diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:15:08 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:15:08 -0700 |
| commit | 142748562962839e0a3369a2bee69b71c01d985b (patch) | |
| tree | 3fd2db6dbbd5a41cd00bae8465652f7c40fe4e9f | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 24966-h.zip | bin | 0 -> 76305 bytes | |||
| -rw-r--r-- | 24966-h/24966-h.htm | 1335 | ||||
| -rw-r--r-- | 24966-h/images/001.png | bin | 0 -> 57268 bytes | |||
| -rw-r--r-- | 24966.txt | 872 | ||||
| -rw-r--r-- | 24966.zip | bin | 0 -> 17311 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
8 files changed, 2223 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/24966-h.zip b/24966-h.zip Binary files differnew file mode 100644 index 0000000..b438fa0 --- /dev/null +++ b/24966-h.zip diff --git a/24966-h/24966-h.htm b/24966-h/24966-h.htm new file mode 100644 index 0000000..2917239 --- /dev/null +++ b/24966-h/24966-h.htm @@ -0,0 +1,1335 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Survival Tactics, by Al Sevcik + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2 {text-align: left; clear: both;} + hr {width: 45%; margin: 1em auto; visibility: hidden;} + .hrc {clear: both;} + body {margin-left: 10%; margin-right: 10%;} + .figright {float: right; clear: right; margin: 1em 0 1em 1em; padding: 0; text-align: center; font-size: small; width: 337px;} + .trn {border: solid 1px; margin: 3em 15%; padding: 1em; text-align: justify;} + img {border: none;} + p.cap:first-letter {float: left; margin-right: .05em; padding-top: .05em; font-size: 300%; line-height: .8em;} + .dcap {text-transform: uppercase;} + .theend {text-align: center; font-weight: bold; margin-top: 2em;} + .bk1 {float: left; width: 50%; border-right: solid 2px;} + .bk2 {float: right; width: 16em; margin: 2em;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Survival Tactics, by Al Sevcik + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Survival Tactics + +Author: Al Sevcik + +Illustrator: Irving Novick + +Release Date: March 30, 2008 [EBook #24966] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK SURVIVAL TACTICS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class="bk1"><h1><big>SURVIVAL<br /> +TACTICS</big></h1> + +<h2>By AL SEVCIK</h2> + +<p><small>ILLUSTRATOR NOVICK</small></p></div> + +<div class="bk2"><p><i>The robots were built to serve +Man; to do his work, see to his +comforts, make smooth his way. +Then the robots figured out an +additional service—putting Man +out of his misery.</i> +</p></div> + +<hr class="hrc" /> + +<p class="cap"><span class="dcap">There</span> was a sudden crash +that hung sharply in the air, +as if a tree had been hit by +lightning some distance away. +Then another. Alan stopped, +puzzled. Two more blasts, quickly +together, and the sound of a +scream faintly.</p> + +<p>Frowning, worrying about the +sounds, Alan momentarily forgot +to watch his step until his foot +suddenly plunged into an ant +hill, throwing him to the jungle +floor. "Damn!" He cursed again, +for the tenth time, and stood +uncertainly in the dimness. +From tall, moss-shrouded trees, +wrist-thick vines hung quietly, +scraping the spongy ground like +the tentacles of some monstrous +tree-bound octopus. Fitful little +plants grew straggly in the +shadows of the mossy trunks, +forming a dense underbrush that +made walking difficult. At midday +some few of the blue sun's +rays filtered through to the +jungle floor, but now, late afternoon +on the planet, the shadows +were long and gloomy.</p> + +<p>Alan peered around him at the +vine-draped shadows, listening +to the soft rustlings and faint +twig-snappings of life in the +jungle. Two short, popping +sounds echoed across the stillness, +drowned out almost immediately +and silenced by an +explosive crash. Alan started, +"Blaster fighting! But it can't +be!"</p> + +<p>Suddenly anxious, he slashed +a hurried X in one of the trees +to mark his position then turned +to follow a line of similar marks +back through the jungle. He +tried to run, but vines blocked +his way and woody shrubs +caught at his legs, tripping him +and holding him back. Then, +through the trees he saw the +clearing of the camp site, the +temporary home for the scout +ship and the eleven men who, +with Alan, were the only humans +on the jungle planet, Waiamea.</p> + +<hr /> + +<p>Stepping through the low +shrubbery at the edge of the +site, he looked across the open +area to the two temporary structures, +the camp headquarters +where the power supplies and +the computer were; and the +sleeping quarters. Beyond, nose +high, stood the silver scout ship +that had brought the advance +exploratory party of scientists +and technicians to Waiamea +three days before. Except for a +few of the killer robots rolling +slowly around the camp site on +their quiet treads, there was no +one about.</p> + +<p>"So, they've finally got those +things working." Alan smiled +slightly. "Guess that means I +owe Pete a bourbon-and-soda +for sure. Anybody who can +build a robot that hunts by homing +in on animals' mind impulses ..." +He stepped forward +just as a roar of blue flame dissolved +the branches of a tree, +barely above his head.</p> + +<p>Without pausing to think, +Alan leaped back, and fell +sprawling over a bush just as +one of the robots rolled silently +up from the right, lowering its +blaster barrel to aim directly at +his head. Alan froze. "My God, +Pete built those things wrong!"</p> + +<p>Suddenly a screeching whirlwind +of claws and teeth hurled +itself from the smoldering +branches and crashed against the +robot, clawing insanely at the +antenna and blaster barrel. +With an awkward jerk the robot +swung around and fired its blaster, +completely dissolving the +lower half of the cat creature +which had clung across the barrel. +But the back pressure of the +cat's body overloaded the discharge +circuits. The robot started +to shake, then clicked sharply +as an overload relay snapped +and shorted the blaster cells. +The killer turned and rolled back +towards the camp, leaving Alan +alone.</p> + +<p>Shakily, Alan crawled a few +feet back into the undergrowth +where he could lie and watch the +camp, but not himself be seen. +Though visibility didn't make +any difference to the robots, he +felt safer, somehow, hidden. He +knew now what the shooting +sounds had been and why there +hadn't been anyone around the +camp site. A charred blob lying +in the grass of the clearing confirmed +his hypothesis. His stomach +felt sick.</p> + +<p>"I suppose," he muttered to +himself, "that Pete assembled +these robots in a batch and then +activated them all at once, probably +never living to realize that +they're tuned to pick up human +brain waves, too. Damn! +Damn!" His eyes blurred and +he slammed his fist into the soft +earth.</p> + +<p>When he raised his eyes again +the jungle was perceptibly darker. +Stealthy rustlings in the +shadows grew louder with the +setting sun. Branches snapped +unaccountably in the trees overhead +and every now and then +leaves or a twig fell softly to the +ground, close to where he lay. +Reaching into his jacket, Alan +fingered his pocket blaster. He +pulled it out and held it in his +right hand. "This pop gun +wouldn't even singe a robot, but +it just might stop one of those +pumas."</p> + +<div class="figright"> +<img src="images/001.png" width="337" height="500" alt="" title="" /> +<b>They said the blast with your name on it would find +you anywhere. This looked like Alan's blast.</b></div> + +<p>Slowly Alan looked around, +sizing up his situation. Behind +him the dark jungle rustled forbiddingly. +He shuddered. "Not a +very healthy spot to spend the +night. On the other hand, I certainly +can't get to the camp with +a pack of mind-activated mechanical +killers running around. +If I can just hold out until morning, +when the big ship arrives ... +The big ship! Good +Lord, Peggy!" He turned white; +oily sweat punctuated his forehead. +Peggy, arriving tomorrow +with the other colonists, the +wives and kids! The metal killers, +tuned to blast any living +flesh, would murder them the +instant they stepped from the +ship!</p> + +<hr /> + +<p>A pretty girl, Peggy, the girl +he'd married just three weeks +ago. He still couldn't believe it. +It was crazy, he supposed, to +marry a girl and then take off +for an unknown planet, with her +to follow, to try to create a home +in a jungle clearing. Crazy maybe, +but Peggy and her green eyes +that changed color with the +light, with her soft brown hair, +and her happy smile, had ended +thirty years of loneliness and +had, at last, given him a reason +for living. "Not to be killed!" +Alan unclenched his fists and +wiped his palms, bloody where +his fingernails had dug into the +flesh.</p> + +<p>There was a slight creak above +him like the protesting of a +branch too heavily laden. Blaster +ready, Alan rolled over onto his +back. In the movement, his elbow +struck the top of a small +earthy mound and he was instantly +engulfed in a swarm of +locust-like insects that beat disgustingly +against his eyes and +mouth. "Fagh!" Waving his +arms before his face he jumped +up and backwards, away from +the bugs. As he did so, a dark +shapeless thing plopped from +the trees onto the spot where he +had been lying stretched out. +Then, like an ambient fungus, +it slithered off into the jungle +undergrowth.</p> + +<p>For a split second the jungle +stood frozen in a brilliant blue +flash, followed by the sharp report +of a blaster. Then another. +Alan whirled, startled. The +planet's double moon had risen +and he could see a robot rolling +slowly across the clearing in his +general direction, blasting indiscriminately +at whatever mind +impulses came within its pickup +range, birds, insects, anything. +Six or seven others also left the +camp headquarters area and +headed for the jungle, each to a +slightly different spot.</p> + +<p>Apparently the robot hadn't +sensed him yet, but Alan didn't +know what the effective range +of its pickup devices was. He +began to slide back into the +jungle. Minutes later, looking +back he saw that the machine, +though several hundred yards +away, had altered its course and +was now headed directly for +him.</p> + +<p>His stomach tightened. Panic. +The dank, musty smell of the +jungle seemed for an instant to +thicken and choke in his throat. +Then he thought of the big ship +landing in the morning, settling +down slowly after a lonely two-week +voyage. He thought of a +brown-haired girl crowding with +the others to the gangway, eager +to embrace the new planet, and +the next instant a charred nothing, +unrecognizable, the victim +of a design error or a misplaced +wire in a machine. "I have to +try," he said aloud. "I have to +try." He moved into the blackness.</p> + +<p>Powerful as a small tank, the +killer robot was equipped to +crush, slash, and burn its way +through undergrowth. Nevertheless, +it was slowed by the +larger trees and the thick, clinging +vines, and Alan found that +he could manage to keep ahead +of it, barely out of blaster range. +Only, the robot didn't get tired. +Alan did.</p> + +<p>The twin moons cast pale, deceptive +shadows that wavered +and danced across the jungle +floor, hiding debris that tripped +him and often sent him sprawling +into the dark. Sharp-edged +growths tore at his face and +clothes, and insects attracted by +the blood matted against his +pants and shirt. Behind, the robot +crashed imperturbably after +him, lighting the night with fitful +blaster flashes as some +winged or legged life came within +its range.</p> + +<p>There was movement also, in +the darkness beside him, scrapings +and rustlings and an occasional +low, throaty sound like an +angry cat. Alan's fingers tensed +on his pocket blaster. Swift +shadowy forms moved quickly in +the shrubs and the growling became +suddenly louder. He fired +twice, blindly, into the undergrowth. +Sharp screams punctuated +the electric blue discharge as +a pack of small feline creatures +leaped snarling and clawing +back into the night.</p> + +<hr /> + +<p>Mentally, Alan tried to figure +the charge remaining in his blaster. +There wouldn't be much. +"Enough for a few more shots, +maybe. Why the devil didn't I +load in fresh cells this morning!"</p> + +<p>The robot crashed on, louder +now, gaining on the tired human. +Legs aching and bruised, +stinging from insect bites, Alan +tried to force himself to run +holding his hands in front of +him like a child in the dark. His +foot tripped on a barely visible +insect hill and a winged swarm +exploded around him. Startled, +Alan jerked sideways, crashing +his head against a tree. He +clutched at the bark for a second, +dazed, then his knees +buckled. His blaster fell into the +shadows.</p> + +<p>The robot crashed loudly behind +him now. Without stopping +to think, Alan fumbled along the +ground after his gun, straining +his eyes in the darkness. He +found it just a couple of feet to +one side, against the base of a +small bush. Just as his fingers +closed upon the barrel his other +hand slipped into something +sticky that splashed over his +forearm. He screamed in pain +and leaped back, trying frantically +to wipe the clinging, +burning blackness off his arm. +Patches of black scraped off onto +branches and vines, but the rest +spread slowly over his arm as +agonizing as hot acid, or as flesh +being ripped away layer by +layer.</p> + +<p>Almost blinded by pain, whimpering, +Alan stumbled forward. +Sharp muscle spasms shot from +his shoulder across his back and +chest. Tears streamed across his +cheeks.</p> + +<p>A blue arc slashed at the trees +a mere hundred yards behind. +He screamed at the blast. "Damn +you, Pete! Damn your robots! +Damn, damn ... Oh, Peggy!" +He stepped into emptiness.</p> + +<p>Coolness. Wet. Slowly, washed +by the water, the pain began to +fall away. He wanted to lie there +forever in the dark, cool, wetness. +For ever, and ever, and ... +The air thundered.</p> + +<p>In the dim light he could see +the banks of the stream, higher +than a man, muddy and loose. +Growing right to the edge of the +banks, the jungle reached out +with hairy, disjointed arms as +if to snag even the dirty little +stream that passed so timidly +through its domain.</p> + +<p>Alan, lying in the mud of the +stream bed, felt the earth shake +as the heavy little robot rolled +slowly and inexorably towards +him. "The Lord High Executioner," +he thought, "in battle +dress." He tried to stand but his +legs were almost too weak and +his arm felt numb. "I'll drown +him," he said aloud. "I'll drown +the Lord High Executioner." He +laughed. Then his mind cleared. +He remembered where he was.</p> + +<hr /> + +<p>Alan trembled. For the first +time in his life he understood +what it was to live, because for +the first time he realized that he +would sometime die. In other +times and circumstances he +might put it off for a while, for +months or years, but eventually, +as now, he would have to watch, +still and helpless, while death +came creeping. Then, at thirty, +Alan became a man.</p> + +<p>"Dammit, no law says I have +to flame-out <i>now</i>!" He forced +himself to rise, forced his legs +to stand, struggling painfully in +the shin-deep ooze. He worked +his way to the bank and began to +dig frenziedly, chest high, about +two feet below the edge.</p> + +<p>His arm where the black thing +had been was swollen and tender, +but he forced his hands to dig, +dig, dig, cursing and crying to +hide the pain, and biting his +lips, ignoring the salty taste of +blood. The soft earth crumbled +under his hands until he had a +small cave about three feet deep +in the bank. Beyond that the +soil was held too tightly by the +roots from above and he had to +stop.</p> + +<hr /> + +<p>The air crackled blue and a +tree crashed heavily past Alan +into the stream. Above him on +the bank, silhouetting against +the moons, the killer robot stopped +and its blaster swivelled +slowly down. Frantically, Alan +hugged the bank as a shaft of +pure electricity arced over him, +sliced into the water, and exploded +in a cloud of steam. The +robot shook for a second, its +blaster muzzle lifted erratically +and for an instant it seemed almost +out of control, then it +quieted and the muzzle again +pointed down.</p> + +<p>Pressing with all his might, +Alan slid slowly along the bank +inches at a time, away from the +machine above. Its muzzle turned +to follow him but the edge of +the bank blocked its aim. Grinding +forward a couple of feet, +slightly overhanging the bank, +the robot fired again. For a split +second Alan seemed engulfed in +flame; the heat of hell singed his +head and back, and mud boiled +in the bank by his arm.</p> + +<p>Again the robot trembled. It +jerked forward a foot and its +blaster swung slightly away. But +only for a moment. Then the gun +swung back again.</p> + +<p>Suddenly, as if sensing something +wrong, its tracks slammed +into reverse. It stood poised for +a second, its treads spinning +crazily as the earth collapsed underneath +it, where Alan had +dug, then it fell with a heavy +splash into the mud, ten feet +from where Alan stood.</p> + +<p>Without hesitation Alan +threw himself across the blaster +housing, frantically locking his +arms around the barrel as the +robot's treads churned furiously +in the sticky mud, causing it to +buck and plunge like a Brahma +bull. The treads stopped and the +blaster jerked upwards wrenching +Alan's arms, then slammed +down. Then the whole housing +whirled around and around, tilting +alternately up and down like +a steel-skinned water monster +trying to dislodge a tenacious +crab, while Alan, arms and legs +wrapped tightly around the blaster +barrel and housing, pressed +fiercely against the robot's metal +skin.</p> + +<p>Slowly, trying to anticipate +and shift his weight with the +spinning plunges, Alan worked +his hand down to his right hip. +He fumbled for the sheath clipped +to his belt, found it, and extracted +a stubby hunting knife. +Sweat and blood in his eyes, +hardly able to move on the wildly +swinging turret, he felt down +the sides to the thin crack between +the revolving housing and +the stationary portion of the robot. +With a quick prayer he +jammed in the knife blade—and +was whipped headlong into the +mud as the turret literally snapped +to a stop.</p> + +<p>The earth, jungle and moons +spun in a pinwheeled blur, +slowed, and settled to their proper +places. Standing in the sticky, +sweet-smelling ooze, Alan eyed +the robot apprehensively. Half +buried in mud, it stood quiet in +the shadowy light except for an +occasional, almost spasmodic +jerk of its blaster barrel. For +the first time that night Alan +allowed himself a slight smile. +"A blade in the old gear box, +eh? How does that feel, boy?"</p> + +<p>He turned. "Well, I'd better +get out of here before the knife +slips or the monster cooks up +some more tricks with whatever +it's got for a brain." Digging +little footholds in the soft bank, +he climbed up and stood once +again in the rustling jungle +darkness.</p> + +<p>"I wonder," he thought, "how +Pete could cram enough brain +into one of those things to make +it hunt and track so perfectly." +He tried to visualize the computing +circuits needed for the +operation of its tracking mechanism +alone. "There just isn't +room for the electronics. You'd +need a computer as big as the +one at camp headquarters."</p> + +<hr /> + +<p>In the distance the sky blazed +as a blaster roared in the jungle. +Then Alan heard the approaching +robot, crunching and snapping +its way through the undergrowth +like an onrushing forest +fire. He froze. "Good Lord! +They communicate with each +other! The one I jammed must +be calling others to help."</p> + +<p>He began to move along the +bank, away from the crashing +sounds. Suddenly he stopped, his +eyes widened. "Of course! Radio! +I'll bet anything they're +automatically controlled by the +camp computer. That's where +their brain is!" He paused. +"Then, if that were put out of +commission ..." He jerked away +from the bank and half ran, half +pulled himself through the undergrowth +towards the camp.</p> + +<p>Trees exploded to his left as +another robot fired in his direction, +too far away to be effective +but churning towards him +through the blackness.</p> + +<p>Alan changed direction slightly +to follow a line between the +two robots coming up from +either side, behind him. His eyes +were well accustomed to the dark +now, and he managed to dodge +most of the shadowy vines and +branches before they could snag +or trip him. Even so, he stumbled +in the wiry underbrush and +his legs were a mass of stinging +slashes from ankle to thigh.</p> + +<p>The crashing rumble of the +killer robots shook the night behind +him, nearer sometimes, +then falling slightly back, but +following constantly, more +unshakable than bloodhounds +because a man can sometimes cover +a scent, but no man can stop his +thoughts. Intermittently, like +photographers' strobes, blue +flashes would light the jungle +about him. Then, for seconds +afterwards his eyes would see +dancing streaks of yellow and +sharp multi-colored pinwheels +that alternately shrunk and expanded +as if in a surrealist's +nightmare. Alan would have to +pause and squeeze his eyelids +tight shut before he could see +again, and the robots would +move a little closer.</p> + +<p>To his right the trees silhouetted +briefly against brilliance as +a third robot slowly moved up +in the distance. Without thinking, +Alan turned slightly to the +left, then froze in momentary +panic. "I should be at the camp +now. Damn, what direction am +I going?" He tried to think +back, to visualize the twists and +turns he'd taken in the jungle. +"All I need is to get lost."</p> + +<p>He pictured the camp computer +with no one to stop it, automatically +sending its robots in +wider and wider forays, slowly +wiping every trace of life from +the planet. Technologically advanced +machines doing the job +for which they were built, completely, +thoroughly, without feeling, +and without human masters +to separate sense from futility. +Finally parts would wear out, +circuits would short, and one by +one the killers would crunch to +a halt. A few birds would still +fly then, but a unique animal +life, rare in the universe, would +exist no more. And the bones of +children, eager girls, and their +men would also lie, beside a +rusty hulk, beneath the alien +sun.</p> + +<p>"Peggy!"</p> + +<p>As if in answer, a tree beside +him breathed fire, then exploded. +In the brief flash of the +blaster shot, Alan saw the steel +glint of a robot only a hundred +yards away, much nearer than +he had thought. "Thank heaven +for trees!" He stepped back, felt +his foot catch in something, +clutched futilely at some leaves +and fell heavily.</p> + +<p>Pain danced up his leg as he +grabbed his ankle. Quickly he +felt the throbbing flesh. "Damn +the rotten luck, anyway!" He +blinked the pain tears from his +eyes and looked up—into a robot's +blaster, jutting out of the +foliage, thirty yards away.</p> + +<hr /> + +<p>Instinctively, in one motion +Alan grabbed his pocket blaster +and fired. To his amazement the +robot jerked back, its gun wobbled +and started to tilt away. +Then, getting itself under control, +it swung back again to face +Alan. He fired again, and again +the robot reacted. It seemed familiar +somehow. Then he remembered +the robot on the river +bank, jiggling and swaying for +seconds after each shot. "Of +course!" He cursed himself for +missing the obvious. "The blaster +static blanks out radio +transmission from the computer +for a few seconds. They even do +it to themselves!"</p> + +<p>Firing intermittently, he +pulled himself upright and hobbled +ahead through the bush. +The robot shook spasmodically +with each shot, its gun tilted upward +at an awkward angle.</p> + +<p>Then, unexpectedly, Alan saw +stars, real stars brilliant in the +night sky, and half dragging his +swelling leg he stumbled out of +the jungle into the camp clearing. +Ahead, across fifty yards of +grass stood the headquarters +building, housing the robot-controlling +computer. Still firing at +short intervals he started across +the clearing, gritting his teeth +at every step.</p> + +<p>Straining every muscle in +spite of the agonizing pain, Alan +forced himself to a limping run +across the uneven ground, carefully +avoiding the insect hills +that jutted up through the grass. +From the corner of his eye he +saw another of the robots standing +shakily in the dark edge of +the jungle waiting, it seemed, +for his small blaster to run dry.</p> + +<p>"Be damned! You can't win +now!" Alan yelled between blaster +shots, almost irrational from +the pain that ripped jaggedly +through his leg. Then it happened. +A few feet from the +building's door his blaster quit. +A click. A faint hiss when he +frantically jerked the trigger +again and again, and the spent +cells released themselves from +the device, falling in the grass +at his feet. He dropped the useless +gun.</p> + +<p>"No!" He threw himself on +the ground as a new robot suddenly +appeared around the edge +of the building a few feet away, +aimed, and fired. Air burned +over Alan's back and ozone tingled +in his nostrils.</p> + +<p>Blinding itself for a few seconds +with its own blaster static, +the robot paused momentarily, +jiggling in place. In this +instant, Alan jammed his hands +into an insect hill and hurled the +pile of dirt and insects directly +at the robot's antenna. In a flash, +hundreds of the winged things +erupted angrily from the hole in +a swarming cloud, each part of +which was a speck of life +transmitting mental energy to the +robot's pickup devices.</p> + +<p>Confused by the sudden dispersion +of mind impulses, the +robot fired erratically as Alan +crouched and raced painfully for +the door. It fired again, closer, +as he fumbled with the lock +release. Jagged bits of plastic and +stone ripped past him, torn loose +by the blast.</p> + +<p>Frantically, Alan slammed +open the door as the robot, sensing +him strongly now, aimed +point blank. He saw nothing, his +mind thought of nothing but the +red-clad safety switch mounted +beside the computer. Time stopped. +There was nothing else in +the world. He half-jumped, half-fell +towards it, slowly, in tenths +of seconds that seemed measured +out in years.</p> + +<p>The universe went black.</p> + +<p>Later. Brilliance pressed upon +his eyes. Then pain returned, a +multi-hurting thing that crawled +through his body and dragged +ragged tentacles across his +brain. He moaned.</p> + +<p>A voice spoke hollowly in the +distance. "He's waking. Call his +wife."</p> + +<p>Alan opened his eyes in a +white room; a white light hung +over his head. Beside him, looking +down with a rueful smile, +stood a young man wearing +space medical insignia. "Yes," +he acknowledged the question in +Alan's eyes, "you hit the switch. +That was three days ago. When +you're up again we'd all like to +thank you."</p> + +<p>Suddenly a sobbing-laughing +green-eyed girl was pressed +tightly against him. Neither of +them spoke. They couldn't. There +was too much to say.</p> + +<p class="theend">THE END</p> + +<div class="trn"><b>Transcriber's Note:</b><br /> +This etext was produced from <i>Amazing Science Fiction Stories</i> +October 1958. Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Survival Tactics, by Al Sevcik + +*** END OF THIS PROJECT GUTENBERG EBOOK SURVIVAL TACTICS *** + +***** This file should be named 24966-h.htm or 24966-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/4/9/6/24966/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/24966-h/images/001.png b/24966-h/images/001.png Binary files differnew file mode 100644 index 0000000..6017817 --- /dev/null +++ b/24966-h/images/001.png diff --git a/24966.txt b/24966.txt new file mode 100644 index 0000000..5d7bf82 --- /dev/null +++ b/24966.txt @@ -0,0 +1,872 @@ +The Project Gutenberg EBook of Survival Tactics, by Al Sevcik + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Survival Tactics + +Author: Al Sevcik + +Illustrator: Irving Novick + +Release Date: March 30, 2008 [EBook #24966] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SURVIVAL TACTICS *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + SURVIVAL + TACTICS + + By AL SEVCIK + + ILLUSTRATOR NOVICK + + + _The robots were built to serve + Man; to do his work, see to his + comforts, make smooth his way. + Then the robots figured out an + additional service--putting Man + out of his misery._ + + +There was a sudden crash that hung sharply in the air, as if a tree had +been hit by lightning some distance away. Then another. Alan stopped, +puzzled. Two more blasts, quickly together, and the sound of a scream +faintly. + +Frowning, worrying about the sounds, Alan momentarily forgot to watch +his step until his foot suddenly plunged into an ant hill, throwing him +to the jungle floor. "Damn!" He cursed again, for the tenth time, and +stood uncertainly in the dimness. From tall, moss-shrouded trees, +wrist-thick vines hung quietly, scraping the spongy ground like the +tentacles of some monstrous tree-bound octopus. Fitful little plants +grew straggly in the shadows of the mossy trunks, forming a dense +underbrush that made walking difficult. At midday some few of the blue +sun's rays filtered through to the jungle floor, but now, late afternoon +on the planet, the shadows were long and gloomy. + +Alan peered around him at the vine-draped shadows, listening to the soft +rustlings and faint twig-snappings of life in the jungle. Two short, +popping sounds echoed across the stillness, drowned out almost +immediately and silenced by an explosive crash. Alan started, "Blaster +fighting! But it can't be!" + +Suddenly anxious, he slashed a hurried X in one of the trees to mark his +position then turned to follow a line of similar marks back through the +jungle. He tried to run, but vines blocked his way and woody shrubs +caught at his legs, tripping him and holding him back. Then, through +the trees he saw the clearing of the camp site, the temporary home for +the scout ship and the eleven men who, with Alan, were the only humans +on the jungle planet, Waiamea. + + * * * * * + +Stepping through the low shrubbery at the edge of the site, he looked +across the open area to the two temporary structures, the camp +headquarters where the power supplies and the computer were; and the +sleeping quarters. Beyond, nose high, stood the silver scout ship that +had brought the advance exploratory party of scientists and technicians +to Waiamea three days before. Except for a few of the killer robots +rolling slowly around the camp site on their quiet treads, there was no +one about. + +"So, they've finally got those things working." Alan smiled slightly. +"Guess that means I owe Pete a bourbon-and-soda for sure. Anybody who +can build a robot that hunts by homing in on animals' mind impulses ..." +He stepped forward just as a roar of blue flame dissolved the branches +of a tree, barely above his head. + +Without pausing to think, Alan leaped back, and fell sprawling over a +bush just as one of the robots rolled silently up from the right, +lowering its blaster barrel to aim directly at his head. Alan froze. "My +God, Pete built those things wrong!" + +Suddenly a screeching whirlwind of claws and teeth hurled itself from +the smoldering branches and crashed against the robot, clawing insanely +at the antenna and blaster barrel. With an awkward jerk the robot swung +around and fired its blaster, completely dissolving the lower half of +the cat creature which had clung across the barrel. But the back +pressure of the cat's body overloaded the discharge circuits. The robot +started to shake, then clicked sharply as an overload relay snapped and +shorted the blaster cells. The killer turned and rolled back towards the +camp, leaving Alan alone. + +Shakily, Alan crawled a few feet back into the undergrowth where he +could lie and watch the camp, but not himself be seen. Though visibility +didn't make any difference to the robots, he felt safer, somehow, +hidden. He knew now what the shooting sounds had been and why there +hadn't been anyone around the camp site. A charred blob lying in the +grass of the clearing confirmed his hypothesis. His stomach felt sick. + +"I suppose," he muttered to himself, "that Pete assembled these robots +in a batch and then activated them all at once, probably never living to +realize that they're tuned to pick up human brain waves, too. Damn! +Damn!" His eyes blurred and he slammed his fist into the soft earth. + +When he raised his eyes again the jungle was perceptibly darker. +Stealthy rustlings in the shadows grew louder with the setting sun. +Branches snapped unaccountably in the trees overhead and every now and +then leaves or a twig fell softly to the ground, close to where he lay. +Reaching into his jacket, Alan fingered his pocket blaster. He pulled it +out and held it in his right hand. "This pop gun wouldn't even singe a +robot, but it just might stop one of those pumas." + +[Illustration: They said the blast with your name on it would find you +anywhere. This looked like Alan's blast.] + +Slowly Alan looked around, sizing up his situation. Behind him the dark +jungle rustled forbiddingly. He shuddered. "Not a very healthy spot to +spend the night. On the other hand, I certainly can't get to the camp +with a pack of mind-activated mechanical killers running around. If I +can just hold out until morning, when the big ship arrives ... The big +ship! Good Lord, Peggy!" He turned white; oily sweat punctuated his +forehead. Peggy, arriving tomorrow with the other colonists, the wives +and kids! The metal killers, tuned to blast any living flesh, would +murder them the instant they stepped from the ship! + + * * * * * + +A pretty girl, Peggy, the girl he'd married just three weeks ago. He +still couldn't believe it. It was crazy, he supposed, to marry a girl +and then take off for an unknown planet, with her to follow, to try to +create a home in a jungle clearing. Crazy maybe, but Peggy and her green +eyes that changed color with the light, with her soft brown hair, and +her happy smile, had ended thirty years of loneliness and had, at last, +given him a reason for living. "Not to be killed!" Alan unclenched his +fists and wiped his palms, bloody where his fingernails had dug into the +flesh. + +There was a slight creak above him like the protesting of a branch too +heavily laden. Blaster ready, Alan rolled over onto his back. In the +movement, his elbow struck the top of a small earthy mound and he was +instantly engulfed in a swarm of locust-like insects that beat +disgustingly against his eyes and mouth. "Fagh!" Waving his arms before +his face he jumped up and backwards, away from the bugs. As he did so, a +dark shapeless thing plopped from the trees onto the spot where he had +been lying stretched out. Then, like an ambient fungus, it slithered off +into the jungle undergrowth. + +For a split second the jungle stood frozen in a brilliant blue flash, +followed by the sharp report of a blaster. Then another. Alan whirled, +startled. The planet's double moon had risen and he could see a robot +rolling slowly across the clearing in his general direction, blasting +indiscriminately at whatever mind impulses came within its pickup range, +birds, insects, anything. Six or seven others also left the camp +headquarters area and headed for the jungle, each to a slightly +different spot. + +Apparently the robot hadn't sensed him yet, but Alan didn't know what +the effective range of its pickup devices was. He began to slide back +into the jungle. Minutes later, looking back he saw that the machine, +though several hundred yards away, had altered its course and was now +headed directly for him. + +His stomach tightened. Panic. The dank, musty smell of the jungle seemed +for an instant to thicken and choke in his throat. Then he thought of +the big ship landing in the morning, settling down slowly after a lonely +two-week voyage. He thought of a brown-haired girl crowding with the +others to the gangway, eager to embrace the new planet, and the next +instant a charred nothing, unrecognizable, the victim of a design error +or a misplaced wire in a machine. "I have to try," he said aloud. "I +have to try." He moved into the blackness. + +Powerful as a small tank, the killer robot was equipped to crush, slash, +and burn its way through undergrowth. Nevertheless, it was slowed by the +larger trees and the thick, clinging vines, and Alan found that he could +manage to keep ahead of it, barely out of blaster range. Only, the robot +didn't get tired. Alan did. + +The twin moons cast pale, deceptive shadows that wavered and danced +across the jungle floor, hiding debris that tripped him and often sent +him sprawling into the dark. Sharp-edged growths tore at his face and +clothes, and insects attracted by the blood matted against his pants and +shirt. Behind, the robot crashed imperturbably after him, lighting the +night with fitful blaster flashes as some winged or legged life came +within its range. + +There was movement also, in the darkness beside him, scrapings and +rustlings and an occasional low, throaty sound like an angry cat. Alan's +fingers tensed on his pocket blaster. Swift shadowy forms moved quickly +in the shrubs and the growling became suddenly louder. He fired twice, +blindly, into the undergrowth. Sharp screams punctuated the electric +blue discharge as a pack of small feline creatures leaped snarling and +clawing back into the night. + + * * * * * + +Mentally, Alan tried to figure the charge remaining in his blaster. +There wouldn't be much. "Enough for a few more shots, maybe. Why the +devil didn't I load in fresh cells this morning!" + +The robot crashed on, louder now, gaining on the tired human. Legs +aching and bruised, stinging from insect bites, Alan tried to force +himself to run holding his hands in front of him like a child in the +dark. His foot tripped on a barely visible insect hill and a winged +swarm exploded around him. Startled, Alan jerked sideways, crashing his +head against a tree. He clutched at the bark for a second, dazed, then +his knees buckled. His blaster fell into the shadows. + +The robot crashed loudly behind him now. Without stopping to think, Alan +fumbled along the ground after his gun, straining his eyes in the +darkness. He found it just a couple of feet to one side, against the +base of a small bush. Just as his fingers closed upon the barrel his +other hand slipped into something sticky that splashed over his forearm. +He screamed in pain and leaped back, trying frantically to wipe the +clinging, burning blackness off his arm. Patches of black scraped off +onto branches and vines, but the rest spread slowly over his arm as +agonizing as hot acid, or as flesh being ripped away layer by layer. + +Almost blinded by pain, whimpering, Alan stumbled forward. Sharp muscle +spasms shot from his shoulder across his back and chest. Tears streamed +across his cheeks. + +A blue arc slashed at the trees a mere hundred yards behind. He screamed +at the blast. "Damn you, Pete! Damn your robots! Damn, damn ... Oh, +Peggy!" He stepped into emptiness. + +Coolness. Wet. Slowly, washed by the water, the pain began to fall away. +He wanted to lie there forever in the dark, cool, wetness. For ever, and +ever, and ... The air thundered. + +In the dim light he could see the banks of the stream, higher than a +man, muddy and loose. Growing right to the edge of the banks, the jungle +reached out with hairy, disjointed arms as if to snag even the dirty +little stream that passed so timidly through its domain. + +Alan, lying in the mud of the stream bed, felt the earth shake as the +heavy little robot rolled slowly and inexorably towards him. "The Lord +High Executioner," he thought, "in battle dress." He tried to stand but +his legs were almost too weak and his arm felt numb. "I'll drown him," +he said aloud. "I'll drown the Lord High Executioner." He laughed. Then +his mind cleared. He remembered where he was. + + * * * * * + +Alan trembled. For the first time in his life he understood what it was +to live, because for the first time he realized that he would sometime +die. In other times and circumstances he might put it off for a while, +for months or years, but eventually, as now, he would have to watch, +still and helpless, while death came creeping. Then, at thirty, Alan +became a man. + +"Dammit, no law says I have to flame-out _now_!" He forced himself to +rise, forced his legs to stand, struggling painfully in the shin-deep +ooze. He worked his way to the bank and began to dig frenziedly, chest +high, about two feet below the edge. + +His arm where the black thing had been was swollen and tender, but he +forced his hands to dig, dig, dig, cursing and crying to hide the pain, +and biting his lips, ignoring the salty taste of blood. The soft earth +crumbled under his hands until he had a small cave about three feet deep +in the bank. Beyond that the soil was held too tightly by the roots from +above and he had to stop. + + * * * * * + +The air crackled blue and a tree crashed heavily past Alan into the +stream. Above him on the bank, silhouetting against the moons, the +killer robot stopped and its blaster swivelled slowly down. Frantically, +Alan hugged the bank as a shaft of pure electricity arced over him, +sliced into the water, and exploded in a cloud of steam. The robot shook +for a second, its blaster muzzle lifted erratically and for an instant +it seemed almost out of control, then it quieted and the muzzle again +pointed down. + +Pressing with all his might, Alan slid slowly along the bank inches at a +time, away from the machine above. Its muzzle turned to follow him but +the edge of the bank blocked its aim. Grinding forward a couple of feet, +slightly overhanging the bank, the robot fired again. For a split second +Alan seemed engulfed in flame; the heat of hell singed his head and +back, and mud boiled in the bank by his arm. + +Again the robot trembled. It jerked forward a foot and its blaster swung +slightly away. But only for a moment. Then the gun swung back again. + +Suddenly, as if sensing something wrong, its tracks slammed into +reverse. It stood poised for a second, its treads spinning crazily as +the earth collapsed underneath it, where Alan had dug, then it fell with +a heavy splash into the mud, ten feet from where Alan stood. + +Without hesitation Alan threw himself across the blaster housing, +frantically locking his arms around the barrel as the robot's treads +churned furiously in the sticky mud, causing it to buck and plunge like +a Brahma bull. The treads stopped and the blaster jerked upwards +wrenching Alan's arms, then slammed down. Then the whole housing whirled +around and around, tilting alternately up and down like a steel-skinned +water monster trying to dislodge a tenacious crab, while Alan, arms and +legs wrapped tightly around the blaster barrel and housing, pressed +fiercely against the robot's metal skin. + +Slowly, trying to anticipate and shift his weight with the spinning +plunges, Alan worked his hand down to his right hip. He fumbled for the +sheath clipped to his belt, found it, and extracted a stubby hunting +knife. Sweat and blood in his eyes, hardly able to move on the wildly +swinging turret, he felt down the sides to the thin crack between the +revolving housing and the stationary portion of the robot. With a quick +prayer he jammed in the knife blade--and was whipped headlong into the +mud as the turret literally snapped to a stop. + +The earth, jungle and moons spun in a pinwheeled blur, slowed, and +settled to their proper places. Standing in the sticky, sweet-smelling +ooze, Alan eyed the robot apprehensively. Half buried in mud, it stood +quiet in the shadowy light except for an occasional, almost spasmodic +jerk of its blaster barrel. For the first time that night Alan allowed +himself a slight smile. "A blade in the old gear box, eh? How does that +feel, boy?" + +He turned. "Well, I'd better get out of here before the knife slips or +the monster cooks up some more tricks with whatever it's got for a +brain." Digging little footholds in the soft bank, he climbed up and +stood once again in the rustling jungle darkness. + +"I wonder," he thought, "how Pete could cram enough brain into one of +those things to make it hunt and track so perfectly." He tried to +visualize the computing circuits needed for the operation of its +tracking mechanism alone. "There just isn't room for the electronics. +You'd need a computer as big as the one at camp headquarters." + + * * * * * + +In the distance the sky blazed as a blaster roared in the jungle. Then +Alan heard the approaching robot, crunching and snapping its way through +the undergrowth like an onrushing forest fire. He froze. "Good Lord! +They communicate with each other! The one I jammed must be calling +others to help." + +He began to move along the bank, away from the crashing sounds. Suddenly +he stopped, his eyes widened. "Of course! Radio! I'll bet anything +they're automatically controlled by the camp computer. That's where their +brain is!" He paused. "Then, if that were put out of commission ..." He +jerked away from the bank and half ran, half pulled himself through the +undergrowth towards the camp. + +Trees exploded to his left as another robot fired in his direction, too +far away to be effective but churning towards him through the blackness. + +Alan changed direction slightly to follow a line between the two robots +coming up from either side, behind him. His eyes were well accustomed to +the dark now, and he managed to dodge most of the shadowy vines and +branches before they could snag or trip him. Even so, he stumbled in the +wiry underbrush and his legs were a mass of stinging slashes from ankle +to thigh. + +The crashing rumble of the killer robots shook the night behind him, +nearer sometimes, then falling slightly back, but following constantly, +more unshakable than bloodhounds because a man can sometimes cover a +scent, but no man can stop his thoughts. Intermittently, like +photographers' strobes, blue flashes would light the jungle about him. +Then, for seconds afterwards his eyes would see dancing streaks of +yellow and sharp multi-colored pinwheels that alternately shrunk and +expanded as if in a surrealist's nightmare. Alan would have to pause and +squeeze his eyelids tight shut before he could see again, and the robots +would move a little closer. + +To his right the trees silhouetted briefly against brilliance as a third +robot slowly moved up in the distance. Without thinking, Alan turned +slightly to the left, then froze in momentary panic. "I should be at the +camp now. Damn, what direction am I going?" He tried to think back, to +visualize the twists and turns he'd taken in the jungle. "All I need is +to get lost." + +He pictured the camp computer with no one to stop it, automatically +sending its robots in wider and wider forays, slowly wiping every trace +of life from the planet. Technologically advanced machines doing the job +for which they were built, completely, thoroughly, without feeling, and +without human masters to separate sense from futility. Finally parts +would wear out, circuits would short, and one by one the killers would +crunch to a halt. A few birds would still fly then, but a unique animal +life, rare in the universe, would exist no more. And the bones of +children, eager girls, and their men would also lie, beside a rusty +hulk, beneath the alien sun. + +"Peggy!" + +As if in answer, a tree beside him breathed fire, then exploded. In the +brief flash of the blaster shot, Alan saw the steel glint of a robot +only a hundred yards away, much nearer than he had thought. "Thank +heaven for trees!" He stepped back, felt his foot catch in something, +clutched futilely at some leaves and fell heavily. + +Pain danced up his leg as he grabbed his ankle. Quickly he felt the +throbbing flesh. "Damn the rotten luck, anyway!" He blinked the pain +tears from his eyes and looked up--into a robot's blaster, jutting out +of the foliage, thirty yards away. + + * * * * * + +Instinctively, in one motion Alan grabbed his pocket blaster and fired. +To his amazement the robot jerked back, its gun wobbled and started to +tilt away. Then, getting itself under control, it swung back again to +face Alan. He fired again, and again the robot reacted. It seemed +familiar somehow. Then he remembered the robot on the river bank, +jiggling and swaying for seconds after each shot. "Of course!" He cursed +himself for missing the obvious. "The blaster static blanks out radio +transmission from the computer for a few seconds. They even do it to +themselves!" + +Firing intermittently, he pulled himself upright and hobbled ahead +through the bush. The robot shook spasmodically with each shot, its gun +tilted upward at an awkward angle. + +Then, unexpectedly, Alan saw stars, real stars brilliant in the night +sky, and half dragging his swelling leg he stumbled out of the jungle +into the camp clearing. Ahead, across fifty yards of grass stood the +headquarters building, housing the robot-controlling computer. Still +firing at short intervals he started across the clearing, gritting his +teeth at every step. + +Straining every muscle in spite of the agonizing pain, Alan forced +himself to a limping run across the uneven ground, carefully avoiding +the insect hills that jutted up through the grass. From the corner of +his eye he saw another of the robots standing shakily in the dark edge +of the jungle waiting, it seemed, for his small blaster to run dry. + +"Be damned! You can't win now!" Alan yelled between blaster shots, +almost irrational from the pain that ripped jaggedly through his leg. +Then it happened. A few feet from the building's door his blaster quit. +A click. A faint hiss when he frantically jerked the trigger again and +again, and the spent cells released themselves from the device, falling +in the grass at his feet. He dropped the useless gun. + +"No!" He threw himself on the ground as a new robot suddenly appeared +around the edge of the building a few feet away, aimed, and fired. Air +burned over Alan's back and ozone tingled in his nostrils. + +Blinding itself for a few seconds with its own blaster static, the robot +paused momentarily, jiggling in place. In this instant, Alan jammed his +hands into an insect hill and hurled the pile of dirt and insects +directly at the robot's antenna. In a flash, hundreds of the winged +things erupted angrily from the hole in a swarming cloud, each part of +which was a speck of life transmitting mental energy to the robot's +pickup devices. + +Confused by the sudden dispersion of mind impulses, the robot fired +erratically as Alan crouched and raced painfully for the door. It fired +again, closer, as he fumbled with the lock release. Jagged bits of +plastic and stone ripped past him, torn loose by the blast. + +Frantically, Alan slammed open the door as the robot, sensing him +strongly now, aimed point blank. He saw nothing, his mind thought of +nothing but the red-clad safety switch mounted beside the computer. Time +stopped. There was nothing else in the world. He half-jumped, half-fell +towards it, slowly, in tenths of seconds that seemed measured out in +years. + +The universe went black. + +Later. Brilliance pressed upon his eyes. Then pain returned, a +multi-hurting thing that crawled through his body and dragged ragged +tentacles across his brain. He moaned. + +A voice spoke hollowly in the distance. "He's waking. Call his wife." + +Alan opened his eyes in a white room; a white light hung over his head. +Beside him, looking down with a rueful smile, stood a young man wearing +space medical insignia. "Yes," he acknowledged the question in Alan's +eyes, "you hit the switch. That was three days ago. When you're up again +we'd all like to thank you." + +Suddenly a sobbing-laughing green-eyed girl was pressed tightly against +him. Neither of them spoke. They couldn't. There was too much to say. + + +THE END + + + + +Transcriber's Note: + + This etext was produced from _Amazing Science Fiction Stories_ + October 1958. Extensive research did not uncover any evidence that + the U.S. copyright on this publication was renewed. Minor spelling + and typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Survival Tactics, by Al Sevcik + +*** END OF THIS PROJECT GUTENBERG EBOOK SURVIVAL TACTICS *** + +***** This file should be named 24966.txt or 24966.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/4/9/6/24966/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/24966.zip b/24966.zip Binary files differnew file mode 100644 index 0000000..880c970 --- /dev/null +++ b/24966.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..cd92b4a --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #24966 (https://www.gutenberg.org/ebooks/24966) |
