summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:15:42 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:15:42 -0700
commit81ed99074e1e33fd08a145e9824bb09d9547fb0c (patch)
tree69a2f069194778ad67330bf97d9c88c30e4ba87a
initial commit of ebook 25108HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--25108-h.zipbin0 -> 17951 bytes
-rw-r--r--25108-h/25108-h.htm970
-rw-r--r--25108.txt850
-rw-r--r--25108.zipbin0 -> 16949 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
7 files changed, 1836 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/25108-h.zip b/25108-h.zip
new file mode 100644
index 0000000..aac0eb6
--- /dev/null
+++ b/25108-h.zip
Binary files differ
diff --git a/25108-h/25108-h.htm b/25108-h/25108-h.htm
new file mode 100644
index 0000000..fe6455d
--- /dev/null
+++ b/25108-h/25108-h.htm
@@ -0,0 +1,970 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The South Seaman by Louis Becke
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The South Seaman, by Louis Becke
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The South Seaman
+ An Incident In The Sea Story Of Australia - 1901
+
+Author: Louis Becke
+
+Release Date: April 19, 2008 [EBook #25108]
+Last Updated: January 8, 2013
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE SOUTH SEAMAN ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE SOUTH SEAMAN:
+ </h1>
+ <h2>
+ AN INCIDENT IN THE SEA STORY OF AUSTRALIA
+ </h2>
+ <p>
+ <br />
+ </p>
+ <h3>
+ From "The Tapu Of Banderah and Other Stories"
+ </h3>
+ <h2>
+ By Louis Becke
+ </h2>
+ <h5>
+ C. Arthur Pearson Ltd. <br /> <br /> 1901
+ </h5>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ On the 22nd of July, 1828, the Sydney South Seaman, <i>Indefatigable</i>,
+ eleven days out from the Port of Conception in Chili, was in lat 17? S.
+ and about 127? E. long., six hundred miles distant from the nearest land&mdash;the
+ then almost unknown Paumotu Group, which Cook had well named the Dangerous
+ Archipelago.
+ </p>
+ <p>
+ Five years before, the brig was named the <i>Calder</i>, and was then
+ commanded by Captain Peter Dillon, a famous officer in the East India
+ Company's service; his name is interwoven with the sea story of Australia
+ as the commander of the Company's ship <i>Research</i>, and the discoverer
+ of the relics of the gallant and ill-fated La Perouse, whose ships were
+ wrecked on Vanikoro Island, in the New Hebrides group, in 1788.
+ </p>
+ <p>
+ When the <i>Colder</i> was under the command of Captain Dillon she was a
+ crack Indian trader to Port Jackson, but newer and smarter vessels drove
+ her out of the trade; and in 1828 she was owned by Mr. John Duncan, an
+ English merchant of Valparaiso, who for this present voyage had loaded her
+ with wheat for Sydney, and sent her to sea under the command of Mr. Joseph
+ Hunter, after changing her name to <i>Indefatigable</i>.
+ </p>
+ <p>
+ The first and second mates of the brig were Europeans, as also were two or
+ three of the crew&mdash;the rest were Chilenos, picked up at the last
+ moment of sailing. The steward was a Bengali, a man devoted to his
+ captain, with whom he had long sailed in other seas. The Chilenos were not
+ alone lazy and incompetent seamen, not fit to keep a look-out, nor take
+ the wheel in rough weather, but what was worse, they were treacherous
+ scoundrels, as ready for murder with their long, ugly sheath-knives, as
+ British merchant sailors are with their fists for honest fighting.
+ </p>
+ <p>
+ Naturally enough, with such men as these the mates frequently quarrelled,
+ and on one or two occasions the officers were driven to resort to blows to
+ maintain proper discipline. And a Chileno, or any other Spanish South
+ American, never forgives a blow, though a knife-thrust or a pistol-shot in
+ the dark would not be considered anything else than proper to vindicate
+ wounded honour. But the mates of the <i>Indefatigable</i> were
+ simple-minded, rough British seamen. They wanted the Chilenos to work the
+ ship like sailormen should work a ship&mdash;the Chilenos hated work of
+ any kind, and especially hated the steady discipline of this English
+ merchant ship&mdash;the officers of which, when necessity demanded it,
+ would rout out the watch below and send them aloft to shorten sail. And
+ so, in less than a week from the day the brig sailed from Conception,
+ mutiny and murder was plotted in the foc's'cle by the Chilenos, But none
+ of the Englishmen on board had any thought of danger.
+ </p>
+ <hr />
+ <p>
+ Mr. Loftgreen, the chief mate, had the middle watch. It was a marvellously
+ clear and starlight night, with just enough wind astern to keep the brig's
+ light canvas full and give her steerage way. As the officer slowly paced
+ the short poop, he with difficulty resisted the soothing lullaby of the
+ murmur of the water as it rippled past the ship's side.
+ </p>
+ <p>
+ On the foc's'cle, one of the Chileno sailors, named Antonio Mancillo, kept
+ the watch, and just as Loftgreen, overcome by the stillness of his
+ surroundings, had stopped his walk and was leaning on the rail at the
+ break of the poop, almost dozing&mdash;good seaman as he was&mdash;he
+ heard the Chileno cry out sharply&mdash;
+ </p>
+ <p>
+ "There is an island close ahead!&mdash;Come for'ard, Senor Loftgreen."
+ </p>
+ <p>
+ The mate ran hastily forward, but as he reached the short ladder which led
+ to the topgallant foc's'cle, two Chilenos, each carrying a cutlass, sprang
+ upon and seized him by the arms, while Mancillo held the point of a knife
+ to his throat.
+ </p>
+ <p>
+ "Ha, you Ingleese dog! If you speak, you die now; we shall kill you," said
+ one of the mutineers in a fierce whisper.
+ </p>
+ <p>
+ Loftgreen, a tough, wiry young fellow, struggled desperately, and freeing
+ his right arm struck one of the Chilenos a blow that sent him down as if
+ he had been shot, and cried out loudly, "Murder!" "Mutiny!", Mancillo
+ meanwhile making savage thrusts at him with his knife, and the other man
+ trying to run him through with his cutlass; but the mate, unarmed as he
+ was, was able to cope with them both, for tripping up Mancillo he struck
+ him on the chest so violently that he fell against the man with the
+ cutlass.
+ </p>
+ <p>
+ Then the mate took to his heels and ran aft, calling loudly for
+ assistance. The disturbance, so far, had scarcely lasted two minutes, and
+ those of the ship's company who were not on deck knew nothing of what had
+ happened.
+ </p>
+ <p>
+ Loftgreen, notwithstanding that he was wounded and bleeding in the right
+ arm, and half-dazed from a somewhat severe cut on the head, succeeded in
+ reaching his cabin, where he seized a pair of pistols, and still crying
+ loudly to his sleeping fellow-officers, prepared to defend himself to the
+ last. Unfortunately his pistols were not loaded, and in his hurry and
+ confusion he could not find his bullet bag.
+ </p>
+ <p>
+ Just then the Bengali steward, awakened by the noise, came running up the
+ companion way, and was met by one of the mutineers&mdash;the helmsman&mdash;who
+ struck him to the deck by a blow on the shoulder from a cutlass.
+ </p>
+ <p>
+ Captain Hunter, awakened from his slumber by the stamping of feet and the
+ outcry, guessed what had happened. Quickly seizing his pistols, and
+ buckling on his sword (in those days merchant captains always possessed
+ swords, for they had use for them sometimes) he ran out of his cabin, just
+ as the mutineers reached the door. He discharged both pistols together,
+ but unfortunately was too excited to take aim, and neither shot had any
+ effect, but for a little while he kept the Chilians at bay with his sword,
+ until covered with wounds he staggered; in an instant one of them darted
+ in upon him, and a cutlass was thrust through his heart.
+ </p>
+ <p>
+ Then the mutineers again turned their attention to the gallant mate, who
+ was unable to get out of his cabin, one of the attacking party having
+ turned the key from the outside. The cabin lamp had been knocked over in
+ the struggle, and the darkness made the murderers careful of their
+ movements, for they were afraid that Loftgreen might force his door and
+ burst out upon them, and after a hurried discussion they ran on deck.
+ </p>
+ <p>
+ Meanwhile Mr. Todd, the second mate, aroused by the cries and shots in the
+ main cabin, jumped out of his bunk, and trying to open his cabin door,
+ found it was fastened from the outside. Throwing himself against it, he
+ burst it open at the same moment as the wounded steward crawled past upon
+ his hands and knees. Unable to speak, the Bengali placed a cutlass in the
+ officer's hands, and pointed to the hacked and bleeding body of the dead
+ captain, just discernible in the darkness. Todd at once secured Hunter's
+ pistols, and Loft-green at the same moment burst the door of his cabin and
+ came out, and the two men, who had no time for words, prepared to sell
+ their lives dearly, believing that those of the crew who might have been
+ loyal had been slaughtered. For some minutes they stood waiting in the
+ darkness, and heard no sound but the moans of the steward, who was fast
+ weakening from loss of blood.
+ </p>
+ <p>
+ Then came a sudden rush down the companion-way, and the Chilenos, with
+ savage cries, were upon them! Poor Loftgreen's pistols were in bad order,
+ and missed fire, and although the two men fought desperately with their
+ empty weapons they were soon overpowered, and with the steward were taken
+ on deck and lashed to the poop stanchions. Exhausted and bleeding
+ profusely, they presently saw some of the mutineers emerge from the cabin,
+ dragging with them Captain Hunter's body, which they at once threw
+ overboard.
+ </p>
+ <p>
+ Before these events had taken place the Chilians had quietly secured the
+ fore-scuttle, battening down the carpenter, cook, and three other European
+ seamen, so that even before Loftgreen was attacked the ship was
+ practically in the hands of the six mutineers, for the man at the wheel
+ was one of their number.
+ </p>
+ <p>
+ Leaving the two officers and the steward guarded by two men, the remaining
+ four mutineers, after heaving-to the brig, went below to the bloodstained
+ cabin, and breaking open the spirit-locker began a carousal which lasted
+ some hours, to the accompaniment of music on Mancillo's guitar. They took
+ care, however, to relieve the two sentinels, and kept themselves sober
+ enough to shorten sail if it became necessary.
+ </p>
+ <p>
+ At daylight, after giving all their prisoners food, the mutineers held a
+ consultation as to their future proceedings, and at noon, in pursuance of
+ their design, they hoisted out the longboat, and placed in her a couple of
+ breakers of water, a bag of biscuit, and a few pieces of salt meat.
+ </p>
+ <p>
+ Then Loftgreen and the second mate were liberated, and the former taken
+ below. Seated at the cabin table were Mancillo and three of his
+ fellow-ruffians.
+ </p>
+ <p>
+ As soon as the chief officer entered Mancillo rose, and drawing a loaded
+ pistol from his belt he pointed to a large sheet of paper lying on the
+ table, and ordered Loftgreen to make a rough chart showing the course and
+ distance to the nearest land, adding, "You see that we have now got this
+ brig. You are the only man on board who can navigate her. You must stay
+ with us, for we want you to sail the ship to Manila. The other men we
+ shall put in the longboat, and this chart you will draw will be good
+ enough for them to reach the nearest land."
+ </p>
+ <p>
+ "The nearest land! Good God! it is inhabited by ferocious cannibals who
+ will eat them! You cannot be so inhuman!" said the mate.
+ </p>
+ <p>
+ Mancillo laughed cruelly&mdash;"Let them be eaten I so much the better for
+ us. When they are dead they cannot talk."
+ </p>
+ <p>
+ "Then let me share their fate, I&mdash;&mdash;"
+ </p>
+ <p>
+ The leader of the mutineers placed the muzzle of his pistol against
+ Loftgreen's chest.
+ </p>
+ <p>
+ "Be silent, you damned Ingleese dog! Be silent, and do what I tell you, or
+ by the Holy Virgin, I kill you."
+ </p>
+ <p>
+ Thereupon the mate, notwithstanding his wounded arm, and with his thoughts
+ distracted by the fate before him, not only made a good chart, but he did
+ more; for it suddenly flashed upon him that in all probability neither
+ Mancillo nor any of his fellow-ruffians could read English, so after
+ finishing the drawing he turned to Mancillo and said&mdash;
+ </p>
+ <p>
+ "Mr. Todd is an ignorant man, and this chart will be of no use to him
+ unless I can give him directions how to steer. Will you let me do so?"
+ </p>
+ <p>
+ "No!" answered the mutineer, quickly, "you must not speak to him again,
+ nor to any of the others."
+ </p>
+ <p>
+ "As you will. Poor fellows; I can do no more, but at least I can write on
+ the back of the chart and tell Mr. Todd the prevailing directions of the
+ winds, the courses to be steered, and the name of the least savage of the
+ islands he can make for."
+ </p>
+ <p>
+ Then coolly turning the chart over, he scribbled a few lines upon it.
+ </p>
+ <p>
+ "There," he said, "read that; you will see that that can do no harm."
+ </p>
+ <p>
+ Mancillo looked critically at the writing for a few minutes, and
+ Loftgreen's heart thumped against his ribs as he watched. Then a sigh of
+ relief burst from him as the mutineer spoke.
+ </p>
+ <p>
+ "We are not murderers, and do not mind for you to give the second mate the
+ good directions. But if you are lying to us we shall have your life for
+ it."
+ </p>
+ <p>
+ These were the words he had written: "Not allowed to speak or write. Coast
+ the islands, all are dangerous till you reach Otaheite. Am forced to
+ navigate the mutineers to Manila, I will try to retake the ship, as I
+ think I can gain over Jose and the cook, and then make for Otaheite. Have
+ patience, and trust in God always."
+ </p>
+ <p>
+ Loftgreen was then again placed in irons, and one of the mutineers stood
+ sentry in the cabin over him, while Mancillo and the rest went on deck and
+ set about disposing of the remaining prisoners, Mr. Todd was the first man
+ ordered into the boat, which had now been lowered and brought alongside.
+ Then Mancillo handed him the chart and a compass.
+ </p>
+ <p>
+ "Here," said the mutineer, "we give you fine chart, just made for you by
+ the mate. You see he has write out for you your course, so you will soon
+ make the land." Then he added with a grin&mdash;"Is not Antonio Mancillo
+ damn good fellow, eh?"
+ </p>
+ <p>
+ Poor Todd looked at the chart, and then at the writing at the back of it,
+ and miserably anxious and dejected as he was, he found it hard to resist
+ smiling at the clever way in which his fellow-officer had got to windward
+ of the Chileno. However, he pulled a long face, and said there was mighty
+ little chance of reaching anywhere but a savage island, with such a poor
+ chart as that. "What," he added angrily, "is the good of this writing? We
+ could find a cannibal island without this," and he contemptuously flung
+ the chart into the stern sheets of the boat.
+ </p>
+ <p>
+ Then, one by one, the wounded steward, the carpenter, and a Swedish seaman
+ whose name is not recorded, were brought on deck and forced, at the point
+ of cutlasses, to enter the boat, which was then cast adrift.
+ </p>
+ <p>
+ As the boat dropped astern, Mancillo ran up a flag of some description,
+ and the remaining mutineers gathered on the poop and jeered at Todd and
+ his companions; their insulting cries and mocking words reaching the ears
+ of the half-maddened Loftgreen in the cabin, and reminding him that he was
+ alone and at the mercy of utter scoundrels, with any one of whom his life
+ was not worth a moment's purchase.
+ </p>
+ <p>
+ But although they were not manacled, the second mate and his companions in
+ the boat were in little better plight, for their distance from the nearest
+ land they could hope to make was nearly six hundred miles. But Todd was no
+ faint-heart.
+ </p>
+ <p>
+ "Better the open sea, my lads," he said, "than the brig and those damned
+ Spanish cut-throats. We are at least free men. Poor Mr. Loftgreen, I fear,
+ will be murdered."
+ </p>
+ <p>
+ Then after dressing the steward's wound&mdash;a cutlass slash which had
+ severed the collar-bone-he ordered the sail to be hoisted and took the
+ tiller. This done he steered a due west course, which according to the
+ mate's chart would bring them to the easternmost of the Faumotus&mdash;a
+ group of low-lying islands almost unknown in those days except to American
+ whale-ships.
+ </p>
+ <p>
+ In the boat were sufficient biscuits, salt beef, and water to last them,
+ with great economy, for a fortnight The boat itself was a good one, and
+ they were provided with a compass and a course to be steered. The men were
+ on good terms with each other and loyal and submissive to their officer;
+ so they had much to be thankful for, and their chief sorrow in leaving the
+ brig was their fears for the safety of Loft-green, who had always been a
+ kind and considerate officer.
+ </p>
+ <p>
+ For fifteen days the boat sailed before light breezes, till on August 7th
+ they made Tawere Island in the Paumotus Archipelago (named by Cook
+ "Resolution Island" after his ship) almost in the centre of the vast
+ group, having passed without sighting them many other low-lying atolls
+ which lay in their course on the starboard hand. To their joy the
+ brown-skinned natives of Tawere behaved very kindly to them, for several
+ whale-ships, and, later on, the missionaries of the London Missionary
+ Society's ship, had visited their island, and the people were
+ well-disposed to white men. The island afforded but little in the way of
+ food&mdash;only fish, pigs, cocoanuts, and a coarse species of taro, but
+ of these the people were profuse in their presents to the white men.
+ </p>
+ <p>
+ Only remaining a day and a night at Tawere, Todd bade farewell to the
+ amiable natives, and continued on his course, sighting many other islands
+ of the group, but calling at none. Then came a heavy gale from the south,
+ and he had to let the boat run right before it to the north. The sea was
+ short and lumpy, and only continuous bailing kept her from filling.
+ </p>
+ <p>
+ Early on the morning of the 15th further misfortunes overtook them; a
+ sudden squall sprung the mast, although the sail was close reefed. Then
+ the rudder gudgeons carried away, and the boat broached to and shipped a
+ heavy sea, which with other damage tore the compass from the after-thwart,
+ where it had been placed, and completely smashed and rendered it useless.
+ A few hours later, however, the weather cleared, the gale died away, and
+ the gentle south-east trade again breathed upon them. That evening they
+ made Anaa (Chain Island), the natives of which, owing to previous
+ association with South Seamen&mdash;as whaling and trading ships were then
+ called&mdash;were very good to them. At Anaa, Todd and his comrades
+ remained for two days, and on the morning of the 20th day they sighted the
+ noble outlines of Tahiti, the Garden of the South Pacific.
+ </p>
+ <p>
+ Here they thought their troubles were ended, for the natives of Tahiti
+ were known to not only be friendly to white men, but Christianised as
+ well.
+ </p>
+ <p>
+ But as soon as the sea-worn men approached the beach, numbers of canoes,
+ filled with natives armed with muskets, put off, and surrounding the boat,
+ made the white men prisoners.
+ </p>
+ <p>
+ Greatly alarmed at this proceeding&mdash;which was such a contrary
+ reception to what they had expected from the Tahitians&mdash;Todd at first
+ imagined he had lost his reckoning and arrived at some strange island But
+ some of the natives spoke a little English, and very soon their conduct
+ was explained to the white men.
+ </p>
+ <p>
+ Some months previously a party of escaped convicts had arrived at the
+ island in a small schooner, which they had seized at Van Dieman's Land
+ (Tasmania). In bringing the vessel to an anchor the convicts lost her on
+ the reef, and their lives had been saved by the Tahitians. The strangers
+ were hospitably received, but their degraded natures were soon made
+ evident They broke into a chief's house, stole food, arms, and ammunition,
+ placed them in a boat belonging to the local white missionaries, and ran
+ away with her. A party of Tahitians gave chase, and were fired upon by the
+ convicts, who killed four of their number and badly injured their canoe,
+ so that the remainder had the greatest difficulty in reaching the land
+ again.
+ </p>
+ <p>
+ Todd and his companions were thought to be another party of convicts, and
+ the queen and chiefs of the island gave orders that they should be kept
+ close prisoners.
+ </p>
+ <p>
+ But this additional misfortune was soon over, for as the boat, escorted by
+ the canoes, entered Papeite Harbour Mr. Todd saw lying at anchor the
+ London South Seaman <i>Tiger</i>, Captain Richards. This vessel had been
+ at Conception at the same time as the <i>Indefatigable</i>, and the
+ officers of each ship had met. In the course of an hour or so Todd saw
+ Captain Richards and told his story, and then the misunderstanding with
+ the Tahitians was cleared up and the second mate and his companions
+ supplied with every comfort A week later the <i>Tiger</i> sailed for
+ Sydney, taking the four men with her.
+ </p>
+ <p>
+ Meanwhile what had become of the <i>Indefatigable</i>, and how fared poor
+ Loftgreen with the mutineers? *****
+ </p>
+ <p>
+ As soon as the longboat was clear of the brig the mutineers released the
+ mate.
+ </p>
+ <p>
+ "We now want the brig navigated to Guam" (one of the Ladrone Islands),
+ said Mancillo to Loftgreen; "I am captain now, and you must do as I bid
+ you. Beware of a mistake. If you take the ship out of her course we will
+ serve you as we served Captain Hunter."
+ </p>
+ <p>
+ So the voyage, which lasted until the 12th of December, began. The life
+ led by the men in the longboat was easy enough compared with the terrible
+ months of mental torture endured by the unfortunate mate. Only that fine
+ weather prevailed the whole time, the brig would most assuredly have been
+ lost, for the mutineers were utterly without discipline, and would only
+ furl, or set, or trim the sails just as the humour took them. Every night
+ Loftgreen was put in irons and left to himself till daylight.
+ </p>
+ <p>
+ There was a considerable supply of wine and spirits on board, and four out
+ of the six Chilians were continuously drunk. Then these four vowed that it
+ was essential to the success of their enterprise that Loftgreen should be
+ murdered. The two men who did not drink were more prudent ruffians, and
+ knew that without their navigator they were helpless, and so they
+ protected him.
+ </p>
+ <p>
+ Very often Loftgreen, who had a fair knowledge of Spanish, had to stand in
+ the midst of the Chilenos whilst he was taking observations, and listen to
+ them debating as to whether they should take his life at once or spare him
+ until they reached Guam. And it was only the heroic resolve to save the
+ ship for his owners that prevented him from trying to escape in a small
+ quarter-boat, or attempting to kill the mutineers in their sleep, and let
+ the brig drift about the Pacific till he was sighted by another ship.
+ </p>
+ <p>
+ He soon found out that the mutineers had no idea that Guam was actually
+ settled by the Spaniards. It is probable that they knew that Guam was
+ owned by Spain, but no doubt thought that the island was inhabited only by
+ natives, like Saipan and Rota in the same group. One of the two mutineers,
+ who entertained friendly feelings towards him, told him that Mancillo's
+ idea was to sell the brig to the islanders in return for liberty to lead
+ his ideal of life&mdash;eating, drinking, sleeping, and keeping an
+ extensive harem on one of the many islands in the North Pacific.
+ </p>
+ <p>
+ At last the brig arrived at Port San Luis d'Apra, in Guam, and a native
+ pilot brought her to an anchor. One of the mutineers remarked to Mancillo
+ that he supposed they were safe, "But," said he, pointing to some houses
+ ashore, "those are not native houses; there are Europeans living here."
+ </p>
+ <p>
+ A boat was lowered, and Mancillo, after dressing himself in Captain
+ Hunter's best clothes, was rowed ashore by two of his fellow-mutineers to
+ see what the place was like. To their intense surprise they found awaiting
+ them the Alcalde of San Luis, and a lieutenant and guard of Spanish
+ soldiers.
+ </p>
+ <p>
+ The Alcalde questioned them closely as to who they were, and what had
+ brought them to Guam. Their replies did not satisfy the official, who,
+ placing Mancillo in custody and taking half a dozen soldiers with him,
+ made the two Chilenos row him off to the ship.
+ </p>
+ <p>
+ On seeing the soldiers approach, the remaining mutineers, cowards as they
+ were, concluded that their shipmates had betrayed them, and ran below to
+ hide themselves, leaving Mr. Loftgreen on deck to receive the Alcalde, who
+ was soon in possession of the whole story. Unlike most Spanish officials,
+ he did not want a bribe to ensure his performance of his duty. He promptly
+ seized the <i>Indefatigable</i>, and the Chilenos were taken ashore and
+ marched to the fort under guard. Then the Alcalde and Governor, with much
+ formality, held a court, and took the mate's evidence; the result of which
+ was the mutineers were placed in heavy irons, and the almost heart-broken
+ Loftgreen was received in the Governor's house as an honoured guest and
+ supplied with every comfort.
+ </p>
+ <p>
+ Soon afterwards the <i>Rainbow</i>, a British frigate commanded by Captain
+ Rous, put into San Luis d'Apra. The <i>Rainbow</i> had made many important
+ discoveries in Australian waters, more particularly on the northern coast,
+ but the name of her gallant commander will probably be longer remembered
+ as Admiral Rous, the famous turf patron, than as Captain Rous the explorer
+ and navigator.
+ </p>
+ <p>
+ Mr. Loftgreen was received on board the <i>Rainbow</i> as English naval
+ officers always receive a brave and distressed merchant seaman. The
+ mutineers were handed over to the British captain for conveyance to Manila
+ for trial. The frigate arrived at Manila on January 19th, and there the
+ Chilenos had short shrift, for within three days they were brought to
+ trial and duly garrotted.
+ </p>
+ <p>
+ Mr. Loftgreen, who made many friends in Manila, was afforded a passage to
+ Sydney, and the <i>Indefatigable</i> was condemned as a prize to the
+ Spanish Government She was afterwards lost in a typhoon in the China Sea.
+ </p>
+ <p>
+ Such is one of the many incidents of the sea story of Australia.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The South Seaman, by Louis Becke
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE SOUTH SEAMAN ***
+
+***** This file should be named 25108-h.htm or 25108-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/5/1/0/25108/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/25108.txt b/25108.txt
new file mode 100644
index 0000000..00fef23
--- /dev/null
+++ b/25108.txt
@@ -0,0 +1,850 @@
+The Project Gutenberg EBook of The South Seaman, by Louis Becke
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The South Seaman
+ An Incident In The Sea Story Of Australia - 1901
+
+Author: Louis Becke
+
+Release Date: April 19, 2008 [EBook #25108]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE SOUTH SEAMAN ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+THE SOUTH SEAMAN:
+
+AN INCIDENT IN THE SEA STORY OF AUSTRALIA
+
+From "The Tapu Of Banderah and Other Stories"
+
+By Louis Becke
+
+C. Arthur Pearson Ltd.
+
+1901
+
+On the 22nd of July, 1828, the Sydney South Seaman, _Indefatigable_,
+eleven days out from the Port of Conception in Chili, was in lat 17?
+S. and about 127? E. long., six hundred miles distant from the nearest
+land--the then almost unknown Paumotu Group, which Cook had well named
+the Dangerous Archipelago.
+
+Five years before, the brig was named the _Calder_, and was then
+commanded by Captain Peter Dillon, a famous officer in the East
+India Company's service; his name is interwoven with the sea story of
+Australia as the commander of the Company's ship _Research_, and the
+discoverer of the relics of the gallant and ill-fated La Perouse, whose
+ships were wrecked on Vanikoro Island, in the New Hebrides group, in
+1788.
+
+When the _Colder_ was under the command of Captain Dillon she was a
+crack Indian trader to Port Jackson, but newer and smarter vessels drove
+her out of the trade; and in 1828 she was owned by Mr. John Duncan, an
+English merchant of Valparaiso, who for this present voyage had loaded
+her with wheat for Sydney, and sent her to sea under the command of Mr.
+Joseph Hunter, after changing her name to _Indefatigable_.
+
+The first and second mates of the brig were Europeans, as also were
+two or three of the crew--the rest were Chilenos, picked up at the
+last moment of sailing. The steward was a Bengali, a man devoted to his
+captain, with whom he had long sailed in other seas. The Chilenos were
+not alone lazy and incompetent seamen, not fit to keep a look-out,
+nor take the wheel in rough weather, but what was worse, they were
+treacherous scoundrels, as ready for murder with their long, ugly
+sheath-knives, as British merchant sailors are with their fists for
+honest fighting.
+
+Naturally enough, with such men as these the mates frequently
+quarrelled, and on one or two occasions the officers were driven to
+resort to blows to maintain proper discipline. And a Chileno, or
+any other Spanish South American, never forgives a blow, though a
+knife-thrust or a pistol-shot in the dark would not be considered
+anything else than proper to vindicate wounded honour. But the mates
+of the _Indefatigable_ were simple-minded, rough British seamen. They
+wanted the Chilenos to work the ship like sailormen should work a
+ship--the Chilenos hated work of any kind, and especially hated the
+steady discipline of this English merchant ship--the officers of which,
+when necessity demanded it, would rout out the watch below and send them
+aloft to shorten sail. And so, in less than a week from the day the brig
+sailed from Conception, mutiny and murder was plotted in the foc's'cle
+by the Chilenos, But none of the Englishmen on board had any thought of
+danger.
+
+* * * * *
+
+Mr. Loftgreen, the chief mate, had the middle watch. It was a
+marvellously clear and starlight night, with just enough wind astern
+to keep the brig's light canvas full and give her steerage way. As the
+officer slowly paced the short poop, he with difficulty resisted the
+soothing lullaby of the murmur of the water as it rippled past the
+ship's side.
+
+On the foc's'cle, one of the Chileno sailors, named Antonio Mancillo,
+kept the watch, and just as Loftgreen, overcome by the stillness of his
+surroundings, had stopped his walk and was leaning on the rail at the
+break of the poop, almost dozing--good seaman as he was--he heard the
+Chileno cry out sharply--
+
+"There is an island close ahead!--Come for'ard, Senor Loftgreen."
+
+The mate ran hastily forward, but as he reached the short ladder which
+led to the topgallant foc's'cle, two Chilenos, each carrying a cutlass,
+sprang upon and seized him by the arms, while Mancillo held the point of
+a knife to his throat.
+
+"Ha, you Ingleese dog! If you speak, you die now; we shall kill you,"
+said one of the mutineers in a fierce whisper.
+
+Loftgreen, a tough, wiry young fellow, struggled desperately, and
+freeing his right arm struck one of the Chilenos a blow that sent
+him down as if he had been shot, and cried out loudly, "Murder!"
+"Mutiny!", Mancillo meanwhile making savage thrusts at him with his
+knife, and the other man trying to run him through with his cutlass;
+but the mate, unarmed as he was, was able to cope with them both, for
+tripping up Mancillo he struck him on the chest so violently that he
+fell against the man with the cutlass.
+
+Then the mate took to his heels and ran aft, calling loudly for
+assistance. The disturbance, so far, had scarcely lasted two minutes,
+and those of the ship's company who were not on deck knew nothing of
+what had happened.
+
+Loftgreen, notwithstanding that he was wounded and bleeding in the right
+arm, and half-dazed from a somewhat severe cut on the head, succeeded in
+reaching his cabin, where he seized a pair of pistols, and still crying
+loudly to his sleeping fellow-officers, prepared to defend himself to
+the last. Unfortunately his pistols were not loaded, and in his hurry
+and confusion he could not find his bullet bag.
+
+Just then the Bengali steward, awakened by the noise, came running
+up the companion way, and was met by one of the mutineers--the
+helmsman--who struck him to the deck by a blow on the shoulder from a
+cutlass.
+
+Captain Hunter, awakened from his slumber by the stamping of feet and
+the outcry, guessed what had happened. Quickly seizing his pistols, and
+buckling on his sword (in those days merchant captains always possessed
+swords, for they had use for them sometimes) he ran out of his cabin,
+just as the mutineers reached the door. He discharged both pistols
+together, but unfortunately was too excited to take aim, and neither
+shot had any effect, but for a little while he kept the Chilians at bay
+with his sword, until covered with wounds he staggered; in an instant
+one of them darted in upon him, and a cutlass was thrust through his
+heart.
+
+Then the mutineers again turned their attention to the gallant mate, who
+was unable to get out of his cabin, one of the attacking party having
+turned the key from the outside. The cabin lamp had been knocked over
+in the struggle, and the darkness made the murderers careful of their
+movements, for they were afraid that Loftgreen might force his door and
+burst out upon them, and after a hurried discussion they ran on deck.
+
+Meanwhile Mr. Todd, the second mate, aroused by the cries and shots in
+the main cabin, jumped out of his bunk, and trying to open his cabin
+door, found it was fastened from the outside. Throwing himself against
+it, he burst it open at the same moment as the wounded steward crawled
+past upon his hands and knees. Unable to speak, the Bengali placed a
+cutlass in the officer's hands, and pointed to the hacked and bleeding
+body of the dead captain, just discernible in the darkness. Todd at once
+secured Hunter's pistols, and Loft-green at the same moment burst the
+door of his cabin and came out, and the two men, who had no time for
+words, prepared to sell their lives dearly, believing that those of the
+crew who might have been loyal had been slaughtered. For some minutes
+they stood waiting in the darkness, and heard no sound but the moans of
+the steward, who was fast weakening from loss of blood.
+
+Then came a sudden rush down the companion-way, and the Chilenos, with
+savage cries, were upon them! Poor Loftgreen's pistols were in bad
+order, and missed fire, and although the two men fought desperately with
+their empty weapons they were soon overpowered, and with the steward
+were taken on deck and lashed to the poop stanchions. Exhausted and
+bleeding profusely, they presently saw some of the mutineers emerge from
+the cabin, dragging with them Captain Hunter's body, which they at once
+threw overboard.
+
+Before these events had taken place the Chilians had quietly secured
+the fore-scuttle, battening down the carpenter, cook, and three other
+European seamen, so that even before Loftgreen was attacked the ship was
+practically in the hands of the six mutineers, for the man at the wheel
+was one of their number.
+
+Leaving the two officers and the steward guarded by two men, the
+remaining four mutineers, after heaving-to the brig, went below to the
+bloodstained cabin, and breaking open the spirit-locker began a carousal
+which lasted some hours, to the accompaniment of music on Mancillo's
+guitar. They took care, however, to relieve the two sentinels, and kept
+themselves sober enough to shorten sail if it became necessary.
+
+At daylight, after giving all their prisoners food, the mutineers held
+a consultation as to their future proceedings, and at noon, in pursuance
+of their design, they hoisted out the longboat, and placed in her a
+couple of breakers of water, a bag of biscuit, and a few pieces of salt
+meat.
+
+Then Loftgreen and the second mate were liberated, and the former
+taken below. Seated at the cabin table were Mancillo and three of his
+fellow-ruffians.
+
+As soon as the chief officer entered Mancillo rose, and drawing a loaded
+pistol from his belt he pointed to a large sheet of paper lying on the
+table, and ordered Loftgreen to make a rough chart showing the course
+and distance to the nearest land, adding, "You see that we have now got
+this brig. You are the only man on board who can navigate her. You must
+stay with us, for we want you to sail the ship to Manila. The other men
+we shall put in the longboat, and this chart you will draw will be good
+enough for them to reach the nearest land."
+
+"The nearest land! Good God! it is inhabited by ferocious cannibals who
+will eat them! You cannot be so inhuman!" said the mate.
+
+Mancillo laughed cruelly--"Let them be eaten I so much the better for
+us. When they are dead they cannot talk."
+
+"Then let me share their fate, I----"
+
+The leader of the mutineers placed the muzzle of his pistol against
+Loftgreen's chest.
+
+"Be silent, you damned Ingleese dog! Be silent, and do what I tell you,
+or by the Holy Virgin, I kill you."
+
+Thereupon the mate, notwithstanding his wounded arm, and with his
+thoughts distracted by the fate before him, not only made a good
+chart, but he did more; for it suddenly flashed upon him that in all
+probability neither Mancillo nor any of his fellow-ruffians could read
+English, so after finishing the drawing he turned to Mancillo and said--
+
+"Mr. Todd is an ignorant man, and this chart will be of no use to him
+unless I can give him directions how to steer. Will you let me do so?"
+
+"No!" answered the mutineer, quickly, "you must not speak to him again,
+nor to any of the others."
+
+"As you will. Poor fellows; I can do no more, but at least I can write
+on the back of the chart and tell Mr. Todd the prevailing directions of
+the winds, the courses to be steered, and the name of the least savage
+of the islands he can make for."
+
+Then coolly turning the chart over, he scribbled a few lines upon it.
+
+"There," he said, "read that; you will see that that can do no harm."
+
+Mancillo looked critically at the writing for a few minutes, and
+Loftgreen's heart thumped against his ribs as he watched. Then a sigh of
+relief burst from him as the mutineer spoke.
+
+"We are not murderers, and do not mind for you to give the second mate
+the good directions. But if you are lying to us we shall have your life
+for it."
+
+These were the words he had written: "Not allowed to speak or write.
+Coast the islands, all are dangerous till you reach Otaheite. Am forced
+to navigate the mutineers to Manila, I will try to retake the ship, as
+I think I can gain over Jose and the cook, and then make for Otaheite.
+Have patience, and trust in God always."
+
+Loftgreen was then again placed in irons, and one of the mutineers stood
+sentry in the cabin over him, while Mancillo and the rest went on deck
+and set about disposing of the remaining prisoners, Mr. Todd was the
+first man ordered into the boat, which had now been lowered and brought
+alongside. Then Mancillo handed him the chart and a compass.
+
+"Here," said the mutineer, "we give you fine chart, just made for you by
+the mate. You see he has write out for you your course, so you will soon
+make the land." Then he added with a grin--"Is not Antonio Mancillo
+damn good fellow, eh?"
+
+Poor Todd looked at the chart, and then at the writing at the back of
+it, and miserably anxious and dejected as he was, he found it hard to
+resist smiling at the clever way in which his fellow-officer had got to
+windward of the Chileno. However, he pulled a long face, and said there
+was mighty little chance of reaching anywhere but a savage island, with
+such a poor chart as that. "What," he added angrily, "is the good of
+this writing? We could find a cannibal island without this," and he
+contemptuously flung the chart into the stern sheets of the boat.
+
+Then, one by one, the wounded steward, the carpenter, and a Swedish
+seaman whose name is not recorded, were brought on deck and forced, at
+the point of cutlasses, to enter the boat, which was then cast adrift.
+
+As the boat dropped astern, Mancillo ran up a flag of some description,
+and the remaining mutineers gathered on the poop and jeered at Todd and
+his companions; their insulting cries and mocking words reaching the
+ears of the half-maddened Loftgreen in the cabin, and reminding him that
+he was alone and at the mercy of utter scoundrels, with any one of whom
+his life was not worth a moment's purchase.
+
+But although they were not manacled, the second mate and his companions
+in the boat were in little better plight, for their distance from the
+nearest land they could hope to make was nearly six hundred miles. But
+Todd was no faint-heart.
+
+"Better the open sea, my lads," he said, "than the brig and those damned
+Spanish cut-throats. We are at least free men. Poor Mr. Loftgreen, I
+fear, will be murdered."
+
+Then after dressing the steward's wound--a cutlass slash which had
+severed the collar-bone-he ordered the sail to be hoisted and took the
+tiller. This done he steered a due west course, which according to the
+mate's chart would bring them to the easternmost of the Faumotus--a
+group of low-lying islands almost unknown in those days except to
+American whale-ships.
+
+In the boat were sufficient biscuits, salt beef, and water to last them,
+with great economy, for a fortnight The boat itself was a good one, and
+they were provided with a compass and a course to be steered. The men
+were on good terms with each other and loyal and submissive to their
+officer; so they had much to be thankful for, and their chief sorrow in
+leaving the brig was their fears for the safety of Loft-green, who had
+always been a kind and considerate officer.
+
+For fifteen days the boat sailed before light breezes, till on August
+7th they made Tawere Island in the Paumotus Archipelago (named by Cook
+"Resolution Island" after his ship) almost in the centre of the vast
+group, having passed without sighting them many other low-lying atolls
+which lay in their course on the starboard hand. To their joy the
+brown-skinned natives of Tawere behaved very kindly to them, for several
+whale-ships, and, later on, the missionaries of the London Missionary
+Society's ship, had visited their island, and the people were
+well-disposed to white men. The island afforded but little in the way of
+food--only fish, pigs, cocoanuts, and a coarse species of taro, but of
+these the people were profuse in their presents to the white men.
+
+Only remaining a day and a night at Tawere, Todd bade farewell to
+the amiable natives, and continued on his course, sighting many other
+islands of the group, but calling at none. Then came a heavy gale from
+the south, and he had to let the boat run right before it to the north.
+The sea was short and lumpy, and only continuous bailing kept her from
+filling.
+
+Early on the morning of the 15th further misfortunes overtook them; a
+sudden squall sprung the mast, although the sail was close reefed. Then
+the rudder gudgeons carried away, and the boat broached to and shipped
+a heavy sea, which with other damage tore the compass from the
+after-thwart, where it had been placed, and completely smashed and
+rendered it useless. A few hours later, however, the weather cleared,
+the gale died away, and the gentle south-east trade again breathed upon
+them. That evening they made Anaa (Chain Island), the natives of which,
+owing to previous association with South Seamen--as whaling and trading
+ships were then called--were very good to them. At Anaa, Todd and his
+comrades remained for two days, and on the morning of the 20th day they
+sighted the noble outlines of Tahiti, the Garden of the South Pacific.
+
+Here they thought their troubles were ended, for the natives of Tahiti
+were known to not only be friendly to white men, but Christianised as
+well.
+
+But as soon as the sea-worn men approached the beach, numbers of canoes,
+filled with natives armed with muskets, put off, and surrounding the
+boat, made the white men prisoners.
+
+Greatly alarmed at this proceeding--which was such a contrary reception
+to what they had expected from the Tahitians--Todd at first imagined he
+had lost his reckoning and arrived at some strange island But some of
+the natives spoke a little English, and very soon their conduct was
+explained to the white men.
+
+Some months previously a party of escaped convicts had arrived at the
+island in a small schooner, which they had seized at Van Dieman's Land
+(Tasmania). In bringing the vessel to an anchor the convicts lost her on
+the reef, and their lives had been saved by the Tahitians. The strangers
+were hospitably received, but their degraded natures were soon
+made evident They broke into a chief's house, stole food, arms,
+and ammunition, placed them in a boat belonging to the local white
+missionaries, and ran away with her. A party of Tahitians gave chase,
+and were fired upon by the convicts, who killed four of their number
+and badly injured their canoe, so that the remainder had the greatest
+difficulty in reaching the land again.
+
+Todd and his companions were thought to be another party of convicts,
+and the queen and chiefs of the island gave orders that they should be
+kept close prisoners.
+
+But this additional misfortune was soon over, for as the boat, escorted
+by the canoes, entered Papeite Harbour Mr. Todd saw lying at anchor the
+London South Seaman _Tiger_, Captain Richards. This vessel had been at
+Conception at the same time as the _Indefatigable_, and the officers
+of each ship had met. In the course of an hour or so Todd saw Captain
+Richards and told his story, and then the misunderstanding with the
+Tahitians was cleared up and the second mate and his companions supplied
+with every comfort A week later the _Tiger_ sailed for Sydney, taking
+the four men with her.
+
+Meanwhile what had become of the _Indefatigable_, and how fared poor
+Loftgreen with the mutineers? *****
+
+As soon as the longboat was clear of the brig the mutineers released the
+mate.
+
+"We now want the brig navigated to Guam" (one of the Ladrone Islands),
+said Mancillo to Loftgreen; "I am captain now, and you must do as I bid
+you. Beware of a mistake. If you take the ship out of her course we will
+serve you as we served Captain Hunter."
+
+So the voyage, which lasted until the 12th of December, began. The
+life led by the men in the longboat was easy enough compared with the
+terrible months of mental torture endured by the unfortunate mate.
+Only that fine weather prevailed the whole time, the brig would most
+assuredly have been lost, for the mutineers were utterly without
+discipline, and would only furl, or set, or trim the sails just as the
+humour took them. Every night Loftgreen was put in irons and left to
+himself till daylight.
+
+There was a considerable supply of wine and spirits on board, and four
+out of the six Chilians were continuously drunk. Then these four vowed
+that it was essential to the success of their enterprise that Loftgreen
+should be murdered. The two men who did not drink were more prudent
+ruffians, and knew that without their navigator they were helpless, and
+so they protected him.
+
+Very often Loftgreen, who had a fair knowledge of Spanish, had to stand
+in the midst of the Chilenos whilst he was taking observations, and
+listen to them debating as to whether they should take his life at once
+or spare him until they reached Guam. And it was only the heroic resolve
+to save the ship for his owners that prevented him from trying to escape
+in a small quarter-boat, or attempting to kill the mutineers in their
+sleep, and let the brig drift about the Pacific till he was sighted by
+another ship.
+
+He soon found out that the mutineers had no idea that Guam was actually
+settled by the Spaniards. It is probable that they knew that Guam was
+owned by Spain, but no doubt thought that the island was inhabited
+only by natives, like Saipan and Rota in the same group. One of the two
+mutineers, who entertained friendly feelings towards him, told him that
+Mancillo's idea was to sell the brig to the islanders in return for
+liberty to lead his ideal of life--eating, drinking, sleeping, and
+keeping an extensive harem on one of the many islands in the North
+Pacific.
+
+At last the brig arrived at Port San Luis d'Apra, in Guam, and a
+native pilot brought her to an anchor. One of the mutineers remarked to
+Mancillo that he supposed they were safe, "But," said he, pointing to
+some houses ashore, "those are not native houses; there are Europeans
+living here."
+
+A boat was lowered, and Mancillo, after dressing himself in Captain
+Hunter's best clothes, was rowed ashore by two of his fellow-mutineers
+to see what the place was like. To their intense surprise they found
+awaiting them the Alcalde of San Luis, and a lieutenant and guard of
+Spanish soldiers.
+
+The Alcalde questioned them closely as to who they were, and what had
+brought them to Guam. Their replies did not satisfy the official, who,
+placing Mancillo in custody and taking half a dozen soldiers with him,
+made the two Chilenos row him off to the ship.
+
+On seeing the soldiers approach, the remaining mutineers, cowards as
+they were, concluded that their shipmates had betrayed them, and ran
+below to hide themselves, leaving Mr. Loftgreen on deck to receive the
+Alcalde, who was soon in possession of the whole story. Unlike most
+Spanish officials, he did not want a bribe to ensure his performance of
+his duty. He promptly seized the _Indefatigable_, and the Chilenos were
+taken ashore and marched to the fort under guard. Then the Alcalde
+and Governor, with much formality, held a court, and took the mate's
+evidence; the result of which was the mutineers were placed in heavy
+irons, and the almost heart-broken Loftgreen was received in the
+Governor's house as an honoured guest and supplied with every comfort.
+
+Soon afterwards the _Rainbow_, a British frigate commanded by Captain
+Rous, put into San Luis d'Apra. The _Rainbow_ had made many important
+discoveries in Australian waters, more particularly on the northern
+coast, but the name of her gallant commander will probably be longer
+remembered as Admiral Rous, the famous turf patron, than as Captain Rous
+the explorer and navigator.
+
+Mr. Loftgreen was received on board the _Rainbow_ as English naval
+officers always receive a brave and distressed merchant seaman. The
+mutineers were handed over to the British captain for conveyance to
+Manila for trial. The frigate arrived at Manila on January 19th, and
+there the Chilenos had short shrift, for within three days they were
+brought to trial and duly garrotted.
+
+Mr. Loftgreen, who made many friends in Manila, was afforded a passage
+to Sydney, and the _Indefatigable_ was condemned as a prize to the
+Spanish Government She was afterwards lost in a typhoon in the China
+Sea.
+
+Such is one of the many incidents of the sea story of Australia.
+
+
+
+
+
+End of the Project Gutenberg EBook of The South Seaman, by Louis Becke
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE SOUTH SEAMAN ***
+
+***** This file should be named 25108.txt or 25108.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/5/1/0/25108/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/25108.zip b/25108.zip
new file mode 100644
index 0000000..dd1fabc
--- /dev/null
+++ b/25108.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..5f8f7d3
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #25108 (https://www.gutenberg.org/ebooks/25108)