diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:13:45 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:13:45 -0700 |
| commit | 370f01162c8ef1cbe2e2fa76b250c36f5dcc930a (patch) | |
| tree | f3735c23302d8bcbcbf47b9d5de31af7a9e98539 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 24584-8.txt | 2196 | ||||
| -rw-r--r-- | 24584-8.zip | bin | 0 -> 41474 bytes | |||
| -rw-r--r-- | 24584-h.zip | bin | 0 -> 315280 bytes | |||
| -rw-r--r-- | 24584-h/24584-h.htm | 2302 | ||||
| -rw-r--r-- | 24584-h/images/image003.png | bin | 0 -> 6562 bytes | |||
| -rw-r--r-- | 24584-h/images/image004.png | bin | 0 -> 20929 bytes | |||
| -rw-r--r-- | 24584-h/images/image005.png | bin | 0 -> 454 bytes | |||
| -rw-r--r-- | 24584-h/images/image006.png | bin | 0 -> 66788 bytes | |||
| -rw-r--r-- | 24584-h/images/image_001.jpg | bin | 0 -> 97148 bytes | |||
| -rw-r--r-- | 24584-h/images/image_002a.jpg | bin | 0 -> 80042 bytes | |||
| -rw-r--r-- | 24584-page-images/f0001.png | bin | 0 -> 5597 bytes | |||
| -rw-r--r-- | 24584-page-images/f0002.png | bin | 0 -> 2351 bytes | |||
| -rw-r--r-- | 24584-page-images/f0004.png | bin | 0 -> 11070 bytes | |||
| -rw-r--r-- | 24584-page-images/f0004_image1.png | bin | 0 -> 729794 bytes | |||
| -rw-r--r-- | 24584-page-images/f0005.png | bin | 0 -> 18756 bytes | |||
| -rw-r--r-- | 24584-page-images/f0005_image1.png | bin | 0 -> 5251306 bytes | |||
| -rw-r--r-- | 24584-page-images/f0006.png | bin | 0 -> 9141 bytes | |||
| -rw-r--r-- | 24584-page-images/f0007.png | bin | 0 -> 8120 bytes | |||
| -rw-r--r-- | 24584-page-images/p0007.png | bin | 0 -> 31842 bytes | |||
| -rw-r--r-- | 24584-page-images/p0008.png | bin | 0 -> 35921 bytes | |||
| -rw-r--r-- | 24584-page-images/p0009.png | bin | 0 -> 34971 bytes | |||
| -rw-r--r-- | 24584-page-images/p0010.png | bin | 0 -> 38691 bytes | |||
| -rw-r--r-- | 24584-page-images/p0011.png | bin | 0 -> 40555 bytes | |||
| -rw-r--r-- | 24584-page-images/p0012.png | bin | 0 -> 46318 bytes | |||
| -rw-r--r-- | 24584-page-images/p0013.png | bin | 0 -> 40894 bytes | |||
| -rw-r--r-- | 24584-page-images/p0014.png | bin | 0 -> 32548 bytes | |||
| -rw-r--r-- | 24584-page-images/p0015.png | bin | 0 -> 40851 bytes | |||
| -rw-r--r-- | 24584-page-images/p0016.png | bin | 0 -> 35455 bytes | |||
| -rw-r--r-- | 24584-page-images/p0017.png | bin | 0 -> 38153 bytes | |||
| -rw-r--r-- | 24584-page-images/p0018.png | bin | 0 -> 38644 bytes | |||
| -rw-r--r-- | 24584-page-images/p0019.png | bin | 0 -> 46215 bytes | |||
| -rw-r--r-- | 24584-page-images/p0020.png | bin | 0 -> 40673 bytes | |||
| -rw-r--r-- | 24584-page-images/p0021.png | bin | 0 -> 45070 bytes | |||
| -rw-r--r-- | 24584-page-images/p0022.png | bin | 0 -> 34181 bytes | |||
| -rw-r--r-- | 24584-page-images/p0023.png | bin | 0 -> 45452 bytes | |||
| -rw-r--r-- | 24584-page-images/p0024.png | bin | 0 -> 36778 bytes | |||
| -rw-r--r-- | 24584-page-images/p0025.png | bin | 0 -> 44439 bytes | |||
| -rw-r--r-- | 24584-page-images/p0026.png | bin | 0 -> 43630 bytes | |||
| -rw-r--r-- | 24584-page-images/p0027.png | bin | 0 -> 43911 bytes | |||
| -rw-r--r-- | 24584-page-images/p0028.png | bin | 0 -> 41846 bytes | |||
| -rw-r--r-- | 24584-page-images/p0029.png | bin | 0 -> 42696 bytes | |||
| -rw-r--r-- | 24584-page-images/p0030.png | bin | 0 -> 42426 bytes | |||
| -rw-r--r-- | 24584-page-images/p0031.png | bin | 0 -> 33060 bytes | |||
| -rw-r--r-- | 24584-page-images/p0032.png | bin | 0 -> 33790 bytes | |||
| -rw-r--r-- | 24584-page-images/p0033.png | bin | 0 -> 31303 bytes | |||
| -rw-r--r-- | 24584-page-images/p0034.png | bin | 0 -> 34714 bytes | |||
| -rw-r--r-- | 24584-page-images/p0035.png | bin | 0 -> 43136 bytes | |||
| -rw-r--r-- | 24584-page-images/p0036.png | bin | 0 -> 35236 bytes | |||
| -rw-r--r-- | 24584-page-images/p0037.png | bin | 0 -> 37954 bytes | |||
| -rw-r--r-- | 24584-page-images/p0038.png | bin | 0 -> 32500 bytes | |||
| -rw-r--r-- | 24584-page-images/p0039.png | bin | 0 -> 40998 bytes | |||
| -rw-r--r-- | 24584-page-images/p0040.png | bin | 0 -> 40630 bytes | |||
| -rw-r--r-- | 24584-page-images/p0041.png | bin | 0 -> 44460 bytes | |||
| -rw-r--r-- | 24584-page-images/p0042.png | bin | 0 -> 31178 bytes | |||
| -rw-r--r-- | 24584-page-images/p0043.png | bin | 0 -> 34358 bytes | |||
| -rw-r--r-- | 24584-page-images/p0044.png | bin | 0 -> 29976 bytes | |||
| -rw-r--r-- | 24584-page-images/p0045.png | bin | 0 -> 38884 bytes | |||
| -rw-r--r-- | 24584-page-images/p0046.png | bin | 0 -> 37357 bytes | |||
| -rw-r--r-- | 24584-page-images/p0047.png | bin | 0 -> 43608 bytes | |||
| -rw-r--r-- | 24584-page-images/p0048.png | bin | 0 -> 43426 bytes | |||
| -rw-r--r-- | 24584-page-images/p0049.png | bin | 0 -> 39296 bytes | |||
| -rw-r--r-- | 24584-page-images/p0050.png | bin | 0 -> 37827 bytes | |||
| -rw-r--r-- | 24584-page-images/p0051.png | bin | 0 -> 37813 bytes | |||
| -rw-r--r-- | 24584-page-images/p0052.png | bin | 0 -> 45281 bytes | |||
| -rw-r--r-- | 24584-page-images/p0053.png | bin | 0 -> 33292 bytes | |||
| -rw-r--r-- | 24584-page-images/p0054.png | bin | 0 -> 34104 bytes | |||
| -rw-r--r-- | 24584-page-images/p0054_image1.png | bin | 0 -> 5788868 bytes | |||
| -rw-r--r-- | 24584-page-images/p0055.png | bin | 0 -> 32951 bytes | |||
| -rw-r--r-- | 24584-page-images/p0056.png | bin | 0 -> 34664 bytes | |||
| -rw-r--r-- | 24584-page-images/p0057.png | bin | 0 -> 35607 bytes | |||
| -rw-r--r-- | 24584-page-images/p0058.png | bin | 0 -> 43787 bytes | |||
| -rw-r--r-- | 24584-page-images/p0059.png | bin | 0 -> 35364 bytes | |||
| -rw-r--r-- | 24584-page-images/p0060.png | bin | 0 -> 37901 bytes | |||
| -rw-r--r-- | 24584-page-images/p0061.png | bin | 0 -> 44081 bytes | |||
| -rw-r--r-- | 24584-page-images/p0062.png | bin | 0 -> 44609 bytes | |||
| -rw-r--r-- | 24584-page-images/p0063.png | bin | 0 -> 32927 bytes | |||
| -rw-r--r-- | 24584-page-images/p0064.png | bin | 0 -> 35189 bytes | |||
| -rw-r--r-- | 24584-page-images/p0065.png | bin | 0 -> 34815 bytes | |||
| -rw-r--r-- | 24584-page-images/p0066.png | bin | 0 -> 35393 bytes | |||
| -rw-r--r-- | 24584-page-images/p0067.png | bin | 0 -> 41062 bytes | |||
| -rw-r--r-- | 24584-page-images/p0068.png | bin | 0 -> 30955 bytes | |||
| -rw-r--r-- | 24584-page-images/p0069.png | bin | 0 -> 43026 bytes | |||
| -rw-r--r-- | 24584-page-images/p0070.png | bin | 0 -> 37733 bytes | |||
| -rw-r--r-- | 24584-page-images/p0071.png | bin | 0 -> 41690 bytes | |||
| -rw-r--r-- | 24584-page-images/p0072.png | bin | 0 -> 42967 bytes | |||
| -rw-r--r-- | 24584-page-images/p0073.png | bin | 0 -> 34714 bytes | |||
| -rw-r--r-- | 24584-page-images/p0074.png | bin | 0 -> 32562 bytes | |||
| -rw-r--r-- | 24584-page-images/p0075.png | bin | 0 -> 33696 bytes | |||
| -rw-r--r-- | 24584-page-images/p0076.png | bin | 0 -> 41773 bytes | |||
| -rw-r--r-- | 24584-page-images/p0077.png | bin | 0 -> 29627 bytes | |||
| -rw-r--r-- | 24584-page-images/p0078.png | bin | 0 -> 30458 bytes | |||
| -rw-r--r-- | 24584-page-images/p0079.png | bin | 0 -> 35005 bytes | |||
| -rw-r--r-- | 24584-page-images/p0080.png | bin | 0 -> 36196 bytes | |||
| -rw-r--r-- | 24584-page-images/p0081.png | bin | 0 -> 34222 bytes | |||
| -rw-r--r-- | 24584-page-images/p0082.png | bin | 0 -> 37556 bytes | |||
| -rw-r--r-- | 24584-page-images/p0083.png | bin | 0 -> 34676 bytes | |||
| -rw-r--r-- | 24584-page-images/p0084.png | bin | 0 -> 40381 bytes | |||
| -rw-r--r-- | 24584-page-images/p0085.png | bin | 0 -> 34463 bytes | |||
| -rw-r--r-- | 24584-page-images/p0086.png | bin | 0 -> 38461 bytes | |||
| -rw-r--r-- | 24584-page-images/p0087.png | bin | 0 -> 36708 bytes | |||
| -rw-r--r-- | 24584-page-images/p0088.png | bin | 0 -> 32233 bytes | |||
| -rw-r--r-- | 24584-page-images/p0089.png | bin | 0 -> 36689 bytes | |||
| -rw-r--r-- | 24584-page-images/p0090.png | bin | 0 -> 37358 bytes | |||
| -rw-r--r-- | 24584-page-images/p0091.png | bin | 0 -> 38050 bytes | |||
| -rw-r--r-- | 24584-page-images/p0092.png | bin | 0 -> 39726 bytes | |||
| -rw-r--r-- | 24584-page-images/p0092_image1.png | bin | 0 -> 5039406 bytes | |||
| -rw-r--r-- | 24584-page-images/p0093.png | bin | 0 -> 35794 bytes | |||
| -rw-r--r-- | 24584-page-images/p0094.png | bin | 0 -> 45333 bytes | |||
| -rw-r--r-- | 24584-page-images/p0095.png | bin | 0 -> 33839 bytes | |||
| -rw-r--r-- | 24584-page-images/p0096.png | bin | 0 -> 28818 bytes | |||
| -rw-r--r-- | 24584-page-images/q1001.png | bin | 0 -> 34739 bytes | |||
| -rw-r--r-- | 24584-page-images/q1002.png | bin | 0 -> 33014 bytes | |||
| -rw-r--r-- | 24584-page-images/q1003.png | bin | 0 -> 29520 bytes | |||
| -rw-r--r-- | 24584-page-images/q1004.png | bin | 0 -> 22303 bytes | |||
| -rw-r--r-- | 24584-page-images/q1005.png | bin | 0 -> 28434 bytes | |||
| -rw-r--r-- | 24584-page-images/q1006.png | bin | 0 -> 28295 bytes | |||
| -rw-r--r-- | 24584.txt | 2196 | ||||
| -rw-r--r-- | 24584.zip | bin | 0 -> 41454 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
121 files changed, 6710 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/24584-8.txt b/24584-8.txt new file mode 100644 index 0000000..145c1da --- /dev/null +++ b/24584-8.txt @@ -0,0 +1,2196 @@ +The Project Gutenberg EBook of Man Overboard!, by F(rancis) Marion Crawford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Man Overboard! + +Author: F(rancis) Marion Crawford + +Release Date: February 12, 2008 [EBook #24584] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK MAN OVERBOARD! *** + + + + +Produced by Bruce Albrecht, Roberta Staehlin, Grinnell +College Library and the Online Distributed Proofreading +Team at http://www.pgdp.net (This book was produced from +scanned images of public domain material from the Google +Print project.) + + + + + + + + + + Man Overboard! + BY + F. MARION CRAWFORD + + AUTHOR OF "THE UPPER BERTH," "CECILIA," + "THE WITCH OF PRAGUE," ETC. + + [Illustration] + + New York + THE MACMILLAN COMPANY + London: Macmillan & Co., Ltd. + 1903 + + _All rights reserved_ + + COPYRIGHT, 1903, + BY F. MARION CRAWFORD. + + COPYRIGHT, 1903, + BY THE MACMILLAN COMPANY. + + * * * * * + + Set up and electrotyped April, 1903. + + Norwood Press + J.S. Cushing & Co.--Berwick & Smith Co. + Norwood, Mass., U.S.A. + + + + +ILLUSTRATIONS + + + Portrait of F. Marion Crawford _Frontispiece_ + + FACING PAGE + "He let go of the knife, and the point + stuck into the deck" 54 + + "One of his wet, shiny arms was round + Mamie's waist" 92 + + + + +MAN OVERBOARD + + +Yes--I have heard "Man overboard!" a good many times since I was +a boy, and once or twice I have seen the man go. There are more +men lost in that way than passengers on ocean steamers ever learn +of. I have stood looking over the rail on a dark night, when +there was a step beside me, and something flew past my head like +a big black bat--and then there was a splash! Stokers often go +like that. They go mad with the heat, and they slip up on deck +and are gone before anybody can stop them, often without being +seen or heard. Now and then a passenger will do it, but he +generally has what he thinks a pretty good reason. I have seen a +man empty his revolver into a crowd of emigrants forward, and +then go over like a rocket. Of course, any officer who respects +himself will do what he can to pick a man up, if the weather is +not so heavy that he would have to risk his ship; but I don't +think I remember seeing a man come back when he was once fairly +gone more than two or three times in all my life, though we have +often picked up the life-buoy, and sometimes the fellow's cap. +Stokers and passengers jump over; I never knew a sailor to do +that, drunk or sober. Yes, they say it has happened on hard +ships, but I never knew a case myself. Once in a long time a man +is fished out when it is just too late, and dies in the boat +before you can get him aboard, and--well, I don't know that I +ever told that story since it happened--I knew a fellow who went +over, and came back dead. I didn't see him after he came back; +only one of us did, but we all knew he was there. + +No, I am not giving you "sharks." There isn't a shark in this +story, and I don't know that I would tell it at all if we weren't +alone, just you and I. But you and I have seen things in various +parts, and maybe you will understand. Anyhow, you know that I am +telling what I know about, and nothing else; and it has been on +my mind to tell you ever since it happened, only there hasn't +been a chance. + +It's a long story, and it took some time to happen; and it began +a good many years ago, in October, as well as I can remember. I +was mate then; I passed the local Marine Board for master about +three years later. She was the _Helen B. Jackson_, of New York, +with lumber for the West Indies, four-masted schooner, Captain +Hackstaff. She was an old-fashioned one, even then--no steam +donkey, and all to do by hand. There were still sailors in the +coasting trade in those days, you remember. She wasn't a hard +ship, for the old man was better than most of them, though he +kept to himself and had a face like a monkey-wrench. We were +thirteen, all told, in the ship's company; and some of them +afterwards thought that might have had something to do with it, +but I had all that nonsense knocked out of me when I was a boy. I +don't mean to say that I like to go to sea on a Friday, but I +_have_ gone to sea on a Friday, and nothing has happened; and +twice before that we have been thirteen, because one of the hands +didn't turn up at the last minute, and nothing ever happened +either--nothing worse than the loss of a light spar or two, or a +little canvas. Whenever I have been wrecked, we had sailed as +cheerily as you please--no thirteens, no Fridays, no dead men in +the hold. I believe it generally happens that way. + +I dare say you remember those two Benton boys that were so much +alike? It is no wonder, for they were twin brothers. They shipped +with us as boys on the old _Boston Belle_, when you were mate +and I was before the mast. I never was quite sure which was which +of those two, even then; and when they both had beards it was +harder than ever to tell them apart. One was Jim, and the other +was Jack; James Benton and John Benton. The only difference I +ever could see was, that one seemed to be rather more cheerful +and inclined to talk than the other; but one couldn't even be +sure of that. Perhaps they had moods. Anyhow, there was one of +them that used to whistle when he was alone. He only knew one +tune, and that was "Nancy Lee," and the other didn't know any +tune at all; but I may be mistaken about that, too. Perhaps they +both knew it. + +Well, those two Benton boys turned up on board the _Helen B. +Jackson_. They had been on half a dozen ships since the _Boston +Belle_, and they had grown up and were good seamen. They had +reddish beards and bright blue eyes and freckled faces; and they +were quiet fellows, good workmen on rigging, pretty willing, and +both good men at the wheel. They managed to be in the same +watch--it was the port watch on the _Helen B._, and that was +mine, and I had great confidence in them both. If there was any +job aloft that needed two hands, they were always the first to +jump into the rigging; but that doesn't often happen on a +fore-and-aft schooner. If it breezed up, and the jibtopsail was +to be taken in, they never minded a wetting, and they would be +out at the bowsprit end before there was a hand at the downhaul. +The men liked them for that, and because they didn't blow about +what they could do. I remember one day in a reefing job, the +downhaul parted and came down on deck from the peak of the +spanker. When the weather moderated, and we shook the reefs out, +the downhaul was forgotten until we happened to think we might +soon need it again. There was some sea on, and the boom was off +and the gaff was slamming. One of those Benton boys was at the +wheel, and before I knew what he was doing, the other was out on +the gaff with the end of the new downhaul, trying to reeve it +through its block. The one who was steering watched him, and got +as white as cheese. The other one was swinging about on the gaff +end, and every time she rolled to leeward he brought up with a +jerk that would have sent anything but a monkey flying into +space. But he didn't leave it until he had rove the new rope, and +he got back all right. I think it was Jack at the wheel; the one +that seemed more cheerful, the one that whistled "Nancy Lee." He +had rather have been doing the job himself than watch his brother +do it, and he had a scared look; but he kept her as steady as he +could in the swell, and he drew a long breath when Jim had worked +his way back to the peak-halliard block, and had something to +hold on to. I think it was Jim. + +They had good togs, too, and they were neat and clean men in the +forecastle. I knew they had nobody belonging to them ashore,--no +mother, no sisters, and no wives; but somehow they both looked as +if a woman overhauled them now and then. I remember that they had +one ditty bag between them, and they had a woman's thimble in it. +One of the men said something about it to them, and they looked +at each other; and one smiled, but the other didn't. Most of +their clothes were alike, but they had one red guernsey between +them. For some time I used to think it was always the same one +that wore it, and I thought that might be a way to tell them +apart. But then I heard one asking the other for it, and saying +that the other had worn it last. So that was no sign either. The +cook was a West Indiaman, called James Lawley; his father had +been hanged for putting lights in cocoanut trees where they +didn't belong. But he was a good cook, and knew his business; and +it wasn't soup-and-bully and dog's-body every Sunday. That's +what I meant to say. On Sunday the cook called both those boys +Jim, and on week-days he called them Jack. He used to say he must +be right sometimes if he did that, because even the hands on a +painted clock point right twice a day. + +What started me to trying for some way of telling the Bentons +apart was this. I heard them talking about a girl. It was at +night, in our watch, and the wind had headed us off a little +rather suddenly, and when we had flattened in the jibs, we clewed +down the topsails, while the two Benton boys got the spanker +sheet aft. One of them was at the helm. I coiled down the +mizzen-topsail downhaul myself, and was going aft to see how she +headed up, when I stopped to look at a light, and leaned against +the deck-house. While I was standing there I heard the two boys +talking. It sounded as if they had talked of the same thing +before, and as far as I could tell, the voice I heard first +belonged to the one who wasn't quite so cheerful as the +other,--the one who was Jim when one knew which he was. + +"Does Mamie know?" Jim asked. + +"Not yet," Jack answered quietly. He was at the wheel. "I mean to +tell her next time we get home." + +"All right." + +That was all I heard, because I didn't care to stand there +listening while they were talking about their own affairs; so I +went aft to look into the binnacle, and I told the one at the +wheel to keep her so as long as she had way on her, for I thought +the wind would back up again before long, and there was land to +leeward. When he answered, his voice, somehow, didn't sound like +the cheerful one. Perhaps his brother had relieved the wheel +while they had been speaking, but what I had heard set me +wondering which of them it was that had a girl at home. There's +lots of time for wondering on a schooner in fair weather. + +After that I thought I noticed that the two brothers were more +silent when they were together. Perhaps they guessed that I had +overheard something that night, and kept quiet when I was about. +Some men would have amused themselves by trying to chaff them +separately about the girl at home, and I suppose whichever one it +was would have let the cat out of the bag if I had done that. +But, somehow, I didn't like to. Yes, I was thinking of getting +married myself at that time, so I had a sort of fellow-feeling +for whichever one it was, that made me not want to chaff him. + +They didn't talk much, it seemed to me; but in fair weather, when +there was nothing to do at night, and one was steering, the other +was everlastingly hanging round as if he were waiting to relieve +the wheel, though he might have been enjoying a quiet nap for all +I cared in such weather. Or else, when one was taking his turn at +the lookout, the other would be sitting on an anchor beside him. +One kept near the other, at night more than in the daytime. I +noticed that. They were fond of sitting on that anchor, and they +generally tucked away their pipes under it, for the _Helen B._ +was a dry boat in most weather, and like most fore-and-afters was +better on a wind than going free. With a beam sea we sometimes +shipped a little water aft. We were by the stern, anyhow, on that +voyage, and that is one reason why we lost the man. + +We fell in with a southerly gale, south-east at first; and then +the barometer began to fall while you could watch it, and a long +swell began to come up from the south'ard. A couple of months +earlier we might have been in for a cyclone, but it's "October +all over" in those waters, as you know better than I. It was just +going to blow, and then it was going to rain, that was all; and +we had plenty of time to make everything snug before it breezed +up much. It blew harder after sunset, and by the time it was +quite dark it was a full gale. We had shortened sail for it, but +as we were by the stern we were carrying the spanker close reefed +instead of the storm trysail. She steered better so, as long as +we didn't have to heave to. I had the first watch with the Benton +boys, and we had not been on deck an hour when a child might have +seen that the weather meant business. + +The old man came up on deck and looked round, and in less than a +minute he told us to give her the trysail. That meant heaving to, +and I was glad of it; for though the _Helen B._ was a good vessel +enough, she wasn't a new ship by a long way, and it did her no +good to drive her in that weather. I asked whether I should call +all hands, but just then the cook came aft, and the old man said +he thought we could manage the job without waking the sleepers, +and the trysail was handy on deck already, for we hadn't been +expecting anything better. We were all in oilskins, of course, +and the night was as black as a coal mine, with only a ray of +light from the slit in the binnacle shield, and you couldn't tell +one man from another except by his voice. The old man took the +wheel; we got the boom amidships, and he jammed her into the wind +until she had hardly any way. It was blowing now, and it was all +that I and two others could do to get in the slack of the +downhaul, while the others lowered away at the peak and throat, +and we had our hands full to get a couple of turns round the wet +sail. It's all child's play on a fore-and-after compared with +reefing topsails in anything like weather, but the gear of a +schooner sometimes does unhandy things that you don't expect, and +those everlasting long halliards get foul of everything if they +get adrift. I remember thinking how unhandy that particular job +was. Somebody unhooked the throat-halliard block, and thought he +had hooked it into the head-cringle of the trysail, and sang out +to hoist away, but he had missed it in the dark, and the heavy +block went flying into the lee rigging, and nearly killed him +when it swung back with the weather roll. Then the old man got +her up in the wind until the jib was shaking like thunder; then +he held her off, and she went off as soon as the head-sails +filled, and he couldn't get her back again without the spanker. +Then the _Helen B._ did her favourite trick, and before we had +time to say much we had a sea over the quarter and were up to our +waists, with the parrels of the trysail only half becketed round +the mast, and the deck so full of gear that you couldn't put your +foot on a plank, and the spanker beginning to get adrift again, +being badly stopped, and the general confusion and hell's delight +that you can only have on a fore-and-after when there's nothing +really serious the matter. Of course, I don't mean to say that +the old man couldn't have steered his trick as well as you or I +or any other seaman; but I don't believe he had ever been on +board the _Helen B._ before, or had his hand on her wheel till +then; and he didn't know her ways. I don't mean to say that what +happened was his fault. I don't know whose fault it was. Perhaps +nobody was to blame. But I knew something happened somewhere on +board when we shipped that sea, and you'll never get it out of my +head. I hadn't any spare time myself, for I was becketing the +rest of the trysail to the mast. We were on the starboard tack, +and the throat-halliard came down to port as usual, and I suppose +there were at least three men at it, hoisting away, while I was +at the beckets. + +Now I am going to tell you something. You have known me, man and +boy, several voyages; and you are older than I am; and you have +always been a good friend to me. Now, do you think I am the sort +of man to think I hear things where there isn't anything to hear, +or to think I see things when there is nothing to see? No, you +don't. Thank you. Well now, I had passed the last becket, and I +sang out to the men to sway away, and I was standing on the jaws +of the spanker-gaff, with my left hand on the bolt-rope of the +trysail, so that I could feel when it was board-taut, and I +wasn't thinking of anything except being glad the job was over, +and that we were going to heave her to. It was as black as a +coal-pocket, except that you could see the streaks on the seas as +they went by, and abaft the deck-house I could see the ray of +light from the binnacle on the captain's yellow oilskin as he +stood at the wheel--or rather I might have seen it if I had +looked round at that minute. But I didn't look round. I heard a +man whistling. It was "Nancy Lee," and I could have sworn that +the man was right over my head in the crosstrees. Only somehow I +knew very well that if anybody could have been up there, and +could have whistled a tune, there were no living ears sharp +enough to hear it on deck then. I heard it distinctly, and at the +same time I heard the real whistling of the wind in the weather +rigging, sharp and clear as the steam-whistle on a Dago's +peanut-cart in New York. That was all right, that was as it +should be; but the other wasn't right; and I felt queer and +stiff, as if I couldn't move, and my hair was curling against the +flannel lining of my sou'wester, and I thought somebody had +dropped a lump of ice down my back. + +I said that the noise of the wind in the rigging was real, as if +the other wasn't, for I felt that it wasn't, though I heard it. +But it was, all the same; for the captain heard it, too. When I +came to relieve the wheel, while the men were clearing up decks, +he was swearing. He was a quiet man, and I hadn't heard him swear +before, and I don't think I did again, though several queer +things happened after that. Perhaps he said all he had to say +then; I don't see how he could have said anything more. I used to +think nobody could swear like a Dane, except a Neapolitan or a +South American; but when I had heard the old man I changed my +mind. There's nothing afloat or ashore that can beat one of your +quiet American skippers, if he gets off on that tack. I didn't +need to ask him what was the matter, for I knew he had heard +"Nancy Lee," as I had, only it affected us differently. + +He did not give me the wheel, but told me to go forward and get +the second bonnet off the staysail, so as to keep her up better. +As we tailed on to the sheet when it was done, the man next me +knocked his sou'wester off against my shoulder, and his face came +so close to me that I could see it in the dark. It must have been +very white for me to see it, but I only thought of that +afterwards. I don't see how any light could have fallen upon it, +but I knew it was one of the Benton boys. I don't know what made +me speak to him. "Hullo, Jim! Is that you?" I asked. I don't know +why I said Jim, rather than Jack. + +"I am Jack," he answered. We made all fast, and things were much +quieter. + +"The old man heard you whistling 'Nancy Lee,' just now," I said, +"and he didn't like it." + +It was as if there were a white light inside his face, and it was +ghastly. I know his teeth chattered. But he didn't say anything, +and the next minute he was somewhere in the dark trying to find +his sou'wester at the foot of the mast. + +When all was quiet, and she was hove to, coming to and falling +off her four points as regularly as a pendulum, and the helm +lashed a little to the lee, the old man turned in again, and I +managed to light a pipe in the lee of the deck-house, for there +was nothing more to be done till the gale chose to moderate, and +the ship was as easy as a baby in its cradle. Of course the cook +had gone below, as he might have done an hour earlier; so there +were supposed to be four of us in the watch. There was a man at +the lookout, and there was a hand by the wheel, though there was +no steering to be done, and I was having my pipe in the lee of +the deck-house, and the fourth man was somewhere about decks, +probably having a smoke too. I thought some skippers I had sailed +with would have called the watch aft, and given them a drink +after that job, but it wasn't cold, and I guessed that our old +man wouldn't be particularly generous in that way. My hands and +feet were red-hot, and it would be time enough to get into dry +clothes when it was my watch below; so I stayed where I was, and +smoked. But by and by, things being so quiet, I began to wonder +why nobody moved on deck; just that sort of restless wanting to +know where every man is that one sometimes feels in a gale of +wind on a dark night. So when I had finished my pipe I began to +move about. I went aft, and there was a man leaning over the +wheel, with his legs apart and both hands hanging down in the +light from the binnacle, and his sou'wester over his eyes. Then +I went forward, and there was a man at the lookout, with his back +against the foremast, getting what shelter he could from the +staysail. I knew by his small height that he was not one of the +Benton boys. Then I went round by the weather side, and poked +about in the dark, for I began to wonder where the other man was. +But I couldn't find him, though I searched the decks until I got +right aft again. It was certainly one of the Benton boys that was +missing, but it wasn't like either of them to go below to change +his clothes in such warm weather. The man at the wheel was the +other, of course. I spoke to him. + +"Jim, what's become of your brother?" + +"I am Jack, sir." + +"Well, then, Jack, where's Jim? He's not on deck." + +"I don't know, sir." + +When I had come up to him he had stood up from force of instinct, +and had laid his hands on the spokes as if he were steering, +though the wheel was lashed; but he still bent his face down, and +it was half hidden by the edge of his sou'wester, while he seemed +to be staring at the compass. He spoke in a very low voice, but +that was natural, for the captain had left his door open when he +turned in, as it was a warm night in spite of the storm, and +there was no fear of shipping any more water now. + +"What put it into your head to whistle like that, Jack? You've +been at sea long enough to know better." + +He said something, but I couldn't hear the words; it sounded as +if he were denying the charge. + +"Somebody whistled," I said. + +He didn't answer, and then, I don't know why, perhaps because the +old man hadn't given us a drink, I cut half an inch off the plug +of tobacco I had in my oilskin pocket, and gave it to him. He +knew my tobacco was good, and he shoved it into his mouth with a +word of thanks. I was on the weather side of the wheel. + +"Go forward and see if you can find Jim," I said. + +He started a little, and then stepped back and passed behind me, +and was going along the weather side. Maybe his silence about the +whistling had irritated me, and his taking it for granted that +because we were hove to and it was a dark night, he might go +forward any way he pleased. Anyhow, I stopped him, though I spoke +good-naturedly enough. + +"Pass to leeward, Jack," I said. + +He didn't answer, but crossed the deck between the binnacle and +the deck-house to the lee side. She was only falling off and +coming to, and riding the big seas as easily as possible, but the +man was not steady on his feet and reeled against the corner of +the deck-house and then against the lee rail. I was quite sure he +couldn't have had anything to drink, for neither of the brothers +were the kind to hide rum from their shipmates, if they had any, +and the only spirits that were aboard were locked up in the +captain's cabin. I wondered whether he had been hit by the +throat-halliard block and was hurt. + +I left the wheel and went after him, but when I got to the corner +of the deck-house I saw that he was on a full run forward, so I +went back. I watched the compass for a while, to see how far she +went off, and she must have come to again half a dozen times +before I heard voices, more than three or four, forward; and then +I heard the little West Indies cook's voice, high and shrill +above the rest:-- + +"Man overboard!" + +There wasn't anything to be done, with the ship hove-to and the +wheel lashed. If there was a man overboard, he must be in the +water right alongside. I couldn't imagine how it could have +happened, but I ran forward instinctively. I came upon the cook +first, half-dressed in his shirt and trousers, just as he had +tumbled out of his bunk. He was jumping into the main rigging, +evidently hoping to see the man, as if any one could have seen +anything on such a night, except the foam-streaks on the black +water, and now and then the curl of a breaking sea as it went +away to leeward. Several of the men were peering over the rail +into the dark. I caught the cook by the foot, and asked who was +gone. + +"It's Jim Benton," he shouted down to me. "He's not aboard this +ship!" + +There was no doubt about that. Jim Benton was gone; and I knew in +a flash that he had been taken off by that sea when we were +setting the storm trysail. It was nearly half an hour since then; +she had run like wild for a few minutes until we got her hove-to, +and no swimmer that ever swam could have lived as long as that in +such a sea. The men knew it as well as I, but still they stared +into the foam as if they had any chance of seeing the lost man. I +let the cook get into the rigging and joined the men, and asked +if they had made a thorough search on board, though I knew they +had and that it could not take long, for he wasn't on deck, and +there was only the forecastle below. + +"That sea took him over, sir, as sure as you're born," said one +of the men close beside me. + +We had no boat that could have lived in that sea, of course, and +we all knew it. I offered to put one over, and let her drift +astern two or three cable's-lengths by a line, if the men thought +they could haul me aboard again; but none of them would listen to +that, and I should probably have been drowned if I had tried it, +even with a life-belt; for it was a breaking sea. Besides, they +all knew as well as I did that the man could not be right in our +wake. I don't know why I spoke again. "Jack Benton, are you +there? Will you go if I will?" + +"No, sir," answered a voice; and that was all. + +By that time the old man was on deck, and I felt his hand on my +shoulder rather roughly, as if he meant to shake me. + +"I'd reckoned you had more sense, Mr. Torkeldsen," he said. "God +knows I would risk my ship to look for him, if it were any use; +but he must have gone half an hour ago." + +He was a quiet man, and the men knew he was right, and that they +had seen the last of Jim Benton when they were bending the +trysail--if anybody had seen him then. The captain went below +again, and for some time the men stood around Jack, quite near +him, without saying anything, as sailors do when they are sorry +for a man and can't help him; and then the watch below turned in +again, and we were three on deck. + +Nobody can understand that there can be much consolation in a +funeral, unless he has felt that blank feeling there is when a +man's gone overboard whom everybody likes. I suppose landsmen +think it would be easier if they didn't have to bury their +fathers and mothers and friends; but it wouldn't be. Somehow the +funeral keeps up the idea of something beyond. You may believe in +that something just the same; but a man who has gone in the dark, +between two seas, without a cry, seems much more beyond reach +than if he were still lying on his bed, and had only just stopped +breathing. Perhaps Jim Benton knew that, and wanted to come back +to us. I don't know, and I am only telling you what happened, and +you may think what you like. + +Jack stuck by the wheel that night until the watch was over. I +don't know whether he slept afterwards, but when I came on deck +four hours later, there he was again, in his oilskins, with his +sou'wester over his eyes, staring into the binnacle. We saw that +he would rather stand there, and we left him alone. Perhaps it +was some consolation to him to get that ray of light when +everything was so dark. It began to rain, too, as it can when a +southerly gale is going to break up, and we got every bucket and +tub on board, and set them under the booms to catch the fresh +water for washing our clothes. The rain made it very thick, and I +went and stood under the lee of the staysail, looking out. I +could tell that day was breaking, because the foam was whiter in +the dark where the seas crested, and little by little the black +rain grew grey and steamy, and I couldn't see the red glare of +the port light on the water when she went off and rolled to +leeward. The gale had moderated considerably, and in another hour +we should be under way again. I was still standing there when +Jack Benton came forward. He stood still a few minutes near me. +The rain came down in a solid sheet, and I could see his wet +beard and a corner of his cheek, too, grey in the dawn. Then he +stooped down and began feeling under the anchor for his pipe. We +had hardly shipped any water forward, and I suppose he had some +way of tucking the pipe in, so that the rain hadn't floated it +off. Presently he got on his legs again, and I saw that he had +two pipes in his hand. One of them had belonged to his brother, +and after looking at them a moment I suppose he recognised his +own, for he put it in his mouth, dripping with water. Then he +looked at the other fully a minute without moving. When he had +made up his mind, I suppose, he quietly chucked it over the lee +rail, without even looking round to see whether I was watching +him. I thought it was a pity, for it was a good wooden pipe, with +a nickel ferrule, and somebody would have been glad to have it. +But I didn't like to make any remark, for he had a right to do +what he pleased with what had belonged to his dead brother. He +blew the water out of his own pipe, and dried it against his +jacket, putting his hand inside his oilskin; he filled it, +standing under the lee of the foremast, got a light after wasting +two or three matches, and turned the pipe upside down in his +teeth, to keep the rain out of the bowl. I don't know why I +noticed everything he did, and remember it now; but somehow I +felt sorry for him, and I kept wondering whether there was +anything I could say that would make him feel better. But I +didn't think of anything, and as it was broad daylight I went aft +again, for I guessed that the old man would turn out before long +and order the spanker set and the helm up. But he didn't turn out +before seven bells, just as the clouds broke and showed blue sky +to leeward--"the Frenchman's barometer," you used to call it. + +Some people don't seem to be so dead, when they are dead, as +others are. Jim Benton was like that. He had been on my watch, +and I couldn't get used to the idea that he wasn't about decks +with me. I was always expecting to see him, and his brother was +so exactly like him that I often felt as if I did see him and +forgot he was dead, and made the mistake of calling Jack by his +name; though I tried not to, because I knew it must hurt. If ever +Jack had been the cheerful one of the two, as I had always +supposed he had been, he had changed very much, for he grew to be +more silent than Jim had ever been. + +One fine afternoon I was sitting on the main-hatch, overhauling +the clock-work of the taffrail-log, which hadn't been registering +very well of late, and I had got the cook to bring me a +coffee-cup to hold the small screws as I took them out, and a +saucer for the sperm-oil I was going to use. I noticed that he +didn't go away, but hung round without exactly watching what I +was doing, as if he wanted to say something to me. I thought if +it were worth much he would say it anyhow, so I didn't ask him +questions; and sure enough he began of his own accord before +long. There was nobody on deck but the man at the wheel, and the +other man away forward. + +"Mr. Torkeldsen," the cook began, and then stopped. + +I supposed he was going to ask me to let the watch break out a +barrel of flour, or some salt horse. + +"Well, doctor?" I asked, as he didn't go on. + +"Well, Mr. Torkeldsen," he answered, "I somehow want to ask you +whether you think I am giving satisfaction on this ship, or not?" + +"So far as I know, you are, doctor. I haven't heard any +complaints from the forecastle, and the captain has said nothing, +and I think you know your business, and the cabin-boy is bursting +out of his clothes. That looks as if you are giving satisfaction. +What makes you think you are not?" + +I am not good at giving you that West Indies talk, and sha'n't +try; but the doctor beat about the bush awhile, and then he told +me he thought the men were beginning to play tricks on him, and +he didn't like it, and thought he hadn't deserved it, and would +like his discharge at our next port. I told him he was a d----d +fool, of course, to begin with; and that men were more apt to try +a joke with a chap they liked than with anybody they wanted to +get rid of; unless it was a bad joke, like flooding his bunk, or +filling his boots with tar. But it wasn't that kind of practical +joke. The doctor said that the men were trying to frighten him, +and he didn't like it, and that they put things in his way that +frightened him. So I told him he was a d----d fool to be +frightened, anyway, and I wanted to know what things they put in +his way. He gave me a queer answer. He said they were spoons and +forks, and odd plates, and a cup now and then, and such things. + +I set down the taffrail-log on the bit of canvas I had put under +it, and looked at the doctor. He was uneasy, and his eyes had a +sort of hunted look, and his yellow face looked grey. He wasn't +trying to make trouble. He was in trouble. So I asked him +questions. + +He said he could count as well as anybody, and do sums without +using his fingers, but that when he couldn't count any other way +he did use his fingers, and it always came out the same. He said +that when he and the cabin-boy cleared up after the men's meals +there were more things to wash than he had given out. There'd be +a fork more, or there'd be a spoon more, and sometimes there'd be +a spoon and a fork, and there was always a plate more. It wasn't +that he complained of that. Before poor Jim Benton was lost they +had a man more to feed, and his gear to wash up after meals, and +that was in the contract, the doctor said. It would have been if +there were twenty in the ship's company; but he didn't think it +was right for the men to play tricks like that. He kept his +things in good order, and he counted them, and he was responsible +for them, and it wasn't right that the men should take more +things than they needed when his back was turned, and just soil +them and mix them up with their own, so as to make him think-- + +He stopped there, and looked at me, and I looked at him. I didn't +know what he thought, but I began to guess. I wasn't going to +humour any such nonsense as that, so I told him to speak to the +men himself, and not come bothering me about such things. + +"Count the plates and forks and spoons before them when they sit +down to table, and tell them that's all they'll get; and when +they have finished, count the things again, and if the count +isn't right, find out who did it. You know it must be one of +them. You're not a green hand; you've been going to sea ten or +eleven years, and don't want any lesson about how to behave if +the boys play a trick on you." + +"If I could catch him," said the cook, "I'd have a knife into him +before he could say his prayers." + +Those West India men are always talking about knives, especially +when they are badly frightened. I knew what he meant, and didn't +ask him, but went on cleaning the brass cogwheels of the patent +log and oiling the bearings with a feather. "Wouldn't it be +better to wash it out with boiling water, sir?" asked the cook, +in an insinuating tone. He knew that he had made a fool of +himself, and was anxious to make it right again. + +I heard no more about the odd platter and gear for two or three +days, though I thought about his story a good deal. The doctor +evidently believed that Jim Benton had come back, though he +didn't quite like to say so. His story had sounded silly enough +on a bright afternoon, in fair weather, when the sun was on the +water, and every rag was drawing in the breeze, and the sea +looked as pleasant and harmless as a cat that has just eaten a +canary. But when it was toward the end of the first watch, and +the waning moon had not risen yet, and the water was like still +oil, and the jibs hung down flat and helpless like the wings of a +dead bird--it wasn't the same then. More than once I have started +then, and looked round when a fish jumped, expecting to see a +face sticking up out of the water with its eyes shut. I think we +all felt something like that at the time. + +One afternoon we were putting a fresh service on the +jib-sheet-pennant. It wasn't my watch, but I was standing by +looking on. Just then Jack Benton came up from below, and went to +look for his pipe under the anchor. His face was hard and drawn, +and his eyes were cold like steel balls. He hardly ever spoke +now, but he did his duty as usual, and nobody had to complain of +him, though we were all beginning to wonder how long his grief +for his dead brother was going to last like that. I watched him +as he crouched down, and ran his hand into the hiding-place for +the pipe. When he stood up, he had two pipes in his hand. + +Now, I remembered very well seeing him throw one of those pipes +away, early in the morning after the gale; and it came to me now, +and I didn't suppose he kept a stock of them under the anchor. I +caught sight of his face, and it was greenish white, like the +foam on shallow water, and he stood a long time looking at the +two pipes. He wasn't looking to see which was his, for I wasn't +five yards from him as he stood, and one of those pipes had been +smoked that day, and was shiny where his hand had rubbed it, and +the bone mouthpiece was chafed white where his teeth had bitten +it. The other was water-logged. It was swelled and cracking with +wet, and it looked to me as if there were a little green weed on +it. + +Jack Benton turned his head rather stealthily as I looked away, +and then he hid the thing in his trousers pocket, and went aft on +the lee side, out of sight. The men had got the sheet pennant on +a stretch to serve it, but I ducked under it and stood where I +could see what Jack did, just under the fore-staysail. He +couldn't see me, and he was looking about for something. His hand +shook as he picked up a bit of half-bent iron rod, about a foot +long, that had been used for turning an eye-bolt, and had been +left on the main-hatch. His hand shook as he got a piece of +marline out of his pocket, and made the water-logged pipe fast to +the iron. He didn't mean it to get adrift, either, for he took +his turns carefully, and hove them taut and then rode them, so +that they couldn't slip, and made the end fast with two +half-hitches round the iron, and hitched it back on itself. Then +he tried it with his hands, and looked up and down the deck +furtively, and then quietly dropped the pipe and iron over the +rail, so that I didn't even hear the splash. If anybody was +playing tricks on board, they weren't meant for the cook. + +I asked some questions about Jack Benton, and one of the men told +me that he was off his feed, and hardly ate anything, and +swallowed all the coffee he could lay his hands on, and had used +up all his own tobacco and had begun on what his brother had +left. + +"The doctor says it ain't so, sir," said the man, looking at me +shyly, as if he didn't expect to be believed; "the doctor says +there's as much eaten from breakfast to breakfast as there was +before Jim fell overboard, though there's a mouth less and +another that eats nothing. I says it's the cabin-boy that gets +it. He's bu'sting." + +I told him that if the cabin-boy ate more than his share, he must +work more than his share, so as to balance things. But the man +laughed queerly, and looked at me again. + +"I only said that, sir, just like that. We all know it ain't so." + +"Well, how is it?" + +"How is it?" asked the man, half-angry all at once. "I don't know +how it is, but there's a hand on board that's getting his whack +along with us as regular as the bells." + +"Does he use tobacco?" I asked, meaning to laugh it out of him, +but as I spoke I remembered the water-logged pipe. + +"I guess he's using his own still," the man answered, in a queer, +low voice. "Perhaps he'll take some one else's when his is all +gone." + +It was about nine o'clock in the morning, I remember, for just +then the captain called to me to stand by the chronometer while +he took his fore observation. Captain Hackstaff wasn't one of +those old skippers who do everything themselves with a pocket +watch, and keep the key of the chronometer in their waistcoat +pocket, and won't tell the mate how far the dead reckoning is +out. He was rather the other way, and I was glad of it, for he +generally let me work the sights he took, and just ran his eye +over my figures afterwards. I am bound to say his eye was pretty +good, for he would pick out a mistake in a logarithm, or tell me +that I had worked the "Equation of Time" with the wrong sign, +before it seemed to me that he could have got as far as "half the +sum, minus the altitude." He was always right, too, and besides +he knew a lot about iron ships and local deviation, and adjusting +the compass, and all that sort of thing. I don't know how he came +to be in command of a fore-and-aft schooner. He never talked +about himself, and maybe he had just been mate on one of those +big steel square-riggers, and something had put him back. Perhaps +he had been captain, and had got his ship aground, through no +particular fault of his, and had to begin over again. Sometimes +he talked just like you and me, and sometimes he would speak more +like books do, or some of those Boston people I have heard. I +don't know. We have all been shipmates now and then with men who +have seen better days. Perhaps he had been in the Navy, but what +makes me think he couldn't have been, was that he was a thorough +good seaman, a regular old wind-jammer, and understood sail, +which those Navy chaps rarely do. Why, you and I have sailed with +men before the mast who had their master's certificates in their +pockets,--English Board of Trade certificates, too,--who could +work a double altitude if you would lend them a sextant and give +them a look at the chronometer, as well as many a man who +commands a big square-rigger. Navigation ain't everything, nor +seamanship, either. You've got to have it in you, if you mean to +get there. + +I don't know how our captain heard that there was trouble +forward. The cabin-boy may have told him, or the men may have +talked outside his door when they relieved the wheel at night. +Anyhow, he got wind of it, and when he had got his sight that +morning he had all hands aft, and gave them a lecture. It was +just the kind of talk you might have expected from him. He said +he hadn't any complaint to make, and that so far as he knew +everybody on board was doing his duty, and that he was given to +understand that the men got their whack, and were satisfied. He +said his ship was never a hard ship, and that he liked quiet, and +that was the reason he didn't mean to have any nonsense, and the +men might just as well understand that, too. We'd had a great +misfortune, he said, and it was nobody's fault. We had lost a +man we all liked and respected, and he felt that everybody in the +ship ought to be sorry for the man's brother, who was left +behind, and that it was rotten lubberly childishness, and unjust +and unmanly and cowardly, to be playing schoolboy tricks with +forks and spoons and pipes, and that sort of gear. He said it had +got to stop right now, and that was all, and the men might go +forward. And so they did. + +It got worse after that, and the men watched the cook, and the +cook watched the men, as if they were trying to catch each other; +but I think everybody felt that there was something else. One +evening, at supper-time, I was on deck, and Jack came aft to +relieve the wheel while the man who was steering got his supper. +He hadn't got past the main-hatch on the lee side, when I heard a +man running in slippers that slapped on the deck, and there was a +sort of a yell and I saw the coloured cook going for Jack, with +a carving-knife in his hand. I jumped to get between them, and +Jack turned round short, and put out his hand. I was too far to +reach them, and the cook jabbed out with his knife. But the blade +didn't get anywhere near Benton. The cook seemed to be jabbing it +into the air again and again, at least four feet short of the +mark. Then he dropped his right hand, and I saw the whites of his +eyes in the dusk, and he reeled up against the pin-rail, and +caught hold of a belaying-pin with his left. I had reached him by +that time, and grabbed hold of his knife-hand and the other too, +for I thought he was going to use the pin; but Jack Benton was +standing staring stupidly at him, as if he didn't understand. But +instead, the cook was holding on because he couldn't stand, and +his teeth were chattering, and he let go of the knife, and the +point stuck into the deck. + +"He's crazy!" said Jack Benton, and that was all he said; and he +went aft. + +[Illustration: HE LET GO OF THE KNIFE, AND THE POINT STUCK INTO +THE DECK.] + +When he was gone, the cook began to come to, and he spoke quite +low, near my ear. + +"There were two of them! So help me God, there were two of them!" + +I don't know why I didn't take him by the collar, and give him a +good shaking; but I didn't. I just picked up the knife and gave +it to him, and told him to go back to his galley, and not to make +a fool of himself. You see, he hadn't struck at Jack, but at +something he thought he saw, and I knew what it was, and I felt +that same thing, like a lump of ice sliding down my back, that I +felt that night when we were bending the trysail. + +When the men had seen him running aft, they jumped up after him, +but they held off when they saw that I had caught him. By and by, +the man who had spoken to me before told me what had happened. He +was a stocky little chap, with a red head. + +"Well," he said, "there isn't much to tell. Jack Benton had been +eating his supper with the rest of us. He always sits at the +after corner of the table, on the port side. His brother used to +sit at the end, next him. The doctor gave him a thundering big +piece of pie to finish up with, and when he had finished he +didn't stop for a smoke, but went off quick to relieve the wheel. +Just as he had gone, the doctor came in from the galley, and when +he saw Jack's empty plate he stood stock still staring at it; and +we all wondered what was the matter, till we looked at the plate. +There were two forks in it, sir, lying side by side. Then the +doctor grabbed his knife, and flew up through the hatch like a +rocket. The other fork was there all right, Mr. Torkeldsen, for +we all saw it and handled it; and we all had our own. That's all +I know." + +I didn't feel that I wanted to laugh when he told me that story; +but I hoped the old man wouldn't hear it, for I knew he wouldn't +believe it, and no captain that ever sailed likes to have +stories like that going round about his ship. It gives her a bad +name. But that was all anybody ever saw except the cook, and he +isn't the first man who has thought he saw things without having +any drink in him. I think, if the doctor had been weak in the +head as he was afterwards, he might have done something foolish +again, and there might have been serious trouble. But he didn't. +Only, two or three times I saw him looking at Jack Benton in a +queer, scared way, and once I heard him talking to himself. + +"There's two of them! So help me God, there's two of them!" + +He didn't say anything more about asking for his discharge, but I +knew well enough that if he got ashore at the next port we should +never see him again, if he had to leave his kit behind him, and +his money, too. He was scared all through, for good and all; and +he wouldn't be right again till he got another ship. It's no use +to talk to a man when he gets like that, any more than it is to +send a boy to the main truck when he has lost his nerve. + +Jack Benton never spoke of what happened that evening. I don't +know whether he knew about the two forks, or not; or whether he +understood what the trouble was. Whatever he knew from the other +men, he was evidently living under a hard strain. He was quiet +enough, and too quiet; but his face was set, and sometimes it +twitched oddly when he was at the wheel, and he would turn his +head round sharp to look behind him. A man doesn't do that +naturally, unless there's a vessel that he thinks is creeping up +on the quarter. When that happens, if the man at the wheel takes +a pride in his ship, he will almost always keep glancing over his +shoulder to see whether the other fellow is gaining. But Jack +Benton used to look round when there was nothing there; and what +is curious, the other men seemed to catch the trick when they +were steering. One day the old man turned out just as the man at +the wheel looked behind him. + +"What are you looking at?" asked the captain. + +"Nothing, sir," answered the man. + +"Then keep your eye on the mizzen-royal," said the old man, as if +he were forgetting that we weren't a square-rigger. + +"Ay, ay, sir," said the man. + +The captain told me to go below and work up the latitude from the +dead-reckoning, and he went forward of the deck-house and sat +down to read, as he often did. When I came up, the man at the +wheel was looking round again, and I stood beside him and just +asked him quietly what everybody was looking at, for it was +getting to be a general habit. He wouldn't say anything at first, +but just answered that it was nothing. But when he saw that I +didn't seem to care, and just stood there as if there were +nothing more to be said, he naturally began to talk. + +He said that it wasn't that he saw anything, because there wasn't +anything to see except the spanker sheet just straining a little, and +working in the sheaves of the blocks as the schooner rose to the short +seas. There wasn't anything to be seen, but it seemed to him that the +sheet made a queer noise in the blocks. It was a new manilla sheet; and +in dry weather it did make a little noise, something between a creak and +a wheeze. I looked at it and looked at the man, and said nothing; and +presently he went on. He asked me if I didn't notice anything peculiar +about the noise. I listened awhile, and said I didn't notice anything. +Then he looked rather sheepish, but said he didn't think it could be his +own ears, because every man who steered his trick heard the same thing +now and then,--sometimes once in a day, sometimes once in a night, +sometimes it would go on a whole hour. + +"It sounds like sawing wood," I said, just like that. + +"To us it sounds a good deal more like a man whistling 'Nancy +Lee.'" He started nervously as he spoke the last words. "There, +sir, don't you hear it?" he asked suddenly. + +I heard nothing but the creaking of the manilla sheet. It +was getting near noon, and fine, clear weather in southern +waters,--just the sort of day and the time when you would least +expect to feel creepy. But I remembered how I had heard that same +tune overhead at night in a gale of wind a fortnight earlier, +and I am not ashamed to say that the same sensation came over +me now, and I wished myself well out of the _Helen B._, and +aboard of any old cargo-dragger, with a windmill on deck, and an +eighty-nine-forty-eighter for captain, and a fresh leak whenever +it breezed up. + +Little by little during the next few days life on board that +vessel came to be about as unbearable as you can imagine. It +wasn't that there was much talk, for I think the men were shy +even of speaking to each other freely about what they thought. +The whole ship's company grew silent, until one hardly ever heard +a voice, except giving an order and the answer. The men didn't +sit over their meals when their watch was below, but either +turned in at once or sat about on the forecastle smoking their +pipes without saying a word. We were all thinking of the same +thing. We all felt as if there were a hand on board, sometimes +below, sometimes about decks, sometimes aloft, sometimes on the +boom end; taking his full share of what the others got, but doing +no work for it. We didn't only feel it, we knew it. He took up no +room, he cast no shadow, and we never heard his footfall on deck; +but he took his whack with the rest as regular as the bells, +and--he whistled "Nancy Lee." It was like the worst sort of dream +you can imagine; and I dare say a good many of us tried to +believe it was nothing else sometimes, when we stood looking over +the weather rail in fine weather with the breeze in our faces; +but if we happened to turn round and look into each other's eyes, +we knew it was something worse than any dream could be; and we +would turn away from each other with a queer, sick feeling, +wishing that we could just for once see somebody who didn't know +what we knew. + +There's not much more to tell about the _Helen B. Jackson_ so far +as I am concerned. We were more like a shipload of lunatics than +anything else when we ran in under Morro Castle, and anchored in +Havana. The cook had brain fever, and was raving mad in his +delirium; and the rest of the men weren't far from the same +state. The last three or four days had been awful, and we had +been as near to having a mutiny on board as I ever want to be. +The men didn't want to hurt anybody; but they wanted to get away +out of that ship, if they had to swim for it; to get away from +that whistling, from that dead shipmate who had come back, and +who filled the ship with his unseen self. I know that if the old +man and I hadn't kept a sharp lookout the men would have put a +boat over quietly on one of those calm nights, and pulled away, +leaving the captain and me and the mad cook to work the schooner +into harbour. We should have done it somehow, of course, for we +hadn't far to run if we could get a breeze; and once or twice I +found myself wishing that the crew were really gone, for the +awful state of fright in which they lived was beginning to work +on me too. You see I partly believed and partly didn't; but +anyhow I didn't mean to let the thing get the better of me, +whatever it was. I turned crusty, too, and kept the men at work +on all sorts of jobs, and drove them to it until they wished I +was overboard, too. It wasn't that the old man and I were trying +to drive them to desert without their pay, as I am sorry to say +a good many skippers and mates do, even now. Captain Hackstaff +was as straight as a string, and I didn't mean those poor fellows +should be cheated out of a single cent; and I didn't blame them +for wanting to leave the ship, but it seemed to me that the only +chance to keep everybody sane through those last days was to work +the men till they dropped. When they were dead tired they slept a +little, and forgot the thing until they had to tumble up on deck +and face it again. That was a good many years ago. Do you believe +that I can't hear "Nancy Lee" now, without feeling cold down my +back? For I heard it too, now and then, after the man had +explained why he was always looking over his shoulder. Perhaps it +was imagination. I don't know. When I look back it seems to me +that I only remember a long fight against something I couldn't +see, against an appalling presence, against something worse than +cholera or Yellow Jack or the plague--and goodness knows the +mildest of them is bad enough when it breaks out at sea. The men +got as white as chalk, and wouldn't go about decks alone at +night, no matter what I said to them. With the cook raving in +his bunk the forecastle would have been a perfect hell, and +there wasn't a spare cabin on board. There never is on a +fore-and-after. So I put him into mine, and he was more quiet +there, and at last fell into a sort of stupor as if he were going +to die. I don't know what became of him, for we put him ashore +alive and left him in the hospital. + +The men came aft in a body, quiet enough, and asked the captain +if he wouldn't pay them off, and let them go ashore. Some men +wouldn't have done it, for they had shipped for the voyage, and +had signed articles. But the captain knew that when sailors get +an idea into their heads they're no better than children; and if +he forced them to stay aboard he wouldn't get much work out of +them, and couldn't rely on them in a difficulty. So he paid them +off, and let them go. When they had gone forward to get their +kits, he asked me whether I wanted to go too, and for a minute I +had a sort of weak feeling that I might just as well. But I +didn't, and he was a good friend to me afterwards. Perhaps he was +grateful to me for sticking to him. + +When the men went off he didn't come on deck; but it was my duty +to stand by while they left the ship. They owed me a grudge for +making them work during the last few days, and most of them +dropped into the boat without so much as a word or a look, as +sailors will. Jack Benton was the last to go over the side, and +he stood still a minute and looked at me, and his white face +twitched. I thought he wanted to say something. + +"Take care of yourself, Jack," said I. "So long!" + +It seemed as if he couldn't speak for two or three seconds; then +his words came thick. + +"It wasn't my fault, Mr. Torkeldsen. I swear it wasn't my fault!" + +That was all; and he dropped over the side, leaving me to wonder +what he meant. + +The captain and I stayed on board, and the ship-chandler got a +West India boy to cook for us. + +That evening, before turning in, we were standing by the rail +having a quiet smoke, watching the lights of the city, a quarter +of a mile off, reflected in the still water. There was music of +some sort ashore, in a sailors' dance-house, I dare say; and I +had no doubt that most of the men who had left the ship were +there, and already full of jiggy-jiggy. The music played a lot of +sailors' tunes that ran into each other, and we could hear the +men's voices in the chorus now and then. One followed another, +and then it was "Nancy Lee," loud and clear, and the men singing +"Yo-ho, heave-ho!" + +"I have no ear for music," said Captain Hackstaff, "but it +appears to me that's the tune that man was whistling the night we +lost the man overboard. I don't know why it has stuck in my head, +and of course it's all nonsense; but it seems to me that I have +heard it all the rest of the trip." + +I didn't say anything to that, but I wondered just how much the +old man had understood. Then we turned in, and I slept ten hours +without opening my eyes. + +I stuck to the _Helen B. Jackson_ after that as long as I could +stand a fore-and-after; but that night when we lay in Havana was +the last time I ever heard "Nancy Lee" on board of her. The spare +hand had gone ashore with the rest, and he never came back, and +he took his tune with him; but all those things are just as clear +in my memory as if they had happened yesterday. + +After that I was in deep water for a year or more, and after I +came home I got my certificate, and what with having friends and +having saved a little money, and having had a small legacy from +an uncle in Norway, I got the command of a coastwise vessel, with +a small share in her. I was at home three weeks before going to +sea, and Jack Benton saw my name in the local papers, and wrote +to me. + +He said that he had left the sea, and was trying farming, and he +was going to be married, and he asked if I wouldn't come over for +that, for it wasn't more than forty minutes by train; and he and +Mamie would be proud to have me at the wedding. I remembered how +I had heard one brother ask the other whether Mamie knew. That +meant, whether she knew he wanted to marry her, I suppose. She +had taken her time about it, for it was pretty nearly three years +then since we had lost Jim Benton overboard. + +I had nothing particular to do while we were getting ready for +sea; nothing to prevent me from going over for a day, I mean; +and I thought I'd like to see Jack Benton, and have a look at the +girl he was going to marry. I wondered whether he had grown +cheerful again, and had got rid of that drawn look he had when he +told me it wasn't his fault. How could it have been his fault, +anyhow? So I wrote to Jack that I would come down and see him +married; and when the day came I took the train, and got there +about ten o'clock in the morning. I wish I hadn't. Jack met me at +the station, and he told me that the wedding was to be late in +the afternoon, and that they weren't going off on any silly +wedding trip, he and Mamie, but were just going to walk home from +her mother's house to his cottage. That was good enough for him, +he said. I looked at him hard for a minute after we met. When we +had parted I had a sort of idea that he might take to drink, but +he hadn't. He looked very respectable and well-to-do in his black +coat and high city collar; but he was thinner and bonier than +when I had known him, and there were lines in his face, and I +thought his eyes had a queer look in them, half shifty, half +scared. He needn't have been afraid of me, for I didn't mean to +talk to his bride about the _Helen B. Jackson_. + +He took me to his cottage first, and I could see that he was +proud of it. It wasn't above a cable's-length from high-water +mark, but the tide was running out, and there was already a broad +stretch of hard wet sand on the other side of the beach road. +Jack's bit of land ran back behind the cottage about a quarter of +a mile, and he said that some of the trees we saw were his. The +fences were neat and well kept, and there was a fair-sized barn a +little way from the cottage, and I saw some nice-looking cattle +in the meadows; but it didn't look to me to be much of a farm, +and I thought that before long Jack would have to leave his wife +to take care of it, and go to sea again. But I said it was a nice +farm, so as to seem pleasant, and as I don't know much about +these things I dare say it was, all the same. I never saw it but +that once. Jack told me that he and his brother had been born in +the cottage, and that when their father and mother died they +leased the land to Mamie's father, but had kept the cottage to +live in when they came home from sea for a spell. It was as neat +a little place as you would care to see: the floors as clean as +the decks of a yacht, and the paint as fresh as a man-o'-war. +Jack always was a good painter. There was a nice parlour on the +ground floor, and Jack had papered it and had hung the walls with +photographs of ships and foreign ports, and with things he had +brought home from his voyages: a boomerang, a South Sea club, +Japanese straw hats and a Gibraltar fan with a bull-fight on it, +and all that sort of gear. It looked to me as if Miss Mamie had +taken a hand in arranging it. There was a bran-new polished iron +Franklin stove set into the old fireplace, and a red table-cloth +from Alexandria, embroidered with those outlandish Egyptian +letters. It was all as bright and homelike as possible, and he +showed me everything, and was proud of everything, and I liked +him the better for it. But I wished that his voice would sound +more cheerful, as it did when we first sailed in the _Helen B._, +and that the drawn look would go out of his face for a minute. +Jack showed me everything, and took me upstairs, and it was all +the same: bright and fresh and ready for the bride. But on the +upper landing there was a door that Jack didn't open. When we +came out of the bedroom I noticed that it was ajar, and Jack shut +it quickly and turned the key. + +"That lock's no good," he said, half to himself. "The door is +always open." + +I didn't pay much attention to what he said, but as we went down +the short stairs, freshly painted and varnished so that I was +almost afraid to step on them, he spoke again. + +"That was his room, sir. I have made a sort of store-room of it." + +"You may be wanting it in a year or so," I said, wishing to be +pleasant. + +"I guess we won't use his room for that," Jack answered in a low +voice. + +Then he offered me a cigar from a fresh box in the parlour, and +he took one, and we lit them, and went out; and as we opened the +front door there was Mamie Brewster standing in the path as if +she were waiting for us. She was a fine-looking girl, and I +didn't wonder that Jack had been willing to wait three years for +her. I could see that she hadn't been brought up on steam-heat +and cold storage, but had grown into a woman by the sea-shore. +She had brown eyes, and fine brown hair, and a good figure. + +"This is Captain Torkeldsen," said Jack. "This is Miss Brewster, +captain; and she is glad to see you." + +"Well, I am," said Miss Mamie, "for Jack has often talked to us +about you, captain." + +She put out her hand, and took mine and shook it heartily, and I +suppose I said something, but I know I didn't say much. + +The front door of the cottage looked toward the sea, and there +was a straight path leading to the gate on the beach road. There +was another path from the steps of the cottage that turned to the +right, broad enough for two people to walk easily, and it led +straight across the fields through gates to a larger house about +a quarter of a mile away. That was where Mamie's mother lived, +and the wedding was to be there. Jack asked me whether I would +like to look round the farm before dinner, but I told him I +didn't know much about farms. Then he said he just wanted to look +round himself a bit, as he mightn't have much more chance that +day; and he smiled, and Mamie laughed. + +"Show the captain the way to the house, Mamie," he said. "I'll +be along in a minute." + +So Mamie and I began to walk along the path, and Jack went up +toward the barn. + +"It was sweet of you to come, captain," Miss Mamie began, "for I +have always wanted to see you." + +"Yes," I said, expecting something more. + +"You see, I always knew them both," she went on. "They used to +take me out in a dory to catch codfish when I was a little girl, +and I liked them both," she added thoughtfully. "Jack doesn't +care to talk about his brother now. That's natural. But you won't +mind telling me how it happened, will you? I should so much like +to know." + +Well, I told her about the voyage and what happened that night +when we fell in with a gale of wind, and that it hadn't been +anybody's fault, for I wasn't going to admit that it was my old +captain's, if it was. But I didn't tell her anything about what +happened afterwards. As she didn't speak, I just went on talking +about the two brothers, and how like they had been, and how when +poor Jim was drowned and Jack was left, I took Jack for him. I +told her that none of us had ever been sure which was which. + +"I wasn't always sure myself," she said, "unless they were +together. Leastways, not for a day or two after they came home +from sea. And now it seems to me that Jack is more like poor Jim, +as I remember him, than he ever was, for Jim was always more +quiet, as if he were thinking." + +I told her I thought so, too. We passed the gate and went into +the next field, walking side by side. Then she turned her head to +look for Jack, but he wasn't in sight. I sha'n't forget what she +said next. + +"Are you sure now?" she asked. + +I stood stock-still, and she went on a step, and then turned and +looked at me. We must have looked at each other while you could +count five or six. + +"I know it's silly," she went on, "it's silly, and it's awful, +too, and I have got no right to think it, but sometimes I can't +help it. You see it was always Jack I meant to marry." + +"Yes," I said stupidly, "I suppose so." + +She waited a minute, and began walking on slowly before she went +on again. + +"I am talking to you as if you were an old friend, captain, and I +have only known you five minutes. It was Jack I meant to marry, +but now he is so like the other one." + +When a woman gets a wrong idea into her head, there is only one +way to make her tired of it, and that is to agree with her. +That's what I did, and she went on talking the same way for a +little while, and I kept on agreeing and agreeing until she +turned round on me. + +"You know you don't believe what you say," she said, and +laughed. "You know that Jack is Jack, right enough; and it's Jack +I am going to marry." + +Of course I said so, for I didn't care whether she thought me a +weak creature or not. I wasn't going to say a word that could +interfere with her happiness, and I didn't intend to go back on +Jack Benton; but I remembered what he had said when he left the +ship in Havana: that it wasn't his fault. + +"All the same," Miss Mamie went on, as a woman will, without +realising what she was saying, "all the same, I wish I had seen +it happen. Then I should know." + +Next minute she knew that she didn't mean that, and was afraid +that I would think her heartless, and began to explain that she +would really rather have died herself than have seen poor Jim go +overboard. Women haven't got much sense, anyhow. All the same, I +wondered how she could marry Jack if she had a doubt that he +might be Jim after all. I suppose she had really got used to him +since he had given up the sea and had stayed ashore, and she +cared for him. + +Before long we heard Jack coming up behind us, for we had walked +very slowly to wait for him. + +"Promise not to tell anybody what I said, captain," said Mamie, +as girls do as soon as they have told their secrets. + +Anyhow, I know I never did tell any one but you. This is the +first time I have talked of all that, the first time since I took +the train from that place. I am not going to tell you all about +the day. Miss Mamie introduced me to her mother, who was a quiet, +hard-faced old New England farmer's widow, and to her cousins and +relations; and there were plenty of them too at dinner, and there +was the parson besides. He was what they call a Hard-shell +Baptist in those parts, with a long, shaven upper lip and a +whacking appetite, and a sort of superior look, as if he didn't +expect to see many of us hereafter--the way a New York pilot +looks round, and orders things about when he boards an Italian +cargo-dragger, as if the ship weren't up to much anyway, though +it was his business to see that she didn't get aground. That's +the way a good many parsons look, I think. He said grace as if he +were ordering the men to sheet home the topgallant-sail and get +the helm up. After dinner we went out on the piazza, for it was +warm autumn weather; and the young folks went off in pairs along +the beach road, and the tide had turned and was beginning to come +in. The morning had been clear and fine, but by four o'clock it +began to look like a fog, and the damp came up out of the sea and +settled on everything. Jack said he'd go down to his cottage and +have a last look, for the wedding was to be at five o'clock, or +soon after, and he wanted to light the lights, so as to have +things look cheerful. + +"I will just take a last look," he said again, as we reached the +house. We went in, and he offered me another cigar, and I lit it +and sat down in the parlour. I could hear him moving about, first +in the kitchen and then upstairs, and then I heard him in the +kitchen again; and then before I knew anything I heard somebody +moving upstairs again. I knew he couldn't have got up those +stairs as quick as that. He came into the parlour, and he took a +cigar himself, and while he was lighting it I heard those steps +again overhead. His hand shook, and he dropped the match. + +"Have you got in somebody to help?" I asked. + +"No," Jack answered sharply, and struck another match. + +"There's somebody upstairs, Jack," I said. "Don't you hear +footsteps?" + +"It's the wind, captain," Jack answered; but I could see he was +trembling. + +"That isn't any wind, Jack," I said; "it's still and foggy. I'm +sure there's somebody upstairs." + +"If you are so sure of it, you'd better go and see for yourself, +captain," Jack answered, almost angrily. + +He was angry because he was frightened. I left him before the +fireplace, and went upstairs. There was no power on earth that +could make me believe I hadn't heard a man's footsteps overhead. +I knew there was somebody there. But there wasn't. I went into +the bedroom, and it was all quiet, and the evening light was +streaming in, reddish through the foggy air; and I went out on +the landing and looked in the little back room that was meant for +a servant girl or a child. And as I came back again I saw that +the door of the other room was wide open, though I knew Jack had +locked it. He had said the lock was no good. I looked in. It was +a room as big as the bedroom, but almost dark, for it had +shutters, and they were closed. There was a musty smell, as of +old gear, and I could make out that the floor was littered with +sea chests, and that there were oilskins and stuff piled on the +bed. But I still believed that there was somebody upstairs, and I +went in and struck a match and looked round. I could see the four +walls and the shabby old paper, an iron bed and a cracked +looking-glass, and the stuff on the floor. But there was nobody +there. So I put out the match, and came out and shut the door and +turned the key. Now, what I am telling you is the truth. When I +had turned the key, I heard footsteps walking away from the door +inside the room. Then I felt queer for a minute, and when I went +downstairs I looked behind me, as the men at the wheel used to +look behind them on board the _Helen B._ + +Jack was already outside on the steps, smoking. I have an idea +that he didn't like to stay inside alone. + +"Well?" he asked, trying to seem careless. + +"I didn't find anybody," I answered, "but I heard somebody moving +about." "I told you it was the wind," said Jack, contemptuously. +"I ought to know, for I live here, and I hear it often." + +There was nothing to be said to that, so we began to walk down +toward the beach. Jack said there wasn't any hurry, as it would +take Miss Mamie some time to dress for the wedding. So we +strolled along, and the sun was setting through the fog, and the +tide was coming in. I knew the moon was full, and that when she +rose the fog would roll away from the land, as it does sometimes. +I felt that Jack didn't like my having heard that noise, so I +talked of other things, and asked him about his prospects, and +before long we were chatting as pleasantly as possible. + +I haven't been at many weddings in my life, and I don't suppose +you have, but that one seemed to me to be all right until it was +pretty near over; and then, I don't know whether it was part of +the ceremony or not, but Jack put out his hand and took Mamie's +and held it a minute, and looked at her, while the parson was +still speaking. + +Mamie turned as white as a sheet and screamed. It wasn't a loud +scream, but just a sort of stifled little shriek, as if she were +half frightened to death; and the parson stopped, and asked her +what was the matter, and the family gathered round. + +"Your hand's like ice," said Mamie to Jack, "and it's all wet!" + +She kept looking at it, as she got hold of herself again. + +"It don't feel cold to me," said Jack, and he held the back of +his hand against his cheek. "Try it again." + +Mamie held out hers, and touched the back of his hand, timidly at +first, and then took hold of it. + +"Why, that's funny," she said. + +"She's been as nervous as a witch all day," said Mrs. Brewster, +severely. + +"It is natural," said the parson, "that young Mrs. Benton should +experience a little agitation at such a moment." + +Most of the bride's relations lived at a distance, and were busy +people, so it had been arranged that the dinner we'd had in the +middle of the day was to take the place of a dinner afterwards, +and that we should just have a bite after the wedding was over, +and then that everybody should go home, and the young couple +would walk down to the cottage by themselves. When I looked out I +could see the light burning brightly in Jack's cottage, a quarter +of a mile away. I said I didn't think I could get any train to +take me back before half-past nine, but Mrs. Brewster begged me +to stay until it was time, as she said her daughter would want to +take off her wedding dress before she went home; for she had put +on something white with a wreath, that was very pretty, and she +couldn't walk home like that, could she? + +So when we had all had a little supper the party began to break +up, and when they were all gone Mrs. Brewster and Mamie went +upstairs, and Jack and I went out on the piazza, to have a +smoke, as the old lady didn't like tobacco in the house. + +The full moon had risen now, and it was behind me as I looked +down toward Jack's cottage, so that everything was clear and +white, and there was only the light burning in the window. The +fog had rolled down to the water's edge, and a little beyond, for +the tide was high, or nearly, and was lapping up over the last +reach of sand, within fifty feet of the beach road. + +Jack didn't say much as we sat smoking, but he thanked me for +coming to his wedding, and I told him I hoped he would be happy; +and so I did. I dare say both of us were thinking of those +footsteps upstairs, just then, and that the house wouldn't seem +so lonely with a woman in it. By and by we heard Mamie's voice +talking to her mother on the stairs, and in a minute she was +ready to go. She had put on again the dress she had worn in the +morning, and it looked black at night, almost as black as Jack's +coat. + +Well, they were ready to go now. It was all very quiet after the +day's excitement, and I knew they would like to walk down that +path alone now that they were man and wife at last. I bade them +good-night, although Jack made a show of pressing me to go with +them by the path as far as the cottage, instead of going to the +station by the beach road. It was all very quiet, and it seemed +to me a sensible way of getting married; and when Mamie kissed +her mother good-night I just looked the other way, and knocked my +ashes over the rail of the piazza. So they started down the +straight path to Jack's cottage, and I waited a minute with Mrs. +Brewster, looking after them, before taking my hat to go. They +walked side by side, a little shyly at first, and then I saw Jack +put his arm round her waist. As I looked he was on her left, and +I saw the outline of the two figures very distinctly against the +moonlight on the path; and the shadow on Mamie's right was broad +and black as ink, and it moved along, lengthening and shortening +with the unevenness of the ground beside the path. + +I thanked Mrs. Brewster, and bade her good-night; and though she +was a hard New England woman her voice trembled a little as she +answered, but being a sensible person she went in and shut the +door behind her as I stepped out on the path. I looked after the +couple in the distance a last time, meaning to go down to the +road, so as not to overtake them; but when I had made a few steps +I stopped and looked again, for I knew I had seen something +queer, though I had only realised it afterwards. I looked again, +and it was plain enough now; and I stood stock-still, staring at +what I saw. Mamie was walking between two men. The second man was +just the same height as Jack, both being about a half a head +taller than she; Jack on her left in his black tail-coat and +round hat, and the other man on her right--well, he was a +sailor-man in wet oilskins. I could see the moonlight shining on +the water that ran down him, and on the little puddle that had +settled where the flap of his sou'wester was turned up behind: +and one of his wet, shiny arms was round Mamie's waist, just +above Jack's. I was fast to the spot where I stood, and for a +minute I thought I was crazy. We'd had nothing but some cider for +dinner, and tea in the evening, otherwise I'd have thought +something had got into my head, though I was never drunk in my +life. It was more like a bad dream after that. + +I was glad Mrs. Brewster had gone in. As for me, I couldn't help +following the three, in a sort of wonder to see what would +happen, to see whether the sailor-man in his wet togs would just +melt away into the moonshine. But he didn't. + +[Illustration: ONE OF HIS WET, SHINY ARMS WAS ROUND MAMIE'S WAIST.] + +I moved slowly, and I remembered afterwards that I walked on the +grass, instead of on the path, as if I were afraid they might +hear me coming. I suppose it all happened in less than five +minutes after that, but it seemed as if it must have taken an +hour. Neither Jack nor Mamie seemed to notice the sailor. She +didn't seem to know that his wet arm was round her, and little by +little they got near the cottage, and I wasn't a hundred yards +from them when they reached the door. Something made me stand +still then. Perhaps it was fright, for I saw everything that +happened just as I see you now. + +Mamie set her foot on the step to go up, and as she went forward +I saw the sailor slowly lock his arm in Jack's, and Jack didn't +move to go up. Then Mamie turned round on the step, and they all +three stood that way for a second or two. She cried out then,--I +heard a man cry like that once, when his arm was taken off by a +steam-crane,--and she fell back in a heap on the little piazza. + +I tried to jump forward, but I couldn't move, and I felt my hair +rising under my hat. The sailor turned slowly where he stood, and +swung Jack round by the arm steadily and easily, and began to +walk him down the pathway from the house. He walked him straight +down that path, as steadily as Fate; and all the time I saw the +moonlight shining on his wet oilskins. He walked him through the +gate, and across the beach road, and out upon the wet sand, where +the tide was high. Then I got my breath with a gulp, and ran for +them across the grass, and vaulted over the fence, and stumbled +across the road. But when I felt the sand under my feet, the two +were at the water's edge; and when I reached the water they were +far out, and up to their waists; and I saw that Jack Benton's +head had fallen forward on his breast, and his free arm hung limp +beside him, while his dead brother steadily marched him to his +death. The moonlight was on the dark water, but the fog-bank was +white beyond, and I saw them against it; and they went slowly and +steadily down. The water was up to their armpits, and then up to +their shoulders, and then I saw it rise up to the black rim of +Jack's hat. But they never wavered; and the two heads went +straight on, straight on, till they were under, and there was +just a ripple in the moonlight where Jack had been. + +It has been on my mind to tell you that story, whenever I got a +chance. You have known me, man and boy, a good many years; and I +thought I would like to hear your opinion. Yes, that's what I +always thought. It wasn't Jim that went overboard; it was Jack, +and Jim just let him go when he might have saved him; and then +Jim passed himself off for Jack with us, and with the girl. If +that's what happened, he got what he deserved. People said the +next day that Mamie found it out as they reached the house, and +that her husband just walked out into the sea, and drowned +himself; and they would have blamed me for not stopping him if +they'd known that I was there. But I never told what I had seen, +for they wouldn't have believed me. I just let them think I had +come too late. + +When I reached the cottage and lifted Mamie up, she was raving +mad. She got better afterwards, but she was never right in her +head again. + +Oh, you want to know if they found Jack's body? I don't know +whether it was his, but I read in a paper at a Southern port +where I was with my new ship that two dead bodies had come ashore +in a gale down East, in pretty bad shape. They were locked +together, and one was a skeleton in oilskins. + + + * * * * * + + + Francis Marion Crawford, the youngest of the four + children of the well-known sculptor Thomas Crawford, + was born in Rome, educated by a French governess; + then at St Paul's School, Concord, N.H.; in the + quiet country village of Hatfield Regis, under an + English tutor; at Trinity College, Cambridge, where + they thought him a mathematician in those days; at + Heidelberg and Karlsruhe, and at the University of + Rome, where a special interest in Oriental languages + sent him to India with the idea of preparing for a + professorship. + + At one time in India hard times nearly forced him + into enlistment in the British army, but a chance + opening sent him as editor of the _Indian Herald_ to + Allahabad. It was during the next eighteen months + that he met at Simla the hero of his first novel, + "Mr. Isaacs." "If it had not been for him," Mr. + Crawford has been known to say, "I might at this + moment be a professor of Sanskrit in some American + college;" for that idea persisted after his return + to the United States, where he entered Harvard for + special study of the subject. + + But from the May evening when the story of the + interesting man at Simla was first told in a club + smoking-room overlooking Madison Square, Mr. Crawford's + life has been one of hard literary work. He returned to + Italy in 1883, spent most of the next year in + Constantinople, where he was married to a daughter + of General Berdan. From 1885 he has made his home in + Sorrento, Italy, visiting America at intervals. + + "Mr. Isaacs," published in 1882, was followed almost + at once by "Dr. Claudius." Then _The Atlantic + Monthly_ claimed a serial, "A Roman Singer," in + 1883. Since that time the list of his novels has + been increased to thirty-two, besides the historical + and descriptive works entitled "Ave Roma Immortalis" + and "The Rulers of the South." + + To Mr. Crawford, the development of a story and of + the character which suggested it, is the preëminent + thing. As the critics say:-- + + "He is an artist, a born story-teller and + colourist, imaginative and dramatic, virile and + vivid." + + His wide range as a traveller has contributed doubtless + to another characteristic quality:-- + + "... his strength in unexcelled portraits of odd + characters and his magical skill in seeming to make + his readers witnesses of the spectacles." + + His intimate knowledge of many countries has resulted in + an unequalled series of brilliant romances, including + varied characters from the old families of Rome, the + glassblowers of Venice, the silversmiths of Rome, the + cigarette makers of Munich, the court of old Madrid, the + Turks of Stamboul and the Bosphorus, simple sailors on the + coast of Spain, Americans of modern New York and Bar Harbor, + to Crusaders of the twelfth century. But whether the scene + be in modern India, rural England, the Black Forest, or the + palaces of Babylon, the story seizes on the imagination and + fascinates the reader. + + "The romantic reader will find here a tale of love + passionate and pure; the student of character, the + subtle analysis and deft portrayal he loves; the + historian will approve its conscientious historic + accuracy; the lover of adventure will find his + blood stir and pulses quicken as he reads." + + * * * * * + + + + THE NOVELS OF + F. MARION CRAWFORD + + NEW UNIFORM EDITION + + Dr. Claudius + A Roman Singer + Zoroaster + Don Orsino + Marion Darche + A Cigarette Maker's Romance and Khaled + Taquisara + Via Crucis + Sant' Ilario + The Ralstons + Adam Johnstone's Son and A Rose of Yesterday + Mr. Isaacs + A Tale of a Lonely Parish + Saracinesca + Paul Patoff + The Witch of Prague + Pietro Ghisleri + Corleone + Children of the King + Katherine Lauderdale + To Leeward + + Each, bound in cloth, green and gold, $1.80 + + * * * * * + + _In preparation in the Uniform Edition_ + + An American Politician + Marzio's Crucifix + With the Immortals + Greifenstein + The Three Fates + Casa Braccio. 2 vols. + Love in Idleness + + * * * * * + + F. MARION CRAWFORD'S + MOST RECENT NOVELS + + CECILIA: A Story of Modern Rome + _Cloth_, $1.50 + "The reincarnation of a great love + is the real story, and that is well worth + reading."--_San Francisco Chronicle._ + + MARIETTA: A Maid of Venice + _Cloth_, $1.50 + + IN THE PALACE OF THE KING + A Love Story of Old Madrid + _Illustrated, Cloth_, $1.50 + + * * * * * + + HANDSOMELY ILLUSTRATED DESCRIPTIVE BOOKS + + AVE ROMA IMMORTALIS + Studies from the Chronicles of Rome + _New edition. Revised. _x_ + 613 pp. 8vo. $3.00, net._ + + RULERS OF THE SOUTH + Sicily, Calabria, Malta + _In two volumes. Crown 8vo. $6.00, net._ + + * * * * * + + The Macmillan Little Novels + BY FAVOURITE AUTHORS + + Handsomely Bound in Decorated Cloth + 16mo. 50 cents each + + PHILOSOPHY FOUR + A STORY OF HARVARD UNIVERSITY + By Owen Wister + Author of "The Virginian" etc. + + MAN OVERBOARD + By F. Marion Crawford + Author of "Cecilia," "Marietta," etc. + + MR. KEEGAN'S ELOPEMENT + By Winston Churchill + Author of "The Crisis," "Richard Carvel," etc. + + MRS. PENDLETON'S FOUR-IN-HAND + By Gertrude Atherton + Author of "The Conqueror," "The Splendid Idle + Forties," etc. + + * * * * * + + THE MACMILLAN COMPANY 66 Fifth Avenue, New York + + + + + +End of Project Gutenberg's Man Overboard!, by F(rancis) Marion Crawford + +*** END OF THIS PROJECT GUTENBERG EBOOK MAN OVERBOARD! *** + +***** This file should be named 24584-8.txt or 24584-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/4/5/8/24584/ + +Produced by Bruce Albrecht, Roberta Staehlin, Grinnell +College Library and the Online Distributed Proofreading +Team at http://www.pgdp.net (This book was produced from +scanned images of public domain material from the Google +Print project.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/24584-8.zip b/24584-8.zip Binary files differnew file mode 100644 index 0000000..8e1862c --- /dev/null +++ b/24584-8.zip diff --git a/24584-h.zip b/24584-h.zip Binary files differnew file mode 100644 index 0000000..c929e27 --- /dev/null +++ b/24584-h.zip diff --git a/24584-h/24584-h.htm b/24584-h/24584-h.htm new file mode 100644 index 0000000..7f886f2 --- /dev/null +++ b/24584-h/24584-h.htm @@ -0,0 +1,2302 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Man Overboard!, by F. Marion Crawford. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + +.pagenum {font-style:normal;position:absolute; +left:95%;font-size:55%;text-align:right;color:gray; +background-color:#ffffff;font-variant:normal;font-style:normal;font-weight:normal;text-decoration:none;text-indent:0em;} +@media print, handheld +{.pagenum + {display: none;} + } + + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .block {margin: auto; width: 23em;} + .blockquot{margin-left: 5%; margin-right: 10%;} + .center {text-align: center;} + .smcap {font-variant: small-caps;} + .caption {font-weight: bold; font-variant: small-caps;} + .figcenter {margin: auto; text-align: center;} + hr.dashed {width: 100%; margin-top: 1em; margin-bottom: 1em; border:none; border-bottom:1px dashed;} + hr.chapter {width: 100%; margin-top: 2em; margin-bottom: 1em; border:none; border-bottom:1px dashed;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Man Overboard!, by F(rancis) Marion Crawford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Man Overboard! + +Author: F(rancis) Marion Crawford + +Release Date: February 12, 2008 [EBook #24584] +[Last updated: September 18, 2015] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK MAN OVERBOARD! *** + + + + +Produced by Bruce Albrecht, Roberta Staehlin, Grinnell +College Library and the Online Distributed Proofreading +Team at http://www.pgdp.net (This book was produced from +scanned images of public domain material from the Google +Print project.) + + + + + + +</pre> + + + +<h4>LITTLE NOVELS BY</h4> +<h4>FAVOURITE AUTHORS</h4> + +<h1>Man Overboard!</h1> + +<h4>F. MARION CRAWFORD</h4> + +<div class="figcenter" style="width: 150px;"> +<img src="images/image005.png" width="150" height="57" alt="" title="" /> +</div> +<hr class='dashed' /> +<div class="figcenter" style="width: 185px;"> +<a name="linktoimage006" id="linktoimage006"></a><img src="images/image006.png" width="185" height="300" alt="" title="" /> +</div> +<div class="figcenter" style="width: 258px;"> +<img src="images/image003.png" width="258" height="73" alt="F. Marion Crawford" title="" /> +<span class="caption">F. Marion Crawford</span> +</div> +<hr class='dashed' /> + +<p style=' font-size:1.4em; text-align:center; margin-top:2em;'>Man Overboard!</p> +<p style=' font-size:1.0em; text-align:center; margin-bottom:2em;'>BY</p> +<p style=' font-size:1.4em; text-align:center; margin-bottom:2em;'>F. MARION CRAWFORD</p> +<p style=' font-size:1.0em; text-align:center; margin-bottom:1em;'>AUTHOR OF "THE UPPER BERTH," "CECILIA,"</p> +<p style=' font-size:1.0em; text-align:center; margin-bottom:1em;'>"THE WITCH OF PRAGUE," ETC.</p> +<div class="figcenter" style="width: 100px;"> +<img src="images/image004.png" width="100" height="100" alt="" title="" /> +</div> + +<p style=' font-size:0.8em; text-align:center; margin-top:2em;'>New York</p> +<p style=' font-size:1.0em; text-align:center; margin-bottom:1em;'>THE MACMILLAN COMPANY</p> +<p style=' font-size:0.8em; text-align:center; margin-bottom:1em;'><span class="smcap">London: Macmillan & Co., Ltd.</span></p> +<p style=' font-size:0.8em; text-align:center; margin-bottom:1em;'>1903</p> +<p style=' font-size:0.6em; text-align:center; margin-bottom:1em;'><i>All rights reserved</i></p> +<p style=' font-size:0.6em; text-align:center; margin-bottom:1em;'><span class="smcap">Copyright</span>, 1903, <span class="smcap">By F. MARION CRAWFORD.</span></p> +<p style=' font-size:0.6em; text-align:center; margin-bottom:1em;'><span class="smcap">Copyright</span>, 1903, <span class="smcap">By THE MACMILLAN COMPANY.</span></p> +<p style=' font-size:0.6em; text-align:center; margin-top:2em;'>Set up and electrotyped April, 1903.</p> +<p style=' font-size:0.8em; text-align:center; margin-bottom:1em;'>Norwood Press</p> +<p style=' font-size:0.8em; text-align:center; margin-bottom:1em;'>J. S. Cushing & Co.—Berwick & Smith Co.</p> +<p style=' font-size:0.8em; text-align:center; margin-bottom:1em;'>Norwood, Mass., U.S.A.</p> + + +<hr style="width: 45%;" /> + +<h2 class='toc'>ILLUSTRATIONS</h2> +<table border='0' width='500' cellpadding='2' cellspacing='0' summary='Illustrations' style='margin-left: auto; margin-right: auto'> +<col style='width:85%;' /> +<col style='width:15%;' /> +<tr> + <td align='left'>Portrait of F. Marion Crawford</td> + <td class='tdright'><a href='#linktoimage006'><i>Frontispiece</i></a></td> +</tr> +<tr> + <td align='right' colspan='2'><span style='font-size:small'>FACING PAGE</span></td> +</tr> +<tr> + <td align='left'>"He let go of the knife, and the point stuck into the deck"</td> + <td align='right'><a href='#linktoimage001'>54</a></td> +</tr> +<tr> + <td align='left'>"One of his wet, shiny arms was round Mamie's waist"</td> + <td align='right'><a href='#linktoimage002'>92</a></td> +</tr> +</table> +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span></p> + +<h1><a name="MAN_OVERBOARD" id="MAN_OVERBOARD"></a>MAN OVERBOARD</h1> + + +<p>Yes—I have heard "Man overboard!" a good many times since I +was a boy, and once or twice I have seen the man go. There are +more men lost in that way than passengers on ocean steamers ever +learn of. I have stood looking over the rail on a dark night, +when there was a step beside me, and something flew past my head +like a big black bat—and then there was a splash! Stokers +often go like that. They go mad with the heat, and they slip up +on deck and are gone before anybody can stop them, often without +being seen or heard. Now and then a passenger will do it, but he +<span class='pagenum'><a name="Page_8" id="Page_8">[Pg 8]</a></span>generally has what he thinks a pretty good reason. I have +seen a man empty his revolver into a crowd of emigrants forward, +and then go over like a rocket. Of course, any officer who +respects himself will do what he can to pick a man up, if the +weather is not so heavy that he would have to risk his ship; but +I don't think I remember seeing a man come back when he was once +fairly gone more than two or three times in all my life, though +we have often picked up the life-buoy, and sometimes the fellow's +cap. Stokers and passengers jump over; I never knew a sailor to +do that, drunk or sober. Yes, they say it has happened on hard +ships, but I never knew a case myself. Once in a long time a man +is fished out when it is just too late, and dies in the boat +before you can get him aboard, and—well, I don't know that +I ever told that story since it happened—I knew a fellow +who went over, and came back dead. I didn't see him after he came +back; <span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span>only one of us did, but we all knew he was there.</p> + +<p>No, I am not giving you "sharks." There isn't a shark in this +story, and I don't know that I would tell it at all if we weren't +alone, just you and I. But you and I have seen things in various +parts, and maybe you will understand. Anyhow, you know that I am +telling what I know about, and nothing else; and it has been on +my mind to tell you ever since it happened, only there hasn't +been a chance.</p> + +<p>It's a long story, and it took some time to happen; and it began +a good many years ago, in October, as well as I can remember. I +was mate then; I passed the local Marine Board for master about +three years later. She was the <i>Helen B. Jackson</i>, of New York, +with lumber for the West Indies, four-masted schooner, Captain +Hackstaff. She was an old-fashioned one, even then—no steam +donkey, and all to do by hand. There were still sailors in the +coasting trade in those days, you remember. She wasn't a hard +ship, for the old man was better<span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span> than most of them, +though he kept to himself and had a face like a monkey-wrench. We +were thirteen, all told, in the ship's company; and some of them +afterwards thought that might have had something to do with it, +but I had all that nonsense knocked out of me when I was a boy. I +don't mean to say that I like to go to sea on a Friday, but I +<i>have</i> gone to sea on a Friday, and nothing has happened; and +twice before that we have been thirteen, because one of the hands +didn't turn up at the last minute, and nothing ever happened +either—nothing worse than the loss of a light spar or two, +or a little canvas. Whenever I have been wrecked, we had sailed +as cheerily as you please—no thirteens, no Fridays, no dead +men in the hold. I believe it generally happens that way.</p> + +<p>I dare say you remember those two Benton boys that were so much +alike? It is no wonder, for they were twin brothers. They shipped +with us as boys on the old <i>Boston Belle</i>, when you were<span class='pagenum'><a +name="Page_11" id="Page_11">[Pg 11]</a></span> mate and I was before the +mast. I never was quite sure which was which of those two, even +then; and when they both had beards it was harder than ever to +tell them apart. One was Jim, and the other was Jack; James +Benton and John Benton. The only difference I ever could see was, +that one seemed to be rather more cheerful and inclined to talk +than the other; but one couldn't even be sure of that. Perhaps +they had moods. Anyhow, there was one of them that used to +whistle when he was alone. He only knew one tune, and that was +"Nancy Lee," and the other didn't know any tune at all; but I may +be mistaken about that, too. Perhaps they both knew it.</p> + +<p>Well, those two Benton boys turned up on board the <i>Helen B. +Jackson</i>. They had been on half a dozen ships since the <i>Boston +Belle</i>, and they had grown up and were good seamen. They had +reddish beards and bright blue eyes and freckled faces; and they +were quiet fellows,<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span> good workmen on rigging, pretty +willing, and both good men at the wheel. They managed to be in +the same watch—it was the port watch on the <i>Helen B.</i>, and +that was mine, and I had great confidence in them both. If there +was any job aloft that needed two hands, they were always the +first to jump into the rigging; but that doesn't often happen on +a fore-and-aft schooner. If it breezed up, and the jibtopsail was +to be taken in, they never minded a wetting, and they would be +out at the bowsprit end before there was a hand at the downhaul. +The men liked them for that, and because they didn't blow about +what they could do. I remember one day in a reefing job, the +downhaul parted and came down on deck from the peak of the +spanker. When the weather moderated, and we shook the reefs out, +the downhaul was forgotten until we happened to think we might +soon need it again. There was some sea on, and the boom was off +and the gaff was slamming. One of those<span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span> Benton boys was +at the wheel, and before I knew what he was doing, the other was +out on the gaff with the end of the new downhaul, trying to reeve +it through its block. The one who was steering watched him, and +got as white as cheese. The other one was swinging about on the +gaff end, and every time she rolled to leeward he brought up with +a jerk that would have sent anything but a monkey flying into +space. But he didn't leave it until he had rove the new rope, and +he got back all right. I think it was Jack at the wheel; the one +that seemed more cheerful, the one that whistled "Nancy Lee." He +had rather have been doing the job himself than watch his brother +do it, and he had a scared look; but he kept her as steady as he +could in the swell, and he drew a long breath when Jim had worked +his way back to the peak-halliard block, and had something to +hold on to. I think it was Jim.</p> + +<p>They had good togs, too, and they<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span> were neat and clean men +in the forecastle. I knew they had nobody belonging to them +ashore,—no mother, no sisters, and no wives; but somehow +they both looked as if a woman overhauled them now and then. I +remember that they had one ditty bag between them, and they had a +woman's thimble in it. One of the men said something about it to +them, and they looked at each other; and one smiled, but the +other didn't. Most of their clothes were alike, but they had one +red guernsey between them. For some time I used to think it was +always the same one that wore it, and I thought that might be a +way to tell them apart. But then I heard one asking the other for +it, and saying that the other had worn it last. So that was no +sign either. The cook was a West Indiaman, called James Lawley; +his father had been hanged for putting lights in cocoanut trees +where they didn't belong. But he was a good cook, and knew his +business; and it wasn't soup-and-bully<span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span> and dog's-body +every Sunday. That's what I meant to say. On Sunday the cook +called both those boys Jim, and on week-days he called them Jack. +He used to say he must be right sometimes if he did that, because +even the hands on a painted clock point right twice a day.</p> + +<p>What started me to trying for some way of telling the Bentons +apart was this. I heard them talking about a girl. It was at +night, in our watch, and the wind had headed us off a little +rather suddenly, and when we had flattened in the jibs, we clewed +down the topsails, while the two Benton boys got the spanker +sheet aft. One of them was at the helm. I coiled down the +mizzen-topsail downhaul myself, and was going aft to see how she +headed up, when I stopped to look at a light, and leaned against +the deck-house. While I was standing there I heard the two boys +talking. It sounded as if they had talked of the same thing +before, and as far as I could tell, the voice I heard first<span class='pagenum'><a +name="Page_16" id="Page_16">[Pg 16]</a></span> belonged to the one who +wasn't quite so cheerful as the other,—the one who was Jim +when one knew which he was.</p> + +<p>"Does Mamie know?" Jim asked.</p> + +<p>"Not yet," Jack answered quietly. He was at the wheel. "I mean to +tell her next time we get home."</p> + +<p>"All right."</p> + +<p>That was all I heard, because I didn't care to stand there +listening while they were talking about their own affairs; so I +went aft to look into the binnacle, and I told the one at the +wheel to keep her so as long as she had way on her, for I thought +the wind would back up again before long, and there was land to +leeward. When he answered, his voice, somehow, didn't sound like +the cheerful one. Perhaps his brother had relieved the wheel +while they had been speaking, but what I had heard set me +wondering which of them it was that had a girl at home. There's +lots of time for wondering on a schooner in fair weather.</p> + +<p>After that I thought I noticed that<span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span> the two brothers were +more silent when they were together. Perhaps they guessed that I +had overheard something that night, and kept quiet when I was +about. Some men would have amused themselves by trying to chaff +them separately about the girl at home, and I suppose whichever +one it was would have let the cat out of the bag if I had done +that. But, somehow, I didn't like to. Yes, I was thinking of +getting married myself at that time, so I had a sort of +fellow-feeling for whichever one it was, that made me not want to +chaff him.</p> + +<p>They didn't talk much, it seemed to me; but in fair weather, when +there was nothing to do at night, and one was steering, the other +was everlastingly hanging round as if he were waiting to relieve +the wheel, though he might have been enjoying a quiet nap for all +I cared in such weather. Or else, when one was taking his turn at +the lookout, the other would be sitting on an anchor beside him. +One kept near the other, at<span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span> night more than in the +daytime. I noticed that. They were fond of sitting on that +anchor, and they generally tucked away their pipes under it, for +the <i>Helen B.</i> was a dry boat in most weather, and like most +fore-and-afters was better on a wind than going free. With a beam +sea we sometimes shipped a little water aft. We were by the +stern, anyhow, on that voyage, and that is one reason why we lost +the man.</p> + +<p>We fell in with a southerly gale, south-east at first; and then +the barometer began to fall while you could watch it, and a long +swell began to come up from the south'ard. A couple of months +earlier we might have been in for a cyclone, but it's "October +all over" in those waters, as you know better than I. It was just +going to blow, and then it was going to rain, that was all; and +we had plenty of time to make everything snug before it breezed +up much. It blew harder after sunset, and by the time it was +quite dark it was a<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span> full gale. We had shortened sail for +it, but as we were by the stern we were carrying the spanker +close reefed instead of the storm trysail. She steered better so, +as long as we didn't have to heave to. I had the first watch with +the Benton boys, and we had not been on deck an hour when a child +might have seen that the weather meant business.</p> + +<p>The old man came up on deck and looked round, and in less than a +minute he told us to give her the trysail. That meant heaving to, +and I was glad of it; for though the <i>Helen B.</i> was a good vessel +enough, she wasn't a new ship by a long way, and it did her no +good to drive her in that weather. I asked whether I should call +all hands, but just then the cook came aft, and the old man said +he thought we could manage the job without waking the sleepers, +and the trysail was handy on deck already, for we hadn't been +expecting anything better. We were all in oilskins, of course, +and the night was as black as a coal mine,<span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span> with only a +ray of light from the slit in the binnacle shield, and you +couldn't tell one man from another except by his voice. The old +man took the wheel; we got the boom amidships, and he jammed her +into the wind until she had hardly any way. It was blowing now, +and it was all that I and two others could do to get in the slack +of the downhaul, while the others lowered away at the peak and +throat, and we had our hands full to get a couple of turns round +the wet sail. It's all child's play on a fore-and-after compared +with reefing topsails in anything like weather, but the gear of a +schooner sometimes does unhandy things that you don't expect, and +those everlasting long halliards get foul of everything if they +get adrift. I remember thinking how unhandy that particular job +was. Somebody unhooked the throat-halliard block, and thought he +had hooked it into the head-cringle of the trysail, and sang +out to hoist away, but he had missed it in the dark, and<span class='pagenum'><a +name="Page_21" id="Page_21">[Pg 21]</a></span> the heavy block went flying +into the lee rigging, and nearly killed him when it swung back +with the weather roll. Then the old man got her up in the wind +until the jib was shaking like thunder; then he held her off, and +she went off as soon as the head-sails filled, and he couldn't +get her back again without the spanker. Then the <i>Helen B.</i> did +her favourite trick, and before we had time to say much we had a +sea over the quarter and were up to our waists, with the parrels +of the trysail only half becketed round the mast, and the deck so +full of gear that you couldn't put your foot on a plank, and the +spanker beginning to get adrift again, being badly stopped, and +the general confusion and hell's delight that you can only have +on a fore-and-after when there's nothing really serious the +matter. Of course, I don't mean to say that the old man couldn't +have steered his trick as well as you or I or any other seaman; +but I don't believe he had ever been on board the <i>Helen B.</i> +before, or<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span> had his hand on her wheel till then; and he +didn't know her ways. I don't mean to say that what happened was +his fault. I don't know whose fault it was. Perhaps nobody was to +blame. But I knew something happened somewhere on board when we +shipped that sea, and you'll never get it out of my head. I +hadn't any spare time myself, for I was becketing the rest of the +trysail to the mast. We were on the starboard tack, and the +throat-halliard came down to port as usual, and I suppose there +were at least three men at it, hoisting away, while I was at the +beckets.</p> + +<p>Now I am going to tell you something. You have known me, man and +boy, several voyages; and you are older than I am; and you have +always been a good friend to me. Now, do you think I am the sort +of man to think I hear things where there isn't anything to hear, +or to think I see things when there is nothing to see? No, you +don't. Thank you. Well now, I had passed the last<span class='pagenum'><a +name="Page_23" id="Page_23">[Pg 23]</a></span> becket, and I sang out to the +men to sway away, and I was standing on the jaws of the +spanker-gaff, with my left hand on the bolt-rope of the trysail, +so that I could feel when it was board-taut, and I wasn't +thinking of anything except being glad the job was over, and that +we were going to heave her to. It was as black as a coal-pocket, +except that you could see the streaks on the seas as they went +by, and abaft the deck-house I could see the ray of light from +the binnacle on the captain's yellow oilskin as he stood at the +wheel—or rather I might have seen it if I had looked round +at that minute. But I didn't look round. I heard a man whistling. +It was "Nancy Lee," and I could have sworn that the man was right +over my head in the crosstrees. Only somehow I knew very well +that if anybody could have been up there, and could have whistled +a tune, there were no living ears sharp enough to hear it on deck +then. I heard it distinctly, and at the same time I<span class='pagenum'><a +name="Page_24" id="Page_24">[Pg 24]</a></span> heard the real whistling of +the wind in the weather rigging, sharp and clear as the +steam-whistle on a Dago's peanut-cart in New York. That was all +right, that was as it should be; but the other wasn't right; and +I felt queer and stiff, as if I couldn't move, and my hair was +curling against the flannel lining of my sou'wester, and I +thought somebody had dropped a lump of ice down my back.</p> + +<p>I said that the noise of the wind in the rigging was real, as if +the other wasn't, for I felt that it wasn't, though I heard it. +But it was, all the same; for the captain heard it, too. When I +came to relieve the wheel, while the men were clearing up decks, +he was swearing. He was a quiet man, and I hadn't heard him swear +before, and I don't think I did again, though several queer +things happened after that. Perhaps he said all he had to say +then; I don't see how he could have said anything more. I used to +think nobody could swear like a Dane, except a Neapolitan or a +South<span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span> American; but when I had heard the old man I +changed my mind. There's nothing afloat or ashore that can beat +one of your quiet American skippers, if he gets off on that tack. +I didn't need to ask him what was the matter, for I knew he had +heard "Nancy Lee," as I had, only it affected us differently.</p> + +<p>He did not give me the wheel, but told me to go forward and get +the second bonnet off the staysail, so as to keep her up better. +As we tailed on to the sheet when it was done, the man next me +knocked his sou'wester off against my shoulder, and his face came +so close to me that I could see it in the dark. It must have been +very white for me to see it, but I only thought of that +afterwards. I don't see how any light could have fallen upon it, +but I knew it was one of the Benton boys. I don't know what made +me speak to him. "Hullo, Jim! Is that you?" I asked. I don't know +why I said Jim, rather than Jack.</p> + +<p>"I am Jack," he answered.<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span> We made all fast, and things +were much quieter.</p> + +<p>"The old man heard you whistling 'Nancy Lee,' just now," I said, +"and he didn't like it."</p> + +<p>It was as if there were a white light inside his face, and it was +ghastly. I know his teeth chattered. But he didn't say anything, +and the next minute he was somewhere in the dark trying to find +his sou'wester at the foot of the mast.</p> + +<p>When all was quiet, and she was hove to, coming to and falling +off her four points as regularly as a pendulum, and the helm +lashed a little to the lee, the old man turned in again, and I +managed to light a pipe in the lee of the deck-house, for there +was nothing more to be done till the gale chose to moderate, and +the ship was as easy as a baby in its cradle. Of course the cook +had gone below, as he might have done an hour earlier; so there +were supposed to be four of us in the watch. There was a man at +the lookout, and there was a<span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span> hand by the wheel, though +there was no steering to be done, and I was having my pipe in the +lee of the deck-house, and the fourth man was somewhere about +decks, probably having a smoke too. I thought some skippers I had +sailed with would have called the watch aft, and given them a +drink after that job, but it wasn't cold, and I guessed that our +old man wouldn't be particularly generous in that way. My hands +and feet were red-hot, and it would be time enough to get into +dry clothes when it was my watch below; so I stayed where I was, +and smoked. But by and by, things being so quiet, I began to +wonder why nobody moved on deck; just that sort of restless +wanting to know where every man is that one sometimes feels in a +gale of wind on a dark night. So when I had finished my pipe I +began to move about. I went aft, and there was a man leaning over +the wheel, with his legs apart and both hands hanging down in the +light<span class='pagenum'><a name="Page_28" id="Page_28">[Pg 28]</a></span> from the binnacle, and his sou'wester over his +eyes. Then I went forward, and there was a man at the lookout, +with his back against the foremast, getting what shelter he could +from the staysail. I knew by his small height that he was not one +of the Benton boys. Then I went round by the weather side, and +poked about in the dark, for I began to wonder where the other +man was. But I couldn't find him, though I searched the decks +until I got right aft again. It was certainly one of the Benton +boys that was missing, but it wasn't like either of them to go +below to change his clothes in such warm weather. The man at the +wheel was the other, of course. I spoke to him.</p> + +<p>"Jim, what's become of your brother?"</p> + +<p>"I am Jack, sir."</p> + +<p>"Well, then, Jack, where's Jim? He's not on deck."</p> + +<p>"I don't know, sir."</p> + +<p>When I had come up to him he had stood up from force of instinct, +and<span class='pagenum'><a name="Page_29" id="Page_29">[Pg 29]</a></span> had laid his hands on the spokes as if he were +steering, though the wheel was lashed; but he still bent his face +down, and it was half hidden by the edge of his sou'wester, while +he seemed to be staring at the compass. He spoke in a very low +voice, but that was natural, for the captain had left his door +open when he turned in, as it was a warm night in spite of the +storm, and there was no fear of shipping any more water now.</p> + +<p>"What put it into your head to whistle like that, Jack? You've +been at sea long enough to know better."</p> + +<p>He said something, but I couldn't hear the words; it sounded as +if he were denying the charge.</p> + +<p>"Somebody whistled," I said.</p> + +<p>He didn't answer, and then, I don't know why, perhaps because the +old man hadn't given us a drink, I cut half an inch off the plug +of tobacco I had in my oilskin pocket, and gave it to him. He +knew my tobacco was good, and he<span class='pagenum'><a name="Page_30" id="Page_30">[Pg 30]</a></span> shoved it into his mouth +with a word of thanks. I was on the weather side of the wheel.</p> + +<p>"Go forward and see if you can find Jim," I said.</p> + +<p>He started a little, and then stepped back and passed behind me, +and was going along the weather side. Maybe his silence about the +whistling had irritated me, and his taking it for granted that +because we were hove to and it was a dark night, he might go +forward any way he pleased. Anyhow, I stopped him, though I spoke +good-naturedly enough.</p> + +<p>"Pass to leeward, Jack," I said.</p> + +<p>He didn't answer, but crossed the deck between the binnacle and +the deck-house to the lee side. She was only falling off and +coming to, and riding the big seas as easily as possible, but the +man was not steady on his feet and reeled against the corner of +the deck-house and then against the lee rail. I was quite sure he +couldn't have had<span class='pagenum'><a name="Page_31" id="Page_31">[Pg 31]</a></span> anything to drink, for neither of the +brothers were the kind to hide rum from their shipmates, if they +had any, and the only spirits that were aboard were locked up in +the captain's cabin. I wondered whether he had been hit by the +throat-halliard block and was hurt.</p> + +<p>I left the wheel and went after him, but when I got to the corner +of the deck-house I saw that he was on a full run forward, so I +went back. I watched the compass for a while, to see how far she +went off, and she must have come to again half a dozen times +before I heard voices, more than three or four, forward; and then +I heard the little West Indies cook's voice, high and shrill +above the rest:—</p> + +<p>"Man overboard!"</p> + +<p>There wasn't anything to be done, with the ship hove-to and the +wheel lashed. If there was a man overboard, he must be in the +water right alongside. I couldn't imagine how it<span class='pagenum'><a +name="Page_32" id="Page_32">[Pg 32]</a></span> could have happened, but I +ran forward instinctively. I came upon the cook first, +half-dressed in his shirt and trousers, just as he had tumbled +out of his bunk. He was jumping into the main rigging, evidently +hoping to see the man, as if any one could have seen anything on +such a night, except the foam-streaks on the black water, and now +and then the curl of a breaking sea as it went away to leeward. +Several of the men were peering over the rail into the dark. I +caught the cook by the foot, and asked who was gone.</p> + +<p>"It's Jim Benton," he shouted down to me. "He's not aboard this +ship!"</p> + +<p>There was no doubt about that. Jim Benton was gone; and I knew in +a flash that he had been taken off by that sea when we were +setting the storm trysail. It was nearly half an hour since then; +she had run like wild for a few minutes until we got her hove-to, +and no swimmer that ever swam could have lived as long as that in +such a sea. The men<span class='pagenum'><a name="Page_33" id="Page_33">[Pg 33]</a></span> knew it as well as I, but still they +stared into the foam as if they had any chance of seeing the lost +man. I let the cook get into the rigging and joined the men, and +asked if they had made a thorough search on board, though I knew +they had and that it could not take long, for he wasn't on deck, +and there was only the forecastle below.</p> + +<p>"That sea took him over, sir, as sure as you're born," said one +of the men close beside me.</p> + +<p>We had no boat that could have lived in that sea, of course, and +we all knew it. I offered to put one over, and let her drift +astern two or three cable's-lengths by a line, if the men thought +they could haul me aboard again; but none of them would listen to +that, and I should probably have been drowned if I had tried it, +even with a life-belt; for it was a breaking sea. Besides, they +all knew as well as I did that the man could not be right in our +wake. I don't know why I spoke again.<span class='pagenum'><a name="Page_34" id="Page_34">[Pg 34]</a></span> "Jack Benton, are +you there? Will you go if I will?"</p> + +<p>"No, sir," answered a voice; and that was all.</p> + +<p>By that time the old man was on deck, and I felt his hand on my +shoulder rather roughly, as if he meant to shake me.</p> + +<p>"I'd reckoned you had more sense, Mr. Torkeldsen," he said. "God +knows I would risk my ship to look for him, if it were any use; +but he must have gone half an hour ago."</p> + +<p>He was a quiet man, and the men knew he was right, and that they +had seen the last of Jim Benton when they were bending the +trysail—if anybody had seen him then. The captain went +below again, and for some time the men stood around Jack, quite +near him, without saying anything, as sailors do when they are +sorry for a man and can't help him; and then the watch below +turned in again, and we were three on deck.</p> + +<p>Nobody can understand that there<span class='pagenum'><a name="Page_35" id="Page_35">[Pg 35]</a></span> can be much consolation +in a funeral, unless he has felt that blank feeling there is when +a man's gone overboard whom everybody likes. I suppose landsmen +think it would be easier if they didn't have to bury their +fathers and mothers and friends; but it wouldn't be. Somehow the +funeral keeps up the idea of something beyond. You may believe in +that something just the same; but a man who has gone in the dark, +between two seas, without a cry, seems much more beyond reach +than if he were still lying on his bed, and had only just stopped +breathing. Perhaps Jim Benton knew that, and wanted to come back +to us. I don't know, and I am only telling you what happened, and +you may think what you like.</p> + +<p>Jack stuck by the wheel that night until the watch was over. I +don't know whether he slept afterwards, but when I came on deck +four hours later, there he was again, in his oilskins, with his +sou'wester over his eyes, staring into<span class='pagenum'><a name="Page_36" id="Page_36">[Pg 36]</a></span> the binnacle. We +saw that he would rather stand there, and we left him alone. +Perhaps it was some consolation to him to get that ray of light +when everything was so dark. It began to rain, too, as it can +when a southerly gale is going to break up, and we got every +bucket and tub on board, and set them under the booms to catch +the fresh water for washing our clothes. The rain made it very +thick, and I went and stood under the lee of the staysail, +looking out. I could tell that day was breaking, because the foam +was whiter in the dark where the seas crested, and little by +little the black rain grew grey and steamy, and I couldn't see +the red glare of the port light on the water when she went off +and rolled to leeward. The gale had moderated considerably, and +in another hour we should be under way again. I was still +standing there when Jack Benton came forward. He stood still a +few minutes near me. The rain<span class='pagenum'><a name="Page_37" id="Page_37">[Pg 37]</a></span> came down in a solid sheet, +and I could see his wet beard and a corner of his cheek, too, +grey in the dawn. Then he stooped down and began feeling under +the anchor for his pipe. We had hardly shipped any water forward, +and I suppose he had some way of tucking the pipe in, so that the +rain hadn't floated it off. Presently he got on his legs again, +and I saw that he had two pipes in his hand. One of them had +belonged to his brother, and after looking at them a moment I +suppose he recognised his own, for he put it in his mouth, +dripping with water. Then he looked at the other fully a minute +without moving. When he had made up his mind, I suppose, he +quietly chucked it over the lee rail, without even looking round +to see whether I was watching him. I thought it was a pity, for +it was a good wooden pipe, with a nickel ferrule, and somebody +would have been glad to have it. But I didn't like to make any +remark, for he had a right to do what he pleased<span class='pagenum'><a +name="Page_38" id="Page_38">[Pg 38]</a></span> with what had belonged to his +dead brother. He blew the water out of his own pipe, and dried it +against his jacket, putting his hand inside his oilskin; he +filled it, standing under the lee of the foremast, got a light +after wasting two or three matches, and turned the pipe upside +down in his teeth, to keep the rain out of the bowl. I don't know +why I noticed everything he did, and remember it now; but somehow +I felt sorry for him, and I kept wondering whether there was +anything I could say that would make him feel better. But I +didn't think of anything, and as it was broad daylight I went aft +again, for I guessed that the old man would turn out before long +and order the spanker set and the helm up. But he didn't turn out +before seven bells, just as the clouds broke and showed blue sky +to leeward—"the Frenchman's barometer," you used to call +it.</p> + +<p>Some people don't seem to be so dead,<span class='pagenum'><a name="Page_39" id="Page_39">[Pg 39]</a></span> when they are dead, +as others are. Jim Benton was like that. He had been on my watch, +and I couldn't get used to the idea that he wasn't about decks +with me. I was always expecting to see him, and his brother was +so exactly like him that I often felt as if I did see him and +forgot he was dead, and made the mistake of calling Jack by his +name; though I tried not to, because I knew it must hurt. If ever +Jack had been the cheerful one of the two, as I had always +supposed he had been, he had changed very much, for he grew to be +more silent than Jim had ever been.</p> + +<p>One fine afternoon I was sitting on the main-hatch, overhauling +the clock-work of the taffrail-log, which hadn't been registering +very well of late, and I had got the cook to bring me a +coffee-cup to hold the small screws as I took them out, and a +saucer for the sperm-oil I was going to use. I noticed that he +didn't go away, but hung round without exactly watching what I +was doing, as if<span class='pagenum'><a name="Page_40" id="Page_40">[Pg 40]</a></span> he wanted to say something to me. I +thought if it were worth much he would say it anyhow, so I didn't +ask him questions; and sure enough he began of his own accord +before long. There was nobody on deck but the man at the wheel, +and the other man away forward.</p> + +<p>"Mr. Torkeldsen," the cook began, and then stopped.</p> + +<p>I supposed he was going to ask me to let the watch break out a +barrel of flour, or some salt horse.</p> + +<p>"Well, doctor?" I asked, as he didn't go on.</p> + +<p>"Well, Mr. Torkeldsen," he answered, "I somehow want to ask you +whether you think I am giving satisfaction on this ship, or not?"</p> + +<p>"So far as I know, you are, doctor. I haven't heard any +complaints from the forecastle, and the captain has said nothing, +and I think you know your business, and the cabin-boy is bursting +out of his clothes. That looks as if you are giving<span class='pagenum'><a +name="Page_41" id="Page_41">[Pg 41]</a></span> satisfaction. What makes you +think you are not?"</p> + +<p>I am not good at giving you that West Indies talk, and sha'n't +try; but the doctor beat about the bush awhile, and then he told +me he thought the men were beginning to play tricks on him, and +he didn't like it, and thought he hadn't deserved it, and would +like his discharge at our next port. I told him he was a +d——d fool, of course, to begin with; and that men +were more apt to try a joke with a chap they liked than with +anybody they wanted to get rid of; unless it was a bad joke, like +flooding his bunk, or filling his boots with tar. But it wasn't +that kind of practical joke. The doctor said that the men were +trying to frighten him, and he didn't like it, and that they put +things in his way that frightened him. So I told him he was a +d——d fool to be frightened, anyway, and I wanted to +know what things they put in his way. He gave me a queer answer. +He said they were<span class='pagenum'><a name="Page_42" id="Page_42">[Pg 42]</a></span> spoons and forks, and odd plates, and a +cup now and then, and such things.</p> + +<p>I set down the taffrail-log on the bit of canvas I had put under +it, and looked at the doctor. He was uneasy, and his eyes had a +sort of hunted look, and his yellow face looked grey. He wasn't +trying to make trouble. He was in trouble. So I asked him +questions.</p> + +<p>He said he could count as well as anybody, and do sums without +using his fingers, but that when he couldn't count any other way +he did use his fingers, and it always came out the same. He said +that when he and the cabin-boy cleared up after the men's meals +there were more things to wash than he had given out. There'd be +a fork more, or there'd be a spoon more, and sometimes there'd be +a spoon and a fork, and there was always a plate more. It wasn't +that he complained of that. Before poor Jim Benton was lost they +had a man more to feed, and his gear to wash up after meals, and +that was in the contract,<span class='pagenum'><a name="Page_43" id="Page_43">[Pg 43]</a></span> the doctor said. It would have +been if there were twenty in the ship's company; but he didn't +think it was right for the men to play tricks like that. He kept +his things in good order, and he counted them, and he was +responsible for them, and it wasn't right that the men should +take more things than they needed when his back was turned, and +just soil them and mix them up with their own, so as to make him +think—</p> + +<p>He stopped there, and looked at me, and I looked at him. I didn't +know what he thought, but I began to guess. I wasn't going to +humour any such nonsense as that, so I told him to speak to the +men himself, and not come bothering me about such things.</p> + +<p>"Count the plates and forks and spoons before them when they sit +down to table, and tell them that's all they'll get; and when +they have finished, count the things again, and if the count +isn't right, find out who did it. You know it<span class='pagenum'><a name="Page_44" id="Page_44">[Pg 44]</a></span> must be one +of them. You're not a green hand; you've been going to sea ten or +eleven years, and don't want any lesson about how to behave if +the boys play a trick on you."</p> + +<p>"If I could catch him," said the cook, "I'd have a knife into him +before he could say his prayers."</p> + +<p>Those West India men are always talking about knives, especially +when they are badly frightened. I knew what he meant, and didn't +ask him, but went on cleaning the brass cogwheels of the patent +log and oiling the bearings with a feather. "Wouldn't it be +better to wash it out with boiling water, sir?" asked the cook, +in an insinuating tone. He knew that he had made a fool of +himself, and was anxious to make it right again.</p> + +<p>I heard no more about the odd platter and gear for two or three +days, though I thought about his story a good deal. The doctor +evidently believed that Jim Benton had come back, though he +didn't<span class='pagenum'><a name="Page_45" id="Page_45">[Pg 45]</a></span> quite like to say so. His story had sounded silly +enough on a bright afternoon, in fair weather, when the sun was +on the water, and every rag was drawing in the breeze, and the +sea looked as pleasant and harmless as a cat that has just eaten +a canary. But when it was toward the end of the first watch, and +the waning moon had not risen yet, and the water was like still +oil, and the jibs hung down flat and helpless like the wings of a +dead bird—it wasn't the same then. More than once I have +started then, and looked round when a fish jumped, expecting to +see a face sticking up out of the water with its eyes shut. I +think we all felt something like that at the time.</p> + +<p>One afternoon we were putting a fresh service on the +jib-sheet-pennant. It wasn't my watch, but I was standing by +looking on. Just then Jack Benton came up from below, and went to +look for his pipe under the anchor. His face was hard and drawn, +and his eyes<span class='pagenum'><a name="Page_46" id="Page_46">[Pg 46]</a></span> were cold like steel balls. He hardly ever +spoke now, but he did his duty as usual, and nobody had to +complain of him, though we were all beginning to wonder how long +his grief for his dead brother was going to last like that. I +watched him as he crouched down, and ran his hand into the +hiding-place for the pipe. When he stood up, he had two pipes in +his hand.</p> + +<p>Now, I remembered very well seeing him throw one of those pipes +away, early in the morning after the gale; and it came to me now, +and I didn't suppose he kept a stock of them under the anchor. I +caught sight of his face, and it was greenish white, like the +foam on shallow water, and he stood a long time looking at the +two pipes. He wasn't looking to see which was his, for I wasn't +five yards from him as he stood, and one of those pipes had been +smoked that day, and was shiny where his hand had rubbed it, and +the bone mouthpiece was chafed white<span class='pagenum'><a name="Page_47" id="Page_47">[Pg 47]</a></span> where his teeth had +bitten it. The other was water-logged. It was swelled and +cracking with wet, and it looked to me as if there were a little +green weed on it.</p> + +<p>Jack Benton turned his head rather stealthily as I looked away, +and then he hid the thing in his trousers pocket, and went aft on +the lee side, out of sight. The men had got the sheet pennant on +a stretch to serve it, but I ducked under it and stood where I +could see what Jack did, just under the fore-staysail. He +couldn't see me, and he was looking about for something. His hand +shook as he picked up a bit of half-bent iron rod, about a foot +long, that had been used for turning an eye-bolt, and had been +left on the main-hatch. His hand shook as he got a piece of +marline out of his pocket, and made the water-logged pipe fast to +the iron. He didn't mean it to get adrift, either, for he took +his turns carefully, and hove them taut and then rode<span class='pagenum'><a +name="Page_48" id="Page_48">[Pg 48]</a></span> them, so that they couldn't +slip, and made the end fast with two half-hitches round the iron, +and hitched it back on itself. Then he tried it with his hands, +and looked up and down the deck furtively, and then quietly +dropped the pipe and iron over the rail, so that I didn't even +hear the splash. If anybody was playing tricks on board, they +weren't meant for the cook.</p> + +<p>I asked some questions about Jack Benton, and one of the men told +me that he was off his feed, and hardly ate anything, and +swallowed all the coffee he could lay his hands on, and had used +up all his own tobacco and had begun on what his brother had +left.</p> + +<p>"The doctor says it ain't so, sir," said the man, looking at me +shyly, as if he didn't expect to be believed; "the doctor says +there's as much eaten from breakfast to breakfast as there was +before Jim fell overboard, though there's a mouth less and +another that eats nothing.<span class='pagenum'><a name="Page_49" id="Page_49">[Pg 49]</a></span> I says it's the cabin-boy that +gets it. He's bu'sting."</p> + +<p>I told him that if the cabin-boy ate more than his share, he must +work more than his share, so as to balance things. But the man +laughed queerly, and looked at me again.</p> + +<p>"I only said that, sir, just like that. We all know it ain't so."</p> + +<p>"Well, how is it?"</p> + +<p>"How is it?" asked the man, half-angry all at once. "I don't know +how it is, but there's a hand on board that's getting his whack +along with us as regular as the bells."</p> + +<p>"Does he use tobacco?" I asked, meaning to laugh it out of him, +but as I spoke I remembered the water-logged pipe.</p> + +<p>"I guess he's using his own still," the man answered, in a queer, +low voice. "Perhaps he'll take some one else's when his is all +gone."</p> + +<p>It was about nine o'clock in the morning, I remember, for just +then the<span class='pagenum'><a name="Page_50" id="Page_50">[Pg 50]</a></span> captain called to me to stand by the chronometer +while he took his fore observation. Captain Hackstaff wasn't one +of those old skippers who do everything themselves with a pocket +watch, and keep the key of the chronometer in their waistcoat +pocket, and won't tell the mate how far the dead reckoning is +out. He was rather the other way, and I was glad of it, for he +generally let me work the sights he took, and just ran his eye +over my figures afterwards. I am bound to say his eye was pretty +good, for he would pick out a mistake in a logarithm, or tell me +that I had worked the "Equation of Time" with the wrong sign, +before it seemed to me that he could have got as far as "half the +sum, minus the altitude." He was always right, too, and besides +he knew a lot about iron ships and local deviation, and adjusting +the compass, and all that sort of thing. I don't know how he came +to be in command of a fore-and-aft schooner. He never talked +about himself,<span class='pagenum'><a name="Page_51" id="Page_51">[Pg 51]</a></span> and maybe he had just been mate on one of +those big steel square-riggers, and something had put him back. +Perhaps he had been captain, and had got his ship aground, +through no particular fault of his, and had to begin over again. +Sometimes he talked just like you and me, and sometimes he would +speak more like books do, or some of those Boston people I have +heard. I don't know. We have all been shipmates now and then with +men who have seen better days. Perhaps he had been in the Navy, +but what makes me think he couldn't have been, was that he was a +thorough good seaman, a regular old wind-jammer, and understood +sail, which those Navy chaps rarely do. Why, you and I have +sailed with men before the mast who had their master's +certificates in their pockets,—English Board of Trade +certificates, too,—who could work a double altitude if you +would lend them a sextant and give them a look at the +chronometer, as well as many a<span class='pagenum'><a name="Page_52" id="Page_52">[Pg 52]</a></span> man who commands a big +square-rigger. Navigation ain't everything, nor seamanship, +either. You've got to have it in you, if you mean to get there.</p> + +<p>I don't know how our captain heard that there was trouble +forward. The cabin-boy may have told him, or the men may have +talked outside his door when they relieved the wheel at night. +Anyhow, he got wind of it, and when he had got his sight that +morning he had all hands aft, and gave them a lecture. It was +just the kind of talk you might have expected from him. He said +he hadn't any complaint to make, and that so far as he knew +everybody on board was doing his duty, and that he was given to +understand that the men got their whack, and were satisfied. He +said his ship was never a hard ship, and that he liked quiet, and +that was the reason he didn't mean to have any nonsense, and the +men might just as well understand that, too. We'd had a great +misfortune, he said, and it<span class='pagenum'><a name="Page_53" id="Page_53">[Pg 53]</a></span> was nobody's fault. We had +lost a man we all liked and respected, and he felt that everybody +in the ship ought to be sorry for the man's brother, who was left +behind, and that it was rotten lubberly childishness, and unjust +and unmanly and cowardly, to be playing schoolboy tricks with +forks and spoons and pipes, and that sort of gear. He said it had +got to stop right now, and that was all, and the men might go +forward. And so they did.</p> + +<div class="figcenter" style="width: 422px;"> <a name="linktoimage001" id="linktoimage001"></a> <img src="images/image_001.jpg" width="422" height="600" alt="He +let go of the knife, and the point stuck into the deck." title="" +/> <span class="caption">He let go of the knife, and the point stuck into the deck.</span> </div> +<hr style='width: 45%;' /> + +<p>It got worse after that, and the men watched the cook, and the +cook watched the men, as if they were trying to catch each other; +but I think everybody felt that there was something else. One +evening, at supper-time, I was on deck, and Jack came aft to +relieve the wheel while the man who was steering got his supper. +He hadn't got past the main-hatch on the lee side, when I heard a +man running in slippers that slapped on the deck, and there was a +sort of a yell and I saw the coloured cook going for Jack, with +a carving-knife in his hand. I jumped to get between them, +and<span class='pagenum'><a name="Page_54" id="Page_54">[Pg 54]</a></span> Jack turned round short, and put out his hand. I was +too far to reach them, and the cook jabbed out with his knife. +But the blade didn't get anywhere near Benton. The cook seemed to +be jabbing it into the air again and again, at least four feet +short of the mark. Then he dropped his right hand, and I saw the +whites of his eyes in the dusk, and he reeled up against the +pin-rail, and caught hold of a belaying-pin with his left. I had +reached him by that time, and grabbed hold of his knife-hand and +the other too, for I thought he was going to use the pin; but +Jack Benton was standing staring stupidly at him, as if he didn't +understand. But instead, the cook was holding on because he +couldn't stand, and his teeth were chattering, and he let go of +the knife, and the point stuck into the deck.</p> + +<p>"He's crazy!" said Jack Benton, and that was all he said; and he +went aft.</p> + +<p>When he was gone the cook began to come to and he spoke +quite<span class='pagenum'><a name="Page_55" id="Page_55">[Pg 55]</a></span> low, near my ear.</p> + +<p>"There were two of them! So help me God, there were two of them!"</p> + +<p>I don't know why I didn't take him by the collar, and give him a +good shaking; but I didn't. I just picked up the knife and gave +it to him, and told him to go back to his galley, and not to make +a fool of himself. You see, he hadn't struck at Jack, but at +something he thought he saw, and I knew what it was, and I felt +that same thing, like a lump of ice sliding down my back, that I +felt that night when we were bending the trysail.</p> + +<p>When the men had seen him running aft, they jumped up after him, +but they held off when they saw that I had caught him. By and by, +the man who had spoken to me before told me what had happened. He +was a stocky little chap, with a red head.</p> + +<p>"Well," he said, "there isn't much to<span class='pagenum'><a name="Page_56" id="Page_56">[Pg 56]</a></span> tell. Jack Benton +had been eating his supper with the rest of us. He always sits at +the after corner of the table, on the port side. His brother used +to sit at the end, next him. The doctor gave him a thundering big +piece of pie to finish up with, and when he had finished he +didn't stop for a smoke, but went off quick to relieve the wheel. +Just as he had gone, the doctor came in from the galley, and when +he saw Jack's empty plate he stood stock still staring at it; and +we all wondered what was the matter, till we looked at the plate. +There were two forks in it, sir, lying side by side. Then the +doctor grabbed his knife, and flew up through the hatch like a +rocket. The other fork was there all right, Mr. Torkeldsen, for +we all saw it and handled it; and we all had our own. That's all +I know."</p> + +<p>I didn't feel that I wanted to laugh when he told me that story; +but I hoped the old man wouldn't hear it, for I knew he wouldn't +believe it, and no captain<span class='pagenum'><a name="Page_57" id="Page_57">[Pg 57]</a></span> that ever sailed likes to have +stories like that going round about his ship. It gives her a bad +name. But that was all anybody ever saw except the cook, and he +isn't the first man who has thought he saw things without having +any drink in him. I think, if the doctor had been weak in the +head as he was afterwards, he might have done something foolish +again, and there might have been serious trouble. But he didn't. +Only, two or three times I saw him looking at Jack Benton in a +queer, scared way, and once I heard him talking to himself.</p> + +<p>"There's two of them! So help me God, there's two of them!"</p> + +<p>He didn't say anything more about asking for his discharge, but I +knew well enough that if he got ashore at the next port we should +never see him again, if he had to leave his kit behind him, and +his money, too. He was scared all through, for good and all; and +he wouldn't be right again till he got another ship. It's no use +to talk to a man when he gets<span class='pagenum'><a name="Page_58" id="Page_58">[Pg 58]</a></span> like that, any more than it +is to send a boy to the main truck when he has lost his nerve.</p> + +<p>Jack Benton never spoke of what happened that evening. I don't +know whether he knew about the two forks, or not; or whether he +understood what the trouble was. Whatever he knew from the other +men, he was evidently living under a hard strain. He was quiet +enough, and too quiet; but his face was set, and sometimes it +twitched oddly when he was at the wheel, and he would turn his +head round sharp to look behind him. A man doesn't do that +naturally, unless there's a vessel that he thinks is creeping up +on the quarter. When that happens, if the man at the wheel takes +a pride in his ship, he will almost always keep glancing over his +shoulder to see whether the other fellow is gaining. But Jack +Benton used to look round when there was nothing there; and what +is curious, the other men seemed to catch the trick when they +were steering. One<span class='pagenum'><a name="Page_59" id="Page_59">[Pg 59]</a></span> day the old man turned out just as the +man at the wheel looked behind him.</p> + +<p>"What are you looking at?" asked the captain.</p> + +<p>"Nothing, sir," answered the man.</p> + +<p>"Then keep your eye on the mizzen-royal," said the old man, as if +he were forgetting that we weren't a square-rigger.</p> + +<p>"Ay, ay, sir," said the man.</p> + +<p>The captain told me to go below and work up the latitude from the +dead-reckoning, and he went forward of the deck-house and sat +down to read, as he often did. When I came up, the man at the +wheel was looking round again, and I stood beside him and just +asked him quietly what everybody was looking at, for it was +getting to be a general habit. He wouldn't say anything at first, +but just answered that it was nothing. But when he saw that I +didn't seem to care, and just stood there as if there were +nothing more to be said, he naturally began to talk.</p> + +<p><span class='pagenum'><a name="Page_60" id="Page_60">[Pg 60]</a></span>He said that it wasn't that +he saw anything, because there wasn't anything to see except the +spanker sheet just straining a little, and working in the sheaves +of the blocks as the schooner rose to the short seas. There +wasn't anything to be seen, but it seemed to him that the sheet +made a queer noise in the blocks. It was a new manilla sheet; and +in dry weather it did make a little noise, something between a +creak and a wheeze. I looked at it and looked at the man, and +said nothing; and presently he went on. He asked me if I didn't +notice anything peculiar about the noise. I listened awhile, and +said I didn't notice anything. Then he looked rather sheepish, +but said he didn't think it could be his own ears, because every +man who steered his trick heard the same thing now and +then,—sometimes once in a day, sometimes once in a night, +sometimes it would go on a whole hour.</p> + +<p>"It sounds like sawing wood," I said, just like that.<span class='pagenum'><a +name="Page_61" id="Page_61">[Pg 61]</a></span></p> + +<p>"To us it sounds a good deal more like a man whistling 'Nancy +Lee.'" He started nervously as he spoke the last words. "There, +sir, don't you hear it?" he asked suddenly.</p> + +<p>I heard nothing but the creaking of the manilla sheet. It was +getting near noon, and fine, clear weather in southern +waters,—just the sort of day and the time when you would +least expect to feel creepy. But I remembered how I had heard +that same tune overhead at night in a gale of wind a fortnight +earlier, and I am not ashamed to say that the same sensation came +over me now, and I wished myself well out of the <i>Helen B.</i>, and +aboard of any old cargo-dragger, with a windmill on deck, and an +eighty-nine-forty-eighter for captain, and a fresh leak whenever +it breezed up.</p> + +<p>Little by little during the next few days life on board that +vessel came to be about as unbearable as you can imagine. It +wasn't that there was much talk, for I think the men were shy +even<span class='pagenum'><a name="Page_62" id="Page_62">[Pg 62]</a></span> of speaking to each other freely about what they +thought. The whole ship's company grew silent, until one hardly +ever heard a voice, except giving an order and the answer. The +men didn't sit over their meals when their watch was below, but +either turned in at once or sat about on the forecastle smoking +their pipes without saying a word. We were all thinking of the +same thing. We all felt as if there were a hand on board, +sometimes below, sometimes about decks, sometimes aloft, +sometimes on the boom end; taking his full share of what the +others got, but doing no work for it. We didn't only feel it, we +knew it. He took up no room, he cast no shadow, and we never +heard his footfall on deck; but he took his whack with the rest +as regular as the bells, and—he whistled "Nancy Lee." It +was like the worst sort of dream you can imagine; and I dare say +a good many of us tried to believe it was nothing else sometimes, +when we stood looking over the weather rail in<span class='pagenum'><a name="Page_63" id="Page_63">[Pg 63]</a></span> fine +weather with the breeze in our faces; but if we happened to turn +round and look into each other's eyes, we knew it was something +worse than any dream could be; and we would turn away from each +other with a queer, sick feeling, wishing that we could just for +once see somebody who didn't know what we knew.</p> + +<p>There's not much more to tell about the <i>Helen B. Jackson</i> so far +as I am concerned. We were more like a shipload of lunatics than +anything else when we ran in under Morro Castle, and anchored in +Havana. The cook had brain fever, and was raving mad in his +delirium; and the rest of the men weren't far from the same +state. The last three or four days had been awful, and we had +been as near to having a mutiny on board as I ever want to be. +The men didn't want to hurt anybody; but they wanted to get away +out of that ship, if they had to swim for it; to get away from +that whistling,<span class='pagenum'><a name="Page_64" id="Page_64">[Pg 64]</a></span> from that dead shipmate who had come +back, and who filled the ship with his unseen self. I know that +if the old man and I hadn't kept a sharp lookout the men would +have put a boat over quietly on one of those calm nights, and +pulled away, leaving the captain and me and the mad cook to work +the schooner into harbour. We should have done it somehow, of +course, for we hadn't far to run if we could get a breeze; and +once or twice I found myself wishing that the crew were really +gone, for the awful state of fright in which they lived was +beginning to work on me too. You see I partly believed and partly +didn't; but anyhow I didn't mean to let the thing get the better +of me, whatever it was. I turned crusty, too, and kept the men at +work on all sorts of jobs, and drove them to it until they wished +I was overboard, too. It wasn't that the old man and I were +trying to drive them to desert without their pay, as<span class='pagenum'><a +name="Page_65" id="Page_65">[Pg 65]</a></span> I am sorry to say a good many +skippers and mates do, even now. Captain Hackstaff was as +straight as a string, and I didn't mean those poor fellows should +be cheated out of a single cent; and I didn't blame them for +wanting to leave the ship, but it seemed to me that the only +chance to keep everybody sane through those last days was to work +the men till they dropped. When they were dead tired they slept a +little, and forgot the thing until they had to tumble up on deck +and face it again. That was a good many years ago. Do you believe +that I can't hear "Nancy Lee" now, without feeling cold down my +back? For I heard it too, now and then, after the man had +explained why he was always looking over his shoulder. Perhaps it +was imagination. I don't know. When I look back it seems to me +that I only remember a long fight against something I couldn't +see, against an appalling presence, against something worse than +cholera or Yellow Jack or the<span class='pagenum'><a name="Page_66" id="Page_66">[Pg 66]</a></span> plague—and goodness +knows the mildest of them is bad enough when it breaks out at +sea. The men got as white as chalk, and wouldn't go about decks +alone at night, no matter what I said to them. With the cook +raving in his bunk the forecastle would have been a perfect hell, +and there wasn't a spare cabin on board. There never is on a +fore-and-after. So I put him into mine, and he was more quiet +there, and at last fell into a sort of stupor as if he were going +to die. I don't know what became of him, for we put him ashore +alive and left him in the hospital.</p> + +<p>The men came aft in a body, quiet enough, and asked the captain +if he wouldn't pay them off, and let them go ashore. Some men +wouldn't have done it, for they had shipped for the voyage, and +had signed articles. But the captain knew that when sailors get +an idea into their heads they're no better than children; and if +he forced them to stay aboard he wouldn't get much work out<span class='pagenum'><a +name="Page_67" id="Page_67">[Pg 67]</a></span> of them, and couldn't rely on +them in a difficulty. So he paid them off, and let them go. When +they had gone forward to get their kits, he asked me whether I +wanted to go too, and for a minute I had a sort of weak feeling +that I might just as well. But I didn't, and he was a good friend +to me afterwards. Perhaps he was grateful to me for sticking to +him.</p> + +<p>When the men went off he didn't come on deck; but it was my duty +to stand by while they left the ship. They owed me a grudge for +making them work during the last few days, and most of them +dropped into the boat without so much as a word or a look, as +sailors will. Jack Benton was the last to go over the side, and +he stood still a minute and looked at me, and his white face +twitched. I thought he wanted to say something.</p> + +<p>"Take care of yourself, Jack," said I. "So long!"</p> + +<p>It seemed as if he couldn't speak for two or three seconds; then +his words came thick.<span class='pagenum'><a name="Page_68" id="Page_68">[Pg 68]</a></span></p> + +<p>"It wasn't my fault, Mr. Torkeldsen. I swear it wasn't my fault!"</p> + +<p>That was all; and he dropped over the side, leaving me to wonder +what he meant.</p> + +<p>The captain and I stayed on board, and the ship-chandler got a +West India boy to cook for us.</p> + +<p>That evening, before turning in, we were standing by the rail +having a quiet smoke, watching the lights of the city, a quarter +of a mile off, reflected in the still water. There was music of +some sort ashore, in a sailors' dance-house, I dare say; and I +had no doubt that most of the men who had left the ship were +there, and already full of jiggy-jiggy. The music played a lot of +sailors' tunes that ran into each other, and we could hear the +men's voices in the chorus now and then. One followed another, +and then it was "Nancy Lee," loud and clear, and the men singing +"Yo-ho, heave-ho!"</p> + +<p>"I have no ear for music," said Captain<span class='pagenum'><a name="Page_69" id="Page_69">[Pg 69]</a></span> Hackstaff, "but +it appears to me that's the tune that man was whistling the night +we lost the man overboard. I don't know why it has stuck in my +head, and of course it's all nonsense; but it seems to me that I +have heard it all the rest of the trip."</p> + +<p>I didn't say anything to that, but I wondered just how much the +old man had understood. Then we turned in, and I slept ten hours +without opening my eyes.</p> + +<p>I stuck to the <i>Helen B. Jackson</i> after that as long as I could +stand a fore-and-after; but that night when we lay in Havana was +the last time I ever heard "Nancy Lee" on board of her. The spare +hand had gone ashore with the rest, and he never came back, and +he took his tune with him; but all those things are just as clear +in my memory as if they had happened yesterday.</p> + +<p>After that I was in deep water for a year or more, and after I +came home I got my certificate, and what with having<span class='pagenum'><a +name="Page_70" id="Page_70">[Pg 70]</a></span> friends and having saved a +little money, and having had a small legacy from an uncle in +Norway, I got the command of a coastwise vessel, with a small +share in her. I was at home three weeks before going to sea, and +Jack Benton saw my name in the local papers, and wrote to me.</p> + +<p>He said that he had left the sea, and was trying farming, and he +was going to be married, and he asked if I wouldn't come over for +that, for it wasn't more than forty minutes by train; and he and +Mamie would be proud to have me at the wedding. I remembered how +I had heard one brother ask the other whether Mamie knew. That +meant, whether she knew he wanted to marry her, I suppose. She +had taken her time about it, for it was pretty nearly three years +then since we had lost Jim Benton overboard.</p> + +<p>I had nothing particular to do while we were getting ready for +sea; nothing to prevent me from going over for a<span class='pagenum'><a +name="Page_71" id="Page_71">[Pg 71]</a></span> day, I mean; and I thought +I'd like to see Jack Benton, and have a look at the girl he was +going to marry. I wondered whether he had grown cheerful again, +and had got rid of that drawn look he had when he told me it +wasn't his fault. How could it have been his fault, anyhow? So I +wrote to Jack that I would come down and see him married; and +when the day came I took the train, and got there about ten +o'clock in the morning. I wish I hadn't. Jack met me at the +station, and he told me that the wedding was to be late in the +afternoon, and that they weren't going off on any silly wedding +trip, he and Mamie, but were just going to walk home from her +mother's house to his cottage. That was good enough for him, he +said. I looked at him hard for a minute after we met. When we had +parted I had a sort of idea that he might take to drink, but he +hadn't. He looked very respectable and well-to-do in his black +coat and high city collar; but he was thinner and bonier +than<span class='pagenum'><a name="Page_72" id="Page_72">[Pg 72]</a></span> when I had known him, and there were lines in his +face, and I thought his eyes had a queer look in them, half +shifty, half scared. He needn't have been afraid of me, for I +didn't mean to talk to his bride about the <i>Helen B. Jackson</i>.</p> + +<p>He took me to his cottage first, and I could see that he was +proud of it. It wasn't above a cable's-length from high-water +mark, but the tide was running out, and there was already a broad +stretch of hard wet sand on the other side of the beach road. +Jack's bit of land ran back behind the cottage about a quarter of +a mile, and he said that some of the trees we saw were his. The +fences were neat and well kept, and there was a fair-sized barn a +little way from the cottage, and I saw some nice-looking cattle +in the meadows; but it didn't look to me to be much of a farm, +and I thought that before long Jack would have to leave his wife +to take care of it, and go to sea again. But I said it was a nice +farm, so as to seem pleasant, and as I don't<span class='pagenum'><a name="Page_73" id="Page_73">[Pg 73]</a></span> know much +about these things I dare say it was, all the same. I never saw +it but that once. Jack told me that he and his brother had been +born in the cottage, and that when their father and mother died +they leased the land to Mamie's father, but had kept the cottage +to live in when they came home from sea for a spell. It was as +neat a little place as you would care to see: the floors as clean +as the decks of a yacht, and the paint as fresh as a man-o'-war. +Jack always was a good painter. There was a nice parlour on the +ground floor, and Jack had papered it and had hung the walls with +photographs of ships and foreign ports, and with things he had +brought home from his voyages: a boomerang, a South Sea club, +Japanese straw hats and a Gibraltar fan with a bull-fight on it, +and all that sort of gear. It looked to me as if Miss Mamie had +taken a hand in arranging it. There was a bran-new polished iron +Franklin stove set into the old fireplace,<span class='pagenum'><a name="Page_74" id="Page_74">[Pg 74]</a></span> and a red +table-cloth from Alexandria, embroidered with those outlandish +Egyptian letters. It was all as bright and homelike as possible, +and he showed me everything, and was proud of everything, and I +liked him the better for it. But I wished that his voice would +sound more cheerful, as it did when we first sailed in the <i>Helen +B.</i>, and that the drawn look would go out of his face for a +minute. Jack showed me everything, and took me upstairs, and it +was all the same: bright and fresh and ready for the bride. But +on the upper landing there was a door that Jack didn't open. When +we came out of the bedroom I noticed that it was ajar, and Jack +shut it quickly and turned the key.</p> + +<p>"That lock's no good," he said, half to himself. "The door is +always open."</p> + +<p>I didn't pay much attention to what he said, but as we went down +the short stairs, freshly painted and varnished so that I was +almost afraid to step on them, he spoke again.<span class='pagenum'><a name="Page_75" id="Page_75">[Pg 75]</a></span></p> + +<p>"That was his room, sir. I have made a sort of store-room of it."</p> + +<p>"You may be wanting it in a year or so," I said, wishing to be +pleasant.</p> + +<p>"I guess we won't use his room for that," Jack answered in a low +voice.</p> + +<p>Then he offered me a cigar from a fresh box in the parlour, and +he took one, and we lit them, and went out; and as we opened the +front door there was Mamie Brewster standing in the path as if +she were waiting for us. She was a fine-looking girl, and I +didn't wonder that Jack had been willing to wait three years for +her. I could see that she hadn't been brought up on steam-heat +and cold storage, but had grown into a woman by the sea-shore. +She had brown eyes, and fine brown hair, and a good figure.</p> + +<p>"This is Captain Torkeldsen," said Jack. "This is Miss Brewster, +captain; and she is glad to see you."</p> + +<p>"Well, I am," said Miss Mamie, "for<span class='pagenum'><a name="Page_76" id="Page_76">[Pg 76]</a></span> Jack has often talked +to us about you, captain."</p> + +<p>She put out her hand, and took mine and shook it heartily, and I +suppose I said something, but I know I didn't say much.</p> + +<p>The front door of the cottage looked toward the sea, and there +was a straight path leading to the gate on the beach road. There +was another path from the steps of the cottage that turned to the +right, broad enough for two people to walk easily, and it led +straight across the fields through gates to a larger house about +a quarter of a mile away. That was where Mamie's mother lived, +and the wedding was to be there. Jack asked me whether I would +like to look round the farm before dinner, but I told him I +didn't know much about farms. Then he said he just wanted to look +round himself a bit, as he mightn't have much more chance that +day; and he smiled, and Mamie laughed.</p> + +<p>"Show the captain the way to the<span class='pagenum'><a name="Page_77" id="Page_77">[Pg 77]</a></span> house, Mamie," he said. +"I'll be along in a minute."</p> + +<p>So Mamie and I began to walk along the path, and Jack went up +toward the barn.</p> + +<p>"It was sweet of you to come, captain," Miss Mamie began, "for I +have always wanted to see you."</p> + +<p>"Yes," I said, expecting something more.</p> + +<p>"You see, I always knew them both," she went on. "They used to +take me out in a dory to catch codfish when I was a little girl, +and I liked them both," she added thoughtfully. "Jack doesn't +care to talk about his brother now. That's natural. But you won't +mind telling me how it happened, will you? I should so much like +to know."</p> + +<p>Well, I told her about the voyage and what happened that night +when we fell in with a gale of wind, and that it hadn't been +anybody's fault, for I wasn't going to admit that it was my old +captain's, if it was. But I didn't tell her<span class='pagenum'><a name="Page_78" id="Page_78">[Pg 78]</a></span> anything +about what happened afterwards. As she didn't speak, I just went +on talking about the two brothers, and how like they had been, +and how when poor Jim was drowned and Jack was left, I took Jack +for him. I told her that none of us had ever been sure which was +which.</p> + +<p>"I wasn't always sure myself," she said, "unless they were +together. Leastways, not for a day or two after they came home +from sea. And now it seems to me that Jack is more like poor Jim, +as I remember him, than he ever was, for Jim was always more +quiet, as if he were thinking."</p> + +<p>I told her I thought so, too. We passed the gate and went into +the next field, walking side by side. Then she turned her head to +look for Jack, but he wasn't in sight. I sha'n't forget what she +said next.</p> + +<p>"Are you sure now?" she asked.</p> + +<p>I stood stock-still, and she went on a step, and then turned and +looked at me.<span class='pagenum'><a name="Page_79" id="Page_79">[Pg 79]</a></span> We must have looked at each other while you +could count five or six.</p> + +<p>"I know it's silly," she went on, "it's silly, and it's awful, +too, and I have got no right to think it, but sometimes I can't +help it. You see it was always Jack I meant to marry."</p> + +<p>"Yes," I said stupidly, "I suppose so."</p> + +<p>She waited a minute, and began walking on slowly before she went +on again.</p> + +<p>"I am talking to you as if you were an old friend, captain, and I +have only known you five minutes. It was Jack I meant to marry, +but now he is so like the other one."</p> + +<p>When a woman gets a wrong idea into her head, there is only one +way to make her tired of it, and that is to agree with her. +That's what I did, and she went on talking the same way for a +little while, and I kept on agreeing and agreeing until she +turned round on me.</p> + +<p>"You know you don't believe what<span class='pagenum'><a name="Page_80" id="Page_80">[Pg 80]</a></span> you say," she said, and +laughed. "You know that Jack is Jack, right enough; and it's Jack +I am going to marry."</p> + +<p>Of course I said so, for I didn't care whether she thought me a +weak creature or not. I wasn't going to say a word that could +interfere with her happiness, and I didn't intend to go back on +Jack Benton; but I remembered what he had said when he left the +ship in Havana: that it wasn't his fault.</p> + +<p>"All the same," Miss Mamie went on, as a woman will, without +realising what she was saying, "all the same, I wish I had seen +it happen. Then I should know."</p> + +<p>Next minute she knew that she didn't mean that, and was afraid +that I would think her heartless, and began to explain that she +would really rather have died herself than have seen poor Jim go +overboard. Women haven't got much sense, anyhow. All the same, I +wondered how she could marry Jack if she had a doubt that he +might be Jim after<span class='pagenum'><a name="Page_81" id="Page_81">[Pg 81]</a></span> all. I suppose she had really got used +to him since he had given up the sea and had stayed ashore, and +she cared for him.</p> + +<p>Before long we heard Jack coming up behind us, for we had walked +very slowly to wait for him.</p> + +<p>"Promise not to tell anybody what I said, captain," said Mamie, +as girls do as soon as they have told their secrets.</p> + +<p>Anyhow, I know I never did tell any one but you. This is the +first time I have talked of all that, the first time since I took +the train from that place. I am not going to tell you all about +the day. Miss Mamie introduced me to her mother, who was a quiet, +hard-faced old New England farmer's widow, and to her cousins and +relations; and there were plenty of them too at dinner, and there +was the parson besides. He was what they call a Hard-shell +Baptist in those parts, with a long, shaven upper lip and a +whacking appetite, and a sort of superior look, as if he didn't +expect to see many of us<span class='pagenum'><a name="Page_82" id="Page_82">[Pg 82]</a></span> hereafter—the way a New +York pilot looks round, and orders things about when he boards an +Italian cargo-dragger, as if the ship weren't up to much anyway, +though it was his business to see that she didn't get aground. +That's the way a good many parsons look, I think. He said grace +as if he were ordering the men to sheet home the topgallant-sail +and get the helm up. After dinner we went out on the piazza, for +it was warm autumn weather; and the young folks went off in pairs +along the beach road, and the tide had turned and was beginning +to come in. The morning had been clear and fine, but by four +o'clock it began to look like a fog, and the damp came up out of +the sea and settled on everything. Jack said he'd go down to his +cottage and have a last look, for the wedding was to be at five +o'clock, or soon after, and he wanted to light the lights, so as +to have things look cheerful.</p> + +<p>"I will just take a last look," he said<span class='pagenum'><a name="Page_83" id="Page_83">[Pg 83]</a></span> again, as we +reached the house. We went in, and he offered me another cigar, +and I lit it and sat down in the parlour. I could hear him moving +about, first in the kitchen and then upstairs, and then I heard +him in the kitchen again; and then before I knew anything I heard +somebody moving upstairs again. I knew he couldn't have got up +those stairs as quick as that. He came into the parlour, and he +took a cigar himself, and while he was lighting it I heard those +steps again overhead. His hand shook, and he dropped the match.</p> + +<p>"Have you got in somebody to help?" I asked.</p> + +<p>"No," Jack answered sharply, and struck another match.</p> + +<p>"There's somebody upstairs, Jack," I said. "Don't you hear +footsteps?"</p> + +<p>"It's the wind, captain," Jack answered; but I could see he was +trembling.</p> + +<p>"That isn't any wind, Jack," I said; "it's still and foggy. I'm +sure there's somebody upstairs."<span class='pagenum'><a name="Page_84" id="Page_84">[Pg 84]</a></span></p> + +<p>"If you are so sure of it, you'd better go and see for yourself, +captain," Jack answered, almost angrily.</p> + +<p>He was angry because he was frightened. I left him before the +fireplace, and went upstairs. There was no power on earth that +could make me believe I hadn't heard a man's footsteps overhead. +I knew there was somebody there. But there wasn't. I went into +the bedroom, and it was all quiet, and the evening light was +streaming in, reddish through the foggy air; and I went out on +the landing and looked in the little back room that was meant for +a servant girl or a child. And as I came back again I saw that +the door of the other room was wide open, though I knew Jack had +locked it. He had said the lock was no good. I looked in. It was +a room as big as the bedroom, but almost dark, for it had +shutters, and they were closed. There was a musty smell, as of +old gear, and I could make out that the floor was littered with +sea chests,<span class='pagenum'><a name="Page_85" id="Page_85">[Pg 85]</a></span> and that there were oilskins and stuff piled +on the bed. But I still believed that there was somebody +upstairs, and I went in and struck a match and looked round. I +could see the four walls and the shabby old paper, an iron bed +and a cracked looking-glass, and the stuff on the floor. But +there was nobody there. So I put out the match, and came out and +shut the door and turned the key. Now, what I am telling you is +the truth. When I had turned the key, I heard footsteps walking +away from the door inside the room. Then I felt queer for a +minute, and when I went downstairs I looked behind me, as the men +at the wheel used to look behind them on board the <i>Helen B.</i></p> + +<p>Jack was already outside on the steps, smoking. I have an idea +that he didn't like to stay inside alone.</p> + +<p>"Well?" he asked, trying to seem careless.</p> + +<p>"I didn't find anybody," I answered, "but I heard somebody moving +about."<span class='pagenum'><a name="Page_86" id="Page_86">[Pg 86]</a></span></p> + +<p>"I told you it was the wind," said Jack, contemptuously. "I ought +to know, for I live here, and I hear it often."</p> + +<p>There was nothing to be said to that, so we began to walk down +toward the beach. Jack said there wasn't any hurry, as it would +take Miss Mamie some time to dress for the wedding. So we +strolled along, and the sun was setting through the fog, and the +tide was coming in. I knew the moon was full, and that when she +rose the fog would roll away from the land, as it does sometimes. +I felt that Jack didn't like my having heard that noise, so I +talked of other things, and asked him about his prospects, and +before long we were chatting as pleasantly as possible.</p> + +<p>I haven't been at many weddings in my life, and I don't suppose +you have, but that one seemed to me to be all right until it was +pretty near over; and then, I don't know whether it was part of +the ceremony or not, but Jack put out his hand and took Mamie's +and held<span class='pagenum'><a name="Page_87" id="Page_87">[Pg 87]</a></span> it a minute, and looked at her, while the parson +was still speaking.</p> + +<p>Mamie turned as white as a sheet and screamed. It wasn't a loud +scream, but just a sort of stifled little shriek, as if she were +half frightened to death; and the parson stopped, and asked her +what was the matter, and the family gathered round.</p> + +<p>"Your hand's like ice," said Mamie to Jack, "and it's all wet!"</p> + +<p>She kept looking at it, as she got hold of herself again.</p> + +<p>"It don't feel cold to me," said Jack, and he held the back of +his hand against his cheek. "Try it again."</p> + +<p>Mamie held out hers, and touched the back of his hand, timidly at +first, and then took hold of it.</p> + +<p>"Why, that's funny," she said.</p> + +<p>"She's been as nervous as a witch all day," said Mrs. Brewster, +severely.</p> + +<p>"It is natural," said the parson, "that young Mrs. Benton should +experience a little agitation at such a moment."<span class='pagenum'><a +name="Page_88" id="Page_88">[Pg 88]</a></span></p> + +<p>Most of the bride's relations lived at a distance, and were busy +people, so it had been arranged that the dinner we'd had in the +middle of the day was to take the place of a dinner afterwards, +and that we should just have a bite after the wedding was over, +and then that everybody should go home, and the young couple +would walk down to the cottage by themselves. When I looked out I +could see the light burning brightly in Jack's cottage, a quarter +of a mile away. I said I didn't think I could get any train to +take me back before half-past nine, but Mrs. Brewster begged me +to stay until it was time, as she said her daughter would want to +take off her wedding dress before she went home; for she had put +on something white with a wreath, that was very pretty, and she +couldn't walk home like that, could she?</p> + +<p>So when we had all had a little supper the party began to break +up, and when they were all gone Mrs. Brewster and Mamie went +upstairs, and Jack and I<span class='pagenum'><a name="Page_89" id="Page_89">[Pg 89]</a></span> went out on the piazza, to have +a smoke, as the old lady didn't like tobacco in the house.</p> + +<p>The full moon had risen now, and it was behind me as I looked +down toward Jack's cottage, so that everything was clear and +white, and there was only the light burning in the window. The +fog had rolled down to the water's edge, and a little beyond, for +the tide was high, or nearly, and was lapping up over the last +reach of sand, within fifty feet of the beach road.</p> + +<p>Jack didn't say much as we sat smoking, but he thanked me for +coming to his wedding, and I told him I hoped he would be happy; +and so I did. I dare say both of us were thinking of those +footsteps upstairs, just then, and that the house wouldn't seem +so lonely with a woman in it. By and by we heard Mamie's voice +talking to her mother on the stairs, and in a minute she was +ready to go. She had put on again the dress she had worn in<span class='pagenum'><a +name="Page_90" id="Page_90">[Pg 90]</a></span> the morning, and it looked +black at night, almost as black as Jack's coat.</p> + +<p>Well, they were ready to go now. It was all very quiet after the +day's excitement, and I knew they would like to walk down that +path alone now that they were man and wife at last. I bade them +good-night, although Jack made a show of pressing me to go with +them by the path as far as the cottage, instead of going to the +station by the beach road. It was all very quiet, and it seemed +to me a sensible way of getting married; and when Mamie kissed +her mother good-night I just looked the other way, and knocked my +ashes over the rail of the piazza. So they started down the +straight path to Jack's cottage, and I waited a minute with Mrs. +Brewster, looking after them, before taking my hat to go. They +walked side by side, a little shyly at first, and then I saw Jack +put his arm round her waist. As I looked he was on her left, and +I saw the outline of<span class='pagenum'><a name="Page_91" id="Page_91">[Pg 91]</a></span> the two figures very distinctly +against the moonlight on the path; and the shadow on Mamie's +right was broad and black as ink, and it moved along, lengthening +and shortening with the unevenness of the ground beside the path.</p> + +<p>I thanked Mrs. Brewster, and bade her good-night; and though she +was a hard New England woman her voice trembled a little as she +answered, but being a sensible person she went in and shut the +door behind her as I stepped out on the path. I looked after the +couple in the distance a last time, meaning to go down to the +road, so as not to overtake them; but when I had made a few steps +I stopped and looked again, for I knew I had seen something +queer, though I had only realised it afterwards. I looked again, +and it was plain enough now; and I stood stock-still, staring at +what I saw. Mamie was walking between two men. The second man was +just the same height as Jack, both being about a half a head +taller than she; Jack<span class='pagenum'><a name="Page_92" id="Page_92">[Pg 92]</a></span> on her left in his black tail-coat +and round hat, and the other man on her right—well, he was +a sailor-man in wet oilskins. I could see the moonlight shining +on the water that ran down him, and on the little puddle that had +settled where the flap of his sou'wester was turned up behind: +and one of his wet, shiny arms was round Mamie's waist, just +above Jack's. I was fast to the spot where I stood, and for a +minute I thought I was crazy. We'd had nothing but some cider for +dinner, and tea in the evening, otherwise I'd have thought +something had got into my head, though I was never drunk in my +life. It was more like a bad dream after that.</p> + +<p>I was glad Mrs. Brewster had gone in. As for me, I couldn't help +following the three, in a sort of wonder to see what would +happen, to see whether the sailor-man in his wet togs would just +melt away into the moonshine. But he didn't.</p> + +<div class="figcenter" style="width: 512px;"> <a name="linktoimage002" id="linktoimage002"></a> <img src="images/image_002a.jpg" width="512" height="400" +alt="One of his wet, shiny arms was round Mamie's waist." +title="" /> <span class="caption">One of his wet, shiny arms was round Mamie's +waist.</span> </div> <hr style="width: 65%;" /> <p>I moved slowly, and I remembered afterwards that I +walked on the grass,<span class='pagenum'><a name="Page_93" id="Page_93">[Pg 93]</a></span> coming. I suppose it all happened +in less than five minutes after that, but it seemed as if it must +have taken an hour. Neither Jack nor Mamie seemed to notice the +sailor. She didn't seem to know that his wet arm was round her, +and little by little they got near the cottage, and I wasn't a +hundred yards from them when they reached the door. Something +made me stand still then. Perhaps it was fright, for I saw +everything that happened just as I see you now.</p> + +<p>Mamie set her foot on the step to go up, and as she went forward +I saw the sailor slowly lock his arm in Jack's, and Jack didn't +move to go up. Then Mamie turned round on the step, and they all +three stood that way for a second or two. She cried out +then,—I heard a man cry like that once, when his arm was +taken off by a steam-crane,—and she fell back in a heap on +the little piazza.<span class='pagenum'><a name="Page_94" id="Page_94">[Pg 94]</a></span></p> + +<p>I tried to jump forward, but I couldn't move, and I felt my hair +rising under my hat. The sailor turned slowly where he stood, and +swung Jack round by the arm steadily and easily, and began to +walk him down the pathway from the house. He walked him straight +down that path, as steadily as Fate; and all the time I saw the +moonlight shining on his wet oilskins. He walked him through the +gate, and across the beach road, and out upon the wet sand, where +the tide was high. Then I got my breath with a gulp, and ran for +them across the grass, and vaulted over the fence, and stumbled +across the road. But when I felt the sand under my feet, the two +were at the water's edge; and when I reached the water they were +far out, and up to their waists; and I saw that Jack Benton's +head had fallen forward on his breast, and his free arm hung limp +beside him, while his dead brother steadily marched him to his +death. The moonlight was on the dark<span class='pagenum'><a name="Page_95" id="Page_95">[Pg 95]</a></span> water, but the +fog-bank was white beyond, and I saw them against it; and they +went slowly and steadily down. The water was up to their armpits, +and then up to their shoulders, and then I saw it rise up to the +black rim of Jack's hat. But they never wavered; and the two +heads went straight on, straight on, till they were under, and +there was just a ripple in the moonlight where Jack had been.</p> + +<p>It has been on my mind to tell you that story, whenever I got a +chance. You have known me, man and boy, a good many years; and I +thought I would like to hear your opinion. Yes, that's what I +always thought. It wasn't Jim that went overboard; it was Jack, +and Jim just let him go when he might have saved him; and then +Jim passed himself off for Jack with us, and with the girl. If +that's what happened, he got what he deserved. People said the +next day that Mamie found it out as they reached the house, and +that her husband just walked out into the sea,<span class='pagenum'><a name="Page_96" id="Page_96">[Pg 96]</a></span> and +drowned himself; and they would have blamed me for not stopping +him if they'd known that I was there. But I never told what I had +seen, for they wouldn't have believed me. I just let them think I +had come too late.</p> + +<p>When I reached the cottage and lifted Mamie up, she was raving +mad. She got better afterwards, but she was never right in her +head again.</p> + +<p>Oh, you want to know if they found Jack's body? I don't know +whether it was his, but I read in a paper at a Southern port +where I was with my new ship that two dead bodies had come ashore +in a gale down East, in pretty bad shape. They were locked +together, and one was a skeleton in oilskins.</p> <hr style="width: +65%;" /> + +<p>FRANCIS MARION CRAWFORD the youngest of the four children of the +well-known sculptor Thomas Crawford, was born in Rome, educated +by a French governess; then at St Paul's School, Concord, N.H.; +in the quiet country village of Hatfield Regis, under an English +tutor; at Trinity College, Cambridge, where they thought him a +mathematician in those days; at Heidelberg and Karlsruhe, and at +the University of Rome, where a special interest in Oriental +languages sent him to India with the idea of preparing for a +professorship.</p> + +<p>At one time in India hard times nearly forced him into enlistment +in the British army, but a chance opening sent him as editor of +the <i>Indian Herald</i> to Allahabad. It was during the next eighteen +months that he met at Simla the hero of his first novel, "Mr. +Isaacs." "If it had not been for him," Mr. Crawford has been +known to say, "I might at this moment be a professor of Sanskrit +in some American college;" for that idea persisted after his +return to the United States, where he entered Harvard for special +study of the subject.</p> + +<p>But from the May evening when the story of the interesting man +at Simla was first told in a club smoking-room overlooking Madison +Square, Mr. Crawford's life has been one of hard literary work. +He returned to Italy in 1883, spent most of the next year in +Constantinople, where he was married to a daughter of General Berdan. +From 1885 he has made his home in Sorrento, Italy, visiting America +at intervals.</p> + +<p>"Mr. Isaacs," published in 1882, was followed almost at once by +"Dr. Claudius." Then <i>The Atlantic Monthly</i> claimed a serial, "A +Roman Singer," in 1883. Since that time the list of his novels +has been increased to thirty-two, besides the historical and +descriptive works entitled "Ave Roma Immortalis" and "The Rulers +of the South."</p> + +<p>To Mr. Crawford, the development of a story and of the character +which suggested it, is the preëminent thing. As the critics +say:—</p> + +<div class="blockquot"><p>"He is an artist, a born story-teller and colourist, +imaginative and dramatic, virile and vivid."</p></div> + +<p>His wide range as a traveller has contributed doubtless to +another characteristic quality:—</p> + +<div class="blockquot"><p>"... his strength in unexcelled portraits of odd +characters and his magical skill in seeming to make his +readers witnesses of the spectacles."</p></div> + +<p>His intimate knowledge of many countries has resulted in an +unequalled series of brilliant romances, including varied +characters from the old families of Rome, the glassblowers of +Venice, the silversmiths of Rome, the cigarette makers of Munich, +the court of old Madrid, the Turks of Stamboul and the Bosphorus, +simple sailors on the coast of Spain, Americans of modern New +York and Bar Harbor, to Crusaders of the twelfth century. But +whether the scene be in modern India, rural England, the Black +Forest, or the palaces of Babylon, the story seizes on the +imagination and fascinates the reader.</p> + +<div class="blockquot"><p>"The romantic reader will find here a tale of love +passionate and pure; the student of character, the +subtle analysis and deft portrayal he loves; the +historian will approve its conscientious historic +accuracy; the lover of adventure will find his blood +stir and pulses quicken as he reads."</p></div> + +<hr style='width: 45%;' /> + +<div class="block"> +<h3>THE NOVELS OF</h3> +<h3>F. MARION CRAWFORD</h3> + +<h4>NEW UNIFORM EDITION</h4> + + +<p>Dr. Claudius<br /> A Roman Singer<br /> +Zoroaster<br /> Don Orsino<br /> + Marion Darche<br /> +A Cigarette Maker's Romance and Khaled<br /> Taquisara<br /> + Via Crucis<br /> + Sant' Ilario<br /> + The Ralstons<br /> +Adam Johnstone's Son and A Rose of Yesterday<br /> Mr. Isaacs<br /> + A Tale of a Lonely Parish<br /> + Saracinesca<br /> + Paul Patoff<br /> +The Witch of Prague<br /> Pietro Ghisleri<br /> +Corleone<br /> +Children of the King<br /> + Katherine Lauderdale<br /> + To Leeward<br /> +</p> + +<p><b>Each, bound in cloth, green and gold, $1.80</b></p> + + +<hr style='width: 45%;' /> + +<p><i>In preparation in the Uniform Edition</i></p> + +<p>An American Politician<br /> Marzio's Crucifix<br /> +With the Immortals<br /> +Greifenstein<br /> +The Three Fates<br /> + Casa Braccio. 2 vols.<br /> + +Love in Idleness<br /><br /><br /></p> + + +<h3>F. MARION CRAWFORD'S</h3> +<h4>MOST RECENT NOVELS</h4> +<p>CECILIA: A Story of Modern Rome<br /> +<i>Cloth</i>, $1.50<br /> +"The reincarnation of a great love is the real story, and that is well worth +reading."—<i>San Francisco Chronicle.</i><br /> +<br /></p> +<p>MARIETTA: A Maid of Venice<br /> +<i>Cloth</i>, $1.50<br /> +<br /></p> +<p>IN THE PALACE OF THE KING<br /> +A Love Story of Old Madrid<br /> +<i>Illustrated, Cloth</i>, $1.50<br /></p> + +<hr style='width: 45%;' /> + +<h4>HANDSOMELY ILLUSTRATED</h4> +<h4>DESCRIPTIVE BOOKS</h4> +<p>AVE ROMA IMMORTALIS<br /> +Studies from the Chronicles of Rome<br /> +<i>New edition. Revised. x + 613 pp. 8vo. $3.00, net.</i></p> + + +<p>RULERS OF THE SOUTH<br /> +Sicily, Calabria, Malta<br /> +<i>In two volumes. Crown 8vo. $6.00, net.</i></p> +</div> + +<hr style='width: 45%;' /> + +<h4>The Macmillan Little Novels</h4> + +<h4>BY FAVOURITE AUTHORS</h4> +<p style=' font-size:1.0em; text-align:center; margin-top:1em;'><b>Handsomely Bound in Decorated Cloth</b></p> +<p style=' font-size:1.0em; text-align:center;'>16mo 50 cents each</p> + +<p style=' font-size:1.4em; text-align:center; margin-top:2em;'><b>PHILOSOPHY FOUR</b></p> +<p style=' font-size:1.0em; text-align:center;'>A STORY OF HARVARD UNIVERSITY</p> +<p style=' font-size:0.8em; text-align:center;'>By Owen Wister</p> +<p style=' font-size:0.8em; text-align:center;'>Author of "The Virginian" etc.</p> + +<p style=' font-size:1.4em; text-align:center; margin-top:1em;'><b>MAN OVERBOARD</b></p> +<p style=' font-size:0.8em; text-align:center;'>By Owen Wister</p> +<p style=' font-size:0.8em; text-align:center;'>Author of "Cecilia," "Marietta," etc.</p> + +<p style=' font-size:1.4em; text-align:center; margin-top:1em;'><b>MR. KEEGAN'S ELOPEMENT</b></p> +<p style=' font-size:0.8em; text-align:center;'>By Winston Churchill</p> +<p style=' font-size:0.8em; text-align:center;'>Author of "The Crisis," "Richard Carvel," etc.</p> + +<p style=' font-size:1.4em; text-align:center; margin-top:1em;'><b>MRS. PENDLETON'S FOUR-IN-HAND</b></p> +<p style=' font-size:1.0em; text-align:center;'>By Gertrude Atherton</p> +<p style=' font-size:0.8em; text-align:center;'>Author of "The Conqueror," "The Splendid Idle Forties," +etc.</p> + +<hr style='width: 45%;' /> + +<h4>THE MACMILLAN COMPANY 66 Fifth Avenue, New York</h4> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Man Overboard!, by F(rancis) Marion Crawford + +*** END OF THIS PROJECT GUTENBERG EBOOK MAN OVERBOARD! *** + +***** This file should be named 24584-h.htm or 24584-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/4/5/8/24584/ + +Produced by Bruce Albrecht, Roberta Staehlin, Grinnell +College Library and the Online Distributed Proofreading +Team at http://www.pgdp.net (This book was produced from +scanned images of public domain material from the Google +Print project.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/24584-h/images/image003.png b/24584-h/images/image003.png Binary files differnew file mode 100644 index 0000000..c4e762f --- /dev/null +++ b/24584-h/images/image003.png diff --git a/24584-h/images/image004.png b/24584-h/images/image004.png Binary files differnew file mode 100644 index 0000000..3db15b2 --- /dev/null +++ b/24584-h/images/image004.png diff --git a/24584-h/images/image005.png b/24584-h/images/image005.png Binary files differnew file mode 100644 index 0000000..2ad08b7 --- /dev/null +++ b/24584-h/images/image005.png diff --git a/24584-h/images/image006.png b/24584-h/images/image006.png Binary files differnew file mode 100644 index 0000000..ec06754 --- /dev/null +++ b/24584-h/images/image006.png diff --git a/24584-h/images/image_001.jpg b/24584-h/images/image_001.jpg Binary files differnew file mode 100644 index 0000000..7f2ab59 --- /dev/null +++ b/24584-h/images/image_001.jpg diff --git a/24584-h/images/image_002a.jpg b/24584-h/images/image_002a.jpg Binary files differnew file mode 100644 index 0000000..959eae5 --- /dev/null +++ b/24584-h/images/image_002a.jpg diff --git a/24584-page-images/f0001.png b/24584-page-images/f0001.png Binary files differnew file mode 100644 index 0000000..ce16fa6 --- /dev/null +++ b/24584-page-images/f0001.png diff --git a/24584-page-images/f0002.png b/24584-page-images/f0002.png Binary files differnew file mode 100644 index 0000000..03eb771 --- /dev/null +++ b/24584-page-images/f0002.png diff --git a/24584-page-images/f0004.png b/24584-page-images/f0004.png Binary files differnew file mode 100644 index 0000000..e9eb2e0 --- /dev/null +++ b/24584-page-images/f0004.png diff --git a/24584-page-images/f0004_image1.png b/24584-page-images/f0004_image1.png Binary files differnew file mode 100644 index 0000000..885dee5 --- /dev/null +++ b/24584-page-images/f0004_image1.png diff --git a/24584-page-images/f0005.png b/24584-page-images/f0005.png Binary files differnew file mode 100644 index 0000000..1f267d3 --- /dev/null +++ b/24584-page-images/f0005.png diff --git a/24584-page-images/f0005_image1.png b/24584-page-images/f0005_image1.png Binary files differnew file mode 100644 index 0000000..26322d0 --- /dev/null +++ b/24584-page-images/f0005_image1.png diff --git a/24584-page-images/f0006.png b/24584-page-images/f0006.png Binary files differnew file mode 100644 index 0000000..36b771b --- /dev/null +++ b/24584-page-images/f0006.png diff --git a/24584-page-images/f0007.png b/24584-page-images/f0007.png Binary files differnew file mode 100644 index 0000000..22c1cae --- /dev/null +++ b/24584-page-images/f0007.png diff --git a/24584-page-images/p0007.png b/24584-page-images/p0007.png Binary files differnew file mode 100644 index 0000000..3034345 --- /dev/null +++ b/24584-page-images/p0007.png diff --git a/24584-page-images/p0008.png b/24584-page-images/p0008.png Binary files differnew file mode 100644 index 0000000..c0846d6 --- /dev/null +++ b/24584-page-images/p0008.png diff --git a/24584-page-images/p0009.png b/24584-page-images/p0009.png Binary files differnew file mode 100644 index 0000000..ada75c9 --- /dev/null +++ b/24584-page-images/p0009.png diff --git a/24584-page-images/p0010.png b/24584-page-images/p0010.png Binary files differnew file mode 100644 index 0000000..3a2eea1 --- /dev/null +++ b/24584-page-images/p0010.png diff --git a/24584-page-images/p0011.png b/24584-page-images/p0011.png Binary files differnew file mode 100644 index 0000000..d7e5b59 --- /dev/null +++ b/24584-page-images/p0011.png diff --git a/24584-page-images/p0012.png b/24584-page-images/p0012.png Binary files differnew file mode 100644 index 0000000..38136ef --- /dev/null +++ b/24584-page-images/p0012.png diff --git a/24584-page-images/p0013.png b/24584-page-images/p0013.png Binary files differnew file mode 100644 index 0000000..66e5dec --- /dev/null +++ b/24584-page-images/p0013.png diff --git a/24584-page-images/p0014.png b/24584-page-images/p0014.png Binary files differnew file mode 100644 index 0000000..7138855 --- /dev/null +++ b/24584-page-images/p0014.png diff --git a/24584-page-images/p0015.png b/24584-page-images/p0015.png Binary files differnew file mode 100644 index 0000000..b5c71f2 --- /dev/null +++ b/24584-page-images/p0015.png diff --git a/24584-page-images/p0016.png b/24584-page-images/p0016.png Binary files differnew file mode 100644 index 0000000..62e8b19 --- /dev/null +++ b/24584-page-images/p0016.png diff --git a/24584-page-images/p0017.png b/24584-page-images/p0017.png Binary files differnew file mode 100644 index 0000000..71895cc --- /dev/null +++ b/24584-page-images/p0017.png diff --git a/24584-page-images/p0018.png b/24584-page-images/p0018.png Binary files differnew file mode 100644 index 0000000..f15de2b --- /dev/null +++ b/24584-page-images/p0018.png diff --git a/24584-page-images/p0019.png b/24584-page-images/p0019.png Binary files differnew file mode 100644 index 0000000..ce3a62a --- /dev/null +++ b/24584-page-images/p0019.png diff --git a/24584-page-images/p0020.png b/24584-page-images/p0020.png Binary files differnew file mode 100644 index 0000000..413d1ca --- /dev/null +++ b/24584-page-images/p0020.png diff --git a/24584-page-images/p0021.png b/24584-page-images/p0021.png Binary files differnew file mode 100644 index 0000000..742fbf2 --- /dev/null +++ b/24584-page-images/p0021.png diff --git a/24584-page-images/p0022.png b/24584-page-images/p0022.png Binary files differnew file mode 100644 index 0000000..2d7edfd --- /dev/null +++ b/24584-page-images/p0022.png diff --git a/24584-page-images/p0023.png b/24584-page-images/p0023.png Binary files differnew file mode 100644 index 0000000..2a3ee34 --- /dev/null +++ b/24584-page-images/p0023.png diff --git a/24584-page-images/p0024.png b/24584-page-images/p0024.png Binary files differnew file mode 100644 index 0000000..5bae54f --- /dev/null +++ b/24584-page-images/p0024.png diff --git a/24584-page-images/p0025.png b/24584-page-images/p0025.png Binary files differnew file mode 100644 index 0000000..705aea5 --- /dev/null +++ b/24584-page-images/p0025.png diff --git a/24584-page-images/p0026.png b/24584-page-images/p0026.png Binary files differnew file mode 100644 index 0000000..c7b8ef1 --- /dev/null +++ b/24584-page-images/p0026.png diff --git a/24584-page-images/p0027.png b/24584-page-images/p0027.png Binary files differnew file mode 100644 index 0000000..8771604 --- /dev/null +++ b/24584-page-images/p0027.png diff --git a/24584-page-images/p0028.png b/24584-page-images/p0028.png Binary files differnew file mode 100644 index 0000000..6911971 --- /dev/null +++ b/24584-page-images/p0028.png diff --git a/24584-page-images/p0029.png b/24584-page-images/p0029.png Binary files differnew file mode 100644 index 0000000..3c1bb7e --- /dev/null +++ b/24584-page-images/p0029.png diff --git a/24584-page-images/p0030.png b/24584-page-images/p0030.png Binary files differnew file mode 100644 index 0000000..7b46f72 --- /dev/null +++ b/24584-page-images/p0030.png diff --git a/24584-page-images/p0031.png b/24584-page-images/p0031.png Binary files differnew file mode 100644 index 0000000..a98a367 --- /dev/null +++ b/24584-page-images/p0031.png diff --git a/24584-page-images/p0032.png b/24584-page-images/p0032.png Binary files differnew file mode 100644 index 0000000..d94bb12 --- /dev/null +++ b/24584-page-images/p0032.png diff --git a/24584-page-images/p0033.png b/24584-page-images/p0033.png Binary files differnew file mode 100644 index 0000000..d2297d0 --- /dev/null +++ b/24584-page-images/p0033.png diff --git a/24584-page-images/p0034.png b/24584-page-images/p0034.png Binary files differnew file mode 100644 index 0000000..8f90729 --- /dev/null +++ b/24584-page-images/p0034.png diff --git a/24584-page-images/p0035.png b/24584-page-images/p0035.png Binary files differnew file mode 100644 index 0000000..65500a8 --- /dev/null +++ b/24584-page-images/p0035.png diff --git a/24584-page-images/p0036.png b/24584-page-images/p0036.png Binary files differnew file mode 100644 index 0000000..1d86b27 --- /dev/null +++ b/24584-page-images/p0036.png diff --git a/24584-page-images/p0037.png b/24584-page-images/p0037.png Binary files differnew file mode 100644 index 0000000..799d7b5 --- /dev/null +++ b/24584-page-images/p0037.png diff --git a/24584-page-images/p0038.png b/24584-page-images/p0038.png Binary files differnew file mode 100644 index 0000000..0d0316d --- /dev/null +++ b/24584-page-images/p0038.png diff --git a/24584-page-images/p0039.png b/24584-page-images/p0039.png Binary files differnew file mode 100644 index 0000000..1308362 --- /dev/null +++ b/24584-page-images/p0039.png diff --git a/24584-page-images/p0040.png b/24584-page-images/p0040.png Binary files differnew file mode 100644 index 0000000..022ea58 --- /dev/null +++ b/24584-page-images/p0040.png diff --git a/24584-page-images/p0041.png b/24584-page-images/p0041.png Binary files differnew file mode 100644 index 0000000..063f0e2 --- /dev/null +++ b/24584-page-images/p0041.png diff --git a/24584-page-images/p0042.png b/24584-page-images/p0042.png Binary files differnew file mode 100644 index 0000000..1572703 --- /dev/null +++ b/24584-page-images/p0042.png diff --git a/24584-page-images/p0043.png b/24584-page-images/p0043.png Binary files differnew file mode 100644 index 0000000..bfbac15 --- /dev/null +++ b/24584-page-images/p0043.png diff --git a/24584-page-images/p0044.png b/24584-page-images/p0044.png Binary files differnew file mode 100644 index 0000000..c00c16a --- /dev/null +++ b/24584-page-images/p0044.png diff --git a/24584-page-images/p0045.png b/24584-page-images/p0045.png Binary files differnew file mode 100644 index 0000000..96e3327 --- /dev/null +++ b/24584-page-images/p0045.png diff --git a/24584-page-images/p0046.png b/24584-page-images/p0046.png Binary files differnew file mode 100644 index 0000000..f031525 --- /dev/null +++ b/24584-page-images/p0046.png diff --git a/24584-page-images/p0047.png b/24584-page-images/p0047.png Binary files differnew file mode 100644 index 0000000..a086b94 --- /dev/null +++ b/24584-page-images/p0047.png diff --git a/24584-page-images/p0048.png b/24584-page-images/p0048.png Binary files differnew file mode 100644 index 0000000..6900932 --- /dev/null +++ b/24584-page-images/p0048.png diff --git a/24584-page-images/p0049.png b/24584-page-images/p0049.png Binary files differnew file mode 100644 index 0000000..be4a9e6 --- /dev/null +++ b/24584-page-images/p0049.png diff --git a/24584-page-images/p0050.png b/24584-page-images/p0050.png Binary files differnew file mode 100644 index 0000000..7c9fbab --- /dev/null +++ b/24584-page-images/p0050.png diff --git a/24584-page-images/p0051.png b/24584-page-images/p0051.png Binary files differnew file mode 100644 index 0000000..02654c8 --- /dev/null +++ b/24584-page-images/p0051.png diff --git a/24584-page-images/p0052.png b/24584-page-images/p0052.png Binary files differnew file mode 100644 index 0000000..6719d34 --- /dev/null +++ b/24584-page-images/p0052.png diff --git a/24584-page-images/p0053.png b/24584-page-images/p0053.png Binary files differnew file mode 100644 index 0000000..2bf28e2 --- /dev/null +++ b/24584-page-images/p0053.png diff --git a/24584-page-images/p0054.png b/24584-page-images/p0054.png Binary files differnew file mode 100644 index 0000000..05d51cb --- /dev/null +++ b/24584-page-images/p0054.png diff --git a/24584-page-images/p0054_image1.png b/24584-page-images/p0054_image1.png Binary files differnew file mode 100644 index 0000000..0e3c9d3 --- /dev/null +++ b/24584-page-images/p0054_image1.png diff --git a/24584-page-images/p0055.png b/24584-page-images/p0055.png Binary files differnew file mode 100644 index 0000000..c39a656 --- /dev/null +++ b/24584-page-images/p0055.png diff --git a/24584-page-images/p0056.png b/24584-page-images/p0056.png Binary files differnew file mode 100644 index 0000000..0807284 --- /dev/null +++ b/24584-page-images/p0056.png diff --git a/24584-page-images/p0057.png b/24584-page-images/p0057.png Binary files differnew file mode 100644 index 0000000..60f1fbf --- /dev/null +++ b/24584-page-images/p0057.png diff --git a/24584-page-images/p0058.png b/24584-page-images/p0058.png Binary files differnew file mode 100644 index 0000000..a5ba3b7 --- /dev/null +++ b/24584-page-images/p0058.png diff --git a/24584-page-images/p0059.png b/24584-page-images/p0059.png Binary files differnew file mode 100644 index 0000000..663e9fe --- /dev/null +++ b/24584-page-images/p0059.png diff --git a/24584-page-images/p0060.png b/24584-page-images/p0060.png Binary files differnew file mode 100644 index 0000000..a981946 --- /dev/null +++ b/24584-page-images/p0060.png diff --git a/24584-page-images/p0061.png b/24584-page-images/p0061.png Binary files differnew file mode 100644 index 0000000..d92ed27 --- /dev/null +++ b/24584-page-images/p0061.png diff --git a/24584-page-images/p0062.png b/24584-page-images/p0062.png Binary files differnew file mode 100644 index 0000000..9427af7 --- /dev/null +++ b/24584-page-images/p0062.png diff --git a/24584-page-images/p0063.png b/24584-page-images/p0063.png Binary files differnew file mode 100644 index 0000000..39a3c14 --- /dev/null +++ b/24584-page-images/p0063.png diff --git a/24584-page-images/p0064.png b/24584-page-images/p0064.png Binary files differnew file mode 100644 index 0000000..fac77fd --- /dev/null +++ b/24584-page-images/p0064.png diff --git a/24584-page-images/p0065.png b/24584-page-images/p0065.png Binary files differnew file mode 100644 index 0000000..1b9d8f4 --- /dev/null +++ b/24584-page-images/p0065.png diff --git a/24584-page-images/p0066.png b/24584-page-images/p0066.png Binary files differnew file mode 100644 index 0000000..230878b --- /dev/null +++ b/24584-page-images/p0066.png diff --git a/24584-page-images/p0067.png b/24584-page-images/p0067.png Binary files differnew file mode 100644 index 0000000..4e07004 --- /dev/null +++ b/24584-page-images/p0067.png diff --git a/24584-page-images/p0068.png b/24584-page-images/p0068.png Binary files differnew file mode 100644 index 0000000..099b6aa --- /dev/null +++ b/24584-page-images/p0068.png diff --git a/24584-page-images/p0069.png b/24584-page-images/p0069.png Binary files differnew file mode 100644 index 0000000..931b69c --- /dev/null +++ b/24584-page-images/p0069.png diff --git a/24584-page-images/p0070.png b/24584-page-images/p0070.png Binary files differnew file mode 100644 index 0000000..d26ce15 --- /dev/null +++ b/24584-page-images/p0070.png diff --git a/24584-page-images/p0071.png b/24584-page-images/p0071.png Binary files differnew file mode 100644 index 0000000..05effd7 --- /dev/null +++ b/24584-page-images/p0071.png diff --git a/24584-page-images/p0072.png b/24584-page-images/p0072.png Binary files differnew file mode 100644 index 0000000..3d713b7 --- /dev/null +++ b/24584-page-images/p0072.png diff --git a/24584-page-images/p0073.png b/24584-page-images/p0073.png Binary files differnew file mode 100644 index 0000000..6619b74 --- /dev/null +++ b/24584-page-images/p0073.png diff --git a/24584-page-images/p0074.png b/24584-page-images/p0074.png Binary files differnew file mode 100644 index 0000000..70ef89b --- /dev/null +++ b/24584-page-images/p0074.png diff --git a/24584-page-images/p0075.png b/24584-page-images/p0075.png Binary files differnew file mode 100644 index 0000000..acd3017 --- /dev/null +++ b/24584-page-images/p0075.png diff --git a/24584-page-images/p0076.png b/24584-page-images/p0076.png Binary files differnew file mode 100644 index 0000000..7b642e2 --- /dev/null +++ b/24584-page-images/p0076.png diff --git a/24584-page-images/p0077.png b/24584-page-images/p0077.png Binary files differnew file mode 100644 index 0000000..d675788 --- /dev/null +++ b/24584-page-images/p0077.png diff --git a/24584-page-images/p0078.png b/24584-page-images/p0078.png Binary files differnew file mode 100644 index 0000000..2fa1874 --- /dev/null +++ b/24584-page-images/p0078.png diff --git a/24584-page-images/p0079.png b/24584-page-images/p0079.png Binary files differnew file mode 100644 index 0000000..bf8580b --- /dev/null +++ b/24584-page-images/p0079.png diff --git a/24584-page-images/p0080.png b/24584-page-images/p0080.png Binary files differnew file mode 100644 index 0000000..1f347f0 --- /dev/null +++ b/24584-page-images/p0080.png diff --git a/24584-page-images/p0081.png b/24584-page-images/p0081.png Binary files differnew file mode 100644 index 0000000..e0547d5 --- /dev/null +++ b/24584-page-images/p0081.png diff --git a/24584-page-images/p0082.png b/24584-page-images/p0082.png Binary files differnew file mode 100644 index 0000000..6ba0a86 --- /dev/null +++ b/24584-page-images/p0082.png diff --git a/24584-page-images/p0083.png b/24584-page-images/p0083.png Binary files differnew file mode 100644 index 0000000..14daaa7 --- /dev/null +++ b/24584-page-images/p0083.png diff --git a/24584-page-images/p0084.png b/24584-page-images/p0084.png Binary files differnew file mode 100644 index 0000000..d07a082 --- /dev/null +++ b/24584-page-images/p0084.png diff --git a/24584-page-images/p0085.png b/24584-page-images/p0085.png Binary files differnew file mode 100644 index 0000000..cfa619f --- /dev/null +++ b/24584-page-images/p0085.png diff --git a/24584-page-images/p0086.png b/24584-page-images/p0086.png Binary files differnew file mode 100644 index 0000000..f2f8410 --- /dev/null +++ b/24584-page-images/p0086.png diff --git a/24584-page-images/p0087.png b/24584-page-images/p0087.png Binary files differnew file mode 100644 index 0000000..e064ec0 --- /dev/null +++ b/24584-page-images/p0087.png diff --git a/24584-page-images/p0088.png b/24584-page-images/p0088.png Binary files differnew file mode 100644 index 0000000..be77248 --- /dev/null +++ b/24584-page-images/p0088.png diff --git a/24584-page-images/p0089.png b/24584-page-images/p0089.png Binary files differnew file mode 100644 index 0000000..8819b3a --- /dev/null +++ b/24584-page-images/p0089.png diff --git a/24584-page-images/p0090.png b/24584-page-images/p0090.png Binary files differnew file mode 100644 index 0000000..32d578d --- /dev/null +++ b/24584-page-images/p0090.png diff --git a/24584-page-images/p0091.png b/24584-page-images/p0091.png Binary files differnew file mode 100644 index 0000000..e9371e9 --- /dev/null +++ b/24584-page-images/p0091.png diff --git a/24584-page-images/p0092.png b/24584-page-images/p0092.png Binary files differnew file mode 100644 index 0000000..1d3a274 --- /dev/null +++ b/24584-page-images/p0092.png diff --git a/24584-page-images/p0092_image1.png b/24584-page-images/p0092_image1.png Binary files differnew file mode 100644 index 0000000..3ba7072 --- /dev/null +++ b/24584-page-images/p0092_image1.png diff --git a/24584-page-images/p0093.png b/24584-page-images/p0093.png Binary files differnew file mode 100644 index 0000000..48ed5ff --- /dev/null +++ b/24584-page-images/p0093.png diff --git a/24584-page-images/p0094.png b/24584-page-images/p0094.png Binary files differnew file mode 100644 index 0000000..844f9f9 --- /dev/null +++ b/24584-page-images/p0094.png diff --git a/24584-page-images/p0095.png b/24584-page-images/p0095.png Binary files differnew file mode 100644 index 0000000..623e0e4 --- /dev/null +++ b/24584-page-images/p0095.png diff --git a/24584-page-images/p0096.png b/24584-page-images/p0096.png Binary files differnew file mode 100644 index 0000000..db4d0f4 --- /dev/null +++ b/24584-page-images/p0096.png diff --git a/24584-page-images/q1001.png b/24584-page-images/q1001.png Binary files differnew file mode 100644 index 0000000..d12c026 --- /dev/null +++ b/24584-page-images/q1001.png diff --git a/24584-page-images/q1002.png b/24584-page-images/q1002.png Binary files differnew file mode 100644 index 0000000..3cfa69c --- /dev/null +++ b/24584-page-images/q1002.png diff --git a/24584-page-images/q1003.png b/24584-page-images/q1003.png Binary files differnew file mode 100644 index 0000000..ea02aed --- /dev/null +++ b/24584-page-images/q1003.png diff --git a/24584-page-images/q1004.png b/24584-page-images/q1004.png Binary files differnew file mode 100644 index 0000000..0e40cf8 --- /dev/null +++ b/24584-page-images/q1004.png diff --git a/24584-page-images/q1005.png b/24584-page-images/q1005.png Binary files differnew file mode 100644 index 0000000..b5429a7 --- /dev/null +++ b/24584-page-images/q1005.png diff --git a/24584-page-images/q1006.png b/24584-page-images/q1006.png Binary files differnew file mode 100644 index 0000000..05dea20 --- /dev/null +++ b/24584-page-images/q1006.png diff --git a/24584.txt b/24584.txt new file mode 100644 index 0000000..a00d117 --- /dev/null +++ b/24584.txt @@ -0,0 +1,2196 @@ +The Project Gutenberg EBook of Man Overboard!, by F(rancis) Marion Crawford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Man Overboard! + +Author: F(rancis) Marion Crawford + +Release Date: February 12, 2008 [EBook #24584] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK MAN OVERBOARD! *** + + + + +Produced by Bruce Albrecht, Roberta Staehlin, Grinnell +College Library and the Online Distributed Proofreading +Team at http://www.pgdp.net (This book was produced from +scanned images of public domain material from the Google +Print project.) + + + + + + + + + + Man Overboard! + BY + F. MARION CRAWFORD + + AUTHOR OF "THE UPPER BERTH," "CECILIA," + "THE WITCH OF PRAGUE," ETC. + + [Illustration] + + New York + THE MACMILLAN COMPANY + London: Macmillan & Co., Ltd. + 1903 + + _All rights reserved_ + + COPYRIGHT, 1903, + BY F. MARION CRAWFORD. + + COPYRIGHT, 1903, + BY THE MACMILLAN COMPANY. + + * * * * * + + Set up and electrotyped April, 1903. + + Norwood Press + J.S. Cushing & Co.--Berwick & Smith Co. + Norwood, Mass., U.S.A. + + + + +ILLUSTRATIONS + + + Portrait of F. Marion Crawford _Frontispiece_ + + FACING PAGE + "He let go of the knife, and the point + stuck into the deck" 54 + + "One of his wet, shiny arms was round + Mamie's waist" 92 + + + + +MAN OVERBOARD + + +Yes--I have heard "Man overboard!" a good many times since I was +a boy, and once or twice I have seen the man go. There are more +men lost in that way than passengers on ocean steamers ever learn +of. I have stood looking over the rail on a dark night, when +there was a step beside me, and something flew past my head like +a big black bat--and then there was a splash! Stokers often go +like that. They go mad with the heat, and they slip up on deck +and are gone before anybody can stop them, often without being +seen or heard. Now and then a passenger will do it, but he +generally has what he thinks a pretty good reason. I have seen a +man empty his revolver into a crowd of emigrants forward, and +then go over like a rocket. Of course, any officer who respects +himself will do what he can to pick a man up, if the weather is +not so heavy that he would have to risk his ship; but I don't +think I remember seeing a man come back when he was once fairly +gone more than two or three times in all my life, though we have +often picked up the life-buoy, and sometimes the fellow's cap. +Stokers and passengers jump over; I never knew a sailor to do +that, drunk or sober. Yes, they say it has happened on hard +ships, but I never knew a case myself. Once in a long time a man +is fished out when it is just too late, and dies in the boat +before you can get him aboard, and--well, I don't know that I +ever told that story since it happened--I knew a fellow who went +over, and came back dead. I didn't see him after he came back; +only one of us did, but we all knew he was there. + +No, I am not giving you "sharks." There isn't a shark in this +story, and I don't know that I would tell it at all if we weren't +alone, just you and I. But you and I have seen things in various +parts, and maybe you will understand. Anyhow, you know that I am +telling what I know about, and nothing else; and it has been on +my mind to tell you ever since it happened, only there hasn't +been a chance. + +It's a long story, and it took some time to happen; and it began +a good many years ago, in October, as well as I can remember. I +was mate then; I passed the local Marine Board for master about +three years later. She was the _Helen B. Jackson_, of New York, +with lumber for the West Indies, four-masted schooner, Captain +Hackstaff. She was an old-fashioned one, even then--no steam +donkey, and all to do by hand. There were still sailors in the +coasting trade in those days, you remember. She wasn't a hard +ship, for the old man was better than most of them, though he +kept to himself and had a face like a monkey-wrench. We were +thirteen, all told, in the ship's company; and some of them +afterwards thought that might have had something to do with it, +but I had all that nonsense knocked out of me when I was a boy. I +don't mean to say that I like to go to sea on a Friday, but I +_have_ gone to sea on a Friday, and nothing has happened; and +twice before that we have been thirteen, because one of the hands +didn't turn up at the last minute, and nothing ever happened +either--nothing worse than the loss of a light spar or two, or a +little canvas. Whenever I have been wrecked, we had sailed as +cheerily as you please--no thirteens, no Fridays, no dead men in +the hold. I believe it generally happens that way. + +I dare say you remember those two Benton boys that were so much +alike? It is no wonder, for they were twin brothers. They shipped +with us as boys on the old _Boston Belle_, when you were mate +and I was before the mast. I never was quite sure which was which +of those two, even then; and when they both had beards it was +harder than ever to tell them apart. One was Jim, and the other +was Jack; James Benton and John Benton. The only difference I +ever could see was, that one seemed to be rather more cheerful +and inclined to talk than the other; but one couldn't even be +sure of that. Perhaps they had moods. Anyhow, there was one of +them that used to whistle when he was alone. He only knew one +tune, and that was "Nancy Lee," and the other didn't know any +tune at all; but I may be mistaken about that, too. Perhaps they +both knew it. + +Well, those two Benton boys turned up on board the _Helen B. +Jackson_. They had been on half a dozen ships since the _Boston +Belle_, and they had grown up and were good seamen. They had +reddish beards and bright blue eyes and freckled faces; and they +were quiet fellows, good workmen on rigging, pretty willing, and +both good men at the wheel. They managed to be in the same +watch--it was the port watch on the _Helen B._, and that was +mine, and I had great confidence in them both. If there was any +job aloft that needed two hands, they were always the first to +jump into the rigging; but that doesn't often happen on a +fore-and-aft schooner. If it breezed up, and the jibtopsail was +to be taken in, they never minded a wetting, and they would be +out at the bowsprit end before there was a hand at the downhaul. +The men liked them for that, and because they didn't blow about +what they could do. I remember one day in a reefing job, the +downhaul parted and came down on deck from the peak of the +spanker. When the weather moderated, and we shook the reefs out, +the downhaul was forgotten until we happened to think we might +soon need it again. There was some sea on, and the boom was off +and the gaff was slamming. One of those Benton boys was at the +wheel, and before I knew what he was doing, the other was out on +the gaff with the end of the new downhaul, trying to reeve it +through its block. The one who was steering watched him, and got +as white as cheese. The other one was swinging about on the gaff +end, and every time she rolled to leeward he brought up with a +jerk that would have sent anything but a monkey flying into +space. But he didn't leave it until he had rove the new rope, and +he got back all right. I think it was Jack at the wheel; the one +that seemed more cheerful, the one that whistled "Nancy Lee." He +had rather have been doing the job himself than watch his brother +do it, and he had a scared look; but he kept her as steady as he +could in the swell, and he drew a long breath when Jim had worked +his way back to the peak-halliard block, and had something to +hold on to. I think it was Jim. + +They had good togs, too, and they were neat and clean men in the +forecastle. I knew they had nobody belonging to them ashore,--no +mother, no sisters, and no wives; but somehow they both looked as +if a woman overhauled them now and then. I remember that they had +one ditty bag between them, and they had a woman's thimble in it. +One of the men said something about it to them, and they looked +at each other; and one smiled, but the other didn't. Most of +their clothes were alike, but they had one red guernsey between +them. For some time I used to think it was always the same one +that wore it, and I thought that might be a way to tell them +apart. But then I heard one asking the other for it, and saying +that the other had worn it last. So that was no sign either. The +cook was a West Indiaman, called James Lawley; his father had +been hanged for putting lights in cocoanut trees where they +didn't belong. But he was a good cook, and knew his business; and +it wasn't soup-and-bully and dog's-body every Sunday. That's +what I meant to say. On Sunday the cook called both those boys +Jim, and on week-days he called them Jack. He used to say he must +be right sometimes if he did that, because even the hands on a +painted clock point right twice a day. + +What started me to trying for some way of telling the Bentons +apart was this. I heard them talking about a girl. It was at +night, in our watch, and the wind had headed us off a little +rather suddenly, and when we had flattened in the jibs, we clewed +down the topsails, while the two Benton boys got the spanker +sheet aft. One of them was at the helm. I coiled down the +mizzen-topsail downhaul myself, and was going aft to see how she +headed up, when I stopped to look at a light, and leaned against +the deck-house. While I was standing there I heard the two boys +talking. It sounded as if they had talked of the same thing +before, and as far as I could tell, the voice I heard first +belonged to the one who wasn't quite so cheerful as the +other,--the one who was Jim when one knew which he was. + +"Does Mamie know?" Jim asked. + +"Not yet," Jack answered quietly. He was at the wheel. "I mean to +tell her next time we get home." + +"All right." + +That was all I heard, because I didn't care to stand there +listening while they were talking about their own affairs; so I +went aft to look into the binnacle, and I told the one at the +wheel to keep her so as long as she had way on her, for I thought +the wind would back up again before long, and there was land to +leeward. When he answered, his voice, somehow, didn't sound like +the cheerful one. Perhaps his brother had relieved the wheel +while they had been speaking, but what I had heard set me +wondering which of them it was that had a girl at home. There's +lots of time for wondering on a schooner in fair weather. + +After that I thought I noticed that the two brothers were more +silent when they were together. Perhaps they guessed that I had +overheard something that night, and kept quiet when I was about. +Some men would have amused themselves by trying to chaff them +separately about the girl at home, and I suppose whichever one it +was would have let the cat out of the bag if I had done that. +But, somehow, I didn't like to. Yes, I was thinking of getting +married myself at that time, so I had a sort of fellow-feeling +for whichever one it was, that made me not want to chaff him. + +They didn't talk much, it seemed to me; but in fair weather, when +there was nothing to do at night, and one was steering, the other +was everlastingly hanging round as if he were waiting to relieve +the wheel, though he might have been enjoying a quiet nap for all +I cared in such weather. Or else, when one was taking his turn at +the lookout, the other would be sitting on an anchor beside him. +One kept near the other, at night more than in the daytime. I +noticed that. They were fond of sitting on that anchor, and they +generally tucked away their pipes under it, for the _Helen B._ +was a dry boat in most weather, and like most fore-and-afters was +better on a wind than going free. With a beam sea we sometimes +shipped a little water aft. We were by the stern, anyhow, on that +voyage, and that is one reason why we lost the man. + +We fell in with a southerly gale, south-east at first; and then +the barometer began to fall while you could watch it, and a long +swell began to come up from the south'ard. A couple of months +earlier we might have been in for a cyclone, but it's "October +all over" in those waters, as you know better than I. It was just +going to blow, and then it was going to rain, that was all; and +we had plenty of time to make everything snug before it breezed +up much. It blew harder after sunset, and by the time it was +quite dark it was a full gale. We had shortened sail for it, but +as we were by the stern we were carrying the spanker close reefed +instead of the storm trysail. She steered better so, as long as +we didn't have to heave to. I had the first watch with the Benton +boys, and we had not been on deck an hour when a child might have +seen that the weather meant business. + +The old man came up on deck and looked round, and in less than a +minute he told us to give her the trysail. That meant heaving to, +and I was glad of it; for though the _Helen B._ was a good vessel +enough, she wasn't a new ship by a long way, and it did her no +good to drive her in that weather. I asked whether I should call +all hands, but just then the cook came aft, and the old man said +he thought we could manage the job without waking the sleepers, +and the trysail was handy on deck already, for we hadn't been +expecting anything better. We were all in oilskins, of course, +and the night was as black as a coal mine, with only a ray of +light from the slit in the binnacle shield, and you couldn't tell +one man from another except by his voice. The old man took the +wheel; we got the boom amidships, and he jammed her into the wind +until she had hardly any way. It was blowing now, and it was all +that I and two others could do to get in the slack of the +downhaul, while the others lowered away at the peak and throat, +and we had our hands full to get a couple of turns round the wet +sail. It's all child's play on a fore-and-after compared with +reefing topsails in anything like weather, but the gear of a +schooner sometimes does unhandy things that you don't expect, and +those everlasting long halliards get foul of everything if they +get adrift. I remember thinking how unhandy that particular job +was. Somebody unhooked the throat-halliard block, and thought he +had hooked it into the head-cringle of the trysail, and sang out +to hoist away, but he had missed it in the dark, and the heavy +block went flying into the lee rigging, and nearly killed him +when it swung back with the weather roll. Then the old man got +her up in the wind until the jib was shaking like thunder; then +he held her off, and she went off as soon as the head-sails +filled, and he couldn't get her back again without the spanker. +Then the _Helen B._ did her favourite trick, and before we had +time to say much we had a sea over the quarter and were up to our +waists, with the parrels of the trysail only half becketed round +the mast, and the deck so full of gear that you couldn't put your +foot on a plank, and the spanker beginning to get adrift again, +being badly stopped, and the general confusion and hell's delight +that you can only have on a fore-and-after when there's nothing +really serious the matter. Of course, I don't mean to say that +the old man couldn't have steered his trick as well as you or I +or any other seaman; but I don't believe he had ever been on +board the _Helen B._ before, or had his hand on her wheel till +then; and he didn't know her ways. I don't mean to say that what +happened was his fault. I don't know whose fault it was. Perhaps +nobody was to blame. But I knew something happened somewhere on +board when we shipped that sea, and you'll never get it out of my +head. I hadn't any spare time myself, for I was becketing the +rest of the trysail to the mast. We were on the starboard tack, +and the throat-halliard came down to port as usual, and I suppose +there were at least three men at it, hoisting away, while I was +at the beckets. + +Now I am going to tell you something. You have known me, man and +boy, several voyages; and you are older than I am; and you have +always been a good friend to me. Now, do you think I am the sort +of man to think I hear things where there isn't anything to hear, +or to think I see things when there is nothing to see? No, you +don't. Thank you. Well now, I had passed the last becket, and I +sang out to the men to sway away, and I was standing on the jaws +of the spanker-gaff, with my left hand on the bolt-rope of the +trysail, so that I could feel when it was board-taut, and I +wasn't thinking of anything except being glad the job was over, +and that we were going to heave her to. It was as black as a +coal-pocket, except that you could see the streaks on the seas as +they went by, and abaft the deck-house I could see the ray of +light from the binnacle on the captain's yellow oilskin as he +stood at the wheel--or rather I might have seen it if I had +looked round at that minute. But I didn't look round. I heard a +man whistling. It was "Nancy Lee," and I could have sworn that +the man was right over my head in the crosstrees. Only somehow I +knew very well that if anybody could have been up there, and +could have whistled a tune, there were no living ears sharp +enough to hear it on deck then. I heard it distinctly, and at the +same time I heard the real whistling of the wind in the weather +rigging, sharp and clear as the steam-whistle on a Dago's +peanut-cart in New York. That was all right, that was as it +should be; but the other wasn't right; and I felt queer and +stiff, as if I couldn't move, and my hair was curling against the +flannel lining of my sou'wester, and I thought somebody had +dropped a lump of ice down my back. + +I said that the noise of the wind in the rigging was real, as if +the other wasn't, for I felt that it wasn't, though I heard it. +But it was, all the same; for the captain heard it, too. When I +came to relieve the wheel, while the men were clearing up decks, +he was swearing. He was a quiet man, and I hadn't heard him swear +before, and I don't think I did again, though several queer +things happened after that. Perhaps he said all he had to say +then; I don't see how he could have said anything more. I used to +think nobody could swear like a Dane, except a Neapolitan or a +South American; but when I had heard the old man I changed my +mind. There's nothing afloat or ashore that can beat one of your +quiet American skippers, if he gets off on that tack. I didn't +need to ask him what was the matter, for I knew he had heard +"Nancy Lee," as I had, only it affected us differently. + +He did not give me the wheel, but told me to go forward and get +the second bonnet off the staysail, so as to keep her up better. +As we tailed on to the sheet when it was done, the man next me +knocked his sou'wester off against my shoulder, and his face came +so close to me that I could see it in the dark. It must have been +very white for me to see it, but I only thought of that +afterwards. I don't see how any light could have fallen upon it, +but I knew it was one of the Benton boys. I don't know what made +me speak to him. "Hullo, Jim! Is that you?" I asked. I don't know +why I said Jim, rather than Jack. + +"I am Jack," he answered. We made all fast, and things were much +quieter. + +"The old man heard you whistling 'Nancy Lee,' just now," I said, +"and he didn't like it." + +It was as if there were a white light inside his face, and it was +ghastly. I know his teeth chattered. But he didn't say anything, +and the next minute he was somewhere in the dark trying to find +his sou'wester at the foot of the mast. + +When all was quiet, and she was hove to, coming to and falling +off her four points as regularly as a pendulum, and the helm +lashed a little to the lee, the old man turned in again, and I +managed to light a pipe in the lee of the deck-house, for there +was nothing more to be done till the gale chose to moderate, and +the ship was as easy as a baby in its cradle. Of course the cook +had gone below, as he might have done an hour earlier; so there +were supposed to be four of us in the watch. There was a man at +the lookout, and there was a hand by the wheel, though there was +no steering to be done, and I was having my pipe in the lee of +the deck-house, and the fourth man was somewhere about decks, +probably having a smoke too. I thought some skippers I had sailed +with would have called the watch aft, and given them a drink +after that job, but it wasn't cold, and I guessed that our old +man wouldn't be particularly generous in that way. My hands and +feet were red-hot, and it would be time enough to get into dry +clothes when it was my watch below; so I stayed where I was, and +smoked. But by and by, things being so quiet, I began to wonder +why nobody moved on deck; just that sort of restless wanting to +know where every man is that one sometimes feels in a gale of +wind on a dark night. So when I had finished my pipe I began to +move about. I went aft, and there was a man leaning over the +wheel, with his legs apart and both hands hanging down in the +light from the binnacle, and his sou'wester over his eyes. Then +I went forward, and there was a man at the lookout, with his back +against the foremast, getting what shelter he could from the +staysail. I knew by his small height that he was not one of the +Benton boys. Then I went round by the weather side, and poked +about in the dark, for I began to wonder where the other man was. +But I couldn't find him, though I searched the decks until I got +right aft again. It was certainly one of the Benton boys that was +missing, but it wasn't like either of them to go below to change +his clothes in such warm weather. The man at the wheel was the +other, of course. I spoke to him. + +"Jim, what's become of your brother?" + +"I am Jack, sir." + +"Well, then, Jack, where's Jim? He's not on deck." + +"I don't know, sir." + +When I had come up to him he had stood up from force of instinct, +and had laid his hands on the spokes as if he were steering, +though the wheel was lashed; but he still bent his face down, and +it was half hidden by the edge of his sou'wester, while he seemed +to be staring at the compass. He spoke in a very low voice, but +that was natural, for the captain had left his door open when he +turned in, as it was a warm night in spite of the storm, and +there was no fear of shipping any more water now. + +"What put it into your head to whistle like that, Jack? You've +been at sea long enough to know better." + +He said something, but I couldn't hear the words; it sounded as +if he were denying the charge. + +"Somebody whistled," I said. + +He didn't answer, and then, I don't know why, perhaps because the +old man hadn't given us a drink, I cut half an inch off the plug +of tobacco I had in my oilskin pocket, and gave it to him. He +knew my tobacco was good, and he shoved it into his mouth with a +word of thanks. I was on the weather side of the wheel. + +"Go forward and see if you can find Jim," I said. + +He started a little, and then stepped back and passed behind me, +and was going along the weather side. Maybe his silence about the +whistling had irritated me, and his taking it for granted that +because we were hove to and it was a dark night, he might go +forward any way he pleased. Anyhow, I stopped him, though I spoke +good-naturedly enough. + +"Pass to leeward, Jack," I said. + +He didn't answer, but crossed the deck between the binnacle and +the deck-house to the lee side. She was only falling off and +coming to, and riding the big seas as easily as possible, but the +man was not steady on his feet and reeled against the corner of +the deck-house and then against the lee rail. I was quite sure he +couldn't have had anything to drink, for neither of the brothers +were the kind to hide rum from their shipmates, if they had any, +and the only spirits that were aboard were locked up in the +captain's cabin. I wondered whether he had been hit by the +throat-halliard block and was hurt. + +I left the wheel and went after him, but when I got to the corner +of the deck-house I saw that he was on a full run forward, so I +went back. I watched the compass for a while, to see how far she +went off, and she must have come to again half a dozen times +before I heard voices, more than three or four, forward; and then +I heard the little West Indies cook's voice, high and shrill +above the rest:-- + +"Man overboard!" + +There wasn't anything to be done, with the ship hove-to and the +wheel lashed. If there was a man overboard, he must be in the +water right alongside. I couldn't imagine how it could have +happened, but I ran forward instinctively. I came upon the cook +first, half-dressed in his shirt and trousers, just as he had +tumbled out of his bunk. He was jumping into the main rigging, +evidently hoping to see the man, as if any one could have seen +anything on such a night, except the foam-streaks on the black +water, and now and then the curl of a breaking sea as it went +away to leeward. Several of the men were peering over the rail +into the dark. I caught the cook by the foot, and asked who was +gone. + +"It's Jim Benton," he shouted down to me. "He's not aboard this +ship!" + +There was no doubt about that. Jim Benton was gone; and I knew in +a flash that he had been taken off by that sea when we were +setting the storm trysail. It was nearly half an hour since then; +she had run like wild for a few minutes until we got her hove-to, +and no swimmer that ever swam could have lived as long as that in +such a sea. The men knew it as well as I, but still they stared +into the foam as if they had any chance of seeing the lost man. I +let the cook get into the rigging and joined the men, and asked +if they had made a thorough search on board, though I knew they +had and that it could not take long, for he wasn't on deck, and +there was only the forecastle below. + +"That sea took him over, sir, as sure as you're born," said one +of the men close beside me. + +We had no boat that could have lived in that sea, of course, and +we all knew it. I offered to put one over, and let her drift +astern two or three cable's-lengths by a line, if the men thought +they could haul me aboard again; but none of them would listen to +that, and I should probably have been drowned if I had tried it, +even with a life-belt; for it was a breaking sea. Besides, they +all knew as well as I did that the man could not be right in our +wake. I don't know why I spoke again. "Jack Benton, are you +there? Will you go if I will?" + +"No, sir," answered a voice; and that was all. + +By that time the old man was on deck, and I felt his hand on my +shoulder rather roughly, as if he meant to shake me. + +"I'd reckoned you had more sense, Mr. Torkeldsen," he said. "God +knows I would risk my ship to look for him, if it were any use; +but he must have gone half an hour ago." + +He was a quiet man, and the men knew he was right, and that they +had seen the last of Jim Benton when they were bending the +trysail--if anybody had seen him then. The captain went below +again, and for some time the men stood around Jack, quite near +him, without saying anything, as sailors do when they are sorry +for a man and can't help him; and then the watch below turned in +again, and we were three on deck. + +Nobody can understand that there can be much consolation in a +funeral, unless he has felt that blank feeling there is when a +man's gone overboard whom everybody likes. I suppose landsmen +think it would be easier if they didn't have to bury their +fathers and mothers and friends; but it wouldn't be. Somehow the +funeral keeps up the idea of something beyond. You may believe in +that something just the same; but a man who has gone in the dark, +between two seas, without a cry, seems much more beyond reach +than if he were still lying on his bed, and had only just stopped +breathing. Perhaps Jim Benton knew that, and wanted to come back +to us. I don't know, and I am only telling you what happened, and +you may think what you like. + +Jack stuck by the wheel that night until the watch was over. I +don't know whether he slept afterwards, but when I came on deck +four hours later, there he was again, in his oilskins, with his +sou'wester over his eyes, staring into the binnacle. We saw that +he would rather stand there, and we left him alone. Perhaps it +was some consolation to him to get that ray of light when +everything was so dark. It began to rain, too, as it can when a +southerly gale is going to break up, and we got every bucket and +tub on board, and set them under the booms to catch the fresh +water for washing our clothes. The rain made it very thick, and I +went and stood under the lee of the staysail, looking out. I +could tell that day was breaking, because the foam was whiter in +the dark where the seas crested, and little by little the black +rain grew grey and steamy, and I couldn't see the red glare of +the port light on the water when she went off and rolled to +leeward. The gale had moderated considerably, and in another hour +we should be under way again. I was still standing there when +Jack Benton came forward. He stood still a few minutes near me. +The rain came down in a solid sheet, and I could see his wet +beard and a corner of his cheek, too, grey in the dawn. Then he +stooped down and began feeling under the anchor for his pipe. We +had hardly shipped any water forward, and I suppose he had some +way of tucking the pipe in, so that the rain hadn't floated it +off. Presently he got on his legs again, and I saw that he had +two pipes in his hand. One of them had belonged to his brother, +and after looking at them a moment I suppose he recognised his +own, for he put it in his mouth, dripping with water. Then he +looked at the other fully a minute without moving. When he had +made up his mind, I suppose, he quietly chucked it over the lee +rail, without even looking round to see whether I was watching +him. I thought it was a pity, for it was a good wooden pipe, with +a nickel ferrule, and somebody would have been glad to have it. +But I didn't like to make any remark, for he had a right to do +what he pleased with what had belonged to his dead brother. He +blew the water out of his own pipe, and dried it against his +jacket, putting his hand inside his oilskin; he filled it, +standing under the lee of the foremast, got a light after wasting +two or three matches, and turned the pipe upside down in his +teeth, to keep the rain out of the bowl. I don't know why I +noticed everything he did, and remember it now; but somehow I +felt sorry for him, and I kept wondering whether there was +anything I could say that would make him feel better. But I +didn't think of anything, and as it was broad daylight I went aft +again, for I guessed that the old man would turn out before long +and order the spanker set and the helm up. But he didn't turn out +before seven bells, just as the clouds broke and showed blue sky +to leeward--"the Frenchman's barometer," you used to call it. + +Some people don't seem to be so dead, when they are dead, as +others are. Jim Benton was like that. He had been on my watch, +and I couldn't get used to the idea that he wasn't about decks +with me. I was always expecting to see him, and his brother was +so exactly like him that I often felt as if I did see him and +forgot he was dead, and made the mistake of calling Jack by his +name; though I tried not to, because I knew it must hurt. If ever +Jack had been the cheerful one of the two, as I had always +supposed he had been, he had changed very much, for he grew to be +more silent than Jim had ever been. + +One fine afternoon I was sitting on the main-hatch, overhauling +the clock-work of the taffrail-log, which hadn't been registering +very well of late, and I had got the cook to bring me a +coffee-cup to hold the small screws as I took them out, and a +saucer for the sperm-oil I was going to use. I noticed that he +didn't go away, but hung round without exactly watching what I +was doing, as if he wanted to say something to me. I thought if +it were worth much he would say it anyhow, so I didn't ask him +questions; and sure enough he began of his own accord before +long. There was nobody on deck but the man at the wheel, and the +other man away forward. + +"Mr. Torkeldsen," the cook began, and then stopped. + +I supposed he was going to ask me to let the watch break out a +barrel of flour, or some salt horse. + +"Well, doctor?" I asked, as he didn't go on. + +"Well, Mr. Torkeldsen," he answered, "I somehow want to ask you +whether you think I am giving satisfaction on this ship, or not?" + +"So far as I know, you are, doctor. I haven't heard any +complaints from the forecastle, and the captain has said nothing, +and I think you know your business, and the cabin-boy is bursting +out of his clothes. That looks as if you are giving satisfaction. +What makes you think you are not?" + +I am not good at giving you that West Indies talk, and sha'n't +try; but the doctor beat about the bush awhile, and then he told +me he thought the men were beginning to play tricks on him, and +he didn't like it, and thought he hadn't deserved it, and would +like his discharge at our next port. I told him he was a d----d +fool, of course, to begin with; and that men were more apt to try +a joke with a chap they liked than with anybody they wanted to +get rid of; unless it was a bad joke, like flooding his bunk, or +filling his boots with tar. But it wasn't that kind of practical +joke. The doctor said that the men were trying to frighten him, +and he didn't like it, and that they put things in his way that +frightened him. So I told him he was a d----d fool to be +frightened, anyway, and I wanted to know what things they put in +his way. He gave me a queer answer. He said they were spoons and +forks, and odd plates, and a cup now and then, and such things. + +I set down the taffrail-log on the bit of canvas I had put under +it, and looked at the doctor. He was uneasy, and his eyes had a +sort of hunted look, and his yellow face looked grey. He wasn't +trying to make trouble. He was in trouble. So I asked him +questions. + +He said he could count as well as anybody, and do sums without +using his fingers, but that when he couldn't count any other way +he did use his fingers, and it always came out the same. He said +that when he and the cabin-boy cleared up after the men's meals +there were more things to wash than he had given out. There'd be +a fork more, or there'd be a spoon more, and sometimes there'd be +a spoon and a fork, and there was always a plate more. It wasn't +that he complained of that. Before poor Jim Benton was lost they +had a man more to feed, and his gear to wash up after meals, and +that was in the contract, the doctor said. It would have been if +there were twenty in the ship's company; but he didn't think it +was right for the men to play tricks like that. He kept his +things in good order, and he counted them, and he was responsible +for them, and it wasn't right that the men should take more +things than they needed when his back was turned, and just soil +them and mix them up with their own, so as to make him think-- + +He stopped there, and looked at me, and I looked at him. I didn't +know what he thought, but I began to guess. I wasn't going to +humour any such nonsense as that, so I told him to speak to the +men himself, and not come bothering me about such things. + +"Count the plates and forks and spoons before them when they sit +down to table, and tell them that's all they'll get; and when +they have finished, count the things again, and if the count +isn't right, find out who did it. You know it must be one of +them. You're not a green hand; you've been going to sea ten or +eleven years, and don't want any lesson about how to behave if +the boys play a trick on you." + +"If I could catch him," said the cook, "I'd have a knife into him +before he could say his prayers." + +Those West India men are always talking about knives, especially +when they are badly frightened. I knew what he meant, and didn't +ask him, but went on cleaning the brass cogwheels of the patent +log and oiling the bearings with a feather. "Wouldn't it be +better to wash it out with boiling water, sir?" asked the cook, +in an insinuating tone. He knew that he had made a fool of +himself, and was anxious to make it right again. + +I heard no more about the odd platter and gear for two or three +days, though I thought about his story a good deal. The doctor +evidently believed that Jim Benton had come back, though he +didn't quite like to say so. His story had sounded silly enough +on a bright afternoon, in fair weather, when the sun was on the +water, and every rag was drawing in the breeze, and the sea +looked as pleasant and harmless as a cat that has just eaten a +canary. But when it was toward the end of the first watch, and +the waning moon had not risen yet, and the water was like still +oil, and the jibs hung down flat and helpless like the wings of a +dead bird--it wasn't the same then. More than once I have started +then, and looked round when a fish jumped, expecting to see a +face sticking up out of the water with its eyes shut. I think we +all felt something like that at the time. + +One afternoon we were putting a fresh service on the +jib-sheet-pennant. It wasn't my watch, but I was standing by +looking on. Just then Jack Benton came up from below, and went to +look for his pipe under the anchor. His face was hard and drawn, +and his eyes were cold like steel balls. He hardly ever spoke +now, but he did his duty as usual, and nobody had to complain of +him, though we were all beginning to wonder how long his grief +for his dead brother was going to last like that. I watched him +as he crouched down, and ran his hand into the hiding-place for +the pipe. When he stood up, he had two pipes in his hand. + +Now, I remembered very well seeing him throw one of those pipes +away, early in the morning after the gale; and it came to me now, +and I didn't suppose he kept a stock of them under the anchor. I +caught sight of his face, and it was greenish white, like the +foam on shallow water, and he stood a long time looking at the +two pipes. He wasn't looking to see which was his, for I wasn't +five yards from him as he stood, and one of those pipes had been +smoked that day, and was shiny where his hand had rubbed it, and +the bone mouthpiece was chafed white where his teeth had bitten +it. The other was water-logged. It was swelled and cracking with +wet, and it looked to me as if there were a little green weed on +it. + +Jack Benton turned his head rather stealthily as I looked away, +and then he hid the thing in his trousers pocket, and went aft on +the lee side, out of sight. The men had got the sheet pennant on +a stretch to serve it, but I ducked under it and stood where I +could see what Jack did, just under the fore-staysail. He +couldn't see me, and he was looking about for something. His hand +shook as he picked up a bit of half-bent iron rod, about a foot +long, that had been used for turning an eye-bolt, and had been +left on the main-hatch. His hand shook as he got a piece of +marline out of his pocket, and made the water-logged pipe fast to +the iron. He didn't mean it to get adrift, either, for he took +his turns carefully, and hove them taut and then rode them, so +that they couldn't slip, and made the end fast with two +half-hitches round the iron, and hitched it back on itself. Then +he tried it with his hands, and looked up and down the deck +furtively, and then quietly dropped the pipe and iron over the +rail, so that I didn't even hear the splash. If anybody was +playing tricks on board, they weren't meant for the cook. + +I asked some questions about Jack Benton, and one of the men told +me that he was off his feed, and hardly ate anything, and +swallowed all the coffee he could lay his hands on, and had used +up all his own tobacco and had begun on what his brother had +left. + +"The doctor says it ain't so, sir," said the man, looking at me +shyly, as if he didn't expect to be believed; "the doctor says +there's as much eaten from breakfast to breakfast as there was +before Jim fell overboard, though there's a mouth less and +another that eats nothing. I says it's the cabin-boy that gets +it. He's bu'sting." + +I told him that if the cabin-boy ate more than his share, he must +work more than his share, so as to balance things. But the man +laughed queerly, and looked at me again. + +"I only said that, sir, just like that. We all know it ain't so." + +"Well, how is it?" + +"How is it?" asked the man, half-angry all at once. "I don't know +how it is, but there's a hand on board that's getting his whack +along with us as regular as the bells." + +"Does he use tobacco?" I asked, meaning to laugh it out of him, +but as I spoke I remembered the water-logged pipe. + +"I guess he's using his own still," the man answered, in a queer, +low voice. "Perhaps he'll take some one else's when his is all +gone." + +It was about nine o'clock in the morning, I remember, for just +then the captain called to me to stand by the chronometer while +he took his fore observation. Captain Hackstaff wasn't one of +those old skippers who do everything themselves with a pocket +watch, and keep the key of the chronometer in their waistcoat +pocket, and won't tell the mate how far the dead reckoning is +out. He was rather the other way, and I was glad of it, for he +generally let me work the sights he took, and just ran his eye +over my figures afterwards. I am bound to say his eye was pretty +good, for he would pick out a mistake in a logarithm, or tell me +that I had worked the "Equation of Time" with the wrong sign, +before it seemed to me that he could have got as far as "half the +sum, minus the altitude." He was always right, too, and besides +he knew a lot about iron ships and local deviation, and adjusting +the compass, and all that sort of thing. I don't know how he came +to be in command of a fore-and-aft schooner. He never talked +about himself, and maybe he had just been mate on one of those +big steel square-riggers, and something had put him back. Perhaps +he had been captain, and had got his ship aground, through no +particular fault of his, and had to begin over again. Sometimes +he talked just like you and me, and sometimes he would speak more +like books do, or some of those Boston people I have heard. I +don't know. We have all been shipmates now and then with men who +have seen better days. Perhaps he had been in the Navy, but what +makes me think he couldn't have been, was that he was a thorough +good seaman, a regular old wind-jammer, and understood sail, +which those Navy chaps rarely do. Why, you and I have sailed with +men before the mast who had their master's certificates in their +pockets,--English Board of Trade certificates, too,--who could +work a double altitude if you would lend them a sextant and give +them a look at the chronometer, as well as many a man who +commands a big square-rigger. Navigation ain't everything, nor +seamanship, either. You've got to have it in you, if you mean to +get there. + +I don't know how our captain heard that there was trouble +forward. The cabin-boy may have told him, or the men may have +talked outside his door when they relieved the wheel at night. +Anyhow, he got wind of it, and when he had got his sight that +morning he had all hands aft, and gave them a lecture. It was +just the kind of talk you might have expected from him. He said +he hadn't any complaint to make, and that so far as he knew +everybody on board was doing his duty, and that he was given to +understand that the men got their whack, and were satisfied. He +said his ship was never a hard ship, and that he liked quiet, and +that was the reason he didn't mean to have any nonsense, and the +men might just as well understand that, too. We'd had a great +misfortune, he said, and it was nobody's fault. We had lost a +man we all liked and respected, and he felt that everybody in the +ship ought to be sorry for the man's brother, who was left +behind, and that it was rotten lubberly childishness, and unjust +and unmanly and cowardly, to be playing schoolboy tricks with +forks and spoons and pipes, and that sort of gear. He said it had +got to stop right now, and that was all, and the men might go +forward. And so they did. + +It got worse after that, and the men watched the cook, and the +cook watched the men, as if they were trying to catch each other; +but I think everybody felt that there was something else. One +evening, at supper-time, I was on deck, and Jack came aft to +relieve the wheel while the man who was steering got his supper. +He hadn't got past the main-hatch on the lee side, when I heard a +man running in slippers that slapped on the deck, and there was a +sort of a yell and I saw the coloured cook going for Jack, with +a carving-knife in his hand. I jumped to get between them, and +Jack turned round short, and put out his hand. I was too far to +reach them, and the cook jabbed out with his knife. But the blade +didn't get anywhere near Benton. The cook seemed to be jabbing it +into the air again and again, at least four feet short of the +mark. Then he dropped his right hand, and I saw the whites of his +eyes in the dusk, and he reeled up against the pin-rail, and +caught hold of a belaying-pin with his left. I had reached him by +that time, and grabbed hold of his knife-hand and the other too, +for I thought he was going to use the pin; but Jack Benton was +standing staring stupidly at him, as if he didn't understand. But +instead, the cook was holding on because he couldn't stand, and +his teeth were chattering, and he let go of the knife, and the +point stuck into the deck. + +"He's crazy!" said Jack Benton, and that was all he said; and he +went aft. + +[Illustration: HE LET GO OF THE KNIFE, AND THE POINT STUCK INTO +THE DECK.] + +When he was gone, the cook began to come to, and he spoke quite +low, near my ear. + +"There were two of them! So help me God, there were two of them!" + +I don't know why I didn't take him by the collar, and give him a +good shaking; but I didn't. I just picked up the knife and gave +it to him, and told him to go back to his galley, and not to make +a fool of himself. You see, he hadn't struck at Jack, but at +something he thought he saw, and I knew what it was, and I felt +that same thing, like a lump of ice sliding down my back, that I +felt that night when we were bending the trysail. + +When the men had seen him running aft, they jumped up after him, +but they held off when they saw that I had caught him. By and by, +the man who had spoken to me before told me what had happened. He +was a stocky little chap, with a red head. + +"Well," he said, "there isn't much to tell. Jack Benton had been +eating his supper with the rest of us. He always sits at the +after corner of the table, on the port side. His brother used to +sit at the end, next him. The doctor gave him a thundering big +piece of pie to finish up with, and when he had finished he +didn't stop for a smoke, but went off quick to relieve the wheel. +Just as he had gone, the doctor came in from the galley, and when +he saw Jack's empty plate he stood stock still staring at it; and +we all wondered what was the matter, till we looked at the plate. +There were two forks in it, sir, lying side by side. Then the +doctor grabbed his knife, and flew up through the hatch like a +rocket. The other fork was there all right, Mr. Torkeldsen, for +we all saw it and handled it; and we all had our own. That's all +I know." + +I didn't feel that I wanted to laugh when he told me that story; +but I hoped the old man wouldn't hear it, for I knew he wouldn't +believe it, and no captain that ever sailed likes to have +stories like that going round about his ship. It gives her a bad +name. But that was all anybody ever saw except the cook, and he +isn't the first man who has thought he saw things without having +any drink in him. I think, if the doctor had been weak in the +head as he was afterwards, he might have done something foolish +again, and there might have been serious trouble. But he didn't. +Only, two or three times I saw him looking at Jack Benton in a +queer, scared way, and once I heard him talking to himself. + +"There's two of them! So help me God, there's two of them!" + +He didn't say anything more about asking for his discharge, but I +knew well enough that if he got ashore at the next port we should +never see him again, if he had to leave his kit behind him, and +his money, too. He was scared all through, for good and all; and +he wouldn't be right again till he got another ship. It's no use +to talk to a man when he gets like that, any more than it is to +send a boy to the main truck when he has lost his nerve. + +Jack Benton never spoke of what happened that evening. I don't +know whether he knew about the two forks, or not; or whether he +understood what the trouble was. Whatever he knew from the other +men, he was evidently living under a hard strain. He was quiet +enough, and too quiet; but his face was set, and sometimes it +twitched oddly when he was at the wheel, and he would turn his +head round sharp to look behind him. A man doesn't do that +naturally, unless there's a vessel that he thinks is creeping up +on the quarter. When that happens, if the man at the wheel takes +a pride in his ship, he will almost always keep glancing over his +shoulder to see whether the other fellow is gaining. But Jack +Benton used to look round when there was nothing there; and what +is curious, the other men seemed to catch the trick when they +were steering. One day the old man turned out just as the man at +the wheel looked behind him. + +"What are you looking at?" asked the captain. + +"Nothing, sir," answered the man. + +"Then keep your eye on the mizzen-royal," said the old man, as if +he were forgetting that we weren't a square-rigger. + +"Ay, ay, sir," said the man. + +The captain told me to go below and work up the latitude from the +dead-reckoning, and he went forward of the deck-house and sat +down to read, as he often did. When I came up, the man at the +wheel was looking round again, and I stood beside him and just +asked him quietly what everybody was looking at, for it was +getting to be a general habit. He wouldn't say anything at first, +but just answered that it was nothing. But when he saw that I +didn't seem to care, and just stood there as if there were +nothing more to be said, he naturally began to talk. + +He said that it wasn't that he saw anything, because there wasn't +anything to see except the spanker sheet just straining a little, and +working in the sheaves of the blocks as the schooner rose to the short +seas. There wasn't anything to be seen, but it seemed to him that the +sheet made a queer noise in the blocks. It was a new manilla sheet; and +in dry weather it did make a little noise, something between a creak and +a wheeze. I looked at it and looked at the man, and said nothing; and +presently he went on. He asked me if I didn't notice anything peculiar +about the noise. I listened awhile, and said I didn't notice anything. +Then he looked rather sheepish, but said he didn't think it could be his +own ears, because every man who steered his trick heard the same thing +now and then,--sometimes once in a day, sometimes once in a night, +sometimes it would go on a whole hour. + +"It sounds like sawing wood," I said, just like that. + +"To us it sounds a good deal more like a man whistling 'Nancy +Lee.'" He started nervously as he spoke the last words. "There, +sir, don't you hear it?" he asked suddenly. + +I heard nothing but the creaking of the manilla sheet. It +was getting near noon, and fine, clear weather in southern +waters,--just the sort of day and the time when you would least +expect to feel creepy. But I remembered how I had heard that same +tune overhead at night in a gale of wind a fortnight earlier, +and I am not ashamed to say that the same sensation came over +me now, and I wished myself well out of the _Helen B._, and +aboard of any old cargo-dragger, with a windmill on deck, and an +eighty-nine-forty-eighter for captain, and a fresh leak whenever +it breezed up. + +Little by little during the next few days life on board that +vessel came to be about as unbearable as you can imagine. It +wasn't that there was much talk, for I think the men were shy +even of speaking to each other freely about what they thought. +The whole ship's company grew silent, until one hardly ever heard +a voice, except giving an order and the answer. The men didn't +sit over their meals when their watch was below, but either +turned in at once or sat about on the forecastle smoking their +pipes without saying a word. We were all thinking of the same +thing. We all felt as if there were a hand on board, sometimes +below, sometimes about decks, sometimes aloft, sometimes on the +boom end; taking his full share of what the others got, but doing +no work for it. We didn't only feel it, we knew it. He took up no +room, he cast no shadow, and we never heard his footfall on deck; +but he took his whack with the rest as regular as the bells, +and--he whistled "Nancy Lee." It was like the worst sort of dream +you can imagine; and I dare say a good many of us tried to +believe it was nothing else sometimes, when we stood looking over +the weather rail in fine weather with the breeze in our faces; +but if we happened to turn round and look into each other's eyes, +we knew it was something worse than any dream could be; and we +would turn away from each other with a queer, sick feeling, +wishing that we could just for once see somebody who didn't know +what we knew. + +There's not much more to tell about the _Helen B. Jackson_ so far +as I am concerned. We were more like a shipload of lunatics than +anything else when we ran in under Morro Castle, and anchored in +Havana. The cook had brain fever, and was raving mad in his +delirium; and the rest of the men weren't far from the same +state. The last three or four days had been awful, and we had +been as near to having a mutiny on board as I ever want to be. +The men didn't want to hurt anybody; but they wanted to get away +out of that ship, if they had to swim for it; to get away from +that whistling, from that dead shipmate who had come back, and +who filled the ship with his unseen self. I know that if the old +man and I hadn't kept a sharp lookout the men would have put a +boat over quietly on one of those calm nights, and pulled away, +leaving the captain and me and the mad cook to work the schooner +into harbour. We should have done it somehow, of course, for we +hadn't far to run if we could get a breeze; and once or twice I +found myself wishing that the crew were really gone, for the +awful state of fright in which they lived was beginning to work +on me too. You see I partly believed and partly didn't; but +anyhow I didn't mean to let the thing get the better of me, +whatever it was. I turned crusty, too, and kept the men at work +on all sorts of jobs, and drove them to it until they wished I +was overboard, too. It wasn't that the old man and I were trying +to drive them to desert without their pay, as I am sorry to say +a good many skippers and mates do, even now. Captain Hackstaff +was as straight as a string, and I didn't mean those poor fellows +should be cheated out of a single cent; and I didn't blame them +for wanting to leave the ship, but it seemed to me that the only +chance to keep everybody sane through those last days was to work +the men till they dropped. When they were dead tired they slept a +little, and forgot the thing until they had to tumble up on deck +and face it again. That was a good many years ago. Do you believe +that I can't hear "Nancy Lee" now, without feeling cold down my +back? For I heard it too, now and then, after the man had +explained why he was always looking over his shoulder. Perhaps it +was imagination. I don't know. When I look back it seems to me +that I only remember a long fight against something I couldn't +see, against an appalling presence, against something worse than +cholera or Yellow Jack or the plague--and goodness knows the +mildest of them is bad enough when it breaks out at sea. The men +got as white as chalk, and wouldn't go about decks alone at +night, no matter what I said to them. With the cook raving in +his bunk the forecastle would have been a perfect hell, and +there wasn't a spare cabin on board. There never is on a +fore-and-after. So I put him into mine, and he was more quiet +there, and at last fell into a sort of stupor as if he were going +to die. I don't know what became of him, for we put him ashore +alive and left him in the hospital. + +The men came aft in a body, quiet enough, and asked the captain +if he wouldn't pay them off, and let them go ashore. Some men +wouldn't have done it, for they had shipped for the voyage, and +had signed articles. But the captain knew that when sailors get +an idea into their heads they're no better than children; and if +he forced them to stay aboard he wouldn't get much work out of +them, and couldn't rely on them in a difficulty. So he paid them +off, and let them go. When they had gone forward to get their +kits, he asked me whether I wanted to go too, and for a minute I +had a sort of weak feeling that I might just as well. But I +didn't, and he was a good friend to me afterwards. Perhaps he was +grateful to me for sticking to him. + +When the men went off he didn't come on deck; but it was my duty +to stand by while they left the ship. They owed me a grudge for +making them work during the last few days, and most of them +dropped into the boat without so much as a word or a look, as +sailors will. Jack Benton was the last to go over the side, and +he stood still a minute and looked at me, and his white face +twitched. I thought he wanted to say something. + +"Take care of yourself, Jack," said I. "So long!" + +It seemed as if he couldn't speak for two or three seconds; then +his words came thick. + +"It wasn't my fault, Mr. Torkeldsen. I swear it wasn't my fault!" + +That was all; and he dropped over the side, leaving me to wonder +what he meant. + +The captain and I stayed on board, and the ship-chandler got a +West India boy to cook for us. + +That evening, before turning in, we were standing by the rail +having a quiet smoke, watching the lights of the city, a quarter +of a mile off, reflected in the still water. There was music of +some sort ashore, in a sailors' dance-house, I dare say; and I +had no doubt that most of the men who had left the ship were +there, and already full of jiggy-jiggy. The music played a lot of +sailors' tunes that ran into each other, and we could hear the +men's voices in the chorus now and then. One followed another, +and then it was "Nancy Lee," loud and clear, and the men singing +"Yo-ho, heave-ho!" + +"I have no ear for music," said Captain Hackstaff, "but it +appears to me that's the tune that man was whistling the night we +lost the man overboard. I don't know why it has stuck in my head, +and of course it's all nonsense; but it seems to me that I have +heard it all the rest of the trip." + +I didn't say anything to that, but I wondered just how much the +old man had understood. Then we turned in, and I slept ten hours +without opening my eyes. + +I stuck to the _Helen B. Jackson_ after that as long as I could +stand a fore-and-after; but that night when we lay in Havana was +the last time I ever heard "Nancy Lee" on board of her. The spare +hand had gone ashore with the rest, and he never came back, and +he took his tune with him; but all those things are just as clear +in my memory as if they had happened yesterday. + +After that I was in deep water for a year or more, and after I +came home I got my certificate, and what with having friends and +having saved a little money, and having had a small legacy from +an uncle in Norway, I got the command of a coastwise vessel, with +a small share in her. I was at home three weeks before going to +sea, and Jack Benton saw my name in the local papers, and wrote +to me. + +He said that he had left the sea, and was trying farming, and he +was going to be married, and he asked if I wouldn't come over for +that, for it wasn't more than forty minutes by train; and he and +Mamie would be proud to have me at the wedding. I remembered how +I had heard one brother ask the other whether Mamie knew. That +meant, whether she knew he wanted to marry her, I suppose. She +had taken her time about it, for it was pretty nearly three years +then since we had lost Jim Benton overboard. + +I had nothing particular to do while we were getting ready for +sea; nothing to prevent me from going over for a day, I mean; +and I thought I'd like to see Jack Benton, and have a look at the +girl he was going to marry. I wondered whether he had grown +cheerful again, and had got rid of that drawn look he had when he +told me it wasn't his fault. How could it have been his fault, +anyhow? So I wrote to Jack that I would come down and see him +married; and when the day came I took the train, and got there +about ten o'clock in the morning. I wish I hadn't. Jack met me at +the station, and he told me that the wedding was to be late in +the afternoon, and that they weren't going off on any silly +wedding trip, he and Mamie, but were just going to walk home from +her mother's house to his cottage. That was good enough for him, +he said. I looked at him hard for a minute after we met. When we +had parted I had a sort of idea that he might take to drink, but +he hadn't. He looked very respectable and well-to-do in his black +coat and high city collar; but he was thinner and bonier than +when I had known him, and there were lines in his face, and I +thought his eyes had a queer look in them, half shifty, half +scared. He needn't have been afraid of me, for I didn't mean to +talk to his bride about the _Helen B. Jackson_. + +He took me to his cottage first, and I could see that he was +proud of it. It wasn't above a cable's-length from high-water +mark, but the tide was running out, and there was already a broad +stretch of hard wet sand on the other side of the beach road. +Jack's bit of land ran back behind the cottage about a quarter of +a mile, and he said that some of the trees we saw were his. The +fences were neat and well kept, and there was a fair-sized barn a +little way from the cottage, and I saw some nice-looking cattle +in the meadows; but it didn't look to me to be much of a farm, +and I thought that before long Jack would have to leave his wife +to take care of it, and go to sea again. But I said it was a nice +farm, so as to seem pleasant, and as I don't know much about +these things I dare say it was, all the same. I never saw it but +that once. Jack told me that he and his brother had been born in +the cottage, and that when their father and mother died they +leased the land to Mamie's father, but had kept the cottage to +live in when they came home from sea for a spell. It was as neat +a little place as you would care to see: the floors as clean as +the decks of a yacht, and the paint as fresh as a man-o'-war. +Jack always was a good painter. There was a nice parlour on the +ground floor, and Jack had papered it and had hung the walls with +photographs of ships and foreign ports, and with things he had +brought home from his voyages: a boomerang, a South Sea club, +Japanese straw hats and a Gibraltar fan with a bull-fight on it, +and all that sort of gear. It looked to me as if Miss Mamie had +taken a hand in arranging it. There was a bran-new polished iron +Franklin stove set into the old fireplace, and a red table-cloth +from Alexandria, embroidered with those outlandish Egyptian +letters. It was all as bright and homelike as possible, and he +showed me everything, and was proud of everything, and I liked +him the better for it. But I wished that his voice would sound +more cheerful, as it did when we first sailed in the _Helen B._, +and that the drawn look would go out of his face for a minute. +Jack showed me everything, and took me upstairs, and it was all +the same: bright and fresh and ready for the bride. But on the +upper landing there was a door that Jack didn't open. When we +came out of the bedroom I noticed that it was ajar, and Jack shut +it quickly and turned the key. + +"That lock's no good," he said, half to himself. "The door is +always open." + +I didn't pay much attention to what he said, but as we went down +the short stairs, freshly painted and varnished so that I was +almost afraid to step on them, he spoke again. + +"That was his room, sir. I have made a sort of store-room of it." + +"You may be wanting it in a year or so," I said, wishing to be +pleasant. + +"I guess we won't use his room for that," Jack answered in a low +voice. + +Then he offered me a cigar from a fresh box in the parlour, and +he took one, and we lit them, and went out; and as we opened the +front door there was Mamie Brewster standing in the path as if +she were waiting for us. She was a fine-looking girl, and I +didn't wonder that Jack had been willing to wait three years for +her. I could see that she hadn't been brought up on steam-heat +and cold storage, but had grown into a woman by the sea-shore. +She had brown eyes, and fine brown hair, and a good figure. + +"This is Captain Torkeldsen," said Jack. "This is Miss Brewster, +captain; and she is glad to see you." + +"Well, I am," said Miss Mamie, "for Jack has often talked to us +about you, captain." + +She put out her hand, and took mine and shook it heartily, and I +suppose I said something, but I know I didn't say much. + +The front door of the cottage looked toward the sea, and there +was a straight path leading to the gate on the beach road. There +was another path from the steps of the cottage that turned to the +right, broad enough for two people to walk easily, and it led +straight across the fields through gates to a larger house about +a quarter of a mile away. That was where Mamie's mother lived, +and the wedding was to be there. Jack asked me whether I would +like to look round the farm before dinner, but I told him I +didn't know much about farms. Then he said he just wanted to look +round himself a bit, as he mightn't have much more chance that +day; and he smiled, and Mamie laughed. + +"Show the captain the way to the house, Mamie," he said. "I'll +be along in a minute." + +So Mamie and I began to walk along the path, and Jack went up +toward the barn. + +"It was sweet of you to come, captain," Miss Mamie began, "for I +have always wanted to see you." + +"Yes," I said, expecting something more. + +"You see, I always knew them both," she went on. "They used to +take me out in a dory to catch codfish when I was a little girl, +and I liked them both," she added thoughtfully. "Jack doesn't +care to talk about his brother now. That's natural. But you won't +mind telling me how it happened, will you? I should so much like +to know." + +Well, I told her about the voyage and what happened that night +when we fell in with a gale of wind, and that it hadn't been +anybody's fault, for I wasn't going to admit that it was my old +captain's, if it was. But I didn't tell her anything about what +happened afterwards. As she didn't speak, I just went on talking +about the two brothers, and how like they had been, and how when +poor Jim was drowned and Jack was left, I took Jack for him. I +told her that none of us had ever been sure which was which. + +"I wasn't always sure myself," she said, "unless they were +together. Leastways, not for a day or two after they came home +from sea. And now it seems to me that Jack is more like poor Jim, +as I remember him, than he ever was, for Jim was always more +quiet, as if he were thinking." + +I told her I thought so, too. We passed the gate and went into +the next field, walking side by side. Then she turned her head to +look for Jack, but he wasn't in sight. I sha'n't forget what she +said next. + +"Are you sure now?" she asked. + +I stood stock-still, and she went on a step, and then turned and +looked at me. We must have looked at each other while you could +count five or six. + +"I know it's silly," she went on, "it's silly, and it's awful, +too, and I have got no right to think it, but sometimes I can't +help it. You see it was always Jack I meant to marry." + +"Yes," I said stupidly, "I suppose so." + +She waited a minute, and began walking on slowly before she went +on again. + +"I am talking to you as if you were an old friend, captain, and I +have only known you five minutes. It was Jack I meant to marry, +but now he is so like the other one." + +When a woman gets a wrong idea into her head, there is only one +way to make her tired of it, and that is to agree with her. +That's what I did, and she went on talking the same way for a +little while, and I kept on agreeing and agreeing until she +turned round on me. + +"You know you don't believe what you say," she said, and +laughed. "You know that Jack is Jack, right enough; and it's Jack +I am going to marry." + +Of course I said so, for I didn't care whether she thought me a +weak creature or not. I wasn't going to say a word that could +interfere with her happiness, and I didn't intend to go back on +Jack Benton; but I remembered what he had said when he left the +ship in Havana: that it wasn't his fault. + +"All the same," Miss Mamie went on, as a woman will, without +realising what she was saying, "all the same, I wish I had seen +it happen. Then I should know." + +Next minute she knew that she didn't mean that, and was afraid +that I would think her heartless, and began to explain that she +would really rather have died herself than have seen poor Jim go +overboard. Women haven't got much sense, anyhow. All the same, I +wondered how she could marry Jack if she had a doubt that he +might be Jim after all. I suppose she had really got used to him +since he had given up the sea and had stayed ashore, and she +cared for him. + +Before long we heard Jack coming up behind us, for we had walked +very slowly to wait for him. + +"Promise not to tell anybody what I said, captain," said Mamie, +as girls do as soon as they have told their secrets. + +Anyhow, I know I never did tell any one but you. This is the +first time I have talked of all that, the first time since I took +the train from that place. I am not going to tell you all about +the day. Miss Mamie introduced me to her mother, who was a quiet, +hard-faced old New England farmer's widow, and to her cousins and +relations; and there were plenty of them too at dinner, and there +was the parson besides. He was what they call a Hard-shell +Baptist in those parts, with a long, shaven upper lip and a +whacking appetite, and a sort of superior look, as if he didn't +expect to see many of us hereafter--the way a New York pilot +looks round, and orders things about when he boards an Italian +cargo-dragger, as if the ship weren't up to much anyway, though +it was his business to see that she didn't get aground. That's +the way a good many parsons look, I think. He said grace as if he +were ordering the men to sheet home the topgallant-sail and get +the helm up. After dinner we went out on the piazza, for it was +warm autumn weather; and the young folks went off in pairs along +the beach road, and the tide had turned and was beginning to come +in. The morning had been clear and fine, but by four o'clock it +began to look like a fog, and the damp came up out of the sea and +settled on everything. Jack said he'd go down to his cottage and +have a last look, for the wedding was to be at five o'clock, or +soon after, and he wanted to light the lights, so as to have +things look cheerful. + +"I will just take a last look," he said again, as we reached the +house. We went in, and he offered me another cigar, and I lit it +and sat down in the parlour. I could hear him moving about, first +in the kitchen and then upstairs, and then I heard him in the +kitchen again; and then before I knew anything I heard somebody +moving upstairs again. I knew he couldn't have got up those +stairs as quick as that. He came into the parlour, and he took a +cigar himself, and while he was lighting it I heard those steps +again overhead. His hand shook, and he dropped the match. + +"Have you got in somebody to help?" I asked. + +"No," Jack answered sharply, and struck another match. + +"There's somebody upstairs, Jack," I said. "Don't you hear +footsteps?" + +"It's the wind, captain," Jack answered; but I could see he was +trembling. + +"That isn't any wind, Jack," I said; "it's still and foggy. I'm +sure there's somebody upstairs." + +"If you are so sure of it, you'd better go and see for yourself, +captain," Jack answered, almost angrily. + +He was angry because he was frightened. I left him before the +fireplace, and went upstairs. There was no power on earth that +could make me believe I hadn't heard a man's footsteps overhead. +I knew there was somebody there. But there wasn't. I went into +the bedroom, and it was all quiet, and the evening light was +streaming in, reddish through the foggy air; and I went out on +the landing and looked in the little back room that was meant for +a servant girl or a child. And as I came back again I saw that +the door of the other room was wide open, though I knew Jack had +locked it. He had said the lock was no good. I looked in. It was +a room as big as the bedroom, but almost dark, for it had +shutters, and they were closed. There was a musty smell, as of +old gear, and I could make out that the floor was littered with +sea chests, and that there were oilskins and stuff piled on the +bed. But I still believed that there was somebody upstairs, and I +went in and struck a match and looked round. I could see the four +walls and the shabby old paper, an iron bed and a cracked +looking-glass, and the stuff on the floor. But there was nobody +there. So I put out the match, and came out and shut the door and +turned the key. Now, what I am telling you is the truth. When I +had turned the key, I heard footsteps walking away from the door +inside the room. Then I felt queer for a minute, and when I went +downstairs I looked behind me, as the men at the wheel used to +look behind them on board the _Helen B._ + +Jack was already outside on the steps, smoking. I have an idea +that he didn't like to stay inside alone. + +"Well?" he asked, trying to seem careless. + +"I didn't find anybody," I answered, "but I heard somebody moving +about." "I told you it was the wind," said Jack, contemptuously. +"I ought to know, for I live here, and I hear it often." + +There was nothing to be said to that, so we began to walk down +toward the beach. Jack said there wasn't any hurry, as it would +take Miss Mamie some time to dress for the wedding. So we +strolled along, and the sun was setting through the fog, and the +tide was coming in. I knew the moon was full, and that when she +rose the fog would roll away from the land, as it does sometimes. +I felt that Jack didn't like my having heard that noise, so I +talked of other things, and asked him about his prospects, and +before long we were chatting as pleasantly as possible. + +I haven't been at many weddings in my life, and I don't suppose +you have, but that one seemed to me to be all right until it was +pretty near over; and then, I don't know whether it was part of +the ceremony or not, but Jack put out his hand and took Mamie's +and held it a minute, and looked at her, while the parson was +still speaking. + +Mamie turned as white as a sheet and screamed. It wasn't a loud +scream, but just a sort of stifled little shriek, as if she were +half frightened to death; and the parson stopped, and asked her +what was the matter, and the family gathered round. + +"Your hand's like ice," said Mamie to Jack, "and it's all wet!" + +She kept looking at it, as she got hold of herself again. + +"It don't feel cold to me," said Jack, and he held the back of +his hand against his cheek. "Try it again." + +Mamie held out hers, and touched the back of his hand, timidly at +first, and then took hold of it. + +"Why, that's funny," she said. + +"She's been as nervous as a witch all day," said Mrs. Brewster, +severely. + +"It is natural," said the parson, "that young Mrs. Benton should +experience a little agitation at such a moment." + +Most of the bride's relations lived at a distance, and were busy +people, so it had been arranged that the dinner we'd had in the +middle of the day was to take the place of a dinner afterwards, +and that we should just have a bite after the wedding was over, +and then that everybody should go home, and the young couple +would walk down to the cottage by themselves. When I looked out I +could see the light burning brightly in Jack's cottage, a quarter +of a mile away. I said I didn't think I could get any train to +take me back before half-past nine, but Mrs. Brewster begged me +to stay until it was time, as she said her daughter would want to +take off her wedding dress before she went home; for she had put +on something white with a wreath, that was very pretty, and she +couldn't walk home like that, could she? + +So when we had all had a little supper the party began to break +up, and when they were all gone Mrs. Brewster and Mamie went +upstairs, and Jack and I went out on the piazza, to have a +smoke, as the old lady didn't like tobacco in the house. + +The full moon had risen now, and it was behind me as I looked +down toward Jack's cottage, so that everything was clear and +white, and there was only the light burning in the window. The +fog had rolled down to the water's edge, and a little beyond, for +the tide was high, or nearly, and was lapping up over the last +reach of sand, within fifty feet of the beach road. + +Jack didn't say much as we sat smoking, but he thanked me for +coming to his wedding, and I told him I hoped he would be happy; +and so I did. I dare say both of us were thinking of those +footsteps upstairs, just then, and that the house wouldn't seem +so lonely with a woman in it. By and by we heard Mamie's voice +talking to her mother on the stairs, and in a minute she was +ready to go. She had put on again the dress she had worn in the +morning, and it looked black at night, almost as black as Jack's +coat. + +Well, they were ready to go now. It was all very quiet after the +day's excitement, and I knew they would like to walk down that +path alone now that they were man and wife at last. I bade them +good-night, although Jack made a show of pressing me to go with +them by the path as far as the cottage, instead of going to the +station by the beach road. It was all very quiet, and it seemed +to me a sensible way of getting married; and when Mamie kissed +her mother good-night I just looked the other way, and knocked my +ashes over the rail of the piazza. So they started down the +straight path to Jack's cottage, and I waited a minute with Mrs. +Brewster, looking after them, before taking my hat to go. They +walked side by side, a little shyly at first, and then I saw Jack +put his arm round her waist. As I looked he was on her left, and +I saw the outline of the two figures very distinctly against the +moonlight on the path; and the shadow on Mamie's right was broad +and black as ink, and it moved along, lengthening and shortening +with the unevenness of the ground beside the path. + +I thanked Mrs. Brewster, and bade her good-night; and though she +was a hard New England woman her voice trembled a little as she +answered, but being a sensible person she went in and shut the +door behind her as I stepped out on the path. I looked after the +couple in the distance a last time, meaning to go down to the +road, so as not to overtake them; but when I had made a few steps +I stopped and looked again, for I knew I had seen something +queer, though I had only realised it afterwards. I looked again, +and it was plain enough now; and I stood stock-still, staring at +what I saw. Mamie was walking between two men. The second man was +just the same height as Jack, both being about a half a head +taller than she; Jack on her left in his black tail-coat and +round hat, and the other man on her right--well, he was a +sailor-man in wet oilskins. I could see the moonlight shining on +the water that ran down him, and on the little puddle that had +settled where the flap of his sou'wester was turned up behind: +and one of his wet, shiny arms was round Mamie's waist, just +above Jack's. I was fast to the spot where I stood, and for a +minute I thought I was crazy. We'd had nothing but some cider for +dinner, and tea in the evening, otherwise I'd have thought +something had got into my head, though I was never drunk in my +life. It was more like a bad dream after that. + +I was glad Mrs. Brewster had gone in. As for me, I couldn't help +following the three, in a sort of wonder to see what would +happen, to see whether the sailor-man in his wet togs would just +melt away into the moonshine. But he didn't. + +[Illustration: ONE OF HIS WET, SHINY ARMS WAS ROUND MAMIE'S WAIST.] + +I moved slowly, and I remembered afterwards that I walked on the +grass, instead of on the path, as if I were afraid they might +hear me coming. I suppose it all happened in less than five +minutes after that, but it seemed as if it must have taken an +hour. Neither Jack nor Mamie seemed to notice the sailor. She +didn't seem to know that his wet arm was round her, and little by +little they got near the cottage, and I wasn't a hundred yards +from them when they reached the door. Something made me stand +still then. Perhaps it was fright, for I saw everything that +happened just as I see you now. + +Mamie set her foot on the step to go up, and as she went forward +I saw the sailor slowly lock his arm in Jack's, and Jack didn't +move to go up. Then Mamie turned round on the step, and they all +three stood that way for a second or two. She cried out then,--I +heard a man cry like that once, when his arm was taken off by a +steam-crane,--and she fell back in a heap on the little piazza. + +I tried to jump forward, but I couldn't move, and I felt my hair +rising under my hat. The sailor turned slowly where he stood, and +swung Jack round by the arm steadily and easily, and began to +walk him down the pathway from the house. He walked him straight +down that path, as steadily as Fate; and all the time I saw the +moonlight shining on his wet oilskins. He walked him through the +gate, and across the beach road, and out upon the wet sand, where +the tide was high. Then I got my breath with a gulp, and ran for +them across the grass, and vaulted over the fence, and stumbled +across the road. But when I felt the sand under my feet, the two +were at the water's edge; and when I reached the water they were +far out, and up to their waists; and I saw that Jack Benton's +head had fallen forward on his breast, and his free arm hung limp +beside him, while his dead brother steadily marched him to his +death. The moonlight was on the dark water, but the fog-bank was +white beyond, and I saw them against it; and they went slowly and +steadily down. The water was up to their armpits, and then up to +their shoulders, and then I saw it rise up to the black rim of +Jack's hat. But they never wavered; and the two heads went +straight on, straight on, till they were under, and there was +just a ripple in the moonlight where Jack had been. + +It has been on my mind to tell you that story, whenever I got a +chance. You have known me, man and boy, a good many years; and I +thought I would like to hear your opinion. Yes, that's what I +always thought. It wasn't Jim that went overboard; it was Jack, +and Jim just let him go when he might have saved him; and then +Jim passed himself off for Jack with us, and with the girl. If +that's what happened, he got what he deserved. People said the +next day that Mamie found it out as they reached the house, and +that her husband just walked out into the sea, and drowned +himself; and they would have blamed me for not stopping him if +they'd known that I was there. But I never told what I had seen, +for they wouldn't have believed me. I just let them think I had +come too late. + +When I reached the cottage and lifted Mamie up, she was raving +mad. She got better afterwards, but she was never right in her +head again. + +Oh, you want to know if they found Jack's body? I don't know +whether it was his, but I read in a paper at a Southern port +where I was with my new ship that two dead bodies had come ashore +in a gale down East, in pretty bad shape. They were locked +together, and one was a skeleton in oilskins. + + + * * * * * + + + Francis Marion Crawford, the youngest of the four + children of the well-known sculptor Thomas Crawford, + was born in Rome, educated by a French governess; + then at St Paul's School, Concord, N.H.; in the + quiet country village of Hatfield Regis, under an + English tutor; at Trinity College, Cambridge, where + they thought him a mathematician in those days; at + Heidelberg and Karlsruhe, and at the University of + Rome, where a special interest in Oriental languages + sent him to India with the idea of preparing for a + professorship. + + At one time in India hard times nearly forced him + into enlistment in the British army, but a chance + opening sent him as editor of the _Indian Herald_ to + Allahabad. It was during the next eighteen months + that he met at Simla the hero of his first novel, + "Mr. Isaacs." "If it had not been for him," Mr. + Crawford has been known to say, "I might at this + moment be a professor of Sanskrit in some American + college;" for that idea persisted after his return + to the United States, where he entered Harvard for + special study of the subject. + + But from the May evening when the story of the + interesting man at Simla was first told in a club + smoking-room overlooking Madison Square, Mr. Crawford's + life has been one of hard literary work. He returned to + Italy in 1883, spent most of the next year in + Constantinople, where he was married to a daughter + of General Berdan. From 1885 he has made his home in + Sorrento, Italy, visiting America at intervals. + + "Mr. Isaacs," published in 1882, was followed almost + at once by "Dr. Claudius." Then _The Atlantic + Monthly_ claimed a serial, "A Roman Singer," in + 1883. Since that time the list of his novels has + been increased to thirty-two, besides the historical + and descriptive works entitled "Ave Roma Immortalis" + and "The Rulers of the South." + + To Mr. Crawford, the development of a story and of + the character which suggested it, is the preeminent + thing. As the critics say:-- + + "He is an artist, a born story-teller and + colourist, imaginative and dramatic, virile and + vivid." + + His wide range as a traveller has contributed doubtless + to another characteristic quality:-- + + "... his strength in unexcelled portraits of odd + characters and his magical skill in seeming to make + his readers witnesses of the spectacles." + + His intimate knowledge of many countries has resulted in + an unequalled series of brilliant romances, including + varied characters from the old families of Rome, the + glassblowers of Venice, the silversmiths of Rome, the + cigarette makers of Munich, the court of old Madrid, the + Turks of Stamboul and the Bosphorus, simple sailors on the + coast of Spain, Americans of modern New York and Bar Harbor, + to Crusaders of the twelfth century. But whether the scene + be in modern India, rural England, the Black Forest, or the + palaces of Babylon, the story seizes on the imagination and + fascinates the reader. + + "The romantic reader will find here a tale of love + passionate and pure; the student of character, the + subtle analysis and deft portrayal he loves; the + historian will approve its conscientious historic + accuracy; the lover of adventure will find his + blood stir and pulses quicken as he reads." + + * * * * * + + + + THE NOVELS OF + F. MARION CRAWFORD + + NEW UNIFORM EDITION + + Dr. Claudius + A Roman Singer + Zoroaster + Don Orsino + Marion Darche + A Cigarette Maker's Romance and Khaled + Taquisara + Via Crucis + Sant' Ilario + The Ralstons + Adam Johnstone's Son and A Rose of Yesterday + Mr. Isaacs + A Tale of a Lonely Parish + Saracinesca + Paul Patoff + The Witch of Prague + Pietro Ghisleri + Corleone + Children of the King + Katherine Lauderdale + To Leeward + + Each, bound in cloth, green and gold, $1.80 + + * * * * * + + _In preparation in the Uniform Edition_ + + An American Politician + Marzio's Crucifix + With the Immortals + Greifenstein + The Three Fates + Casa Braccio. 2 vols. + Love in Idleness + + * * * * * + + F. MARION CRAWFORD'S + MOST RECENT NOVELS + + CECILIA: A Story of Modern Rome + _Cloth_, $1.50 + "The reincarnation of a great love + is the real story, and that is well worth + reading."--_San Francisco Chronicle._ + + MARIETTA: A Maid of Venice + _Cloth_, $1.50 + + IN THE PALACE OF THE KING + A Love Story of Old Madrid + _Illustrated, Cloth_, $1.50 + + * * * * * + + HANDSOMELY ILLUSTRATED DESCRIPTIVE BOOKS + + AVE ROMA IMMORTALIS + Studies from the Chronicles of Rome + _New edition. Revised. _x_ + 613 pp. 8vo. $3.00, net._ + + RULERS OF THE SOUTH + Sicily, Calabria, Malta + _In two volumes. Crown 8vo. $6.00, net._ + + * * * * * + + The Macmillan Little Novels + BY FAVOURITE AUTHORS + + Handsomely Bound in Decorated Cloth + 16mo. 50 cents each + + PHILOSOPHY FOUR + A STORY OF HARVARD UNIVERSITY + By Owen Wister + Author of "The Virginian" etc. + + MAN OVERBOARD + By F. Marion Crawford + Author of "Cecilia," "Marietta," etc. + + MR. KEEGAN'S ELOPEMENT + By Winston Churchill + Author of "The Crisis," "Richard Carvel," etc. + + MRS. PENDLETON'S FOUR-IN-HAND + By Gertrude Atherton + Author of "The Conqueror," "The Splendid Idle + Forties," etc. + + * * * * * + + THE MACMILLAN COMPANY 66 Fifth Avenue, New York + + + + + +End of Project Gutenberg's Man Overboard!, by F(rancis) Marion Crawford + +*** END OF THIS PROJECT GUTENBERG EBOOK MAN OVERBOARD! *** + +***** This file should be named 24584.txt or 24584.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/4/5/8/24584/ + +Produced by Bruce Albrecht, Roberta Staehlin, Grinnell +College Library and the Online Distributed Proofreading +Team at http://www.pgdp.net (This book was produced from +scanned images of public domain material from the Google +Print project.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/24584.zip b/24584.zip Binary files differnew file mode 100644 index 0000000..fe40082 --- /dev/null +++ b/24584.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..8fb1051 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #24584 (https://www.gutenberg.org/ebooks/24584) |
