spirit +congenitally cautious, and hardened a character already dogged. To be in +danger of being entirely dispersed inclined one to be less apprehensive +of the more partial dispersions involved in levies and taxation, while +the habit of condemning the impudence of the Germans had led naturally +to condemning that of Labour, if not openly at least in the sanctuary of +his soul. + +He walked. There was, moreover, time to spare, for Fleur was to meet him +at the Gallery at four o'clock, and it was as yet but half-past two. +It was good for him to walk—his liver was a little constricted, and his +nerves rather on edge. His wife was always out when she was in Town, and +his daughter would flibberty-gibbet all over the place like most young +women since the War. Still, he must be thankful that she had been too +young to do anything in that War itself. Not, of course, that he had +not supported the War from its inception, with all his soul, but between +that and supporting it with the bodies of his wife and daughter, +there had been a gap fixed by something old-fashioned within him which +abhorred emotional extravagance. He had, for instance, strongly objected +to Annette, so attractive, and in 1914 only thirty-four, going to her +native France, her “chere patrie” as, under the stimulus of war, she had +begun to call it, to nurse her “braves poilus,” forsooth! Ruining +her health and her looks! As if she were really a nurse! He had put a +stopper on it. Let her do needlework for them at home, or knit! She had +not gone, therefore, and had never been quite the same woman since. A +bad tendency of hers to mock at him, not openly, but in continual little +ways, had grown. As for Fleur, the War had resolved the vexed problem +whether or not she should go to school. She was better away from her +mother in her war mood, from the chance of air-raids, and the impetus to +do extravagant things; so he had placed her in a seminary as far West +as had seemed to him compatible with excellence, and had missed her +horribly. Fleur! He had never regretted the somewhat outlandish name +by which at her birth he had decided so suddenly to call her—marked +concession though it had been to the French. Fleur! A pretty name—a +pretty child! But restless—too restless; and wilful! Knowing her power +too over her father! Soames often reflected on the mistake it was to +dote on his daughter. To get old and dote! Sixty-five! He was getting +on; but he didn't feel it, for, fortunately perhaps, considering +Annette's youth and good looks, his second marriage had turned out a +cool affair. He had known but one real passion in his life—for that +first wife of his—Irene. Yes, and that fellow, his cousin Jolyon, who +had gone off with her, was looking very shaky, they said. No wonder, at +seventy-two, after twenty years of a third marriage! + +Soames paused a moment in his march to lean over the railings of the +Row. A suitable spot for reminiscence, half-way between that house in +Park Lane which had seen his birth and his parents' deaths, and the +little house in Montpellier Square where thirty-five years ago he had +enjoyed his first edition of matrimony. Now, after twenty years of +his second edition, that old tragedy seemed to him like a previous +existence—which had ended when Fleur was born in place of the son he had +hoped for. For many years he had ceased regretting, even vaguely, the +son who had not been born; Fleur filled the bill in his heart. After +all, she bore his name; and he was not looking forward at all to the +time when she would change it. Indeed, if he ever thought of such a +calamity, it was seasoned by the vague feeling that he could make her +rich enough to purchase perhaps and extinguish the name of the fellow +who married her—why not, since, as it seemed, women were equal to men +nowadays? And Soames, secretly convinced that they were not, passed his +curved hand over his face vigorously, till it reached the comfort of his +chin. Thanks to abstemious habits, he had not grown fat and gabby; his +nose was pale and thin, his grey moustache close-clipped, his eyesight +unimpaired. A slight stoop closened and corrected the expansion given to +his face by the heightening of his forehead in the recession of his +grey hair. Little change had Time wrought in the “warmest” of the young +Forsytes, as the last of the old Forsytes—Timothy-now in his hundred and +first year, would have phrased it. + +The shade from the plane-trees fell on his neat Homburg hat; he had +given up top hats—it was no use attracting attention to wealth in days +like these. Plane-trees! His thoughts travelled sharply to Madrid—the +Easter before the War, when, having to make up his mind about that Goya +picture, he had taken a voyage of discovery to study the painter on his +spot. The fellow had impressed him—great range, real genius! Highly as +the chap ranked, he would rank even higher before they had finished with +him. The second Goya craze would be greater even than the first; +oh, yes! And he had bought. On that visit he had—as never +before—commissioned a copy of a fresco painting called “La Vendimia,” +wherein was the figure of a girl with an arm akimbo, who had reminded +him of his daughter. He had it now in the Gallery at Mapledurham, and +rather poor it was—you couldn't copy Goya. He would still look at it, +however, if his daughter were not there, for the sake of something +irresistibly reminiscent in the light, erect balance of the figure, the +width between the arching eyebrows, the eager dreaming of the dark eyes. +Curious that Fleur should have dark eyes, when his own were grey—no +pure Forsyte had brown eyes—and her mother's blue! But of course her +grandmother Lamotte's eyes were dark as treacle! + +He began to walk on again toward Hyde Park Corner. No greater change +in all England than in the Row! Born almost within hail of it, he +could remember it from 1860 on. Brought there as a child between the +crinolines to stare at tight-trousered dandies in whiskers, riding with +a cavalry seat; to watch the doffing of curly-brimmed and white top +hats; the leisurely air of it all, and the little bow-legged man in +a long red waistcoat who used to come among the fashion with dogs +on several strings, and try to sell one to his mother: King Charles +spaniels, Italian greyhounds, affectionate to her crinoline—you never +saw them now. You saw no quality of any sort, indeed, just working +people sitting in dull rows with nothing to stare at but a few young +bouncing females in pot hats, riding astride, or desultory Colonials +charging up and down on dismal-looking hacks; with, here and there, +little girls on ponies, or old gentlemen jogging their livers, or an +orderly trying a great galumphing cavalry horse; no thoroughbreds, no +grooms, no bowing, no scraping, no gossip—nothing; only the trees +the same—the trees indifferent to the generations and declensions of +mankind. A democratic England—dishevelled, hurried, noisy, and seemingly +without an apex. And that something fastidious in the soul of Soames +turned over within him. Gone forever, the close borough of rank and +polish! Wealth there was—oh, yes! wealth—he himself was a richer man +than his father had ever been; but manners, flavour, quality, all gone, +engulfed in one vast, ugly, shoulder-rubbing, petrol-smelling Cheerio. +Little half-beaten pockets of gentility and caste lurking here and +there, dispersed and chetif, as Annette would say; but nothing ever +again firm and coherent to look up to. And into this new hurly-burly of +bad manners and loose morals his daughter—flower of his life—was flung! +And when those Labour chaps got power—if they ever did—the worst was yet +to come. + +He passed out under the archway, at last no longer—thank +goodness!—disfigured by the gungrey of its search-light. 'They'd better +put a search-light on to where they're all going,' he thought, 'and +light up their precious democracy!' And he directed his steps along the +Club fronts of Piccadilly. George Forsyte, of course, would be sitting +in the bay window of the Iseeum. The chap was so big now that he was +there nearly all his time, like some immovable, sardonic, humorous +eye noting the decline of men and things. And Soames hurried, ever +constitutionally uneasy beneath his cousin's glance. George, who, as he +had heard, had written a letter signed “Patriot” in the middle of the +War, complaining of the Government's hysteria in docking the oats of +race-horses. Yes, there he was, tall, ponderous, neat, clean-shaven, +with his smooth hair, hardly thinned, smelling, no doubt, of the best +hair-wash, and a pink paper in his hand. Well, he didn't change! And +for perhaps the first time in his life Soames felt a kind of sympathy +tapping in his waistcoat for that sardonic kinsman. With his weight, his +perfectly parted hair, and bull-like gaze, he was a guarantee that the +old order would take some shifting yet. He saw George move the pink +paper as if inviting him to ascend—the chap must want to ask something +about his property. It was still under Soames' control; for in the +adoption of a sleeping partnership at that painful period twenty +years back when he had divorced Irene, Soames had found himself almost +insensibly retaining control of all purely Forsyte affairs. + +Hesitating for just a moment, he nodded and went in. Since the death +of his brother-in-law Montague Dartie, in Paris, which no one had quite +known what to make of, except that it was certainly not suicide—the +Iseeum Club had seemed more respectable to Soames. George, too, he knew, +had sown the last of his wild oats, and was committed definitely to the +joys of the table, eating only of the very best so as to keep his weight +down, and owning, as he said, “just one or two old screws to give me an +interest in life.” He joined his cousin, therefore, in the bay window +without the embarrassing sense of indiscretion he had been used to feel +up there. George put out a well-kept hand. + +“Haven't seen you since the War,” he said. “How's your wife?” + +“Thanks,” said Soames coldly, “well enough.” + +Some hidden jest curved, for a moment, George's fleshy face, and gloated +from his eye. + +“That Belgian chap, Profond,” he said, “is a member here now. He's a rum +customer.” + +“Quite!” muttered Soames. “What did you want to see me about?” + +“Old Timothy; he might go off the hooks at any moment. I suppose he's +made his Will.” + +“Yes.” + +“Well, you or somebody ought to give him a look up—last of the old lot; +he's a hundred, you know. They say he's like a mummy. Where are you +goin' to put him? He ought to have a pyramid by rights.” + +Soames shook his head. “Highgate, the family vault.” + +“Well, I suppose the old girls would miss him, if he was anywhere else. +They say he still takes an interest in food. He might last on, you know. +Don't we get anything for the old Forsytes? Ten of them—average age +eighty-eight—I worked it out. That ought to be equal to triplets.” + +“Is that all?” said Soames, “I must be getting on.” + +'You unsociable devil,' George's eyes seemed to answer. “Yes, that's +all: Look him up in his mausoleum—the old chap might want to prophesy.” +The grin died on the rich curves of his face, and he added: “Haven't you +attorneys invented a way yet of dodging this damned income tax? It +hits the fixed inherited income like the very deuce. I used to have two +thousand five hundred a year; now I've got a beggarly fifteen hundred, +and the price of living doubled.” + +“Ah!” murmured Soames, “the turf's in danger.” + +Over George's face moved a gleam of sardonic self-defence. + +“Well,” he said, “they brought me up to do nothing, and here I am in the +sear and yellow, getting poorer every day. These Labour chaps mean to +have the lot before they've done. What are you going to do for a living +when it comes? I shall work a six-hour day teaching politicians how to +see a joke. Take my tip, Soames; go into Parliament, make sure of your +four hundred—and employ me.” + +And, as Soames retired, he resumed his seat in the bay window. + +Soames moved along Piccadilly deep in reflections excited by his +cousin's words. He himself had always been a worker and a saver, George +always a drone and a spender; and yet, if confiscation once began, +it was he—the worker and the saver—who would be looted! That was the +negation of all virtue, the overturning of all Forsyte principles. Could +civilization be built on any other? He did not think so. Well, they +wouldn't confiscate his pictures, for they wouldn't know their worth. +But what would they be worth, if these maniacs once began to milk +capital? A drug on the market. 'I don't care about myself,' he thought; +'I could live on five hundred a year, and never know the difference, at +my age.' But Fleur! This fortune, so widely invested, these treasures +so carefully chosen and amassed, were all for—her. And if it should +turn out that he couldn't give or leave them to her—well, life had +no meaning, and what was the use of going in to look at this crazy, +futuristic stuff with the view of seeing whether it had any future? + +Arriving at the Gallery off Cork Street, however, he paid his shilling, +picked up a catalogue, and entered. Some ten persons were prowling +round. Soames took steps and came on what looked to him like a lamp-post +bent by collision with a motor omnibus. It was advanced some three +paces from the wall, and was described in his catalogue as “Jupiter.” He +examined it with curiosity, having recently turned some of his attention +to sculpture. 'If that's Jupiter,' he thought, 'I wonder what Juno's +like.' And suddenly he saw her, opposite. She appeared to him like +nothing so much as a pump with two handles, lightly clad in snow. He +was still gazing at her, when two of the prowlers halted on his left. +“Epatant!” he heard one say. + +“Jargon!” growled Soames to himself. + +The other's boyish voice replied + +“Missed it, old bean; he's pulling your leg. When Jove and Juno created +he them, he was saying: 'I'll see how much these fools will swallow.' +And they've lapped up the lot.” + +“You young duffer! Vospovitch is an innovator. Don't you see that he's +brought satire into sculpture? The future of plastic art, of music, +painting, and even architecture, has set in satiric. It was bound to. +People are tired—the bottom's tumbled out of sentiment.” + +“Well, I'm quite equal to taking a little interest in beauty. I was +through the War. You've dropped your handkerchief, sir.” + +Soames saw a handkerchief held out in front of him. He took it with +some natural suspicion, and approached it to his nose. It had the right +scent—of distant Eau de Cologne—and his initials in a corner. Slightly +reassured, he raised his eyes to the young man's face. It had rather +fawn-like ears, a laughing mouth, with half a toothbrush growing out +of it on each side, and small lively eyes, above a normally dressed +appearance. + +“Thank you,” he said; and moved by a sort of irritation, added: “Glad to +hear you like beauty; that's rare, nowadays.” + +“I dote on it,” said the young man; “but you and I are the last of the +old guard, sir.” + +Soames smiled. + +“If you really care for pictures,” he said, “here's my card. I can show +you some quite good ones any Sunday, if you're down the river and care +to look in.” + +“Awfully nice of you, sir. I'll drop in like a bird. My name's +Mont-Michael.” And he took off his hat. + +Soames, already regretting his impulse, raised his own slightly in +response, with a downward look at the young man's companion, who had a +purple tie, dreadful little sluglike whiskers, and a scornful look—as if +he were a poet! + +It was the first indiscretion he had committed for so long that he went +and sat down in an alcove. What had possessed him to give his card to a +rackety young fellow, who went about with a thing like that? And Fleur, +always at the back of his thoughts, started out like a filigree figure +from a clock when the hour strikes. On the screen opposite the alcove +was a large canvas with a great many square tomato-coloured blobs on +it, and nothing else, so far as Soames could see from where he sat. +He looked at his catalogue: “No. 32 'The Future Town'—Paul Post.” 'I +suppose that's satiric too,' he thought. 'What a thing!' But his second +impulse was more cautious. It did not do to condemn hurriedly. There had +been those stripey, streaky creations of Monet's, which had turned out +such trumps; and then the stippled school; and Gauguin. Why, even since +the Post-Impressionists there had been one or two painters not to be +sneezed at. During the thirty-eight years of his connoisseur's life, +indeed, he had marked so many “movements,” seen the tides of taste and +technique so ebb and flow, that there was really no telling anything +except that there was money to be made out of every change of fashion. +This too might quite well be a case where one must subdue primordial +instinct, or lose the market. He got up and stood before the picture, +trying hard to see it with the eyes of other people. Above the tomato +blobs was what he took to be a sunset, till some one passing said: “He's +got the airplanes wonderfully, don't you think!” Below the tomato blobs +was a band of white with vertical black stripes, to which he could +assign no meaning whatever, till some one else came by, murmuring: “What +expression he gets with his foreground!” Expression? Of what? Soames +went back to his seat. The thing was “rich,” as his father would have +said, and he wouldn't give a damn for it. Expression! Ah! they were all +Expressionists now, he had heard, on the Continent. So it was coming +here too, was it? He remembered the first wave of influenza in +1887—or '8—hatched in China, so they said. He wondered where this—this +Expressionism had been hatched. The thing was a regular disease! + +He had become conscious of a woman and a youth standing between him and +the “Future Town.” Their backs were turned; but very suddenly Soames +put his catalogue before his face, and drawing his hat forward, gazed +through the slit between. No mistaking that back, elegant as ever though +the hair above had gone grey. Irene! His divorced wife—Irene! And this, +no doubt, was—her son—by that fellow Jolyon Forsyte—their boy, six +months older than his own girl! And mumbling over in his mind the bitter +days of his divorce, he rose to get out of sight, but quickly sat down +again. She had turned her head to speak to her boy; her profile was +still so youthful that it made her grey hair seem powdery, as if +fancy-dressed; and her lips were smiling as Soames, first possessor +of them, had never seen them smile. Grudgingly he admitted her still +beautiful and in figure almost as young as ever. And how that boy smiled +back at her! Emotion squeezed Soames' heart. The sight infringed his +sense of justice. He grudged her that boy's smile—it went beyond what +Fleur gave him, and it was undeserved. Their son might have been his +son; Fleur might have been her daughter, if she had kept straight! He +lowered his catalogue. If she saw him, all the better! A reminder of +her conduct in the presence of her son, who probably knew nothing of it, +would be a salutary touch from the finger of that Nemesis which surely +must soon or late visit her! Then, half-conscious that such a thought +was extravagant for a Forsyte of his age, Soames took out his watch. +Past four! Fleur was late. She had gone to his niece Imogen Cardigan's, +and there they would keep her smoking cigarettes and gossiping, and +that. He heard the boy laugh, and say eagerly: “I say, Mum, is this by +one of Auntie June's lame ducks?” + +“Paul Post—I believe it is, darling.” + +The word produced a little shock in Soames; he had never heard her use +it. And then she saw him. His eyes must have had in them something of +George Forsyte's sardonic look; for her gloved hand crisped the folds of +her frock, her eyebrows rose, her face went stony. She moved on. + +“It is a caution,” said the boy, catching her arm again. + +Soames stared after them. That boy was good-looking, with a Forsyte +chin, and eyes deep-grey, deep in; but with something sunny, like a +glass of old sherry spilled over him; his smile perhaps, his hair. +Better than they deserved—those two! They passed from his view into the +next room, and Soames continued to regard the Future Town, but saw it +not. A little smile snarled up his lips. He was despising the vehemence +of his own feelings after all these years. Ghosts! And yet as one grew +old—was there anything but what was ghost-like left? Yes, there was +Fleur! He fixed his eyes on the entrance. She was due; but she would +keep him waiting, of course! And suddenly he became aware of a sort of +human breeze—a short, slight form clad in a sea-green djibbah with a +metal belt and a fillet binding unruly red-gold hair all streaked with +grey. She was talking to the Gallery attendants, and something familiar +riveted his gaze—in her eyes, her chin, her hair, her spirit—something +which suggested a thin Skye terrier just before its dinner. Surely June +Forsyte! His cousin June—and coming straight to his recess! She sat down +beside him, deep in thought, took out a tablet, and made a pencil note. +Soames sat unmoving. A confounded thing, cousinship! “Disgusting!” he +heard her murmur; then, as if resenting the presence of an overhearing +stranger, she looked at him. The worst had happened. + +“Soames!” + +Soames turned his head a very little. + +“How are you?” he said. “Haven't seen you for twenty years.” + +“No. Whatever made you come here?” + +“My sins,” said Soames. “What stuff!” + +“Stuff? Oh, yes—of course; it hasn't arrived yet. + +“It never will,” said Soames; “it must be making a dead loss.” + +“Of course it is.” + +“How d'you know?” + +“It's my Gallery.” + +Soames sniffed from sheer surprise. + +“Yours? What on earth makes you run a show like this?” + +“I don't treat Art as if it were grocery.” + +Soames pointed to the Future Town. “Look at that! Who's going to live in +a town like that, or with it on his walls?” + +June contemplated the picture for a moment. + +“It's a vision,” she said. + +“The deuce!” + +There was silence, then June rose. 'Crazylooking creature!' he thought. + +“Well,” he said, “you'll find your young stepbrother here with a woman I +used to know. If you take my advice, you'll close this exhibition.” + +June looked back at him. “Oh! You Forsyte!” she said, and moved on. +About her light, fly-away figure, passing so suddenly away, was a look +of dangerous decisions. Forsyte! Of course, he was a Forsyte! And so was +she! But from the time when, as a mere girl, she brought Bosinney into +his life to wreck it, he had never hit it off with June and never +would! And here she was, unmarried to this day, owning a Gallery!... And +suddenly it came to Soames how little he knew now of his own family. +The old aunts at Timothy's had been dead so many years; there was +no clearing-house for news. What had they all done in the War? Young +Roger's boy had been wounded, St. John Hayman's second son killed; young +Nicholas' eldest had got an O. B. E., or whatever they gave them. +They had all joined up somehow, he believed. That boy of Jolyon's and +Irene's, he supposed, had been too young; his own generation, of course, +too old, though Giles Hayman had driven a car for the Red Cross—and +Jesse Hayman been a special constable—those “Dromios” had always been +of a sporting type! As for himself, he had given a motor ambulance, read +the papers till he was sick of them, passed through much anxiety, bought +no clothes, lost seven pounds in weight; he didn't know what more he +could have done at his age. Indeed, thinking it over, it struck him that +he and his family had taken this war very differently to that affair +with the Boers, which had been supposed to tax all the resources of +the Empire. In that old war, of course, his nephew Val Dartie had +been wounded, that fellow Jolyon's first son had died of enteric, “the +Dromios” had gone out on horses, and June had been a nurse; but all that +had seemed in the nature of a portent, while in this war everybody had +done “their bit,” so far as he could make out, as a matter of course. It +seemed to show the growth of something or other—or perhaps the decline +of something else. Had the Forsytes become less individual, or +more Imperial, or less provincial? Or was it simply that one hated +Germans?... Why didn't Fleur come, so that he could get away? He saw +those three return together from the other room and pass back along the +far side of the screen. The boy was standing before the Juno now. +And, suddenly, on the other side of her, Soames saw—his daughter, with +eyebrows raised, as well they might be. He could see her eyes glint +sideways at the boy, and the boy look back at her. Then Irene slipped +her hand through his arm, and drew him on. Soames saw him glancing +round, and Fleur looking after them as the three went out. + +A voice said cheerfully: “Bit thick, isn't it, sir?” + +The young man who had handed him his handkerchief was again passing. +Soames nodded. + +“I don't know what we're coming to.” + +“Oh! That's all right, sir,” answered the young man cheerfully; “they +don't either.” + +Fleur's voice said: “Hallo, Father! Here you are!” precisely as if he +had been keeping her waiting. + +The young man, snatching off his hat, passed on. + +“Well,” said Soames, looking her up and down, “you're a punctual sort of +young woman!” + +This treasured possession of his life was of medium height and colour, +with short, dark chestnut hair; her wide-apart brown eyes were set in +whites so clear that they glinted when they moved, and yet in repose +were almost dreamy under very white, black-lashed lids, held over them +in a sort of suspense. She had a charming profile, and nothing of her +father in her face save a decided chin. Aware that his expression +was softening as he looked at her, Soames frowned to preserve the +unemotionalism proper to a Forsyte. He knew she was only too inclined to +take advantage of his weakness. + +Slipping her hand under his arm, she said: + +“Who was that?” + +“He picked up my handkerchief. We talked about the pictures.” + +“You're not going to buy that, Father?” + +“No,” said Soames grimly; “nor that Juno you've been looking at.” + +Fleur dragged at his arm. “Oh! Let's go! It's a ghastly show.” + +In the doorway they passed the young man called Mont and his partner. +But Soames had hung out a board marked “Trespassers will be prosecuted,” +and he barely acknowledged the young fellow's salute. + +“Well,” he said in the street, “whom did you meet at Imogen's?” + +“Aunt Winifred, and that Monsieur Profond.” + +“Oh!” muttered Soames; “that chap! What does your aunt see in him?” + +“I don't know. He looks pretty deep—mother says she likes him.” + +Soames grunted. + +“Cousin Val and his wife were there, too.” + +“What!” said Soames. “I thought they were back in South Africa.” + +“Oh, no! They've sold their farm. Cousin Val is going to train +race-horses on the Sussex Downs. They've got a jolly old manor-house; +they asked me down there.” + +Soames coughed: the news was distasteful to him. “What's his wife like +now?” + +“Very quiet, but nice, I think.” + +Soames coughed again. “He's a rackety chap, your Cousin Val.” + +“Oh! no, Father; they're awfully devoted. I promised to go—Saturday to +Wednesday next.” + +“Training race-horses!” said Soames. It was extravagant, but not the +reason for his distaste. Why the deuce couldn't his nephew have stayed +out in South Africa? His own divorce had been bad enough, without his +nephew's marriage to the daughter of the co-respondent; a half-sister +too of June, and of that boy whom Fleur had just been looking at from +under the pump-handle. If he didn't look out, she would come to know +all about that old disgrace! Unpleasant things! They were round him this +afternoon like a swarm of bees! + +“I don't like it!” he said. + +“I want to see the race-horses,” murmured Fleur; “and they've promised +I shall ride. Cousin Val can't walk much, you know; but he can ride +perfectly. He's going to show me their gallops.” + +“Racing!” said Soames. “It's a pity the War didn't knock that on the +head. He's taking after his father, I'm afraid.” + +“I don't know anything about his father.” + +“No,” said Soames, grimly. “He took an interest in horses and broke his +neck in Paris, walking down-stairs. Good riddance for your aunt.” +He frowned, recollecting the inquiry into those stairs which he had +attended in Paris six years ago, because Montague Dartie could not +attend it himself—perfectly normal stairs in a house where they played +baccarat. Either his winnings or the way he had celebrated them had gone +to his brother-in-law's head. The French procedure had been very loose; +he had had a lot of trouble with it. + +A sound from Fleur distracted his attention. “Look! The people who were +in the Gallery with us.” + +“What people?” muttered Soames, who knew perfectly well. + +“I think that woman's beautiful.” + +“Come into this pastry-cook's,” said Soames abruptly, and tightening +his grip on her arm he turned into a confectioner's. It was—for him—a +surprising thing to do, and he said rather anxiously: “What will you +have?” + +“Oh! I don't want anything. I had a cocktail and a tremendous lunch.” + +“We must have something now we're here,” muttered Soames, keeping hold +of her arm. + +“Two teas,” he said; “and two of those nougat things.” + +But no sooner was his body seated than his soul sprang up. Those +three—those three were coming in! He heard Irene say something to her +boy, and his answer: + +“Oh! no, Mum; this place is all right. My stunt.” And the three sat +down. + +At that moment, most awkward of his existence, crowded with ghosts and +shadows from his past, in presence of the only two women he had ever +loved—his divorced wife and his daughter by her successor—Soames was not +so much afraid of them as of his cousin June. She might make a scene—she +might introduce those two children—she was capable of anything. He bit +too hastily at the nougat, and it stuck to his plate. Working at it with +his finger, he glanced at Fleur. She was masticating dreamily, but her +eyes were on the boy. The Forsyte in him said: “Think, feel, and you're +done for!” And he wiggled his finger desperately. Plate! Did Jolyon wear +a plate? Did that woman wear a plate? Time had been when he had seen her +wearing nothing! That was something, anyway, which had never been +stolen from him. And she knew it, though she might sit there calm +and self-possessed, as if she had never been his wife. An acid humour +stirred in his Forsyte blood; a subtle pain divided by hair's breadth +from pleasure. If only June did not suddenly bring her hornets about his +ears! The boy was talking. + +“Of course, Auntie June”—so he called his half-sister “Auntie,” did +he?—well, she must be fifty, if she was a day!—“it's jolly good of you +to encourage them. Only—hang it all!” Soames stole a glance. Irene's +startled eyes were bent watchfully on her boy. She—she had these +devotions—for Bosinney—for that boy's father—for this boy! He touched +Fleur's arm, and said: + +“Well, have you had enough?” + +“One more, Father, please.” + +She would be sick! He went to the counter to pay. When he turned round +again he saw Fleur standing near the door, holding a handkerchief which +the boy had evidently just handed to her. + +“F. F.,” he heard her say. “Fleur Forsyte—it's mine all right. Thank you +ever so.” + +Good God! She had caught the trick from what he'd told her in the +Gallery—monkey! + +“Forsyte? Why—that's my name too. Perhaps we're cousins.” + +“Really! We must be. There aren't any others. I live at Mapledurham; +where do you?” + +“Robin Hill.” + +Question and answer had been so rapid that all was over before he could +lift a finger. He saw Irene's face alive with startled feeling, gave the +slightest shake of his head, and slipped his arm through Fleur's. + +“Come along!” he said. + +She did not move. + +“Didn't you hear, Father? Isn't it queer—our name's the same. Are we +cousins?” + +“What's that?” he said. “Forsyte? Distant, perhaps.” + +“My name's Jolyon, sir. Jon, for short.” + +“Oh! Ah!” said Soames. “Yes. Distant. How are you? Very good of you. +Good-bye!” + +He moved on. + +“Thanks awfully,” Fleur was saying. “Au revoir!” + +“Au revoir!” he heard the boy reply. + + + + + +II.—FINE FLEUR FORSYTE + +Emerging from the “pastry-cook's,” Soames' first impulse was to vent +his nerves by saying to his daughter: 'Dropping your hand-kerchief!' to +which her reply might well be: 'I picked that up from you!' His second +impulse therefore was to let sleeping dogs lie. But she would surely +question him. He gave her a sidelong look, and found she was giving him +the same. She said softly: + +“Why don't you like those cousins, Father?” Soames lifted the corner of +his lip. + +“What made you think that?” + +“Cela se voit.” + +'That sees itself!' What a way of putting it! After twenty years of +a French wife Soames had still little sympathy with her language; a +theatrical affair and connected in his mind with all the refinements of +domestic irony. + +“How?” he asked. + +“You must know them; and you didn't make a sign. I saw them looking at +you.” + +“I've never seen the boy in my life,” replied Soames with perfect truth. + +“No; but you've seen the others, dear.” + +Soames gave her another look. What had she picked up? Had her Aunt +Winifred, or Imogen, or Val Dartie and his wife, been talking? Every +breath of the old scandal had been carefully kept from her at home, and +Winifred warned many times that he wouldn't have a whisper of it reach +her for the world. So far as she ought to know, he had never been +married before. But her dark eyes, whose southern glint and clearness +often almost frightened him, met his with perfect innocence. + +“Well,” he said, “your grandfather and his brother had a quarrel. The +two families don't know each other.” + +“How romantic!” + +'Now, what does she mean by that?' he thought. The word was to him +extravagant and dangerous—it was as if she had said: “How jolly!” + +“And they'll continue not to know each, other,” he added, but instantly +regretted the challenge in those words. Fleur was smiling. In this age, +when young people prided themselves on going their own ways and paying +no attention to any sort of decent prejudice, he had said the very thing +to excite her wilfulness. Then, recollecting the expression on Irene's +face, he breathed again. + +“What sort of a quarrel?” he heard Fleur say. + +“About a house. It's ancient history for you. Your grandfather died the +day you were born. He was ninety.” + +“Ninety? Are there many Forsytes besides those in the Red Book?” + +“I don't know,” said Soames. “They're all dispersed now. The old ones +are dead, except Timothy.” + +Fleur clasped her hands. + +“Timothy? Isn't that delicious?” + +“Not at all,” said Soames. It offended him that she should think +“Timothy” delicious—a kind of insult to his breed. This new generation +mocked at anything solid and tenacious. “You go and see the old boy. He +might want to prophesy.” Ah! If Timothy could see the disquiet England +of his great-nephews and great-nieces, he would certainly give tongue. +And involuntarily he glanced up at the Iseeum; yes—George was still in +the window, with the same pink paper in his hand. + +“Where is Robin Hill, Father?” + +Robin Hill! Robin Hill, round which all that tragedy had centred! What +did she want to know for? + +“In Surrey,” he muttered; “not far from Richmond. Why?” + +“Is the house there?” + +“What house?” + +“That they quarrelled about.” + +“Yes. But what's all that to do with you? We're going home +to-morrow—you'd better be thinking about your frocks.” + +“Bless you! They're all thought about. A family feud? It's like the +Bible, or Mark Twain—awfully exciting. What did you do in the feud, +Father?” + +“Never you mind.” + +“Oh! But if I'm to keep it up?” + +“Who said you were to keep it up?” + +“You, darling.” + +“I? I said it had nothing to do with you.” + +“Just what I think, you know; so that's all right.” + +She was too sharp for him; fine, as Annette sometimes called her. +Nothing for it but to distract her attention. + +“There's a bit of rosaline point in here,” he said, stopping before a +shop, “that I thought you might like.” + +When he had paid for it and they had resumed their progress, Fleur said: + +“Don't you think that boy's mother is the most beautiful woman of her +age you've ever seen?” + +Soames shivered. Uncanny, the way she stuck to it! + +“I don't know that I noticed her.” + +“Dear, I saw the corner of your eye.” + +“You see everything—and a great deal more, it seems to me!” + +“What's her husband like? He must be your first cousin, if your fathers +were brothers.” + +“Dead, for all I know,” said Soames, with sudden vehemence. “I haven't +seen him for twenty years.” + +“What was he?” + +“A painter.” + +“That's quite jolly.” + +The words: “If you want to please me you'll put those people out of your +head,” sprang to Soames' lips, but he choked them back—he must not let +her see his feelings. + +“He once insulted me,” he said. + +Her quick eyes rested on his face. + +“I see! You didn't avenge it, and it rankles. Poor Father! You let me +have a go!” + +It was really like lying in the dark with a mosquito hovering above his +face. Such pertinacity in Fleur was new to him, and, as they reached the +hotel, he said grimly: + +“I did my best. And that's enough about these people. I'm going up till +dinner.” + +“I shall sit here.” + +With a parting look at her extended in a chair—a look half-resentful, +half-adoring—Soames moved into the lift and was transported to their +suite on the fourth floor. He stood by the window of the sitting-room +which gave view over Hyde Park, and drummed a finger on its pane. His +feelings were confused, tetchy, troubled. The throb of that old wound, +scarred over by Time and new interests, was mingled with displeasure +and anxiety, and a slight pain in his chest where that nougat stuff had +disagreed. Had Annette come in? Not that she was any good to him in such +a difficulty. Whenever she had questioned him about his first marriage, +he had always shut her up; she knew nothing of it, save that it had +been the great passion of his life, and his marriage with herself +but domestic makeshift. She had always kept the grudge of that up her +sleeve, as it were, and used it commercially. He listened. A sound—the +vague murmur of a woman's movements—was coming through the door. She was +in. He tapped. + +“Who?” + +“I,” said Soames. + +She had been changing her frock, and was still imperfectly clothed; a +striking figure before her glass. There was a certain magnificence about +her arms, shoulders, hair, which had darkened since he first knew +her, about the turn of her neck, the silkiness of her garments, her +dark-lashed, greyblue eyes—she was certainly as handsome at forty as she +had ever been. A fine possession, an excellent housekeeper, a sensible +and affectionate enough mother. If only she weren't always so frankly +cynical about the relations between them! Soames, who had no more real +affection for her than she had for him, suffered from a kind of English +grievance in that she had never dropped even the thinnest veil of +sentiment over their partnership. Like most of his countrymen and women, +he held the view that marriage should be based on mutual love, but that +when from a marriage love had disappeared, or, been found never to have +really existed—so that it was manifestly not based on love—you must not +admit it. There it was, and the love was not—but there you were, and +must continue to be! Thus you had it both ways, and were not tarred +with cynicism, realism, and immorality like the French. Moreover, it was +necessary in the interests of property. He knew that she knew that they +both knew there was no love between them, but he still expected her not +to admit in words or conduct such a thing, and he could never understand +what she meant when she talked of the hypocrisy of the English. He said: + +“Whom have you got at 'The Shelter' next week?” + +Annette went on touching her lips delicately with salve—he always wished +she wouldn't do that. + +“Your sister Winifred, and the Car-r-digans”—she took up a tiny stick of +black—“and Prosper Profond.” + +“That Belgian chap? Why him?” + +Annette turned her neck lazily, touched one eyelash, and said: + +“He amuses Winifred.” + +“I want some one to amuse Fleur; she's restive.” + +“R-restive?” repeated Annette. “Is it the first time you see that, my +friend? She was born r-restive, as you call it.” + +Would she never get that affected roll out of her r's? + +He touched the dress she had taken off, and asked: + +“What have you been doing?” + +Annette looked at him, reflected in her glass. Her just-brightened lips +smiled, rather full, rather ironical. + +“Enjoying myself,” she said. + +“Oh!” answered Soames glumly. “Ribbandry, I suppose.” + +It was his word for all that incomprehensible running in and out of +shops that women went in for. “Has Fleur got her summer dresses?” + +“You don't ask if I have mine.” + +“You don't care whether I do or not.” + +“Quite right. Well, she has; and I have mine—terribly expensive.” + +“H'm!” said Soames. “What does that chap Profond do in England?” + +Annette raised the eyebrows she had just finished. + +“He yachts.” + +“Ah!” said Soames; “he's a sleepy chap.” + +“Sometimes,” answered Annette, and her face had a sort of quiet +enjoyment. “But sometimes very amusing.” + +“He's got a touch of the tar-brush about him.” + +Annette stretched herself. + +“Tar-brush?” she said. “What is that? His mother was Armenienne.” + +“That's it, then,” muttered Soames. “Does he know anything about +pictures?” + +“He knows about everything—a man of the world.” + +“Well, get some one for Fleur. I want to distract her. She's going off +on Saturday to Val Dartie and his wife; I don't like it.” + +“Why not?” + +Since the reason could not be explained without going into family +history, Soames merely answered: + +“Racketing about. There's too much of it.” + +“I like that little Mrs. Val; she is very quiet and clever.” + +“I know nothing of her except—This thing's new.” And Soames took up a +creation from the bed. + +Annette received it from him. + +“Would you hook me?” she said. + +Soames hooked. Glancing once over her shoulder into the glass, he saw +the expression on her face, faintly amused, faintly contemptuous, as +much as to say: “Thanks! You will never learn!” No, thank God, he wasn't +a Frenchman! He finished with a jerk, and the words: “It's too low +here.” And he went to the door, with the wish to get away from her and +go down to Fleur again. + +Annette stayed a powder-puff, and said with startling suddenness + +“Que tu es grossier!” + +He knew the expression—he had reason to. The first time she had used +it he had thought it meant “What a grocer you are!” and had not known +whether to be relieved or not when better informed. He resented the +word—he was not coarse! If he was coarse, what was that chap in the +room beyond his, who made those horrible noises in the morning when +he cleared his throat, or those people in the Lounge who thought it +well-bred to say nothing but what the whole world could hear at the top +of their voices—quacking inanity! Coarse, because he had said her dress +was low! Well, so it was! He went out without reply. + +Coming into the Lounge from the far end, he at once saw Fleur where he +had left her. She sat with crossed knees, slowly balancing a foot in +silk stocking and grey shoe, sure sign that she was dreaming. Her eyes +showed it too—they went off like that sometimes. And then, in a moment, +she would come to life, and be as quick and restless as a monkey. And +she knew so much, so self-assured, and not yet nineteen. What was that +odious word? Flapper! Dreadful young creatures—squealing and squawking +and showing their legs! The worst of them bad dreams, the best of them +powdered angels! Fleur was not a flapper, not one of those slangy, +ill-bred young females. And yet she was frighteningly self-willed, and +full of life, and determined to enjoy it. Enjoy! The word brought +no puritan terror to Soames; but it brought the terror suited to his +temperament. He had always been afraid to enjoy to-day for fear he +might not enjoy tomorrow so much. And it was terrifying to feel that his +daughter was divested of that safeguard. The very way she sat in that +chair showed it—lost in her dream. He had never been lost in a dream +himself—there was nothing to be had out of it; and where she got it from +he did not know! Certainly not from Annette! And yet Annette, as a young +girl, when he was hanging about her, had once had a flowery look. Well, +she had lost it now! + +Fleur rose from her chair-swiftly, restlessly; and flung herself down at +a writing-table. Seizing ink and writing paper, she began to write as +if she had not time to breathe before she got her letter written. And +suddenly she saw him. The air of desperate absorption vanished, she +smiled, waved a kiss, made a pretty face as if she were a little puzzled +and a little bored. + +Ah! She was “fine”—“fine!” + + + + + +III.—AT ROBIN HILL + +Jolyon Forsyte had spent his boy's nineteenth birthday at Robin Hill, +quietly going into his affairs. He did everything quietly now, because +his heart was in a poor way, and, like all his family, he disliked the +idea of dying. He had never realised how much till one day, two years +ago, he had gone to his doctor about certain symptoms, and been told: + +“At any moment, on any overstrain.” + +He had taken it with a smile—the natural Forsyte reaction against an +unpleasant truth. But with an increase of symptoms in the train on the +way home, he had realised to the full the sentence hanging over him. +To leave Irene, his boy, his home, his work—though he did little enough +work now! To leave them for unknown darkness, for the unimaginable +state, for such nothingness that he would not even be conscious of wind +stirring leaves above his grave, nor of the scent of earth and grass. +Of such nothingness that, however hard he might try to conceive it, he +never could, and must still hover on the hope that he might see again +those he loved! To realise this was to endure very poignant spiritual +anguish. Before he reached home that day he had determined to keep it +from Irene. He would have to be more careful than man had ever been, for +the least thing would give it away and make her as wretched as himself, +almost. His doctor had passed him sound in other respects, and seventy +was nothing of an age—he would last a long time yet, if he could. + +Such a conclusion, followed out for nearly two years, develops to the +full the subtler side of character. Naturally not abrupt, except when +nervously excited, Jolyon had become control incarnate. The sad patience +of old people who cannot exert themselves was masked by a smile which +his lips preserved even in private. He devised continually all manner of +cover to conceal his enforced lack of exertion. + +Mocking himself for so doing, he counterfeited conversion to the Simple +Life; gave up wine and cigars, drank a special kind of coffee with no +coffee in it. In short, he made himself as safe as a Forsyte in +his condition could, under the rose of his mild irony. Secure from +discovery, since his wife and son had gone up to Town, he had spent the +fine May day quietly arranging his papers, that he might die to-morrow +without inconveniencing any one, giving in fact a final polish to his +terrestrial state. Having docketed and enclosed it in his father's +old Chinese cabinet, he put the key into an envelope, wrote the words +outside: “Key of the Chinese cabinet, wherein will be found the exact +state of me, J. F.,” and put it in his breast-pocket, where it would be +always about him, in case of accident. Then, ringing for tea, he went +out to have it under the old oak-tree. + +All are under sentence of death; Jolyon, whose sentence was but a little +more precise and pressing, had become so used to it that he thought +habitually, like other people, of other things. He thought of his son +now. + +Jon was nineteen that day, and Jon had come of late to a decision. +Educated neither at Eton like his father, nor at Harrow, like his dead +half-brother, but at one of those establishments which, designed to +avoid the evil and contain the good of the Public School system, may +or may not contain the evil and avoid the good, Jon had left in April +perfectly ignorant of what he wanted to become. The War, which had +promised to go on for ever, had ended just as he was about to join the +Army, six months before his time. It had taken him ever since to get +used to the idea that he could now choose for himself. He had held with +his father several discussions, from which, under a cheery show of being +ready for anything—except, of course, the Church, Army, Law, Stage, +Stock Exchange, Medicine, Business, and Engineering—Jolyon had gathered +rather clearly that Jon wanted to go in for nothing. He himself had felt +exactly like that at the same age. With him that pleasant vacuity had +soon been ended by an early marriage, and its unhappy consequences. +Forced to become an underwriter at Lloyd's, he had regained prosperity +before his artistic talent had outcropped. But having—as the simple +say—“learned” his boy to draw pigs and other animals, he knew that +Jon would never be a painter, and inclined to the conclusion that his +aversion from everything else meant that he was going to be a writer. +Holding, however, the view that experience was necessary even for that +profession, there seemed to Jolyon nothing in the meantime, for Jon, but +University, travel, and perhaps the eating of dinners for the Bar. After +that one would see, or more probably one would not. In face of these +proffered allurements, however, Jon had remained undecided. + +Such discussions with his son had confirmed in Jolyon a doubt whether +the world had really changed. People said that it was a new age. With +the profundity of one not too long for any age, Jolyon perceived that +under slightly different surfaces the era was precisely what it had +been. Mankind was still divided into two species: The few who had +“speculation” in their souls, and the many who had none, with a belt of +hybrids like himself in the middle. Jon appeared to have speculation; it +seemed to his father a bad lookout. + +With something deeper, therefore, than his usual smile, he had heard +the boy say, a fortnight ago: “I should like to try farming, Dad; if it +won't cost you too much. It seems to be about the only sort of life +that doesn't hurt anybody; except art, and of course that's out of the +question for me.” + +Jolyon subdued his smile, and answered: + +“All right; you shall skip back to where we were under the first Jolyon +in 1760. It'll prove the cycle theory, and incidentally, no doubt, you +may grow a better turnip than he did.” + +A little dashed, Jon had answered: + +“But don't you think it's a good scheme, Dad?” + +“'Twill serve, my dear; and if you should really take to it, you'll do +more good than most men, which is little enough.” + +To himself, however, he had said: 'But he won't take to it. I give him +four years. Still, it's healthy, and harmless.' + +After turning the matter over and consulting with Irene, he wrote to his +daughter, Mrs. Val Dartie, asking if they knew of a farmer near them on +the Downs who would take Jon as an apprentice. Holly's answer had been +enthusiastic. There was an excellent man quite close; she and Val would +love Jon to live with them. + +The boy was due to go to-morrow. + +Sipping weak tea with lemon in it, Jolyon gazed through the leaves of +the old oak-tree at that view which had appeared to him desirable for +thirty-two years. The tree beneath which he sat seemed not a day +older! So young, the little leaves of brownish gold; so old, the +whitey-grey-green of its thick rough trunk. A tree of memories, which +would live on hundreds of years yet, unless some barbarian cut it +down—would see old England out at the pace things were going! He +remembered a night three years before, when, looking from his window, +with his arm close round Irene, he had watched a German aeroplane +hovering, it seemed, right over the old tree. Next day they had found a +bomb hole in a field on Gage's farm. That was before he knew that he +was under sentence of death. He could almost have wished the bomb had +finished him. It would have saved a lot of hanging about, many hours +of cold fear in the pit of his stomach. He had counted on living to the +normal Forsyte age of eighty-five or more, when Irene would be seventy. +As it was, she would miss him. Still there was Jon, more important in +her life than himself; Jon, who adored his mother. + +Under that tree, where old Jolyon—waiting for Irene to come to him +across the lawn—had breathed his last, Jolyon wondered, whimsically, +whether, having put everything in such perfect order, he had not better +close his own eyes and drift away. There was something undignified in +parasitically clinging on to the effortless close of a life wherein +he regretted two things only—the long division between his father and +himself when he was young, and the lateness of his union with Irene. + +From where he sat he could see a cluster of apple-trees in blossom. +Nothing in Nature moved him so much as fruit-trees in blossom; and +his heart ached suddenly because he might never see them flower again. +Spring! Decidedly no man ought to have to die while his heart was +still young enough to love beauty! Blackbirds sang recklessly in the +shrubbery, swallows were flying high, the leaves above him glistened; +and over the fields was every imaginable tint of early foliage, +burnished by the level sunlight, away to where the distant “smoke-bush” +blue was trailed along the horizon. Irene's flowers in their narrow beds +had startling individuality that evening, little deep assertions of +gay life. Only Chinese and Japanese painters, and perhaps Leonardo, had +known how to get that startling little ego into each painted flower, and +bird, and beast—the ego, yet the sense of species, the universality of +life as well. They were the fellows! 'I've made nothing that will live!' +thought Jolyon; 'I've been an amateur—a mere lover, not a creator. +Still, I shall leave Jon behind me when I go.' What luck that the boy +had not been caught by that ghastly war! He might so easily have been +killed, like poor Jolly twenty years ago out in the Transvaal. Jon would +do something some day—if the Age didn't spoil him—an imaginative chap! +His whim to take up farming was but a bit of sentiment, and about as +likely to last. And just then he saw them coming up the field: Irene and +the boy; walking from the station, with their arms linked. And getting +up, he strolled down through the new rose garden to meet them.... + +Irene came into his room that night and sat down by the window. She sat +there without speaking till he said: + +“What is it, my love?” + +“We had an encounter to-day.” + +“With whom?” + +“Soames.” + +Soames! He had kept that name out of his thoughts these last two years; +conscious that it was bad for him. And, now, his heart moved in a +disconcerting manner, as if it had side-slipped within his chest. + +Irene went on quietly: + +“He and his daughter were in the Gallery, and afterward at the +confectioner's where we had tea.” + +Jolyon went over and put his hand on her shoulder. + +“How did he look?” + +“Grey; but otherwise much the same.” + +“And the daughter?” + +“Pretty. At least, Jon thought so.” + +Jolyon's heart side-slipped again. His wife's face had a strained and +puzzled look. + +“You didn't-?” he began. + +“No; but Jon knows their name. The girl dropped her handkerchief and he +picked it up.” + +Jolyon sat down on his bed. An evil chance! + +“June was with you. Did she put her foot into it?” + +“No; but it was all very queer and strained, and Jon could see it was.” + +Jolyon drew a long breath, and said: + +“I've often wondered whether we've been right to keep it from him. He'll +find out some day.” + +“The later the better, Jolyon; the young have such cheap, hard judgment. +When you were nineteen what would you have thought of your mother if she +had done what I have?” + +Yes! There it was! Jon worshipped his mother; and knew nothing of the +tragedies, the inexorable necessities of life, nothing of the prisoned +grief in an unhappy marriage, nothing of jealousy or passion—knew +nothing at all, as yet! + +“What have you told him?” he said at last. + +“That they were relations, but we didn't know them; that you had never +cared much for your family, or they for you. I expect he will be asking +you.” + +Jolyon smiled. “This promises to take the place of air-raids,” he said. +“After all, one misses them.” + +Irene looked up at him. + +“We've known it would come some day.” + +He answered her with sudden energy: + +“I could never stand seeing Jon blame you. He shan't do that, even in +thought. He has imagination; and he'll understand if it's put to +him properly. I think I had better tell him before he gets to know +otherwise.” + +“Not yet, Jolyon.” + +That was like her—she had no foresight, and never went to meet trouble. +Still—who knew?—she might be right. It was ill going against a mother's +instinct. It might be well to let the boy go on, if possible, till +experience had given him some touchstone by which he could judge the +values of that old tragedy; till love, jealousy, longing, had deepened +his charity. All the same, one must take precautions—every precaution +possible! And, long after Irene had left him, he lay awake turning over +those precautions. He must write to Holly, telling her that Jon knew +nothing as yet of family history. Holly was discreet, she would make +sure of her husband, she would see to it! Jon could take the letter with +him when he went to-morrow. + +And so the day on which he had put the polish on his material estate +died out with the chiming of the stable clock; and another began for +Jolyon in the shadow of a spiritual disorder which could not be so +rounded off and polished.... + +But Jon, whose room had once been his day nursery, lay awake too, the +prey of a sensation disputed by those who have never known it, “love at +first sight!” He had felt it beginning in him with the glint of those +dark eyes gazing into his athwart the Juno—a conviction that this was +his 'dream'. so that what followed had seemed to him at once natural +and miraculous. Fleur! Her name alone was almost enough for one who was +terribly susceptible to the charm of words. In a homoeopathic Age, when +boys and girls were co-educated, and mixed up in early life till sex was +almost abolished, Jon was singularly old-fashioned. His modern school +took boys only, and his holidays had been spent at Robin Hill with boy +friends, or his parents alone. He had never, therefore, been inoculated +against the germs of love by small doses of the poison. And now in the +dark his temperature was mounting fast. He lay awake, featuring Fleur—as +they called it—recalling her words, especially that “Au revoir!” so soft +and sprightly. + +He was still so wide awake at dawn that he got up, slipped on tennis +shoes, trousers, and a sweater, and in silence crept downstairs and out +through the study window. It was just light; there was a smell of grass. +'Fleur!' he thought; 'Fleur!' It was mysteriously white out of doors, +with nothing awake except the birds just beginning to chirp. 'I'll go +down into the coppice,' he thought. He ran down through the fields, +reached the pond just as the sun rose, and passed into the coppice. +Bluebells carpeted the ground there; among the larch-trees there was +mystery—the air, as it were, composed of that romantic quality. Jon +sniffed its freshness, and stared at the bluebells in the sharpening +light. Fleur! It rhymed with her! And she lived at Mapleduram—a jolly +name, too, on the river somewhere. He could find it in the atlas +presently. He would write to her. But would she answer? Oh! She must. +She had said “Au revoir!” Not good-bye! What luck that she had dropped +her handkerchief! He would never have known her but for that. And the +more he thought of that handkerchief, the more amazing his luck seemed. +Fleur! It certainly rhymed with her! Rhythm thronged his head; words +jostled to be joined together; he was on the verge of a poem. + +Jon remained in this condition for more than half an hour, then returned +to the house, and getting a ladder, climbed in at his bedroom window out +of sheer exhilaration. Then, remembering that the study window was open, +he went down and shut it, first removing the ladder, so as to obliterate +all traces of his feeling. The thing was too deep to be revealed to +mortal soul-even-to his mother. + + + + + +IV.—THE MAUSOLEUM + +There are houses whose souls have passed into the limbo of Time, leaving +their bodies in the limbo of London. Such was not quite the condition of +“Timothy's” on the Bayswater Road, for Timothy's soul still had one foot +in Timothy Forsyte's body, and Smither kept the atmosphere unchanging, +of camphor and port wine and house whose windows are only opened to air +it twice a day. + +To Forsyte imagination that house was now a sort of Chinese pill-box, +a series of layers in the last of which was Timothy. One did not reach +him, or so it was reported by members of the family who, out of old-time +habit or absentmindedness, would drive up once in a blue moon and ask +after their surviving uncle. Such were Francie, now quite emancipated +from God (she frankly avowed atheism), Euphemia, emancipated from old +Nicholas, and Winifred Dartie from her “man of the world.” But, after +all, everybody was emancipated now, or said they were—perhaps not quite +the same thing! + +When Soames, therefore, took it on his way to Paddington station on +the morning after that encounter, it was hardly with the expectation of +seeing Timothy in the flesh. His heart made a faint demonstration within +him while he stood in full south sunlight on the newly whitened doorstep +of that little house where four Forsytes had once lived, and now but one +dwelt on like a winter fly; the house into which Soames had come and +out of which he had gone times without number, divested of, or burdened +with, fardels of family gossip; the house of the “old people” of another +century, another age. + +The sight of Smither—still corseted up to the armpits because the new +fashion which came in as they were going out about 1903 had never been +considered “nice” by Aunts Juley and Hester—brought a pale friendliness +to Soames' lips; Smither, still faithfully arranged to old pattern in +every detail, an invaluable servant—none such left—smiling back at him, +with the words: “Why! it's Mr. Soames, after all this time! And how are +you, sir? Mr. Timothy will be so pleased to know you've been.” + +“How is he?” + +“Oh! he keeps fairly bobbish for his age, sir; but of course he's a +wonderful man. As I said to Mrs. Dartie when she was here last: It +would please Miss Forsyte and Mrs. Juley and Miss Hester to see how he +relishes a baked apple still. But he's quite deaf. And a mercy, I always +think. For what we should have done with him in the air-raids, I don't +know.” + +“Ah!” said Soames. “What did you do with him?” + +“We just left him in his bed, and had the bell run down into the cellar, +so that Cook and I could hear him if he rang. It would never have done +to let him know there was a war on. As I said to Cook, 'If Mr. Timothy +rings, they may do what they like—I'm going up. My dear mistresses would +have a fit if they could see him ringing and nobody going to him.' But +he slept through them all beautiful. And the one in the daytime he +was having his bath. It was a mercy, because he might have noticed the +people in the street all looking up—he often looks out of the window.” + +“Quite!” murmured Soames. Smither was getting garrulous! “I just want to +look round and see if there's anything to be done.” + +“Yes, sir. I don't think there's anything except a smell of mice in the +dining-room that we don't know how to get rid of. It's funny they should +be there, and not a crumb, since Mr. Timothy took to not coming down, +just before the War. But they're nasty little things; you never know +where they'll take you next.” + +“Does he leave his bed?”— + +“Oh! yes, sir; he takes nice exercise between his bed and the window in +the morning, not to risk a change of air. And he's quite comfortable in +himself; has his Will out every day regular. It's a great consolation to +him—that.” + +“Well, Smither, I want to see him, if I can; in case he has anything to +say to me.” + +Smither coloured up above her corsets. + +“It will be an occasion!” she said. “Shall I take you round the house, +sir, while I send Cook to break it to him?” + +“No, you go to him,” said Soames. “I can go round the house by myself.” + +One could not confess to sentiment before another, and Soames felt that +he was going to be sentimental nosing round those rooms so saturated +with the past. When Smither, creaking with excitement, had left him, +Soames entered the dining-room and sniffed. In his opinion it wasn't +mice, but incipient wood-rot, and he examined the panelling. Whether it +was worth a coat of paint, at Timothy's age, he was not sure. The room +had always been the most modern in the house; and only a faint smile +curled Soames' lips and nostrils. Walls of a rich green surmounted +the oak dado; a heavy metal chandelier hung by a chain from a ceiling +divided by imitation beams. The pictures had been bought by Timothy, a +bargain, one day at Jobson's sixty years ago—three Snyder “still lifes,” +two faintly coloured drawings of a boy and a girl, rather charming, +which bore the initials “J. R.”—Timothy had always believed they might +turn out to be Joshua Reynolds, but Soames, who admired them, had +discovered that they were only John Robinson; and a doubtful Morland of +a white pony being shod. Deep-red plush curtains, ten high-backed +dark mahogany chairs with deep-red plush seats, a Turkey carpet, and +a mahogany dining-table as large as the room was small, such was an +apartment which Soames could remember unchanged in soul or body since +he was four years old. He looked especially at the two drawings, and +thought: 'I shall buy those at the sale.' + +From the dining-room he passed into Timothy's study. He did not remember +ever having been in that room. It was lined from floor to ceiling with +volumes, and he looked at them with curiosity. One wall seemed devoted +to educational books, which Timothy's firm had published two generations +back-sometimes as many as twenty copies of one book. Soames read their +titles and shuddered. The middle wall had precisely the same books as +used to be in the library at his own father's in Park Lane, from which +he deduced the fancy that James and his youngest brother had gone out +together one day and bought a brace of small libraries. The third wall +he approached with more excitement. Here, surely, Timothy's own taste +would be found. It was. The books were dummies. The fourth wall was all +heavily curtained window. And turned toward it was a large chair with a +mahogany reading-stand attached, on which a yellowish and folded copy +of The Times, dated July 6, 1914, the day Timothy first failed to come +down, as if in preparation for the War, seemed waiting for him still. +In a corner stood a large globe of that world never visited by Timothy, +deeply convinced of the unreality of everything but England, and +permanently upset by the sea, on which he had been very sick one Sunday +afternoon in 1836, out of a pleasure boat off the pier at Brighton, with +Juley and Hester, Swithin and Hatty Chessman; all due to Swithin, who +was always taking things into his head, and who, thank goodness, had +been sick too. Soames knew all about it, having heard the tale fifty +times at least from one or other of them. He went up to the globe, +and gave it a spin; it emitted a faint creak and moved about an inch, +bringing into his purview a daddy-long-legs which had died on it in +latitude 44. + +'Mausoleum!' he thought. 'George was right!' And he went out and up +the stairs. On the half-landing he stopped before the case of stuffed +humming-birds which had delighted his childhood. They looked not a day +older, suspended on wires above pampas-grass. If the case were opened +the birds would not begin to hum, but the whole thing would crumble, he +suspected. It wouldn't be worth putting that into the sale! And suddenly +he was caught by a memory of Aunt Ann—dear old Aunt Ann—holding him by +the hand in front of that case and saying: “Look, Soamey! Aren't they +bright and pretty, dear little humming-birds!” Soames remembered his +own answer: “They don't hum, Auntie.” He must have been six, in a black +velveteen suit with a light-blue collar-he remembered that suit well! +Aunt Ann with her ringlets, and her spidery kind hands, and her grave +old aquiline smile—a fine old lady, Aunt Ann! He moved on up to +the drawing-room door. There on each side of it were the groups of +miniatures. Those he would certainly buy in! The miniatures of his +four aunts, one of his Uncle Swithin adolescent, and one of his Uncle +Nicholas as a boy. They had all been painted by a young lady friend of +the family at a time, 1830, about, when miniatures were considered very +genteel, and lasting too, painted as they were on ivory. Many a time had +he heard the tale of that young lady: “Very talented, my dear; she +had quite a weakness for Swithin, and very soon after she went into a +consumption and died: so like Keats—we often spoke of it.” + +Well, there they were! Ann, Juley, Hester, Susan—quite a small +child; Swithin, with sky-blue eyes, pink cheeks, yellow curls, white +waistcoat-large as life; and Nicholas, like Cupid with an eye on heaven. +Now he came to think of it, Uncle Nick had always been rather like +that—a wonderful man to the last. Yes, she must have had talent, and +miniatures always had a certain back-watered cachet of their own, little +subject to the currents of competition on aesthetic Change. Soames +opened the drawing-room door. The room was dusted, the furniture +uncovered, the curtains drawn back, precisely as if his aunts still +dwelt there patiently waiting. And a thought came to him: When Timothy +died—why not? Would it not be almost a duty to preserve this house—like +Carlyle's—and put up a tablet, and show it? “Specimen of mid-Victorian +abode—entrance, one shilling, with catalogue.” After all, it was the +completest thing, and perhaps the deadest in the London of to-day. +Perfect in its special taste and culture, if, that is, he took down and +carried over to his own collection the four Barbizon pictures he had +given them. The still sky-blue walls, tile green curtains patterned +with red flowers and ferns; the crewel-worked fire-screen before the +cast-iron grate; the mahogany cupboard with glass windows, full of +little knickknacks; the beaded footstools; Keats, Shelley, Southey, +Cowper, Coleridge, Byron's Corsair (but nothing else), and the Victorian +poets in a bookshelf row; the marqueterie cabinet lined with dim red +plush, full of family relics: Hester's first fan; the buckles of their +mother's father's shoes; three bottled scorpions; and one very yellow +elephant's tusk, sent home from India by Great-uncle Edgar Forsyte, who +had been in jute; a yellow bit of paper propped up, with spidery +writing on it, recording God knew what! And the pictures crowding on +the walls—all water-colours save those four Barbizons looking like the +foreigners they were, and doubtful customers at that—pictures bright and +illustrative, “Telling the Bees,” “Hey for the Ferry!” and two in the +style of Frith, all thimblerig and crinolines, given them by Swithin. +Oh! many, many pictures at which Soames had gazed a thousand times in +supercilious fascination; a marvellous collection of bright, smooth gilt +frames. + +And the boudoir-grand piano, beautifully dusted, hermetically sealed +as ever; and Aunt Juley's album of pressed seaweed on it. And the +gilt-legged chairs, stronger than they looked. And on one side of the +fireplace the sofa of crimson silk, where Aunt Ann, and after her Aunt +Juley, had been wont to sit, facing the light and bolt upright. And on +the other side of the fire the one really easy chair, back to the light, +for Aunt Hester. Soames screwed up his eyes; he seemed to see them +sitting there. Ah! and the atmosphere—even now, of too many stuffs and +washed lace curtains, lavender in bags, and dried bees' wings. 'No,' he +thought, 'there's nothing like it left; it ought to be preserved.' And, +by George, they might laugh at it, but for a standard of gentle life +never departed from, for fastidiousness of skin and eye and nose and +feeling, it beat to-day hollow—to-day with its Tubes and cars, its +perpetual smoking, its cross-legged, bare-necked girls visible up to the +knees and down to the waist if you took the trouble (agreeable to the +satyr within each Forsyte but hardly his idea of a lady), with their +feet, too, screwed round the legs of their chairs while they ate, and +their “So longs,” and their “Old Beans,” and their laughter—girls who +gave him the shudders whenever he thought of Fleur in contact with them; +and the hard-eyed, capable, older women who managed life and gave him +the shudders too. No! his old aunts, if they never opened their minds, +their eyes, or very much their windows, at least had manners, and a +standard, and reverence for past and future. + +With rather a choky feeling he closed the door and went tiptoeing +upstairs. He looked in at a place on the way: H'm! in perfect order of +the eighties, with a sort of yellow oilskin paper on the walls. At the +top of the stairs he hesitated between four doors. Which of them was +Timothy's? And he listened. A sound, as of a child slowly dragging a +hobby-horse about, came to his ears. That must be Timothy! He tapped, +and a door was opened by Smither, very red in the face. + +Mr. Timothy was taking his walk, and she had not been able to get him +to attend. If Mr. Soames would come into the back-room, he could see him +through the door. + +Soames went into the back-room and stood watching. + +The last of the old Forsytes was on his feet, moving with the most +impressive slowness, and an air of perfect concentration on his own +affairs, backward and forward between the foot of his bed and the +window, a distance of some twelve feet. The lower part of his square +face, no longer clean-shaven, was covered with snowy beard clipped as +short as it could be, and his chin looked as broad as his brow where the +hair was also quite white, while nose and cheeks and brow were a good +yellow. One hand held a stout stick, and the other grasped the skirt of +his Jaeger dressing-gown, from under which could be seen his bed-socked +ankles and feet thrust into Jaeger slippers. The expression on his face +was that of a crossed child, intent on something that he has not got. +Each time he turned he stumped the stick, and then dragged it, as if to +show that he could do without it: + +“He still looks strong,” said Soames under his breath. + +“Oh! yes, sir. You should see him take his bath—it's wonderful; he does +enjoy it so.” + +Those quite loud words gave Soames an insight. Timothy had resumed his +babyhood. + +“Does he take any interest in things generally?” he said, also loud. + +“Oh! yes, sir; his food and his Will. It's quite a sight to see him turn +it over and over, not to read it, of course; and every now and then he +asks the price of Consols, and I write it on a slate for him—very large. +Of course, I always write the same, what they were when he last took +notice, in 1914. We got the doctor to forbid him to read the paper when +the War broke out. Oh! he did take on about that at first. But he soon +came round, because he knew it tired him; and he's a wonder to conserve +energy as he used to call it when my dear mistresses were alive, bless +their hearts! How he did go on at them about that; they were always so +active, if you remember, Mr. Soames.” + +“What would happen if I were to go in?” asked Soames: “Would he remember +me? I made his Will, you know, after Miss Hester died in 1907.” + +“Oh! that, sir,” replied Smither doubtfully, “I couldn't take on me to +say. I think he might; he really is a wonderful man for his age.” + +Soames moved into the doorway, and waiting for Timothy to turn, said in +a loud voice: “Uncle Timothy!” + +Timothy trailed back half-way, and halted. + +“Eh?” he said. + +“Soames,” cried Soames at the top of his voice, holding out his hand, +“Soames Forsyte!” + +“No!” said Timothy, and stumping his stick loudly on the floor, he +continued his walk. + +“It doesn't seem to work,” said Soames. + +“No, sir,” replied Smither, rather crestfallen; “you see, he hasn't +finished his walk. It always was one thing at a time with him. I expect +he'll ask me this afternoon if you came about the gas, and a pretty job +I shall have to make him understand.” + +“Do you think he ought to have a man about him?” + +Smither held up her hands. “A man! Oh! no. Cook and me can manage +perfectly. A strange man about would send him crazy in no time. And my +mistresses wouldn't like the idea of a man in the house. Besides, we're +so—proud of him.” + +“I suppose the doctor comes?” + +“Every morning. He makes special terms for such a quantity, and Mr. +Timothy's so used, he doesn't take a bit of notice, except to put out +his tongue.” + +“Well,” said Soames, turning away, “it's rather sad and painful to me.” + +“Oh! sir,” returned Smither anxiously, “you mustn't think that. Now that +he can't worry about things, he quite enjoys his life, really he does. +As I say to Cook, Mr. Timothy is more of a man than he ever was. You +see, when he's not walkin', or takin' his bath, he's eatin', and when +he's not eatin', he's sleepin'. and there it is. There isn't an ache or +a care about him anywhere.” + +“Well,” said Soames, “there's something in that. I'll go down. By the +way, let me see his Will.” + +“I should have to take my time about that, sir; he keeps it under his +pillow, and he'd see me, while he's active.” + +“I only want to know if it's the one I made,” said Soames; “you take a +look at its date some time, and let me know.” + +“Yes, sir; but I'm sure it's the same, because me and Cook witnessed, +you remember, and there's our names on it still, and we've only done it +once.” + +“Quite,” said Soames. He did remember. Smither and Jane had been proper +witnesses, having been left nothing in the Will that they might have +no interest in Timothy's death. It had been—he fully admitted—an almost +improper precaution, but Timothy had wished it, and, after all, Aunt +Hester had provided for them amply. + +“Very well,” he said; “good-bye, Smither. Look after him, and if he +should say anything at any time, put it down, and let me know.” + +“Oh! yes, Mr. Soames; I'll be sure to do that. It's been such a pleasant +change to see you. Cook will be quite excited when I tell her.” + +Soames shook her hand and went down-stairs. He stood for fully two +minutes by the hat-stand whereon he had hung his hat so many times. +'So it all passes,' he was thinking; 'passes and begins again. Poor old +chap!' And he listened, if perchance the sound of Timothy trailing his +hobby-horse might come down the well of the stairs; or some ghost of an +old face show over the bannisters, and an old voice say: 'Why, it's dear +Soames, and we were only saying that we hadn't seen him for a week!' + +Nothing—nothing! Just the scent of camphor, and dust-motes in a sunbeam +through the fanlight over the door. The little old house! A mausoleum! +And, turning on his heel, he went out, and caught his train. + + + + + +V.—THE NATIVE HEATH + +“His foot's upon his native heath, His name's—Val Dartie.” + + +With some such feeling did Val Dartie, in the fortieth year of his age, +set out that same Thursday morning very early from the old manor-house +he had taken on the north side of the Sussex Downs. His destination was +Newmarket, and he had not been there since the autumn of 1899, when he +stole over from Oxford for the Cambridgeshire. He paused at the door to +give his wife a kiss, and put a flask of port into his pocket. + +“Don't overtire your leg, Val, and don't bet too much.” + +With the pressure of her chest against his own, and her eyes looking +into his, Val felt both leg and pocket safe. He should be moderate; +Holly was always right—she had a natural aptitude. It did not seem so +remarkable to him, perhaps, as it might to others, that—half Dartie as +he was—he should have been perfectly faithful to his young first cousin +during the twenty years since he married her romantically out in the +Boer War; and faithful without any feeling of sacrifice or boredom—she +was so quick, so slyly always a little in front of his mood. Being first +cousins they had decided, rather needlessly, to have no children; and, +though a little sallower, she had kept her looks, her slimness, and the +colour of her dark hair. Val particularly admired the life of her own +she carried on, besides carrying on his, and riding better every year. +She kept up her music, she read an awful lot—novels, poetry, all sorts +of stuff. Out on their farm in Cape colony she had looked after all +the “nigger” babies and women in a miraculous manner. She was, in +fact, clever; yet made no fuss about it, and had no “side.” Though not +remarkable for humility, Val had come to have the feeling that she was +his superior, and he did not grudge it—a great tribute. It might be +noted that he never looked at Holly without her knowing of it, but that +she looked at him sometimes unawares. + +He had kissed her in the porch because he should not be doing so on the +platform, though she was going to the station with him, to drive the car +back. Tanned and wrinkled by Colonial weather and the wiles inseparable +from horses, and handicapped by the leg which, weakened in the Boer War, +had probably saved his life in the War just past, Val was still much +as he had been in the days of his courtship; his smile as wide and +charming, his eyelashes, if anything, thicker and darker, his eyes +screwed up under them, as bright a grey, his freckles rather deeper, his +hair a little grizzled at the sides. He gave the impression of one who +has lived actively with horses in a sunny climate. + +Twisting the car sharp round at the gate, he said: + +“When is young Jon coming?” + +“To-day.” + +“Is there anything you want for him? I could bring it down on Saturday.” + +“No; but you might come by the same train as Fleur—one-forty.” + +Val gave the Ford full rein; he still drove like a man in a new country +on bad roads, who refuses to compromise, and expects heaven at every +hole. + +“That's a young woman who knows her way about,” he said. “I say, has it +struck you?” + +“Yes,” said Holly. + +“Uncle Soames and your Dad—bit awkward, isn't it?” + +“She won't know, and he won't know, and nothing must be said, of course. +It's only for five days, Val.” + +“Stable secret! Righto!” If Holly thought it safe, it was. Glancing +slyly round at him, she said: “Did you notice how beautifully she asked +herself?” + +“No!” + +“Well, she did. What do you think of her, Val?” + +“Pretty and clever; but she might run out at any corner if she got her +monkey up, I should say.” + +“I'm wondering,” Holly murmured, “whether she is the modern young woman. +One feels at sea coming home into all this.” + +“You? You get the hang of things so quick.” + +Holly slid her hand into his coat-pocket. + +“You keep one in the know,” said Val encouraged. “What do you think of +that Belgian fellow, Profond?” + +“I think he's rather 'a good devil.'” + +Val grinned. + +“He seems to me a queer fish for a friend of our family. In fact, +our family is in pretty queer waters, with Uncle Soames marrying a +Frenchwoman, and your Dad marrying Soames's first. Our grandfathers +would have had fits!” + +“So would anybody's, my dear.” + +“This car,” Val said suddenly, “wants rousing; she doesn't get her hind +legs under her uphill. I shall have to give her her head on the slope if +I'm to catch that train.” + +There was that about horses which had prevented him from ever really +sympathising with a car, and the running of the Ford under his guidance +compared with its running under that of Holly was always noticeable. He +caught the train. + +“Take care going home; she'll throw you down if she can. Good-bye, +darling.” + +“Good-bye,” called Holly, and kissed her hand. + +In the train, after quarter of an hour's indecision between thoughts of +Holly, his morning paper, the look of the bright day, and his dim memory +of Newmarket, Val plunged into the recesses of a small square book, +all names, pedigrees, tap-roots, and notes about the make and shape +of horses. The Forsyte in him was bent on the acquisition of a certain +strain of blood, and he was subduing resolutely as yet the Dartie +hankering for a Nutter. On getting back to England, after the profitable +sale of his South African farm and stud, and observing that the sun +seldom shone, Val had said to himself: “I've absolutely got to have an +interest in life, or this country will give me the blues. Hunting's +not enough, I'll breed and I'll train.” With just that extra pinch of +shrewdness and decision imparted by long residence in a new country, Val +had seen the weak point of modern breeding. They were all hypnotised by +fashion and high price. He should buy for looks, and let names go hang! +And here he was already, hypnotised by the prestige of a certain strain +of blood! Half-consciously, he thought: 'There's something in this +damned climate which makes one go round in a ring. All the same, I must +have a strain of Mayfly blood.' + +In this mood he reached the Mecca of his hopes. It was one of those +quiet meetings favourable to such as wish to look into horses, rather +than into the mouths of bookmakers; and Val clung to the paddock. His +twenty years of Colonial life, divesting him of the dandyism in which he +had been bred, had left him the essential neatness of the horseman, +and given him a queer and rather blighting eye over what he called “the +silly haw-haw” of some Englishmen, the “flapping cockatoory” of some +English-women—Holly had none of that and Holly was his model. Observant, +quick, resourceful, Val went straight to the heart of a transaction, a +horse, a drink; and he was on his way to the heart of a Mayfly filly, +when a slow voice said at his elbow: + +“Mr. Val Dartie? How's Mrs. Val Dartie? She's well, I hope.” And he saw +beside him the Belgian he had met at his sister Imogen's. + +“Prosper Profond—I met you at lunch,” said the voice. + +“How are you?” murmured Val. + +“I'm very well,” replied Monsieur Profond, smiling with a certain +inimitable slowness. “A good devil,” Holly had called him. Well! He +looked a little like a devil, with his dark, clipped, pointed beard; +a sleepy one though, and good-humoured, with fine eyes, unexpectedly +intelligent. + +“Here's a gentleman wants to know you—cousin of yours—Mr. George +Forsyde.” + +Val saw a large form, and a face clean-shaven, bull-like, a little +lowering, with sardonic humour bubbling behind a full grey eye; he +remembered it dimly from old days when he would dine with his father at +the Iseeum Club. + +“I used to go racing with your father,” George was saying: “How's the +stud? Like to buy one of my screws?” + +Val grinned, to hide the sudden feeling that the bottom had fallen out +of breeding. They believed in nothing over here, not even in horses. +George Forsyte, Prosper Profond! The devil himself was not more +disillusioned than those two. + +“Didn't know you were a racing man,” he said to Monsieur Profond. + +“I'm not. I don't care for it. I'm a yachtin' man. I don't care for +yachtin' either, but I like to see my friends. I've got some lunch, +Mr. Val Dartie, just a small lunch, if you'd like to 'ave some; not +much—just a small one—in my car.” + +“Thanks,” said Val; “very good of you. I'll come along in about quarter +of an hour.” + +“Over there. Mr. Forsyde's comin',” and Monsieur Profond “poinded” with +a yellow-gloved finger; “small car, with a small lunch”; he moved on, +groomed, sleepy, and remote, George Forsyte following, neat, huge, and +with his jesting air. + +Val remained gazing at the Mayfly filly. George Forsyte, of course, +was an old chap, but this Profond might be about his own age; Val felt +extremely young, as if the Mayfly filly were a toy at which those two +had laughed. The animal had lost reality. + +“That 'small' mare”—he seemed to hear the voice of Monsieur +Profond—“what do you see in her?—we must all die!” + +And George Forsyte, crony of his father, racing still! The Mayfly +strain—was it any better than any other? He might just as well have a +flutter with his money instead. + +“No, by gum!” he muttered suddenly, “if it's no good breeding horses, +it's no good doing anything. What did I come for? I'll buy her.” + +He stood back and watched the ebb of the paddock visitors toward the +stand. Natty old chips, shrewd portly fellows, Jews, trainers looking +as if they had never been guilty of seeing a horse in their lives; tall, +flapping, languid women, or brisk, loud-voiced women; young men with an +air as if trying to take it seriously—two or three of them with only one +arm. + +'Life over here's a game!' thought Val. 'Muffin bell rings, horses run, +money changes hands; ring again, run again, money changes back.' + +But, alarmed at his own philosophy, he went to the paddock gate to watch +the Mayfly filly canter down. She moved well; and he made his way over +to the “small” car. The “small” lunch was the sort a man dreams of but +seldom gets; and when it was concluded Monsieur Profond walked back with +him to the paddock. + +“Your wife's a nice woman,” was his surprising remark. + +“Nicest woman I know,” returned Val dryly. + +“Yes,” said Monsieur Profond; “she has a nice face. I admire nice +women.” + +Val looked at him suspiciously, but something kindly and direct in the +heavy diabolism of his companion disarmed him for the moment. + +“Any time you like to come on my yacht, I'll give her a small cruise.” + +“Thanks,” said Val, in arms again, “she hates the sea.” + +“So do I,” said Monsieur Profond. + +“Then why do you yacht?” + +The Belgian's eyes smiled. “Oh! I don't know. I've done everything; it's +the last thing I'm doin'.” + +“It must be d-d expensive. I should want more reason than that.” + +Monsieur Prosper Profond raised his eyebrows, and puffed out a heavy +lower lip. + +“I'm an easy-goin' man,” he said. + +“Were you in the War?” asked Val. + +“Ye-es. I've done that too. I was gassed; it was a small bit +unpleasant.” He smiled with a deep and sleepy air of prosperity, as if +he had caught it from his name. + +Whether his saying “small” when he ought to have said “little” was +genuine mistake or affectation Val could not decide; the fellow was +evidently capable of anything. + +Among the ring of buyers round the Mayfly filly who had won her race, +Monsieur Profond said: + +“You goin' to bid?” + +Val nodded. With this sleepy Satan at his elbow, he felt in need of +faith. Though placed above the ultimate blows of Providence by the +forethought of a grand-father who had tied him up a thousand a year +to which was added the thousand a year tied up for Holly by her +grand-father, Val was not flush of capital that he could touch, having +spent most of what he had realised from his South African farm on his +establishment in Sussex. And very soon he was thinking: 'Dash it! she's +going beyond me!' His limit-six hundred-was exceeded; he dropped out of +the bidding. The Mayfly filly passed under the hammer at seven hundred +and fifty guineas. He was turning away vexed when the slow voice of +Monsieur Profond said in his ear: + +“Well, I've bought that small filly, but I don't want her; you take her +and give her to your wife.” + +Val looked at the fellow with renewed suspicion, but the good humour in +his eyes was such that he really could not take offence. + +“I made a small lot of money in the War,” began Monsieur Profond in +answer to that look. “I 'ad armament shares. I like to give it away. I'm +always makin' money. I want very small lot myself. I like my friends to +'ave it.” + +“I'll buy her of you at the price you gave,” said Val with sudden +resolution. + +“No,” said Monsieur Profond. “You take her. I don' want her.” + +“Hang it! one doesn't—” + +“Why not?” smiled Monsieur Profond. “I'm a friend of your family.” + +“Seven hundred and fifty guineas is not a box of cigars,” said Val +impatiently. + +“All right; you keep her for me till I want her, and do what you like +with her.” + +“So long as she's yours,” said Val. “I don't mind that.” + +“That's all right,” murmured Monsieur Profond, and moved away. + +Val watched; he might be “a good devil,” but then again he might not. He +saw him rejoin George Forsyte, and thereafter saw him no more. + +He spent those nights after racing at his mother's house in Green +Street. + +Winifred Dartie at sixty-two was marvellously preserved, considering the +three-and-thirty years during which she had put up with Montague Dartie, +till almost happily released by a French staircase. It was to her a +vehement satisfaction to have her favourite son back from South Africa +after all this time, to feel him so little changed, and to have taken +a fancy to his wife. Winifred, who in the late seventies, before her +marriage, had been in the vanguard of freedom, pleasure, and fashion, +confessed her youth outclassed by the donzellas of the day. They seemed, +for instance, to regard marriage as an incident, and Winifred sometimes +regretted that she had not done the same; a second, third, fourth +incident might have secured her a partner of less dazzling inebriety; +though, after all, he had left her Val, Imogen, Maud, Benedict (almost a +colonel and unharmed by the War)—none of whom had been divorced as yet. +The steadiness of her children often amazed one who remembered their +father; but, as she was fond of believing, they were really all +Forsytes, favouring herself, with the exception, perhaps, of Imogen. Her +brother's “little girl” Fleur frankly puzzled Winifred. The child was +as restless as any of these modern young women—“She's a small flame in a +draught,” Prosper Profond had said one day after dinner—but she did +not flap, or talk at the top of her voice. The steady Forsyteism in +Winifred's own character instinctively resented the feeling in the +air, the modern girl's habits and her motto: “All's much of a muchness! +Spend, to-morrow we shall be poor!” She found it a saving grace in Fleur +that, having set her heart on a thing, she had no change of heart until +she got it—though—what happened after, Fleur was, of course, too young +to have made evident. The child was a “very pretty little thing,” too, +and quite a credit to take about, with her mother's French taste and +gift for wearing clothes; everybody turned to look at Fleur—great +consideration to Winifred, a lover of the style and distinction which +had so cruelly deceived her in the case of Montague Dartie. + +In discussing her with Val, at breakfast on Saturday morning, Winifred +dwelt on the family skeleton. + +“That little affair of your father-in-law and your Aunt Irene, Val—it's +old as the hills, of course, Fleur need know nothing about it—making +a fuss. Your Uncle Soames is very particular about that. So you'll be +careful.” + +“Yes! But it's dashed awkward—Holly's young half-brother is coming to +live with us while he learns farming. He's there already.” + +“Oh!” said Winifred. “That is a gaff! What is he like?” + +“Only saw him once—at Robin Hill, when we were home in 1909; he was +naked and painted blue and yellow in stripes—a jolly little chap.” + +Winifred thought that “rather nice,” and added comfortably: “Well, +Holly's sensible; she'll know how to deal with it. I shan't tell your +uncle. It'll only bother him. It's a great comfort to have you back, my +dear boy, now that I'm getting on.” + +“Getting on! Why! you're as young as ever. That chap Profond, Mother, is +he all right?” + +“Prosper Profond! Oh! the most amusing man I know.” + +Val grunted, and recounted the story of the Mayfly filly. + +“That's so like him,” murmured Winifred. “He does all sorts of things.” + +“Well,” said Val shrewdly, “our family haven't been too lucky with that +kind of cattle; they're too light-hearted for us.” + +It was true, and Winifred's blue study lasted a full minute before she +answered: + +“Oh! well! He's a foreigner, Val; one must make allowances.” + +“All right, I'll use his filly and make it up to him, somehow.” + +And soon after he gave her his blessing, received a kiss, and left her +for his bookmaker's, the Iseeum Club, and Victoria station. + + + + + +VI.—JON + +Mrs. Val Dartie, after twenty years of South Africa, had fallen deeply +in love, fortunately with something of her own, for the object of her +passion was the prospect in front of her windows, the cool clear +light on the green Downs. It was England again, at last! England more +beautiful than she had dreamed. Chance had, in fact, guided the Val +Darties to a spot where the South Downs had real charm when the sun +shone. Holly had enough of her father's eye to apprehend the rare +quality of their outlines and chalky radiance; to go up there by the +ravine-like lane and wander along toward Chanctonbury or Amberley, was +still a delight which she hardly attempted to share with Val, whose +admiration of Nature was confused by a Forsyte's instinct for getting +something out of it, such as the condition of the turf for his horses' +exercise. + +Driving the Ford home with a certain humouring, smoothness, she promised +herself that the first use she would make of Jon would be to take him up +there, and show him “the view” under this May-day sky. + +She was looking forward to her young half-brother with a motherliness +not exhausted by Val. A three-day visit to Robin Hill, soon after their +arrival home, had yielded no sight of him—he was still at school; so +that her recollection, like Val's, was of a little sunny-haired boy, +striped blue and yellow, down by the pond. + +Those three days at Robin Hill had been exciting, sad, embarrassing. +Memories of her dead brother, memories of Val's courtship; the ageing of +her father, not seen for twenty years, something funereal in his ironic +gentleness which did not escape one who had much subtle instinct; +above all, the presence of her stepmother, whom she could still +vaguely remember as the “lady in grey” of days when she was little and +grandfather alive and Mademoiselle Beauce so cross because that intruder +gave her music lessons—all these confused and tantalised a spirit which +had longed to find Robin Hill untroubled. But Holly was adept at keeping +things to herself, and all had seemed to go quite well. + +Her father had kissed her when she left him, with lips which she was +sure had trembled. + +“Well, my dear,” he said, “the War hasn't changed Robin Hill, has it? +If only you could have brought Jolly back with you! I say, can you +stand this spiritualistic racket? When the oak-tree dies, it dies, I'm +afraid.” + +From the warmth of her embrace he probably divined that he had let the +cat out of the bag, for he rode off at once on irony. + +“Spiritualism—queer word, when the more they manifest the more they +prove that they've got hold of matter.” + +“How?” said Holly. + +“Why! Look at their photographs of auric presences. You must have +something material for light and shade to fall on before you can take +a photograph. No, it'll end in our calling all matter spirit, or all +spirit matter—I don't know which.” + +“But don't you believe in survival, Dad?” + +Jolyon had looked at her, and the sad whimsicality of his face impressed +her deeply. + +“Well, my dear, I should like to get something out of death. I've been +looking into it a bit. But for the life of me I can't find anything that +telepathy, sub-consciousness, and emanation from the storehouse of +this world can't account for just as well. Wish I could! Wishes father +thought but they don't breed evidence.” Holly had pressed her lips again +to his forehead with the feeling that it confirmed his theory that all +matter was becoming spirit—his brow felt, somehow, so insubstantial. + +But the most poignant memory of that little visit had been watching, +unobserved, her stepmother reading to herself a letter from Jon. It +was—she decided—the prettiest sight she had ever seen. Irene, lost as it +were in the letter of her boy, stood at a window where the light fell on +her face and her fine grey hair; her lips were moving, smiling, her dark +eyes laughing, dancing, and the hand which did not hold the letter was +pressed against her breast. Holly withdrew as from a vision of perfect +love, convinced that Jon must be nice. + +When she saw him coming out of the station with a kit-bag in either +hand, she was confirmed in her predisposition. He was a little like +Jolly, that long-lost idol of her childhood, but eager-looking and less +formal, with deeper eyes and brighter-coloured hair, for he wore no hat; +altogether a very interesting “little” brother! + +His tentative politeness charmed one who was accustomed to assurance in +the youthful manner; he was disturbed because she was to drive him home, +instead of his driving her. Shouldn't he have a shot? They hadn't a car +at Robin Hill since the War, of course, and he had only driven once, and +landed up a bank, so she oughtn't to mind his trying. His laugh, soft +and infectious, was very attractive, though that word, she had heard, +was now quite old-fashioned. When they reached the house he pulled out +a crumpled letter which she read while he was washing—a quite short +letter, which must have cost her father many a pang to write. + +“MY DEAR, + +“You and Val will not forget, I trust, that Jon knows nothing of family +history. His mother and I think he is too young at present. The boy is +very dear, and the apple of her eye. Verbum sapientibus, + +“Your loving father, + +“J. F.” + +That was all; but it renewed in Holly an uneasy regret that Fleur was +coming. + +After tea she fulfilled that promise to herself and took Jon up the +hill. They had a long talk, sitting above an old chalk-pit grown over +with brambles and goosepenny. Milkwort and liverwort starred the green +slope, the larks sang, and thrushes in the brake, and now and then a +gull flighting inland would wheel very white against the paling sky, +where the vague moon was coming up. Delicious fragrance came to them, as +if little invisible creatures were running and treading scent out of the +blades of grass. + +Jon, who had fallen silent, said rather suddenly: + +“I say, this is wonderful! There's no fat on it at all. Gull's flight +and sheep-bells.” + +“'Gull's flight and sheep-bells'. You're a poet, my dear!” + +Jon sighed. + +“Oh, Golly! No go!” + +“Try! I used to at your age.” + +“Did you? Mother says 'try' too; but I'm so rotten. Have you any of +yours for me to see?” + +“My dear,” Holly murmured, “I've been married nineteen years. I only +wrote verses when I wanted to be.” + +“Oh!” said Jon, and turned over on his face: the one cheek she could see +was a charming colour. Was Jon “touched in the wind,” then, as Val would +have called it? Already? But, if so, all the better, he would take no +notice of young Fleur. Besides, on Monday he would begin his farming. +And she smiled. Was it Burns who followed the plough, or only Piers +Plowman? Nearly every young man and most young women seemed to be poets +now, judging from the number of their books she had read out in South +Africa, importing them from Hatchus and Bumphards; and quite good—oh! +quite; much better than she had been herself! But then poetry had only +really come in since her day—with motor-cars. Another long talk after +dinner over a wood fire in the low hall, and there seemed little left to +know about Jon except anything of real importance. Holly parted from him +at his bedroom door, having seen twice over that he had everything, with +the conviction that she would love him, and Val would like him. He +was eager, but did not gush; he was a splendid listener, sympathetic, +reticent about himself. He evidently loved their father, and adored his +mother. He liked riding, rowing, and fencing better than games. He saved +moths from candles, and couldn't bear spiders, but put them out of doors +in screws of paper sooner than kill them. In a word, he was amiable. She +went to sleep, thinking that he would suffer horribly if anybody hurt +him; but who would hurt him? + +Jon, on the other hand, sat awake at his window with a bit of paper and +a pencil, writing his first “real poem” by the light of a candle because +there was not enough moon to see by, only enough to make the night seem +fluttery and as if engraved on silver. Just the night for Fleur to walk, +and turn her eyes, and lead on-over the hills and far away. And Jon, +deeply furrowed in his ingenuous brow, made marks on the paper and +rubbed them out and wrote them in again, and did all that was necessary +for the completion of a work of art; and he had a feeling such as the +winds of Spring must have, trying their first songs among the coming +blossom. Jon was one of those boys (not many) in whom a home-trained +love of beauty had survived school life. He had had to keep it to +himself, of course, so that not even the drawing-master knew of it; but +it was there, fastidious and clear within him. And his poem seemed to +him as lame and stilted as the night was winged. But he kept it, all the +same. It was a “beast,” but better than nothing as an expression of the +inexpressible. And he thought with a sort of discomfiture: 'I shan't be +able to show it to Mother.' He slept terribly well, when he did sleep, +overwhelmed by novelty. + + + + + +VII.—FLEUR + +To avoid the awkwardness of questions which could not be answered, all +that had been told Jon was: + +“There's a girl coming down with Val for the week-end.” + +For the same reason, all that had been told Fleur was: “We've got a +youngster staying with us.” + +The two yearlings, as Val called them in his thoughts, met therefore in +a manner which for unpreparedness left nothing to be desired. They were +thus introduced by Holly: + +“This is Jon, my little brother; Fleur's a cousin of ours, Jon.” + +Jon, who was coming in through a French window out of strong sunlight, +was so confounded by the providential nature of this miracle, that he +had time to hear Fleur say calmly: “Oh, how do you do?” as if he had +never seen her, and to understand dimly from the quickest imaginable +little movement of her head that he never had seen her. He bowed +therefore over her hand in an intoxicated manner, and became more silent +than the grave. He knew better than to speak. Once in his early life, +surprised reading by a nightlight, he had said fatuously “I was just +turning over the leaves, Mum,” and his mother had replied: “Jon, never +tell stories, because of your face nobody will ever believe them.” + +The saying had permanently undermined the confidence necessary to the +success of spoken untruth. He listened therefore to Fleur's swift and +rapt allusions to the jolliness of everything, plied her with scones and +jam, and got away as soon as might be. They say that in delirium tremens +you see a fixed object, preferably dark, which suddenly changes shape +and position. Jon saw the fixed object; it had dark eyes and passably +dark hair, and changed its position, but never its shape. The +knowledge that between him and that object there was already a secret +understanding (however impossible to understand) thrilled him so that +he waited feverishly, and began to copy out his poem—which of course he +would never dare to—show her—till the sound of horses' hoofs roused him, +and, leaning from his window, he saw her riding forth with Val. It was +clear that she wasted no time, but the sight filled him with grief. He +wasted his. If he had not bolted, in his fearful ecstasy, he might +have been asked to go too. And from his window he sat and watched them +disappear, appear again in the chine of the road, vanish, and emerge +once more for a minute clear on the outline of the Down. 'Silly brute!' +he thought; 'I always miss my chances.' + +Why couldn't he be self-confident and ready? And, leaning his chin on +his hands, he imagined the ride he might have had with her. A week-end +was but a week-end, and he had missed three hours of it. Did he know any +one except himself who would have been such a flat? He did not. + +He dressed for dinner early, and was first down. He would miss no more. +But he missed Fleur, who came down last. He sat opposite her at dinner, +and it was terrible—impossible to say anything for fear of saying +the wrong thing, impossible to keep his eyes fixed on her in the only +natural way; in sum, impossible to treat normally one with whom in fancy +he had already been over the hills and far away; conscious, too, all the +time, that he must seem to her, to all of them, a dumb gawk. Yes, it was +terrible! And she was talking so well—swooping with swift wing this +way and that. Wonderful how she had learned an art which he found so +disgustingly difficult. She must think him hopeless indeed! + +His sister's eyes, fixed on him with a certain astonishment, obliged him +at last to look at Fleur; but instantly her eyes, very wide and eager, +seeming to say, “Oh! for goodness' sake!” obliged him to look at Val, +where a grin obliged him to look at his cutlet—that, at least, had no +eyes, and no grin, and he ate it hastily. + +“Jon is going to be a farmer,” he heard Holly say; “a farmer and a +poet.” + +He glanced up reproachfully, caught the comic lift of her eyebrow just +like their father's, laughed, and felt better. + +Val recounted the incident of Monsieur Prosper Profond; nothing could +have been more favourable, for, in relating it, he regarded Holly, who +in turn regarded him, while Fleur seemed to be regarding with a slight +frown some thought of her own, and Jon was really free to look at her at +last. She had on a white frock, very simple and well made; her arms were +bare, and her hair had a white rose in it. In just that swift moment of +free vision, after such intense discomfort, Jon saw her sublimated, as +one sees in the dark a slender white fruit-tree; caught her like a verse +of poetry flashed before the eyes of the mind, or a tune which floats +out in the distance and dies. He wondered giddily how old she was—she +seemed so much more self-possessed and experienced than himself. Why +mustn't he say they had met? He remembered suddenly his mother's face; +puzzled, hurt-looking, when she answered: “Yes, they're relations, +but we don't know them.” Impossible that his mother, who loved beauty, +should not admire Fleur if she did know her. + +Alone with Val after dinner, he sipped port deferentially and answered +the advances of this new-found brother-in-law. As to riding (always the +first consideration with Val) he could have the young chestnut, saddle +and unsaddle it himself, and generally look after it when he brought it +in. Jon said he was accustomed to all that at home, and saw that he had +gone up one in his host's estimation. + +“Fleur,” said Val, “can't ride much yet, but she's keen. Of course, her +father doesn't know a horse from a cart-wheel. Does your Dad ride?” + +“He used to; but now he's—you know, he's—” He stopped, so hating the +word “old.” His father was old, and yet not old; no—never! + +“Quite,” muttered Val. “I used to know your brother up at Oxford, ages +ago, the one who died in the Boer War. We had a fight in New College +Gardens. That was a queer business,” he added, musing; “a good deal came +out of it.” + +Jon's eyes opened wide; all was pushing him toward historical research, +when his sister's voice said gently from the doorway: + +“Come along, you two,” and he rose, his heart pushing him toward +something far more modern. + +Fleur having declared that it was “simply too wonderful to stay +indoors,” they all went out. Moonlight was frosting the dew, and an old +sundial threw a long shadow. Two box hedges at right angles, dark +and square, barred off the orchard. Fleur turned through that angled +opening. + +“Come on!” she called. Jon glanced at the others, and followed. She was +running among the trees like a ghost. All was lovely and foamlike above +her, and there was a scent of old trunks, and of nettles. She vanished. +He thought he had lost her, then almost ran into her standing quite +still. + +“Isn't it jolly?” she cried, and Jon answered: + +“Rather!” + +She reached up, twisted off a blossom and, twirling it in her fingers, +said: + +“I suppose I can call you Jon?” + +“I should think so just.” + +“All right! But you know there's a feud between our families?” + +Jon stammered: “Feud? Why?” + +“It's ever so romantic and silly. That's why I pretended we hadn't +met. Shall we get up early to-morrow morning and go for a walk before +breakfast and have it out? I hate being slow about things, don't you?” + +Jon murmured a rapturous assent. + +“Six o'clock, then. I think your mother's beautiful” + +Jon said fervently: “Yes, she is.” + +“I love all kinds of beauty,” went on Fleur, “when it's exciting. I +don't like Greek things a bit.” + +“What! Not Euripides?” + +“Euripides? Oh! no, I can't bear Greek plays; they're so long. I think +beauty's always swift. I like to look at one picture, for instance, and +then run off. I can't bear a lot of things together. Look!” She held +up her blossom in the moonlight. “That's better than all the orchard, I +think.” + +And, suddenly, with her other hand she caught Jon's. + +“Of all things in the world, don't you think caution's the most awful? +Smell the moonlight!” + +She thrust the blossom against his face; Jon agreed giddily that of all +things in the world caution was the worst, and bending over, kissed the +hand which held his. + +“That's nice and old-fashioned,” said Fleur calmly. “You're frightfully +silent, Jon. Still I like silence when it's swift.” She let go his hand. +“Did you think I dropped my handkerchief on purpose?” + +“No!” cried Jon, intensely shocked. + +“Well, I did, of course. Let's get back, or they'll think we're doing +this on purpose too.” And again she ran like a ghost among the trees. +Jon followed, with love in his heart, Spring in his heart, and over all +the moonlit white unearthly blossom. They came out where they had gone +in, Fleur walking demurely. + +“It's quite wonderful in there,” she said dreamily to Holly. + +Jon preserved silence, hoping against hope that she might be thinking it +swift. + +She bade him a casual and demure good-night, which made him think he had +been dreaming.... + +In her bedroom Fleur had flung off her gown, and, wrapped in a shapeless +garment, with the white flower still in her hair, she looked like a +mousme, sitting cross-legged on her bed, writing by candlelight. + +“DEAREST CHERRY, + +“I believe I'm in love. I've got it in the neck, only the feeling is +really lower down. He's a second cousin-such a child, about six months +older and ten years younger than I am. Boys always fall in love with +their seniors, and girls with their juniors or with old men of forty. +Don't laugh, but his eyes are the truest things I ever saw; and he's +quite divinely silent! We had a most romantic first meeting in London +under the Vospovitch Juno. And now he's sleeping in the next room and +the moonlight's on the blossom; and to-morrow morning, before anybody's +awake, we're going to walk off into Down fairyland. There's a feud +between our families, which makes it really exciting. Yes! and I may +have to use subterfuge and come on you for invitations—if so, you'll +know why! My father doesn't want us to know each other, but I can't help +that. Life's too short. He's got the most beautiful mother, with lovely +silvery hair and a young face with dark eyes. I'm staying with his +sister—who married my cousin; it's all mixed up, but I mean to pump +her to-morrow. We've often talked about love being a spoil-sport; well, +that's all tosh, it's the beginning of sport, and the sooner you feel +it, my dear, the better for you. + +“Jon (not simplified spelling, but short for Jolyon, which is a name in +my family, they say) is the sort that lights up and goes out; about five +feet ten, still growing, and I believe he's going to be a poet. If +you laugh at me I've done with you forever. I perceive all sorts of +difficulties, but you know when I really want a thing I get it. One of +the chief effects of love is that you see the air sort of inhabited, +like seeing a face in the moon; and you feel—you feel dancey and soft +at the same time, with a funny sensation—like a continual first sniff of +orange—blossom—Just above your stays. This is my first, and I feel as if +it were going to be my last, which is absurd, of course, by all the laws +of Nature and morality. If you mock me I will smite you, and if you tell +anybody I will never forgive you. So much so, that I almost don't think +I'll send this letter. Anyway, I'll sleep over it. So good-night, my +Cherry—oh! + +“Your, + +“FLEUR.” + + + + +VIII.—IDYLL ON GRASS + +When those two young Forsytes emerged from the chine lane, and set their +faces east toward the sun, there was not a cloud in heaven, and the +Downs were dewy. They had come at a good bat up the slope and were a +little out of breath; if they had anything to say they did not say it, +but marched in the early awkwardness of unbreakfasted morning under the +songs of the larks. The stealing out had been fun, but with the freedom +of the tops the sense of conspiracy ceased, and gave place to dumbness. + +“We've made one blooming error,” said Fleur, when they had gone half a +mile. “I'm hungry.” + +Jon produced a stick of chocolate. They shared it and their tongues +were loosened. They discussed the nature of their homes and previous +existences, which had a kind of fascinating unreality up on that lonely +height. There remained but one thing solid in Jon's past—his mother; but +one thing solid in Fleur's—her father; and of these figures, as though +seen in the distance with disapproving faces, they spoke little. + +The Down dipped and rose again toward Chanctonbury Ring; a sparkle of +far sea came into view, a sparrow-hawk hovered in the sun's eye so that +the blood-nourished brown of his wings gleamed nearly red. Jon had a +passion for birds, and an aptitude for sitting very still to watch them; +keen-sighted, and with a memory for what interested him, on birds he was +almost worth listening to. But in Chanctonbury Ring there were none—its +great beech temple was empty of life, and almost chilly at this early +hour; they came out willingly again into the sun on the far side. It was +Fleur's turn now. She spoke of dogs, and the way people treated them. It +was wicked to keep them on chains! She would like to flog people who did +that. Jon was astonished to find her so humanitarian. She knew a dog, +it seemed, which some farmer near her home kept chained up at the end of +his chicken run, in all weathers, till it had almost lost its voice from +barking! + +“And the misery is,” she said vehemently, “that if the poor thing didn't +bark at every one who passes it wouldn't be kept there. I do think men +are cunning brutes. I've let it go twice, on the sly; it's nearly bitten +me both times, and then it goes simply mad with joy; but it always runs +back home at last, and they chain it up again. If I had my way, I'd +chain that man up.” Jon saw her teeth and her eyes gleam. “I'd brand him +on his forehead with the word 'Brute'. that would teach him!” + +Jon agreed that it would be a good remedy. + +“It's their sense of property,” he said, “which makes people chain +things. The last generation thought of nothing but property; and that's +why there was the War.” + +“Oh!” said Fleur, “I never thought of that. Your people and mine +quarrelled about property. And anyway we've all got it—at least, I +suppose your people have.” + +“Oh! yes, luckily; I don't suppose I shall be any good at making money.” + +“If you were, I don't believe I should like you.” + +Jon slipped his hand tremulously under her arm. Fleur looked straight +before her and chanted: + +“Jon, Jon, the farmer's son, Stole a pig, and away he run!” + +Jon's arm crept round her waist. + +“This is rather sudden,” said Fleur calmly; “do you often do it?” + +Jon dropped his arm. But when she laughed his arm stole back again; and +Fleur began to sing: + +“O who will oer the downs so free, O who will with me ride? O who will +up and follow me—-” + +“Sing, Jon!” + +Jon sang. The larks joined in, sheep-bells, and an early morning church +far away over in Steyning. They went on from tune to tune, till Fleur +said: + +“My God! I am hungry now!” + +“Oh! I am sorry!” + +She looked round into his face. + +“Jon, you're rather a darling.” + +And she pressed his hand against her waist. Jon almost reeled from +happiness. A yellow-and-white dog coursing a hare startled them apart. +They watched the two vanish down the slope, till Fleur said with a sigh: +“He'll never catch it, thank goodness! What's the time? Mine's stopped. +I never wound it.” + +Jon looked at his watch. “By Jove!” he said, “mine's stopped; too.” + +They walked on again, but only hand in hand. + +“If the grass is dry,” said Fleur, “let's sit down for half a minute.” + +Jon took off his coat, and they shared it. + +“Smell! Actually wild thyme!” + +With his arm round her waist again, they sat some minutes in silence. + +“We are goats!” cried Fleur, jumping up; “we shall be most fearfully +late, and look so silly, and put them on their guard. Look here, Jon We +only came out to get an appetite for breakfast, and lost our way. See?” + +“Yes,” said Jon. + +“It's serious; there'll be a stopper put on us. Are you a good liar?” + +“I believe not very; but I can try.” + +Fleur frowned. + +“You know,” she said, “I realize that they don't mean us to be friends.” + +“Why not?” + +“I told you why.” + +“But that's silly.” + +“Yes; but you don't know my father!” + +“I suppose he's fearfully fond of you.” + +“You see, I'm an only child. And so are you—of your mother. Isn't it +a bore? There's so much expected of one. By the time they've done +expecting, one's as good as dead.” + +“Yes,” muttered Jon, “life's beastly short. One wants to live forever, +and know everything.” + +“And love everybody?” + +“No,” cried Jon; “I only want to love once—you.” + +“Indeed! You're coming on! Oh! Look! There's the chalk-pit; we can't be +very far now. Let's run.” + +Jon followed, wondering fearfully if he had offended her. + +The chalk-pit was full of sunshine and the murmuration of bees. Fleur +flung back her hair. + +“Well,” she said, “in case of accidents, you may give me one kiss, Jon,” +and she pushed her cheek forward. With ecstasy he kissed that hot soft +cheek. + +“Now, remember! We lost our way; and leave it to me as much as you can. +I'm going to be rather beastly to you; it's safer; try and be beastly to +me!” + +Jon shook his head. “That's impossible.” + +“Just to please me; till five o'clock, at all events.” + +“Anybody will be able to see through it,” said Jon gloomily. + +“Well, do your best. Look! There they are! Wave your hat! Oh! you +haven't got one. Well, I'll cooee! Get a little away from me, and look +sulky.” + +Five minutes later, entering the house and doing his utmost to look +sulky, Jon heard her clear voice in the dining-room: + +“Oh! I'm simply ravenous! He's going to be a farmer—and he loses his +way! The boy's an idiot!” + + + + + +IX. GOYA + +Lunch was over and Soames mounted to the picture-gallery in his house +near Mapleduram. He had what Annette called “a grief.” Fleur was not +yet home. She had been expected on Wednesday; had wired that it would be +Friday; and again on Friday that it would be Sunday afternoon; and here +were her aunt, and her cousins the Cardigans, and this fellow Profond, +and everything flat as a pancake for the want of her. He stood before +his Gauguin—sorest point of his collection. He had bought the ugly great +thing with two early Matisses before the War, because there was such +a fuss about those Post-Impressionist chaps. He was wondering whether +Profond would take them off his hands—the fellow seemed not to know +what to do with his money—when he heard his sister's voice say: “I think +that's a horrid thing, Soames,” and saw that Winifred had followed him +up. + +“Oh! you do?” he said dryly; “I gave five hundred for it.” + +“Fancy! Women aren't made like that even if they are black.” + +Soames uttered a glum laugh. “You didn't come up to tell me that.” + +“No. Do you know that Jolyon's boy is staying with Val and his wife?” + +Soames spun round. + +“What?” + +“Yes,” drawled Winifred; “he's gone to live with them there while he +learns farming.” + +Soames had turned away, but her voice pursued him as he walked up and +down. “I warned Val that neither of them was to be spoken to about old +matters.” + +“Why didn't you tell me before?” + +Winifred shrugged her substantial shoulders. + +“Fleur does what she likes. You've always spoiled her. Besides, my dear +boy, what's the harm?” + +“The harm!” muttered Soames. “Why, she—” he checked himself. The Juno, +the handkerchief, Fleur's eyes, her questions, and now this delay in +her return—the symptoms seemed to him so sinister that, faithful to his +nature, he could not part with them. + +“I think you take too much care,” said Winifred. “If I were you, I +should tell her of that old matter. It's no good thinking that girls in +these days are as they used to be. Where they pick up their knowledge I +can't tell, but they seem to know everything.” + +Over Soames' face, closely composed, passed a sort of spasm, and +Winifred added hastily: + +“If you don't like to speak of it, I could for you.” + +Soames shook his head. Unless there was absolute necessity the thought +that his adored daughter should learn of that old scandal hurt his pride +too much. + +“No,” he said, “not yet. Never if I can help it. + +“Nonsense, my dear. Think what people are!” + +“Twenty years is a long time,” muttered Soames. “Outside our family, +who's likely to remember?” + +Winifred was silenced. She inclined more and more to that peace and +quietness of which Montague Dartie had deprived her in her youth. And, +since pictures always depressed her, she soon went down again. + +Soames passed into the corner where, side by side, hung his real Goya +and the copy of the fresco “La Vendimia.” His acquisition of the real +Goya rather beautifully illustrated the cobweb of vested interests and +passions which mesh the bright-winged fly of human life. The real +Goya's noble owner's ancestor had come into possession of it during +some Spanish war—it was in a word loot. The noble owner had remained +in ignorance of its value until in the nineties an enterprising critic +discovered that a Spanish painter named Goya was a genius. It was only +a fair Goya, but almost unique in England, and the noble owner became a +marked man. Having many possessions and that aristocratic culture +which, independent of mere sensuous enjoyment, is founded on the sounder +principle that one must know everything and be fearfully interested in +life, he had fully intended to keep an article which contributed to his +reputation while he was alive, and to leave it to the nation after +he was dead. Fortunately for Soames, the House of Lords was violently +attacked in 1909, and the noble owner became alarmed and angry. 'If,' +he said to himself, 'they think they can have it both ways they are very +much mistaken. So long as they leave me in quiet enjoyment the nation +can have some of my pictures at my death. But if the nation is going to +bait me, and rob me like this, I'm damned if I won't sell the lot. They +can't have my private property and my public spirit-both.' He brooded +in this fashion for several months till one morning, after reading the +speech of a certain statesman, he telegraphed to his agent to come +down and bring Bodkin. On going over the collection Bodkin, than whose +opinion on market values none was more sought, pronounced that with a +free hand to sell to America, Germany, and other places where there was +an interest in art, a lot more money could be made than by selling in +England. The noble owner's public spirit—he said—was well known but the +pictures were unique. The noble owner put this opinion in his pipe and +smoked it for a year. At the end of that time he read another speech by +the same statesman, and telegraphed to his agents: “Give Bodkin a free +hand.” It was at this juncture that Bodkin conceived the idea which +saved the Goya and two other unique pictures for the native country +of the noble owner. With one hand Bodkin proffered the pictures to +the foreign market, with the other he formed a list of private British +collectors. Having obtained what he considered the highest possible +bids from across the seas, he submitted pictures and bids to the private +British collectors, and invited them, of their public spirit, to +outbid. In three instances (including the Goya) out of twenty-one he was +successful. And why? One of the private collectors made buttons—he +had made so many that he desired that his wife should be called Lady +“Buttons.” He therefore bought a unique picture at great cost, and +gave it to the nation. It was “part,” his friends said, “of his general +game.” The second of the private collectors was an Americophobe, and +bought an unique picture to “spite the damned Yanks.” The third of +the private collectors was Soames, who—more sober than either of the, +others—bought after a visit to Madrid, because he was certain that Goya +was still on the up grade. Goya was not booming at the moment, but he +would come again; and, looking at that portrait, Hogarthian, Manetesque +in its directness, but with its own queer sharp beauty of paint, he was +perfectly satisfied still that he had made no error, heavy though the +price had been—heaviest he had ever paid. And next to it was hanging the +copy of “La Vendimia.” There she was—the little wretch—looking back at +him in her dreamy mood, the mood he loved best because he felt so much +safer when she looked like that. + +He was still gazing when the scent of a cigar impinged on his nostrils, +and a voice said: + +“Well, Mr. Forsyde, what you goin' to do with this small lot?” + +That Belgian chap, whose mother—as if Flemish blood were not enough—had +been Armenian! Subduing a natural irritation, he said: + +“Are you a judge of pictures?” + +“Well, I've got a few myself.” + +“Any Post-Impressionists?” + +“Ye-es, I rather like them.” + +“What do you think of this?” said Soames, pointing to the Gauguin. + +Monsieur Profond protruded his lower lip and short pointed beard. + +“Rather fine, I think,” he said; “do you want to sell it?” + +Soames checked his instinctive “Not particularly”—he would not chaffer +with this alien. + +“Yes,” he said. + +“What do you want for it?” + +“What I gave.” + +“All right,” said Monsieur Profond. “I'll be glad to take that small +picture. Post-Impressionists—they're awful dead, but they're amusin'. I +don' care for pictures much, but I've got some, just a small lot.” + +“What do you care for?” + +Monsieur Profond shrugged his shoulders. + +“Life's awful like a lot of monkeys scramblin' for empty nuts.” + +“You're young,” said Soames. If the fellow must make a generalization, +he needn't suggest that the forms of property lacked solidity! + +“I don' worry,” replied Monsieur Profond smiling; “we're born, and we +die. Half the world's starvin'. I feed a small lot of babies out in my +mother's country; but what's the use? Might as well throw my money in +the river.” + +Soames looked at him, and turned back toward his Goya. He didn't know +what the fellow wanted. + +“What shall I make my cheque for?” pursued Monsieur Profond. + +“Five hundred,” said Soames shortly; “but I don't want you to take it if +you don't care for it more than that.” + +“That's all right,” said Monsieur Profond; “I'll be 'appy to 'ave that +picture.” + +He wrote a cheque with a fountain-pen heavily chased with gold. Soames +watched the process uneasily. How on earth had the fellow known that he +wanted to sell that picture? Monsieur Profond held out the cheque. + +“The English are awful funny about pictures,” he said. “So are the +French, so are my people. They're all awful funny.” + +“I don't understand you,” said Soames stiffly. + +“It's like hats,” said Monsieur Profond enigmatically, “small or large, +turnin' up or down—just the fashion. Awful funny.” And, smiling, he +drifted out of the gallery again, blue and solid like the smoke of his +excellent cigar. + +Soames had taken the cheque, feeling as if the intrinsic value of +ownership had been called in question. 'He's a cosmopolitan,' he +thought, watching Profond emerge from under the verandah with Annette, +and saunter down the lawn toward the river. What his wife saw in the +fellow he didn't know, unless it was that he could speak her language; +and there passed in Soames what Monsieur Profond would have called a +“small doubt” whether Annette was not too handsome to be walking with +any one so “cosmopolitan.” Even at that distance he could see the blue +fumes from Profond's cigar wreath out in the quiet sunlight; and his +grey buckskin shoes, and his grey hat—the fellow was a dandy! And he +could see the quick turn of his wife's head, so very straight on her +desirable neck and shoulders. That turn of her neck always seemed to him +a little too showy, and in the “Queen of all I survey” manner—not quite +distinguished. He watched them walk along the path at the bottom of the +garden. A young man in flannels joined them down there—a Sunday caller +no doubt, from up the river. He went back to his Goya. He was still +staring at that replica of Fleur, and worrying over Winifred's news, +when his wife's voice said: + +“Mr. Michael Mont, Soames. You invited him to see your pictures.” + +There was the cheerful young man of the Gallery off Cork Street! + +“Turned up, you see, sir; I live only four miles from Pangbourne. Jolly +day, isn't it?” + +Confronted with the results of his expansiveness, Soames scrutinized his +visitor. The young man's mouth was excessively large and curly—he seemed +always grinning. Why didn't he grow the rest of those idiotic little +moustaches, which made him look like a music-hall buffoon? What on +earth were young men about, deliberately lowering their class with these +tooth-brushes, or little slug whiskers? Ugh! Affected young idiots! In +other respects he was presentable, and his flannels very clean. + +“Happy to see you!” he said. + +The young man, who had been turning his head from side to side, became +transfixed. “I say!” he said, “'some' picture!” + +Soames saw, with mixed sensations, that he had addressed the remark to +the Goya copy. + +“Yes,” he said dryly, “that's not a Goya. It's a copy. I had it painted +because it reminded me of my daughter.” + +“By Jove! I thought I knew the face, sir. Is she here?” + +The frankness of his interest almost disarmed Soames. + +“She'll be in after tea,” he said. “Shall we go round the pictures?” + +And Soames began that round which never tired him. He had not +anticipated much intelligence from one who had mistaken a copy for an +original, but as they passed from section to section, period to period, +he was startled by the young man's frank and relevant remarks. Natively +shrewd himself, and even sensuous beneath his mask, Soames had not spent +thirty-eight years over his one hobby without knowing something more +about pictures than their market values. He was, as it were, the missing +link between the artist and the commercial public. Art for art's sake +and all that, of course, was cant. But aesthetics and good taste were +necessary. The appreciation of enough persons of good taste was what +gave a work of art its permanent market value, or in other words made +it “a work of art.” There was no real cleavage. And he was sufficiently +accustomed to sheep-like and unseeing visitors, to be intrigued by one +who did not hesitate to say of Mauve: “Good old haystacks!” or of James +Maris: “Didn't he just paint and paper 'em! Mathew was the real swell, +sir; you could dig into his surfaces!” It was after the young man had +whistled before a Whistler, with the words, “D'you think he ever really +saw a naked woman, sir?” that Soames remarked: + +“What are you, Mr. Mont, if I may ask?” + +“I, sir? I was going to be a painter, but the War knocked that. Then in +the trenches, you know, I used to dream of the Stock Exchange, snug and +warm and just noisy enough. But the Peace knocked that, shares seem off, +don't they? I've only been demobbed about a year. What do you recommend, +sir?” + +“Have you got money?” + +“Well,” answered the young man, “I've got a father; I kept him alive +during the War, so he's bound to keep me alive now. Though, of course, +there's the question whether he ought to be allowed to hang on to his +property. What do you think about that, sir?” + +Soames, pale and defensive, smiled. + +“The old man has fits when I tell him he may have to work yet. He's got +land, you know; it's a fatal disease.” + +“This is my real Goya,” said Soames dryly. + +“By George! He was a swell. I saw a Goya in Munich once that bowled me +middle stump. A most evil-looking old woman in the most gorgeous lace. +He made no compromise with the public taste. That old boy was 'some' +explosive; he must have smashed up a lot of convention in his day. +Couldn't he just paint! He makes Velasquez stiff, don't you think?” + +“I have no Velasquez,” said Soames. + +The young man stared. “No,” he said; “only nations or profiteers can +afford him, I suppose. I say, why shouldn't all the bankrupt nations +sell their Velasquez and Titians and other swells to the profiteers by +force, and then pass a law that any one who holds a picture by an +Old Master—see schedule—must hang it in a public gallery? There seems +something in that.” + +“Shall we go down to tea?” said Soames. + +The young man's ears seemed to droop on his skull. 'He's not dense,' +thought Soames, following him off the premises. + +Goya, with his satiric and surpassing precision, his original “line,” +and the daring of his light and shade, could have reproduced to +admiration the group assembled round Annette's tea-tray in the inglenook +below. He alone, perhaps, of painters would have done justice to the +sunlight filtering through a screen of creeper, to the lovely pallor of +brass, the old cut glasses, the thin slices of lemon in pale amber tea; +justice to Annette in her black lacey dress; there was something of the +fair Spaniard in her beauty, though it lacked the spirituality of that +rare type; to Winifred's grey-haired, corseted solidity; to Soames, of +a certain grey and flat-cheeked distinction; to the vivacious Michael +Mont, pointed in ear and eye; to Imogen, dark, luscious of glance, +growing a little stout; to Prosper Profond, with his expression as +who should say, “Well, Mr. Goya, what's the use of paintin' this small +party?” finally, to Jack Cardigan, with his shining stare and tanned +sanguinity betraying the moving principle: “I'm English, and I live to +be fit.” + +Curious, by the way, that Imogen, who as a girl had declared solemnly +one day at Timothy's that she would never marry a good man—they were so +dull—should have married Jack Cardigan, in whom health had so destroyed +all traces of original sin, that she might have retired to rest with ten +thousand other Englishmen without knowing the difference from the one +she had chosen to repose beside. “Oh!” she would say of him, in her +“amusing” way, “Jack keeps himself so fearfully fit; he's never had +a day's illness in his life. He went right through the War without a +finger-ache. You really can't imagine how fit he is!” Indeed, he was +so “fit” that he couldn't see when she was flirting, which was such a +comfort in a way. All the same she was quite fond of him, so far as one +could be of a sports-machine, and of the two little Cardigans made after +his pattern. Her eyes just then were comparing him maliciously with +Prosper Profond. There was no “small” sport or game which Monsieur +Profond had not played at too, it seemed, from skittles to +tarpon-fishing, and worn out every one. Imogen would sometimes wish that +they had worn out Jack, who continued to play at them and talk of them +with the simple zeal of a school-girl learning hockey; at the age of +Great-uncle Timothy she well knew that Jack would be playing carpet golf +in her bedroom, and “wiping somebody's eye.” + +He was telling them now how he had “pipped the pro—a charmin' fellow, +playin' a very good game,” at the last hole this morning; and how he +had pulled down to Caversham since lunch, and trying to incite Prosper +Profond to play him a set of tennis after tea—do him good—“keep him fit. + +“But what's the use of keepin' fit?” said Monsieur Profond. + +“Yes, sir,” murmured Michael Mont, “what do you keep fit for?” + +“Jack,” cried Imogen, enchanted, “what do you keep fit for?” + +Jack Cardigan stared with all his health. The questions were like the +buzz of a mosquito, and he put up his hand to wipe them away. During the +War, of course, he had kept fit to kill Germans; now that it was over +he either did not know, or shrank in delicacy from explanation of his +moving principle. + +“But he's right,” said Monsieur Profond unexpectedly, “there's nothin' +left but keepin' fit.” + +The saying, too deep for Sunday afternoon, would have passed unanswered, +but for the mercurial nature of young Mont. + +“Good!” he cried. “That's the great discovery of the War. We all thought +we were progressing—now we know we're only changing.” + +“For the worse,” said Monsieur Profond genially. + +“How you are cheerful, Prosper!” murmured Annette. + +“You come and play tennis!” said Jack Cardigan; “you've got the hump. +We'll soon take that down. D'you play, Mr. Mont?” + +“I hit the ball about, sir.” + +At this juncture Soames rose, ruffled in that deep instinct of +preparation for the future which guided his existence. + +“When Fleur comes—” he heard Jack Cardigan say. + +Ah! and why didn't she come? He passed through drawing-room, hall, and +porch out on to the drive, and stood there listening for the car. All +was still and Sundayfied; the lilacs in full flower scented the air. +There were white clouds, like the feathers of ducks gilded by the +sunlight. Memory of the day when Fleur was born, and he had waited in +such agony with her life and her mother's balanced in his hands, came +to him sharply. He had saved her then, to be the flower of his life. And +now! was she going to give him trouble—pain—give him trouble? He did +not like the look of things! A blackbird broke in on his reverie with an +evening song—a great big fellow up in that acacia-tree. Soames had taken +quite an interest in his birds of late years; he and Fleur would walk +round and watch them; her eyes were sharp as needles, and she knew every +nest. He saw her dog, a retriever, lying on the drive in a patch of +sunlight, and called to him. “Hallo, old fellow-waiting for her too!” +The dog came slowly with a grudging tail, and Soames mechanically laid +a pat on his head. The dog, the bird, the lilac, all were part of Fleur +for him; no more, no less. 'Too fond of her!' he thought, 'too fond!' He +was like a man uninsured, with his ships at sea. Uninsured again—as in +that other time, so long ago, when he would wander dumb and jealous +in the wilderness of London, longing for that woman—his first wife—the +mother of this infernal boy. Ah! There was the car at last! It drew up, +it had luggage, but no Fleur. + +“Miss Fleur is walking up, sir, by the towing-path.” + +Walking all those miles? Soames stared. The man's face had the beginning +of a smile on it. What was he grinning at? And very quickly he turned, +saying, “All right, Sims!” and went into the house. He mounted to the +picture-gallery once more. He had from there a view of the river bank, +and stood with his eyes fixed on it, oblivious of the fact that it would +be an hour at least before her figure showed there. Walking up! And that +fellow's grin! The boy—! He turned abruptly from the window. He couldn't +spy on her. If she wanted to keep things from him—she must; he could not +spy on her. His heart felt empty, and bitterness mounted from it into +his very mouth. The staccato shouts of Jack Cardigan pursuing the ball, +the laugh of young Mont rose in the stillness and came in. He hoped they +were making that chap Profond run. And the girl in “La Vendimia” stood +with her arm akimbo and her dreamy eyes looking past him. 'I've done all +I could for you,' he thought, 'since you were no higher than my knee. +You aren't going to—to—hurt me, are you?' + +But the Goya copy answered not, brilliant in colour just beginning to +tone down. 'There's no real life in it,' thought Soames. 'Why doesn't +she come?' + + + + + +X.—TRIO + +Among those four Forsytes of the third, and, as one might say, fourth +generation, at Wansdon under the Downs, a week-end prolonged unto the +ninth day had stretched the crossing threads of tenacity almost to +snapping-point. Never had Fleur been so “fine,” Holly so watchful, Val +so stable-secretive, Jon so silent and disturbed. What he learned of +farming in that week might have been balanced on the point of a penknife +and puffed off. He, whose nature was essentially averse from intrigue, +and whose adoration of Fleur disposed him to think that any need for +concealing it was “skittles,” chafed and fretted, yet obeyed, taking +what relief he could in the few moments when they were alone. +On Thursday, while they were standing in the bay window of the +drawing-room, dressed for dinner, she said to him: + +“Jon, I'm going home on Sunday by the 3.40 from Paddington; if you were +to go home on Saturday you could come up on Sunday and take me down, and +just get back here by the last train, after. You were going home anyway, +weren't you?” + +Jon nodded. + +“Anything to be with you,” he said; “only why need I pretend—” + +Fleur slipped her little finger into his palm: + +“You have no instinct, Jon; you must leave things to me. It's serious +about our people. We've simply got to be secret at present, if we want +to be together.” The door was opened, and she added loudly: “You are a +duffer, Jon.” + +Something turned over within Jon; he could not bear this subterfuge +about a feeling so natural, so overwhelming, and so sweet. + +On Friday night about eleven he had packed his bag, and was leaning out +of his window, half miserable, and half lost in a dream of Paddington +station, when he heard a tiny sound, as of a finger-nail tapping on his +door. He rushed to it and listened. Again the sound. It was a nail. He +opened. Oh! What a lovely thing came in! + +“I wanted to show you my fancy dress,” it said, and struck an attitude +at the foot of his bed. + +Jon drew a long breath and leaned against the door. The apparition +wore white muslin on its head, a fichu round its bare neck over a +wine-coloured dress, fulled out below its slender waist. + +It held one arm akimbo, and the other raised, right-angled, holding a +fan which touched its head. + +“This ought to be a basket of grapes,” it whispered, “but I haven't got +it here. It's my Goya dress. And this is the attitude in the picture. Do +you like it?” + +“It's a dream.” + +The apparition pirouetted. “Touch it, and see.” + +Jon knelt down and took the skirt reverently. + +“Grape colour,” came the whisper, “all grapes—La Vendimia—the vintage.” + +Jon's fingers scarcely touched each side of the waist; he looked up, +with adoring eyes. + +“Oh! Jon,” it whispered; bent, kissed his forehead, pirouetted again, +and, gliding out, was gone. + +Jon stayed on his knees, and his head fell forward against the bed. +How long he stayed like that he did not know. The little noises—of the +tapping nail, the feet, the skirts rustling—as in a dream—went on +about him; and before his closed eyes the figure stood and smiled and +whispered, a faint perfume of narcissus lingering in the air. And his +forehead where it had been kissed had a little cool place between the +brows, like the imprint of a flower. Love filled his soul, that love of +boy for girl which knows so little, hopes so much, would not brush the +down off for the world, and must become in time a fragrant memory—a +searing passion—a humdrum mateship—or, once in many times, vintage full +and sweet with sunset colour on the grapes. + +Enough has been said about Jon Forsyte here and in another place to show +what long marches lay between him and his great-great-grandfather, the +first Jolyon, in Dorset down by the sea. Jon was sensitive as a girl, +more sensitive than nine out of ten girls of the day; imaginative as one +of his half-sister June's “lame duck” painters; affectionate as a son +of his father and his mother naturally would be. And yet, in his inner +tissue, there was something of the old founder of his family, a secret +tenacity of soul, a dread of showing his feelings, a determination not +to know when he was beaten. Sensitive, imaginative, affectionate boys +get a bad time at school, but Jon had instinctively kept his nature +dark, and been but normally unhappy there. Only with his mother had he, +up till then, been absolutely frank and natural; and when he went home +to Robin Hill that Saturday his heart was heavy because Fleur had said +that he must not be frank and natural with her from whom he had never +yet kept anything, must not even tell her that they had met again, +unless he found that she knew already. So intolerable did this seem to +him that he was very near to telegraphing an excuse and staying up in +London. And the first thing his mother said to him was: + +“So you've had our little friend of the confectioner's there, Jon. What +is she like on second thoughts?” + +With relief, and a high colour, Jon answered: + +“Oh! awfully jolly, Mum.” + +Her arm pressed his. + +Jon had never loved her so much as in that minute which seemed to +falsify Fleur's fears and to release his soul. He turned to look at her, +but something in her smiling face—something which only he perhaps would +have caught—stopped the words bubbling up in him. Could fear go with a +smile? If so, there was fear in her face. And out of Jon tumbled quite +other words, about farming, Holly, and the Downs. Talking fast, he +waited for her to come back to Fleur. But she did not. Nor did +his father mention her, though of course he, too, must know. What +deprivation, and killing of reality was in his silence about Fleur—when +he was so full of her; when his mother was so full of Jon, and his +father so full of his mother! And so the trio spent the evening of that +Saturday. + +After dinner his mother played; she seemed to play all the things he +liked best, and he sat with one knee clasped, and his hair standing up +where his fingers had run through it. He gazed at his mother while she +played, but he saw Fleur—Fleur in the moonlit orchard, Fleur in the +sunlit gravel-pit, Fleur in that fancy dress, swaying, whispering, +stooping, kissing his forehead. Once, while he listened, he forgot +himself and glanced at his father in that other easy chair. What was +Dad looking like that for? The expression on his face was so sad and +puzzling. It filled him with a sort of remorse, so that he got up and +went and sat on the arm of his father's chair. From there he could not +see his face; and again he saw Fleur—in his mother's hands, slim and +white on the keys, in the profile of her face and her powdery hair; +and down the long room in the open window where the May night walked +outside. + +When he went up to bed his mother came into his room. She stood at the +window, and said: + +“Those cypresses your grandfather planted down there have done +wonderfully. I always think they look beautiful under a dropping moon. I +wish you had known your grandfather, Jon.” + +“Were you married to father when he was alive?” asked Jon suddenly. + +“No, dear; he died in '92—very old—eighty-five, I think.” + +“Is Father like him?” + +“A little, but more subtle, and not quite so solid.” + +“I know, from grandfather's portrait; who painted that?” + +“One of June's 'lame ducks.' But it's quite good.” + +Jon slipped his hand through his mother's arm. “Tell me about the family +quarrel, Mum.” + +He felt her arm quivering. “No, dear; that's for your Father some day, +if he thinks fit.” + +“Then it was serious,” said Jon, with a catch in his breath. + +“Yes.” And there was a silence, during which neither knew whether the +arm or the hand within it were quivering most. + +“Some people,” said Irene softly, “think the moon on her back is evil; +to me she's always lovely. Look at those cypress shadows! Jon, Father +says we may go to Italy, you and I, for two months. Would you like?” + +Jon took his hand from under her arm; his sensation was so sharp and +so confused. Italy with his mother! A fortnight ago it would have been +perfection; now it filled him with dismay; he felt that the sudden +suggestion had to do with Fleur. He stammered out: + +“Oh! yes; only—I don't know. Ought I—now I've just begun? I'd like to +think it over.” + +Her voice answered, cool and gentle: + +“Yes, dear; think it over. But better now than when you've begun farming +seriously. Italy with you! It would be nice!” + +Jon put his arm round her waist, still slim and firm as a girl's. + +“Do you think you ought to leave Father?” he said feebly, feeling very +mean. + +“Father suggested it; he thinks you ought to see Italy at least before +you settle down to anything.” + +The sense of meanness died in Jon; he knew, yes—he knew—that his father +and his mother were not speaking frankly, no more than he himself. They +wanted to keep him from Fleur. His heart hardened. And, as if she felt +that process going on, his mother said: + +“Good-night, darling. Have a good sleep and think it over. But it would +be lovely!” + +She pressed him to her so quickly that he did not see her face. Jon +stood feeling exactly as he used to when he was a naughty little boy; +sore because he was not loving, and because he was justified in his own +eyes. + +But Irene, after she had stood a moment in her own room, passed through +the dressing-room between it and her husband's. + +“Well?” + +“He will think it over, Jolyon.” + +Watching her lips that wore a little drawn smile, Jolyon said quietly: + +“You had better let me tell him, and have done with it. After all, Jon +has the instincts of a gentleman. He has only to understand—” + +“Only! He can't understand; that's impossible.” + +“I believe I could have at his age.” + +Irene caught his hand. “You were always more of a realist than Jon; and +never so innocent.” + +“That's true,” said Jolyon. “It's queer, isn't it? You and I would tell +our stories to the world without a particle of shame; but our own boy +stumps us.” + +“We've never cared whether the world approves or not.” + +“Jon would not disapprove of us!” + +“Oh! Jolyon, yes. He's in love, I feel he's in love. And he'd say: 'My +mother once married without love! How could she have!' It'll seem to him +a crime! And so it was!” + +Jolyon took her hand, and said with a wry smile: + +“Ah! why on earth are we born young? Now, if only we were born old and +grew younger year by year, we should understand how things happen, and +drop all our cursed intolerance. But you know if the boy is really +in love, he won't forget, even if he goes to Italy. We're a tenacious +breed; and he'll know by instinct why he's being sent. Nothing will +really cure him but the shock of being told.” + +“Let me try, anyway.” + +Jolyon stood a moment without speaking. Between this devil and this deep +sea—the pain of a dreaded disclosure and the grief of losing his wife +for two months—he secretly hoped for the devil; yet if she wished for +the deep sea he must put up with it. After all, it would be training for +that departure from which there would be no return. And, taking her in +his arms, he kissed her eyes, and said: + +“As you will, my love.” + + + + + +XI.—DUET + +That “small” emotion, love, grows amazingly when threatened with +extinction. Jon reached Paddington station half an hour before his time +and a full week after, as it seemed to him. He stood at the appointed +bookstall, amid a crowd of Sunday travellers, in a Harris tweed suit +exhaling, as it were, the emotion of his thumping heart. He read the +names of the novels on the book-stall, and bought one at last, to avoid +being regarded with suspicion by the book-stall clerk. It was called +“The Heart of the Trail!” which must mean something, though it did not +seem to. He also bought “The Lady's Mirror” and “The Landsman.” Every +minute was an hour long, and full of horrid imaginings. After nineteen +had passed, he saw her with a bag and a porter wheeling her luggage. She +came swiftly; she came cool. She greeted him as if he were a brother. + +“First class,” she said to the porter, “corner seats; opposite.” + +Jon admired her frightful self-possession. + +“Can't we get a carriage to ourselves,” he whispered. + +“No good; it's a stopping train. After Maidenhead perhaps. Look natural, +Jon.” + +Jon screwed his features into a scowl. They got in—with two other +beasts!—oh! heaven! He tipped the porter unnaturally, in his confusion. +The brute deserved nothing for putting them in there, and looking as if +he knew all about it into the bargain. + +Fleur hid herself behind “The Lady's Mirror.” Jon imitated her behind +“The Landsman.” The train started. Fleur let “The Lady's Mirror” fall +and leaned forward. + +“Well?” she said. + +“It's seemed about fifteen days.” + +She nodded, and Jon's face lighted up at once. + +“Look natural,” murmured Fleur, and went off into a bubble of laughter. +It hurt him. How could he look natural with Italy hanging over him? He +had meant to break it to her gently, but now he blurted it out. + +“They want me to go to Italy with Mother for two months.” + +Fleur drooped her eyelids; turned a little pale, and bit her lips. “Oh!” +she said. It was all, but it was much. + +That “Oh!” was like the quick drawback of the wrist in fencing ready for +riposte. It came. + +“You must go!” + +“Go?” said Jon in a strangled voice. + +“Of course.” + +“But—two months—it's ghastly.” + +“No,” said Fleur, “six weeks. You'll have forgotten me by then. We'll +meet in the National Gallery the day after you get back.” + +Jon laughed. + +“But suppose you've forgotten me,” he muttered into the noise of the +train. + +Fleur shook her head. + +“Some other beast—” murmured Jon. + +Her foot touched his. + +“No other beast,” she said, lifting “The Lady's Mirror.” + +The train stopped; two passengers got out, and one got in. + +'I shall die,' thought Jon, 'if we're not alone at all.' + +The train went on; and again Fleur leaned forward. + +“I never let go,” she said; “do you?” + +Jon shook his head vehemently. + +“Never!” he said. “Will you write to me?” + +“No; but you can—to my Club.” + +She had a Club; she was wonderful! + +“Did you pump Holly?” he muttered. + +“Yes, but I got nothing. I didn't dare pump hard.” + +“What can it be?” cried Jon. + +“I shall find out all right.” + +A long silence followed till Fleur said: “This is Maidenhead; stand by, +Jon!” + +The train stopped. The remaining passenger got out. Fleur drew down her +blind. + +“Quick!” she cried. “Hang out! Look as much of a beast as you can.” + +Jon blew his nose, and scowled; never in all his life had he scowled +like that! An old lady recoiled, a young one tried the handle. It +turned, but the door would not open. The train moved, the young lady +darted to another carriage. + +“What luck!” cried Jon. “It Jammed.” + +“Yes,” said Fleur; “I was holding it.” + +The train moved out, and Jon fell on his knees. + +“Look out for the corridor,” she whispered; “and—quick!” + +Her lips met his. And though their kiss only lasted perhaps ten seconds, +Jon's soul left his body and went so far beyond, that, when he was again +sitting opposite that demure figure, he was pale as death. He heard her +sigh, and the sound seemed to him the most precious he had ever heard—an +exquisite declaration that he meant something to her. + +“Six weeks isn't really long,” she said; “and you can easily make it six +if you keep your head out there, and never seem to think of me.” + +Jon gasped. + +“This is just what's really wanted, Jon, to convince them, don't +you see? If we're just as bad when you come back they'll stop being +ridiculous about it. Only, I'm sorry it's not Spain; there's a girl in a +Goya picture at Madrid who's like me, Father says. Only she isn't—we've +got a copy of her.” + +It was to Jon like a ray of sunshine piercing through a fog. “I'll make +it Spain,” he said, “Mother won't mind; she's never been there. And my +Father thinks a lot of Goya.” + +“Oh! yes, he's a painter—isn't he?” + +“Only water-colour,” said Jon, with honesty. + +“When we come to Reading, Jon, get out first and go down to Caversham +lock and wait for me. I'll send the car home and we'll walk by the +towing-path.” + +Jon seized her hand in gratitude, and they sat silent, with the world +well lost, and one eye on the corridor. But the train seemed to run +twice as fast now, and its sound was almost lost in that of Jon's +sighing. + +“We're getting near,” said Fleur; “the towing-path's awfully exposed. +One more! Oh! Jon, don't forget me.” + +Jon answered with his kiss. And very soon, a flushed, distracted-looking +youth could have been seen—as they say—leaping from the train and +hurrying along the platform, searching his pockets for his ticket. + +When at last she rejoined him on the towing-path a little beyond +Caversham lock he had made an effort, and regained some measure of +equanimity. If they had to part, he would not make a scene! A breeze by +the bright river threw the white side of the willow leaves up into the +sunlight, and followed those two with its faint rustle. + +“I told our chauffeur that I was train-giddy,” said Fleur. “Did you look +pretty natural as you went out?” + +“I don't know. What is natural?” + +“It's natural to you to look seriously happy. When I first saw you I +thought you weren't a bit like other people.” + +“Exactly what I thought when I saw you. I knew at once I should never +love anybody else.” + +Fleur laughed. + +“We're absurdly young. And love's young dream is out of date, Jon. +Besides, it's awfully wasteful. Think of all the fun you might have. You +haven't begun, even; it's a shame, really. And there's me. I wonder!” + +Confusion came on Jon's spirit. How could she say such things just as +they were going to part? + +“If you feel like that,” he said, “I can't go. I shall tell Mother that +I ought to try and work. There's always the condition of the world!” + +“The condition of the world!” + +Jon thrust his hands deep into his pockets. + +“But there is,” he said; “think of the people starving!” + +Fleur shook her head. “No, no, I never, never will make myself miserable +for nothing.” + +“Nothing! But there's an awful state of things, and of course one ought +to help.” + +“Oh! yes, I know all that. But you can't help people, Jon; they're +hopeless. When you pull them out they only get into another hole. Look +at them, still fighting and plotting and struggling, though they're +dying in heaps all the time. Idiots!” + +“Aren't you sorry for them?” + +“Oh! sorry—yes, but I'm not going to make myself unhappy about it; +that's no good.” + +And they were silent, disturbed by this first glimpse of each other's +natures. + +“I think people are brutes and idiots,” said Fleur stubbornly. + +“I think they're poor wretches,” said Jon. It was as if they had +quarrelled—and at this supreme and awful moment, with parting visible +out there in that last gap of the willows! + +“Well, go and help your poor wretches, and don't think of me.” + +Jon stood still. Sweat broke out on his forehead, and his limbs +trembled. Fleur too had stopped, and was frowning at the river. + +“I must believe in things,” said Jon with a sort of agony; “we're all +meant to enjoy life.” + +Fleur laughed. “Yes; and that's what you won't do, if you don't take +care. But perhaps your idea of enjoyment is to make yourself wretched. +There are lots of people like that, of course.” + +She was pale, her eyes had darkened, her lips had thinned. Was it Fleur +thus staring at the water? Jon had an unreal feeling as if he were +passing through the scene in a book where the lover has to choose +between love and duty. But just then she looked round at him. Never was +anything so intoxicating as that vivacious look. It acted on him exactly +as the tug of a chain acts on a dog—brought him up to her with his tail +wagging and his tongue out. + +“Don't let's be silly,” she said, “time's too short. Look, Jon, you can +just see where I've got to cross the river. There, round the bend, where +the woods begin.” + +Jon saw a gable, a chimney or two, a patch of wall through the trees—and +felt his heart sink. + +“I mustn't dawdle any more. It's no good going beyond the next hedge, it +gets all open. Let's get on to it and say good-bye.” + +They went side by side, hand in hand, silently toward the hedge, where +the may-flower, both pink and white, was in full bloom. + +“My Club's the 'Talisman,' Stratton Street, Piccadilly. Letters there +will be quite safe, and I'm almost always up once a week.” + +Jon nodded. His face had become extremely set, his eyes stared straight +before him. + +“To-day's the twenty-third of May,” said Fleur; “on the ninth of July +I shall be in front of the 'Bacchus and Ariadne' at three o'clock; will +you?” + +“I will.” + +“If you feel as bad as I it's all right. Let those people pass!” + +A man and woman airing their children went by strung out in Sunday +fashion. + +The last of them passed the wicket gate. + +“Domesticity!” said Fleur, and blotted herself against the hawthorn +hedge. The blossom sprayed out above her head, and one pink cluster +brushed her cheek. Jon put up his hand jealously to keep it off. + +“Good-bye, Jon.” For a second they stood with hands hard clasped. Then +their lips met for the third time, and when they parted Fleur broke away +and fled through the wicket gate. Jon stood where she had left him, with +his forehead against that pink cluster. Gone! For an eternity—for seven +weeks all but two days! And here he was, wasting the last sight of +her! He rushed to the gate. She was walking swiftly on the heels of the +straggling children. She turned her head, he saw her hand make a little +flitting gesture; then she sped on, and the trailing family blotted her +out from his view. + +The words of a comic song— + +“Paddington groan-worst ever known He gave a sepulchral Paddington +groan—” + + +came into his head, and he sped incontinently back to Reading station. +All the way up to London and down to Wansdon he sat with “The Heart +of the Trail” open on his knee, knitting in his head a poem so full of +feeling that it would not rhyme. + + + + + +XII.—CAPRICE + +Fleur sped on. She had need of rapid motion; she was late, and wanted +all her wits about her when she got in. She passed the islands, the +station, and hotel, and was about to take the ferry, when she saw a +skiff with a young man standing up in it, and holding to the bushes. + +“Miss Forsyte,” he said; “let me put you across. I've come on purpose.” + +She looked at him in blank amazement. + +“It's all right, I've been having tea with your people. I thought I'd +save you the last bit. It's on my way, I'm just off back to Pangbourne. +My name's Mont. I saw you at the picture-gallery—you remember—when your +father invited me to see his pictures.” + +“Oh!” said Fleur; “yes—the handkerchief.” + +To this young man she owed Jon; and, taking his hand, she stepped down +into the skiff. Still emotional, and a little out of breath, she sat +silent; not so the young man. She had never heard any one say so much in +so short a time. He told her his age, twenty-four; his weight, ten stone +eleven; his place of residence, not far away; described his sensations +under fire, and what it felt like to be gassed; criticized the Juno, +mentioned his own conception of that goddess; commented on the Goya +copy, said Fleur was not too awfully like it; sketched in rapidly the +condition of England; spoke of Monsieur Profond—or whatever his name +was—as “an awful sport”; thought her father had some “ripping” pictures +and some rather “dug-up”; hoped he might row down again and take her +on the river because he was quite trustworthy; inquired her opinion of +Tchekov, gave her his own; wished they could go to the Russian ballet +together some time—considered the name Fleur Forsyte simply topping; +cursed his people for giving him the name of Michael on the top of Mont; +outlined his father, and said that if she wanted a good book she should +read “Job”; his father was rather like Job while Job still had land. + +“But Job didn't have land,” Fleur murmured; “he only had flocks and +herds and moved on.” + +“Ah!” answered Michael Mont, “I wish my gov'nor would move on. Not that +I want his land. Land's an awful bore in these days, don't you think?” + +“We never have it in my family,” said Fleur. “We have everything else. +I believe one of my great-uncles once had a sentimental farm in Dorset, +because we came from there originally, but it cost him more than it made +him happy.” + +“Did he sell it?” + +“No; he kept it.” + +“Why?” + +“Because nobody would buy it.” + +“Good for the old boy!” + +“No, it wasn't good for him. Father says it soured him. His name was +Swithin.” + +“What a corking name!” + +“Do you know that we're getting farther off, not nearer? This river +flows.” + +“Splendid!” cried Mont, dipping his sculls vaguely; “it's good to meet a +girl who's got wit.” + +“But better to meet a young man who's got it in the plural.” + +Young Mont raised a hand to tear his hair. + +“Look out!” cried Fleur. “Your scull!” + +“All right! It's thick enough to bear a scratch.” + +“Do you mind sculling?” said Fleur severely. “I want to get in.” + +“Ah!” said Mont; “but when you get in, you see, I shan't see you any +more to-day. Fini, as the French girl said when she jumped on her bed +after saying her prayers. Don't you bless the day that gave you a French +mother, and a name like yours?” + +“I like my name, but Father gave it me. Mother wanted me called +Marguerite.” + +“Which is absurd. Do you mind calling me M. M. and letting me call you +F. F.? It's in the spirit of the age.” + +“I don't mind anything, so long as I get in.” + +Mont caught a little crab, and answered: “That was a nasty one!” + +“Please row.” + +“I am.” And he did for several strokes, looking at her with rueful +eagerness. “Of course, you know,” he ejaculated, pausing, “that I came +to see you, not your father's pictures.” + +Fleur rose. + +“If you don't row, I shall get out and swim.” + +“Really and truly? Then I could come in after you.” + +“Mr. Mont, I'm late and tired; please put me on shore at once.” + +When she stepped out on to the garden landing-stage he rose, and +grasping his hair with both hands, looked at her. + +Fleur smiled. + +“Don't!” cried the irrepressible Mont. “I know you're going to say: +'Out, damned hair!'” + +Fleur whisked round, threw him a wave of her hand. “Good-bye, Mr. +M.M.!” she called, and was gone among the rose-trees. She looked at her +wrist-watch and the windows of the house. It struck her as curiously +uninhabited. Past six! The pigeons were just gathering to roost, and +sunlight slanted on the dovecot, on their snowy feathers, and beyond +in a shower on the top boughs of the woods. The click of billiard-balls +came from the ingle-nook—Jack Cardigan, no doubt; a faint rustling, +too, from an eucalyptus-tree, startling Southerner in this old English +garden. She reached the verandah and was passing in, but stopped at +the sound of voices from the drawing-room to her left. Mother! Monsieur +Profond! From behind the verandah screen which fenced the ingle-nook she +heard these words: + +“I don't, Annette.” + +Did Father know that he called her mother “Annette”? Always on the side +of her Father—as children are ever on one side or the other in houses +where relations are a little strained—she stood, uncertain. Her mother +was speaking in her low, pleasing, slightly metallic voice—one word she +caught: “Demain.” And Profond's answer: “All right.” Fleur frowned. A +little sound came out into the stillness. Then Profond's voice: “I'm +takin' a small stroll.” + +Fleur darted through the window into the morning-room. There he came +from the drawing-room, crossing the verandah, down the lawn; and the +click of billiard-balls which, in listening for other sounds, she had +ceased to hear, began again. She shook herself, passed into the hall, +and opened the drawing-room door. Her mother was sitting on the sofa +between the windows, her knees crossed, her head resting on a cushion, +her lips half parted, her eyes half closed. She looked extraordinarily +handsome. + +“Ah! Here you are, Fleur! Your father is beginning to fuss.” + +“Where is he?” + +“In the picture-gallery. Go up!” + +“What are you going to do to-morrow, Mother?” + +“To-morrow? I go up to London with your aunt.” + +“I thought you might be. Will you get me a quite plain parasol?” + +“What colour?” + +“Green. They're all going back, I suppose.” + +“Yes, all; you will console your father. Kiss me, then.” + +Fleur crossed the room, stooped, received a kiss on her forehead, and +went out past the impress of a form on the sofa-cushions in the other +corner. She ran up-stairs. + +Fleur was by no means the old-fashioned daughter who demands the +regulation of her parents' lives in accordance with the standard imposed +upon herself. She claimed to regulate her own life, not those of others; +besides, an unerring instinct for what was likely to advantage her own +case was already at work. In a disturbed domestic atmosphere the heart +she had set on Jon would have a better chance. None the less was she +offended, as a flower by a crisping wind. If that man had really +been kissing her mother it was—serious, and her father ought to know. +“Demain!” “All right!” And her mother going up to Town! She turned +into her bedroom and hung out of the window to cool her face, which had +suddenly grown very hot. Jon must be at the station by now! What did her +father know about Jon? Probably everything—pretty nearly! + +She changed her dress, so as to look as if she had been in some time, +and ran up to the gallery. + +Soames was standing stubbornly still before his Alfred Stevens—the +picture he loved best. He did not turn at the sound of the door, but she +knew he had heard, and she knew he was hurt. She came up softly behind +him, put her arms round his neck, and poked her face over his shoulder +till her cheek lay against his. It was an advance which had never yet +failed, but it failed her now, and she augured the worst. “Well,” he +said stonily, “so you've come!” + +“Is that all,” murmured Fleur, “from a bad parent?” And she rubbed her +cheek against his. + +Soames shook his head so far as that was possible. + +“Why do you keep me on tenterhooks like this, putting me off and off?” + +“Darling, it was very harmless.” + +“Harmless! Much you know what's harmless and what isn't.” + +Fleur dropped her arms. + +“Well, then, dear, suppose you tell me; and be quite frank about it.” + +And she went over to the window-seat. + +Her father had turned from his picture, and was staring at his feet. He +looked very grey. 'He has nice small feet,' she thought, catching his +eye, at once averted from her. + +“You're my only comfort,” said Soames suddenly, “and you go on like +this.” + +Fleur's heart began to beat. + +“Like what, dear?” + +Again Soames gave her a look which, but for the affection in it, might +have been called furtive. + +“You know what I told you,” he said. “I don't choose to have anything to +do with that branch of our family.” + +“Yes, ducky, but I don't know why I shouldn't.” + +Soames turned on his heel. + +“I'm not going into the reasons,” he said; “you ought to trust me, +Fleur!” + +The way he spoke those words affected Fleur, but she thought of Jon, and +was silent, tapping her foot against the wainscot. Unconsciously she had +assumed a modern attitude, with one leg twisted in and out of the other, +with her chin on one bent wrist, her other arm across her chest, and +its hand hugging her elbow; there was not a line of her that was not +involuted, and yet—in spite of all—she retained a certain grace. + +“You knew my wishes,” Soames went on, “and yet you stayed on there four +days. And I suppose that boy came with you to-day.” + +Fleur kept her eyes on him. + +“I don't ask you anything,” said Soames; “I make no inquisition where +you're concerned.” + +Fleur suddenly stood up, leaning out at the window with her chin on her +hands. The sun had sunk behind trees, the pigeons were perched, quite +still, on the edge of the dove-cot; the click of the billiard-balls +mounted, and a faint radiance shone out below where Jack Cardigan had +turned the light up. + +“Will it make you any happier,” she said suddenly, “if I promise you not +to see him for say—the next six weeks?” She was not prepared for a sort +of tremble in the blankness of his voice. + +“Six weeks? Six years—sixty years more like. Don't delude yourself, +Fleur; don't delude yourself!” + +Fleur turned in alarm. + +“Father, what is it?” + +Soames came close enough to see her face. + +“Don't tell me,” he said, “that you're foolish enough to have any +feeling beyond caprice. That would be too much!” And he laughed. + +Fleur, who had never heard him laugh like that, thought: 'Then it is +deep! Oh! what is it?' And putting her hand through his arm she said +lightly: + +“No, of course; caprice. Only, I like my caprices and I don't like +yours, dear.” + +“Mine!” said Soames bitterly, and turned away. + +The light outside had chilled, and threw a chalky whiteness on the +river. The trees had lost all gaiety of colour. She felt a sudden hunger +for Jon's face, for his hands, and the feel of his lips again on hers. +And pressing her arms tight across her breast she forced out a little +light laugh. + +“O la! la! What a small fuss! as Profond would say. Father, I don't like +that man.” + +She saw him stop, and take something out of his breast pocket. + +“You don't?” he said. “Why?” + +“Nothing,” murmured Fleur; “just caprice!” + +“No,” said Soames; “not caprice!” And he tore what was in his hands +across. “You're right. I don't like him either!” + +“Look!” said Fleur softly. “There he goes! I hate his shoes; they don't +make any noise.” + +Down in the failing light Prosper Profond moved, his hands in his side +pockets, whistling softly in his beard; he stopped, and glanced up at +the sky, as if saying: “I don't think much of that small moon.” + +Fleur drew back. “Isn't he a great cat?” she whispered; and the sharp +click of the billiard-balls rose, as if Jack Cardigan had capped the +cat, the moon, caprice, and tragedy with: “In off the red!” + +Monsieur Profond had resumed his stroll, to a teasing little tune in his +beard. What was it? Oh! yes, from “Rigoletto”: “Donna a mobile.” Just +what he would think! She squeezed her father's arm. + +“Prowling!” she muttered, as he turned the corner of the house. It was +past that disillusioned moment which divides the day and night-still and +lingering and warm, with hawthorn scent and lilac scent clinging on the +riverside air. A blackbird suddenly burst out. Jon would be in London +by now; in the Park perhaps, crossing the Serpentine, thinking of her! +A little sound beside her made her turn her eyes; her father was again +tearing the paper in his hands. Fleur saw it was a cheque. + +“I shan't sell him my Gauguin,” he said. “I don't know what your aunt +and Imogen see in him.” + +“Or Mother.” + +“Your mother!” said Soames. + +'Poor Father!' she thought. 'He never looks happy—not really happy. I +don't want to make him worse, but of course I shall have to, when Jon +comes back. Oh! well, sufficient unto the night!' + +“I'm going to dress,” she said. + +In her room she had a fancy to put on her “freak” dress. It was of gold +tissue with little trousers of the same, tightly drawn in at the +ankles, a page's cape slung from the shoulders, little gold shoes, and +a gold-winged Mercury helmet; and all over her were tiny gold bells, +especially on the helmet; so that if she shook her head she pealed. When +she was dressed she felt quite sick because Jon could not see her; it +even seemed a pity that the sprightly young man Michael Mont would not +have a view. But the gong had sounded, and she went down. + +She made a sensation in the drawing-room. Winifred thought it “Most +amusing.” Imogen was enraptured. Jack Cardigan called it “stunning,” +“ripping,” “topping,” and “corking.” + +Monsieur Profond, smiling with his eyes, said: “That's a nice small +dress!” Her mother, very handsome in black, sat looking at her, and said +nothing. It remained for her father to apply the test of common sense. +“What did you put on that thing for? You're not going to dance.” + +Fleur spun round, and the bells pealed. + +“Caprice!” + +Soames stared at her, and, turning away, gave his arm to Winifred. Jack +Cardigan took her mother. Prosper Profond took Imogen. Fleur went in by +herself, with her bells jingling.... + +The “small” moon had soon dropped down, and May night had fallen soft +and warm, enwrapping with its grape-bloom colour and its scents the +billion caprices, intrigues, passions, longings, and regrets of men and +women. Happy was Jack Cardigan who snored into Imogen's white shoulder, +fit as a flea; or Timothy in his “mausoleum,” too old for anything +but baby's slumber. For so many lay awake, or dreamed, teased by the +criss-cross of the world. + +The dew fell and the flowers closed; cattle grazed on in the river +meadows, feeling with their tongues for the grass they could not see; +and the sheep on the Downs lay quiet as stones. Pheasants in the tall +trees of the Pangbourne woods, larks on their grassy nests above the +gravel-pit at Wansdon, swallows in the eaves at Robin Hill, and the +sparrows of Mayfair, all made a dreamless night of it, soothed by the +lack of wind. The Mayfly filly, hardly accustomed to her new quarters, +scraped at her straw a little; and the few night-flitting things—bats, +moths, owls—were vigorous in the warm darkness; but the peace of night +lay in the brain of all day-time Nature, colourless and still. Men and +women, alone, riding the hobby-horses of anxiety or love, burned their +wavering tapers of dream and thought into the lonely hours. + +Fleur, leaning out of her window, heard the hall clock's muffled chime +of twelve, the tiny splash of a fish, the sudden shaking of an aspen's +leaves in the puffs of breeze that rose along the river, the distant +rumble of a night train, and time and again the sounds which none can +put a name to in the darkness, soft obscure expressions of uncatalogued +emotions from man and beast, bird and machine, or, maybe, from departed +Forsytes, Darties, Cardigans, taking night strolls back into a world +which had once suited their embodied spirits. But Fleur heeded not these +sounds; her spirit, far from disembodied, fled with swift wing from +railway-carriage to flowery hedge, straining after Jon, tenacious of his +forbidden image, and the sound of his voice, which was taboo. And she +crinkled her nose, retrieving from the perfume of the riverside night +that moment when his hand slipped between the mayflowers and her cheek. +Long she leaned out in her freak dress, keen to burn her wings at life's +candle; while the moths brushed her cheeks on their pilgrimage to the +lamp on her dressing-table, ignorant that in a Forsyte's house there +is no open flame. But at last even she felt sleepy, and, forgetting her +bells, drew quickly in. + +Through the open window of his room, alongside Annette's, Soames, +wakeful too, heard their thin faint tinkle, as it might be shaken from +stars, or the dewdrops falling from a flower, if one could hear such +sounds. + +'Caprice!' he thought. 'I can't tell. She's wilful. What shall I do? +Fleur!' + +And long into the “small” night he brooded. + + + + + +PART II + + + + + +I.—MOTHER AND SON + +To say that Jon Forsyte accompanied his mother to Spain unwillingly +would scarcely have been adequate. He went as a well-natured dog goes +for a walk with its mistress, leaving a choice mutton-bone on the lawn. +He went looking back at it. Forsytes deprived of their mutton-bones are +wont to sulk. But Jon had little sulkiness in his composition. He adored +his mother, and it was his first travel. Spain had become Italy by his +simply saying: “I'd rather go to Spain, Mum; you've been to Italy so +many times; I'd like it new to both of us.” + +The fellow was subtle besides being naive. He never forgot that he +was going to shorten the proposed two months into six weeks, and must +therefore show no sign of wishing to do so. For one with so enticing +a mutton-bone and so fixed an idea, he made a good enough travelling +companion, indifferent to where or when he arrived, superior to food, +and thoroughly appreciative of a country strange to the most travelled +Englishman. Fleur's wisdom in refusing to write to him was profound, +for he reached each new place entirely without hope or fever, and could +concentrate immediate attention on the donkeys and tumbling bells, +the priests, patios, beggars, children, crowing cocks, sombreros, +cactus-hedges, old high white villages, goats, olive-trees, greening +plains, singing birds in tiny cages, watersellers, sunsets, melons, +mules, great churches, pictures, and swimming grey-brown mountains of a +fascinating land. + +It was already hot, and they enjoyed an absence of their compatriots. +Jon, who, so far as he knew, had no blood in him which was not English, +was often innately unhappy in the presence of his own countrymen. He +felt they had no nonsense about them, and took a more practical view +of things than himself. He confided to his mother that he must be an +unsociable beast—it was jolly to be away from everybody who could talk +about the things people did talk about. To which Irene had replied +simply: + +“Yes, Jon, I know.” + +In this isolation he had unparalleled opportunities of appreciating +what few sons can apprehend, the whole-heartedness of a mother's +love. Knowledge of something kept from her made him, no doubt, unduly +sensitive; and a Southern people stimulated his admiration for her type +of beauty, which he had been accustomed to hear called Spanish, but +which he now perceived to be no such thing. Her beauty was neither +English, French, Spanish, nor Italian—it was special! He appreciated, +too, as never before, his mother's subtlety of instinct. He could not +tell, for instance, whether she had noticed his absorption in that Goya +picture, “La Vendimia,” or whether she knew that he had slipped back +there after lunch and again next morning, to stand before it full half +an hour, a second and third time. It was not Fleur, of course, but like +enough to give him heartache—so dear to lovers—remembering her standing +at the foot of his bed with her hand held above her head. To keep a +postcard reproduction of this picture in his pocket and slip it out +to look at became for Jon one of those bad habits which soon or late +disclose themselves to eyes sharpened by love, fear, or jealousy. And +his mother's were sharpened by all three. In Granada he was fairly +caught, sitting on a sun-warmed stone bench in a little battlemented +garden on the Alhambra hill, whence he ought to have been looking at +the view. His mother, he had thought, was examining the potted stocks +between the polled acacias, when her voice said: + +“Is that your favourite Goya, Jon?” + +He checked, too late, a movement such as he might have made at school to +conceal some surreptitious document, and answered: “Yes.” + +“It certainly is most charming; but I think I prefer the 'Quitasol' Your +father would go crazy about Goya; I don't believe he saw them when he +was in Spain in '92.” + +In '92—nine years before he had been born! What had been the previous +existences of his father and his mother? If they had a right to share in +his future, surely he had a right to share in their pasts. He looked +up at her. But something in her face—a look of life hard-lived, the +mysterious impress of emotions, experience, and suffering-seemed, +with its incalculable depth, its purchased sanctity, to make curiosity +impertinent. His mother must have had a wonderfully interesting life; +she was so beautiful, and so—so—but he could not frame what he felt +about her. He got up, and stood gazing down at the town, at the plain +all green with crops, and the ring of mountains glamorous in sinking +sunlight. Her life was like the past of this old Moorish city, full, +deep, remote—his own life as yet such a baby of a thing, hopelessly +ignorant and innocent! They said that in those mountains to the +West, which rose sheer from the blue-green plain, as if out of a sea, +Phoenicians had dwelt—a dark, strange, secret race, above the land! His +mother's life was as unknown to him, as secret, as that Phoenician past +was to the town down there, whose cocks crowed and whose children played +and clamoured so gaily, day in, day out. He felt aggrieved that she +should know all about him and he nothing about her except that she loved +him and his father, and was beautiful. His callow ignorance—he had not +even had the advantage of the War, like nearly everybody else!—made him +small in his own eyes. + +That night, from the balcony of his bedroom, he gazed down on the roof +of the town—as if inlaid with honeycomb of jet, ivory, and gold; and, +long after, he lay awake, listening to the cry of the sentry as the +hours struck, and forming in his head these lines: + +“Voice in the night crying, down in the old sleeping Spanish city +darkened under her white stars! + +“What says the voice-its clear-lingering anguish? Just the watchman, +telling his dateless tale of safety? Just a road-man, flinging to the +moon his song? + +“No! Tis one deprived, whose lover's heart is weeping, Just his cry: +'How long?'” + + +The word “deprived” seemed to him cold and unsatisfactory, but +“bereaved” was too final, and no other word of two syllables short-long +came to him, which would enable him to keep “whose lover's heart is +weeping.” It was past two by the time he had finished it, and past +three before he went to sleep, having said it over to himself at least +twenty-four times. Next day he wrote it out and enclosed it in one of +those letters to Fleur which he always finished before he went down, so +as to have his mind free and companionable. + +About noon that same day, on the tiled terrace of their hotel, he felt a +sudden dull pain in the back of his head, a queer sensation in the eyes, +and sickness. The sun had touched him too affectionately. The next three +days were passed in semi-darkness, and a dulled, aching indifference to +all except the feel of ice on his forehead and his mother's smile. She +never moved from his room, never relaxed her noiseless vigilance, which +seemed to Jon angelic. But there were moments when he was extremely +sorry for himself, and wished terribly that Fleur could see him. Several +times he took a poignant imaginary leave of her and of the earth, tears +oozing out of his eyes. He even prepared the message he would send to +her by his mother—who would regret to her dying day that she had ever +sought to separate them—his poor mother! He was not slow, however, in +perceiving that he had now his excuse for going home. + +Toward half-past six each evening came a “gasgacha” of bells—a cascade +of tumbling chimes, mounting from the city below and falling back chime +on chime. After listening to them on the fourth day he said suddenly: + +“I'd like to be back in England, Mum, the sun's too hot.” + +“Very well, darling. As soon as you're fit to travel” And at once he +felt better, and—meaner. + +They had been out five weeks when they turned toward home. Jon's head +was restored to its pristine clarity, but he was confined to a hat lined +by his mother with many layers of orange and green silk and he still +walked from choice in the shade. As the long struggle of discretion +between them drew to its close, he wondered more and more whether she +could see his eagerness to get back to that which she had brought him +away from. Condemned by Spanish Providence to spend a day in Madrid +between their trains, it was but natural to go again to the Prado. Jon +was elaborately casual this time before his Goya girl. Now that he was +going back to her, he could afford a lesser scrutiny. It was his mother +who lingered before the picture, saying: + +“The face and the figure of the girl are exquisite.” + +Jon heard her uneasily. Did she understand? But he felt once more that +he was no match for her in self-control and subtlety. She could, in some +supersensitive way, of which he had not the secret, feel the pulse of +his thoughts; she knew by instinct what he hoped and feared and wished. +It made him terribly uncomfortable and guilty, having, beyond most boys, +a conscience. He wished she would be frank with him, he almost hoped for +an open struggle. But none came, and steadily, silently, they travelled +north. Thus did he first learn how much better than men women play +a waiting game. In Paris they had again to pause for a day. Jon was +grieved because it lasted two, owing to certain matters in connection +with a dressmaker; as if his mother, who looked beautiful in anything, +had any need of dresses! The happiest moment of his travel was that when +he stepped on to the Folkestone boat. + +Standing by the bulwark rail, with her arm in his, she said + +“I'm afraid you haven't enjoyed it much, Jon. But you've been very sweet +to me.” + +Jon squeezed her arm. + +“Oh! yes, I've enjoyed it awfully-except for my head lately.” + +And now that the end had come, he really had, feeling a sort of glamour +over the past weeks—a kind of painful pleasure, such as he had tried to +screw into those lines about the voice in the night crying; a feeling +such as he had known as a small boy listening avidly to Chopin, yet +wanting to cry. And he wondered why it was that he couldn't say to her +quite simply what she had said to him: + +“You were very sweet to me.” Odd—one never could be nice and natural +like that! He substituted the words: “I expect we shall be sick.” + +They were, and reached London somewhat attenuated, having been away six +weeks and two days, without a single allusion to the subject which had +hardly ever ceased to occupy their minds. + + + + + +II.—FATHERS AND DAUGHTERS + +Deprived of his wife and son by the Spanish adventure, Jolyon found the +solitude at Robin Hill intolerable. A philosopher when he has all that +he wants is different from a philosopher when he has not. Accustomed, +however, to the idea, if not to the reality of resignation, he would +perhaps have faced it out but for his daughter June. He was a “lame +duck” now, and on her conscience. Having achieved—momentarily—the rescue +of an etcher in low circumstances, which she happened to have in hand, +she appeared at Robin Hill a fortnight after Irene and Jon had gone. +June was living now in a tiny house with a big studio at Chiswick. A +Forsyte of the best period, so far as the lack of responsibility was +concerned, she had overcome the difficulty of a reduced income in a +manner satisfactory to herself and her father. The rent of the Gallery +off Cork Street which he had bought for her and her increased income tax +happening to balance, it had been quite simple—she no longer paid him +the rent. The Gallery might be expected now at any time, after eighteen +years of barren usufruct, to pay its way, so that she was sure her +father would not feel it. Through this device she still had twelve +hundred a year, and by reducing what she ate, and, in place of two +Belgians in a poor way, employing one Austrian in a poorer, practically +the same surplus for the relief of genius. After three days at Robin +Hill she carried her father back with her to Town. In those three +days she had stumbled on the secret he had kept for two years, and had +instantly decided to cure him. She knew, in fact, the very man. He +had done wonders with. Paul Post—that painter a little in advance of +Futurism; and she was impatient with her father because his eyebrows +would go up, and because he had heard of neither. Of course, if he +hadn't “faith” he would never get well! It was absurd not to have faith +in the man who had healed Paul Post so that he had only just relapsed, +from having overworked, or overlived, himself again. The great thing +about this healer was that he relied on Nature. He had made a special +study of the symptoms of Nature—when his patient failed in any natural +symptom he supplied the poison which caused it—and there you were! She +was extremely hopeful. Her father had clearly not been living a natural +life at Robin Hill, and she intended to provide the symptoms. He was—she +felt—out of touch with the times, which was not natural; his heart +wanted stimulating. In the little Chiswick house she and the Austrian—a +grateful soul, so devoted to June for rescuing her that she was in +danger of decease from overwork—stimulated Jolyon in all sorts of ways, +preparing him for his cure. But they could not keep his eyebrows down; +as, for example, when the Austrian woke him at eight o'clock just as he +was going to sleep, or June took The Times away from him, because it was +unnatural to read “that stuff” when he ought to be taking an interest +in “life.” He never failed, indeed, to be astonished at her resource, +especially in the evenings. For his benefit, as she declared, though he +suspected that she also got something out of it, she assembled the Age +so far as it was satellite to genius; and with some solemnity it would +move up and down the studio before him in the Fox-trot, and that more +mental form of dancing—the One-step—which so pulled against the music, +that Jolyon's eyebrows would be almost lost in his hair from wonder at +the strain it must impose on the dancer's will-power. Aware that, hung +on the line in the Water Colour Society, he was a back number to those +with any pretension to be called artists, he would sit in the darkest +corner he could find, and wonder about rhythm, on which so long ago he +had been raised. And when June brought some girl or young man up to him, +he would rise humbly to their level so far as that was possible, and +think: 'Dear me! This is very dull for them!' Having his father's +perennial sympathy with Youth, he used to get very tired from entering +into their points of view. But it was all stimulating, and he never +failed in admiration of his daughter's indomitable spirit. Even genius +itself attended these gatherings now and then, with its nose on one +side; and June always introduced it to her father. This, she felt, was +exceptionally good for him, for genius was a natural symptom he had +never had—fond as she was of him. + +Certain as a man can be that she was his own daughter, he often wondered +whence she got herself—her red-gold hair, now greyed into a special +colour; her direct, spirited face, so different from his own rather +folded and subtilised countenance, her little lithe figure, when he +and most of the Forsytes were tall. And he would dwell on the origin of +species, and debate whether she might be Danish or Celtic. Celtic, he +thought, from her pugnacity, and her taste in fillets and djibbahs. It +was not too much to say that he preferred her to the Age with which she +was surrounded, youthful though, for the greater part, it was. She took, +however, too much interest in his teeth, for he still had some of those +natural symptoms. Her dentist at once found “Staphylococcus aureus +present in pure culture” (which might cause boils, of course), and +wanted to take out all the teeth he had and supply him with two complete +sets of unnatural symptoms. Jolyon's native tenacity was roused, and in +the studio that evening he developed his objections. He had never +had any boils, and his own teeth would last his time. Of course—June +admitted—they would last his time if he didn't have them out! But if +he had more teeth he would have a better heart and his time would be +longer. His recalcitrance—she said—was a symptom of his whole attitude; +he was taking it lying down. He ought to be fighting. When was he going +to see the man who had cured Paul Post? Jolyon was very sorry, but +the fact was he was not going to see him. June chafed. Pondridge—she +said—the healer, was such a fine man, and he had such difficulty in +making two ends meet, and getting his theories recognised. It was just +such indifference and prejudice as her father manifested which was +keeping him back. It would be so splendid for both of them! + +“I perceive,” said Jolyon, “that you are trying to kill two birds with +one stone.” + +“To cure, you mean!” cried June. + +“My dear, it's the same thing.” + +June protested. It was unfair to say that without a trial. + +Jolyon thought he might not have the chance, of saying it after. + +“Dad!” cried June, “you're hopeless.” + +“That,” said Jolyon, “is a fact, but I wish to remain hopeless as long +as possible. I shall let sleeping dogs lie, my child. They are quiet at +present.” + +“That's not giving science a chance,” cried June. “You've no idea how +devoted Pondridge is. He puts his science before everything.” + +“Just,” replied Jolyon, puffing the mild cigarette to which he was +reduced, “as Mr. Paul Post puts his art, eh? Art for Art's sake—Science +for the sake of Science. I know those enthusiastic egomaniac gentry. +They vivisect you without blinking. I'm enough of a Forsyte to give them +the go-by, June.” + +“Dad,” said June, “if you only knew how old-fashioned that sounds! +Nobody can afford to be half-hearted nowadays.” + +“I'm afraid,” murmured Jolyon, with his smile, “that's the only natural +symptom with which Mr. Pondridge need not supply me. We are born to be +extreme or to be moderate, my dear; though, if you'll forgive my saying +so, half the people nowadays who believe they're extreme are really very +moderate. I'm getting on as well as I can expect, and I must leave it at +that.” + +June was silent, having experienced in her time the inexorable character +of her father's amiable obstinacy so far as his own freedom of action +was concerned. + +How he came to let her know why Irene had taken Jon to Spain puzzled +Jolyon, for he had little confidence in her discretion. After she had +brooded on the news, it brought a rather sharp discussion, during which +he perceived to the full the fundamental opposition between her active +temperament and his wife's passivity. He even gathered that a little +soreness still remained from that generation-old struggle between them +over the body of Philip Bosinney, in which the passive had so signally +triumphed over the active principle. + +According to June, it was foolish and even cowardly to hide the past +from Jon. Sheer opportunism, she called it. + +“Which,” Jolyon put in mildly, “is the working principle of real life, +my dear.” + +“Oh!” cried June, “you don't really defend her for not telling Jon, Dad. +If it were left to you, you would.” + +“I might, but simply because I know he must find out, which will be +worse than if we told him.” + +“Then why don't you tell him? It's just sleeping dogs again.” + +“My dear,” said Jolyon, “I wouldn't for the world go against Irene's +instinct. He's her boy.” + +“Yours too,” cried June. + +“What is a man's instinct compared with a mother's?” + +“Well, I think it's very weak of you.” + +“I dare say,” said Jolyon, “I dare say.” + +And that was all she got from him; but the matter rankled in her brain. +She could not bear sleeping dogs. And there stirred in her a tortuous +impulse to push the matter toward decision. Jon ought to be told, so +that either his feeling might be nipped in the bud, or, flowering in +spite of the past, come to fruition. And she determined to see Fleur, +and judge for herself. When June determined on anything, delicacy became +a somewhat minor consideration. After all, she was Soames' cousin, and +they were both interested in pictures. She would go and tell him that +he ought to buy a Paul Post, or perhaps a piece of sculpture by Boris +Strumolowski, and of course she would say nothing to her father. She +went on the following Sunday, looking so determined that she had some +difficulty in getting a cab at Reading station. The river country was +lovely in those days of her own month, and June ached at its loveliness. +She who had passed through this life without knowing what union was had +a love of natural beauty which was almost madness. And when she came to +that choice spot where Soames had pitched his tent, she dismissed her +cab, because, business over, she wanted to revel in the bright water +and the woods. She appeared at his front door, therefore, as a mere +pedestrian, and sent in her card. It was in June's character to know +that when her nerves were fluttering she was doing something worth +while. If one's nerves did not flutter, she was taking the line of +least resistance, and knew that nobleness was not obliging her. She +was conducted to a drawing-room, which, though not in her style, showed +every mark of fastidious elegance. Thinking, 'Too much taste—too many +knick-knacks,' she saw in an old lacquer-framed mirror the figure of +a girl coming in from the verandah. Clothed in white, and holding some +white roses in her hand, she had, reflected in that silvery-grey pool +of glass, a vision-like appearance, as if a pretty ghost had come out of +the green garden. + +“How do you do?” said June, turning round. “I'm a cousin of your +father's.” + +“Oh, yes; I saw you in that confectioner's.” + +“With my young stepbrother. Is your father in?” + +“He will be directly. He's only gone for a little walk.” + +June slightly narrowed her blue eyes, and lifted her decided chin. + +“Your name's Fleur, isn't it? I've heard of you from Holly. What do you +think of Jon?” + +The girl lifted the roses in her hand, looked at them, and answered +calmly: + +“He's quite a nice boy.” + +“Not a bit like Holly or me, is he?” + +“Not a bit.” + +'She's cool,' thought June. + +And suddenly the girl said: “I wish you'd tell me why our families don't +get on?” + +Confronted with the question she had advised her father to answer, June +was silent; whether because this girl was trying to get something out +of her, or simply because what one would do theoretically is not always +what one will do when it comes to the point. + +“You know,” said the girl, “the surest way to make people find out the +worst is to keep them ignorant. My father's told me it was a quarrel +about property. But I don't believe it; we've both got heaps. They +wouldn't have been so bourgeois as all that.” + +June flushed. The word applied to her grandfather and father offended +her. + +“My grandfather,” she said, “was very generous, and my father is, too; +neither of them was in the least bourgeois.” + +“Well, what was it then?” repeated the girl: Conscious that this young +Forsyte meant having what she wanted, June at once determined to prevent +her, and to get something for herself instead. + +“Why do you want to know?” + +The girl smelled at her roses. “I only want to know because they won't +tell me.” + +“Well, it was about property, but there's more than one kind.” + +“That makes it worse. Now I really must know.” + +June's small and resolute face quivered. She was wearing a round cap, +and her hair had fluffed out under it. She looked quite young at that +moment, rejuvenated by encounter. + +“You know,” she said, “I saw you drop your handkerchief. Is there +anything between you and Jon? Because, if so, you'd better drop that +too.” + +The girl grew paler, but she smiled. + +“If there were, that isn't the way to make me.” + +At the gallantry of that reply, June held out her hand. + +“I like you; but I don't like your father; I never have. We may as well +be frank.” + +“Did you come down to tell him that?” + +June laughed. “No; I came down to see you.” + +“How delightful of you.” + +This girl could fence. + +“I'm two and a half times your age,” said June, “but I quite sympathize. +It's horrid not to have one's own way.” + +The girl smiled again. “I really think you might tell me.” + +How the child stuck to her point + +“It's not my secret. But I'll see what I can do, because I think both +you and Jon ought to be told. And now I'll say good-bye.” + +“Won't you wait and see Father?” + +June shook her head. “How can I get over to the other side?” + +“I'll row you across.” + +“Look!” said June impulsively, “next time you're in London, come and see +me. This is where I live. I generally have young people in the evening. +But I shouldn't tell your father that you're coming.” + +The girl nodded. + +Watching her scull the skiff across, June thought: 'She's awfully pretty +and well made. I never thought Soames would have a daughter as pretty as +this. She and Jon would make a lovely couple. + +The instinct to couple, starved within herself, was always at work in +June. She stood watching Fleur row back; the girl took her hand off a +scull to wave farewell, and June walked languidly on between the meadows +and the river, with an ache in her heart. Youth to youth, like the +dragon-flies chasing each other, and love like the sun warming them +through and through. Her youth! So long ago—when Phil and she—And since? +Nothing—no one had been quite what she had wanted. And so she had missed +it all. But what a coil was round those two young things, if they really +were in love, as Holly would have it—as her father, and Irene, and +Soames himself seemed to dread. What a coil, and what a barrier! And the +itch for the future, the contempt, as it were, for what was overpast, +which forms the active principle, moved in the heart of one who ever +believed that what one wanted was more important than what other people +did not want. From the bank, awhile, in the warm summer stillness, she +watched the water-lily plants and willow leaves, the fishes rising; +sniffed the scent of grass and meadow-sweet, wondering how she +could force everybody to be happy. Jon and Fleur! Two little lame +ducks—charming callow yellow little ducks! A great pity! Surely +something could be done! One must not take such situations lying down. +She walked on, and reached a station, hot and cross. + +That evening, faithful to the impulse toward direct action, which made +many people avoid her, she said to her father: + +“Dad, I've been down to see young Fleur. I think she's very attractive. +It's no good hiding our heads under our wings, is it?” + +The startled Jolyon set down his barley-water, and began crumbling his +bread. + +“It's what you appear to be doing,” he said. “Do you realise whose +daughter she is?” + +“Can't the dead past bury its dead?” + +Jolyon rose. + +“Certain things can never be buried.” + +“I disagree,” said June. “It's that which stands in the way of all +happiness and progress. You don't understand the Age, Dad. It's got no +use for outgrown things. Why do you think it matters so terribly that +Jon should know about his mother? Who pays any attention to that sort of +thing now? The marriage laws are just as they were when Soames and Irene +couldn't get a divorce, and you had to come in. We've moved, and they +haven't. So nobody cares. Marriage without a decent chance of relief +is only a sort of slave-owning; people oughtn't to own each other. +Everybody sees that now. If Irene broke such laws, what does it matter?” + +“It's not for me to disagree there,” said Jolyon; “but that's all quite +beside the mark. This is a matter of human feeling.” + +“Of course it is,” cried June, “the human feeling of those two young +things.” + +“My dear,” said Jolyon with gentle exasperation; “you're talking +nonsense.” + +“I'm not. If they prove to be really fond of each other, why should they +be made unhappy because of the past?” + +“You haven't lived that past. I have—through the feelings of my wife; +through my own nerves and my imagination, as only one who is devoted +can.” + +June, too, rose, and began to wander restlessly. + +“If,” she said suddenly, “she were the daughter of Philip Bosinney, I +could understand you better. Irene loved him, she never loved Soames.” + +Jolyon uttered a deep sound-the sort of noise an Italian peasant woman +utters to her mule. His heart had begun beating furiously, but he paid +no attention to it, quite carried away by his feelings. + +“That shows how little you understand. Neither I nor Jon, if I know him, +would mind a love-past. It's the brutality of a union without love. +This girl is the daughter of the man who once owned Jon's mother as a +negro-slave was owned. You can't lay that ghost; don't try to, June! +It's asking us to see Jon joined to the flesh and blood of the man who +possessed Jon's mother against her will. It's no good mincing words; I +want it clear once for all. And now I mustn't talk any more, or I shall +have to sit up with this all night.” And, putting his hand over his +heart, Jolyon turned his back on his daughter and stood looking at the +river Thames. + +June, who by nature never saw a hornet's nest until she had put her head +into it, was seriously alarmed. She came and slipped her arm through +his. Not convinced that he was right, and she herself wrong, because +that was not natural to her, she was yet profoundly impressed by the +obvious fact that the subject was very bad for him. She rubbed her cheek +against his shoulder, and said nothing. + +After taking her elderly cousin across, Fleur did not land at once, but +pulled in among the reeds, into the sunshine. The peaceful beauty of +the afternoon seduced for a little one not much given to the vague and +poetic. In the field beyond the bank where her skiff lay up, a machine +drawn by a grey horse was turning an early field of hay. She watched +the grass cascading over and behind the light wheels with fascination—it +looked so cool and fresh. The click and swish blended with the rustle of +the willows and the poplars, and the cooing of a wood-pigeon, in a +true river song. Alongside, in the deep green water, weeds, like yellow +snakes, were writhing and nosing with the current; pied cattle on the +farther side stood in the shade lazily swishing their tails. It was +an afternoon to dream. And she took out Jon's letters—not flowery +effusions, but haunted in their recital of things seen and done by a +longing very agreeable to her, and all ending “Your devoted J.” Fleur +was not sentimental, her desires were ever concrete and concentrated, +but what poetry there was in the daughter of Soames and Annette had +certainly in those weeks of waiting gathered round her memories of Jon. +They all belonged to grass and blossom, flowers and running water. She +enjoyed him in the scents absorbed by her crinkling nose. The stars +could persuade her that she was standing beside him in the centre of the +map of Spain; and of an early morning the dewy cobwebs, the hazy sparkle +and promise of the day down in the garden, were Jon personified to her. + +Two white swans came majestically by, while she was reading his letters, +followed by their brood of six young swans in a line, with just so much +water between each tail and head, a flotilla of grey destroyers. Fleur +thrust her letters back, got out her sculls, and pulled up to the +landing-stage. Crossing the lawn, she wondered whether she should tell +her father of June's visit. If he learned of it from the butler, he +might think it odd if she did not. It gave her, too, another chance to +startle out of him the reason of the feud. She went, therefore, up the +road to meet him. + +Soames had gone to look at a patch of ground on which the Local +Authorities were proposing to erect a Sanatorium for people with weak +lungs. Faithful to his native individualism, he took no part in local +affairs, content to pay the rates which were always going up. He could +not, however, remain indifferent to this new and dangerous scheme. The +site was not half a mile from his own house. He was quite of opinion +that the country should stamp out tuberculosis; but this was not the +place. It should be done farther away. He took, indeed, an attitude +common to all true Forsytes, that disability of any sort in other +people was not his affair, and the State should do its business without +prejudicing in any way the natural advantages which he had acquired or +inherited. Francie, the most free-spirited Forsyte of his generation +(except perhaps that fellow Jolyon) had once asked him in her malicious +way: “Did you ever see the name Forsyte in a subscription list, +Soames?” That was as it might be, but a Sanatorium would depreciate the +neighbourhood, and he should certainly sign the petition which was being +got up against it. Returning with this decision fresh within him, he saw +Fleur coming. + +She was showing him more affection of late, and the quiet time down here +with her in this summer weather had been making him feel quite young; +Annette was always running up to Town for one thing or another, so that +he had Fleur to himself almost as much as he could wish. To be sure, +young Mont had formed a habit of appearing on his motor-cycle almost +every other day. Thank goodness, the young fellow had shaved off his +half-toothbrushes, and no longer looked like a mountebank! With a girl +friend of Fleur's who was staying in the house, and a neighbouring youth +or so, they made two couples after dinner, in the hall, to the music +of the electric pianola, which performed Fox-trots unassisted, with a +surprised shine on its expressive surface. Annette, even, now and then +passed gracefully up and down in the arms of one or other of the young +men. And Soames, coming to the drawing-room door, would lift his nose +a little sideways, and watch them, waiting to catch a smile from Fleur; +then move back to his chair by the drawing-room hearth, to peruse The +Times or some other collector's price list. To his ever-anxious eyes +Fleur showed no signs of remembering that caprice of hers. + +When she reached him on the dusty road, he slipped his hand within her +arm. + +“Who, do you think, has been to see you, Dad? She couldn't wait! Guess!” + +“I never guess,” said Soames uneasily. “Who?” + +“Your cousin, June Forsyte.” + +Quite unconsciously Soames gripped her arm. “What did she want?” + +“I don't know. But it was rather breaking through the feud, wasn't it?” + +“Feud? What feud?” + +“The one that exists in your imagination, dear.” + +Soames dropped her arm. Was she mocking, or trying to draw him on? + +“I suppose she wanted me to buy a picture,” he said at last. + +“I don't think so. Perhaps it was just family affection.” + +“She's only a first cousin once removed,” muttered Soames. + +“And the daughter of your enemy.” + +“What d'you mean by that?” + +“I beg your pardon, dear; I thought he was.” + +“Enemy!” repeated Soames. “It's ancient history. I don't know where you +get your notions.” + +“From June Forsyte.” + +It had come to her as an inspiration that if he thought she knew, or +were on the edge of knowledge, he would tell her. + +Soames was startled, but she had underrated his caution and tenacity. + +“If you know,” he said coldly, “why do you plague me?” + +Fleur saw that she had overreached herself. + +“I don't want to plague you, darling. As you say, why want to know more? +Why want to know anything of that 'small' mystery—Je m'en fiche, as +Profond says?” + +“That chap!” said Soames profoundly. + +That chap, indeed, played a considerable, if invisible, part this +summer—for he had not turned up again. Ever since the Sunday when Fleur +had drawn attention to him prowling on the lawn, Soames had thought of +him a good deal, and always in connection with Annette, for no reason, +except that she was looking handsomer than for some time past. His +possessive instinct, subtle, less formal, more elastic since the War, +kept all misgiving underground. As one looks on some American river, +quiet and pleasant, knowing that an alligator perhaps is lying in the +mud with his snout just raised and indistinguishable from a snag of +wood—so Soames looked on the river of his own existence, subconscious of +Monsieur Profond, refusing to see more than the suspicion of his snout. +He had at this epoch in his life practically all he wanted, and was as +nearly happy as his nature would permit. His senses were at rest; +his affections found all the vent they needed in his daughter; +his collection was well known, his money well invested; his health +excellent, save for a touch of liver now and again; he had not yet begun +to worry seriously about what would happen after death, inclining to +think that nothing would happen. He resembled one of his own gilt-edged +securities, and to knock the gilt off by seeing anything he could avoid +seeing would be, he felt instinctively, perverse and retrogressive. +Those two crumpled rose-leaves, Fleur's caprice and Monsieur Profond's +snout, would level away if he lay on them industriously. + +That evening Chance, which visits the lives of even the best-invested +Forsytes, put a clue into Fleur's hands. Her father came down to dinner +without a handkerchief, and had occasion to blow his nose. + +“I'll get you one, dear,” she had said, and ran upstairs. In the sachet +where she sought for it—an old sachet of very faded silk—there were +two compartments: one held handkerchiefs; the other was buttoned, +and contained something flat and hard. By some childish impulse Fleur +unbuttoned it. There was a frame and in it a photograph of herself as +a little girl. She gazed at it, fascinated, as one is by one's own +presentment. It slipped under her fidgeting thumb, and she saw that +another photograph was behind. She pressed her own down further, and +perceived a face, which she seemed to know, of a young woman, very +good-looking, in a very old style of evening dress. Slipping her own +photograph up over it again, she took out a handkerchief and went down. +Only on the stairs did she identify that face. Surely—surely Jon's +mother! The conviction came as a shock. And she stood still in a flurry +of thought. Why, of course! Jon's father had married the woman her +father had wanted to marry, had cheated him out of her, perhaps. Then, +afraid of showing by her manner that she had lighted on his secret, +she refused to think further, and, shaking out the silk handkerchief, +entered the dining-room. + +“I chose the softest, Father.” + +“H'm!” said Soames; “I only use those after a cold. Never mind!” + +That evening passed for Fleur in putting two and two together; recalling +the look on her father's face in the confectioner's shop—a look strange +and coldly intimate, a queer look. He must have loved that woman very +much to have kept her photograph all this time, in spite of having lost +her. Unsparing and matter-of-fact, her mind darted to his relations with +her own mother. Had he ever really loved her? She thought not. Jon was +the son of the woman he had really loved. Surely, then, he ought not to +mind his daughter loving him; it only wanted getting used to. And a sigh +of sheer relief was caught in the folds of her nightgown slipping over +her head. + + + + + +III.—MEETINGS + +Youth only recognises Age by fits and starts. Jon, for one, had never +really seen his father's age till he came back from Spain. The face of +the fourth Jolyon, worn by waiting, gave him quite a shock—it looked so +wan and old. His father's mask had been forced awry by the emotion of +the meeting, so that the boy suddenly realised how much he must have +felt their absence. He summoned to his aid the thought: 'Well, I didn't +want to go!' It was out of date for Youth to defer to Age. But Jon was +by no means typically modern. His father had always been “so jolly” to +him, and to feel that one meant to begin again at once the conduct which +his father had suffered six weeks' loneliness to cure was not agreeable. + +At the question, “Well, old man, how did the great Goya strike you?” his +conscience pricked him badly. The great Goya only existed because he had +created a face which resembled Fleur's. + +On the night of their return, he went to bed full of compunction; +but awoke full of anticipation. It was only the fifth of July, and no +meeting was fixed with Fleur until the ninth. He was to have three days +at home before going back to farm. Somehow he must contrive to see her! + +In the lives of men an inexorable rhythm, caused by the need for +trousers, not even the fondest parents can deny. On the second day, +therefore, Jon went to Town, and having satisfied his conscience by +ordering what was indispensable in Conduit Street, turned his face +toward Piccadilly. Stratton Street, where her Club was, adjoined +Devonshire House. It would be the merest chance that she should be at +her Club. But he dawdled down Bond Street with a beating heart, noticing +the superiority of all other young men to himself. They wore their +clothes with such an air; they had assurance; they were old. He was +suddenly overwhelmed by the conviction that Fleur must have forgotten +him. Absorbed in his own feeling for her all these weeks, he had mislaid +that possibility. The corners of his mouth drooped, his hands felt +clammy. Fleur with the pick of youth at the beck of her smile-Fleur +incomparable! It was an evil moment. Jon, however, had a great idea that +one must be able to face anything. And he braced himself with that dour +reflection in front of a bric-a-brac shop. At this high-water mark of +what was once the London season, there was nothing to mark it out from +any other except a grey top hat or two, and the sun. Jon moved on, and +turning the corner into Piccadilly, ran into Val Dartie moving toward +the Iseeum Club, to which he had just been elected. + +“Hallo! young man! Where are you off to?” + +Jon gushed. “I've just been to my tailor's.” + +Val looked him up and down. “That's good! I'm going in here to order +some cigarettes; then come and have some lunch.” + +Jon thanked him. He might get news of her from Val! + +The condition of England, that nightmare of its Press and Public men, +was seen in different perspective within the tobacconist's which they +now entered. + +“Yes, sir; precisely the cigarette I used to supply your father with. +Bless me! Mr. Montague Dartie was a customer here from—let me see—the +year Melton won the Derby. One of my very best customers he was.” A +faint smile illumined the tobacconist's face. “Many's the tip he's given +me, to be sure! I suppose he took a couple of hundred of these every +week, year in, year out, and never changed his cigarette. Very affable +gentleman, brought me a lot of custom. I was sorry he met with that +accident. One misses an old customer like him.” + +Val smiled. His father's decease had closed an account which had been +running longer, probably, than any other; and in a ring of smoke +puffed out from that time-honoured cigarette he seemed to see again his +father's face, dark, good-looking, moustachioed, a little puffy, in the +only halo it had earned. His father had his fame here, anyway—a man +who smoked two hundred cigarettes a week, who could give tips, and +run accounts for ever! To his tobacconist a hero! Even that was some +distinction to inherit! + +“I pay cash,” he said; “how much?” + +“To his son, sir, and cash—ten and six. I shall never forget Mr. +Montague Dartie. I've known him stand talkin' to me half an hour. We +don't get many like him now, with everybody in such a hurry. The War was +bad for manners, sir—it was bad for manners. You were in it, I see.” + +“No,” said Val, tapping his knee, “I got this in the war before. Saved +my life, I expect. Do you want any cigarettes, Jon?” + +Rather ashamed, Jon murmured, “I don't smoke, you know,” and saw the +tobacconist's lips twisted, as if uncertain whether to say “Good God!” +or “Now's your chance, sir!” + +“That's right,” said Val; “keep off it while you can. You'll want it +when you take a knock. This is really the same tobacco, then?” + +“Identical, sir; a little dearer, that's all. Wonderful staying +power—the British Empire, I always say.” + +“Send me down a hundred a week to this address, and invoice it monthly. +Come on, Jon.” + +Jon entered the Iseeum with curiosity. Except to lunch now and then at +the Hotch-Potch with his father, he had never been in a London Club. The +Iseeum, comfortable and unpretentious, did not move, could not, so long +as George Forsyte sat on its Committee, where his culinary acumen was +almost the controlling force. The Club had made a stand against the +newly rich, and it had taken all George Forsyte's prestige, and praise +of him as a “good sportsman,” to bring in Prosper Profond. + +The two were lunching together when the half-brothers-in-law entered +the dining-room, and attracted by George's forefinger, sat down at their +table, Val with his shrewd eyes and charming smile, Jon with solemn lips +and an attractive shyness in his glance. There was an air of privilege +around that corner table, as though past masters were eating there. +Jon was fascinated by the hypnotic atmosphere. The waiter, lean in the +chaps, pervaded with such free-masonical deference. He seemed to hang +on George Forsyte's lips, to watch the gloat in his eye with a kind +of sympathy, to follow the movements of the heavy club-marked silver +fondly. His liveried arm and confidential voice alarmed Jon, they came +so secretly over his shoulder. + +Except for George's “Your grandfather tipped me once; he was a deuced +good judge of a cigar!” neither he nor the other past master took any +notice of him, and he was grateful for this. The talk was all about the +breeding, points, and prices of horses, and he listened to it vaguely +at first, wondering how it was possible to retain so much knowledge in +a head. He could not take his eyes off the dark past master—what he said +was so deliberate and discouraging—such heavy, queer, smiled-out words. +Jon was thinking of butterflies, when he heard him say: + +“I want to see Mr. Soames Forsyde take an interest in 'orses.” + +“Old Soames! He's too dry a file!” + +With all his might Jon tried not to grow red, while the dark past master +went on. + +“His daughter's an attractive small girl. Mr. Soames Forsyde is a bit +old-fashioned. I want to see him have a pleasure some day.” George +Forsyte grinned. + +“Don't you worry; he's not so miserable as he looks. He'll never show +he's enjoying anything—they might try and take it from him. Old Soames! +Once bit, twice shy!” + +“Well, Jon,” said Val, hastily, “if you've finished, we'll go and have +coffee.” + +“Who were those?” Jon asked, on the stairs. “I didn't quite—-” + +“Old George Forsyte is a first cousin of your father's and of my Uncle +Soames. He's always been here. The other chap, Profond, is a queer fish. +I think he's hanging round Soames' wife, if you ask me!” + +Jon looked at him, startled. “But that's awful,” he said: “I mean—for +Fleur.” + +“Don't suppose Fleur cares very much; she's very up-to-date.” + +“Her mother!” + +“You're very green, Jon.” + +Jon grew red. “Mothers,” he stammered angrily, “are different.” + +“You're right,” said Val suddenly; “but things aren't what they were +when I was your age. There's a 'To-morrow we die' feeling. That's +what old George meant about my Uncle Soames. He doesn't mean to die +to-morrow.” + +Jon said, quickly: “What's the matter between him and my father?” + +“Stable secret, Jon. Take my advice, and bottle up. You'll do no good by +knowing. Have a liqueur?” + +Jon shook his head. + +“I hate the way people keep things from one,” he muttered, “and then +sneer at one for being green.” + +“Well, you can ask Holly. If she won't tell you, you'll believe it's for +your own good, I suppose.” + +Jon got up. “I must go now; thanks awfully for the lunch.” + +Val smiled up at him half-sorry, and yet amused. The boy looked so +upset. + +“All right! See you on Friday.” + +“I don't know,” murmured Jon. + +And he did not. This conspiracy of silence made him desperate. It was +humiliating to be treated like a child! He retraced his moody steps +to Stratton Street. But he would go to her Club now, and find out the +worst! To his enquiry the reply was that Miss Forsyte was not in the +Club. She might be in perhaps later. She was often in on Monday—they +could not say. Jon said he would call again, and, crossing into the +Green Park, flung himself down under a tree. The sun was bright, and a +breeze fluttered the leaves of the young lime-tree beneath which he lay; +but his heart ached. Such darkness seemed gathered round his happiness. +He heard Big Ben chime “Three” above the traffic. The sound moved +something in him, and, taking out a piece of paper, he began to scribble +on it with a pencil. He had jotted a stanza, and was searching the grass +for another verse, when something hard touched his shoulder-a green +parasol. There above him stood Fleur! + +“They told me you'd been, and were coming back. So I thought you might +be out here; and you are—it's rather wonderful!” + +“Oh, Fleur! I thought you'd have forgotten me.” + +“When I told you that I shouldn't!” + +Jon seized her arm. + +“It's too much luck! Let's get away from this side.” He almost dragged +her on through that too thoughtfully regulated Park, to find some cover +where they could sit and hold each other's hands. + +“Hasn't anybody cut in?” he said, gazing round at her lashes, in +suspense above her cheeks. + +“There is a young idiot, but he doesn't count.” + +Jon felt a twitch of compassion for the-young idiot. + +“You know I've had sunstroke; I didn't tell you.” + +“Really! Was it interesting?” + +“No. Mother was an angel. Has anything happened to you?” + +“Nothing. Except that I think I've found out what's wrong between our +families, Jon.” + +His heart began beating very fast. + +“I believe my father wanted to marry your mother, and your father got +her instead.” + +“Oh!” + +“I came on a photo of her; it was in a frame behind a photo of me. Of +course, if he was very fond of her, that would have made him pretty mad, +wouldn't it?” + +Jon thought for a minute. “Not if she loved my father best.” + +“But suppose they were engaged?” + +“If we were engaged, and you found you loved somebody better, I might go +cracked, but I shouldn't grudge it you.” + +“I should. You mustn't ever do that with me, Jon. + +“My God! Not much!” + +“I don't believe that he's ever really cared for my mother.” + +Jon was silent. Val's words—the two past masters in the Club! + +“You see, we don't know,” went on Fleur; “it may have been a great +shock. She may have behaved badly to him. People do.” + +“My mother wouldn't.” + +Fleur shrugged her shoulders. “I don't think we know much about our +fathers and mothers. We just see them in the light of the way they +treat us; but they've treated other people, you know, before we were +born-plenty, I expect. You see, they're both old. Look at your father, +with three separate families!” + +“Isn't there any place,” cried Jon, “in all this beastly London where we +can be alone?” + +“Only a taxi.” + +“Let's get one, then.” + +When they were installed, Fleur asked suddenly: “Are you going back to +Robin Hill? I should like to see where you live, Jon. I'm staying +with my aunt for the night, but I could get back in time for dinner. I +wouldn't come to the house, of course.” + +Jon gazed at her enraptured. + +“Splendid! I can show it you from the copse, we shan't meet anybody. +There's a train at four.” + +The god of property and his Forsytes great and small, leisured, +official, commercial, or professional, like the working classes, +still worked their seven hours a day, so that those two of the fourth +generation travelled down to Robin Hill in an empty first-class +carriage, dusty and sun-warmed, of that too early train. They travelled +in blissful silence, holding each other's hands. + +At the station they saw no one except porters, and a villager or two +unknown to Jon, and walked out up the lane, which smelled of dust and +honeysuckle. + +For Jon—sure of her now, and without separation before him—it was a +miraculous dawdle, more wonderful than those on the Downs, or along +the river Thames. It was love-in-a-mist—one of those illumined pages of +Life, where every word and smile, and every light touch they gave each +other were as little gold and red and blue butterflies and flowers +and birds scrolled in among the text—a happy communing, without +afterthought, which lasted thirty-seven minutes. They reached the +coppice at the milking hour. Jon would not take her as far as the +farmyard; only to where she could see the field leading up to the +gardens, and the house beyond. They turned in among the larches, and +suddenly, at the winding of the path, came on Irene, sitting on an old +log seat. + +There are various kinds of shocks: to the vertebrae; to the nerves; to +moral sensibility; and, more potent and permanent, to personal dignity. +This last was the shock Jon received, coming thus on his mother. He +became suddenly conscious that he was doing an indelicate thing. To have +brought Fleur down openly—yes! But to sneak her in like this! Consumed +with shame, he put on a front as brazen as his nature would permit. + +Fleur was smiling, a little defiantly; his mother's startled face was +changing quickly to the impersonal and gracious. It was she who uttered +the first words: + +“I'm very glad to see you. It was nice of Jon to think of bringing you +down to us.” + +“We weren't coming to the house,” Jon blurted out. “I just wanted Fleur +to see where I lived.” + +His mother said quietly: + +“Won't you come up and have tea?” + +Feeling that he had but aggravated his breach of breeding, he heard +Fleur answer: + +“Thanks very much; I have to get back to dinner. I met Jon by accident, +and we thought it would be rather jolly just to see his home.” + +How self-possessed she was! + +“Of course; but you must have tea. We'll send you down to the station. +My husband will enjoy seeing you.” + +The expression of his mother's eyes, resting on him for a moment, cast +Jon down level with the ground—a true worm. Then she led on, and Fleur +followed her. He felt like a child, trailing after those two, who were +talking so easily about Spain and Wansdon, and the house up there beyond +the trees and the grassy slope. He watched the fencing of their eyes, +taking each other in—the two beings he loved most in the world. + +He could see his father sitting under the oaktree; and suffered in +advance all the loss of caste he must go through in the eyes of that +tranquil figure, with his knees crossed, thin, old, and elegant; already +he could feel the faint irony which would come into his voice and smile. + +“This is Fleur Forsyte, Jolyon; Jon brought her down to see the house. +Let's have tea at once—she has to catch a train. Jon, tell them, dear, +and telephone to the Dragon for a car.” + +To leave her alone with them was strange, and yet, as no doubt his +mother had foreseen, the least of evils at the moment; so he ran up into +the house. Now he would not see Fleur alone again—not for a minute, and +they had arranged no further meeting! When he returned under cover of +the maids and teapots, there was not a trace of awkwardness beneath the +tree; it was all within himself, but not the less for that. They were +talking of the Gallery off Cork Street. + +“We back numbers,” his father was saying, “are awfully anxious to find +out why we can't appreciate the new stuff; you and Jon must tell us.” + +“It's supposed to be satiric, isn't it?” said Fleur. + +He saw his father's smile. + +“Satiric? Oh! I think it's more than that. What do you say, Jon?” + +“I don't know at all,” stammered Jon. His father's face had a sudden +grimness. + +“The young are tired of us, our gods and our ideals. Off with their +heads, they say—smash their idols! And let's get back to-nothing! And, +by Jove, they've done it! Jon's a poet. He'll be going in, too, and +stamping on what's left of us. Property, beauty, sentiment—all smoke. We +mustn't own anything nowadays, not even our feelings. They stand in the +way of—Nothing.” + +Jon listened, bewildered, almost outraged by his father's words, behind +which he felt a meaning that he could not reach. He didn't want to stamp +on anything! + +“Nothing's the god of to-day,” continued Jolyon; “we're back where the +Russians were sixty years ago, when they started Nihilism.” + +“No, Dad,” cried Jon suddenly, “we only want to live, and we don't know +how, because of the Past—that's all!” + +“By George!” said Jolyon, “that's profound, Jon. Is it your own? The +Past! Old ownerships, old passions, and their aftermath. Let's have +cigarettes.” + +Conscious that his mother had lifted her hand to her lips, quickly, as +if to hush something, Jon handed the cigarettes. He lighted his father's +and Fleur's, then one for himself. Had he taken the knock that Val had +spoken of? The smoke was blue when he had not puffed, grey when he had; +he liked the sensation in his nose, and the sense of equality it gave +him. He was glad no one said: “So you've begun!” He felt less young. + +Fleur looked at her watch, and rose. His mother went with her into the +house. Jon stayed with his father, puffing at the cigarette. + +“See her into the car, old man,” said Jolyon; “and when she's gone, ask +your mother to come back to me.” + +Jon went. He waited in the hall. He saw her into the car. There was no +chance for any word; hardly for a pressure of the hand. He waited all +that evening for something to be said to him. Nothing was said. Nothing +might have happened. He went up to bed, and in the mirror on his +dressing-table met himself. He did not speak, nor did the image; but +both looked as if they thought the more. + + + + + +IV.—IN GREEN STREET + +Uncertain whether the impression that Prosper Profond was dangerous +should be traced to his attempt to give Val the Mayfly filly; to a +remark of Fleur's: “He's like the hosts of Midian—he prowls and prowls +around”; to his preposterous inquiry of Jack Cardigan: “What's the use +of keepin' fit?” or, more simply, to the fact that he was a foreigner, +or alien as it was now called. Certain, that Annette was looking +particularly handsome, and that Soames—had sold him a Gauguin and then +torn up the cheque, so that Monsieur Profond himself had said: “I didn't +get that small picture I bought from Mr. Forsyde.” + +However suspiciously regarded, he still frequented Winifred's evergreen +little house in Green Street, with a good-natured obtuseness which no +one mistook for naivete, a word hardly applicable to Monsieur Prosper +Profond. Winifred still found him “amusing,” and would write him little +notes saying: “Come and have a 'jolly' with us”—it was breath of life to +her to keep up with the phrases of the day. + +The mystery, with which all felt him to be surrounded, was due to his +having done, seen, heard, and known everything, and found nothing in +it—which was unnatural. The English type of disillusionment was familiar +enough to Winifred, who had always moved in fashionable circles. It gave +a certain cachet or distinction, so that one got something out of it. +But to see nothing in anything, not as a pose, but because there was +nothing in anything, was not English; and that which was not English one +could not help secretly feeling dangerous, if not precisely bad form. +It was like having the mood which the War had left, seated—dark, heavy, +smiling, indifferent—in your Empire chair; it was like listening to that +mood talking through thick pink lips above a little diabolic beard. It +was, as Jack Cardigan expressed it—for the English character at large—“a +bit too thick”—for if nothing was really worth getting excited about, +there were always games, and one could make it so! Even Winifred, ever +a Forsyte at heart, felt that there was nothing to be had out of such +a mood of disillusionment, so that it really ought not to be there. +Monsieur Profond, in fact, made the mood too plain in a country which +decently veiled such realities. + +When Fleur, after her hurried return from Robin Hill, came down to +dinner that evening, the mood was standing at the window of Winifred's +little drawing-room, looking out into Green Street, with an air of +seeing nothing in it. And Fleur gazed promptly into the fireplace with +an air of seeing a fire which was not there. + +Monsieur Profond came from the window. He was in full fig, with a white +waistcoat and a white flower in his buttonhole. + +“Well, Miss Forsyde,” he said, “I'm awful pleased to see you. Mr. +Forsyde well? I was sayin' to-day I want to see him have some pleasure. +He worries.” + +“You think so?” said Fleur shortly. + +“Worries,” repeated Monsieur Profond, burring the r's. + +Fleur spun round. “Shall I tell you,” she said, “what would give him +pleasure?” But the words, “To hear that you had cleared out,” died at +the expression on his face. All his fine white teeth were showing. + +“I was hearin' at the Club to-day about his old trouble.” Fleur opened +her eyes. “What do you mean?” + +Monsieur Profond moved his sleek head as if to minimize his statement. + +“Before you were born,” he said; “that small business.” + +Though conscious that he had cleverly diverted her from his own share +in her father's worry, Fleur was unable to withstand a rush of nervous +curiosity. “Tell me what you heard.” + +“Why!” murmured Monsieur Profond, “you know all that.” + +“I expect I do. But I should like to know that you haven't heard it all +wrong.” + +“His first wife,” murmured Monsieur Profond. + +Choking back the words, “He was never married before,” she said: “Well, +what about her?” + +“Mr. George Forsyde was tellin' me about your father's first wife +marryin' his cousin Jolyon afterward. It was a small bit unpleasant, I +should think. I saw their boy—nice boy!” + +Fleur looked up. Monsieur Profond was swimming, heavily diabolical, +before her. That—the reason! With the most heroic effort of her life +so far, she managed to arrest that swimming figure. She could not tell +whether he had noticed. And just then Winifred came in. + +“Oh! here you both are already; Imogen and I have had the most amusing +afternoon at the Babies' bazaar.” + +“What babies?” said Fleur mechanically. + +“The 'Save the Babies.' I got such a bargain, my dear. A piece of +old Armenian work—from before the Flood. I want your opinion on it, +Prosper.” + +“Auntie,” whispered Fleur suddenly. + +At the tone in the girl's voice Winifred closed in on her.' + +“What's the matter? Aren't you well?” + +Monsieur Profond had withdrawn into the window, where he was practically +out of hearing. + +“Auntie, he-he told me that father has been married before. Is it true +that he divorced her, and she married Jon Forsyte's father?” + +Never in all the life of the mother of four little Darties had Winifred +felt more seriously embarrassed. Her niece's face was so pale, her eyes +so dark, her voice so whispery and strained. + +“Your father didn't wish you to hear,” she said, with all the aplomb she +could muster. “These things will happen. I've often told him he ought to +let you know.” + +“Oh!” said Fleur, and that was all, but it made Winifred pat her +shoulder—a firm little shoulder, nice and white! She never could help an +appraising eye and touch in the matter of her niece, who would have to +be married, of course—though not to that boy Jon. + +“We've forgotten all about it years and years ago,” she said +comfortably. “Come and have dinner!” + +“No, Auntie. I don't feel very well. May I go upstairs?” + +“My dear!” murmured Winifred, concerned, “you're not taking this to +heart? Why, you haven't properly come out yet! That boy's a child!” + +“What boy? I've only got a headache. But I can't stand that man +to-night.” + +“Well, well,” said Winifred, “go and lie down. I'll send you some +bromide, and I shall talk to Prosper Profond. What business had he to +gossip? Though I must say I think it's much better you should know.” + +Fleur smiled. “Yes,” she said, and slipped from the room. + +She went up with her head whirling, a dry sensation in her throat, a +guttered frightened feeling in her breast. Never in her life as yet had +she suffered from even momentary fear that she would not get what she +had set her heart on. The sensations of the afternoon had been full +and poignant, and this gruesome discovery coming on the top of them +had really made her head ache. No wonder her father had hidden that +photograph, so secretly behind her own-ashamed of having kept it! But +could he hate Jon's mother and yet keep her photograph? She pressed her +hands over her forehead, trying to see things clearly. Had they told +Jon—had her visit to Robin Hill forced them to tell him? Everything now +turned on that! She knew, they all knew, except—perhaps—Jon! + +She walked up and down, biting her lip and thinking desperately hard. +Jon loved his mother. If they had told him, what would he do? She could +not tell. But if they had not told him, should she not—could she not +get him for herself—get married to him, before he knew? She searched her +memories of Robin Hill. His mother's face so passive—with its dark eyes +and as if powdered hair, its reserve, its smile—baffled her; and his +father's—kindly, sunken, ironic. Instinctively she felt they would +shrink from telling Jon, even now, shrink from hurting him—for of course +it would hurt him awfully to know! + +Her aunt must be made not to tell her father that she knew. So long as +neither she herself nor Jon were supposed to know, there was still a +chance—freedom to cover one's tracks, and get what her heart was set on. +But she was almost overwhelmed by her isolation. Every one's hand was +against her—every one's! It was as Jon had said—he and she just wanted +to live and the past was in their way, a past they hadn't shared in, and +didn't understand! Oh! What a shame! And suddenly she thought of June. +Would she help them? For somehow June had left on her the impression +that she would be sympathetic with their love, impatient of obstacle. +Then, instinctively, she thought: 'I won't give anything away, though, +even to her. I daren't. I mean to have Jon; against them all.' + +Soup was brought up to her, and one of Winifred's pet headache cachets. +She swallowed both. Then Winifred herself appeared. Fleur opened her +campaign with the words: + +“You know, Auntie, I do wish people wouldn't think I'm in love with that +boy. Why, I've hardly seen him!” + +Winifred, though experienced, was not “fine.” She accepted the remark +with considerable relief. Of course, it was not pleasant for the girl to +hear of the family scandal, and she set herself to minimise the matter, +a task for which she was eminently qualified, “raised” fashionably under +a comfortable mother and a father whose nerves might not be shaken, +and for many years the wife of Montague Dartie. Her description was a +masterpiece of understatement. Fleur's father's first wife had been very +foolish. There had been a young man who had got run over, and she +had left Fleur's father. Then, years after, when it might all have +come—right again, she had taken up with their cousin Jolyon; and, of +course, her father had been obliged to have a divorce. Nobody remembered +anything of it now, except just the family. And, perhaps, it had all +turned out for the best; her father had Fleur; and Jolyon and Irene had +been quite happy, they said, and their boy was a nice boy. “Val having +Holly, too, is a sort of plaster, don't you know?” With these soothing +words, Winifred patted her niece's shoulder; thought: 'She's a nice, +plump little thing!' and went back to Prosper Profond, who, in spite of +his indiscretion, was very “amusing” this evening. + +For some minutes after her aunt had gone Fleur remained under influence +of bromide material and spiritual. But then reality came back. Her aunt +had left out all that mattered—all the feeling, the hate, the love, the +unforgivingness of passionate hearts. She, who knew so little of life, +and had touched only the fringe of love, was yet aware by instinct that +words have as little relation to fact and feeling as coin to the bread +it buys. 'Poor Father!' she thought. 'Poor me! Poor Jon! But I don't +care, I mean to have him!' From the window of her darkened room she saw +“that man” issue from the door below and “prowl” away. If he and her +mother—how would that affect her chance? Surely it must make her father +cling to her more closely, so that he would consent in the end to +anything she wanted, or become reconciled the sooner to what she did +without his knowledge. + +She took some earth from the flower-box in the window, and with all her +might flung it after that disappearing figure. It fell short, but the +action did her good. + +And a little puff of air came up from Green Street, smelling of petrol, +not sweet. + + + + + +V.—PURELY FORSYTE AFFAIRS + +Soames, coming up to the City, with the intention of calling in at +Green Street at the end of his day and taking Fleur back home with +him, suffered from rumination. Sleeping partner that he was, he seldom +visited the City now, but he still had a room of his own at Cuthcott, +Kingson and Forsyte's, and one special clerk and a half assigned to the +management of purely Forsyte affairs. They were somewhat in flux just +now—an auspicious moment for the disposal of house property. And Soames +was unloading the estates of his father and Uncle Roger, and to some +extent of his Uncle Nicholas. His shrewd and matter-of-course probity in +all money concerns had made him something of an autocrat in connection +with these trusts. If Soames thought this or thought that, one had +better save oneself the bother of thinking too. He guaranteed, as it +were, irresponsibility to numerous Forsytes of the third and fourth +generations. His fellow trustees, such as his cousins Roger or Nicholas, +his cousins-in-law Tweetyman and Spender, or his sister Cicely's +husband, all trusted him; he signed first, and where he signed first +they signed after, and nobody was a penny the worse. Just now they were +all a good many pennies the better, and Soames was beginning to see +the close of certain trusts, except for distribution of the income from +securities as gilt-edged as was compatible with the period. + +Passing the more feverish parts of the City toward the most perfect +backwater in London, he ruminated. Money was extraordinarily tight; +and morality extraordinarily loose! The War had done it. Banks were +not lending; people breaking contracts all over the place. There was a +feeling in the air and a look on faces that he did not like. The +country seemed in for a spell of gambling and bankruptcies. There +was satisfaction in the thought that neither he nor his trusts had +an investment which could be affected by anything less maniacal than +national repudiation or a levy on capital. If Soames had faith, it was +in what he called “English common sense”—or the power to have things, if +not one way then another. He might—like his father James before him—say +he didn't know what things were coming to, but he never in his heart +believed they were. If it rested with him, they wouldn't—and, after all, +he was only an Englishman like any other, so quietly tenacious of what +he had that he knew he would never really part with it without +something more or less equivalent in exchange. His mind was essentially +equilibristic in material matters, and his way of putting the national +situation difficult to refute in a world composed of human beings. Take +his own case, for example! He was well off. Did that do anybody harm? +He did not eat ten meals a day; he ate no more than, perhaps not so much +as, a poor man. He spent no money on vice; breathed no more air, used no +more water to speak of than the mechanic or the porter. He certainly had +pretty things about him, but they had given employment in the making, +and somebody must use them. He bought pictures, but Art must be +encouraged. He was, in fact, an accidental channel through which money +flowed, employing labour. What was there objectionable in that? In his +charge money was in quicker and more useful flux than it would be in +charge of the State and a lot of slow-fly money-sucking officials. And +as to what he saved each year—it was just as much in flux as what he +didn't save, going into Water Board or Council Stocks, or something +sound and useful. The State paid him no salary for being trustee of his +own or other people's money he did all that for nothing. Therein lay +the whole case against nationalisation—owners of private property +were unpaid, and yet had every incentive to quicken up the flux. +Under nationalisation—just the opposite! In a country smarting from +officialism he felt that he had a strong case. + +It particularly annoyed him, entering that backwater of perfect peace, +to think that a lot of unscrupulous Trusts and Combinations had been +cornering the market in goods of all kinds, and keeping prices at an +artificial height. Such abusers of the individualistic system were the +ruffians who caused all the trouble, and it was some satisfaction to see +them getting into a stew at last lest the whole thing might come down +with a run—and land them in the soup. + +The offices of Cuthcott, Kingson and Forsyte occupied the ground and +first floors of a house on the right-hand side; and, ascending to his +room, Soames thought: 'Time we had a coat of paint.' + +His old clerk Gradman was seated, where he always was, at a huge bureau +with countless pigeonholes. Half-the-clerk stood beside him, with a +broker's note recording investment of the proceeds from sale of the +Bryanston Square house, in Roger Forsyte's estate. Soames took it, and +said: + +“Vancouver City Stock. H'm. It's down today!” + +With a sort of grating ingratiation old Gradman answered him: + +“Ye-es; but everything's down, Mr. Soames.” And half-the-clerk withdrew. + +Soames skewered the document on to a number of other papers and hung up +his hat. + +“I want to look at my Will and Marriage Settlement, Gradman.” + +Old Gradman, moving to the limit of his swivel chair, drew out two +drafts from the bottom lefthand drawer. Recovering his body, he raised +his grizzle-haired face, very red from stooping. + +“Copies, Sir.” + +Soames took them. It struck him suddenly how like Gradman was to the +stout brindled yard dog they had been wont to keep on his chain at +The Shelter, till one day Fleur had come and insisted it should be let +loose, so that it had at once bitten the cook and been destroyed. If you +let Gradman off his chain, would he bite the cook? + +Checking this frivolous fancy, Soames unfolded his Marriage Settlement. +He had not looked at it for over eighteen years, not since he remade his +Will when his father died and Fleur was born. He wanted to see whether +the words “during coverture” were in. Yes, they were—odd expression, +when you thought of it, and derived perhaps from horse-breeding! +Interest on fifteen thousand pounds (which he paid her without deducting +income tax) so long as she remained his wife, and afterward during +widowhood “dum casta”—old-fashioned and rather pointed words, put in to +insure the conduct of Fleur's mother. His Will made it up to an annuity +of a thousand under the same conditions. All right! He returned the +copies to Gradman, who took them without looking up, swung the chair, +restored the papers to their drawer, and went on casting up. + +“Gradman! I don't like the condition of the country; there are a lot of +people about without any common sense. I want to find a way by which I +can safeguard Miss Fleur against anything which might arise.” + +Gradman wrote the figure “2” on his blotting-paper. + +“Ye-es,” he said; “there's a nahsty spirit.” + +“The ordinary restraint against anticipation doesn't meet the case.” + +“Nao,” said Gradman. + +“Suppose those Labour fellows come in, or worse! It's these people with +fixed ideas who are the danger. Look at Ireland!” + +“Ah!” said Gradman. + +“Suppose I were to make a settlement on her at once with myself as +beneficiary for life, they couldn't take anything but the interest from +me, unless of course they alter the law.” + +Gradman moved his head and smiled. + +“Ah!” he said, “they wouldn't do tha-at!” + +“I don't know,” muttered Soames; “I don't trust them.” + +“It'll take two years, sir, to be valid against death duties.” + +Soames sniffed. Two years! He was only sixty-five! + +“That's not the point. Draw a form of settlement that passes all my +property to Miss Fleur's children in equal shares, with antecedent +life-interests first to myself and then to her without power of +anticipation, and add a clause that in the event of anything happening +to divert her life-interest, that interest passes to the trustees, to +apply for her benefit, in their absolute discretion.” + +Gradman grated: “Rather extreme at your age, sir; you lose control.” + +“That's my business,” said Soames sharply. + +Gradman wrote on a piece of paper: “Life-interest—anticipation—divert +interest—absolute discretion....” and said: + +“What trustees? There's young Mr. Kingson; he's a nice steady young +fellow.” + +“Yes, he might do for one. I must have three. There isn't a Forsyte now +who appeals to me.” + +“Not young Mr. Nicholas? He's at the Bar. We've given 'im briefs.” + +“He'll never set the Thames on fire,” said Soames. + +A smile oozed out on Gradman's face, greasy from countless mutton-chops, +the smile of a man who sits all day. + +“You can't expect it, at his age, Mr. Soames.” + +“Why? What is he? Forty?” + +“Ye-es, quite a young fellow.” + +“Well, put him in; but I want somebody who'll take a personal interest. +There's no one that I can see.” + +“What about Mr. Valerius, now he's come home?” + +“Val Dartie? With that father?” + +“We-ell,” murmured Gradman, “he's been dead seven years—the Statute runs +against him.” + +“No,” said Soames. “I don't like the connection.” He rose. Gradman said +suddenly: + +“If they were makin' a levy on capital, they could come on the trustees, +sir. So there you'd be just the same. I'd think it over, if I were you.” + +“That's true,” said Soames. “I will. What have you done about that +dilapidation notice in Vere Street?” + +“I 'aven't served it yet. The party's very old. She won't want to go out +at her age.” + +“I don't know. This spirit of unrest touches every one.” + +“Still, I'm lookin' at things broadly, sir. She's eighty-one.” + +“Better serve it,” said Soames, “and see what she says. Oh! and Mr. +Timothy? Is everything in order in case of—” + +“I've got the inventory of his estate all ready; had the furniture and +pictures valued so that we know what reserves to put on. I shall be +sorry when he goes, though. Dear me! It is a time since I first saw Mr. +Timothy!” + +“We can't live for ever,” said Soames, taking down his hat. + +“Nao,” said Gradman; “but it'll be a pity—the last of the old family! +Shall I take up the matter of that nuisance in Old Compton Street? Those +organs—they're nahsty things.” + +“Do. I must call for Miss Fleur and catch the four o'clock. Good-day, +Gradman.” + +“Good-day, Mr. Soames. I hope Miss Fleur—” + +“Well enough, but gads about too much.” + +“Ye-es,” grated Gradman; “she's young.” + +Soames went out, musing: “Old Gradman! If he were younger I'd put him in +the trust. There's nobody I can depend on to take a real interest.” + +Leaving the bilious and mathematical exactitude, the preposterous peace +of that backwater, he thought suddenly: 'During coverture! Why can't +they exclude fellows like Profond, instead of a lot of hard-working +Germans?' and was surprised at the depth of uneasiness which could +provoke so unpatriotic a thought. But there it was! One never got +a moment of real peace. There was always something at the back of +everything! And he made his way toward Green Street. + +Two hours later by his watch, Thomas Gradman, stirring in his swivel +chair, closed the last drawer of his bureau, and putting into +his waistcoat pocket a bunch of keys so fat that they gave him a +protuberance on the liver side, brushed his old top hat round with his +sleeve, took his umbrella, and descended. Thick, short, and buttoned +closely into his old frock coat, he walked toward Covent Garden market. +He never missed that daily promenade to the Tube for Highgate, +and seldom some critical transaction on the way in connection with +vegetables and fruit. Generations might be born, and hats might change, +wars be fought, and Forsytes fade away, but Thomas Gradman, faithful and +grey, would take his daily walk and buy his daily vegetable. Times were +not what they were, and his son had lost a leg, and they never gave him +those nice little plaited baskets to carry the stuff in now, and these +Tubes were convenient things—still he mustn't complain; his health was +good considering his time of life, and after fifty-four years in the +Law he was getting a round eight hundred a year and a little worried +of late, because it was mostly collector's commission on the rents, and +with all this conversion of Forsyte property going on, it looked like +drying up, and the price of living still so high; but it was no good +worrying—“The good God made us all”—as he was in the habit of saying; +still, house property in London—he didn't know what Mr. Roger or Mr. +James would say if they could see it being sold like this—seemed to show +a lack of faith; but Mr. Soames—he worried. Life and lives in being and +twenty-one years after—beyond that you couldn't go; still, he kept his +health wonderfully—and Miss Fleur was a pretty little thing—she was; +she'd marry; but lots of people had no children nowadays—he had had +his first child at twenty-two; and Mr. Jolyon, married while he was at +Cambridge, had his child the same year—gracious Peter! That was back in +'69, a long time before old Mr. Jolyon—fine judge of property—had taken +his Will away from Mr. James—dear, yes! Those were the days when they +were buyin' property right and left, and none of this khaki and fallin' +over one another to get out of things; and cucumbers at twopence; and a +melon—the old melons, that made your mouth water! Fifty years since +he went into Mr. James' office, and Mr. James had said to him: “Now, +Gradman, you're only a shaver—you pay attention, and you'll make your +five hundred a year before you've done.” And he had, and feared God, and +served the Forsytes, and kept a vegetable diet at night. And, buying a +copy of John Bull—not that he approved of it, an extravagant affair—he +entered the Tube elevator with his mere brown-paper parcel, and was +borne down into the bowels of the earth. + + + + + +VI.—SOAMES' PRIVATE LIFE + +On his way to Green Street it occurred to Soames that he ought to go +into Dumetrius' in Suffolk Street about the possibility of the Bolderby +Old Crome. Almost worth while to have fought the war to have the +Bolderby Old Crome, as it were, in flux! Old Bolderby had died, his son +and grandson had been killed—a cousin was coming into the estate, who +meant to sell it, some said because of the condition of England, others +said because he had asthma. + +If Dumetrius once got hold of it the price would become prohibitive; +it was necessary for Soames to find out whether Dumetrius had got it, +before he tried to get it himself. He therefore confined himself to +discussing with Dumetrius whether Monticellis would come again now that +it was the fashion for a picture to be anything except a picture; and +the future of Johns, with a side-slip into Buxton Knights. It was only +when leaving that he added: “So they're not selling the Bolderby Old +Crome, after all?” In sheer pride of racial superiority, as he had +calculated would be the case, Dumetrius replied: + +“Oh! I shall get it, Mr. Forsyte, sir!” + +The flutter of his eyelid fortified Soames in a resolution to write +direct to the new Bolderby, suggesting that the only dignified way +of dealing with an Old Crome was to avoid dealers. He therefore said, +“Well, good-day!” and went, leaving Dumetrius the wiser. + +At Green Street he found that Fleur was out and would be all the +evening; she was staying one more night in London. He cabbed on +dejectedly, and caught his train. + +He reached his house about six o'clock. The air was heavy, midges +biting, thunder about. Taking his letters he went up to his +dressing-room to cleanse himself of London. + +An uninteresting post. A receipt, a bill for purchases on behalf of +Fleur. A circular about an exhibition of etchings. A letter beginning: + +“SIR, + +“I feel it my duty...” + +That would be an appeal or something unpleasant. He looked at once for +the signature. There was none! Incredulously he turned the page over and +examined each corner. Not being a public man, Soames had never yet +had an anonymous letter, and his first impulse was to tear it up, as a +dangerous thing; his second to read it, as a thing still more dangerous. + +“SIR, + +“I feel it my duty to inform you that having no interest in the matter +your lady is carrying on with a foreigner—” + +Reaching that word Soames stopped mechanically and examined the +postmark. So far as he could pierce the impenetrable disguise in which +the Post Office had wrapped it, there was something with a “sea” at the +end and a “t” in it. Chelsea? No! Battersea? Perhaps! He read on. + +“These foreigners are all the same. Sack the lot. This one meets +your lady twice a week. I know it of my own knowledge—and to see an +Englishman put on goes against the grain. You watch it and see if what I +say isn't true. I shouldn't meddle if it wasn't a dirty foreigner that's +in it. + +“Yours obedient.” + +The sensation with which Soames dropped the letter was similar to +that he would have had entering his bedroom and finding it full of +black-beetles. The meanness of anonymity gave a shuddering obscenity +to the moment. And the worst of it was that this shadow had been at the +back of his mind ever since the Sunday evening when Fleur had pointed +down at Prosper Profond strolling on the lawn, and said: “Prowling cat!” +Had he not in connection therewith, this very day, perused his Will and +Marriage Settlement? And now this anonymous ruffian, with nothing to +gain, apparently, save the venting of his spite against foreigners, had +wrenched it out of the obscurity in which he had hoped and wished it +would remain. To have such knowledge forced on him, at his time of life, +about Fleur's mother! He picked the letter up from the carpet, tore it +across, and then, when it hung together by just the fold at the back, +stopped tearing, and reread it. He was taking at that moment one of the +decisive resolutions of his life. He would not be forced into another +scandal. No! However he decided to deal with this matter—and it required +the most far-sighted and careful consideration he would do nothing that +might injure Fleur. That resolution taken, his mind answered the helm +again, and he made his ablutions. His hands trembled as he dried them. +Scandal he would not have, but something must be done to stop this sort +of thing! He went into his wife's room and stood looking around him. The +idea of searching for anything which would incriminate, and entitle +him to hold a menace over her, did not even come to him. There would be +nothing—she was much too practical. The idea of having her watched +had been dismissed before it came—too well he remembered his previous +experience of that. No! He had nothing but this torn-up letter from some +anonymous ruffian, whose impudent intrusion into his private life he so +violently resented. It was repugnant to him to make use of it, but he +might have to. What a mercy Fleur was not at home to-night! A tap on the +door broke up his painful cogitations. + +“Mr. Michael Mont, sir, is in the drawing-room. Will you see him?” + +“No,” said Soames; “yes. I'll come down.” + +Anything that would take his mind off for a few minutes! + +Michael Mont in flannels stood on the verandah smoking a cigarette. He +threw it away as Soames came up, and ran his hand through his hair. + +Soames' feeling toward this young man was singular. He was no doubt +a rackety, irresponsible young fellow according to old standards, yet +somehow likeable, with his extraordinarily cheerful way of blurting out +his opinions. + +“Come in,” he said; “have you had tea?” + +Mont came in. + +“I thought Fleur would have been back, sir; but I'm glad she isn't. The +fact is, I—I'm fearfully gone on her; so fearfully gone that I thought +you'd better know. It's old-fashioned, of course, coming to fathers +first, but I thought you'd forgive that. I went to my own Dad, and he +says if I settle down he'll see me through. He rather cottons to the +idea, in fact. I told him about your Goya.” + +“Oh!” said Soames, inexpressibly dry. “He rather cottons?” + +“Yes, sir; do you?” + +Soames smiled faintly. + +“You see,” resumed Mont, twiddling his straw hat, while his hair, ears, +eyebrows, all seemed to stand up from excitement, “when you've been +through the War you can't help being in a hurry.” + +“To get married; and unmarried afterward,” said Soames slowly. + +“Not from Fleur, sir. Imagine, if you were me!” + +Soames cleared his throat. That way of putting it was forcible enough. + +“Fleur's too young,” he said. + +“Oh! no, sir. We're awfully old nowadays. My Dad seems to me a perfect +babe; his thinking apparatus hasn't turned a hair. But he's a Baronight, +of course; that keeps him back.” + +“Baronight,” repeated Soames; “what may that be?” + +“Bart, sir. I shall be a Bart some day. But I shall live it down, you +know.” + +“Go away and live this down,” said Soames. + +Young Mont said imploringly: “Oh! no, sir. I simply must hang around, or +I shouldn't have a dog's chance. You'll let Fleur do what she likes, I +suppose, anyway. Madame passes me.” + +“Indeed!” said Soames frigidly. + +“You don't really bar me, do you?” and the young man looked so doleful +that Soames smiled. + +“You may think you're very old,” he said; “but you strike me as +extremely young. To rattle ahead of everything is not a proof of +maturity.” + +“All right, sir; I give you our age. But to show you I mean +business—I've got a job.” + +“Glad to hear it.” + +“Joined a publisher; my governor is putting up the stakes.” + +Soames put his hand over his mouth—he had so very nearly said: “God help +the publisher!” His grey eyes scrutinised the agitated young man. + +“I don't dislike you, Mr. Mont, but Fleur is everything to me: +Everything—do you understand?” + +“Yes, sir, I know; but so she is to me.” + +“That's as may be. I'm glad you've told me, however. And now I think +there's nothing more to be said.” + +“I know it rests with her, sir.” + +“It will rest with her a long time, I hope.” + +“You aren't cheering,” said Mont suddenly. + +“No,” said Soames, “my experience of life has not made me anxious to +couple people in a hurry. Good-night, Mr. Mont. I shan't tell Fleur what +you've said.” + +“Oh!” murmured Mont blankly; “I really could knock my brains out for +want of her. She knows that perfectly well.” + +“I dare say.” And Soames held out his hand. A distracted squeeze, a +heavy sigh, and soon after sounds from the young man's motor-cycle +called up visions of flying dust and broken bones. + +'The younger generation!' he thought heavily, and went out on to the +lawn. The gardeners had been mowing, and there was still the smell of +fresh-cut grass—the thundery air kept all scents close to earth. The sky +was of a purplish hue—the poplars black. Two or three boats passed on +the river, scuttling, as it were, for shelter before the storm. 'Three +days' fine weather,' thought Soames, 'and then a storm!' Where was +Annette? With that chap, for all he knew—she was a young woman! +Impressed with the queer charity of that thought, he entered the +summerhouse and sat down. The fact was—and he admitted it—Fleur was so +much to him that his wife was very little—very little; French—had never +been much more than a mistress, and he was getting indifferent to +that side of things! It was odd how, with all this ingrained care for +moderation and secure investment, Soames ever put his emotional eggs +into one basket. First Irene—now Fleur. He was dimly conscious of it, +sitting there, conscious of its odd dangerousness. It had brought him to +wreck and scandal once, but now—now it should save him! He cared so much +for Fleur that he would have no further scandal. If only he could get at +that anonymous letter-writer, he would teach him not to meddle and stir +up mud at the bottom of water which he wished should remain stagnant!... +A distant flash, a low rumble, and large drops of rain spattered on the +thatch above him. He remained indifferent, tracing a pattern with his +finger on the dusty surface of a little rustic table. Fleur's future! 'I +want fair sailing for her,' he thought. 'Nothing else matters at my time +of life.' A lonely business—life! What you had you never could keep to +yourself! As you warned one off, you let another in. One could make sure +of nothing! He reached up and pulled a red rambler rose from a cluster +which blocked the window. Flowers grew and dropped—Nature was a queer +thing! The thunder rumbled and crashed, travelling east along a river, +the paling flashes flicked his eyes; the poplar tops showed sharp and +dense against the sky, a heavy shower rustled and rattled and veiled in +the little house wherein he sat, indifferent, thinking. + +When the storm was over, he left his retreat and went down the wet path +to the river bank. + +Two swans had come, sheltering in among the reeds. He knew the birds +well, and stood watching the dignity in the curve of those white necks +and formidable snake-like heads. 'Not dignified—what I have to do!' he +thought. And yet it must be tackled, lest worse befell. Annette must be +back by now from wherever she had gone, for it was nearly dinner-time, +and as the moment for seeing her approached, the difficulty of knowing +what to say and how to say it had increased. A new and scaring thought +occurred to him. Suppose she wanted her liberty to marry this fellow! +Well, if she did, she couldn't have it. He had not married her for that. +The image of Prosper Profond dawdled before him reassuringly. Not a +marrying man! No, no! Anger replaced that momentary scare. 'He had +better not come my way,' he thought. The mongrel represented—-! But what +did Prosper Profond represent? Nothing that mattered surely. And +yet something real enough in the world—unmorality let off its chain, +disillusionment on the prowl! That expression Annette had caught from +him: “Je m'en fiche!” A fatalistic chap! A continental—a cosmopolitan—a +product of the age! If there were condemnation more complete, Soames +felt that he did not know it. + +The swans had turned their heads, and were looking past him into some +distance of their own. One of them uttered a little hiss, wagged its +tail, turned as if answering to a rudder, and swam away. The other +followed. Their white bodies, their stately necks, passed out of his +sight, and he went toward the house. + +Annette was in the drawing-room, dressed for dinner, and he thought as +he went up-stairs 'Handsome is as handsome does.' Handsome! Except for +remarks about the curtains in the drawing-room, and the storm, there was +practically no conversation during a meal distinguished by exactitude +of quantity and perfection of quality. Soames drank nothing. He followed +her into the drawing-room afterward, and found her smoking a cigarette +on the sofa between the two French windows. She was leaning back, almost +upright, in a low black frock, with her knees crossed and her blue eyes +half-closed; grey-blue smoke issued from her red, rather full lips, a +fillet bound her chestnut hair, she wore the thinnest silk stockings, +and shoes with very high heels showing off her instep. A fine piece in +any room! Soames, who held that torn letter in a hand thrust deep into +the side-pocket of his dinner-jacket, said: + +“I'm going to shut the window; the damp's lifting in.” + +He did so, and stood looking at a David Cox adorning the cream-panelled +wall close by. + +What was she thinking of? He had never understood a woman in his +life—except Fleur—and Fleur not always! His heart beat fast. But if he +meant to do it, now was the moment. Turning from the David Cox, he took +out the torn letter. + +“I've had this.” + +Her eyes widened, stared at him, and hardened. + +Soames handed her the letter. + +“It's torn, but you can read it.” And he turned back to the David Cox—a +sea-piece, of good tone—but without movement enough. 'I wonder what that +chap's doing at this moment?' he thought. 'I'll astonish him yet.' Out +of the corner of his eye he saw Annette holding the letter rigidly; +her eyes moved from side to side under her darkened lashes and frowning +darkened eyes. She dropped the letter, gave a little shiver, smiled, and +said: + +“Dirrty!” + +“I quite agree,” said Soames; “degrading. Is it true?” + +A tooth fastened on her red lower lip. “And what if it were?” + +She was brazen! + +“Is that all you have to say?” + +“No.” + +“Well, speak out!” + +“What is the good of talking?” + +Soames said icily: “So you admit it?” + +“I admit nothing. You are a fool to ask. A man like you should not ask. +It is dangerous.” + +Soames made a tour of the room, to subdue his rising anger. + +“Do you remember,” he said, halting in front of her, “what you were when +I married you? Working at accounts in a restaurant.” + +“Do you remember that I was not half your age?” + +Soames broke off the hard encounter of their eyes, and went back to the +David Cox. + +“I am not going to bandy words. I require you to give up +this—friendship. I think of the matter entirely as it affects Fleur.” + +“Ah!—Fleur!” + +“Yes,” said Soames stubbornly; “Fleur. She is your child as well as +mine.” + +“It is kind to admit that!” + +“Are you going to do what I say?” + +“I refuse to tell you.” + +“Then I must make you.” + +Annette smiled. + +“No, Soames,” she said. “You are helpless. Do not say things that you +will regret.” + +Anger swelled the veins on his forehead. He opened his mouth to vent +that emotion, and could not. Annette went on: + +“There shall be no more such letters, I promise you. That is enough.” + +Soames writhed. He had a sense of being treated like a child by this +woman who had deserved he did not know what. + +“When two people have married, and lived like us, Soames, they had +better be quiet about each other. There are things one does not drag up +into the light for people to laugh at. You will be quiet, then; not for +my sake for your own. You are getting old; I am not, yet. You have made +me ver-ry practical” + +Soames, who had passed through all the sensations of being choked, +repeated dully: + +“I require you to give up this friendship.” + +“And if I do not?” + +“Then—then I will cut you out of my Will.” + +Somehow it did not seem to meet the case. Annette laughed. + +“You will live a long time, Soames.” + +“You—you are a bad woman,” said Soames suddenly. + +Annette shrugged her shoulders. + +“I do not think so. Living with you has killed things in me, it is true; +but I am not a bad woman. I am sensible—that is all. And so will you be +when you have thought it over.” + +“I shall see this man,” said Soames sullenly, “and warn him off.” + +“Mon cher, you are funny. You do not want me, you have as much of me as +you want; and you wish the rest of me to be dead. I admit nothing, but I +am not going to be dead, Soames, at my age; so you had better be quiet, +I tell you. I myself will make no scandal; none. Now, I am not saying +any more, whatever you do.” + +She reached out, took a French novel off a little table, and opened it. +Soames watched her, silenced by the tumult of his feelings. The thought +of that man was almost making him want her, and this was a revelation +of their relationship, startling to one little given to introspective +philosophy. Without saying another word he went out and up to the +picture-gallery. This came of marrying a Frenchwoman! And yet, without +her there would have been no Fleur! She had served her purpose. + +'She's right,' he thought; 'I can do nothing. I don't even know that +there's anything in it.' The instinct of self-preservation warned him +to batten down his hatches, to smother the fire with want of air. Unless +one believed there was something in a thing, there wasn't. + +That night he went into her room. She received him in the most +matter-of-fact way, as if there had been no scene between them. And he +returned to his own room with a curious sense of peace. If one didn't +choose to see, one needn't. And he did not choose—in future he did not +choose. There was nothing to be gained by it—nothing! Opening the drawer +he took from the sachet a handkerchief, and the framed photograph of +Fleur. When he had looked at it a little he slipped it down, and there +was that other one—that old one of Irene. An owl hooted while he stood +in his window gazing at it. The owl hooted, the red climbing roses +seemed to deepen in colour, there came a scent of lime-blossom. God! +That had been a different thing! Passion—Memory! Dust! + + + + + +VII.—JUNE TAKES A HAND + +One who was a sculptor, a Slav, a sometime resident in New York, an +egoist, and impecunious, was to be found of an evening in June Forsyte's +studio on the bank of the Thames at Chiswick. On the evening of July +6, Boris Strumolowski—several of whose works were on show there because +they were as yet too advanced to be on show anywhere else—had begun +well, with that aloof and rather Christ-like silence which admirably +suited his youthful, round, broad cheek-boned countenance framed in +bright hair banged like a girl's. June had known him three weeks, and he +still seemed to her the principal embodiment of genius, and hope of +the future; a sort of Star of the East which had strayed into an +unappreciative West. Until that evening he had conversationally confined +himself to recording his impressions of the United States, whose dust +he had just shaken from off his feet—a country, in his opinion, so +barbarous in every way that he had sold practically nothing there, and +become an object of suspicion to the police; a country, as he said, +without a race of its own, without liberty, equality, or fraternity, +without principles, traditions, taste, without—in a word—a soul. He had +left it for his own good, and come to the only other country where he +could live well. June had dwelt unhappily on him in her lonely moments, +standing before his creations—frightening, but powerful and symbolic +once they had been explained! That he, haloed by bright hair like an +early Italian painting, and absorbed in his genius to the exclusion +of all else—the only sign of course by which real genius could be +told—should still be a “lame duck” agitated her warm heart almost to +the exclusion of Paul Post. And she had begun to take steps to clear her +Gallery, in order to fill it with Strumolowski masterpieces. She had at +once encountered trouble. Paul Post had kicked; Vospovitch had stung. +With all the emphasis of a genius which she did not as yet deny them, +they had demanded another six weeks at least of her Gallery. The +American stream, still flowing in, would soon be flowing out. The +American stream was their right, their only hope, their salvation—since +nobody in this “beastly” country cared for Art. June had yielded to +the demonstration. After all Boris would not mind their having the full +benefit of an American stream, which he himself so violently despised. + +This evening she had put that to Boris with nobody else present, except +Hannah Hobdey, the mediaeval black-and-whitist, and Jimmy Portugal, +editor of the Neo-Artist. She had put it to him with that sudden +confidence which continual contact with the neo-artistic world had never +been able to dry up in her warm and generous nature. He had not broken +his Christ-like silence, however, for more than two minutes before she +began to move her blue eyes from side to side, as a cat moves its tail. +This—he said—was characteristic of England, the most selfish country +in the world; the country which sucked the blood of other countries; +destroyed the brains and hearts of Irishmen, Hindus, Egyptians, Boers, +and Burmese, all the best races in the world; bullying, hypocritical +England! This was what he had expected, coming to, such a country, where +the climate was all fog, and the people all tradesmen perfectly blind +to Art, and sunk in profiteering and the grossest materialism. Conscious +that Hannah Hobdey was murmuring, “Hear, hear!” and Jimmy Portugal +sniggering, June grew crimson, and suddenly rapped out: + +“Then why did you ever come? We didn't ask you.” + +The remark was so singularly at variance with all she had led him to +expect from her, that Strumolowski stretched out his hand and took a +cigarette. + +“England never wants an idealist,” he said. + +But in June something primitively English was thoroughly upset; old +Jolyon's sense of justice had risen, as it were, from bed. “You come and +sponge on us,” she said, “and then abuse us. If you think that's playing +the game, I don't.” + +She now discovered that which others had discovered before her—the +thickness of hide beneath which the sensibility of genius is sometimes +veiled. Strumolowski's young and ingenuous face became the incarnation +of a sneer. + +“Sponge, one does not sponge, one takes what is owing—a tenth part of +what is owing. You will repent to say that, Miss Forsyte.” + +“Oh, no,” said June, “I shan't.” + +“Ah! We know very well, we artists—you take us to get what you can out +of us. I want nothing from you”—and he blew out a cloud of June's smoke. + +Decision rose in an icy puff from the turmoil of insulted shame within +her. “Very well, then, you can take your things away.” + +And, almost in the same moment, she thought: 'Poor boy! He's only got +a garret, and probably not a taxi fare. In front of these people, too; +it's positively disgusting!' + +Young Strumolowski shook his head violently; his hair, thick, smooth, +close as a golden plate, did not fall off. + +“I can live on nothing,” he said shrilly; “I have often had to for the +sake of my Art. It is you bourgeois who force us to spend money.” + +The words hit June like a pebble, in the ribs. After all she had done +for Art, all her identification with its troubles and lame ducks. She +was struggling for adequate words when the door was opened, and her +Austrian murmured: + +“A young lady, gnadiges Fraulein.” + +“Where?” + +“In the little meal-room.” + +With a glance at Boris Strumolowski, at Hannah Hobdey, at Jimmy +Portugal, June said nothing, and went out, devoid of equanimity. +Entering the “little meal-room,” she perceived the young lady to be +Fleur—looking very pretty, if pale. At this disenchanted moment a little +lame duck of her own breed was welcome to June, so homoeopathic by +instinct. + +The girl must have come, of course, because of Jon; or, if not, at least +to get something out of her. And June felt just then that to assist +somebody was the only bearable thing. + +“So you've remembered to come,” she said. + +“Yes. What a jolly little duck of a house! But please don't let me +bother you, if you've got people.” + +“Not at all,” said June. “I want to let them stew in their own juice for +a bit. Have you come about Jon?” + +“You said you thought we ought to be told. Well, I've found out.” + +“Oh!” said June blankly. “Not nice, is it?” + +They were standing one on each side of the little bare table at which +June took her meals. A vase on it was full of Iceland poppies; the +girl raised her hand and touched them with a gloved finger. To her +new-fangled dress, frilly about the hips and tight below the knees, June +took a sudden liking—a charming colour, flax-blue. + +'She makes a picture,' thought June. Her little room, with its +whitewashed walls, its floor and hearth of old pink brick, its black +paint, and latticed window athwart which the last of the sunlight was +shining, had never looked so charming, set off by this young figure, +with the creamy, slightly frowning face. She remembered with sudden +vividness how nice she herself had looked in those old days when her +heart was set on Philip Bosinney, that dead lover, who had broken from +her to destroy for ever Irene's allegiance to this girl's father. Did +Fleur know of that, too? + +“Well,” she said, “what are you going to do?” + +It was some seconds before Fleur answered. + +“I don't want Jon to suffer. I must see him once more to put an end to +it.” + +“You're going to put an end to it!” + +“What else is there to do?” + +The girl seemed to June, suddenly, intolerably spiritless. + +“I suppose you're right,” she muttered. “I know my father thinks so; +but—I should never have done it myself. I can't take things lying down.” + +How poised and watchful that girl looked; how unemotional her voice +sounded! + +“People will assume that I'm in love.” + +“Well, aren't you?” + +Fleur shrugged her shoulders. 'I might have known it,' thought June; +'she's Soames' daughter—fish! And yet—he!' + +“What do you want me to do then?” she said with a sort of disgust. + +“Could I see Jon here to-morrow on his way down to Holly's? He'd come if +you sent him a line to-night. And perhaps afterward you'd let them know +quietly at Robin Hill that it's all over, and that they needn't tell Jon +about his mother.” + +“All right!” said June abruptly. “I'll write now, and you can post it. +Half-past two tomorrow. I shan't be in, myself.” + +She sat down at the tiny bureau which filled one corner. When she looked +round with the finished note Fleur was still touching the poppies with +her gloved finger. + +June licked a stamp. “Well, here it is. If you're not in love, of +course, there's no more to be said. Jon's lucky.” + +Fleur took the note. “Thanks awfully!” + +'Cold-blooded little baggage!' thought June. Jon, son of her father, to +love, and not to be loved by the daughter of—Soames! It was humiliating! + +“Is that all?” + +Fleur nodded; her frills shook and trembled as she swayed toward the +door. + +“Good-bye!” + +“Good-bye!... Little piece of fashion!” muttered June, closing the +door. “That family!” And she marched back toward her studio. Boris +Strumolowski had regained his Christ-like silence and Jimmy Portugal +was damning everybody, except the group in whose behalf he ran the +Neo-Artist. Among the condemned were Eric Cobbley, and several other +“lame-duck” genii who at one time or another had held first place in +the repertoire of June's aid and adoration. She experienced a sense of +futility and disgust, and went to the window to let the river-wind blow +those squeaky words away. + +But when at length Jimmy Portugal had finished, and gone with Hannah +Hobdey, she sat down and mothered young Strumolowski for half an hour, +promising him a month, at least, of the American stream; so that he went +away with his halo in perfect order. 'In spite of all,' June thought, +'Boris is wonderful.' + + + + + +VIII.—THE BIT BETWEEN THE TEETH + +To know that your hand is against every one's is—for some natures—to +experience a sense of moral release. Fleur felt no remorse when she left +June's house. Reading condemnatory resentment in her little kinswoman's +blue eyes-she was glad that she had fooled her, despising June because +that elderly idealist had not seen what she was after. + +End it, forsooth! She would soon show them all that she was only just +beginning. And she smiled to herself on the top of the bus which carried +her back to Mayfair. But the smile died, squeezed out by spasms of +anticipation and anxiety. Would she be able to manage Jon? She had taken +the bit between her teeth, but could she make him take it too? She knew +the truth and the real danger of delay—he knew neither; therein lay all +the difference in the world. + +'Suppose I tell him,' she thought; 'wouldn't it really be safer?' This +hideous luck had no right to spoil their love; he must see that! They +could not let it! People always accepted an accomplished fact in time! +From that piece of philosophy—profound enough at her age—she passed to +another consideration less philosophic. If she persuaded Jon to a quick +and secret marriage, and he found out afterward that she had known the +truth. What then? Jon hated subterfuge. Again, then, would it not be +better to tell him? But the memory of his mother's face kept intruding +on that impulse. Fleur was afraid. His mother had power over him; more +power perhaps than she herself. Who could tell? It was too great a risk. +Deep-sunk in these instinctive calculations she was carried on past +Green Street as far as the Ritz Hotel. She got down there, and walked +back on the Green Park side. The storm had washed every tree; they +still dripped. Heavy drops fell on to her frills, and to avoid them she +crossed over under the eyes of the Iseeum Club. Chancing to look up she +saw Monsieur Profond with a tall stout man in the bay window. Turning +into Green Street she heard her name called, and saw “that prowler” +coming up. He took off his hat—a glossy “bowler” such as she +particularly detested. + +“Good evenin'. Miss Forsyde. Isn't there a small thing I can do for +you?” + +“Yes, pass by on the other side.” + +“I say! Why do you dislike me?” + +“Do I?” + +“It looks like it.” + +“Well, then, because you make me feel life isn't worth living.” + +Monsieur Profond smiled. + +“Look here, Miss Forsyde, don't worry. It'll be all right. Nothing +lasts.” + +“Things do last,” cried Fleur; “with me anyhow—especially likes and +dislikes.” + +“Well, that makes me a bit un'appy.” + +“I should have thought nothing could ever make you happy or unhappy.” + +“I don't like to annoy other people. I'm goin' on my yacht.” + +Fleur looked at him, startled. + +“Where?” + +“Small voyage to the South Seas or somewhere,” said Monsieur Profond. + +Fleur suffered relief and a sense of insult. Clearly he meant to convey +that he was breaking with her mother. How dared he have anything to +break, and yet how dared he break it? + +“Good-night, Miss Forsyde! Remember me to Mrs. Dartie. I'm not so bad +really. Good-night!” Fleur left him standing there with his hat raised. +Stealing a look round, she saw him stroll—immaculate and heavy—back +toward his Club. + +'He can't even love with conviction,' she thought. 'What will Mother +do?' + +Her dreams that night were endless and uneasy; she rose heavy and +unrested, and went at once to the study of Whitaker's Almanac. A Forsyte +is instinctively aware that facts are the real crux of any situation. +She might conquer Jon's prejudice, but without exact machinery to +complete their desperate resolve, nothing would happen. From the +invaluable tome she learned that they must each be twenty-one; or some +one's consent would be necessary, which of course was unobtainable; +then she became lost in directions concerning licenses, certificates, +notices, districts, coming finally to the word “perjury.” But that was +nonsense! Who would really mind their giving wrong ages in order to +be married for love! She ate hardly any breakfast, and went back to +Whitaker. The more she studied the less sure she became; till, idly +turning the pages, she came to Scotland. People could be married +there without any of this nonsense. She had only to go and stay there +twenty-one days, then Jon could come, and in front of two people they +could declare themselves married. And what was more—they would be! It +was far the best way; and at once she ran over her schoolfellows. There +was Mary Lambe who lived in Edinburgh and was “quite a sport!” + +She had a brother too. She could stay with Mary Lambe, who with her +brother would serve for witnesses. She well knew that some girls would +think all this unnecessary, and that all she and Jon need do was to +go away together for a weekend and then say to their people: “We are +married by Nature, we must now be married by Law.” But Fleur was Forsyte +enough to feel such a proceeding dubious, and to dread her father's face +when he heard of it. Besides, she did not believe that Jon would do it; +he had an opinion of her such as she could not bear to diminish. No! +Mary Lambe was preferable, and it was just the time of year to go to +Scotland. More at ease now she packed, avoided her aunt, and took a bus +to Chiswick. She was too early, and went on to Kew Gardens. She found no +peace among its flower-beds, labelled trees, and broad green spaces, +and having lunched off anchovy-paste sandwiches and coffee, returned to +Chiswick and rang June's bell. The Austrian admitted her to the “little +meal-room.” Now that she knew what she and Jon were up against, her +longing for him had increased tenfold, as if he were a toy with sharp +edges or dangerous paint such as they had tried to take from her as a +child. If she could not have her way, and get Jon for good and all, she +felt like dying of privation. By hook or crook she must and would get +him! A round dim mirror of very old glass hung over the pink brick +hearth. She stood looking at herself reflected in it, pale, and rather +dark under the eyes; little shudders kept passing through her nerves. +Then she heard the bell ring, and, stealing to the window, saw him +standing on the doorstep smoothing his hair and lips, as if he too were +trying to subdue the fluttering of his nerves. + +She was sitting on one of the two rush-seated chairs, with her back to +the door, when he came in, and she said at once— + +“Sit down, Jon, I want to talk seriously.” + +Jon sat on the table by her side, and without looking at him she went +on: + +“If you don't want to lose me, we must get married.” + +Jon gasped. + +“Why? Is there anything new?” + +“No, but I felt it at Robin Hill, and among my people.” + +“But—” stammered Jon, “at Robin Hill—it was all smooth—and they've said +nothing to me.” + +“But they mean to stop us. Your mother's face was enough. And my +father's.” + +“Have you seen him since?” + +Fleur nodded. What mattered a few supplementary lies? + +“But,” said Jon eagerly, “I can't see how they can feel like that after +all these years.” + +Fleur looked up at him. + +“Perhaps you don't love me enough.” “Not love you enough! Why—!” + +“Then make sure of me.” + +“Without telling them?” + +“Not till after.” + +Jon was silent. How much older he looked than on that day, barely two +months ago, when she first saw him—quite two years older! + +“It would hurt Mother awfully,” he said. + +Fleur drew her hand away. + +“You've got to choose.” + +Jon slid off the table on to his knees. + +“But why not tell them? They can't really stop us, Fleur!” + +“They can! I tell you, they can.” + +“How?” + +“We're utterly dependent—by putting money pressure, and all sorts of +other pressure. I'm not patient, Jon.” + +“But it's deceiving them.” + +Fleur got up. + +“You can't really love me, or you wouldn't hesitate. 'He either fears +his fate too much!'” + +Lifting his hands to her waist, Jon forced her to sit down again. She +hurried on: + +“I've planned it all out. We've only to go to Scotland. When we're +married they'll soon come round. People always come round to facts. +Don't you see, Jon?” + +“But to hurt them so awfully!” + +So he would rather hurt her than those people of his! “All right, then; +let me go!” + +Jon got up and put his back against the door. + +“I expect you're right,” he said slowly; “but I want to think it over.” + +She could see that he was seething with feelings he wanted to express; +but she did not mean to help him. She hated herself at this moment and +almost hated him. Why had she to do all the work to secure their love? +It wasn't fair. And then she saw his eyes, adoring and distressed. + +“Don't look like that! I only don't want to lose you, Jon.” + +“You can't lose me so long as you want me.” + +“Oh, yes, I can.” + +Jon put his hands on her shoulders. + +“Fleur, do you know anything you haven't told me?” + +It was the point-blank question she had dreaded. She looked straight +at him, and answered: “No.” She had burnt her boats; but what did it +matter, if she got him? He would forgive her. And throwing her arms +round his neck, she kissed him on the lips. She was winning! She felt it +in the beating of his heart against her, in the closing of his eyes. “I +want to make sure! I want to make sure!” she whispered. “Promise!” + +Jon did not answer. His face had the stillness of extreme trouble. At +last he said: + +“It's like hitting them. I must think a little, Fleur. I really must.” + +Fleur slipped out of his arms. + +“Oh! Very well!” And suddenly she burst into tears of disappointment, +shame, and overstrain. Followed five minutes of acute misery. Jon's +remorse and tenderness knew no bounds; but he did not promise. Despite +her will to cry, “Very well, then, if you don't love me enough-goodbye!” +she dared not. From birth accustomed to her own way, this check from one +so young, so tender, so devoted, baffled and surprised her. She wanted +to push him away from her, to try what anger and coldness would do, and +again she dared not. The knowledge that she was scheming to rush +him blindfold into the irrevocable weakened everything—weakened the +sincerity of pique, and the sincerity of passion; even her kisses had +not the lure she wished for them. That stormy little meeting ended +inconclusively. + +“Will you some tea, gnadiges Fraulein?” + +Pushing Jon from her, she cried out: + +“No-no, thank you! I'm just going.” + +And before he could prevent her she was gone. + +She went stealthily, mopping her gushed, stained cheeks, frightened, +angry, very miserable. She had stirred Jon up so fearfully, yet nothing +definite was promised or arranged! But the more uncertain and hazardous +the future, the more “the will to have” worked its tentacles into the +flesh of her heart—like some burrowing tick! + +No one was at Green Street. Winifred had gone with Imogen to see a play +which some said was allegorical, and others “very exciting, don't you +know.” It was because of what others said that Winifred and Imogen had +gone. Fleur went on to Paddington. Through the carriage the air from +the brick-kilns of West Drayton and the late hayfields fanned her still +gushed cheeks. Flowers had seemed to be had for the picking; now they +were all thorned and prickled. But the golden flower within the crown of +spikes seemed to her tenacious spirit all the fairer and more desirable. + + + + + +IX.—THE FAT IN THE FIRE + +On reaching home Fleur found an atmosphere so peculiar that it +penetrated even the perplexed aura of her own private life. Her mother +was inaccessibly entrenched in a brown study; her father contemplating +fate in the vinery. Neither of them had a word to throw to a dog. 'Is +it because of me?' thought Fleur. 'Or because of Profond?' To her mother +she said: + +“What's the matter with Father?” + +Her mother answered with a shrug of her shoulders. + +To her father: + +“What's the matter with Mother?” + +Her father answered: + +“Matter? What should be the matter?” and gave her a sharp look. + +“By the way,” murmured Fleur, “Monsieur Profond is going a 'small' +voyage on his yacht, to the South Seas.” + +Soames examined a branch on which no grapes were growing. + +“This vine's a failure,” he said. “I've had young Mont here. He asked me +something about you.” + +“Oh! How do you like him, Father?” + +“He—he's a product—like all these young people.” + +“What were you at his age, dear?” + +Soames smiled grimly. + +“We went to work, and didn't play about—flying and motoring, and making +love.” + +“Didn't you ever make love?” + +She avoided looking at him while she said that, but she saw him well +enough. His pale face had reddened, his eyebrows, where darkness was +still mingled with the grey, had come close together. + +“I had no time or inclination to philander.” + +“Perhaps you had a grand passion.” + +Soames looked at her intently. + +“Yes—if you want to know—and much good it did me.” He moved away, along +by the hot-water pipes. Fleur tiptoed silently after him. + +“Tell me about it, Father!” + +Soames became very still. + +“What should you want to know about such things, at your age?” + +“Is she alive?” + +He nodded. + +“And married?” + +“Yes.” + +“It's Jon Forsyte's mother, isn't it? And she was your wife first.” + +It was said in a flash of intuition. Surely his opposition came from his +anxiety that she should not know of that old wound to his pride. But +she was startled. To see some one so old and calm wince as if struck, to +hear so sharp a note of pain in his voice! + +“Who told you that? If your aunt! I can't bear the affair talked of.” + +“But, darling,” said Fleur, softly, “it's so long ago.” + +“Long ago or not, I....” + +Fleur stood stroking his arm. + +“I've tried to forget,” he said suddenly; “I don't wish to be reminded.” +And then, as if venting some long and secret irritation, he added: “In +these days people don't understand. Grand passion, indeed! No one knows +what it is.” + +“I do,” said Fleur, almost in a whisper. + +Soames, who had turned his back on her, spun round. + +“What are you talking of—a child like you!” + +“Perhaps I've inherited it, Father.” + +“What?” + +“For her son, you see.” + +He was pale as a sheet, and she knew that she was as bad. They stood +staring at each other in the steamy heat, redolent of the mushy scent of +earth, of potted geranium, and of vines coming along fast. + +“This is crazy,” said Soames at last, between dry lips. + +Scarcely moving her own, she murmured: + +“Don't be angry, Father. I can't help it.” + +But she could see he wasn't angry; only scared, deeply scared. + +“I thought that foolishness,” he stammered, “was all forgotten.” + +“Oh, no! It's ten times what it was.” + +Soames kicked at the hot-water pipe. The hapless movement touched her, +who had no fear of her father—none. + +“Dearest!” she said. “What must be, must, you know.” + +“Must!” repeated Soames. “You don't know what you're talking of. Has +that boy been told?” + +The blood rushed into her cheeks. + +“Not yet.” + +He had turned from her again, and, with one shoulder a little raised, +stood staring fixedly at a joint in the pipes. + +“It's most distasteful to me,” he said suddenly; “nothing could be more +so. Son of that fellow! It's—it's—perverse!” + +She had noted, almost unconsciously, that he did not say “son of that +woman,” and again her intuition began working. + +Did the ghost of that grand passion linger in some corner of his heart? + +She slipped her hand under his arm. + +“Jon's father is quite ill and old; I saw him.” + +“You—?” + +“Yes, I went there with Jon; I saw them both.” + +“Well, and what did they say to you?” + +“Nothing. They were very polite.” + +“They would be.” He resumed his contemplation of the pipe-joint, and +then said suddenly: + +“I must think this over—I'll speak to you again to-night.” + +She knew this was final for the moment, and stole away, leaving him +still looking at the pipe-joint. She wandered into the fruit-garden, +among the raspberry and currant bushes, without impetus to pick and eat. +Two months ago—she was light-hearted! Even two days ago—light-hearted, +before Prosper Profond told her. Now she felt tangled in a web-of +passions, vested rights, oppressions and revolts, the ties of love and +hate. At this dark moment of discouragement there seemed, even to her +hold-fast nature, no way out. How deal with it—how sway and bend things +to her will, and get her heart's desire? And, suddenly, round the corner +of the high box hedge, she came plump on her mother, walking swiftly, +with an open letter in her hand. Her bosom was heaving, her eyes +dilated, her cheeks flushed. Instantly Fleur thought: 'The yacht! Poor +Mother!' + +Annette gave her a wide startled look, and said: + +“J'ai la migraine.” + +“I'm awfully sorry, Mother.” + +“Oh, yes! you and your father—sorry!” + +“But, Mother—I am. I know what it feels like.” + +Annette's startled eyes grew wide, till the whites showed above them. + +“Poor innocent!” she said. + +Her mother—so self-possessed, and commonsensical—to look and speak like +this! It was all frightening! Her father, her mother, herself! And only +two months back they had seemed to have everything they wanted in this +world. + +Annette crumpled the letter in her hand. Fleur knew that she must ignore +the sight. + +“Can't I do anything for your head, Mother?” + +Annette shook that head and walked on, swaying her hips. + +'It's cruel,' thought Fleur, 'and I was glad! That man! What do men come +prowling for, disturbing everything! I suppose he's tired of her. What +business has he to be tired of my mother? What business!' And at that +thought, so natural and so peculiar, she uttered a little choked laugh. + +She ought, of course, to be delighted, but what was there to be +delighted at? Her father didn't really care! Her mother did, perhaps? +She entered the orchard, and sat down under a cherry-tree. A breeze +sighed in the higher boughs; the sky seen through their green was very +blue and very white in cloud—those heavy white clouds almost always +present in river landscape. Bees, sheltering out of the wind, hummed +softly, and over the lush grass fell the thick shade from those +fruit-trees planted by her father five-and-twenty, years ago. Birds were +almost silent, the cuckoos had ceased to sing, but wood-pigeons were +cooing. The breath and drone and cooing of high summer were not for long +a sedative to her excited nerves. Crouched over her knees she began to +scheme. Her father must be made to back her up. Why should he mind +so long as she was happy? She had not lived for nearly nineteen years +without knowing that her future was all he really cared about. She had, +then, only to convince him that her future could not be happy without +Jon. He thought it a mad fancy. How foolish the old were, thinking +they could tell what the young felt! Had not he confessed that he—when +young—had loved with a grand passion? He ought to understand! 'He piles +up his money for me,' she thought; 'but what's the use, if I'm not going +to be happy?' Money, and all it bought, did not bring happiness. Love +only brought that. The ox-eyed daisies in this orchard, which gave it +such a moony look sometimes, grew wild and happy, and had their hour. +'They oughtn't to have called me Fleur,' she mused, 'if they didn't mean +me to have my hour, and be happy while it lasts.' Nothing real stood +in the way, like poverty, or disease—sentiment only, a ghost from the +unhappy past! Jon was right. They wouldn't let you live, these old +people! They made mistakes, committed crimes, and wanted their children +to go on paying! The breeze died away; midges began to bite. She got up, +plucked a piece of honeysuckle, and went in. + +It was hot that night. Both she and her mother had put on thin, pale +low frocks. The dinner flowers were pale. Fleur was struck with the pale +look of everything; her father's face, her mother's shoulders; the pale +panelled walls, the pale grey velvety carpet, the lamp-shade, even the +soup was pale. There was not one spot of colour in the room, not even +wine in the pale glasses, for no one drank it. What was not pale +was black—her father's clothes, the butler's clothes, her retriever +stretched out exhausted in the window, the curtains black with a +cream pattern. A moth came in, and that was pale. And silent was that +half-mourning dinner in the heat. + +Her father called her back as she was following her mother out. + +She sat down beside him at the table, and, unpinning the pale +honeysuckle, put it to her nose. + +“I've been thinking,” he said. + +“Yes, dear?” + +“It's extremely painful for me to talk, but there's no help for it. I +don't know if you understand how much you are to me I've never spoken +of it, I didn't think it necessary; but—but you're everything. Your +mother—” he paused, staring at his finger-bowl of Venetian glass. + +“Yes?”' + +“I've only you to look to. I've never had—never wanted anything else, +since you were born.” + +“I know,” Fleur murmured. + +Soames moistened his lips. + +“You may think this a matter I can smooth over and arrange for you. +You're mistaken. I'm helpless.” + +Fleur did not speak. + +“Quite apart from my own feelings,” went on Soames with more resolution, +“those two are not amenable to anything I can say. They—they hate me, as +people always hate those whom they have injured.” “But he—Jon—” + +“He's their flesh and blood, her only child. Probably he means to her +what you mean to me. It's a deadlock.” + +“No,” cried Fleur, “no, Father!” + +Soames leaned back, the image of pale patience, as if resolved on the +betrayal of no emotion. + +“Listen!” he said. “You're putting the feelings of two months—two +months—against the feelings of thirty-five years! What chance do you +think you have? Two months—your very first love affair, a matter of half +a dozen meetings, a few walks and talks, a few kisses—against, against +what you can't imagine, what no one could who hasn't been through it. +Come, be reasonable, Fleur! It's midsummer madness!” + +Fleur tore the honeysuckle into little, slow bits. + +“The madness is in letting the past spoil it all. + +“What do we care about the past? It's our lives, not yours.” + +Soames raised his hand to his forehead, where suddenly she saw moisture +shining. + +“Whose child are you?” he said. “Whose child is he? The present is +linked with the past, the future with both. There's no getting away from +that.” + +She had never heard philosophy pass those lips before. Impressed even +in her agitation, she leaned her elbows on the table, her chin on her +hands. + +“But, Father, consider it practically. We want each other. There's ever +so much money, and nothing whatever in the way but sentiment. Let's bury +the past, Father.” + +His answer was a sigh. + +“Besides,” said Fleur gently, “you can't prevent us.” + +“I don't suppose,” said Soames, “that if left to myself I should try to +prevent you; I must put up with things, I know, to keep your affection. +But it's not I who control this matter. That's what I want you to +realise before it's too late. If you go on thinking you can get your way +and encourage this feeling, the blow will be much heavier when you find +you can't.” + +“Oh!” cried Fleur, “help me, Father; you can help me, you know.” + +Soames made a startled movement of negation. “I?” he said bitterly. +“Help? I am the impediment—the just cause and impediment—isn't that the +jargon? You have my blood in your veins.” + +He rose. + +“Well, the fat's in the fire. If you persist in your wilfulness you'll +have yourself to blame. Come! Don't be foolish, my child—my only child!” + +Fleur laid her forehead against his shoulder. + +All was in such turmoil within her. But no good to show it! No good +at all! She broke away from him, and went out into the twilight, +distraught, but unconvinced. All was indeterminate and vague within her, +like the shapes and shadows in the garden, except—her will to have. A +poplar pierced up into the dark-blue sky and touched a white star there. +The dew wetted her shoes, and chilled her bare shoulders. She went down +to the river bank, and stood gazing at a moonstreak on the darkening +water. Suddenly she smelled tobacco smoke, and a white figure emerged as +if created by the moon. It was young Mont in flannels, standing in +his boat. She heard the tiny hiss of his cigarette extinguished in the +water. + +“Fleur,” came his voice, “don't be hard on a poor devil! I've been +waiting hours.” + +“For what?” + +“Come in my boat!” + +“Not I.” + +“Why not?” + +“I'm not a water-nymph.” + +“Haven't you any romance in you? Don't be modern, Fleur!” + +He appeared on the path within a yard of her. + +“Go away!” + +“Fleur, I love you. Fleur!” + +Fleur uttered a short laugh. + +“Come again,” she said, “when I haven't got my wish.” + +“What is your wish?” + +“Ask another.” + +“Fleur,” said Mont, and his voice sounded strange, “don't mock me! Even +vivisected dogs are worth decent treatment before they're cut up for +good.” + +Fleur shook her head; but her lips were trembling. + +“Well, you shouldn't make me jump. Give me a cigarette.” + +Mont gave her one, lighted it, and another for himself. + +“I don't want to talk rot,” he said, “but please imagine all the rot +that all the lovers that ever were have talked, and all my special rot +thrown in.” + +“Thank you, I have imagined it. Good-night!” They stood for a moment +facing each other in the shadow of an acacia-tree with very moonlit +blossoms, and the smoke from their cigarettes mingled in the air between +them. + +“Also ran: 'Michael Mont'.” he said. Fleur turned abruptly toward the +house. On the lawn she stopped to look back. Michael Mont was whirling +his arms above him; she could see them dashing at his head; then waving +at the moonlit blossoms of the acacia. His voice just reached her. +“Jolly-jolly!” Fleur shook herself. She couldn't help him, she had +too much trouble of her own! On the verandah she stopped very suddenly +again. Her mother was sitting in the drawing-room at her writing bureau, +quite alone. There was nothing remarkable in the expression of her +face except its utter immobility. But she looked desolate! Fleur went +upstairs. At the door of her room she paused. She could hear her father +walking up and down, up and down the picture-gallery. + +'Yes,' she thought, jolly! Oh, Jon!' + + + + + +X.—DECISION + +When Fleur left him Jon stared at the Austrian. She was a thin woman +with a dark face and the concerned expression of one who has watched +every little good that life once had slip from her, one by one. “No +tea?” she said. + +Susceptible to the disappointment in her voice, Jon murmured: + +“No, really; thanks.” + +“A lil cup—it ready. A lil cup and cigarette.” + +Fleur was gone! Hours of remorse and indecision lay before him! And with +a heavy sense of disproportion he smiled, and said: + +“Well—thank you!” + +She brought in a little pot of tea with two little cups, and a silver +box of cigarettes on a little tray. + +“Sugar? Miss Forsyte has much sugar—she buy my sugar, my friend's sugar +also. Miss Forsyte is a veree kind lady. I am happy to serve her. You +her brother?” + +“Yes,” said Jon, beginning to puff the second cigarette of his life. + +“Very young brother,” said the Austrian, with a little anxious smile, +which reminded him of the wag of a dog's tail. + +“May I give you some?” he said. “And won't you sit down, please?” + +The Austrian shook her head. + +“Your father a very nice old man—the most nice old man I ever see. Miss +Forsyte tell me all about him. Is he better?” + +Her words fell on Jon like a reproach. “Oh Yes, I think he's all right.” + +“I like to see him again,” said the Austrian, putting a hand on her +heart; “he have veree kind heart.” + +“Yes,” said Jon. And again her words seemed to him a reproach. + +“He never give no trouble to no one, and smile so gentle.” + +“Yes, doesn't he?” + +“He look at Miss Forsyte so funny sometimes. I tell him all my story; he +so sympatisch. Your mother—she nice and well?” + +“Yes, very.” + +“He have her photograph on his dressing-table. Veree beautiful” + +Jon gulped down his tea. This woman, with her concerned face and her +reminding words, was like the first and second murderers. + +“Thank you,” he said; “I must go now. May—may I leave this with you?” + +He put a ten-shilling note on the tray with a doubting hand and gained +the door. He heard the Austrian gasp, and hurried out. He had just time +to catch his train, and all the way to Victoria looked at every face +that passed, as lovers will, hoping against hope. On reaching Worthing +he put his luggage into the local train, and set out across the Downs +for Wansdon, trying to walk off his aching irresolution. So long as he +went full bat, he could enjoy the beauty of those green slopes, stopping +now and again to sprawl on the grass, admire the perfection of a wild +rose or listen to a lark's song. But the war of motives within him was +but postponed—the longing for Fleur, and the hatred of deception. He +came to the old chalk-pit above Wansdon with his mind no more made up +than when he started. To see both sides of a question vigorously was +at once Jon's strength and weakness. He tramped in, just as the first +dinner-bell rang. His things had already been brought up. He had a +hurried bath and came down to find Holly alone—Val had gone to Town and +would not be back till the last train. + +Since Val's advice to him to ask his sister what was the matter between +the two families, so much had happened—Fleur's disclosure in the Green +Park, her visit to Robin Hill, to-day's meeting—that there seemed +nothing to ask. He talked of Spain, his sunstroke, Val's horses, their +father's health. Holly startled him by saying that she thought their +father not at all well. She had been twice to Robin Hill for the +week-end. He had seemed fearfully languid, sometimes even in pain, but +had always refused to talk about himself. + +“He's awfully dear and unselfish—don't you think, Jon?” + +Feeling far from dear and unselfish himself, Jon answered: “Rather!” + +“I think, he's been a simply perfect father, so long as I can remember.” + +“Yes,” answered Jon, very subdued. + +“He's never interfered, and he's always seemed to understand. I shall +never forget his letting me go to South Africa in the Boer War when I +was in love with Val.” + +“That was before he married Mother, wasn't it?” said Jon suddenly. + +“Yes. Why?” + +“Oh! nothing. Only, wasn't she engaged to Fleur's father first?” + +Holly put down the spoon she was using, and raised her eyes. Her stare +was circumspect. What did the boy know? Enough to make it better to tell +him? She could not decide. He looked strained and worried, altogether +older, but that might be the sunstroke. + +“There was something,” she said. “Of course we were out there, and got +no news of anything.” She could not take the risk. + +It was not her secret. Besides, she was in the dark about his feelings +now. Before Spain she had made sure he was in love; but boys were boys; +that was seven weeks ago, and all Spain between. + +She saw that he knew she was putting him off, and added: + +“Have you heard anything of Fleur?” + +“Yes.” + +His face told her, then, more than the most elaborate explanations. So +he had not forgotten! + +She said very quietly: “Fleur is awfully attractive, Jon, but you +know—Val and I don't really like her very much.” + +“Why?” + +“We think she's got rather a 'having' nature.” + +“'Having'. I don't know what you mean. She—she—” he pushed his dessert +plate away, got up, and went to the window. + +Holly, too, got up, and put her arm round his waist. + +“Don't be angry, Jon dear. We can't all see people in the same light, +can we? You know, I believe each of us only has about one or two people +who can see the best that's in us, and bring it out. For you I think +it's your mother. I once saw her looking at a letter of yours; it was +wonderful to see her face. I think she's the most beautiful woman I ever +saw—Age doesn't seem to touch her.” + +Jon's face softened; then again became tense. Everybody—everybody was +against him and Fleur! It all strengthened the appeal of her words: +“Make sure of me—marry me, Jon!” + +Here, where he had passed that wonderful week with her—the tug of her +enchantment, the ache in his heart increased with every minute that she +was not there to make the room, the garden, the very air magical. Would +he ever be able to live down here, not seeing her? And he closed up +utterly, going early to bed. It would not make him healthy, wealthy, and +wise, but it closeted him with memory of Fleur in her fancy frock. He +heard Val's arrival—the Ford discharging cargo, then the stillness +of the summer night stole back—with only the bleating of very distant +sheep, and a night-Jar's harsh purring. He leaned far out. Cold +moon—warm air—the Downs like silver! Small wings, a stream bubbling, the +rambler roses! God—how empty all of it without her! In the Bible it was +written: Thou shalt leave father and mother and cleave to—Fleur! + +Let him have pluck, and go and tell them! They couldn't stop him +marrying her—they wouldn't want to stop him when they knew how he felt. +Yes! He would go! Bold and open—Fleur was wrong! + +The night-jar ceased, the sheep were silent; the only sound in the +darkness was the bubbling of the stream. And Jon in his bed slept, freed +from the worst of life's evils—indecision. + + + + + +XI.—TIMOTHY PROPHESIES + +On the day of the cancelled meeting at the National Gallery began the +second anniversary of the resurrection of England's pride and glory—or, +more shortly, the top hat. “Lord's”—that festival which the War had +driven from the field—raised its light and dark blue flags for the +second time, displaying almost every feature of a glorious past. Here, +in the luncheon interval, were all species of female and one species +of male hat, protecting the multiple types of face associated with +“the classes.” The observing Forsyte might discern in the free or +unconsidered seats a certain number of the squash-hatted, but they +hardly ventured on the grass; the old school—or schools—could +still rejoice that the proletariat was not yet paying the necessary +half-crown. Here was still a close borough, the only one left on a +large scale—for the papers were about to estimate the attendance at ten +thousand. And the ten thousand, all animated by one hope, were asking +each other one question: “Where are you lunching?” Something wonderfully +uplifting and reassuring in that query and the sight of so many +people like themselves voicing it! What reserve power in the British +realm—enough pigeons, lobsters, lamb, salmon mayonnaise, strawberries, +and bottles of champagne to feed the lot! No miracle in prospect—no case +of seven loaves and a few fishes—faith rested on surer foundations. Six +thousand top hats, four thousand parasols would be doffed and furled, +ten thousand mouths all speaking the same English would be filled. There +was life in the old dog yet! Tradition! And again Tradition! How strong +and how elastic! Wars might rage, taxation prey, Trades Unions take +toll, and Europe perish of starvation; but the ten thousand would be +fed; and, within their ring fence, stroll upon green turf, wear their +top hats, and meet—themselves. The heart was sound, the pulse still +regular. E-ton! E-ton! Har-r-o-o-o-w! + +Among the many Forsytes, present on a hunting-ground theirs, by personal +prescriptive right, or proxy, was Soames with his wife and daughter. He +had not been at either school, he took no interest in cricket, but he +wanted Fleur to show her frock, and he wanted to wear his top hat parade +it again in peace and plenty among his peers. He walked sedately with +Fleur between him and Annette. No women equalled them, so far as he +could see. They could walk, and hold themselves up; there was substance +in their good looks; the modern woman had no build, no chest, no +anything! He remembered suddenly with what intoxication of pride he had +walked round with Irene in the first years of his first marriage. And +how they used to lunch on the drag which his mother would make his +father have, because it was so “chic”—all drags and carriages in those +days, not these lumbering great Stands! And how consistently Montague +Dartie had drunk too much. He supposed that people drank too much still, +but there was not the scope for it there used to be. He remembered +George Forsyte—whose brothers Roger and Eustace had been at Harrow and +Eton—towering up on the top of the drag waving a light-blue flag +with one hand and a dark-blue flag with the other, and shouting +“Etroow-Harrton!” Just when everybody was silent, like the buffoon he +had always been; and Eustace got up to the nines below, too dandified +to wear any colour or take any notice. H'm! Old days, and Irene in +grey silk shot with palest green. He looked, sideways, at Fleur's face. +Rather colourless-no light, no eagerness! That love affair was preying +on her—a bad business! He looked beyond, at his wife's face, rather more +touched up than usual, a little disdainful—not that she had any business +to disdain, so far as he could see. She was taking Profond's defection +with curious quietude; or was his “small” voyage just a blind? If so, he +should refuse to see it! Having promenaded round the pitch and in front +of the pavilion, they sought Winifred's table in the Bedouin Club tent. +This Club—a new “cock and hen”—had been founded in the interests of +travel, and of a gentleman with an old Scottish name, whose father had +somewhat strangely been called Levi. Winifred had joined, not because +she had travelled, but because instinct told her that a Club with such a +name and such a founder was bound to go far; if one didn't join at once +one might never have the chance. Its tent, with a text from the Koran on +an orange ground, and a small green camel embroidered over the entrance, +was the most striking on the ground. Outside it they found Jack Cardigan +in a dark blue tie (he had once played for Harrow), batting with a +Malacca cane to show how that fellow ought to have hit that ball. He +piloted them in. Assembled in Winifred's corner were Imogen, Benedict +with his young wife, Val Dartie without Holly, Maud and her husband, +and, after Soames and his two were seated, one empty place. + +“I'm expecting Prosper,” said Winifred, “but he's so busy with his +yacht.” + +Soames stole a glance. No movement in his wife's face! Whether that +fellow were coming or not, she evidently knew all about it. It did not +escape him that Fleur, too, looked at her mother. If Annette didn't +respect his feelings, she might think of Fleur's! The conversation, very +desultory, was syncopated by Jack Cardigan talking about “mid-off.” He +cited all the “great mid-offs” from the beginning of time, as if they +had been a definite racial entity in the composition of the British +people. Soames had finished his lobster, and was beginning on +pigeon-pie, when he heard the words, “I'm a small bit late, Mrs. +Dartie,” and saw that there was no longer any empty place. That fellow +was sitting between Annette and Imogen. Soames ate steadily on, with an +occasional word to Maud and Winifred. Conversation buzzed around him. He +heard the voice of Profond say: + +“I think you're mistaken, Mrs. Forsyde; I'll—I'll bet Miss Forsyde +agrees with me.” + +“In what?” came Fleur's clear voice across the table. + +“I was sayin', young gurls are much the same as they always were—there's +very small difference.” + +“Do you know so much about them?” + +That sharp reply caught the ears of all, and Soames moved uneasily on +his thin green chair. + +“Well, I don't know, I think they want their own small way, and I think +they always did.” + +“Indeed!” + +“Oh, but—Prosper,” Winifred interjected comfortably, “the girls in the +streets—the girls who've been in munitions, the little flappers in the +shops; their manners now really quite hit you in the eye.” + +At the word “hit” Jack Cardigan stopped his disquisition; and in the +silence Monsieur Profond said: + +“It was inside before, now it's outside; that's all.” + +“But their morals!” cried Imogen. + +“Just as moral as they ever were, Mrs. Cardigan, but they've got more +opportunity.” + +The saying, so cryptically cynical, received a little laugh from Imogen, +a slight opening of Jack Cardigan's mouth, and a creak from Soames' +chair. + +Winifred said: “That's too bad, Prosper.” + +“What do you say, Mrs. Forsyde; don't you think human nature's always +the same?” + +Soames subdued a sudden longing to get up and kick the fellow. He heard +his wife reply: + +“Human nature is not the same in England as anywhere else.” That was her +confounded mockery! + +“Well, I don't know much about this small country”—'No, thank God!' +thought Soames—“but I should say the pot was boilin' under the lid +everywhere. We all want pleasure, and we always did.” + +Damn the fellow! His cynicism was—was outrageous! + +When lunch was over they broke up into couples for the digestive +promenade. Too proud to notice, Soames knew perfectly that Annette and +that fellow had gone prowling round together. Fleur was with Val; she +had chosen him, no doubt, because he knew that boy. He himself had +Winifred for partner. They walked in the bright, circling stream, a +little flushed and sated, for some minutes, till Winifred sighed: + +“I wish we were back forty years, old boy!” + +Before the eyes of her spirit an interminable procession of her own +“Lord's” frocks was passing, paid for with the money of her father, to +save a recurrent crisis. “It's been very amusing, after all. Sometimes I +even wish Monty was back. What do you think of people nowadays, Soames?” + +“Precious little style. The thing began to go to pieces with bicycles +and motor-cars; the War has finished it.” + +“I wonder what's coming?” said Winifred in a voice dreamy from +pigeon-pie. “I'm not at all sure we shan't go back to crinolines and +pegtops. Look at that dress!” + +Soames shook his head. + +“There's money, but no faith in things. We don't lay by for the future. +These youngsters—it's all a short life and a merry one with them.” + +“There's a hat!” said Winifred. “I don't know—when you come to think +of the people killed and all that in the War, it's rather wonderful, I +think. There's no other country—Prosper says the rest are all bankrupt, +except America; and of course her men always took their style in dress +from us.” + +“Is that chap,” said Soames, “really going to the South Seas?” + +“Oh! one never knows where Prosper's going!” + +“He's a sign of the times,” muttered Soames, “if you like.” + +Winifred's hand gripped his arm. + +“Don't turn your head,” she said in a low voice, “but look to your right +in the front row of the Stand.” + +Soames looked as best he could under that limitation. A man in a grey +top hat, grey-bearded, with thin brown, folded cheeks, and a certain +elegance of posture, sat there with a woman in a lawn-coloured frock, +whose dark eyes were fixed on himself. Soames looked quickly at his +feet. How funnily feet moved, one after the other like that! Winifred's +voice said in his ear: + +“Jolyon looks very ill; but he always had style. She doesn't +change—except her hair.” + +“Why did you tell Fleur about that business?” + +“I didn't; she picked it up. I always knew she would.” + +“Well, it's a mess. She's set her heart upon their boy.” + +“The little wretch,” murmured Winifred. “She tried to take me in about +that. What shall you do, Soames?” + +“Be guided by events.” + +They moved on, silent, in the almost solid crowd. + +“Really,” said Winifred suddenly; “it almost seems like Fate. Only +that's so old-fashioned. Look! there are George and Eustace!” + +George Forsyte's lofty bulk had halted before them. + +“Hallo, Soames!” he said. “Just met Profond and your wife. You'll catch +'em if you put on pace. Did you ever go to see old Timothy?” + +Soames nodded, and the streams forced them apart. + +“I always liked old George,” said Winifred. “He's so droll.” + +“I never did,” said Soames. “Where's your seat? I shall go to mine. +Fleur may be back there.” + +Having seen Winifred to her seat, he regained his own, conscious of +small, white, distant figures running, the click of the bat, the cheers +and counter-cheers. No Fleur, and no Annette! You could expect nothing +of women nowadays! They had the vote. They were “emancipated,” and much +good it was doing them! So Winifred would go back, would she, and put +up with Dartie all over again? To have the past once more—to be sitting +here as he had sat in '83 and '84, before he was certain that his +marriage with Irene had gone all wrong, before her antagonism had become +so glaring that with the best will in the world he could not overlook +it. The sight of her with that fellow had brought all memory back. Even +now he could not understand why she had been so impracticable. She could +love other men; she had it in her! To himself, the one person she ought +to have loved, she had chosen to refuse her heart. It seemed to him, +fantastically, as he looked back, that all this modern relaxation of +marriage—though its forms and laws were the same as when he married +her—that all this modern looseness had come out of her revolt; it +seemed to him, fantastically, that she had started it, till all decent +ownership of anything had gone, or was on the point of going. All came +from her! And now—a pretty state of things! Homes! How could you have +them without mutual ownership? Not that he had ever had a real home! +But had that been his fault? He had done his best. And his rewards +were—those two sitting in that Stand, and this affair of Fleur's! + +And overcome by loneliness he thought: 'Shan't wait any longer! They +must find their own way back to the hotel—if they mean to come!' Hailing +a cab outside the ground, he said: + +“Drive me to the Bayswater Road.” His old aunts had never failed him. To +them he had meant an ever-welcome visitor. Though they were gone, there, +still, was Timothy! + +Smither was standing in the open doorway. + +“Mr. Soames! I was just taking the air. Cook will be so pleased.” + +“How is Mr. Timothy?” + +“Not himself at all these last few days, sir; he's been talking a great +deal. Only this morning he was saying: 'My brother James, he's getting +old.' His mind wanders, Mr. Soames, and then he will talk of them. He +troubles about their investments. The other day he said: 'There's my +brother Jolyon won't look at Consols'—he seemed quite down about it. +Come in, Mr. Soames, come in! It's such a pleasant change!” + +“Well,” said Soames, “just for a few minutes.” + +“No,” murmured Smither in the hall, where the air had the singular +freshness of the outside day, “we haven't been very satisfied with him, +not all this week. He's always been one to leave a titbit to the end; +but ever since Monday he's been eating it first. If you notice a dog, +Mr. Soames, at its dinner, it eats the meat first. We've always thought +it such a good sign of Mr. Timothy at his age to leave it to the last, +but now he seems to have lost all his self-control; and, of course, +it makes him leave the rest. The doctor doesn't make anything of it, +but”—Smither shook her head—“he seems to think he's got to eat it first, +in case he shouldn't get to it. That and his talking makes us anxious.” + +“Has he said anything important?” + +“I shouldn't like to say that, Mr. Soames; but he's turned against his +Will. He gets quite pettish—and after having had it out every morning +for years, it does seem funny. He said the other day: 'They want my +money.' It gave me such a turn, because, as I said to him, nobody wants +his money, I'm sure. And it does seem a pity he should be thinking about +money at his time of life. I took my courage in my 'ands. 'You know, Mr. +Timothy,' I said, 'my dear mistress'—that's Miss Forsyte, Mr. Soames, +Miss Ann that trained me—'she never thought about money,' I said, 'it +was all character with her.' He looked at me, I can't tell you how +funny, and he said quite dry: 'Nobody wants my character.' Think of his +saying a thing like that! But sometimes he'll say something as sharp and +sensible as anything.” + +Soames, who had been staring at an old print by the hat-rack, thinking, +'That's got value!' murmured: “I'll go up and see him, Smither.” + +“Cook's with him,” answered Smither above her corsets; “she will be +pleased to see you.” + +He mounted slowly, with the thought: 'Shan't care to live to be that +age.' + +On the second floor, he paused, and tapped. The door was opened, and he +saw the round homely face of a woman about sixty. + +“Mr. Soames!” she said: “Why! Mr. Soames!” + +Soames nodded. “All right, Cook!” and entered. + +Timothy was propped up in bed, with his hands joined before his chest, +and his eyes fixed on the ceiling, where a fly was standing upside down. +Soames stood at the foot of the bed, facing him. + +“Uncle Timothy,” he said, raising his voice. “Uncle Timothy!” + +Timothy's eyes left the fly, and levelled themselves on his visitor. +Soames could see his pale tongue passing over his darkish lips. + +“Uncle Timothy,” he said again, “is there anything I can do for you? Is +there anything you'd like to say?” + +“Ha!” said Timothy. + +“I've come to look you up and see that everything's all right.” + +Timothy nodded. He seemed trying to get used to the apparition before +him. + +“Have you got everything you want?” + +“No,” said Timothy. + +“Can I get you anything?” + +“No,” said Timothy. + +“I'm Soames, you know; your nephew, Soames Forsyte. Your brother James' +son.” + +Timothy nodded. + +“I shall be delighted to do anything I can for you.” + +Timothy beckoned. Soames went close to him: + +“You—” said Timothy in a voice which seemed to have outlived tone, +“you tell them all from me—you tell them all—” and his finger tapped on +Soames' arm, “to hold on—hold on—Consols are goin' up,” and he nodded +thrice. + +“All right!” said Soames; “I will.” + +“Yes,” said Timothy, and, fixing his eyes again on the ceiling, he +added: “That fly!” + +Strangely moved, Soames looked at the Cook's pleasant fattish face, all +little puckers from staring at fires. + +“That'll do him a world of good, sir,” she said. + +A mutter came from Timothy, but he was clearly speaking to himself, and +Soames went out with the cook. + +“I wish I could make you a pink cream, Mr. Soames, like in old days; you +did so relish them. Good-bye, sir; it has been a pleasure.” + +“Take care of him, Cook, he is old.” + +And, shaking her crumpled hand, he went down-stairs. Smither was still +taking the air in the doorway. + +“What do you think of him, Mr. Soames?” + +“H'm!” Soames murmured: “He's lost touch.” + +“Yes,” said Smither, “I was afraid you'd think that coming fresh out of +the world to see him like.” + +“Smither,” said Soames, “we're all indebted to you.” + +“Oh, no, Mr. Soames, don't say that! It's a pleasure—he's such a +wonderful man.” + +“Well, good-bye!” said Soames, and got into his taxi. + +'Going up!' he thought; 'going up!' + +Reaching the hotel at Knightsbridge he went to their sitting-room, +and rang for tea. Neither of them were in. And again that sense of +loneliness came over him. These hotels. What monstrous great places they +were now! He could remember when there was nothing bigger than Long's or +Brown's, Morley's or the Tavistock, and the heads that were shaken over +the Langham and the Grand. Hotels and Clubs—Clubs and Hotels; no end to +them now! And Soames, who had just been watching at Lord's a miracle +of tradition and continuity, fell into reverie over the changes in +that London where he had been born five-and-sixty years before. Whether +Consols were going up or not, London had become a terrific property. No +such property in the world, unless it were New York! There was a lot of +hysteria in the papers nowadays; but any one who, like himself, could +remember London sixty years ago, and see it now, realised the fecundity +and elasticity of wealth. They had only to keep their heads, and go at +it steadily. Why! he remembered cobblestones, and stinking straw on the +floor of your cab. And old Timothy—what could he not have told them, if +he had kept his memory! Things were unsettled, people in a funk or in +a hurry, but here were London and the Thames, and out there the British +Empire, and the ends of the earth. “Consols are goin' up!” He should +n't be a bit surprised. It was the breed that counted. And all that was +bull-dogged in Soames stared for a moment out of his grey eyes, till +diverted by the print of a Victorian picture on the walls. The hotel +had bought three dozen of that little lot! The old hunting or “Rake's +Progress” prints in the old inns were worth looking at—but this +sentimental stuff—well, Victorianism had gone! “Tell them to hold on!” +old Timothy had said. But to what were they to hold on in this modern +welter of the “democratic principle”? Why, even privacy was threatened! +And at the thought that privacy might perish, Soames pushed back his +teacup and went to the window. Fancy owning no more of Nature than the +crowd out there owned of the flowers and trees and waters of Hyde Park! +No, no! Private possession underlay everything worth having. The world +had slipped its sanity a bit, as dogs now and again at full moon slipped +theirs and went off for a night's rabbiting; but the world, like the +dog, knew where its bread was buttered and its bed warm, and would come +back sure enough to the only home worth having—to private ownership. +The world was in its second childhood for the moment, like old +Timothy—eating its titbit first! + +He heard a sound behind him, and saw that his wife and daughter had come +in. + +“So you're back!” he said. + +Fleur did not answer; she stood for a moment looking at him and her +mother, then passed into her bedroom. Annette poured herself out a cup +of tea. + +“I am going to Paris, to my mother, Soames.” + +“Oh! To your mother?” + +“Yes.” + +“For how long?” + +“I do not know.” + +“And when are you going?” + +“On Monday.” + +Was she really going to her mother? Odd, how indifferent he felt! Odd, +how clearly she had perceived the indifference he would feel so long +as there was no scandal. And suddenly between her and himself he saw +distinctly the face he had seen that afternoon—Irene's. + +“Will you want money?” + +“Thank you; I have enough.” + +“Very well. Let us know when you are coming back.” + +Annette put down the cake she was fingering, and, looking up through +darkened lashes, said: + +“Shall I give Maman any message?” + +“My regards.” + +Annette stretched herself, her hands on her waist, and said in French: + +“What luck that you have never loved me, Soames!” Then rising, she too +left the room. Soames was glad she had spoken it in French—it seemed +to require no dealing with. Again that other face—pale, dark-eyed, +beautiful still! And there stirred far down within him the ghost of +warmth, as from sparks lingering beneath a mound of flaky ash. And Fleur +infatuated with her boy! Queer chance! Yet, was there such a thing as +chance? A man went down a street, a brick fell on his head. Ah! that was +chance, no doubt. But this! “Inherited,” his girl had said. She—she was +“holding on”! + + + + + +PART III + + + + + +I.—OLD JOLYON WALKS + +Twofold impulse had made Jolyon say to his wife at breakfast “Let's go +up to Lord's!” + +“Wanted”—something to abate the anxiety in which those two had lived +during the sixty hours since Jon had brought Fleur down. “Wanted”—too, +that which might assuage the pangs of memory in one who knew he might +lose them any day! + +Fifty-eight years ago Jolyon had become an Eton boy, for old Jolyon's +whim had been that he should be canonised at the greatest possible +expense. Year after year he had gone to Lord's from Stanhope Gate with +a father whose youth in the eighteen-twenties had been passed without +polish in the game of cricket. Old Jolyon would speak quite openly of +swipes, full tosses, half and three-quarter balls; and young Jolyon with +the guileless snobbery of youth had trembled lest his sire should be +overheard. Only in this supreme matter of cricket he had been nervous, +for his father—in Crimean whiskers then—had ever impressed him as +the beau ideal. Though never canonised himself, Old Jolyon's natural +fastidiousness and balance had saved him from the errors of the vulgar. +How delicious, after bowling in a top hat and a sweltering heat, to go +home with his father in a hansom cab, bathe, dress, and forth to the +“Disunion” Club, to dine off white bait, cutlets, and a tart, and go—two +“swells,” old and young, in lavender kid gloves—to the opera or play. +And on Sunday, when the match was over, and his top hat duly broken, +down with his father in a special hansom to the “Crown and Sceptre,” +and the terrace above the river—the golden sixties when the world was +simple, dandies glamorous, Democracy not born, and the books of Whyte +Melville coming thick and fast. + +A generation later, with his own boy, Jolly, Harrow-buttonholed with +corn-flowers—by old Jolyon's whim his grandson had been canonised at +a trifle less expense—again Jolyon had experienced the heat and +counter-passions of the day, and come back to the cool and the +strawberry beds of Robin Hill, and billiards after dinner, his boy +making the most heart-breaking flukes and trying to seem languid +and grown-up. Those two days each year he and his son had been alone +together in the world, one on each side—and Democracy just born! + +And so, he had unearthed a grey top hat, borrowed a tiny bit of +light-blue ribbon from Irene, and gingerly, keeping cool, by car and +train and taxi, had reached Lord's Ground. There, beside her in a +lawn-coloured frock with narrow black edges, he had watched the game, +and felt the old thrill stir within him. + +When Soames passed, the day was spoiled. Irene's face was distorted by +compression of the lips. No good to go on sitting here with Soames or +perhaps his daughter recurring in front of them, like decimals. And he +said: + +“Well, dear, if you've had enough—let's go!” + +That evening Jolyon felt exhausted. Not wanting her to see him thus, he +waited till she had begun to play, and stole off to the little study. He +opened the long window for air, and the door, that he might still hear +her music drifting in; and, settled in his father's old armchair, +closed his eyes, with his head against the worn brown leather. Like +that passage of the Cesar Franck Sonata—so had been his life with her, a +divine third movement. And now this business of Jon's—this bad business! +Drifted to the edge of consciousness, he hardly knew if it were in sleep +that he smelled the scent of a cigar, and seemed to see his father +in the blackness before his closed eyes. That shape formed, went, and +formed again; as if in the very chair where he himself was sitting, +he saw his father, black-coated, with knees crossed, glasses balanced +between thumb and finger; saw the big white moustaches, and the deep +eyes looking up below a dome of forehead and seeming to search his own, +seeming to speak. “Are you facing it, Jo? It's for you to decide. She's +only a woman!” Ah! how well he knew his father in that phrase; how +all the Victorian Age came up with it! And his answer “No, I've funked +it—funked hurting her and Jon and myself. I've got a heart; I've funked +it.” But the old eyes, so much older, so much younger than his own, kept +at it; “It's your wife, your son; your past. Tackle it, my boy!” Was it +a message from walking spirit; or but the instinct of his sire living +on within him? And again came that scent of cigar smoke-from the old +saturated leather. Well! he would tackle it, write to Jon, and put +the whole thing down in black and white! And suddenly he breathed with +difficulty, with a sense of suffocation, as if his heart were swollen. +He got up and went out into the air. The stars were very bright. He +passed along the terrace round the corner of the house, till, through +the window of the music-room, he could see Irene at the piano, with +lamp-light falling on her powdery hair; withdrawn into herself she +seemed, her dark eyes staring straight before her, her hands idle. +Jolyon saw her raise those hands and clasp them over her breast. +'It's Jon, with her,' he thought; 'all Jon! I'm dying out of her—it's +natural!' + +And, careful not to be seen, he stole back. + +Next day, after a bad night, he sat down to his task. He wrote with +difficulty and many erasures. + +“MY DEAREST BOY, + +“You are old enough to understand how very difficult it is for elders +to give themselves away to their young. Especially when—like your +mother and myself, though I shall never think of her as anything but +young—their hearts are altogether set on him to whom they must confess. +I cannot say we are conscious of having sinned exactly—people in real +life very seldom are, I believe—but most persons would say we had, and +at all events our conduct, righteous or not, has found us out. The truth +is, my dear, we both have pasts, which it is now my task to make known +to you, because they so grievously and deeply affect your future. Many, +very many years ago, as far back indeed as 1883, when she was only +twenty, your mother had the great and lasting misfortune to make an +unhappy marriage—no, not with me, Jon. Without money of her own, and +with only a stepmother—closely related to Jezebel—she was very unhappy +in her home life. It was Fleur's father that she married, my cousin +Soames Forsyte. He had pursued her very tenaciously and to do him +justice was deeply in love with her. Within a week she knew the +fearful mistake she had made. It was not his fault; it was her error of +judgment—her misfortune.” + +So far Jolyon had kept some semblance of irony, but now his subject +carried him away. + +“Jon, I want to explain to you if I can—and it's very hard—how it is +that an unhappy marriage such as this can so easily come about. You will +of course say: 'If she didn't really love him how could she ever have +married him?' You would be right if it were not for one or two rather +terrible considerations. From this initial mistake of hers all the +subsequent trouble, sorrow, and tragedy have come, and so I must make +it clear to you if I can. You see, Jon, in those days and even to this +day—indeed, I don't see, for all the talk of enlightenment, how it can +well be otherwise—most girls are married ignorant of the sexual side +of life. Even if they know what it means they have not experienced it. +That's the crux. It is this actual lack of experience, whatever verbal +knowledge they have, which makes all the difference and all the trouble. +In a vast number of marriages-and your mother's was one—girls are not +and cannot be certain whether they love the man they marry or not; they +do not know until after that act of union which makes the reality of +marriage. Now, in many, perhaps in most doubtful cases, this act cements +and strengthens the attachment, but in other cases, and your mother's +was one, it is a revelation of mistake, a destruction of such attraction +as there was. There is nothing more tragic in a woman's life than such +a revelation, growing daily, nightly clearer. Coarse-grained and +unthinking people are apt to laugh at such a mistake, and say, 'What a +fuss about nothing!' Narrow and self-righteous people, only capable of +judging the lives of others by their own, are apt to condemn those who +make this tragic error, to condemn them for life to the dungeons they +have made for themselves. You know the expression: 'She has made her +bed, she must lie on it!' It is a hard-mouthed saying, quite unworthy of +a gentleman or lady in the best sense of those words; and I can use no +stronger condemnation. I have not been what is called a moral man, but I +wish to use no words to you, my dear, which will make you think lightly +of ties or contracts into which you enter. Heaven forbid! But with +the experience of a life behind me I do say that those who condemn the +victims of these tragic mistakes, condemn them and hold out no hands +to help them, are inhuman, or rather they would be if they had the +understanding to know what they are doing. But they haven't! Let them +go! They are as much anathema to me as I, no doubt, am to them. I have +had to say all this, because I am going to put you into a position to +judge your mother, and you are very young, without experience of what +life is. To go on with the story. After three years of effort to subdue +her shrinking—I was going to say her loathing and it's not too strong a +word, for shrinking soon becomes loathing under such circumstances—three +years of what to a sensitive, beauty-loving nature like your mother's, +Jon, was torment, she met a young man who fell in love with her. He was +the architect of this very house that we live in now, he was building +it for her and Fleur's father to live in, a new prison to hold her, in +place of the one she inhabited with him in London. Perhaps that fact +played some part in what came of it. But in any case she, too, fell in +love with him. I know it's not necessary to explain to you that one does +not precisely choose with whom one will fall in love. It comes. Very +well! It came. I can imagine—though she never said much to me about +it—the struggle that then took place in her, because, Jon, she was +brought up strictly and was not light in her ideas—not at all. However, +this was an overwhelming feeling, and it came to pass that they loved in +deed as well as in thought. Then came a fearful tragedy. I must tell you +of it because if I don't you will never understand the real situation +that you have now to face. The man whom she had married—Soames Forsyte, +the father of Fleur one night, at the height of her passion for this +young man, forcibly reasserted his rights over her. The next day she met +her lover and told him of it. Whether he committed suicide or whether he +was accidentally run over in his distraction, we never knew; but so it +was. Think of your mother as she was that evening when she heard of his +death. I happened to see her. Your grandfather sent me to help her if I +could. I only just saw her, before the door was shut against me by her +husband. But I have never forgotten her face, I can see it now. I was +not in love with her then, not for twelve years after, but I have never +forgotten. My dear boy—it is not easy to write like this. But you see, I +must. Your mother is wrapped up in you, utterly, devotedly. I don't wish +to write harshly of Soames Forsyte. I don't think harshly of him. I have +long been sorry for him; perhaps I was sorry even then. As the world +judges she was in error, he within his rights. He loved her—in his +way. She was his property. That is the view he holds of life—of human +feelings and hearts—property. It's not his fault—so was he born. To me +it is a view that has always been abhorrent—so was I born! Knowing you +as I do, I feel it cannot be otherwise than abhorrent to you. Let me +go on with the story. Your mother fled from his house that night; for +twelve years she lived quietly alone without companionship of any sort, +until in 1899 her husband—you see, he was still her husband, for he did +not attempt to divorce her, and she of course had no right to divorce +him—became conscious, it seems, of the want of children, and commenced a +long attempt to induce her to go back to him and give him a child. I +was her trustee then, under your Grandfather's Will, and I watched this +going on. While watching, I became attached to her, devotedly attached. +His pressure increased, till one day she came to me here and practically +put herself under my protection. Her husband, who was kept informed of +all her movements, attempted to force us apart by bringing a divorce +suit, or possibly he really meant it, I don't know; but anyway our names +were publicly joined. That decided us, and we became united in fact. She +was divorced, married me, and you were born. We have lived in perfect +happiness, at least I have, and I believe your mother also. Soames, soon +after the divorce, married Fleur's mother, and she was born. That is the +story, Jon. I have told it you, because by the affection which we see +you have formed for this man's daughter you are blindly moving toward +what must utterly destroy your mother's happiness, if not your own. +I don't wish to speak of myself, because at my age there's no use +supposing I shall cumber the ground much longer, besides, what I should +suffer would be mainly on her account, and on yours. But what I want +you to realise is that feelings of horror and aversion such as those +can never be buried or forgotten. They are alive in her to-day. Only +yesterday at Lord's we happened to see Soames Forsyte. Her face, if you +had seen it, would have convinced you. The idea that you should marry +his daughter is a nightmare to her, Jon. I have nothing to say against +Fleur save that she is his daughter. But your children, if you married +her, would be the grandchildren of Soames, as much as of your mother, of +a man who once owned your mother as a man might own a slave. Think what +that would mean. By such a marriage you enter the camp which held your +mother prisoner and wherein she ate her heart out. You are just on the +threshold of life, you have only known this girl two months, and however +deeply you think you love her, I appeal to you to break it off at once. +Don't give your mother this rankling pain and humiliation during the +rest of her life. Young though she will always seem to me, she is +fifty-seven. Except for us two she has no one in the world. She will +soon have only you. Pluck up your spirit, Jon, and break away. Don't put +this cloud and barrier between you. Don't break her heart! Bless you, my +dear boy, and again forgive me for all the pain this letter must bring +you—we tried to spare it you, but Spain—it seems—-was no good. + +“Ever your devoted father, + +“JOLYON FORSYTE.” + +Having finished his confession, Jolyon sat with a thin cheek on his +hand, re-reading. There were things in it which hurt him so much, when +he thought of Jon reading them, that he nearly tore the letter up. To +speak of such things at all to a boy—his own boy—to speak of them in +relation to his own wife and the boy's own mother, seemed dreadful to +the reticence of his Forsyte soul. And yet without speaking of them how +make Jon understand the reality, the deep cleavage, the ineffaceable +scar? Without them, how justify this stiffing of the boy's love? He +might just as well not write at all! + +He folded the confession, and put it in his pocket. It was—thank +Heaven!—Saturday; he had till Sunday evening to think it over; for even +if posted now it could not reach Jon till Monday. He felt a curious +relief at this delay, and at the fact that, whether sent or not, it was +written. + +In the rose garden, which had taken the place of the old fernery, he +could see Irene snipping and pruning, with a little basket on her arm. +She was never idle, it seemed to him, and he envied her now that he +himself was idle nearly all his time. He went down to her. She held up a +stained glove and smiled. A piece of lace tied under her chin concealed +her hair, and her oval face with its still dark brows looked very young. + +“The green-fly are awful this year, and yet it's cold. You look tired, +Jolyon.” + +Jolyon took the confession from his pocket. “I've been writing this. I +think you ought to see it?” + +“To Jon?” Her whole face had changed, in that instant, becoming almost +haggard. + +“Yes; the murder's out.” + +He gave it to her, and walked away among the roses. Presently, seeing +that she had finished reading and was standing quite still with the +sheets of the letter against her skirt, he came back to her. + +“Well?” + +“It's wonderfully put. I don't see how it could be put better. Thank +you, dear.” + +“Is there anything you would like left out?” + +She shook her head. + +“No; he must know all, if he's to understand.” + +“That's what I thought, but—I hate it!” + +He had the feeling that he hated it more than she—to him sex was so much +easier to mention between man and woman than between man and man; and +she had always been more natural and frank, not deeply secretive like +his Forsyte self. + +“I wonder if he will understand, even now, Jolyon? He's so young; and he +shrinks from the physical.” + +“He gets that shrinking from my father, he was as fastidious as a girl +in all such matters. Would it be better to rewrite the whole thing, and +just say you hated Soames?” + +Irene shook her head. + +“Hate's only a word. It conveys nothing. No, better as it is.” + +“Very well. It shall go to-morrow.” + +She raised her face to his, and in sight of the big house's many +creepered windows, he kissed her. + + + + + +II.—CONFESSION + +Late that same afternoon, Jolyon had a nap in the old armchair. Face +down on his knee was La Rotisserie de la Refine Pedauque, and just +before he fell asleep he had been thinking: 'As a people shall we ever +really like the French? Will they ever really like us!' He himself had +always liked the French, feeling at home with their wit, their taste, +their cooking. Irene and he had paid many visits to France before the +War, when Jon had been at his private school. His romance with her had +begun in Paris—his last and most enduring romance. But the French—no +Englishman could like them who could not see them in some sort with +the detached aesthetic eye! And with that melancholy conclusion he had +nodded off. + +When he woke he saw Jon standing between him and the window. The boy +had evidently come in from the garden and was waiting for him to wake. +Jolyon smiled, still half asleep. How nice the chap looked—sensitive, +affectionate, straight! Then his heart gave a nasty jump; and a quaking +sensation overcame him. Jon! That confession! He controlled himself with +an effort. “Why, Jon, where did you spring from?” + +Jon bent over and kissed his forehead. + +Only then he noticed the look on the boy's face. + +“I came home to tell you something, Dad.” + +With all his might Jolyon tried to get the better of the jumping, +gurgling sensations within his chest. + +“Well, sit down, old man. Have you seen your mother?” + +“No.” The boy's flushed look gave place to pallor; he sat down on the +arm of the old chair, as, in old days, Jolyon himself used to sit beside +his own father, installed in its recesses. Right up to the time of the +rupture in their relations he had been wont to perch there—had he now +reached such a moment with his own son? All his life he had hated scenes +like poison, avoided rows, gone on his own way quietly and let others go +on theirs. But now—it seemed—at the very end of things, he had a scene +before him more painful than any he had avoided. He drew a visor down +over his emotion, and waited for his son to speak. + +“Father,” said Jon slowly, “Fleur and I are engaged.” + +'Exactly!' thought Jolyon, breathing with difficulty. + +“I know that you and Mother don't like the idea. Fleur says that Mother +was engaged to her father before you married her. Of course I don't know +what happened, but it must be ages ago. I'm devoted to her, Dad, and she +says she is to me.” + +Jolyon uttered a queer sound, half laugh, half groan. + +“You are nineteen, Jon, and I am seventy-two. How are we to understand +each other in a matter like this, eh?” + +“You love Mother, Dad; you must know what we feel. It isn't fair to us +to let old things spoil our happiness, is it?” + +Brought face to face with his confession, Jolyon resolved to do without +it if by any means he could. He laid his hand on the boy's arm. + +“Look, Jon! I might put you off with talk about your both being too +young and not knowing your own minds, and all that, but you wouldn't +listen, besides, it doesn't meet the case—Youth, unfortunately, +cures itself. You talk lightly about 'old things like that,' knowing +nothing—as you say truly—of what happened. Now, have I ever given you +reason to doubt my love for you, or my word?” + +At a less anxious moment he might have been amused by the conflict his +words aroused—the boy's eager clasp, to reassure him on these points, +the dread on his face of what that reassurance would bring forth; but he +could only feel grateful for the squeeze. + +“Very well, you can believe what I tell you. If you don't give up this +love affair, you will make Mother wretched to the end of her days. +Believe me, my dear, the past, whatever it was, can't be buried—it can't +indeed.” + +Jon got off the arm of the chair. + +'The girl'—thought Jolyon—'there she goes—starting up before him—life +itself—eager, pretty, loving!' + +“I can't, Father; how can I—just because you say that? Of course, I +can't!” + +“Jon, if you knew the story you would give this up without hesitation; +you would have to! Can't you believe me?” + +“How can you tell what I should think? Father, I love her better than +anything in the world.” + +Jolyon's face twitched, and he said with painful slowness: + +“Better than your mother, Jon?” + +From the boy's face, and his clenched fists Jolyon realised the stress +and struggle he was going through. + +“I don't know,” he burst out, “I don't know! But to give Fleur up for +nothing—for something I don't understand, for something that I don't +believe can really matter half so much, will make me—make me....” + +“Make you feel us unjust, put a barrier—yes. But that's better than +going on with this.” + +“I can't. Fleur loves me, and I love her. You want me to trust you; +why don't you trust me, Father? We wouldn't want to know anything—we +wouldn't let it make any difference. It'll only make us both love you +and Mother all the more.” + +Jolyon put his hand into his breast pocket, but brought it out again +empty, and sat, clucking his tongue against his teeth. + +“Think what your mother's been to you, Jon! She has nothing but you; I +shan't last much longer.” + +“Why not? It isn't fair to—Why not?” + +“Well,” said Jolyon, rather coldly, “because the doctors tell me I +shan't; that's all.” + +“Oh, Dad!” cried Jon, and burst into tears. + +This downbreak of his son, whom he had not seen cry since he was ten, +moved Jolyon terribly. He recognised to the full how fearfully soft the +boy's heart was, how much he would suffer in this business, and in life +generally. And he reached out his hand helplessly—not wishing, indeed +not daring to get up. + +“Dear man,” he said, “don't—or you'll make me!” + +Jon smothered down his paroxysm, and stood with face averted, very +still. + +'What now?' thought Jolyon. 'What can I say to move him?' + +“By the way, don't speak of that to Mother,” he said; “she has enough to +frighten her with this affair of yours. I know how you feel. But, Jon, +you know her and me well enough to be sure we wouldn't wish to spoil +your happiness lightly. Why, my dear boy, we don't care for anything but +your happiness—at least, with me it's just yours and Mother's and with +her just yours. It's all the future for you both that's at stake.” + +Jon turned. His face was deadly pale; his eyes, deep in his head, seemed +to burn. + +“What is it? What is it? Don't keep me like this!” + +Jolyon, who knew that he was beaten, thrust his hand again into his +breast pocket, and sat for a full minute, breathing with difficulty, his +eyes closed. The thought passed through his mind: 'I've had a good long +innings—some pretty bitter moments—this is the worst!' Then he brought +his hand out with the letter, and said with a sort of fatigue: “Well, +Jon, if you hadn't come to-day, I was going to send you this. I wanted +to spare you—I wanted to spare your mother and myself, but I see it's no +good. Read it, and I think I'll go into the garden.” He reached forward +to get up. + +Jon, who had taken the letter, said quickly, “No, I'll go”; and was +gone. + +Jolyon sank back in his chair. A blue-bottle chose that moment to come +buzzing round him with a sort of fury; the sound was homely, better +than nothing.... Where had the boy gone to read his letter? The wretched +letter—the wretched story! A cruel business—cruel to her—to Soames—to +those two children—to himself!... His heart thumped and pained him. +Life—its loves—its work—its beauty—its aching, and—its end! A good time; +a fine time in spite of all; until—you regretted that you had ever been +born. Life—it wore you down, yet did not make you want to die—that was +the cunning evil! Mistake to have a heart! Again the blue-bottle came +buzzing—bringing in all the heat and hum and scent of summer—yes, +even the scent—as of ripe fruits, dried grasses, sappy shrubs, and the +vanilla breath of cows. And out there somewhere in the fragrance Jon +would be reading that letter, turning and twisting its pages in his +trouble, his bewilderment and trouble—breaking his heart about it! The +thought made Jolyon acutely miserable. Jon was such a tender-hearted +chap, affectionate to his bones, and conscientious, too—it was so +unfair, so damned unfair! He remembered Irene saying to him once: “Never +was any one born more loving and lovable than Jon.” Poor little Jon! His +world gone up the spout, all of a summer afternoon! Youth took things so +hard! And stirred, tormented by that vision of Youth taking things hard, +Jolyon got out of his chair, and went to the window. The boy was nowhere +visible. And he passed out. If one could take any help to him now—one +must! + +He traversed the shrubbery, glanced into the walled garden—no Jon! Nor +where the peaches and the apricots were beginning to swell and colour. +He passed the Cupressus trees, dark and spiral, into the meadow. +Where had the boy got to? Had he rushed down to the coppice—his old +hunting-ground? Jolyon crossed the rows of hay. They would cock it on +Monday and be carrying the day after, if rain held off. Often they had +crossed this field together—hand in hand, when Jon was a little chap. +Dash it! The golden age was over by the time one was ten! He came to the +pond, where flies and gnats were dancing over a bright reedy surface; +and on into the coppice. It was cool there, fragrant of larches. Still +no Jon! He called. No answer! On the log seat he sat down, nervous, +anxious, forgetting his own physical sensations. He had been wrong to +let the boy get away with that letter; he ought to have kept him under +his eye from the start! Greatly troubled, he got up to retrace his +steps. At the farm-buildings he called again, and looked into the dark +cow-house. There in the cool, and the scent of vanilla and ammonia, away +from flies, the three Alderneys were chewing the quiet cud; just milked, +waiting for evening, to be turned out again into the lower field. One +turned a lazy head, a lustrous eye; Jolyon could see the slobber on +its grey lower lip. He saw everything with passionate clearness, in the +agitation of his nerves—all that in his time he had adored and tried +to paint—wonder of light and shade and colour. No wonder the legend put +Christ into a manger—what more devotional than the eyes and moon-white +horns of a chewing cow in the warm dusk! He called again. No answer! And +he hurried away out of the coppice, past the pond, up the hill. Oddly +ironical—now he came to think of it—if Jon had taken the gruel of his +discovery down in the coppice where his mother and Bosinney in those old +days had made the plunge of acknowledging their love. Where he himself, +on the log seat the Sunday morning he came back from Paris, had realised +to the full that Irene had become the world to him. That would have been +the place for Irony to tear the veil from before the eyes of Irene's +boy! But he was not here! Where had he got to? One must find the poor +chap! + +A gleam of sun had come, sharpening to his hurrying senses all the +beauty of the afternoon, of the tall trees and lengthening shadows, of +the blue, and the white clouds, the scent of the hay, and the cooing of +the pigeons; and the flower shapes standing tall. He came to the rosery, +and the beauty of the roses in that sudden sunlight seemed to him +unearthly. “Rose, you Spaniard!” Wonderful three words! There she had +stood by that bush of dark red roses; had stood to read and decide that +Jon must know it all! He knew all now! Had she chosen wrong? He bent and +sniffed a rose, its petals brushed his nose and trembling lips; nothing +so soft as a rose-leaf's velvet, except her neck—Irene! On across +the lawn he went, up the slope, to the oak-tree. Its top alone was +glistening, for the sudden sun was away over the house; the lower shade +was thick, blessedly cool—he was greatly overheated. He paused a minute +with his hand on the rope of the swing—Jolly, Holly—Jon! The old swing! +And suddenly, he felt horribly—deadly ill. 'I've over done it!' he +thought: 'by Jove! I've overdone it—after all!' He staggered up toward +the terrace, dragged himself up the steps, and fell against the wall of +the house. He leaned there gasping, his face buried in the honey-suckle +that he and she had taken such trouble with that it might sweeten the +air which drifted in. Its fragrance mingled with awful pain. 'My love!' +he thought; 'the boy!' And with a great effort he tottered in through +the long window, and sank into old Jolyon's chair. The book was there, a +pencil in it; he caught it up, scribbled a word on the open page.... His +hand dropped.... So it was like this—was it?... + +There was a great wrench; and darkness.... + + + + + +III.—IRENE + +When Jon rushed away with the letter in his hand, he ran along the +terrace and round the corner of the house, in fear and confusion. +Leaning against the creepered wall he tore open the letter. It was +long—very long! This added to his fear, and he began reading. When he +came to the words: “It was Fleur's father that she married,” everything +seemed to spin before him. He was close to a window, and entering by it, +he passed, through music-room and hall, up to his bedroom. Dipping his +face in cold water, he sat on his bed, and went on reading, dropping +each finished page on the bed beside him. His father's writing was easy +to read—he knew it so well, though he had never had a letter from him +one quarter so long. He read with a dull feeling—imagination only half +at work. He best grasped, on that first reading, the pain his father +must have had in writing such a letter. He let the last sheet fall, and +in a sort of mental, moral helplessness began to read the first again. +It all seemed to him disgusting—dead and disgusting. Then, suddenly, a +hot wave of horrified emotion tingled through him. He buried his face in +his hands. His mother! Fleur's father! He took up the letter again, and +read on mechanically. And again came the feeling that it was all +dead and disgusting; his own love so different! This letter said his +mother—and her father! An awful letter! + +Property! Could there be men who looked on women as their property? +Faces seen in street and countryside came thronging up before him—red, +stock-fish faces; hard, dull faces; prim, dry faces; violent faces; +hundreds, thousands of them! How could he know what men who had such +faces thought and did? He held his head in his hands and groaned. +His mother! He caught up the letter and read on again: “horror and +aversion-alive in her to-day.... your children.... grandchildren.... of +a man who once owned your mother as a man might own a slave....” He got +up from his bed. This cruel shadowy past, lurking there to murder his +love and Fleur's, was true, or his father could never have written it. +'Why didn't they tell me the first thing,' he thought, 'the day I first +saw Fleur? They knew I'd seen her. They were afraid, and—now—I've—got +it!' Overcome by misery too acute for thought or reason, he crept into +a dusky corner of the room and sat down on the floor. He sat there, like +some unhappy little animal. There was comfort in dusk, and the floor—as +if he were back in those days when he played his battles sprawling all +over it. He sat there huddled, his hair ruffled, his hands clasped round +his knees, for how long he did not know. He was wrenched from his blank +wretchedness by the sound of the door opening from his mother's room. +The blinds were down over the windows of his room, shut up in his +absence, and from where he sat he could only hear a rustle, her +footsteps crossing, till beyond the bed he saw her standing before +his dressing-table. She had something in her hand. He hardly breathed, +hoping she would not see him, and go away. He saw her touch things on +the table as if they had some virtue in them, then face the window-grey +from head to foot like a ghost. The least turn of her head, and she must +see him! Her lips moved: “Oh! Jon!” She was speaking to herself; the +tone of her voice troubled Jon's heart. He saw in her hand a little +photograph. She held it toward the light, looking at it—very small. He +knew it—one of himself as a tiny boy, which she always kept in her bag. +His heart beat fast. And, suddenly as if she had heard it, she turned +her eyes and saw him. At the gasp she gave, and the movement of her +hands pressing the photograph against her breast, he said: + +“Yes, it's me.” + +She moved over to the bed, and sat down on it, quite close to him, her +hands still clasping her breast, her feet among the sheets of the letter +which had slipped to the floor. She saw them, and her hands grasped the +edge of the bed. She sat very upright, her dark eyes fixed on him. At +last she spoke. + +“Well, Jon, you know, I see.” + +“Yes.” + +“You've seen Father?” + +“Yes.” + +There was a long silence, till she said: + +“Oh! my darling!” + +“It's all right.” The emotions in him were so, violent and so mixed that +he dared not move—resentment, despair, and yet a strange yearning for +the comfort of her hand on his forehead. + +“What are you going to do?” + +“I don't know.” + +There was another long silence, then she got up. She stood a moment, +very still, made a little movement with her hand, and said: “My darling +boy, my most darling boy, don't think of me—think of yourself,” and, +passing round the foot of the bed, went back into her room. + +Jon turned—curled into a sort of ball, as might a hedgehog—into the +corner made by the two walls. + +He must have been twenty minutes there before a cry roused him. It came +from the terrace below. He got up, scared. Again came the cry: “Jon!” +His mother was calling! He ran out and down the stairs, through the +empty dining-room into the study. She was kneeling before the old +armchair, and his father was lying back quite white, his head on his +breast, one of his hands resting on an open book, with a pencil clutched +in it—more strangely still than anything he had ever seen. She looked +round wildly, and said: + +“Oh! Jon—he's dead—he's dead!” + +Jon flung himself down, and reaching over the arm of the chair, where +he had lately been sitting, put his lips to the forehead. Icy cold! How +could—how could Dad be dead, when only an hour ago—! His mother's arms +were round the knees; pressing her breast against them. “Why—why wasn't +I with him?” he heard her whisper. Then he saw the tottering word +“Irene” pencilled on the open page, and broke down himself. It was his +first sight of human death, and its unutterable stillness blotted from +him all other emotion; all else, then, was but preliminary to this! All +love and life, and joy, anxiety, and sorrow, all movement, light and +beauty, but a beginning to this terrible white stillness. It made a +dreadful mark on him; all seemed suddenly little, futile, short. He +mastered himself at last, got up, and raised her. + +“Mother! don't cry—Mother!” + +Some hours later, when all was done that had to be, and his mother was +lying down, he saw his father alone, on the bed, covered with a white +sheet. He stood for a long time gazing at that face which had never +looked angry—always whimsical, and kind. “To be kind and keep your end +up—there's nothing else in it,” he had once heard his father say. How +wonderfully Dad had acted up to that philosophy! He understood now +that his father had known for a long time past that this would +come suddenly—known, and not said a word. He gazed with an awed and +passionate reverence. The loneliness of it—just to spare his mother and +himself! His own trouble seemed small while he was looking at that face. +The word scribbled on the page! The farewell word! Now his mother had no +one but himself! He went up close to the dead face—not changed at all, +and yet completely changed. He had heard his father say once that he did +not believe in consciousness surviving death, or that if it did it +might be just survival till the natural age limit of the body had been +reached—the natural term of its inherent vitality; so that if the body +were broken by accident, excess, violent disease, consciousness might +still persist till, in the course of Nature uninterfered with, it would +naturally have faded out. It had struck him because he had never heard +any one else suggest it. When the heart failed like this—surely it was +not quite natural! Perhaps his father's consciousness was in the room +with him. Above the bed hung a picture of his father's father. +Perhaps his consciousness, too, was still alive; and his brother's—his +half-brother, who had died in the Transvaal. Were they all gathered +round this bed? Jon kissed the forehead, and stole back to his own room. +The door between it and his mother's was ajar; she had evidently been +in—everything was ready for him, even some biscuits and hot milk, and +the letter no longer on the floor. He ate and drank, watching the last +light fade. He did not try to see into the future—just stared at the +dark branches of the oak-tree, level with his window, and felt as if +life had stopped. Once in the night, turning in his heavy sleep, he was +conscious of something white and still, beside his bed, and started up. + +His mother's voice said: + +“It's only I, Jon dear!” Her hand pressed his forehead gently back; her +white figure disappeared. + +Alone! He fell heavily asleep again, and dreamed he saw his mother's +name crawling on his bed. + + + + + +IV.—SOAMES COGITATES + +The announcement in The Times of his cousin Jolyon's death affected +Soames quite simply. So that chap was gone! There had never been a +time in their two lives when love had not been lost between them. That +quick-blooded sentiment hatred had run its course long since in Soames' +heart, and he had refused to allow any recrudescence, but he considered +this early decease a piece of poetic justice. For twenty years the +fellow had enjoyed the reversion of his wife and house, and—he was +dead! The obituary notice, which appeared a little later, paid Jolyon—he +thought—too much attention. It spoke of that “diligent and agreeable +painter whose work we have come to look on as typical of the best +late-Victorian water-colour art.” Soames, who had almost mechanically +preferred Mole, Morpin, and Caswell Baye, and had always sniffed quite +audibly when he came to one of his cousin's on the line, turned The +Times with a crackle. + +He had to go up to Town that morning on Forsyte affairs, and was fully +conscious of Gradman's glance sidelong over his spectacles. The old +clerk had about him an aura of regretful congratulation. He smelled, as +it were, of old days. One could almost hear him thinking: “Mr. Jolyon, +ye-es—just my age, and gone—dear, dear! I dare say she feels it. She was +a nice-lookin' woman. Flesh is flesh! They've given 'im a notice in the +papers. Fancy!” His atmosphere in fact caused Soames to handle certain +leases and conversions with exceptional swiftness. + +“About that settlement on Miss Fleur, Mr. Soames?” + +“I've thought better of that,” answered Soames shortly. + +“Ah! I'm glad of that. I thought you were a little hasty. The times do +change.” + +How this death would affect Fleur had begun to trouble Soames. He was +not certain that she knew of it—she seldom looked at the paper, never at +the births, marriages, and deaths. + +He pressed matters on, and made his way to Green Street for lunch. +Winifred was almost doleful. Jack Cardigan had broken a splashboard, +so far as one could make out, and would not be “fit” for some time. She +could not get used to the idea. + +“Did Profond ever get off?” he said suddenly. + +“He got off,” replied Winifred, “but where—I don't know.” + +Yes, there it was—impossible to tell anything! Not that he wanted to +know. Letters from Annette were coming from Dieppe, where she and her +mother were staying. + +“You saw that fellow's death, I suppose?” + +“Yes,” said Winifred. “I'm sorry for—for his children. He was very +amiable.” Soames uttered a rather queer sound. A suspicion of the old +deep truth—that men were judged in this world rather by what they were +than by what they did—crept and knocked resentfully at the back doors of +his mind. + +“I know there was a superstition to that effect,” he muttered. + +“One must do him justice now he's dead.” + +“I should like to have done him justice before,” said Soames; “but I +never had the chance. Have you got a 'Baronetage' here?” + +“Yes; in that bottom row.” + +Soames took out a fat red book, and ran over the leaves. + +“Mont-Sir Lawrence, 9th Bt., cr. 1620, e. s. of Geoffrey, 8th Bt., and +Lavinia, daur. of Sir Charles Muskham, Bt., of Muskham Hall, Shrops: +marr. 1890 Emily, daur. of Conway Charwell, Esq., of Condaford Grange, +co. Oxon; 1 son, heir Michael Conway, b. 1895, 2 daurs. Residence: +Lippinghall Manor, Folwell, Bucks. Clubs: Snooks'. Coffee House: +Aeroplane. See Bidicott.” + +“H'm!” he said. “Did you ever know a publisher?” + +“Uncle Timothy.” + +“Alive, I mean.” + +“Monty knew one at his Club. He brought him here to dinner once. Monty +was always thinking of writing a book, you know, about how to make money +on the turf. He tried to interest that man.” + +“Well?” + +“He put him on to a horse—for the Two Thousand. We didn't see him again. +He was rather smart, if I remember.” + +“Did it win?” + +“No; it ran last, I think. You know Monty really was quite clever in his +way.” + +“Was he?” said Soames. “Can you see any connection between a sucking +baronet and publishing?” + +“People do all sorts of things nowadays,” replied Winifred. “The great +stunt seems not to be idle—so different from our time. To do nothing was +the thing then. But I suppose it'll come again.” + +“This young Mont that I'm speaking of is very sweet on Fleur. If it +would put an end to that other affair I might encourage it.” + +“Has he got style?” asked Winifred. + +“He's no beauty; pleasant enough, with some scattered brains. There's a +good deal of land, I believe. He seems genuinely attached. But I don't +know.” + +“No,” murmured Winifred; “it's—very difficult. I always found it best +to do nothing. It is such a bore about Jack; now we shan't get away till +after Bank Holiday. Well, the people are always amusing, I shall go into +the Park and watch them.” + +“If I were you,” said Soames, “I should have a country cottage, and be +out of the way of holidays and strikes when you want.” + +“The country bores me,” answered Winifred, “and I found the railway +strike quite exciting.” + +Winifred had always been noted for sang-froid. + +Soames took his leave. All the way down to Reading he debated whether +he should tell Fleur of that boy's father's death. It did not alter the +situation except that he would be independent now, and only have his +mother's opposition to encounter. He would come into a lot of money, no +doubt, and perhaps the house—the house built for Irene and +himself—the house whose architect had wrought his domestic ruin. His +daughter—mistress of that house! That would be poetic justice! Soames +uttered a little mirthless laugh. He had designed that house +to re-establish his failing union, meant it for the seat of his +descendants, if he could have induced Irene to give him one! Her son +and Fleur! Their children would be, in some sort, offspring of the union +between himself and her! + +The theatricality in that thought was repulsive to his sober sense. And +yet—it would be the easiest and wealthiest way out of the impasse, now +that Jolyon was gone. The juncture of two Forsyte fortunes had a kind +of conservative charm. And she—Irene-would be linked to him once more. +Nonsense! Absurd! He put the notion from his head. + +On arriving home he heard the click of billiard-balls, and through the +window saw young Mont sprawling over the table. Fleur, with her cue +akimbo, was watching with a smile. How pretty she looked! No wonder +that young fellow was out of his mind about her. A title—land! There +was little enough in land, these days; perhaps less in a title. The old +Forsytes had always had a kind of contempt for titles, rather remote and +artificial things—not worth the money they cost, and having to do with +the Court. They had all had that feeling in differing measure—Soames +remembered. Swithin, indeed, in his most expansive days had once +attended a Levee. He had come away saying he shouldn't go again—“all +that small fry.” It was suspected that he had looked too big in +knee-breeches. Soames remembered how his own mother had wished to be +presented because of the fashionable nature of the performance, and how +his father had put his foot down with unwonted decision. What did she +want with that peacocking—wasting time and money; there was nothing in +it! + +The instinct which had made and kept the English Commons the chief +power in the State, a feeling that their own world was good enough and +a little better than any other because it was their world, had kept the +old Forsytes singularly free of “flummery,” as Nicholas had been wont +to call it when he had the gout. Soames' generation, more self-conscious +and ironical, had been saved by a sense of Swithin in knee-breeches. +While the third and the fourth generation, as it seemed to him, laughed +at everything. + +However, there was no harm in the young fellow's being heir to a title +and estate—a thing one couldn't help. He entered quietly, as Mont missed +his shot. He noted the young man's eyes, fixed on Fleur bending over in +her turn; and the adoration in them almost touched him. + +She paused with the cue poised on the bridge of her slim hand, and shook +her crop of short dark chestnut hair. + +“I shall never do it.” + +“'Nothing venture.'” + +“All right.” The cue struck, the ball rolled. “There!” + +“Bad luck! Never mind!” + +Then they saw him, and Soames said: + +“I'll mark for you.” + +He sat down on the raised seat beneath the marker, trim and tired, +furtively studying those two young faces. When the game was over Mont +came up to him. + +“I've started in, sir. Rum game, business, isn't it? I suppose you saw a +lot of human nature as a solicitor.” + +“I did.” + +“Shall I tell you what I've noticed: People are quite on the wrong tack +in offering less than they can afford to give; they ought to offer more, +and work backward.” + +Soames raised his eyebrows. + +“Suppose the more is accepted?” + +“That doesn't matter a little bit,” said Mont; “it's much more paying to +abate a price than to increase it. For instance, say we offer an author +good terms—he naturally takes them. Then we go into it, find we can't +publish at a decent profit and tell him so. He's got confidence in us +because we've been generous to him, and he comes down like a lamb, and +bears us no malice. But if we offer him poor terms at the start, he +doesn't take them, so we have to advance them to get him, and he thinks +us damned screws into the bargain. + +“Try buying pictures on that system,” said Soames; “an offer accepted is +a contract—haven't you learned that?” + +Young Mont turned his head to where Fleur was standing in the window. + +“No,” he said, “I wish I had. Then there's another thing. Always let a +man off a bargain if he wants to be let off.” + +“As advertisement?” said Soames dryly. + +“Of course it is; but I meant on principle.” + +“Does your firm work on those lines?” + +“Not yet,” said Mont, “but it'll come.” + +“And they will go.” + +“No, really, sir. I'm making any number of observations, and they all +confirm my theory. Human nature is consistently underrated in business, +people do themselves out of an awful lot of pleasure and profit by that. +Of course, you must be perfectly genuine and open, but that's easy +if you feel it. The more human and generous you are the better chance +you've got in business.” + +Soames rose. + +“Are you a partner?” + +“Not for six months, yet.” + +“The rest of the firm had better make haste and retire.” + +Mont laughed. + +“You'll see,” he said. “There's going to be a big change. The possessive +principle has got its shutters up.” + +“What?” said Soames. + +“The house is to let! Good-bye, sir; I'm off now.” + +Soames watched his daughter give her hand, saw her wince at the squeeze +it received, and distinctly heard the young man's sigh as he passed out. +Then she came from the window, trailing her finger along the mahogany +edge of the billiard-table. Watching her, Soames knew that she was going +to ask him something. Her finger felt round the last pocket, and she +looked up. + +“Have you done anything to stop Jon writing to me, Father?” + +Soames shook his head. + +“You haven't seen, then?” he said. “His father died just a week ago +to-day.” + +“Oh!” + +In her startled, frowning face he saw the instant struggle to apprehend +what this would mean. + +“Poor Jon! Why didn't you tell me, Father?” + +“I never know!” said Soames slowly; “you don't confide in me.” + +“I would, if you'd help me, dear.” + +“Perhaps I shall.” + +Fleur clasped her hands. “Oh! darling—when one wants a thing fearfully, +one doesn't think of other people. Don't be angry with me.” + +Soames put out his hand, as if pushing away an aspersion. + +“I'm cogitating,” he said. What on earth had made him use a word like +that! “Has young Mont been bothering you again?” + +Fleur smiled. “Oh! Michael! He's always bothering; but he's such a good +sort—I don't mind him.” + +“Well,” said Soames, “I'm tired; I shall go and have a nap before +dinner.” + +He went up to his picture-gallery, lay down on the couch there, and +closed his eyes. A terrible responsibility this girl of his—whose mother +was—ah! what was she? A terrible responsibility! Help her—how could he +help her? He could not alter the fact that he was her father. Or +that Irene—! What was it young Mont had said—some nonsense about the +possessive instinct—shutters up—To let? Silly! + +The sultry air, charged with a scent of meadow-sweet, of river and +roses, closed on his senses, drowsing them. + + + + + +V.—THE FIXED IDEA + +“The fixed idea,” which has outrun more constables than any other form +of human disorder, has never more speed and stamina than when it takes +the avid guise of love. To hedges and ditches, and doors, to humans +without ideas fixed or otherwise, to perambulators and the contents +sucking their fixed ideas, even to the other sufferers from this fast +malady—the fixed idea of love pays no attention. It runs with eyes +turned inward to its own light, oblivious of all other stars. Those +with the fixed ideas that human happiness depends on their art, on +vivisecting dogs, on hating foreigners, on paying supertax, on remaining +Ministers, on making wheels go round, on preventing their neighbours +from being divorced, on conscientious objection, Greek roots, Church +dogma, paradox and superiority to everybody else, with other forms of +ego-mania—all are unstable compared with him or her whose fixed idea is +the possession of some her or him. And though Fleur, those chilly summer +days, pursued the scattered life of a little Forsyte whose frocks are +paid for, and whose business is pleasure, she was—as Winifred would have +said in the latest fashion of speech—“honest to God” indifferent to +it all. She wished and wished for the moon, which sailed in cold skies +above the river or the Green Park when she went to Town. She even kept +Jon's letters, covered with pink silk, on her heart, than which in days +when corsets were so low, sentiment so despised, and chests so out of +fashion, there could, perhaps, have been no greater proof of the fixity +of her idea. + +After hearing of his father's death, she wrote to Jon, and received his +answer three days later on her return from a river picnic. It was +his first letter since their meeting at June's. She opened it with +misgiving, and read it with dismay. + +“Since I saw you I've heard everything about the past. I won't tell it +you—I think you knew when we met at June's. She says you did. If you +did, Fleur, you ought to have told me. I expect you only heard your +father's side of it. I have heard my mother's. It's dreadful. Now that +she's so sad I can't do anything to hurt her more. Of course, I long +for you all day, but I don't believe now that we shall ever come +together—there's something too strong pulling us apart.” + +So! Her deception had found her out. But Jon—she felt—had forgiven that. +It was what he said of his mother which caused the guttering in her +heart and the weak sensation in her legs. + +Her first impulse was to reply—her second, not to reply. These impulses +were constantly renewed in the days which followed, while desperation +grew within her. She was not her father's child for nothing. The +tenacity which had at once made and undone Soames was her backbone, too, +frilled and embroidered by French grace and quickness. Instinctively +she conjugated the verb “to have” always with the pronoun “I.” She +concealed, however, all signs of her growing desperation, and pursued +such river pleasures as the winds and rain of a disagreeable July +permitted, as if she had no care in the world; nor did any “sucking +baronet” ever neglect the business of a publisher more consistently than +her attendant spirit, Michael Mont. + +To Soames she was a puzzle. He was almost deceived by this careless +gaiety. Almost—because he did not fail to mark her eyes often fixed on +nothing, and the film of light shining from her bedroom window late at +night. What was she thinking and brooding over into small hours when she +ought to have been asleep? But he dared not ask what was in her mind; +and, since that one little talk in the billiard-room, she said nothing +to him. + +In this taciturn condition of affairs it chanced that Winifred invited +them to lunch and to go afterward to “a most amusing little play, 'The +Beggar's Opera'” and would they bring a man to make four? Soames, +whose attitude toward theatres was to go to nothing, accepted, because +Fleur's attitude was to go to everything. They motored up, taking +Michael Mont, who, being in his seventh heaven, was found by Winifred +“very amusing.” “The Beggar's Opera” puzzled Soames. The people +were very unpleasant, the whole thing very cynical. Winifred was +“intrigued”—by the dresses. The music, too, did not displease her. At +the Opera, the night before, she had arrived too early for the Russian +Ballet, and found the stage occupied by singers, for a whole hour pale +or apoplectic from terror lest by some dreadful inadvertence they might +drop into a tune. Michael Mont was enraptured with the whole thing. +And all three wondered what Fleur was thinking of it. But Fleur was not +thinking of it. Her fixed idea stood on the stage and sang with Polly +Peachum, mimed with Filch, danced with Jenny Diver, postured with Lucy +Lockit, kissed, trolled, and cuddled with Macheath. Her lips might +smile, her hands applaud, but the comic old masterpiece made no more +impression on her than if it had been pathetic, like a modern “Revue.” +When they embarked in the car to return, she ached because Jon was not +sitting next her instead of Michael Mont. When, at some jolt, the young +man's arm touched hers as if by accident, she only thought: 'If that +were Jon's arm!' When his cheerful voice, tempered by her proximity, +murmured above the sound of the car's progress, she smiled and answered, +thinking: 'If that were Jon's voice!' and when once he said, “Fleur, you +look a perfect angel in that dress!” she answered, “Oh, do you like it?” +thinking, 'If only Jon could see it!' + +During this drive she took a resolution. She would go to Robin Hill and +see him—alone; she would take the car, without word beforehand to him or +to her father. It was nine days since his letter, and she could wait +no longer. On Monday she would go! The decision made her well disposed +toward young Mont. With something to look forward to she could afford to +tolerate and respond. He might stay to dinner; propose to her as usual; +dance with her, press her hand, sigh—do what he liked. He was only a +nuisance when he interfered with her fixed idea. She was even sorry for +him so far as it was possible to be sorry for anybody but herself just +now. At dinner he seemed to talk more wildly than usual about what he +called “the death of the close borough”—she paid little attention, but +her father seemed paying a good deal, with the smile on his face which +meant opposition, if not anger. + +“The younger generation doesn't think as you do, sir; does it, Fleur?” + +Fleur shrugged her shoulders—the younger generation was just Jon, and +she did not know what he was thinking. + +“Young people will think as I do when they're my age, Mr. Mont. Human +nature doesn't change.” + +“I admit that, sir; but the forms of thought change with the times. The +pursuit of self-interest is a form of thought that's going out.” + +“Indeed! To mind one's own business is not a form of thought, Mr. Mont, +it's an instinct.” + +Yes, when Jon was the business! + +“But what is one's business, sir? That's the point. Everybody's business +is going to be one's business. Isn't it, Fleur?” + +Fleur only smiled. + +“If not,” added young Mont, “there'll be blood.” + +“People have talked like that from time immemorial” + +“But you'll admit, sir, that the sense of property is dying out?” + +“I should say increasing among those who have none.” + +“Well, look at me! I'm heir to an entailed estate. I don't want the +thing; I'd cut the entail to-morrow.” + +“You're not married, and you don't know what you're talking about.” + +Fleur saw the young man's eyes turn rather piteously upon her. + +“Do you really mean that marriage—?” he began. + +“Society is built on marriage,” came from between her father's close +lips; “marriage and its consequences. Do you want to do away with it?” + +Young Mont made a distracted gesture. Silence brooded over the dinner +table, covered with spoons bearing the Forsyte crest—a pheasant +proper—under the electric light in an alabaster globe. And outside, the +river evening darkened, charged with heavy moisture and sweet scents. + +'Monday,' thought Fleur; 'Monday!' + + + + + +VI.—DESPERATE + +The weeks which followed the death of his father were sad and empty to +the only Jolyon Forsyte left. The necessary forms and ceremonies—the +reading of the Will, valuation of the estate, distribution of the +legacies—were enacted over the head, as it were, of one not yet of age. +Jolyon was cremated. By his special wish no one attended that ceremony, +or wore black for him. The succession of his property, controlled to +some extent by old Jolyon's Will, left his widow in possession of Robin +Hill, with two thousand five hundred pounds a year for life. Apart from +this the two Wills worked together in some complicated way to insure +that each of Jolyon's three children should have an equal share in their +grandfather's and father's property in the future as in the present, +save only that Jon, by virtue of his sex, would have control of his +capital when he was twenty-one, while June and Holly would only have the +spirit of theirs, in order that their children might have the body after +them. If they had no children, it would all come to Jon if he outlived +them; and since June was fifty, and Holly nearly forty, it was +considered in Lincoln's Inn Fields that but for the cruelty of income +tax, young Jon would be as warm a man as his grandfather when he died. +All this was nothing to Jon, and little enough to his mother. It was +June who did everything needful for one who had left his affairs in +perfect order. When she had gone, and those two were alone again in the +great house, alone with death drawing them together, and love driving +them apart, Jon passed very painful days secretly disgusted and +disappointed with himself. His mother would look at him with such a +patient sadness which yet had in it an instinctive pride, as if she were +reserving her defence. If she smiled he was angry that his answering +smile should be so grudging and unnatural. He did not judge or condemn +her; that was all too remote—indeed, the idea of doing so had never come +to him. No! he was grudging and unnatural because he couldn't have +what he wanted because of her. There was one alleviation—much to do in +connection with his father's career, which could not be safely entrusted +to June, though she had offered to undertake it. Both Jon and his mother +had felt that if she took his portfolios, unexhibited drawings and +unfinished matter, away with her, the work would encounter such icy +blasts from Paul Post and other frequenters of her studio, that it would +soon be frozen out even of her warm heart. On its old-fashioned plane +and of its kind the work was good, and they could not bear the thought +of its subjection to ridicule. A one-man exhibition of his work was the +least testimony they could pay to one they had loved; and on preparation +for this they spent many hours together. Jon came to have a curiously +increased respect for his father. The quiet tenacity with which he +had converted a mediocre talent into something really individual was +disclosed by these researches. There was a great mass of work with +a rare continuity of growth in depth and reach of vision. Nothing +certainly went very deep, or reached very high—but such as the work +was, it was thorough, conscientious, and complete. And, remembering +his father's utter absence of “side” or self-assertion, the chaffing +humility with which he had always spoken of his own efforts, ever +calling himself “an amateur,” Jon could not help feeling that he had +never really known his father. To take himself seriously, yet never that +he did so, seemed to have been his ruling principle. There was something +in this which appealed to the boy, and made him heartily endorse his +mother's comment: “He had true refinement; he couldn't help thinking +of others, whatever he did. And when he took a resolution which went +counter, he did it with the minimum of defiance—not like the Age, is it? +Twice in his life he had to go against everything; and yet it never +made him bitter.” Jon saw tears running down her face, which she at once +turned away from him. She was so quiet about her loss that sometimes he +had thought she didn't feel it much. Now, as he looked at her, he felt +how far he fell short of the reserve power and dignity in both his +father and his mother. And, stealing up to her, he put his arm round her +waist. She kissed him swiftly, but with a sort of passion, and went out +of the room. + +The studio, where they had been sorting and labelling, had once been +Holly's schoolroom, devoted to her silkworms, dried lavender, music, +and other forms of instruction. Now, at the end of July, despite its +northern and eastern aspects, a warm and slumberous air came in between +the long-faded lilac linen curtains. To redeem a little the departed +glory, as of a field that is golden and gone, clinging to a room which +its master has left, Irene had placed on the paint-stained table a bowl +of red roses. This, and Jolyon's favourite cat, who still clung to +the deserted habitat, were the pleasant spots in that dishevelled, sad +workroom. Jon, at the north window, sniffing air mysteriously scented +with warm strawberries, heard a car drive up. The lawyers again about +some nonsense! Why did that scent so make one ache? And where did it +come from—there were no strawberry beds on this side of the house. +Instinctively he took a crumpled sheet of paper from his pocket, and +wrote down some broken words. A warmth began spreading in his chest; he +rubbed the palms of his hands together. Presently he had jotted this: + +“If I could make a little song A little song to soothe my heart! I'd +make it all of little things The plash of water, rub of wings, The +puffing-off of dandies crown, The hiss of raindrop spilling down, The +purr of cat, the trill of bird, And ev'ry whispering I've heard From +willy wind in leaves and grass, And all the distant drones that pass. A +song as tender and as light As flower, or butterfly in flight; And when +I saw it opening, I'd let it fly and sing!” + +He was still muttering it over to himself at the window, when he +heard his name called, and, turning round, saw Fleur. At that amazing +apparition, he made at first no movement and no sound, while her clear +vivid glance ravished his heart. Then he went forward to the table, +saying, “How nice of you to come!” and saw her flinch as if he had +thrown something at her. + +“I asked for you,” she said, “and they showed me up here. But I can go +away again.” + +Jon clutched the paint-stained table. Her face and figure in its frilly +frock photographed itself with such startling vividness upon his eyes, +that if she had sunk through the floor he must still have seen her. + +“I know I told you a lie, Jon. But I told it out of love.” + +“Yes, oh! yes! That's nothing!” + +“I didn't answer your letter. What was the use—there wasn't anything to +answer. I wanted to see you instead.” She held out both her hands, and +Jon grasped them across the table. He tried to say something, but all +his attention was given to trying not to hurt her hands. His own felt so +hard and hers so soft. She said almost defiantly: + +“That old story—was it so very dreadful?” + +“Yes.” In his voice, too, there was a note of defiance. + +She dragged her hands away. “I didn't think in these days boys were tied +to their mothers' apron-strings.” + +Jon's chin went up as if he had been struck. + +“Oh! I didn't mean it, Jon. What a horrible thing to say!” Swiftly she +came close to him. “Jon, dear; I didn't mean it.” + +“All right.” + +She had put her two hands on his shoulder, and her forehead down on +them; the brim of her hat touched his neck, and he felt it quivering. +But, in a sort of paralysis, he made no response. She let go of his +shoulder and drew away. + +“Well, I'll go, if you don't want me. But I never thought you'd have +given me up.” + +“I haven't,” cried Jon, coming suddenly to life. “I can't. I'll try +again.” + +Her eyes gleamed, she swayed toward him. “Jon—I love you! Don't give +me up! If you do, I don't know what—I feel so desperate. What does it +matter—all that past-compared with this?” + +She clung to him. He kissed her eyes, her cheeks, her lips. But while he +kissed her he saw, the sheets of that letter fallen down on the floor of +his bedroom—his father's white dead face—his mother kneeling before it. +Fleur's whispered, “Make her! Promise! Oh! Jon, try!” seemed childish in +his ear. He felt curiously old. + +“I promise!” he muttered. “Only, you don't understand.” + +“She wants to spoil our lives, just because—” + +“Yes, of what?” + +Again that challenge in his voice, and she did not answer. Her arms +tightened round him, and he returned her kisses; but even while he +yielded, the poison worked in him, the poison of the letter. Fleur did +not know, she did not understand—she misjudged his mother; she came +from the enemy's camp! So lovely, and he loved her so—yet, even in her +embrace, he could not help the memory of Holly's words: “I think she +has a 'having' nature,” and his mother's “My darling boy, don't think of +me—think of yourself!” + +When she was gone like a passionate dream, leaving her image on his +eyes, her kisses on his lips, such an ache in his heart, Jon leaned in +the window, listening to the car bearing her away. Still the scent as of +warm strawberries, still the little summer sounds that should make his +song; still all the promise of youth and happiness in sighing, floating, +fluttering July—and his heart torn; yearning strong in him; hope high +in him yet with its eyes cast down, as if ashamed. The miserable task +before him! If Fleur was desperate, so was he—watching the poplars +swaying, the white clouds passing, the sunlight on the grass. + +He waited till evening, till after their almost silent dinner, till his +mother had played to him and still he waited, feeling that she knew what +he was waiting to say. She kissed him and went up-stairs, and still he +lingered, watching the moonlight and the moths, and that unreality of +colouring which steals along and stains a summer night. And he would +have given anything to be back again in the past—barely three months +back; or away forward, years, in the future. The present with this +dark cruelty of a decision, one way or the other, seemed impossible. +He realised now so much more keenly what his mother felt than he had +at first; as if the story in that letter had been a poisonous germ +producing a kind of fever of partisanship, so that he really felt there +were two camps, his mother's and his—Fleur's and her father's. It might +be a dead thing, that old tragic ownership and enmity, but dead things +were poisonous till time had cleaned them away. Even his love felt +tainted, less illusioned, more of the earth, and with a treacherous +lurking doubt lest Fleur, like her father, might want to own; not +articulate, just a stealing haunt, horribly unworthy, which crept in and +about the ardour of his memories, touched with its tarnishing breath the +vividness and grace of that charmed face and figure—a doubt, not real +enough to convince him of its presence, just real enough to deflower a +perfect faith. And perfect faith, to Jon, not yet twenty, was essential. +He still had Youth's eagerness to give with both hands, to take with +neither—to give lovingly to one who had his own impulsive generosity. +Surely she had! He got up from the window-seat and roamed in the big +grey ghostly room, whose walls were hung with silvered canvas. This +house his father said in that death-bed letter—had been built for +his mother to live in—with Fleur's father! He put out his hand in the +half-dark, as if to grasp the shadowy hand of the dead. He clenched, +trying to feel the thin vanished fingers of his father; to squeeze them, +and reassure him that he—he was on his father's side. Tears, prisoned +within him, made his eyes feel dry and hot. He went back to the window. +It was warmer, not so eerie, more comforting outside, where the +moon hung golden, three days off full; the freedom of the night was +comforting. If only Fleur and he had met on some desert island without +a past—and Nature for their house! Jon had still his high regard for +desert islands, where breadfruit grew, and the water was blue above the +coral. The night was deep, was free—there was enticement in it; a lure, +a promise, a refuge from entanglement, and love! Milksop tied to his +mother's...! His cheeks burned. He shut the window, drew curtains over +it, switched off the lighted sconce, and went up-stairs. + +The door of his room was open, the light turned up; his mother, still in +her evening gown, was standing at the window. She turned and said: + +“Sit down, Jon; let's talk.” She sat down on the window-seat, Jon on his +bed. She had her profile turned to him, and the beauty and grace of her +figure, the delicate line of the brow, the nose, the neck, the strange +and as it were remote refinement of her, moved him. His mother never +belonged to her surroundings. She came into them from somewhere—as it +were! What was she going to say to him, who had in his heart such things +to say to her? + +“I know Fleur came to-day. I'm not surprised.” It was as though she had +added: “She is her father's daughter!” And Jon's heart hardened. Irene +went on quietly: + +“I have Father's letter. I picked it up that night and kept it. Would +you like it back, dear?” + +Jon shook his head. + +“I had read it, of course, before he gave it to you. It didn't quite do +justice to my criminality.” + +“Mother!” burst from Jon's lips. + +“He put it very sweetly, but I know that in marrying Fleur's father +without love I did a dreadful thing. An unhappy marriage, Jon, can play +such havoc with other lives besides one's own. You are fearfully young, +my darling, and fearfully loving. Do you think you can possibly be happy +with this girl?” + +Staring at her dark eyes, darker now from pain, Jon answered + +“Yes; oh! yes—if you could be.” + +Irene smiled. + +“Admiration of beauty and longing for possession are not love. If yours +were another case like mine, Jon—where the deepest things are stifled; +the flesh joined, and the spirit at war!” + +“Why should it, Mother? You think she must be like her father, but she's +not. I've seen him.” + +Again the smile came on Irene's lips, and in Jon something wavered; +there was such irony and experience in that smile. + +“You are a giver, Jon; she is a taker.” + +That unworthy doubt, that haunting uncertainty again! He said with +vehemence: + +“She isn't—she isn't. It's only because I can't bear to make you +unhappy, Mother, now that Father—” He thrust his fists against his +forehead. + +Irene got up. + +“I told you that night, dear, not to mind me. I meant it. Think of +yourself and your own happiness! I can stand what's left—I've brought it +on myself.” + +Again the word “Mother!” burst from Jon's lips. + +She came over to him and put her hands over his. + +“Do you feel your head, darling?” + +Jon shook it. What he felt was in his chest—a sort of tearing asunder of +the tissue there, by the two loves. + +“I shall always love you the same, Jon, whatever you do. You won't lose +anything.” She smoothed his hair gently, and walked away. + +He heard the door shut; and, rolling over on the bed, lay, stifling his +breath, with an awful held-up feeling within him. + + + + + +VII.—EMBASSY + +Enquiring for her at tea time Soames learned that Fleur had been out in +the car since two. Three hours! Where had she gone? Up to London without +a word to him? He had never become quite reconciled with cars. He had +embraced them in principle—like the born empiricist, or Forsyte, that he +was—adopting each symptom of progress as it came along with: “Well, we +couldn't do without them now.” But in fact he found them tearing, great, +smelly things. Obliged by Annette to have one—a Rollhard with pearl-grey +cushions, electric light, little mirrors, trays for the ashes of +cigarettes, flower vases—all smelling of petrol and stephanotis—he +regarded it much as he used to regard his brother-in-law, Montague +Dartie. The thing typified all that was fast, insecure, and +subcutaneously oily in modern life. As modern life became faster, +looser, younger, Soames was becoming older, slower, tighter, more and +more in thought and language like his father James before him. He was +almost aware of it himself. Pace and progress pleased him less and +less; there was an ostentation, too, about a car which he considered +provocative in the prevailing mood of Labour. On one occasion that +fellow Sims had driven over the only vested interest of a working man. +Soames had not forgotten the behaviour of its master, when not many +people would have stopped to put up with it. He had been sorry for +the dog, and quite prepared to take its part against the car, if that +ruffian hadn't been so outrageous. With four hours fast becoming five, +and still no Fleur, all the old car-wise feelings he had experienced in +person and by proxy balled within him, and sinking sensations troubled +the pit of his stomach. At seven he telephoned to Winifred by trunk +call. No! Fleur had not been to Green Street. Then where was she? +Visions of his beloved daughter rolled up in her pretty frills, all +blood and dust-stained, in some hideous catastrophe, began to haunt him. +He went to her room and spied among her things. She had taken nothing—no +dressing-case, no Jewellery. And this, a relief in one sense, increased +his fears of an accident. Terrible to be helpless when his loved one was +missing, especially when he couldn't bear fuss or publicity of any kind! +What should he do if she were not back by nightfall? + +At a quarter to eight he heard the car. A great weight lifted from off +his heart; he hurried down. She was getting out—pale and tired-looking, +but nothing wrong. He met her in the hall. + +“You've frightened me. Where have you been?” + +“To Robin Hill. I'm sorry, dear. I had to go; I'll tell you afterward.” +And, with a flying kiss, she ran up-stairs. + +Soames waited in the drawing-room. To Robin Hill! What did that portend? + +It was not a subject they could discuss at dinner—consecrated to the +susceptibilities of the butler. The agony of nerves Soames had been +through, the relief he felt at her safety, softened his power to condemn +what she had done, or resist what she was going to do; he waited in a +relaxed stupor for her revelation. Life was a queer business. There he +was at sixty-five and no more in command of things than if he had not +spent forty years in building up security-always something one couldn't +get on terms with! In the pocket of his dinner-jacket was a letter from +Annette. She was coming back in a fortnight. He knew nothing of what she +had been doing out there. And he was glad that he did not. Her absence +had been a relief. Out of sight was out of mind! And now she was coming +back. Another worry! And the Bolderby Old Crome was gone—Dumetrius had +got it—all because that anonymous letter had put it out of his thoughts. +He furtively remarked the strained look on his daughter's face, as if +she too were gazing at a picture that she couldn't buy. He almost wished +the War back. Worries didn't seem, then, quite so worrying. From the +caress in her voice, the look on her face, he became certain that she +wanted something from him, uncertain whether it would be wise of him to +give it her. He pushed his savoury away uneaten, and even joined her in +a cigarette. + +After dinner she set the electric piano-player going. And he augured the +worst when she sat down on a cushion footstool at his knee, and put her +hand on his. + +“Darling, be nice to me. I had to see Jon—he wrote to me. He's going to +try what he can do with his mother. But I've been thinking. It's really +in your hands, Father. If you'd persuade her that it doesn't mean +renewing the past in any way! That I shall stay yours, and Jon will stay +hers; that you need never see him or her, and she need never see you or +me! Only you could persuade her, dear, because only you could promise. +One can't promise for other people. Surely it wouldn't be too awkward +for you to see her just this once now that Jon's father is dead?” + +“Too awkward?” Soames repeated. “The whole thing's preposterous.” + +“You know,” said Fleur, without looking up, “you wouldn't mind seeing +her, really.” + +Soames was silent. Her words had expressed a truth too deep for him to +admit. She slipped her fingers between his own—hot, slim, eager, they +clung there. This child of his would corkscrew her way into a brick +wall! + +“What am I to do if you won't, Father?” she said very softly. + +“I'll do anything for your happiness,” said Soanies; “but this isn't for +your happiness.” + +“Oh! it is; it is!” + +“It'll only stir things up,” he said grimly. + +“But they are stirred up. The thing is to quiet them. To make her feel +that this is just our lives, and has nothing to do with yours or hers. +You can do it, Father, I know you can.” + +“You know a great deal, then,” was Soames' glum answer. + +“If you will, Jon and I will wait a year—two years if you like.” + +“It seems to me,” murmured Soames, “that you care nothing about what I +feel.” + +Fleur pressed his hand against her cheek. + +“I do, darling. But you wouldn't like me to be awfully miserable.” + +How she wheedled to get her ends! And trying with all his might to think +she really cared for him—he was not sure—not sure. All she cared for was +this boy! Why should he help her to get this boy, who was killing her +affection for himself? Why should he? By the laws of the Forsytes it was +foolish! There was nothing to be had out of it—nothing! To give her to +that boy! To pass her into the enemy's camp, under the influence of the +woman who had injured him so deeply! Slowly—inevitably—he would lose +this flower of his life! And suddenly he was conscious that his hand was +wet. His heart gave a little painful jump. He couldn't bear her to cry. +He put his other hand quickly over hers, and a tear dropped on that, +too. He couldn't go on like this! “Well, well,” he said, “I'll think +it over, and do what I can. Come, come!” If she must have it for her +happiness—she must; he couldn't refuse to help her. And lest she +should begin to thank him he got out of his chair and went up to the +piano-player—making that noise! It ran down, as he reached it, with +a faint buzz. That musical box of his nursery days: “The Harmonious +Blacksmith,” “Glorious Port”—the thing had always made him miserable +when his mother set it going on Sunday afternoons. Here it was again—the +same thing, only larger, more expensive, and now it played “The Wild, +Wild Women,” and “The Policeman's Holiday,” and he was no longer in +black velvet with a sky blue collar. 'Profond's right,' he thought, +'there's nothing in it! We're all progressing to the grave!' And with +that surprising mental comment he walked out. + +He did not see Fleur again that night. But, at breakfast, her eyes +followed him about with an appeal he could not escape—not that he +intended to try. No! He had made up his mind to the nerve-racking +business. He would go to Robin Hill—to that house of memories. Pleasant +memory—the last! Of going down to keep that boy's father and Irene +apart by threatening divorce. He had often thought, since, that it had +clinched their union. And, now, he was going to clinch the union of that +boy with his girl. 'I don't know what I've done,' he thought, 'to have +such things thrust on me!' He went up by train and down by train, and +from the station walked by the long rising lane, still very much as +he remembered it over thirty years ago. Funny—so near London! Some one +evidently was holding on to the land there. This speculation soothed +him, moving between the high hedges slowly, so as not to get overheated, +though the day was chill enough. After all was said and done there was +something real about land, it didn't shift. Land, and good pictures! The +values might fluctuate a bit, but on the whole they were always going +up—worth holding on to, in a world where there was such a lot of +unreality, cheap building, changing fashions, such a “Here to-day and +gone to-morrow” spirit. The French were right, perhaps, with their +peasant proprietorship, though he had no opinion of the French. One's +bit of land! Something solid in it! He had heard peasant proprietors +described as a pig-headed lot; had heard young Mont call his father a +pigheaded Morning Poster—disrespectful young devil. Well, there were +worse things than being pig-headed or reading the Morning Post. There +was Profond and his tribe, and all these Labour chaps, and loud-mouthed +politicians and 'wild, wild women'. A lot of worse things! And suddenly +Soames became conscious of feeling weak, and hot, and shaky. Sheer +nerves at the meeting before him! As Aunt Juley might have said—quoting +“Superior Dosset”—his nerves were “in a proper fautigue.” He could see +the house now among its trees, the house he had watched being built, +intending it for himself and this woman, who, by such strange fate, +had lived in it with another after all! He began to think of Dumetrius, +Local Loans, and other forms of investment. He could not afford to meet +her with his nerves all shaking; he who represented the Day of Judgment +for her on earth as it was in heaven; he, legal ownership, personified, +meeting lawless beauty, incarnate. His dignity demanded impassivity +during this embassy designed to link their offspring, who, if she had +behaved herself, would have been brother and sister. That wretched tune, +“The Wild, Wild Women,” kept running in his head, perversely, for tunes +did not run there as a rule. Passing the poplars in front of the house, +he thought: 'How they've grown; I had them planted!' A maid answered his +ring. + +“Will you say—Mr. Forsyte, on a very special matter.” + +If she realised who he was, quite probably she would not see him. 'By +George!' he thought, hardening as the tug came. 'It's a topsy-turvy +affair!' + +The maid came back. “Would the gentleman state his business, please?” + +“Say it concerns Mr. Jon,” said Soames. + +And once more he was alone in that hall with the pool of grey-white +marble designed by her first lover. Ah! she had been a bad lot—had loved +two men, and not himself! He must remember that when he came face to +face with her once more. And suddenly he saw her in the opening chink +between the long heavy purple curtains, swaying, as if in hesitation; +the old perfect poise and line, the old startled dark-eyed gravity, the +old calm defensive voice: “Will you come in, please?” + +He passed through that opening. As in the picture-gallery and the +confectioner's shop, she seemed to him still beautiful. And this was the +first time—the very first—since he married her seven-and-thirty years +ago, that he was speaking to her without the legal right to call her +his. She was not wearing black—one of that fellow's radical notions, he +supposed. + +“I apologise for coming,” he said glumly; “but this business must be +settled one way or the other.” + +“Won't you sit down?” + +“No, thank you.” + +Anger at his false position, impatience of ceremony between them, +mastered him, and words came tumbling out: + +“It's an infernal mischance; I've done my best to discourage it. I +consider my daughter crazy, but I've got into the habit of indulging +her; that's why I'm here. I suppose you're fond of your son.” + +“Devotedly.” + +“Well?” + +“It rests with him.” + +He had a sense of being met and baffled. Always—always she had baffled +him, even in those old first married days. + +“It's a mad notion,” he said. + +“It is.” + +“If you had only—! Well—they might have been—” he did not finish that +sentence “brother and sister and all this saved,” but he saw her shudder +as if he had, and stung by the sight he crossed over to the window. Out +there the trees had not grown—they couldn't, they were old! + +“So far as I'm concerned,” he said, “you may make your mind easy. I +desire to see neither you nor your son if this marriage comes about. +Young people in these days are—are unaccountable. But I can't bear to +see my daughter unhappy. What am I to say to her when I go back?” + +“Please say to her as I said to you, that it rests with Jon.” + +“You don't oppose it?” + +“With all my heart; not with my lips.” + +Soames stood, biting his finger. + +“I remember an evening—” he said suddenly; and was silent. What was +there—what was there in this woman that would not fit into the four +corners of his hate or condemnation? “Where is he—your son?” + +“Up in his father's studio, I think.” + +“Perhaps you'd have him down.” + +He watched her ring the bell, he watched the maid come in. + +“Please tell Mr. Jon that I want him.” + +“If it rests with him,” said Soames hurriedly, when the maid was gone, +“I suppose I may take it for granted that this unnatural marriage +will take place; in that case there'll be formalities. Whom do I deal +with—Herring's?” + +Irene nodded. + +“You don't propose to live with them?” + +Irene shook her head. + +“What happens to this house?” + +“It will be as Jon wishes.” + +“This house,” said Soames suddenly: “I had hopes when I began it. +If they live in it—their children! They say there's such a thing as +Nemesis. Do you believe in it?” + +“Yes.” + +“Oh! You do!” + +He had come back from the window, and was standing close to her, who, in +the curve of her grand piano, was, as it were, embayed. + +“I'm not likely to see you again,” he said slowly. “Will you shake +hands”—his lip quivered, the words came out jerkily—“and let the past +die.” He held out his hand. Her pale face grew paler, her eyes so dark, +rested immovably on his, her hands remained clasped in front of her. He +heard a sound and turned. That boy was standing in the opening of the +curtains. Very queer he looked, hardly recognisable as the young fellow +he had seen in the Gallery off Cork Street—very queer; much older, no +youth in the face at all—haggard, rigid, his hair ruffled, his eyes deep +in his head. Soames made an effort, and said with a lift of his lip, not +quite a smile nor quite a sneer: + +“Well, young man! I'm here for my daughter; it rests with you, it +seems—this matter. Your mother leaves it in your hands.” + +The boy continued staring at his mother's face, and made no answer. + +“For my daughter's sake I've brought myself to come,” said Soames. “What +am I to say to her when I go back?” + +Still looking at his mother, the boy said, quietly: + +“Tell Fleur that it's no good, please; I must do as my father wished +before he died.” + +“Jon!” + +“It's all right, Mother.” + +In a kind of stupefaction Soames looked from one to the other; then, +taking up hat and umbrella which he had put down on a chair, he walked +toward the curtains. The boy stood aside for him to go by. He passed +through and heard the grate of the rings as the curtains were drawn +behind him. The sound liberated something in his chest. + +'So that's that!' he thought, and passed out of the front door. + + + + + +VIII.—THE DARK TUNE + +As Soames walked away from the house at Robin Hill the sun broke through +the grey of that chill afternoon, in smoky radiance. So absorbed in +landscape painting that he seldom looked seriously for effects of Nature +out of doors—he was struck by that moody effulgence—it mourned with a +triumph suited to his own feeling. Victory in defeat. His embassy +had come to naught. But he was rid of those people, had regained his +daughter at the expense of—her happiness. What would Fleur say to him? +Would she believe he had done his best? And under that sunlight faring +on the elms, hazels, hollies of the lane and those unexploited fields, +Soames felt dread. She would be terribly upset! He must appeal to her +pride. That boy had given her up, declared part and lot with the woman +who so long ago had given her father up! Soames clenched his hands. +Given him up, and why? What had been wrong with him? And once more he +felt the malaise of one who contemplates himself as seen by another—like +a dog who chances on his refection in a mirror and is intrigued and +anxious at the unseizable thing. + +Not in a hurry to get home, he dined in town at the Connoisseurs. While +eating a pear it suddenly occurred to him that, if he had not gone down +to Robin Hill, the boy might not have so decided. He remembered the +expression on his face while his mother was refusing the hand he had +held out. A strange, an awkward thought! Had Fleur cooked her own goose +by trying to make too sure? + +He reached home at half-past nine. While the car was passing in at one +drive gate he heard the grinding sputter of a motor-cycle passing out +by the other. Young Mont, no doubt, so Fleur had not been lonely. But he +went in with a sinking heart. In the cream-panelled drawing-room she was +sitting with her elbows on her knees, and her chin on her clasped hands, +in front of a white camellia plant which filled the fireplace. That +glance at her before she saw him renewed his dread. What was she seeing +among those white camellias? + +“Well, Father!” + +Soames shook his head. His tongue failed him. This was murderous work! +He saw her eyes dilate, her lips quivering. + +“What? What? Quick, Father!” + +“My dear,” said Soames, “I—I did my best, but—” And again he shook his +head. + +Fleur ran to him, and put a hand on each of his shoulders. + +“She?” + +“No,” muttered Soames; “he. I was to tell you that it was no use; he +must do what his father wished before he died.” He caught her by the +waist. “Come, child, don't let them hurt you. They're not worth your +little finger.” + +Fleur tore herself from his grasp. + +“You didn't you—couldn't have tried. You—you betrayed me, Father!” + +Bitterly wounded, Soames gazed at her passionate figure writhing there +in front of him. + +“You didn't try—you didn't—I was a fool! I won't believe he could—he +ever could! Only yesterday he—! Oh! why did I ask you?” + +“Yes,” said Soames, quietly, “why did you? I swallowed my feelings; +I did my best for you, against my judgment—and this is my reward. +Good-night!” + +With every nerve in his body twitching he went toward the door. + +Fleur darted after him. + +“He gives me up? You mean that? Father!” + +Soames turned and forced himself to answer: + +“Yes.” + +“Oh!” cried Fleur. “What did you—what could you have done in those old +days?” + +The breathless sense of really monstrous injustice cut the power of +speech in Soames' throat. What had he done! What had they done to him! + +And with quite unconscious dignity he put his hand on his breast, and +looked at her. + +“It's a shame!” cried Fleur passionately. + +Soames went out. He mounted, slow and icy, to his picture gallery, and +paced among his treasures. Outrageous! Oh! Outrageous! She was spoiled! +Ah! and who had spoiled her? He stood still before the Goya copy. +Accustomed to her own way in everything. Flower of his life! And +now that she couldn't have it! He turned to the window for some air. +Daylight was dying, the moon rising, gold behind the poplars! What sound +was that? Why! That piano thing! A dark tune, with a thrum and a throb! +She had set it going—what comfort could she get from that? His eyes +caught movement down there beyond the lawn, under the trellis of rambler +roses and young acacia-trees, where the moonlight fell. There she was, +roaming up and down. His heart gave a little sickening jump. What would +she do under this blow? How could he tell? What did he know of her—he +had only loved her all his life—looked on her as the apple of his eye! +He knew nothing—had no notion. There she was—and that dark tune—and the +river gleaming in the moonlight! + +'I must go out,' he thought. + +He hastened down to the drawing-room, lighted just as he had left it, +with the piano thrumming out that waltz, or fox-trot, or whatever they +called it in these days, and passed through on to the verandah. + +Where could he watch, without her seeing him? And he stole down through +the fruit garden to the boat-house. He was between her and the river +now, and his heart felt lighter. She was his daughter, and Annette's—she +wouldn't do anything foolish; but there it was—he didn't know! From the +boat house window he could see the last acacia and the spin of her +skirt when she turned in her restless march. That tune had run down at +last—thank goodness! He crossed the floor and looked through the farther +window at the water slow-flowing past the lilies. It made little bubbles +against them, bright where a moon-streak fell. He remembered suddenly +that early morning when he had slept on the house-boat after his father +died, and she had just been born—nearly nineteen years ago! Even now he +recalled the unaccustomed world when he woke up, the strange feeling it +had given him. That day the second passion of his life began—for this +girl of his, roaming under the acacias. What a comfort she had been to +him! And all the soreness and sense of outrage left him. If he could +make her happy again, he didn't care! An owl flew, queeking, queeking; a +bat flitted by; the moonlight brightened and broadened on the water. How +long was she going to roam about like this! He went back to the window, +and suddenly saw her coming down to the bank. She stood quite close, on +the landing-stage. And Soames watched, clenching his hands. Should he +speak to her? His excitement was intense. The stillness of her figure, +its youth, its absorption in despair, in longing, in—itself. He would +always remember it, moonlit like that; and the faint sweet reek of the +river and the shivering of the willow leaves. She had everything in the +world that he could give her, except the one thing that she could not +have because of him! The perversity of things hurt him at that moment, +as might a fish-bone in his throat. + +Then, with an infinite relief, he saw her turn back toward the house. +What could he give her to make amends? Pearls, travel, horses, other +young men—anything she wanted—that he might lose the memory of her young +figure lonely by the water! There! She had set that tune going again! +Why—it was a mania! Dark, thrumming, faint, travelling from the house. +It was as though she had said: “If I can't have something to keep me +going, I shall die of this!” Soames dimly understood. Well, if it helped +her, let her keep it thrumming on all night! And, mousing back through +the fruit garden, he regained the verandah. Though he meant to go in and +speak to her now, he still hesitated, not knowing what to say, trying +hard to recall how it felt to be thwarted in love. He ought to know, +ought to remember—and he could not! Gone—all real recollection; except +that it had hurt him horribly. In this blankness he stood passing his +handkerchief over hands and lips, which were very dry. By craning his +head he could just see Fleur, standing with her back to that piano still +grinding out its tune, her arms tight crossed on her breast, a lighted +cigarette between her lips, whose smoke half veiled her face. The +expression on it was strange to Soames, the eyes shone and stared, and +every feature was alive with a sort of wretched scorn and anger. Once +or twice he had seen Annette look like that—the face was too vivid, +too naked, not his daughter's at that moment. And he dared not go in, +realising the futility of any attempt at consolation. He sat down in the +shadow of the ingle-nook. + +Monstrous trick, that Fate had played him! Nemesis! That old unhappy +marriage! And in God's name-why? How was he to know, when he wanted +Irene so violently, and she consented to be his, that she would never +love him? The tune died and was renewed, and died again, and still +Soames sat in the shadow, waiting for he knew not what. The fag of +Fleur's cigarette, flung through the window, fell on the grass; he +watched it glowing, burning itself out. The moon had freed herself above +the poplars, and poured her unreality on the garden. Comfortless light, +mysterious, withdrawn—like the beauty of that woman who had never loved +him—dappling the nemesias and the stocks with a vesture not of earth. +Flowers! And his flower so unhappy! Ah! Why could one not put happiness +into Local Loans, gild its edges, insure it against going down? + +Light had ceased to flow out now from the drawing-room window. All was +silent and dark in there. Had she gone up? He rose, and, tiptoeing, +peered in. It seemed so! He entered. The verandah kept the moonlight +out; and at first he could see nothing but the outlines of furniture +blacker than the darkness. He groped toward the farther window to shut +it. His foot struck a chair, and he heard a gasp. There she was, curled +and crushed into the corner of the sofa! His hand hovered. Did she want +his consolation? He stood, gazing at that ball of crushed frills and +hair and graceful youth, trying to burrow its way out of sorrow. How +leave her there? At last he touched her hair, and said: + +“Come, darling, better go to bed. I'll make it up to you, somehow.” How +fatuous! But what could he have said? + + + + + +IX.—UNDER THE OAK-TREE + +When their visitor had disappeared Jon and his mother stood without +speaking, till he said suddenly: + +“I ought to have seen him out.” + +But Soames was already walking down the drive, and Jon went upstairs to +his father's studio, not trusting himself to go back. + +The expression on his mother's face confronting the man she had once +been married to, had sealed a resolution growing within him ever +since she left him the night before. It had put the finishing touch +of reality. To marry Fleur would be to hit his mother in the face; to +betray his dead father! It was no good! Jon had the least resentful of +natures. He bore his parents no grudge in this hour of his distress. For +one so young there was a rather strange power in him of seeing things +in some sort of proportion. It was worse for Fleur, worse for his mother +even, than it was for him. Harder than to give up was to be given up, +or to be the cause of some one you loved giving up for you. He must not, +would not behave grudgingly! While he stood watching the tardy sunlight, +he had again that sudden vision of the world which had come to him the +night before. Sea on sea, country on country, millions on millions +of people, all with their own lives, energies, joys, griefs, and +suffering—all with things they had to give up, and separate struggles +for existence. Even though he might be willing to give up all else for +the one thing he couldn't have, he would be a fool to think his feelings +mattered much in so vast a world, and to behave like a cry-baby or a +cad. He pictured the people who had nothing—the millions who had given +up life in the War, the millions whom the War had left with life and +little else; the hungry children he had read of, the shattered men; +people in prison, every kind of unfortunate. And—they did not help him +much. If one had to miss a meal, what comfort in the knowledge that many +others had to miss it too? There was more distraction in the thought of +getting away out into this vast world of which he knew nothing yet. He +could not go on staying here, walled in and sheltered, with everything +so slick and comfortable, and nothing to do but brood and think what +might have been. He could not go back to Wansdon, and the memories of +Fleur. If he saw her again he could not trust himself; and if he stayed +here or went back there, he would surely see her. While they were within +reach of each other that must happen. To go far away and quickly was the +only thing to do. But, however much he loved his mother, he did not want +to go away with her. Then feeling that was brutal, he made up his mind +desperately to propose that they should go to Italy. For two hours in +that melancholy room he tried to master himself, then dressed solemnly +for dinner. + +His mother had done the same. They ate little, at some length, and +talked of his father's catalogue. The show was arranged for October, and +beyond clerical detail there was nothing more to do. + +After dinner she put on a cloak and they went out; walked a little, +talked a little, till they were standing silent at last beneath the +oak-tree. Ruled by the thought: 'If I show anything, I show all,' Jon +put his arm through hers and said quite casually: + +“Mother, let's go to Italy.” + +Irene pressed his arm, and said as casually: + +“It would be very nice; but I've been thinking you ought to see and do +more than you would if I were with you.” + +“But then you'd be alone.” + +“I was once alone for more than twelve years. Besides, I should like to +be here for the opening of Father's show.” + +Jon's grip tightened round her arm; he was not deceived. + +“You couldn't stay here all by yourself; it's too big.” + +“Not here, perhaps. In London, and I might go to Paris, after the show +opens. You ought to have a year at least, Jon, and see the world.” + +“Yes, I'd like to see the world and rough it. But I don't want to leave +you all alone.” + +“My dear, I owe you that at least. If it's for your good, it'll be for +mine. Why not start tomorrow? You've got your passport.” + +“Yes; if I'm going it had better be at once. Only—Mother—if—if I +wanted to stay out somewhere—America or anywhere, would you mind coming +presently?” + +“Wherever and whenever you send for me. But don't send until you really +want me.” + +Jon drew a deep breath. + +“I feel England's choky.” + +They stood a few minutes longer under the oak-tree—looking out to where +the grand stand at Epsom was veiled in evening. The branches kept the +moonlight from them, so that it only fell everywhere else—over the +fields and far away, and on the windows of the creepered house behind, +which soon would be to let. + + + + + +X.—FLEUR'S WEDDING + +The October paragraphs describing the wedding of Fleur Forsyte to +Michael Mont hardly conveyed the symbolic significance of this event. In +the union of the great-granddaughter of “Superior Dosset” with the heir +of a ninth baronet was the outward and visible sign of that merger of +class in class which buttresses the political stability of a realm. The +time had come when the Forsytes might resign their natural resentment +against a “flummery” not theirs by birth, and accept it as the still +more natural due of their possessive instincts. Besides, they had to +mount to make room for all those so much more newly rich. In that +quiet but tasteful ceremony in Hanover Square, and afterward among the +furniture in Green Street, it had been impossible for those not in the +know to distinguish the Forsyte troop from the Mont contingent—so +far away was “Superior Dosset” now. Was there, in the crease of his +trousers, the expression of his moustache, his accent, or the shine +on his top-hat, a pin to choose between Soames and the ninth baronet +himself? Was not Fleur as self-possessed, quick, glancing, pretty, +and hard as the likeliest Muskham, Mont, or Charwell filly present? If +anything, the Forsytes had it in dress and looks and manners. They had +become “upper class” and now their name would be formally recorded in +the Stud Book, their money joined to land. Whether this was a little +late in the day, and those rewards of the possessive instinct, lands and +money, destined for the melting-pot—was still a question so moot that +it was not mooted. After all, Timothy had said Consols were goin' +up. Timothy, the last, the missing link; Timothy, in extremis on the +Bayswater Road—so Francie had reported. It was whispered, too, that this +young Mont was a sort of socialist—strangely wise of him, and in the +nature of insurance, considering the days they lived in. There was +no uneasiness on that score. The landed classes produced that sort +of amiable foolishness at times, turned to safe uses and confined to +theory. As George remarked to his sister Francie: “They'll soon be +having puppies—that'll give him pause.” + +The church with white flowers and something blue in the middle of +the East window looked extremely chaste, as though endeavouring to +counteract the somewhat lurid phraseology of a Service calculated to +keep the thoughts of all on puppies. Forsytes, Haymans, Tweetymans, +sat in the left aisle; Monts, Charwells; Muskhams in the right; while +a sprinkling of Fleur's fellow-sufferers at school, and of Mont's +fellow-sufferers in, the War, gaped indiscriminately from either side, +and three maiden ladies, who had dropped in on their way from Skyward's +brought up the rear, together with two Mont retainers and Fleur's old +nurse. In the unsettled state of the country as full a house as could be +expected. + +Mrs. Val Dartie, who sat with her husband in the third row, squeezed his +hand more than once during the performance. To her, who knew the plot +of this tragi-comedy, its most dramatic moment was well-nigh painful. +'I wonder if Jon knows by instinct,' she thought—Jon, out in British +Columbia. She had received a letter from him only that morning which had +made her smile and say: + +“Jon's in British Columbia, Val, because he wants to be in California. +He thinks it's too nice there.” + +“Oh!” said Val, “so he's beginning to see a joke again.” + +“He's bought some land and sent for his mother.” + +“What on earth will she do out there?” + +“All she cares about is Jon. Do you still think it a happy release?” + +Val's shrewd eyes narrowed to grey pin-points between their dark lashes. + +“Fleur wouldn't have suited him a bit. She's not bred right.” + +“Poor little Fleur!” sighed Holly. Ah! it was strange—this marriage. +The young man, Mont, had caught her on the rebound, of course, in the +reckless mood of one whose ship has just gone down. Such a plunge could +not but be—as Val put it—an outside chance. There was little to be told +from the back view of her young cousin's veil, and Holly's eyes reviewed +the general aspect of this Christian wedding. She, who had made a +love-match which had been successful, had a horror of unhappy marriages. +This might not be one in the end—but it was clearly a toss-up; and to +consecrate a toss-up in this fashion with manufactured unction before +a crowd of fashionable free-thinkers—for who thought otherwise than +freely, or not at all, when they were “dolled” up—seemed to her as near +a sin as one could find in an age which had abolished them. Her eyes +wandered from the prelate in his robes (a Charwell-the Forsytes had +not as yet produced a prelate) to Val, beside her, thinking—she was +certain—of the Mayfly filly at fifteen to one for the Cambridgeshire. +They passed on and caught the profile of the ninth baronet, in +counterfeitment of the kneeling process. She could just see the neat +ruck above his knees where he had pulled his trousers up, and thought: +'Val's forgotten to pull up his!' Her eyes passed to the pew in front of +her, where Winifred's substantial form was gowned with passion, and on +again to Soames and Annette kneeling side by side. A little smile came +on her lips—Prosper Profond, back from the South Seas of the Channel, +would be kneeling too, about six rows behind. Yes! This was a funny +“small” business, however it turned out; still it was in a proper church +and would be in the proper papers to-morrow morning. + +They had begun a hymn; she could hear the ninth baronet across the +aisle, singing of the hosts of Midian. Her little finger touched Val's +thumb—they were holding the same hymn-book—and a tiny thrill passed +through her, preserved—from twenty years ago. He stooped and whispered: + +“I say, d'you remember the rat?” The rat at their wedding in Cape +Colony, which had cleaned its whiskers behind the table at the +Registrar's! And between her little and third forgers she squeezed his +thumb hard. + +The hymn was over, the prelate had begun to deliver his discourse. He +told them of the dangerous times they lived in, and the awful conduct of +the House of Lords in connection with divorce. They were all soldiers—he +said—in the trenches under the poisonous gas of the Prince of Darkness, +and must be manful. The purpose of marriage was children, not mere +sinful happiness. + +An imp danced in Holly's eyes—Val's eyelashes were meeting. Whatever +happened; he must not snore. Her finger and thumb closed on his thigh +till he stirred uneasily. + +The discourse was over, the danger past. They were signing in the +vestry; and general relaxation had set in. + +A voice behind her said: + +“Will she stay the course?” + +“Who's that?” she whispered. + +“Old George Forsyte!” + +Holly demurely scrutinized one of whom she had often heard. Fresh +from South Africa, and ignorant of her kith and kin, she never saw one +without an almost childish curiosity. He was very big, and very dapper; +his eyes gave her a funny feeling of having no particular clothes. + +“They're off!” she heard him say. + +They came, stepping from the chancel. Holly looked first in young Mont's +face. His lips and ears were twitching, his eyes, shifting from his feet +to the hand within his arm, stared suddenly before them as if to face +a firing party. He gave Holly the feeling that he was spiritually +intoxicated. But Fleur! Ah! That was different. The girl was perfectly +composed, prettier than ever, in her white robes and veil over her +banged dark chestnut hair; her eyelids hovered demure over her dark +hazel eyes. Outwardly, she seemed all there. But inwardly, where was +she? As those two passed, Fleur raised her eyelids—the restless glint +of those clear whites remained on Holly's vision as might the flutter of +caged bird's wings. + +In Green Street Winifred stood to receive, just a little less composed +than usual. Soames' request for the use of her house had come on her +at a deeply psychological moment. Under the influence of a remark +of Prosper Profond, she had begun to exchange her Empire for +Expressionistic furniture. There were the most amusing arrangements, +with violet, green, and orange blobs and scriggles, to be had at +Mealard's. Another month and the change would have been complete. Just +now, the very “intriguing” recruits she had enlisted, did not march too +well with the old guard. It was as if her regiment were half in khaki, +half in scarlet and bearskins. But her strong and comfortable character +made the best of it in a drawing-room which typified, perhaps, more +perfectly than she imagined, the semi-bolshevized imperialism of her +country. After all, this was a day of merger, and you couldn't have too +much of it! Her eyes travelled indulgently among her guests. Soames had +gripped the back of a buhl chair; young Mont was behind that “awfully +amusing” screen, which no one as yet had been able to explain to her. +The ninth baronet had shied violently at a round scarlet table, inlaid +under glass with blue Australian butteries' wings, and was clinging +to her Louis-Quinze cabinet; Francie Forsyte had seized the new +mantel-board, finely carved with little purple grotesques on an ebony +ground; George, over by the old spinet, was holding a little sky-blue +book as if about to enter bets; Prosper Profond was twiddling the knob +of the open door, black with peacock-blue panels; and Annette's hands, +close by, were grasping her own waist; two Muskhams clung to the balcony +among the plants, as if feeling ill; Lady Mont, thin and brave-looking, +had taken up her long-handled glasses and was gazing at the central +light shade, of ivory and orange dashed with deep magenta, as if the +heavens had opened. Everybody, in fact, seemed holding on to something. +Only Fleur, still in her bridal dress, was detached from all support, +flinging her words and glances to left and right. + +The room was full of the bubble and the squeak of conversation. +Nobody could hear anything that anybody said; which seemed of little +consequence, since no one waited for anything so slow as an answer. +Modern conversation seemed to Winifred so different from the days of her +prime, when a drawl was all the vogue. Still it was “amusing,” which, +of course, was all that mattered. Even the Forsytes were talking with +extreme rapidity—Fleur and Christopher, and Imogen, and young Nicholas's +youngest, Patrick. Soames, of course, was silent; but George, by the +spinet, kept up a running commentary, and Francie, by her mantel-shelf. +Winifred drew nearer to the ninth baronet. He seemed to promise a +certain repose; his nose was fine and drooped a little, his grey +moustaches too; and she said, drawling through her smile: + +“It's rather nice, isn't it?” + +His reply shot out of his smile like a snipped bread pellet + +“D'you remember, in Frazer, the tribe that buries the bride up to the +waist?” + +He spoke as fast as anybody! He had dark lively little eyes, too, all +crinkled round like a Catholic priest's. Winifred felt suddenly he might +say things she would regret. + +“They're always so amusing—weddings,” she murmured, and moved on to +Soames. He was curiously still, and Winifred saw at once what was +dictating his immobility. To his right was George Forsyte, to his left +Annette and Prosper Profond. He could not move without either seeing +those two together, or the reflection of them in George Forsyte's japing +eyes. He was quite right not to be taking notice. + +“They say Timothy's sinking;” he said glumly. + +“Where will you put him, Soames?” + +“Highgate.” He counted on his fingers. “It'll make twelve of them there, +including wives. How do you think Fleur looks?” + +“Remarkably well.” + +Soames nodded. He had never seen her look prettier, yet he could not rid +himself of the impression that this business was unnatural—remembering +still that crushed figure burrowing into the corner of the sofa. From +that night to this day he had received from her no confidences. He knew +from his chauffeur that she had made one more attempt on Robin Hill +and drawn blank—an empty house, no one at home. He knew that she had +received a letter, but not what was in it, except that it had made her +hide herself and cry. He had remarked that she looked at him sometimes +when she thought he wasn't noticing, as if she were wondering still what +he had done—forsooth—to make those people hate him so. Well, there +it was! Annette had come back, and things had worn on through the +summer—very miserable, till suddenly Fleur had said she was going to +marry young Mont. She had shown him a little more affection when she +told him that. And he had yielded—what was the good of opposing it? God +knew that he had never wished to thwart her in anything! And the young +man seemed quite delirious about her. No doubt she was in a reckless +mood, and she was young, absurdly young. But if he opposed her, he +didn't know what she would do; for all he could tell she might want to +take up a profession, become a doctor or solicitor, some nonsense. She +had no aptitude for painting, writing, music, in his view the legitimate +occupations of unmarried women, if they must do something in these +days. On the whole, she was safer married, for he could see too well how +feverish and restless she was at home. Annette, too, had been in favour +of it—Annette, from behind the veil of his refusal to know what she was +about, if she was about anything. Annette had said: “Let her marry this +young man. He is a nice boy—not so highty-flighty as he seems.” Where +she got her expressions, he didn't know—but her opinion soothed his +doubts. His wife, whatever her conduct, had clear eyes and an almost +depressing amount of common sense. He had settled fifty thousand on +Fleur, taking care that there was no cross settlement in case it didn't +turn out well. Could it turn out well? She had not got over that other +boy—he knew. They were to go to Spain for the honeymoon. He would be +even lonelier when she was gone. But later, perhaps, she would forget, +and turn to him again! Winifred's voice broke on his reverie. + +“Why! Of all wonders-June!” + +There, in a djibbah—what things she wore!—with her hair straying from +under a fillet, Soames saw his cousin, and Fleur going forward to greet +her. The two passed from their view out on to the stairway. + +“Really,” said Winifred, “she does the most impossible things! Fancy her +coming!” + +“What made you ask her?” muttered Soames. + +“Because I thought she wouldn't accept, of course.” + +Winifred had forgotten that behind conduct lies the main trend of +character; or, in other words, omitted to remember that Fleur was now a +“lame duck.” + +On receiving her invitation, June had first thought, 'I wouldn't go near +them for the world!' and then, one morning, had awakened from a dream of +Fleur waving to her from a boat with a wild unhappy gesture. And she had +changed her mind. + +When Fleur came forward and said to her, “Do come up while I'm changing +my dress,” she had followed up the stairs. The girl led the way into +Imogen's old bedroom, set ready for her toilet. + +June sat down on the bed, thin and upright, like a little spirit in the +sear and yellow. Fleur locked the door. + +The girl stood before her divested of her wedding dress. What a pretty +thing she was! + +“I suppose you think me a fool,” she said, with quivering lips, “when it +was to have been Jon. But what does it matter? Michael wants me, and +I don't care. It'll get me away from home.” Diving her hand into the +frills on her breast, she brought out a letter. “Jon wrote me this.” + +June read: “Lake Okanagen, British Columbia. I'm not coming back to +England. Bless you always. Jon.” + +“She's made safe, you see,” said Fleur. + +June handed back the letter. + +“That's not fair to Irene,” she said, “she always told Jon he could do +as he wished.” + +Fleur smiled bitterly. “Tell me, didn't she spoil your life too?” June +looked up. “Nobody can spoil a life, my dear. That's nonsense. Things +happen, but we bob up.” + +With a sort of terror she saw the girl sink on her knees and bury her +face in the djibbah. A strangled sob mounted to June's ears. + +“It's all right—all right,” she murmured, “Don't! There, there!” + +But the point of the girl's chin was pressed ever closer into her thigh, +and the sound was dreadful of her sobbing. + +Well, well! It had to come. She would feel better afterward! June +stroked the short hair of that shapely head; and all the scattered +mother-sense in her focussed itself and passed through the tips of her +fingers into the girl's brain. + +“Don't sit down under it, my dear,” she said at last. “We can't control +life, but we can fight it. Make the best of things. I've had to. I held +on, like you; and I cried, as you're crying now. And look at me!” + +Fleur raised her head; a sob merged suddenly into a little choked laugh. +In truth it was a thin and rather wild and wasted spirit she was looking +at, but it had brave eyes. + +“All right!” she said. “I'm sorry. I shall forget him, I suppose, if I +fly fast and far enough.” + +And, scrambling to her feet, she went over to the wash-stand. + +June watched her removing with cold water the traces of emotion. Save +for a little becoming pinkness there was nothing left when she stood +before the mirror. June got off the bed and took a pin-cushion in her +hand. To put two pins into the wrong places was all the vent she found +for sympathy. + +“Give me a kiss,” she said when Fleur was ready, and dug her chin into +the girl's warm cheek. + +“I want a whiff,” said Fleur; “don't wait.” + +June left her, sitting on the bed with a cigarette between her lips +and her eyes half closed, and went down-stairs. In the doorway of the +drawing-room stood Soames as if unquiet at his daughter's tardiness. +June tossed her head and passed down on to the half-landing. Her cousin +Francie was standing there. + +“Look!” said June, pointing with her chin at Soames. “That man's fatal!” + +“How do you mean,” said Francie, “fatal?” + +June did not answer her. “I shan't wait to see them off,” she said. +“Good-bye!” + +“Good-bye!” said Francie, and her eyes, of a Celtic grey, goggled. That +old feud! Really, it was quite romantic! + +Soames, moving to the well of the staircase, saw June go, and drew a +breath of satisfaction. Why didn't Fleur come? They would miss their +train. That train would bear her away from him, yet he could not help +fidgeting at the thought that they would lose it. And then she did come, +running down in her tan-coloured frock and black velvet cap, and passed +him into the drawing-room. He saw her kiss her mother, her aunt, Val's +wife, Imogen, and then come forth, quick and pretty as ever. How would +she treat him at this last moment of her girlhood? He couldn't hope for +much! + +Her lips pressed the middle of his cheek. + +“Daddy!” she said, and was past and gone! Daddy! She hadn't called him +that for years. He drew a long breath and followed slowly down. There +was all the folly with that confetti stuff and the rest of it to go +through with yet. But he would like just to catch her smile, if she +leaned out, though they would hit her in the eye with the shoe, if they +didn't take care. Young Mont's voice said fervently in his ear: + +“Good-bye, sir; and thank you! I'm so fearfully bucked.” + +“Good-bye,” he said; “don't miss your train.” + +He stood on the bottom step but three, whence he could see above the +heads—the silly hats and heads. They were in the car now; and there was +that stuff, showering, and there went the shoe. A flood of something +welled up in Soames, and—he didn't know—he couldn't see! + + + + + +XI.—THE LAST OF THE OLD FORSYTES + +When they came to prepare that terrific symbol Timothy Forsyte—the one +pure individualist left, the only man who hadn't heard of the Great +War—they found him wonderful—not even death had undermined his +soundness. + +To Smither and Cook that preparation came like final evidence of what +they had never believed possible—the end of the old Forsyte family on +earth. Poor Mr. Timothy must now take a harp and sing in the company of +Miss Forsyte, Mrs. Julia, Miss Hester; with Mr. Jolyon, Mr. Swithin, +Mr. James, Mr. Roger, and Mr. Nicholas of the party. Whether Mrs. Hayman +would be there was more doubtful, seeing that she had been cremated. +Secretly Cook thought that Mr. Timothy would be upset—he had always been +so set against barrel organs. How many times had she not said: “Drat the +thing! There it is again! Smither, you'd better run up and see what you +can do.” And in her heart she would so have enjoyed the tunes, if she +hadn't known that Mr. Timothy would ring the bell in a minute and say: +“Here, take him a halfpenny and tell him to move on.” Often they +had been obliged to add threepence of their own before the man would +go—Timothy had ever underrated the value of emotion. Luckily he had +taken the organs for blue-bottles in his last years, which had been a +comfort, and they had been able to enjoy the tunes. But a harp! Cook +wondered. It was a change! And Mr. Timothy had never liked change. But +she did not speak of this to Smither, who did so take a line of her own +in regard to heaven that it quite put one about sometimes. + +She cried while Timothy was being prepared, and they all had sherry +afterward out of the yearly Christmas bottle, which would not be needed +now. Ah! dear! She had been there five-and-forty years and Smither +three-and-forty! And now they would be going to a tiny house in Tooting, +to live on their savings and what Miss Hester had so kindly left +them—for to take fresh service after the glorious past—No! But they +would like just to see Mr. Soames again, and Mrs. Dartie, and Miss +Francie, and Miss Euphemia. And even if they had to take their own cab, +they felt they must go to the funeral. For six years Mr. Timothy had +been their baby, getting younger and younger every day, till at last he +had been too young to live. + +They spent the regulation hours of waiting in polishing and dusting, in +catching the one mouse left, and asphyxiating the last beetle so as to +leave it nice, discussing with each other what they would buy at the +sale. Miss Ann's workbox; Miss Juley's (that is Mrs. Julia's) seaweed +album; the fire-screen Miss Hester had crewelled; and Mr. Timothy's +hair—little golden curls, glued into a black frame. Oh! they must have +those—only the price of things had gone up so! + +It fell to Soames to issue invitations for the funeral. He had them +drawn up by Gradman in his office—only blood relations, and no flowers. +Six carriages were ordered. The Will would be read afterward at the +house. + +He arrived at eleven o'clock to see that all was ready. At a quarter +past old Gradman came in black gloves and crape on his hat. He and +Soames stood in the drawing-room waiting. At half-past eleven the +carriages drew up in a long row. But no one else appeared. Gradman said: + +“It surprises me, Mr. Soames. I posted them myself.” + +“I don't know,” said Soames; “he'd lost touch with the family.” Soames +had often noticed in old days how much more neighbourly his family were +to the dead than to the living. But, now, the way they had flocked to +Fleur's wedding and abstained from Timothy's funeral, seemed to show +some vital change. There might, of course, be another reason; for Soames +felt that if he had not known the contents of Timothy's Will, he might +have stayed away himself through delicacy. Timothy had left a lot of +money, with nobody in particular to leave it to. They mightn't like to +seem to expect something. + +At twelve o'clock the procession left the door; Timothy alone in the +first carriage under glass. Then Soames alone; then Gradman alone; +then Cook and Smither together. They started at a walk, but were soon +trotting under a bright sky. At the entrance to Highgate Cemetery they +were delayed by service in the Chapel. Soames would have liked to stay +outside in the sunshine. He didn't believe a word of it; on the other +hand, it was a form of insurance which could not safely be neglected, in +case there might be something in it after all. + +They walked up two and two—he and Gradman, Cook and Smither—to the +family vault. It was not very distinguished for the funeral of the last +old Forsyte. + +He took Gradman into his carriage on the way back to the Bayswater Road +with a certain glow in his heart. He had a surprise in pickle for the +old chap who had served the Forsytes four-and-fifty years-a treat that +was entirely his doing. How well he remembered saying to Timothy the +day—after Aunt Hester's funeral: “Well; Uncle Timothy, there's Gradman. +He's taken a lot of trouble for the family. What do you say to leaving +him five thousand?” and his surprise, seeing the difficulty there had +been in getting Timothy to leave anything, when Timothy had nodded. +And now the old chap would be as pleased as Punch, for Mrs. Gradman, he +knew, had a weak heart, and their son had lost a leg in the War. It +was extraordinarily gratifying to Soames to have left him five thousand +pounds of Timothy's money. They sat down together in the little +drawing-room, whose walls—like a vision of heaven—were sky-blue and gold +with every picture-frame unnaturally bright, and every speck of +dust removed from every piece of furniture, to read that little +masterpiece—the Will of Timothy. With his back to the light in Aunt +Hester's chair, Soames faced Gradman with his face to the light, on Aunt +Ann's sofa; and, crossing his legs, began: + +“This is the last Will and Testament of me Timothy Forsyte of The Bower +Bayswater Road, London I appoint my nephew Soames Forsyte of The Shelter +Mapleduram and Thomas Gradman of 159 Folly Road Highgate (hereinafter +called my Trustees) to be the trustees and executors of this my Will To +the said Soames Forsyte I leave the sum of one thousand pounds free +of legacy duty and to the said Thomas Gradman I leave the sum of five +thousand pounds free of legacy duty.” + +Soames paused. Old Gradman was leaning forward, convulsively gripping a +stout black knee with each of his thick hands; his mouth had fallen +open so that the gold fillings of three teeth gleamed; his eyes were +blinking, two tears rolled slowly out of them. Soames read hastily on. + +“All the rest of my property of whatsoever description I bequeath to +my Trustees upon Trust to convert and hold the same upon the following +trusts namely To pay thereout all my debts funeral expenses and +outgoings of any kind in connection with my Will and to hold the residue +thereof in trust for that male lineal descendant of my father Jolyon +Forsyte by his marriage with Ann Pierce who after the decease of all +lineal descendants whether male or female of my said father by his said +marriage in being at the time of my death shall last attain the age of +twenty-one years absolutely it being my desire that my property shall +be nursed to the extreme limit permitted by the laws of England for the +benefit of such male lineal descendant as aforesaid.” + +Soames read the investment and attestation clauses, and, ceasing, +looked at Gradman. The old fellow was wiping his brow with a large +handkerchief, whose brilliant colour supplied a sudden festive tinge to +the proceedings. + +“My word, Mr. Soames!” he said, and it was clear that the lawyer in him +had utterly wiped out the man: “My word! Why, there are two babies now, +and some quite young children—if one of them lives to be eighty—it's not +a great age—and add twenty-one—that's a hundred years; and Mr. Timothy +worth a hundred and fifty thousand pound net if he's worth a penny. +Compound interest at five per cent. doubles you in fourteen years. +In fourteen years three hundred thousand-six hundred thousand in +twenty-eight—twelve hundred thousand in forty-two—twenty-four +hundred thousand in fifty-six—four million eight hundred thousand in +seventy—nine million six hundred thousand in eighty-four—Why, in a +hundred years it'll be twenty million! And we shan't live to use it! It +is a Will!” + +Soames said dryly: “Anything may happen. The State might take the lot; +they're capable of anything in these days.” + +“And carry five,” said Gradman to himself. “I forgot—Mr. Timothy's in +Consols; we shan't get more than two per cent. with this income tax. To +be on the safe side, say eight millions. Still, that's a pretty penny.” + +Soames rose and handed him the Will. “You're going into the City. Take +care of that, and do what's necessary. Advertise; but there are no +debts. When's the sale?” + +“Tuesday week,” said Gradman. “Life or lives in bein' and twenty-one +years afterward—it's a long way off. But I'm glad he's left it in the +family....” + +The sale—not at Jobson's, in view of the Victorian nature of the +effects—was far more freely attended than the funeral, though not by +Cook and Smither, for Soames had taken it on himself to give them +their heart's desires. Winifred was present, Euphemia, and Francie, +and Eustace had come in his car. The miniatures, Barbizons, and J. R. +drawings had been bought in by Soames; and relics of no marketable value +were set aside in an off-room for members of the family who cared +to have mementoes. These were the only restrictions upon bidding +characterised by an almost tragic languor. Not one piece of furniture, +no picture or porcelain figure appealed to modern taste. The humming +birds had fallen like autumn leaves when taken from where they had not +hummed for sixty years. It was painful to Soames to see the chairs his +aunts had sat on, the little grand piano they had practically never +played, the books whose outsides they had gazed at, the china they had +dusted, the curtains they had drawn, the hearth-rug which had warmed +their feet; above all, the beds they had lain and died in—sold to little +dealers, and the housewives of Fulham. And yet—what could one do? Buy +them and stick them in a lumber-room? No; they had to go the way of all +flesh and furniture, and be worn out. But when they put up Aunt Ann's +sofa and were going to knock it down for thirty shillings, he cried out, +suddenly: “Five pounds!” The sensation was considerable, and the sofa +his. + +When that little sale was over in the fusty saleroom, and those +Victorian ashes scattered, he went out into the misty October sunshine +feeling as if cosiness had died out of the world, and the board “To Let” +was up, indeed. Revolutions on the horizon; Fleur in Spain; no comfort +in Annette; no Timothy's on the Bayswater Road. In the irritable +desolation of his soul he went into the Goupenor Gallery. That chap +Jolyon's watercolours were on view there. He went in to look down his +nose at them—it might give him some faint satisfaction. The news had +trickled through from June to Val's wife, from her to Val, from Val to +his mother, from her to Soames, that the house—the fatal house at +Robin Hill—was for sale, and Irene going to join her boy out in British +Columbia, or some such place. For one wild moment the thought had come +to Soames: 'Why shouldn't I buy it back? I meant it for my!' No sooner +come than gone. Too lugubrious a triumph; with too many humiliating +memories for himself and Fleur. She would never live there after what +had happened. No, the place must go its way to some peer or profiteer. +It had been a bone of contention from the first, the shell of the feud; +and with the woman gone, it was an empty shell. “For Sale or To Let.” +With his mind's eye he could see that board raised high above the ivied +wall which he had built. + +He passed through the first of the two rooms in the Gallery. There was +certainly a body of work! And now that the fellow was dead it did not +seem so trivial. The drawings were pleasing enough, with quite a sense +of atmosphere, and something individual in the brush work. 'His father +and my father; he and I; his child and mine!' thought Soames. So it had +gone on! And all about that woman! Softened by the events of the past +week, affected by the melancholy beauty of the autumn day, Soames came +nearer than he had ever been to realisation of that truth—passing the +understanding of a Forsyte pure—that the body of Beauty has a spiritual +essence, uncapturable save by a devotion which thinks not of self. After +all, he was near that truth in his devotion to his daughter; perhaps +that made him understand a little how he had missed the prize. And +there, among the drawings of his kinsman, who had attained to that +which he had found beyond his reach, he thought of him and her with a +tolerance which surprised him. But he did not buy a drawing. + +Just as he passed the seat of custom on his return to the outer air he +met with a contingency which had not been entirely absent from his mind +when he went into the Gallery—Irene, herself, coming in. So she had not +gone yet, and was still paying farewell visits to that fellow's remains! +He subdued the little involuntary leap of his subconsciousness, the +mechanical reaction of his senses to the charm of this once-owned woman, +and passed her with averted eyes. But when he had gone by he could not +for the life of him help looking back. This, then, was finality—the heat +and stress of his life, the madness and the longing thereof, the only +defeat he had known, would be over when she faded from his view this +time; even such memories had their own queer aching value. + +She, too, was looking back. Suddenly she lifted her gloved hand, her +lips smiled faintly, her dark eyes seemed to speak. It was the turn of +Soames to make no answer to that smile and that little farewell wave; +he went out into the fashionable street quivering from head to foot. He +knew what she had meant to say: “Now that I am going for ever out of +the reach of you and yours—forgive me; I wish you well.” That was the +meaning; last sign of that terrible reality—passing morality, duty, +common sense—her aversion from him who had owned her body, but had never +touched her spirit or her heart. It hurt; yes—more than if she had kept +her mask unmoved, her hand unlifted. + +Three days later, in that fast-yellowing October, Soames took a taxi-cab +to Highgate Cemetery and mounted through its white forest to the Forsyte +vault. Close to the cedar, above catacombs and columbaria, tall, ugly, +and individual, it looked like an apex of the competitive system. He +could remember a discussion wherein Swithin had advocated the addition +to its face of the pheasant proper. The proposal had been rejected in +favour of a wreath in stone, above the stark words: “The family vault +of Jolyon Forsyte: 1850.” It was in good order. All trace of the recent +interment had been removed, and its sober grey gloomed reposefully in +the sunshine. The whole family lay there now, except old Jolyon's wife, +who had gone back under a contract to her own family vault in Suffolk; +old Jolyon himself lying at Robin Hill; and Susan Hayman, cremated +so that none knew where she might be. Soames gazed at it with +satisfaction—massive, needing little attention; and this was important, +for he was well aware that no one would attend to it when he himself was +gone, and he would have to be looking out for lodgings soon. He might +have twenty years before him, but one never knew. Twenty years without +an aunt or uncle, with a wife of whom one had better not know anything, +with a daughter gone from home. His mood inclined to melancholy and +retrospection. + +This cemetery was full, they said—of people with extraordinary names, +buried in extraordinary taste. Still, they had a fine view up here, +right over London. Annette had once given him a story to read by that +Frenchman, Maupassant, most lugubrious concern, where all the skeletons +emerged from their graves one night, and all the pious inscriptions on +the stones were altered to descriptions of their sins. Not a true story +at all. He didn't know about the French, but there was not much real +harm in English people except their teeth and their taste, which was +certainly deplorable. “The family vault of Jolyon Forsyte: 1850.” A lot +of people had been buried here since then—a lot of English life crumbled +to mould and dust! The boom of an airplane passing under the gold-tinted +clouds caused him to lift his eyes. The deuce of a lot of expansion had +gone on. But it all came back to a cemetery—to a name and a date on a +tomb. And he thought with a curious pride that he and his family had +done little or nothing to help this feverish expansion. Good solid +middlemen, they had gone to work with dignity to manage and possess. +“Superior Dosset,” indeed, had built in a dreadful, and Jolyon painted +in a doubtful, period, but so far as he remembered not another of them +all had soiled his hands by creating anything—unless you counted Val +Dartie and his horse-breeding. Collectors, solicitors, barristers, +merchants, publishers, accountants, directors, land agents, even +soldiers—there they had been! The country had expanded, as it were, +in spite of them. They had checked, controlled, defended, and taken +advantage of the process and when you considered how “Superior Dosset” +had begun life with next to nothing, and his lineal descendants already +owned what old Gradman estimated at between a million and a million and +a half, it was not so bad! And yet he sometimes felt as if the family +bolt was shot, their possessive instinct dying out. They seemed +unable to make money—this fourth generation; they were going into +art, literature, farming, or the army; or just living on what was left +them—they had no push and no tenacity. They would die out if they didn't +take care. + +Soames turned from the vault and faced toward the breeze. The air up +here would be delicious if only he could rid his nerves of the feeling +that mortality was in it. He gazed restlessly at the crosses and the +urns, the angels, the “immortelles,” the flowers, gaudy or withering; +and suddenly he noticed a spot which seemed so different from anything +else up there that he was obliged to walk the few necessary yards and +look at it. A sober corner, with a massive queer-shaped cross of grey +rough-hewn granite, guarded by four dark yew-trees. The spot was free +from the pressure of the other graves, having a little box-hedged garden +on the far side, and in front a goldening birch-tree. This oasis in the +desert of conventional graves appealed to the aesthetic sense of Soames, +and he sat down there in the sunshine. Through those trembling gold +birch leaves he gazed out at London, and yielded to the waves of +memory. He thought of Irene in Montpellier Square, when her hair +was rusty-golden and her white shoulders his—Irene, the prize of his +love-passion, resistant to his ownership. He saw Bosinney's body lying +in that white mortuary, and Irene sitting on the sofa looking at space +with the eyes of a dying bird. Again he thought of her by the little +green Niobe in the Bois de Boulogne, once more rejecting him. His fancy +took him on beside his drifting river on the November day when Fleur +was to be born, took him to the dead leaves floating on the green-tinged +water and the snake-headed weed for ever swaying and nosing, sinuous, +blind, tethered. And on again to the window opened to the cold starry +night above Hyde Park, with his father lying dead. His fancy darted +to that picture of “the future town,” to that boy's and Fleur's first +meeting; to the bluish trail of Prosper Profond's cigar, and Fleur in +the window pointing down to where the fellow prowled. To the sight of +Irene and that dead fellow sitting side by side in the stand at Lord's. +To her and that boy at Robin Hill. To the sofa, where Fleur lay crushed +up in the corner; to her lips pressed into his cheek, and her farewell +“Daddy.” And suddenly he saw again Irene's grey-gloved hand waving its +last gesture of release. + +He sat there a long time dreaming his career, faithful to the scut of +his possessive instinct, warming himself even with its failures. + +“To Let”—the Forsyte age and way of life, when a man owned his soul, his +investments, and his woman, without check or question. And now the State +had, or would have, his investments, his woman had herself, and God knew +who had his soul. “To Let”—that sane and simple creed! + +The waters of change were foaming in, carrying the promise of new forms +only when their destructive flood should have passed its full. He sat +there, subconscious of them, but with his thoughts resolutely set on the +past—as a man might ride into a wild night with his face to the tail of +his galloping horse. Athwart the Victorian dykes the waters were +rolling on property, manners, and morals, on melody and the old forms +of art—waters bringing to his mouth a salt taste as of blood, lapping +to the foot of this Highgate Hill where Victorianism lay buried. And +sitting there, high up on its most individual spot, Soames—like a figure +of Investment—refused their restless sounds. Instinctively he would +not fight them—there was in him too much primeval wisdom, of Man the +possessive animal. They would quiet down when they had fulfilled their +tidal fever of dispossessing and destroying; when the creations and the +properties of others were sufficiently broken and defected—they would +lapse and ebb, and fresh forms would rise based on an instinct older +than the fever of change—the instinct of Home. + +“Je m'en fiche,” said Prosper Profond. Soames did not say “Je m'en +fiche”—it was French, and the fellow was a thorn in his side—but deep +down he knew that change was only the interval of death between two +forms of life, destruction necessary to make room for fresher property. +What though the board was up, and cosiness to let?—some one would come +along and take it again some day. + +And only one thing really troubled him, sitting there—the melancholy +craving in his heart—because the sun was like enchantment on his face +and on the clouds and on the golden birch leaves, and the wind's rustle +was so gentle, and the yewtree green so dark, and the sickle of a moon +pale in the sky. + +He might wish and wish and never get it—the beauty and the loving in the +world! + + + +cutpages (132K)” src= + + + + + +End of Project Gutenberg's The Forsyte Saga, Awakening and To Let, by +John Galsworthy + +*** END OF THIS PROJECT GUTENBERG EBOOK AWAKENING AND TO LET *** + +***** This file should be named 2596-0.txt or 2596-o.zip ***** This +and all associated files of various formats will be found in: +http://www.gutenberg.org/2/5/9/2596/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions will be +renamed. + +Creating the works from public domain print editions means that no one +owns a United States copyright in these works, so the Foundation (and +you!) can copy and distribute it in the United States without permission +and without paying copyright royalties. Special rules, set forth in +the General Terms of Use part of this license, apply to copying and +distributing Project Gutenberg-tm electronic works to protect the +PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a +registered trademark, and may not be used if you charge for the eBooks, +unless you receive specific permission. If you do not charge anything +for copies of this eBook, complying with the rules is very easy. You +may use this eBook for nearly any purpose such as creation of derivative +works, reports, performances and research. They may be modified and +printed and given away--you may do practically ANYTHING with public +domain eBooks. Redistribution is subject to the trademark license, +especially commercial redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU +DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree +to and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all the +terms of this agreement, you must cease using and return or destroy all +copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be used +on or associated in any way with an electronic work by people who agree +to be bound by the terms of this agreement. There are a few things that +you can do with most Project Gutenberg-tm electronic works even without +complying with the full terms of this agreement. See paragraph 1.C +below. There are a lot of things you can do with Project Gutenberg-tm +electronic works if you follow the terms of this agreement and help +preserve free future access to Project Gutenberg-tm electronic works. +See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in +the collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you +are located in the United States, we do not claim a right to prevent +you from copying, distributing, performing, displaying or creating +derivative works based on the work as long as all references to Project +Gutenberg are removed. Of course, we hope that you will support the +Project Gutenberg-tm mission of promoting free access to electronic +works by freely sharing Project Gutenberg-tm works in compliance with +the terms of this agreement for keeping the Project Gutenberg-tm name +associated with the work. You can easily comply with the terms of this +agreement by keeping this work in the same format with its attached +full Project Gutenberg-tm License when you share it without charge with +others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing +or creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with almost +no restrictions whatsoever. You may copy it, give it away or re-use +it under the terms of the Project Gutenberg License included with this +eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work with +the phrase “Project Gutenberg” associated with or appearing on the work, +you must comply either with the requirements of paragraphs 1.E.1 through +1.E.7 or obtain permission for the use of the work and the Project +Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute +this electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other +than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg-tm web site +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the full +Project Gutenberg-tm License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing access +to or distributing Project Gutenberg-tm electronic works provided that + +- You pay a royalty fee of 20% of the gross profits you derive from +the use of Project Gutenberg-tm works calculated using the method you +already use to calculate your applicable taxes. The fee is owed to the +owner of the Project Gutenberg-tm trademark, but he has agreed to donate +royalties under this paragraph to the Project Gutenberg Literary Archive +Foundation. Royalty payments must be paid within 60 days following each +date on which you prepare (or are legally required to prepare) your +periodic tax returns. Royalty payments should be clearly marked as such +and sent to the Project Gutenberg Literary Archive Foundation at the +address specified in Section 4, “Information about donations to the +Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies you +in writing (or by e-mail) within 30 days of receipt that s/he does not +agree to the terms of the full Project Gutenberg-tm License. You +must require such a user to return or destroy all copies of the works +possessed in a physical medium and discontinue all use of and all access +to other copies of Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of +any money paid for a work or a replacement copy, if a defect in the +electronic work is discovered and reported to you within 90 days of +receipt of the work. + +- You comply with all other terms of this agreement for free +distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set forth +in this agreement, you must obtain permission in writing from both the +Project Gutenberg Literary Archive Foundation and Michael Hart, the +owner of the Project Gutenberg-tm trademark. Contact the Foundation as +set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm collection. +Despite these efforts, Project Gutenberg-tm electronic works, and the +medium on which they may be stored, may contain “Defects,” such as, but +not limited to, incomplete, inaccurate or corrupt data, transcription +errors, a copyright or other intellectual property infringement, a +defective or damaged disk or other medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal fees. +YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, +BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN +PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND +ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR +ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES +EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect +in this electronic work within 90 days of receiving it, you can receive +a refund of the money (if any) you paid for it by sending a written +explanation to the person you received the work from. If you received +the work on a physical medium, you must return the medium with your +written explanation. The person or entity that provided you with the +defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, +the trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will remain +freely available for generations to come. In 2001, the Project Gutenberg +Literary Archive Foundation was created to provide a secure and +permanent future for Project Gutenberg-tm and future generations. To +learn more about the Project Gutenberg Literary Archive Foundation and +how your efforts and donations can help, see Sections 3 and 4 and the +Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the state +of Mississippi and granted tax exempt status by the Internal Revenue +Service. The Foundation's EIN or federal tax identification number +is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, +email business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official page +at http://pglaf.org + +For additional contact information: Dr. Gregory B. Newby Chief Executive +and Director gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg Literary +Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide spread +public support and donations to carry out its mission of increasing +the number of public domain and licensed works that can be freely +distributed in machine readable form accessible by the widest array +of equipment including outdated equipment. Many small donations ($1 to +$5,000) are particularly important to maintaining tax exempt status with +the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make any +statements concerning tax treatment of donations received from outside +the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other ways +including checks, online payments and credit card donations. To donate, +please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. unless +a copyright notice is included. Thus, we do not necessarily keep eBooks +in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + +http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, including +how to make donations to the Project Gutenberg Literary Archive +Foundation, how to help produce our new eBooks, and how to subscribe to +our email newsletter to hear about new eBooks. + + + diff --git a/2596-0.zip b/2596-0.zip Binary files differnew file mode 100644 index 0000000..908eb65 --- /dev/null +++ b/2596-0.zip diff --git a/2596-h.zip b/2596-h.zip Binary files differnew file mode 100644 index 0000000..58343ed --- /dev/null +++ b/2596-h.zip diff --git a/2596-h/2596-h.htm b/2596-h/2596-h.htm new file mode 100644 index 0000000..398bee8 --- /dev/null +++ b/2596-h/2596-h.htm @@ -0,0 +1,15248 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + Forsyte Saga, Awakening and To Let, by John Galsworthy + </title> + <link rel="coverpage" href="images/cover.jpg" /> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd7; text-align:justify} + P { text-indent: 2em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Forsyte Saga, Complete, by John Galsworthy + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Forsyte Saga, Awakening and To Let + +Author: John Galsworthy + +Release Date: June 14, 2006 [EBook #2596] +Last Updated: February 22, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE AWAKENING AND TO LET *** + + + + +Produced by David Widger + + + + + +</pre> + + <p> + <br /> + </p> + <p> + <br /> + </p> + <div class="fig" style="width:80%;"> + <img alt="spines (203K)" src="images/spines.jpg" width="100%" /><br /> + </div> + <p> + <br /> <br /> + </p> + <div class="fig" style="width:80%;"> + <img alt="subscription (12K)" src="images/subscription.jpg" width="100%" /><br /> + </div> + <p> + <br /> <br /> + </p> + <div class="fig" style="width:80%;"> + <img alt="editon (10K)" src="images/editon.jpg" width="100%" /><br /> + </div> + <p> + <br /> <br /> + </p> + <p> + <br /> <br /> + </p> + <h1> + FORSYTE SAGA + </h1> + <h3> + AWAKENING AND TO LET + </h3> + <p> + <br /> + </p> + <h2> + By John Galsworthy + </h2> + <p> + <br /> <br /> + </p> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h2> + Contents + </h2> + <blockquote> + <p> + <br /> <br /> + </p> + <p class="toc"> + <a href="#link2H_4_0094"> <big><b>AWAKENING</b></big> </a> + </p> + <p> + <br /> + </p> + <p class="toc"> + <a href="#link2H_4_0095"> <big><b>TO LET</b></big> </a> + </p> + <p class="toc"> + <a href="#link2H_PARTc1"> <b>PART I</b> </a> + </p> + <p class="toc"> + <a href="#link2H_4_0097"> I.—ENCOUNTER </a> + </p> + <p class="toc"> + <a href="#link2H_4_0098"> II.—FINE FLEUR FORSYTE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0099"> III.—AT ROBIN HILL </a> + </p> + <p class="toc"> + <a href="#link2H_4_0100"> IV.—THE MAUSOLEUM </a> + </p> + <p class="toc"> + <a href="#link2H_4_0101"> V.—THE NATIVE HEATH </a> + </p> + <p class="toc"> + <a href="#link2H_4_0102"> VI.—JON </a> + </p> + <p class="toc"> + <a href="#link2H_4_0103"> VII.—FLEUR </a> + </p> + <p class="toc"> + <a href="#link2H_4_0104"> VIII.—IDYLL ON GRASS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0105"> IX. GOYA </a> + </p> + <p class="toc"> + <a href="#link2H_4_0106"> X.—TRIO </a> + </p> + <p class="toc"> + <a href="#link2H_4_0107"> XI.—DUET </a> + </p> + <p class="toc"> + <a href="#link2H_4_0108"> XII.—CAPRICE </a> + </p> + <p> + <br /> + </p> + <p class="toc"> + <a href="#link2H_PARTc2"> <b>PART II</b> </a> + </p> + <p class="toc"> + <a href="#link2H_4_0110"> I.—MOTHER AND SON </a> + </p> + <p class="toc"> + <a href="#link2H_4_0111"> II.—FATHERS AND DAUGHTERS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0112"> III.—MEETINGS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0113"> IV.—IN GREEN STREET </a> + </p> + <p class="toc"> + <a href="#link2H_4_0114"> V.—PURELY FORSYTE AFFAIRS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0115"> VI.—SOAMES' PRIVATE LIFE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0116"> VII.—JUNE TAKES A HAND </a> + </p> + <p class="toc"> + <a href="#link2H_4_0117"> VIII.—THE BIT BETWEEN THE TEETH </a> + </p> + <p class="toc"> + <a href="#link2H_4_0118"> IX.—THE FAT IN THE FIRE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0119"> X.—DECISION </a> + </p> + <p class="toc"> + <a href="#link2H_4_0120"> XI.—TIMOTHY PROPHESIES </a> + </p> + <p> + <br /> + </p> + <p class="toc"> + <a href="#link2H_PARTc3"> <b>PART III</b> </a> + </p> + <p class="toc"> + <a href="#link2H_4_0122"> I.—OLD JOLYON WALKS </a> + </p> + <p class="toc"> + <a href="#link2H_4_0123"> II.—CONFESSION </a> + </p> + <p class="toc"> + <a href="#link2H_4_0124"> III.—IRENE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0125"> IV.—SOAMES COGITATES </a> + </p> + <p class="toc"> + <a href="#link2H_4_0126"> V.—THE FIXED IDEA </a> + </p> + <p class="toc"> + <a href="#link2H_4_0127"> VI.—DESPERATE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0128"> VII.—EMBASSY </a> + </p> + <p class="toc"> + <a href="#link2H_4_0129"> VIII.—THE DARK TUNE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0130"> IX.—UNDER THE OAK-TREE </a> + </p> + <p class="toc"> + <a href="#link2H_4_0131"> X.—FLEUR'S WEDDING </a> + </p> + <p class="toc"> + <a href="#link2H_4_0132"> XI.—THE LAST OF THE OLD FORSYTES </a> + </p> + </blockquote> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <a name="link2H_TOC" id="link2H_TOC"> + <!-- H2 anchor --> </a> <br /> <br /> + </p> + <p> + <br /> <br /> + </p> + <hr /> + <p> + </p> + <p> + <a name="link2H_4_0092" id="link2H_4_0092"> + <!-- H2 anchor --> </a> <br /> <br /> + </p> + <div class="fig" style="width:80%;"> + <img alt="titlepage3 (37K)" src="images/titlepage3.jpg" width="100%" /><br /> + </div> + <p> + <br /> <br /> + </p> + <div class="fig" style="width:80%;"> + <img alt="frontis3 (120K)" src="images/frontis3.jpg" width="100%" /><br /> + </div> + <p> + <br /> <br /> + </p> + <h2> + THE FORSYTE SAGA—VOLUME III. + </h2> + <h3> + By John Galsworthy + </h3> + <p> + <a name="link2H_4_0093" id="link2H_4_0093"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + AWAKENING + </h2> + <p> + <br /> + </p> + <h3> + TO CHARLES SCRIBNER + </h3> + <p> + <a name="link2H_4_0094" id="link2H_4_0094"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + AWAKENING + </h2> + <p> + Through the massive skylight illuminating the hall at Robin Hill, the July + sunlight at five o'clock fell just where the broad stairway turned; + and in that radiant streak little Jon Forsyte stood, blue-linen-suited. + His hair was shining, and his eyes, from beneath a frown, for he was + considering how to go downstairs, this last of innumerable times, before + the car brought his father and mother home. Four at a time, and five at + the bottom? Stale! Down the banisters? But in which fashion? On his face, + feet foremost? Very stale. On his stomach, sideways? Paltry! On his back, + with his arms stretched down on both sides? Forbidden! Or on his face, + head foremost, in a manner unknown as yet to any but himself? Such was the + cause of the frown on the illuminated face of little Jon.... + </p> + <p> + In that Summer of 1909 the simple souls who even then desired to simplify + the English tongue, had, of course, no cognizance of little Jon, or they + would have claimed him for a disciple. But one can be too simple in this + life, for his real name was Jolyon, and his living father and dead + half-brother had usurped of old the other shortenings, Jo and Jolly. As a + fact little Jon had done his best to conform to convention and spell + himself first Jhon, then John; not till his father had explained the sheer + necessity, had he spelled his name Jon. + </p> + <p> + Up till now that father had possessed what was left of his heart by the + groom, Bob, who played the concertina, and his nurse “Da,” who + wore the violet dress on Sundays, and enjoyed the name of Spraggins in + that private life lived at odd moments even by domestic servants. His + mother had only appeared to him, as it were in dreams, smelling delicious, + smoothing his forehead just before he fell asleep, and sometimes docking + his hair, of a golden brown colour. When he cut his head open against the + nursery fender she was there to be bled over; and when he had nightmare + she would sit on his bed and cuddle his head against her neck. She was + precious but remote, because “Da” was so near, and there is + hardly room for more than one woman at a time in a man's heart. With + his father, too, of course, he had special bonds of union; for little Jon + also meant to be a painter when he grew up—with the one small + difference, that his father painted pictures, and little Jon intended to + paint ceilings and walls, standing on a board between two step-ladders, in + a dirty-white apron, and a lovely smell of whitewash. His father also took + him riding in Richmond Park, on his pony, Mouse, so-called because it was + so-coloured. + </p> + <p> + Little Jon had been born with a silver spoon in a mouth which was rather + curly and large. He had never heard his father or his mother speak in an + angry voice, either to each other, himself, or anybody else; the groom, + Bob, Cook, Jane, Bella and the other servants, even “Da,” who + alone restrained him in his courses, had special voices when they talked + to him. He was therefore of opinion that the world was a place of perfect + and perpetual gentility and freedom. + </p> + <p> + A child of 1901, he had come to consciousness when his country, just over + that bad attack of scarlet fever, the Boer War, was preparing for the + Liberal revival of 1906. Coercion was unpopular, parents had exalted + notions of giving their offspring a good time. They spoiled their rods, + spared their children, and anticipated the results with enthusiasm. In + choosing, moreover, for his father an amiable man of fifty-two, who had + already lost an only son, and for his mother a woman of thirty-eight, + whose first and only child he was, little Jon had done well and wisely. + What had saved him from becoming a cross between a lap dog and a little + prig, had been his father's adoration of his mother, for even little + Jon could see that she was not merely just his mother, and that he played + second fiddle to her in his father's heart: What he played in his + mother's heart he knew not yet. As for “Auntie” June, + his half-sister (but so old that she had grown out of the relationship) + she loved him, of course, but was too sudden. His devoted “Da,” + too, had a Spartan touch. His bath was cold and his knees were bare; he + was not encouraged to be sorry for himself. As to the vexed question of + his education, little Jon shared the theory of those who considered that + children should not be forced. He rather liked the Mademoiselle who came + for two hours every morning to teach him her language, together with + history, geography and sums; nor were the piano lessons which his mother + gave him disagreeable, for she had a way of luring him from tune to tune, + never making him practise one which did not give him pleasure, so that he + remained eager to convert ten thumbs into eight fingers. Under his father + he learned to draw pleasure-pigs and other animals. He was not a highly + educated little boy. Yet, on the whole, the silver spoon stayed in his + mouth without spoiling it, though “Da” sometimes said that + other children would do him a “world of good.” + </p> + <p> + It was a disillusionment, then, when at the age of nearly seven she held + him down on his back, because he wanted to do something of which she did + not approve. This first interference with the free individualism of a + Forsyte drove him almost frantic. There was something appalling in the + utter helplessness of that position, and the uncertainty as to whether it + would ever come to an end. Suppose she never let him get up any more! He + suffered torture at the top of his voice for fifty seconds. Worse than + anything was his perception that “Da” had taken all that time + to realise the agony of fear he was enduring. Thus, dreadfully, was + revealed to him the lack of imagination in the human being. + </p> + <p> + When he was let up he remained convinced that “Da” had done a + dreadful thing. Though he did not wish to bear witness against her, he had + been compelled, by fear of repetition, to seek his mother and say: “Mum, + don't let 'Da' hold me down on my back again.” + </p> + <p> + His mother, her hands held up over her head, and in them two plaits of + hair—“couleur de feuille morte,” as little Jon had not + yet learned to call it—had looked at him with eyes like little bits + of his brown velvet tunic, and answered: + </p> + <p> + “No, darling, I won't.” + </p> + <p> + She, being in the nature of a goddess, little Jon was satisfied; + especially when, from under the dining-table at breakfast, where he + happened to be waiting for a mushroom, he had overheard her say to his + father: + </p> + <p> + “Then, will you tell 'Da,' dear, or shall I? She's + so devoted to him”; and his father's answer: + </p> + <p> + “Well, she mustn't show it that way. I know exactly what it + feels like to be held down on one's back. No Forsyte can stand it + for a minute.” + </p> + <p> + Conscious that they did not know him to be under the table, little Jon was + visited by the quite new feeling of embarrassment, and stayed where he + was, ravaged by desire for the mushroom. + </p> + <p> + Such had been his first dip into the dark abysses of existence. Nothing + much had been revealed to him after that, till one day, having gone down + to the cow-house for his drink of milk fresh from the cow, after Garratt + had finished milking, he had seen Clover's calf, dead. Inconsolable, + and followed by an upset Garratt, he had sought “Da”; but + suddenly aware that she was not the person he wanted, had rushed away to + find his father, and had run into the arms of his mother. + </p> + <p> + “Clover's calf's dead! Oh! Oh! It looked so soft!” + </p> + <p> + His mother's clasp, and her: + </p> + <p> + “Yes, darling, there, there!” had stayed his sobbing. But if + Clover's calf could die, anything could—not only bees, flies, + beetles and chickens—and look soft like that! This was appalling—and + soon forgotten! + </p> + <p> + The next thing had been to sit on a bumble bee, a poignant experience, + which his mother had understood much better than “Da”; and + nothing of vital importance had happened after that till the year turned; + when, following a day of utter wretchedness, he had enjoyed a disease + composed of little spots, bed, honey in a spoon, and many Tangerine + oranges. It was then that the world had flowered. To “Auntie” + June he owed that flowering, for no sooner was he a little lame duck than + she came rushing down from London, bringing with her the books which had + nurtured her own Berserker spirit, born in the noted year of 1869. Aged, + and of many colours, they were stored with the most formidable happenings. + Of these she read to little Jon, till he was allowed to read to himself; + whereupon she whisked back to London and left them with him in a heap. + Those books cooked his fancy, till he thought and dreamed of nothing but + midshipmen and dhows, pirates, rafts, sandal-wood traders, iron horses, + sharks, battles, Tartars, Red Indians, balloons, North Poles and other + extravagant delights. The moment he was suffered to get up, he rigged his + bed fore and aft, and set out from it in a narrow bath across green seas + of carpet, to a rock, which he climbed by means of its mahogany drawer + knobs, to sweep the horizon with his drinking tumbler screwed to his eye, + in search of rescuing sails. He made a daily raft out of the towel stand, + the tea tray, and his pillows. He saved the juice from his French plums, + bottled it in an empty medicine bottle, and provisioned the raft with the + rum that it became; also with pemmican made out of little saved-up bits of + chicken sat on and dried at the fire; and with lime juice against scurvy, + extracted from the peel of his oranges and a little economised juice. He + made a North Pole one morning from the whole of his bedclothes except the + bolster, and reached it in a birch-bark canoe (in private life the + fender), after a terrible encounter with a polar bear fashioned from the + bolster and four skittles dressed up in “Da's” + nightgown. After that, his father, seeking to steady his imagination, + brought him Ivanhoe, Bevis, a book about King Arthur, and Tom Brown's + Schooldays. He read the first, and for three days built, defended and + stormed Front de Boeuf's castle, taking every part in the piece + except those of Rebecca and Rowena; with piercing cries of: “En + avant, de Bracy!” and similar utterances. After reading the book + about King Arthur he became almost exclusively Sir Lamorac de Galis, + because, though there was very little about him, he preferred his name to + that of any other knight; and he rode his old rocking-horse to death, + armed with a long bamboo. Bevis he found tame; besides, it required woods + and animals, of which he had none in his nursery, except his two cats, + Fitz and Puck Forsyte, who permitted no liberties. For Tom Brown he was as + yet too young. There was relief in the house when, after the fourth week, + he was permitted to go down and out. + </p> + <p> + The month being March the trees were exceptionally like the masts of + ships, and for little Jon that was a wonderful Spring, extremely hard on + his knees, suits, and the patience of “Da,” who had the + washing and reparation of his clothes. Every morning the moment his + breakfast was over, he could be viewed by his mother and father, whose + windows looked out that way, coming from the study, crossing the terrace, + climbing the old oak tree, his face resolute and his hair bright. He began + the day thus because there was not time to go far afield before his + lessons. The old tree's variety never staled; it had mainmast, + foremast, top-gallant mast, and he could always come down by the halyards—or + ropes of the swing. After his lessons, completed by eleven, he would go to + the kitchen for a thin piece of cheese, a biscuit and two French plums—provision + enough for a jolly-boat at least—and eat it in some imaginative way; + then, armed to the teeth with gun, pistols, and sword, he would begin the + serious climbing of the morning, encountering by the way innumerable + slavers, Indians, pirates, leopards, and bears. He was seldom seen at that + hour of the day without a cutlass in his teeth (like Dick Needham) amid + the rapid explosion of copper caps. And many were the gardeners he brought + down with yellow peas shot out of his little gun. He lived a life of the + most violent action. + </p> + <p> + “Jon,” said his father to his mother, under the oak tree, + “is terrible. I'm afraid he's going to turn out a + sailor, or something hopeless. Do you see any sign of his appreciating + beauty?” + </p> + <p> + “Not the faintest.” + </p> + <p> + “Well, thank heaven he's no turn for wheels or engines! I can + bear anything but that. But I wish he'd take more interest in + Nature.” + </p> + <p> + “He's imaginative, Jolyon.” + </p> + <p> + “Yes, in a sanguinary way. Does he love anyone just now?” + </p> + <p> + “No; only everyone. There never was anyone born more loving or more + lovable than Jon.” + </p> + <p> + “Being your boy, Irene.” + </p> + <p> + At this moment little Jon, lying along a branch high above them, brought + them down with two peas; but that fragment of talk lodged, thick, in his + small gizzard. Loving, lovable, imaginative, sanguinary! + </p> + <p> + The leaves also were thick by now, and it was time for his birthday, + which, occurring every year on the twelfth of May, was always memorable + for his chosen dinner of sweetbread, mushrooms, macaroons, and ginger + beer. + </p> + <p> + Between that eighth birthday, however, and the afternoon when he stood in + the July radiance at the turning of the stairway, several important things + had happened. + </p> + <p> + “Da,” worn out by washing his knees, or moved by that + mysterious instinct which forces even nurses to desert their nurslings, + left the very day after his birthday in floods of tears “to be + married”—of all things—“to a man.” Little + Jon, from whom it had been kept, was inconsolable for an afternoon. It + ought not to have been kept from him! Two large boxes of soldiers and some + artillery, together with The Young Buglers, which had been among his + birthday presents, cooperated with his grief in a sort of conversion, and + instead of seeking adventures in person and risking his own life, he began + to play imaginative games, in which he risked the lives of countless tin + soldiers, marbles, stones and beans. Of these forms of “chair a + canon” he made collections, and, using them alternately, fought the + Peninsular, the Seven Years, the Thirty Years, and other wars, about which + he had been reading of late in a big History of Europe which had been his + grandfather's. He altered them to suit his genius, and fought them + all over the floor in his day nursery, so that nobody could come in, for + fearing of disturbing Gustavus Adolphus, King of Sweden, or treading on an + army of Austrians. Because of the sound of the word he was passionately + addicted to the Austrians, and finding there were so few battles in which + they were successful he had to invent them in his games. His favourite + generals were Prince Eugene, the Archduke Charles and Wallenstein. Tilly + and Mack (“music-hall turns” he heard his father call them one + day, whatever that might mean) one really could not love very much, + Austrian though they were. For euphonic reasons, too, he doted on Turenne. + </p> + <p> + This phase, which caused his parents anxiety, because it kept him indoors + when he ought to have been out, lasted through May and half of June, till + his father killed it by bringing home to him Tom Sawyer and Huckleberry + Finn. When he read those books something happened in him, and he went out + of doors again in passionate quest of a river. There being none on the + premises at Robin Hill, he had to make one out of the pond, which + fortunately had water lilies, dragonflies, gnats, bullrushes, and three + small willow trees. On this pond, after his father and Garratt had + ascertained by sounding that it had a reliable bottom and was nowhere more + than two feet deep, he was allowed a little collapsible canoe, in which he + spent hours and hours paddling, and lying down out of sight of Indian Joe + and other enemies. On the shore of the pond, too, he built himself a + wigwam about four feet square, of old biscuit tins, roofed in by boughs. + In this he would make little fires, and cook the birds he had not shot + with his gun, hunting in the coppice and fields, or the fish he did not + catch in the pond because there were none. This occupied the rest of June + and that July, when his father and mother were away in Ireland. He led a + lonely life of “make believe” during those five weeks of + summer weather, with gun, wigwam, water and canoe; and, however hard his + active little brain tried to keep the sense of beauty away, she did creep + in on him for a second now and then, perching on the wing of a dragon-fly, + glistening on the water lilies, or brushing his eyes with her blue as he + lay on his back in ambush. + </p> + <p> + “Auntie” June, who had been left in charge, had a “grown-up” + in the house, with a cough and a large piece of putty which he was making + into a face; so she hardly ever came down to see him in the pond. Once, + however, she brought with her two other “grown-ups.” Little + Jon, who happened to have painted his naked self bright blue and yellow in + stripes out of his father's water-colour box, and put some duck's + feathers in his hair, saw them coming, and—ambushed himself among + the willows. As he had foreseen, they came at once to his wigwam and knelt + down to look inside, so that with a blood-curdling yell he was able to + take the scalps of “Auntie” June and the woman “grown-up” + in an almost complete manner before they kissed him. The names of the two + grown-ups were “Auntie” Holly and “Uncle” Val, who + had a brown face and a little limp, and laughed at him terribly. He took a + fancy to “Auntie” Holly, who seemed to be a sister too; but + they both went away the same afternoon and he did not see them again. + Three days before his father and mother were to come home “Auntie” + June also went off in a great hurry, taking the “grown-up” who + coughed and his piece of putty; and Mademoiselle said: “Poor man, he + was veree ill. I forbid you to go into his room, Jon.” Little Jon, + who rarely did things merely because he was told not to, refrained from + going, though he was bored and lonely. In truth the day of the pond was + past, and he was filled to the brim of his soul with restlessness and the + want of something—not a tree, not a gun—something soft. Those + last two days had seemed months in spite of Cast Up by the Sea, wherein he + was reading about Mother Lee and her terrible wrecking bonfire. He had + gone up and down the stairs perhaps a hundred times in those two days, and + often from the day nursery, where he slept now, had stolen into his mother's + room, looked at everything, without touching, and on into the + dressing-room; and standing on one leg beside the bath, like Slingsby, had + whispered: + </p> + <p> + “Ho, ho, ho! Dog my cats!” mysteriously, to bring luck. Then, + stealing back, he had opened his mother's wardrobe, and taken a long + sniff which seemed to bring him nearer to—he didn't know what. + </p> + <p> + He had done this just before he stood in the streak of sunlight, debating + in which of the several ways he should slide down the banisters. They all + seemed silly, and in a sudden languor he began descending the steps one by + one. During that descent he could remember his father quite distinctly—the + short grey beard, the deep eyes twinkling, the furrow between them, the + funny smile, the thin figure which always seemed so tall to little Jon; + but his mother he couldn't see. All that represented her was + something swaying with two dark eyes looking back at him; and the scent of + her wardrobe. + </p> + <p> + Bella was in the hall, drawing aside the big curtains, and opening the + front door. Little Jon said, wheedling, + </p> + <p> + “Bella!” + </p> + <p> + “Yes, Master Jon.” + </p> + <p> + “Do let's have tea under the oak tree when they come; I know + they'd like it best.” + </p> + <p> + “You mean you'd like it best.” + </p> + <p> + Little Jon considered. + </p> + <p> + “No, they would, to please me.” + </p> + <p> + Bella smiled. “Very well, I'll take it out if you'll + stay quiet here and not get into mischief before they come.” + </p> + <p> + Little Jon sat down on the bottom step, and nodded. Bella came close, and + looked him over. + </p> + <p> + “Get up!” she said. + </p> + <p> + Little Jon got up. She scrutinized him behind; he was not green, and his + knees seemed clean. + </p> + <p> + “All right!” she said. “My! Aren't you brown? Give + me a kiss!” + </p> + <p> + And little Jon received a peck on his hair. + </p> + <p> + “What jam?” he asked. “I'm so tired of waiting.” + </p> + <p> + “Gooseberry and strawberry.” + </p> + <p> + Num! They were his favourites! + </p> + <p> + When she was gone he sat still for quite a minute. It was quiet in the big + hall open to its East end so that he could see one of his trees, a brig + sailing very slowly across the upper lawn. In the outer hall shadows were + slanting from the pillars. Little Jon got up, jumped one of them, and + walked round the clump of iris plants which filled the pool of grey-white + marble in the centre. The flowers were pretty, but only smelled a very + little. He stood in the open doorway and looked out. Suppose!—suppose + they didn't come! He had waited so long that he felt he could not + bear that, and his attention slid at once from such finality to the dust + motes in the bluish sunlight coming in: Thrusting his hand up, he tried to + catch some. Bella ought to have dusted that piece of air! But perhaps they + weren't dust—only what sunlight was made of, and he looked to + see whether the sunlight out of doors was the same. It was not. He had + said he would stay quiet in the hall, but he simply couldn't any + more; and crossing the gravel of the drive he lay down on the grass + beyond. Pulling six daisies he named them carefully, Sir Lamorac, Sir + Tristram, Sir Lancelot, Sir Palimedes, Sir Bors, Sir Gawain, and fought + them in couples till only Sir Lamorac, whom he had selected for a + specially stout stalk, had his head on, and even he, after three + encounters, looked worn and waggly. A beetle was moving slowly in the + grass, which almost wanted cutting. Every blade was a small tree, round + whose trunk the beetle had to glide. Little Jon stretched out Sir Lamorac, + feet foremost, and stirred the creature up. It scuttled painfully. Little + Jon laughed, lost interest, and sighed. His heart felt empty. He turned + over and lay on his back. There was a scent of honey from the lime trees + in flower, and in the sky the blue was beautiful, with a few white clouds + which looked and perhaps tasted like lemon ice. He could hear Bob playing: + “Way down upon de Suwannee ribber” on his concertina, and it + made him nice and sad. He turned over again and put his ear to the ground—Indians + could hear things coming ever so far—but he could hear nothing—only + the concertina! And almost instantly he did hear a grinding sound, a faint + toot. Yes! it was a car—coming—coming! Up he jumped. Should he + wait in the porch, or rush upstairs, and as they came in, shout: “Look!” + and slide slowly down the banisters, head foremost? Should he? The car + turned in at the drive. It was too late! And he only waited, jumping up + and down in his excitement. The car came quickly, whirred, and stopped. + His father got out, exactly like life. He bent down and little Jon bobbed + up—they bumped. His father said, + </p> + <p> + “Bless us! Well, old man, you are brown!” Just as he would; + and the sense of expectation—of something wanted—bubbled + unextinguished in little Jon. Then, with a long, shy look he saw his + mother, in a blue dress, with a blue motor scarf over her cap and hair, + smiling. He jumped as high as ever he could, twined his legs behind her + back, and hugged. He heard her gasp, and felt her hugging back. His eyes, + very dark blue just then, looked into hers, very dark brown, till her lips + closed on his eyebrow, and, squeezing with all his might, he heard her + creak and laugh, and say: + </p> + <p> + “You are strong, Jon!” + </p> + <p> + He slid down at that, and rushed into the hall, dragging her by the hand. + </p> + <p> + While he was eating his jam beneath the oak tree, he noticed things about + his mother that he had never seemed to see before, her cheeks for instance + were creamy, there were silver threads in her dark goldy hair, her throat + had no knob in it like Bella's, and she went in and out softly. He + noticed, too, some little lines running away from the corners of her eyes, + and a nice darkness under them. She was ever so beautiful, more beautiful + than “Da” or Mademoiselle, or “Auntie” June or + even “Auntie” Holly, to whom he had taken a fancy; even more + beautiful than Bella, who had pink cheeks and came out too suddenly in + places. This new beautifulness of his mother had a kind of particular + importance, and he ate less than he had expected to. + </p> + <p> + When tea was over his father wanted him to walk round the gardens. He had + a long conversation with his father about things in general, avoiding his + private life—Sir Lamorac, the Austrians, and the emptiness he had + felt these last three days, now so suddenly filled up. His father told him + of a place called Glensofantrim, where he and his mother had been; and of + the little people who came out of the ground there when it was very quiet. + Little Jon came to a halt, with his heels apart. + </p> + <p> + “Do you really believe they do, Daddy?” “No, Jon, but I + thought you might.” + </p> + <p> + “Why?” + </p> + <p> + “You're younger than I; and they're fairies.” + Little Jon squared the dimple in his chin. + </p> + <p> + “I don't believe in fairies. I never see any.” “Ha!” + said his father. + </p> + <p> + “Does Mum?” + </p> + <p> + His father smiled his funny smile. + </p> + <p> + “No; she only sees Pan.” + </p> + <p> + “What's Pan?” + </p> + <p> + “The Goaty God who skips about in wild and beautiful places.” + </p> + <p> + “Was he in Glensofantrim?” + </p> + <p> + “Mum said so.” + </p> + <p> + Little Jon took his heels up, and led on. + </p> + <p> + “Did you see him?” + </p> + <p> + “No; I only saw Venus Anadyomene.” + </p> + <p> + Little Jon reflected; Venus was in his book about the Greeks and Trojans. + Then Anna was her Christian and Dyomene her surname? + </p> + <p> + But it appeared, on inquiry, that it was one word, which meant rising from + the foam. + </p> + <p> + “Did she rise from the foam in Glensofantrim?” + </p> + <p> + “Yes; every day.” + </p> + <p> + “What is she like, Daddy?” + </p> + <p> + “Like Mum.” + </p> + <p> + “Oh! Then she must be...” but he stopped at that, rushed at a + wall, scrambled up, and promptly scrambled down again. The discovery that + his mother was beautiful was one which he felt must absolutely be kept to + himself. His father's cigar, however, took so long to smoke, that at + last he was compelled to say: + </p> + <p> + “I want to see what Mum's brought home. Do you mind, Daddy?” + </p> + <p> + He pitched the motive low, to absolve him from unmanliness, and was a + little disconcerted when his father looked at him right through, heaved an + important sigh, and answered: + </p> + <p> + “All right, old man, you go and love her.” + </p> + <p> + He went, with a pretence of slowness, and then rushed, to make up. He + entered her bedroom from his own, the door being open. She was still + kneeling before a trunk, and he stood close to her, quite still. + </p> + <p> + She knelt up straight, and said: + </p> + <p> + “Well, Jon?” + </p> + <p> + “I thought I'd just come and see.” + </p> + <p> + Having given and received another hug, he mounted the window-seat, and + tucking his legs up under him watched her unpack. He derived a pleasure + from the operation such as he had not yet known, partly because she was + taking out things which looked suspicious, and partly because he liked to + look at her. She moved differently from anybody else, especially from + Bella; she was certainly the refinedest-looking person he had ever seen. + She finished the trunk at last, and knelt down in front of him. + </p> + <p> + “Have you missed us, Jon?” + </p> + <p> + Little Jon nodded, and having thus admitted his feelings, continued to + nod. + </p> + <p> + “But you had 'Auntie' June?” + </p> + <p> + “Oh! she had a man with a cough.” + </p> + <p> + His mother's face changed, and looked almost angry. He added + hastily: + </p> + <p> + “He was a poor man, Mum; he coughed awfully; I—I liked him.” + </p> + <p> + His mother put her hands behind his waist. + </p> + <p> + “You like everybody, Jon?” + </p> + <p> + Little Jon considered. + </p> + <p> + “Up to a point,” he said: “Auntie June took me to church + one Sunday.” + </p> + <p> + “To church? Oh!” + </p> + <p> + “She wanted to see how it would affect me.” “And did it?” + </p> + <p> + “Yes. I came over all funny, so she took me home again very quick. I + wasn't sick after all. I went to bed and had hot brandy and water, + and read The Boys of Beechwood. It was scrumptious.” + </p> + <p> + His mother bit her lip. + </p> + <p> + “When was that?” + </p> + <p> + “Oh! about—a long time ago—I wanted her to take me + again, but she wouldn't. You and Daddy never go to church, do you?” + </p> + <p> + “No, we don't.” + </p> + <p> + “Why don't you?” + </p> + <p> + His mother smiled. + </p> + <p> + “Well, dear, we both of us went when we were little. Perhaps we went + when we were too little.” + </p> + <p> + “I see,” said little Jon, “it's dangerous.” + </p> + <p> + “You shall judge for yourself about all those things as you grow up.” + </p> + <p> + Little Jon replied in a calculating manner: + </p> + <p> + “I don't want to grow up, much. I don't want to go to + school.” A sudden overwhelming desire to say something more, to say + what he really felt, turned him red. “I—I want to stay with + you, and be your lover, Mum.” + </p> + <p> + Then with an instinct to improve the situation, he added quickly “I + don't want to go to bed to-night, either. I'm simply tired of + going to bed, every night.” + </p> + <p> + “Have you had any more nightmares?” + </p> + <p> + “Only about one. May I leave the door open into your room to-night, + Mum?” + </p> + <p> + “Yes, just a little.” Little Jon heaved a sigh of + satisfaction. + </p> + <p> + “What did you see in Glensofantrim?” + </p> + <p> + “Nothing but beauty, darling.” + </p> + <p> + “What exactly is beauty?” + </p> + <p> + “What exactly is—Oh! Jon, that's a poser.” + </p> + <p> + “Can I see it, for instance?” His mother got up, and sat + beside him. “You do, every day. The sky is beautiful, the stars, and + moonlit nights, and then the birds, the flowers, the trees—they're + all beautiful. Look out of the window—there's beauty for you, + Jon.” + </p> + <p> + “Oh! yes, that's the view. Is that all?” + </p> + <p> + “All? no. The sea is wonderfully beautiful, and the waves, with + their foam flying back.” + </p> + <p> + “Did you rise from it every day, Mum?” + </p> + <p> + His mother smiled. “Well, we bathed.” + </p> + <p> + Little Jon suddenly reached out and caught her neck in his hands. + </p> + <p> + “I know,” he said mysteriously, “you're it, + really, and all the rest is make-believe.” + </p> + <p> + She sighed, laughed, said: “Oh! Jon!” + </p> + <p> + Little Jon said critically: + </p> + <p> + “Do you think Bella beautiful, for instance? I hardly do.” + </p> + <p> + “Bella is young; that's something.” + </p> + <p> + “But you look younger, Mum. If you bump against Bella she hurts.” + </p> + <p> + “I don't believe 'Da' was beautiful, when I come + to think of it; and Mademoiselle's almost ugly.” + </p> + <p> + “Mademoiselle has a very nice face.” “Oh! yes; nice. I + love your little rays, Mum.” + </p> + <p> + “Rays?” + </p> + <p> + Little Jon put his finger to the outer corner of her eye. + </p> + <p> + “Oh! Those? But they're a sign of age.” + </p> + <p> + “They come when you smile.” + </p> + <p> + “But they usen't to.” + </p> + <p> + “Oh! well, I like them. Do you love me, Mum?” + </p> + <p> + “I do—I do love you, darling.” + </p> + <p> + “Ever so?” + </p> + <p> + “Ever so!” + </p> + <p> + “More than I thought you did?” + </p> + <p> + “Much—much more.” + </p> + <p> + “Well, so do I; so that makes it even.” + </p> + <p> + Conscious that he had never in his life so given himself away, he felt a + sudden reaction to the manliness of Sir Lamorac, Dick Needham, Huck Finn, + and other heroes. + </p> + <p> + “Shall I show you a thing or two?” he said; and slipping out + of her arms, he stood on his head. Then, fired by her obvious admiration, + he mounted the bed, and threw himself head foremost from his feet on to + his back, without touching anything with his hands. He did this several + times. + </p> + <p> + That evening, having inspected what they had brought, he stayed up to + dinner, sitting between them at the little round table they used when they + were alone. He was extremely excited. His mother wore a French-grey dress, + with creamy lace made out of little scriggly roses, round her neck, which + was browner than the lace. He kept looking at her, till at last his father's + funny smile made him suddenly attentive to his slice of pineapple. It was + later than he had ever stayed up, when he went to bed. His mother went up + with him, and he undressed very slowly so as to keep her there. When at + last he had nothing on but his pyjamas, he said: + </p> + <p> + “Promise you won't go while I say my prayers!” + </p> + <p> + “I promise.” + </p> + <p> + Kneeling down and plunging his face into the bed, little Jon hurried up, + under his breath, opening one eye now and then, to see her standing + perfectly still with a smile on her face. “Our Father”—so + went his last prayer, “which art in heaven, hallowed be thy Mum, thy + Kingdom Mum—on Earth as it is in heaven, give us this day our daily + Mum and forgive us our trespasses on earth as it is in heaven and trespass + against us, for thine is the evil the power and the glory for ever and + ever. Amum! Look out!” He sprang, and for a long minute remained in + her arms. Once in bed, he continued to hold her hand. + </p> + <p> + “You won't shut the door any more than that, will you? Are you + going to be long, Mum?” + </p> + <p> + “I must go down and play to Daddy.” + </p> + <p> + “Oh! well, I shall hear you.” + </p> + <p> + “I hope not; you must go to sleep.” + </p> + <p> + “I can sleep any night.” + </p> + <p> + “Well, this is just a night like any other.” + </p> + <p> + “Oh! no—it's extra special.” + </p> + <p> + “On extra special nights one always sleeps soundest.” + </p> + <p> + “But if I go to sleep, Mum, I shan't hear you come up.” + </p> + <p> + “Well, when I do, I'll come in and give you a kiss, then if + you're awake you'll know, and if you're not you'll + still know you've had one.” + </p> + <p> + Little Jon sighed, “All right!” he said: “I suppose I + must put up with that. Mum?” + </p> + <p> + “Yes?” + </p> + <p> + “What was her name that Daddy believes in? Venus Anna Diomedes?” + </p> + <p> + “Oh! my angel! Anadyomene.” + </p> + <p> + “Yes! but I like my name for you much better.” + </p> + <p> + “What is yours, Jon?” + </p> + <p> + Little Jon answered shyly: + </p> + <p> + “Guinevere! it's out of the Round Table—I've only + just thought of it, only of course her hair was down.” + </p> + <p> + His mother's eyes, looking past him, seemed to float. + </p> + <p> + “You won't forget to come, Mum?” + </p> + <p> + “Not if you'll go to sleep.” + </p> + <p> + “That's a bargain, then.” And little Jon screwed up his + eyes. + </p> + <p> + He felt her lips on his forehead, heard her footsteps; opened his eyes to + see her gliding through the doorway, and, sighing, screwed them up again. + </p> + <p> + Then Time began. + </p> + <p> + For some ten minutes of it he tried loyally to sleep, counting a great + number of thistles in a row, “Da's” old recipe for + bringing slumber. He seemed to have been hours counting. It must, he + thought, be nearly time for her to come up now. He threw the bedclothes + back. “I'm hot!” he said, and his voice sounded funny in + the darkness, like someone else's. Why didn't she come? He sat + up. He must look! He got out of bed, went to the window and pulled the + curtain a slice aside. It wasn't dark, but he couldn't tell + whether because of daylight or the moon, which was very big. It had a + funny, wicked face, as if laughing at him, and he did not want to look at + it. Then, remembering that his mother had said moonlit nights were + beautiful, he continued to stare out in a general way. The trees threw + thick shadows, the lawn looked like spilt milk, and a long, long way he + could see; oh! very far; right over the world, and it all looked different + and swimmy. There was a lovely smell, too, in his open window. + </p> + <p> + 'I wish I had a dove like Noah!' he thought. + </p> + <p> + “The moony moon was round and bright, It shone and shone and made it + light.” + </p> + <p> + After that rhyme, which came into his head all at once, he became + conscious of music, very soft-lovely! Mum playing! He bethought himself of + a macaroon he had, laid up in his chest of drawers, and, getting it, came + back to the window. He leaned out, now munching, now holding his jaws to + hear the music better. “Da” used to say that angels played on + harps in heaven; but it wasn't half so lovely as Mum playing in the + moony night, with him eating a macaroon. A cockchafer buzzed by, a moth + flew in his face, the music stopped, and little Jon drew his head in. She + must be coming! He didn't want to be found awake. He got back into + bed and pulled the clothes nearly over his head; but he had left a streak + of moonlight coming in. It fell across the floor, near the foot of the + bed, and he watched it moving ever so slowly towards him, as if it were + alive. The music began again, but he could only just hear it now; sleepy + music, pretty—sleepy—music—sleepy—slee..... + </p> + <p> + And time slipped by, the music rose, fell, ceased; the moonbeam crept + towards his face. Little Jon turned in his sleep till he lay on his back, + with one brown fist still grasping the bedclothes. The corners of his eyes + twitched—he had begun to dream. He dreamed he was drinking milk out + of a pan that was the moon, opposite a great black cat which watched him + with a funny smile like his father's. He heard it whisper: “Don't + drink too much!” It was the cat's milk, of course, and he put + out his hand amicably to stroke the creature; but it was no longer there; + the pan had become a bed, in which he was lying, and when he tried to get + out he couldn't find the edge; he couldn't find it—he—he—couldn't + get out! It was dreadful! + </p> + <p> + He whimpered in his sleep. The bed had begun to go round too; it was + outside him and inside him; going round and round, and getting fiery, and + Mother Lee out of Cast up by the Sea was stirring it! Oh! so horrible she + looked! Faster and faster!—till he and the bed and Mother Lee and + the moon and the cat were all one wheel going round and round and up and + up—awful—awful—awful! + </p> + <p> + He shrieked. + </p> + <p> + A voice saying: “Darling, darling!” got through the wheel, and + he awoke, standing on his bed, with his eyes wide open. + </p> + <p> + There was his mother, with her hair like Guinevere's, and, clutching + her, he buried his face in it. + </p> + <p> + “Oh! oh!” + </p> + <p> + “It's all right, treasure. You're awake now. There! + There! It's nothing!” + </p> + <p> + But little Jon continued to say: “Oh! oh!” + </p> + <p> + Her voice went on, velvety in his ear: + </p> + <p> + “It was the moonlight, sweetheart, coming on your face.” + </p> + <p> + Little Jon burbled into her nightgown + </p> + <p> + “You said it was beautiful. Oh!” + </p> + <p> + “Not to sleep in, Jon. Who let it in? Did you draw the curtains?” + </p> + <p> + “I wanted to see the time; I—I looked out, I—I heard you + playing, Mum; I—I ate my macaroon.” But he was growing slowly + comforted; and the instinct to excuse his fear revived within him. + </p> + <p> + “Mother Lee went round in me and got all fiery,” he mumbled. + </p> + <p> + “Well, Jon, what can you expect if you eat macaroons after you've + gone to bed?” + </p> + <p> + “Only one, Mum; it made the music ever so more beautiful. I was + waiting for you—I nearly thought it was to-morrow.” + </p> + <p> + “My ducky, it's only just eleven now.” + </p> + <p> + Little Jon was silent, rubbing his nose on her neck. + </p> + <p> + “Mum, is Daddy in your room?” + </p> + <p> + “Not to-night.” + </p> + <p> + “Can I come?” + </p> + <p> + “If you wish, my precious.” + </p> + <p> + Half himself again, little Jon drew back. + </p> + <p> + “You look different, Mum; ever so younger.” + </p> + <p> + “It's my hair, darling.” + </p> + <p> + Little Jon laid hold of it, thick, dark gold, with a few silver threads. + </p> + <p> + “I like it,” he said: “I like you best of all like this.” + </p> + <p> + Taking her hand, he had begun dragging her towards the door. He shut it as + they passed, with a sigh of relief. + </p> + <p> + “Which side of the bed do you like, Mum?” + </p> + <p> + “The left side.” + </p> + <p> + “All right.” + </p> + <p> + Wasting no time, giving her no chance to change her mind, little Jon got + into the bed, which seemed much softer than his own. He heaved another + sigh, screwed his head into the pillow and lay examining the battle of + chariots and swords and spears which always went on outside blankets, + where the little hairs stood up against the light. + </p> + <p> + “It wasn't anything, really, was it?” he said. + </p> + <p> + From before her glass his mother answered: + </p> + <p> + “Nothing but the moon and your imagination heated up. You mustn't + get so excited, Jon.” + </p> + <p> + But, still not quite in possession of his nerves, little Jon answered + boastfully: + </p> + <p> + “I wasn't afraid, really, of course!” And again he lay + watching the spears and chariots. It all seemed very long. + </p> + <p> + “Oh! Mum, do hurry up!” + </p> + <p> + “Darling, I have to plait my hair.” + </p> + <p> + “Oh! not to-night. You'll only have to unplait it again + to-morrow. I'm sleepy now; if you don't come, I shan't + be sleepy soon.” + </p> + <p> + His mother stood up white and flowey before the winged mirror: he could + see three of her, with her neck turned and her hair bright under the + light, and her dark eyes smiling. It was unnecessary, and he said: + </p> + <p> + “Do come, Mum; I'm waiting.” + </p> + <p> + “Very well, my love, I'll come.” + </p> + <p> + Little Jon closed his eyes. Everything was turning out most satisfactory, + only she must hurry up! He felt the bed shake, she was getting in. And, + still with his eyes closed, he said sleepily: “It's nice, isn't + it?” + </p> + <p> + He heard her voice say something, felt her lips touching his nose, and, + snuggling up beside her who lay awake and loved him with her thoughts, he + fell into the dreamless sleep, which rounded off his past. + </p> + <p> + <a name="link2H_4_0095" id="link2H_4_0095"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + TO LET + </h2> +<pre xml:space="preserve"> + “From out the fatal loins of those two foes + A pair of star-crossed lovers take their life.” + —Romeo and Juliet. +</pre> + <p> + TO CHARLES SCRIBNER <a name="link2H_PARTc1" id="link2H_PARTc1"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + PART I + </h2> + <p> + <a name="link2H_4_0097" id="link2H_4_0097"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + I.—ENCOUNTER + </h2> + <p> + Soames Forsyte emerged from the Knightsbridge Hotel, where he was staying, + in the afternoon of the 12th of May, 1920, with the intention of visiting + a collection of pictures in a Gallery off Cork Street, and looking into + the Future. He walked. Since the War he never took a cab if he could help + it. Their drivers were, in his view, an uncivil lot, though now that the + War was over and supply beginning to exceed demand again, getting more + civil in accordance with the custom of human nature. Still, he had not + forgiven them, deeply identifying them with gloomy memories, and now, + dimly, like all members, of their class, with revolution. The considerable + anxiety he had passed through during the War, and the more considerable + anxiety he had since undergone in the Peace, had produced psychological + consequences in a tenacious nature. He had, mentally, so frequently + experienced ruin, that he had ceased to believe in its material + probability. Paying away four thousand a year in income and super tax, one + could not very well be worse off! A fortune of a quarter of a million, + encumbered only by a wife and one daughter, and very diversely invested, + afforded substantial guarantee even against that “wildcat notion” + a levy on capital. And as to confiscation of war profits, he was entirely + in favour of it, for he had none, and “serve the beggars right!” + The price of pictures, moreover, had, if anything, gone up, and he had + done better with his collection since the War began than ever before. + Air-raids, also, had acted beneficially on a spirit congenitally cautious, + and hardened a character already dogged. To be in danger of being entirely + dispersed inclined one to be less apprehensive of the more partial + dispersions involved in levies and taxation, while the habit of condemning + the impudence of the Germans had led naturally to condemning that of + Labour, if not openly at least in the sanctuary of his soul. + </p> + <p> + He walked. There was, moreover, time to spare, for Fleur was to meet him + at the Gallery at four o'clock, and it was as yet but half-past two. + It was good for him to walk—his liver was a little constricted, and + his nerves rather on edge. His wife was always out when she was in Town, + and his daughter would flibberty-gibbet all over the place like most young + women since the War. Still, he must be thankful that she had been too + young to do anything in that War itself. Not, of course, that he had not + supported the War from its inception, with all his soul, but between that + and supporting it with the bodies of his wife and daughter, there had been + a gap fixed by something old-fashioned within him which abhorred emotional + extravagance. He had, for instance, strongly objected to Annette, so + attractive, and in 1914 only thirty-four, going to her native France, her + “chere patrie” as, under the stimulus of war, she had begun to + call it, to nurse her “braves poilus,” forsooth! Ruining her + health and her looks! As if she were really a nurse! He had put a stopper + on it. Let her do needlework for them at home, or knit! She had not gone, + therefore, and had never been quite the same woman since. A bad tendency + of hers to mock at him, not openly, but in continual little ways, had + grown. As for Fleur, the War had resolved the vexed problem whether or not + she should go to school. She was better away from her mother in her war + mood, from the chance of air-raids, and the impetus to do extravagant + things; so he had placed her in a seminary as far West as had seemed to + him compatible with excellence, and had missed her horribly. Fleur! He had + never regretted the somewhat outlandish name by which at her birth he had + decided so suddenly to call her—marked concession though it had been + to the French. Fleur! A pretty name—a pretty child! But restless—too + restless; and wilful! Knowing her power too over her father! Soames often + reflected on the mistake it was to dote on his daughter. To get old and + dote! Sixty-five! He was getting on; but he didn't feel it, for, + fortunately perhaps, considering Annette's youth and good looks, his + second marriage had turned out a cool affair. He had known but one real + passion in his life—for that first wife of his—Irene. Yes, and + that fellow, his cousin Jolyon, who had gone off with her, was looking + very shaky, they said. No wonder, at seventy-two, after twenty years of a + third marriage! + </p> + <p> + Soames paused a moment in his march to lean over the railings of the Row. + A suitable spot for reminiscence, half-way between that house in Park Lane + which had seen his birth and his parents' deaths, and the little + house in Montpellier Square where thirty-five years ago he had enjoyed his + first edition of matrimony. Now, after twenty years of his second edition, + that old tragedy seemed to him like a previous existence—which had + ended when Fleur was born in place of the son he had hoped for. For many + years he had ceased regretting, even vaguely, the son who had not been + born; Fleur filled the bill in his heart. After all, she bore his name; + and he was not looking forward at all to the time when she would change + it. Indeed, if he ever thought of such a calamity, it was seasoned by the + vague feeling that he could make her rich enough to purchase perhaps and + extinguish the name of the fellow who married her—why not, since, as + it seemed, women were equal to men nowadays? And Soames, secretly + convinced that they were not, passed his curved hand over his face + vigorously, till it reached the comfort of his chin. Thanks to abstemious + habits, he had not grown fat and gabby; his nose was pale and thin, his + grey moustache close-clipped, his eyesight unimpaired. A slight stoop + closened and corrected the expansion given to his face by the heightening + of his forehead in the recession of his grey hair. Little change had Time + wrought in the “warmest” of the young Forsytes, as the last of + the old Forsytes—Timothy-now in his hundred and first year, would + have phrased it. + </p> + <p> + The shade from the plane-trees fell on his neat Homburg hat; he had given + up top hats—it was no use attracting attention to wealth in days + like these. Plane-trees! His thoughts travelled sharply to Madrid—the + Easter before the War, when, having to make up his mind about that Goya + picture, he had taken a voyage of discovery to study the painter on his + spot. The fellow had impressed him—great range, real genius! Highly + as the chap ranked, he would rank even higher before they had finished + with him. The second Goya craze would be greater even than the first; oh, + yes! And he had bought. On that visit he had—as never before—commissioned + a copy of a fresco painting called “La Vendimia,” wherein was + the figure of a girl with an arm akimbo, who had reminded him of his + daughter. He had it now in the Gallery at Mapledurham, and rather poor it + was—you couldn't copy Goya. He would still look at it, + however, if his daughter were not there, for the sake of something + irresistibly reminiscent in the light, erect balance of the figure, the + width between the arching eyebrows, the eager dreaming of the dark eyes. + Curious that Fleur should have dark eyes, when his own were grey—no + pure Forsyte had brown eyes—and her mother's blue! But of + course her grandmother Lamotte's eyes were dark as treacle! + </p> + <p> + He began to walk on again toward Hyde Park Corner. No greater change in + all England than in the Row! Born almost within hail of it, he could + remember it from 1860 on. Brought there as a child between the crinolines + to stare at tight-trousered dandies in whiskers, riding with a cavalry + seat; to watch the doffing of curly-brimmed and white top hats; the + leisurely air of it all, and the little bow-legged man in a long red + waistcoat who used to come among the fashion with dogs on several strings, + and try to sell one to his mother: King Charles spaniels, Italian + greyhounds, affectionate to her crinoline—you never saw them now. + You saw no quality of any sort, indeed, just working people sitting in + dull rows with nothing to stare at but a few young bouncing females in pot + hats, riding astride, or desultory Colonials charging up and down on + dismal-looking hacks; with, here and there, little girls on ponies, or old + gentlemen jogging their livers, or an orderly trying a great galumphing + cavalry horse; no thoroughbreds, no grooms, no bowing, no scraping, no + gossip—nothing; only the trees the same—the trees indifferent + to the generations and declensions of mankind. A democratic England—dishevelled, + hurried, noisy, and seemingly without an apex. And that something + fastidious in the soul of Soames turned over within him. Gone forever, the + close borough of rank and polish! Wealth there was—oh, yes! wealth—he + himself was a richer man than his father had ever been; but manners, + flavour, quality, all gone, engulfed in one vast, ugly, shoulder-rubbing, + petrol-smelling Cheerio. Little half-beaten pockets of gentility and caste + lurking here and there, dispersed and chetif, as Annette would say; but + nothing ever again firm and coherent to look up to. And into this new + hurly-burly of bad manners and loose morals his daughter—flower of + his life—was flung! And when those Labour chaps got power—if + they ever did—the worst was yet to come. + </p> + <p> + He passed out under the archway, at last no longer—thank goodness!—disfigured + by the gungrey of its search-light. 'They'd better put a + search-light on to where they're all going,' he thought, + 'and light up their precious democracy!' And he directed his + steps along the Club fronts of Piccadilly. George Forsyte, of course, + would be sitting in the bay window of the Iseeum. The chap was so big now + that he was there nearly all his time, like some immovable, sardonic, + humorous eye noting the decline of men and things. And Soames hurried, + ever constitutionally uneasy beneath his cousin's glance. George, + who, as he had heard, had written a letter signed “Patriot” in + the middle of the War, complaining of the Government's hysteria in + docking the oats of race-horses. Yes, there he was, tall, ponderous, neat, + clean-shaven, with his smooth hair, hardly thinned, smelling, no doubt, of + the best hair-wash, and a pink paper in his hand. Well, he didn't + change! And for perhaps the first time in his life Soames felt a kind of + sympathy tapping in his waistcoat for that sardonic kinsman. With his + weight, his perfectly parted hair, and bull-like gaze, he was a guarantee + that the old order would take some shifting yet. He saw George move the + pink paper as if inviting him to ascend—the chap must want to ask + something about his property. It was still under Soames' control; + for in the adoption of a sleeping partnership at that painful period + twenty years back when he had divorced Irene, Soames had found himself + almost insensibly retaining control of all purely Forsyte affairs. + </p> + <p> + Hesitating for just a moment, he nodded and went in. Since the death of + his brother-in-law Montague Dartie, in Paris, which no one had quite known + what to make of, except that it was certainly not suicide—the Iseeum + Club had seemed more respectable to Soames. George, too, he knew, had sown + the last of his wild oats, and was committed definitely to the joys of the + table, eating only of the very best so as to keep his weight down, and + owning, as he said, “just one or two old screws to give me an + interest in life.” He joined his cousin, therefore, in the bay + window without the embarrassing sense of indiscretion he had been used to + feel up there. George put out a well-kept hand. + </p> + <p> + “Haven't seen you since the War,” he said. “How's + your wife?” + </p> + <p> + “Thanks,” said Soames coldly, “well enough.” + </p> + <p> + Some hidden jest curved, for a moment, George's fleshy face, and + gloated from his eye. + </p> + <p> + “That Belgian chap, Profond,” he said, “is a member here + now. He's a rum customer.” + </p> + <p> + “Quite!” muttered Soames. “What did you want to see me + about?” + </p> + <p> + “Old Timothy; he might go off the hooks at any moment. I suppose he's + made his Will.” + </p> + <p> + “Yes.” + </p> + <p> + “Well, you or somebody ought to give him a look up—last of the + old lot; he's a hundred, you know. They say he's like a mummy. + Where are you goin' to put him? He ought to have a pyramid by + rights.” + </p> + <p> + Soames shook his head. “Highgate, the family vault.” + </p> + <p> + “Well, I suppose the old girls would miss him, if he was anywhere + else. They say he still takes an interest in food. He might last on, you + know. Don't we get anything for the old Forsytes? Ten of them—average + age eighty-eight—I worked it out. That ought to be equal to + triplets.” + </p> + <p> + “Is that all?” said Soames, “I must be getting on.” + </p> + <p> + 'You unsociable devil,' George's eyes seemed to answer. + “Yes, that's all: Look him up in his mausoleum—the old + chap might want to prophesy.” The grin died on the rich curves of + his face, and he added: “Haven't you attorneys invented a way + yet of dodging this damned income tax? It hits the fixed inherited income + like the very deuce. I used to have two thousand five hundred a year; now + I've got a beggarly fifteen hundred, and the price of living + doubled.” + </p> + <p> + “Ah!” murmured Soames, “the turf's in danger.” + </p> + <p> + Over George's face moved a gleam of sardonic self-defence. + </p> + <p> + “Well,” he said, “they brought me up to do nothing, and + here I am in the sear and yellow, getting poorer every day. These Labour + chaps mean to have the lot before they've done. What are you going + to do for a living when it comes? I shall work a six-hour day teaching + politicians how to see a joke. Take my tip, Soames; go into Parliament, + make sure of your four hundred—and employ me.” + </p> + <p> + And, as Soames retired, he resumed his seat in the bay window. + </p> + <p> + Soames moved along Piccadilly deep in reflections excited by his cousin's + words. He himself had always been a worker and a saver, George always a + drone and a spender; and yet, if confiscation once began, it was he—the + worker and the saver—who would be looted! That was the negation of + all virtue, the overturning of all Forsyte principles. Could civilization + be built on any other? He did not think so. Well, they wouldn't + confiscate his pictures, for they wouldn't know their worth. But + what would they be worth, if these maniacs once began to milk capital? A + drug on the market. 'I don't care about myself,' he + thought; 'I could live on five hundred a year, and never know the + difference, at my age.' But Fleur! This fortune, so widely invested, + these treasures so carefully chosen and amassed, were all for—her. + And if it should turn out that he couldn't give or leave them to her—well, + life had no meaning, and what was the use of going in to look at this + crazy, futuristic stuff with the view of seeing whether it had any future? + </p> + <p> + Arriving at the Gallery off Cork Street, however, he paid his shilling, + picked up a catalogue, and entered. Some ten persons were prowling round. + Soames took steps and came on what looked to him like a lamp-post bent by + collision with a motor omnibus. It was advanced some three paces from the + wall, and was described in his catalogue as “Jupiter.” He + examined it with curiosity, having recently turned some of his attention + to sculpture. 'If that's Jupiter,' he thought, 'I + wonder what Juno's like.' And suddenly he saw her, opposite. + She appeared to him like nothing so much as a pump with two handles, + lightly clad in snow. He was still gazing at her, when two of the prowlers + halted on his left. “Epatant!” he heard one say. + </p> + <p> + “Jargon!” growled Soames to himself. + </p> + <p> + The other's boyish voice replied + </p> + <p> + “Missed it, old bean; he's pulling your leg. When Jove and + Juno created he them, he was saying: 'I'll see how much these + fools will swallow.' And they've lapped up the lot.” + </p> + <p> + “You young duffer! Vospovitch is an innovator. Don't you see + that he's brought satire into sculpture? The future of plastic art, + of music, painting, and even architecture, has set in satiric. It was + bound to. People are tired—the bottom's tumbled out of + sentiment.” + </p> + <p> + “Well, I'm quite equal to taking a little interest in beauty. + I was through the War. You've dropped your handkerchief, sir.” + </p> + <p> + Soames saw a handkerchief held out in front of him. He took it with some + natural suspicion, and approached it to his nose. It had the right scent—of + distant Eau de Cologne—and his initials in a corner. Slightly + reassured, he raised his eyes to the young man's face. It had rather + fawn-like ears, a laughing mouth, with half a toothbrush growing out of it + on each side, and small lively eyes, above a normally dressed appearance. + </p> + <p> + “Thank you,” he said; and moved by a sort of irritation, + added: “Glad to hear you like beauty; that's rare, nowadays.” + </p> + <p> + “I dote on it,” said the young man; “but you and I are + the last of the old guard, sir.” + </p> + <p> + Soames smiled. + </p> + <p> + “If you really care for pictures,” he said, “here's + my card. I can show you some quite good ones any Sunday, if you're + down the river and care to look in.” + </p> + <p> + “Awfully nice of you, sir. I'll drop in like a bird. My name's + Mont-Michael.” And he took off his hat. + </p> + <p> + Soames, already regretting his impulse, raised his own slightly in + response, with a downward look at the young man's companion, who had + a purple tie, dreadful little sluglike whiskers, and a scornful look—as + if he were a poet! + </p> + <p> + It was the first indiscretion he had committed for so long that he went + and sat down in an alcove. What had possessed him to give his card to a + rackety young fellow, who went about with a thing like that? And Fleur, + always at the back of his thoughts, started out like a filigree figure + from a clock when the hour strikes. On the screen opposite the alcove was + a large canvas with a great many square tomato-coloured blobs on it, and + nothing else, so far as Soames could see from where he sat. He looked at + his catalogue: “No. 32 'The Future Town'—Paul + Post.” 'I suppose that's satiric too,' he thought. + 'What a thing!' But his second impulse was more cautious. It + did not do to condemn hurriedly. There had been those stripey, streaky + creations of Monet's, which had turned out such trumps; and then the + stippled school; and Gauguin. Why, even since the Post-Impressionists + there had been one or two painters not to be sneezed at. During the + thirty-eight years of his connoisseur's life, indeed, he had marked + so many “movements,” seen the tides of taste and technique so + ebb and flow, that there was really no telling anything except that there + was money to be made out of every change of fashion. This too might quite + well be a case where one must subdue primordial instinct, or lose the + market. He got up and stood before the picture, trying hard to see it with + the eyes of other people. Above the tomato blobs was what he took to be a + sunset, till some one passing said: “He's got the airplanes + wonderfully, don't you think!” Below the tomato blobs was a + band of white with vertical black stripes, to which he could assign no + meaning whatever, till some one else came by, murmuring: “What + expression he gets with his foreground!” Expression? Of what? Soames + went back to his seat. The thing was “rich,” as his father + would have said, and he wouldn't give a damn for it. Expression! Ah! + they were all Expressionists now, he had heard, on the Continent. So it + was coming here too, was it? He remembered the first wave of influenza in + 1887—or '8—hatched in China, so they said. He wondered + where this—this Expressionism had been hatched. The thing was a + regular disease! + </p> + <p> + He had become conscious of a woman and a youth standing between him and + the “Future Town.” Their backs were turned; but very suddenly + Soames put his catalogue before his face, and drawing his hat forward, + gazed through the slit between. No mistaking that back, elegant as ever + though the hair above had gone grey. Irene! His divorced wife—Irene! + And this, no doubt, was—her son—by that fellow Jolyon Forsyte—their + boy, six months older than his own girl! And mumbling over in his mind the + bitter days of his divorce, he rose to get out of sight, but quickly sat + down again. She had turned her head to speak to her boy; her profile was + still so youthful that it made her grey hair seem powdery, as if + fancy-dressed; and her lips were smiling as Soames, first possessor of + them, had never seen them smile. Grudgingly he admitted her still + beautiful and in figure almost as young as ever. And how that boy smiled + back at her! Emotion squeezed Soames' heart. The sight infringed his + sense of justice. He grudged her that boy's smile—it went + beyond what Fleur gave him, and it was undeserved. Their son might have + been his son; Fleur might have been her daughter, if she had kept + straight! He lowered his catalogue. If she saw him, all the better! A + reminder of her conduct in the presence of her son, who probably knew + nothing of it, would be a salutary touch from the finger of that Nemesis + which surely must soon or late visit her! Then, half-conscious that such a + thought was extravagant for a Forsyte of his age, Soames took out his + watch. Past four! Fleur was late. She had gone to his niece Imogen + Cardigan's, and there they would keep her smoking cigarettes and + gossiping, and that. He heard the boy laugh, and say eagerly: “I + say, Mum, is this by one of Auntie June's lame ducks?” + </p> + <p> + “Paul Post—I believe it is, darling.” + </p> + <p> + The word produced a little shock in Soames; he had never heard her use it. + And then she saw him. His eyes must have had in them something of George + Forsyte's sardonic look; for her gloved hand crisped the folds of + her frock, her eyebrows rose, her face went stony. She moved on. + </p> + <p> + “It is a caution,” said the boy, catching her arm again. + </p> + <p> + Soames stared after them. That boy was good-looking, with a Forsyte chin, + and eyes deep-grey, deep in; but with something sunny, like a glass of old + sherry spilled over him; his smile perhaps, his hair. Better than they + deserved—those two! They passed from his view into the next room, + and Soames continued to regard the Future Town, but saw it not. A little + smile snarled up his lips. He was despising the vehemence of his own + feelings after all these years. Ghosts! And yet as one grew old—was + there anything but what was ghost-like left? Yes, there was Fleur! He + fixed his eyes on the entrance. She was due; but she would keep him + waiting, of course! And suddenly he became aware of a sort of human breeze—a + short, slight form clad in a sea-green djibbah with a metal belt and a + fillet binding unruly red-gold hair all streaked with grey. She was + talking to the Gallery attendants, and something familiar riveted his gaze—in + her eyes, her chin, her hair, her spirit—something which suggested a + thin Skye terrier just before its dinner. Surely June Forsyte! His cousin + June—and coming straight to his recess! She sat down beside him, + deep in thought, took out a tablet, and made a pencil note. Soames sat + unmoving. A confounded thing, cousinship! “Disgusting!” he + heard her murmur; then, as if resenting the presence of an overhearing + stranger, she looked at him. The worst had happened. + </p> + <p> + “Soames!” + </p> + <p> + Soames turned his head a very little. + </p> + <p> + “How are you?” he said. “Haven't seen you for + twenty years.” + </p> + <p> + “No. Whatever made you come here?” + </p> + <p> + “My sins,” said Soames. “What stuff!” + </p> + <p> + “Stuff? Oh, yes—of course; it hasn't arrived yet. + </p> + <p> + “It never will,” said Soames; “it must be making a dead + loss.” + </p> + <p> + “Of course it is.” + </p> + <p> + “How d'you know?” + </p> + <p> + “It's my Gallery.” + </p> + <p> + Soames sniffed from sheer surprise. + </p> + <p> + “Yours? What on earth makes you run a show like this?” + </p> + <p> + “I don't treat Art as if it were grocery.” + </p> + <p> + Soames pointed to the Future Town. “Look at that! Who's going + to live in a town like that, or with it on his walls?” + </p> + <p> + June contemplated the picture for a moment. + </p> + <p> + “It's a vision,” she said. + </p> + <p> + “The deuce!” + </p> + <p> + There was silence, then June rose. 'Crazylooking creature!' he + thought. + </p> + <p> + “Well,” he said, “you'll find your young + stepbrother here with a woman I used to know. If you take my advice, you'll + close this exhibition.” + </p> + <p> + June looked back at him. “Oh! You Forsyte!” she said, and + moved on. About her light, fly-away figure, passing so suddenly away, was + a look of dangerous decisions. Forsyte! Of course, he was a Forsyte! And + so was she! But from the time when, as a mere girl, she brought Bosinney + into his life to wreck it, he had never hit it off with June and never + would! And here she was, unmarried to this day, owning a Gallery!... And + suddenly it came to Soames how little he knew now of his own family. The + old aunts at Timothy's had been dead so many years; there was no + clearing-house for news. What had they all done in the War? Young Roger's + boy had been wounded, St. John Hayman's second son killed; young + Nicholas' eldest had got an O. B. E., or whatever they gave them. + They had all joined up somehow, he believed. That boy of Jolyon's + and Irene's, he supposed, had been too young; his own generation, of + course, too old, though Giles Hayman had driven a car for the Red Cross—and + Jesse Hayman been a special constable—those “Dromios” + had always been of a sporting type! As for himself, he had given a motor + ambulance, read the papers till he was sick of them, passed through much + anxiety, bought no clothes, lost seven pounds in weight; he didn't + know what more he could have done at his age. Indeed, thinking it over, it + struck him that he and his family had taken this war very differently to + that affair with the Boers, which had been supposed to tax all the + resources of the Empire. In that old war, of course, his nephew Val Dartie + had been wounded, that fellow Jolyon's first son had died of + enteric, “the Dromios” had gone out on horses, and June had + been a nurse; but all that had seemed in the nature of a portent, while in + this war everybody had done “their bit,” so far as he could + make out, as a matter of course. It seemed to show the growth of something + or other—or perhaps the decline of something else. Had the Forsytes + become less individual, or more Imperial, or less provincial? Or was it + simply that one hated Germans?... Why didn't Fleur come, so that he + could get away? He saw those three return together from the other room and + pass back along the far side of the screen. The boy was standing before + the Juno now. And, suddenly, on the other side of her, Soames saw—his + daughter, with eyebrows raised, as well they might be. He could see her + eyes glint sideways at the boy, and the boy look back at her. Then Irene + slipped her hand through his arm, and drew him on. Soames saw him glancing + round, and Fleur looking after them as the three went out. + </p> + <p> + A voice said cheerfully: “Bit thick, isn't it, sir?” + </p> + <p> + The young man who had handed him his handkerchief was again passing. + Soames nodded. + </p> + <p> + “I don't know what we're coming to.” + </p> + <p> + “Oh! That's all right, sir,” answered the young man + cheerfully; “they don't either.” + </p> + <p> + Fleur's voice said: “Hallo, Father! Here you are!” + precisely as if he had been keeping her waiting. + </p> + <p> + The young man, snatching off his hat, passed on. + </p> + <p> + “Well,” said Soames, looking her up and down, “you're + a punctual sort of young woman!” + </p> + <p> + This treasured possession of his life was of medium height and colour, + with short, dark chestnut hair; her wide-apart brown eyes were set in + whites so clear that they glinted when they moved, and yet in repose were + almost dreamy under very white, black-lashed lids, held over them in a + sort of suspense. She had a charming profile, and nothing of her father in + her face save a decided chin. Aware that his expression was softening as + he looked at her, Soames frowned to preserve the unemotionalism proper to + a Forsyte. He knew she was only too inclined to take advantage of his + weakness. + </p> + <p> + Slipping her hand under his arm, she said: + </p> + <p> + “Who was that?” + </p> + <p> + “He picked up my handkerchief. We talked about the pictures.” + </p> + <p> + “You're not going to buy that, Father?” + </p> + <p> + “No,” said Soames grimly; “nor that Juno you've + been looking at.” + </p> + <p> + Fleur dragged at his arm. “Oh! Let's go! It's a ghastly + show.” + </p> + <p> + In the doorway they passed the young man called Mont and his partner. But + Soames had hung out a board marked “Trespassers will be prosecuted,” + and he barely acknowledged the young fellow's salute. + </p> + <p> + “Well,” he said in the street, “whom did you meet at + Imogen's?” + </p> + <p> + “Aunt Winifred, and that Monsieur Profond.” + </p> + <p> + “Oh!” muttered Soames; “that chap! What does your aunt + see in him?” + </p> + <p> + “I don't know. He looks pretty deep—mother says she + likes him.” + </p> + <p> + Soames grunted. + </p> + <p> + “Cousin Val and his wife were there, too.” + </p> + <p> + “What!” said Soames. “I thought they were back in South + Africa.” + </p> + <p> + “Oh, no! They've sold their farm. Cousin Val is going to train + race-horses on the Sussex Downs. They've got a jolly old + manor-house; they asked me down there.” + </p> + <p> + Soames coughed: the news was distasteful to him. “What's his + wife like now?” + </p> + <p> + “Very quiet, but nice, I think.” + </p> + <p> + Soames coughed again. “He's a rackety chap, your Cousin Val.” + </p> + <p> + “Oh! no, Father; they're awfully devoted. I promised to go—Saturday + to Wednesday next.” + </p> + <p> + “Training race-horses!” said Soames. It was extravagant, but + not the reason for his distaste. Why the deuce couldn't his nephew + have stayed out in South Africa? His own divorce had been bad enough, + without his nephew's marriage to the daughter of the co-respondent; + a half-sister too of June, and of that boy whom Fleur had just been + looking at from under the pump-handle. If he didn't look out, she + would come to know all about that old disgrace! Unpleasant things! They + were round him this afternoon like a swarm of bees! + </p> + <p> + “I don't like it!” he said. + </p> + <p> + “I want to see the race-horses,” murmured Fleur; “and + they've promised I shall ride. Cousin Val can't walk much, you + know; but he can ride perfectly. He's going to show me their + gallops.” + </p> + <p> + “Racing!” said Soames. “It's a pity the War didn't + knock that on the head. He's taking after his father, I'm + afraid.” + </p> + <p> + “I don't know anything about his father.” + </p> + <p> + “No,” said Soames, grimly. “He took an interest in + horses and broke his neck in Paris, walking down-stairs. Good riddance for + your aunt.” He frowned, recollecting the inquiry into those stairs + which he had attended in Paris six years ago, because Montague Dartie + could not attend it himself—perfectly normal stairs in a house where + they played baccarat. Either his winnings or the way he had celebrated + them had gone to his brother-in-law's head. The French procedure had + been very loose; he had had a lot of trouble with it. + </p> + <p> + A sound from Fleur distracted his attention. “Look! The people who + were in the Gallery with us.” + </p> + <p> + “What people?” muttered Soames, who knew perfectly well. + </p> + <p> + “I think that woman's beautiful.” + </p> + <p> + “Come into this pastry-cook's,” said Soames abruptly, + and tightening his grip on her arm he turned into a confectioner's. + It was—for him—a surprising thing to do, and he said rather + anxiously: “What will you have?” + </p> + <p> + “Oh! I don't want anything. I had a cocktail and a tremendous + lunch.” + </p> + <p> + “We must have something now we're here,” muttered + Soames, keeping hold of her arm. + </p> + <p> + “Two teas,” he said; “and two of those nougat things.” + </p> + <p> + But no sooner was his body seated than his soul sprang up. Those three—those + three were coming in! He heard Irene say something to her boy, and his + answer: + </p> + <p> + “Oh! no, Mum; this place is all right. My stunt.” And the + three sat down. + </p> + <p> + At that moment, most awkward of his existence, crowded with ghosts and + shadows from his past, in presence of the only two women he had ever loved—his + divorced wife and his daughter by her successor—Soames was not so + much afraid of them as of his cousin June. She might make a scene—she + might introduce those two children—she was capable of anything. He + bit too hastily at the nougat, and it stuck to his plate. Working at it + with his finger, he glanced at Fleur. She was masticating dreamily, but + her eyes were on the boy. The Forsyte in him said: “Think, feel, and + you're done for!” And he wiggled his finger desperately. + Plate! Did Jolyon wear a plate? Did that woman wear a plate? Time had been + when he had seen her wearing nothing! That was something, anyway, which + had never been stolen from him. And she knew it, though she might sit + there calm and self-possessed, as if she had never been his wife. An acid + humour stirred in his Forsyte blood; a subtle pain divided by hair's + breadth from pleasure. If only June did not suddenly bring her hornets + about his ears! The boy was talking. + </p> + <p> + “Of course, Auntie June”—so he called his half-sister + “Auntie,” did he?—well, she must be fifty, if she was a + day!—“it's jolly good of you to encourage them. Only—hang + it all!” Soames stole a glance. Irene's startled eyes were + bent watchfully on her boy. She—she had these devotions—for + Bosinney—for that boy's father—for this boy! He touched + Fleur's arm, and said: + </p> + <p> + “Well, have you had enough?” + </p> + <p> + “One more, Father, please.” + </p> + <p> + She would be sick! He went to the counter to pay. When he turned round + again he saw Fleur standing near the door, holding a handkerchief which + the boy had evidently just handed to her. + </p> + <p> + “F. F.,” he heard her say. “Fleur Forsyte—it's + mine all right. Thank you ever so.” + </p> + <p> + Good God! She had caught the trick from what he'd told her in the + Gallery—monkey! + </p> + <p> + “Forsyte? Why—that's my name too. Perhaps we're + cousins.” + </p> + <p> + “Really! We must be. There aren't any others. I live at + Mapledurham; where do you?” + </p> + <p> + “Robin Hill.” + </p> + <p> + Question and answer had been so rapid that all was over before he could + lift a finger. He saw Irene's face alive with startled feeling, gave + the slightest shake of his head, and slipped his arm through Fleur's. + </p> + <p> + “Come along!” he said. + </p> + <p> + She did not move. + </p> + <p> + “Didn't you hear, Father? Isn't it queer—our name's + the same. Are we cousins?” + </p> + <p> + “What's that?” he said. “Forsyte? Distant, + perhaps.” + </p> + <p> + “My name's Jolyon, sir. Jon, for short.” + </p> + <p> + “Oh! Ah!” said Soames. “Yes. Distant. How are you? Very + good of you. Good-bye!” + </p> + <p> + He moved on. + </p> + <p> + “Thanks awfully,” Fleur was saying. “Au revoir!” + </p> + <p> + “Au revoir!” he heard the boy reply. + </p> + <p> + <a name="link2H_4_0098" id="link2H_4_0098"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + II.—FINE FLEUR FORSYTE + </h2> + <p> + Emerging from the “pastry-cook's,” Soames' first + impulse was to vent his nerves by saying to his daughter: 'Dropping + your hand-kerchief!' to which her reply might well be: 'I + picked that up from you!' His second impulse therefore was to let + sleeping dogs lie. But she would surely question him. He gave her a + sidelong look, and found she was giving him the same. She said softly: + </p> + <p> + “Why don't you like those cousins, Father?” Soames + lifted the corner of his lip. + </p> + <p> + “What made you think that?” + </p> + <p> + “Cela se voit.” + </p> + <p> + 'That sees itself!' What a way of putting it! After twenty + years of a French wife Soames had still little sympathy with her language; + a theatrical affair and connected in his mind with all the refinements of + domestic irony. + </p> + <p> + “How?” he asked. + </p> + <p> + “You must know them; and you didn't make a sign. I saw them + looking at you.” + </p> + <p> + “I've never seen the boy in my life,” replied Soames + with perfect truth. + </p> + <p> + “No; but you've seen the others, dear.” + </p> + <p> + Soames gave her another look. What had she picked up? Had her Aunt + Winifred, or Imogen, or Val Dartie and his wife, been talking? Every + breath of the old scandal had been carefully kept from her at home, and + Winifred warned many times that he wouldn't have a whisper of it + reach her for the world. So far as she ought to know, he had never been + married before. But her dark eyes, whose southern glint and clearness + often almost frightened him, met his with perfect innocence. + </p> + <p> + “Well,” he said, “your grandfather and his brother had a + quarrel. The two families don't know each other.” + </p> + <p> + “How romantic!” + </p> + <p> + 'Now, what does she mean by that?' he thought. The word was to + him extravagant and dangerous—it was as if she had said: “How + jolly!” + </p> + <p> + “And they'll continue not to know each, other,” he + added, but instantly regretted the challenge in those words. Fleur was + smiling. In this age, when young people prided themselves on going their + own ways and paying no attention to any sort of decent prejudice, he had + said the very thing to excite her wilfulness. Then, recollecting the + expression on Irene's face, he breathed again. + </p> + <p> + “What sort of a quarrel?” he heard Fleur say. + </p> + <p> + “About a house. It's ancient history for you. Your grandfather + died the day you were born. He was ninety.” + </p> + <p> + “Ninety? Are there many Forsytes besides those in the Red Book?” + </p> + <p> + “I don't know,” said Soames. “They're all + dispersed now. The old ones are dead, except Timothy.” + </p> + <p> + Fleur clasped her hands. + </p> + <p> + “Timothy? Isn't that delicious?” + </p> + <p> + “Not at all,” said Soames. It offended him that she should + think “Timothy” delicious—a kind of insult to his breed. + This new generation mocked at anything solid and tenacious. “You go + and see the old boy. He might want to prophesy.” Ah! If Timothy + could see the disquiet England of his great-nephews and great-nieces, he + would certainly give tongue. And involuntarily he glanced up at the + Iseeum; yes—George was still in the window, with the same pink paper + in his hand. + </p> + <p> + “Where is Robin Hill, Father?” + </p> + <p> + Robin Hill! Robin Hill, round which all that tragedy had centred! What did + she want to know for? + </p> + <p> + “In Surrey,” he muttered; “not far from Richmond. Why?” + </p> + <p> + “Is the house there?” + </p> + <p> + “What house?” + </p> + <p> + “That they quarrelled about.” + </p> + <p> + “Yes. But what's all that to do with you? We're going + home to-morrow—you'd better be thinking about your frocks.” + </p> + <p> + “Bless you! They're all thought about. A family feud? It's + like the Bible, or Mark Twain—awfully exciting. What did you do in + the feud, Father?” + </p> + <p> + “Never you mind.” + </p> + <p> + “Oh! But if I'm to keep it up?” + </p> + <p> + “Who said you were to keep it up?” + </p> + <p> + “You, darling.” + </p> + <p> + “I? I said it had nothing to do with you.” + </p> + <p> + “Just what I think, you know; so that's all right.” + </p> + <p> + She was too sharp for him; fine, as Annette sometimes called her. Nothing + for it but to distract her attention. + </p> + <p> + “There's a bit of rosaline point in here,” he said, + stopping before a shop, “that I thought you might like.” + </p> + <p> + When he had paid for it and they had resumed their progress, Fleur said: + </p> + <p> + “Don't you think that boy's mother is the most beautiful + woman of her age you've ever seen?” + </p> + <p> + Soames shivered. Uncanny, the way she stuck to it! + </p> + <p> + “I don't know that I noticed her.” + </p> + <p> + “Dear, I saw the corner of your eye.” + </p> + <p> + “You see everything—and a great deal more, it seems to me!” + </p> + <p> + “What's her husband like? He must be your first cousin, if + your fathers were brothers.” + </p> + <p> + “Dead, for all I know,” said Soames, with sudden vehemence. + “I haven't seen him for twenty years.” + </p> + <p> + “What was he?” + </p> + <p> + “A painter.” + </p> + <p> + “That's quite jolly.” + </p> + <p> + The words: “If you want to please me you'll put those people + out of your head,” sprang to Soames' lips, but he choked them + back—he must not let her see his feelings. + </p> + <p> + “He once insulted me,” he said. + </p> + <p> + Her quick eyes rested on his face. + </p> + <p> + “I see! You didn't avenge it, and it rankles. Poor Father! You + let me have a go!” + </p> + <p> + It was really like lying in the dark with a mosquito hovering above his + face. Such pertinacity in Fleur was new to him, and, as they reached the + hotel, he said grimly: + </p> + <p> + “I did my best. And that's enough about these people. I'm + going up till dinner.” + </p> + <p> + “I shall sit here.” + </p> + <p> + With a parting look at her extended in a chair—a look + half-resentful, half-adoring—Soames moved into the lift and was + transported to their suite on the fourth floor. He stood by the window of + the sitting-room which gave view over Hyde Park, and drummed a finger on + its pane. His feelings were confused, tetchy, troubled. The throb of that + old wound, scarred over by Time and new interests, was mingled with + displeasure and anxiety, and a slight pain in his chest where that nougat + stuff had disagreed. Had Annette come in? Not that she was any good to him + in such a difficulty. Whenever she had questioned him about his first + marriage, he had always shut her up; she knew nothing of it, save that it + had been the great passion of his life, and his marriage with herself but + domestic makeshift. She had always kept the grudge of that up her sleeve, + as it were, and used it commercially. He listened. A sound—the vague + murmur of a woman's movements—was coming through the door. She + was in. He tapped. + </p> + <p> + “Who?” + </p> + <p> + “I,” said Soames. + </p> + <p> + She had been changing her frock, and was still imperfectly clothed; a + striking figure before her glass. There was a certain magnificence about + her arms, shoulders, hair, which had darkened since he first knew her, + about the turn of her neck, the silkiness of her garments, her + dark-lashed, greyblue eyes—she was certainly as handsome at forty as + she had ever been. A fine possession, an excellent housekeeper, a sensible + and affectionate enough mother. If only she weren't always so + frankly cynical about the relations between them! Soames, who had no more + real affection for her than she had for him, suffered from a kind of + English grievance in that she had never dropped even the thinnest veil of + sentiment over their partnership. Like most of his countrymen and women, + he held the view that marriage should be based on mutual love, but that + when from a marriage love had disappeared, or, been found never to have + really existed—so that it was manifestly not based on love—you + must not admit it. There it was, and the love was not—but there you + were, and must continue to be! Thus you had it both ways, and were not + tarred with cynicism, realism, and immorality like the French. Moreover, + it was necessary in the interests of property. He knew that she knew that + they both knew there was no love between them, but he still expected her + not to admit in words or conduct such a thing, and he could never + understand what she meant when she talked of the hypocrisy of the English. + He said: + </p> + <p> + “Whom have you got at 'The Shelter' next week?” + </p> + <p> + Annette went on touching her lips delicately with salve—he always + wished she wouldn't do that. + </p> + <p> + “Your sister Winifred, and the Car-r-digans”—she took up + a tiny stick of black—“and Prosper Profond.” + </p> + <p> + “That Belgian chap? Why him?” + </p> + <p> + Annette turned her neck lazily, touched one eyelash, and said: + </p> + <p> + “He amuses Winifred.” + </p> + <p> + “I want some one to amuse Fleur; she's restive.” + </p> + <p> + “R-restive?” repeated Annette. “Is it the first time you + see that, my friend? She was born r-restive, as you call it.” + </p> + <p> + Would she never get that affected roll out of her r's? + </p> + <p> + He touched the dress she had taken off, and asked: + </p> + <p> + “What have you been doing?” + </p> + <p> + Annette looked at him, reflected in her glass. Her just-brightened lips + smiled, rather full, rather ironical. + </p> + <p> + “Enjoying myself,” she said. + </p> + <p> + “Oh!” answered Soames glumly. “Ribbandry, I suppose.” + </p> + <p> + It was his word for all that incomprehensible running in and out of shops + that women went in for. “Has Fleur got her summer dresses?” + </p> + <p> + “You don't ask if I have mine.” + </p> + <p> + “You don't care whether I do or not.” + </p> + <p> + “Quite right. Well, she has; and I have mine—terribly + expensive.” + </p> + <p> + “H'm!” said Soames. “What does that chap Profond + do in England?” + </p> + <p> + Annette raised the eyebrows she had just finished. + </p> + <p> + “He yachts.” + </p> + <p> + “Ah!” said Soames; “he's a sleepy chap.” + </p> + <p> + “Sometimes,” answered Annette, and her face had a sort of + quiet enjoyment. “But sometimes very amusing.” + </p> + <p> + “He's got a touch of the tar-brush about him.” + </p> + <p> + Annette stretched herself. + </p> + <p> + “Tar-brush?” she said. “What is that? His mother was + Armenienne.” + </p> + <p> + “That's it, then,” muttered Soames. “Does he know + anything about pictures?” + </p> + <p> + “He knows about everything—a man of the world.” + </p> + <p> + “Well, get some one for Fleur. I want to distract her. She's + going off on Saturday to Val Dartie and his wife; I don't like it.” + </p> + <p> + “Why not?” + </p> + <p> + Since the reason could not be explained without going into family history, + Soames merely answered: + </p> + <p> + “Racketing about. There's too much of it.” + </p> + <p> + “I like that little Mrs. Val; she is very quiet and clever.” + </p> + <p> + “I know nothing of her except—This thing's new.” + And Soames took up a creation from the bed. + </p> + <p> + Annette received it from him. + </p> + <p> + “Would you hook me?” she said. + </p> + <p> + Soames hooked. Glancing once over her shoulder into the glass, he saw the + expression on her face, faintly amused, faintly contemptuous, as much as + to say: “Thanks! You will never learn!” No, thank God, he wasn't + a Frenchman! He finished with a jerk, and the words: “It's too + low here.” And he went to the door, with the wish to get away from + her and go down to Fleur again. + </p> + <p> + Annette stayed a powder-puff, and said with startling suddenness + </p> + <p> + “Que tu es grossier!” + </p> + <p> + He knew the expression—he had reason to. The first time she had used + it he had thought it meant “What a grocer you are!” and had + not known whether to be relieved or not when better informed. He resented + the word—he was not coarse! If he was coarse, what was that chap in + the room beyond his, who made those horrible noises in the morning when he + cleared his throat, or those people in the Lounge who thought it well-bred + to say nothing but what the whole world could hear at the top of their + voices—quacking inanity! Coarse, because he had said her dress was + low! Well, so it was! He went out without reply. + </p> + <p> + Coming into the Lounge from the far end, he at once saw Fleur where he had + left her. She sat with crossed knees, slowly balancing a foot in silk + stocking and grey shoe, sure sign that she was dreaming. Her eyes showed + it too—they went off like that sometimes. And then, in a moment, she + would come to life, and be as quick and restless as a monkey. And she knew + so much, so self-assured, and not yet nineteen. What was that odious word? + Flapper! Dreadful young creatures—squealing and squawking and + showing their legs! The worst of them bad dreams, the best of them + powdered angels! Fleur was not a flapper, not one of those slangy, + ill-bred young females. And yet she was frighteningly self-willed, and + full of life, and determined to enjoy it. Enjoy! The word brought no + puritan terror to Soames; but it brought the terror suited to his + temperament. He had always been afraid to enjoy to-day for fear he might + not enjoy tomorrow so much. And it was terrifying to feel that his + daughter was divested of that safeguard. The very way she sat in that + chair showed it—lost in her dream. He had never been lost in a dream + himself—there was nothing to be had out of it; and where she got it + from he did not know! Certainly not from Annette! And yet Annette, as a + young girl, when he was hanging about her, had once had a flowery look. + Well, she had lost it now! + </p> + <p> + Fleur rose from her chair-swiftly, restlessly; and flung herself down at a + writing-table. Seizing ink and writing paper, she began to write as if she + had not time to breathe before she got her letter written. And suddenly + she saw him. The air of desperate absorption vanished, she smiled, waved a + kiss, made a pretty face as if she were a little puzzled and a little + bored. + </p> + <p> + Ah! She was “fine”—“fine!” + </p> + <p> + <a name="link2H_4_0099" id="link2H_4_0099"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + III.—AT ROBIN HILL + </h2> + <p> + Jolyon Forsyte had spent his boy's nineteenth birthday at Robin + Hill, quietly going into his affairs. He did everything quietly now, + because his heart was in a poor way, and, like all his family, he disliked + the idea of dying. He had never realised how much till one day, two years + ago, he had gone to his doctor about certain symptoms, and been told: + </p> + <p> + “At any moment, on any overstrain.” + </p> + <p> + He had taken it with a smile—the natural Forsyte reaction against an + unpleasant truth. But with an increase of symptoms in the train on the way + home, he had realised to the full the sentence hanging over him. To leave + Irene, his boy, his home, his work—though he did little enough work + now! To leave them for unknown darkness, for the unimaginable state, for + such nothingness that he would not even be conscious of wind stirring + leaves above his grave, nor of the scent of earth and grass. Of such + nothingness that, however hard he might try to conceive it, he never + could, and must still hover on the hope that he might see again those he + loved! To realise this was to endure very poignant spiritual anguish. + Before he reached home that day he had determined to keep it from Irene. + He would have to be more careful than man had ever been, for the least + thing would give it away and make her as wretched as himself, almost. His + doctor had passed him sound in other respects, and seventy was nothing of + an age—he would last a long time yet, if he could. + </p> + <p> + Such a conclusion, followed out for nearly two years, develops to the full + the subtler side of character. Naturally not abrupt, except when nervously + excited, Jolyon had become control incarnate. The sad patience of old + people who cannot exert themselves was masked by a smile which his lips + preserved even in private. He devised continually all manner of cover to + conceal his enforced lack of exertion. + </p> + <p> + Mocking himself for so doing, he counterfeited conversion to the Simple + Life; gave up wine and cigars, drank a special kind of coffee with no + coffee in it. In short, he made himself as safe as a Forsyte in his + condition could, under the rose of his mild irony. Secure from discovery, + since his wife and son had gone up to Town, he had spent the fine May day + quietly arranging his papers, that he might die to-morrow without + inconveniencing any one, giving in fact a final polish to his terrestrial + state. Having docketed and enclosed it in his father's old Chinese + cabinet, he put the key into an envelope, wrote the words outside: “Key + of the Chinese cabinet, wherein will be found the exact state of me, J. + F.,” and put it in his breast-pocket, where it would be always about + him, in case of accident. Then, ringing for tea, he went out to have it + under the old oak-tree. + </p> + <p> + All are under sentence of death; Jolyon, whose sentence was but a little + more precise and pressing, had become so used to it that he thought + habitually, like other people, of other things. He thought of his son now. + </p> + <p> + Jon was nineteen that day, and Jon had come of late to a decision. + Educated neither at Eton like his father, nor at Harrow, like his dead + half-brother, but at one of those establishments which, designed to avoid + the evil and contain the good of the Public School system, may or may not + contain the evil and avoid the good, Jon had left in April perfectly + ignorant of what he wanted to become. The War, which had promised to go on + for ever, had ended just as he was about to join the Army, six months + before his time. It had taken him ever since to get used to the idea that + he could now choose for himself. He had held with his father several + discussions, from which, under a cheery show of being ready for anything—except, + of course, the Church, Army, Law, Stage, Stock Exchange, Medicine, + Business, and Engineering—Jolyon had gathered rather clearly that + Jon wanted to go in for nothing. He himself had felt exactly like that at + the same age. With him that pleasant vacuity had soon been ended by an + early marriage, and its unhappy consequences. Forced to become an + underwriter at Lloyd's, he had regained prosperity before his + artistic talent had outcropped. But having—as the simple say—“learned” + his boy to draw pigs and other animals, he knew that Jon would never be a + painter, and inclined to the conclusion that his aversion from everything + else meant that he was going to be a writer. Holding, however, the view + that experience was necessary even for that profession, there seemed to + Jolyon nothing in the meantime, for Jon, but University, travel, and + perhaps the eating of dinners for the Bar. After that one would see, or + more probably one would not. In face of these proffered allurements, + however, Jon had remained undecided. + </p> + <p> + Such discussions with his son had confirmed in Jolyon a doubt whether the + world had really changed. People said that it was a new age. With the + profundity of one not too long for any age, Jolyon perceived that under + slightly different surfaces the era was precisely what it had been. + Mankind was still divided into two species: The few who had “speculation” + in their souls, and the many who had none, with a belt of hybrids like + himself in the middle. Jon appeared to have speculation; it seemed to his + father a bad lookout. + </p> + <p> + With something deeper, therefore, than his usual smile, he had heard the + boy say, a fortnight ago: “I should like to try farming, Dad; if it + won't cost you too much. It seems to be about the only sort of life + that doesn't hurt anybody; except art, and of course that's + out of the question for me.” + </p> + <p> + Jolyon subdued his smile, and answered: + </p> + <p> + “All right; you shall skip back to where we were under the first + Jolyon in 1760. It'll prove the cycle theory, and incidentally, no + doubt, you may grow a better turnip than he did.” + </p> + <p> + A little dashed, Jon had answered: + </p> + <p> + “But don't you think it's a good scheme, Dad?” + </p> + <p> + “'Twill serve, my dear; and if you should really take to it, + you'll do more good than most men, which is little enough.” + </p> + <p> + To himself, however, he had said: 'But he won't take to it. I + give him four years. Still, it's healthy, and harmless.' + </p> + <p> + After turning the matter over and consulting with Irene, he wrote to his + daughter, Mrs. Val Dartie, asking if they knew of a farmer near them on + the Downs who would take Jon as an apprentice. Holly's answer had + been enthusiastic. There was an excellent man quite close; she and Val + would love Jon to live with them. + </p> + <p> + The boy was due to go to-morrow. + </p> + <p> + Sipping weak tea with lemon in it, Jolyon gazed through the leaves of the + old oak-tree at that view which had appeared to him desirable for + thirty-two years. The tree beneath which he sat seemed not a day older! So + young, the little leaves of brownish gold; so old, the whitey-grey-green + of its thick rough trunk. A tree of memories, which would live on hundreds + of years yet, unless some barbarian cut it down—would see old + England out at the pace things were going! He remembered a night three + years before, when, looking from his window, with his arm close round + Irene, he had watched a German aeroplane hovering, it seemed, right over + the old tree. Next day they had found a bomb hole in a field on Gage's + farm. That was before he knew that he was under sentence of death. He + could almost have wished the bomb had finished him. It would have saved a + lot of hanging about, many hours of cold fear in the pit of his stomach. + He had counted on living to the normal Forsyte age of eighty-five or more, + when Irene would be seventy. As it was, she would miss him. Still there + was Jon, more important in her life than himself; Jon, who adored his + mother. + </p> + <p> + Under that tree, where old Jolyon—waiting for Irene to come to him + across the lawn—had breathed his last, Jolyon wondered, whimsically, + whether, having put everything in such perfect order, he had not better + close his own eyes and drift away. There was something undignified in + parasitically clinging on to the effortless close of a life wherein he + regretted two things only—the long division between his father and + himself when he was young, and the lateness of his union with Irene. + </p> + <p> + From where he sat he could see a cluster of apple-trees in blossom. + Nothing in Nature moved him so much as fruit-trees in blossom; and his + heart ached suddenly because he might never see them flower again. Spring! + Decidedly no man ought to have to die while his heart was still young + enough to love beauty! Blackbirds sang recklessly in the shrubbery, + swallows were flying high, the leaves above him glistened; and over the + fields was every imaginable tint of early foliage, burnished by the level + sunlight, away to where the distant “smoke-bush” blue was + trailed along the horizon. Irene's flowers in their narrow beds had + startling individuality that evening, little deep assertions of gay life. + Only Chinese and Japanese painters, and perhaps Leonardo, had known how to + get that startling little ego into each painted flower, and bird, and + beast—the ego, yet the sense of species, the universality of life as + well. They were the fellows! 'I've made nothing that will + live!' thought Jolyon; 'I've been an amateur—a + mere lover, not a creator. Still, I shall leave Jon behind me when I go.' + What luck that the boy had not been caught by that ghastly war! He might + so easily have been killed, like poor Jolly twenty years ago out in the + Transvaal. Jon would do something some day—if the Age didn't + spoil him—an imaginative chap! His whim to take up farming was but a + bit of sentiment, and about as likely to last. And just then he saw them + coming up the field: Irene and the boy; walking from the station, with + their arms linked. And getting up, he strolled down through the new rose + garden to meet them.... + </p> + <p> + Irene came into his room that night and sat down by the window. She sat + there without speaking till he said: + </p> + <p> + “What is it, my love?” + </p> + <p> + “We had an encounter to-day.” + </p> + <p> + “With whom?” + </p> + <p> + “Soames.” + </p> + <p> + Soames! He had kept that name out of his thoughts these last two years; + conscious that it was bad for him. And, now, his heart moved in a + disconcerting manner, as if it had side-slipped within his chest. + </p> + <p> + Irene went on quietly: + </p> + <p> + “He and his daughter were in the Gallery, and afterward at the + confectioner's where we had tea.” + </p> + <p> + Jolyon went over and put his hand on her shoulder. + </p> + <p> + “How did he look?” + </p> + <p> + “Grey; but otherwise much the same.” + </p> + <p> + “And the daughter?” + </p> + <p> + “Pretty. At least, Jon thought so.” + </p> + <p> + Jolyon's heart side-slipped again. His wife's face had a + strained and puzzled look. + </p> + <p> + “You didn't-?” he began. + </p> + <p> + “No; but Jon knows their name. The girl dropped her handkerchief and + he picked it up.” + </p> + <p> + Jolyon sat down on his bed. An evil chance! + </p> + <p> + “June was with you. Did she put her foot into it?” + </p> + <p> + “No; but it was all very queer and strained, and Jon could see it + was.” + </p> + <p> + Jolyon drew a long breath, and said: + </p> + <p> + “I've often wondered whether we've been right to keep it + from him. He'll find out some day.” + </p> + <p> + “The later the better, Jolyon; the young have such cheap, hard + judgment. When you were nineteen what would you have thought of your + mother if she had done what I have?” + </p> + <p> + Yes! There it was! Jon worshipped his mother; and knew nothing of the + tragedies, the inexorable necessities of life, nothing of the prisoned + grief in an unhappy marriage, nothing of jealousy or passion—knew + nothing at all, as yet! + </p> + <p> + “What have you told him?” he said at last. + </p> + <p> + “That they were relations, but we didn't know them; that you + had never cared much for your family, or they for you. I expect he will be + asking you.” + </p> + <p> + Jolyon smiled. “This promises to take the place of air-raids,” + he said. “After all, one misses them.” + </p> + <p> + Irene looked up at him. + </p> + <p> + “We've known it would come some day.” + </p> + <p> + He answered her with sudden energy: + </p> + <p> + “I could never stand seeing Jon blame you. He shan't do that, + even in thought. He has imagination; and he'll understand if it's + put to him properly. I think I had better tell him before he gets to know + otherwise.” + </p> + <p> + “Not yet, Jolyon.” + </p> + <p> + That was like her—she had no foresight, and never went to meet + trouble. Still—who knew?—she might be right. It was ill going + against a mother's instinct. It might be well to let the boy go on, + if possible, till experience had given him some touchstone by which he + could judge the values of that old tragedy; till love, jealousy, longing, + had deepened his charity. All the same, one must take precautions—every + precaution possible! And, long after Irene had left him, he lay awake + turning over those precautions. He must write to Holly, telling her that + Jon knew nothing as yet of family history. Holly was discreet, she would + make sure of her husband, she would see to it! Jon could take the letter + with him when he went to-morrow. + </p> + <p> + And so the day on which he had put the polish on his material estate died + out with the chiming of the stable clock; and another began for Jolyon in + the shadow of a spiritual disorder which could not be so rounded off and + polished.... + </p> + <p> + But Jon, whose room had once been his day nursery, lay awake too, the prey + of a sensation disputed by those who have never known it, “love at + first sight!” He had felt it beginning in him with the glint of + those dark eyes gazing into his athwart the Juno—a conviction that + this was his 'dream'. so that what followed had seemed to him + at once natural and miraculous. Fleur! Her name alone was almost enough + for one who was terribly susceptible to the charm of words. In a + homoeopathic Age, when boys and girls were co-educated, and mixed up in + early life till sex was almost abolished, Jon was singularly + old-fashioned. His modern school took boys only, and his holidays had been + spent at Robin Hill with boy friends, or his parents alone. He had never, + therefore, been inoculated against the germs of love by small doses of the + poison. And now in the dark his temperature was mounting fast. He lay + awake, featuring Fleur—as they called it—recalling her words, + especially that “Au revoir!” so soft and sprightly. + </p> + <p> + He was still so wide awake at dawn that he got up, slipped on tennis + shoes, trousers, and a sweater, and in silence crept downstairs and out + through the study window. It was just light; there was a smell of grass. + 'Fleur!' he thought; 'Fleur!' It was mysteriously + white out of doors, with nothing awake except the birds just beginning to + chirp. 'I'll go down into the coppice,' he thought. He + ran down through the fields, reached the pond just as the sun rose, and + passed into the coppice. Bluebells carpeted the ground there; among the + larch-trees there was mystery—the air, as it were, composed of that + romantic quality. Jon sniffed its freshness, and stared at the bluebells + in the sharpening light. Fleur! It rhymed with her! And she lived at + Mapleduram—a jolly name, too, on the river somewhere. He could find + it in the atlas presently. He would write to her. But would she answer? + Oh! She must. She had said “Au revoir!” Not good-bye! What + luck that she had dropped her handkerchief! He would never have known her + but for that. And the more he thought of that handkerchief, the more + amazing his luck seemed. Fleur! It certainly rhymed with her! Rhythm + thronged his head; words jostled to be joined together; he was on the + verge of a poem. + </p> + <p> + Jon remained in this condition for more than half an hour, then returned + to the house, and getting a ladder, climbed in at his bedroom window out + of sheer exhilaration. Then, remembering that the study window was open, + he went down and shut it, first removing the ladder, so as to obliterate + all traces of his feeling. The thing was too deep to be revealed to mortal + soul-even-to his mother. + </p> + <p> + <a name="link2H_4_0100" id="link2H_4_0100"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + IV.—THE MAUSOLEUM + </h2> + <p> + There are houses whose souls have passed into the limbo of Time, leaving + their bodies in the limbo of London. Such was not quite the condition of + “Timothy's” on the Bayswater Road, for Timothy's + soul still had one foot in Timothy Forsyte's body, and Smither kept + the atmosphere unchanging, of camphor and port wine and house whose + windows are only opened to air it twice a day. + </p> + <p> + To Forsyte imagination that house was now a sort of Chinese pill-box, a + series of layers in the last of which was Timothy. One did not reach him, + or so it was reported by members of the family who, out of old-time habit + or absentmindedness, would drive up once in a blue moon and ask after + their surviving uncle. Such were Francie, now quite emancipated from God + (she frankly avowed atheism), Euphemia, emancipated from old Nicholas, and + Winifred Dartie from her “man of the world.” But, after all, + everybody was emancipated now, or said they were—perhaps not quite + the same thing! + </p> + <p> + When Soames, therefore, took it on his way to Paddington station on the + morning after that encounter, it was hardly with the expectation of seeing + Timothy in the flesh. His heart made a faint demonstration within him + while he stood in full south sunlight on the newly whitened doorstep of + that little house where four Forsytes had once lived, and now but one + dwelt on like a winter fly; the house into which Soames had come and out + of which he had gone times without number, divested of, or burdened with, + fardels of family gossip; the house of the “old people” of + another century, another age. + </p> + <p> + The sight of Smither—still corseted up to the armpits because the + new fashion which came in as they were going out about 1903 had never been + considered “nice” by Aunts Juley and Hester—brought a + pale friendliness to Soames' lips; Smither, still faithfully + arranged to old pattern in every detail, an invaluable servant—none + such left—smiling back at him, with the words: “Why! it's + Mr. Soames, after all this time! And how are you, sir? Mr. Timothy will be + so pleased to know you've been.” + </p> + <p> + “How is he?” + </p> + <p> + “Oh! he keeps fairly bobbish for his age, sir; but of course he's + a wonderful man. As I said to Mrs. Dartie when she was here last: It would + please Miss Forsyte and Mrs. Juley and Miss Hester to see how he relishes + a baked apple still. But he's quite deaf. And a mercy, I always + think. For what we should have done with him in the air-raids, I don't + know.” + </p> + <p> + “Ah!” said Soames. “What did you do with him?” + </p> + <p> + “We just left him in his bed, and had the bell run down into the + cellar, so that Cook and I could hear him if he rang. It would never have + done to let him know there was a war on. As I said to Cook, 'If Mr. + Timothy rings, they may do what they like—I'm going up. My + dear mistresses would have a fit if they could see him ringing and nobody + going to him.' But he slept through them all beautiful. And the one + in the daytime he was having his bath. It was a mercy, because he might + have noticed the people in the street all looking up—he often looks + out of the window.” + </p> + <p> + “Quite!” murmured Soames. Smither was getting garrulous! + “I just want to look round and see if there's anything to be + done.” + </p> + <p> + “Yes, sir. I don't think there's anything except a smell + of mice in the dining-room that we don't know how to get rid of. It's + funny they should be there, and not a crumb, since Mr. Timothy took to not + coming down, just before the War. But they're nasty little things; + you never know where they'll take you next.” + </p> + <p> + “Does he leave his bed?”— + </p> + <p> + “Oh! yes, sir; he takes nice exercise between his bed and the window + in the morning, not to risk a change of air. And he's quite + comfortable in himself; has his Will out every day regular. It's a + great consolation to him—that.” + </p> + <p> + “Well, Smither, I want to see him, if I can; in case he has anything + to say to me.” + </p> + <p> + Smither coloured up above her corsets. + </p> + <p> + “It will be an occasion!” she said. “Shall I take you + round the house, sir, while I send Cook to break it to him?” + </p> + <p> + “No, you go to him,” said Soames. “I can go round the + house by myself.” + </p> + <p> + One could not confess to sentiment before another, and Soames felt that he + was going to be sentimental nosing round those rooms so saturated with the + past. When Smither, creaking with excitement, had left him, Soames entered + the dining-room and sniffed. In his opinion it wasn't mice, but + incipient wood-rot, and he examined the panelling. Whether it was worth a + coat of paint, at Timothy's age, he was not sure. The room had + always been the most modern in the house; and only a faint smile curled + Soames' lips and nostrils. Walls of a rich green surmounted the oak + dado; a heavy metal chandelier hung by a chain from a ceiling divided by + imitation beams. The pictures had been bought by Timothy, a bargain, one + day at Jobson's sixty years ago—three Snyder “still + lifes,” two faintly coloured drawings of a boy and a girl, rather + charming, which bore the initials “J. R.”—Timothy had + always believed they might turn out to be Joshua Reynolds, but Soames, who + admired them, had discovered that they were only John Robinson; and a + doubtful Morland of a white pony being shod. Deep-red plush curtains, ten + high-backed dark mahogany chairs with deep-red plush seats, a Turkey + carpet, and a mahogany dining-table as large as the room was small, such + was an apartment which Soames could remember unchanged in soul or body + since he was four years old. He looked especially at the two drawings, and + thought: 'I shall buy those at the sale.' + </p> + <p> + From the dining-room he passed into Timothy's study. He did not + remember ever having been in that room. It was lined from floor to ceiling + with volumes, and he looked at them with curiosity. One wall seemed + devoted to educational books, which Timothy's firm had published two + generations back-sometimes as many as twenty copies of one book. Soames + read their titles and shuddered. The middle wall had precisely the same + books as used to be in the library at his own father's in Park Lane, + from which he deduced the fancy that James and his youngest brother had + gone out together one day and bought a brace of small libraries. The third + wall he approached with more excitement. Here, surely, Timothy's own + taste would be found. It was. The books were dummies. The fourth wall was + all heavily curtained window. And turned toward it was a large chair with + a mahogany reading-stand attached, on which a yellowish and folded copy of + The Times, dated July 6, 1914, the day Timothy first failed to come down, + as if in preparation for the War, seemed waiting for him still. In a + corner stood a large globe of that world never visited by Timothy, deeply + convinced of the unreality of everything but England, and permanently + upset by the sea, on which he had been very sick one Sunday afternoon in + 1836, out of a pleasure boat off the pier at Brighton, with Juley and + Hester, Swithin and Hatty Chessman; all due to Swithin, who was always + taking things into his head, and who, thank goodness, had been sick too. + Soames knew all about it, having heard the tale fifty times at least from + one or other of them. He went up to the globe, and gave it a spin; it + emitted a faint creak and moved about an inch, bringing into his purview a + daddy-long-legs which had died on it in latitude 44. + </p> + <p> + 'Mausoleum!' he thought. 'George was right!' And + he went out and up the stairs. On the half-landing he stopped before the + case of stuffed humming-birds which had delighted his childhood. They + looked not a day older, suspended on wires above pampas-grass. If the case + were opened the birds would not begin to hum, but the whole thing would + crumble, he suspected. It wouldn't be worth putting that into the + sale! And suddenly he was caught by a memory of Aunt Ann—dear old + Aunt Ann—holding him by the hand in front of that case and saying: + “Look, Soamey! Aren't they bright and pretty, dear little + humming-birds!” Soames remembered his own answer: “They don't + hum, Auntie.” He must have been six, in a black velveteen suit with + a light-blue collar-he remembered that suit well! Aunt Ann with her + ringlets, and her spidery kind hands, and her grave old aquiline smile—a + fine old lady, Aunt Ann! He moved on up to the drawing-room door. There on + each side of it were the groups of miniatures. Those he would certainly + buy in! The miniatures of his four aunts, one of his Uncle Swithin + adolescent, and one of his Uncle Nicholas as a boy. They had all been + painted by a young lady friend of the family at a time, 1830, about, when + miniatures were considered very genteel, and lasting too, painted as they + were on ivory. Many a time had he heard the tale of that young lady: + “Very talented, my dear; she had quite a weakness for Swithin, and + very soon after she went into a consumption and died: so like Keats—we + often spoke of it.” + </p> + <p> + Well, there they were! Ann, Juley, Hester, Susan—quite a small + child; Swithin, with sky-blue eyes, pink cheeks, yellow curls, white + waistcoat-large as life; and Nicholas, like Cupid with an eye on heaven. + Now he came to think of it, Uncle Nick had always been rather like that—a + wonderful man to the last. Yes, she must have had talent, and miniatures + always had a certain back-watered cachet of their own, little subject to + the currents of competition on aesthetic Change. Soames opened the + drawing-room door. The room was dusted, the furniture uncovered, the + curtains drawn back, precisely as if his aunts still dwelt there patiently + waiting. And a thought came to him: When Timothy died—why not? Would + it not be almost a duty to preserve this house—like Carlyle's—and + put up a tablet, and show it? “Specimen of mid-Victorian abode—entrance, + one shilling, with catalogue.” After all, it was the completest + thing, and perhaps the deadest in the London of to-day. Perfect in its + special taste and culture, if, that is, he took down and carried over to + his own collection the four Barbizon pictures he had given them. The still + sky-blue walls, tile green curtains patterned with red flowers and ferns; + the crewel-worked fire-screen before the cast-iron grate; the mahogany + cupboard with glass windows, full of little knickknacks; the beaded + footstools; Keats, Shelley, Southey, Cowper, Coleridge, Byron's + Corsair (but nothing else), and the Victorian poets in a bookshelf row; + the marqueterie cabinet lined with dim red plush, full of family relics: + Hester's first fan; the buckles of their mother's father's + shoes; three bottled scorpions; and one very yellow elephant's tusk, + sent home from India by Great-uncle Edgar Forsyte, who had been in jute; a + yellow bit of paper propped up, with spidery writing on it, recording God + knew what! And the pictures crowding on the walls—all water-colours + save those four Barbizons looking like the foreigners they were, and + doubtful customers at that—pictures bright and illustrative, “Telling + the Bees,” “Hey for the Ferry!” and two in the style of + Frith, all thimblerig and crinolines, given them by Swithin. Oh! many, + many pictures at which Soames had gazed a thousand times in supercilious + fascination; a marvellous collection of bright, smooth gilt frames. + </p> + <p> + And the boudoir-grand piano, beautifully dusted, hermetically sealed as + ever; and Aunt Juley's album of pressed seaweed on it. And the + gilt-legged chairs, stronger than they looked. And on one side of the + fireplace the sofa of crimson silk, where Aunt Ann, and after her Aunt + Juley, had been wont to sit, facing the light and bolt upright. And on the + other side of the fire the one really easy chair, back to the light, for + Aunt Hester. Soames screwed up his eyes; he seemed to see them sitting + there. Ah! and the atmosphere—even now, of too many stuffs and + washed lace curtains, lavender in bags, and dried bees' wings. + 'No,' he thought, 'there's nothing like it left; + it ought to be preserved.' And, by George, they might laugh at it, + but for a standard of gentle life never departed from, for fastidiousness + of skin and eye and nose and feeling, it beat to-day hollow—to-day + with its Tubes and cars, its perpetual smoking, its cross-legged, + bare-necked girls visible up to the knees and down to the waist if you + took the trouble (agreeable to the satyr within each Forsyte but hardly + his idea of a lady), with their feet, too, screwed round the legs of their + chairs while they ate, and their “So longs,” and their “Old + Beans,” and their laughter—girls who gave him the shudders + whenever he thought of Fleur in contact with them; and the hard-eyed, + capable, older women who managed life and gave him the shudders too. No! + his old aunts, if they never opened their minds, their eyes, or very much + their windows, at least had manners, and a standard, and reverence for + past and future. + </p> + <p> + With rather a choky feeling he closed the door and went tiptoeing + upstairs. He looked in at a place on the way: H'm! in perfect order + of the eighties, with a sort of yellow oilskin paper on the walls. At the + top of the stairs he hesitated between four doors. Which of them was + Timothy's? And he listened. A sound, as of a child slowly dragging a + hobby-horse about, came to his ears. That must be Timothy! He tapped, and + a door was opened by Smither, very red in the face. + </p> + <p> + Mr. Timothy was taking his walk, and she had not been able to get him to + attend. If Mr. Soames would come into the back-room, he could see him + through the door. + </p> + <p> + Soames went into the back-room and stood watching. + </p> + <p> + The last of the old Forsytes was on his feet, moving with the most + impressive slowness, and an air of perfect concentration on his own + affairs, backward and forward between the foot of his bed and the window, + a distance of some twelve feet. The lower part of his square face, no + longer clean-shaven, was covered with snowy beard clipped as short as it + could be, and his chin looked as broad as his brow where the hair was also + quite white, while nose and cheeks and brow were a good yellow. One hand + held a stout stick, and the other grasped the skirt of his Jaeger + dressing-gown, from under which could be seen his bed-socked ankles and + feet thrust into Jaeger slippers. The expression on his face was that of a + crossed child, intent on something that he has not got. Each time he + turned he stumped the stick, and then dragged it, as if to show that he + could do without it: + </p> + <p> + “He still looks strong,” said Soames under his breath. + </p> + <p> + “Oh! yes, sir. You should see him take his bath—it's + wonderful; he does enjoy it so.” + </p> + <p> + Those quite loud words gave Soames an insight. Timothy had resumed his + babyhood. + </p> + <p> + “Does he take any interest in things generally?” he said, also + loud. + </p> + <p> + “Oh! yes, sir; his food and his Will. It's quite a sight to + see him turn it over and over, not to read it, of course; and every now + and then he asks the price of Consols, and I write it on a slate for him—very + large. Of course, I always write the same, what they were when he last + took notice, in 1914. We got the doctor to forbid him to read the paper + when the War broke out. Oh! he did take on about that at first. But he + soon came round, because he knew it tired him; and he's a wonder to + conserve energy as he used to call it when my dear mistresses were alive, + bless their hearts! How he did go on at them about that; they were always + so active, if you remember, Mr. Soames.” + </p> + <p> + “What would happen if I were to go in?” asked Soames: “Would + he remember me? I made his Will, you know, after Miss Hester died in 1907.” + </p> + <p> + “Oh! that, sir,” replied Smither doubtfully, “I couldn't + take on me to say. I think he might; he really is a wonderful man for his + age.” + </p> + <p> + Soames moved into the doorway, and waiting for Timothy to turn, said in a + loud voice: “Uncle Timothy!” + </p> + <p> + Timothy trailed back half-way, and halted. + </p> + <p> + “Eh?” he said. + </p> + <p> + “Soames,” cried Soames at the top of his voice, holding out + his hand, “Soames Forsyte!” + </p> + <p> + “No!” said Timothy, and stumping his stick loudly on the + floor, he continued his walk. + </p> + <p> + “It doesn't seem to work,” said Soames. + </p> + <p> + “No, sir,” replied Smither, rather crestfallen; “you + see, he hasn't finished his walk. It always was one thing at a time + with him. I expect he'll ask me this afternoon if you came about the + gas, and a pretty job I shall have to make him understand.” + </p> + <p> + “Do you think he ought to have a man about him?” + </p> + <p> + Smither held up her hands. “A man! Oh! no. Cook and me can manage + perfectly. A strange man about would send him crazy in no time. And my + mistresses wouldn't like the idea of a man in the house. Besides, we're + so—proud of him.” + </p> + <p> + “I suppose the doctor comes?” + </p> + <p> + “Every morning. He makes special terms for such a quantity, and Mr. + Timothy's so used, he doesn't take a bit of notice, except to + put out his tongue.” + </p> + <p> + “Well,” said Soames, turning away, “it's rather + sad and painful to me.” + </p> + <p> + “Oh! sir,” returned Smither anxiously, “you mustn't + think that. Now that he can't worry about things, he quite enjoys + his life, really he does. As I say to Cook, Mr. Timothy is more of a man + than he ever was. You see, when he's not walkin', or takin' + his bath, he's eatin', and when he's not eatin', + he's sleepin'. and there it is. There isn't an ache or a + care about him anywhere.” + </p> + <p> + “Well,” said Soames, “there's something in that. I'll + go down. By the way, let me see his Will.” + </p> + <p> + “I should have to take my time about that, sir; he keeps it under + his pillow, and he'd see me, while he's active.” + </p> + <p> + “I only want to know if it's the one I made,” said + Soames; “you take a look at its date some time, and let me know.” + </p> + <p> + “Yes, sir; but I'm sure it's the same, because me and + Cook witnessed, you remember, and there's our names on it still, and + we've only done it once.” + </p> + <p> + “Quite,” said Soames. He did remember. Smither and Jane had + been proper witnesses, having been left nothing in the Will that they + might have no interest in Timothy's death. It had been—he + fully admitted—an almost improper precaution, but Timothy had wished + it, and, after all, Aunt Hester had provided for them amply. + </p> + <p> + “Very well,” he said; “good-bye, Smither. Look after + him, and if he should say anything at any time, put it down, and let me + know.” + </p> + <p> + “Oh! yes, Mr. Soames; I'll be sure to do that. It's been + such a pleasant change to see you. Cook will be quite excited when I tell + her.” + </p> + <p> + Soames shook her hand and went down-stairs. He stood for fully two minutes + by the hat-stand whereon he had hung his hat so many times. 'So it + all passes,' he was thinking; 'passes and begins again. Poor + old chap!' And he listened, if perchance the sound of Timothy + trailing his hobby-horse might come down the well of the stairs; or some + ghost of an old face show over the bannisters, and an old voice say: + 'Why, it's dear Soames, and we were only saying that we hadn't + seen him for a week!' + </p> + <p> + Nothing—nothing! Just the scent of camphor, and dust-motes in a + sunbeam through the fanlight over the door. The little old house! A + mausoleum! And, turning on his heel, he went out, and caught his train. + </p> + <p> + <a name="link2H_4_0101" id="link2H_4_0101"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + V.—THE NATIVE HEATH + </h2> +<pre xml:space="preserve"> + “His foot's upon his native heath, + His name's—Val Dartie.” + </pre> + <p> + With some such feeling did Val Dartie, in the fortieth year of his age, + set out that same Thursday morning very early from the old manor-house he + had taken on the north side of the Sussex Downs. His destination was + Newmarket, and he had not been there since the autumn of 1899, when he + stole over from Oxford for the Cambridgeshire. He paused at the door to + give his wife a kiss, and put a flask of port into his pocket. + </p> + <p> + “Don't overtire your leg, Val, and don't bet too much.” + </p> + <p> + With the pressure of her chest against his own, and her eyes looking into + his, Val felt both leg and pocket safe. He should be moderate; Holly was + always right—she had a natural aptitude. It did not seem so + remarkable to him, perhaps, as it might to others, that—half Dartie + as he was—he should have been perfectly faithful to his young first + cousin during the twenty years since he married her romantically out in + the Boer War; and faithful without any feeling of sacrifice or boredom—she + was so quick, so slyly always a little in front of his mood. Being first + cousins they had decided, rather needlessly, to have no children; and, + though a little sallower, she had kept her looks, her slimness, and the + colour of her dark hair. Val particularly admired the life of her own she + carried on, besides carrying on his, and riding better every year. She + kept up her music, she read an awful lot—novels, poetry, all sorts + of stuff. Out on their farm in Cape colony she had looked after all the + “nigger” babies and women in a miraculous manner. She was, in + fact, clever; yet made no fuss about it, and had no “side.” + Though not remarkable for humility, Val had come to have the feeling that + she was his superior, and he did not grudge it—a great tribute. It + might be noted that he never looked at Holly without her knowing of it, + but that she looked at him sometimes unawares. + </p> + <p> + He had kissed her in the porch because he should not be doing so on the + platform, though she was going to the station with him, to drive the car + back. Tanned and wrinkled by Colonial weather and the wiles inseparable + from horses, and handicapped by the leg which, weakened in the Boer War, + had probably saved his life in the War just past, Val was still much as he + had been in the days of his courtship; his smile as wide and charming, his + eyelashes, if anything, thicker and darker, his eyes screwed up under + them, as bright a grey, his freckles rather deeper, his hair a little + grizzled at the sides. He gave the impression of one who has lived + actively with horses in a sunny climate. + </p> + <p> + Twisting the car sharp round at the gate, he said: + </p> + <p> + “When is young Jon coming?” + </p> + <p> + “To-day.” + </p> + <p> + “Is there anything you want for him? I could bring it down on + Saturday.” + </p> + <p> + “No; but you might come by the same train as Fleur—one-forty.” + </p> + <p> + Val gave the Ford full rein; he still drove like a man in a new country on + bad roads, who refuses to compromise, and expects heaven at every hole. + </p> + <p> + “That's a young woman who knows her way about,” he said. + “I say, has it struck you?” + </p> + <p> + “Yes,” said Holly. + </p> + <p> + “Uncle Soames and your Dad—bit awkward, isn't it?” + </p> + <p> + “She won't know, and he won't know, and nothing must be + said, of course. It's only for five days, Val.” + </p> + <p> + “Stable secret! Righto!” If Holly thought it safe, it was. + Glancing slyly round at him, she said: “Did you notice how + beautifully she asked herself?” + </p> + <p> + “No!” + </p> + <p> + “Well, she did. What do you think of her, Val?” + </p> + <p> + “Pretty and clever; but she might run out at any corner if she got + her monkey up, I should say.” + </p> + <p> + “I'm wondering,” Holly murmured, “whether she is + the modern young woman. One feels at sea coming home into all this.” + </p> + <p> + “You? You get the hang of things so quick.” + </p> + <p> + Holly slid her hand into his coat-pocket. + </p> + <p> + “You keep one in the know,” said Val encouraged. “What + do you think of that Belgian fellow, Profond?” + </p> + <p> + “I think he's rather 'a good devil.'” + </p> + <p> + Val grinned. + </p> + <p> + “He seems to me a queer fish for a friend of our family. In fact, + our family is in pretty queer waters, with Uncle Soames marrying a + Frenchwoman, and your Dad marrying Soames's first. Our grandfathers + would have had fits!” + </p> + <p> + “So would anybody's, my dear.” + </p> + <p> + “This car,” Val said suddenly, “wants rousing; she doesn't + get her hind legs under her uphill. I shall have to give her her head on + the slope if I'm to catch that train.” + </p> + <p> + There was that about horses which had prevented him from ever really + sympathising with a car, and the running of the Ford under his guidance + compared with its running under that of Holly was always noticeable. He + caught the train. + </p> + <p> + “Take care going home; she'll throw you down if she can. + Good-bye, darling.” + </p> + <p> + “Good-bye,” called Holly, and kissed her hand. + </p> + <p> + In the train, after quarter of an hour's indecision between thoughts + of Holly, his morning paper, the look of the bright day, and his dim + memory of Newmarket, Val plunged into the recesses of a small square book, + all names, pedigrees, tap-roots, and notes about the make and shape of + horses. The Forsyte in him was bent on the acquisition of a certain strain + of blood, and he was subduing resolutely as yet the Dartie hankering for a + Nutter. On getting back to England, after the profitable sale of his South + African farm and stud, and observing that the sun seldom shone, Val had + said to himself: “I've absolutely got to have an interest in + life, or this country will give me the blues. Hunting's not enough, + I'll breed and I'll train.” With just that extra pinch + of shrewdness and decision imparted by long residence in a new country, + Val had seen the weak point of modern breeding. They were all hypnotised + by fashion and high price. He should buy for looks, and let names go hang! + And here he was already, hypnotised by the prestige of a certain strain of + blood! Half-consciously, he thought: 'There's something in + this damned climate which makes one go round in a ring. All the same, I + must have a strain of Mayfly blood.' + </p> + <p> + In this mood he reached the Mecca of his hopes. It was one of those quiet + meetings favourable to such as wish to look into horses, rather than into + the mouths of bookmakers; and Val clung to the paddock. His twenty years + of Colonial life, divesting him of the dandyism in which he had been bred, + had left him the essential neatness of the horseman, and given him a queer + and rather blighting eye over what he called “the silly haw-haw” + of some Englishmen, the “flapping cockatoory” of some + English-women—Holly had none of that and Holly was his model. + Observant, quick, resourceful, Val went straight to the heart of a + transaction, a horse, a drink; and he was on his way to the heart of a + Mayfly filly, when a slow voice said at his elbow: + </p> + <p> + “Mr. Val Dartie? How's Mrs. Val Dartie? She's well, I + hope.” And he saw beside him the Belgian he had met at his sister + Imogen's. + </p> + <p> + “Prosper Profond—I met you at lunch,” said the voice. + </p> + <p> + “How are you?” murmured Val. + </p> + <p> + “I'm very well,” replied Monsieur Profond, smiling with + a certain inimitable slowness. “A good devil,” Holly had + called him. Well! He looked a little like a devil, with his dark, clipped, + pointed beard; a sleepy one though, and good-humoured, with fine eyes, + unexpectedly intelligent. + </p> + <p> + “Here's a gentleman wants to know you—cousin of yours—Mr. + George Forsyde.” + </p> + <p> + Val saw a large form, and a face clean-shaven, bull-like, a little + lowering, with sardonic humour bubbling behind a full grey eye; he + remembered it dimly from old days when he would dine with his father at + the Iseeum Club. + </p> + <p> + “I used to go racing with your father,” George was saying: + “How's the stud? Like to buy one of my screws?” + </p> + <p> + Val grinned, to hide the sudden feeling that the bottom had fallen out of + breeding. They believed in nothing over here, not even in horses. George + Forsyte, Prosper Profond! The devil himself was not more disillusioned + than those two. + </p> + <p> + “Didn't know you were a racing man,” he said to Monsieur + Profond. + </p> + <p> + “I'm not. I don't care for it. I'm a yachtin' + man. I don't care for yachtin' either, but I like to see my + friends. I've got some lunch, Mr. Val Dartie, just a small lunch, if + you'd like to 'ave some; not much—just a small one—in + my car.” + </p> + <p> + “Thanks,” said Val; “very good of you. I'll come + along in about quarter of an hour.” + </p> + <p> + “Over there. Mr. Forsyde's comin',” and Monsieur + Profond “poinded” with a yellow-gloved finger; “small + car, with a small lunch”; he moved on, groomed, sleepy, and remote, + George Forsyte following, neat, huge, and with his jesting air. + </p> + <p> + Val remained gazing at the Mayfly filly. George Forsyte, of course, was an + old chap, but this Profond might be about his own age; Val felt extremely + young, as if the Mayfly filly were a toy at which those two had laughed. + The animal had lost reality. + </p> + <p> + “That 'small' mare”—he seemed to hear the + voice of Monsieur Profond—“what do you see in her?—we + must all die!” + </p> + <p> + And George Forsyte, crony of his father, racing still! The Mayfly strain—was + it any better than any other? He might just as well have a flutter with + his money instead. + </p> + <p> + “No, by gum!” he muttered suddenly, “if it's no + good breeding horses, it's no good doing anything. What did I come + for? I'll buy her.” + </p> + <p> + He stood back and watched the ebb of the paddock visitors toward the + stand. Natty old chips, shrewd portly fellows, Jews, trainers looking as + if they had never been guilty of seeing a horse in their lives; tall, + flapping, languid women, or brisk, loud-voiced women; young men with an + air as if trying to take it seriously—two or three of them with only + one arm. + </p> + <p> + 'Life over here's a game!' thought Val. 'Muffin + bell rings, horses run, money changes hands; ring again, run again, money + changes back.' + </p> + <p> + But, alarmed at his own philosophy, he went to the paddock gate to watch + the Mayfly filly canter down. She moved well; and he made his way over to + the “small” car. The “small” lunch was the sort a + man dreams of but seldom gets; and when it was concluded Monsieur Profond + walked back with him to the paddock. + </p> + <p> + “Your wife's a nice woman,” was his surprising remark. + </p> + <p> + “Nicest woman I know,” returned Val dryly. + </p> + <p> + “Yes,” said Monsieur Profond; “she has a nice face. I + admire nice women.” + </p> + <p> + Val looked at him suspiciously, but something kindly and direct in the + heavy diabolism of his companion disarmed him for the moment. + </p> + <p> + “Any time you like to come on my yacht, I'll give her a small + cruise.” + </p> + <p> + “Thanks,” said Val, in arms again, “she hates the sea.” + </p> + <p> + “So do I,” said Monsieur Profond. + </p> + <p> + “Then why do you yacht?” + </p> + <p> + The Belgian's eyes smiled. “Oh! I don't know. I've + done everything; it's the last thing I'm doin'.” + </p> + <p> + “It must be d-d expensive. I should want more reason than that.” + </p> + <p> + Monsieur Prosper Profond raised his eyebrows, and puffed out a heavy lower + lip. + </p> + <p> + “I'm an easy-goin' man,” he said. + </p> + <p> + “Were you in the War?” asked Val. + </p> + <p> + “Ye-es. I've done that too. I was gassed; it was a small bit + unpleasant.” He smiled with a deep and sleepy air of prosperity, as + if he had caught it from his name. + </p> + <p> + Whether his saying “small” when he ought to have said “little” + was genuine mistake or affectation Val could not decide; the fellow was + evidently capable of anything. + </p> + <p> + Among the ring of buyers round the Mayfly filly who had won her race, + Monsieur Profond said: + </p> + <p> + “You goin' to bid?” + </p> + <p> + Val nodded. With this sleepy Satan at his elbow, he felt in need of faith. + Though placed above the ultimate blows of Providence by the forethought of + a grand-father who had tied him up a thousand a year to which was added + the thousand a year tied up for Holly by her grand-father, Val was not + flush of capital that he could touch, having spent most of what he had + realised from his South African farm on his establishment in Sussex. And + very soon he was thinking: 'Dash it! she's going beyond me!' + His limit-six hundred-was exceeded; he dropped out of the bidding. The + Mayfly filly passed under the hammer at seven hundred and fifty guineas. + He was turning away vexed when the slow voice of Monsieur Profond said in + his ear: + </p> + <p> + “Well, I've bought that small filly, but I don't want + her; you take her and give her to your wife.” + </p> + <p> + Val looked at the fellow with renewed suspicion, but the good humour in + his eyes was such that he really could not take offence. + </p> + <p> + “I made a small lot of money in the War,” began Monsieur + Profond in answer to that look. “I 'ad armament shares. I like + to give it away. I'm always makin' money. I want very small + lot myself. I like my friends to 'ave it.” + </p> + <p> + “I'll buy her of you at the price you gave,” said Val + with sudden resolution. + </p> + <p> + “No,” said Monsieur Profond. “You take her. I don' + want her.” + </p> + <p> + “Hang it! one doesn't—” + </p> + <p> + “Why not?” smiled Monsieur Profond. “I'm a friend + of your family.” + </p> + <p> + “Seven hundred and fifty guineas is not a box of cigars,” said + Val impatiently. + </p> + <p> + “All right; you keep her for me till I want her, and do what you + like with her.” + </p> + <p> + “So long as she's yours,” said Val. “I don't + mind that.” + </p> + <p> + “That's all right,” murmured Monsieur Profond, and moved + away. + </p> + <p> + Val watched; he might be “a good devil,” but then again he + might not. He saw him rejoin George Forsyte, and thereafter saw him no + more. + </p> + <p> + He spent those nights after racing at his mother's house in Green + Street. + </p> + <p> + Winifred Dartie at sixty-two was marvellously preserved, considering the + three-and-thirty years during which she had put up with Montague Dartie, + till almost happily released by a French staircase. It was to her a + vehement satisfaction to have her favourite son back from South Africa + after all this time, to feel him so little changed, and to have taken a + fancy to his wife. Winifred, who in the late seventies, before her + marriage, had been in the vanguard of freedom, pleasure, and fashion, + confessed her youth outclassed by the donzellas of the day. They seemed, + for instance, to regard marriage as an incident, and Winifred sometimes + regretted that she had not done the same; a second, third, fourth incident + might have secured her a partner of less dazzling inebriety; though, after + all, he had left her Val, Imogen, Maud, Benedict (almost a colonel and + unharmed by the War)—none of whom had been divorced as yet. The + steadiness of her children often amazed one who remembered their father; + but, as she was fond of believing, they were really all Forsytes, + favouring herself, with the exception, perhaps, of Imogen. Her brother's + “little girl” Fleur frankly puzzled Winifred. The child was as + restless as any of these modern young women—“She's a + small flame in a draught,” Prosper Profond had said one day after + dinner—but she did not flap, or talk at the top of her voice. The + steady Forsyteism in Winifred's own character instinctively resented + the feeling in the air, the modern girl's habits and her motto: + “All's much of a muchness! Spend, to-morrow we shall be poor!” + She found it a saving grace in Fleur that, having set her heart on a + thing, she had no change of heart until she got it—though—what + happened after, Fleur was, of course, too young to have made evident. The + child was a “very pretty little thing,” too, and quite a + credit to take about, with her mother's French taste and gift for + wearing clothes; everybody turned to look at Fleur—great + consideration to Winifred, a lover of the style and distinction which had + so cruelly deceived her in the case of Montague Dartie. + </p> + <p> + In discussing her with Val, at breakfast on Saturday morning, Winifred + dwelt on the family skeleton. + </p> + <p> + “That little affair of your father-in-law and your Aunt Irene, Val—it's + old as the hills, of course, Fleur need know nothing about it—making + a fuss. Your Uncle Soames is very particular about that. So you'll + be careful.” + </p> + <p> + “Yes! But it's dashed awkward—Holly's young + half-brother is coming to live with us while he learns farming. He's + there already.” + </p> + <p> + “Oh!” said Winifred. “That is a gaff! What is he like?” + </p> + <p> + “Only saw him once—at Robin Hill, when we were home in 1909; + he was naked and painted blue and yellow in stripes—a jolly little + chap.” + </p> + <p> + Winifred thought that “rather nice,” and added comfortably: + “Well, Holly's sensible; she'll know how to deal with + it. I shan't tell your uncle. It'll only bother him. It's + a great comfort to have you back, my dear boy, now that I'm getting + on.” + </p> + <p> + “Getting on! Why! you're as young as ever. That chap Profond, + Mother, is he all right?” + </p> + <p> + “Prosper Profond! Oh! the most amusing man I know.” + </p> + <p> + Val grunted, and recounted the story of the Mayfly filly. + </p> + <p> + “That's so like him,” murmured Winifred. “He does + all sorts of things.” + </p> + <p> + “Well,” said Val shrewdly, “our family haven't + been too lucky with that kind of cattle; they're too light-hearted + for us.” + </p> + <p> + It was true, and Winifred's blue study lasted a full minute before + she answered: + </p> + <p> + “Oh! well! He's a foreigner, Val; one must make allowances.” + </p> + <p> + “All right, I'll use his filly and make it up to him, somehow.” + </p> + <p> + And soon after he gave her his blessing, received a kiss, and left her for + his bookmaker's, the Iseeum Club, and Victoria station. + </p> + <p> + <a name="link2H_4_0102" id="link2H_4_0102"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VI.—JON + </h2> + <p> + Mrs. Val Dartie, after twenty years of South Africa, had fallen deeply in + love, fortunately with something of her own, for the object of her passion + was the prospect in front of her windows, the cool clear light on the + green Downs. It was England again, at last! England more beautiful than + she had dreamed. Chance had, in fact, guided the Val Darties to a spot + where the South Downs had real charm when the sun shone. Holly had enough + of her father's eye to apprehend the rare quality of their outlines + and chalky radiance; to go up there by the ravine-like lane and wander + along toward Chanctonbury or Amberley, was still a delight which she + hardly attempted to share with Val, whose admiration of Nature was + confused by a Forsyte's instinct for getting something out of it, + such as the condition of the turf for his horses' exercise. + </p> + <p> + Driving the Ford home with a certain humouring, smoothness, she promised + herself that the first use she would make of Jon would be to take him up + there, and show him “the view” under this May-day sky. + </p> + <p> + She was looking forward to her young half-brother with a motherliness not + exhausted by Val. A three-day visit to Robin Hill, soon after their + arrival home, had yielded no sight of him—he was still at school; so + that her recollection, like Val's, was of a little sunny-haired boy, + striped blue and yellow, down by the pond. + </p> + <p> + Those three days at Robin Hill had been exciting, sad, embarrassing. + Memories of her dead brother, memories of Val's courtship; the + ageing of her father, not seen for twenty years, something funereal in his + ironic gentleness which did not escape one who had much subtle instinct; + above all, the presence of her stepmother, whom she could still vaguely + remember as the “lady in grey” of days when she was little and + grandfather alive and Mademoiselle Beauce so cross because that intruder + gave her music lessons—all these confused and tantalised a spirit + which had longed to find Robin Hill untroubled. But Holly was adept at + keeping things to herself, and all had seemed to go quite well. + </p> + <p> + Her father had kissed her when she left him, with lips which she was sure + had trembled. + </p> + <p> + “Well, my dear,” he said, “the War hasn't changed + Robin Hill, has it? If only you could have brought Jolly back with you! I + say, can you stand this spiritualistic racket? When the oak-tree dies, it + dies, I'm afraid.” + </p> + <p> + From the warmth of her embrace he probably divined that he had let the cat + out of the bag, for he rode off at once on irony. + </p> + <p> + “Spiritualism—queer word, when the more they manifest the more + they prove that they've got hold of matter.” + </p> + <p> + “How?” said Holly. + </p> + <p> + “Why! Look at their photographs of auric presences. You must have + something material for light and shade to fall on before you can take a + photograph. No, it'll end in our calling all matter spirit, or all + spirit matter—I don't know which.” + </p> + <p> + “But don't you believe in survival, Dad?” + </p> + <p> + Jolyon had looked at her, and the sad whimsicality of his face impressed + her deeply. + </p> + <p> + “Well, my dear, I should like to get something out of death. I've + been looking into it a bit. But for the life of me I can't find + anything that telepathy, sub-consciousness, and emanation from the + storehouse of this world can't account for just as well. Wish I + could! Wishes father thought but they don't breed evidence.” + Holly had pressed her lips again to his forehead with the feeling that it + confirmed his theory that all matter was becoming spirit—his brow + felt, somehow, so insubstantial. + </p> + <p> + But the most poignant memory of that little visit had been watching, + unobserved, her stepmother reading to herself a letter from Jon. It was—she + decided—the prettiest sight she had ever seen. Irene, lost as it + were in the letter of her boy, stood at a window where the light fell on + her face and her fine grey hair; her lips were moving, smiling, her dark + eyes laughing, dancing, and the hand which did not hold the letter was + pressed against her breast. Holly withdrew as from a vision of perfect + love, convinced that Jon must be nice. + </p> + <p> + When she saw him coming out of the station with a kit-bag in either hand, + she was confirmed in her predisposition. He was a little like Jolly, that + long-lost idol of her childhood, but eager-looking and less formal, with + deeper eyes and brighter-coloured hair, for he wore no hat; altogether a + very interesting “little” brother! + </p> + <p> + His tentative politeness charmed one who was accustomed to assurance in + the youthful manner; he was disturbed because she was to drive him home, + instead of his driving her. Shouldn't he have a shot? They hadn't + a car at Robin Hill since the War, of course, and he had only driven once, + and landed up a bank, so she oughtn't to mind his trying. His laugh, + soft and infectious, was very attractive, though that word, she had heard, + was now quite old-fashioned. When they reached the house he pulled out a + crumpled letter which she read while he was washing—a quite short + letter, which must have cost her father many a pang to write. + </p> + <p> + “MY DEAR, + </p> + <p> + “You and Val will not forget, I trust, that Jon knows nothing of + family history. His mother and I think he is too young at present. The boy + is very dear, and the apple of her eye. Verbum sapientibus, + </p> + <p> + “Your loving father, + </p> + <p> + “J. F.” + </p> + <p> + That was all; but it renewed in Holly an uneasy regret that Fleur was + coming. + </p> + <p> + After tea she fulfilled that promise to herself and took Jon up the hill. + They had a long talk, sitting above an old chalk-pit grown over with + brambles and goosepenny. Milkwort and liverwort starred the green slope, + the larks sang, and thrushes in the brake, and now and then a gull + flighting inland would wheel very white against the paling sky, where the + vague moon was coming up. Delicious fragrance came to them, as if little + invisible creatures were running and treading scent out of the blades of + grass. + </p> + <p> + Jon, who had fallen silent, said rather suddenly: + </p> + <p> + “I say, this is wonderful! There's no fat on it at all. Gull's + flight and sheep-bells.” + </p> + <p> + “'Gull's flight and sheep-bells'. You're a + poet, my dear!” + </p> + <p> + Jon sighed. + </p> + <p> + “Oh, Golly! No go!” + </p> + <p> + “Try! I used to at your age.” + </p> + <p> + “Did you? Mother says 'try' too; but I'm so + rotten. Have you any of yours for me to see?” + </p> + <p> + “My dear,” Holly murmured, “I've been married + nineteen years. I only wrote verses when I wanted to be.” + </p> + <p> + “Oh!” said Jon, and turned over on his face: the one cheek she + could see was a charming colour. Was Jon “touched in the wind,” + then, as Val would have called it? Already? But, if so, all the better, he + would take no notice of young Fleur. Besides, on Monday he would begin his + farming. And she smiled. Was it Burns who followed the plough, or only + Piers Plowman? Nearly every young man and most young women seemed to be + poets now, judging from the number of their books she had read out in + South Africa, importing them from Hatchus and Bumphards; and quite good—oh! + quite; much better than she had been herself! But then poetry had only + really come in since her day—with motor-cars. Another long talk + after dinner over a wood fire in the low hall, and there seemed little + left to know about Jon except anything of real importance. Holly parted + from him at his bedroom door, having seen twice over that he had + everything, with the conviction that she would love him, and Val would + like him. He was eager, but did not gush; he was a splendid listener, + sympathetic, reticent about himself. He evidently loved their father, and + adored his mother. He liked riding, rowing, and fencing better than games. + He saved moths from candles, and couldn't bear spiders, but put them + out of doors in screws of paper sooner than kill them. In a word, he was + amiable. She went to sleep, thinking that he would suffer horribly if + anybody hurt him; but who would hurt him? + </p> + <p> + Jon, on the other hand, sat awake at his window with a bit of paper and a + pencil, writing his first “real poem” by the light of a candle + because there was not enough moon to see by, only enough to make the night + seem fluttery and as if engraved on silver. Just the night for Fleur to + walk, and turn her eyes, and lead on-over the hills and far away. And Jon, + deeply furrowed in his ingenuous brow, made marks on the paper and rubbed + them out and wrote them in again, and did all that was necessary for the + completion of a work of art; and he had a feeling such as the winds of + Spring must have, trying their first songs among the coming blossom. Jon + was one of those boys (not many) in whom a home-trained love of beauty had + survived school life. He had had to keep it to himself, of course, so that + not even the drawing-master knew of it; but it was there, fastidious and + clear within him. And his poem seemed to him as lame and stilted as the + night was winged. But he kept it, all the same. It was a “beast,” + but better than nothing as an expression of the inexpressible. And he + thought with a sort of discomfiture: 'I shan't be able to show + it to Mother.' He slept terribly well, when he did sleep, + overwhelmed by novelty. + </p> + <p> + <a name="link2H_4_0103" id="link2H_4_0103"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VII.—FLEUR + </h2> + <p> + To avoid the awkwardness of questions which could not be answered, all + that had been told Jon was: + </p> + <p> + “There's a girl coming down with Val for the week-end.” + </p> + <p> + For the same reason, all that had been told Fleur was: “We've + got a youngster staying with us.” + </p> + <p> + The two yearlings, as Val called them in his thoughts, met therefore in a + manner which for unpreparedness left nothing to be desired. They were thus + introduced by Holly: + </p> + <p> + “This is Jon, my little brother; Fleur's a cousin of ours, + Jon.” + </p> + <p> + Jon, who was coming in through a French window out of strong sunlight, was + so confounded by the providential nature of this miracle, that he had time + to hear Fleur say calmly: “Oh, how do you do?” as if he had + never seen her, and to understand dimly from the quickest imaginable + little movement of her head that he never had seen her. He bowed therefore + over her hand in an intoxicated manner, and became more silent than the + grave. He knew better than to speak. Once in his early life, surprised + reading by a nightlight, he had said fatuously “I was just turning + over the leaves, Mum,” and his mother had replied: “Jon, never + tell stories, because of your face nobody will ever believe them.” + </p> + <p> + The saying had permanently undermined the confidence necessary to the + success of spoken untruth. He listened therefore to Fleur's swift + and rapt allusions to the jolliness of everything, plied her with scones + and jam, and got away as soon as might be. They say that in delirium + tremens you see a fixed object, preferably dark, which suddenly changes + shape and position. Jon saw the fixed object; it had dark eyes and + passably dark hair, and changed its position, but never its shape. The + knowledge that between him and that object there was already a secret + understanding (however impossible to understand) thrilled him so that he + waited feverishly, and began to copy out his poem—which of course he + would never dare to—show her—till the sound of horses' + hoofs roused him, and, leaning from his window, he saw her riding forth + with Val. It was clear that she wasted no time, but the sight filled him + with grief. He wasted his. If he had not bolted, in his fearful ecstasy, + he might have been asked to go too. And from his window he sat and watched + them disappear, appear again in the chine of the road, vanish, and emerge + once more for a minute clear on the outline of the Down. 'Silly + brute!' he thought; 'I always miss my chances.' + </p> + <p> + Why couldn't he be self-confident and ready? And, leaning his chin + on his hands, he imagined the ride he might have had with her. A week-end + was but a week-end, and he had missed three hours of it. Did he know any + one except himself who would have been such a flat? He did not. + </p> + <p> + He dressed for dinner early, and was first down. He would miss no more. + But he missed Fleur, who came down last. He sat opposite her at dinner, + and it was terrible—impossible to say anything for fear of saying + the wrong thing, impossible to keep his eyes fixed on her in the only + natural way; in sum, impossible to treat normally one with whom in fancy + he had already been over the hills and far away; conscious, too, all the + time, that he must seem to her, to all of them, a dumb gawk. Yes, it was + terrible! And she was talking so well—swooping with swift wing this + way and that. Wonderful how she had learned an art which he found so + disgustingly difficult. She must think him hopeless indeed! + </p> + <p> + His sister's eyes, fixed on him with a certain astonishment, obliged + him at last to look at Fleur; but instantly her eyes, very wide and eager, + seeming to say, “Oh! for goodness' sake!” obliged him to + look at Val, where a grin obliged him to look at his cutlet—that, at + least, had no eyes, and no grin, and he ate it hastily. + </p> + <p> + “Jon is going to be a farmer,” he heard Holly say; “a + farmer and a poet.” + </p> + <p> + He glanced up reproachfully, caught the comic lift of her eyebrow just + like their father's, laughed, and felt better. + </p> + <p> + Val recounted the incident of Monsieur Prosper Profond; nothing could have + been more favourable, for, in relating it, he regarded Holly, who in turn + regarded him, while Fleur seemed to be regarding with a slight frown some + thought of her own, and Jon was really free to look at her at last. She + had on a white frock, very simple and well made; her arms were bare, and + her hair had a white rose in it. In just that swift moment of free vision, + after such intense discomfort, Jon saw her sublimated, as one sees in the + dark a slender white fruit-tree; caught her like a verse of poetry flashed + before the eyes of the mind, or a tune which floats out in the distance + and dies. He wondered giddily how old she was—she seemed so much + more self-possessed and experienced than himself. Why mustn't he say + they had met? He remembered suddenly his mother's face; puzzled, + hurt-looking, when she answered: “Yes, they're relations, but + we don't know them.” Impossible that his mother, who loved + beauty, should not admire Fleur if she did know her. + </p> + <p> + Alone with Val after dinner, he sipped port deferentially and answered the + advances of this new-found brother-in-law. As to riding (always the first + consideration with Val) he could have the young chestnut, saddle and + unsaddle it himself, and generally look after it when he brought it in. + Jon said he was accustomed to all that at home, and saw that he had gone + up one in his host's estimation. + </p> + <p> + “Fleur,” said Val, “can't ride much yet, but she's + keen. Of course, her father doesn't know a horse from a cart-wheel. + Does your Dad ride?” + </p> + <p> + “He used to; but now he's—you know, he's—” + He stopped, so hating the word “old.” His father was old, and + yet not old; no—never! + </p> + <p> + “Quite,” muttered Val. “I used to know your brother up + at Oxford, ages ago, the one who died in the Boer War. We had a fight in + New College Gardens. That was a queer business,” he added, musing; + “a good deal came out of it.” + </p> + <p> + Jon's eyes opened wide; all was pushing him toward historical + research, when his sister's voice said gently from the doorway: + </p> + <p> + “Come along, you two,” and he rose, his heart pushing him + toward something far more modern. + </p> + <p> + Fleur having declared that it was “simply too wonderful to stay + indoors,” they all went out. Moonlight was frosting the dew, and an + old sundial threw a long shadow. Two box hedges at right angles, dark and + square, barred off the orchard. Fleur turned through that angled opening. + </p> + <p> + “Come on!” she called. Jon glanced at the others, and + followed. She was running among the trees like a ghost. All was lovely and + foamlike above her, and there was a scent of old trunks, and of nettles. + She vanished. He thought he had lost her, then almost ran into her + standing quite still. + </p> + <p> + “Isn't it jolly?” she cried, and Jon answered: + </p> + <p> + “Rather!” + </p> + <p> + She reached up, twisted off a blossom and, twirling it in her fingers, + said: + </p> + <p> + “I suppose I can call you Jon?” + </p> + <p> + “I should think so just.” + </p> + <p> + “All right! But you know there's a feud between our families?” + </p> + <p> + Jon stammered: “Feud? Why?” + </p> + <p> + “It's ever so romantic and silly. That's why I pretended + we hadn't met. Shall we get up early to-morrow morning and go for a + walk before breakfast and have it out? I hate being slow about things, don't + you?” + </p> + <p> + Jon murmured a rapturous assent. + </p> + <p> + “Six o'clock, then. I think your mother's beautiful” + </p> + <p> + Jon said fervently: “Yes, she is.” + </p> + <p> + “I love all kinds of beauty,” went on Fleur, “when it's + exciting. I don't like Greek things a bit.” + </p> + <p> + “What! Not Euripides?” + </p> + <p> + “Euripides? Oh! no, I can't bear Greek plays; they're so + long. I think beauty's always swift. I like to look at one picture, + for instance, and then run off. I can't bear a lot of things + together. Look!” She held up her blossom in the moonlight. “That's + better than all the orchard, I think.” + </p> + <p> + And, suddenly, with her other hand she caught Jon's. + </p> + <p> + “Of all things in the world, don't you think caution's + the most awful? Smell the moonlight!” + </p> + <p> + She thrust the blossom against his face; Jon agreed giddily that of all + things in the world caution was the worst, and bending over, kissed the + hand which held his. + </p> + <p> + “That's nice and old-fashioned,” said Fleur calmly. + “You're frightfully silent, Jon. Still I like silence when it's + swift.” She let go his hand. “Did you think I dropped my + handkerchief on purpose?” + </p> + <p> + “No!” cried Jon, intensely shocked. + </p> + <p> + “Well, I did, of course. Let's get back, or they'll + think we're doing this on purpose too.” And again she ran like + a ghost among the trees. Jon followed, with love in his heart, Spring in + his heart, and over all the moonlit white unearthly blossom. They came out + where they had gone in, Fleur walking demurely. + </p> + <p> + “It's quite wonderful in there,” she said dreamily to + Holly. + </p> + <p> + Jon preserved silence, hoping against hope that she might be thinking it + swift. + </p> + <p> + She bade him a casual and demure good-night, which made him think he had + been dreaming.... + </p> + <p> + In her bedroom Fleur had flung off her gown, and, wrapped in a shapeless + garment, with the white flower still in her hair, she looked like a + mousme, sitting cross-legged on her bed, writing by candlelight. + </p> + <p> + “DEAREST CHERRY, + </p> + <p> + “I believe I'm in love. I've got it in the neck, only + the feeling is really lower down. He's a second cousin-such a child, + about six months older and ten years younger than I am. Boys always fall + in love with their seniors, and girls with their juniors or with old men + of forty. Don't laugh, but his eyes are the truest things I ever + saw; and he's quite divinely silent! We had a most romantic first + meeting in London under the Vospovitch Juno. And now he's sleeping + in the next room and the moonlight's on the blossom; and to-morrow + morning, before anybody's awake, we're going to walk off into + Down fairyland. There's a feud between our families, which makes it + really exciting. Yes! and I may have to use subterfuge and come on you for + invitations—if so, you'll know why! My father doesn't + want us to know each other, but I can't help that. Life's too + short. He's got the most beautiful mother, with lovely silvery hair + and a young face with dark eyes. I'm staying with his sister—who + married my cousin; it's all mixed up, but I mean to pump her + to-morrow. We've often talked about love being a spoil-sport; well, + that's all tosh, it's the beginning of sport, and the sooner + you feel it, my dear, the better for you. + </p> + <p> + “Jon (not simplified spelling, but short for Jolyon, which is a name + in my family, they say) is the sort that lights up and goes out; about + five feet ten, still growing, and I believe he's going to be a poet. + If you laugh at me I've done with you forever. I perceive all sorts + of difficulties, but you know when I really want a thing I get it. One of + the chief effects of love is that you see the air sort of inhabited, like + seeing a face in the moon; and you feel—you feel dancey and soft at + the same time, with a funny sensation—like a continual first sniff + of orange—blossom—Just above your stays. This is my first, and + I feel as if it were going to be my last, which is absurd, of course, by + all the laws of Nature and morality. If you mock me I will smite you, and + if you tell anybody I will never forgive you. So much so, that I almost + don't think I'll send this letter. Anyway, I'll sleep + over it. So good-night, my Cherry—oh! + </p> + <p> + “Your, + </p> + <p> + “FLEUR.” <a name="link2H_4_0104" id="link2H_4_0104"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VIII.—IDYLL ON GRASS + </h2> + <p> + When those two young Forsytes emerged from the chine lane, and set their + faces east toward the sun, there was not a cloud in heaven, and the Downs + were dewy. They had come at a good bat up the slope and were a little out + of breath; if they had anything to say they did not say it, but marched in + the early awkwardness of unbreakfasted morning under the songs of the + larks. The stealing out had been fun, but with the freedom of the tops the + sense of conspiracy ceased, and gave place to dumbness. + </p> + <p> + “We've made one blooming error,” said Fleur, when they + had gone half a mile. “I'm hungry.” + </p> + <p> + Jon produced a stick of chocolate. They shared it and their tongues were + loosened. They discussed the nature of their homes and previous + existences, which had a kind of fascinating unreality up on that lonely + height. There remained but one thing solid in Jon's past—his + mother; but one thing solid in Fleur's—her father; and of + these figures, as though seen in the distance with disapproving faces, + they spoke little. + </p> + <p> + The Down dipped and rose again toward Chanctonbury Ring; a sparkle of far + sea came into view, a sparrow-hawk hovered in the sun's eye so that + the blood-nourished brown of his wings gleamed nearly red. Jon had a + passion for birds, and an aptitude for sitting very still to watch them; + keen-sighted, and with a memory for what interested him, on birds he was + almost worth listening to. But in Chanctonbury Ring there were none—its + great beech temple was empty of life, and almost chilly at this early + hour; they came out willingly again into the sun on the far side. It was + Fleur's turn now. She spoke of dogs, and the way people treated + them. It was wicked to keep them on chains! She would like to flog people + who did that. Jon was astonished to find her so humanitarian. She knew a + dog, it seemed, which some farmer near her home kept chained up at the end + of his chicken run, in all weathers, till it had almost lost its voice + from barking! + </p> + <p> + “And the misery is,” she said vehemently, “that if the + poor thing didn't bark at every one who passes it wouldn't be + kept there. I do think men are cunning brutes. I've let it go twice, + on the sly; it's nearly bitten me both times, and then it goes + simply mad with joy; but it always runs back home at last, and they chain + it up again. If I had my way, I'd chain that man up.” Jon saw + her teeth and her eyes gleam. “I'd brand him on his forehead + with the word 'Brute'. that would teach him!” + </p> + <p> + Jon agreed that it would be a good remedy. + </p> + <p> + “It's their sense of property,” he said, “which + makes people chain things. The last generation thought of nothing but + property; and that's why there was the War.” + </p> + <p> + “Oh!” said Fleur, “I never thought of that. Your people + and mine quarrelled about property. And anyway we've all got it—at + least, I suppose your people have.” + </p> + <p> + “Oh! yes, luckily; I don't suppose I shall be any good at + making money.” + </p> + <p> + “If you were, I don't believe I should like you.” + </p> + <p> + Jon slipped his hand tremulously under her arm. Fleur looked straight + before her and chanted: + </p> + <p> + “Jon, Jon, the farmer's son, Stole a pig, and away he run!” + </p> + <p> + Jon's arm crept round her waist. + </p> + <p> + “This is rather sudden,” said Fleur calmly; “do you + often do it?” + </p> + <p> + Jon dropped his arm. But when she laughed his arm stole back again; and + Fleur began to sing: + </p> + <p> + “O who will oer the downs so free, O who will with me ride? O who + will up and follow me—-” + </p> + <p> + “Sing, Jon!” + </p> + <p> + Jon sang. The larks joined in, sheep-bells, and an early morning church + far away over in Steyning. They went on from tune to tune, till Fleur + said: + </p> + <p> + “My God! I am hungry now!” + </p> + <p> + “Oh! I am sorry!” + </p> + <p> + She looked round into his face. + </p> + <p> + “Jon, you're rather a darling.” + </p> + <p> + And she pressed his hand against her waist. Jon almost reeled from + happiness. A yellow-and-white dog coursing a hare startled them apart. + They watched the two vanish down the slope, till Fleur said with a sigh: + “He'll never catch it, thank goodness! What's the time? + Mine's stopped. I never wound it.” + </p> + <p> + Jon looked at his watch. “By Jove!” he said, “mine's + stopped; too.” + </p> + <p> + They walked on again, but only hand in hand. + </p> + <p> + “If the grass is dry,” said Fleur, “let's sit down + for half a minute.” + </p> + <p> + Jon took off his coat, and they shared it. + </p> + <p> + “Smell! Actually wild thyme!” + </p> + <p> + With his arm round her waist again, they sat some minutes in silence. + </p> + <p> + “We are goats!” cried Fleur, jumping up; “we shall be + most fearfully late, and look so silly, and put them on their guard. Look + here, Jon We only came out to get an appetite for breakfast, and lost our + way. See?” + </p> + <p> + “Yes,” said Jon. + </p> + <p> + “It's serious; there'll be a stopper put on us. Are you + a good liar?” + </p> + <p> + “I believe not very; but I can try.” + </p> + <p> + Fleur frowned. + </p> + <p> + “You know,” she said, “I realize that they don't + mean us to be friends.” + </p> + <p> + “Why not?” + </p> + <p> + “I told you why.” + </p> + <p> + “But that's silly.” + </p> + <p> + “Yes; but you don't know my father!” + </p> + <p> + “I suppose he's fearfully fond of you.” + </p> + <p> + “You see, I'm an only child. And so are you—of your + mother. Isn't it a bore? There's so much expected of one. By + the time they've done expecting, one's as good as dead.” + </p> + <p> + “Yes,” muttered Jon, “life's beastly short. One + wants to live forever, and know everything.” + </p> + <p> + “And love everybody?” + </p> + <p> + “No,” cried Jon; “I only want to love once—you.” + </p> + <p> + “Indeed! You're coming on! Oh! Look! There's the + chalk-pit; we can't be very far now. Let's run.” + </p> + <p> + Jon followed, wondering fearfully if he had offended her. + </p> + <p> + The chalk-pit was full of sunshine and the murmuration of bees. Fleur + flung back her hair. + </p> + <p> + “Well,” she said, “in case of accidents, you may give me + one kiss, Jon,” and she pushed her cheek forward. With ecstasy he + kissed that hot soft cheek. + </p> + <p> + “Now, remember! We lost our way; and leave it to me as much as you + can. I'm going to be rather beastly to you; it's safer; try + and be beastly to me!” + </p> + <p> + Jon shook his head. “That's impossible.” + </p> + <p> + “Just to please me; till five o'clock, at all events.” + </p> + <p> + “Anybody will be able to see through it,” said Jon gloomily. + </p> + <p> + “Well, do your best. Look! There they are! Wave your hat! Oh! you + haven't got one. Well, I'll cooee! Get a little away from me, + and look sulky.” + </p> + <p> + Five minutes later, entering the house and doing his utmost to look sulky, + Jon heard her clear voice in the dining-room: + </p> + <p> + “Oh! I'm simply ravenous! He's going to be a farmer—and + he loses his way! The boy's an idiot!” + </p> + <p> + <a name="link2H_4_0105" id="link2H_4_0105"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + IX. GOYA + </h2> + <p> + Lunch was over and Soames mounted to the picture-gallery in his house near + Mapleduram. He had what Annette called “a grief.” Fleur was + not yet home. She had been expected on Wednesday; had wired that it would + be Friday; and again on Friday that it would be Sunday afternoon; and here + were her aunt, and her cousins the Cardigans, and this fellow Profond, and + everything flat as a pancake for the want of her. He stood before his + Gauguin—sorest point of his collection. He had bought the ugly great + thing with two early Matisses before the War, because there was such a + fuss about those Post-Impressionist chaps. He was wondering whether + Profond would take them off his hands—the fellow seemed not to know + what to do with his money—when he heard his sister's voice + say: “I think that's a horrid thing, Soames,” and saw + that Winifred had followed him up. + </p> + <p> + “Oh! you do?” he said dryly; “I gave five hundred for + it.” + </p> + <p> + “Fancy! Women aren't made like that even if they are black.” + </p> + <p> + Soames uttered a glum laugh. “You didn't come up to tell me + that.” + </p> + <p> + “No. Do you know that Jolyon's boy is staying with Val and his + wife?” + </p> + <p> + Soames spun round. + </p> + <p> + “What?” + </p> + <p> + “Yes,” drawled Winifred; “he's gone to live with + them there while he learns farming.” + </p> + <p> + Soames had turned away, but her voice pursued him as he walked up and + down. “I warned Val that neither of them was to be spoken to about + old matters.” + </p> + <p> + “Why didn't you tell me before?” + </p> + <p> + Winifred shrugged her substantial shoulders. + </p> + <p> + “Fleur does what she likes. You've always spoiled her. + Besides, my dear boy, what's the harm?” + </p> + <p> + “The harm!” muttered Soames. “Why, she—” he + checked himself. The Juno, the handkerchief, Fleur's eyes, her + questions, and now this delay in her return—the symptoms seemed to + him so sinister that, faithful to his nature, he could not part with them. + </p> + <p> + “I think you take too much care,” said Winifred. “If I + were you, I should tell her of that old matter. It's no good + thinking that girls in these days are as they used to be. Where they pick + up their knowledge I can't tell, but they seem to know everything.” + </p> + <p> + Over Soames' face, closely composed, passed a sort of spasm, and + Winifred added hastily: + </p> + <p> + “If you don't like to speak of it, I could for you.” + </p> + <p> + Soames shook his head. Unless there was absolute necessity the thought + that his adored daughter should learn of that old scandal hurt his pride + too much. + </p> + <p> + “No,” he said, “not yet. Never if I can help it. + </p> + <p> + “Nonsense, my dear. Think what people are!” + </p> + <p> + “Twenty years is a long time,” muttered Soames. “Outside + our family, who's likely to remember?” + </p> + <p> + Winifred was silenced. She inclined more and more to that peace and + quietness of which Montague Dartie had deprived her in her youth. And, + since pictures always depressed her, she soon went down again. + </p> + <p> + Soames passed into the corner where, side by side, hung his real Goya and + the copy of the fresco “La Vendimia.” His acquisition of the + real Goya rather beautifully illustrated the cobweb of vested interests + and passions which mesh the bright-winged fly of human life. The real Goya's + noble owner's ancestor had come into possession of it during some + Spanish war—it was in a word loot. The noble owner had remained in + ignorance of its value until in the nineties an enterprising critic + discovered that a Spanish painter named Goya was a genius. It was only a + fair Goya, but almost unique in England, and the noble owner became a + marked man. Having many possessions and that aristocratic culture which, + independent of mere sensuous enjoyment, is founded on the sounder + principle that one must know everything and be fearfully interested in + life, he had fully intended to keep an article which contributed to his + reputation while he was alive, and to leave it to the nation after he was + dead. Fortunately for Soames, the House of Lords was violently attacked in + 1909, and the noble owner became alarmed and angry. 'If,' he + said to himself, 'they think they can have it both ways they are + very much mistaken. So long as they leave me in quiet enjoyment the nation + can have some of my pictures at my death. But if the nation is going to + bait me, and rob me like this, I'm damned if I won't sell the + lot. They can't have my private property and my public spirit-both.' + He brooded in this fashion for several months till one morning, after + reading the speech of a certain statesman, he telegraphed to his agent to + come down and bring Bodkin. On going over the collection Bodkin, than + whose opinion on market values none was more sought, pronounced that with + a free hand to sell to America, Germany, and other places where there was + an interest in art, a lot more money could be made than by selling in + England. The noble owner's public spirit—he said—was + well known but the pictures were unique. The noble owner put this opinion + in his pipe and smoked it for a year. At the end of that time he read + another speech by the same statesman, and telegraphed to his agents: + “Give Bodkin a free hand.” It was at this juncture that Bodkin + conceived the idea which saved the Goya and two other unique pictures for + the native country of the noble owner. With one hand Bodkin proffered the + pictures to the foreign market, with the other he formed a list of private + British collectors. Having obtained what he considered the highest + possible bids from across the seas, he submitted pictures and bids to the + private British collectors, and invited them, of their public spirit, to + outbid. In three instances (including the Goya) out of twenty-one he was + successful. And why? One of the private collectors made buttons—he + had made so many that he desired that his wife should be called Lady + “Buttons.” He therefore bought a unique picture at great cost, + and gave it to the nation. It was “part,” his friends said, + “of his general game.” The second of the private collectors + was an Americophobe, and bought an unique picture to “spite the + damned Yanks.” The third of the private collectors was Soames, who—more + sober than either of the, others—bought after a visit to Madrid, + because he was certain that Goya was still on the up grade. Goya was not + booming at the moment, but he would come again; and, looking at that + portrait, Hogarthian, Manetesque in its directness, but with its own queer + sharp beauty of paint, he was perfectly satisfied still that he had made + no error, heavy though the price had been—heaviest he had ever paid. + And next to it was hanging the copy of “La Vendimia.” There + she was—the little wretch—looking back at him in her dreamy + mood, the mood he loved best because he felt so much safer when she looked + like that. + </p> + <p> + He was still gazing when the scent of a cigar impinged on his nostrils, + and a voice said: + </p> + <p> + “Well, Mr. Forsyde, what you goin' to do with this small lot?” + </p> + <p> + That Belgian chap, whose mother—as if Flemish blood were not enough—had + been Armenian! Subduing a natural irritation, he said: + </p> + <p> + “Are you a judge of pictures?” + </p> + <p> + “Well, I've got a few myself.” + </p> + <p> + “Any Post-Impressionists?” + </p> + <p> + “Ye-es, I rather like them.” + </p> + <p> + “What do you think of this?” said Soames, pointing to the + Gauguin. + </p> + <p> + Monsieur Profond protruded his lower lip and short pointed beard. + </p> + <p> + “Rather fine, I think,” he said; “do you want to sell + it?” + </p> + <p> + Soames checked his instinctive “Not particularly”—he + would not chaffer with this alien. + </p> + <p> + “Yes,” he said. + </p> + <p> + “What do you want for it?” + </p> + <p> + “What I gave.” + </p> + <p> + “All right,” said Monsieur Profond. “I'll be glad + to take that small picture. Post-Impressionists—they're awful + dead, but they're amusin'. I don' care for pictures + much, but I've got some, just a small lot.” + </p> + <p> + “What do you care for?” + </p> + <p> + Monsieur Profond shrugged his shoulders. + </p> + <p> + “Life's awful like a lot of monkeys scramblin' for empty + nuts.” + </p> + <p> + “You're young,” said Soames. If the fellow must make a + generalization, he needn't suggest that the forms of property lacked + solidity! + </p> + <p> + “I don' worry,” replied Monsieur Profond smiling; + “we're born, and we die. Half the world's starvin'. + I feed a small lot of babies out in my mother's country; but what's + the use? Might as well throw my money in the river.” + </p> + <p> + Soames looked at him, and turned back toward his Goya. He didn't + know what the fellow wanted. + </p> + <p> + “What shall I make my cheque for?” pursued Monsieur Profond. + </p> + <p> + “Five hundred,” said Soames shortly; “but I don't + want you to take it if you don't care for it more than that.” + </p> + <p> + “That's all right,” said Monsieur Profond; “I'll + be 'appy to 'ave that picture.” + </p> + <p> + He wrote a cheque with a fountain-pen heavily chased with gold. Soames + watched the process uneasily. How on earth had the fellow known that he + wanted to sell that picture? Monsieur Profond held out the cheque. + </p> + <p> + “The English are awful funny about pictures,” he said. “So + are the French, so are my people. They're all awful funny.” + </p> + <p> + “I don't understand you,” said Soames stiffly. + </p> + <p> + “It's like hats,” said Monsieur Profond enigmatically, + “small or large, turnin' up or down—just the fashion. + Awful funny.” And, smiling, he drifted out of the gallery again, + blue and solid like the smoke of his excellent cigar. + </p> + <p> + Soames had taken the cheque, feeling as if the intrinsic value of + ownership had been called in question. 'He's a cosmopolitan,' + he thought, watching Profond emerge from under the verandah with Annette, + and saunter down the lawn toward the river. What his wife saw in the + fellow he didn't know, unless it was that he could speak her + language; and there passed in Soames what Monsieur Profond would have + called a “small doubt” whether Annette was not too handsome to + be walking with any one so “cosmopolitan.” Even at that + distance he could see the blue fumes from Profond's cigar wreath out + in the quiet sunlight; and his grey buckskin shoes, and his grey hat—the + fellow was a dandy! And he could see the quick turn of his wife's + head, so very straight on her desirable neck and shoulders. That turn of + her neck always seemed to him a little too showy, and in the “Queen + of all I survey” manner—not quite distinguished. He watched + them walk along the path at the bottom of the garden. A young man in + flannels joined them down there—a Sunday caller no doubt, from up + the river. He went back to his Goya. He was still staring at that replica + of Fleur, and worrying over Winifred's news, when his wife's + voice said: + </p> + <p> + “Mr. Michael Mont, Soames. You invited him to see your pictures.” + </p> + <p> + There was the cheerful young man of the Gallery off Cork Street! + </p> + <p> + “Turned up, you see, sir; I live only four miles from Pangbourne. + Jolly day, isn't it?” + </p> + <p> + Confronted with the results of his expansiveness, Soames scrutinized his + visitor. The young man's mouth was excessively large and curly—he + seemed always grinning. Why didn't he grow the rest of those idiotic + little moustaches, which made him look like a music-hall buffoon? What on + earth were young men about, deliberately lowering their class with these + tooth-brushes, or little slug whiskers? Ugh! Affected young idiots! In + other respects he was presentable, and his flannels very clean. + </p> + <p> + “Happy to see you!” he said. + </p> + <p> + The young man, who had been turning his head from side to side, became + transfixed. “I say!” he said, “'some' + picture!” + </p> + <p> + Soames saw, with mixed sensations, that he had addressed the remark to the + Goya copy. + </p> + <p> + “Yes,” he said dryly, “that's not a Goya. It's + a copy. I had it painted because it reminded me of my daughter.” + </p> + <p> + “By Jove! I thought I knew the face, sir. Is she here?” + </p> + <p> + The frankness of his interest almost disarmed Soames. + </p> + <p> + “She'll be in after tea,” he said. “Shall we go + round the pictures?” + </p> + <p> + And Soames began that round which never tired him. He had not anticipated + much intelligence from one who had mistaken a copy for an original, but as + they passed from section to section, period to period, he was startled by + the young man's frank and relevant remarks. Natively shrewd himself, + and even sensuous beneath his mask, Soames had not spent thirty-eight + years over his one hobby without knowing something more about pictures + than their market values. He was, as it were, the missing link between the + artist and the commercial public. Art for art's sake and all that, + of course, was cant. But aesthetics and good taste were necessary. The + appreciation of enough persons of good taste was what gave a work of art + its permanent market value, or in other words made it “a work of + art.” There was no real cleavage. And he was sufficiently accustomed + to sheep-like and unseeing visitors, to be intrigued by one who did not + hesitate to say of Mauve: “Good old haystacks!” or of James + Maris: “Didn't he just paint and paper 'em! Mathew was + the real swell, sir; you could dig into his surfaces!” It was after + the young man had whistled before a Whistler, with the words, “D'you + think he ever really saw a naked woman, sir?” that Soames remarked: + </p> + <p> + “What are you, Mr. Mont, if I may ask?” + </p> + <p> + “I, sir? I was going to be a painter, but the War knocked that. Then + in the trenches, you know, I used to dream of the Stock Exchange, snug and + warm and just noisy enough. But the Peace knocked that, shares seem off, + don't they? I've only been demobbed about a year. What do you + recommend, sir?” + </p> + <p> + “Have you got money?” + </p> + <p> + “Well,” answered the young man, “I've got a + father; I kept him alive during the War, so he's bound to keep me + alive now. Though, of course, there's the question whether he ought + to be allowed to hang on to his property. What do you think about that, + sir?” + </p> + <p> + Soames, pale and defensive, smiled. + </p> + <p> + “The old man has fits when I tell him he may have to work yet. He's + got land, you know; it's a fatal disease.” + </p> + <p> + “This is my real Goya,” said Soames dryly. + </p> + <p> + “By George! He was a swell. I saw a Goya in Munich once that bowled + me middle stump. A most evil-looking old woman in the most gorgeous lace. + He made no compromise with the public taste. That old boy was 'some' + explosive; he must have smashed up a lot of convention in his day. Couldn't + he just paint! He makes Velasquez stiff, don't you think?” + </p> + <p> + “I have no Velasquez,” said Soames. + </p> + <p> + The young man stared. “No,” he said; “only nations or + profiteers can afford him, I suppose. I say, why shouldn't all the + bankrupt nations sell their Velasquez and Titians and other swells to the + profiteers by force, and then pass a law that any one who holds a picture + by an Old Master—see schedule—must hang it in a public + gallery? There seems something in that.” + </p> + <p> + “Shall we go down to tea?” said Soames. + </p> + <p> + The young man's ears seemed to droop on his skull. 'He's + not dense,' thought Soames, following him off the premises. + </p> + <p> + Goya, with his satiric and surpassing precision, his original “line,” + and the daring of his light and shade, could have reproduced to admiration + the group assembled round Annette's tea-tray in the inglenook below. + He alone, perhaps, of painters would have done justice to the sunlight + filtering through a screen of creeper, to the lovely pallor of brass, the + old cut glasses, the thin slices of lemon in pale amber tea; justice to + Annette in her black lacey dress; there was something of the fair Spaniard + in her beauty, though it lacked the spirituality of that rare type; to + Winifred's grey-haired, corseted solidity; to Soames, of a certain + grey and flat-cheeked distinction; to the vivacious Michael Mont, pointed + in ear and eye; to Imogen, dark, luscious of glance, growing a little + stout; to Prosper Profond, with his expression as who should say, “Well, + Mr. Goya, what's the use of paintin' this small party?” + finally, to Jack Cardigan, with his shining stare and tanned sanguinity + betraying the moving principle: “I'm English, and I live to be + fit.” + </p> + <p> + Curious, by the way, that Imogen, who as a girl had declared solemnly one + day at Timothy's that she would never marry a good man—they + were so dull—should have married Jack Cardigan, in whom health had + so destroyed all traces of original sin, that she might have retired to + rest with ten thousand other Englishmen without knowing the difference + from the one she had chosen to repose beside. “Oh!” she would + say of him, in her “amusing” way, “Jack keeps himself so + fearfully fit; he's never had a day's illness in his life. He + went right through the War without a finger-ache. You really can't + imagine how fit he is!” Indeed, he was so “fit” that he + couldn't see when she was flirting, which was such a comfort in a + way. All the same she was quite fond of him, so far as one could be of a + sports-machine, and of the two little Cardigans made after his pattern. + Her eyes just then were comparing him maliciously with Prosper Profond. + There was no “small” sport or game which Monsieur Profond had + not played at too, it seemed, from skittles to tarpon-fishing, and worn + out every one. Imogen would sometimes wish that they had worn out Jack, + who continued to play at them and talk of them with the simple zeal of a + school-girl learning hockey; at the age of Great-uncle Timothy she well + knew that Jack would be playing carpet golf in her bedroom, and “wiping + somebody's eye.” + </p> + <p> + He was telling them now how he had “pipped the pro—a charmin' + fellow, playin' a very good game,” at the last hole this + morning; and how he had pulled down to Caversham since lunch, and trying + to incite Prosper Profond to play him a set of tennis after tea—do + him good—“keep him fit. + </p> + <p> + “But what's the use of keepin' fit?” said Monsieur + Profond. + </p> + <p> + “Yes, sir,” murmured Michael Mont, “what do you keep fit + for?” + </p> + <p> + “Jack,” cried Imogen, enchanted, “what do you keep fit + for?” + </p> + <p> + Jack Cardigan stared with all his health. The questions were like the buzz + of a mosquito, and he put up his hand to wipe them away. During the War, + of course, he had kept fit to kill Germans; now that it was over he either + did not know, or shrank in delicacy from explanation of his moving + principle. + </p> + <p> + “But he's right,” said Monsieur Profond unexpectedly, + “there's nothin' left but keepin' fit.” + </p> + <p> + The saying, too deep for Sunday afternoon, would have passed unanswered, + but for the mercurial nature of young Mont. + </p> + <p> + “Good!” he cried. “That's the great discovery of + the War. We all thought we were progressing—now we know we're + only changing.” + </p> + <p> + “For the worse,” said Monsieur Profond genially. + </p> + <p> + “How you are cheerful, Prosper!” murmured Annette. + </p> + <p> + “You come and play tennis!” said Jack Cardigan; “you've + got the hump. We'll soon take that down. D'you play, Mr. Mont?” + </p> + <p> + “I hit the ball about, sir.” + </p> + <p> + At this juncture Soames rose, ruffled in that deep instinct of preparation + for the future which guided his existence. + </p> + <p> + “When Fleur comes—” he heard Jack Cardigan say. + </p> + <p> + Ah! and why didn't she come? He passed through drawing-room, hall, + and porch out on to the drive, and stood there listening for the car. All + was still and Sundayfied; the lilacs in full flower scented the air. There + were white clouds, like the feathers of ducks gilded by the sunlight. + Memory of the day when Fleur was born, and he had waited in such agony + with her life and her mother's balanced in his hands, came to him + sharply. He had saved her then, to be the flower of his life. And now! was + she going to give him trouble—pain—give him trouble? He did + not like the look of things! A blackbird broke in on his reverie with an + evening song—a great big fellow up in that acacia-tree. Soames had + taken quite an interest in his birds of late years; he and Fleur would + walk round and watch them; her eyes were sharp as needles, and she knew + every nest. He saw her dog, a retriever, lying on the drive in a patch of + sunlight, and called to him. “Hallo, old fellow-waiting for her too!” + The dog came slowly with a grudging tail, and Soames mechanically laid a + pat on his head. The dog, the bird, the lilac, all were part of Fleur for + him; no more, no less. 'Too fond of her!' he thought, 'too + fond!' He was like a man uninsured, with his ships at sea. Uninsured + again—as in that other time, so long ago, when he would wander dumb + and jealous in the wilderness of London, longing for that woman—his + first wife—the mother of this infernal boy. Ah! There was the car at + last! It drew up, it had luggage, but no Fleur. + </p> + <p> + “Miss Fleur is walking up, sir, by the towing-path.” + </p> + <p> + Walking all those miles? Soames stared. The man's face had the + beginning of a smile on it. What was he grinning at? And very quickly he + turned, saying, “All right, Sims!” and went into the house. He + mounted to the picture-gallery once more. He had from there a view of the + river bank, and stood with his eyes fixed on it, oblivious of the fact + that it would be an hour at least before her figure showed there. Walking + up! And that fellow's grin! The boy—! He turned abruptly from + the window. He couldn't spy on her. If she wanted to keep things + from him—she must; he could not spy on her. His heart felt empty, + and bitterness mounted from it into his very mouth. The staccato shouts of + Jack Cardigan pursuing the ball, the laugh of young Mont rose in the + stillness and came in. He hoped they were making that chap Profond run. + And the girl in “La Vendimia” stood with her arm akimbo and + her dreamy eyes looking past him. 'I've done all I could for + you,' he thought, 'since you were no higher than my knee. You + aren't going to—to—hurt me, are you?' + </p> + <p> + But the Goya copy answered not, brilliant in colour just beginning to tone + down. 'There's no real life in it,' thought Soames. + 'Why doesn't she come?' + </p> + <p> + <a name="link2H_4_0106" id="link2H_4_0106"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + X.—TRIO + </h2> + <p> + Among those four Forsytes of the third, and, as one might say, fourth + generation, at Wansdon under the Downs, a week-end prolonged unto the + ninth day had stretched the crossing threads of tenacity almost to + snapping-point. Never had Fleur been so “fine,” Holly so + watchful, Val so stable-secretive, Jon so silent and disturbed. What he + learned of farming in that week might have been balanced on the point of a + penknife and puffed off. He, whose nature was essentially averse from + intrigue, and whose adoration of Fleur disposed him to think that any need + for concealing it was “skittles,” chafed and fretted, yet + obeyed, taking what relief he could in the few moments when they were + alone. On Thursday, while they were standing in the bay window of the + drawing-room, dressed for dinner, she said to him: + </p> + <p> + “Jon, I'm going home on Sunday by the 3.40 from Paddington; if + you were to go home on Saturday you could come up on Sunday and take me + down, and just get back here by the last train, after. You were going home + anyway, weren't you?” + </p> + <p> + Jon nodded. + </p> + <p> + “Anything to be with you,” he said; “only why need I + pretend—” + </p> + <p> + Fleur slipped her little finger into his palm: + </p> + <p> + “You have no instinct, Jon; you must leave things to me. It's + serious about our people. We've simply got to be secret at present, + if we want to be together.” The door was opened, and she added + loudly: “You are a duffer, Jon.” + </p> + <p> + Something turned over within Jon; he could not bear this subterfuge about + a feeling so natural, so overwhelming, and so sweet. + </p> + <p> + On Friday night about eleven he had packed his bag, and was leaning out of + his window, half miserable, and half lost in a dream of Paddington + station, when he heard a tiny sound, as of a finger-nail tapping on his + door. He rushed to it and listened. Again the sound. It was a nail. He + opened. Oh! What a lovely thing came in! + </p> + <p> + “I wanted to show you my fancy dress,” it said, and struck an + attitude at the foot of his bed. + </p> + <p> + Jon drew a long breath and leaned against the door. The apparition wore + white muslin on its head, a fichu round its bare neck over a wine-coloured + dress, fulled out below its slender waist. + </p> + <p> + It held one arm akimbo, and the other raised, right-angled, holding a fan + which touched its head. + </p> + <p> + “This ought to be a basket of grapes,” it whispered, “but + I haven't got it here. It's my Goya dress. And this is the + attitude in the picture. Do you like it?” + </p> + <p> + “It's a dream.” + </p> + <p> + The apparition pirouetted. “Touch it, and see.” + </p> + <p> + Jon knelt down and took the skirt reverently. + </p> + <p> + “Grape colour,” came the whisper, “all grapes—La + Vendimia—the vintage.” + </p> + <p> + Jon's fingers scarcely touched each side of the waist; he looked up, + with adoring eyes. + </p> + <p> + “Oh! Jon,” it whispered; bent, kissed his forehead, pirouetted + again, and, gliding out, was gone. + </p> + <p> + Jon stayed on his knees, and his head fell forward against the bed. How + long he stayed like that he did not know. The little noises—of the + tapping nail, the feet, the skirts rustling—as in a dream—went + on about him; and before his closed eyes the figure stood and smiled and + whispered, a faint perfume of narcissus lingering in the air. And his + forehead where it had been kissed had a little cool place between the + brows, like the imprint of a flower. Love filled his soul, that love of + boy for girl which knows so little, hopes so much, would not brush the + down off for the world, and must become in time a fragrant memory—a + searing passion—a humdrum mateship—or, once in many times, + vintage full and sweet with sunset colour on the grapes. + </p> + <p> + Enough has been said about Jon Forsyte here and in another place to show + what long marches lay between him and his great-great-grandfather, the + first Jolyon, in Dorset down by the sea. Jon was sensitive as a girl, more + sensitive than nine out of ten girls of the day; imaginative as one of his + half-sister June's “lame duck” painters; affectionate as + a son of his father and his mother naturally would be. And yet, in his + inner tissue, there was something of the old founder of his family, a + secret tenacity of soul, a dread of showing his feelings, a determination + not to know when he was beaten. Sensitive, imaginative, affectionate boys + get a bad time at school, but Jon had instinctively kept his nature dark, + and been but normally unhappy there. Only with his mother had he, up till + then, been absolutely frank and natural; and when he went home to Robin + Hill that Saturday his heart was heavy because Fleur had said that he must + not be frank and natural with her from whom he had never yet kept + anything, must not even tell her that they had met again, unless he found + that she knew already. So intolerable did this seem to him that he was + very near to telegraphing an excuse and staying up in London. And the + first thing his mother said to him was: + </p> + <p> + “So you've had our little friend of the confectioner's + there, Jon. What is she like on second thoughts?” + </p> + <p> + With relief, and a high colour, Jon answered: + </p> + <p> + “Oh! awfully jolly, Mum.” + </p> + <p> + Her arm pressed his. + </p> + <p> + Jon had never loved her so much as in that minute which seemed to falsify + Fleur's fears and to release his soul. He turned to look at her, but + something in her smiling face—something which only he perhaps would + have caught—stopped the words bubbling up in him. Could fear go with + a smile? If so, there was fear in her face. And out of Jon tumbled quite + other words, about farming, Holly, and the Downs. Talking fast, he waited + for her to come back to Fleur. But she did not. Nor did his father mention + her, though of course he, too, must know. What deprivation, and killing of + reality was in his silence about Fleur—when he was so full of her; + when his mother was so full of Jon, and his father so full of his mother! + And so the trio spent the evening of that Saturday. + </p> + <p> + After dinner his mother played; she seemed to play all the things he liked + best, and he sat with one knee clasped, and his hair standing up where his + fingers had run through it. He gazed at his mother while she played, but + he saw Fleur—Fleur in the moonlit orchard, Fleur in the sunlit + gravel-pit, Fleur in that fancy dress, swaying, whispering, stooping, + kissing his forehead. Once, while he listened, he forgot himself and + glanced at his father in that other easy chair. What was Dad looking like + that for? The expression on his face was so sad and puzzling. It filled + him with a sort of remorse, so that he got up and went and sat on the arm + of his father's chair. From there he could not see his face; and + again he saw Fleur—in his mother's hands, slim and white on + the keys, in the profile of her face and her powdery hair; and down the + long room in the open window where the May night walked outside. + </p> + <p> + When he went up to bed his mother came into his room. She stood at the + window, and said: + </p> + <p> + “Those cypresses your grandfather planted down there have done + wonderfully. I always think they look beautiful under a dropping moon. I + wish you had known your grandfather, Jon.” + </p> + <p> + “Were you married to father when he was alive?” asked Jon + suddenly. + </p> + <p> + “No, dear; he died in '92—very old—eighty-five, I + think.” + </p> + <p> + “Is Father like him?” + </p> + <p> + “A little, but more subtle, and not quite so solid.” + </p> + <p> + “I know, from grandfather's portrait; who painted that?” + </p> + <p> + “One of June's 'lame ducks.' But it's quite + good.” + </p> + <p> + Jon slipped his hand through his mother's arm. “Tell me about + the family quarrel, Mum.” + </p> + <p> + He felt her arm quivering. “No, dear; that's for your Father + some day, if he thinks fit.” + </p> + <p> + “Then it was serious,” said Jon, with a catch in his breath. + </p> + <p> + “Yes.” And there was a silence, during which neither knew + whether the arm or the hand within it were quivering most. + </p> + <p> + “Some people,” said Irene softly, “think the moon on her + back is evil; to me she's always lovely. Look at those cypress + shadows! Jon, Father says we may go to Italy, you and I, for two months. + Would you like?” + </p> + <p> + Jon took his hand from under her arm; his sensation was so sharp and so + confused. Italy with his mother! A fortnight ago it would have been + perfection; now it filled him with dismay; he felt that the sudden + suggestion had to do with Fleur. He stammered out: + </p> + <p> + “Oh! yes; only—I don't know. Ought I—now I've + just begun? I'd like to think it over.” + </p> + <p> + Her voice answered, cool and gentle: + </p> + <p> + “Yes, dear; think it over. But better now than when you've + begun farming seriously. Italy with you! It would be nice!” + </p> + <p> + Jon put his arm round her waist, still slim and firm as a girl's. + </p> + <p> + “Do you think you ought to leave Father?” he said feebly, + feeling very mean. + </p> + <p> + “Father suggested it; he thinks you ought to see Italy at least + before you settle down to anything.” + </p> + <p> + The sense of meanness died in Jon; he knew, yes—he knew—that + his father and his mother were not speaking frankly, no more than he + himself. They wanted to keep him from Fleur. His heart hardened. And, as + if she felt that process going on, his mother said: + </p> + <p> + “Good-night, darling. Have a good sleep and think it over. But it + would be lovely!” + </p> + <p> + She pressed him to her so quickly that he did not see her face. Jon stood + feeling exactly as he used to when he was a naughty little boy; sore + because he was not loving, and because he was justified in his own eyes. + </p> + <p> + But Irene, after she had stood a moment in her own room, passed through + the dressing-room between it and her husband's. + </p> + <p> + “Well?” + </p> + <p> + “He will think it over, Jolyon.” + </p> + <p> + Watching her lips that wore a little drawn smile, Jolyon said quietly: + </p> + <p> + “You had better let me tell him, and have done with it. After all, + Jon has the instincts of a gentleman. He has only to understand—” + </p> + <p> + “Only! He can't understand; that's impossible.” + </p> + <p> + “I believe I could have at his age.” + </p> + <p> + Irene caught his hand. “You were always more of a realist than Jon; + and never so innocent.” + </p> + <p> + “That's true,” said Jolyon. “It's queer, isn't + it? You and I would tell our stories to the world without a particle of + shame; but our own boy stumps us.” + </p> + <p> + “We've never cared whether the world approves or not.” + </p> + <p> + “Jon would not disapprove of us!” + </p> + <p> + “Oh! Jolyon, yes. He's in love, I feel he's in love. And + he'd say: 'My mother once married without love! How could she + have!' It'll seem to him a crime! And so it was!” + </p> + <p> + Jolyon took her hand, and said with a wry smile: + </p> + <p> + “Ah! why on earth are we born young? Now, if only we were born old + and grew younger year by year, we should understand how things happen, and + drop all our cursed intolerance. But you know if the boy is really in + love, he won't forget, even if he goes to Italy. We're a + tenacious breed; and he'll know by instinct why he's being + sent. Nothing will really cure him but the shock of being told.” + </p> + <p> + “Let me try, anyway.” + </p> + <p> + Jolyon stood a moment without speaking. Between this devil and this deep + sea—the pain of a dreaded disclosure and the grief of losing his + wife for two months—he secretly hoped for the devil; yet if she + wished for the deep sea he must put up with it. After all, it would be + training for that departure from which there would be no return. And, + taking her in his arms, he kissed her eyes, and said: + </p> + <p> + “As you will, my love.” + </p> + <p> + <a name="link2H_4_0107" id="link2H_4_0107"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + XI.—DUET + </h2> + <p> + That “small” emotion, love, grows amazingly when threatened + with extinction. Jon reached Paddington station half an hour before his + time and a full week after, as it seemed to him. He stood at the appointed + bookstall, amid a crowd of Sunday travellers, in a Harris tweed suit + exhaling, as it were, the emotion of his thumping heart. He read the names + of the novels on the book-stall, and bought one at last, to avoid being + regarded with suspicion by the book-stall clerk. It was called “The + Heart of the Trail!” which must mean something, though it did not + seem to. He also bought “The Lady's Mirror” and “The + Landsman.” Every minute was an hour long, and full of horrid + imaginings. After nineteen had passed, he saw her with a bag and a porter + wheeling her luggage. She came swiftly; she came cool. She greeted him as + if he were a brother. + </p> + <p> + “First class,” she said to the porter, “corner seats; + opposite.” + </p> + <p> + Jon admired her frightful self-possession. + </p> + <p> + “Can't we get a carriage to ourselves,” he whispered. + </p> + <p> + “No good; it's a stopping train. After Maidenhead perhaps. + Look natural, Jon.” + </p> + <p> + Jon screwed his features into a scowl. They got in—with two other + beasts!—oh! heaven! He tipped the porter unnaturally, in his + confusion. The brute deserved nothing for putting them in there, and + looking as if he knew all about it into the bargain. + </p> + <p> + Fleur hid herself behind “The Lady's Mirror.” Jon + imitated her behind “The Landsman.” The train started. Fleur + let “The Lady's Mirror” fall and leaned forward. + </p> + <p> + “Well?” she said. + </p> + <p> + “It's seemed about fifteen days.” + </p> + <p> + She nodded, and Jon's face lighted up at once. + </p> + <p> + “Look natural,” murmured Fleur, and went off into a bubble of + laughter. It hurt him. How could he look natural with Italy hanging over + him? He had meant to break it to her gently, but now he blurted it out. + </p> + <p> + “They want me to go to Italy with Mother for two months.” + </p> + <p> + Fleur drooped her eyelids; turned a little pale, and bit her lips. “Oh!” + she said. It was all, but it was much. + </p> + <p> + That “Oh!” was like the quick drawback of the wrist in fencing + ready for riposte. It came. + </p> + <p> + “You must go!” + </p> + <p> + “Go?” said Jon in a strangled voice. + </p> + <p> + “Of course.” + </p> + <p> + “But—two months—it's ghastly.” + </p> + <p> + “No,” said Fleur, “six weeks. You'll have + forgotten me by then. We'll meet in the National Gallery the day + after you get back.” + </p> + <p> + Jon laughed. + </p> + <p> + “But suppose you've forgotten me,” he muttered into the + noise of the train. + </p> + <p> + Fleur shook her head. + </p> + <p> + “Some other beast—” murmured Jon. + </p> + <p> + Her foot touched his. + </p> + <p> + “No other beast,” she said, lifting “The Lady's + Mirror.” + </p> + <p> + The train stopped; two passengers got out, and one got in. + </p> + <p> + 'I shall die,' thought Jon, 'if we're not alone at + all.' + </p> + <p> + The train went on; and again Fleur leaned forward. + </p> + <p> + “I never let go,” she said; “do you?” + </p> + <p> + Jon shook his head vehemently. + </p> + <p> + “Never!” he said. “Will you write to me?” + </p> + <p> + “No; but you can—to my Club.” + </p> + <p> + She had a Club; she was wonderful! + </p> + <p> + “Did you pump Holly?” he muttered. + </p> + <p> + “Yes, but I got nothing. I didn't dare pump hard.” + </p> + <p> + “What can it be?” cried Jon. + </p> + <p> + “I shall find out all right.” + </p> + <p> + A long silence followed till Fleur said: “This is Maidenhead; stand + by, Jon!” + </p> + <p> + The train stopped. The remaining passenger got out. Fleur drew down her + blind. + </p> + <p> + “Quick!” she cried. “Hang out! Look as much of a beast + as you can.” + </p> + <p> + Jon blew his nose, and scowled; never in all his life had he scowled like + that! An old lady recoiled, a young one tried the handle. It turned, but + the door would not open. The train moved, the young lady darted to another + carriage. + </p> + <p> + “What luck!” cried Jon. “It Jammed.” + </p> + <p> + “Yes,” said Fleur; “I was holding it.” + </p> + <p> + The train moved out, and Jon fell on his knees. + </p> + <p> + “Look out for the corridor,” she whispered; “and—quick!” + </p> + <p> + Her lips met his. And though their kiss only lasted perhaps ten seconds, + Jon's soul left his body and went so far beyond, that, when he was + again sitting opposite that demure figure, he was pale as death. He heard + her sigh, and the sound seemed to him the most precious he had ever heard—an + exquisite declaration that he meant something to her. + </p> + <p> + “Six weeks isn't really long,” she said; “and you + can easily make it six if you keep your head out there, and never seem to + think of me.” + </p> + <p> + Jon gasped. + </p> + <p> + “This is just what's really wanted, Jon, to convince them, don't + you see? If we're just as bad when you come back they'll stop + being ridiculous about it. Only, I'm sorry it's not Spain; + there's a girl in a Goya picture at Madrid who's like me, + Father says. Only she isn't—we've got a copy of her.” + </p> + <p> + It was to Jon like a ray of sunshine piercing through a fog. “I'll + make it Spain,” he said, “Mother won't mind; she's + never been there. And my Father thinks a lot of Goya.” + </p> + <p> + “Oh! yes, he's a painter—isn't he?” + </p> + <p> + “Only water-colour,” said Jon, with honesty. + </p> + <p> + “When we come to Reading, Jon, get out first and go down to + Caversham lock and wait for me. I'll send the car home and we'll + walk by the towing-path.” + </p> + <p> + Jon seized her hand in gratitude, and they sat silent, with the world well + lost, and one eye on the corridor. But the train seemed to run twice as + fast now, and its sound was almost lost in that of Jon's sighing. + </p> + <p> + “We're getting near,” said Fleur; “the towing-path's + awfully exposed. One more! Oh! Jon, don't forget me.” + </p> + <p> + Jon answered with his kiss. And very soon, a flushed, distracted-looking + youth could have been seen—as they say—leaping from the train + and hurrying along the platform, searching his pockets for his ticket. + </p> + <p> + When at last she rejoined him on the towing-path a little beyond Caversham + lock he had made an effort, and regained some measure of equanimity. If + they had to part, he would not make a scene! A breeze by the bright river + threw the white side of the willow leaves up into the sunlight, and + followed those two with its faint rustle. + </p> + <p> + “I told our chauffeur that I was train-giddy,” said Fleur. + “Did you look pretty natural as you went out?” + </p> + <p> + “I don't know. What is natural?” + </p> + <p> + “It's natural to you to look seriously happy. When I first saw + you I thought you weren't a bit like other people.” + </p> + <p> + “Exactly what I thought when I saw you. I knew at once I should + never love anybody else.” + </p> + <p> + Fleur laughed. + </p> + <p> + “We're absurdly young. And love's young dream is out of + date, Jon. Besides, it's awfully wasteful. Think of all the fun you + might have. You haven't begun, even; it's a shame, really. And + there's me. I wonder!” + </p> + <p> + Confusion came on Jon's spirit. How could she say such things just + as they were going to part? + </p> + <p> + “If you feel like that,” he said, “I can't go. I + shall tell Mother that I ought to try and work. There's always the + condition of the world!” + </p> + <p> + “The condition of the world!” + </p> + <p> + Jon thrust his hands deep into his pockets. + </p> + <p> + “But there is,” he said; “think of the people starving!” + </p> + <p> + Fleur shook her head. “No, no, I never, never will make myself + miserable for nothing.” + </p> + <p> + “Nothing! But there's an awful state of things, and of course + one ought to help.” + </p> + <p> + “Oh! yes, I know all that. But you can't help people, Jon; + they're hopeless. When you pull them out they only get into another + hole. Look at them, still fighting and plotting and struggling, though + they're dying in heaps all the time. Idiots!” + </p> + <p> + “Aren't you sorry for them?” + </p> + <p> + “Oh! sorry—yes, but I'm not going to make myself unhappy + about it; that's no good.” + </p> + <p> + And they were silent, disturbed by this first glimpse of each other's + natures. + </p> + <p> + “I think people are brutes and idiots,” said Fleur stubbornly. + </p> + <p> + “I think they're poor wretches,” said Jon. It was as if + they had quarrelled—and at this supreme and awful moment, with + parting visible out there in that last gap of the willows! + </p> + <p> + “Well, go and help your poor wretches, and don't think of me.” + </p> + <p> + Jon stood still. Sweat broke out on his forehead, and his limbs trembled. + Fleur too had stopped, and was frowning at the river. + </p> + <p> + “I must believe in things,” said Jon with a sort of agony; + “we're all meant to enjoy life.” + </p> + <p> + Fleur laughed. “Yes; and that's what you won't do, if + you don't take care. But perhaps your idea of enjoyment is to make + yourself wretched. There are lots of people like that, of course.” + </p> + <p> + She was pale, her eyes had darkened, her lips had thinned. Was it Fleur + thus staring at the water? Jon had an unreal feeling as if he were passing + through the scene in a book where the lover has to choose between love and + duty. But just then she looked round at him. Never was anything so + intoxicating as that vivacious look. It acted on him exactly as the tug of + a chain acts on a dog—brought him up to her with his tail wagging + and his tongue out. + </p> + <p> + “Don't let's be silly,” she said, “time's + too short. Look, Jon, you can just see where I've got to cross the + river. There, round the bend, where the woods begin.” + </p> + <p> + Jon saw a gable, a chimney or two, a patch of wall through the trees—and + felt his heart sink. + </p> + <p> + “I mustn't dawdle any more. It's no good going beyond + the next hedge, it gets all open. Let's get on to it and say + good-bye.” + </p> + <p> + They went side by side, hand in hand, silently toward the hedge, where the + may-flower, both pink and white, was in full bloom. + </p> + <p> + “My Club's the 'Talisman,' Stratton Street, + Piccadilly. Letters there will be quite safe, and I'm almost always + up once a week.” + </p> + <p> + Jon nodded. His face had become extremely set, his eyes stared straight + before him. + </p> + <p> + “To-day's the twenty-third of May,” said Fleur; “on + the ninth of July I shall be in front of the 'Bacchus and Ariadne' + at three o'clock; will you?” + </p> + <p> + “I will.” + </p> + <p> + “If you feel as bad as I it's all right. Let those people + pass!” + </p> + <p> + A man and woman airing their children went by strung out in Sunday + fashion. + </p> + <p> + The last of them passed the wicket gate. + </p> + <p> + “Domesticity!” said Fleur, and blotted herself against the + hawthorn hedge. The blossom sprayed out above her head, and one pink + cluster brushed her cheek. Jon put up his hand jealously to keep it off. + </p> + <p> + “Good-bye, Jon.” For a second they stood with hands hard + clasped. Then their lips met for the third time, and when they parted + Fleur broke away and fled through the wicket gate. Jon stood where she had + left him, with his forehead against that pink cluster. Gone! For an + eternity—for seven weeks all but two days! And here he was, wasting + the last sight of her! He rushed to the gate. She was walking swiftly on + the heels of the straggling children. She turned her head, he saw her hand + make a little flitting gesture; then she sped on, and the trailing family + blotted her out from his view. + </p> + <p> + The words of a comic song— + </p> +<pre xml:space="preserve"> + “Paddington groan-worst ever known + He gave a sepulchral Paddington groan—” + </pre> + <p> + came into his head, and he sped incontinently back to Reading station. All + the way up to London and down to Wansdon he sat with “The Heart of + the Trail” open on his knee, knitting in his head a poem so full of + feeling that it would not rhyme. + </p> + <p> + <a name="link2H_4_0108" id="link2H_4_0108"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + XII.—CAPRICE + </h2> + <p> + Fleur sped on. She had need of rapid motion; she was late, and wanted all + her wits about her when she got in. She passed the islands, the station, + and hotel, and was about to take the ferry, when she saw a skiff with a + young man standing up in it, and holding to the bushes. + </p> + <p> + “Miss Forsyte,” he said; “let me put you across. I've + come on purpose.” + </p> + <p> + She looked at him in blank amazement. + </p> + <p> + “It's all right, I've been having tea with your people. + I thought I'd save you the last bit. It's on my way, I'm + just off back to Pangbourne. My name's Mont. I saw you at the + picture-gallery—you remember—when your father invited me to + see his pictures.” + </p> + <p> + “Oh!” said Fleur; “yes—the handkerchief.” + </p> + <p> + To this young man she owed Jon; and, taking his hand, she stepped down + into the skiff. Still emotional, and a little out of breath, she sat + silent; not so the young man. She had never heard any one say so much in + so short a time. He told her his age, twenty-four; his weight, ten stone + eleven; his place of residence, not far away; described his sensations + under fire, and what it felt like to be gassed; criticized the Juno, + mentioned his own conception of that goddess; commented on the Goya copy, + said Fleur was not too awfully like it; sketched in rapidly the condition + of England; spoke of Monsieur Profond—or whatever his name was—as + “an awful sport”; thought her father had some “ripping” + pictures and some rather “dug-up”; hoped he might row down + again and take her on the river because he was quite trustworthy; inquired + her opinion of Tchekov, gave her his own; wished they could go to the + Russian ballet together some time—considered the name Fleur Forsyte + simply topping; cursed his people for giving him the name of Michael on + the top of Mont; outlined his father, and said that if she wanted a good + book she should read “Job”; his father was rather like Job + while Job still had land. + </p> + <p> + “But Job didn't have land,” Fleur murmured; “he + only had flocks and herds and moved on.” + </p> + <p> + “Ah!” answered Michael Mont, “I wish my gov'nor + would move on. Not that I want his land. Land's an awful bore in + these days, don't you think?” + </p> + <p> + “We never have it in my family,” said Fleur. “We have + everything else. I believe one of my great-uncles once had a sentimental + farm in Dorset, because we came from there originally, but it cost him + more than it made him happy.” + </p> + <p> + “Did he sell it?” + </p> + <p> + “No; he kept it.” + </p> + <p> + “Why?” + </p> + <p> + “Because nobody would buy it.” + </p> + <p> + “Good for the old boy!” + </p> + <p> + “No, it wasn't good for him. Father says it soured him. His + name was Swithin.” + </p> + <p> + “What a corking name!” + </p> + <p> + “Do you know that we're getting farther off, not nearer? This + river flows.” + </p> + <p> + “Splendid!” cried Mont, dipping his sculls vaguely; “it's + good to meet a girl who's got wit.” + </p> + <p> + “But better to meet a young man who's got it in the plural.” + </p> + <p> + Young Mont raised a hand to tear his hair. + </p> + <p> + “Look out!” cried Fleur. “Your scull!” + </p> + <p> + “All right! It's thick enough to bear a scratch.” + </p> + <p> + “Do you mind sculling?” said Fleur severely. “I want to + get in.” + </p> + <p> + “Ah!” said Mont; “but when you get in, you see, I shan't + see you any more to-day. Fini, as the French girl said when she jumped on + her bed after saying her prayers. Don't you bless the day that gave + you a French mother, and a name like yours?” + </p> + <p> + “I like my name, but Father gave it me. Mother wanted me called + Marguerite.” + </p> + <p> + “Which is absurd. Do you mind calling me M. M. and letting me call + you F. F.? It's in the spirit of the age.” + </p> + <p> + “I don't mind anything, so long as I get in.” + </p> + <p> + Mont caught a little crab, and answered: “That was a nasty one!” + </p> + <p> + “Please row.” + </p> + <p> + “I am.” And he did for several strokes, looking at her with + rueful eagerness. “Of course, you know,” he ejaculated, + pausing, “that I came to see you, not your father's pictures.” + </p> + <p> + Fleur rose. + </p> + <p> + “If you don't row, I shall get out and swim.” + </p> + <p> + “Really and truly? Then I could come in after you.” + </p> + <p> + “Mr. Mont, I'm late and tired; please put me on shore at once.” + </p> + <p> + When she stepped out on to the garden landing-stage he rose, and grasping + his hair with both hands, looked at her. + </p> + <p> + Fleur smiled. + </p> + <p> + “Don't!” cried the irrepressible Mont. “I know you're + going to say: 'Out, damned hair!'” + </p> + <p> + Fleur whisked round, threw him a wave of her hand. “Good-bye, Mr. + M.M.!” she called, and was gone among the rose-trees. She looked at + her wrist-watch and the windows of the house. It struck her as curiously + uninhabited. Past six! The pigeons were just gathering to roost, and + sunlight slanted on the dovecot, on their snowy feathers, and beyond in a + shower on the top boughs of the woods. The click of billiard-balls came + from the ingle-nook—Jack Cardigan, no doubt; a faint rustling, too, + from an eucalyptus-tree, startling Southerner in this old English garden. + She reached the verandah and was passing in, but stopped at the sound of + voices from the drawing-room to her left. Mother! Monsieur Profond! From + behind the verandah screen which fenced the ingle-nook she heard these + words: + </p> + <p> + “I don't, Annette.” + </p> + <p> + Did Father know that he called her mother “Annette”? Always on + the side of her Father—as children are ever on one side or the other + in houses where relations are a little strained—she stood, + uncertain. Her mother was speaking in her low, pleasing, slightly metallic + voice—one word she caught: “Demain.” And Profond's + answer: “All right.” Fleur frowned. A little sound came out + into the stillness. Then Profond's voice: “I'm takin' + a small stroll.” + </p> + <p> + Fleur darted through the window into the morning-room. There he came from + the drawing-room, crossing the verandah, down the lawn; and the click of + billiard-balls which, in listening for other sounds, she had ceased to + hear, began again. She shook herself, passed into the hall, and opened the + drawing-room door. Her mother was sitting on the sofa between the windows, + her knees crossed, her head resting on a cushion, her lips half parted, + her eyes half closed. She looked extraordinarily handsome. + </p> + <p> + “Ah! Here you are, Fleur! Your father is beginning to fuss.” + </p> + <p> + “Where is he?” + </p> + <p> + “In the picture-gallery. Go up!” + </p> + <p> + “What are you going to do to-morrow, Mother?” + </p> + <p> + “To-morrow? I go up to London with your aunt.” + </p> + <p> + “I thought you might be. Will you get me a quite plain parasol?” + </p> + <p> + “What colour?” + </p> + <p> + “Green. They're all going back, I suppose.” + </p> + <p> + “Yes, all; you will console your father. Kiss me, then.” + </p> + <p> + Fleur crossed the room, stooped, received a kiss on her forehead, and went + out past the impress of a form on the sofa-cushions in the other corner. + She ran up-stairs. + </p> + <p> + Fleur was by no means the old-fashioned daughter who demands the + regulation of her parents' lives in accordance with the standard + imposed upon herself. She claimed to regulate her own life, not those of + others; besides, an unerring instinct for what was likely to advantage her + own case was already at work. In a disturbed domestic atmosphere the heart + she had set on Jon would have a better chance. None the less was she + offended, as a flower by a crisping wind. If that man had really been + kissing her mother it was—serious, and her father ought to know. + “Demain!” “All right!” And her mother going up to + Town! She turned into her bedroom and hung out of the window to cool her + face, which had suddenly grown very hot. Jon must be at the station by + now! What did her father know about Jon? Probably everything—pretty + nearly! + </p> + <p> + She changed her dress, so as to look as if she had been in some time, and + ran up to the gallery. + </p> + <p> + Soames was standing stubbornly still before his Alfred Stevens—the + picture he loved best. He did not turn at the sound of the door, but she + knew he had heard, and she knew he was hurt. She came up softly behind + him, put her arms round his neck, and poked her face over his shoulder + till her cheek lay against his. It was an advance which had never yet + failed, but it failed her now, and she augured the worst. “Well,” + he said stonily, “so you've come!” + </p> + <p> + “Is that all,” murmured Fleur, “from a bad parent?” + And she rubbed her cheek against his. + </p> + <p> + Soames shook his head so far as that was possible. + </p> + <p> + “Why do you keep me on tenterhooks like this, putting me off and + off?” + </p> + <p> + “Darling, it was very harmless.” + </p> + <p> + “Harmless! Much you know what's harmless and what isn't.” + </p> + <p> + Fleur dropped her arms. + </p> + <p> + “Well, then, dear, suppose you tell me; and be quite frank about it.” + </p> + <p> + And she went over to the window-seat. + </p> + <p> + Her father had turned from his picture, and was staring at his feet. He + looked very grey. 'He has nice small feet,' she thought, + catching his eye, at once averted from her. + </p> + <p> + “You're my only comfort,” said Soames suddenly, “and + you go on like this.” + </p> + <p> + Fleur's heart began to beat. + </p> + <p> + “Like what, dear?” + </p> + <p> + Again Soames gave her a look which, but for the affection in it, might + have been called furtive. + </p> + <p> + “You know what I told you,” he said. “I don't + choose to have anything to do with that branch of our family.” + </p> + <p> + “Yes, ducky, but I don't know why I shouldn't.” + </p> + <p> + Soames turned on his heel. + </p> + <p> + “I'm not going into the reasons,” he said; “you + ought to trust me, Fleur!” + </p> + <p> + The way he spoke those words affected Fleur, but she thought of Jon, and + was silent, tapping her foot against the wainscot. Unconsciously she had + assumed a modern attitude, with one leg twisted in and out of the other, + with her chin on one bent wrist, her other arm across her chest, and its + hand hugging her elbow; there was not a line of her that was not + involuted, and yet—in spite of all—she retained a certain + grace. + </p> + <p> + “You knew my wishes,” Soames went on, “and yet you + stayed on there four days. And I suppose that boy came with you to-day.” + </p> + <p> + Fleur kept her eyes on him. + </p> + <p> + “I don't ask you anything,” said Soames; “I make + no inquisition where you're concerned.” + </p> + <p> + Fleur suddenly stood up, leaning out at the window with her chin on her + hands. The sun had sunk behind trees, the pigeons were perched, quite + still, on the edge of the dove-cot; the click of the billiard-balls + mounted, and a faint radiance shone out below where Jack Cardigan had + turned the light up. + </p> + <p> + “Will it make you any happier,” she said suddenly, “if I + promise you not to see him for say—the next six weeks?” She + was not prepared for a sort of tremble in the blankness of his voice. + </p> + <p> + “Six weeks? Six years—sixty years more like. Don't + delude yourself, Fleur; don't delude yourself!” + </p> + <p> + Fleur turned in alarm. + </p> + <p> + “Father, what is it?” + </p> + <p> + Soames came close enough to see her face. + </p> + <p> + “Don't tell me,” he said, “that you're + foolish enough to have any feeling beyond caprice. That would be too much!” + And he laughed. + </p> + <p> + Fleur, who had never heard him laugh like that, thought: 'Then it is + deep! Oh! what is it?' And putting her hand through his arm she said + lightly: + </p> + <p> + “No, of course; caprice. Only, I like my caprices and I don't + like yours, dear.” + </p> + <p> + “Mine!” said Soames bitterly, and turned away. + </p> + <p> + The light outside had chilled, and threw a chalky whiteness on the river. + The trees had lost all gaiety of colour. She felt a sudden hunger for Jon's + face, for his hands, and the feel of his lips again on hers. And pressing + her arms tight across her breast she forced out a little light laugh. + </p> + <p> + “O la! la! What a small fuss! as Profond would say. Father, I don't + like that man.” + </p> + <p> + She saw him stop, and take something out of his breast pocket. + </p> + <p> + “You don't?” he said. “Why?” + </p> + <p> + “Nothing,” murmured Fleur; “just caprice!” + </p> + <p> + “No,” said Soames; “not caprice!” And he tore what + was in his hands across. “You're right. I don't like him + either!” + </p> + <p> + “Look!” said Fleur softly. “There he goes! I hate his + shoes; they don't make any noise.” + </p> + <p> + Down in the failing light Prosper Profond moved, his hands in his side + pockets, whistling softly in his beard; he stopped, and glanced up at the + sky, as if saying: “I don't think much of that small moon.” + </p> + <p> + Fleur drew back. “Isn't he a great cat?” she whispered; + and the sharp click of the billiard-balls rose, as if Jack Cardigan had + capped the cat, the moon, caprice, and tragedy with: “In off the + red!” + </p> + <p> + Monsieur Profond had resumed his stroll, to a teasing little tune in his + beard. What was it? Oh! yes, from “Rigoletto”: “Donna a + mobile.” Just what he would think! She squeezed her father's + arm. + </p> + <p> + “Prowling!” she muttered, as he turned the corner of the + house. It was past that disillusioned moment which divides the day and + night-still and lingering and warm, with hawthorn scent and lilac scent + clinging on the riverside air. A blackbird suddenly burst out. Jon would + be in London by now; in the Park perhaps, crossing the Serpentine, + thinking of her! A little sound beside her made her turn her eyes; her + father was again tearing the paper in his hands. Fleur saw it was a + cheque. + </p> + <p> + “I shan't sell him my Gauguin,” he said. “I don't + know what your aunt and Imogen see in him.” + </p> + <p> + “Or Mother.” + </p> + <p> + “Your mother!” said Soames. + </p> + <p> + 'Poor Father!' she thought. 'He never looks happy—not + really happy. I don't want to make him worse, but of course I shall + have to, when Jon comes back. Oh! well, sufficient unto the night!' + </p> + <p> + “I'm going to dress,” she said. + </p> + <p> + In her room she had a fancy to put on her “freak” dress. It + was of gold tissue with little trousers of the same, tightly drawn in at + the ankles, a page's cape slung from the shoulders, little gold + shoes, and a gold-winged Mercury helmet; and all over her were tiny gold + bells, especially on the helmet; so that if she shook her head she pealed. + When she was dressed she felt quite sick because Jon could not see her; it + even seemed a pity that the sprightly young man Michael Mont would not + have a view. But the gong had sounded, and she went down. + </p> + <p> + She made a sensation in the drawing-room. Winifred thought it “Most + amusing.” Imogen was enraptured. Jack Cardigan called it “stunning,” + “ripping,” “topping,” and “corking.” + </p> + <p> + Monsieur Profond, smiling with his eyes, said: “That's a nice + small dress!” Her mother, very handsome in black, sat looking at + her, and said nothing. It remained for her father to apply the test of + common sense. “What did you put on that thing for? You're not + going to dance.” + </p> + <p> + Fleur spun round, and the bells pealed. + </p> + <p> + “Caprice!” + </p> + <p> + Soames stared at her, and, turning away, gave his arm to Winifred. Jack + Cardigan took her mother. Prosper Profond took Imogen. Fleur went in by + herself, with her bells jingling.... + </p> + <p> + The “small” moon had soon dropped down, and May night had + fallen soft and warm, enwrapping with its grape-bloom colour and its + scents the billion caprices, intrigues, passions, longings, and regrets of + men and women. Happy was Jack Cardigan who snored into Imogen's + white shoulder, fit as a flea; or Timothy in his “mausoleum,” + too old for anything but baby's slumber. For so many lay awake, or + dreamed, teased by the criss-cross of the world. + </p> + <p> + The dew fell and the flowers closed; cattle grazed on in the river + meadows, feeling with their tongues for the grass they could not see; and + the sheep on the Downs lay quiet as stones. Pheasants in the tall trees of + the Pangbourne woods, larks on their grassy nests above the gravel-pit at + Wansdon, swallows in the eaves at Robin Hill, and the sparrows of Mayfair, + all made a dreamless night of it, soothed by the lack of wind. The Mayfly + filly, hardly accustomed to her new quarters, scraped at her straw a + little; and the few night-flitting things—bats, moths, owls—were + vigorous in the warm darkness; but the peace of night lay in the brain of + all day-time Nature, colourless and still. Men and women, alone, riding + the hobby-horses of anxiety or love, burned their wavering tapers of dream + and thought into the lonely hours. + </p> + <p> + Fleur, leaning out of her window, heard the hall clock's muffled + chime of twelve, the tiny splash of a fish, the sudden shaking of an aspen's + leaves in the puffs of breeze that rose along the river, the distant + rumble of a night train, and time and again the sounds which none can put + a name to in the darkness, soft obscure expressions of uncatalogued + emotions from man and beast, bird and machine, or, maybe, from departed + Forsytes, Darties, Cardigans, taking night strolls back into a world which + had once suited their embodied spirits. But Fleur heeded not these sounds; + her spirit, far from disembodied, fled with swift wing from + railway-carriage to flowery hedge, straining after Jon, tenacious of his + forbidden image, and the sound of his voice, which was taboo. And she + crinkled her nose, retrieving from the perfume of the riverside night that + moment when his hand slipped between the mayflowers and her cheek. Long + she leaned out in her freak dress, keen to burn her wings at life's + candle; while the moths brushed her cheeks on their pilgrimage to the lamp + on her dressing-table, ignorant that in a Forsyte's house there is + no open flame. But at last even she felt sleepy, and, forgetting her + bells, drew quickly in. + </p> + <p> + Through the open window of his room, alongside Annette's, Soames, + wakeful too, heard their thin faint tinkle, as it might be shaken from + stars, or the dewdrops falling from a flower, if one could hear such + sounds. + </p> + <p> + 'Caprice!' he thought. 'I can't tell. She's + wilful. What shall I do? Fleur!' + </p> + <p> + And long into the “small” night he brooded. + </p> + <p> + <a name="link2H_PARTc2" id="link2H_PARTc2"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + PART II + </h2> + <p> + <a name="link2H_4_0110" id="link2H_4_0110"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + I.—MOTHER AND SON + </h2> + <p> + To say that Jon Forsyte accompanied his mother to Spain unwillingly would + scarcely have been adequate. He went as a well-natured dog goes for a walk + with its mistress, leaving a choice mutton-bone on the lawn. He went + looking back at it. Forsytes deprived of their mutton-bones are wont to + sulk. But Jon had little sulkiness in his composition. He adored his + mother, and it was his first travel. Spain had become Italy by his simply + saying: “I'd rather go to Spain, Mum; you've been to + Italy so many times; I'd like it new to both of us.” + </p> + <p> + The fellow was subtle besides being naive. He never forgot that he was + going to shorten the proposed two months into six weeks, and must + therefore show no sign of wishing to do so. For one with so enticing a + mutton-bone and so fixed an idea, he made a good enough travelling + companion, indifferent to where or when he arrived, superior to food, and + thoroughly appreciative of a country strange to the most travelled + Englishman. Fleur's wisdom in refusing to write to him was profound, + for he reached each new place entirely without hope or fever, and could + concentrate immediate attention on the donkeys and tumbling bells, the + priests, patios, beggars, children, crowing cocks, sombreros, + cactus-hedges, old high white villages, goats, olive-trees, greening + plains, singing birds in tiny cages, watersellers, sunsets, melons, mules, + great churches, pictures, and swimming grey-brown mountains of a + fascinating land. + </p> + <p> + It was already hot, and they enjoyed an absence of their compatriots. Jon, + who, so far as he knew, had no blood in him which was not English, was + often innately unhappy in the presence of his own countrymen. He felt they + had no nonsense about them, and took a more practical view of things than + himself. He confided to his mother that he must be an unsociable beast—it + was jolly to be away from everybody who could talk about the things people + did talk about. To which Irene had replied simply: + </p> + <p> + “Yes, Jon, I know.” + </p> + <p> + In this isolation he had unparalleled opportunities of appreciating what + few sons can apprehend, the whole-heartedness of a mother's love. + Knowledge of something kept from her made him, no doubt, unduly sensitive; + and a Southern people stimulated his admiration for her type of beauty, + which he had been accustomed to hear called Spanish, but which he now + perceived to be no such thing. Her beauty was neither English, French, + Spanish, nor Italian—it was special! He appreciated, too, as never + before, his mother's subtlety of instinct. He could not tell, for + instance, whether she had noticed his absorption in that Goya picture, + “La Vendimia,” or whether she knew that he had slipped back + there after lunch and again next morning, to stand before it full half an + hour, a second and third time. It was not Fleur, of course, but like + enough to give him heartache—so dear to lovers—remembering her + standing at the foot of his bed with her hand held above her head. To keep + a postcard reproduction of this picture in his pocket and slip it out to + look at became for Jon one of those bad habits which soon or late disclose + themselves to eyes sharpened by love, fear, or jealousy. And his mother's + were sharpened by all three. In Granada he was fairly caught, sitting on a + sun-warmed stone bench in a little battlemented garden on the Alhambra + hill, whence he ought to have been looking at the view. His mother, he had + thought, was examining the potted stocks between the polled acacias, when + her voice said: + </p> + <p> + “Is that your favourite Goya, Jon?” + </p> + <p> + He checked, too late, a movement such as he might have made at school to + conceal some surreptitious document, and answered: “Yes.” + </p> + <p> + “It certainly is most charming; but I think I prefer the 'Quitasol' + Your father would go crazy about Goya; I don't believe he saw them + when he was in Spain in '92.” + </p> + <p> + In '92—nine years before he had been born! What had been the + previous existences of his father and his mother? If they had a right to + share in his future, surely he had a right to share in their pasts. He + looked up at her. But something in her face—a look of life + hard-lived, the mysterious impress of emotions, experience, and + suffering-seemed, with its incalculable depth, its purchased sanctity, to + make curiosity impertinent. His mother must have had a wonderfully + interesting life; she was so beautiful, and so—so—but he could + not frame what he felt about her. He got up, and stood gazing down at the + town, at the plain all green with crops, and the ring of mountains + glamorous in sinking sunlight. Her life was like the past of this old + Moorish city, full, deep, remote—his own life as yet such a baby of + a thing, hopelessly ignorant and innocent! They said that in those + mountains to the West, which rose sheer from the blue-green plain, as if + out of a sea, Phoenicians had dwelt—a dark, strange, secret race, + above the land! His mother's life was as unknown to him, as secret, + as that Phoenician past was to the town down there, whose cocks crowed and + whose children played and clamoured so gaily, day in, day out. He felt + aggrieved that she should know all about him and he nothing about her + except that she loved him and his father, and was beautiful. His callow + ignorance—he had not even had the advantage of the War, like nearly + everybody else!—made him small in his own eyes. + </p> + <p> + That night, from the balcony of his bedroom, he gazed down on the roof of + the town—as if inlaid with honeycomb of jet, ivory, and gold; and, + long after, he lay awake, listening to the cry of the sentry as the hours + struck, and forming in his head these lines: + </p> +<pre xml:space="preserve"> + “Voice in the night crying, down in the old sleeping + Spanish city darkened under her white stars! + + “What says the voice-its clear-lingering anguish? + Just the watchman, telling his dateless tale of safety? + Just a road-man, flinging to the moon his song? + + “No! Tis one deprived, whose lover's heart is weeping, + Just his cry: 'How long?'” + </pre> + <p> + The word “deprived” seemed to him cold and unsatisfactory, but + “bereaved” was too final, and no other word of two syllables + short-long came to him, which would enable him to keep “whose lover's + heart is weeping.” It was past two by the time he had finished it, + and past three before he went to sleep, having said it over to himself at + least twenty-four times. Next day he wrote it out and enclosed it in one + of those letters to Fleur which he always finished before he went down, so + as to have his mind free and companionable. + </p> + <p> + About noon that same day, on the tiled terrace of their hotel, he felt a + sudden dull pain in the back of his head, a queer sensation in the eyes, + and sickness. The sun had touched him too affectionately. The next three + days were passed in semi-darkness, and a dulled, aching indifference to + all except the feel of ice on his forehead and his mother's smile. + She never moved from his room, never relaxed her noiseless vigilance, + which seemed to Jon angelic. But there were moments when he was extremely + sorry for himself, and wished terribly that Fleur could see him. Several + times he took a poignant imaginary leave of her and of the earth, tears + oozing out of his eyes. He even prepared the message he would send to her + by his mother—who would regret to her dying day that she had ever + sought to separate them—his poor mother! He was not slow, however, + in perceiving that he had now his excuse for going home. + </p> + <p> + Toward half-past six each evening came a “gasgacha” of bells—a + cascade of tumbling chimes, mounting from the city below and falling back + chime on chime. After listening to them on the fourth day he said + suddenly: + </p> + <p> + “I'd like to be back in England, Mum, the sun's too hot.” + </p> + <p> + “Very well, darling. As soon as you're fit to travel” + And at once he felt better, and—meaner. + </p> + <p> + They had been out five weeks when they turned toward home. Jon's + head was restored to its pristine clarity, but he was confined to a hat + lined by his mother with many layers of orange and green silk and he still + walked from choice in the shade. As the long struggle of discretion + between them drew to its close, he wondered more and more whether she + could see his eagerness to get back to that which she had brought him away + from. Condemned by Spanish Providence to spend a day in Madrid between + their trains, it was but natural to go again to the Prado. Jon was + elaborately casual this time before his Goya girl. Now that he was going + back to her, he could afford a lesser scrutiny. It was his mother who + lingered before the picture, saying: + </p> + <p> + “The face and the figure of the girl are exquisite.” + </p> + <p> + Jon heard her uneasily. Did she understand? But he felt once more that he + was no match for her in self-control and subtlety. She could, in some + supersensitive way, of which he had not the secret, feel the pulse of his + thoughts; she knew by instinct what he hoped and feared and wished. It + made him terribly uncomfortable and guilty, having, beyond most boys, a + conscience. He wished she would be frank with him, he almost hoped for an + open struggle. But none came, and steadily, silently, they travelled + north. Thus did he first learn how much better than men women play a + waiting game. In Paris they had again to pause for a day. Jon was grieved + because it lasted two, owing to certain matters in connection with a + dressmaker; as if his mother, who looked beautiful in anything, had any + need of dresses! The happiest moment of his travel was that when he + stepped on to the Folkestone boat. + </p> + <p> + Standing by the bulwark rail, with her arm in his, she said + </p> + <p> + “I'm afraid you haven't enjoyed it much, Jon. But you've + been very sweet to me.” + </p> + <p> + Jon squeezed her arm. + </p> + <p> + “Oh! yes, I've enjoyed it awfully-except for my head lately.” + </p> + <p> + And now that the end had come, he really had, feeling a sort of glamour + over the past weeks—a kind of painful pleasure, such as he had tried + to screw into those lines about the voice in the night crying; a feeling + such as he had known as a small boy listening avidly to Chopin, yet + wanting to cry. And he wondered why it was that he couldn't say to + her quite simply what she had said to him: + </p> + <p> + “You were very sweet to me.” Odd—one never could be nice + and natural like that! He substituted the words: “I expect we shall + be sick.” + </p> + <p> + They were, and reached London somewhat attenuated, having been away six + weeks and two days, without a single allusion to the subject which had + hardly ever ceased to occupy their minds. + </p> + <p> + <a name="link2H_4_0111" id="link2H_4_0111"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + II.—FATHERS AND DAUGHTERS + </h2> + <p> + Deprived of his wife and son by the Spanish adventure, Jolyon found the + solitude at Robin Hill intolerable. A philosopher when he has all that he + wants is different from a philosopher when he has not. Accustomed, + however, to the idea, if not to the reality of resignation, he would + perhaps have faced it out but for his daughter June. He was a “lame + duck” now, and on her conscience. Having achieved—momentarily—the + rescue of an etcher in low circumstances, which she happened to have in + hand, she appeared at Robin Hill a fortnight after Irene and Jon had gone. + June was living now in a tiny house with a big studio at Chiswick. A + Forsyte of the best period, so far as the lack of responsibility was + concerned, she had overcome the difficulty of a reduced income in a manner + satisfactory to herself and her father. The rent of the Gallery off Cork + Street which he had bought for her and her increased income tax happening + to balance, it had been quite simple—she no longer paid him the + rent. The Gallery might be expected now at any time, after eighteen years + of barren usufruct, to pay its way, so that she was sure her father would + not feel it. Through this device she still had twelve hundred a year, and + by reducing what she ate, and, in place of two Belgians in a poor way, + employing one Austrian in a poorer, practically the same surplus for the + relief of genius. After three days at Robin Hill she carried her father + back with her to Town. In those three days she had stumbled on the secret + he had kept for two years, and had instantly decided to cure him. She + knew, in fact, the very man. He had done wonders with. Paul Post—that + painter a little in advance of Futurism; and she was impatient with her + father because his eyebrows would go up, and because he had heard of + neither. Of course, if he hadn't “faith” he would never + get well! It was absurd not to have faith in the man who had healed Paul + Post so that he had only just relapsed, from having overworked, or + overlived, himself again. The great thing about this healer was that he + relied on Nature. He had made a special study of the symptoms of Nature—when + his patient failed in any natural symptom he supplied the poison which + caused it—and there you were! She was extremely hopeful. Her father + had clearly not been living a natural life at Robin Hill, and she intended + to provide the symptoms. He was—she felt—out of touch with the + times, which was not natural; his heart wanted stimulating. In the little + Chiswick house she and the Austrian—a grateful soul, so devoted to + June for rescuing her that she was in danger of decease from overwork—stimulated + Jolyon in all sorts of ways, preparing him for his cure. But they could + not keep his eyebrows down; as, for example, when the Austrian woke him at + eight o'clock just as he was going to sleep, or June took The Times + away from him, because it was unnatural to read “that stuff” + when he ought to be taking an interest in “life.” He never + failed, indeed, to be astonished at her resource, especially in the + evenings. For his benefit, as she declared, though he suspected that she + also got something out of it, she assembled the Age so far as it was + satellite to genius; and with some solemnity it would move up and down the + studio before him in the Fox-trot, and that more mental form of dancing—the + One-step—which so pulled against the music, that Jolyon's + eyebrows would be almost lost in his hair from wonder at the strain it + must impose on the dancer's will-power. Aware that, hung on the line + in the Water Colour Society, he was a back number to those with any + pretension to be called artists, he would sit in the darkest corner he + could find, and wonder about rhythm, on which so long ago he had been + raised. And when June brought some girl or young man up to him, he would + rise humbly to their level so far as that was possible, and think: 'Dear + me! This is very dull for them!' Having his father's perennial + sympathy with Youth, he used to get very tired from entering into their + points of view. But it was all stimulating, and he never failed in + admiration of his daughter's indomitable spirit. Even genius itself + attended these gatherings now and then, with its nose on one side; and + June always introduced it to her father. This, she felt, was exceptionally + good for him, for genius was a natural symptom he had never had—fond + as she was of him. + </p> + <p> + Certain as a man can be that she was his own daughter, he often wondered + whence she got herself—her red-gold hair, now greyed into a special + colour; her direct, spirited face, so different from his own rather folded + and subtilised countenance, her little lithe figure, when he and most of + the Forsytes were tall. And he would dwell on the origin of species, and + debate whether she might be Danish or Celtic. Celtic, he thought, from her + pugnacity, and her taste in fillets and djibbahs. It was not too much to + say that he preferred her to the Age with which she was surrounded, + youthful though, for the greater part, it was. She took, however, too much + interest in his teeth, for he still had some of those natural symptoms. + Her dentist at once found “Staphylococcus aureus present in pure + culture” (which might cause boils, of course), and wanted to take + out all the teeth he had and supply him with two complete sets of + unnatural symptoms. Jolyon's native tenacity was roused, and in the + studio that evening he developed his objections. He had never had any + boils, and his own teeth would last his time. Of course—June + admitted—they would last his time if he didn't have them out! + But if he had more teeth he would have a better heart and his time would + be longer. His recalcitrance—she said—was a symptom of his + whole attitude; he was taking it lying down. He ought to be fighting. When + was he going to see the man who had cured Paul Post? Jolyon was very + sorry, but the fact was he was not going to see him. June chafed. + Pondridge—she said—the healer, was such a fine man, and he had + such difficulty in making two ends meet, and getting his theories + recognised. It was just such indifference and prejudice as her father + manifested which was keeping him back. It would be so splendid for both of + them! + </p> + <p> + “I perceive,” said Jolyon, “that you are trying to kill + two birds with one stone.” + </p> + <p> + “To cure, you mean!” cried June. + </p> + <p> + “My dear, it's the same thing.” + </p> + <p> + June protested. It was unfair to say that without a trial. + </p> + <p> + Jolyon thought he might not have the chance, of saying it after. + </p> + <p> + “Dad!” cried June, “you're hopeless.” + </p> + <p> + “That,” said Jolyon, “is a fact, but I wish to remain + hopeless as long as possible. I shall let sleeping dogs lie, my child. + They are quiet at present.” + </p> + <p> + “That's not giving science a chance,” cried June. + “You've no idea how devoted Pondridge is. He puts his science + before everything.” + </p> + <p> + “Just,” replied Jolyon, puffing the mild cigarette to which he + was reduced, “as Mr. Paul Post puts his art, eh? Art for Art's + sake—Science for the sake of Science. I know those enthusiastic + egomaniac gentry. They vivisect you without blinking. I'm enough of + a Forsyte to give them the go-by, June.” + </p> + <p> + “Dad,” said June, “if you only knew how old-fashioned + that sounds! Nobody can afford to be half-hearted nowadays.” + </p> + <p> + “I'm afraid,” murmured Jolyon, with his smile, “that's + the only natural symptom with which Mr. Pondridge need not supply me. We + are born to be extreme or to be moderate, my dear; though, if you'll + forgive my saying so, half the people nowadays who believe they're + extreme are really very moderate. I'm getting on as well as I can + expect, and I must leave it at that.” + </p> + <p> + June was silent, having experienced in her time the inexorable character + of her father's amiable obstinacy so far as his own freedom of + action was concerned. + </p> + <p> + How he came to let her know why Irene had taken Jon to Spain puzzled + Jolyon, for he had little confidence in her discretion. After she had + brooded on the news, it brought a rather sharp discussion, during which he + perceived to the full the fundamental opposition between her active + temperament and his wife's passivity. He even gathered that a little + soreness still remained from that generation-old struggle between them + over the body of Philip Bosinney, in which the passive had so signally + triumphed over the active principle. + </p> + <p> + According to June, it was foolish and even cowardly to hide the past from + Jon. Sheer opportunism, she called it. + </p> + <p> + “Which,” Jolyon put in mildly, “is the working principle + of real life, my dear.” + </p> + <p> + “Oh!” cried June, “you don't really defend her for + not telling Jon, Dad. If it were left to you, you would.” + </p> + <p> + “I might, but simply because I know he must find out, which will be + worse than if we told him.” + </p> + <p> + “Then why don't you tell him? It's just sleeping dogs + again.” + </p> + <p> + “My dear,” said Jolyon, “I wouldn't for the world + go against Irene's instinct. He's her boy.” + </p> + <p> + “Yours too,” cried June. + </p> + <p> + “What is a man's instinct compared with a mother's?” + </p> + <p> + “Well, I think it's very weak of you.” + </p> + <p> + “I dare say,” said Jolyon, “I dare say.” + </p> + <p> + And that was all she got from him; but the matter rankled in her brain. + She could not bear sleeping dogs. And there stirred in her a tortuous + impulse to push the matter toward decision. Jon ought to be told, so that + either his feeling might be nipped in the bud, or, flowering in spite of + the past, come to fruition. And she determined to see Fleur, and judge for + herself. When June determined on anything, delicacy became a somewhat + minor consideration. After all, she was Soames' cousin, and they + were both interested in pictures. She would go and tell him that he ought + to buy a Paul Post, or perhaps a piece of sculpture by Boris Strumolowski, + and of course she would say nothing to her father. She went on the + following Sunday, looking so determined that she had some difficulty in + getting a cab at Reading station. The river country was lovely in those + days of her own month, and June ached at its loveliness. She who had + passed through this life without knowing what union was had a love of + natural beauty which was almost madness. And when she came to that choice + spot where Soames had pitched his tent, she dismissed her cab, because, + business over, she wanted to revel in the bright water and the woods. She + appeared at his front door, therefore, as a mere pedestrian, and sent in + her card. It was in June's character to know that when her nerves + were fluttering she was doing something worth while. If one's nerves + did not flutter, she was taking the line of least resistance, and knew + that nobleness was not obliging her. She was conducted to a drawing-room, + which, though not in her style, showed every mark of fastidious elegance. + Thinking, 'Too much taste—too many knick-knacks,' she + saw in an old lacquer-framed mirror the figure of a girl coming in from + the verandah. Clothed in white, and holding some white roses in her hand, + she had, reflected in that silvery-grey pool of glass, a vision-like + appearance, as if a pretty ghost had come out of the green garden. + </p> + <p> + “How do you do?” said June, turning round. “I'm a + cousin of your father's.” + </p> + <p> + “Oh, yes; I saw you in that confectioner's.” + </p> + <p> + “With my young stepbrother. Is your father in?” + </p> + <p> + “He will be directly. He's only gone for a little walk.” + </p> + <p> + June slightly narrowed her blue eyes, and lifted her decided chin. + </p> + <p> + “Your name's Fleur, isn't it? I've heard of you + from Holly. What do you think of Jon?” + </p> + <p> + The girl lifted the roses in her hand, looked at them, and answered + calmly: + </p> + <p> + “He's quite a nice boy.” + </p> + <p> + “Not a bit like Holly or me, is he?” + </p> + <p> + “Not a bit.” + </p> + <p> + 'She's cool,' thought June. + </p> + <p> + And suddenly the girl said: “I wish you'd tell me why our + families don't get on?” + </p> + <p> + Confronted with the question she had advised her father to answer, June + was silent; whether because this girl was trying to get something out of + her, or simply because what one would do theoretically is not always what + one will do when it comes to the point. + </p> + <p> + “You know,” said the girl, “the surest way to make + people find out the worst is to keep them ignorant. My father's told + me it was a quarrel about property. But I don't believe it; we've + both got heaps. They wouldn't have been so bourgeois as all that.” + </p> + <p> + June flushed. The word applied to her grandfather and father offended her. + </p> + <p> + “My grandfather,” she said, “was very generous, and my + father is, too; neither of them was in the least bourgeois.” + </p> + <p> + “Well, what was it then?” repeated the girl: Conscious that + this young Forsyte meant having what she wanted, June at once determined + to prevent her, and to get something for herself instead. + </p> + <p> + “Why do you want to know?” + </p> + <p> + The girl smelled at her roses. “I only want to know because they won't + tell me.” + </p> + <p> + “Well, it was about property, but there's more than one kind.” + </p> + <p> + “That makes it worse. Now I really must know.” + </p> + <p> + June's small and resolute face quivered. She was wearing a round + cap, and her hair had fluffed out under it. She looked quite young at that + moment, rejuvenated by encounter. + </p> + <p> + “You know,” she said, “I saw you drop your handkerchief. + Is there anything between you and Jon? Because, if so, you'd better + drop that too.” + </p> + <p> + The girl grew paler, but she smiled. + </p> + <p> + “If there were, that isn't the way to make me.” + </p> + <p> + At the gallantry of that reply, June held out her hand. + </p> + <p> + “I like you; but I don't like your father; I never have. We + may as well be frank.” + </p> + <p> + “Did you come down to tell him that?” + </p> + <p> + June laughed. “No; I came down to see you.” + </p> + <p> + “How delightful of you.” + </p> + <p> + This girl could fence. + </p> + <p> + “I'm two and a half times your age,” said June, “but + I quite sympathize. It's horrid not to have one's own way.” + </p> + <p> + The girl smiled again. “I really think you might tell me.” + </p> + <p> + How the child stuck to her point + </p> + <p> + “It's not my secret. But I'll see what I can do, because + I think both you and Jon ought to be told. And now I'll say + good-bye.” + </p> + <p> + “Won't you wait and see Father?” + </p> + <p> + June shook her head. “How can I get over to the other side?” + </p> + <p> + “I'll row you across.” + </p> + <p> + “Look!” said June impulsively, “next time you're + in London, come and see me. This is where I live. I generally have young + people in the evening. But I shouldn't tell your father that you're + coming.” + </p> + <p> + The girl nodded. + </p> + <p> + Watching her scull the skiff across, June thought: 'She's + awfully pretty and well made. I never thought Soames would have a daughter + as pretty as this. She and Jon would make a lovely couple. + </p> + <p> + The instinct to couple, starved within herself, was always at work in + June. She stood watching Fleur row back; the girl took her hand off a + scull to wave farewell, and June walked languidly on between the meadows + and the river, with an ache in her heart. Youth to youth, like the + dragon-flies chasing each other, and love like the sun warming them + through and through. Her youth! So long ago—when Phil and she—And + since? Nothing—no one had been quite what she had wanted. And so she + had missed it all. But what a coil was round those two young things, if + they really were in love, as Holly would have it—as her father, and + Irene, and Soames himself seemed to dread. What a coil, and what a + barrier! And the itch for the future, the contempt, as it were, for what + was overpast, which forms the active principle, moved in the heart of one + who ever believed that what one wanted was more important than what other + people did not want. From the bank, awhile, in the warm summer stillness, + she watched the water-lily plants and willow leaves, the fishes rising; + sniffed the scent of grass and meadow-sweet, wondering how she could force + everybody to be happy. Jon and Fleur! Two little lame ducks—charming + callow yellow little ducks! A great pity! Surely something could be done! + One must not take such situations lying down. She walked on, and reached a + station, hot and cross. + </p> + <p> + That evening, faithful to the impulse toward direct action, which made + many people avoid her, she said to her father: + </p> + <p> + “Dad, I've been down to see young Fleur. I think she's + very attractive. It's no good hiding our heads under our wings, is + it?” + </p> + <p> + The startled Jolyon set down his barley-water, and began crumbling his + bread. + </p> + <p> + “It's what you appear to be doing,” he said. “Do + you realise whose daughter she is?” + </p> + <p> + “Can't the dead past bury its dead?” + </p> + <p> + Jolyon rose. + </p> + <p> + “Certain things can never be buried.” + </p> + <p> + “I disagree,” said June. “It's that which stands + in the way of all happiness and progress. You don't understand the + Age, Dad. It's got no use for outgrown things. Why do you think it + matters so terribly that Jon should know about his mother? Who pays any + attention to that sort of thing now? The marriage laws are just as they + were when Soames and Irene couldn't get a divorce, and you had to + come in. We've moved, and they haven't. So nobody cares. + Marriage without a decent chance of relief is only a sort of slave-owning; + people oughtn't to own each other. Everybody sees that now. If Irene + broke such laws, what does it matter?” + </p> + <p> + “It's not for me to disagree there,” said Jolyon; + “but that's all quite beside the mark. This is a matter of + human feeling.” + </p> + <p> + “Of course it is,” cried June, “the human feeling of + those two young things.” + </p> + <p> + “My dear,” said Jolyon with gentle exasperation; “you're + talking nonsense.” + </p> + <p> + “I'm not. If they prove to be really fond of each other, why + should they be made unhappy because of the past?” + </p> + <p> + “You haven't lived that past. I have—through the + feelings of my wife; through my own nerves and my imagination, as only one + who is devoted can.” + </p> + <p> + June, too, rose, and began to wander restlessly. + </p> + <p> + “If,” she said suddenly, “she were the daughter of + Philip Bosinney, I could understand you better. Irene loved him, she never + loved Soames.” + </p> + <p> + Jolyon uttered a deep sound-the sort of noise an Italian peasant woman + utters to her mule. His heart had begun beating furiously, but he paid no + attention to it, quite carried away by his feelings. + </p> + <p> + “That shows how little you understand. Neither I nor Jon, if I know + him, would mind a love-past. It's the brutality of a union without + love. This girl is the daughter of the man who once owned Jon's + mother as a negro-slave was owned. You can't lay that ghost; don't + try to, June! It's asking us to see Jon joined to the flesh and + blood of the man who possessed Jon's mother against her will. It's + no good mincing words; I want it clear once for all. And now I mustn't + talk any more, or I shall have to sit up with this all night.” And, + putting his hand over his heart, Jolyon turned his back on his daughter + and stood looking at the river Thames. + </p> + <p> + June, who by nature never saw a hornet's nest until she had put her + head into it, was seriously alarmed. She came and slipped her arm through + his. Not convinced that he was right, and she herself wrong, because that + was not natural to her, she was yet profoundly impressed by the obvious + fact that the subject was very bad for him. She rubbed her cheek against + his shoulder, and said nothing. + </p> + <p> + After taking her elderly cousin across, Fleur did not land at once, but + pulled in among the reeds, into the sunshine. The peaceful beauty of the + afternoon seduced for a little one not much given to the vague and poetic. + In the field beyond the bank where her skiff lay up, a machine drawn by a + grey horse was turning an early field of hay. She watched the grass + cascading over and behind the light wheels with fascination—it + looked so cool and fresh. The click and swish blended with the rustle of + the willows and the poplars, and the cooing of a wood-pigeon, in a true + river song. Alongside, in the deep green water, weeds, like yellow snakes, + were writhing and nosing with the current; pied cattle on the farther side + stood in the shade lazily swishing their tails. It was an afternoon to + dream. And she took out Jon's letters—not flowery effusions, + but haunted in their recital of things seen and done by a longing very + agreeable to her, and all ending “Your devoted J.” Fleur was + not sentimental, her desires were ever concrete and concentrated, but what + poetry there was in the daughter of Soames and Annette had certainly in + those weeks of waiting gathered round her memories of Jon. They all + belonged to grass and blossom, flowers and running water. She enjoyed him + in the scents absorbed by her crinkling nose. The stars could persuade her + that she was standing beside him in the centre of the map of Spain; and of + an early morning the dewy cobwebs, the hazy sparkle and promise of the day + down in the garden, were Jon personified to her. + </p> + <p> + Two white swans came majestically by, while she was reading his letters, + followed by their brood of six young swans in a line, with just so much + water between each tail and head, a flotilla of grey destroyers. Fleur + thrust her letters back, got out her sculls, and pulled up to the + landing-stage. Crossing the lawn, she wondered whether she should tell her + father of June's visit. If he learned of it from the butler, he + might think it odd if she did not. It gave her, too, another chance to + startle out of him the reason of the feud. She went, therefore, up the + road to meet him. + </p> + <p> + Soames had gone to look at a patch of ground on which the Local + Authorities were proposing to erect a Sanatorium for people with weak + lungs. Faithful to his native individualism, he took no part in local + affairs, content to pay the rates which were always going up. He could + not, however, remain indifferent to this new and dangerous scheme. The + site was not half a mile from his own house. He was quite of opinion that + the country should stamp out tuberculosis; but this was not the place. It + should be done farther away. He took, indeed, an attitude common to all + true Forsytes, that disability of any sort in other people was not his + affair, and the State should do its business without prejudicing in any + way the natural advantages which he had acquired or inherited. Francie, + the most free-spirited Forsyte of his generation (except perhaps that + fellow Jolyon) had once asked him in her malicious way: “Did you + ever see the name Forsyte in a subscription list, Soames?” That was + as it might be, but a Sanatorium would depreciate the neighbourhood, and + he should certainly sign the petition which was being got up against it. + Returning with this decision fresh within him, he saw Fleur coming. + </p> + <p> + She was showing him more affection of late, and the quiet time down here + with her in this summer weather had been making him feel quite young; + Annette was always running up to Town for one thing or another, so that he + had Fleur to himself almost as much as he could wish. To be sure, young + Mont had formed a habit of appearing on his motor-cycle almost every other + day. Thank goodness, the young fellow had shaved off his + half-toothbrushes, and no longer looked like a mountebank! With a girl + friend of Fleur's who was staying in the house, and a neighbouring + youth or so, they made two couples after dinner, in the hall, to the music + of the electric pianola, which performed Fox-trots unassisted, with a + surprised shine on its expressive surface. Annette, even, now and then + passed gracefully up and down in the arms of one or other of the young + men. And Soames, coming to the drawing-room door, would lift his nose a + little sideways, and watch them, waiting to catch a smile from Fleur; then + move back to his chair by the drawing-room hearth, to peruse The Times or + some other collector's price list. To his ever-anxious eyes Fleur + showed no signs of remembering that caprice of hers. + </p> + <p> + When she reached him on the dusty road, he slipped his hand within her + arm. + </p> + <p> + “Who, do you think, has been to see you, Dad? She couldn't + wait! Guess!” + </p> + <p> + “I never guess,” said Soames uneasily. “Who?” + </p> + <p> + “Your cousin, June Forsyte.” + </p> + <p> + Quite unconsciously Soames gripped her arm. “What did she want?” + </p> + <p> + “I don't know. But it was rather breaking through the feud, + wasn't it?” + </p> + <p> + “Feud? What feud?” + </p> + <p> + “The one that exists in your imagination, dear.” + </p> + <p> + Soames dropped her arm. Was she mocking, or trying to draw him on? + </p> + <p> + “I suppose she wanted me to buy a picture,” he said at last. + </p> + <p> + “I don't think so. Perhaps it was just family affection.” + </p> + <p> + “She's only a first cousin once removed,” muttered + Soames. + </p> + <p> + “And the daughter of your enemy.” + </p> + <p> + “What d'you mean by that?” + </p> + <p> + “I beg your pardon, dear; I thought he was.” + </p> + <p> + “Enemy!” repeated Soames. “It's ancient history. I + don't know where you get your notions.” + </p> + <p> + “From June Forsyte.” + </p> + <p> + It had come to her as an inspiration that if he thought she knew, or were + on the edge of knowledge, he would tell her. + </p> + <p> + Soames was startled, but she had underrated his caution and tenacity. + </p> + <p> + “If you know,” he said coldly, “why do you plague me?” + </p> + <p> + Fleur saw that she had overreached herself. + </p> + <p> + “I don't want to plague you, darling. As you say, why want to + know more? Why want to know anything of that 'small' mystery—Je + m'en fiche, as Profond says?” + </p> + <p> + “That chap!” said Soames profoundly. + </p> + <p> + That chap, indeed, played a considerable, if invisible, part this summer—for + he had not turned up again. Ever since the Sunday when Fleur had drawn + attention to him prowling on the lawn, Soames had thought of him a good + deal, and always in connection with Annette, for no reason, except that + she was looking handsomer than for some time past. His possessive + instinct, subtle, less formal, more elastic since the War, kept all + misgiving underground. As one looks on some American river, quiet and + pleasant, knowing that an alligator perhaps is lying in the mud with his + snout just raised and indistinguishable from a snag of wood—so + Soames looked on the river of his own existence, subconscious of Monsieur + Profond, refusing to see more than the suspicion of his snout. He had at + this epoch in his life practically all he wanted, and was as nearly happy + as his nature would permit. His senses were at rest; his affections found + all the vent they needed in his daughter; his collection was well known, + his money well invested; his health excellent, save for a touch of liver + now and again; he had not yet begun to worry seriously about what would + happen after death, inclining to think that nothing would happen. He + resembled one of his own gilt-edged securities, and to knock the gilt off + by seeing anything he could avoid seeing would be, he felt instinctively, + perverse and retrogressive. Those two crumpled rose-leaves, Fleur's + caprice and Monsieur Profond's snout, would level away if he lay on + them industriously. + </p> + <p> + That evening Chance, which visits the lives of even the best-invested + Forsytes, put a clue into Fleur's hands. Her father came down to + dinner without a handkerchief, and had occasion to blow his nose. + </p> + <p> + “I'll get you one, dear,” she had said, and ran + upstairs. In the sachet where she sought for it—an old sachet of + very faded silk—there were two compartments: one held handkerchiefs; + the other was buttoned, and contained something flat and hard. By some + childish impulse Fleur unbuttoned it. There was a frame and in it a + photograph of herself as a little girl. She gazed at it, fascinated, as + one is by one's own presentment. It slipped under her fidgeting + thumb, and she saw that another photograph was behind. She pressed her own + down further, and perceived a face, which she seemed to know, of a young + woman, very good-looking, in a very old style of evening dress. Slipping + her own photograph up over it again, she took out a handkerchief and went + down. Only on the stairs did she identify that face. Surely—surely + Jon's mother! The conviction came as a shock. And she stood still in + a flurry of thought. Why, of course! Jon's father had married the + woman her father had wanted to marry, had cheated him out of her, perhaps. + Then, afraid of showing by her manner that she had lighted on his secret, + she refused to think further, and, shaking out the silk handkerchief, + entered the dining-room. + </p> + <p> + “I chose the softest, Father.” + </p> + <p> + “H'm!” said Soames; “I only use those after a + cold. Never mind!” + </p> + <p> + That evening passed for Fleur in putting two and two together; recalling + the look on her father's face in the confectioner's shop—a + look strange and coldly intimate, a queer look. He must have loved that + woman very much to have kept her photograph all this time, in spite of + having lost her. Unsparing and matter-of-fact, her mind darted to his + relations with her own mother. Had he ever really loved her? She thought + not. Jon was the son of the woman he had really loved. Surely, then, he + ought not to mind his daughter loving him; it only wanted getting used to. + And a sigh of sheer relief was caught in the folds of her nightgown + slipping over her head. + </p> + <p> + <a name="link2H_4_0112" id="link2H_4_0112"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + III.—MEETINGS + </h2> + <p> + Youth only recognises Age by fits and starts. Jon, for one, had never + really seen his father's age till he came back from Spain. The face + of the fourth Jolyon, worn by waiting, gave him quite a shock—it + looked so wan and old. His father's mask had been forced awry by the + emotion of the meeting, so that the boy suddenly realised how much he must + have felt their absence. He summoned to his aid the thought: 'Well, + I didn't want to go!' It was out of date for Youth to defer to + Age. But Jon was by no means typically modern. His father had always been + “so jolly” to him, and to feel that one meant to begin again + at once the conduct which his father had suffered six weeks' + loneliness to cure was not agreeable. + </p> + <p> + At the question, “Well, old man, how did the great Goya strike you?” + his conscience pricked him badly. The great Goya only existed because he + had created a face which resembled Fleur's. + </p> + <p> + On the night of their return, he went to bed full of compunction; but + awoke full of anticipation. It was only the fifth of July, and no meeting + was fixed with Fleur until the ninth. He was to have three days at home + before going back to farm. Somehow he must contrive to see her! + </p> + <p> + In the lives of men an inexorable rhythm, caused by the need for trousers, + not even the fondest parents can deny. On the second day, therefore, Jon + went to Town, and having satisfied his conscience by ordering what was + indispensable in Conduit Street, turned his face toward Piccadilly. + Stratton Street, where her Club was, adjoined Devonshire House. It would + be the merest chance that she should be at her Club. But he dawdled down + Bond Street with a beating heart, noticing the superiority of all other + young men to himself. They wore their clothes with such an air; they had + assurance; they were old. He was suddenly overwhelmed by the conviction + that Fleur must have forgotten him. Absorbed in his own feeling for her + all these weeks, he had mislaid that possibility. The corners of his mouth + drooped, his hands felt clammy. Fleur with the pick of youth at the beck + of her smile-Fleur incomparable! It was an evil moment. Jon, however, had + a great idea that one must be able to face anything. And he braced himself + with that dour reflection in front of a bric-a-brac shop. At this + high-water mark of what was once the London season, there was nothing to + mark it out from any other except a grey top hat or two, and the sun. Jon + moved on, and turning the corner into Piccadilly, ran into Val Dartie + moving toward the Iseeum Club, to which he had just been elected. + </p> + <p> + “Hallo! young man! Where are you off to?” + </p> + <p> + Jon gushed. “I've just been to my tailor's.” + </p> + <p> + Val looked him up and down. “That's good! I'm going in + here to order some cigarettes; then come and have some lunch.” + </p> + <p> + Jon thanked him. He might get news of her from Val! + </p> + <p> + The condition of England, that nightmare of its Press and Public men, was + seen in different perspective within the tobacconist's which they + now entered. + </p> + <p> + “Yes, sir; precisely the cigarette I used to supply your father + with. Bless me! Mr. Montague Dartie was a customer here from—let me + see—the year Melton won the Derby. One of my very best customers he + was.” A faint smile illumined the tobacconist's face. “Many's + the tip he's given me, to be sure! I suppose he took a couple of + hundred of these every week, year in, year out, and never changed his + cigarette. Very affable gentleman, brought me a lot of custom. I was sorry + he met with that accident. One misses an old customer like him.” + </p> + <p> + Val smiled. His father's decease had closed an account which had + been running longer, probably, than any other; and in a ring of smoke + puffed out from that time-honoured cigarette he seemed to see again his + father's face, dark, good-looking, moustachioed, a little puffy, in + the only halo it had earned. His father had his fame here, anyway—a + man who smoked two hundred cigarettes a week, who could give tips, and run + accounts for ever! To his tobacconist a hero! Even that was some + distinction to inherit! + </p> + <p> + “I pay cash,” he said; “how much?” + </p> + <p> + “To his son, sir, and cash—ten and six. I shall never forget + Mr. Montague Dartie. I've known him stand talkin' to me half + an hour. We don't get many like him now, with everybody in such a + hurry. The War was bad for manners, sir—it was bad for manners. You + were in it, I see.” + </p> + <p> + “No,” said Val, tapping his knee, “I got this in the war + before. Saved my life, I expect. Do you want any cigarettes, Jon?” + </p> + <p> + Rather ashamed, Jon murmured, “I don't smoke, you know,” + and saw the tobacconist's lips twisted, as if uncertain whether to + say “Good God!” or “Now's your chance, sir!” + </p> + <p> + “That's right,” said Val; “keep off it while you + can. You'll want it when you take a knock. This is really the same + tobacco, then?” + </p> + <p> + “Identical, sir; a little dearer, that's all. Wonderful + staying power—the British Empire, I always say.” + </p> + <p> + “Send me down a hundred a week to this address, and invoice it + monthly. Come on, Jon.” + </p> + <p> + Jon entered the Iseeum with curiosity. Except to lunch now and then at the + Hotch-Potch with his father, he had never been in a London Club. The + Iseeum, comfortable and unpretentious, did not move, could not, so long as + George Forsyte sat on its Committee, where his culinary acumen was almost + the controlling force. The Club had made a stand against the newly rich, + and it had taken all George Forsyte's prestige, and praise of him as + a “good sportsman,” to bring in Prosper Profond. + </p> + <p> + The two were lunching together when the half-brothers-in-law entered the + dining-room, and attracted by George's forefinger, sat down at their + table, Val with his shrewd eyes and charming smile, Jon with solemn lips + and an attractive shyness in his glance. There was an air of privilege + around that corner table, as though past masters were eating there. Jon + was fascinated by the hypnotic atmosphere. The waiter, lean in the chaps, + pervaded with such free-masonical deference. He seemed to hang on George + Forsyte's lips, to watch the gloat in his eye with a kind of + sympathy, to follow the movements of the heavy club-marked silver fondly. + His liveried arm and confidential voice alarmed Jon, they came so secretly + over his shoulder. + </p> + <p> + Except for George's “Your grandfather tipped me once; he was a + deuced good judge of a cigar!” neither he nor the other past master + took any notice of him, and he was grateful for this. The talk was all + about the breeding, points, and prices of horses, and he listened to it + vaguely at first, wondering how it was possible to retain so much + knowledge in a head. He could not take his eyes off the dark past master—what + he said was so deliberate and discouraging—such heavy, queer, + smiled-out words. Jon was thinking of butterflies, when he heard him say: + </p> + <p> + “I want to see Mr. Soames Forsyde take an interest in 'orses.” + </p> + <p> + “Old Soames! He's too dry a file!” + </p> + <p> + With all his might Jon tried not to grow red, while the dark past master + went on. + </p> + <p> + “His daughter's an attractive small girl. Mr. Soames Forsyde + is a bit old-fashioned. I want to see him have a pleasure some day.” + George Forsyte grinned. + </p> + <p> + “Don't you worry; he's not so miserable as he looks. He'll + never show he's enjoying anything—they might try and take it + from him. Old Soames! Once bit, twice shy!” + </p> + <p> + “Well, Jon,” said Val, hastily, “if you've + finished, we'll go and have coffee.” + </p> + <p> + “Who were those?” Jon asked, on the stairs. “I didn't + quite—-” + </p> + <p> + “Old George Forsyte is a first cousin of your father's and of + my Uncle Soames. He's always been here. The other chap, Profond, is + a queer fish. I think he's hanging round Soames' wife, if you + ask me!” + </p> + <p> + Jon looked at him, startled. “But that's awful,” he + said: “I mean—for Fleur.” + </p> + <p> + “Don't suppose Fleur cares very much; she's very + up-to-date.” + </p> + <p> + “Her mother!” + </p> + <p> + “You're very green, Jon.” + </p> + <p> + Jon grew red. “Mothers,” he stammered angrily, “are + different.” + </p> + <p> + “You're right,” said Val suddenly; “but things + aren't what they were when I was your age. There's a 'To-morrow + we die' feeling. That's what old George meant about my Uncle + Soames. He doesn't mean to die to-morrow.” + </p> + <p> + Jon said, quickly: “What's the matter between him and my + father?” + </p> + <p> + “Stable secret, Jon. Take my advice, and bottle up. You'll do + no good by knowing. Have a liqueur?” + </p> + <p> + Jon shook his head. + </p> + <p> + “I hate the way people keep things from one,” he muttered, + “and then sneer at one for being green.” + </p> + <p> + “Well, you can ask Holly. If she won't tell you, you'll + believe it's for your own good, I suppose.” + </p> + <p> + Jon got up. “I must go now; thanks awfully for the lunch.” + </p> + <p> + Val smiled up at him half-sorry, and yet amused. The boy looked so upset. + </p> + <p> + “All right! See you on Friday.” + </p> + <p> + “I don't know,” murmured Jon. + </p> + <p> + And he did not. This conspiracy of silence made him desperate. It was + humiliating to be treated like a child! He retraced his moody steps to + Stratton Street. But he would go to her Club now, and find out the worst! + To his enquiry the reply was that Miss Forsyte was not in the Club. She + might be in perhaps later. She was often in on Monday—they could not + say. Jon said he would call again, and, crossing into the Green Park, + flung himself down under a tree. The sun was bright, and a breeze + fluttered the leaves of the young lime-tree beneath which he lay; but his + heart ached. Such darkness seemed gathered round his happiness. He heard + Big Ben chime “Three” above the traffic. The sound moved + something in him, and, taking out a piece of paper, he began to scribble + on it with a pencil. He had jotted a stanza, and was searching the grass + for another verse, when something hard touched his shoulder-a green + parasol. There above him stood Fleur! + </p> + <p> + “They told me you'd been, and were coming back. So I thought + you might be out here; and you are—it's rather wonderful!” + </p> + <p> + “Oh, Fleur! I thought you'd have forgotten me.” + </p> + <p> + “When I told you that I shouldn't!” + </p> + <p> + Jon seized her arm. + </p> + <p> + “It's too much luck! Let's get away from this side.” + He almost dragged her on through that too thoughtfully regulated Park, to + find some cover where they could sit and hold each other's hands. + </p> + <p> + “Hasn't anybody cut in?” he said, gazing round at her + lashes, in suspense above her cheeks. + </p> + <p> + “There is a young idiot, but he doesn't count.” + </p> + <p> + Jon felt a twitch of compassion for the-young idiot. + </p> + <p> + “You know I've had sunstroke; I didn't tell you.” + </p> + <p> + “Really! Was it interesting?” + </p> + <p> + “No. Mother was an angel. Has anything happened to you?” + </p> + <p> + “Nothing. Except that I think I've found out what's + wrong between our families, Jon.” + </p> + <p> + His heart began beating very fast. + </p> + <p> + “I believe my father wanted to marry your mother, and your father + got her instead.” + </p> + <p> + “Oh!” + </p> + <p> + “I came on a photo of her; it was in a frame behind a photo of me. + Of course, if he was very fond of her, that would have made him pretty + mad, wouldn't it?” + </p> + <p> + Jon thought for a minute. “Not if she loved my father best.” + </p> + <p> + “But suppose they were engaged?” + </p> + <p> + “If we were engaged, and you found you loved somebody better, I + might go cracked, but I shouldn't grudge it you.” + </p> + <p> + “I should. You mustn't ever do that with me, Jon. + </p> + <p> + “My God! Not much!” + </p> + <p> + “I don't believe that he's ever really cared for my + mother.” + </p> + <p> + Jon was silent. Val's words—the two past masters in the Club! + </p> + <p> + “You see, we don't know,” went on Fleur; “it may + have been a great shock. She may have behaved badly to him. People do.” + </p> + <p> + “My mother wouldn't.” + </p> + <p> + Fleur shrugged her shoulders. “I don't think we know much + about our fathers and mothers. We just see them in the light of the way + they treat us; but they've treated other people, you know, before we + were born-plenty, I expect. You see, they're both old. Look at your + father, with three separate families!” + </p> + <p> + “Isn't there any place,” cried Jon, “in all this + beastly London where we can be alone?” + </p> + <p> + “Only a taxi.” + </p> + <p> + “Let's get one, then.” + </p> + <p> + When they were installed, Fleur asked suddenly: “Are you going back + to Robin Hill? I should like to see where you live, Jon. I'm staying + with my aunt for the night, but I could get back in time for dinner. I + wouldn't come to the house, of course.” + </p> + <p> + Jon gazed at her enraptured. + </p> + <p> + “Splendid! I can show it you from the copse, we shan't meet + anybody. There's a train at four.” + </p> + <p> + The god of property and his Forsytes great and small, leisured, official, + commercial, or professional, like the working classes, still worked their + seven hours a day, so that those two of the fourth generation travelled + down to Robin Hill in an empty first-class carriage, dusty and sun-warmed, + of that too early train. They travelled in blissful silence, holding each + other's hands. + </p> + <p> + At the station they saw no one except porters, and a villager or two + unknown to Jon, and walked out up the lane, which smelled of dust and + honeysuckle. + </p> + <p> + For Jon—sure of her now, and without separation before him—it + was a miraculous dawdle, more wonderful than those on the Downs, or along + the river Thames. It was love-in-a-mist—one of those illumined pages + of Life, where every word and smile, and every light touch they gave each + other were as little gold and red and blue butterflies and flowers and + birds scrolled in among the text—a happy communing, without + afterthought, which lasted thirty-seven minutes. They reached the coppice + at the milking hour. Jon would not take her as far as the farmyard; only + to where she could see the field leading up to the gardens, and the house + beyond. They turned in among the larches, and suddenly, at the winding of + the path, came on Irene, sitting on an old log seat. + </p> + <p> + There are various kinds of shocks: to the vertebrae; to the nerves; to + moral sensibility; and, more potent and permanent, to personal dignity. + This last was the shock Jon received, coming thus on his mother. He became + suddenly conscious that he was doing an indelicate thing. To have brought + Fleur down openly—yes! But to sneak her in like this! Consumed with + shame, he put on a front as brazen as his nature would permit. + </p> + <p> + Fleur was smiling, a little defiantly; his mother's startled face + was changing quickly to the impersonal and gracious. It was she who + uttered the first words: + </p> + <p> + “I'm very glad to see you. It was nice of Jon to think of + bringing you down to us.” + </p> + <p> + “We weren't coming to the house,” Jon blurted out. + “I just wanted Fleur to see where I lived.” + </p> + <p> + His mother said quietly: + </p> + <p> + “Won't you come up and have tea?” + </p> + <p> + Feeling that he had but aggravated his breach of breeding, he heard Fleur + answer: + </p> + <p> + “Thanks very much; I have to get back to dinner. I met Jon by + accident, and we thought it would be rather jolly just to see his home.” + </p> + <p> + How self-possessed she was! + </p> + <p> + “Of course; but you must have tea. We'll send you down to the + station. My husband will enjoy seeing you.” + </p> + <p> + The expression of his mother's eyes, resting on him for a moment, + cast Jon down level with the ground—a true worm. Then she led on, + and Fleur followed her. He felt like a child, trailing after those two, + who were talking so easily about Spain and Wansdon, and the house up there + beyond the trees and the grassy slope. He watched the fencing of their + eyes, taking each other in—the two beings he loved most in the + world. + </p> + <p> + He could see his father sitting under the oaktree; and suffered in advance + all the loss of caste he must go through in the eyes of that tranquil + figure, with his knees crossed, thin, old, and elegant; already he could + feel the faint irony which would come into his voice and smile. + </p> + <p> + “This is Fleur Forsyte, Jolyon; Jon brought her down to see the + house. Let's have tea at once—she has to catch a train. Jon, + tell them, dear, and telephone to the Dragon for a car.” + </p> + <p> + To leave her alone with them was strange, and yet, as no doubt his mother + had foreseen, the least of evils at the moment; so he ran up into the + house. Now he would not see Fleur alone again—not for a minute, and + they had arranged no further meeting! When he returned under cover of the + maids and teapots, there was not a trace of awkwardness beneath the tree; + it was all within himself, but not the less for that. They were talking of + the Gallery off Cork Street. + </p> + <p> + “We back numbers,” his father was saying, “are awfully + anxious to find out why we can't appreciate the new stuff; you and + Jon must tell us.” + </p> + <p> + “It's supposed to be satiric, isn't it?” said + Fleur. + </p> + <p> + He saw his father's smile. + </p> + <p> + “Satiric? Oh! I think it's more than that. What do you say, + Jon?” + </p> + <p> + “I don't know at all,” stammered Jon. His father's + face had a sudden grimness. + </p> + <p> + “The young are tired of us, our gods and our ideals. Off with their + heads, they say—smash their idols! And let's get back + to-nothing! And, by Jove, they've done it! Jon's a poet. He'll + be going in, too, and stamping on what's left of us. Property, + beauty, sentiment—all smoke. We mustn't own anything nowadays, + not even our feelings. They stand in the way of—Nothing.” + </p> + <p> + Jon listened, bewildered, almost outraged by his father's words, + behind which he felt a meaning that he could not reach. He didn't + want to stamp on anything! + </p> + <p> + “Nothing's the god of to-day,” continued Jolyon; “we're + back where the Russians were sixty years ago, when they started Nihilism.” + </p> + <p> + “No, Dad,” cried Jon suddenly, “we only want to live, + and we don't know how, because of the Past—that's all!” + </p> + <p> + “By George!” said Jolyon, “that's profound, Jon. + Is it your own? The Past! Old ownerships, old passions, and their + aftermath. Let's have cigarettes.” + </p> + <p> + Conscious that his mother had lifted her hand to her lips, quickly, as if + to hush something, Jon handed the cigarettes. He lighted his father's + and Fleur's, then one for himself. Had he taken the knock that Val + had spoken of? The smoke was blue when he had not puffed, grey when he + had; he liked the sensation in his nose, and the sense of equality it gave + him. He was glad no one said: “So you've begun!” He felt + less young. + </p> + <p> + Fleur looked at her watch, and rose. His mother went with her into the + house. Jon stayed with his father, puffing at the cigarette. + </p> + <p> + “See her into the car, old man,” said Jolyon; “and when + she's gone, ask your mother to come back to me.” + </p> + <p> + Jon went. He waited in the hall. He saw her into the car. There was no + chance for any word; hardly for a pressure of the hand. He waited all that + evening for something to be said to him. Nothing was said. Nothing might + have happened. He went up to bed, and in the mirror on his dressing-table + met himself. He did not speak, nor did the image; but both looked as if + they thought the more. + </p> + <p> + <a name="link2H_4_0113" id="link2H_4_0113"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + IV.—IN GREEN STREET + </h2> + <p> + Uncertain whether the impression that Prosper Profond was dangerous should + be traced to his attempt to give Val the Mayfly filly; to a remark of + Fleur's: “He's like the hosts of Midian—he prowls + and prowls around”; to his preposterous inquiry of Jack Cardigan: + “What's the use of keepin' fit?” or, more simply, + to the fact that he was a foreigner, or alien as it was now called. + Certain, that Annette was looking particularly handsome, and that Soames—had + sold him a Gauguin and then torn up the cheque, so that Monsieur Profond + himself had said: “I didn't get that small picture I bought + from Mr. Forsyde.” + </p> + <p> + However suspiciously regarded, he still frequented Winifred's + evergreen little house in Green Street, with a good-natured obtuseness + which no one mistook for naivete, a word hardly applicable to Monsieur + Prosper Profond. Winifred still found him “amusing,” and would + write him little notes saying: “Come and have a 'jolly' + with us”—it was breath of life to her to keep up with the + phrases of the day. + </p> + <p> + The mystery, with which all felt him to be surrounded, was due to his + having done, seen, heard, and known everything, and found nothing in it—which + was unnatural. The English type of disillusionment was familiar enough to + Winifred, who had always moved in fashionable circles. It gave a certain + cachet or distinction, so that one got something out of it. But to see + nothing in anything, not as a pose, but because there was nothing in + anything, was not English; and that which was not English one could not + help secretly feeling dangerous, if not precisely bad form. It was like + having the mood which the War had left, seated—dark, heavy, smiling, + indifferent—in your Empire chair; it was like listening to that mood + talking through thick pink lips above a little diabolic beard. It was, as + Jack Cardigan expressed it—for the English character at large—“a + bit too thick”—for if nothing was really worth getting excited + about, there were always games, and one could make it so! Even Winifred, + ever a Forsyte at heart, felt that there was nothing to be had out of such + a mood of disillusionment, so that it really ought not to be there. + Monsieur Profond, in fact, made the mood too plain in a country which + decently veiled such realities. + </p> + <p> + When Fleur, after her hurried return from Robin Hill, came down to dinner + that evening, the mood was standing at the window of Winifred's + little drawing-room, looking out into Green Street, with an air of seeing + nothing in it. And Fleur gazed promptly into the fireplace with an air of + seeing a fire which was not there. + </p> + <p> + Monsieur Profond came from the window. He was in full fig, with a white + waistcoat and a white flower in his buttonhole. + </p> + <p> + “Well, Miss Forsyde,” he said, “I'm awful pleased + to see you. Mr. Forsyde well? I was sayin' to-day I want to see him + have some pleasure. He worries.” + </p> + <p> + “You think so?” said Fleur shortly. + </p> + <p> + “Worries,” repeated Monsieur Profond, burring the r's. + </p> + <p> + Fleur spun round. “Shall I tell you,” she said, “what + would give him pleasure?” But the words, “To hear that you had + cleared out,” died at the expression on his face. All his fine white + teeth were showing. + </p> + <p> + “I was hearin' at the Club to-day about his old trouble.” + Fleur opened her eyes. “What do you mean?” + </p> + <p> + Monsieur Profond moved his sleek head as if to minimize his statement. + </p> + <p> + “Before you were born,” he said; “that small business.” + </p> + <p> + Though conscious that he had cleverly diverted her from his own share in + her father's worry, Fleur was unable to withstand a rush of nervous + curiosity. “Tell me what you heard.” + </p> + <p> + “Why!” murmured Monsieur Profond, “you know all that.” + </p> + <p> + “I expect I do. But I should like to know that you haven't + heard it all wrong.” + </p> + <p> + “His first wife,” murmured Monsieur Profond. + </p> + <p> + Choking back the words, “He was never married before,” she + said: “Well, what about her?” + </p> + <p> + “Mr. George Forsyde was tellin' me about your father's + first wife marryin' his cousin Jolyon afterward. It was a small bit + unpleasant, I should think. I saw their boy—nice boy!” + </p> + <p> + Fleur looked up. Monsieur Profond was swimming, heavily diabolical, before + her. That—the reason! With the most heroic effort of her life so + far, she managed to arrest that swimming figure. She could not tell + whether he had noticed. And just then Winifred came in. + </p> + <p> + “Oh! here you both are already; Imogen and I have had the most + amusing afternoon at the Babies' bazaar.” + </p> + <p> + “What babies?” said Fleur mechanically. + </p> + <p> + “The 'Save the Babies.' I got such a bargain, my dear. A + piece of old Armenian work—from before the Flood. I want your + opinion on it, Prosper.” + </p> + <p> + “Auntie,” whispered Fleur suddenly. + </p> + <p> + At the tone in the girl's voice Winifred closed in on her.' + </p> + <p> + “What's the matter? Aren't you well?” + </p> + <p> + Monsieur Profond had withdrawn into the window, where he was practically + out of hearing. + </p> + <p> + “Auntie, he-he told me that father has been married before. Is it + true that he divorced her, and she married Jon Forsyte's father?” + </p> + <p> + Never in all the life of the mother of four little Darties had Winifred + felt more seriously embarrassed. Her niece's face was so pale, her + eyes so dark, her voice so whispery and strained. + </p> + <p> + “Your father didn't wish you to hear,” she said, with + all the aplomb she could muster. “These things will happen. I've + often told him he ought to let you know.” + </p> + <p> + “Oh!” said Fleur, and that was all, but it made Winifred pat + her shoulder—a firm little shoulder, nice and white! She never could + help an appraising eye and touch in the matter of her niece, who would + have to be married, of course—though not to that boy Jon. + </p> + <p> + “We've forgotten all about it years and years ago,” she + said comfortably. “Come and have dinner!” + </p> + <p> + “No, Auntie. I don't feel very well. May I go upstairs?” + </p> + <p> + “My dear!” murmured Winifred, concerned, “you're + not taking this to heart? Why, you haven't properly come out yet! + That boy's a child!” + </p> + <p> + “What boy? I've only got a headache. But I can't stand + that man to-night.” + </p> + <p> + “Well, well,” said Winifred, “go and lie down. I'll + send you some bromide, and I shall talk to Prosper Profond. What business + had he to gossip? Though I must say I think it's much better you + should know.” + </p> + <p> + Fleur smiled. “Yes,” she said, and slipped from the room. + </p> + <p> + She went up with her head whirling, a dry sensation in her throat, a + guttered frightened feeling in her breast. Never in her life as yet had + she suffered from even momentary fear that she would not get what she had + set her heart on. The sensations of the afternoon had been full and + poignant, and this gruesome discovery coming on the top of them had really + made her head ache. No wonder her father had hidden that photograph, so + secretly behind her own-ashamed of having kept it! But could he hate Jon's + mother and yet keep her photograph? She pressed her hands over her + forehead, trying to see things clearly. Had they told Jon—had her + visit to Robin Hill forced them to tell him? Everything now turned on + that! She knew, they all knew, except—perhaps—Jon! + </p> + <p> + She walked up and down, biting her lip and thinking desperately hard. Jon + loved his mother. If they had told him, what would he do? She could not + tell. But if they had not told him, should she not—could she not get + him for herself—get married to him, before he knew? She searched her + memories of Robin Hill. His mother's face so passive—with its + dark eyes and as if powdered hair, its reserve, its smile—baffled + her; and his father's—kindly, sunken, ironic. Instinctively + she felt they would shrink from telling Jon, even now, shrink from hurting + him—for of course it would hurt him awfully to know! + </p> + <p> + Her aunt must be made not to tell her father that she knew. So long as + neither she herself nor Jon were supposed to know, there was still a + chance—freedom to cover one's tracks, and get what her heart + was set on. But she was almost overwhelmed by her isolation. Every one's + hand was against her—every one's! It was as Jon had said—he + and she just wanted to live and the past was in their way, a past they + hadn't shared in, and didn't understand! Oh! What a shame! And + suddenly she thought of June. Would she help them? For somehow June had + left on her the impression that she would be sympathetic with their love, + impatient of obstacle. Then, instinctively, she thought: 'I won't + give anything away, though, even to her. I daren't. I mean to have + Jon; against them all.' + </p> + <p> + Soup was brought up to her, and one of Winifred's pet headache + cachets. She swallowed both. Then Winifred herself appeared. Fleur opened + her campaign with the words: + </p> + <p> + “You know, Auntie, I do wish people wouldn't think I'm + in love with that boy. Why, I've hardly seen him!” + </p> + <p> + Winifred, though experienced, was not “fine.” She accepted the + remark with considerable relief. Of course, it was not pleasant for the + girl to hear of the family scandal, and she set herself to minimise the + matter, a task for which she was eminently qualified, “raised” + fashionably under a comfortable mother and a father whose nerves might not + be shaken, and for many years the wife of Montague Dartie. Her description + was a masterpiece of understatement. Fleur's father's first + wife had been very foolish. There had been a young man who had got run + over, and she had left Fleur's father. Then, years after, when it + might all have come—right again, she had taken up with their cousin + Jolyon; and, of course, her father had been obliged to have a divorce. + Nobody remembered anything of it now, except just the family. And, + perhaps, it had all turned out for the best; her father had Fleur; and + Jolyon and Irene had been quite happy, they said, and their boy was a nice + boy. “Val having Holly, too, is a sort of plaster, don't you + know?” With these soothing words, Winifred patted her niece's + shoulder; thought: 'She's a nice, plump little thing!' + and went back to Prosper Profond, who, in spite of his indiscretion, was + very “amusing” this evening. + </p> + <p> + For some minutes after her aunt had gone Fleur remained under influence of + bromide material and spiritual. But then reality came back. Her aunt had + left out all that mattered—all the feeling, the hate, the love, the + unforgivingness of passionate hearts. She, who knew so little of life, and + had touched only the fringe of love, was yet aware by instinct that words + have as little relation to fact and feeling as coin to the bread it buys. + 'Poor Father!' she thought. 'Poor me! Poor Jon! But I + don't care, I mean to have him!' From the window of her + darkened room she saw “that man” issue from the door below and + “prowl” away. If he and her mother—how would that affect + her chance? Surely it must make her father cling to her more closely, so + that he would consent in the end to anything she wanted, or become + reconciled the sooner to what she did without his knowledge. + </p> + <p> + She took some earth from the flower-box in the window, and with all her + might flung it after that disappearing figure. It fell short, but the + action did her good. + </p> + <p> + And a little puff of air came up from Green Street, smelling of petrol, + not sweet. + </p> + <p> + <a name="link2H_4_0114" id="link2H_4_0114"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + V.—PURELY FORSYTE AFFAIRS + </h2> + <p> + Soames, coming up to the City, with the intention of calling in at Green + Street at the end of his day and taking Fleur back home with him, suffered + from rumination. Sleeping partner that he was, he seldom visited the City + now, but he still had a room of his own at Cuthcott, Kingson and Forsyte's, + and one special clerk and a half assigned to the management of purely + Forsyte affairs. They were somewhat in flux just now—an auspicious + moment for the disposal of house property. And Soames was unloading the + estates of his father and Uncle Roger, and to some extent of his Uncle + Nicholas. His shrewd and matter-of-course probity in all money concerns + had made him something of an autocrat in connection with these trusts. If + Soames thought this or thought that, one had better save oneself the + bother of thinking too. He guaranteed, as it were, irresponsibility to + numerous Forsytes of the third and fourth generations. His fellow + trustees, such as his cousins Roger or Nicholas, his cousins-in-law + Tweetyman and Spender, or his sister Cicely's husband, all trusted + him; he signed first, and where he signed first they signed after, and + nobody was a penny the worse. Just now they were all a good many pennies + the better, and Soames was beginning to see the close of certain trusts, + except for distribution of the income from securities as gilt-edged as was + compatible with the period. + </p> + <p> + Passing the more feverish parts of the City toward the most perfect + backwater in London, he ruminated. Money was extraordinarily tight; and + morality extraordinarily loose! The War had done it. Banks were not + lending; people breaking contracts all over the place. There was a feeling + in the air and a look on faces that he did not like. The country seemed in + for a spell of gambling and bankruptcies. There was satisfaction in the + thought that neither he nor his trusts had an investment which could be + affected by anything less maniacal than national repudiation or a levy on + capital. If Soames had faith, it was in what he called “English + common sense”—or the power to have things, if not one way then + another. He might—like his father James before him—say he didn't + know what things were coming to, but he never in his heart believed they + were. If it rested with him, they wouldn't—and, after all, he + was only an Englishman like any other, so quietly tenacious of what he had + that he knew he would never really part with it without something more or + less equivalent in exchange. His mind was essentially equilibristic in + material matters, and his way of putting the national situation difficult + to refute in a world composed of human beings. Take his own case, for + example! He was well off. Did that do anybody harm? He did not eat ten + meals a day; he ate no more than, perhaps not so much as, a poor man. He + spent no money on vice; breathed no more air, used no more water to speak + of than the mechanic or the porter. He certainly had pretty things about + him, but they had given employment in the making, and somebody must use + them. He bought pictures, but Art must be encouraged. He was, in fact, an + accidental channel through which money flowed, employing labour. What was + there objectionable in that? In his charge money was in quicker and more + useful flux than it would be in charge of the State and a lot of slow-fly + money-sucking officials. And as to what he saved each year—it was + just as much in flux as what he didn't save, going into Water Board + or Council Stocks, or something sound and useful. The State paid him no + salary for being trustee of his own or other people's money he did + all that for nothing. Therein lay the whole case against nationalisation—owners + of private property were unpaid, and yet had every incentive to quicken up + the flux. Under nationalisation—just the opposite! In a country + smarting from officialism he felt that he had a strong case. + </p> + <p> + It particularly annoyed him, entering that backwater of perfect peace, to + think that a lot of unscrupulous Trusts and Combinations had been + cornering the market in goods of all kinds, and keeping prices at an + artificial height. Such abusers of the individualistic system were the + ruffians who caused all the trouble, and it was some satisfaction to see + them getting into a stew at last lest the whole thing might come down with + a run—and land them in the soup. + </p> + <p> + The offices of Cuthcott, Kingson and Forsyte occupied the ground and first + floors of a house on the right-hand side; and, ascending to his room, + Soames thought: 'Time we had a coat of paint.' + </p> + <p> + His old clerk Gradman was seated, where he always was, at a huge bureau + with countless pigeonholes. Half-the-clerk stood beside him, with a broker's + note recording investment of the proceeds from sale of the Bryanston + Square house, in Roger Forsyte's estate. Soames took it, and said: + </p> + <p> + “Vancouver City Stock. H'm. It's down today!” + </p> + <p> + With a sort of grating ingratiation old Gradman answered him: + </p> + <p> + “Ye-es; but everything's down, Mr. Soames.” And + half-the-clerk withdrew. + </p> + <p> + Soames skewered the document on to a number of other papers and hung up + his hat. + </p> + <p> + “I want to look at my Will and Marriage Settlement, Gradman.” + </p> + <p> + Old Gradman, moving to the limit of his swivel chair, drew out two drafts + from the bottom lefthand drawer. Recovering his body, he raised his + grizzle-haired face, very red from stooping. + </p> + <p> + “Copies, Sir.” + </p> + <p> + Soames took them. It struck him suddenly how like Gradman was to the stout + brindled yard dog they had been wont to keep on his chain at The Shelter, + till one day Fleur had come and insisted it should be let loose, so that + it had at once bitten the cook and been destroyed. If you let Gradman off + his chain, would he bite the cook? + </p> + <p> + Checking this frivolous fancy, Soames unfolded his Marriage Settlement. He + had not looked at it for over eighteen years, not since he remade his Will + when his father died and Fleur was born. He wanted to see whether the + words “during coverture” were in. Yes, they were—odd + expression, when you thought of it, and derived perhaps from + horse-breeding! Interest on fifteen thousand pounds (which he paid her + without deducting income tax) so long as she remained his wife, and + afterward during widowhood “dum casta”—old-fashioned and + rather pointed words, put in to insure the conduct of Fleur's + mother. His Will made it up to an annuity of a thousand under the same + conditions. All right! He returned the copies to Gradman, who took them + without looking up, swung the chair, restored the papers to their drawer, + and went on casting up. + </p> + <p> + “Gradman! I don't like the condition of the country; there are + a lot of people about without any common sense. I want to find a way by + which I can safeguard Miss Fleur against anything which might arise.” + </p> + <p> + Gradman wrote the figure “2” on his blotting-paper. + </p> + <p> + “Ye-es,” he said; “there's a nahsty spirit.” + </p> + <p> + “The ordinary restraint against anticipation doesn't meet the + case.” + </p> + <p> + “Nao,” said Gradman. + </p> + <p> + “Suppose those Labour fellows come in, or worse! It's these + people with fixed ideas who are the danger. Look at Ireland!” + </p> + <p> + “Ah!” said Gradman. + </p> + <p> + “Suppose I were to make a settlement on her at once with myself as + beneficiary for life, they couldn't take anything but the interest + from me, unless of course they alter the law.” + </p> + <p> + Gradman moved his head and smiled. + </p> + <p> + “Ah!” he said, “they wouldn't do tha-at!” + </p> + <p> + “I don't know,” muttered Soames; “I don't + trust them.” + </p> + <p> + “It'll take two years, sir, to be valid against death duties.” + </p> + <p> + Soames sniffed. Two years! He was only sixty-five! + </p> + <p> + “That's not the point. Draw a form of settlement that passes + all my property to Miss Fleur's children in equal shares, with + antecedent life-interests first to myself and then to her without power of + anticipation, and add a clause that in the event of anything happening to + divert her life-interest, that interest passes to the trustees, to apply + for her benefit, in their absolute discretion.” + </p> + <p> + Gradman grated: “Rather extreme at your age, sir; you lose control.” + </p> + <p> + “That's my business,” said Soames sharply. + </p> + <p> + Gradman wrote on a piece of paper: “Life-interest—anticipation—divert + interest—absolute discretion....” and said: + </p> + <p> + “What trustees? There's young Mr. Kingson; he's a nice + steady young fellow.” + </p> + <p> + “Yes, he might do for one. I must have three. There isn't a + Forsyte now who appeals to me.” + </p> + <p> + “Not young Mr. Nicholas? He's at the Bar. We've given + 'im briefs.” + </p> + <p> + “He'll never set the Thames on fire,” said Soames. + </p> + <p> + A smile oozed out on Gradman's face, greasy from countless + mutton-chops, the smile of a man who sits all day. + </p> + <p> + “You can't expect it, at his age, Mr. Soames.” + </p> + <p> + “Why? What is he? Forty?” + </p> + <p> + “Ye-es, quite a young fellow.” + </p> + <p> + “Well, put him in; but I want somebody who'll take a personal + interest. There's no one that I can see.” + </p> + <p> + “What about Mr. Valerius, now he's come home?” + </p> + <p> + “Val Dartie? With that father?” + </p> + <p> + “We-ell,” murmured Gradman, “he's been dead seven + years—the Statute runs against him.” + </p> + <p> + “No,” said Soames. “I don't like the connection.” + He rose. Gradman said suddenly: + </p> + <p> + “If they were makin' a levy on capital, they could come on the + trustees, sir. So there you'd be just the same. I'd think it + over, if I were you.” + </p> + <p> + “That's true,” said Soames. “I will. What have you + done about that dilapidation notice in Vere Street?” + </p> + <p> + “I 'aven't served it yet. The party's very old. + She won't want to go out at her age.” + </p> + <p> + “I don't know. This spirit of unrest touches every one.” + </p> + <p> + “Still, I'm lookin' at things broadly, sir. She's + eighty-one.” + </p> + <p> + “Better serve it,” said Soames, “and see what she says. + Oh! and Mr. Timothy? Is everything in order in case of—” + </p> + <p> + “I've got the inventory of his estate all ready; had the + furniture and pictures valued so that we know what reserves to put on. I + shall be sorry when he goes, though. Dear me! It is a time since I first + saw Mr. Timothy!” + </p> + <p> + “We can't live for ever,” said Soames, taking down his + hat. + </p> + <p> + “Nao,” said Gradman; “but it'll be a pity—the + last of the old family! Shall I take up the matter of that nuisance in Old + Compton Street? Those organs—they're nahsty things.” + </p> + <p> + “Do. I must call for Miss Fleur and catch the four o'clock. + Good-day, Gradman.” + </p> + <p> + “Good-day, Mr. Soames. I hope Miss Fleur—” + </p> + <p> + “Well enough, but gads about too much.” + </p> + <p> + “Ye-es,” grated Gradman; “she's young.” + </p> + <p> + Soames went out, musing: “Old Gradman! If he were younger I'd + put him in the trust. There's nobody I can depend on to take a real + interest.” + </p> + <p> + Leaving the bilious and mathematical exactitude, the preposterous peace of + that backwater, he thought suddenly: 'During coverture! Why can't + they exclude fellows like Profond, instead of a lot of hard-working + Germans?' and was surprised at the depth of uneasiness which could + provoke so unpatriotic a thought. But there it was! One never got a moment + of real peace. There was always something at the back of everything! And + he made his way toward Green Street. + </p> + <p> + Two hours later by his watch, Thomas Gradman, stirring in his swivel + chair, closed the last drawer of his bureau, and putting into his + waistcoat pocket a bunch of keys so fat that they gave him a protuberance + on the liver side, brushed his old top hat round with his sleeve, took his + umbrella, and descended. Thick, short, and buttoned closely into his old + frock coat, he walked toward Covent Garden market. He never missed that + daily promenade to the Tube for Highgate, and seldom some critical + transaction on the way in connection with vegetables and fruit. + Generations might be born, and hats might change, wars be fought, and + Forsytes fade away, but Thomas Gradman, faithful and grey, would take his + daily walk and buy his daily vegetable. Times were not what they were, and + his son had lost a leg, and they never gave him those nice little plaited + baskets to carry the stuff in now, and these Tubes were convenient things—still + he mustn't complain; his health was good considering his time of + life, and after fifty-four years in the Law he was getting a round eight + hundred a year and a little worried of late, because it was mostly + collector's commission on the rents, and with all this conversion of + Forsyte property going on, it looked like drying up, and the price of + living still so high; but it was no good worrying—“The good + God made us all”—as he was in the habit of saying; still, + house property in London—he didn't know what Mr. Roger or Mr. + James would say if they could see it being sold like this—seemed to + show a lack of faith; but Mr. Soames—he worried. Life and lives in + being and twenty-one years after—beyond that you couldn't go; + still, he kept his health wonderfully—and Miss Fleur was a pretty + little thing—she was; she'd marry; but lots of people had no + children nowadays—he had had his first child at twenty-two; and Mr. + Jolyon, married while he was at Cambridge, had his child the same year—gracious + Peter! That was back in '69, a long time before old Mr. Jolyon—fine + judge of property—had taken his Will away from Mr. James—dear, + yes! Those were the days when they were buyin' property right and + left, and none of this khaki and fallin' over one another to get out + of things; and cucumbers at twopence; and a melon—the old melons, + that made your mouth water! Fifty years since he went into Mr. James' + office, and Mr. James had said to him: “Now, Gradman, you're + only a shaver—you pay attention, and you'll make your five + hundred a year before you've done.” And he had, and feared + God, and served the Forsytes, and kept a vegetable diet at night. And, + buying a copy of John Bull—not that he approved of it, an + extravagant affair—he entered the Tube elevator with his mere + brown-paper parcel, and was borne down into the bowels of the earth. + </p> + <p> + <a name="link2H_4_0115" id="link2H_4_0115"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VI.—SOAMES' PRIVATE LIFE + </h2> + <p> + On his way to Green Street it occurred to Soames that he ought to go into + Dumetrius' in Suffolk Street about the possibility of the Bolderby + Old Crome. Almost worth while to have fought the war to have the Bolderby + Old Crome, as it were, in flux! Old Bolderby had died, his son and + grandson had been killed—a cousin was coming into the estate, who + meant to sell it, some said because of the condition of England, others + said because he had asthma. + </p> + <p> + If Dumetrius once got hold of it the price would become prohibitive; it + was necessary for Soames to find out whether Dumetrius had got it, before + he tried to get it himself. He therefore confined himself to discussing + with Dumetrius whether Monticellis would come again now that it was the + fashion for a picture to be anything except a picture; and the future of + Johns, with a side-slip into Buxton Knights. It was only when leaving that + he added: “So they're not selling the Bolderby Old Crome, + after all?” In sheer pride of racial superiority, as he had + calculated would be the case, Dumetrius replied: + </p> + <p> + “Oh! I shall get it, Mr. Forsyte, sir!” + </p> + <p> + The flutter of his eyelid fortified Soames in a resolution to write direct + to the new Bolderby, suggesting that the only dignified way of dealing + with an Old Crome was to avoid dealers. He therefore said, “Well, + good-day!” and went, leaving Dumetrius the wiser. + </p> + <p> + At Green Street he found that Fleur was out and would be all the evening; + she was staying one more night in London. He cabbed on dejectedly, and + caught his train. + </p> + <p> + He reached his house about six o'clock. The air was heavy, midges + biting, thunder about. Taking his letters he went up to his dressing-room + to cleanse himself of London. + </p> + <p> + An uninteresting post. A receipt, a bill for purchases on behalf of Fleur. + A circular about an exhibition of etchings. A letter beginning: + </p> + <p> + “SIR, + </p> + <p> + “I feel it my duty...” + </p> + <p> + That would be an appeal or something unpleasant. He looked at once for the + signature. There was none! Incredulously he turned the page over and + examined each corner. Not being a public man, Soames had never yet had an + anonymous letter, and his first impulse was to tear it up, as a dangerous + thing; his second to read it, as a thing still more dangerous. + </p> + <p> + “SIR, + </p> + <p> + “I feel it my duty to inform you that having no interest in the + matter your lady is carrying on with a foreigner—” + </p> + <p> + Reaching that word Soames stopped mechanically and examined the postmark. + So far as he could pierce the impenetrable disguise in which the Post + Office had wrapped it, there was something with a “sea” at the + end and a “t” in it. Chelsea? No! Battersea? Perhaps! He read + on. + </p> + <p> + “These foreigners are all the same. Sack the lot. This one meets + your lady twice a week. I know it of my own knowledge—and to see an + Englishman put on goes against the grain. You watch it and see if what I + say isn't true. I shouldn't meddle if it wasn't a dirty + foreigner that's in it. + </p> + <p> + “Yours obedient.” + </p> + <p> + The sensation with which Soames dropped the letter was similar to that he + would have had entering his bedroom and finding it full of black-beetles. + The meanness of anonymity gave a shuddering obscenity to the moment. And + the worst of it was that this shadow had been at the back of his mind ever + since the Sunday evening when Fleur had pointed down at Prosper Profond + strolling on the lawn, and said: “Prowling cat!” Had he not in + connection therewith, this very day, perused his Will and Marriage + Settlement? And now this anonymous ruffian, with nothing to gain, + apparently, save the venting of his spite against foreigners, had wrenched + it out of the obscurity in which he had hoped and wished it would remain. + To have such knowledge forced on him, at his time of life, about Fleur's + mother! He picked the letter up from the carpet, tore it across, and then, + when it hung together by just the fold at the back, stopped tearing, and + reread it. He was taking at that moment one of the decisive resolutions of + his life. He would not be forced into another scandal. No! However he + decided to deal with this matter—and it required the most + far-sighted and careful consideration he would do nothing that might + injure Fleur. That resolution taken, his mind answered the helm again, and + he made his ablutions. His hands trembled as he dried them. Scandal he + would not have, but something must be done to stop this sort of thing! He + went into his wife's room and stood looking around him. The idea of + searching for anything which would incriminate, and entitle him to hold a + menace over her, did not even come to him. There would be nothing—she + was much too practical. The idea of having her watched had been dismissed + before it came—too well he remembered his previous experience of + that. No! He had nothing but this torn-up letter from some anonymous + ruffian, whose impudent intrusion into his private life he so violently + resented. It was repugnant to him to make use of it, but he might have to. + What a mercy Fleur was not at home to-night! A tap on the door broke up + his painful cogitations. + </p> + <p> + “Mr. Michael Mont, sir, is in the drawing-room. Will you see him?” + </p> + <p> + “No,” said Soames; “yes. I'll come down.” + </p> + <p> + Anything that would take his mind off for a few minutes! + </p> + <p> + Michael Mont in flannels stood on the verandah smoking a cigarette. He + threw it away as Soames came up, and ran his hand through his hair. + </p> + <p> + Soames' feeling toward this young man was singular. He was no doubt + a rackety, irresponsible young fellow according to old standards, yet + somehow likeable, with his extraordinarily cheerful way of blurting out + his opinions. + </p> + <p> + “Come in,” he said; “have you had tea?” + </p> + <p> + Mont came in. + </p> + <p> + “I thought Fleur would have been back, sir; but I'm glad she + isn't. The fact is, I—I'm fearfully gone on her; so + fearfully gone that I thought you'd better know. It's + old-fashioned, of course, coming to fathers first, but I thought you'd + forgive that. I went to my own Dad, and he says if I settle down he'll + see me through. He rather cottons to the idea, in fact. I told him about + your Goya.” + </p> + <p> + “Oh!” said Soames, inexpressibly dry. “He rather + cottons?” + </p> + <p> + “Yes, sir; do you?” + </p> + <p> + Soames smiled faintly. + </p> + <p> + “You see,” resumed Mont, twiddling his straw hat, while his + hair, ears, eyebrows, all seemed to stand up from excitement, “when + you've been through the War you can't help being in a hurry.” + </p> + <p> + “To get married; and unmarried afterward,” said Soames slowly. + </p> + <p> + “Not from Fleur, sir. Imagine, if you were me!” + </p> + <p> + Soames cleared his throat. That way of putting it was forcible enough. + </p> + <p> + “Fleur's too young,” he said. + </p> + <p> + “Oh! no, sir. We're awfully old nowadays. My Dad seems to me a + perfect babe; his thinking apparatus hasn't turned a hair. But he's + a Baronight, of course; that keeps him back.” + </p> + <p> + “Baronight,” repeated Soames; “what may that be?” + </p> + <p> + “Bart, sir. I shall be a Bart some day. But I shall live it down, + you know.” + </p> + <p> + “Go away and live this down,” said Soames. + </p> + <p> + Young Mont said imploringly: “Oh! no, sir. I simply must hang + around, or I shouldn't have a dog's chance. You'll let + Fleur do what she likes, I suppose, anyway. Madame passes me.” + </p> + <p> + “Indeed!” said Soames frigidly. + </p> + <p> + “You don't really bar me, do you?” and the young man + looked so doleful that Soames smiled. + </p> + <p> + “You may think you're very old,” he said; “but you + strike me as extremely young. To rattle ahead of everything is not a proof + of maturity.” + </p> + <p> + “All right, sir; I give you our age. But to show you I mean business—I've + got a job.” + </p> + <p> + “Glad to hear it.” + </p> + <p> + “Joined a publisher; my governor is putting up the stakes.” + </p> + <p> + Soames put his hand over his mouth—he had so very nearly said: + “God help the publisher!” His grey eyes scrutinised the + agitated young man. + </p> + <p> + “I don't dislike you, Mr. Mont, but Fleur is everything to me: + Everything—do you understand?” + </p> + <p> + “Yes, sir, I know; but so she is to me.” + </p> + <p> + “That's as may be. I'm glad you've told me, + however. And now I think there's nothing more to be said.” + </p> + <p> + “I know it rests with her, sir.” + </p> + <p> + “It will rest with her a long time, I hope.” + </p> + <p> + “You aren't cheering,” said Mont suddenly. + </p> + <p> + “No,” said Soames, “my experience of life has not made + me anxious to couple people in a hurry. Good-night, Mr. Mont. I shan't + tell Fleur what you've said.” + </p> + <p> + “Oh!” murmured Mont blankly; “I really could knock my + brains out for want of her. She knows that perfectly well.” + </p> + <p> + “I dare say.” And Soames held out his hand. A distracted + squeeze, a heavy sigh, and soon after sounds from the young man's + motor-cycle called up visions of flying dust and broken bones. + </p> + <p> + 'The younger generation!' he thought heavily, and went out on + to the lawn. The gardeners had been mowing, and there was still the smell + of fresh-cut grass—the thundery air kept all scents close to earth. + The sky was of a purplish hue—the poplars black. Two or three boats + passed on the river, scuttling, as it were, for shelter before the storm. + 'Three days' fine weather,' thought Soames, 'and + then a storm!' Where was Annette? With that chap, for all he knew—she + was a young woman! Impressed with the queer charity of that thought, he + entered the summerhouse and sat down. The fact was—and he admitted + it—Fleur was so much to him that his wife was very little—very + little; French—had never been much more than a mistress, and he was + getting indifferent to that side of things! It was odd how, with all this + ingrained care for moderation and secure investment, Soames ever put his + emotional eggs into one basket. First Irene—now Fleur. He was dimly + conscious of it, sitting there, conscious of its odd dangerousness. It had + brought him to wreck and scandal once, but now—now it should save + him! He cared so much for Fleur that he would have no further scandal. If + only he could get at that anonymous letter-writer, he would teach him not + to meddle and stir up mud at the bottom of water which he wished should + remain stagnant!... A distant flash, a low rumble, and large drops of rain + spattered on the thatch above him. He remained indifferent, tracing a + pattern with his finger on the dusty surface of a little rustic table. + Fleur's future! 'I want fair sailing for her,' he + thought. 'Nothing else matters at my time of life.' A lonely + business—life! What you had you never could keep to yourself! As you + warned one off, you let another in. One could make sure of nothing! He + reached up and pulled a red rambler rose from a cluster which blocked the + window. Flowers grew and dropped—Nature was a queer thing! The + thunder rumbled and crashed, travelling east along a river, the paling + flashes flicked his eyes; the poplar tops showed sharp and dense against + the sky, a heavy shower rustled and rattled and veiled in the little house + wherein he sat, indifferent, thinking. + </p> + <p> + When the storm was over, he left his retreat and went down the wet path to + the river bank. + </p> + <p> + Two swans had come, sheltering in among the reeds. He knew the birds well, + and stood watching the dignity in the curve of those white necks and + formidable snake-like heads. 'Not dignified—what I have to do!' + he thought. And yet it must be tackled, lest worse befell. Annette must be + back by now from wherever she had gone, for it was nearly dinner-time, and + as the moment for seeing her approached, the difficulty of knowing what to + say and how to say it had increased. A new and scaring thought occurred to + him. Suppose she wanted her liberty to marry this fellow! Well, if she + did, she couldn't have it. He had not married her for that. The + image of Prosper Profond dawdled before him reassuringly. Not a marrying + man! No, no! Anger replaced that momentary scare. 'He had better not + come my way,' he thought. The mongrel represented—-! But what + did Prosper Profond represent? Nothing that mattered surely. And yet + something real enough in the world—unmorality let off its chain, + disillusionment on the prowl! That expression Annette had caught from him: + “Je m'en fiche!” A fatalistic chap! A continental—a + cosmopolitan—a product of the age! If there were condemnation more + complete, Soames felt that he did not know it. + </p> + <p> + The swans had turned their heads, and were looking past him into some + distance of their own. One of them uttered a little hiss, wagged its tail, + turned as if answering to a rudder, and swam away. The other followed. + Their white bodies, their stately necks, passed out of his sight, and he + went toward the house. + </p> + <p> + Annette was in the drawing-room, dressed for dinner, and he thought as he + went up-stairs 'Handsome is as handsome does.' Handsome! + Except for remarks about the curtains in the drawing-room, and the storm, + there was practically no conversation during a meal distinguished by + exactitude of quantity and perfection of quality. Soames drank nothing. He + followed her into the drawing-room afterward, and found her smoking a + cigarette on the sofa between the two French windows. She was leaning + back, almost upright, in a low black frock, with her knees crossed and her + blue eyes half-closed; grey-blue smoke issued from her red, rather full + lips, a fillet bound her chestnut hair, she wore the thinnest silk + stockings, and shoes with very high heels showing off her instep. A fine + piece in any room! Soames, who held that torn letter in a hand thrust deep + into the side-pocket of his dinner-jacket, said: + </p> + <p> + “I'm going to shut the window; the damp's lifting in.” + </p> + <p> + He did so, and stood looking at a David Cox adorning the cream-panelled + wall close by. + </p> + <p> + What was she thinking of? He had never understood a woman in his life—except + Fleur—and Fleur not always! His heart beat fast. But if he meant to + do it, now was the moment. Turning from the David Cox, he took out the + torn letter. + </p> + <p> + “I've had this.” + </p> + <p> + Her eyes widened, stared at him, and hardened. + </p> + <p> + Soames handed her the letter. + </p> + <p> + “It's torn, but you can read it.” And he turned back to + the David Cox—a sea-piece, of good tone—but without movement + enough. 'I wonder what that chap's doing at this moment?' + he thought. 'I'll astonish him yet.' Out of the corner + of his eye he saw Annette holding the letter rigidly; her eyes moved from + side to side under her darkened lashes and frowning darkened eyes. She + dropped the letter, gave a little shiver, smiled, and said: + </p> + <p> + “Dirrty!” + </p> + <p> + “I quite agree,” said Soames; “degrading. Is it true?” + </p> + <p> + A tooth fastened on her red lower lip. “And what if it were?” + </p> + <p> + She was brazen! + </p> + <p> + “Is that all you have to say?” + </p> + <p> + “No.” + </p> + <p> + “Well, speak out!” + </p> + <p> + “What is the good of talking?” + </p> + <p> + Soames said icily: “So you admit it?” + </p> + <p> + “I admit nothing. You are a fool to ask. A man like you should not + ask. It is dangerous.” + </p> + <p> + Soames made a tour of the room, to subdue his rising anger. + </p> + <p> + “Do you remember,” he said, halting in front of her, “what + you were when I married you? Working at accounts in a restaurant.” + </p> + <p> + “Do you remember that I was not half your age?” + </p> + <p> + Soames broke off the hard encounter of their eyes, and went back to the + David Cox. + </p> + <p> + “I am not going to bandy words. I require you to give up this—friendship. + I think of the matter entirely as it affects Fleur.” + </p> + <p> + “Ah!—Fleur!” + </p> + <p> + “Yes,” said Soames stubbornly; “Fleur. She is your child + as well as mine.” + </p> + <p> + “It is kind to admit that!” + </p> + <p> + “Are you going to do what I say?” + </p> + <p> + “I refuse to tell you.” + </p> + <p> + “Then I must make you.” + </p> + <p> + Annette smiled. + </p> + <p> + “No, Soames,” she said. “You are helpless. Do not say + things that you will regret.” + </p> + <p> + Anger swelled the veins on his forehead. He opened his mouth to vent that + emotion, and could not. Annette went on: + </p> + <p> + “There shall be no more such letters, I promise you. That is enough.” + </p> + <p> + Soames writhed. He had a sense of being treated like a child by this woman + who had deserved he did not know what. + </p> + <p> + “When two people have married, and lived like us, Soames, they had + better be quiet about each other. There are things one does not drag up + into the light for people to laugh at. You will be quiet, then; not for my + sake for your own. You are getting old; I am not, yet. You have made me + ver-ry practical” + </p> + <p> + Soames, who had passed through all the sensations of being choked, + repeated dully: + </p> + <p> + “I require you to give up this friendship.” + </p> + <p> + “And if I do not?” + </p> + <p> + “Then—then I will cut you out of my Will.” + </p> + <p> + Somehow it did not seem to meet the case. Annette laughed. + </p> + <p> + “You will live a long time, Soames.” + </p> + <p> + “You—you are a bad woman,” said Soames suddenly. + </p> + <p> + Annette shrugged her shoulders. + </p> + <p> + “I do not think so. Living with you has killed things in me, it is + true; but I am not a bad woman. I am sensible—that is all. And so + will you be when you have thought it over.” + </p> + <p> + “I shall see this man,” said Soames sullenly, “and warn + him off.” + </p> + <p> + “Mon cher, you are funny. You do not want me, you have as much of me + as you want; and you wish the rest of me to be dead. I admit nothing, but + I am not going to be dead, Soames, at my age; so you had better be quiet, + I tell you. I myself will make no scandal; none. Now, I am not saying any + more, whatever you do.” + </p> + <p> + She reached out, took a French novel off a little table, and opened it. + Soames watched her, silenced by the tumult of his feelings. The thought of + that man was almost making him want her, and this was a revelation of + their relationship, startling to one little given to introspective + philosophy. Without saying another word he went out and up to the + picture-gallery. This came of marrying a Frenchwoman! And yet, without her + there would have been no Fleur! She had served her purpose. + </p> + <p> + 'She's right,' he thought; 'I can do nothing. I + don't even know that there's anything in it.' The + instinct of self-preservation warned him to batten down his hatches, to + smother the fire with want of air. Unless one believed there was something + in a thing, there wasn't. + </p> + <p> + That night he went into her room. She received him in the most + matter-of-fact way, as if there had been no scene between them. And he + returned to his own room with a curious sense of peace. If one didn't + choose to see, one needn't. And he did not choose—in future he + did not choose. There was nothing to be gained by it—nothing! + Opening the drawer he took from the sachet a handkerchief, and the framed + photograph of Fleur. When he had looked at it a little he slipped it down, + and there was that other one—that old one of Irene. An owl hooted + while he stood in his window gazing at it. The owl hooted, the red + climbing roses seemed to deepen in colour, there came a scent of + lime-blossom. God! That had been a different thing! Passion—Memory! + Dust! + </p> + <p> + <a name="link2H_4_0116" id="link2H_4_0116"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VII.—JUNE TAKES A HAND + </h2> + <p> + One who was a sculptor, a Slav, a sometime resident in New York, an + egoist, and impecunious, was to be found of an evening in June Forsyte's + studio on the bank of the Thames at Chiswick. On the evening of July 6, + Boris Strumolowski—several of whose works were on show there because + they were as yet too advanced to be on show anywhere else—had begun + well, with that aloof and rather Christ-like silence which admirably + suited his youthful, round, broad cheek-boned countenance framed in bright + hair banged like a girl's. June had known him three weeks, and he + still seemed to her the principal embodiment of genius, and hope of the + future; a sort of Star of the East which had strayed into an + unappreciative West. Until that evening he had conversationally confined + himself to recording his impressions of the United States, whose dust he + had just shaken from off his feet—a country, in his opinion, so + barbarous in every way that he had sold practically nothing there, and + become an object of suspicion to the police; a country, as he said, + without a race of its own, without liberty, equality, or fraternity, + without principles, traditions, taste, without—in a word—a + soul. He had left it for his own good, and come to the only other country + where he could live well. June had dwelt unhappily on him in her lonely + moments, standing before his creations—frightening, but powerful and + symbolic once they had been explained! That he, haloed by bright hair like + an early Italian painting, and absorbed in his genius to the exclusion of + all else—the only sign of course by which real genius could be told—should + still be a “lame duck” agitated her warm heart almost to the + exclusion of Paul Post. And she had begun to take steps to clear her + Gallery, in order to fill it with Strumolowski masterpieces. She had at + once encountered trouble. Paul Post had kicked; Vospovitch had stung. With + all the emphasis of a genius which she did not as yet deny them, they had + demanded another six weeks at least of her Gallery. The American stream, + still flowing in, would soon be flowing out. The American stream was their + right, their only hope, their salvation—since nobody in this “beastly” + country cared for Art. June had yielded to the demonstration. After all + Boris would not mind their having the full benefit of an American stream, + which he himself so violently despised. + </p> + <p> + This evening she had put that to Boris with nobody else present, except + Hannah Hobdey, the mediaeval black-and-whitist, and Jimmy Portugal, editor + of the Neo-Artist. She had put it to him with that sudden confidence which + continual contact with the neo-artistic world had never been able to dry + up in her warm and generous nature. He had not broken his Christ-like + silence, however, for more than two minutes before she began to move her + blue eyes from side to side, as a cat moves its tail. This—he said—was + characteristic of England, the most selfish country in the world; the + country which sucked the blood of other countries; destroyed the brains + and hearts of Irishmen, Hindus, Egyptians, Boers, and Burmese, all the + best races in the world; bullying, hypocritical England! This was what he + had expected, coming to, such a country, where the climate was all fog, + and the people all tradesmen perfectly blind to Art, and sunk in + profiteering and the grossest materialism. Conscious that Hannah Hobdey + was murmuring, “Hear, hear!” and Jimmy Portugal sniggering, + June grew crimson, and suddenly rapped out: + </p> + <p> + “Then why did you ever come? We didn't ask you.” + </p> + <p> + The remark was so singularly at variance with all she had led him to + expect from her, that Strumolowski stretched out his hand and took a + cigarette. + </p> + <p> + “England never wants an idealist,” he said. + </p> + <p> + But in June something primitively English was thoroughly upset; old Jolyon's + sense of justice had risen, as it were, from bed. “You come and + sponge on us,” she said, “and then abuse us. If you think that's + playing the game, I don't.” + </p> + <p> + She now discovered that which others had discovered before her—the + thickness of hide beneath which the sensibility of genius is sometimes + veiled. Strumolowski's young and ingenuous face became the + incarnation of a sneer. + </p> + <p> + “Sponge, one does not sponge, one takes what is owing—a tenth + part of what is owing. You will repent to say that, Miss Forsyte.” + </p> + <p> + “Oh, no,” said June, “I shan't.” + </p> + <p> + “Ah! We know very well, we artists—you take us to get what you + can out of us. I want nothing from you”—and he blew out a + cloud of June's smoke. + </p> + <p> + Decision rose in an icy puff from the turmoil of insulted shame within + her. “Very well, then, you can take your things away.” + </p> + <p> + And, almost in the same moment, she thought: 'Poor boy! He's + only got a garret, and probably not a taxi fare. In front of these people, + too; it's positively disgusting!' + </p> + <p> + Young Strumolowski shook his head violently; his hair, thick, smooth, + close as a golden plate, did not fall off. + </p> + <p> + “I can live on nothing,” he said shrilly; “I have often + had to for the sake of my Art. It is you bourgeois who force us to spend + money.” + </p> + <p> + The words hit June like a pebble, in the ribs. After all she had done for + Art, all her identification with its troubles and lame ducks. She was + struggling for adequate words when the door was opened, and her Austrian + murmured: + </p> + <p> + “A young lady, gnadiges Fraulein.” + </p> + <p> + “Where?” + </p> + <p> + “In the little meal-room.” + </p> + <p> + With a glance at Boris Strumolowski, at Hannah Hobdey, at Jimmy Portugal, + June said nothing, and went out, devoid of equanimity. Entering the + “little meal-room,” she perceived the young lady to be Fleur—looking + very pretty, if pale. At this disenchanted moment a little lame duck of + her own breed was welcome to June, so homoeopathic by instinct. + </p> + <p> + The girl must have come, of course, because of Jon; or, if not, at least + to get something out of her. And June felt just then that to assist + somebody was the only bearable thing. + </p> + <p> + “So you've remembered to come,” she said. + </p> + <p> + “Yes. What a jolly little duck of a house! But please don't + let me bother you, if you've got people.” + </p> + <p> + “Not at all,” said June. “I want to let them stew in + their own juice for a bit. Have you come about Jon?” + </p> + <p> + “You said you thought we ought to be told. Well, I've found + out.” + </p> + <p> + “Oh!” said June blankly. “Not nice, is it?” + </p> + <p> + They were standing one on each side of the little bare table at which June + took her meals. A vase on it was full of Iceland poppies; the girl raised + her hand and touched them with a gloved finger. To her new-fangled dress, + frilly about the hips and tight below the knees, June took a sudden liking—a + charming colour, flax-blue. + </p> + <p> + 'She makes a picture,' thought June. Her little room, with its + whitewashed walls, its floor and hearth of old pink brick, its black + paint, and latticed window athwart which the last of the sunlight was + shining, had never looked so charming, set off by this young figure, with + the creamy, slightly frowning face. She remembered with sudden vividness + how nice she herself had looked in those old days when her heart was set + on Philip Bosinney, that dead lover, who had broken from her to destroy + for ever Irene's allegiance to this girl's father. Did Fleur + know of that, too? + </p> + <p> + “Well,” she said, “what are you going to do?” + </p> + <p> + It was some seconds before Fleur answered. + </p> + <p> + “I don't want Jon to suffer. I must see him once more to put + an end to it.” + </p> + <p> + “You're going to put an end to it!” + </p> + <p> + “What else is there to do?” + </p> + <p> + The girl seemed to June, suddenly, intolerably spiritless. + </p> + <p> + “I suppose you're right,” she muttered. “I know my + father thinks so; but—I should never have done it myself. I can't + take things lying down.” + </p> + <p> + How poised and watchful that girl looked; how unemotional her voice + sounded! + </p> + <p> + “People will assume that I'm in love.” + </p> + <p> + “Well, aren't you?” + </p> + <p> + Fleur shrugged her shoulders. 'I might have known it,' thought + June; 'she's Soames' daughter—fish! And yet—he!' + </p> + <p> + “What do you want me to do then?” she said with a sort of + disgust. + </p> + <p> + “Could I see Jon here to-morrow on his way down to Holly's? He'd + come if you sent him a line to-night. And perhaps afterward you'd + let them know quietly at Robin Hill that it's all over, and that + they needn't tell Jon about his mother.” + </p> + <p> + “All right!” said June abruptly. “I'll write now, + and you can post it. Half-past two tomorrow. I shan't be in, myself.” + </p> + <p> + She sat down at the tiny bureau which filled one corner. When she looked + round with the finished note Fleur was still touching the poppies with her + gloved finger. + </p> + <p> + June licked a stamp. “Well, here it is. If you're not in love, + of course, there's no more to be said. Jon's lucky.” + </p> + <p> + Fleur took the note. “Thanks awfully!” + </p> + <p> + 'Cold-blooded little baggage!' thought June. Jon, son of her + father, to love, and not to be loved by the daughter of—Soames! It + was humiliating! + </p> + <p> + “Is that all?” + </p> + <p> + Fleur nodded; her frills shook and trembled as she swayed toward the door. + </p> + <p> + “Good-bye!” + </p> + <p> + “Good-bye!... Little piece of fashion!” muttered June, closing + the door. “That family!” And she marched back toward her + studio. Boris Strumolowski had regained his Christ-like silence and Jimmy + Portugal was damning everybody, except the group in whose behalf he ran + the Neo-Artist. Among the condemned were Eric Cobbley, and several other + “lame-duck” genii who at one time or another had held first + place in the repertoire of June's aid and adoration. She experienced + a sense of futility and disgust, and went to the window to let the + river-wind blow those squeaky words away. + </p> + <p> + But when at length Jimmy Portugal had finished, and gone with Hannah + Hobdey, she sat down and mothered young Strumolowski for half an hour, + promising him a month, at least, of the American stream; so that he went + away with his halo in perfect order. 'In spite of all,' June + thought, 'Boris is wonderful.' + </p> + <p> + <a name="link2H_4_0117" id="link2H_4_0117"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VIII.—THE BIT BETWEEN THE TEETH + </h2> + <p> + To know that your hand is against every one's is—for some + natures—to experience a sense of moral release. Fleur felt no + remorse when she left June's house. Reading condemnatory resentment + in her little kinswoman's blue eyes-she was glad that she had fooled + her, despising June because that elderly idealist had not seen what she + was after. + </p> + <p> + End it, forsooth! She would soon show them all that she was only just + beginning. And she smiled to herself on the top of the bus which carried + her back to Mayfair. But the smile died, squeezed out by spasms of + anticipation and anxiety. Would she be able to manage Jon? She had taken + the bit between her teeth, but could she make him take it too? She knew + the truth and the real danger of delay—he knew neither; therein lay + all the difference in the world. + </p> + <p> + 'Suppose I tell him,' she thought; 'wouldn't it + really be safer?' This hideous luck had no right to spoil their + love; he must see that! They could not let it! People always accepted an + accomplished fact in time! From that piece of philosophy—profound + enough at her age—she passed to another consideration less + philosophic. If she persuaded Jon to a quick and secret marriage, and he + found out afterward that she had known the truth. What then? Jon hated + subterfuge. Again, then, would it not be better to tell him? But the + memory of his mother's face kept intruding on that impulse. Fleur + was afraid. His mother had power over him; more power perhaps than she + herself. Who could tell? It was too great a risk. Deep-sunk in these + instinctive calculations she was carried on past Green Street as far as + the Ritz Hotel. She got down there, and walked back on the Green Park + side. The storm had washed every tree; they still dripped. Heavy drops + fell on to her frills, and to avoid them she crossed over under the eyes + of the Iseeum Club. Chancing to look up she saw Monsieur Profond with a + tall stout man in the bay window. Turning into Green Street she heard her + name called, and saw “that prowler” coming up. He took off his + hat—a glossy “bowler” such as she particularly detested. + </p> + <p> + “Good evenin'. Miss Forsyde. Isn't there a small thing I + can do for you?” + </p> + <p> + “Yes, pass by on the other side.” + </p> + <p> + “I say! Why do you dislike me?” + </p> + <p> + “Do I?” + </p> + <p> + “It looks like it.” + </p> + <p> + “Well, then, because you make me feel life isn't worth living.” + </p> + <p> + Monsieur Profond smiled. + </p> + <p> + “Look here, Miss Forsyde, don't worry. It'll be all + right. Nothing lasts.” + </p> + <p> + “Things do last,” cried Fleur; “with me anyhow—especially + likes and dislikes.” + </p> + <p> + “Well, that makes me a bit un'appy.” + </p> + <p> + “I should have thought nothing could ever make you happy or unhappy.” + </p> + <p> + “I don't like to annoy other people. I'm goin' on + my yacht.” + </p> + <p> + Fleur looked at him, startled. + </p> + <p> + “Where?” + </p> + <p> + “Small voyage to the South Seas or somewhere,” said Monsieur + Profond. + </p> + <p> + Fleur suffered relief and a sense of insult. Clearly he meant to convey + that he was breaking with her mother. How dared he have anything to break, + and yet how dared he break it? + </p> + <p> + “Good-night, Miss Forsyde! Remember me to Mrs. Dartie. I'm not + so bad really. Good-night!” Fleur left him standing there with his + hat raised. Stealing a look round, she saw him stroll—immaculate and + heavy—back toward his Club. + </p> + <p> + 'He can't even love with conviction,' she thought. + 'What will Mother do?' + </p> + <p> + Her dreams that night were endless and uneasy; she rose heavy and + unrested, and went at once to the study of Whitaker's Almanac. A + Forsyte is instinctively aware that facts are the real crux of any + situation. She might conquer Jon's prejudice, but without exact + machinery to complete their desperate resolve, nothing would happen. From + the invaluable tome she learned that they must each be twenty-one; or some + one's consent would be necessary, which of course was unobtainable; + then she became lost in directions concerning licenses, certificates, + notices, districts, coming finally to the word “perjury.” But + that was nonsense! Who would really mind their giving wrong ages in order + to be married for love! She ate hardly any breakfast, and went back to + Whitaker. The more she studied the less sure she became; till, idly + turning the pages, she came to Scotland. People could be married there + without any of this nonsense. She had only to go and stay there twenty-one + days, then Jon could come, and in front of two people they could declare + themselves married. And what was more—they would be! It was far the + best way; and at once she ran over her schoolfellows. There was Mary Lambe + who lived in Edinburgh and was “quite a sport!” + </p> + <p> + She had a brother too. She could stay with Mary Lambe, who with her + brother would serve for witnesses. She well knew that some girls would + think all this unnecessary, and that all she and Jon need do was to go + away together for a weekend and then say to their people: “We are + married by Nature, we must now be married by Law.” But Fleur was + Forsyte enough to feel such a proceeding dubious, and to dread her father's + face when he heard of it. Besides, she did not believe that Jon would do + it; he had an opinion of her such as she could not bear to diminish. No! + Mary Lambe was preferable, and it was just the time of year to go to + Scotland. More at ease now she packed, avoided her aunt, and took a bus to + Chiswick. She was too early, and went on to Kew Gardens. She found no + peace among its flower-beds, labelled trees, and broad green spaces, and + having lunched off anchovy-paste sandwiches and coffee, returned to + Chiswick and rang June's bell. The Austrian admitted her to the + “little meal-room.” Now that she knew what she and Jon were up + against, her longing for him had increased tenfold, as if he were a toy + with sharp edges or dangerous paint such as they had tried to take from + her as a child. If she could not have her way, and get Jon for good and + all, she felt like dying of privation. By hook or crook she must and would + get him! A round dim mirror of very old glass hung over the pink brick + hearth. She stood looking at herself reflected in it, pale, and rather + dark under the eyes; little shudders kept passing through her nerves. Then + she heard the bell ring, and, stealing to the window, saw him standing on + the doorstep smoothing his hair and lips, as if he too were trying to + subdue the fluttering of his nerves. + </p> + <p> + She was sitting on one of the two rush-seated chairs, with her back to the + door, when he came in, and she said at once— + </p> + <p> + “Sit down, Jon, I want to talk seriously.” + </p> + <p> + Jon sat on the table by her side, and without looking at him she went on: + </p> + <p> + “If you don't want to lose me, we must get married.” + </p> + <p> + Jon gasped. + </p> + <p> + “Why? Is there anything new?” + </p> + <p> + “No, but I felt it at Robin Hill, and among my people.” + </p> + <p> + “But—” stammered Jon, “at Robin Hill—it was + all smooth—and they've said nothing to me.” + </p> + <p> + “But they mean to stop us. Your mother's face was enough. And + my father's.” + </p> + <p> + “Have you seen him since?” + </p> + <p> + Fleur nodded. What mattered a few supplementary lies? + </p> + <p> + “But,” said Jon eagerly, “I can't see how they can + feel like that after all these years.” + </p> + <p> + Fleur looked up at him. + </p> + <p> + “Perhaps you don't love me enough.” “Not love you + enough! Why—!” + </p> + <p> + “Then make sure of me.” + </p> + <p> + “Without telling them?” + </p> + <p> + “Not till after.” + </p> + <p> + Jon was silent. How much older he looked than on that day, barely two + months ago, when she first saw him—quite two years older! + </p> + <p> + “It would hurt Mother awfully,” he said. + </p> + <p> + Fleur drew her hand away. + </p> + <p> + “You've got to choose.” + </p> + <p> + Jon slid off the table on to his knees. + </p> + <p> + “But why not tell them? They can't really stop us, Fleur!” + </p> + <p> + “They can! I tell you, they can.” + </p> + <p> + “How?” + </p> + <p> + “We're utterly dependent—by putting money pressure, and + all sorts of other pressure. I'm not patient, Jon.” + </p> + <p> + “But it's deceiving them.” + </p> + <p> + Fleur got up. + </p> + <p> + “You can't really love me, or you wouldn't hesitate. + 'He either fears his fate too much!'” + </p> + <p> + Lifting his hands to her waist, Jon forced her to sit down again. She + hurried on: + </p> + <p> + “I've planned it all out. We've only to go to Scotland. + When we're married they'll soon come round. People always come + round to facts. Don't you see, Jon?” + </p> + <p> + “But to hurt them so awfully!” + </p> + <p> + So he would rather hurt her than those people of his! “All right, + then; let me go!” + </p> + <p> + Jon got up and put his back against the door. + </p> + <p> + “I expect you're right,” he said slowly; “but I + want to think it over.” + </p> + <p> + She could see that he was seething with feelings he wanted to express; but + she did not mean to help him. She hated herself at this moment and almost + hated him. Why had she to do all the work to secure their love? It wasn't + fair. And then she saw his eyes, adoring and distressed. + </p> + <p> + “Don't look like that! I only don't want to lose you, + Jon.” + </p> + <p> + “You can't lose me so long as you want me.” + </p> + <p> + “Oh, yes, I can.” + </p> + <p> + Jon put his hands on her shoulders. + </p> + <p> + “Fleur, do you know anything you haven't told me?” + </p> + <p> + It was the point-blank question she had dreaded. She looked straight at + him, and answered: “No.” She had burnt her boats; but what did + it matter, if she got him? He would forgive her. And throwing her arms + round his neck, she kissed him on the lips. She was winning! She felt it + in the beating of his heart against her, in the closing of his eyes. + “I want to make sure! I want to make sure!” she whispered. + “Promise!” + </p> + <p> + Jon did not answer. His face had the stillness of extreme trouble. At last + he said: + </p> + <p> + “It's like hitting them. I must think a little, Fleur. I + really must.” + </p> + <p> + Fleur slipped out of his arms. + </p> + <p> + “Oh! Very well!” And suddenly she burst into tears of + disappointment, shame, and overstrain. Followed five minutes of acute + misery. Jon's remorse and tenderness knew no bounds; but he did not + promise. Despite her will to cry, “Very well, then, if you don't + love me enough-goodbye!” she dared not. From birth accustomed to her + own way, this check from one so young, so tender, so devoted, baffled and + surprised her. She wanted to push him away from her, to try what anger and + coldness would do, and again she dared not. The knowledge that she was + scheming to rush him blindfold into the irrevocable weakened everything—weakened + the sincerity of pique, and the sincerity of passion; even her kisses had + not the lure she wished for them. That stormy little meeting ended + inconclusively. + </p> + <p> + “Will you some tea, gnadiges Fraulein?” + </p> + <p> + Pushing Jon from her, she cried out: + </p> + <p> + “No-no, thank you! I'm just going.” + </p> + <p> + And before he could prevent her she was gone. + </p> + <p> + She went stealthily, mopping her gushed, stained cheeks, frightened, + angry, very miserable. She had stirred Jon up so fearfully, yet nothing + definite was promised or arranged! But the more uncertain and hazardous + the future, the more “the will to have” worked its tentacles + into the flesh of her heart—like some burrowing tick! + </p> + <p> + No one was at Green Street. Winifred had gone with Imogen to see a play + which some said was allegorical, and others “very exciting, don't + you know.” It was because of what others said that Winifred and + Imogen had gone. Fleur went on to Paddington. Through the carriage the air + from the brick-kilns of West Drayton and the late hayfields fanned her + still gushed cheeks. Flowers had seemed to be had for the picking; now + they were all thorned and prickled. But the golden flower within the crown + of spikes seemed to her tenacious spirit all the fairer and more + desirable. + </p> + <p> + <a name="link2H_4_0118" id="link2H_4_0118"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + IX.—THE FAT IN THE FIRE + </h2> + <p> + On reaching home Fleur found an atmosphere so peculiar that it penetrated + even the perplexed aura of her own private life. Her mother was + inaccessibly entrenched in a brown study; her father contemplating fate in + the vinery. Neither of them had a word to throw to a dog. 'Is it + because of me?' thought Fleur. 'Or because of Profond?' + To her mother she said: + </p> + <p> + “What's the matter with Father?” + </p> + <p> + Her mother answered with a shrug of her shoulders. + </p> + <p> + To her father: + </p> + <p> + “What's the matter with Mother?” + </p> + <p> + Her father answered: + </p> + <p> + “Matter? What should be the matter?” and gave her a sharp + look. + </p> + <p> + “By the way,” murmured Fleur, “Monsieur Profond is going + a 'small' voyage on his yacht, to the South Seas.” + </p> + <p> + Soames examined a branch on which no grapes were growing. + </p> + <p> + “This vine's a failure,” he said. “I've had + young Mont here. He asked me something about you.” + </p> + <p> + “Oh! How do you like him, Father?” + </p> + <p> + “He—he's a product—like all these young people.” + </p> + <p> + “What were you at his age, dear?” + </p> + <p> + Soames smiled grimly. + </p> + <p> + “We went to work, and didn't play about—flying and + motoring, and making love.” + </p> + <p> + “Didn't you ever make love?” + </p> + <p> + She avoided looking at him while she said that, but she saw him well + enough. His pale face had reddened, his eyebrows, where darkness was still + mingled with the grey, had come close together. + </p> + <p> + “I had no time or inclination to philander.” + </p> + <p> + “Perhaps you had a grand passion.” + </p> + <p> + Soames looked at her intently. + </p> + <p> + “Yes—if you want to know—and much good it did me.” + He moved away, along by the hot-water pipes. Fleur tiptoed silently after + him. + </p> + <p> + “Tell me about it, Father!” + </p> + <p> + Soames became very still. + </p> + <p> + “What should you want to know about such things, at your age?” + </p> + <p> + “Is she alive?” + </p> + <p> + He nodded. + </p> + <p> + “And married?” + </p> + <p> + “Yes.” + </p> + <p> + “It's Jon Forsyte's mother, isn't it? And she was + your wife first.” + </p> + <p> + It was said in a flash of intuition. Surely his opposition came from his + anxiety that she should not know of that old wound to his pride. But she + was startled. To see some one so old and calm wince as if struck, to hear + so sharp a note of pain in his voice! + </p> + <p> + “Who told you that? If your aunt! I can't bear the affair + talked of.” + </p> + <p> + “But, darling,” said Fleur, softly, “it's so long + ago.” + </p> + <p> + “Long ago or not, I....” + </p> + <p> + Fleur stood stroking his arm. + </p> + <p> + “I've tried to forget,” he said suddenly; “I don't + wish to be reminded.” And then, as if venting some long and secret + irritation, he added: “In these days people don't understand. + Grand passion, indeed! No one knows what it is.” + </p> + <p> + “I do,” said Fleur, almost in a whisper. + </p> + <p> + Soames, who had turned his back on her, spun round. + </p> + <p> + “What are you talking of—a child like you!” + </p> + <p> + “Perhaps I've inherited it, Father.” + </p> + <p> + “What?” + </p> + <p> + “For her son, you see.” + </p> + <p> + He was pale as a sheet, and she knew that she was as bad. They stood + staring at each other in the steamy heat, redolent of the mushy scent of + earth, of potted geranium, and of vines coming along fast. + </p> + <p> + “This is crazy,” said Soames at last, between dry lips. + </p> + <p> + Scarcely moving her own, she murmured: + </p> + <p> + “Don't be angry, Father. I can't help it.” + </p> + <p> + But she could see he wasn't angry; only scared, deeply scared. + </p> + <p> + “I thought that foolishness,” he stammered, “was all + forgotten.” + </p> + <p> + “Oh, no! It's ten times what it was.” + </p> + <p> + Soames kicked at the hot-water pipe. The hapless movement touched her, who + had no fear of her father—none. + </p> + <p> + “Dearest!” she said. “What must be, must, you know.” + </p> + <p> + “Must!” repeated Soames. “You don't know what you're + talking of. Has that boy been told?” + </p> + <p> + The blood rushed into her cheeks. + </p> + <p> + “Not yet.” + </p> + <p> + He had turned from her again, and, with one shoulder a little raised, + stood staring fixedly at a joint in the pipes. + </p> + <p> + “It's most distasteful to me,” he said suddenly; “nothing + could be more so. Son of that fellow! It's—it's—perverse!” + </p> + <p> + She had noted, almost unconsciously, that he did not say “son of + that woman,” and again her intuition began working. + </p> + <p> + Did the ghost of that grand passion linger in some corner of his heart? + </p> + <p> + She slipped her hand under his arm. + </p> + <p> + “Jon's father is quite ill and old; I saw him.” + </p> + <p> + “You—?” + </p> + <p> + “Yes, I went there with Jon; I saw them both.” + </p> + <p> + “Well, and what did they say to you?” + </p> + <p> + “Nothing. They were very polite.” + </p> + <p> + “They would be.” He resumed his contemplation of the + pipe-joint, and then said suddenly: + </p> + <p> + “I must think this over—I'll speak to you again + to-night.” + </p> + <p> + She knew this was final for the moment, and stole away, leaving him still + looking at the pipe-joint. She wandered into the fruit-garden, among the + raspberry and currant bushes, without impetus to pick and eat. Two months + ago—she was light-hearted! Even two days ago—light-hearted, + before Prosper Profond told her. Now she felt tangled in a web-of + passions, vested rights, oppressions and revolts, the ties of love and + hate. At this dark moment of discouragement there seemed, even to her + hold-fast nature, no way out. How deal with it—how sway and bend + things to her will, and get her heart's desire? And, suddenly, round + the corner of the high box hedge, she came plump on her mother, walking + swiftly, with an open letter in her hand. Her bosom was heaving, her eyes + dilated, her cheeks flushed. Instantly Fleur thought: 'The yacht! + Poor Mother!' + </p> + <p> + Annette gave her a wide startled look, and said: + </p> + <p> + “J'ai la migraine.” + </p> + <p> + “I'm awfully sorry, Mother.” + </p> + <p> + “Oh, yes! you and your father—sorry!” + </p> + <p> + “But, Mother—I am. I know what it feels like.” + </p> + <p> + Annette's startled eyes grew wide, till the whites showed above + them. + </p> + <p> + “Poor innocent!” she said. + </p> + <p> + Her mother—so self-possessed, and commonsensical—to look and + speak like this! It was all frightening! Her father, her mother, herself! + And only two months back they had seemed to have everything they wanted in + this world. + </p> + <p> + Annette crumpled the letter in her hand. Fleur knew that she must ignore + the sight. + </p> + <p> + “Can't I do anything for your head, Mother?” + </p> + <p> + Annette shook that head and walked on, swaying her hips. + </p> + <p> + 'It's cruel,' thought Fleur, 'and I was glad! That + man! What do men come prowling for, disturbing everything! I suppose he's + tired of her. What business has he to be tired of my mother? What + business!' And at that thought, so natural and so peculiar, she + uttered a little choked laugh. + </p> + <p> + She ought, of course, to be delighted, but what was there to be delighted + at? Her father didn't really care! Her mother did, perhaps? She + entered the orchard, and sat down under a cherry-tree. A breeze sighed in + the higher boughs; the sky seen through their green was very blue and very + white in cloud—those heavy white clouds almost always present in + river landscape. Bees, sheltering out of the wind, hummed softly, and over + the lush grass fell the thick shade from those fruit-trees planted by her + father five-and-twenty, years ago. Birds were almost silent, the cuckoos + had ceased to sing, but wood-pigeons were cooing. The breath and drone and + cooing of high summer were not for long a sedative to her excited nerves. + Crouched over her knees she began to scheme. Her father must be made to + back her up. Why should he mind so long as she was happy? She had not + lived for nearly nineteen years without knowing that her future was all he + really cared about. She had, then, only to convince him that her future + could not be happy without Jon. He thought it a mad fancy. How foolish the + old were, thinking they could tell what the young felt! Had not he + confessed that he—when young—had loved with a grand passion? + He ought to understand! 'He piles up his money for me,' she + thought; 'but what's the use, if I'm not going to be + happy?' Money, and all it bought, did not bring happiness. Love only + brought that. The ox-eyed daisies in this orchard, which gave it such a + moony look sometimes, grew wild and happy, and had their hour. 'They + oughtn't to have called me Fleur,' she mused, 'if they + didn't mean me to have my hour, and be happy while it lasts.' + Nothing real stood in the way, like poverty, or disease—sentiment + only, a ghost from the unhappy past! Jon was right. They wouldn't + let you live, these old people! They made mistakes, committed crimes, and + wanted their children to go on paying! The breeze died away; midges began + to bite. She got up, plucked a piece of honeysuckle, and went in. + </p> + <p> + It was hot that night. Both she and her mother had put on thin, pale low + frocks. The dinner flowers were pale. Fleur was struck with the pale look + of everything; her father's face, her mother's shoulders; the + pale panelled walls, the pale grey velvety carpet, the lamp-shade, even + the soup was pale. There was not one spot of colour in the room, not even + wine in the pale glasses, for no one drank it. What was not pale was black—her + father's clothes, the butler's clothes, her retriever + stretched out exhausted in the window, the curtains black with a cream + pattern. A moth came in, and that was pale. And silent was that + half-mourning dinner in the heat. + </p> + <p> + Her father called her back as she was following her mother out. + </p> + <p> + She sat down beside him at the table, and, unpinning the pale honeysuckle, + put it to her nose. + </p> + <p> + “I've been thinking,” he said. + </p> + <p> + “Yes, dear?” + </p> + <p> + “It's extremely painful for me to talk, but there's no + help for it. I don't know if you understand how much you are to me I've + never spoken of it, I didn't think it necessary; but—but you're + everything. Your mother—” he paused, staring at his + finger-bowl of Venetian glass. + </p> + <p> + “Yes?”' + </p> + <p> + “I've only you to look to. I've never had—never + wanted anything else, since you were born.” + </p> + <p> + “I know,” Fleur murmured. + </p> + <p> + Soames moistened his lips. + </p> + <p> + “You may think this a matter I can smooth over and arrange for you. + You're mistaken. I'm helpless.” + </p> + <p> + Fleur did not speak. + </p> + <p> + “Quite apart from my own feelings,” went on Soames with more + resolution, “those two are not amenable to anything I can say. They—they + hate me, as people always hate those whom they have injured.” + “But he—Jon—” + </p> + <p> + “He's their flesh and blood, her only child. Probably he means + to her what you mean to me. It's a deadlock.” + </p> + <p> + “No,” cried Fleur, “no, Father!” + </p> + <p> + Soames leaned back, the image of pale patience, as if resolved on the + betrayal of no emotion. + </p> + <p> + “Listen!” he said. “You're putting the feelings of + two months—two months—against the feelings of thirty-five + years! What chance do you think you have? Two months—your very first + love affair, a matter of half a dozen meetings, a few walks and talks, a + few kisses—against, against what you can't imagine, what no + one could who hasn't been through it. Come, be reasonable, Fleur! It's + midsummer madness!” + </p> + <p> + Fleur tore the honeysuckle into little, slow bits. + </p> + <p> + “The madness is in letting the past spoil it all. + </p> + <p> + “What do we care about the past? It's our lives, not yours.” + </p> + <p> + Soames raised his hand to his forehead, where suddenly she saw moisture + shining. + </p> + <p> + “Whose child are you?” he said. “Whose child is he? The + present is linked with the past, the future with both. There's no + getting away from that.” + </p> + <p> + She had never heard philosophy pass those lips before. Impressed even in + her agitation, she leaned her elbows on the table, her chin on her hands. + </p> + <p> + “But, Father, consider it practically. We want each other. There's + ever so much money, and nothing whatever in the way but sentiment. Let's + bury the past, Father.” + </p> + <p> + His answer was a sigh. + </p> + <p> + “Besides,” said Fleur gently, “you can't prevent + us.” + </p> + <p> + “I don't suppose,” said Soames, “that if left to + myself I should try to prevent you; I must put up with things, I know, to + keep your affection. But it's not I who control this matter. That's + what I want you to realise before it's too late. If you go on + thinking you can get your way and encourage this feeling, the blow will be + much heavier when you find you can't.” + </p> + <p> + “Oh!” cried Fleur, “help me, Father; you can help me, + you know.” + </p> + <p> + Soames made a startled movement of negation. “I?” he said + bitterly. “Help? I am the impediment—the just cause and + impediment—isn't that the jargon? You have my blood in your + veins.” + </p> + <p> + He rose. + </p> + <p> + “Well, the fat's in the fire. If you persist in your + wilfulness you'll have yourself to blame. Come! Don't be + foolish, my child—my only child!” + </p> + <p> + Fleur laid her forehead against his shoulder. + </p> + <p> + All was in such turmoil within her. But no good to show it! No good at + all! She broke away from him, and went out into the twilight, distraught, + but unconvinced. All was indeterminate and vague within her, like the + shapes and shadows in the garden, except—her will to have. A poplar + pierced up into the dark-blue sky and touched a white star there. The dew + wetted her shoes, and chilled her bare shoulders. She went down to the + river bank, and stood gazing at a moonstreak on the darkening water. + Suddenly she smelled tobacco smoke, and a white figure emerged as if + created by the moon. It was young Mont in flannels, standing in his boat. + She heard the tiny hiss of his cigarette extinguished in the water. + </p> + <p> + “Fleur,” came his voice, “don't be hard on a poor + devil! I've been waiting hours.” + </p> + <p> + “For what?” + </p> + <p> + “Come in my boat!” + </p> + <p> + “Not I.” + </p> + <p> + “Why not?” + </p> + <p> + “I'm not a water-nymph.” + </p> + <p> + “Haven't you any romance in you? Don't be modern, Fleur!” + </p> + <p> + He appeared on the path within a yard of her. + </p> + <p> + “Go away!” + </p> + <p> + “Fleur, I love you. Fleur!” + </p> + <p> + Fleur uttered a short laugh. + </p> + <p> + “Come again,” she said, “when I haven't got my + wish.” + </p> + <p> + “What is your wish?” + </p> + <p> + “Ask another.” + </p> + <p> + “Fleur,” said Mont, and his voice sounded strange, “don't + mock me! Even vivisected dogs are worth decent treatment before they're + cut up for good.” + </p> + <p> + Fleur shook her head; but her lips were trembling. + </p> + <p> + “Well, you shouldn't make me jump. Give me a cigarette.” + </p> + <p> + Mont gave her one, lighted it, and another for himself. + </p> + <p> + “I don't want to talk rot,” he said, “but please + imagine all the rot that all the lovers that ever were have talked, and + all my special rot thrown in.” + </p> + <p> + “Thank you, I have imagined it. Good-night!” They stood for a + moment facing each other in the shadow of an acacia-tree with very moonlit + blossoms, and the smoke from their cigarettes mingled in the air between + them. + </p> + <p> + “Also ran: 'Michael Mont'.” he said. Fleur turned + abruptly toward the house. On the lawn she stopped to look back. Michael + Mont was whirling his arms above him; she could see them dashing at his + head; then waving at the moonlit blossoms of the acacia. His voice just + reached her. “Jolly-jolly!” Fleur shook herself. She couldn't + help him, she had too much trouble of her own! On the verandah she stopped + very suddenly again. Her mother was sitting in the drawing-room at her + writing bureau, quite alone. There was nothing remarkable in the + expression of her face except its utter immobility. But she looked + desolate! Fleur went upstairs. At the door of her room she paused. She + could hear her father walking up and down, up and down the + picture-gallery. + </p> + <p> + 'Yes,' she thought, jolly! Oh, Jon!' + </p> + <p> + <a name="link2H_4_0119" id="link2H_4_0119"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + X.—DECISION + </h2> + <p> + When Fleur left him Jon stared at the Austrian. She was a thin woman with + a dark face and the concerned expression of one who has watched every + little good that life once had slip from her, one by one. “No tea?” + she said. + </p> + <p> + Susceptible to the disappointment in her voice, Jon murmured: + </p> + <p> + “No, really; thanks.” + </p> + <p> + “A lil cup—it ready. A lil cup and cigarette.” + </p> + <p> + Fleur was gone! Hours of remorse and indecision lay before him! And with a + heavy sense of disproportion he smiled, and said: + </p> + <p> + “Well—thank you!” + </p> + <p> + She brought in a little pot of tea with two little cups, and a silver box + of cigarettes on a little tray. + </p> + <p> + “Sugar? Miss Forsyte has much sugar—she buy my sugar, my + friend's sugar also. Miss Forsyte is a veree kind lady. I am happy + to serve her. You her brother?” + </p> + <p> + “Yes,” said Jon, beginning to puff the second cigarette of his + life. + </p> + <p> + “Very young brother,” said the Austrian, with a little anxious + smile, which reminded him of the wag of a dog's tail. + </p> + <p> + “May I give you some?” he said. “And won't you sit + down, please?” + </p> + <p> + The Austrian shook her head. + </p> + <p> + “Your father a very nice old man—the most nice old man I ever + see. Miss Forsyte tell me all about him. Is he better?” + </p> + <p> + Her words fell on Jon like a reproach. “Oh Yes, I think he's + all right.” + </p> + <p> + “I like to see him again,” said the Austrian, putting a hand + on her heart; “he have veree kind heart.” + </p> + <p> + “Yes,” said Jon. And again her words seemed to him a reproach. + </p> + <p> + “He never give no trouble to no one, and smile so gentle.” + </p> + <p> + “Yes, doesn't he?” + </p> + <p> + “He look at Miss Forsyte so funny sometimes. I tell him all my + story; he so sympatisch. Your mother—she nice and well?” + </p> + <p> + “Yes, very.” + </p> + <p> + “He have her photograph on his dressing-table. Veree beautiful” + </p> + <p> + Jon gulped down his tea. This woman, with her concerned face and her + reminding words, was like the first and second murderers. + </p> + <p> + “Thank you,” he said; “I must go now. May—may I + leave this with you?” + </p> + <p> + He put a ten-shilling note on the tray with a doubting hand and gained the + door. He heard the Austrian gasp, and hurried out. He had just time to + catch his train, and all the way to Victoria looked at every face that + passed, as lovers will, hoping against hope. On reaching Worthing he put + his luggage into the local train, and set out across the Downs for + Wansdon, trying to walk off his aching irresolution. So long as he went + full bat, he could enjoy the beauty of those green slopes, stopping now + and again to sprawl on the grass, admire the perfection of a wild rose or + listen to a lark's song. But the war of motives within him was but + postponed—the longing for Fleur, and the hatred of deception. He + came to the old chalk-pit above Wansdon with his mind no more made up than + when he started. To see both sides of a question vigorously was at once + Jon's strength and weakness. He tramped in, just as the first + dinner-bell rang. His things had already been brought up. He had a hurried + bath and came down to find Holly alone—Val had gone to Town and + would not be back till the last train. + </p> + <p> + Since Val's advice to him to ask his sister what was the matter + between the two families, so much had happened—Fleur's + disclosure in the Green Park, her visit to Robin Hill, to-day's + meeting—that there seemed nothing to ask. He talked of Spain, his + sunstroke, Val's horses, their father's health. Holly startled + him by saying that she thought their father not at all well. She had been + twice to Robin Hill for the week-end. He had seemed fearfully languid, + sometimes even in pain, but had always refused to talk about himself. + </p> + <p> + “He's awfully dear and unselfish—don't you think, + Jon?” + </p> + <p> + Feeling far from dear and unselfish himself, Jon answered: “Rather!” + </p> + <p> + “I think, he's been a simply perfect father, so long as I can + remember.” + </p> + <p> + “Yes,” answered Jon, very subdued. + </p> + <p> + “He's never interfered, and he's always seemed to + understand. I shall never forget his letting me go to South Africa in the + Boer War when I was in love with Val.” + </p> + <p> + “That was before he married Mother, wasn't it?” said Jon + suddenly. + </p> + <p> + “Yes. Why?” + </p> + <p> + “Oh! nothing. Only, wasn't she engaged to Fleur's father + first?” + </p> + <p> + Holly put down the spoon she was using, and raised her eyes. Her stare was + circumspect. What did the boy know? Enough to make it better to tell him? + She could not decide. He looked strained and worried, altogether older, + but that might be the sunstroke. + </p> + <p> + “There was something,” she said. “Of course we were out + there, and got no news of anything.” She could not take the risk. + </p> + <p> + It was not her secret. Besides, she was in the dark about his feelings + now. Before Spain she had made sure he was in love; but boys were boys; + that was seven weeks ago, and all Spain between. + </p> + <p> + She saw that he knew she was putting him off, and added: + </p> + <p> + “Have you heard anything of Fleur?” + </p> + <p> + “Yes.” + </p> + <p> + His face told her, then, more than the most elaborate explanations. So he + had not forgotten! + </p> + <p> + She said very quietly: “Fleur is awfully attractive, Jon, but you + know—Val and I don't really like her very much.” + </p> + <p> + “Why?” + </p> + <p> + “We think she's got rather a 'having' nature.” + </p> + <p> + “'Having'. I don't know what you mean. She—she—” + he pushed his dessert plate away, got up, and went to the window. + </p> + <p> + Holly, too, got up, and put her arm round his waist. + </p> + <p> + “Don't be angry, Jon dear. We can't all see people in + the same light, can we? You know, I believe each of us only has about one + or two people who can see the best that's in us, and bring it out. + For you I think it's your mother. I once saw her looking at a letter + of yours; it was wonderful to see her face. I think she's the most + beautiful woman I ever saw—Age doesn't seem to touch her.” + </p> + <p> + Jon's face softened; then again became tense. Everybody—everybody + was against him and Fleur! It all strengthened the appeal of her words: + “Make sure of me—marry me, Jon!” + </p> + <p> + Here, where he had passed that wonderful week with her—the tug of + her enchantment, the ache in his heart increased with every minute that + she was not there to make the room, the garden, the very air magical. + Would he ever be able to live down here, not seeing her? And he closed up + utterly, going early to bed. It would not make him healthy, wealthy, and + wise, but it closeted him with memory of Fleur in her fancy frock. He + heard Val's arrival—the Ford discharging cargo, then the + stillness of the summer night stole back—with only the bleating of + very distant sheep, and a night-Jar's harsh purring. He leaned far + out. Cold moon—warm air—the Downs like silver! Small wings, a + stream bubbling, the rambler roses! God—how empty all of it without + her! In the Bible it was written: Thou shalt leave father and mother and + cleave to—Fleur! + </p> + <p> + Let him have pluck, and go and tell them! They couldn't stop him + marrying her—they wouldn't want to stop him when they knew how + he felt. Yes! He would go! Bold and open—Fleur was wrong! + </p> + <p> + The night-jar ceased, the sheep were silent; the only sound in the + darkness was the bubbling of the stream. And Jon in his bed slept, freed + from the worst of life's evils—indecision. + </p> + <p> + <a name="link2H_4_0120" id="link2H_4_0120"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + XI.—TIMOTHY PROPHESIES + </h2> + <p> + On the day of the cancelled meeting at the National Gallery began the + second anniversary of the resurrection of England's pride and glory—or, + more shortly, the top hat. “Lord's”—that festival + which the War had driven from the field—raised its light and dark + blue flags for the second time, displaying almost every feature of a + glorious past. Here, in the luncheon interval, were all species of female + and one species of male hat, protecting the multiple types of face + associated with “the classes.” The observing Forsyte might + discern in the free or unconsidered seats a certain number of the + squash-hatted, but they hardly ventured on the grass; the old school—or + schools—could still rejoice that the proletariat was not yet paying + the necessary half-crown. Here was still a close borough, the only one + left on a large scale—for the papers were about to estimate the + attendance at ten thousand. And the ten thousand, all animated by one + hope, were asking each other one question: “Where are you lunching?” + Something wonderfully uplifting and reassuring in that query and the sight + of so many people like themselves voicing it! What reserve power in the + British realm—enough pigeons, lobsters, lamb, salmon mayonnaise, + strawberries, and bottles of champagne to feed the lot! No miracle in + prospect—no case of seven loaves and a few fishes—faith rested + on surer foundations. Six thousand top hats, four thousand parasols would + be doffed and furled, ten thousand mouths all speaking the same English + would be filled. There was life in the old dog yet! Tradition! And again + Tradition! How strong and how elastic! Wars might rage, taxation prey, + Trades Unions take toll, and Europe perish of starvation; but the ten + thousand would be fed; and, within their ring fence, stroll upon green + turf, wear their top hats, and meet—themselves. The heart was sound, + the pulse still regular. E-ton! E-ton! Har-r-o-o-o-w! + </p> + <p> + Among the many Forsytes, present on a hunting-ground theirs, by personal + prescriptive right, or proxy, was Soames with his wife and daughter. He + had not been at either school, he took no interest in cricket, but he + wanted Fleur to show her frock, and he wanted to wear his top hat parade + it again in peace and plenty among his peers. He walked sedately with + Fleur between him and Annette. No women equalled them, so far as he could + see. They could walk, and hold themselves up; there was substance in their + good looks; the modern woman had no build, no chest, no anything! He + remembered suddenly with what intoxication of pride he had walked round + with Irene in the first years of his first marriage. And how they used to + lunch on the drag which his mother would make his father have, because it + was so “chic”—all drags and carriages in those days, not + these lumbering great Stands! And how consistently Montague Dartie had + drunk too much. He supposed that people drank too much still, but there + was not the scope for it there used to be. He remembered George Forsyte—whose + brothers Roger and Eustace had been at Harrow and Eton—towering up + on the top of the drag waving a light-blue flag with one hand and a + dark-blue flag with the other, and shouting “Etroow-Harrton!” + Just when everybody was silent, like the buffoon he had always been; and + Eustace got up to the nines below, too dandified to wear any colour or + take any notice. H'm! Old days, and Irene in grey silk shot with + palest green. He looked, sideways, at Fleur's face. Rather + colourless-no light, no eagerness! That love affair was preying on her—a + bad business! He looked beyond, at his wife's face, rather more + touched up than usual, a little disdainful—not that she had any + business to disdain, so far as he could see. She was taking Profond's + defection with curious quietude; or was his “small” voyage + just a blind? If so, he should refuse to see it! Having promenaded round + the pitch and in front of the pavilion, they sought Winifred's table + in the Bedouin Club tent. This Club—a new “cock and hen”—had + been founded in the interests of travel, and of a gentleman with an old + Scottish name, whose father had somewhat strangely been called Levi. + Winifred had joined, not because she had travelled, but because instinct + told her that a Club with such a name and such a founder was bound to go + far; if one didn't join at once one might never have the chance. Its + tent, with a text from the Koran on an orange ground, and a small green + camel embroidered over the entrance, was the most striking on the ground. + Outside it they found Jack Cardigan in a dark blue tie (he had once played + for Harrow), batting with a Malacca cane to show how that fellow ought to + have hit that ball. He piloted them in. Assembled in Winifred's + corner were Imogen, Benedict with his young wife, Val Dartie without + Holly, Maud and her husband, and, after Soames and his two were seated, + one empty place. + </p> + <p> + “I'm expecting Prosper,” said Winifred, “but he's + so busy with his yacht.” + </p> + <p> + Soames stole a glance. No movement in his wife's face! Whether that + fellow were coming or not, she evidently knew all about it. It did not + escape him that Fleur, too, looked at her mother. If Annette didn't + respect his feelings, she might think of Fleur's! The conversation, + very desultory, was syncopated by Jack Cardigan talking about “mid-off.” + He cited all the “great mid-offs” from the beginning of time, + as if they had been a definite racial entity in the composition of the + British people. Soames had finished his lobster, and was beginning on + pigeon-pie, when he heard the words, “I'm a small bit late, + Mrs. Dartie,” and saw that there was no longer any empty place. That + fellow was sitting between Annette and Imogen. Soames ate steadily on, + with an occasional word to Maud and Winifred. Conversation buzzed around + him. He heard the voice of Profond say: + </p> + <p> + “I think you're mistaken, Mrs. Forsyde; I'll—I'll + bet Miss Forsyde agrees with me.” + </p> + <p> + “In what?” came Fleur's clear voice across the table. + </p> + <p> + “I was sayin', young gurls are much the same as they always + were—there's very small difference.” + </p> + <p> + “Do you know so much about them?” + </p> + <p> + That sharp reply caught the ears of all, and Soames moved uneasily on his + thin green chair. + </p> + <p> + “Well, I don't know, I think they want their own small way, + and I think they always did.” + </p> + <p> + “Indeed!” + </p> + <p> + “Oh, but—Prosper,” Winifred interjected comfortably, + “the girls in the streets—the girls who've been in + munitions, the little flappers in the shops; their manners now really + quite hit you in the eye.” + </p> + <p> + At the word “hit” Jack Cardigan stopped his disquisition; and + in the silence Monsieur Profond said: + </p> + <p> + “It was inside before, now it's outside; that's all.” + </p> + <p> + “But their morals!” cried Imogen. + </p> + <p> + “Just as moral as they ever were, Mrs. Cardigan, but they've + got more opportunity.” + </p> + <p> + The saying, so cryptically cynical, received a little laugh from Imogen, a + slight opening of Jack Cardigan's mouth, and a creak from Soames' + chair. + </p> + <p> + Winifred said: “That's too bad, Prosper.” + </p> + <p> + “What do you say, Mrs. Forsyde; don't you think human nature's + always the same?” + </p> + <p> + Soames subdued a sudden longing to get up and kick the fellow. He heard + his wife reply: + </p> + <p> + “Human nature is not the same in England as anywhere else.” + That was her confounded mockery! + </p> + <p> + “Well, I don't know much about this small country”—'No, + thank God!' thought Soames—“but I should say the pot was + boilin' under the lid everywhere. We all want pleasure, and we + always did.” + </p> + <p> + Damn the fellow! His cynicism was—was outrageous! + </p> + <p> + When lunch was over they broke up into couples for the digestive + promenade. Too proud to notice, Soames knew perfectly that Annette and + that fellow had gone prowling round together. Fleur was with Val; she had + chosen him, no doubt, because he knew that boy. He himself had Winifred + for partner. They walked in the bright, circling stream, a little flushed + and sated, for some minutes, till Winifred sighed: + </p> + <p> + “I wish we were back forty years, old boy!” + </p> + <p> + Before the eyes of her spirit an interminable procession of her own + “Lord's” frocks was passing, paid for with the money of + her father, to save a recurrent crisis. “It's been very + amusing, after all. Sometimes I even wish Monty was back. What do you + think of people nowadays, Soames?” + </p> + <p> + “Precious little style. The thing began to go to pieces with + bicycles and motor-cars; the War has finished it.” + </p> + <p> + “I wonder what's coming?” said Winifred in a voice + dreamy from pigeon-pie. “I'm not at all sure we shan't + go back to crinolines and pegtops. Look at that dress!” + </p> + <p> + Soames shook his head. + </p> + <p> + “There's money, but no faith in things. We don't lay by + for the future. These youngsters—it's all a short life and a + merry one with them.” + </p> + <p> + “There's a hat!” said Winifred. “I don't + know—when you come to think of the people killed and all that in the + War, it's rather wonderful, I think. There's no other country—Prosper + says the rest are all bankrupt, except America; and of course her men + always took their style in dress from us.” + </p> + <p> + “Is that chap,” said Soames, “really going to the South + Seas?” + </p> + <p> + “Oh! one never knows where Prosper's going!” + </p> + <p> + “He's a sign of the times,” muttered Soames, “if + you like.” + </p> + <p> + Winifred's hand gripped his arm. + </p> + <p> + “Don't turn your head,” she said in a low voice, “but + look to your right in the front row of the Stand.” + </p> + <p> + Soames looked as best he could under that limitation. A man in a grey top + hat, grey-bearded, with thin brown, folded cheeks, and a certain elegance + of posture, sat there with a woman in a lawn-coloured frock, whose dark + eyes were fixed on himself. Soames looked quickly at his feet. How funnily + feet moved, one after the other like that! Winifred's voice said in + his ear: + </p> + <p> + “Jolyon looks very ill; but he always had style. She doesn't + change—except her hair.” + </p> + <p> + “Why did you tell Fleur about that business?” + </p> + <p> + “I didn't; she picked it up. I always knew she would.” + </p> + <p> + “Well, it's a mess. She's set her heart upon their boy.” + </p> + <p> + “The little wretch,” murmured Winifred. “She tried to + take me in about that. What shall you do, Soames?” + </p> + <p> + “Be guided by events.” + </p> + <p> + They moved on, silent, in the almost solid crowd. + </p> + <p> + “Really,” said Winifred suddenly; “it almost seems like + Fate. Only that's so old-fashioned. Look! there are George and + Eustace!” + </p> + <p> + George Forsyte's lofty bulk had halted before them. + </p> + <p> + “Hallo, Soames!” he said. “Just met Profond and your + wife. You'll catch 'em if you put on pace. Did you ever go to + see old Timothy?” + </p> + <p> + Soames nodded, and the streams forced them apart. + </p> + <p> + “I always liked old George,” said Winifred. “He's + so droll.” + </p> + <p> + “I never did,” said Soames. “Where's your seat? I + shall go to mine. Fleur may be back there.” + </p> + <p> + Having seen Winifred to her seat, he regained his own, conscious of small, + white, distant figures running, the click of the bat, the cheers and + counter-cheers. No Fleur, and no Annette! You could expect nothing of + women nowadays! They had the vote. They were “emancipated,” + and much good it was doing them! So Winifred would go back, would she, and + put up with Dartie all over again? To have the past once more—to be + sitting here as he had sat in '83 and '84, before he was + certain that his marriage with Irene had gone all wrong, before her + antagonism had become so glaring that with the best will in the world he + could not overlook it. The sight of her with that fellow had brought all + memory back. Even now he could not understand why she had been so + impracticable. She could love other men; she had it in her! To himself, + the one person she ought to have loved, she had chosen to refuse her + heart. It seemed to him, fantastically, as he looked back, that all this + modern relaxation of marriage—though its forms and laws were the + same as when he married her—that all this modern looseness had come + out of her revolt; it seemed to him, fantastically, that she had started + it, till all decent ownership of anything had gone, or was on the point of + going. All came from her! And now—a pretty state of things! Homes! + How could you have them without mutual ownership? Not that he had ever had + a real home! But had that been his fault? He had done his best. And his + rewards were—those two sitting in that Stand, and this affair of + Fleur's! + </p> + <p> + And overcome by loneliness he thought: 'Shan't wait any + longer! They must find their own way back to the hotel—if they mean + to come!' Hailing a cab outside the ground, he said: + </p> + <p> + “Drive me to the Bayswater Road.” His old aunts had never + failed him. To them he had meant an ever-welcome visitor. Though they were + gone, there, still, was Timothy! + </p> + <p> + Smither was standing in the open doorway. + </p> + <p> + “Mr. Soames! I was just taking the air. Cook will be so pleased.” + </p> + <p> + “How is Mr. Timothy?” + </p> + <p> + “Not himself at all these last few days, sir; he's been + talking a great deal. Only this morning he was saying: 'My brother + James, he's getting old.' His mind wanders, Mr. Soames, and + then he will talk of them. He troubles about their investments. The other + day he said: 'There's my brother Jolyon won't look at + Consols'—he seemed quite down about it. Come in, Mr. Soames, + come in! It's such a pleasant change!” + </p> + <p> + “Well,” said Soames, “just for a few minutes.” + </p> + <p> + “No,” murmured Smither in the hall, where the air had the + singular freshness of the outside day, “we haven't been very + satisfied with him, not all this week. He's always been one to leave + a titbit to the end; but ever since Monday he's been eating it + first. If you notice a dog, Mr. Soames, at its dinner, it eats the meat + first. We've always thought it such a good sign of Mr. Timothy at + his age to leave it to the last, but now he seems to have lost all his + self-control; and, of course, it makes him leave the rest. The doctor + doesn't make anything of it, but”—Smither shook her head—“he + seems to think he's got to eat it first, in case he shouldn't + get to it. That and his talking makes us anxious.” + </p> + <p> + “Has he said anything important?” + </p> + <p> + “I shouldn't like to say that, Mr. Soames; but he's + turned against his Will. He gets quite pettish—and after having had + it out every morning for years, it does seem funny. He said the other day: + 'They want my money.' It gave me such a turn, because, as I + said to him, nobody wants his money, I'm sure. And it does seem a + pity he should be thinking about money at his time of life. I took my + courage in my 'ands. 'You know, Mr. Timothy,' I said, + 'my dear mistress'—that's Miss Forsyte, Mr. + Soames, Miss Ann that trained me—'she never thought about + money,' I said, 'it was all character with her.' He + looked at me, I can't tell you how funny, and he said quite dry: + 'Nobody wants my character.' Think of his saying a thing like + that! But sometimes he'll say something as sharp and sensible as + anything.” + </p> + <p> + Soames, who had been staring at an old print by the hat-rack, thinking, + 'That's got value!' murmured: “I'll go up + and see him, Smither.” + </p> + <p> + “Cook's with him,” answered Smither above her corsets; + “she will be pleased to see you.” + </p> + <p> + He mounted slowly, with the thought: 'Shan't care to live to + be that age.' + </p> + <p> + On the second floor, he paused, and tapped. The door was opened, and he + saw the round homely face of a woman about sixty. + </p> + <p> + “Mr. Soames!” she said: “Why! Mr. Soames!” + </p> + <p> + Soames nodded. “All right, Cook!” and entered. + </p> + <p> + Timothy was propped up in bed, with his hands joined before his chest, and + his eyes fixed on the ceiling, where a fly was standing upside down. + Soames stood at the foot of the bed, facing him. + </p> + <p> + “Uncle Timothy,” he said, raising his voice. “Uncle + Timothy!” + </p> + <p> + Timothy's eyes left the fly, and levelled themselves on his visitor. + Soames could see his pale tongue passing over his darkish lips. + </p> + <p> + “Uncle Timothy,” he said again, “is there anything I can + do for you? Is there anything you'd like to say?” + </p> + <p> + “Ha!” said Timothy. + </p> + <p> + “I've come to look you up and see that everything's all + right.” + </p> + <p> + Timothy nodded. He seemed trying to get used to the apparition before him. + </p> + <p> + “Have you got everything you want?” + </p> + <p> + “No,” said Timothy. + </p> + <p> + “Can I get you anything?” + </p> + <p> + “No,” said Timothy. + </p> + <p> + “I'm Soames, you know; your nephew, Soames Forsyte. Your + brother James' son.” + </p> + <p> + Timothy nodded. + </p> + <p> + “I shall be delighted to do anything I can for you.” + </p> + <p> + Timothy beckoned. Soames went close to him: + </p> + <p> + “You—” said Timothy in a voice which seemed to have + outlived tone, “you tell them all from me—you tell them all—” + and his finger tapped on Soames' arm, “to hold on—hold + on—Consols are goin' up,” and he nodded thrice. + </p> + <p> + “All right!” said Soames; “I will.” + </p> + <p> + “Yes,” said Timothy, and, fixing his eyes again on the + ceiling, he added: “That fly!” + </p> + <p> + Strangely moved, Soames looked at the Cook's pleasant fattish face, + all little puckers from staring at fires. + </p> + <p> + “That'll do him a world of good, sir,” she said. + </p> + <p> + A mutter came from Timothy, but he was clearly speaking to himself, and + Soames went out with the cook. + </p> + <p> + “I wish I could make you a pink cream, Mr. Soames, like in old days; + you did so relish them. Good-bye, sir; it has been a pleasure.” + </p> + <p> + “Take care of him, Cook, he is old.” + </p> + <p> + And, shaking her crumpled hand, he went down-stairs. Smither was still + taking the air in the doorway. + </p> + <p> + “What do you think of him, Mr. Soames?” + </p> + <p> + “H'm!” Soames murmured: “He's lost touch.” + </p> + <p> + “Yes,” said Smither, “I was afraid you'd think + that coming fresh out of the world to see him like.” + </p> + <p> + “Smither,” said Soames, “we're all indebted to + you.” + </p> + <p> + “Oh, no, Mr. Soames, don't say that! It's a pleasure—he's + such a wonderful man.” + </p> + <p> + “Well, good-bye!” said Soames, and got into his taxi. + </p> + <p> + 'Going up!' he thought; 'going up!' + </p> + <p> + Reaching the hotel at Knightsbridge he went to their sitting-room, and + rang for tea. Neither of them were in. And again that sense of loneliness + came over him. These hotels. What monstrous great places they were now! He + could remember when there was nothing bigger than Long's or Brown's, + Morley's or the Tavistock, and the heads that were shaken over the + Langham and the Grand. Hotels and Clubs—Clubs and Hotels; no end to + them now! And Soames, who had just been watching at Lord's a miracle + of tradition and continuity, fell into reverie over the changes in that + London where he had been born five-and-sixty years before. Whether Consols + were going up or not, London had become a terrific property. No such + property in the world, unless it were New York! There was a lot of + hysteria in the papers nowadays; but any one who, like himself, could + remember London sixty years ago, and see it now, realised the fecundity + and elasticity of wealth. They had only to keep their heads, and go at it + steadily. Why! he remembered cobblestones, and stinking straw on the floor + of your cab. And old Timothy—what could he not have told them, if he + had kept his memory! Things were unsettled, people in a funk or in a + hurry, but here were London and the Thames, and out there the British + Empire, and the ends of the earth. “Consols are goin' up!” + He should n't be a bit surprised. It was the breed that counted. And + all that was bull-dogged in Soames stared for a moment out of his grey + eyes, till diverted by the print of a Victorian picture on the walls. The + hotel had bought three dozen of that little lot! The old hunting or + “Rake's Progress” prints in the old inns were worth + looking at—but this sentimental stuff—well, Victorianism had + gone! “Tell them to hold on!” old Timothy had said. But to + what were they to hold on in this modern welter of the “democratic + principle”? Why, even privacy was threatened! And at the thought + that privacy might perish, Soames pushed back his teacup and went to the + window. Fancy owning no more of Nature than the crowd out there owned of + the flowers and trees and waters of Hyde Park! No, no! Private possession + underlay everything worth having. The world had slipped its sanity a bit, + as dogs now and again at full moon slipped theirs and went off for a night's + rabbiting; but the world, like the dog, knew where its bread was buttered + and its bed warm, and would come back sure enough to the only home worth + having—to private ownership. The world was in its second childhood + for the moment, like old Timothy—eating its titbit first! + </p> + <p> + He heard a sound behind him, and saw that his wife and daughter had come + in. + </p> + <p> + “So you're back!” he said. + </p> + <p> + Fleur did not answer; she stood for a moment looking at him and her + mother, then passed into her bedroom. Annette poured herself out a cup of + tea. + </p> + <p> + “I am going to Paris, to my mother, Soames.” + </p> + <p> + “Oh! To your mother?” + </p> + <p> + “Yes.” + </p> + <p> + “For how long?” + </p> + <p> + “I do not know.” + </p> + <p> + “And when are you going?” + </p> + <p> + “On Monday.” + </p> + <p> + Was she really going to her mother? Odd, how indifferent he felt! Odd, how + clearly she had perceived the indifference he would feel so long as there + was no scandal. And suddenly between her and himself he saw distinctly the + face he had seen that afternoon—Irene's. + </p> + <p> + “Will you want money?” + </p> + <p> + “Thank you; I have enough.” + </p> + <p> + “Very well. Let us know when you are coming back.” + </p> + <p> + Annette put down the cake she was fingering, and, looking up through + darkened lashes, said: + </p> + <p> + “Shall I give Maman any message?” + </p> + <p> + “My regards.” + </p> + <p> + Annette stretched herself, her hands on her waist, and said in French: + </p> + <p> + “What luck that you have never loved me, Soames!” Then rising, + she too left the room. Soames was glad she had spoken it in French—it + seemed to require no dealing with. Again that other face—pale, + dark-eyed, beautiful still! And there stirred far down within him the + ghost of warmth, as from sparks lingering beneath a mound of flaky ash. + And Fleur infatuated with her boy! Queer chance! Yet, was there such a + thing as chance? A man went down a street, a brick fell on his head. Ah! + that was chance, no doubt. But this! “Inherited,” his girl had + said. She—she was “holding on”! + </p> + <p> + <a name="link2H_PARTc3" id="link2H_PARTc3"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + PART III + </h2> + <p> + <a name="link2H_4_0122" id="link2H_4_0122"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + I.—OLD JOLYON WALKS + </h2> + <p> + Twofold impulse had made Jolyon say to his wife at breakfast “Let's + go up to Lord's!” + </p> + <p> + “Wanted”—something to abate the anxiety in which those + two had lived during the sixty hours since Jon had brought Fleur down. + “Wanted”—too, that which might assuage the pangs of + memory in one who knew he might lose them any day! + </p> + <p> + Fifty-eight years ago Jolyon had become an Eton boy, for old Jolyon's + whim had been that he should be canonised at the greatest possible + expense. Year after year he had gone to Lord's from Stanhope Gate + with a father whose youth in the eighteen-twenties had been passed without + polish in the game of cricket. Old Jolyon would speak quite openly of + swipes, full tosses, half and three-quarter balls; and young Jolyon with + the guileless snobbery of youth had trembled lest his sire should be + overheard. Only in this supreme matter of cricket he had been nervous, for + his father—in Crimean whiskers then—had ever impressed him as + the beau ideal. Though never canonised himself, Old Jolyon's natural + fastidiousness and balance had saved him from the errors of the vulgar. + How delicious, after bowling in a top hat and a sweltering heat, to go + home with his father in a hansom cab, bathe, dress, and forth to the + “Disunion” Club, to dine off white bait, cutlets, and a tart, + and go—two “swells,” old and young, in lavender kid + gloves—to the opera or play. And on Sunday, when the match was over, + and his top hat duly broken, down with his father in a special hansom to + the “Crown and Sceptre,” and the terrace above the river—the + golden sixties when the world was simple, dandies glamorous, Democracy not + born, and the books of Whyte Melville coming thick and fast. + </p> + <p> + A generation later, with his own boy, Jolly, Harrow-buttonholed with + corn-flowers—by old Jolyon's whim his grandson had been + canonised at a trifle less expense—again Jolyon had experienced the + heat and counter-passions of the day, and come back to the cool and the + strawberry beds of Robin Hill, and billiards after dinner, his boy making + the most heart-breaking flukes and trying to seem languid and grown-up. + Those two days each year he and his son had been alone together in the + world, one on each side—and Democracy just born! + </p> + <p> + And so, he had unearthed a grey top hat, borrowed a tiny bit of light-blue + ribbon from Irene, and gingerly, keeping cool, by car and train and taxi, + had reached Lord's Ground. There, beside her in a lawn-coloured + frock with narrow black edges, he had watched the game, and felt the old + thrill stir within him. + </p> + <p> + When Soames passed, the day was spoiled. Irene's face was distorted + by compression of the lips. No good to go on sitting here with Soames or + perhaps his daughter recurring in front of them, like decimals. And he + said: + </p> + <p> + “Well, dear, if you've had enough—let's go!” + </p> + <p> + That evening Jolyon felt exhausted. Not wanting her to see him thus, he + waited till she had begun to play, and stole off to the little study. He + opened the long window for air, and the door, that he might still hear her + music drifting in; and, settled in his father's old armchair, closed + his eyes, with his head against the worn brown leather. Like that passage + of the Cesar Franck Sonata—so had been his life with her, a divine + third movement. And now this business of Jon's—this bad + business! Drifted to the edge of consciousness, he hardly knew if it were + in sleep that he smelled the scent of a cigar, and seemed to see his + father in the blackness before his closed eyes. That shape formed, went, + and formed again; as if in the very chair where he himself was sitting, he + saw his father, black-coated, with knees crossed, glasses balanced between + thumb and finger; saw the big white moustaches, and the deep eyes looking + up below a dome of forehead and seeming to search his own, seeming to + speak. “Are you facing it, Jo? It's for you to decide. She's + only a woman!” Ah! how well he knew his father in that phrase; how + all the Victorian Age came up with it! And his answer “No, I've + funked it—funked hurting her and Jon and myself. I've got a + heart; I've funked it.” But the old eyes, so much older, so + much younger than his own, kept at it; “It's your wife, your + son; your past. Tackle it, my boy!” Was it a message from walking + spirit; or but the instinct of his sire living on within him? And again + came that scent of cigar smoke-from the old saturated leather. Well! he + would tackle it, write to Jon, and put the whole thing down in black and + white! And suddenly he breathed with difficulty, with a sense of + suffocation, as if his heart were swollen. He got up and went out into the + air. The stars were very bright. He passed along the terrace round the + corner of the house, till, through the window of the music-room, he could + see Irene at the piano, with lamp-light falling on her powdery hair; + withdrawn into herself she seemed, her dark eyes staring straight before + her, her hands idle. Jolyon saw her raise those hands and clasp them over + her breast. 'It's Jon, with her,' he thought; 'all + Jon! I'm dying out of her—it's natural!' + </p> + <p> + And, careful not to be seen, he stole back. + </p> + <p> + Next day, after a bad night, he sat down to his task. He wrote with + difficulty and many erasures. + </p> + <p> + “MY DEAREST BOY, + </p> + <p> + “You are old enough to understand how very difficult it is for + elders to give themselves away to their young. Especially when—like + your mother and myself, though I shall never think of her as anything but + young—their hearts are altogether set on him to whom they must + confess. I cannot say we are conscious of having sinned exactly—people + in real life very seldom are, I believe—but most persons would say + we had, and at all events our conduct, righteous or not, has found us out. + The truth is, my dear, we both have pasts, which it is now my task to make + known to you, because they so grievously and deeply affect your future. + Many, very many years ago, as far back indeed as 1883, when she was only + twenty, your mother had the great and lasting misfortune to make an + unhappy marriage—no, not with me, Jon. Without money of her own, and + with only a stepmother—closely related to Jezebel—she was very + unhappy in her home life. It was Fleur's father that she married, my + cousin Soames Forsyte. He had pursued her very tenaciously and to do him + justice was deeply in love with her. Within a week she knew the fearful + mistake she had made. It was not his fault; it was her error of judgment—her + misfortune.” + </p> + <p> + So far Jolyon had kept some semblance of irony, but now his subject + carried him away. + </p> + <p> + “Jon, I want to explain to you if I can—and it's very + hard—how it is that an unhappy marriage such as this can so easily + come about. You will of course say: 'If she didn't really love + him how could she ever have married him?' You would be right if it + were not for one or two rather terrible considerations. From this initial + mistake of hers all the subsequent trouble, sorrow, and tragedy have come, + and so I must make it clear to you if I can. You see, Jon, in those days + and even to this day—indeed, I don't see, for all the talk of + enlightenment, how it can well be otherwise—most girls are married + ignorant of the sexual side of life. Even if they know what it means they + have not experienced it. That's the crux. It is this actual lack of + experience, whatever verbal knowledge they have, which makes all the + difference and all the trouble. In a vast number of marriages-and your + mother's was one—girls are not and cannot be certain whether + they love the man they marry or not; they do not know until after that act + of union which makes the reality of marriage. Now, in many, perhaps in + most doubtful cases, this act cements and strengthens the attachment, but + in other cases, and your mother's was one, it is a revelation of + mistake, a destruction of such attraction as there was. There is nothing + more tragic in a woman's life than such a revelation, growing daily, + nightly clearer. Coarse-grained and unthinking people are apt to laugh at + such a mistake, and say, 'What a fuss about nothing!' Narrow + and self-righteous people, only capable of judging the lives of others by + their own, are apt to condemn those who make this tragic error, to condemn + them for life to the dungeons they have made for themselves. You know the + expression: 'She has made her bed, she must lie on it!' It is + a hard-mouthed saying, quite unworthy of a gentleman or lady in the best + sense of those words; and I can use no stronger condemnation. I have not + been what is called a moral man, but I wish to use no words to you, my + dear, which will make you think lightly of ties or contracts into which + you enter. Heaven forbid! But with the experience of a life behind me I do + say that those who condemn the victims of these tragic mistakes, condemn + them and hold out no hands to help them, are inhuman, or rather they would + be if they had the understanding to know what they are doing. But they + haven't! Let them go! They are as much anathema to me as I, no + doubt, am to them. I have had to say all this, because I am going to put + you into a position to judge your mother, and you are very young, without + experience of what life is. To go on with the story. After three years of + effort to subdue her shrinking—I was going to say her loathing and + it's not too strong a word, for shrinking soon becomes loathing + under such circumstances—three years of what to a sensitive, + beauty-loving nature like your mother's, Jon, was torment, she met a + young man who fell in love with her. He was the architect of this very + house that we live in now, he was building it for her and Fleur's + father to live in, a new prison to hold her, in place of the one she + inhabited with him in London. Perhaps that fact played some part in what + came of it. But in any case she, too, fell in love with him. I know it's + not necessary to explain to you that one does not precisely choose with + whom one will fall in love. It comes. Very well! It came. I can imagine—though + she never said much to me about it—the struggle that then took place + in her, because, Jon, she was brought up strictly and was not light in her + ideas—not at all. However, this was an overwhelming feeling, and it + came to pass that they loved in deed as well as in thought. Then came a + fearful tragedy. I must tell you of it because if I don't you will + never understand the real situation that you have now to face. The man + whom she had married—Soames Forsyte, the father of Fleur one night, + at the height of her passion for this young man, forcibly reasserted his + rights over her. The next day she met her lover and told him of it. + Whether he committed suicide or whether he was accidentally run over in + his distraction, we never knew; but so it was. Think of your mother as she + was that evening when she heard of his death. I happened to see her. Your + grandfather sent me to help her if I could. I only just saw her, before + the door was shut against me by her husband. But I have never forgotten + her face, I can see it now. I was not in love with her then, not for + twelve years after, but I have never forgotten. My dear boy—it is + not easy to write like this. But you see, I must. Your mother is wrapped + up in you, utterly, devotedly. I don't wish to write harshly of + Soames Forsyte. I don't think harshly of him. I have long been sorry + for him; perhaps I was sorry even then. As the world judges she was in + error, he within his rights. He loved her—in his way. She was his + property. That is the view he holds of life—of human feelings and + hearts—property. It's not his fault—so was he born. To + me it is a view that has always been abhorrent—so was I born! + Knowing you as I do, I feel it cannot be otherwise than abhorrent to you. + Let me go on with the story. Your mother fled from his house that night; + for twelve years she lived quietly alone without companionship of any + sort, until in 1899 her husband—you see, he was still her husband, + for he did not attempt to divorce her, and she of course had no right to + divorce him—became conscious, it seems, of the want of children, and + commenced a long attempt to induce her to go back to him and give him a + child. I was her trustee then, under your Grandfather's Will, and I + watched this going on. While watching, I became attached to her, devotedly + attached. His pressure increased, till one day she came to me here and + practically put herself under my protection. Her husband, who was kept + informed of all her movements, attempted to force us apart by bringing a + divorce suit, or possibly he really meant it, I don't know; but + anyway our names were publicly joined. That decided us, and we became + united in fact. She was divorced, married me, and you were born. We have + lived in perfect happiness, at least I have, and I believe your mother + also. Soames, soon after the divorce, married Fleur's mother, and + she was born. That is the story, Jon. I have told it you, because by the + affection which we see you have formed for this man's daughter you + are blindly moving toward what must utterly destroy your mother's + happiness, if not your own. I don't wish to speak of myself, because + at my age there's no use supposing I shall cumber the ground much + longer, besides, what I should suffer would be mainly on her account, and + on yours. But what I want you to realise is that feelings of horror and + aversion such as those can never be buried or forgotten. They are alive in + her to-day. Only yesterday at Lord's we happened to see Soames + Forsyte. Her face, if you had seen it, would have convinced you. The idea + that you should marry his daughter is a nightmare to her, Jon. I have + nothing to say against Fleur save that she is his daughter. But your + children, if you married her, would be the grandchildren of Soames, as + much as of your mother, of a man who once owned your mother as a man might + own a slave. Think what that would mean. By such a marriage you enter the + camp which held your mother prisoner and wherein she ate her heart out. + You are just on the threshold of life, you have only known this girl two + months, and however deeply you think you love her, I appeal to you to + break it off at once. Don't give your mother this rankling pain and + humiliation during the rest of her life. Young though she will always seem + to me, she is fifty-seven. Except for us two she has no one in the world. + She will soon have only you. Pluck up your spirit, Jon, and break away. + Don't put this cloud and barrier between you. Don't break her + heart! Bless you, my dear boy, and again forgive me for all the pain this + letter must bring you—we tried to spare it you, but Spain—it + seems—-was no good. + </p> + <p> + “Ever your devoted father, + </p> + <p> + “JOLYON FORSYTE.” + </p> + <p> + Having finished his confession, Jolyon sat with a thin cheek on his hand, + re-reading. There were things in it which hurt him so much, when he + thought of Jon reading them, that he nearly tore the letter up. To speak + of such things at all to a boy—his own boy—to speak of them in + relation to his own wife and the boy's own mother, seemed dreadful + to the reticence of his Forsyte soul. And yet without speaking of them how + make Jon understand the reality, the deep cleavage, the ineffaceable scar? + Without them, how justify this stiffing of the boy's love? He might + just as well not write at all! + </p> + <p> + He folded the confession, and put it in his pocket. It was—thank + Heaven!—Saturday; he had till Sunday evening to think it over; for + even if posted now it could not reach Jon till Monday. He felt a curious + relief at this delay, and at the fact that, whether sent or not, it was + written. + </p> + <p> + In the rose garden, which had taken the place of the old fernery, he could + see Irene snipping and pruning, with a little basket on her arm. She was + never idle, it seemed to him, and he envied her now that he himself was + idle nearly all his time. He went down to her. She held up a stained glove + and smiled. A piece of lace tied under her chin concealed her hair, and + her oval face with its still dark brows looked very young. + </p> + <p> + “The green-fly are awful this year, and yet it's cold. You + look tired, Jolyon.” + </p> + <p> + Jolyon took the confession from his pocket. “I've been writing + this. I think you ought to see it?” + </p> + <p> + “To Jon?” Her whole face had changed, in that instant, + becoming almost haggard. + </p> + <p> + “Yes; the murder's out.” + </p> + <p> + He gave it to her, and walked away among the roses. Presently, seeing that + she had finished reading and was standing quite still with the sheets of + the letter against her skirt, he came back to her. + </p> + <p> + “Well?” + </p> + <p> + “It's wonderfully put. I don't see how it could be put + better. Thank you, dear.” + </p> + <p> + “Is there anything you would like left out?” + </p> + <p> + She shook her head. + </p> + <p> + “No; he must know all, if he's to understand.” + </p> + <p> + “That's what I thought, but—I hate it!” + </p> + <p> + He had the feeling that he hated it more than she—to him sex was so + much easier to mention between man and woman than between man and man; and + she had always been more natural and frank, not deeply secretive like his + Forsyte self. + </p> + <p> + “I wonder if he will understand, even now, Jolyon? He's so + young; and he shrinks from the physical.” + </p> + <p> + “He gets that shrinking from my father, he was as fastidious as a + girl in all such matters. Would it be better to rewrite the whole thing, + and just say you hated Soames?” + </p> + <p> + Irene shook her head. + </p> + <p> + “Hate's only a word. It conveys nothing. No, better as it is.” + </p> + <p> + “Very well. It shall go to-morrow.” + </p> + <p> + She raised her face to his, and in sight of the big house's many + creepered windows, he kissed her. + </p> + <p> + <a name="link2H_4_0123" id="link2H_4_0123"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + II.—CONFESSION + </h2> + <p> + Late that same afternoon, Jolyon had a nap in the old armchair. Face down + on his knee was La Rotisserie de la Refine Pedauque, and just before he + fell asleep he had been thinking: 'As a people shall we ever really + like the French? Will they ever really like us!' He himself had + always liked the French, feeling at home with their wit, their taste, + their cooking. Irene and he had paid many visits to France before the War, + when Jon had been at his private school. His romance with her had begun in + Paris—his last and most enduring romance. But the French—no + Englishman could like them who could not see them in some sort with the + detached aesthetic eye! And with that melancholy conclusion he had nodded + off. + </p> + <p> + When he woke he saw Jon standing between him and the window. The boy had + evidently come in from the garden and was waiting for him to wake. Jolyon + smiled, still half asleep. How nice the chap looked—sensitive, + affectionate, straight! Then his heart gave a nasty jump; and a quaking + sensation overcame him. Jon! That confession! He controlled himself with + an effort. “Why, Jon, where did you spring from?” + </p> + <p> + Jon bent over and kissed his forehead. + </p> + <p> + Only then he noticed the look on the boy's face. + </p> + <p> + “I came home to tell you something, Dad.” + </p> + <p> + With all his might Jolyon tried to get the better of the jumping, gurgling + sensations within his chest. + </p> + <p> + “Well, sit down, old man. Have you seen your mother?” + </p> + <p> + “No.” The boy's flushed look gave place to pallor; he + sat down on the arm of the old chair, as, in old days, Jolyon himself used + to sit beside his own father, installed in its recesses. Right up to the + time of the rupture in their relations he had been wont to perch there—had + he now reached such a moment with his own son? All his life he had hated + scenes like poison, avoided rows, gone on his own way quietly and let + others go on theirs. But now—it seemed—at the very end of + things, he had a scene before him more painful than any he had avoided. He + drew a visor down over his emotion, and waited for his son to speak. + </p> + <p> + “Father,” said Jon slowly, “Fleur and I are engaged.” + </p> + <p> + 'Exactly!' thought Jolyon, breathing with difficulty. + </p> + <p> + “I know that you and Mother don't like the idea. Fleur says + that Mother was engaged to her father before you married her. Of course I + don't know what happened, but it must be ages ago. I'm devoted + to her, Dad, and she says she is to me.” + </p> + <p> + Jolyon uttered a queer sound, half laugh, half groan. + </p> + <p> + “You are nineteen, Jon, and I am seventy-two. How are we to + understand each other in a matter like this, eh?” + </p> + <p> + “You love Mother, Dad; you must know what we feel. It isn't + fair to us to let old things spoil our happiness, is it?” + </p> + <p> + Brought face to face with his confession, Jolyon resolved to do without it + if by any means he could. He laid his hand on the boy's arm. + </p> + <p> + “Look, Jon! I might put you off with talk about your both being too + young and not knowing your own minds, and all that, but you wouldn't + listen, besides, it doesn't meet the case—Youth, + unfortunately, cures itself. You talk lightly about 'old things like + that,' knowing nothing—as you say truly—of what + happened. Now, have I ever given you reason to doubt my love for you, or + my word?” + </p> + <p> + At a less anxious moment he might have been amused by the conflict his + words aroused—the boy's eager clasp, to reassure him on these + points, the dread on his face of what that reassurance would bring forth; + but he could only feel grateful for the squeeze. + </p> + <p> + “Very well, you can believe what I tell you. If you don't give + up this love affair, you will make Mother wretched to the end of her days. + Believe me, my dear, the past, whatever it was, can't be buried—it + can't indeed.” + </p> + <p> + Jon got off the arm of the chair. + </p> + <p> + 'The girl'—thought Jolyon—'there she goes—starting + up before him—life itself—eager, pretty, loving!' + </p> + <p> + “I can't, Father; how can I—just because you say that? + Of course, I can't!” + </p> + <p> + “Jon, if you knew the story you would give this up without + hesitation; you would have to! Can't you believe me?” + </p> + <p> + “How can you tell what I should think? Father, I love her better + than anything in the world.” + </p> + <p> + Jolyon's face twitched, and he said with painful slowness: + </p> + <p> + “Better than your mother, Jon?” + </p> + <p> + From the boy's face, and his clenched fists Jolyon realised the + stress and struggle he was going through. + </p> + <p> + “I don't know,” he burst out, “I don't know! + But to give Fleur up for nothing—for something I don't + understand, for something that I don't believe can really matter + half so much, will make me—make me....” + </p> + <p> + “Make you feel us unjust, put a barrier—yes. But that's + better than going on with this.” + </p> + <p> + “I can't. Fleur loves me, and I love her. You want me to trust + you; why don't you trust me, Father? We wouldn't want to know + anything—we wouldn't let it make any difference. It'll + only make us both love you and Mother all the more.” + </p> + <p> + Jolyon put his hand into his breast pocket, but brought it out again + empty, and sat, clucking his tongue against his teeth. + </p> + <p> + “Think what your mother's been to you, Jon! She has nothing + but you; I shan't last much longer.” + </p> + <p> + “Why not? It isn't fair to—Why not?” + </p> + <p> + “Well,” said Jolyon, rather coldly, “because the doctors + tell me I shan't; that's all.” + </p> + <p> + “Oh, Dad!” cried Jon, and burst into tears. + </p> + <p> + This downbreak of his son, whom he had not seen cry since he was ten, + moved Jolyon terribly. He recognised to the full how fearfully soft the + boy's heart was, how much he would suffer in this business, and in + life generally. And he reached out his hand helplessly—not wishing, + indeed not daring to get up. + </p> + <p> + “Dear man,” he said, “don't—or you'll + make me!” + </p> + <p> + Jon smothered down his paroxysm, and stood with face averted, very still. + </p> + <p> + 'What now?' thought Jolyon. 'What can I say to move him?' + </p> + <p> + “By the way, don't speak of that to Mother,” he said; + “she has enough to frighten her with this affair of yours. I know + how you feel. But, Jon, you know her and me well enough to be sure we + wouldn't wish to spoil your happiness lightly. Why, my dear boy, we + don't care for anything but your happiness—at least, with me + it's just yours and Mother's and with her just yours. It's + all the future for you both that's at stake.” + </p> + <p> + Jon turned. His face was deadly pale; his eyes, deep in his head, seemed + to burn. + </p> + <p> + “What is it? What is it? Don't keep me like this!” + </p> + <p> + Jolyon, who knew that he was beaten, thrust his hand again into his breast + pocket, and sat for a full minute, breathing with difficulty, his eyes + closed. The thought passed through his mind: 'I've had a good + long innings—some pretty bitter moments—this is the worst!' + Then he brought his hand out with the letter, and said with a sort of + fatigue: “Well, Jon, if you hadn't come to-day, I was going to + send you this. I wanted to spare you—I wanted to spare your mother + and myself, but I see it's no good. Read it, and I think I'll + go into the garden.” He reached forward to get up. + </p> + <p> + Jon, who had taken the letter, said quickly, “No, I'll go”; + and was gone. + </p> + <p> + Jolyon sank back in his chair. A blue-bottle chose that moment to come + buzzing round him with a sort of fury; the sound was homely, better than + nothing.... Where had the boy gone to read his letter? The wretched letter—the + wretched story! A cruel business—cruel to her—to Soames—to + those two children—to himself!... His heart thumped and pained him. + Life—its loves—its work—its beauty—its aching, and—its + end! A good time; a fine time in spite of all; until—you regretted + that you had ever been born. Life—it wore you down, yet did not make + you want to die—that was the cunning evil! Mistake to have a heart! + Again the blue-bottle came buzzing—bringing in all the heat and hum + and scent of summer—yes, even the scent—as of ripe fruits, + dried grasses, sappy shrubs, and the vanilla breath of cows. And out there + somewhere in the fragrance Jon would be reading that letter, turning and + twisting its pages in his trouble, his bewilderment and trouble—breaking + his heart about it! The thought made Jolyon acutely miserable. Jon was + such a tender-hearted chap, affectionate to his bones, and conscientious, + too—it was so unfair, so damned unfair! He remembered Irene saying + to him once: “Never was any one born more loving and lovable than + Jon.” Poor little Jon! His world gone up the spout, all of a summer + afternoon! Youth took things so hard! And stirred, tormented by that + vision of Youth taking things hard, Jolyon got out of his chair, and went + to the window. The boy was nowhere visible. And he passed out. If one + could take any help to him now—one must! + </p> + <p> + He traversed the shrubbery, glanced into the walled garden—no Jon! + Nor where the peaches and the apricots were beginning to swell and colour. + He passed the Cupressus trees, dark and spiral, into the meadow. Where had + the boy got to? Had he rushed down to the coppice—his old + hunting-ground? Jolyon crossed the rows of hay. They would cock it on + Monday and be carrying the day after, if rain held off. Often they had + crossed this field together—hand in hand, when Jon was a little + chap. Dash it! The golden age was over by the time one was ten! He came to + the pond, where flies and gnats were dancing over a bright reedy surface; + and on into the coppice. It was cool there, fragrant of larches. Still no + Jon! He called. No answer! On the log seat he sat down, nervous, anxious, + forgetting his own physical sensations. He had been wrong to let the boy + get away with that letter; he ought to have kept him under his eye from + the start! Greatly troubled, he got up to retrace his steps. At the + farm-buildings he called again, and looked into the dark cow-house. There + in the cool, and the scent of vanilla and ammonia, away from flies, the + three Alderneys were chewing the quiet cud; just milked, waiting for + evening, to be turned out again into the lower field. One turned a lazy + head, a lustrous eye; Jolyon could see the slobber on its grey lower lip. + He saw everything with passionate clearness, in the agitation of his + nerves—all that in his time he had adored and tried to paint—wonder + of light and shade and colour. No wonder the legend put Christ into a + manger—what more devotional than the eyes and moon-white horns of a + chewing cow in the warm dusk! He called again. No answer! And he hurried + away out of the coppice, past the pond, up the hill. Oddly ironical—now + he came to think of it—if Jon had taken the gruel of his discovery + down in the coppice where his mother and Bosinney in those old days had + made the plunge of acknowledging their love. Where he himself, on the log + seat the Sunday morning he came back from Paris, had realised to the full + that Irene had become the world to him. That would have been the place for + Irony to tear the veil from before the eyes of Irene's boy! But he + was not here! Where had he got to? One must find the poor chap! + </p> + <p> + A gleam of sun had come, sharpening to his hurrying senses all the beauty + of the afternoon, of the tall trees and lengthening shadows, of the blue, + and the white clouds, the scent of the hay, and the cooing of the pigeons; + and the flower shapes standing tall. He came to the rosery, and the beauty + of the roses in that sudden sunlight seemed to him unearthly. “Rose, + you Spaniard!” Wonderful three words! There she had stood by that + bush of dark red roses; had stood to read and decide that Jon must know it + all! He knew all now! Had she chosen wrong? He bent and sniffed a rose, + its petals brushed his nose and trembling lips; nothing so soft as a + rose-leaf's velvet, except her neck—Irene! On across the lawn + he went, up the slope, to the oak-tree. Its top alone was glistening, for + the sudden sun was away over the house; the lower shade was thick, + blessedly cool—he was greatly overheated. He paused a minute with + his hand on the rope of the swing—Jolly, Holly—Jon! The old + swing! And suddenly, he felt horribly—deadly ill. 'I've + over done it!' he thought: 'by Jove! I've overdone it—after + all!' He staggered up toward the terrace, dragged himself up the + steps, and fell against the wall of the house. He leaned there gasping, + his face buried in the honey-suckle that he and she had taken such trouble + with that it might sweeten the air which drifted in. Its fragrance mingled + with awful pain. 'My love!' he thought; 'the boy!' + And with a great effort he tottered in through the long window, and sank + into old Jolyon's chair. The book was there, a pencil in it; he + caught it up, scribbled a word on the open page.... His hand dropped.... + So it was like this—was it?... + </p> + <p> + There was a great wrench; and darkness.... + </p> + <p> + <a name="link2H_4_0124" id="link2H_4_0124"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + III.—IRENE + </h2> + <p> + When Jon rushed away with the letter in his hand, he ran along the terrace + and round the corner of the house, in fear and confusion. Leaning against + the creepered wall he tore open the letter. It was long—very long! + This added to his fear, and he began reading. When he came to the words: + “It was Fleur's father that she married,” everything + seemed to spin before him. He was close to a window, and entering by it, + he passed, through music-room and hall, up to his bedroom. Dipping his + face in cold water, he sat on his bed, and went on reading, dropping each + finished page on the bed beside him. His father's writing was easy + to read—he knew it so well, though he had never had a letter from + him one quarter so long. He read with a dull feeling—imagination + only half at work. He best grasped, on that first reading, the pain his + father must have had in writing such a letter. He let the last sheet fall, + and in a sort of mental, moral helplessness began to read the first again. + It all seemed to him disgusting—dead and disgusting. Then, suddenly, + a hot wave of horrified emotion tingled through him. He buried his face in + his hands. His mother! Fleur's father! He took up the letter again, + and read on mechanically. And again came the feeling that it was all dead + and disgusting; his own love so different! This letter said his mother—and + her father! An awful letter! + </p> + <p> + Property! Could there be men who looked on women as their property? Faces + seen in street and countryside came thronging up before him—red, + stock-fish faces; hard, dull faces; prim, dry faces; violent faces; + hundreds, thousands of them! How could he know what men who had such faces + thought and did? He held his head in his hands and groaned. His mother! He + caught up the letter and read on again: “horror and aversion-alive + in her to-day.... your children.... grandchildren.... of a man who once + owned your mother as a man might own a slave....” He got up from his + bed. This cruel shadowy past, lurking there to murder his love and Fleur's, + was true, or his father could never have written it. 'Why didn't + they tell me the first thing,' he thought, 'the day I first + saw Fleur? They knew I'd seen her. They were afraid, and—now—I've—got + it!' Overcome by misery too acute for thought or reason, he crept + into a dusky corner of the room and sat down on the floor. He sat there, + like some unhappy little animal. There was comfort in dusk, and the floor—as + if he were back in those days when he played his battles sprawling all + over it. He sat there huddled, his hair ruffled, his hands clasped round + his knees, for how long he did not know. He was wrenched from his blank + wretchedness by the sound of the door opening from his mother's + room. The blinds were down over the windows of his room, shut up in his + absence, and from where he sat he could only hear a rustle, her footsteps + crossing, till beyond the bed he saw her standing before his + dressing-table. She had something in her hand. He hardly breathed, hoping + she would not see him, and go away. He saw her touch things on the table + as if they had some virtue in them, then face the window-grey from head to + foot like a ghost. The least turn of her head, and she must see him! Her + lips moved: “Oh! Jon!” She was speaking to herself; the tone + of her voice troubled Jon's heart. He saw in her hand a little + photograph. She held it toward the light, looking at it—very small. + He knew it—one of himself as a tiny boy, which she always kept in + her bag. His heart beat fast. And, suddenly as if she had heard it, she + turned her eyes and saw him. At the gasp she gave, and the movement of her + hands pressing the photograph against her breast, he said: + </p> + <p> + “Yes, it's me.” + </p> + <p> + She moved over to the bed, and sat down on it, quite close to him, her + hands still clasping her breast, her feet among the sheets of the letter + which had slipped to the floor. She saw them, and her hands grasped the + edge of the bed. She sat very upright, her dark eyes fixed on him. At last + she spoke. + </p> + <p> + “Well, Jon, you know, I see.” + </p> + <p> + “Yes.” + </p> + <p> + “You've seen Father?” + </p> + <p> + “Yes.” + </p> + <p> + There was a long silence, till she said: + </p> + <p> + “Oh! my darling!” + </p> + <p> + “It's all right.” The emotions in him were so, violent + and so mixed that he dared not move—resentment, despair, and yet a + strange yearning for the comfort of her hand on his forehead. + </p> + <p> + “What are you going to do?” + </p> + <p> + “I don't know.” + </p> + <p> + There was another long silence, then she got up. She stood a moment, very + still, made a little movement with her hand, and said: “My darling + boy, my most darling boy, don't think of me—think of yourself,” + and, passing round the foot of the bed, went back into her room. + </p> + <p> + Jon turned—curled into a sort of ball, as might a hedgehog—into + the corner made by the two walls. + </p> + <p> + He must have been twenty minutes there before a cry roused him. It came + from the terrace below. He got up, scared. Again came the cry: “Jon!” + His mother was calling! He ran out and down the stairs, through the empty + dining-room into the study. She was kneeling before the old armchair, and + his father was lying back quite white, his head on his breast, one of his + hands resting on an open book, with a pencil clutched in it—more + strangely still than anything he had ever seen. She looked round wildly, + and said: + </p> + <p> + “Oh! Jon—he's dead—he's dead!” + </p> + <p> + Jon flung himself down, and reaching over the arm of the chair, where he + had lately been sitting, put his lips to the forehead. Icy cold! How could—how + could Dad be dead, when only an hour ago—! His mother's arms + were round the knees; pressing her breast against them. “Why—why + wasn't I with him?” he heard her whisper. Then he saw the + tottering word “Irene” pencilled on the open page, and broke + down himself. It was his first sight of human death, and its unutterable + stillness blotted from him all other emotion; all else, then, was but + preliminary to this! All love and life, and joy, anxiety, and sorrow, all + movement, light and beauty, but a beginning to this terrible white + stillness. It made a dreadful mark on him; all seemed suddenly little, + futile, short. He mastered himself at last, got up, and raised her. + </p> + <p> + “Mother! don't cry—Mother!” + </p> + <p> + Some hours later, when all was done that had to be, and his mother was + lying down, he saw his father alone, on the bed, covered with a white + sheet. He stood for a long time gazing at that face which had never looked + angry—always whimsical, and kind. “To be kind and keep your + end up—there's nothing else in it,” he had once heard + his father say. How wonderfully Dad had acted up to that philosophy! He + understood now that his father had known for a long time past that this + would come suddenly—known, and not said a word. He gazed with an + awed and passionate reverence. The loneliness of it—just to spare + his mother and himself! His own trouble seemed small while he was looking + at that face. The word scribbled on the page! The farewell word! Now his + mother had no one but himself! He went up close to the dead face—not + changed at all, and yet completely changed. He had heard his father say + once that he did not believe in consciousness surviving death, or that if + it did it might be just survival till the natural age limit of the body + had been reached—the natural term of its inherent vitality; so that + if the body were broken by accident, excess, violent disease, + consciousness might still persist till, in the course of Nature + uninterfered with, it would naturally have faded out. It had struck him + because he had never heard any one else suggest it. When the heart failed + like this—surely it was not quite natural! Perhaps his father's + consciousness was in the room with him. Above the bed hung a picture of + his father's father. Perhaps his consciousness, too, was still + alive; and his brother's—his half-brother, who had died in the + Transvaal. Were they all gathered round this bed? Jon kissed the forehead, + and stole back to his own room. The door between it and his mother's + was ajar; she had evidently been in—everything was ready for him, + even some biscuits and hot milk, and the letter no longer on the floor. He + ate and drank, watching the last light fade. He did not try to see into + the future—just stared at the dark branches of the oak-tree, level + with his window, and felt as if life had stopped. Once in the night, + turning in his heavy sleep, he was conscious of something white and still, + beside his bed, and started up. + </p> + <p> + His mother's voice said: + </p> + <p> + “It's only I, Jon dear!” Her hand pressed his forehead + gently back; her white figure disappeared. + </p> + <p> + Alone! He fell heavily asleep again, and dreamed he saw his mother's + name crawling on his bed. + </p> + <p> + <a name="link2H_4_0125" id="link2H_4_0125"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + IV.—SOAMES COGITATES + </h2> + <p> + The announcement in The Times of his cousin Jolyon's death affected + Soames quite simply. So that chap was gone! There had never been a time in + their two lives when love had not been lost between them. That + quick-blooded sentiment hatred had run its course long since in Soames' + heart, and he had refused to allow any recrudescence, but he considered + this early decease a piece of poetic justice. For twenty years the fellow + had enjoyed the reversion of his wife and house, and—he was dead! + The obituary notice, which appeared a little later, paid Jolyon—he + thought—too much attention. It spoke of that “diligent and + agreeable painter whose work we have come to look on as typical of the + best late-Victorian water-colour art.” Soames, who had almost + mechanically preferred Mole, Morpin, and Caswell Baye, and had always + sniffed quite audibly when he came to one of his cousin's on the + line, turned The Times with a crackle. + </p> + <p> + He had to go up to Town that morning on Forsyte affairs, and was fully + conscious of Gradman's glance sidelong over his spectacles. The old + clerk had about him an aura of regretful congratulation. He smelled, as it + were, of old days. One could almost hear him thinking: “Mr. Jolyon, + ye-es—just my age, and gone—dear, dear! I dare say she feels + it. She was a nice-lookin' woman. Flesh is flesh! They've + given 'im a notice in the papers. Fancy!” His atmosphere in + fact caused Soames to handle certain leases and conversions with + exceptional swiftness. + </p> + <p> + “About that settlement on Miss Fleur, Mr. Soames?” + </p> + <p> + “I've thought better of that,” answered Soames shortly. + </p> + <p> + “Ah! I'm glad of that. I thought you were a little hasty. The + times do change.” + </p> + <p> + How this death would affect Fleur had begun to trouble Soames. He was not + certain that she knew of it—she seldom looked at the paper, never at + the births, marriages, and deaths. + </p> + <p> + He pressed matters on, and made his way to Green Street for lunch. + Winifred was almost doleful. Jack Cardigan had broken a splashboard, so + far as one could make out, and would not be “fit” for some + time. She could not get used to the idea. + </p> + <p> + “Did Profond ever get off?” he said suddenly. + </p> + <p> + “He got off,” replied Winifred, “but where—I don't + know.” + </p> + <p> + Yes, there it was—impossible to tell anything! Not that he wanted to + know. Letters from Annette were coming from Dieppe, where she and her + mother were staying. + </p> + <p> + “You saw that fellow's death, I suppose?” + </p> + <p> + “Yes,” said Winifred. “I'm sorry for—for his + children. He was very amiable.” Soames uttered a rather queer sound. + A suspicion of the old deep truth—that men were judged in this world + rather by what they were than by what they did—crept and knocked + resentfully at the back doors of his mind. + </p> + <p> + “I know there was a superstition to that effect,” he muttered. + </p> + <p> + “One must do him justice now he's dead.” + </p> + <p> + “I should like to have done him justice before,” said Soames; + “but I never had the chance. Have you got a 'Baronetage' + here?” + </p> + <p> + “Yes; in that bottom row.” + </p> + <p> + Soames took out a fat red book, and ran over the leaves. + </p> + <p> + “Mont-Sir Lawrence, 9th Bt., cr. 1620, e. s. of Geoffrey, 8th Bt., + and Lavinia, daur. of Sir Charles Muskham, Bt., of Muskham Hall, Shrops: + marr. 1890 Emily, daur. of Conway Charwell, Esq., of Condaford Grange, co. + Oxon; 1 son, heir Michael Conway, b. 1895, 2 daurs. Residence: Lippinghall + Manor, Folwell, Bucks. Clubs: Snooks'. Coffee House: Aeroplane. See + Bidicott.” + </p> + <p> + “H'm!” he said. “Did you ever know a publisher?” + </p> + <p> + “Uncle Timothy.” + </p> + <p> + “Alive, I mean.” + </p> + <p> + “Monty knew one at his Club. He brought him here to dinner once. + Monty was always thinking of writing a book, you know, about how to make + money on the turf. He tried to interest that man.” + </p> + <p> + “Well?” + </p> + <p> + “He put him on to a horse—for the Two Thousand. We didn't + see him again. He was rather smart, if I remember.” + </p> + <p> + “Did it win?” + </p> + <p> + “No; it ran last, I think. You know Monty really was quite clever in + his way.” + </p> + <p> + “Was he?” said Soames. “Can you see any connection + between a sucking baronet and publishing?” + </p> + <p> + “People do all sorts of things nowadays,” replied Winifred. + “The great stunt seems not to be idle—so different from our + time. To do nothing was the thing then. But I suppose it'll come + again.” + </p> + <p> + “This young Mont that I'm speaking of is very sweet on Fleur. + If it would put an end to that other affair I might encourage it.” + </p> + <p> + “Has he got style?” asked Winifred. + </p> + <p> + “He's no beauty; pleasant enough, with some scattered brains. + There's a good deal of land, I believe. He seems genuinely attached. + But I don't know.” + </p> + <p> + “No,” murmured Winifred; “it's—very + difficult. I always found it best to do nothing. It is such a bore about + Jack; now we shan't get away till after Bank Holiday. Well, the + people are always amusing, I shall go into the Park and watch them.” + </p> + <p> + “If I were you,” said Soames, “I should have a country + cottage, and be out of the way of holidays and strikes when you want.” + </p> + <p> + “The country bores me,” answered Winifred, “and I found + the railway strike quite exciting.” + </p> + <p> + Winifred had always been noted for sang-froid. + </p> + <p> + Soames took his leave. All the way down to Reading he debated whether he + should tell Fleur of that boy's father's death. It did not + alter the situation except that he would be independent now, and only have + his mother's opposition to encounter. He would come into a lot of + money, no doubt, and perhaps the house—the house built for Irene and + himself—the house whose architect had wrought his domestic ruin. His + daughter—mistress of that house! That would be poetic justice! + Soames uttered a little mirthless laugh. He had designed that house to + re-establish his failing union, meant it for the seat of his descendants, + if he could have induced Irene to give him one! Her son and Fleur! Their + children would be, in some sort, offspring of the union between himself + and her! + </p> + <p> + The theatricality in that thought was repulsive to his sober sense. And + yet—it would be the easiest and wealthiest way out of the impasse, + now that Jolyon was gone. The juncture of two Forsyte fortunes had a kind + of conservative charm. And she—Irene-would be linked to him once + more. Nonsense! Absurd! He put the notion from his head. + </p> + <p> + On arriving home he heard the click of billiard-balls, and through the + window saw young Mont sprawling over the table. Fleur, with her cue + akimbo, was watching with a smile. How pretty she looked! No wonder that + young fellow was out of his mind about her. A title—land! There was + little enough in land, these days; perhaps less in a title. The old + Forsytes had always had a kind of contempt for titles, rather remote and + artificial things—not worth the money they cost, and having to do + with the Court. They had all had that feeling in differing measure—Soames + remembered. Swithin, indeed, in his most expansive days had once attended + a Levee. He had come away saying he shouldn't go again—“all + that small fry.” It was suspected that he had looked too big in + knee-breeches. Soames remembered how his own mother had wished to be + presented because of the fashionable nature of the performance, and how + his father had put his foot down with unwonted decision. What did she want + with that peacocking—wasting time and money; there was nothing in + it! + </p> + <p> + The instinct which had made and kept the English Commons the chief power + in the State, a feeling that their own world was good enough and a little + better than any other because it was their world, had kept the old + Forsytes singularly free of “flummery,” as Nicholas had been + wont to call it when he had the gout. Soames' generation, more + self-conscious and ironical, had been saved by a sense of Swithin in + knee-breeches. While the third and the fourth generation, as it seemed to + him, laughed at everything. + </p> + <p> + However, there was no harm in the young fellow's being heir to a + title and estate—a thing one couldn't help. He entered + quietly, as Mont missed his shot. He noted the young man's eyes, + fixed on Fleur bending over in her turn; and the adoration in them almost + touched him. + </p> + <p> + She paused with the cue poised on the bridge of her slim hand, and shook + her crop of short dark chestnut hair. + </p> + <p> + “I shall never do it.” + </p> + <p> + “'Nothing venture.'” + </p> + <p> + “All right.” The cue struck, the ball rolled. “There!” + </p> + <p> + “Bad luck! Never mind!” + </p> + <p> + Then they saw him, and Soames said: + </p> + <p> + “I'll mark for you.” + </p> + <p> + He sat down on the raised seat beneath the marker, trim and tired, + furtively studying those two young faces. When the game was over Mont came + up to him. + </p> + <p> + “I've started in, sir. Rum game, business, isn't it? I + suppose you saw a lot of human nature as a solicitor.” + </p> + <p> + “I did.” + </p> + <p> + “Shall I tell you what I've noticed: People are quite on the + wrong tack in offering less than they can afford to give; they ought to + offer more, and work backward.” + </p> + <p> + Soames raised his eyebrows. + </p> + <p> + “Suppose the more is accepted?” + </p> + <p> + “That doesn't matter a little bit,” said Mont; “it's + much more paying to abate a price than to increase it. For instance, say + we offer an author good terms—he naturally takes them. Then we go + into it, find we can't publish at a decent profit and tell him so. + He's got confidence in us because we've been generous to him, + and he comes down like a lamb, and bears us no malice. But if we offer him + poor terms at the start, he doesn't take them, so we have to advance + them to get him, and he thinks us damned screws into the bargain. + </p> + <p> + “Try buying pictures on that system,” said Soames; “an + offer accepted is a contract—haven't you learned that?” + </p> + <p> + Young Mont turned his head to where Fleur was standing in the window. + </p> + <p> + “No,” he said, “I wish I had. Then there's another + thing. Always let a man off a bargain if he wants to be let off.” + </p> + <p> + “As advertisement?” said Soames dryly. + </p> + <p> + “Of course it is; but I meant on principle.” + </p> + <p> + “Does your firm work on those lines?” + </p> + <p> + “Not yet,” said Mont, “but it'll come.” + </p> + <p> + “And they will go.” + </p> + <p> + “No, really, sir. I'm making any number of observations, and + they all confirm my theory. Human nature is consistently underrated in + business, people do themselves out of an awful lot of pleasure and profit + by that. Of course, you must be perfectly genuine and open, but that's + easy if you feel it. The more human and generous you are the better chance + you've got in business.” + </p> + <p> + Soames rose. + </p> + <p> + “Are you a partner?” + </p> + <p> + “Not for six months, yet.” + </p> + <p> + “The rest of the firm had better make haste and retire.” + </p> + <p> + Mont laughed. + </p> + <p> + “You'll see,” he said. “There's going to be + a big change. The possessive principle has got its shutters up.” + </p> + <p> + “What?” said Soames. + </p> + <p> + “The house is to let! Good-bye, sir; I'm off now.” + </p> + <p> + Soames watched his daughter give her hand, saw her wince at the squeeze it + received, and distinctly heard the young man's sigh as he passed + out. Then she came from the window, trailing her finger along the mahogany + edge of the billiard-table. Watching her, Soames knew that she was going + to ask him something. Her finger felt round the last pocket, and she + looked up. + </p> + <p> + “Have you done anything to stop Jon writing to me, Father?” + </p> + <p> + Soames shook his head. + </p> + <p> + “You haven't seen, then?” he said. “His father + died just a week ago to-day.” + </p> + <p> + “Oh!” + </p> + <p> + In her startled, frowning face he saw the instant struggle to apprehend + what this would mean. + </p> + <p> + “Poor Jon! Why didn't you tell me, Father?” + </p> + <p> + “I never know!” said Soames slowly; “you don't + confide in me.” + </p> + <p> + “I would, if you'd help me, dear.” + </p> + <p> + “Perhaps I shall.” + </p> + <p> + Fleur clasped her hands. “Oh! darling—when one wants a thing + fearfully, one doesn't think of other people. Don't be angry + with me.” + </p> + <p> + Soames put out his hand, as if pushing away an aspersion. + </p> + <p> + “I'm cogitating,” he said. What on earth had made him + use a word like that! “Has young Mont been bothering you again?” + </p> + <p> + Fleur smiled. “Oh! Michael! He's always bothering; but he's + such a good sort—I don't mind him.” + </p> + <p> + “Well,” said Soames, “I'm tired; I shall go and + have a nap before dinner.” + </p> + <p> + He went up to his picture-gallery, lay down on the couch there, and closed + his eyes. A terrible responsibility this girl of his—whose mother + was—ah! what was she? A terrible responsibility! Help her—how + could he help her? He could not alter the fact that he was her father. Or + that Irene—! What was it young Mont had said—some nonsense + about the possessive instinct—shutters up—To let? Silly! + </p> + <p> + The sultry air, charged with a scent of meadow-sweet, of river and roses, + closed on his senses, drowsing them. + </p> + <p> + <a name="link2H_4_0126" id="link2H_4_0126"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + V.—THE FIXED IDEA + </h2> + <p> + “The fixed idea,” which has outrun more constables than any + other form of human disorder, has never more speed and stamina than when + it takes the avid guise of love. To hedges and ditches, and doors, to + humans without ideas fixed or otherwise, to perambulators and the contents + sucking their fixed ideas, even to the other sufferers from this fast + malady—the fixed idea of love pays no attention. It runs with eyes + turned inward to its own light, oblivious of all other stars. Those with + the fixed ideas that human happiness depends on their art, on vivisecting + dogs, on hating foreigners, on paying supertax, on remaining Ministers, on + making wheels go round, on preventing their neighbours from being + divorced, on conscientious objection, Greek roots, Church dogma, paradox + and superiority to everybody else, with other forms of ego-mania—all + are unstable compared with him or her whose fixed idea is the possession + of some her or him. And though Fleur, those chilly summer days, pursued + the scattered life of a little Forsyte whose frocks are paid for, and + whose business is pleasure, she was—as Winifred would have said in + the latest fashion of speech—“honest to God” indifferent + to it all. She wished and wished for the moon, which sailed in cold skies + above the river or the Green Park when she went to Town. She even kept Jon's + letters, covered with pink silk, on her heart, than which in days when + corsets were so low, sentiment so despised, and chests so out of fashion, + there could, perhaps, have been no greater proof of the fixity of her + idea. + </p> + <p> + After hearing of his father's death, she wrote to Jon, and received + his answer three days later on her return from a river picnic. It was his + first letter since their meeting at June's. She opened it with + misgiving, and read it with dismay. + </p> + <p> + “Since I saw you I've heard everything about the past. I won't + tell it you—I think you knew when we met at June's. She says + you did. If you did, Fleur, you ought to have told me. I expect you only + heard your father's side of it. I have heard my mother's. It's + dreadful. Now that she's so sad I can't do anything to hurt + her more. Of course, I long for you all day, but I don't believe now + that we shall ever come together—there's something too strong + pulling us apart.” + </p> + <p> + So! Her deception had found her out. But Jon—she felt—had + forgiven that. It was what he said of his mother which caused the + guttering in her heart and the weak sensation in her legs. + </p> + <p> + Her first impulse was to reply—her second, not to reply. These + impulses were constantly renewed in the days which followed, while + desperation grew within her. She was not her father's child for + nothing. The tenacity which had at once made and undone Soames was her + backbone, too, frilled and embroidered by French grace and quickness. + Instinctively she conjugated the verb “to have” always with + the pronoun “I.” She concealed, however, all signs of her + growing desperation, and pursued such river pleasures as the winds and + rain of a disagreeable July permitted, as if she had no care in the world; + nor did any “sucking baronet” ever neglect the business of a + publisher more consistently than her attendant spirit, Michael Mont. + </p> + <p> + To Soames she was a puzzle. He was almost deceived by this careless + gaiety. Almost—because he did not fail to mark her eyes often fixed + on nothing, and the film of light shining from her bedroom window late at + night. What was she thinking and brooding over into small hours when she + ought to have been asleep? But he dared not ask what was in her mind; and, + since that one little talk in the billiard-room, she said nothing to him. + </p> + <p> + In this taciturn condition of affairs it chanced that Winifred invited + them to lunch and to go afterward to “a most amusing little play, + 'The Beggar's Opera'” and would they bring a man + to make four? Soames, whose attitude toward theatres was to go to nothing, + accepted, because Fleur's attitude was to go to everything. They + motored up, taking Michael Mont, who, being in his seventh heaven, was + found by Winifred “very amusing.” “The Beggar's + Opera” puzzled Soames. The people were very unpleasant, the whole + thing very cynical. Winifred was “intrigued”—by the + dresses. The music, too, did not displease her. At the Opera, the night + before, she had arrived too early for the Russian Ballet, and found the + stage occupied by singers, for a whole hour pale or apoplectic from terror + lest by some dreadful inadvertence they might drop into a tune. Michael + Mont was enraptured with the whole thing. And all three wondered what + Fleur was thinking of it. But Fleur was not thinking of it. Her fixed idea + stood on the stage and sang with Polly Peachum, mimed with Filch, danced + with Jenny Diver, postured with Lucy Lockit, kissed, trolled, and cuddled + with Macheath. Her lips might smile, her hands applaud, but the comic old + masterpiece made no more impression on her than if it had been pathetic, + like a modern “Revue.” When they embarked in the car to + return, she ached because Jon was not sitting next her instead of Michael + Mont. When, at some jolt, the young man's arm touched hers as if by + accident, she only thought: 'If that were Jon's arm!' + When his cheerful voice, tempered by her proximity, murmured above the + sound of the car's progress, she smiled and answered, thinking: + 'If that were Jon's voice!' and when once he said, + “Fleur, you look a perfect angel in that dress!” she answered, + “Oh, do you like it?” thinking, 'If only Jon could see + it!' + </p> + <p> + During this drive she took a resolution. She would go to Robin Hill and + see him—alone; she would take the car, without word beforehand to + him or to her father. It was nine days since his letter, and she could + wait no longer. On Monday she would go! The decision made her well + disposed toward young Mont. With something to look forward to she could + afford to tolerate and respond. He might stay to dinner; propose to her as + usual; dance with her, press her hand, sigh—do what he liked. He was + only a nuisance when he interfered with her fixed idea. She was even sorry + for him so far as it was possible to be sorry for anybody but herself just + now. At dinner he seemed to talk more wildly than usual about what he + called “the death of the close borough”—she paid little + attention, but her father seemed paying a good deal, with the smile on his + face which meant opposition, if not anger. + </p> + <p> + “The younger generation doesn't think as you do, sir; does it, + Fleur?” + </p> + <p> + Fleur shrugged her shoulders—the younger generation was just Jon, + and she did not know what he was thinking. + </p> + <p> + “Young people will think as I do when they're my age, Mr. + Mont. Human nature doesn't change.” + </p> + <p> + “I admit that, sir; but the forms of thought change with the times. + The pursuit of self-interest is a form of thought that's going out.” + </p> + <p> + “Indeed! To mind one's own business is not a form of thought, + Mr. Mont, it's an instinct.” + </p> + <p> + Yes, when Jon was the business! + </p> + <p> + “But what is one's business, sir? That's the point. + Everybody's business is going to be one's business. Isn't + it, Fleur?” + </p> + <p> + Fleur only smiled. + </p> + <p> + “If not,” added young Mont, “there'll be blood.” + </p> + <p> + “People have talked like that from time immemorial” + </p> + <p> + “But you'll admit, sir, that the sense of property is dying + out?” + </p> + <p> + “I should say increasing among those who have none.” + </p> + <p> + “Well, look at me! I'm heir to an entailed estate. I don't + want the thing; I'd cut the entail to-morrow.” + </p> + <p> + “You're not married, and you don't know what you're + talking about.” + </p> + <p> + Fleur saw the young man's eyes turn rather piteously upon her. + </p> + <p> + “Do you really mean that marriage—?” he began. + </p> + <p> + “Society is built on marriage,” came from between her father's + close lips; “marriage and its consequences. Do you want to do away + with it?” + </p> + <p> + Young Mont made a distracted gesture. Silence brooded over the dinner + table, covered with spoons bearing the Forsyte crest—a pheasant + proper—under the electric light in an alabaster globe. And outside, + the river evening darkened, charged with heavy moisture and sweet scents. + </p> + <p> + 'Monday,' thought Fleur; 'Monday!' + </p> + <p> + <a name="link2H_4_0127" id="link2H_4_0127"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VI.—DESPERATE + </h2> + <p> + The weeks which followed the death of his father were sad and empty to the + only Jolyon Forsyte left. The necessary forms and ceremonies—the + reading of the Will, valuation of the estate, distribution of the legacies—were + enacted over the head, as it were, of one not yet of age. Jolyon was + cremated. By his special wish no one attended that ceremony, or wore black + for him. The succession of his property, controlled to some extent by old + Jolyon's Will, left his widow in possession of Robin Hill, with two + thousand five hundred pounds a year for life. Apart from this the two + Wills worked together in some complicated way to insure that each of + Jolyon's three children should have an equal share in their + grandfather's and father's property in the future as in the + present, save only that Jon, by virtue of his sex, would have control of + his capital when he was twenty-one, while June and Holly would only have + the spirit of theirs, in order that their children might have the body + after them. If they had no children, it would all come to Jon if he + outlived them; and since June was fifty, and Holly nearly forty, it was + considered in Lincoln's Inn Fields that but for the cruelty of + income tax, young Jon would be as warm a man as his grandfather when he + died. All this was nothing to Jon, and little enough to his mother. It was + June who did everything needful for one who had left his affairs in + perfect order. When she had gone, and those two were alone again in the + great house, alone with death drawing them together, and love driving them + apart, Jon passed very painful days secretly disgusted and disappointed + with himself. His mother would look at him with such a patient sadness + which yet had in it an instinctive pride, as if she were reserving her + defence. If she smiled he was angry that his answering smile should be so + grudging and unnatural. He did not judge or condemn her; that was all too + remote—indeed, the idea of doing so had never come to him. No! he + was grudging and unnatural because he couldn't have what he wanted + because of her. There was one alleviation—much to do in connection + with his father's career, which could not be safely entrusted to + June, though she had offered to undertake it. Both Jon and his mother had + felt that if she took his portfolios, unexhibited drawings and unfinished + matter, away with her, the work would encounter such icy blasts from Paul + Post and other frequenters of her studio, that it would soon be frozen out + even of her warm heart. On its old-fashioned plane and of its kind the + work was good, and they could not bear the thought of its subjection to + ridicule. A one-man exhibition of his work was the least testimony they + could pay to one they had loved; and on preparation for this they spent + many hours together. Jon came to have a curiously increased respect for + his father. The quiet tenacity with which he had converted a mediocre + talent into something really individual was disclosed by these researches. + There was a great mass of work with a rare continuity of growth in depth + and reach of vision. Nothing certainly went very deep, or reached very + high—but such as the work was, it was thorough, conscientious, and + complete. And, remembering his father's utter absence of “side” + or self-assertion, the chaffing humility with which he had always spoken + of his own efforts, ever calling himself “an amateur,” Jon + could not help feeling that he had never really known his father. To take + himself seriously, yet never that he did so, seemed to have been his + ruling principle. There was something in this which appealed to the boy, + and made him heartily endorse his mother's comment: “He had + true refinement; he couldn't help thinking of others, whatever he + did. And when he took a resolution which went counter, he did it with the + minimum of defiance—not like the Age, is it? Twice in his life he + had to go against everything; and yet it never made him bitter.” Jon + saw tears running down her face, which she at once turned away from him. + She was so quiet about her loss that sometimes he had thought she didn't + feel it much. Now, as he looked at her, he felt how far he fell short of + the reserve power and dignity in both his father and his mother. And, + stealing up to her, he put his arm round her waist. She kissed him + swiftly, but with a sort of passion, and went out of the room. + </p> + <p> + The studio, where they had been sorting and labelling, had once been Holly's + schoolroom, devoted to her silkworms, dried lavender, music, and other + forms of instruction. Now, at the end of July, despite its northern and + eastern aspects, a warm and slumberous air came in between the long-faded + lilac linen curtains. To redeem a little the departed glory, as of a field + that is golden and gone, clinging to a room which its master has left, + Irene had placed on the paint-stained table a bowl of red roses. This, and + Jolyon's favourite cat, who still clung to the deserted habitat, + were the pleasant spots in that dishevelled, sad workroom. Jon, at the + north window, sniffing air mysteriously scented with warm strawberries, + heard a car drive up. The lawyers again about some nonsense! Why did that + scent so make one ache? And where did it come from—there were no + strawberry beds on this side of the house. Instinctively he took a + crumpled sheet of paper from his pocket, and wrote down some broken words. + A warmth began spreading in his chest; he rubbed the palms of his hands + together. Presently he had jotted this: + </p> + <p> + “If I could make a little song A little song to soothe my heart! I'd + make it all of little things The plash of water, rub of wings, The + puffing-off of dandies crown, The hiss of raindrop spilling down, The purr + of cat, the trill of bird, And ev'ry whispering I've heard + From willy wind in leaves and grass, And all the distant drones that pass. + A song as tender and as light As flower, or butterfly in flight; And when + I saw it opening, I'd let it fly and sing!” + </p> + <p> + He was still muttering it over to himself at the window, when he heard his + name called, and, turning round, saw Fleur. At that amazing apparition, he + made at first no movement and no sound, while her clear vivid glance + ravished his heart. Then he went forward to the table, saying, “How + nice of you to come!” and saw her flinch as if he had thrown + something at her. + </p> + <p> + “I asked for you,” she said, “and they showed me up + here. But I can go away again.” + </p> + <p> + Jon clutched the paint-stained table. Her face and figure in its frilly + frock photographed itself with such startling vividness upon his eyes, + that if she had sunk through the floor he must still have seen her. + </p> + <p> + “I know I told you a lie, Jon. But I told it out of love.” + </p> + <p> + “Yes, oh! yes! That's nothing!” + </p> + <p> + “I didn't answer your letter. What was the use—there + wasn't anything to answer. I wanted to see you instead.” She + held out both her hands, and Jon grasped them across the table. He tried + to say something, but all his attention was given to trying not to hurt + her hands. His own felt so hard and hers so soft. She said almost + defiantly: + </p> + <p> + “That old story—was it so very dreadful?” + </p> + <p> + “Yes.” In his voice, too, there was a note of defiance. + </p> + <p> + She dragged her hands away. “I didn't think in these days boys + were tied to their mothers' apron-strings.” + </p> + <p> + Jon's chin went up as if he had been struck. + </p> + <p> + “Oh! I didn't mean it, Jon. What a horrible thing to say!” + Swiftly she came close to him. “Jon, dear; I didn't mean it.” + </p> + <p> + “All right.” + </p> + <p> + She had put her two hands on his shoulder, and her forehead down on them; + the brim of her hat touched his neck, and he felt it quivering. But, in a + sort of paralysis, he made no response. She let go of his shoulder and + drew away. + </p> + <p> + “Well, I'll go, if you don't want me. But I never + thought you'd have given me up.” + </p> + <p> + “I haven't,” cried Jon, coming suddenly to life. “I + can't. I'll try again.” + </p> + <p> + Her eyes gleamed, she swayed toward him. “Jon—I love you! Don't + give me up! If you do, I don't know what—I feel so desperate. + What does it matter—all that past-compared with this?” + </p> + <p> + She clung to him. He kissed her eyes, her cheeks, her lips. But while he + kissed her he saw, the sheets of that letter fallen down on the floor of + his bedroom—his father's white dead face—his mother + kneeling before it. Fleur's whispered, “Make her! Promise! Oh! + Jon, try!” seemed childish in his ear. He felt curiously old. + </p> + <p> + “I promise!” he muttered. “Only, you don't + understand.” + </p> + <p> + “She wants to spoil our lives, just because—” + </p> + <p> + “Yes, of what?” + </p> + <p> + Again that challenge in his voice, and she did not answer. Her arms + tightened round him, and he returned her kisses; but even while he + yielded, the poison worked in him, the poison of the letter. Fleur did not + know, she did not understand—she misjudged his mother; she came from + the enemy's camp! So lovely, and he loved her so—yet, even in + her embrace, he could not help the memory of Holly's words: “I + think she has a 'having' nature,” and his mother's + “My darling boy, don't think of me—think of yourself!” + </p> + <p> + When she was gone like a passionate dream, leaving her image on his eyes, + her kisses on his lips, such an ache in his heart, Jon leaned in the + window, listening to the car bearing her away. Still the scent as of warm + strawberries, still the little summer sounds that should make his song; + still all the promise of youth and happiness in sighing, floating, + fluttering July—and his heart torn; yearning strong in him; hope + high in him yet with its eyes cast down, as if ashamed. The miserable task + before him! If Fleur was desperate, so was he—watching the poplars + swaying, the white clouds passing, the sunlight on the grass. + </p> + <p> + He waited till evening, till after their almost silent dinner, till his + mother had played to him and still he waited, feeling that she knew what + he was waiting to say. She kissed him and went up-stairs, and still he + lingered, watching the moonlight and the moths, and that unreality of + colouring which steals along and stains a summer night. And he would have + given anything to be back again in the past—barely three months + back; or away forward, years, in the future. The present with this dark + cruelty of a decision, one way or the other, seemed impossible. He + realised now so much more keenly what his mother felt than he had at + first; as if the story in that letter had been a poisonous germ producing + a kind of fever of partisanship, so that he really felt there were two + camps, his mother's and his—Fleur's and her father's. + It might be a dead thing, that old tragic ownership and enmity, but dead + things were poisonous till time had cleaned them away. Even his love felt + tainted, less illusioned, more of the earth, and with a treacherous + lurking doubt lest Fleur, like her father, might want to own; not + articulate, just a stealing haunt, horribly unworthy, which crept in and + about the ardour of his memories, touched with its tarnishing breath the + vividness and grace of that charmed face and figure—a doubt, not + real enough to convince him of its presence, just real enough to deflower + a perfect faith. And perfect faith, to Jon, not yet twenty, was essential. + He still had Youth's eagerness to give with both hands, to take with + neither—to give lovingly to one who had his own impulsive + generosity. Surely she had! He got up from the window-seat and roamed in + the big grey ghostly room, whose walls were hung with silvered canvas. + This house his father said in that death-bed letter—had been built + for his mother to live in—with Fleur's father! He put out his + hand in the half-dark, as if to grasp the shadowy hand of the dead. He + clenched, trying to feel the thin vanished fingers of his father; to + squeeze them, and reassure him that he—he was on his father's + side. Tears, prisoned within him, made his eyes feel dry and hot. He went + back to the window. It was warmer, not so eerie, more comforting outside, + where the moon hung golden, three days off full; the freedom of the night + was comforting. If only Fleur and he had met on some desert island without + a past—and Nature for their house! Jon had still his high regard for + desert islands, where breadfruit grew, and the water was blue above the + coral. The night was deep, was free—there was enticement in it; a + lure, a promise, a refuge from entanglement, and love! Milksop tied to his + mother's...! His cheeks burned. He shut the window, drew curtains + over it, switched off the lighted sconce, and went up-stairs. + </p> + <p> + The door of his room was open, the light turned up; his mother, still in + her evening gown, was standing at the window. She turned and said: + </p> + <p> + “Sit down, Jon; let's talk.” She sat down on the + window-seat, Jon on his bed. She had her profile turned to him, and the + beauty and grace of her figure, the delicate line of the brow, the nose, + the neck, the strange and as it were remote refinement of her, moved him. + His mother never belonged to her surroundings. She came into them from + somewhere—as it were! What was she going to say to him, who had in + his heart such things to say to her? + </p> + <p> + “I know Fleur came to-day. I'm not surprised.” It was as + though she had added: “She is her father's daughter!” + And Jon's heart hardened. Irene went on quietly: + </p> + <p> + “I have Father's letter. I picked it up that night and kept + it. Would you like it back, dear?” + </p> + <p> + Jon shook his head. + </p> + <p> + “I had read it, of course, before he gave it to you. It didn't + quite do justice to my criminality.” + </p> + <p> + “Mother!” burst from Jon's lips. + </p> + <p> + “He put it very sweetly, but I know that in marrying Fleur's + father without love I did a dreadful thing. An unhappy marriage, Jon, can + play such havoc with other lives besides one's own. You are + fearfully young, my darling, and fearfully loving. Do you think you can + possibly be happy with this girl?” + </p> + <p> + Staring at her dark eyes, darker now from pain, Jon answered + </p> + <p> + “Yes; oh! yes—if you could be.” + </p> + <p> + Irene smiled. + </p> + <p> + “Admiration of beauty and longing for possession are not love. If + yours were another case like mine, Jon—where the deepest things are + stifled; the flesh joined, and the spirit at war!” + </p> + <p> + “Why should it, Mother? You think she must be like her father, but + she's not. I've seen him.” + </p> + <p> + Again the smile came on Irene's lips, and in Jon something wavered; + there was such irony and experience in that smile. + </p> + <p> + “You are a giver, Jon; she is a taker.” + </p> + <p> + That unworthy doubt, that haunting uncertainty again! He said with + vehemence: + </p> + <p> + “She isn't—she isn't. It's only because I + can't bear to make you unhappy, Mother, now that Father—” + He thrust his fists against his forehead. + </p> + <p> + Irene got up. + </p> + <p> + “I told you that night, dear, not to mind me. I meant it. Think of + yourself and your own happiness! I can stand what's left—I've + brought it on myself.” + </p> + <p> + Again the word “Mother!” burst from Jon's lips. + </p> + <p> + She came over to him and put her hands over his. + </p> + <p> + “Do you feel your head, darling?” + </p> + <p> + Jon shook it. What he felt was in his chest—a sort of tearing + asunder of the tissue there, by the two loves. + </p> + <p> + “I shall always love you the same, Jon, whatever you do. You won't + lose anything.” She smoothed his hair gently, and walked away. + </p> + <p> + He heard the door shut; and, rolling over on the bed, lay, stifling his + breath, with an awful held-up feeling within him. + </p> + <p> + <a name="link2H_4_0128" id="link2H_4_0128"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VII.—EMBASSY + </h2> + <p> + Enquiring for her at tea time Soames learned that Fleur had been out in + the car since two. Three hours! Where had she gone? Up to London without a + word to him? He had never become quite reconciled with cars. He had + embraced them in principle—like the born empiricist, or Forsyte, + that he was—adopting each symptom of progress as it came along with: + “Well, we couldn't do without them now.” But in fact he + found them tearing, great, smelly things. Obliged by Annette to have one—a + Rollhard with pearl-grey cushions, electric light, little mirrors, trays + for the ashes of cigarettes, flower vases—all smelling of petrol and + stephanotis—he regarded it much as he used to regard his + brother-in-law, Montague Dartie. The thing typified all that was fast, + insecure, and subcutaneously oily in modern life. As modern life became + faster, looser, younger, Soames was becoming older, slower, tighter, more + and more in thought and language like his father James before him. He was + almost aware of it himself. Pace and progress pleased him less and less; + there was an ostentation, too, about a car which he considered provocative + in the prevailing mood of Labour. On one occasion that fellow Sims had + driven over the only vested interest of a working man. Soames had not + forgotten the behaviour of its master, when not many people would have + stopped to put up with it. He had been sorry for the dog, and quite + prepared to take its part against the car, if that ruffian hadn't + been so outrageous. With four hours fast becoming five, and still no + Fleur, all the old car-wise feelings he had experienced in person and by + proxy balled within him, and sinking sensations troubled the pit of his + stomach. At seven he telephoned to Winifred by trunk call. No! Fleur had + not been to Green Street. Then where was she? Visions of his beloved + daughter rolled up in her pretty frills, all blood and dust-stained, in + some hideous catastrophe, began to haunt him. He went to her room and + spied among her things. She had taken nothing—no dressing-case, no + Jewellery. And this, a relief in one sense, increased his fears of an + accident. Terrible to be helpless when his loved one was missing, + especially when he couldn't bear fuss or publicity of any kind! What + should he do if she were not back by nightfall? + </p> + <p> + At a quarter to eight he heard the car. A great weight lifted from off his + heart; he hurried down. She was getting out—pale and tired-looking, + but nothing wrong. He met her in the hall. + </p> + <p> + “You've frightened me. Where have you been?” + </p> + <p> + “To Robin Hill. I'm sorry, dear. I had to go; I'll tell + you afterward.” And, with a flying kiss, she ran up-stairs. + </p> + <p> + Soames waited in the drawing-room. To Robin Hill! What did that portend? + </p> + <p> + It was not a subject they could discuss at dinner—consecrated to the + susceptibilities of the butler. The agony of nerves Soames had been + through, the relief he felt at her safety, softened his power to condemn + what she had done, or resist what she was going to do; he waited in a + relaxed stupor for her revelation. Life was a queer business. There he was + at sixty-five and no more in command of things than if he had not spent + forty years in building up security-always something one couldn't + get on terms with! In the pocket of his dinner-jacket was a letter from + Annette. She was coming back in a fortnight. He knew nothing of what she + had been doing out there. And he was glad that he did not. Her absence had + been a relief. Out of sight was out of mind! And now she was coming back. + Another worry! And the Bolderby Old Crome was gone—Dumetrius had got + it—all because that anonymous letter had put it out of his thoughts. + He furtively remarked the strained look on his daughter's face, as + if she too were gazing at a picture that she couldn't buy. He almost + wished the War back. Worries didn't seem, then, quite so worrying. + From the caress in her voice, the look on her face, he became certain that + she wanted something from him, uncertain whether it would be wise of him + to give it her. He pushed his savoury away uneaten, and even joined her in + a cigarette. + </p> + <p> + After dinner she set the electric piano-player going. And he augured the + worst when she sat down on a cushion footstool at his knee, and put her + hand on his. + </p> + <p> + “Darling, be nice to me. I had to see Jon—he wrote to me. He's + going to try what he can do with his mother. But I've been thinking. + It's really in your hands, Father. If you'd persuade her that + it doesn't mean renewing the past in any way! That I shall stay + yours, and Jon will stay hers; that you need never see him or her, and she + need never see you or me! Only you could persuade her, dear, because only + you could promise. One can't promise for other people. Surely it + wouldn't be too awkward for you to see her just this once now that + Jon's father is dead?” + </p> + <p> + “Too awkward?” Soames repeated. “The whole thing's + preposterous.” + </p> + <p> + “You know,” said Fleur, without looking up, “you wouldn't + mind seeing her, really.” + </p> + <p> + Soames was silent. Her words had expressed a truth too deep for him to + admit. She slipped her fingers between his own—hot, slim, eager, + they clung there. This child of his would corkscrew her way into a brick + wall! + </p> + <p> + “What am I to do if you won't, Father?” she said very + softly. + </p> + <p> + “I'll do anything for your happiness,” said Soanies; + “but this isn't for your happiness.” + </p> + <p> + “Oh! it is; it is!” + </p> + <p> + “It'll only stir things up,” he said grimly. + </p> + <p> + “But they are stirred up. The thing is to quiet them. To make her + feel that this is just our lives, and has nothing to do with yours or + hers. You can do it, Father, I know you can.” + </p> + <p> + “You know a great deal, then,” was Soames' glum answer. + </p> + <p> + “If you will, Jon and I will wait a year—two years if you + like.” + </p> + <p> + “It seems to me,” murmured Soames, “that you care + nothing about what I feel.” + </p> + <p> + Fleur pressed his hand against her cheek. + </p> + <p> + “I do, darling. But you wouldn't like me to be awfully + miserable.” + </p> + <p> + How she wheedled to get her ends! And trying with all his might to think + she really cared for him—he was not sure—not sure. All she + cared for was this boy! Why should he help her to get this boy, who was + killing her affection for himself? Why should he? By the laws of the + Forsytes it was foolish! There was nothing to be had out of it—nothing! + To give her to that boy! To pass her into the enemy's camp, under + the influence of the woman who had injured him so deeply! Slowly—inevitably—he + would lose this flower of his life! And suddenly he was conscious that his + hand was wet. His heart gave a little painful jump. He couldn't bear + her to cry. He put his other hand quickly over hers, and a tear dropped on + that, too. He couldn't go on like this! “Well, well,” he + said, “I'll think it over, and do what I can. Come, come!” + If she must have it for her happiness—she must; he couldn't + refuse to help her. And lest she should begin to thank him he got out of + his chair and went up to the piano-player—making that noise! It ran + down, as he reached it, with a faint buzz. That musical box of his nursery + days: “The Harmonious Blacksmith,” “Glorious Port”—the + thing had always made him miserable when his mother set it going on Sunday + afternoons. Here it was again—the same thing, only larger, more + expensive, and now it played “The Wild, Wild Women,” and + “The Policeman's Holiday,” and he was no longer in black + velvet with a sky blue collar. 'Profond's right,' he + thought, 'there's nothing in it! We're all progressing + to the grave!' And with that surprising mental comment he walked + out. + </p> + <p> + He did not see Fleur again that night. But, at breakfast, her eyes + followed him about with an appeal he could not escape—not that he + intended to try. No! He had made up his mind to the nerve-racking + business. He would go to Robin Hill—to that house of memories. + Pleasant memory—the last! Of going down to keep that boy's + father and Irene apart by threatening divorce. He had often thought, + since, that it had clinched their union. And, now, he was going to clinch + the union of that boy with his girl. 'I don't know what I've + done,' he thought, 'to have such things thrust on me!' + He went up by train and down by train, and from the station walked by the + long rising lane, still very much as he remembered it over thirty years + ago. Funny—so near London! Some one evidently was holding on to the + land there. This speculation soothed him, moving between the high hedges + slowly, so as not to get overheated, though the day was chill enough. + After all was said and done there was something real about land, it didn't + shift. Land, and good pictures! The values might fluctuate a bit, but on + the whole they were always going up—worth holding on to, in a world + where there was such a lot of unreality, cheap building, changing + fashions, such a “Here to-day and gone to-morrow” spirit. The + French were right, perhaps, with their peasant proprietorship, though he + had no opinion of the French. One's bit of land! Something solid in + it! He had heard peasant proprietors described as a pig-headed lot; had + heard young Mont call his father a pigheaded Morning Poster—disrespectful + young devil. Well, there were worse things than being pig-headed or + reading the Morning Post. There was Profond and his tribe, and all these + Labour chaps, and loud-mouthed politicians and 'wild, wild women'. + A lot of worse things! And suddenly Soames became conscious of feeling + weak, and hot, and shaky. Sheer nerves at the meeting before him! As Aunt + Juley might have said—quoting “Superior Dosset”—his + nerves were “in a proper fautigue.” He could see the house now + among its trees, the house he had watched being built, intending it for + himself and this woman, who, by such strange fate, had lived in it with + another after all! He began to think of Dumetrius, Local Loans, and other + forms of investment. He could not afford to meet her with his nerves all + shaking; he who represented the Day of Judgment for her on earth as it was + in heaven; he, legal ownership, personified, meeting lawless beauty, + incarnate. His dignity demanded impassivity during this embassy designed + to link their offspring, who, if she had behaved herself, would have been + brother and sister. That wretched tune, “The Wild, Wild Women,” + kept running in his head, perversely, for tunes did not run there as a + rule. Passing the poplars in front of the house, he thought: 'How + they've grown; I had them planted!' A maid answered his ring. + </p> + <p> + “Will you say—Mr. Forsyte, on a very special matter.” + </p> + <p> + If she realised who he was, quite probably she would not see him. 'By + George!' he thought, hardening as the tug came. 'It's a + topsy-turvy affair!' + </p> + <p> + The maid came back. “Would the gentleman state his business, please?” + </p> + <p> + “Say it concerns Mr. Jon,” said Soames. + </p> + <p> + And once more he was alone in that hall with the pool of grey-white marble + designed by her first lover. Ah! she had been a bad lot—had loved + two men, and not himself! He must remember that when he came face to face + with her once more. And suddenly he saw her in the opening chink between + the long heavy purple curtains, swaying, as if in hesitation; the old + perfect poise and line, the old startled dark-eyed gravity, the old calm + defensive voice: “Will you come in, please?” + </p> + <p> + He passed through that opening. As in the picture-gallery and the + confectioner's shop, she seemed to him still beautiful. And this was + the first time—the very first—since he married her + seven-and-thirty years ago, that he was speaking to her without the legal + right to call her his. She was not wearing black—one of that fellow's + radical notions, he supposed. + </p> + <p> + “I apologise for coming,” he said glumly; “but this + business must be settled one way or the other.” + </p> + <p> + “Won't you sit down?” + </p> + <p> + “No, thank you.” + </p> + <p> + Anger at his false position, impatience of ceremony between them, mastered + him, and words came tumbling out: + </p> + <p> + “It's an infernal mischance; I've done my best to + discourage it. I consider my daughter crazy, but I've got into the + habit of indulging her; that's why I'm here. I suppose you're + fond of your son.” + </p> + <p> + “Devotedly.” + </p> + <p> + “Well?” + </p> + <p> + “It rests with him.” + </p> + <p> + He had a sense of being met and baffled. Always—always she had + baffled him, even in those old first married days. + </p> + <p> + “It's a mad notion,” he said. + </p> + <p> + “It is.” + </p> + <p> + “If you had only—! Well—they might have been—” + he did not finish that sentence “brother and sister and all this + saved,” but he saw her shudder as if he had, and stung by the sight + he crossed over to the window. Out there the trees had not grown—they + couldn't, they were old! + </p> + <p> + “So far as I'm concerned,” he said, “you may make + your mind easy. I desire to see neither you nor your son if this marriage + comes about. Young people in these days are—are unaccountable. But I + can't bear to see my daughter unhappy. What am I to say to her when + I go back?” + </p> + <p> + “Please say to her as I said to you, that it rests with Jon.” + </p> + <p> + “You don't oppose it?” + </p> + <p> + “With all my heart; not with my lips.” + </p> + <p> + Soames stood, biting his finger. + </p> + <p> + “I remember an evening—” he said suddenly; and was + silent. What was there—what was there in this woman that would not + fit into the four corners of his hate or condemnation? “Where is he—your + son?” + </p> + <p> + “Up in his father's studio, I think.” + </p> + <p> + “Perhaps you'd have him down.” + </p> + <p> + He watched her ring the bell, he watched the maid come in. + </p> + <p> + “Please tell Mr. Jon that I want him.” + </p> + <p> + “If it rests with him,” said Soames hurriedly, when the maid + was gone, “I suppose I may take it for granted that this unnatural + marriage will take place; in that case there'll be formalities. Whom + do I deal with—Herring's?” + </p> + <p> + Irene nodded. + </p> + <p> + “You don't propose to live with them?” + </p> + <p> + Irene shook her head. + </p> + <p> + “What happens to this house?” + </p> + <p> + “It will be as Jon wishes.” + </p> + <p> + “This house,” said Soames suddenly: “I had hopes when I + began it. If they live in it—their children! They say there's + such a thing as Nemesis. Do you believe in it?” + </p> + <p> + “Yes.” + </p> + <p> + “Oh! You do!” + </p> + <p> + He had come back from the window, and was standing close to her, who, in + the curve of her grand piano, was, as it were, embayed. + </p> + <p> + “I'm not likely to see you again,” he said slowly. + “Will you shake hands”—his lip quivered, the words came + out jerkily—“and let the past die.” He held out his + hand. Her pale face grew paler, her eyes so dark, rested immovably on his, + her hands remained clasped in front of her. He heard a sound and turned. + That boy was standing in the opening of the curtains. Very queer he + looked, hardly recognisable as the young fellow he had seen in the Gallery + off Cork Street—very queer; much older, no youth in the face at all—haggard, + rigid, his hair ruffled, his eyes deep in his head. Soames made an effort, + and said with a lift of his lip, not quite a smile nor quite a sneer: + </p> + <p> + “Well, young man! I'm here for my daughter; it rests with you, + it seems—this matter. Your mother leaves it in your hands.” + </p> + <p> + The boy continued staring at his mother's face, and made no answer. + </p> + <p> + “For my daughter's sake I've brought myself to come,” + said Soames. “What am I to say to her when I go back?” + </p> + <p> + Still looking at his mother, the boy said, quietly: + </p> + <p> + “Tell Fleur that it's no good, please; I must do as my father + wished before he died.” + </p> + <p> + “Jon!” + </p> + <p> + “It's all right, Mother.” + </p> + <p> + In a kind of stupefaction Soames looked from one to the other; then, + taking up hat and umbrella which he had put down on a chair, he walked + toward the curtains. The boy stood aside for him to go by. He passed + through and heard the grate of the rings as the curtains were drawn behind + him. The sound liberated something in his chest. + </p> + <p> + 'So that's that!' he thought, and passed out of the + front door. + </p> + <p> + <a name="link2H_4_0129" id="link2H_4_0129"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + VIII.—THE DARK TUNE + </h2> + <p> + As Soames walked away from the house at Robin Hill the sun broke through + the grey of that chill afternoon, in smoky radiance. So absorbed in + landscape painting that he seldom looked seriously for effects of Nature + out of doors—he was struck by that moody effulgence—it mourned + with a triumph suited to his own feeling. Victory in defeat. His embassy + had come to naught. But he was rid of those people, had regained his + daughter at the expense of—her happiness. What would Fleur say to + him? Would she believe he had done his best? And under that sunlight + faring on the elms, hazels, hollies of the lane and those unexploited + fields, Soames felt dread. She would be terribly upset! He must appeal to + her pride. That boy had given her up, declared part and lot with the woman + who so long ago had given her father up! Soames clenched his hands. Given + him up, and why? What had been wrong with him? And once more he felt the + malaise of one who contemplates himself as seen by another—like a + dog who chances on his refection in a mirror and is intrigued and anxious + at the unseizable thing. + </p> + <p> + Not in a hurry to get home, he dined in town at the Connoisseurs. While + eating a pear it suddenly occurred to him that, if he had not gone down to + Robin Hill, the boy might not have so decided. He remembered the + expression on his face while his mother was refusing the hand he had held + out. A strange, an awkward thought! Had Fleur cooked her own goose by + trying to make too sure? + </p> + <p> + He reached home at half-past nine. While the car was passing in at one + drive gate he heard the grinding sputter of a motor-cycle passing out by + the other. Young Mont, no doubt, so Fleur had not been lonely. But he went + in with a sinking heart. In the cream-panelled drawing-room she was + sitting with her elbows on her knees, and her chin on her clasped hands, + in front of a white camellia plant which filled the fireplace. That glance + at her before she saw him renewed his dread. What was she seeing among + those white camellias? + </p> + <p> + “Well, Father!” + </p> + <p> + Soames shook his head. His tongue failed him. This was murderous work! He + saw her eyes dilate, her lips quivering. + </p> + <p> + “What? What? Quick, Father!” + </p> + <p> + “My dear,” said Soames, “I—I did my best, but—” + And again he shook his head. + </p> + <p> + Fleur ran to him, and put a hand on each of his shoulders. + </p> + <p> + “She?” + </p> + <p> + “No,” muttered Soames; “he. I was to tell you that it + was no use; he must do what his father wished before he died.” He + caught her by the waist. “Come, child, don't let them hurt + you. They're not worth your little finger.” + </p> + <p> + Fleur tore herself from his grasp. + </p> + <p> + “You didn't you—couldn't have tried. You—you + betrayed me, Father!” + </p> + <p> + Bitterly wounded, Soames gazed at her passionate figure writhing there in + front of him. + </p> + <p> + “You didn't try—you didn't—I was a fool! I + won't believe he could—he ever could! Only yesterday he—! + Oh! why did I ask you?” + </p> + <p> + “Yes,” said Soames, quietly, “why did you? I swallowed + my feelings; I did my best for you, against my judgment—and this is + my reward. Good-night!” + </p> + <p> + With every nerve in his body twitching he went toward the door. + </p> + <p> + Fleur darted after him. + </p> + <p> + “He gives me up? You mean that? Father!” + </p> + <p> + Soames turned and forced himself to answer: + </p> + <p> + “Yes.” + </p> + <p> + “Oh!” cried Fleur. “What did you—what could you + have done in those old days?” + </p> + <p> + The breathless sense of really monstrous injustice cut the power of speech + in Soames' throat. What had he done! What had they done to him! + </p> + <p> + And with quite unconscious dignity he put his hand on his breast, and + looked at her. + </p> + <p> + “It's a shame!” cried Fleur passionately. + </p> + <p> + Soames went out. He mounted, slow and icy, to his picture gallery, and + paced among his treasures. Outrageous! Oh! Outrageous! She was spoiled! + Ah! and who had spoiled her? He stood still before the Goya copy. + Accustomed to her own way in everything. Flower of his life! And now that + she couldn't have it! He turned to the window for some air. Daylight + was dying, the moon rising, gold behind the poplars! What sound was that? + Why! That piano thing! A dark tune, with a thrum and a throb! She had set + it going—what comfort could she get from that? His eyes caught + movement down there beyond the lawn, under the trellis of rambler roses + and young acacia-trees, where the moonlight fell. There she was, roaming + up and down. His heart gave a little sickening jump. What would she do + under this blow? How could he tell? What did he know of her—he had + only loved her all his life—looked on her as the apple of his eye! + He knew nothing—had no notion. There she was—and that dark + tune—and the river gleaming in the moonlight! + </p> + <p> + 'I must go out,' he thought. + </p> + <p> + He hastened down to the drawing-room, lighted just as he had left it, with + the piano thrumming out that waltz, or fox-trot, or whatever they called + it in these days, and passed through on to the verandah. + </p> + <p> + Where could he watch, without her seeing him? And he stole down through + the fruit garden to the boat-house. He was between her and the river now, + and his heart felt lighter. She was his daughter, and Annette's—she + wouldn't do anything foolish; but there it was—he didn't + know! From the boat house window he could see the last acacia and the spin + of her skirt when she turned in her restless march. That tune had run down + at last—thank goodness! He crossed the floor and looked through the + farther window at the water slow-flowing past the lilies. It made little + bubbles against them, bright where a moon-streak fell. He remembered + suddenly that early morning when he had slept on the house-boat after his + father died, and she had just been born—nearly nineteen years ago! + Even now he recalled the unaccustomed world when he woke up, the strange + feeling it had given him. That day the second passion of his life began—for + this girl of his, roaming under the acacias. What a comfort she had been + to him! And all the soreness and sense of outrage left him. If he could + make her happy again, he didn't care! An owl flew, queeking, + queeking; a bat flitted by; the moonlight brightened and broadened on the + water. How long was she going to roam about like this! He went back to the + window, and suddenly saw her coming down to the bank. She stood quite + close, on the landing-stage. And Soames watched, clenching his hands. + Should he speak to her? His excitement was intense. The stillness of her + figure, its youth, its absorption in despair, in longing, in—itself. + He would always remember it, moonlit like that; and the faint sweet reek + of the river and the shivering of the willow leaves. She had everything in + the world that he could give her, except the one thing that she could not + have because of him! The perversity of things hurt him at that moment, as + might a fish-bone in his throat. + </p> + <p> + Then, with an infinite relief, he saw her turn back toward the house. What + could he give her to make amends? Pearls, travel, horses, other young men—anything + she wanted—that he might lose the memory of her young figure lonely + by the water! There! She had set that tune going again! Why—it was a + mania! Dark, thrumming, faint, travelling from the house. It was as though + she had said: “If I can't have something to keep me going, I + shall die of this!” Soames dimly understood. Well, if it helped her, + let her keep it thrumming on all night! And, mousing back through the + fruit garden, he regained the verandah. Though he meant to go in and speak + to her now, he still hesitated, not knowing what to say, trying hard to + recall how it felt to be thwarted in love. He ought to know, ought to + remember—and he could not! Gone—all real recollection; except + that it had hurt him horribly. In this blankness he stood passing his + handkerchief over hands and lips, which were very dry. By craning his head + he could just see Fleur, standing with her back to that piano still + grinding out its tune, her arms tight crossed on her breast, a lighted + cigarette between her lips, whose smoke half veiled her face. The + expression on it was strange to Soames, the eyes shone and stared, and + every feature was alive with a sort of wretched scorn and anger. Once or + twice he had seen Annette look like that—the face was too vivid, too + naked, not his daughter's at that moment. And he dared not go in, + realising the futility of any attempt at consolation. He sat down in the + shadow of the ingle-nook. + </p> + <p> + Monstrous trick, that Fate had played him! Nemesis! That old unhappy + marriage! And in God's name-why? How was he to know, when he wanted + Irene so violently, and she consented to be his, that she would never love + him? The tune died and was renewed, and died again, and still Soames sat + in the shadow, waiting for he knew not what. The fag of Fleur's + cigarette, flung through the window, fell on the grass; he watched it + glowing, burning itself out. The moon had freed herself above the poplars, + and poured her unreality on the garden. Comfortless light, mysterious, + withdrawn—like the beauty of that woman who had never loved him—dappling + the nemesias and the stocks with a vesture not of earth. Flowers! And his + flower so unhappy! Ah! Why could one not put happiness into Local Loans, + gild its edges, insure it against going down? + </p> + <p> + Light had ceased to flow out now from the drawing-room window. All was + silent and dark in there. Had she gone up? He rose, and, tiptoeing, peered + in. It seemed so! He entered. The verandah kept the moonlight out; and at + first he could see nothing but the outlines of furniture blacker than the + darkness. He groped toward the farther window to shut it. His foot struck + a chair, and he heard a gasp. There she was, curled and crushed into the + corner of the sofa! His hand hovered. Did she want his consolation? He + stood, gazing at that ball of crushed frills and hair and graceful youth, + trying to burrow its way out of sorrow. How leave her there? At last he + touched her hair, and said: + </p> + <p> + “Come, darling, better go to bed. I'll make it up to you, + somehow.” How fatuous! But what could he have said? + </p> + <p> + <a name="link2H_4_0130" id="link2H_4_0130"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + IX.—UNDER THE OAK-TREE + </h2> + <p> + When their visitor had disappeared Jon and his mother stood without + speaking, till he said suddenly: + </p> + <p> + “I ought to have seen him out.” + </p> + <p> + But Soames was already walking down the drive, and Jon went upstairs to + his father's studio, not trusting himself to go back. + </p> + <p> + The expression on his mother's face confronting the man she had once + been married to, had sealed a resolution growing within him ever since she + left him the night before. It had put the finishing touch of reality. To + marry Fleur would be to hit his mother in the face; to betray his dead + father! It was no good! Jon had the least resentful of natures. He bore + his parents no grudge in this hour of his distress. For one so young there + was a rather strange power in him of seeing things in some sort of + proportion. It was worse for Fleur, worse for his mother even, than it was + for him. Harder than to give up was to be given up, or to be the cause of + some one you loved giving up for you. He must not, would not behave + grudgingly! While he stood watching the tardy sunlight, he had again that + sudden vision of the world which had come to him the night before. Sea on + sea, country on country, millions on millions of people, all with their + own lives, energies, joys, griefs, and suffering—all with things + they had to give up, and separate struggles for existence. Even though he + might be willing to give up all else for the one thing he couldn't + have, he would be a fool to think his feelings mattered much in so vast a + world, and to behave like a cry-baby or a cad. He pictured the people who + had nothing—the millions who had given up life in the War, the + millions whom the War had left with life and little else; the hungry + children he had read of, the shattered men; people in prison, every kind + of unfortunate. And—they did not help him much. If one had to miss a + meal, what comfort in the knowledge that many others had to miss it too? + There was more distraction in the thought of getting away out into this + vast world of which he knew nothing yet. He could not go on staying here, + walled in and sheltered, with everything so slick and comfortable, and + nothing to do but brood and think what might have been. He could not go + back to Wansdon, and the memories of Fleur. If he saw her again he could + not trust himself; and if he stayed here or went back there, he would + surely see her. While they were within reach of each other that must + happen. To go far away and quickly was the only thing to do. But, however + much he loved his mother, he did not want to go away with her. Then + feeling that was brutal, he made up his mind desperately to propose that + they should go to Italy. For two hours in that melancholy room he tried to + master himself, then dressed solemnly for dinner. + </p> + <p> + His mother had done the same. They ate little, at some length, and talked + of his father's catalogue. The show was arranged for October, and + beyond clerical detail there was nothing more to do. + </p> + <p> + After dinner she put on a cloak and they went out; walked a little, talked + a little, till they were standing silent at last beneath the oak-tree. + Ruled by the thought: 'If I show anything, I show all,' Jon + put his arm through hers and said quite casually: + </p> + <p> + “Mother, let's go to Italy.” + </p> + <p> + Irene pressed his arm, and said as casually: + </p> + <p> + “It would be very nice; but I've been thinking you ought to + see and do more than you would if I were with you.” + </p> + <p> + “But then you'd be alone.” + </p> + <p> + “I was once alone for more than twelve years. Besides, I should like + to be here for the opening of Father's show.” + </p> + <p> + Jon's grip tightened round her arm; he was not deceived. + </p> + <p> + “You couldn't stay here all by yourself; it's too big.” + </p> + <p> + “Not here, perhaps. In London, and I might go to Paris, after the + show opens. You ought to have a year at least, Jon, and see the world.” + </p> + <p> + “Yes, I'd like to see the world and rough it. But I don't + want to leave you all alone.” + </p> + <p> + “My dear, I owe you that at least. If it's for your good, it'll + be for mine. Why not start tomorrow? You've got your passport.” + </p> + <p> + “Yes; if I'm going it had better be at once. Only—Mother—if—if + I wanted to stay out somewhere—America or anywhere, would you mind + coming presently?” + </p> + <p> + “Wherever and whenever you send for me. But don't send until + you really want me.” + </p> + <p> + Jon drew a deep breath. + </p> + <p> + “I feel England's choky.” + </p> + <p> + They stood a few minutes longer under the oak-tree—looking out to + where the grand stand at Epsom was veiled in evening. The branches kept + the moonlight from them, so that it only fell everywhere else—over + the fields and far away, and on the windows of the creepered house behind, + which soon would be to let. + </p> + <p> + <a name="link2H_4_0131" id="link2H_4_0131"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + X.—FLEUR'S WEDDING + </h2> + <p> + The October paragraphs describing the wedding of Fleur Forsyte to Michael + Mont hardly conveyed the symbolic significance of this event. In the union + of the great-granddaughter of “Superior Dosset” with the heir + of a ninth baronet was the outward and visible sign of that merger of + class in class which buttresses the political stability of a realm. The + time had come when the Forsytes might resign their natural resentment + against a “flummery” not theirs by birth, and accept it as the + still more natural due of their possessive instincts. Besides, they had to + mount to make room for all those so much more newly rich. In that quiet + but tasteful ceremony in Hanover Square, and afterward among the furniture + in Green Street, it had been impossible for those not in the know to + distinguish the Forsyte troop from the Mont contingent—so far away + was “Superior Dosset” now. Was there, in the crease of his + trousers, the expression of his moustache, his accent, or the shine on his + top-hat, a pin to choose between Soames and the ninth baronet himself? Was + not Fleur as self-possessed, quick, glancing, pretty, and hard as the + likeliest Muskham, Mont, or Charwell filly present? If anything, the + Forsytes had it in dress and looks and manners. They had become “upper + class” and now their name would be formally recorded in the Stud + Book, their money joined to land. Whether this was a little late in the + day, and those rewards of the possessive instinct, lands and money, + destined for the melting-pot—was still a question so moot that it + was not mooted. After all, Timothy had said Consols were goin' up. + Timothy, the last, the missing link; Timothy, in extremis on the Bayswater + Road—so Francie had reported. It was whispered, too, that this young + Mont was a sort of socialist—strangely wise of him, and in the + nature of insurance, considering the days they lived in. There was no + uneasiness on that score. The landed classes produced that sort of amiable + foolishness at times, turned to safe uses and confined to theory. As + George remarked to his sister Francie: “They'll soon be having + puppies—that'll give him pause.” + </p> + <p> + The church with white flowers and something blue in the middle of the East + window looked extremely chaste, as though endeavouring to counteract the + somewhat lurid phraseology of a Service calculated to keep the thoughts of + all on puppies. Forsytes, Haymans, Tweetymans, sat in the left aisle; + Monts, Charwells; Muskhams in the right; while a sprinkling of Fleur's + fellow-sufferers at school, and of Mont's fellow-sufferers in, the + War, gaped indiscriminately from either side, and three maiden ladies, who + had dropped in on their way from Skyward's brought up the rear, + together with two Mont retainers and Fleur's old nurse. In the + unsettled state of the country as full a house as could be expected. + </p> + <p> + Mrs. Val Dartie, who sat with her husband in the third row, squeezed his + hand more than once during the performance. To her, who knew the plot of + this tragi-comedy, its most dramatic moment was well-nigh painful. 'I + wonder if Jon knows by instinct,' she thought—Jon, out in + British Columbia. She had received a letter from him only that morning + which had made her smile and say: + </p> + <p> + “Jon's in British Columbia, Val, because he wants to be in + California. He thinks it's too nice there.” + </p> + <p> + “Oh!” said Val, “so he's beginning to see a joke + again.” + </p> + <p> + “He's bought some land and sent for his mother.” + </p> + <p> + “What on earth will she do out there?” + </p> + <p> + “All she cares about is Jon. Do you still think it a happy release?” + </p> + <p> + Val's shrewd eyes narrowed to grey pin-points between their dark + lashes. + </p> + <p> + “Fleur wouldn't have suited him a bit. She's not bred + right.” + </p> + <p> + “Poor little Fleur!” sighed Holly. Ah! it was strange—this + marriage. The young man, Mont, had caught her on the rebound, of course, + in the reckless mood of one whose ship has just gone down. Such a plunge + could not but be—as Val put it—an outside chance. There was + little to be told from the back view of her young cousin's veil, and + Holly's eyes reviewed the general aspect of this Christian wedding. + She, who had made a love-match which had been successful, had a horror of + unhappy marriages. This might not be one in the end—but it was + clearly a toss-up; and to consecrate a toss-up in this fashion with + manufactured unction before a crowd of fashionable free-thinkers—for + who thought otherwise than freely, or not at all, when they were “dolled” + up—seemed to her as near a sin as one could find in an age which had + abolished them. Her eyes wandered from the prelate in his robes (a + Charwell-the Forsytes had not as yet produced a prelate) to Val, beside + her, thinking—she was certain—of the Mayfly filly at fifteen + to one for the Cambridgeshire. They passed on and caught the profile of + the ninth baronet, in counterfeitment of the kneeling process. She could + just see the neat ruck above his knees where he had pulled his trousers + up, and thought: 'Val's forgotten to pull up his!' Her + eyes passed to the pew in front of her, where Winifred's substantial + form was gowned with passion, and on again to Soames and Annette kneeling + side by side. A little smile came on her lips—Prosper Profond, back + from the South Seas of the Channel, would be kneeling too, about six rows + behind. Yes! This was a funny “small” business, however it + turned out; still it was in a proper church and would be in the proper + papers to-morrow morning. + </p> + <p> + They had begun a hymn; she could hear the ninth baronet across the aisle, + singing of the hosts of Midian. Her little finger touched Val's + thumb—they were holding the same hymn-book—and a tiny thrill + passed through her, preserved—from twenty years ago. He stooped and + whispered: + </p> + <p> + “I say, d'you remember the rat?” The rat at their + wedding in Cape Colony, which had cleaned its whiskers behind the table at + the Registrar's! And between her little and third forgers she + squeezed his thumb hard. + </p> + <p> + The hymn was over, the prelate had begun to deliver his discourse. He told + them of the dangerous times they lived in, and the awful conduct of the + House of Lords in connection with divorce. They were all soldiers—he + said—in the trenches under the poisonous gas of the Prince of + Darkness, and must be manful. The purpose of marriage was children, not + mere sinful happiness. + </p> + <p> + An imp danced in Holly's eyes—Val's eyelashes were + meeting. Whatever happened; he must not snore. Her finger and thumb closed + on his thigh till he stirred uneasily. + </p> + <p> + The discourse was over, the danger past. They were signing in the vestry; + and general relaxation had set in. + </p> + <p> + A voice behind her said: + </p> + <p> + “Will she stay the course?” + </p> + <p> + “Who's that?” she whispered. + </p> + <p> + “Old George Forsyte!” + </p> + <p> + Holly demurely scrutinized one of whom she had often heard. Fresh from + South Africa, and ignorant of her kith and kin, she never saw one without + an almost childish curiosity. He was very big, and very dapper; his eyes + gave her a funny feeling of having no particular clothes. + </p> + <p> + “They're off!” she heard him say. + </p> + <p> + They came, stepping from the chancel. Holly looked first in young Mont's + face. His lips and ears were twitching, his eyes, shifting from his feet + to the hand within his arm, stared suddenly before them as if to face a + firing party. He gave Holly the feeling that he was spiritually + intoxicated. But Fleur! Ah! That was different. The girl was perfectly + composed, prettier than ever, in her white robes and veil over her banged + dark chestnut hair; her eyelids hovered demure over her dark hazel eyes. + Outwardly, she seemed all there. But inwardly, where was she? As those two + passed, Fleur raised her eyelids—the restless glint of those clear + whites remained on Holly's vision as might the flutter of caged bird's + wings. + </p> + <p> + In Green Street Winifred stood to receive, just a little less composed + than usual. Soames' request for the use of her house had come on her + at a deeply psychological moment. Under the influence of a remark of + Prosper Profond, she had begun to exchange her Empire for Expressionistic + furniture. There were the most amusing arrangements, with violet, green, + and orange blobs and scriggles, to be had at Mealard's. Another + month and the change would have been complete. Just now, the very “intriguing” + recruits she had enlisted, did not march too well with the old guard. It + was as if her regiment were half in khaki, half in scarlet and bearskins. + But her strong and comfortable character made the best of it in a + drawing-room which typified, perhaps, more perfectly than she imagined, + the semi-bolshevized imperialism of her country. After all, this was a day + of merger, and you couldn't have too much of it! Her eyes travelled + indulgently among her guests. Soames had gripped the back of a buhl chair; + young Mont was behind that “awfully amusing” screen, which no + one as yet had been able to explain to her. The ninth baronet had shied + violently at a round scarlet table, inlaid under glass with blue + Australian butteries' wings, and was clinging to her Louis-Quinze + cabinet; Francie Forsyte had seized the new mantel-board, finely carved + with little purple grotesques on an ebony ground; George, over by the old + spinet, was holding a little sky-blue book as if about to enter bets; + Prosper Profond was twiddling the knob of the open door, black with + peacock-blue panels; and Annette's hands, close by, were grasping + her own waist; two Muskhams clung to the balcony among the plants, as if + feeling ill; Lady Mont, thin and brave-looking, had taken up her + long-handled glasses and was gazing at the central light shade, of ivory + and orange dashed with deep magenta, as if the heavens had opened. + Everybody, in fact, seemed holding on to something. Only Fleur, still in + her bridal dress, was detached from all support, flinging her words and + glances to left and right. + </p> + <p> + The room was full of the bubble and the squeak of conversation. Nobody + could hear anything that anybody said; which seemed of little consequence, + since no one waited for anything so slow as an answer. Modern conversation + seemed to Winifred so different from the days of her prime, when a drawl + was all the vogue. Still it was “amusing,” which, of course, + was all that mattered. Even the Forsytes were talking with extreme + rapidity—Fleur and Christopher, and Imogen, and young Nicholas's + youngest, Patrick. Soames, of course, was silent; but George, by the + spinet, kept up a running commentary, and Francie, by her mantel-shelf. + Winifred drew nearer to the ninth baronet. He seemed to promise a certain + repose; his nose was fine and drooped a little, his grey moustaches too; + and she said, drawling through her smile: + </p> + <p> + “It's rather nice, isn't it?” + </p> + <p> + His reply shot out of his smile like a snipped bread pellet + </p> + <p> + “D'you remember, in Frazer, the tribe that buries the bride up + to the waist?” + </p> + <p> + He spoke as fast as anybody! He had dark lively little eyes, too, all + crinkled round like a Catholic priest's. Winifred felt suddenly he + might say things she would regret. + </p> + <p> + “They're always so amusing—weddings,” she + murmured, and moved on to Soames. He was curiously still, and Winifred saw + at once what was dictating his immobility. To his right was George + Forsyte, to his left Annette and Prosper Profond. He could not move + without either seeing those two together, or the reflection of them in + George Forsyte's japing eyes. He was quite right not to be taking + notice. + </p> + <p> + “They say Timothy's sinking;” he said glumly. + </p> + <p> + “Where will you put him, Soames?” + </p> + <p> + “Highgate.” He counted on his fingers. “It'll make + twelve of them there, including wives. How do you think Fleur looks?” + </p> + <p> + “Remarkably well.” + </p> + <p> + Soames nodded. He had never seen her look prettier, yet he could not rid + himself of the impression that this business was unnatural—remembering + still that crushed figure burrowing into the corner of the sofa. From that + night to this day he had received from her no confidences. He knew from + his chauffeur that she had made one more attempt on Robin Hill and drawn + blank—an empty house, no one at home. He knew that she had received + a letter, but not what was in it, except that it had made her hide herself + and cry. He had remarked that she looked at him sometimes when she thought + he wasn't noticing, as if she were wondering still what he had done—forsooth—to + make those people hate him so. Well, there it was! Annette had come back, + and things had worn on through the summer—very miserable, till + suddenly Fleur had said she was going to marry young Mont. She had shown + him a little more affection when she told him that. And he had yielded—what + was the good of opposing it? God knew that he had never wished to thwart + her in anything! And the young man seemed quite delirious about her. No + doubt she was in a reckless mood, and she was young, absurdly young. But + if he opposed her, he didn't know what she would do; for all he + could tell she might want to take up a profession, become a doctor or + solicitor, some nonsense. She had no aptitude for painting, writing, + music, in his view the legitimate occupations of unmarried women, if they + must do something in these days. On the whole, she was safer married, for + he could see too well how feverish and restless she was at home. Annette, + too, had been in favour of it—Annette, from behind the veil of his + refusal to know what she was about, if she was about anything. Annette had + said: “Let her marry this young man. He is a nice boy—not so + highty-flighty as he seems.” Where she got her expressions, he didn't + know—but her opinion soothed his doubts. His wife, whatever her + conduct, had clear eyes and an almost depressing amount of common sense. + He had settled fifty thousand on Fleur, taking care that there was no + cross settlement in case it didn't turn out well. Could it turn out + well? She had not got over that other boy—he knew. They were to go + to Spain for the honeymoon. He would be even lonelier when she was gone. + But later, perhaps, she would forget, and turn to him again! Winifred's + voice broke on his reverie. + </p> + <p> + “Why! Of all wonders-June!” + </p> + <p> + There, in a djibbah—what things she wore!—with her hair + straying from under a fillet, Soames saw his cousin, and Fleur going + forward to greet her. The two passed from their view out on to the + stairway. + </p> + <p> + “Really,” said Winifred, “she does the most impossible + things! Fancy her coming!” + </p> + <p> + “What made you ask her?” muttered Soames. + </p> + <p> + “Because I thought she wouldn't accept, of course.” + </p> + <p> + Winifred had forgotten that behind conduct lies the main trend of + character; or, in other words, omitted to remember that Fleur was now a + “lame duck.” + </p> + <p> + On receiving her invitation, June had first thought, 'I wouldn't + go near them for the world!' and then, one morning, had awakened + from a dream of Fleur waving to her from a boat with a wild unhappy + gesture. And she had changed her mind. + </p> + <p> + When Fleur came forward and said to her, “Do come up while I'm + changing my dress,” she had followed up the stairs. The girl led the + way into Imogen's old bedroom, set ready for her toilet. + </p> + <p> + June sat down on the bed, thin and upright, like a little spirit in the + sear and yellow. Fleur locked the door. + </p> + <p> + The girl stood before her divested of her wedding dress. What a pretty + thing she was! + </p> + <p> + “I suppose you think me a fool,” she said, with quivering + lips, “when it was to have been Jon. But what does it matter? + Michael wants me, and I don't care. It'll get me away from + home.” Diving her hand into the frills on her breast, she brought + out a letter. “Jon wrote me this.” + </p> + <p> + June read: “Lake Okanagen, British Columbia. I'm not coming + back to England. Bless you always. Jon.” + </p> + <p> + “She's made safe, you see,” said Fleur. + </p> + <p> + June handed back the letter. + </p> + <p> + “That's not fair to Irene,” she said, “she always + told Jon he could do as he wished.” + </p> + <p> + Fleur smiled bitterly. “Tell me, didn't she spoil your life + too?” June looked up. “Nobody can spoil a life, my dear. That's + nonsense. Things happen, but we bob up.” + </p> + <p> + With a sort of terror she saw the girl sink on her knees and bury her face + in the djibbah. A strangled sob mounted to June's ears. + </p> + <p> + “It's all right—all right,” she murmured, “Don't! + There, there!” + </p> + <p> + But the point of the girl's chin was pressed ever closer into her + thigh, and the sound was dreadful of her sobbing. + </p> + <p> + Well, well! It had to come. She would feel better afterward! June stroked + the short hair of that shapely head; and all the scattered mother-sense in + her focussed itself and passed through the tips of her fingers into the + girl's brain. + </p> + <p> + “Don't sit down under it, my dear,” she said at last. + “We can't control life, but we can fight it. Make the best of + things. I've had to. I held on, like you; and I cried, as you're + crying now. And look at me!” + </p> + <p> + Fleur raised her head; a sob merged suddenly into a little choked laugh. + In truth it was a thin and rather wild and wasted spirit she was looking + at, but it had brave eyes. + </p> + <p> + “All right!” she said. “I'm sorry. I shall forget + him, I suppose, if I fly fast and far enough.” + </p> + <p> + And, scrambling to her feet, she went over to the wash-stand. + </p> + <p> + June watched her removing with cold water the traces of emotion. Save for + a little becoming pinkness there was nothing left when she stood before + the mirror. June got off the bed and took a pin-cushion in her hand. To + put two pins into the wrong places was all the vent she found for + sympathy. + </p> + <p> + “Give me a kiss,” she said when Fleur was ready, and dug her + chin into the girl's warm cheek. + </p> + <p> + “I want a whiff,” said Fleur; “don't wait.” + </p> + <p> + June left her, sitting on the bed with a cigarette between her lips and + her eyes half closed, and went down-stairs. In the doorway of the + drawing-room stood Soames as if unquiet at his daughter's tardiness. + June tossed her head and passed down on to the half-landing. Her cousin + Francie was standing there. + </p> + <p> + “Look!” said June, pointing with her chin at Soames. “That + man's fatal!” + </p> + <p> + “How do you mean,” said Francie, “fatal?” + </p> + <p> + June did not answer her. “I shan't wait to see them off,” + she said. “Good-bye!” + </p> + <p> + “Good-bye!” said Francie, and her eyes, of a Celtic grey, + goggled. That old feud! Really, it was quite romantic! + </p> + <p> + Soames, moving to the well of the staircase, saw June go, and drew a + breath of satisfaction. Why didn't Fleur come? They would miss their + train. That train would bear her away from him, yet he could not help + fidgeting at the thought that they would lose it. And then she did come, + running down in her tan-coloured frock and black velvet cap, and passed + him into the drawing-room. He saw her kiss her mother, her aunt, Val's + wife, Imogen, and then come forth, quick and pretty as ever. How would she + treat him at this last moment of her girlhood? He couldn't hope for + much! + </p> + <p> + Her lips pressed the middle of his cheek. + </p> + <p> + “Daddy!” she said, and was past and gone! Daddy! She hadn't + called him that for years. He drew a long breath and followed slowly down. + There was all the folly with that confetti stuff and the rest of it to go + through with yet. But he would like just to catch her smile, if she leaned + out, though they would hit her in the eye with the shoe, if they didn't + take care. Young Mont's voice said fervently in his ear: + </p> + <p> + “Good-bye, sir; and thank you! I'm so fearfully bucked.” + </p> + <p> + “Good-bye,” he said; “don't miss your train.” + </p> + <p> + He stood on the bottom step but three, whence he could see above the heads—the + silly hats and heads. They were in the car now; and there was that stuff, + showering, and there went the shoe. A flood of something welled up in + Soames, and—he didn't know—he couldn't see! + </p> + <p> + <a name="link2H_4_0132" id="link2H_4_0132"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + XI.—THE LAST OF THE OLD FORSYTES + </h2> + <p> + When they came to prepare that terrific symbol Timothy Forsyte—the + one pure individualist left, the only man who hadn't heard of the + Great War—they found him wonderful—not even death had + undermined his soundness. + </p> + <p> + To Smither and Cook that preparation came like final evidence of what they + had never believed possible—the end of the old Forsyte family on + earth. Poor Mr. Timothy must now take a harp and sing in the company of + Miss Forsyte, Mrs. Julia, Miss Hester; with Mr. Jolyon, Mr. Swithin, Mr. + James, Mr. Roger, and Mr. Nicholas of the party. Whether Mrs. Hayman would + be there was more doubtful, seeing that she had been cremated. Secretly + Cook thought that Mr. Timothy would be upset—he had always been so + set against barrel organs. How many times had she not said: “Drat + the thing! There it is again! Smither, you'd better run up and see + what you can do.” And in her heart she would so have enjoyed the + tunes, if she hadn't known that Mr. Timothy would ring the bell in a + minute and say: “Here, take him a halfpenny and tell him to move on.” + Often they had been obliged to add threepence of their own before the man + would go—Timothy had ever underrated the value of emotion. Luckily + he had taken the organs for blue-bottles in his last years, which had been + a comfort, and they had been able to enjoy the tunes. But a harp! Cook + wondered. It was a change! And Mr. Timothy had never liked change. But she + did not speak of this to Smither, who did so take a line of her own in + regard to heaven that it quite put one about sometimes. + </p> + <p> + She cried while Timothy was being prepared, and they all had sherry + afterward out of the yearly Christmas bottle, which would not be needed + now. Ah! dear! She had been there five-and-forty years and Smither + three-and-forty! And now they would be going to a tiny house in Tooting, + to live on their savings and what Miss Hester had so kindly left them—for + to take fresh service after the glorious past—No! But they would + like just to see Mr. Soames again, and Mrs. Dartie, and Miss Francie, and + Miss Euphemia. And even if they had to take their own cab, they felt they + must go to the funeral. For six years Mr. Timothy had been their baby, + getting younger and younger every day, till at last he had been too young + to live. + </p> + <p> + They spent the regulation hours of waiting in polishing and dusting, in + catching the one mouse left, and asphyxiating the last beetle so as to + leave it nice, discussing with each other what they would buy at the sale. + Miss Ann's workbox; Miss Juley's (that is Mrs. Julia's) + seaweed album; the fire-screen Miss Hester had crewelled; and Mr. Timothy's + hair—little golden curls, glued into a black frame. Oh! they must + have those—only the price of things had gone up so! + </p> + <p> + It fell to Soames to issue invitations for the funeral. He had them drawn + up by Gradman in his office—only blood relations, and no flowers. + Six carriages were ordered. The Will would be read afterward at the house. + </p> + <p> + He arrived at eleven o'clock to see that all was ready. At a quarter + past old Gradman came in black gloves and crape on his hat. He and Soames + stood in the drawing-room waiting. At half-past eleven the carriages drew + up in a long row. But no one else appeared. Gradman said: + </p> + <p> + “It surprises me, Mr. Soames. I posted them myself.” + </p> + <p> + “I don't know,” said Soames; “he'd lost + touch with the family.” Soames had often noticed in old days how + much more neighbourly his family were to the dead than to the living. But, + now, the way they had flocked to Fleur's wedding and abstained from + Timothy's funeral, seemed to show some vital change. There might, of + course, be another reason; for Soames felt that if he had not known the + contents of Timothy's Will, he might have stayed away himself + through delicacy. Timothy had left a lot of money, with nobody in + particular to leave it to. They mightn't like to seem to expect + something. + </p> + <p> + At twelve o'clock the procession left the door; Timothy alone in the + first carriage under glass. Then Soames alone; then Gradman alone; then + Cook and Smither together. They started at a walk, but were soon trotting + under a bright sky. At the entrance to Highgate Cemetery they were delayed + by service in the Chapel. Soames would have liked to stay outside in the + sunshine. He didn't believe a word of it; on the other hand, it was + a form of insurance which could not safely be neglected, in case there + might be something in it after all. + </p> + <p> + They walked up two and two—he and Gradman, Cook and Smither—to + the family vault. It was not very distinguished for the funeral of the + last old Forsyte. + </p> + <p> + He took Gradman into his carriage on the way back to the Bayswater Road + with a certain glow in his heart. He had a surprise in pickle for the old + chap who had served the Forsytes four-and-fifty years-a treat that was + entirely his doing. How well he remembered saying to Timothy the day—after + Aunt Hester's funeral: “Well; Uncle Timothy, there's + Gradman. He's taken a lot of trouble for the family. What do you say + to leaving him five thousand?” and his surprise, seeing the + difficulty there had been in getting Timothy to leave anything, when + Timothy had nodded. And now the old chap would be as pleased as Punch, for + Mrs. Gradman, he knew, had a weak heart, and their son had lost a leg in + the War. It was extraordinarily gratifying to Soames to have left him five + thousand pounds of Timothy's money. They sat down together in the + little drawing-room, whose walls—like a vision of heaven—were + sky-blue and gold with every picture-frame unnaturally bright, and every + speck of dust removed from every piece of furniture, to read that little + masterpiece—the Will of Timothy. With his back to the light in Aunt + Hester's chair, Soames faced Gradman with his face to the light, on + Aunt Ann's sofa; and, crossing his legs, began: + </p> + <p> + “This is the last Will and Testament of me Timothy Forsyte of The + Bower Bayswater Road, London I appoint my nephew Soames Forsyte of The + Shelter Mapleduram and Thomas Gradman of 159 Folly Road Highgate + (hereinafter called my Trustees) to be the trustees and executors of this + my Will To the said Soames Forsyte I leave the sum of one thousand pounds + free of legacy duty and to the said Thomas Gradman I leave the sum of five + thousand pounds free of legacy duty.” + </p> + <p> + Soames paused. Old Gradman was leaning forward, convulsively gripping a + stout black knee with each of his thick hands; his mouth had fallen open + so that the gold fillings of three teeth gleamed; his eyes were blinking, + two tears rolled slowly out of them. Soames read hastily on. + </p> + <p> + “All the rest of my property of whatsoever description I bequeath to + my Trustees upon Trust to convert and hold the same upon the following + trusts namely To pay thereout all my debts funeral expenses and outgoings + of any kind in connection with my Will and to hold the residue thereof in + trust for that male lineal descendant of my father Jolyon Forsyte by his + marriage with Ann Pierce who after the decease of all lineal descendants + whether male or female of my said father by his said marriage in being at + the time of my death shall last attain the age of twenty-one years + absolutely it being my desire that my property shall be nursed to the + extreme limit permitted by the laws of England for the benefit of such + male lineal descendant as aforesaid.” + </p> + <p> + Soames read the investment and attestation clauses, and, ceasing, looked + at Gradman. The old fellow was wiping his brow with a large handkerchief, + whose brilliant colour supplied a sudden festive tinge to the proceedings. + </p> + <p> + “My word, Mr. Soames!” he said, and it was clear that the + lawyer in him had utterly wiped out the man: “My word! Why, there + are two babies now, and some quite young children—if one of them + lives to be eighty—it's not a great age—and add + twenty-one—that's a hundred years; and Mr. Timothy worth a + hundred and fifty thousand pound net if he's worth a penny. Compound + interest at five per cent. doubles you in fourteen years. In fourteen + years three hundred thousand-six hundred thousand in twenty-eight—twelve + hundred thousand in forty-two—twenty-four hundred thousand in + fifty-six—four million eight hundred thousand in seventy—nine + million six hundred thousand in eighty-four—Why, in a hundred years + it'll be twenty million! And we shan't live to use it! It is a + Will!” + </p> + <p> + Soames said dryly: “Anything may happen. The State might take the + lot; they're capable of anything in these days.” + </p> + <p> + “And carry five,” said Gradman to himself. “I forgot—Mr. + Timothy's in Consols; we shan't get more than two per cent. + with this income tax. To be on the safe side, say eight millions. Still, + that's a pretty penny.” + </p> + <p> + Soames rose and handed him the Will. “You're going into the + City. Take care of that, and do what's necessary. Advertise; but + there are no debts. When's the sale?” + </p> + <p> + “Tuesday week,” said Gradman. “Life or lives in bein' + and twenty-one years afterward—it's a long way off. But I'm + glad he's left it in the family....” + </p> + <p> + The sale—not at Jobson's, in view of the Victorian nature of + the effects—was far more freely attended than the funeral, though + not by Cook and Smither, for Soames had taken it on himself to give them + their heart's desires. Winifred was present, Euphemia, and Francie, + and Eustace had come in his car. The miniatures, Barbizons, and J. R. + drawings had been bought in by Soames; and relics of no marketable value + were set aside in an off-room for members of the family who cared to have + mementoes. These were the only restrictions upon bidding characterised by + an almost tragic languor. Not one piece of furniture, no picture or + porcelain figure appealed to modern taste. The humming birds had fallen + like autumn leaves when taken from where they had not hummed for sixty + years. It was painful to Soames to see the chairs his aunts had sat on, + the little grand piano they had practically never played, the books whose + outsides they had gazed at, the china they had dusted, the curtains they + had drawn, the hearth-rug which had warmed their feet; above all, the beds + they had lain and died in—sold to little dealers, and the housewives + of Fulham. And yet—what could one do? Buy them and stick them in a + lumber-room? No; they had to go the way of all flesh and furniture, and be + worn out. But when they put up Aunt Ann's sofa and were going to + knock it down for thirty shillings, he cried out, suddenly: “Five + pounds!” The sensation was considerable, and the sofa his. + </p> + <p> + When that little sale was over in the fusty saleroom, and those Victorian + ashes scattered, he went out into the misty October sunshine feeling as if + cosiness had died out of the world, and the board “To Let” was + up, indeed. Revolutions on the horizon; Fleur in Spain; no comfort in + Annette; no Timothy's on the Bayswater Road. In the irritable + desolation of his soul he went into the Goupenor Gallery. That chap Jolyon's + watercolours were on view there. He went in to look down his nose at them—it + might give him some faint satisfaction. The news had trickled through from + June to Val's wife, from her to Val, from Val to his mother, from + her to Soames, that the house—the fatal house at Robin Hill—was + for sale, and Irene going to join her boy out in British Columbia, or some + such place. For one wild moment the thought had come to Soames: 'Why + shouldn't I buy it back? I meant it for my!' No sooner come + than gone. Too lugubrious a triumph; with too many humiliating memories + for himself and Fleur. She would never live there after what had happened. + No, the place must go its way to some peer or profiteer. It had been a + bone of contention from the first, the shell of the feud; and with the + woman gone, it was an empty shell. “For Sale or To Let.” With + his mind's eye he could see that board raised high above the ivied + wall which he had built. + </p> + <p> + He passed through the first of the two rooms in the Gallery. There was + certainly a body of work! And now that the fellow was dead it did not seem + so trivial. The drawings were pleasing enough, with quite a sense of + atmosphere, and something individual in the brush work. 'His father + and my father; he and I; his child and mine!' thought Soames. So it + had gone on! And all about that woman! Softened by the events of the past + week, affected by the melancholy beauty of the autumn day, Soames came + nearer than he had ever been to realisation of that truth—passing + the understanding of a Forsyte pure—that the body of Beauty has a + spiritual essence, uncapturable save by a devotion which thinks not of + self. After all, he was near that truth in his devotion to his daughter; + perhaps that made him understand a little how he had missed the prize. And + there, among the drawings of his kinsman, who had attained to that which + he had found beyond his reach, he thought of him and her with a tolerance + which surprised him. But he did not buy a drawing. + </p> + <p> + Just as he passed the seat of custom on his return to the outer air he met + with a contingency which had not been entirely absent from his mind when + he went into the Gallery—Irene, herself, coming in. So she had not + gone yet, and was still paying farewell visits to that fellow's + remains! He subdued the little involuntary leap of his subconsciousness, + the mechanical reaction of his senses to the charm of this once-owned + woman, and passed her with averted eyes. But when he had gone by he could + not for the life of him help looking back. This, then, was finality—the + heat and stress of his life, the madness and the longing thereof, the only + defeat he had known, would be over when she faded from his view this time; + even such memories had their own queer aching value. + </p> + <p> + She, too, was looking back. Suddenly she lifted her gloved hand, her lips + smiled faintly, her dark eyes seemed to speak. It was the turn of Soames + to make no answer to that smile and that little farewell wave; he went out + into the fashionable street quivering from head to foot. He knew what she + had meant to say: “Now that I am going for ever out of the reach of + you and yours—forgive me; I wish you well.” That was the + meaning; last sign of that terrible reality—passing morality, duty, + common sense—her aversion from him who had owned her body, but had + never touched her spirit or her heart. It hurt; yes—more than if she + had kept her mask unmoved, her hand unlifted. + </p> + <p> + Three days later, in that fast-yellowing October, Soames took a taxi-cab + to Highgate Cemetery and mounted through its white forest to the Forsyte + vault. Close to the cedar, above catacombs and columbaria, tall, ugly, and + individual, it looked like an apex of the competitive system. He could + remember a discussion wherein Swithin had advocated the addition to its + face of the pheasant proper. The proposal had been rejected in favour of a + wreath in stone, above the stark words: “The family vault of Jolyon + Forsyte: 1850.” It was in good order. All trace of the recent + interment had been removed, and its sober grey gloomed reposefully in the + sunshine. The whole family lay there now, except old Jolyon's wife, + who had gone back under a contract to her own family vault in Suffolk; old + Jolyon himself lying at Robin Hill; and Susan Hayman, cremated so that + none knew where she might be. Soames gazed at it with satisfaction—massive, + needing little attention; and this was important, for he was well aware + that no one would attend to it when he himself was gone, and he would have + to be looking out for lodgings soon. He might have twenty years before + him, but one never knew. Twenty years without an aunt or uncle, with a + wife of whom one had better not know anything, with a daughter gone from + home. His mood inclined to melancholy and retrospection. + </p> + <p> + This cemetery was full, they said—of people with extraordinary + names, buried in extraordinary taste. Still, they had a fine view up here, + right over London. Annette had once given him a story to read by that + Frenchman, Maupassant, most lugubrious concern, where all the skeletons + emerged from their graves one night, and all the pious inscriptions on the + stones were altered to descriptions of their sins. Not a true story at + all. He didn't know about the French, but there was not much real + harm in English people except their teeth and their taste, which was + certainly deplorable. “The family vault of Jolyon Forsyte: 1850.” + A lot of people had been buried here since then—a lot of English + life crumbled to mould and dust! The boom of an airplane passing under the + gold-tinted clouds caused him to lift his eyes. The deuce of a lot of + expansion had gone on. But it all came back to a cemetery—to a name + and a date on a tomb. And he thought with a curious pride that he and his + family had done little or nothing to help this feverish expansion. Good + solid middlemen, they had gone to work with dignity to manage and possess. + “Superior Dosset,” indeed, had built in a dreadful, and Jolyon + painted in a doubtful, period, but so far as he remembered not another of + them all had soiled his hands by creating anything—unless you + counted Val Dartie and his horse-breeding. Collectors, solicitors, + barristers, merchants, publishers, accountants, directors, land agents, + even soldiers—there they had been! The country had expanded, as it + were, in spite of them. They had checked, controlled, defended, and taken + advantage of the process and when you considered how “Superior + Dosset” had begun life with next to nothing, and his lineal + descendants already owned what old Gradman estimated at between a million + and a million and a half, it was not so bad! And yet he sometimes felt as + if the family bolt was shot, their possessive instinct dying out. They + seemed unable to make money—this fourth generation; they were going + into art, literature, farming, or the army; or just living on what was + left them—they had no push and no tenacity. They would die out if + they didn't take care. + </p> + <p> + Soames turned from the vault and faced toward the breeze. The air up here + would be delicious if only he could rid his nerves of the feeling that + mortality was in it. He gazed restlessly at the crosses and the urns, the + angels, the “immortelles,” the flowers, gaudy or withering; + and suddenly he noticed a spot which seemed so different from anything + else up there that he was obliged to walk the few necessary yards and look + at it. A sober corner, with a massive queer-shaped cross of grey + rough-hewn granite, guarded by four dark yew-trees. The spot was free from + the pressure of the other graves, having a little box-hedged garden on the + far side, and in front a goldening birch-tree. This oasis in the desert of + conventional graves appealed to the aesthetic sense of Soames, and he sat + down there in the sunshine. Through those trembling gold birch leaves he + gazed out at London, and yielded to the waves of memory. He thought of + Irene in Montpellier Square, when her hair was rusty-golden and her white + shoulders his—Irene, the prize of his love-passion, resistant to his + ownership. He saw Bosinney's body lying in that white mortuary, and + Irene sitting on the sofa looking at space with the eyes of a dying bird. + Again he thought of her by the little green Niobe in the Bois de Boulogne, + once more rejecting him. His fancy took him on beside his drifting river + on the November day when Fleur was to be born, took him to the dead leaves + floating on the green-tinged water and the snake-headed weed for ever + swaying and nosing, sinuous, blind, tethered. And on again to the window + opened to the cold starry night above Hyde Park, with his father lying + dead. His fancy darted to that picture of “the future town,” + to that boy's and Fleur's first meeting; to the bluish trail + of Prosper Profond's cigar, and Fleur in the window pointing down to + where the fellow prowled. To the sight of Irene and that dead fellow + sitting side by side in the stand at Lord's. To her and that boy at + Robin Hill. To the sofa, where Fleur lay crushed up in the corner; to her + lips pressed into his cheek, and her farewell “Daddy.” And + suddenly he saw again Irene's grey-gloved hand waving its last + gesture of release. + </p> + <p> + He sat there a long time dreaming his career, faithful to the scut of his + possessive instinct, warming himself even with its failures. + </p> + <p> + “To Let”—the Forsyte age and way of life, when a man + owned his soul, his investments, and his woman, without check or question. + And now the State had, or would have, his investments, his woman had + herself, and God knew who had his soul. “To Let”—that + sane and simple creed! + </p> + <p> + The waters of change were foaming in, carrying the promise of new forms + only when their destructive flood should have passed its full. He sat + there, subconscious of them, but with his thoughts resolutely set on the + past—as a man might ride into a wild night with his face to the tail + of his galloping horse. Athwart the Victorian dykes the waters were + rolling on property, manners, and morals, on melody and the old forms of + art—waters bringing to his mouth a salt taste as of blood, lapping + to the foot of this Highgate Hill where Victorianism lay buried. And + sitting there, high up on its most individual spot, Soames—like a + figure of Investment—refused their restless sounds. Instinctively he + would not fight them—there was in him too much primeval wisdom, of + Man the possessive animal. They would quiet down when they had fulfilled + their tidal fever of dispossessing and destroying; when the creations and + the properties of others were sufficiently broken and defected—they + would lapse and ebb, and fresh forms would rise based on an instinct older + than the fever of change—the instinct of Home. + </p> + <p> + “Je m'en fiche,” said Prosper Profond. Soames did not + say “Je m'en fiche”—it was French, and the fellow + was a thorn in his side—but deep down he knew that change was only + the interval of death between two forms of life, destruction necessary to + make room for fresher property. What though the board was up, and cosiness + to let?—some one would come along and take it again some day. + </p> + <p> + And only one thing really troubled him, sitting there—the melancholy + craving in his heart—because the sun was like enchantment on his + face and on the clouds and on the golden birch leaves, and the wind's + rustle was so gentle, and the yewtree green so dark, and the sickle of a + moon pale in the sky. + </p> + <p> + He might wish and wish and never get it—the beauty and the loving in + the world! + </p> + <p> + <br /> <br /> + </p> + <div class="fig" style="width:80%;"> + <img alt="cutpages (132K)" src="images/cutpages.jpg" width="100%" /><br /> + </div> + <p> + <br /> <br /> + </p> +<pre xml:space="preserve"> + + + + + +End of Project Gutenberg's The Forsyte Saga, Awakening and To Let, by John Galsworthy + +*** END OF THIS PROJECT GUTENBERG EBOOK AWAKENING AND TO LET *** + +***** This file should be named 2596-h.htm or 2596-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/5/9/2596/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/2596-h/images/cover.jpg b/2596-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..eee2274 --- /dev/null +++ b/2596-h/images/cover.jpg diff --git a/2596-h/images/cutpages.jpg b/2596-h/images/cutpages.jpg Binary files differnew file mode 100644 index 0000000..ec41239 --- /dev/null +++ b/2596-h/images/cutpages.jpg diff --git a/2596-h/images/editon.jpg b/2596-h/images/editon.jpg Binary files differnew file mode 100644 index 0000000..89a37fa --- /dev/null +++ b/2596-h/images/editon.jpg diff --git a/2596-h/images/frontis1.jpg b/2596-h/images/frontis1.jpg Binary files differnew file mode 100644 index 0000000..dbb5440 --- /dev/null +++ b/2596-h/images/frontis1.jpg diff --git a/2596-h/images/frontis1s.jpg b/2596-h/images/frontis1s.jpg Binary files differnew file mode 100644 index 0000000..eee2274 --- /dev/null +++ b/2596-h/images/frontis1s.jpg diff --git a/2596-h/images/frontis2.jpg b/2596-h/images/frontis2.jpg Binary files differnew file mode 100644 index 0000000..985e52d --- /dev/null +++ b/2596-h/images/frontis2.jpg diff --git a/2596-h/images/frontis3.jpg b/2596-h/images/frontis3.jpg Binary files differnew file mode 100644 index 0000000..c8b2125 --- /dev/null +++ b/2596-h/images/frontis3.jpg diff --git a/2596-h/images/spines.jpg b/2596-h/images/spines.jpg Binary files differnew file mode 100644 index 0000000..d0ec3de --- /dev/null +++ b/2596-h/images/spines.jpg diff --git a/2596-h/images/subscription.jpg b/2596-h/images/subscription.jpg Binary files differnew file mode 100644 index 0000000..8ff3c60 --- /dev/null +++ b/2596-h/images/subscription.jpg diff --git a/2596-h/images/test.jpg b/2596-h/images/test.jpg Binary files differnew file mode 100644 index 0000000..0ed946e --- /dev/null +++ b/2596-h/images/test.jpg diff --git a/2596-h/images/titlepage1.jpg b/2596-h/images/titlepage1.jpg Binary files differnew file mode 100644 index 0000000..d9d04d9 --- /dev/null +++ b/2596-h/images/titlepage1.jpg diff --git a/2596-h/images/titlepage3.jpg b/2596-h/images/titlepage3.jpg Binary files differnew file mode 100644 index 0000000..feebb8b --- /dev/null +++ b/2596-h/images/titlepage3.jpg diff --git a/2596-h/images/titlpage2.jpg b/2596-h/images/titlpage2.jpg Binary files differnew file mode 100644 index 0000000..2b0ffbe --- /dev/null +++ b/2596-h/images/titlpage2.jpg diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..ce2c3be --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #2596 (https://www.gutenberg.org/ebooks/2596) diff --git a/old/2006-06-14-2596-h.zip b/old/2006-06-14-2596-h.zip Binary files differnew file mode 100644 index 0000000..731e238 --- /dev/null +++ b/old/2006-06-14-2596-h.zip diff --git a/old/2006-06-14-2596.zip b/old/2006-06-14-2596.zip Binary files differnew file mode 100644 index 0000000..24bd13e --- /dev/null +++ b/old/2006-06-14-2596.zip diff --git a/old/24092004.2596.txt b/old/24092004.2596.txt new file mode 100644 index 0000000..bb50279 --- /dev/null +++ b/old/24092004.2596.txt @@ -0,0 +1,11978 @@ +The Project Gutenberg EBook of Awakening and To Let, by John Galsworthy + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.net + + +Title: Awakening and To Let + The Forsyte Saga, Part 3. + +Author: John Galsworthy + +Release Date: September 24, 2004 [EBook #2596] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK AWAKENING AND TO LET *** + + + + +Produced by David Widger + + + + + +THE FORSYTE SAGA + +VOLUME III + + +AWAKENING and TO LET + +By John Galsworthy + + +[NOTE: Spelling conforms to the original: "s's" instead of our "z's"; and +"c's" where we would have "s's"; and "...our" as in colour and flavour; +many interesting double consonants; etc.] + + + +AWAKENING + + +TO LET + +TO CHARLES SCRIBNER + + + + +AWAKENING + +Through the massive skylight illuminating the hall at Robin Hill, the +July sunlight at five o'clock fell just where the broad stairway turned; +and in that radiant streak little Jon Forsyte stood, blue-linen-suited. +His hair was shining, and his eyes, from beneath a frown, for he was +considering how to go downstairs, this last of innumerable times, before +the car brought his father and mother home. Four at a time, and five at +the bottom? Stale! Down the banisters? But in which fashion? On his +face, feet foremost? Very stale. On his stomach, sideways? Paltry! On +his back, with his arms stretched down on both sides? Forbidden! Or on +his face, head foremost, in a manner unknown as yet to any but himself? +Such was the cause of the frown on the illuminated face of little Jon.... + +In that Summer of 1909 the simple souls who even then desired to simplify +the English tongue, had, of course, no cognizance of little Jon, or they +would have claimed him for a disciple. But one can be too simple in this +life, for his real name was Jolyon, and his living father and dead +half-brother had usurped of old the other shortenings, Jo and Jolly. As +a fact little Jon had done his best to conform to convention and spell +himself first Jhon, then John; not till his father had explained the +sheer necessity, had he spelled his name Jon. + +Up till now that father had possessed what was left of his heart by the +groom, Bob, who played the concertina, and his nurse "Da," who wore the +violet dress on Sundays, and enjoyed the name of Spraggins in that +private life lived at odd moments even by domestic servants. His mother +had only appeared to him, as it were in dreams, smelling delicious, +smoothing his forehead just before he fell asleep, and sometimes docking +his hair, of a golden brown colour. When he cut his head open against +the nursery fender she was there to be bled over; and when he had +nightmare she would sit on his bed and cuddle his head against her neck. +She was precious but remote, because "Da" was so near, and there is +hardly room for more than one woman at a time in a man's heart. With his +father, too, of course, he had special bonds of union; for little Jon +also meant to be a painter when he grew up--with the one small +difference, that his father painted pictures, and little Jon intended to +paint ceilings and walls, standing on a board between two step-ladders, +in a dirty-white apron, and a lovely smell of whitewash. His father also +took him riding in Richmond Park, on his pony, Mouse, so-called because +it was so-coloured. + +Little Jon had been born with a silver spoon in a mouth which was rather +curly and large. He had never heard his father or his mother speak in an +angry voice, either to each other, himself, or anybody else; the groom, +Bob, Cook, Jane, Bella and the other servants, even "Da," who alone +restrained him in his courses, had special voices when they talked to +him. He was therefore of opinion that the world was a place of perfect +and perpetual gentility and freedom. + +A child of 1901, he had come to consciousness when his country, just over +that bad attack of scarlet fever, the Boer War, was preparing for the +Liberal revival of 1906. Coercion was unpopular, parents had exalted +notions of giving their offspring a good time. They spoiled their rods, +spared their children, and anticipated the results with enthusiasm. In +choosing, moreover, for his father an amiable man of fifty-two, who had +already lost an only son, and for his mother a woman of thirty-eight, +whose first and only child he was, little Jon had done well and wisely. +What had saved him from becoming a cross between a lap dog and a little +prig, had been his father's adoration of his mother, for even little Jon +could see that she was not merely just his mother, and that he played +second fiddle to her in his father's heart: What he played in his +mother's heart he knew not yet. As for "Auntie" June, his half-sister +(but so old that she had grown out of the relationship) she loved him, of +course, but was too sudden. His devoted "Da," too, had a Spartan touch. +His bath was cold and his knees were bare; he was not encouraged to be +sorry for himself. As to the vexed question of his education, little Jon +shared the theory of those who considered that children should not be +forced. He rather liked the Mademoiselle who came for two hours every +morning to teach him her language, together with history, geography and +sums; nor were the piano lessons which his mother gave him disagreeable, +for she had a way of luring him from tune to tune, never making him +practise one which did not give him pleasure, so that he remained eager +to convert ten thumbs into eight fingers. Under his father he learned to +draw pleasure-pigs and other animals. He was not a highly educated little +boy. Yet, on the whole, the silver spoon stayed in his mouth without +spoiling it, though "Da" sometimes said that other children would do him +a "world of good." + +It was a disillusionment, then, when at the age of nearly seven she held +him down on his back, because he wanted to do something of which she did +not approve. This first interference with the free individualism of a +Forsyte drove him almost frantic. There was something appalling in the +utter helplessness of that position, and the uncertainty as to whether it +would ever come to an end. Suppose she never let him get up any more! +He suffered torture at the top of his voice for fifty seconds. Worse +than anything was his perception that "Da" had taken all that time to +realise the agony of fear he was enduring. Thus, dreadfully, was +revealed to him the lack of imagination in the human being. + +When he was let up he remained convinced that "Da" had done a dreadful +thing. Though he did not wish to bear witness against her, he had been +compelled, by fear of repetition, to seek his mother and say: "Mum, don't +let 'Da' hold me down on my back again." + +His mother, her hands held up over her head, and in them two plaits of +hair--"couleur de feuille morte," as little Jon had not yet learned to +call it--had looked at him with eyes like little bits of his brown velvet +tunic, and answered: + +"No, darling, I won't." + +She, being in the nature of a goddess, little Jon was satisfied; +especially when, from under the dining-table at breakfast, where he +happened to be waiting for a mushroom, he had overheard her say to his +father: + +"Then, will you tell 'Da,' dear, or shall I? She's so devoted to him"; +and his father's answer: + +"Well, she mustn't show it that way. I know exactly what it feels like +to be held down on one's back. No Forsyte can stand it for a minute." + +Conscious that they did not know him to be under the table, little Jon +was visited by the quite new feeling of embarrassment, and stayed where +he was, ravaged by desire for the mushroom. + +Such had been his first dip into the dark abysses of existence. Nothing +much had been revealed to him after that, till one day, having gone down +to the cow-house for his drink of milk fresh from the cow, after Garratt +had finished milking, he had seen Clover's calf, dead. Inconsolable, and +followed by an upset Garratt, he had sought "Da"; but suddenly aware that +she was not the person he wanted, had rushed away to find his father, and +had run into the arms of his mother. + +"Clover's calf's dead! Oh! Oh! It looked so soft!" + +His mother's clasp, and her: + +"Yes, darling, there, there!" had stayed his sobbing. But if Clover's +calf could die, anything could--not only bees, flies, beetles and +chickens--and look soft like that! This was appalling--and soon +forgotten! + +The next thing had been to sit on a bumble bee, a poignant experience, +which his mother had understood much better than "Da"; and nothing of +vital importance had happened after that till the year turned; when, +following a day of utter wretchedness, he had enjoyed a disease composed +of little spots, bed, honey in a spoon, and many Tangerine oranges. It +was then that the world had flowered. To "Auntie" June he owed that +flowering, for no sooner was he a little lame duck than she came rushing +down from London, bringing with her the books which had nurtured her own +Berserker spirit, born in the noted year of 1869. Aged, and of many +colours, they were stored with the most formidable happenings. Of these +she read to little Jon, till he was allowed to read to himself; whereupon +she whisked back to London and left them with him in a heap. Those books +cooked his fancy, till he thought and dreamed of nothing but midshipmen +and dhows, pirates, rafts, sandal-wood traders, iron horses, sharks, +battles, Tartars, Red Indians, balloons, North Poles and other +extravagant delights. The moment he was suffered to get up, he rigged +his bed fore and aft, and set out from it in a narrow bath across green +seas of carpet, to a rock, which he climbed by means of its mahogany +drawer knobs, to sweep the horizon with his drinking tumbler screwed to +his eye, in search of rescuing sails. He made a daily raft out of the +towel stand, the tea tray, and his pillows. He saved the juice from his +French plums, bottled it in an empty medicine bottle, and provisioned the +raft with the rum that it became; also with pemmican made out of little +saved-up bits of chicken sat on and dried at the fire; and with lime +juice against scurvy, extracted from the peel of his oranges and a little +economised juice. He made a North Pole one morning from the whole of his +bedclothes except the bolster, and reached it in a birch-bark canoe (in +private life the fender), after a terrible encounter with a polar bear +fashioned from the bolster and four skittles dressed up in "Da's" +nightgown. After that, his father, seeking to steady his imagination, +brought him Ivanboe, Bevis, a book about King Arthur, and Tom Brown's +Schooldays. He read the first, and for three days built, defended and +stormed Front de Boeuf's castle, taking every part in the piece except +those of Rebecca and Rowena; with piercing cries of: "En avant, de +Bracy!" and similar utterances. After reading the book about King Arthur +he became almost exclusively Sir Lamorac de Galis, because, though there +was very little about him, he preferred his name to that of any other +knight; and he rode his old rocking-horse to death, armed with a long +bamboo. Bevis he found tame; besides, it required woods and animals, of +which he had none in his nursery, except his two cats, Fitz and Puck +Forsyte, who permitted no liberties. For Tom Brown he was as yet too +young. There was relief in the house when, after the fourth week, he was +permitted to go down and out. + +The month being March the trees were exceptionally like the masts of +ships, and for little Jon that was a wonderful Spring, extremely hard on +his knees, suits, and the patience of "Da," who had the washing and +reparation of his clothes. Every morning the moment his breakfast was +over, he could be viewed by his mother and father, whose windows looked +out that way, coming from the study, crossing the terrace, climbing the +old oak tree, his face resolute and his hair bright. He began the day +thus because there was not time to go far afield before his lessons. The +old tree's variety never staled; it had mainmast, foremast, top-gallant +mast, and he could always come down by the halyards--or ropes of the +swing. After his lessons, completed by eleven, he would go to the +kitchen for a thin piece of cheese, a biscuit and two French +plums--provision enough for a jolly-boat at least--and eat it in some +imaginative way; then, armed to the teeth with gun, pistols, and sword, +he would begin the serious climbing of the morning, encountering by the +way innumerable slavers, Indians, pirates, leopards, and bears. He was +seldom seen at that hour of the day without a cutlass in his teeth (like +Dick Needham) amid the rapid explosion of copper caps. And many were the +gardeners he brought down with yellow peas shot out of his little gun. +He lived a life of the most violent action. + +"Jon," said his father to his mother, under the oak tree, "is terrible. +I'm afraid he's going to turn out a sailor, or something hopeless. Do +you see any sign of his appreciating beauty?" + +"Not the faintest." + +"Well, thank heaven he's no turn for wheels or engines! I can bear +anything but that. But I wish he'd take more interest in Nature." + +"He's imaginative, Jolyon." + +"Yes, in a sanguinary way. Does he love anyone just now?" + +"No; only everyone. There never was anyone born more loving or more +lovable than Jon." + +"Being your boy, Irene." + +At this moment little Jon, lying along a branch high above them, brought +them down with two peas; but that fragment of talk lodged, thick, in his +small gizzard. Loving, lovable, imaginative, sanguinary! + +The leaves also were thick by now, and it was time for his birthday, +which, occurring every year on the twelfth of May, was always memorable +for his chosen dinner of sweetbread, mushrooms, macaroons, and ginger +beer. + +Between that eighth birthday, however, and the afternoon when he stood in +the July radiance at the turning of the stairway, several important +things had happened. + +"Da," worn out by washing his knees, or moved by that mysterious instinct +which forces even nurses to desert their nurslings, left the very day +after his birthday in floods of tears "to be married"--of all things--"to +a man." Little Jon, from whom it had been kept, was inconsolable for an +afternoon. It ought not to have been kept from him! Two large boxes of +soldiers and some artillery, together with The Young Buglers, which had +been among his birthday presents, cooperated with his grief in a sort of +conversion, and instead of seeking adventures in person and risking his +own life, he began to play imaginative games, in which he risked the +lives of countless tin soldiers, marbles, stones and beans. Of these +forms of "chair a canon" he made collections, and, using them +alternately, fought the Peninsular, the Seven Years, the Thirty Years, +and other wars, about which he had been reading of late in a big History +of Europe which had been his grandfather's. He altered them to suit his +genius, and fought them all over the floor in his day nursery, so that +nobody could come in, for fearing of disturbing Gustavus Adolphus, King +of Sweden, or treading on an army of Austrians. Because of the sound of +the word he was passionately addicted to the Austrians, and finding there +were so few battles in which they were successful he had to invent them +in his games. His favourite generals were Prince Eugene, the Archduke +Charles and Wallenstein. Tilly and Mack ("music-hall turns" he heard his +father call them one day, whatever that might mean) one really could not +love very much, Austrian though they were. For euphonic reasons, too, he +doted on Turenne. + +This phase, which caused his parents anxiety, because it kept him indoors +when he ought to have been out, lasted through May and half of June, till +his father killed it by bringing home to him Tom Sawyer and Huckleberry +Finn. When he read those books something happened in him, and he went +out of doors again in passionate quest of a river. There being none on +the premises at Robin Hill, he had to make one out of the pond, which +fortunately had water lilies, dragonflies, gnats, bullrushes, and three +small willow trees. On this pond, after his father and Garratt had +ascertained by sounding that it had a reliable bottom and was nowhere +more than two feet deep, he was allowed a little collapsible canoe, in +which he spent hours and hours paddling, and lying down out of sight of +Indian Joe and other enemies. On the shore of the pond, too, he built +himself a wigwam about four feet square, of old biscuit tins, roofed in +by boughs. In this he would make little fires, and cook the birds he had +not shot with his gun, hunting in the coppice and fields, or the fish he +did not catch in the pond because there were none. This occupied the +rest of June and that July, when his father and mother were away in +Ireland. He led a lonely life of "make believe" during those five weeks +of summer weather, with gun, wigwam, water and canoe; and, however hard +his active little brain tried to keep the sense of beauty away, she did +creep in on him for a second now and then, perching on the wing of a +dragon-fly, glistening on the water lilies, or brushing his eyes with her +blue as he Jay on his back in ambush. + +"Auntie" June, who had been left in charge, had a "grown-up" in the +house, with a cough and a large piece of putty which he was making into a +face; so she hardly ever came down to see him in the pond. Once, however, +she brought with her two other "grown-ups." Little Jon, who happened to +have painted his naked self bright blue and yellow in stripes out of his +father's water-colour box, and put some duck's feathers in his hair, saw +them coming, and--ambushed himself among the willows. As he had +foreseen, they came at once to his wigwam and knelt down to look inside, +so that with a blood-curdling yell he was able to take the scalps of +"Auntie" June and the woman "grown-up" in an almost complete manner +before they kissed him. The names of the two grown-ups were "Auntie" +Holly and "Uncle" Val, who had a brown face and a little limp, and +laughed at him terribly. He took a fancy to "Auntie" Holly, who seemed +to be a sister too; but they both went away the same afternoon and he did +not see them again. Three days before his father and mother were to come +home "Auntie" June also went off in a great hurry, taking the "grown-up" +who coughed and his piece of putty; and Mademoiselle said: "Poor man, he +was veree ill. I forbid you to go into his room, Jon." Little Jon, who +rarely did things merely because he was told not to, refrained from +going, though he was bored and lonely. In truth the day of the pond was +past, and he was filled to the brim of his soul with restlessness and the +want of something--not a tree, not a gun--something soft. Those last +two days had seemed months in spite of Cast Up by the Sea, wherein he was +reading about Mother Lee and her terrible wrecking bonfire. He had gone +up and down the stairs perhaps a hundred times in those two days, and +often from the day nursery, where he slept now, had stolen into his +mother's room, looked at everything, without touching, and on into the +dressing-room; and standing on one leg beside the bath, like Slingsby, +had whispered: + +"Ho, ho, ho! Dog my cats!" mysteriously, to bring luck. Then, stealing +back, he had opened his mother's wardrobe, and taken a long sniff which +seemed to bring him nearer to--he didn't know what. + +He had done this just before he stood in the streak of sunlight, debating +in which of the several ways he should slide down the banisters. They +all seemed silly, and in a sudden languor he began descending the steps +one by one. During that descent he could remember his father quite +distinctly--the short grey beard, the deep eyes twinkling, the furrow +between them, the funny smile, the thin figure which always seemed so +tall to little Jon; but his mother he couldn't see. All that represented +her was something swaying with two dark eyes looking back at him; and the +scent of her wardrobe. + +Bella was in the hall, drawing aside the big curtains, and opening the +front door. Little Jon said, wheedling, + +"Bella!" + +"Yes, Master Jon." + +"Do let's have tea under the oak tree when they come; I know they'd like +it best." + +"You mean you'd like it best." + +Little Jon considered. + +"No, they would, to please me." + +Bella smiled. "Very well, I'll take it out if you'll stay quiet here and +not get into mischief before they come." + +Little Jon sat down on the bottom step, and nodded. Bella came close, +and looked him over. + +"Get up!" she said. + +Little Jon got up. She scrutinized him behind; he was not green, and his +knees seemed clean. + +"All right!" she said. "My! Aren't you brown? Give me a kiss!" + +And little Jon received a peck on his hair. + +"What jam?" he asked. "I'm so tired of waiting." + +"Gooseberry and strawberry." + +Num! They were his favourites! + +When she was gone he sat still for quite a minute. It was quiet in the +big hall open to its East end so that he could see one of his trees, a +brig sailing very slowly across the upper lawn. In the outer hall +shadows were slanting from the pillars. Little Jon got up, jumped one of +them, and walked round the clump of iris plants which filled the pool of +grey-white marble in the centre. The flowers were pretty, but only +smelled a very little. He stood in the open doorway and looked out. +Suppose!--suppose they didn't come! He had waited so long that he felt +he could not bear that, and his attention slid at once from such finality +to the dust motes in the bluish sunlight coming in: Thrusting his hand +up, he tried to catch some. Bella ought to have dusted that piece of +air! But perhaps they weren't dust--only what sunlight was made of, and +he looked to see whether the sunlight out of doors was the same. It was +not. He had said he would stay quiet in the hall, but he simply couldn't +any more; and crossing the gravel of the drive he lay down on the grass +beyond. Pulling six daisies he named them carefully, Sir Lamorac, Sir +Tristram, Sir Lancelot, Sir Palimedes, Sir Bors, Sir Gawain, and fought +them in couples till only Sir Lamorac, whom he had selected for a +specially stout stalk, had his head on, and even he, after three +encounters, looked worn and waggly. A beetle was moving slowly in the +grass, which almost wanted cutting. Every blade was a small tree, round +whose trunk the beetle had to glide. Little Jon stretched out Sir +Lamorac, feet foremost, and stirred the creature up. It scuttled +painfully. Little Jon laughed, lost interest, and sighed. His heart +felt empty. He turned over and lay on his back. There was a scent of +honey from the lime trees in flower, and in the sky the blue was +beautiful, with a few white clouds which looked and perhaps tasted like +lemon ice. He could hear Bob playing: "Way down upon de Suwannee ribber" +on his concertina, and it made him nice and sad. He turned over again +and put his ear to the ground--Indians could hear things coming ever so +far--but he could hear nothing--only the concertina! And almost +instantly he did hear a grinding sound, a faint toot. Yes! it was a +car--coming--coming! Up he jumped. Should he wait in the porch, or rush +upstairs, and as they came in, shout: "Look!" and slide slowly down the +banisters, head foremost? Should he? The car turned in at the drive. It +was too late! And he only waited, jumping up and down in his excitement. +The car came quickly, whirred, and stopped. His father got out, exactly +like life. He bent down and little Jon bobbed up--they bumped. His +father said, + +"Bless us! Well, old man, you are brown!" Just as he would; and the +sense of expectation--of something wanted--bubbled unextinguished in +little Jon. Then, with a long, shy look he saw his mother, in a blue +dress, with a blue motor scarf over her cap and hair, smiling. He jumped +as high as ever he could, twined his legs behind her back, and hugged. +He heard her gasp, and felt her hugging back. His eyes, very dark blue +just then, looked into hers, very dark brown, till her lips closed on his +eyebrow, and, squeezing with all his might, he heard her creak and laugh, +and say: + +"You are strong, Jon!" + +He slid down at that, and rushed into the hall, dragging her by the hand. + +While he was eating his jam beneath the oak tree, he noticed things about +his mother that he had never seemed to see before, her cheeks for +instance were creamy, there were silver threads in her dark goldy hair, +her throat had no knob in it like Bella's, and she went in and out +softly. He noticed, too, some little lines running away from the corners +of her eyes, and a nice darkness under them. She was ever so beautiful, +more beautiful than "Da" or Mademoiselle, or "Auntie" June or even +"Auntie" Holly, to whom he had taken a fancy; even more beautiful than +Bella, who had pink cheeks and came out too suddenly in places. This new +beautifulness of his mother had a kind of particular importance, and he +ate less than he had expected to. + +When tea was over his father wanted him to walk round the gardens. He had +a long conversation with his father about things in general, avoiding his +private life--Sir Lamorac, the Austrians, and the emptiness he had felt +these last three days, now so suddenly filled up. His father told him of +a place called Glensofantrim, where he and his mother had been; and of +the little people who came out of the ground there when it was very +quiet. Little Jon came to a halt, with his heels apart. + +"Do you really believe they do, Daddy?" "No, Jon, but I thought you +might." + +"Why?" + +"You're younger than I; and they're fairies." Little Jon squared the +dimple in his chin. + +"I don't believe in fairies. I never see any." "Ha!" said his father. + +"Does Mum?" + +His father smiled his funny smile. + +"No; she only sees Pan." + +"What's Pan?" + +"The Goaty God who skips about in wild and beautiful places." + +"Was he in Glensofantrim?" + +"Mum said so." + +Little Jon took his heels up, and led on. + +"Did you see him?" + +"No; I only saw Venus Anadyomene." + +Little Jon reflected; Venus was in his book about the Greeks and Trojans. +Then Anna was her Christian and Dyomene her surname? + +But it appeared, on inquiry, that it was one word, which meant rising +from the foam. + +"Did she rise from the foam in Glensofantrim?" + +"Yes; every day." + +"What is she like, Daddy?" + +"Like Mum." + +"Oh! Then she must be..." but he stopped at that, rushed at a wall, +scrambled up, and promptly scrambled down again. The discovery that his +mother was beautiful was one which he felt must absolutely be kept to +himself. His father's cigar, however, took so long to smoke, that at +last he was compelled to say: + +"I want to see what Mum's brought home. Do you mind, Daddy?" + +He pitched the motive low, to absolve him from unmanliness, and was a +little disconcerted when his father looked at him right through, heaved +an important sigh, and answered: + +"All right, old man, you go and love her." + +He went, with a pretence of slowness, and then rushed, to make up. He +entered her bedroom from his own, the door being open. She was still +kneeling before a trunk, and he stood close to her, quite still. + +She knelt up straight, and said: + +"Well, Jon?" + +"I thought I'd just come and see." + +Having given and received another hug, he mounted the window-seat, and +tucking his legs up under him watched her unpack. He derived a pleasure +from the operation such as he had not yet known, partly because she was +taking out things which looked suspicious, and partly because he liked to +look at her. She moved differently from anybody else, especially from +Bella; she was certainly the refinedest-looking person he had ever seen. +She finished the trunk at last, and knelt down in front of him. + +"Have you missed us, Jon?" + +Little Jon nodded, and having thus admitted his feelings, continued to +nod. + +"But you had 'Auntie' June?" + +"Oh! she had a man with a cough." + +His mother's face changed, and looked almost angry. He added hastily: + +"He was a poor man, Mum; he coughed awfully; I--I liked him." + +His mother put her hands behind his waist. + +"You like everybody, Jon?" + +Little Jon considered. + +"Up to a point," he said: "Auntie June took me to church one Sunday." + +"To church? Oh!" + +"She wanted to see how it would affect me." "And did it?" + +"Yes. I came over all funny, so she took me home again very quick. I +wasn't sick after all. I went to bed and had hot brandy and water, and +read The Boys of Beechwood. It was scrumptious." + +His mother bit her lip. + +"When was that?" + +"Oh! about--a long time ago--I wanted her to take me again, but she +wouldn't. You and Daddy never go to church, do you?" + +"No, we don't." + +"Why don't you?" + +His mother smiled. + +"Well, dear, we both of us went when we were little. Perhaps we went +when we were too little." + +"I see," said little Jon, "it's dangerous." + +"You shall judge for yourself about all those things as you grow up." + +Little Jon replied in a calculating manner: + +"I don't want to grow up, much. I don't want to go to school." A +sudden overwhelming desire to say something more, to say what he really +felt, turned him red. "I--I want to stay with you, and be your lover, +Mum." + +Then with an instinct to improve the situation, he added quickly "I +don't want to go to bed to-night, either. I'm simply tired of going to +bed, every night." + +"Have you had any more nightmares?" + +"Only about one. May I leave the door open into your room to-night, +Mum?" + +"Yes, just a little." Little Jon heaved a sigh of satisfaction. + +"What did you see in Glensofantrim?" + +"Nothing but beauty, darling." + +"What exactly is beauty?" + +"What exactly is--Oh! Jon, that's a poser." + +"Can I see it, for instance?" His mother got up, and sat beside him. +"You do, every day. The sky is beautiful, the stars, and moonlit +nights, and then the birds, the flowers, the trees--they're all +beautiful. Look out of the window--there's beauty for you, Jon." + +"Oh! yes, that's the view. Is that all?" + +"All? no. The sea is wonderfully beautiful, and the waves, with their +foam flying back." + +"Did you rise from it every day, Mum?" + +His mother smiled. "Well, we bathed." + +Little Jon suddenly reached out and caught her neck in his hands. + +"I know," he said mysteriously, "you're it, really, and all the rest is +make-believe." + +She sighed, laughed, said: "Oh! Jon!" + +Little Jon said critically: + +"Do you think Bella beautiful, for instance? I hardly do." + +"Bella is young; that's something." + +"But you look younger, Mum. If you bump against Bella she hurts." + +"I don't believe 'Da' was beautiful, when I come to think of it; and +Mademoiselle's almost ugly." + +"Mademoiselle has a very nice face." "Oh! yes; nice. I love your little +rays, Mum." + +"Rays?" + +Little Jon put his finger to the outer corner of her eye. + +"Oh! Those? But they're a sign of age." + +"They come when you smile." + +"But they usen't to." + +"Oh! well, I like them. Do you love me, Mum?" + +"I do--I do love you, darling." + +"Ever so?" + +"Ever so!" + +"More than I thought you did?" + +"Much--much more." + +"Well, so do I; so that makes it even." + +Conscious that he had never in his life so given himself away, he felt a +sudden reaction to the manliness of Sir Lamorac, Dick Needham, Huck Finn, +and other heroes. + +"Shall I show you a thing or two?" he said; and slipping out of her arms, +he stood on his head. Then, fired by her obvious admiration, he mounted +the bed, and threw himself head foremost from his feet on to his back, +without touching anything with his hands. He did this several times. + +That evening, having inspected what they had brought, he stayed up to +dinner, sitting between them at the little round table they used when +they were alone. He was extremely excited. His mother wore a +French-grey dress, with creamy lace made out of little scriggly roses, +round her neck, which was browner than the lace. He kept looking at her, +till at last his father's funny smile made him suddenly attentive to his +slice of pineapple. It was later than he had ever stayed up, when he +went to bed. His mother went up with him, and he undressed very slowly +so as to keep her there. When at last he had nothing on but his pyjamas, +he said: + +"Promise you won't go while I say my prayers!" + +"I promise." + +Kneeling down and plunging his face into the bed, little Jon hurried up, +under his breath, opening one eye now and then, to see her standing +perfectly still with a smile on her face. "Our Father"--so went his last +prayer, "which art in heaven, hallowed be thy Mum, thy Kingdom Mum--on +Earth as it is in heaven, give us this day our daily Mum and forgive us +our trespasses on earth as it is in heaven and trespass against us, for +thine is the evil the power and the glory for ever and ever. Amum! Look +out!" He sprang, and for a long minute remained in her arms. Once in +bed, he continued to hold her hand. + +"You won't shut the door any more than that, will you? Are you going to +be long, Mum?" + +"I must go down and play to Daddy." + +"Oh! well, I shall hear you." + +"I hope not; you must go to sleep." + +"I can sleep any night." + +"Well, this is just a night like any other." + +"Oh! no--it's extra special." + +"On extra special nights one always sleeps soundest." + +"But if I go to sleep, Mum, I shan't hear you come up." + +"Well, when I do, I'll come in and give you a kiss, then if you're awake +you'll know, and if you're not you'll still know you've had one." + +Little Jon sighed, "All right!" he said: "I suppose I must put up with +that. Mum?" + +"Yes?" + +"What was her name that Daddy believes in? Venus Anna Diomedes?" + +"Oh! my angel! Anadyomene." + +"Yes! but I like my name for you much better." + +"What is yours, Jon?" + +Little Jon answered shyly: + +"Guinevere! it's out of the Round Table--I've only just thought of it, +only of course her hair was down." + +His mother's eyes, looking past him, seemed to float. + +"You won't forget to come, Mum?" + +"Not if you'll go to sleep." + +"That's a bargain, then." And little Jon screwed up his eyes. + +He felt her lips on his forehead, heard her footsteps; opened his eyes to +see her gliding through the doorway, and, sighing, screwed them up again. + +Then Time began. + +For some ten minutes of it he tried loyally to sleep, counting a great +number of thistles in a row, "Da's" old recipe for bringing slumber. He +seemed to have been hours counting. It must, he thought, be nearly time +for her to come up now. He threw the bedclothes back. "I'm hot!" he +said, and his voice sounded funny in the darkness, like someone else's. +Why didn't she come? He sat up. He must look! He got out of bed, went +to the window and pulled the curtain a slice aside. It wasn't dark, but +he couldn't tell whether because of daylight or the moon, which was very +big. It had a funny, wicked face, as if laughing at him, and he did not +want to look at it. Then, remembering that his mother had said moonlit +nights were beautiful, he continued to stare out in a general way. The +trees threw thick shadows, the lawn looked like spilt milk, and a long, +long way he could see; oh! very far; right over the world, and it all +looked different and swimmy. There was a lovely smell, too, in his open +window. + +'I wish I had a dove like Noah!' he thought. + +"The moony moon was round and bright, It shone and shone and made it +light." + +After that rhyme, which came into his head all at once, he became +conscious of music, very soft-lovely! Mum playing! He bethought himself +of a macaroon he had, laid up in his chest of drawers, and, getting it, +came back to the window. He leaned out, now munching, now holding his +jaws to hear the music better. "Da" used to say that angels played on +harps in heaven; but it wasn't half so lovely as Mum playing in the moony +night, with him eating a macaroon. A cockchafer buzzed by, a moth flew +in his face, the music stopped, and little Jon drew his head in. She +must be coming! He didn't want to be found awake. He got back into bed +and pulled the clothes nearly over his head; but he had left a streak of +moonlight coming in. It fell across the floor, near the foot of the bed, +and he watched it moving ever so slowly towards him, as if it were alive. +The music began again, but he could only just hear it now; sleepy music, +pretty--sleepy--music--sleepy--slee..... + +And time slipped by, the music rose, fell, ceased; the moonbeam crept +towards his face. Little Jon turned in his sleep till he lay on his +back, with one brown fist still grasping the bedclothes. The corners of +his eyes twitched--he had begun to dream. He dreamed he was drinking +milk out of a pan that was the moon, opposite a great black cat which +watched him with a funny smile like his father's. He heard it whisper: +"Don't drink too much!" It was the cat's milk, of course, and he put out +his hand amicably to stroke the creature; but it was no longer there; the +pan had become a bed, in which he was lying, and when he tried to get out +he couldn't find the edge; he couldn't find it--he--he--couldn't get out! +It was dreadful! + +He whimpered in his sleep. The bed had begun to go round too; it was +outside him and inside him; going round and round, and getting fiery, and +Mother Lee out of Cast up by the Sea was stirring it! Oh! so horrible +she looked! Faster and faster!--till he and the bed and Mother Lee and +the moon and the cat were all one wheel going round and round and up and +up--awful--awful--awful! + +He shrieked. + +A voice saying: "Darling, darling!" got through the wheel, and he awoke, +standing on his bed, with his eyes wide open. + +There was his mother, with her hair like Guinevere's, and, clutching her, +he buried his face in it. + +"Oh! oh!" + +"It's all right, treasure. You're awake now. There! There! It's +nothing!" + +But little Jon continued to say: "Oh! oh!" + +Her voice went on, velvety in his ear: + +"It was the moonlight, sweetheart, coming on your face." + +Little Jon burbled into her nightgown + +"You said it was beautiful. Oh!" + +"Not to sleep in, Jon. Who let it in? Did you draw the curtains?" + +"I wanted to see the time; I--I looked out, I--I heard you playing, Mum; +I--I ate my macaroon." But he was growing slowly comforted; and the +instinct to excuse his fear revived within him. + +"Mother Lee went round in me and got all fiery," he mumbled. + +"Well, Jon, what can you expect if you eat macaroons after you've gone to +bed?" + +"Only one, Mum; it made the music ever so more beautiful. I was waiting +for you--I nearly thought it was to-morrow." + +"My ducky, it's only just eleven now." + +Little Jon was silent, rubbing his nose on her neck. + +"Mum, is Daddy in your room?" + +"Not to-night." + +"Can I come?" + +"If you wish, my precious." + +Half himself again, little Jon drew back. + +"You look different, Mum; ever so younger." + +"It's my hair, darling." + +Little Jon laid hold of it, thick, dark gold, with a few silver threads. + +"I like it," he said: "I like you best of all like this." + +Taking her hand, he had begun dragging her towards the door. He shut it +as they passed, with a sigh of relief. + +"Which side of the bed do you like, Mum?" + +"The left side." + +"All right." + +Wasting no time, giving her no chance to change her mind, little Jon got +into the bed, which seemed much softer than his own. He heaved another +sigh, screwed his head into the pillow and lay examining the battle of +chariots and swords and spears which always went on outside blankets, +where the little hairs stood up against the light. + +"It wasn't anything, really, was it?" he said. + +From before her glass his mother answered: + +"Nothing but the moon and your imagination heated up. You mustn't get so +excited, Jon." + +But, still not quite in possession of his nerves, little Jon answered +boastfully: + +"I wasn't afraid, really, of course!" And again he lay watching the +spears and chariots. It all seemed very long. + +"Oh! Mum, do hurry up!" + +"Darling, I have to plait my hair." + +"Oh! not to-night. You'll only have to unplait it again to-morrow. I'm +sleepy now; if you don't come, I shan't be sleepy soon." + +His mother stood up white and flowey before the winged mirror: he could +see three of her, with her neck turned and her hair bright under the +light, and her dark eyes smiling. It was unnecessary, and he said: + +"Do come, Mum; I'm waiting." + +"Very well, my love, I'll come." + +Little Jon closed his eyes. Everything was turning out most +satisfactory, only she must hurry up! He felt the bed shake, she was +getting in. And, still with his eyes closed, he said sleepily: "It's +nice, isn't it?" + +He heard her voice say something, felt her lips touching his nose, and, +snuggling up beside her who lay awake and loved him with her thoughts, he +fell into the dreamless sleep, which rounded off his past. + + + + + + +TO LET + +"From out the fatal loins of those two foes +A pair of star-crossed lovers take their life." + --Romeo and Juliet. + + + +TO CHARLES SCRIBNER + + + + +PART I + +ENCOUNTER + +Soames Forsyte emerged from the Knightsbridge Hotel, where he was +staying, in the afternoon of the 12th of May, 1920, with the intention of +visiting a collection of pictures in a Gallery off Cork Street, and +looking into the Future. He walked. Since the War he never took a cab +if he could help it. Their drivers were, in his view, an uncivil lot, +though now that the War was over and supply beginning to exceed demand +again, getting more civil in accordance with the custom of human nature. +Still, he had not forgiven them, deeply identifying them with gloomy +memories, and now, dimly, like all members, of their class, with +revolution. The considerable anxiety he had passed through during the +War, and the more considerable anxiety he had since undergone in the +Peace, had produced psychological consequences in a tenacious nature. He +had, mentally, so frequently experienced ruin, that he had ceased to +believe in its material probability. Paying away four thousand a year in +income and super tax, one could not very well be worse off! A fortune of +a quarter of a million, encumbered only by a wife and one daughter, and +very diversely invested, afforded substantial guarantee even against that +"wildcat notion" a levy on capital. And as to confiscation of war +profits, he was entirely in favour of it, for he had none, and "serve the +beggars right!" The price of pictures, moreover, had, if anything, gone +up, and he had done better with his collection since the War began than +ever before. Air-raids, also, had acted beneficially on a spirit +congenitally cautious, and hardened a character already dogged. To be in +danger of being entirely dispersed inclined one to be less apprehensive +of the more partial dispersions involved in levies and taxation, while +the habit of condemning the impudence of the Germans had led naturally to +condemning that of Labour, if not openly at least in the sanctuary of his +soul. + +He walked. There was, moreover, time to spare, for Fleur was to meet him +at the Gallery at four o'clock, and it was as yet but half-past two. It +was good for him to walk--his liver was a little constricted, and his +nerves rather on edge. His wife was always out when she was in Town, and +his daughter would flibberty-gibbet all over the place like most young +women since the War. Still, he must be thankful that she had been too +young to do anything in that War itself. Not, of course, that he had not +supported the War from its inception, with all his soul, but between that +and supporting it with the bodies of his wife and daughter, there had +been a gap fixed by something old-fashioned within him which abhorred +emotional extravagance. He had, for instance, strongly objected to +Annette, so attractive, and in 1914 only thirty-four, going to her native +France, her "chere patrie" as, under the stimulus of war, she had begun +to call it, to nurse her "braves poilus," forsooth! Ruining her health +and her looks! As if she were really a nurse! He had put a stopper on +it. Let her do needlework for them at home, or knit! She had not gone, +therefore, and had never been quite the same woman since. A bad tendency +of hers to mock at him, not openly, but in continual little ways, had +grown. As for Fleur, the War had resolved the vexed problem whether or +not she should go to school. She was better away from her mother in her +war mood, from the chance of air-raids, and the impetus to do extravagant +things; so he had placed her in a seminary as far West as had seemed to +him compatible with excellence, and had missed her horribly. Fleur! He +had never regretted the somewhat outlandish name by which at her birth he +had decided so suddenly to call her--marked concession though it had been +to the French. Fleur! A pretty name--a pretty child! But restless--too +restless; and wilful! Knowing her power too over her father! Soames +often reflected on the mistake it was to dote on his daughter. To get +old and dote! Sixty-five! He was getting on; but he didn't feel it, +for, fortunately perhaps, considering Annette's youth and good looks, his +second marriage had turned out a cool affair. He had known but one real +passion in his life--for that first wife of his--Irene. Yes, and that +fellow, his cousin Jolyon, who had gone off with her, was looking very +shaky, they said. No wonder, at seventy-two, after twenty years of a +third marriage! + +Soames paused a moment in his march to lean over the railings of the Row. +A suitable spot for reminiscence, half-way between that house in Park +Lane which had seen his birth and his parents' deaths, and the little +house in Montpellier Square where thirty-five years ago he had enjoyed +his first edition of matrimony. Now, after twenty years of his second +edition, that old tragedy seemed to him like a previous existence--which +had ended when Fleur was born in place of the son he had hoped for. For +many years he had ceased regretting, even vaguely, the son who had not +been born; Fleur filled the bill in his heart. After all, she bore his +name; and he was not looking forward at all to the time when she would +change it. Indeed, if he ever thought of such a calamity, it was +seasoned by the vague feeling that he could make her rich enough to +purchase perhaps and extinguish the name of the fellow who married +her--why not, since, as it seemed, women were equal to men nowadays? And +Soames, secretly convinced that they were not, passed his curved hand +over his face vigorously, till it reached the comfort of his chin. +Thanks to abstemious habits, he had not grown fat and gabby; his nose was +pale and thin, his grey moustache close-clipped, his eyesight unimpaired. +A slight stoop closened and corrected the expansion given to his face by +the heightening of his forehead in the recession of his grey hair. Little +change had Time wrought in the "warmest" of the young Forsytes, as the +last of the old Forsytes--Timothy-now in his hundred and first year, +would have phrased it. + +The shade from the plane-trees fell on his neat Homburg hat; he had given +up top hats--it was no use attracting attention to wealth in days like +these. Plane-trees! His thoughts travelled sharply to Madrid--the +Easter before the War, when, having to make up his mind about that Goya +picture, he had taken a voyage of discovery to study the painter on his +spot. The fellow had impressed him--great range, real genius! Highly as +the chap ranked, he would rank even higher before they had finished with +him. The second Goya craze would be greater even than the first; oh, +yes! And he had bought. On that visit he had--as never +before--commissioned a copy of a fresco painting called "La Vendimia," +wherein was the figure of a girl with an arm akimbo, who had reminded him +of his daughter. He had it now in the Gallery at Mapledurham, and rather +poor it was--you couldn't copy Goya. He would still look at it, however, +if his daughter were not there, for the sake of something irresistibly +reminiscent in the light, erect balance of the figure, the width between +the arching eyebrows, the eager dreaming of the dark eyes. Curious that +Fleur should have dark eyes, when his own were grey--no pure Forsyte had +brown eyes--and her mother's blue! But of course her grandmother +Lamotte's eyes were dark as treacle! + +He began to walk on again toward Hyde Park Corner. No greater change in +all England than in the Row! Born almost within hail of it, he could +remember it from 1860 on. Brought there as a child between the +crinolines to stare at tight-trousered dandies in whiskers, riding with a +cavalry seat; to watch the doffing of curly-brimmed and white top hats; +the leisurely air of it all, and the little bow-legged man in a long red +waistcoat who used to come among the fashion with dogs on several +strings, and try to sell one to his mother: King Charles spaniels, +Italian greyhounds, affectionate to her crinoline--you never saw them +now. You saw no quality of any sort, indeed, just working people sitting +in dull rows with nothing to stare at but a few young bouncing females in +pot hats, riding astride, or desultory Colonials charging up and down on +dismal-looking hacks; with, here and there, little girls on ponies, or +old gentlemen jogging their livers, or an orderly trying a great +galumphing cavalry horse; no thoroughbreds, no grooms, no bowing, no +scraping, no gossip--nothing; only the trees the same--the trees +in--different to the generations and declensions of mankind. A +democratic England--dishevelled, hurried, noisy, and seemingly without an +apex. And that something fastidious in the soul of Soames turned over +within him. Gone forever, the close borough of rank and polish! Wealth +there was--oh, yes! wealth--he himself was a richer man than his father +had ever been; but manners, flavour, quality, all gone, engulfed in one +vast, ugly, shoulder-rubbing, petrol-smelling Cheerio. Little +half-beaten pockets of gentility and caste lurking here and there, +dispersed and chetif, as Annette would say; but nothing ever again firm +and coherent to look up to. And into this new hurly-burly of bad manners +and loose morals his daughter--flower of his life--was flung! And when +those Labour chaps got power--if they ever did--the worst was yet to +come. + +He passed out under the archway, at last no longer--thank goodness! +--disfigured by the gungrey of its search-light. 'They'd better put a +search-light on to where they're all going,' he thought, 'and light up +their precious democracy!' And he directed his steps along the Club +fronts of Piccadilly. George Forsyte, of course, would be sitting in the +bay window of the Iseeum. The chap was so big now that he was there +nearly all his time, like some immovable, sardonic, humorous eye noting +the decline of men and things. And Soames hurried, ever constitutionally +uneasy beneath his cousin's glance. George, who, as he had heard, had +written a letter signed "Patriot" in the middle of the War, complaining +of the Government's hysteria in docking the oats of race-horses. Yes, +there he was, tall, ponderous, neat, clean-shaven, with his smooth hair, +hardly thinned, smelling, no doubt, of the best hair-wash, and a pink +paper in his hand. Well, he didn't change! And for perhaps the first +time in his life Soames felt a kind of sympathy tapping in his waistcoat +for that sardonic kinsman. With his weight, his perfectly parted hair, +and bull-like gaze, he was a guarantee that the old order would take some +shifting yet. He saw George move the pink paper as if inviting him to +ascend--the chap must want to ask something about his property. It was +still under Soames' control; for in the adoption of a sleeping +partnership at that painful period twenty years back when he had divorced +Irene, Soames had found himself almost insensibly retaining control of +all purely Forsyte affairs. + +Hesitating for just a moment, he nodded and went in. Since the death of +his brother-in-law Montague Dartie, in Paris, which no one had quite +known what to make of, except that it was certainly not suicide--the +Iseeum Club had seemed more respectable to Soames. George, too, he knew, +had sown the last of his wild oats, and was committed definitely to the +joys of the table, eating only of the very best so as to keep his weight +down, and owning, as he said, "just one or two old screws to give me an +interest in life." He joined his cousin, therefore, in the bay window +without the embarrassing sense of indiscretion he had been used to feel +up there. George put out a well-kept hand. + +"Haven't seen you since the War," he said. "How's your wife?" + +"Thanks," said Soames coldly, "well enough." + +Some hidden jest curved, for a moment, George's fleshy face, and gloated +from his eye. + +"That Belgian chap, Profond," he said, "is a member here now. He's a rum +customer." + +"Quite!" muttered Soames. "What did you want to see me about?" + +"Old Timothy; he might go off the hooks at any moment. I suppose he's +made his Will." + +"Yes." + +"Well, you or somebody ought to give him a look up--last of the old lot; +he's a hundred, you know. They say he's like a rummy. Where are you +goin' to put him? He ought to have a pyramid by rights." + +Soames shook his head. "Highgate, the family vault." + +"Well, I suppose the old girls would miss him, if he was anywhere else. +They say he still takes an interest in food. He might last on, you know. +Don't we get anything for the old Forsytes? Ten of them--average age +eighty-eight--I worked it out. That ought to be equal to triplets." + +"Is that all?" said Soames, "I must be getting on." + +'You unsociable devil,' George's eyes seemed to answer. "Yes, that's +all: Look him up in his mausoleum--the old chap might want to prophesy." +The grin died on the rich curves of his face, and he added: "Haven't you +attorneys invented a way yet of dodging this damned income tax? It hits +the fixed inherited income like the very deuce. I used to have two +thousand five hundred a year; now I've got a beggarly fifteen hundred, +and the price of living doubled." + +"Ah!" murmured Soames, "the turf's in danger." + +Over George's face moved a gleam of sardonic self-defence. + +"Well," he said, "they brought me up to do nothing, and here I am in the +sear and yellow, getting poorer every day. These Labour chaps mean to +have the lot before they've done. What are you going to do for a living +when it comes? I shall work a six-hour day teaching politicians how to +see a joke. Take my tip, Soames; go into Parliament, make sure of your +four hundred--and employ me." + +And, as Soames retired, he resumed his seat in the bay window. + +Soames moved along Piccadilly deep in reflections excited by his cousin's +words. He himself had always been a worker and a saver, George always a +drone and a spender; and yet, if confiscation once began, it was he--the +worker and the saver--who would be looted! That was the negation of all +virtue, the overturning of all Forsyte principles. Could civilization be +built on any other? He did not think so. Well, they wouldn't confiscate +his pictures, for they wouldn't know their worth. But what would they be +worth, if these maniacs once began to milk capital? A drug on the +market. 'I don't care about myself,' he thought; 'I could live on five +hundred a year, and never know the difference, at my age.' But Fleur! +This fortune, so widely invested, these treasures so carefully chosen and +amassed, were all for--her. And if it should turn out that he couldn't +give or leave them to her--well, life had no meaning, and what was the +use of going in to look at this crazy, futuristic stuff with the view of +seeing whether it had any future? + +Arriving at the Gallery off Cork Street, however, he paid his shilling, +picked up a catalogue, and entered. Some ten persons were prowling +round. Soames took steps and came on what looked to him like a lamp-post +bent by collision with a motor omnibus. It was advanced some three paces +from the wall, and was described in his catalogue as "Jupiter." He +examined it with curiosity, having recently turned some of his attention +to sculpture. 'If that's Jupiter,' he thought, 'I wonder what Juno's +like.' And suddenly he saw her, opposite. She appeared to him like +nothing so much as a pump with two handles, lightly clad in snow. He was +still gazing at her, when two of the prowlers halted on his left. +"Epatant!" he heard one say. + +"Jargon!" growled Soames to himself. + +The other's boyish voice replied + +"Missed it, old bean; he's pulling your leg. When Jove and Juno created +he them, he was saying: 'I'll see how much these fools will swallow.' +And they've lapped up the lot." + +"You young duffer! Vospovitch is an innovator. Don't you see that he's +brought satire into sculpture? The future of plastic art, of music, +painting, and even architecture, has set in satiric. It was bound to. +People are tired--the bottom's tumbled out of sentiment." + +"Well, I'm quite equal to taking a little interest in beauty. I was +through the War. You've dropped your handkerchief, sir." + +Soames saw a handkerchief held out in front of him. He took it with some +natural suspicion, and approached it to his nose. It had the right +scent--of distant Eau de Cologne--and his initials in a corner. Slightly +reassured, he raised his eyes to the young man's face. It had rather +fawn-like ears, a laughing mouth, with half a toothbrush growing out of +it on each side, and small lively eyes, above a normally dressed +appearance. + +"Thank you," he said; and moved by a sort of irritation, added: "Glad to +hear you like beauty; that's rare, nowadays." + +"I dote on it," said the young man; "but you and I are the last of the +old guard, sir." + +Soames smiled. + +"If you really care for pictures," he said, "here's my card. I can show +you some quite good ones any Sunday, if you're down the river and care to +look in." + +"Awfully nice of you, sir. I'll drop in like a bird. My name's +Mont-Michael." And he took off his hat. + +Soames, already regretting his impulse, raised his own slightly in +response, with a downward look at the young man's companion, who had a +purple tie, dreadful little sluglike whiskers, and a scornful look--as +if he were a poet! + +It was the first indiscretion he had committed for so long that he went +and sat down in an alcove. What had possessed him to give his card to a +rackety young fellow, who went about with a thing like that? And Fleur, +always at the back of his thoughts, started out like a filigree figure +from a clock when the hour strikes. On the screen opposite the alcove +was a large canvas with a great many square tomato-coloured blobs on it, +and nothing else, so far as Soames could see from where he sat. He +looked at his catalogue: "No. 32 'The Future Town'--Paul Post." 'I +suppose that's satiric too,' he thought. 'What a thing!' But his second +impulse was more cautious. It did not do to condemn hurriedly. There had +been those stripey, streaky creations of Monet's, which had turned out +such trumps; and then the stippled school; and Gauguin. Why, even since +the Post-Impressionists there had been one or two painters not to be +sneezed at. During the thirty-eight years of his connoisseur's life, +indeed, he had marked so many "movements," seen the tides of taste and +technique so ebb and flow, that there was really no telling anything +except that there was money to be made out of every change of fashion. +This too might quite well be a case where one must subdue primordial +instinct, or lose the market. He got up and stood before the picture, +trying hard to see it with the eyes of other people. Above the tomato +blobs was what he took to be a sunset, till some one passing said: "He's +got the airplanes wonderfully, don't you think!" Below the tomato blobs +was a band of white with vertical black stripes, to which he could assign +no meaning whatever, till some one else came by, murmuring: "What +expression he gets with his foreground!" Expression? Of what? Soames +went back to his seat. The thing was "rich," as his father would have +said, and he wouldn't give a damn for it. Expression! Ah! they were all +Expressionists now, he had heard, on the Continent. So it was coming +here too, was it? He remembered the first wave of influenza in 1887--or +'8--hatched in China, so they said. He wondered where this--this +Expressionism had been hatched. The thing was a regular disease! + +He had become conscious of a woman and a youth standing between him and +the "Future Town." Their backs were turned; but very suddenly Soames put +his catalogue before his face, and drawing his hat forward, gazed through +the slit between. No mistaking that back, elegant as ever though the +hair above had gone grey. Irene! His divorced wife--Irene! And this, +no doubt, was--her son--by that fellow Jolyon Forsyte--their boy, six +months older than his own girl! And mumbling over in his mind the bitter +days of his divorce, he rose to get out of sight, but quickly sat down +again. She had turned her head to speak to her boy; her profile was +still so youthful that it made her grey hair seem powdery, as if +fancy-dressed; and her lips were smiling as Soames, first possessor of +them, had never seen them smile. Grudgingly he admitted her still +beautiful and in figure almost as young as ever. And how that boy smiled +back at her! Emotion squeezed Soames' heart. The sight infringed his +sense of justice. He grudged her that boy's smile--it went beyond what +Fleur gave him, and it was undeserved. Their son might have been his +son; Fleur might have been her daughter, if she had kept straight! He +lowered his catalogue. If she saw him, all the better! A reminder of +her conduct in the presence of her son, who probably knew nothing of it, +would be a salutary touch from the finger of that Nemesis which surely +must soon or late visit her! Then, half-conscious that such a thought +was extravagant for a Forsyte of his age, Soames took out his watch. +Past four! Fleur was late. She had gone to his niece Imogen Cardigan's, +and there they would keep her smoking cigarettes and gossiping, and that. +He heard the boy laugh, and say eagerly: "I say, Mum, is this by one of +Auntie June's lame ducks?" + +"Paul Post--I believe it is, darling." + +The word produced a little shock in Soames; he had never heard her use +it. And then she saw him. His eyes must have had in them something of +George Forsyte's sardonic look; for her gloved hand crisped the folds of +her frock, her eyebrows rose, her face went stony. She moved on. + +"It is a caution," said the boy, catching her arm again. + +Soames stared after them. That boy was good-looking, with a Forsyte +chin, and eyes deep-grey, deep in; but with something sunny, like a glass +of old sherry spilled over him; his smile perhaps, his hair. Better than +they deserved--those two! They passed from his view into the next room, +and Soames continued to regard the Future Town, but saw it not. A little +smile snarled up his lips. He was despising the vehemence of his own +feelings after all these years. Ghosts! And yet as one grew old--was +there anything but what was ghost-like left? Yes, there was Fleur! He +fixed his eyes on the entrance. She was due; but she would keep him +waiting, of course! And suddenly he became aware of a sort of human +breeze--a short, slight form clad in a sea-green djibbah with a metal +belt and a fillet binding unruly red-gold hair all streaked with grey. +She was talking to the Gallery attendants, and something familiar riveted +his gaze--in her eyes, her chin, her hair, her spirit--something which +suggested a thin Skye terrier just before its dinner. Surely June +Forsyte! His cousin June--and coming straight to his recess! She sat +down beside him, deep in thought, took out a tablet, and made a pencil +note. Soames sat unmoving. A confounded thing, cousinship! +"Disgusting!" he heard her murmur; then, as if resenting the presence of +an overhearing stranger, she looked at him. The worst had happened. + +"Soames!" + +Soames turned his head a very little. + +"How are you?" he said. "Haven't seen you for twenty years." + +"No. Whatever made you come here?" + +"My sins," said Soames. "What stuff!" + +"Stuff? Oh, yes--of course; it hasn't arrived yet. + +"It never will," said Soames; "it must be making a dead loss." + +"Of course it is." + +"How d'you know?" + +"It's my Gallery." + +Soames sniffed from sheer surprise. + +"Yours? What on earth makes you run a show like this?" + +"I don't treat Art as if it were grocery." + +Soames pointed to the Future Town. "Look at that! Who's going to live +in a town like that, or with it on his walls?" + +June contemplated the picture for a moment. + +"It's a vision," she said. + +"The deuce!" + +There was silence, then June rose. 'Crazylooking creature!' he thought. + +"Well," he said, "you'll find your young stepbrother here with a woman I +used to know. If you take my advice, you'll close this exhibition." + +June looked back at him. "Oh! You Forsyte!" she said, and moved on. +About her light, fly-away figure, passing so suddenly away, was a look of +dangerous decisions. Forsyte! Of course, he was a Forsyte! And so was +she! But from the time when, as a mere girl, she brought Bosinney into +his life to wreck it, he had never hit it off with June and never would! +And here she was, unmarried to this day, owning a Gallery!... And +suddenly it came to Soames how little he knew now of his own family. The +old aunts at Timothy's had been dead so many years; there was no +clearing-house for news. What had they all done in the War? Young +Roger's boy had been wounded, St. John Hayman's second son killed; young +Nicholas' eldest had got an O. B. E., or whatever they gave them. They +had all joined up somehow, he believed. That boy of Jolyon's and +Irene's, he supposed, had been too young; his own generation, of course, +too old, though Giles Hayman had driven a car for the Red Cross--and +Jesse Hayman been a special constable--those "Dromios" had always been of +a sporting type! As for himself, he had given a motor ambulance, read +the papers till he was sick of them, passed through much anxiety, bought +no clothes, lost seven pounds in weight; he didn't know what more he +could have done at his age. Indeed, thinking it over, it struck him that +he and his family had taken this war very differently to that affair with +the Boers, which had been supposed to tax all the resources of the +Empire. In that old war, of course, his nephew Val Dartie had been +wounded, that fellow Jolyon's first son had died of enteric, "the +Dromios" had gone out on horses, and June had been a nurse; but all that +had seemed in the nature of a portent, while in this war everybody had +done "their bit," so far as he could make out, as a matter of course. It +seemed to show the growth of something or other--or perhaps the decline +of something else. Had the Forsytes become less individual, or more +Imperial, or less provincial? Or was it simply that one hated +Germans?... Why didn't Fleur come, so that he could get away? He saw +those three return together from the other room and pass back along the +far side of the screen. The boy was standing before the Juno now. And, +suddenly, on the other side of her, Soames saw--his daughter, with +eyebrows raised, as well they might be. He could see her eyes glint +sideways at the boy, and the boy look back at her. Then Irene slipped +her hand through his arm, and drew him on. Soames saw him glancing +round, and Fleur looking after them as the three went out. + +A voice said cheerfully: "Bit thick, isn't it, sir?" + +The young man who had handed him his handkerchief was again passing. +Soames nodded. + +"I don't know what we're coming to." + +"Oh! That's all right, sir," answered the young man cheerfully; "they +don't either." + +Fleur's voice said: "Hallo, Father! Here you are!" precisely as if he +had been keeping her waiting. + +The young man, snatching off his hat, passed on. + +"Well," said Soames, looking her up and down, "you're a punctual sort of +young woman!" + +This treasured possession of his life was of medium height and colour, +with short, dark chestnut hair; her wide-apart brown eyes were set in +whites so clear that they glinted when they moved, and yet in repose were +almost dreamy under very white, black-lashed lids, held over them in a +sort of suspense. She had a charming profile, and nothing of her father +in her face save a decided chin. Aware that his expression was softening +as he looked at her, Soames frowned to preserve the unemotionalism proper +to a Forsyte. He knew she was only too inclined to take advantage of his +weakness. + +Slipping her hand under his arm, she said: + +"Who was that?" + +"He picked up my handkerchief. We talked about the pictures." + +"You're not going to buy that, Father?" + +"No," said Soames grimly; "nor that Juno you've been looking at." + +Fleur dragged at his arm. "Oh! Let's go! It's a ghastly show." + +In the doorway they passed the young man called Mont and his partner. But +Soames had hung out a board marked "Trespassers will be prosecuted," and +he barely acknowledged the young fellow's salute. + +"Well," he said in the street, "whom did you meet at Imogen's?" + +"Aunt Winifred, and that Monsieur Profond." + +"Oh!" muttered Soames; "that chap! What does your aunt see in him?" + +"I don't know. He looks pretty deep--mother says she likes him." + +Soames grunted. + +"Cousin Val and his wife were there, too." + +"What!" said Soames. "I thought they were back in South Africa." + +"Oh, no! They've sold their farm. Cousin Val is going to train +race-horses on the Sussex Downs. They've got a jolly old manor-house; +they asked me down there." + +Soames coughed: the news was distasteful to him. "What's his wife like +now?" + +"Very quiet, but nice, I think." + +Soames coughed again. "He's a rackety chap, your Cousin Val." + +"Oh! no, Father; they're awfully devoted. I promised to go--Saturday to +Wednesday next." + +"Training race-horses!" said Soames. It was extravagant, but not the +reason for his distaste. Why the deuce couldn't his nephew have stayed +out in South Africa? His own divorce had been bad enough, without his +nephew's marriage to the daughter of the co-respondent; a half-sister too +of June, and of that boy whom Fleur had just been looking at from under +the pump-handle. If he didn't look out, she would come to know all about +that old disgrace! Unpleasant things! They were round him this afternoon +like a swarm of bees! + +"I don't like it!" he said. + +"I want to see the race-horses," murmured Fleur; "and they've promised I +shall ride. Cousin Val can't walk much, you know; but he can ride +perfectly. He's going to show me their gallops." + +"Racing!" said Soames. "It's a pity the War didn't knock that on the +head. He's taking after his father, I'm afraid." + +"I don't know anything about his father." + +"No," said Soames, grimly. "He took an interest in horses and broke his +neck in Paris, walking down-stairs. Good riddance for your aunt." He +frowned, recollecting the inquiry into those stairs which he had attended +in Paris six years ago, because. Montague Dartie could not attend it +himself--perfectly normal stairs in a house where they played baccarat. +Either his winnings or the way he had celebrated them had gone to his +brother-in-law's head. The French procedure had been very loose; he had +had a lot of trouble with it. + +A sound from Fleur distracted his attention. "Look! The people who were +in the Gallery with us." + +"What people?" muttered Soames, who knew perfectly well. + +"I think that woman's beautiful." + +"Come into this pastry-cook's," said Soames abruptly, and tightening his +grip on her arm he turned into a confectioner's. It was--for him--a +surprising thing to do, and he said rather anxiously: "What will you +have?" + +"Oh! I don't want anything. I had a cocktail and a tremendous lunch." + +"We must have something now we're here," muttered Soames, keeping hold of +her arm. + +"Two teas," he said; "and two of those nougat things." + +But no sooner was his body seated than his soul sprang up. Those +three--those three were coming in! He heard Irene say something to her +boy, and his answer: + +"Oh! no, Mum; this place is all right. My stunt." And the three sat +down. + +At that moment, most awkward of his existence, crowded with ghosts and +shadows from his past, in presence of the only two women he had ever +loved--his divorced wife and his daughter by her successor--Soames was +not so much afraid of them as of his cousin June. She might make a +scene--she might introduce those two children--she was capable of +anything. He bit too hastily at the nougat, and it stuck to his plate. +Working at it with his finger, he glanced at Fleur. She was masticating +dreamily, but her eyes were on the boy. The Forsyte in him said: "Think, +feel, and you're done for!" And he wiggled his finger desperately. +Plate! Did Jolyon wear a plate? Did that woman wear a plate? Time had +been when he had seen her wearing nothing! That was something, anyway, +which had never been stolen from him. And she knew it, though she might +sit there calm and self-possessed, as if she had never been his wife. An +acid humour stirred in his Forsyte blood; a subtle pain divided by hair's +breadth from pleasure. If only June did not suddenly bring her hornets +about his ears! The boy was talking. + +"Of course, Auntie June"--so he called his half-sister "Auntie," did +he?--well, she must be fifty, if she was a day!--"it's jolly good of you +to encourage them. Only--hang it all!" Soames stole a glance. Irene's +startled eyes were bent watchfully on her boy. She--she had these +devotions--for Bosinney--for that boy's father--for this boy! He touched +Fleur's arm, and said: + +"Well, have you had enough?" + +"One more, Father, please." + +She would be sick! He went to the counter to pay. When he turned round +again he saw Fleur standing near the door, holding a handkerchief which +the boy had evidently just handed to her. + +"F. F.," he heard her say. "Fleur Forsyte--it's mine all right. Thank +you ever so." + +Good God! She had caught the trick from what he'd told her in the +Gallery--monkey! + +"Forsyte? Why--that's my name too. Perhaps we're cousins." + +"Really! We must be. There aren't any others. I live at Mapledurham; +where do you?" + +"Robin Hill." + +Question and answer had been so rapid that all was over before he could +lift a finger. He saw Irene's face alive with startled feeling, gave the +slightest shake of his head, and slipped his arm through Fleur's. + +"Come along!" he said. + +She did not move. + +"Didn't you hear, Father? Isn't it queer--our name's the same. Are we +cousins?" + +"What's that?" he said. "Forsyte? Distant, perhaps." + +"My name's Jolyon, sir. Jon, for short." + +"Oh! Ah!" said Soames. "Yes. Distant. How are you? Very good of you. +Good-bye!" + +He moved on. + +"Thanks awfully," Fleur was saying. "Au revoir!" + +"Au revoir!" he heard the boy reply. + + + + +II + +FINE FLEUR FORSYTE + +Emerging from the "pastry-cook's," Soames' first impulse was to vent his +nerves by saying to his daughter: 'Dropping your hand-kerchief!' to which +her reply might well be: 'I picked that up from you!' His second impulse +therefore was to let sleeping dogs lie. But she would surely question +him. He gave her a sidelong look, and found she was giving him the same. +She said softly: + +"Why don't you like those cousins, Father?" Soames lifted the corner of +his lip. + +"What made you think that?" + +"Cela se voit." + +'That sees itself!' What a way of putting it! After twenty years of a +French wife Soames had still little sympathy with her language; a +theatrical affair and connected in his mind with all the refinements of +domestic irony. + +"How?" he asked. + +"You must know them; and you didn't make a sign. I saw them looking at +you." + +"I've never seen the boy in my life," replied Soames with perfect truth. + +"No; but you've seen the others, dear." + +Soames gave her another look. What had she picked up? Had her Aunt +Winifred, or Imogen, or Val Dartie and his wife, been talking? Every +breath of the old scandal had been carefully kept from her at home, and +Winifred warned many times that he wouldn't have a whisper of it reach +her for the world. So far as she ought to know, he had never been +married before. But her dark eyes, whose southern glint and clearness +often almost frightened him, met his with perfect innocence. + +"Well," he said, "your grandfather and his brother had a quarrel. The two +families don't know each other." + +"How romantic!" + +'Now, what does she mean by that?' he thought. The word was to him +extravagant and dangerous--it was as if she had said: "How jolly!" + +"And they'll continue not to know each, other," he added, but instantly +regretted the challenge in those words. Fleur was smiling. In this age, +when young people prided themselves on going their own ways and paying no +attention to any sort of decent prejudice, he had said the very thing to +excite her wilfulness. Then, recollecting the expression on Irene's +face, he breathed again. + +"What sort of a quarrel?" he heard Fleur say. + +"About a house. It's ancient history for you. Your grandfather died the +day you were born. He was ninety." + +"Ninety? Are there many Forsytes besides those in the Red Book?" + +"I don't know," said Soames. "They're all dispersed now. The old ones +are dead, except Timothy." + +Fleur clasped her hands. + +"Timothy? Isn't that delicious?" + +"Not at all," said Soames. It offended him that she should think +"Timothy" delicious--a kind of insult to his breed. This new generation +mocked at anything solid and tenacious. "You go and see the old boy. He +might want to prophesy." Ah! If Timothy could see the disquiet England +of his great-nephews and great-nieces, he would certainly give tongue. +And involuntarily he glanced up at the Iseeum; yes--George was still in +the window, with the same pink paper in his hand. + +"Where is Robin Hill, Father?" + +Robin Hill! Robin Hill, round which all that tragedy had centred! What +did she want to know for? + +"In Surrey," he muttered; "not far from Richmond. Why?" + +"Is the house there?" + +"What house?" + +"That they quarrelled about." + +"Yes. But what's all that to do with you? We're going home +to-morrow--you'd better be thinking about your frocks." + +"Bless you! They're all thought about. A family feud? It's like the +Bible, or Mark Twain--awfully exciting. What did you do in the feud, +Father?" + +"Never you mind." + +"Oh! But if I'm to keep it up?" + +"Who said you were to keep it up?" + +"You, darling." + +"I? I said it had nothing to do with you." + +"Just what I think, you know; so that's all right." + +She was too sharp for him; fine, as Annette sometimes called her. Nothing +for it but to distract her attention. + +"There's a bit of rosaline point in here," he said, stopping before a +shop, "that I thought you might like." + +When he had paid for it and they had resumed their progress, Fleur said: + +"Don't you think that boy's mother is the most beautiful woman of her age +you've ever seen?" + +Soames shivered. Uncanny, the way she stuck to it! + +"I don't know that I noticed her." + +"Dear, I saw the corner of your eye." + +"You see everything--and a great deal more, it seems to me!" + +"What's her husband like? He must be your first cousin, if your fathers +were brothers." + +"Dead, for all I know," said Soames, with sudden vehemence. "I haven't +seen him for twenty years." + +"What was he?" + +"A painter." + +"That's quite jolly." + +The words: "If you want to please me you'll put those people out of your +head," sprang to Soames' lips, but he choked them back--he must not let +her see his feelings. + +"He once insulted me," he said. + +Her quick eyes rested on his face. + +"I see! You didn't avenge it, and it rankles. Poor Father! You let me +have a go!" + +It was really like lying in the dark with a mosquito hovering above his +face. Such pertinacity in Fleur was new to him, and, as they reached the +hotel, he said grimly: + +"I did my best. And that's enough about these people. I'm going up till +dinner." + +"I shall sit here." + +With a parting look at her extended in a chair--a look half-resentful, +half-adoring--Soames moved into the lift and was transported to their +suite on the fourth floor. He stood by the window of the sitting-room +which gave view over Hyde Park, and drummed a finger on its pane. His +feelings were confused, tetchy, troubled. The throb of that old wound, +scarred over by Time and new interests, was mingled with displeasure and +anxiety, and a slight pain in his chest where that nougat stuff had +disagreed. Had Annette come in? Not that she was any good to him in +such a difficulty. Whenever she had questioned him about his first +marriage, he had always shut her up; she knew nothing of it, save that it +had been the great passion of his life, and his marriage with herself but +domestic makeshift. She had always kept the grudge of that up her +sleeve, as it were, and used it commercially. He listened. A sound--the +vague murmur of a woman's movements--was coming through the door. She +was in. He tapped. + +"Who?" + +"I," said Soames. + +She had been changing her frock, and was still imperfectly clothed; a +striking figure before her glass. There was a certain magnificence about +her arms, shoulders, hair, which had darkened since he first knew her, +about the turn of her neck, the silkiness of her garments, her +dark-lashed, greyblue eyes--she was certainly as handsome at forty as she +had ever been. A fine possession, an excellent housekeeper, a sensible +and affectionate enough mother. If only she weren't always so frankly +cynical about the relations between them! Soames, who had no more real +affection for her than she had for him, suffered from a kind of English +grievance in that she had never dropped even the thinnest veil of +sentiment over their partnership. Like most of his countrymen and women, +he held the view that marriage should be based on mutual love, but that +when from a marriage love had disappeared, or, been found never to have +really existed--so that it was manifestly not based on love--you must not +admit it. There it was, and the love was not--but there you were, and +must continue to be! Thus you had it both ways, and were not tarred with +cynicism, realism, and immorality like the French. Moreover, it was +necessary in the interests of property. He knew that she knew that they +both knew there was no love between them, but he still expected her not +to admit in words or conduct such a thing, and he could never understand +what she meant when she talked of the hypocrisy of the English. He said: + +"Whom have you got at 'The Shelter' next week?" + +Annette went on touching her lips delicately with salve--he always wished +she wouldn't do that. + +"Your sister Winifred, and the Car-r-digans"--she took up a tiny stick of +black--"and Prosper Profond." + +"That Belgian chap? Why him?" + +Annette turned her neck lazily, touched one eyelash, and said: + +"He amuses Winifred." + +"I want some one to amuse Fleur; she's restive." + +"R-restive?" repeated Annette. "Is it the first time you see that, my +friend? She was born r-restive, as you call it." + +Would she never get that affected roll out of her r's? + +He touched the dress she had taken off, and asked: + +"What have you been doing?" + +Annette looked at him, reflected in her glass. Her just-brightened lips +smiled, rather full, rather ironical. + +"Enjoying myself," she said. + +"Oh!" answered Soames glumly. "Ribbandry, I suppose." + +It was his word for all that incomprehensible running in and out of shops +that women went in for. "Has Fleur got her summer dresses?" + +"You don't ask if I have mine." + +"You don't care whether I do or not." + +"Quite right. Well, she has; and I have mine--terribly expensive." + +"H'm!" said Soames. "What does that chap Profond do in England?" + +Annette raised the eyebrows she had just finished. + +"He yachts." + +"Ah!" said Soames; "he's a sleepy chap." + +"Sometimes," answered Annette, and her face had a sort of quiet +enjoyment. "But sometimes very amusing." + +"He's got a touch of the tar-brush about him." + +Annette stretched herself. + +"Tar-brush?" she said. "What is that? His mother was Armenienne." + +"That's it, then," muttered Soames. "Does he know anything about +pictures?" + +"He knows about everything--a man of the world." + +"Well, get some one for Fleur. I want to distract her. She's going off +on Saturday to Val Dartie and his wife; I don't like it." + +"Why not?" + +Since the reason could not be explained without going into family +history, Soames merely answered: + +"Racketing about. There's too much of it." + +"I like that little Mrs. Val; she is very quiet and clever." + +"I know nothing of her except--This thing's new." And Soames took up a +creation from the bed. + +Annette received it from him. + +"Would you hook me?" she said. + +Soames hooked. Glancing once over her shoulder into the glass, he saw +the expression on her face, faintly amused, faintly contemptuous, as much +as to say: "Thanks! You will never learn!" No, thank God, he wasn't a +Frenchman! He finished with a jerk, and the words: "It's too low here." +And he went to the door, with the wish to get away from her and go down +to Fleur again. + +Annette stayed a powder-puff, and said with startling suddenness + +"Que to es grossier!" + +He knew the expression--he had reason to. The first time she had used it +he had thought it meant "What a grocer you are!" and had not known +whether to be relieved or not when better informed. He resented the +word--he was not coarse! If he was coarse, what was that chap in the +room beyond his, who made those horrible noises in the morning when he +cleared his throat, or those people in the Lounge who thought it +well-bred to say nothing but what the whole world could hear at the top +of their voices--quacking inanity! Coarse, because he had said her dress +was low! Well, so it was! He went out without reply. + +Coming into the Lounge from the far end, he at once saw Fleur where he +had left her. She sat with crossed knees, slowly balancing a foot in +silk stocking and grey shoe, sure sign that she was dreaming. Her eyes +showed it too--they went off like that sometimes. And then, in a moment, +she would come to life, and be as quick and restless as a monkey. And +she knew so much, so self-assured, and not yet nineteen. What was that +odious word? Flapper! Dreadful young creatures--squealing and +squawking and showing their legs! The worst of them bad dreams, the best +of them powdered angels! Fleur was not a flapper, not one of those +slangy, ill-bred young females. And yet she was frighteningly +self-willed, and full of life, and determined to enjoy it. Enjoy! The +word brought no puritan terror to Soames; but it brought the terror +suited to his temperament. He had always been afraid to enjoy to-day for +fear he might not enjoy tomorrow so much. And it was terrifying to feel +that his daughter was divested of that safeguard. The very way she sat +in that chair showed it--lost in her dream. He had never been lost in a +dream himself--there was nothing to be had out of it; and where she got +it from he did not know! Certainly not from Annette! And yet Annette, +as a young girl, when he was hanging about her, had once had a flowery +look. Well, she had lost it now! + +Fleur rose from her chair-swiftly, restlessly; and flung herself down at +a writing-table. Seizing ink and writing paper, she began to write as if +she had not time to breathe before she got her letter written. And +suddenly she saw him. The air of desperate absorption vanished, she +smiled, waved a kiss, made a pretty face as if she were a little puzzled +and a little bored. + +Ah! She was "fine"--"fine!" + + + + +III + +AT ROBIN HILL + +Jolyon Forsyte had spent his boy's nineteenth birthday at Robin Hill, +quietly going into his affairs. He did everything quietly now, because +his heart was in a poor way, and, like all his family, he disliked the +idea of dying. He had never realised how much till one day, two years +ago, he had gone to his doctor about certain symptoms, and been told: + +"At any moment, on any overstrain." + +He had taken it with a smile--the natural Forsyte reaction against an +unpleasant truth. But with an increase of symptoms in the train on the +way home, he had realised to the full the sentence hanging over him. To +leave Irene, his boy, his home, his work--though he did little enough +work now! To leave them for unknown darkness, for the unimaginable +state, for such nothingness that he would not even be conscious of wind +stirring leaves above his grave, nor of the scent of earth and grass. Of +such nothingness that, however hard he might try to conceive it, he never +could, and must still hover on the hope that he might see again those he +loved! To realise this was to endure very poignant spiritual anguish. +Before he reached home that day he had determined to keep it from Irene. +He would have to be more careful than man had ever been, for the least +thing would give it away and make her as wretched as himself, almost. +His doctor had passed him sound in other respects, and seventy was +nothing of an age--he would last a long time yet, if he could. + +Such a conclusion, followed out for nearly two years, develops to the +full the subtler side of character. Naturally not abrupt, except when +nervously excited, Jolyon had become control incarnate. The sad patience +of old people who cannot exert themselves was masked by a smile which his +lips preserved even in private. He devised continually all manner of +cover to conceal his enforced lack of exertion. + +Mocking himself for so doing, he counterfeited conversion to the Simple +Life; gave up wine and cigars, drank a special kind of coffee with no +coffee in it. In short, he made himself as safe as a Forsyte in his +condition could, under the rose of his mild irony. Secure from +discovery, since his wife and son had gone up to Town, he had spent the +fine May day quietly arranging his papers, that he might die to-morrow +without inconveniencing any one, giving in fact a final polish to his +terrestrial state. Having docketed and enclosed it in his father's old +Chinese cabinet, he put the key into an envelope, wrote the words +outside: "Key of the Chinese cabinet, wherein will be found the exact +state of me, J. F.," and put it in his breast-pocket, where it would be +always about him, in case of accident. Then, ringing for tea, he went out +to have it under the old oak-tree. + +All are under sentence of death; Jolyon, whose sentence was but a little +more precise and pressing, had become so used to it that he thought +habitually, like other people, of other things. He thought of his son +now. + +Jon was nineteen that day, and Jon had come of late to a decision. +Educated neither at Eton like his father, nor at Harrow, like his dead +half-brother, but at one of those establishments which, designed to avoid +the evil and contain the good of the Public School system, may or may not +contain the evil and avoid the good, Jon had left in April perfectly +ignorant of whit he wanted to become. The War, which had promised to go +on for ever, had ended just as he was about to join the Army, six months +before his time. It had taken him ever since to get used to the idea +that he could now choose for himself. He had held with his father several +discussions, from which, under a cheery show of being ready for +anything--except, of course, the Church, Army, Law, Stage, Stock +Exchange, Medicine, Business, and Engineering--Jolyon had gathered rather +clearly that Jon wanted to go in for nothing. He himself had felt +exactly like that at the same age. With him that pleasant vacuity had +soon been ended by an early marriage, and its unhappy consequences. +Forced to become an underwriter at Lloyd's, he had regained prosperity +before his artistic talent had outcropped. But having--as the simple say +--"learned" his boy to draw pigs and other animals, he knew that Jon +would never be a painter, and inclined to the conclusion that his +aversion from everything else meant that he was going to be a writer. +Holding, however, the view that experience was necessary even for that +profession, there seemed to Jolyon nothing in the meantime, for Jon, but +University, travel, and perhaps the eating of dinners for the Bar. After +that one would see, or more probably one would not. In face of these +proffered allurements, however, Jon had remained undecided. + +Such discussions with his son had confirmed in Jolyon a doubt whether the +world had really changed. People said that it was a new age. With the +profundity of one not too long for any age, Jolyon perceived that under +slightly different surfaces the era was precisely what it had been. +Mankind was still divided into two species: The few who had "speculation" +in their souls, and the many who had none, with a belt of hybrids like +himself in the middle. Jon appeared to have speculation; it seemed to +his father a bad lookout. + +With something deeper, therefore, than his usual smile, he had heard the +boy say, a fortnight ago: "I should like to try farming, Dad; if it won't +cost you too much. It seems to be about the only sort of life that +doesn't hurt anybody; except art, and of course that's out of the +question for me." + +Jolyon subdued his smile, and answered: + +"All right; you shall skip back to where we were under the first Jolyon +in 1760. It'll prove the cycle theory, and incidentally, no doubt, you +may grow a better turnip than he did." + +A little dashed, Jon had answered: + +"But don't you think it's a good scheme, Dad?" + +"'Twill serve, my dear; and if you should really take to it, you'll do +more good than most men, which is little enough." + +To himself, however, he had said: 'But he won't take to it. I give him +four years. Still, it's healthy, and harmless.' + +After turning the matter over and consulting with Irene, he wrote to his +daughter, Mrs. Val Dartie, asking if they knew of a farmer near them on +the Downs who would take Jon as an apprentice. Holly's answer had been +enthusiastic. There was an excellent man quite close; she and Val would +love Jon to live with them. + +The boy was due to go to-morrow. + +Sipping weak tea with lemon in it, Jolyon gazed through the leaves of the +old oak-tree at that view which had appeared to him desirable for +thirty-two years. The tree beneath which he sat seemed not a day older! +So young, the little leaves of brownish gold; so old, the +whitey-grey-green of its thick rough trunk. A tree of memories, which +would live on hundreds of years yet, unless some barbarian cut it +down--would see old England out at the pace things were going! He +remembered a night three years before, when, looking from his window, +with his arm close round Irene, he had watched a German aeroplane +hovering, it seemed, right over the old tree. Next day they had found a +bomb hole in a field on Gage's farm. That was before he knew that he was +under sentence of death. He could almost have wished the bomb had +finished him. It would have saved a lot of hanging about, many hours of +cold fear in the pit of his stomach. He had counted on living to the +normal Forsyte age of eighty-five or more, when Irene would be seventy. +As it was, she would miss him. Still there was Jon, more important in +her life than himself; Jon, who adored his mother. + +Under that tree, where old Jolyon--waiting for Irene to come to him +across the lawn--had breathed his last, Jolyon wondered, whimsically, +whether, having put everything in such perfect order, he had not better +close his own eyes and drift away. There was something undignified in o +parasitically clinging on to the effortless close of a life wherein he +regretted two things only--the long division between his father and +himself when he was young, and the lateness of his union o with Irene. + +From where he sat he could see a cluster of apple-trees in blossom. +Nothing in Nature moved him so much as fruit-trees in blossom; and his +heart ached suddenly because he might never see them flower again. +Spring! Decidedly no man ought to have to die while his heart was still +young enough to love beauty! Blackbirds sang recklessly in the +shrubbery, swallows were flying high, the leaves above him glistened; and +over the fields was every imaginable tint of early foliage, burnished by +the level sunlight, away to where the distant "smoke-bush" blue was +trailed along the horizon. Irene's flowers in their narrow beds had +startling individuality that evening, little deep assertions of gay life. +Only Chinese and Japanese painters, and perhaps Leonardo, had known how +to get that startling little ego into each painted flower, and bird, and +beast--the ego, yet the sense of species, the universality of life as +well. They were the fellows! 'I've made nothing that will live!' thought +Jolyon; 'I've been an amateur--a mere lover, not a creator. Still, I +shall leave Jon behind me when I go.' What luck that the boy had not +been caught by that ghastly war! He might so easily have been killed, +like poor Jolly twenty years ago out in the Transvaal. Jon would do +something some day--if the Age didn't spoil him--an imaginative chap! +His whim to take up farming was but a bit of sentiment, and about as +likely to last. And just then he saw them coming up the field: Irene and +the boy; walking from the station, with their arms linked. And getting +up, he strolled down through the new rose garden to meet them.... + +Irene came into his room that night and sat down by the window. She sat +there without speaking till he said: + +"What is it, my love?" + +"We had an encounter to-day." + +"With whom?" + +"Soames." + +Soames! He had kept that name out of his thoughts these last two years; +conscious that it was bad for him. And, now, his heart moved in a +disconcerting manner, as if it had side-slipped within his chest. + +Irene went on quietly: + +"He and his daughter were in the Gallery, and afterward at the +confectioner's where we had tea." + +Jolyon went over and put his hand on her shoulder. + +"How did he look?" + +"Grey; but otherwise much the same." + +"And the daughter?" + +"Pretty. At least, Jon thought so." + +Jolyon's heart side-slipped again. His wife's face had a strained and +puzzled look. + +"You didn't-?" he began. + +"No; but Jon knows their name. The girl dropped her handkerchief and he +picked it up." + +Jolyon sat down on his bed. An evil chance! + +"June was with you. Did she put her foot into it?" + +"No; but it was all very queer and strained, and Jon could see it was." + +Jolyon drew a long breath, and said: + +"I've often wondered whether we've been right to keep it from him. He'll +find out some day." + +"The later the better, Jolyon; the young have such cheap, hard judgment. +When you were nineteen what would you have thought of your mother if she +had done what I have?" + +Yes! There it was! Jon worshipped his mother; and knew nothing of the +tragedies, the inexorable necessities of life, nothing of the prisoned +grief in an unhappy marriage, nothing of jealousy or passion--knew +nothing at all, as yet! + +"What have you told him?" he said at last. + +"That they were relations, but we didn't know them; that you had never +cared much for your family, or they for you. I expect he will be asking +you." + +Jolyon smiled. "This promises to take the place of air-raids," he said. +"After all, one misses them." + +Irene looked up at him. + +"We've known it would come some day." + +He answered her with sudden energy: + +"I could never stand seeing Jon blame you. He shan't do that, even in +thought. He has imagination; and he'll understand if it's put to him +properly. I think I had better tell him before he gets to know +otherwise." + +"Not yet, Jolyon." + +That was like her--she had no foresight, and never went to meet trouble. +Still--who knew?--she might be right. It was ill going against a +mother's instinct. It might be well to let the boy go on, if possible, +till experience had given him some touchstone by which he could judge the +values of that old tragedy; till love, jealousy, longing, had deepened +his charity. All the same, one must take precautions--every precaution +possible! And, long after Irene had left him, he lay awake turning over +those precautions. He must write to Holly, telling her that Jon knew +nothing as yet of family history. Holly was discreet, she would make sure +of her husband, she would see to it! Jon could take the letter with him +when he went to-morrow. + +And so the day on which he had put the polish on his material estate died +out with the chiming of the stable clock; and another began for Jolyon in +the shadow of a spiritual disorder which could not be so rounded off and +polished.... + +But Jon, whose room had once been his day nursery, lay awake too, the +prey of a sensation disputed by those who have never known it, "love at +first sight!" He had felt it beginning in him with the glint of those +dark eyes gazing into his athwart the Juno--a conviction that this was +his 'dream'; so that what followed had seemed to him at once natural and +miraculous. Fleur! Her name alone was almost enough for one who was +terribly susceptible to the charm of words. In a homoeopathic Age, when +boys and girls were co-educated, and mixed up in early life till sex was +almost abolished, Jon was singularly old-fashioned. His modern school +took boys only, and his holidays had been spent at Robin Hill with boy +friends, or his parents alone. He had never, therefore, been inoculated +against the germs of love by small doses of the poison. And now in the +dark his temperature was mounting fast. He lay awake, featuring +Fleur--as they called it--recalling her words, especially that "Au +revoir!" so soft and sprightly. + +He was still so wide awake at dawn that he got up, slipped on tennis +shoes, trousers, and a sweater, and in silence crept downstairs and out +through the study window. It was just light; there was a smell of grass. +'Fleur!' he thought; 'Fleur!' It was mysteriously white out of doors, +with nothing awake except the birds just beginning to chirp. 'I'll go +down into the coppice,' he thought. He ran down through the fields, +reached the pond just as the sun rose, and passed into the coppice. +Bluebells carpeted the ground there; among the larch-trees there was +mystery--the air, as it were, composed of that romantic quality. Jon +sniffed its freshness, and stared at the bluebells in the sharpening +light. Fleur! It rhymed with her! And she lived at Mapleduram--a jolly +name, too, on the river somewhere. He could find it in the atlas +presently. He would write to her. But would she answer? Oh! She must. +She had said "Au revoir!" Not good-bye! What luck that she had dropped +her handkerchief! He would never have known her but for that. And the +more he thought of that handkerchief, the more amazing his luck seemed. +Fleur! It certainly rhymed with her! Rhythm thronged his head; words +jostled to be joined together; he was on the verge of a poem. + +Jon remained in this condition for more than half an hour, then returned +to the house, and getting a ladder, climbed in at his bedroom window out +of sheer exhilaration. Then, remembering that the study window was open, +he went down and shut it, first removing the ladder, so as to obliterate +all traces of his feeling. The thing was too deep to be revealed to +mortal soul-even-to his mother. + + + + +IV + +THE MAUSOLEUM + +There are houses whose souls have passed into the limbo of Time, leaving +their bodies in the limbo of London. Such was not quite the condition of +"Timothy's" on the Bayswater Road, for Timothy's soul still had one foot +in Timothy Forsyte's body, and Smither kept the atmosphere unchanging, of +camphor and port wine and house whose windows are only opened to air it +twice a day. + +To Forsyte imagination that house was now a sort of Chinese pill-box, a +series of layers in the last of which was Timothy. One did not reach +him, or so it was reported by members of the family who, out of old-time +habit or absentmindedness, would drive up once in a blue moon and ask +after their surviving uncle. Such were Francie, now quite emancipated +from God (she frankly avowed atheism), Euphemia, emancipated from old +Nicholas, and Winifred Dartie from her "man of the world." But, after +all, everybody was emancipated now, or said they were--perhaps not quite +the same thing! + +When Soames, therefore, took it on his way to Paddington station on the +morning after that encounter, it was hardly with the expectation of +seeing Timothy in the flesh. His heart made a faint demonstration within +him while he stood in full south sunlight on the newly whitened doorstep +of that little house where four Forsytes had once lived, and now but one +dwelt on like a winter fly; the house into which Soames had come and out +of which he had gone times without number, divested of, or burdened with, +fardels of family gossip; the house of the "old people" of another +century, another age. + +The sight of Smither--still corseted up to the armpits because the new +fashion which came in as they were going out about 1903 had never been +considered "nice" by Aunts Juley and Hester--brought a pale friendliness +to Soames' lips; Smither, still faithfully arranged to old pattern in +every detail, an invaluable servant--none such left--smiling back at +him, with the words: "Why! it's Mr. Soames, after all this time! And how +are you, sir? Mr. Timothy will be so pleased to know you've been." + +"How is he?" + +"Oh! he keeps fairly bobbish for his age, sir; but of course he's a +wonderful man. As I said to Mrs. Dartie when she was here last: It would +please Miss Forsyte and Mrs. Juley and Miss Hester to see how he relishes +a baked apple still. But he's quite deaf. And a mercy, I always think. +For what we should have done with him in the air-raids, I don't know." + +"Ah!" said Soames. "What did you do with him?" + +"We just left him in his bed, and had the bell run down into the cellar, +so that Cook and I could hear him if he rang. It would never have done +to let him know there was a war on. As I said to Cook, 'If Mr. Timothy +rings, they may do what they like--I'm going up. My dear mistresses +would have a fit if they could see him ringing and nobody going to him.' +But he slept through them all beautiful. And the one in the daytime he +was having his bath. It was a mercy, because he might have noticed the +people in the street all looking up--he often looks out of the window." + +"Quite!" murmured Soames. Smither was getting garrulous! "I just want +to look round and see if there's anything to be done." + +"Yes, sir. I don't think there's anything except a smell of mice in the +dining-room that we don't know how to get rid of. It's funny they should +be there, and not a crumb, since Mr. Timothy took to not coming down, +just before the War. But they're nasty little things; you never know +where they'll take you next." + +"Does he leave his bed?"-- + +"Oh! yes, sir; he takes nice exercise between his bed and the window in +the morning, not to risk a change of air. And he's quite comfortable in +himself; has his Will out every day regular. It's a great consolation to +him--that." + +"Well, Smither, I want to see him, if I can; in case he has anything to +say to me." + +Smither coloured up above her corsets. + +"It will be an occasion!" she said. "Shall I take you round the house, +sir, while I send Cook to break it to him?" + +"No, you go to him," said Soames. "I can go round the house by myself." + +One could not confess to sentiment before another, and Soames felt that +he was going to be sentimental nosing round those rooms so saturated with +the past. When Smither, creaking with excitement, had left him, Soames +entered the dining-room and sniffed. In his opinion it wasn't mice, but +incipient wood-rot, and he examined the panelling. Whether it was worth +a coat of paint, at Timothy's age, he was not sure. The room had always +been the most modern in the house; and only a faint smile curled Soames' +lips and nostrils. Walls of a rich green surmounted the oak dado; a heavy +metal chandelier hung by a chain from a ceiling divided by imitation +beams. The pictures had been bought by Timothy, a bargain, one day at +Jobson's sixty years ago--three Snyder "still lifes," two faintly +coloured drawings of a boy and a girl, rather charming, which bore the +initials "J. R."--Timothy had always believed they might turn out to be +Joshua Reynolds, but Soames, who admired them, had discovered that they +were only John Robinson; and a doubtful Morland of a white pony being +shod. Deep-red plush curtains, ten high-backed dark mahogany chairs with +deep-red plush seats, a Turkey carpet, and a mahogany dining-table as +large as the room was small, such was an apartment which Soames could +remember unchanged in soul or body since he was four years old. He +looked especially at the two drawings, and thought: 'I shall buy those at +the sale.' + +From the dining-room he passed into Timothy's study. He did not remember +ever having been in that room. It was lined from floor to ceiling with +volumes, and he looked at them with curiosity. One wall seemed devoted +to educational books, which Timothy's firm had published two generations +back-sometimes as many as twenty copies of one book. Soames read their +titles and shuddered. The middle wall had precisely the same books as +used to be in the library at his own father's in Park Lane, from which he +deduced the fancy that James and his youngest brother had gone out +together one day and bought a brace of small libraries. The third wall +he approached with more excitement. Here, surely, Timothy's own taste +would be found. It was. The books were dummies. The fourth wall was +all heavily curtained window. And turned toward it was a large chair +with a mahogany reading-stand attached, on which a yellowish and folded +copy of The Times, dated July 6, 1914, the day Timothy first failed to +come down, as if in preparation for the War, seemed waiting for him +still. In a corner stood a large globe of that world never visited by +Timothy, deeply convinced of the unreality of everything but England, and +permanently upset by the sea, on which he had been very sick one Sunday +afternoon in 1836, out of a pleasure boat off the pier at Brighton, with +Juley and Hester, Swithin and Hatty Chessman; all due to Swithin, who was +always taking things into his head, and who, thank goodness, had been +sick too. Soames knew all about it, having heard the tale fifty times at +least from one or other of them. He went up to the globe, and gave it a +spin; it emitted a faint creak and moved about an inch, bringing into his +purview a daddy-long-legs which had died on it in latitude 44. + +'Mausoleum!' he thought. 'George was right!' And he went out and up the +stairs. On the half-landing he stopped before the case of stuffed +humming-birds which had delighted his childhood. They looked not a day +older, suspended on wires above pampas-grass. If the case were opened +the birds would not begin to hum, but the whole thing would crumble, he +suspected. It wouldn't be worth putting that into the sale! And +suddenly he was caught by a memory of Aunt Ann--dear old Aunt +Ann--holding him by the hand in front of that case and saying: "Look, +Soamey! Aren't they bright and pretty, dear little humming-birds!" +Soames remembered his own answer: "They don't hum, Auntie." He must have +been six, in a black velveteen suit with a light-blue collar-he +remembered that suit well! Aunt Ann with her ringlets, and her spidery +kind hands, and her grave old aquiline smile--a fine old lady, Aunt Ann! +He moved on up to the drawing-room door. There on each side of it were +the groups of miniatures. Those he would certainly buy in! The +miniatures of his four aunts, one of his Uncle Swithin adolescent, and +one of his Uncle Nicholas as a boy. They had all been painted by a young +lady friend of the family at a time, 1830, about, when miniatures were +considered very genteel, and lasting too, painted as they were on ivory. +Many a time had he heard the tale of that young lady: "Very talented, my +dear; she had quite a weakness for Swithin, and very soon after she went +into a consumption and died: so like Keats--we often spoke of it." + +Well, there they were! Ann, Juley, Hester, Susan--quite a small child; +Swithin, with sky-blue eyes, pink cheeks, yellow curls, white +waistcoat-large as life; and Nicholas, like Cupid with an eye on heaven. +Now he came to think of it, Uncle Nick had always been rather like +that--a wonderful man to the last. Yes, she must have had talent, and +miniatures always had a certain back-watered cachet of their own, little +subject to the currents of competition on aesthetic Change. Soames +opened the drawing-room door. The room was dusted, the furniture +uncovered, the curtains drawn back, precisely as if his aunts still dwelt +there patiently waiting. And a thought came to him: When Timothy +died--why not? Would it not be almost a duty to preserve this +house--like Carlyle's--and put up a tablet, and show it? "Specimen of +mid-Victorian abode--entrance, one shilling, with catalogue." After all, +it was the completest thing, and perhaps the deadest in the London of +to-day. Perfect in its special taste and culture, if, that is, he took +down and carried over to his own collection the four Barbizon pictures he +had given them. The still sky-blue walls, tile green curtains patterned +with red flowers and ferns; the crewel-worked fire-screen before the +cast-iron grate; the mahogany cupboard with glass windows, full of little +knickknacks; the beaded footstools; Keats, Shelley, Southey, Cowper, +Coleridge, Byron's Corsair (but nothing else), and the Victorian poets in +a bookshelf row; the marqueterie cabinet lined with dim red plush, full +of family relics: Hester's first fan; the buckles of their mother's +father's shoes; three bottled scorpions; and one very yellow elephant's +tusk, sent home from India by Great-uncle Edgar Forsyte, who had been in +jute; a yellow bit of paper propped up, with spidery writing on it, +recording God knew what! And the pictures crowding on the walls--all +water-colours save those four Barbizons looking like tile foreigners they +were, and doubtful customers at that--pictures bright and illustrative, +"Telling the Bees," "Hey for the Ferry!" and two in the style of Frith, +all thimblerig and crinolines, given them by Swithin. Oh! many, many +pictures at which Soames had gazed a thousand times in supercilious +fascination; a marvellous collection of bright, smooth gilt frames. + +And the boudoir-grand piano, beautifully dusted, hermetically sealed as +ever; and Aunt Juley's album of pressed seaweed on it. And the +gilt-legged chairs, stronger than they looked. And on one side of the +fireplace the sofa of crimson silk, where Aunt Ann, and after her Aunt +Juley, had been wont to sit, facing the light and bolt upright. And on +the other side of the fire the one really easy chair, back to the light, +for Aunt Hester. Soames screwed up his eyes; he seemed to see them +sitting there. Ah! and the atmosphere--even now, of too many stuffs and +washed lace curtains, lavender in bags, and dried bees' wings. 'No,' he +thought, 'there's nothing like it left; it ought to be preserved.' And, +by George, they might laugh at it, but for a standard of gentle life +never departed from, for fastidiousness of skin and eye and nose and +feeling, it beat to-day hollow--to-day with its Tubes and cars, its +perpetual smoking, its cross-legged, bare-necked girls visible up to the +knees and down to the waist if you took the trouble (agreeable to the +satyr within each Forsyte but hardly his idea of a lady), with their +feet, too, screwed round the legs of their chairs while they ate, and +their "So longs," and their "Old Beans," and their laughter--girls who +gave him the shudders whenever he thought of Fleur in contact with them; +and the hard-eyed, capable, older women who managed life and gave him the +shudders too. No! his old aunts, if they never opened their minds, their +eyes, or very much their windows, at least had manners, and a standard, +and reverence for past and future. + +With rather a choky feeling he closed the door and went tiptoeing +upstairs. He looked in at a place on the way: H'm! in perfect order of +the eighties, with a sort of yellow oilskin paper on the walls. At the +top of the stairs he hesitated between four doors. Which of them was +Timothy's? And he listened. A sound, as of a child slowly dragging a +hobby-horse about, came to his ears. That must be Timothy! He tapped, +and a door was opened by Smither, very red in the face. + +Mr. Timothy was taking his walk, and she had not been able to get him to +attend. If Mr. Soames would come into the back-room, he could see him +through the door. + +Soames went into the back-room and stood watching. + +The last of the old Forsytes was on his feet, moving with the most +impressive slowness, and an air of perfect concentration on his own +affairs, backward and forward between the foot of his bed and the window, +a distance of some twelve feet. The lower part of his square face, no +longer clean-shaven, was covered with snowy beard clipped as short as it +could be, and his chin looked as broad as his brow where the hair was +also quite white, while nose and cheeks and brow were a good yellow. One +hand held a stout stick, and the other grasped the skirt of his Jaeger +dressing-gown, from under which could be seen his bed-socked ankles and +feet thrust into Jaeger slippers. The expression on his face was that of +a crossed child, intent on something that he has not got. Each time he +turned he stumped the stick, and then dragged it, as if to show that he +could do without it: + +"He still looks strong," said Soames under his breath. + +"Oh! yes, sir. You should see him take his bath--it's wonderful; he does +enjoy it so." + +Those quite loud words gave Soames an insight. Timothy had resumed his +babyhood. + +"Does he take any interest in things generally?" he said, also loud. + +"Oh I yes, sir; his food and his Will. It's quite a sight to see him +turn it over and over, not to read it, of course; and every now and then +he asks the price of Consols, and I write it on a slate for him--very +large. Of course, I always write the same, what they were when he last +took notice, in 1914. We got the doctor to forbid him to read the paper +when the War broke out. Oh! he did take on about that at first. But he +soon came round, because he knew it tired him; and he's a wonder to +conserve energy as he used to call it when my dear mistresses were alive, +bless their hearts! How he did go on at them about that; they were +always so active, if you remember, Mr. Soames." + +"What would happen if I were to go in?" asked Soames: "Would he remember +me? I made his Will, you know, after Miss Hester died in 1907." + +"Oh! that, sir," replied Smither doubtfully, "I couldn't take on me to +say. I think he might; he really is a wonderful man for his age." + +Soames moved into the doorway, and waiting for Timothy to turn, said in a +loud voice: "Uncle Timothy!" + +Timothy trailed back half-way, and halted. + +"Eh?" he said. + +"Soames," cried Soames at the top of his voice, holding out his hand, +"Soames Forsyte!" + +"No!" said Timothy, and stumping his stick loudly on the floor, he +continued his walk. + +"It doesn't seem to work," said Soames. + +"No, sir," replied Smither, rather crestfallen; "you see, he hasn't +finished his walk. It always was one thing at a time with him. I expect +he'll ask me this afternoon if you came about the gas, and a pretty job I +shall have to make him understand." + +"Do you think he ought to have a man about him?" + +Smither held up her hands. "A man! Oh! no. Cook and me can manage +perfectly. A strange man about would send him crazy in no time. And my +mistresses wouldn't like the idea of a man in the house. Besides, we're +so--proud of him." + +"I suppose the doctor comes?" + +"Every morning. He makes special terms for such a quantity, and Mr. +Timothy's so used, he doesn't take a bit of notice, except to put out his +tongue." + +"Well," said Soames, turning away, "it's rather sad and painful to me." + +"Oh! sir," returned Smither anxiously, "you mustn't think that. Now that +he can't worry about things, he quite enjoys his life, really he does. +As I say to Cook, Mr. Timothy is more of a man than he ever was. You +see, when he's not walkin', or takin' his bath, he's eatin', and when +he's not eatin', he's sleepin'; and there it is. There isn't an ache or a +care about him anywhere." + +"Well," said Soames, "there's something in that. I'll go down. By the +way, let me see his Will." + +"I should have to take my time about that, sir; he keeps it under his +pillow, and he'd see me, while he's active." + +"I only want to know if it's the one I made," said Soames; "you take a +look at its date some time, and let me know." + +"Yes, sir; but I'm sure it's the same, because me and Cook witnessed, you +remember, and there's our names on it still, and we've only done it +once." + +"Quite," said Soames. He did remember. Smither and Jane had been proper +witnesses, having been left nothing in the Will that they might have no +interest in Timothy's death. It had been--he fully admitted--an almost +improper precaution, but Timothy had wished it, and, after all, Aunt +Hester had provided for them amply. + +"Very well," he said; "good-bye, Smither. Look after him, and if he +should say anything at any time, put it down, and let me know." + +"Oh I yes, Mr. Soames; I'll be sure to do that. It's been such a +pleasant change to see you. Cook will be quite excited when I tell her." + +Soames shook her hand and went down-stairs. He stood for fully two +minutes by the hat-stand whereon he had hung his hat so many times. 'So +it all passes,' he was thinking; 'passes and begins again. Poor old +chap!' And he listened, if perchance the sound of Timothy trailing his +hobby-horse might come down the well of the stairs; or some ghost of an +old face show over the bannisters, and an old voice say: 'Why, it's dear +Soames, and we were only saying that we hadn't seen him for a week!' + +Nothing--nothing! Just the scent of camphor, and dust-motes in a sunbeam +through the fanlight over the door. The little old house! A mausoleum! +And, turning on his heel, he went out, and caught his train. + + + + +V + +THE NATIVE HEATH + + "His foot's upon his native heath, + His name's--Val Dartie." + +With some such feeling did Val Dartie, in the fortieth year of his age, +set out that same Thursday morning very early from the old manor-house he +had taken on the north side of the Sussex Downs. His destination was +Newmarket, and he had not been there since the autumn of 1899, when he +stole over from Oxford for the Cambridgeshire. He paused at the door to +give his wife a kiss, and put a flask of port into his pocket. + +"Don't overtire your leg, Val, and don't bet too much." + +With the pressure of her chest against his own, and her eyes looking into +his, Val felt both leg and pocket safe. He should be moderate; Holly was +always right--she had a natural aptitude. It did not seem so remarkable +to him, perhaps, as it might to others, that--half Dartie as he was--he +should have been perfectly faithful to his young first cousin during the +twenty years since he married her romantically out in the Boer War; and +faithful without any feeling of sacrifice or boredom--she was so quick, +so slyly always a little in front of his mood. Being first cousins they +had decided, rather needlessly, to have no children; and, though a little +sallower, she had kept her looks, her slimness, and the colour of her +dark hair. Val particularly admired the life of her own she carried on, +besides carrying on his, and riding better every year. She kept up her +music, she read an awful lot--novels, poetry, all sorts of stuff. Out on +their farm in Cape colony she had looked after all the "nigger" babies +and women in a miraculous manner. She was, in fact, clever; yet made no +fuss about it, and had no "side." Though not remarkable for humility, +Val had come to have the feeling that she was his superior, and he did +not grudge it--a great tribute. It might be noted that he never looked +at Holly without her knowing of it, but that she looked at him sometimes +unawares. + +He had kissed her in the porch because he should not be doing so on the +platform, though she was going to the station with him, to drive the car +back. Tanned and wrinkled by Colonial weather and the wiles inseparable +from horses, and handicapped by the leg which, weakened in the Boer War, +had probably saved his life in the War just past, Val was still much as +he had been in the days of his courtship; his smile as wide and charming, +his eyelashes, if anything, thicker and darker, his eyes screwed up under +them, as bright a grey, his freckles rather deeper, his hair a little +grizzled at the sides. He gave the impression of one who has lived +actively with horses in a sunny climate. + +Twisting the car sharp round at the gate, he said: + +"When is young Jon coming?" + +"To-day." + +"Is there anything you want for him? I could bring it down on Saturday." + +"No; but you might come by the same train as Fleur--one-forty." + +Val gave the Ford full rein; he still drove like a man in a new country +on bad roads, who refuses to compromise, and expects heaven at every +hole. + +"That's a young woman who knows her way about," he said. "I say, has it +struck you?" + +"Yes," said Holly. + +"Uncle Soames and your Dad--bit awkward, isn't it?" + +"She won't know, and he won't know, and nothing must be said, of course. +It's only for five days, Val." + +"Stable secret! Righto!" If Holly thought it safe, it was. Glancing +slyly round at him, she said: "Did you notice how beautifully she asked +herself?" + +"No!" + +"Well, she did. What do you think of her, Val?" + +"Pretty and clever; but she might run out at any corner if she got her +monkey up, I should say." + +"I'm wondering," Holly murmured, "whether she is the modern young woman. +One feels at sea coming home into all this." + +"You? You get the hang of things so quick." + +Holly slid her hand into his coat-pocket. + +"You keep one in the know," said Val encouraged. "What do you think of +that Belgian fellow, Profond?" + +"I think he's rather 'a good devil.'" + +Val grinned. + +"He seems to me a queer fish for a friend of our family. In fact, our +family is in pretty queer waters, with Uncle Soames marrying a +Frenchwoman, and your Dad marrying Soames's first. Our grandfathers +would have had fits!" + +"So would anybody's, my dear." + +"This car," Val said suddenly, "wants rousing; she doesn't get her hind +legs under her uphill. I shall have to give her her head on the slope if +I'm to catch that train." + +There was that about horses which had prevented him from ever really +sympathising with a car, and the running of the Ford under his guidance +compared with its running under that of Holly was always noticeable. He +caught the train. + +"Take care going home; she'll throw you down if she can. Good-bye, +darling." + +"Good-bye," called Holly, and kissed her hand. + +In the train, after quarter of an hour's indecision between thoughts of +Holly, his morning paper, the look of the bright day, and his dim memory +of Newmarket, Val plunged into the recesses of a small square book, all +names, pedigrees, tap-roots, and notes about the make and shape of +horses. The Forsyte in him was bent on the acquisition of a certain +strain of blood, and he was subduing resolutely as yet the Dartie +hankering for a Nutter. On getting back to England, after the profitable +sale of his South African farm and stud, and observing that the sun +seldom shone, Val had said to himself: "I've absolutely got to have an +interest in life, or this country will give me the blues. Hunting's not +enough, I'll breed and I'll train." With just that extra pinch of +shrewdness and decision imparted by long residence in a new country, Val +had seen the weak point of modern breeding. They were all hypnotised by +fashion and high price. He should buy for looks, and let names go hang! +And here he was already, hypnotised by the prestige of a certain strain +of blood! Half-consciously, he thought: 'There's something in this damned +climate which makes one go round in a ring. All the same, I must have a +strain of Mayfly blood.' + +In this mood he reached the Mecca of his hopes. It was one of those +quiet meetings favourable to such as wish to look into horses, rather +than into the mouths of bookmakers; and Val clung to the paddock. His +twenty years of Colonial life, divesting him of the dandyism in which he +had been bred, had left him the essential neatness of the horseman, and +given him a queer and rather blighting eye over what he called "the silly +haw-haw" of some Englishmen, the "flapping cockatoory" of some +English-women--Holly had none of that and Holly was his model. +Observant, quick, resourceful, Val went straight to the heart of a +transaction, a horse, a drink; and he was on his way to the heart of a +Mayfly filly, when a slow voice said at his elbow: + +"Mr. Val Dartie? How's Mrs. Val Dartie? She's well, I hope." And he +saw beside him the Belgian he had met at his sister Imogen's. + +"Prosper Profond--I met you at lunch," said the voice. + +"How are you?" murmured Val. + +"I'm very well," replied Monsieur Profond, smiling with a certain +inimitable slowness. "A good devil," Holly had called him. Well! He +looked a little like a devil, with his dark, clipped, pointed beard; a +sleepy one though, and good-humoured, with fine eyes, unexpectedly +intelligent. + +"Here's a gentleman wants to know you--cousin of yours--Mr. George +Forsyde." + +Val saw a large form, and a face clean-shaven, bull-like, a little +lowering, with sardonic humour bubbling behind a full grey eye; he +remembered it dimly from old days when he would dine with his father at +the Iseeum Club. + +"I used to go racing with your father," George was saying: "How's the +stud? Like to buy one of my screws?" + +Val grinned, to hide the sudden feeling that the bottom had fallen out of +breeding. They believed in nothing over here, not even in horses. +George Forsyte, Prosper Profond! The devil himself was not more +disillusioned than those two. + +"Didn't know you were a racing man," he said to Monsieur Profond. + +"I'm not. I don't care for it. I'm a yachtin' man. I don't care for +yachtin' either, but I like to see my friends. I've got some lunch, Mr. +Val Dartie, just a small lunch, if you'd like to 'ave some; not +much--just a small one--in my car." + +"Thanks," said Val; "very good of you. I'll come along in about quarter +of an hour." + +"Over there. Mr. Forsyde's comin'," and Monsieur Profond "poinded" with +a yellow-gloved finger; "small car, with a small lunch"; he moved on, +groomed, sleepy, and remote, George Forsyte following, neat, huge, and +with his jesting air. + +Val remained gazing at the Mayfly filly. George Forsyte, of course, was +an old chap, but this Profond might be about his own age; Val felt +extremely young, as if the Mayfly filly were a toy at which those two had +laughed. The animal had lost reality. + +"That 'small' mare"--he seemed to hear the voice of Monsieur Profond +--"what do you see in her?--we must all die!" + +And George Forsyte, crony of his father, racing still! The Mayfly +strain--was it any better than any other? He might just as well have a +flutter with his money instead. + +"No, by gum!" he muttered suddenly, "if it's no good breeding horses, +it's no good doing anything. What did I come for? I'll buy her." + +He stood back and watched the ebb of the paddock visitors toward the +stand. Natty old chips, shrewd portly fellows, Jews, trainers looking as +if they had never been guilty of seeing a horse in their lives; tall, +flapping, languid women, or brisk, loud-voiced women; young men with an +air as if trying to take it seriously--two or three of them with only one +arm. + +'Life over here's a game!' thought Val. 'Muffin bell rings, horses run, +money changes hands; ring again, run again, money changes back.' + +But, alarmed at his own philosophy, he went to the paddock gate to watch +the Mayfly filly canter down. She moved well; and he made his way over +to the "small" car. The "small" lunch was the sort a man dreams of but +seldom gets; and when it was concluded Monsieur Profond walked back with +him to the paddock. + +"Your wife's a nice woman," was his surprising remark. + +"Nicest woman I know," returned Val dryly. + +"Yes," said Monsieur Profond; "she has a nice face. I admire nice +women." + +Val looked at him suspiciously, but something kindly and direct in the +heavy diabolism of his companion disarmed him for the moment. + +"Any time you like to come on my yacht, I'll give her a small cruise." + +"Thanks," said Val, in arms again, "she hates the sea." + +"So do I," said Monsieur Profond. + +"Then why do you yacht?" + +The Belgian's eyes smiled. "Oh! I don't know. I've done everything; +it's the last thing I'm doin'." + +"It must be d-d expensive. I should want more reason than that." + +Monsieur Prosper Profond raised his eyebrows, and puffed out a heavy +lower lip. + +"I'm an easy-goin' man," he said. + +"Were you in the War?" asked Val. + +"Ye-es. I've done that too. I was gassed; it was a small bit +unpleasant." He smiled with a deep and sleepy air of prosperity, as if +he had caught it from his name. + +Whether his saying "small" when he ought to have said "little" was +genuine mistake or affectation Val could not decide; the fellow was +evidently capable of anything. + +Among the ring of buyers round the Mayfly filly who had won her race, +Monsieur Profond said: + +"You goin' to bid?" + +Val nodded. With this sleepy Satan at his elbow, he felt in need of +faith. Though placed above the ultimate blows of Providence by the +forethought of a grand-father who had tied him up a thousand a year to +which was added the thousand a year tied up for Holly by her +grand-father, Val was not flush of capital that he could touch, having +spent most of what he had realised from his South African farm on his +establishment in Sussex. And very soon he was thinking: 'Dash it! she's +going beyond me!' His limit-six hundred-was exceeded; he dropped out of +the bidding. The Mayfly filly passed under the hammer at seven hundred +and fifty guineas. He was turning away vexed when the slow voice of +Monsieur Profond said in his ear: + +"Well, I've bought that small filly, but I don't want her; you take her +and give her to your wife." + +Val looked at the fellow with renewed suspicion, but the good humour in +his eyes was such that he really could not take offence. + +"I made a small lot of money in the War," began Monsieur Profond in +answer to that look. "I 'ad armament shares. I like to give it away. +I'm always makin' money. I want very small lot myself. I like my +friends to 'ave it." + +"I'll buy her of you at the price you gave," said Val with sudden +resolution. + +"No," said Monsieur Profond. "You take her. I don' want her." + +"Hang it! one doesn't--" + +"Why not?" smiled Monsieur Profond. "I'm a friend of your family." + +"Seven hundred and fifty guineas is not a box of cigars," said Val +impatiently. + +"All right; you keep her for me till I want her, and do what you like +with her." + +"So long as she's yours," said Val. "I don't mind that." + +"That's all right," murmured Monsieur Profond, and moved away. + +Val watched; he might be "a good devil," but then again he might not. He +saw him rejoin George Forsyte, and thereafter saw him no more. + +He spent those nights after racing at his mother's house in Green Street. + +Winifred Dartie at sixty-two was marvellously preserved, considering the +three-and-thirty years during which she had put up with Montague Dartie, +till almost happily released by a French staircase. It was to her a +vehement satisfaction to have her favourite son back from South Africa +after all this time, to feel him so little changed, and to have taken a +fancy to his wife. Winifred, who in the late seventies, before her +marriage, had been in the vanguard of freedom, pleasure, and fashion, +confessed her youth outclassed by the donzellas of the day. They seemed, +for instance, to regard marriage as an incident, and Winifred sometimes +regretted that she had not done the same; a second, third, fourth +incident might have secured her a partner of less dazzling inebriety; +though, after all, he had left her Val, Imogen, Maud, Benedict (almost a +colonel and unharmed by the War)--none of whom had been divorced as yet. +The steadiness of her children often amazed one who remembered their +father; but, as she was fond of believing, they were really all Forsytes, +favouring herself, with the exception, perhaps, of Imogen. Her brother's +"little girl" Fleur frankly puzzled Winifred. The child was as restless +as any of these modern young women--"She's a small flame in a draught," +Prosper Profond had said one day after dinner--but she did not flop, or +talk at the top of her voice. The steady Forsyteism in Winifred's own +character instinctively resented the feeling in the air, the modern +girl's habits and her motto: "All's much of a muchness! Spend, to-morrow +we shall be poor!" She found it a saving grace in Fleur that, having set +her heart on a thing, she had no change of heart until she got +it--though--what happened after, Fleur was, of course, too young to have +made evident. The child was a "very pretty little thing," too, and quite +a credit to take about, with her mother's French taste and gift for +wearing clothes; everybody turned to look at Fleur--great consideration +to Winifred, a lover of the style and distinction which had so cruelly +deceived her in the case of Montague Dartie. + +In discussing her with Val, at breakfast on Saturday morning, Winifred +dwelt on the family skeleton. + +"That little affair of your father-in-law and your Aunt Irene, Val--it's +old as the hills, of course, Fleur need know nothing about it--making a +fuss. Your Uncle Soames is very particular about that. So you'll be +careful." + +"Yes! But it's dashed awkward--Holly's young half-brother is coming to +live with us while he learns farming. He's there already." + +"Oh!" said Winifred. "That is a gaff! What is he like?" + +"Only saw him once--at Robin Hill, when we were home in 1909; he was +naked and painted blue and yellow in stripes--a jolly little chap." + +Winifred thought that "rather nice," and added comfortably: "Well, +Holly's sensible; she'll know how to deal with it. I shan't tell your +uncle. It'll only bother him. It's a great comfort to have you back, my +dear boy, now that I'm getting on." + +"Getting on! Why! you're as young as ever. That chap Profond, Mother, +is he all right?" + +"Prosper Profond! Oh! the most amusing man I know." + +Val grunted, and recounted the story of the Mayfly filly. + +"That's so like him," murmured Winifred. "He does all sorts of things." + +"Well," said Val shrewdly, "our family haven't been too lucky with that +kind of cattle; they're too light-hearted for us." + +It was true, and Winifred's blue study lasted a full minute before she +answered: + +"Oh! well! He's a foreigner, Val; one must make allowances." + +"All right, I'll use his filly and make it up to him, somehow." + +And soon after he gave her his blessing, received a kiss, and left her +for his bookmaker's, the Iseeum Club, and Victoria station. + + + + +VI + +JON + +Mrs. Val Dartie, after twenty years of South Africa, had fallen deeply in +love, fortunately with something of her own, for the object of her +passion was the prospect in front of her windows, the cool clear light on +the green Downs. It was England again, at last! England more beautiful +than she had dreamed. Chance had, in fact, guided the Val Darties to a +spot where the South Downs had real charm when the sun shone. Holly had +enough of her father's eye to apprehend the rare quality of their +outlines and chalky radiance; to go up there by the ravine-like lane and +wander along toward Chanctonbury or Amberley, was still a delight which +she hardly attempted to share with Val, whose admiration of Nature was +confused by a Forsyte's instinct for getting something out of it, such as +the condition of the turf for his horses' exercise. + +Driving the Ford home with a certain humouring, smoothness, she promised +herself that the first use she would make of Jon would be to take him up +there, and show him "the view" under this May-day sky. + +She was looking forward to her young half-brother with a motherliness not +exhausted by Val. A three-day visit to Robin Hill, soon after their +arrival home, had yielded no sight of him--he was still at school; so +that her recollection, like Val's, was of a little sunny-haired boy, +striped blue and yellow, down by the pond. + +Those three days at Robin Hill had been exciting, sad, embarrassing. +Memories of her dead brother, memories of Val's courtship; the ageing of +her father, not seen for twenty years, something funereal in his ironic +gentleness which did not escape one who had much subtle instinct; above +all, the presence of her stepmother, whom she could still vaguely +remember as the "lady in grey" of days when she was little and +grandfather alive and Mademoiselle Beauce so cross because that intruder +gave her music lessons--all these confused and tantalised a spirit which +had longed to find Robin Hill untroubled. But Holly was adept at keeping +things to herself, and all had seemed to go quite well. + +Her father had kissed her when she left him, with lips which she was sure +had trembled. + +"Well, my dear," he said, "the War hasn't changed Robin Hill, has it? If +only you could have brought Jolly back with you! I say, can you stand +this spiritualistic racket? When the oak-tree dies, it dies, I'm +afraid." + +From the warmth of her embrace he probably divined that he had let the +cat out of the bag, for he rode off at once on irony. + +"Spiritualism--queer word, when the more they manifest the more they +prove that they've got hold of matter." + +"How?" said Holly. + +"Why! Look at their photographs of auric presences. You must have +something material for light and shade to fall on before you can take a +photograph. No, it'll end in our calling all matter spirit, or all +spirit matter--I don't know which." + +"But don't you believe in survival, Dad?" + +Jolyon had looked at her, and the sad whimsicality of his face impressed +her deeply. + +"Well, my dear, I should like to get something out of death. I've been +looking into it a bit. But for the life of me I can't find anything that +telepathy, sub-consciousness, and emanation from the storehouse of this +world can't account for just as well. Wish I could! Wishes father +thought but they don't breed evidence." Holly had pressed her lips again +to his forehead with the feeling that it confirmed his theory that all +matter was becoming spirit--his brow felt, somehow, so insubstantial. + +But the most poignant memory of that little visit had been watching, +unobserved, her stepmother reading to herself a letter from Jon. It +was--she decided--the prettiest sight she had ever seen. Irene, lost as +it were in the letter of her boy, stood at a window where the light fell +on her face and her fine grey hair; her lips were moving, smiling, her +dark eyes laughing, dancing, and the hand which did not hold the letter +was pressed against her breast. Holly withdrew as from a vision of +perfect love, convinced that Jon must be nice. + +When she saw him coming out of the station with a kit-bag in either hand, +she was confirmed in her predisposition. He was a little like Jolly, +that long-lost idol of her childhood, but eager-looking and less formal, +with deeper eyes and brighter-coloured hair, for he wore no hat; +altogether a very interesting "little" brother! + +His tentative politeness charmed one who was accustomed to assurance in +the youthful manner; he was disturbed because she was to drive him home, +instead of his driving her. Shouldn't he have a shot? They hadn't a car +at Robin Hill since the War, of course, and he had only driven once, and +landed up a bank, so she oughtn't to mind his trying. His laugh, soft +and infectious, was very attractive, though that word, she had heard, was +now quite old-fashioned. When they reached the house he pulled out a +crumpled letter which she read while he was washing--a quite short +letter, which must have cost her father many a pang to write. +"MY DEAR, + +"You and Val will not forget, I trust, that Jon knows nothing of family +history. His mother and I think he is too young at present. The boy is +very dear, and the apple of her eye. Verbum sapientibus. your loving +father, +"J. F." + +That was all; but it renewed in Holly an uneasy regret that Fleur was +coming. + +After tea she fulfilled that promise to herself and took Jon up the hill. +They had a long talk, sitting above an old chalk-pit grown over with +brambles and goosepenny. Milkwort and liverwort starred the green slope, +the larks sang, and thrushes in the brake, and now and then a gull +flighting inland would wheel very white against the paling sky, where the +vague moon was coming up. Delicious fragrance came to them, as if little +invisible creatures were running and treading scent out of the blades of +grass. + +Jon, who had fallen silent, said rather suddenly: + +"I say, this is wonderful! There's no fat on it at all. Gull's flight +and sheep-bells" + +"'Gull's flight and sheep-bells'! You're a poet, my dear!" + +Jon sighed. + +"Oh, Golly! No go!" + +"Try! I used to at your age." + +"Did you? Mother says 'try' too; but I'm so rotten. Have you any of +yours for me to see?" + +"My dear," Holly murmured, "I've been married nineteen years. I only +wrote verses when I wanted to be." + +"Oh!" said Jon, and turned over on his face: the one cheek she could see +was a charming colour. Was Jon "touched in the wind," then, as Val would +have called it? Already? But, if so, all the better, he would take no +notice of young Fleur. Besides, on Monday he would begin his farming. +And she smiled. Was it Burns who followed the plough, or only Piers +Plowman? Nearly every young man and most young women seemed to be poets +now, judging from the number of their books she had read out in South +Africa, importing them from Hatchus and Bumphards; and quite good--oh! +quite; much better than she had been herself! But then poetry had only +really come in since her day--with motor-cars. Another long talk after +dinner over a wood fire in the low hall, and there seemed little left to +know about Jon except anything of real importance. Holly parted from him +at his bedroom door, having seen twice over that he had everything, with +the conviction that she would love him, and Val would like him. He was +eager, but did not gush; he was a splendid listener, sympathetic, +reticent about himself. He evidently loved their father, and adored his +mother. He liked riding, rowing, and fencing better than games. He saved +moths from candles, and couldn't bear spiders, but put them out of doors +in screws of paper sooner than kill them. In a word, he was amiable. +She went to sleep, thinking that he would suffer horribly if anybody hurt +him; but who would hurt him? + +Jon, on the other hand, sat awake at his window with a bit of paper and a +pencil, writing his first "real poem" by the light of a candle because +there was not enough moon to see by, only enough to make the night seem +fluttery and as if engraved on silver. Just the night for Fleur to walk, +and turn her eyes, and lead on-over the hills and far away. And Jon, +deeply furrowed in his ingenuous brow, made marks on the paper and rubbed +them out and wrote them in again, and did all that was necessary for the +completion of a work of art; and he had a feeling such as the winds of +Spring must have, trying their first songs among the coming blossom. Jon +was one of those boys (not many) in whom a home-trained love of beauty +had survived school life. He had had to keep it to himself, of course, +so that not even the drawing-master knew of it; but it was there, +fastidious and clear within him. And his poem seemed to him as lame and +stilted as the night was winged. But he kept it, all the same. It was a +"beast," but better than nothing as an expression of the inexpressible. +And he thought with a sort of discomfiture: 'I shan't be able to show it +to Mother.' He slept terribly well, when he did sleep, overwhelmed by +novelty. + + + + +VII + +FLEUR + +To avoid the awkwardness of questions which could not be answered, all +that had been told Jon was: + +"There's a girl coming down with Val for the week-end." + +For the same reason, all that had been told Fleur was: "We've got a +youngster staying with us." + +The two yearlings, as Val called them in his thoughts, met therefore in a +manner which for unpreparedness left nothing to be desired. They were +thus introduced by Holly: + +"This is Jon, my little brother; Fleur's a cousin of ours, Jon." + +Jon, who was coming in through a French window out of strong sunlight, +was so confounded by the providential nature of this miracle, that he had +time to hear Fleur say calmly: "Oh, how do you do?" as if he had never +seen her, and to understand dimly from the quickest imaginable little +movement of her head that he never had seen her. He bowed therefore over +her hand in an intoxicated manner, and became more silent than the grave. +He knew better than to speak. Once in his early life, surprised reading +by a nightlight, he had said fatuously "I was just turning over the +leaves, Mum," and his mother had replied: "Jon, never tell stories, +because of your face nobody will ever believe them." + +The saying had permanently undermined the confidence necessary to the +success of spoken untruth. He listened therefore to Fleur's swift and +rapt allusions to the jolliness of everything, plied her with scones and +jam, and got away as soon as might be. They say that in delirium tremens +you see a fixed object, preferably dark, which suddenly changes shape and +position. Jon saw the fixed object; it had dark eyes and passably dark +hair, and changed its position, but never its shape. The knowledge that +between him and that object there was already a secret understanding +(however impossible to understand) thrilled him so that he waited +feverishly, and began to copy out his poem--which of course he would +never dare to--show her--till the sound of horses' hoofs roused him, +and, leaning from his window, he saw her riding forth with Val. It was +clear that she wasted no time, but the sight filled him with grief. He +wasted his. If he had not bolted, in his fearful ecstasy, he might have +been asked to go too. And from his window he sat and watched them +disappear, appear again in the chine of the road, vanish, and emerge once +more for a minute clear on the outline of the Down. 'Silly brute!' he +thought; 'I always miss my chances.' + +Why couldn't he be self-confident and ready? And, leaning his chin on +his hands, he imagined the ride he might have had with her. A week-end +was but a week-end, and he had missed three hours of it. Did he know any +one except himself who would have been such a flat? He did not. + +He dressed for dinner early, and was first down. He would miss no more. +But he missed Fleur, who came down last. He sat opposite her at dinner, +and it was terrible--impossible to say anything for fear of saying the +wrong thing, impossible to keep his eyes fixed on her in the only natural +way; in sum, impossible to treat normally one with whom in fancy he had +already been over the hills and far away; conscious, too, all the time, +that he must seem to her, to all of them, a dumb gawk. Yes, it was +terrible! And she was talking so well--swooping with swift wing this way +and that. Wonderful how she had learned an art which he found so +disgustingly difficult. She must think him hopeless indeed! + +His sister's eyes, fixed on him with a certain astonishment, obliged him +at last to look at Fleur; but instantly her eyes, very wide and eager, +seeming to say, "Oh! for goodness' sake!" obliged him to look at Val, +where a grin obliged him to look at his cutlet--that, at least, had no +eyes, and no grin, and he ate it hastily. + +"Jon is going to be a farmer," he heard Holly say; "a farmer and a poet." + +He glanced up reproachfully, caught the comic lift of her eyebrow just +like their father's, laughed, and felt better. + +Val recounted the incident of Monsieur Prosper Profond; nothing could +have been more favourable, for, in relating it, he regarded Holly, who in +turn regarded him, while Fleur seemed to be regarding with a slight frown +some thought of her own, and Jon was really free to look at her at last. +She had on a white frock, very simple and well made; her arms were bare, +and her hair had a white rose in it. In just that swift moment of free +vision, after such intense discomfort, Jon saw her sublimated, as one +sees in the dark a slender white fruit-tree; caught her like a verse of +poetry flashed before the eyes of the mind, or a tune which floats out in +the distance and dies. He wondered giddily how old she was--she seemed so +much more self-possessed and experienced than himself. Why mustn't he +say they had met? He remembered suddenly his mother's face; puzzled, +hurt-looking, when she answered: "Yes, they're relations, but we don't +know them." Impossible that his mother, who loved beauty, should not +admire Fleur if she did know her. + +Alone with Val after dinner, he sipped port deferentially and answered +the advances of this new-found brother-in-law. As to riding (always the +first consideration with Val) he could have the young chestnut, saddle +and unsaddle it himself, and generally look after it when he brought it +in. Jon said he was accustomed to all that at home, and saw that he had +gone up one in his host's estimation. + +"Fleur," said Val, "can't ride much yet, but she's keen. Of course, her +father doesn't know a horse from a cart-wheel. Does your Dad ride?" + +"He used to; but now he's--you know, he's--" He stopped, so hating the +word "old." His father was old, and yet not old; no--never! + +"Quite," muttered Val. "I used to know your brother up at Oxford, ages +ago, the one who died in the Boer War. We had a fight in New College +Gardens. That was a queer business," he added, musing; "a good deal came +out of it." + +Jon's eyes opened wide; all was pushing him toward historical research, +when his sister's voice said gently from the doorway: + +"Come along, you two," and he rose, his heart pushing him toward +something far more modern. + +Fleur having declared that it was "simply too wonderful to stay indoors," +they all went out. Moonlight was frosting the dew, and an old sundial +threw a long shadow. Two box hedges at right angles, dark and square, +barred off the orchard. Fleur turned through that angled opening. + +"Come on!" she called. Jon glanced at the others, and followed. She was +running among the trees like a ghost. All was lovely and foamlike above +her, and there was a scent of old trunks, and of nettles. She vanished. +He thought he had lost her, then almost ran into her standing quite +still. + +"Isn't it jolly?" she cried, and Jon answered: + +"Rather!" + +She reached up, twisted off a blossom and, twirling it in her fingers, +said: + +"I suppose I can call you Jon?" + +"I should think so just." + +"All right! But you know there's a feud between our families?" + +Jon stammered: "Feud? Why?" + +"It's ever so romantic and silly. That's why I pretended we hadn't met. +Shall we get up early to-morrow morning and go for a walk before +breakfast and have it out? I hate being slow about things, don't you?" + +Jon murmured a rapturous assent. + +"Six o'clock, then. I think your mother's beautiful" + +Jon said fervently: "Yes, she is." + +"I love all kinds of beauty," went on Fleur, "when it's exciting. I +don't like Greek things a bit." + +"What! Not Euripides?" + +"Euripides? Oh! no, I can't bear Greek plays; they're so long. I think +beauty's always swift. I like to look at one picture, for instance, and +then run off. I can't bear a lot of things together. Look!" She held up +her blossom in the moonlight. "That's better than all the orchard, I +think." + +And, suddenly, with her other hand she caught Jon's. + +"Of all things in the world, don't you think caution's the most awful? +Smell the moonlight!" + +She thrust the blossom against his face; Jon agreed giddily that of all +things in the world caution was the worst, and bending over, kissed the +hand which held his. + +"That's nice and old-fashioned," said Fleur calmly. "You're frightfully +silent, Jon. Still I like silence when it's swift." She let go his +hand. "Did you think I dropped my handkerchief on purpose?" + +"No!" cried Jon, intensely shocked. + +"Well, I did, of course. Let's get back, or they'll think we're doing +this on purpose too." And again she ran like a ghost among the trees. +Jon followed, with love in his heart, Spring in his heart, and over all +the moonlit white unearthly blossom. They came out where they had gone +in, Fleur walking demurely. + +"It's quite wonderful in there," she said dreamily to Holly. + +Jon preserved silence, hoping against hope that she might be thinking it +swift. + +She bade him a casual and demure good-night, which made him think he had +been dreaming.... + +In her bedroom Fleur had flung off her gown, and, wrapped in a shapeless +garment, with the white flower still in her hair, she looked like a +mousme, sitting cross-legged on her bed, writing by candlelight. +"DEAREST CHERRY, + +"I believe I'm in love. I've got it in the neck, only the feeling is +really lower down. He's a second cousin-such a child, about six months +older and ten years younger than I am. Boys always fall in love with +their seniors, and girls with their juniors or with old men of forty. +Don't laugh, but his eyes are the truest things I ever saw; and he's +quite divinely silent! We had a most romantic first meeting in London +under the Vospovitch Juno. And now he's sleeping in the next room and +the moonlight's on the blossom; and to-morrow morning, before anybody's +awake, we're going to walk off into Down fairyland. There's a feud +between our families, which makes it really exciting. Yes! and I may +have to use subterfuge and come on you for invitations--if so, you'll +know why! My father doesn't want us to know each other, but I can't help +that. Life's too short. He's got the most beautiful mother, with lovely +silvery hair and a young face with dark eyes. I'm staying with his +sister--who married my cousin; it's all mixed up, but I mean to pump her +to-morrow. We've often talked about love being a spoil-sport; well, +that's all tosh, it's the beginning of sport, and the sooner you feel it, +my dear, the better for you. + +"Jon (not simplified spelling, but short for Jolyon, which is a name in +my family, they say) is the sort that lights up and goes out; about five +feet ten, still growing, and I believe he's going to be a poet. If you +laugh at me I've done with you forever. I perceive all sorts of +difficulties, but you know when I really want a thing I get it. One of +the chief effects of love is that you see the air sort of inhabited, like +seeing a face in the moon; and you feel--you feel dancey and soft at the +same time, with a funny sensation--like a continual first sniff of +orange--blossom--Just above your stays. This is my first, and I feel as +if it were going to be my last, which is absurd, of course, by all the +laws of Nature and morality. If you mock me I will smite you, and if you +tell anybody I will never forgive you. So much so, that I almost don't +think I'll send this letter. Anyway, I'll sleep over it. So good-night, +my Cherry--oh! "Your, +"FLEUR." +VIII +IDYLL ON GRASS + +When those two young Forsytes emerged from the chine lane, and set their +faces east toward the sun, there was not a cloud in heaven, and the Downs +were dewy. They had come at a good bat up the slope and were a little +out of breath; if they had anything to say they did not say it, but +marched in the early awkwardness of unbreakfasted morning under the songs +of the larks. The stealing out had been fun, but with the freedom of the +tops the sense of conspiracy ceased, and gave place to dumbness. + +"We've made one blooming error," said Fleur, when they had gone half a +mile. "I'm hungry." + +Jon produced a stick of chocolate. They shared it and their tongues were +loosened. They discussed the nature of their homes and previous +existences, which had a kind of fascinating unreality up on that lonely +height. There remained but one thing solid in Jon's past--his mother; +but one thing solid in Fleur's--her father; and of these figures, as +though seen in the distance with disapproving faces, they spoke little. + +The Down dipped and rose again toward Chanctonbury Ring; a sparkle of far +sea came into view, a sparrow-hawk hovered in the sun's eye so that the +blood-nourished brown of his wings gleamed nearly red. Jon had a passion +for birds, and an aptitude for sitting very still to watch them; +keen-sighted, and with a memory for what interested him, on birds he was +almost worth listening to. But in Chanctonbury Ring there were none--its +great beech temple was empty of life, and almost chilly at this early +hour; they came out willingly again into the sun on the far side. It was +Fleur's turn now. She spoke of dogs, and the way people treated them. +It was wicked to keep them on chains! She would like to flog people who +did that. Jon was astonished to find her so humanitarian. She knew a +dog, it seemed, which some farmer near her home kept chained up at the +end of his chicken run, in all weathers, till it had almost lost its +voice from barking! + +"And the misery is," she said vehemently, "that if the poor thing didn't +bark at every one who passes it wouldn't be kept there. I do think men +are cunning brutes. I've let it go twice, on the sly; it's nearly bitten +me both times, and then it goes simply mad with joy; but it always runs +back home at last, and they chain it up again. If I had my way, I'd +chain that man up." Jon saw her teeth and her eyes gleam. "I'd brand +him on his forehead with the word 'Brute'; that would teach him!" + +Jon agreed that it would be a good remedy. + +"It's their sense of property," he said, "which makes people chain +things. The last generation thought of nothing but property; and that's +why there was the War." + +"Oh!" said Fleur, "I never thought of that. Your people and mine +quarrelled about property. And anyway we've all got it--at least, I +suppose your people have." + +"Oh! yes, luckily; I don't suppose I shall be any good at making money." + +"If you were, I don't believe I should like you." + +Jon slipped his hand tremulously under her arm. Fleur looked straight +before her and chanted: + +"Jon, Jon, the farmer's son, Stole a pig, and away he run!" + +Jon's arm crept round her waist. + +"This is rather sudden," said Fleur calmly; "do you often do it?" + +Jon dropped his arm. But when she laughed his arm stole back again; and +Fleur began to sing: + +"O who will oer the downs so free, O who will with me ride? O who will up +and follow me---" + +"Sing, Jon!" + +Jon sang. The larks joined in, sheep-bells, and an early morning church +far away over in Steyning. They went on from tune to tune, till Fleur +said: + +"My God! I am hungry now!" + +"Oh! I am sorry!" + +She looked round into his face. + +"Jon, you're rather a darling." + +And she pressed his hand against her waist. Jon almost reeled from +happiness. A yellow-and-white dog coursing a hare startled them apart. +They watched the two vanish down the slope, till Fleur said with a sigh: +"He'll never catch it, thank goodness! What's the time? Mine's stopped. +I never wound it." + +Jon looked at his watch. "By Jove!" he said, "mine's stopped; too." + +They walked on again, but only hand in hand. + +"If the grass is dry," said Fleur, "let's sit down for half a minute." + +Jon took off his coat, and they shared it. + +"Smell! Actually wild thyme!" + +With his arm round her waist again, they sat some minutes in silence. + +"We are goats!" cried Fleur, jumping up; "we shall be most fearfully +late, and look so silly, and put them on their guard. Look here, Jon We +only came out to get an appetite for breakfast, and lost our way. See?" + +"Yes," said Jon. + +"It's serious; there'll be a stopper put on us. Are you a good liar?" + +"I believe not very; but I can try." + +Fleur frowned. + +"You know," she said, "I realize that they don't mean us to be friends." + +"Why not?" + +"I told you why." + +"But that's silly." + +"Yes; but you don't know my father!" + +"I suppose he's fearfully fond of you." + +"You see, I'm an only child. And so are you--of your mother. Isn't it a +bore? There's so much expected of one. By the time they've done +expecting, one's as good as dead." + +"Yes," muttered Jon, "life's beastly short. One wants to live forever, +and know everything." + +"And love everybody?" + +"No," cried Jon; "I only want to love once--you." + +"Indeed! You're coming on! Oh! Look! There's the chalk-pit; we can't +be very far now. Let's run." + +Jon followed, wondering fearfully if he had offended her. + +The chalk-pit was full of sunshine and the murmuration of bees. Fleur +flung back her hair. + +"Well," she said, "in case of accidents, you may give me one kiss, Jon," +and she pushed her cheek forward. With ecstasy he kissed that hot soft +cheek. + +"Now, remember! We lost our way; and leave it to me as much as you can. +I'm going to be rather beastly to you; it's safer; try and be beastly to +me!" + +Jon shook his head. "That's impossible." + +"Just to please me; till five o'clock, at all events." + +"Anybody will be able to see through it," said Jon gloomily. + +"Well, do your best. Look! There they are! Wave your hat! Oh! you +haven't got one. Well, I'll cooee! Get a little away from me, and look +sulky." + +Five minutes later, entering the house and doing his utmost to look +sulky, Jon heard her clear voice in the dining-room: + +"Oh! I'm simply ravenous! He's going to be a farmer--and he loses his +way! The boy's an idiot!" + + + + +IX + +GOYA + +Lunch was over and Soames mounted to the picture-gallery in his house +near Mapleduram. He had what Annette called "a grief." Fleur was not +yet home. She had been expected on Wednesday; had wired that it would be +Friday; and again on Friday that it would be Sunday afternoon; and here +were her aunt, and her cousins the Cardigans, and this fellow Profond, +and everything flat as a pancake for the want of her. He stood before +his Gauguin--sorest point of his collection. He had bought the ugly great +thing with two early Matisses before the War, because there was such a +fuss about those Post-Impressionist chaps. He was wondering whether +Profond would take them off his hands--the fellow seemed not to know what +to do with his money--when he heard his sister's voice say: "I think +that's a horrid thing, Soames," and saw that Winifred had followed him +up. + +"Oh! you do?" he said dryly; "I gave five hundred for it." + +"Fancy! Women aren't made like that even if they are black." + +Soames uttered a glum laugh. "You didn't come up to tell me that." + +"No. Do you know that Jolyon's boy is staying with Val and his wife?" + +Soames spun round. + +"What?" + +"Yes," drawled Winifred; "he's gone to live with them there while he +learns farming." + +Soames had turned away, but her voice pursued him as he walked up and +down. "I warned Val that neither of them was to be spoken to about old +matters." + +"Why didn't you tell me before?" + +Winifred shrugged her substantial shoulders. + +"Fleur does what she likes. You've always spoiled her. Besides, my dear +boy, what's the harm?" + +"The harm!" muttered Soames. "Why, she--" he checked himself. The Juno, +the handkerchief, Fleur's eyes, her questions, and now this delay in her +return--the symptoms seemed to him so sinister that, faithful to his +nature, he could not part with them. + +"I think you take too much care," said Winifred. "If I were you, I +should tell her of that old matter. It's no good thinking that girls in +these days are as they used to be. Where they pick up their knowledge I +can't tell, but they seem to know everything." + +Over Soames' face, closely composed, passed a sort of spasm, and Winifred +added hastily: + +"If you don't like to speak of it, I could for you." + +Soames shook his head. Unless there was absolute necessity the thought +that his adored daughter should learn of that old scandal hurt his pride +too much. + +"No," he said, "not yet. Never if I can help it. + +"Nonsense, my dear. Think what people are!" + +"Twenty years is a long time," muttered Soames. "Outside our family, +who's likely to remember?" + +Winifred was silenced. She inclined more and more to that peace and +quietness of which Montague Dartie had deprived her in her youth. And, +since pictures always depressed her, she soon went down again. + +Soames passed into the corner where, side by side, hung his real Goya and +the copy of the fresco "La Vendimia." His acquisition of the real Goya +rather beautifully illustrated the cobweb of vested interests and +passions which mesh the bright-winged fly of human life. The real Goya's +noble owner's ancestor had come into possession of it during some Spanish +war--it was in a word loot. The noble owner had remained in ignorance of +its value until in the nineties an enterprising critic discovered that a +Spanish painter named Goya was a genius. It was only a fair Goya, but +almost unique in England, and the noble owner became a marked man. +Having many possessions and that aristocratic culture which, independent +of mere sensuous enjoyment, is founded on the sounder principle that one +must know everything and be fearfully interested in life, he had fully +intended to keep an article which contributed to his reputation while he +was alive, and to leave it to the nation after he was dead. Fortunately +for Soames, the House of Lords was violently attacked in 1909, and the +noble owner became alarmed and angry. 'If,' he said to himself, 'they +think they can have it both ways they are very much mistaken. So long as +they leave me in quiet enjoyment the nation can have some of my pictures +at my death. But if the nation is going to bait me, and rob me like +this, I'm damned if I won't sell the lot. They can't have my private +property and my public spirit-both.' He brooded in this fashion for +several months till one morning, after reading the speech of a certain +statesman, he telegraphed to his agent to come down and bring Bodkin. On +going over the collection Bodkin, than whose opinion on market values +none was more sought, pronounced that with a free hand to sell to +America, Germany, and other places where there was an interest in art, a +lot more money could be made than by selling in England. The noble +owner's public spirit--he said--was well known but the pictures were +unique. The noble owner put this opinion in his pipe and smoked it for a +year. At the end of that time he read another speech by the same +statesman, and telegraphed to his agents: "Give Bodkin a free hand." It +was at this juncture that Bodkin conceived the idea which salved the Goya +and two other unique pictures for the native country of the noble owner. +With one hand Bodkin proffered the pictures to the foreign market, with +the other he formed a list of private British collectors. Having +obtained what he considered the highest possible bids from across the +seas, he submitted pictures and bids to the private British collectors, +and invited them, of their public spirit, to outbid. In three instances +(including the Goya) out of twenty-one he was successful. And why? One +of the private collectors made buttons--he had made so many that he +desired that his wife should be called Lady "Buttons." He therefore +bought a unique picture at great cost, and gave it to the nation. It was +"part," his friends said, "of his general game." The second of the +private collectors was an Americophobe, and bought an unique picture to +"spite the damned Yanks." The third of the private collectors was +Soames, who--more sober than either of the, others--bought after a visit +to Madrid, because he was certain that Goya was still on the up grade. +Goya was not booming at the moment, but he would come again; and, looking +at that portrait, Hogarthian, Manetesque in its directness, but with its +own queer sharp beauty of paint, he was perfectly satisfied still that he +had made no error, heavy though the price had been--heaviest he had ever +paid. And next to it was hanging the copy of "La Vendimia." There she +was--the little wretch-looking back at him in her dreamy mood, the mood +he loved best because he felt so much safer when she looked like that. + +He was still gazing when the scent of a cigar impinged on his nostrils, +and a voice said: + +"Well, Mr. Forsyde, what you goin' to do with this small lot?" + +That Belgian chap, whose mother-as if Flemish blood were not enough--had +been Armenian! Subduing a natural irritation, he said: + +"Are you a judge of pictures?" + +"Well, I've got a few myself." + +"Any Post-Impressionists?" + +"Ye-es, I rather like them." + +"What do you think of this?" said Soames, pointing to the Gauguin. + +Monsieur Profond protruded his lower lip and short pointed beard. + +"Rather fine, I think," he said; "do you want to sell it?" + +Soames checked his instinctive "Not particularly"--he would not chaffer +with this alien. + +"Yes," he said. + +"What do you want for it?" + +"What I gave." + +"All right," said Monsieur Profond. "I'll be glad to take that small +picture. Post-Impressionists--they're awful dead, but they're amusin'. +I don' care for pictures much, but I've got some, just a small lot." + +"What do you care for?" + +Monsieur Profond shrugged his shoulders. + +"Life's awful like a lot of monkeys scramblin' for empty nuts." + +"You're young," said Soames. If the fellow must make a generalization, +he needn't suggest that the forms of property lacked solidity! + +"I don' worry," replied Monsieur Profond smiling; "we're born, and we +die. Half the world's starvin'. I feed a small lot of babies out in my +mother's country; but what's the use? Might as well throw my money in +the river." + +Soames looked at him, and turned back toward his Goya. He didn't know +what the fellow wanted. + +"What shall I make my cheque for?" pursued Monsieur Profond. + +"Five hundred," said Soames shortly; "but I don't want you to take it if +you don't care for it more than that." + +"That's all right," said Monsieur Profond; "I'll be 'appy to 'ave that +picture." + +He wrote a cheque with a fountain-pen heavily chased with gold. Soames +watched the process uneasily. How on earth had the fellow known that he +wanted to sell that picture? Monsieur Profond held out the cheque. + +"The English are awful funny about pictures," he said. "So are the +French, so are my people. They're all awful funny." + +"I don't understand you," said Soames stiffly. + +"It's like hats," said Monsieur Profond enigmatically, "small or large, +turnin' up or down--just the fashion. Awful funny." And, smiling, he +drifted out of the gallery again, blue and solid like the smoke of his +excellent cigar. + +Soames had taken the cheque, feeling as if the intrinsic value of +ownership had been called in question. 'He's a cosmopolitan,' he +thought, watching Profond emerge from under the verandah with Annette, +and saunter down the lawn toward the river. What his wife saw in the +fellow he didn't know, unless it was that he could speak her language; +and there passed in Soames what Monsieur Profond would have called a +"small doubt" whether Annette was not too handsome to be walking with any +one so "cosmopolitan." Even at that distance he could see the blue fumes +from Profond's cigar wreath out in the quiet sunlight; and his grey +buckskin shoes, and his grey hat--the fellow was a dandy! And he could +see the quick turn of his wife's head, so very straight on her desirable +neck and shoulders. That turn of her neck always seemed to him a little +too showy, and in the "Queen of all I survey" manner--not quite +distinguished. He watched them walk along the path at the bottom of the +garden. A young man in flannels joined them down there--a Sunday caller +no doubt, from up the river. He went back to his Goya. He was still +staring at that replica of Fleur, and worrying over Winifred's news, when +his wife's voice said: + +"Mr. Michael Mont, Soames. You invited him to see your pictures." + +There was the cheerful young man of the Gallery off Cork Street! + +"Turned up, you see, sir; I live only four miles from Pangbourne. Jolly +day, isn't it?" + +Confronted with the results of his expansiveness, Soames scrutinized his +visitor. The young man's mouth was excessively large and curly--he +seemed always grinning. Why didn't he grow the rest of those idiotic +little moustaches, which made him look like a music-hall buffoon? What +on earth were young men about, deliberately lowering their class with +these tooth-brushes, or little slug whiskers? Ugh! Affected young +idiots! In other respects he was presentable, and his flannels very +clean. + +"Happy to see you!" he said. + +The young man, who had been turning his head from side to side, became +transfixed. "I say!" he said, "'some' picture!" + +Soames saw, with mixed sensations, that he had addressed the remark to +the Goya copy. + +"Yes," he said dryly, "that's not a Goya. It's a copy. I had it painted +because it reminded me of my daughter." + +"By Jove! I thought I knew the face, sir. Is she here?" + +The frankness of his interest almost disarmed Soames. + +"She'll be in after tea," he said. "Shall we go round the pictures?" + +And Soames began that round which never tired him. He had not +anticipated much intelligence from one who had mistaken a copy for an +original, but as they passed from section to section, period to period, +he was startled by the young man's frank and relevant remarks. Natively +shrewd himself, and even sensuous beneath his mask, Soames had not spent +thirty-eight years over his one hobby without knowing something more +about pictures than their market values. He was, as it were, the missing +link between the artist and the commercial public. Art for art's sake +and all that, of course, was cant. But aesthetics and good taste were +necessary. The appreciation of enough persons of good taste was what +gave a work of art its permanent market value, or in other words made it +"a work of art." There was no real cleavage. And he was sufficiently +accustomed to sheep-like and unseeing visitors, to be intrigued by one +who did not hesitate to say of Mauve: "Good old haystacks!" or of James +Maris: "Didn't he just paint and paper 'em! Mathew was the real swell, +sir; you could dig into his surfaces!" It was after the young man had +whistled before a Whistler, with the words, "D'you think he ever really +saw a naked woman, sir?" that Soames remarked: + +"What are you, Mr. Mont, if I may ask?" + +"I, sir? I was going to be a painter, but the War knocked that. Then in +the trenches, you know, I used to dream of the Stock Exchange, snug and +warm and just noisy enough. But the Peace knocked that, shares seem off, +don't they? I've only been demobbed about a year. What do you +recommend, sir?" + +"Have you got money?" + +"Well," answered the young man, "I've got a father; I kept him alive +during the War, so he's bound to keep me alive now. Though, of course, +there's the question whether he ought to be allowed to hang on to his +property. What do you think about that, sir?" + +Soames, pale and defensive, smiled. + +"The old man has fits when I tell him he may have to work yet. He's got +land, you know; it's a fatal disease." + +"This is my real Goya," said Soames dryly. + +"By George! He was a swell. I saw a Goya in Munich once that bowled me +middle stump. A most evil-looking old woman in the most gorgeous lace. +He made no compromise with the public taste. That old boy was 'some' +explosive; he must have smashed up a lot of convention in his day. +Couldn't he just paint! He makes Velasquez stiff, don't you think?" + +"I have no Velasquez," said Soames. + +The young man stared. "No," he said; "only nations or profiteers can +afford him, I suppose. I say, why shouldn't all the bankrupt nations +sell their Velasquez and Titians and other swells to the profiteers by +force, and then pass a law that any one who holds a picture by an Old +Master--see schedule--must hang it in a public gallery? There seems +something in that." + +"Shall we go down to tea?" said Soames. + +The young man's ears seemed to droop on his skull. 'He's not dense,' +thought Soames, following him off the premises. + +Goya, with his satiric and surpassing precision, his original "line," and +the daring of his light and shade, could have reproduced to admiration +the group assembled round Annette's tea-tray in the inglenook below. He +alone, perhaps, of painters would have done justice to the sunlight +filtering through a screen of creeper, to the lovely pallor of brass, the +old cut glasses, the thin slices of lemon in pale amber tea; justice to +Annette in her black lacey dress; there was something of the fair +Spaniard in her beauty, though it lacked the spirituality of that rare +type; to Winifred's grey-haired, corseted solidity; to Soames, of a +certain grey and flat-cheeked distinction; to the vivacious Michael Mont, +pointed in ear and eye; to Imogen, dark, luscious of glance, growing a +little stout; to Prosper Profond, with his expression as who should say, +"Well, Mr. Goya, what's the use of paintin' this small party?" finally, +to Jack Cardigan, with his shining stare and tanned sanguinity betraying +the moving principle: "I'm English, and I live to be fit." + +Curious, by the way, that Imogen, who as a girl had declared solemnly one +day at Timothy's that she would never marry a good man--they were so +dull--should have married Jack Cardigan, in whom health had so destroyed +all traces of original sin, that she might have retired to rest with ten +thousand other Englishmen without knowing the difference from the one she +had chosen to repose beside. "Oh!" she would say of him, in her +"amusing" way, "Jack keeps himself so fearfully fit; he's never had a +day's illness in his life. He went right through the War without a +finger-ache. You really can't imagine how fit he is!" Indeed, he was so +"fit" that he couldn't see when she was flirting, which was such a +comfort in a way. All the same she was quite fond of him, so far as one +could be of a sports-machine, and of the two little Cardigans made after +his pattern. Her eyes just then were comparing him maliciously with +Prosper Profond. There was no "small" sport or game which Monsieur +Profond had not played at too, it seemed, from skittles to +tarpon-fishing, and worn out every one. Imogen would sometimes wish that +they had worn out Jack, who continued to play at them and talk of them +with the simple zeal of a school-girl learning hockey; at the age of +Great-uncle Timothy she well knew that Jack would be playing carpet golf +in her bedroom, and "wiping somebody's eye." + +He was telling them now how he had "pipped the pro--a charmin' fellow, +playin' a very good game," at the last hole this morning; and how he had +pulled down to Caversham since lunch, and trying to incite Prosper +Profond to play him a set of tennis after tea--do him good--"keep him +fit. + +"But what's the use of keepin' fit?" said Monsieur Profond. + +"Yes, sir," murmured Michael Mont, "what do you keep fit for?" + +"Jack," cried Imogen, enchanted, "what do you keep fit for?" + +Jack Cardigan stared with all his health. The questions were like the +buzz of a mosquito, and he put up his hand to wipe them away. During the +War, of course, he had kept fit to kill Germans; now that it was over he +either did not know, or shrank in delicacy from explanation of his moving +principle. + +"But he's right," said Monsieur Profond unexpectedly, "there's nothin' +left but keepin' fit." + +The saying, too deep for Sunday afternoon, would have passed unanswered, +but for the mercurial nature of young Mont. + +"Good!" he cried. "That's the great discovery of the War. We all +thought we were progressing--now we know we're only changing." + +"For the worse," said Monsieur Profond genially. + +"How you are cheerful, Prosper!" murmured Annette. + +"You come and play tennis!" said Jack Cardigan; "you've got the hump. +We'll soon take that down. D'you play, Mr. Mont?" + +"I hit the ball about, sir." + +At this juncture Soames rose, ruffled in that deep instinct of +preparation for the future which guided his existence. + +"When Fleur comes--" he heard Jack Cardigan say. + +Ah! and why didn't she come? He passed through drawing-room, hall, and +porch out on to the drive, and stood there listening for the car. All was +still and Sundayfied; the lilacs in full flower scented the air. There +were white clouds, like the feathers of ducks gilded by the sunlight. +Memory of the day when Fleur was born, and he had waited in such agony +with her life and her mother's balanced in his hands, came to him +sharply. He had saved her then, to be the flower of his life. And now! +was she going to give him trouble--pain--give him trouble? He did not +like the look of things! A blackbird broke in on his reverie with an +evening song--a great big fellow up in that acacia-tree. Soames had +taken quite an interest in his birds of late years; he and Fleur would +walk round and watch them; her eyes were sharp as needles, and she knew +every nest. He saw her dog, a retriever, lying on the drive in a patch +of sunlight, and called to him. "Hallo, old fellow-waiting for her too!" +The dog came slowly with a grudging tail, and Soames mechanically laid a +pat on his head. The dog, the bird, the lilac, all were part of Fleur for +him; no more, no less. 'Too fond of her!' he thought, 'too fond!' He +was like a man uninsured, with his ships at sea. Uninsured again--as in +that other time, so long ago, when he would wander dumb and jealous in +the wilderness of London, longing for that woman--his first wife--the +mother of this infernal boy. Ah! There was the car at last! It drew +up, it had luggage, but no Fleur. + +"Miss Fleur is walking up, sir, by the towing-path." + +Walking all those miles? Soames stared. The man's face had the +beginning of a smile on it. What was he grinning at? And very quickly +he turned, saying, "All right, Sims!" and went into the house. He +mounted to the picture-gallery once more. He had from there a view of +the river bank, and stood with his eyes fixed on it, oblivious of the +fact that it would be an hour at least before her figure showed there. +Walking up! And that fellow's grin! The boy--! He turned abruptly from +the window. He couldn't spy on her. If she wanted to keep things from +him--she must; he could not spy on her. His heart felt empty, and +bitterness mounted from it into his very mouth. The staccato shouts of +Jack Cardigan pursuing the ball, the laugh of young Mont rose in the +stillness and came in. He hoped they were making that chap Profond run. +And the girl in "La Vendimia" stood with her arm akimbo and her dreamy +eyes looking past him. 'I've done all I could for you,' he thought, +'since you were no higher than my knee. You aren't going to--to--hurt +me, are you?' + +But the Goya copy answered not, brilliant in colour just beginning to +tone down. 'There's no real life in it,' thought Soames. 'Why doesn't +she come?' + + + + +X + +TRIO + +Among those four Forsytes of the third, and, as one might say, fourth +generation, at Wansdon under the Downs, a week-end prolonged unto the +ninth day had stretched the crossing threads of tenacity almost to +snapping-point. Never had Fleur been so "fine," Holly so watchful, Val +so stable-secretive, Jon so silent and disturbed. What he learned of +farming in that week might have been balanced on the point of a penknife +and puffed off. He, whose nature was essentially averse from intrigue, +and whose adoration of Fleur disposed him to think that any need for +concealing it was "skittles," chafed and fretted, yet obeyed, taking what +relief he could in the few moments when they were alone. On Thursday, +while they were standing in the bay window of the drawing-room, dressed +for dinner, she said to him: + +"Jon, I'm going home on Sunday by the 3.40 from Paddington; if you were +to go home on Saturday you could come up on Sunday and take me down, and +just get back here by the last train, after. You were going home anyway, +weren't you?" + +Jon nodded. + +"Anything to be with you," he said; "only why need I pretend--" + +Fleur slipped her little finger into his palm: + +"You have no instinct, Jon; you must leave things to me. It's serious +about our people. We've simply got to be secret at present, if we want +to be together." The door was opened, and she added loudly: "You are a +duffer, Jon." + +Something turned over within Jon; he could not bear this subterfuge about +a feeling so natural, so overwhelming, and so sweet. + +On Friday night about eleven he had packed his bag, and was leaning out +of his window, half miserable, and half lost in a dream of Paddington +station, when he heard a tiny sound, as of a finger-nail tapping on his +door. He rushed to it and listened. Again the sound. It was a nail. He +opened. Oh! What a lovely thing came in! + +"I wanted to show you my fancy dress," it said, and struck an attitude at +the foot of his bed. + +Jon drew a long breath and leaned against the door. The apparition wore +white muslin on its head, a fichu round its bare neck over a +wine-coloured dress, fulled out below its slender waist. + +It held one arm akimbo, and the other raised, right-angled, holding a fan +which touched its head. + +"This ought to be a basket of grapes," it whispered, "but I haven't got +it here. It's my Goya dress. And this is the attitude in the picture. +Do you like it?" + +"It's a dream." + +The apparition pirouetted. "Touch it, and see." + +Jon knelt down and took the skirt reverently. + +"Grape colour," came the whisper, "all grapes--La Vendimia--the vintage." + +Jon's fingers scarcely touched each side of the waist; he looked up, with +adoring eyes. + +"Oh! Jon," it whispered; bent, kissed his forehead, pirouetted again, +and, gliding out, was gone. + +Jon stayed on his knees, and his head fell forward against the bed. How +long he stayed like that he did not know. The little noises--of the +tapping nail, the feet, the skirts rustling--as in a dream--went on about +him; and before his closed eyes the figure stood and smiled and +whispered, a faint perfume of narcissus lingering in the air. And his +forehead where it had been kissed had a little cool place between the +brows, like the imprint of a flower. Love filled his soul, that love of +boy for girl which knows so little, hopes so much, would not brush the +down off for the world, and must become in time a fragrant memory--a +searing passion--a humdrum mateship--or, once in many times, vintage full +and sweet with sunset colour on the grapes. + +Enough has been said about Jon Forsyte here and in another place to show +what long marches lay between him and his great-great-grandfather, the +first Jolyon, in Dorset down by the sea. Jon was sensitive as a girl, +more sensitive than nine out of ten girls of the day; imaginative as one +of his half-sister June's "lame duck" painters; affectionate as a son of +his father and his mother naturally would be. And yet, in his inner +tissue, there was something of the old founder of his family, a secret +tenacity of soul, a dread of showing his feelings, a determination not to +know when he was beaten. Sensitive, imaginative, affectionate boys get a +bad time at school, but Jon had instinctively kept his nature dark, and +been but normally unhappy there. Only with his mother had he, up till +then, been absolutely frank and natural; and when he went home to Robin +Hill that Saturday his heart was heavy because Fleur had said that he +must not be frank and natural with her from whom he had never yet kept +anything, must not even tell her that they had met again, unless he found +that she knew already. So intolerable did this seem to him that he was +very near to telegraphing an excuse and staying up in London. And the +first thing his mother said to him was: + +"So you've had our little friend of the confectioner's there, Jon. What +is she like on second thoughts?" + +With relief, and a high colour, Jon answered: + +"Oh! awfully jolly, Mum." + +Her arm pressed his. + +Jon had never loved her so much as in that minute which seemed to falsify +Fleur's fears and to release his soul. He turned to look at her, but +something in her smiling face--something which only he perhaps would have +caught--stopped the words bubbling up in him. Could fear go with a smile? +If so, there was fear in her face. And out of Jon tumbled quite other +words, about farming, Holly, and the Downs. Talking fast, he waited for +her to come back to Fleur. But she did not. Nor did his father mention +her, though of course he, too, must know. What deprivation, and killing +of reality was in his silence about Fleur--when he was so full of her; +when his mother was so full of Jon, and his father so full of his mother! +And so the trio spent the evening of that Saturday. + +After dinner his mother played; she seemed to play all the things he +liked best, and he sat with one knee clasped, and his hair standing up +where his fingers had run through it. He gazed at his mother while she +played, but he saw Fleur--Fleur in the moonlit orchard, Fleur in the +sunlit gravel-pit, Fleur in that fancy dress, swaying, whispering, +stooping, kissing his forehead. Once, while he listened, he forgot +himself and glanced at his father in that other easy chair. What was Dad +looking like that for? The expression on his face was so sad and +puzzling. It filled him with a sort of remorse, so that he got up and +went and sat on the arm of his father's chair. From there he could not +see his face; and again he saw Fleur--in his mother's hands, slim and +white on the keys, in the profile of her face and her powdery hair; and +down the long room in the open window where the May night walked outside. + +When he went up to bed his mother came into his room. She stood at the +window, and said: + +"Those cypresses your grandfather planted down there have done +wonderfully. I always think they look beautiful under a dropping moon. +I wish you had known your grandfather, Jon." + +"Were you married to father when he was alive?" asked Jon suddenly. + +"No, dear; he died in '92--very old--eighty-five, I think." + +"Is Father like him?" + +"A little, but more subtle, and not quite so solid." + +"I know, from grandfather's portrait; who painted that?" + +"One of June's 'lame ducks.' But it's quite good." + +Jon slipped his hand through his mother's arm. "Tell me about the family +quarrel, Mum." + +He felt her arm quivering. "No, dear; that's for your Father some day, +if he thinks fit." + +"Then it was serious," said Jon, with a catch in his breath. + +"Yes." And there was a silence, during which neither knew whether the +arm or the hand within it were quivering most. + +"Some people," said Irene softly, "think the moon on her back is evil; to +me she's always lovely. Look at those cypress shadows! Jon, Father says +we may go to Italy, you and I, for two months. Would you like?" + +Jon took his hand from under her arm; his sensation was so sharp and so +confused. Italy with his mother! A fortnight ago it would have been +perfection; now it filled him with dismay; he felt that the sudden +suggestion had to do with Fleur. He stammered out: + +"Oh! yes; only--I don't know. Ought I--now I've just begun? I'd like to +think it over." + +Her voice answered, cool and gentle: + +"Yes, dear; think it over. But better now than when you've begun farming +seriously. Italy with you! It would be nice!" + +Jon put his arm round her waist, still slim and firm as a girl's. + +"Do you think you ought to leave Father?" he said feebly, feeling very +mean. + +"Father suggested it; he thinks you ought to see Italy at least before +you settle down to anything." + +The sense of meanness died in Jon; he knew, yes--he knew--that his father +and his mother were not speaking frankly, no more than he himself. They +wanted to keep him from Fleur. His heart hardened. And, as if she felt +that process going on, his mother said: + +"Good-night, darling. Have a good sleep and think it over. But it would +be lovely!" + +She pressed him to her so quickly that he did not see her face. Jon +stood feeling exactly as he used to when he was a naughty little boy; +sore because he was not loving, and because he was justified in his own +eyes. + +But Irene, after she had stood a moment in her own room, passed through +the dressing-room between it and her husband's. + +"Well?" + +"He will think it over, Jolyon." + +Watching her lips that wore a little drawn smile, Jolyon said quietly: + +"You had better let me tell him, and have done with it. After all, Jon +has the instincts of a gentleman. He has only to understand--" + +"Only! He can't understand; that's impossible." + +"I believe I could have at his age." + +Irene caught his hand. "You were always more of a realist than Jon; and +never so innocent." + +"That's true," said Jolyon. "It's queer, isn't it? You and I would tell +our stories to the world without a particle of shame; but our own boy +stumps us." + +"We've never cared whether the world approves or not." + +"Jon would not disapprove of us!" + +"Oh! Jolyon, yes. He's in love, I feel he's in love. And he'd say: 'My +mother once married without love! How could she have!' It'll seem to +him a crime! And so it was!" + +Jolyon took her hand, and said with a wry smile: + +"Ah! why on earth are we born young? Now, if only we were born old and +grew younger year by year, we should understand how things happen, and +drop all our cursed intolerance. But you know if the boy is really in +love, he won't forget, even if he goes to Italy. We're a tenacious +breed; and he'll know by instinct why he's being sent. Nothing will +really cure him but the shock of being told." + +"Let me try, anyway." + +Jolyon stood a moment without speaking. Between this devil and this deep +sea--the pain of a dreaded disclosure and the grief of losing his wife +for two months--he secretly hoped for the devil; yet if she wished for +the deep sea he must put up with it. After all, it would be training for +that departure from which there would be no return. And, taking her in +his arms, he kissed her eyes, and said: + +"As you will, my love." + + + + +XI + +DUET + +That "small" emotion, love, grows amazingly when threatened with +extinction. Jon reached Paddington station half an hour before his time +and a full week after, as it seemed to him. He stood at the appointed +bookstall, amid a crowd of Sunday travellers, in a Harris tweed suit +exhaling, as it were, the emotion of his thumping heart. He read the +names of the novels on the book-stall, and bought one at last, to avoid +being regarded with suspicion by the book-stall clerk. It was called "The +Heart of the Trail!" which must mean something, though it did not seem +to. He also bought "The Lady's Mirror" and "The Landsman." Every minute +was an hour long, and full of horrid imaginings. After nineteen had +passed, he saw her with a bag and a porter wheeling her luggage. She +came swiftly; she came cool. She greeted him as if he were a brother. + +"First class," she said to the porter, "corner seats; opposite." + +Jon admired her frightful self-possession. + +"Can't we get a carriage to ourselves," he whispered. + +"No good; it's a stopping train. After Maidenhead perhaps. Look +natural, Jon." + +Jon screwed his features into a scowl. They got in--with two other +beasts!--oh! heaven! He tipped the porter unnaturally, in his confusion. +The brute deserved nothing for putting them in there, and looking as if +he knew all about it into the bargain. + +Fleur hid herself behind "The Lady's Mirror." Jon imitated her behind +"The Landsman." The train started. Fleur let "The Lady's Mirror" fall +and leaned forward. + +"Well?" she said. + +"It's seemed about fifteen days." + +She nodded, and Jon's face lighted up at once. + +"Look natural," murmured Fleur, and went off into a bubble of laughter. +It hurt him. How could he look natural with Italy hanging over him? He +had meant to break it to her gently, but now he blurted it out. + +"They want me to go to Italy with Mother for two months." + +Fleur drooped her eyelids; turned a little pale, and bit her lips. "Oh!" +she said. It was all, but it was much. + +That "Oh!" was like the quick drawback of the wrist in fencing ready for +riposte. It came. + +"You must go!" + +"Go?" said Jon in a strangled voice. + +"Of course." + +"But--two months--it's ghastly." + +"No," said Fleur, "six weeks. You'll have forgotten me by then. We'll +meet in the National Gallery the day after you get back." + +Jon laughed. + +"But suppose you've forgotten me," he muttered into the noise of the +train. + +Fleur shook her head. + +"Some other beast--" murmured Jon. + +Her foot touched his. + +"No other beast," she said, lifting "The Lady's Mirror." + +The train stopped; two passengers got out, and one got in. + +'I shall die,' thought Jon, 'if we're not alone at all.' + +The train went on; and again Fleur leaned forward. + +"I never let go," she said; "do you?" + +Jon shook his head vehemently. + +"Never!" he said. "Will you write to me?" + +"No; but you can--to my Club." + +She had a Club; she was wonderful! + +"Did you pump Holly?" he muttered. + +"Yes, but I got nothing. I didn't dare pump hard." + +"What can it be?" cried Jon. + +"I shall find out all right." + +A long silence followed till Fleur said: "This is Maidenhead; stand by, +Jon!" + +The train stopped. The remaining passenger got out. Fleur drew down her +blind. + +"Quick!" she cried. "Hang out! Look as much of a beast as you can." + +Jon blew his nose, and scowled; never in all his life had he scowled like +that! An old lady recoiled, a young one tried the handle. It turned, +but the door would not open. The train moved, the young lady darted to +another carriage. + +"What luck!" cried Jon. "It Jammed." + +"Yes," said Fleur; "I was holding it." + +The train moved out, and Jon fell on his knees. + +"Look out for the corridor," she whispered; "and--quick!" + +Her lips met his. And though their kiss only lasted perhaps ten seconds, +Jon's soul left his body and went so far beyond, that, when he was again +sitting opposite that demure figure, he was pale as death. He heard her +sigh, and the sound seemed to him the most precious he had ever heard--an +exquisite declaration that he meant something to her. + +"Six weeks isn't really long," she said; "and you can easily make it six +if you keep your head out there, and never seem to think of me." + +Jon gasped. + +"This is just what's really wanted, Jon, to convince them, don't you see? +If we're just as bad when you come back they'll stop being ridiculous +about it. Only, I'm sorry it's not Spain; there's a girl in a Goya +picture at Madrid who's like me, Father says. Only she isn't--we've got +a copy of her." + +It was to Jon like a ray of sunshine piercing through a fog. "I'll make +it Spain," he said, "Mother won't mind; she's never been there. And my +Father thinks a lot of Goya." + +"Oh! yes, he's a painter--isn't he?" + +"Only water-colour," said Jon, with honesty. + +"When we come to Reading, Jon, get out first and go down to Caversham +lock and wait for me. I'll send the car home and we'll walk by the +towing-path." + +Jon seized her hand in gratitude, and they sat silent, with the world +well lost, and one eye on the corridor. But the train seemed to run +twice as fast now, and its sound was almost lost in that of Jon's +sighing. + +"We're getting near," said Fleur; "the towing-path's awfully exposed. One +more! Oh! Jon, don't forget me." + +Jon answered with his kiss. And very soon, a flushed, distracted-looking +youth could have been seen--as they say--leaping from the train and +hurrying along the platform, searching his pockets for his ticket. + +When at last she rejoined him on the towing-path a little beyond +Caversham lock he had made an effort, and regained some measure of +equanimity. If they had to part, he would not make a scene! A breeze by +the bright river threw the white side of the willow leaves up into the +sunlight, and followed those two with its faint rustle. + +"I told our chauffeur that I was train-giddy," said Fleur. "Did you look +pretty natural as you went out?" + +"I don't know. What is natural?" + +"It's natural to you to look seriously happy. When I first saw you I +thought you weren't a bit like other people." + +"Exactly what I thought when I saw you. I knew at once I should never +love anybody else." + +Fleur laughed. + +"We're absurdly young. And love's young dream is out of date, Jon. +Besides, it's awfully wasteful. Think of all the fun you might have. You +haven't begun, even; it's a shame, really. And there's me. I wonder!" + +Confusion came on Jon's spirit. How could she say such things just as +they were going to part? + +"If you feel like that," he said, "I can't go. I shall tell Mother that +I ought to try and work. There's always the condition of the world!" + +"The condition of the world!" + +Jon thrust his hands deep into his pockets. + +"But there is," he said; "think of the people starving!" + +Fleur shook her head. "No, no, I never, never will make myself miserable +for nothing." + +"Nothing! But there's an awful state of things, and of course one ought +to help." + +"Oh! yes, I know all that. But you can't help people, Jon; they're +hopeless. When you pull them out they only get into another hole. Look +at them, still fighting and plotting and struggling, though they're dying +in heaps all the time. Idiots!" + +"Aren't you sorry for them?" + +"Oh! sorry--yes, but I'm not going to make myself unhappy about it; +that's no good." + +And they were silent, disturbed by this first glimpse of each other's +natures. + +"I think people are brutes and idiots," said Fleur stubbornly. + +"I think they're poor wretches," said Jon. It was as if they had +quarrelled--and at this supreme and awful moment, with parting visible +out there in that last gap of the willows! + +"Well, go and help your poor wretches, and don't think of me." + +Jon stood still. Sweat broke out on his forehead, and his limbs +trembled. Fleur too had stopped, and was frowning at the river. + +"I must believe in things," said Jon with a sort of agony; "we're all +meant to enjoy life." + +Fleur laughed. "Yes; and that's what you won't do, if you don't take +care. But perhaps your idea of enjoyment is to make yourself wretched. +There are lots of people like that, of course." + +She was pale, her eyes had darkened, her lips had thinned. Was it Fleur +thus staring at the water? Jon had an unreal feeling as if he were +passing through the scene in a book where the lover has to choose between +love and duty. But just then she looked round at him. Never was anything +so intoxicating as that vivacious look. It acted on him exactly as the +tug of a chain acts on a dog--brought him up to her with his tail wagging +and his tongue out. + +"Don't let's be silly," she said, "time's too short. Look, Jon, you can +just see where I've got to cross the river. There, round the bend, where +the woods begin." + +Jon saw a gable, a chimney or two, a patch of wall through the trees +--and felt his heart sink. + +"I mustn't dawdle any more. It's no good going beyond the next hedge, it +gets all open. Let's get on to it and say good-bye." + +They went side by side, hand in hand, silently toward the hedge, where +the may-flower, both pink and white, was in full bloom. + +"My Club's the 'Talisman,' Stratton Street, Piccadilly. Letters there +will be quite safe, and I'm almost always up once a week." + +Jon nodded. His face had become extremely set, his eyes stared straight +before him. + +"To-day's the twenty-third of May," said Fleur; "on the ninth of July I +shall be in front of the 'Bacchus and Ariadne' at three o'clock; will +you?" + +"I will." + +"If you feel as bad as I it's all right. Let those people pass!" + +A man and woman airing their children went by strung out in Sunday +fashion. + +The last of them passed the wicket gate. + +"Domesticity!" said Fleur, and blotted herself against the hawthorn +hedge. The blossom sprayed out above her head, and one pink cluster +brushed her cheek. Jon put up his hand jealously to keep it off. + +"Good-bye, Jon." For a second they stood with hands hard clasped. Then +their lips met for the third time, and when they parted Fleur broke away +and fled through the wicket gate. Jon stood where she had left him, with +his forehead against that pink cluster. Gone! For an eternity--for +seven weeks all but two days! And here he was, wasting the last sight of +her! He rushed to the gate. She was walking swiftly on the heels of the +straggling children. She turned her head, he saw her hand make a little +flitting gesture; then she sped on, and the trailing family blotted her +out from his view. + +The words of a comic song-- + + "Paddington groan-worst ever known + He gave a sepulchral Paddington groan--" + +came into his head, and he sped incontinently back to Reading station. +All the way up to London and down to Wansdon he sat with "The Heart of +the Trail" open on his knee, knitting in his head a poem so full of +feeling that it would not rhyme. + + + + +XII + +CAPRICE + +Fleur sped on. She had need of rapid motion; she was late, and wanted +all her wits about her when she got in. She passed the islands, the +station, and hotel, and was about to take the ferry, when she saw a skiff +with a young man standing up in it, and holding to the bushes. + +"Miss Forsyte," he said; "let me put you across. I've come on purpose." + +She looked at him in blank amazement. + +"It's all right, I've been having tea with your people. I thought I'd +save you the last bit. It's on my way, I'm just off back to Pangbourne. +My name's Mont. I saw you at the picture-gallery--you remember--when +your father invited me to see his pictures." + +"Oh!" said Fleur; "yes--the handkerchief." + +To this young man she owed Jon; and, taking his hand, she stepped down +into the skiff. Still emotional, and a little out of breath, she sat +silent; not so the young man. She had never heard any one say so much in +so short a time. He told her his age, twenty-four; his weight, ten stone +eleven; his place of residence, not far away; described his sensations +under fire, and what it felt like to be gassed; criticized the Juno, +mentioned his own conception of that goddess; commented on the Goya copy, +said Fleur was not too awfully like it; sketched in rapidly the condition +of England; spoke of Monsieur Profond--or whatever his name was--as "an +awful sport"; thought her father had some "ripping" pictures and some +rather "dug-up"; hoped he might row down again and take her on the river +because he was quite trustworthy; inquired her opinion of Tchekov, gave +her his own; wished they could go to the Russian ballet together some +time--considered the name Fleur Forsyte simply topping; cursed his people +for giving him the name of Michael on the top of Mont; outlined his +father, and said that if she wanted a good book she should read "Job"; +his father was rather like Job while Job still had land. + +"But Job didn't have land," Fleur murmured; "he only had flocks and herds +and moved on." + +"Ah!" answered Michael Mont, "I wish my gov'nor would move on. Not that +I want his land. Land's an awful bore in these days, don't you think?" + +"We never have it in my family," said Fleur. "We have everything else. +I believe one of my great-uncles once had a sentimental farm in Dorset, +because we came from there originally, but it cost him more than it made +him happy." + +"Did he sell it?" + +"No; he kept it." + +"Why?" + +"Because nobody would buy it." + +"Good for the old boy!" + +"No, it wasn't good for him. Father says it soured him. His name was +Swithin." + +"What a corking name!" + +"Do you know that we're getting farther off, not nearer? This river +flows." + +"Splendid!" cried Mont, dipping his sculls vaguely; "it's good to meet a +girl who's got wit." + +"But better to meet a young man who's got it in the plural." + +Young Mont raised a hand to tear his hair. + +"Look out!" cried Fleur. "Your scull!" + +"All right! It's thick enough to bear a scratch." + +"Do you mind sculling?" said Fleur severely. "I want to get in." + +"Ah!" said Mont; "but when you get in, you see, I shan't see you any more +to-day. Fini, as the French girl said when she jumped on her bed after +saying her prayers. Don't you bless the day that gave you a French +mother, and a name like yours?" + +"I like my name, but Father gave it me. Mother wanted me called +Marguerite." + +"Which is absurd. Do you mind calling me M. M. and letting me call you +F. F.? It's in the spirit of the age." + +"I don't mind anything, so long as I get in." + +Mont caught a little crab, and answered: "That was a nasty one!" + +"Please row." + +"I am." And he did for several strokes, looking at her with rueful +eagerness. "Of course, you know," he ejaculated, pausing, "that I came +to see you, not your father's pictures." + +Fleur rose. + +"If you don't row, I shall get out and swim." + +"Really and truly? Then I could come in after you." + +"Mr. Mont, I'm late and tired; please put me on shore at once." + +When she stepped out on to the garden landing-stage he rose, and grasping +his hair with both hands, looked at her. + +Fleur smiled. + +"Don't!" cried the irrepressible Mont. "I know you're going to say: +'Out, damned hair!'" + +Fleur whisked round, threw him a wave of her hand. "Good-bye, Mr. M.M.!" +she called, and was gone among the rose-trees. She looked at her +wrist-watch and the windows of the house. It struck her as curiously +uninhabited. Past six! The pigeons were just gathering to roost, and +sunlight slanted on the dovecot, on their snowy feathers, and beyond in a +shower on the top boughs of the woods. The click of billiard-balls came +from the ingle-nook--Jack Cardigan, no doubt; a faint rustling, too, from +an eucalyptus-tree, startling Southerner in this old English garden. She +reached the verandah and was passing in, but stopped at the sound of +voices from the drawing-room to her left. Mother! Monsieur Profond! +From behind the verandah screen which fenced the ingle-nook she heard +these words: + +"I don't, Annette." + +Did Father know that he called her mother "Annette"? Always on the side +of her Father--as children are ever on one side or the other in houses +where relations are a little strained--she stood, uncertain. Her mother +was speaking in her low, pleasing, slightly metallic voice--one word she +caught: "Demain." And Profond's answer: "All right." Fleur frowned. A +little sound came out into the stillness. Then Profond's voice: "I'm +takin' a small stroll." + +Fleur darted through the window into the morning-room. There he came +from the drawing-room, crossing the verandah, down the lawn; and the +click of billiard-balls which, in listening for other sounds, she had +ceased to hear, began again. She shook herself, passed into the hall, +and opened the drawing-room door. Her mother was sitting on the sofa +between the windows, her knees crossed, her head resting on a cushion, +her lips half parted, her eyes half closed. She looked extraordinarily +handsome. + +"Ah! Here you are, Fleur! Your father is beginning to fuss." + +"Where is he?" + +"In the picture-gallery. Go up!" + +"What are you going to do to-morrow, Mother?" + +"To-morrow? I go up to London with your aunt." + +"I thought you might be. Will you get me a quite plain parasol?" What +colour?" + +"Green. They're all going back, I suppose." + +"Yes, all; you will console your father. Kiss me, then." + +Fleur crossed the room, stooped, received a kiss on her forehead, and +went out past the impress of a form on the sofa-cushions in the other +corner. She ran up-stairs. + +Fleur was by no means the old-fashioned daughter who demands the +regulation of her parents' lives in accordance with the standard imposed +upon herself. She claimed to regulate her own life, not those of others; +besides, an unerring instinct for what was likely to advantage her own +case was already at work. In a disturbed domestic atmosphere the heart +she had set on Jon would have a better chance. None the less was she +offended, as a flower by a crisping wind. If that man had really been +kissing her mother it was--serious, and her father ought to know. +"Demain!" "All right!" And her mother going up to Town! She turned +into her bedroom and hung out of the window to cool her face, which had +suddenly grown very hot. Jon must be at the station by now! What did +her father know about Jon? Probably everything--pretty nearly! + +She changed her dress, so as to look as if she had been in some time, and +ran up to the gallery. + +Soames was standing stubbornly still before his Alfred Stevens--the +picture he loved best. He did not turn at the sound of the door, but she +knew he had heard, and she knew he was hurt. She came up softly behind +him, put her arms round his neck, and poked her face over his shoulder +till her cheek lay against his. It was an advance which had never yet +failed, but it failed her now, and she augured the worst. "Well," he said +stonily, "so you've come!" + +"Is that all," murmured Fleur, "from a bad parent?" And she rubbed her +cheek against his. + +Soames shook his head so far as that was possible. + +"Why do you keep me on tenterhooks like this, putting me off and off?" + +"Darling, it was very harmless." + +"Harmless! Much you know what's harmless and what isn't." + +Fleur dropped her arms. + +"Well, then, dear, suppose you tell me; and be quite frank about it." + +And she went over to the window-seat. + +Her father had turned from his picture, and was staring at his feet. He +looked very grey. 'He has nice small feet,' she thought, catching his +eye, at once averted from her. + +"You're my only comfort," said Soames suddenly, "and you go on like +this." + +Fleur's heart began to beat. + +"Like what, dear?" + +Again Soames gave her a look which, but for the affection in it, might +have been called furtive. + +"You know what I told you," he said. "I don't choose to have anything to +do with that branch of our family." + +"Yes, ducky, but I don't know why I shouldn't." + +Soames turned on his heel. + +"I'm not going into the reasons," he said; "you ought to trust me, +Fleur!" + +The way he spoke those words affected Fleur, but she thought of Jon, and +was silent, tapping her foot against the wainscot. Unconsciously she had +assumed a modern attitude, with one leg twisted in and out of the other, +with her chin on one bent wrist, her other arm across her chest, and its +hand hugging her elbow; there was not a line of her that was not +involuted, and yet--in spite of all--she retained a certain grace. + +"You knew my wishes," Soames went on, "and yet you stayed on there four +days. And I suppose that boy came with you to-day." + +Fleur kept her eyes on him. + +"I don't ask you anything," said Soames; "I make no inquisition where +you're concerned." + +Fleur suddenly stood up, leaning out at the window with her chin on her +hands. The sun had sunk behind trees, the pigeons were perched, quite +still, on the edge of the dove-cot; the click of the billiard-balls +mounted, and a faint radiance shone out below where Jack Cardigan had +turned the light up. + +"Will it make you any happier," she said suddenly, "if I promise you not +to see him for say--the next six weeks?" She was not prepared for a sort +of tremble in the blankness of his voice. + +"Six weeks? Six years--sixty years more like. Don't delude yourself, +Fleur; don't delude yourself!" + +Fleur turned in alarm. + +"Father, what is it?" + +Soames came close enough to see her face. + +"Don't tell me," he said, "that you're foolish enough to have any feeling +beyond caprice. That would be too much!" And he laughed. + +Fleur, who had never heard him laugh like that, thought: 'Then it is +deep! Oh! what is it?' And putting her hand through his arm she said +lightly: + +"No, of course; caprice. Only, I like my caprices and I don't like +yours, dear." + +"Mine!" said Soames bitterly, and turned away. + +The light outside had chilled, and threw a chalky whiteness on the river. +The trees had lost all gaiety of colour. She felt a sudden hunger for +Jon's face, for his hands, and the feel of his lips again on hers. And +pressing her arms tight across her breast she forced out a little light +laugh. + +"O la! la! What a small fuss! as Profond would say. Father, I don't +like that man." + +She saw him stop, and take something out of his breast pocket. + +"You don't?" he said. "Why?" + +"Nothing," murmured Fleur; "just caprice!" + +"No," said Soames; "not caprice!" And he tore what was in his hands +across. "You're right. I don't like him either!" + +"Look!" said Fleur softly. "There he goes! I hate his shoes; they don't +make any noise." + +Down in the failing light Prosper Profond moved, his hands in his side +pockets, whistling softly in his beard; he stopped, and glanced up at the +sky, as if saying: "I don't think much of that small moon." + +Fleur drew back. "Isn't he a great cat?" she whispered; and the sharp +click of the billiard-balls rose, as if Jack Cardigan had capped the cat, +the moon, caprice, and tragedy with: "In off the red!" + +Monsieur Profond had resumed his stroll, to a teasing little tune in his +beard. What was it? Oh! yes, from "Rigoletto": "Donna a mobile." Just +what he would think! She squeezed her father's arm. + +"Prowling!" she muttered, as he turned the corner of the house. It was +past that disillusioned moment which divides the day and night-still and +lingering and warm, with hawthorn scent and lilac scent clinging on the +riverside air. A blackbird suddenly burst out. Jon would be in London +by now; in the Park perhaps, crossing the Serpentine, thinking of her! A +little sound beside her made her turn her eyes; her father was again +tearing the paper in his hands. Fleur saw it was a cheque. + +"I shan't sell him my Gauguin," he said. "I don't know what your aunt +and Imogen see in him." + +"Or Mother." + +"Your mother!" said Soames. + +'Poor Father!' she thought. 'He never looks happy--not really happy. I +don't want to make him worse, but of course I shall have to, when Jon +comes back. Oh! well, sufficient unto the night!' + +"I'm going to dress," she said. + +In her room she had a fancy to put on her "freak" dress. It was of gold +tissue with little trousers of the same, tightly drawn in at the ankles, +a page's cape slung from the shoulders, little gold shoes, and a +gold-winged Mercury helmet; and all over her were tiny gold bells, +especially on the helmet; so that if she shook her head she pealed. When +she was dressed she felt quite sick because Jon could not see her; it +even seemed a pity that the sprightly young man Michael Mont would not +have a view. But the gong had sounded, and she went down. + +She made a sensation in the drawing-room. Winifred thought it "Most +amusing." Imogen was enraptured. Jack Cardigan called it "stunning," +"ripping," "topping," and "corking." + +Monsieur Profond, smiling with his eyes, said: "That's a nice small +dress!" Her mother, very handsome in black, sat looking at her, and said +nothing. It remained for her father to apply the test of common sense. +"What did you put on that thing for? You're not going to dance." + +Fleur spun round, and the bells pealed. + +"Caprice!" + +Soames stared at her, and, turning away, gave his arm to Winifred. Jack +Cardigan took her mother. Prosper Profond took Imogen. Fleur went in by +herself, with her bells jingling.... + +The "small" moon had soon dropped down, and May night had fallen soft and +warm, enwrapping with its grape-bloom colour and its scents the billion +caprices, intrigues, passions, longings, and regrets of men and women. +Happy was Jack Cardigan who snored into Imogen's white shoulder, fit as a +flea; or Timothy in his "mausoleum," too old for anything but baby's +slumber. For so many lay awake, or dreamed, teased by the criss-cross of +the world. + +The dew fell and the flowers closed; cattle grazed on in the river +meadows, feeling with their tongues for the grass they could not see; and +the sheep on the Downs lay quiet as stones. Pheasants in the tall trees +of the Pangbourne woods, larks on their grassy nests above the gravel-pit +at Wansdon, swallows in the eaves at Robin Hill, and the sparrows of +Mayfair, all made a dreamless night of it, soothed by the lack of wind. +The Mayfly filly, hardly accustomed to her new quarters, scraped at her +straw a little; and the few night-flitting things--bats, moths, +owls--were vigorous in the warm darkness; but the peace of night lay in +the brain of all day-time Nature, colourless and still. Men and women, +alone, riding the hobby-horses of anxiety or love, burned their wavering +tapers of dream and thought into the lonely hours. + +Fleur, leaning out of her window, heard the hall clock's muffled chime of +twelve, the tiny splash of a fish, the sudden shaking of an aspen's +leaves in the puffs of breeze that rose along the river, the distant +rumble of a night train, and time and again the sounds which none can put +a name to in the darkness, soft obscure expressions of uncatalogued +emotions from man and beast, bird and machine, or, maybe, from departed +Forsytes, Darties, Cardigans, taking night strolls back into a world +which had once suited their embodied spirits. But Fleur heeded not these +sounds; her spirit, far from disembodied, fled with swift wing from +railway-carriage to flowery hedge, straining after Jon, tenacious of his +forbidden image, and the sound of his voice, which was taboo. And she +crinkled her nose, retrieving from the perfume of the riverside night +that moment when his hand slipped between the mayflowers and her cheek. +Long she leaned out in her freak dress, keen to burn her wings at life's +candle; while the moths brushed her cheeks on their pilgrimage to the +lamp on her dressing-table, ignorant that in a Forsyte's house there is +no open flame. But at last even she felt sleepy, and, forgetting her +bells, drew quickly in. + +Through the open window of his room, alongside Annette's, Soames, wakeful +too, heard their thin faint tinkle, as it might be shaken from stars, or +the dewdrops falling from a flower, if one could hear such sounds. + +'Caprice!' he thought. 'I can't tell. She's wilful. What shall I do? +Fleur!' + +And long into the "small" night he brooded. + + + + +PART II +I +MOTHER AND SON + +To say that Jon Forsyte accompanied his mother to Spain unwillingly would +scarcely have been adequate. He went as a well-natured dog goes for a +walk with its mistress, leaving a choice mutton-bone on the lawn. He +went looking back at it. Forsytes deprived of their mutton-bones are +wont to sulk. But Jon had little sulkiness in his composition. He +adored his mother, and it was his first travel. Spain had become Italy by +his simply saying: "I'd rather go to Spain, Mum; you've been to Italy so +many times; I'd like it new to both of us." + +The fellow was subtle besides being naive. He never forgot that he was +going to shorten the proposed two months into six weeks, and must +therefore show no sign of wishing to do so. For one with so enticing a +mutton-bone and so fixed an idea, he made a good enough travelling +companion, indifferent to where or when he arrived, superior to food, and +thoroughly appreciative of a country strange to the most travelled +Englishman. Fleur's wisdom in refusing to write to him was profound, for +he reached each new place entirely without hope or fever, and could +concentrate immediate attention on the donkeys and tumbling bells, the +priests, patios, beggars, children, crowing cocks, sombreros, +cactus-hedges, old high white villages, goats, olive-trees, greening +plains, singing birds in tiny cages, watersellers, sunsets, melons, +mules, great churches, pictures, and swimming grey-brown mountains of a +fascinating land. + +It was already hot, and they enjoyed an absence of their compatriots. +Jon, who, so far as he knew, had no blood in him which was not English, +was often innately unhappy in the presence of his own countrymen. He +felt they had no nonsense about them, and took a more practical view of +things than himself. He confided to his mother that he must be an +unsociable beast--it was jolly to be away from everybody who could talk +about the things people did talk about. To which Irene had replied +simply: + +"Yes, Jon, I know." + +In this isolation he had unparalleled opportunities of appreciating what +few sons can apprehend, the whole-heartedness of a mother's love. +Knowledge of something kept from her made him, no doubt, unduly +sensitive; and a Southern people stimulated his admiration for her type +of beauty, which he had been accustomed to hear called Spanish, but which +he now perceived to be no such thing. Her beauty was neither English, +French, Spanish, nor Italian--it was special! He appreciated, too, as +never before, his mother's subtlety of instinct. He could not tell, for +instance, whether she had noticed his absorption in that Goya picture, +"La Vendimia," or whether she knew that he had slipped back there after +lunch and again next morning, to stand before it full half an hour, a +second and third time. It was not Fleur, of course, but like enough to +give him heartache--so dear to lovers--remembering her standing at the +foot of his bed with her hand held above her head. To keep a postcard +reproduction of this picture in his pocket and slip it out to look at +became for Jon one of those bad habits which soon or late disclose +themselves to eyes sharpened by love, fear, or jealousy. And his +mother's were sharpened by all three. In Granada he was fairly caught, +sitting on a sun-warmed stone bench in a little battlemented garden on +the Alhambra hill, whence he ought to have been looking at the view. His +mother, he had thought, was examining the potted stocks between the +polled acacias, when her voice said: + +"Is that your favourite Goya, Jon?" + +He checked, too late, a movement such as he might have made at school to +conceal some surreptitious document, and answered: "Yes." + +"It certainly is most charming; but I think I prefer the 'Quitasol' Your +father would go crazy about Goya; I don't believe he saw them when he was +in Spain in '92." + +In '92--nine years before he had been born! What had been the previous +existences of his father and his mother? If they had a right to share in +his future, surely he had a right to share in their pasts. He looked up +at her. But something in her face--a look of life hard-lived, the +mysterious impress of emotions, experience, and suffering-seemed, with +its incalculable depth, its purchased sanctity, to make curiosity +impertinent. His mother must have had a wonderfully interesting life; +she was so beautiful, and so--so--but he could not frame what he felt +about her. He got up, and stood gazing down at the town, at the plain +all green with crops, and the ring of mountains glamorous in sinking +sunlight. Her life was like the past of this old Moorish city, full, +deep, remote--his own life as yet such a baby of a thing, hopelessly +ignorant and innocent! They said that in those mountains to the West, +which rose sheer from the blue-green plain, as if out of a sea, +Phoenicians had dwelt--a dark, strange, secret race, above the land! His +mother's life was as unknown to him, as secret, as that Phoenician past +was to the town down there, whose cocks crowed and whose children played +and clamoured so gaily, day in, day out. He felt aggrieved that she +should know all about him and he nothing about her except that she loved +him and his father, and was beautiful. His callow ignorance--he had not +even had the advantage of the War, like nearly everybody else!--made him +small in his own eyes. + +That night, from the balcony of his bedroom, he gazed down on the roof of +the town--as if inlaid with honeycomb of jet, ivory, and gold; and, long +after, he lay awake, listening to the cry of the sentry as the hours +struck, and forming in his head these lines: + + "Voice in the night crying, down in the old sleeping + Spanish city darkened under her white stars! + + "What says the voice-its clear-lingering anguish? + Just the watchman, telling his dateless tale of safety? + Just a road-man, flinging to the moon his song? + + "No! Tis one deprived, whose lover's heart is weeping, + Just his cry: 'How long?'" + +The word "deprived" seemed to him cold and unsatisfactory, but "bereaved" +was too final, and no other word of two syllables short-long came to him, +which would enable him to keep "whose lover's heart is weeping." It was +past two by the time he had finished it, and past three before he went to +sleep, having said it over to himself at least twenty-four times. Next +day he wrote it out and enclosed it in one of those letters to Fleur +which he always finished before he went down, so as to have his mind free +and companionable. + +About noon that same day, on the tiled terrace of their hotel, he felt a +sudden dull pain in the back of his head, a queer sensation in the eyes, +and sickness. The sun had touched him too affectionately. The next three +days were passed in semi-darkness, and a dulled, aching indifference to +all except the feel of ice on his forehead and his mother's smile. She +never moved from his room, never relaxed her noiseless vigilance, which +seemed to Jon angelic. But there were moments when he was extremely +sorry for himself, and wished terribly that Fleur could see him. Several +times he took a poignant imaginary leave of her and of the earth, tears +oozing out of his eyes. He even prepared the message he would send to +her by his mother--who would regret to her dying day that she had ever +sought to separate them--his poor mother! He was not slow, however, in +perceiving that he had now his excuse for going home. + +Toward half-past six each evening came a "gasgacha" of bells--a cascade +of tumbling chimes, mounting from the city below and falling back chime +on chime. After listening to them on the fourth day he said suddenly: + +"I'd like to be back in England, Mum, the sun's too hot." + +"Very well, darling. As soon as you're fit to travel" And at once he +felt better, and--meaner. + +They had been out five weeks when they turned toward home. Jon's head +was restored to its pristine clarity, but he was confined to a hat lined +by his mother with many layers of orange and green silk and he still +walked from choice in the shade. As the long struggle of discretion +between them drew to its close, he wondered more and more whether she +could see his eagerness to get back to that which she had brought him +away from. Condemned by Spanish Providence to spend a day in Madrid +between their trains, it was but natural to go again to the Prado. Jon +was elaborately casual this time before his Goya girl. Now that he was +going back to her, he could afford a lesser scrutiny. It was his mother +who lingered before the picture, saying: + +"The face and the figure of the girl are exquisite." + +Jon heard her uneasily. Did she understand? But he felt once more that +he was no match for her in self-control and subtlety. She could, in some +supersensitive way, of which he had not the secret, feel the pulse of his +thoughts; she knew by instinct what he hoped and feared and wished. It +made him terribly uncomfortable and guilty, having, beyond most boys, a +conscience. He wished she would be frank with him, he almost hoped for +an open struggle. But none came, and steadily, silently, they travelled +north. Thus did he first learn how much better than men women play a +waiting game. In Paris they had again to pause for a day. Jon was +grieved because it lasted two, owing to certain matters in connection +with a dressmaker; as if his mother, who looked beautiful in anything, +had any need of dresses! The happiest moment of his travel was that when +he stepped on to the Folkestone boat. + +Standing by the bulwark rail, with her arm in his, she said + +"I'm afraid you haven't enjoyed it much, Jon. But you've been very sweet +to me." + +Jon squeezed her arm. + +"Oh I yes, I've enjoyed it awfully-except for my head lately." + +And now that the end had come, he really had, feeling a sort of glamour +over the past weeks--a kind of painful pleasure, such as he had tried to +screw into those lines about the voice in the night crying; a feeling +such as he had known as a small boy listening avidly to Chopin, yet +wanting to cry. And he wondered why it was that he couldn't say to her +quite simply what she had said to him: + +"You were very sweet to me." Odd--one never could be nice and natural +like that! He substituted the words: "I expect we shall be sick." + +They were, and reached London somewhat attenuated, having been away six +weeks and two days, without a single allusion to the subject which had +hardly ever ceased to occupy their minds. + + + + +II + +FATHERS AND DAUGHTERS + +Deprived of his wife and son by the Spanish adventure, Jolyon found the +solitude at Robin Hill intolerable. A philosopher when he has all that +he wants is different from a philosopher when he has not. Accustomed, +however, to the idea, if not to the reality of resignation, he would +perhaps have faced it out but for his daughter June. He was a "lame +duck" now, and on her conscience. Having achieved--momentarily--the +rescue of an etcher in low circumstances, which she happened to have in +hand, she appeared at Robin Hill a fortnight after Irene and Jon had +gone. June was living now in a tiny house with a big studio at Chiswick. +A Forsyte of the best period, so far as the lack of responsibility was +concerned, she had overcome the difficulty of a reduced income in a +manner satisfactory to herself and her father. The rent of the Gallery +off Cork Street which he had bought for her and her increased income tax +happening to balance, it had been quite simpl--she no longer paid him the +rent. The Gallery might be expected now at any time, after eighteen years +of barren usufruct, to pay its way, so that she was sure her father would +not feel it. Through this device she still had twelve hundred a year, +and by reducing what she ate, and, in place of two Belgians in a poor +way, employing one Austrian in a poorer, practically the same surplus for +the relief of genius. After three days at Robin Hill she carried her +father back with her to Town. In those three days she had stumbled on +the secret he had kept for two years, and had instantly decided to cure +him. She knew, in fact, the very man. He had done wonders with. Paul +Post--that painter a little in advance of Futurism; and she was impatient +with her father because his eyebrows would go up, and because he had +heard of neither. Of course, if he hadn't "faith" he would never get +well! It was absurd not to have faith in the man who had healed Paul +Post so that he had only just relapsed, from having overworked, or +overlived, himself again. The great thing about this healer was that he +relied on Nature. He had made a special study of the symptoms of +Nature--when his patient failed in any natural symptom he supplied the +poison which caused it--and there you were! She was extremely hopeful. +Her father had clearly not been living a natural life at Robin Hill, and +she intended to provide the symptoms. He was--she felt--out of touch +with the times, which was not natural; his heart wanted stimulating. In +the little Chiswick house she and the Austrian--a grateful soul, so +devoted to June for rescuing her that she was in danger of decease from +overwork--stimulated Jolyon in all sorts of ways, preparing him for his +cure. But they could not keep his eyebrows down; as, for example, when +the Austrian woke him at eight o'clock just as he was going to sleep, or +June took The Times away from him, because it was unnatural to read "that +stuff" when he ought to be taking an interest in "life." He never +failed, indeed, to be astonished at her resource, especially in the +evenings. For his benefit, as she declared, though he suspected that she +also got something out of it, she assembled the Age so far as it was +satellite to genius; and with some solemnity it would move up and down +the studio before him in the Fox-trot, and that more mental form of +dancing--the One-step--which so pulled against the music, that Jolyon's +eyebrows would be almost lost in his hair from wonder at the strain it +must impose on the dancer's will-power. Aware that, hung on the line in +the Water Colour Society, he was a back number to those with any +pretension to be called artists, he would sit in the darkest corner he +could find, and wonder about rhythm, on which so long ago he had been +raised. And when June brought some girl or young man up to him, he would +rise humbly to their level so far as that was possible, and think: 'Dear +me! This is very dull for them!' Having his father's perennial sympathy +with Youth, he used to get very tired from entering into their points of +view. But it was all stimulating, and he never failed in admiration of +his daughter's indomitable spirit. Even genius itself attended these +gatherings now and then, with its nose on one side; and June always +introduced it to her father. This, she felt, was exceptionally good for +him, for genius was a natural symptom he had never had--fond as she was +of him. + +Certain as a man can be that she was his own daughter, he often wondered +whence she got herself--her red-gold hair, now greyed into a special +colour; her direct, spirited face, so different from his own rather +folded and subtilised countenance, her little lithe figure, when he and +most of the Forsytes were tall. And he would dwell on the origin of +species, and debate whether she might be Danish or Celtic. Celtic, he +thought, from her pugnacity, and her taste in fillets and djibbahs. It +was not too much to say that he preferred her to the Age with which she +was surrounded, youthful though, for the greater part, it was. She took, +however, too much interest in his teeth, for he still had some of those +natural symptoms. Her dentist at once found "Staphylococcus aureus +present in pure culture" (which might cause boils, of course), and wanted +to take out all the teeth he had and supply him with two complete sets of +unnatural symptoms. Jolyon's native tenacity was roused, and in the +studio that evening he developed his objections. He had never had any +boils, and his own teeth would last his time. Of course--June +admitted--they would last his time if he didn't have them out! But if he +had more teeth he would have a better heart and his time would be longer. +His recalcitrance--she said--was a symptom of his whole attitude; he was +taking it lying down. He ought to be fighting. When was he going to see +the man who had cured Paul Post? Jolyon was very sorry, but the fact was +he was not going to see him. June chafed. Pondridge--she said--the +healer, was such a fine man, and he had such difficulty in making two +ends meet, and getting his theories recognised. It was just such +indifference and prejudice as her father manifested which was keeping him +back. It would be so splendid for both of them! + +"I perceive," said Jolyon, "that you are trying to kill two birds with +one stone." + +"To cure, you mean!" cried June. + +"My dear, it's the same thing." + +June protested. It was unfair to say that without a trial. + +Jolyon thought he might not have the chance, of saying it after. + +"Dad!" cried June, "you're hopeless." + +"That," said Jolyon, "is a fact, but I wish to remain hopeless as long as +possible. I shall let sleeping dogs lie, my child. They are quiet at +present." + +"That's not giving science a chance," cried June. "You've no idea how +devoted Pondridge is. He puts his science before everything." + +"Just," replied Jolyon, puffing the mild cigarette to which he was +reduced, "as Mr. Paul Post puts his art, eh? Art for Art's sake +--Science for the sake of Science. I know those enthusiastic egomaniac +gentry. They vivisect you without blinking. I'm enough of a Forsyte to +give them the go-by, June." + +"Dad," said June, "if you only knew how old-fashioned that sounds! Nobody +can afford to be half-hearted nowadays." + +"I'm afraid," murmured Jolyon, with his smile, "that's the only natural +symptom with which Mr. Pondridge need not supply me. We are born to be +extreme or to be moderate, my dear; though, if you'll forgive my saying +so, half the people nowadays who believe they're extreme are really very +moderate. I'm getting on as well as I can expect, and I must leave it at +that." + +June was silent, having experienced in her time the inexorable character +of her father's amiable obstinacy so far as his own freedom of action was +concerned. + +How he came to let her know why Irene had taken Jon to Spain puzzled +Jolyon, for he had little confidence in her discretion. After she had +brooded on the news, it brought a rather sharp discussion, during which +he perceived to the full the fundamental opposition between her active +temperament and his wife's passivity. He even gathered that a little +soreness still remained from that generation-old struggle between them +over the body of Philip Bosinney, in which the passive had so signally +triumphed over the active principle. + +According to June, it was foolish and even cowardly to hide the past from +Jon. Sheer opportunism, she called it. + +"Which," Jolyon put in mildly, "is the working principle of real life, my +dear." + +"Oh!" cried June, "you don't really defend her for not telling Jon, Dad. +If it were left to you, you would." + +"I might, but simply because I know he must find out, which will be worse +than if we told him." + +"Then why don't you tell him? It's just sleeping dogs again." + +"My dear," said Jolyon, "I wouldn't for the world go against Irene's +instinct. He's her boy." + +"Yours too," cried June. + +"What is a man's instinct compared with a mother's?" + +"Well, I think it's very weak of you." + +"I dare say," said Jolyon, "I dare say." + +And that was all she got from him; but the matter rankled in her brain. +She could not bear sleeping dogs. And there stirred in her a tortuous +impulse to push the matter toward decision. Jon ought to be told, so +that either his feeling might be nipped in the bud, or, flowering in +spite of the past, come to fruition. And she determined to see Fleur, +and judge for herself. When June determined on anything, delicacy became +a somewhat minor consideration. After all, she was Soames' cousin, and +they were both interested in pictures. She would go and tell him that he +ought to buy a Paul Post, or perhaps a piece of sculpture by Boris +Strumolowski, and of course she would say nothing to her father. She +went on the following Sunday, looking so determined that she had some +difficulty in getting a cab at Reading station. The river country was +lovely in those days of her own month, and June ached at its loveliness. +She who had passed through this life without knowing what union was had a +love of natural beauty which was almost madness. And when she came to +that choice spot where Soames had pitched his tent, she dismissed her +cab, because, business over, she wanted to revel in the bright water and +the woods. She appeared at his front door, therefore, as a mere +pedestrian, and sent in her card. It was in June's character to know +that when her nerves were fluttering she was doing something worth while. +If one's nerves did not flutter, she was taking the line of least +resistance, and knew that nobleness was not obliging her. She was +conducted to a drawing-room, which, though not in her style, showed every +mark of fastidious elegance. Thinking, 'Too much taste--too many +knick-knacks,' she saw in an old lacquer-framed mirror the figure of a +girl coming in from the verandah. Clothed in white, and holding some +white roses in her hand, she had, reflected in that silvery-grey pool of +glass, a vision-like appearance, as if a pretty ghost had come out of the +green garden. + +"How do you do?" said June, turning round. "I'm a cousin of your +father's." + +"Oh, yes; I saw you in that confectioner's." + +"With my young stepbrother. Is your father in?" + +"He will be directly. He's only gone for a little walk." + +June slightly narrowed her blue eyes, and lifted her decided chin. + +"Your name's Fleur, isn't it? I've heard of you from Holly. What do you +think of Jon?" + +The girl lifted the roses in her hand, looked at them, and answered +calmly: + +"He's quite a nice boy." + +"Not a bit like Holly or me, is he?" + +"Not a bit." + +'She's cool,' thought June. + +And suddenly the girl said: "I wish you'd tell me why our families don't +get on?" + +Confronted with the question she had advised her father to answer, June +was silent; whether because this girl was trying to get something out of +her, or simply because what one would do theoretically is not always what +one will do when it comes to the point. + +"You know," said the girl, "the surest way to make people find out the +worst is to keep them ignorant. My father's told me it was a quarrel +about property. But I don't believe it; we've both got heaps. They +wouldn't have been so bourgeois as all that." + +June flushed. The word applied to her grandfather and father offended +her. + +"My grandfather," she said, "was very generous, and my father is, too; +neither of them was in the least bourgeois." + +"Well, what was it then?" repeated the girl: Conscious that this young +Forsyte meant having what she wanted, June at once determined to prevent +her, and to get something for herself instead. + +"Why do you want to know?" + +The girl smelled at her roses. "I only want to know because they won't +tell me." + +"Well, it was about property, but there's more than one kind." + +"That makes it worse. Now I really must know." + +June's small and resolute face quivered. She was wearing a round cap, +and her hair had fluffed out under it. She looked quite young at that +moment, rejuvenated by encounter. + +"You know," she said, "I saw you drop your handkerchief. Is there +anything between you and Jon? Because, if so, you'd better drop that +too." + +The girl grew paler, but she smiled. + +"If there were, that isn't the way to make me." + +At the gallantry of that reply, June held out her hand. + +"I like you; but I don't like your father; I never have. We may as well +be frank." + +"Did you come down to tell him that?" + +June laughed. "No; I came down to see you." + +"How delightful of you." + +This girl could fence. + +"I'm two and a half times your age," said June, "but I quite sympathize. +It's horrid not to have one's own way." + +The girl smiled again. "I really think you might tell me." + +How the child stuck to her point + +"It's not my secret. But I'll see what I can do, because I think both +you and Jon ought to be told. And now I'll say good-bye." + +"Won't you wait and see Father?" + +June shook her head. "How can I get over to the other side?" + +"I'll row you across." + +"Look!" said June impulsively, "next time you're in London, come and see +me. This is where I live. I generally have young people in the evening. +But I shouldn't tell your father that you're coming." + +The girl nodded. + +Watching her scull the skiff across, June thought: 'She's awfully pretty +and well made. I never thought Soames would have a daughter as pretty +as this. She and Jon would make a lovely couple. + +The instinct to couple, starved within herself, was always at work in +June. She stood watching Fleur row back; the girl took her hand off a +scull to wave farewell, and June walked languidly on between the meadows +and the river, with an ache in her heart. Youth to youth, like the +dragon-flies chasing each other, and love like the sun warming them +through and through. Her youth! So long ago--when Phil and she--And +since? Nothing--no one had been quite what she had wanted. And so she +had missed it all. But what a coil was round those two young things, if +they really were in love, as Holly would have it--as her father, and +Irene, and Soames himself seemed to dread. What a coil, and what a +barrier! And the itch for the future, the contempt, as it were, for what +was overpast, which forms the active principle, moved in the heart of one +who ever believed that what one wanted was more important than what other +people did not want. From the bank, awhile, in the warm summer +stillness, she watched the water-lily plants and willow leaves, the +fishes rising; sniffed the scent of grass and meadow-sweet, wondering how +she could force everybody to be happy. Jon and Fleur! Two little lame +ducks--charming callow yellow little ducks! A great pity! Surely +something could be done! One must not take such situations lying down. +She walked on, and reached a station, hot and cross. + +That evening, faithful to the impulse toward direct action, which made +many people avoid her, she said to her father: + +"Dad, I've been down to see young Fleur. I think she's very attractive. +It's no good hiding our heads under our wings, is it?" + +The startled Jolyon set down his barley-water, and began crumbling his +bread. + +"It's what you appear to be doing," he said. "Do you realise whose +daughter she is?" + +"Can't the dead past bury its dead?" + +Jolyon rose. + +"Certain things can never be buried." + +"I disagree," said June. "It's that which stands in the way of all +happiness and progress. You don't understand the Age, Dad. It's got no +use for outgrown things. Why do you think it matters so terribly that +Jon should know about his mother? Who pays any attention to that sort of +thing now? The marriage laws are just as they were when Soames and Irene +couldn't get a divorce, and you had to come in. We've moved, and they +haven't. So nobody cares. Marriage without a decent chance of relief is +only a sort of slave-owning; people oughtn't to own each other. +Everybody sees that now. If Irene broke such laws, what does it matter?" + +"It's not for me to disagree there," said Jolyon; "but that's all quite +beside the mark. This is a matter of human feeling." + +"Of course it is," cried June, "the human feeling of those two young +things." + +"My dear," said Jolyon with gentle exasperation; "you're talking +nonsense." + +"I'm not. If they prove to be really fond of each other, why should they +be made unhappy because of the past?" + +"You haven't lived that past. I have--through the feelings of my wife; +through my own nerves and my imagination, as only one who is devoted +can." + +June, too, rose, and began to wander restlessly. + +"If," she said suddenly, "she were the daughter of Philip Bosinney, I +could understand you better. Irene loved him, she never loved Soames." + +Jolyon uttered a deep sound-the sort of noise an Italian peasant woman +utters to her mule. His heart had begun beating furiously, but he paid +no attention to it, quite carried away by his feelings. + +"That shows how little you understand. Neither I nor Jon, if I know him, +would mind a love-past. It's the brutality of a union without love. +This girl is the daughter of the man who once owned Jon's mother as a +negro-slave was owned. You can't lay that ghost; don't try to, June! +It's asking us to see Jon joined to the flesh and blood of the man who +possessed Jon's mother against her will. It's no good mincing words; I +want it clear once for all. And now I mustn't talk any more, or I shall +have to sit up with this all night." And, putting his hand over his +heart, Jolyon turned his back on his daughter and stood looking at the +river Thames. + +June, who by nature never saw a hornet's nest until she had put her head +into it, was seriously alarmed. She came and slipped her arm through +his. Not convinced that he was right, and she herself wrong, because +that was not natural to her, she was yet profoundly impressed by the +obvious fact that the subject was very bad for him. She rubbed her cheek +against his shoulder, and said nothing. + +After taking her elderly cousin across, Fleur did not land at once, but +pulled in among the reeds, into the sunshine. The peaceful beauty of the +afternoon seduced for a little one not much given to the vague and +poetic. In the field beyond the bank where her skiff lay up, a machine +drawn by a grey horse was turning an early field of hay. She watched the +grass cascading over and behind the light wheels with fascination--it +looked so cool and fresh. The click and swish blended with the rustle of +the willows and the poplars, and the cooing of a wood-pigeon, in a true +river song. Alongside, in the deep green water, weeds, like yellow +snakes, were writhing and nosing with the current; pied cattle on the +farther side stood in the shade lazily swishing their tails. It was an +afternoon to dream. And she took out Jon's letters--not flowery +effusions, but haunted in their recital of things seen and done by a +longing very agreeable to her, and all ending "Your devoted J." Fleur +was not sentimental, her desires were ever concrete and concentrated, but +what poetry there was in the daughter of Soames and Annette had certainly +in those weeks of waiting gathered round her memories of Jon. They all +belonged to grass and blossom, flowers and running water. She enjoyed +him in the scents absorbed by her crinkling nose. The stars could +persuade her that she was standing beside him in the centre of the map of +Spain; and of an early morning the dewy cobwebs, the hazy sparkle and +promise of the day down in the garden, were Jon personified to her. + +Two white swans came majestically by, while she was reading his letters, +followed by their brood of six young swans in a line, with just so much +water between each tail and head, a flotilla of grey destroyers. Fleur +thrust her letters back, got out her sculls, and pulled up to the +landing-stage. Crossing the lawn, she wondered whether she should tell +her father of June's visit. If he learned of it from the butler, he +might think it odd if she did not. It gave her, too, another chance to +startle out of him the reason of the feud. She went, therefore, up the +road to meet him. + +Soames had gone to look at a patch of ground on which the Local +Authorities were proposing to erect a Sanatorium for people with weak +lungs. Faithful to his native individualism, he took no part in local +affairs, content to pay the rates which were always going up. He could +not, however, remain indifferent to this new and dangerous scheme. The +site was not half a mile from his own house. He was quite of opinion +that the country should stamp out tuberculosis; but this was not the +place. It should be done farther away. He took, indeed, an attitude +common to all true Forsytes, that disability of any sort in other people +was not his affair, and the State should do its business without +prejudicing in any way the natural advantages which he had acquired or +inherited. Francie, the most free-spirited Forsyte of his generation +(except perhaps that fellow Jolyon) had once asked him in her malicious +way: "Did you ever see the name Forsyte in a subscription list, Soames?" +That was as it might be, but a Sanatorium would depreciate the +neighbourhood, and he should certainly sign the petition which was being +got up against it. Returning with this decision fresh within him, he saw +Fleur coming. + +She was showing him more affection of late, and the quiet time down here +with her in this summer weather had been making him feel quite young; +Annette was always running up to Town for one thing or another, so that +he had Fleur to himself almost as much as he could wish. To be sure, +young Mont had formed a habit of appearing on his motor-cycle almost +every other day. Thank goodness, the young fellow had shaved off his +half-toothbrushes, and no longer looked like a mountebank! With a girl +friend of Fleur's who was staying in the house, and a neighbouring youth +or so, they made two couples after dinner, in the hall, to the music of +the electric pianola, which performed Fox-trots unassisted, with a +surprised shine on its expressive surface. Annette, even, now and then +passed gracefully up and down in the arms of one or other of the young +men. And Soames, coming to the drawing-room door, would lift his nose a +little sideways, and watch them, waiting to catch a smile from Fleur; +then move back to his chair by the drawing-room hearth, to peruse The +Times or some other collector's price list. To his ever-anxious eyes +Fleur showed no signs of remembering that caprice of hers. + +When she reached him on the dusty road, he slipped his hand within her +arm. + +"Who, do you think, has been to see you, Dad? She couldn't wait! Guess!" + +"I never guess," said Soames uneasily. "Who?" + +"Your cousin, June Forsyte." + +Quite unconsciously Soames gripped her arm. "What did she want?" + +"I don't know. But it was rather breaking through the feud, wasn't it?" + +"Feud? What feud?" + +"The one that exists in your imagination, dear." + +Soames dropped her arm. Was she mocking, or trying to draw him on? + +"I suppose she wanted me to buy a picture," he said at last. + +"I don't think so. Perhaps it was just family affection." + +"She's only a first cousin once removed," muttered Soames. + +"And the daughter of your enemy." + +"What d'you mean by that?" + +"I beg your pardon, dear; I thought he was." + +"Enemy!" repeated Soames. "It's ancient history. I don't know where you +get your notions." + +"From June Forsyte." + +It had come to her as an inspiration that if he thought she knew, or were +on the edge of knowledge, he would tell her. + +Soames was startled, but she had underrated his caution and tenacity. + +"If you know," he said coldly, "why do you plague me?" + +Fleur saw that she had overreached herself. + +"I don't want to plague you, darling. As you say, why want to know more? +Why want to know anything of that 'small' mystery--Je m'en fiche, as +Profond says?" + +"That chap!" said Soames profoundly. + +That chap, indeed, played a considerable, if invisible, part this +summer--for he had not turned up again. Ever since the Sunday when Fleur +had drawn attention to him prowling on the lawn, Soames had thought of +him a good deal, and always in connection with Annette, for no reason, +except that she was looking handsomer than for some time past. His +possessive instinct, subtle, less formal, more elastic since the War, +kept all misgiving underground. As one looks on some American river, +quiet and pleasant, knowing that an alligator perhaps is lying in the mud +with his snout just raised and indistinguishable from a snag of wood--so +Soames looked on the river of his own existence, subconscious of Monsieur +Profond, refusing to see more than the suspicion of his snout. He had at +this epoch in his life practically all he wanted, and was as nearly happy +as his nature would permit. His senses were at rest; his affections +found all the vent they needed in his daughter; his collection was well +known, his money well invested; his health excellent, save for a touch of +liver now and again; he had not yet begun to worry seriously about what +would happen after death, inclining to think that nothing would happen. +He resembled one of his own gilt-edged securities, and to knock the gilt +off by seeing anything he could avoid seeing would be, he felt +instinctively, perverse and retrogressive. Those two crumpled +rose-leaves, Fleur's caprice and Monsieur Profond's snout, would level +away if he lay on them industriously. + +That evening Chance, which visits the lives of even the best-invested +Forsytes, put a clue into Fleur's hands. Her father came down to dinner +without a handkerchief, and had occasion to blow his nose. + +"I'll get you one, dear," she had said, and ran upstairs. In the sachet +where she sought for it--an old sachet of very faded silk--there were +two compartments: one held handkerchiefs; the other was buttoned, and +contained something flat and hard. By some childish impulse Fleur +unbuttoned it. There was a frame and in it a photograph of herself as a +little girl. She gazed at it, fascinated, as one is by one's own +presentment. It slipped under her fidgeting thumb, and she saw that +another photograph was behind. She pressed her own down further, and +perceived a face, which she seemed to know, of a young woman, very +good-looking, in a very old style of evening dress. Slipping her own +photograph up over it again, she took out a handkerchief and went down. +Only on the stairs did she identify that face. Surely--surely Jon's +mother! The conviction came as a shock. And she stood still in a flurry +of thought. Why, of course! Jon's father had married the woman her +father had wanted to marry, had cheated him out of her, perhaps. Then, +afraid of showing by her manner that she had lighted on his secret, she +refused to think further, and, shaking out the silk handkerchief, entered +the dining-room. + +"I chose the softest, Father." + +"H'm!" said Soames; "I only use those after a cold. Never mind!" + +That evening passed for Fleur in putting two and two together; recalling +the look on her father's face in the confectioner's shop--a look strange +and coldly intimate, a queer look. He must have loved that woman very +much to have kept her photograph all this time, in spite of having lost +her. Unsparing and matter-of-fact, her mind darted to his relations with +her own mother. Had he ever really loved her? She thought not. Jon was +the son of the woman he had really loved. Surely, then, he ought not to +mind his daughter loving him; it only wanted getting used to. And a sigh +of sheer relief was caught in the folds of her nightgown slipping over +her head. + + + + +III + +MEETINGS + +Youth only recognises Age by fits and starts. Jon, for one, had never +really seen his father's age till he came back from Spain. The face of +the fourth Jolyon, worn by waiting, gave him quite a shock--it looked so +wan and old. His father's mask had been forced awry by the emotion of +the meeting, so that the boy suddenly realised how much he must have felt +their absence. He summoned to his aid the thought: 'Well, I didn't want +to go!' It was out of date for Youth to defer to Age. But Jon was by no +means typically modern. His father had always been "so jolly" to him, +and to feel that one meant to begin again at once the conduct which his +father had suffered six weeks' loneliness to cure was not agreeable. + +At the question, "Well, old man, how did the great Goya strike you?" his +conscience pricked him badly. The great Goya only existed because he had +created a face which resembled Fleur's. + +On the night of their return, he went to bed full of compunction; but +awoke full of anticipation. It was only the fifth of July, and no +meeting was fixed with Fleur until the ninth. He was to have three days +at home before going back to farm. Somehow he must contrive to see her! + +In the lives of men an inexorable rhythm, caused by the need for +trousers, not even the fondest parents can deny. On the second day, +therefore, Jon went to Town, and having satisfied his conscience by +ordering what was indispensable in Conduit Street, turned his face toward +Piccadilly. Stratton Street, where her Club was, adjoined Devonshire +House. It would be the merest chance that she should be at her Club. +But he dawdled down Bond Street with a beating heart, noticing the +superiority of all other young men to himself. They wore their clothes +with such an air; they had assurance; they were old. He was suddenly +overwhelmed by the conviction that Fleur must have forgotten him. +Absorbed in his own feeling for her all these weeks, he had mislaid that +possibility. The corners of his mouth drooped, his hands felt clammy. +Fleur with the pick of youth at the beck of her smile-Fleur incomparable! +It was an evil moment. Jon, however, had a great idea that one must be +able to face anything. And he braced himself with that dour refection in +front of a bric-a-brac shop. At this high-water mark of what was once +the London season, there was nothing to mark it out from any other except +a grey top hat or two, and the sun. Jon moved on, and turning the corner +into Piccadilly, ran into Val Dartie moving toward the Iseeum Club, to +which he had just been elected. + +"Hallo! young man! Where are you off to?" + +Jon gushed. "I've just been to my tailor's." + +Val looked him up and down. "That's good! I'm going in here to order +some cigarettes; then come and have some lunch." + +Jon thanked him. He might get news of her from Val! + +The condition of England, that nightmare of its Press and Public men, was +seen in different perspective within the tobacconist's which they now +entered. + +"Yes, sir; precisely the cigarette I used to supply your father with. +Bless me! Mr. Montague Dartie was a customer here from--let me see--the +year Melton won the Derby. One of my very best customers he was." A +faint smile illumined the tobacconist's face. "Many's the tip he's given +me, to be sure! I suppose he took a couple of hundred of these every +week, year in, year out, and never changed his cigarette. Very affable +gentleman, brought me a lot of custom. I was sorry he met with that +accident. One misses an old customer like him." + +Val smiled. His father's decease had closed an account which had been +running longer, probably, than any other; and in a ring of smoke puffed +out from that time-honoured cigarette he seemed to see again his father's +face, dark, good-looking, moustachioed, a little puffy, in the only halo +it had earned. His father had his fame here, anyway--a man who smoked +two hundred cigarettes a week, who could give tips, and run accounts for +ever! To his tobacconist a hero! Even that was some distinction to +inherit! + +"I pay cash," he said; "how much?" + +"To his son, sir, and cash--ten and six. I shall never forget Mr. +Montague Dartie. I've known him stand talkin' to me half an hour. We +don't get many like him now, with everybody in such a hurry. The War was +bad for manners, sir--it was bad for manners. You were in it, I see." + +"No," said Val, tapping his knee, "I got this in the war before. Saved my +life, I expect. Do you want any cigarettes, Jon?" + +Rather ashamed, Jon murmured, "I don't smoke, you know," and saw the +tobacconist's lips twisted, as if uncertain whether to say "Good God!" or +"Now's your chance, sir!" + +"That's right," said Val; "keep off it while you can. You'll want it +when you take a knock. This is really the same tobacco, then?" + +"Identical, sir; a little dearer, that's all. Wonderful staying +power--the British Empire, I always say." + +"Send me down a hundred a week to this address, and invoice it monthly. +Come on, Jon." + +Jon entered the Iseeum with curiosity. Except to lunch now and then at +the Hotch-Potch with his father, he had never been in a London Club. The +Iseeum, comfortable and unpretentious, did not move, could not, so long +as George Forsyte sat on its Committee, where his culinary acumen was +almost the controlling force. The Club had made a stand against the +newly rich, and it had taken all George Forsyte's prestige, and praise of +him as a "good sportsman," to bring in Prosper Profond. + +The two were lunching together when the half-brothers-in-law entered the +dining-room, and attracted by George's forefinger, sat down at their +table, Val with his shrewd eyes and charming smile, Jon with solemn lips +and an attractive shyness in his glance. There was an air of privilege +around that corner table, as though past masters were eating there. Jon +was fascinated by the hypnotic atmosphere. The waiter, lean in the chaps, +pervaded with such free-masonical deference. He seemed to hang on George +Forsyte's lips, to watch the gloat in his eye with a kind of sympathy, to +follow the movements of the heavy club-marked silver fondly. His +liveried arm and confidential voice alarmed Jon, they came so secretly +over his shoulder. + +Except for George's "Your grandfather tipped me once; he was a deuced +good judge of a cigar!" neither he nor the other past master took any +notice of him, and he was grateful for this. The talk was all about the +breeding, points, and prices of horses, and he listened to it vaguely at +first, wondering how it was possible to retain so much knowledge in a +head. He could not take his eyes off the dark past master--what he said +was so deliberate and discouraging--such heavy, queer, smiled-out words. +Jon was thinking of butterflies, when he heard him say: + +"I want to see Mr. Soames Forsyde take an interest in 'orses." + +"Old Soames! He's too dry a file!" + +With all his might Jon tried not to grow red, while the dark past master +went on. + +"His daughter's an attractive small girl. Mr. Soames Forsyde is a bit +old-fashioned. I want to see him have a pleasure some day." George +Forsyte grinned. + +"Don't you worry; he's not so miserable as he looks. He'll never show +he's enjoying anything--they might try and take it from him. Old Soames! +Once bit, twice shy!" + +"Well, Jon," said Val, hastily, "if you've finished, we'll go and have +coffee." + +"Who were those?" Jon asked, on the stairs. "I didn't quite---" + +"Old George Forsyte is a first cousin of your father's and of my Uncle +Soames. He's always been here. The other chap, Profond, is a queer +fish. I think he's hanging round Soames' wife, if you ask me!" + +Jon looked at him, startled. "But that's awful," he said: "I mean--for +Fleur." + +"Don't suppose Fleur cares very much; she's very up-to-date." + +"Her mother!" + +"You're very green, Jon." + +Jon grew red. "Mothers," he stammered angrily, "are different." + +"You're right," said Val suddenly; "but things aren't what they were when +I was your age. There's a 'To-morrow we die' feeling. That's what old +George meant about my Uncle Soames. He doesn't mean to die to-morrow." + +Jon said, quickly: "What's the matter between him and my father?" + +"Stable secret, Jon. Take my advice, and bottle up. You'll do no good +by knowing. Have a liqueur?" + +Jon shook his head. + +"I hate the way people keep things from one," he muttered, "and then +sneer at one for being green." + +"Well, you can ask Holly. If she won't tell you, you'll believe it's for +your own good, I suppose." + +Jon got up. "I must go now; thanks awfully for the lunch." + +Val smiled up at him half-sorry, and yet amused. The boy looked so +upset. + +"All right! See you on Friday." + +"I don't know," murmured Jon. + +And he did not. This conspiracy of silence made him desperate. It was +humiliating to be treated like a child! He retraced his moody steps to +Stratton Street. But he would go to her Club now, and find out the +worst! To his enquiry the reply was that Miss Forsyte was not in the +Club. She might be in perhaps later. She was often in on Monday--they +could not say. Jon said he would call again, and, crossing into the +Green Park, flung himself down under a tree. The sun was bright, and a +breeze fluttered the leaves of the young lime-tree beneath which he lay; +but his heart ached. Such darkness seemed gathered round his happiness. +He heard Big Ben chime "Three" above the traffic. The sound moved +something in him, and, taking out a piece of paper, he began to scribble +on it with a pencil. He had jotted a stanza, and was searching the grass +for another verse, when something hard touched his shoulder-a green +parasol. There above him stood Fleur! + +"They told me you'd been, and were coming back. So I thought you might +be out here; and you are--it's rather wonderful!" + +"Oh, Fleur! I thought you'd have forgotten me." + +"When I told you that I shouldn't!" + +Jon seized her arm. + +"It's too much luck! Let's get away from this side." He almost dragged +her on through that too thoughtfully regulated Park, to find some cover +where they could sit and hold each other's hands. + +"Hasn't anybody cut in?" he said, gazing round at her lashes, in suspense +above her cheeks. + +"There is a young idiot, but he doesn't count." + +Jon felt a twitch of compassion for the-young idiot. + +"You know I've had sunstroke; I didn't tell you." + +"Really! Was it interesting?" + +"No. Mother was an angel. Has anything happened to you?" + +"Nothing. Except that I think I've found out what's wrong between our +families, Jon." + +His heart began beating very fast. + +"I believe my father wanted to marry your mother, and your father got her +instead." + +"Oh!" + +"I came on a photo of her; it was in a frame behind a photo of me. Of +course, if he was very fond of her, that would have made him pretty mad, +wouldn't it?" + +Jon thought for a minute. "Not if she loved my father best." + +"But suppose they were engaged?" + +"If we were engaged, and you found you loved somebody better, I might go +cracked, but I shouldn't grudge it you." + +"I should. You mustn't ever do that with me, Jon. + +"My God! Not much!" + +"I don't believe that he's ever really cared for my mother." + +Jon was silent. Val's words--the two past masters in the Club! + +"You see, we don't know," went on Fleur; "it may have been a great shock. +She may have behaved badly to him. People do." + +"My mother wouldn't." + +Fleur shrugged her shoulders. "I don't think we know much about our +fathers and mothers. We just see them in the light of the way they treat +us; but they've treated other people, you know, before we were +born-plenty, I expect. You see, they're both old. Look at your father, +with three separate families!" + +"Isn't there any place," cried Jon, "in all this beastly London where we +can be alone?" + +"Only a taxi." + +"Let's get one, then." + +When they were installed, Fleur asked suddenly: "Are you going back to +Robin Hill? I should like to see where you live, Jon. I'm staying with +my aunt for the night, but I could get back in time for dinner. I +wouldn't come to the house, of course." + +Jon gazed at her enraptured. + +"Splendid! I can show it you from the copse, we shan't meet anybody. +There's a train at four." + +The god of property and his Forsytes great and small, leisured, official, +commercial, or professional, like the working classes, still worked their +seven hours a day, so that those two of the fourth generation travelled +down to Robin Hill in an empty first-class carriage, dusty and +sun-warmed, of that too early train. They travelled in blissful silence, +holding each other's hands. + +At the station they saw no one except porters, and a villager or two +unknown to Jon, and walked out up the lane, which smelled of dust and +honeysuckle. + +For Jon--sure of her now, and without separation before him--it was a +miraculous dawdle, more wonderful than those on the Downs, or along the +river Thames. It was love-in-a-mist--one of those illumined pages of +Life, where every word and smile, and every light touch they gave each +other were as little gold and red and blue butterflies and flowers and +birds scrolled in among the text--a happy communing, without +afterthought, which lasted thirty-seven minutes. They reached the +coppice at the milking hour. Jon would not take her as far as the +farmyard; only to where she could see the field leading up to the +gardens, and the house beyond. They turned in among the larches, and +suddenly, at the winding of the path, came on Irene, sitting on an old +log seat. + +There are various kinds of shocks: to the vertebrae; to the nerves; to +moral sensibility; and, more potent and permanent, to personal dignity. +This last was the shock Jon received, coming thus on his mother. He +became suddenly conscious that he was doing an indelicate thing. To have +brought Fleur down openly--yes! But to sneak her in like this! Consumed +with shame, he put on a front as brazen as his nature would permit. + +Fleur was smiling, a little defiantly; his mother's startled face was +changing quickly to the impersonal and gracious. It was she who uttered +the first words: + +"I'm very glad to see you. It was nice of Jon to think of bringing you +down to us." + +"We weren't coming to the house," Jon blurted out. "I just wanted Fleur +to see where I lived." + +His mother said quietly: + +"Won't you come up and have tea?" + +Feeling that he had but aggravated his breach of breeding, he heard Fleur +answer: + +"Thanks very much; I have to get back to dinner. I met Jon by accident, +and we thought it would be rather jolly just to see his home." + +How self-possessed she was! + +"Of course; but you must have tea. We'll send you down to the station. +My husband will enjoy seeing you." + +The expression of his mother's eyes, resting on him for a moment, cast +Jon down level with the ground--a true worm. Then she led on, and Fleur +followed her. He felt like a child, trailing after those two, who were +talking so easily about Spain and Wansdon, and the house up there beyond +the trees and the grassy slope. He watched the fencing of their eyes, +taking each other in--the two beings he loved most in the world. + +He could see his father sitting under the oaktree; and suffered in +advance all the loss of caste he must go through in the eyes of that +tranquil figure, with his knees crossed, thin, old, and elegant; already +he could feel the faint irony which would come into his voice and smile. + +"This is Fleur Forsyte, Jolyon; Jon brought her down to see the house. +Let's have tea at once--she has to catch a train. Jon, tell them, dear, +and telephone to the Dragon for a car." + +To leave her alone with them was strange, and yet, as no doubt his mother +had foreseen, the least of evils at the moment; so he ran up into the +house. Now he would not see Fleur alone again--not for a minute, and +they had arranged no further meeting! When he returned under cover of +the maids and teapots, there was not a trace of awkwardness beneath the +tree; it was all within himself, but not the less for that. They were +talking of the Gallery off Cork Street. + +"We back numbers," his father was saying, "are awfully anxious to find +out why we can't appreciate the new stuff; you and Jon must tell us." + +"It's supposed to be satiric, isn't it?" said Fleur. + +He saw his father's smile. + +"Satiric? Oh! I think it's more than that. What do you say, Jon?" + +"I don't know at all," stammered Jon. His father's face had a sudden +grimness. + +"The young are tired of us, our gods and our ideals. Off with their +heads, they say--smash their idols! And let's get back to-nothing! And, +by Jove, they've done it! Jon's a poet. He'll be going in, too, and +stamping on what's left of us. Property, beauty, sentiment--all smoke. +We mustn't own anything nowadays, not even our feelings. They stand in +the way of--Nothing." + +Jon listened, bewildered, almost outraged by his father's words, behind +which he felt a meaning that he could not reach. He didn't want to stamp +on anything! + +"Nothing's the god of to-day," continued Jolyon; "we're back where the +Russians were sixty years ago, when they started Nihilism." + +"No, Dad," cried Jon suddenly, "we only want to live, and we don't know +how, because of the Past--that's all!" + +"By George!" said Jolyon, "that's profound, Jon. Is it your own? The +Past! Old ownerships, old passions, and their aftermath. Let's have +cigarettes." + +Conscious that his mother had lifted her hand to her lips, quickly, as if +to hush something, Jon handed the cigarettes. He lighted his father's +and Fleur's, then one for himself. Had he taken the knock that Val had +spoken of? The smoke was blue when he had not puffed, grey when he had; +he liked the sensation in his nose, and the sense of equality it gave +him. He was glad no one said: "So you've begun!" He felt less young. + +Fleur looked at her watch, and rose. His mother went with her into the +house. Jon stayed with his father, puffing at the cigarette. + +"See her into the car, old man," said Jolyon; "and when she's gone, ask +your mother to come back to me." + +Jon went. He waited in the hall. He saw her into the car. There was no +chance for any word; hardly for a pressure of the hand. He waited all +that evening for something to be said to him. Nothing was said. Nothing +might have happened. He went up to bed, and in the mirror on his +dressing-table met himself. He did not speak, nor did the image; but +both looked as if they thought the more. + + + + +IV + +IN GREEN STREET + +Uncertain whether the impression that Prosper Profond was dangerous +should be traced to his attempt to give Val the Mayfly filly; to a remark +of Fleur's: "He's like the hosts of Midian--he prowls and prowls around"; +to his preposterous inquiry of Jack Cardigan: "What's the use of keepin' +fit?" or, more simply, to the fact that he was a foreigner, or alien as +it was now called. Certain, that Annette was looking particularly +handsome, and that Soames--had sold him a Gauguin and then torn up the +cheque, so that Monsieur Profond himself had said: "I didn't get that +small picture I bought from Mr. Forsyde." + +However suspiciously regarded, he still frequented Winifred's evergreen +little house in Green Street, with a good-natured obtuseness which no one +mistook for naiv ete, a word hardly applicable to Monsieur Prosper +Profond. Winifred still found him "amusing," and would write him little +notes saying: "Come and have a 'jolly' with us"--it was breath of life to +her to keep up with the phrases of the day. + +The mystery, with which all felt him to be surrounded, was due to his +having done, seen, heard, and known everything, and found nothing in +it--which was unnatural. The English type of disillusionment was +familiar enough to Winifred, who had always moved in fashionable circles. +It gave a certain cachet or distinction, so that one got something out of +it. But to see nothing in anything, not as a pose, but because there was +nothing in anything, was not English; and that which was not English one +could not help secretly feeling dangerous, if not precisely bad form. It +was like having the mood which the War had left, seated--dark, heavy, +smiling, indifferent--in your Empire chair; it was like listening to that +mood talking through thick pink lips above a little diabolic beard. It +was, as Jack Cardigan expressed it--for the English character at +large--"a bit too thick"--for if nothing was really worth getting +excited about, there were always games, and one could make it so! Even +Winifred, ever a Forsyte at heart, felt that there was nothing to be had +out of such a mood of disillusionment, so that it really ought not to be +there. Monsieur Profond, in fact, made the mood too plain in a country +which decently veiled such realities. + +When Fleur, after her hurried return from Robin Hill, came down to dinner +that evening, the mood was standing at the window of Winifred's little +drawing-room, looking out into Green Street, with an air of seeing +nothing in it. And Fleur gazed promptly into the fireplace with an air +of seeing a fire which was not there. + +Monsieur Profond came from the window. He was in full fig, with a white +waistcoat and a white flower in his buttonhole. + +"Well, Miss Forsyde," he said, "I'm awful pleased to see you. Mr. +Forsyde well? I was sayin' to-day I want to see him have some pleasure. +He worries." + +"You think so?" said Fleur shortly. + +"Worries," repeated Monsieur Profond, burring the r's. + +Fleur spun round. "Shall I tell you," she said, "what would give him +pleasure?" But the words, "To hear that you had cleared out," died at +the expression on his face. All his fine white teeth were showing. + +"I was hearin' at the Club to-day about his old trouble." Fleur opened +her eyes. "What do you mean?" + +Monsieur Profond moved his sleek head as if to minimize his statement. + +"Before you were born," he said; "that small business." + +Though conscious that he had cleverly diverted her from his own share in +her father's worry, Fleur was unable to withstand a rush of nervous +curiosity. "Tell me what you heard." + +"Why!" murmured Monsieur Profond, "you know all that." + +"I expect I do. But I should like to know that you haven't heard it all +wrong." + +"His first wife," murmured Monsieur Profond. + +Choking back the words, "He was never married before," she said: "Well, +what about her?" + +"Mr. George Forsyde was tellin' me about your father's first wife +marryin' his cousin Jolyon afterward. It was a small bit unpleasant, I +should think. I saw their boy--nice boy!" + +Fleur looked up. Monsieur Profond was swimming, heavily diabolical, +before her. That--the reason! With the most heroic effort of her life +so far, she managed to arrest that swimming figure. She could not tell +whether he had noticed. And just then Winifred came in. + +"Oh! here you both are already; Imogen and I have had the most amusing +afternoon at the Babies' bazaar." + +"What babies?" said Fleur mechanically. + +"The 'Save the Babies.' I got such a bargain, my dear. A piece of old +Armenian work--from before the Flood. I want your opinion on it, +Prosper." + +"Auntie," whispered Fleur suddenly. + +At the tone in the girl's voice Winifred closed in on her.' + +"What's the matter? Aren't you well?" + +Monsieur Profond had withdrawn into the window, where he was practically +out of hearing. + +"Auntie, he-he told me that father has been married before. Is it true +that he divorced her, and she married Jon Forsyte's father?" + +Never in all the life of the mother of four little Darties had Winifred +felt more seriously embarrassed. Her niece's face was so pale, her eyes +so dark, her voice so whispery and strained. + +"Your father didn't wish you to hear," she said, with all the aplomb she +could muster. "These things will happen. I've often told him he ought +to let you know." + +"Oh!" said Fleur, and that was all, but it made Winifred pat her +shoulder--a firm little shoulder, nice and white! She never could help +an appraising eye and touch in the matter of her niece, who would have to +be married, of course--though not to that boy Jon. + +"We've forgotten all about it years and years ago," she said comfortably. +"Come and have dinner!" + +"No, Auntie. I don't feel very well. May I go upstairs?" + +"My dear!" murmured Winifred, concerned, "you're not taking this to +heart? Why, you haven't properly come out yet! That boy's a child!" + +"What boy? I've only got a headache. But I can't stand that man +to-night." + +"Well, well," said Winifred, "go and lie down. I'll send you some +bromide, and I shall talk to Prosper Profond. What business had he to +gossip? Though I must say I think it's much better you should know." + +Fleur smiled. "Yes," she said, and slipped from the room. + +She went up with her head whirling, a dry sensation in her throat, a +guttered frightened feeling in her breast. Never in her life as yet had +she suffered from even momentary fear that she would not get what she had +set her heart on. The sensations of the afternoon had been full and +poignant, and this gruesome discovery coming on the top of them had +really made her head ache. No wonder her father had hidden that +photograph, so secretly behind her own-ashamed of having kept it! But +could he hate Jon's mother and yet keep her photograph? She pressed her +hands over her forehead, trying to see things clearly. Had they told +Jon--had her visit to Robin Hill forced them to tell him? Everything now +turned on that! She knew, they all knew, except--perhaps--Jon! + +She walked up and down, biting her lip and thinking desperately hard. Jon +loved his mother. If they had told him, what would he do? She could not +tell. But if they had not told him, should she not--could she not get +him for herself--get married to him, before he knew? She searched her +memories of Robin Hill. His mother's face so passive--with its dark +eyes and as if powdered hair, its reserve, its smile--baffled her; and +his father's--kindly, sunken, ironic. Instinctively she felt they would +shrink from telling Jon, even now, shrink from hurting him--for of course +it would hurt him awfully to know! + +Her aunt must be made not to tell her father that she knew. So long as +neither she herself nor Jon were supposed to know, there was still a +chance--freedom to cover one's tracks, and get what her heart was set on. +But she was almost overwhelmed by her isolation. Every one's hand was +against her--every one's! It was as Jon had said--he and she just wanted +to live and the past was in their way, a past they hadn't shared in, and +didn't understand! Oh! What a shame! And suddenly she thought of June. +Would she help them? For somehow June had left on her the impression +that she would be sympathetic with their love, impatient of obstacle. +Then, instinctively, she thought: 'I won't give anything away, though, +even to her. I daren't. I mean to have Jon; against them all.' + +Soup was brought up to her, and one of Winifred's pet headache cachets. +She swallowed both. Then Winifred herself appeared. Fleur opened her +campaign with the words: + +"You know, Auntie, I do wish people wouldn't think I'm in love with that +boy. Why, I've hardly seen him!" + +Winifred, though experienced, was not "fine." She accepted the remark +with considerable relief. Of course, it was not pleasant for the girl to +hear of the family scandal, and she set herself to minimise the matter, a +task for which she was eminently qualified, "raised" fashionably under a +comfortable mother and a father whose nerves might not be shaken, and for +many years the wife of Montague Dartie. Her description was a +masterpiece of understatement. Fleur's father's first wife had been very +foolish. There had been a young man who had got run over, and she had +left Fleur's father. Then, years after, when it might all have +come--right again, she had taken up with their cousin Jolyon; and, of +course, her father had been obliged to have a divorce. Nobody remembered +anything of it now, except just the family. And, perhaps, it had all +turned out for the best; her father had Fleur; and Jolyon and Irene had +been quite happy, they said, and their boy was a nice boy. "Val having +Holly, too, is a sort of plaster, don't you know?" With these soothing +words, Winifred patted her niece's shoulder; thought: 'She's a nice, +plump little thing!' and went back to Prosper Profond, who, in spite of +his indiscretion, was very "amusing" this evening. + +For some minutes after her aunt had gone Fleur remained under influence +of bromide material and spiritual. But then reality came back. Her aunt +had left out all that mattered--all the feeling, the hate, the love, the +unforgivingness of passionate hearts. She, who knew so little of life, +and had touched only the fringe of love, was yet aware by instinct that +words have as little relation to fact and feeling as coin to the bread it +buys. 'Poor Father!' she thought. 'Poor me! Poor Jon! But I don't +care, I mean to have him!' From the window of her darkened room she saw +"that man" issue from the door below and "prowl" away. If he and her +mother--how would that affect her chance? Surely it must make her father +cling to her more closely, so that he would consent in the end to +anything she wanted, or become reconciled the sooner to what she did +without his knowledge. + +She took some earth from the flower-box in the window, and with all her +might flung it after that disappearing figure. It fell short, but the +action did her good. + +And a little puff of air came up from Green Street, smelling of petrol, +not sweet. + + + + +V + +PURELY FORSYTE AFFAIRS + +Soames, coming up to the City, with the intention of calling in at Green +Street at the end of his day and taking Fleur back home with him, +suffered from rumination. Sleeping partner that he was, he seldom +visited the City now, but he still had a room of his own at Cuthcott, +Kingson and Forsyte's, and one special clerk and a half assigned to the +management of purely Forsyte affairs. They were somewhat in flux just +now--an auspicious moment for the disposal of house property. And Soames +was unloading the estates of his father and Uncle Roger, and to some +extent of his Uncle Nicholas. His shrewd and matter-of-course probity in +all money concerns had made him something of an autocrat in connection +with these trusts. If Soames thought this or thought that, one had +better save oneself the bother of thinking too. He guaranteed, as it +were, irresponsibility to numerous Forsytes of the third and fourth +generations. His fellow trustees, such as his cousins Roger or Nicholas, +his cousins-in-law Tweetyman and Spender, or his sister Cicely's husband, +all trusted him; he signed first, and where he signed first they signed +after, and nobody was a penny the worse. Just now they were all a good +many pennies the better, and Soames was beginning to see the close of +certain trusts, except for distribution of the income from securities as +gilt-edged as was compatible with the period. + +Passing the more feverish parts of the City toward the most perfect +backwater in London, he ruminated. Money was extraordinarily tight; and +morality extraordinarily loose! The War had done it. Banks were not +lending; people breaking contracts all over the place. There was a +feeling in the air and a look on faces that he did not like. The country +seemed in for a spell of gambling and bankruptcies. There was +satisfaction in the thought that neither he nor his trusts had an +investment which could be affected by anything less maniacal than +national repudiation or a levy on capital. If Soames had faith, it was +in what he called "English common sense"--or the power to have things, if +not one way then another. He might--like his father James before +him--say he didn't know what things were coming to, but he never in his +heart believed they were. If it rested with him, they wouldn't--and, +after all, he was only an Englishman like any other, so quietly tenacious +of what he had that he knew he would never really part with it without +something more or less equivalent in exchange. His mind was essentially +equilibristic in material matters, and his way of putting the national +situation difficult to refute in a world composed of human beings. Take +his own case, for example! He was well off. Did that do anybody harm? +He did not eat ten meals a day; he ate no more than, perhaps not so much +as, a poor man. He spent no money on vice; breathed no more air, used no +more water to speak of than the mechanic or the porter. He certainly had +pretty things about him, but they had given employment in the making, and +somebody must use them. He bought pictures, but Art must be encouraged. +He was, in fact, an accidental channel through which money flowed, +employing labour. What was there objectionable in that? In his charge +money was in quicker and more useful flux than it would be in charge of +the State and a lot of slow-fly money-sucking officials. And as to what +he saved each year--it was just as much in flux as what he didn't save, +going into Water Board or Council Stocks, or something sound and useful. +The State paid him no salary for being trustee of his own or other +people's money he did all that for nothing. Therein lay the whole case +against nationalisation--owners of private property were unpaid, and yet +had every incentive to quicken up the flux. Under nationalisation--just +the opposite! In a country smarting from officialism he felt that he had +a strong case. + +It particularly annoyed him, entering that backwater of perfect peace, to +think that a lot of unscrupulous Trusts and Combinations had been +cornering the market in goods of all kinds, and keeping prices at an +artificial height. Such abusers of the individualistic system were the +ruffians who caused all the trouble, and it was some satisfaction to see +them getting into a stew at fast lest the whole thing might come down +with a run--and land them in the soup. + +The offices of Cuthcott, Kingson and Forsyte occupied the ground and +first floors of a house on the right-hand side; and, ascending to his +room, Soames thought: 'Time we had a coat of paint.' + +His old clerk Gradman was seated, where he always was, at a huge bureau +with countless pigeonholes. Half-the-clerk stood beside him, with a +broker's note recording investment of the proceeds from sale of the +Bryanston Square house, in Roger Forsyte's estate. Soames took it, and +said: + +"Vancouver City Stock. H'm. It's down today!" + +With a sort of grating ingratiation old Gradman answered him: + +"Ye-es; but everything's down, Mr. Soames." And half-the-clerk withdrew. + +Soames skewered the document on to a number of other papers and hung up +his hat. + +"I want to look at my Will and Marriage Settlement, Gradman." + +Old Gradman, moving to the limit of his swivel chair, drew out two drafts +from the bottom lefthand drawer. Recovering his body, he raised his +grizzle-haired face, very red from stooping. + +"Copies, Sir." + +Soames took them. It struck him suddenly how like Gradman was to the +stout brindled yard dog they had been wont to keep on his chain at The +Shelter, till one day Fleur had come and insisted it should be let loose, +so that it had at once bitten the cook and been destroyed. If you let +Gradman off his chain, would he bite the cook? + +Checking this frivolous fancy, Soames unfolded his Marriage Settlement. +He had not looked at it for over eighteen years, not since he remade his +Will when his father died and Fleur was born. He wanted to see whether +the words "during coverture" were in. Yes, they were--odd expression, +when you thought of it, and derived perhaps from horse-breeding! +Interest on fifteen thousand pounds (which he paid her without deducting +income tax) so long as she remained his wife, and afterward during +widowhood "dum casta"--old-fashioned and rather pointed words, put in to +insure the conduct of Fleur's mother. His Will made it up to an annuity +of a thousand under the same conditions. All right! He returned the +copies to Gradman, who took them without looking up, swung the chair, +restored the papers to their drawer, and went on casting up. + +"Gradman! I don't like the condition of the country; there are a lot of +people about without any common sense. I want to find a way by which I +can safeguard Miss Fleur against anything which might arise." + +Gradman wrote the figure "2" on his blotting-paper. + +"Ye-es," he said; "there's a nahsty spirit." + +"The ordinary restraint against anticipation doesn't meet the case." + +"Nao," said Gradman. + +"Suppose those Labour fellows come in, or worse! It's these people with +fixed ideas who are the danger. Look at Ireland!" + +"Ah!" said Gradman. + +"Suppose I were to make a settlement on her at once with myself as +beneficiary for life, they couldn't take anything but the interest from +me, unless of course they alter the law." + +Gradman moved his head and smiled. + +"Ah!" he said, "they wouldn't do tha-at!" + +"I don't know," muttered Soames; "I don't trust them." + +"It'll take two years, sir, to be valid against death duties." + +Soames sniffed. Two years! He was only sixty-five! + +"That's not the point. Draw a form of settlement that passes all my +property to Miss Fleur's children in equal shares, with antecedent +life-interests first to myself and then to her without power of +anticipation, and add a clause that in the event of anything happening to +divert her life-interest, that interest passes to the trustees, to apply +for her benefit, in their absolute discretion." + +Gradman grated: "Rather extreme at your age, sir; you lose control." + +"That's my business," said Soames sharply. + +Gradman wrote on a piece of paper: "Life-interest--anticipation--divert +interest--absolute discretion...." and said: + +"What trustees? There's young Mr. Kingson; he's a nice steady young +fellow." + +"Yes, he might do for one. I must have three. There isn't a Forsyte now +who appeals to me." + +"Not young Mr. Nicholas? He's at the Bar. We've given 'im briefs." + +"He'll never set the Thames on fire," said Soames. + +A smile oozed out on Gradman's face, greasy from countless mutton-chops, +the smile of a man who sits all day. + +"You can't expect it, at his age, Mr. Soames." + +"Why? What is he? Forty?" + +"Ye-es, quite a young fellow." + +"Well, put him in; but I want somebody who'll take a personal interest. +There's no one that I can see." + +"What about Mr. Valerius, now he's come home?" + +"Val Dartie? With that father?" + +"We-ell," murmured Gradman, "he's been dead seven years--the Statute runs +against him." + +"No," said Soames. "I don't like the connection." He rose. Gradman +said suddenly: + +"If they were makin' a levy on capital, they could come on the trustees, +sir. So there you'd be just the same. I'd think it over, if I were +you." + +"That's true," said Soames. "I will. What have you done about that +dilapidation notice in Vere Street?" + +"I 'aven't served it yet. The party's very old. She won't want to go +out at her age." + +"I don't know. This spirit of unrest touches every one." + +"Still, I'm lookin' at things broadly, sir. She's eighty-one." + +"Better serve it," said Soames, "and see what she says. Oh! and Mr. +Timothy? Is everything in order in case of--" + +"I've got the inventory of his estate all ready; had the furniture and +pictures valued so that we know what reserves to put on. I shall be +sorry when he goes, though. Dear me! It is a time since I first saw Mr. +Timothy!" + +"We can't live for ever," said Soames, taking down his hat. + +"Nao," said Gradman; "but it'll be a pity--the last of the old family! +Shall I take up the matter of that nuisance in Old Compton Street? Those +organs--they're nahsty things." + +"Do. I must call for Miss Fleur and catch the four o'clock. Good-day, +Gradman." + +"Good-day, Mr. Soames. I hope Miss Fleur--" + +"Well enough, but gads about too much." + +"Ye-es," grated Gradman; "she's young." + +Soames went out, musing: "Old Gradman! If he were younger I'd put him in +the trust. There's nobody I can depend on to take a real interest." + +Leaving the bilious and mathematical exactitude, the preposterous peace +of that backwater, he thought suddenly: 'During coverture! Why can't +they exclude fellows like Profond, instead of a lot of hard-working +Germans?' and was surprised at the depth of uneasiness which could +provoke so unpatriotic a thought. But there it was! One never got a +moment of real peace. There was always something at the back of +everything! And he made his way toward Green Street. + +Two hours later by his watch, Thomas Gradman, stirring in his swivel +chair, closed the last drawer of his bureau, and putting into his +waistcoat pocket a bunch of keys so fat that they gave him a protuberance +on the liver side, brushed his old top hat round with his sleeve, took +his umbrella, and descended. Thick, short, and buttoned closely into his +old frock coat, he walked toward Covent Garden market. He never missed +that daily promenade to the Tube for Highgate, and seldom some critical +transaction on the way in connection with vegetables and fruit. +Generations might be born, and hats might change, wars be fought, and +Forsytes fade away, but Thomas Gradman, faithful and grey, would take his +daily walk and buy his daily vegetable. Times were not what they were, +and his son had lost a leg, and they never gave him those nice little +plaited baskets to carry the stuff in now, and these Tubes were +convenient things--still he mustn't complain; his health was good +considering his time of life, and after fifty-four years in the Law he +was getting a round eight hundred a year and a little worried of late, +because it was mostly collector's commission on the rents, and with all +this conversion of Forsyte property going on, it looked like drying up, +and the price of living still so high; but it was no good worrying--" The +good God made us all"--as he was in the habit of saying; still, house +property in London--he didn't know what Mr. Roger or Mr. James would say +if they could see it being sold like this--seemed to show a lack of +faith; but Mr. Soames--he worried. Life and lives in being and +twenty-one years after--beyond that you couldn't go; still, he kept his +health wonderfully--and Miss Fleur was a pretty little thing--she was; +she'd marry; but lots of people had no children nowadays--he had had his +first child at twenty-two; and Mr. Jolyon, married while he was at +Cambridge, had his child the same year--gracious Peter! That was back +in '69, a long time before old Mr. Jolyon--fine judge of property--had +taken his Will away from Mr. James--dear, yes! Those were the days when +they were buyin' property right and left, and none of this khaki and +fallin' over one another to get out of things; and cucumbers at twopence; +and a melon--the old melons, that made your mouth water! Fifty years +since he went into Mr. James' office, and Mr. James had said to him: +"Now, Gradman, you're only a shaver--you pay attention, and you'll make +your five hundred a year before you've done." And he had, and feared +God, and served the Forsytes, and kept a vegetable diet at night. And, +buying a copy of John Bull--not that he approved of it, an extravagant +affair--he entered the Tube elevator with his mere brown-paper parcel, +and was borne down into the bowels of the earth. + + + + +VI + +SOAMES' PRIVATE LIFE + +On his way to Green Street it occurred to Soames that he ought to go into +Dumetrius' in Suffolk Street about the possibility of the Bolderby Old +Crome. Almost worth while to have fought the war to have the Bolderby +Old Crome, as it were, in flux! Old Bolderby had died, his son and +grandson had been killed--a cousin was coming into the estate, who meant +to sell it, some said because of the condition of England, others said +because he had asthma. + +If Dumetrius once got hold of it the price would become prohibitive; it +was necessary for Soames to find out whether Dumetrius had got it, before +he tried to get it himself. He therefore confined himself to discussing +with Dumetrius whether Monticellis would come again now that it was the +fashion for a picture to be anything except a picture; and the future of +Johns, with a side-slip into Buxton Knights. It was only when leaving +that he added: "So they're not selling the Bolderby Old Crome, after +all?" In sheer pride of racial superiority, as he had calculated would +be the case, Dumetrius replied: + +"Oh! I shall get it, Mr. Forsyte, sir!" + +The flutter of his eyelid fortified Soames in a resolution to write +direct to the new Bolderby, suggesting that the only dignified way of +dealing with an Old Crome was to avoid dealers. He therefore said, +"Well, good-day!" and went, leaving Dumetrius the wiser. + +At Green Street he found that Fleur was out and would be all the evening; +she was staying one more night in London. He cabbed on dejectedly, and +caught his train. + +He reached his house about six o'clock. The air was heavy, midges +biting, thunder about. Taking his letters he went up to his +dressing-room to cleanse himself of London. + +An uninteresting post. A receipt, a bill for purchases on behalf of +Fleur. A circular about an exhibition of etchings. A letter beginning: + +"SIR, "I feel it my duty..." + +That would be an appeal or something unpleasant. He looked at once for +the signature. There was none! Incredulously he turned the page over and +examined each corner. Not being a public man, Soames had never yet had +an anonymous letter, and his first impulse was to tear it up, as a +dangerous thing; his second to read it, as a thing still more dangerous. + +"SIR, "I feel it my duty to inform you that having no interest in the +matter your lady is carrying on with a foreigner--" + +Reaching that word Soames stopped mechanically and examined the postmark. +So far as he could pierce the impenetrable disguise in which the Post +Office had wrapped it, there was something with a "sea" at the end and a +"t" in it. Chelsea? No! Battersea? Perhaps! He read on. + +"These foreigners are all the same. Sack the lot. This one meets your +lady twice a week. I know it of my own knowledge--and to see an +Englishman put on goes against the grain. You watch it and see if what I +say isn't true. I shouldn't meddle if it wasn't a dirty foreigner that's +in it. Yours obedient." + +The sensation with which Soames dropped the letter was similar to that he +would have had entering his bedroom and finding it full of black-beetles. +The meanness of anonymity gave a shuddering obscenity to the moment. And +the worst of it was that this shadow had been at the back of his mind +ever since the Sunday evening when Fleur had pointed down at Prosper +Profond strolling on the lawn, and said: "Prowling cat!" Had he not in +connection therewith, this very day, perused his Will and Marriage +Settlement? And now this anonymous ruffian, with nothing to gain, +apparently, save the venting of his spite against foreigners, had +wrenched it out of the obscurity in which he had hoped and wished it +would remain. To have such knowledge forced on him, at his time of life, +about Fleur's mother I He picked the letter up from the carpet, tore it +across, and then, when it hung together by just the fold at the back, +stopped tearing, and reread it. He was taking at that moment one of the +decisive resolutions of his life. He would not be forced into another +scandal. No! However he decided to deal with this matter--and it +required the most far-sighted and careful consideration he would do +nothing that might injure Fleur. That resolution taken, his mind answered +the helm again, and he made his ablutions. His hands trembled as he +dried them. Scandal he would not have, but something must be done to +stop this sort of thing! He went into his wife's room and stood looking +around him. The idea of searching for anything which would incriminate, +and entitle him to hold a menace over her, did not even come to him. +There would be nothing--she was much too practical. The idea of having +her watched had been dismissed before it came--too well he remembered his +previous experience of that. No! He had nothing but this torn-up letter +from some anonymous ruffian, whose impudent intrusion into his private +life he so violently resented. It was repugnant to him to make use of +it, but he might have to. What a mercy Fleur was not at home to-night! +A tap on the door broke up his painful cogitations. + +"Mr. Michael Mont, sir, is in the drawing-room. Will you see him?" + +"No," said Soames; "yes. I'll come down." + +Anything that would take his mind off for a few minutes! + +Michael Mont in flannels stood on the verandah smoking a cigarette. He +threw it away as Soames came up, and ran his hand through his hair. + +Soames' feeling toward this young man was singular. He was no doubt a +rackety, irresponsible young fellow according to old standards, yet +somehow likeable, with his extraordinarily cheerful way of blurting out +his opinions. + +"Come in," he said; "have you had tea?" + +Mont came in. + +"I thought Fleur would have been back, sir; but I'm glad she isn't. The +fact is, I--I'm fearfully gone on her; so fearfully gone that I thought +you'd better know. It's old-fashioned, of course, coming to fathers +first, but I thought you'd forgive that. I went to my own Dad, and he +says if I settle down he'll see me through. He rather cottons to the +idea, in fact. I told him about your Goya." + +"Oh!" said Soames, inexpressibly dry. "He rather cottons?" + +"Yes, sir; do you?" + +Soames smiled faintly. + +"You see," resumed Mont, twiddling his straw hat, while his hair, ears, +eyebrows, all seemed to stand up from excitement, "when you've been +through the War you can't help being in a hurry." + +"To get married; and unmarried afterward," said Soames slowly. + +"Not from Fleur, sir. Imagine, if you were me!" + +Soames cleared his throat. That way of putting it was forcible enough. + +"Fleur's too young," he said. + +"Oh! no, sir. We're awfully old nowadays. My Dad seems to me a perfect +babe; his thinking apparatus hasn't turned a hair. But he's a Baronight, +of course; that keeps him back." + +"Baronight," repeated Soames; "what may that be?" + +"Bart, sir. I shall be a Bart some day. But I shall live it down, you +know." + +"Go away and live this down," said Soames. + +Young Mont said imploringly: "Oh! no, sir. I simply must hang around, or +I shouldn't have a dog's chance. You'll let Fleur do what she likes, I +suppose, anyway. Madame passes me." + +"Indeed!" said Soames frigidly. + +"You don't really bar me, do you?" and the young man looked so doleful +that Soames smiled. + +"You may think you're very old," he said; "but you strike me as extremely +young. To rattle ahead of everything is not a proof of maturity." + +"All right, sir; I give you our age. But to show you I mean +business--I've got a job." + +"Glad to hear it." + +"Joined a publisher; my governor is putting up the stakes." + +Soames put his hand over his mouth--he had so very nearly said: "God help +the publisher!" His grey eyes scrutinised the agitated young man. + +"I don't dislike you, Mr. Mont, but Fleur is everything to me: +Everything--do you understand?" + +"Yes, sir, I know; but so she is to me." + +"That's as may be. I'm glad you've told me, however. And now I think +there's nothing more to be said." + +"I know it rests with her, sir." + +"It will rest with her a long time, I hope." + +"You aren't cheering," said Mont suddenly. + +"No," said Soames, "my experience of life has not made me anxious to +couple people in a hurry. Good-night, Mr. Mont. I shan't tell Fleur +what you've said." + +"Oh!" murmured Mont blankly; "I really could knock my brains out for want +of her. She knows that perfectly well." + +"I dare say." And Soames held out his hand. A distracted squeeze, a +heavy sigh, and soon after sounds from the young man's motor-cycle called +up visions of flying dust and broken bones. + +'The younger generation!' he thought heavily, and went out on to the +lawn. The gardeners had been mowing, and there was still the smell of +fresh-cut grass--the thundery air kept all scents close to earth. The sky +was of a purplish hue--the poplars black. Two or three boats passed on +the river, scuttling, as it were, for shelter before the storm. 'Three +days' fine weather,' thought Soames, 'and then a storm!' Where was +Annette? With that chap, for all he knew--she was a young woman! +Impressed with the queer charity of that thought, he entered the +summerhouse and sat down. The fact was--and he admitted it--Fleur was so +much to him that his wife was very little--very little; French--had never +been much more than a mistress, and he was getting indifferent to that +side of things! It was odd how, with all this ingrained care for +moderation and secure investment, Soames ever put his emotional eggs into +one basket. First Irene--now Fleur. He was dimly conscious of it, +sitting there, conscious of its odd dangerousness. It had brought him to +wreck and scandal once, but now--now it should save him! He cared so +much for Fleur that he would have no further scandal. If only he could +get at that anonymous letter-writer, he would teach him not to meddle and +stir up mud at the bottom of water which he wished should remain +stagnant!... A distant flash, a low rumble, and large drops of rain +spattered on the thatch above him. He remained indifferent, tracing a +pattern with his finger on the dusty surface of a little rustic table. +Fleur's future! 'I want fair sailing for her,' he thought. 'Nothing else +matters at my time of life.' A lonely business--life! What you had you +never could keep to yourself! As you warned one off, you let another in. +One could make sure of nothing! He reached up and pulled a red rambler +rose from a cluster which blocked the window. Flowers grew and +dropped--Nature was a queer thing! The thunder rumbled and crashed, +travelling east along a river, the paling flashes flicked his eyes; the +poplar tops showed sharp and dense against the sky, a heavy shower +rustled and rattled and veiled in the little house wherein he sat, +indifferent, thinking. + +When the storm was over, he left his retreat and went down the wet path +to the river bank. + +Two swans had come, sheltering in among the reeds. He knew the birds +well, and stood watching the dignity in the curve of those white necks +and formidable snake-like heads. 'Not dignified--what I have to do!' he +thought. And yet it must be tackled, lest worse befell. Annette must be +back by now from wherever she had gone, for it was nearly dinner-time, +and as the moment for seeing her approached, the difficulty of knowing +what to say and how to say it had increased. A new and scaring thought +occurred to him. Suppose she wanted her liberty to marry this fellow! +Well, if she did, she couldn't have it. He had not married her for that. +The image of Prosper Profond dawdled before him reassuringly. Not a +marrying man! No, no! Anger replaced that momentary scare. 'He had +better not come my way,' he thought. The mongrel represented---! But +what did Prosper Profond represent? Nothing that mattered surely. And +yet something real enough in the world--unmorality let off its chain, +disillusionment on the prowl! That expression Annette had caught from +him: "Je m'en fiche!" A fatalistic chap! A continental--a +cosmopolitan--a product of the age! If there were condemnation more +complete, Soames felt that he did not know it. + +The swans had turned their heads, and were looking past him into some +distance of their own. One of them uttered a little hiss, wagged its +tail, turned as if answering to a rudder, and swam away. The other +followed. Their white bodies, their stately necks, passed out of his +sight, and he went toward the house. + +Annette was in the drawing-room, dressed for dinner, and he thought as he +went up-stairs 'Handsome is as handsome does.' Handsome! Except for +remarks about the curtains in the drawing-room, and the storm, there was +practically no conversation during a meal distinguished by exactitude of +quantity and perfection of quality. Soames drank nothing. He followed +her into the drawing-room afterward, and found her smoking a cigarette on +the sofa between the two French windows. She was leaning back, almost +upright, in a low black frock, with her knees crossed and her blue eyes +half-closed; grey-blue smoke issued from her red, rather full lips, a +fillet bound her chestnut hair, she wore the thinnest silk stockings, and +shoes with very high heels showing off her instep. A fine piece in any +room! Soames, who held that torn letter in a hand thrust deep into the +side-pocket of his dinner-jacket, said: + +"I'm going to shut the window; the damp's lifting in." + +He did so, and stood looking at a David Cox adorning the cream-panelled +wall close by. + +What was she thinking of? He had never understood a woman in his +life--except Fleur--and Fleur not always! His heart beat fast. But if +he meant to do it, now was the moment. Turning from the David Cox, he +took out the torn letter. + +"I've had this." + +Her eyes widened, stared at him, and hardened. + +Soames handed her the letter. + +"It's torn, but you can read it." And he turned back to the David Cox--a +sea-piece, of good tone--but without movement enough. 'I wonder what +that chap's doing at this moment?' he thought. 'I'll astonish him yet.' +Out of the corner of his eye he saw Annette holding the letter rigidly; +her eyes moved from side to side under her darkened lashes and frowning +darkened eyes. She dropped the letter, gave a little shiver, smiled, and +said: + +"Dirrty!" + +"I quite agree," said Soames; "degrading. Is it true?" + +A tooth fastened on her red lower lip. "And what if it were?" + +She was brazen! + +"Is that all you have to say?" + +"No." + +"Well, speak out!" + +"What is the good of talking?" + +Soames said icily: "So you admit it?" + +"I admit nothing. You are a fool to ask. A man like you should not ask. +It is dangerous." + +Soames made a tour of the room, to subdue his rising anger. + +"Do you remember," he said, halting in front of her, "what you were when +I married you? Working at accounts in a restaurant." + +"Do you remember that I was not half your age?" + +Soames broke off the hard encounter of their eyes, and went back to the +David Cox. + +"I am not going to bandy words. I require you to give up this +--friendship. I think of the matter entirely as it affects Fleur." + +"Ah!--Fleur!" + +"Yes," said Soames stubbornly; "Fleur. She is your child as well as +mine." + +"It is kind to admit that!" + +"Are you going to do what I say?" + +"I refuse to tell you." + +"Then I must make you." + +Annette smiled. + +"No, Soames," she said. "You are helpless. Do not say things that you +will regret." + +Anger swelled the veins on his forehead. He opened his mouth to vent +that emotion, and could not. Annette went on: + +"There shall be no more such letters, I promise you. That is enough." + +Soames writhed. He had a sense of being treated like a child by this +woman who had deserved he did not know what. + +"When two people have married, and lived like us, Soames, they had better +be quiet about each other. There are things one does not drag up into +the light for people to laugh at. You will be quiet, then; not for my +sake for your own. You are getting old; I am not, yet. You have made me +ver-ry practical" + +Soames, who had passed through all the sensations of being choked, +repeated dully: + +"I require you to give up this friendship." + +"And if I do not?" + +"Then--then I will cut you out of my Will." + +Somehow it did not seem to meet the case. Annette laughed. + +"You will live a long time, Soames." + +"You--you are a bad woman," said Soames suddenly. + +Annette shrugged her shoulders. + +"I do not think so. Living with you has killed things in me, it is true; +but I am not a bad woman. I am sensible--that is all. And so will you +be when you have thought it over." + +"I shall see this man," said Soames sullenly, "and warn him off." + +"Mon cher, you are funny. You do not want me, you have as much of me as +you want; and you wish the rest of me to be dead. I admit nothing, but I +am not going to be dead, Soames, at my age; so you had better be quiet, I +tell you. I myself will make no scandal; none. Now, I am not saying any +more, whatever you do." + +She reached out, took a French novel off a little table, and opened it. +Soames watched her, silenced by the tumult of his feelings. The thought +of that man was almost making him want her, and this was a revelation of +their relationship, startling to one little given to introspective +philosophy. Without saying another word he went out and up to the +picture-gallery. This came of marrying a Frenchwoman! And yet, without +her there would have been no Fleur! She had served her purpose. + +'She's right,' he thought; 'I can do nothing. I don't even know that +there's anything in it.' The instinct of self-preservation warned him to +batten down his hatches, to smother the fire with want of air. Unless one +believed there was something in a thing, there wasn't. + +That night he went into her room. She received him in the most +matter-of-fact way, as if there had been no scene between them. And he +returned to his own room with a curious sense of peace. If one didn't +choose to see, one needn't. And he did not choose--in future he did not +choose. There was nothing to be gained by it--nothing! Opening the +drawer he took from the sachet a handkerchief, and the framed photograph +of Fleur. When he had looked at it a little he slipped it down, and +there was that other one--that old one of Irene. An owl hooted while he +stood in his window gazing at it. The owl hooted, the red climbing roses +seemed to deepen in colour, there came a scent of lime-blossom. God! +That had been a different thing! Passion--Memory! Dust! + + + + +VII + +JUNE TAKES A HAND + +One who was a sculptor, a Slav, a sometime resident in New York, an +egoist, and impecunious, was to be found of an evening in June Forsyte's +studio on the bank of the Thames at Chiswick. On the evening of July 6, +Boris Strumolowski--several of whose works were on show there because +they were as yet too advanced to be on show anywhere else--had begun +well, with that aloof and rather Christ-like silence which admirably +suited his youthful, round, broad cheek-boned countenance framed in +bright hair banged like a girl's. June had known him three weeks, and he +still seemed to her the principal embodiment of genius, and hope of the +future; a sort of Star of the East which had strayed into an +unappreciative West. Until that evening he had conversationally confined +himself to recording his impressions of the United States, whose dust he +had just shaken from off his feet--a country, in his opinion, so +barbarous in every way that he had sold practically nothing there, and +become an object of suspicion to the police; a country, as he said, +without a race of its own, without liberty, equality, or fraternity, +without principles, traditions, taste, without--in a word--a soul. He +had left it for his own good, and come to the only other country where he +could live well. June had dwelt unhappily on him in her lonely moments, +standing before his creations--frightening, but powerful and symbolic +once they had been explained! That he, haloed by bright hair like an +early Italian painting, and absorbed in his genius to the exclusion of +all else--the only sign of course by which real genius could be +told--should still be a "lame duck" agitated her warm heart almost to the +exclusion of Paul Post. And she had begun to take steps to clear her +Gallery, in order to fill it with Strumolowski masterpieces. She had at +once encountered trouble. Paul Post had kicked; Vospovitch had stung. +With all the emphasis of a genius which she did not as yet deny them, +they had demanded another six weeks at least of her Gallery. The +American stream, still flowing in, would soon be flowing out. The +American stream was their right, their only hope, their salvation--since +nobody in this "beastly" country cared for Art. June had yielded to the +demonstration. After all Boris would not mind their having the full +benefit of an American stream, which he himself so violently despised. + +This evening she had put that to Boris with nobody else present, except +Hannah Hobdey, the mediaeval black-and-whitist, and Jimmy Portugal, +editor of the Neo-Artist. She had put it to him with that sudden +confidence which continual contact with the neo-artistic world had never +been able to dry up in her warm and generous nature. He had not broken +his Christ-like silence, however, for more than two minutes before she +began to move her blue eyes from side to side, as a cat moves its tail. +This--he said--was characteristic of England, the most selfish country in +the world; the country which sucked the blood of other countries; +destroyed the brains and hearts of Irishmen, Hindus, Egyptians, Boers, +and Burmese, all the best races in the world; bullying, hypocritical +England! This was what he had expected, coming to, such a country, where +the climate was all fog, and the people all tradesmen perfectly blind to +Art, and sunk in profiteering and the grossest materialism. Conscious +that Hannah Hobdey was murmuring, "Hear, hear!" and Jimmy Portugal +sniggering, June grew crimson, and suddenly rapped out: + +"Then why did you ever come? We didn't ask you." + +The remark was so singularly at variance with all she had led him to +expect from her, that Strumolowski stretched out his hand and took a +cigarette. + +"England never wants an idealist," he said. + +But in June something primitively English was thoroughly upset; old +Jolyon's sense of justice had risen, as it were, from bed. "You come and +sponge on us," she said, "and then abuse us. If you think that's playing +the game, I don't." + +She now discovered that which others had discovered before her--the +thickness of hide beneath which the sensibility of genius is sometimes +veiled. Strumolowski's young and ingenuous face became the incarnation +of a sneer. + +"Sponge, one does not sponge, one takes what is owing--a tenth part of +what is owing. You will repent to say that, Miss Forsyte." + +"Oh, no," said June, "I shan't." + +"Ah! We know very well, we artists--you take us to get what you can out +of us. I want nothing from you"--and he blew out a cloud of June's +smoke. + +Decision rose in an icy puff from the turmoil of insulted shame within +her. "Very well, then, you can take your things away." + +And, almost in the same moment, she thought: 'Poor boy! He's only got a +garret, and probably not a taxi fare. In front of these people, too; +it's positively disgusting!' + +Young Strumolowski shook his head violently; his hair, thick, smooth, +close as a golden plate, did not fall off. + +"I can live on nothing," he said shrilly; "I have often had to for the +sake of my Art. It is you bourgeois who force us to spend money." + +The words hit June like a pebble, in the ribs. After all she had done +for Art, all her identification with its troubles and lame ducks. She +was struggling for adequate words when the door was opened, and her +Austrian murmured: + +"A young lady, gnadiges Fraulein." + +"Where?" + +"In the little meal-room." + +With a glance at Boris Strumolowski, at Hannah Hobdey, at Jimmy Portugal, +June said nothing, and went out, devoid of equanimity. Entering the +"little meal-room," she perceived the young lady to be Fleur--looking +very pretty, if pale. At this disenchanted moment a little lame duck of +her own breed was welcome to June, so homoeopathic by instinct. + +The girl must have come, of course, because of Jon; or, if not, at least +to get something out of her. And June felt just then that to assist +somebody was the only bearable thing. + +"So you've remembered to come," she said. + +"Yes. What a jolly little duck of a house! But please don't let me +bother you, if you've got people." + +"Not at all," said June. "I want to let them stew in their own juice for +a bit. Have you come about Jon?" + +"You said you thought we ought to be told. Well, I've found out." + +"Oh!" said June blankly. "Not nice, is it?" + +They were standing one on each side of the little bare table at which +June took her meals. A vase on it was full of Iceland poppies; the girl +raised her hand and touched them with a gloved finger. To her +new-fangled dress, frilly about the hips and tight below the knees, June +took a sudden liking--a charming colour, flax-blue. + +'She makes a picture,' thought June. Her little room, with its +whitewashed walls, its floor and hearth of old pink brick, its black +paint, and latticed window athwart which the last of the sunlight was +shining, had never looked so charming, set off by this young figure, with +the creamy, slightly frowning face. She remembered with sudden vividness +how nice she herself had looked in those old days when her heart was set +on Philip Bosinney, that dead lover, who had broken from her to destroy +for ever Irene's allegiance to this girl's father. Did Fleur know of +that, too? + +"Well," she said, "what are you going to do?" + +It was some seconds before Fleur answered. + +"I don't want Jon to suffer. I must see him once more to put an end to +it." + +"You're going to put an end to it!" + +"What else is there to do?" + +The girl seemed to June, suddenly, intolerably spiritless. + +"I suppose you're right," she muttered. "I know my father thinks so; +but--I should never have done it myself. I can't take things lying +down." + +How poised and watchful that girl looked; how unemotional her voice +sounded! + +"People will assume that I'm in love." + +"Well, aren't you?" + +Fleur shrugged her shoulders. 'I might have known it,' thought June; +'she's Soames' daughter--fish! And yet--he!' + +"What do you want me to do then?" she said with a sort of disgust. + +"Could I see Jon here to-morrow on his way down to Holly's? He'd come if +you sent him a line to-night. And perhaps afterward you'd let them know +quietly at Robin Hill that it's all over, and that they needn't tell Jon +about his mother." + +"All right!" said June abruptly. "I'll write now, and you can post it. +Half-past two tomorrow. I shan't be in, myself." + +She sat down at the tiny bureau which filled one corner. When she looked +round with the finished note Fleur was still touching the poppies with +her gloved finger. + +June licked a stamp. "Well, here it is. If you're not in love, of +course, there's no more to be said. Jon's lucky." + +Fleur took the note. "Thanks awfully!" + +'Cold-blooded little baggage!' thought June. Jon, son of her father, to +love, and not to be loved by the daughter of--Soames! It was +humiliating! + +"Is that all?" + +Fleur nodded; her frills shook and trembled as she swayed toward the +door. + +"Good-bye!" + +"Good-bye!... Little piece of fashion!" muttered June, closing the door. +"That family!" And she marched back toward her studio. Boris +Strumolowski had regained his Christ-like silence and Jimmy Portugal was +damning everybody, except the group in whose behalf he ran the +Neo-Artist. Among the condemned were Eric Cobbley, and several other +"lame-duck" genii who at one time or another had held first place in the +repertoire of June's aid and adoration. She experienced a sense of +futility and disgust, and went to the window to let the river-wind blow +those squeaky words away. + +But when at length Jimmy Portugal had finished, and gone with Hannah +Hobdey, she sat down and mothered young Strumolowski for half an hour, +promising him a month, at least, of the American stream; so that he went +away with his halo in perfect order. 'In spite of all,' June thought, +'Boris is wonderful' + + + + +VIII + +THE BIT BETWEEN THE TEETH + +To know that your hand is against every one's is--for some natures--to +experience a sense of moral release. Fleur felt no remorse when she left +June's house. Reading condemnatory resentment in her little kinswoman's +blue eyes-she was glad that she had fooled her, despising June because +that elderly idealist had not seen what she was after. + +End it, forsooth! She would soon show them all that she was only just +beginning. And she smiled to herself on the top of the bus which carried +her back to Mayfair. But the smile died, squeezed out by spasms of +anticipation and anxiety. Would she be able to manage Jon? She had +taken the bit between her teeth, but could she make him take it too? She +knew the truth and the real danger of delay--he knew neither; therein lay +all the difference in the world. + +'Suppose I tell him,' she thought; 'wouldn't it really be safer?' This +hideous luck had no right to spoil their love; he must see that! They +could not let it! People always accepted an accomplished fact in time! +From that piece of philosophy--profound enough at her age--she passed to +another consideration less philosophic. If she persuaded Jon to a quick +and secret marriage, and he found out afterward that she had known the +truth. What then? Jon hated subterfuge. Again, then, would it not be +better to tell him? But the memory of his mother's face kept intruding +on that impulse. Fleur was afraid. His mother had power over him; more +power perhaps than she herself. Who could tell? It was too great a +risk. Deep-sunk in these instinctive calculations she was carried on past +Green Street as far as the Ritz Hotel. She got down there, and walked +back on the Green Park side. The storm had washed every tree; they still +dripped. Heavy drops fell on to her frills, and to avoid them she +crossed over under the eyes of the Iseeum Club. Chancing to look up she +saw Monsieur Profond with a tall stout man in the bay window. Turning +into Green Street she heard her name called, and saw "that prowler" +coming up. He took off his hat--a glossy "bowler" such as she +particularly detested. + +"Good evenin'! Miss Forsyde. Isn't there a small thing I can do for +you?" + +"Yes, pass by on the other side." + +"I say! Why do you dislike me?" + +"Do I?" + +"It looks like it." + +"Well, then, because you make me feel life isn't worth living." + +Monsieur Profond smiled. + +"Look here, Miss Forsyde, don't worry. It'll be all right. Nothing +lasts." + +"Things do last," cried Fleur; "with me anyhow--especially likes and +dislikes." + +"Well, that makes me a bit un'appy." + +"I should have thought nothing could ever make you happy or unhappy." + +"I don't like to annoy other people. I'm goin' on my yacht." + +Fleur looked at him, startled. + +"Where?" + +"Small voyage to the South Seas or somewhere," said Monsieur Profond. + +Fleur suffered relief and a sense of insult. Clearly he meant to convey +that he was breaking with her mother. How dared he have anything to +break, and yet how dared he break it? + +"Good-night, Miss Forsyde! Remember me to Mrs. Dartie. I'm not so bad +really. Good-night!" Fleur left him standing there with his hat raised. +Stealing a look round, she saw him stroll--immaculate and heavy--back +toward his Club. + +'He can't even love with conviction,' she thought. 'What will Mother +do?' + +Her dreams that night were endless and uneasy; she rose heavy and +unrested, and went at once to the study of Whitaker's Almanac. A Forsyte +is instinctively aware that facts are the real crux of any situation. +She might conquer Jon's prejudice, but without exact machinery to +complete their desperate resolve, nothing would happen. From the +invaluable tome she learned that they must each be twenty-one; or some +one's consent would be necessary, which of course was unobtainable; then +she became lost in directions concerning licenses, certificates, notices, +districts, coming finally to the word "perjury." But that was nonsense! +Who would really mind their giving wrong ages in order to be married for +love! She ate hardly any breakfast, and went back to Whitaker. The more +she studied the less sure she became; till, idly turning the pages, she +came to Scotland. People could be married there without any of this +nonsense. She had only to go and stay there twenty-one days, then Jon +could come, and in front of two people they could declare themselves +married. And what was more--they would be! It was far the best way; and +at once she ran over her schoolfellows. There was Mary Lambe who lived +in Edinburgh and was "quite a sport!" + +She had a brother too. She could stay with Mary Lambe, who with her +brother would serve for witnesses. She well knew that some girls would +think all this unnecessary, and that all she and Jon need do was to go +away together for a weekend and then say to their people: "We are married +by Nature, we must now be married by Law." But Fleur was Forsyte enough +to feel such a proceeding dubious, and to dread her father's face when he +heard of it. Besides, she did not believe that Jon would do it; he had +an opinion of her such as she could not bear to diminish. No! Mary +Lambe was preferable, and it was just the time of year to go to Scotland. +More at ease now she packed, avoided her aunt, and took a bus to +Chiswick. She was too early, and went on to Kew Gardens. She found no +peace among its flower-beds, labelled trees, and broad green spaces, and +having lunched off anchovy-paste sandwiches and coffee, returned to +Chiswick and rang June's bell. The Austrian admitted her to the "little +meal-room." Now that she knew what she and Jon were up against, her +longing for him had increased tenfold, as if he were a toy with sharp +edges or dangerous paint such as they had tried to take from her as a +child. If she could not have her way, and get Jon for good and all, she +felt like dying of privation. By hook or crook she must and would get +him! A round dim mirror of very old glass hung over the pink brick +hearth. She stood looking at herself reflected in it, pale, and rather +dark under the eyes; little shudders kept passing through her nerves. +Then she heard the bell ring, and, stealing to the window, saw him +standing on the doorstep smoothing his hair and lips, as if he too were +trying to subdue the fluttering of his nerves. + +She was sitting on one of the two rush-seated chairs, with her back to +the door, when he came in, and she said at once-- + +"Sit down, Jon, I want to talk seriously." + +Jon sat on the table by her side, and without looking at him she went on: + +"If you don't want to lose me, we must get married." + +Jon gasped. + +"Why? Is there anything new?" + +"No, but I felt it at Robin Hill, and among my people." + +"But--" stammered Jon, "at Robin Hill--it was all smooth--and they've +said nothing to me." + +"But they mean to stop us. Your mother's face was enough. And my +father's." + +"Have you seen him since?" + +Fleur nodded. What mattered a few supplementary lies? + +"But," said Jon eagerly, "I can't see how they can feel like that after +all these years." + +Fleur looked up at him. + +"Perhaps you don't love me enough." "Not love you enough! Why--!" + +"Then make sure of me." + +"Without telling them?" + +"Not till after." + +Jon was silent. How much older he looked than on that day, barely two +months ago, when she first saw him--quite two years older! + +"It would hurt Mother awfully," he said. + +Fleur drew her hand away. + +"You've got to choose." + +Jon slid off the table on to his knees. + +"But why not tell them? They can't really stop us, Fleur!" + +"They can! I tell you, they can." + +"How?" + +"We're utterly dependent--by putting money pressure, and all sorts of +other pressure. I'm not patient, Jon." + +"But it's deceiving them." + +Fleur got up. + +"You can't really love me, or you wouldn't hesitate. 'He either fears +his fate too much!'" + +Lifting his hands to her waist, Jon forced her to sit down again. She +hurried on: + +"I've planned it all out. We've only to go to Scotland. When we're +married they'll soon come round. People always come round to facts. +Don't you see, Jon?" + +"But to hurt them so awfully!" + +So he would rather hurt her than those people of his! "All right, then; +let me go!" + +Jon got up and put his back against the door. + +"I expect you're right," he said slowly; "but I want to think it over." + +She could see that he was seething with feelings he wanted to express; +but she did not mean to help him. She hated herself at this moment and +almost hated him. Why had she to do all the work to secure their love? +It wasn't fair. And then she saw his eyes, adoring and distressed. + +"Don't look like that! I only don't want to lose you, Jon." + +"You can't lose me so long as you want me." + +"Oh, yes, I can." + +Jon put his hands on her shoulders. + +"Fleur, do you know anything you haven't told me?" + +It was the point-blank question she had dreaded. She looked straight at +him, and answered: "No." She had burnt her boats; but what did it +matter, if she got him? He would forgive her. And throwing her arms +round his neck, she kissed him on the lips. She was winning! She felt +it in the beating of his heart against her, in the closing of his eyes. +"I want to make sure! I want to make sure!" she whispered. "Promise!" + +Jon did not answer. His face had the stillness of extreme trouble. At +last he said: + +"It's like hitting them. I must think a little, Fleur. I really must." + +Fleur slipped out of his arms. + +"Oh! Very well!" And suddenly she burst into tears of disappointment, +shame, and overstrain. Followed five minutes of acute misery. Jon's +remorse and tenderness knew no bounds; but he did not promise. Despite +her will to cry, "Very well, then, if you don't love me enough-goodbye!" +she dared not. From birth accustomed to her own way, this check from one +so young, so tender, so devoted, baffled and surprised her. She wanted +to push him away from her, to try what anger and coldness would do, and +again she dared not. The knowledge that she was scheming to rush him +blindfold into the irrevocable weakened everything--weakened the +sincerity of pique, and the sincerity of passion; even her kisses had not +the lure she wished for them. That stormy little meeting ended +inconclusively. + +"Will you some tea, gnadiges Fraulein?" + +Pushing Jon from her, she cried out: + +"No-no, thank you! I'm just going." + +And before he could prevent her she was gone. + +She went stealthily, mopping her gushed, stained cheeks, frightened, +angry, very miserable. She had stirred Jon up so fearfully, yet nothing +definite was promised or arranged! But the more uncertain and hazardous +the future, the more "the will to have" worked its tentacles into the +flesh of her heart--like some burrowing tick! + +No one was at Green Street. Winifred had gone with Imogen to see a play +which some said was allegorical, and others "very exciting, don't you +know." It was because of what others said that Winifred and Imogen had +gone. Fleur went on to Paddington. Through the carriage the air from +the brick-kilns of West Drayton and the late hayfields fanned her still +gushed cheeks. Flowers had seemed to be had for the picking; now they +were all thorned and prickled. But the golden flower within the crown of +spikes seemed to her tenacious spirit all the fairer and more desirable. + + + + +IX + +THE FAT IN THE FIRE + +On reaching home Fleur found an atmosphere so peculiar that it penetrated +even the perplexed aura of her own private life. Her mother was +inaccessibly entrenched in a brown study; her father contemplating fate +in the vinery. Neither of them had a word to throw to a dog. 'Is it +because of me?' thought Fleur. 'Or because of Profond?' To her mother +she said: + +"What's the matter with Father?" + +Her mother answered with a shrug of her shoulders. + +To her father: + +"What's the matter with Mother?" + +Her father answered: + +"Matter? What should be the matter?" and gave her a sharp look. + +"By the way," murmured Fleur, "Monsieur Profond is going a 'small' voyage +on his yacht, to the South Seas." + +Soames examined a branch on which no grapes were growing. + +"This vine's a failure," he said. "I've had young Mont here. He asked +me something about you." + +"Oh! How do you like him, Father?" + +"He--he's a product--like all these young people." + +"What were you at his age, dear?" + +Soames smiled grimly. + +"We went to work, and didn't play about--flying and motoring, and making +love." + +"Didn't you ever make love?" + +She avoided looking at him while she said that, but she saw him well +enough. His pale face had reddened, his eyebrows, where darkness was +still mingled with the grey, had come close together. + +"I had no time or inclination to philander." + +"Perhaps you had a grand passion." + +Soames looked at her intently. + +"Yes--if you want to know--and much good it did me." He moved away, +along by the hot-water pipes. Fleur tiptoed silently after him. + +"Tell me about it, Father!" + +Soames became very still. + +"What should you want to know about such things, at your age?" + +"Is she alive?" + +He nodded. + +"And married?" Yes." + +"It's Jon Forsyte's mother, isn't it? And she was your wife first." + +It was said in a flash of intuition. Surely his opposition came from his +anxiety that she should not know of that old wound to his pride. But she +was startled. To see some one so old and calm wince as if struck, to +hear so sharp a note of pain in his voice! + +"Who told you that? If your aunt! I can't bear the affair talked of." + +"But, darling," said Fleur, softly, "it's so long ago." + +"Long ago or not, I...." + +Fleur stood stroking his arm. + +"I've tried to forget," he said suddenly; "I don't wish to be reminded." +And then, as if venting some long and secret irritation, he added: "In +these days people don't understand. Grand passion, indeed! No one knows +what it is." + +"I do," said Fleur, almost in a whisper. + +Soames, who had turned his back on her, spun round. + +"What are you talking of--a child like you!" + +"Perhaps I've inherited it, Father." + +"What?" + +"For her son, you see." + +He was pale as a sheet, and she knew that she was as bad. They stood +staring at each other in the steamy heat, redolent of the mushy scent of +earth, of potted geranium, and of vines coming along fast. + +"This is crazy," said Soames at last, between dry lips. + +Scarcely moving her own, she murmured: + +"Don't be angry, Father. I can't help it." + +But she could see he wasn't angry; only scared, deeply scared. + +"I thought that foolishness," he stammered, "was all forgotten." + +"Oh, no! It's ten times what it was." + +Soames kicked at the hot-water pipe. The hapless movement touched her, +who had no fear of her father--none. + +"Dearest!" she said. "What must be, must, you know." + +"Must!" repeated Soames. "You don't know what you're talking of. Has +that boy been told?" + +The blood rushed into her cheeks. + +"Not yet." + +He had turned from her again, and, with one shoulder a little raised, +stood staring fixedly at a joint in the pipes. + +"It's most distasteful to me," he said suddenly; "nothing could be more +so. Son of that fellow! It's--it's--perverse!" + +She had noted, almost unconsciously, that he did not say "son of that +woman," and again her intuition began working. + +Did the ghost of that grand passion linger in some corner of his heart? + +She slipped her hand under his arm. + +"Jon's father is quite ill and old; I saw him." + +"You--?" + +"Yes, I went there with Jon; I saw them both." + +"Well, and what did they say to you?" + +"Nothing. They were very polite." + +"They would be." He resumed his contemplation of the pipe-joint, and +then said suddenly: + +"I must think this over--I'll speak to you again to-night." + +She knew this was final for the moment, and stole away, leaving him still +looking at the pipe-joint. She wandered into the fruit-garden, among the +raspberry and currant bushes, without impetus to pick and eat. Two +months ago--she was light-hearted! Even two days ago--light-hearted, +before Prosper Profond told her. Now she felt tangled in a web-of +passions, vested rights, oppressions and revolts, the ties of love and +hate. At this dark moment of discouragement there seemed, even to her +hold-fast nature, no way out. How deal with it--how sway and bend +things to her will, and get her heart's desire? And, suddenly, round the +corner of the high box hedge, she came plump on her mother, walking +swiftly, with an open letter in her hand. Her bosom was heaving, her +eyes dilated, her cheeks flushed. Instantly Fleur thought: 'The yacht! +Poor Mother!' + +Annette gave her a wide startled look, and said: + +"J'ai la migraine." + +"I'm awfully sorry, Mother." + +"Oh, yes! you and your father--sorry!" + +"But, Mother--I am. I know what it feels like." + +Annette's startled eyes grew wide, till the whites showed above them. + +"Poor innocent!" she said. + +Her mother--so self-possessed, and commonsensical--to look and speak like +this! It was all frightening! Her father, her mother, herself! And only +two months back they had seemed to have everything they wanted in this +world. + +Annette crumpled the letter in her hand. Fleur knew that she must ignore +the sight. + +"Can't I do anything for your head, Mother?" + +Annette shook that head and walked on, swaying her hips. + +'It's cruel,' thought Fleur, 'and I was glad! That man! What do men +come prowling for, disturbing everything! I suppose he's tired of her. +What business has he to be tired of my mother? What business!' And at +that thought, so natural and so peculiar, she uttered a little choked +laugh. + +She ought, of course, to be delighted, but what was there to be delighted +at? Her father didn't really care! Her mother did, perhaps? She +entered the orchard, and sat down under a cherry-tree. A breeze sighed in +the higher boughs; the sky seen through their green was very blue and +very white in cloud--those heavy white clouds almost always present in +river landscape. Bees, sheltering out of the wind, hummed softly, and +over the lush grass fell the thick shade from those fruit-trees planted +by her father five-and-twenty, years ago. Birds were almost silent, the +cuckoos had ceased to sing, but wood-pigeons were cooing. The breath and +drone and cooing of high summer were not for long a sedative to her +excited nerves. Crouched over her knees she began to scheme. Her father +must be made to back her up. Why should he mind so long as she was +happy? She had not lived for nearly nineteen years without knowing that +her future was all he really cared about. She had, then, only to +convince him that her future could not be happy without Jon. He thought +it a mad fancy. How foolish the old were, thinking they could tell what +the young felt! Had not he confessed that he--when young--had loved with +a grand passion? He ought to understand! 'He piles up his money for +me,' she thought; 'but what's the use, if I'm not going to be happy?' +Money, and all it bought, did not bring happiness. Love only brought +that. The ox-eyed daisies in this orchard, which gave it such a moony +look sometimes, grew wild and happy, and had their hour. 'They oughtn't +to have called me Fleur,' she mused, 'if they didn't mean me to have my +hour, and be happy while it lasts.' Nothing real stood in the way, like +poverty, or disease--sentiment only, a ghost from the unhappy past! Jon +was right. They wouldn't let you live, these old people! They made +mistakes, committed crimes, and wanted their children to go on paying! +The breeze died away; midges began to bite. She got up, plucked a piece +of honeysuckle, and went in. + +It was hot that night. Both she and her mother had put on thin, pale low +frocks. The dinner flowers were pale. Fleur was struck with the pale +look of everything; her father's face, her mother's shoulders; the pale +panelled walls, the pale grey velvety carpet, the lamp-shade, even the +soup was pale. There was not one spot of colour in the room, not even +wine in the pale glasses, for no one drank it. What was not pale was +black--her father's clothes, the butler's clothes, her retriever +stretched out exhausted in the window, the curtains black with a cream +pattern. A moth came in, and that was pale. And silent was that +half-mourning dinner in the heat. + +Her father called her back as she was following her mother out. + +She sat down beside him at the table, and, unpinning the pale +honeysuckle, put it to her nose. + +"I've been thinking," he said. + +"Yes, dear?" + +"It's extremely painful for me to talk, but there's no help for it. I +don't know if you understand how much you are to me I've never spoken of +it, I didn't think it necessary; but--but you're everything. Your +mother--" he paused, staring at his finger-bowl of Venetian glass. + +"Yes?"' + +"I've only you to look to. I've never had--never wanted anything else, +since you were born." + +"I know," Fleur murmured. + +Soames moistened his lips. + +"You may think this a matter I can smooth over and arrange for you. +You're mistaken. I'm helpless." + +Fleur did not speak. + +"Quite apart from my own feelings," went on Soames with more resolution, +"those two are not amenable to anything I can say. They--they hate me, +as people always hate those whom they have injured." "But he--Jon--" + +"He's their flesh and blood, her only child. Probably he means to her +what you mean to me. It's a deadlock." + +"No," cried Fleur, "no, Father!" + +Soames leaned back, the image of pale patience, as if resolved on the +betrayal of no emotion. + +"Listen!" he said. "You're putting the feelings of two months--two +months--against the feelings of thirty-five years! What chance do you +think you have? Two months--your very first love affair, a matter of +half a dozen meetings, a few walks and talks, a few kisses--against, +against what you can't imagine, what no one could who hasn't been through +it. Come, be reasonable, Fleur! It's midsummer madness!" + +Fleur tore the honeysuckle into little, slow bits. + +"The madness is in letting the past spoil it all. + +"What do we care about the past? It's our lives, not yours." + +Soames raised his hand to his forehead, where suddenly she saw moisture +shining. + +"Whose child are you?" he said. "Whose child is he? The present is +linked with the past, the future with both. There's no getting away from +that." + +She had never heard philosophy pass those lips before. Impressed even in +her agitation, she leaned her elbows on the table, her chin on her hands. + +"But, Father, consider it practically. We want each other. There's ever +so much money, and nothing whatever in the way but sentiment. Let's bury +the past, Father." + +His answer was a sigh. + +"Besides," said Fleur gently, "you can't prevent us." + +"I don't suppose," said Soames, "that if left to myself I should try to +prevent you; I must put up with things, I know, to keep your affection. +But it's not I who control this matter. That's what I want you to +realise before it's too late. If you go on thinking you can get your way +and encourage this feeling, the blow will be much heavier when you find +you can't." + +"Oh!" cried Fleur, "help me, Father; you can help me, you know." + +Soames made a startled movement of negation. "I?" he said bitterly. +"Help? I am the impediment--the just cause and impediment--isn't that +the jargon? You have my blood in your veins." + +He rose. + +"Well, the fat's in the fire. If you persist in your wilfulness you'll +have yourself to blame. Come! Don't be foolish, my child--my only +child!" + +Fleur laid her forehead against his shoulder. + +All was in such turmoil within her. But no good to show it! No good at +all! She broke away from him, and went out into the twilight, +distraught, but unconvinced. All was indeterminate and vague within her, +like the shapes and shadows in the garden, except--her will to have. A +poplar pierced up into the dark-blue sky and touched a white star there. +The dew wetted her shoes, and chilled her bare shoulders. She went down +to the river bank, and stood gazing at a moonstreak on the darkening +water. Suddenly she smelled tobacco smoke, and a white figure emerged as +if created by the moon. It was young Mont in flannels, standing in his +boat. She heard the tiny hiss of his cigarette extinguished in the +water. + +"Fleur," came his voice, "don't be hard on a poor devil! I've been +waiting hours." + +"For what?" + +"Come in my boat!" + +"Not I." + +"Why not?" + +"I'm not a water-nymph." + +"Haven't you any romance in you? Don't be modern, Fleur!" + +He appeared on the path within a yard of her. + +"Go away!" + +"Fleur, I love you. Fleur!" + +Fleur uttered a short laugh. + +"Come again," she said, "when I haven't got my wish." + +"What is your wish?" + +"Ask another." + +"Fleur," said Mont, and his voice sounded strange, "don't mock me! Even +vivisected dogs are worth decent treatment before they're cut up for +good." + +Fleur shook her head; but her lips were trembling. + +"Well, you shouldn't make me jump. Give me a cigarette." + +Mont gave her one, lighted it, and another for himself. + +"I don't want to talk rot," he said, "but please imagine all the rot that +all the lovers that ever were have talked, and all my special rot thrown +in." + +"Thank you, I have imagined it. Good-night!" They stood for a moment +facing each other in the shadow of an acacia-tree with very moonlit +blossoms, and the smoke from their cigarettes mingled in the air between +them. + +"Also ran: 'Michael Mont'?" he said. Fleur turned abruptly toward the +house. On the lawn she stopped to look back. Michael Mont was whirling +his arms above him; she could see them dashing at his head; then waving +at the moonlit blossoms of the acacia. His voice just reached her. +"Jolly-jolly!" Fleur shook herself. She couldn't help him, she had too +much trouble of her own! On the verandah she stopped very suddenly +again. Her mother was sitting in the drawing-room at her writing bureau, +quite alone. There was nothing remarkable in the expression of her face +except its utter immobility. But she looked desolate! Fleur went +upstairs. At the door of her room she paused. She could hear her father +walking up and down, up and down the picture-gallery. + +'Yes,' she thought, jolly! Oh, Jon!' + + + + +X + +DECISION + +When Fleur left him Jon stared at the Austrian. She was a thin woman +with a dark face and the concerned expression of one who has watched +every little good that life once had slip from her, one by one. "No tea?" +she said. + +Susceptible to the disappointment in her voice, Jon murmured: + +"No, really; thanks." + +"A lil cup--it ready. A lil cup and cigarette." + +Fleur was gone! Hours of remorse and indecision lay before him! And +with a heavy sense of disproportion he smiled, and said: + +"Well--thank you!" + +She brought in a little pot of tea with two little cups, and a silver box +of cigarettes on a little tray. + +"Sugar? Miss Forsyte has much sugar--she buy my sugar, my friend's sugar +also. Miss Forsyte is a veree kind lady. I am happy to serve her. You +her brother?" + +"Yes," said Jon, beginning to puff the second cigarette of his life. + +"Very young brother," said the Austrian, with a little anxious smile, +which reminded him of the wag of a dog's tail. + +"May I give you some?" he said. "And won't you sit down, please?" + +The Austrian shook her head. + +"Your father a very nice old man--the most nice old man I ever see. Miss +Forsyte tell me all about him. Is he better?" + +Her words fell on Jon like a reproach. "Oh Yes, I think he's all right." + +"I like to see him again," said the Austrian, putting a hand on her +heart; "he have veree kind heart." + +"Yes," said Jon. And again her words seemed to him a reproach. + +"He never give no trouble to no one, and smile so gentle." + +"Yes, doesn't he?" + +"He look at Miss Forsyte so funny sometimes. I tell him all my story; he +so sympatisch. Your mother--she nice and well?" + +"Yes, very." + +"He have her photograph on his dressing-table. Veree beautiful" + +Jon gulped down his tea. This woman, with her concerned face and her +reminding words, was like the first and second murderers. + +"Thank you," he said; "I must go now. May--may I leave this with you?" + +He put a ten-shilling note on the tray with a doubting hand and gained +the door. He heard the Austrian gasp, and hurried out. He had just time +to catch his train, and all the way to Victoria looked at every face that +passed, as lovers will, hoping against hope. On reaching Worthing he put +his luggage into the local train, and set out across the Downs for +Wansdon, trying to walk off his aching irresolution. So long as he went +full bat, he could enjoy the beauty of those green slopes, stopping now +and again to sprawl on the grass, admire the perfection of a wild rose or +listen to a lark's song. But the war of motives within him was but +postponed--the longing for Fleur, and the hatred of deception. He came +to the old chalk-pit above Wansdon with his mind no more made up than +when he started. To see both sides of a question vigorously was at once +Jon's strength and weakness. He tramped in, just as the first +dinner-bell rang. His things had already been brought up. He had a +hurried bath and came down to find Holly alone--Val had gone to Town and +would not be back till the last train. + +Since Val's advice to him to ask his sister what was the matter between +the two families, so much had happened--Fleur's disclosure in the Green +Park, her visit to Robin Hill, to-day's meeting--that there seemed +nothing to ask. He talked of Spain, his sunstroke, Val's horses, their +father's health. Holly startled him by saying that she thought their +father not at all well. She had been twice to Robin Hill for the +week-end. He had seemed fearfully languid, sometimes even in pain, but +had always refused to talk about himself. + +"He's awfully dear and unselfish--don't you think, Jon?" + +Feeling far from dear and unselfish himself, Jon answered: "Rather!" + +"I think, he's been a simply perfect father, so long as I can remember." + +"Yes," answered Jon, very subdued. + +"He's never interfered, and he's always seemed to understand. I shall +never forget his letting me go to South Africa in the Boer War when I was +in love with Val." + +"That was before he married Mother, wasn't it?" said Jon suddenly. + +"Yes. Why?" + +"Oh! nothing. Only, wasn't she engaged to Fleur's father first?" + +Holly put down the spoon she was using, and raised her eyes. Her stare +was circumspect. What did the boy know? Enough to make it better to +tell him? She could not decide. He looked strained and worried, +altogether older, but that might be the sunstroke. + +"There was something," she said. "Of course we were out there, and got +no news of anything." She could not take the risk. + +It was not her secret. Besides, she was in the dark about his feelings +now. Before Spain she had made sure he was in love; but boys were boys; +that was seven weeks ago, and all Spain between. + +She saw that he knew she was putting him off, and added: + +"Have you heard anything of Fleur?" + +"Yes." + +His face told her, then, more than the most elaborate explanations. So he +had not forgotten! + +She said very quietly: "Fleur is awfully attractive, Jon, but you +know--Val and I don't really like her very much." + +"Why?" + +"We think she's got rather a 'having' nature." + +"'Having'? I don't know what you mean. She--she--" he pushed his +dessert plate away, got up, and went to the window. + +Holly, too, got up, and put her arm round his waist. + +"Don't be angry, Jon dear. We can't all see people in the same light, +can we? You know, I believe each of us only has about one or two people +who can see the best that's in us, and bring it out. For you I think +it's your mother. I once saw her looking at a letter of yours; it was +wonderful to see her face. I think she's the most beautiful woman I ever +saw--Age doesn't seem to touch her." + +Jon's face softened; then again became tense. Everybody--everybody was +against him and Fleur! It all strengthened the appeal of her words: +"Make sure of me--marry me, Jon!" + +Here, where he had passed that wonderful week with her--the tug of her +enchantment, the ache in his heart increased with every minute that she +was not there to make the room, the garden, the very air magical. Would +he ever be able to live down here, not seeing her? And he closed up +utterly, going early to bed. It would not make him healthy, wealthy, and +wise, but it closeted him with memory of Fleur in her fancy frock. He +heard Val's arrival--the Ford discharging cargo, then the stillness of +the summer night stole back--with only the bleating of very distant +sheep, and a night-Jar's harsh purring. He leaned far out. Cold +moon--warm air--the Downs like silver! Small wings, a stream bubbling, +the rambler roses! God--how empty all of it without her! In the Bible +it was written: Thou shalt leave father and mother and cleave to--Fleur! + +Let him have pluck, and go and tell them! They couldn't stop him +marrying her--they wouldn't want to stop him when they knew how he felt. +Yes! He would go! Bold and open--Fleur was wrong! + +The night-jar ceased, the sheep were silent; the only sound in the +darkness was the bubbling of the stream. And Jon in his bed slept, freed +from the worst of life's evils--indecision. + + + + +XI + +TIMOTHY PROPHESIES + +On the day of the cancelled meeting at the National Gallery began the +second anniversary of the resurrection of England's pride and glory--or, +more shortly, the top hat. "Lord's"--that festival which the War had +driven from the field--raised its light and dark blue flags for the +second time, displaying almost every feature of a glorious past. Here, +in the luncheon interval, were all species of female and one species of +male hat, protecting the multiple types of face associated with "the +classes." The observing Forsyte might discern in the free or +unconsidered seats a certain number of the squash-hatted, but they hardly +ventured on the grass; the old school--or schools--could still rejoice +that the proletariat was not yet paying the necessary half-crown. Here +was still a close borough, the only one left on a large scale--for the +papers were about to estimate the attendance at ten thousand. And the +ten thousand, all animated by one hope, were asking each other one +question: "Where are you lunching?" Something wonderfully uplifting and +reassuring in that query and the sight of so many people like themselves +voicing it! What reserve power in the British realm--enough pigeons, +lobsters, lamb, salmon mayonnaise, strawberries, and bottles of champagne +to feed the lot! No miracle in prospect--no case of seven loaves and a +few fishes--faith rested on surer foundations. Six thousand top hats, +four thousand parasols would be doffed and furled, ten thousand mouths +all speaking the same English would be filled. There was life in the old +dog yet! Tradition! And again Tradition! How strong and how elastic! +Wars might rage, taxation prey, Trades Unions take toll, and Europe +perish of starvation; but the ten thousand would be fed; and, within +their ring fence, stroll upon green turf, wear their top hats, and +meet--themselves. The heart was sound, the pulse still regular. E-ton! +E-ton! Har-r-o-o-o-w! + +Among the many Forsytes, present on a hunting-ground theirs, by personal +prescriptive right, or proxy, was Soames with his wife and daughter. He +had not been at either school, he took no interest in cricket, but he +wanted Fleur to show her frock, and he wanted to wear his top hat parade +it again in peace and plenty among his peers. He walked sedately with +Fleur between him and Annette. No women equalled them, so far as he +could see. They could walk, and hold themselves up; there was substance +in their good looks; the modern woman had no build, no chest, no +anything! He remembered suddenly with what intoxication of pride he had +walked round with Irene in the first years of his first marriage. And +how they used to lunch on the drag which his mother would make his father +have, because it was so "chic"--all drags and carriages in those days, +not these lumbering great Stands! And how consistently Montague Dartie +had drunk too much. He supposed that people drank too much still, but +there was not the scope for it there used to be. He remembered George +Forsyte--whose brothers Roger and Eustace had been at Harrow and Eton +--towering up on the top of the drag waving a light-blue flag with one +hand and a dark-blue flag with the other, and shouting "Etroow-Harrton!" +Just when everybody was silent, like the buffoon he had always been; and +Eustace got up to the nines below, too dandified to wear any colour or +take any notice. H'm! Old days, and Irene in grey silk shot with palest +green. He looked, sideways, at Fleur's face. Rather colourless-no +light, no eagerness! That love affair was preying on her--a bad +business! He looked beyond, at his wife's face, rather more touched up +than usual, a little disdainful--not that she had any business to +disdain, so far as he could see. She was taking Profond's defection with +curious quietude; or was his "small" voyage just a blind? If so, he +should refuse to see it! Having promenaded round the pitch and in front +of the pavilion, they sought Winifred's table in the Bedouin Club tent. +This Club--a new "cock and hen"--had been founded in the interests of +travel, and of a gentleman with an old Scottish name, whose father had +somewhat strangely been called Levi. Winifred had joined, not because +she had travelled, but because instinct told her that a Club with such a +name and such a founder was bound to go far; if one didn't join at once +one might never have the chance. Its tent, with a text from the Koran on +an orange ground, and a small green camel embroidered over the entrance, +was the most striking on the ground. Outside it they found Jack Cardigan +in a dark blue tie (he had once played for Harrow), batting with a +Malacca cane to show how that fellow ought to have hit that ball. He +piloted them in. Assembled in Winifred's corner were Imogen, Benedict +with his young wife, Val Dartie without Holly, Maud and her husband, and, +after Soames and his two were seated, one empty place. + +"I'm expecting Prosper," said Winifred, "but he's so busy with his +yacht." + +Soames stole a glance. No movement in his wife's face! Whether that +fellow were coming or not, she evidently knew all about it. It did not +escape him that Fleur, too, looked at her mother. If Annette didn't +respect his feelings, she might think of Fleur's! The conversation, very +desultory, was syncopated by Jack Cardigan talking about "mid-off." He +cited all the "great mid-offs" from the beginning of time, as if they had +been a definite racial entity in the composition of the British people. +Soames had finished his lobster, and was beginning on pigeon-pie, when he +heard the words, "I'm a small bit late, Mrs. Dartie," and saw that there +was no longer any empty place. That fellow was sitting between Annette +and Imogen. Soames ate steadily on, with an occasional word to Maud and +Winifred. Conversation buzzed around him. He heard the voice of Profond +say: + +"I think you're mistaken, Mrs. Forsyde; I'll--I'll bet Miss Forsyde +agrees with me." + +"In what?" came Fleur's clear voice across the table. + +"I was sayin', young gurls are much the same as they always were +--there's very small difference." + +"Do you know so much about them?" + +That sharp reply caught the ears of all, and Soames moved uneasily on his +thin green chair. + +"Well, I don't know, I think they want their own small way, and I think +they always did." + +"Indeed!" + +"Oh, but--Prosper," Winifred interjected comfortably, "the girls in the +streets--the girls who've been in munitions, the little flappers in the +shops; their manners now really quite hit you in the eye." + +At the word "hit" Jack Cardigan stopped his disquisition; and in the +silence Monsieur Profond said: + +"It was inside before, now it's outside; that's all." + +"But their morals!" cried Imogen. + +"Just as moral as they ever were, Mrs. Cardigan, but they've got more +opportunity." + +The saying, so cryptically cynical, received a little laugh from Imogen, +a slight opening of Jack Cardigan's mouth, and a creak from Soames' +chair. + +Winifred said: "That's too bad, Prosper." + +"What do you say, Mrs. Forsyde; don't you think human nature's always the +same?" + +Soames subdued a sudden longing to get up and kick the fellow. He heard +his wife reply: + +"Human nature is not the same in England as anywhere else." That was her +confounded mockery! + +"Well, I don't know much about this small country"--'No, thank God!' +thought Soames--"but I should say the pot was boilin' under the lid +everywhere. We all want pleasure, and we always did." + +Damn the fellow! His cynicism was--was outrageous! + +When lunch was over they broke up into couples for the digestive +promenade. Too proud to notice, Soames knew perfectly that Annette and +that fellow had gone prowling round together. Fleur was with Val; she +had chosen him, no doubt, because he knew that boy. He himself had +Winifred for partner. They walked in the bright, circling stream, a +little flushed and sated, for some minutes, till Winifred sighed: + +"I wish we were back forty years, old boy!" + +Before the eyes of her spirit an interminable procession of her own +"Lord's" frocks was passing, paid for with the money of her father, to +save a recurrent crisis. "It's been very amusing, after all. Sometimes I +even wish Monty was back. What do you think of people nowadays, Soames?" + +"Precious little style. The thing began to go to pieces with bicycles +and motor-cars; the War has finished it." + +"I wonder what's coming?" said Winifred in a voice dreamy from +pigeon-pie. "I'm not at all sure we shan't go back to crinolines and +pegtops. Look at that dress!" + +Soames shook his head. + +"There's money, but no faith in things. We don't lay by for the future. +These youngsters--it's all a short life and a merry one with them." + +"There's a hat!" said Winifred. "I don't know--when you come to think of +the people killed and all that in the War, it's rather wonderful, I +think. There's no other country--Prosper says the rest are all bankrupt, +except America; and of course her men always took their style in dress +from us." + +"Is that chap," said Soames, "really going to the South Seas?" + +"Oh! one never knows where Prosper's going!" + +"He's a sign of the times," muttered Soames, "if you like." + +Winifred's hand gripped his arm. + +"Don't turn your head," she said in a low voice, "but look to your right +in the front row of the Stand." + +Soames looked as best he could under that limitation. A man in a grey +top hat, grey-bearded, with thin brown, folded cheeks, and a certain +elegance of posture, sat there with a woman in a lawn-coloured frock, +whose dark eyes were fixed on himself. Soames looked quickly at his +feet. How funnily feet moved, one after the other like that! Winifred's +voice said in his ear: + +"Jolyon looks very ill; but he always had style. She doesn't change +--except her hair." + +"Why did you tell Fleur about that business?" + +"I didn't; she picked it up. I always knew she would." + +"Well, it's a mess. She's set her heart upon their boy." + +"The little wretch," murmured Winifred. "She tried to take me in about +that. What shall you do, Soames?" + +"Be guided by events." + +They moved on, silent, in the almost solid crowd. + +"Really," said Winifred suddenly; "it almost seems like Fate. Only +that's so old-fashioned. Look! there are George and Eustace!" + +George Forsyte's lofty bulk had halted before them. + +"Hallo, Soames!" he said. "Just met Profond and your wife. You'll catch +'em if you put on pace. Did you ever go to see old Timothy?" + +Soames nodded, and the streams forced them apart. + +"I always liked old George," said Winifred. "He's so droll." + +"I never did," said Soames. "Where's your seat? I shall go to mine. +Fleur may be back there." + +Having seen Winifred to her seat, he regained his own, conscious of +small, white, distant figures running, the click of the bat, the cheers +and counter-cheers. No Fleur, and no Annette! You could expect nothing +of women nowadays! They had the vote. They were "emancipated," and much +good it was doing them! So Winifred would go back, would she, and put up +with Dartie all over again? To have the past once more--to be sitting +here as he had sat in '83 and '84, before he was certain that his +marriage with Irene had gone all wrong, before her antagonism had become +so glaring that with the best will in the world he could not overlook it. +The sight of her with that fellow had brought all memory back. Even now +he could not understand why she had been so impracticable. She could +love other men; she had it in her! To himself, the one person she ought +to have loved, she had chosen to refuse her heart. It seemed to him, +fantastically, as he looked back, that all this modern relaxation of +marriage--though its forms and laws were the same as when he married +her--that all this modern looseness had come out of her revolt; it seemed +to him, fantastically, that she had started it, till all decent ownership +of anything had gone, or was on the point of going. All came from her! +And now--a pretty state of things! Homes! How could you have them +without mutual ownership? Not that he had ever had a real home! But had +that been his fault? He had done his best. And his rewards were--those +two sitting in that Stand, and this affair of Fleur's! + +And overcome by loneliness he thought: 'Shan't wait any longer! They +must find their own way back to the hotel--if they mean to come!' Hailing +a cab outside the ground, he said: + +"Drive me to the Bayswater Road." His old aunts had never failed him. +To them he had meant an ever-welcome visitor. Though they were gone, +there, still, was Timothy! + +Smither was standing in the open doorway. + +"Mr. Soames! I was just taking the air. Cook will be so pleased." + +"How is Mr. Timothy?" + +"Not himself at all these last few days, sir; he's been talking a great +deal. Only this morning he was saying: 'My brother James, he's getting +old.' His mind wanders, Mr. Soames, and then he will talk of them. He +troubles about their investments. The other day he said: 'There's my +brother Jolyon won't look at Consols'--he seemed quite down about it. +Come in, Mr. Soames, come in! It's such a pleasant change!" + +"Well," said Soames, "just for a few minutes." + +"No," murmured Smither in the hall, where the air had the singular +freshness of the outside day, "we haven't been very satisfied with him, +not all this week. He's always been one to leave a titbit to the end; +but ever since Monday he's been eating it first. If you notice a dog, +Mr. Soames, at its dinner, it eats the meat first. We've always thought +it such a good sign of Mr. Timothy at his age to leave it to the last, +but now he seems to have lost all his self-control; and, of course, it +makes him leave the rest. The doctor doesn't make anything of it, +but"--Smither shook her head--"he seems to think he's got to eat it +first, in case he shouldn't get to it. That and his talking makes us +anxious." + +"Has he said anything important?" + +"I shouldn't like to say that, Mr. Soames; but he's turned against his +Will. He gets quite pettish--and after having had it out every morning +for years, it does seem funny. He said the other day: 'They want my +money.' It gave me such a turn, because, as I said to him, nobody wants +his money, I'm sure. And it does seem a pity he should be thinking about +money at his time of life. I took my courage in my 'ands. 'You know, +Mr. Timothy,' I said, 'my dear mistress'--that's Miss Forsyte, Mr. +Soames, Miss Ann that trained me--'she never thought about money,' I +said, 'it was all character with her.' He looked at me, I can't tell you +how funny, and he said quite dry: 'Nobody wants my character.' Think of +his saying a thing like that! But sometimes he'll say something as sharp +and sensible as anything." + +Soames, who had been staring at an old print by the hat-rack, thinking, +'That's got value!' murmured: "I'll go up and see him, Smither." + +"Cook's with him," answered Smither above her corsets; "she will be +pleased to see you." + +He mounted slowly, with the thought: 'Shan't care to live to be that +age.' + +On the second floor, he paused, and tapped. The door was opened, and he +saw the round homely face of a woman about sixty. + +"Mr. Soames!" she said: "Why! Mr. Soames!" + +Soames nodded. "All right, Cook!" and entered. + +Timothy was propped up in bed, with his hands joined before his chest, +and his eyes fixed on the ceiling, where a fly was standing upside down. +Soames stood at the foot of the bed, facing him. + +"Uncle Timothy," he said, raising his voice. "Uncle Timothy!" + +Timothy's eyes left the fly, and levelled themselves on his visitor. +Soames could see his pale tongue passing over his darkish lips. + +"Uncle Timothy," he said again, "is there anything I can do for you? Is +there anything you'd like to say?" + +"Ha!" said Timothy. + +"I've come to look you up and see that everything's all right." + +Timothy nodded. He seemed trying to get used to the apparition before +him. + +"Have you got everything you want?" + +"No," said Timothy. + +"Can I get you anything?" + +"No," said Timothy. + +"I'm Soames, you know; your nephew, Soames Forsyte. Your brother James' +son." + +Timothy nodded. + +"I shall be delighted to do anything I can for you." + +Timothy beckoned. Soames went close to him: + +"You--" said Timothy in a voice which seemed to have outlived tone, "you +tell them all from me--you tell them all--" and his finger tapped on +Soames' arm, "to hold on--hold on--Consols are goin' up," and he nodded +thrice. + +"All right!" said Soames; "I will." + +"Yes," said Timothy, and, fixing his eyes again on the ceiling, he added: +"That fly!" + +Strangely moved, Soames looked at the Cook's pleasant fattish face, all +little puckers from staring at fires. + +"That'll do him a world of good, sir," she said. + +A mutter came from Timothy, but he was clearly speaking to himself, and +Soames went out with the cook. + +"I wish I could make you a pink cream, Mr. Soames, like in old days; you +did so relish them. Good-bye, sir; it has been a pleasure." + +"Take care of him, Cook, he is old." + +And, shaking her crumpled hand, he went down-stairs. Smither was still +taking the air in the doorway. + +"What do you think of him, Mr. Soames?" + +"H'm!" Soames murmured: "He's lost touch." + +"Yes," said Smither, "I was afraid you'd think that coming fresh out of +the world to see him like." + +"Smither," said Soames, "we're all indebted to you." + +"Oh, no, Mr. Soames, don't say that! It's a pleasure--he's such a +wonderful man." + +"Well, good-bye!" said Soames, and got into his taxi. + +'Going up!' he thought; 'going up!' + +Reaching the hotel at Knightsbridge he went to their sitting-room, and +rang for tea. Neither of them were in. And again that sense of +loneliness came over him. These hotels. What monstrous great places +they were now! He could remember when there was nothing bigger than +Long's or Brown's, Morley's or the Tavistock, and the heads that were +shaken over the Langham and the Grand. Hotels and Clubs--Clubs and +Hotels; no end to them now! And Soames, who had just been watching at +Lord's a miracle of tradition and continuity, fell into reverie over the +changes in that London where he had been born five-and-sixty years +before. Whether Consols were going up or not, London had become a +terrific property. No such property in the world, unless it were New +York! There was a lot of hysteria in the papers nowadays; but any one +who, like himself, could remember London sixty years ago, and see it now, +realised the fecundity and elasticity of wealth. They had only to keep +their heads, and go at it steadily. Why! he remembered cobblestones, and +stinking straw on the floor of your cab. And old Timothy--what could he +not have told them, if he had kept his memory! Things were unsettled, +people in a funk or in a hurry, but here were London and the Thames, and +out there the British Empire, and the ends of the earth. "Consols are +goin' up!" He should n't be a bit surprised. It was the breed that +counted. And all that was bull-dogged in Soames stared for a moment out +of his grey eyes, till diverted by the print of a Victorian picture on +the walls. The hotel had bought three dozen of that little lot! The old +hunting or "Rake's Progress" prints in the old inns were worth looking +at--but this sentimental stuff--well, Victorianism had gone! "Tell them +to hold on!" old Timothy had said. But to what were they to hold on in +this modern welter of the "democratic principle"? Why, even privacy was +threatened! And at the thought that privacy might perish, Soames pushed +back his teacup and went to the window. Fancy owning no more of Nature +than the crowd out there owned of the flowers and trees and waters of +Hyde Park! No, no! Private possession underlay everything worth having. +The world had slipped its sanity a bit, as dogs now and again at full +moon slipped theirs and went off for a night's rabbiting; but the world, +like the dog, knew where its bread was buttered and its bed warm, and +would come back sure enough to the only home worth having--to private +ownership. The world was in its second childhood for the moment, like +old Timothy--eating its titbit first! + +He heard a sound behind him, and saw that his wife and daughter had come +in. + +"So you're back!" he said. + +Fleur did not answer; she stood for a moment looking at him and her +mother, then passed into her bedroom. Annette poured herself out a cup +of tea. + +"I am going to Paris, to my mother, Soames." "Oh! To your mother?" + +"Yes." + +"For how long?" + +"I do not know." + +"And when are you going?" + +"On Monday." + +Was she really going to her mother? Odd, how indifferent he felt! Odd, +how clearly she had perceived the indifference he would feel so long as +there was no scandal. And suddenly between her and himself he saw +distinctly the face he had seen that afternoon--Irene's. + +"Will you want money?" + +"Thank you; I have enough." + +"Very well. Let us know when you are coming back." + +Annette put down the cake she was fingering, and, looking up through +darkened lashes, said: + +"Shall I give Maman any message?" + +"My regards." + +Annette stretched herself, her hands on her waist, and said in French: + +"What luck that you have never loved me, Soames!" Then rising, she too +left the room. Soames was glad she had spoken it in French--it seemed to +require no dealing with. Again that other face--pale, dark-eyed, +beautiful still! And there stirred far down within him the ghost of +warmth, as from sparks lingering beneath a mound of flaky ash. And Fleur +infatuated with her boy! Queer chance! Yet, was there such a thing as +chance? A man went down a street, a brick fell on his head. Ah! that +was chance, no doubt. But this! "Inherited," his girl had said. +She--she was "holding on"! + + + + +PART III +I +OLD JOLYON WALKS + +Twofold impulse had made Jolyon say to his wife at breakfast "Let's go up +to Lord's!" + +"Wanted"--something to abate the anxiety in which those two had lived +during the sixty hours since Jon had brought Fleur down. "Wanted"--too, +that which might assuage the pangs of memory in one who knew he might +lose them any day! + +Fifty-eight years ago Jolyon had become an Eton boy, for old Jolyon's +whim had been that he should be canonised at the greatest possible +expense. Year after year he had gone to Lord's from Stanhope Gate with a +father whose youth in the eighteen-twenties had been passed without +polish in the game of cricket. Old Jolyon would speak quite openly of +swipes, full tosses, half and three-quarter balls; and young Jolyon with +the guileless snobbery of youth had trembled lest his sire should be +overheard. Only in this supreme matter of cricket he had been nervous, +for his father--in Crimean whiskers then--had ever impressed him as the +beau ideal. Though never canonised himself, Old Jolyon's natural +fastidiousness and balance had saved him from the errors of the vulgar. +How delicious, after howling in a top hat and a sweltering heat, to go +home with his father in a hansom cab, bathe, dress, and forth to the +"Disunion" Club, to dine off white bait, cutlets, and a tart, and go--two +"swells," old and young, in lavender kid gloves--to the opera or play. +And on Sunday, when the match was over, and his top hat duly broken, down +with his father in a special hansom to the "Crown and Sceptre," and the +terrace above the river--the golden sixties when the world was simple, +dandies glamorous, Democracy not born, and the books of Whyte Melville +coming thick and fast. + +A generation later, with his own boy, Jolly, Harrow-buttonholed with +corn-flowers--by old Jolyon's whim his grandson had been canonised at a +trifle less expense--again Jolyon had experienced the heat and +counter-passions of the day, and come back to the cool and the strawberry +beds of Robin Hill, and billiards after dinner, his boy making the most +heart-breaking flukes and trying to seem languid and grown-up. Those two +days each year he and his son had been alone together in the world, one +on each side--and Democracy just born! + +And so, he had unearthed a grey top hat, borrowed a tiny bit of +light-blue ribbon from Irene, and gingerly, keeping cool, by car and +train and taxi, had reached Lord's Ground. There, beside her in a +lawn-coloured frock with narrow black edges, he had watched the game, and +felt the old thrill stir within him. + +When Soames passed, the day was spoiled. Irene's face was distorted by +compression of the lips. No good to go on sitting here with Soames or +perhaps his daughter recurring in front of them, like decimals. And he +said: + +"Well, dear, if you've had enough--let's go!" + +That evening Jolyon felt exhausted. Not wanting her to see him thus, he +waited till she had begun to play, and stole off to the little study. He +opened the long window for air, and the door, that he might still hear +her music drifting in; and, settled in his father's old armchair, closed +his eyes, with his head against the worn brown leather. Like that +passage of the Cesar Franck Sonata--so had been his life with her, a +divine third movement. And now this business of Jon's--this bad +business! Drifted to the edge of consciousness, he hardly knew if it +were in sleep that he smelled the scent of a cigar, and seemed to see his +father in the blackness before his closed eyes. That shape formed, went, +and formed again; as if in the very chair where he himself was sitting, +he saw his father, black-coated, with. knees crossed, glasses balanced +between thumb and finger; saw the big white moustaches, and the deep eyes +looking up below a dome of forehead and seeming to search his own, +seeming to speak. "Are you facing it, Jo? It's for you to decide. +She's only a woman!" Ah! how well he knew his father in that phrase; how +all the Victorian Age came up with it! And his answer "No, I've funked +it--funked hurting her and Jon and myself. I've got a heart; I've funked +it." But the old eyes, so much older, so much younger than his own, kept +at it; "It's your wife, your son; your past. Tackle it, my boy!" Was it +a message from walking spirit; or but the instinct of his sire living on +within him? And again came that scent of cigar smoke-from the old +saturated leather. Well! he would tackle it, write to Jon, and put the +whole thing down in black and white! And suddenly he breathed with +difficulty, with a sense of suffocation, as if his heart were swollen. +He got up and went out into the air. The stars were very bright. He +passed along the terrace round the corner of the house, till, through the +window of the music-room, he could see Irene at the piano, with +lamp-light falling on her powdery hair; withdrawn into herself she +seemed, her dark eyes staring straight before her, her hands idle. +Jolyon saw her raise those hands and clasp them over her breast. 'It's +Jon, with her,' he thought; 'all Jon! I'm dying out of her--it's +natural!' + +And, careful not to be seen, he stole back. + +Next day, after a bad night, he sat down to his task. He wrote with +difficulty and many erasures. +"MY DEAREST BOY, + +"You are old enough to understand how very difficult it is for elders to +give themselves away to their young. Especially when--like your mother +and myself, though I shall never think of her as anything but +young--their hearts are altogether set on him to whom they must confess. +I cannot say we are conscious of having sinned exactly--people in real +life very seldom are, I believe--but most persons would say we had, and +at all events our conduct, righteous or not, has found us out. The truth +is, my dear, we both have pasts, which it is now my task to make known to +you, because they so grievously and deeply affect your future. Many, +very many years ago, as far back indeed as 1883, when she was only +twenty, your mother had the great and lasting misfortune to make an +unhappy marriage--no, not with me, Jon. Without money of her own, and +with only a stepmother--closely related to Jezebel--she was very unhappy +in her home life. It was Fleur's father that she married, my cousin +Soames Forsyte. He had pursued her very tenaciously and to do him +justice was deeply in love with her. Within a week she knew the fearful +mistake she had made. It was not his fault; it was her error of +judgment--her misfortune." + +So far Jolyon had kept some semblance of irony, but now his subject +carried him away. + +"Jon, I want to explain to you if I can--and it's very hard--how it is +that an unhappy marriage such as this can so easily come about. You will +of course say: 'If she didn't really love him how could she ever have +married him?' You would be right if it were not for one or two rather +terrible considerations. From this initial mistake of hers all the +subsequent trouble, sorrow, and tragedy have come, and so I must make it +clear to you if I can. You see, Jon, in those days and even to this +day--indeed, I don't see, for all the talk of enlightenment, how it can +well be otherwise--most girls are married ignorant of the sexual side of +life. Even if they know what it means they have not experienced it. +That's the crux. It is this actual lack of experience, whatever verbal +knowledge they have, which makes all the difference and all the trouble. +In a vast number of marriages-and your mother's was one--girls are not +and cannot be certain whether they love the man they marry or not; they +do not know until after that act of union which makes the reality of +marriage. Now, in many, perhaps in most doubtful cases, this act cements +and strengthens the attachment, but in other cases, and your mother's was +one, it is a revelation of mistake, a destruction of such attraction as +there was. There is nothing more tragic in a woman's life than such a +revelation, growing daily, nightly clearer. Coarse-grained and unthinking +people are apt to laugh at such a mistake, and say, 'What a fuss about +nothing!' Narrow and self-righteous people, only capable of judging the +lives of others by their own, are apt to condemn those who make this +tragic error, to condemn them for life to the dungeons they have made for +themselves. You know the expression: 'She has made her bed, she must lie +on it!' It is a hard-mouthed saying, quite unworthy of a gentleman or +lady in the best sense of those words; and I can use no stronger +condemnation. I have not been what is called a moral man, but I wish to +use no words to you, my dear, which will make you think lightly of ties +or contracts into which you enter. Heaven forbid! But with the +experience of a life behind me I do say that those who condemn the +victims of these tragic mistakes, condemn them and hold out no hands to +help them, are inhuman, or rather they would be if they had the +understanding to know what they are doing. But they haven't! Let them +go! They are as much anathema to me as I, no doubt, am to them. I have +had to say all this, because I am going to put you into a position to +judge your mother, and you are very young, without experience of what +life is. To go on with the story. After three years of effort to subdue +her shrinking--I was going to say her loathing and it's not too strong a +word, for shrinking soon becomes loathing under such circumstances--three +years of what to a sensitive, beauty-loving nature like your mother's, +Jon, was torment, she met a young man who fell in love with her. He was +the architect of this very house that we live in now, he was building it +for her and Fleur's father to live in, a new prison to hold her, in place +of the one she inhabited with him in London. Perhaps that fact played +some part in what came of it. But in any case she, too, fell in love +with him. I know it's not necessary to explain to you that one does not +precisely choose with whom one will fall in love. It comes. Very well! +It came. I can imagine--though she never said much to me about it--the +struggle that then took place in her, because, Jon, she was brought up +strictly and was not light in her ideas--not at all. However, this was an +overwhelming feeling, and it came to pass that they loved in deed as well +as in thought. Then came a fearful tragedy. I must tell you of it +because if I don't you will never understand the real situation that you +have now to face. The man whom she had married--Soames Forsyte, the +father of Fleur one night, at the height of her passion for this young +man, forcibly reasserted his rights over her. The next day she met her +lover and told him of it. Whether he committed suicide or whether he was +accidentally run over in his distraction, we never knew; but so it was. +Think of your mother as she was that evening when she heard of his death. +I happened to see her. Your grandfather sent me to help her if I could. +I only just saw her, before the door was shut against me by her husband. +But I have never forgotten her face, I can see it now. I was not in love +with her then, not for twelve years after, but I have never for gotten. +My dear boy--it is not easy to write like this. But you see, I must. +Your mother is wrapped up in you, utterly, devotedly. I don't wish to +write harshly of Soames Forsyte. I don't think harshly of him. I have +long been sorry for him; perhaps I was sorry even then. As the world +judges she was in error, he within his rights. He loved her--in his way. +She was his property. That is the view he holds of life--of human +feelings and hearts--property. It's not his fault--so was he born. To +me it is a view that has always been abhorrent--so was I born! Knowing +you as I do, I feel it cannot be otherwise than abhorrent to you. Let me +go on with the story. Your mother fled from his house that night; for +twelve years she lived quietly alone without companionship of any sort, +until in 1899 her husband--you see, he was still her husband, for he did +not attempt to divorce her, and she of course had no right to divorce +him--became conscious, it seems, of the want of children, and commenced a +long attempt to induce her to go back to him and give him a child. I was +her trustee then, under your Grandfather's Will, and I watched this going +on. While watching, I became attached to her, devotedly attached. His +pressure increased, till one day she came to me here and practically put +herself under my protection. Her husband, who was kept informed of all +her movements, attempted to force us apart by bringing a divorce suit, or +possibly he really meant it, I don't know; but anyway our names were +publicly joined. That decided us, and we became united in fact. She was +divorced, married me, and you were born. We have lived in perfect +happiness, at least I have, and I believe your mother also. Soames, soon +after the divorce, married Fleur's mother, and she was born. That is the +story, Jon. I have told it you, because by the affection which we see +you have formed for this man's daughter you are blindly moving toward +what must utterly destroy your mother's happiness, if not your own. I +don't wish to speak of myself, because at my age there's no use supposing +I shall cumber the ground much longer, besides, what I should suffer +would be mainly on her account, and on yours. But what I want you to +realise is that feelings of horror and aversion such as those can never +be buried or forgotten. They are alive in her to-day. Only yesterday at +Lord's we happened to see Soames Forsyte. Her face, if you had seen it, +would have convinced you. The idea that you should marry his daughter is +a nightmare to her, Jon. I have nothing to say against Fleur save that +she is his daughter. But your children, if you married her, would be the +grandchildren of Soames, as much as of your mother, of a man who once +owned your mother as a man might own a slave. Think what that would +mean. By such a marriage you enter the camp which held your mother +prisoner and wherein she ate her heart out. You are just on the +threshold of life, you have only known this girl two months, and however +deeply you think you love her, I appeal to you to break it off at once. +Don't give your mother this rankling pain and humiliation during the rest +of her life. Young though she will always seem to me, she is +fifty-seven. Except for us two she has no one in the world. She will +soon have only you. Pluck up your spirit, Jon, and break away. Don't put +this cloud and barrier between you. Don't break her heart! Bless you, my +dear boy, and again forgive me for all the pain this letter must bring +you--we tried to spare it you, but Spain--it seems---was no good. + +"Ever your devoted father +"JOLYON FORSYTE." + +Having finished his confession, Jolyon sat with a thin cheek on his hand, +re-reading. There were things in it which hurt him so much, when he +thought of Jon reading them, that he nearly tore the letter up. To speak +of such things at all to a boy--his own boy--to speak of them in relation +to his own wife and the boy's own mother, seemed dreadful to the +reticence of his Forsyte soul. And yet without speaking of them how make +Jon understand the reality, the deep cleavage, the ineffaceable scar? +Without them, how justify this stiffing of the boy's love? He might just +as well not write at all! + +He folded the confession, and put it in his pocket. It was--thank +Heaven!--Saturday; he had till Sunday evening to think it over; for even +if posted now it could not reach Jon till Monday. He felt a curious +relief at this delay, and at the fact that, whether sent or not, it was +written. + +In the rose garden, which had taken the place of the old fernery, he +could see Irene snipping and pruning, with a little basket on her arm. +She was never idle, it seemed to him, and he envied her now that he +himself was idle nearly all his time. He went down to her. She held up a +stained glove and smiled. A piece of lace tied under her chin concealed +her hair, and her oval face with its still dark brows looked very young. + +"The green-fly are awful this year, and yet it's cold. You look tired, +Jolyon." + +Jolyon took the confession from his pocket. "I've been writing this. I +think you ought to see it?" + +"To Jon?" Her whole face had changed, in that instant, becoming almost +haggard. + +"Yes; the murder's out." + +He gave it to her, and walked away among the roses. Presently, seeing +that she had finished reading and was standing quite still with the +sheets of the letter against her skirt, he came back to her. + +"Well?" + +"It's wonderfully put. I don't see how it could be put better. Thank +you, dear." + +"Is there anything you would like left out?" + +She shook her head. + +"No; he must know all, if he's to understand." + +"That's what I thought, but--I hate it!" + +He had the feeling that he hated it more than she--to him sex was so much +easier to mention between man and woman than between man and man; and she +had always been more natural and frank, not deeply secretive like his +Forsyte self. + +"I wonder if he will understand, even now, Jolyon? He's so young; and he +shrinks from the physical." + +"He gets that shrinking from my father, he was as fastidious as a girl in +all such matters. Would it be better to rewrite the whole thing, and +just say you hated Soames?" + +Irene shook her head. + +"Hate's only a word. It conveys nothing. No, better as it is." + +"Very well. It shall go to-morrow." + +She raised her face to his, and in sight of the big house's many +creepered windows, he kissed her. + + + + +II + +CONFESSION + +Late that same afternoon, Jolyon had a nap in the old armchair. Face down +on his knee was La Rotisserie de la Refine Pedauque, and just before he +fell asleep he had been thinking: 'As a people shall we ever really like +the French? Will they ever really like us!' He himself had always liked +the French, feeling at home with their wit, their taste, their cooking. +Irene and he had paid many visits to France before the War, when Jon had +been at his private school. His romance with her had begun in Paris--his +last and most enduring romance. But the French--no Englishman could like +them who could not see them in some sort with the detached aesthetic eye! +And with that melancholy conclusion he had nodded off. + +When he woke he saw Jon standing between him and the window. The boy had +evidently come in from the garden and was waiting for him to wake. +Jolyon smiled, still half asleep. How nice the chap looked--sensitive, +affectionate, straight! Then his heart gave a nasty jump; and a quaking +sensation overcame him. Jon! That confession! He controlled himself +with an effort. "Why, Jon, where did you spring from?" + +Jon bent over and kissed his forehead. + +Only then he noticed the look on the boy's face. + +"I came home to tell you something, Dad." + +With all his might Jolyon tried to get the better of the jumping, +gurgling sensations within his chest. + +"Well, sit down, old man. Have you seen your mother?" + +"No." The boy's flushed look gave place to pallor; he sat down on the +arm of the old chair, as, in old days, Jolyon himself used to sit beside +his own father, installed in its recesses. Right up to the time of the +rupture in their relations he had been wont to perch there--had he now +reached such a moment with his own son? All his life he had hated scenes +like poison, avoided rows, gone on his own way quietly and let others go +on theirs. But now--it seemed--at the very end of things, he had a scene +before him more painful than any he had avoided. He drew a visor down +over his emotion, and waited for his son to speak. + +"Father," said Jon slowly, "Fleur and I are engaged." + +'Exactly!' thought Jolyon, breathing with difficulty. + +"I know that you and Mother don't like the idea. Fleur says that Mother +was engaged to her father before you married her. Of course I don't know +what happened, but it must be ages ago. I'm devoted to her, Dad, and she +says she is to me." + +Jolyon uttered a queer sound, half laugh, half groan. + +"You are nineteen, Jon, and I am seventy-two. How are we to understand +each other in a matter like this, eh?" + +"You love Mother, Dad; you must know what we feel. It isn't fair to us +to let old things spoil our happiness, is it?" + +Brought face to face with his confession, Jolyon resolved to do without +it if by any means he could. He laid his hand on the boy's arm. + +"Look, Jon! I might put you off with talk about your both being too young +and not knowing your own minds, and all that, but you wouldn't listen, +besides, it doesn't meet the case--Youth, unfortunately, cures itself. +You talk lightly about 'old things like that,' knowing nothing--as you +say truly--of what happened. Now, have I ever given you reason to doubt +my love for you, or my word?" + +At a less anxious moment he might have been amused by the conflict his +words aroused--the boy's eager clasp, to reassure him on these points, +the dread on his face of what that reassurance would bring forth; but he +could only feel grateful for the squeeze. + +"Very well, you can believe what I tell you. If you don't give up this +love affair, you will make Mother wretched to the end of her days. +Believe me, my dear, the past, whatever it was, can't be buried--it can't +indeed." + +Jon got off the arm of the chair. + +'The girl'--thought Jolyon--'there she goes--starting up before him +--life itself--eager, pretty, loving!' + +"I can't, Father; how can I--just because you say that? Of course, I +can't!" + +"Jon, if you knew the story you would give this up without hesitation; +you would have to! Can't you believe me?" + +"How can you tell what I should think? Father, I love her better than +anything in the world." + +Jolyon's face twitched, and he said with painful slowness: + +"Better than your mother, Jon?" + +From the boy's face, and his clenched fists Jolyon realised the stress +and struggle he was going through. + +"I don't know," he burst out, "I don't know! But to give Fleur up for +nothing--for something I don't understand, for something that I don't +believe can really matter half so much, will make me--make me" + +"Make you feel us unjust, put a barrier--yes. But that's better than +going on with this." + +"I can't. Fleur loves me, and I love her. You want me to trust you; why +don't you trust me, Father? We wouldn't want to know anything--we +wouldn't let it make any difference. It'll only make us both love you +and Mother all the more." + +Jolyon put his hand into his breast pocket, but brought it out again +empty, and sat, clucking his tongue against his teeth. + +"Think what your mother's been to you, Jon! She has nothing but you; I +shan't last much longer." + +"Why not? It isn't fair to--Why not?" + +"Well," said Jolyon, rather coldly, "because the doctors tell me I +shan't; that's all." + +"Oh, Dad!" cried Jon, and burst into tears. + +This downbreak of his son, whom he had not seen cry since he was ten, +moved Jolyon terribly. He recognised to the full how fearfully soft the +boy's heart was, how much he would suffer in this business, and in life +generally. And he reached out his hand helplessly--not wishing, indeed +not daring to get up. + +"Dear man," he said, "don't--or you'll make me!" + +Jon smothered down his paroxysm, and stood with face averted, very still. + +'What now?' thought Jolyon. 'What can I say to move him?' + +"By the way, don't speak of that to Mother," he said; "she has enough to +frighten her with this affair of yours. I know how you feel. But, Jon, +you know her and me well enough to be sure we wouldn't wish to spoil your +happiness lightly. Why, my dear boy, we don't care for anything but your +happiness--at least, with me it's just yours and Mother's and with her +just yours. It's all the future for you both that's at stake." + +Jon turned. His face was deadly pale; his eyes, deep in his head, seemed +to burn. + +"What is it? What is it? Don't keep me like this!" + +Jolyon, who knew that he was beaten, thrust his hand again into his +breast pocket, and sat for a full minute, breathing with difficulty, his +eyes closed. The thought passed through his mind: 'I've had a good long +innings--some pretty bitter moments--this is the worst!' Then he brought +his hand out with the letter, and said with a sort of fatigue: "Well, +Jon, if you hadn't come to-day, I was going to send you this. I wanted +to spare you--I wanted to spare your mother and myself, but I see it's no +good. Read it, and I think I'll go into the garden." He reached forward +to get up. + +Jon, who had taken the letter, said quickly, "No, I'll go"; and was gone. + +Jolyon sank back in his chair. A blue-bottle chose that moment to come +buzzing round him with a sort of fury; the sound was homely, better than +nothing.... Where had the boy gone to read his letter? The wretched +letter--the wretched story! A cruel business--cruel to her--to +Soames--to those two children--to himself!... His heart thumped and +pained him. Life--its loves--its work--its beauty--its aching, and--its +end! A good time; a fine time in spite of all; until--you regretted that +you had ever been born. Life--it wore you down, yet did not make you +want to die--that was the cunning evil! Mistake to have a heart! Again +the blue-bottle came buzzing--bringing in all the heat and hum and scent +of summer--yes, even the scent--as of ripe fruits, dried grasses, sappy +shrubs, and the vanilla breath of cows. And out there somewhere in the +fragrance Jon would be reading that letter, turning and twisting its +pages in his trouble, his bewilderment and trouble--breaking his heart +about it! The thought made Jolyon acutely miserable. Jon was such a +tender-hearted chap, affectionate to his bones, and conscientious, +too--it was so unfair, so damned unfair! He remembered Irene saying to +him once: "Never was any one born more loving and lovable than Jon." Poor +little Jon! His world gone up the spout, all of a summer afternoon! +Youth took things so hard! And stirred, tormented by that vision of +Youth taking things hard, Jolyon got out of his chair, and went to the +window. The boy was nowhere visible. And he passed out. If one could +take any help to him now--one must! + +He traversed the shrubbery, glanced into the walled garden--no Jon! Nor +where the peaches and the apricots were beginning to swell and colour. +He passed the Cupressus trees, dark and spiral, into the meadow. Where +had the boy got to? Had he rushed down to the coppice--his old +hunting-ground? Jolyon crossed the rows of hay. They would cock it on +Monday and be carrying the day after, if rain held off. Often they had +crossed this field together--hand in hand, when Jon was a little chap. +Dash it! The golden age was over by the time one was ten! He came to +the pond, where flies and gnats were dancing over a bright reedy surface; +and on into the coppice. It was cool there, fragrant of larches. Still +no Jon! He called. No answer! On the log seat he sat down, nervous, +anxious, forgetting his own physical sensations. He had been wrong to +let the boy get away with that letter; he ought to have kept him under +his eye from the start! Greatly troubled, he got up to retrace his +steps. At the farm-buildings he called again, and looked into the dark +cow-house. There in the cool, and the scent of vanilla and ammonia, away +from flies, the three Alderneys were chewing the quiet cud; just milked, +waiting for evening, to be turned out again into the lower field. One +turned a lazy head, a lustrous eye; Jolyon could see the slobber on its +grey lower lip. He saw everything with passionate clearness, in the +agitation of his nerves--all that in his time he had adored and tried to +paint--wonder of light and shade and colour. No wonder the legend put +Christ into a manger--what more devotional than the eyes and moon-white +horns of a chewing cow in the warm dusk! He called again. No answer! +And he hurried away out of the coppice, past the pond, up the hill. +Oddly ironical--now he came to think of it--if Jon had taken the gruel of +his discovery down in the coppice where his mother and Bosinney in those +old days had made the plunge of acknowledging their love. Where he +himself, on the log seat the Sunday morning he came back from Paris, had +realised to the full that Irene had become the world to him. That would +have been the place for Irony to tear the veil from before the eyes of +Irene's boy! But he was not here! Where had he got to? One must find +the poor chap! + +A gleam of sun had come, sharpening to his hurrying senses all the beauty +of the afternoon, of the tall trees and lengthening shadows, of the blue, +and the white clouds, the scent of the hay, and the cooing of the +pigeons; and the flower shapes standing tall. He came to the rosery, and +the beauty of the roses in that sudden sunlight seemed to him unearthly. +"Rose, you Spaniard!" Wonderful three words! There she had stood by +that bush of dark red roses; had stood to read and decide that Jon must +know it all! He knew all now! Had she chosen wrong? He bent and +sniffed a rose, its petals brushed his nose and trembling lips; nothing +so soft as a rose-leaf's velvet, except her neck--Irene! On across the +lawn he went, up the slope, to the oak-tree. Its top alone was +glistening, for the sudden sun was away over the house; the lower shade +was thick, blessedly cool--he was greatly overheated. He paused a minute +with his hand on the rope of the swing--Jolly, Holly--Jon! The old +swing! And suddenly, he felt horribly--deadly ill. 'I've over done it!' +he thought: 'by Jove! I've overdone it--after all!' He staggered up +toward the terrace, dragged himself up the steps, and fell against the +wall of the house. He leaned there gasping, his face buried in the +honey-suckle that he and she had taken such trouble with that it might +sweeten the air which drifted in. Its fragrance mingled with awful pain. +'My love!' he thought; 'the boy!' And with a great effort he tottered in +through the long window, and sank into old Jolyon's chair. The book was +there, a pencil in it; he caught it up, scribbled a word on the open +page.... His hand dropped.... So it was like this--was it?... + +There was a great wrench; and darkness.... + + + + +III + +IRENE + +When Jon rushed away with the letter in his hand, he ran along the +terrace and round the corner of the house, in fear and confusion. Leaning +against the creepered wall he tore open the letter. It was long--very +long! This added to his fear, and he began reading. When he came to the +words: "It was Fleur's father that she married," everything seemed to +spin before him. He was close to a window, and entering by it, he +passed, through music-room and hall, up to his bedroom. Dipping his face +in cold water, he sat on his bed, and went on reading, dropping each +finished page on the bed beside him. His father's writing was easy to +read--he knew it so well, though he had never had a letter from him one +quarter so long. He read with a dull feeling--imagination only half at +work. He best grasped, on that first reading, the pain his father must +have had in writing such a letter. He let the last sheet fall, and in a +sort of mental, moral helplessness began to read the first again. It all +seemed to him disgusting--dead and disgusting. Then, suddenly, a hot +wave of horrified emotion tingled through him. He buried his face in his +hands. His mother! Fleur's father! He took up the letter again, and +read on mechanically. And again came the feeling that it was all dead +and disgusting; his own love so different! This letter said his +mother--and her father! An awful letter! + +Property! Could there be men who looked on women as their property? +Faces seen in street and countryside came thronging up before him--red, +stock-fish faces; hard, dull faces; prim, dry faces; violent faces; +hundreds, thousands of them! How could he know what men who had such +faces thought and did? He held his head in his hands and groaned. His +mother! He caught up the letter and read on again: "horror and +aversion-alive in her to-day.... your children.... grandchildren.... of +a man who once owned your mother as a man might own a slave...." He got +up from his bed. This cruel shadowy past, lurking there to murder his +love and Fleur's, was true, or his father could never have written it. +'Why didn't they tell me the first thing,' he thought, 'the day I first +saw Fleur? They knew I'd seen her. They were afraid, +and--now--I've--got it!' Overcome by misery too acute for thought or +reason, he crept into a dusky corner of the room and sat down on the +floor. He sat there, like some unhappy little animal. There was comfort +in dusk, and the floor--as if he were back in those days when he played +his battles sprawling all over it. He sat there huddled, his hair +ruffled, his hands clasped round his knees, for how long he did not know. +He was wrenched from his blank wretchedness by the sound of the door +opening from his mother's room. The blinds were down over the windows of +his room, shut up in his absence, and from where he sat he could only +hear a rustle, her footsteps crossing, till beyond the bed he saw her +standing before his dressing-table. She had something in her hand. He +hardly breathed, hoping she would not see him, and go away. He saw her +touch things on the table as if they had some virtue in them, then face +the window-grey from head to foot like a ghost. The least turn of her +head, and she must see him! Her lips moved: "Oh! Jon!" She was speaking +to herself; the tone of her voice troubled Jon's heart. He saw in her +hand a little photograph. She held it toward the light, looking at +it--very small. He knew it--one of himself as a tiny boy, which she +always kept in her bag. His heart beat fast. And, suddenly as if she had +heard it, she turned her eyes and saw him. At the gasp she gave, and the +movement of her hands pressing the photograph against her breast, he +said: + +"Yes, it's me." + +She moved over to the bed, and sat down on it, quite close to him, her +hands still clasping her breast, her feet among the sheets of the letter +which had slipped to the floor. She saw them, and her hands grasped the +edge of the bed. She sat very upright, her dark eyes fixed on him. At +last she spoke. + +"Well, Jon, you know, I see." + +"Yes." + +"You've seen Father?" + +"Yes." + +There was a long silence, till she said: + +"Oh! my darling!" + +"It's all right." The emotions in him were so, violent and so mixed that +he dared not move--resentment, despair, and yet a strange yearning for +the comfort of her hand on his forehead. + +"What are you going to do?" + +"I don't know." + +There was another long silence, then she got up. She stood a moment, +very still, made a little movement with her hand, and said: "My darling +boy, my most darling boy, don't think of me--think of yourself," and, +passing round the foot of the bed, went back into her room. + +Jon turned--curled into a sort of ball, as might a hedgehog--into the +corner made by the two walls. + +He must have been twenty minutes there before a cry roused him. It came +from the terrace below. He got up, scared. Again came the cry: "Jon!" +His mother was calling! He ran out and down the stairs, through the +empty dining-room into the study. She was kneeling before the old +armchair, and his father was lying back quite white, his head on his +breast, one of his hands resting on an open book, with a pencil clutched +in it--more strangely still than anything he had ever seen. She looked +round wildly, and said: + +"Oh! Jon--he's dead--he's dead!" + +Jon flung himself down, and reaching over the arm of the chair, where he +had lately been sitting, put his lips to the forehead. Icy cold! How +could--how could Dad be dead, when only an hour ago--! His mother's arms +were round the knees; pressing her breast against them. "Why--why wasn't +I with him?" he heard her whisper. Then he saw the tottering word +"Irene" pencilled on the open page, and broke down himself. It was his +first sight of human death, and its unutterable stillness blotted from +him all other emotion; all else, then, was but preliminary to this! All +love and life, and joy, anxiety, and sorrow, all movement, light and +beauty, but a beginning to this terrible white stillness. It made a +dreadful mark on him; all seemed suddenly little, futile, short. He +mastered himself at last, got up, and raised her. + +"Mother! don't cry--Mother!" + +Some hours later, when all was done that had to be, and his mother was +lying down, he saw his father alone, on the bed, covered with a white +sheet. He stood for a long time gazing at that face which had never +looked angry--always whimsical, and kind. "To be kind and keep your end +up--there's nothing else in it," he had once heard his father say. How +wonderfully Dad had acted up to that philosophy! He understood now that +his father had known for a long time past that this would come +suddenly--known, and not said a word. He gazed with an awed and +passionate reverence. The loneliness of it--just to spare his mother and +himself! His own trouble seemed small while he was looking at that face. +The word scribbled on the page! The farewell word! Now his mother had +no one but himself! He went up close to the dead face--not changed at +all, and yet completely changed. He had heard his father say once that +he did not believe in consciousness surviving death, or that if it did it +might be just survival till the natural age limit of the body had been +reached--the natural term of its inherent vitality; so that if the body +were broken by accident, excess, violent disease, consciousness might +still persist till, in the course of Nature uninterfered with, it would +naturally have faded out. It had struck him because he had never heard +any one else suggest it. When the heart failed like this--surely it was +not quite natural! Perhaps his father's consciousness was in the room +with him. Above the bed hung a picture of his father's father. Perhaps +his consciousness, too, was still alive; and his brother's--his +half-brother, who had died in the Transvaal. Were they all gathered +round this bed? Jon kissed the forehead, and stole back to his own room. +The door between it and his mother's was ajar; she had evidently been +in--everything was ready for him, even some biscuits and hot milk, and +the letter no longer on the floor. He ate and drank, watching the last +light fade. He did not try to see into the future--just stared at the +dark branches of the oak-tree, level with his window, and felt as if life +had stopped. Once in the night, turning in his heavy sleep, he was +conscious of something white and still, beside his bed, and started up. + +His mother's voice said: + +"It's only I, Jon dear!" Her hand pressed his forehead gently back; her +white figure disappeared. + +Alone! He fell heavily asleep again, and dreamed he saw his mother's +name crawling on his bed. + + + + +IV + +SOAMES COGITATES + +The announcement in The Times of his cousin Jolyon's death affected +Soames quite simply. So that chap was gone! There had never been a time +in their two lives when love had not been lost between them. That +quick-blooded sentiment hatred had run its course long since in Soames' +heart, and he had refused to allow any recrudescence, but he considered +this early decease a piece of poetic justice. For twenty years the +fellow had enjoyed the reversion of his wife and house, and--he was dead! +The obituary notice, which appeared a little later, paid Jolyon--he +thought--too much attention. It spoke of that "diligent and agreeable +painter whose work we have come to look on as typical of the best +late-Victorian water-colour art." Soames, who had almost mechanically +preferred Mole, Morpin, and Caswell Baye, and had always sniffed quite +audibly when he came to one of his cousin's on the line, turned The Times +with a crackle. + +He had to go up to Town that morning on Forsyte affairs, and was fully +conscious of Gradman's glance sidelong over his spectacles. The old clerk +had about him an aura of regretful congratulation. He smelled, as it +were, of old days. One could almost hear him thinking: "Mr. Jolyon, +ye-es--just my age, and gone--dear, dear! I dare say she feels it. She +was a mice-lookin' woman. Flesh is flesh! They've given 'im a notice in +the papers. Fancy!" His atmosphere in fact caused Soames to handle +certain leases and conversions with exceptional swiftness. + +"About that settlement on Miss Fleur, Mr. Soames?" + +"I've thought better of that," answered Soames shortly. + +"Ah! I'm glad of that. I thought you were a little hasty. The times do +change." + +How this death would affect Fleur had begun to trouble Soames. He was +not certain that she knew of it--she seldom looked at the paper, never at +the births, marriages, and deaths. + +He pressed matters on, and made his way to Green Street for lunch. +Winifred was almost doleful. Jack Cardigan had broken a splashboard, so +far as one could make out, and would not be "fit" for some time. She +could not get used to the idea. + +"Did Profond ever get off?" he said suddenly. + +"He got off," replied Winifred, "but where--I don't know." + +Yes, there it was--impossible to tell anything! Not that he wanted to +know. Letters from Annette were coming from Dieppe, where she and her +mother were staying. + +"You saw that fellow's death, I suppose?" + +"Yes," said Winifred. "I'm sorry for--for his children. He was very +amiable." Soames uttered a rather queer sound. A suspicion of the old +deep truth--that men were judged in this world rather by what they were +than by what they did--crept and knocked resentfully at the back doors of +his mind. + +"I know there was a superstition to that effect," he muttered. + +"One must do him justice now he's dead." + +"I should like to have done him justice before," said Soames; "but I +never had the chance. Have you got a 'Baronetage' here?" + +"Yes; in that bottom row." + +Soames took out a fat red book, and ran over the leaves. + +"Mont-Sir Lawrence, 9th Bt., cr. 1620, e. s. of Geoffrey, 8th Bt., and +Lavinia, daur. of Sir Charles Muskham, Bt., of Muskham Hall, Shrops: +marr. 1890 Emily, daur. of Conway Charwell, Esq., of Condaford Grange, +co. Oxon; 1 son, heir Michael Conway, b. 1895, 2 daurs. Residence: +Lippinghall Manor, Folwell, Bucks. Clubs: Snooks': Coffee House: +Aeroplane. See BidIicott." + +"H'm!" he said. "Did you ever know a publisher?" + +"Uncle Timothy." + +"Alive, I mean." + +"Monty knew one at his Club. He brought him here to dinner once. Monty +was always thinking of writing a book, you know, about how to make money +on the turf. He tried to interest that man." + +"Well?" + +"He put him on to a horse--for the Two Thousand. We didn't see him +again. He was rather smart, if I remember." + +"Did it win?" + +"No; it ran last, I think. You know Monty really was quite clever in his +way." + +"Was he?" said Soames. "Can you see any connection between a sucking +baronet and publishing?" + +"People do all sorts of things nowadays," replied Winifred. "The great +stunt seems not to be idle--so different from our time. To do nothing +was the thing then. But I suppose it'll come again." + +"This young Mont that I'm speaking of is very sweet on Fleur. If it +would put an end to that other affair I might encourage it." + +"Has he got style?" asked Winifred. + +"He's no beauty; pleasant enough, with some scattered brains. There's a +good deal of land, I believe. He seems genuinely attached. But I don't +know." + +"No," murmured Winifred; "it's--very difficult. I always found it best +to do nothing. It is such a bore about Jack; now we shan't get away till +after Bank Holiday. Well, the people are always amusing, I shall go into +the Park and watch them." + +"If I were you," said Soames, "I should have a country cottage, and be +out of the way of holidays and strikes when you want." + +"The country bores me," answered Winifred, "and I found the railway +strike quite exciting." + +Winifred had always been noted for sang-froid. + +Soames took his leave. All the way down to Reading he debated whether he +should tell Fleur of that boy's father's death. It did not alter the +situation except that he would be independent now, and only have his +mother's opposition to encounter. He would come into a lot of money, no +doubt, and perhaps the house--the house built for Irene and himself--the +house whose architect had wrought his domestic ruin. His +daughter--mistress of that house! That would be poetic justice! Soames +uttered a little mirthless laugh. He had designed that house to +re-establish his failing union, meant it for the seat of his descendants, +if he could have induced Irene to give him one! Her son and Fleur! Their +children would be, in some sort, offspring of the union between himself +and her! + +The theatricality in that thought was repulsive to his sober sense. And +yet--it would be the easiest and wealthiest way out of the impasse, now +that Jolyon was gone. The juncture of two Forsyte fortunes had a kind of +conservative charm. And she--Irene-would be linked to him once more. +Nonsense! Absurd! He put the notion from his head. + +On arriving home he heard the click of billiard-balls, and through the +window saw young Mont sprawling over the table. Fleur, with her cue +akimbo, was watching with a smile. How pretty she looked! No wonder +that young fellow was out of his mind about her. A title--land! There +was little enough in land, these days; perhaps less in a title. The old +Forsytes had always had a kind of contempt for titles, rather remote and +artificial things--not worth the money they cost, and having to do with +the Court. They had all had that feeling in differing measure--Soames +remembered. Swithin, indeed, in his most expansive days had once +attended a Levee. He had come away saying he shouldn't go again--"all +that small fry." It was suspected that he had looked too big in +knee-breeches. Soames remembered how his own mother had wished to be +presented because of the fashionable nature of the performance, and how +his father had put his foot down with unwonted decision. What did she +want with that peacocking--wasting time and money; there was nothing in +it! + +The instinct which had made and kept the English Commons the chief power +in the State, a feeling that their own world was good enough and a little +better than any other because it was their world, had kept the old +Forsytes singularly free of "flummery," as Nicholas had been wont to call +it when he had the gout. Soames' generation, more self-conscious and +ironical, had been saved by a sense of Swithin in knee-breeches. While +the third and the fourth generation, as it seemed to him, laughed at +everything. + +However, there was no harm in the young fellow's being heir to a title +and estate--a thing one couldn't help. He entered quietly, as Mont +missed his shot. He noted the young man's eyes, fixed on Fleur bending +over in her turn; and the adoration in them almost touched him. + +She paused with the cue poised on the bridge of her slim hand, and shook +her crop of short dark chestnut hair. + +"I shall never do it." + +"'Nothing venture.'" + +"All right." The cue struck, the ball rolled. "There!" + +"Bad luck! Never mind!" + +Then they saw him, and Soames said: + +"I'll mark for you." + +He sat down on the raised seat beneath the marker, trim and tired, +furtively studying those two young faces. When the game was over Mont +came up to him. + +"I've started in, sir. Rum game, business, isn't it? I suppose you saw +a lot of human nature as a solicitor." + +"I did." + +"Shall I tell you what I've noticed: People are quite on the wrong tack +in offering less than they can afford to give; they ought to offer more, +and work backward." + +Soames raised his eyebrows. + +"Suppose the more is accepted?" + +"That doesn't matter a little bit," said Mont; "it's much more paying to +abate a price than to increase it. For instance, say we offer an author +good terms--he naturally takes them. Then we go into it, find we can't +publish at a decent profit and tell him so. He's got confidence in us +because we've been generous to him, and he comes down like a lamb, and +bears us no malice. But if we offer him poor terms at the start, he +doesn't take them, so we have to advance them to get him, and he thinks +us damned screws into the bargain. + +"Try buying pictures on that system," said Soames; "an offer accepted is +a contract--haven't you learned that?" + +Young Mont turned his head to where Fleur was standing in the window. + +"No," he said, "I wish I had. Then there's another thing. Always let a +man off a bargain if he wants to be let off." + +"As advertisement?" said Soames dryly. + +"Of course it is; but I meant on principle." + +"Does your firm work on those lines?" + +"Not yet," said Mont, "but it'll come." + +"And they will go." + +"No, really, sir. I'm making any number of observations, and they all +confirm my theory. Human nature is consistently underrated in business, +people do themselves out of an awful lot of pleasure and profit by that. +Of course, you must be perfectly genuine and open, but that's easy if you +feel it. The more human and generous you are the better chance you've +got in business." + +Soames rose. + +"Are you a partner?" + +"Not for six months, yet." + +"The rest of the firm had better make haste and retire." + +Mont laughed. + +"You'll see," he said. "There's going to be a big change. The +possessive principle has got its shutters up." + +"What?" said Soames. + +"The house is to let! Good-bye, sir; I'm off now." + +Soames watched his daughter give her hand, saw her wince at the squeeze +it received, and distinctly heard the young man's sigh as he passed out. +Then she came from the window, trailing her finger along the mahogany +edge of the billiard-table. Watching her, Soames knew that she was going +to ask him something. Her finger felt round the last pocket, and she +looked up. + +"Have you done anything to stop Jon writing to me, Father?" + +Soames shook his head. + +"You haven't seen, then?" he said. "His father died just a week ago +to-day." + +"Oh!" + +In her startled, frowning face he saw the instant struggle to apprehend +what this would mean. + +"Poor Jon! Why didn't you tell me, Father?" + +"I never know!" said Soames slowly; "you don't confide in me." + +"I would, if you'd help me, dear." + +"Perhaps I shall." + +Fleur clasped her hands. "Oh! darling--when one wants a thing fearfully, +one doesn't think of other people. Don't be angry with me." + +Soames put out his hand, as if pushing away an aspersion. + +"I'm cogitating," he said. What on earth had made him use a word like +that! "Has young Mont been bothering you again?" + +Fleur smiled. "Oh! Michael! He's always bothering; but he's such a good +sort--I don't mind him." + +"Well," said Soames, "I'm tired; I shall go and have a nap before +dinner." + +He went up to his picture-gallery, lay down on the couch there, and +closed his eyes. A terrible responsibility this girl of his--whose +mother was--ah! what was she? A terrible responsibility! Help her--how +could he help her? He could not alter the fact that he was her father. +Or that Irene--! What was it young Mont had said--some nonsense about +the possessive instinct--shutters up--To let? Silly! + +The sultry air, charged with a scent of meadow-sweet, of river and roses, +closed on his senses, drowsing them. + + + + +V + +THE FIXED IDEA + +"The fixed idea," which has outrun more constables than any other form of +human disorder, has never more speed and stamina than when it takes the +avid guise of love. To hedges and ditches, and doors, to humans without +ideas fixed or otherwise, to perambulators and the contents sucking their +fixed ideas, even to the other sufferers from this fast malady--the fixed +idea of love pays no attention. It runs with eyes turned inward to its +own light, oblivious of all other stars. Those with the fixed ideas that +human happiness depends on their art, on vivisecting dogs, on hating +foreigners, on paying supertax, on remaining Ministers, on making wheels +go round, on preventing their neighbours from being divorced, on +conscientious objection, Greek roots, Church dogma, paradox and +superiority to everybody else, with other forms of ego-mania--all are +unstable compared with him or her whose fixed idea is the possession of +some her or him. And though Fleur, those chilly summer days, pursued the +scattered life of a little Forsyte whose frocks are paid for, and whose +business is pleasure, she was--as Winifred would have said in the latest +fashion of speech--"honest to God" indifferent to it all. She wished and +wished for the moon, which sailed in cold skies above the river or the +Green Park when she went to Town. She even kept Jon's letters, covered +with pink silk, on her heart, than which in days when corsets were so +low, sentiment so despised, and chests so out of fashion, there could, +perhaps, have been no greater proof of the fixity of her idea. + +After hearing of his father's death, she wrote to Jon, and received his +answer three days later on her return from a river picnic. It was his +first letter since their meeting at June's. She opened it with +misgiving, and read it with dismay. + +"Since I saw you I've heard everything about the past. I won't tell it +you--I think you knew when we met at June's. She says you did. If you +did, Fleur, you ought to have told me. I expect you only heard your +father's side of it. I have heard my mother's. It's dreadful. Now that +she's so sad I can't do anything to hurt her more. Of course, I long for +you all day, but I don't believe now that we shall ever come +together--there's something too strong pulling us apart." + +So! Her deception had found her out. But Jon--she felt--had forgiven +that. It was what he said of his mother which caused the guttering in +her heart and the weak sensation in her legs. + +Her first impulse was to reply--her second, not to reply. These impulses +were constantly renewed in the days which followed, while desperation +grew within her. She was not her father's child for nothing. The +tenacity which had at once made and undone Soames was her backbone, too, +frilled and embroidered by French grace and quickness. Instinctively she +conjugated the verb "to have" always with the pronoun "I." She +concealed, however, all signs of her growing desperation, and pursued +such river pleasures as the winds and rain of a disagreeable July +permitted, as if she had no care in the world; nor did any "sucking +baronet" ever neglect the business of a publisher more consistently than +her attendant spirit, Michael Mont. + +To Soames she was a puzzle. He was almost deceived by this careless +gaiety. Almost--because he did not fail to mark her eyes often fixed on +nothing, and the film of light shining from her bedroom window late at +night. What was she thinking and brooding over into small hours when she +ought to have been asleep? But he dared not ask what was in her mind; +and, since that one little talk in the billiard-room, she said nothing to +him. + +In this taciturn condition of affairs it chanced that Winifred invited +them to lunch and to go afterward to "a most amusing little play, 'The +Beggar's Opera'" and would they bring a man to make four? Soames, whose +attitude toward theatres was to go to nothing, accepted, because Fleur's +attitude was to go to everything. They motored up, taking Michael Mont, +who, being in his seventh heaven, was found by Winifred "very amusing." +"The Beggar's Opera" puzzled Soames. The people were very unpleasant, +the whole thing very cynical. Winifred was "intrigued"--by the dresses. +The music, too, did not displease her. At the Opera, the night before, +she had arrived too early for the Russian Ballet, and found the stage +occupied by singers, for a whole hour pale or apoplectic from terror lest +by some dreadful inadvertence they might drop into a tune. Michael Mont +was enraptured with the whole thing. And all three wondered what Fleur +was thinking of it. But Fleur was not thinking of it. Her fixed idea +stood on the stage and sang with Polly Peachum, mimed with Filch, danced +with Jenny Diver, postured with Lucy Lockit, kissed, trolled, and cuddled +with Macheath. Her lips might smile, her hands applaud, but the comic +old masterpiece made no more impression on her than if it had been +pathetic, like a modern "Revue." When they embarked in the car to +return, she ached because Jon was not sitting next her instead of Michael +Mont. When, at some jolt, the young man's arm touched hers as if by +accident, she only thought: 'If that were Jon's arm!' When his cheerful +voice, tempered by her proximity, murmured above the sound of the car's +progress, she smiled and answered, thinking: 'If that were Jon's voice!' +and when once he said, "Fleur, you look a perfect angel in that dress!" +she answered, "Oh, do you like it?" thinking, 'If only Jon could see it!' + +During this drive she took a resolution. She would go to Robin Hill and +see him--alone; she would take the car, without word beforehand to him or +to her father. It was nine days since his letter, and she could wait no +longer. On Monday she would go! The decision made her well disposed +toward young Mont. With something to look forward to she could afford to +tolerate and respond. He might stay to dinner; propose to her as usual; +dance with her, press her hand, sigh--do what he liked. He was only a +nuisance when he interfered with her fixed idea. She was even sorry for +him so far as it was possible to be sorry for anybody but herself just +now. At dinner he seemed to talk more wildly than usual about what he +called "the death of the close borough"--she paid little attention, but +her father seemed paying a good deal, with the smile on his face which +meant opposition, if not anger. + +"The younger generation doesn't think as you do, sir; does it, Fleur?" + +Fleur shrugged her shoulders--the younger generation was just Jon, and +she did not know what he was thinking. + +"Young people will think as I do when they're my age, Mr. Mont. Human +nature doesn't change." + +"I admit that, sir; but the forms of thought change with the times. The +pursuit of self-interest is a form of thought that's going out." + +"Indeed! To mind one's own business is not a form of thought, Mr. Mont, +it's an instinct." + +Yes, when Jon was the business! + +"But what is one's business, sir? That's the point. Everybody's +business is going to be one's business. Isn't it, Fleur?" + +Fleur only smiled. + +"If not," added young Mont, "there'll be blood." + +"People have talked like that from time immemorial" + +"But you'll admit, sir, that the sense of property is dying out?" + +"I should say increasing among those who have none." + +"Well, look at me! I'm heir to an entailed estate. I don't want the +thing; I'd cut the entail to-morrow." + +"You're not married, and you don't know what you're talking about." + +Fleur saw the young man's eyes turn rather piteously upon her. + +"Do you really mean that marriage--?" he began. + +"Society is built on marriage," came from between her father's close +lips; "marriage and its consequences. Do you want to do away with it?" + +Young Mont made a distracted gesture. Silence brooded over the dinner +table, covered with spoons bearing the Forsyte crest--a pheasant +proper--under the electric light in an alabaster globe. And outside, the +river evening darkened, charged with heavy moisture and sweet scents. + +'Monday,' thought Fleur; 'Monday!' + + + + +VI + +DESPERATE + +The weeks which followed the death of his father were sad and empty +to the only Jolyon Forsyte left. The necessary forms and ceremonies +--the reading of the Will, valuation of the estate, distribution of +the legacies--were enacted over the head, as it were, of one not yet +of age. Jolyon was cremated. By his special wish no one attended +that ceremony, or wore black for him. The succession of his +property, controlled to some extent by old Jolyon's Will, left his +widow in possession of Robin Hill, with two thousand five hundred +pounds a year for life. Apart from this the two Wills worked +together in some complicated way to insure that each of Jolyon's +three children should have an equal share in their grandfather's and +father's property in the future as in the present, save only that +Jon, by virtue of his sex, would have control of his capital when he +was twenty-one, while June and Holly would only have the spirit of +theirs, in order that their children might have the body after them. +If they had no children, it would all come to Jon if he outlived +them; and since June was fifty, and Holly nearly forty, it was +considered in Lincoln's Inn Fields that but for the cruelty of income +tax, young Jon would be as warm a man as his grandfather when he +died. All this was nothing to Jon, and little enough to his mother. +It was June who did everything needful for one who had left his +affairs in perfect order. When she had gone, and those two were +alone again in the great house, alone with death drawing them +together, and love driving them apart, Jon passed very painful days +secretly disgusted and disappointed with himself. His mother would +look at him with such a patient sadness which yet had in it an +instinctive pride, as if she were reserving her defence. If she +smiled he was angry that his answering smile should be so grudging +and unnatural. He did not judge or condemn her; that was all too +remote--indeed, the idea of doing so had never come to him. No! he +was grudging and unnatural because he couldn't have what he wanted be +cause of her. There was one alleviation--much to do in connection +with his father's career, which could not be safely entrusted to +June, though she had offered to undertake it. Both Jon and his +mother had felt that if she took his portfolios, unexhibited drawings +and unfinished matter, away with her, the work would encounter such +icy blasts from Paul Post and other frequenters of her studio, that +it would soon be frozen out even of her warm heart. On its +old-fashioned plane and of its kind the work was good, and they could not +bear the thought of its subjection to ridicule. A one-man exhibition +of his work was the least testimony they could pay to one they had +loved; and on preparation for this they spent many hours together. +Jon came to have a curiously increased respect for his father. The +quiet tenacity with which he had converted a mediocre talent into +something really individual was disclosed by these researches. There +was a great mass of work with a rare continuity of growth in depth +and reach of vision. Nothing certainly went very deep, or reached +very high--but such as the work was, it was thorough, conscientious, +and complete. And, remembering his father's utter absence of "side" +or self-assertion, the chaffing humility with which he had always +spoken of his own efforts, ever calling himself "an amateur," Jon +could not help feeling that he had never really known his father. To + take himself seriously, yet never bore others by letting them know +that he did so, seemed to have been his ruling principle. There was +something in this which appealed to the boy, and made him heartily +endorse his mother's comment: "He had true refinement; he couldn't +help thinking of others, whatever he did. And when he took a +resolution which went counter, he did it with the minimum of +defiance--not like the Age, is it? Twice in his life he had to go +against everything; and yet it never made him bitter." Jon saw tears +running down her face, which she at once turned away from him. She +was so quiet about her loss that sometimes he had thought she didn't +feel it much. Now, as he looked at her, he felt how far he fell +short of the reserve power and dignity in both his father and his +mother. And, stealing up to her, he put his arm round her waist. +She kissed him swiftly, but with a sort of passion, and went out of +the room. + +The studio, where they had been sorting and labelling, had once been +Holly's schoolroom, devoted to her silkworms, dried lavender, music, and +other forms of instruction. Now, at the end of July, despite its +northern and eastern aspects, a warm and slumberous air came in between +the long-faded lilac linen curtains. To redeem a little the departed +glory, as of a field that is golden and gone, clinging to a room which +its master has left, Irene had placed on the paint-stained table a bowl +of red roses. This, and Jolyon's favourite cat, who still clung to the +deserted habitat, were the pleasant spots in that dishevelled, sad +workroom. Jon, at the north window, sniffing air mysteriously scented +with warm strawberries, heard a car drive up. The lawyers again about +some nonsense! Why did that scent so make one ache? And where did it +come from--there were no strawberry beds on this side of the house. +Instinctively he took a crumpled sheet of paper from his pocket, and +wrote down some broken words. A warmth began spreading in his chest; he +rubbed the palms of his hands together. Presently he had jotted this: + +"If I could make a little song A little song to soothe my heart! I'd make +it all of little things The plash of water, rub of wings, The puffing-off +of dandies crown, The hiss of raindrop spilling down, The purr of cat, +the trill of bird, And ev'ry whispering I've heard From willy wind in +leaves and grass, And all the distant drones that pass. A song as tender +and as light As flower, or butterfly in flight; And when I saw it +opening, I'd let it fly and sing!" + +He was still muttering it over to himself at the window, when he heard +his name called, and, turning round, saw Fleur. At that amazing +apparition, he made at first no movement and no sound, while her clear +vivid glance ravished his heart. Then he went forward to the table, +saying, "How nice of you to come!" and saw her flinch as if he had thrown +something at her. + +"I asked for you," she said, "and they showed me up here. But I can go +away again." + +Jon clutched the paint-stained table. Her face and figure in its frilly +frock photographed itself with such startling vividness upon his eyes, +that if she had sunk through the floor he must still have seen her. + +"I know I told you a lie, Jon. But I told it out of love." + +"Yes, oh! yes! That's nothing!" + +"I didn't answer your letter. What was the use--there wasn't anything to +answer. I wanted to see you instead." She held out both her hands, and +Jon grasped them across the table. He tried to say something, but all +his attention was given to trying not to hurt her hands. His own felt so +hard and hers so soft. She said almost defiantly: + +"That old story--was it so very dreadful?" + +"Yes." In his voice, too, there was a note of defiance. + +She dragged her hands away. "I didn't think in these days boys were tied +to their mothers' apron-strings." + +Jon's chin went up as if he had been struck. + +"Oh! I didn't mean it, Jon. What a horrible thing to say!" Swiftly she +came close to him. "Jon, dear; I didn't mean it." + +"All right." + +She had put her two hands on his shoulder, and her forehead down on them; +the brim of her hat touched his neck, and he felt it quivering. But, in a +sort of paralysis, he made no response. She let go of his shoulder and +drew away. + +"Well, I'll go, if you don't want me. But I never thought you'd have +given me up." + +"I haven't," cried Jon, coming suddenly to life. "I can't. I'll try +again." + +Her eyes gleamed, she swayed toward him. "Jon--I love you! Don't give +me up! If you do, I don't know what--I feel so desperate. What does it +matter--all that past-compared with this?" + +She clung to him. He kissed her eyes, her cheeks, her lips. But while +he kissed her he saw, the sheets of that letter fallen down on the floor +of his bedroom--his father's white dead face--his mother kneeling before +it. Fleur's whispered, "Make her! Promise! Oh! Jon, try!" seemed +childish in his ear. He felt curiously old. + +"I promise!" he muttered. "Only, you don't understand." + +"She wants to spoil our lives, just because--" + +"Yes, of what?" + +Again that challenge in his voice, and she did not answer. Her arms +tightened round him, and he returned her kisses; but even while he +yielded, the poison worked in him, the poison of the letter. Fleur did +not know, she did not understand--she misjudged his mother; she came from +the enemy's camp! So lovely, and he loved her so--yet, even in her +embrace, he could not help the memory of Holly's words: "I think she has +a 'having' nature," and his mother's "My darling boy, don't think of +me--think of yourself!" + +When she was gone like a passionate dream, leaving her image on his eyes, +her kisses on his lips, such an ache in his heart, Jon leaned in the +window, listening to the car bearing her away. Still the scent as of +warm strawberries, still the little summer sounds that should make his +song; still all the promise of youth and happiness in sighing, floating, +fluttering July--and his heart torn; yearning strong in him; hope high in +him yet with its eyes cast down, as if ashamed. The miserable task +before him! If Fleur was desperate, so was he--watching the poplars +swaying, the white clouds passing, the sunlight on the grass. + +He waited till evening, till after their almost silent dinner, till his +mother had played to him and still he waited, feeling that she knew what +he was waiting to say. She kissed him and went up-stairs, and still he +lingered, watching the moonlight and the moths, and that unreality of +colouring which steals along and stains a summer night. And he would have +given anything to be back again in the past--barely three months back; or +away forward, years, in the future. The present with this dark cruelty +of a decision, one way or the other, seemed impossible. He realised now +so much more keenly what his mother felt than he had at first; as if the +story in that letter had been a poisonous germ producing a kind of fever +of partisanship, so that he really felt there were two camps, his +mother's and his--Fleur's and her father's. It might be a dead thing, +that old tragic ownership and enmity, but dead things were poisonous till +time had cleaned them away. Even his love felt tainted, less illusioned, +more of the earth, and with a treacherous lurking doubt lest Fleur, like +her father, might want to own; not articulate, just a stealing haunt, +horribly unworthy, which crept in and about the ardour of his memories, +touched with its tarnishing breath the vividness and grace of that +charmed face and figure--a doubt, not real enough to convince him of its +presence, just real enough to deflower a perfect faith. And perfect +faith, to Jon, not yet twenty, was essential. He still had Youth's +eagerness to give with both hands, to take with neither--to give +lovingly to one who had his own impulsive generosity. Surely she had! +He got up from the window-seat and roamed in the big grey ghostly room, +whose walls were hung with silvered canvas. This house his father said +in that death-bed letter--had been built for his mother to live in--with +Fleur's father! He put out his hand in the half-dark, as if to grasp the +shadowy hand of the dead. He clenched, trying to feel the thin vanished +fingers of his father; to squeeze them, and reassure him that he--he was +on his father's side. Tears, prisoned within him, made his eyes feel dry +and hot. He went back to the window. It was warmer, not so eerie, more +comforting outside, where the moon hung golden, three days off full; the +freedom of the night was comforting. If only Fleur and he had met on +some desert island without a past--and Nature for their house! Jon had +still his high regard for desert islands, where breadfruit grew, and the +water was blue above the coral. The night was deep, was free--there was +enticement in it; a lure, a promise, a refuge from entanglement, and +love! Milksop tied to his mother's...! His cheeks burned. He shut the +window, drew curtains over it, switched off the lighted sconce, and went +up-stairs. + +The door of his room was open, the light turned up; his mother, still in +her evening gown, was standing at the window. She turned and said: + +"Sit down, Jon; let's talk." She sat down on the window-seat, Jon on his +bed. She had her profile turned to him, and the beauty and grace of her +figure, the delicate line of the brow, the nose, the neck, the strange +and as it were remote refinement of her, moved him. His mother never +belonged to her surroundings. She came into them from somewhere--as it +were! What was she going to say to him, who had in his heart such things +to say to her? + +"I know Fleur came to-day. I'm not surprised." It was as though she had +added: "She is her father's daughter!" And Jon's heart hardened. Irene +went on quietly: + +"I have Father's letter. I picked it up that night and kept it. Would +you like it back, dear?" + +Jon shook his head. + +"I had read it, of course, before he gave it to you. It didn't quite do +justice to my criminality." + +"Mother!" burst from Jon's lips. + +"He put it very sweetly, but I know that in marrying Fleur's father +without love I did a dreadful thing. An unhappy marriage, Jon, can play +such havoc with other lives besides one's own. You are fearfully young, +my darling, and fearfully loving. Do you think you can possibly be happy +with this girl?" + +Staring at her dark eyes, darker now from pain, Jon answered + +"Yes; oh! yes--if you could be." + +Irene smiled. + +"Admiration of beauty and longing for possession are not love. If yours +were another case like mine, Jon--where the deepest things are stifled; +the flesh joined, and the spirit at war!" + +"Why should it, Mother? You think she must be like her father, but she's +not. I've seen him." + +Again the smile came on Irene's lips, and in Jon something wavered; there +was such irony and experience in that smile. + +"You are a giver, Jon; she is a taker." + +That unworthy doubt, that haunting uncertainty again! He said with +vehemence: + +"She isn't--she isn't. It's only because I can't bear to make you +unhappy, Mother, now that Father--" He thrust his fists against his +forehead. + +Irene got up. + +"I told you that night, dear, not to mind me. I meant it. Think of +yourself and your own happiness! I can stand what's left--I've brought +it on myself." + +Again the word "Mother!" burst from Jon's lips. + +She came over to him and put her hands over his. + +"Do you feel your head, darling?" + +Jon shook it. What he felt was in his chest--a sort of tearing asunder +of the tissue there, by the two loves. + +"I shall always love you the same, Jon, whatever you do. You won't lose +anything." She smoothed his hair gently, and walked away. + +He heard the door shut; and, rolling over on the bed, lay, stifling his +breath, with an awful held-up feeling within him. + + + + +VII + +EMBASSY + +Enquiring for her at tea time Soames learned that Fleur had been out in +the car since two. Three hours! Where had she gone? Up to London +without a word to him? He had never become quite reconciled with cars. +He had embraced them in principle--like the born empiricist, or Forsyte, +that he was--adopting each symptom of progress as it came along with: +"Well, we couldn't do without them now." But in fact he found them +tearing, great, smelly things. Obliged by Annette to have one--a Rollhard +with pearl-grey cushions, electric light, little mirrors, trays for the +ashes of cigarettes, flower vases--all smelling of petrol and +stephanotis--he regarded it much as he used to regard his brother-in-law, +Montague Dartie. The thing typified all that was fast, insecure, and +subcutaneously oily in modern life. As modern life became faster, +looser, younger, Soames was becoming older, slower, tighter, more and +more in thought and language like his father James before him. He was +almost aware of it himself. Pace and progress pleased him less and less; +there was an ostentation, too, about a car which he considered +provocative in the prevailing mood of Labour. On one occasion that +fellow Sims had driven over the only vested interest of a working man. +Soames had not forgotten the behaviour of its master, when not many +people would have stopped to put up with it. He had been sorry for the +dog, and quite prepared to take its part against the car, if that ruffian +hadn't been so outrageous. With four hours fast becoming five, and still +no Fleur, all the old car-wise feelings he had experienced in person and +by proxy balled within him, and sinking sensations troubled the pit of +his stomach. At seven he telephoned to Winifred by trunk call. No! +Fleur had not been to Green Street. Then where was she? Visions of his +beloved daughter rolled up in her pretty frills, all blood and +dust-stained, in some hideous catastrophe, began to haunt him. He went +to her room and spied among her things. She had taken nothing--no +dressing-case, no Jewellery. And this, a relief in one sense, increased +his fears of an accident. Terrible to be helpless when his loved one was +missing, especially when he couldn't bear fuss or publicity of any kind! +What should he do if she were not back by nightfall? + +At a quarter to eight he heard the car. A great weight lifted from off +his heart; he hurried down. She was getting out--pale and tired-looking, +but nothing wrong. He met her in the hall. + +"You've frightened me. Where have you been?" + +"To Robin Hill. I'm sorry, dear. I had to go; I'll tell you afterward." +And, with a flying kiss, she ran up-stairs. + +Soames waited in the drawing-room. To Robin Hill! What did that +portend? + +It was not a subject they could discuss at dinner--consecrated to the +susceptibilities of the butler. The agony of nerves Soames had been +through, the relief he felt at her safety, softened his power to condemn +what she had done, or resist what she was going to do; he waited in a +relaxed stupor for her revelation. Life was a queer business. There he +was at sixty-five and no more in command of things than if he had not +spent forty years in building up security-always something one couldn't +get on terms with! In the pocket of his dinner-jacket was a letter from +Annette. She was coming back in a fortnight. He knew nothing of what +she had been doing out there. And he was glad that he did not. Her +absence had been a relief. Out of sight was out of mind! And now she +was coming back. Another worry! And the Bolderby Old Crome was +gone--Dumetrius had got it--all because that anonymous letter had put it +out of his thoughts. He furtively remarked the strained look on his +daughter's face, as if she too were gazing at a picture that she couldn't +buy. He almost wished the War back. Worries didn't seem, then, quite so +worrying. From the caress in her voice, the look on her face, he became +certain that she wanted something from him, uncertain whether it would be +wise of him to give it her. He pushed his savoury away uneaten, and even +joined her in a cigarette. + +After dinner she set the electric piano-player going. And he augured the +worst when she sat down on a cushion footstool at his knee, and put her +hand on his. + +"Darling, be nice to me. I had to see Jon--he wrote to me. He's going +to try what he can do with his mother. But I've been thinking. It's +really in your hands, Father. If you'd persuade her that it doesn't mean +renewing the past in any way! That I shall stay yours, and Jon will stay +hers; that you need never see him or her, and she need never see you or +me! Only you could persuade her, dear, because only you could promise. +One can't promise for other people. Surely it wouldn't be too awkward +for you to see her just this once now that Jon's father is dead?" + +"Too awkward?" Soames repeated. "The whole thing's preposterous." + +"You know," said Fleur, without looking up, "you wouldn't mind seeing +her, really." + +Soames was silent. Her words had expressed a truth too deep for him to +admit. She slipped her fingers between his own--hot, slim, eager, they +clung there. This child of his would corkscrew her way into a brick +wall! + +"What am I to do if you won't, Father?" she said very softly. + +"I'll do anything for your happiness," said Soanies; "but this isn't for +your happiness." + +"Oh! it is; it is!" + +"It'll only stir things up," he said grimly. + +"But they are stirred up. The thing is to quiet them. To make her feel +that this is just our lives, and has nothing to do with yours or hers. +You can do it, Father, I know you can." + +"You know a great deal, then," was Soames' glum answer. + +"If you will, Jon and I will wait a year--two years if you like." + +"It seems to me," murmured Soames, "that you care nothing about what I +feel." + +Fleur pressed his hand against her cheek. + +"I do, darling. But you wouldn't like me to be awfully miserable." + +How she wheedled to get her ends! And trying with all his might to think +she really cared for him--he was not sure--not sure. All she cared for +was this boy! Why should he help her to get this boy, who was killing +her affection for himself? Why should he? By the laws of the Forsytes +it was foolish! There was nothing to be had out of it--nothing! To give +her to that boy! To pass her into the enemy's camp, under the influence +of the woman who had injured him so deeply! Slowly--inevitably--he would +lose this flower of his life! And suddenly he was conscious that his +hand was wet. His heart gave a little painful jump. He couldn't bear +her to cry. He put his other hand quickly over hers, and a tear dropped +on that, too. He couldn't go on like this! "Well, well," he said, "I'll +think it over, and do what I can. Come, come!" If she must have it for +her happiness--she must; he couldn't refuse to help her. And lest she +should begin to thank him he got out of his chair and went up to the +piano-player--making that noise! It ran down, as he reached it, with a +faint buzz. That musical box of his nursery days: "The Harmonious +Blacksmith," "Glorious Port"--the thing had always made him miserable +when his mother set it going on Sunday afternoons. Here it was +again--the same thing, only larger, more expensive, and now it played +"The Wild, Wild Women," and "The Policeman's Holiday," and he was no +longer in black velvet with a sky blue collar. 'Profond's right,' he +thought, 'there's nothing in it! We're all progressing to the grave!' +And with that surprising mental comment he walked out. + +He did not see Fleur again that night. But, at breakfast, her eyes +followed him about with an appeal he could not escape--not that he +intended to try. No! He had made up his mind to the nerve-racking +business. He would go to Robin Hill--to that house of memories. Pleasant +memory--the last! Of going down to keep that boy's father and Irene +apart by threatening divorce. He had often thought, since, that it had +clinched their union. And, now, he was going to clinch the union of that +boy with his girl. 'I don't know what I've done,' he thought, 'to have +such things thrust on me!' He went up by train and down by train, and +from the station walked by the long rising lane, still very much as he +remembered it over thirty years ago. Funny--so near London! Some one +evidently was holding on to the land there. This speculation soothed +him, moving between the high hedges slowly, so as not to get overheated, +though the day was chill enough. After all was said and done there was +something real about land, it didn't shift. Land, and good pictures! +The values might fluctuate a bit, but on the whole they were always going +up--worth holding on to, in a world where there was such a lot of +unreality, cheap building, changing fashions, such a "Here to-day and +gone to-morrow" spirit. The French were right, perhaps, with their +peasant proprietorship, though he had no opinion of the French. One's +bit of land! Something solid in it! He had heard peasant proprietors +described as a pig-headed lot; had heard young Mont call his father a +pigheaded Morning Poster--disrespectful young devil. Well, there were +worse things than being pig-headed or reading the Morning Post. There +was Profond and his tribe, and all these Labour chaps, and loud-mouthed +politicians and 'wild, wild women'! A lot of worse things! And suddenly +Soames became conscious of feeling weak, and hot, and shaky. Sheer nerves +at the meeting before him! As Aunt Juley might have said--quoting +"Superior Dosset"--his nerves were "in a proper fautigue." He could see +the house now among its trees, the house he had watched being built, +intending it for himself and this woman, who, by such strange fate, had +lived in it with another after all! He began to think of Dumetrius, Local +Loans, and other forms of investment. He could not afford to meet her +with his nerves all shaking; he who represented the Day of Judgment for +her on earth as it was in heaven; he, legal ownership, personified, +meeting lawless beauty, incarnate. His dignity demanded impassivity +during this embassy designed to link their offspring, who, if she had +behaved herself, would have been brother and sister. That wretched tune, +"The Wild, Wild Women," kept running in his head, perversely, for tunes +did not run there as a rule. Passing the poplars in front of the house, +he thought: 'How they've grown; I had them planted!' A maid answered his +ring. + +"Will you say--Mr. Forsyte, on a very special matter." + +If she realised who he was, quite probably she would not see him. 'By +George!' he thought, hardening as the tug came. 'It's a topsy-turvy +affair!' + +The maid came back. "Would the gentleman state his business, please?" + +"Say it concerns Mr. Jon," said Soames. + +And once more he was alone in that hall with the pool of grey-white +marble designed by her first lover. Ah! she had been a bad lot--had +loved two men, and not himself! He must remember that when he came face +to face with her once more. And suddenly he saw her in the opening chink +between the long heavy purple curtains, swaying, as if in hesitation; the +old perfect poise and line, the old startled dark-eyed gravity, the old +calm defensive voice: "Will you come in, please?" + +He passed through that opening. As in the picture-gallery and the +confectioner's shop, she seemed to him still beautiful. And this was the +first time--the very first--since he married her seven-and-thirty years +ago, that he was speaking to her without the legal right to call her his. +She was not wearing black--one of that fellow's radical notions, he +supposed. + +"I apologise for coming," he said glumly; "but this business must be +settled one way or the other." + +"Won't you sit down?" + +"No, thank you." + +Anger at his false position, impatience of ceremony between them, +mastered him, and words came tumbling out: + +"It's an infernal mischance; I've done my best to discourage it. I +consider my daughter crazy, but I've got into the habit of indulging her; +that's why I'm here. I suppose you're fond of your son." + +"Devotedly." + +"Well?" + +"It rests with him." + +He had a sense of being met and baffled. Always--always she had baffled +him, even in those old first married days. + +"It's a mad notion," he said. + +"It is." + +"If you had only--! Well--they might have been--" he did not finish that +sentence "brother and sister and all this saved," but he saw her shudder +as if he had, and stung by the sight he crossed over to the window. Out +there the trees had not grown--they couldn't, they were old! + +"So far as I'm concerned," he said, "you may make your mind easy. I +desire to see neither you nor your son if this marriage comes about. +Young people in these days are--are unaccountable. But I can't bear to +see my daughter unhappy. What am I to say to her when I go back?" + +"Please say to her as I said to you, that it rests with Jon." + +"You don't oppose it?" + +"With all my heart; not with my lips." + +Soames stood, biting his finger. + +"I remember an evening--" he said suddenly; and was silent. What was +there--what was there in this woman that would not fit into the four +corners of his hate or condemnation? "Where is he--your son?" + +"Up in his father's studio, I think." + +"Perhaps you'd have him down." + +He watched her ring the bell, he watched the maid come in. + +"Please tell Mr. Jon that I want him." + +"If it rests with him," said Soames hurriedly, when the maid was gone, "I +suppose I may take it for granted that this unnatural marriage will take +place; in that case there'll be formalities. Whom do I deal +with--Herring's?" + +Irene nodded. + +"You don't propose to live with them?" + +Irene shook her head. + +"What happens to this house?" + +"It will be as Jon wishes." + +"This house," said Soames suddenly: "I had hopes when I began it. If +they live in it--their children! They say there's such a thing as +Nemesis. Do you believe in it?" + +"Yes." + +"Oh! You do!" + +He had come back from the window, and was standing close to her, who, in +the curve of her grand piano, was, as it were, embayed. + +"I'm not likely to see you again," he said slowly. "Will you shake +hands"--his lip quivered, the words came out jerkily--"and let the past +die." He held out his hand. Her pale face grew paler, her eyes so dark, +rested immovably on his, her hands remained clasped in front of her. He +heard a sound and turned. That boy was standing in the opening of the +curtains. Very queer he looked, hardly recognisable as the young fellow +he had seen in the Gallery off Cork Street--very queer; much older, no +youth in the face at all--haggard, rigid, his hair ruffled, his eyes deep +in his head. Soames made an effort, and said with a lift of his lip, not +quite a smile nor quite a sneer: + +"Well, young man! I'm here for my daughter; it rests with you, it +seems--this matter. Your mother leaves it in your hands." + +The boy continued staring at his mother's face, and made no answer. + +"For my daughter's sake I've brought myself to come," said Soames. "What +am I to say to her when I go back?" + +Still looking at his mother, the boy said, quietly: + +"Tell Fleur that it's no good, please; I must do as my father wished +before he died." + +"Jon!" + +"It's all right, Mother." + +In a kind of stupefaction Soames looked from one to the other; then, +taking up hat and umbrella which he had put down on a chair, he walked +toward the curtains. The boy stood aside for him to go by. He passed +through and heard the grate of the rings as the curtains were drawn +behind him. The sound liberated something in his chest. + +'So that's that!' he thought, and passed out of the front door. + + + + +VIII + +THE DARK TUNE + +As Soames walked away from the house at Robin Hill the sun broke through +the grey of that chill afternoon, in smoky radiance. So absorbed in +landscape painting that he seldom looked seriously for effects of Nature +out of doors--he was struck by that moody effulgence--it mourned with a +triumph suited to his own feeling. Victory in defeat. His embassy had +come to naught. But he was rid of those people, had regained his +daughter at the expense of--her happiness. What would Fleur say to him? +Would she believe he had done his best? And under that sunlight faring +on the elms, hazels, hollies of the lane and those unexploited fields, +Soames felt dread. She would be terribly upset! He must appeal to her +pride. That boy had given her up, declared part and lot with the woman +who so long ago had given her father up! Soames clenched his hands. +Given him up, and why? What had been wrong with him? And once more he +felt the malaise of one who contemplates himself as seen by another--like +a dog who chances on his refection in a mirror and is intrigued and +anxious at the unseizable thing. + +Not in a hurry to get home, he dined in town at the Connoisseurs. While +eating a pear it suddenly occurred to him that, if he had not gone down +to Robin Hill, the boy might not have so decided. He remembered the +expression on his face while his mother was refusing the hand he had held +out. A strange, an awkward thought! Had Fleur cooked her own goose by +trying to make too sure? + +He reached home at half-past nine. While the car was passing in at one +drive gate he heard the grinding sputter of a motor-cycle passing out by +the other. Young Mont, no doubt, so Fleur had not been lonely. But he +went in with a sinking heart. In the cream-panelled drawing-room she was +sitting with her elbows on her knees, and her chin on her clasped hands, +in front of a white camellia plant which filled the fireplace. That +glance at her before she saw him renewed his dread. What was she seeing +among those white camellias? + +"Well, Father!" + +Soames shook his head. His tongue failed him. This was murderous work! +He saw her eyes dilate, her lips quivering. + +"What? What? Quick, Father!" + +"My dear," said Soames, "I--I did my best, but--" And again he shook his +head. + +Fleur ran to him, and put a hand on each of his shoulders. + +"She?" + +"No," muttered Soames; "he. I was to tell you that it was no use; he must +do what his father wished before he died." He caught her by the waist. +"Come, child, don't let them hurt you. They're not worth your little +finger." + +Fleur tore herself from his grasp. + +"You didn't you--couldn't have tried. You--you betrayed me, Father!" + +Bitterly wounded, Soames gazed at her passionate figure writhing there in +front of him. + +"You didn't try--you didn't--I was a fool! Iwon't believe he could--he +ever could! Only yesterday he--! Oh! why did I ask you?" + +"Yes," said Soames, quietly, "why did you? I swallowed my feelings; I +did my best for you, against my judgment--and this is my reward. +Good-night!" + +With every nerve in his body twitching he went toward the door. + +Fleur darted after him. + +"He gives me up? You mean that? Father!" + +Soames turned and forced himself to answer: + +"Yes." + +"Oh!" cried Fleur. "What did you--what could you have done in those old +days?" + +The breathless sense of really monstrous injustice cut the power of +speech in Soames' throat. What had he done! What had they done to him! + +And with quite unconscious dignity he put his hand on his breast, and +looked at her. + +"It's a shame!" cried Fleur passionately. + +Soames went out. He mounted, slow and icy, to his picture gallery, and +paced among his treasures. Outrageous! Oh! Outrageous! She was +spoiled! Ah! and who had spoiled her? He stood still before the Goya +copy. Accustomed to her own way in everything. Flower of his life! And +now that she couldn't have it! He turned to the window for some air. +Daylight was dying, the moon rising, gold behind the poplars! What sound +was that? Why! That piano thing! A dark tune, with a thrum and a +throb! She had set it going--what comfort could she get from that? His +eyes caught movement down there beyond the lawn, under the trellis of +rambler roses and young acacia-trees, where the moonlight fell. There +she was, roaming up and down. His heart gave a little sickening jump. +What would she do under this blow? How could he tell? What did he know +of her--he had only loved her all his life--looked on her as the apple of +his eye! He knew nothing--had no notion. There she was--and that dark +tune--and the river gleaming in the moonlight! + +'I must go out,' he thought. + +He hastened down to the drawing-room, lighted just as he had left it, +with the piano thrumming out that waltz, or fox-trot, or whatever they +called it in these days, and passed through on to the verandah. + +Where could he watch, without her seeing him? And he stole down through +the fruit garden to the boat-house. He was between her and the river +now, and his heart felt lighter. She was his daughter, and +Annette's--she wouldn't do anything foolish; but there it was--he didn't +know! From the boat house window he could see the last acacia and the +spin of her skirt when she turned in her restless march. That tune had +run down at last--thank goodness! He crossed the floor and looked +through the farther window at the water slow-flowing past the lilies. It +made little bubbles against them, bright where a moon-streak fell. He +remembered suddenly that early morning when he had slept on the +house-boat after his father died, and she had just been born--nearly +nineteen years ago! Even now he recalled the unaccustomed world when he +woke up, the strange feeling it had given him. That day the second +passion of his life began--for this girl of his, roaming under the +acacias. What a comfort she had been to him! And all the soreness and +sense of outrage left him. If he could make her happy again, he didn't +care! An owl flew, queeking, queeking; a bat flitted by; the moonlight +brightened and broadened on the water. How long was she going to roam +about like this! He went back to the window, and suddenly saw her coming +down to the bank. She stood quite close, on the landing-stage. And +Soames watched, clenching his hands. Should he speak to her? His +excitement was intense. The stillness of her figure, its youth, its +absorption in despair, in longing, in--itself. He would always remember +it, moonlit like that; and the faint sweet reek of the river and the +shivering of the willow leaves. She had everything in the world that he +could give her, except the one thing that she could not have because of +him! The perversity of things hurt him at that moment, as might a +fish-bone in his throat. + +Then, with an infinite relief, he saw her turn back toward the house. +What could he give her to make amends? Pearls, travel, horses, other +young men--anything she wanted--that he might lose the memory of her +young figure lonely by the water! There! She had set that tune going +again! Why--it was a mania! Dark, thrumming, faint, travelling from the +house. It was as though she had said: "If I can't have something to keep +me going, I shall die of this!" Soames dimly understood. Well, if it +helped her, let her keep it thrumming on all night! And, mousing back +through the fruit garden, he regained the verandah. Though he meant to +go in and speak to her now, he still hesitated, not knowing what to say, +trying hard to recall how it felt to be thwarted in love. He ought to +know, ought to remember--and he could not! Gone--all real recollection; +except that it had hurt him horribly. In this blankness he stood passing +his handkerchief over hands and lips, which were very dry. By craning +his head he could just see Fleur, standing with her back to that piano +still grinding out its tune, her arms tight crossed on her breast, a +lighted cigarette between her lips, whose smoke half veiled her face. +The expression on it was strange to Soames, the eyes shone and stared, +and every feature was alive with a sort of wretched scorn and anger. +Once or twice he had seen Annette look like that--the face was too vivid, +too naked, not his daughter's at that moment. And he dared not go in, +realising the futility of any attempt at consolation. He sat down in the +shadow of the ingle-nook. + +Monstrous trick, that Fate had played him! Nemesis! That old unhappy +marriage! And in God's name-why? How was he to know, when he wanted +Irene so violently, and she consented to be his, that she would never +love him? The tune died and was renewed, and died again, and still +Soames sat in the shadow, waiting for he knew not what. The fag of +Fleur's cigarette, flung through the window, fell on the grass; he +watched it glowing, burning itself out. The moon had freed herself above +the poplars, and poured her unreality on the garden. Comfortless light, +mysterious, withdrawn--like the beauty of that woman who had never loved +him--dappling the nemesias and the stocks with a vesture not of earth. +Flowers! And his flower so unhappy! Ah! Why could one not put happiness +into Local Loans, gild its edges, insure it against going down? + +Light had ceased to flow out now from the drawing-room window. All was +silent and dark in there. Had she gone up? He rose, and, tiptoeing, +peered in. It seemed so! He entered. The verandah kept the moonlight +out; and at first he could see nothing but the outlines of furniture +blacker than the darkness. He groped toward the farther window to shut +it. His foot struck a chair, and he heard a gasp. There she was, curled +and crushed into the corner of the sofa! His hand hovered. Did she want +his consolation? He stood, gazing at that ball of crushed frills and +hair and graceful youth, trying to burrow its way out of sorrow. How +leave her there? At last he touched her hair, and said: + +"Come, darling, better go to bed. I'll make it up to you, somehow." How +fatuous! But what could he have said? + + + + +IX + +UNDER THE OAK-TREE + +When their visitor had disappeared Jon and his mother stood without +speaking, till he said suddenly: + +"I ought to have seen him out." + +But Soames was already walking down the drive, and Jon went upstairs to +his father's studio, not trusting himself to go back. + +The expression on his mother's face confronting the man she had once been +married to, had sealed a resolution growing within him ever since she +left him the night before. It had put the finishing touch of reality. +To marry Fleur would be to hit his mother in the face; to betray his dead +father! It was no good! Jon had the least resentful of natures. He +bore his parents no grudge in this hour of his distress. For one so +young there was a rather strange power in him of seeing things in some +sort of proportion. It was worse for Fleur, worse for his mother even, +than it was for him. Harder than to give up was to be given up, or to be +the cause of some one you loved giving up for you. He must not, would +not behave grudgingly! While he stood watching the tardy sunlight, he had +again that sudden vision of the world which had come to him the night +before. Sea on sea, country on country, millions on millions of people, +all with their own lives, energies, joys, griefs, and suffering--all with +things they had to give up, and separate struggles for existence. Even +though he might be willing to give up all else for the one thing he +couldn't have, he would be a fool to think his feelings mattered much in +so vast a world, and to behave like a cry-baby or a cad. He pictured the +people who had nothing--the millions who had given up life in the War, +the millions whom the War had left with life and little else; the hungry +children he had read of, the shattered men; people in prison, every kind +of unfortunate. And--they did not help him much. If one had to miss a +meal, what comfort in the knowledge that many others had to miss it too? +There was more distraction in the thought of getting away out into this +vast world of which he knew nothing yet. He could not go on staying +here, walled in and sheltered, with everything so slick and comfortable, +and nothing to do but brood and think what might have been. He could not +go back to Wansdon, and the memories of Fleur. If he saw her again he +could not trust himself; and if he stayed here or went back there, he +would surely see her. While they were within reach of each other that +must happen. To go far away and quickly was the only thing to do. But, +however much he loved his mother, he did not want to go away with her. +Then feeling that was brutal, he made up his mind desperately to propose +that they should go to Italy. For two hours in that melancholy room he +tried to master himself, then dressed solemnly for dinner. + +His mother had done the same. They ate little, at some length, and +talked of his father's catalogue. The show was arranged for October, and +beyond clerical detail there was nothing more to do. + +After dinner she put on a cloak and they went out; walked a little, +talked a little, till they were standing silent at last beneath the +oak-tree. Ruled by the thought: 'If I show anything, I show all,' Jon +put his arm through hers and said quite casually: + +"Mother, let's go to Italy." + +Irene pressed his arm, and said as casually: + +"It would be very nice; but I've been thinking you ought to see and do +more than you would if I were with you." + +"But then you'd be alone." + +"I was once alone for more than twelve years. Besides, I should like to +be here for the opening of Father's show." + +Jon's grip tightened round her arm; he was not deceived. + +"You couldn't stay here all by yourself; it's too big." + +"Not here, perhaps. In London, and I might go to Paris, after the show +opens. You ought to have a year at least, Jon, and see the world." + +"Yes, I'd like to see the world and rough it. But I don't want to leave +you all alone." + +"My dear, I owe you that at least. If it's for your good, it'll be for +mine. Why not start tomorrow? You've got your passport." + +"Yes; if I'm going it had better be at once. Only--Mother--if--if I +wanted to stay out somewhere--America or anywhere, would you mind coming +presently?" + +"Wherever and whenever you send for me. But don't send until you really +want me." + +Jon drew a deep breath. + +"I feel England's choky." + +They stood a few minutes longer under the oak-tree--looking out to where +the grand stand at Epsom was veiled in evening. The branches kept the +moonlight from them, so that it only fell everywhere else--over the +fields and far away, and on the windows of the creepered house behind, +which soon would be to let. + + + + +X + +FLEUR'S WEDDING + +The October paragraphs describing the wedding of Fleur Forsyte to Michael +Mont hardly conveyed the symbolic significance of this event. In the +union of the great-granddaughter of "Superior Dosset" with the heir of a +ninth baronet was the outward and visible sign of that merger of class in +class which buttresses the political stability of a realm. The time had +come when the Forsytes might resign their natural resentment against a +"flummery" not theirs by birth, and accept it as the still more natural +due of their possessive instincts. Besides, they had to mount to make +room for all those so much more newly rich. In that quiet but tasteful +ceremony in Hanover Square, and afterward among the furniture in Green +Street, it had been impossible for those not in the know to distinguish +the Forsyte troop from the Mont contingent--so far away was "Superior +Dosset" now. Was there, in the crease of his trousers, the expression of +his moustache, his accent, or the shine on his top-hat, a pin to choose +between Soames and the ninth baronet himself? Was not Fleur as +self-possessed, quick, glancing, pretty, and hard as the likeliest +Muskham, Mont, or Charwell filly present? If anything, the Forsytes had +it in dress and looks and manners. They had become "upper class" and now +their name would be formally recorded in the Stud Book, their money +joined to land. Whether this was a little late in the day, and those +rewards of the possessive instinct, lands and money, destined for the +melting-pot--was still a question so moot that it was not mooted. After +all, Timothy had said Consols were goin' up. Timothy, the last, the +missing link; Timothy, in extremis on the Bayswater Road--so Francie had +reported. It was whispered, too, that this young Mont was a sort of +socialist--strangely wise of him, and in the nature of insurance, +considering the days they lived in. There was no uneasiness on that +score. The landed classes produced that sort of amiable foolishness at +times, turned to safe uses and confined to theory. As George remarked to +his sister Francie: "They'll soon be having puppies--that'll give him +pause." + +The church with white flowers and something blue in the middle of the +East window looked extremely chaste, as though endeavouring to counteract +the somewhat lurid phraseology of a Service calculated to keep the +thoughts of all on puppies. Forsytes, Haymans, Tweetymans, sat in the +left aisle; Monts, Charwells; Muskhams in the right; while a sprinkling +of Fleur's fellow-sufferers at school, and of Mont's fellow-sufferers in, +the War, gaped indiscriminately from either side, and three maiden +ladies, who had dropped in on their way from Skyward's brought up the +rear, together with two Mont retainers and Fleur's old nurse. In the +unsettled state of the country as full a house as could be expected. + +Mrs. Val Dartie, who sat with her husband in the third row, squeezed his +hand more than once during the performance. To her, who knew the plot of +this tragi-comedy, its most dramatic moment was well-nigh painful. 'I +wonder if Jon knows by instinct,' she thought--Jon, out in British +Columbia. She had received a letter from him only that morning which had +made her smile and say: + +"Jon's in British Columbia, Val, because he wants to be in California. +He thinks it's too nice there." + +"Oh!" said Val, "so he's beginning to see a joke again." + +"He's bought some land and sent for his mother." + +"What on earth will she do out there?" + +"All she cares about is Jon. Do you still think it a happy release?" + +Val's shrewd eyes narrowed to grey pin-points between their dark lashes. + +"Fleur wouldn't have suited him a bit. She's not bred right." + +"Poor little Fleur!" sighed Holly. Ah! it was strange--this marriage. +The young man, Mont, had caught her on the rebound, of course, in the +reckless mood of one whose ship has just gone down. Such a plunge could +not but be--as Val put it--an outside chance. There was little to be told +from the back view of her young cousin's veil, and Holly's eyes reviewed +the general aspect of this Christian wedding. She, who had made a +love-match which had been successful, had a horror of unhappy marriages. +This might not be one in the end--but it was clearly a toss-up; and to +consecrate a toss-up in this fashion with manufactured unction before a +crowd of fashionable free-thinkers--for who thought otherwise than +freely, or not at all, when they were "dolled" up--seemed to her as near +a sin as one could find in an age which had abolished them. Her eyes +wandered from the prelate in his robes (a Charwell-the Forsytes had not +as yet produced a prelate) to Val, beside her, thinking--she was +certain--of the Mayfly filly at fifteen to one for the Cambridgeshire. +They passed on and caught the profile of the ninth baronet, in +counterfeitment of the kneeling process. She could just see the neat +ruck above his knees where he had pulled his trousers up, and thought: +'Val's forgotten to pull up his!' Her eyes passed to the pew in front of +her, where Winifred's substantial form was gowned with passion, and on +again to Soames and Annette kneeling side by side. A little smile came +on her lips--Prosper Profond, back from the South Seas of the Channel, +would be kneeling too, about six rows behind. Yes! This was a funny +"small" business, however it turned out; still it was in a proper church +and would be in the proper papers to-morrow morning. + +They had begun a hymn; she could hear the ninth baronet across the aisle, +singing of the hosts of Midian. Her little finger touched Val's +thumb--they were holding the same hymn-book--and a tiny thrill passed +through her, preserved--from twenty years ago. He stooped and whispered: + +"I say, d'you remember the rat?" The rat at their wedding in Cape +Colony, which had cleaned its whiskers behind the table at the +Registrar's! And between her little and third forgers she squeezed his +thumb hard. + +The hymn was over, the prelate had begun to deliver his discourse. He +told them of the dangerous times they lived in, and the awful conduct of +the House of Lords in connection with divorce. They were all +soldiers--he said--in the trenches under the poisonous gas of the Prince +of Darkness, and must be manful. The purpose of marriage was children, +not mere sinful happiness. + +An imp danced in Holly's eyes--Val's eyelashes were meeting. Whatever +happened; he must not snore. Her finger and thumb closed on his thigh +till he stirred uneasily. + +The discourse was over, the danger past. They were signing in the +vestry; and general relaxation had set in. + +A voice behind her said: + +"Will she stay the course?" + +"Who's that?" she whispered. + +"Old George Forsyte!" + +Holly demurely scrutinized one of whom she had often heard. Fresh from +South Africa, and ignorant of her kith and kin, she never saw one without +an almost childish curiosity. He was very big, and very dapper; his eyes +gave her a funny feeling of having no particular clothes. + +"They're off!" she heard him say. + +They came, stepping from the chancel. Holly looked first in young Mont's +face. His lips and ears were twitching, his eyes, shifting from his feet +to the hand within his arm, stared suddenly before them as if to face a +firing party. He gave Holly the feeling that he was spiritually +intoxicated. But Fleur! Ah! That was different. The girl was +perfectly composed, prettier than ever, in her white robes and veil over +her banged dark chestnut hair; her eyelids hovered demure over her dark +hazel eyes. Outwardly, she seemed all there. But inwardly, where was +she? As those two passed, Fleur raised her eyelids--the restless glint +of those clear whites remained on Holly's vision as might the flutter of +caged bird's wings. + +In Green Street Winifred stood to receive, just a little less composed +than usual. Soames' request for the use of her house had come on her at +a deeply psychological moment. Under the influence of a remark of +Prosper Profond, she had begun to exchange her Empire for Expressionistic +furniture. There were the most amusing arrangements, with violet, green, +and orange blobs and scriggles, to be had at Mealard's. Another month +and the change would have been complete. Just now, the very "intriguing" +recruits she had enlisted, did not march too well with the old guard. It +was as if her regiment were half in khaki, half in scarlet and bearskins. +But her strong and comfortable character made the best of it in a +drawing-room which typified, perhaps, more perfectly than she imagined, +the semi-bolshevized imperialism of her country. After all, this was a +day of merger, and you couldn't have too much of it! Her eyes travelled +indulgently among her guests. Soames had gripped the back of a buhl +chair; young Mont was behind that "awfully amusing" screen, which no one +as yet had been able to explain to her. The ninth baronet had shied +violently at a round scarlet table, inlaid under glass with blue +Australian butteries' wings, and was clinging to her Louis-Quinze +cabinet; Francie Forsyte had seized the new mantel-board, finely carved +with little purple grotesques on an ebony ground; George, over by the old +spinet, was holding a little sky-blue book as if about to enter bets; +Prosper Profond was twiddling the knob of the open door, black with +peacock-blue panels; and Annette's hands, close by, were grasping her own +waist; two Muskhams clung to the balcony among the plants, as if feeling +ill; Lady Mont, thin and brave-looking, had taken up her long-handled +glasses and was gazing at the central light shade, of ivory and orange +dashed with deep magenta, as if the heavens had opened. Everybody, in +fact, seemed holding on to something. Only Fleur, still in her bridal +dress, was detached from all support, flinging her words and glances to +left and right. + +The room was full of the bubble and the squeak of conversation. Nobody +could hear anything that anybody said; which seemed of little +consequence, since no one waited for anything so slow as an answer. +Modern conversation seemed to Winifred so different from the days of her +prime, when a drawl was all the vogue. Still it was "amusing," which, of +course, was all that mattered. Even the Forsytes were talking with +extreme rapidity--Fleur and Christopher, and Imogen, and young Nicholas's +youngest, Patrick. Soames, of course, was silent; but George, by the +spinet, kept up a running commentary, and Francie, by her mantel-shelf. +Winifred drew nearer to the ninth baronet. He seemed to promise a +certain repose; his nose was fine and drooped a little, his grey +moustaches too; and she said, drawling through her smile: + +"It's rather nice, isn't it?" + +His reply shot out of his smile like a snipped bread pellet + +"D'you remember, in Frazer, the tribe that buries the bride up to the +waist?" + +He spoke as fast as anybody! He had dark lively little eyes, too, all +crinkled round like a Catholic priest's. Winifred felt suddenly he might +say things she would regret. + +"They're always so amusing--weddings," she murmured, and moved on to +Soames. He was curiously still, and Winifred saw at once what was +dictating his immobility. To his right was George Forsyte, to his left +Annette and Prosper Profond. He could not move without either seeing +those two together, or the reflection of them in George Forsyte's japing +eyes. He was quite right not to be taking notice. + +"They say Timothy's sinking;" he said glumly. + +"Where will you put him, Soames?" + +"Highgate." He counted on his fingers. "It'll make twelve of them +there, including wives. How do you think Fleur looks?" + +"Remarkably well." + +Soames nodded. He had never seen her look prettier, yet he could not rid +himself of the impression that this business was unnatural--remembering +still that crushed figure burrowing into the corner of the sofa. From +that night to this day he had received from her no confidences. He knew +from his chauffeur that she had made one more attempt on Robin Hill and +drawn blank--an empty house, no one at home. He knew that she had +received a letter, but not what was in it, except that it had made her +hide herself and cry. He had remarked that she looked at him sometimes +when she thought he wasn't noticing, as if she were wondering still what +he had done--forsooth--to make those people hate him so. Well, there it +was! Annette had come back, and things had worn on through the +summer--very miserable, till suddenly Fleur had said she was going to +marry young Mont. She had shown him a little more affection when she +told him that. And he had yielded--what was the good of opposing it? +God knew that he had never wished to thwart her in anything! And the +young man seemed quite delirious about her. No doubt she was in a +reckless mood, and she was young, absurdly young. But if he opposed her, +he didn't know what she would do; for all he could tell she might want to +take up a profession, become a doctor or solicitor, some nonsense. She +had no aptitude for painting, writing, music, in his view the legitimate +occupations of unmarried women, if they must do something in these days. +On the whole, she was safer married, for he could see too well how +feverish and restless she was at home. Annette, too, had been in favour +of it--Annette, from behind the veil of his refusal to know what she was +about, if she was about anything. Annette had said: "Let her marry this +young man. He is a nice boy--not so highty-flighty as he seems." Where +she got her expressions, he didn't know--but her opinion soothed his +doubts. His wife, whatever her conduct, had clear eyes and an almost +depressing amount of common sense. He had settled fifty thousand on +Fleur, taking care that there was no cross settlement in case it didn't +turn out well. Could it turn out well? She had not got over that other +boy--he knew. They were to go to Spain for the honeymoon. He would be +even lonelier when she was gone. But later, perhaps, she would forget, +and turn to him again! Winifred's voice broke on his reverie. + +"Why! Of all wonders-June!" + +There, in a djibbah--what things she wore!--with her hair straying from +under a fillet, Soames saw his cousin, and Fleur going forward to greet +her. The two passed from their view out on to the stairway. + +"Really," said Winifred, "she does the most impossible things! Fancy her +coming!" + +"What made you ask her?" muttered Soames. + +"Because I thought she wouldn't accept, of course." + +Winifred had forgotten that behind conduct lies the main trend of +character; or, in other words, omitted to remember that Fleur was now a +"lame duck." + +On receiving her invitation, June had first thought, 'I wouldn't go near +them for the world!' and then, one morning, had awakened from a dream of +Fleur waving to her from a boat with a wild unhappy gesture. And she had +changed her mind. + +When Fleur came forward and said to her, "Do come up while I'm changing +my dress," she had followed up the stairs. The girl led the way into +Imogen's old bedroom, set ready for her toilet. + +June sat down on the bed, thin and upright, like a little spirit in the +sear and yellow. Fleur locked the door. + +The girl stood before her divested of her wedding dress. What a pretty +thing she was! + +"I suppose you think me a fool," she said, with quivering lips, "when it +was to have been Jon. But what does it matter? Michael wants me, and I +don't care. It'll get me away from home." Diving her hand into the +frills on her breast, she brought out a letter. "Jon wrote me this." + +June read: "Lake Okanagen, British Columbia. I'm not coming back to +England. Bless you always. Jon." + +"She's made safe, you see," said Fleur. + +June handed back the letter. + +"That's not fair to Irene," she said, "she always told Jon he could do as +he wished." + +Fleur smiled bitterly. "Tell me, didn't she spoil your life too?" June +looked up. "Nobody can spoil a life, my dear. That's nonsense. Things +happen, but we bob up." + +With a sort of terror she saw the girl sink on her knees and bury her +face in the djibbah. A strangled sob mounted to June's ears. + +"It's all right--all right," she murmured, "Don't! There, there!" + +But the point of the girl's chin was pressed ever closer into her thigh, +and the sound was dreadful of her sobbing. + +Well, well! It had to come. She would feel better afterward! June +stroked the short hair of that shapely head; and all the scattered +mother-sense in her focussed itself and passed through the tips of her +fingers into the girl's brain. + +"Don't sit down under it, my dear," she said at last. "We can't control +life, but we can fight it. Make the best of things. I've had to. I +held on, like you; and I cried, as you're crying now. And look at me!" + +Fleur raised her head; a sob merged suddenly into a little choked laugh. +In truth it was a thin and rather wild and wasted spirit she was looking +at, but it had brave eyes. + +"All right!" she said. "I'm sorry. I shall forget him, I suppose, if I +fly fast and far enough." + +And, scrambling to her feet, she went over to the wash-stand. + +June watched her removing with cold water the traces of emotion. Save for +a little becoming pinkness there was nothing left when she stood before +the mirror. June got off the bed and took a pin-cushion in her hand. To +put two pins into the wrong places was all the vent she found for +sympathy. + +"Give me a kiss," she said when Fleur was ready, and dug her chin into +the girl's warm cheek. + +"I want a whiff," said Fleur; "don't wait." + +June left her, sitting on the bed with a cigarette between her lips and +her eyes half closed, and went down-stairs. In the doorway of the +drawing-room stood Soames as if unquiet at his daughter's tardiness. +June tossed her head and passed down on to the half-landing. Her cousin +Francie was standing there. + +"Look!" said June, pointing with her chin at Soames. "That man's fatal!" + +"How do you mean," said Francie, "fatal?" + +June did not answer her. "I shan't wait to see them off," she said. +"Good-bye!" + +"Good-bye!" said Francie, and her eyes, of a Celtic grey, goggled. That +old feud! Really, it was quite romantic! + +Soames, moving to the well of the staircase, saw June go, and drew a +breath of satisfaction. Why didn't Fleur come? They would miss their +train. That train would bear her away from him, yet he could not help +fidgeting at the thought that they would lose it. And then she did come, +running down in her tan-coloured frock and black velvet cap, and passed +him into the drawing-room. He saw her kiss her mother, her aunt, Val's +wife, Imogen, and then come forth, quick and pretty as ever. How would +she treat him at this last moment of her girlhood? He couldn't hope for +much! + +Her lips pressed the middle of his cheek. + +"Daddy!" she said, and was past and gone! Daddy! She hadn't called him +that for years. He drew a long breath and followed slowly down. There +was all the folly with that confetti stuff and the rest of it to go +through with yet. But he would like just to catch her smile, if she +leaned out, though they would hit her in the eye with the shoe, if they +didn't take care. Young Mont's voice said fervently in his ear: + +"Good-bye, sir; and thank you! I'm so fearfully bucked." + +"Good-bye," he said; "don't miss your train." + +He stood on the bottom step but three, whence he could see above the +heads--the silly hats and heads. They were in the car now; and there was +that stuff, showering, and there went the shoe. A flood of something +welled up in Soames, and--he didn't know--he couldn't see! + + + + +XI + +THE LAST OF THE OLD FORSYTES + +When they came to prepare that terrific symbol Timothy Forsyte--the one +pure individualist left, the only man who hadn't heard of the Great +War--they found him wonderful--not even death had undermined his +soundness. + +To Smither and Cook that preparation came like final evidence of what +they had never believed possible--the end of the old Forsyte family on +earth. Poor Mr. Timothy must now take a harp and sing in the company of +Miss Forsyte, Mrs. Julia, Miss Hester; with Mr. Jolyon, Mr. Swithin, Mr. +James, Mr. Roger, and Mr. Nicholas of the party. Whether Mrs. Hayman +would be there was more doubtful, seeing that she had been cremated. +Secretly Cook thought that Mr. Timothy would be upset--he had always been +so set against barrel organs. How many times had she not said: "Drat the +thing! There it is again! Smither, you'd better run up and see what you +can do." And in her heart she would so have enjoyed the tunes, if she +hadn't known that Mr. Timothy would ring the bell in a minute and say: +"Here, take him a halfpenny and tell him to move on." Often they had +been obliged to add threepence of their own before the man would +go--Timothy had ever underrated the value of emotion. Luckily he had +taken the organs for blue-bottles in his last years, which had been a +comfort, and they had been able to enjoy the tunes. But a harp! Cook +wondered. It was a change! And Mr. Timothy had never liked change. But +she did not speak of this to Smither, who did so take a line of her own +in regard to heaven that it quite put one about sometimes. + +She cried while Timothy was being prepared, and they all had sherry +afterward out of the yearly Christmas bottle, which would not be needed +now. Ah! dear! She had been there five-and-forty years and Smither +three-and-forty! And now they would be going to a tiny house in Tooting, +to live on their savings and what Miss Hester had so kindly left +them--for to take fresh service after the glorious past--No! But they +would like just to see Mr. Soames again, and Mrs. Dartie, and Miss +Francie, and Miss Euphemia. And even if they had to take their own cab, +they felt they must go to the funeral. For six years Mr. Timothy had +been their baby, getting younger and younger every day, till at last he +had been too young to live. + +They spent the regulation hours of waiting in polishing and dusting, in +catching the one mouse left, and asphyxiating the last beetle so as to +leave it nice, discussing with each other what they would buy at the +sale. Miss Ann's workbox; Miss Juley's (that is Mrs. Julia's) seaweed +album; the fire-screen Miss Hester had crewelled; and Mr. Timothy's +hair--little golden curls, glued into a black frame. Oh! they must have +those--only the price of things had gone up so! + +It fell to Soames to issue invitations for the funeral. He had them +drawn up by Gradman in his office--only blood relations, and no flowers. +Six carriages were ordered. The Will would be read afterward at the +house. + +He arrived at eleven o'clock to see that all was ready. At a quarter +past old Gradman came in black gloves and crape on his hat. He and +Soames stood in the drawing-room waiting. At half-past eleven the +carriages drew up in a long row. But no one else appeared. Gradman +said: + +"It surprises me, Mr. Soames. I posted them myself." + +"I don't know," said Soames; "he'd lost touch with the family." Soames +had often noticed in old days how much more neighbourly his family were +to the dead than to the living. But, now, the way they had flocked to +Fleur's wedding and abstained from Timothy's funeral, seemed to show some +vital change. There might, of course, be another reason; for Soames felt +that if he had not known the contents of Timothy's Will, he might have +stayed away himself through delicacy. Timothy had left a lot of money, +with nobody in particular to leave it to. They mightn't like to seem to +expect something. + +At twelve o'clock the procession left the door; Timothy alone in the +first carriage under glass. Then Soames alone; then Gradman alone; then +Cook and Smither together. They started at a walk, but were soon +trotting under a bright sky. At the entrance to Highgate Cemetery they +were delayed by service in the Chapel. Soames would have liked to stay +outside in the sunshine. He didn't believe a word of it; on the other +hand, it was a form of insurance which could not safely be neglected, in +case there might be something in it after all. + +They walked up two and two--he and Gradman, Cook and Smither--to the +family vault. It was not very distinguished for the funeral of the last +old Forsyte. + +He took Gradman into his carriage on the way back to the Bayswater Road +with a certain glow in his heart. He had a surprise in pickle for the +old chap who had served the Forsytes four-and-fifty years-a treat that +was entirely his doing. How well he remembered saying to Timothy the +day--after Aunt Hester's funeral: "Well; Uncle Timothy, there's Gradman. +He's taken a lot of trouble for the family. What do you say to leaving +him five thousand?" and his surprise, seeing the difficulty there had +been in getting Timothy to leave anything, when Timothy had nodded. And +now the old chap would be as pleased as Punch, for Mrs. Gradman, he knew, +had a weak heart, and their son had lost a leg in the War. It was +extraordinarily gratifying to Soames to have left him five thousand +pounds of Timothy's money. They sat down together in the little +drawing-room, whose walls--like a vision of heaven--were sky-blue and +gold with every picture-frame unnaturally bright, and every speck of dust +removed from every piece of furniture, to read that little +masterpiece--the Will of Timothy. With his back to the light in Aunt +Hester's chair, Soames faced Gradman with his face to the light, on Aunt +Ann's sofa; and, crossing his legs, began: + +"This is the last Will and Testament of me Timothy Forsyte of The Bower +Bayswater Road, London I appoint my nephew Soames Forsyte of The Shelter +Mapleduram and Thomas Gradman of 159 Folly Road Highgate (hereinafter +called my Trustees) to be the trustees and executors of this my Will To +the said Soames Forsyte I leave the sum of one thousand pounds free of +legacy duty and to the said Thomas Gradman I leave the sum of five +thousand pounds free of legacy duty." + +Soames paused. Old Gradman was leaning forward, convulsively gripping a +stout black knee with each of his thick hands; his mouth had fallen open +so that the gold fillings of three teeth gleamed; his eyes were blinking, +two tears rolled slowly out of them. Soames read hastily on. + +"All the rest of my property of whatsoever description I bequeath to my +Trustees upon Trust to convert and hold the same upon the following +trusts namely To pay thereout all my debts funeral expenses and outgoings +of any kind in connection with my Will and to hold the residue thereof in +trust for that male lineal descendant of my father Jolyon Forsyte by his +marriage with Ann Pierce who after the decease of all lineal descendants +whether male or female of my said father by his said marriage in being at +the time of my death shall last attain the age of twenty-one years +absolutely it being my desire that my property shall be nursed to the +extreme limit permitted by the laws of England for the benefit of such +male lineal descendant as aforesaid." + +Soames read the investment and attestation clauses, and, ceasing, looked +at Gradman. The old fellow was wiping his brow with a large +handkerchief, whose brilliant colour supplied a sudden festive tinge to +the proceedings. + +"My word, Mr. Soames!" he said, and it was clear that the lawyer in him +had utterly wiped out the man: "My word! Why, there are two babies now, +and some quite young children--if one of them lives to be eighty--it's +not a great age--and add twenty-one--that's a hundred years; and Mr. +Timothy worth a hundred and fifty thousand pound net if he's worth a +penny. Compound interest at five per cent. doubles you in fourteen +years. In fourteen years three hundred thousand-six hundred thousand in +twenty-eight--twelve hundred thousand in forty-two--twenty-four hundred +thousand in fifty-six--four million eight hundred thousand in +seventy--nine million six hundred thousand in eighty-four--Why, in a +hundred years it'll be twenty million! And we shan't live to use it! It +is a Will!" + +Soames said dryly: "Anything may happen. The State might take the lot; +they're capable of anything in these days." + +"And carry five," said Gradman to himself. "I forgot--Mr. Timothy's in +Consols; we shan't get more than two per cent. with this income tax. To +be on the safe side, say eight millions. Still, that's a pretty penny." + +Soames rose and handed him the Will. "You're going into the City. Take +care of that, and do what's necessary. Advertise; but there are no +debts. When's the sale?" + +"Tuesday week," said Gradman. "Life or lives in bein' and twenty-one +years afterward--it's a long way off. But I'm glad he's left it in the +family...." + +The sale--not at Jobson's, in view of the Victorian nature of the +effects--was far more freely attended than the funeral, though not by +Cook and Smither, for Soames had taken it on himself to give them their +heart's desires. Winifred was present, Euphemia, and Francie, and +Eustace had come in his car. The miniatures, Barbizons, and J. R. +drawings had been bought in by Soames; and relics of no marketable value +were set aside in an off-room for members of the family who cared to have +mementoes. These were the only restrictions upon bidding characterised +by an almost tragic languor. Not one piece of furniture, no picture or +porcelain figure appealed to modern taste. The humming birds had fallen +like autumn leaves when taken from where they had not hummed for sixty +years. It was painful to Soames to see the chairs his aunts had sat on, +the little grand piano they had practically never played, the books whose +outsides they had gazed at, the china they had dusted, the curtains they +had drawn, the hearth-rug which had warmed their feet; above all, the +beds they had lain and died in--sold to little dealers, and the +housewives of Fulham. And yet--what could one do? Buy them and stick +them in a lumber-room? No; they had to go the way of all flesh and +furniture, and be worn out. But when they put up Aunt Ann's sofa and +were going to knock it down for thirty shillings, he cried out, suddenly: +"Five pounds!" The sensation was considerable, and the sofa his. + +When that little sale was over in the fusty saleroom, and those Victorian +ashes scattered, he went out into the misty October sunshine feeling as +if cosiness had died out of the world, and the board "To Let" was up, +indeed. Revolutions on the horizon; Fleur in Spain; no comfort in +Annette; no Timothy's on the Bayswater Road. In the irritable desolation +of his soul he went into the Goupenor Gallery. That chap Jolyon's +watercolours were on view there. He went in to look down his nose at +them--it might give him some faint satisfaction. The news had trickled +through from June to Val's wife, from her to Val, from Val to his mother, +from her to Soames, that the house--the fatal house at Robin Hill--was +for sale, and Irene going to join her boy out in British Columbia, or +some such place. For one wild moment the thought had come to Soames: +'Why shouldn't I buy it back? I meant it for my!' No sooner come than +gone. Too lugubrious a triumph; with too many humiliating memories for +himself and Fleur. She would never live there after what had happened. +No, the place must go its way to some peer or profiteer. It had been a +bone of contention from the first, the shell of the feud; and with the +woman gone, it was an empty shell. "For Sale or To Let." With his +mind's eye he could see that board raised high above the ivied wall which +he had built. + +He passed through the first of the two rooms in the Gallery. There was +certainly a body of work! And now that the fellow was dead it did not +seem so trivial. The drawings were pleasing enough, with quite a sense +of atmosphere, and something individual in the brush work. 'His father +and my father; he and I; his child and mine!' thought Soames. So it had +gone on! And all about that woman! Softened by the events of the past +week, affected by the melancholy beauty of the autumn day, Soames came +nearer than he had ever been to realisation of that truth--passing the +understanding of a Forsyte pure--that the body of Beauty has a spiritual +essence, uncapturable save by a devotion which thinks not of self. After +all, he was near that truth in his devotion to his daughter; perhaps that +made him understand a little how he had missed the prize. And there, +among the drawings of his kinsman, who had attained to that which he had +found beyond his reach, he thought of him and her with a tolerance which +surprised him. But he did not buy a drawing. + +Just as he passed the seat of custom on his return to the outer air he +met with a contingency which had not been entirely absent from his mind +when he went into the Gallery--Irene, herself, coming in. So she had not +gone yet, and was still paying farewell visits to that fellow's remains! +He subdued the little involuntary leap of his subconsciousness, the +mechanical reaction of his senses to the charm of this once-owned woman, +and passed her with averted eyes. But when he had gone by he could not +for the life of him help looking back. This, then, was finality--the heat +and stress of his life, the madness and the longing thereof, the only +defeat he had known, would be over when she faded from his view this +time; even such memories had their own queer aching value. + +She, too, was looking back. Suddenly she lifted her gloved hand, her +lips smiled faintly, her dark eyes seemed to speak. It was the turn of +Soames to make no answer to that smile and that little farewell wave; he +went out into the fashionable street quivering from head to foot. He +knew what she had meant to say: "Now that I am going for ever out of the +reach of you and yours--forgive me; I wish you well." That was the +meaning; last sign of that terrible reality--passing morality, duty, +common sense--her aversion from him who had owned her body, but had never +touched her spirit or her heart. It hurt; yes--more than if she had +kept her mask unmoved, her hand unlifted. + +Three days later, in that fast-yellowing October, Soames took a taxi-cab +to Highgate Cemetery and mounted through its white forest to the Forsyte +vault. Close to the cedar, above catacombs and columbaria, tall, ugly, +and individual, it looked like an apex of the competitive system. He +could remember a discussion wherein Swithin had advocated the addition to +its face of the pheasant proper. The proposal had been rejected in +favour of a wreath in stone, above the stark words: "The family vault of +Jolyon Forsyte: 1850." It was in good order. All trace of the recent +interment had been removed, and its sober grey gloomed reposefully in the +sunshine. The whole family lay there now, except old Jolyon's wife, who +had gone back under a contract to her own family vault in Suffolk; old +Jolyon himself lying at Robin Hill; and Susan Hayman, cremated so that +none knew where she might be. Soames gazed at it with +satisfaction--massive, needing little attention; and this was important, +for he was well aware that no one would attend to it when he himself was +gone, and he would have to be looking out for lodgings soon. He might +have twenty years before him, but one never knew. Twenty years without +an aunt or uncle, with a wife of whom one had better not know anything, +with a daughter gone from home. His mood inclined to melancholy and +retrospection. + +This cemetery was full, they said--of people with extraordinary names, +buried in extraordinary taste. Still, they had a fine view up here, +right over London. Annette had once given him a story to read by that +Frenchman, Maupassant, most lugubrious concern, where all the skeletons +emerged from their graves one night, and all the pious inscriptions on +the stones were altered to descriptions of their sins. Not a true story +at all. He didn't know about the French, but there was not much real +harm in English people except their teeth and their taste, which was +certainly deplorable. "The family vault of Jolyon Forsyte: 1850." A lot +of people had been buried here since then--a lot of English life crumbled +to mould and dust! The boom of an airplane passing under the gold-tinted +clouds caused him to lift his eyes. The deuce of a lot of expansion had +gone on. But it all came back to a cemetery--to a name and a date on a +tomb. And he thought with a curious pride that he and his family had +done little or nothing to help this feverish expansion. Good solid +middlemen, they had gone to work with dignity to manage and possess. +"Superior Dosset," indeed, had built in a dreadful, and Jolyon painted in +a doubtful, period, but so far as he remembered not another of them all +had soiled his hands by creating anything--unless you counted Val Dartie +and his horse-breeding. Collectors, solicitors, barristers, merchants, +publishers, accountants, directors, land agents, even soldiers--there +they had been! The country had expanded, as it were, in spite of them. +They had checked, controlled, defended, and taken advantage of the +process and when you considered how "Superior Dosset" had begun life with +next to nothing, and his lineal descendants already owned what old +Gradman estimated at between a million and a million and a half, it was +not so bad! And yet he sometimes felt as if the family bolt was shot, +their possessive instinct dying out. They seemed unable to make +money--this fourth generation; they were going into art, literature, +farming, or the army; or just living on what was left them--they had no +push and no tenacity. They would die out if they didn't take care. + +Soames turned from the vault and faced toward the breeze. The air up +here would be delicious if only he could rid his nerves of the feeling +that mortality was in it. He gazed restlessly at the crosses and the +urns, the angels, the "immortelles," the flowers, gaudy or withering; and +suddenly he noticed a spot which seemed so different from anything else +up there that he was obliged to walk the few necessary yards and look at +it. A sober corner, with a massive queer-shaped cross of grey rough-hewn +granite, guarded by four dark yew-trees. The spot was free from the +pressure of the other graves, having a little box-hedged garden on the +far side, and in front a goldening birch-tree. This oasis in the desert +of conventional graves appealed to the aesthetic sense of Soames, and he +sat down there in the sunshine. Through those trembling gold birch +leaves he gazed out at London, and yielded to the waves of memory. He +thought of Irene in Montpellier Square, when her hair was rusty-golden +and her white shoulders his--Irene, the prize of his love-passion, +resistant to his ownership. He saw Bosinney's body lying in that white +mortuary, and Irene sitting on the sofa looking at space with the eyes of +a dying bird. Again he thought of her by the little green Niobe in the +Bois de Boulogne, once more rejecting him. His fancy took him on beside +his drifting river on the November day when Fleur was to be born, took +him to the dead leaves floating on the green-tinged water and the +snake-headed weed for ever swaying and nosing, sinuous, blind, tethered. +And on again to the window opened to the cold starry night above Hyde +Park, with his father lying dead. His fancy darted to that picture of +"the future town," to that boy's and Fleur's first meeting; to the bluish +trail of Prosper Profond's cigar, and Fleur in the window pointing down +to where the fellow prowled. To the sight of Irene and that dead fellow +sitting side by side in the stand at Lord's. To her and that boy at +Robin Hill. To the sofa, where Fleur lay crushed up in the corner; to +her lips pressed into his cheek, and her farewell "Daddy." And suddenly +he saw again Irene's grey-gloved hand waving its last gesture of release. + +He sat there a long time dreaming his career, faithful to the scut of his +possessive instinct, warming himself even with its failures. + +"To Let"--the Forsyte age and way of life, when a man owned his soul, his +investments, and his woman, without check or question. And now the State +had, or would have, his investments, his woman had herself, and God knew +who had his soul. "To Let"--that sane and simple creed! + +The waters of change were foaming in, carrying the promise of new forms +only when their destructive flood should have passed its full. He sat +there, subconscious of them, but with his thoughts resolutely set on the +past--as a man might ride into a wild night with his face to the tail of +his galloping horse. Athwart the Victorian dykes the waters were rolling +on property, manners, and morals, on melody and the old forms of +art--waters bringing to his mouth a salt taste as of blood, lapping to +the foot of this Highgate Hill where Victorianism lay buried. And +sitting there, high up on its most individual spot, Soames--like a figure +of Investment--refused their restless sounds. Instinctively he would not +fight them--there was in him too much primeval wisdom, of Man the +possessive animal. They would quiet down when they had fulfilled their +tidal fever of dispossessing and destroying; when the creations and the +properties of others were sufficiently broken and defected--they would +lapse and ebb, and fresh forms would rise based on an instinct older than +the fever of change--the instinct of Home. + +"Je m'en fiche," said Prosper Profond. Soames did not say "Je m'en +fiche"--it was French, and the fellow was a thorn in his side--but deep +down he knew that change was only the interval of death between two forms +of life, destruction necessary to make room for fresher property. What +though the board was up, and cosiness to let?--some one would come along +and take it again some day. + +And only one thing really troubled him, sitting there--the melancholy +craving in his heart--because the sun was like enchantment on his face +and on the clouds and on the golden birch leaves, and the wind's rustle +was so gentle, and the yewtree green so dark, and the sickle of a moon +pale in the sky. + +He might wish and wish and never get it--the beauty and the loving in the +world! + + + + + +End of the Project Gutenberg EBook of Awakening and To Let, by John Galsworthy + +*** END OF THIS PROJECT GUTENBERG EBOOK AWAKENING AND TO LET *** + +***** This file should be named 2596.txt or 2596.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.net/2/5/9/2596/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.net/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.net + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.net), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.net + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/old/24092004.2596.zip b/old/24092004.2596.zip Binary files differnew file mode 100644 index 0000000..2a1f553 --- /dev/null +++ b/old/24092004.2596.zip diff --git a/old/tolet10.txt b/old/tolet10.txt new file mode 100644 index 0000000..abea32c --- /dev/null +++ b/old/tolet10.txt @@ -0,0 +1,12353 @@ +Project Gutenberg's Etext Awakening & To Let, by John Galsworthy +#6 in our series by John Galsworthy +#3 in our series of The Forsyte Saga + + +Copyright laws are changing all over the world, be sure to check +the copyright laws for your country before posting these files!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. Do not remove this. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*These Etexts Prepared By Hundreds of Volunteers and Donations* + +Information on contacting Project Gutenberg to get Etexts, and +further information is included below. We need your donations. + + +Title: Awakening & To Let + +Author: John Galsworthy + +March, 2001 [Etext #2596] + + +Project Gutenberg's Etext Awakening & To Let, by John Galsworthy +******This file should be named tolet10.txt or tolet10.zip****** + +Corrected EDITIONS of our etexts get a new NUMBER, tolet11.txt +VERSIONS based on separate sources get new LETTER, tolet10a.txt + + +This etext was prepared by David Widger, < widger@cecomet.net > + +Project Gutenberg Etexts are usually created from multiple editions, +all of which are in the Public Domain in the United States, unless a +copyright notice is included. Therefore, we usually do NOT keep any +of these books in compliance with any particular paper edition. + + +We are now trying to release all our books one month in advance +of the official release dates, leaving time for better editing. + +Please note: neither this list nor its contents are final till +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. To be sure you have an +up to date first edition [xxxxx10x.xxx] please check file sizes +in the first week of the next month. Since our ftp program has +a bug in it that scrambles the date [tried to fix and failed] a +look at the file size will have to do, but we will try to see a +new copy has at least one byte more or less. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. This +projected audience is one hundred million readers. If our value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour this year as we release thirty-six text +files per month, or 432 more Etexts in 1999 for a total of 2000+ +If these reach just 10% of the computerized population, then the +total should reach over 200 billion Etexts given away this year. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] +This is ten thousand titles each to one hundred million readers, +which is only ~5% of the present number of computer users. + +At our revised rates of production, we will reach only one-third +of that goal by the end of 2001, or about 3,333 Etexts unless we +manage to get some real funding; currently our funding is mostly +from Michael Hart's salary at Carnegie-Mellon University, and an +assortment of sporadic gifts; this salary is only good for a few +more years, so we are looking for something to replace it, as we +don't want Project Gutenberg to be so dependent on one person. + +We need your donations more than ever! + + +All donations should be made to "Project Gutenberg/CMU": and are +tax deductible to the extent allowable by law. (CMU = Carnegie- +Mellon University). + +For these and other matters, please mail to: + +Project Gutenberg +P. O. Box 2782 +Champaign, IL 61825 + +When all other email fails. . .try our Executive Director: +Michael S. Hart <hart@pobox.com> +hart@pobox.com forwards to hart@prairienet.org and archive.org +if your mail bounces from archive.org, I will still see it, if +it bounces from prairienet.org, better resend later on. . . . + +We would prefer to send you this information by email. + +****** + +To access Project Gutenberg etexts, use any Web browser +to view http://promo.net/pg. This site lists Etexts by +author and by title, and includes information about how +to get involved with Project Gutenberg. You could also +download our past Newsletters, or subscribe here. This +is one of our major sites, please email hart@pobox.com, +for a more complete list of our various sites. + +To go directly to the etext collections, use FTP or any +Web browser to visit a Project Gutenberg mirror (mirror +sites are available on 7 continents; mirrors are listed +at http://promo.net/pg). + +Mac users, do NOT point and click, typing works better. + +Example FTP session: + +ftp metalab.unc.edu +login: anonymous +password: your@login +cd pub/docs/books/gutenberg +cd etext90 through etext99 +dir [to see files] +get or mget [to get files. . .set bin for zip files] +GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] +GET GUTINDEX.ALL [to get a listing of ALL books] + +*** + +**Information prepared by the Project Gutenberg legal advisor** + +(Three Pages) + + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you can distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- +tm etexts, is a "public domain" work distributed by Professor +Michael S. Hart through the Project Gutenberg Association at +Carnegie-Mellon University (the "Project"). Among other +things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the Project's "PROJECT GUTENBERG" trademark. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] the Project (and any other party you may receive this +etext from as a PROJECT GUTENBERG-tm etext) disclaims all +liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold the Project, its directors, +officers, members and agents harmless from all liability, cost +and expense, including legal fees, that arise directly or +indirectly from any of the following that you do or cause: +[1] distribution of this etext, [2] alteration, modification, +or addition to the etext, or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word pro- + cessing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Project of 20% of the + net profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Association/Carnegie-Mellon + University" within the 60 days following each + date you prepare (or were legally required to prepare) + your annual (or equivalent periodic) tax return. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +The Project gratefully accepts contributions in money, time, +scanning machines, OCR software, public domain etexts, royalty +free copyright licenses, and every other sort of contribution +you can think of. Money should be paid to "Project Gutenberg +Association / Carnegie-Mellon University". + +We are planning on making some changes in our donation structure +in 2000, so you might want to email me, hart@pobox.com beforehand. + + + + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* + + + + + +This etext was prepared by David Widger, < widger@cecomet.net > + + + + + +[Spelling conforms to the original: "s's" instead of our "z's"; and +"c's" where we would have "s's"; and "...our" as in colour and +flavour; many interesting double consonants; etc.] + + + + + +THE FORSYTE SAGA +VOLUME III - AWAKENING and TO LET + +by John Galsoworty + + + + +AWAKENING + + +Through the massive skylight illuminating the hall at Robin Hill, the +July sunlight at five o'clock fell just where the broad stairway +turned; and in that radiant streak little Jon Forsyte stood, blue- +linen-suited. His hair was shining, and his eyes, from beneath a +frown, for he was considering how to go downstairs, this last of +innumerable times, before the car brought his father and mother home. +Four at a time, and five at the bottom? Stale! Down the banisters? +But in which fashion? On his face, feet foremost? Very stale. On +his stomach, sideways? Paltry! On his back, with his arms stretched +down on both sides? Forbidden! Or on his face, head foremost, in a +manner unknown as yet to any but himself? Such was the cause of the +frown on the illuminated face of little Jon.... + +In that Summer of 1909 the simple souls who even then desired to +simplify the English tongue, had, of course, no cognizance of little +Jon, or they would have claimed him for a disciple. But one can be +too simple in this life, for his real name was Jolyon, and his living +father and dead half-brother had usurped of old the other +shortenings, Jo and Jolly. As a fact little Jon had done his best to +conform to convention and spell himself first Jhon, then John; not +till his father had explained the sheer necessity, had he spelled his +name Jon. + +Up till now that father had possessed what was left of his heart by +the groom, Bob, who played the concertina, and his nurse "Da," who +wore the violet dress on Sundays, and enjoyed the name of Spraggins +in that private life lived at odd moments even by domestic servants. +His mother had only appeared to him, as it were in dreams, smelling +delicious, smoothing his forehead just before he fell asleep, and +sometimes docking his hair, of a golden brown colour. When he cut +his head open against the nursery fender she was there to be bled +over; and when he had nightmare she would sit on his bed and cuddle +his head against her neck. She was precious but remote, because "Da" +was so near, and there is hardly room for more than one woman at a +time in a man's heart. With his father, too, of course, he had +special bonds of union; for little Jon also meant to be a painter +when he grew up--with the one small difference, that his father +painted pictures, and little Jon intended to paint ceilings and +walls, standing on a board between two step-ladders, in a dirty-white +apron, and a lovely smell of whitewash. His father also took him +riding in Richmond Park, on his pony, Mouse, so-called because it was +so-coloured. + +Little Jon had been born with a silver spoon in a mouth which was +rather curly and large. He had never heard his father or his mother +speak in an angry voice, either to each other, himself, or anybody +else; the groom, Bob, Cook, Jane, Bella and the other servants, even +"Da," who alone restrained him in his courses, had special voices +when they talked to him. He was therefore of opinion that the world +was a place of perfect and perpetual gentility and freedom. + +A child of 1901, he had come to consciousness when his country, just +over that bad attack of scarlet fever, the Boer War, was preparing +for the Liberal revival of 1906. Coercion was unpopular, parents had +exalted notions of giving their offspring a good time. They spoiled +their rods, spared their children, and anticipated the results with +enthusiasm. In choosing, moreover, for his father an amiable man of +fifty-two, who had already lost an only son, and for his mother a +woman of thirty-eight, whose first and only child he was, little Jon +had done well and wisely. What had saved him from becoming a cross +between a lap dog and a little prig, had been his father's adoration +of his mother, for even little Jon could see that she was not merely +just his mother, and that he played second fiddle to her in his +father's heart: What he played in his mother's heart he knew not yet. +As for "Auntie" June, his half-sister (but so old that she had grown +out of the relationship) she loved him, of course, but was too +sudden. His devoted "Da," too, had a Spartan touch. His bath was +cold and his knees were bare; he was not encouraged to be sorry for +himself. As to the vexed question of his education, little Jon +shared the theory of those who considered that children should not be +forced. He rather liked the Mademoiselle who came for two hours +every morning to teach him her language, together with history, +geography and sums; nor were the piano lessons which his mother gave +him disagreeable, for she had a way of luring him from tune to tune, +never making him practise one which did not give him pleasure, so +that he remained eager to convert ten thumbs into eight fingers. +Under his father he learned to draw pleasure-pigs and other animals. +He was not a highly educated little boy. Yet, on the whole, the +silver spoon stayed in his mouth without spoiling it, though "Da" +sometimes said that other children would do him a "world of good." + +It was a disillusionment, then, when at the age of nearly seven she +held him down on his back, because he wanted to do something of which +she did not approve. This first interference with the free +individualism of a Forsyte drove him almost frantic. There was +something appalling in the utter helplessness of that position, and +the uncertainty as to whether it would ever come to an end. Suppose +she never let him get up any more! He suffered torture at the top of +his voice for fifty seconds. Worse than anything was his perception +that "Da" had taken all that time to realise the agony of fear he was +enduring. Thus, dreadfully, was revealed to him the lack of +imagination in the human being. + +When he was let up he remained convinced that "Da" had done a +dreadful thing. Though he did not wish to bear witness against her, +he had been compelled, by fear of repetition, to seek his mother and +say: "Mum, don't let 'Da' hold me down on my back again." + +His mother, her hands held up over her head, and in them two plaits +of hair--"couleur de feuille morte," as little Jon had not yet +learned to call it--had looked at him with eyes like little bits of +his brown velvet tunic, and answered: + +"No, darling, I won't." + +She, being in the nature of a goddess, little Jon was satisfied; +especially when, from under the dining-table at breakfast, where he +happened to be waiting for a mushroom, he had overheard her say to +his father: + +"Then, will you tell 'Da,' dear, or shall I? She's so devoted to +him"; and his father's answer: + +"Well, she mustn't show it that way. I know exactly what it feels +like to be held down on one's back. No Forsyte can stand it for a +minute." + +Conscious that they did not know him to be under the table, little +Jon was visited by the quite new feeling of embarrassment, and stayed +where he was, ravaged by desire for the mushroom. + +Such had been his first dip into the dark abysses of existence. +Nothing much had been revealed to him after that, till one day, +having gone down to the cow-house for his drink of milk fresh from +the cow, after Garratt had finished milking, he had seen Clover's +calf, dead. Inconsolable, and followed by an upset Garratt, he had +sought "Da"; but suddenly aware that she was not the person he +wanted, had rushed away to find his father, and had run into the arms +of his mother. + +"Clover's calf's dead! Oh! Oh! It looked so soft!" + +His mother's clasp, and her: + +"Yes, darling, there, there!" had stayed his sobbing. But if +Clover's calf could die, anything could--not only bees, flies, +beetles and chickens--and look soft like that! This was appalling-- +and soon forgotten! + +The next thing had been to sit on a bumble bee, a poignant +experience, which his mother had understood much better than "Da"; +and nothing of vital importance had happened after that till the year +turned; when, following a day of utter wretchedness, he had enjoyed a +disease composed of little spots, bed, honey in a spoon, and many +Tangerine oranges. It was then that the world had flowered. To +"Auntie" June he owed that flowering, for no sooner was he a little +lame duck than she came rushing down from London, bringing with her +the books which had nurtured her own Berserker spirit, born in the +noted year of 1869. Aged, and of many colours, they were stored with +the most formidable happenings. Of these she read to little Jon, +till he was allowed to read to himself; whereupon she whisked back to +London and left them with him in a heap. Those books cooked his +fancy, till he thought and dreamed of nothing but midshipmen and +dhows, pirates, rafts, sandal-wood traders, iron horses, sharks, +battles, Tartars, Red Indians, balloons, North Poles and other +extravagant delights. The moment he was suffered to get up, he +rigged his bed fore and aft, and set out from it in a narrow bath +across green seas of carpet, to a rock, which he climbed by means of +its mahogany drawer knobs, to sweep the horizon with his drinking +tumbler screwed to his eye, in search of rescuing sails. He made a +daily raft out of the towel stand, the tea tray, and his pillows. He +saved the juice from his French plums, bottled it in an empty +medicine bottle, and provisioned the raft with the rum that it +became; also with pemmican made out of little saved-up bits of +chicken sat on and dried at the fire; and with lime juice against +scurvy, extracted from the peel of his oranges and a little +economised juice. He made a North Pole one morning from the whole of +his bedclothes except the bolster, and reached it in a birch-bark +canoe (in private life the fender), after a terrible encounter with a +polar bear fashioned from the bolster and four skittles dressed up in +"Da's" nightgown. After that, his father, seeking to steady his +imagination, brought him Ivanboe, Bevis, a book about King Arthur, +and Tom Brown's Schooldays. He read the first, and for three days +built, defended and stormed Front de Boeuf's castle, taking every +part in the piece except those of Rebecca and Rowena; with piercing +cries of: "En avant, de Bracy!" and similar utterances. After +reading the book about King Arthur he became almost exclusively Sir +Lamorac de Galis, because, though there was very little about him, he +preferred his name to that of any other knight; and he rode his old +rocking-horse to death, armed with a long bamboo. Bevis he found +tame; besides, it required woods and animals, of which he had none in +his nursery, except his two cats, Fitz and Puck Forsyte, who +permitted no liberties. For Tom Brown he was as yet too young. +There was relief in the house when, after the fourth week, he was +permitted to go down and out. + +The month being March the trees were exceptionally like the masts of +ships, and for little Jon that was a wonderful Spring, extremely hard +on his knees, suits, and the patience of "Da," who had the washing +and reparation of his clothes. Every morning the moment his +breakfast was over, he could be viewed by his mother and father, +whose windows looked out that way, coming from the study, crossing +the terrace, climbing the old oak tree, his face resolute and his +hair bright. He began the day thus because there was not time to go +far afield before his lessons. The old tree's variety never staled; +it had mainmast, foremast, top-gallant mast, and he could always come +down by the halyards--or ropes of the swing. After his lessons, +completed by eleven, he would go to the kitchen for a thin piece of +cheese, a biscuit and two French plums--provision enough for a jolly- +boat at least--and eat it in some imaginative way; then, armed to the +teeth with gun, pistols, and sword, he would begin the serious +climbing of the morning, encountering by the way innumerable slavers, +Indians, pirates, leopards, and bears. He was seldom seen at that +hour of the day without a cutlass in his teeth (like Dick Needham) +amid the rapid explosion of copper caps. And many were the gardeners +he brought down with yellow peas shot out of his little gun. He +lived a life of the most violent action. + +"Jon," said his father to his mother, under the oak tree, "is +terrible. I'm afraid he's going to turn out a sailor, or something +hopeless. Do you see any sign of his appreciating beauty?" + +"Not the faintest." + +"Well, thank heaven he's no turn for wheels or engines! I can bear +anything but that. But I wish he'd take more interest in Nature." + +"He's imaginative, Jolyon." + +"Yes, in a sanguinary way. Does he love anyone just now?" + +"No; only everyone. There never was anyone born more loving or more +lovable than Jon." + +"Being your boy, Irene." + +At this moment little Jon, lying along a branch high above them, +brought them down with two peas; but that fragment of talk lodged, +thick, in his small gizzard. Loving, lovable, imaginative, +sanguinary! + +The leaves also were thick by now, and it was time for his birthday, +which, occurring every year on the twelfth of May, was always +memorable for his chosen dinner of sweetbread, mushrooms, macaroons, +and ginger beer. + +Between that eighth birthday, however, and the afternoon when he +stood in the July radiance at the turning of the stairway, several +important things had happened. + +"Da," worn out by washing his knees, or moved by that mysterious +instinct which forces even nurses to desert their nurslings, left the +very day after his birthday in floods of tears "to be married"--of +all things--"to a man." Little Jon, from whom it had been kept, was +inconsolable for an afternoon. It ought not to have been kept from +him! Two large boxes of soldiers and some artillery, together with +The Young Buglers, which had been among his birthday presents, +cooperated with his grief in a sort of conversion, and instead of +seeking adventures in person and risking his own life, he began to +play imaginative games, in which he risked the lives of countless tin +soldiers, marbles, stones and beans. Of these forms of "chair a +canon" he made collections, and, using them alternately, fought the +Peninsular, the Seven Years, the Thirty Years, and other wars, about +which he had been reading of late in a big History of Europe which +had been his grandfather's. He altered them to suit his genius, and +fought them all over the floor in his day nursery, so that nobody +could come in, for fearing of disturbing Gustavus Adolphus, King of +Sweden, or treading on an army of Austrians. Because of the sound of +the word he was passionately addicted to the Austrians, and finding +there were so few battles in which they were successful he had to +invent them in his games. His favourite generals were Prince Eugene, +the Archduke Charles and Wallenstein. Tilly and Mack ("music-hall +turns" he heard his father call them one day, whatever that might +mean) one really could not love very much, Austrian though they were. +For euphonic reasons, too, he doted on Turenne. + +This phase, which caused his parents anxiety, because it kept him +indoors when he ought to have been out, lasted through May and half +of June, till his father killed it by bringing home to him Tom Sawyer +and Huckleberry Finn. When he read those books something happened in +him, and he went out of doors again in passionate quest of a river. +There being none on the premises at Robin Hill, he had to make one +out of the pond, which fortunately had water lilies, dragonflies, +gnats, bullrushes, and three small willow trees. On this pond, after +his father and Garratt had ascertained by sounding that it had a +reliable bottom and was nowhere more than two feet deep, he was +allowed a little collapsible canoe, in which he spent hours and hours +paddling, and lying down out of sight of Indian Joe and other +enemies. On the shore of the pond, too, he built himself a wigwam +about four feet square, of old biscuit tins, roofed in by boughs. In +this he would make little fires, and cook the birds he had not shot +with his gun, hunting in the coppice and fields, or the fish he did +not catch in the pond because there were none. This occupied the +rest of June and that July, when his father and mother were away in +Ireland. He led a lonely life of "make believe" during those five +weeks of summer weather, with gun, wigwam, water and canoe; and, +however hard his active little brain tried to keep the sense of +beauty away, she did creep in on him for a second now and then, +perching on the wing of a dragon-fly, glistening on the water lilies, +or brushing his eyes with her blue as he Jay on his back in ambush. + +"Auntie" June, who had been left in charge, had a "grown-up" in the +house, with a cough and a large piece of putty which he was making +into a face; so she hardly ever came down to see him in the pond. +Once, however, she brought with her two other "grown-ups." Little +Jon, who happened to have painted his naked self bright blue and +yellow in stripes out of his father's water-colour box, and put some +duck's feathers in his hair, saw them coming, and--ambushed himself +among the willows. As he had foreseen, they came at once to his +wigwam and knelt down to look inside, so that with a blood-curdling +yell he was able to take the scalps of "Auntie" June and the woman +"grown-up" in an almost complete manner before they kissed him. The +names of the two grown-ups were "Auntie" Holly and "Uncle" Val, who +had a brown face and a little limp, and laughed at him terribly. He +took a fancy to "Auntie" Holly, who seemed to be a sister too; but +they both went away the same afternoon and he did not see them again. +Three days before his father and mother were to come home "Auntie" +June also went off in a great hurry, taking the "grown-up" who +coughed and his piece of putty; and Mademoiselle said: "Poor man, he +was veree ill. I forbid you to go into his room, Jon." Little Jon, +who rarely did things merely because he was told not to, refrained +from going, though he was bored and lonely. In truth the day of the +pond was past, and he was filled to the brim of his soul with +restlessness and the want of something--not a tree, not a gun-- +something soft. Those last two days had seemed months in spite of +Cast Up by the Sea, wherein he was reading about Mother Lee and her +terrible wrecking bonfire. He had gone up and down the stairs +perhaps a hundred times in those two days, and often from the day +nursery, where he slept now, had stolen into his mother's room, +looked at everything, without touching, and on into the dressing- +room; and standing on one leg beside the bath, like Slingsby, had +whispered: + +"Ho, ho, ho! Dog my cats!" mysteriously, to bring luck. Then, +stealing back, he had opened his mother's wardrobe, and taken a long +sniff which seemed to bring him nearer to--he didn't know what. + +He had done this just before he stood in the streak of sunlight, +debating in which of the several ways he should slide down the +banisters. They all seemed silly, and in a sudden languor he began +descending the steps one by one. During that descent he could +remember his father quite distinctly--the short grey beard, the deep +eyes twinkling, the furrow between them, the funny smile, the thin +figure which always seemed so tall to little Jon; but his mother he +couldn't see. All that represented her was something swaying with +two dark eyes looking back at him; and the scent of her wardrobe. + +Bella was in the hall, drawing aside the big curtains, and opening +the front door. Little Jon said, wheedling + +"Bella!" + +"Yes, Master Jon." + +"Do let's have tea under the oak tree when they come; I know they'd +like it best." + +"You mean you'd like it best." + +Little Jon considered. + +"No, they would, to please me." + +Bella smiled. "Very well, I'll take it out if you'll stay quiet here +and not get into mischief before they come." + +Little Jon sat down on the bottom step, and nodded. Bella came +close, and looked him over. + +"Get up!" she said. + +Little Jon got up. She scrutinized him behind; he was not green, and +his knees seemed clean. + +"All right!" she said. "My! Aren't you brown? Give me a kiss!" + +And little Jon received a peck on his hair. + +"What jam?" he asked. "I'm so tired of waiting." + +"Gooseberry and strawberry." + +Num! They were his favourites! + +When she was gone he sat still for quite a minute. It was quiet in +the big hall open to its East end so that he could see one of his +trees, a brig sailing very slowly across the upper lawn. In the +outer hall shadows were slanting from the pillars. Little Jon got +up, jumped one of them, and walked round the clump of iris plants +which filled the pool of grey-white marble in the centre. The +flowers were pretty, but only smelled a very little. He stood in the +open doorway and looked out. Suppose!--suppose they didn't come! He +had waited so long that he felt he could not bear that, and his +attention slid at once from such finality to the dust motes in the +bluish sunlight coming in: Thrusting his hand up, he tried to catch +some. Bella ought to have dusted that piece of air! But perhaps +they weren't dust--only what sunlight was made of, and he looked to +see whether the sunlight out of doors was the same. It was not. He +had said he would stay quiet in the hall, but he simply couldn't any +more; and crossing the gravel of the drive he lay down on the grass +beyond. Pulling six daisies he named them carefully, Sir Lamorac, +Sir Tristram, Sir Lancelot, Sir Palimedes, Sir Bors, Sir Gawain, and +fought them in couples till only Sir Lamorac, whom he had selected +for a specially stout stalk, had his head on, and even he, after +three encounters, looked worn and waggly. A beetle was moving slowly +in the grass, which almost wanted cutting. Every blade was a small +tree, round whose trunk the beetle had to glide. Little Jon +stretched out Sir Lamorac, feet foremost, and stirred the creature +up. It scuttled painfully. Little Jon laughed, lost interest, and +sighed. His heart felt empty. He turned over and lay on his back. +There was a scent of honey from the lime trees in flower, and in the +sky the blue was beautiful, with a few white clouds which looked and +perhaps tasted like lemon ice. He could hear Bob playing: "Way down +upon de Suwannee ribber" on his concertina, and it made him nice and +sad. He turned over again and put his ear to the ground--Indians +could hear things coming ever so far--but he could hear nothing--only +the concertina! And almost instantly he did hear a grinding sound, a +faint toot. Yes! it was a car--coming--coming! Up he jumped. +Should he wait in the porch, or rush upstairs, and as they came in, +shout: "Look!" and slide slowly down the banisters, head foremost? +Should he? The car turned in at the drive. It was too late! And he +only waited, jumping up and down in his excitement. The car came +quickly, whirred, and stopped. His father got out, exactly like +life. He bent down and little Jon bobbed up--they bumped. His +father said + +"Bless us! Well, old man, you are brown!" Just as he would; and the +sense of expectation--of something wanted--bubbled unextinguished in +little Jon. Then, with a long, shy look he saw his mother, in a blue +dress, with a blue motor scarf over her cap and hair, smiling. He +jumped as high as ever he could, twined his legs behind her back, and +hugged. He heard her gasp, and felt her hugging back. His eyes, +very dark blue just then, looked into hers, very dark brown, till her +lips closed on his eyebrow, and, squeezing with all his might, he +heard her creak and laugh, and say: + +"You are strong, Jon!" + +He slid down at that, and rushed into the hall, dragging her by the +hand. + +While he was eating his jam beneath the oak tree, he noticed things +about his mother that he had never seemed to see before, her cheeks +for instance were creamy, there were silver threads in her dark goldy +hair, her throat had no knob in it like Bella's, and she went in and +out softly. He noticed, too, some little lines running away from the +corners of her eyes, and a nice darkness under them. She was ever so +beautiful, more beautiful than "Da" or Mademoiselle, or "Auntie" June +or even "Auntie" Holly, to whom he had taken a fancy; even more +beautiful than Bella, who had pink cheeks and came out too suddenly +in places. This new beautifulness of his mother had a kind of +particular importance, and he ate less than he had expected to. + +When tea was over his father wanted him to walk round the gardens. +He had a long conversation with his father about things in general, +avoiding his private life--Sir Lamorac, the Austrians, and the +emptiness he had felt these last three days, now so suddenly filled +up. His father told him of a place called Glensofantrim, where he +and his mother had been; and of the little people who came out of the +ground there when it was very quiet. Little Jon came to a halt, with +his heels apart. + +"Do you really believe they do, Daddy?" "No, Jon, but I thought you +might." + +"Why?" + +"You're younger than I; and they're fairies." Little Jon squared the +dimple in his chin. + +"I don't believe in fairies. I never see any." "Ha!" said his +father. + +"Does Mum?" + +His father smiled his funny smile. + +"No; she only sees Pan." + +"What's Pan?" + +"The Goaty God who skips about in wild and beautiful places." + +"Was he in Glensofantrim?" + +"Mum said so." + +Little Jon took his heels up, and led on. + +"Did you see him?" + +"No; I only saw Venus Anadyomene." + +Little Jon reflected; Venus was in his book about the Greeks and +Trojans. Then Anna was her Christian and Dyomene her surname? + +But it appeared, on inquiry, that it was one word, which meant rising +from the foam. + +"Did she rise from the foam in Glensofantrim?" + +"Yes; every day." + +"What is she like, Daddy?" + +"Like Mum." + +"Oh! Then she must be..." but he stopped at that, rushed at a wall, +scrambled up, and promptly scrambled down again. The discovery that +his mother was beautiful was one which he felt must absolutely be +kept to himself. His father's cigar, however, took so long to smoke, +that at last he was compelled to say: + +"I want to see what Mum's brought home. Do you mind, Daddy?" + +He pitched the motive low, to absolve him from unmanliness, and was a +little disconcerted when his father looked at him right through, +heaved an important sigh, and answered: + +"All right, old man, you go and love her." + +He went, with a pretence of slowness, and then rushed, to make up. +He entered her bedroom from his own, the door being open. She was +still kneeling before a trunk, and he stood close to her, quite +still. + +She knelt up straight, and said: + +"Well, Jon?" + +"I thought I'd just come and see." + +Having given and received another hug, he mounted the window-seat, +and tucking his legs up under him watched her unpack. He derived a +pleasure from the operation such as he had not yet known, partly +because she was taking out things which looked suspicious, and partly +because he liked to look at her. She moved differently from anybody +else, especially from Bella; she was certainly the refinedest-looking +person he had ever seen. She finished the trunk at last, and knelt +down in front of him. + +"Have you missed us, Jon?" + +Little Jon nodded, and having thus admitted his feelings, continued +to nod. + +"But you had 'Auntie' June?" + +"Oh! she had a man with a cough." + +His mother's face changed, and looked almost angry. He added +hastily: + +"He was a poor man, Mum; he coughed awfully; I--I liked him." + +His mother put her hands behind his waist. + +"You like everybody, Jon?" + +Little Jon considered. + +"Up to a point," he said: "Auntie June took me to church one Sunday." + +"To church? Oh!" + +"She wanted to see how it would affect me." "And did it?" + +"Yes. I came over all funny, so she took me home again very quick. +I wasn't sick after all. I went to bed and had hot brandy and water, +and read The Boys of Beechwood. It was scrumptious." + +His mother bit her lip. + +"When was that?" + +"Oh! about--a long time ago--I wanted her to take me again, but she +wouldn't. You and Daddy never go to church, do you?" + +"No, we don't." + +"Why don't you?" + +His mother smiled. + +"Well, dear, we both of us went when we were little. Perhaps we went +when we were too little." + +"I see," said little Jon, "it's dangerous." + +"You shall judge for yourself about all those things as you grow +up." + +Little Jon replied in a calculating manner: + +"I don't want to grow up, much. I don't want to go to school." A +sudden overwhelming desire to say something more, to say what he +really felt, turned him red. "I--I want to stay with you, and be +your lover, Mum." + +Then with an instinct to improve the situation, he added quickly "I +don't want to go to bed to-night, either. I'm simply tired of going +to bed, every night." + +"Have you had any more nightmares?" + +"Only about one. May I leave the door open into your room to-night, +Mum?" + +"Yes, just a little." Little Jon heaved a sigh of satisfaction. + +"What did you see in Glensofantrim?" + +"Nothing but beauty, darling." + +"What exactly is beauty?" + +"What exactly is--Oh! Jon, that's a poser." + +"Can I see it, for instance?" His mother got up, and sat beside +him. "You do, every day. The sky is beautiful, the stars, and +moonlit nights, and then the birds, the flowers, the trees--they're +all beautiful. Look out of the window--there's beauty for you, Jon." + +"Oh! yes, that's the view. Is that all?" + +"All? no. The sea is wonderfully beautiful, and the waves, with +their foam flying back." + +"Did you rise from it every day, Mum?" + +His mother smiled. "Well, we bathed." + +Little Jon suddenly reached out and caught her neck in his hands. + +"I know," he said mysteriously, "you're it, really, and all the rest +is make-believe." + +She sighed, laughed, said: "Oh! Jon!" + +Little Jon said critically: + +"Do you think Bella beautiful, for instance? I hardly do." + +"Bella is young; that's something." + +"But you look younger, Mum. If you bump against Bella she hurts. + +I don't believe 'Da' was beautiful, when I come to think of it; and +Mademoiselle's almost ugly." + +"Mademoiselle has a very nice face." "Oh! yes; nice. I love your +little rays, Mum." + +"Rays?" + +Little Jon put his finger to the outer corner of her eye. + +"Oh! Those? But they're a sign of age." + +"They come when you smile." + +"But they usen't to." + +"Oh! well, I like them. Do you love me, Mum?" + +"I do--I do love you, darling." + +"Ever so?" + +"Ever so!" + +"More than I thought you did?" + +"Much--much more." + +"Well, so do I; so that makes it even." + +Conscious that he had never in his life so given himself away, he +felt a sudden reaction to the manliness of Sir Lamorac, Dick Needham, +Huck Finn, and other heroes. + +"Shall I show you a thing or two?" he said; and slipping out of her +arms, he stood on his head. Then, fired by her obvious admiration, +he mounted the bed, and threw himself head foremost from his feet on +to his back, without touching anything with his hands. He did this +several times. + +That evening, having inspected what they had brought, he stayed up to +dinner, sitting between them at the little round table they used when +they were alone. He was extremely excited. His mother wore a +French-grey dress, with creamy lace made out of little scriggly +roses, round her neck, which was browner than the lace. He kept +looking at her, till at last his father's funny smile made him +suddenly attentive to his slice of pineapple. It was later than he +had ever stayed up, when he went to bed. His mother went up with +him, and he undressed very slowly so as to keep her there. When at +last he had nothing on but his pyjamas, he said: + +"Promise you won't go while I say my prayers!" + +"I promise." + +Kneeling down and plunging his face into the bed, little Jon hurried +up, under his breath, opening one eye now and then, to see her +standing perfectly still with a smile on her face. "Our Father"--so +went his last prayer, "which art in heaven, hallowed be thy Mum, thy +Kingdom Mum--on Earth as it is in heaven, give us this day our daily +Mum and forgive us our trespasses on earth as it is in heaven and +trespass against us, for thine is the evil the power and the glory +for ever and ever. Amum! Look out!" He sprang, and for a long +minute remained in her arms. Once in bed, he continued to hold her +hand. + +"You won't shut the door any more than that, will you? Are you going +to be long, Mum?" + +"I must go down and play to Daddy." + +"Oh! well, I shall hear you." + +"I hope not; you must go to sleep." + +"I can sleep any night." + +"Well, this is just a night like any other." + +"Oh! no--it's extra special." + +"On extra special nights one always sleeps soundest." + +"But if I go to sleep, Mum, I shan't hear you come up." + +"Well, when I do, I'll come in and give you a kiss, then if you're +awake you'll know, and if you're not you'll still know you've had +one." + +Little Jon sighed, "All right!" he said: "I suppose I must put up +with that. Mum?" + +"Yes?" + +"What was her name that Daddy believes in? Venus Anna Diomedes?" + +"Oh! my angel! Anadyomene." + +"Yes! but I like my name for you much better." + +"What is yours, Jon?" + +Little Jon answered shyly: + +"Guinevere! it's out of the Round Table + +I've only just thought of it, only of course her hair was down." + +His mother's eyes, looking past him, seemed to float. + +"You won't forget to come, Mum?" + +"Not if you'll go to sleep." + +"That's a bargain, then." And little Jon screwed up his eyes. + +He felt her lips on his forehead, heard her footsteps; opened his +eyes to see her gliding through the doorway, and, sighing, screwed +them up again. + +Then Time began. + +For some ten minutes of it he tried loyally to sleep, counting a +great number of thistles in a row, "Da's" old recipe for bringing +slumber. He seemed to have been hours counting. It must, he +thought, be nearly time for her to come up now. He threw the +bedclothes back. "I'm hot!" he said, and his voice sounded funny in +the darkness, like someone else's. Why didn't she come? He sat up. +He must look! He got out of bed, went to the window and pulled the +curtain a slice aside. It wasn't dark, but he couldn't tell whether +because of daylight or the moon, which was very big. It had a funny, +wicked face, as if laughing at him, and he did not want to look at +it. Then, remembering that his mother had said moonlit nights were +beautiful, he continued to stare out in a general way. The trees +threw thick shadows, the lawn looked like spilt milk, and a long, +long way he could see; oh! very far; right over the world, and it all +looked different and swimmy. There was a lovely smell, too, in his +open window. + +'I wish I had a dove like Noah!' he thought. + + +"The moony moon was round and bright, +It shone and shone and made it light." + + +After that rhyme, which came into his head all at once, he became +conscious of music, very soft-lovely! Mum playing! He bethought +himself of a macaroon he had, laid up in his chest of drawers, and, +getting it, came back to the window. He leaned out, now munching, +now holding his jaws to hear the music better. "Da" used to say that +angels played on harps in heaven; but it wasn't half so lovely as Mum +playing in the moony night, with him eating a macaroon. A cockchafer +buzzed by, a moth flew in his face, the music stopped, and little Jon +drew his head in. She must be coming! He didn't want to be found +awake. He got back into bed and pulled the clothes nearly over his +head; but he had left a streak of moonlight coming in. It fell +across the floor, near the foot of the bed, and he watched it moving +ever so slowly towards him, as if it were alive. The music began +again, but he could only just hear it now; sleepy music, pretty-- +sleepy--music--sleepy--slee..... + +And time slipped by, the music rose, fell, ceased; the moonbeam crept +towards his face. Little Jon turned in his sleep till he lay on his +back, with one brown fist still grasping the bedclothes. The corners +of his eyes twitched--he had begun to dream. He dreamed he was +drinking milk out of a pan that was the moon, opposite a great black +cat which watched him with a funny smile like his father's. He heard +it whisper: "Don't drink too much!" It was the cat's milk, of course, +and he put out his hand amicably to stroke the creature; but it was +no longer there; the pan had become a bed, in which he was lying, and +when he tried to get out he couldn't find the edge; he couldn't find +it--he--he--couldn't get out! It was dreadful! + +He whimpered in his sleep. The bed had begun to go round too; it was +outside him and inside him; going round and round, and getting fiery, +and Mother Lee out of Cast up by the Sea was stirring it! Oh! so +horrible she looked! Faster and faster!--till he and the bed and +Mother Lee and the moon and the cat were all one wheel going round +and round and up and up--awful--awful--awful! + +He shrieked. + +A voice saying: "Darling, darling!" got through the wheel, and he +awoke, standing on his bed, with his eyes wide open. + +There was his mother, with her hair like Guinevere's, and, clutching +her, he buried his face in it. + +"Oh! oh!" + +"It's all right, treasure. You're awake now. There! There! It's +nothing!" + +But little Jon continued to say: "Oh! oh!" + +Her voice went on, velvety in his ear: + +"It was the moonlight, sweetheart, coming on your face." + +Little Jon burbled into her nightgown + +"You said it was beautiful. Oh!" + +"Not to sleep in, Jon. Who let it in? Did you draw the curtains?" + +"I wanted to see the time; I--I looked out, I--I heard you playing, +Mum; I--I ate my macaroon." But he was growing slowly comforted; and +the instinct to excuse his fear revived within him. + +"Mother Lee went round in me and got all fiery," he mumbled. + +"Well, Jon, what can you expect if you eat macaroons after you've +gone to bed?" + +"Only one, Mum; it made the music ever so more beautiful. I was +waiting for you--I nearly thought it was to-morrow." + +"My ducky, it's only just eleven now." + +Little Jon was silent, rubbing his nose on her neck. + +"Mum, is Daddy in your room?" + +"Not to-night." + +"Can I come?" + +"If you wish, my precious." + +Half himself again, little Jon drew back. + +"You look different, Mum; ever so younger." + +"It's my hair, darling." + +Little Jon laid hold of it, thick, dark gold, with a few silver +threads. + +"I like it," he said: "I like you best of all like this." + +Taking her hand, he had begun dragging her towards the door. He shut +it as they passed, with a sigh of relief. + +"Which side of the bed do you like, Mum?" + +"The left side." + +"All right." + +Wasting no time, giving her no chance to change her mind, little Jon +got into the bed, which seemed much softer than his own. He heaved +another sigh, screwed his head into the pillow and lay examining the +battle of chariots and swords and spears which always went on outside +blankets, where the little hairs stood up against the light. + +"It wasn't anything, really, was it?" he said. + +>From before her glass his mother answered: + +"Nothing but the moon and your imagination heated up. You mustn't +get so excited, Jon." + +But, still not quite in possession of his nerves, little Jon answered +boastfully: + +"I wasn't afraid, really, of course!" And again he lay watching the +spears and chariots. It all seemed very long. + +"Oh! Mum, do hurry up!" + +"Darling, I have to plait my hair." + +"Oh! not to-night. You'll only have to unplait it again to-morrow. +I'm sleepy now; if you don't come, I shan't be sleepy soon." + +His mother stood up white and flowey before the winged mirror: he +could see three of her, with her neck turned and her hair bright +under the light, and her dark eyes smiling. It was unnecessary, and +he said: + +"Do come, Mum; I'm waiting." + +"Very well, my love, I'll come." + +Little Jon closed his eyes. Everything was turning out most +satisfactory, only she must hurry up! He felt the bed shake, she was +getting in. And, still with his eyes closed, he said sleepily: "It's +nice, isn't it?" + +He heard her voice say something, felt her lips touching his nose, +and, snuggling up beside her who lay awake and loved him with her +thoughts, he fell into the dreamless sleep, which rounded off his +past. + + + + + + +TO LET + + + +"From out the fatal loins of those two foes +A pair of star-crossed lovers take their life." + --Romeo and Juliet. + + + + + +TO CHARLES SCRIBNER + + + + + +PART I + +ENCOUNTER + + +Soames Forsyte emerged from the Knightsbridge Hotel, where he was +staying, in the afternoon of the 12th of May, 1920, with the +intention of visiting a collection of pictures in a Gallery off Cork +Street, and looking into the Future. He walked. Since the War he +never took a cab if he could help it. Their drivers were, in his +view, an uncivil lot, though now that the War was over and supply +beginning to exceed demand again, getting more civil in accordance +with the custom of human nature. Still, he had not forgiven them, +deeply identifying them with gloomy memories, and now, dimly, like +all members, of their class, with revolution. The considerable +anxiety he had passed through during the War, and the more +considerable anxiety he had since undergone in the Peace, had +produced psychological consequences in a tenacious nature. He had, +mentally, so frequently experienced ruin, that he had ceased to +believe in its material probability. Paying away four thousand a +year in income and super tax, one could not very well be worse off! +A fortune of a quarter of a million, encumbered only by a wife and +one daughter, and very diversely invested, afforded substantial +guarantee even against that "wildcat notion" a levy on capital. And +as to confiscation of war profits, he was entirely in favour of it, +for he had none, and "serve the beggars right!" The price of +pictures, moreover, had, if anything, gone up, and he had done better +with his collection since the War began than ever before. Air-raids, +also, had acted beneficially on a spirit congenitally cautious, and +hardened a character already dogged. To be in danger of being +entirely dispersed inclined one to be less apprehensive of the more +partial dispersions involved in levies and taxation, while the habit +of condemning the impudence of the Germans had led naturally to +condemning that of Labour, if not openly at least in the sanctuary of +his soul. + +He walked. There was, moreover, time to spare, for Fleur was to meet +him at the Gallery at four o'clock, and it was as yet but half-past +two. It was good for him to walk--his liver was a little +constricted, and his nerves rather on edge. His wife was always out +when she was in Town, and his daughter would flibberty-gibbet all +over the place like most young women since the War. Still, he must +be thankful that she had been too young to do anything in that War +itself. Not, of course, that he had not supported the War from its +inception, with all his soul, but between that and supporting it with +the bodies of his wife and daughter, there had been a gap fixed by +something old-fashioned within him which abhorred emotional +extravagance. He had, for instance, strongly objected to Annette, so +attractive, and in 1914 only thirty-four, going to her native France, +her "chere patrie" as, under the stimulus of war, she had begun to +call it, to nurse her "braves poilus," forsooth! Ruining her health +and her looks! As if she were really a nurse! He had put a stopper +on it. Let her do needlework for them at home, or knit! She had not +gone, therefore, and had never been quite the same woman since. A +bad tendency of hers to mock at him, not openly, but in continual +little ways, had grown. As for Fleur, the War had resolved the vexed +problem whether or not she should go to school. She was better away +from her mother in her war mood, from the chance of air-raids, and +the impetus to do extravagant things; so he had placed her in a +seminary as far West as had seemed to him compatibIe with excellence, +and had missed her horribly. Fleur! He had never regretted the +somewhat outlandish name by which at her birth he had decided so +suddenly to call her--marked concession though it had been to the +French. Fleur! A pretty name--a pretty child! But restless--too +restless; and wilful! Knowing her power too over her father! Soames +often reflected on the mistake it was to dote on his daughter. To +get old and dote! Sixty-five! He was getting on; but he didn't feel +it, for, fortunately perhaps, considering Annette's youth and good +looks, his second marriage had turned out a cool affair. He had +known but one real passion in his life--for that first wife of his-- +Irene. Yes, and that fellow, his cousin Jolyon, who had gone off +with her, was looking very shaky, they said. No wonder, at seventy- +two, after twenty years of a third marriage! + +Soames paused a moment in his march to lean over the railings of the +Row. A suitable spot for reminiscence, half-way between that house +in Park Lane which had seen his birth and his parents' deaths, and +the little house in Montpellier Square where thirty-five years ago he +had enjoyed his first edition of matrimony. Now, after twenty years +of his second edition, that old tragedy seemed to him like a previous +existence--which had ended when Fleur was born in place of the son he +had hoped for. For many years he had ceased regretting, even +vaguely, the son who had not been born; Fleur filled the bill in his +heart. After all, she bore his name; and he was not looking forward +at all to the time when she would change it. Indeed, if he ever +thought of such a calamity, it was seasoned by the vague feeling that +he could make her rich enough to purchase perhaps and extinguish the +name of the fellow who married her--why not, since, as it seemed, +women were equal to men nowadays? And Soames, secretly convinced +that they were not, passed his curved hand over his face vigorously, +till it reached the comfort of his chin. Thanks to abstemious +habits, he had not grown fat and gabby; his nose was pale and thin, +his grey moustache close-clipped, his eyesight unimpaired. A slight +stoop closened and corrected the expansion given to his face by the +heightening of his forehead in the recession of his grey hair. +Little change had Time wrought in the "warmest" of the young +Forsytes, as the last of the old Forsytes--Timothy-now in his hundred +and first year, would have phrased it. + +The shade from the plane-trees fell on his neat Homburg hat; he had +given up top hats--it was no use attracting attention to wealth in +days like these. Plane-trees! His thoughts travelled sharply to +Madrid--the Easter before the War, when, having to make up his mind +about that Goya picture, he had taken a voyage of discovery to study +the painter on his spot. The fellow had impressed him--great range, +real genius! Highly as the chap ranked, he would rank even higher +before they had finished with him. The second Goya craze would be +greater even than the first; oh, yes! And he had bought. On that +visit he had--as never before--commissioned a copy of a fresco +painting called "La Vendimia," wherein was the figure of a girl with +an arm akimbo, who had reminded him of his daughter. He had it now +in the Gallery at Mapledurham, and rather poor it was--you couldn't +copy Goya. He would still look at it, however, if his daughter were +not there, for the sake of something irresistibly reminiscent in the +light, erect balance of the figure, the width between the arching +eyebrows, the eager dreaming of the dark eyes. Curious that Fleur +should have dark eyes, when his own were grey--no pure Forsyte had +brown eyes--and her mother's blue! But of course her grandmother +Lamotte's eyes were dark as treacle! + +He began to walk on again toward Hyde Park Corner. No greater change +in all England than in the Row! Born almost within hail of it, he +could remember it from 1860 on. Brought there as a child between the +crinolines to stare at tight-trousered dandies in whiskers, riding +with a cavalry seat; to watch the doffing of curly-brimmed and white +top hats; the leisurely air of it all, and the little bow-legged man +in a long red waistcoat who used to come among the fashion with dogs +on several strings, and try to sell one to his mother: King Charles +spaniels, Italian greyhounds, affectionate to her crinoline--you +never saw them now. You saw no quality of any sort, indeed, just +working people sitting in dull rows with nothing to stare at but a +few young bouncing females in pot hats, riding astride, or desultory +Colonials charging up and down on dismal-looking hacks; with, here +and there, little girls on ponies, or old gentlemen jogging their +livers, or an orderly trying a great galumphing cavalry horse; no +thoroughbreds, no grooms, no bowing, no scraping, no gossip--nothing; +only the trees the same--the trees in--different to the generations +and declensions of mankind. A democratic England--dishevelled, +hurried, noisy, and seemingly without an apex. And that something +fastidious in the soul of Soames turned over within him. Gone +forever, the close borough of rank and polish! Wealth there was--oh, +yes! wealth--he himself was a richer man than his father had ever +been; but manners, flavour, quality, all gone, engulfed in one vast, +ugly, shoulder-rubbing, petrol-smelling Cheerio. Little half-beaten +pockets of gentility and caste lurking here and there, dispersed and +chetif, as Annette would say; but nothing ever again firm and +coherent to look up to. And into this new hurly-burly of bad manners +and loose morals his daughter--flower of his life--was flung! And +when those Labour chaps got power--if they ever did--the worst was +yet to come. + +He passed out under the archway, at last no longer--thank goodness!-- +disfigured by the gungrey of its search-light. 'They'd better put a +search-light on to where they're all going,' he thought, 'and light +up their precious democracy!' And he directed his steps along the +Club fronts of Piccadilly. George Forsyte, of course, would be +sitting in the bay window of the Iseeum. The chap was so big now +that he was there nearly all his time, like some immovable, sardonic, +humorous eye noting the decline of men and things. And Soames +hurried, ever constitutionally uneasy beneath his cousin's glance. +George, who, as he had heard, had written a letter signed "Patriot" +in the middle of the War, complaining of the Government's hysteria in +docking the oats of race-horses. Yes, there he was, tall, ponderous, +neat, clean-shaven, with his smooth hair, hardly thinned, smelling, +no doubt, of the best hair-wash, and a pink paper in his hand. Well, +be didn't change! And for perhaps the first time in his life Soames +felt a kind of sympathy tapping in his waistcoat for that sardonic +kinsman. With his weight, his perfectly parted hair, and bull-like +gaze, he was a guarantee that the old order would take some shifting +yet. He saw George move the pink paper as if inviting him to ascend- +-the chap must want to ask something about his property. It was +still under Soames' control; for in the adoption of a sleeping +partnership at that painful period twenty years back when he had +divorced Irene, Soames had found himself almost insensibly retaining +control of all purely Forsyte affairs. + +Hesitating for just a moment, he nodded and went in. Since the death +of his brother-in-law Montague Dartie, in Paris, which no one had +quite known what to make of, except that it was certainly not +suicide--the Iseeum Club had seemed more respectable to Soames. +George, too, he knew, had sown the last of his wild oats, and was +committed definitely to the joys of the table, eating only of the +very best so as to keep his weight down, and owning, as he said, +"just one or two old screws to give me an interest in life." He +joined his cousin, therefore, in the bay window without the +embarrassing sense of indiscretion he had been used to feel up there. +George put out a well-kept hand. + +"Haven't seen you since the War," he said. "How's your wife?" + +"Thanks," said Soames coldly, "well enough." + +Some hidden jest curved, for a moment, George's fleshy face, and +gloated from his eye. + +"That Belgian chap, Profond," he said, "is a member here now. He's a +rum customer." + +"Quite!" muttered Soames. "What did you want to see me about?" + +"Old Timothy; he might go off the hooks at any moment. I suppose +he's made his Will." + +"Yes." + +"Well, you or somebody ought to give him a look up--last of the old +lot; he's a hundred, you know. They say he's like a rummy. Where +are you goin' to put him? He ought to have a pyramid by rights." + +Soames shook his head. "Highgate, the family vault." + +"Well, I suppose the old girls would miss him, if he was anywhere +else. They say he still takes an interest in food. He might last +on, you know. Don't we get anything for the old Forsytes? Ten of +them--average age eighty-eight--I worked it out. That ought to be +equal to triplets." + +"Is that all?" said Soames, "I must be getting on." + +'You unsociable devil,' George's eyes seemed to answer. "Yes, that's +all: Look him up in his mausoleum--the old chap might want to +prophesy." The grin died on the rich curves of his face, and he +added: "Haven't you attorneys invented a way yet of dodging this +damned income tax? It hits the fixed inherited income like the very +deuce. I used to have two thousand five hundred a year; now I've got +a beggarly fifteen hundred, and the price of living doubled." + +"Ah!" murmured Soames, "the turf's in danger." + +Over George's face moved a gleam of sardonic self-defence. + +"Well," he said, "they brought me up to do nothing, and here I am in +the sear and yellow, getting poorer every day. These Labour chaps +mean to have the lot before they've done. What are you going to do +for a living when it comes? I shall work a six-hour day teaching +politicians how to see a joke. Take my tip, Soames; go into +Parliament, make sure of your four hundred--and employ me." + +And, as Soames retired, he resumed his seat in the bay window. + +Soames moved along Piccadilly deep in reflections excited by his +cousin's words. He himself had always been a worker and a saver, +George always a drone and a spender; and yet, if confiscation once +began, it was he--the worker and the saver--who would be looted! +That was the negation of all virtue, the overturning of all Forsyte +principles. Could civilization be built on any other? He did not +think so. Well, they wouldn't confiscate his pictures, for they +wouldn't know their worth. But what would they be worth, if these +maniacs once began to milk capital? A drug on the market. 'I don't +care about myself,' he thought; 'I could live on five hundred a year, +and never know the difference, at my age.' But Fleur! This fortune, +so widely invested, these treasures so carefully chosen and amassed, +were all for--her. And if it should turn out that he couldn't give +or leave them to her--well, life had no meaning, and what was the use +of going in to look at this crazy, futuristic stuff with the view of +seeing whether it had any future? + +Arriving at the Gallery off Cork Street, however, he paid his +shilling, picked up a catalogue, and entered. Some ten persons were +prowling round. Soames took steps and came on what looked to him +like a lamp-post bent by collision with a motor omnibus. It was +advanced some three paces from the wall, and was described in his +catalogue as "Jupiter." He examined it with curiosity, having +recently turned some of his attention to sculpture. 'If that's +Jupiter,' he thought, 'I wonder what Juno's like.' And suddenly he +saw her, opposite. She appeared to him like nothing so much as a +pump with two handles, lightly clad in snow. He was still gazing at +her, when two of the prowlers halted on his left. "Epatant!" he +heard one say. + +"Jargon!" growled Soames to himself. + +The other's boyish voice replied + +"Missed it, old bean; he's pulling your leg. When Jove and Juno +created he them, he was saying: 'I'll see how much these fools will +swallow.' And they've lapped up the lot." + +"You young duffer! Vospovitch is an innovator. Don't you see that +he's brought satire into sculpture? The future of plastic art, of +music, painting, and even architecture, has set in satiric. It was +bound to. People are tired--the bottom's tumbled out of sentiment." + +"Well, I'm quite equal to taking a little interest in beauty. I was +through the War. You've dropped your handkerchief, sir." + +Soames saw a handkerchief held out in front of him. He took it with +some natural suspicion, and approached it to his nose. It had the +right scent--of distant Eau de Cologne--and his initials in a corner. +Slightly reassured, he raised his eyes to the young man's face. It +had rather fawn-like ears, a laughing mouth, with half a toothbrush +growing out of it on each side, and small lively eyes, above a +normally dressed appearance. + +"Thank you," he said; and moved by a sort of irritation, added: "Glad +to hear you like beauty; that's rare, nowadays." + +"I dote on it," said the young man; "but you and I are the last of +the old guard, sir." + +Soames smiled. + +"If you really care for pictures," he said, "here's my card. I can +show you some quite good ones any Sunday, if you're down the river +and care to look in." + +"Awfully nice of you, sir. I'll drop in like a bird. My name's +Mont-Michael." And he took off his hat. + +Soames, already regretting his impulse, raised his own slightly in +response, with a downward look at the young man's companion, who had +a purple tie, dreadful little sluglike whiskers, and a scornful look- +-as if he were a poet! + +It was the first indiscretion he had committed for so long that he +went and sat down in an alcove. What had possessed him to give his +card to a rackety young fellow, who went about with a thing like +that? And Fleur, always at the back of his thoughts, started out +like a filigree figure from a clock when the hour strikes. On the +screen opposite the alcove was a large canvas with a great many +square tomato-coloured blobs on it, and nothing else, so far as +Soames could see from where he sat. He looked at his catalogue: "No. +32 'The Future Town'--Paul Post." 'I suppose that's satiric too,' he +thought. 'What a thing!' But his second impulse was more cautious. +It did not do to condemn hurriedly. There had been those stripey, +streaky creations of Monet's, which had turned out such trumps; and +then the stippled school; and Gauguin. Why, even since the Post- +Impressionists there had been one or two painters not to be sneezed +at. During the thirty-eight years of his connoisseur's life, indeed, +he had marked so many "movements," seen the tides of taste and +technique so ebb and flow, that there was really no telling anything +except that there was money to be made out of every change of +fashion. This too might quite well be a case where one must subdue +primordial instinct, or lose the market. He got up and stood before +the picture, trying hard to see it with the eyes of other people. +Above the tomato blobs was what he took to be a sunset, till some one +passing said: "He's got the airplanes wonderfully, don't you think!" +Below the tomato blobs was a band of white with vertical black +stripes, to which he could assign no meaning whatever, till some one +else came by, murmuring: "What expression he gets with his +foreground!" Expression? Of what? Soames went back to his seat. +The thing was "rich," as his father would have said, and he wouldn't +give a damn for it. Expression! Ah! they were all Expressionists +now, he had heard, on the Continent. So it was coming here too, was +it? He remembered the first wave of influenza in 1887--or '8-- +hatched in China, so they said. He wondered where this--this +Expressionism had been hatched. The thing was a regular disease! + +He had become conscious of a woman and a youth standing between him +and the "Future Town." Their backs were turned; but very suddenly +Soames put his catalogue before his face, and drawing his hat +forward, gazed through the slit between. No mistaking that back, +elegant as ever though the hair above had gone grey. Irene! His +divorced wife--Irene! And this, no doubt, was--her son--by that +fellow Jolyon Forsyte--their boy, six months older than his own girl! +And mumbling over in his mind the bitter days of his divorce, he rose +to get out of sight, but quickly sat down again. She had turned her +head to speak to her boy; her profile was still so youthful that it +made her grey hair seem powdery, as if fancy-dressed; and her lips +were smiling as Soames, first possessor of them, had never seen them +smile. Grudgingly he admitted her still beautiful and in figure +almost as young as ever. And how that boy smiled back at her! +Emotion squeezed Soames' heart. The sight infringed his sense of +justice. He grudged her that boy's smile--it went beyond what Fleur +gave him, and it was undeserved. Their son might have been his son; +Fleur might have been her daughter, if she had kept straight! He +lowered his catalogue. If she saw him, all the better! A reminder +of her conduct in the presence of her son, who probably knew nothing +of it, would be a salutary touch from the finger of that Nemesis +which surely must soon or late visit her! Then, half-conscious that +such a thought was extravagant for a Forsyte of his age, Soames took +out his watch. Past four! Fleur was late. She had gone to his +niece Imogen Cardigan's, and there they would keep her smoking +cigarettes and gossiping, and that. He heard the boy laugh, and say +eagerly: "I say, Mum, is this by one of Auntie June's lame ducks?" + +"Paul Post--I believe it is, darling." + +The word produced a little shock in Soames; he had never heard her +use it. And then she saw him. His eyes must have had in them +something of George Forsyte's sardonic look; for her gloved hand +crisped the folds of her frock, her eyebrows rose, her face went +stony. She moved on. + +"It is a caution," said the boy, catching her arm again. + +Soames stared after them. That boy was good-looking, with a Forsyte +chin, and eyes deep-grey, deep in; but with something sunny, like a +glass of old sherry spilled over him; his smile perhaps, his hair. +Better than they deserved--those two! They passed from his view into +the next room, and Soames continued to regard the Future Town, but +saw it not. A little smile snarled up his lips. He was despising +the vehemence of his own feelings after all these years. Ghosts! +And yet as one grew old--was there anything but what was ghost-like +left? Yes, there was Fleur! He fixed his eyes on the entrance. She +was due; but she would keep him waiting, of course! And suddenly he +became aware of a sort of human breeze--a short, slight form clad in +a sea-green djibbah with a metal belt and a fillet binding unruly +red-gold hair all streaked with grey. She was talking to the Gallery +attendants, and something familiar riveted his gaze--in her eyes, her +chin, her hair, her spirit--something which suggested a thin Skye +terrier just before its dinner. Surely June Forsyte! His cousin +June--and coming straight to his recess! She sat down beside him, +deep in thought, took out a tablet, and made a pencil note. Soames +sat unmoving. A confounded thing, cousinship! "Disgusting!" he +heard her murmur; then, as if resenting the presence of an +overhearing stranger, she looked at him. The worst had happened. + +"Soames!" + +Soames turned his head a very little. + +"How are you?" he said. "Haven't seen you for twenty years." + +"No. Whatever made you come here?" + +"My sins," said Soames. "What stuff!" + +"Stuff? Oh, yes--of course; it hasn't arrived yet. + +"It never will," said Soames; "it must be making a dead loss." + +"Of course it is." + +"How d'you know?" + +"It's my Gallery." + +Soames sniffed from sheer surprise. + +"Yours? What on earth makes you run a show like this?" + +"I don't treat Art as if it were grocery." + +Soames pointed to the Future Town. "Look at that! Who's going to +live in a town like that, or with it on his walls?" + +June contemplated the picture for a moment. + +"It's a vision," she said. + +"The deuce!" + +There was silence, then June rose. 'Crazylooking creature!' he +thought. + +"Well," he said, "you'll find your young stepbrother here with a +woman I used to know. If you take my advice, you'll close this +exhibition." + +June looked back at him. "Oh! You Forsyte!" she said, and moved on. +About her light, fly-away figure, passing so suddenly away, was a +look of dangerous decisions. Forsyte! Of course, he was a Forsyte! +And so was she! But from the time when, as a mere girl, she brought +Bosinney into his life to wreck it, he had never hit it off with June +and never would! And here she was, unmarried to this day, owning a +Gallery!... And suddenly it came to Soames how little he knew now of +his own family. The old aunts at Timothy's had been dead so many +years; there was no clearing-house for news. What had they all done +in the War? Young Roger's boy had been wounded, St. John Hayman's +second son killed; young Nicholas' eldest had got an O. B. E., or +whatever they gave them. They had all joined up somehow, he +believed. That boy of Jolyon's and Irene's, he supposed, had been +too young; his own generation, of course, too old, though Giles +Hayman had driven a car for the Red Cross--and Jesse Hayman been a +special constable--those "Dromios" had always been of a sporting +type! As for himself, he had given a motor ambulance, read the +papers till he was sick of them, passed through much anxiety, bought +no clothes, lost seven pounds in weight; he didn't know what more he +could have done at his age. Indeed, thinking it over, it struck him +that he and his family had taken this war very differently to that +affair with the Boers, which had been supposed to tax all the +resources of the Empire. In that old war, of course, his nephew Val +Dartie had been wounded, that fellow Jolyon's first son had died of +enteric, "the Dromios" had gone out on horses, and June had been a +nurse; but all that had seemed in the nature of a portent, while in +this war everybody had done "their bit," so far as he could make out, +as a matter of course. It seemed to show the growth of something or +other--or perhaps the decline of something else. Had the Forsytes +become less individual, or more Imperial, or less provincial? Or was +it simply that one hated Germans?... Why didn't Fleur come, so that +he could get away? He saw those three return together from the other +room and pass back along the far side of the screen. The boy was +standing before the Juno now. And, suddenly, on the other side of +her, Soames saw--his daughter, with eyebrows raised, as well they +might be. He could see her eyes glint sideways at the boy, and the +boy look back at her. Then Irene slipped her hand through his arm, +and drew him on. Soames saw him glancing round, and Fleur looking +after them as the three went out. + +A voice said cheerfully: "Bit thick, isn't it, sir?" + +The young man who had handed him his handkerchief was again passing. +Soames nodded. + +"I don't know what we're coming to." + +"Oh! That's all right, sir," answered the young man cheerfully; "they +don't either." + +Fleur's voice said: "Hallo, Father! Here you are!" precisely as if +he had been keeping her waiting. + +The young man, snatching off his hat, passed on. + +"Well," said Soames, looking her up and down, "you're a punctual sort +of young woman!" + +This treasured possession of his life was of medium height and +colour, with short, dark chestnut hair; her wide-apart brown eyes +were set in whites so clear that they glinted when they moved, and +yet in repose were almost dreamy under very white, black-lashed lids, +held over them in a sort of suspense. She had a charming profile, +and nothing of her father in her face save a decided chin. Aware +that his expression was softening as he looked at her, Soames frowned +to preserve the unemotionalism proper to a Forsyte. He knew she was +only too inclined to take advantage of his weakness. + +Slipping her hand under his arm, she said: + +"Who was that?" + +"He picked up my handkerchief. We talked about the pictures." + +"You're not going to buy that, Father?" + +"No," said Soames grimly; "nor that Juno you've been looking at." + +Fleur dragged at his arm. "Oh! Let's go! It's a ghastly show." + +In the doorway they passed the young man called Mont and his partner. +But Soames had hung out a board marked "Trespassers will be +prosecuted," and he barely acknowledged the young fellow's salute. + +"Well," he said in the street, "whom did you meet at Imogen's?" + +"Aunt Winifred, and that Monsieur Profond." + +"Oh!" muttered Soames; "that chap! What does your aunt see in him?" + +"I don't know. He looks pretty deep--mother says she likes him." + +Soames grunted. + +"Cousin Val and his wife were there, too." + +"What!" said Soames. "I thought they were back in South Africa." + +"Oh, no! They've sold their farm. Cousin Val is going to train +race-horses on the Sussex Downs. They've got a jolly old manor- +house; they asked me down there." + +Soames coughed: the news was distasteful to him. "What's his wife +like now?" + +"Very quiet, but nice, I think." + +Soames coughed again. "He's a rackety chap, your Cousin Val." + +"Oh! no, Father; they're awfully devoted. I promised to go--Saturday +to Wednesday next." + +"Training race-horses!" said Soames. It was extravagant, but not the +reason for his distaste. Why the deuce couldn't his nephew have +stayed out in South Africa? His own divorce had been bad enough, +without his nephew's marriage to the daughter of the co-respondent; a +half-sister too of June, and of that boy whom Fleur had just been +looking at from under the pump-handle. If he didn't look out, she +would come to know all about that old disgrace! Unpleasant things! +They were round him this afternoon like a swarm of bees! + +"I don't like it!" he said. + +"I want to see the race-horses," murmured Fleur; "and they've +promised I shall ride. Cousin Val can't walk much, you know; but he +can ride perfectly. He's going to show me their gallops." + +"Racing!" said Soames. "It's a pity the War didn't knock that on the +head. He's taking after his father, I'm afraid." + +"I don't know anything about his father." + +"No," said Soames, grimly. "He took an interest in horses and broke +his neck in Paris, walking down-stairs. Good riddance for your +aunt." He frowned, recollecting the inquiry into those stairs which +he had attended in Paris six years ago, because. Montague Dartie +could not attend it himself--perfectly normal stairs in a house where +they played baccarat. Either his winnings or the way he had +celebrated them had gone to his brother-in-law's head. The French +procedure had been very loose; he had had a lot of trouble +with it. + +A sound from Fleur distracted his attention. "Look! The people who +were in the Gallery with us." + +"What people?" muttered Soames, who knew perfectly well. + +"I think that woman's beautiful." + +"Come into this pastry-cook's," said Soames abruptly, and tightening +his grip on her arm he turned into a confectioner's. It was--for +him--a surprising thing to do, and he said rather anxiously: "What +will you have?" + +"Oh! I don't want anything. I had a cocktail and a tremendous +lunch." + +"We must have something now we're here," muttered Soames, keeping +hold of her arm. + +"Two teas," he said; "and two of those nougat things." + +But no sooner was his body seated than his soul sprang up. Those +three--those three were coming in! He heard Irene say something to +her boy, and his answer: + +"Oh! no, Mum; this place is all right. My stunt." And the three sat +down. + +At that moment, most awkward of his existence, crowded with ghosts +and shadows from his past, in presence of the only two women he had +ever loved--his divorced wife and his daughter by her successor-- +Soames was not so much afraid of them as of his cousin June. She +might make a scene--she might introduce those two children--she was +capable of anything. He bit too hastily at the nougat, and it stuck +to his plate. Working at it with his finger, he glanced at Fleur. +She was masticating dreamily, but her eyes were on the boy. The +Forsyte in him said: "Think, feel, and you're done for!" And he +wiggled his finger desperately. Plate! Did Jolyon wear a plate? +Did that woman wear a plate? Time had been when he had seen her +wearing nothing! That was something, anyway, which had never been +stolen from him. And she knew it, though she might sit there calm +and self-possessed, as if she had never been his wife. An acid +humour stirred in his Forsyte blood; a subtle pain divided by hair's +breadth from pleasure. If only June did not suddenly bring her +hornets about his ears! The boy was talking. + +"Of course, Auntie June"--so he called his half-sister "Auntie," did +he?--well, she must be fifty, if she was a day!--" it's jolly good of +you to encourage them. Only--hang it all!" Soames stole a glance. +Irene's startled eyes were bent watchfully on her boy. She--she had +these devotions--for Bosinney--for that boy's father--for this boy! +He touched Fleur's arm, and said: + +"Well, have you had enough?" + +"One more, Father, please." + +She would be sick! He went to the counter to pay. When he turned +round again he saw Fleur standing near the door, holding a +handkerchief which the boy had evidently just handed to her. + +"F. F.," he heard her say. "Fleur Forsyte--it's mine all right. +Thank you ever so." + +Good God! She had caught the trick from what he'd told her in the +Gallery--monkey! + +"Forsyte? Why--that's my name too. Perhaps we're cousins." + +"Really! We must be. There aren't any others. I live at +Mapledurham; where do you?" + +"Robin Hill." + +Question and answer had been so rapid that all was over before he +could lift a finger. He saw Irene's face alive with startled +feeling, gave the slightest shake of his head, and slipped his arm +through Fleur's. + +"Come along!" he said. + +She did not move. + +"Didn't you hear, Father? Isn't it queer--our name's the same. Are +we cousins?" + +"What's that?" he said. "Forsyte? Distant, perhaps." + +"My name's Jolyon, sir. Jon, for short." + +"Oh! Ah!" said Soames. "Yes. Distant. How are you? Very good of +you. Good-bye!" + +He moved on. + +"Thanks awfully," Fleur was saying. "Au revoir!" + +"Au revoir!" he heard the boy reply. + + + + +II + +FINE FLEUR FORSYTE + + +Emerging from the "pastry-cook's," Soames' first impulse was to vent +his nerves by saying to his daughter: 'Dropping your hand-kerchief!' +to which her reply might well be: 'I picked that up from you!' His +second impulse therefore was to let sleeping dogs lie. But she would +surely question him. He gave her a sidelong look, and found she was +giving him the same. She said softly: + +"Why don't you like those cousins, Father?" Soames lifted the corner +of his lip. + +"What made you think that?" + +"Cela se voit." + +'That sees itself!' What a way of putting it! After twenty years of +a French wife Soames had still little sympathy with her language; a +theatrical affair and connected in his mind with all the refinements +of domestic irony. + +"How?" he asked. + +"You must know them; and you didn't make a sign. I saw them looking +at you." + +"I've never seen the boy in my life," replied Soames with perfect +truth. + +"No; but you've seen the others, dear." + +Soames gave her another look. What had she picked up? Had her Aunt +Winifred, or Imogen, or Val Dartie and his wife, been talking? Every +breath of the old scandal had been carefully kept from her at home, +and Winifred warned many times that he wouldn't have a whisper of it +reach her for the world. So far as she ought to know, he had never +been married before. But her dark eyes, whose southern glint and +clearness often almost frightened him, met his with perfect +innocence. + +"Well," he said, "your grandfather and his brother had a quarrel. +The two families don't know each other." + +"How romantic!" + +'Now, what does she mean by that?' he thought. The word was to him +extravagant and dangerous--it was as if she had said: "How jolly!" + +"And they'll continue not to know each, other," he added, but +instantly regretted the challenge in those words. Fleur was smiling. +In this age, when young people prided themselves on going their own +ways and paying no attention to any sort of decent prejudice, he had +said the very thing to excite her wilfulness. Then, recollecting the +expression on Irene's face, he breathed again. + +"What sort of a quarrel?" he heard Fleur say. + +"About a house. It's ancient history for you. Your grandfather died +the day you were born. He was ninety." + +"Ninety? Are there many Forsytes besides those in the Red Book?" + +"I don't know," said Soames. "They're all dispersed now. The old +ones are dead, except Timothy." + +Fleur clasped her hands. + +"Timothy? Isn't that delicious?" + +"Not at all," said Soames. It offended him that she should think +"Timothy" delicious--a kind of insult to his breed. This new +generation mocked at anything solid and tenacious. "You go and see +the old boy. He might want to prophesy." Ah! If Timothy could see +the disquiet England of his great-nephews and great-nieces, he would +certainly give tongue. And involuntarily he glanced up at the +Iseeum; yes--George was still in the window, with the same pink paper +in his hand. + +"Where is Robin Hill, Father?" + +Robin Hill! Robin Hill, round which all that tragedy had centred! +What did she want to know for? + +"In Surrey," he muttered; "not far from Richmond. Why?" + +"Is the house there?" + +"What house?" + +"That they quarrelled about." + +"Yes. But what's all that to do with you? We're going home to- +morrow--you'd better be thinking about your frocks." + +"Bless you! They're all thought about. A family feud? It's like +the Bible, or Mark Twain--awfully exciting. What did you do in the +feud, Father?" + +"Never you mind." + +"Oh! But if I'm to keep it up?" + +"Who said you were to keep it up?" + +"You, darling." + +"I? I said it had nothing to do with you." + +"Just what I think, you know; so that's all right." . + +She was too sharp for him; fine, as Annette sometimes called her. +Nothing for it but to distract her attention. + +"There's a bit of rosaline point in here," he said, stopping before a +shop, "that I thought you might like." + +When he had paid for it and they had resumed their progress, Fleur +said: + +"Don't you think that boy's mother is the most beautiful woman of her +age you've ever seen?" + +Soames shivered. Uncanny, the way she stuck to it! + +"I don't know that I noticed her." + +"Dear, I saw the corner of your eye." + +"You see everything--and a great deal more, it seems to me!" + +"What's her husband like? He must be your first cousin, if your +fathers were brothers." + +"Dead, for all I know," said Soames, with sudden vehemence. "I +haven't seen him for twenty years." + +"What was he?" + +"A painter." + +"That's quite jolly." + +The words: "If you want to please me you'll put those people out of +your head," sprang to Soames' lips, but he choked them back--he must +not let her see his feelings. + +"He once insulted me," he said. + +Her quick eyes rested on his face. + +"I see! You didn't avenge it, and it rankles. Poor Father! You let +me have a go!" + +It was really like lying in the dark with a mosquito hovering above +his face. Such pertinacity in Fleur was new to him, and, as they +reached the hotel, he said grimly: + +"I did my best. And that's enough about these people. I'm going up +till dinner." + +"I shall sit here." + +With a parting look at her extended in a chair--a look half- +resentful, half-adoring--Soames moved into the lift and was +transported to their suite on the fourth floor. He stood by the +window of the sitting-room which gave view over Hyde Park, and +drummed a finger on its pane. His feelings were confused, tetchy, +troubled. The throb of that old wound, scarred over by Time and new +interests, was mingled with displeasure and anxiety, and a slight +pain in his chest where that nougat stuff had disagreed. Had Annette +come in? Not that she was any good to him in such a difficulty. +Whenever she had questioned him about his first marriage, he had +always shut her up; she knew nothing of it, save that it had been the +great passion of his life, and his marriage with herself but domestic +makeshift. She had always kept the grudge of that up her sleeve, as +it were, and used it commercially. He listened. A sound--the vague +murmur of a woman's movements--was coming through the door. She was +in. He tapped. + +"Who?" + +"I," said Soames. + +She had been changing her frock, and was still imperfectly clothed; a +striking figure before her glass. There was a certain magnificence +about her arms, shoulders, hair, which had darkened since he first +knew her, about the turn of her neck, the silkiness of her garments, +her dark-lashed, greyblue eyes--she was certainly as handsome at +forty as she had ever been. A fine possession, an excellent +housekeeper, a sensible and affectionate enough mother. If only she +weren't always so frankly cynical about the relations between them! +Soames, who had no more real affection for her than she had for him, +suffered from a kind of English grievance in that she had never +dropped even the thinnest veil of sentiment over their partnership. +Like most of his countrymen and women, he held the view that marriage +should be based on mutual love, but that when from a marriage love +had disappeared, or, been found never to have really existed--so that +it was manifestly not based on love--you must not admit it. There it +was, and the love was not--but there you were, and must continue to +be! Thus you had it both ways, and were not tarred with cynicism, +realism, and immorality like the French. Moreover, it was necessary +in the interests of property. He knew that she knew that they both +knew there was no love between them, but he still expected her not to +admit in words or conduct such a thing, and he could never understand +what she meant when she talked of the hypocrisy of the English. He +said: + +"Whom have you got at 'The Shelter' next week?" + +Annette went on touching her lips delicately with salve--he always +wished she wouldn't do that. + +"Your sister Winifred, and the Car-r-digans"--she took up a tiny +stick of black--"and Prosper Profond." + +"That Belgian chap? Why him?" + +Annette turned her neck lazily, touched one eyelash, and said: + +"He amuses Winifred." + +"I want some one to amuse Fleur; she's restive." + +"R-restive?" repeated Annette. "Is it the first time you see that, +my friend? She was born r-restive, as you call it." + +Would she never get that affected roll out of her r's? + +He touched the dress she had taken off, and asked: + +"What have you been doing?" + +Annette looked at him, reflected in her glass. Her just-brightened +lips smiled, rather full, rather ironical. + +"Enjoying myself," she said. + +"Oh!" answered Soames glumly. "Ribbandry, I suppose." + +It was his word for all that incomprehensible running in and out of +shops that women went in for. "Has Fleur got her summer dresses?" + +"You don't ask if I have mine." + +"You don't care whether I do or not." + +"Quite right. Well, she has; and I have mine--terribly expensive." + +"H'm!" said Soames. "What does that chap Profond do in England?" + +Annette raised the eyebrows she had just finished. + +"He yachts." + +"Ah!" said Soames; "he's a sleepy chap." + +"Sometimes," answered Annette, and her face had a sort of quiet +enjoyment. "But sometimes very amusing." + +"He's got a touch of the tar-brush about him." + +Annette stretched herself. + +"Tar-brush?" she said. "What is that? His mother was Armenienne." + +"That's it, then," muttered Soames. "Does he know anything about +pictures?" + +"He knows about everything--a man of the world." + +"Well, get some one for Fleur. I want to distract her. She's going +off on Saturday to Val Dartie and his wife; I don't like it." + +"Why not?" + +Since the reason could not be explained without going into family +history, Soames merely answered: + +"Racketing about. There's too much of it." + +"I like that little Mrs. Val; she is very quiet and clever." + +"I know nothing of her except-- This thing's new." And Soames took +up a creation from the bed. + +Annette received it from him. + +"Would you hook me?" she said. + +Soames hooked. Glancing once over her shoulder into the glass, he +saw the expression on her face, faintly amused, faintly contemptuous, +as much as to say: "Thanks! You will never learn!" No, thank God, +he wasn't a Frenchman! He finished with a jerk, and the words: "It's +too low here." And he went to the door, with the wish to get away +from her and go down to Fleur again. + +Annette stayed a powder-puff, and said with startling suddenness + +"Que to es grossier!" + +He knew the expression--he had reason to. The first time she had +used it he had thought it meant "What a grocer you are!" and had not +known whether to be relieved or not when better informed. He +resented the word--he was not coarse! If he was coarse, what was +that chap in the room beyond his, who made those horrible noises in +the morning when he cleared his throat, or those people in the Lounge +who thought it well-bred to say nothing but what the whole world +could hear at the top of their voices--quacking inanity! Coarse, +because he had said her dress was low! Well, so it was! He went out +without reply. + +Coming into the Lounge from the far end, he at once saw Fleur where +he had left her. She sat with crossed knees, slowly balancing a foot +in silk stocking and grey shoe, sure sign that she was dreaming. Her +eyes showed it too--they went off like that sometimes. And then, in +a moment, she would come to life, and be as quick and restless as a +monkey. And she knew so much, so self-assured, and not yet nineteen. +What was that odious word? Flapper! Dreadful young creatures-- +squealing and squawking and showing their legs! The worst of them +bad dreams, the best of them powdered angels! Fleur was not a +flapper, not one of those slangy, ill-bred young females. And yet +she was frighteningly self-willed, and full of life, and determined +to enjoy it. Enjoy! The word brought no puritan terror to Soames; +but it brought the terror suited to his temperament. He had always +been afraid to enjoy to-day for fear he might not enjoy tomorrow so +much. And it was terrifying to feel that his daughter was divested +of that safeguard. The very way she sat in that chair showed it-- +lost in her dream. He had never been lost in a dream himself--there +was nothing to be had out of it; and where she got it from he did not +know! Certainly not from Annette! And yet Annette, as a young girl, +when he was hanging about her, had once had a flowery look. Well, +she had lost it now! + +Fleur rose from her chair-swiftly, restlessly; and flung herself down +at a writing-table. Seizing ink and writing paper, she began to +write as if she had not time to breathe before she got her letter +written. And suddenly she saw him. The air of desperate absorption +vanished, she smiled, waved a kiss, made a pretty face as if she were +a little puzzled and a little bored. + +Ah! She was "fine"--"fine!" + + + + +III + +AT ROBIN HILL + + +Jolyon Forsyte had spent his boy's nineteenth birthday at Robin Hill, +quietly going into his affairs. He did everything quietly now, +because his heart was in a poor way, and, like all his family, he +disliked the idea of dying. He had never realised how much till one +day, two years ago, he had gone to his doctor about certain symptoms, +and been told: + +"At any moment, on any overstrain." + +He had taken it with a smile--the natural Forsyte reaction against an +unpleasant truth. But with an increase of symptoms in the train on +the way home, he had realised to the full the sentence hanging over +him. To leave Irene, his boy, his home, his work--though he did +little enough work now! To leave them for unknown darkness, for the +unimaginable state, for such nothingness that he would not even be +conscious of wind stirring leaves above his grave, nor of the scent +of earth and grass. Of such nothingness that, however hard he might +try to conceive it, he never could, and must still hover on the hope +that he might see again those he loved! To realise this was to +endure very poignant spiritual anguish. Before he reached home that +day he had determined to keep it from Irene. He would have to be +more careful than man had ever been, for the least thing would give +it away and make her as wretched as himself, almost. His doctor had +passed him sound in other respects, and seventy was nothing of an +age--he would last a long time yet, if he could. + +Such a conclusion, followed out for nearly two years, develops to the +full the subtler side of character. Naturally not abrupt, except +when nervously excited, Jolyon had become control incarnate. The sad +patience of old people who cannot exert themselves was masked by a +smile which his lips preserved even in private. He devised +continually all manner of cover to conceal his enforced lack of +exertion. + +Mocking himself for so doing, he counterfeited conversion to the +Simple Life; gave up wine and cigars, drank a special kind of coffee +with no coffee in it. In short, he made himself as safe as a Forsyte +in his condition could, under the rose of his mild irony. Secure +from discovery, since his wife and son had gone up to Town, he had +spent the fine May day quietly arranging his papers, that he might +die to-morrow without inconveniencing any one, giving in fact a final +polish to his terrestrial state. Having docketed and enclosed it in +his father's old Chinese cabinet, he put the key into an envelope, +wrote the words outside: "Key of the Chinese cabinet, wherein will be +found the exact state of me, J. F.," and put it in his breast- +pocket, where it would be always about him, in case of accident. +Then, ringing for tea, he went out to have it under the old oak-tree. + +All are under sentence of death; Jolyon, whose sentence was but a +little more precise and pressing, had become so used to it that he +thought habitually, like other people, of other things. He thought +of his son now. + +Jon was nineteen that day, and Jon had come of late to a decision. +Educated neither at Eton like his father, nor at Harrow, like his +dead half-brother, but at one of those establishments which, designed +to avoid the evil and contain the good of the Public School system, +may or may not contain the evil and avoid the good, Jon had left in +April perfectly ignorant of whit he wanted to become. The War, which +had promised to go on for ever, had ended just as he was about to +join the Army, six months before his time. It had taken him ever +since to get used to the idea that he could now choose for himself. +He had held with his father several discussions, from which, under a +cheery show of being ready for anything--except, of course, the +Church, Army, Law, Stage, Stock Exchange, Medicine, Business, and +Engineering--Jolyon had gathered rather clearly that Jon wanted to go +in for nothing. He himself had felt exactly like that at the same +age. With him that pleasant vacuity had soon been ended by an early +marriage, and its unhappy consequences. Forced to become an +underwriter at Lloyd's, he had regained prosperity before his +artistic talent had outcropped. But having--as the simple say-- +"learned" his boy to draw pigs and other animals, he knew that Jon +would never be a painter, and inclined to the conclusion that his +aversion from everything else meant that he was going to be a writer. +Holding, however, the view that experience was necessary even for +that profession, there seemed to Jolyon nothing in the meantime, for +Jon, but University, travel, and perhaps the eating of dinners for +the Bar. After that one would see, or more probably one would not. +In face of these proffered allurements, however, Jon had remained +undecided. + +Such discussions with his son had confirmed in Jolyon a doubt whether +the world had really changed. People said that it was a new age. +With the profundity of one not too long for any age, Jolyon perceived +that under slightly different surfaces the era was precisely what it +had been. Mankind was still divided into two species: The few who +had "speculation" in their souls, and the many who had none, with a +belt of hybrids like himself in the middle. Jon appeared to have +speculation; it seemed to his father a bad lookout. + +With something deeper, therefore, than his usual smile, he had heard +the boy say, a fortnight ago: "I should like to try farming, Dad; if +it won't cost you too much. It seems to be about the only sort of +life that doesn't hurt anybody; except art, and of course that's out +of the question for me." + +Jolyon subdued his smile, and answered: + +"All right; you shall skip back to where we were under the first +Jolyon in 1760. It'll prove the cycle theory, and incidentally, no +doubt, you may grow a better turnip than he did." + +A little dashed, Jon had answered: + +"But don't you think it's a good scheme, Dad?" + +"'Twill serve, my dear; and if you should really take to it, you'll +do more good than most men, which is little enough." + +To himself, however, he had said: 'But he won't take to it. I give +him four years. Still, it's healthy, and harmless.' + +After turning the matter over and consulting with Irene, he wrote to +his daughter, Mrs. Val Dartie, asking if they knew of a farmer near +them on the Downs who would take Jon as an apprentice. Holly's +answer had been enthusiastic. There was an excellent man quite +close; she and Val would love Jon to live with them. + +The boy was due to go to-morrow. + +Sipping weak tea with lemon in it, Jolyon gazed through the leaves of +the old oak-tree at that view which had appeared to him desirable for +thirty-two years. The tree beneath which he sat seemed not a day +older! So young, the little leaves of brownish gold; so old, the +whitey-grey-green of its thick rough trunk. A tree of memories, +which would live on hundreds of years yet, unless some barbarian cut +it down--would see old England out at the pace things were going! He +remembered a night three years before, when, looking from his window, +with his arm close round Irene, he had watched a German aeroplane +hovering, it seemed, right over the old tree. Next day they had +found a bomb hole in a field on Gage's farm. That was before he knew +that he was under sentence of death. He could almost have wished the +bomb had finished him. It would have saved a lot of hanging about, +many hours of cold fear in the pit of his stomach. He had counted on +living to the normal Forsyte age of eighty-five or more, when Irene +would be seventy. As it was, she would miss him. Still there was +Jon, more important in her life than himself; Jon, who adored his +mother. + +Under that tree, where old Jolyon--waiting for Irene to come to him +across the lawn--had breathed his last, Jolyon wondered, whimsically, +whether, having put everything in such perfect order, he had not +better close his own eyes and drift away. There was something +undignified in o parasitically clinging on to the effortless close of +a life wherein he regretted two things only--the long division +between his father and himself when he was young, and the lateness of +his union o with Irene. + +>From where he sat he could see a cluster of apple-trees in blossom. +Nothing in Nature moved him so much as fruit-trees in blossom; and +his heart ached suddenly because he might never see them flower +again. Spring! Decidedly no man ought to have to die while his +heart was still young enough to love beauty! Blackbirds sang +recklessly in the shrubbery, swallows were flying high, the leaves +above him glistened; and over the fields was every imaginable tint of +early foliage, burnished by the level sunlight, away to where the +distant "smoke-bush" blue was trailed along the horizon. Irene's +flowers in their narrow beds had startling individuality that +evening, little deep assertions of gay life. Only Chinese and +Japanese painters, and perhaps Leonardo, had known how to get that +startling little ego into each painted flower, and bird, and beast-- +the ego, yet the sense of species, the universality of life as well. +They were the fellows! 'I've made nothing that will live!' thought +Jolyon; 'I've been an amateur--a mere lover, not a creator. Still, I +shall leave Jon behind me when I go.' What luck that the boy had +not been caught by that ghastly war! He might so easily have been +killed, like poor Jolly twenty years ago out in the Transvaal. Jon +would do something some day--if the Age didn't spoil him--an +imaginative chap! His whim to take up farming was but a bit of +sentiment, and about as likely to last. And just then he saw them +coming up the field: Irene and the boy; walking from the station, +with their arms linked. And getting up, he strolled down through the +new rose garden to meet them.... + +Irene came into his room that night and sat down by the window. She +sat there without speaking till he said: + +"What is it, my love?" + +"We had an encounter to-day." + +"With whom?" + +"Soames." + +Soames! He had kept that name out of his thoughts these last two +years; conscious that it was bad for him. And, now, his heart moved +in a disconcerting manner, as if it had side-slipped within his +chest. + +Irene went on quietly: + +"He and his daughter were in the Gallery, and afterward at the +confectioner's where we had tea." + +Jolyon went over and put his hand on her shoulder. + +"How did he look?" + +"Grey; but otherwise much the same." + +"And the daughter?" + +"Pretty. At least, Jon thought so." + +Jolyon's heart side-slipped again. His wife's face had a strained +and puzzled look. + + +"You didn't-?" he began. + +"No; but Jon knows their name. The girl dropped her handkerchief and +he picked it up." + +Jolyon sat down on his bed. An evil chance! + +"June was with you. Did she put her foot into it?" + +"No; but it was all very queer and strained, and Jon could see it +was." + +Jolyon drew a long breath, and said: + +"I've often wondered whether we've been right to keep it from him. +He'll find out some day." + +"The later the better, Jolyon; the young have such cheap, hard +judgment. When you were nineteen what would you have thought of your +mother if she had done what I have?" + +Yes! There it was! Jon worshipped his mother; and knew nothing of +the tragedies, the inexorable necessities of life, nothing of the +prisoned grief in an unhappy marriage, nothing of jealousy or +passion--knew nothing at all, as yet! + +"What have you told him?" he said at last. + +"That they were relations, but we didn't know them; that you had +never cared much for your family, or they for you. I expect he will +be asking you." + +Jolyon smiled. "This promises to take the place of air-raids," he +said. "After all, one misses them." + +Irene looked up at him. + +"We've known it would come some day." + +He answered her with sudden energy: + +"I could never stand seeing Jon blame you. He shan't do that, even +in thought. He has imagination; and he'll understand if it's put to +him properly. I think I had better tell him before he gets to know +otherwise." + +"Not yet, Jolyon." + +That was like her--she had no foresight, and never went to meet +trouble. Still--who knew?--she might be right. It was ill going +against a mother's instinct. It might be well to let the boy go on, +if possible, till experience had given him some touchstone by which +he could judge the values of that old tragedy; till love, jealousy, +longing, had deepened his charity. All the same, one must take +precautions--every precaution possible! And, long after Irene had +left him, he lay awake turning over those precautions. He must write +to Holly, telling her that Jon knew nothing as yet of family history. +Holly was discreet, she would make sure of her husband, she would see +to it! Jon could take the letter with him when he went to-morrow. + +And so the day on which he had put the polish on his material estate +died out with the chiming of the stable clock; and another began for +Jolyon in the shadow of a spiritual disorder which could not be so +rounded off and polished.... + +But Jon, whose room had once been his day nursery, lay awake too, the +prey of a sensation disputed by those who have never known it, "love +at first sight!" He had felt it beginning in him with the glint of +those dark eyes gazing into his athwart the Juno--a conviction that +this was his 'dream'; so that what followed had seemed to him at once +natural and miraculous. Fleur! Her name alone was almost enough for +one who was terribly susceptible to the charm of words. In a +homoeopathic Age, when boys and girls were co-educated, and mixed up +in early life till sex was almost abolished, Jon was singularly old- +fashioned. His modern school took boys only, and his holidays had +been spent at Robin Hill with boy friends, or his parents alone. He +had never, therefore, been inoculated against the germs of love by +small doses of the poison. And now in the dark his temperature was +mounting fast. He lay awake, featuring Fleur--as they called it-- +recalling her words, especially that "Au revoir!" so soft and +sprightly. + +He was still so wide awake at dawn that he got up, slipped on tennis +shoes, trousers, and a sweater, and in silence crept downstairs and +out through the study window. It was just light; there was a smell +of grass. 'Fleur!' he thought; 'Fleur!' It was mysteriously white +out of doors, with nothing awake except the birds just beginning to +chirp. 'I'll go down into the coppice,' he thought. He ran down +through the fields, reached the pond just as the sun rose, and passed +into the coppice. Bluebells carpeted the ground there; among the +larch-trees there was mystery--the air, as it were, composed of that +romantic quality. Jon sniffed its freshness, and stared at the +bluebells in the sharpening light. Fleur! It rhymed with her! And +she lived at Mapleduram--a jolly name, too, on the river somewhere. +He could find it in the atlas presently. He would write to her. But +would she answer? Oh! She must. She had said "Au revoir!" Not +good-bye! What luck that she had dropped her handkerchief! He would +never have known her but for that. And the more he thought of that +handkerchief, the more amazing his luck seemed. Fleur! It certainly +rhymed with her! Rhythm thronged his head; words jostled to be +joined together; he was on the verge of a poem. + +Jon remained in this condition for more than half an hour, then +returned to the house, and getting a ladder, climbed in at his +bedroom window out of sheer exhilaration. Then, remembering that the +study window was open, he went down and shut it, first removing the +ladder, so as to obliterate all traces of his feeling. The thing was +too deep to be revealed to mortal soul-even-to his mother. + + + + +IV + +THE MAUSOLEUM + + +There are houses whose souls have passed into the limbo of Time, +leaving their bodies in the limbo of London. Such was not quite the +condition of "Timothy's" on the Bayswater Road, for Timothy's soul +still had one foot in Timothy Forsyte's body, and Smither kept the +atmosphere unchanging, of camphor and port wine and house whose +windows are only opened to air it twice a day. + +To Forsyte imagination that house was now a sort of Chinese pill-box, +a series of layers in the last of which was Timothy. One did not +reach him, or so it was reported by members of the family who, out of +old-time habit or absentmindedness, would drive up once in a blue +moon and ask after their surviving uncle. Such were Francie, now +quite emancipated from God (she frankly avowed atheism), Euphemia, +emancipated from old Nicholas, and Winifred Dartie from her "man of +the world." But, after all, everybody was emancipated now, or said +they were--perhaps not quite the same thing! + +When Soames, therefore, took it on his way to Paddington station on +the morning after that encounter, it was hardly with the expectation +of seeing Timothy in the flesh. His heart made a faint demonstration +within him while he stood in full south sunlight on the newly +whitened doorstep of that little house where four Forsytes had once +lived, and now but one dwelt on like a winter fly; the house into +which Soames had come and out of which he had gone times without +number, divested of, or burdened with, fardels of family gossip; the +house of the "old people" of another century, another age. + +The sight of Smither--still corseted up to the armpits because the +new fashion which came in as they were going out about 1903 had never +been considered "nice" by Aunts Juley and Hester--brought a pale +friendliness to Soames' lips; Smither, still faithfully arranged to +old pattern in every detail, an invaluable servant--none such left-- +smiling back at him, with the words: "Why! it's Mr. Soames, after all +this time! And how are you, sir? Mr. Timothy will be so pleased to +know you've been." + +"How is he?" + +"Oh! he keeps fairly bobbish for his age, sir; but of course he's a +wonderful man. As I said to Mrs. Dartie when she was here last: It +would please Miss Forsyte and Mrs. Juley and Miss Hester to see how +he relishes a baked apple still. But he's quite deaf. And a mercy, +I always think. For what we should have done with him in the air- +raids, I don't know." + +"Ah!" said Soames. "What did you do with him?" + +"We just left him in his bed, and had the bell run down into the +cellar, so that Cook and I could hear him if he rang. It would never +have done to let him know there was a war on. As I said to Cook, 'If +Mr. Timothy rings, they may do what they like--I'm going up. My dear +mistresses would have a fit if they could see him ringing and nobody +going to him.' But he slept through them all beautiful. And the one +in the daytime he was having his bath. It was a mercy, because he +might have noticed the people in the street all looking up--he often +looks out of the window." + +"Quite!" murmured Soames. Smither was getting garrulous! "I just +want to look round and see if there's anything to be done." + +"Yes, sir. I don't think there's anything except a smell of mice in +the dining-room that we don't know how to get rid of. It's funny +they should be there, and not a crumb, since Mr. Timothy took to not +coming down, just before the War. But they're nasty little things; +you never know where they'll take you next." + +"Does he leave his bed?"-- + +"Oh! yes, sir; he takes nice exercise between his bed and the window +in the morning, not to risk a change of air. And he's quite +comfortable in himself; has his Will out every day regular. It's a +great consolation to him--that." + +"Well, Smither, I want to see him, if I can; in case he has anything +to say to me." + +Smither coloured up above her corsets. + +"It will be an occasion!" she said. "Shall I take you round the +house, sir, while I send Cook to break it to him?" + +"No, you go to him," said Soames. "I can go round the house by +myself." + +One could not confess to sentiment before another, and Soames felt +that he was going to be sentimental nosing round those rooms so +saturated with the past. When Smither, creaking with excitement, had +left him, Soames entered the dining-room and sniffed. In his opinion +it wasn't mice, but incipient wood-rot, and he examined the +panelling. Whether it was worth a coat of paint, at Timothy's age, +he was not sure. The room had always been the most modern in the +house; and only a faint smile curled Soames' lips and nostrils. +Walls of a rich green surmounted the oak dado; a heavy metal +chandelier hung by a chain from a ceiling divided by imitation beams. +The pictures had been bought by Timothy, a bargain, one day at +Jobson's sixty years ago--three Snyder "still lifes," two faintly +coloured drawings of a boy and a girl, rather charming, which bore +the initials "J. R."--Timothy had always believed they might turn out +to be Joshua Reynolds, but Soames, who admired them, had discovered +that they were only John Robinson; and a doubtful Morland of a white +pony being shod. Deep-red plush curtains, ten high-backed dark +mahogany chairs with deep-red plush seats, a Turkey carpet, and a +mahogany dining-table as large as the room was small, such was an +apartment which Soames could remember unchanged in soul or body since +he was four years old. He looked especially at the two drawings, and +thought: 'I shall buy those at the sale.' + +>From the dining-room he passed into Timothy's study. He did not +remember ever having been in that room. It was lined from floor to +ceiling with volumes, and he looked at them with curiosity. One wall +seemed devoted to educational books, which Timothy's firm had +published two generations back-sometimes as many as twenty copies of +one book. Soames read their titles and shuddered. The middle wall +had precisely the same books as used to be in the library at his own +father's in Park Lane, from which he deduced the fancy that James and +his youngest brother had gone out together one day and bought a brace +of small libraries. The third wall he approached with more +excitement. Here, surely, Timothy's own taste would be found. It +was. The books were dummies. The fourth wall was all heavily +curtained window. And turned toward it was a large chair with a +mahogany reading-stand attached, on which a yellowish and folded copy +of The Times, dated July 6, 1914, the day Timothy first failed to +come down, as if in preparation for the War, seemed waiting for him +still. In a corner stood a large globe of that world never visited +by Timothy, deeply convinced of the unreality of everything but +England, and permanently upset by the sea, on which he had been very +sick one Sunday afternoon in 1836, out of a pleasure boat off the +pier at Brighton, with Juley and Hester, Swithin and Hatty Chessman; +all due to Swithin, who was always taking things into his head, and +who, thank goodness, had been sick too. Soames knew all about it, +having heard the tale fifty times at least from one or other of them. +He went up to the globe, and gave it a spin; it emitted a faint creak +and moved about an inch, bringing into his purview a daddy-long-legs +which had died on it in latitude 44. + +'Mausoleum!' he thought. 'George was right!' And he went out and up +the stairs. On the half-landing he stopped before the case of +stuffed humming-birds which had delighted his childhood. They looked +not a day older, suspended on wires above pampas-grass. If the case +were opened the birds would not begin to hum, but the whole thing +would crumble, he suspected. It wouldn't be worth putting that into +the sale! And suddenly he was caught by a memory of Aunt Ann--dear +old Aunt Ann--holding him by the hand in front of that case and +saying: "Look, Soamey! Aren't they bright and pretty, dear little +humming-birds!" Soames remembered his own answer: "They don't hum, +Auntie." He must have been six, in a black velveteen suit with a +light-blue collar-he remembered that suit well! Aunt Ann with her +ringlets, and her spidery kind hands, and her grave old aquiline +smile--a fine old lady, Aunt Ann! He moved on up to the drawing-room +door. There on each side of it were the groups of miniatures. Those +he would certainIy buy in! The miniatures of his four aunts, one of +his Uncle Swithin adolescent, and one of his Uncle Nicholas as a boy. +They had all been painted by a young lady friend of the family at a +time, 1830, about, when miniatures were considered very genteel, and +lasting too, painted as they were on ivory. Many a time had he heard +the tale of that young lady: "Very talented, my dear; she had quite a +weakness for Swithin, and very soon after she went into a consumption +and died: so like Keats--we often spoke of it." + +Well, there they were! Ann, Juley, Hester, Susan--quite a small +child; Swithin, with sky-blue eyes, pink cheeks, yellow curls, white +waistcoat-large as life; and Nicholas, like Cupid with an eye on +heaven. Now he came to think of it, Uncle Nick had always been +rather like that--a wonderful man to the last. Yes, she must have +had talent, and miniatures always had a certain back-watered cachet +of their own, little subject to the currents of competition on +aesthetic Change. Soames opened the drawing-room door. The room was +dusted, the furniture uncovered, the curtains drawn back, precisely +as if his aunts still dwelt there patiently waiting. And a thought +came to him: When Timothy died--why not? Would it not be almost a +duty to preserve this house--like Carlyle's--and put up a tablet, and +show it? "Specimen of mid-Victorian abode--entrance, one shilling, +with catalogue." After all, it was the completest thing, and perhaps +the deadest in the London of to-day. Perfect in its special taste +and culture, if, that is, he took down and carried over to his own +collection the four Barbizon pictures he had given them. The still +sky-blue walls, tile green curtains patterned with red flowers and +ferns; the crewel-worked fire-screen before the cast-iron grate; the +mahogany cupboard with glass windows, full of little knickknacks; the +beaded footstools; Keats, Shelley, Southey, Cowper, Coleridge, +Byron's Corsair (but nothing else), and the Victorian poets in a +bookshelf row; the marqueterie cabinet lined with dim red plush, full +of family relics: Hester's first fan; the buckles of their mother's +father's shoes; three bottled scorpions; and one very yellow +elephant's tusk, sent home from India by Great-uncle Edgar Forsyte, +who had been in jute; a yellow bit of paper propped up, with spidery +writing on it, recording God knew what! And the pictures crowding on +the walls--all water-colours save those four Barbizons looking like +tile foreigners they were, and doubtful customers at that--pictures +bright and illustrative, "Telling the Bees," "Hey for the Ferry!" and +two in the style of Frith, all thimblerig and crinolines, given them +by Swithin. Oh! many, many pictures at which Soames had gazed a +thousand times in supercilious fascination; a marvellous collection +of bright, smooth gilt frames. + +And the boudoir-grand piano, beautifully dusted, hermetically sealed +as ever; and Aunt Juley's album of pressed seaweed on it. And the +gilt-legged chairs, stronger than they looked. And on one side of +the fireplace the sofa of crimson silk, where Aunt Ann, and after her +Aunt Juley, had been wont to sit, facing the light and bolt upright. +And on the other side of the fire the one really easy chair, back to +the light, for Aunt Hester. Soames screwed up his eyes; he seemed to +see them sitting there. Ah! and the atmosphere--even now, of too +many stuffs and washed lace curtains, lavender in bags, and dried +bees' wings. 'No,' he thought, 'there's nothing like it left; it +ought to be preserved.' And, by George, they might laugh at it, but +for a standard of gentle life never departed from, for fastidiousness +of skin and eye and nose and feeling, it beat to-day hollow--to-day +with its Tubes and cars, its perpetual smoking, its cross-legged, +bare-necked girls visible up to the knees and down to the waist if +you took the trouble (agreeable to the satyr within each Forsyte but +hardly his idea of a lady), with their feet, too, screwed round the +legs of their chairs while they ate, and their "So longs," and their +"Old Beans," and their laughter--girls who gave him the shudders +whenever he thought of Fleur in contact with them; and the hard-eyed, +capable, older women who managed life and gave him the shudders too. +No! his old aunts, if they never opened their minds, their eyes, or +very much their windows, at least had manners, and a standard, and +reverence for past and future. + +With rather a choky feeling he closed the door and went tiptoeing up- +stairs. He looked in at a place on the way: H'm! in perfect order of +the eighties, with a sort of yellow oilskin paper on the walls. At +the top of the stairs he hesitated between four doors. Which of them +was Timothy's? And he listened. A sound, as of a child slowly +dragging a hobby-horse about, came to his ears. That must be +Timothy! He tapped, and a door was opened by Smither, very red in +the face. + +Mr. Timothy was taking his walk, and she had not been able to get him +to attend. If Mr. Soames would come into the back-room, he could see +him through the door. + +Soames went into the back-room and stood watching. + +The last of the old Forsytes was on his feet, moving with the most +impressive slowness, and an air of perfect concentration on his own +affairs, backward and forward between the foot of his bed and the +window, a distance of some twelve feet. The lower part of his square +face, no longer clean-shaven, was covered with snowy beard clipped as +short as it could be, and his chin looked as broad as his brow where +the hair was also quite white, while nose and cheeks and brow were a +good yellow. One hand held a stout stick, and the other grasped the +skirt of his Jaeger dressing-gown, from under which could be seen his +bed-socked ankles and feet thrust into Jaeger slippers. The +expression on his face was that of a crossed child, intent on +something that he has not got. Each time he turned he stumped the +stick, and then dragged it, as if to show that he could do without +it: + +"He still looks strong," said Soames under his breath. + +"Oh! yes, sir. You should see him take his bath--it's wonderful; he +does enjoy it so." + +Those quite loud words gave Soames an insight. Timothy had resumed +his babyhood. + +"Does he take any interest in things generally?" he said, also loud. + +"Oh I yes, sir; his food and his Will. It's quite a sight to see him +turn it over and over, not to read it, of course; and every now and +then he asks the price of Consols, and I write it on a slate for him- +very large. Of course, I always write the same, what they were when +he last took notice, in 1914. We got the doctor to forbid him to +read the paper when the War broke out. Oh! he did take on about that +at first. But he soon came round, because he knew it tired him; and +he's a wonder to conserve energy as he used to call it when my dear +mistresses were alive, bless their hearts! How he did go on at them +about that; they were always so active, if you remember, Mr. Soames." + +"What would happen if I were to go in?" asked Soames: "Would he +remember me? I made his Will, you know, after Miss Hester died in +1907." + +"Oh! that, sir," replied Smither doubtfully, "I couldn't take on me +to say. I think he might; he really is a wonderful man for his age." + +Soames moved into the doorway, and waiting for Timothy to turn, said +in a loud voice: "Uncle Timothy!" + +Timothy trailed back half-way, and halted. + +"Eh?" he said. + +"Soames," cried Soames at the top of his voice, holding out his hand, +"Soames Forsyte!" + +"No!" said Timothy, and stumping his stick loudly on the floor, he +continued his walk. + +"It doesn't seem to work," said Soames. + +"No, sir," replied Smither, rather crestfallen; "you see, he hasn't +finished his walk. It always was one thing at a time with him. I +expect he'll ask me this afternoon if you came about the gas, and a +pretty job I shall have to make him understand." + +"Do you think he ought to have a man about him?" + +Smither held up her hands. "A man! Oh! no. Cook and me can manage +perfectly. A strange man about would send him crazy in no time. And +my mistresses wouldn't like the idea of a man in the house. Besides, +we're so--proud of him." + +"I suppose the doctor comes?" + +"Every morning. He makes special terms for such a quantity, and Mr. +Timothy's so used, he doesn't take a bit of notice, except to put out +his tongue." + +"Well," said Soames, turning away, "it's rather sad and painful to +me." + +"Oh! sir," returned Smither anxiously, "you mustn't think that. Now +that he can't worry about things, he quite enjoys his life, really he +does. As I say to Cook, Mr. Timothy is more of a man than he ever +was. You see, when he's not walkin', or takin' his bath, he's +eatin', and when he's not eatin', he's sleepin'; and there it is. + +There isn't an ache or a care about him anywhere." + +"Well," said Soames, "there's something in that. I'll go down. By +the way, let me see his Will." + +"I should have to take my time about that, sir; he keeps it under his +pillow, and he'd see me, while he's active." + +"I only want to know if it's the one I made," said Soames; "you take +a look at its date some time, and let me know." + +"Yes, sir; but I'm sure it's the same, because me and Cook witnessed, +you remember, and there's our names on it still, and we've only done +it once." + +"Quite," said Soames. He did remember. Smither and Jane had been +proper witnesses, having been left nothing in the Will that they +might have no interest in Timothy's death. It had been--he fully +admitted--an almost improper precaution, but Timothy had wished it, +and, after all, Aunt Hester had provided for them amply. + +"Very well," he said; "good-bye, Smither. Look after him, and if he +should say anything at any time, put it down, and let me know." + +"Oh I yes, Mr. Soames; I'll be sure to do that. It's been such a +pleasant change to see you. Cook will be quite excited when I tell +her." + +Soames shook her hand and went down-stairs. He stood for fully two +minutes by the hat-stand whereon he had hung his hat so many times. +'So it all passes,' he was thinking; 'passes and begins again. Poor +old chap!' And he listened, if perchance the sound of Timothy +trailing his hobby-horse might come down the well of the stairs; or +some ghost of an old face show over the bannisters, and an old voice +say: 'Why, it's dear Soames, and we were only saying that we hadn't +seen him for a week!' + +Nothing--nothing! Just the scent of camphor, and dust-motes in a +sunbeam through the fanlight over the door. The little old house! A +mausoleum! And, turning on his heel, he went out, and caught his +train. + + + + +V + +THE NATIVE HEATH + + + "His foot's upon his native heath, + His name's--Val Dartie." + +With some such feeling did Val Dartie, in the fortieth year of his +age, set out that same Thursday morning very early from the old +manor-house he had taken on the north side of the Sussex Downs. His +destination was Newmarket, and he had not been there since the autumn +of 1899, when he stole over from Oxford for the Cambridgeshire. He +paused at the door to give his wife a kiss, and put a flask of port +into his pocket. + +"Don't overtire your leg, Val, and don't bet too much." + +With the pressure of her chest against his own, and her eyes looking +into his, Val felt both leg and pocket safe. He should be moderate; +Holly was always right--she had a natural aptitude. It did not seem +so remarkable to him, perhaps, as it might to others, that--half +Dartie as he was--he should have been perfectly faithful to his young +first cousin during the twenty years since he married her +romantically out in the Boer War; and faithful without any feeling of +sacrifice or boredom--she was so quick, so slyly always a little in +front of his mood. Being first cousins they had decided, rather +needlessly, to have no children; and, though a little sallower, she +had kept her looks, her slimness, and the colour of her dark hair. +Val particularly admired the life of her own she carried on, besides +carrying on his, and riding better every year. She kept up her +music, she read an awful lot--novels, poetry, all sorts of stuff. +Out on their farm in Cape colony she had looked after all the +"nigger" babies and women in a miraculous manner. She was, in fact, +clever; yet made no fuss about it, and had no "side." Though not +remarkable for humility, Val had come to have the feeling that she +was his superior, and he did not grudge it--a great tribute. It +might be noted that he never looked at Holly without her knowing of +it, but that she looked at him sometimes unawares. + +He had kissed her in the porch because he should not be doing so on +the platform, though she was going to the station with him, to drive +the car back. Tanned and wrinkled by Colonial weather and the wiles +inseparable from horses, and handicapped by the leg which, weakened +in the Boer War, had probably saved his life in the War just past, +Val was still much as he had been in the days of his courtship; his +smile as wide and charming, his eyelashes, if anything, thicker and +darker, his eyes screwed up under them, as bright a grey, his +freckles rather deeper, his hair a little grizzled at the sides. He +gave the impression of one who has lived actively with horses in a +sunny climate. + +Twisting the car sharp round at the gate, he said: + +"When is young Jon coming?" + +"To-day." + +"Is there anything you want for him? I could bring it down on +Saturday." + +"No; but you might come by the same train as Fleur--one-forty." + +Val gave the Ford full rein; he still drove like a man in a new +country on bad roads, who refuses to compromise, and expects heaven +at every hole. + +"That's a young woman who knows her way about," he said. "I say, has +it struck you?" + +"Yes," said Holly. + +"Uncle Soames and your Dad--bit awkward, isn't it?" + +"She won't know, and he won't know, and nothing must be said, of +course. It's only for five days, Val." + +"Stable secret! Righto!" If Holly thought it safe, it was. +Glancing slyly round at him, she said: "Did you notice how +beautifully she asked herself?" + +"No!" + +"Well, she did. What do you think of her, Val?" + +"Pretty and clever; but she might run out at any corner if she got +her monkey up, I should say." + +"I'm wondering," Holly murmured, "whether she is the modern young +woman. One feels at sea coming home into all this." + +"You? You get the hang of things so quick." + +Holly slid her hand into his coat-pocket. + +"You keep one in the know," said Val encouraged. "What do you think +of that Belgian fellow, Profond?" + +"I think he's rather 'a good devil.'" + +Val grinned. + +"He seems to me a queer fish for a friend of our family. In fact, +our family is in pretty queer waters, with Uncle Soames marrying a +Frenchwoman, and your Dad marrying Soames's first. Our grandfathers +would have had fits!" + +"So would anybody's, my dear." + +"This car," Val said suddenly, "wants rousing; she doesn't get her +hind legs under her uphill. I shall have to give her her head on the +slope if I'm to catch that train." + +There was that about horses which had prevented him from ever really +sympathising with a car, and the running of the Ford under his +guidance compared with its running under that of Holly was always +noticeable. He caught the train. + +"Take care going home; she'll throw you down if she can. Good-bye, +darling." + +"Good-bye," called Holly, and kissed her hand. + +In the train, after quarter of an hour's indecision between thoughts +of Holly, his morning paper, the look of the bright day, and his dim +memory of Newmarket, Val plunged into the recesses of a small square +book, all names, pedigrees, tap-roots, and notes about the make and +shape of horses. The Forsyte in him was bent on the acquisition of a +certain strain of blood, and he was subduing resolutely as yet the +Dartie hankering for a Nutter. On getting back to England, after the +profitable sale of his South African farm and stud, and observing +that the sun seldom shone, Val had said to himself: "I've absolutely +got to have an interest in life, or this country will give me the +blues. Hunting's not enough, I'll breed and I'll train." With just +that extra pinch of shrewdness and decision imparted by long +residence in a new country, Val had seen the weak point of modern +breeding. They were all hypnotised by fashion and high price. He +should buy for looks, and let names go hang! And here he was +already, hypnotised by the prestige of a certain strain of blood! +Half-consciously, he thought: 'There's something in this damned +climate which makes one go round in a ring. All the same, I must +have a strain of Mayfly blood.' + +In this mood he reached the Mecca of his hopes. It was one of those +quiet meetings favourable to such as wish to look into horses, rather +than into the mouths of bookmakers; and Val clung to the paddock. +His twenty years of Colonial life, divesting him of the dandyism in +which he had been bred, had left him the essential neatness of the +horseman, and given him a queer and rather blighting eye over what he +called "the silly haw-haw" of some Englishmen, the "flapping +cockatoory" of some English-women--Holly had none of that and Holly +was his model. Observant, quick, resourceful, Val went straight to +the heart of a transaction, a horse, a drink; and he was on his way +to the heart of a Mayfly filly, when a slow voice said at his elbow: + +"Mr. Val Dartie? How's Mrs. Val Dartie? She's well, I hope." And +he saw beside him the Belgian he had met at his sister Imogen's. + +"Prosper Profond--I met you at lunch," said the voice. + +"How are you?" murmured Val. + +"I'm very well," replied Monsieur Profond, smiling with a certain +inimitable slowness. "A good devil," Holly had called him. Well! +He looked a little like a devil, with his dark, clipped, pointed +beard; a sleepy one though, and good-humoured, with fine eyes, +unexpectedly intelligent. + +"Here's a gentleman wants to know you--cousin of yours--Mr. George +Forsyde." + +Val saw a large form, and a face clean-shaven, bull-like, a little +lowering, with sardonic humour bubbling behind a full grey eye; he +remembered it dimly from old days when he would dine with his father +at the Iseeum Club. + +"I used to go racing with your father," George was saying: "How's the +stud? Like to buy one of my screws?" + +Val grinned, to hide the sudden feeling that the bottom had fallen +out of breeding. They believed in nothing over here, not even in +horses. George Forsyte, Prosper Profond! The devil himself was not +more disillusioned than those two. + +"Didn't know you were a racing man," he said to Monsieur Profond. + +"I'm not. I don't care for it. I'm a yachtin' man. I don't care +for yachtin' either, but I like to see my friends. I've got some +lunch, Mr. Val Dartie, just a small lunch, if you'd like to 'ave +some; not much--just a small one--in my car." + +"Thanks," said Val; "very good of you. I'll come along in about +quarter of an hour." + +"Over there. Mr. Forsyde's comin'," and Monsieur Profond "poinded" +with a yellow-gloved finger; "small car, with a small lunch"; he +moved on, groomed, sleepy, and remote, George Forsyte following, +neat, huge, and with his jesting air. + +Val remained gazing at the Mayfly filly. George Forsyte, of course, +was an old chap, but this Profond might be about his own age; Val +felt extremely young, as if the Mayfly filly were a toy at which +those two had laughed. The animal had lost reality. + +"That 'small' mare"--he seemed to hear the voice of Monsieur Profond- +-"what do you see in her?--we must all die!" + +And George Forsyte, crony of his father, racing still! The Mayfly +strain--was it any better than any other? He might just as well have +a flutter with his money instead. + +"No, by gum!" he muttered suddenly, "if it's no good breeding horses, +it's no good doing anything. What did I come for? I'll buy her." + +He stood back and watched the ebb of the paddock visitors toward the +stand. Natty old chips, shrewd portly fellows, Jews, trainers +looking as if they had never been guilty of seeing a horse in their +lives; tall, flapping, languid women, or brisk, loud-voiced women; +young men with an air as if trying to take it seriously--two or three +of them with only one arm. + +'Life over here's a game!' thought Val. 'Muffin bell rings, horses +run, money changes hands; ring again, run again, money changes back.' + +But, alarmed at his own philosophy, he went to the paddock gate to +watch the Mayfly filly canter down. She moved well; and he made his +way over to the "small" car. The "small" lunch was the sort a man +dreams of but seldom gets; and when it was concluded Monsieur Profond +walked back with him to the paddock. + +"Your wife's a nice woman," was his surprising remark. + +"Nicest woman I know," returned Val dryly. + +"Yes," said Monsieur Profond; "she has a nice face. I admire nice +women." + +Val looked at him suspiciously, but something kindly and direct in +the heavy diabolism of his companion disarmed him for the moment. + +"Any time you like to come on my yacht, I'll give her a small +cruise." + +"Thanks," said Val, in arms again, "she hates the sea." + +"So do I," said Monsieur Profond. + +"Then why do you yacht?" + +The Belgian's eyes smiled. "Oh! I don't know. I've done everything; +it's the last thing I'm doin'." + +"It must be d-d expensive. I should want more reason than that." + +Monsieur Prosper Profond raised his eyebrows, and puffed out a heavy +lower lip. + +"I'm an easy-goin' man," he said. + +"Were you in the War?" asked Val. + +"Ye-es. I've done that too. I was gassed; it was a small bit +unpleasant." He smiled with a deep and sleepy air of prosperity, as +if he had caught it from his name. + +Whether his saying "small" when he ought to have said "little" was +genuine mistake or affectation Val could not decide; the fellow was +evidently capable of anything. + +Among the ring of buyers round the Mayfly filly who had won her race, +Monsieur Profond said: + +"You goin' to bid?" + +Val nodded. With this sleepy Satan at his elbow, he felt in need of +faith. Though placed above the ultimate blows of Providence by the +forethought of a grand-father who had tied him up a thousand a year +to which was added the thousand a year tied up for Holly by her +grand-father, Val was not flush of capital that he could touch, +having spent most of what he had realised from his South African farm +on his establishment in Sussex. And very soon he was thinking: 'Dash +it! she's going beyond me!' His limit-six hundred-was exceeded; he +dropped out of the bidding. The Mayfly filly passed under the hammer +at seven hundred and fifty guineas. He was turning away vexed when +the slow voice of Monsieur Profond said in his ear: + +"Well, I've bought that small filly, but I don't want her; you take +her and give her to your wife." + +Val looked at the fellow with renewed suspicion, but the good humour +in his eyes was such that he really could not take offence. + +"I made a small lot of money in the War," began Monsieur Profond in +answer to that look. "I 'ad armament shares. I like to give it +away. I'm always makin' money. I want very small lot myself. I +like my friends to 'ave it." + +"I'll buy her of you at the price you gave," said Val with sudden +resolution. + +"No," said Monsieur Profond. "You take her. I don' want her." + +"Hang it! one doesn't--" + +"Why not?" smiled Monsieur Profond. "I'm a friend of your family." + +"Seven hundred and fifty guineas is not a box of cigars," said Val +impatiently. + +"All right; you keep her for me till I want her, and do what you like +with her." + +"So long as she's yours," said Val. "I don't mind that." + +"That's all right," murmured Monsieur Profond, and moved away. + +Val watched; he might be "a good devil," but then again he might not. +He saw him rejoin George Forsyte, and thereafter saw him no more. + +He spent those nights after racing at his mother's house in Green +Street. + +Winifred Dartie at sixty-two was marvellously preserved, considering +the three-and-thirty years during which she had put up with Montague +Dartie, till almost happily released by a French staircase. It was +to her a vehement satisfaction to have her favourite son back from +South Africa after all this time, to feel him so little changed, and +to have taken a fancy to his wife. Winifred, who in the late +seventies, before her marriage, had been in the vanguard of freedom, +pleasure, and fashion, confessed her youth outclassed by the +donzellas of the day. They seemed, for instance, to regard marriage +as an incident, and Winifred sometimes regretted that she had not +done the same; a second, third, fourth incident might have secured +her a partner of less dazzling inebriety; though, after all, he had +left her Val, Imogen, Maud, Benedict (almost a colonel and unharmed +by the War--none of whom had been divorced as yet. The steadiness of +her children often amazed one who remembered their father; but, as +she was fond of believing, they were really all Forsytes, favouring +herself, with the exception, perhaps, of Imogen. Her brother's +"little girl" Fleur frankly puzzled Winifred. The child was as +restless as any of these modern young women0--"She's a small flame in +a draught," Prosper Profond had said one day after dinner--but she +did not flop, or talk at the top of her voice. The steady Forsyteism +in Winifred's own character instinctively resented the feeling in the +air, the modern girl's habits and her motto: "All's much of a +muchness! Spend, to-morrow we shall be poor!" She found it a saving +grace in Fleur that, having set her heart on a thing, she had no +change of heart until she got it--though--what happened after, Fleur +was, of course, too young to have made evident. The child was a +"very pretty little thing," too, and quite a credit to take about, +with her mother's French taste and gift for wearing clothes; +everybody turned to look at Fleur--great consideration to Winifred, a +lover of the style and distinction which had so cruelly deceived her +in the case of Montague Dartie. + +In discussing her with Val, at breakfast on Saturday morning, +Winifred dwelt on the family skeleton. + +"That little affair of your father-in-law and your Aunt Irene, Val-- +it's old as the hills, of course, Fleur need know nothing about it-- +making a fuss. Your Uncle Soames is very particular about that. So +you'll be careful." + +"Yes! But it's dashed awkward--Holly's young half-brother is coming +to live with us while he learns farming. He's there already." + +"Oh!" said Winifred. "That is a gaff! What is he like?" + +"Only saw him once--at Robin Hill, when we were home in 1909; he was +naked and painted blue and yellow in stripes--a jolly little chap." + +Winifred thought that "rather nice," and added comfortably: "Well, +Holly's sensible; she'll know how to deal with it. I shan't tell +your uncle. It'll only bother him. It's a great comfort to have you +back, my dear boy, now that I'm getting on." + +"Getting on! Why! you're as young as ever. That chap Profond, +Mother, is he all right?" + +"Prosper Profond! Oh! the most amusing man I know." + +Val grunted, and recounted the story of the Mayfly filly. + +"That's so like him," murmured Winifred. "He does all sorts of +things." + +"Well," said Val shrewdly, "our family haven't been too lucky with +that kind of cattle; they're too light-hearted for us." + +It was true, and Winifred's blue study lasted a full minute before +she answered: + +"Oh! well! He's a foreigner, Val; one must make allowances." + +"All right, I'll use his filly and make it up to him, somehow." + +And soon after he gave her his blessing, received a kiss, and left +her for his bookmaker's, the Iseeum Club, and Victoria station. + + + + +VI + +JON + + +Mrs. Val Dartie, after twenty years of South Africa, had fallen +deeply in love, fortunately with something of her own, for the object +of her passion was the prospect in front of her windows, the cool +clear light on the green Downs. It was England again, at last! +England more beautiful than she had dreamed. Chance had, in fact, +guided the Val Darties to a spot where the South Downs had real charm +when the sun shone. Holly had enough of her father's eye to +apprehend the rare quality of their outlines and chalky radiance; to +go up there by the ravine-like lane and wander along toward +Chanctonbury or Amberley, was still a delight which she hardly +attempted to share with Val, whose admiration of Nature was confused +by a Forsyte's instinct for getting something out of it, such as the +condition of the turf for his horses' exercise. + +Driving the Ford home with a certain humouring, smoothness, she +promised herself that the first use she would make of Jon would be to +take him up there, and show him "the view" under this May-day sky. + +She was looking forward to her young half-brother with a motherliness +not exhausted by Val. A three-day visit to Robin Hill, soon after +their arrival home, had yielded no sight of him--he was still at +school; so that her recollection, like Val's, was of a little sunny- +haired boy, striped blue and yellow, down by the pond. + +Those three days at Robin Hill had been exciting, sad, embarrassing. +Memories of her dead brother, memories of Val's courtship; the ageing +of her father, not seen for twenty years, something funereal in his +ironic gentleness which did not escape one who had much subtle +instinct; above all, the presence of her stepmother, whom she could +still vaguely remember as the "lady in grey" of days when she was +little and grandfather alive and Mademoiselle Beauce so cross because +that intruder gave her music lessons--all these confused and +tantalised a spirit which had longed to find Robin Hill untroubled. +But Holly was adept at keeping things to herself, and all had seemed +to go quite well. + +Her father had kissed her when she left him, with lips which she was +sure had trembled. + +"Well, my dear," he said, "the War hasn't changed Robin Hill, has it? +If only you could have brought Jolly back with you! I say, can you +stand this spiritualistic racket? When the oak-tree dies, it dies, +I'm afraid." + +>From the warmth of her embrace he probably divined that he had let +the cat out of the bag, for he rode off at once on irony. + +"Spiritualism--queer word, when the more they manifest the more they +prove that they've got hold of matter." + +"How?" said Holly. + +"Why! Look at their photographs of auric presences. You must have +something material for light and shade to fall on before you can take +a photograph. No, it'll end in our calling all matter spirit, or all +spirit matter--I don't know which." + +"But don't you believe in survival, Dad?" + +Jolyon had looked at her, and the sad whimsicality of his face +impressed her deeply. + +"Well, my dear, I should like to get something out of death. I've +been looking into it a bit. But for the life of me I can't find +anything that telepathy, sub-consciousness, and emanation from the +storehouse of this world can't account for just as well. Wish I +could! Wishes father thought but they don't breed evidence." +Holly had pressed her lips again to his forehead with the feeling +that it confirmed his theory that all matter was becoming spirit--his +brow felt, somehow, so insubstantial. + +But the most poignant memory of that little visit had been watching, +unobserved, her stepmother reading to herself a letter from Jon. It +was--she decided--the prettiest sight she had ever seen. Irene, lost +as it were in the letter of her boy, stood at a window where the +light fell on her face and her fine grey hair; her lips were moving, +smiling, her dark eyes laughing, dancing, and the hand which did not +hold the letter was pressed against her breast. Holly withdrew as +from a vision of perfect love, convinced that Jon must be nice. + +When she saw him coming out of the station with a kit-bag in either +hand, she was confirmed in her predisposition. He was a little like +Jolly, that long-lost idol of her childhood, but eager-looking and +less formal, with deeper eyes and brighter-coloured hair, for he wore +no hat; altogether a very interesting "little" brother! + +His tentative politeness charmed one who was accustomed to assurance +in the youthful manner; he was disturbed because she was to drive him +home, instead of his driving her. Shouldn't he have a shot? They +hadn't a car at Robin Hill since the War, of course, and he had only +driven once, and landed up a bank, so she oughtn't to mind his +trying. His laugh, soft and infectious, was very attractive, though +that word, she had heard, was now quite old-fashioned. When they +reached the house he pulled out a crumpled letter which she read +while he was washing--a quite short letter, which must have cost her +father many a pang to write. + + +"MY DEAR, + +"You and Val will not forget, I trust, that Jon knows nothing of +family history. His mother and I think he is too young at present. +The boy is very dear, and the apple of her eye. Verbum sapientibus. +your loving father, + +"J. F." + + +That was all; but it renewed in Holly an uneasy regret that Fleur was +coming. + +After tea she fulfilled that promise to herself and took Jon up the +hill. They had a long talk, sitting above an old chalk-pit grown +over with brambles and goosepenny. Milkwort and liverwort starred +the green slope, the larks sang, and thrushes in the brake, and now +and then a gull flighting inland would wheel very white against the +paling sky, where the vague moon was coming up. Delicious fragrance +came to them, as if little invisible creatures were running and +treading scent out of the blades of grass. + +Jon, who had fallen silent, said rather suddenly: + +"I say, this is wonderful! There's no fat on it at all. Gull's +flight and sheep-bells" + +"'Gull's flight and sheep-bells'! You're a poet, my dear!" + +Jon sighed. + +"Oh, Golly! No go!" + +"Try! I used to at your age." + +"Did you? Mother says 'try' too; but I'm so rotten. Have you any of +yours for me to see?" + +"My dear," Holly murmured, "I've been married nineteen years. I only +wrote verses when I wanted to be." + +"Oh!" said Jon, and turned over on his face: the one cheek she could +see was a charming colour. Was Jon "touched in the wind," then, as +Val would have called it? Already? But, if so, all the better, he +would take no notice of young Fleur. Besides, on Monday he would +begin his farming. And she smiled. Was it Burns who followed the +plough, or only Piers Plowman? Nearly every young man and most young +women seemed to be poets now, judging from the number of their books +she had read out in South Africa, importing them from Hatchus and +Bumphards; and quite good--oh! quite; much better than she had been +herself! But then poetry had only really come in since her day--with +motor-cars. Another long talk after dinner over a wood fire in the +low hall, and there seemed little left to know about Jon except +anything of real importance. Holly parted from him at his bedroom +door, having seen twice over that he had everything, with the +conviction that she would love him, and Val would like him. He was +eager, but did not gush; he was a splendid listener, sympathetic, +reticent about himself. He evidently loved their father, and adored +his mother. He liked riding, rowing, and fencing better than games. +He saved moths from candles, and couldn't bear spiders, but put them +out of doors in screws of paper sooner than kill them. In a word, he +was amiable. She went to sleep, thinking that he would suffer +horribly if anybody hurt him; but who would hurt him? + +Jon, on the other hand, sat awake at his window with a bit of paper +and a pencil, writing his first "real poem" by the light of a candle +because there was not enough moon to see by, only enough to make the +night seem fluttery and as if engraved on silver. Just the night for +Fleur to walk, and turn her eyes, and lead on-over the hills and far +away. And Jon, deeply furrowed in his ingenuous brow, made marks on +the paper and rubbed them out and wrote them in again, and did all +that was necessary for the completion of a work of art; and he had a +feeling such as the winds of Spring must have, trying their first +songs among the coming blossom. Jon was one of those boys (not many) +in whom a home-trained love of beauty had survived school life. He +had had to keep it to himself, of course, so that not even the +drawing-master knew of it; but it was there, fastidious and clear +within him. And his poem seemed to him as lame and stilted as the +night was winged. But he kept it, all the same. It was a "beast," +but better than nothing as an expression of the inexpressible. And +he thought with a sort of discomfiture: 'I shan't be able to show it +to Mother.' He slept terribly well, when he did sleep, overwhelmed +by novelty. + + + + +VII + +FLEUR + + +To avoid the awkwardness of questions which could not be answered, +all that had been told Jon was: + +"There's a girl coming down with Val for the week-end." + +For the same reason, all that had been told Fleur was: "We've got a +youngster staying with us." + +The two yearlings, as Val called them in his thoughts, met therefore +in a manner which for unpreparedness left nothing to be desired. +They were thus introduced by Holly: + +"This is Jon, my little brother; Fleur's a cousin of ours, Jon." + +Jon, who was coming in through a French window out of strong +sunlight, was so confounded by the providential nature of this +miracle, that he had time to hear Fleur say calmly: "Oh, how do you +do?" as if he had never seen her, and to understand dimly from the +quickest imaginable little movement of her head that he never had +seen her. He bowed therefore over her hand in an intoxicated manner, +and became more silent than the grave. He knew better than to speak. +Once in his early life, surprised reading by a nightlight, he had +said fatuously "I was just turning over the leaves, Mum," and his +mother had replied: "Jon, never tell stories, because of your face +nobody will ever believe them." + +The saying had permanently undermined the confidence necessary to the +success of spoken untruth. He listened therefore to Fleur's swift +and rapt allusions to the jolliness of everything, plied her with +scones and jam, and got away as soon as might be. They say that in +delirium tremens you see a fixed object, preferably dark, which +suddenly changes shape and position. Jon saw the fixed object; it +had dark eyes and passably dark hair, and changed its position, but +never its shape. The knowledge that between him and that object +there was already a secret understanding (however impossible to +understand) thrilled him so that he waited feverishly, and began to +copy out his poem--which of course he would never dare to--show her-- +till the sound of horses' hoofs roused him, and, leaning from his +window, he saw her riding forth with Val. It was clear that she +wasted no time, but the sight filled him with grief. He wasted his. +If he had not bolted, in his fearful ecstasy, he might have been +asked to go too. And from his window he sat and watched them +disappear, appear again in the chine of the road, vanish, and emerge +once more for a minute clear on the outline of the Down. 'Silly +brute!' he thought; 'I always miss my chances.' + +Why couldn't he be self-confident and ready? And, leaning his chin +on his hands, he imagined the ride he might have had with her. A +week-end was but a week-end, and he had missed three hours of it. +Did he know any one except himself who would have been such a flat? +He did not. + +He dressed for dinner early, and was first down. He would miss no +more. But he missed Fleur, who came down last. He sat opposite her +at dinner, and it was terrible--impossible to say anything for fear +of saying the wrong thing, impossible to keep his eyes fixed on her +in the only natural way; in sum, impossible to treat normally one +with whom in fancy he had already been over the hills and far away; +conscious, too, all the time, that he must seem to her, to all of +them, a dumb gawk. Yes, it was terrible! And she was talking so +well--swooping with swift wing this way and that. Wonderful how she +had learned an art which he found so disgustingly difficult. She +must think him hopeless indeed! + +His sister's eyes, fixed on him with a certain astonishment, obliged +him at last to look at Fleur; but instantly her eyes, very wide and +eager, seeming to say, "Oh! for goodness' sake!" obliged him to look +at Val, where a grin obliged him to look at his cutlet--that, at +least, had no eyes, and no grin, and he ate it hastily. + +"Jon is going to be a farmer," he heard Holly say; "a farmer and a +poet." + +He glanced up reproachfully, caught the comic lift of her eyebrow +just like their father's, laughed, and felt better. + +Val recounted the incident of Monsieur Prosper Profond; nothing could +have been more favourable, for, in relating it, he regarded Holly, +who in turn regarded him, while Fleur seemed to be regarding with a +slight frown some thought of her own, and Jon was really free to look +at her at last. She had on a white frock, very simple and well made; +her arms were bare, and her hair had a white rose in it. In just +that swift moment of free vision, after such intense discomfort, Jon +saw her sublimated, as one sees in the dark a slender white fruit- +tree; caught her like a verse of poetry flashed before the eyes of +the mind, or a tune which floats out in the distance and dies. +He wondered giddily how old she was--she seemed so much more self- +possessed and experienced than himself. Why mustn't he say they had +met? He remembered suddenly his mother's face; puzzled, hurt- +looking, when she answered: "Yes, they're relations, but we don't +know them." Impossible that his mother, who loved beauty, should not +admire Fleur if she did know her. + +Alone with Val after dinner, he sipped port deferentially and +answered the advances of this new-found brother-in-law. As to riding +(always the first consideration with Val) he could have the young +chestnut, saddle and unsaddle it himself, and generally look after it +when he brought it in. Jon said he was accustomed to all that at +home, and saw that he had gone up one in his host's estimation. + +"Fleur," said Val, "can't ride much yet, but she's keen. Of course, +her father doesn't know a horse from a cart-wheel. Does your Dad +ride?" + +"He used to; but now he's--you know, he's--"He stopped, so hating the +word "old." His father was old, and yet not old; no--never! + +"Quite," muttered Val. "I used to know your brother up at Oxford, +ages ago, the one who died in the Boer War. We had a fight in New +College Gardens. That was a queer business," he added, musing; "a +good deal came out of it." + +Jon's eyes opened wide; all was pushing him toward historical +research, when his sister's voice said gently from the doorway: + +"Come along, you two," and he rose, his heart pushing him toward +something far more modern. + +Fleur having declared that it was "simply too wonderful to stay +indoors," they all went out. Moonlight was frosting the dew, and an +old sundial threw a long shadow. Two box hedges at right angles, +dark and square, barred off the orchard. Fleur turned through that +angled opening. + +"Come on!" she called. Jon glanced at the others, and followed. She +was running among the trees like a ghost. All was lovely and +foamlike above her, and there was a scent of old trunks, and of +nettles. She vanished. He thought he had lost her, then almost ran +into her standing quite still. + +"Isn't it jolly?" she cried, and Jon answered: + +"Rather!" + +She reached up, twisted off a blossom and, twirling it in her +fingers, said: + +"I suppose I can call you Jon?" + +"I should think so just." + +"All right! But you know there's a feud between our families?" + +Jon stammered: "Feud? Why?" + +"It's ever so romantic and silly. That's why I pretended we hadn't +met. Shall we get up early to-morrow morning and go for a walk +before breakfast and have it out? I hate being slow about things, +don't you?" + +Jon murmured a rapturous assent. + +"Six o'clock, then. I think your mother's beautiful" + +Jon said fervently: "Yes, she is." + +"I love all kinds of beauty," went on Fleur, "when it's exciting. I +don't like Greek things a bit." + +"What! Not Euripides?" + +"Euripides? Oh! no, I can't bear Greek plays; they're so long. I +think beauty's always swift. I like to look at one picture, for +instance, and then run off. I can't bear a lot of things together. +Look!" She held up her blossom in the moonlight. "That's better +than all the orchard, I think." + +And, suddenly, with her other hand she caught Jon's. + +"Of all things in the world, don't you think caution's the most +awful? Smell the moonlight!" + +She thrust the blossom against his face; Jon agreed giddily that of +all things in the world caution was the worst, and bending over, +kissed the hand which held his. + +"That's nice and old-fashioned," said Fleur calmly. "You're +frightfully silent, Jon. Still I like silence when it's swift." She +let go his hand. "Did you think I dropped my handkerchief on +purpose?" + +"No!" cried Jon, intensely shocked. + +"Well, I did, of course. Let's get back, or they'll think we're +doing this on purpose too." And again she ran like a ghost among the +trees. Jon followed, with love in his heart, Spring in his heart, +and over all the moonlit white unearthly blossom. They came out +where they had gone in, Fleur walking demurely. + +"It's quite wonderful in there," she said dreamily to Holly. + +Jon preserved silence, hoping against hope that she might be thinking +it swift. + +She bade him a casual and demure good-night, which made him think he +had been dreaming.... + +In her bedroom Fleur had flung off her gown, and, wrapped in a +shapeless garment, with the white flower still in her hair, she +looked like a mousme, sitting cross-legged on her bed, writing by +candlelight. + + +"DEAREST CHERRY, + +"I believe I'm in love. I've got it in the neck, only the feeling is +really lower down. He's a second cousin-such a child, about six +months older and ten years younger than I am. Boys always fall in +love with their seniors, and girls with their juniors or with old men +of forty. Don't laugh, but his eyes are the truest things I ever +saw; and he's quite divinely silent! We had a most romantic first +meeting in London under the Vospovitch Juno. And now he's sleeping +in the next room and the moonlight's on the blossom; and to-morrow +morning, before anybody's awake, we're going to walk off into Down +fairyland. There's a feud between our families, which makes it +really exciting. Yes! and I may have to use subterfuge and come on +you for invitations--if so, you'll know why! My father doesn't want +us to know each other, but I can't help that. Life's too short. +He's got the most beautiful mother, with lovely silvery hair and a +young face with dark eyes. I'm staying with his sister--who married +my cousin; it's all mixed up, but I mean to pump her to-morrow. +We've often talked about love being a spoil-sport; well, that's all +tosh, it's the beginning of sport, and the sooner you feel it, my +dear, the better for you. + +"Jon (not simplified spelling, but short for Jolyon, which is a name +in my family, they say) is the sort that lights up and goes out; +about five feet ten, still growing, and I believe he's going to be a +poet. If you laugh at me I've done with you forever. I perceive all +sorts of difficulties, but you know when I really want a thing I get +it. One of the chief effects of love is that you see the air sort of +inhabited, like seeing a face in the moon; and you feel--you feel +dancey and soft at the same time, with a funny sensation--like a +continual first sniff of orange--blossom--Just above your stays. +This is my first, and I feel as if it were going to be my last, which +is absurd, of course, by all the laws of Nature and morality. If you +mock me I will smite you, and if you tell anybody I will never +forgive you. So much so, that I almost don't think I'll send this +letter. Anyway, I'll sleep over it. So good-night, my Cherry--oh! +"Your, + +"FLEUR." + + + +VIII + +IDYLL ON GRASS + +When those two young Forsytes emerged from the chine lane, and set +their faces east toward the sun, there was not a cloud in heaven, and +the Downs were dewy. They had come at a good bat up the slope and +were a little out of breath; if they had anything to say they did not +say it, but marched in the early awkwardness of unbreakfasted morning +under the songs of the larks. The stealing out had been fun, but +with the freedom of the tops the sense of conspiracy ceased, and gave +place to dumbness. + +"We've made one blooming error," said Fleur, when they had gone half +a mile. "I'm hungry." + +Jon produced a stick of chocolate. They shared it and their tongues +were loosened. They discussed the nature of their homes and previous +existences, which had a kind of fascinating unreality up on that +lonely height. There remained but one thing solid in Jon's past--his +mother; but one thing solid in Fleur's--her father; and of these +figures, as though seen in the distance with disapproving faces, they +spoke little. + +The Down dipped and rose again toward Chanctonbury Ring; a sparkle of +far sea came into view, a sparrow-hawk hovered in the sun's eye so +that the blood-nourished brown of his wings gleamed nearly red. Jon +had a passion for birds, and an aptitude for sitting very still to +watch them; keen-sighted, and with a memory for what interested him, +on birds he was almost worth listening to. But in Chanctonbury Ring +there were none--its great beech temple was empty of life, and almost +chilly at this early hour; they came out willingly again into the sun +on the far side. It was Fleur's turn now. She spoke of dogs, and +the way people treated them. It was wicked to keep them on chains! +She would like to flog people who did that. Jon was astonished to +find her so humanitarian. She knew a dog, it seemed, which some +farmer near her home kept chained up at the end of his chicken run, +in all weathers, till it had almost lost its voice from barking! + +"And the misery is," she said vehemently, "that if the poor thing +didn't bark at every one who passes it wouldn't be kept there. I do +think men are cunning brutes. I've let it go twice, on the sly; it's +nearly bitten me both times, and then it goes simply mad with joy; +but it always runs back home at last, and they chain it up again. If +I had my way, I'd chain that man up." Jon saw her teeth and her eyes +gleam. "I'd brand him on his forehead with the word 'Brute'; that +would teach him!" + +Jon agreed that it would be a good remedy. + +"It's their sense of property," he said, "which makes people chain +things. The last generation thought of nothing but property; and +that's why there was the War." + +"Oh!" said Fleur, "I never thought of that. Your people and mine +quarrelled about property. And anyway we've all got it--at least, I +suppose your people have." + +"Oh! yes, luckily; I don't suppose I shall be any good at making +money." + +"If you were, I don't believe I should like you. + +Jon slipped his hand tremulously under her arm. Fleur looked +straight before her and chanted: + +"Jon, Jon, the farmer's son, +Stole a pig, and away he run!" + +Jon's arm crept round her waist. + +"This is rather sudden," said Fleur calmly; "do you often do it?" + +Jon dropped his arm. But when she laughed his arm stole back again; +and Fleur began to sing: + +"O who will oer the downs so free, +O who will with me ride? +O who will up and follow me---" + +Sing, Jon!" + +Jon sang. The larks joined in, sheep-bells, and an early morning +church far away over in Steyning. They went on from tune to tune, +till Fleur said: + +"My God! I am hungry now!" + +"Oh! I am sorry!" + +She looked round into his face. + +"Jon, you're rather a darling." + +And she pressed his hand against her waist. Jon almost reeled from +happiness. A yellow-and-white dog coursing a hare startled them +apart. They watched the two vanish down the slope, till Fleur said +with a sigh: "He'll never catch it, thank goodness! What's the time? +Mine's stopped. I never wound it." + +Jon looked at his watch. "By Jove!" he said, "mine's stopped; too." + +They walked on again, but only hand in hand. + +"If the grass is dry," said Fleur, "let's sit down for half a +minute." + +Jon took off his coat, and they shared it. + +"Smell! Actually wild thyme!" + +With his arm round her waist again, they sat some minutes in silence. + +"We are goats!" cried Fleur, jumping up; "we shall be most fearfully +late, and look so silly, and put them on their guard. Look here, Jon +We only came out to get an appetite for breakfast, and lost our way. +See?" + +"Yes," said Jon. + +"It's serious; there'll be a stopper put on us. Are you a good +liar?" + +"I believe not very; but I can try." + +Fleur frowned. + +"You know," she said, "I realize that they don't mean us to be +friends." + +"Why not?" + +"I told you why." + +"But that's silly." + +"Yes; but you don't know my father!" + +"I suppose he's fearfully fond of you." + +"You see, I'm an only child. And so are you--of your mother. Isn't +it a bore? There's so much expected of one. By the time they've +done expecting, one's as good as dead." + +"Yes," muttered Jon, "life's beastly short. One wants to live +forever, and know everything." + +"And love everybody?" + +"No," cried Jon; "I only want to love once--you." + +"Indeed! You're coming on! Oh! Look! There's the chalk-pit; we +can't be very far now. Let's run." + +Jon followed, wondering fearfully if he had offended her. + +The chalk-pit was full of sunshine and the murmuration of bees. +Fleur flung back her hair. + +"Well," she said, "in case of accidents, you may give me one kiss, +Jon," and she pushed her cheek forward. With ecstasy he kissed that +hot soft cheek. + +"Now, remember! We lost our way; and leave it to me as much as you +can. I'm going to be rather beastly to you; it's safer; try and be +beastly to me!" + +Jon shook his head. "That's impossible." + +"Just to please me; till five o'clock, at all events." + +"Anybody will be able to see through it," said Jon gloomily. + +"Well, do your best. Look! There they are! Wave your hat! Oh! you +haven't got one. Well, I'll cooee! Get a little away from me, and +look sulky." + +Five minutes later, entering the house and doing his utmost to look +sulky, Jon heard her clear voice in the dining-room: + +"Oh! I'm simply ravenous! He's going to be a farmer--and he loses +his way! The boy's an idiot!" + + + + +IX + +GOYA + + +Lunch was over and Soames mounted to the picture-gallery in his house +near Mapleduram. He had what Annette called "a grief." Fleur was +not yet home. She had been expected on Wednesday; had wired that it +would be Friday; and again on Friday that it would be Sunday +afternoon; and here were her aunt, and her cousins the Cardigans, and +this fellow Profond, and everything flat as a pancake for the want of +her. He stood before his Gauguin--sorest point of his collection. +He had bought the ugly great thing with two early Matisses before the +War, because there was such a fuss about those Post-Impressionist +chaps. He was wondering whether Profond would take them off his +hands--the fellow seemed not to know what to do with his money--when +he heard his sister's voice say: "I think that's a horrid thing, +Soames," and saw that Winifred had followed him up. + +"Oh! you do?" he said dryly; "I gave five hundred for it." + +"Fancy! Women aren't made like that even if they are black." + +Soames uttered a glum laugh. "You didn't come up to tell me that." + +"No. Do you know that Jolyon's boy is staying with Val and his +wife?" + +Soames spun round. + +"What?" + +"Yes," drawled Winifred; "he's gone to live with them there while he +learns farming." + +Soames had turned away, but her voice pursued him as he walked up and +down. "I warned Val that neither of them was to be spoken to about +old matters." + +"Why didn't you tell me before?" + +Winifred shrugged her substantial shoulders. + +"Fleur does what she likes. You've always spoiled her. Besides, my +dear boy, what's the harm?" + +"The harm!" muttered Soames. "Why, she--" he checked himself. The +Juno, the handkerchief, Fleur's eyes, her questions, and now this +delay in her return--the symptoms seemed to him so sinister that, +faithful to his nature, he could not part with them. + +"I think you take too much care," said Winifred. "If I were you, I +should tell her of that old matter. It's no good thinking that girls +in these days are as they used to be. Where they pick up their +knowledge I can't tell, but they seem to know everything." + +Over Soames' face, closely composed, passed a sort of spasm, and +Winifred added hastily: + +"If you don't like to speak of it, I could for you." + +Soames shook his head. Unless there was absolute necessity the +thought that his adored daughter should learn of that old scandal +hurt his pride too much. + +"No," he said, "not yet. Never if I can help it. + +"Nonsense, my dear. Think what people are!" + +"Twenty years is a long time," muttered Soames. "Outside our family, +who's likely to remember?" + +Winifred was silenced. She inclined more and more to that peace and +quietness of which Montague Dartie had deprived her in her youth. +And, since pictures always depressed her, she soon went down again. + +Soames passed into the corner where, side by side, hung his real Goya +and the copy of the fresco "La Vendimia." His acquisition of the +real Goya rather beautifully illustrated the cobweb of vested +interests and passions which mesh the bright-winged fly of human +life. The real Goya's noble owner's ancestor had come into +possession of it during some Spanish war--it was in a word loot. The +noble owner had remained in ignorance of its value until in the +nineties an enterprising critic discovered that a Spanish painter +named Goya was a genius. It was only a fair Goya, but almost unique +in England, and the noble owner became a marked man. Having many +possessions and that aristocratic culture which, independent of mere +sensuous enjoyment, is founded on the sounder principle that one must +know everything and be fearfully interested in life, he had fully +intended to keep an article which contributed to his reputation while +he was alive, and to leave it to the nation after he was dead. +Fortunately for Soames, the House of Lords was violently attacked in +1909, and the noble owner became alarmed and angry. 'If,' he said to +himself, 'they think they can have it both ways they are very much +mistaken. So long as they leave me in quiet enjoyment the nation can +have some of my pictures at my death. But if the nation is going to +bait me, and rob me like this, I'm damned if I won't sell the lot. +They can't have my private property and my public spirit-both.' He +brooded in this fashion for several months till one morning, after +reading the speech of a certain statesman, he telegraphed to his +agent to come down and bring Bodkin. On going over the collection +Bodkin, than whose opinion on market values none was more sought, +pronounced that with a free hand to sell to America, Germany, and +other places where there was an interest in art, a lot more money +could be made than by selling in England. The noble owner's public +spirit--he said--was well known but the pictures were unique. The +noble owner put this opinion in his pipe and smoked it for a year. +At the end of that time he read another speech by the same statesman, +and telegraphed to his agents: "Give Bodkin a free hand." It was at +this juncture that Bodkin conceived the idea which salved the Goya +and two other unique pictures for the native country of the noble +owner. With one hand Bodkin proffered the pictures to the foreign +market, with the other he formed a list of private British +collectors. Having obtained what he considered the highest possible +bids from across the seas, he submitted pictures and bids to the +private British collectors, and invited them, of their public spirit, +to outbid. In three instances (including the Goya) out of twenty-one +he was successful. And why? One of the private collectors made +buttons--he had made so many that he desired that his wife should be +called Lady "Buttons." He therefore bought a unique picture at great +cost, and gave it to the nation. It was "part," his friends said, +"of his general game." The second of the private collectors was an +Americophobe, and bought an unique picture to "spite the damned +Yanks." The third of the private collectors was Soames, who--more +sober than either of the, others--bought after a visit to Madrid, +because he was certain that Goya was still on the up grade. Goya was +not booming at the moment, but he would come again; and, looking at +that portrait, Hogarthian, Manetesque in its directness, but with its +own queer sharp beauty of paint, he was perfectly satisfied still +that he had made no error, heavy though the price had been--heaviest +he had ever paid. And next to it was hanging the copy of "La +Vendimia." There she was--the little wretch-looking back at him in +her dreamy mood, the mood he loved best because he felt so much safer +when she looked like that. + +He was still gazing when the scent of a cigar impinged on his +nostrils, and a voice said: + +"Well, Mr. Forsyde, what you goin' to do with this small lot?" + +That Belgian chap, whose mother-as if Flemish blood were not enough-- +had been Armenian! Subduing a natural irritation, he said: + +"Are you a judge of pictures?" + +"Well, I've got a few myself." + +"Any Post-Impressionists?" + +"Ye-es, I rather like them." + +"What do you think of this?" said Soames, pointing to the Gauguin. + +Monsieur Profond protruded his lower lip and short pointed beard. + +"Rather fine, I think," he said; "do you want to sell it?" + +Soames checked his instinctive "Not particularly"--he would not +chaffer with this alien. + +"Yes," he said. + +"What do you want for it?" + +"What I gave." + +"All right," said Monsieur Profond. "I'll be glad to take that small +picture. Post-Impressionists--they're awful dead, but they're +amusin'. I don' care for pictures much, but I've got some, just a +small lot." + +"What do you care for?" + +Monsieur Profond shrugged his shoulders. + +"Life's awful like a lot of monkeys scramblin' for empty nuts." + +"You're young," said Soames. If the fellow must make a +generalization, he needn't suggest that the forms of property lacked +solidity! + +"I don' worry," replied Monsieur Profond smiling; "we're born, and we +die. Half the world's starvin'. I feed a small lot of babies out in +my mother's country; but what's the use? Might as well throw my +money in the river." + +Soames looked at him, and turned back toward his Goya. He didn't +know what the fellow wanted. + +"What shall I make my cheque for?" pursued Monsieur Profond. + +"Five hundred," said Soames shortly; "but I don't want you to take it +if you don't care for it more than that." + +"That's all right," said Monsieur Profond; "I'll be 'appy to 'ave +that picture." + +He wrote a cheque with a fountain-pen heavily chased with gold. +Soames watched the process uneasily. How on earth had the fellow +known that he wanted to sell that picture? Monsieur Profond held out +the cheque. + +"The English are awful funny about pictures," he said. "So are the +French, so are my people. They're all awful funny." + +"I don't understand you," said Soames stiffly. + +"It's like hats," said Monsieur Profond enigmatically, "small or +large, turnin' up or down -just the fashion. Awful funny." And, +smiling, he drifted out of the gallery again, blue and solid like the +smoke of his excellent cigar. + +Soames had taken the cheque, feeling as if the intrinsic value of +ownership had been called in question. 'He's a cosmopolitan,' he +thought, watching Profond emerge from under the verandah with +Annette, and saunter down the lawn toward the river. What his wife +saw in the fellow he didn't know, unless it was that he could speak +her language; and there passed in Soames what Monsieur Profond would +have called a "small doubt" whether Annette was not too handsome to +be walking with any one so "cosmopolitan." Even at that distance he +could see the blue fumes from Profond's cigar wreath out in the quiet +sunlight; and his grey buckskin shoes, and his grey hat--the fellow +was a dandy! And he could see the quick turn of his wife's head, so +very straight on her desirable neck and shoulders. That turn of her +neck always seemed to him a little too showy, and in the "Queen of +all I survey" manner--not quite distinguished. He watched them walk +along the path at the bottom of the garden. A young man in flannels +joined them down there--a Sunday caller no doubt, from up the river. +He went back to his Goya. He was still staring at that replica of +Fleur, and worrying over Winifred's news, when his wife's voice said: + +"Mr. Michael Mont, Soames. You invited him to see your pictures." + +There was the cheerful young man of the Gallery off Cork Street! + +"Turned up, you see, sir; I live only four miles from Pangbourne. +Jolly day, isn't it?" + +Confronted with the results of his expansiveness, Soames scrutinized +his visitor. The young man's mouth was excessively large and curly-- +he seemed always grinning. Why didn't he grow the rest of those +idiotic little moustaches, which made him look like a music-hall +buffoon? What on earth were young men about, deliberately lowering +their class with these tooth-brushes, or little slug whiskers? Ugh! +Affected young idiots! In other respects he was presentable, and his +flannels very clean. + +"Happy to see you!" he said. + +The young man, who had been turning his head from side to side, +became transfixed. "I say!" he said, "'some' picture!" + +Soames saw, with mixed sensations, that he had addressed the remark +to the Goya copy. + +"Yes," he said dryly, "that's not a Goya. It's a copy. I had it +painted because it reminded me of my daughter." + +"By Jove! I thought I knew the face, sir. Is she here?" + +The frankness of his interest almost disarmed Soames. + +"She'll be in after tea," he said. "Shall we go round the pictures?" + +And Soames began that round which never tired him. He had not +anticipated much intelligence from one who had mistaken a copy for an +original, but as they passed from section to section, period to +period, he was startled by the young man's frank and relevant +remarks. Natively shrewd himself, and even sensuous beneath his +mask, Soames had not spent thirty-eight years over his one hobby +without knowing something more about pictures than their market +values. He was, as it were, the missing link between the artist and +the commercial public. Art for art's sake and all that, of course, +was cant. But aesthetics and good taste were necessary. The +appreciation of enough persons of good taste was what gave a work of +art its permanent market value, or in other words made it "a work of +art." There was no real cleavage. And he was sufficiently +accustomed to sheep-like and unseeing visitors, to be intrigued by +one who did not hesitate to say of Mauve: "Good old haystacks!" or of +James Maris: "Didn't he just paint and paper 'em! Mathew was the +real swell, sir; you could dig into his surfaces!" It was after the +young man had whistled before a Whistler, with the words, "D'you +think he ever really saw a naked woman, sir?" that Soames remarked: + +"What are you, Mr. Mont, if I may ask?" + +"I, sir? I was going to be a painter, but the War knocked that. +Then in the trenches, you know, I used to dream of the Stock +Exchange, snug and warm and just noisy enough. But the Peace knocked +that, shares seem off, don't they? I've only been demobbed about a +year. What do you recommend, sir?" + +"Have you got money?" + +"Well," answered the young man, "I've got a father; I kept him alive +during the War, so he's bound to keep me alive now. Though, of +course, there's the question whether he ought to be allowed to hang +on to his property. What do you think about that, sir?" + +Soames, pale and defensive, smiled. + +"The old man has fits when I tell him he may have to work yet. He's +got land, you know; it's a fatal disease." + +"This is my real Goya," said Soames dryly. + +"By George! He was a swell. I saw a Goya in Munich once that bowled +me middle stump. A most evil-looking old woman in the most gorgeous +lace. He made no compromise with the public taste. That old boy was +'some' explosive; he must have smashed up a lot of convention in his +day. Couldn't he just paint! He makes Velasquez stiff, don't you +think?" + +"I have no Velasquez," said Soames. + +The young man stared. "No," he said; "only nations or profiteers can +afford him, I suppose. I say, why shouldn't all the bankrupt nations +sell their Velasquez and Titians and other swells to the profiteers +by force, and then pass a law that any one who holds a picture by an +Old Master--see schedule--must hang it in a public gallery? There +seems something in that." + +"Shall we go down to tea?" said Soames. + +The young man's ears seemed to droop on his skull. 'He's not dense,' +thought Soames, following him off the premises. + +Goya, with his satiric and surpassing precision, his original "line," +and the daring of his light and shade, could have reproduced to +admiration the group assembled round Annette's tea-tray in the ingle- +nook below. He alone, perhaps, of painters would have done justice +to the sunlight filtering through a screen of creeper, to the lovely +pallor of brass, the old cut glasses, the thin slices of lemon in +pale amber tea; justice to Annette in her black lacey dress; there +was something of the fair Spaniard in her beauty, though it lacked +the spirituality of that rare type; to Winifred's grey-haired, +corseted solidity; to Soames, of a certain grey and flat-cheeked +distinction; to the vivacious Michael Mont, pointed in ear and eye; +to Imogen, dark, luscious of glance, growing a little stout; to +Prosper Profond, with his expression as who should say, "Well, Mr. +Goya, what's the use of paintin' this small party?" finally, to Jack +Cardigan, with his shining stare and tanned sanguinity betraying the +moving principle: "I'm English, and I live to be fit." + +Curious, by the way, that Imogen, who as a girl had declared solemnly +one day at Timothy's that she would never marry a good man--they were +so dull--should have married Jack Cardigan, in whom health had so +destroyed all traces of original sin, that she might have retired to +rest with ten thousand other Englishmen without knowing the +difference from the one she had chosen to repose beside. "Oh!" she +would say of him, in her "amusing" way, "Jack keeps himself so +fearfully fit; he's never had a day's illness in his life. He went +right through the War without a finger-ache. You really can't +imagine how fit he is!" Indeed, he was so "fit" that he couldn't see +when she was flirting, which was such a comfort in a way. All the +same she was quite fond of him, so far as one could be of a sports- +machine, and of the two little Cardigans made after his pattern. Her +eyes just then were comparing him maliciously with Prosper Profond. +There was no "small" sport or game which Monsieur Profond had not +played at too, it seemed, from skittles to tarpon-fishing, and worn +out every one. Imogen would sometimes wish that they had worn out +Jack, who continued to play at them and talk of them with the simple +zeal of a school-girl learning hockey; at the age of Great-uncle +Timothy she well knew that Jack would be playing carpet golf in her +bedroom, and "wiping somebody's eye." + +He was telling them now how he had "pipped the pro--a charmin' +fellow, playin' a very good game," at the last hole this morning; and +how he had pulled down to Caversham since lunch, and trying to incite +Prosper Profond to play him a set of tennis after tea--do him good- +"keep him fit. + +"But what's the use of keepin' fit?" said Monsieur Profond. + +"Yes, sir," murmured Michael Mont, "what do you keep fit for?" + +"Jack," cried Imogen, enchanted, "what do you keep fit for?" + +Jack Cardigan stared with all his health. The questions were like +the buzz of a mosquito, and he put up his hand to wipe them away. +During the War, of course, he had kept fit to kill Germans; now that +it was over he either did not know, or shrank in delicacy from +explanation of his moving principle. + +"But he's right," said Monsieur Profond unexpectedly, "there's +nothin' left but keepin' fit." + +The saying, too deep for Sunday afternoon, would have passed +unanswered, but for the mercurial nature of young Mont. + +"Good!" he cried. "That's the great discovery of the War. We all +thought we were progressing--now we know we're only changing." + +"For the worse," said Monsieur Profond genially. + +"How you are cheerful, Prosper!" murmured Annette. + +"You come and play tennis!" said Jack Cardigan; "you've got the hump. +We'll soon take that down. D'you play, Mr. Mont?" + +"I hit the ball about, sir." + +At this juncture Soames rose, ruffled in that deep instinct of +preparation for the future which guided his existence. + +"When Fleur comes--" he heard Jack Cardigan say. + +Ah! and why didn't she come? He passed through drawing-room, hall, +and porch out on to the drive, and stood there listening for the car. +All was still and Sundayfied; the lilacs in full flower scented the +air. There were white clouds, like the feathers of ducks gilded by +the sunlight. Memory of the day when Fleur was born, and he had +waited in such agony with her life and her mother's balanced in his +hands, came to him sharply. He had saved her then, to be the flower +of his life. And now! was she going to give him trouble--pain--give +him trouble? He did not like the look of things! A blackbird broke +in on his reverie with an evening song--a great big fellow up in that +acacia-tree. Soames had taken quite an interest in his birds of late +years; he and Fleur would walk round and watch them; her eyes were +sharp as needles, and she knew every nest. He saw her dog, a +retriever, lying on the drive in a patch of sunlight, and called to +him. "Hallo, old fellow-waiting for her too!" The dog came slowly +with a grudging tail, and Soames mechanically laid a pat on his head. +The dog, the bird, the lilac, all were part of Fleur for him; no +more, no less. 'Too fond of her!' he thought, 'too fond!' He was +like a man uninsured, with his ships at sea. Uninsured again--as in +that other time, so long ago, when he would wander dumb and jealous +in the wilderness of London, longing for that woman--his frst wife-- +the mother of this infernal boy. Ah! There was the car at last! It +drew up, it had luggage, but no Fleur. + +"Miss Fleur is walking up, sir, by the towing-path." + +Walking all those miles? Soames stared. The man's face had the +beginning of a smile on it. What was he grinning at? And very +quickly he turned, saying, "All right, Sims!" and went into the +house. He mounted to the picture-gallery once more. He had from +there a view of the river bank, and stood with his eyes fixed on it, +oblivious of the fact that it would be an hour at least before her +figure showed there. Walking up! And that fellow's grin! The boy--! +He turned abruptly from the window. He couldn't spy on her. If she +wanted to keep things from him--she must; he could not spy on her. +His heart felt empty, and bitterness mounted from it into his very +mouth. The staccato shouts of Jack Cardigan pursuing the ball, the +laugh of young Mont rose in the stillness and came in. He hoped they +were making that chap Profond run. And the girl in "La Vendimia" +stood with her arm akimbo arid her dreamy eyes looking past him. +'I've done all I could for you,' he thought, 'since you were no +higher than my knee. You aren't going to--to--hurt me, are you?' + +But the Goya copy answered not, brilliant in colour just beginning to +tone down. 'There's no real life in it,' thought Soames. 'Why +doesn't she come?' + + + + +X + +TRIO + + +Among those four Forsytes of the third, and, as one might say, fourth +generation, at Wansdon under the Downs, a week-end prolonged unto the +ninth day had stretched the crossing threads of tenacity almost to +snapping-point. Never had Fleur been so "fine," Holly so watchful, +Val so stable-secretive, Jon so silent and disturbed. What he +learned of farming in that week might have been balanced on the point +of a penknife and puffed off. He, whose nature was essentially +averse from intrigue, and whose adoration of Fleur disposed him to +think that any need for concealing it was "skittles," chafed and +fretted, yet obeyed, taking what relief he could in the few moments +when they were alone. On Thursday, while they were standing in the +bay window of the drawing-room, dressed for dinner, she said to him: + +"Jon, I'm going home on Sunday by the 3.40 from Paddington; if you +were to go home on Saturday you could come up on Sunday and take me +down, and just get back here by the last train, after. You were +going home anyway, weren't you?" + +Jon nodded. + +"Anything to be with you," he said; "only why need I pretend--" + +Fleur slipped her little finger into his palm: + +"You have no instinct, Jon; you must leave things to me. It's +serious about our people. We've simply got to be secret at present, +if we want to be together." The door was opened, and she added +loudly: "You are a duffer, Jon." + +Something turned over within Jon; he could not bear this subterfuge +about a feeling so natural, so overwhelming, and so sweet. + +On Friday night about eleven he had packed his bag, and was leaning +out of his window, half miserable, and half lost in a dream of +Paddington station, when he heard a tiny sound, as of a finger-nail +tapping on his door. He rushed to it and listened. Again the sound. +It was a nail. He opened. Oh! What a lovely thing came in! + +"I wanted to show you my fancy dress," it said, and struck an +attitude at the foot of his bed. + +Jon drew a long breath and leaned against the door. The apparition +wore white muslin on its head, a fichu round its bare neck over a +wine-coloured dress, fulled out below its slender waist. + +It held one arm akimbo, and the other raised, right-angled, holding a +fan which touched its head. + +"This ought to be a basket of grapes," it whispered, "but I haven't +got it here. It's my Goya dress. And this is the attitude in the +picture. Do you like it?" + +"It's a dream." + +The apparition pirouetted. "Touch it, and see." + +Jon knelt down and took the skirt reverently. + +"Grape colour," came the whisper, "all grapes--La Vendimia--the +vintage." + +Jon's fingers scarcely touched each side of the waist; he looked up, +with adoring eyes. + +"Oh! Jon," it whispered; bent, kissed his forehead, pirouetted again, +and, gliding out, was gone. + +Jon stayed on his knees, and his head fell forward against the bed. +How long he stayed like that he did not know. The little noises--of +the tapping nail, the feet, the skirts rustling--as in a dream--went +on about him; and before his closed eyes the figure stood and smiled +and whispered, a faint perfume of narcissus lingering in the air. +And his forehead where it had been kissed had a little cool place +between the brows, like the imprint of a flower. Love filled his +soul, that love of boy for girl which knows so little, hopes so much, +would not brush the down off for the world, and must become in time a +fragrant memory--a searing passion--a humdrum mateship--or, once in +many times, vintage full and sweet with sunset colour on the grapes. + +Enough has been said about Jon Forsyte here and in another place to +show what long marches lay between him and his great-great- +grandfather, the first Jolyon, in Dorset down by the sea. Jon was +sensitive as a girl, more sensitive than nine out of ten girls of the +day; imaginative as one of his half-sister June's "lame duck" +painters; affectionate as a son of his father and his mother +naturally would be. And yet, in his inner tissue, there was +something of the old founder of his family, a secret tenacity of +soul, a dread of showing his feelings, a determination not to know +when he was beaten. Sensitive, imaginative, affectionate boys get a +bad time at school, but Jon had instinctively kept his nature dark, +and been but normally unhappy there. Only with his mother had he, up +till then, been absolutely frank and natural; and when he went home +to Robin Hill that Saturday his heart was heavy because Fleur had +said that he must not be frank and natural with her from whom he had +never yet kept anything, must not even tell her that they had met +again, unless he found that she knew already. So intolerable did +this seem to him that he was very near to telegraphing an excuse and +staying up in London. And the first thing his mother said to him +was: + +"So you've had our little friend of the confectioner's there, Jon. +What is she like on second thoughts?" + +With relief, and a high colour, Jon answered: + +"Oh! awfully jolly, Mum." + +Her arm pressed his. + +Jon had never loved her so much as in that minute which seemed to +falsify Fleur's fears and to release his soul. He turned to look at +her, but something in her smiling face--something which only he +perhaps would have caught--stopped the words bubbling up in him. +Could fear go with a smile? If so, there was fear in her face. And +out of Jon tumbled quite other words, about farming, Holly, and the +Downs. Talking fast, he waited for her to come back to Fleur. But +she did not. Nor did his father mention her, though of course he, +too, must know. What deprivation, and killing of reality was in his +silence about Fleur--when he was so full of her; when his mother was +so full of Jon, and his father so full of his mother! And so the +trio spent the evening of that Saturday. + +After dinner his mother played; she seemed to play all the things he +liked best, and he sat with one knee clasped, and his hair standing +up where his fingers had run through it. He gazed at his mother +while she played, but he saw Fleur--Fleur in the moonlit orchard, +Fleur in the sunlit gravel-pit, Fleur in that fancy dress, swaying, +whispering, stooping, kissing his forehead. Once, while he listened, +he forgot himself and glanced at his father in that other easy chair. +What was Dad looking like that for? The expression on his face was +so sad and puzzling. It filled him with a sort of remorse, so that +he got up and went and sat on the arm of his father's chair. From +there he could not see his face; and again he saw Fleur--in his +mother's hands, slim and white on the keys, in the profile of her +face and her powdery hair; and down the long room in the open window +where the May night walked outside. + +When he went up to bed his mother came into his room. She stood at +the window, and said: + +"Those cypresses your grandfather planted down there have done +wonderfully. I always think they look beautiful under a dropping +moon. I wish you had known your grandfather, Jon." + +"Were you married to father when he was alive?" asked Jon suddenly. + +"No, dear; he died in '92--very old--eighty-five, I think." + +"Is Father like him?" + +"A little, but more subtle, and not quite so solid." + +"I know, from grandfather's portrait; who painted that?" + +"One of June's 'lame ducks.' But it's quite good." + +Jon slipped his hand through his mother's arm. "Tell me about the +family quarrel, Mum." + +He felt her arm quivering. "No, dear; that's for your Father some +day, if he thinks fit." + +"Then it was serious," said Jon, with a catch in his breath. + +"Yes." And there was a silence, during which neither knew whether +the arm or the hand within it were quivering most. + +"Some people," said Irene softly, "think the moon on her back is +evil; to me she's always lovely. Look at those cypress shadows! +Jon, Father says we may go to Italy, you and I, for two months. +Would you like?" + +Jon took his hand from under her arm; his sensation was so sharp and +so confused. Italy with his mother! A fortnight ago it would have +been perfection; now it filled him with dismay; he felt that the +sudden suggestion had to do with Fleur. He stammered out: + +"Oh! yes; only--I don't know. Ought I--now I've just begun? I'd +like to think it over." + +Her voice answered, cool and gentle: + +"Yes, dear; think it over. But better now than when you've begun +farming seriously. Italy with you! It would be nice!" + +Jon put his arm round her waist, still slim and firm as a girl's. + +"Do you think you ought to leave Father?" he said feebly, feeling +very mean. + +"Father suggested it; he thinks you ought to see Italy at least +before you settle down to anything." + +The sense of meanness died in Jon; he knew, yes--he knew--that his +father and his mother were not speaking frankly, no more than he +himself. They wanted to keep him from Fleur. His heart hardened. +And, as if she felt that process going on, his mother said: + +"Good-night, darling. Have a good sleep and think it over. But it +would be lovely!" + +She pressed him to her so quickly that he did not see her face. Jon +stood feeling exactly as he used to when he was a naughty little boy; +sore because he was not loving, and because he was justified in his +own eyes. + +But Irene, after she had stood a moment in her own room, passed +through the dressing-room between it and her husband's. + +"Well?" + +"He will think it over, Jolyon." + +Watching her lips that wore a little drawn smile, Jolyon said +quietly: + +"You had better let me tell him, and have done with it. After all, +Jon has the instincts of a gentleman. He has only to understand--" + +"Only! He can't understand; that's impossible." + +"I believe I could have at his age." + +Irene caught his hand. "You were always more of a realist than Jon; +and never so innocent." + +"That's true," said Jolyon. "It's queer, isn't it? You and I would +tell our stories to the world without a particle of shame; but our +own boy stumps us." + +"We've never cared whether the world approves or not." + +"Jon would not disapprove of us!" + +"Oh! Jolyon, yes. He's in love, I feel he's in love. And he'd say: +'My mother once married without love! How could she have!' It'll +seem to him a crime! And so it was!" + +Jolyon took her hand, and said with a wry smile: + +"Ah! why on earth are we born young? Now, if only we were born old +and grew younger year by year, we should understand how things +happen, and drop all our cursed intolerance. But you know if the boy +is really in love, he won't forget, even if he goes to Italy. We're +a tenacious breed; and he'll know by instinct why he's being sent. +Nothing will really cure him but the shock of being told." + +"Let me try, anyway." + +Jolyon stood a moment without speaking. Between this devil and this +deep sea--the pain of a dreaded disclosure and the grief of losing +his wife for two months--he secretly hoped for the devil; yet if she +wished for the deep sea he must put up with it. After all, it would +be training for that departure from which there would be no return. +And, taking her in his arms, he kissed her eyes, and said: + +"As you will, my love." + + + + +XI + +DUET + + +That "small" emotion, love, grows amazingly when threatened with +extinction. Jon reached Paddington station half an hour before his +time and a full week after, as it seemed to him. He stood at the +appointed bookstall, amid a crowd of Sunday travellers, in a Harris +tweed suit exhaling, as it were, the emotion of his thumping heart. +He read the names of the novels on the book-stall, and bought one at +last, to avoid being regarded with suspicion by the book-stall clerk. +It was called "The Heart of the Trail!" which must mean something, +though it did not seem to. He also bought "The Lady's Mirror" and +"The Landsman." Every minute was an hour long, and full of horrid +imaginings. After nineteen had passed, he saw her with a bag and a +porter wheeling her luggage. She came swiftly; she came cool. She +greeted him as if he were a brother. + +"First class," she said to the porter, "corner seats; opposite." + +Jon admired her frightful self-possession. + +"Can't we get a carriage to ourselves," he whispered. + +"No good; it's a stopping train. After Maidenhead perhaps. Look +natural, Jon." + +Jon screwed his features into a scowl. They got in--with two other +beasts!--oh! heaven! He tipped the porter unnaturally, in his +confusion. The brute deserved nothing for putting them in there, and +looking as if he knew all about it into the bargain. + +Fleur hid herself behind "The Lady's Mirror." Jon imitated her +behind "The Landsman." The train started. Fleur let "The Lady's +Mirror" fall and leaned forward. + +"Well?" she said. + +"It's seemed about fifteen days." + +She nodded, and Jon's face lighted up at once. + +"Look natural," murmured Fleur, and went off into a bubble of +laughter. It hurt him. How could he look natural with Italy hanging +over him? He had meant to break it to her gently, but now he blurted +it out. + +"They want me to go to Italy with Mother for two months." + +Fleur drooped her eyelids; turned a little pale, and bit her lips. +"Oh!" she said. It was all, but it was much. + +That "Oh!" was like the quick drawback of the wrist in fencing ready +for riposte. It came. + +"You must go!" + +"Go?" said Jon in a strangled voice. + +"Of course." + +"But--two months--it's ghastly." + +"No," said Fleur, "six weeks. You'll have forgotten me by then. +We'll meet in the National Gallery the day after you get back." + +Jon laughed. + +"But suppose you've forgotten me," he muttered into the noise of the +train. + +Fleur shook her head. + +"Some other beast--" murmured Jon. + +Her foot touched his. + +"No other beast," she said, lifting "The Lady's Mirror." + +The train stopped; two passengers got out, and one got in. + +'I shall die,' thought Jon, 'if we're not alone at all.' + +The train went on; and again Fleur leaned forward. + +"I never let go," she said; "do you?" + +Jon shook his head vehemently. + +"Never!" he said. "Will you write to me?" + +"No; but you can--to my Club." + +She had a Club; she was wonderful! + +"Did you pump Holly?" he muttered. + +"Yes, but I got nothing. I didn't dare pump hard." + +"What can it be?" cried Jon. + +"I shall find out all right." + +A long silence followed till Fleur said: "This is Maidenhead; stand +by, Jon!" + +The train stopped. The remaining passenger got out. Fleur drew down +her blind. + +"Quick!" she cried. "Hang out! Look as much of a beast as you can." + +Jon blew his nose, and scowled; never in all his life had he scowled +like that! An old lady recoiled, a young one tried the handle. It +turned, but the door would not open. The train moved, the young lady +darted to another carriage. + +"What luck!" cried Jon. "It Jammed." + +"Yes," said Fleur; "I was holding it." + +The train moved out, and Jon fell on his knees. + +"Look out for the corridor," she whispered; "and--quick!" + +Her lips met his. And though their kiss only lasted perhaps ten +seconds, Jon's soul left his body and went so far beyond, that, when +he was again sitting opposite that demure figure, he was pale as +death. He heard her sigh, and the sound seemed to him the most +precious he had ever heard--an exquisite declaration that he meant +something to her. + +"Six weeks isn't really long," she said; "and you can easily make it +six if you keep your head out there, and never seem to think of me." + +Jon gasped. + +"This is just what's really wanted, Jon, to convince them, don't you +see? If we're just as bad when you come back they'll stop being +ridiculous about it. Only, I'm sorry it's not Spain; there's a girl +in a Goya picture at Madrid who's like me, Father says. Only she +isn't--we've got a copy of her." + +It was to Jon like a ray of sunshine piercing through a fog. "I'll +make it Spain," he said, "Mother won't mind; she's never been there. +And my Father thinks a lot of Goya." + +"Oh! yes, he's a painter--isn't he?" + +"Only water-colour," said Jon, with honesty. + +"When we come to Reading, Jon, get out first and go down to Caversham +lock and wait for me. I'll send the car home and we'll walk by the +towing-path." + +Jon seized her hand in gratitude, and they sat silent, with the world +well lost, and one eye on the corridor. But the train seemed to run +twice as fast now, and its sound was almost lost in that of Jon's +sighing. + +"We're getting near," said Fleur; "the towing-path's awfully exposed. +One more! Oh! Jon, don't forget me." + +Jon answered with his kiss. And very soon, a flushed, distracted- +looking youth could have been seen--as they say--leaping from the +train and hurrying along the platform, searching his pockets for his +ticket. + +When at last she rejoined him on the towing-path a little beyond +Caversham lock he had made an effort, and regained some measure of +equanimity. If they had to part, he would not make a scene! A +breeze by the bright river threw the white side of the willow leaves +up into the sunlight, and followed those two with its faint rustle. + +"I told our chauffeur that I was train-giddy," said Fleur. "Did you +look pretty natural as you went out?" + +"I don't know. What is natural?" + +"It's natural to you to look seriously happy. When I first saw you I +thought you weren't a bit like other people." + +"Exactly what I thought when I saw you. I knew at once I should +never love anybody else." + +Fleur laughed. + +"We're absurdly young. And love's young dream is out of date, Jon. +Besides, it's awfully wasteful. Think of all the fun you might have. +You haven't begun, even; it's a shame, really. And there's me. I +wonder!" + +Confusion came on Jon's spirit. How could she say such things just +as they were going to part? + +"If you feel like that," he said, "I can't go. I shall tell Mother +that I ought to try and work. There's always the condition of the +world!" + +"The condition of the world!" + +Jon thrust his hands deep into his pockets. + +"But there is," he said; "think of the people starving!" + +Fleur shook her head. "No, no, I never, never will make myself +miserable for nothing." + +"Nothing! But there's an awful state of things, and of course one +ought to help." + +"Oh! yes, I know all that. But you can't help people, Jon; they're +hopeless. When you pull them out they only get into another hole. +Look at them, still fighting and plotting and struggling, though +they're dying in heaps all the time. Idiots!" + +"Aren't you sorry for them?" + +"Oh! sorry--yes, but I'm not going to make myself unhappy about it; +that's no good." + +And they were silent, disturbed by this first glimpse of each other's +natures. + +"I think people are brutes and idiots," said Fleur stubbornly. + +"I think they're poor wretches," said Jon. It was as if they had +quarrelled--and at this supreme and awful moment, with parting +visible out there in that last gap of the willows! + +"Well, go and help your poor wretches, and don't think of me." + +Jon stood still. Sweat broke out on his forehead, and his limbs +trembled. Fleur too had stopped, and was frowning at the river. + +"I must believe in things," said Jon with a sort of agony; "we're all +meant to enjoy life." + +Fleur laughed. "Yes; and that's what you won't do, if you don't take +care. But perhaps your idea of enjoyment is to make yourself +wretched. There are lots of people like that, of course." + +She was pale, her eyes had darkened, her lips had thinned. Was it +Fleur thus staring at the water? Jon had an unreal feeling as if he +were passing through the scene in a book where the lover has to +choose between love and duty. But just then she looked round at him. +Never was anything so intoxicating as that vivacious look. It acted +on him exactly as the tug of a chain acts on a dog--brought him up to +her with his tail wagging and his tongue out. + +"Don't let's be silly," she said, "time's too short. Look, Jon, you +can just see where I've got to cross the river. There, round the +bend, where the woods begin." + +Jon saw a gable, a chimney or two, a patch of wall through the trees- +-and felt his heart sink. + +"I mustn't dawdle any more. It's no good going beyond the next +hedge, it gets all open. Let's get on to it and say good-bye." + +They went side by side, hand in hand, silently toward the hedge, +where the may-flower, both pink and white, was in full bloom. + +"My Club's the 'Talisman,' Stratton Street, Piccadilly. Letters +there will be quite safe, and I'm almost always up once a week." + +Jon nodded. His face had become extremely set, his eyes stared +straight before him. + +"To-day's the twenty-third of May," said Fleur; "on the ninth of July +I shall be in front of the 'Bacchus and Ariadne' at three o'clock; +will you?" + +"I will." + +"If you feel as bad as I it's all right. Let those people pass!" + +A man and woman airing their children went by strung out in Sunday +fashion. + +The last of them passed the wicket gate. + +"Domesticity!" said Fleur, and blotted herself against the hawthorn +hedge. The blossom sprayed out above her head, and one pink cluster +brushed her cheek. Jon put up his hand jealously to keep it off. + +"Good-bye, Jon." For a second they stood with hands hard clasped. +Then their lips met for the third time, and when they parted Fleur +broke away and fled through the wicket gate. Jon stood where she had +left him, with his forehead against that pink cluster. Gone! For an +eternity--for seven weeks all but two days! And here he was, wasting +the last sight of her! He rushed to the gate. She was walking +swiftly on the heels of the straggling children. She turned her +head, he saw her hand make a little flitting gesture; then she sped +on, and the trailing family blotted her out from his view. + +The words of a comic song-- + + "Paddington groan-worst ever known-- + He gave a sepulchral Paddington groan--" + +came into his head, and he sped incontinently back to Reading +station. All the way up to London and down to Wansdon he sat with +"The Heart of the Trail" open on his knee, knitting in his head a +poem so full of feeling that it would not rhyme. + + + + +XII + +CAPRICE + + +Fleur sped on. She had need of rapid motion; she was late, and +wanted all her wits about her when she got in. She passed the +islands, the station, and hotel, and was about to take the ferry, +when she saw a skiff with a young man standing up in it, and holding +to the bushes. + +"Miss Forsyte," he said; "let me put you across. I've come on +purpose." + +She looked at him in blank amazement. + +"It's all right, I've been having tea with your people. I thought +I'd save you the last bit. It's on my way, I'm just off back to +Pangbourne. My name's Mont. I saw you at the picture-gallery--you +remember--when your father invited me to see his pictures." + +"Oh!" said Fleur; "yes--the handkerchief." + +To this young man she owed Jon; and, taking his hand, she stepped +down into the skiff. Still emotional, and a little out of breath, +she sat silent; not so the young man. She had never heard any one +say so much in so short a time. He told her his age, twenty-four; +his weight, ten stone eleven; his place of residence, not far away; +described his sensations under fire, and what it felt like to be +gassed; criticized the Juno, mentioned his own conception of that +goddess; commented on the Goya copy, said Fleur was not too awfully +like it; sketched in rapidly the condition of England; spoke of +Monsieur Profond--or whatever his name was--as "an awful sport"; +thought her father had some "ripping" pictures and some rather "dug- +up"; hoped he might row down again and take her on the river because +he was quite trustworthy; inquired her opinion of Tchekov, gave her +his own; wished they could go to the Russian ballet together some +time--considered the name Fleur Forsyte simply topping; cursed his +people for giving him the name of Michael on the top of Mont; +outlined his father, and said that if she wanted a good book she +should read "Job"; his father was rather like Job while Job still had +land. + +"But Job didn't have land," Fleur murmured; "he only had flocks and +herds and moved on." + +"Ah!" answered Michael Mont, "I wish my gov'nor would move on. Not +that I want his land. Land's an awful bore in these days, don't you +think?" + +"We never have it in my family," said Fleur. "We have everything +else. I believe one of my great-uncles once had a sentimental farm +in Dorset, because we came from there originally, but it cost him +more than it made him happy." + +"Did he sell it?" + +"No; he kept it." + +"Why?" + +"Because nobody would buy it." + +"Good for the old boy!" + +"No, it wasn't good for him. Father says it soured him. His name +was Swithin." + +"What a corking name!" + +"Do you know that we're getting farther off, not nearer? This river +flows." + +"Splendid!" cried Mont, dipping his sculls vaguely; "it's good to +meet a girl who's got wit." + +"But better to meet a young man who's got it in the plural." + +Young Mont raised a hand to tear his hair. + +"Look out!" cried Fleur. "Your scull!" + +"All right! It's thick enough to bear a scratch." + +"Do you mind sculling?" said Fleur severely. "I want to get in." + +"Ah!" said Mont; "but when you get in, you see, I shan't see you any +more to-day. Fini, as the French girl said when she jumped on her +bed after saying her prayers. Don't you bless the day that gave you +a French mother, and a name like yours?" + +"I like my name, but Father gave it me. Mother wanted me called +Marguerite." + +"Which is absurd. Do you mind calling me M. M. and letting me call +you F. F.? It's in the spirit of the age." + +"I don't mind anything, so long as I get in." + +Mont caught a little crab, and answered: "That was a nasty one!" + +"Please row." + +"I am." And he did for several strokes, looking at her with rueful +eagerness. "Of course, you know," he ejaculated, pausing, "that I +came to see you, not your father's pictures." + +Fleur rose. + +"If you don't row, I shall get out and swim." + +"Really and truly? Then I could come in after you." + +"Mr. Mont, I'm late and tired; please put me on shore at once." + +When she stepped out on to the garden landing-stage he rose, and +grasping his hair with both hands, looked at her. + +Fleur smiled. + +"Don't!" cried the irrepressible Mont. "I know you're going to say: +'Out, damned hair!'" + +Fleur whisked round, threw him a wave of her hand. "Good-bye, Mr. +M.M.!" she called, and was gone among the rose-trees. She looked at +her wrist-watch and the windows of the house. It struck her as +curiously uninhabited. Past six! The pigeons were just gathering to +roost, and sunlight slanted on the dovecot, on their snowy feathers, +and beyond in a shower on the top boughs of the woods. The click of +billiard-balls came from the ingle-nook--Jack Cardigan, no doubt; a +faint rustling, too, from an eucalyptus-tree, startling Southerner in +this old English garden. She reached the verandah and was passing +in, but stopped at the sound of voices from the drawing-room to her +left. Mother! Monsieur Profond! From behind the verandah screen +which fenced the ingle-nook she heard these words: + +"I don't, Annette." + +Did Father know that he called her mother "Annette"? Always on the +side of her Father--as children are ever on one side or the other in +houses where relations are a little strained--she stood, uncertain. +Her mother was speaking in her low, pleasing, slightly metallic +voice--one word she caught: "Demain." And Profond's answer: "All +right." Fleur frowned. A little sound came out into the stillness. +Then Profond's voice: "I'm takin' a small stroll." + +Fleur darted through the window into the morning-room. There he came +from the drawing-room, crossing the verandah, down the lawn; and the +click of billiard-balls which, in listening for other sounds, she had +ceased to hear, began again. She shook herself, passed into the +hall, and opened the drawing-room door. Her mother was sitting on +the sofa between the windows, her knees crossed, her head resting on +a cushion, her lips half parted, her eyes half closed. She looked +extraordinarily handsome. + +"Ah! Here you are, Fleur! Your father is beginning to fuss." + +"Where is he?" + +"In the picture-gallery. Go up!" + +"What are you going to do to-morrow, Mother?" + +"To-morrow? I go up to London with your aunt." + +"I thought you might be. Will you get me a quite plain parasol?" +What colour?" + +"Green. They're all going back, I suppose." + +"Yes, all; you will console your father. Kiss me, then." + +Fleur crossed the room, stooped, received a kiss on her forehead, and +went out past the impress of a form on the sofa-cushions in the other +corner. She ran up-stairs. + +Fleur was by no means the old-fashioned daughter who demands the +regulation of her parents' lives in accordance with the standard +imposed upon herself. She claimed to regulate her own life, not +those of others; besides, an unerring instinct for what was likely to +advantage her own case was already at work. In a disturbed domestic +atmosphere the heart she had set on Jon would have a better chance. +None the less was she offended, as a flower by a crisping wind. If +that man had really been kissing her mother it was--serious, and her +father ought to know. "Demain!" "All right!" And her mother going +up to Town! She turned into her bedroom and hung out of the window +to cool her face, which had suddenly grown very hot. Jon must be at +the station by now! What did her father know about Jon? Probably +everything--pretty nearly! + +She changed her dress, so as to look as if she had been in some time, +and ran up to the gallery. + +Soames was standing stubbornly still before his Alfred Stevens--the +picture he loved best. He did not turn at the sound of the door, but +she knew he had heard, and she knew he was hurt. She came up softly +behind him, put her arms round his neck, and poked her face over his +shoulder till her cheek lay against his. It was an advance which had +never yet failed, but it failed her now, and she augured the worst. +"Well," he said stonily, "so you've come!" + +"Is that all," murmured Fleur, "from a bad parent?" And she rubbed +her cheek against his. + +Soames shook his head so far as that was possible. + +"Why do you keep me on tenterhooks like this, putting me off and +off?" + +"Darling, it was very harmless." + +"Harmless! Much you know what's harmless and what isn't." + +Fleur dropped her arms. + +"Well, then, dear, suppose you tell me; and be quite frank about it." + +And she went over to the window-seat. + +Her father had turned from his picture, and was staring at his feet. +He looked very grey. 'He has nice small feet,' she thought, catching +his eye, at once averted from her. + +"You're my only comfort," said Soames suddenly, "and you go on like +this." + +Fleur's heart began to beat. + +"Like what, dear?" + +Again Soames gave her a look which, but for the affection in it, +might have been called furtive. + +"You know what I told you," he said. "I don't choose to have +anything to do with that branch of our family." + +"Yes, ducky, but I don't know why I shouldn't. + +Soames turned on his heel. + +"I'm not going into the reasons," he said; "you ought to trust me, +Fleur!" + +The way he spoke those words affected Fleur, but she thought of Jon, +and was silent, tapping her foot against the wainscot. Unconsciously +she had assumed a modern attitude, with one leg twisted in and out of +the other, with her chin on one bent wrist, her other arm across her +chest, and its hand hugging her elbow; there was not a line of her +that was not involuted, and yet--in spite of all--she retained a +certain grace. + +"You knew my wishes," Soames went on, "and yet you stayed on there +four days. And I suppose that boy came with you to-day." + +Fleur kept her eyes on him. + +"I don't ask you anything," said Soames; "I make no inquisition where +you're concerned." + +Fleur suddenly stood up, leaning out at the window with her chin on +her hands. The sun had sunk behind trees, the pigeons were perched, +quite still, on the edge of the dove-cot; the click of the billiard- +balls mounted, and a faint radiance shone out below where Jack +Cardigan had turned the light up. + +"Will it make you any happier," she said suddenly, "if I promise you +not to see him for say--the next six weeks?" She was not prepared for +a sort of tremble in the blankness of his voice. + +"Six weeks? Six years--sixty years more like. Don't delude +yourself, Fleur; don't delude yourself!" + +Fleur turned in alarm. + +"Father, what is it?" + +Soames came close enough to see her face. + +"Don't tell me," he said, "that you're foolish enough to have any +feeling beyond caprice. That would be too much!" And he laughed. + +Fleur, who had never heard him laugh like that, thought: 'Then it is +deep! Oh! what is it?' And putting her hand through his arm she +said lightly: + +"No, of course; caprice. Only, I like my caprices and I don't like +yours, dear." + +"Mine!" said Soames bitterly, and turned away. + +The light outside had chilled, and threw a chalky whiteness on the +river. The trees had lost all gaiety of colour. She felt a sudden +hunger for Jon's face, for his hands, and the feel of his lips again +on hers. And pressing her arms tight across her breast she forced +out a little light laugh. + +"O la! la! What a small fuss! as Profond would say. Father, I don't +like that man." + +She saw him stop, and take something out of his breast pocket. + +"You don't?" he said. "Why?" + +"Nothing," murmured Fleur; "just caprice!" + +"No," said Soames; "not caprice!" And he tore what was in his hands +across. "You're right. I don't like him either!" + +"Look!" said Fleur softly. "There he goes! I hate his shoes; they +don't make any noise." + +Down in the failing light Prosper Profond moved, his hands in his +side pockets, whistling softly in his beard; he stopped, and glanced +up at the sky, as if saying: "I don't think much of that small moon." + +Fleur drew back. "Isn't he a great cat?" she whispered; and the +sharp click of the billiard-balls rose, as if Jack Cardigan had +capped the cat, the moon, caprice, and tragedy with: "In off the +red!" + +Monsieur Profond had resumed his stroll, to a teasing little tune in +his beard. What was it? Oh! yes, from "Rigoletto": "Donna a +mobile." Just what he would think! She squeezed her father's arm. + +"Prowling!" she muttered, as he turned the corner of the house. It +was past that disillusioned moment which divides the day and night- +still and lingering and warm, with hawthorn scent and lilac scent +clinging on the riverside air. A blackbird suddenly burst out. Jon +would be in London by now; in the Park perhaps, crossing the +Serpentine, thinking of her! A little sound beside her made her turn +her eyes; her father was again tearing the paper in his hands. Fleur +saw it was a cheque. + +"I shan't sell him my Gauguin," he said. "I don't know what your +aunt and Imogen see in him." + +"Or Mother." + +"Your mother!" said Soames. + +'Poor Father!' she thought. 'He never looks happy--not really happy. +I don't want to make him worse, but of course I shall have to, when +Jon comes back. Oh! well, sufficient unto the night!' + +"I'm going to dress," she said. + +In her room she had a fancy to put on her "freak" dress. It was of +gold tissue with little trousers of the same, tightly drawn in at the +ankles, a page's cape slung from the shoulders, little gold shoes, +and a gold-winged Mercury helmet; and all over her were tiny gold +bells, especially on the helmet; so that if she shook her head she +pealed. When she was dressed she felt quite sick because Jon could +not see her; it even seemed a pity that the sprightly young man +Michael Mont would not have a view. But the gong had sounded, and +she went down. + +She made a sensation in the drawing-room. Winifred thought it "Most +amusing." Imogen was enraptured. Jack Cardigan called it +"stunning," "ripping," "topping," and "corking. + +Monsieur Profond, smiling with his eyes, said: "That's a nice small +dress!" Her mother, very handsome in black, sat looking at her, and +said nothing. It remained for her father to apply the test of common +sense. "What did you put on that thing for? You're not going to +dance." + +Fleur spun round, and the bells pealed. + +"Caprice!" + +Soames stared at her, and, turning away, gave his arm to Winifred. +Jack Cardigan took her mother. Prosper Profond took Imogen. Fleur +went in by herself, with her bells jingling.... + +The "small" moon had soon dropped down, and May night had fallen soft +and warm, enwrapping with its grape-bloom colour and its scents the +billion caprices, intrigues, passions, longings, and regrets of men +and women. Happy was Jack Cardigan who snored into Imogen's white +shoulder, fit as a flea; or Timothy in his "mausoleum," too old for +anything but baby's slumber. For so many lay awake, or dreamed, +teased by the criss-cross of the world. + +The dew fell and the flowers closed; cattle grazed on in the river +meadows, feeling with their tongues for the grass they could not see; +and the sheep on the Downs lay quiet as stones. Pheasants in the +tall trees of the Pangbourne woods, larks on their grassy nests above +the gravel-pit at Wansdon, swallows in the eaves at Robin Hill, and +the sparrows of Mayfair, all made a dreamless night of it, soothed by +the lack of wind. The Mayfly filly, hardly accustomed to her new +quarters, scraped at her straw a little; and the few night-flitting +things--bats, moths, owls--were vigorous in the warm darkness; but +the peace of night lay in the brain of all day-time Nature, +colourless and still. Men and women, alone, riding the hobby-horses +of anxiety or love, burned their wavering tapers of dream and thought +into the lonely hours. + +Fleur, leaning out of her window, heard the hall clock's muffled +chime of twelve, the tiny splash of a fish, the sudden shaking of an +aspen's leaves in the puffs of breeze that rose along the river, the +distant rumble of a night train, and time and again the sounds which +none can put a name to in the darkness, soft obscure expressions of +uncatalogued emotions from man and beast, bird and machine, or, +maybe, from departed Forsytes, Darties, Cardigans, taking night +strolls back into a world which had once suited their embodied +spirits. But Fleur heeded not these sounds; her spirit, far from +disembodied, fled with swift wing from railway-carriage to flowery +hedge, straining after Jon, tenacious of his forbidden image, and the +sound of his voice, which was taboo. And she crinkled her nose, +retrieving from the perfume of the riverside night that moment when +his hand slipped between the mayflowers and her cheek. Long she +leaned out in her freak dress, keen to burn her wings at life's +candle; while the moths brushed her cheeks on their pilgrimage to the +lamp on her dressing-table, ignorant that in a Forsyte's house there +is no open flame. But at last even she felt sleepy, and, forgetting +her bells, drew quickly in. + +Through the open window of his room, alongside Annette's, Soames, +wakeful too, heard their thin faint tinkle, as it might be shaken +from stars, or the dewdrops falling from a flower, if one could hear +such sounds. + +'Caprice!' he thought. 'I can't tell. She's wilful. What shall I +do? Fleur!' + +And long into the "small" night he brooded. + + + + + + +PART II + + + +I + +MOTHER AND SON + + +To say that Jon Forsyte accompanied his mother to Spain unwillingly +would scarcely have been adequate. He went as a well-natured dog +goes for a walk with its mistress, leaving a choice mutton-bone on +the lawn. He went looking back at it. Forsytes deprived of their +mutton-bones are wont to sulk. But Jon had little sulkiness in his +composition. He adored his mother, and it was his first travel. +Spain had become Italy by his simply saying: "I'd rather go to Spain, +Mum; you've been to Italy so many times; I'd like it new to both of +us." + +The fellow was subtle besides being naive. He never forgot that he +was going to shorten the proposed two months into six weeks, and must +therefore show no sign of wishing to do so. For one with so enticing +a mutton-bone and so fixed an idea, he made a good enough travelling +companion, indifferent to where or when he arrived, superior to food, +and thoroughly appreciative of a country strange to the most +travelled Englishman. Fleur's wisdom in refusing to write to him was +profound, for he reached each new place entirely without hope or +fever, and could concentrate immediate attention on the donkeys and +tumbling bells, the priests, patios, beggars, children, crowing +cocks, sombreros, cactus-hedges, old high white villages, goats, +olive-trees, greening plains, singing birds in tiny cages, +watersellers, sunsets, melons, mules, great churches, pictures, and +swimming grey-brown mountains of a fascinating land. + +It was already hot, and they enjoyed an absence of their compatriots. +Jon, who, so far as he knew, had no blood in him which was not +English, was often innately unhappy in the presence of his own +countrymen. He felt they had no nonsense about them, and took a more +practical view of things than himself. He confided to his mother +that he must be an unsociable beast--it was jolly to be away from +everybody who could talk about the things people did talk about. To +which Irene had replied simply: + +"Yes, Jon, I know." + +In this isolation he had unparalleled opportunities of appreciating +what few sons can apprehend, the whole-heartedness of a mother's +love. Knowledge of something kept from her made him, no doubt, +unduly sensitive; and a Southern people stimulated his admiration for +her type of beauty, which he had been accustomed to hear called +Spanish, but which he now perceived to be no such thing. Her beauty +was neither English, French, Spanish, nor Italian--it was special! +He appreciated, too, as never before, his mother's subtlety of +instinct. He could not tell, for instance, whether she had noticed +his absorption in that Goya picture, "La Vendimia," or whether she +knew that he had slipped back there after lunch and again next +morning, to stand before it full half an hour, a second and third +time. It was not Fleur, of course, but like enough to give him +heartache--so dear to lovers--remembering her standing at the foot of +his bed with her hand held above her head. To keep a postcard +reproduction of this picture in his pocket and slip it out to look at +became for Jon one of those bad habits which soon or late disclose +themselves to eyes sharpened by love, fear, or jealousy. And his +mother's were sharpened by all three. In Granada he was fairly +caught, sitting on a sun-warmed stone bench in a little battlemented +garden on the Alhambra hill, whence he ought to have been looking at +the view. His mother, he had thought, was examining the potted +stocks between the polled acacias, when her voice said: + +"Is that your favourite Goya, Jon?" + +He checked, too late, a movement such as he might have made at school +to conceal some surreptitious document, and answered: "Yes." + +"It certainly is most charming; but I think I prefer the 'Quitasol' +Your father would go crazy about Goya; I don't believe he saw them +when he was in Spain in '92." + +In '92--nine years before he had been born! What had been the +previous existences of his father and his mother? If they had a +right to share in his future, surely he had a right to share in their +pasts. He looked up at her. But something in her face--a look of +life hard-lived, the mysterious impress of emotions, experience, and +suffering-seemed, with its incalculable depth, its purchased +sanctity, to make curiosity impertinent. His mother must have had a +wonderfully interesting life; she was so beautiful, and so--so--but +he could not frame what he felt about her. He got up, and stood +gazing down at the town, at the plain all green with crops, and the +ring of mountains glamorous in sinking sunlight. Her life was like +the past of this old Moorish city, full, deep, remote--his own life +as yet such a baby of a thing, hopelessly ignorant and innocent! +They said that in those mountains to the West, which rose sheer from +the blue-green plain, as if out of a sea, Phoenicians had dwelt--a +dark, strange, secret race, above the land! His mother's life was as +unknown to him, as secret, as that Phoenician past was to the town +down there, whose cocks crowed and whose children played and +clamoured so gaily, day in, day out. He felt aggrieved that she +should know all about him and he nothing about her except that she +loved him and his father, and was beautiful. His callow ignorance-- +he had not even had the advantage of the War, like nearly everybody +else!--made him small in his own eyes. + +That night, from the balcony of his bedroom, he gazed down on the +roof of the town--as if inlaid with honeycomb of jet, ivory, and +gold; and, long after, he lay awake, listening to the cry of the +sentry as the hours struck, and forming in his head these lines: + + "Voice in the night crying, down in the old sleeping + Spanish city darkened under her white stars! + + What says the voice-its clear-lingering anguish? + Just the watchman, telling his dateless tale of safety? + Just a road-man, flinging to the moon his song? + + No! Tis one deprived, whose lover's heart is weeping, + Just his cry: 'How long?'" + +The word "deprived" seemed to him cold and unsatisfactory, but +"bereaved" was too final, and no other word of two syllables short- +long came to him, which would enable him to keep "whose lover's heart +is weeping." It was past two by the time he had finished it, and +past three before he went to sleep, having said it over to himself at +least twenty-four times. Next day he wrote it out and enclosed it in +one of those letters to Fleur which he always finished before he went +down, so as to have his mind free and companionable. + +About noon that same day, on the tiled terrace of their hotel, he +felt a sudden dull pain in the back of his head, a queer sensation in +the eyes, and sickness. The sun had touched him too affectionately. +The next three days were passed in semi-darkness, and a dulled, +aching indifference to all except the feel of ice on his forehead and +his mother's smile. She never moved from his room, never relaxed her +noiseless vigilance, which seemed to Jon angelic. But there were +moments when he was extremely sorry for himself, and wished terribly +that Fleur could see him. Several times he took a poignant imaginary +leave of her and of the earth, tears oozing out of his eyes. He even +prepared the message he would send to her by his mother--who would +regret to her dying day that she had ever sought to separate them-- +his poor mother! He was not slow, however, in perceiving that he had +now his excuse for going home. + +Toward half-past six each evening came a "gasgacha" of bells--a +cascade of tumbling chimes, mounting from the city below and falling +back chime on chime. After listening to them on the fourth day he +said suddenly: + +"I'd like to be back in England, Mum, the sun's too hot." + +"Very well, darling. As soon as you're fit to travel" And at once +he felt better, and--meaner. + +They had been out five weeks when they turned toward home. Jon's +head was restored to its pristine clarity, but he was confined to a +hat lined by his mother with many layers of orange and green silk and +he still walked from choice in the shade. As the long struggle of +discretion between them drew to its close, he wondered more and more +whether she could see his eagerness to get back to that which she had +brought him away from. Condemned by Spanish Providence to spend a +day in Madrid between their trains, it was but natural to go again to +the Prado. Jon was elaborately casual this time before his Goya +girl. Now that he was going back to her, he could afford a lesser +scrutiny. It was his mother who lingered before the picture, saying: + +"The face and the figure of the girl are exquisite." + +Jon heard her uneasily. Did she understand? But he felt once more +that he was no match for her in self-control and subtlety. She +could, in some supersensitive way, of which he had not the secret, +feel the pulse of his thoughts; she knew by instinct what he hoped +and feared and wished. It made him terribly uncomfortable and +guilty, having, beyond most boys, a conscience. He wished she would +be frank with him, he almost hoped for an open struggle. But none +came, and steadily, silently, they travelled north. Thus did he +first learn how much better than men women play a waiting game. In +Paris they had again to pause for a day. Jon was grieved because it +lasted two, owing to certain matters in connection with a dressmaker; +as if his mother, who looked beautiful in anything, had any need of +dresses! The happiest moment of his travel was that when he stepped +on to the Folkestone boat. + +Standing by the bulwark rail, with her arm in his, she said + +"I'm afraid you haven't enjoyed it much, Jon. But you've been very +sweet to me." + +Jon squeezed her arm. + +"Oh I yes, I've enjoyed it awfully-except for my head lately." + +And now that the end had come, he really had, feeling a sort of +glamour over the past weeks--a kind of painful pleasure, such as he +had tried to screw into those lines about the voice in the night +crying; a feeling such as he had known as a small boy listening +avidly to Chopin, yet wanting to cry. And he wondered why it was +that he couldn't say to her quite simply what she had said to him: + +"You were very sweet to me." Odd--one never could be nice and +natural like that! He substituted the words: "I expect we shall be +sick." + +They were, and reached London somewhat attenuated, having been away +six weeks and two days, without a single allusion to the subject +which had hardly ever ceased to occupy their minds. + + + + +II + +FATHERS AND DAUGHTERS + + +Deprived of his wife and son by the Spanish adventure, Jolyon found +the solitude at Robin Hill intolerable. A philosopher when he has +all that he wants is different from a philosopher when he has not. +Accustomed, however, to the idea, if not to the reality of +resignation, he would perhaps have faced it out but for his daughter +June. He was a "lame duck" now, and on her conscience. Having +achieved--momentarily--the rescue of an etcher in low circumstances, +which she happened to have in hand, she appeared at Robin Hill a +fortnight after Irene and Jon had gone. June was living now in a +tiny house with a big studio at Chiswick. A Forsyte of the best +period, so far as the lack of responsibility was concerned, she had +overcome the difficulty of a reduced income in a manner satisfactory +to herself and her father. The rent of the Gallery off Cork Street +which he had bought for her and her increased income tax happening to +balance, it had been quite simpl--she no longer paid him the rent. +The Gallery might be expected now at any time, after eighteen years +of barren usufruct, to pay its way, so that she was sure her father +would not feel it. Through this device she still had twelve hundred +a year, and by reducing what she ate, and, in place of two Belgians +in a poor way, employing one Austrian in a poorer, practically the +same surplus for the relief of genius. After three days at Robin +Hill she carried her father back with her to Town. In those three +days she had stumbled on the secret he had kept for two years, and +had instantly decided to cure him. She knew, in fact, the very man. +He had done wonders with. Paul Post--that painter a little in +advance of Futurism; and she was impatient with her father because +his eyebrows would go up, and because he had heard of neither. Of +course, if he hadn't "faith" he would never get well! It was absurd +not to have faith in the man who had healed Paul Post so that he had +only just relapsed, from having overworked, or overlived, himself +again. The great thing about this healer was that he relied on +Nature. He had made a special study of the symptoms of Nature--when +his patient failed in any natural symptom he supplied the poison +which caused it--and there you were! She was extremely hopeful. Her +father had clearly not been living a natural life at Robin Hill, and +she intended to provide the symptoms. He was--she felt--out of touch +with the times, which was not natural; his heart wanted stimulating. +In the little Chiswick house she and the Austrian--a grateful soul, +so devoted to June for rescuing her that she was in danger of decease +from overwork--stimulated Jolyon in all sorts of ways, preparing him +for his cure. But they could not keep his eyebrows down; as, for +example, when the Austrian woke him at eight o'clock just as he was +going to sleep, or June took The Times away from him, because it was +unnatural to read "that stuff" when he ought to be taking an interest +in "life." He never failed, indeed, to be astonished at her +resource, especially in the evenings. For his benefit, as she +declared, though he suspected that she also got something out of it, +she assembled the Age so far as it was satellite to genius; and with +some solemnity it would move up and down the studio before him in the +Fox-trot, and that more mental form of dancing--the One-step--which +so pulled against the music, that Jolyon's eyebrows would be almost +lost in his hair from wonder at the strain it must impose on the +dancer's will-power. Aware that, hung on the line in the Water +Colour Society, he was a back number to those with any pretension to +be called artists, he would sit in the darkest corner he could find, +and wonder about rhythm, on which so long ago he had been raised. +And when June brought some girl or young man up to him, he would rise +humbly to their level so far as that was possible, and think: 'Dear +me! This is very dull for them!' Having his father's perennial +sympathy with Youth, he used to get very tired from entering into +their points of view. But it was all stimulating, and he never +failed in admiration of his daughter's indomitable spirit. Even +genius itself attended these gatherings now and then, with its nose +on one side; and June always introduced it to her father. This, she +felt, was exceptionally good for him, for genius was a natural +symptom he had never had--fond as she was of him. + +Certain as a man can be that she was his own daughter, he often +wondered whence she got herself--her red-gold hair, now greyed into a +special colour; her direct, spirited face, so different from his own +rather folded and subtilised countenance, her little lithe figure, +when he and most of the Forsytes were tall. And he would dwell on +the origin of species, and debate whether she might be Danish or +Celtic. Celtic, he thought, from her pugnacity, and her taste in +fillets and djibbahs. It was not too much to say that he preferred +her to the Age with which she was surrounded, youthful though, for +the greater part, it was. She took, however, too much interest in +his teeth, for he still had some of those natural symptoms. Her +dentist at once found "Staphylococcus aureus present in pure culture" +(which might cause boils, of course), and wanted to take out all the +teeth he had and supply him with two complete sets of unnatural +symptoms. Jolyon's native tenacity was roused, and in the studio +that evening he developed his objections. He had never had any +boils, and his own teeth would last his time. Of course--June +admitted--they would last his time if he didn't have them out! But +if he had more teeth he would have a better heart and his time would +be longer. His recalcitrance--she said--was a symptom of his whole +attitude; he was taking it lying down. He ought to be fighting. +When was he going to see the man who had cured Paul Post? Jolyon was +very sorry, but the fact was he was not going to see him. June +chafed. Pondridge--she said--the healer, was such a fine man, and he +had such difficulty in making two ends meet, and getting his theories +recognised. It was just such indifference and prejudice as her +father manifested which was keeping him back. It would be so +splendid for both of them! + +"I perceive," said Jolyon, "that you are trying to kill two birds +with one stone." + +"To cure, you mean!" cried June. + +"My dear, it's the same thing." + +June protested. It was unfair to say that without a trial. + +Jolyon thought he might not have the chance, of saying it after. + +"Dad!" cried June, "you're hopeless." + +"That," said Jolyon, "is a fact, but I wish to remain hopeless as +long as possible. I shall let sleeping dogs lie, my child. They are +quiet at present." + +"That's not giving science a chance," cried June. "You've no idea +how devoted Pondridge is. He puts his science before everything." + +"Just," replied Jolyon, puffing the mild cigarette to which he was +reduced, "as Mr. Paul Post puts his art, eh? Art for Art's sake-- +Science for the sake of Science. I know those enthusiastic egomaniac +gentry. They vivisect you without blinking. I'm enough of a Forsyte +to give them the go-by, June." + +"Dad," said June, "if you only knew how old-fashioned that sounds! +Nobody can afford to be half-hearted nowadays." + +"I'm afraid," murmured Jolyon, with his smile, "that's the only +natural symptom with which Mr. Pondridge need not supply me. We are +born to be extreme or to be moderate, my dear; though, if you'll +forgive my saying so, half the people nowadays who believe they're +extreme are really very moderate. I'm getting on as well as I can +expect, and I must leave it at that." + +June was silent, having experienced in her time the inexorable +character of her father's amiable obstinacy so far as his own freedom +of action was concerned. + +How he came to let her know why Irene had taken Jon to Spain puzzled +Jolyon, for he had little confidence in her discretion. After she +had brooded on the news, it brought a rather sharp discussion, during +which he perceived to the full the fundamental opposition between her +active temperament and his wife's passivity. He even gathered that a +little soreness still remained from that generation-old struggle +between them over the body of Philip Bosinney, in which the passive +had so signally triumphed over the active principle. + +According to June, it was foolish and even cowardly to hide the past +from Jon. Sheer opportunism, she called it. + +"Which," Jolyon put in mildly, "is the working principle of real +life, my dear." + +"Oh!" cried June, "you don't really defend her for not telling Jon, +Dad. If it were left to you, you would." + +"I might, but simply because I know he must find out, which will be +worse than if we told him." + +"Then why don't you tell him? It's just sleeping dogs again." + +"My dear," said Jolyon, "I wouldn't for the world go against Irene's +instinct. He's her boy." + +"Yours too," cried June. + +"What is a man's instinct compared with a mother's?" + +"Well, I think it's very weak of you." + +"I dare say," said Jolyon, "I dare say." + +And that was all she got from him; but the matter rankled in her +brain. She could not bear sleeping dogs. And there stirred in her a +tortuous impulse to push the matter toward decision. Jon ought to be +told, so that either his feeling might be nipped in the bud, or, +flowering in spite of the past, come to fruition. And she determined +to see Fleur, and judge for herself. When June determined on +anything, delicacy became a somewhat minor consideration. After all, +she was Soames' cousin, and they were both interested in pictures. +She would go and tell him that he ought to buy a Paul Post, or +perhaps a piece of sculpture by Boris Strumolowski, and of course she +would say nothing to her father. She went on the following Sunday, +looking so determined that she had some difficulty in getting a cab +at Reading station. The river country was lovely in those days of +her own month, and June ached at its loveliness. She who had passed +through this life without knowing what union was had a love of +natural beauty which was almost madness. And when she came to that +choice spot where Soames had pitched his tent, she dismissed her cab, +because, business over, she wanted to revel in the bright water and +the woods. She appeared at his front door, therefore, as a mere +pedestrian, and sent in her card. It was in June's character to know +that when her nerves were fluttering she was doing something worth +while. If one's nerves did not flutter, she was taking the line of +least resistance, and knew that nobleness was not obliging her. She +was conducted to a drawing-room, which, though not in her style, +showed every mark of fastidious elegance. Thinking, 'Too much taste- +-too many knick-knacks,' she saw in an old lacquer-framed mirror the +figure of a girl coming in from the verandah. Clothed in white, and +holding some white roses in her hand, she had, reflected in that +silvery-grey pool of glass, a vision-like appearance, as if a pretty +ghost had come out of the green garden. + +"How do you do?" said June, turning round. "I'm a cousin of your +father's." + +"Oh, yes; I saw you in that confectioner's." + +"With my young stepbrother. Is your father in?" + +"He will be directly. He's only gone for a little walk." + +June slightly narrowed her blue eyes, and lifted her decided chin. + +"Your name's Fleur, isn't it? I've heard of you from Holly. What do +you think of Jon?" + +The girl lifted the roses in her hand, looked at them, and answered +calmly: + +"He's quite a nice boy." + +"Not a bit like Holly or me, is he?" + +"Not a bit." + +'She's cool,' thought June. + +And suddenly the girl said: "I wish you'd tell me why our families +don't get on?" + +Confronted with the question she had advised her father to answer, +June was silent; whether because this girl was trying to get +something out of her, or simply because what one would do +theoretically is not always what one will do when +it comes to the point. + +"You know," said the girl, "the surest way to make people find out +the worst is to keep them ignorant. My father's told me it was a +quarrel about property. But I don't believe it; we've both got +heaps. They wouldn't have been so bourgeois as all that." + +June flushed. The word applied to her grandfather and father +offended her. + +"My grandfather," she said, "was very generous, and my father is, +too; neither of them was in the least bourgeois." + +"Well, what was it then?" repeated the girl: Conscious that this +young Forsyte meant having what she wanted, June at once determined +to prevent her, and to get something for herself instead. + +"Why do you want to know?" + +The girl smelled at her roses. "I only want to know because they +won't tell me." + +"Well, it was about property, but there's more than one kind." + +"That makes it worse. Now I really must know." + +June's small and resolute face quivered. She was wearing a round +cap, and her hair had fluffed out under it. She looked quite young +at that moment, rejuvenated by encounter. + +"You know," she said, "I saw you drop your handkerchief. Is there +anything between you and Jon? Because, if so, you'd better drop that +too." + +The girl grew paler, but she smiled. + +"If there were, that isn't the way to make me." + +At the gallantry of that reply, June held out her hand. + +"I like you; but I don't like your father; I never have. We may as +well be frank." + +"Did you come down to tell him that?" + +June laughed. "No; I came down to see you." + +"How delightful of you." + +This girl could fence. + +"I'm two and a half times your age," said June, "but I quite +sympathize. It's horrid not to have one's own way." + +The girl smiled again. "I really think you might tell me." + +How the child stuck to her point + +"It's not my secret. But I'll see what I can do, because I think +both you and Jon ought to be told. And now I'll say good-bye." + +"Won't you wait and see Father?" + +June shook her head. "How can I get over to the other side?" + +"I'll row you across." + +"Look!" said June impulsively, "next time you're in London, come and +see me. This is where I live. I generally have young people in the +evening. But I shouldn't tell your father that you're coming." + +The girl nodded. + +Watching her scull the skiff across, June thought: 'She's awfully +pretty and well made. I never thought Soames would have a daughter +as pretty as this. She and Jon would make a lovely couple. + +The instinct to couple, starved within herself, was always at work +in June. She stood watching Fleur row back; the girl took her hand +off a scull to wave farewell, and June walked languidly on between +the meadows and the river, with an ache in her heart. Youth to +youth, like the dragon-flies chasing each other, and love like the +sun warming them through and through. Her youth! So long ago--when +Phil and she--And since? Nothing--no one had been quite what she had +wanted. And so she had missed it all. But what a coil was round +those two young things, if they really were in love, as Holly would +have it--as her father, and Irene, and Soames himself seemed to +dread. What a coil, and what a barrier! And the itch for the +future, the contempt, as it were, for what was overpast, which forms +the active principle, moved in the heart of one who ever believed +that what one wanted was more important than what other people did +not want. From the bank, awhile, in the warm summer stillness, she +watched the water-lily plants and willow leaves, the fishes rising; +sniffed the scent of grass and meadow-sweet, wondering how she could +force everybody to be happy. Jon and Fleur! Two little lame ducks-- +charming callow yellow little ducks! A great pity! Surely something +could be done! One must not take such situations lying down. She +walked on, and reached a station, hot and cross. + +That evening, faithful to the impulse toward direct action, which +made many people avoid her, she said to her father: + +"Dad, I've been down to see young Fleur. I think she's very +attractive. It's no good hiding our heads under our wings, is it?" + +The startled Jolyon set down his barley-water, and began crumbling +his bread. + +"It's what you appear to be doing," he said. "Do you realise whose +daughter she is?" + +"Can't the dead past bury its dead?" + +Jolyon rose. + +"Certain things can never be buried." + +"I disagree," said June. "It's that which stands in the way of all +happiness and progress. You don't understand the Age, Dad. It's got +no use for outgrown things. Why do you think it matters so terribly +that Jon should know about his mother? Who pays any attention to +that sort of thing now? The marriage laws are just as they were when +Soames and Irene couldn't get a divorce, and you had to come in. +We've moved, and they haven't. So nobody cares. Marriage without a +decent chance of relief is only a sort of slave-owning; people +oughtn't to own each other. Everybody sees that now. If Irene broke +such laws, what does it matter?" + +"It's not for me to disagree there," said Jolyon; "but that's all +quite beside the mark. This is a matter of human feeling." + +"Of course it is," cried June, "the human feeling of those two young +things." + +"My dear," said Jolyon with gentle exasperation; "you're talking +nonsense." + +"I'm not. If they prove to be really fond of each other, why should +they be made unhappy because of the past?" + +"You haven't lived that past. I have--through the feelings of my +wife; through my own nerves and my imagination, as only one who is +devoted can." + +June, too, rose, and began to wander restlessly. + +"If," she said suddenly, "she were the daughter of Philip Bosinney, I +could understand you better. Irene loved him, she never loved +Soames." + +Jolyon uttered a deep sound-the sort of noise an Italian peasant +woman utters to her mule. His heart had begun beating furiously, but +he paid no attention to it, quite carried away by his feelings. + +"That shows how little you understand. Neither I nor Jon, if I know +him, would mind a love-past. It's the brutality of a union without +love. This girl is the daughter of the man who once owned Jon's +mother as a negro-slave was owned. You can't lay that ghost; don't +try to, June! It's asking us to see Jon joined to the flesh and +blood of the man who possessed Jon's mother against her will. It's +no good mincing words; I want it clear once for all. And now I +mustn't talk any more, or I shall have to sit up with this all +night." And, putting his hand over his heart, Jolyon turned his back +on his daughter and stood looking at the river Thames. + +June, who by nature never saw a hornet's nest until she had put her +head into it, was seriously alarmed. She came and slipped her arm +through his. Not convinced that he was right, and she herself wrong, +because that was not natural to her, she was yet profoundly impressed +by the obvious fact that the subject was very bad for him. She +rubbed her cheek against his shoulder, and said nothing. + +After taking her elderly cousin across, Fleur did not land at once, +but pulled in among the reeds, into the sunshine. The peaceful +beauty of the afternoon seduced for a little one not much given to +the vague and poetic. In the field beyond the bank where her skiff +lay up, a machine drawn by a grey horse was turning an early field of +hay. She watched the grass cascading over and behind the light +wheels with fascination--it looked so cool and fresh. The click and +swish blended with the rustle of the willows and the poplars, and the +cooing of a wood-pigeon, in a true river song. Alongside, in the +deep green water, weeds, like yellow snakes, were writhing and nosing +with the current; pied cattle on the farther side stood in the shade +lazily swishing their tails. It was an afternoon to dream. And she +took out Jon's letters--not flowery effusions, but haunted in their +recital of things seen and done by a longing very agreeable to her, +and all ending "Your devoted J." Fleur was not sentimental, her +desires were ever concrete and concentrated, but what poetry there +was in the daughter of Soames and Annette had certainly in those +weeks of waiting gathered round her memories of Jon. They all +belonged to grass and blossom, flowers and running water. She +enjoyed him in the scents absorbed by her crinkling nose. The stars +could persuade her that she was standing beside him in the centre of +the map of Spain; and of an early morning the dewy cobwebs, the hazy +sparkle and promise of the day down in the garden, were Jon +personified to her. + +Two white swans came majestically by, while she was reading his +letters, followed by their brood of six young swans in a line, with +just so much water between each tail and head, a flotilla of grey +destroyers. Fleur thrust her letters back, got out her sculls, and +pulled up to the landing-stage. Crossing the lawn, she wondered +whether she should tell her father of June's visit. If he learned of +it from the butler, he might think it odd if she did not. It gave +her, too, another chance to startle out of him the reason of the +feud. She went, therefore, up the road to meet him. + +Soames had gone to look at a patch of ground on which the Local +Authorities were proposing to erect a Sanatorium for people with weak +lungs. Faithful to his native individualism, he took no part in +local affairs, content to pay the rates which were always going up. +He could not, however, remain indifferent to this new and dangerous +scheme. The site was not half a mile from his own house. He was +quite of opinion that the country should stamp out tuberculosis; but +this was not the place. It should be done farther away. He took, +indeed, an attitude common to all true Forsytes, that disability of +any sort in other people was not his affair, and the State should do +its business without prejudicing in any way the natural advantages +which he had acquired or inherited. Francie, the most free-spirited +Forsyte of his generation (except perhaps that fellow Jolyon) had +once asked him in her malicious way: "Did you ever see the name +Forsyte in a subscription list, Soames? "That was as it might be, +but a Sanatorium would depreciate the neighbourhood, and he should +certainly sign the petition which was being got up against it. +Returning with this decision fresh within him, he saw Fleur coming. + +She was showing him more affection of late, and the quiet time down +here with her in this summer weather had been making him feel quite +young; Annette was always running up to Town for one thing or +another, so that he had Fleur to himself almost as much as he could +wish. To be sure, young Mont had formed a habit of appearing on his +motor-cycle almost every other day. Thank goodness, the young fellow +had shaved off his half-toothbrushes, and no longer looked like a +mountebank! With a girl friend of Fleur's who was staying in the +house, and a neighbouring youth or so, they made two couples after +dinner, in the hall, to the music of the electric pianola, which +performed Fox-trots unassisted, with a surprised shine on its +expressive surface. Annette, even, now and then passed gracefully up +and down in the arms of one or other of the young men. And Soames, +coming to the drawing-room door, would lift his nose a little +sideways, and watch them, waiting to catch a smile from Fleur; then +move back to his chair by the drawing-room hearth, to peruse The +Times or some other collector's price list. To his ever-anxious eyes +Fleur showed no signs of remembering that caprice of hers. + +When she reached him on the dusty road, he slipped his hand within +her arm. + +"Who, do you think, has been to see you, Dad? She couldn't wait! +Guess!" + +"I never guess," said Soames uneasily. "Who?" + +"Your cousin, June Forsyte." + +Quite unconsciously Soames gripped her arm. "What did she want?" + +"I don't know. But it was rather breaking through the feud, wasn't +it?" + +"Feud? What feud?" + +"The one that exists in your imagination, dear." + +Soames dropped her arm. Was she mocking, or trying to draw him on? + +"I suppose she wanted me to buy a picture," he said at last. + +"I don't think so. Perhaps it was just family affection." + +"She's only a first cousin once removed," muttered Soames. + +"And the daughter of your enemy." + +"What d'you mean by that?" + +"I beg your pardon, dear; I thought he was." + +"Enemy!" repeated Soames. "It's ancient history. I don't know where +you get your notions." + +"From June Forsyte." + +It had come to her as an inspiration that if he thought she knew, or +were on the edge of knowledge, he would tell her. + +Soames was startled, but she had underrated his caution and tenacity. + +"If you know," he said coldly, "why do you plague me?" + +Fleur saw that she had overreached herself. + +"I don't want to plague you, darling. As you say, why want to know +more? Why want to know anything of that 'small' mystery--Je m'en +fiche, as Profond says?" + +"That chap!" said Soames profoundly. + +That chap, indeed, played a considerable, if invisible, part this +summer--for he had not turned up again. Ever since the Sunday when +Fleur had drawn attention to him prowling on the lawn, Soames had +thought of him a good deal, and always in connection with Annette, +for no reason, except that she was looking handsomer than for some +time past. His possessive instinct, subtle, less formal, more +elastic since the War, kept all misgiving underground. As one looks +on some American river, quiet and pleasant, knowing that an alligator +perhaps is lying in the mud with his snout just raised and +indistinguishable from a snag of wood--so Soames looked on the river +of his own existence, subconscious of Monsieur Profond, refusing to +see more than the suspicion of his snout. He had at this epoch in +his life practically all he wanted, and was as nearly happy as his +nature would permit. His senses were at rest; his affections found +all the vent they needed in his daughter; his collection was well +known, his money well invested; his health excellent, save for a +touch of liver now and again; he had not yet begun to worry seriously +about what would happen after death, inclining to think that nothing +would happen. He resembled one of his own gilt-edged securities, and +to knock the gilt off by seeing anything he could avoid seeing would +be, he felt instinctively, perverse and retrogressive. Those two +crumpled rose-leaves, Fleur's caprice and Monsieur Profond's snout, +would level away if he lay on them industriously. + +That evening Chance, which visits the lives of even the best-invested +Forsytes, put a clue into Fleur's hands. Her father came down to +dinner without a handkerchief, and had occasion to blow his nose. + +"I'll get you one, dear," she had said, and ran upstairs. In the +sachet where she sought for it--an old sachet of very faded silk-- +there were two compartments: one held ,handkerchiefs; the other was +buttoned, and contained something flat and hard. By some childish +impulse Fleur unbuttoned it. There was a frame and in it a +photograph of herself as a little girl. She gazed at it, fascinated, +as one is by one's own presentment. It slipped under her fidgeting +thumb, and she saw that another photograph was behind. She pressed +her own down further, and perceived a face, which she seemed to know, +of a young woman, very good-looking, in a very old style of evening +dress. Slipping her own photograph up over it again, she took out a +handkerchief and went down. Only on the stairs did she identify that +face. Surely--surely Jon's mother! The conviction came as a shock. +And she stood still in a flurry of thought. Why, of course! Jon's +father had married the woman her father had wanted to marry, had +cheated him out of her, perhaps. Then, afraid of showing by her +manner that she had lighted on his secret, she refused to think +further, and, shaking out the silk handkerchief, entered the dining- +room. + +"I chose the softest, Father." + +"H'm!" said Soames; "I only use those after a cold. Never mind!" + +That evening passed for Fleur in putting two and two together; +recalling the look on her father's face in the confectioner's shop--a +look strange and coldly intimate, a queer look. He must have loved +that woman very much to have kept her photograph all this time, in +spite of having lost her. Unsparing and matter-of-fact, her mind +darted to his relations with her own mother. Had he ever really +loved her? She thought not. Jon was the son of the woman he had +really loved. Surely, then, he ought not to mind his daughter loving +him; it only wanted getting used to. And a sigh of sheer relief was +caught in the folds of her nightgown slipping over her head. + + + + +III + +MEETINGS + + +Youth only recognises Age by fits and starts. Jon, for one, had +never really seen his father's age till he came back from Spain. The +face of the fourth Jolyon, worn by waiting, gave him quite a shock-- +it looked so wan and old. His father's mask had been forced awry by +the emotion of the meeting, so that the boy suddenly realised how +much he must have felt their absence. He summoned to his aid the +thought: 'Well, I didn't want to go!' It was out of date for Youth +to defer to Age. But Jon was by no means typically modern. His +father had always been "so jolly" to him, and to feel that one meant +to begin again at once the conduct which his father had suffered six +weeks' loneliness to cure was not agreeable. + +At the question, "Well, old man, how did the great Goya strike you?" +his conscience pricked him badly. The great Goya only existed +because he had created a face which resembled Fleur's. + +On the night of their return, he went to bed full of compunction; but +awoke full of anticipation. It was only the fifth of July, and no +meeting was fixed with Fleur until the ninth. He was to have three +days at home before going back to farm. Somehow he must contrive to +see her! + +In the lives of men an inexorable rhythm, caused by the need for +trousers, not even the fondest parents can deny. On the second day, +therefore, Jon went to Town, and having satisfied his conscience by +ordering what was indispensable in Conduit Street, turned his face +toward Piccadilly. Stratton Street, where her Club was, adjoined +Devonshire House. It would be the merest chance that she should be +at her Club. But he dawdled down Bond Street with a beating heart, +noticing the superiority of all other young men to himself. They +wore their clothes with such an air; they had assurance; they were +old. He was suddenly overwhelmed by the conviction that Fleur must +have forgotten him. Absorbed in his own feeling for her all these +weeks, he had mislaid that possibility. The corners of his mouth +drooped, his hands felt clammy. Fleur with the pick of youth at the +beck of her smile-Fleur incomparable! It was an evil moment. Jon, +however, had a great idea that one must be able to face anything. +And he braced himself with that dour refection in front of a bric-a- +brac shop. At this high-water mark of what was once the London +season, there was nothing to mark it out from any other except a grey +top hat or two, and the sun. Jon moved on, and turning the corner +into Piccadilly, ran into Val Dartie moving toward the Iseeum Club, +to which he had just been elected. + +"Hallo! young man! Where are you off to?" + +Jon gushed. "I've just been to my tailor's." + +Val looked him up and down. "That's good! I'm going in here to +order some cigarettes; then come and have some lunch." + +Jon thanked him. He might get news of her from Val! + +The condition of England, that nightmare of its Press and Public men, +was seen in different perspective within the tobacconist's which they +now entered. + +"Yes, sir; precisely the cigarette I used to supply your father with. +Bless me! Mr. Montague Dartie was a customer here from--let me see-- +the year Melton won the Derby. One of my very best customers he +was." A faint smile illumined the tobacconist's face. "Many's the +tip he's given me, to be sure! I suppose he took a couple of hundred +of these every week, year in, year out, and never changed his +cigarette. Very affable gentleman, brought me a lot of custom. I +was sorry he met with that accident. One misses an old customer like +him." + +Val smiled. His father's decease had closed an account which had +been running longer, probably, than any other; and in a ring of smoke +puffed out from that time-honoured cigarette he seemed to see again +his father's face, dark, good-looking, moustachioed, a little puffy, +in the only halo it had earned. His father had his fame here, +anyway--a man who smoked two hundred cigarettes a week, who could +give tips, and run accounts for ever! To his tobacconist a hero! +Even that was some distinction to inherit! + +"I pay cash," he said; "how much?" + +"To his son, sir, and cash--ten and six. I shall never forget Mr. +Montague Dartie. I've known him stand talkin' to me half an hour. +We don't get many like him now, with everybody in such a hurry. The +War was bad for manners, sir--it was bad for manners. You were in +it, I see." + +"No," said Val, tapping his knee, "I got this in the war before. +Saved my life, I expect. Do you want any cigarettes, Jon?" + +Rather ashamed, Jon murmured, "I don't smoke, you know," and saw the +tobacconist's lips twisted, as if uncertain whether to say "Good +God!" or "Now's your chance, sir!" + +"That's right," said Val; "keep off it while you can. You'll want it +when you take a knock. This is really the same tobacco, then?" + +"Identical, sir; a little dearer, that's all. Wonderful staying +power--the British Empire, I always say." + +"Send me down a hundred a week to this address, and invoice it +monthly. Come on, Jon." + +Jon entered the Iseeum with curiosity. Except to lunch now and then +at the Hotch-Potch with his father, he had never been in a London +Club. The Iseeum, comfortable and unpretentious, did not move, could +not, so long as George Forsyte sat on its Committee, where his +culinary acumen was almost the controlling force. The Club had made +a stand against the newly rich, and it had taken all George Forsyte's +prestige, and praise of him as a "good sportsman," to bring in +Prosper Profond. + +The two were lunching together when the half-brothers-in-law entered +the dining-room, and attracted by George's forefinger, sat down at +their table, Val with his shrewd eyes and charming smile, Jon with +solemn lips and an attractive shyness in his glance. There was an +air of privilege around that corner table, as though past masters +were eating there. Jon was fascinated by the hypnotic atmosphere. +The waiter, lean in the chaps, pervaded with such free-masonical +deference. He seemed to hang on George Forsyte's lips, to watch the +gloat in his eye with a kind of sympathy, to follow the movements of +the heavy club-marked silver fondly. His liveried arm and +confidential voice alarmed Jon, they came so secretly over his +shoulder. + +Except for George's "Your grandfather tipped me once; he was a deuced +good judge of a cigar!" neither he nor the other past master took any +notice of him, and he was grateful for this. The talk was all about +the breeding, points, and prices of horses, and he listened to it +vaguely at first, wondering how it was possible to retain so much +knowledge in a head. He could not take his eyes off the dark past +master--what he said was so deliberate and discouraging--such heavy, +queer, smiled-out words. Jon was thinking of butterflies, when he +heard him say: + +"I want to see Mr. Soames Forsyde take an interest in 'orses." + +"Old Soames! He's too dry a file!" + +With all his might Jon tried not to grow red, while the dark past +master went on. + +"His daughter's an attractive small girl. Mr. Soames Forsyde is a +bit old-fashioned. I want to see him have a pleasure some day." +George Forsyte grinned. + +"Don't you worry; he's not so miserable as he looks. He'll never +show he's enjoying anything--they might try and take it from him. +Old Soames! Once bit, twice shy!" + +"Well, Jon," said Val, hastily, "if you've finished, we'll go and +have coffee." + +"Who were those?" Jon asked, on the stairs. "I didn't quite---" + +"Old George Forsyte is a first cousin of your father's and of my +Uncle Soames. He's always been here. The other chap, Profond, is a +queer fish. I think he's hanging round Soames' wife, if you ask me!" + +Jon looked at him, startled. "But that's awful," he said: "I mean-- +for Fleur." + +"Don't suppose Fleur cares very much; she's very up-to-date." + +"Her mother!" + +"You're very green, Jon." + +Jon grew red. "Mothers," he stammered angrily, "are different." + +"You're right," said Val suddenly; "but things aren't what they were +when I was your age. There's a 'To-morrow we die' feeling. That's +what old George meant about my Uncle Soames. He doesn't mean to die +to-morrow." + +Jon said, quickly: "What's the matter between him and my father?" + +"Stable secret, Jon. Take my advice, and bottle up. You'll do no +good by knowing. Have a liqueur?" + +Jon shook his head. + +"I hate the way people keep things from one," he muttered, "and then +sneer at one for being green." + +"Well, you can ask Holly. If she won't tell you, you'll believe it's +for your own good, I suppose." + +Jon got up. "I must go now; thanks awfully for the lunch." + +Val smiled up at him half-sorry, and yet amused. The boy looked so +upset. + +"All right! See you on Friday." + +"I don't know," murmured Jon. + +And he did not. This conspiracy of silence made him desperate. It +was humiliating to be treated like a child! He retraced his moody +steps to Stratton Street. But he would go to her Club now, and find +out the worst! To his enquiry the reply was that Miss Forsyte was +not in the Club. She might be in perhaps later. She was often in on +Monday--they could not say. Jon said he would call again, and, +crossing into the Green Park, flung himself down under a tree. The +sun was bright, and a breeze fluttered the leaves of the young lime- +tree beneath which he lay; but his heart ached. Such darkness seemed +gathered round his happiness. He heard Big Ben chime "Three" above +the traffic. The sound moved something in him, and, taking out a +piece of paper, he began to scribble on it with a pencil. He had +jotted a stanza, and was searching the grass for another verse, when +something hard touched his shoulder-a green parasol. There above him +stood Fleur! + +"They told me you'd been, and were coming back. So I thought you +might be out here; and you are--it's rather wonderful!" + +"Oh, Fleur! I thought you'd have forgotten me." + +"When I told you that I shouldn't!" + +Jon seized her arm. + +"It's too much luck! Let's get away from this side." He almost +dragged her on through that too thoughtfully regulated Park, to find +some cover where they could sit and hold each other's hands. + +"Hasn't anybody cut in?" he said, gazing round at her lashes, in +suspense above her cheeks. + +"There is a young idiot, but he doesn't count." + +Jon felt a twitch of compassion for the-young idiot. + +"You know I've had sunstroke; I didn't tell you." + +"Really! Was it interesting?" + +"No. Mother was an angel. Has anything happened to you?" + +"Nothing. Except that I think I've found out what's wrong between +our families, Jon." + +His heart began beating very fast. + +"I believe my father wanted to marry your mother, and your father got +her instead." + +"Oh!" + +"I came on a photo of her; it was in a frame behind a photo of me. +Of course, if he was very fond of her, that would have made him +pretty mad, wouldn't it?" + +Jon thought for a minute. "Not if she loved my father best." + +"But suppose they were engaged?" + +"If we were engaged, and you found you loved somebody better, I might +go cracked, but I shouldn't grudge it you." + +"I should. You mustn't ever do that with me, Jon. + +"My God! Not much!" + +"I don't believe that he's ever really cared for my mother." + +Jon was silent. Val's words--the two past masters in the Club! + +"You see, we don't know," went on Fleur; "it may have been a great +shock. She may have behaved badly to him. People do." + +"My mother wouldn't." + +Fleur shrugged her shoulders. "I don't think we know much about our +fathers and mothers. We just see them in the light of the way they +treat us; but they've treated other people, you know, before we were +born-plenty, I expect. You see, they're both old. Look at your +father, with three separate families!" + +"Isn't there any place," cried Jon, "in all this beastly London where +we can be alone?" + +"Only a taxi." + +"Let's get one, then." + +When they were installed, Fleur asked suddenly: "Are you going back +to Robin Hill? I should like to see where you live, Jon. I'm +staying with my aunt for the night, but I could get back in time for +dinner. I wouldn't come to the house, of course." + +Jon gazed at her enraptured. + +"Splendid! I can show it you from the copse, we shan't meet anybody. +There's a train at four." + +The god of property and his Forsytes great and small, leisured, +official, commercial, or professional, like the working classes, +still worked their seven hours a day, so that those two of the fourth +generation travelled down to Robin Hill in an empty first-class +carriage, dusty and sun-warmed, of that too early train. They +travelled in blissful silence, holding each other's hands. + +At the station they saw no one except porters, and a villager or two +unknown to Jon, and walked out up the lane, which smelled of dust and +honeysuckle. + +For Jon--sure of her now, and without separation before him--it was a +miraculous dawdle, more wonderful than those on the Downs, or along +the river Thames. It was love-in-a-mist--one of those illumined +pages of Life, where every word and smile, and every light touch they +gave each other were as little gold and red and blue butterflies and +flowers and birds scrolled in among the text--a happy communing, +without afterthought, which lasted thirty-seven minutes. They +reached the coppice at the milking hour. Jon would not take her as +far as the farmyard; only to where she could see the field leading up +to the gardens, and the house beyond. They turned in among the +larches, and suddenly, at the winding of the path, came on Irene, +sitting on an old log seat. + +There are various kinds of shocks: to the vertebrae; to the nerves; +to moral sensibility; and, more potent and permanent, to personal +dignity. This last was the shock Jon received, coming thus on his +mother. He became suddenly conscious that he was doing an indelicate +thing. To have brought Fleur down openly--yes! But to sneak her in +like this! Consumed with shame, he put on a front as brazen as his +nature would permit. + +Fleur was smiling, a little defiantly; his mother's startled face was +changing quickly to the impersonal and gracious. It was she who +uttered the first words: + +"I'm very glad to see you. It was nice of Jon to think of bringing +you down to us." + +"We weren't coming to the house," Jon blurted out. "I just wanted +Fleur to see where I lived." + +His mother said quietly: + +"Won't you come up and have tea?" + +Feeling that he had but aggravated his breach of breeding, he heard +Fleur answer: + +"Thanks very much; I have to get back to dinner. I met Jon by +accident, and we thought it would be rather jolly just to see his +home." + +How self-possessed she was! + +"Of course; but you must have tea. We'll send you down to the +station. My husband will enjoy seeing you." + +The expression of his mother's eyes, resting on him for a moment, +cast Jon down level with the ground--a true worm. Then she led on, +and Fleur followed her. He felt like a child, trailing after those +two, who were talking so easily about Spain and Wansdon, and the +house up there beyond the trees and the grassy slope. He watched the +fencing of their eyes, taking each other in--the two beings he loved +most in the world. + +He could see his father sitting under the oaktree; and suffered in +advance all the loss of caste he must go through in the eyes of that +tranquil figure, with his knees crossed, thin, old, and elegant; +already he could feel the faint irony which would come into his voice +and smile. + +"This is Fleur Forsyte, Jolyon; Jon brought her down to see the +house. Let's have tea at once--she has to catch a train. Jon, tell +them, dear, and telephone to the Dragon for a car." + +To leave her alone with them was strange, and yet, as no doubt his +mother had foreseen, the least of evils at the moment; so he ran up +into the house. Now he would not see Fleur alone again--not for a +minute, and they had arranged no further meeting! When he returned +under cover of the maids and teapots, there was not a trace of +awkwardness beneath the tree; it was all within himself, but not the +less for that. They were talking of the Gallery off Cork Street. + +"We back numbers," his father was saying, "are awfully anxious to +find out why we can't appreciate the new stuff; you and Jon must tell +us." + +"It's supposed to be satiric, isn't it?" said Fleur. + +He saw his father's smile. + +"Satiric? Oh! I think it's more than that. What do you say, Jon?" + +"I don't know at all," stammered Jon. His father's face had a sudden +grimness. + +"The young are tired of us, our gods and our ideals. Off with their +heads, they say--smash their idols! And let's get back to-nothing! +And, by Jove, they've done it! Jon's a poet. He'll be going in, +too, and stamping on what's left of us. Property, beauty, sentiment- +-all smoke. We mustn't own anything nowadays, not even our feelings. +They stand in the way of--Nothing." + +Jon listened, bewildered, almost outraged by his father's words, +behind which he felt a meaning that he could not reach. He didn't +want to stamp on anything! + +"Nothing's the god of to-day," continued Jolyon; "we're back where +the Russians were sixty years ago, when they started Nihilism." + +"No, Dad," cried Jon suddenly, "we only want to live, and we don't +know how, because of the Past--that's all!" + +"By George!" said Jolyon, "that's profound, Jon. Is it your own? +The Past! Old ownerships, old passions, and their aftermath. Let's +have cigarettes." + +Conscious that his mother had lifted her hand to her lips, quickly, +as if to hush something, Jon handed the cigarettes. He lighted his +father's and Fleur's, then one for himself. Had he taken the knock +that Val had spoken of? The smoke was blue when he had not puffed, +grey when he had; he liked the sensation in his nose, and the sense +of equality it gave him. He was glad no one said: "So you've begun!" +He felt less young. + +Fleur looked at her watch, and rose. His mother went with her into +the house. Jon stayed with his father, puffing at the cigarette. + +"See her into the car, old man," said Jolyon; "and when she's gone, +ask your mother to come back to me." + +Jon went. He waited in the hall. He saw her into the car. There +was no chance for any word; hardly for a pressure of the hand. He +waited all that evening for something to be said to him. Nothing was +said. Nothing might have happened. He went up to bed, and in the +mirror on his dressing-table met himself. He did not speak, nor did +the image; but both looked as if they thought the more. + + + + +IV + +IN GREEN STREET + + +Uncertain whether the impression that Prosper Profond was dangerous +should be traced to his attempt to give Val the Mayfly filly; to a +remark of Fleur's: "He's like the hosts of Midian--he prowls and +prowls around"; to his preposterous inquiry of Jack Cardigan: "What's +the use of keepin' fit?" or, more simply, to the fact that he was a +foreigner, or alien as it was now called. Certain, that Annette was +looking particularly handsome, and that Soames--had sold him a +Gauguin and then torn up the cheque, so that Monsieur Profond himself +had said: "I didn't get that small picture I bought from Mr. +Forsyde." + +However suspiciously regarded, he still frequented Winifred's +evergreen little house in Green Street, with a good-natured +obtuseness which no one mistook for naiv ete, a word hardly +applicable to Monsieur Prosper Profond. Winifred still found him +"amusing," and would write him little notes saying: "Come and have a +'jolly' with us"--it was breath of life to her to keep up with the +phrases of the day. + +The mystery, with which all felt him to be surrounded, was due to his +having done, seen, heard, and known everything, and found nothing in +it--which was unnatural. The English type of disillusionment was +familiar enough to Winifred, who had always moved in fashionable +circles. It gave a certain cachet or distinction, so that one got +something out of it. But to see nothing in anything, not as a pose, +but because there was nothing in anything, was not English; and that +which was not English one could not help secretly feeling dangerous, +if not precisely bad form. It was like having the mood which the War +had left, seated--dark, heavy, smiling, indifferent--in your Empire +chair; it was like listening to that mood talking through thick pink +lips above a little diabolic beard. It was, as Jack Cardigan +expressed it--for the English character at large--"a bit too thick"-- +for if nothing was really worth getting excited about, there were +always games, and one could make it so! Even Winifred, ever a +Forsyte at heart, felt that there was nothing to be had out of such a +mood of disillusionment, so that it really ought not to be there. +Monsieur Profond, in fact, made the mood too plain in a country which +decently veiled such realities. + +When Fleur, after her hurried return from Robin Hill, came down to +dinner that evening, the mood was standing at the window of +Winifred's little drawing-room, looking out into Green Street, with +an air of seeing nothing in it. And Fleur gazed promptly into the +fireplace with an air of seeing a fire which was not there. + +Monsieur Profond came from the window. He was in full fig, with a +white waistcoat and a white flower in his buttonhole. + +"Well, Miss Forsyde," he said, "I'm awful pleased to see you. Mr. +Forsyde well? I was sayin' to-day I want to see him have some +pleasure. He worries." + +"You think so?" said Fleur shortly. + +"Worries," repeated Monsieur Profond, burring the r's. + +Fleur spun round. "Shall I tell you," she said, "what would give him +pleasure?" But the words, "To hear that you had cleared out," died +at the expression on his face. All his fine white teeth were +showing. + +"I was hearin' at the Club to-day about his old trouble." +Fleur opened her eyes. "What do you mean?" + +Monsieur Profond moved his sleek head as if to minimize his +statement. + +"Before you were born," he said; "that small business." + +Though conscious that he had cleverly diverted her from his own share +in her father's worry, Fleur was unable to withstand a rush of +nervous curiosity. "Tell me what you heard." + +"Why!" murmured Monsieur Profond, "you know all that." + +"I expect I do. But I should like to know that you haven't heard it +all wrong." + +"His first wife," murmured Monsieur Profond. + +Choking back the words, "He was never married before," she said: +"Well, what about her?" + +"Mr. George Forsyde was tellin' me about your father's first wife +marryin' his cousin Jolyon afterward. It was a small bit unpleasant, +I should think. I saw their boy--nice boy!" + +Fleur looked up. Monsieur Profond was swimming, heavily diabolical, +before her. That--the reason! With the most heroic effort of her +life so far, she managed to arrest that swimming figure. She could +not tell whether he had noticed. And just then Winifred came in. + +"Oh! here you both are already; Imogen and I have had the most +amusing afternoon at the Babies' bazaar." + +"What babies?" said Fleur mechanically. + +"The 'Save the Babies.' I got such a bargain, my dear. A piece of +old Armenian work--from before the Flood. I want your opinion on it, +Prosper." + +"Auntie," whispered Fleur suddenly. + +At the tone in the girl's voice Winifred closed in on her.' + +"What's the matter? Aren't you well?" + +Monsieur Profond had withdrawn into the window, where he was +practically out of hearing. + +"Auntie, he-he told me that father has been married before. Is it +true that he divorced her, and she married Jon Forsyte's father?" + +Never in all the life of the mother of four little Darties had +Winifred felt more seriously embarrassed. Her niece's face was so +pale, her eyes so dark, her voice so whispery and strained. + +"Your father didn't wish you to hear," she said, with all the aplomb +she could muster. "These things will happen. I've often told him he +ought to let you know." + +"Oh!" said Fleur, and that was all, but it made Winifred pat her +shoulder--a firm little shoulder, nice and white! She never could +help an appraising eye and touch in the matter of her niece, who +would have to be married, of course--though not to that boy Jon. + +"We've forgotten all about it years and years ago," she said +comfortably. "Come and have dinner!" + +"No, Auntie. I don't feel very well. May I go upstairs?" + +"My dear!" murmured Winifred, concerned, "you're not taking this to +heart? Why, you haven't properly come out yet! That boy's a child!" + +"What boy? I've only got a headache. But I can't stand that man to- +night." + +"Well, well," said Winifred, "go and lie down. I'll send you some +bromide, and I shall talk to Prosper Profond. What business had he +to gossip? Though I must say I think it's much better you should +know." + +Fleur smiled. "Yes," she said, and slipped from the room. + +She went up with her head whirling, a dry sensation in her throat, a +guttered frightened feeling in her breast. Never in her life as yet +had she suffered from even momentary fear that she would not get what +she had set her heart on. The sensations of the afternoon had been +full and poignant, and this gruesome discovery coming on the top of +them had really made her head ache. No wonder her father had hidden +that photograph, so secretly behind her own-ashamed of having kept +it! But could he hate Jon's mother and yet keep her photograph? She +pressed her hands over her forehead, trying to see things clearly. +Had they told Jon--had her visit to Robin Hill forced them to tell +him? Everything now turned on that! She knew, they all knew, +except--perhaps--Jon! + +She walked up and down, biting her lip and thinking desperately hard. +Jon loved his mother. If they had told him, what would he do? She +could not tell. But if they had not told him, should she not--could +she not get him for herself--get married to him, before he knew? She +searched her memories of Robin Hill. His mother's face so passive-- +with its dark eyes and as if powdered hair, its reserve, its smile-- +baffled her; and his father's--kindly, sunken, ironic. Instinctively +she felt they would shrink from telling Jon, even now, shrink from +hurting him--for of course it would hurt him awfully to know! + +Her aunt must be made not to tell her father that she knew. So long +as neither she herself nor Jon were supposed to know, there was still +a chance--freedom to cover one's tracks, and get what her heart was +set on. But she was almost overwhelmed by her isolation. Every +one's hand was against her--every one's! It was as Jon had said--he +and she just wanted to live and the past was in their way, a past +they hadn't shared in, and didn't understand! Oh! What a shame! And +suddenly she thought of June. Would she help them? For somehow June +had left on her the impression that she would be sympathetic with +their love, impatient of obstacle. Then, instinctively, she thought: +'I won't give anything away, though, even to her. I daren't. I mean +to have Jon; against them all.' + +Soup was brought up to her, and one of Winifred's pet headache +cachets. She swallowed both. Then Winifred herself appeared. Fleur +opened her campaign with the words: + +"You know, Auntie, I do wish people wouldn't think I'm in love with +that boy. Why, I've hardly seen him!" + +Winifred, though experienced, was not "fine." She accepted the +remark with considerable relief. Of course, it was not pleasant for +the girl to hear of the family scandal, and she set herself to +minimise the matter, a task for which she was eminently qualified, +"raised" fashionably under a comfortable mother and a father whose +nerves might not be shaken, and for many years the wife of Montague +Dartie. Her description was a masterpiece of understatement. +Fleur's father's first wife had been very foolish. There had been a +young man who had got run over, and she had left Fleur's father. +Then, years after, when it might all have come--right again, she had +taken up with their cousin Jolyon; and, of course, her father had +been obliged to have a divorce. Nobody remembered anything of it +now, except just the family. And, perhaps, it had all turned out for +the best; her father had Fleur; and Jolyon and Irene had been quite +happy, they said, and their boy was a nice boy. "Val having Holly, +too, is a sort of plaster, don't you know?" With these soothing +words, Winifred patted her niece's shoulder; thought: 'She's a nice, +plump little thing!' and went back to Prosper Profond, who, in spite +of his indiscretion, was very "amusing" this evening. + +For some minutes after her aunt had gone Fleur remained under +influence of bromide material and spiritual. But then reality came +back. Her aunt had left out all that mattered--all the feeling, the +hate, the love, the unforgivingness of passionate hearts. She, who +knew so little of life, and had touched only the fringe of love, was +yet aware by instinct that words have as little relation to fact and +feeling as coin to the bread it buys. 'Poor Father!' she thought. +'Poor me! Poor Jon! But I don't care, I mean to have him!' From +the window of her darkened room she saw "that man" issue from the +door below and "prowl" away. If he and her mother--how would that +affect her chance? Surely it must make her father cling to her more +closely, so that he would consent in the end to anything she wanted, +or become reconciled the sooner to what she did without his +knowledge. + +She took some earth from the flower-box in the window, and with all +her might flung it after that disappearing figure. It fell short, +but the action did her good. + +And a little puff of air came up from Green Street, smelling of +petrol, not sweet. + + + + +V + +PURELY FORSYTE AFFAIRS + + +Soames, coming up to the City, with the intention of calling in at +Green Street at the end of his day and taking Fleur back home with +him, suffered from rumination. Sleeping partner that he was, he +seldom visited the City now, but he still had a room of his own at +Cuthcott, Kingson and Forsyte's, and one special clerk and a half +assigned to the management of purely Forsyte affairs. They were +somewhat in flux just now--an auspicious moment for the disposal of +house property. And Soames was unloading the estates of his father +and Uncle Roger, and to some extent of his Uncle Nicholas. His +shrewd and matter-of-course probity in all money concerns had made +him something of an autocrat in connection with these trusts. If +Soames thought this or thought that, one had better save oneself the +bother of thinking too. He guaranteed, as it were, irresponsibility +to numerous Forsytes of the third and fourth generations. His fellow +trustees, such as his cousins Roger or Nicholas, his cousins-in-law +Tweetyman and Spender, or his sister Cicely's husband, all trusted +him; he signed first, and where he signed first they signed after, +and nobody was a penny the worse. Just now they were all a good many +pennies the better, and Soames was beginning to see the close of +certain trusts, except for distribution of the income from securities +as gilt-edged as was compatible with the period. + +Passing the more feverish parts of the City toward the most perfect +backwater in London, he ruminated. Money was extraordinarily tight; +and morality extraordinarily loose! The War had done it. Banks were +not lending; people breaking contracts all over the place. There was +a feeling in the air and a look on faces that he did not like. The +country seemed in for a spell of gambling and bankruptcies. There +was satisfaction in the thought that neither he nor his trusts had an +investment which could be affected by anything less maniacal than +national repudiation or a levy on capital. If Soames had faith, it +was in what he called "English common sense"--or the power to have +things, if not one way then another. He might--like his father James +before him--say he didn't know what things were coming to, but he +never in his heart believed they were. If it rested with him, they +wouldn't--and, after all, he was only an Englishman like any other, +so quietly tenacious of what he had that he knew he would never +really part with it without something more or less equivalent in +exchange. His mind was essentially equilibristic in material +matters, and his way of putting the national situation difficult to +refute in a world composed of human beings. Take his own case, for +example! He was well off. Did that do anybody harm? He did not eat +ten meals a day; he ate no more than, perhaps not so much as, a poor +man. He spent no money on vice; breathed no more air, used no more +water to speak of than the mechanic or the porter. He certainly had +pretty things about him, but they had given employment in the making, +and somebody must use them. He bought pictures, but Art must be +encouraged. He was, in fact, an accidental channel through which +money flowed, employing labour. What was there objectionable in +that? In his charge money was in quicker and more useful flux than +it would be in charge of the State and a lot of slow-fly money- +sucking officials. And as to what he saved each year--it was just as +much in flux as what he didn't save, going into Water Board or +Council Stocks, or something sound and useful. The State paid him no +salary for being trustee of his own or other people's money he did +all that for nothing. Therein lay the whole case against +nationalisation--owners of private property were unpaid, and yet had +every incentive to quicken up the flux. Under nationalisation--just +the opposite! In a country smarting from officialism he felt that he +had a strong case. + +It particularly annoyed him, entering that backwater of perfect +peace, to think that a lot of unscrupulous Trusts and Combinations +had been cornering the market in goods of all kinds, and keeping +prices at an artificial height. Such abusers of the individualistic +system were the ruffians who caused all the trouble, and it was some +satisfaction to see them getting into a stew at fast lest the whole +thing might come down with a run--and land them in the soup. + +The offices of Cuthcott, Kingson and Forsyte occupied the ground and +first floors of a house on the right-hand side; and, ascending to his +room, Soames thought: 'Time we had a coat of paint.' + +His old clerk Gradman was seated, where he always was, at a huge +bureau with countless pigeonholes. Half-the-clerk stood beside him, +with a broker's note recording investment of the proceeds from sale +of the Bryanston Square house, in Roger Forsyte's estate. Soames +took it, and said: + +"Vancouver City Stock. H'm. It's down today!" + +With a sort of grating ingratiation old Gradman answered him: + +"Ye-es; but everything's down, Mr. Soames." And half-the-clerk +withdrew. + +Soames skewered the document on to a number of other papers and hung +up his hat. + +"I want to look at my Will and Marriage Settlement, Gradman." + +Old Gradman, moving to the limit of his swivel chair, drew out two +drafts from the bottom lefthand drawer. Recovering his body, he +raised his grizzle-haired face, very red from stooping. + +"Copies, Sir." + +Soames took them. It struck him suddenly how like Gradman was to the +stout brindled yard dog they had been wont to keep on his chain at +The Shelter, till one day Fleur had come and insisted it should be +let loose, so that it had at once bitten the cook and been destroyed. +If you let Gradman off his chain, would he bite the cook? + +Checking this frivolous fancy, Soames unfolded his Marriage +Settlement. He had not looked at it for over eighteen years, not +since he remade his Will when his father died and Fleur was born. He +wanted to see whether the words "during coverture" were in. Yes, +they were--odd expression, when you thought of it, and derived +perhaps from horse-breeding! Interest on fifteen thousand pounds +(which he paid her without deducting income tax) so long as she +remained his wife, and afterward during widowhood "dum casta"--old- +fashioned and rather pointed words, put in to insure the conduct of +Fleur's mother. His Will made it up to an annuity of a thousand +under the same conditions. All right! He returned the copies to +Gradman, who took them without looking up, swung the chair, restored +the papers to their drawer, and went on casting up. + +"Gradman! I don't like the condition of the country; there are a lot +of people about without any common sense. I want to find a way by +which I can safeguard Miss Fleur against anything which might arise." + +Gradman wrote the figure "2" on his blotting-paper. + +"Ye-es," he said; "there's a nahsty spirit." + +"The ordinary restraint against anticipation doesn't meet the case." + +"Nao," said Gradman. + +"Suppose those Labour fellows come in, or worse! It's these people +with fixed ideas who are the danger. Look at Ireland!" + +"Ah!" said Gradman. + +"Suppose I were to make a settlement on her at once with myself as +beneficiary for life, they couldn't take anything but the interest +from me, unless of course they alter the law." + +Gradman moved his head and smiled. + +"Ah!" he said, "they wouldn't do tha-at!" + +"I don't know," muttered Soames; "I don't trust them." + +"It'll take two years, sir, to be valid against death duties." + +Soames sniffed. Two years! He was only sixty-five! + +"That's not the point. Draw a form of settlement that passes all my +property to Miss Fleur's children in equal shares, with antecedent +life-interests first to myself and then to her without power of +anticipation, and add a clause that in the event of anything +happening to divert her life-interest, that interest passes to the +trustees, to apply for her benefit, in their absolute discretion." + +Gradman grated: "Rather extreme at your age, sir; you lose control." + +"That's my business," said Soames sharply. + +Gradman wrote on a piece of paper: "Life-interest--anticipation-- +divert interest--absolute discretion...." and said: + +"What trustees? There's young Mr. Kingson; he's a nice steady young +fellow." + +"Yes, he might do for one. I must have three. There isn't a Forsyte +now who appeals to me." + +"Not young Mr. Nicholas? He's at the Bar. We've given 'im briefs." + +"He'll never set the Thames on fire," said Soames. + +A smile oozed out on Gradman's face, greasy from countless mutton- +chops, the smile of a man who sits all day. + +"You can't expect it, at his age, Mr. Soames." + +"Why? What is he? Forty?" + +"Ye-es, quite a young fellow." + +"Well, put him in; but I want somebody who'll take a personal +interest. There's no one that I can see." + +"What about Mr. Valerius, now he's come home?" + +"Val Dartie? With that father?" + +"We-ell," murmured Gradman, "he's been dead seven years--the Statute +runs against him." + +"No," said Soames. "I don't like the connection." He rose. Gradman +said suddenly: + +"If they were makin' a levy on capital, they could come on the +trustees, sir. So there you'd be just the same. I'd think it over, +if I were you." + +"That's true," said Soames. "I will. What have you done about that +dilapidation notice in Vere Street?" + +"I 'aven't served it yet. The party's very old. She won't want to +go out at her age." + +"I don't know. This spirit of unrest touches every one." + +"Still, I'm lookin' at things broadly, sir. She's eighty-one." + +"Better serve it," said Soames, "and see what she says. Oh! and Mr. +Timothy? Is everything in order in case of--" + +"I've got the inventory of his estate all ready; had the furniture +and pictures valued so that we know what reserves to put on. I shall +be sorry when he goes, though. Dear me! It is a time since I first +saw Mr. Timothy!" + +"We can't live for ever," said Soames, taking down his hat. + +"Nao," said Gradman; "but it'll be a pity--the last of the old +family! Shall I take up the matter of that nuisance in Old Compton +Street? Those organs--they're nahsty things." + +"Do. I must call for Miss Fleur and catch the four o'clock. Good- +day, Gradman." + +"Good-day, Mr. Soames. I hope Miss Fleur--" + +"Well enough, but gads about too much." + +"Ye-es," grated Gradman; "she's young." + +Soames went out, musing: "Old Gradman! If he were younger I'd put +him in the trust. There's nobody I can depend on to take a real +interest. + +Leaving the bilious and mathematical exactitude, the preposterous +peace of that backwater, he thought suddenly: 'During coverture! Why +can't they exclude fellows like Profond, instead of a lot of hard- +working Germans?' and was surprised at the depth of uneasiness which +could provoke so unpatriotic a thought. But there it was! One never +got a moment of real peace. There was always something at the back +of everything! And he made his way toward Green Street. + +Two hours later by his watch, Thomas Gradman, stirring in his swivel +chair, closed the last drawer of his bureau, and putting into his +waistcoat pocket a bunch of keys so fat that they gave him a +protuberance on the liver side, brushed his old top hat round with +his sleeve, took his umbrella, and descended. Thick, short, and +buttoned closely into his old frock coat, he walked toward Covent +Garden market. He never missed that daily promenade to the Tube for +Highgate, and seldom some critical transaction on the way in +connection with vegetables and fruit. Generations might be born, and +hats might change, wars be fought, and Forsytes fade away, but Thomas +Gradman, faithful and grey, would take his daily walk and buy his +daily vegetable. Times were not what they were, and his son had lost +a leg, and they never gave him those nice little plaited baskets to +carry the stuff in now, and these Tubes were convenient things--still +he mustn't complain; his health was good considering his time of +life, and after fifty-four years in the Law he was getting a round +eight hundred a year and a little worried of late, because it was +mostly collector's commission on the rents, and with all this +conversion of Forsyte property going on, it looked like drying up, +and the price of living still so high; but it was no good worrying--" +The good God made us all"--as he was in the habit of saying; still, +house property in London--he didn't know what Mr. Roger or Mr. James +would say if they could see it being sold like this--seemed to show a +lack of faith; but Mr. Soames--he worried. Life and lives in being +and twenty-one years after--beyond that you couldn't go; still, he +kept his health wonderfully--and Miss Fleur was a pretty little +thing--she was; she'd marry; but lots of people had no children +nowadays--he had had his first child at twenty-two; and Mr. Jolyon, +married while he was at Cambridge, had his child the same year-- +gracious Peter! That was back in '69, a long time before old Mr. +Jolyon--fine judge of property--had taken his Will away from Mr. +James--dear, yes! Those were the days when they were buyin' property +right and left, and none of this khaki and fallin' over one another +to get out of things; and cucumbers at twopence; and a melon--the old +melons, that made your mouth water! Fifty years since he went into +Mr. James' office, and Mr. James had said to him: "Now, Gradman, +you're only a shaver--you pay attention, and you'll make your five +hundred a year before you've done." And he had, and feared God, and +served the Forsytes, and kept a vegetable diet at night. And, buying +a copy of Jobn Bull--not that he approved of it, an extravagant +affair--he entered the Tube elevator with his mere brown-paper +parcel, and was borne down into the bowels of the earth. + + + + +VI + +SOAMES' PRIVATE LIFE + + +On his way to Green Street it occurred to Soames that he ought to go +into Dumetrius' in Suffolk Street about the possibility of the +Bolderby Old Crome. Almost worth while to have fought the war to +have the Bolderby Old Crome, as it were, in flux! Old Bolderby had +died, his son and grandson had been killed--a cousin was coming into +the estate, who meant to sell it, some said because of the condition +of England, others said because he had asthma. + +If Dumetrius once got hold of it the price would become prohibitive; +it was necessary for Soames to find out whether Dumetrius had got it, +before he tried to get it himself. He therefore confined himself to +discussing with Dumetrius whether Monticellis would come again now +that it was the fashion for a picture to be anything except a +picture; and the future of Johns, with a side-slip into Buxton +Knights. It was only when leaving that he added: "So they're not +selling the Bolderby Old Crome, after all? "In sheer pride of racial +superiority, as he had calculated would be the case, Dumetrius +replied: + +"Oh! I shall get it, Mr. Forsyte, sir!" + +The flutter of his eyelid fortified Soames in a resolution to write +direct to the new Bolderby, suggesting that the only dignified way of +dealing with an Old Crome was to avoid dealers. He therefore said, +"Well, good-day!" and went, leaving Dumetrius the wiser. + +At Green Street he found that Fleur was out and would be all the +evening; she was staying one more night in London. He cabbed on +dejectedly, and caught his train. + +He reached his house about six o'clock. The air was heavy, midges +biting, thunder about. Taking his letters he went up to his +dressing-room to cleanse himself of London. + +An uninteresting post. A receipt, a bill for purchases on behalf of +Fleur. A circular about an exhibition of etchings. A letter +beginning: + +"SIR, +"I feel it my duty..." + +That would be an appeal or something unpleasant. He looked at once +for the signature. There was none! Incredulously he turned the page +over and examined each corner. Not being a public man, Soames had +never yet had an anonymous letter, and his first impulse was to tear +it up, as a dangerous thing; his second to read it, as a thing still +more dangerous. + +"SIR, +"I feel it my duty to inform you that having no interest in the +matter your lady is carrying on with a foreigner--" + +Reaching that word Soames stopped mechanically and examined the +postmark. So far as he could pierce the impenetrable disguise in +which the Post Office had wrapped it, there was something with a +"sea" at the end and a "t" in it. Chelsea? No! Battersea? Perhaps! +He read on. + +"These foreigners are all the same. Sack the lot. This one meets +your lady twice a week. I know it of my own knowledge--and to see an +Englishman put on goes against the grain. You watch it and see if +what I say isn't true. I shouldn't meddle if it wasn't a dirty +foreigner that's in it. Yours obedient." + +The sensation with which Soames dropped the letter was similar to +that he would have had entering his bedroom and finding it full of +black-beetles. The meanness of anonymity gave a shuddering obscenity +to the moment. And the worst of it was that this shadow had been at +the back of his mind ever since the Sunday evening when Fleur had +pointed down at Prosper Profond strolling on the lawn, and said: +"Prowling cat!" Had he not in connection therewith, this very day, +perused his Will and Marriage Settlement? And now this anonymous +ruffian, with nothing to gain, apparently, save the venting of his +spite against foreigners, had wrenched it out of the obscurity in +which he had hoped and wished it would remain. To have such +knowledge forced on him, at his time of life, about Fleur's mother I +He picked the letter up from the carpet, tore it across, and then, +when it hung together by just the fold at the back, stopped tearing, +and reread it. He was taking at that moment one of the decisive +resolutions of his life. He would not be forced into another +scandal. No! However he decided to deal with this matter--and it +required the most far-sighted and careful consideration he would do +nothing that might injure Fleur. That resolution taken, his mind +answered the helm again, and he made his ablutions. His hands +trembled as he dried them. Scandal he would not have, but something +must be done to stop this sort of thing! He went into his wife's +room and stood looking around him. The idea of searching for +anything which would incriminate, and entitle him to hold a menace +over her, did not even come to him. There would be nothing--she was +much too practical. The idea of having her watched had been +dismissed before it came--too well he remembered his previous +experience of that. No! He had nothing but this torn-up letter from +some anonymous ruffian, whose impudent intrusion into his private +life he so violently resented. It was repugnant to him to make use +of it, but he might have to. What a mercy Fleur was not at home to- +night! A tap on the door broke up his painful cogitations. + +"Mr. Michael Mont, sir, is in the drawing-room. Will you see him?" + +"No," said Soames; "yes. I'll come down." + +Anything that would take his mind off for a few minutes! + +Michael Mont in flannels stood on the verandah smoking a cigarette. +He threw it away as Soames came up, and ran his hand through his +hair. + +Soames' feeling toward this young man was singular. He was no doubt +a rackety, irresponsible young fellow according to old standards, yet +somehow likeable, with his extraordinarily cheerful way of blurting +out his opinions. + +"Come in," he said; "have you had tea?" + +Mont came in. + +"I thought Fleur would have been back, sir; but I'm glad she isn't. +The fact is, I--I'm fearfully gone on her; so fearfully gone that I +thought you'd better know. It's old-fashioned, of course, coming to +fathers first, but I thought you'd forgive that. I went to my own +Dad, and he says if I settle down he'll see me through. He rather +cottons to the idea, in fact. I told him about your Goya." + +"Oh!" said Soames, inexpressibly dry. "He rather cottons?" + +"Yes, sir; do you?" + +Soames smiled faintly. + +"You see," resumed Mont, twiddling his straw hat, while his hair, +ears, eyebrows, all seemed to stand up from excitement, "when you've +been through the War you can't help being in a hurry." + +"To get married; and unmarried afterward," said Soames slowly. + +"Not from Fleur, sir. Imagine, if you were me!" + +Soames cleared his throat. That way of putting it was forcible +enough. + +"Fleur's too young," he said. + +"Oh! no, sir. We're awfully old nowadays. My Dad seems to me a +perfect babe; his thinking apparatus hasn't turned a hair. But he's +a Baronight, of course; that keeps him back." + +"Baronight," repeated Soames; "what may that be?" + +"Bart, sir. I shall be a Bart some day. But I shall live it down, +you know." + +"Go away and live this down," said Soames. + +Young Mont said imploringly: "Oh! no, sir. I simply must hang +around, or I shouldn't have a dog's chance. You'll let Fleur do what +she likes, I suppose, anyway. Madame passes me." + +"Indeed!" said Soames frigidly. + +"You don't really bar me, do you?" and the young man looked so +doleful that Soames smiled. + +"You may think you're very old," he said; "but you strike me as +extremely young. To rattle ahead of everything is not a proof of +maturity." + +"All right, sir; I give you our age. But to show you I mean +business--I've got a job." + +"Glad to hear it." + +"Joined a publisher; my governor is putting up the stakes." + +Soames put his hand over his mouth--he had so very nearly said: "God +help the publisher!" His grey eyes scrutinised the agitated young +man. + +"I don't dislike you, Mr. Mont, but Fleur is everything to me: +Everything--do you understand?" + +"Yes, sir, I know; but so she is to me." + +"That's as may be. I'm glad you've told me, however. And now I +think there's nothing more to be said." + +"I know it rests with her, sir." + +"It will rest with her a long time, I hope." + +"You aren't cheering," said Mont suddenly. + +"No," said Soames, "my experience of life has not made me anxious to +couple people in a hurry. Good-night, Mr. Mont. I shan't tell Fleur +what you've said." + +"Oh!" murmured Mont blankly; "I really could knock my brains out for +want of her. She knows that perfectly well." + +"I dare say." And Soames held out his hand. A distracted squeeze, a +heavy sigh, and soon after sounds from the young man's motor-cycle +called up visions of flying dust and broken bones. + +'The younger generation!' he thought heavily, and went out on to the +lawn. The gardeners had been mowing, and there was still the smell +of fresh-cut grass--the thundery air kept all scents close to earth. +The sky was of a purplish hue--the poplars black. Two or three boats +passed on the river, scuttling, as it were, for shelter before the +storm. 'Three days' fine weather,' thought Soames, 'and then a +storm!' Where was Annette? With that chap, for all he knew--she was +a young woman! Impressed with the queer charity of that thought, he +entered the summerhouse and sat down. The fact was--and he admitted +it--Fleur was so much to him that his wife was very little--very +little; French--had never been much more than a mistress, and he was +getting indifferent to that side of things! It was odd how, with all +this ingrained care for moderation and secure investment, Soames ever +put his emotional eggs into one basket. First Irene--now Fleur. He +was dimly conscious of it, sitting there, conscious of its odd +dangerousness. It had brought him to wreck and scandal once, but +now--now it should save him! He cared so much for Fleur that he +would have no further scandal. If only he could get at that +anonymous letter-writer, he would teach him not to meddle and stir up +mud at the bottom of water which he wished should remain stagnant!... +A distant flash, a low rumble, and large drops of rain spattered on +the thatch above him. He remained indifferent, tracing a pattern +with his finger on the dusty surface of a little rustic table. +Fleur's future! 'I want fair sailing for her,' he thought. 'Nothing +else matters at my time of life.' A lonely business--life! What you +had you never could keep to yourself! As you warned one off, you let +another in. One could make sure of nothing! He reached up and +pulled a red rambler rose from a cluster which blocked the window. +Flowers grew and dropped--Nature was a queer thing! The thunder +rumbled and crashed, travelling east along a river, the paling +flashes flicked his eyes; the poplar tops showed sharp and dense +against the sky, a heavy shower rustled and rattled and veiled in the +little house wherein he sat, indifferent, thinking. + +When the storm was over, he left his retreat and went down the wet +path to the river bank. + +Two swans had come, sheltering in among the reeds. He knew the birds +well, and stood watching the dignity in the curve of those white +necks and formidable snake-like heads. 'Not dignified--what I have +to do!' he thought. And yet it must be tackled, lest worse befell. +Annette must be back by now from wherever she had gone, for it was +nearly dinner-time, and as the moment for seeing her approached, the +difficulty of knowing what to say and how to say it had increased. A +new and scaring thought occurred to him. Suppose she wanted her +liberty to marry this fellow! Well, if she did, she couldn't have +it. He had not married her for that. The image of Prosper Profond +dawdled before him reassuringly. Not a marrying man! No, no! Anger +replaced that momentary scare. 'He had better not come my way,' he +thought. The mongrel represented---! But what did Prosper Profond +represent? Nothing that mattered surely. And yet something real +enough in the world--unmorality let off its chain, disillusionment on +the prowl! That expression Annette had caught from him: "Je m'en +fiche! "A fatalistic chap! A continental--a cosmopolitan--a product +of the age! If there were condemnation more complete, Soames felt +that he did not know it. + +The swans had turned their heads, and were looking past him into some +distance of their own. One of them uttered a little hiss, wagged its +tail, turned as if answering to a rudder, and swam away. The other +followed. Their white bodies, their stately necks, passed out of his +sight, and he went toward the house. + +Annette was in the drawing-room, dressed for dinner, and he thought +as he went up-stairs 'Handsome is as handsome does.' Handsome! +Except for remarks about the curtains in the drawing-room, and the +storm, there was practically no conversation during a meal +distinguished by exactitude of quantity and perfection of quality. +Soames drank nothing. He followed her into the drawing-room +afterward, and found her smoking a cigarette on the sofa between the +two French windows. She was leaning back, almost upright, in a low +black frock, with her knees crossed and her blue eyes half-closed; +grey-blue smoke issued from her red, rather full lips, a fillet bound +her chestnut hair, she wore the thinnest silk stockings, and shoes +with very high heels showing off her instep. A fine piece in any +room! Soames, who held that torn letter in a hand thrust deep into +the side-pocket of his dinner-jacket, said: + +"I'm going to shut the window; the damp's lifting in." + +He did so, and stood looking at a David Cox adorning the cream- +panelled wall close by. + +What was she thinking of? He had never understood a woman in his +life--except Fleur--and Fleur not always! His heart beat fast. But +if he meant to do it, now was the moment. Turning from the David +Cox, he took out the torn letter. + +"I've had this." + +Her eyes widened, stared at him, and hardened. + +Soames handed her the letter. + +"It's torn, but you can read it." And he turned back to the David +Cox--a sea-piece, of good tone--but without movement enough. 'I +wonder what that chap's doing at this moment?' he thought. 'I'll +astonish him yet.' Out of the corner of his eye he saw Annette +holding the letter rigidly; her eyes moved from side to side under +her darkened lashes and frowning darkened eyes. She dropped the +letter, gave a little shiver, smiled, and said: + +"Dirrty!" + +"I quite agree," said Soames; "degrading. Is it true?" + +A tooth fastened on her red lower lip. "And what if it were?" + +She was brazen! + +"Is that all you have to say?" + +"No." + + +"Well, speak out!" + +"What is the good of talking?" + +Soames said icily: "So you admit it?" + +"I admit nothing. You are a fool to ask. A man like you should not +ask. It is dangerous." + +Soames made a tour of the room, to subdue his rising anger. + +"Do you remember," he said, halting in front of her, "what you were +when I married you? Working at accounts in a restaurant." + +"Do you remember that I was not half your age?" + +Soames broke off the hard encounter of their eyes, and went back to +the David Cox. + +"I am not going to bandy words. I require you to give up this-- +friendship. I think of the matter entirely as it affects Fleur." + +"Ah!--Fleur!" + +"Yes," said Soames stubbornly; "Fleur. She is your child as well as +mine." + +"It is kind to admit that!" + +"Are you going to do what I say?" + +"I refuse to tell you." + +"Then I must make you." + +Annette smiled. + +"No, Soames," she said. "You are helpless. Do not say things that +you will regret." + +Anger swelled the veins on his forehead. He opened his mouth to vent +that emotion, and could not. Annette went on: + +"There shall be no more such letters, I promise you. That is +enough." + +Soames writhed. He had a sense of being treated like a child by this +woman who had deserved he did not know what. + +"When two people have married, and lived like us, Soames, they had +better be quiet about each other. There are things one does not drag +up into the light for people to laugh at. You will be quiet, then; +not for my sake for your own. You are getting old; I am not, yet. +You have made me ver-ry practical" + +Soames, who had passed through all the sensations of being choked, +repeated dully: + +"I require you to give up this friendship." + +"And if I do not?" + +"Then--then I will cut you out of my Will." + +Somehow it did not seem to meet the case. Annette laughed. + +"You will live a long time, Soames." + +"You--you are a bad woman," said Soames suddenly. + +Annette shrugged her shoulders. + +"I do not think so. Living with you has killed things in me, it is +true; but I am not a bad woman. I am sensible--that is all. And so +will you be when you have thought it over." + +"I shall see this man," said Soames sullenly, "and warn him off." + +"Mon cher, you are funny. You do not want me, you have as much of me +as you want; and you wish the rest of me to be dead. I admit +nothing, but I am not going to be dead, Soames, at my age; so you had +better be quiet, I tell you. I myself will make no scandal; none. +Now, I am not saying any more, whatever you do." + +She reached out, took a French novel off a little table, and opened +it. Soames watched her, silenced by the tumult of his feelings. The +thought of that man was almost making him want her, and this was a +revelation of their relationship, startling to one little given to +introspective philosophy. Without saying another word he went out +and up to the picture-gallery. This came of marrying a Frenchwoman! +And yet, without her there would have been no Fleur! She had served +her purpose. + +'She's right,' he thought; 'I can do nothing. I don't even know that +there's anything in it.' The instinct of self-preservation warned +him to batten down his hatches, to smother the fire with want of air. +Unless one believed there was something in a thing, there wasn't. + +That night he went into her room. She received him in the most +matter-of-fact way, as if there had been no scene between them. And +he returned to his own room with a curious sense of peace. If one +didn't choose to see, one needn't. And he did not choose--in future +he did not choose. There was nothing to be gained by it--nothing! +Opening the drawer he took from the sachet a handkerchief, and the +framed photograph of Fleur. When he had looked at it a little he +slipped it down, and there was that other one--that old one of Irene. +An owl hooted while he stood in his window gazing at it. The owl +hooted, the red climbing roses seemed to deepen in colour, there came +a scent of lime-blossom. God! That had been a different thing! +Passion--Memory! Dust! + + + + +VII + +JUNE TAKES A HAND + + +One who was a sculptor, a Slav, a sometime resident in New York, +an egoist, and impecunious, was to be found of an evening in June +Forsyte's studio on the bank of the Thames at Chiswick. On the +evening of July 6, Boris Strumolowski--several of whose works were on +show there because they were as yet too advanced to be on show +anywhere else--had begun well, with that aloof and rather Christ-like +silence which admirably suited his youthful, round, broad cheek-boned +countenance framed in bright hair banged like a girl's. June had +known him three weeks, and he still seemed to her the principal +embodiment of genius, and hope of the future; a sort of Star of the +East which had strayed into an unappreciative West. Until that +evening he had conversationally confined himself to recording his +impressions of the United States, whose dust he had just shaken from +off his feet--a country, in his opinion, so barbarous in every way +that he had sold practically nothing there, and become an object of +suspicion to the police; a country, as he said, without a race of its +own, without liberty, equality, or fraternity, without principles, +traditions, taste, without--in a word--a soul. He had left it for +his own good, and come to the only other country where he could live +well. June had dwelt unhappily on him in her lonely moments, +standing before his creations--frightening, but powerful and symbolic +once they had been explained! That he, haloed by bright hair like an +early Italian painting, and absorbed in his genius to the exclusion +of all else--the only sign of course by which real genius could be +told--should still be a "lame duck" agitated her warm heart almost to +the exclusion of Paul Post. And she had begun to take steps to clear +her Gallery, in order to fill it with Strumolowski masterpieces. She +had at once encountered trouble. Paul Post had kicked; Vospovitch +had stung. With all the emphasis of a genius which she did not as +yet deny them, they had demanded another six weeks at least of her +Gallery. The American stream, still flowing in, would soon be +flowing out. The American stream was their right, their only hope, +their salvation--since nobody in this "beastly" country cared for +Art. June had yielded to the demonstration. After all Boris would +not mind their having the full benefit of an American stream, which +he himself so violently despised. + +This evening she had put that to Boris with nobody else present, +except Hannah Hobdey, the mediaeval black-and-whitist, and Jimmy +Portugal, editor of the Neo-Artist. She had put it to him with that +sudden confidence which continual contact with the neo-artistic world +had never been able to dry up in her warm and generous nature. He +had not broken his Christ-like silence, however, for more than two +minutes before she began to move her blue eyes from side to side, as +a cat moves its tail. This--he said--was characteristic of England, +the most selfish country in the world; the country which sucked the +blood of other countries; destroyed the brains and hearts of +Irishmen, Hindus, Egyptians, Boers, and Burmese, all the best races +in the world; bullying, hypocritical England! This was what he had +expected, coming to, such a country, where the climate was all fog, +and the people all tradesmen perfectly blind to Art, and sunk in +profiteering and the grossest materialism. Conscious that Hannah +Hobdey was murmuring, "Hear, hear!" and Jimmy Portugal sniggering, +June grew crimson, and suddenly rapped out: + +"Then why did you ever come? We didn't ask you." + +The remark was so singularly at variance with all she had led him to +expect from her, that Strumolowski stretched out his hand and took a +cigarette. + +"England never wants an idealist," he said. + +But in June something primitively English was thoroughly upset; old +Jolyon's sense of justice had risen, as it were, from bed. "You come +and sponge on us," she said, "and then abuse us. If you think that's +playing the game, I don't." + +She now discovered that which others had discovered before her--the +thickness of hide beneath which the sensibility of genius is +sometimes veiled. Strumolowski's young and ingenuous face became the +incarnation of a sneer. + +"Sponge, one does not sponge, one takes what is owing--a tenth part +of what is owing. You will repent to say that, Miss Forsyte." + +"Oh, no," said June, "I shan't." + +"Ah! We know very well, we artists--you take us to get what you can +out of us. I want nothing from you"--and he blew out a cloud of +June's smoke. + +Decision rose in an icy puff from the turmoil of insulted shame +within her. "Very well, then, you can take your things away." + +And, almost in the same moment, she thought: 'Poor boy! He's only +got a garret, and probably not a taxi fare. In front of these +people, too; it's positively disgusting!' + +Young Strumolowski shook his head violently; his hair, thick, smooth, +close as a golden plate, did not fall off. + +"I can live on nothing," he said shrilly; "I have often had to for +the sake of my Art. It is you bourgeois who force us to spend +money." + +The words hit June like a pebble, in the ribs. After all she had +done for Art, all her identification with its troubles and lame +ducks. She was struggling for adequate words when the door was +opened, and her Austrian murmured: + +"A young lady, gnadiges Fraulein." + +"Where?" + +"In the little meal-room." + +With a glance at Boris Strumolowski, at Hannah Hobdey, at Jimmy +Portugal, June said nothing, and went out, devoid of equanimity. +Entering the "little meal-room," she perceived the young lady to be +Fleur--looking very pretty, if pale. At this disenchanted moment a +little lame duck of her own breed was welcome to June, so +homoeopathic by instinct. + +The girl must have come, of course, because of Jon; or, if not, at +least to get something out of her. And June felt just then that to +assist somebody was the only bearable thing. + +"So you've remembered to come," she said. + +"Yes. What a jolly little duck of a house! But please don't let me +bother you, if you've got people." + +"Not at all," said June. "I want to let them stew in their own juice +for a bit. Have you come about Jon?" + +"You said you thought we ought to be told. Well, I've found out." + +"Oh!" said June blankly. "Not nice, is it?" + +They were standing one on each side of the little bare table at which +June took her meals. A vase on it was full of Iceland poppies; the +girl raised her hand and touched them with a gloved finger. To her +new-fangled dress, frilly about the hips and tight below the knees, +June took a sudden liking--a charming colour, flax-blue. + +'She makes a picture,' thought June. Her little room, with its +whitewashed walls, its floor and hearth of old pink brick, its black +paint, and latticed window athwart which the last of the sunlight was +shining, had never looked so charming, set off by this young figure, +with the creamy, slightly frowning face. She remembered with sudden +vividness how nice she herself had looked in those old days when her +heart was set on Philip Bosinney, that dead lover, who had broken +from her to destroy for ever Irene's allegiance to this girl's +father. Did Fleur know of that, too? + +"Well," she said, "what are you going to do?" + +It was some seconds before Fleur answered. + +"I don't want Jon to suffer. I must see him once more to put an end +to it." + +"You're going to put an end to it!" + +"What else is there to do?" + +The girl seemed to June, suddenly, intolerably spiritless. + +"I suppose you're right," she muttered. "I know my father thinks so; +but--I should never have done it myself. I can't take things lying +down." + +How poised and watchful that girl looked; how unemotional her voice +sounded! + +"People will assume that I'm in love." + +"Well, aren't you?" + +Fleur shrugged her shoulders. 'I might have known it,' thought June; +'she's Soames' daughter--fish! And yet--he!' + +"What do you want me to do then?" she said with a sort of disgust. + +"Could I see Jon here to-morrow on his way down to Holly's? He'd +come if you sent him a line to-night. And perhaps afterward you'd +let them know quietly at Robin Hill that it's all over, and that they +needn't tell Jon about his mother." + +"All right!" said June abruptly. "I'll write now, and you can post +it. Half-past two tomorrow. I shan't be in, myself." + +She sat down at the tiny bureau which filled one corner. When she +looked round with the finished note Fleur was still touching the +poppies with her gloved finger. + +June licked a stamp. "Well, here it is. If you're not in love, of +course, there's no more to be said. Jon's lucky." + +Fleur took the note. "Thanks awfully!" + +'Cold-blooded little baggage!' thought June. Jon, son of her +father, to love, and not to be loved by the daughter of--Soames! It +was humiliating! + +"Is that all?" + +Fleur nodded; her frills shook and trembled as she swayed toward the +door. + +"Good-bye!" + +"Good-bye!... Little piece of fashion!" muttered June, closing the +door. "That family!" And she marched back toward her studio. Boris +Strumolowski had regained his Christ-like silence and Jimmy Portugal +was damning everybody, except the group in whose behalf he ran the +Neo-Artist. Among the condemned were Eric Cobbley, and several other +"lame-duck" genii who at one time or another had held first place in +the repertoire of June's aid and adoration. She experienced a sense +of futility and disgust, and went to the window to let the river-wind +blow those squeaky words away. + +But when at length Jimmy Portugal had finished, and gone with Hannah +Hobdey, she sat down and mothered young Strumolowski for half an +hour, promising him a month, at least, of the American stream; so +that he went away with his halo in perfect order. 'In spite of all,' +June thought, 'Boris is wonderful' + + + + +VIII + +THE BIT BETWEEN THE TEETH + + +To know that your hand is against every one's is--for some natures-- +to experience a sense of moral release. Fleur felt no remorse when +she left June's house. Reading condemnatory resentment in her little +kinswoman's blue eyes-she was glad that she had fooled her, despising +June because that elderly idealist had not seen what she was after. + +End it, forsooth! She would soon show them all that she was only +just beginning. And she smiled to herself on the top of the bus +which carried her back to Mayfair. But the smile died, squeezed out +by spasms of anticipation and anxiety. Would she be able to manage +Jon? She had taken the bit between her teeth, but could she make him +take it too? She knew the truth and the real danger of delay--he +knew neither; therein lay all the difference in the world. + +'Suppose I tell him,' she thought; 'wouldn't it really be safer?' +This hideous luck had no right to spoil their love; he must see that! +They could not let it! People always accepted an accomplished fact +in time! From that piece of philosophy--profound enough at her age-- +she passed to another consideration less philosophic. If she +persuaded Jon to a quick and secret marriage, and he found out +afterward that she had known the truth. What then? Jon hated +subterfuge. Again, then, would it not be better to tell him? But +the memory of his mother's face kept intruding on that impulse. +Fleur was afraid. His mother had power over him; more power perhaps +than she herself. Who could tell? It was too great a risk. Deep- +sunk in these instinctive calculations she was carried on past Green +Street as far as the Ritz Hotel. She got down there, and walked back +on the Green Park side. The storm had washed every tree; they still +dripped. Heavy drops fell on to her frills, and to avoid them she +crossed over under the eyes of the Iseeum Club. Chancing to look up +she saw Monsieur Profond with a tall stout man in the bay window. +Turning into Green Street she heard her name called, and saw "that +prowler" coming up. He took off his hat--a glossy "bowler" such as +she particularly detested. + +"Good evenin'! Miss Forsyde. Isn't there a small thing I can do for +you?" + +"Yes, pass by on the other side." + +"I say! Why do you dislike me?" + +"Do I?" + +"It looks like it." + +"Well, then, because you make me feel life isn't worth living." + +Monsieur Profond smiled. + +"Look here, Miss Forsyde, don't worry. It'll be all right. Nothing +lasts." + +"Things do last," cried Fleur; "with me anyhow--especially likes and +dislikes." + +"Well, that makes me a bit un'appy." + +"I should have thought nothing could ever make you happy or unhappy." + +"I don't like to annoy other people. I'm goin' on my yacht." + +Fleur looked at him, startled. + +"Where?" + +"Small voyage to the South Seas or somewhere," said Monsieur Profond. + +Fleur suffered relief and a sense of insult. Clearly he meant to +convey that he was breaking with her mother. How dared he have +anything to break, and yet how dared he break it? + +"Good-night, Miss Forsyde! Remember me to Mrs. Dartie. I'm not so +bad really. Good-night!" Fleur left him standing there with his hat +raised. Stealing a look round, she saw him stroll--immaculate and +heavy--back toward his Club. + +'He can't even love with conviction,' she thought. 'What will Mother +do?' + +Her dreams that night were endless and uneasy; she rose heavy and +unrested, and went at once to the study of Whitaker's Almanac. A +Forsyte is instinctively aware that facts are the real crux of any +situation. She might conquer Jon's prejudice, but without exact +machinery to complete their desperate resolve, nothing would happen. +>From the invaluable tome she learned that they must each be twenty- +one; or some one's consent would be necessary, which of course was +unobtainable; then she became lost in directions concerning licenses, +certificates, notices, districts, coming finally to the word +"perjury." But that was nonsense! Who would really mind their +giving wrong ages in order to be married for love! She ate hardly +any breakfast, and went back to Whitaker. The more she studied the +less sure she became; till, idly turning the pages, she came to +Scotland. People could be married there without any of this +nonsense. She had only to go and stay there twenty-one days, then +Jon could come, and in front of two people they could declare +themselves married. And what was more--they would be! It was far +the best way; and at once she ran over her schoolfellows. There was +Mary Lambe who lived in Edinburgh and was "quite a sport!" + +She had a brother too. She could stay with Mary Lambe, who with her +brother would serve for witnesses. She well knew that some girls +would think all this unnecessary, and that all she and Jon need do +was to go away together for a weekend and then say to their people: +"We are married by Nature, we must now be married by Law." But Fleur +was Forsyte enough to feel such a proceeding dubious, and to dread +her father's face when he heard of it. Besides, she did not believe +that Jon would do it; he had an opinion of her such as she could not +bear to diminish. No! Mary Lambe was preferable, and it was just +the time of year to go to Scotland. More at ease now she packed, +avoided her aunt, and took a bus to Chiswick. She was too early, and +went on to Kew Gardens. She found no peace among its flower-beds, +labelled trees, and broad green spaces, and having lunched off +anchovy-paste sandwiches and coffee, returned to Chiswick and rang +June's bell. The Austrian admitted her to the "little meal-room." +Now that she knew what she and Jon were up against, her longing for +him had increased tenfold, as if he were a toy with sharp edges or +dangerous paint such as they had tried to take from her as a child. +If she could not have her way, and get Jon for good and all, she felt +like dying of privation. By hook or crook she must and would get +him! A round dim mirror of very old glass hung over the pink brick +hearth. She stood looking at herself reflected in it, pale, and +rather dark under the eyes; little shudders kept passing through her +nerves. Then she heard the bell ring, and, stealing to the window, +saw him standing on the doorstep smoothing his hair and lips, as if +he too were trying to subdue the fluttering of his nerves. + +She was sitting on one of the two rush-seated chairs, with her back +to the door, when he came in, and she said at once + +"Sit down, Jon, I want to talk seriously." + +Jon sat on the table by her side, and without looking at him she went +on: + +"If you don't want to lose me, we must get married." + +Jon gasped. + +"Why? Is there anything new?" + +"No, but I felt it at Robin Hill, and among my people." + +"But--" stammered Jon, "at Robin Hill--it was all smooth--and they've +said nothing to me." + +"But they mean to stop us. Your mother's face was enough. And my +father's." + +"Have you seen him since?" + +Fleur nodded. What mattered a few supplementary lies? + +"But," said Jon eagerly, "I can't see how they can feel like that +after all these years." + +Fleur looked up at him. + +"Perhaps you don't love me enough." +"Not love you enough! Why--!" + +"Then make sure of me." + +"Without telling them?" + +"Not till after." + +Jon was silent. How much older he looked than on that day, barely +two months ago, when she first saw him--quite two years older! + +"It would hurt Mother awfully," he said. + +Fleur drew her hand away. + +"You've got to choose." + +Jon slid off the table on to his knees. + +"But why not tell them? They can't really stop us, Fleur!" + +"They can! I tell you, they can." + +"How?" + +"We're utterly dependent--by putting money pressure, and all sorts of +other pressure. I'm not patient, Jon." + +"But it's deceiving them." + +Fleur got up. + +"You can't really love me, or you wouldn't hesitate. 'He either +fears his fate too much!'" + +Lifting his hands to her waist, Jon forced her to sit down again. +She hurried on: + +"I've planned it all out. We've only to go to Scotland. When we're +married they'll soon come round. People always come round to facts. +Don't you see, Jon?" + +"But to hurt them so awfully!" + +So he would rather hurt her than those people of his! "All right, +then; let me go!" + +Jon got up and put his back against the door. + +"I expect you're right," he said slowly; "but I want to think it +over." + +She could see that he was seething with feelings he wanted to +express; but she did not mean to help him. She hated herself at this +moment and almost hated him. Why had she to do all the work to +secure their love? It wasn't fair. And then she saw his eyes, +adoring and distressed. + +"Don't look like that! I only don't want to lose you, Jon." + +"You can't lose me so long as you want me." + +"Oh, yes, I can." + +Jon put his hands on her shoulders. + +"Fleur, do you know anything you haven't told me?" + +It was the point-blank question she had dreaded. She looked straight +at him, and answered: "No." She had burnt her boats; but what did it +matter, if she got him? He would forgive her. And throwing her arms +round his neck, she kissed him on the lips. She was winning! She +felt it in the beating of his heart against her, in the closing of +his eyes. "I want to make sure! I want to make sure!" she +whispered. "Promise!" + +Jon did not answer. His face had the stillness of extreme trouble. +At last he said: + +"It's like hitting them. I must think a little, Fleur. I really +must." + +Fleur slipped out of his arms. + +"Oh! Very well!" And suddenly she burst into tears of disappointment, +shame, and overstrain. Followed five minutes of acute misery. Jon's +remorse and tenderness knew no bounds; but he did not promise. +Despite her will to cry, "Very well, then, if you don't love me +enough-goodbye!" she dared not. From birth accustomed to her own +way, this check from one so young, so tender, so devoted, baffled and +surprised her. She wanted to push him away from her, to try what +anger and coldness would do, and again she dared not. The knowledge +that she was scheming to rush him blindfold into the irrevocable +weakened everything--weakened the sincerity of pique, and the +sincerity of passion; even her kisses had not the lure she wished for +them. That stormy little meeting ended inconclusively. + +"Will you some tea, gnadiges Fraulein?" + +Pushing Jon from her, she cried out: + +"No-no, thank you! I'm just going." + +And before he could prevent her she was gone. + +She went stealthily, mopping her gushed, stained cheeks, frightened, +angry, very miserable. She had stirred Jon up so fearfully, yet +nothing definite was promised or arranged! But the more uncertain +and hazardous the future, the more "the will to have" worked its +tentacles into the flesh of her heart--like some burrowing tick! + +No one was at Green Street. Winifred had gone with Imogen to see a +play which some said was allegorical, and others "very exciting, +don't you know." It was because of what others said that Winifred +and Imogen had gone. Fleur went on to Paddington. Through the +carriage the air from the brick-kilns of West Drayton and the late +hayfields fanned her still gushed cheeks. Flowers had seemed to be +had for the picking; now they were all thorned and prickled. But the +golden flower within the crown of spikes seemed to her tenacious +spirit all the fairer and more desirable. + + + + +IX + +THE FAT IN THE FIRE + + +On reaching home Fleur found an atmosphere so peculiar that it +penetrated even the perplexed aura of her own private life. Her +mother was inaccessibly entrenched in a brown study; her father +contemplating fate in the vinery. Neither of them had a word to +throw to a dog. 'Is it because of me?' thought Fleur. 'Or because +of Profond?' To her mother she said: + +"What's the matter with Father?" + +Her mother answered with a shrug of her shoulders. + +To her father: + +"What's the matter with Mother?" + +Her father answered: + +"Matter? What should be the matter?" and gave her a sharp look. + +"By the way," murmured Fleur, "Monsieur Profond is going a 'small' +voyage on his yacht, to the South Seas." + +Soames examined a branch on which no grapes were growing. + +"This vine's a failure," he said. "I've had young Mont here. He +asked me something about you." + +"Oh! How do you like him, Father?" + +"He--he's a product--like all these young people." + +"What were you at his age, dear?" + +Soames smiled grimly. + +"We went to work, and didn't play about--flying and motoring, and +making love." + +"Didn't you ever make love?" + +She avoided looking at him while she said that, but she saw him well +enough. His pale face had reddened, his eyebrows, where darkness was +still mingled with the grey, had come close together. + +"I had no time or inclination to philander." + +"Perhaps you had a grand passion." + +Soames looked at her intently. + +"Yes--if you want to know--and much good it did me." He moved away, +along by the hot-water pipes. Fleur tiptoed silently after him. + +"Tell me about it, Father!" + +Soames became very still. + +"What should you want to know about such things, at your age?" + +"Is she alive?" + +He nodded. + +"And married?" Yes." + +"It's Jon Forsyte's mother, isn't it? And she was your wife first." + +It was said in a flash of intuition. Surely his opposition came from +his anxiety that she should not know of that old wound to his pride. +But she was startled. To see some one so old and calm wince as if +struck, to hear so sharp a note of pain in his voice! + +"Who told you that? If your aunt! I can't bear the affair talked +of." + +"But, darling," said Fleur, softly, "it's so long ago." + +"Long ago or not, I...." + +Fleur stood stroking his arm. + +"I've tried to forget," he said suddenly; "I don't wish to be +reminded." And then, as if venting some long and secret irritation, +he added: "In these days people don't understand. Grand passion, +indeed! No one knows what it is." + +"I do," said Fleur, almost in a whisper. + +Soames, who had turned his back on her, spun round. + +"What are you talking of--a child like you!" + +"Perhaps I've inherited it, Father." + +"What?" + +"For her son, you see." + +He was pale as a sheet, and she knew that she was as bad. They stood +staring at each other in the steamy heat, redolent of the mushy scent +of earth, of potted geranium, and of vines coming along fast. + +"This is crazy," said Soames at last, between dry lips. + +Scarcely moving her own, she murmured: + +"Don't be angry, Father. I can't help it." + +But she could see he wasn't angry; only scared, deeply scared. + +"I thought that foolishness," he stammered, "was all forgotten." + +"Oh, no! It's ten times what it was." + +Soames kicked at the hot-water pipe. The hapless movement touched +her, who had no fear of her father--none. + +"Dearest!" she said. "What must be, must, you know." + +"Must!" repeated Soames. "You don't know what you're talking of. +Has that boy been told?" + +The blood rushed into her cheeks. + +"Not yet." + +He had turned from her again, and, with one shoulder a little raised, +stood staring fixedly at a joint in the pipes. + +"It's most distasteful to me," he said suddenly; "nothing could be +more so. Son of that fellow! It's--it's--perverse!" + +She had noted, almost unconsciously, that he did not say "son of that +woman," and again her intuition began working. + +Did the ghost of that grand passion linger in some corner of his +heart? + +She slipped her hand under his arm. + +"Jon's father is quite ill and old; I saw him." + +"You--?" + +"Yes, I went there with Jon; I saw them both." + +"Well, and what did they say to you?" + +"Nothing. They were very polite." + +"They would be." He resumed his contemplation of the pipe-joint, and +then said suddenly: + +"I must think this over--I'll speak to you again to-night." + +She knew this was final for the moment, and stole away, leaving him +still looking at the pipe-joint. She wandered into the fruit-garden, +among the raspberry and currant bushes, without impetus to pick and +eat. Two months ago--she was light-hearted! Even two days ago-- +light-hearted, before Prosper Profond told her. Now she felt tangled +in a web-of passions, vested rights, oppressions and revolts, the +ties of love and hate. At this dark moment of discouragement there +seemed, even to her hold-fast nature, no way out. How deal with it-- +how sway and bend things to her will, and get her heart's desire? +And, suddenly, round the corner of the high box hedge, she came plump +on her mother, walking swiftly, with an open letter in her hand. Her +bosom was heaving, her eyes dilated, her cheeks flushed. Instantly +Fleur thought: 'The yacht! Poor Mother!' + +Annette gave her a wide startled look, and said: + +"J'ai la migraine." + +"I'm awfully sorry, Mother." + +"Oh, yes! you and your father--sorry!" + +"But, Mother--I am. I know what it feels like." + +Annette's startled eyes grew wide, till the whites showed above them. + +"Poor innocent!" she said. + +Her mother--so self-possessed, and commonsensical--to look and speak +like this! It was all frightening! Her father, her mother, herself! +And only two months back they had seemed to have everything they +wanted in this world. + +Annette crumpled the letter in her hand. Fleur knew that she must +ignore the sight. + +"Can't I do anything for your head, Mother?" + +Annette shook that head and walked on, swaying her hips. + +'It's cruel,' thought Fleur, 'and I was glad! That man! What do men +come prowling for, disturbing everything! I suppose he's tired of +her. What business has he to be tired of my mother? What business!' +And at that thought, so natural and so peculiar, she uttered a little +choked laugh. + +She ought, of course, to be delighted, but what was there to be +delighted at? Her father didn't really care! Her mother did, +perhaps? She entered the orchard, and sat down under a cherry-tree. +A breeze sighed in the higher boughs; the sky seen through their +green was very blue and very white in cloud--those heavy white clouds +almost always present in river landscape. Bees, sheltering out of +the wind, hummed softly, and over the lush grass fell the thick shade +from those fruit-trees planted by her father five-and-twenty, years +ago. Birds were almost silent, the cuckoos had ceased to sing, but +wood-pigeons were cooing. The breath and drone and cooing of high +summer were not for long a sedative to her excited nerves. Crouched +over her knees she began to scheme. Her father must be made to back +her up. Why should he mind so long as she was happy? She had not +lived for nearly nineteen years without knowing that her future was +all he really cared about. She had, then, only to convince him that +her future could not be happy without Jon. He thought it a mad +fancy. How foolish the old were, thinking they could tell what the +young felt! Had not he confessed that he--when young--had loved with +a grand passion? He ought to understand! 'He piles up his money for +me,' she thought; 'but what's the use, if I'm not going to be happy?' +Money, and all it bought, did not bring happiness. Love only brought +that. The ox-eyed daisies in this orchard, which gave it such a +moony look sometimes, grew wild and happy, and had their hour. 'They +oughtn't to have called me Fleur,' she mused, 'if they didn't mean me +to have my hour, and be happy while it lasts.' Nothing real stood in +the way, like poverty, or disease--sentiment only, a ghost from the +unhappy past! Jon was right. They wouldn't let you live, these old +people! They made mistakes, committed crimes, and wanted their +children to go on paying! The breeze died away; midges began to +bite. She got up, plucked a piece of honeysuckle, and went in. + +It was hot that night. Both she and her mother had put on thin, pale +low frocks. The dinner flowers were pale. Fleur was struck with the +pale look of everything; her father's face, her mother's shoulders; +the pale panelled walls, the pale grey velvety carpet, the lamp- +shade, even the soup was pale. There was not one spot of colour in +the room, not even wine in the pale glasses, for no one drank it. +What was not pale was black--her father's clothes, the butler's +clothes, her retriever stretched out exhausted in the window, the +curtains black with a cream pattern. A moth came in, and that was +pale. And silent was that half-mourning dinner in the heat. + +Her father called her back as she was following her mother out. + +She sat down beside him at the table, and, unpinning the pale +honeysuckle, put it to her nose. + +"I've been thinking," he said. + +"Yes, dear?" + +"It's extremely painful for me to talk, but there's no help for it. +I don't know if you understand how much you are to me I've never +spoken of it, I didn't think it necessary; but--but you're +everything. Your mother--" he paused, staring at his finger-bowl of +Venetian glass. + +"Yes?"' + +"I've only you to look to. I've never had--never wanted anything +else, since you were born." + +"I know," Fleur murmured. + +Soames moistened his lips. + +"You may think this a matter I can smooth over and arrange for you. +You're mistaken. I'm helpless." + +Fleur did not speak. + +"Quite apart from my own feelings," went on Soames with more +resolution, "those two are not amenable to anything I can say. They- +-they hate me, as people always hate those whom they have injured." +"But he--Jon--" + +"He's their flesh and blood, her only child. Probably he means to +her what you mean to me. It's a deadlock." + +"No," cried Fleur, "no, Father!" + +Soames leaned back, the image of pale patience, as if resolved on the +betrayal of no emotion. + +"Listen!" he said. "You're putting the feelings of two months--two +months--against the feelings of thirty-five years! What chance do +you think you have? Two months--your very first love affair, a +matter of half a dozen meetings, a few walks and talks, a few kisses- +-against, against what you can't imagine, what no one could who +hasn't been through it. Come, be reasonable, Fleur! It's midsummer +madness!" + +Fleur tore the honeysuckle into little, slow bits. + +"The madness is in letting the past spoil it all. + +What do we care about the past? It's our lives, not yours." + +Soames raised his hand to his forehead, where suddenly she saw +moisture shining. + +"Whose child are you?" he said. "Whose child is he? The present is +linked with the past, the future with both. There's no getting away +from that." + +She had never heard philosophy pass those lips before. Impressed +even in her agitation, she leaned her elbows on the table, her chin +on her hands. + +"But, Father, consider it practically. We want each other. There's +ever so much money, and nothing whatever in the way but sentiment. +Let's bury the past, Father." + +His answer was a sigh. + +"Besides," said Fleur gently, "you can't prevent us." + +"I don't suppose," said Soames, "that if left to myself I should try +to prevent you; I must put up with things, I know, to keep your +affection. But it's not I who control this matter. That's what I +want you to realise before it's too late. If you go on thinking you +can get your way and encourage this feeling, the blow will be much +heavier when you find you can't." + +"Oh!" cried Fleur, "help me, Father; you can help me, you know." + +Soames made a startled movement of negation. "I?" he said bitterly. +"Help? I am the impediment--the just cause and impediment--isn't +that the jargon? You have my blood in your veins." + +He rose. + +"Well, the fat's in the fire. If you persist in your wilfulness +you'll have yourself to blame. Come! Don't be foolish, my child--my +only child!" + +Fleur laid her forehead against his shoulder. + +All was in such turmoil within her. But no good to show it! No good +at all! She broke away from him, and went out into the twilight, +distraught, but unconvinced. All was indeterminate and vague within +her, like the shapes and shadows in the garden, except--her will to +have. A poplar pierced up into the dark-blue sky and touched a white +star there. The dew wetted her shoes, and chilled her bare +shoulders. She went down to the river bank, and stood gazing at a +moonstreak on the darkening water. Suddenly she smelled tobacco +smoke, and a white figure emerged as if created by the moon. It was +young Mont in flannels, standing in his boat. She heard the tiny +hiss of his cigarette extinguished in the water. + +"Fleur," came his voice, "don't be hard on a poor devil! I've been +waiting hours." + +"For what?" + +"Come in my boat!" + +"Not I." + +"Why not?" + +"I'm not a water-nymph." + +"Haven't you any romance in you? Don't be modern, Fleur!" + +He appeared on the path within a yard of her. + +"Go away!" + +"Fleur, I love you. Fleur!" + +Fleur uttered a short laugh. + +"Come again," she said, "when I haven't got my wish." + +"What is your wish?" + +"Ask another." + +"Fleur," said Mont, and his voice sounded strange, "don't mock me! +Even vivisected dogs are worth decent treatment before they're cut up +for good." + +Fleur shook her head; but her lips were trembling. + +"Well, you shouldn't make me jump. Give me a cigarette." + +Mont gave her one, lighted it, and another for himself. + +"I don't want to talk rot," he said, "but please imagine all the rot +that all the lovers that ever were have talked, and all my special +rot thrown in." + +"Thank you, I have imagined it. Good-night!" They stood for a +moment facing each other in the shadow of an acacia-tree with very +moonlit blossoms, and the smoke from their cigarettes mingled in the +air between them. + +"Also ran: 'Michael Mont'?" he said. Fleur turned abruptly toward +the house. On the lawn she stopped to look back. Michael Mont was +whirling his arms above him; she could see them dashing at his head; +then waving at the moonlit blossoms of the acacia. His voice just +reached her. "Jolly-jolly!" Fleur shook herself. She couldn't help +him, she had too much trouble of her own! On the verandah she +stopped very suddenly again. Her mother was sitting in the drawing- +room at her writing bureau, quite alone. There was nothing +remarkable in the expression of her face except its utter immobility. +But she looked desolate! Fleur went upstairs. At the door of her +room she paused. She could hear her father walking up and down, up +and down the picture-gallery. + +'Yes,' she thought, jolly! Oh, Jon!' + + + + +X + +DECISION + + +When Fleur left him Jon stared at the Austrian. She was a thin woman +with a dark face and the concerned expression of one who has watched +every little good that life once had slip from her, one by one. +"No tea?" she said. + +Susceptible to the disappointment in her voice, Jon murmured: + +"No, really; thanks." + +"A lil cup--it ready. A lil cup and cigarette." + +Fleur was gone! Hours of remorse and indecision lay before him! And +with a heavy sense of disproportion he smiled, and said: + +"Well--thank you!" + +She brought in a little pot of tea with two little cups, and a silver +box of cigarettes on a little tray. + +"Sugar? Miss Forsyte has much sugar--she buy my sugar, my friend's +sugar also. Miss Forsyte is a veree kind lady. I am happy to serve +her. You her brother?" + +"Yes," said Jon, beginning to puff the second cigarette of his life. + +"Very young brother," said the Austrian, with a little anxious smile, +which reminded him of the wag of a dog's tail. + +"May I give you some?" he said. "And won't you sit down, please?" + +The Austrian shook her head. + +"Your father a very nice old man--the most nice old man I ever see. +Miss Forsyte tell me all about him. Is he better?" + +Her words fell on Jon like a reproach. "Oh Yes, I think he's all +right." + +"I like to see him again," said the Austrian, putting a hand on her +heart; "he have veree kind heart." + +"Yes," said Jon. And again her words seemed to him a reproach. + +"He never give no trouble to no one, and smile so gentle." + +"Yes, doesn't he?" + +"He look at Miss Forsyte so funny sometimes. I tell him all my +story; he so sympatisch. Your mother--she nice and well?" + +"Yes, very." + +"He have her photograph on his dressing-table. Veree beautiful" + +Jon gulped down his tea. This woman, with her concerned face and her +reminding words, was like the first and second murderers. + +"Thank you," he said; "I must go now. May--may I leave this with +you?" + +He put a ten-shilling note on the tray with a doubting hand and +gained the door. He heard the Austrian gasp, and hurried out. He +had just time to catch his train, and all the way to Victoria looked +at every face that passed, as lovers will, hoping against hope. On +reaching Worthing he put his luggage into the local train, and set +out across the Downs for Wansdon, trying to walk off his aching +irresolution. So long as he went full bat, he could enjoy the beauty +of those green slopes, stopping now and again to sprawl on the grass, +admire the perfection of a wild rose or listen to a lark's song. But +the war of motives within him was but postponed--the longing for +Fleur, and the hatred of deception. He came to the old chalk-pit +above Wansdon with his mind no more made up than when he started. To +see both sides of a question vigorously was at once Jon's strength +and weakness. He tramped in, just as the first dinner-bell rang. +His things had already been brought up. He had a hurried bath and +came down to find Holly alone--Val had gone to Town and would not be +back till the last train. + +Since Val's advice to him to ask his sister what was the matter +between the two families, so much had happened--Fleur's disclosure in +the Green Park, her visit to Robin Hill, to-day's meeting--that there +seemed nothing to ask. He talked of Spain, his sunstroke, Val's +horses, their father's health. Holly startled him by saying that she +thought their father not at all well. She had been twice to Robin +Hill for the week-end. He had seemed fearfully languid, sometimes +even in pain, but had always refused to talk about himself. + +"He's awfully dear and unselfish--don't you think, Jon?" + +Feeling far from dear and unselfish himself, Jon answered: "Rather!" + +"I think, he's been a simply perfect father, so long as I can +remember." + +"Yes," answered Jon, very subdued. + +"He's never interfered, and he's always seemed to understand. I +shall never forget his letting me go to South Africa in the Boer War +when I was in love with Val." + +"That was before he married Mother, wasn't it?" said Jon suddenly. + +"Yes. Why?" + +"Oh! nothing. Only, wasn't she engaged to Fleur's father first?" + +Holly put down the spoon she was using, and raised her eyes. Her +stare was circumspect. What did the boy know? Enough to make it +better to tell him? She could not decide. He looked strained and +worried, altogether older, but that might be the sunstroke. + +"There was something," she said. "Of course we were out there, and +got no news of anything." She could not take the risk. + +It was not her secret. Besides, she was in the dark about his +feelings now. Before Spain she had made sure he was in love; but +boys were boys; that was seven weeks ago, and all Spain between. + +She saw that he knew she was putting him off, and added: + +"Have you heard anything of Fleur?" + +"Yes." + +His face told her, then, more than the most elaborate explanations. +So he had not forgotten! + +She said very quietly: "Fleur is awfully attractive, Jon, but you +know--Val and I don't really like her very much." + +"Why?" + +"We think she's got rather a 'having' nature." + +"'Having'? I don't know what you mean. She--she--" he pushed his +dessert plate away, got up, and went to the window. + +Holly, too, got up, and put her arm round his waist. + +"Don't be angry, Jon dear. We can't all see people in the same +light, can we? You know, I believe each of us only has about one or +two people who can see the best that's in us, and bring it out. For +you I think it's your mother. I once saw her looking at a letter of +yours; it was wonderful to see her face. I think she's the most +beautiful woman I ever saw--Age doesn't seem to touch her." + +Jon's face softened; then again became tense. Everybody--everybody +was against him and Fleur! It all strengthened the appeal of her +words: "Make sure of me--marry me, Jon!" + +Here, where he had passed that wonderful week with her--the tug of +her enchantment, the ache in his heart increased with every minute +that she was not there to make the room, the garden, the very air +magical. Would he ever be able to live down here, not seeing her? +And he closed up utterly, going early to bed. It would not make him +healthy, wealthy, and wise, but it closeted him with memory of Fleur +in her fancy frock. He heard Val's arrival--the Ford discharging +cargo, then the stillness of the summer night stole back--with only +the bleating of very distant sheep, and a night-Jar's harsh purring. +He leaned far out. Cold moon--warm air--the Downs like silver! +Small wings, a stream bubbling, the rambler roses! God--how empty +all of it without her! In the Bible it was written: Thou shalt leave +father and mother and cleave to--Fleur! + +Let him have pluck, and go and tell them! They couldn't stop him +marrying her--they wouldn't want to stop him when they knew how he +felt. Yes! He would go! Bold and open--Fleur was wrong! + +The night-jar ceased, the sheep were silent; the only sound in the +darkness was the bubbling of the stream. And Jon in his bed slept, +freed from the worst of life's evils--indecision. + + + + +XI + +TIMOTHY PROPHESIES + + +On the day of the cancelled meeting at the National Gallery began the +second anniversary of the resurrection of England's pride and glory-- +or, more shortly, the top hat. " Lord's"--that festival which the +War had driven from the field--raised its light and dark blue flags +for the second time, displaying almost every feature of a glorious +past. Here, in the luncheon interval, were all species of female and +one species of male hat, protecting the multiple types of face +associated with "the classes." The observing Forsyte might discern +in the free or unconsidered seats a certain number of the squash- +hatted, but they hardly ventured on the grass; the old school--or +schools--could still rejoice that the proletariat was not yet paying +the necessary half-crown. Here was still a close borough, the only +one left on a large scale--for the papers were about to estimate the +attendance at ten thousand. And the ten thousand, all animated by +one hope, were asking each other one question: "Where are you +lunching?" Something wonderfully uplifting and reassuring in that +query and the sight of so many people like themselves voicing it! +What reserve power in the British realm--enough pigeons, lobsters, +lamb, salmon mayonnaise, strawberries, and bottles of champagne to +feed the lot! No miracle in prospect--no case of seven loaves and a +few fishes--faith rested on surer foundations. Six thousand top +hats, four thousand parasols would be doffed and furled, ten thousand +mouths all speaking the same English would be filled. There was life +in the old dog yet! Tradition! And again Tradition! How strong and +how elastic! Wars might rage, taxation prey, Trades Unions take +toll, and Europe perish of starvation; but the ten thousand would be +fed; and, within their ring fence, stroll upon green turf, wear their +top hats, and meet--themselves. The heart was sound, the pulse still +regular. E-ton! E-ton! Har-r-o-o-o-w! + +Among the many Forsytes, present on a hunting-ground theirs, by +personal prescriptive right, or proxy, was Soames with his wife and +daughter. He had not been at either school, he took no interest in +cricket, but he wanted Fleur to show her frock, and he wanted to wear +his top hat parade it again in peace and plenty among his peers. He +walked sedately with Fleur between him and Annette. No women +equalled them, so far as he could see. They could walk, and hold +themselves up; there was substance in their good looks; the modern +woman had no build, no chest, no anything! He remembered suddenly +with what intoxication of pride he had walked round with Irene in the +first years of his first marriage. And how they used to lunch on the +drag which his mother would make his father have, because it was so +"chic"--all drags and carriages in those days, not these lumbering +great Stands! And how consistently Montague Dartie had drunk too +much. He supposed that people drank too much still, but there was +not the scope for it there used to be. He remembered George Forsyte- +-whose brothers Roger and Eustace had been at Harrow and Eton-- +towering up on the top of the drag waving a light-blue flag with one +hand and a dark-blue flag with the other, and shouting "Etroow- +Harrton!" Just when everybody was silent, like the buffoon he had +always been; and Eustace got up to the nines below, too dandified to +wear any colour or take any notice. H'm! Old days, and Irene in +grey silk shot with palest green. He looked, sideways, at Fleur's +face. Rather colourless-no light, no eagerness! That love affair +was preying on her--a bad business! He looked beyond, at his wife's +face, rather more touched up than usual, a little disdainful--not +that she had any business to disdain, so far as he could see. She +was taking Profond's defection with curious quietude; or was his +"small" voyage just a blind? If so, he should refuse to see it! +Having promenaded round the pitch and in front of the pavilion, they +sought Winifred's table in the Bedouin Club tent. This Club--a new +"cock and hen"--had been founded in the interests of travel, and of a +gentleman with an old Scottish name, whose father had somewhat +strangely been called Levi. Winifred had joined, not because she had +travelled, but because instinct told her that a Club with such a name +and such a founder was bound to go far; if one didn't join at once +one might never have the chance. Its tent, with a text from the +Koran on an orange ground, and a small green camel embroidered over +the entrance, was the most striking on the ground. Outside it they +found Jack Cardigan in a dark blue tie (he had once played for +Harrow), batting with a Malacca cane to show how that fellow ought to +have hit that ball. He piloted them in. Assembled in Winifred's +corner were Imogen, Benedict with his young wife, Val Dartie without +Holly, Maud and her husband, and, after Soames and his two were +seated, one empty place. + +"I'm expecting Prosper," said Winifred, "but he's so busy with his +yacht." + +Soames stole a glance. No movement in his wife's face! Whether that +fellow were coming or not, she evidently knew all about it. It did +not escape him that Fleur, too, looked at her mother. If Annette +didn't respect his feelings, she might think of Fleur's! The +conversation, very desultory, was syncopated by Jack Cardigan talking +about "mid-off." He cited all the "great mid-offs" from the +beginning of time, as if they had been a definite racial entity in +the composition of the British people. Soames had finished his +lobster, and was beginning on pigeon-pie, when he heard the words, +"I'm a small bit late, Mrs. Dartie," and saw that there was no longer +any empty place. That fellow was sitting between Annette and Imogen. +Soames ate steadily on, with an occasional word to Maud and Winifred. +Conversation buzzed around him. He heard the voice of Profond say: + +"I think you're mistaken, Mrs. Forsyde; I'll--I'll bet Miss Forsyde +agrees with me." + +"In what?" came Fleur's clear voice across the table. + +"I was sayin', young gurls are much the same as they always were-- +there's very small difference." + +"Do you know so much about them?" + + +That sharp reply caught the ears of all, and Soames moved uneasily on +his thin green chair. + +"Well, I don't know, I think they want their own small way, and I +think they always did." + +"Indeed!" + +"Oh, but--Prosper,"Winifred interjected comfortably, "the girls in +the streets--the girls who've been in munitions, the little flappers +in the shops; their manners now really quite hit you in the eye." + +At the word "hit" Jack Cardigan stopped his disquisition; and in the +silence Monsieur Profond said: + +"It was inside before, now it's outside; that's all." + +"But their morals!" cried Imogen. + +"Just as moral as they ever were, Mrs. Cardigan, but they've got more +opportunity." + +The saying, so cryptically cynical, received a little laugh from +Imogen, a slight opening of Jack Cardigan's mouth, and a creak from +Soames' chair. + +Winifred said: "That's too bad, Prosper." + +"What do you say, Mrs. Forsyde; don't you think human nature's always +the same?" + +Soames subdued a sudden longing to get up and kick the fellow. He +heard his wife reply: + +"Human nature is not the same in England as anywhere else." That was +her confounded mockery! + +"Well, I don't know much about this small country"--'No, thank God!' +thought Soames--"but I should say the pot was boilin' under the lid +everywhere. We all want pleasure, and we always did." + +Damn the fellow! His cynicism was--was outrageous! + +When lunch was over they broke up into couples for the digestive +promenade. Too proud to notice, Soames knew perfectly that Annette +and that fellow had gone prowling round together. Fleur was with +Val; she had chosen him, no doubt, because he knew that boy. He +himself had Winifred for partner. They walked in the bright, +circling stream, a little flushed and sated, for some minutes, till +Winifred sighed: + +"I wish we were back forty years, old boy!" + +Before the eyes of her spirit an interminable procession of her own +"Lord's" frocks was passing, paid for with the money of her father, +to save a recurrent crisis. "It's been very amusing, after all. +Sometimes I even wish Monty was back. What do you think of people +nowadays, Soames?" + +"Precious little style. The thing began to go to pieces with +bicycles and motor-cars; the War has finished it." + +"I wonder what's coming?" said Winifred in a voice dreamy from +pigeon-pie. "I'm not at all sure we shan't go back to crinolines and +pegtops. Look at that dress!" + +Soames shook his head. + +"There's money, but no faith in things. We don't lay by for the +future. These youngsters--it's all a short life and a merry one with +them." + +"There's a hat!" said Winifred. "I don't know--when you come to +think of the people killed and all that in the War, it's rather +wonderful, I think. There's no other country--Prosper says the rest +are all bankrupt, except America; and of course her men always took +their style in dress from us." + +"Is that chap," said Soames, "really going to the South Seas?" + +"Oh! one never knows where Prosper's going!" + +"He's a sign of the times," muttered Soames, "if you like." + +Winifred's hand gripped his arm. + +"Don't turn your head," she said in a low voice, "but look to your +right in the front row of the Stand." + +Soames looked as best he could under that limitation. A man in a +grey top hat, grey-bearded, with thin brown, folded cheeks, and a +certain elegance of posture, sat there with a woman in a lawn- +coloured frock, whose dark eyes were fixed on himself. Soames looked +quickly at his feet. How funnily feet moved, one after the other +like that! Winifred's voice said in his ear: + +"Jolyon looks very ill; but he always had style. She doesn't change- +-except her hair." + +"Why did you tell Fleur about that business?" + +"I didn't; she picked it up. I always knew she would." + +"Well, it's a mess. She's set her heart upon their boy." + +"The little wretch," murmured Winifred. "She tried to take me in +about that. What shall you do, Soames?" + +"Be guided by events." + +They moved on, silent, in the almost solid crowd. + +"Really," said Winifred suddenly; "it almost seems like Fate. Only +that's so old-fashioned. Look! there are George and Eustace!" + +George Forsyte's lofty bulk had halted before them. + +"Hallo, Soames!" he said. "Just met Profond and your wife. You'll +catch 'em if you put on pace. Did you ever go to see old Timothy?" + +Soames nodded, and the streams forced them apart. + +"I always liked old George," said Winifred. "He's so droll." + +"I never did," said Soames. "Where's your seat? I shall go to mine. +Fleur may be back there." + +Having seen Winifred to her seat, he regained his own, conscious of +small, white, distant figures running, the click of the bat, the +cheers and counter-cheers. No Fleur, and no Annette! You could +expect nothing of women nowadays! They had the vote. They were +"emancipated," and much good it was doing them! So Winifred would go +back, would she, and put up with Dartie all over again? To have the +past once more--to be sitting here as he had sat in '83 and '84, +before he was certain that his marriage with Irene had gone all +wrong, before her antagonism had become so glaring that with the best +will in the world he could not overlook it. The sight of her with +that fellow had brought all memory back. Even now he could not +understand why she had been so impracticable. She could love other +men; she had it in her! To himself, the one person she ought to have +loved, she had chosen to refuse her heart. It seemed to him, +fantastically, as he looked back, that all this modern relaxation of +marriage--though its forms and laws were the same as when he married +her--that all this modern looseness had come out of her revolt; it +seemed to him, fantastically, that she had started it, till all +decent ownership of anything had gone, or was on the point of going. +All came from her! And now--a pretty state of things! Homes! How +could you have them without mutual ownership? Not that he had ever +had a real home! But had that been his fault? He had done his best. +And his rewards were--those two sitting in that Stand, and this +affair of Fleur's! + +And overcome by loneliness he thought: 'Shan't wait any longer! They +must find their own way back to the hotel--if they mean to come!' +Hailing a cab outside the ground, he said: + +"Drive me to the Bayswater Road." His old aunts had never failed +him. To them he had meant an ever-welcome visitor. Though they were +gone, there, still, was Timothy! + +Smither was standing in the open doorway. + +"Mr. Soames! I was just taking the air. Cook will be so pleased." + +"How is Mr. Timothy?" + +"Not himself at all these last few days, sir; he's been talking a +great deal. Only this morning he was saying: 'My brother James, he's +getting old.' His mind wanders, Mr. Soames, and then he will talk of +them. He troubles about their investments. The other day he said: +'There's my brother Jolyon won't look at Consols'--he seemed quite +down about it. Come in, Mr. Soames, come in! It's such a pleasant +change!" + +"Well," said Soames, "just for a few minutes." + +"No," murmured Smither in the hall, where the air had the singular +freshness of the outside day, "we haven't been very satisfied with +him, not all this week. He's always been one to leave a titbit to +the end; but ever since Monday he's been eating it first. If you +notice a dog, Mr. Soames, at its dinner, it eats the meat first. +We've always thought it such a good sign of Mr. Timothy at his age to +leave it to the last, but now he seems to have lost all his self- +control; and, of course, it makes him leave the rest. The doctor +doesn't make anything of it, but"--Smither shook her head--"he seems +to think he's got to eat it first, in case he shouldn't get to it. +That and his talking makes us anxious." + +"Has he said anything important?" + +"I shouldn't like to say that, Mr. Soames; but he's turned against +his Will. He gets quite pettish--and after having had it out every +morning for years, it does seem funny. He said the other day: 'They +want my money.' It gave me such a turn, because, as I said to him, +nobody wants his money, I'm sure. And it does seem a pity he should +be thinking about money at his time of life. I took my courage in my +'ands. 'You know, Mr. Timothy,' I said, 'my dear mistress'--that's +Miss Forsyte, Mr. Soames, Miss Ann that trained me--'she never +thought about money,' I said, 'it was all character with her.' He +looked at me, I can't tell you how funny, and he said quite dry: +'Nobody wants my character.' Think of his saying a thing like that! +But sometimes he'll say something as sharp and sensible as anything." + +Soames, who had been staring at an old print by the hat-rack, +thinking, 'That's got value!' murmured: "I'll go up and see him, +Smither." + +"Cook's with him," answered Smither above her corsets; "she will be +pleased to see you." + +He mounted slowly, with the thought: 'Shan't care to live to be that +age.' + +On the second floor, he paused, and tapped. The door was opened, and +he saw the round homely face of a woman about sixty. + +"Mr. Soames!" she said: "Why! Mr. Soames!" + +Soames nodded. "All right, Cook!" and entered. + +Timothy was propped up in bed, with his hands joined before his +chest, and his eyes fixed on the ceiling, where a fly was standing +upside down. Soames stood at the foot of the bed, facing him. + +"Uncle Timothy," he said, raising his voice. "Uncle Timothy!" + +Timothy's eyes left the fly, and levelled themselves on his visitor. +Soames could see his pale tongue passing over his darkish lips. + +"Uncle Timothy," he said again, "is there anything I can do for you? +Is there anything you'd like to say?" + +"Ha!" said Timothy. + +"I've come to look you up and see that everything's all right." + +Timothy nodded. He seemed trying to get used to the apparition +before him. + +"Have you got everything you want?" + +"No," said Timothy. + +"Can I get you anything?" + +"No," said Timothy. + +"I'm Soames, you know; your nephew, Soames Forsyte. Your brother +James' son." + +Timothy nodded. + +"I shall be delighted to do anything I can for you." + +Timothy beckoned. Soames went close to him: + +"You--" said Timothy in a voice which seemed to have outlived tone, +"you tell them all from me--you tell them all--" and his finger +tapped on Soames' arm, "to hold on--hold on--Consols are goin' up," +and he nodded thrice. + +"All right!" said Soames; "I will." + +"Yes," said Timothy, and, fixing his eyes again on the ceiling, he +added: "That fly!" + +Strangely moved, Soames looked at the Cook's pleasant fattish face, +all little puckers from staring at fires. + +"That'll do him a world of good, sir," she said. + +A mutter came from Timothy, but he was clearly speaking to himself, +and Soames went out with the cook. + +"I wish I could make you a pink cream, Mr. Soames, like in old days; +you did so relish them. Good-bye, sir; it has been a pleasure." + +"Take care of him, Cook, he is old." + +And, shaking her crumpled hand, he went down-stairs. Smither was +still taking the air in the doorway. + +"What do you think of him, Mr. Soames?" + +"H'm!" Soames murmured: "He's lost touch." + +"Yes," said Smither, "I was afraid you'd think that coming fresh out +of the world to see him like." + +"Smither," said Soames, "we're all indebted to you." + +"Oh, no, Mr. Soames, don't say that! It's a pleasure--he's such a +wonderful man." + +"Well, good-bye!" said Soames, and got into his taxi. + +'Going up!' he thought; 'going up!' + +Reaching the hotel at Knightsbridge he went to their sitting-room, +and rang for tea. Neither of them were in. And again that sense of +loneliness came over him. These hotels. What monstrous great places +they were now! He could remember when there was nothing bigger than +Long's or Brown's, Morley's or the Tavistock, and the heads that were +shaken over the Langham and the Grand. Hotels and Clubs--Clubs and +Hotels; no end to them now! And Soames, who had just been watching +at Lord's a miracle of tradition and continuity, fell into reverie +over the changes in that London where he had been born five-and-sixty +years before. Whether Consols were going up or not, London had +become a terrific property. No such property in the world, unless it +were New York! There was a lot of hysteria in the papers nowadays; +but any one who, like himself, could remember London sixty years ago, +and see it now, realised the fecundity and elasticity of wealth. +They had only to keep their heads, and go at it steadily. Why! he +remembered cobblestones, and stinking straw on the floor of your cab. +And old Timothy--what could be not have told them, if he had kept his +memory! Things were unsettled, people in a funk or in a hurry, but +here were London and the Thames, and out there the British Empire, +and the ends of the earth. "Consols are goin' up!" He should n't be +a bit surprised. It was the breed that counted. And all that was +bull-dogged in Soames stared for a moment out of his grey eyes, till +diverted by the print of a Victorian picture on the walls. The hotel +had bought three dozen of that little lot! The old hunting or +"Rake's Progress" prints in the old inns were worth looking at--but +this sentimental stuff--well, Victorianism had gone! "Tell them to +hold on!" old Timothy had said. But to what were they to hold on in +this modern welter of the "democratic principle"? Why, even privacy +was threatened! And at the thought that privacy might perish, Soames +pushed back his teacup and went to the window. Fancy owning no more +of Nature than the crowd out there owned of the flowers and trees and +waters of Hyde Park! No, no! Private possession underlay everything +worth having. The world had slipped its sanity a bit, as dogs now +and again at full moon slipped theirs and went off for a night's +rabbiting; but the world, like the dog, knew where its bread was +buttered and its bed warm, and would come back sure enough to the +only home worth having--to private ownership. The world was in its +second childhood for the moment, like old Timothy--eating its titbit +first! + +He heard a sound behind him, and saw that his wife and daughter had +come in. + +"So you're back!" he said. + +Fleur did not answer; she stood for a moment looking at him and her +mother, then passed into her bedroom. Annette poured herself out a +cup of tea. + +"I am going to Paris, to my mother, Soames." "Oh! To your mother?" + +"Yes." + +"For how long?" + +"I do not know." + +"And when are you going?" + +"On Monday." + +Was she really going to her mother? Odd, how indifferent he felt! +Odd, how clearly she had perceived the indifference he would feel so +long as there was no scandal. And suddenly between her and himself +he saw distinctly the face he had seen that afternoon--Irene's. + +"Will you want money?" + +"Thank you; I have enough." + +"Very well. Let us know when you are coming back." + +Annette put down the cake she was fingering, and, looking up through +darkened lashes, said: + +"Shall I give Maman any message?" + +"My regards." + +Annette stretched herself, her hands on her waist, and said in +French: + +"What luck that you have never loved me, Soames!" Then rising, she +too left the room. Soames was glad she had spoken it in French--it +seemed to require no dealing with. Again that other face--pale, +dark-eyed, beautiful still! And there stirred far down within him +the ghost of warmth, as from sparks lingering beneath a mound of +flaky ash. And Fleur infatuated with her boy! Queer chance! Yet, +was there such a thing as chance? A man went down a street, a brick +fell on his head. Ah! that was chance, no doubt. But this! +"Inherited," his girl had said. She--she was "holding on"! + + + + + + +PART III + + +I + +OLD JOLYON WALKS + + +Twofold impulse had made Jolyon say to his wife at breakfast +"Let's go up to Lord's!" + +"Wanted"--something to abate the anxiety in which those two had lived +during the sixty hours since Jon had brought Fleur down. "Wanted"-- +too, that which might assuage the pangs of memory in one who knew he +might lose them any day! + +Fifty-eight years ago Jolyon had become an Eton boy, for old Jolyon's +whim had been that he should be canonised at the greatest possible +expense. Year after year he had gone to Lord's from Stanhope Gate +with a father whose youth in the eighteen-twenties had been passed +without polish in the game of cricket. Old Jolyon would speak quite +openly of swipes, full tosses, half and three-quarter balls; and +young Jolyon with the guileless snobbery of youth had trembled lest +his sire should be overheard. Only in this supreme matter of cricket +he had been nervous, for his father--in Crimean whiskers then--had +ever impressed him as the beau ideal. Though never canonised +himself, Old Jolyon's natural fastidiousness and balance had saved +him from the errors of the vulgar. How delicious, after howling in a +top hat and a sweltering heat, to go home with his father in a hansom +cab, bathe, dress, and forth to the "Disunion" Club, to dine off +white bait, cutlets, and a tart, and go--two "swells," old and young, +in lavender kid gloves--to the opera or play. And on Sunday, when +the match was over, and his top hat duly broken, down with his father +in a special hansom to the "Crown and Sceptre," and the terrace above +the river--the golden sixties when the world was simple, dandies +glamorous, Democracy not born, and the books of Whyte Melville coming +thick and fast. + +A generation later, with his own boy, Jolly, Harrow-buttonholed with +corn-flowers--by old Jolyon's whim his grandson had been canonised at +a trifle less expense--again Jolyon had experienced the heat and +counter-passions of the day, and come back to the cool and the +strawberry beds of Robin Hill, and billiards after dinner, his boy +making the most heart-breaking flukes and trying to seem languid and +grown-up. Those two days each year he and his son had been alone +together in the world, one on each side--and Democracy just born! + +And so, he had unearthed a grey top hat, borrowed a tiny bit of +light-blue ribbon from Irene, and gingerly, keeping cool, by car and +train and taxi, had reached Lord's Ground. There, beside her in a +lawn-coloured frock with narrow black edges, he had watched the game, +and felt the old thrill stir within him. + +When Soames passed, the day was spoiled. Irene's face was distorted +by compression of the lips. No good to go on sitting here with +Soames or perhaps his daughter recurring in front of them, like +decimals. And he said: + +"Well, dear, if you've had enough--let's go!" + +That evening Jolyon felt exhausted. Not wanting her to see him thus, +he waited till she had begun to play, and stole off to the little +study. He opened the long window for air, and the door, that he +might still hear her music drifting in; and, settled in his father's +old armchair, closed his eyes, with his head against the worn brown +leather. Like that passage of the Cesar Franck Sonata--so had been +his life with her, a divine third movement. And now this business of +Jon's--this bad business! Drifted to the edge of consciousness, he +hardly knew if it were in sleep that he smelled the scent of a cigar, +and seemed to see his father in the blackness before his closed eyes. +That shape formed, went, and formed again; as if in the very chair +where he himself was sitting, he saw his father, black-coated, with. +knees crossed, glasses balanced between thumb and finger; saw the big +white moustaches, and the deep eyes looking up below a dome of +forehead and seeming to search his own, seeming to speak. "Are you +facing it, Jo? It's for you to decide. She's only a woman!" Ah! +how well he knew his father in that phrase; how all the Victorian Age +came up with it! And his answer "No, I've funked it--funked hurting +her and Jon and myself. I've got a heart; I've funked it." But the +old eyes, so much older, so much younger than his own, kept at it; +"It's your wife, your son; your past. Tackle it, my boy!" Was it a +message from walking spirit; or but the instinct of his sire living +on within him? And again came that scent of cigar smoke-from the old +saturated leather. Well! he would tackle it, write to Jon, and put +the whole thing down in black and white! And suddenly he breathed +with difficulty, with a sense of suffocation, as if his heart were +swollen. He got up and went out into the air. The stars were very +bright. He passed along the terrace round the corner of the house, +till, through the window of the music-room, he could see Irene at the +piano, with lamp-light falling on her powdery hair; withdrawn into +herself she seemed, her dark eyes staring straight before her, her +hands idle. Jolyon saw her raise those hands and clasp them over her +breast. 'It's Jon, with her,' he thought; 'all Jon! I'm dying out of +her--it's natural!' + +And, careful not to be seen, he stole back. + +Next day, after a bad night, he sat down to his task. He wrote with +difficulty and many erasures. + + +"MY DEAREST BOY, + +"You are old enough to understand how very difficult it is for elders +to give themselves away to their young. Especially when--like your +mother and myself, though I shall never think of her as anything but +young--their hearts are altogether set on him to whom they must +confess. I cannot say we are conscious of having sinned exactly-- +people in real life very seldom are, I believe--but most persons +would say we had, and at all events our conduct, righteous or not, +has found us out. The truth is, my dear, we both have pasts, which +it is now my task to make known to you, because they so grievously +and deeply affect your future. Many, very many years ago, as far +back indeed as 1883, when she was only twenty, your mother had the +great and lasting misfortune to make an unhappy marriage--no, not +with me, Jon. Without money of her own, and with only a stepmother-- +closely related to Jezebel--she was very unhappy in her home life. +It was Fleur's father that she married, my cousin Soames Forsyte. He +had pursued her very tenaciously and to do him justice was deeply in +love with her. Within a week she knew the fearful mistake she had +made. It was not his fault; it was her error of judgment--her +misfortune." + +So far Jolyon had kept some semblance of irony, but now his subject +carried him away. + +"Jon, I want to explain to you if I can--and it's very hard--how it +is that an unhappy marriage such as this can so easily come about. +You will of course say: 'If she didn't really love him how could she +ever have married him?' You would be right if it were not for one or +two rather terrible considerations. From this initial mistake of +hers all the subsequent trouble, sorrow, and tragedy have come, and +so I must make it clear to you if I can. You see, Jon, in those days +and even to this day--indeed, I don't see, for all the talk of +enlightenment, how it can well be otherwise--most girls are married +ignorant of the sexual side of life. Even if they know what it means +they have not experienced it. That's the crux. It is this actual +lack of experience, whatever verbal knowledge they have, which makes +all the difference and all the trouble. In a vast number of +marriages-and your mother's was one--girls are not and cannot be +certain whether they love the man they marry or not; they do not know +until after that act of union which makes the reality of marriage. +Now, in many, perhaps in most doubtful cases, this act cements and +strengthens the attachment, but in other cases, and your mother's +was one, it is a revelation of mistake, a destruction of such +attraction as there was. There is nothing more tragic in a woman's +life than such a revelation, growing daily, nightly clearer. +Coarse-grained and unthinking people are apt to laugh at such a +mistake, and say, 'What a fuss about nothing!' Narrow and self- +righteous people, only capable of judging the lives of others by +their own, are apt to condemn those who make this tragic error, to +condemn them for life to the dungeons they have made for themselves. +You know the expression: 'She has made her bed, she must lie on it!' +It is a hard-mouthed saying, quite unworthy of a gentleman or lady in +the best sense of those words; and I can use no stronger +condemnation. I have not been what is called a moral man, but I wish +to use no words to you, my dear, which will make you think lightly of +ties or contracts into which you enter. Heaven forbid! But with the +experience of a life behind me I do say that those who condemn the +victims of these tragic mistakes, condemn them and hold out no hands +to help them, are inhuman, or rather they would be if they had the +understanding to know what they are doing. But they haven't! Let +them go! They are as much anathema to me as I, no doubt, am to them. +I have had to say all this, because I am going to put you into a +position to judge your mother, and you are very young, without +experience of what life is. To go on with the story. After three +years of effort to subdue her shrinking--I was going to say her +loathing and it's not too strong a word, for shrinking soon becomes +loathing under such circumstances--three years of what to a +sensitive, beauty-loving nature like your mother's, Jon, was torment, +she met a young man who fell in love with her. He was the architect +of this very house that we live in now, he was building it for her +and Fleur's father to live in, a new prison to hold her, in place of +the one she inhabited with him in London. Perhaps that fact played +some part in what came of it. But in any case she, too, fell in love +with him. I know it's not necessary to explain to you that one does +not precisely choose with whom one will fall in love. It comes. +Very well! It came. I can imagine--though she never said much to me +about it--the struggle that then took place in her, because, Jon, she +was brought up strictly and was not light in her ideas--not at all. +However, this was an overwhelming feeling, and it came to pass that +they loved in deed as well as in thought. Then came a fearful +tragedy. I must tell you of it because if I don't you will never +understand the real situation that you have now to face. The man +whom she had married--Soames Forsyte, the father of Fleur one night, +at the height of her passion for this young man, forcibly reasserted +his rights over her. The next day she met her lover and told him of +it. Whether he committed suicide or whether he was accidentally run +over in his distraction, we never knew; but so it was. Think of your +mother as she was that evening when she heard of his death. I +happened to see her. Your grandfather sent me to help her if I +could. I only just saw her, before the door was shut against me by +her husband. But I have never forgotten her face, I can see it now. +I was not in love with her then, not for twelve years after, but I +have never for gotten. My dear boy--it is not easy to write like +this. But you see, I must. Your mother is wrapped up in you, +utterly, devotedly. I don't wish to write harshly of Soames Forsyte. +I don't think harshly of him. I have long been sorry for him; +perhaps I was sorry even then. As the world judges she was in error, +he within his rights. He loved her--in his way. She was his +property. That is the view he holds of life--of human feelings and +hearts--property. It's not his fault--so was he born. To me it is a +view that has always been abhorrent--so was I born! Knowing you as I +do, I feel it cannot be otherwise than abhorrent to you. Let me go +on with the story. Your mother fled from his house that night; for +twelve years she lived quietly alone without companionship of any +sort, until in 1899 her husband--you see, he was still her husband, +for he did not attempt to divorce her, and she of course had no right +to divorce him--became conscious, it seems, of the want of children, +and commenced a long attempt to induce her to go back to him and give +him a child. I was her trustee then, under your Grandfather's Will, +and I watched this going on. While watching, I became attached to +her, devotedly attached. His pressure increased, till one day she +came to me here and practically put herself under my protection. Her +husband, who was kept informed of all her movements, attempted to +force us apart by bringing a divorce suit, or possibly he really +meant it, I don't know; but anyway our names were publicly joined. +That decided us, and we became united in fact. She was divorced, +married me, and you were born. We have lived in perfect happiness, +at least I have, and I believe your mother also. Soames, soon after +the divorce, married Fleur's mother, and she was born. That is the +story, Jon. I have told it you, because by the affection which we +see you have formed for this man's daughter you are blindly moving +toward what must utterly destroy your mother's happiness, if not your +own. I don't wish to speak of myself, because at my age there's no +use supposing I shall cumber the ground much longer, besides, what I +should suffer would be mainly on her account, and on yours. But what +I want you to realise is that feelings of horror and aversion such as +those can never be buried or forgotten. They are alive in her to-day. +Only yesterday at Lord's we happened to see Soames Forsyte. Her +face, if you had seen it, would have convinced you. The idea that +you should marry his daughter is a nightmare to her, Jon. I have +nothing to say against Fleur save that she is his daughter. But your +children, if you married her, would be the grandchildren of Soames, +as much as of your mother, of a man who once owned your mother as a +man might own a slave. Think what that would mean. By such a +marriage you enter the camp which held your mother prisoner and +wherein she ate her heart out. You are just on the threshold of +life, you have only known this girl two months, and however deeply +you think you love her, I appeal to you to break it off at once. +Don't give your mother this rankling pain and humiliation during the +rest of her life. Young though she will always seem to me, she is +fifty-seven. Except for us two she has no one in the world. She +will soon have only you. Pluck up your spirit, Jon, and break away. +Don't put this cloud and barrier between you. Don't break her heart! +Bless you, my dear boy, and again forgive me for all the pain this +letter must bring you--we tried to spare it you, but Spain--it seems- +--was no good. + +"Ever your devoted father + +"JOLYON FORSYTE." + + +Having finished his confession, Jolyon sat with a thin cheek on his +hand, re-reading. There were things in it which hurt him so much, +when he thought of Jon reading them, that he nearly tore the letter +up. To speak of such things at all to a boy--his own boy--to speak +of them in relation to his own wife and the boy's own mother, seemed +dreadful to the reticence of his Forsyte soul. And yet without +speaking of them how make Jon understand the reality, the deep +cleavage, the ineffaceable scar? Without them, how justify this +stiffing of the boy's love? He might just as well not write at all! + +He folded the confession, and put it in his pocket. It was--thank +Heaven!--Saturday; he had till Sunday evening to think it over; for +even if posted now it could not reach Jon till Monday. He felt a +curious relief at this delay, and at the fact that, whether sent or +not, it was written. + +In the rose garden, which had taken the place of the old fernery, he +could see Irene snipping and pruning, with a little basket on her +arm. She was never idle, it seemed to him, and he envied her now +that he himself was idle nearly all his time. He went down to her. +She held up a stained glove and smiled. A piece of lace tied under +her chin concealed her hair, and her oval face with its still dark +brows looked very young. + +"The green-fly are awful this year, and yet it's cold. You look +tired, Jolyon." + +Jolyon took the confession from his pocket. "I've been writing this. +I think you ought to see it?" + +"To Jon?" Her whole face had changed, in that instant, becoming +almost haggard. + +"Yes; the murder's out." + +He gave it to her, and walked away among the roses. Presently, +seeing that she had finished reading and was standing quite still +with the sheets of the letter against her skirt, he came back to her. + +"Well?" + +"It's wonderfully put. I don't see how it could be put better. +Thank you, dear." + +"Is there anything you would like left out?" + +She shook her head. + +"No; he must know all, if he's to understand." + +"That's what I thought, but--I hate it!" + +He had the feeling that he hated it more than she--to him sex was so +much easier to mention between man and woman than between man and +man; and she had always been more natural and frank, not deeply +secretive like his Forsyte self. + +"I wonder if he will understand, even now, Jolyon? He's so young; +and he shrinks from the physical." + +"He gets that shrinking from my father, he was as fastidious as a +girl in all such matters. Would it be better to rewrite the whole +thing, and just say you hated Soames?" + +Irene shook her head. + +"Hate's only a word. It conveys nothing. No, better as it is." + +"Very well. It shall go to-morrow." + +She raised her face to his, and in sight of the big house's many +creepered windows, he kissed her. + + + + +II + +CONFESSION + + +Late that same afternoon, Jolyon had a nap in the old armchair. +Face down on his knee was La Rotisserie de la Refine Pedauque, and +just before he fell asleep he had been thinking: 'As a people shall +we ever really like the French? Will they ever really like us!' He +himself had always liked the French, feeling at home with their wit, +their taste, their cooking. Irene and he had paid many visits to +France before the War, when Jon had been at his private school. His +romance with her had begun in Paris--his last and most enduring +romance. But the French--no Englishman could like them who could not +see them in some sort with the detached aesthetic eye! And with that +melancholy conclusion he had nodded off. + +When he woke he saw Jon standing between him and the window. The boy +had evidently come in from the garden and was waiting for him to +wake. Jolyon smiled, still half asleep. How nice the chap looked-- +sensitive, affectionate, straight! Then his heart gave a nasty jump; +and a quaking sensation overcame him. Jon! That confession! He +controlled himself with an effort. "Why, Jon, where did you spring +from?" + +Jon bent over and kissed his forehead. + +Only then he noticed the look on the boy's face. + +"I came home to tell you something, Dad." + +With all his might Jolyon tried to get the better of the jumping, +gurgling sensations within his chest. + +"Well, sit down, old man. Have you seen your mother?" + +"No." The boy's flushed look gave place to pallor; he sat down on +the arm of the old chair, as, in old days, Jolyon himself used to sit +beside his own father, installed in its recesses. Right up to the +time of the rupture in their relations he had been wont to perch +there--had he now reached such a moment with his own son? All his +life he had hated scenes like poison, avoided rows, gone on his own +way quietly and let others go on theirs. But now--it seemed--at the +very end of things, he had a scene before him more painful than any +he had avoided. He drew a visor down over his emotion, and waited +for his son to speak. + +"Father," said Jon slowly, "Fleur and I are engaged." + +'Exactly!' thought Jolyon, breathing with difficulty. + +"I know that you and Mother don't like the idea. Fleur says that +Mother was engaged to her father before you married her. Of course I +don't know what happened, but it must be ages ago. I'm devoted to +her, Dad, and she says she is to me." + +Jolyon uttered a queer sound, half laugh, half groan. + +"You are nineteen, Jon, and I am seventy-two. How are we to +understand each other in a matter like this, eh?" + +"You love Mother, Dad; you must know what we feel. It isn't fair to +us to let old things spoil our happiness, is it?" + +Brought face to face with his confession, Jolyon resolved to do +without it if by any means he could. He laid his hand on the boy's +arm. + +"Look, Jon! I might put you off with talk about your both being too +young and not knowing your own minds, and all that, but you wouldn't +listen, besides, it doesn't meet the case--Youth, unfortunately, +cures itself. You talk lightly about 'old things like that,' knowing +nothing--as you say truly--of what happened. Now, have I ever given +you reason to doubt my love for you, or my word?" + +At a less anxious moment he might have been amused by the conflict +his words aroused--the boy's eager clasp, to reassure him on these +points, the dread on his face of what that reassurance would bring +forth; but he could only feel grateful for the squeeze. + +"Very well, you can believe what I tell you. If you don't give up +this love affair, you will make Mother wretched to the end of her +days. Believe me, my dear, the past, whatever it was, can't be +buried--it can't indeed." + +Jon got off the arm of the chair. + +'The girl'--thought Jolyon--'there she goes--starting up before him-- +life itself--eager, pretty, loving!' + +"I can't, Father; how can I--just because you say that? Of course, I +can't!" + +"Jon, if you knew the story you would give this up without +hesitation; you would have to! Can't you believe me?" + +"How can you tell what I should think? Father, I love her better +than anything in the world." + +Jolyon's face twitched, and he said with painful slowness: + +"Better than your mother, Jon?" + +>From the boy's face, and his clenched fists Jolyon realised the +stress and struggle he was going through. + +"I don't know," he burst out, "I don't know! But to give Fleur up +for nothing--for something I don't understand, for something that I +don't believe can really matter half so much, will make me--make me" + +"Make you feel us unjust, put a barrier--yes. But that's better than +going on with this." + +"I can't. Fleur loves me, and I love her. You want me to trust you; +why don't you trust me, Father? We wouldn't want to know anything-- +we wouldn't let it make any difference. It'll only make us both love +you and Mother all the more." + +Jolyon put his hand into his breast pocket, but brought it out again +empty, and sat, clucking his tongue against his teeth. + +"Think what your mother's been to you, Jon! She has nothing but you; +I shan't last much longer." + +"Why not? It isn't fair to-- Why not?" + +"Well," said Jolyon, rather coldly, "because the doctors tell me I +shan't; that's all." + +"Oh, Dad!" cried Jon, and burst into tears. + +This downbreak of his son, whom he had not seen cry since he was ten, +moved Jolyon terribly. He recognised to the full how fearfully soft +the boy's heart was, how much he would suffer in this business, and +in life generally. And he reached out his hand helplessly--not +wishing, indeed not daring to get up. + +"Dear man," he said, "don't--or you'll make me!" + +Jon smothered down his paroxysm, and stood with face averted, very +still. + +'What now?' thought Jolyon. 'What can I say to move him?' + +'By the way, don't speak of that to Mother," he said; "she has enough +to frighten her with this affair of yours. I know how you feel. +But, Jon, you know her and me well enough to be sure we wouldn't wish +to spoil your happiness lightly. Why, my dear boy, we don't care for +anything but your happiness--at least, with me it's just yours and +Mother's and with her just yours. It's all the future for you both +that's at stake." + +Jon turned. His face was deadly pale; his eyes, deep in his head, +seemed to burn. + +"What is it? What is it? Don't keep me like this!" + +Jolyon, who knew that he was beaten, thrust his hand again into his +breast pocket, and sat for a full minute, breathing with difficulty, +his eyes closed. The thought passed through his mind: 'I've had a +good long innings--some pretty bitter moments--this is the worst!' +Then he brought his hand out with the letter, and said with a sort of +fatigue: "Well, Jon, if you hadn't come to-day, I was going to send +you this. I wanted to spare you--I wanted to spare your mother and +myself, but I see it's no good. Read it, and I think I'll go into +the garden." He reached forward to get up. + +Jon, who had taken the letter, said quickly, "No, I'll go"; and was +gone. + +Jolyon sank back in his chair. A blue-bottle chose that moment to +come buzzing round him with a sort of fury; the sound was homely, +better than nothing.... Where had the boy gone to read his letter? +The wretched letter--the wretched story! A cruel business--cruel to +her--to Soames--to those two children--to himself!... His heart +thumped and pained him. Life--its loves--its work--its beauty--its +aching, and--its end! A good time; a fine time in spite of all; +until--you regretted that you had ever been born. Life--it wore you +down, yet did not make you want to die--that was the cunning evil! +Mistake to have a heart! Again the blue-bottle came buzzing-- +bringing in all the heat and hum and scent of summer--yes, even the +scent--as of ripe fruits, dried grasses, sappy shrubs, and the +vanilla breath of cows. And out there somewhere in the fragrance Jon +would be reading that letter, turning and twisting its pages in his +trouble, his bewilderment and trouble--breaking his heart about it! +The thought made Jolyon acutely miserable. Jon was such a tender- +hearted chap, affectionate to his bones, and conscientious, too--it +was so unfair, so damned unfair! He remembered Irene saying to him +once: "Never was any one born more loving and lovable than Jon." +Poor little Jon! His world gone up the spout, all of a summer +afternoon! Youth took things so hard! And stirred, tormented by +that vision of Youth taking things hard, Jolyon got out of his chair, +and went to the window. The boy was nowhere visible. And he passed +out. If one could take any help to him now--one must! + +He traversed the shrubbery, glanced into the walled garden--no Jon! +Nor where the peaches and the apricots were beginning to swell and +colour. He passed the Cupressus trees, dark and spiral, into the +meadow. Where had the boy got to? Had he rushed down to the +coppice--his old hunting-ground? Jolyon crossed the rows of hay. +They would cock it on Monday and be carrying the day after, if rain +held off. Often they had crossed this field together--hand in hand, +when Jon was a little chap. Dash it! The golden age was over by the +time one was ten! He came to the pond, where flies and gnats were +dancing over a bright reedy surface; and on into the coppice. It was +cool there, fragrant of larches. Still no Jon! He called. No +answer! On the log seat he sat down, nervous, anxious, forgetting +his own physical sensations. He had been wrong to let the +boy get away with that letter; he ought to have kept him under his +eye from the start! Greatly troubled, he got up to retrace his +steps. At the farm-buildings he called again, and looked into the +dark cow-house. There in the cool, and the scent of vanilla and +ammonia, away from flies, the three Alderneys were chewing the quiet +cud; just milked, waiting for evening, to be turned out again into +the lower field. One turned a lazy head, a lustrous eye; Jolyon +could see the slobber on its grey lower lip. He saw everything with +passionate clearness, in the agitation of his nerves--all that in his +time he had adored and tried to paint--wonder of light and shade and +colour. No wonder the legend put Christ into a manger--what more +devotional than the eyes and moon-white horns of a chewing cow in the +warm dusk! He called again. No answer! And he hurried away out of +the coppice, past the pond, up the hill. Oddly ironical--now he came +to think of it--if Jon had taken the gruel of his discovery down in +the coppice where his mother and Bosinney in those old days had made +the plunge of acknowledging their love. Where he himself, on the log +seat the Sunday morning he came back from Paris, had realised to the +full that Irene had become the world to him. That would have been +the place for Irony to tear the veil from before the eyes of Irene's +boy! But he was not here! Where had he got to? One must find the +poor chap! + +A gleam of sun had come, sharpening to his hurrying senses all the +beauty of the afternoon, of the tall trees and lengthening shadows, +of the blue, and the white clouds, the scent of the hay, and the +cooing of the pigeons; and the flower shapes standing tall. He came +to the rosery, and the beauty of the roses in that sudden sunlight +seemed to him unearthly. "Rose, you Spaniard!" Wonderful three +words! There she had stood by that bush of dark red roses; had stood +to read and decide that Jon must know it all! He knew all now! Had +she chosen wrong? He bent and sniffed a rose, its petals brushed his +nose and trembling lips; nothing so soft as a rose-leaf's velvet, +except her neck--Irene! On across the lawn he went, up the slope, to +the oak-tree. Its top alone was glistening, for the sudden sun was +away over the house; the lower shade was thick, blessedly cool--he +was greatly overheated. He paused a minute with his hand on the rope +of the swing--Jolly, Holly--Jon! The old swing! And suddenly, he +felt horribly--deadly ill. 'I've over done it!' he thought: 'by +Jove! I've overdone it--after all!' He staggered up toward the +terrace, dragged himself up the steps, and fell against the wall of +the house. He leaned there gasping, his face buried in the honey- +suckle that he and she had taken such trouble with that it might +sweeten the air which drifted in. Its fragrance mingled with awful +pain. 'My love!' he thought; 'the boy!' And with a great effort he +tottered in through the long window, and sank into old Jolyon's +chair. The book was there, a pencil in it; he caught it up, +scribbled a word on the open page.... His hand dropped.... So it +was like this--was it?... + +There was a great wrench; and darkness.... + + + + +III + +IRENE + + +When Jon rushed away with the letter in his hand, he ran along the +terrace and round the corner of the house, in fear and confusion. +Leaning against the creepered wall he tore open the letter. It was +long--very long! This added to his fear, and he began reading. When +he came to the words: "It was Fleur's father that she married," +everything seemed to spin before him. He was close to a window, and +entering by it, he passed, through music-room and hall, up to his +bedroom. Dipping his face in cold water, he sat on his bed, and went +on reading, dropping each finished page on the bed beside him. His +father's writing was easy to read--he knew it so well, though he had +never had a letter from him one quarter so long. He read with a dull +feeling--imagination only half at work. He best grasped, on that +first reading, the pain his father must have had in writing such a +letter. He let the last sheet fall, and in a sort of mental, moral +helplessness began to read the first again. It all seemed to him +disgusting--dead and disgusting. Then, suddenly, a hot wave of +horrified emotion tingled through him. He buried his face in his +hands. His mother! Fleur's father! He took up the letter again, +and read on mechanically. And again came the feeling that it was all +dead and disgusting; his own love so different! This letter said his +mother--and her father! An awful letter! + +Property! Could there be men who looked on women as their property? +Faces seen in street and countryside came thronging up before him-- +red, stock-fish faces; hard, dull faces; prim, dry faces; violent +faces; hundreds, thousands of them! How could he know what men who +had such faces thought and did? He held his head in his hands and +groaned. His mother! He caught up the letter and read on again: +"horror and aversion-alive in her to-day.... your children.... +grandchildren.... of a man who once owned your mother as a man might +own a slave...." He got up from his bed. This cruel shadowy past, +lurking there to murder his love and Fleur's, was true, or his father +could never have written it. 'Why didn't they tell me the first +thing,' he thought, 'the day I first saw Fleur? They knew "I'd seen +her. They were afraid, and--now--I've--got it!' Overcome by misery +too acute for thought or reason, he crept into a dusky corner of the +room and sat down on the floor. He sat there, like some unhappy +little animal. There was comfort in dusk, and the floor--as if he +were back in those days when he played his battles sprawling all over +it. He sat there huddled, his hair ruffled, his hands clasped round +his knees, for how long he did not know. He was wrenched from his +blank wretchedness by the sound of the door opening from his mother's +room. The blinds were down over the windows of his room, shut up in +his absence, and from where he sat he could only hear a rustle, her +footsteps crossing, till beyond the bed he saw her standing before +his dressing-table. She had something in her hand. He hardly +breathed, hoping she would not see him, and go away. He saw her +touch things on the table as if they had some virtue in them, then +face the window-grey from head to foot like a ghost. The least turn +of her head, and she must see him! Her lips moved: "Oh! Jon!" She +was speaking to herself; the tone of her voice troubled Jon's heart. +He saw in her hand a little photograph. She held it toward the +light, looking at it--very small. He knew it--one of himself as a +tiny boy, which she always kept in her bag. His heart beat fast. +And, suddenly as if she had heard it, she turned her eyes and saw +him. At the gasp she gave, and the movement of her hands pressing +the photograph against her breast, he said: + +"Yes, it's me." + +She moved over to the bed, and sat down on it, quite close to him, +her hands still clasping her breast, her feet among the sheets of the +letter which had slipped to the floor. She saw them, and her hands +grasped the edge of the bed. She sat very upright, her dark eyes +fixed on him. At last she spoke. + +"Well, Jon, you know, I see." + +"Yes." + +"You've seen Father?" + +"Yes." + +There was a long silence, till she said: + +"Oh! my darling!" + +"It's all right." The emotions in him were so, violent and so mixed +that he dared not move--resentment, despair, and yet a strange +yearning for the comfort of her hand on his forehead. + +"What are you going to do?" + +"I don't know." + +There was another long silence, then she got up. She stood a moment, +very still, made a little movement with her hand, and said: "My +darling boy, my most darling boy, don't think of me--think of +yourself," and, passing round the foot of the bed, went back into her +room. + +Jon turned--curled into a sort of ball, as might a hedgehog--into the +corner made by the two walls. + +He must have been twenty minutes there before a cry roused him. It +came from the terrace below. He got up, scared. Again came the cry: +"Jon!" His mother was calling! He ran out and down the stairs, +through the empty dining-room into the study. She was kneeling +before the old armchair, and his father was lying back quite white, +his head on his breast, one of his hands resting on an open book, +with a pencil clutched in it--more strangely still than anything he +had ever seen. She looked round wildly, and said: + +"Oh! Jon--he's dead--he's dead!" + +Jon flung himself down, and reaching over the arm of the chair, where +he had lately been sitting, put his lips to the forehead. Icy cold! +How could--how could Dad be dead, when only an hour ago--! His +mother's arms were round the knees; pressing her breast against them. +"Why--why wasn't I with him?" he heard her whisper. Then he saw the +tottering word "Irene" pencilled on the open page, and broke down +himself. It was his first sight of human death, and its unutterable +stillness blotted from him all other emotion; all else, then, was but +preliminary to this! All love and life, and joy, anxiety, and +sorrow, all movement, light and beauty, but a beginning to this +terrible white stillness. It made a dreadful mark on him; all seemed +suddenly little, futile, short. He mastered himself at last, got up, +and raised her. + +"Mother! don't cry--Mother!" + +Some hours later, when all was done that had to be, and his mother +was lying down, he saw his father alone, on the bed, covered with a +white sheet. He stood for a long time gazing at that face which had +never looked angry--always whimsical, and kind. "To be kind and keep +your end up--there's nothing else in it," he had once heard his +father say. How wonderfully Dad had acted up to that philosophy! He +understood now that his father had known for a long time past that +this would come suddenly--known, and not said a word. He gazed with +an awed and passionate reverence. The loneliness of it--just to +spare his mother and himself! His own trouble seemed small while he +was looking at that face. The word scribbled on the page! The +farewell word! Now his mother had no one but himself! He went up +close to the dead face--not changed at all, and yet completely +changed. He had heard his father say once that he did not believe in +consciousness surviving death, or that if it did it might be just +survival till the natural age limit of the body had been reached--the +natural term of its inherent vitality; so that if the body were +broken by accident, excess, violent disease, consciousness might +still persist till, in the course of Nature uninterfered with, it +would naturally have faded out. It had struck him because he had +never heard any one else suggest it. When the heart failed like +this--surely it was not quite natural! Perhaps his father's +consciousness was in the room with him. Above the bed hung a picture +of his father's father. Perhaps his consciousness, too, was still +alive; and his brother's--his half-brother, who had died in the +Transvaal. Were they all gathered round this bed? Jon kissed the +forehead, and stole back to his own room. The door between it and +his mother's was ajar; she had evidently been in--everything was +ready for him, even some biscuits and hot milk, and the letter no +longer on the floor. He ate and drank, watching the last light fade. +He did not try to see into the future--just stared at the dark +branches of the oak-tree, level with his window, and felt as if life +had stopped. Once in the night, turning in his heavy sleep, he was +conscious of something white and still, beside his bed, and started +up. + +His mother's voice said: + +"It's only I, Jon dear!" Her hand pressed his forehead gently back; +her white figure disappeared. + +Alone! He fell heavily asleep again, and dreamed he saw his mother's +name crawling on his bed. + + + + +IV + +SOAMES COGITATES + + +The announcement in The Times of his cousin Jolyon's death affected +Soames quite simply. So that chap was gone! There had never been a +time in their two lives when love had not been lost between them. +That quick-blooded sentiment hatred had run its course long since in +Soames' heart, and he had refused to allow any recrudescence, but he +considered this early decease a piece of poetic justice. For twenty +years the fellow had enjoyed the reversion of his wife and house, +and--he was dead! The obituary notice, which appeared a little +later, paid Jolyon--he thought--too much attention. It spoke of that +"diligent and agreeable painter whose work we have come to look on as +typical of the best late-Victorian water-colour art." Soames, who +had almost mechanically preferred Mole, Morpin, and Caswell Baye, and +had always sniffed quite audibly when he came to one of his cousin's +on the line, turned The Times with a crackle. + +He had to go up to Town that morning on Forsyte affairs, and was +fully conscious of Gradman's glance sidelong over his spectacles. +The old clerk had about him an aura of regretful congratulation. He +smelled, as it were, of old days. One could almost hear him +thinking: "Mr. Jolyon, ye-es--just my age, and gone--dear, dear! I +dare say she feels it. She was a mice-lookin' woman. Flesh is +flesh! They've given 'im a notice in the papers. Fancy!" His +atmosphere in fact caused Soames to handle certain leases and +conversions with exceptional swiftness. + +"About that settlement on Miss Fleur, Mr. Soames?" + +"I've thought better of that," answered Soames shortly. + +"Ah! I'm glad of that. I thought you were a little hasty. The +times do change." + +How this death would affect Fleur had begun to trouble Soames. He +was not certain that she knew of it--she seldom looked at the paper, +never at the births, marriages, and deaths. + +He pressed matters on, and made his way to Green Street for lunch. +Winifred was almost doleful. Jack Cardigan had broken a splashboard, +so far as one could make out, and would not be "fit" for some time. +She could not get used to the idea. + +"Did Profond ever get off?" he said suddenly. + +"He got off," replied Winifred, "but where--I don't know." + +Yes, there it was--impossible to tell anything! Not that he wanted +to know. Letters from Annette were coming from Dieppe, where she and +her mother were staying. + +"You saw that fellow's death, I suppose?" + +"Yes," said Winifred. "I'm sorry for--for his children. He was very +amiable." Soames uttered a rather queer sound. A suspicion of the +old deep truth--that men were judged in this world rather by what +they were than by what they did--crept and knocked resentfully at the +back doors of his mind. + +"I know there was a superstition to that effect," he muttered. + +"One must do him justice now he's dead." + +"I should like to have done him justice before," said Soames; "but I +never had the chance. Have you got a 'Baronetage' here?" + +"Yes; in that bottom row." + +Soames took out a fat red book, and ran over the leaves. + +"Mont-Sir Lawrence, 9th Bt., cr. 1620, e. s. of Geoffrey, 8th Bt., +and Lavinia, daur. of Sir Charles Muskham, Bt., of Muskham Hall, +Shrops: marr. 1890 Emily, daur. of Conway Charwell, Esq., of +Condaford Grange, co. Oxon; 1 son, heir Michael Conway, b. 1895, 2 +daurs. Residence: Lippinghall Manor, Folwell, Bucks. Clubs: Snooks': +Coffee House: Aeroplane. See BidIicott." + +"H'm!" he said. "Did you ever know a publisher?" + +"Uncle Timothy." + +"Alive, I mean." + +"Monty knew one at his Club. He brought him here to dinner once. +Monty was always thinking of writing a book, you know, about how to +make money on the turf. He tried to interest that man." + +"Well?" + +"He put him on to a horse--for the Two Thousand. We didn't see him +again. He was rather smart, if I remember." + +"Did it win?" + +"No; it ran last, I think. You know Monty really was quite clever in +his way." + +"Was he?" said Soames. "Can you see any connection between a sucking +baronet and publishing?" + +"People do all sorts of things nowadays," replied Winifred. "The +great stunt seems not to be idle--so different from our time. To do +nothing was the thing then. But I suppose it'll come again." + +"This young Mont that I'm speaking of is very sweet on Fleur. If it +would put an end to that other affair I might encourage it." + +"Has he got style?" asked Winifred. + +"He's no beauty; pleasant enough, with some scattered brains. +There's a good deal of land, I believe. He seems genuinely attached. +But I don't know." + +"No," murmured Winifred; "it's--very difficult. I always found it +best to do nothing. It is such a bore about Jack; now we shan't get +away till after Bank Holiday. Well, the people are always amusing, I +shall go into the Park and watch them." + +"If I were you," said Soames, "I should have a country cottage, and +be out of the way of holidays and strikes when you want." + +"The country bores me," answered Winifred, "and I found the railway +strike quite exciting." + +Winifred had always been noted for sang-froid. + +Soames took his leave. All the way down to Reading he debated +whether he should tell Fleur of that boy's father's death. It did +not alter the situation except that he would be independent now, and +only have his mother's opposition to encounter. He would come into a +lot of money, no doubt, and perhaps the house--the house built for +Irene and himself--the house whose architect had wrought his domestic +ruin. His daughter--mistress of that house! That would be poetic +justice! Soames uttered a little mirthless laugh. He had designed +that house to re-establish his failing union, meant it for the seat +of his descendants, if he could have induced Irene to give him one! +Her son and Fleur! Their children would be, in some sort, offspring +of the union between himself and her! + +The theatricality in that thought was repulsive to his sober sense. +And yet--it would be the easiest and wealthiest way out of the +impasse, now that Jolyon was gone. The juncture of two Forsyte +fortunes had a kind of conservative charm. And she--Irene-would be +linked to him once more. Nonsense! Absurd! He put the notion from +his head. + +On arriving home he heard the click of billiard-balls, and through +the window saw young Mont sprawling over the table. Fleur, with her +cue akimbo, was watching with a smile. How pretty she looked! No +wonder that young fellow was out of his mind about her. A title-- +land! There was little enough in land, these days; perhaps less in a +title. The old Forsytes had always had a kind of contempt for +titles, rather remote and artificial things--not worth the money they +cost, and having to do with the Court. They had all had that feeling +in differing measure--Soames remembered. Swithin, indeed, in his +most expansive days had once attended a Levee. He had come away +saying he shouldn't go again--"all that small fry." It was suspected +that he had looked too big in knee-breeches. Soames remembered how +his own mother had wished to be presented because of the fashionable +nature of the performance, and how his father had put his foot down +with unwonted decision. What did she want with that peacocking-- +wasting time and money; there was nothing in it! + +The instinct which had made and kept the English Commons the chief +power in the State, a feeling that their own world was good enough +and a little better than any other because it was their world, had +kept the old Forsytes singularly free of "flummery," as Nicholas had +been wont to call it when he had the gout. Soames' generation, more +self-conscious and ironical, had been saved by a sense of Swithin in +knee-breeches. While the third and the fourth generation, as it +seemed to him, laughed at everything. + +However, there was no harm in the young fellow's being heir to a +title and estate--a thing one couldn't help. He entered quietly, as +Mont missed his shot. He noted the young man's eyes, fixed on Fleur +bending over in her turn; and the adoration in them almost touched +him. + +She paused with the cue poised on the bridge of her slim hand, and +shook her crop of short dark chestnut hair. + +"I shall never do it." + +"'Nothing venture.'" + +"All right." The cue struck, the ball rolled. "There!" + +"Bad luck! Never mind!" + +Then they saw him, and Soames said: + +"I'll mark for you." + +He sat down on the raised seat beneath the marker, trim and tired, +furtively studying those two young faces. When the game was over +Mont came up to him. + +"I've started in, sir. Rum game, business, isn't it? I suppose you +saw a lot of human nature as a solicitor." + +"I did." + +"Shall I tell you what I've noticed: People are quite on the wrong +tack in offering less than they can afford to give; they ought to +offer more, and work backward." + +Soames raised his eyebrows. + +"Suppose the more is accepted?" + +"That doesn't matter a little bit," said Mont; "it's much more paying +to abate a price than to increase it. For instance, say we offer an +author good terms--he naturally takes them. Then we go into it, find +we can't publish at a decent profit and tell him so. He's got +confidence in us because we've been generous to him, and he comes +down like a lamb, and bears us no malice. But if we offer him poor +terms at the start, he doesn't take them, so we have to advance them +to get him, and he thinks us damned screws into the bargain. + +"Try buying pictures on that system," said Soames; "an offer accepted +is a contract--haven't you learned that?" + +Young Mont turned his head to where Fleur was standing in the window. + +"No," he said, "I wish I had. Then there's another thing. Always +let a man off a bargain if he wants to be let off." + +"As advertisement?" said Soames dryly. + +"Of course it is; but I meant on principle." + +"Does your firm work on those lines?" + +"Not yet," said Mont, "but it'll come." + +"And they will go." + +"No, really, sir. I'm making any number of observations, and they +all confirm my theory. Human nature is consistently underrated in +business, people do themselves out of an awful lot of pleasure and +profit by that. Of course, you must be perfectly genuine and open, +but that's easy if you feel it. The more human and generous you are +the better chance you've got in business." + +Soames rose. + +"Are you a partner?" + +"Not for six months, yet." + +"The rest of the firm had better make haste and retire." + +Mont laughed. + +"You'll see," he said. "There's going to be a big change. The +possessive principle has got its shutters up." + +"What?" said Soames. + +"The house is to let! Good-bye, sir; I'm off now." + +Soames watched his daughter give her hand, saw her wince at the +squeeze it received, and distinctly heard the young man's sigh as he +passed out. Then she came from the window, trailing her finger along +the mahogany edge of the billiard-table. Watching her, Soames knew +that she was going to ask him something. Her finger felt round the +last pocket, and she looked up. + +"Have you done anything to stop Jon writing to me, Father?" + +Soames shook his head. + +"You haven't seen, then?" he said. "His father died just a week ago +to-day." + +"Oh!" + +In her startled, frowning face he saw the instant struggle to +apprehend what this would mean. + +"Poor Jon! Why didn't you tell me, Father?" + +"I never know!" said Soames slowly; "you don't confide in me." + +"I would, if you'd help me, dear." + +"Perhaps I shall." + +Fleur clasped her hands. "Oh! darling--when one wants a thing +fearfully, one doesn't think of other people. Don't be angry with +me." + +Soames put out his hand, as if pushing away an aspersion. + +"I'm cogitating," he said. What on earth had made him use a word +like that! "Has young Mont been bothering you again?" + +Fleur smiled. "Oh! Michael! He's always bothering; but he's such a +good sort--I don't mind him." + +"Well," said Soames, "I'm tired; I shall go and have a nap before +dinner." + +He went up to his picture-gallery, lay down on the couch there, and +closed his eyes. A terrible responsibility this girl of his--whose +mother was--ah! what was she? A terrible responsibility! Help her-- +how could he help her? He could not alter the fact that he was her +father. Or that Irene--! What was it young Mont had said--some +nonsense about the possessive instinct--shutters up-- To let? Silly! + +The sultry air, charged with a scent of meadow-sweet, of river and +roses, closed on his senses, drowsing them. + + + + +V + +THE FIXED IDEA + + +The fixed idea," which has outrun more constables than any other form +of human disorder, has never more speed and stamina than when it +takes the avid guise of love. To hedges and ditches, and doors, to +humans without ideas fixed or otherwise, to perambulators and the +contents sucking their fixed ideas, even to the other sufferers from +this fast malady--the fixed idea of love pays no attention. It runs +with eyes turned inward to its own light, oblivious of all other +stars. Those with the fixed ideas that human happiness depends on +their art, on vivisecting dogs, on hating foreigners, on paying +supertax, on remaining Ministers, on making wheels go round, on +preventing their neighbours from being divorced, on conscientious +objection, Greek roots, Church dogma, paradox and superiority to +everybody else, with other forms of ego-mania--all are unstable +compared with him or her whose fixed idea is the possession of some +her or him. And though Fleur, those chilly summer days, pursued the +scattered life of a little Forsyte whose frocks are paid for, and +whose business is pleasure, she was--as Winifred would have said in +the latest fashion of speech--"honest to God" indifferent to it all. +She wished and wished for the moon, which sailed in cold skies above +the river or the Green Park when she went to Town. She even kept +Jon's letters, covered with pink silk, on her heart, than which in +days when corsets were so low, sentiment so despised, and chests so +out of fashion, there could, perhaps, have been no greater proof of +the fixity of her idea. + +After hearing of his father's death, she wrote to Jon, and received +his answer three days later on her return from a river picnic. It +was his first letter since their meeting at June's. She opened it +with misgiving, and read it with dismay. + +"Since I saw you I've heard everything about the past. I won't tell +it you--I think you knew when we met at June's. She says you did. +If you did, Fleur, you ought to have told me. I expect you only +heard your father's side of it. I have heard my mother's. It's +dreadful. Now that she's so sad I can't do anything to hurt her +more. Of course, I long for you all day, but I don't believe now +that we shall ever come together--there's something too strong +pulling us apart." + +So! Her deception had found her out. But Jon--she felt--had +forgiven that. It was what he said of his mother which caused the +guttering in her heart and the weak sensation in her legs. + +Her first impulse was to reply--her second, not to reply. These +impulses were constantly renewed in the days which followed, while +desperation grew within her. She was not her father's child for +nothing. The tenacity which had at once made and undone Soames was +her backbone, too, frilled and embroidered by French grace and +quickness. Instinctively she conjugated the verb "to have" always +with the pronoun "I." She concealed, however, all signs of her +growing desperation, and pursued such river pleasures as the winds +and rain of a disagreeable July permitted, as if she had no care in +the world; nor did any "sucking baronet" ever neglect the business of +a publisher more consistently than her attendant spirit, Michael +Mont. + +To Soames she was a puzzle. He was almost deceived by this careless +gaiety. Almost--because he did not fail to mark her eyes often fixed +on nothing, and the film of light shining from her bedroom window +late at night. What was she thinking and brooding over into small +hours when she ought to have been asleep? But he dared not ask what +was in her mind; and, since that one little talk in the billiard- +room, she said nothing to him. + +In this taciturn condition of affairs it chanced that Winifred +invited them to lunch and to go afterward to "a most amusing little +play, 'The Beggar's Opera"' and would they bring a man to make four? +Soames, whose attitude toward theatres was to go to nothing, +accepted, because Fleur's attitude was to go to everything. They +motored up, taking Michael Mont, who, being in his seventh heaven, +was found by Winifred "very amusing." "The Beggar's Opera" puzzled +Soames. The people were very unpleasant, the whole thing very +cynical. Winifred was "intrigued "--by the dresses. The music, too, +did not displease her. At the Opera, the night before, she had +arrived too early for the Russian Ballet, and found the stage +occupied by singers, for a whole hour pale or apoplectic from terror +lest by some dreadful inadvertence they might drop into a tune. +Michael Mont was enraptured with the whole thing. And all three +wondered what Fleur was thinking of it. But Fleur was not thinking +of it. Her fixed idea stood on the stage and sang with Polly +Peachum, mimed with Filch, danced with Jenny Diver, postured with +Lucy Lockit, kissed, trolled, and cuddled with Macheath. Her lips +might smile, her hands applaud, but the comic old masterpiece made no +more impression on her than if it had been pathetic, like a modern +"Revue." When they embarked in the car to return, she ached because +Jon was not sitting next her instead of Michael Mont. When, at some +jolt, the young man's arm touched hers as if by accident, she only +thought: 'If that were Jon's arm!' When his cheerful voice, tempered +by her proximity, murmured above the sound of the car's progress, she +smiled and answered, thinking: 'If that were Jon's voice!' and when +once he said, "Fleur, you look a perfect angel in that dress!" she +answered, "Oh, do you like it? thinking, 'If only Jon could see it!' + +During this drive she took a resolution. She would go to Robin Hill +and see him--alone; she would take the car, without word beforehand +to him or to her father. It was nine days since his letter, and she +could wait no longer. On Monday she would go! The decision made her +well disposed toward young Mont. With something to look forward to +she could afford to tolerate and respond. He might stay to dinner; +propose to her as usual; dance with her, press her hand, sigh--do +what he liked. He was only a nuisance when he interfered with her +fixed idea. She was even sorry for him so far as it was possible to +be sorry for anybody but herself just now. At dinner he seemed to +talk more wildly than usual about what he called "the death of the +close borough"--she paid little attention, but her father seemed +paying a good deal, with the smile on his face which meant +opposition, if not anger. + +"The younger generation doesn't think as you do, sir; does it, +Fleur?" + +Fleur shrugged her shoulders--the younger generation was just Jon, +and she did not know what he was thinking. + +"Young people will think as I do when they're my age, Mr. Mont. +Human nature doesn't change." + +"I admit that, sir; but the forms of thought change with the times. +The pursuit of self-interest is a form of thought that's going out." + +"Indeed! To mind one's own business is not a form of thought, Mr. +Mont, it's an instinct." + +Yes, when Jon was the business! + +"But what is one's business, sir? That's the point. Everybody's +business is going to be one's business. Isn't it, Fleur?" + +Fleur only smiled. + +"If not," added young Mont, "there'll be blood." + +"People have talked like that from time immemorial" + +"But you'll admit, sir, that the sense of property is dying out?" + +"I should say increasing among those who have none." + +"Well, look at me! I'm heir to an entailed estate. I don't want the +thing; I'd cut the entail to-morrow." + +"You're not married, and you don't know what you're talking about." + +Fleur saw the young man's eyes turn rather piteously upon her. + +"Do you really mean that marriage--?" he began. + +"Society is built on marriage," came from between her father's close +lips; "marriage and its consequences. Do you want to do away with +it?" + +Young Mont made a distracted gesture. Silence brooded over the +dinner table, covered with spoons bearing the Forsyte crest--a +pheasant proper--under the electric light in an alabaster globe. And +outside, the river evening darkened, charged with heavy moisture and +sweet scents. + +'Monday,' thought Fleur; 'Monday!' + + + + +VI + +DESPERATE + + +The weeks which followed the death of his father were sad and empty +to the only Jolyon Forsyte left. The necessary forms and ceremonies- +-the reading of the Will, valuation of the estate, distribution of +the legacies--were enacted over the head, as it were, of one not yet +of age. Jolyon was cremated. By his special wish no one attended +that ceremony, or wore black for him. The succession of his +property, controlled to some extent by old Jolyon's Will, left his +widow in possession of Robin Hill, with two thousand five hundred +pounds a year for life. Apart from this the two Wills worked +together in some complicated way to insure that each of Jolyon's +three children should have an equal share in their grandfather's and +father's property in the future as in the present, save only that +Jon, by virtue of his sex, would have control of his capital when he +was twenty-one, while June and Holly would only have the spirit of +theirs, in order that their children might have the body after them. +If they had no children, it would all come to Jon if he outlived +them; and since June was fifty, and Holly nearly forty, it was +considered in Lincoln's Inn Fields that but for the cruelty of income +tax, young Jon would be as warm a man as his grandfather when he +died. All this was nothing to Jon, and little enough to his mother. +It was June who did everything needful for one who had left his +affairs in perfect order. When she had gone, and those two were +alone again in the great house, alone with death drawing them +together, and love driving them apart, Jon passed very painful days +secretly disgusted and disappointed with himself. His mother would +look at him with such a patient sadness which yet had in it an +instinctive pride, as if she were reserving her defence. If she +smiled he was angry that his answering smile should be so grudging +and unnatural. He did not judge or condemn her; that was all too +remote--indeed, the idea of doing so had never come to him. No! he +was grudging and unnatural because he couldn't have what he wanted be +cause of her. There was one alleviation--much to do in connection +with his father's career, which could not be safely entrusted to +June, though she had offered to undertake it. Both Jon and his +mother had felt that if she took his portfolios, unexhibited drawings +and unfinished matter, away with her, the work would encounter such +icy blasts from Paul Post and other frequenters of her studio, that +it would soon be frozen out even of her warm heart. On its old- +fashioned plane and of its kind the work was good, and they could not +bear the thought of its subjection to ridicule. A one-man exhibition +of his work was the least testimony they could pay to one they had +loved; and on preparation for this they spent many hours together. +Jon came to have a curiously increased respect for his father. The +quiet tenacity with which he had converted a mediocre talent into +something really individual was disclosed by these researches. There +was a great mass of work with a rare continuity of growth in depth +and reach of vision. Nothing certainly went very deep, or reached +very high--but such as the work was, it was thorough, conscientious, +and complete. And, remembering his father's utter absence of "side" +or self-assertion, the chaffing humility with which he had always +spoken of his own efforts, ever calling himself "an amateur," Jon +could not help feeling that he had never really known his father. To + take himself seriously, yet never bore others by letting them know +that he did so, seemed to have been his ruling principle. There was +something in this which appealed to the boy, and made him heartily +endorse his mother's comment: "He had true refinement; he couldn't +help thinking of others, whatever he did. And when he took a +resolution which went counter, he did it with the minimum of +defiance--not like the Age, is it? Twice in his life he had to go +against everything; and yet it never made him bitter." Jon saw tears +running down her face, which she at once turned away from him. She +was so quiet about her loss that sometimes he had thought she didn't +feel it much. Now, as he looked at her, he felt how far he fell +short of the reserve power and dignity in both his father and his +mother. And, stealing up to her, he put his arm round her waist. +She kissed him swiftly, but with a sort of passion, and went out of +the room. + +The studio, where they had been sorting and labelling, had once been +Holly's schoolroom, devoted to her silkworms, dried lavender, music, +and other forms of instruction. Now, at the end of July, despite its +northern and eastern aspects, a warm and slumberous air came in +between the long-faded lilac linen curtains. To redeem a little the +departed glory, as of a field that is golden and gone, clinging to a +room which its master has left, Irene had placed on the paint-stained +table a bowl of red roses. This, and Jolyon's favourite cat, who +still clung to the deserted habitat, were the pleasant spots in that +dishevelled, sad workroom. Jon, at the north window, sniffing air +mysteriously scented with warm strawberries, heard a car drive up. +The lawyers again about some nonsense! Why did that scent so make +one ache? And where did it come from--there were no strawberry beds +on this side of the house. Instinctively he took a crumpled sheet of +paper from his pocket, and wrote down some broken words. A warmth +began spreading in his chest; he rubbed the palms of his hands +together. Presently he had jotted this: + +"If I could make a little song +A little song to soothe my heart! +I'd make it all of little things +The plash of water, rub of wings, +The puffing-off of dandies crown, +The hiss of raindrop spilling down, +The purr of cat, the trill of bird, +And ev'ry whispering I've heard +>From willy wind in leaves and grass, +And all the distant drones that pass. +A song as tender and as light +As flower, or butterfly in flight; +And when I saw it opening, +I'd let it fly and sing!" + +He was still muttering it over to himself at the window, when he +heard his name called, and, turning round, saw Fleur. At that +amazing apparition, he made at first no movement and no sound, while +her clear vivid glance ravished his heart. Then he went forward to +the table, saying, "How nice of you to come!" and saw her flinch as +if he had thrown something at her. + +"I asked for you," she said, "and they showed me up here. But I can +go away again." + +Jon clutched the paint-stained table. Her face and figure in its +frilly frock photographed itself with such startling vividness upon +his eyes, that if she had sunk through the floor he must still have +seen her. + +"I know I told you a lie, Jon. But I told it out of love." + +"Yes, oh! yes! That's nothing!" + +"I didn't answer your letter. What was the use--there wasn't +anything to answer. I wanted to see you instead." She held out both +her hands, and Jon grasped them across the table. He tried to say +something, but all his attention was given to trying not to hurt her +hands. His own felt so hard and hers so soft. She said almost +defiantly: + +"That old story--was it so very dreadful?" + +"Yes." In his voice, too, there was a note of defiance. + +She dragged her hands away. "I didn't think in these days boys were +tied to their mothers' apron-strings." + +Jon's chin went up as if he had been struck. + +"Oh! I didn't mean it, Jon. What a horrible thing to say!" Swiftly +she came close to him. "Jon, dear; I didn't mean it." + +"All right." + +She had put her two hands on his shoulder, and her forehead down on +them; the brim of her hat touched his neck, and he felt it quivering. +But, in a sort of paralysis, he made no response. She let go of his +shoulder and drew away. + +"Well, I'll go, if you don't want me. But I never thought you'd have +given me up." + +"I haven't," cried Jon, coming suddenly to life. "I can't. I'll try +again." + +Her eyes gleamed, she swayed toward him. "Jon--I love you! Don't +give me up! If you do, I don't know what--I feel so desperate. What +does it matter--all that past-compared with this?" + +She clung to him. He kissed her eyes, her cheeks, her lips. But +while he kissed her he saw, the sheets of that letter fallen down on +the floor of his bedroom--his father's white dead face--his mother +kneeling before it. Fleur's whispered, "Make her! Promise! Oh! Jon, +try!" seemed childish in his ear. He felt curiously old. + +"I promise!" he muttered. "Only, you don't understand." + +"She wants to spoil our lives, just because--" + +"Yes, of what?" + +Again that challenge in his voice, and she did not answer. Her arms +tightened round him, and he returned her kisses; but even while he +yielded, the poison worked in him, the poison of the letter. Fleur +did not know, she did not understand--she misjudged his mother; she +came from the enemy's camp! So lovely, and he loved her so--yet, +even in her embrace, he could not help the memory of Holly's words: +"I think she has a 'having' nature," and his mother's "My darling +boy, don't think of me--think of yourself!" + +When she was gone like a passionate dream, leaving her image on his +eyes, her kisses on his lips, such an ache in his heart, Jon leaned +in the window, listening to the car bearing her away. Still the +scent as of warm strawberries, still the little summer sounds that +should make his song; still all the promise of youth and happiness in +sighing, floating, fluttering July--and his heart torn; yearning +strong in him; hope high in him yet with its eyes cast down, as if +ashamed. The miserable task before him! If Fleur was desperate, so +was he--watching the poplars swaying, the white clouds passing, the +sunlight on the grass. + +He waited till evening, till after their almost silent dinner, till +his mother had played to him and still he waited, feeling that she +knew what he was waiting to say. She kissed him and went up-stairs, +and still he lingered, watching the moonlight and the moths, and that +unreality of colouring which steals along and stains a summer night. +And he would have given anything to be back again in the past--barely +three months back; or away forward, years, in the future. The +present with this dark cruelty of a decision, one way or the other, +seemed impossible. He realised now so much more keenly what his +mother felt than he had at first; as if the story in that letter had +been a poisonous germ producing a kind of fever of partisanship, so +that he really felt there were two camps, his mother's and his-- +Fleur's and her father's. It might be a dead thing, that old tragic +ownership and enmity, but dead things were poisonous till time had +cleaned them away. Even his love felt tainted, less illusioned, more +of the earth, and with a treacherous lurking doubt lest Fleur, like +her father, might want to own; not articulate, just a stealing haunt, +horribly unworthy, which crept in and about the ardour of his +memories, touched with its tarnishing breath the vividness and grace +of that charmed face and figure--a doubt, not real enough to convince +him of its presence, just real enough to deflower a perfect faith. +And perfect faith, to Jon, not yet twenty, was essential. He still +had Youth's eagerness to give with both hands, to take with neither - +to give lovingly to one who had his own impulsive generosity. Surely +she had! He got up from the window-seat and roamed in the big grey +ghostly room, whose walls were hung with silvered canvas. This house +his father said in that death-bed letter--had been built for his +mother to live in--with Fleur's father! He put out his hand in the +half-dark, as if to grasp the shadowy hand of the dead. He clenched, +trying to feel the thin vanished fingers of his father; to squeeze +them, and reassure him that he-he was on his father's side. Tears, +prisoned within him, made his eyes feel dry and hot. He went back to +the window. It was warmer, not so eerie, more comforting outside, +where the moon hung golden, three days off full; the freedom of the +night was comforting. If only Fleur and he had met on some desert +island without a past--and Nature for their house! Jon had still his +high regard for desert islands, where breadfruit grew, and the water +was blue above the coral. The night was deep, was free--there was +enticement in it; a lure, a promise, a refuge from entanglement, and +love! Milksop tied to his mother's...! His cheeks burned. He shut +the window, drew curtains over it, switched off the lighted sconce, +and went up-stairs. + +The door of his room was open, the light turned up; his mother, still +in her evening gown, was standing at the window. She turned and +said: + +"Sit down, Jon; let's talk." She sat down on the window-seat, Jon on +his bed. She had her profile turned to him, and the beauty and grace +of her figure, the delicate line of the brow, the nose, the neck, the +strange and as it were remote refinement of her, moved him. His +mother never belonged to her surroundings. She came into them from +somewhere--as it were! What was she going to say to him, who had in +his heart such things to say to her? + +"I know Fleur came to-day. I'm not surprised." It was as though she +had added: "She is her father's daughter!" And Jon's heart hardened. +Irene went on quietly: + +"I have Father's letter. I picked it up that night and kept it. +Would you like it back, dear?" + +Jon shook his head. + +"I had read it, of course, before he gave it to you. It didn't quite +do justice to my criminality." + +'Mother!" burst from Jon's lips. + +"He put it very sweetly, but I know that in marrying Fleur's father +without love I did a dreadful thing. An unhappy marriage, Jon, can +play such havoc with other lives besides one's own. You are +fearfully young, my darling, and fearfully loving. Do you think you +can possibly be happy with this girl?" + +Staring at her dark eyes, darker now from pain, Jon answered + +"Yes; oh! yes--if you could be." + +Irene smiled. + +"Admiration of beauty and longing for possession are not love. If +yours were another case like mine, Jon--where the deepest things are +stifled; the flesh joined, and the spirit at war!" + +"Why should it, Mother? You think she must be like her father, but +she's not. I've seen him." + +Again the smile came on Irene's lips, and in Jon something wavered; +there was such irony and experience in that smile. + +"You are a giver, Jon; she is a taker." + +That unworthy doubt, that haunting uncertainty again! He said with +vehemence: + +"She isn't--she isn't. It's only because I can't bear to make you +unhappy, Mother, now that Father--" He thrust his fists against his +forehead. + +Irene got up. + +"I told you that night, dear, not to mind me. I meant it. Think of +yourself and your own happiness! I can stand what's left--I've +brought it on myself." + +Again the word "Mother!" burst from Jon's lips. + +She came over to him and put her hands over his. + +"Do you feel your head, darling?" + +Jon shook it. What he felt was in his chest--a sort of tearing +asunder of the tissue there, by the two loves. + +"I shall always love you the same, Jon, whatever you do. You won't +lose anything." She smoothed his hair gently, and walked away. + +He heard the door shut; and, rolling over on the bed, lay, stifling +his breath, with an awful held-up feeling within him. + + + + +VII + +EMBASSY + + +Enquiring for her at tea time Soames learned that Fleur had been out +in the car since two. Three hours! Where had she gone? Up to +London without a word to him? He had never become quite reconciled +with cars. He had embraced them in principle--like the born +empiricist, or Forsyte, that he was--adopting each symptom of +progress as it came along with: "Well, we couldn't do without them +now." But in fact he found them tearing, great, smelly things. +Obliged by Annette to have one--a Rollhard with pearl-grey cushions, +electric light, little mirrors, trays for the ashes of cigarettes, +flower vases--all smelling of petrol and stephanotis--he regarded it +much as he used to regard his brother-in-law, Montague Dartie. The +thing typified all that was fast, insecure, and subcutaneously oily +in modern life. As modern life became faster, looser, younger, +Soames was becoming older, slower, tighter, more and more in thought +and language like his father James before him. He was almost aware +of it himself. Pace and progress pleased him less and less; there +was an ostentation, too, about a car which he considered provocative +in the prevailing mood of Labour. On one occasion that fellow Sims +had driven over the only vested interest of a working man. Soames +had not forgotten the behaviour of its master, when not many people +would have stopped to put up with it. He had been sorry for the dog, +and quite prepared to take its part against the car, if that ruffian +hadn't been so outrageous. With four hours fast becoming five, and +still no Fleur, all the old car-wise feelings he had experienced in +person and by proxy balled within him, and sinking sensations +troubled the pit of his stomach. At seven he telephoned to Winifred +by trunk call. No! Fleur had not been to Green Street. Then where +was she? Visions of his beloved daughter rolled up in her pretty +frills, all blood and dust-stained, in some hideous catastrophe, +began to haunt him. He went to her room and spied among her things. +She had taken nothing--no dressing-case, no Jewellery. And this, a +relief in one sense, increased his fears of an accident. Terrible to +be helpless when his loved one was missing, especially when he +couldn't bear fuss or publicity of any kind! What should he do if +she were not back by nightfall? + +At a quarter to eight he heard the car. A great weight lifted from +off his heart; he hurried down. She was getting out--pale and tired- +looking, but nothing wrong. He met her in the hall. + +"You've frightened me. Where have you been?" + +"To Robin Hill. I'm sorry, dear. I had to go; I'll tell you +afterward." And, with a flying kiss, she ran up-stairs. + +Soames waited in the drawing-room. To Robin Hill! What did that +portend? + +It was not a subject they could discuss at dinner--consecrated to the +susceptibilities of the butler. The agony of nerves Soames had been +through, the relief he felt at her safety, softened his power to +condemn what she had done, or resist what she was going to do; he +waited in a relaxed stupor for her revelation. Life was a queer +business. There he was at sixty-five and no more in command of +things than if he had not spent forty years in building up security- +always something one couldn't get on terms with! In the pocket of +his dinner-jacket was a letter from Annette. She was coming back in +a fortnight. He knew nothing of what she had been doing out there. +And he was glad that he did not. Her absence had been a relief. Out +of sight was out of mind! And now she was coming back. Another +worry! And the Bolderby Old Crome was gone--Dumetrius had got it-- +all because that anonymous letter had put it out of his thoughts. He +furtively remarked the strained look on his daughter's face, as if +she too were gazing at a picture that she couldn't buy. He almost +wished the War back. Worries didn't seem, then, quite so worrying. +>From the caress in her voice, the look on her face, he became certain +that she wanted something from him, uncertain whether it would be +wise of him to give it her. He pushed his savoury away uneaten, and +even joined her in a cigarette. + +After dinner she set the electric piano-player going. And he augured +the worst when she sat down on a cushion footstool at his knee, and +put her hand on his. + +"Darling, be nice to me. I had to see Jon--he wrote to me. He's +going to try what he can do with his mother. But I've been thinking. +It's really in your hands, Father. If you'd persuade her that it +doesn't mean renewing the past in any way! That I shall stay yours, +and Jon will stay hers; that you need never see him or her, and she +need never see you or me! Only you could persuade her, dear, because +only you could promise. One can't promise for other people. Surely +it wouldn't be too awkward for you to see her just this once now that +Jon's father is dead?" + +"Too awkward?" Soames repeated. "The whole thing's preposterous." + +"You know," said Fleur, without looking up, "you wouldn't mind seeing +her, really." + +Soames was silent. Her words had expressed a truth too deep for him +to admit. She slipped her fingers between his own--hot, slim, eager, +they clung there. This child of his would corkscrew her way into a +brick wall! + +"What am I to do if you won't, Father?" she said very softly. + +"I'll do anything for your happiness," said Soanies; "but this isn't +for your happiness." + +"Oh! it is; it is!" + +"It'll only stir things up," he said grimly. + +"But they are stirred up. The thing is to quiet them. To make her +feel that this is just our lives, and has nothing to do with yours or +hers. You can do it, Father, I know you can." + +"You know a great deal, then," was Soames' glum answer. + +"If you will, Jon and I will wait a year--two years if you like." + +"It seems to me," murmured Soames, "that you care nothing about what +I feel." + +Fleur pressed his hand against her cheek. + +"I do, darling. But you wouldn't like me to be awfully miserable." + +How she wheedled to get her ends! And trying with all his might to +think she really cared for him--he was not sure--not sure. All she +cared for was this boy! Why should he help her to get this boy, who +was killing her affection for himself? Why should he? By the laws +of the Forsytes it was foolish! There was nothing to be had out of +it--nothing! To give her to that boy! To pass her into the enemy's +camp, under the influence of the woman who had injured him so deeply! +Slowly--inevitably--he would lose this flower of his life! And +suddenly he was conscious that his hand was wet. His heart gave a +little painful jump. He couldn't bear her to cry. He put his other +hand quickly over hers, and a tear dropped on that, too. He couldn't +go on like this! "Well, well," he said, "I'll think it over, and do +what I can. Come, come!" If she must have it for her happiness--she +must; he couldn't refuse to help her. And lest she should begin to +thank him he got out of his chair and went up to the piano-player-- +making that noise! It ran down, as he reached it, with a faint buzz. +That musical box of his nursery days: "The Harmonious Blacksmith," +"Glorious Port"--the thing had always made him miserable when his +mother set it going on Sunday afternoons. Here it was again--the +same thing, only larger, more expensive, and now it played "The Wild, +Wild Women," and "The Policeman's Holiday," and he was no longer in +black velvet with a sky blue collar. 'Profond's right,' he thought, +'there's nothing in it! We're all progressing to the grave!' And +with that surprising mental comment he walked out. + +He did not see Fleur again that night. But, at breakfast, her eyes +followed him about with an appeal he could not escape--not that he +intended to try. No! He had made up his mind to the nerve-racking +business. He would go to Robin Hill--to that house of memories. +Pleasant memory--the last! Of going down to keep that boy's father +and Irene apart by threatening divorce. He had often thought, since, +that it had clinched their union. And, now, he was going to clinch +the union of that boy with his girl. 'I don't know what I've done,' +he thought, 'to have such things thrust on me!' He went up by train +and down by train, and from the station walked by the long rising +lane, still very much as he remembered it over thirty years ago. +Funny--so near London! Some one evidently was holding on to the land +there. This speculation soothed him, moving between the high hedges +slowly, so as not to get overheated, though the day was chill enough. +After all was said and done there was something real about land, it +didn't shift. Land, and good pictures! The values might fluctuate a +bit, but on the whole they were always going up--worth holding on to, +in a world where there was such a lot of unreality, cheap building, +changing fashions, such a "Here to-day and gone to-morrow" spirit. +The French were right, perhaps, with their peasant proprietorship, +though he had no opinion of the French. One's bit of land! +Something solid in it! He had heard peasant proprietors described as +a pig-headed lot; had heard young Mont call his father a pigheaded +Morning Poster--disrespectful young devil. Well, there were worse +things than being pig-headed or reading the Morning Post. There was +Profond and his tribe, and all these Labour chaps, and loud-mouthed +politicians and 'wild, wild women'! A lot of worse things! And +suddenly Soames became conscious of feeling weak, and hot, and shaky. +Sheer nerves at the meeting before him! As Aunt Juley might have +said--quoting "Superior Dosset"--his nerves were "in a proper +fautigue." He could see the house now among its trees, the house he +had watched being built, intending it for himself and this woman, +who, by such strange fate, had lived in it with another after all! +He began to think of Dumetrius, Local Loans, and other forms of +investment. He could not afford to meet her with his nerves all +shaking; he who represented the Day of Judgment for her on earth as +it was in heaven; he, legal ownership, personified, meeting lawless +beauty, incarnate. His dignity demanded impassivity during this +embassy designed to link their offspring, who, if she had behaved +herself, would have been brother and sister. That wretched tune, +"The Wild, Wild Women," kept running in his head, perversely, for +tunes did not run there as a rule. Passing the poplars in front of +the house, he thought: 'How they've grown; I had them planted!' +A maid answered his ring. + +"Will you say--Mr. Forsyte, on a very special matter." + +If she realised who he was, quite probably she would not see him. +'By George!' he thought, hardening as the tug came. 'It's a topsy- +turvy affair!' + +The maid came back. "Would the gentleman state his business, +please?" + +"Say it concerns Mr. Jon," said Soames. + +And once more he was alone in that hall with the pool of grey-white +marble designed by her first lover. Ah! she had been a bad lot--had +loved two men, and not himself! He must remember that when he came +face to face with her once more. And suddenly he saw her in the +opening chink between the long heavy purple curtains, swaying, as if +in hesitation; the old perfect poise and line, the old startled dark- +eyed gravity, the old calm defensive voice: "Will you come in, +please?" + +He passed through that opening. As in the picture-gallery and the +confectioner's shop, she seemed to him still beautiful. And this was +the first time--the very first--since he married her seven-and-thirty +years ago, that he was speaking to her without the legal right to +call her his. She was not wearing black--one of that fellow's +radical notions, he supposed. + +"I apologise for coming," he said glumly; "but this business must be +settled one way or the other." + +"Won't you sit down?" + +"No, thank you." + +Anger at his false position, impatience of ceremony between them, +mastered him, and words came tumbling out: + +"It's an infernal mischance; I've done my best to discourage it. I +consider my daughter crazy, but I've got into the habit of indulging +her; that's why I'm here. I suppose you're fond of your son." + +"Devotedly." + +"Well?" + +"It rests with him." + +He had a sense of being met and baffled. Always--always she had +baffled him, even in those old first married days. + +"It's a mad notion," he said. + +"It is." + +"If you had only--! Well--they might have been--" he did not finish +that sentence "brother and sister and all this saved," but he saw her +shudder as if he had, and stung by the sight he crossed over to the +window. Out there the trees had not grown--they couldn't, they were +old + +"So far as I'm concerned," he said, "you may make your mind easy. I +desire to see neither you nor your son if this marriage comes about. +Young people in these days are--are unaccountable. But I can't bear +to see my daughter unhappy. What am I to say to her when I go back?" + +"Please say to her as I said to you, that it rests with Jon." + +"You don't oppose it?" + +"With all my heart; not with my lips." + +Soames stood, biting his finger. + +"I remember an evening--" he said suddenly; and was silent. What was +there--what was there in this woman that would not fit into the four +corners of his hate or condemnation? "Where is he--your son?" + +"Up in his father's studio, I think." + +"Perhaps you'd have him down." + +He watched her ring the bell, he watched the maid come in. + +"Please tell Mr. Jon that I want him." + +"If it rests with him," said Soames hurriedly, when the maid was +gone, "I suppose I may take it for granted that this unnatural +marriage will take place; in that case there'll be formalities. Whom +do I deal with--Herring's?" + +Irene nodded. + +"You don't propose to live with them?" + +Irene shook her head. + +"What happens to this house?" + +"It will be as Jon wishes." + +"This house," said Soames suddenly: "I had hopes when I began it. If +they live in it--their children! They say there's such a thing as +Nemesis. Do you believe in it?" + +"Yes." + +"Oh! You do!" + +He had come back from the window, and was standing close to her, who, +in the curve of her grand piano, was, as it were, embayed. + +"I'm not likely to see you again," he said slowly. "Will you shake +hands"--his lip quivered, the words came out jerkily--"and let the +past die." He held out his hand. Her pale face grew paler, her eyes +so dark, rested immovably on his, her hands remained clasped in front +of her. He heard a sound and turned. That boy was standing in the +opening of the curtains. Very queer he looked, hardly recognisable +as the young fellow he had seen in the Gallery off Cork Street--very +queer; much older, no youth in the face at all--haggard, rigid, his +hair ruffled, his eyes deep in his head. Soames made an effort, and +said with a lift of his lip, not quite a smile nor quite a sneer: + +"Well, young man! I'm here for my daughter; it rests with you, it +seems--this matter. Your mother leaves it in your hands." + +The boy continued staring at his mother's face, and made no answer. + +"For my daughter's sake I've brought myself to come," said Soames. +"What am I to say to her when I go back?" + +Still looking at his mother, the boy said, quietly: + +"Tell Fleur that it's no good, please; I must do as my father wished +before he died." + +"Jon!" + +"It's all right, Mother." + +In a kind of stupefaction Soames looked from one to the other; then, +taking up hat and umbrella which he had put down on a chair, he +walked toward the curtains. The boy stood aside for him to go by. +He passed through and heard the grate of the rings as the curtains +were drawn behind him. The sound liberated something in his chest. + +'So that's that!' he thought, and passed out of the front door. + + + + +VIII + +THE DARK TUNE + + +As Soames walked away from the house at Robin Hill the sun broke +through the grey of that chill afternoon, in smoky radiance. So +absorbed in landscape painting that he seldom looked seriously for +effects of Nature out of doors--he was struck by that moody +effulgence--it mourned with a triumph suited to his own feeling. +Victory in defeat. His embassy had come to naught. But he was rid +of those people, had regained his daughter at the expense of--her +happiness. What would Fleur say to him? Would she believe he had +done his best? And under that sunlight faring on the elms, hazels, +hollies of the lane and those unexploited fields, Soames felt dread. +She would be terribly upset! He must appeal to her pride. That boy +had given her up, declared part and lot with the woman who so long +ago had given her father up! Soames clenched his hands. Given him +up, and why? What had been wrong with him? And once more he felt +the malaise of one who contemplates himself as seen by another--like +a dog who chances on his refection in a mirror and is intrigued and +anxious at the unseizable thing. + +Not in a hurry to get home, he dined in town at the Connoisseurs. +While eating a pear it suddenly occurred to him that, if he had not +gone down to Robin Hill, the boy might not have so decided. He +remembered the expression on his face while his mother was refusing +the hand he had held out. A strange, an awkward thought! Had Fleur +cooked her own goose by trying to make too sure? + +He reached home at half-past nine. While the car was passing in at +one drive gate he heard the grinding sputter of a motor-cycle passing +out by the other. Young Mont, no doubt, so Fleur had not been +lonely. But he went in with a sinking heart. In the cream-panelled +drawing-room she was sitting with her elbows on her knees, and her +chin on her clasped hands, in front of a white camellia plant which +filled the fireplace. That glance at her before she saw him renewed +his dread. What was she seeing among those white camellias? + +"Well, Father!" + +Soames shook his head. His tongue failed him. This was murderous +work! He saw her eyes dilate, her lips quivering. + +"What? What? Quick, Father!" + +"My dear," said Soames, "I--I did my best, but--" And again he shook +his head. + +Fleur ran to him, and put a hand on each of his shoulders. + +"She?" + +"No," muttered Soames; "he. I was to tell you that it was no use; he +must do what his father wished before he died." He caught her by the +waist. "Come, child, don't let them hurt you. They're not worth +your little finger." + +Fleur tore herself from his grasp. + +"You didn't you--couldn't have tried. You--you betrayed me, Father!" + +Bitterly wounded, Soames gazed at her passionate figure writhing +there in front of him. + +"You didn't try--you didn't--I was a fool! Iwon't believe he could-- +he ever could! Only yesterday he--! Oh! why did I ask you?" + +"Yes," said Soames, quietly, "why did you? I swallowed my feelings; +I did my best for you, against my judgment--and this is my reward. +Good-night!" + +With every nerve in his body twitching he went toward the door. + +Fleur darted after him. + +"He gives me up? You mean that? Father!" + +Soames turned and forced himself to answer: + +"Yes." + +"Oh!" cried Fleur. "What did you--what could you have done in those +old days?" + +The breathless sense of really monstrous injustice cut the power of +speech in Soames' throat. What had he done! What had they done to +him! + +And with quite unconscious dignity he put his hand on his breast, and +looked at her. + +"It's a shame!" cried Fleur passionately. + +Soames went out. He mounted, slow and icy, to his picture gallery, +and paced among his treasures. Outrageous! Oh! Outrageous! She +was spoiled! Ah! and who had spoiled her? He stood still before the +Goya copy. Accustomed to her own way in everything. Flower of his +life! And now that she couldn't have it! He turned to the window +for some air. Daylight was dying, the moon rising, gold behind the +poplars! What sound was that? Why! That piano thing! A dark tune, +with a thrum and a throb! She had set it going--what comfort could +she get from that? His eyes caught movement down there beyond the +lawn, under the trellis of rambler roses and young acacia-trees, +where the moonlight fell. There she was, roaming up and down. His +heart gave a little sickening jump. What would she do under this +blow? How could he tell? What did he know of her--he had only loved +her all his life--looked on her as the apple of his eye! He knew +nothing--had no notion. There she was--and that dark tune--and the +river gleaming in the moonlight! + +'I must go out,' he thought. + +He hastened down to the drawing-room, lighted just as he had left it, +with the piano thrumming out that waltz, or fox-trot, or whatever +they called it in these days, and passed through on to the verandah. + +Where could he watch, without her seeing him? And he stole down +through the fruit garden to the boat-house. He was between her and +the river now, and his heart felt lighter. She was his daughter, and +Annette's--she wouldn't do anything foolish; but there it was--he +didn't know! From the boat house window he could see the last acacia +and the spin of her skirt when she turned in her restless march. +That tune had run down at last--thank goodness! He crossed the floor +and looked through the farther window at the water slow-flowing past +the lilies. It made little bubbles against them, bright where a +moon-streak fell. He remembered suddenly that early morning when he +had slept on the house-boat after his father died, and she had just +been born--nearly nineteen years ago! Even now he recalled the +unaccustomed world when he woke up, the strange feeling it had given +him. That day the second passion of his life began--for this girl of +his, roaming under the acacias. What a comfort she had been to him! +And all the soreness and sense of outrage left him. If he could make +her happy again, he didn't care! An owl flew, queeking, queeking; a +bat flitted by; the moonlight brightened and broadened on the water. +How long was she going to roam about like this! He went back to the +window, and suddenly saw her coming down to the bank. She stood +quite close, on the landing-stage. And Soames watched, clenching his +hands. Should he speak to her? His excitement was intense. The +stillness of her figure, its youth, its absorption in despair, in +longing, in--itself. He would always remember it, moonlit like that; +and the faint sweet reek of the river and the shivering of the willow +leaves. She had everything in the world that he could give her, +except the one thing that she could not have because of him! The +perversity of things hurt him at that moment, as might a fish-bone in +his throat. + +Then, with an infinite relief, he saw her turn back toward the house. +What could he give her to make amends? Pearls, travel, horses, other +young men--anything she wanted--that he might lose the memory of her +young figure lonely by the water! There! She had set that tune +going again! Why--it was a mania! Dark, thrumming, faint, +travelling from the house. It was as though she had said: "If I +can't have something to keep me going, I shall die of this!" Soames +dimly understood. Well, if it helped her, let her keep it thrumming +on all night! And, mousing back through the fruit garden, he +regained the verandah. Though he meant to go in and speak to her +now, he still hesitated, not knowing what to say, trying hard to +recall how it felt to be thwarted in love. He ought to know, ought +to remember--and he could not! Gone--all real recollection; except +that it had hurt him horribly. In this blankness he stood passing +his handkerchief over hands and lips, which were very dry. By +craning his head he could just see Fleur, standing with her back to +that piano still grinding out its tune, her arms tight crossed on her +breast, a lighted cigarette between her lips, whose smoke half veiled +her face. The expression on it was strange to Soames, the eyes shone +and stared, and every feature was alive with a sort of wretched scorn +and anger. Once or twice he had seen Annette look like that--the +face was too vivid, too naked, not his daughter's at that moment. +And he dared not go in, realising the futility of any attempt at +consolation. He sat down in the shadow of the ingle-nook. + +Monstrous trick, that Fate had played him! Nemesis! That old +unhappy marriage! And in God's name-why? How was he to know, when +he wanted Irene so violently, and she consented to be his, that she +would never love him? The tune died and was renewed, and died again, +and still Soames sat in the shadow, waiting for he knew not what. +The fag of Fleur's cigarette, flung through the window, fell on the +grass; he watched it glowing, burning itself out. The moon had freed +herself above the poplars, and poured her unreality on the garden. +Comfortless light, mysterious, withdrawn--like the beauty of that +woman who had never loved him--dappling the nemesias and the stocks +with a vesture not of earth. Flowers! And his flower so unhappy! +Ah! Why could one not put happiness into Local Loans, gild its +edges, insure it against going down? + +Light had ceased to flow out now from the drawing-room window. All +was silent and dark in there. Had she gone up? He rose, and, +tiptoeing, peered in. It seemed so! He entered. The verandah kept +the moonlight out; and at first he could see nothing but the outlines +of furniture blacker than the darkness. He groped toward the farther +window to shut it. His foot struck a chair, and he heard a gasp. +There she was, curled and crushed into the corner of the sofa! His +hand hovered. Did she want his consolation? He stood, gazing at +that ball of crushed frills and hair and graceful youth, trying to +burrow its way out of sorrow. How leave her there? At last he +touched her hair, and said: + +"Come, darling, better go to bed. I'll make it up to you, somehow." +How fatuous! But what could he have said? + + + + +IX + +UNDER THE OAK-TREE + + +When their visitor had disappeared Jon and his mother stood without +speaking, till he said suddenly: + +"I ought to have seen him out." + +But Soames was already walking down the drive, and Jon went upstairs +to his father's studio, not trusting himself to go back. + +The expression on his mother's face confronting the man she had once +been married to, had sealed a resolution growing within him ever +since she left him the night before. It had put the finishing touch +of reality. To marry Fleur would be to hit his mother in the face; +to betray his dead father! It was no good! Jon had the least +resentful of natures. He bore his parents no grudge in this hour of +his distress. For one so young there was a rather strange power in +him of seeing things in some sort of proportion. It was worse for +Fleur, worse for his mother even, than it was for him. Harder than +to give up was to be given up, or to be the cause of some one you +loved giving up for you. He must not, would not behave grudgingly! +While he stood watching the tardy sunlight, he had again that sudden +vision of the world which had come to him the night before. Sea on +sea, country on country, millions on millions of people, all with +their own lives, energies, joys, griefs, and suffering--all with +things they had to give up, and separate struggles for existence. +Even though he might be willing to give up all else for the one thing +he couldn't have, he would be a fool to think his feelings mattered +much in so vast a world, and to behave like a cry-baby or a cad. He +pictured the people who had nothing--the millions who had given up +life in the War, the millions whom the War had left with life and +little else; the hungry children he had read of, the shattered men; +people in prison, every kind of unfortunate. And--they did not help +him much. If one had to miss a meal, what comfort in the knowledge +that many others had to miss it too? There was more distraction in +the thought of getting away out into this vast world of which he knew +nothing yet. He could not go on staying here, walled in and +sheltered, with everything so slick and comfortable, and nothing to +do but brood and think what might have been. He could not go back to +Wansdon, and the memories of Fleur. If he saw her again he could not +trust himself; and if he stayed here or went back there, he would +surely see her. While they were within reach of each other that must +happen. To go far away and quickly was the only thing to do. But, +however much he loved his mother, he did not want to go away with +her. Then feeling that was brutal, he made up his mind desperately +to propose that they should go to Italy. For two hours in that +melancholy room he tried to master himself, then dressed solemnly for +dinner. + +His mother had done the same. They ate little, at some length, and +talked of his father's catalogue. The show was arranged for October, +and beyond clerical detail there was nothing more to do. + +After dinner she put on a cloak and they went out; walked a little, +talked a little, till they were standing silent at last beneath the +oak-tree. Ruled by the thought: 'If I show anything, I show all,' +Jon put his arm through hers and said quite casually: + +"Mother, let's go to Italy." + +Irene pressed his arm, and said as casually: + +"It would be very nice; but I've been thinking you ought to see and +do more than you would if I were with you." + +"But then you'd be alone." + +"I was once alone for more than twelve years. Besides, I should like +to be here for the opening of Father's show." + +Jon's grip tightened round her arm; he was not deceived. + +"You couldn't stay here all by yourself; it's too big." + +"Not here, perhaps. In London, and I might go to Paris, after the +show opens. You ought to have a year at least, Jon, and see the +world." + +"Yes, I'd like to see the world and rough it. But I don't want to +leave you all alone." + +"My dear, I owe you that at least. If it's for your good, it'll be +for mine. Why not start tomorrow? You've got your passport." + +"Yes; if I'm going it had better be at once. Only--Mother--if--if I +wanted to stay out somewhere--America or anywhere, would you mind +coming presently?" + +"Wherever and whenever you send for me. But don't send until you +really want me." + +Jon drew a deep breath. + +"I feel England's choky." + +They stood a few minutes longer under the oak-tree--looking out to +where the grand stand at Epsom was veiled in evening. The branches +kept the moonlight from them, so that it only fell everywhere else-- +over the fields and far away, and on the windows of the creepered +house behind, which soon would be to let. + + + + +X + +FLEUR'S WEDDING + + +The October paragraphs describing the wedding of Fleur Forsyte to +Michael Mont hardly conveyed the symbolic significance of this event. +In the union of the great-granddaughter of "Superior Dosset" with the +heir of a ninth baronet was the outward and visible sign of that +merger of class in class which buttresses the political stability of +a realm. The time had come when the Forsytes might resign their +natural resentment against a "flummery" not theirs by birth, and +accept it as the still more natural due of their possessive +instincts. Besides, they had to mount to make room for all those so +much more newly rich. In that quiet but tasteful ceremony in Hanover +Square, and afterward among the furniture in Green Street, it had +been impossible for those not in the know to distinguish the Forsyte +troop from the Mont contingent--so far away was "Superior Dosset" +now. Was there, in the crease of his trousers, the expression of his +moustache, his accent, or the shine on his top-hat, a pin to choose +between Soames and the ninth baronet himself? Was not Fleur as self- +possessed, quick, glancing, pretty, and hard as the likeliest +Muskham, Mont, or Charwell filly present? If anything, the Forsytes +had it in dress and looks and manners. They had become "upper class" +and now their name would be formally recorded in the Stud Book, their +money joined to land. Whether this was a little late in the day, and +those rewards of the possessive instinct, lands and money, destined +for the melting-pot--was still a question so moot that it was not +mooted. After all, Timothy had said Consols were goin' up. Timothy, +the last, the missing link; Timothy, in extremis on the Bayswater +Road--so Francie had reported. It was whispered, too, that this +young Mont was a sort of socialist--strangely wise of him, and in the +nature of insurance, considering the days they lived in. There was +no uneasiness on that score. The landed classes produced that sort +of amiable foolishness at times, turned to safe uses and confined to +theory. As George remarked to his sister Francie: "They'll soon be +having puppies--that'll give him pause." + +The church with white flowers and something blue in the middle of the +East window looked extremely chaste, as though endeavouring to +counteract the somewhat lurid phraseology of a Service calculated to +keep the thoughts of all on puppies. Forsytes, Haymans, Tweetymans, +sat in the left aisle; Monts, Charwells; Muskhams in the right; while +a sprinkling of Fleur's fellow-sufferers at school, and of Mont's +fellow-sufferers in, the War, gaped indiscriminately from either +side, and three maiden ladies, who had dropped in on their way from +Skyward's brought up the rear, together with two Mont retainers and +Fleur's old nurse. In the unsettled state of the country as full a +house as could be expected. + +Mrs. Val Dartie, who sat with her husband in the third row, squeezed +his hand more than once during the performance. To her, who knew the +plot of this tragi-comedy, its most dramatic moment was well-nigh +painful. 'I wonder if Jon knows by instinct,' she thought--Jon, out +in British Columbia. She had received a letter from him only that +morning which had made her smile and say: + +"Jon's in British Columbia, Val, because he wants to be in +California. He thinks it's too nice there." + +"Oh!" said Val, "so he's beginning to see a joke again." + +"He's bought some land and sent for his mother." + +"What on earth will she do out there?" + +"All she cares about is Jon. Do you still think it a happy release?" + +Val's shrewd eyes narrowed to grey pin-points between their dark +lashes. + +"Fleur wouldn't have suited him a bit. She's not bred right." + +"Poor little Fleur!" sighed Holly. Ah! it was strange--this +marriage. The young man, Mont, had caught her on the rebound, of +course, in the reckless mood of one whose ship has just gone down. +Such a plunge could not but be--as Val put it--an outside chance. +There was little to be told from the back view of her young cousin's +veil, and Holly's eyes reviewed the general aspect of this Christian +wedding. She, who had made a love-match which had been successful, +had a horror of unhappy marriages. This might not be one in the end- +-but it was clearly a toss-up; and to consecrate a toss-up in this +fashion with manufactured unction before a crowd of fashionable free- +thinkers--for who thought otherwise than freely, or not at all, when +they were "dolled" up--seemed to her as near a sin as one could find +in an age which had abolished them. Her eyes wandered from the +prelate in his robes (a Charwell-the Forsytes had not as yet produced +a prelate) to Val, beside her, thinking--she was certain--of the +Mayfly filly at fifteen to one for the Cambridgeshire. They passed +on and caught the profile of the ninth baronet, in counterfeitment of +the kneeling process. She could just see the neat ruck above his +knees where he had pulled his trousers up, and thought: 'Val's +forgotten to pull up his!' Her eyes passed to the pew in front of +her, where Winifred's substantial form was gowned with passion, and +on again to Soames and Annette kneeling side by side. A little smile +came on her lips--Prosper Profond, back from the South Seas of the +Channel, would be kneeling too, about six rows behind. Yes! This +was a funny "small" business, however it turned out; still it was in +a proper church and would be in the proper papers to-morrow morning. + +They had begun a hymn; she could hear the ninth baronet across the +aisle, singing of the hosts of Midian. Her little finger touched +Val's thumb--they were holding the same hymn-book--and a tiny thrill +passed through her, preserved--from twenty years ago. He stooped and +whispered: + +"I say, d'you remember the rat?" The rat at their wedding in Cape +Colony, which had cleaned its whiskers behind the table at the +Registrar's! And between her little and third forgers she squeezed +his thumb hard. + +The hymn was over, the prelate had begun to deliver his discourse. +He told them of the dangerous times they lived in, and the awful +conduct of the House of Lords in connection with divorce. They were +all soldiers--he said--in the trenches under the poisonous gas of the +Prince of Darkness, and must be manful. The purpose of marriage was +children, not mere sinful happiness. + +An imp danced in Holly's eyes--Val's eyelashes were meeting. +Whatever happened; he must not snore. Her finger and thumb closed on +his thigh till he stirred uneasily. + +The discourse was over, the danger past. They were signing in the +vestry; and general relaxation had set in. + +A voice behind her said: + +"Will she stay the course?" + +"Who's that?" she whispered. + +"Old George Forsyte!" + +Holly demurely scrutinized one of whom she had often heard. Fresh +from South Africa, and ignorant of her kith and kin, she never saw +one without an almost childish curiosity. He was very big, and very +dapper; his eyes gave her a funny feeling of having no particular +clothes. + +"They're off!" she heard him say. + +They came, stepping from the chancel. Holly looked first in young +Mont's face. His lips and ears were twitching, his eyes, shifting +from his feet to the hand within his arm, stared suddenly before them +as if to face a firing party. He gave Holly the feeling that he was +spiritually intoxicated. But Fleur! Ah! That was different. The +girl was perfectly composed, prettier than ever, in her white robes +and veil over her banged dark chestnut hair; her eyelids hovered +demure over her dark hazel eyes. Outwardly, she seemed all there. +But inwardly, where was she? As those two passed, Fleur raised her +eyelids--the restless glint of those clear whites remained on Holly's +vision as might the flutter of caged bird's wings. + +In Green Street Winifred stood to receive, just a little less +composed than usual. Soames' request for the use of her house had +come on her at a deeply psychological moment. Under the influence of +a remark of Prosper Profond, she had begun to exchange her Empire for +Expressionistic furniture. There were the most amusing arrangements, +with violet, green, and orange blobs and scriggles, to be had at +Mealard's. Another month and the change would have been complete. +Just now, the very "intriguing" recruits she had enlisted, did not +march too well with the old guard. It was as if her regiment were +half in khaki, half in scarlet and bearskins. But her strong and +comfortable character made the best of it in a drawing-room which +typified, perhaps, more perfectly than she imagined, the semi- +bolshevized imperialism of her country. After all, this was a day of +merger, and you couldn't have too much of it! Her eyes travelled +indulgently among her guests. Soames had gripped the back of a buhl +chair; young Mont was behind that "awfully amusing" screen, which no +one as yet had been able to explain to her. The ninth baronet had +shied violently at a round scarlet table, inlaid under glass with +blue Australian butteries' wings, and was clinging to her Louis- +Quinze cabinet; Francie Forsyte had seized the new mantel-board, +finely carved with little purple grotesques on an ebony ground; +George, over by the old spinet, was holding a little sky-blue book as +if about to enter bets; Prosper Profond was twiddling the knob of the +open door, black with peacock-blue panels; and Annette's hands, close +by, were grasping her own waist; two Muskhams clung to the balcony +among the plants, as if feeling ill; Lady Mont, thin and brave- +looking, had taken up her long-handled glasses and was gazing at the +central light shade, of ivory and orange dashed with deep magenta, as +if the heavens had opened. Everybody, in fact, seemed holding on to +something. Only Fleur, still in her bridal dress, was detached from +all support, flinging her words and glances to left and right. + +The room was full of the bubble and the squeak of conversation. +Nobody could hear anything that anybody said; which seemed of little +consequence, since no one waited for anything so slow as an answer. +Modern conversation seemed to Winifred so different from the days of +her prime, when a drawl was all the vogue. Still it was "amusing," +which, of course, was all that mattered. Even the Forsytes were +talking with extreme rapidity--Fleur and Christopher, and Imogen, and +young Nicholas's youngest, Patrick. Soames, of course, was silent; +but George, by the spinet, kept up a running commentary, and Francie, +by her mantel-shelf. Winifred drew nearer to the ninth baronet. He +seemed to promise a certain repose; his nose was fine and drooped a +little, his grey moustaches too; and she said, drawling through her +smile: + +"It's rather nice, isn't it?" + +His reply shot out of his smile like a snipped bread pellet + +"D'you remember, in Frazer, the tribe that buries the bride up to the +waist?" + +He spoke as fast as anybody! He had dark lively little eyes, too, +all crinkled round like a Catholic priest's. Winifred felt suddenly +he might say things she would regret. + +"They're always so amusing--weddings," she murmured, and moved on to +Soames. He was curiously still, and Winifred saw at once what was +dictating his immobility. To his right was George Forsyte, to his +left Annette and Prosper Profond. He could not move without either +seeing those two together, or the reflection of them in George +Forsyte's japing eyes. He was quite right not to be taking notice. + +"They say Timothy's sinking;" he said glumly. + +"Where will you put him, Soames?" + +"Highgate." He counted on his fingers. "It'll make twelve of them +there, including wives. How do you think Fleur looks?" + +"Remarkably well." + +Soames nodded. He had never seen her look prettier, yet he could not +rid himself of the impression that this business was unnatural-- +remembering still that crushed figure burrowing into the corner of +the sofa. From that night to this day he had received from her no +confidences. He knew from his chauffeur that she had made one more +attempt on Robin Hill and drawn blank--an empty house, no one at +home. He knew that she had received a letter, but not what was in +it, except that it had made her hide herself and cry. He had +remarked that she looked at him sometimes when she thought he wasn't +noticing, as if she were wondering still what he had done--forsooth-- +to make those people hate him so. Well, there it was! Annette had +come back, and things had worn on through the summer--very miserable, +till suddenly Fleur had said she was going to marry young Mont. She +had shown him a little more affection when she told him that. And he +had yielded--what was the good of opposing it? God knew that he had +never wished to thwart her in anything! And the young man seemed +quite delirious about her. No doubt she was in a reckless mood, and +she was young, absurdly young. But if he opposed her, he didn't know +what she would do; for all he could tell she might want to take up a +profession, become a doctor or solicitor, some nonsense. She had no +aptitude for painting, writing, music, in his view the legitimate +occupations of unmarried women, if they must do something in these +days. On the whole, she was safer married, for he could see too well +how feverish and restless she was at home. Annette, too, had been in +favour of it--Annette, from behind the veil of his refusal to know +what she was about, if she was about anything. Annette had said: +"Let her marry this young man. He is a nice boy--not so highty- +flighty as he seems." Where she got her expressions, he didn't know- +-but her opinion soothed his doubts. His wife, whatever her conduct, +had clear eyes and an almost depressing amount of common sense. He +had settled fifty thousand on Fleur, taking care that there was no +cross settlement in case it didn't turn out well. Could it turn out +well? She had not got over that other boy--he knew. They were to go +to Spain for the honeymoon. He would be even lonelier when she was +gone. But later, perhaps, she would forget, and turn to him again! +Winifred's voice broke on his reverie. + +"Why! Of all wonders-June!" + +There, in a djibbah--what things she wore!--with her hair straying +from under a fillet, Soames saw his cousin, and Fleur going forward +to greet her. The two passed from their view out on to the stairway. + +"Really," said Winifred, "she does the most impossible things! Fancy +her coming!" + +"What made you ask her?" muttered Soames. + +"Because I thought she wouldn't accept, of course." + +Winifred had forgotten that behind conduct lies the main trend of +character; or, in other words, omitted to remember that Fleur was now +a "lame duck." + +On receiving her invitation, June had first thought, 'I wouldn't go +near them for the world!' and then, one morning, had awakened from a +dream of Fleur waving to her from a boat with a wild unhappy gesture. +And she had changed her mind. + +When Fleur came forward and said to her, "Do come up while I'm +changing my dress," she had followed up the stairs. The girl led the +way into Imogen's old bedroom, set ready for her toilet. + +June sat down on the bed, thin and upright, like a little spirit in +the sear and yellow. Fleur locked the door. + +The girl stood before her divested of her wedding dress. What a +pretty thing she was + +"I suppose you think me a fool," she said, with quivering lips, "when +it was to have been Jon. But what does it matter? Michael wants me, +and I don't care. It'll get me away from home." Diving her hand +into the frills on her breast, she brought out a letter. "Jon wrote +me this." + +June read: "Lake Okanagen, British Columbia. I'm not coming back to +England. Bless you always. Jon." + +"She's made safe, you see," said Fleur. + +June handed back the letter. + +"That's not fair to Irene," she said, "she always told Jon he could +do as he wished." + +Fleur smiled bitterly. "Tell me, didn't she spoil your life too?" +June looked up. "Nobody can spoil a life, my dear. That's nonsense. +Things happen, but we bob up." + +With a sort of terror she saw the girl sink on her knees and bury her +face in the djibbah. A strangled sob mounted to June's ears. + +"It's all right--all right," she murmured, "Don't! There, there!" + +But the point of the girl's chin was pressed ever closer into her +thigh, and the sound was dreadful of her sobbing. + +Well, well! It had to come. She would feel better afterward! June +stroked the short hair of that shapely head; and all the scattered +mother-sense in her focussed itself and passed through the tips of +her fingers into the girl's brain. + +"Don't sit down under it, my dear," she said at last. "We can't +control life, but we can fight it. Make the best of things. I've +had to. I held on, like you; and I cried, as you're crying now. And +look at me!" + +Fleur raised her head; a sob merged suddenly into a little choked +laugh. In truth it was a thin and rather wild and wasted spirit she +was looking at, but it had brave eyes. + +"All right!" she said. "I'm sorry. I shall forget him, I suppose, +if I fly fast and far enough." + +And, scrambling to her feet, she went over to the wash-stand. + +June watched her removing with cold water the traces of emotion. +Save for a little becoming pinkness there was nothing left when she +stood before the mirror. June got off the bed and took a pin-cushion +in her hand. To put two pins into the wrong places was all the vent +she found for sympathy. + +"Give me a kiss," she said when Fleur was ready, and dug her chin +into the girl's warm cheek. + +"I want a whiff," said Fleur; "don't wait." + +June left her, sitting on the bed with a cigarette between her lips +and her eyes half closed, and went down-stairs. In the doorway of +the drawing-room stood Soames as if unquiet at his daughter's +tardiness. June tossed her head and passed down on to the half- +landing. Her cousin Francie was standing there. + +"Look!" said June, pointing with her chin at Soames. "That man's +fatal!" + +"How do you mean," said Francie, "fatal?" + +June did not answer her. "I shan't wait to see them off," she said. +"Good-bye!" + +"Good-bye!" said Francie, and her eyes, of a Celtic grey, goggled. +That old feud! Really, it was quite romantic! + +Soames, moving to the well of the staircase, saw June go, and drew a +breath of satisfaction. Why didn't Fleur come? They would miss +their train. That train would bear her away from him, yet he could +not help fidgeting at the thought that they would lose it. And then +she did come, running down in her tan-coloured frock and black velvet +cap, and passed him into the drawing-room. He saw her kiss her +mother, her aunt, Val's wife, Imogen, and then come forth, quick and +pretty as ever. How would she treat him at this last moment of her +girlhood? He couldn't hope for much! + +Her lips pressed the middle of his cheek. + +"Daddy!" she said, and was past and gone! Daddy! She hadn't called +him that for years. He drew a long breath and followed slowly down. +There was all the folly with that confetti stuff and the rest of it +to go through with yet. But he would like just to catch her smile, +if she leaned out, though they would hit her in the eye with the +shoe, if they didn't take care. Young Mont's voice said fervently in +his ear: + +"Good-bye, sir; and thank you! I'm so fearfully bucked." + +"Good-bye," he said; "don't miss your train." + +He stood on the bottom step but three, whence he could see above the +heads--the silly hats and heads. They were in the car now; and there +was that stuff, showering, and there went the shoe. A flood of +something welled up in Soames, and--he didn't know--he couldn't see! + + + + +XI + +THE LAST OF THE OLD FORSYTES + +When they came to prepare that terrific symbol Timothy Forsyte--the +one pure individualist left, the only man who hadn't heard of the +Great War--they found him wonderful--not even death had undermined +his soundness. + +To Smither and Cook that preparation came like final evidence of what +they had never believed possible--the end of the old Forsyte family +on earth. Poor Mr. Timothy must now take a harp and sing in the +company of Miss Forsyte, Mrs. Julia, Miss Hester; with Mr. Jolyon, +Mr. Swithin, Mr. James, Mr. Roger, and Mr. Nicholas of the party. +Whether Mrs. Hayman would be there was more doubtful, seeing that she +had been cremated. Secretly Cook thought that Mr. Timothy would be +upset--he had always been so set against barrel organs. How many +times had she not said: "Drat the thing! There it is again! +Smither, you'd better run up and see what you can do." And in her +heart she would so have enjoyed the tunes, if she hadn't known that +Mr. Timothy would ring the bell in a minute and say: "Here, take him +a halfpenny and tell him to move on." Often they had been obliged to +add threepence of their own before the man would go--Timothy had ever +underrated the value of emotion. Luckily he had taken the organs for +blue-bottles in his last years, which had been a comfort, and they +had been able to enjoy the tunes. But a harp! Cook wondered. It +was a change! And Mr. Timothy had never liked change. But she did +not speak of this to Smither, who did so take a line of her own in +regard to heaven that it quite put one about sometimes. + +She cried while Timothy was being prepared, and they all had sherry +afterward out of the yearly Christmas bottle, which would not be +needed now. Ah! dear! She had been there five-and-forty years and +Smither three-and-forty! And now they would be going to a tiny house +in Tooting, to live on their savings and what Miss Hester had so +kindly left them--for to take fresh service after the glorious past-- +No! But they would like just to see Mr. Soames again, and Mrs. +Dartie, and Miss Francie, and Miss Euphemia. And even if they had to +take their own cab, they felt they must go to the funeral. For six +years Mr. Timothy had been their baby, getting younger and younger +every day, till at last he had been too young to live. + +They spent the regulation hours of waiting in polishing and dusting, +in catching the one mouse left, and asphyxiating the last beetle so +as to leave it nice, discussing with each other what they would buy +at the sale. Miss Ann's workbox; Miss Juley's (that is Mrs. Julia's) +seaweed album; the fire-screen Miss Hester had crewelled; and Mr. +Timothy's hair--little golden curls, glued into a black frame. Oh! +they must have those--only the price of things had gone up so! + +It fell to Soames to issue invitations for the funeral. He had them +drawn up by Gradman in his office--only blood relations, and no +flowers. Six carriages were ordered. The Will would be read +afterward at the house. + +He arrived at eleven o'clock to see that all was ready. At a quarter +past old Gradman came in black gloves and crape on his hat. He and +Soames stood in the drawing-room waiting. At half-past eleven the +carriages drew up in a long row. But no one else appeared. Gradman +said: + +"It surprises me, Mr. Soames. I posted them myself." + +"I don't know," said Soames; "he'd lost touch with the family." +Soames had often noticed in old days how much more neighbourly his +family were to the dead than to the living. But, now, the way they +had flocked to Fleur's wedding and abstained from Timothy's funeral, +seemed to show some vital change. There might, of course, be another +reason; for Soames felt that if he had not known the contents of +Timothy's Will, he might have stayed away himself through delicacy. +Timothy had left a lot of money, with nobody in particular to leave +it to. They mightn't like to seem to expect something. + +At twelve o'clock the procession left the door; Timothy alone in the +first carriage under glass. Then Soames alone; then Gradman alone; +then Cook and Smither together. They started at a walk, but were +soon trotting under a bright sky. At the entrance to Highgate +Cemetery they were delayed by service in the Chapel. Soames would +have liked to stay outside in the sunshine. He didn't believe a word +of it; on the other hand, it was a form of insurance which could not +safely be neglected, in case there might be something in it after +all. + +They walked up two and two--he and Gradman, Cook and Smither--to the +family vault. It was not very distinguished for the funeral of the +last old Forsyte. + +He took Gradman into his carriage on the way back to the Bayswater +Road with a certain glow in his heart. He had a surprise in pickle +for the old chap who had served the Forsytes four-and-fifty years-a +treat that was entirely his doing. How well he remembered saying to +Timothy the day--after Aunt Hester's funeral: "Well; Uncle Timothy, +there's Gradman. He's taken a lot of trouble for the family. What +do you say to leaving him five thousand?" and his surprise, seeing +the diflicuIty there had been in getting Timothy to leave anything, +when Timothy had nodded. And now the old chap would be as pleased as +Punch, for Mrs. Gradman, he knew, had a weak heart, and their son had +lost a leg in the War. It was extraordinarily gratifying to Soames +to have left him five thousand pounds of Timothy's money. They sat +down together in the little drawing-room, whose walls--like a vision +of heaven--were sky-blue and gold with every picture-frame +unnaturally bright, and every speck of dust removed from every piece +of furniture, to read that little masterpiece--the Will of Timothy. +With his back to the light in Aunt Hester's chair, Soames faced +Gradman with his face to the light, on Aunt Ann's sofa; and, crossing +his legs, began: + +"This is the last Will and Testament of me Timothy Forsyte of The +Bower Bayswater Road, London I appoint my nephew Soames Forsyte of +The Shelter Mapleduram and Thomas Gradman of 159 Folly Road Highgate +(hereinafter called my Trustees) to be the trustees and executors of +this my Will To the said Soames Forsyte I leave the sum of one +thousand pounds free of legacy duty and to the said Thomas Gradman I +leave the sum of five thousand pounds free of legacy duty." + +Soames paused. Old Gradman was leaning forward, convulsively +gripping a stout black knee with each of his thick hands; his mouth +had fallen open so that the gold fillings of three teeth gleamed; his +eyes were blinking, two tears rolled slowly out of them. Soames read +hastily on. + +"All the rest of my property of whatsoever description I bequeath to +my Trustees upon Trust to convert and hold the same upon the +following trusts namely To pay thereout all my debts funeral expenses +and outgoings of any kind in connection with my Will and to hold the +residue thereof in trust for that male lineal descendant of my father +Jolyon Forsyte by his marriage with Ann Pierce who after the decease +of all lineal descendants whether male or female of my said father by +his said marriage in being at the time of my death shall last attain +the age of twenty-one years absolutely it being my desire that my +property shall be nursed to the extreme limit permitted by the laws +of England for the benefit of such male lineal descendant as +aforesaid." + +Soames read the investment and attestation clauses, and, ceasing, +looked at Gradman. The old fellow was wiping his brow with a large +handkerchief, whose brilliant colour supplied a sudden festive tinge +to the proceedings. + +"My word, Mr. Soames!" he said, and it was clear that the lawyer in +him had utterly wiped out the man: "My word! Why, there are two +babies now, and some quite young children--if one of them lives to be +eighty--it's not a great age--and add twenty-one--that's a hundred +years; and Mr. Timothy worth a hundred and fifty thousand pound net +if he's worth a penny. Compound interest at five per cent. doubles +you in fourteen years. In fourteen years three hundred thousand-six +hundred thousand in twenty-eight--twelve hundred thousand in forty- +two--twenty-four hundred thousand in fifty-six--four million eight +hundred thousand in seventy--nine million six hundred thousand in +eighty-four--Why, in a hundred years it'll be twenty million! And we +shan't live to use it! It is a Will!" + +Soames said dryly: "Anything may happen. The State might take the +lot; they're capable of anything in these days." + +"And carry five," said Gradman to himself. "I forgot--Mr. Timothy's +in Consols; we shan't get more than two per cent. with this income +tax. To be on the safe side, say eight millions. Still, that's a +pretty penny." + +Soames rose and handed him the Will. "You're going into the City. +Take care of that, and do what's necessary. Advertise; but there are +no debts. When's the sale?" + +"Tuesday week," said Gradman. "Life or lives in bein' and twenty-one +years afterward--it's a long way off. But I'm glad he's left it in +the family...." + +The sale--not at Jobson's, in view of the Victorian nature of the +effects--was far more freely attended than the funeral, though not by +Cook and Smither, for Soames had taken it on himself to give them +their heart's desires. Winifred was present, Euphemia, and Francie, +and Eustace had come in his car. The miniatures, Barbizons, and J. +R. drawings had been bought in by Soames; and relics of no marketable +value were set aside in an off-room for members of the family who +cared to have mementoes. These were the only restrictions upon +bidding characterised by an almost tragic languor. Not one piece of +furniture, no picture or porcelain figure appealed to modern taste. +The humming birds had fallen like autumn leaves when taken from where +they had not hummed for sixty years. It was painful to Soames to see +the chairs his aunts had sat on, the little grand piano they had +practically never played, the books whose outsides they had gazed at, +the china they had dusted, the curtains they had drawn, the hearth- +rug which had warmed their feet; above all, the beds they had lain +and died in--sold to little dealers, and the housewives of Fulham. +And yet--what could one do? Buy them and stick them in a lumber- +room? No; they had to go the way of all flesh and furniture, and be +worn out. But when they put up Aunt Ann's sofa and were going to +knock it down for thirty shillings, he cried out, suddenly: "Five +pounds!" The sensation was considerable, and the sofa his. + +When that little sale was over in the fusty saleroom, and those +Victorian ashes scattered, he went out into the misty October +sunshine feeling as if cosiness had died out of the world, and the +board "To Let" was up, indeed. Revolutions on the horizon; Fleur in +Spain; no comfort in Annette; no Timothy's on the Bayswater Road. In +the irritable desolation of his soul he went into the Goupenor +Gallery. That chap Jolyon's watercoIours were on view there. He +went in to look down his nose at them--it might give him some faint +satisfaction. The news had trickled through from June to Val's wife, +from her to Val, from Val to his mother, from her to Soames, that the +house--the fatal house at Robin Hill--was for sale, and Irene going +to join her boy out in British Columbia, or some such place. For one +wild moment the thought had come to Soames: 'Why shouldn't I buy it +back? I meant it for my!' No sooner come than gone. Too lugubrious +a triumph; with too many humiliating memories for himself and Fleur. +She would never live there after what had happened. No, the place +must go its way to some peer or profiteer. It had been a bone of +contention from the first, the shell of the feud; and with the woman +gone, it was an empty shell. "For Sale or To Let." With his mind's +eye he could see that board raised high above the ivied wall which he +had built. + +He passed through the first of the two rooms in the Gallery. There +was certainly a body of work! And now that the fellow was dead it +did not seem so trivial. The drawings were pleasing enough, with +quite a sense of atmosphere, and something individual in the brush +work. 'His father and my father; he and I; his child and mine!' +thought Soames. So it had gone on! And all about that woman! +Softened by the events of the past week, affected by the melancholy +beauty of the autumn day, Soames came nearer than he had ever been to +realisation of that truth--passing the understanding of a Forsyte +pure--that the body of Beauty has a spiritual essence, uncapturable +save by a devotion which thinks not of self. After all, he was near +that truth in his devotion to his daughter; perhaps that made him +understand a little how he had missed the prize. And there, among +the drawings of his kinsman, who had attained to that which he had +found beyond his reach, he thought of him and her with a tolerance +which surprised him. But he did not buy a drawing. + +Just as he passed the seat of custom on his return to the outer air +he met with a contingency which had not been entirely absent from his +mind when he went into the Gallery--Irene, herself, coming in. So +she had not gone yet, and was still paying farewell visits to that +fellow's remains! He subdued the little involuntary leap of his +subconsciousness, the mechanical reaction of his senses to the charm +of this once-owned woman, and passed her with averted eyes. But when +he had gone by he could not for the life of him help looking back. +This, then, was finality--the heat and stress of his life, the +madness and the longing thereof, the only defeat he had known, would +be over when she faded from his view this time; even such memories +had their own queer aching value. + +She, too, was looking back. Suddenly she lifted her gloved hand, her +lips smiled faintly, her dark eyes seemed to speak. It was the turn +of Soames to make no answer to that smile and that little farewell +wave; he went out into the fashionable street quivering from head to +foot. He knew what she had meant to say: "Now that I am going for +ever out of the reach of you and yours--forgive me; I wish you well." +That was the meaning; last sign of that terrible reality--passing +morality, duty, common sense--her aversion from him who had owned her +body, but had never touched her spirit or her heart. It hurt; yes-- +more than if she had kept her mask unmoved, her hand unlifted. + +Three days later, in that fast-yellowing October, Soames took a taxi- +cab to Highgate Cemetery and mounted through its white forest to the +Forsyte vault. Close to the cedar, above catacombs and columbaria, +tall, ugly, and individual, it looked like an apex of the competitive +system. He could remember a discussion wherein Swithin had advocated +the addition to its face of the pheasant proper. The proposal had +been rejected in favour of a wreath in stone, above the stark words: +"The family vault of Jolyon Forsyte: 1850." It was in good order. +All trace of the recent interment had been removed, and its sober +grey gloomed reposefully in the sunshine. The whole family lay there +now, except old Jolyon's wife, who had gone back under a contract to +her own family vault in Suffolk; old Jolyon himself lying at Robin +Hill; and Susan Hayman, cremated so that none knew where she might +be. Soames gazed at it with satisfaction--massive, needing little +attention; and this was important, for he was well aware that no one +would attend to it when he himself was gone, and he would have to be +looking out for lodgings soon. He might have twenty years before +him, but one never knew. Twenty years without an aunt or uncle, with +a wife of whom one had better not know anything, with a daughter gone +from home. His mood inclined to melancholy and retrospection. + +This cemetery was full, they said--of people with extraordinary +names, buried in extraordinary taste. Still, they had a fine view up +here, right over London. Annette had once given him a story to read +by that Frenchman, Maupassant, most lugubrious concern, where all the +skeletons emerged from their graves one night, and all the pious +inscriptions on the stones were altered to descriptions of their +sins. Not a true story at all. He didn't know about the French, but +there was not much real harm in English people except their teeth and +their taste, which was certainly deplorable. "The family vault of +Jolyon Forsyte: 1850." A lot of people had been buried here since +then--a lot of English life crumbled to mould and dust! The boom of +an airplane passing under the gold-tinted clouds caused him to lift +his eyes. The deuce of a lot of expansion had gone on. But it all +came back to a cemetery--to a name and a date on a tomb. And he +thought with a curious pride that he and his family had done little +or nothing to help this feverish expansion. Good solid middlemen, +they had gone to work with dignity to manage and possess. "Superior +Dosset," indeed, had built in a dreadful, and Jolyon painted in a +doubtful, period, but so far as he remembered not another of them all +had soiled his hands by creating anything--unless you counted Val +Dartie and his horse-breeding. Collectors, solicitors, barristers, +merchants, publishers, accountants, directors, land agents, even +soldiers--there they had been! The country had expanded, as it were, +in spite of them. They had checked, controlled, defended, and taken +advantage of the process and when you considered how "Superior +Dosset" had begun life with next to nothing, and his lineal +descendants already owned what old Gradman estimated at between a +million and a million and a half, it was not so bad! And yet he +sometimes felt as if the family bolt was shot, their possessive +instinct dying out. They seemed unable to make money--this fourth +generation; they were going into art, literature, farming, or the +army; or just living on what was left them--they had no push and no +tenacity. They would die out if they didn't take care. + +Soames turned from the vault and faced toward the breeze. The air up +here would be delicious if only he could rid his nerves of the +feeling that mortality was in it. He gazed restlessly at the crosses +and the urns, the angels, the "immortelles," the flowers, gaudy or +withering; and suddenly he noticed a spot which seemed so different +from anything else up there that he was obliged to walk the few +necessary yards and look at it. A sober corner, with a massive +queer-shaped cross of grey rough-hewn granite, guarded by four dark +yew-trees. The spot was free from the pressure of the other graves, +having a little box-hedged garden on the far side, and in front a +goldening birch-tree. This oasis in the desert of conventional +graves appealed to the aesthetic sense of Soames, and he sat down +there in the sunshine. Through those trembling gold birch leaves he +gazed out at London, and yielded to the waves of memory. He thought +of Irene in Montpellier Square, when her hair was rusty-golden and +her white shoulders his--Irene, the prize of his love-passion, +resistant to his ownership. He saw Bosinney's body lying in that +white mortuary, and Irene sitting on the sofa looking at space with +the eyes of a dying bird. Again he thought of her by the little +green Niobe in the Bois de Boulogne, once more rejecting him. His +fancy took him on beside his drifting river on the November day when +Fleur was to be born, took him to the dead leaves floating on the +green-tinged water and the snake-headed weed for ever swaying and +nosing, sinuous, blind, tethered. And on again to the window opened +to the cold starry night above Hyde Park, with his father lying dead. +His fancy darted to that picture of "the future town," to that boy's +and Fleur's first meeting; to the bluish trail of Prosper Profond's +cigar, and Fleur in the window pointing down to where the fellow +prowled. To the sight of Irene and that dead fellow sitting side by +side in the stand at Lord's. To her and that boy at Robin Hill. To +the sofa, where Fleur lay crushed up in the corner; to her lips +pressed into his cheek, and her farewell "Daddy." And suddenly he +saw again Irene's grey-gloved hand waving its last gesture of +release. + +He sat there a long time dreaming his career, faithful to the scut of +his possessive instinct, warming himself even with its failures. + +"To Let"--the Forsyte age and way of life, when a man owned his soul, +his investments, and his woman, without check or question. And now +the State had, or would have, his investments, his woman had herself, +and God knew who had his soul. "To Let"--that sane and simple creed! + +The waters of change were foaming in, carrying the promise of new +forms only when their destructive flood should have passed its full. +He sat there, subconscious of them, but with his thoughts resolutely +set on the past--as a man might ride into a wild night with his face +to the tail of his galloping horse. Athwart the Victorian dykes the +waters were rolling on property, manners, and morals, on melody and +the old forms of art--waters bringing to his mouth a salt taste as of +blood, lapping to the foot of this Highgate Hill where Victorianism +lay buried. And sitting there, high up on its most individual spot, +Soames--like a figure of Investment--refused their restless sounds. +Instinctively he would not fight them--there was in him too much +primeval wisdom, of Man the possessive animal. They would quiet down +when they had fulfilled their tidal fever of dispossessing and +destroying; when the creations and the properties of others were +sufficiently broken and defected--they would lapse and ebb, and fresh +forms would rise based on an instinct older than the fever of change- +-the instinct of Home. + +"Je m'en fiche," said Prosper Profond. Soames did not say "Je m'en +fiche"--it was French, and the fellow was a thorn in his side--but +deep down he knew that change was only the interval of death between +two forms of life, destruction necessary to make room for fresher +property. What though the board was up, and cosiness to let?--some +one would come along and take it again some day. + +And only one thing really troubled him, sitting there--the melancholy +craving in his heart--because the sun was like enchantment on his +face and on the clouds and on the golden birch leaves, and the wind's +rustle was so gentle, and the yewtree green so dark, and the sickle +of a moon pale in the sky. + +He might wish and wish and never get it--the beauty and the loving in +the world! + + + + + +End of this Project Gutenberg Etext of Volume 3 of The Forsyte Saga, +AWAKENING and TO LET, by John Galsworthy. + diff --git a/old/tolet10.zip b/old/tolet10.zip Binary files differnew file mode 100644 index 0000000..6bc37c5 --- /dev/null +++ b/old/tolet10.zip diff --git a/old/tolet11.txt b/old/tolet11.txt new file mode 100644 index 0000000..8ba80d4 --- /dev/null +++ b/old/tolet11.txt @@ -0,0 +1,12420 @@ +Project Gutenberg Etext of Awakening & To Let, John Galsworthy +#6 in our series by John Galsworthy +#3 in our series The Forsyte Saga + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before distributing this or any other +Project Gutenberg file. + +We encourage you to keep this file, exactly as it is, on your +own disk, thereby keeping an electronic path open for future +readers. Please do not remove this. + +This header should be the first thing seen when anyone starts to +view the etext. Do not change or edit it without written permission. +The words are carefully chosen to provide users with the +information they need to understand what they may and may not +do with the etext. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**Etexts Readable By Both Humans and By Computers, Since 1971** + +*****These Etexts Are Prepared By Thousands of Volunteers!***** + +Information on contacting Project Gutenberg to get etexts, and +further information, is included below. We need your donations. + +The Project Gutenberg Literary Archive Foundation is a 501(c)(3) +organization with EIN [Employee Identification Number] 64-6221541 + + + +Title: Awakening & To Let + +Author: John Galsworthy + +Release Date: April, 2001 [Etext #2596] +[Yes, we are more than one year ahead of schedule] +[Most recently updated: December 9, 2001] + +Edition: 11 + +Language: English + +Character set encoding: ASCII + +Project Gutenberg Etext of Awakening & To Let, John Galsworthy +*****This file should be named tolet11.txt or tolet11.zip***** + +Corrected EDITIONS of our etexts get a new NUMBER, tolet12.txt +VERSIONS based on separate sources get new LETTER, tolet11a.txt + +This etext was produced by David Widger <widger@cecomet.net> + +Project Gutenberg Etexts are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep etexts in compliance with any particular paper edition. + +We are now trying to release all our etexts one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg Etexts is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +etexts, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any Etext before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any etext selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2001 as we release over 50 new Etext +files per month, or 500 more Etexts in 2000 for a total of 4000+ +If they reach just 1-2% of the world's population then the total +should reach over 300 billion Etexts given away by year's end. + +The Goal of Project Gutenberg is to Give Away One Trillion Etext +Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +At our revised rates of production, we will reach only one-third +of that goal by the end of 2001, or about 4,000 Etexts. We need +funding, as well as continued efforts by volunteers, to maintain +or increase our production and reach our goals. + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of November, 2001, contributions are being solicited from people +and organizations in: Alabama, Arkansas, Connecticut, Delaware, +Florida, Georgia, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, +Louisiana, Maine, Michigan, Missouri, Montana, Nebraska, Nevada, New +Jersey, New Mexico, New York, North Carolina, Oklahoma, Oregon, +Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee, +Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, +and Wyoming. + +*In Progress + +We have filed in about 45 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +All donations should be made to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fundraising +requirements for other states are met, additions to this list will be +made and fundraising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this etext, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this etext if you want to. + +*BEFORE!* YOU USE OR READ THIS ETEXT +By using or reading any part of this PROJECT GUTENBERG-tm +etext, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this etext by +sending a request within 30 days of receiving it to the person +you got it from. If you received this etext on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM ETEXTS +This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this etext +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these etexts, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's etexts and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other etext medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this etext within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this etext, +[2] alteration, modification, or addition to the etext, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this etext electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + etext or this "small print!" statement. You may however, + if you wish, distribute this etext in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The etext, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The etext may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the etext (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + etext in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the etext refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this header are copyright (C) 2001 by Michael S. Hart +and may be reprinted only when these Etexts are free of all fees.] +[Project Gutenberg is a TradeMark and may not be used in any sales +of Project Gutenberg Etexts or other materials be they hardware or +software or any other related product without express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END* + + + + + +This etext was produced by David Widger <widger@cecomet.net> + + + + + +[Spelling conforms to the original: "s's" instead of our "z's"; and +"c's" where we would have "s's"; and "...our" as in colour and +flavour; many interesting double consonants; etc.] + + + + + +THE FORSYTE SAGA + +VOLUME III--AWAKENING and TO LET + +By John Galsworthy + + + + +AWAKENING + + +Through the massive skylight illuminating the hall at Robin Hill, the +July sunlight at five o'clock fell just where the broad stairway +turned; and in that radiant streak little Jon Forsyte stood, blue- +linen-suited. His hair was shining, and his eyes, from beneath a +frown, for he was considering how to go downstairs, this last of +innumerable times, before the car brought his father and mother home. +Four at a time, and five at the bottom? Stale! Down the banisters? +But in which fashion? On his face, feet foremost? Very stale. On +his stomach, sideways? Paltry! On his back, with his arms stretched +down on both sides? Forbidden! Or on his face, head foremost, in a +manner unknown as yet to any but himself? Such was the cause of the +frown on the illuminated face of little Jon.... + +In that Summer of 1909 the simple souls who even then desired to +simplify the English tongue, had, of course, no cognizance of little +Jon, or they would have claimed him for a disciple. But one can be +too simple in this life, for his real name was Jolyon, and his living +father and dead half-brother had usurped of old the other +shortenings, Jo and Jolly. As a fact little Jon had done his best to +conform to convention and spell himself first Jhon, then John; not +till his father had explained the sheer necessity, had he spelled his +name Jon. + +Up till now that father had possessed what was left of his heart by +the groom, Bob, who played the concertina, and his nurse "Da," who +wore the violet dress on Sundays, and enjoyed the name of Spraggins +in that private life lived at odd moments even by domestic servants. +His mother had only appeared to him, as it were in dreams, smelling +delicious, smoothing his forehead just before he fell asleep, and +sometimes docking his hair, of a golden brown colour. When he cut +his head open against the nursery fender she was there to be bled +over; and when he had nightmare she would sit on his bed and cuddle +his head against her neck. She was precious but remote, because "Da" +was so near, and there is hardly room for more than one woman at a +time in a man's heart. With his father, too, of course, he had +special bonds of union; for little Jon also meant to be a painter +when he grew up--with the one small difference, that his father +painted pictures, and little Jon intended to paint ceilings and +walls, standing on a board between two step-ladders, in a dirty-white +apron, and a lovely smell of whitewash. His father also took him +riding in Richmond Park, on his pony, Mouse, so-called because it was +so-coloured. + +Little Jon had been born with a silver spoon in a mouth which was +rather curly and large. He had never heard his father or his mother +speak in an angry voice, either to each other, himself, or anybody +else; the groom, Bob, Cook, Jane, Bella and the other servants, even +"Da," who alone restrained him in his courses, had special voices +when they talked to him. He was therefore of opinion that the world +was a place of perfect and perpetual gentility and freedom. + +A child of 1901, he had come to consciousness when his country, just +over that bad attack of scarlet fever, the Boer War, was preparing +for the Liberal revival of 1906. Coercion was unpopular, parents had +exalted notions of giving their offspring a good time. They spoiled +their rods, spared their children, and anticipated the results with +enthusiasm. In choosing, moreover, for his father an amiable man of +fifty-two, who had already lost an only son, and for his mother a +woman of thirty-eight, whose first and only child he was, little Jon +had done well and wisely. What had saved him from becoming a cross +between a lap dog and a little prig, had been his father's adoration +of his mother, for even little Jon could see that she was not merely +just his mother, and that he played second fiddle to her in his +father's heart: What he played in his mother's heart he knew not yet. +As for "Auntie" June, his half-sister (but so old that she had grown +out of the relationship) she loved him, of course, but was too +sudden. His devoted "Da," too, had a Spartan touch. His bath was +cold and his knees were bare; he was not encouraged to be sorry for +himself. As to the vexed question of his education, little Jon +shared the theory of those who considered that children should not be +forced. He rather liked the Mademoiselle who came for two hours +every morning to teach him her language, together with history, +geography and sums; nor were the piano lessons which his mother gave +him disagreeable, for she had a way of luring him from tune to tune, +never making him practise one which did not give him pleasure, so +that he remained eager to convert ten thumbs into eight fingers. +Under his father he learned to draw pleasure-pigs and other animals. +He was not a highly educated little boy. Yet, on the whole, the +silver spoon stayed in his mouth without spoiling it, though "Da" +sometimes said that other children would do him a "world of good." + +It was a disillusionment, then, when at the age of nearly seven she +held him down on his back, because he wanted to do something of which +she did not approve. This first interference with the free +individualism of a Forsyte drove him almost frantic. There was +something appalling in the utter helplessness of that position, and +the uncertainty as to whether it would ever come to an end. Suppose +she never let him get up any more! He suffered torture at the top of +his voice for fifty seconds. Worse than anything was his perception +that "Da" had taken all that time to realise the agony of fear he was +enduring. Thus, dreadfully, was revealed to him the lack of +imagination in the human being. + +When he was let up he remained convinced that "Da" had done a +dreadful thing. Though he did not wish to bear witness against her, +he had been compelled, by fear of repetition, to seek his mother and +say: "Mum, don't let 'Da' hold me down on my back again." + +His mother, her hands held up over her head, and in them two plaits +of hair--"couleur de feuille morte," as little Jon had not yet +learned to call it--had looked at him with eyes like little bits of +his brown velvet tunic, and answered: + +"No, darling, I won't." + +She, being in the nature of a goddess, little Jon was satisfied; +especially when, from under the dining-table at breakfast, where he +happened to be waiting for a mushroom, he had overheard her say to +his father: + +"Then, will you tell 'Da,' dear, or shall I? She's so devoted to +him"; and his father's answer: + +"Well, she mustn't show it that way. I know exactly what it feels +like to be held down on one's back. No Forsyte can stand it for a +minute." + +Conscious that they did not know him to be under the table, little +Jon was visited by the quite new feeling of embarrassment, and stayed +where he was, ravaged by desire for the mushroom. + +Such had been his first dip into the dark abysses of existence. +Nothing much had been revealed to him after that, till one day, +having gone down to the cow-house for his drink of milk fresh from +the cow, after Garratt had finished milking, he had seen Clover's +calf, dead. Inconsolable, and followed by an upset Garratt, he had +sought "Da"; but suddenly aware that she was not the person he +wanted, had rushed away to find his father, and had run into the arms +of his mother. + +"Clover's calf's dead! Oh! Oh! It looked so soft!" + +His mother's clasp, and her: + +"Yes, darling, there, there!" had stayed his sobbing. But if +Clover's calf could die, anything could--not only bees, flies, +beetles and chickens--and look soft like that! This was appalling-- +and soon forgotten! + +The next thing had been to sit on a bumble bee, a poignant +experience, which his mother had understood much better than "Da"; +and nothing of vital importance had happened after that till the year +turned; when, following a day of utter wretchedness, he had enjoyed a +disease composed of little spots, bed, honey in a spoon, and many +Tangerine oranges. It was then that the world had flowered. To +"Auntie" June he owed that flowering, for no sooner was he a little +lame duck than she came rushing down from London, bringing with her +the books which had nurtured her own Berserker spirit, born in the +noted year of 1869. Aged, and of many colours, they were stored with +the most formidable happenings. Of these she read to little Jon, +till he was allowed to read to himself; whereupon she whisked back to +London and left them with him in a heap. Those books cooked his +fancy, till he thought and dreamed of nothing but midshipmen and +dhows, pirates, rafts, sandal-wood traders, iron horses, sharks, +battles, Tartars, Red Indians, balloons, North Poles and other +extravagant delights. The moment he was suffered to get up, he +rigged his bed fore and aft, and set out from it in a narrow bath +across green seas of carpet, to a rock, which he climbed by means of +its mahogany drawer knobs, to sweep the horizon with his drinking +tumbler screwed to his eye, in search of rescuing sails. He made a +daily raft out of the towel stand, the tea tray, and his pillows. He +saved the juice from his French plums, bottled it in an empty +medicine bottle, and provisioned the raft with the rum that it +became; also with pemmican made out of little saved-up bits of +chicken sat on and dried at the fire; and with lime juice against +scurvy, extracted from the peel of his oranges and a little +economised juice. He made a North Pole one morning from the whole of +his bedclothes except the bolster, and reached it in a birch-bark +canoe (in private life the fender), after a terrible encounter with a +polar bear fashioned from the bolster and four skittles dressed up in +"Da's" nightgown. After that, his father, seeking to steady his +imagination, brought him Ivanboe, Bevis, a book about King Arthur, +and Tom Brown's Schooldays. He read the first, and for three days +built, defended and stormed Front de Boeuf's castle, taking every +part in the piece except those of Rebecca and Rowena; with piercing +cries of: "En avant, de Bracy!" and similar utterances. After +reading the book about King Arthur he became almost exclusively Sir +Lamorac de Galis, because, though there was very little about him, he +preferred his name to that of any other knight; and he rode his old +rocking-horse to death, armed with a long bamboo. Bevis he found +tame; besides, it required woods and animals, of which he had none in +his nursery, except his two cats, Fitz and Puck Forsyte, who +permitted no liberties. For Tom Brown he was as yet too young. +There was relief in the house when, after the fourth week, he was +permitted to go down and out. + +The month being March the trees were exceptionally like the masts of +ships, and for little Jon that was a wonderful Spring, extremely hard +on his knees, suits, and the patience of "Da," who had the washing +and reparation of his clothes. Every morning the moment his +breakfast was over, he could be viewed by his mother and father, +whose windows looked out that way, coming from the study, crossing +the terrace, climbing the old oak tree, his face resolute and his +hair bright. He began the day thus because there was not time to go +far afield before his lessons. The old tree's variety never staled; +it had mainmast, foremast, top-gallant mast, and he could always come +down by the halyards--or ropes of the swing. After his lessons, +completed by eleven, he would go to the kitchen for a thin piece of +cheese, a biscuit and two French plums--provision enough for a jolly- +boat at least--and eat it in some imaginative way; then, armed to the +teeth with gun, pistols, and sword, he would begin the serious +climbing of the morning, encountering by the way innumerable slavers, +Indians, pirates, leopards, and bears. He was seldom seen at that +hour of the day without a cutlass in his teeth (like Dick Needham) +amid the rapid explosion of copper caps. And many were the gardeners +he brought down with yellow peas shot out of his little gun. He +lived a life of the most violent action. + +"Jon," said his father to his mother, under the oak tree, "is +terrible. I'm afraid he's going to turn out a sailor, or something +hopeless. Do you see any sign of his appreciating beauty?" + +"Not the faintest." + +"Well, thank heaven he's no turn for wheels or engines! I can bear +anything but that. But I wish he'd take more interest in Nature." + +"He's imaginative, Jolyon." + +"Yes, in a sanguinary way. Does he love anyone just now?" + +"No; only everyone. There never was anyone born more loving or more +lovable than Jon." + +"Being your boy, Irene." + +At this moment little Jon, lying along a branch high above them, +brought them down with two peas; but that fragment of talk lodged, +thick, in his small gizzard. Loving, lovable, imaginative, +sanguinary! + +The leaves also were thick by now, and it was time for his birthday, +which, occurring every year on the twelfth of May, was always +memorable for his chosen dinner of sweetbread, mushrooms, macaroons, +and ginger beer. + +Between that eighth birthday, however, and the afternoon when he +stood in the July radiance at the turning of the stairway, several +important things had happened. + +"Da," worn out by washing his knees, or moved by that mysterious +instinct which forces even nurses to desert their nurslings, left the +very day after his birthday in floods of tears "to be married"--of +all things--"to a man." Little Jon, from whom it had been kept, was +inconsolable for an afternoon. It ought not to have been kept from +him! Two large boxes of soldiers and some artillery, together with +The Young Buglers, which had been among his birthday presents, +cooperated with his grief in a sort of conversion, and instead of +seeking adventures in person and risking his own life, he began to +play imaginative games, in which he risked the lives of countless tin +soldiers, marbles, stones and beans. Of these forms of "chair a +canon" he made collections, and, using them alternately, fought the +Peninsular, the Seven Years, the Thirty Years, and other wars, about +which he had been reading of late in a big History of Europe which +had been his grandfather's. He altered them to suit his genius, and +fought them all over the floor in his day nursery, so that nobody +could come in, for fearing of disturbing Gustavus Adolphus, King of +Sweden, or treading on an army of Austrians. Because of the sound of +the word he was passionately addicted to the Austrians, and finding +there were so few battles in which they were successful he had to +invent them in his games. His favourite generals were Prince Eugene, +the Archduke Charles and Wallenstein. Tilly and Mack ("music-hall +turns" he heard his father call them one day, whatever that might +mean) one really could not love very much, Austrian though they were. +For euphonic reasons, too, he doted on Turenne. + +This phase, which caused his parents anxiety, because it kept him +indoors when he ought to have been out, lasted through May and half +of June, till his father killed it by bringing home to him Tom Sawyer +and Huckleberry Finn. When he read those books something happened in +him, and he went out of doors again in passionate quest of a river. +There being none on the premises at Robin Hill, he had to make one +out of the pond, which fortunately had water lilies, dragonflies, +gnats, bullrushes, and three small willow trees. On this pond, after +his father and Garratt had ascertained by sounding that it had a +reliable bottom and was nowhere more than two feet deep, he was +allowed a little collapsible canoe, in which he spent hours and hours +paddling, and lying down out of sight of Indian Joe and other +enemies. On the shore of the pond, too, he built himself a wigwam +about four feet square, of old biscuit tins, roofed in by boughs. In +this he would make little fires, and cook the birds he had not shot +with his gun, hunting in the coppice and fields, or the fish he did +not catch in the pond because there were none. This occupied the +rest of June and that July, when his father and mother were away in +Ireland. He led a lonely life of "make believe" during those five +weeks of summer weather, with gun, wigwam, water and canoe; and, +however hard his active little brain tried to keep the sense of +beauty away, she did creep in on him for a second now and then, +perching on the wing of a dragon-fly, glistening on the water lilies, +or brushing his eyes with her blue as he Jay on his back in ambush. + +"Auntie" June, who had been left in charge, had a "grown-up" in the +house, with a cough and a large piece of putty which he was making +into a face; so she hardly ever came down to see him in the pond. +Once, however, she brought with her two other "grown-ups." Little +Jon, who happened to have painted his naked self bright blue and +yellow in stripes out of his father's water-colour box, and put some +duck's feathers in his hair, saw them coming, and--ambushed himself +among the willows. As he had foreseen, they came at once to his +wigwam and knelt down to look inside, so that with a blood-curdling +yell he was able to take the scalps of "Auntie" June and the woman +"grown-up" in an almost complete manner before they kissed him. The +names of the two grown-ups were "Auntie" Holly and "Uncle" Val, who +had a brown face and a little limp, and laughed at him terribly. He +took a fancy to "Auntie" Holly, who seemed to be a sister too; but +they both went away the same afternoon and he did not see them again. +Three days before his father and mother were to come home "Auntie" +June also went off in a great hurry, taking the "grown-up" who +coughed and his piece of putty; and Mademoiselle said: "Poor man, he +was veree ill. I forbid you to go into his room, Jon." Little Jon, +who rarely did things merely because he was told not to, refrained +from going, though he was bored and lonely. In truth the day of the +pond was past, and he was filled to the brim of his soul with +restlessness and the want of something--not a tree, not a gun-- +something soft. Those last two days had seemed months in spite of +Cast Up by the Sea, wherein he was reading about Mother Lee and her +terrible wrecking bonfire. He had gone up and down the stairs +perhaps a hundred times in those two days, and often from the day +nursery, where he slept now, had stolen into his mother's room, +looked at everything, without touching, and on into the dressing- +room; and standing on one leg beside the bath, like Slingsby, had +whispered: + +"Ho, ho, ho! Dog my cats!" mysteriously, to bring luck. Then, +stealing back, he had opened his mother's wardrobe, and taken a long +sniff which seemed to bring him nearer to--he didn't know what. + +He had done this just before he stood in the streak of sunlight, +debating in which of the several ways he should slide down the +banisters. They all seemed silly, and in a sudden languor he began +descending the steps one by one. During that descent he could +remember his father quite distinctly--the short grey beard, the deep +eyes twinkling, the furrow between them, the funny smile, the thin +figure which always seemed so tall to little Jon; but his mother he +couldn't see. All that represented her was something swaying with +two dark eyes looking back at him; and the scent of her wardrobe. + +Bella was in the hall, drawing aside the big curtains, and opening +the front door. Little Jon said, wheedling + +"Bella!" + +"Yes, Master Jon." + +"Do let's have tea under the oak tree when they come; I know they'd +like it best." + +"You mean you'd like it best." + +Little Jon considered. + +"No, they would, to please me." + +Bella smiled. "Very well, I'll take it out if you'll stay quiet here +and not get into mischief before they come." + +Little Jon sat down on the bottom step, and nodded. Bella came +close, and looked him over. + +"Get up!" she said. + +Little Jon got up. She scrutinized him behind; he was not green, and +his knees seemed clean. + +"All right!" she said. "My! Aren't you brown? Give me a kiss!" + +And little Jon received a peck on his hair. + +"What jam?" he asked. "I'm so tired of waiting." + +"Gooseberry and strawberry." + +Num! They were his favourites! + +When she was gone he sat still for quite a minute. It was quiet in +the big hall open to its East end so that he could see one of his +trees, a brig sailing very slowly across the upper lawn. In the +outer hall shadows were slanting from the pillars. Little Jon got +up, jumped one of them, and walked round the clump of iris plants +which filled the pool of grey-white marble in the centre. The +flowers were pretty, but only smelled a very little. He stood in the +open doorway and looked out. Suppose!--suppose they didn't come! He +had waited so long that he felt he could not bear that, and his +attention slid at once from such finality to the dust motes in the +bluish sunlight coming in: Thrusting his hand up, he tried to catch +some. Bella ought to have dusted that piece of air! But perhaps +they weren't dust--only what sunlight was made of, and he looked to +see whether the sunlight out of doors was the same. It was not. He +had said he would stay quiet in the hall, but he simply couldn't any +more; and crossing the gravel of the drive he lay down on the grass +beyond. Pulling six daisies he named them carefully, Sir Lamorac, +Sir Tristram, Sir Lancelot, Sir Palimedes, Sir Bors, Sir Gawain, and +fought them in couples till only Sir Lamorac, whom he had selected +for a specially stout stalk, had his head on, and even he, after +three encounters, looked worn and waggly. A beetle was moving slowly +in the grass, which almost wanted cutting. Every blade was a small +tree, round whose trunk the beetle had to glide. Little Jon +stretched out Sir Lamorac, feet foremost, and stirred the creature +up. It scuttled painfully. Little Jon laughed, lost interest, and +sighed. His heart felt empty. He turned over and lay on his back. +There was a scent of honey from the lime trees in flower, and in the +sky the blue was beautiful, with a few white clouds which looked and +perhaps tasted like lemon ice. He could hear Bob playing: "Way down +upon de Suwannee ribber" on his concertina, and it made him nice and +sad. He turned over again and put his ear to the ground--Indians +could hear things coming ever so far--but he could hear nothing--only +the concertina! And almost instantly he did hear a grinding sound, a +faint toot. Yes! it was a car--coming--coming! Up he jumped. +Should he wait in the porch, or rush upstairs, and as they came in, +shout: "Look!" and slide slowly down the banisters, head foremost? +Should he? The car turned in at the drive. It was too late! And he +only waited, jumping up and down in his excitement. The car came +quickly, whirred, and stopped. His father got out, exactly like +life. He bent down and little Jon bobbed up--they bumped. His +father said + +"Bless us! Well, old man, you are brown!" Just as he would; and the +sense of expectation--of something wanted--bubbled unextinguished in +little Jon. Then, with a long, shy look he saw his mother, in a blue +dress, with a blue motor scarf over her cap and hair, smiling. He +jumped as high as ever he could, twined his legs behind her back, and +hugged. He heard her gasp, and felt her hugging back. His eyes, +very dark blue just then, looked into hers, very dark brown, till her +lips closed on his eyebrow, and, squeezing with all his might, he +heard her creak and laugh, and say: + +"You are strong, Jon!" + +He slid down at that, and rushed into the hall, dragging her by the +hand. + +While he was eating his jam beneath the oak tree, he noticed things +about his mother that he had never seemed to see before, her cheeks +for instance were creamy, there were silver threads in her dark goldy +hair, her throat had no knob in it like Bella's, and she went in and +out softly. He noticed, too, some little lines running away from the +corners of her eyes, and a nice darkness under them. She was ever so +beautiful, more beautiful than "Da" or Mademoiselle, or "Auntie" June +or even "Auntie" Holly, to whom he had taken a fancy; even more +beautiful than Bella, who had pink cheeks and came out too suddenly +in places. This new beautifulness of his mother had a kind of +particular importance, and he ate less than he had expected to. + +When tea was over his father wanted him to walk round the gardens. +He had a long conversation with his father about things in general, +avoiding his private life--Sir Lamorac, the Austrians, and the +emptiness he had felt these last three days, now so suddenly filled +up. His father told him of a place called Glensofantrim, where he +and his mother had been; and of the little people who came out of the +ground there when it was very quiet. Little Jon came to a halt, with +his heels apart. + +"Do you really believe they do, Daddy?" "No, Jon, but I thought you +might." + +"Why?" + +"You're younger than I; and they're fairies." Little Jon squared the +dimple in his chin. + +"I don't believe in fairies. I never see any." "Ha!" said his +father. + +"Does Mum?" + +His father smiled his funny smile. + +"No; she only sees Pan." + +"What's Pan?" + +"The Goaty God who skips about in wild and beautiful places." + +"Was he in Glensofantrim?" + +"Mum said so." + +Little Jon took his heels up, and led on. + +"Did you see him?" + +"No; I only saw Venus Anadyomene." + +Little Jon reflected; Venus was in his book about the Greeks and +Trojans. Then Anna was her Christian and Dyomene her surname? + +But it appeared, on inquiry, that it was one word, which meant rising +from the foam. + +"Did she rise from the foam in Glensofantrim?" + +"Yes; every day." + +"What is she like, Daddy?" + +"Like Mum." + +"Oh! Then she must be..." but he stopped at that, rushed at a wall, +scrambled up, and promptly scrambled down again. The discovery that +his mother was beautiful was one which he felt must absolutely be +kept to himself. His father's cigar, however, took so long to smoke, +that at last he was compelled to say: + +"I want to see what Mum's brought home. Do you mind, Daddy?" + +He pitched the motive low, to absolve him from unmanliness, and was a +little disconcerted when his father looked at him right through, +heaved an important sigh, and answered: + +"All right, old man, you go and love her." + +He went, with a pretence of slowness, and then rushed, to make up. +He entered her bedroom from his own, the door being open. She was +still kneeling before a trunk, and he stood close to her, quite +still. + +She knelt up straight, and said: + +"Well, Jon?" + +"I thought I'd just come and see." + +Having given and received another hug, he mounted the window-seat, +and tucking his legs up under him watched her unpack. He derived a +pleasure from the operation such as he had not yet known, partly +because she was taking out things which looked suspicious, and partly +because he liked to look at her. She moved differently from anybody +else, especially from Bella; she was certainly the refinedest-looking +person he had ever seen. She finished the trunk at last, and knelt +down in front of him. + +"Have you missed us, Jon?" + +Little Jon nodded, and having thus admitted his feelings, continued +to nod. + +"But you had 'Auntie' June?" + +"Oh! she had a man with a cough." + +His mother's face changed, and looked almost angry. He added +hastily: + +"He was a poor man, Mum; he coughed awfully; I--I liked him." + +His mother put her hands behind his waist. + +"You like everybody, Jon?" + +Little Jon considered. + +"Up to a point," he said: "Auntie June took me to church one Sunday." + +"To church? Oh!" + +"She wanted to see how it would affect me." "And did it?" + +"Yes. I came over all funny, so she took me home again very quick. +I wasn't sick after all. I went to bed and had hot brandy and water, +and read The Boys of Beechwood. It was scrumptious." + +His mother bit her lip. + +"When was that?" + +"Oh! about--a long time ago--I wanted her to take me again, but she +wouldn't. You and Daddy never go to church, do you?" + +"No, we don't." + +"Why don't you?" + +His mother smiled. + +"Well, dear, we both of us went when we were little. Perhaps we went +when we were too little." + +"I see," said little Jon, "it's dangerous." + +"You shall judge for yourself about all those things as you grow +up." + +Little Jon replied in a calculating manner: + +"I don't want to grow up, much. I don't want to go to school." A +sudden overwhelming desire to say something more, to say what he +really felt, turned him red. "I--I want to stay with you, and be +your lover, Mum." + +Then with an instinct to improve the situation, he added quickly "I +don't want to go to bed to-night, either. I'm simply tired of going +to bed, every night." + +"Have you had any more nightmares?" + +"Only about one. May I leave the door open into your room to-night, +Mum?" + +"Yes, just a little." Little Jon heaved a sigh of satisfaction. + +"What did you see in Glensofantrim?" + +"Nothing but beauty, darling." + +"What exactly is beauty?" + +"What exactly is--Oh! Jon, that's a poser." + +"Can I see it, for instance?" His mother got up, and sat beside +him. "You do, every day. The sky is beautiful, the stars, and +moonlit nights, and then the birds, the flowers, the trees--they're +all beautiful. Look out of the window--there's beauty for you, Jon." + +"Oh! yes, that's the view. Is that all?" + +"All? no. The sea is wonderfully beautiful, and the waves, with +their foam flying back." + +"Did you rise from it every day, Mum?" + +His mother smiled. "Well, we bathed." + +Little Jon suddenly reached out and caught her neck in his hands. + +"I know," he said mysteriously, "you're it, really, and all the rest +is make-believe." + +She sighed, laughed, said: "Oh! Jon!" + +Little Jon said critically: + +"Do you think Bella beautiful, for instance? I hardly do." + +"Bella is young; that's something." + +"But you look younger, Mum. If you bump against Bella she hurts." + +"I don't believe 'Da' was beautiful, when I come to think of it; and +Mademoiselle's almost ugly." + +"Mademoiselle has a very nice face." "Oh! yes; nice. I love your +little rays, Mum." + +"Rays?" + +Little Jon put his finger to the outer corner of her eye. + +"Oh! Those? But they're a sign of age." + +"They come when you smile." + +"But they usen't to." + +"Oh! well, I like them. Do you love me, Mum?" + +"I do--I do love you, darling." + +"Ever so?" + +"Ever so!" + +"More than I thought you did?" + +"Much--much more." + +"Well, so do I; so that makes it even." + +Conscious that he had never in his life so given himself away, he +felt a sudden reaction to the manliness of Sir Lamorac, Dick Needham, +Huck Finn, and other heroes. + +"Shall I show you a thing or two?" he said; and slipping out of her +arms, he stood on his head. Then, fired by her obvious admiration, +he mounted the bed, and threw himself head foremost from his feet on +to his back, without touching anything with his hands. He did this +several times. + +That evening, having inspected what they had brought, he stayed up to +dinner, sitting between them at the little round table they used when +they were alone. He was extremely excited. His mother wore a +French-grey dress, with creamy lace made out of little scriggly +roses, round her neck, which was browner than the lace. He kept +looking at her, till at last his father's funny smile made him +suddenly attentive to his slice of pineapple. It was later than he +had ever stayed up, when he went to bed. His mother went up with +him, and he undressed very slowly so as to keep her there. When at +last he had nothing on but his pyjamas, he said: + +"Promise you won't go while I say my prayers!" + +"I promise." + +Kneeling down and plunging his face into the bed, little Jon hurried +up, under his breath, opening one eye now and then, to see her +standing perfectly still with a smile on her face. "Our Father"--so +went his last prayer, "which art in heaven, hallowed be thy Mum, thy +Kingdom Mum--on Earth as it is in heaven, give us this day our daily +Mum and forgive us our trespasses on earth as it is in heaven and +trespass against us, for thine is the evil the power and the glory +for ever and ever. Amum! Look out!" He sprang, and for a long +minute remained in her arms. Once in bed, he continued to hold her +hand. + +"You won't shut the door any more than that, will you? Are you going +to be long, Mum?" + +"I must go down and play to Daddy." + +"Oh! well, I shall hear you." + +"I hope not; you must go to sleep." + +"I can sleep any night." + +"Well, this is just a night like any other." + +"Oh! no--it's extra special." + +"On extra special nights one always sleeps soundest." + +"But if I go to sleep, Mum, I shan't hear you come up." + +"Well, when I do, I'll come in and give you a kiss, then if you're +awake you'll know, and if you're not you'll still know you've had +one." + +Little Jon sighed, "All right!" he said: "I suppose I must put up +with that. Mum?" + +"Yes?" + +"What was her name that Daddy believes in? Venus Anna Diomedes?" + +"Oh! my angel! Anadyomene." + +"Yes! but I like my name for you much better." + +"What is yours, Jon?" + +Little Jon answered shyly: + +"Guinevere! it's out of the Round Table--I've only just thought +of it, only of course her hair was down." + +His mother's eyes, looking past him, seemed to float. + +"You won't forget to come, Mum?" + +"Not if you'll go to sleep." + +"That's a bargain, then." And little Jon screwed up his eyes. + +He felt her lips on his forehead, heard her footsteps; opened his +eyes to see her gliding through the doorway, and, sighing, screwed +them up again. + +Then Time began. + +For some ten minutes of it he tried loyally to sleep, counting a +great number of thistles in a row, "Da's" old recipe for bringing +slumber. He seemed to have been hours counting. It must, he +thought, be nearly time for her to come up now. He threw the +bedclothes back. "I'm hot!" he said, and his voice sounded funny in +the darkness, like someone else's. Why didn't she come? He sat up. +He must look! He got out of bed, went to the window and pulled the +curtain a slice aside. It wasn't dark, but he couldn't tell whether +because of daylight or the moon, which was very big. It had a funny, +wicked face, as if laughing at him, and he did not want to look at +it. Then, remembering that his mother had said moonlit nights were +beautiful, he continued to stare out in a general way. The trees +threw thick shadows, the lawn looked like spilt milk, and a long, +long way he could see; oh! very far; right over the world, and it all +looked different and swimmy. There was a lovely smell, too, in his +open window. + +'I wish I had a dove like Noah!' he thought. + + +"The moony moon was round and bright, +It shone and shone and made it light." + + +After that rhyme, which came into his head all at once, he became +conscious of music, very soft-lovely! Mum playing! He bethought +himself of a macaroon he had, laid up in his chest of drawers, and, +getting it, came back to the window. He leaned out, now munching, +now holding his jaws to hear the music better. "Da" used to say that +angels played on harps in heaven; but it wasn't half so lovely as Mum +playing in the moony night, with him eating a macaroon. A cockchafer +buzzed by, a moth flew in his face, the music stopped, and little Jon +drew his head in. She must be coming! He didn't want to be found +awake. He got back into bed and pulled the clothes nearly over his +head; but he had left a streak of moonlight coming in. It fell +across the floor, near the foot of the bed, and he watched it moving +ever so slowly towards him, as if it were alive. The music began +again, but he could only just hear it now; sleepy music, pretty-- +sleepy--music--sleepy--slee..... + +And time slipped by, the music rose, fell, ceased; the moonbeam crept +towards his face. Little Jon turned in his sleep till he lay on his +back, with one brown fist still grasping the bedclothes. The corners +of his eyes twitched--he had begun to dream. He dreamed he was +drinking milk out of a pan that was the moon, opposite a great black +cat which watched him with a funny smile like his father's. He heard +it whisper: "Don't drink too much!" It was the cat's milk, of course, +and he put out his hand amicably to stroke the creature; but it was +no longer there; the pan had become a bed, in which he was lying, and +when he tried to get out he couldn't find the edge; he couldn't find +it--he--he--couldn't get out! It was dreadful! + +He whimpered in his sleep. The bed had begun to go round too; it was +outside him and inside him; going round and round, and getting fiery, +and Mother Lee out of Cast up by the Sea was stirring it! Oh! so +horrible she looked! Faster and faster!--till he and the bed and +Mother Lee and the moon and the cat were all one wheel going round +and round and up and up--awful--awful--awful! + +He shrieked. + +A voice saying: "Darling, darling!" got through the wheel, and he +awoke, standing on his bed, with his eyes wide open. + +There was his mother, with her hair like Guinevere's, and, clutching +her, he buried his face in it. + +"Oh! oh!" + +"It's all right, treasure. You're awake now. There! There! It's +nothing!" + +But little Jon continued to say: "Oh! oh!" + +Her voice went on, velvety in his ear: + +"It was the moonlight, sweetheart, coming on your face." + +Little Jon burbled into her nightgown + +"You said it was beautiful. Oh!" + +"Not to sleep in, Jon. Who let it in? Did you draw the curtains?" + +"I wanted to see the time; I--I looked out, I--I heard you playing, +Mum; I--I ate my macaroon." But he was growing slowly comforted; and +the instinct to excuse his fear revived within him. + +"Mother Lee went round in me and got all fiery," he mumbled. + +"Well, Jon, what can you expect if you eat macaroons after you've +gone to bed?" + +"Only one, Mum; it made the music ever so more beautiful. I was +waiting for you--I nearly thought it was to-morrow." + +"My ducky, it's only just eleven now." + +Little Jon was silent, rubbing his nose on her neck. + +"Mum, is Daddy in your room?" + +"Not to-night." + +"Can I come?" + +"If you wish, my precious." + +Half himself again, little Jon drew back. + +"You look different, Mum; ever so younger." + +"It's my hair, darling." + +Little Jon laid hold of it, thick, dark gold, with a few silver +threads. + +"I like it," he said: "I like you best of all like this." + +Taking her hand, he had begun dragging her towards the door. He shut +it as they passed, with a sigh of relief. + +"Which side of the bed do you like, Mum?" + +"The left side." + +"All right." + +Wasting no time, giving her no chance to change her mind, little Jon +got into the bed, which seemed much softer than his own. He heaved +another sigh, screwed his head into the pillow and lay examining the +battle of chariots and swords and spears which always went on outside +blankets, where the little hairs stood up against the light. + +"It wasn't anything, really, was it?" he said. + +>From before her glass his mother answered: + +"Nothing but the moon and your imagination heated up. You mustn't +get so excited, Jon." + +But, still not quite in possession of his nerves, little Jon answered +boastfully: + +"I wasn't afraid, really, of course!" And again he lay watching the +spears and chariots. It all seemed very long. + +"Oh! Mum, do hurry up!" + +"Darling, I have to plait my hair." + +"Oh! not to-night. You'll only have to unplait it again to-morrow. +I'm sleepy now; if you don't come, I shan't be sleepy soon." + +His mother stood up white and flowey before the winged mirror: he +could see three of her, with her neck turned and her hair bright +under the light, and her dark eyes smiling. It was unnecessary, and +he said: + +"Do come, Mum; I'm waiting." + +"Very well, my love, I'll come." + +Little Jon closed his eyes. Everything was turning out most +satisfactory, only she must hurry up! He felt the bed shake, she was +getting in. And, still with his eyes closed, he said sleepily: "It's +nice, isn't it?" + +He heard her voice say something, felt her lips touching his nose, +and, snuggling up beside her who lay awake and loved him with her +thoughts, he fell into the dreamless sleep, which rounded off his +past. + + + + + + +TO LET + + + +"From out the fatal loins of those two foes +A pair of star-crossed lovers take their life." + --Romeo and Juliet. + + + + + +TO CHARLES SCRIBNER + + + + + +PART I + +ENCOUNTER + + +Soames Forsyte emerged from the Knightsbridge Hotel, where he was +staying, in the afternoon of the 12th of May, 1920, with the +intention of visiting a collection of pictures in a Gallery off Cork +Street, and looking into the Future. He walked. Since the War he +never took a cab if he could help it. Their drivers were, in his +view, an uncivil lot, though now that the War was over and supply +beginning to exceed demand again, getting more civil in accordance +with the custom of human nature. Still, he had not forgiven them, +deeply identifying them with gloomy memories, and now, dimly, like +all members, of their class, with revolution. The considerable +anxiety he had passed through during the War, and the more +considerable anxiety he had since undergone in the Peace, had +produced psychological consequences in a tenacious nature. He had, +mentally, so frequently experienced ruin, that he had ceased to +believe in its material probability. Paying away four thousand a +year in income and super tax, one could not very well be worse off! +A fortune of a quarter of a million, encumbered only by a wife and +one daughter, and very diversely invested, afforded substantial +guarantee even against that "wildcat notion" a levy on capital. And +as to confiscation of war profits, he was entirely in favour of it, +for he had none, and "serve the beggars right!" The price of +pictures, moreover, had, if anything, gone up, and he had done better +with his collection since the War began than ever before. Air-raids, +also, had acted beneficially on a spirit congenitally cautious, and +hardened a character already dogged. To be in danger of being +entirely dispersed inclined one to be less apprehensive of the more +partial dispersions involved in levies and taxation, while the habit +of condemning the impudence of the Germans had led naturally to +condemning that of Labour, if not openly at least in the sanctuary of +his soul. + +He walked. There was, moreover, time to spare, for Fleur was to meet +him at the Gallery at four o'clock, and it was as yet but half-past +two. It was good for him to walk--his liver was a little +constricted, and his nerves rather on edge. His wife was always out +when she was in Town, and his daughter would flibberty-gibbet all +over the place like most young women since the War. Still, he must +be thankful that she had been too young to do anything in that War +itself. Not, of course, that he had not supported the War from its +inception, with all his soul, but between that and supporting it with +the bodies of his wife and daughter, there had been a gap fixed by +something old-fashioned within him which abhorred emotional +extravagance. He had, for instance, strongly objected to Annette, so +attractive, and in 1914 only thirty-four, going to her native France, +her "chere patrie" as, under the stimulus of war, she had begun to +call it, to nurse her "braves poilus," forsooth! Ruining her health +and her looks! As if she were really a nurse! He had put a stopper +on it. Let her do needlework for them at home, or knit! She had not +gone, therefore, and had never been quite the same woman since. A +bad tendency of hers to mock at him, not openly, but in continual +little ways, had grown. As for Fleur, the War had resolved the vexed +problem whether or not she should go to school. She was better away +from her mother in her war mood, from the chance of air-raids, and +the impetus to do extravagant things; so he had placed her in a +seminary as far West as had seemed to him compatible with excellence, +and had missed her horribly. Fleur! He had never regretted the +somewhat outlandish name by which at her birth he had decided so +suddenly to call her--marked concession though it had been to the +French. Fleur! A pretty name--a pretty child! But restless--too +restless; and wilful! Knowing her power too over her father! Soames +often reflected on the mistake it was to dote on his daughter. To +get old and dote! Sixty-five! He was getting on; but he didn't feel +it, for, fortunately perhaps, considering Annette's youth and good +looks, his second marriage had turned out a cool affair. He had +known but one real passion in his life--for that first wife of his-- +Irene. Yes, and that fellow, his cousin Jolyon, who had gone off +with her, was looking very shaky, they said. No wonder, at seventy- +two, after twenty years of a third marriage! + +Soames paused a moment in his march to lean over the railings of the +Row. A suitable spot for reminiscence, half-way between that house +in Park Lane which had seen his birth and his parents' deaths, and +the little house in Montpellier Square where thirty-five years ago he +had enjoyed his first edition of matrimony. Now, after twenty years +of his second edition, that old tragedy seemed to him like a previous +existence--which had ended when Fleur was born in place of the son he +had hoped for. For many years he had ceased regretting, even +vaguely, the son who had not been born; Fleur filled the bill in his +heart. After all, she bore his name; and he was not looking forward +at all to the time when she would change it. Indeed, if he ever +thought of such a calamity, it was seasoned by the vague feeling that +he could make her rich enough to purchase perhaps and extinguish the +name of the fellow who married her--why not, since, as it seemed, +women were equal to men nowadays? And Soames, secretly convinced +that they were not, passed his curved hand over his face vigorously, +till it reached the comfort of his chin. Thanks to abstemious +habits, he had not grown fat and gabby; his nose was pale and thin, +his grey moustache close-clipped, his eyesight unimpaired. A slight +stoop closened and corrected the expansion given to his face by the +heightening of his forehead in the recession of his grey hair. +Little change had Time wrought in the "warmest" of the young +Forsytes, as the last of the old Forsytes--Timothy-now in his hundred +and first year, would have phrased it. + +The shade from the plane-trees fell on his neat Homburg hat; he had +given up top hats--it was no use attracting attention to wealth in +days like these. Plane-trees! His thoughts travelled sharply to +Madrid--the Easter before the War, when, having to make up his mind +about that Goya picture, he had taken a voyage of discovery to study +the painter on his spot. The fellow had impressed him--great range, +real genius! Highly as the chap ranked, he would rank even higher +before they had finished with him. The second Goya craze would be +greater even than the first; oh, yes! And he had bought. On that +visit he had--as never before--commissioned a copy of a fresco +painting called "La Vendimia," wherein was the figure of a girl with +an arm akimbo, who had reminded him of his daughter. He had it now +in the Gallery at Mapledurham, and rather poor it was--you couldn't +copy Goya. He would still look at it, however, if his daughter were +not there, for the sake of something irresistibly reminiscent in the +light, erect balance of the figure, the width between the arching +eyebrows, the eager dreaming of the dark eyes. Curious that Fleur +should have dark eyes, when his own were grey--no pure Forsyte had +brown eyes--and her mother's blue! But of course her grandmother +Lamotte's eyes were dark as treacle! + +He began to walk on again toward Hyde Park Corner. No greater change +in all England than in the Row! Born almost within hail of it, he +could remember it from 1860 on. Brought there as a child between the +crinolines to stare at tight-trousered dandies in whiskers, riding +with a cavalry seat; to watch the doffing of curly-brimmed and white +top hats; the leisurely air of it all, and the little bow-legged man +in a long red waistcoat who used to come among the fashion with dogs +on several strings, and try to sell one to his mother: King Charles +spaniels, Italian greyhounds, affectionate to her crinoline--you +never saw them now. You saw no quality of any sort, indeed, just +working people sitting in dull rows with nothing to stare at but a +few young bouncing females in pot hats, riding astride, or desultory +Colonials charging up and down on dismal-looking hacks; with, here +and there, little girls on ponies, or old gentlemen jogging their +livers, or an orderly trying a great galumphing cavalry horse; no +thoroughbreds, no grooms, no bowing, no scraping, no gossip--nothing; +only the trees the same--the trees in--different to the generations +and declensions of mankind. A democratic England--dishevelled, +hurried, noisy, and seemingly without an apex. And that something +fastidious in the soul of Soames turned over within him. Gone +forever, the close borough of rank and polish! Wealth there was--oh, +yes! wealth--he himself was a richer man than his father had ever +been; but manners, flavour, quality, all gone, engulfed in one vast, +ugly, shoulder-rubbing, petrol-smelling Cheerio. Little half-beaten +pockets of gentility and caste lurking here and there, dispersed and +chetif, as Annette would say; but nothing ever again firm and +coherent to look up to. And into this new hurly-burly of bad manners +and loose morals his daughter--flower of his life--was flung! And +when those Labour chaps got power--if they ever did--the worst was +yet to come. + +He passed out under the archway, at last no longer--thank goodness!-- +disfigured by the gungrey of its search-light. 'They'd better put a +search-light on to where they're all going,' he thought, 'and light +up their precious democracy!' And he directed his steps along the +Club fronts of Piccadilly. George Forsyte, of course, would be +sitting in the bay window of the Iseeum. The chap was so big now +that he was there nearly all his time, like some immovable, sardonic, +humorous eye noting the decline of men and things. And Soames +hurried, ever constitutionally uneasy beneath his cousin's glance. +George, who, as he had heard, had written a letter signed "Patriot" +in the middle of the War, complaining of the Government's hysteria in +docking the oats of race-horses. Yes, there he was, tall, ponderous, +neat, clean-shaven, with his smooth hair, hardly thinned, smelling, +no doubt, of the best hair-wash, and a pink paper in his hand. Well, +be didn't change! And for perhaps the first time in his life Soames +felt a kind of sympathy tapping in his waistcoat for that sardonic +kinsman. With his weight, his perfectly parted hair, and bull-like +gaze, he was a guarantee that the old order would take some shifting +yet. He saw George move the pink paper as if inviting him to ascend- +-the chap must want to ask something about his property. It was +still under Soames' control; for in the adoption of a sleeping +partnership at that painful period twenty years back when he had +divorced Irene, Soames had found himself almost insensibly retaining +control of all purely Forsyte affairs. + +Hesitating for just a moment, he nodded and went in. Since the death +of his brother-in-law Montague Dartie, in Paris, which no one had +quite known what to make of, except that it was certainly not +suicide--the Iseeum Club had seemed more respectable to Soames. +George, too, he knew, had sown the last of his wild oats, and was +committed definitely to the joys of the table, eating only of the +very best so as to keep his weight down, and owning, as he said, +"just one or two old screws to give me an interest in life." He +joined his cousin, therefore, in the bay window without the +embarrassing sense of indiscretion he had been used to feel up there. +George put out a well-kept hand. + +"Haven't seen you since the War," he said. "How's your wife?" + +"Thanks," said Soames coldly, "well enough." + +Some hidden jest curved, for a moment, George's fleshy face, and +gloated from his eye. + +"That Belgian chap, Profond," he said, "is a member here now. He's a +rum customer." + +"Quite!" muttered Soames. "What did you want to see me about?" + +"Old Timothy; he might go off the hooks at any moment. I suppose +he's made his Will." + +"Yes." + +"Well, you or somebody ought to give him a look up--last of the old +lot; he's a hundred, you know. They say he's like a rummy. Where +are you goin' to put him? He ought to have a pyramid by rights." + +Soames shook his head. "Highgate, the family vault." + +"Well, I suppose the old girls would miss him, if he was anywhere +else. They say he still takes an interest in food. He might last +on, you know. Don't we get anything for the old Forsytes? Ten of +them--average age eighty-eight--I worked it out. That ought to be +equal to triplets." + +"Is that all?" said Soames, "I must be getting on." + +'You unsociable devil,' George's eyes seemed to answer. "Yes, that's +all: Look him up in his mausoleum--the old chap might want to +prophesy." The grin died on the rich curves of his face, and he +added: "Haven't you attorneys invented a way yet of dodging this +damned income tax? It hits the fixed inherited income like the very +deuce. I used to have two thousand five hundred a year; now I've got +a beggarly fifteen hundred, and the price of living doubled." + +"Ah!" murmured Soames, "the turf's in danger." + +Over George's face moved a gleam of sardonic self-defence. + +"Well," he said, "they brought me up to do nothing, and here I am in +the sear and yellow, getting poorer every day. These Labour chaps +mean to have the lot before they've done. What are you going to do +for a living when it comes? I shall work a six-hour day teaching +politicians how to see a joke. Take my tip, Soames; go into +Parliament, make sure of your four hundred--and employ me." + +And, as Soames retired, he resumed his seat in the bay window. + +Soames moved along Piccadilly deep in reflections excited by his +cousin's words. He himself had always been a worker and a saver, +George always a drone and a spender; and yet, if confiscation once +began, it was he--the worker and the saver--who would be looted! +That was the negation of all virtue, the overturning of all Forsyte +principles. Could civilization be built on any other? He did not +think so. Well, they wouldn't confiscate his pictures, for they +wouldn't know their worth. But what would they be worth, if these +maniacs once began to milk capital? A drug on the market. 'I don't +care about myself,' he thought; 'I could live on five hundred a year, +and never know the difference, at my age.' But Fleur! This fortune, +so widely invested, these treasures so carefully chosen and amassed, +were all for--her. And if it should turn out that he couldn't give +or leave them to her--well, life had no meaning, and what was the use +of going in to look at this crazy, futuristic stuff with the view of +seeing whether it had any future? + +Arriving at the Gallery off Cork Street, however, he paid his +shilling, picked up a catalogue, and entered. Some ten persons were +prowling round. Soames took steps and came on what looked to him +like a lamp-post bent by collision with a motor omnibus. It was +advanced some three paces from the wall, and was described in his +catalogue as "Jupiter." He examined it with curiosity, having +recently turned some of his attention to sculpture. 'If that's +Jupiter,' he thought, 'I wonder what Juno's like.' And suddenly he +saw her, opposite. She appeared to him like nothing so much as a +pump with two handles, lightly clad in snow. He was still gazing at +her, when two of the prowlers halted on his left. "Epatant!" he +heard one say. + +"Jargon!" growled Soames to himself. + +The other's boyish voice replied + +"Missed it, old bean; he's pulling your leg. When Jove and Juno +created he them, he was saying: 'I'll see how much these fools will +swallow.' And they've lapped up the lot." + +"You young duffer! Vospovitch is an innovator. Don't you see that +he's brought satire into sculpture? The future of plastic art, of +music, painting, and even architecture, has set in satiric. It was +bound to. People are tired--the bottom's tumbled out of sentiment." + +"Well, I'm quite equal to taking a little interest in beauty. I was +through the War. You've dropped your handkerchief, sir." + +Soames saw a handkerchief held out in front of him. He took it with +some natural suspicion, and approached it to his nose. It had the +right scent--of distant Eau de Cologne--and his initials in a corner. +Slightly reassured, he raised his eyes to the young man's face. It +had rather fawn-like ears, a laughing mouth, with half a toothbrush +growing out of it on each side, and small lively eyes, above a +normally dressed appearance. + +"Thank you," he said; and moved by a sort of irritation, added: "Glad +to hear you like beauty; that's rare, nowadays." + +"I dote on it," said the young man; "but you and I are the last of +the old guard, sir." + +Soames smiled. + +"If you really care for pictures," he said, "here's my card. I can +show you some quite good ones any Sunday, if you're down the river +and care to look in." + +"Awfully nice of you, sir. I'll drop in like a bird. My name's +Mont-Michael." And he took off his hat. + +Soames, already regretting his impulse, raised his own slightly in +response, with a downward look at the young man's companion, who had +a purple tie, dreadful little sluglike whiskers, and a scornful look- +-as if he were a poet! + +It was the first indiscretion he had committed for so long that he +went and sat down in an alcove. What had possessed him to give his +card to a rackety young fellow, who went about with a thing like +that? And Fleur, always at the back of his thoughts, started out +like a filigree figure from a clock when the hour strikes. On the +screen opposite the alcove was a large canvas with a great many +square tomato-coloured blobs on it, and nothing else, so far as +Soames could see from where he sat. He looked at his catalogue: "No. +32 'The Future Town'--Paul Post." 'I suppose that's satiric too,' he +thought. 'What a thing!' But his second impulse was more cautious. +It did not do to condemn hurriedly. There had been those stripey, +streaky creations of Monet's, which had turned out such trumps; and +then the stippled school; and Gauguin. Why, even since the Post- +Impressionists there had been one or two painters not to be sneezed +at. During the thirty-eight years of his connoisseur's life, indeed, +he had marked so many "movements," seen the tides of taste and +technique so ebb and flow, that there was really no telling anything +except that there was money to be made out of every change of +fashion. This too might quite well be a case where one must subdue +primordial instinct, or lose the market. He got up and stood before +the picture, trying hard to see it with the eyes of other people. +Above the tomato blobs was what he took to be a sunset, till some one +passing said: "He's got the airplanes wonderfully, don't you think!" +Below the tomato blobs was a band of white with vertical black +stripes, to which he could assign no meaning whatever, till some one +else came by, murmuring: "What expression he gets with his +foreground!" Expression? Of what? Soames went back to his seat. +The thing was "rich," as his father would have said, and he wouldn't +give a damn for it. Expression! Ah! they were all Expressionists +now, he had heard, on the Continent. So it was coming here too, was +it? He remembered the first wave of influenza in 1887--or '8-- +hatched in China, so they said. He wondered where this--this +Expressionism had been hatched. The thing was a regular disease! + +He had become conscious of a woman and a youth standing between him +and the "Future Town." Their backs were turned; but very suddenly +Soames put his catalogue before his face, and drawing his hat +forward, gazed through the slit between. No mistaking that back, +elegant as ever though the hair above had gone grey. Irene! His +divorced wife--Irene! And this, no doubt, was--her son--by that +fellow Jolyon Forsyte--their boy, six months older than his own girl! +And mumbling over in his mind the bitter days of his divorce, he rose +to get out of sight, but quickly sat down again. She had turned her +head to speak to her boy; her profile was still so youthful that it +made her grey hair seem powdery, as if fancy-dressed; and her lips +were smiling as Soames, first possessor of them, had never seen them +smile. Grudgingly he admitted her still beautiful and in figure +almost as young as ever. And how that boy smiled back at her! +Emotion squeezed Soames' heart. The sight infringed his sense of +justice. He grudged her that boy's smile--it went beyond what Fleur +gave him, and it was undeserved. Their son might have been his son; +Fleur might have been her daughter, if she had kept straight! He +lowered his catalogue. If she saw him, all the better! A reminder +of her conduct in the presence of her son, who probably knew nothing +of it, would be a salutary touch from the finger of that Nemesis +which surely must soon or late visit her! Then, half-conscious that +such a thought was extravagant for a Forsyte of his age, Soames took +out his watch. Past four! Fleur was late. She had gone to his +niece Imogen Cardigan's, and there they would keep her smoking +cigarettes and gossiping, and that. He heard the boy laugh, and say +eagerly: "I say, Mum, is this by one of Auntie June's lame ducks?" + +"Paul Post--I believe it is, darling." + +The word produced a little shock in Soames; he had never heard her +use it. And then she saw him. His eyes must have had in them +something of George Forsyte's sardonic look; for her gloved hand +crisped the folds of her frock, her eyebrows rose, her face went +stony. She moved on. + +"It is a caution," said the boy, catching her arm again. + +Soames stared after them. That boy was good-looking, with a Forsyte +chin, and eyes deep-grey, deep in; but with something sunny, like a +glass of old sherry spilled over him; his smile perhaps, his hair. +Better than they deserved--those two! They passed from his view into +the next room, and Soames continued to regard the Future Town, but +saw it not. A little smile snarled up his lips. He was despising +the vehemence of his own feelings after all these years. Ghosts! +And yet as one grew old--was there anything but what was ghost-like +left? Yes, there was Fleur! He fixed his eyes on the entrance. She +was due; but she would keep him waiting, of course! And suddenly he +became aware of a sort of human breeze--a short, slight form clad in +a sea-green djibbah with a metal belt and a fillet binding unruly +red-gold hair all streaked with grey. She was talking to the Gallery +attendants, and something familiar riveted his gaze--in her eyes, her +chin, her hair, her spirit--something which suggested a thin Skye +terrier just before its dinner. Surely June Forsyte! His cousin +June--and coming straight to his recess! She sat down beside him, +deep in thought, took out a tablet, and made a pencil note. Soames +sat unmoving. A confounded thing, cousinship! "Disgusting!" he +heard her murmur; then, as if resenting the presence of an +overhearing stranger, she looked at him. The worst had happened. + +"Soames!" + +Soames turned his head a very little. + +"How are you?" he said. "Haven't seen you for twenty years." + +"No. Whatever made you come here?" + +"My sins," said Soames. "What stuff!" + +"Stuff? Oh, yes--of course; it hasn't arrived yet. + +"It never will," said Soames; "it must be making a dead loss." + +"Of course it is." + +"How d'you know?" + +"It's my Gallery." + +Soames sniffed from sheer surprise. + +"Yours? What on earth makes you run a show like this?" + +"I don't treat Art as if it were grocery." + +Soames pointed to the Future Town. "Look at that! Who's going to +live in a town like that, or with it on his walls?" + +June contemplated the picture for a moment. + +"It's a vision," she said. + +"The deuce!" + +There was silence, then June rose. 'Crazylooking creature!' he +thought. + +"Well," he said, "you'll find your young stepbrother here with a +woman I used to know. If you take my advice, you'll close this +exhibition." + +June looked back at him. "Oh! You Forsyte!" she said, and moved on. +About her light, fly-away figure, passing so suddenly away, was a +look of dangerous decisions. Forsyte! Of course, he was a Forsyte! +And so was she! But from the time when, as a mere girl, she brought +Bosinney into his life to wreck it, he had never hit it off with June +and never would! And here she was, unmarried to this day, owning a +Gallery!... And suddenly it came to Soames how little he knew now of +his own family. The old aunts at Timothy's had been dead so many +years; there was no clearing-house for news. What had they all done +in the War? Young Roger's boy had been wounded, St. John Hayman's +second son killed; young Nicholas' eldest had got an O. B. E., or +whatever they gave them. They had all joined up somehow, he +believed. That boy of Jolyon's and Irene's, he supposed, had been +too young; his own generation, of course, too old, though Giles +Hayman had driven a car for the Red Cross--and Jesse Hayman been a +special constable--those "Dromios" had always been of a sporting +type! As for himself, he had given a motor ambulance, read the +papers till he was sick of them, passed through much anxiety, bought +no clothes, lost seven pounds in weight; he didn't know what more he +could have done at his age. Indeed, thinking it over, it struck him +that he and his family had taken this war very differently to that +affair with the Boers, which had been supposed to tax all the +resources of the Empire. In that old war, of course, his nephew Val +Dartie had been wounded, that fellow Jolyon's first son had died of +enteric, "the Dromios" had gone out on horses, and June had been a +nurse; but all that had seemed in the nature of a portent, while in +this war everybody had done "their bit," so far as he could make out, +as a matter of course. It seemed to show the growth of something or +other--or perhaps the decline of something else. Had the Forsytes +become less individual, or more Imperial, or less provincial? Or was +it simply that one hated Germans?... Why didn't Fleur come, so that +he could get away? He saw those three return together from the other +room and pass back along the far side of the screen. The boy was +standing before the Juno now. And, suddenly, on the other side of +her, Soames saw--his daughter, with eyebrows raised, as well they +might be. He could see her eyes glint sideways at the boy, and the +boy look back at her. Then Irene slipped her hand through his arm, +and drew him on. Soames saw him glancing round, and Fleur looking +after them as the three went out. + +A voice said cheerfully: "Bit thick, isn't it, sir?" + +The young man who had handed him his handkerchief was again passing. +Soames nodded. + +"I don't know what we're coming to." + +"Oh! That's all right, sir," answered the young man cheerfully; "they +don't either." + +Fleur's voice said: "Hallo, Father! Here you are!" precisely as if +he had been keeping her waiting. + +The young man, snatching off his hat, passed on. + +"Well," said Soames, looking her up and down, "you're a punctual sort +of young woman!" + +This treasured possession of his life was of medium height and +colour, with short, dark chestnut hair; her wide-apart brown eyes +were set in whites so clear that they glinted when they moved, and +yet in repose were almost dreamy under very white, black-lashed lids, +held over them in a sort of suspense. She had a charming profile, +and nothing of her father in her face save a decided chin. Aware +that his expression was softening as he looked at her, Soames frowned +to preserve the unemotionalism proper to a Forsyte. He knew she was +only too inclined to take advantage of his weakness. + +Slipping her hand under his arm, she said: + +"Who was that?" + +"He picked up my handkerchief. We talked about the pictures." + +"You're not going to buy that, Father?" + +"No," said Soames grimly; "nor that Juno you've been looking at." + +Fleur dragged at his arm. "Oh! Let's go! It's a ghastly show." + +In the doorway they passed the young man called Mont and his partner. +But Soames had hung out a board marked "Trespassers will be +prosecuted," and he barely acknowledged the young fellow's salute. + +"Well," he said in the street, "whom did you meet at Imogen's?" + +"Aunt Winifred, and that Monsieur Profond." + +"Oh!" muttered Soames; "that chap! What does your aunt see in him?" + +"I don't know. He looks pretty deep--mother says she likes him." + +Soames grunted. + +"Cousin Val and his wife were there, too." + +"What!" said Soames. "I thought they were back in South Africa." + +"Oh, no! They've sold their farm. Cousin Val is going to train +race-horses on the Sussex Downs. They've got a jolly old manor- +house; they asked me down there." + +Soames coughed: the news was distasteful to him. "What's his wife +like now?" + +"Very quiet, but nice, I think." + +Soames coughed again. "He's a rackety chap, your Cousin Val." + +"Oh! no, Father; they're awfully devoted. I promised to go--Saturday +to Wednesday next." + +"Training race-horses!" said Soames. It was extravagant, but not the +reason for his distaste. Why the deuce couldn't his nephew have +stayed out in South Africa? His own divorce had been bad enough, +without his nephew's marriage to the daughter of the co-respondent; a +half-sister too of June, and of that boy whom Fleur had just been +looking at from under the pump-handle. If he didn't look out, she +would come to know all about that old disgrace! Unpleasant things! +They were round him this afternoon like a swarm of bees! + +"I don't like it!" he said. + +"I want to see the race-horses," murmured Fleur; "and they've +promised I shall ride. Cousin Val can't walk much, you know; but he +can ride perfectly. He's going to show me their gallops." + +"Racing!" said Soames. "It's a pity the War didn't knock that on the +head. He's taking after his father, I'm afraid." + +"I don't know anything about his father." + +"No," said Soames, grimly. "He took an interest in horses and broke +his neck in Paris, walking down-stairs. Good riddance for your +aunt." He frowned, recollecting the inquiry into those stairs which +he had attended in Paris six years ago, because. Montague Dartie +could not attend it himself--perfectly normal stairs in a house where +they played baccarat. Either his winnings or the way he had +celebrated them had gone to his brother-in-law's head. The French +procedure had been very loose; he had had a lot of trouble +with it. + +A sound from Fleur distracted his attention. "Look! The people who +were in the Gallery with us." + +"What people?" muttered Soames, who knew perfectly well. + +"I think that woman's beautiful." + +"Come into this pastry-cook's," said Soames abruptly, and tightening +his grip on her arm he turned into a confectioner's. It was--for +him--a surprising thing to do, and he said rather anxiously: "What +will you have?" + +"Oh! I don't want anything. I had a cocktail and a tremendous +lunch." + +"We must have something now we're here," muttered Soames, keeping +hold of her arm. + +"Two teas," he said; "and two of those nougat things." + +But no sooner was his body seated than his soul sprang up. Those +three--those three were coming in! He heard Irene say something to +her boy, and his answer: + +"Oh! no, Mum; this place is all right. My stunt." And the three sat +down. + +At that moment, most awkward of his existence, crowded with ghosts +and shadows from his past, in presence of the only two women he had +ever loved--his divorced wife and his daughter by her successor-- +Soames was not so much afraid of them as of his cousin June. She +might make a scene--she might introduce those two children--she was +capable of anything. He bit too hastily at the nougat, and it stuck +to his plate. Working at it with his finger, he glanced at Fleur. +She was masticating dreamily, but her eyes were on the boy. The +Forsyte in him said: "Think, feel, and you're done for!" And he +wiggled his finger desperately. Plate! Did Jolyon wear a plate? +Did that woman wear a plate? Time had been when he had seen her +wearing nothing! That was something, anyway, which had never been +stolen from him. And she knew it, though she might sit there calm +and self-possessed, as if she had never been his wife. An acid +humour stirred in his Forsyte blood; a subtle pain divided by hair's +breadth from pleasure. If only June did not suddenly bring her +hornets about his ears! The boy was talking. + +"Of course, Auntie June"--so he called his half-sister "Auntie," did +he?--well, she must be fifty, if she was a day!--" it's jolly good of +you to encourage them. Only--hang it all!" Soames stole a glance. +Irene's startled eyes were bent watchfully on her boy. She--she had +these devotions--for Bosinney--for that boy's father--for this boy! +He touched Fleur's arm, and said: + +"Well, have you had enough?" + +"One more, Father, please." + +She would be sick! He went to the counter to pay. When he turned +round again he saw Fleur standing near the door, holding a +handkerchief which the boy had evidently just handed to her. + +"F. F.," he heard her say. "Fleur Forsyte--it's mine all right. +Thank you ever so." + +Good God! She had caught the trick from what he'd told her in the +Gallery--monkey! + +"Forsyte? Why--that's my name too. Perhaps we're cousins." + +"Really! We must be. There aren't any others. I live at +Mapledurham; where do you?" + +"Robin Hill." + +Question and answer had been so rapid that all was over before he +could lift a finger. He saw Irene's face alive with startled +feeling, gave the slightest shake of his head, and slipped his arm +through Fleur's. + +"Come along!" he said. + +She did not move. + +"Didn't you hear, Father? Isn't it queer--our name's the same. Are +we cousins?" + +"What's that?" he said. "Forsyte? Distant, perhaps." + +"My name's Jolyon, sir. Jon, for short." + +"Oh! Ah!" said Soames. "Yes. Distant. How are you? Very good of +you. Good-bye!" + +He moved on. + +"Thanks awfully," Fleur was saying. "Au revoir!" + +"Au revoir!" he heard the boy reply. + + + + +II + +FINE FLEUR FORSYTE + + +Emerging from the "pastry-cook's," Soames' first impulse was to vent +his nerves by saying to his daughter: 'Dropping your hand-kerchief!' +to which her reply might well be: 'I picked that up from you!' His +second impulse therefore was to let sleeping dogs lie. But she would +surely question him. He gave her a sidelong look, and found she was +giving him the same. She said softly: + +"Why don't you like those cousins, Father?" Soames lifted the corner +of his lip. + +"What made you think that?" + +"Cela se voit." + +'That sees itself!' What a way of putting it! After twenty years of +a French wife Soames had still little sympathy with her language; a +theatrical affair and connected in his mind with all the refinements +of domestic irony. + +"How?" he asked. + +"You must know them; and you didn't make a sign. I saw them looking +at you." + +"I've never seen the boy in my life," replied Soames with perfect +truth. + +"No; but you've seen the others, dear." + +Soames gave her another look. What had she picked up? Had her Aunt +Winifred, or Imogen, or Val Dartie and his wife, been talking? Every +breath of the old scandal had been carefully kept from her at home, +and Winifred warned many times that he wouldn't have a whisper of it +reach her for the world. So far as she ought to know, he had never +been married before. But her dark eyes, whose southern glint and +clearness often almost frightened him, met his with perfect +innocence. + +"Well," he said, "your grandfather and his brother had a quarrel. +The two families don't know each other." + +"How romantic!" + +'Now, what does she mean by that?' he thought. The word was to him +extravagant and dangerous--it was as if she had said: "How jolly!" + +"And they'll continue not to know each, other," he added, but +instantly regretted the challenge in those words. Fleur was smiling. +In this age, when young people prided themselves on going their own +ways and paying no attention to any sort of decent prejudice, he had +said the very thing to excite her wilfulness. Then, recollecting the +expression on Irene's face, he breathed again. + +"What sort of a quarrel?" he heard Fleur say. + +"About a house. It's ancient history for you. Your grandfather died +the day you were born. He was ninety." + +"Ninety? Are there many Forsytes besides those in the Red Book?" + +"I don't know," said Soames. "They're all dispersed now. The old +ones are dead, except Timothy." + +Fleur clasped her hands. + +"Timothy? Isn't that delicious?" + +"Not at all," said Soames. It offended him that she should think +"Timothy" delicious--a kind of insult to his breed. This new +generation mocked at anything solid and tenacious. "You go and see +the old boy. He might want to prophesy." Ah! If Timothy could see +the disquiet England of his great-nephews and great-nieces, he would +certainly give tongue. And involuntarily he glanced up at the +Iseeum; yes--George was still in the window, with the same pink paper +in his hand. + +"Where is Robin Hill, Father?" + +Robin Hill! Robin Hill, round which all that tragedy had centred! +What did she want to know for? + +"In Surrey," he muttered; "not far from Richmond. Why?" + +"Is the house there?" + +"What house?" + +"That they quarrelled about." + +"Yes. But what's all that to do with you? We're going home to- +morrow--you'd better be thinking about your frocks." + +"Bless you! They're all thought about. A family feud? It's like +the Bible, or Mark Twain--awfully exciting. What did you do in the +feud, Father?" + +"Never you mind." + +"Oh! But if I'm to keep it up?" + +"Who said you were to keep it up?" + +"You, darling." + +"I? I said it had nothing to do with you." + +"Just what I think, you know; so that's all right." + +She was too sharp for him; fine, as Annette sometimes called her. +Nothing for it but to distract her attention. + +"There's a bit of rosaline point in here," he said, stopping before a +shop, "that I thought you might like." + +When he had paid for it and they had resumed their progress, Fleur +said: + +"Don't you think that boy's mother is the most beautiful woman of her +age you've ever seen?" + +Soames shivered. Uncanny, the way she stuck to it! + +"I don't know that I noticed her." + +"Dear, I saw the corner of your eye." + +"You see everything--and a great deal more, it seems to me!" + +"What's her husband like? He must be your first cousin, if your +fathers were brothers." + +"Dead, for all I know," said Soames, with sudden vehemence. "I +haven't seen him for twenty years." + +"What was he?" + +"A painter." + +"That's quite jolly." + +The words: "If you want to please me you'll put those people out of +your head," sprang to Soames' lips, but he choked them back--he must +not let her see his feelings. + +"He once insulted me," he said. + +Her quick eyes rested on his face. + +"I see! You didn't avenge it, and it rankles. Poor Father! You let +me have a go!" + +It was really like lying in the dark with a mosquito hovering above +his face. Such pertinacity in Fleur was new to him, and, as they +reached the hotel, he said grimly: + +"I did my best. And that's enough about these people. I'm going up +till dinner." + +"I shall sit here." + +With a parting look at her extended in a chair--a look half- +resentful, half-adoring--Soames moved into the lift and was +transported to their suite on the fourth floor. He stood by the +window of the sitting-room which gave view over Hyde Park, and +drummed a finger on its pane. His feelings were confused, tetchy, +troubled. The throb of that old wound, scarred over by Time and new +interests, was mingled with displeasure and anxiety, and a slight +pain in his chest where that nougat stuff had disagreed. Had Annette +come in? Not that she was any good to him in such a difficulty. +Whenever she had questioned him about his first marriage, he had +always shut her up; she knew nothing of it, save that it had been the +great passion of his life, and his marriage with herself but domestic +makeshift. She had always kept the grudge of that up her sleeve, as +it were, and used it commercially. He listened. A sound--the vague +murmur of a woman's movements--was coming through the door. She was +in. He tapped. + +"Who?" + +"I," said Soames. + +She had been changing her frock, and was still imperfectly clothed; a +striking figure before her glass. There was a certain magnificence +about her arms, shoulders, hair, which had darkened since he first +knew her, about the turn of her neck, the silkiness of her garments, +her dark-lashed, greyblue eyes--she was certainly as handsome at +forty as she had ever been. A fine possession, an excellent +housekeeper, a sensible and affectionate enough mother. If only she +weren't always so frankly cynical about the relations between them! +Soames, who had no more real affection for her than she had for him, +suffered from a kind of English grievance in that she had never +dropped even the thinnest veil of sentiment over their partnership. +Like most of his countrymen and women, he held the view that marriage +should be based on mutual love, but that when from a marriage love +had disappeared, or, been found never to have really existed--so that +it was manifestly not based on love--you must not admit it. There it +was, and the love was not--but there you were, and must continue to +be! Thus you had it both ways, and were not tarred with cynicism, +realism, and immorality like the French. Moreover, it was necessary +in the interests of property. He knew that she knew that they both +knew there was no love between them, but he still expected her not to +admit in words or conduct such a thing, and he could never understand +what she meant when she talked of the hypocrisy of the English. He +said: + +"Whom have you got at 'The Shelter' next week?" + +Annette went on touching her lips delicately with salve--he always +wished she wouldn't do that. + +"Your sister Winifred, and the Car-r-digans"--she took up a tiny +stick of black--"and Prosper Profond." + +"That Belgian chap? Why him?" + +Annette turned her neck lazily, touched one eyelash, and said: + +"He amuses Winifred." + +"I want some one to amuse Fleur; she's restive." + +"R-restive?" repeated Annette. "Is it the first time you see that, +my friend? She was born r-restive, as you call it." + +Would she never get that affected roll out of her r's? + +He touched the dress she had taken off, and asked: + +"What have you been doing?" + +Annette looked at him, reflected in her glass. Her just-brightened +lips smiled, rather full, rather ironical. + +"Enjoying myself," she said. + +"Oh!" answered Soames glumly. "Ribbandry, I suppose." + +It was his word for all that incomprehensible running in and out of +shops that women went in for. "Has Fleur got her summer dresses?" + +"You don't ask if I have mine." + +"You don't care whether I do or not." + +"Quite right. Well, she has; and I have mine--terribly expensive." + +"H'm!" said Soames. "What does that chap Profond do in England?" + +Annette raised the eyebrows she had just finished. + +"He yachts." + +"Ah!" said Soames; "he's a sleepy chap." + +"Sometimes," answered Annette, and her face had a sort of quiet +enjoyment. "But sometimes very amusing." + +"He's got a touch of the tar-brush about him." + +Annette stretched herself. + +"Tar-brush?" she said. "What is that? His mother was Armenienne." + +"That's it, then," muttered Soames. "Does he know anything about +pictures?" + +"He knows about everything--a man of the world." + +"Well, get some one for Fleur. I want to distract her. She's going +off on Saturday to Val Dartie and his wife; I don't like it." + +"Why not?" + +Since the reason could not be explained without going into family +history, Soames merely answered: + +"Racketing about. There's too much of it." + +"I like that little Mrs. Val; she is very quiet and clever." + +"I know nothing of her except--This thing's new." And Soames took +up a creation from the bed. + +Annette received it from him. + +"Would you hook me?" she said. + +Soames hooked. Glancing once over her shoulder into the glass, he +saw the expression on her face, faintly amused, faintly contemptuous, +as much as to say: "Thanks! You will never learn!" No, thank God, +he wasn't a Frenchman! He finished with a jerk, and the words: "It's +too low here." And he went to the door, with the wish to get away +from her and go down to Fleur again. + +Annette stayed a powder-puff, and said with startling suddenness + +"Que to es grossier!" + +He knew the expression--he had reason to. The first time she had +used it he had thought it meant "What a grocer you are!" and had not +known whether to be relieved or not when better informed. He +resented the word--he was not coarse! If he was coarse, what was +that chap in the room beyond his, who made those horrible noises in +the morning when he cleared his throat, or those people in the Lounge +who thought it well-bred to say nothing but what the whole world +could hear at the top of their voices--quacking inanity! Coarse, +because he had said her dress was low! Well, so it was! He went out +without reply. + +Coming into the Lounge from the far end, he at once saw Fleur where +he had left her. She sat with crossed knees, slowly balancing a foot +in silk stocking and grey shoe, sure sign that she was dreaming. Her +eyes showed it too--they went off like that sometimes. And then, in +a moment, she would come to life, and be as quick and restless as a +monkey. And she knew so much, so self-assured, and not yet nineteen. +What was that odious word? Flapper! Dreadful young creatures-- +squealing and squawking and showing their legs! The worst of them +bad dreams, the best of them powdered angels! Fleur was not a +flapper, not one of those slangy, ill-bred young females. And yet +she was frighteningly self-willed, and full of life, and determined +to enjoy it. Enjoy! The word brought no puritan terror to Soames; +but it brought the terror suited to his temperament. He had always +been afraid to enjoy to-day for fear he might not enjoy tomorrow so +much. And it was terrifying to feel that his daughter was divested +of that safeguard. The very way she sat in that chair showed it-- +lost in her dream. He had never been lost in a dream himself--there +was nothing to be had out of it; and where she got it from he did not +know! Certainly not from Annette! And yet Annette, as a young girl, +when he was hanging about her, had once had a flowery look. Well, +she had lost it now! + +Fleur rose from her chair-swiftly, restlessly; and flung herself down +at a writing-table. Seizing ink and writing paper, she began to +write as if she had not time to breathe before she got her letter +written. And suddenly she saw him. The air of desperate absorption +vanished, she smiled, waved a kiss, made a pretty face as if she were +a little puzzled and a little bored. + +Ah! She was "fine"--"fine!" + + + + +III + +AT ROBIN HILL + + +Jolyon Forsyte had spent his boy's nineteenth birthday at Robin Hill, +quietly going into his affairs. He did everything quietly now, +because his heart was in a poor way, and, like all his family, he +disliked the idea of dying. He had never realised how much till one +day, two years ago, he had gone to his doctor about certain symptoms, +and been told: + +"At any moment, on any overstrain." + +He had taken it with a smile--the natural Forsyte reaction against an +unpleasant truth. But with an increase of symptoms in the train on +the way home, he had realised to the full the sentence hanging over +him. To leave Irene, his boy, his home, his work--though he did +little enough work now! To leave them for unknown darkness, for the +unimaginable state, for such nothingness that he would not even be +conscious of wind stirring leaves above his grave, nor of the scent +of earth and grass. Of such nothingness that, however hard he might +try to conceive it, he never could, and must still hover on the hope +that he might see again those he loved! To realise this was to +endure very poignant spiritual anguish. Before he reached home that +day he had determined to keep it from Irene. He would have to be +more careful than man had ever been, for the least thing would give +it away and make her as wretched as himself, almost. His doctor had +passed him sound in other respects, and seventy was nothing of an +age--he would last a long time yet, if he could. + +Such a conclusion, followed out for nearly two years, develops to the +full the subtler side of character. Naturally not abrupt, except +when nervously excited, Jolyon had become control incarnate. The sad +patience of old people who cannot exert themselves was masked by a +smile which his lips preserved even in private. He devised +continually all manner of cover to conceal his enforced lack of +exertion. + +Mocking himself for so doing, he counterfeited conversion to the +Simple Life; gave up wine and cigars, drank a special kind of coffee +with no coffee in it. In short, he made himself as safe as a Forsyte +in his condition could, under the rose of his mild irony. Secure +from discovery, since his wife and son had gone up to Town, he had +spent the fine May day quietly arranging his papers, that he might +die to-morrow without inconveniencing any one, giving in fact a final +polish to his terrestrial state. Having docketed and enclosed it in +his father's old Chinese cabinet, he put the key into an envelope, +wrote the words outside: "Key of the Chinese cabinet, wherein will be +found the exact state of me, J. F.," and put it in his breast- +pocket, where it would be always about him, in case of accident. +Then, ringing for tea, he went out to have it under the old oak-tree. + +All are under sentence of death; Jolyon, whose sentence was but a +little more precise and pressing, had become so used to it that he +thought habitually, like other people, of other things. He thought +of his son now. + +Jon was nineteen that day, and Jon had come of late to a decision. +Educated neither at Eton like his father, nor at Harrow, like his +dead half-brother, but at one of those establishments which, designed +to avoid the evil and contain the good of the Public School system, +may or may not contain the evil and avoid the good, Jon had left in +April perfectly ignorant of whit he wanted to become. The War, which +had promised to go on for ever, had ended just as he was about to +join the Army, six months before his time. It had taken him ever +since to get used to the idea that he could now choose for himself. +He had held with his father several discussions, from which, under a +cheery show of being ready for anything--except, of course, the +Church, Army, Law, Stage, Stock Exchange, Medicine, Business, and +Engineering--Jolyon had gathered rather clearly that Jon wanted to go +in for nothing. He himself had felt exactly like that at the same +age. With him that pleasant vacuity had soon been ended by an early +marriage, and its unhappy consequences. Forced to become an +underwriter at Lloyd's, he had regained prosperity before his +artistic talent had outcropped. But having--as the simple say-- +"learned" his boy to draw pigs and other animals, he knew that Jon +would never be a painter, and inclined to the conclusion that his +aversion from everything else meant that he was going to be a writer. +Holding, however, the view that experience was necessary even for +that profession, there seemed to Jolyon nothing in the meantime, for +Jon, but University, travel, and perhaps the eating of dinners for +the Bar. After that one would see, or more probably one would not. +In face of these proffered allurements, however, Jon had remained +undecided. + +Such discussions with his son had confirmed in Jolyon a doubt whether +the world had really changed. People said that it was a new age. +With the profundity of one not too long for any age, Jolyon perceived +that under slightly different surfaces the era was precisely what it +had been. Mankind was still divided into two species: The few who +had "speculation" in their souls, and the many who had none, with a +belt of hybrids like himself in the middle. Jon appeared to have +speculation; it seemed to his father a bad lookout. + +With something deeper, therefore, than his usual smile, he had heard +the boy say, a fortnight ago: "I should like to try farming, Dad; if +it won't cost you too much. It seems to be about the only sort of +life that doesn't hurt anybody; except art, and of course that's out +of the question for me." + +Jolyon subdued his smile, and answered: + +"All right; you shall skip back to where we were under the first +Jolyon in 1760. It'll prove the cycle theory, and incidentally, no +doubt, you may grow a better turnip than he did." + +A little dashed, Jon had answered: + +"But don't you think it's a good scheme, Dad?" + +"'Twill serve, my dear; and if you should really take to it, you'll +do more good than most men, which is little enough." + +To himself, however, he had said: 'But he won't take to it. I give +him four years. Still, it's healthy, and harmless.' + +After turning the matter over and consulting with Irene, he wrote to +his daughter, Mrs. Val Dartie, asking if they knew of a farmer near +them on the Downs who would take Jon as an apprentice. Holly's +answer had been enthusiastic. There was an excellent man quite +close; she and Val would love Jon to live with them. + +The boy was due to go to-morrow. + +Sipping weak tea with lemon in it, Jolyon gazed through the leaves of +the old oak-tree at that view which had appeared to him desirable for +thirty-two years. The tree beneath which he sat seemed not a day +older! So young, the little leaves of brownish gold; so old, the +whitey-grey-green of its thick rough trunk. A tree of memories, +which would live on hundreds of years yet, unless some barbarian cut +it down--would see old England out at the pace things were going! He +remembered a night three years before, when, looking from his window, +with his arm close round Irene, he had watched a German aeroplane +hovering, it seemed, right over the old tree. Next day they had +found a bomb hole in a field on Gage's farm. That was before he knew +that he was under sentence of death. He could almost have wished the +bomb had finished him. It would have saved a lot of hanging about, +many hours of cold fear in the pit of his stomach. He had counted on +living to the normal Forsyte age of eighty-five or more, when Irene +would be seventy. As it was, she would miss him. Still there was +Jon, more important in her life than himself; Jon, who adored his +mother. + +Under that tree, where old Jolyon--waiting for Irene to come to him +across the lawn--had breathed his last, Jolyon wondered, whimsically, +whether, having put everything in such perfect order, he had not +better close his own eyes and drift away. There was something +undignified in o parasitically clinging on to the effortless close of +a life wherein he regretted two things only--the long division +between his father and himself when he was young, and the lateness of +his union o with Irene. + +>From where he sat he could see a cluster of apple-trees in blossom. +Nothing in Nature moved him so much as fruit-trees in blossom; and +his heart ached suddenly because he might never see them flower +again. Spring! Decidedly no man ought to have to die while his +heart was still young enough to love beauty! Blackbirds sang +recklessly in the shrubbery, swallows were flying high, the leaves +above him glistened; and over the fields was every imaginable tint of +early foliage, burnished by the level sunlight, away to where the +distant "smoke-bush" blue was trailed along the horizon. Irene's +flowers in their narrow beds had startling individuality that +evening, little deep assertions of gay life. Only Chinese and +Japanese painters, and perhaps Leonardo, had known how to get that +startling little ego into each painted flower, and bird, and beast-- +the ego, yet the sense of species, the universality of life as well. +They were the fellows! 'I've made nothing that will live!' thought +Jolyon; 'I've been an amateur--a mere lover, not a creator. Still, I +shall leave Jon behind me when I go.' What luck that the boy had +not been caught by that ghastly war! He might so easily have been +killed, like poor Jolly twenty years ago out in the Transvaal. Jon +would do something some day--if the Age didn't spoil him--an +imaginative chap! His whim to take up farming was but a bit of +sentiment, and about as likely to last. And just then he saw them +coming up the field: Irene and the boy; walking from the station, +with their arms linked. And getting up, he strolled down through the +new rose garden to meet them.... + +Irene came into his room that night and sat down by the window. She +sat there without speaking till he said: + +"What is it, my love?" + +"We had an encounter to-day." + +"With whom?" + +"Soames." + +Soames! He had kept that name out of his thoughts these last two +years; conscious that it was bad for him. And, now, his heart moved +in a disconcerting manner, as if it had side-slipped within his +chest. + +Irene went on quietly: + +"He and his daughter were in the Gallery, and afterward at the +confectioner's where we had tea." + +Jolyon went over and put his hand on her shoulder. + +"How did he look?" + +"Grey; but otherwise much the same." + +"And the daughter?" + +"Pretty. At least, Jon thought so." + +Jolyon's heart side-slipped again. His wife's face had a strained +and puzzled look. + + +"You didn't-?" he began. + +"No; but Jon knows their name. The girl dropped her handkerchief and +he picked it up." + +Jolyon sat down on his bed. An evil chance! + +"June was with you. Did she put her foot into it?" + +"No; but it was all very queer and strained, and Jon could see it +was." + +Jolyon drew a long breath, and said: + +"I've often wondered whether we've been right to keep it from him. +He'll find out some day." + +"The later the better, Jolyon; the young have such cheap, hard +judgment. When you were nineteen what would you have thought of your +mother if she had done what I have?" + +Yes! There it was! Jon worshipped his mother; and knew nothing of +the tragedies, the inexorable necessities of life, nothing of the +prisoned grief in an unhappy marriage, nothing of jealousy or +passion--knew nothing at all, as yet! + +"What have you told him?" he said at last. + +"That they were relations, but we didn't know them; that you had +never cared much for your family, or they for you. I expect he will +be asking you." + +Jolyon smiled. "This promises to take the place of air-raids," he +said. "After all, one misses them." + +Irene looked up at him. + +"We've known it would come some day." + +He answered her with sudden energy: + +"I could never stand seeing Jon blame you. He shan't do that, even +in thought. He has imagination; and he'll understand if it's put to +him properly. I think I had better tell him before he gets to know +otherwise." + +"Not yet, Jolyon." + +That was like her--she had no foresight, and never went to meet +trouble. Still--who knew?--she might be right. It was ill going +against a mother's instinct. It might be well to let the boy go on, +if possible, till experience had given him some touchstone by which +he could judge the values of that old tragedy; till love, jealousy, +longing, had deepened his charity. All the same, one must take +precautions--every precaution possible! And, long after Irene had +left him, he lay awake turning over those precautions. He must write +to Holly, telling her that Jon knew nothing as yet of family history. +Holly was discreet, she would make sure of her husband, she would see +to it! Jon could take the letter with him when he went to-morrow. + +And so the day on which he had put the polish on his material estate +died out with the chiming of the stable clock; and another began for +Jolyon in the shadow of a spiritual disorder which could not be so +rounded off and polished.... + +But Jon, whose room had once been his day nursery, lay awake too, the +prey of a sensation disputed by those who have never known it, "love +at first sight!" He had felt it beginning in him with the glint of +those dark eyes gazing into his athwart the Juno--a conviction that +this was his 'dream'; so that what followed had seemed to him at once +natural and miraculous. Fleur! Her name alone was almost enough for +one who was terribly susceptible to the charm of words. In a +homoeopathic Age, when boys and girls were co-educated, and mixed up +in early life till sex was almost abolished, Jon was singularly old- +fashioned. His modern school took boys only, and his holidays had +been spent at Robin Hill with boy friends, or his parents alone. He +had never, therefore, been inoculated against the germs of love by +small doses of the poison. And now in the dark his temperature was +mounting fast. He lay awake, featuring Fleur--as they called it-- +recalling her words, especially that "Au revoir!" so soft and +sprightly. + +He was still so wide awake at dawn that he got up, slipped on tennis +shoes, trousers, and a sweater, and in silence crept downstairs and +out through the study window. It was just light; there was a smell +of grass. 'Fleur!' he thought; 'Fleur!' It was mysteriously white +out of doors, with nothing awake except the birds just beginning to +chirp. 'I'll go down into the coppice,' he thought. He ran down +through the fields, reached the pond just as the sun rose, and passed +into the coppice. Bluebells carpeted the ground there; among the +larch-trees there was mystery--the air, as it were, composed of that +romantic quality. Jon sniffed its freshness, and stared at the +bluebells in the sharpening light. Fleur! It rhymed with her! And +she lived at Mapleduram--a jolly name, too, on the river somewhere. +He could find it in the atlas presently. He would write to her. But +would she answer? Oh! She must. She had said "Au revoir!" Not +good-bye! What luck that she had dropped her handkerchief! He would +never have known her but for that. And the more he thought of that +handkerchief, the more amazing his luck seemed. Fleur! It certainly +rhymed with her! Rhythm thronged his head; words jostled to be +joined together; he was on the verge of a poem. + +Jon remained in this condition for more than half an hour, then +returned to the house, and getting a ladder, climbed in at his +bedroom window out of sheer exhilaration. Then, remembering that the +study window was open, he went down and shut it, first removing the +ladder, so as to obliterate all traces of his feeling. The thing was +too deep to be revealed to mortal soul-even-to his mother. + + + + +IV + +THE MAUSOLEUM + + +There are houses whose souls have passed into the limbo of Time, +leaving their bodies in the limbo of London. Such was not quite the +condition of "Timothy's" on the Bayswater Road, for Timothy's soul +still had one foot in Timothy Forsyte's body, and Smither kept the +atmosphere unchanging, of camphor and port wine and house whose +windows are only opened to air it twice a day. + +To Forsyte imagination that house was now a sort of Chinese pill-box, +a series of layers in the last of which was Timothy. One did not +reach him, or so it was reported by members of the family who, out of +old-time habit or absentmindedness, would drive up once in a blue +moon and ask after their surviving uncle. Such were Francie, now +quite emancipated from God (she frankly avowed atheism), Euphemia, +emancipated from old Nicholas, and Winifred Dartie from her "man of +the world." But, after all, everybody was emancipated now, or said +they were--perhaps not quite the same thing! + +When Soames, therefore, took it on his way to Paddington station on +the morning after that encounter, it was hardly with the expectation +of seeing Timothy in the flesh. His heart made a faint demonstration +within him while he stood in full south sunlight on the newly +whitened doorstep of that little house where four Forsytes had once +lived, and now but one dwelt on like a winter fly; the house into +which Soames had come and out of which he had gone times without +number, divested of, or burdened with, fardels of family gossip; the +house of the "old people" of another century, another age. + +The sight of Smither--still corseted up to the armpits because the +new fashion which came in as they were going out about 1903 had never +been considered "nice" by Aunts Juley and Hester--brought a pale +friendliness to Soames' lips; Smither, still faithfully arranged to +old pattern in every detail, an invaluable servant--none such left-- +smiling back at him, with the words: "Why! it's Mr. Soames, after all +this time! And how are you, sir? Mr. Timothy will be so pleased to +know you've been." + +"How is he?" + +"Oh! he keeps fairly bobbish for his age, sir; but of course he's a +wonderful man. As I said to Mrs. Dartie when she was here last: It +would please Miss Forsyte and Mrs. Juley and Miss Hester to see how +he relishes a baked apple still. But he's quite deaf. And a mercy, +I always think. For what we should have done with him in the air- +raids, I don't know." + +"Ah!" said Soames. "What did you do with him?" + +"We just left him in his bed, and had the bell run down into the +cellar, so that Cook and I could hear him if he rang. It would never +have done to let him know there was a war on. As I said to Cook, 'If +Mr. Timothy rings, they may do what they like--I'm going up. My dear +mistresses would have a fit if they could see him ringing and nobody +going to him.' But he slept through them all beautiful. And the one +in the daytime he was having his bath. It was a mercy, because he +might have noticed the people in the street all looking up--he often +looks out of the window." + +"Quite!" murmured Soames. Smither was getting garrulous! "I just +want to look round and see if there's anything to be done." + +"Yes, sir. I don't think there's anything except a smell of mice in +the dining-room that we don't know how to get rid of. It's funny +they should be there, and not a crumb, since Mr. Timothy took to not +coming down, just before the War. But they're nasty little things; +you never know where they'll take you next." + +"Does he leave his bed?"-- + +"Oh! yes, sir; he takes nice exercise between his bed and the window +in the morning, not to risk a change of air. And he's quite +comfortable in himself; has his Will out every day regular. It's a +great consolation to him--that." + +"Well, Smither, I want to see him, if I can; in case he has anything +to say to me." + +Smither coloured up above her corsets. + +"It will be an occasion!" she said. "Shall I take you round the +house, sir, while I send Cook to break it to him?" + +"No, you go to him," said Soames. "I can go round the house by +myself." + +One could not confess to sentiment before another, and Soames felt +that he was going to be sentimental nosing round those rooms so +saturated with the past. When Smither, creaking with excitement, had +left him, Soames entered the dining-room and sniffed. In his opinion +it wasn't mice, but incipient wood-rot, and he examined the +panelling. Whether it was worth a coat of paint, at Timothy's age, +he was not sure. The room had always been the most modern in the +house; and only a faint smile curled Soames' lips and nostrils. +Walls of a rich green surmounted the oak dado; a heavy metal +chandelier hung by a chain from a ceiling divided by imitation beams. +The pictures had been bought by Timothy, a bargain, one day at +Jobson's sixty years ago--three Snyder "still lifes," two faintly +coloured drawings of a boy and a girl, rather charming, which bore +the initials "J. R."--Timothy had always believed they might turn out +to be Joshua Reynolds, but Soames, who admired them, had discovered +that they were only John Robinson; and a doubtful Morland of a white +pony being shod. Deep-red plush curtains, ten high-backed dark +mahogany chairs with deep-red plush seats, a Turkey carpet, and a +mahogany dining-table as large as the room was small, such was an +apartment which Soames could remember unchanged in soul or body since +he was four years old. He looked especially at the two drawings, and +thought: 'I shall buy those at the sale.' + +>From the dining-room he passed into Timothy's study. He did not +remember ever having been in that room. It was lined from floor to +ceiling with volumes, and he looked at them with curiosity. One wall +seemed devoted to educational books, which Timothy's firm had +published two generations back-sometimes as many as twenty copies of +one book. Soames read their titles and shuddered. The middle wall +had precisely the same books as used to be in the library at his own +father's in Park Lane, from which he deduced the fancy that James and +his youngest brother had gone out together one day and bought a brace +of small libraries. The third wall he approached with more +excitement. Here, surely, Timothy's own taste would be found. It +was. The books were dummies. The fourth wall was all heavily +curtained window. And turned toward it was a large chair with a +mahogany reading-stand attached, on which a yellowish and folded copy +of The Times, dated July 6, 1914, the day Timothy first failed to +come down, as if in preparation for the War, seemed waiting for him +still. In a corner stood a large globe of that world never visited +by Timothy, deeply convinced of the unreality of everything but +England, and permanently upset by the sea, on which he had been very +sick one Sunday afternoon in 1836, out of a pleasure boat off the +pier at Brighton, with Juley and Hester, Swithin and Hatty Chessman; +all due to Swithin, who was always taking things into his head, and +who, thank goodness, had been sick too. Soames knew all about it, +having heard the tale fifty times at least from one or other of them. +He went up to the globe, and gave it a spin; it emitted a faint creak +and moved about an inch, bringing into his purview a daddy-long-legs +which had died on it in latitude 44. + +'Mausoleum!' he thought. 'George was right!' And he went out and up +the stairs. On the half-landing he stopped before the case of +stuffed humming-birds which had delighted his childhood. They looked +not a day older, suspended on wires above pampas-grass. If the case +were opened the birds would not begin to hum, but the whole thing +would crumble, he suspected. It wouldn't be worth putting that into +the sale! And suddenly he was caught by a memory of Aunt Ann--dear +old Aunt Ann--holding him by the hand in front of that case and +saying: "Look, Soamey! Aren't they bright and pretty, dear little +humming-birds!" Soames remembered his own answer: "They don't hum, +Auntie." He must have been six, in a black velveteen suit with a +light-blue collar-he remembered that suit well! Aunt Ann with her +ringlets, and her spidery kind hands, and her grave old aquiline +smile--a fine old lady, Aunt Ann! He moved on up to the drawing-room +door. There on each side of it were the groups of miniatures. Those +he would certainly buy in! The miniatures of his four aunts, one of +his Uncle Swithin adolescent, and one of his Uncle Nicholas as a boy. +They had all been painted by a young lady friend of the family at a +time, 1830, about, when miniatures were considered very genteel, and +lasting too, painted as they were on ivory. Many a time had he heard +the tale of that young lady: "Very talented, my dear; she had quite a +weakness for Swithin, and very soon after she went into a consumption +and died: so like Keats--we often spoke of it." + +Well, there they were! Ann, Juley, Hester, Susan--quite a small +child; Swithin, with sky-blue eyes, pink cheeks, yellow curls, white +waistcoat-large as life; and Nicholas, like Cupid with an eye on +heaven. Now he came to think of it, Uncle Nick had always been +rather like that--a wonderful man to the last. Yes, she must have +had talent, and miniatures always had a certain back-watered cachet +of their own, little subject to the currents of competition on +aesthetic Change. Soames opened the drawing-room door. The room was +dusted, the furniture uncovered, the curtains drawn back, precisely +as if his aunts still dwelt there patiently waiting. And a thought +came to him: When Timothy died--why not? Would it not be almost a +duty to preserve this house--like Carlyle's--and put up a tablet, and +show it? "Specimen of mid-Victorian abode--entrance, one shilling, +with catalogue." After all, it was the completest thing, and perhaps +the deadest in the London of to-day. Perfect in its special taste +and culture, if, that is, he took down and carried over to his own +collection the four Barbizon pictures he had given them. The still +sky-blue walls, tile green curtains patterned with red flowers and +ferns; the crewel-worked fire-screen before the cast-iron grate; the +mahogany cupboard with glass windows, full of little knickknacks; the +beaded footstools; Keats, Shelley, Southey, Cowper, Coleridge, +Byron's Corsair (but nothing else), and the Victorian poets in a +bookshelf row; the marqueterie cabinet lined with dim red plush, full +of family relics: Hester's first fan; the buckles of their mother's +father's shoes; three bottled scorpions; and one very yellow +elephant's tusk, sent home from India by Great-uncle Edgar Forsyte, +who had been in jute; a yellow bit of paper propped up, with spidery +writing on it, recording God knew what! And the pictures crowding on +the walls--all water-colours save those four Barbizons looking like +tile foreigners they were, and doubtful customers at that--pictures +bright and illustrative, "Telling the Bees," "Hey for the Ferry!" and +two in the style of Frith, all thimblerig and crinolines, given them +by Swithin. Oh! many, many pictures at which Soames had gazed a +thousand times in supercilious fascination; a marvellous collection +of bright, smooth gilt frames. + +And the boudoir-grand piano, beautifully dusted, hermetically sealed +as ever; and Aunt Juley's album of pressed seaweed on it. And the +gilt-legged chairs, stronger than they looked. And on one side of +the fireplace the sofa of crimson silk, where Aunt Ann, and after her +Aunt Juley, had been wont to sit, facing the light and bolt upright. +And on the other side of the fire the one really easy chair, back to +the light, for Aunt Hester. Soames screwed up his eyes; he seemed to +see them sitting there. Ah! and the atmosphere--even now, of too +many stuffs and washed lace curtains, lavender in bags, and dried +bees' wings. 'No,' he thought, 'there's nothing like it left; it +ought to be preserved.' And, by George, they might laugh at it, but +for a standard of gentle life never departed from, for fastidiousness +of skin and eye and nose and feeling, it beat to-day hollow--to-day +with its Tubes and cars, its perpetual smoking, its cross-legged, +bare-necked girls visible up to the knees and down to the waist if +you took the trouble (agreeable to the satyr within each Forsyte but +hardly his idea of a lady), with their feet, too, screwed round the +legs of their chairs while they ate, and their "So longs," and their +"Old Beans," and their laughter--girls who gave him the shudders +whenever he thought of Fleur in contact with them; and the hard-eyed, +capable, older women who managed life and gave him the shudders too. +No! his old aunts, if they never opened their minds, their eyes, or +very much their windows, at least had manners, and a standard, and +reverence for past and future. + +With rather a choky feeling he closed the door and went tiptoeing up- +stairs. He looked in at a place on the way: H'm! in perfect order of +the eighties, with a sort of yellow oilskin paper on the walls. At +the top of the stairs he hesitated between four doors. Which of them +was Timothy's? And he listened. A sound, as of a child slowly +dragging a hobby-horse about, came to his ears. That must be +Timothy! He tapped, and a door was opened by Smither, very red in +the face. + +Mr. Timothy was taking his walk, and she had not been able to get him +to attend. If Mr. Soames would come into the back-room, he could see +him through the door. + +Soames went into the back-room and stood watching. + +The last of the old Forsytes was on his feet, moving with the most +impressive slowness, and an air of perfect concentration on his own +affairs, backward and forward between the foot of his bed and the +window, a distance of some twelve feet. The lower part of his square +face, no longer clean-shaven, was covered with snowy beard clipped as +short as it could be, and his chin looked as broad as his brow where +the hair was also quite white, while nose and cheeks and brow were a +good yellow. One hand held a stout stick, and the other grasped the +skirt of his Jaeger dressing-gown, from under which could be seen his +bed-socked ankles and feet thrust into Jaeger slippers. The +expression on his face was that of a crossed child, intent on +something that he has not got. Each time he turned he stumped the +stick, and then dragged it, as if to show that he could do without +it: + +"He still looks strong," said Soames under his breath. + +"Oh! yes, sir. You should see him take his bath--it's wonderful; he +does enjoy it so." + +Those quite loud words gave Soames an insight. Timothy had resumed +his babyhood. + +"Does he take any interest in things generally?" he said, also loud. + +"Oh I yes, sir; his food and his Will. It's quite a sight to see him +turn it over and over, not to read it, of course; and every now and +then he asks the price of Consols, and I write it on a slate for him- +very large. Of course, I always write the same, what they were when +he last took notice, in 1914. We got the doctor to forbid him to +read the paper when the War broke out. Oh! he did take on about that +at first. But he soon came round, because he knew it tired him; and +he's a wonder to conserve energy as he used to call it when my dear +mistresses were alive, bless their hearts! How he did go on at them +about that; they were always so active, if you remember, Mr. Soames." + +"What would happen if I were to go in?" asked Soames: "Would he +remember me? I made his Will, you know, after Miss Hester died in +1907." + +"Oh! that, sir," replied Smither doubtfully, "I couldn't take on me +to say. I think he might; he really is a wonderful man for his age." + +Soames moved into the doorway, and waiting for Timothy to turn, said +in a loud voice: "Uncle Timothy!" + +Timothy trailed back half-way, and halted. + +"Eh?" he said. + +"Soames," cried Soames at the top of his voice, holding out his hand, +"Soames Forsyte!" + +"No!" said Timothy, and stumping his stick loudly on the floor, he +continued his walk. + +"It doesn't seem to work," said Soames. + +"No, sir," replied Smither, rather crestfallen; "you see, he hasn't +finished his walk. It always was one thing at a time with him. I +expect he'll ask me this afternoon if you came about the gas, and a +pretty job I shall have to make him understand." + +"Do you think he ought to have a man about him?" + +Smither held up her hands. "A man! Oh! no. Cook and me can manage +perfectly. A strange man about would send him crazy in no time. And +my mistresses wouldn't like the idea of a man in the house. Besides, +we're so--proud of him." + +"I suppose the doctor comes?" + +"Every morning. He makes special terms for such a quantity, and Mr. +Timothy's so used, he doesn't take a bit of notice, except to put out +his tongue." + +"Well," said Soames, turning away, "it's rather sad and painful to +me." + +"Oh! sir," returned Smither anxiously, "you mustn't think that. Now +that he can't worry about things, he quite enjoys his life, really he +does. As I say to Cook, Mr. Timothy is more of a man than he ever +was. You see, when he's not walkin', or takin' his bath, he's +eatin', and when he's not eatin', he's sleepin'; and there it is. +There isn't an ache or a care about him anywhere." + +"Well," said Soames, "there's something in that. I'll go down. By +the way, let me see his Will." + +"I should have to take my time about that, sir; he keeps it under his +pillow, and he'd see me, while he's active." + +"I only want to know if it's the one I made," said Soames; "you take +a look at its date some time, and let me know." + +"Yes, sir; but I'm sure it's the same, because me and Cook witnessed, +you remember, and there's our names on it still, and we've only done +it once." + +"Quite," said Soames. He did remember. Smither and Jane had been +proper witnesses, having been left nothing in the Will that they +might have no interest in Timothy's death. It had been--he fully +admitted--an almost improper precaution, but Timothy had wished it, +and, after all, Aunt Hester had provided for them amply. + +"Very well," he said; "good-bye, Smither. Look after him, and if he +should say anything at any time, put it down, and let me know." + +"Oh I yes, Mr. Soames; I'll be sure to do that. It's been such a +pleasant change to see you. Cook will be quite excited when I tell +her." + +Soames shook her hand and went down-stairs. He stood for fully two +minutes by the hat-stand whereon he had hung his hat so many times. +'So it all passes,' he was thinking; 'passes and begins again. Poor +old chap!' And he listened, if perchance the sound of Timothy +trailing his hobby-horse might come down the well of the stairs; or +some ghost of an old face show over the bannisters, and an old voice +say: 'Why, it's dear Soames, and we were only saying that we hadn't +seen him for a week!' + +Nothing--nothing! Just the scent of camphor, and dust-motes in a +sunbeam through the fanlight over the door. The little old house! A +mausoleum! And, turning on his heel, he went out, and caught his +train. + + + + +V + +THE NATIVE HEATH + + + "His foot's upon his native heath, + His name's--Val Dartie." + +With some such feeling did Val Dartie, in the fortieth year of his +age, set out that same Thursday morning very early from the old +manor-house he had taken on the north side of the Sussex Downs. His +destination was Newmarket, and he had not been there since the autumn +of 1899, when he stole over from Oxford for the Cambridgeshire. He +paused at the door to give his wife a kiss, and put a flask of port +into his pocket. + +"Don't overtire your leg, Val, and don't bet too much." + +With the pressure of her chest against his own, and her eyes looking +into his, Val felt both leg and pocket safe. He should be moderate; +Holly was always right--she had a natural aptitude. It did not seem +so remarkable to him, perhaps, as it might to others, that--half +Dartie as he was--he should have been perfectly faithful to his young +first cousin during the twenty years since he married her +romantically out in the Boer War; and faithful without any feeling of +sacrifice or boredom--she was so quick, so slyly always a little in +front of his mood. Being first cousins they had decided, rather +needlessly, to have no children; and, though a little sallower, she +had kept her looks, her slimness, and the colour of her dark hair. +Val particularly admired the life of her own she carried on, besides +carrying on his, and riding better every year. She kept up her +music, she read an awful lot--novels, poetry, all sorts of stuff. +Out on their farm in Cape colony she had looked after all the +"nigger" babies and women in a miraculous manner. She was, in fact, +clever; yet made no fuss about it, and had no "side." Though not +remarkable for humility, Val had come to have the feeling that she +was his superior, and he did not grudge it--a great tribute. It +might be noted that he never looked at Holly without her knowing of +it, but that she looked at him sometimes unawares. + +He had kissed her in the porch because he should not be doing so on +the platform, though she was going to the station with him, to drive +the car back. Tanned and wrinkled by Colonial weather and the wiles +inseparable from horses, and handicapped by the leg which, weakened +in the Boer War, had probably saved his life in the War just past, +Val was still much as he had been in the days of his courtship; his +smile as wide and charming, his eyelashes, if anything, thicker and +darker, his eyes screwed up under them, as bright a grey, his +freckles rather deeper, his hair a little grizzled at the sides. He +gave the impression of one who has lived actively with horses in a +sunny climate. + +Twisting the car sharp round at the gate, he said: + +"When is young Jon coming?" + +"To-day." + +"Is there anything you want for him? I could bring it down on +Saturday." + +"No; but you might come by the same train as Fleur--one-forty." + +Val gave the Ford full rein; he still drove like a man in a new +country on bad roads, who refuses to compromise, and expects heaven +at every hole. + +"That's a young woman who knows her way about," he said. "I say, has +it struck you?" + +"Yes," said Holly. + +"Uncle Soames and your Dad--bit awkward, isn't it?" + +"She won't know, and he won't know, and nothing must be said, of +course. It's only for five days, Val." + +"Stable secret! Righto!" If Holly thought it safe, it was. +Glancing slyly round at him, she said: "Did you notice how +beautifully she asked herself?" + +"No!" + +"Well, she did. What do you think of her, Val?" + +"Pretty and clever; but she might run out at any corner if she got +her monkey up, I should say." + +"I'm wondering," Holly murmured, "whether she is the modern young +woman. One feels at sea coming home into all this." + +"You? You get the hang of things so quick." + +Holly slid her hand into his coat-pocket. + +"You keep one in the know," said Val encouraged. "What do you think +of that Belgian fellow, Profond?" + +"I think he's rather 'a good devil.'" + +Val grinned. + +"He seems to me a queer fish for a friend of our family. In fact, +our family is in pretty queer waters, with Uncle Soames marrying a +Frenchwoman, and your Dad marrying Soames's first. Our grandfathers +would have had fits!" + +"So would anybody's, my dear." + +"This car," Val said suddenly, "wants rousing; she doesn't get her +hind legs under her uphill. I shall have to give her her head on the +slope if I'm to catch that train." + +There was that about horses which had prevented him from ever really +sympathising with a car, and the running of the Ford under his +guidance compared with its running under that of Holly was always +noticeable. He caught the train. + +"Take care going home; she'll throw you down if she can. Good-bye, +darling." + +"Good-bye," called Holly, and kissed her hand. + +In the train, after quarter of an hour's indecision between thoughts +of Holly, his morning paper, the look of the bright day, and his dim +memory of Newmarket, Val plunged into the recesses of a small square +book, all names, pedigrees, tap-roots, and notes about the make and +shape of horses. The Forsyte in him was bent on the acquisition of a +certain strain of blood, and he was subduing resolutely as yet the +Dartie hankering for a Nutter. On getting back to England, after the +profitable sale of his South African farm and stud, and observing +that the sun seldom shone, Val had said to himself: "I've absolutely +got to have an interest in life, or this country will give me the +blues. Hunting's not enough, I'll breed and I'll train." With just +that extra pinch of shrewdness and decision imparted by long +residence in a new country, Val had seen the weak point of modern +breeding. They were all hypnotised by fashion and high price. He +should buy for looks, and let names go hang! And here he was +already, hypnotised by the prestige of a certain strain of blood! +Half-consciously, he thought: 'There's something in this damned +climate which makes one go round in a ring. All the same, I must +have a strain of Mayfly blood.' + +In this mood he reached the Mecca of his hopes. It was one of those +quiet meetings favourable to such as wish to look into horses, rather +than into the mouths of bookmakers; and Val clung to the paddock. +His twenty years of Colonial life, divesting him of the dandyism in +which he had been bred, had left him the essential neatness of the +horseman, and given him a queer and rather blighting eye over what he +called "the silly haw-haw" of some Englishmen, the "flapping +cockatoory" of some English-women--Holly had none of that and Holly +was his model. Observant, quick, resourceful, Val went straight to +the heart of a transaction, a horse, a drink; and he was on his way +to the heart of a Mayfly filly, when a slow voice said at his elbow: + +"Mr. Val Dartie? How's Mrs. Val Dartie? She's well, I hope." And +he saw beside him the Belgian he had met at his sister Imogen's. + +"Prosper Profond--I met you at lunch," said the voice. + +"How are you?" murmured Val. + +"I'm very well," replied Monsieur Profond, smiling with a certain +inimitable slowness. "A good devil," Holly had called him. Well! +He looked a little like a devil, with his dark, clipped, pointed +beard; a sleepy one though, and good-humoured, with fine eyes, +unexpectedly intelligent. + +"Here's a gentleman wants to know you--cousin of yours--Mr. George +Forsyde." + +Val saw a large form, and a face clean-shaven, bull-like, a little +lowering, with sardonic humour bubbling behind a full grey eye; he +remembered it dimly from old days when he would dine with his father +at the Iseeum Club. + +"I used to go racing with your father," George was saying: "How's the +stud? Like to buy one of my screws?" + +Val grinned, to hide the sudden feeling that the bottom had fallen +out of breeding. They believed in nothing over here, not even in +horses. George Forsyte, Prosper Profond! The devil himself was not +more disillusioned than those two. + +"Didn't know you were a racing man," he said to Monsieur Profond. + +"I'm not. I don't care for it. I'm a yachtin' man. I don't care +for yachtin' either, but I like to see my friends. I've got some +lunch, Mr. Val Dartie, just a small lunch, if you'd like to 'ave +some; not much--just a small one--in my car." + +"Thanks," said Val; "very good of you. I'll come along in about +quarter of an hour." + +"Over there. Mr. Forsyde's comin'," and Monsieur Profond "poinded" +with a yellow-gloved finger; "small car, with a small lunch"; he +moved on, groomed, sleepy, and remote, George Forsyte following, +neat, huge, and with his jesting air. + +Val remained gazing at the Mayfly filly. George Forsyte, of course, +was an old chap, but this Profond might be about his own age; Val +felt extremely young, as if the Mayfly filly were a toy at which +those two had laughed. The animal had lost reality. + +"That 'small' mare"--he seemed to hear the voice of Monsieur Profond- +-"what do you see in her?--we must all die!" + +And George Forsyte, crony of his father, racing still! The Mayfly +strain--was it any better than any other? He might just as well have +a flutter with his money instead. + +"No, by gum!" he muttered suddenly, "if it's no good breeding horses, +it's no good doing anything. What did I come for? I'll buy her." + +He stood back and watched the ebb of the paddock visitors toward the +stand. Natty old chips, shrewd portly fellows, Jews, trainers +looking as if they had never been guilty of seeing a horse in their +lives; tall, flapping, languid women, or brisk, loud-voiced women; +young men with an air as if trying to take it seriously--two or three +of them with only one arm. + +'Life over here's a game!' thought Val. 'Muffin bell rings, horses +run, money changes hands; ring again, run again, money changes back.' + +But, alarmed at his own philosophy, he went to the paddock gate to +watch the Mayfly filly canter down. She moved well; and he made his +way over to the "small" car. The "small" lunch was the sort a man +dreams of but seldom gets; and when it was concluded Monsieur Profond +walked back with him to the paddock. + +"Your wife's a nice woman," was his surprising remark. + +"Nicest woman I know," returned Val dryly. + +"Yes," said Monsieur Profond; "she has a nice face. I admire nice +women." + +Val looked at him suspiciously, but something kindly and direct in +the heavy diabolism of his companion disarmed him for the moment. + +"Any time you like to come on my yacht, I'll give her a small +cruise." + +"Thanks," said Val, in arms again, "she hates the sea." + +"So do I," said Monsieur Profond. + +"Then why do you yacht?" + +The Belgian's eyes smiled. "Oh! I don't know. I've done everything; +it's the last thing I'm doin'." + +"It must be d-d expensive. I should want more reason than that." + +Monsieur Prosper Profond raised his eyebrows, and puffed out a heavy +lower lip. + +"I'm an easy-goin' man," he said. + +"Were you in the War?" asked Val. + +"Ye-es. I've done that too. I was gassed; it was a small bit +unpleasant." He smiled with a deep and sleepy air of prosperity, as +if he had caught it from his name. + +Whether his saying "small" when he ought to have said "little" was +genuine mistake or affectation Val could not decide; the fellow was +evidently capable of anything. + +Among the ring of buyers round the Mayfly filly who had won her race, +Monsieur Profond said: + +"You goin' to bid?" + +Val nodded. With this sleepy Satan at his elbow, he felt in need of +faith. Though placed above the ultimate blows of Providence by the +forethought of a grand-father who had tied him up a thousand a year +to which was added the thousand a year tied up for Holly by her +grand-father, Val was not flush of capital that he could touch, +having spent most of what he had realised from his South African farm +on his establishment in Sussex. And very soon he was thinking: 'Dash +it! she's going beyond me!' His limit-six hundred-was exceeded; he +dropped out of the bidding. The Mayfly filly passed under the hammer +at seven hundred and fifty guineas. He was turning away vexed when +the slow voice of Monsieur Profond said in his ear: + +"Well, I've bought that small filly, but I don't want her; you take +her and give her to your wife." + +Val looked at the fellow with renewed suspicion, but the good humour +in his eyes was such that he really could not take offence. + +"I made a small lot of money in the War," began Monsieur Profond in +answer to that look. "I 'ad armament shares. I like to give it +away. I'm always makin' money. I want very small lot myself. I +like my friends to 'ave it." + +"I'll buy her of you at the price you gave," said Val with sudden +resolution. + +"No," said Monsieur Profond. "You take her. I don' want her." + +"Hang it! one doesn't--" + +"Why not?" smiled Monsieur Profond. "I'm a friend of your family." + +"Seven hundred and fifty guineas is not a box of cigars," said Val +impatiently. + +"All right; you keep her for me till I want her, and do what you like +with her." + +"So long as she's yours," said Val. "I don't mind that." + +"That's all right," murmured Monsieur Profond, and moved away. + +Val watched; he might be "a good devil," but then again he might not. +He saw him rejoin George Forsyte, and thereafter saw him no more. + +He spent those nights after racing at his mother's house in Green +Street. + +Winifred Dartie at sixty-two was marvellously preserved, considering +the three-and-thirty years during which she had put up with Montague +Dartie, till almost happily released by a French staircase. It was +to her a vehement satisfaction to have her favourite son back from +South Africa after all this time, to feel him so little changed, and +to have taken a fancy to his wife. Winifred, who in the late +seventies, before her marriage, had been in the vanguard of freedom, +pleasure, and fashion, confessed her youth outclassed by the +donzellas of the day. They seemed, for instance, to regard marriage +as an incident, and Winifred sometimes regretted that she had not +done the same; a second, third, fourth incident might have secured +her a partner of less dazzling inebriety; though, after all, he had +left her Val, Imogen, Maud, Benedict (almost a colonel and unharmed +by the War)--none of whom had been divorced as yet. The steadiness of +her children often amazed one who remembered their father; but, as +she was fond of believing, they were really all Forsytes, favouring +herself, with the exception, perhaps, of Imogen. Her brother's +"little girl" Fleur frankly puzzled Winifred. The child was as +restless as any of these modern young women--"She's a small flame in +a draught," Prosper Profond had said one day after dinner--but she +did not flop, or talk at the top of her voice. The steady Forsyteism +in Winifred's own character instinctively resented the feeling in the +air, the modern girl's habits and her motto: "All's much of a +muchness! Spend, to-morrow we shall be poor!" She found it a saving +grace in Fleur that, having set her heart on a thing, she had no +change of heart until she got it--though--what happened after, Fleur +was, of course, too young to have made evident. The child was a +"very pretty little thing," too, and quite a credit to take about, +with her mother's French taste and gift for wearing clothes; +everybody turned to look at Fleur--great consideration to Winifred, a +lover of the style and distinction which had so cruelly deceived her +in the case of Montague Dartie. + +In discussing her with Val, at breakfast on Saturday morning, +Winifred dwelt on the family skeleton. + +"That little affair of your father-in-law and your Aunt Irene, Val-- +it's old as the hills, of course, Fleur need know nothing about it-- +making a fuss. Your Uncle Soames is very particular about that. So +you'll be careful." + +"Yes! But it's dashed awkward--Holly's young half-brother is coming +to live with us while he learns farming. He's there already." + +"Oh!" said Winifred. "That is a gaff! What is he like?" + +"Only saw him once--at Robin Hill, when we were home in 1909; he was +naked and painted blue and yellow in stripes--a jolly little chap." + +Winifred thought that "rather nice," and added comfortably: "Well, +Holly's sensible; she'll know how to deal with it. I shan't tell +your uncle. It'll only bother him. It's a great comfort to have you +back, my dear boy, now that I'm getting on." + +"Getting on! Why! you're as young as ever. That chap Profond, +Mother, is he all right?" + +"Prosper Profond! Oh! the most amusing man I know." + +Val grunted, and recounted the story of the Mayfly filly. + +"That's so like him," murmured Winifred. "He does all sorts of +things." + +"Well," said Val shrewdly, "our family haven't been too lucky with +that kind of cattle; they're too light-hearted for us." + +It was true, and Winifred's blue study lasted a full minute before +she answered: + +"Oh! well! He's a foreigner, Val; one must make allowances." + +"All right, I'll use his filly and make it up to him, somehow." + +And soon after he gave her his blessing, received a kiss, and left +her for his bookmaker's, the Iseeum Club, and Victoria station. + + + + +VI + +JON + + +Mrs. Val Dartie, after twenty years of South Africa, had fallen +deeply in love, fortunately with something of her own, for the object +of her passion was the prospect in front of her windows, the cool +clear light on the green Downs. It was England again, at last! +England more beautiful than she had dreamed. Chance had, in fact, +guided the Val Darties to a spot where the South Downs had real charm +when the sun shone. Holly had enough of her father's eye to +apprehend the rare quality of their outlines and chalky radiance; to +go up there by the ravine-like lane and wander along toward +Chanctonbury or Amberley, was still a delight which she hardly +attempted to share with Val, whose admiration of Nature was confused +by a Forsyte's instinct for getting something out of it, such as the +condition of the turf for his horses' exercise. + +Driving the Ford home with a certain humouring, smoothness, she +promised herself that the first use she would make of Jon would be to +take him up there, and show him "the view" under this May-day sky. + +She was looking forward to her young half-brother with a motherliness +not exhausted by Val. A three-day visit to Robin Hill, soon after +their arrival home, had yielded no sight of him--he was still at +school; so that her recollection, like Val's, was of a little sunny- +haired boy, striped blue and yellow, down by the pond. + +Those three days at Robin Hill had been exciting, sad, embarrassing. +Memories of her dead brother, memories of Val's courtship; the ageing +of her father, not seen for twenty years, something funereal in his +ironic gentleness which did not escape one who had much subtle +instinct; above all, the presence of her stepmother, whom she could +still vaguely remember as the "lady in grey" of days when she was +little and grandfather alive and Mademoiselle Beauce so cross because +that intruder gave her music lessons--all these confused and +tantalised a spirit which had longed to find Robin Hill untroubled. +But Holly was adept at keeping things to herself, and all had seemed +to go quite well. + +Her father had kissed her when she left him, with lips which she was +sure had trembled. + +"Well, my dear," he said, "the War hasn't changed Robin Hill, has it? +If only you could have brought Jolly back with you! I say, can you +stand this spiritualistic racket? When the oak-tree dies, it dies, +I'm afraid." + +>From the warmth of her embrace he probably divined that he had let +the cat out of the bag, for he rode off at once on irony. + +"Spiritualism--queer word, when the more they manifest the more they +prove that they've got hold of matter." + +"How?" said Holly. + +"Why! Look at their photographs of auric presences. You must have +something material for light and shade to fall on before you can take +a photograph. No, it'll end in our calling all matter spirit, or all +spirit matter--I don't know which." + +"But don't you believe in survival, Dad?" + +Jolyon had looked at her, and the sad whimsicality of his face +impressed her deeply. + +"Well, my dear, I should like to get something out of death. I've +been looking into it a bit. But for the life of me I can't find +anything that telepathy, sub-consciousness, and emanation from the +storehouse of this world can't account for just as well. Wish I +could! Wishes father thought but they don't breed evidence." +Holly had pressed her lips again to his forehead with the feeling +that it confirmed his theory that all matter was becoming spirit--his +brow felt, somehow, so insubstantial. + +But the most poignant memory of that little visit had been watching, +unobserved, her stepmother reading to herself a letter from Jon. It +was--she decided--the prettiest sight she had ever seen. Irene, lost +as it were in the letter of her boy, stood at a window where the +light fell on her face and her fine grey hair; her lips were moving, +smiling, her dark eyes laughing, dancing, and the hand which did not +hold the letter was pressed against her breast. Holly withdrew as +from a vision of perfect love, convinced that Jon must be nice. + +When she saw him coming out of the station with a kit-bag in either +hand, she was confirmed in her predisposition. He was a little like +Jolly, that long-lost idol of her childhood, but eager-looking and +less formal, with deeper eyes and brighter-coloured hair, for he wore +no hat; altogether a very interesting "little" brother! + +His tentative politeness charmed one who was accustomed to assurance +in the youthful manner; he was disturbed because she was to drive him +home, instead of his driving her. Shouldn't he have a shot? They +hadn't a car at Robin Hill since the War, of course, and he had only +driven once, and landed up a bank, so she oughtn't to mind his +trying. His laugh, soft and infectious, was very attractive, though +that word, she had heard, was now quite old-fashioned. When they +reached the house he pulled out a crumpled letter which she read +while he was washing--a quite short letter, which must have cost her +father many a pang to write. + + +"MY DEAR, + +"You and Val will not forget, I trust, that Jon knows nothing of +family history. His mother and I think he is too young at present. +The boy is very dear, and the apple of her eye. Verbum sapientibus. +your loving father, + +"J. F." + + +That was all; but it renewed in Holly an uneasy regret that Fleur was +coming. + +After tea she fulfilled that promise to herself and took Jon up the +hill. They had a long talk, sitting above an old chalk-pit grown +over with brambles and goosepenny. Milkwort and liverwort starred +the green slope, the larks sang, and thrushes in the brake, and now +and then a gull flighting inland would wheel very white against the +paling sky, where the vague moon was coming up. Delicious fragrance +came to them, as if little invisible creatures were running and +treading scent out of the blades of grass. + +Jon, who had fallen silent, said rather suddenly: + +"I say, this is wonderful! There's no fat on it at all. Gull's +flight and sheep-bells" + +"'Gull's flight and sheep-bells'! You're a poet, my dear!" + +Jon sighed. + +"Oh, Golly! No go!" + +"Try! I used to at your age." + +"Did you? Mother says 'try' too; but I'm so rotten. Have you any of +yours for me to see?" + +"My dear," Holly murmured, "I've been married nineteen years. I only +wrote verses when I wanted to be." + +"Oh!" said Jon, and turned over on his face: the one cheek she could +see was a charming colour. Was Jon "touched in the wind," then, as +Val would have called it? Already? But, if so, all the better, he +would take no notice of young Fleur. Besides, on Monday he would +begin his farming. And she smiled. Was it Burns who followed the +plough, or only Piers Plowman? Nearly every young man and most young +women seemed to be poets now, judging from the number of their books +she had read out in South Africa, importing them from Hatchus and +Bumphards; and quite good--oh! quite; much better than she had been +herself! But then poetry had only really come in since her day--with +motor-cars. Another long talk after dinner over a wood fire in the +low hall, and there seemed little left to know about Jon except +anything of real importance. Holly parted from him at his bedroom +door, having seen twice over that he had everything, with the +conviction that she would love him, and Val would like him. He was +eager, but did not gush; he was a splendid listener, sympathetic, +reticent about himself. He evidently loved their father, and adored +his mother. He liked riding, rowing, and fencing better than games. +He saved moths from candles, and couldn't bear spiders, but put them +out of doors in screws of paper sooner than kill them. In a word, he +was amiable. She went to sleep, thinking that he would suffer +horribly if anybody hurt him; but who would hurt him? + +Jon, on the other hand, sat awake at his window with a bit of paper +and a pencil, writing his first "real poem" by the light of a candle +because there was not enough moon to see by, only enough to make the +night seem fluttery and as if engraved on silver. Just the night for +Fleur to walk, and turn her eyes, and lead on-over the hills and far +away. And Jon, deeply furrowed in his ingenuous brow, made marks on +the paper and rubbed them out and wrote them in again, and did all +that was necessary for the completion of a work of art; and he had a +feeling such as the winds of Spring must have, trying their first +songs among the coming blossom. Jon was one of those boys (not many) +in whom a home-trained love of beauty had survived school life. He +had had to keep it to himself, of course, so that not even the +drawing-master knew of it; but it was there, fastidious and clear +within him. And his poem seemed to him as lame and stilted as the +night was winged. But he kept it, all the same. It was a "beast," +but better than nothing as an expression of the inexpressible. And +he thought with a sort of discomfiture: 'I shan't be able to show it +to Mother.' He slept terribly well, when he did sleep, overwhelmed +by novelty. + + + + +VII + +FLEUR + + +To avoid the awkwardness of questions which could not be answered, +all that had been told Jon was: + +"There's a girl coming down with Val for the week-end." + +For the same reason, all that had been told Fleur was: "We've got a +youngster staying with us." + +The two yearlings, as Val called them in his thoughts, met therefore +in a manner which for unpreparedness left nothing to be desired. +They were thus introduced by Holly: + +"This is Jon, my little brother; Fleur's a cousin of ours, Jon." + +Jon, who was coming in through a French window out of strong +sunlight, was so confounded by the providential nature of this +miracle, that he had time to hear Fleur say calmly: "Oh, how do you +do?" as if he had never seen her, and to understand dimly from the +quickest imaginable little movement of her head that he never had +seen her. He bowed therefore over her hand in an intoxicated manner, +and became more silent than the grave. He knew better than to speak. +Once in his early life, surprised reading by a nightlight, he had +said fatuously "I was just turning over the leaves, Mum," and his +mother had replied: "Jon, never tell stories, because of your face +nobody will ever believe them." + +The saying had permanently undermined the confidence necessary to the +success of spoken untruth. He listened therefore to Fleur's swift +and rapt allusions to the jolliness of everything, plied her with +scones and jam, and got away as soon as might be. They say that in +delirium tremens you see a fixed object, preferably dark, which +suddenly changes shape and position. Jon saw the fixed object; it +had dark eyes and passably dark hair, and changed its position, but +never its shape. The knowledge that between him and that object +there was already a secret understanding (however impossible to +understand) thrilled him so that he waited feverishly, and began to +copy out his poem--which of course he would never dare to--show her-- +till the sound of horses' hoofs roused him, and, leaning from his +window, he saw her riding forth with Val. It was clear that she +wasted no time, but the sight filled him with grief. He wasted his. +If he had not bolted, in his fearful ecstasy, he might have been +asked to go too. And from his window he sat and watched them +disappear, appear again in the chine of the road, vanish, and emerge +once more for a minute clear on the outline of the Down. 'Silly +brute!' he thought; 'I always miss my chances.' + +Why couldn't he be self-confident and ready? And, leaning his chin +on his hands, he imagined the ride he might have had with her. A +week-end was but a week-end, and he had missed three hours of it. +Did he know any one except himself who would have been such a flat? +He did not. + +He dressed for dinner early, and was first down. He would miss no +more. But he missed Fleur, who came down last. He sat opposite her +at dinner, and it was terrible--impossible to say anything for fear +of saying the wrong thing, impossible to keep his eyes fixed on her +in the only natural way; in sum, impossible to treat normally one +with whom in fancy he had already been over the hills and far away; +conscious, too, all the time, that he must seem to her, to all of +them, a dumb gawk. Yes, it was terrible! And she was talking so +well--swooping with swift wing this way and that. Wonderful how she +had learned an art which he found so disgustingly difficult. She +must think him hopeless indeed! + +His sister's eyes, fixed on him with a certain astonishment, obliged +him at last to look at Fleur; but instantly her eyes, very wide and +eager, seeming to say, "Oh! for goodness' sake!" obliged him to look +at Val, where a grin obliged him to look at his cutlet--that, at +least, had no eyes, and no grin, and he ate it hastily. + +"Jon is going to be a farmer," he heard Holly say; "a farmer and a +poet." + +He glanced up reproachfully, caught the comic lift of her eyebrow +just like their father's, laughed, and felt better. + +Val recounted the incident of Monsieur Prosper Profond; nothing could +have been more favourable, for, in relating it, he regarded Holly, +who in turn regarded him, while Fleur seemed to be regarding with a +slight frown some thought of her own, and Jon was really free to look +at her at last. She had on a white frock, very simple and well made; +her arms were bare, and her hair had a white rose in it. In just +that swift moment of free vision, after such intense discomfort, Jon +saw her sublimated, as one sees in the dark a slender white fruit- +tree; caught her like a verse of poetry flashed before the eyes of +the mind, or a tune which floats out in the distance and dies. +He wondered giddily how old she was--she seemed so much more self- +possessed and experienced than himself. Why mustn't he say they had +met? He remembered suddenly his mother's face; puzzled, hurt- +looking, when she answered: "Yes, they're relations, but we don't +know them." Impossible that his mother, who loved beauty, should not +admire Fleur if she did know her. + +Alone with Val after dinner, he sipped port deferentially and +answered the advances of this new-found brother-in-law. As to riding +(always the first consideration with Val) he could have the young +chestnut, saddle and unsaddle it himself, and generally look after it +when he brought it in. Jon said he was accustomed to all that at +home, and saw that he had gone up one in his host's estimation. + +"Fleur," said Val, "can't ride much yet, but she's keen. Of course, +her father doesn't know a horse from a cart-wheel. Does your Dad +ride?" + +"He used to; but now he's--you know, he's--"He stopped, so hating the +word "old." His father was old, and yet not old; no--never! + +"Quite," muttered Val. "I used to know your brother up at Oxford, +ages ago, the one who died in the Boer War. We had a fight in New +College Gardens. That was a queer business," he added, musing; "a +good deal came out of it." + +Jon's eyes opened wide; all was pushing him toward historical +research, when his sister's voice said gently from the doorway: + +"Come along, you two," and he rose, his heart pushing him toward +something far more modern. + +Fleur having declared that it was "simply too wonderful to stay +indoors," they all went out. Moonlight was frosting the dew, and an +old sundial threw a long shadow. Two box hedges at right angles, +dark and square, barred off the orchard. Fleur turned through that +angled opening. + +"Come on!" she called. Jon glanced at the others, and followed. She +was running among the trees like a ghost. All was lovely and +foamlike above her, and there was a scent of old trunks, and of +nettles. She vanished. He thought he had lost her, then almost ran +into her standing quite still. + +"Isn't it jolly?" she cried, and Jon answered: + +"Rather!" + +She reached up, twisted off a blossom and, twirling it in her +fingers, said: + +"I suppose I can call you Jon?" + +"I should think so just." + +"All right! But you know there's a feud between our families?" + +Jon stammered: "Feud? Why?" + +"It's ever so romantic and silly. That's why I pretended we hadn't +met. Shall we get up early to-morrow morning and go for a walk +before breakfast and have it out? I hate being slow about things, +don't you?" + +Jon murmured a rapturous assent. + +"Six o'clock, then. I think your mother's beautiful" + +Jon said fervently: "Yes, she is." + +"I love all kinds of beauty," went on Fleur, "when it's exciting. I +don't like Greek things a bit." + +"What! Not Euripides?" + +"Euripides? Oh! no, I can't bear Greek plays; they're so long. I +think beauty's always swift. I like to look at one picture, for +instance, and then run off. I can't bear a lot of things together. +Look!" She held up her blossom in the moonlight. "That's better +than all the orchard, I think." + +And, suddenly, with her other hand she caught Jon's. + +"Of all things in the world, don't you think caution's the most +awful? Smell the moonlight!" + +She thrust the blossom against his face; Jon agreed giddily that of +all things in the world caution was the worst, and bending over, +kissed the hand which held his. + +"That's nice and old-fashioned," said Fleur calmly. "You're +frightfully silent, Jon. Still I like silence when it's swift." She +let go his hand. "Did you think I dropped my handkerchief on +purpose?" + +"No!" cried Jon, intensely shocked. + +"Well, I did, of course. Let's get back, or they'll think we're +doing this on purpose too." And again she ran like a ghost among the +trees. Jon followed, with love in his heart, Spring in his heart, +and over all the moonlit white unearthly blossom. They came out +where they had gone in, Fleur walking demurely. + +"It's quite wonderful in there," she said dreamily to Holly. + +Jon preserved silence, hoping against hope that she might be thinking +it swift. + +She bade him a casual and demure good-night, which made him think he +had been dreaming.... + +In her bedroom Fleur had flung off her gown, and, wrapped in a +shapeless garment, with the white flower still in her hair, she +looked like a mousme, sitting cross-legged on her bed, writing by +candlelight. + + +"DEAREST CHERRY, + +"I believe I'm in love. I've got it in the neck, only the feeling is +really lower down. He's a second cousin-such a child, about six +months older and ten years younger than I am. Boys always fall in +love with their seniors, and girls with their juniors or with old men +of forty. Don't laugh, but his eyes are the truest things I ever +saw; and he's quite divinely silent! We had a most romantic first +meeting in London under the Vospovitch Juno. And now he's sleeping +in the next room and the moonlight's on the blossom; and to-morrow +morning, before anybody's awake, we're going to walk off into Down +fairyland. There's a feud between our families, which makes it +really exciting. Yes! and I may have to use subterfuge and come on +you for invitations--if so, you'll know why! My father doesn't want +us to know each other, but I can't help that. Life's too short. +He's got the most beautiful mother, with lovely silvery hair and a +young face with dark eyes. I'm staying with his sister--who married +my cousin; it's all mixed up, but I mean to pump her to-morrow. +We've often talked about love being a spoil-sport; well, that's all +tosh, it's the beginning of sport, and the sooner you feel it, my +dear, the better for you. + +"Jon (not simplified spelling, but short for Jolyon, which is a name +in my family, they say) is the sort that lights up and goes out; +about five feet ten, still growing, and I believe he's going to be a +poet. If you laugh at me I've done with you forever. I perceive all +sorts of difficulties, but you know when I really want a thing I get +it. One of the chief effects of love is that you see the air sort of +inhabited, like seeing a face in the moon; and you feel--you feel +dancey and soft at the same time, with a funny sensation--like a +continual first sniff of orange--blossom--Just above your stays. +This is my first, and I feel as if it were going to be my last, which +is absurd, of course, by all the laws of Nature and morality. If you +mock me I will smite you, and if you tell anybody I will never +forgive you. So much so, that I almost don't think I'll send this +letter. Anyway, I'll sleep over it. So good-night, my Cherry--oh! +"Your, + +"FLEUR." + + + +VIII + +IDYLL ON GRASS + +When those two young Forsytes emerged from the chine lane, and set +their faces east toward the sun, there was not a cloud in heaven, and +the Downs were dewy. They had come at a good bat up the slope and +were a little out of breath; if they had anything to say they did not +say it, but marched in the early awkwardness of unbreakfasted morning +under the songs of the larks. The stealing out had been fun, but +with the freedom of the tops the sense of conspiracy ceased, and gave +place to dumbness. + +"We've made one blooming error," said Fleur, when they had gone half +a mile. "I'm hungry." + +Jon produced a stick of chocolate. They shared it and their tongues +were loosened. They discussed the nature of their homes and previous +existences, which had a kind of fascinating unreality up on that +lonely height. There remained but one thing solid in Jon's past--his +mother; but one thing solid in Fleur's--her father; and of these +figures, as though seen in the distance with disapproving faces, they +spoke little. + +The Down dipped and rose again toward Chanctonbury Ring; a sparkle of +far sea came into view, a sparrow-hawk hovered in the sun's eye so +that the blood-nourished brown of his wings gleamed nearly red. Jon +had a passion for birds, and an aptitude for sitting very still to +watch them; keen-sighted, and with a memory for what interested him, +on birds he was almost worth listening to. But in Chanctonbury Ring +there were none--its great beech temple was empty of life, and almost +chilly at this early hour; they came out willingly again into the sun +on the far side. It was Fleur's turn now. She spoke of dogs, and +the way people treated them. It was wicked to keep them on chains! +She would like to flog people who did that. Jon was astonished to +find her so humanitarian. She knew a dog, it seemed, which some +farmer near her home kept chained up at the end of his chicken run, +in all weathers, till it had almost lost its voice from barking! + +"And the misery is," she said vehemently, "that if the poor thing +didn't bark at every one who passes it wouldn't be kept there. I do +think men are cunning brutes. I've let it go twice, on the sly; it's +nearly bitten me both times, and then it goes simply mad with joy; +but it always runs back home at last, and they chain it up again. If +I had my way, I'd chain that man up." Jon saw her teeth and her eyes +gleam. "I'd brand him on his forehead with the word 'Brute'; that +would teach him!" + +Jon agreed that it would be a good remedy. + +"It's their sense of property," he said, "which makes people chain +things. The last generation thought of nothing but property; and +that's why there was the War." + +"Oh!" said Fleur, "I never thought of that. Your people and mine +quarrelled about property. And anyway we've all got it--at least, I +suppose your people have." + +"Oh! yes, luckily; I don't suppose I shall be any good at making +money." + +"If you were, I don't believe I should like you." + +Jon slipped his hand tremulously under her arm. Fleur looked +straight before her and chanted: + +"Jon, Jon, the farmer's son, +Stole a pig, and away he run!" + +Jon's arm crept round her waist. + +"This is rather sudden," said Fleur calmly; "do you often do it?" + +Jon dropped his arm. But when she laughed his arm stole back again; +and Fleur began to sing: + +"O who will oer the downs so free, +O who will with me ride? +O who will up and follow me---" + +"Sing, Jon!" + +Jon sang. The larks joined in, sheep-bells, and an early morning +church far away over in Steyning. They went on from tune to tune, +till Fleur said: + +"My God! I am hungry now!" + +"Oh! I am sorry!" + +She looked round into his face. + +"Jon, you're rather a darling." + +And she pressed his hand against her waist. Jon almost reeled from +happiness. A yellow-and-white dog coursing a hare startled them +apart. They watched the two vanish down the slope, till Fleur said +with a sigh: "He'll never catch it, thank goodness! What's the time? +Mine's stopped. I never wound it." + +Jon looked at his watch. "By Jove!" he said, "mine's stopped; too." + +They walked on again, but only hand in hand. + +"If the grass is dry," said Fleur, "let's sit down for half a +minute." + +Jon took off his coat, and they shared it. + +"Smell! Actually wild thyme!" + +With his arm round her waist again, they sat some minutes in silence. + +"We are goats!" cried Fleur, jumping up; "we shall be most fearfully +late, and look so silly, and put them on their guard. Look here, Jon +We only came out to get an appetite for breakfast, and lost our way. +See?" + +"Yes," said Jon. + +"It's serious; there'll be a stopper put on us. Are you a good +liar?" + +"I believe not very; but I can try." + +Fleur frowned. + +"You know," she said, "I realize that they don't mean us to be +friends." + +"Why not?" + +"I told you why." + +"But that's silly." + +"Yes; but you don't know my father!" + +"I suppose he's fearfully fond of you." + +"You see, I'm an only child. And so are you--of your mother. Isn't +it a bore? There's so much expected of one. By the time they've +done expecting, one's as good as dead." + +"Yes," muttered Jon, "life's beastly short. One wants to live +forever, and know everything." + +"And love everybody?" + +"No," cried Jon; "I only want to love once--you." + +"Indeed! You're coming on! Oh! Look! There's the chalk-pit; we +can't be very far now. Let's run." + +Jon followed, wondering fearfully if he had offended her. + +The chalk-pit was full of sunshine and the murmuration of bees. +Fleur flung back her hair. + +"Well," she said, "in case of accidents, you may give me one kiss, +Jon," and she pushed her cheek forward. With ecstasy he kissed that +hot soft cheek. + +"Now, remember! We lost our way; and leave it to me as much as you +can. I'm going to be rather beastly to you; it's safer; try and be +beastly to me!" + +Jon shook his head. "That's impossible." + +"Just to please me; till five o'clock, at all events." + +"Anybody will be able to see through it," said Jon gloomily. + +"Well, do your best. Look! There they are! Wave your hat! Oh! you +haven't got one. Well, I'll cooee! Get a little away from me, and +look sulky." + +Five minutes later, entering the house and doing his utmost to look +sulky, Jon heard her clear voice in the dining-room: + +"Oh! I'm simply ravenous! He's going to be a farmer--and he loses +his way! The boy's an idiot!" + + + + +IX + +GOYA + + +Lunch was over and Soames mounted to the picture-gallery in his house +near Mapleduram. He had what Annette called "a grief." Fleur was +not yet home. She had been expected on Wednesday; had wired that it +would be Friday; and again on Friday that it would be Sunday +afternoon; and here were her aunt, and her cousins the Cardigans, and +this fellow Profond, and everything flat as a pancake for the want of +her. He stood before his Gauguin--sorest point of his collection. +He had bought the ugly great thing with two early Matisses before the +War, because there was such a fuss about those Post-Impressionist +chaps. He was wondering whether Profond would take them off his +hands--the fellow seemed not to know what to do with his money--when +he heard his sister's voice say: "I think that's a horrid thing, +Soames," and saw that Winifred had followed him up. + +"Oh! you do?" he said dryly; "I gave five hundred for it." + +"Fancy! Women aren't made like that even if they are black." + +Soames uttered a glum laugh. "You didn't come up to tell me that." + +"No. Do you know that Jolyon's boy is staying with Val and his +wife?" + +Soames spun round. + +"What?" + +"Yes," drawled Winifred; "he's gone to live with them there while he +learns farming." + +Soames had turned away, but her voice pursued him as he walked up and +down. "I warned Val that neither of them was to be spoken to about +old matters." + +"Why didn't you tell me before?" + +Winifred shrugged her substantial shoulders. + +"Fleur does what she likes. You've always spoiled her. Besides, my +dear boy, what's the harm?" + +"The harm!" muttered Soames. "Why, she--" he checked himself. The +Juno, the handkerchief, Fleur's eyes, her questions, and now this +delay in her return--the symptoms seemed to him so sinister that, +faithful to his nature, he could not part with them. + +"I think you take too much care," said Winifred. "If I were you, I +should tell her of that old matter. It's no good thinking that girls +in these days are as they used to be. Where they pick up their +knowledge I can't tell, but they seem to know everything." + +Over Soames' face, closely composed, passed a sort of spasm, and +Winifred added hastily: + +"If you don't like to speak of it, I could for you." + +Soames shook his head. Unless there was absolute necessity the +thought that his adored daughter should learn of that old scandal +hurt his pride too much. + +"No," he said, "not yet. Never if I can help it. + +"Nonsense, my dear. Think what people are!" + +"Twenty years is a long time," muttered Soames. "Outside our family, +who's likely to remember?" + +Winifred was silenced. She inclined more and more to that peace and +quietness of which Montague Dartie had deprived her in her youth. +And, since pictures always depressed her, she soon went down again. + +Soames passed into the corner where, side by side, hung his real Goya +and the copy of the fresco "La Vendimia." His acquisition of the +real Goya rather beautifully illustrated the cobweb of vested +interests and passions which mesh the bright-winged fly of human +life. The real Goya's noble owner's ancestor had come into +possession of it during some Spanish war--it was in a word loot. The +noble owner had remained in ignorance of its value until in the +nineties an enterprising critic discovered that a Spanish painter +named Goya was a genius. It was only a fair Goya, but almost unique +in England, and the noble owner became a marked man. Having many +possessions and that aristocratic culture which, independent of mere +sensuous enjoyment, is founded on the sounder principle that one must +know everything and be fearfully interested in life, he had fully +intended to keep an article which contributed to his reputation while +he was alive, and to leave it to the nation after he was dead. +Fortunately for Soames, the House of Lords was violently attacked in +1909, and the noble owner became alarmed and angry. 'If,' he said to +himself, 'they think they can have it both ways they are very much +mistaken. So long as they leave me in quiet enjoyment the nation can +have some of my pictures at my death. But if the nation is going to +bait me, and rob me like this, I'm damned if I won't sell the lot. +They can't have my private property and my public spirit-both.' He +brooded in this fashion for several months till one morning, after +reading the speech of a certain statesman, he telegraphed to his +agent to come down and bring Bodkin. On going over the collection +Bodkin, than whose opinion on market values none was more sought, +pronounced that with a free hand to sell to America, Germany, and +other places where there was an interest in art, a lot more money +could be made than by selling in England. The noble owner's public +spirit--he said--was well known but the pictures were unique. The +noble owner put this opinion in his pipe and smoked it for a year. +At the end of that time he read another speech by the same statesman, +and telegraphed to his agents: "Give Bodkin a free hand." It was at +this juncture that Bodkin conceived the idea which salved the Goya +and two other unique pictures for the native country of the noble +owner. With one hand Bodkin proffered the pictures to the foreign +market, with the other he formed a list of private British +collectors. Having obtained what he considered the highest possible +bids from across the seas, he submitted pictures and bids to the +private British collectors, and invited them, of their public spirit, +to outbid. In three instances (including the Goya) out of twenty-one +he was successful. And why? One of the private collectors made +buttons--he had made so many that he desired that his wife should be +called Lady "Buttons." He therefore bought a unique picture at great +cost, and gave it to the nation. It was "part," his friends said, +"of his general game." The second of the private collectors was an +Americophobe, and bought an unique picture to "spite the damned +Yanks." The third of the private collectors was Soames, who--more +sober than either of the, others--bought after a visit to Madrid, +because he was certain that Goya was still on the up grade. Goya was +not booming at the moment, but he would come again; and, looking at +that portrait, Hogarthian, Manetesque in its directness, but with its +own queer sharp beauty of paint, he was perfectly satisfied still +that he had made no error, heavy though the price had been--heaviest +he had ever paid. And next to it was hanging the copy of "La +Vendimia." There she was--the little wretch-looking back at him in +her dreamy mood, the mood he loved best because he felt so much safer +when she looked like that. + +He was still gazing when the scent of a cigar impinged on his +nostrils, and a voice said: + +"Well, Mr. Forsyde, what you goin' to do with this small lot?" + +That Belgian chap, whose mother-as if Flemish blood were not enough-- +had been Armenian! Subduing a natural irritation, he said: + +"Are you a judge of pictures?" + +"Well, I've got a few myself." + +"Any Post-Impressionists?" + +"Ye-es, I rather like them." + +"What do you think of this?" said Soames, pointing to the Gauguin. + +Monsieur Profond protruded his lower lip and short pointed beard. + +"Rather fine, I think," he said; "do you want to sell it?" + +Soames checked his instinctive "Not particularly"--he would not +chaffer with this alien. + +"Yes," he said. + +"What do you want for it?" + +"What I gave." + +"All right," said Monsieur Profond. "I'll be glad to take that small +picture. Post-Impressionists--they're awful dead, but they're +amusin'. I don' care for pictures much, but I've got some, just a +small lot." + +"What do you care for?" + +Monsieur Profond shrugged his shoulders. + +"Life's awful like a lot of monkeys scramblin' for empty nuts." + +"You're young," said Soames. If the fellow must make a +generalization, he needn't suggest that the forms of property lacked +solidity! + +"I don' worry," replied Monsieur Profond smiling; "we're born, and we +die. Half the world's starvin'. I feed a small lot of babies out in +my mother's country; but what's the use? Might as well throw my +money in the river." + +Soames looked at him, and turned back toward his Goya. He didn't +know what the fellow wanted. + +"What shall I make my cheque for?" pursued Monsieur Profond. + +"Five hundred," said Soames shortly; "but I don't want you to take it +if you don't care for it more than that." + +"That's all right," said Monsieur Profond; "I'll be 'appy to 'ave +that picture." + +He wrote a cheque with a fountain-pen heavily chased with gold. +Soames watched the process uneasily. How on earth had the fellow +known that he wanted to sell that picture? Monsieur Profond held out +the cheque. + +"The English are awful funny about pictures," he said. "So are the +French, so are my people. They're all awful funny." + +"I don't understand you," said Soames stiffly. + +"It's like hats," said Monsieur Profond enigmatically, "small or +large, turnin' up or down--just the fashion. Awful funny." And, +smiling, he drifted out of the gallery again, blue and solid like the +smoke of his excellent cigar. + +Soames had taken the cheque, feeling as if the intrinsic value of +ownership had been called in question. 'He's a cosmopolitan,' he +thought, watching Profond emerge from under the verandah with +Annette, and saunter down the lawn toward the river. What his wife +saw in the fellow he didn't know, unless it was that he could speak +her language; and there passed in Soames what Monsieur Profond would +have called a "small doubt" whether Annette was not too handsome to +be walking with any one so "cosmopolitan." Even at that distance he +could see the blue fumes from Profond's cigar wreath out in the quiet +sunlight; and his grey buckskin shoes, and his grey hat--the fellow +was a dandy! And he could see the quick turn of his wife's head, so +very straight on her desirable neck and shoulders. That turn of her +neck always seemed to him a little too showy, and in the "Queen of +all I survey" manner--not quite distinguished. He watched them walk +along the path at the bottom of the garden. A young man in flannels +joined them down there--a Sunday caller no doubt, from up the river. +He went back to his Goya. He was still staring at that replica of +Fleur, and worrying over Winifred's news, when his wife's voice said: + +"Mr. Michael Mont, Soames. You invited him to see your pictures." + +There was the cheerful young man of the Gallery off Cork Street! + +"Turned up, you see, sir; I live only four miles from Pangbourne. +Jolly day, isn't it?" + +Confronted with the results of his expansiveness, Soames scrutinized +his visitor. The young man's mouth was excessively large and curly-- +he seemed always grinning. Why didn't he grow the rest of those +idiotic little moustaches, which made him look like a music-hall +buffoon? What on earth were young men about, deliberately lowering +their class with these tooth-brushes, or little slug whiskers? Ugh! +Affected young idiots! In other respects he was presentable, and his +flannels very clean. + +"Happy to see you!" he said. + +The young man, who had been turning his head from side to side, +became transfixed. "I say!" he said, "'some' picture!" + +Soames saw, with mixed sensations, that he had addressed the remark +to the Goya copy. + +"Yes," he said dryly, "that's not a Goya. It's a copy. I had it +painted because it reminded me of my daughter." + +"By Jove! I thought I knew the face, sir. Is she here?" + +The frankness of his interest almost disarmed Soames. + +"She'll be in after tea," he said. "Shall we go round the pictures?" + +And Soames began that round which never tired him. He had not +anticipated much intelligence from one who had mistaken a copy for an +original, but as they passed from section to section, period to +period, he was startled by the young man's frank and relevant +remarks. Natively shrewd himself, and even sensuous beneath his +mask, Soames had not spent thirty-eight years over his one hobby +without knowing something more about pictures than their market +values. He was, as it were, the missing link between the artist and +the commercial public. Art for art's sake and all that, of course, +was cant. But aesthetics and good taste were necessary. The +appreciation of enough persons of good taste was what gave a work of +art its permanent market value, or in other words made it "a work of +art." There was no real cleavage. And he was sufficiently +accustomed to sheep-like and unseeing visitors, to be intrigued by +one who did not hesitate to say of Mauve: "Good old haystacks!" or of +James Maris: "Didn't he just paint and paper 'em! Mathew was the +real swell, sir; you could dig into his surfaces!" It was after the +young man had whistled before a Whistler, with the words, "D'you +think he ever really saw a naked woman, sir?" that Soames remarked: + +"What are you, Mr. Mont, if I may ask?" + +"I, sir? I was going to be a painter, but the War knocked that. +Then in the trenches, you know, I used to dream of the Stock +Exchange, snug and warm and just noisy enough. But the Peace knocked +that, shares seem off, don't they? I've only been demobbed about a +year. What do you recommend, sir?" + +"Have you got money?" + +"Well," answered the young man, "I've got a father; I kept him alive +during the War, so he's bound to keep me alive now. Though, of +course, there's the question whether he ought to be allowed to hang +on to his property. What do you think about that, sir?" + +Soames, pale and defensive, smiled. + +"The old man has fits when I tell him he may have to work yet. He's +got land, you know; it's a fatal disease." + +"This is my real Goya," said Soames dryly. + +"By George! He was a swell. I saw a Goya in Munich once that bowled +me middle stump. A most evil-looking old woman in the most gorgeous +lace. He made no compromise with the public taste. That old boy was +'some' explosive; he must have smashed up a lot of convention in his +day. Couldn't he just paint! He makes Velasquez stiff, don't you +think?" + +"I have no Velasquez," said Soames. + +The young man stared. "No," he said; "only nations or profiteers can +afford him, I suppose. I say, why shouldn't all the bankrupt nations +sell their Velasquez and Titians and other swells to the profiteers +by force, and then pass a law that any one who holds a picture by an +Old Master--see schedule--must hang it in a public gallery? There +seems something in that." + +"Shall we go down to tea?" said Soames. + +The young man's ears seemed to droop on his skull. 'He's not dense,' +thought Soames, following him off the premises. + +Goya, with his satiric and surpassing precision, his original "line," +and the daring of his light and shade, could have reproduced to +admiration the group assembled round Annette's tea-tray in the ingle- +nook below. He alone, perhaps, of painters would have done justice +to the sunlight filtering through a screen of creeper, to the lovely +pallor of brass, the old cut glasses, the thin slices of lemon in +pale amber tea; justice to Annette in her black lacey dress; there +was something of the fair Spaniard in her beauty, though it lacked +the spirituality of that rare type; to Winifred's grey-haired, +corseted solidity; to Soames, of a certain grey and flat-cheeked +distinction; to the vivacious Michael Mont, pointed in ear and eye; +to Imogen, dark, luscious of glance, growing a little stout; to +Prosper Profond, with his expression as who should say, "Well, Mr. +Goya, what's the use of paintin' this small party?" finally, to Jack +Cardigan, with his shining stare and tanned sanguinity betraying the +moving principle: "I'm English, and I live to be fit." + +Curious, by the way, that Imogen, who as a girl had declared solemnly +one day at Timothy's that she would never marry a good man--they were +so dull--should have married Jack Cardigan, in whom health had so +destroyed all traces of original sin, that she might have retired to +rest with ten thousand other Englishmen without knowing the +difference from the one she had chosen to repose beside. "Oh!" she +would say of him, in her "amusing" way, "Jack keeps himself so +fearfully fit; he's never had a day's illness in his life. He went +right through the War without a finger-ache. You really can't +imagine how fit he is!" Indeed, he was so "fit" that he couldn't see +when she was flirting, which was such a comfort in a way. All the +same she was quite fond of him, so far as one could be of a sports- +machine, and of the two little Cardigans made after his pattern. Her +eyes just then were comparing him maliciously with Prosper Profond. +There was no "small" sport or game which Monsieur Profond had not +played at too, it seemed, from skittles to tarpon-fishing, and worn +out every one. Imogen would sometimes wish that they had worn out +Jack, who continued to play at them and talk of them with the simple +zeal of a school-girl learning hockey; at the age of Great-uncle +Timothy she well knew that Jack would be playing carpet golf in her +bedroom, and "wiping somebody's eye." + +He was telling them now how he had "pipped the pro--a charmin' +fellow, playin' a very good game," at the last hole this morning; and +how he had pulled down to Caversham since lunch, and trying to incite +Prosper Profond to play him a set of tennis after tea--do him good- +"keep him fit. + +"But what's the use of keepin' fit?" said Monsieur Profond. + +"Yes, sir," murmured Michael Mont, "what do you keep fit for?" + +"Jack," cried Imogen, enchanted, "what do you keep fit for?" + +Jack Cardigan stared with all his health. The questions were like +the buzz of a mosquito, and he put up his hand to wipe them away. +During the War, of course, he had kept fit to kill Germans; now that +it was over he either did not know, or shrank in delicacy from +explanation of his moving principle. + +"But he's right," said Monsieur Profond unexpectedly, "there's +nothin' left but keepin' fit." + +The saying, too deep for Sunday afternoon, would have passed +unanswered, but for the mercurial nature of young Mont. + +"Good!" he cried. "That's the great discovery of the War. We all +thought we were progressing--now we know we're only changing." + +"For the worse," said Monsieur Profond genially. + +"How you are cheerful, Prosper!" murmured Annette. + +"You come and play tennis!" said Jack Cardigan; "you've got the hump. +We'll soon take that down. D'you play, Mr. Mont?" + +"I hit the ball about, sir." + +At this juncture Soames rose, ruffled in that deep instinct of +preparation for the future which guided his existence. + +"When Fleur comes--" he heard Jack Cardigan say. + +Ah! and why didn't she come? He passed through drawing-room, hall, +and porch out on to the drive, and stood there listening for the car. +All was still and Sundayfied; the lilacs in full flower scented the +air. There were white clouds, like the feathers of ducks gilded by +the sunlight. Memory of the day when Fleur was born, and he had +waited in such agony with her life and her mother's balanced in his +hands, came to him sharply. He had saved her then, to be the flower +of his life. And now! was she going to give him trouble--pain--give +him trouble? He did not like the look of things! A blackbird broke +in on his reverie with an evening song--a great big fellow up in that +acacia-tree. Soames had taken quite an interest in his birds of late +years; he and Fleur would walk round and watch them; her eyes were +sharp as needles, and she knew every nest. He saw her dog, a +retriever, lying on the drive in a patch of sunlight, and called to +him. "Hallo, old fellow-waiting for her too!" The dog came slowly +with a grudging tail, and Soames mechanically laid a pat on his head. +The dog, the bird, the lilac, all were part of Fleur for him; no +more, no less. 'Too fond of her!' he thought, 'too fond!' He was +like a man uninsured, with his ships at sea. Uninsured again--as in +that other time, so long ago, when he would wander dumb and jealous +in the wilderness of London, longing for that woman--his first wife-- +the mother of this infernal boy. Ah! There was the car at last! It +drew up, it had luggage, but no Fleur. + +"Miss Fleur is walking up, sir, by the towing-path." + +Walking all those miles? Soames stared. The man's face had the +beginning of a smile on it. What was he grinning at? And very +quickly he turned, saying, "All right, Sims!" and went into the +house. He mounted to the picture-gallery once more. He had from +there a view of the river bank, and stood with his eyes fixed on it, +oblivious of the fact that it would be an hour at least before her +figure showed there. Walking up! And that fellow's grin! The boy--! +He turned abruptly from the window. He couldn't spy on her. If she +wanted to keep things from him--she must; he could not spy on her. +His heart felt empty, and bitterness mounted from it into his very +mouth. The staccato shouts of Jack Cardigan pursuing the ball, the +laugh of young Mont rose in the stillness and came in. He hoped they +were making that chap Profond run. And the girl in "La Vendimia" +stood with her arm akimbo arid her dreamy eyes looking past him. +'I've done all I could for you,' he thought, 'since you were no +higher than my knee. You aren't going to--to--hurt me, are you?' + +But the Goya copy answered not, brilliant in colour just beginning to +tone down. 'There's no real life in it,' thought Soames. 'Why +doesn't she come?' + + + + +X + +TRIO + + +Among those four Forsytes of the third, and, as one might say, fourth +generation, at Wansdon under the Downs, a week-end prolonged unto the +ninth day had stretched the crossing threads of tenacity almost to +snapping-point. Never had Fleur been so "fine," Holly so watchful, +Val so stable-secretive, Jon so silent and disturbed. What he +learned of farming in that week might have been balanced on the point +of a penknife and puffed off. He, whose nature was essentially +averse from intrigue, and whose adoration of Fleur disposed him to +think that any need for concealing it was "skittles," chafed and +fretted, yet obeyed, taking what relief he could in the few moments +when they were alone. On Thursday, while they were standing in the +bay window of the drawing-room, dressed for dinner, she said to him: + +"Jon, I'm going home on Sunday by the 3.40 from Paddington; if you +were to go home on Saturday you could come up on Sunday and take me +down, and just get back here by the last train, after. You were +going home anyway, weren't you?" + +Jon nodded. + +"Anything to be with you," he said; "only why need I pretend--" + +Fleur slipped her little finger into his palm: + +"You have no instinct, Jon; you must leave things to me. It's +serious about our people. We've simply got to be secret at present, +if we want to be together." The door was opened, and she added +loudly: "You are a duffer, Jon." + +Something turned over within Jon; he could not bear this subterfuge +about a feeling so natural, so overwhelming, and so sweet. + +On Friday night about eleven he had packed his bag, and was leaning +out of his window, half miserable, and half lost in a dream of +Paddington station, when he heard a tiny sound, as of a finger-nail +tapping on his door. He rushed to it and listened. Again the sound. +It was a nail. He opened. Oh! What a lovely thing came in! + +"I wanted to show you my fancy dress," it said, and struck an +attitude at the foot of his bed. + +Jon drew a long breath and leaned against the door. The apparition +wore white muslin on its head, a fichu round its bare neck over a +wine-coloured dress, fulled out below its slender waist. + +It held one arm akimbo, and the other raised, right-angled, holding a +fan which touched its head. + +"This ought to be a basket of grapes," it whispered, "but I haven't +got it here. It's my Goya dress. And this is the attitude in the +picture. Do you like it?" + +"It's a dream." + +The apparition pirouetted. "Touch it, and see." + +Jon knelt down and took the skirt reverently. + +"Grape colour," came the whisper, "all grapes--La Vendimia--the +vintage." + +Jon's fingers scarcely touched each side of the waist; he looked up, +with adoring eyes. + +"Oh! Jon," it whispered; bent, kissed his forehead, pirouetted again, +and, gliding out, was gone. + +Jon stayed on his knees, and his head fell forward against the bed. +How long he stayed like that he did not know. The little noises--of +the tapping nail, the feet, the skirts rustling--as in a dream--went +on about him; and before his closed eyes the figure stood and smiled +and whispered, a faint perfume of narcissus lingering in the air. +And his forehead where it had been kissed had a little cool place +between the brows, like the imprint of a flower. Love filled his +soul, that love of boy for girl which knows so little, hopes so much, +would not brush the down off for the world, and must become in time a +fragrant memory--a searing passion--a humdrum mateship--or, once in +many times, vintage full and sweet with sunset colour on the grapes. + +Enough has been said about Jon Forsyte here and in another place to +show what long marches lay between him and his great-great- +grandfather, the first Jolyon, in Dorset down by the sea. Jon was +sensitive as a girl, more sensitive than nine out of ten girls of the +day; imaginative as one of his half-sister June's "lame duck" +painters; affectionate as a son of his father and his mother +naturally would be. And yet, in his inner tissue, there was +something of the old founder of his family, a secret tenacity of +soul, a dread of showing his feelings, a determination not to know +when he was beaten. Sensitive, imaginative, affectionate boys get a +bad time at school, but Jon had instinctively kept his nature dark, +and been but normally unhappy there. Only with his mother had he, up +till then, been absolutely frank and natural; and when he went home +to Robin Hill that Saturday his heart was heavy because Fleur had +said that he must not be frank and natural with her from whom he had +never yet kept anything, must not even tell her that they had met +again, unless he found that she knew already. So intolerable did +this seem to him that he was very near to telegraphing an excuse and +staying up in London. And the first thing his mother said to him +was: + +"So you've had our little friend of the confectioner's there, Jon. +What is she like on second thoughts?" + +With relief, and a high colour, Jon answered: + +"Oh! awfully jolly, Mum." + +Her arm pressed his. + +Jon had never loved her so much as in that minute which seemed to +falsify Fleur's fears and to release his soul. He turned to look at +her, but something in her smiling face--something which only he +perhaps would have caught--stopped the words bubbling up in him. +Could fear go with a smile? If so, there was fear in her face. And +out of Jon tumbled quite other words, about farming, Holly, and the +Downs. Talking fast, he waited for her to come back to Fleur. But +she did not. Nor did his father mention her, though of course he, +too, must know. What deprivation, and killing of reality was in his +silence about Fleur--when he was so full of her; when his mother was +so full of Jon, and his father so full of his mother! And so the +trio spent the evening of that Saturday. + +After dinner his mother played; she seemed to play all the things he +liked best, and he sat with one knee clasped, and his hair standing +up where his fingers had run through it. He gazed at his mother +while she played, but he saw Fleur--Fleur in the moonlit orchard, +Fleur in the sunlit gravel-pit, Fleur in that fancy dress, swaying, +whispering, stooping, kissing his forehead. Once, while he listened, +he forgot himself and glanced at his father in that other easy chair. +What was Dad looking like that for? The expression on his face was +so sad and puzzling. It filled him with a sort of remorse, so that +he got up and went and sat on the arm of his father's chair. From +there he could not see his face; and again he saw Fleur--in his +mother's hands, slim and white on the keys, in the profile of her +face and her powdery hair; and down the long room in the open window +where the May night walked outside. + +When he went up to bed his mother came into his room. She stood at +the window, and said: + +"Those cypresses your grandfather planted down there have done +wonderfully. I always think they look beautiful under a dropping +moon. I wish you had known your grandfather, Jon." + +"Were you married to father when he was alive?" asked Jon suddenly. + +"No, dear; he died in '92--very old--eighty-five, I think." + +"Is Father like him?" + +"A little, but more subtle, and not quite so solid." + +"I know, from grandfather's portrait; who painted that?" + +"One of June's 'lame ducks.' But it's quite good." + +Jon slipped his hand through his mother's arm. "Tell me about the +family quarrel, Mum." + +He felt her arm quivering. "No, dear; that's for your Father some +day, if he thinks fit." + +"Then it was serious," said Jon, with a catch in his breath. + +"Yes." And there was a silence, during which neither knew whether +the arm or the hand within it were quivering most. + +"Some people," said Irene softly, "think the moon on her back is +evil; to me she's always lovely. Look at those cypress shadows! +Jon, Father says we may go to Italy, you and I, for two months. +Would you like?" + +Jon took his hand from under her arm; his sensation was so sharp and +so confused. Italy with his mother! A fortnight ago it would have +been perfection; now it filled him with dismay; he felt that the +sudden suggestion had to do with Fleur. He stammered out: + +"Oh! yes; only--I don't know. Ought I--now I've just begun? I'd +like to think it over." + +Her voice answered, cool and gentle: + +"Yes, dear; think it over. But better now than when you've begun +farming seriously. Italy with you! It would be nice!" + +Jon put his arm round her waist, still slim and firm as a girl's. + +"Do you think you ought to leave Father?" he said feebly, feeling +very mean. + +"Father suggested it; he thinks you ought to see Italy at least +before you settle down to anything." + +The sense of meanness died in Jon; he knew, yes--he knew--that his +father and his mother were not speaking frankly, no more than he +himself. They wanted to keep him from Fleur. His heart hardened. +And, as if she felt that process going on, his mother said: + +"Good-night, darling. Have a good sleep and think it over. But it +would be lovely!" + +She pressed him to her so quickly that he did not see her face. Jon +stood feeling exactly as he used to when he was a naughty little boy; +sore because he was not loving, and because he was justified in his +own eyes. + +But Irene, after she had stood a moment in her own room, passed +through the dressing-room between it and her husband's. + +"Well?" + +"He will think it over, Jolyon." + +Watching her lips that wore a little drawn smile, Jolyon said +quietly: + +"You had better let me tell him, and have done with it. After all, +Jon has the instincts of a gentleman. He has only to understand--" + +"Only! He can't understand; that's impossible." + +"I believe I could have at his age." + +Irene caught his hand. "You were always more of a realist than Jon; +and never so innocent." + +"That's true," said Jolyon. "It's queer, isn't it? You and I would +tell our stories to the world without a particle of shame; but our +own boy stumps us." + +"We've never cared whether the world approves or not." + +"Jon would not disapprove of us!" + +"Oh! Jolyon, yes. He's in love, I feel he's in love. And he'd say: +'My mother once married without love! How could she have!' It'll +seem to him a crime! And so it was!" + +Jolyon took her hand, and said with a wry smile: + +"Ah! why on earth are we born young? Now, if only we were born old +and grew younger year by year, we should understand how things +happen, and drop all our cursed intolerance. But you know if the boy +is really in love, he won't forget, even if he goes to Italy. We're +a tenacious breed; and he'll know by instinct why he's being sent. +Nothing will really cure him but the shock of being told." + +"Let me try, anyway." + +Jolyon stood a moment without speaking. Between this devil and this +deep sea--the pain of a dreaded disclosure and the grief of losing +his wife for two months--he secretly hoped for the devil; yet if she +wished for the deep sea he must put up with it. After all, it would +be training for that departure from which there would be no return. +And, taking her in his arms, he kissed her eyes, and said: + +"As you will, my love." + + + + +XI + +DUET + + +That "small" emotion, love, grows amazingly when threatened with +extinction. Jon reached Paddington station half an hour before his +time and a full week after, as it seemed to him. He stood at the +appointed bookstall, amid a crowd of Sunday travellers, in a Harris +tweed suit exhaling, as it were, the emotion of his thumping heart. +He read the names of the novels on the book-stall, and bought one at +last, to avoid being regarded with suspicion by the book-stall clerk. +It was called "The Heart of the Trail!" which must mean something, +though it did not seem to. He also bought "The Lady's Mirror" and +"The Landsman." Every minute was an hour long, and full of horrid +imaginings. After nineteen had passed, he saw her with a bag and a +porter wheeling her luggage. She came swiftly; she came cool. She +greeted him as if he were a brother. + +"First class," she said to the porter, "corner seats; opposite." + +Jon admired her frightful self-possession. + +"Can't we get a carriage to ourselves," he whispered. + +"No good; it's a stopping train. After Maidenhead perhaps. Look +natural, Jon." + +Jon screwed his features into a scowl. They got in--with two other +beasts!--oh! heaven! He tipped the porter unnaturally, in his +confusion. The brute deserved nothing for putting them in there, and +looking as if he knew all about it into the bargain. + +Fleur hid herself behind "The Lady's Mirror." Jon imitated her +behind "The Landsman." The train started. Fleur let "The Lady's +Mirror" fall and leaned forward. + +"Well?" she said. + +"It's seemed about fifteen days." + +She nodded, and Jon's face lighted up at once. + +"Look natural," murmured Fleur, and went off into a bubble of +laughter. It hurt him. How could he look natural with Italy hanging +over him? He had meant to break it to her gently, but now he blurted +it out. + +"They want me to go to Italy with Mother for two months." + +Fleur drooped her eyelids; turned a little pale, and bit her lips. +"Oh!" she said. It was all, but it was much. + +That "Oh!" was like the quick drawback of the wrist in fencing ready +for riposte. It came. + +"You must go!" + +"Go?" said Jon in a strangled voice. + +"Of course." + +"But--two months--it's ghastly." + +"No," said Fleur, "six weeks. You'll have forgotten me by then. +We'll meet in the National Gallery the day after you get back." + +Jon laughed. + +"But suppose you've forgotten me," he muttered into the noise of the +train. + +Fleur shook her head. + +"Some other beast--" murmured Jon. + +Her foot touched his. + +"No other beast," she said, lifting "The Lady's Mirror." + +The train stopped; two passengers got out, and one got in. + +'I shall die,' thought Jon, 'if we're not alone at all.' + +The train went on; and again Fleur leaned forward. + +"I never let go," she said; "do you?" + +Jon shook his head vehemently. + +"Never!" he said. "Will you write to me?" + +"No; but you can--to my Club." + +She had a Club; she was wonderful! + +"Did you pump Holly?" he muttered. + +"Yes, but I got nothing. I didn't dare pump hard." + +"What can it be?" cried Jon. + +"I shall find out all right." + +A long silence followed till Fleur said: "This is Maidenhead; stand +by, Jon!" + +The train stopped. The remaining passenger got out. Fleur drew down +her blind. + +"Quick!" she cried. "Hang out! Look as much of a beast as you can." + +Jon blew his nose, and scowled; never in all his life had he scowled +like that! An old lady recoiled, a young one tried the handle. It +turned, but the door would not open. The train moved, the young lady +darted to another carriage. + +"What luck!" cried Jon. "It Jammed." + +"Yes," said Fleur; "I was holding it." + +The train moved out, and Jon fell on his knees. + +"Look out for the corridor," she whispered; "and--quick!" + +Her lips met his. And though their kiss only lasted perhaps ten +seconds, Jon's soul left his body and went so far beyond, that, when +he was again sitting opposite that demure figure, he was pale as +death. He heard her sigh, and the sound seemed to him the most +precious he had ever heard--an exquisite declaration that he meant +something to her. + +"Six weeks isn't really long," she said; "and you can easily make it +six if you keep your head out there, and never seem to think of me." + +Jon gasped. + +"This is just what's really wanted, Jon, to convince them, don't you +see? If we're just as bad when you come back they'll stop being +ridiculous about it. Only, I'm sorry it's not Spain; there's a girl +in a Goya picture at Madrid who's like me, Father says. Only she +isn't--we've got a copy of her." + +It was to Jon like a ray of sunshine piercing through a fog. "I'll +make it Spain," he said, "Mother won't mind; she's never been there. +And my Father thinks a lot of Goya." + +"Oh! yes, he's a painter--isn't he?" + +"Only water-colour," said Jon, with honesty. + +"When we come to Reading, Jon, get out first and go down to Caversham +lock and wait for me. I'll send the car home and we'll walk by the +towing-path." + +Jon seized her hand in gratitude, and they sat silent, with the world +well lost, and one eye on the corridor. But the train seemed to run +twice as fast now, and its sound was almost lost in that of Jon's +sighing. + +"We're getting near," said Fleur; "the towing-path's awfully exposed. +One more! Oh! Jon, don't forget me." + +Jon answered with his kiss. And very soon, a flushed, distracted- +looking youth could have been seen--as they say--leaping from the +train and hurrying along the platform, searching his pockets for his +ticket. + +When at last she rejoined him on the towing-path a little beyond +Caversham lock he had made an effort, and regained some measure of +equanimity. If they had to part, he would not make a scene! A +breeze by the bright river threw the white side of the willow leaves +up into the sunlight, and followed those two with its faint rustle. + +"I told our chauffeur that I was train-giddy," said Fleur. "Did you +look pretty natural as you went out?" + +"I don't know. What is natural?" + +"It's natural to you to look seriously happy. When I first saw you I +thought you weren't a bit like other people." + +"Exactly what I thought when I saw you. I knew at once I should +never love anybody else." + +Fleur laughed. + +"We're absurdly young. And love's young dream is out of date, Jon. +Besides, it's awfully wasteful. Think of all the fun you might have. +You haven't begun, even; it's a shame, really. And there's me. I +wonder!" + +Confusion came on Jon's spirit. How could she say such things just +as they were going to part? + +"If you feel like that," he said, "I can't go. I shall tell Mother +that I ought to try and work. There's always the condition of the +world!" + +"The condition of the world!" + +Jon thrust his hands deep into his pockets. + +"But there is," he said; "think of the people starving!" + +Fleur shook her head. "No, no, I never, never will make myself +miserable for nothing." + +"Nothing! But there's an awful state of things, and of course one +ought to help." + +"Oh! yes, I know all that. But you can't help people, Jon; they're +hopeless. When you pull them out they only get into another hole. +Look at them, still fighting and plotting and struggling, though +they're dying in heaps all the time. Idiots!" + +"Aren't you sorry for them?" + +"Oh! sorry--yes, but I'm not going to make myself unhappy about it; +that's no good." + +And they were silent, disturbed by this first glimpse of each other's +natures. + +"I think people are brutes and idiots," said Fleur stubbornly. + +"I think they're poor wretches," said Jon. It was as if they had +quarrelled--and at this supreme and awful moment, with parting +visible out there in that last gap of the willows! + +"Well, go and help your poor wretches, and don't think of me." + +Jon stood still. Sweat broke out on his forehead, and his limbs +trembled. Fleur too had stopped, and was frowning at the river. + +"I must believe in things," said Jon with a sort of agony; "we're all +meant to enjoy life." + +Fleur laughed. "Yes; and that's what you won't do, if you don't take +care. But perhaps your idea of enjoyment is to make yourself +wretched. There are lots of people like that, of course." + +She was pale, her eyes had darkened, her lips had thinned. Was it +Fleur thus staring at the water? Jon had an unreal feeling as if he +were passing through the scene in a book where the lover has to +choose between love and duty. But just then she looked round at him. +Never was anything so intoxicating as that vivacious look. It acted +on him exactly as the tug of a chain acts on a dog--brought him up to +her with his tail wagging and his tongue out. + +"Don't let's be silly," she said, "time's too short. Look, Jon, you +can just see where I've got to cross the river. There, round the +bend, where the woods begin." + +Jon saw a gable, a chimney or two, a patch of wall through the trees- +-and felt his heart sink. + +"I mustn't dawdle any more. It's no good going beyond the next +hedge, it gets all open. Let's get on to it and say good-bye." + +They went side by side, hand in hand, silently toward the hedge, +where the may-flower, both pink and white, was in full bloom. + +"My Club's the 'Talisman,' Stratton Street, Piccadilly. Letters +there will be quite safe, and I'm almost always up once a week." + +Jon nodded. His face had become extremely set, his eyes stared +straight before him. + +"To-day's the twenty-third of May," said Fleur; "on the ninth of July +I shall be in front of the 'Bacchus and Ariadne' at three o'clock; +will you?" + +"I will." + +"If you feel as bad as I it's all right. Let those people pass!" + +A man and woman airing their children went by strung out in Sunday +fashion. + +The last of them passed the wicket gate. + +"Domesticity!" said Fleur, and blotted herself against the hawthorn +hedge. The blossom sprayed out above her head, and one pink cluster +brushed her cheek. Jon put up his hand jealously to keep it off. + +"Good-bye, Jon." For a second they stood with hands hard clasped. +Then their lips met for the third time, and when they parted Fleur +broke away and fled through the wicket gate. Jon stood where she had +left him, with his forehead against that pink cluster. Gone! For an +eternity--for seven weeks all but two days! And here he was, wasting +the last sight of her! He rushed to the gate. She was walking +swiftly on the heels of the straggling children. She turned her +head, he saw her hand make a little flitting gesture; then she sped +on, and the trailing family blotted her out from his view. + +The words of a comic song-- + + "Paddington groan-worst ever known-- + He gave a sepulchral Paddington groan--" + +came into his head, and he sped incontinently back to Reading +station. All the way up to London and down to Wansdon he sat with +"The Heart of the Trail" open on his knee, knitting in his head a +poem so full of feeling that it would not rhyme. + + + + +XII + +CAPRICE + + +Fleur sped on. She had need of rapid motion; she was late, and +wanted all her wits about her when she got in. She passed the +islands, the station, and hotel, and was about to take the ferry, +when she saw a skiff with a young man standing up in it, and holding +to the bushes. + +"Miss Forsyte," he said; "let me put you across. I've come on +purpose." + +She looked at him in blank amazement. + +"It's all right, I've been having tea with your people. I thought +I'd save you the last bit. It's on my way, I'm just off back to +Pangbourne. My name's Mont. I saw you at the picture-gallery--you +remember--when your father invited me to see his pictures." + +"Oh!" said Fleur; "yes--the handkerchief." + +To this young man she owed Jon; and, taking his hand, she stepped +down into the skiff. Still emotional, and a little out of breath, +she sat silent; not so the young man. She had never heard any one +say so much in so short a time. He told her his age, twenty-four; +his weight, ten stone eleven; his place of residence, not far away; +described his sensations under fire, and what it felt like to be +gassed; criticized the Juno, mentioned his own conception of that +goddess; commented on the Goya copy, said Fleur was not too awfully +like it; sketched in rapidly the condition of England; spoke of +Monsieur Profond--or whatever his name was--as "an awful sport"; +thought her father had some "ripping" pictures and some rather "dug- +up"; hoped he might row down again and take her on the river because +he was quite trustworthy; inquired her opinion of Tchekov, gave her +his own; wished they could go to the Russian ballet together some +time--considered the name Fleur Forsyte simply topping; cursed his +people for giving him the name of Michael on the top of Mont; +outlined his father, and said that if she wanted a good book she +should read "Job"; his father was rather like Job while Job still had +land. + +"But Job didn't have land," Fleur murmured; "he only had flocks and +herds and moved on." + +"Ah!" answered Michael Mont, "I wish my gov'nor would move on. Not +that I want his land. Land's an awful bore in these days, don't you +think?" + +"We never have it in my family," said Fleur. "We have everything +else. I believe one of my great-uncles once had a sentimental farm +in Dorset, because we came from there originally, but it cost him +more than it made him happy." + +"Did he sell it?" + +"No; he kept it." + +"Why?" + +"Because nobody would buy it." + +"Good for the old boy!" + +"No, it wasn't good for him. Father says it soured him. His name +was Swithin." + +"What a corking name!" + +"Do you know that we're getting farther off, not nearer? This river +flows." + +"Splendid!" cried Mont, dipping his sculls vaguely; "it's good to +meet a girl who's got wit." + +"But better to meet a young man who's got it in the plural." + +Young Mont raised a hand to tear his hair. + +"Look out!" cried Fleur. "Your scull!" + +"All right! It's thick enough to bear a scratch." + +"Do you mind sculling?" said Fleur severely. "I want to get in." + +"Ah!" said Mont; "but when you get in, you see, I shan't see you any +more to-day. Fini, as the French girl said when she jumped on her +bed after saying her prayers. Don't you bless the day that gave you +a French mother, and a name like yours?" + +"I like my name, but Father gave it me. Mother wanted me called +Marguerite." + +"Which is absurd. Do you mind calling me M. M. and letting me call +you F. F.? It's in the spirit of the age." + +"I don't mind anything, so long as I get in." + +Mont caught a little crab, and answered: "That was a nasty one!" + +"Please row." + +"I am." And he did for several strokes, looking at her with rueful +eagerness. "Of course, you know," he ejaculated, pausing, "that I +came to see you, not your father's pictures." + +Fleur rose. + +"If you don't row, I shall get out and swim." + +"Really and truly? Then I could come in after you." + +"Mr. Mont, I'm late and tired; please put me on shore at once." + +When she stepped out on to the garden landing-stage he rose, and +grasping his hair with both hands, looked at her. + +Fleur smiled. + +"Don't!" cried the irrepressible Mont. "I know you're going to say: +'Out, damned hair!'" + +Fleur whisked round, threw him a wave of her hand. "Good-bye, Mr. +M.M.!" she called, and was gone among the rose-trees. She looked at +her wrist-watch and the windows of the house. It struck her as +curiously uninhabited. Past six! The pigeons were just gathering to +roost, and sunlight slanted on the dovecot, on their snowy feathers, +and beyond in a shower on the top boughs of the woods. The click of +billiard-balls came from the ingle-nook--Jack Cardigan, no doubt; a +faint rustling, too, from an eucalyptus-tree, startling Southerner in +this old English garden. She reached the verandah and was passing +in, but stopped at the sound of voices from the drawing-room to her +left. Mother! Monsieur Profond! From behind the verandah screen +which fenced the ingle-nook she heard these words: + +"I don't, Annette." + +Did Father know that he called her mother "Annette"? Always on the +side of her Father--as children are ever on one side or the other in +houses where relations are a little strained--she stood, uncertain. +Her mother was speaking in her low, pleasing, slightly metallic +voice--one word she caught: "Demain." And Profond's answer: "All +right." Fleur frowned. A little sound came out into the stillness. +Then Profond's voice: "I'm takin' a small stroll." + +Fleur darted through the window into the morning-room. There he came +from the drawing-room, crossing the verandah, down the lawn; and the +click of billiard-balls which, in listening for other sounds, she had +ceased to hear, began again. She shook herself, passed into the +hall, and opened the drawing-room door. Her mother was sitting on +the sofa between the windows, her knees crossed, her head resting on +a cushion, her lips half parted, her eyes half closed. She looked +extraordinarily handsome. + +"Ah! Here you are, Fleur! Your father is beginning to fuss." + +"Where is he?" + +"In the picture-gallery. Go up!" + +"What are you going to do to-morrow, Mother?" + +"To-morrow? I go up to London with your aunt." + +"I thought you might be. Will you get me a quite plain parasol?" +What colour?" + +"Green. They're all going back, I suppose." + +"Yes, all; you will console your father. Kiss me, then." + +Fleur crossed the room, stooped, received a kiss on her forehead, and +went out past the impress of a form on the sofa-cushions in the other +corner. She ran up-stairs. + +Fleur was by no means the old-fashioned daughter who demands the +regulation of her parents' lives in accordance with the standard +imposed upon herself. She claimed to regulate her own life, not +those of others; besides, an unerring instinct for what was likely to +advantage her own case was already at work. In a disturbed domestic +atmosphere the heart she had set on Jon would have a better chance. +None the less was she offended, as a flower by a crisping wind. If +that man had really been kissing her mother it was--serious, and her +father ought to know. "Demain!" "All right!" And her mother going +up to Town! She turned into her bedroom and hung out of the window +to cool her face, which had suddenly grown very hot. Jon must be at +the station by now! What did her father know about Jon? Probably +everything--pretty nearly! + +She changed her dress, so as to look as if she had been in some time, +and ran up to the gallery. + +Soames was standing stubbornly still before his Alfred Stevens--the +picture he loved best. He did not turn at the sound of the door, but +she knew he had heard, and she knew he was hurt. She came up softly +behind him, put her arms round his neck, and poked her face over his +shoulder till her cheek lay against his. It was an advance which had +never yet failed, but it failed her now, and she augured the worst. +"Well," he said stonily, "so you've come!" + +"Is that all," murmured Fleur, "from a bad parent?" And she rubbed +her cheek against his. + +Soames shook his head so far as that was possible. + +"Why do you keep me on tenterhooks like this, putting me off and +off?" + +"Darling, it was very harmless." + +"Harmless! Much you know what's harmless and what isn't." + +Fleur dropped her arms. + +"Well, then, dear, suppose you tell me; and be quite frank about it." + +And she went over to the window-seat. + +Her father had turned from his picture, and was staring at his feet. +He looked very grey. 'He has nice small feet,' she thought, catching +his eye, at once averted from her. + +"You're my only comfort," said Soames suddenly, "and you go on like +this." + +Fleur's heart began to beat. + +"Like what, dear?" + +Again Soames gave her a look which, but for the affection in it, +might have been called furtive. + +"You know what I told you," he said. "I don't choose to have +anything to do with that branch of our family." + +"Yes, ducky, but I don't know why I shouldn't." + +Soames turned on his heel. + +"I'm not going into the reasons," he said; "you ought to trust me, +Fleur!" + +The way he spoke those words affected Fleur, but she thought of Jon, +and was silent, tapping her foot against the wainscot. Unconsciously +she had assumed a modern attitude, with one leg twisted in and out of +the other, with her chin on one bent wrist, her other arm across her +chest, and its hand hugging her elbow; there was not a line of her +that was not involuted, and yet--in spite of all--she retained a +certain grace. + +"You knew my wishes," Soames went on, "and yet you stayed on there +four days. And I suppose that boy came with you to-day." + +Fleur kept her eyes on him. + +"I don't ask you anything," said Soames; "I make no inquisition where +you're concerned." + +Fleur suddenly stood up, leaning out at the window with her chin on +her hands. The sun had sunk behind trees, the pigeons were perched, +quite still, on the edge of the dove-cot; the click of the billiard- +balls mounted, and a faint radiance shone out below where Jack +Cardigan had turned the light up. + +"Will it make you any happier," she said suddenly, "if I promise you +not to see him for say--the next six weeks?" She was not prepared for +a sort of tremble in the blankness of his voice. + +"Six weeks? Six years--sixty years more like. Don't delude +yourself, Fleur; don't delude yourself!" + +Fleur turned in alarm. + +"Father, what is it?" + +Soames came close enough to see her face. + +"Don't tell me," he said, "that you're foolish enough to have any +feeling beyond caprice. That would be too much!" And he laughed. + +Fleur, who had never heard him laugh like that, thought: 'Then it is +deep! Oh! what is it?' And putting her hand through his arm she +said lightly: + +"No, of course; caprice. Only, I like my caprices and I don't like +yours, dear." + +"Mine!" said Soames bitterly, and turned away. + +The light outside had chilled, and threw a chalky whiteness on the +river. The trees had lost all gaiety of colour. She felt a sudden +hunger for Jon's face, for his hands, and the feel of his lips again +on hers. And pressing her arms tight across her breast she forced +out a little light laugh. + +"O la! la! What a small fuss! as Profond would say. Father, I don't +like that man." + +She saw him stop, and take something out of his breast pocket. + +"You don't?" he said. "Why?" + +"Nothing," murmured Fleur; "just caprice!" + +"No," said Soames; "not caprice!" And he tore what was in his hands +across. "You're right. I don't like him either!" + +"Look!" said Fleur softly. "There he goes! I hate his shoes; they +don't make any noise." + +Down in the failing light Prosper Profond moved, his hands in his +side pockets, whistling softly in his beard; he stopped, and glanced +up at the sky, as if saying: "I don't think much of that small moon." + +Fleur drew back. "Isn't he a great cat?" she whispered; and the +sharp click of the billiard-balls rose, as if Jack Cardigan had +capped the cat, the moon, caprice, and tragedy with: "In off the +red!" + +Monsieur Profond had resumed his stroll, to a teasing little tune in +his beard. What was it? Oh! yes, from "Rigoletto": "Donna a +mobile." Just what he would think! She squeezed her father's arm. + +"Prowling!" she muttered, as he turned the corner of the house. It +was past that disillusioned moment which divides the day and night- +still and lingering and warm, with hawthorn scent and lilac scent +clinging on the riverside air. A blackbird suddenly burst out. Jon +would be in London by now; in the Park perhaps, crossing the +Serpentine, thinking of her! A little sound beside her made her turn +her eyes; her father was again tearing the paper in his hands. Fleur +saw it was a cheque. + +"I shan't sell him my Gauguin," he said. "I don't know what your +aunt and Imogen see in him." + +"Or Mother." + +"Your mother!" said Soames. + +'Poor Father!' she thought. 'He never looks happy--not really happy. +I don't want to make him worse, but of course I shall have to, when +Jon comes back. Oh! well, sufficient unto the night!' + +"I'm going to dress," she said. + +In her room she had a fancy to put on her "freak" dress. It was of +gold tissue with little trousers of the same, tightly drawn in at the +ankles, a page's cape slung from the shoulders, little gold shoes, +and a gold-winged Mercury helmet; and all over her were tiny gold +bells, especially on the helmet; so that if she shook her head she +pealed. When she was dressed she felt quite sick because Jon could +not see her; it even seemed a pity that the sprightly young man +Michael Mont would not have a view. But the gong had sounded, and +she went down. + +She made a sensation in the drawing-room. Winifred thought it "Most +amusing." Imogen was enraptured. Jack Cardigan called it +"stunning," "ripping," "topping," and "corking." + +Monsieur Profond, smiling with his eyes, said: "That's a nice small +dress!" Her mother, very handsome in black, sat looking at her, and +said nothing. It remained for her father to apply the test of common +sense. "What did you put on that thing for? You're not going to +dance." + +Fleur spun round, and the bells pealed. + +"Caprice!" + +Soames stared at her, and, turning away, gave his arm to Winifred. +Jack Cardigan took her mother. Prosper Profond took Imogen. Fleur +went in by herself, with her bells jingling.... + +The "small" moon had soon dropped down, and May night had fallen soft +and warm, enwrapping with its grape-bloom colour and its scents the +billion caprices, intrigues, passions, longings, and regrets of men +and women. Happy was Jack Cardigan who snored into Imogen's white +shoulder, fit as a flea; or Timothy in his "mausoleum," too old for +anything but baby's slumber. For so many lay awake, or dreamed, +teased by the criss-cross of the world. + +The dew fell and the flowers closed; cattle grazed on in the river +meadows, feeling with their tongues for the grass they could not see; +and the sheep on the Downs lay quiet as stones. Pheasants in the +tall trees of the Pangbourne woods, larks on their grassy nests above +the gravel-pit at Wansdon, swallows in the eaves at Robin Hill, and +the sparrows of Mayfair, all made a dreamless night of it, soothed by +the lack of wind. The Mayfly filly, hardly accustomed to her new +quarters, scraped at her straw a little; and the few night-flitting +things--bats, moths, owls--were vigorous in the warm darkness; but +the peace of night lay in the brain of all day-time Nature, +colourless and still. Men and women, alone, riding the hobby-horses +of anxiety or love, burned their wavering tapers of dream and thought +into the lonely hours. + +Fleur, leaning out of her window, heard the hall clock's muffled +chime of twelve, the tiny splash of a fish, the sudden shaking of an +aspen's leaves in the puffs of breeze that rose along the river, the +distant rumble of a night train, and time and again the sounds which +none can put a name to in the darkness, soft obscure expressions of +uncatalogued emotions from man and beast, bird and machine, or, +maybe, from departed Forsytes, Darties, Cardigans, taking night +strolls back into a world which had once suited their embodied +spirits. But Fleur heeded not these sounds; her spirit, far from +disembodied, fled with swift wing from railway-carriage to flowery +hedge, straining after Jon, tenacious of his forbidden image, and the +sound of his voice, which was taboo. And she crinkled her nose, +retrieving from the perfume of the riverside night that moment when +his hand slipped between the mayflowers and her cheek. Long she +leaned out in her freak dress, keen to burn her wings at life's +candle; while the moths brushed her cheeks on their pilgrimage to the +lamp on her dressing-table, ignorant that in a Forsyte's house there +is no open flame. But at last even she felt sleepy, and, forgetting +her bells, drew quickly in. + +Through the open window of his room, alongside Annette's, Soames, +wakeful too, heard their thin faint tinkle, as it might be shaken +from stars, or the dewdrops falling from a flower, if one could hear +such sounds. + +'Caprice!' he thought. 'I can't tell. She's wilful. What shall I +do? Fleur!' + +And long into the "small" night he brooded. + + + + + + +PART II + + + +I + +MOTHER AND SON + + +To say that Jon Forsyte accompanied his mother to Spain unwillingly +would scarcely have been adequate. He went as a well-natured dog +goes for a walk with its mistress, leaving a choice mutton-bone on +the lawn. He went looking back at it. Forsytes deprived of their +mutton-bones are wont to sulk. But Jon had little sulkiness in his +composition. He adored his mother, and it was his first travel. +Spain had become Italy by his simply saying: "I'd rather go to Spain, +Mum; you've been to Italy so many times; I'd like it new to both of +us." + +The fellow was subtle besides being naive. He never forgot that he +was going to shorten the proposed two months into six weeks, and must +therefore show no sign of wishing to do so. For one with so enticing +a mutton-bone and so fixed an idea, he made a good enough travelling +companion, indifferent to where or when he arrived, superior to food, +and thoroughly appreciative of a country strange to the most +travelled Englishman. Fleur's wisdom in refusing to write to him was +profound, for he reached each new place entirely without hope or +fever, and could concentrate immediate attention on the donkeys and +tumbling bells, the priests, patios, beggars, children, crowing +cocks, sombreros, cactus-hedges, old high white villages, goats, +olive-trees, greening plains, singing birds in tiny cages, +watersellers, sunsets, melons, mules, great churches, pictures, and +swimming grey-brown mountains of a fascinating land. + +It was already hot, and they enjoyed an absence of their compatriots. +Jon, who, so far as he knew, had no blood in him which was not +English, was often innately unhappy in the presence of his own +countrymen. He felt they had no nonsense about them, and took a more +practical view of things than himself. He confided to his mother +that he must be an unsociable beast--it was jolly to be away from +everybody who could talk about the things people did talk about. To +which Irene had replied simply: + +"Yes, Jon, I know." + +In this isolation he had unparalleled opportunities of appreciating +what few sons can apprehend, the whole-heartedness of a mother's +love. Knowledge of something kept from her made him, no doubt, +unduly sensitive; and a Southern people stimulated his admiration for +her type of beauty, which he had been accustomed to hear called +Spanish, but which he now perceived to be no such thing. Her beauty +was neither English, French, Spanish, nor Italian--it was special! +He appreciated, too, as never before, his mother's subtlety of +instinct. He could not tell, for instance, whether she had noticed +his absorption in that Goya picture, "La Vendimia," or whether she +knew that he had slipped back there after lunch and again next +morning, to stand before it full half an hour, a second and third +time. It was not Fleur, of course, but like enough to give him +heartache--so dear to lovers--remembering her standing at the foot of +his bed with her hand held above her head. To keep a postcard +reproduction of this picture in his pocket and slip it out to look at +became for Jon one of those bad habits which soon or late disclose +themselves to eyes sharpened by love, fear, or jealousy. And his +mother's were sharpened by all three. In Granada he was fairly +caught, sitting on a sun-warmed stone bench in a little battlemented +garden on the Alhambra hill, whence he ought to have been looking at +the view. His mother, he had thought, was examining the potted +stocks between the polled acacias, when her voice said: + +"Is that your favourite Goya, Jon?" + +He checked, too late, a movement such as he might have made at school +to conceal some surreptitious document, and answered: "Yes." + +"It certainly is most charming; but I think I prefer the 'Quitasol' +Your father would go crazy about Goya; I don't believe he saw them +when he was in Spain in '92." + +In '92--nine years before he had been born! What had been the +previous existences of his father and his mother? If they had a +right to share in his future, surely he had a right to share in their +pasts. He looked up at her. But something in her face--a look of +life hard-lived, the mysterious impress of emotions, experience, and +suffering-seemed, with its incalculable depth, its purchased +sanctity, to make curiosity impertinent. His mother must have had a +wonderfully interesting life; she was so beautiful, and so--so--but +he could not frame what he felt about her. He got up, and stood +gazing down at the town, at the plain all green with crops, and the +ring of mountains glamorous in sinking sunlight. Her life was like +the past of this old Moorish city, full, deep, remote--his own life +as yet such a baby of a thing, hopelessly ignorant and innocent! +They said that in those mountains to the West, which rose sheer from +the blue-green plain, as if out of a sea, Phoenicians had dwelt--a +dark, strange, secret race, above the land! His mother's life was as +unknown to him, as secret, as that Phoenician past was to the town +down there, whose cocks crowed and whose children played and +clamoured so gaily, day in, day out. He felt aggrieved that she +should know all about him and he nothing about her except that she +loved him and his father, and was beautiful. His callow ignorance-- +he had not even had the advantage of the War, like nearly everybody +else!--made him small in his own eyes. + +That night, from the balcony of his bedroom, he gazed down on the +roof of the town--as if inlaid with honeycomb of jet, ivory, and +gold; and, long after, he lay awake, listening to the cry of the +sentry as the hours struck, and forming in his head these lines: + + "Voice in the night crying, down in the old sleeping + Spanish city darkened under her white stars! + + "What says the voice-its clear-lingering anguish? + Just the watchman, telling his dateless tale of safety? + Just a road-man, flinging to the moon his song? + + "No! Tis one deprived, whose lover's heart is weeping, + Just his cry: 'How long?'" + +The word "deprived" seemed to him cold and unsatisfactory, but +"bereaved" was too final, and no other word of two syllables short- +long came to him, which would enable him to keep "whose lover's heart +is weeping." It was past two by the time he had finished it, and +past three before he went to sleep, having said it over to himself at +least twenty-four times. Next day he wrote it out and enclosed it in +one of those letters to Fleur which he always finished before he went +down, so as to have his mind free and companionable. + +About noon that same day, on the tiled terrace of their hotel, he +felt a sudden dull pain in the back of his head, a queer sensation in +the eyes, and sickness. The sun had touched him too affectionately. +The next three days were passed in semi-darkness, and a dulled, +aching indifference to all except the feel of ice on his forehead and +his mother's smile. She never moved from his room, never relaxed her +noiseless vigilance, which seemed to Jon angelic. But there were +moments when he was extremely sorry for himself, and wished terribly +that Fleur could see him. Several times he took a poignant imaginary +leave of her and of the earth, tears oozing out of his eyes. He even +prepared the message he would send to her by his mother--who would +regret to her dying day that she had ever sought to separate them-- +his poor mother! He was not slow, however, in perceiving that he had +now his excuse for going home. + +Toward half-past six each evening came a "gasgacha" of bells--a +cascade of tumbling chimes, mounting from the city below and falling +back chime on chime. After listening to them on the fourth day he +said suddenly: + +"I'd like to be back in England, Mum, the sun's too hot." + +"Very well, darling. As soon as you're fit to travel" And at once +he felt better, and--meaner. + +They had been out five weeks when they turned toward home. Jon's +head was restored to its pristine clarity, but he was confined to a +hat lined by his mother with many layers of orange and green silk and +he still walked from choice in the shade. As the long struggle of +discretion between them drew to its close, he wondered more and more +whether she could see his eagerness to get back to that which she had +brought him away from. Condemned by Spanish Providence to spend a +day in Madrid between their trains, it was but natural to go again to +the Prado. Jon was elaborately casual this time before his Goya +girl. Now that he was going back to her, he could afford a lesser +scrutiny. It was his mother who lingered before the picture, saying: + +"The face and the figure of the girl are exquisite." + +Jon heard her uneasily. Did she understand? But he felt once more +that he was no match for her in self-control and subtlety. She +could, in some supersensitive way, of which he had not the secret, +feel the pulse of his thoughts; she knew by instinct what he hoped +and feared and wished. It made him terribly uncomfortable and +guilty, having, beyond most boys, a conscience. He wished she would +be frank with him, he almost hoped for an open struggle. But none +came, and steadily, silently, they travelled north. Thus did he +first learn how much better than men women play a waiting game. In +Paris they had again to pause for a day. Jon was grieved because it +lasted two, owing to certain matters in connection with a dressmaker; +as if his mother, who looked beautiful in anything, had any need of +dresses! The happiest moment of his travel was that when he stepped +on to the Folkestone boat. + +Standing by the bulwark rail, with her arm in his, she said + +"I'm afraid you haven't enjoyed it much, Jon. But you've been very +sweet to me." + +Jon squeezed her arm. + +"Oh I yes, I've enjoyed it awfully-except for my head lately." + +And now that the end had come, he really had, feeling a sort of +glamour over the past weeks--a kind of painful pleasure, such as he +had tried to screw into those lines about the voice in the night +crying; a feeling such as he had known as a small boy listening +avidly to Chopin, yet wanting to cry. And he wondered why it was +that he couldn't say to her quite simply what she had said to him: + +"You were very sweet to me." Odd--one never could be nice and +natural like that! He substituted the words: "I expect we shall be +sick." + +They were, and reached London somewhat attenuated, having been away +six weeks and two days, without a single allusion to the subject +which had hardly ever ceased to occupy their minds. + + + + +II + +FATHERS AND DAUGHTERS + + +Deprived of his wife and son by the Spanish adventure, Jolyon found +the solitude at Robin Hill intolerable. A philosopher when he has +all that he wants is different from a philosopher when he has not. +Accustomed, however, to the idea, if not to the reality of +resignation, he would perhaps have faced it out but for his daughter +June. He was a "lame duck" now, and on her conscience. Having +achieved--momentarily--the rescue of an etcher in low circumstances, +which she happened to have in hand, she appeared at Robin Hill a +fortnight after Irene and Jon had gone. June was living now in a +tiny house with a big studio at Chiswick. A Forsyte of the best +period, so far as the lack of responsibility was concerned, she had +overcome the difficulty of a reduced income in a manner satisfactory +to herself and her father. The rent of the Gallery off Cork Street +which he had bought for her and her increased income tax happening to +balance, it had been quite simpl--she no longer paid him the rent. +The Gallery might be expected now at any time, after eighteen years +of barren usufruct, to pay its way, so that she was sure her father +would not feel it. Through this device she still had twelve hundred +a year, and by reducing what she ate, and, in place of two Belgians +in a poor way, employing one Austrian in a poorer, practically the +same surplus for the relief of genius. After three days at Robin +Hill she carried her father back with her to Town. In those three +days she had stumbled on the secret he had kept for two years, and +had instantly decided to cure him. She knew, in fact, the very man. +He had done wonders with. Paul Post--that painter a little in +advance of Futurism; and she was impatient with her father because +his eyebrows would go up, and because he had heard of neither. Of +course, if he hadn't "faith" he would never get well! It was absurd +not to have faith in the man who had healed Paul Post so that he had +only just relapsed, from having overworked, or overlived, himself +again. The great thing about this healer was that he relied on +Nature. He had made a special study of the symptoms of Nature--when +his patient failed in any natural symptom he supplied the poison +which caused it--and there you were! She was extremely hopeful. Her +father had clearly not been living a natural life at Robin Hill, and +she intended to provide the symptoms. He was--she felt--out of touch +with the times, which was not natural; his heart wanted stimulating. +In the little Chiswick house she and the Austrian--a grateful soul, +so devoted to June for rescuing her that she was in danger of decease +from overwork--stimulated Jolyon in all sorts of ways, preparing him +for his cure. But they could not keep his eyebrows down; as, for +example, when the Austrian woke him at eight o'clock just as he was +going to sleep, or June took The Times away from him, because it was +unnatural to read "that stuff" when he ought to be taking an interest +in "life." He never failed, indeed, to be astonished at her +resource, especially in the evenings. For his benefit, as she +declared, though he suspected that she also got something out of it, +she assembled the Age so far as it was satellite to genius; and with +some solemnity it would move up and down the studio before him in the +Fox-trot, and that more mental form of dancing--the One-step--which +so pulled against the music, that Jolyon's eyebrows would be almost +lost in his hair from wonder at the strain it must impose on the +dancer's will-power. Aware that, hung on the line in the Water +Colour Society, he was a back number to those with any pretension to +be called artists, he would sit in the darkest corner he could find, +and wonder about rhythm, on which so long ago he had been raised. +And when June brought some girl or young man up to him, he would rise +humbly to their level so far as that was possible, and think: 'Dear +me! This is very dull for them!' Having his father's perennial +sympathy with Youth, he used to get very tired from entering into +their points of view. But it was all stimulating, and he never +failed in admiration of his daughter's indomitable spirit. Even +genius itself attended these gatherings now and then, with its nose +on one side; and June always introduced it to her father. This, she +felt, was exceptionally good for him, for genius was a natural +symptom he had never had--fond as she was of him. + +Certain as a man can be that she was his own daughter, he often +wondered whence she got herself--her red-gold hair, now greyed into a +special colour; her direct, spirited face, so different from his own +rather folded and subtilised countenance, her little lithe figure, +when he and most of the Forsytes were tall. And he would dwell on +the origin of species, and debate whether she might be Danish or +Celtic. Celtic, he thought, from her pugnacity, and her taste in +fillets and djibbahs. It was not too much to say that he preferred +her to the Age with which she was surrounded, youthful though, for +the greater part, it was. She took, however, too much interest in +his teeth, for he still had some of those natural symptoms. Her +dentist at once found "Staphylococcus aureus present in pure culture" +(which might cause boils, of course), and wanted to take out all the +teeth he had and supply him with two complete sets of unnatural +symptoms. Jolyon's native tenacity was roused, and in the studio +that evening he developed his objections. He had never had any +boils, and his own teeth would last his time. Of course--June +admitted--they would last his time if he didn't have them out! But +if he had more teeth he would have a better heart and his time would +be longer. His recalcitrance--she said--was a symptom of his whole +attitude; he was taking it lying down. He ought to be fighting. +When was he going to see the man who had cured Paul Post? Jolyon was +very sorry, but the fact was he was not going to see him. June +chafed. Pondridge--she said--the healer, was such a fine man, and he +had such difficulty in making two ends meet, and getting his theories +recognised. It was just such indifference and prejudice as her +father manifested which was keeping him back. It would be so +splendid for both of them! + +"I perceive," said Jolyon, "that you are trying to kill two birds +with one stone." + +"To cure, you mean!" cried June. + +"My dear, it's the same thing." + +June protested. It was unfair to say that without a trial. + +Jolyon thought he might not have the chance, of saying it after. + +"Dad!" cried June, "you're hopeless." + +"That," said Jolyon, "is a fact, but I wish to remain hopeless as +long as possible. I shall let sleeping dogs lie, my child. They are +quiet at present." + +"That's not giving science a chance," cried June. "You've no idea +how devoted Pondridge is. He puts his science before everything." + +"Just," replied Jolyon, puffing the mild cigarette to which he was +reduced, "as Mr. Paul Post puts his art, eh? Art for Art's sake-- +Science for the sake of Science. I know those enthusiastic egomaniac +gentry. They vivisect you without blinking. I'm enough of a Forsyte +to give them the go-by, June." + +"Dad," said June, "if you only knew how old-fashioned that sounds! +Nobody can afford to be half-hearted nowadays." + +"I'm afraid," murmured Jolyon, with his smile, "that's the only +natural symptom with which Mr. Pondridge need not supply me. We are +born to be extreme or to be moderate, my dear; though, if you'll +forgive my saying so, half the people nowadays who believe they're +extreme are really very moderate. I'm getting on as well as I can +expect, and I must leave it at that." + +June was silent, having experienced in her time the inexorable +character of her father's amiable obstinacy so far as his own freedom +of action was concerned. + +How he came to let her know why Irene had taken Jon to Spain puzzled +Jolyon, for he had little confidence in her discretion. After she +had brooded on the news, it brought a rather sharp discussion, during +which he perceived to the full the fundamental opposition between her +active temperament and his wife's passivity. He even gathered that a +little soreness still remained from that generation-old struggle +between them over the body of Philip Bosinney, in which the passive +had so signally triumphed over the active principle. + +According to June, it was foolish and even cowardly to hide the past +from Jon. Sheer opportunism, she called it. + +"Which," Jolyon put in mildly, "is the working principle of real +life, my dear." + +"Oh!" cried June, "you don't really defend her for not telling Jon, +Dad. If it were left to you, you would." + +"I might, but simply because I know he must find out, which will be +worse than if we told him." + +"Then why don't you tell him? It's just sleeping dogs again." + +"My dear," said Jolyon, "I wouldn't for the world go against Irene's +instinct. He's her boy." + +"Yours too," cried June. + +"What is a man's instinct compared with a mother's?" + +"Well, I think it's very weak of you." + +"I dare say," said Jolyon, "I dare say." + +And that was all she got from him; but the matter rankled in her +brain. She could not bear sleeping dogs. And there stirred in her a +tortuous impulse to push the matter toward decision. Jon ought to be +told, so that either his feeling might be nipped in the bud, or, +flowering in spite of the past, come to fruition. And she determined +to see Fleur, and judge for herself. When June determined on +anything, delicacy became a somewhat minor consideration. After all, +she was Soames' cousin, and they were both interested in pictures. +She would go and tell him that he ought to buy a Paul Post, or +perhaps a piece of sculpture by Boris Strumolowski, and of course she +would say nothing to her father. She went on the following Sunday, +looking so determined that she had some difficulty in getting a cab +at Reading station. The river country was lovely in those days of +her own month, and June ached at its loveliness. She who had passed +through this life without knowing what union was had a love of +natural beauty which was almost madness. And when she came to that +choice spot where Soames had pitched his tent, she dismissed her cab, +because, business over, she wanted to revel in the bright water and +the woods. She appeared at his front door, therefore, as a mere +pedestrian, and sent in her card. It was in June's character to know +that when her nerves were fluttering she was doing something worth +while. If one's nerves did not flutter, she was taking the line of +least resistance, and knew that nobleness was not obliging her. She +was conducted to a drawing-room, which, though not in her style, +showed every mark of fastidious elegance. Thinking, 'Too much taste- +-too many knick-knacks,' she saw in an old lacquer-framed mirror the +figure of a girl coming in from the verandah. Clothed in white, and +holding some white roses in her hand, she had, reflected in that +silvery-grey pool of glass, a vision-like appearance, as if a pretty +ghost had come out of the green garden. + +"How do you do?" said June, turning round. "I'm a cousin of your +father's." + +"Oh, yes; I saw you in that confectioner's." + +"With my young stepbrother. Is your father in?" + +"He will be directly. He's only gone for a little walk." + +June slightly narrowed her blue eyes, and lifted her decided chin. + +"Your name's Fleur, isn't it? I've heard of you from Holly. What do +you think of Jon?" + +The girl lifted the roses in her hand, looked at them, and answered +calmly: + +"He's quite a nice boy." + +"Not a bit like Holly or me, is he?" + +"Not a bit." + +'She's cool,' thought June. + +And suddenly the girl said: "I wish you'd tell me why our families +don't get on?" + +Confronted with the question she had advised her father to answer, +June was silent; whether because this girl was trying to get +something out of her, or simply because what one would do +theoretically is not always what one will do when +it comes to the point. + +"You know," said the girl, "the surest way to make people find out +the worst is to keep them ignorant. My father's told me it was a +quarrel about property. But I don't believe it; we've both got +heaps. They wouldn't have been so bourgeois as all that." + +June flushed. The word applied to her grandfather and father +offended her. + +"My grandfather," she said, "was very generous, and my father is, +too; neither of them was in the least bourgeois." + +"Well, what was it then?" repeated the girl: Conscious that this +young Forsyte meant having what she wanted, June at once determined +to prevent her, and to get something for herself instead. + +"Why do you want to know?" + +The girl smelled at her roses. "I only want to know because they +won't tell me." + +"Well, it was about property, but there's more than one kind." + +"That makes it worse. Now I really must know." + +June's small and resolute face quivered. She was wearing a round +cap, and her hair had fluffed out under it. She looked quite young +at that moment, rejuvenated by encounter. + +"You know," she said, "I saw you drop your handkerchief. Is there +anything between you and Jon? Because, if so, you'd better drop that +too." + +The girl grew paler, but she smiled. + +"If there were, that isn't the way to make me." + +At the gallantry of that reply, June held out her hand. + +"I like you; but I don't like your father; I never have. We may as +well be frank." + +"Did you come down to tell him that?" + +June laughed. "No; I came down to see you." + +"How delightful of you." + +This girl could fence. + +"I'm two and a half times your age," said June, "but I quite +sympathize. It's horrid not to have one's own way." + +The girl smiled again. "I really think you might tell me." + +How the child stuck to her point + +"It's not my secret. But I'll see what I can do, because I think +both you and Jon ought to be told. And now I'll say good-bye." + +"Won't you wait and see Father?" + +June shook her head. "How can I get over to the other side?" + +"I'll row you across." + +"Look!" said June impulsively, "next time you're in London, come and +see me. This is where I live. I generally have young people in the +evening. But I shouldn't tell your father that you're coming." + +The girl nodded. + +Watching her scull the skiff across, June thought: 'She's awfully +pretty and well made. I never thought Soames would have a daughter +as pretty as this. She and Jon would make a lovely couple. + +The instinct to couple, starved within herself, was always at work +in June. She stood watching Fleur row back; the girl took her hand +off a scull to wave farewell, and June walked languidly on between +the meadows and the river, with an ache in her heart. Youth to +youth, like the dragon-flies chasing each other, and love like the +sun warming them through and through. Her youth! So long ago--when +Phil and she--And since? Nothing--no one had been quite what she had +wanted. And so she had missed it all. But what a coil was round +those two young things, if they really were in love, as Holly would +have it--as her father, and Irene, and Soames himself seemed to +dread. What a coil, and what a barrier! And the itch for the +future, the contempt, as it were, for what was overpast, which forms +the active principle, moved in the heart of one who ever believed +that what one wanted was more important than what other people did +not want. From the bank, awhile, in the warm summer stillness, she +watched the water-lily plants and willow leaves, the fishes rising; +sniffed the scent of grass and meadow-sweet, wondering how she could +force everybody to be happy. Jon and Fleur! Two little lame ducks-- +charming callow yellow little ducks! A great pity! Surely something +could be done! One must not take such situations lying down. She +walked on, and reached a station, hot and cross. + +That evening, faithful to the impulse toward direct action, which +made many people avoid her, she said to her father: + +"Dad, I've been down to see young Fleur. I think she's very +attractive. It's no good hiding our heads under our wings, is it?" + +The startled Jolyon set down his barley-water, and began crumbling +his bread. + +"It's what you appear to be doing," he said. "Do you realise whose +daughter she is?" + +"Can't the dead past bury its dead?" + +Jolyon rose. + +"Certain things can never be buried." + +"I disagree," said June. "It's that which stands in the way of all +happiness and progress. You don't understand the Age, Dad. It's got +no use for outgrown things. Why do you think it matters so terribly +that Jon should know about his mother? Who pays any attention to +that sort of thing now? The marriage laws are just as they were when +Soames and Irene couldn't get a divorce, and you had to come in. +We've moved, and they haven't. So nobody cares. Marriage without a +decent chance of relief is only a sort of slave-owning; people +oughtn't to own each other. Everybody sees that now. If Irene broke +such laws, what does it matter?" + +"It's not for me to disagree there," said Jolyon; "but that's all +quite beside the mark. This is a matter of human feeling." + +"Of course it is," cried June, "the human feeling of those two young +things." + +"My dear," said Jolyon with gentle exasperation; "you're talking +nonsense." + +"I'm not. If they prove to be really fond of each other, why should +they be made unhappy because of the past?" + +"You haven't lived that past. I have--through the feelings of my +wife; through my own nerves and my imagination, as only one who is +devoted can." + +June, too, rose, and began to wander restlessly. + +"If," she said suddenly, "she were the daughter of Philip Bosinney, I +could understand you better. Irene loved him, she never loved +Soames." + +Jolyon uttered a deep sound-the sort of noise an Italian peasant +woman utters to her mule. His heart had begun beating furiously, but +he paid no attention to it, quite carried away by his feelings. + +"That shows how little you understand. Neither I nor Jon, if I know +him, would mind a love-past. It's the brutality of a union without +love. This girl is the daughter of the man who once owned Jon's +mother as a negro-slave was owned. You can't lay that ghost; don't +try to, June! It's asking us to see Jon joined to the flesh and +blood of the man who possessed Jon's mother against her will. It's +no good mincing words; I want it clear once for all. And now I +mustn't talk any more, or I shall have to sit up with this all +night." And, putting his hand over his heart, Jolyon turned his back +on his daughter and stood looking at the river Thames. + +June, who by nature never saw a hornet's nest until she had put her +head into it, was seriously alarmed. She came and slipped her arm +through his. Not convinced that he was right, and she herself wrong, +because that was not natural to her, she was yet profoundly impressed +by the obvious fact that the subject was very bad for him. She +rubbed her cheek against his shoulder, and said nothing. + +After taking her elderly cousin across, Fleur did not land at once, +but pulled in among the reeds, into the sunshine. The peaceful +beauty of the afternoon seduced for a little one not much given to +the vague and poetic. In the field beyond the bank where her skiff +lay up, a machine drawn by a grey horse was turning an early field of +hay. She watched the grass cascading over and behind the light +wheels with fascination--it looked so cool and fresh. The click and +swish blended with the rustle of the willows and the poplars, and the +cooing of a wood-pigeon, in a true river song. Alongside, in the +deep green water, weeds, like yellow snakes, were writhing and nosing +with the current; pied cattle on the farther side stood in the shade +lazily swishing their tails. It was an afternoon to dream. And she +took out Jon's letters--not flowery effusions, but haunted in their +recital of things seen and done by a longing very agreeable to her, +and all ending "Your devoted J." Fleur was not sentimental, her +desires were ever concrete and concentrated, but what poetry there +was in the daughter of Soames and Annette had certainly in those +weeks of waiting gathered round her memories of Jon. They all +belonged to grass and blossom, flowers and running water. She +enjoyed him in the scents absorbed by her crinkling nose. The stars +could persuade her that she was standing beside him in the centre of +the map of Spain; and of an early morning the dewy cobwebs, the hazy +sparkle and promise of the day down in the garden, were Jon +personified to her. + +Two white swans came majestically by, while she was reading his +letters, followed by their brood of six young swans in a line, with +just so much water between each tail and head, a flotilla of grey +destroyers. Fleur thrust her letters back, got out her sculls, and +pulled up to the landing-stage. Crossing the lawn, she wondered +whether she should tell her father of June's visit. If he learned of +it from the butler, he might think it odd if she did not. It gave +her, too, another chance to startle out of him the reason of the +feud. She went, therefore, up the road to meet him. + +Soames had gone to look at a patch of ground on which the Local +Authorities were proposing to erect a Sanatorium for people with weak +lungs. Faithful to his native individualism, he took no part in +local affairs, content to pay the rates which were always going up. +He could not, however, remain indifferent to this new and dangerous +scheme. The site was not half a mile from his own house. He was +quite of opinion that the country should stamp out tuberculosis; but +this was not the place. It should be done farther away. He took, +indeed, an attitude common to all true Forsytes, that disability of +any sort in other people was not his affair, and the State should do +its business without prejudicing in any way the natural advantages +which he had acquired or inherited. Francie, the most free-spirited +Forsyte of his generation (except perhaps that fellow Jolyon) had +once asked him in her malicious way: "Did you ever see the name +Forsyte in a subscription list, Soames? "That was as it might be, +but a Sanatorium would depreciate the neighbourhood, and he should +certainly sign the petition which was being got up against it. +Returning with this decision fresh within him, he saw Fleur coming. + +She was showing him more affection of late, and the quiet time down +here with her in this summer weather had been making him feel quite +young; Annette was always running up to Town for one thing or +another, so that he had Fleur to himself almost as much as he could +wish. To be sure, young Mont had formed a habit of appearing on his +motor-cycle almost every other day. Thank goodness, the young fellow +had shaved off his half-toothbrushes, and no longer looked like a +mountebank! With a girl friend of Fleur's who was staying in the +house, and a neighbouring youth or so, they made two couples after +dinner, in the hall, to the music of the electric pianola, which +performed Fox-trots unassisted, with a surprised shine on its +expressive surface. Annette, even, now and then passed gracefully up +and down in the arms of one or other of the young men. And Soames, +coming to the drawing-room door, would lift his nose a little +sideways, and watch them, waiting to catch a smile from Fleur; then +move back to his chair by the drawing-room hearth, to peruse The +Times or some other collector's price list. To his ever-anxious eyes +Fleur showed no signs of remembering that caprice of hers. + +When she reached him on the dusty road, he slipped his hand within +her arm. + +"Who, do you think, has been to see you, Dad? She couldn't wait! +Guess!" + +"I never guess," said Soames uneasily. "Who?" + +"Your cousin, June Forsyte." + +Quite unconsciously Soames gripped her arm. "What did she want?" + +"I don't know. But it was rather breaking through the feud, wasn't +it?" + +"Feud? What feud?" + +"The one that exists in your imagination, dear." + +Soames dropped her arm. Was she mocking, or trying to draw him on? + +"I suppose she wanted me to buy a picture," he said at last. + +"I don't think so. Perhaps it was just family affection." + +"She's only a first cousin once removed," muttered Soames. + +"And the daughter of your enemy." + +"What d'you mean by that?" + +"I beg your pardon, dear; I thought he was." + +"Enemy!" repeated Soames. "It's ancient history. I don't know where +you get your notions." + +"From June Forsyte." + +It had come to her as an inspiration that if he thought she knew, or +were on the edge of knowledge, he would tell her. + +Soames was startled, but she had underrated his caution and tenacity. + +"If you know," he said coldly, "why do you plague me?" + +Fleur saw that she had overreached herself. + +"I don't want to plague you, darling. As you say, why want to know +more? Why want to know anything of that 'small' mystery--Je m'en +fiche, as Profond says?" + +"That chap!" said Soames profoundly. + +That chap, indeed, played a considerable, if invisible, part this +summer--for he had not turned up again. Ever since the Sunday when +Fleur had drawn attention to him prowling on the lawn, Soames had +thought of him a good deal, and always in connection with Annette, +for no reason, except that she was looking handsomer than for some +time past. His possessive instinct, subtle, less formal, more +elastic since the War, kept all misgiving underground. As one looks +on some American river, quiet and pleasant, knowing that an alligator +perhaps is lying in the mud with his snout just raised and +indistinguishable from a snag of wood--so Soames looked on the river +of his own existence, subconscious of Monsieur Profond, refusing to +see more than the suspicion of his snout. He had at this epoch in +his life practically all he wanted, and was as nearly happy as his +nature would permit. His senses were at rest; his affections found +all the vent they needed in his daughter; his collection was well +known, his money well invested; his health excellent, save for a +touch of liver now and again; he had not yet begun to worry seriously +about what would happen after death, inclining to think that nothing +would happen. He resembled one of his own gilt-edged securities, and +to knock the gilt off by seeing anything he could avoid seeing would +be, he felt instinctively, perverse and retrogressive. Those two +crumpled rose-leaves, Fleur's caprice and Monsieur Profond's snout, +would level away if he lay on them industriously. + +That evening Chance, which visits the lives of even the best-invested +Forsytes, put a clue into Fleur's hands. Her father came down to +dinner without a handkerchief, and had occasion to blow his nose. + +"I'll get you one, dear," she had said, and ran upstairs. In the +sachet where she sought for it--an old sachet of very faded silk-- +there were two compartments: one held handkerchiefs; the other was +buttoned, and contained something flat and hard. By some childish +impulse Fleur unbuttoned it. There was a frame and in it a +photograph of herself as a little girl. She gazed at it, fascinated, +as one is by one's own presentment. It slipped under her fidgeting +thumb, and she saw that another photograph was behind. She pressed +her own down further, and perceived a face, which she seemed to know, +of a young woman, very good-looking, in a very old style of evening +dress. Slipping her own photograph up over it again, she took out a +handkerchief and went down. Only on the stairs did she identify that +face. Surely--surely Jon's mother! The conviction came as a shock. +And she stood still in a flurry of thought. Why, of course! Jon's +father had married the woman her father had wanted to marry, had +cheated him out of her, perhaps. Then, afraid of showing by her +manner that she had lighted on his secret, she refused to think +further, and, shaking out the silk handkerchief, entered the dining- +room. + +"I chose the softest, Father." + +"H'm!" said Soames; "I only use those after a cold. Never mind!" + +That evening passed for Fleur in putting two and two together; +recalling the look on her father's face in the confectioner's shop--a +look strange and coldly intimate, a queer look. He must have loved +that woman very much to have kept her photograph all this time, in +spite of having lost her. Unsparing and matter-of-fact, her mind +darted to his relations with her own mother. Had he ever really +loved her? She thought not. Jon was the son of the woman he had +really loved. Surely, then, he ought not to mind his daughter loving +him; it only wanted getting used to. And a sigh of sheer relief was +caught in the folds of her nightgown slipping over her head. + + + + +III + +MEETINGS + + +Youth only recognises Age by fits and starts. Jon, for one, had +never really seen his father's age till he came back from Spain. The +face of the fourth Jolyon, worn by waiting, gave him quite a shock-- +it looked so wan and old. His father's mask had been forced awry by +the emotion of the meeting, so that the boy suddenly realised how +much he must have felt their absence. He summoned to his aid the +thought: 'Well, I didn't want to go!' It was out of date for Youth +to defer to Age. But Jon was by no means typically modern. His +father had always been "so jolly" to him, and to feel that one meant +to begin again at once the conduct which his father had suffered six +weeks' loneliness to cure was not agreeable. + +At the question, "Well, old man, how did the great Goya strike you?" +his conscience pricked him badly. The great Goya only existed +because he had created a face which resembled Fleur's. + +On the night of their return, he went to bed full of compunction; but +awoke full of anticipation. It was only the fifth of July, and no +meeting was fixed with Fleur until the ninth. He was to have three +days at home before going back to farm. Somehow he must contrive to +see her! + +In the lives of men an inexorable rhythm, caused by the need for +trousers, not even the fondest parents can deny. On the second day, +therefore, Jon went to Town, and having satisfied his conscience by +ordering what was indispensable in Conduit Street, turned his face +toward Piccadilly. Stratton Street, where her Club was, adjoined +Devonshire House. It would be the merest chance that she should be +at her Club. But he dawdled down Bond Street with a beating heart, +noticing the superiority of all other young men to himself. They +wore their clothes with such an air; they had assurance; they were +old. He was suddenly overwhelmed by the conviction that Fleur must +have forgotten him. Absorbed in his own feeling for her all these +weeks, he had mislaid that possibility. The corners of his mouth +drooped, his hands felt clammy. Fleur with the pick of youth at the +beck of her smile-Fleur incomparable! It was an evil moment. Jon, +however, had a great idea that one must be able to face anything. +And he braced himself with that dour refection in front of a bric-a- +brac shop. At this high-water mark of what was once the London +season, there was nothing to mark it out from any other except a grey +top hat or two, and the sun. Jon moved on, and turning the corner +into Piccadilly, ran into Val Dartie moving toward the Iseeum Club, +to which he had just been elected. + +"Hallo! young man! Where are you off to?" + +Jon gushed. "I've just been to my tailor's." + +Val looked him up and down. "That's good! I'm going in here to +order some cigarettes; then come and have some lunch." + +Jon thanked him. He might get news of her from Val! + +The condition of England, that nightmare of its Press and Public men, +was seen in different perspective within the tobacconist's which they +now entered. + +"Yes, sir; precisely the cigarette I used to supply your father with. +Bless me! Mr. Montague Dartie was a customer here from--let me see-- +the year Melton won the Derby. One of my very best customers he +was." A faint smile illumined the tobacconist's face. "Many's the +tip he's given me, to be sure! I suppose he took a couple of hundred +of these every week, year in, year out, and never changed his +cigarette. Very affable gentleman, brought me a lot of custom. I +was sorry he met with that accident. One misses an old customer like +him." + +Val smiled. His father's decease had closed an account which had +been running longer, probably, than any other; and in a ring of smoke +puffed out from that time-honoured cigarette he seemed to see again +his father's face, dark, good-looking, moustachioed, a little puffy, +in the only halo it had earned. His father had his fame here, +anyway--a man who smoked two hundred cigarettes a week, who could +give tips, and run accounts for ever! To his tobacconist a hero! +Even that was some distinction to inherit! + +"I pay cash," he said; "how much?" + +"To his son, sir, and cash--ten and six. I shall never forget Mr. +Montague Dartie. I've known him stand talkin' to me half an hour. +We don't get many like him now, with everybody in such a hurry. The +War was bad for manners, sir--it was bad for manners. You were in +it, I see." + +"No," said Val, tapping his knee, "I got this in the war before. +Saved my life, I expect. Do you want any cigarettes, Jon?" + +Rather ashamed, Jon murmured, "I don't smoke, you know," and saw the +tobacconist's lips twisted, as if uncertain whether to say "Good +God!" or "Now's your chance, sir!" + +"That's right," said Val; "keep off it while you can. You'll want it +when you take a knock. This is really the same tobacco, then?" + +"Identical, sir; a little dearer, that's all. Wonderful staying +power--the British Empire, I always say." + +"Send me down a hundred a week to this address, and invoice it +monthly. Come on, Jon." + +Jon entered the Iseeum with curiosity. Except to lunch now and then +at the Hotch-Potch with his father, he had never been in a London +Club. The Iseeum, comfortable and unpretentious, did not move, could +not, so long as George Forsyte sat on its Committee, where his +culinary acumen was almost the controlling force. The Club had made +a stand against the newly rich, and it had taken all George Forsyte's +prestige, and praise of him as a "good sportsman," to bring in +Prosper Profond. + +The two were lunching together when the half-brothers-in-law entered +the dining-room, and attracted by George's forefinger, sat down at +their table, Val with his shrewd eyes and charming smile, Jon with +solemn lips and an attractive shyness in his glance. There was an +air of privilege around that corner table, as though past masters +were eating there. Jon was fascinated by the hypnotic atmosphere. +The waiter, lean in the chaps, pervaded with such free-masonical +deference. He seemed to hang on George Forsyte's lips, to watch the +gloat in his eye with a kind of sympathy, to follow the movements of +the heavy club-marked silver fondly. His liveried arm and +confidential voice alarmed Jon, they came so secretly over his +shoulder. + +Except for George's "Your grandfather tipped me once; he was a deuced +good judge of a cigar!" neither he nor the other past master took any +notice of him, and he was grateful for this. The talk was all about +the breeding, points, and prices of horses, and he listened to it +vaguely at first, wondering how it was possible to retain so much +knowledge in a head. He could not take his eyes off the dark past +master--what he said was so deliberate and discouraging--such heavy, +queer, smiled-out words. Jon was thinking of butterflies, when he +heard him say: + +"I want to see Mr. Soames Forsyde take an interest in 'orses." + +"Old Soames! He's too dry a file!" + +With all his might Jon tried not to grow red, while the dark past +master went on. + +"His daughter's an attractive small girl. Mr. Soames Forsyde is a +bit old-fashioned. I want to see him have a pleasure some day." +George Forsyte grinned. + +"Don't you worry; he's not so miserable as he looks. He'll never +show he's enjoying anything--they might try and take it from him. +Old Soames! Once bit, twice shy!" + +"Well, Jon," said Val, hastily, "if you've finished, we'll go and +have coffee." + +"Who were those?" Jon asked, on the stairs. "I didn't quite---" + +"Old George Forsyte is a first cousin of your father's and of my +Uncle Soames. He's always been here. The other chap, Profond, is a +queer fish. I think he's hanging round Soames' wife, if you ask me!" + +Jon looked at him, startled. "But that's awful," he said: "I mean-- +for Fleur." + +"Don't suppose Fleur cares very much; she's very up-to-date." + +"Her mother!" + +"You're very green, Jon." + +Jon grew red. "Mothers," he stammered angrily, "are different." + +"You're right," said Val suddenly; "but things aren't what they were +when I was your age. There's a 'To-morrow we die' feeling. That's +what old George meant about my Uncle Soames. He doesn't mean to die +to-morrow." + +Jon said, quickly: "What's the matter between him and my father?" + +"Stable secret, Jon. Take my advice, and bottle up. You'll do no +good by knowing. Have a liqueur?" + +Jon shook his head. + +"I hate the way people keep things from one," he muttered, "and then +sneer at one for being green." + +"Well, you can ask Holly. If she won't tell you, you'll believe it's +for your own good, I suppose." + +Jon got up. "I must go now; thanks awfully for the lunch." + +Val smiled up at him half-sorry, and yet amused. The boy looked so +upset. + +"All right! See you on Friday." + +"I don't know," murmured Jon. + +And he did not. This conspiracy of silence made him desperate. It +was humiliating to be treated like a child! He retraced his moody +steps to Stratton Street. But he would go to her Club now, and find +out the worst! To his enquiry the reply was that Miss Forsyte was +not in the Club. She might be in perhaps later. She was often in on +Monday--they could not say. Jon said he would call again, and, +crossing into the Green Park, flung himself down under a tree. The +sun was bright, and a breeze fluttered the leaves of the young lime- +tree beneath which he lay; but his heart ached. Such darkness seemed +gathered round his happiness. He heard Big Ben chime "Three" above +the traffic. The sound moved something in him, and, taking out a +piece of paper, he began to scribble on it with a pencil. He had +jotted a stanza, and was searching the grass for another verse, when +something hard touched his shoulder-a green parasol. There above him +stood Fleur! + +"They told me you'd been, and were coming back. So I thought you +might be out here; and you are--it's rather wonderful!" + +"Oh, Fleur! I thought you'd have forgotten me." + +"When I told you that I shouldn't!" + +Jon seized her arm. + +"It's too much luck! Let's get away from this side." He almost +dragged her on through that too thoughtfully regulated Park, to find +some cover where they could sit and hold each other's hands. + +"Hasn't anybody cut in?" he said, gazing round at her lashes, in +suspense above her cheeks. + +"There is a young idiot, but he doesn't count." + +Jon felt a twitch of compassion for the-young idiot. + +"You know I've had sunstroke; I didn't tell you." + +"Really! Was it interesting?" + +"No. Mother was an angel. Has anything happened to you?" + +"Nothing. Except that I think I've found out what's wrong between +our families, Jon." + +His heart began beating very fast. + +"I believe my father wanted to marry your mother, and your father got +her instead." + +"Oh!" + +"I came on a photo of her; it was in a frame behind a photo of me. +Of course, if he was very fond of her, that would have made him +pretty mad, wouldn't it?" + +Jon thought for a minute. "Not if she loved my father best." + +"But suppose they were engaged?" + +"If we were engaged, and you found you loved somebody better, I might +go cracked, but I shouldn't grudge it you." + +"I should. You mustn't ever do that with me, Jon. + +"My God! Not much!" + +"I don't believe that he's ever really cared for my mother." + +Jon was silent. Val's words--the two past masters in the Club! + +"You see, we don't know," went on Fleur; "it may have been a great +shock. She may have behaved badly to him. People do." + +"My mother wouldn't." + +Fleur shrugged her shoulders. "I don't think we know much about our +fathers and mothers. We just see them in the light of the way they +treat us; but they've treated other people, you know, before we were +born-plenty, I expect. You see, they're both old. Look at your +father, with three separate families!" + +"Isn't there any place," cried Jon, "in all this beastly London where +we can be alone?" + +"Only a taxi." + +"Let's get one, then." + +When they were installed, Fleur asked suddenly: "Are you going back +to Robin Hill? I should like to see where you live, Jon. I'm +staying with my aunt for the night, but I could get back in time for +dinner. I wouldn't come to the house, of course." + +Jon gazed at her enraptured. + +"Splendid! I can show it you from the copse, we shan't meet anybody. +There's a train at four." + +The god of property and his Forsytes great and small, leisured, +official, commercial, or professional, like the working classes, +still worked their seven hours a day, so that those two of the fourth +generation travelled down to Robin Hill in an empty first-class +carriage, dusty and sun-warmed, of that too early train. They +travelled in blissful silence, holding each other's hands. + +At the station they saw no one except porters, and a villager or two +unknown to Jon, and walked out up the lane, which smelled of dust and +honeysuckle. + +For Jon--sure of her now, and without separation before him--it was a +miraculous dawdle, more wonderful than those on the Downs, or along +the river Thames. It was love-in-a-mist--one of those illumined +pages of Life, where every word and smile, and every light touch they +gave each other were as little gold and red and blue butterflies and +flowers and birds scrolled in among the text--a happy communing, +without afterthought, which lasted thirty-seven minutes. They +reached the coppice at the milking hour. Jon would not take her as +far as the farmyard; only to where she could see the field leading up +to the gardens, and the house beyond. They turned in among the +larches, and suddenly, at the winding of the path, came on Irene, +sitting on an old log seat. + +There are various kinds of shocks: to the vertebrae; to the nerves; +to moral sensibility; and, more potent and permanent, to personal +dignity. This last was the shock Jon received, coming thus on his +mother. He became suddenly conscious that he was doing an indelicate +thing. To have brought Fleur down openly--yes! But to sneak her in +like this! Consumed with shame, he put on a front as brazen as his +nature would permit. + +Fleur was smiling, a little defiantly; his mother's startled face was +changing quickly to the impersonal and gracious. It was she who +uttered the first words: + +"I'm very glad to see you. It was nice of Jon to think of bringing +you down to us." + +"We weren't coming to the house," Jon blurted out. "I just wanted +Fleur to see where I lived." + +His mother said quietly: + +"Won't you come up and have tea?" + +Feeling that he had but aggravated his breach of breeding, he heard +Fleur answer: + +"Thanks very much; I have to get back to dinner. I met Jon by +accident, and we thought it would be rather jolly just to see his +home." + +How self-possessed she was! + +"Of course; but you must have tea. We'll send you down to the +station. My husband will enjoy seeing you." + +The expression of his mother's eyes, resting on him for a moment, +cast Jon down level with the ground--a true worm. Then she led on, +and Fleur followed her. He felt like a child, trailing after those +two, who were talking so easily about Spain and Wansdon, and the +house up there beyond the trees and the grassy slope. He watched the +fencing of their eyes, taking each other in--the two beings he loved +most in the world. + +He could see his father sitting under the oaktree; and suffered in +advance all the loss of caste he must go through in the eyes of that +tranquil figure, with his knees crossed, thin, old, and elegant; +already he could feel the faint irony which would come into his voice +and smile. + +"This is Fleur Forsyte, Jolyon; Jon brought her down to see the +house. Let's have tea at once--she has to catch a train. Jon, tell +them, dear, and telephone to the Dragon for a car." + +To leave her alone with them was strange, and yet, as no doubt his +mother had foreseen, the least of evils at the moment; so he ran up +into the house. Now he would not see Fleur alone again--not for a +minute, and they had arranged no further meeting! When he returned +under cover of the maids and teapots, there was not a trace of +awkwardness beneath the tree; it was all within himself, but not the +less for that. They were talking of the Gallery off Cork Street. + +"We back numbers," his father was saying, "are awfully anxious to +find out why we can't appreciate the new stuff; you and Jon must tell +us." + +"It's supposed to be satiric, isn't it?" said Fleur. + +He saw his father's smile. + +"Satiric? Oh! I think it's more than that. What do you say, Jon?" + +"I don't know at all," stammered Jon. His father's face had a sudden +grimness. + +"The young are tired of us, our gods and our ideals. Off with their +heads, they say--smash their idols! And let's get back to-nothing! +And, by Jove, they've done it! Jon's a poet. He'll be going in, +too, and stamping on what's left of us. Property, beauty, sentiment- +-all smoke. We mustn't own anything nowadays, not even our feelings. +They stand in the way of--Nothing." + +Jon listened, bewildered, almost outraged by his father's words, +behind which he felt a meaning that he could not reach. He didn't +want to stamp on anything! + +"Nothing's the god of to-day," continued Jolyon; "we're back where +the Russians were sixty years ago, when they started Nihilism." + +"No, Dad," cried Jon suddenly, "we only want to live, and we don't +know how, because of the Past--that's all!" + +"By George!" said Jolyon, "that's profound, Jon. Is it your own? +The Past! Old ownerships, old passions, and their aftermath. Let's +have cigarettes." + +Conscious that his mother had lifted her hand to her lips, quickly, +as if to hush something, Jon handed the cigarettes. He lighted his +father's and Fleur's, then one for himself. Had he taken the knock +that Val had spoken of? The smoke was blue when he had not puffed, +grey when he had; he liked the sensation in his nose, and the sense +of equality it gave him. He was glad no one said: "So you've begun!" +He felt less young. + +Fleur looked at her watch, and rose. His mother went with her into +the house. Jon stayed with his father, puffing at the cigarette. + +"See her into the car, old man," said Jolyon; "and when she's gone, +ask your mother to come back to me." + +Jon went. He waited in the hall. He saw her into the car. There +was no chance for any word; hardly for a pressure of the hand. He +waited all that evening for something to be said to him. Nothing was +said. Nothing might have happened. He went up to bed, and in the +mirror on his dressing-table met himself. He did not speak, nor did +the image; but both looked as if they thought the more. + + + + +IV + +IN GREEN STREET + + +Uncertain whether the impression that Prosper Profond was dangerous +should be traced to his attempt to give Val the Mayfly filly; to a +remark of Fleur's: "He's like the hosts of Midian--he prowls and +prowls around"; to his preposterous inquiry of Jack Cardigan: "What's +the use of keepin' fit?" or, more simply, to the fact that he was a +foreigner, or alien as it was now called. Certain, that Annette was +looking particularly handsome, and that Soames--had sold him a +Gauguin and then torn up the cheque, so that Monsieur Profond himself +had said: "I didn't get that small picture I bought from Mr. +Forsyde." + +However suspiciously regarded, he still frequented Winifred's +evergreen little house in Green Street, with a good-natured +obtuseness which no one mistook for naiv ete, a word hardly +applicable to Monsieur Prosper Profond. Winifred still found him +"amusing," and would write him little notes saying: "Come and have a +'jolly' with us"--it was breath of life to her to keep up with the +phrases of the day. + +The mystery, with which all felt him to be surrounded, was due to his +having done, seen, heard, and known everything, and found nothing in +it--which was unnatural. The English type of disillusionment was +familiar enough to Winifred, who had always moved in fashionable +circles. It gave a certain cachet or distinction, so that one got +something out of it. But to see nothing in anything, not as a pose, +but because there was nothing in anything, was not English; and that +which was not English one could not help secretly feeling dangerous, +if not precisely bad form. It was like having the mood which the War +had left, seated--dark, heavy, smiling, indifferent--in your Empire +chair; it was like listening to that mood talking through thick pink +lips above a little diabolic beard. It was, as Jack Cardigan +expressed it--for the English character at large--"a bit too thick"-- +for if nothing was really worth getting excited about, there were +always games, and one could make it so! Even Winifred, ever a +Forsyte at heart, felt that there was nothing to be had out of such a +mood of disillusionment, so that it really ought not to be there. +Monsieur Profond, in fact, made the mood too plain in a country which +decently veiled such realities. + +When Fleur, after her hurried return from Robin Hill, came down to +dinner that evening, the mood was standing at the window of +Winifred's little drawing-room, looking out into Green Street, with +an air of seeing nothing in it. And Fleur gazed promptly into the +fireplace with an air of seeing a fire which was not there. + +Monsieur Profond came from the window. He was in full fig, with a +white waistcoat and a white flower in his buttonhole. + +"Well, Miss Forsyde," he said, "I'm awful pleased to see you. Mr. +Forsyde well? I was sayin' to-day I want to see him have some +pleasure. He worries." + +"You think so?" said Fleur shortly. + +"Worries," repeated Monsieur Profond, burring the r's. + +Fleur spun round. "Shall I tell you," she said, "what would give him +pleasure?" But the words, "To hear that you had cleared out," died +at the expression on his face. All his fine white teeth were +showing. + +"I was hearin' at the Club to-day about his old trouble." +Fleur opened her eyes. "What do you mean?" + +Monsieur Profond moved his sleek head as if to minimize his +statement. + +"Before you were born," he said; "that small business." + +Though conscious that he had cleverly diverted her from his own share +in her father's worry, Fleur was unable to withstand a rush of +nervous curiosity. "Tell me what you heard." + +"Why!" murmured Monsieur Profond, "you know all that." + +"I expect I do. But I should like to know that you haven't heard it +all wrong." + +"His first wife," murmured Monsieur Profond. + +Choking back the words, "He was never married before," she said: +"Well, what about her?" + +"Mr. George Forsyde was tellin' me about your father's first wife +marryin' his cousin Jolyon afterward. It was a small bit unpleasant, +I should think. I saw their boy--nice boy!" + +Fleur looked up. Monsieur Profond was swimming, heavily diabolical, +before her. That--the reason! With the most heroic effort of her +life so far, she managed to arrest that swimming figure. She could +not tell whether he had noticed. And just then Winifred came in. + +"Oh! here you both are already; Imogen and I have had the most +amusing afternoon at the Babies' bazaar." + +"What babies?" said Fleur mechanically. + +"The 'Save the Babies.' I got such a bargain, my dear. A piece of +old Armenian work--from before the Flood. I want your opinion on it, +Prosper." + +"Auntie," whispered Fleur suddenly. + +At the tone in the girl's voice Winifred closed in on her.' + +"What's the matter? Aren't you well?" + +Monsieur Profond had withdrawn into the window, where he was +practically out of hearing. + +"Auntie, he-he told me that father has been married before. Is it +true that he divorced her, and she married Jon Forsyte's father?" + +Never in all the life of the mother of four little Darties had +Winifred felt more seriously embarrassed. Her niece's face was so +pale, her eyes so dark, her voice so whispery and strained. + +"Your father didn't wish you to hear," she said, with all the aplomb +she could muster. "These things will happen. I've often told him he +ought to let you know." + +"Oh!" said Fleur, and that was all, but it made Winifred pat her +shoulder--a firm little shoulder, nice and white! She never could +help an appraising eye and touch in the matter of her niece, who +would have to be married, of course--though not to that boy Jon. + +"We've forgotten all about it years and years ago," she said +comfortably. "Come and have dinner!" + +"No, Auntie. I don't feel very well. May I go upstairs?" + +"My dear!" murmured Winifred, concerned, "you're not taking this to +heart? Why, you haven't properly come out yet! That boy's a child!" + +"What boy? I've only got a headache. But I can't stand that man to- +night." + +"Well, well," said Winifred, "go and lie down. I'll send you some +bromide, and I shall talk to Prosper Profond. What business had he +to gossip? Though I must say I think it's much better you should +know." + +Fleur smiled. "Yes," she said, and slipped from the room. + +She went up with her head whirling, a dry sensation in her throat, a +guttered frightened feeling in her breast. Never in her life as yet +had she suffered from even momentary fear that she would not get what +she had set her heart on. The sensations of the afternoon had been +full and poignant, and this gruesome discovery coming on the top of +them had really made her head ache. No wonder her father had hidden +that photograph, so secretly behind her own-ashamed of having kept +it! But could he hate Jon's mother and yet keep her photograph? She +pressed her hands over her forehead, trying to see things clearly. +Had they told Jon--had her visit to Robin Hill forced them to tell +him? Everything now turned on that! She knew, they all knew, +except--perhaps--Jon! + +She walked up and down, biting her lip and thinking desperately hard. +Jon loved his mother. If they had told him, what would he do? She +could not tell. But if they had not told him, should she not--could +she not get him for herself--get married to him, before he knew? She +searched her memories of Robin Hill. His mother's face so passive-- +with its dark eyes and as if powdered hair, its reserve, its smile-- +baffled her; and his father's--kindly, sunken, ironic. Instinctively +she felt they would shrink from telling Jon, even now, shrink from +hurting him--for of course it would hurt him awfully to know! + +Her aunt must be made not to tell her father that she knew. So long +as neither she herself nor Jon were supposed to know, there was still +a chance--freedom to cover one's tracks, and get what her heart was +set on. But she was almost overwhelmed by her isolation. Every +one's hand was against her--every one's! It was as Jon had said--he +and she just wanted to live and the past was in their way, a past +they hadn't shared in, and didn't understand! Oh! What a shame! And +suddenly she thought of June. Would she help them? For somehow June +had left on her the impression that she would be sympathetic with +their love, impatient of obstacle. Then, instinctively, she thought: +'I won't give anything away, though, even to her. I daren't. I mean +to have Jon; against them all.' + +Soup was brought up to her, and one of Winifred's pet headache +cachets. She swallowed both. Then Winifred herself appeared. Fleur +opened her campaign with the words: + +"You know, Auntie, I do wish people wouldn't think I'm in love with +that boy. Why, I've hardly seen him!" + +Winifred, though experienced, was not "fine." She accepted the +remark with considerable relief. Of course, it was not pleasant for +the girl to hear of the family scandal, and she set herself to +minimise the matter, a task for which she was eminently qualified, +"raised" fashionably under a comfortable mother and a father whose +nerves might not be shaken, and for many years the wife of Montague +Dartie. Her description was a masterpiece of understatement. +Fleur's father's first wife had been very foolish. There had been a +young man who had got run over, and she had left Fleur's father. +Then, years after, when it might all have come--right again, she had +taken up with their cousin Jolyon; and, of course, her father had +been obliged to have a divorce. Nobody remembered anything of it +now, except just the family. And, perhaps, it had all turned out for +the best; her father had Fleur; and Jolyon and Irene had been quite +happy, they said, and their boy was a nice boy. "Val having Holly, +too, is a sort of plaster, don't you know?" With these soothing +words, Winifred patted her niece's shoulder; thought: 'She's a nice, +plump little thing!' and went back to Prosper Profond, who, in spite +of his indiscretion, was very "amusing" this evening. + +For some minutes after her aunt had gone Fleur remained under +influence of bromide material and spiritual. But then reality came +back. Her aunt had left out all that mattered--all the feeling, the +hate, the love, the unforgivingness of passionate hearts. She, who +knew so little of life, and had touched only the fringe of love, was +yet aware by instinct that words have as little relation to fact and +feeling as coin to the bread it buys. 'Poor Father!' she thought. +'Poor me! Poor Jon! But I don't care, I mean to have him!' From +the window of her darkened room she saw "that man" issue from the +door below and "prowl" away. If he and her mother--how would that +affect her chance? Surely it must make her father cling to her more +closely, so that he would consent in the end to anything she wanted, +or become reconciled the sooner to what she did without his +knowledge. + +She took some earth from the flower-box in the window, and with all +her might flung it after that disappearing figure. It fell short, +but the action did her good. + +And a little puff of air came up from Green Street, smelling of +petrol, not sweet. + + + + +V + +PURELY FORSYTE AFFAIRS + + +Soames, coming up to the City, with the intention of calling in at +Green Street at the end of his day and taking Fleur back home with +him, suffered from rumination. Sleeping partner that he was, he +seldom visited the City now, but he still had a room of his own at +Cuthcott, Kingson and Forsyte's, and one special clerk and a half +assigned to the management of purely Forsyte affairs. They were +somewhat in flux just now--an auspicious moment for the disposal of +house property. And Soames was unloading the estates of his father +and Uncle Roger, and to some extent of his Uncle Nicholas. His +shrewd and matter-of-course probity in all money concerns had made +him something of an autocrat in connection with these trusts. If +Soames thought this or thought that, one had better save oneself the +bother of thinking too. He guaranteed, as it were, irresponsibility +to numerous Forsytes of the third and fourth generations. His fellow +trustees, such as his cousins Roger or Nicholas, his cousins-in-law +Tweetyman and Spender, or his sister Cicely's husband, all trusted +him; he signed first, and where he signed first they signed after, +and nobody was a penny the worse. Just now they were all a good many +pennies the better, and Soames was beginning to see the close of +certain trusts, except for distribution of the income from securities +as gilt-edged as was compatible with the period. + +Passing the more feverish parts of the City toward the most perfect +backwater in London, he ruminated. Money was extraordinarily tight; +and morality extraordinarily loose! The War had done it. Banks were +not lending; people breaking contracts all over the place. There was +a feeling in the air and a look on faces that he did not like. The +country seemed in for a spell of gambling and bankruptcies. There +was satisfaction in the thought that neither he nor his trusts had an +investment which could be affected by anything less maniacal than +national repudiation or a levy on capital. If Soames had faith, it +was in what he called "English common sense"--or the power to have +things, if not one way then another. He might--like his father James +before him--say he didn't know what things were coming to, but he +never in his heart believed they were. If it rested with him, they +wouldn't--and, after all, he was only an Englishman like any other, +so quietly tenacious of what he had that he knew he would never +really part with it without something more or less equivalent in +exchange. His mind was essentially equilibristic in material +matters, and his way of putting the national situation difficult to +refute in a world composed of human beings. Take his own case, for +example! He was well off. Did that do anybody harm? He did not eat +ten meals a day; he ate no more than, perhaps not so much as, a poor +man. He spent no money on vice; breathed no more air, used no more +water to speak of than the mechanic or the porter. He certainly had +pretty things about him, but they had given employment in the making, +and somebody must use them. He bought pictures, but Art must be +encouraged. He was, in fact, an accidental channel through which +money flowed, employing labour. What was there objectionable in +that? In his charge money was in quicker and more useful flux than +it would be in charge of the State and a lot of slow-fly money- +sucking officials. And as to what he saved each year--it was just as +much in flux as what he didn't save, going into Water Board or +Council Stocks, or something sound and useful. The State paid him no +salary for being trustee of his own or other people's money he did +all that for nothing. Therein lay the whole case against +nationalisation--owners of private property were unpaid, and yet had +every incentive to quicken up the flux. Under nationalisation--just +the opposite! In a country smarting from officialism he felt that he +had a strong case. + +It particularly annoyed him, entering that backwater of perfect +peace, to think that a lot of unscrupulous Trusts and Combinations +had been cornering the market in goods of all kinds, and keeping +prices at an artificial height. Such abusers of the individualistic +system were the ruffians who caused all the trouble, and it was some +satisfaction to see them getting into a stew at fast lest the whole +thing might come down with a run--and land them in the soup. + +The offices of Cuthcott, Kingson and Forsyte occupied the ground and +first floors of a house on the right-hand side; and, ascending to his +room, Soames thought: 'Time we had a coat of paint.' + +His old clerk Gradman was seated, where he always was, at a huge +bureau with countless pigeonholes. Half-the-clerk stood beside him, +with a broker's note recording investment of the proceeds from sale +of the Bryanston Square house, in Roger Forsyte's estate. Soames +took it, and said: + +"Vancouver City Stock. H'm. It's down today!" + +With a sort of grating ingratiation old Gradman answered him: + +"Ye-es; but everything's down, Mr. Soames." And half-the-clerk +withdrew. + +Soames skewered the document on to a number of other papers and hung +up his hat. + +"I want to look at my Will and Marriage Settlement, Gradman." + +Old Gradman, moving to the limit of his swivel chair, drew out two +drafts from the bottom lefthand drawer. Recovering his body, he +raised his grizzle-haired face, very red from stooping. + +"Copies, Sir." + +Soames took them. It struck him suddenly how like Gradman was to the +stout brindled yard dog they had been wont to keep on his chain at +The Shelter, till one day Fleur had come and insisted it should be +let loose, so that it had at once bitten the cook and been destroyed. +If you let Gradman off his chain, would he bite the cook? + +Checking this frivolous fancy, Soames unfolded his Marriage +Settlement. He had not looked at it for over eighteen years, not +since he remade his Will when his father died and Fleur was born. He +wanted to see whether the words "during coverture" were in. Yes, +they were--odd expression, when you thought of it, and derived +perhaps from horse-breeding! Interest on fifteen thousand pounds +(which he paid her without deducting income tax) so long as she +remained his wife, and afterward during widowhood "dum casta"--old- +fashioned and rather pointed words, put in to insure the conduct of +Fleur's mother. His Will made it up to an annuity of a thousand +under the same conditions. All right! He returned the copies to +Gradman, who took them without looking up, swung the chair, restored +the papers to their drawer, and went on casting up. + +"Gradman! I don't like the condition of the country; there are a lot +of people about without any common sense. I want to find a way by +which I can safeguard Miss Fleur against anything which might arise." + +Gradman wrote the figure "2" on his blotting-paper. + +"Ye-es," he said; "there's a nahsty spirit." + +"The ordinary restraint against anticipation doesn't meet the case." + +"Nao," said Gradman. + +"Suppose those Labour fellows come in, or worse! It's these people +with fixed ideas who are the danger. Look at Ireland!" + +"Ah!" said Gradman. + +"Suppose I were to make a settlement on her at once with myself as +beneficiary for life, they couldn't take anything but the interest +from me, unless of course they alter the law." + +Gradman moved his head and smiled. + +"Ah!" he said, "they wouldn't do tha-at!" + +"I don't know," muttered Soames; "I don't trust them." + +"It'll take two years, sir, to be valid against death duties." + +Soames sniffed. Two years! He was only sixty-five! + +"That's not the point. Draw a form of settlement that passes all my +property to Miss Fleur's children in equal shares, with antecedent +life-interests first to myself and then to her without power of +anticipation, and add a clause that in the event of anything +happening to divert her life-interest, that interest passes to the +trustees, to apply for her benefit, in their absolute discretion." + +Gradman grated: "Rather extreme at your age, sir; you lose control." + +"That's my business," said Soames sharply. + +Gradman wrote on a piece of paper: "Life-interest--anticipation-- +divert interest--absolute discretion...." and said: + +"What trustees? There's young Mr. Kingson; he's a nice steady young +fellow." + +"Yes, he might do for one. I must have three. There isn't a Forsyte +now who appeals to me." + +"Not young Mr. Nicholas? He's at the Bar. We've given 'im briefs." + +"He'll never set the Thames on fire," said Soames. + +A smile oozed out on Gradman's face, greasy from countless mutton- +chops, the smile of a man who sits all day. + +"You can't expect it, at his age, Mr. Soames." + +"Why? What is he? Forty?" + +"Ye-es, quite a young fellow." + +"Well, put him in; but I want somebody who'll take a personal +interest. There's no one that I can see." + +"What about Mr. Valerius, now he's come home?" + +"Val Dartie? With that father?" + +"We-ell," murmured Gradman, "he's been dead seven years--the Statute +runs against him." + +"No," said Soames. "I don't like the connection." He rose. Gradman +said suddenly: + +"If they were makin' a levy on capital, they could come on the +trustees, sir. So there you'd be just the same. I'd think it over, +if I were you." + +"That's true," said Soames. "I will. What have you done about that +dilapidation notice in Vere Street?" + +"I 'aven't served it yet. The party's very old. She won't want to +go out at her age." + +"I don't know. This spirit of unrest touches every one." + +"Still, I'm lookin' at things broadly, sir. She's eighty-one." + +"Better serve it," said Soames, "and see what she says. Oh! and Mr. +Timothy? Is everything in order in case of--" + +"I've got the inventory of his estate all ready; had the furniture +and pictures valued so that we know what reserves to put on. I shall +be sorry when he goes, though. Dear me! It is a time since I first +saw Mr. Timothy!" + +"We can't live for ever," said Soames, taking down his hat. + +"Nao," said Gradman; "but it'll be a pity--the last of the old +family! Shall I take up the matter of that nuisance in Old Compton +Street? Those organs--they're nahsty things." + +"Do. I must call for Miss Fleur and catch the four o'clock. Good- +day, Gradman." + +"Good-day, Mr. Soames. I hope Miss Fleur--" + +"Well enough, but gads about too much." + +"Ye-es," grated Gradman; "she's young." + +Soames went out, musing: "Old Gradman! If he were younger I'd put +him in the trust. There's nobody I can depend on to take a real +interest." + +Leaving the bilious and mathematical exactitude, the preposterous +peace of that backwater, he thought suddenly: 'During coverture! Why +can't they exclude fellows like Profond, instead of a lot of hard- +working Germans?' and was surprised at the depth of uneasiness which +could provoke so unpatriotic a thought. But there it was! One never +got a moment of real peace. There was always something at the back +of everything! And he made his way toward Green Street. + +Two hours later by his watch, Thomas Gradman, stirring in his swivel +chair, closed the last drawer of his bureau, and putting into his +waistcoat pocket a bunch of keys so fat that they gave him a +protuberance on the liver side, brushed his old top hat round with +his sleeve, took his umbrella, and descended. Thick, short, and +buttoned closely into his old frock coat, he walked toward Covent +Garden market. He never missed that daily promenade to the Tube for +Highgate, and seldom some critical transaction on the way in +connection with vegetables and fruit. Generations might be born, and +hats might change, wars be fought, and Forsytes fade away, but Thomas +Gradman, faithful and grey, would take his daily walk and buy his +daily vegetable. Times were not what they were, and his son had lost +a leg, and they never gave him those nice little plaited baskets to +carry the stuff in now, and these Tubes were convenient things--still +he mustn't complain; his health was good considering his time of +life, and after fifty-four years in the Law he was getting a round +eight hundred a year and a little worried of late, because it was +mostly collector's commission on the rents, and with all this +conversion of Forsyte property going on, it looked like drying up, +and the price of living still so high; but it was no good worrying--" +The good God made us all"--as he was in the habit of saying; still, +house property in London--he didn't know what Mr. Roger or Mr. James +would say if they could see it being sold like this--seemed to show a +lack of faith; but Mr. Soames--he worried. Life and lives in being +and twenty-one years after--beyond that you couldn't go; still, he +kept his health wonderfully--and Miss Fleur was a pretty little +thing--she was; she'd marry; but lots of people had no children +nowadays--he had had his first child at twenty-two; and Mr. Jolyon, +married while he was at Cambridge, had his child the same year-- +gracious Peter! That was back in '69, a long time before old Mr. +Jolyon--fine judge of property--had taken his Will away from Mr. +James--dear, yes! Those were the days when they were buyin' property +right and left, and none of this khaki and fallin' over one another +to get out of things; and cucumbers at twopence; and a melon--the old +melons, that made your mouth water! Fifty years since he went into +Mr. James' office, and Mr. James had said to him: "Now, Gradman, +you're only a shaver--you pay attention, and you'll make your five +hundred a year before you've done." And he had, and feared God, and +served the Forsytes, and kept a vegetable diet at night. And, buying +a copy of John Bull--not that he approved of it, an extravagant +affair--he entered the Tube elevator with his mere brown-paper +parcel, and was borne down into the bowels of the earth. + + + + +VI + +SOAMES' PRIVATE LIFE + + +On his way to Green Street it occurred to Soames that he ought to go +into Dumetrius' in Suffolk Street about the possibility of the +Bolderby Old Crome. Almost worth while to have fought the war to +have the Bolderby Old Crome, as it were, in flux! Old Bolderby had +died, his son and grandson had been killed--a cousin was coming into +the estate, who meant to sell it, some said because of the condition +of England, others said because he had asthma. + +If Dumetrius once got hold of it the price would become prohibitive; +it was necessary for Soames to find out whether Dumetrius had got it, +before he tried to get it himself. He therefore confined himself to +discussing with Dumetrius whether Monticellis would come again now +that it was the fashion for a picture to be anything except a +picture; and the future of Johns, with a side-slip into Buxton +Knights. It was only when leaving that he added: "So they're not +selling the Bolderby Old Crome, after all? "In sheer pride of racial +superiority, as he had calculated would be the case, Dumetrius +replied: + +"Oh! I shall get it, Mr. Forsyte, sir!" + +The flutter of his eyelid fortified Soames in a resolution to write +direct to the new Bolderby, suggesting that the only dignified way of +dealing with an Old Crome was to avoid dealers. He therefore said, +"Well, good-day!" and went, leaving Dumetrius the wiser. + +At Green Street he found that Fleur was out and would be all the +evening; she was staying one more night in London. He cabbed on +dejectedly, and caught his train. + +He reached his house about six o'clock. The air was heavy, midges +biting, thunder about. Taking his letters he went up to his +dressing-room to cleanse himself of London. + +An uninteresting post. A receipt, a bill for purchases on behalf of +Fleur. A circular about an exhibition of etchings. A letter +beginning: + +"SIR, +"I feel it my duty..." + +That would be an appeal or something unpleasant. He looked at once +for the signature. There was none! Incredulously he turned the page +over and examined each corner. Not being a public man, Soames had +never yet had an anonymous letter, and his first impulse was to tear +it up, as a dangerous thing; his second to read it, as a thing still +more dangerous. + +"SIR, +"I feel it my duty to inform you that having no interest in the +matter your lady is carrying on with a foreigner--" + +Reaching that word Soames stopped mechanically and examined the +postmark. So far as he could pierce the impenetrable disguise in +which the Post Office had wrapped it, there was something with a +"sea" at the end and a "t" in it. Chelsea? No! Battersea? Perhaps! +He read on. + +"These foreigners are all the same. Sack the lot. This one meets +your lady twice a week. I know it of my own knowledge--and to see an +Englishman put on goes against the grain. You watch it and see if +what I say isn't true. I shouldn't meddle if it wasn't a dirty +foreigner that's in it. Yours obedient." + +The sensation with which Soames dropped the letter was similar to +that he would have had entering his bedroom and finding it full of +black-beetles. The meanness of anonymity gave a shuddering obscenity +to the moment. And the worst of it was that this shadow had been at +the back of his mind ever since the Sunday evening when Fleur had +pointed down at Prosper Profond strolling on the lawn, and said: +"Prowling cat!" Had he not in connection therewith, this very day, +perused his Will and Marriage Settlement? And now this anonymous +ruffian, with nothing to gain, apparently, save the venting of his +spite against foreigners, had wrenched it out of the obscurity in +which he had hoped and wished it would remain. To have such +knowledge forced on him, at his time of life, about Fleur's mother I +He picked the letter up from the carpet, tore it across, and then, +when it hung together by just the fold at the back, stopped tearing, +and reread it. He was taking at that moment one of the decisive +resolutions of his life. He would not be forced into another +scandal. No! However he decided to deal with this matter--and it +required the most far-sighted and careful consideration he would do +nothing that might injure Fleur. That resolution taken, his mind +answered the helm again, and he made his ablutions. His hands +trembled as he dried them. Scandal he would not have, but something +must be done to stop this sort of thing! He went into his wife's +room and stood looking around him. The idea of searching for +anything which would incriminate, and entitle him to hold a menace +over her, did not even come to him. There would be nothing--she was +much too practical. The idea of having her watched had been +dismissed before it came--too well he remembered his previous +experience of that. No! He had nothing but this torn-up letter from +some anonymous ruffian, whose impudent intrusion into his private +life he so violently resented. It was repugnant to him to make use +of it, but he might have to. What a mercy Fleur was not at home to- +night! A tap on the door broke up his painful cogitations. + +"Mr. Michael Mont, sir, is in the drawing-room. Will you see him?" + +"No," said Soames; "yes. I'll come down." + +Anything that would take his mind off for a few minutes! + +Michael Mont in flannels stood on the verandah smoking a cigarette. +He threw it away as Soames came up, and ran his hand through his +hair. + +Soames' feeling toward this young man was singular. He was no doubt +a rackety, irresponsible young fellow according to old standards, yet +somehow likeable, with his extraordinarily cheerful way of blurting +out his opinions. + +"Come in," he said; "have you had tea?" + +Mont came in. + +"I thought Fleur would have been back, sir; but I'm glad she isn't. +The fact is, I--I'm fearfully gone on her; so fearfully gone that I +thought you'd better know. It's old-fashioned, of course, coming to +fathers first, but I thought you'd forgive that. I went to my own +Dad, and he says if I settle down he'll see me through. He rather +cottons to the idea, in fact. I told him about your Goya." + +"Oh!" said Soames, inexpressibly dry. "He rather cottons?" + +"Yes, sir; do you?" + +Soames smiled faintly. + +"You see," resumed Mont, twiddling his straw hat, while his hair, +ears, eyebrows, all seemed to stand up from excitement, "when you've +been through the War you can't help being in a hurry." + +"To get married; and unmarried afterward," said Soames slowly. + +"Not from Fleur, sir. Imagine, if you were me!" + +Soames cleared his throat. That way of putting it was forcible +enough. + +"Fleur's too young," he said. + +"Oh! no, sir. We're awfully old nowadays. My Dad seems to me a +perfect babe; his thinking apparatus hasn't turned a hair. But he's +a Baronight, of course; that keeps him back." + +"Baronight," repeated Soames; "what may that be?" + +"Bart, sir. I shall be a Bart some day. But I shall live it down, +you know." + +"Go away and live this down," said Soames. + +Young Mont said imploringly: "Oh! no, sir. I simply must hang +around, or I shouldn't have a dog's chance. You'll let Fleur do what +she likes, I suppose, anyway. Madame passes me." + +"Indeed!" said Soames frigidly. + +"You don't really bar me, do you?" and the young man looked so +doleful that Soames smiled. + +"You may think you're very old," he said; "but you strike me as +extremely young. To rattle ahead of everything is not a proof of +maturity." + +"All right, sir; I give you our age. But to show you I mean +business--I've got a job." + +"Glad to hear it." + +"Joined a publisher; my governor is putting up the stakes." + +Soames put his hand over his mouth--he had so very nearly said: "God +help the publisher!" His grey eyes scrutinised the agitated young +man. + +"I don't dislike you, Mr. Mont, but Fleur is everything to me: +Everything--do you understand?" + +"Yes, sir, I know; but so she is to me." + +"That's as may be. I'm glad you've told me, however. And now I +think there's nothing more to be said." + +"I know it rests with her, sir." + +"It will rest with her a long time, I hope." + +"You aren't cheering," said Mont suddenly. + +"No," said Soames, "my experience of life has not made me anxious to +couple people in a hurry. Good-night, Mr. Mont. I shan't tell Fleur +what you've said." + +"Oh!" murmured Mont blankly; "I really could knock my brains out for +want of her. She knows that perfectly well." + +"I dare say." And Soames held out his hand. A distracted squeeze, a +heavy sigh, and soon after sounds from the young man's motor-cycle +called up visions of flying dust and broken bones. + +'The younger generation!' he thought heavily, and went out on to the +lawn. The gardeners had been mowing, and there was still the smell +of fresh-cut grass--the thundery air kept all scents close to earth. +The sky was of a purplish hue--the poplars black. Two or three boats +passed on the river, scuttling, as it were, for shelter before the +storm. 'Three days' fine weather,' thought Soames, 'and then a +storm!' Where was Annette? With that chap, for all he knew--she was +a young woman! Impressed with the queer charity of that thought, he +entered the summerhouse and sat down. The fact was--and he admitted +it--Fleur was so much to him that his wife was very little--very +little; French--had never been much more than a mistress, and he was +getting indifferent to that side of things! It was odd how, with all +this ingrained care for moderation and secure investment, Soames ever +put his emotional eggs into one basket. First Irene--now Fleur. He +was dimly conscious of it, sitting there, conscious of its odd +dangerousness. It had brought him to wreck and scandal once, but +now--now it should save him! He cared so much for Fleur that he +would have no further scandal. If only he could get at that +anonymous letter-writer, he would teach him not to meddle and stir up +mud at the bottom of water which he wished should remain stagnant!... +A distant flash, a low rumble, and large drops of rain spattered on +the thatch above him. He remained indifferent, tracing a pattern +with his finger on the dusty surface of a little rustic table. +Fleur's future! 'I want fair sailing for her,' he thought. 'Nothing +else matters at my time of life.' A lonely business--life! What you +had you never could keep to yourself! As you warned one off, you let +another in. One could make sure of nothing! He reached up and +pulled a red rambler rose from a cluster which blocked the window. +Flowers grew and dropped--Nature was a queer thing! The thunder +rumbled and crashed, travelling east along a river, the paling +flashes flicked his eyes; the poplar tops showed sharp and dense +against the sky, a heavy shower rustled and rattled and veiled in the +little house wherein he sat, indifferent, thinking. + +When the storm was over, he left his retreat and went down the wet +path to the river bank. + +Two swans had come, sheltering in among the reeds. He knew the birds +well, and stood watching the dignity in the curve of those white +necks and formidable snake-like heads. 'Not dignified--what I have +to do!' he thought. And yet it must be tackled, lest worse befell. +Annette must be back by now from wherever she had gone, for it was +nearly dinner-time, and as the moment for seeing her approached, the +difficulty of knowing what to say and how to say it had increased. A +new and scaring thought occurred to him. Suppose she wanted her +liberty to marry this fellow! Well, if she did, she couldn't have +it. He had not married her for that. The image of Prosper Profond +dawdled before him reassuringly. Not a marrying man! No, no! Anger +replaced that momentary scare. 'He had better not come my way,' he +thought. The mongrel represented---! But what did Prosper Profond +represent? Nothing that mattered surely. And yet something real +enough in the world--unmorality let off its chain, disillusionment on +the prowl! That expression Annette had caught from him: "Je m'en +fiche! "A fatalistic chap! A continental--a cosmopolitan--a product +of the age! If there were condemnation more complete, Soames felt +that he did not know it. + +The swans had turned their heads, and were looking past him into some +distance of their own. One of them uttered a little hiss, wagged its +tail, turned as if answering to a rudder, and swam away. The other +followed. Their white bodies, their stately necks, passed out of his +sight, and he went toward the house. + +Annette was in the drawing-room, dressed for dinner, and he thought +as he went up-stairs 'Handsome is as handsome does.' Handsome! +Except for remarks about the curtains in the drawing-room, and the +storm, there was practically no conversation during a meal +distinguished by exactitude of quantity and perfection of quality. +Soames drank nothing. He followed her into the drawing-room +afterward, and found her smoking a cigarette on the sofa between the +two French windows. She was leaning back, almost upright, in a low +black frock, with her knees crossed and her blue eyes half-closed; +grey-blue smoke issued from her red, rather full lips, a fillet bound +her chestnut hair, she wore the thinnest silk stockings, and shoes +with very high heels showing off her instep. A fine piece in any +room! Soames, who held that torn letter in a hand thrust deep into +the side-pocket of his dinner-jacket, said: + +"I'm going to shut the window; the damp's lifting in." + +He did so, and stood looking at a David Cox adorning the cream- +panelled wall close by. + +What was she thinking of? He had never understood a woman in his +life--except Fleur--and Fleur not always! His heart beat fast. But +if he meant to do it, now was the moment. Turning from the David +Cox, he took out the torn letter. + +"I've had this." + +Her eyes widened, stared at him, and hardened. + +Soames handed her the letter. + +"It's torn, but you can read it." And he turned back to the David +Cox--a sea-piece, of good tone--but without movement enough. 'I +wonder what that chap's doing at this moment?' he thought. 'I'll +astonish him yet.' Out of the corner of his eye he saw Annette +holding the letter rigidly; her eyes moved from side to side under +her darkened lashes and frowning darkened eyes. She dropped the +letter, gave a little shiver, smiled, and said: + +"Dirrty!" + +"I quite agree," said Soames; "degrading. Is it true?" + +A tooth fastened on her red lower lip. "And what if it were?" + +She was brazen! + +"Is that all you have to say?" + +"No." + + +"Well, speak out!" + +"What is the good of talking?" + +Soames said icily: "So you admit it?" + +"I admit nothing. You are a fool to ask. A man like you should not +ask. It is dangerous." + +Soames made a tour of the room, to subdue his rising anger. + +"Do you remember," he said, halting in front of her, "what you were +when I married you? Working at accounts in a restaurant." + +"Do you remember that I was not half your age?" + +Soames broke off the hard encounter of their eyes, and went back to +the David Cox. + +"I am not going to bandy words. I require you to give up this-- +friendship. I think of the matter entirely as it affects Fleur." + +"Ah!--Fleur!" + +"Yes," said Soames stubbornly; "Fleur. She is your child as well as +mine." + +"It is kind to admit that!" + +"Are you going to do what I say?" + +"I refuse to tell you." + +"Then I must make you." + +Annette smiled. + +"No, Soames," she said. "You are helpless. Do not say things that +you will regret." + +Anger swelled the veins on his forehead. He opened his mouth to vent +that emotion, and could not. Annette went on: + +"There shall be no more such letters, I promise you. That is +enough." + +Soames writhed. He had a sense of being treated like a child by this +woman who had deserved he did not know what. + +"When two people have married, and lived like us, Soames, they had +better be quiet about each other. There are things one does not drag +up into the light for people to laugh at. You will be quiet, then; +not for my sake for your own. You are getting old; I am not, yet. +You have made me ver-ry practical" + +Soames, who had passed through all the sensations of being choked, +repeated dully: + +"I require you to give up this friendship." + +"And if I do not?" + +"Then--then I will cut you out of my Will." + +Somehow it did not seem to meet the case. Annette laughed. + +"You will live a long time, Soames." + +"You--you are a bad woman," said Soames suddenly. + +Annette shrugged her shoulders. + +"I do not think so. Living with you has killed things in me, it is +true; but I am not a bad woman. I am sensible--that is all. And so +will you be when you have thought it over." + +"I shall see this man," said Soames sullenly, "and warn him off." + +"Mon cher, you are funny. You do not want me, you have as much of me +as you want; and you wish the rest of me to be dead. I admit +nothing, but I am not going to be dead, Soames, at my age; so you had +better be quiet, I tell you. I myself will make no scandal; none. +Now, I am not saying any more, whatever you do." + +She reached out, took a French novel off a little table, and opened +it. Soames watched her, silenced by the tumult of his feelings. The +thought of that man was almost making him want her, and this was a +revelation of their relationship, startling to one little given to +introspective philosophy. Without saying another word he went out +and up to the picture-gallery. This came of marrying a Frenchwoman! +And yet, without her there would have been no Fleur! She had served +her purpose. + +'She's right,' he thought; 'I can do nothing. I don't even know that +there's anything in it.' The instinct of self-preservation warned +him to batten down his hatches, to smother the fire with want of air. +Unless one believed there was something in a thing, there wasn't. + +That night he went into her room. She received him in the most +matter-of-fact way, as if there had been no scene between them. And +he returned to his own room with a curious sense of peace. If one +didn't choose to see, one needn't. And he did not choose--in future +he did not choose. There was nothing to be gained by it--nothing! +Opening the drawer he took from the sachet a handkerchief, and the +framed photograph of Fleur. When he had looked at it a little he +slipped it down, and there was that other one--that old one of Irene. +An owl hooted while he stood in his window gazing at it. The owl +hooted, the red climbing roses seemed to deepen in colour, there came +a scent of lime-blossom. God! That had been a different thing! +Passion--Memory! Dust! + + + + +VII + +JUNE TAKES A HAND + + +One who was a sculptor, a Slav, a sometime resident in New York, +an egoist, and impecunious, was to be found of an evening in June +Forsyte's studio on the bank of the Thames at Chiswick. On the +evening of July 6, Boris Strumolowski--several of whose works were on +show there because they were as yet too advanced to be on show +anywhere else--had begun well, with that aloof and rather Christ-like +silence which admirably suited his youthful, round, broad cheek-boned +countenance framed in bright hair banged like a girl's. June had +known him three weeks, and he still seemed to her the principal +embodiment of genius, and hope of the future; a sort of Star of the +East which had strayed into an unappreciative West. Until that +evening he had conversationally confined himself to recording his +impressions of the United States, whose dust he had just shaken from +off his feet--a country, in his opinion, so barbarous in every way +that he had sold practically nothing there, and become an object of +suspicion to the police; a country, as he said, without a race of its +own, without liberty, equality, or fraternity, without principles, +traditions, taste, without--in a word--a soul. He had left it for +his own good, and come to the only other country where he could live +well. June had dwelt unhappily on him in her lonely moments, +standing before his creations--frightening, but powerful and symbolic +once they had been explained! That he, haloed by bright hair like an +early Italian painting, and absorbed in his genius to the exclusion +of all else--the only sign of course by which real genius could be +told--should still be a "lame duck" agitated her warm heart almost to +the exclusion of Paul Post. And she had begun to take steps to clear +her Gallery, in order to fill it with Strumolowski masterpieces. She +had at once encountered trouble. Paul Post had kicked; Vospovitch +had stung. With all the emphasis of a genius which she did not as +yet deny them, they had demanded another six weeks at least of her +Gallery. The American stream, still flowing in, would soon be +flowing out. The American stream was their right, their only hope, +their salvation--since nobody in this "beastly" country cared for +Art. June had yielded to the demonstration. After all Boris would +not mind their having the full benefit of an American stream, which +he himself so violently despised. + +This evening she had put that to Boris with nobody else present, +except Hannah Hobdey, the mediaeval black-and-whitist, and Jimmy +Portugal, editor of the Neo-Artist. She had put it to him with that +sudden confidence which continual contact with the neo-artistic world +had never been able to dry up in her warm and generous nature. He +had not broken his Christ-like silence, however, for more than two +minutes before she began to move her blue eyes from side to side, as +a cat moves its tail. This--he said--was characteristic of England, +the most selfish country in the world; the country which sucked the +blood of other countries; destroyed the brains and hearts of +Irishmen, Hindus, Egyptians, Boers, and Burmese, all the best races +in the world; bullying, hypocritical England! This was what he had +expected, coming to, such a country, where the climate was all fog, +and the people all tradesmen perfectly blind to Art, and sunk in +profiteering and the grossest materialism. Conscious that Hannah +Hobdey was murmuring, "Hear, hear!" and Jimmy Portugal sniggering, +June grew crimson, and suddenly rapped out: + +"Then why did you ever come? We didn't ask you." + +The remark was so singularly at variance with all she had led him to +expect from her, that Strumolowski stretched out his hand and took a +cigarette. + +"England never wants an idealist," he said. + +But in June something primitively English was thoroughly upset; old +Jolyon's sense of justice had risen, as it were, from bed. "You come +and sponge on us," she said, "and then abuse us. If you think that's +playing the game, I don't." + +She now discovered that which others had discovered before her--the +thickness of hide beneath which the sensibility of genius is +sometimes veiled. Strumolowski's young and ingenuous face became the +incarnation of a sneer. + +"Sponge, one does not sponge, one takes what is owing--a tenth part +of what is owing. You will repent to say that, Miss Forsyte." + +"Oh, no," said June, "I shan't." + +"Ah! We know very well, we artists--you take us to get what you can +out of us. I want nothing from you"--and he blew out a cloud of +June's smoke. + +Decision rose in an icy puff from the turmoil of insulted shame +within her. "Very well, then, you can take your things away." + +And, almost in the same moment, she thought: 'Poor boy! He's only +got a garret, and probably not a taxi fare. In front of these +people, too; it's positively disgusting!' + +Young Strumolowski shook his head violently; his hair, thick, smooth, +close as a golden plate, did not fall off. + +"I can live on nothing," he said shrilly; "I have often had to for +the sake of my Art. It is you bourgeois who force us to spend +money." + +The words hit June like a pebble, in the ribs. After all she had +done for Art, all her identification with its troubles and lame +ducks. She was struggling for adequate words when the door was +opened, and her Austrian murmured: + +"A young lady, gnadiges Fraulein." + +"Where?" + +"In the little meal-room." + +With a glance at Boris Strumolowski, at Hannah Hobdey, at Jimmy +Portugal, June said nothing, and went out, devoid of equanimity. +Entering the "little meal-room," she perceived the young lady to be +Fleur--looking very pretty, if pale. At this disenchanted moment a +little lame duck of her own breed was welcome to June, so +homoeopathic by instinct. + +The girl must have come, of course, because of Jon; or, if not, at +least to get something out of her. And June felt just then that to +assist somebody was the only bearable thing. + +"So you've remembered to come," she said. + +"Yes. What a jolly little duck of a house! But please don't let me +bother you, if you've got people." + +"Not at all," said June. "I want to let them stew in their own juice +for a bit. Have you come about Jon?" + +"You said you thought we ought to be told. Well, I've found out." + +"Oh!" said June blankly. "Not nice, is it?" + +They were standing one on each side of the little bare table at which +June took her meals. A vase on it was full of Iceland poppies; the +girl raised her hand and touched them with a gloved finger. To her +new-fangled dress, frilly about the hips and tight below the knees, +June took a sudden liking--a charming colour, flax-blue. + +'She makes a picture,' thought June. Her little room, with its +whitewashed walls, its floor and hearth of old pink brick, its black +paint, and latticed window athwart which the last of the sunlight was +shining, had never looked so charming, set off by this young figure, +with the creamy, slightly frowning face. She remembered with sudden +vividness how nice she herself had looked in those old days when her +heart was set on Philip Bosinney, that dead lover, who had broken +from her to destroy for ever Irene's allegiance to this girl's +father. Did Fleur know of that, too? + +"Well," she said, "what are you going to do?" + +It was some seconds before Fleur answered. + +"I don't want Jon to suffer. I must see him once more to put an end +to it." + +"You're going to put an end to it!" + +"What else is there to do?" + +The girl seemed to June, suddenly, intolerably spiritless. + +"I suppose you're right," she muttered. "I know my father thinks so; +but--I should never have done it myself. I can't take things lying +down." + +How poised and watchful that girl looked; how unemotional her voice +sounded! + +"People will assume that I'm in love." + +"Well, aren't you?" + +Fleur shrugged her shoulders. 'I might have known it,' thought June; +'she's Soames' daughter--fish! And yet--he!' + +"What do you want me to do then?" she said with a sort of disgust. + +"Could I see Jon here to-morrow on his way down to Holly's? He'd +come if you sent him a line to-night. And perhaps afterward you'd +let them know quietly at Robin Hill that it's all over, and that they +needn't tell Jon about his mother." + +"All right!" said June abruptly. "I'll write now, and you can post +it. Half-past two tomorrow. I shan't be in, myself." + +She sat down at the tiny bureau which filled one corner. When she +looked round with the finished note Fleur was still touching the +poppies with her gloved finger. + +June licked a stamp. "Well, here it is. If you're not in love, of +course, there's no more to be said. Jon's lucky." + +Fleur took the note. "Thanks awfully!" + +'Cold-blooded little baggage!' thought June. Jon, son of her +father, to love, and not to be loved by the daughter of--Soames! It +was humiliating! + +"Is that all?" + +Fleur nodded; her frills shook and trembled as she swayed toward the +door. + +"Good-bye!" + +"Good-bye!... Little piece of fashion!" muttered June, closing the +door. "That family!" And she marched back toward her studio. Boris +Strumolowski had regained his Christ-like silence and Jimmy Portugal +was damning everybody, except the group in whose behalf he ran the +Neo-Artist. Among the condemned were Eric Cobbley, and several other +"lame-duck" genii who at one time or another had held first place in +the repertoire of June's aid and adoration. She experienced a sense +of futility and disgust, and went to the window to let the river-wind +blow those squeaky words away. + +But when at length Jimmy Portugal had finished, and gone with Hannah +Hobdey, she sat down and mothered young Strumolowski for half an +hour, promising him a month, at least, of the American stream; so +that he went away with his halo in perfect order. 'In spite of all,' +June thought, 'Boris is wonderful' + + + + +VIII + +THE BIT BETWEEN THE TEETH + + +To know that your hand is against every one's is--for some natures-- +to experience a sense of moral release. Fleur felt no remorse when +she left June's house. Reading condemnatory resentment in her little +kinswoman's blue eyes-she was glad that she had fooled her, despising +June because that elderly idealist had not seen what she was after. + +End it, forsooth! She would soon show them all that she was only +just beginning. And she smiled to herself on the top of the bus +which carried her back to Mayfair. But the smile died, squeezed out +by spasms of anticipation and anxiety. Would she be able to manage +Jon? She had taken the bit between her teeth, but could she make him +take it too? She knew the truth and the real danger of delay--he +knew neither; therein lay all the difference in the world. + +'Suppose I tell him,' she thought; 'wouldn't it really be safer?' +This hideous luck had no right to spoil their love; he must see that! +They could not let it! People always accepted an accomplished fact +in time! From that piece of philosophy--profound enough at her age-- +she passed to another consideration less philosophic. If she +persuaded Jon to a quick and secret marriage, and he found out +afterward that she had known the truth. What then? Jon hated +subterfuge. Again, then, would it not be better to tell him? But +the memory of his mother's face kept intruding on that impulse. +Fleur was afraid. His mother had power over him; more power perhaps +than she herself. Who could tell? It was too great a risk. Deep- +sunk in these instinctive calculations she was carried on past Green +Street as far as the Ritz Hotel. She got down there, and walked back +on the Green Park side. The storm had washed every tree; they still +dripped. Heavy drops fell on to her frills, and to avoid them she +crossed over under the eyes of the Iseeum Club. Chancing to look up +she saw Monsieur Profond with a tall stout man in the bay window. +Turning into Green Street she heard her name called, and saw "that +prowler" coming up. He took off his hat--a glossy "bowler" such as +she particularly detested. + +"Good evenin'! Miss Forsyde. Isn't there a small thing I can do for +you?" + +"Yes, pass by on the other side." + +"I say! Why do you dislike me?" + +"Do I?" + +"It looks like it." + +"Well, then, because you make me feel life isn't worth living." + +Monsieur Profond smiled. + +"Look here, Miss Forsyde, don't worry. It'll be all right. Nothing +lasts." + +"Things do last," cried Fleur; "with me anyhow--especially likes and +dislikes." + +"Well, that makes me a bit un'appy." + +"I should have thought nothing could ever make you happy or unhappy." + +"I don't like to annoy other people. I'm goin' on my yacht." + +Fleur looked at him, startled. + +"Where?" + +"Small voyage to the South Seas or somewhere," said Monsieur Profond. + +Fleur suffered relief and a sense of insult. Clearly he meant to +convey that he was breaking with her mother. How dared he have +anything to break, and yet how dared he break it? + +"Good-night, Miss Forsyde! Remember me to Mrs. Dartie. I'm not so +bad really. Good-night!" Fleur left him standing there with his hat +raised. Stealing a look round, she saw him stroll--immaculate and +heavy--back toward his Club. + +'He can't even love with conviction,' she thought. 'What will Mother +do?' + +Her dreams that night were endless and uneasy; she rose heavy and +unrested, and went at once to the study of Whitaker's Almanac. A +Forsyte is instinctively aware that facts are the real crux of any +situation. She might conquer Jon's prejudice, but without exact +machinery to complete their desperate resolve, nothing would happen. +>From the invaluable tome she learned that they must each be twenty- +one; or some one's consent would be necessary, which of course was +unobtainable; then she became lost in directions concerning licenses, +certificates, notices, districts, coming finally to the word +"perjury." But that was nonsense! Who would really mind their +giving wrong ages in order to be married for love! She ate hardly +any breakfast, and went back to Whitaker. The more she studied the +less sure she became; till, idly turning the pages, she came to +Scotland. People could be married there without any of this +nonsense. She had only to go and stay there twenty-one days, then +Jon could come, and in front of two people they could declare +themselves married. And what was more--they would be! It was far +the best way; and at once she ran over her schoolfellows. There was +Mary Lambe who lived in Edinburgh and was "quite a sport!" + +She had a brother too. She could stay with Mary Lambe, who with her +brother would serve for witnesses. She well knew that some girls +would think all this unnecessary, and that all she and Jon need do +was to go away together for a weekend and then say to their people: +"We are married by Nature, we must now be married by Law." But Fleur +was Forsyte enough to feel such a proceeding dubious, and to dread +her father's face when he heard of it. Besides, she did not believe +that Jon would do it; he had an opinion of her such as she could not +bear to diminish. No! Mary Lambe was preferable, and it was just +the time of year to go to Scotland. More at ease now she packed, +avoided her aunt, and took a bus to Chiswick. She was too early, and +went on to Kew Gardens. She found no peace among its flower-beds, +labelled trees, and broad green spaces, and having lunched off +anchovy-paste sandwiches and coffee, returned to Chiswick and rang +June's bell. The Austrian admitted her to the "little meal-room." +Now that she knew what she and Jon were up against, her longing for +him had increased tenfold, as if he were a toy with sharp edges or +dangerous paint such as they had tried to take from her as a child. +If she could not have her way, and get Jon for good and all, she felt +like dying of privation. By hook or crook she must and would get +him! A round dim mirror of very old glass hung over the pink brick +hearth. She stood looking at herself reflected in it, pale, and +rather dark under the eyes; little shudders kept passing through her +nerves. Then she heard the bell ring, and, stealing to the window, +saw him standing on the doorstep smoothing his hair and lips, as if +he too were trying to subdue the fluttering of his nerves. + +She was sitting on one of the two rush-seated chairs, with her back +to the door, when he came in, and she said at once + +"Sit down, Jon, I want to talk seriously." + +Jon sat on the table by her side, and without looking at him she went +on: + +"If you don't want to lose me, we must get married." + +Jon gasped. + +"Why? Is there anything new?" + +"No, but I felt it at Robin Hill, and among my people." + +"But--" stammered Jon, "at Robin Hill--it was all smooth--and they've +said nothing to me." + +"But they mean to stop us. Your mother's face was enough. And my +father's." + +"Have you seen him since?" + +Fleur nodded. What mattered a few supplementary lies? + +"But," said Jon eagerly, "I can't see how they can feel like that +after all these years." + +Fleur looked up at him. + +"Perhaps you don't love me enough." +"Not love you enough! Why--!" + +"Then make sure of me." + +"Without telling them?" + +"Not till after." + +Jon was silent. How much older he looked than on that day, barely +two months ago, when she first saw him--quite two years older! + +"It would hurt Mother awfully," he said. + +Fleur drew her hand away. + +"You've got to choose." + +Jon slid off the table on to his knees. + +"But why not tell them? They can't really stop us, Fleur!" + +"They can! I tell you, they can." + +"How?" + +"We're utterly dependent--by putting money pressure, and all sorts of +other pressure. I'm not patient, Jon." + +"But it's deceiving them." + +Fleur got up. + +"You can't really love me, or you wouldn't hesitate. 'He either +fears his fate too much!'" + +Lifting his hands to her waist, Jon forced her to sit down again. +She hurried on: + +"I've planned it all out. We've only to go to Scotland. When we're +married they'll soon come round. People always come round to facts. +Don't you see, Jon?" + +"But to hurt them so awfully!" + +So he would rather hurt her than those people of his! "All right, +then; let me go!" + +Jon got up and put his back against the door. + +"I expect you're right," he said slowly; "but I want to think it +over." + +She could see that he was seething with feelings he wanted to +express; but she did not mean to help him. She hated herself at this +moment and almost hated him. Why had she to do all the work to +secure their love? It wasn't fair. And then she saw his eyes, +adoring and distressed. + +"Don't look like that! I only don't want to lose you, Jon." + +"You can't lose me so long as you want me." + +"Oh, yes, I can." + +Jon put his hands on her shoulders. + +"Fleur, do you know anything you haven't told me?" + +It was the point-blank question she had dreaded. She looked straight +at him, and answered: "No." She had burnt her boats; but what did it +matter, if she got him? He would forgive her. And throwing her arms +round his neck, she kissed him on the lips. She was winning! She +felt it in the beating of his heart against her, in the closing of +his eyes. "I want to make sure! I want to make sure!" she +whispered. "Promise!" + +Jon did not answer. His face had the stillness of extreme trouble. +At last he said: + +"It's like hitting them. I must think a little, Fleur. I really +must." + +Fleur slipped out of his arms. + +"Oh! Very well!" And suddenly she burst into tears of disappointment, +shame, and overstrain. Followed five minutes of acute misery. Jon's +remorse and tenderness knew no bounds; but he did not promise. +Despite her will to cry, "Very well, then, if you don't love me +enough-goodbye!" she dared not. From birth accustomed to her own +way, this check from one so young, so tender, so devoted, baffled and +surprised her. She wanted to push him away from her, to try what +anger and coldness would do, and again she dared not. The knowledge +that she was scheming to rush him blindfold into the irrevocable +weakened everything--weakened the sincerity of pique, and the +sincerity of passion; even her kisses had not the lure she wished for +them. That stormy little meeting ended inconclusively. + +"Will you some tea, gnadiges Fraulein?" + +Pushing Jon from her, she cried out: + +"No-no, thank you! I'm just going." + +And before he could prevent her she was gone. + +She went stealthily, mopping her gushed, stained cheeks, frightened, +angry, very miserable. She had stirred Jon up so fearfully, yet +nothing definite was promised or arranged! But the more uncertain +and hazardous the future, the more "the will to have" worked its +tentacles into the flesh of her heart--like some burrowing tick! + +No one was at Green Street. Winifred had gone with Imogen to see a +play which some said was allegorical, and others "very exciting, +don't you know." It was because of what others said that Winifred +and Imogen had gone. Fleur went on to Paddington. Through the +carriage the air from the brick-kilns of West Drayton and the late +hayfields fanned her still gushed cheeks. Flowers had seemed to be +had for the picking; now they were all thorned and prickled. But the +golden flower within the crown of spikes seemed to her tenacious +spirit all the fairer and more desirable. + + + + +IX + +THE FAT IN THE FIRE + + +On reaching home Fleur found an atmosphere so peculiar that it +penetrated even the perplexed aura of her own private life. Her +mother was inaccessibly entrenched in a brown study; her father +contemplating fate in the vinery. Neither of them had a word to +throw to a dog. 'Is it because of me?' thought Fleur. 'Or because +of Profond?' To her mother she said: + +"What's the matter with Father?" + +Her mother answered with a shrug of her shoulders. + +To her father: + +"What's the matter with Mother?" + +Her father answered: + +"Matter? What should be the matter?" and gave her a sharp look. + +"By the way," murmured Fleur, "Monsieur Profond is going a 'small' +voyage on his yacht, to the South Seas." + +Soames examined a branch on which no grapes were growing. + +"This vine's a failure," he said. "I've had young Mont here. He +asked me something about you." + +"Oh! How do you like him, Father?" + +"He--he's a product--like all these young people." + +"What were you at his age, dear?" + +Soames smiled grimly. + +"We went to work, and didn't play about--flying and motoring, and +making love." + +"Didn't you ever make love?" + +She avoided looking at him while she said that, but she saw him well +enough. His pale face had reddened, his eyebrows, where darkness was +still mingled with the grey, had come close together. + +"I had no time or inclination to philander." + +"Perhaps you had a grand passion." + +Soames looked at her intently. + +"Yes--if you want to know--and much good it did me." He moved away, +along by the hot-water pipes. Fleur tiptoed silently after him. + +"Tell me about it, Father!" + +Soames became very still. + +"What should you want to know about such things, at your age?" + +"Is she alive?" + +He nodded. + +"And married?" Yes." + +"It's Jon Forsyte's mother, isn't it? And she was your wife first." + +It was said in a flash of intuition. Surely his opposition came from +his anxiety that she should not know of that old wound to his pride. +But she was startled. To see some one so old and calm wince as if +struck, to hear so sharp a note of pain in his voice! + +"Who told you that? If your aunt! I can't bear the affair talked +of." + +"But, darling," said Fleur, softly, "it's so long ago." + +"Long ago or not, I...." + +Fleur stood stroking his arm. + +"I've tried to forget," he said suddenly; "I don't wish to be +reminded." And then, as if venting some long and secret irritation, +he added: "In these days people don't understand. Grand passion, +indeed! No one knows what it is." + +"I do," said Fleur, almost in a whisper. + +Soames, who had turned his back on her, spun round. + +"What are you talking of--a child like you!" + +"Perhaps I've inherited it, Father." + +"What?" + +"For her son, you see." + +He was pale as a sheet, and she knew that she was as bad. They stood +staring at each other in the steamy heat, redolent of the mushy scent +of earth, of potted geranium, and of vines coming along fast. + +"This is crazy," said Soames at last, between dry lips. + +Scarcely moving her own, she murmured: + +"Don't be angry, Father. I can't help it." + +But she could see he wasn't angry; only scared, deeply scared. + +"I thought that foolishness," he stammered, "was all forgotten." + +"Oh, no! It's ten times what it was." + +Soames kicked at the hot-water pipe. The hapless movement touched +her, who had no fear of her father--none. + +"Dearest!" she said. "What must be, must, you know." + +"Must!" repeated Soames. "You don't know what you're talking of. +Has that boy been told?" + +The blood rushed into her cheeks. + +"Not yet." + +He had turned from her again, and, with one shoulder a little raised, +stood staring fixedly at a joint in the pipes. + +"It's most distasteful to me," he said suddenly; "nothing could be +more so. Son of that fellow! It's--it's--perverse!" + +She had noted, almost unconsciously, that he did not say "son of that +woman," and again her intuition began working. + +Did the ghost of that grand passion linger in some corner of his +heart? + +She slipped her hand under his arm. + +"Jon's father is quite ill and old; I saw him." + +"You--?" + +"Yes, I went there with Jon; I saw them both." + +"Well, and what did they say to you?" + +"Nothing. They were very polite." + +"They would be." He resumed his contemplation of the pipe-joint, and +then said suddenly: + +"I must think this over--I'll speak to you again to-night." + +She knew this was final for the moment, and stole away, leaving him +still looking at the pipe-joint. She wandered into the fruit-garden, +among the raspberry and currant bushes, without impetus to pick and +eat. Two months ago--she was light-hearted! Even two days ago-- +light-hearted, before Prosper Profond told her. Now she felt tangled +in a web-of passions, vested rights, oppressions and revolts, the +ties of love and hate. At this dark moment of discouragement there +seemed, even to her hold-fast nature, no way out. How deal with it-- +how sway and bend things to her will, and get her heart's desire? +And, suddenly, round the corner of the high box hedge, she came plump +on her mother, walking swiftly, with an open letter in her hand. Her +bosom was heaving, her eyes dilated, her cheeks flushed. Instantly +Fleur thought: 'The yacht! Poor Mother!' + +Annette gave her a wide startled look, and said: + +"J'ai la migraine." + +"I'm awfully sorry, Mother." + +"Oh, yes! you and your father--sorry!" + +"But, Mother--I am. I know what it feels like." + +Annette's startled eyes grew wide, till the whites showed above them. + +"Poor innocent!" she said. + +Her mother--so self-possessed, and commonsensical--to look and speak +like this! It was all frightening! Her father, her mother, herself! +And only two months back they had seemed to have everything they +wanted in this world. + +Annette crumpled the letter in her hand. Fleur knew that she must +ignore the sight. + +"Can't I do anything for your head, Mother?" + +Annette shook that head and walked on, swaying her hips. + +'It's cruel,' thought Fleur, 'and I was glad! That man! What do men +come prowling for, disturbing everything! I suppose he's tired of +her. What business has he to be tired of my mother? What business!' +And at that thought, so natural and so peculiar, she uttered a little +choked laugh. + +She ought, of course, to be delighted, but what was there to be +delighted at? Her father didn't really care! Her mother did, +perhaps? She entered the orchard, and sat down under a cherry-tree. +A breeze sighed in the higher boughs; the sky seen through their +green was very blue and very white in cloud--those heavy white clouds +almost always present in river landscape. Bees, sheltering out of +the wind, hummed softly, and over the lush grass fell the thick shade +from those fruit-trees planted by her father five-and-twenty, years +ago. Birds were almost silent, the cuckoos had ceased to sing, but +wood-pigeons were cooing. The breath and drone and cooing of high +summer were not for long a sedative to her excited nerves. Crouched +over her knees she began to scheme. Her father must be made to back +her up. Why should he mind so long as she was happy? She had not +lived for nearly nineteen years without knowing that her future was +all he really cared about. She had, then, only to convince him that +her future could not be happy without Jon. He thought it a mad +fancy. How foolish the old were, thinking they could tell what the +young felt! Had not he confessed that he--when young--had loved with +a grand passion? He ought to understand! 'He piles up his money for +me,' she thought; 'but what's the use, if I'm not going to be happy?' +Money, and all it bought, did not bring happiness. Love only brought +that. The ox-eyed daisies in this orchard, which gave it such a +moony look sometimes, grew wild and happy, and had their hour. 'They +oughtn't to have called me Fleur,' she mused, 'if they didn't mean me +to have my hour, and be happy while it lasts.' Nothing real stood in +the way, like poverty, or disease--sentiment only, a ghost from the +unhappy past! Jon was right. They wouldn't let you live, these old +people! They made mistakes, committed crimes, and wanted their +children to go on paying! The breeze died away; midges began to +bite. She got up, plucked a piece of honeysuckle, and went in. + +It was hot that night. Both she and her mother had put on thin, pale +low frocks. The dinner flowers were pale. Fleur was struck with the +pale look of everything; her father's face, her mother's shoulders; +the pale panelled walls, the pale grey velvety carpet, the lamp- +shade, even the soup was pale. There was not one spot of colour in +the room, not even wine in the pale glasses, for no one drank it. +What was not pale was black--her father's clothes, the butler's +clothes, her retriever stretched out exhausted in the window, the +curtains black with a cream pattern. A moth came in, and that was +pale. And silent was that half-mourning dinner in the heat. + +Her father called her back as she was following her mother out. + +She sat down beside him at the table, and, unpinning the pale +honeysuckle, put it to her nose. + +"I've been thinking," he said. + +"Yes, dear?" + +"It's extremely painful for me to talk, but there's no help for it. +I don't know if you understand how much you are to me I've never +spoken of it, I didn't think it necessary; but--but you're +everything. Your mother--" he paused, staring at his finger-bowl of +Venetian glass. + +"Yes?"' + +"I've only you to look to. I've never had--never wanted anything +else, since you were born." + +"I know," Fleur murmured. + +Soames moistened his lips. + +"You may think this a matter I can smooth over and arrange for you. +You're mistaken. I'm helpless." + +Fleur did not speak. + +"Quite apart from my own feelings," went on Soames with more +resolution, "those two are not amenable to anything I can say. They- +-they hate me, as people always hate those whom they have injured." +"But he--Jon--" + +"He's their flesh and blood, her only child. Probably he means to +her what you mean to me. It's a deadlock." + +"No," cried Fleur, "no, Father!" + +Soames leaned back, the image of pale patience, as if resolved on the +betrayal of no emotion. + +"Listen!" he said. "You're putting the feelings of two months--two +months--against the feelings of thirty-five years! What chance do +you think you have? Two months--your very first love affair, a +matter of half a dozen meetings, a few walks and talks, a few kisses- +-against, against what you can't imagine, what no one could who +hasn't been through it. Come, be reasonable, Fleur! It's midsummer +madness!" + +Fleur tore the honeysuckle into little, slow bits. + +"The madness is in letting the past spoil it all. + +"What do we care about the past? It's our lives, not yours." + +Soames raised his hand to his forehead, where suddenly she saw +moisture shining. + +"Whose child are you?" he said. "Whose child is he? The present is +linked with the past, the future with both. There's no getting away +from that." + +She had never heard philosophy pass those lips before. Impressed +even in her agitation, she leaned her elbows on the table, her chin +on her hands. + +"But, Father, consider it practically. We want each other. There's +ever so much money, and nothing whatever in the way but sentiment. +Let's bury the past, Father." + +His answer was a sigh. + +"Besides," said Fleur gently, "you can't prevent us." + +"I don't suppose," said Soames, "that if left to myself I should try +to prevent you; I must put up with things, I know, to keep your +affection. But it's not I who control this matter. That's what I +want you to realise before it's too late. If you go on thinking you +can get your way and encourage this feeling, the blow will be much +heavier when you find you can't." + +"Oh!" cried Fleur, "help me, Father; you can help me, you know." + +Soames made a startled movement of negation. "I?" he said bitterly. +"Help? I am the impediment--the just cause and impediment--isn't +that the jargon? You have my blood in your veins." + +He rose. + +"Well, the fat's in the fire. If you persist in your wilfulness +you'll have yourself to blame. Come! Don't be foolish, my child--my +only child!" + +Fleur laid her forehead against his shoulder. + +All was in such turmoil within her. But no good to show it! No good +at all! She broke away from him, and went out into the twilight, +distraught, but unconvinced. All was indeterminate and vague within +her, like the shapes and shadows in the garden, except--her will to +have. A poplar pierced up into the dark-blue sky and touched a white +star there. The dew wetted her shoes, and chilled her bare +shoulders. She went down to the river bank, and stood gazing at a +moonstreak on the darkening water. Suddenly she smelled tobacco +smoke, and a white figure emerged as if created by the moon. It was +young Mont in flannels, standing in his boat. She heard the tiny +hiss of his cigarette extinguished in the water. + +"Fleur," came his voice, "don't be hard on a poor devil! I've been +waiting hours." + +"For what?" + +"Come in my boat!" + +"Not I." + +"Why not?" + +"I'm not a water-nymph." + +"Haven't you any romance in you? Don't be modern, Fleur!" + +He appeared on the path within a yard of her. + +"Go away!" + +"Fleur, I love you. Fleur!" + +Fleur uttered a short laugh. + +"Come again," she said, "when I haven't got my wish." + +"What is your wish?" + +"Ask another." + +"Fleur," said Mont, and his voice sounded strange, "don't mock me! +Even vivisected dogs are worth decent treatment before they're cut up +for good." + +Fleur shook her head; but her lips were trembling. + +"Well, you shouldn't make me jump. Give me a cigarette." + +Mont gave her one, lighted it, and another for himself. + +"I don't want to talk rot," he said, "but please imagine all the rot +that all the lovers that ever were have talked, and all my special +rot thrown in." + +"Thank you, I have imagined it. Good-night!" They stood for a +moment facing each other in the shadow of an acacia-tree with very +moonlit blossoms, and the smoke from their cigarettes mingled in the +air between them. + +"Also ran: 'Michael Mont'?" he said. Fleur turned abruptly toward +the house. On the lawn she stopped to look back. Michael Mont was +whirling his arms above him; she could see them dashing at his head; +then waving at the moonlit blossoms of the acacia. His voice just +reached her. "Jolly-jolly!" Fleur shook herself. She couldn't help +him, she had too much trouble of her own! On the verandah she +stopped very suddenly again. Her mother was sitting in the drawing- +room at her writing bureau, quite alone. There was nothing +remarkable in the expression of her face except its utter immobility. +But she looked desolate! Fleur went upstairs. At the door of her +room she paused. She could hear her father walking up and down, up +and down the picture-gallery. + +'Yes,' she thought, jolly! Oh, Jon!' + + + + +X + +DECISION + + +When Fleur left him Jon stared at the Austrian. She was a thin woman +with a dark face and the concerned expression of one who has watched +every little good that life once had slip from her, one by one. +"No tea?" she said. + +Susceptible to the disappointment in her voice, Jon murmured: + +"No, really; thanks." + +"A lil cup--it ready. A lil cup and cigarette." + +Fleur was gone! Hours of remorse and indecision lay before him! And +with a heavy sense of disproportion he smiled, and said: + +"Well--thank you!" + +She brought in a little pot of tea with two little cups, and a silver +box of cigarettes on a little tray. + +"Sugar? Miss Forsyte has much sugar--she buy my sugar, my friend's +sugar also. Miss Forsyte is a veree kind lady. I am happy to serve +her. You her brother?" + +"Yes," said Jon, beginning to puff the second cigarette of his life. + +"Very young brother," said the Austrian, with a little anxious smile, +which reminded him of the wag of a dog's tail. + +"May I give you some?" he said. "And won't you sit down, please?" + +The Austrian shook her head. + +"Your father a very nice old man--the most nice old man I ever see. +Miss Forsyte tell me all about him. Is he better?" + +Her words fell on Jon like a reproach. "Oh Yes, I think he's all +right." + +"I like to see him again," said the Austrian, putting a hand on her +heart; "he have veree kind heart." + +"Yes," said Jon. And again her words seemed to him a reproach. + +"He never give no trouble to no one, and smile so gentle." + +"Yes, doesn't he?" + +"He look at Miss Forsyte so funny sometimes. I tell him all my +story; he so sympatisch. Your mother--she nice and well?" + +"Yes, very." + +"He have her photograph on his dressing-table. Veree beautiful" + +Jon gulped down his tea. This woman, with her concerned face and her +reminding words, was like the first and second murderers. + +"Thank you," he said; "I must go now. May--may I leave this with +you?" + +He put a ten-shilling note on the tray with a doubting hand and +gained the door. He heard the Austrian gasp, and hurried out. He +had just time to catch his train, and all the way to Victoria looked +at every face that passed, as lovers will, hoping against hope. On +reaching Worthing he put his luggage into the local train, and set +out across the Downs for Wansdon, trying to walk off his aching +irresolution. So long as he went full bat, he could enjoy the beauty +of those green slopes, stopping now and again to sprawl on the grass, +admire the perfection of a wild rose or listen to a lark's song. But +the war of motives within him was but postponed--the longing for +Fleur, and the hatred of deception. He came to the old chalk-pit +above Wansdon with his mind no more made up than when he started. To +see both sides of a question vigorously was at once Jon's strength +and weakness. He tramped in, just as the first dinner-bell rang. +His things had already been brought up. He had a hurried bath and +came down to find Holly alone--Val had gone to Town and would not be +back till the last train. + +Since Val's advice to him to ask his sister what was the matter +between the two families, so much had happened--Fleur's disclosure in +the Green Park, her visit to Robin Hill, to-day's meeting--that there +seemed nothing to ask. He talked of Spain, his sunstroke, Val's +horses, their father's health. Holly startled him by saying that she +thought their father not at all well. She had been twice to Robin +Hill for the week-end. He had seemed fearfully languid, sometimes +even in pain, but had always refused to talk about himself. + +"He's awfully dear and unselfish--don't you think, Jon?" + +Feeling far from dear and unselfish himself, Jon answered: "Rather!" + +"I think, he's been a simply perfect father, so long as I can +remember." + +"Yes," answered Jon, very subdued. + +"He's never interfered, and he's always seemed to understand. I +shall never forget his letting me go to South Africa in the Boer War +when I was in love with Val." + +"That was before he married Mother, wasn't it?" said Jon suddenly. + +"Yes. Why?" + +"Oh! nothing. Only, wasn't she engaged to Fleur's father first?" + +Holly put down the spoon she was using, and raised her eyes. Her +stare was circumspect. What did the boy know? Enough to make it +better to tell him? She could not decide. He looked strained and +worried, altogether older, but that might be the sunstroke. + +"There was something," she said. "Of course we were out there, and +got no news of anything." She could not take the risk. + +It was not her secret. Besides, she was in the dark about his +feelings now. Before Spain she had made sure he was in love; but +boys were boys; that was seven weeks ago, and all Spain between. + +She saw that he knew she was putting him off, and added: + +"Have you heard anything of Fleur?" + +"Yes." + +His face told her, then, more than the most elaborate explanations. +So he had not forgotten! + +She said very quietly: "Fleur is awfully attractive, Jon, but you +know--Val and I don't really like her very much." + +"Why?" + +"We think she's got rather a 'having' nature." + +"'Having'? I don't know what you mean. She--she--" he pushed his +dessert plate away, got up, and went to the window. + +Holly, too, got up, and put her arm round his waist. + +"Don't be angry, Jon dear. We can't all see people in the same +light, can we? You know, I believe each of us only has about one or +two people who can see the best that's in us, and bring it out. For +you I think it's your mother. I once saw her looking at a letter of +yours; it was wonderful to see her face. I think she's the most +beautiful woman I ever saw--Age doesn't seem to touch her." + +Jon's face softened; then again became tense. Everybody--everybody +was against him and Fleur! It all strengthened the appeal of her +words: "Make sure of me--marry me, Jon!" + +Here, where he had passed that wonderful week with her--the tug of +her enchantment, the ache in his heart increased with every minute +that she was not there to make the room, the garden, the very air +magical. Would he ever be able to live down here, not seeing her? +And he closed up utterly, going early to bed. It would not make him +healthy, wealthy, and wise, but it closeted him with memory of Fleur +in her fancy frock. He heard Val's arrival--the Ford discharging +cargo, then the stillness of the summer night stole back--with only +the bleating of very distant sheep, and a night-Jar's harsh purring. +He leaned far out. Cold moon--warm air--the Downs like silver! +Small wings, a stream bubbling, the rambler roses! God--how empty +all of it without her! In the Bible it was written: Thou shalt leave +father and mother and cleave to--Fleur! + +Let him have pluck, and go and tell them! They couldn't stop him +marrying her--they wouldn't want to stop him when they knew how he +felt. Yes! He would go! Bold and open--Fleur was wrong! + +The night-jar ceased, the sheep were silent; the only sound in the +darkness was the bubbling of the stream. And Jon in his bed slept, +freed from the worst of life's evils--indecision. + + + + +XI + +TIMOTHY PROPHESIES + + +On the day of the cancelled meeting at the National Gallery began the +second anniversary of the resurrection of England's pride and glory-- +or, more shortly, the top hat. "Lord's"--that festival which the +War had driven from the field--raised its light and dark blue flags +for the second time, displaying almost every feature of a glorious +past. Here, in the luncheon interval, were all species of female and +one species of male hat, protecting the multiple types of face +associated with "the classes." The observing Forsyte might discern +in the free or unconsidered seats a certain number of the squash- +hatted, but they hardly ventured on the grass; the old school--or +schools--could still rejoice that the proletariat was not yet paying +the necessary half-crown. Here was still a close borough, the only +one left on a large scale--for the papers were about to estimate the +attendance at ten thousand. And the ten thousand, all animated by +one hope, were asking each other one question: "Where are you +lunching?" Something wonderfully uplifting and reassuring in that +query and the sight of so many people like themselves voicing it! +What reserve power in the British realm--enough pigeons, lobsters, +lamb, salmon mayonnaise, strawberries, and bottles of champagne to +feed the lot! No miracle in prospect--no case of seven loaves and a +few fishes--faith rested on surer foundations. Six thousand top +hats, four thousand parasols would be doffed and furled, ten thousand +mouths all speaking the same English would be filled. There was life +in the old dog yet! Tradition! And again Tradition! How strong and +how elastic! Wars might rage, taxation prey, Trades Unions take +toll, and Europe perish of starvation; but the ten thousand would be +fed; and, within their ring fence, stroll upon green turf, wear their +top hats, and meet--themselves. The heart was sound, the pulse still +regular. E-ton! E-ton! Har-r-o-o-o-w! + +Among the many Forsytes, present on a hunting-ground theirs, by +personal prescriptive right, or proxy, was Soames with his wife and +daughter. He had not been at either school, he took no interest in +cricket, but he wanted Fleur to show her frock, and he wanted to wear +his top hat parade it again in peace and plenty among his peers. He +walked sedately with Fleur between him and Annette. No women +equalled them, so far as he could see. They could walk, and hold +themselves up; there was substance in their good looks; the modern +woman had no build, no chest, no anything! He remembered suddenly +with what intoxication of pride he had walked round with Irene in the +first years of his first marriage. And how they used to lunch on the +drag which his mother would make his father have, because it was so +"chic"--all drags and carriages in those days, not these lumbering +great Stands! And how consistently Montague Dartie had drunk too +much. He supposed that people drank too much still, but there was +not the scope for it there used to be. He remembered George Forsyte- +-whose brothers Roger and Eustace had been at Harrow and Eton-- +towering up on the top of the drag waving a light-blue flag with one +hand and a dark-blue flag with the other, and shouting "Etroow- +Harrton!" Just when everybody was silent, like the buffoon he had +always been; and Eustace got up to the nines below, too dandified to +wear any colour or take any notice. H'm! Old days, and Irene in +grey silk shot with palest green. He looked, sideways, at Fleur's +face. Rather colourless-no light, no eagerness! That love affair +was preying on her--a bad business! He looked beyond, at his wife's +face, rather more touched up than usual, a little disdainful--not +that she had any business to disdain, so far as he could see. She +was taking Profond's defection with curious quietude; or was his +"small" voyage just a blind? If so, he should refuse to see it! +Having promenaded round the pitch and in front of the pavilion, they +sought Winifred's table in the Bedouin Club tent. This Club--a new +"cock and hen"--had been founded in the interests of travel, and of a +gentleman with an old Scottish name, whose father had somewhat +strangely been called Levi. Winifred had joined, not because she had +travelled, but because instinct told her that a Club with such a name +and such a founder was bound to go far; if one didn't join at once +one might never have the chance. Its tent, with a text from the +Koran on an orange ground, and a small green camel embroidered over +the entrance, was the most striking on the ground. Outside it they +found Jack Cardigan in a dark blue tie (he had once played for +Harrow), batting with a Malacca cane to show how that fellow ought to +have hit that ball. He piloted them in. Assembled in Winifred's +corner were Imogen, Benedict with his young wife, Val Dartie without +Holly, Maud and her husband, and, after Soames and his two were +seated, one empty place. + +"I'm expecting Prosper," said Winifred, "but he's so busy with his +yacht." + +Soames stole a glance. No movement in his wife's face! Whether that +fellow were coming or not, she evidently knew all about it. It did +not escape him that Fleur, too, looked at her mother. If Annette +didn't respect his feelings, she might think of Fleur's! The +conversation, very desultory, was syncopated by Jack Cardigan talking +about "mid-off." He cited all the "great mid-offs" from the +beginning of time, as if they had been a definite racial entity in +the composition of the British people. Soames had finished his +lobster, and was beginning on pigeon-pie, when he heard the words, +"I'm a small bit late, Mrs. Dartie," and saw that there was no longer +any empty place. That fellow was sitting between Annette and Imogen. +Soames ate steadily on, with an occasional word to Maud and Winifred. +Conversation buzzed around him. He heard the voice of Profond say: + +"I think you're mistaken, Mrs. Forsyde; I'll--I'll bet Miss Forsyde +agrees with me." + +"In what?" came Fleur's clear voice across the table. + +"I was sayin', young gurls are much the same as they always were-- +there's very small difference." + +"Do you know so much about them?" + + +That sharp reply caught the ears of all, and Soames moved uneasily on +his thin green chair. + +"Well, I don't know, I think they want their own small way, and I +think they always did." + +"Indeed!" + +"Oh, but--Prosper," Winifred interjected comfortably, "the girls in +the streets--the girls who've been in munitions, the little flappers +in the shops; their manners now really quite hit you in the eye." + +At the word "hit" Jack Cardigan stopped his disquisition; and in the +silence Monsieur Profond said: + +"It was inside before, now it's outside; that's all." + +"But their morals!" cried Imogen. + +"Just as moral as they ever were, Mrs. Cardigan, but they've got more +opportunity." + +The saying, so cryptically cynical, received a little laugh from +Imogen, a slight opening of Jack Cardigan's mouth, and a creak from +Soames' chair. + +Winifred said: "That's too bad, Prosper." + +"What do you say, Mrs. Forsyde; don't you think human nature's always +the same?" + +Soames subdued a sudden longing to get up and kick the fellow. He +heard his wife reply: + +"Human nature is not the same in England as anywhere else." That was +her confounded mockery! + +"Well, I don't know much about this small country"--'No, thank God!' +thought Soames--"but I should say the pot was boilin' under the lid +everywhere. We all want pleasure, and we always did." + +Damn the fellow! His cynicism was--was outrageous! + +When lunch was over they broke up into couples for the digestive +promenade. Too proud to notice, Soames knew perfectly that Annette +and that fellow had gone prowling round together. Fleur was with +Val; she had chosen him, no doubt, because he knew that boy. He +himself had Winifred for partner. They walked in the bright, +circling stream, a little flushed and sated, for some minutes, till +Winifred sighed: + +"I wish we were back forty years, old boy!" + +Before the eyes of her spirit an interminable procession of her own +"Lord's" frocks was passing, paid for with the money of her father, +to save a recurrent crisis. "It's been very amusing, after all. +Sometimes I even wish Monty was back. What do you think of people +nowadays, Soames?" + +"Precious little style. The thing began to go to pieces with +bicycles and motor-cars; the War has finished it." + +"I wonder what's coming?" said Winifred in a voice dreamy from +pigeon-pie. "I'm not at all sure we shan't go back to crinolines and +pegtops. Look at that dress!" + +Soames shook his head. + +"There's money, but no faith in things. We don't lay by for the +future. These youngsters--it's all a short life and a merry one with +them." + +"There's a hat!" said Winifred. "I don't know--when you come to +think of the people killed and all that in the War, it's rather +wonderful, I think. There's no other country--Prosper says the rest +are all bankrupt, except America; and of course her men always took +their style in dress from us." + +"Is that chap," said Soames, "really going to the South Seas?" + +"Oh! one never knows where Prosper's going!" + +"He's a sign of the times," muttered Soames, "if you like." + +Winifred's hand gripped his arm. + +"Don't turn your head," she said in a low voice, "but look to your +right in the front row of the Stand." + +Soames looked as best he could under that limitation. A man in a +grey top hat, grey-bearded, with thin brown, folded cheeks, and a +certain elegance of posture, sat there with a woman in a lawn- +coloured frock, whose dark eyes were fixed on himself. Soames looked +quickly at his feet. How funnily feet moved, one after the other +like that! Winifred's voice said in his ear: + +"Jolyon looks very ill; but he always had style. She doesn't change- +-except her hair." + +"Why did you tell Fleur about that business?" + +"I didn't; she picked it up. I always knew she would." + +"Well, it's a mess. She's set her heart upon their boy." + +"The little wretch," murmured Winifred. "She tried to take me in +about that. What shall you do, Soames?" + +"Be guided by events." + +They moved on, silent, in the almost solid crowd. + +"Really," said Winifred suddenly; "it almost seems like Fate. Only +that's so old-fashioned. Look! there are George and Eustace!" + +George Forsyte's lofty bulk had halted before them. + +"Hallo, Soames!" he said. "Just met Profond and your wife. You'll +catch 'em if you put on pace. Did you ever go to see old Timothy?" + +Soames nodded, and the streams forced them apart. + +"I always liked old George," said Winifred. "He's so droll." + +"I never did," said Soames. "Where's your seat? I shall go to mine. +Fleur may be back there." + +Having seen Winifred to her seat, he regained his own, conscious of +small, white, distant figures running, the click of the bat, the +cheers and counter-cheers. No Fleur, and no Annette! You could +expect nothing of women nowadays! They had the vote. They were +"emancipated," and much good it was doing them! So Winifred would go +back, would she, and put up with Dartie all over again? To have the +past once more--to be sitting here as he had sat in '83 and '84, +before he was certain that his marriage with Irene had gone all +wrong, before her antagonism had become so glaring that with the best +will in the world he could not overlook it. The sight of her with +that fellow had brought all memory back. Even now he could not +understand why she had been so impracticable. She could love other +men; she had it in her! To himself, the one person she ought to have +loved, she had chosen to refuse her heart. It seemed to him, +fantastically, as he looked back, that all this modern relaxation of +marriage--though its forms and laws were the same as when he married +her--that all this modern looseness had come out of her revolt; it +seemed to him, fantastically, that she had started it, till all +decent ownership of anything had gone, or was on the point of going. +All came from her! And now--a pretty state of things! Homes! How +could you have them without mutual ownership? Not that he had ever +had a real home! But had that been his fault? He had done his best. +And his rewards were--those two sitting in that Stand, and this +affair of Fleur's! + +And overcome by loneliness he thought: 'Shan't wait any longer! They +must find their own way back to the hotel--if they mean to come!' +Hailing a cab outside the ground, he said: + +"Drive me to the Bayswater Road." His old aunts had never failed +him. To them he had meant an ever-welcome visitor. Though they were +gone, there, still, was Timothy! + +Smither was standing in the open doorway. + +"Mr. Soames! I was just taking the air. Cook will be so pleased." + +"How is Mr. Timothy?" + +"Not himself at all these last few days, sir; he's been talking a +great deal. Only this morning he was saying: 'My brother James, he's +getting old.' His mind wanders, Mr. Soames, and then he will talk of +them. He troubles about their investments. The other day he said: +'There's my brother Jolyon won't look at Consols'--he seemed quite +down about it. Come in, Mr. Soames, come in! It's such a pleasant +change!" + +"Well," said Soames, "just for a few minutes." + +"No," murmured Smither in the hall, where the air had the singular +freshness of the outside day, "we haven't been very satisfied with +him, not all this week. He's always been one to leave a titbit to +the end; but ever since Monday he's been eating it first. If you +notice a dog, Mr. Soames, at its dinner, it eats the meat first. +We've always thought it such a good sign of Mr. Timothy at his age to +leave it to the last, but now he seems to have lost all his self- +control; and, of course, it makes him leave the rest. The doctor +doesn't make anything of it, but"--Smither shook her head--"he seems +to think he's got to eat it first, in case he shouldn't get to it. +That and his talking makes us anxious." + +"Has he said anything important?" + +"I shouldn't like to say that, Mr. Soames; but he's turned against +his Will. He gets quite pettish--and after having had it out every +morning for years, it does seem funny. He said the other day: 'They +want my money.' It gave me such a turn, because, as I said to him, +nobody wants his money, I'm sure. And it does seem a pity he should +be thinking about money at his time of life. I took my courage in my +'ands. 'You know, Mr. Timothy,' I said, 'my dear mistress'--that's +Miss Forsyte, Mr. Soames, Miss Ann that trained me--'she never +thought about money,' I said, 'it was all character with her.' He +looked at me, I can't tell you how funny, and he said quite dry: +'Nobody wants my character.' Think of his saying a thing like that! +But sometimes he'll say something as sharp and sensible as anything." + +Soames, who had been staring at an old print by the hat-rack, +thinking, 'That's got value!' murmured: "I'll go up and see him, +Smither." + +"Cook's with him," answered Smither above her corsets; "she will be +pleased to see you." + +He mounted slowly, with the thought: 'Shan't care to live to be that +age.' + +On the second floor, he paused, and tapped. The door was opened, and +he saw the round homely face of a woman about sixty. + +"Mr. Soames!" she said: "Why! Mr. Soames!" + +Soames nodded. "All right, Cook!" and entered. + +Timothy was propped up in bed, with his hands joined before his +chest, and his eyes fixed on the ceiling, where a fly was standing +upside down. Soames stood at the foot of the bed, facing him. + +"Uncle Timothy," he said, raising his voice. "Uncle Timothy!" + +Timothy's eyes left the fly, and levelled themselves on his visitor. +Soames could see his pale tongue passing over his darkish lips. + +"Uncle Timothy," he said again, "is there anything I can do for you? +Is there anything you'd like to say?" + +"Ha!" said Timothy. + +"I've come to look you up and see that everything's all right." + +Timothy nodded. He seemed trying to get used to the apparition +before him. + +"Have you got everything you want?" + +"No," said Timothy. + +"Can I get you anything?" + +"No," said Timothy. + +"I'm Soames, you know; your nephew, Soames Forsyte. Your brother +James' son." + +Timothy nodded. + +"I shall be delighted to do anything I can for you." + +Timothy beckoned. Soames went close to him: + +"You--" said Timothy in a voice which seemed to have outlived tone, +"you tell them all from me--you tell them all--" and his finger +tapped on Soames' arm, "to hold on--hold on--Consols are goin' up," +and he nodded thrice. + +"All right!" said Soames; "I will." + +"Yes," said Timothy, and, fixing his eyes again on the ceiling, he +added: "That fly!" + +Strangely moved, Soames looked at the Cook's pleasant fattish face, +all little puckers from staring at fires. + +"That'll do him a world of good, sir," she said. + +A mutter came from Timothy, but he was clearly speaking to himself, +and Soames went out with the cook. + +"I wish I could make you a pink cream, Mr. Soames, like in old days; +you did so relish them. Good-bye, sir; it has been a pleasure." + +"Take care of him, Cook, he is old." + +And, shaking her crumpled hand, he went down-stairs. Smither was +still taking the air in the doorway. + +"What do you think of him, Mr. Soames?" + +"H'm!" Soames murmured: "He's lost touch." + +"Yes," said Smither, "I was afraid you'd think that coming fresh out +of the world to see him like." + +"Smither," said Soames, "we're all indebted to you." + +"Oh, no, Mr. Soames, don't say that! It's a pleasure--he's such a +wonderful man." + +"Well, good-bye!" said Soames, and got into his taxi. + +'Going up!' he thought; 'going up!' + +Reaching the hotel at Knightsbridge he went to their sitting-room, +and rang for tea. Neither of them were in. And again that sense of +loneliness came over him. These hotels. What monstrous great places +they were now! He could remember when there was nothing bigger than +Long's or Brown's, Morley's or the Tavistock, and the heads that were +shaken over the Langham and the Grand. Hotels and Clubs--Clubs and +Hotels; no end to them now! And Soames, who had just been watching +at Lord's a miracle of tradition and continuity, fell into reverie +over the changes in that London where he had been born five-and-sixty +years before. Whether Consols were going up or not, London had +become a terrific property. No such property in the world, unless it +were New York! There was a lot of hysteria in the papers nowadays; +but any one who, like himself, could remember London sixty years ago, +and see it now, realised the fecundity and elasticity of wealth. +They had only to keep their heads, and go at it steadily. Why! he +remembered cobblestones, and stinking straw on the floor of your cab. +And old Timothy--what could be not have told them, if he had kept his +memory! Things were unsettled, people in a funk or in a hurry, but +here were London and the Thames, and out there the British Empire, +and the ends of the earth. "Consols are goin' up!" He should n't be +a bit surprised. It was the breed that counted. And all that was +bull-dogged in Soames stared for a moment out of his grey eyes, till +diverted by the print of a Victorian picture on the walls. The hotel +had bought three dozen of that little lot! The old hunting or +"Rake's Progress" prints in the old inns were worth looking at--but +this sentimental stuff--well, Victorianism had gone! "Tell them to +hold on!" old Timothy had said. But to what were they to hold on in +this modern welter of the "democratic principle"? Why, even privacy +was threatened! And at the thought that privacy might perish, Soames +pushed back his teacup and went to the window. Fancy owning no more +of Nature than the crowd out there owned of the flowers and trees and +waters of Hyde Park! No, no! Private possession underlay everything +worth having. The world had slipped its sanity a bit, as dogs now +and again at full moon slipped theirs and went off for a night's +rabbiting; but the world, like the dog, knew where its bread was +buttered and its bed warm, and would come back sure enough to the +only home worth having--to private ownership. The world was in its +second childhood for the moment, like old Timothy--eating its titbit +first! + +He heard a sound behind him, and saw that his wife and daughter had +come in. + +"So you're back!" he said. + +Fleur did not answer; she stood for a moment looking at him and her +mother, then passed into her bedroom. Annette poured herself out a +cup of tea. + +"I am going to Paris, to my mother, Soames." "Oh! To your mother?" + +"Yes." + +"For how long?" + +"I do not know." + +"And when are you going?" + +"On Monday." + +Was she really going to her mother? Odd, how indifferent he felt! +Odd, how clearly she had perceived the indifference he would feel so +long as there was no scandal. And suddenly between her and himself +he saw distinctly the face he had seen that afternoon--Irene's. + +"Will you want money?" + +"Thank you; I have enough." + +"Very well. Let us know when you are coming back." + +Annette put down the cake she was fingering, and, looking up through +darkened lashes, said: + +"Shall I give Maman any message?" + +"My regards." + +Annette stretched herself, her hands on her waist, and said in +French: + +"What luck that you have never loved me, Soames!" Then rising, she +too left the room. Soames was glad she had spoken it in French--it +seemed to require no dealing with. Again that other face--pale, +dark-eyed, beautiful still! And there stirred far down within him +the ghost of warmth, as from sparks lingering beneath a mound of +flaky ash. And Fleur infatuated with her boy! Queer chance! Yet, +was there such a thing as chance? A man went down a street, a brick +fell on his head. Ah! that was chance, no doubt. But this! +"Inherited," his girl had said. She--she was "holding on"! + + + + + + +PART III + + +I + +OLD JOLYON WALKS + + +Twofold impulse had made Jolyon say to his wife at breakfast +"Let's go up to Lord's!" + +"Wanted"--something to abate the anxiety in which those two had lived +during the sixty hours since Jon had brought Fleur down. "Wanted"-- +too, that which might assuage the pangs of memory in one who knew he +might lose them any day! + +Fifty-eight years ago Jolyon had become an Eton boy, for old Jolyon's +whim had been that he should be canonised at the greatest possible +expense. Year after year he had gone to Lord's from Stanhope Gate +with a father whose youth in the eighteen-twenties had been passed +without polish in the game of cricket. Old Jolyon would speak quite +openly of swipes, full tosses, half and three-quarter balls; and +young Jolyon with the guileless snobbery of youth had trembled lest +his sire should be overheard. Only in this supreme matter of cricket +he had been nervous, for his father--in Crimean whiskers then--had +ever impressed him as the beau ideal. Though never canonised +himself, Old Jolyon's natural fastidiousness and balance had saved +him from the errors of the vulgar. How delicious, after howling in a +top hat and a sweltering heat, to go home with his father in a hansom +cab, bathe, dress, and forth to the "Disunion" Club, to dine off +white bait, cutlets, and a tart, and go--two "swells," old and young, +in lavender kid gloves--to the opera or play. And on Sunday, when +the match was over, and his top hat duly broken, down with his father +in a special hansom to the "Crown and Sceptre," and the terrace above +the river--the golden sixties when the world was simple, dandies +glamorous, Democracy not born, and the books of Whyte Melville coming +thick and fast. + +A generation later, with his own boy, Jolly, Harrow-buttonholed with +corn-flowers--by old Jolyon's whim his grandson had been canonised at +a trifle less expense--again Jolyon had experienced the heat and +counter-passions of the day, and come back to the cool and the +strawberry beds of Robin Hill, and billiards after dinner, his boy +making the most heart-breaking flukes and trying to seem languid and +grown-up. Those two days each year he and his son had been alone +together in the world, one on each side--and Democracy just born! + +And so, he had unearthed a grey top hat, borrowed a tiny bit of +light-blue ribbon from Irene, and gingerly, keeping cool, by car and +train and taxi, had reached Lord's Ground. There, beside her in a +lawn-coloured frock with narrow black edges, he had watched the game, +and felt the old thrill stir within him. + +When Soames passed, the day was spoiled. Irene's face was distorted +by compression of the lips. No good to go on sitting here with +Soames or perhaps his daughter recurring in front of them, like +decimals. And he said: + +"Well, dear, if you've had enough--let's go!" + +That evening Jolyon felt exhausted. Not wanting her to see him thus, +he waited till she had begun to play, and stole off to the little +study. He opened the long window for air, and the door, that he +might still hear her music drifting in; and, settled in his father's +old armchair, closed his eyes, with his head against the worn brown +leather. Like that passage of the Cesar Franck Sonata--so had been +his life with her, a divine third movement. And now this business of +Jon's--this bad business! Drifted to the edge of consciousness, he +hardly knew if it were in sleep that he smelled the scent of a cigar, +and seemed to see his father in the blackness before his closed eyes. +That shape formed, went, and formed again; as if in the very chair +where he himself was sitting, he saw his father, black-coated, with. +knees crossed, glasses balanced between thumb and finger; saw the big +white moustaches, and the deep eyes looking up below a dome of +forehead and seeming to search his own, seeming to speak. "Are you +facing it, Jo? It's for you to decide. She's only a woman!" Ah! +how well he knew his father in that phrase; how all the Victorian Age +came up with it! And his answer "No, I've funked it--funked hurting +her and Jon and myself. I've got a heart; I've funked it." But the +old eyes, so much older, so much younger than his own, kept at it; +"It's your wife, your son; your past. Tackle it, my boy!" Was it a +message from walking spirit; or but the instinct of his sire living +on within him? And again came that scent of cigar smoke-from the old +saturated leather. Well! he would tackle it, write to Jon, and put +the whole thing down in black and white! And suddenly he breathed +with difficulty, with a sense of suffocation, as if his heart were +swollen. He got up and went out into the air. The stars were very +bright. He passed along the terrace round the corner of the house, +till, through the window of the music-room, he could see Irene at the +piano, with lamp-light falling on her powdery hair; withdrawn into +herself she seemed, her dark eyes staring straight before her, her +hands idle. Jolyon saw her raise those hands and clasp them over her +breast. 'It's Jon, with her,' he thought; 'all Jon! I'm dying out of +her--it's natural!' + +And, careful not to be seen, he stole back. + +Next day, after a bad night, he sat down to his task. He wrote with +difficulty and many erasures. + + +"MY DEAREST BOY, + +"You are old enough to understand how very difficult it is for elders +to give themselves away to their young. Especially when--like your +mother and myself, though I shall never think of her as anything but +young--their hearts are altogether set on him to whom they must +confess. I cannot say we are conscious of having sinned exactly-- +people in real life very seldom are, I believe--but most persons +would say we had, and at all events our conduct, righteous or not, +has found us out. The truth is, my dear, we both have pasts, which +it is now my task to make known to you, because they so grievously +and deeply affect your future. Many, very many years ago, as far +back indeed as 1883, when she was only twenty, your mother had the +great and lasting misfortune to make an unhappy marriage--no, not +with me, Jon. Without money of her own, and with only a stepmother-- +closely related to Jezebel--she was very unhappy in her home life. +It was Fleur's father that she married, my cousin Soames Forsyte. He +had pursued her very tenaciously and to do him justice was deeply in +love with her. Within a week she knew the fearful mistake she had +made. It was not his fault; it was her error of judgment--her +misfortune." + +So far Jolyon had kept some semblance of irony, but now his subject +carried him away. + +"Jon, I want to explain to you if I can--and it's very hard--how it +is that an unhappy marriage such as this can so easily come about. +You will of course say: 'If she didn't really love him how could she +ever have married him?' You would be right if it were not for one or +two rather terrible considerations. From this initial mistake of +hers all the subsequent trouble, sorrow, and tragedy have come, and +so I must make it clear to you if I can. You see, Jon, in those days +and even to this day--indeed, I don't see, for all the talk of +enlightenment, how it can well be otherwise--most girls are married +ignorant of the sexual side of life. Even if they know what it means +they have not experienced it. That's the crux. It is this actual +lack of experience, whatever verbal knowledge they have, which makes +all the difference and all the trouble. In a vast number of +marriages-and your mother's was one--girls are not and cannot be +certain whether they love the man they marry or not; they do not know +until after that act of union which makes the reality of marriage. +Now, in many, perhaps in most doubtful cases, this act cements and +strengthens the attachment, but in other cases, and your mother's +was one, it is a revelation of mistake, a destruction of such +attraction as there was. There is nothing more tragic in a woman's +life than such a revelation, growing daily, nightly clearer. +Coarse-grained and unthinking people are apt to laugh at such a +mistake, and say, 'What a fuss about nothing!' Narrow and self- +righteous people, only capable of judging the lives of others by +their own, are apt to condemn those who make this tragic error, to +condemn them for life to the dungeons they have made for themselves. +You know the expression: 'She has made her bed, she must lie on it!' +It is a hard-mouthed saying, quite unworthy of a gentleman or lady in +the best sense of those words; and I can use no stronger +condemnation. I have not been what is called a moral man, but I wish +to use no words to you, my dear, which will make you think lightly of +ties or contracts into which you enter. Heaven forbid! But with the +experience of a life behind me I do say that those who condemn the +victims of these tragic mistakes, condemn them and hold out no hands +to help them, are inhuman, or rather they would be if they had the +understanding to know what they are doing. But they haven't! Let +them go! They are as much anathema to me as I, no doubt, am to them. +I have had to say all this, because I am going to put you into a +position to judge your mother, and you are very young, without +experience of what life is. To go on with the story. After three +years of effort to subdue her shrinking--I was going to say her +loathing and it's not too strong a word, for shrinking soon becomes +loathing under such circumstances--three years of what to a +sensitive, beauty-loving nature like your mother's, Jon, was torment, +she met a young man who fell in love with her. He was the architect +of this very house that we live in now, he was building it for her +and Fleur's father to live in, a new prison to hold her, in place of +the one she inhabited with him in London. Perhaps that fact played +some part in what came of it. But in any case she, too, fell in love +with him. I know it's not necessary to explain to you that one does +not precisely choose with whom one will fall in love. It comes. +Very well! It came. I can imagine--though she never said much to me +about it--the struggle that then took place in her, because, Jon, she +was brought up strictly and was not light in her ideas--not at all. +However, this was an overwhelming feeling, and it came to pass that +they loved in deed as well as in thought. Then came a fearful +tragedy. I must tell you of it because if I don't you will never +understand the real situation that you have now to face. The man +whom she had married--Soames Forsyte, the father of Fleur one night, +at the height of her passion for this young man, forcibly reasserted +his rights over her. The next day she met her lover and told him of +it. Whether he committed suicide or whether he was accidentally run +over in his distraction, we never knew; but so it was. Think of your +mother as she was that evening when she heard of his death. I +happened to see her. Your grandfather sent me to help her if I +could. I only just saw her, before the door was shut against me by +her husband. But I have never forgotten her face, I can see it now. +I was not in love with her then, not for twelve years after, but I +have never for gotten. My dear boy--it is not easy to write like +this. But you see, I must. Your mother is wrapped up in you, +utterly, devotedly. I don't wish to write harshly of Soames Forsyte. +I don't think harshly of him. I have long been sorry for him; +perhaps I was sorry even then. As the world judges she was in error, +he within his rights. He loved her--in his way. She was his +property. That is the view he holds of life--of human feelings and +hearts--property. It's not his fault--so was he born. To me it is a +view that has always been abhorrent--so was I born! Knowing you as I +do, I feel it cannot be otherwise than abhorrent to you. Let me go +on with the story. Your mother fled from his house that night; for +twelve years she lived quietly alone without companionship of any +sort, until in 1899 her husband--you see, he was still her husband, +for he did not attempt to divorce her, and she of course had no right +to divorce him--became conscious, it seems, of the want of children, +and commenced a long attempt to induce her to go back to him and give +him a child. I was her trustee then, under your Grandfather's Will, +and I watched this going on. While watching, I became attached to +her, devotedly attached. His pressure increased, till one day she +came to me here and practically put herself under my protection. Her +husband, who was kept informed of all her movements, attempted to +force us apart by bringing a divorce suit, or possibly he really +meant it, I don't know; but anyway our names were publicly joined. +That decided us, and we became united in fact. She was divorced, +married me, and you were born. We have lived in perfect happiness, +at least I have, and I believe your mother also. Soames, soon after +the divorce, married Fleur's mother, and she was born. That is the +story, Jon. I have told it you, because by the affection which we +see you have formed for this man's daughter you are blindly moving +toward what must utterly destroy your mother's happiness, if not your +own. I don't wish to speak of myself, because at my age there's no +use supposing I shall cumber the ground much longer, besides, what I +should suffer would be mainly on her account, and on yours. But what +I want you to realise is that feelings of horror and aversion such as +those can never be buried or forgotten. They are alive in her to-day. +Only yesterday at Lord's we happened to see Soames Forsyte. Her +face, if you had seen it, would have convinced you. The idea that +you should marry his daughter is a nightmare to her, Jon. I have +nothing to say against Fleur save that she is his daughter. But your +children, if you married her, would be the grandchildren of Soames, +as much as of your mother, of a man who once owned your mother as a +man might own a slave. Think what that would mean. By such a +marriage you enter the camp which held your mother prisoner and +wherein she ate her heart out. You are just on the threshold of +life, you have only known this girl two months, and however deeply +you think you love her, I appeal to you to break it off at once. +Don't give your mother this rankling pain and humiliation during the +rest of her life. Young though she will always seem to me, she is +fifty-seven. Except for us two she has no one in the world. She +will soon have only you. Pluck up your spirit, Jon, and break away. +Don't put this cloud and barrier between you. Don't break her heart! +Bless you, my dear boy, and again forgive me for all the pain this +letter must bring you--we tried to spare it you, but Spain--it seems- +--was no good. + +"Ever your devoted father + +"JOLYON FORSYTE." + + +Having finished his confession, Jolyon sat with a thin cheek on his +hand, re-reading. There were things in it which hurt him so much, +when he thought of Jon reading them, that he nearly tore the letter +up. To speak of such things at all to a boy--his own boy--to speak +of them in relation to his own wife and the boy's own mother, seemed +dreadful to the reticence of his Forsyte soul. And yet without +speaking of them how make Jon understand the reality, the deep +cleavage, the ineffaceable scar? Without them, how justify this +stiffing of the boy's love? He might just as well not write at all! + +He folded the confession, and put it in his pocket. It was--thank +Heaven!--Saturday; he had till Sunday evening to think it over; for +even if posted now it could not reach Jon till Monday. He felt a +curious relief at this delay, and at the fact that, whether sent or +not, it was written. + +In the rose garden, which had taken the place of the old fernery, he +could see Irene snipping and pruning, with a little basket on her +arm. She was never idle, it seemed to him, and he envied her now +that he himself was idle nearly all his time. He went down to her. +She held up a stained glove and smiled. A piece of lace tied under +her chin concealed her hair, and her oval face with its still dark +brows looked very young. + +"The green-fly are awful this year, and yet it's cold. You look +tired, Jolyon." + +Jolyon took the confession from his pocket. "I've been writing this. +I think you ought to see it?" + +"To Jon?" Her whole face had changed, in that instant, becoming +almost haggard. + +"Yes; the murder's out." + +He gave it to her, and walked away among the roses. Presently, +seeing that she had finished reading and was standing quite still +with the sheets of the letter against her skirt, he came back to her. + +"Well?" + +"It's wonderfully put. I don't see how it could be put better. +Thank you, dear." + +"Is there anything you would like left out?" + +She shook her head. + +"No; he must know all, if he's to understand." + +"That's what I thought, but--I hate it!" + +He had the feeling that he hated it more than she--to him sex was so +much easier to mention between man and woman than between man and +man; and she had always been more natural and frank, not deeply +secretive like his Forsyte self. + +"I wonder if he will understand, even now, Jolyon? He's so young; +and he shrinks from the physical." + +"He gets that shrinking from my father, he was as fastidious as a +girl in all such matters. Would it be better to rewrite the whole +thing, and just say you hated Soames?" + +Irene shook her head. + +"Hate's only a word. It conveys nothing. No, better as it is." + +"Very well. It shall go to-morrow." + +She raised her face to his, and in sight of the big house's many +creepered windows, he kissed her. + + + + +II + +CONFESSION + + +Late that same afternoon, Jolyon had a nap in the old armchair. +Face down on his knee was La Rotisserie de la Refine Pedauque, and +just before he fell asleep he had been thinking: 'As a people shall +we ever really like the French? Will they ever really like us!' He +himself had always liked the French, feeling at home with their wit, +their taste, their cooking. Irene and he had paid many visits to +France before the War, when Jon had been at his private school. His +romance with her had begun in Paris--his last and most enduring +romance. But the French--no Englishman could like them who could not +see them in some sort with the detached aesthetic eye! And with that +melancholy conclusion he had nodded off. + +When he woke he saw Jon standing between him and the window. The boy +had evidently come in from the garden and was waiting for him to +wake. Jolyon smiled, still half asleep. How nice the chap looked-- +sensitive, affectionate, straight! Then his heart gave a nasty jump; +and a quaking sensation overcame him. Jon! That confession! He +controlled himself with an effort. "Why, Jon, where did you spring +from?" + +Jon bent over and kissed his forehead. + +Only then he noticed the look on the boy's face. + +"I came home to tell you something, Dad." + +With all his might Jolyon tried to get the better of the jumping, +gurgling sensations within his chest. + +"Well, sit down, old man. Have you seen your mother?" + +"No." The boy's flushed look gave place to pallor; he sat down on +the arm of the old chair, as, in old days, Jolyon himself used to sit +beside his own father, installed in its recesses. Right up to the +time of the rupture in their relations he had been wont to perch +there--had he now reached such a moment with his own son? All his +life he had hated scenes like poison, avoided rows, gone on his own +way quietly and let others go on theirs. But now--it seemed--at the +very end of things, he had a scene before him more painful than any +he had avoided. He drew a visor down over his emotion, and waited +for his son to speak. + +"Father," said Jon slowly, "Fleur and I are engaged." + +'Exactly!' thought Jolyon, breathing with difficulty. + +"I know that you and Mother don't like the idea. Fleur says that +Mother was engaged to her father before you married her. Of course I +don't know what happened, but it must be ages ago. I'm devoted to +her, Dad, and she says she is to me." + +Jolyon uttered a queer sound, half laugh, half groan. + +"You are nineteen, Jon, and I am seventy-two. How are we to +understand each other in a matter like this, eh?" + +"You love Mother, Dad; you must know what we feel. It isn't fair to +us to let old things spoil our happiness, is it?" + +Brought face to face with his confession, Jolyon resolved to do +without it if by any means he could. He laid his hand on the boy's +arm. + +"Look, Jon! I might put you off with talk about your both being too +young and not knowing your own minds, and all that, but you wouldn't +listen, besides, it doesn't meet the case--Youth, unfortunately, +cures itself. You talk lightly about 'old things like that,' knowing +nothing--as you say truly--of what happened. Now, have I ever given +you reason to doubt my love for you, or my word?" + +At a less anxious moment he might have been amused by the conflict +his words aroused--the boy's eager clasp, to reassure him on these +points, the dread on his face of what that reassurance would bring +forth; but he could only feel grateful for the squeeze. + +"Very well, you can believe what I tell you. If you don't give up +this love affair, you will make Mother wretched to the end of her +days. Believe me, my dear, the past, whatever it was, can't be +buried--it can't indeed." + +Jon got off the arm of the chair. + +'The girl'--thought Jolyon--'there she goes--starting up before him-- +life itself--eager, pretty, loving!' + +"I can't, Father; how can I--just because you say that? Of course, I +can't!" + +"Jon, if you knew the story you would give this up without +hesitation; you would have to! Can't you believe me?" + +"How can you tell what I should think? Father, I love her better +than anything in the world." + +Jolyon's face twitched, and he said with painful slowness: + +"Better than your mother, Jon?" + +>From the boy's face, and his clenched fists Jolyon realised the +stress and struggle he was going through. + +"I don't know," he burst out, "I don't know! But to give Fleur up +for nothing--for something I don't understand, for something that I +don't believe can really matter half so much, will make me--make me" + +"Make you feel us unjust, put a barrier--yes. But that's better than +going on with this." + +"I can't. Fleur loves me, and I love her. You want me to trust you; +why don't you trust me, Father? We wouldn't want to know anything-- +we wouldn't let it make any difference. It'll only make us both love +you and Mother all the more." + +Jolyon put his hand into his breast pocket, but brought it out again +empty, and sat, clucking his tongue against his teeth. + +"Think what your mother's been to you, Jon! She has nothing but you; +I shan't last much longer." + +"Why not? It isn't fair to--Why not?" + +"Well," said Jolyon, rather coldly, "because the doctors tell me I +shan't; that's all." + +"Oh, Dad!" cried Jon, and burst into tears. + +This downbreak of his son, whom he had not seen cry since he was ten, +moved Jolyon terribly. He recognised to the full how fearfully soft +the boy's heart was, how much he would suffer in this business, and +in life generally. And he reached out his hand helplessly--not +wishing, indeed not daring to get up. + +"Dear man," he said, "don't--or you'll make me!" + +Jon smothered down his paroxysm, and stood with face averted, very +still. + +'What now?' thought Jolyon. 'What can I say to move him?' + +"By the way, don't speak of that to Mother," he said; "she has enough +to frighten her with this affair of yours. I know how you feel. +But, Jon, you know her and me well enough to be sure we wouldn't wish +to spoil your happiness lightly. Why, my dear boy, we don't care for +anything but your happiness--at least, with me it's just yours and +Mother's and with her just yours. It's all the future for you both +that's at stake." + +Jon turned. His face was deadly pale; his eyes, deep in his head, +seemed to burn. + +"What is it? What is it? Don't keep me like this!" + +Jolyon, who knew that he was beaten, thrust his hand again into his +breast pocket, and sat for a full minute, breathing with difficulty, +his eyes closed. The thought passed through his mind: 'I've had a +good long innings--some pretty bitter moments--this is the worst!' +Then he brought his hand out with the letter, and said with a sort of +fatigue: "Well, Jon, if you hadn't come to-day, I was going to send +you this. I wanted to spare you--I wanted to spare your mother and +myself, but I see it's no good. Read it, and I think I'll go into +the garden." He reached forward to get up. + +Jon, who had taken the letter, said quickly, "No, I'll go"; and was +gone. + +Jolyon sank back in his chair. A blue-bottle chose that moment to +come buzzing round him with a sort of fury; the sound was homely, +better than nothing.... Where had the boy gone to read his letter? +The wretched letter--the wretched story! A cruel business--cruel to +her--to Soames--to those two children--to himself!... His heart +thumped and pained him. Life--its loves--its work--its beauty--its +aching, and--its end! A good time; a fine time in spite of all; +until--you regretted that you had ever been born. Life--it wore you +down, yet did not make you want to die--that was the cunning evil! +Mistake to have a heart! Again the blue-bottle came buzzing-- +bringing in all the heat and hum and scent of summer--yes, even the +scent--as of ripe fruits, dried grasses, sappy shrubs, and the +vanilla breath of cows. And out there somewhere in the fragrance Jon +would be reading that letter, turning and twisting its pages in his +trouble, his bewilderment and trouble--breaking his heart about it! +The thought made Jolyon acutely miserable. Jon was such a tender- +hearted chap, affectionate to his bones, and conscientious, too--it +was so unfair, so damned unfair! He remembered Irene saying to him +once: "Never was any one born more loving and lovable than Jon." +Poor little Jon! His world gone up the spout, all of a summer +afternoon! Youth took things so hard! And stirred, tormented by +that vision of Youth taking things hard, Jolyon got out of his chair, +and went to the window. The boy was nowhere visible. And he passed +out. If one could take any help to him now--one must! + +He traversed the shrubbery, glanced into the walled garden--no Jon! +Nor where the peaches and the apricots were beginning to swell and +colour. He passed the Cupressus trees, dark and spiral, into the +meadow. Where had the boy got to? Had he rushed down to the +coppice--his old hunting-ground? Jolyon crossed the rows of hay. +They would cock it on Monday and be carrying the day after, if rain +held off. Often they had crossed this field together--hand in hand, +when Jon was a little chap. Dash it! The golden age was over by the +time one was ten! He came to the pond, where flies and gnats were +dancing over a bright reedy surface; and on into the coppice. It was +cool there, fragrant of larches. Still no Jon! He called. No +answer! On the log seat he sat down, nervous, anxious, forgetting +his own physical sensations. He had been wrong to let the +boy get away with that letter; he ought to have kept him under his +eye from the start! Greatly troubled, he got up to retrace his +steps. At the farm-buildings he called again, and looked into the +dark cow-house. There in the cool, and the scent of vanilla and +ammonia, away from flies, the three Alderneys were chewing the quiet +cud; just milked, waiting for evening, to be turned out again into +the lower field. One turned a lazy head, a lustrous eye; Jolyon +could see the slobber on its grey lower lip. He saw everything with +passionate clearness, in the agitation of his nerves--all that in his +time he had adored and tried to paint--wonder of light and shade and +colour. No wonder the legend put Christ into a manger--what more +devotional than the eyes and moon-white horns of a chewing cow in the +warm dusk! He called again. No answer! And he hurried away out of +the coppice, past the pond, up the hill. Oddly ironical--now he came +to think of it--if Jon had taken the gruel of his discovery down in +the coppice where his mother and Bosinney in those old days had made +the plunge of acknowledging their love. Where he himself, on the log +seat the Sunday morning he came back from Paris, had realised to the +full that Irene had become the world to him. That would have been +the place for Irony to tear the veil from before the eyes of Irene's +boy! But he was not here! Where had he got to? One must find the +poor chap! + +A gleam of sun had come, sharpening to his hurrying senses all the +beauty of the afternoon, of the tall trees and lengthening shadows, +of the blue, and the white clouds, the scent of the hay, and the +cooing of the pigeons; and the flower shapes standing tall. He came +to the rosery, and the beauty of the roses in that sudden sunlight +seemed to him unearthly. "Rose, you Spaniard!" Wonderful three +words! There she had stood by that bush of dark red roses; had stood +to read and decide that Jon must know it all! He knew all now! Had +she chosen wrong? He bent and sniffed a rose, its petals brushed his +nose and trembling lips; nothing so soft as a rose-leaf's velvet, +except her neck--Irene! On across the lawn he went, up the slope, to +the oak-tree. Its top alone was glistening, for the sudden sun was +away over the house; the lower shade was thick, blessedly cool--he +was greatly overheated. He paused a minute with his hand on the rope +of the swing--Jolly, Holly--Jon! The old swing! And suddenly, he +felt horribly--deadly ill. 'I've over done it!' he thought: 'by +Jove! I've overdone it--after all!' He staggered up toward the +terrace, dragged himself up the steps, and fell against the wall of +the house. He leaned there gasping, his face buried in the honey- +suckle that he and she had taken such trouble with that it might +sweeten the air which drifted in. Its fragrance mingled with awful +pain. 'My love!' he thought; 'the boy!' And with a great effort he +tottered in through the long window, and sank into old Jolyon's +chair. The book was there, a pencil in it; he caught it up, +scribbled a word on the open page.... His hand dropped.... So it +was like this--was it?... + +There was a great wrench; and darkness.... + + + + +III + +IRENE + + +When Jon rushed away with the letter in his hand, he ran along the +terrace and round the corner of the house, in fear and confusion. +Leaning against the creepered wall he tore open the letter. It was +long--very long! This added to his fear, and he began reading. When +he came to the words: "It was Fleur's father that she married," +everything seemed to spin before him. He was close to a window, and +entering by it, he passed, through music-room and hall, up to his +bedroom. Dipping his face in cold water, he sat on his bed, and went +on reading, dropping each finished page on the bed beside him. His +father's writing was easy to read--he knew it so well, though he had +never had a letter from him one quarter so long. He read with a dull +feeling--imagination only half at work. He best grasped, on that +first reading, the pain his father must have had in writing such a +letter. He let the last sheet fall, and in a sort of mental, moral +helplessness began to read the first again. It all seemed to him +disgusting--dead and disgusting. Then, suddenly, a hot wave of +horrified emotion tingled through him. He buried his face in his +hands. His mother! Fleur's father! He took up the letter again, +and read on mechanically. And again came the feeling that it was all +dead and disgusting; his own love so different! This letter said his +mother--and her father! An awful letter! + +Property! Could there be men who looked on women as their property? +Faces seen in street and countryside came thronging up before him-- +red, stock-fish faces; hard, dull faces; prim, dry faces; violent +faces; hundreds, thousands of them! How could he know what men who +had such faces thought and did? He held his head in his hands and +groaned. His mother! He caught up the letter and read on again: +"horror and aversion-alive in her to-day.... your children.... +grandchildren.... of a man who once owned your mother as a man might +own a slave...." He got up from his bed. This cruel shadowy past, +lurking there to murder his love and Fleur's, was true, or his father +could never have written it. 'Why didn't they tell me the first +thing,' he thought, 'the day I first saw Fleur? They knew "I'd seen +her. They were afraid, and--now--I've--got it!' Overcome by misery +too acute for thought or reason, he crept into a dusky corner of the +room and sat down on the floor. He sat there, like some unhappy +little animal. There was comfort in dusk, and the floor--as if he +were back in those days when he played his battles sprawling all over +it. He sat there huddled, his hair ruffled, his hands clasped round +his knees, for how long he did not know. He was wrenched from his +blank wretchedness by the sound of the door opening from his mother's +room. The blinds were down over the windows of his room, shut up in +his absence, and from where he sat he could only hear a rustle, her +footsteps crossing, till beyond the bed he saw her standing before +his dressing-table. She had something in her hand. He hardly +breathed, hoping she would not see him, and go away. He saw her +touch things on the table as if they had some virtue in them, then +face the window-grey from head to foot like a ghost. The least turn +of her head, and she must see him! Her lips moved: "Oh! Jon!" She +was speaking to herself; the tone of her voice troubled Jon's heart. +He saw in her hand a little photograph. She held it toward the +light, looking at it--very small. He knew it--one of himself as a +tiny boy, which she always kept in her bag. His heart beat fast. +And, suddenly as if she had heard it, she turned her eyes and saw +him. At the gasp she gave, and the movement of her hands pressing +the photograph against her breast, he said: + +"Yes, it's me." + +She moved over to the bed, and sat down on it, quite close to him, +her hands still clasping her breast, her feet among the sheets of the +letter which had slipped to the floor. She saw them, and her hands +grasped the edge of the bed. She sat very upright, her dark eyes +fixed on him. At last she spoke. + +"Well, Jon, you know, I see." + +"Yes." + +"You've seen Father?" + +"Yes." + +There was a long silence, till she said: + +"Oh! my darling!" + +"It's all right." The emotions in him were so, violent and so mixed +that he dared not move--resentment, despair, and yet a strange +yearning for the comfort of her hand on his forehead. + +"What are you going to do?" + +"I don't know." + +There was another long silence, then she got up. She stood a moment, +very still, made a little movement with her hand, and said: "My +darling boy, my most darling boy, don't think of me--think of +yourself," and, passing round the foot of the bed, went back into her +room. + +Jon turned--curled into a sort of ball, as might a hedgehog--into the +corner made by the two walls. + +He must have been twenty minutes there before a cry roused him. It +came from the terrace below. He got up, scared. Again came the cry: +"Jon!" His mother was calling! He ran out and down the stairs, +through the empty dining-room into the study. She was kneeling +before the old armchair, and his father was lying back quite white, +his head on his breast, one of his hands resting on an open book, +with a pencil clutched in it--more strangely still than anything he +had ever seen. She looked round wildly, and said: + +"Oh! Jon--he's dead--he's dead!" + +Jon flung himself down, and reaching over the arm of the chair, where +he had lately been sitting, put his lips to the forehead. Icy cold! +How could--how could Dad be dead, when only an hour ago--! His +mother's arms were round the knees; pressing her breast against them. +"Why--why wasn't I with him?" he heard her whisper. Then he saw the +tottering word "Irene" pencilled on the open page, and broke down +himself. It was his first sight of human death, and its unutterable +stillness blotted from him all other emotion; all else, then, was but +preliminary to this! All love and life, and joy, anxiety, and +sorrow, all movement, light and beauty, but a beginning to this +terrible white stillness. It made a dreadful mark on him; all seemed +suddenly little, futile, short. He mastered himself at last, got up, +and raised her. + +"Mother! don't cry--Mother!" + +Some hours later, when all was done that had to be, and his mother +was lying down, he saw his father alone, on the bed, covered with a +white sheet. He stood for a long time gazing at that face which had +never looked angry--always whimsical, and kind. "To be kind and keep +your end up--there's nothing else in it," he had once heard his +father say. How wonderfully Dad had acted up to that philosophy! He +understood now that his father had known for a long time past that +this would come suddenly--known, and not said a word. He gazed with +an awed and passionate reverence. The loneliness of it--just to +spare his mother and himself! His own trouble seemed small while he +was looking at that face. The word scribbled on the page! The +farewell word! Now his mother had no one but himself! He went up +close to the dead face--not changed at all, and yet completely +changed. He had heard his father say once that he did not believe in +consciousness surviving death, or that if it did it might be just +survival till the natural age limit of the body had been reached--the +natural term of its inherent vitality; so that if the body were +broken by accident, excess, violent disease, consciousness might +still persist till, in the course of Nature uninterfered with, it +would naturally have faded out. It had struck him because he had +never heard any one else suggest it. When the heart failed like +this--surely it was not quite natural! Perhaps his father's +consciousness was in the room with him. Above the bed hung a picture +of his father's father. Perhaps his consciousness, too, was still +alive; and his brother's--his half-brother, who had died in the +Transvaal. Were they all gathered round this bed? Jon kissed the +forehead, and stole back to his own room. The door between it and +his mother's was ajar; she had evidently been in--everything was +ready for him, even some biscuits and hot milk, and the letter no +longer on the floor. He ate and drank, watching the last light fade. +He did not try to see into the future--just stared at the dark +branches of the oak-tree, level with his window, and felt as if life +had stopped. Once in the night, turning in his heavy sleep, he was +conscious of something white and still, beside his bed, and started +up. + +His mother's voice said: + +"It's only I, Jon dear!" Her hand pressed his forehead gently back; +her white figure disappeared. + +Alone! He fell heavily asleep again, and dreamed he saw his mother's +name crawling on his bed. + + + + +IV + +SOAMES COGITATES + + +The announcement in The Times of his cousin Jolyon's death affected +Soames quite simply. So that chap was gone! There had never been a +time in their two lives when love had not been lost between them. +That quick-blooded sentiment hatred had run its course long since in +Soames' heart, and he had refused to allow any recrudescence, but he +considered this early decease a piece of poetic justice. For twenty +years the fellow had enjoyed the reversion of his wife and house, +and--he was dead! The obituary notice, which appeared a little +later, paid Jolyon--he thought--too much attention. It spoke of that +"diligent and agreeable painter whose work we have come to look on as +typical of the best late-Victorian water-colour art." Soames, who +had almost mechanically preferred Mole, Morpin, and Caswell Baye, and +had always sniffed quite audibly when he came to one of his cousin's +on the line, turned The Times with a crackle. + +He had to go up to Town that morning on Forsyte affairs, and was +fully conscious of Gradman's glance sidelong over his spectacles. +The old clerk had about him an aura of regretful congratulation. He +smelled, as it were, of old days. One could almost hear him +thinking: "Mr. Jolyon, ye-es--just my age, and gone--dear, dear! I +dare say she feels it. She was a mice-lookin' woman. Flesh is +flesh! They've given 'im a notice in the papers. Fancy!" His +atmosphere in fact caused Soames to handle certain leases and +conversions with exceptional swiftness. + +"About that settlement on Miss Fleur, Mr. Soames?" + +"I've thought better of that," answered Soames shortly. + +"Ah! I'm glad of that. I thought you were a little hasty. The +times do change." + +How this death would affect Fleur had begun to trouble Soames. He +was not certain that she knew of it--she seldom looked at the paper, +never at the births, marriages, and deaths. + +He pressed matters on, and made his way to Green Street for lunch. +Winifred was almost doleful. Jack Cardigan had broken a splashboard, +so far as one could make out, and would not be "fit" for some time. +She could not get used to the idea. + +"Did Profond ever get off?" he said suddenly. + +"He got off," replied Winifred, "but where--I don't know." + +Yes, there it was--impossible to tell anything! Not that he wanted +to know. Letters from Annette were coming from Dieppe, where she and +her mother were staying. + +"You saw that fellow's death, I suppose?" + +"Yes," said Winifred. "I'm sorry for--for his children. He was very +amiable." Soames uttered a rather queer sound. A suspicion of the +old deep truth--that men were judged in this world rather by what +they were than by what they did--crept and knocked resentfully at the +back doors of his mind. + +"I know there was a superstition to that effect," he muttered. + +"One must do him justice now he's dead." + +"I should like to have done him justice before," said Soames; "but I +never had the chance. Have you got a 'Baronetage' here?" + +"Yes; in that bottom row." + +Soames took out a fat red book, and ran over the leaves. + +"Mont-Sir Lawrence, 9th Bt., cr. 1620, e. s. of Geoffrey, 8th Bt., +and Lavinia, daur. of Sir Charles Muskham, Bt., of Muskham Hall, +Shrops: marr. 1890 Emily, daur. of Conway Charwell, Esq., of +Condaford Grange, co. Oxon; 1 son, heir Michael Conway, b. 1895, 2 +daurs. Residence: Lippinghall Manor, Folwell, Bucks. Clubs: Snooks': +Coffee House: Aeroplane. See BidIicott." + +"H'm!" he said. "Did you ever know a publisher?" + +"Uncle Timothy." + +"Alive, I mean." + +"Monty knew one at his Club. He brought him here to dinner once. +Monty was always thinking of writing a book, you know, about how to +make money on the turf. He tried to interest that man." + +"Well?" + +"He put him on to a horse--for the Two Thousand. We didn't see him +again. He was rather smart, if I remember." + +"Did it win?" + +"No; it ran last, I think. You know Monty really was quite clever in +his way." + +"Was he?" said Soames. "Can you see any connection between a sucking +baronet and publishing?" + +"People do all sorts of things nowadays," replied Winifred. "The +great stunt seems not to be idle--so different from our time. To do +nothing was the thing then. But I suppose it'll come again." + +"This young Mont that I'm speaking of is very sweet on Fleur. If it +would put an end to that other affair I might encourage it." + +"Has he got style?" asked Winifred. + +"He's no beauty; pleasant enough, with some scattered brains. +There's a good deal of land, I believe. He seems genuinely attached. +But I don't know." + +"No," murmured Winifred; "it's--very difficult. I always found it +best to do nothing. It is such a bore about Jack; now we shan't get +away till after Bank Holiday. Well, the people are always amusing, I +shall go into the Park and watch them." + +"If I were you," said Soames, "I should have a country cottage, and +be out of the way of holidays and strikes when you want." + +"The country bores me," answered Winifred, "and I found the railway +strike quite exciting." + +Winifred had always been noted for sang-froid. + +Soames took his leave. All the way down to Reading he debated +whether he should tell Fleur of that boy's father's death. It did +not alter the situation except that he would be independent now, and +only have his mother's opposition to encounter. He would come into a +lot of money, no doubt, and perhaps the house--the house built for +Irene and himself--the house whose architect had wrought his domestic +ruin. His daughter--mistress of that house! That would be poetic +justice! Soames uttered a little mirthless laugh. He had designed +that house to re-establish his failing union, meant it for the seat +of his descendants, if he could have induced Irene to give him one! +Her son and Fleur! Their children would be, in some sort, offspring +of the union between himself and her! + +The theatricality in that thought was repulsive to his sober sense. +And yet--it would be the easiest and wealthiest way out of the +impasse, now that Jolyon was gone. The juncture of two Forsyte +fortunes had a kind of conservative charm. And she--Irene-would be +linked to him once more. Nonsense! Absurd! He put the notion from +his head. + +On arriving home he heard the click of billiard-balls, and through +the window saw young Mont sprawling over the table. Fleur, with her +cue akimbo, was watching with a smile. How pretty she looked! No +wonder that young fellow was out of his mind about her. A title-- +land! There was little enough in land, these days; perhaps less in a +title. The old Forsytes had always had a kind of contempt for +titles, rather remote and artificial things--not worth the money they +cost, and having to do with the Court. They had all had that feeling +in differing measure--Soames remembered. Swithin, indeed, in his +most expansive days had once attended a Levee. He had come away +saying he shouldn't go again--"all that small fry." It was suspected +that he had looked too big in knee-breeches. Soames remembered how +his own mother had wished to be presented because of the fashionable +nature of the performance, and how his father had put his foot down +with unwonted decision. What did she want with that peacocking-- +wasting time and money; there was nothing in it! + +The instinct which had made and kept the English Commons the chief +power in the State, a feeling that their own world was good enough +and a little better than any other because it was their world, had +kept the old Forsytes singularly free of "flummery," as Nicholas had +been wont to call it when he had the gout. Soames' generation, more +self-conscious and ironical, had been saved by a sense of Swithin in +knee-breeches. While the third and the fourth generation, as it +seemed to him, laughed at everything. + +However, there was no harm in the young fellow's being heir to a +title and estate--a thing one couldn't help. He entered quietly, as +Mont missed his shot. He noted the young man's eyes, fixed on Fleur +bending over in her turn; and the adoration in them almost touched +him. + +She paused with the cue poised on the bridge of her slim hand, and +shook her crop of short dark chestnut hair. + +"I shall never do it." + +"'Nothing venture.'" + +"All right." The cue struck, the ball rolled. "There!" + +"Bad luck! Never mind!" + +Then they saw him, and Soames said: + +"I'll mark for you." + +He sat down on the raised seat beneath the marker, trim and tired, +furtively studying those two young faces. When the game was over +Mont came up to him. + +"I've started in, sir. Rum game, business, isn't it? I suppose you +saw a lot of human nature as a solicitor." + +"I did." + +"Shall I tell you what I've noticed: People are quite on the wrong +tack in offering less than they can afford to give; they ought to +offer more, and work backward." + +Soames raised his eyebrows. + +"Suppose the more is accepted?" + +"That doesn't matter a little bit," said Mont; "it's much more paying +to abate a price than to increase it. For instance, say we offer an +author good terms--he naturally takes them. Then we go into it, find +we can't publish at a decent profit and tell him so. He's got +confidence in us because we've been generous to him, and he comes +down like a lamb, and bears us no malice. But if we offer him poor +terms at the start, he doesn't take them, so we have to advance them +to get him, and he thinks us damned screws into the bargain. + +"Try buying pictures on that system," said Soames; "an offer accepted +is a contract--haven't you learned that?" + +Young Mont turned his head to where Fleur was standing in the window. + +"No," he said, "I wish I had. Then there's another thing. Always +let a man off a bargain if he wants to be let off." + +"As advertisement?" said Soames dryly. + +"Of course it is; but I meant on principle." + +"Does your firm work on those lines?" + +"Not yet," said Mont, "but it'll come." + +"And they will go." + +"No, really, sir. I'm making any number of observations, and they +all confirm my theory. Human nature is consistently underrated in +business, people do themselves out of an awful lot of pleasure and +profit by that. Of course, you must be perfectly genuine and open, +but that's easy if you feel it. The more human and generous you are +the better chance you've got in business." + +Soames rose. + +"Are you a partner?" + +"Not for six months, yet." + +"The rest of the firm had better make haste and retire." + +Mont laughed. + +"You'll see," he said. "There's going to be a big change. The +possessive principle has got its shutters up." + +"What?" said Soames. + +"The house is to let! Good-bye, sir; I'm off now." + +Soames watched his daughter give her hand, saw her wince at the +squeeze it received, and distinctly heard the young man's sigh as he +passed out. Then she came from the window, trailing her finger along +the mahogany edge of the billiard-table. Watching her, Soames knew +that she was going to ask him something. Her finger felt round the +last pocket, and she looked up. + +"Have you done anything to stop Jon writing to me, Father?" + +Soames shook his head. + +"You haven't seen, then?" he said. "His father died just a week ago +to-day." + +"Oh!" + +In her startled, frowning face he saw the instant struggle to +apprehend what this would mean. + +"Poor Jon! Why didn't you tell me, Father?" + +"I never know!" said Soames slowly; "you don't confide in me." + +"I would, if you'd help me, dear." + +"Perhaps I shall." + +Fleur clasped her hands. "Oh! darling--when one wants a thing +fearfully, one doesn't think of other people. Don't be angry with +me." + +Soames put out his hand, as if pushing away an aspersion. + +"I'm cogitating," he said. What on earth had made him use a word +like that! "Has young Mont been bothering you again?" + +Fleur smiled. "Oh! Michael! He's always bothering; but he's such a +good sort--I don't mind him." + +"Well," said Soames, "I'm tired; I shall go and have a nap before +dinner." + +He went up to his picture-gallery, lay down on the couch there, and +closed his eyes. A terrible responsibility this girl of his--whose +mother was--ah! what was she? A terrible responsibility! Help her-- +how could he help her? He could not alter the fact that he was her +father. Or that Irene--! What was it young Mont had said--some +nonsense about the possessive instinct--shutters up--To let? Silly! + +The sultry air, charged with a scent of meadow-sweet, of river and +roses, closed on his senses, drowsing them. + + + + +V + +THE FIXED IDEA + + +"The fixed idea," which has outrun more constables than any other form +of human disorder, has never more speed and stamina than when it +takes the avid guise of love. To hedges and ditches, and doors, to +humans without ideas fixed or otherwise, to perambulators and the +contents sucking their fixed ideas, even to the other sufferers from +this fast malady--the fixed idea of love pays no attention. It runs +with eyes turned inward to its own light, oblivious of all other +stars. Those with the fixed ideas that human happiness depends on +their art, on vivisecting dogs, on hating foreigners, on paying +supertax, on remaining Ministers, on making wheels go round, on +preventing their neighbours from being divorced, on conscientious +objection, Greek roots, Church dogma, paradox and superiority to +everybody else, with other forms of ego-mania--all are unstable +compared with him or her whose fixed idea is the possession of some +her or him. And though Fleur, those chilly summer days, pursued the +scattered life of a little Forsyte whose frocks are paid for, and +whose business is pleasure, she was--as Winifred would have said in +the latest fashion of speech--"honest to God" indifferent to it all. +She wished and wished for the moon, which sailed in cold skies above +the river or the Green Park when she went to Town. She even kept +Jon's letters, covered with pink silk, on her heart, than which in +days when corsets were so low, sentiment so despised, and chests so +out of fashion, there could, perhaps, have been no greater proof of +the fixity of her idea. + +After hearing of his father's death, she wrote to Jon, and received +his answer three days later on her return from a river picnic. It +was his first letter since their meeting at June's. She opened it +with misgiving, and read it with dismay. + +"Since I saw you I've heard everything about the past. I won't tell +it you--I think you knew when we met at June's. She says you did. +If you did, Fleur, you ought to have told me. I expect you only +heard your father's side of it. I have heard my mother's. It's +dreadful. Now that she's so sad I can't do anything to hurt her +more. Of course, I long for you all day, but I don't believe now +that we shall ever come together--there's something too strong +pulling us apart." + +So! Her deception had found her out. But Jon--she felt--had +forgiven that. It was what he said of his mother which caused the +guttering in her heart and the weak sensation in her legs. + +Her first impulse was to reply--her second, not to reply. These +impulses were constantly renewed in the days which followed, while +desperation grew within her. She was not her father's child for +nothing. The tenacity which had at once made and undone Soames was +her backbone, too, frilled and embroidered by French grace and +quickness. Instinctively she conjugated the verb "to have" always +with the pronoun "I." She concealed, however, all signs of her +growing desperation, and pursued such river pleasures as the winds +and rain of a disagreeable July permitted, as if she had no care in +the world; nor did any "sucking baronet" ever neglect the business of +a publisher more consistently than her attendant spirit, Michael +Mont. + +To Soames she was a puzzle. He was almost deceived by this careless +gaiety. Almost--because he did not fail to mark her eyes often fixed +on nothing, and the film of light shining from her bedroom window +late at night. What was she thinking and brooding over into small +hours when she ought to have been asleep? But he dared not ask what +was in her mind; and, since that one little talk in the billiard- +room, she said nothing to him. + +In this taciturn condition of affairs it chanced that Winifred +invited them to lunch and to go afterward to "a most amusing little +play, 'The Beggar's Opera'" and would they bring a man to make four? +Soames, whose attitude toward theatres was to go to nothing, +accepted, because Fleur's attitude was to go to everything. They +motored up, taking Michael Mont, who, being in his seventh heaven, +was found by Winifred "very amusing." "The Beggar's Opera" puzzled +Soames. The people were very unpleasant, the whole thing very +cynical. Winifred was "intrigued"--by the dresses. The music, too, +did not displease her. At the Opera, the night before, she had +arrived too early for the Russian Ballet, and found the stage +occupied by singers, for a whole hour pale or apoplectic from terror +lest by some dreadful inadvertence they might drop into a tune. +Michael Mont was enraptured with the whole thing. And all three +wondered what Fleur was thinking of it. But Fleur was not thinking +of it. Her fixed idea stood on the stage and sang with Polly +Peachum, mimed with Filch, danced with Jenny Diver, postured with +Lucy Lockit, kissed, trolled, and cuddled with Macheath. Her lips +might smile, her hands applaud, but the comic old masterpiece made no +more impression on her than if it had been pathetic, like a modern +"Revue." When they embarked in the car to return, she ached because +Jon was not sitting next her instead of Michael Mont. When, at some +jolt, the young man's arm touched hers as if by accident, she only +thought: 'If that were Jon's arm!' When his cheerful voice, tempered +by her proximity, murmured above the sound of the car's progress, she +smiled and answered, thinking: 'If that were Jon's voice!' and when +once he said, "Fleur, you look a perfect angel in that dress!" she +answered, "Oh, do you like it? thinking, 'If only Jon could see it!' + +During this drive she took a resolution. She would go to Robin Hill +and see him--alone; she would take the car, without word beforehand +to him or to her father. It was nine days since his letter, and she +could wait no longer. On Monday she would go! The decision made her +well disposed toward young Mont. With something to look forward to +she could afford to tolerate and respond. He might stay to dinner; +propose to her as usual; dance with her, press her hand, sigh--do +what he liked. He was only a nuisance when he interfered with her +fixed idea. She was even sorry for him so far as it was possible to +be sorry for anybody but herself just now. At dinner he seemed to +talk more wildly than usual about what he called "the death of the +close borough"--she paid little attention, but her father seemed +paying a good deal, with the smile on his face which meant +opposition, if not anger. + +"The younger generation doesn't think as you do, sir; does it, +Fleur?" + +Fleur shrugged her shoulders--the younger generation was just Jon, +and she did not know what he was thinking. + +"Young people will think as I do when they're my age, Mr. Mont. +Human nature doesn't change." + +"I admit that, sir; but the forms of thought change with the times. +The pursuit of self-interest is a form of thought that's going out." + +"Indeed! To mind one's own business is not a form of thought, Mr. +Mont, it's an instinct." + +Yes, when Jon was the business! + +"But what is one's business, sir? That's the point. Everybody's +business is going to be one's business. Isn't it, Fleur?" + +Fleur only smiled. + +"If not," added young Mont, "there'll be blood." + +"People have talked like that from time immemorial" + +"But you'll admit, sir, that the sense of property is dying out?" + +"I should say increasing among those who have none." + +"Well, look at me! I'm heir to an entailed estate. I don't want the +thing; I'd cut the entail to-morrow." + +"You're not married, and you don't know what you're talking about." + +Fleur saw the young man's eyes turn rather piteously upon her. + +"Do you really mean that marriage--?" he began. + +"Society is built on marriage," came from between her father's close +lips; "marriage and its consequences. Do you want to do away with +it?" + +Young Mont made a distracted gesture. Silence brooded over the +dinner table, covered with spoons bearing the Forsyte crest--a +pheasant proper--under the electric light in an alabaster globe. And +outside, the river evening darkened, charged with heavy moisture and +sweet scents. + +'Monday,' thought Fleur; 'Monday!' + + + + +VI + +DESPERATE + + +The weeks which followed the death of his father were sad and empty +to the only Jolyon Forsyte left. The necessary forms and ceremonies- +-the reading of the Will, valuation of the estate, distribution of +the legacies--were enacted over the head, as it were, of one not yet +of age. Jolyon was cremated. By his special wish no one attended +that ceremony, or wore black for him. The succession of his +property, controlled to some extent by old Jolyon's Will, left his +widow in possession of Robin Hill, with two thousand five hundred +pounds a year for life. Apart from this the two Wills worked +together in some complicated way to insure that each of Jolyon's +three children should have an equal share in their grandfather's and +father's property in the future as in the present, save only that +Jon, by virtue of his sex, would have control of his capital when he +was twenty-one, while June and Holly would only have the spirit of +theirs, in order that their children might have the body after them. +If they had no children, it would all come to Jon if he outlived +them; and since June was fifty, and Holly nearly forty, it was +considered in Lincoln's Inn Fields that but for the cruelty of income +tax, young Jon would be as warm a man as his grandfather when he +died. All this was nothing to Jon, and little enough to his mother. +It was June who did everything needful for one who had left his +affairs in perfect order. When she had gone, and those two were +alone again in the great house, alone with death drawing them +together, and love driving them apart, Jon passed very painful days +secretly disgusted and disappointed with himself. His mother would +look at him with such a patient sadness which yet had in it an +instinctive pride, as if she were reserving her defence. If she +smiled he was angry that his answering smile should be so grudging +and unnatural. He did not judge or condemn her; that was all too +remote--indeed, the idea of doing so had never come to him. No! he +was grudging and unnatural because he couldn't have what he wanted be +cause of her. There was one alleviation--much to do in connection +with his father's career, which could not be safely entrusted to +June, though she had offered to undertake it. Both Jon and his +mother had felt that if she took his portfolios, unexhibited drawings +and unfinished matter, away with her, the work would encounter such +icy blasts from Paul Post and other frequenters of her studio, that +it would soon be frozen out even of her warm heart. On its old- +fashioned plane and of its kind the work was good, and they could not +bear the thought of its subjection to ridicule. A one-man exhibition +of his work was the least testimony they could pay to one they had +loved; and on preparation for this they spent many hours together. +Jon came to have a curiously increased respect for his father. The +quiet tenacity with which he had converted a mediocre talent into +something really individual was disclosed by these researches. There +was a great mass of work with a rare continuity of growth in depth +and reach of vision. Nothing certainly went very deep, or reached +very high--but such as the work was, it was thorough, conscientious, +and complete. And, remembering his father's utter absence of "side" +or self-assertion, the chaffing humility with which he had always +spoken of his own efforts, ever calling himself "an amateur," Jon +could not help feeling that he had never really known his father. To + take himself seriously, yet never bore others by letting them know +that he did so, seemed to have been his ruling principle. There was +something in this which appealed to the boy, and made him heartily +endorse his mother's comment: "He had true refinement; he couldn't +help thinking of others, whatever he did. And when he took a +resolution which went counter, he did it with the minimum of +defiance--not like the Age, is it? Twice in his life he had to go +against everything; and yet it never made him bitter." Jon saw tears +running down her face, which she at once turned away from him. She +was so quiet about her loss that sometimes he had thought she didn't +feel it much. Now, as he looked at her, he felt how far he fell +short of the reserve power and dignity in both his father and his +mother. And, stealing up to her, he put his arm round her waist. +She kissed him swiftly, but with a sort of passion, and went out of +the room. + +The studio, where they had been sorting and labelling, had once been +Holly's schoolroom, devoted to her silkworms, dried lavender, music, +and other forms of instruction. Now, at the end of July, despite its +northern and eastern aspects, a warm and slumberous air came in +between the long-faded lilac linen curtains. To redeem a little the +departed glory, as of a field that is golden and gone, clinging to a +room which its master has left, Irene had placed on the paint-stained +table a bowl of red roses. This, and Jolyon's favourite cat, who +still clung to the deserted habitat, were the pleasant spots in that +dishevelled, sad workroom. Jon, at the north window, sniffing air +mysteriously scented with warm strawberries, heard a car drive up. +The lawyers again about some nonsense! Why did that scent so make +one ache? And where did it come from--there were no strawberry beds +on this side of the house. Instinctively he took a crumpled sheet of +paper from his pocket, and wrote down some broken words. A warmth +began spreading in his chest; he rubbed the palms of his hands +together. Presently he had jotted this: + +"If I could make a little song +A little song to soothe my heart! +I'd make it all of little things +The plash of water, rub of wings, +The puffing-off of dandies crown, +The hiss of raindrop spilling down, +The purr of cat, the trill of bird, +And ev'ry whispering I've heard +>From willy wind in leaves and grass, +And all the distant drones that pass. +A song as tender and as light +As flower, or butterfly in flight; +And when I saw it opening, +I'd let it fly and sing!" + +He was still muttering it over to himself at the window, when he +heard his name called, and, turning round, saw Fleur. At that +amazing apparition, he made at first no movement and no sound, while +her clear vivid glance ravished his heart. Then he went forward to +the table, saying, "How nice of you to come!" and saw her flinch as +if he had thrown something at her. + +"I asked for you," she said, "and they showed me up here. But I can +go away again." + +Jon clutched the paint-stained table. Her face and figure in its +frilly frock photographed itself with such startling vividness upon +his eyes, that if she had sunk through the floor he must still have +seen her. + +"I know I told you a lie, Jon. But I told it out of love." + +"Yes, oh! yes! That's nothing!" + +"I didn't answer your letter. What was the use--there wasn't +anything to answer. I wanted to see you instead." She held out both +her hands, and Jon grasped them across the table. He tried to say +something, but all his attention was given to trying not to hurt her +hands. His own felt so hard and hers so soft. She said almost +defiantly: + +"That old story--was it so very dreadful?" + +"Yes." In his voice, too, there was a note of defiance. + +She dragged her hands away. "I didn't think in these days boys were +tied to their mothers' apron-strings." + +Jon's chin went up as if he had been struck. + +"Oh! I didn't mean it, Jon. What a horrible thing to say!" Swiftly +she came close to him. "Jon, dear; I didn't mean it." + +"All right." + +She had put her two hands on his shoulder, and her forehead down on +them; the brim of her hat touched his neck, and he felt it quivering. +But, in a sort of paralysis, he made no response. She let go of his +shoulder and drew away. + +"Well, I'll go, if you don't want me. But I never thought you'd have +given me up." + +"I haven't," cried Jon, coming suddenly to life. "I can't. I'll try +again." + +Her eyes gleamed, she swayed toward him. "Jon--I love you! Don't +give me up! If you do, I don't know what--I feel so desperate. What +does it matter--all that past-compared with this?" + +She clung to him. He kissed her eyes, her cheeks, her lips. But +while he kissed her he saw, the sheets of that letter fallen down on +the floor of his bedroom--his father's white dead face--his mother +kneeling before it. Fleur's whispered, "Make her! Promise! Oh! Jon, +try!" seemed childish in his ear. He felt curiously old. + +"I promise!" he muttered. "Only, you don't understand." + +"She wants to spoil our lives, just because--" + +"Yes, of what?" + +Again that challenge in his voice, and she did not answer. Her arms +tightened round him, and he returned her kisses; but even while he +yielded, the poison worked in him, the poison of the letter. Fleur +did not know, she did not understand--she misjudged his mother; she +came from the enemy's camp! So lovely, and he loved her so--yet, +even in her embrace, he could not help the memory of Holly's words: +"I think she has a 'having' nature," and his mother's "My darling +boy, don't think of me--think of yourself!" + +When she was gone like a passionate dream, leaving her image on his +eyes, her kisses on his lips, such an ache in his heart, Jon leaned +in the window, listening to the car bearing her away. Still the +scent as of warm strawberries, still the little summer sounds that +should make his song; still all the promise of youth and happiness in +sighing, floating, fluttering July--and his heart torn; yearning +strong in him; hope high in him yet with its eyes cast down, as if +ashamed. The miserable task before him! If Fleur was desperate, so +was he--watching the poplars swaying, the white clouds passing, the +sunlight on the grass. + +He waited till evening, till after their almost silent dinner, till +his mother had played to him and still he waited, feeling that she +knew what he was waiting to say. She kissed him and went up-stairs, +and still he lingered, watching the moonlight and the moths, and that +unreality of colouring which steals along and stains a summer night. +And he would have given anything to be back again in the past--barely +three months back; or away forward, years, in the future. The +present with this dark cruelty of a decision, one way or the other, +seemed impossible. He realised now so much more keenly what his +mother felt than he had at first; as if the story in that letter had +been a poisonous germ producing a kind of fever of partisanship, so +that he really felt there were two camps, his mother's and his-- +Fleur's and her father's. It might be a dead thing, that old tragic +ownership and enmity, but dead things were poisonous till time had +cleaned them away. Even his love felt tainted, less illusioned, more +of the earth, and with a treacherous lurking doubt lest Fleur, like +her father, might want to own; not articulate, just a stealing haunt, +horribly unworthy, which crept in and about the ardour of his +memories, touched with its tarnishing breath the vividness and grace +of that charmed face and figure--a doubt, not real enough to convince +him of its presence, just real enough to deflower a perfect faith. +And perfect faith, to Jon, not yet twenty, was essential. He still +had Youth's eagerness to give with both hands, to take with neither-- +to give lovingly to one who had his own impulsive generosity. Surely +she had! He got up from the window-seat and roamed in the big grey +ghostly room, whose walls were hung with silvered canvas. This house +his father said in that death-bed letter--had been built for his +mother to live in--with Fleur's father! He put out his hand in the +half-dark, as if to grasp the shadowy hand of the dead. He clenched, +trying to feel the thin vanished fingers of his father; to squeeze +them, and reassure him that he-he was on his father's side. Tears, +prisoned within him, made his eyes feel dry and hot. He went back to +the window. It was warmer, not so eerie, more comforting outside, +where the moon hung golden, three days off full; the freedom of the +night was comforting. If only Fleur and he had met on some desert +island without a past--and Nature for their house! Jon had still his +high regard for desert islands, where breadfruit grew, and the water +was blue above the coral. The night was deep, was free--there was +enticement in it; a lure, a promise, a refuge from entanglement, and +love! Milksop tied to his mother's...! His cheeks burned. He shut +the window, drew curtains over it, switched off the lighted sconce, +and went up-stairs. + +The door of his room was open, the light turned up; his mother, still +in her evening gown, was standing at the window. She turned and +said: + +"Sit down, Jon; let's talk." She sat down on the window-seat, Jon on +his bed. She had her profile turned to him, and the beauty and grace +of her figure, the delicate line of the brow, the nose, the neck, the +strange and as it were remote refinement of her, moved him. His +mother never belonged to her surroundings. She came into them from +somewhere--as it were! What was she going to say to him, who had in +his heart such things to say to her? + +"I know Fleur came to-day. I'm not surprised." It was as though she +had added: "She is her father's daughter!" And Jon's heart hardened. +Irene went on quietly: + +"I have Father's letter. I picked it up that night and kept it. +Would you like it back, dear?" + +Jon shook his head. + +"I had read it, of course, before he gave it to you. It didn't quite +do justice to my criminality." + +'Mother!" burst from Jon's lips. + +"He put it very sweetly, but I know that in marrying Fleur's father +without love I did a dreadful thing. An unhappy marriage, Jon, can +play such havoc with other lives besides one's own. You are +fearfully young, my darling, and fearfully loving. Do you think you +can possibly be happy with this girl?" + +Staring at her dark eyes, darker now from pain, Jon answered + +"Yes; oh! yes--if you could be." + +Irene smiled. + +"Admiration of beauty and longing for possession are not love. If +yours were another case like mine, Jon--where the deepest things are +stifled; the flesh joined, and the spirit at war!" + +"Why should it, Mother? You think she must be like her father, but +she's not. I've seen him." + +Again the smile came on Irene's lips, and in Jon something wavered; +there was such irony and experience in that smile. + +"You are a giver, Jon; she is a taker." + +That unworthy doubt, that haunting uncertainty again! He said with +vehemence: + +"She isn't--she isn't. It's only because I can't bear to make you +unhappy, Mother, now that Father--" He thrust his fists against his +forehead. + +Irene got up. + +"I told you that night, dear, not to mind me. I meant it. Think of +yourself and your own happiness! I can stand what's left--I've +brought it on myself." + +Again the word "Mother!" burst from Jon's lips. + +She came over to him and put her hands over his. + +"Do you feel your head, darling?" + +Jon shook it. What he felt was in his chest--a sort of tearing +asunder of the tissue there, by the two loves. + +"I shall always love you the same, Jon, whatever you do. You won't +lose anything." She smoothed his hair gently, and walked away. + +He heard the door shut; and, rolling over on the bed, lay, stifling +his breath, with an awful held-up feeling within him. + + + + +VII + +EMBASSY + + +Enquiring for her at tea time Soames learned that Fleur had been out +in the car since two. Three hours! Where had she gone? Up to +London without a word to him? He had never become quite reconciled +with cars. He had embraced them in principle--like the born +empiricist, or Forsyte, that he was--adopting each symptom of +progress as it came along with: "Well, we couldn't do without them +now." But in fact he found them tearing, great, smelly things. +Obliged by Annette to have one--a Rollhard with pearl-grey cushions, +electric light, little mirrors, trays for the ashes of cigarettes, +flower vases--all smelling of petrol and stephanotis--he regarded it +much as he used to regard his brother-in-law, Montague Dartie. The +thing typified all that was fast, insecure, and subcutaneously oily +in modern life. As modern life became faster, looser, younger, +Soames was becoming older, slower, tighter, more and more in thought +and language like his father James before him. He was almost aware +of it himself. Pace and progress pleased him less and less; there +was an ostentation, too, about a car which he considered provocative +in the prevailing mood of Labour. On one occasion that fellow Sims +had driven over the only vested interest of a working man. Soames +had not forgotten the behaviour of its master, when not many people +would have stopped to put up with it. He had been sorry for the dog, +and quite prepared to take its part against the car, if that ruffian +hadn't been so outrageous. With four hours fast becoming five, and +still no Fleur, all the old car-wise feelings he had experienced in +person and by proxy balled within him, and sinking sensations +troubled the pit of his stomach. At seven he telephoned to Winifred +by trunk call. No! Fleur had not been to Green Street. Then where +was she? Visions of his beloved daughter rolled up in her pretty +frills, all blood and dust-stained, in some hideous catastrophe, +began to haunt him. He went to her room and spied among her things. +She had taken nothing--no dressing-case, no Jewellery. And this, a +relief in one sense, increased his fears of an accident. Terrible to +be helpless when his loved one was missing, especially when he +couldn't bear fuss or publicity of any kind! What should he do if +she were not back by nightfall? + +At a quarter to eight he heard the car. A great weight lifted from +off his heart; he hurried down. She was getting out--pale and tired- +looking, but nothing wrong. He met her in the hall. + +"You've frightened me. Where have you been?" + +"To Robin Hill. I'm sorry, dear. I had to go; I'll tell you +afterward." And, with a flying kiss, she ran up-stairs. + +Soames waited in the drawing-room. To Robin Hill! What did that +portend? + +It was not a subject they could discuss at dinner--consecrated to the +susceptibilities of the butler. The agony of nerves Soames had been +through, the relief he felt at her safety, softened his power to +condemn what she had done, or resist what she was going to do; he +waited in a relaxed stupor for her revelation. Life was a queer +business. There he was at sixty-five and no more in command of +things than if he had not spent forty years in building up security- +always something one couldn't get on terms with! In the pocket of +his dinner-jacket was a letter from Annette. She was coming back in +a fortnight. He knew nothing of what she had been doing out there. +And he was glad that he did not. Her absence had been a relief. Out +of sight was out of mind! And now she was coming back. Another +worry! And the Bolderby Old Crome was gone--Dumetrius had got it-- +all because that anonymous letter had put it out of his thoughts. He +furtively remarked the strained look on his daughter's face, as if +she too were gazing at a picture that she couldn't buy. He almost +wished the War back. Worries didn't seem, then, quite so worrying. +>From the caress in her voice, the look on her face, he became certain +that she wanted something from him, uncertain whether it would be +wise of him to give it her. He pushed his savoury away uneaten, and +even joined her in a cigarette. + +After dinner she set the electric piano-player going. And he augured +the worst when she sat down on a cushion footstool at his knee, and +put her hand on his. + +"Darling, be nice to me. I had to see Jon--he wrote to me. He's +going to try what he can do with his mother. But I've been thinking. +It's really in your hands, Father. If you'd persuade her that it +doesn't mean renewing the past in any way! That I shall stay yours, +and Jon will stay hers; that you need never see him or her, and she +need never see you or me! Only you could persuade her, dear, because +only you could promise. One can't promise for other people. Surely +it wouldn't be too awkward for you to see her just this once now that +Jon's father is dead?" + +"Too awkward?" Soames repeated. "The whole thing's preposterous." + +"You know," said Fleur, without looking up, "you wouldn't mind seeing +her, really." + +Soames was silent. Her words had expressed a truth too deep for him +to admit. She slipped her fingers between his own--hot, slim, eager, +they clung there. This child of his would corkscrew her way into a +brick wall! + +"What am I to do if you won't, Father?" she said very softly. + +"I'll do anything for your happiness," said Soanies; "but this isn't +for your happiness." + +"Oh! it is; it is!" + +"It'll only stir things up," he said grimly. + +"But they are stirred up. The thing is to quiet them. To make her +feel that this is just our lives, and has nothing to do with yours or +hers. You can do it, Father, I know you can." + +"You know a great deal, then," was Soames' glum answer. + +"If you will, Jon and I will wait a year--two years if you like." + +"It seems to me," murmured Soames, "that you care nothing about what +I feel." + +Fleur pressed his hand against her cheek. + +"I do, darling. But you wouldn't like me to be awfully miserable." + +How she wheedled to get her ends! And trying with all his might to +think she really cared for him--he was not sure--not sure. All she +cared for was this boy! Why should he help her to get this boy, who +was killing her affection for himself? Why should he? By the laws +of the Forsytes it was foolish! There was nothing to be had out of +it--nothing! To give her to that boy! To pass her into the enemy's +camp, under the influence of the woman who had injured him so deeply! +Slowly--inevitably--he would lose this flower of his life! And +suddenly he was conscious that his hand was wet. His heart gave a +little painful jump. He couldn't bear her to cry. He put his other +hand quickly over hers, and a tear dropped on that, too. He couldn't +go on like this! "Well, well," he said, "I'll think it over, and do +what I can. Come, come!" If she must have it for her happiness--she +must; he couldn't refuse to help her. And lest she should begin to +thank him he got out of his chair and went up to the piano-player-- +making that noise! It ran down, as he reached it, with a faint buzz. +That musical box of his nursery days: "The Harmonious Blacksmith," +"Glorious Port"--the thing had always made him miserable when his +mother set it going on Sunday afternoons. Here it was again--the +same thing, only larger, more expensive, and now it played "The Wild, +Wild Women," and "The Policeman's Holiday," and he was no longer in +black velvet with a sky blue collar. 'Profond's right,' he thought, +'there's nothing in it! We're all progressing to the grave!' And +with that surprising mental comment he walked out. + +He did not see Fleur again that night. But, at breakfast, her eyes +followed him about with an appeal he could not escape--not that he +intended to try. No! He had made up his mind to the nerve-racking +business. He would go to Robin Hill--to that house of memories. +Pleasant memory--the last! Of going down to keep that boy's father +and Irene apart by threatening divorce. He had often thought, since, +that it had clinched their union. And, now, he was going to clinch +the union of that boy with his girl. 'I don't know what I've done,' +he thought, 'to have such things thrust on me!' He went up by train +and down by train, and from the station walked by the long rising +lane, still very much as he remembered it over thirty years ago. +Funny--so near London! Some one evidently was holding on to the land +there. This speculation soothed him, moving between the high hedges +slowly, so as not to get overheated, though the day was chill enough. +After all was said and done there was something real about land, it +didn't shift. Land, and good pictures! The values might fluctuate a +bit, but on the whole they were always going up--worth holding on to, +in a world where there was such a lot of unreality, cheap building, +changing fashions, such a "Here to-day and gone to-morrow" spirit. +The French were right, perhaps, with their peasant proprietorship, +though he had no opinion of the French. One's bit of land! +Something solid in it! He had heard peasant proprietors described as +a pig-headed lot; had heard young Mont call his father a pigheaded +Morning Poster--disrespectful young devil. Well, there were worse +things than being pig-headed or reading the Morning Post. There was +Profond and his tribe, and all these Labour chaps, and loud-mouthed +politicians and 'wild, wild women'! A lot of worse things! And +suddenly Soames became conscious of feeling weak, and hot, and shaky. +Sheer nerves at the meeting before him! As Aunt Juley might have +said--quoting "Superior Dosset"--his nerves were "in a proper +fautigue." He could see the house now among its trees, the house he +had watched being built, intending it for himself and this woman, +who, by such strange fate, had lived in it with another after all! +He began to think of Dumetrius, Local Loans, and other forms of +investment. He could not afford to meet her with his nerves all +shaking; he who represented the Day of Judgment for her on earth as +it was in heaven; he, legal ownership, personified, meeting lawless +beauty, incarnate. His dignity demanded impassivity during this +embassy designed to link their offspring, who, if she had behaved +herself, would have been brother and sister. That wretched tune, +"The Wild, Wild Women," kept running in his head, perversely, for +tunes did not run there as a rule. Passing the poplars in front of +the house, he thought: 'How they've grown; I had them planted!' +A maid answered his ring. + +"Will you say--Mr. Forsyte, on a very special matter." + +If she realised who he was, quite probably she would not see him. +'By George!' he thought, hardening as the tug came. 'It's a topsy- +turvy affair!' + +The maid came back. "Would the gentleman state his business, +please?" + +"Say it concerns Mr. Jon," said Soames. + +And once more he was alone in that hall with the pool of grey-white +marble designed by her first lover. Ah! she had been a bad lot--had +loved two men, and not himself! He must remember that when he came +face to face with her once more. And suddenly he saw her in the +opening chink between the long heavy purple curtains, swaying, as if +in hesitation; the old perfect poise and line, the old startled dark- +eyed gravity, the old calm defensive voice: "Will you come in, +please?" + +He passed through that opening. As in the picture-gallery and the +confectioner's shop, she seemed to him still beautiful. And this was +the first time--the very first--since he married her seven-and-thirty +years ago, that he was speaking to her without the legal right to +call her his. She was not wearing black--one of that fellow's +radical notions, he supposed. + +"I apologise for coming," he said glumly; "but this business must be +settled one way or the other." + +"Won't you sit down?" + +"No, thank you." + +Anger at his false position, impatience of ceremony between them, +mastered him, and words came tumbling out: + +"It's an infernal mischance; I've done my best to discourage it. I +consider my daughter crazy, but I've got into the habit of indulging +her; that's why I'm here. I suppose you're fond of your son." + +"Devotedly." + +"Well?" + +"It rests with him." + +He had a sense of being met and baffled. Always--always she had +baffled him, even in those old first married days. + +"It's a mad notion," he said. + +"It is." + +"If you had only--! Well--they might have been--" he did not finish +that sentence "brother and sister and all this saved," but he saw her +shudder as if he had, and stung by the sight he crossed over to the +window. Out there the trees had not grown--they couldn't, they were +old + +"So far as I'm concerned," he said, "you may make your mind easy. I +desire to see neither you nor your son if this marriage comes about. +Young people in these days are--are unaccountable. But I can't bear +to see my daughter unhappy. What am I to say to her when I go back?" + +"Please say to her as I said to you, that it rests with Jon." + +"You don't oppose it?" + +"With all my heart; not with my lips." + +Soames stood, biting his finger. + +"I remember an evening--" he said suddenly; and was silent. What was +there--what was there in this woman that would not fit into the four +corners of his hate or condemnation? "Where is he--your son?" + +"Up in his father's studio, I think." + +"Perhaps you'd have him down." + +He watched her ring the bell, he watched the maid come in. + +"Please tell Mr. Jon that I want him." + +"If it rests with him," said Soames hurriedly, when the maid was +gone, "I suppose I may take it for granted that this unnatural +marriage will take place; in that case there'll be formalities. Whom +do I deal with--Herring's?" + +Irene nodded. + +"You don't propose to live with them?" + +Irene shook her head. + +"What happens to this house?" + +"It will be as Jon wishes." + +"This house," said Soames suddenly: "I had hopes when I began it. If +they live in it--their children! They say there's such a thing as +Nemesis. Do you believe in it?" + +"Yes." + +"Oh! You do!" + +He had come back from the window, and was standing close to her, who, +in the curve of her grand piano, was, as it were, embayed. + +"I'm not likely to see you again," he said slowly. "Will you shake +hands"--his lip quivered, the words came out jerkily--"and let the +past die." He held out his hand. Her pale face grew paler, her eyes +so dark, rested immovably on his, her hands remained clasped in front +of her. He heard a sound and turned. That boy was standing in the +opening of the curtains. Very queer he looked, hardly recognisable +as the young fellow he had seen in the Gallery off Cork Street--very +queer; much older, no youth in the face at all--haggard, rigid, his +hair ruffled, his eyes deep in his head. Soames made an effort, and +said with a lift of his lip, not quite a smile nor quite a sneer: + +"Well, young man! I'm here for my daughter; it rests with you, it +seems--this matter. Your mother leaves it in your hands." + +The boy continued staring at his mother's face, and made no answer. + +"For my daughter's sake I've brought myself to come," said Soames. +"What am I to say to her when I go back?" + +Still looking at his mother, the boy said, quietly: + +"Tell Fleur that it's no good, please; I must do as my father wished +before he died." + +"Jon!" + +"It's all right, Mother." + +In a kind of stupefaction Soames looked from one to the other; then, +taking up hat and umbrella which he had put down on a chair, he +walked toward the curtains. The boy stood aside for him to go by. +He passed through and heard the grate of the rings as the curtains +were drawn behind him. The sound liberated something in his chest. + +'So that's that!' he thought, and passed out of the front door. + + + + +VIII + +THE DARK TUNE + + +As Soames walked away from the house at Robin Hill the sun broke +through the grey of that chill afternoon, in smoky radiance. So +absorbed in landscape painting that he seldom looked seriously for +effects of Nature out of doors--he was struck by that moody +effulgence--it mourned with a triumph suited to his own feeling. +Victory in defeat. His embassy had come to naught. But he was rid +of those people, had regained his daughter at the expense of--her +happiness. What would Fleur say to him? Would she believe he had +done his best? And under that sunlight faring on the elms, hazels, +hollies of the lane and those unexploited fields, Soames felt dread. +She would be terribly upset! He must appeal to her pride. That boy +had given her up, declared part and lot with the woman who so long +ago had given her father up! Soames clenched his hands. Given him +up, and why? What had been wrong with him? And once more he felt +the malaise of one who contemplates himself as seen by another--like +a dog who chances on his refection in a mirror and is intrigued and +anxious at the unseizable thing. + +Not in a hurry to get home, he dined in town at the Connoisseurs. +While eating a pear it suddenly occurred to him that, if he had not +gone down to Robin Hill, the boy might not have so decided. He +remembered the expression on his face while his mother was refusing +the hand he had held out. A strange, an awkward thought! Had Fleur +cooked her own goose by trying to make too sure? + +He reached home at half-past nine. While the car was passing in at +one drive gate he heard the grinding sputter of a motor-cycle passing +out by the other. Young Mont, no doubt, so Fleur had not been +lonely. But he went in with a sinking heart. In the cream-panelled +drawing-room she was sitting with her elbows on her knees, and her +chin on her clasped hands, in front of a white camellia plant which +filled the fireplace. That glance at her before she saw him renewed +his dread. What was she seeing among those white camellias? + +"Well, Father!" + +Soames shook his head. His tongue failed him. This was murderous +work! He saw her eyes dilate, her lips quivering. + +"What? What? Quick, Father!" + +"My dear," said Soames, "I--I did my best, but--" And again he shook +his head. + +Fleur ran to him, and put a hand on each of his shoulders. + +"She?" + +"No," muttered Soames; "he. I was to tell you that it was no use; he +must do what his father wished before he died." He caught her by the +waist. "Come, child, don't let them hurt you. They're not worth +your little finger." + +Fleur tore herself from his grasp. + +"You didn't you--couldn't have tried. You--you betrayed me, Father!" + +Bitterly wounded, Soames gazed at her passionate figure writhing +there in front of him. + +"You didn't try--you didn't--I was a fool! Iwon't believe he could-- +he ever could! Only yesterday he--! Oh! why did I ask you?" + +"Yes," said Soames, quietly, "why did you? I swallowed my feelings; +I did my best for you, against my judgment--and this is my reward. +Good-night!" + +With every nerve in his body twitching he went toward the door. + +Fleur darted after him. + +"He gives me up? You mean that? Father!" + +Soames turned and forced himself to answer: + +"Yes." + +"Oh!" cried Fleur. "What did you--what could you have done in those +old days?" + +The breathless sense of really monstrous injustice cut the power of +speech in Soames' throat. What had he done! What had they done to +him! + +And with quite unconscious dignity he put his hand on his breast, and +looked at her. + +"It's a shame!" cried Fleur passionately. + +Soames went out. He mounted, slow and icy, to his picture gallery, +and paced among his treasures. Outrageous! Oh! Outrageous! She +was spoiled! Ah! and who had spoiled her? He stood still before the +Goya copy. Accustomed to her own way in everything. Flower of his +life! And now that she couldn't have it! He turned to the window +for some air. Daylight was dying, the moon rising, gold behind the +poplars! What sound was that? Why! That piano thing! A dark tune, +with a thrum and a throb! She had set it going--what comfort could +she get from that? His eyes caught movement down there beyond the +lawn, under the trellis of rambler roses and young acacia-trees, +where the moonlight fell. There she was, roaming up and down. His +heart gave a little sickening jump. What would she do under this +blow? How could he tell? What did he know of her--he had only loved +her all his life--looked on her as the apple of his eye! He knew +nothing--had no notion. There she was--and that dark tune--and the +river gleaming in the moonlight! + +'I must go out,' he thought. + +He hastened down to the drawing-room, lighted just as he had left it, +with the piano thrumming out that waltz, or fox-trot, or whatever +they called it in these days, and passed through on to the verandah. + +Where could he watch, without her seeing him? And he stole down +through the fruit garden to the boat-house. He was between her and +the river now, and his heart felt lighter. She was his daughter, and +Annette's--she wouldn't do anything foolish; but there it was--he +didn't know! From the boat house window he could see the last acacia +and the spin of her skirt when she turned in her restless march. +That tune had run down at last--thank goodness! He crossed the floor +and looked through the farther window at the water slow-flowing past +the lilies. It made little bubbles against them, bright where a +moon-streak fell. He remembered suddenly that early morning when he +had slept on the house-boat after his father died, and she had just +been born--nearly nineteen years ago! Even now he recalled the +unaccustomed world when he woke up, the strange feeling it had given +him. That day the second passion of his life began--for this girl of +his, roaming under the acacias. What a comfort she had been to him! +And all the soreness and sense of outrage left him. If he could make +her happy again, he didn't care! An owl flew, queeking, queeking; a +bat flitted by; the moonlight brightened and broadened on the water. +How long was she going to roam about like this! He went back to the +window, and suddenly saw her coming down to the bank. She stood +quite close, on the landing-stage. And Soames watched, clenching his +hands. Should he speak to her? His excitement was intense. The +stillness of her figure, its youth, its absorption in despair, in +longing, in--itself. He would always remember it, moonlit like that; +and the faint sweet reek of the river and the shivering of the willow +leaves. She had everything in the world that he could give her, +except the one thing that she could not have because of him! The +perversity of things hurt him at that moment, as might a fish-bone in +his throat. + +Then, with an infinite relief, he saw her turn back toward the house. +What could he give her to make amends? Pearls, travel, horses, other +young men--anything she wanted--that he might lose the memory of her +young figure lonely by the water! There! She had set that tune +going again! Why--it was a mania! Dark, thrumming, faint, +travelling from the house. It was as though she had said: "If I +can't have something to keep me going, I shall die of this!" Soames +dimly understood. Well, if it helped her, let her keep it thrumming +on all night! And, mousing back through the fruit garden, he +regained the verandah. Though he meant to go in and speak to her +now, he still hesitated, not knowing what to say, trying hard to +recall how it felt to be thwarted in love. He ought to know, ought +to remember--and he could not! Gone--all real recollection; except +that it had hurt him horribly. In this blankness he stood passing +his handkerchief over hands and lips, which were very dry. By +craning his head he could just see Fleur, standing with her back to +that piano still grinding out its tune, her arms tight crossed on her +breast, a lighted cigarette between her lips, whose smoke half veiled +her face. The expression on it was strange to Soames, the eyes shone +and stared, and every feature was alive with a sort of wretched scorn +and anger. Once or twice he had seen Annette look like that--the +face was too vivid, too naked, not his daughter's at that moment. +And he dared not go in, realising the futility of any attempt at +consolation. He sat down in the shadow of the ingle-nook. + +Monstrous trick, that Fate had played him! Nemesis! That old +unhappy marriage! And in God's name-why? How was he to know, when +he wanted Irene so violently, and she consented to be his, that she +would never love him? The tune died and was renewed, and died again, +and still Soames sat in the shadow, waiting for he knew not what. +The fag of Fleur's cigarette, flung through the window, fell on the +grass; he watched it glowing, burning itself out. The moon had freed +herself above the poplars, and poured her unreality on the garden. +Comfortless light, mysterious, withdrawn--like the beauty of that +woman who had never loved him--dappling the nemesias and the stocks +with a vesture not of earth. Flowers! And his flower so unhappy! +Ah! Why could one not put happiness into Local Loans, gild its +edges, insure it against going down? + +Light had ceased to flow out now from the drawing-room window. All +was silent and dark in there. Had she gone up? He rose, and, +tiptoeing, peered in. It seemed so! He entered. The verandah kept +the moonlight out; and at first he could see nothing but the outlines +of furniture blacker than the darkness. He groped toward the farther +window to shut it. His foot struck a chair, and he heard a gasp. +There she was, curled and crushed into the corner of the sofa! His +hand hovered. Did she want his consolation? He stood, gazing at +that ball of crushed frills and hair and graceful youth, trying to +burrow its way out of sorrow. How leave her there? At last he +touched her hair, and said: + +"Come, darling, better go to bed. I'll make it up to you, somehow." +How fatuous! But what could he have said? + + + + +IX + +UNDER THE OAK-TREE + + +When their visitor had disappeared Jon and his mother stood without +speaking, till he said suddenly: + +"I ought to have seen him out." + +But Soames was already walking down the drive, and Jon went upstairs +to his father's studio, not trusting himself to go back. + +The expression on his mother's face confronting the man she had once +been married to, had sealed a resolution growing within him ever +since she left him the night before. It had put the finishing touch +of reality. To marry Fleur would be to hit his mother in the face; +to betray his dead father! It was no good! Jon had the least +resentful of natures. He bore his parents no grudge in this hour of +his distress. For one so young there was a rather strange power in +him of seeing things in some sort of proportion. It was worse for +Fleur, worse for his mother even, than it was for him. Harder than +to give up was to be given up, or to be the cause of some one you +loved giving up for you. He must not, would not behave grudgingly! +While he stood watching the tardy sunlight, he had again that sudden +vision of the world which had come to him the night before. Sea on +sea, country on country, millions on millions of people, all with +their own lives, energies, joys, griefs, and suffering--all with +things they had to give up, and separate struggles for existence. +Even though he might be willing to give up all else for the one thing +he couldn't have, he would be a fool to think his feelings mattered +much in so vast a world, and to behave like a cry-baby or a cad. He +pictured the people who had nothing--the millions who had given up +life in the War, the millions whom the War had left with life and +little else; the hungry children he had read of, the shattered men; +people in prison, every kind of unfortunate. And--they did not help +him much. If one had to miss a meal, what comfort in the knowledge +that many others had to miss it too? There was more distraction in +the thought of getting away out into this vast world of which he knew +nothing yet. He could not go on staying here, walled in and +sheltered, with everything so slick and comfortable, and nothing to +do but brood and think what might have been. He could not go back to +Wansdon, and the memories of Fleur. If he saw her again he could not +trust himself; and if he stayed here or went back there, he would +surely see her. While they were within reach of each other that must +happen. To go far away and quickly was the only thing to do. But, +however much he loved his mother, he did not want to go away with +her. Then feeling that was brutal, he made up his mind desperately +to propose that they should go to Italy. For two hours in that +melancholy room he tried to master himself, then dressed solemnly for +dinner. + +His mother had done the same. They ate little, at some length, and +talked of his father's catalogue. The show was arranged for October, +and beyond clerical detail there was nothing more to do. + +After dinner she put on a cloak and they went out; walked a little, +talked a little, till they were standing silent at last beneath the +oak-tree. Ruled by the thought: 'If I show anything, I show all,' +Jon put his arm through hers and said quite casually: + +"Mother, let's go to Italy." + +Irene pressed his arm, and said as casually: + +"It would be very nice; but I've been thinking you ought to see and +do more than you would if I were with you." + +"But then you'd be alone." + +"I was once alone for more than twelve years. Besides, I should like +to be here for the opening of Father's show." + +Jon's grip tightened round her arm; he was not deceived. + +"You couldn't stay here all by yourself; it's too big." + +"Not here, perhaps. In London, and I might go to Paris, after the +show opens. You ought to have a year at least, Jon, and see the +world." + +"Yes, I'd like to see the world and rough it. But I don't want to +leave you all alone." + +"My dear, I owe you that at least. If it's for your good, it'll be +for mine. Why not start tomorrow? You've got your passport." + +"Yes; if I'm going it had better be at once. Only--Mother--if--if I +wanted to stay out somewhere--America or anywhere, would you mind +coming presently?" + +"Wherever and whenever you send for me. But don't send until you +really want me." + +Jon drew a deep breath. + +"I feel England's choky." + +They stood a few minutes longer under the oak-tree--looking out to +where the grand stand at Epsom was veiled in evening. The branches +kept the moonlight from them, so that it only fell everywhere else-- +over the fields and far away, and on the windows of the creepered +house behind, which soon would be to let. + + + + +X + +FLEUR'S WEDDING + + +The October paragraphs describing the wedding of Fleur Forsyte to +Michael Mont hardly conveyed the symbolic significance of this event. +In the union of the great-granddaughter of "Superior Dosset" with the +heir of a ninth baronet was the outward and visible sign of that +merger of class in class which buttresses the political stability of +a realm. The time had come when the Forsytes might resign their +natural resentment against a "flummery" not theirs by birth, and +accept it as the still more natural due of their possessive +instincts. Besides, they had to mount to make room for all those so +much more newly rich. In that quiet but tasteful ceremony in Hanover +Square, and afterward among the furniture in Green Street, it had +been impossible for those not in the know to distinguish the Forsyte +troop from the Mont contingent--so far away was "Superior Dosset" +now. Was there, in the crease of his trousers, the expression of his +moustache, his accent, or the shine on his top-hat, a pin to choose +between Soames and the ninth baronet himself? Was not Fleur as self- +possessed, quick, glancing, pretty, and hard as the likeliest +Muskham, Mont, or Charwell filly present? If anything, the Forsytes +had it in dress and looks and manners. They had become "upper class" +and now their name would be formally recorded in the Stud Book, their +money joined to land. Whether this was a little late in the day, and +those rewards of the possessive instinct, lands and money, destined +for the melting-pot--was still a question so moot that it was not +mooted. After all, Timothy had said Consols were goin' up. Timothy, +the last, the missing link; Timothy, in extremis on the Bayswater +Road--so Francie had reported. It was whispered, too, that this +young Mont was a sort of socialist--strangely wise of him, and in the +nature of insurance, considering the days they lived in. There was +no uneasiness on that score. The landed classes produced that sort +of amiable foolishness at times, turned to safe uses and confined to +theory. As George remarked to his sister Francie: "They'll soon be +having puppies--that'll give him pause." + +The church with white flowers and something blue in the middle of the +East window looked extremely chaste, as though endeavouring to +counteract the somewhat lurid phraseology of a Service calculated to +keep the thoughts of all on puppies. Forsytes, Haymans, Tweetymans, +sat in the left aisle; Monts, Charwells; Muskhams in the right; while +a sprinkling of Fleur's fellow-sufferers at school, and of Mont's +fellow-sufferers in, the War, gaped indiscriminately from either +side, and three maiden ladies, who had dropped in on their way from +Skyward's brought up the rear, together with two Mont retainers and +Fleur's old nurse. In the unsettled state of the country as full a +house as could be expected. + +Mrs. Val Dartie, who sat with her husband in the third row, squeezed +his hand more than once during the performance. To her, who knew the +plot of this tragi-comedy, its most dramatic moment was well-nigh +painful. 'I wonder if Jon knows by instinct,' she thought--Jon, out +in British Columbia. She had received a letter from him only that +morning which had made her smile and say: + +"Jon's in British Columbia, Val, because he wants to be in +California. He thinks it's too nice there." + +"Oh!" said Val, "so he's beginning to see a joke again." + +"He's bought some land and sent for his mother." + +"What on earth will she do out there?" + +"All she cares about is Jon. Do you still think it a happy release?" + +Val's shrewd eyes narrowed to grey pin-points between their dark +lashes. + +"Fleur wouldn't have suited him a bit. She's not bred right." + +"Poor little Fleur!" sighed Holly. Ah! it was strange--this +marriage. The young man, Mont, had caught her on the rebound, of +course, in the reckless mood of one whose ship has just gone down. +Such a plunge could not but be--as Val put it--an outside chance. +There was little to be told from the back view of her young cousin's +veil, and Holly's eyes reviewed the general aspect of this Christian +wedding. She, who had made a love-match which had been successful, +had a horror of unhappy marriages. This might not be one in the end- +-but it was clearly a toss-up; and to consecrate a toss-up in this +fashion with manufactured unction before a crowd of fashionable free- +thinkers--for who thought otherwise than freely, or not at all, when +they were "dolled" up--seemed to her as near a sin as one could find +in an age which had abolished them. Her eyes wandered from the +prelate in his robes (a Charwell-the Forsytes had not as yet produced +a prelate) to Val, beside her, thinking--she was certain--of the +Mayfly filly at fifteen to one for the Cambridgeshire. They passed +on and caught the profile of the ninth baronet, in counterfeitment of +the kneeling process. She could just see the neat ruck above his +knees where he had pulled his trousers up, and thought: 'Val's +forgotten to pull up his!' Her eyes passed to the pew in front of +her, where Winifred's substantial form was gowned with passion, and +on again to Soames and Annette kneeling side by side. A little smile +came on her lips--Prosper Profond, back from the South Seas of the +Channel, would be kneeling too, about six rows behind. Yes! This +was a funny "small" business, however it turned out; still it was in +a proper church and would be in the proper papers to-morrow morning. + +They had begun a hymn; she could hear the ninth baronet across the +aisle, singing of the hosts of Midian. Her little finger touched +Val's thumb--they were holding the same hymn-book--and a tiny thrill +passed through her, preserved--from twenty years ago. He stooped and +whispered: + +"I say, d'you remember the rat?" The rat at their wedding in Cape +Colony, which had cleaned its whiskers behind the table at the +Registrar's! And between her little and third forgers she squeezed +his thumb hard. + +The hymn was over, the prelate had begun to deliver his discourse. +He told them of the dangerous times they lived in, and the awful +conduct of the House of Lords in connection with divorce. They were +all soldiers--he said--in the trenches under the poisonous gas of the +Prince of Darkness, and must be manful. The purpose of marriage was +children, not mere sinful happiness. + +An imp danced in Holly's eyes--Val's eyelashes were meeting. +Whatever happened; he must not snore. Her finger and thumb closed on +his thigh till he stirred uneasily. + +The discourse was over, the danger past. They were signing in the +vestry; and general relaxation had set in. + +A voice behind her said: + +"Will she stay the course?" + +"Who's that?" she whispered. + +"Old George Forsyte!" + +Holly demurely scrutinized one of whom she had often heard. Fresh +from South Africa, and ignorant of her kith and kin, she never saw +one without an almost childish curiosity. He was very big, and very +dapper; his eyes gave her a funny feeling of having no particular +clothes. + +"They're off!" she heard him say. + +They came, stepping from the chancel. Holly looked first in young +Mont's face. His lips and ears were twitching, his eyes, shifting +from his feet to the hand within his arm, stared suddenly before them +as if to face a firing party. He gave Holly the feeling that he was +spiritually intoxicated. But Fleur! Ah! That was different. The +girl was perfectly composed, prettier than ever, in her white robes +and veil over her banged dark chestnut hair; her eyelids hovered +demure over her dark hazel eyes. Outwardly, she seemed all there. +But inwardly, where was she? As those two passed, Fleur raised her +eyelids--the restless glint of those clear whites remained on Holly's +vision as might the flutter of caged bird's wings. + +In Green Street Winifred stood to receive, just a little less +composed than usual. Soames' request for the use of her house had +come on her at a deeply psychological moment. Under the influence of +a remark of Prosper Profond, she had begun to exchange her Empire for +Expressionistic furniture. There were the most amusing arrangements, +with violet, green, and orange blobs and scriggles, to be had at +Mealard's. Another month and the change would have been complete. +Just now, the very "intriguing" recruits she had enlisted, did not +march too well with the old guard. It was as if her regiment were +half in khaki, half in scarlet and bearskins. But her strong and +comfortable character made the best of it in a drawing-room which +typified, perhaps, more perfectly than she imagined, the semi- +bolshevized imperialism of her country. After all, this was a day of +merger, and you couldn't have too much of it! Her eyes travelled +indulgently among her guests. Soames had gripped the back of a buhl +chair; young Mont was behind that "awfully amusing" screen, which no +one as yet had been able to explain to her. The ninth baronet had +shied violently at a round scarlet table, inlaid under glass with +blue Australian butteries' wings, and was clinging to her Louis- +Quinze cabinet; Francie Forsyte had seized the new mantel-board, +finely carved with little purple grotesques on an ebony ground; +George, over by the old spinet, was holding a little sky-blue book as +if about to enter bets; Prosper Profond was twiddling the knob of the +open door, black with peacock-blue panels; and Annette's hands, close +by, were grasping her own waist; two Muskhams clung to the balcony +among the plants, as if feeling ill; Lady Mont, thin and brave- +looking, had taken up her long-handled glasses and was gazing at the +central light shade, of ivory and orange dashed with deep magenta, as +if the heavens had opened. Everybody, in fact, seemed holding on to +something. Only Fleur, still in her bridal dress, was detached from +all support, flinging her words and glances to left and right. + +The room was full of the bubble and the squeak of conversation. +Nobody could hear anything that anybody said; which seemed of little +consequence, since no one waited for anything so slow as an answer. +Modern conversation seemed to Winifred so different from the days of +her prime, when a drawl was all the vogue. Still it was "amusing," +which, of course, was all that mattered. Even the Forsytes were +talking with extreme rapidity--Fleur and Christopher, and Imogen, and +young Nicholas's youngest, Patrick. Soames, of course, was silent; +but George, by the spinet, kept up a running commentary, and Francie, +by her mantel-shelf. Winifred drew nearer to the ninth baronet. He +seemed to promise a certain repose; his nose was fine and drooped a +little, his grey moustaches too; and she said, drawling through her +smile: + +"It's rather nice, isn't it?" + +His reply shot out of his smile like a snipped bread pellet + +"D'you remember, in Frazer, the tribe that buries the bride up to the +waist?" + +He spoke as fast as anybody! He had dark lively little eyes, too, +all crinkled round like a Catholic priest's. Winifred felt suddenly +he might say things she would regret. + +"They're always so amusing--weddings," she murmured, and moved on to +Soames. He was curiously still, and Winifred saw at once what was +dictating his immobility. To his right was George Forsyte, to his +left Annette and Prosper Profond. He could not move without either +seeing those two together, or the reflection of them in George +Forsyte's japing eyes. He was quite right not to be taking notice. + +"They say Timothy's sinking;" he said glumly. + +"Where will you put him, Soames?" + +"Highgate." He counted on his fingers. "It'll make twelve of them +there, including wives. How do you think Fleur looks?" + +"Remarkably well." + +Soames nodded. He had never seen her look prettier, yet he could not +rid himself of the impression that this business was unnatural-- +remembering still that crushed figure burrowing into the corner of +the sofa. From that night to this day he had received from her no +confidences. He knew from his chauffeur that she had made one more +attempt on Robin Hill and drawn blank--an empty house, no one at +home. He knew that she had received a letter, but not what was in +it, except that it had made her hide herself and cry. He had +remarked that she looked at him sometimes when she thought he wasn't +noticing, as if she were wondering still what he had done--forsooth-- +to make those people hate him so. Well, there it was! Annette had +come back, and things had worn on through the summer--very miserable, +till suddenly Fleur had said she was going to marry young Mont. She +had shown him a little more affection when she told him that. And he +had yielded--what was the good of opposing it? God knew that he had +never wished to thwart her in anything! And the young man seemed +quite delirious about her. No doubt she was in a reckless mood, and +she was young, absurdly young. But if he opposed her, he didn't know +what she would do; for all he could tell she might want to take up a +profession, become a doctor or solicitor, some nonsense. She had no +aptitude for painting, writing, music, in his view the legitimate +occupations of unmarried women, if they must do something in these +days. On the whole, she was safer married, for he could see too well +how feverish and restless she was at home. Annette, too, had been in +favour of it--Annette, from behind the veil of his refusal to know +what she was about, if she was about anything. Annette had said: +"Let her marry this young man. He is a nice boy--not so highty- +flighty as he seems." Where she got her expressions, he didn't know- +-but her opinion soothed his doubts. His wife, whatever her conduct, +had clear eyes and an almost depressing amount of common sense. He +had settled fifty thousand on Fleur, taking care that there was no +cross settlement in case it didn't turn out well. Could it turn out +well? She had not got over that other boy--he knew. They were to go +to Spain for the honeymoon. He would be even lonelier when she was +gone. But later, perhaps, she would forget, and turn to him again! +Winifred's voice broke on his reverie. + +"Why! Of all wonders-June!" + +There, in a djibbah--what things she wore!--with her hair straying +from under a fillet, Soames saw his cousin, and Fleur going forward +to greet her. The two passed from their view out on to the stairway. + +"Really," said Winifred, "she does the most impossible things! Fancy +her coming!" + +"What made you ask her?" muttered Soames. + +"Because I thought she wouldn't accept, of course." + +Winifred had forgotten that behind conduct lies the main trend of +character; or, in other words, omitted to remember that Fleur was now +a "lame duck." + +On receiving her invitation, June had first thought, 'I wouldn't go +near them for the world!' and then, one morning, had awakened from a +dream of Fleur waving to her from a boat with a wild unhappy gesture. +And she had changed her mind. + +When Fleur came forward and said to her, "Do come up while I'm +changing my dress," she had followed up the stairs. The girl led the +way into Imogen's old bedroom, set ready for her toilet. + +June sat down on the bed, thin and upright, like a little spirit in +the sear and yellow. Fleur locked the door. + +The girl stood before her divested of her wedding dress. What a +pretty thing she was + +"I suppose you think me a fool," she said, with quivering lips, "when +it was to have been Jon. But what does it matter? Michael wants me, +and I don't care. It'll get me away from home." Diving her hand +into the frills on her breast, she brought out a letter. "Jon wrote +me this." + +June read: "Lake Okanagen, British Columbia. I'm not coming back to +England. Bless you always. Jon." + +"She's made safe, you see," said Fleur. + +June handed back the letter. + +"That's not fair to Irene," she said, "she always told Jon he could +do as he wished." + +Fleur smiled bitterly. "Tell me, didn't she spoil your life too?" +June looked up. "Nobody can spoil a life, my dear. That's nonsense. +Things happen, but we bob up." + +With a sort of terror she saw the girl sink on her knees and bury her +face in the djibbah. A strangled sob mounted to June's ears. + +"It's all right--all right," she murmured, "Don't! There, there!" + +But the point of the girl's chin was pressed ever closer into her +thigh, and the sound was dreadful of her sobbing. + +Well, well! It had to come. She would feel better afterward! June +stroked the short hair of that shapely head; and all the scattered +mother-sense in her focussed itself and passed through the tips of +her fingers into the girl's brain. + +"Don't sit down under it, my dear," she said at last. "We can't +control life, but we can fight it. Make the best of things. I've +had to. I held on, like you; and I cried, as you're crying now. And +look at me!" + +Fleur raised her head; a sob merged suddenly into a little choked +laugh. In truth it was a thin and rather wild and wasted spirit she +was looking at, but it had brave eyes. + +"All right!" she said. "I'm sorry. I shall forget him, I suppose, +if I fly fast and far enough." + +And, scrambling to her feet, she went over to the wash-stand. + +June watched her removing with cold water the traces of emotion. +Save for a little becoming pinkness there was nothing left when she +stood before the mirror. June got off the bed and took a pin-cushion +in her hand. To put two pins into the wrong places was all the vent +she found for sympathy. + +"Give me a kiss," she said when Fleur was ready, and dug her chin +into the girl's warm cheek. + +"I want a whiff," said Fleur; "don't wait." + +June left her, sitting on the bed with a cigarette between her lips +and her eyes half closed, and went down-stairs. In the doorway of +the drawing-room stood Soames as if unquiet at his daughter's +tardiness. June tossed her head and passed down on to the half- +landing. Her cousin Francie was standing there. + +"Look!" said June, pointing with her chin at Soames. "That man's +fatal!" + +"How do you mean," said Francie, "fatal?" + +June did not answer her. "I shan't wait to see them off," she said. +"Good-bye!" + +"Good-bye!" said Francie, and her eyes, of a Celtic grey, goggled. +That old feud! Really, it was quite romantic! + +Soames, moving to the well of the staircase, saw June go, and drew a +breath of satisfaction. Why didn't Fleur come? They would miss +their train. That train would bear her away from him, yet he could +not help fidgeting at the thought that they would lose it. And then +she did come, running down in her tan-coloured frock and black velvet +cap, and passed him into the drawing-room. He saw her kiss her +mother, her aunt, Val's wife, Imogen, and then come forth, quick and +pretty as ever. How would she treat him at this last moment of her +girlhood? He couldn't hope for much! + +Her lips pressed the middle of his cheek. + +"Daddy!" she said, and was past and gone! Daddy! She hadn't called +him that for years. He drew a long breath and followed slowly down. +There was all the folly with that confetti stuff and the rest of it +to go through with yet. But he would like just to catch her smile, +if she leaned out, though they would hit her in the eye with the +shoe, if they didn't take care. Young Mont's voice said fervently in +his ear: + +"Good-bye, sir; and thank you! I'm so fearfully bucked." + +"Good-bye," he said; "don't miss your train." + +He stood on the bottom step but three, whence he could see above the +heads--the silly hats and heads. They were in the car now; and there +was that stuff, showering, and there went the shoe. A flood of +something welled up in Soames, and--he didn't know--he couldn't see! + + + + +XI + +THE LAST OF THE OLD FORSYTES + +When they came to prepare that terrific symbol Timothy Forsyte--the +one pure individualist left, the only man who hadn't heard of the +Great War--they found him wonderful--not even death had undermined +his soundness. + +To Smither and Cook that preparation came like final evidence of what +they had never believed possible--the end of the old Forsyte family +on earth. Poor Mr. Timothy must now take a harp and sing in the +company of Miss Forsyte, Mrs. Julia, Miss Hester; with Mr. Jolyon, +Mr. Swithin, Mr. James, Mr. Roger, and Mr. Nicholas of the party. +Whether Mrs. Hayman would be there was more doubtful, seeing that she +had been cremated. Secretly Cook thought that Mr. Timothy would be +upset--he had always been so set against barrel organs. How many +times had she not said: "Drat the thing! There it is again! +Smither, you'd better run up and see what you can do." And in her +heart she would so have enjoyed the tunes, if she hadn't known that +Mr. Timothy would ring the bell in a minute and say: "Here, take him +a halfpenny and tell him to move on." Often they had been obliged to +add threepence of their own before the man would go--Timothy had ever +underrated the value of emotion. Luckily he had taken the organs for +blue-bottles in his last years, which had been a comfort, and they +had been able to enjoy the tunes. But a harp! Cook wondered. It +was a change! And Mr. Timothy had never liked change. But she did +not speak of this to Smither, who did so take a line of her own in +regard to heaven that it quite put one about sometimes. + +She cried while Timothy was being prepared, and they all had sherry +afterward out of the yearly Christmas bottle, which would not be +needed now. Ah! dear! She had been there five-and-forty years and +Smither three-and-forty! And now they would be going to a tiny house +in Tooting, to live on their savings and what Miss Hester had so +kindly left them--for to take fresh service after the glorious past-- +No! But they would like just to see Mr. Soames again, and Mrs. +Dartie, and Miss Francie, and Miss Euphemia. And even if they had to +take their own cab, they felt they must go to the funeral. For six +years Mr. Timothy had been their baby, getting younger and younger +every day, till at last he had been too young to live. + +They spent the regulation hours of waiting in polishing and dusting, +in catching the one mouse left, and asphyxiating the last beetle so +as to leave it nice, discussing with each other what they would buy +at the sale. Miss Ann's workbox; Miss Juley's (that is Mrs. Julia's) +seaweed album; the fire-screen Miss Hester had crewelled; and Mr. +Timothy's hair--little golden curls, glued into a black frame. Oh! +they must have those--only the price of things had gone up so! + +It fell to Soames to issue invitations for the funeral. He had them +drawn up by Gradman in his office--only blood relations, and no +flowers. Six carriages were ordered. The Will would be read +afterward at the house. + +He arrived at eleven o'clock to see that all was ready. At a quarter +past old Gradman came in black gloves and crape on his hat. He and +Soames stood in the drawing-room waiting. At half-past eleven the +carriages drew up in a long row. But no one else appeared. Gradman +said: + +"It surprises me, Mr. Soames. I posted them myself." + +"I don't know," said Soames; "he'd lost touch with the family." +Soames had often noticed in old days how much more neighbourly his +family were to the dead than to the living. But, now, the way they +had flocked to Fleur's wedding and abstained from Timothy's funeral, +seemed to show some vital change. There might, of course, be another +reason; for Soames felt that if he had not known the contents of +Timothy's Will, he might have stayed away himself through delicacy. +Timothy had left a lot of money, with nobody in particular to leave +it to. They mightn't like to seem to expect something. + +At twelve o'clock the procession left the door; Timothy alone in the +first carriage under glass. Then Soames alone; then Gradman alone; +then Cook and Smither together. They started at a walk, but were +soon trotting under a bright sky. At the entrance to Highgate +Cemetery they were delayed by service in the Chapel. Soames would +have liked to stay outside in the sunshine. He didn't believe a word +of it; on the other hand, it was a form of insurance which could not +safely be neglected, in case there might be something in it after +all. + +They walked up two and two--he and Gradman, Cook and Smither--to the +family vault. It was not very distinguished for the funeral of the +last old Forsyte. + +He took Gradman into his carriage on the way back to the Bayswater +Road with a certain glow in his heart. He had a surprise in pickle +for the old chap who had served the Forsytes four-and-fifty years-a +treat that was entirely his doing. How well he remembered saying to +Timothy the day--after Aunt Hester's funeral: "Well; Uncle Timothy, +there's Gradman. He's taken a lot of trouble for the family. What +do you say to leaving him five thousand?" and his surprise, seeing +the difficulty there had been in getting Timothy to leave anything, +when Timothy had nodded. And now the old chap would be as pleased as +Punch, for Mrs. Gradman, he knew, had a weak heart, and their son had +lost a leg in the War. It was extraordinarily gratifying to Soames +to have left him five thousand pounds of Timothy's money. They sat +down together in the little drawing-room, whose walls--like a vision +of heaven--were sky-blue and gold with every picture-frame +unnaturally bright, and every speck of dust removed from every piece +of furniture, to read that little masterpiece--the Will of Timothy. +With his back to the light in Aunt Hester's chair, Soames faced +Gradman with his face to the light, on Aunt Ann's sofa; and, crossing +his legs, began: + +"This is the last Will and Testament of me Timothy Forsyte of The +Bower Bayswater Road, London I appoint my nephew Soames Forsyte of +The Shelter Mapleduram and Thomas Gradman of 159 Folly Road Highgate +(hereinafter called my Trustees) to be the trustees and executors of +this my Will To the said Soames Forsyte I leave the sum of one +thousand pounds free of legacy duty and to the said Thomas Gradman I +leave the sum of five thousand pounds free of legacy duty." + +Soames paused. Old Gradman was leaning forward, convulsively +gripping a stout black knee with each of his thick hands; his mouth +had fallen open so that the gold fillings of three teeth gleamed; his +eyes were blinking, two tears rolled slowly out of them. Soames read +hastily on. + +"All the rest of my property of whatsoever description I bequeath to +my Trustees upon Trust to convert and hold the same upon the +following trusts namely To pay thereout all my debts funeral expenses +and outgoings of any kind in connection with my Will and to hold the +residue thereof in trust for that male lineal descendant of my father +Jolyon Forsyte by his marriage with Ann Pierce who after the decease +of all lineal descendants whether male or female of my said father by +his said marriage in being at the time of my death shall last attain +the age of twenty-one years absolutely it being my desire that my +property shall be nursed to the extreme limit permitted by the laws +of England for the benefit of such male lineal descendant as +aforesaid." + +Soames read the investment and attestation clauses, and, ceasing, +looked at Gradman. The old fellow was wiping his brow with a large +handkerchief, whose brilliant colour supplied a sudden festive tinge +to the proceedings. + +"My word, Mr. Soames!" he said, and it was clear that the lawyer in +him had utterly wiped out the man: "My word! Why, there are two +babies now, and some quite young children--if one of them lives to be +eighty--it's not a great age--and add twenty-one--that's a hundred +years; and Mr. Timothy worth a hundred and fifty thousand pound net +if he's worth a penny. Compound interest at five per cent. doubles +you in fourteen years. In fourteen years three hundred thousand-six +hundred thousand in twenty-eight--twelve hundred thousand in forty- +two--twenty-four hundred thousand in fifty-six--four million eight +hundred thousand in seventy--nine million six hundred thousand in +eighty-four--Why, in a hundred years it'll be twenty million! And we +shan't live to use it! It is a Will!" + +Soames said dryly: "Anything may happen. The State might take the +lot; they're capable of anything in these days." + +"And carry five," said Gradman to himself. "I forgot--Mr. Timothy's +in Consols; we shan't get more than two per cent. with this income +tax. To be on the safe side, say eight millions. Still, that's a +pretty penny." + +Soames rose and handed him the Will. "You're going into the City. +Take care of that, and do what's necessary. Advertise; but there are +no debts. When's the sale?" + +"Tuesday week," said Gradman. "Life or lives in bein' and twenty-one +years afterward--it's a long way off. But I'm glad he's left it in +the family...." + +The sale--not at Jobson's, in view of the Victorian nature of the +effects--was far more freely attended than the funeral, though not by +Cook and Smither, for Soames had taken it on himself to give them +their heart's desires. Winifred was present, Euphemia, and Francie, +and Eustace had come in his car. The miniatures, Barbizons, and J. +R. drawings had been bought in by Soames; and relics of no marketable +value were set aside in an off-room for members of the family who +cared to have mementoes. These were the only restrictions upon +bidding characterised by an almost tragic languor. Not one piece of +furniture, no picture or porcelain figure appealed to modern taste. +The humming birds had fallen like autumn leaves when taken from where +they had not hummed for sixty years. It was painful to Soames to see +the chairs his aunts had sat on, the little grand piano they had +practically never played, the books whose outsides they had gazed at, +the china they had dusted, the curtains they had drawn, the hearth- +rug which had warmed their feet; above all, the beds they had lain +and died in--sold to little dealers, and the housewives of Fulham. +And yet--what could one do? Buy them and stick them in a lumber- +room? No; they had to go the way of all flesh and furniture, and be +worn out. But when they put up Aunt Ann's sofa and were going to +knock it down for thirty shillings, he cried out, suddenly: "Five +pounds!" The sensation was considerable, and the sofa his. + +When that little sale was over in the fusty saleroom, and those +Victorian ashes scattered, he went out into the misty October +sunshine feeling as if cosiness had died out of the world, and the +board "To Let" was up, indeed. Revolutions on the horizon; Fleur in +Spain; no comfort in Annette; no Timothy's on the Bayswater Road. In +the irritable desolation of his soul he went into the Goupenor +Gallery. That chap Jolyon's watercolours were on view there. He +went in to look down his nose at them--it might give him some faint +satisfaction. The news had trickled through from June to Val's wife, +from her to Val, from Val to his mother, from her to Soames, that the +house--the fatal house at Robin Hill--was for sale, and Irene going +to join her boy out in British Columbia, or some such place. For one +wild moment the thought had come to Soames: 'Why shouldn't I buy it +back? I meant it for my!' No sooner come than gone. Too lugubrious +a triumph; with too many humiliating memories for himself and Fleur. +She would never live there after what had happened. No, the place +must go its way to some peer or profiteer. It had been a bone of +contention from the first, the shell of the feud; and with the woman +gone, it was an empty shell. "For Sale or To Let." With his mind's +eye he could see that board raised high above the ivied wall which he +had built. + +He passed through the first of the two rooms in the Gallery. There +was certainly a body of work! And now that the fellow was dead it +did not seem so trivial. The drawings were pleasing enough, with +quite a sense of atmosphere, and something individual in the brush +work. 'His father and my father; he and I; his child and mine!' +thought Soames. So it had gone on! And all about that woman! +Softened by the events of the past week, affected by the melancholy +beauty of the autumn day, Soames came nearer than he had ever been to +realisation of that truth--passing the understanding of a Forsyte +pure--that the body of Beauty has a spiritual essence, uncapturable +save by a devotion which thinks not of self. After all, he was near +that truth in his devotion to his daughter; perhaps that made him +understand a little how he had missed the prize. And there, among +the drawings of his kinsman, who had attained to that which he had +found beyond his reach, he thought of him and her with a tolerance +which surprised him. But he did not buy a drawing. + +Just as he passed the seat of custom on his return to the outer air +he met with a contingency which had not been entirely absent from his +mind when he went into the Gallery--Irene, herself, coming in. So +she had not gone yet, and was still paying farewell visits to that +fellow's remains! He subdued the little involuntary leap of his +subconsciousness, the mechanical reaction of his senses to the charm +of this once-owned woman, and passed her with averted eyes. But when +he had gone by he could not for the life of him help looking back. +This, then, was finality--the heat and stress of his life, the +madness and the longing thereof, the only defeat he had known, would +be over when she faded from his view this time; even such memories +had their own queer aching value. + +She, too, was looking back. Suddenly she lifted her gloved hand, her +lips smiled faintly, her dark eyes seemed to speak. It was the turn +of Soames to make no answer to that smile and that little farewell +wave; he went out into the fashionable street quivering from head to +foot. He knew what she had meant to say: "Now that I am going for +ever out of the reach of you and yours--forgive me; I wish you well." +That was the meaning; last sign of that terrible reality--passing +morality, duty, common sense--her aversion from him who had owned her +body, but had never touched her spirit or her heart. It hurt; yes-- +more than if she had kept her mask unmoved, her hand unlifted. + +Three days later, in that fast-yellowing October, Soames took a taxi- +cab to Highgate Cemetery and mounted through its white forest to the +Forsyte vault. Close to the cedar, above catacombs and columbaria, +tall, ugly, and individual, it looked like an apex of the competitive +system. He could remember a discussion wherein Swithin had advocated +the addition to its face of the pheasant proper. The proposal had +been rejected in favour of a wreath in stone, above the stark words: +"The family vault of Jolyon Forsyte: 1850." It was in good order. +All trace of the recent interment had been removed, and its sober +grey gloomed reposefully in the sunshine. The whole family lay there +now, except old Jolyon's wife, who had gone back under a contract to +her own family vault in Suffolk; old Jolyon himself lying at Robin +Hill; and Susan Hayman, cremated so that none knew where she might +be. Soames gazed at it with satisfaction--massive, needing little +attention; and this was important, for he was well aware that no one +would attend to it when he himself was gone, and he would have to be +looking out for lodgings soon. He might have twenty years before +him, but one never knew. Twenty years without an aunt or uncle, with +a wife of whom one had better not know anything, with a daughter gone +from home. His mood inclined to melancholy and retrospection. + +This cemetery was full, they said--of people with extraordinary +names, buried in extraordinary taste. Still, they had a fine view up +here, right over London. Annette had once given him a story to read +by that Frenchman, Maupassant, most lugubrious concern, where all the +skeletons emerged from their graves one night, and all the pious +inscriptions on the stones were altered to descriptions of their +sins. Not a true story at all. He didn't know about the French, but +there was not much real harm in English people except their teeth and +their taste, which was certainly deplorable. "The family vault of +Jolyon Forsyte: 1850." A lot of people had been buried here since +then--a lot of English life crumbled to mould and dust! The boom of +an airplane passing under the gold-tinted clouds caused him to lift +his eyes. The deuce of a lot of expansion had gone on. But it all +came back to a cemetery--to a name and a date on a tomb. And he +thought with a curious pride that he and his family had done little +or nothing to help this feverish expansion. Good solid middlemen, +they had gone to work with dignity to manage and possess. "Superior +Dosset," indeed, had built in a dreadful, and Jolyon painted in a +doubtful, period, but so far as he remembered not another of them all +had soiled his hands by creating anything--unless you counted Val +Dartie and his horse-breeding. Collectors, solicitors, barristers, +merchants, publishers, accountants, directors, land agents, even +soldiers--there they had been! The country had expanded, as it were, +in spite of them. They had checked, controlled, defended, and taken +advantage of the process and when you considered how "Superior +Dosset" had begun life with next to nothing, and his lineal +descendants already owned what old Gradman estimated at between a +million and a million and a half, it was not so bad! And yet he +sometimes felt as if the family bolt was shot, their possessive +instinct dying out. They seemed unable to make money--this fourth +generation; they were going into art, literature, farming, or the +army; or just living on what was left them--they had no push and no +tenacity. They would die out if they didn't take care. + +Soames turned from the vault and faced toward the breeze. The air up +here would be delicious if only he could rid his nerves of the +feeling that mortality was in it. He gazed restlessly at the crosses +and the urns, the angels, the "immortelles," the flowers, gaudy or +withering; and suddenly he noticed a spot which seemed so different +from anything else up there that he was obliged to walk the few +necessary yards and look at it. A sober corner, with a massive +queer-shaped cross of grey rough-hewn granite, guarded by four dark +yew-trees. The spot was free from the pressure of the other graves, +having a little box-hedged garden on the far side, and in front a +goldening birch-tree. This oasis in the desert of conventional +graves appealed to the aesthetic sense of Soames, and he sat down +there in the sunshine. Through those trembling gold birch leaves he +gazed out at London, and yielded to the waves of memory. He thought +of Irene in Montpellier Square, when her hair was rusty-golden and +her white shoulders his--Irene, the prize of his love-passion, +resistant to his ownership. He saw Bosinney's body lying in that +white mortuary, and Irene sitting on the sofa looking at space with +the eyes of a dying bird. Again he thought of her by the little +green Niobe in the Bois de Boulogne, once more rejecting him. His +fancy took him on beside his drifting river on the November day when +Fleur was to be born, took him to the dead leaves floating on the +green-tinged water and the snake-headed weed for ever swaying and +nosing, sinuous, blind, tethered. And on again to the window opened +to the cold starry night above Hyde Park, with his father lying dead. +His fancy darted to that picture of "the future town," to that boy's +and Fleur's first meeting; to the bluish trail of Prosper Profond's +cigar, and Fleur in the window pointing down to where the fellow +prowled. To the sight of Irene and that dead fellow sitting side by +side in the stand at Lord's. To her and that boy at Robin Hill. To +the sofa, where Fleur lay crushed up in the corner; to her lips +pressed into his cheek, and her farewell "Daddy." And suddenly he +saw again Irene's grey-gloved hand waving its last gesture of +release. + +He sat there a long time dreaming his career, faithful to the scut of +his possessive instinct, warming himself even with its failures. + +"To Let"--the Forsyte age and way of life, when a man owned his soul, +his investments, and his woman, without check or question. And now +the State had, or would have, his investments, his woman had herself, +and God knew who had his soul. "To Let"--that sane and simple creed! + +The waters of change were foaming in, carrying the promise of new +forms only when their destructive flood should have passed its full. +He sat there, subconscious of them, but with his thoughts resolutely +set on the past--as a man might ride into a wild night with his face +to the tail of his galloping horse. Athwart the Victorian dykes the +waters were rolling on property, manners, and morals, on melody and +the old forms of art--waters bringing to his mouth a salt taste as of +blood, lapping to the foot of this Highgate Hill where Victorianism +lay buried. And sitting there, high up on its most individual spot, +Soames--like a figure of Investment--refused their restless sounds. +Instinctively he would not fight them--there was in him too much +primeval wisdom, of Man the possessive animal. They would quiet down +when they had fulfilled their tidal fever of dispossessing and +destroying; when the creations and the properties of others were +sufficiently broken and defected--they would lapse and ebb, and fresh +forms would rise based on an instinct older than the fever of change- +-the instinct of Home. + +"Je m'en fiche," said Prosper Profond. Soames did not say "Je m'en +fiche"--it was French, and the fellow was a thorn in his side--but +deep down he knew that change was only the interval of death between +two forms of life, destruction necessary to make room for fresher +property. What though the board was up, and cosiness to let?--some +one would come along and take it again some day. + +And only one thing really troubled him, sitting there--the melancholy +craving in his heart--because the sun was like enchantment on his +face and on the clouds and on the golden birch leaves, and the wind's +rustle was so gentle, and the yewtree green so dark, and the sickle +of a moon pale in the sky. + +He might wish and wish and never get it--the beauty and the loving in +the world! + + + + +End of this Project Gutenberg Etext of AWAKENING and TO LET +by John Galsworthy. + diff --git a/old/tolet11.zip b/old/tolet11.zip Binary files differnew file mode 100644 index 0000000..47a36da --- /dev/null +++ b/old/tolet11.zip |
