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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/24351-0.txt b/24351-0.txt new file mode 100644 index 0000000..fce2b77 --- /dev/null +++ b/24351-0.txt @@ -0,0 +1,1473 @@ +The Project Gutenberg EBook of The Triumph Of Night, by Edith Wharton + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Triumph Of Night + 1916 + +Author: Edith Wharton + +Release Date: January 17, 2008 [EBook #24351] +[Last updated: August 30, 2017] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE TRIUMPH OF NIGHT *** + + + + +Produced by David Widger + + + + + +THE TRIUMPH OF NIGHT + +By Edith Wharton + +Copyright, 1916, By Charles Scribner’s Sons + + + + +I + +It was clear that the sleigh from Weymore had not come; and the +shivering young traveller from Boston, who had counted on jumping into +it when he left the train at Northridge Junction, found himself standing +alone on the open platform, exposed to the full assault of night-fall +and winter. + +The blast that swept him came off New Hampshire snow-fields and ice-hung +forests. It seemed to have traversed interminable leagues of frozen +silence, filling them with the same cold roar and sharpening its edge +against the same bitter black-and-white landscape. Dark, searching +and sword-like, it alternately muffled and harried its victim, like a +bull-fighter now whirling his cloak and now planting his darts. This +analogy brought home to the young man the fact that he himself had +no cloak, and that the overcoat in which he had faced the relatively +temperate air of Boston seemed no thicker than a sheet of paper on the +bleak heights of Northridge. George Faxon said to himself that the place +was uncommonly well-named. It clung to an exposed ledge over the valley +from which the train had lifted him, and the wind combed it with teeth +of steel that he seemed actually to hear scraping against the wooden +sides of the station. Other building there was none: the village lay far +down the road, and thither--since the Weymore sleigh had not come--Faxon +saw himself under the necessity of plodding through several feet of +snow. + +He understood well enough what had happened: his hostess had forgotten +that he was coming. Young as Faxon was, this sad lucidity of soul had +been acquired as the result of long experience, and he knew that the +visitors who can least afford to hire a carriage are almost always those +whom their hosts forget to send for. Yet to say that Mrs. Culme had +forgotten him was too crude a way of putting it Similar incidents led +him to think that she had probably told her maid to tell the butler to +telephone the coachman to tell one of the grooms (if no one else needed +him) to drive over to Northridge to fetch the new secretary; but on +a night like this, what groom who respected his rights would fail to +forget the order? + +Faxon’s obvious course was to struggle through the drifts to the +village, and there rout out a sleigh to convey him to Weymore; but what +if, on his arrival at Mrs. Culme’s, no one remembered to ask him +what this devotion to duty had cost? That, again, was one of the +contingencies he had expensively learned to look out for, and the +perspicacity so acquired told him it would be cheaper to spend the night +at the Northridge inn, and advise Mrs. Culme of his presence there by +telephone. He had reached this decision, and was about to entrust his +luggage to a vague man with a lantern, when his hopes were raised by the +sound of bells. + +Two sleighs were just dashing up to the station, and from the foremost +there sprang a young man muffled in furs. + +“Weymore?--No, these are not the Weymore sleighs.” + +The voice was that of the youth who had jumped to the platform--a voice +so agreeable that, in spite of the words, it fell consolingly on Faxon’s +ears. At the same moment the wandering station-lantern, casting a +transient light on the speaker, showed his features to be in the +pleasantest harmony with his voice. He was very fair and very +young--hardly in the twenties, Faxon thought--but his face, though full +of a morning freshness, was a trifle too thin and fine-drawn, as though +a vivid spirit contended in him with a strain of physical weakness. +Faxon was perhaps the quicker to notice such delicacies of balance +because his own temperament hung on lightly quivering nerves, which yet, +as he believed, would never quite swing him beyond a normal sensibility. + +“You expected a sleigh from Weymore?” the newcomer continued, standing +beside Faxon like a slender column of fur. + +Mrs. Culme’s secretary explained his difficulty, and the other brushed +it aside with a contemptuous “Oh, _Mrs. Culme!_” that carried both +speakers a long way toward reciprocal understanding. + +“But then you must be--” The youth broke off with a smile of +interrogation. + +“The new secretary? Yes. But apparently there are no notes to be +answered this evening.” Faxon’s laugh deepened the sense of solidarity +which had so promptly established itself between the two. + +His friend laughed also. “Mrs. Culme,” he explained, “was lunching at my +uncle’s to-day, and she said you were due this evening. But seven hours +is a long time for Mrs. Culme to remember anything.” + +“Well,” said Faxon philosophically, “I suppose that’s one of the reasons +why she needs a secretary. And I’ve always the inn at Northridge,” he +concluded. + +“Oh, but you haven’t, though! It burned down last week.” + +“The deuce it did!” said Faxon; but the humour of the situation struck +him before its inconvenience. His life, for years past, had been mainly +a succession of resigned adaptations, and he had learned, before dealing +practically with his embarrassments, to extract from most of them a +small tribute of amusement. + +“Oh, well, there’s sure to be somebody in the place who can put me up.” + +“No one _you_ could put up with. Besides, Northridge is three miles off, +and our place--in the opposite direction--is a little nearer.” + Through the darkness, Faxon saw his friend sketch a gesture of +self-introduction. “My name’s Frank Rainer, and I’m staying with my +uncle at Overdale. I’ve driven over to meet two friends of his, who are +due in a few minutes from New York. If you don’t mind waiting till they +arrive I’m sure Overdale can do you better than Northridge. We’re only +down from town for a few days, but the house is always ready for a lot +of people.” + +“But your uncle--?” Faxon could only object, with the odd sense, through +his embarrassment, that it would be magically dispelled by his invisible +friend’s next words. + +“Oh, my uncle--you’ll see! I answer for _him!_ I daresay you’ve heard of +him--John Lavington?” + +John Lavington! There was a certain irony in asking if one had heard of +John Lavington! Even from a post of observation as obscure as that of +Mrs. Culme’s secretary the rumour of John Lavington’s money, of his +pictures, his politics, his charities and his hospitality, was as +difficult to escape as the roar of a cataract in a mountain solitude. +It might almost have been said that the one place in which one would +not have expected to come upon him was in just such a solitude as +now surrounded the speakers--at least in this deepest hour of its +desertedness. But it was just like Lavington’s brilliant ubiquity to put +one in the wrong even there. + +“Oh, yes, I’ve heard of your uncle.” + +“Then you _will_ come, won’t you? We’ve only five minutes to wait.” + young Rainer urged, in the tone that dispels scruples by ignoring them; +and Faxon found himself accepting the invitation as simply as it was +offered. + +A delay in the arrival of the New York train lengthened their five +minutes to fifteen; and as they paced the icy platform Faxon began to +see why it had seemed the most natural thing in the world to accede to +his new acquaintance’s suggestion. It was because Frank Rainer was +one of the privileged beings who simplify human intercourse by the +atmosphere of confidence and good humour they diffuse. He produced this +effect, Faxon noted, by the exercise of no gift but his youth, and of no +art but his sincerity; and these qualities were revealed in a smile of +such sweetness that Faxon felt, as never before, what Nature can achieve +when she deigns to match the face with the mind. + +He learned that the young man was the ward, and the only nephew, of John +Lavington, with whom he had made his home since the death of his mother, +the great man’s sister. Mr. Lavington, Rainer said, had been “a regular +brick” to him--“But then he is to every one, you know”--and the young +fellow’s situation seemed in fact to be perfectly in keeping with his +person. Apparently the only shade that had ever rested on him was cast +by the physical weakness which Faxon had already detected. Young Rainer +had been threatened with tuberculosis, and the disease was so far +advanced that, according to the highest authorities, banishment to +Arizona or New Mexico was inevitable. “But luckily my uncle didn’t pack +me off, as most people would have done, without getting another opinion. +Whose? Oh, an awfully clever chap, a young doctor with a lot of new +ideas, who simply laughed at my being sent away, and said I’d do +perfectly well in New York if I didn’t dine out too much, and if I +dashed off occasionally to Northridge for a little fresh air. So it’s +really my uncle’s doing that I’m not in exile--and I feel no end better +since the new chap told me I needn’t bother.” Young Rainer went on to +confess that he was extremely fond of dining out, dancing and similar +distractions; and Faxon, listening to him, was inclined to think that +the physician who had refused to cut him off altogether from these +pleasures was probably a better psychologist than his seniors. + +“All the same you ought to be careful, you know.” The sense of +elder-brotherly concern that forced the words from Faxon made him, as he +spoke, slip his arm through Frank Rainer ‘s. + +The latter met the movement with a responsive pressure. “Oh, I _am_: +awfully, awfully. And then my uncle has such an eye on me!” + +“But if your uncle has such an eye on you, what does he say to your +swallowing knives out here in this Siberian wild?” + +Rainer raised his fur collar with a careless gesture. “It’s not that +that does it--the cold’s good for me.” + +“And it’s not the dinners and dances? What is it, then?” Faxon +good-humouredly insisted; to which his companion answered with a laugh: +“Well, my uncle says it’s being bored; and I rather think he’s right!” + +His laugh ended in a spasm of coughing and a struggle for breath that +made Faxon, still holding his arm, guide him hastily into the shelter of +the fireless waiting-room. + +Young Rainer had dropped down on the bench against the wall and pulled +off one of his fur gloves to grope for a handkerchief. He tossed +aside his cap and drew the handkerchief across his forehead, which was +intensely white, and beaded with moisture, though his face retained +a healthy glow. But Faxon’s gaze remained fastened to the hand he had +uncovered: it was so long, so colourless, so wasted, so much older than +the brow he passed it over. + +“It’s queer--a healthy face but dying hands,” the secretary mused: he +somehow wished young Rainer had kept on his glove. + +The whistle of the express drew the young men to their feet, and the +next moment two heavily-furred gentlemen had descended to the platform +and were breasting the rigour of the night. Frank Rainer introduced them +as Mr. Grisben and Mr. Balch, and Faxon, while their luggage was +being lifted into the second sleigh, discerned them, by the roving +lantern-gleam, to be an elderly greyheaded pair, of the average +prosperous business cut. + +They saluted their host’s nephew with friendly familiarity, and Mr. +Grisben, who seemed the spokesman of the two, ended his greeting with a +genial--“and many many more of them, dear boy!” which suggested to Faxon +that their arrival coincided with an anniversary. But he could not press +the enquiry, for the seat allotted him was at the coachman’s side, while +Frank Rainer joined his uncle’s guests inside the sleigh. + +A swift flight (behind such horses as one could be sure of John +Lavington’s having) brought them to tall gateposts, an illuminated +lodge, and an avenue on which the snow had been levelled to the +smoothness of marble. At the end of the avenue the long house loomed up, +its principal bulk dark, but one wing sending out a ray of welcome; and +the next moment Faxon was receiving a violent impression of warmth and +light, of hot-house plants, hurrying servants, a vast spectacular oak +hall like a stage-setting, and, in its unreal middle distance, a small +figure, correctly dressed, conventionally featured, and utterly unlike +his rather florid conception of the great John Lavington. + +The surprise of the contrast remained with him through his hurried +dressing in the large luxurious bedroom to which he had been shown. +“I don’t see where he comes in,” was the only way he could put it, so +difficult was it to fit the exuberance of Lavington’s public personality +into his host’s contracted frame and manner. Mr. Laving ton, to whom +Faxon’s case had been rapidly explained by young Rainer, had welcomed +him with a sort of dry and stilted cordiality that exactly matched +his narrow face, his stiff hand, and the whiff of scent on his evening +handkerchief. “Make yourself at home--at home!” he had repeated, in a +tone that suggested, on his own part, a complete inability to perform +the feat he urged on his visitor. “Any friend of Frank’s... delighted... +make yourself thoroughly at home!” + + + + +II + +In spite of the balmy temperature and complicated conveniences of +Faxon’s bedroom, the injunction was not easy to obey. It was wonderful +luck to have found a night’s shelter under the opulent roof of Overdale, +and he tasted the physical satisfaction to the full. But the place, +for all its ingenuities of comfort, was oddly cold and unwelcoming. +He couldn’t have said why, and could only suppose that Mr. Lavington’s +intense personality--intensely negative, but intense all the same--must, +in some occult way, have penetrated every corner of his dwelling. +Perhaps, though, it was merely that Faxon himself was tired and hungry, +more deeply chilled than he had known till he came in from the cold, +and unutterably sick of all strange houses, and of the prospect of +perpetually treading other people’s stairs. + +“I hope you’re not famished?” Rainer’s slim figure was in the doorway. +“My uncle has a little business to attend to with Mr. Grisben, and we +don’t dine for half an hour. Shall I fetch you, or can you find your way +down? Come straight to the dining-room--the second door on the left of +the long gallery.” + +He disappeared, leaving a ray of warmth behind him, and Faxon, relieved, +lit a cigarette and sat down by the fire. + +Looking about with less haste, he was struck by a detail that had +escaped him. The room was full of flowers--a mere “bachelor’s room,” in +the wing of a house opened only for a few days, in the dead middle of +a New Hampshire winter! Flowers were everywhere, not in senseless +profusion, but placed with the same conscious art that he had remarked +in the grouping of the blossoming shrubs in the hall. A vase of arums +stood on the writing-table, a cluster of strange-hued carnations on +the stand at his elbow, and from bowls of glass and porcelain clumps of +freesia-bulbs diffused their melting fragrance. The fact implied acres +of glass--but that was the least interesting part of it. The flowers +themselves, their quality, selection and arrangement, attested on +some one’s part--and on whose but John Lavington’s?--a solicitous and +sensitive passion for that particular form of beauty. Well, it simply +made the man, as he had appeared to Faxon, all the harder to understand! + +The half-hour elapsed, and Faxon, rejoicing at the prospect of food, set +out to make his way to the dining-room. He had not noticed the direction +he had followed in going to his room, and was puzzled, when he left it, +to find that two staircases, of apparently equal importance, invited +him. He chose the one to his right, and reached, at its foot, a long +gallery such as Rainer had described. The gallery was empty, the doors +down its length were closed; but Rainer had said: “The second to the +left,” and Faxon, after pausing for some chance enlightenment which did +not come, laid his hand on the second knob to the left. + +The room he entered was square, with dusky picture-hung walls. In its +centre, about a table lit by veiled lamps, he fancied Mr. Lavington and +his guests to be already seated at dinner; then he perceived that the +table was covered not with viands but with papers, and that he had +blundered into what seemed to be his host’s study. As he paused Frank +Rainer looked up. + +“Oh, here’s Mr. Faxon. Why not ask him--?” + +Mr. Lavington, from the end of the table, reflected his nephew’s smile +in a glance of impartial benevolence. + +“Certainly. Come in, Mr. Faxon. If you won’t think it a liberty--” + +Mr. Grisben, who sat opposite his host, turned his head toward the door. +“Of course Mr. Faxon’s an American citizen?” + +Frank Rainer laughed. “That’s all right!... Oh, no, not one of your +pin-pointed pens, Uncle Jack! Haven’t you got a quill somewhere?” + +Mr. Balch, who spoke slowly and as if reluctantly, in a muffled voice of +which there seemed to be very little left, raised his hand to say: “One +moment: you acknowledge this to be--?” + +“My last will and testament?” Rainer’s laugh redoubled. “Well, I won’t +answer for the ‘last.’ It’s the first, anyway.” + +“It’s a mere formula,” Mr. Balch explained. + +“Well, here goes.” Rainer dipped his quill in the inkstand his uncle +had pushed in his direction, and dashed a gallant signature across the +document. + +Faxon, understanding what was expected of him, and conjecturing that the +young man was signing his will on the attainment of his majority, had +placed himself behind Mr. Grisben, and stood awaiting his turn to affix +his name to the instrument. Rainer, having signed, was about to push the +paper across the table to Mr. Balch; but the latter, again raising his +hand, said in his sad imprisoned voice: “The seal--?” + +“Oh, does there have to be a seal?” + +Faxon, looking over Mr. Grisben at John Lavington, saw a faint frown +between his impassive eyes. “Really, Frank!” He seemed, Faxon thought, +slightly irritated by his nephew’s frivolity. + +“Who’s got a seal?” Frank Rainer continued, glancing about the table. +“There doesn’t seem to be one here.” + +Mr. Grisben interposed. “A wafer will do. Lavington, you have a wafer?” + +Mr. Lavington had recovered his serenity. “There must be some in one +of the drawers. But I’m ashamed to say I don’t know where my secretary +keeps these things. He ought to have seen to it that a wafer was sent +with the document.” + +“Oh, hang it--” Frank Rainer pushed the paper aside: “It’s the hand of +God--and I’m as hungry as a wolf. Let’s dine first, Uncle Jack.” + +“I think I’ve a seal upstairs,” said Faxon. + +Mr. Lavington sent him a barely perceptible smile. “So sorry to give you +the trouble--” + +“Oh, I say, don’t send him after it now. Let’s wait till after dinner!” + +Mr. Lavington continued to smile on _his_ guest, and the latter, as +if under the faint coercion of the smile, turned from the room and +ran upstairs. Having taken the seal from his writing-case he came down +again, and once more opened the door of the study. No one was speaking +when he entered--they were evidently awaiting his return with the mute +impatience of hunger, and he put the seal in Rainer’s reach, and stood +watching while Mr. Grisben struck a match and held it to one of the +candles flanking the inkstand. As the wax descended on the paper Faxon +remarked again the strange emaciation, the premature physical weariness, +of the hand that held it: he wondered if Mr. Lavington had ever noticed +his nephew’s hand, and if it were not poignantly visible to him now. + +With this thought in his mind, Faxon raised his eyes to look at +Mr. Lavington. The great man’s gaze rested on Frank Rainer with an +expression of untroubled benevolence; and at the same instant Faxon’s +attention was attracted by the presence in the room of another person, +who must have joined the group while he was upstairs searching for the +seal. The new-comer was a man of about Mr. Lavington’s age and figure, +who stood just behind his chair, and who, at the moment when Faxon +first saw him, was gazing at young Rainer with an equal intensity of +attention. The likeness between the two men--perhaps increased by the +fact that the hooded lamps on the table left the figure behind the +chair in shadow--struck Faxon the more because of the contrast in their +expression. John Lavington, during his nephew’s clumsy attempt to +drop the wax and apply the seal, continued to fasten on him a look +of half-amused affection; while the man behind the chair, so oddly +reduplicating the lines of his features and figure, turned on the boy a +face of pale hostility. + +The impression was so startling that Faxon forgot what was going on +about him. He was just dimly aware of young Rainer’s exclaiming; “Your +turn, Mr. Grisben!” of Mr. Grisben’s protesting: “No--no; Mr. Faxon +first,” and of the pen’s being thereupon transferred to his own hand. +He received it with a deadly sense of being unable to move, or even to +understand what was expected of him, till he became conscious of Mr. +Grisben’s paternally pointing out the precise spot on which he was to +leave his autograph. The effort to fix his attention and steady his hand +prolonged the process of signing, and when he stood up--a strange weight +of fatigue on all his limbs--the figure behind Mr. Lavington’s chair was +gone. + +Faxon felt an immediate sense of relief. It was puzzling that the man’s +exit should have been so rapid and noiseless, but the door behind Mr. +Lavington was screened by a tapestry hanging, and Faxon concluded that +the unknown looker-on had merely had to raise it to pass out. At any +rate he was gone, and with his withdrawal the strange weight was lifted. +Young Rainer was lighting a cigarette, Mr. Balch inscribing his name +at the foot of the document, Mr. Lavington--his eyes no longer on his +nephew--examining a strange white-winged orchid in the vase at his +elbow. Every thing suddenly seemed to have grown natural and simple +again, and Faxon found himself responding with a smile to the affable +gesture with which his host declared: “And now, Mr. Faxon, we’ll dine.” + + + + +III + +“I wonder how I blundered into the wrong room just now; I thought you +told me to take the second door to the left,” Faxon said to Frank Rainer +as they followed the older men down the gallery. + +“So I did; but I probably forgot to tell you which staircase to take. +Coming from your bedroom, I ought to have said the fourth door to the +right. It’s a puzzling house, because my uncle keeps adding to it from +year to year. He built this room last summer for his modern pictures.” + +Young Rainer, pausing to open another door, touched an electric button +which sent a circle of light about the walls of a long room hung with +canvases of the French impressionist school. + +Faxon advanced, attracted by a shimmering Monet, but Rainer laid a hand +on his arm. + +“He bought that last week. But come along--I’ll show you all this after +dinner. Or _he_ will, rather--he loves it.” + +“Does he really love things?” + +Rainer stared, clearly perplexed at the question. “Rather! Flowers and +pictures especially! Haven’t you noticed the flowers? I suppose you +think his manner’s cold; it seems so at first; but he’s really awfully +keen about things.” + +Faxon looked quickly at the speaker. “Has your uncle a brother?” + +“Brother? No--never had. He and my mother were the only ones.” + +“Or any relation who--who looks like him? Who might be mistaken for +him?” + +“Not that I ever heard of. Does he remind you of some one?” + +“Yes.” + +“That’s queer. We’ll ask him if he’s got a double. Come on!” + +But another picture had arrested Faxon, and some minutes elapsed before +he and his young host reached the dining-room. It was a large room, +with the same conventionally handsome furniture and delicately grouped +flowers; and Faxon’s first glance showed him that only three men +were seated about the dining-table. The man who had stood behind Mr. +Lavington’s chair was not present, and no seat awaited him. + +When the young men entered, Mr. Grisben was speaking, and his host, who +faced the door, sat looking down at his untouched soup-plate and turning +the spoon about in his small dry hand. + +“It’s pretty late to call them rumours--they were devilish close to +facts when we left town this morning,” Mr. Grisben was saying, with an +unexpected incisiveness of tone. + +Mr. Lavington laid down his spoon and smiled interrogatively. “Oh, +facts--what _are_ facts? Just the way a thing happens to look at a given +minute....” + +“You haven’t heard anything from town?” Mr. Grisben persisted. + +“Not a syllable. So you see.... Balch, a little more of that _petite +marmite_. Mr. Faxon... between Frank and Mr. Grisben, please.” + +The dinner progressed through a series of complicated courses, +ceremoniously dispensed by a prelatical butler attended by three +tall footmen, and it was evident that Mr. Lavington took a certain +satisfaction in the pageant. That, Faxon reflected, was probably +the joint in his armour--that and the flowers. He had changed the +subject--not abruptly but firmly--when the young men entered, but +Faxon perceived that it still possessed the thoughts of the two elderly +visitors, and Mr. Balch presently observed, in a voice that seemed to +come from the last survivor down a mine-shaft: “If it _does_ come, it +will be the biggest crash since ‘93.” + +Mr. Lavington looked bored but polite. “Wall Street can stand crashes +better than it could then. It’s got a robuster constitution.” + +“Yes; but--” + +“Speaking of constitutions,” Mr. Grisben intervened: “Frank, are you +taking care of yourself?” + +A flush rose to young Rainer’s cheeks. + +“Why, of course! Isn’t that what I’m here for?” + +“You’re here about three days in the month, aren’t you? And the rest of +the time it’s crowded restaurants and hot ballrooms in town. I thought +you were to be shipped off to New Mexico?” + +“Oh, I’ve got a new man who says that’s rot.” + +“Well, you don’t look as if your new man were right,” said Mr. Grisben +bluntly. + +Faxon saw the lad’s colour fade, and the rings of shadow deepen under +his gay eyes. At the same moment his uncle turned to him with a renewed +intensity of attention. There was such solicitude in Mr. Lavington’s +gaze that it seemed almost to fling a shield between his nephew and Mr. +Grisben’s tactless scrutiny. + +“We think Frank’s a good deal better,” he began; “this new doctor--” + +The butler, coming up, bent to whisper a word in his ear, and the +communication caused a sudden change in Mr. Lavington’s expression. His +face was naturally so colourless that it seemed not so much to pale as +to fade, to dwindle and recede into something blurred and blotted-out. He +half rose, sat down again and sent a rigid smile about the table. + +“Will you excuse me? The telephone. Peters, go on with the dinner.” With +small precise steps he walked out of the door which one of the footmen +had thrown open. + +A momentary silence fell on the group; then Mr. Grisben once more +addressed himself to Rainer. “You ought to have gone, my boy; you ought +to have gone.” + +The anxious look returned to the youth’s eyes. “My uncle doesn’t think +so, really.” + +“You’re not a baby, to be always governed by your uncle’s opinion. You +came of age to-day, didn’t you? Your uncle spoils you.... that’s what’s +the matter....” + +The thrust evidently went home, for Rainer laughed and looked down with +a slight accession of colour. + +“But the doctor--” + +“Use your common sense, Frank! You had to try twenty doctors to find one +to tell you what you wanted to be told.” + +A look of apprehension overshadowed Rainer’, gaiety. “Oh, come--I +say!... What would _you_ do?” he stammered. + +“Pack up and jump on the first train.” Mr. Grisben leaned forward and +laid his hand kindly on the young man’s arm. “Look here: my nephew Jim +Grisben is out there ranching on a big scale. He’ll take you in and be +glad to have you. You say your new doctor thinks it won’t do you any +good; but he doesn’t pretend to say it will do you harm, does he? Well, +then--give it a trial. It’ll take you out of hot theatres and night +restaurants, anyhow.... And all the rest of it.... Eh, Balch?” + +“Go!” said Mr. Balch hollowly. “Go _at once_,” he added, as if a closer +look at the youth’s face had impressed on him the need of backing up his +friend. + +Young Rainer had turned ashy-pale. He tried to stiffen his mouth into a +smile. “Do I look as bad as all that?” + +Mr. Grisben was helping himself to terrapin. “You look like the day +after an earthquake,” he said. + +The terrapin had encircled the table, and been deliberately enjoyed by +Mr. Lavington’s three visitors (Rainer, Faxon noticed, left his plate +untouched) before the door was thrown open to re-admit their host. +Mr. Lavington advanced with an air of recovered composure. He seated +himself, picked up his napkin and consulted the gold-monogrammed menu. +“No, don’t bring back the filet.... Some terrapin; yes....” He looked +affably about the table. “Sorry to have deserted you, but the storm has +played the deuce with the wires, and I had to wait a long time before I +could get a good connection. It must be blowing up for a blizzard.” + +“Uncle Jack,” young Rainer broke out, “Mr. Grisben’s been lecturing me.” + +Mr. Lavington was helping himself to terrapin. “Ah--what about?” + +“He thinks I ought to have given New Mexico a show.” + +“I want him to go straight out to my nephew at Santa Paz and stay there +till his next birthday.” Mr. Lavington signed to the butler to hand the +terrapin to Mr. Grisben, who, as he took a second helping, addressed +himself again to Rainer. “Jim’s in New York now, and going back the day +after tomorrow in Olyphant’s private car. I’ll ask Olyphant to squeeze +you in if you’ll go. And when you’ve been out there a week or two, in +the saddle all day and sleeping nine hours a night, I suspect you won’t +think much of the doctor who prescribed New York.” + +Faxon spoke up, he knew not why. “I was out there once: it’s a splendid +life. I saw a fellow--oh, a really _bad_ case--who’d been simply made +over by it.” + +“It _does_ sound jolly,” Rainer laughed, a sudden eagerness in his tone. + +His uncle looked at him gently. “Perhaps Grisben’s right. It’s an +opportunity--” + +Faxon glanced up with a start: the figure dimly perceived in the study +was now more visibly and tangibly planted behind Mr. Lavington’s chair. + +“That’s right, Frank: you see your uncle approves. And the trip out +there with Olyphant isn’t a thing to be missed. So drop a few dozen +dinners and be at the Grand Central the day after tomorrow at five.” + +Mr. Grisben’s pleasant grey eye sought corroboration of his host, and +Faxon, in a cold anguish of suspense, continued to watch him as he +turned his glance on Mr. Lavington. One could not look at Lavington +without seeing the presence at his back, and it was clear that, the next +minute, some change in Mr. Grisben’s expression must give his watcher a +clue. + +But Mr. Grisben’s expression did not change: the gaze he fixed on his +host remained unperturbed, and the clue he gave was the startling one of +not seeming to see the other figure. + +Faxon’s first impulse was to look away, to look anywhere else, to resort +again to the champagne glass the watchful butler had already brimmed; +but some fatal attraction, at war in him with an overwhelming physical +resistance, held his eyes upon the spot they feared. + +The figure was still standing, more distinctly, and therefore more +resemblingly, at Mr. Lavington’s back; and while the latter continued +to gaze affectionately at his nephew, his counterpart, as before, fixed +young Rainer with eyes of deadly menace. + +Faxon, with what felt like an actual wrench of the muscles, dragged his +own eyes from the sight to scan the other countenances about the table; +but not one revealed the least consciousness of what he saw, and a sense +of mortal isolation sank upon him. + +“It’s worth considering, certainly--” he heard Mr. Lavington continue; +and as Rainer’s face lit up, the face behind his uncle’s chair seemed to +gather into its look all the fierce weariness of old unsatisfied hates. +That was the thing that, as the minutes laboured by, Faxon was becoming +most conscious of. The watcher behind the chair was no longer merely +malevolent: he had grown suddenly, unutterably tired. His hatred seemed +to well up out of the very depths of balked effort and thwarted hopes, +and the fact made him more pitiable, and yet more dire. + +Faxon’s look reverted to Mr. Lavington, as if to surprise in him a +corresponding change. At first none was visible: his pinched smile was +screwed to his blank face like a gas-light to a white-washed wall. Then +the fixity of the smile became ominous: Faxon saw that its wearer was +afraid to let it go. It was evident that Mr. Lavington was unutterably +tired too, and the discovery sent a colder current through Faxon’s +veins. Looking down at his untouched plate, he caught the soliciting +twinkle of the champagne glass; but the sight of the wine turned him +sick. + +“Well, we’ll go into the details presently,” he heard Mr. Lavington say, +still on the question of his nephew’s future. “Let’s have a cigar first. +No--not here, Peters.” He turned his smile on Faxon. “When we’ve had +coffee I want to show you my pictures.” + +“Oh, by the way, Uncle Jack--Mr. Faxon wants to know if you’ve got a +double?” + +“A double?” Mr. Lavington, still smiling, continued to address himself +to his guest. “Not that I know of. Have you seen one, Mr. Faxon?” + +Faxon thought: “My God, if I look up now they’ll _both_ be looking at +me!” To avoid raising his eyes he made as though to lift the glass to +his lips; but his hand sank inert, and he looked up. Mr. Lavington’s +glance was politely bent on him, but with a loosening of the strain +about his heart he saw that the figure behind the chair still kept its +gaze on Rainer. + +“Do you think you’ve seen my double, Mr. Faxon?” + +Would the other face turn if he said yes? Faxon felt a dryness in his +throat. “No,” he answered. + +“Ah? It’s possible I’ve a dozen. I believe I’m extremely usual-looking,” + Mr. Lavington went on conversationally; and still the other face watched +Rainer. + +“It was... a mistake... a confusion of memory....” Faxon heard himself +stammer. Mr. Lavington pushed back his chair, and as he did so Mr. +Grisben suddenly leaned forward. + +“Lavington! What have we been thinking of? We haven’t drunk Frank’s +health!” + +Mr. Lavington reseated himself. “My dear boy!... Peters, another +bottle....” He turned to his nephew. “After such a sin of omission I +don’t presume to propose the toast myself... but Frank knows.... Go +ahead, Grisben!” + +The boy shone on his uncle. “No, no, Uncle Jack! Mr. Grisben won’t mind. +Nobody but _you_--to-day!” + +The butler was replenishing the glasses. He filled Mr. Lavington’s last, +and Mr. Lavington put out his small hand to raise it.... As he did so, +Faxon looked away. + +“Well, then--All the good I’ve wished you in all the past years.... I +put it into the prayer that the coming ones may be healthy and happy and +many... and _many_, dear boy!” + +Faxon saw the hands about him reach out for their glasses. +Automatically, he reached for his. His eyes were still on the table, and +he repeated to himself with a trembling vehemence: “I won’t look up! I +won’t.... I won’t....” + +His fingers clasped the glass and raised it to the level of his lips. +He saw the other hands making the same motion. He heard Mr. Grisben’s +genial “Hear! Hear!” and Mr. Batch’s hollow echo. He said to himself, +as the rim of the glass touched his lips: “I won’t look up! I swear I +won’t!--” and he looked. + +The glass was so full that it required an extraordinary effort to hold +it there, brimming and suspended, during the awful interval before he +could trust his hand to lower it again, untouched, to the table. It was +this merciful preoccupation which saved him, kept him from crying out, +from losing his hold, from slipping down into the bottomless blackness +that gaped for him. As long as the problem of the glass engaged him he +felt able to keep his seat, manage his muscles, fit unnoticeably into +the group; but as the glass touched the table his last link with safety +snapped. He stood up and dashed out of the room. + + + + +IV + +In the gallery, the instinct of self-preservation helped him to turn +back and sign to young Rainer not to follow. He stammered out something +about a touch of dizziness, and joining them presently; and the boy +nodded sympathetically and drew back. + +At the foot of the stairs Faxon ran against a servant. “I should like to +telephone to Weymore,” he said with dry lips. + +“Sorry, sir; wires all down. We’ve been trying the last hour to get New +York again for Mr. Lavington.” + +Faxon shot on to his room, burst into it, and bolted the door. The +lamplight lay on furniture, flowers, books; in the ashes a log still +glimmered. He dropped down on the sofa and hid his face. The room was +profoundly silent, the whole house was still: nothing about him gave a +hint of what was going on, darkly and dumbly, in the room he had flown +from, and with the covering of his eyes oblivion and reassurance seemed +to fall on him. But they fell for a moment only; then his lids opened +again to the monstrous vision. There it was, stamped on his pupils, a +part of him forever, an indelible horror burnt into his body and brain. +But why into his--just his? Why had he alone been chosen to see what he +had seen? What business was it of _his_, in God’s name? Any one of the +others, thus enlightened, might have exposed the horror and defeated +it; but _he_, the one weaponless and defenceless spectator, the one whom +none of the others would believe or understand if he attempted to reveal +what he knew--_he_ alone had been singled out as the victim of this +dreadful initiation! + +Suddenly he sat up, listening: he had heard a step on the stairs. Some +one, no doubt, was coming to see how he was--to urge him, if he felt +better, to go down and join the smokers. Cautiously he opened his +door; yes, it was young Rainer’s step. Faxon looked down the passage, +remembered the other stairway and darted to it. All he wanted was to get +out of the house. Not another instant would he breathe its abominable +air! What business was it of _his_, in God’s name? + +He reached the opposite end of the lower gallery, and beyond it saw +the hall by which he had entered. It was empty, and on a long table he +recognized his coat and cap. He got into his coat, unbolted the door, +and plunged into the purifying night. + +The darkness was deep, and the cold so intense that for an instant +it stopped his breathing. Then he perceived that only a thin snow was +falling, and resolutely he set his face for flight. The trees along the +avenue marked his way as he hastened with long strides over the beaten +snow. Gradually, while he walked, the tumult in his brain subsided. The +impulse to fly still drove him forward, but he began feel that he was +flying from a terror of his own creating, and that the most urgent +reason for escape was the need of hiding his state, of shunning other +eyes till he should regain his balance. + +He had spent the long hours in the train in fruitless broodings on a +discouraging situation, and he remembered how his bitterness had turned +to exasperation when he found that the Weymore sleigh was not awaiting +him. It was absurd, of course; but, though he had joked with Rainer over +Mrs. Culme’s forgetfulness, to confess it had cost a pang. That was what +his rootless life had brought him to: for lack of a personal stake in +things his sensibility was at the mercy of such trifles.... Yes; that, +and the cold and fatigue, the absence of hope and the haunting sense of +starved aptitudes, all these had brought him to the perilous verge over +which, once or twice before, his terrified brain had hung. + +Why else, in the name of any imaginable logic, human or devilish, +should he, a stranger, be singled out for this experience? What could +it mean to him, how was he related to it, what bearing had it on his +case?... Unless, indeed, it was just because he was a stranger--a +stranger everywhere--because he had no personal life, no warm screen of +private egotisms to shield him from exposure, that he had developed this +abnormal sensitiveness to the vicissitudes of others. The thought pulled +him up with a shudder. No! Such a fate was too abominable; all that +was strong and sound in him rejected it. A thousand times better regard +himself as ill, disorganized, deluded, than as the predestined victim of +such warnings! + +He reached the gates and paused before the darkened lodge. The wind had +risen and was sweeping the snow into his race. The cold had him in its +grasp again, and he stood uncertain. Should he put his sanity to the +test and go back? He turned and looked down the dark drive to the house. +A single ray shone through the trees, evoking a picture of the lights, +the flowers, the faces grouped about that fatal room. He turned and +plunged out into the road.... + +He remembered that, about a mile from Overdale, the coachman had pointed +out the road to Northridge; and he began to walk in that direction. +Once in the road he had the gale in his face, and the wet snow on his +moustache and eye-lashes instantly hardened to ice. The same ice seemed +to be driving a million blades into his throat and lungs, but he pushed +on, the vision of the warm room pursuing him. + +The snow in the road was deep and uneven. He stumbled across ruts and +sank into drifts, and the wind drove against him like a granite cliff. +Now and then he stopped, gasping, as if an invisible hand had tightened +an iron band about his body; then he started again, stiffening himself +against the stealthy penetration of the cold. The snow continued to +descend out of a pall of inscrutable darkness, and once or twice he +paused, fearing he had missed the road to Northridge; but, seeing no +sign of a turn, he ploughed on. + +At last, feeling sure that he had walked for more than a mile, he halted +and looked back. The act of turning brought immediate relief, first +because it put his back to the wind, and then because, far down the +road, it showed him the gleam of a lantern. A sleigh was coming--a +sleigh that might perhaps give him a lift to the village! Fortified by +the hope, he began to walk back toward the light. It came forward very +slowly, with unaccountable sigsags and waverings; and even when he was +within a few yards of it he could catch no sound of sleigh-bells. Then +it paused and became stationary by the roadside, as though carried by +a pedestrian who had stopped, exhausted by the cold. The thought made +Faxon hasten on, and a moment later he was stooping over a motionless +figure huddled against the snow-bank. The lantern had dropped from its +bearer’s hand, and Faxon, fearfully raising it, threw its light into the +face of Frank Rainer. + +“Rainer! What on earth are you doing here?” + +The boy smiled back through his pallour. “What are _you_, I’d like to +know?” he retorted; and, scrambling to his feet with a clutch oh Faxon’s +arm, he added gaily: “Well, I’ve run you down!” + +Faxon stood confounded, his heart sinking. The lad’s face was grey. + +“What madness--” he began. + +“Yes, it _is_. What on earth did you do it for?” + +“I? Do what?... Why I.... I was just taking a walk.... I often walk at +night....” + +Frank Rainer burst into a laugh. “On such nights? Then you hadn’t +bolted?” + +“Bolted?” + +“Because I’d done something to offend you? My uncle thought you had.” + +Faxon grasped his arm. “Did your uncle send you after me?” + +“Well, he gave me an awful rowing for not going up to your room with +you when you said you were ill. And when we found you’d gone we were +frightened--and he was awfully upset--so I said I’d catch you.... You’re +_not_ ill, are you?” + +“Ill? No. Never better.” Faxon picked up the lantern. “Come; let’s go +back. It was awfully hot in that dining-room.” + +“Yes; I hoped it was only that.” + +They trudged on in silence for a few minutes; then Faxon questioned: +“You’re not too done up?” + +“Oh, no. It’s a lot easier with the wind behind us.” + +“All right. Don’t talk any more.” + +They pushed ahead, walking, in spite of the light that guided them, +more slowly than Faxon had walked alone into the gale. The fact of his +companion’s stumbling against a drift gave Faxon a pretext for saying: +“Take hold of my arm,” and Rainer obeying, gasped out: “I’m blown!” + +“So am I. Who wouldn’t be?” + +“What a dance you led me! If it hadn’t been for one of the servants +happening to see you--” + +“Yes; all right. And now, won’t you kindly shut up?” + +Rainer laughed and hung on him. “Oh, the cold doesn’t hurt me....” + +For the first few minutes after Rainer had overtaken him, anxiety +for the lad had been Faxon’s only thought. But as each labouring step +carried them nearer to the spot he had been fleeing, the reasons for his +flight grew more ominous and more insistent. No, he was not ill, he was +not distraught and deluded--he was the instrument singled out to warn +and save; and here he was, irresistibly driven, dragging the victim back +to his doom! + +The intensity of the conviction had almost checked his steps. But what +could he do or say? At all costs he must get Rainer out of the cold, +into the house and into his bed. After that he would act. + +The snow-fall was thickening, and as they reached a stretch of the road +between open fields the wind took them at an angle, lashing their faces +with barbed thongs. Rainer stopped to take breath, and Faxon felt the +heavier pressure of his arm. + +“When we get to the lodge, can’t we telephone to the stable for a +sleigh?” + +“If they’re not all asleep at the lodge.” + +“Oh, I’ll manage. Don’t talk!” Faxon ordered; and they plodded on.... + +At length the lantern ray showed ruts that curved away from the road +under tree-darkness. + +Faxon’s spirits rose. “There’s the gate! We’ll be there in five +minutes.” + +As he spoke he caught, above the boundary hedge, the gleam of a light at +the farther end of the dark avenue. It was the same light that had shone +on the scene of which every detail was burnt into his brain; and he felt +again its overpowering reality. No--he couldn’t let the boy go back! + +They were at the lodge at last, and Faxon was hammering on the door. He +said to himself: “I’ll get him inside first, and make them give him a +hot drink. Then I’ll see--I’ll find an argument....” + +There was no answer to his knocking, and after an interval Rainer said: +“Look here--we’d better go on.” + +“No!” + +“I can, perfectly--” + +“You sha’n’t go to the house, I say!” Faxon redoubled his blows, and +at length steps sounded on the stairs. Rainer was leaning against the +lintel, and as the door opened the light from the hall flashed on his +pale face and fixed eyes. Faxon caught him by the arm and drew him in. + +“It _was_ cold out there.” he sighed; and then, abruptly, as if +invisible shears at a single stroke had cut every muscle in his body, he +swerved, drooped on Faxon’s arm, and seemed to sink into nothing at his +feet. + +The lodge-keeper and Faxon bent over him, and somehow, between them, +lifted him into the kitchen and laid him on a sofa by the stove. + +The lodge-keeper, stammering: “I’ll ring up the house,” dashed out of +the room. But Faxon heard the words without heeding them: omens mattered +nothing now, beside this woe fulfilled. He knelt down to undo the fur +collar about Rainer’s throat, and as he did so he felt a warm moisture +on his hands. He held them up, and they were red.... + + + + +V + +The palms threaded their endless line along the yellow river. The little +steamer lay at the wharf, and George Faxon, sitting in the verandah of +the wooden hotel, idly watched the coolies carrying the freight across +the gang-plank. + +He had been looking at such scenes for two months. Nearly five had +elapsed since he had descended from the train at Northridge and strained +his eyes for the sleigh that was to take him to Weymore: Weymore, which +he was never to behold!... Part of the interval--the first part--was +still a great grey blur. Even now he could not be quite sure how he +had got back to Boston, reached the house of a cousin, and been thence +transferred to a quiet room looking out on snow under bare trees. He +looked out a long time at the same scene, and finally one day a man +he had known at Harvard came to see him and invited him to go out on a +business trip to the Malay Peninsula. + +“You’ve had a bad shake-up, and it’ll do you no end of good to get away +from things.” + +When the doctor came the next day it turned out that he knew of the plan +and approved it. “You ought to be quiet for a year. Just loaf and look +at the landscape,” he advised. + +Faxon felt the first faint stirrings of curiosity. + +“What’s been the matter with me, anyway?” + +“Well, over-work, I suppose. You must have been bottling up for a bad +breakdown before you started for New Hampshire last December. And the +shock of that poor boy’s death did the rest.” + +Ah, yes--Rainer had died. He remembered.... + +He started for the East, and gradually, by imperceptible degrees, life +crept back into his weary bones and leaden brain. His friend was patient +and considerate, and they travelled slowly and talked little. At first +Faxon had felt a great shrinking from whatever touched on familiar +things. He seldom looked at a newspaper and he never opened a letter +without a contraction of the heart. It was not that he had any special +cause for apprehension, but merely that a great trail of darkness lay on +everything. He had looked too deep down into the abyss.... But little +by little health and energy returned to him, and with them the common +promptings of curiosity. He was beginning to wonder how the world was +going, and when, presently, the hotel-keeper told him there were no +letters for him in the steamer’s mail-bag, he felt a distinct sense of +disappointment. His friend had gone into the jungle on a long excursion, +and he was lonely, unoccupied and wholesomely bored. He got up and +strolled into the stuffy reading-room. + +There he found a game of dominoes, a mutilated picture-puzzle, some +copies of _Zion’s Herald_ and a pile of New York and London newspapers. + +He began to glance through the papers, and was disappointed to find that +they were less recent than he had hoped. Evidently the last numbers had +been carried off by luckier travellers. He continued to turn them over, +picking out the American ones first. These, as it happened, were the +oldest: they dated back to December and January. To Faxon, however, they +had all the flavour of novelty, since they covered the precise period +during which he had virtually ceased to exist. It had never before +occurred to him to wonder what had happened in the world during that +interval of obliteration; but now he felt a sudden desire to know. + +To prolong the pleasure, he began by sorting the papers chronologically, +and as he found and spread out the earliest number, the date at the top +of the page entered into his consciousness like a key slipping into a +lock. It was the seventeenth of December: the date of the day after his +arrival at Northridge. He glanced at the first page and read in blazing +characters: “Reported Failure of Opal Cement Company. Lavington’s name +involved. Gigantic Exposure of Corruption Shakes Wall Street to Its +Foundations.” + +He read on, and when he had finished the first paper he turned to the +next. There was a gap of three days, but the Opal Cement “Investigation” + still held the centre of the stage. From its complex revelations of +greed and ruin his eye wandered to the death notices, and he read: +“Rainer. Suddenly, at Northridge, New Hampshire, Francis John, only son +of the late....” + +His eyes clouded, and he dropped the newspaper and sat for a long time +with his face in his hands. When he looked up again he noticed that his +gesture had pushed the other papers from the table and scattered them at +his feet. The uppermost lay spread out before him, and heavily his eyes +began their search again. “John Lavington comes forward with plan for +reconstructing Company. Offers to put in ten millions of his own--The +proposal under consideration by the District Attorney.” + +Ten millions... ten millions of his own. But if John Lavington was +ruined?... Faxon stood up with a cry. That was it, then--that was what +the warning meant! And if he had not fled from it, dashed wildly away +from it into the night, he might have broken the spell of iniquity, the +powers of darkness might not have prevailed! He caught up the pile of +newspapers and began to glance through each in turn for the head-line: +“Wills Admitted to Probate.” In the last of all he found the paragraph +he sought, and it stared up at him as if with Rainer’s dying eyes. + +That--_that_ was what he had done! The powers of pity had singled him +out to warn and save, and he had closed his ears to their call, and +washed his hands of it, and fled. Washed his hands of it! That was +the word. It caught him back to the dreadful moment in the lodge when, +raising himself up from Rainer’s side, he had looked at his hands and +seen that they were red.... + + + + + +End of the Project Gutenberg EBook of The Triumph Of Night, by Edith Wharton + +*** END OF THIS PROJECT GUTENBERG EBOOK THE TRIUMPH OF NIGHT *** + +***** This file should be named 24351-0.txt or 24351-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/4/3/5/24351/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/24351-0.zip b/24351-0.zip Binary files differnew file mode 100644 index 0000000..93900f9 --- /dev/null +++ b/24351-0.zip diff --git a/24351-h.zip b/24351-h.zip Binary files differnew file mode 100644 index 0000000..31100c7 --- /dev/null +++ b/24351-h.zip diff --git a/24351-h/24351-h.htm b/24351-h/24351-h.htm new file mode 100644 index 0000000..1b8896e --- /dev/null +++ b/24351-h/24351-h.htm @@ -0,0 +1,1774 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + The Triumph of Night, by Edith Wharton + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Triumph Of Night, by Edith Wharton + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Triumph Of Night + 1916 + +Author: Edith Wharton + +Release Date: January 17, 2008 [EBook #24351] +[Last updated: August 30, 2017] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE TRIUMPH OF NIGHT *** + + + + +Produced by David Widger + + + + + +</pre> + <p> + <br /><br /> + </p> + <h1> + THE TRIUMPH OF NIGHT + </h1> + <h2> + By Edith Wharton <br /><br /> Copyright, 1916, By Charles Scribner’s Sons + </h2> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h2> + Contents + </h2> + <table summary="" style="margin-right: auto; margin-left: auto"> + <tr> + <td> + <p class="toc"> + <a href="#link2H_4_0001"> I </a> + </p> + <p class="toc"> + <a href="#link2H_4_0002"> II </a> + </p> + <p class="toc"> + <a href="#link2H_4_0003"> III </a> + </p> + <p class="toc"> + <a href="#link2H_4_0004"> IV </a> + </p> + <p class="toc"> + <a href="#link2H_4_0005"> V </a> + </p> + </td> + </tr> + </table> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + I + </h2> + <p> + It was clear that the sleigh from Weymore had not come; and the shivering + young traveller from Boston, who had counted on jumping into it when he + left the train at Northridge Junction, found himself standing alone on the + open platform, exposed to the full assault of night-fall and winter. + </p> + <p> + The blast that swept him came off New Hampshire snow-fields and ice-hung + forests. It seemed to have traversed interminable leagues of frozen + silence, filling them with the same cold roar and sharpening its edge + against the same bitter black-and-white landscape. Dark, searching and + sword-like, it alternately muffled and harried its victim, like a + bull-fighter now whirling his cloak and now planting his darts. This + analogy brought home to the young man the fact that he himself had no + cloak, and that the overcoat in which he had faced the relatively + temperate air of Boston seemed no thicker than a sheet of paper on the + bleak heights of Northridge. George Faxon said to himself that the place + was uncommonly well-named. It clung to an exposed ledge over the valley + from which the train had lifted him, and the wind combed it with teeth of + steel that he seemed actually to hear scraping against the wooden sides of + the station. Other building there was none: the village lay far down the + road, and thither—since the Weymore sleigh had not come—Faxon + saw himself under the necessity of plodding through several feet of snow. + </p> + <p> + He understood well enough what had happened: his hostess had forgotten + that he was coming. Young as Faxon was, this sad lucidity of soul had been + acquired as the result of long experience, and he knew that the visitors + who can least afford to hire a carriage are almost always those whom their + hosts forget to send for. Yet to say that Mrs. Culme had forgotten him was + too crude a way of putting it Similar incidents led him to think that she + had probably told her maid to tell the butler to telephone the coachman to + tell one of the grooms (if no one else needed him) to drive over to + Northridge to fetch the new secretary; but on a night like this, what + groom who respected his rights would fail to forget the order? + </p> + <p> + Faxon’s obvious course was to struggle through the drifts to the village, + and there rout out a sleigh to convey him to Weymore; but what if, on his + arrival at Mrs. Culme’s, no one remembered to ask him what this devotion + to duty had cost? That, again, was one of the contingencies he had + expensively learned to look out for, and the perspicacity so acquired told + him it would be cheaper to spend the night at the Northridge inn, and + advise Mrs. Culme of his presence there by telephone. He had reached this + decision, and was about to entrust his luggage to a vague man with a + lantern, when his hopes were raised by the sound of bells. + </p> + <p> + Two sleighs were just dashing up to the station, and from the foremost + there sprang a young man muffled in furs. + </p> + <p> + “Weymore?—No, these are not the Weymore sleighs.” + </p> + <p> + The voice was that of the youth who had jumped to the platform—a + voice so agreeable that, in spite of the words, it fell consolingly on + Faxon’s ears. At the same moment the wandering station-lantern, casting a + transient light on the speaker, showed his features to be in the + pleasantest harmony with his voice. He was very fair and very young—hardly + in the twenties, Faxon thought—but his face, though full of a + morning freshness, was a trifle too thin and fine-drawn, as though a vivid + spirit contended in him with a strain of physical weakness. Faxon was + perhaps the quicker to notice such delicacies of balance because his own + temperament hung on lightly quivering nerves, which yet, as he believed, + would never quite swing him beyond a normal sensibility. + </p> + <p> + “You expected a sleigh from Weymore?” the newcomer continued, standing + beside Faxon like a slender column of fur. + </p> + <p> + Mrs. Culme’s secretary explained his difficulty, and the other brushed it + aside with a contemptuous “Oh, <i>Mrs. Culme!</i>” that carried both + speakers a long way toward reciprocal understanding. + </p> + <p> + “But then you must be—” The youth broke off with a smile of + interrogation. + </p> + <p> + “The new secretary? Yes. But apparently there are no notes to be answered + this evening.” Faxon’s laugh deepened the sense of solidarity which had so + promptly established itself between the two. + </p> + <p> + His friend laughed also. “Mrs. Culme,” he explained, “was lunching at my + uncle’s to-day, and she said you were due this evening. But seven hours is + a long time for Mrs. Culme to remember anything.” + </p> + <p> + “Well,” said Faxon philosophically, “I suppose that’s one of the reasons + why she needs a secretary. And I’ve always the inn at Northridge,” he + concluded. + </p> + <p> + “Oh, but you haven’t, though! It burned down last week.” + </p> + <p> + “The deuce it did!” said Faxon; but the humour of the situation struck him + before its inconvenience. His life, for years past, had been mainly a + succession of resigned adaptations, and he had learned, before dealing + practically with his embarrassments, to extract from most of them a small + tribute of amusement. + </p> + <p> + “Oh, well, there’s sure to be somebody in the place who can put me up.” + </p> + <p> + “No one <i>you</i> could put up with. Besides, Northridge is three miles + off, and our place—in the opposite direction—is a little + nearer.” Through the darkness, Faxon saw his friend sketch a gesture of + self-introduction. “My name’s Frank Rainer, and I’m staying with my uncle + at Overdale. I’ve driven over to meet two friends of his, who are due in a + few minutes from New York. If you don’t mind waiting till they arrive I’m + sure Overdale can do you better than Northridge. We’re only down from town + for a few days, but the house is always ready for a lot of people.” + </p> + <p> + “But your uncle—?” Faxon could only object, with the odd sense, + through his embarrassment, that it would be magically dispelled by his + invisible friend’s next words. + </p> + <p> + “Oh, my uncle—you’ll see! I answer for <i>him!</i> I daresay you’ve + heard of him—John Lavington?” + </p> + <p> + John Lavington! There was a certain irony in asking if one had heard of + John Lavington! Even from a post of observation as obscure as that of Mrs. + Culme’s secretary the rumour of John Lavington’s money, of his pictures, + his politics, his charities and his hospitality, was as difficult to + escape as the roar of a cataract in a mountain solitude. It might almost + have been said that the one place in which one would not have expected to + come upon him was in just such a solitude as now surrounded the speakers—at + least in this deepest hour of its desertedness. But it was just like + Lavington’s brilliant ubiquity to put one in the wrong even there. + </p> + <p> + “Oh, yes, I’ve heard of your uncle.” + </p> + <p> + “Then you <i>will</i> come, won’t you? We’ve only five minutes to wait.” + young Rainer urged, in the tone that dispels scruples by ignoring them; + and Faxon found himself accepting the invitation as simply as it was + offered. + </p> + <p> + A delay in the arrival of the New York train lengthened their five minutes + to fifteen; and as they paced the icy platform Faxon began to see why it + had seemed the most natural thing in the world to accede to his new + acquaintance’s suggestion. It was because Frank Rainer was one of the + privileged beings who simplify human intercourse by the atmosphere of + confidence and good humour they diffuse. He produced this effect, Faxon + noted, by the exercise of no gift but his youth, and of no art but his + sincerity; and these qualities were revealed in a smile of such sweetness + that Faxon felt, as never before, what Nature can achieve when she deigns + to match the face with the mind. + </p> + <p> + He learned that the young man was the ward, and the only nephew, of John + Lavington, with whom he had made his home since the death of his mother, + the great man’s sister. Mr. Lavington, Rainer said, had been “a regular + brick” to him—“But then he is to every one, you know”—and the + young fellow’s situation seemed in fact to be perfectly in keeping with + his person. Apparently the only shade that had ever rested on him was cast + by the physical weakness which Faxon had already detected. Young Rainer + had been threatened with tuberculosis, and the disease was so far advanced + that, according to the highest authorities, banishment to Arizona or New + Mexico was inevitable. “But luckily my uncle didn’t pack me off, as most + people would have done, without getting another opinion. Whose? Oh, an + awfully clever chap, a young doctor with a lot of new ideas, who simply + laughed at my being sent away, and said I’d do perfectly well in New York + if I didn’t dine out too much, and if I dashed off occasionally to + Northridge for a little fresh air. So it’s really my uncle’s doing that + I’m not in exile—and I feel no end better since the new chap told me + I needn’t bother.” Young Rainer went on to confess that he was extremely + fond of dining out, dancing and similar distractions; and Faxon, listening + to him, was inclined to think that the physician who had refused to cut + him off altogether from these pleasures was probably a better psychologist + than his seniors. + </p> + <p> + “All the same you ought to be careful, you know.” The sense of + elder-brotherly concern that forced the words from Faxon made him, as he + spoke, slip his arm through Frank Rainer ‘s. + </p> + <p> + The latter met the movement with a responsive pressure. “Oh, I <i>am</i>: + awfully, awfully. And then my uncle has such an eye on me!” + </p> + <p> + “But if your uncle has such an eye on you, what does he say to your + swallowing knives out here in this Siberian wild?” + </p> + <p> + Rainer raised his fur collar with a careless gesture. “It’s not that that + does it—the cold’s good for me.” + </p> + <p> + “And it’s not the dinners and dances? What is it, then?” Faxon + good-humouredly insisted; to which his companion answered with a laugh: + “Well, my uncle says it’s being bored; and I rather think he’s right!” + </p> + <p> + His laugh ended in a spasm of coughing and a struggle for breath that made + Faxon, still holding his arm, guide him hastily into the shelter of the + fireless waiting-room. + </p> + <p> + Young Rainer had dropped down on the bench against the wall and pulled off + one of his fur gloves to grope for a handkerchief. He tossed aside his cap + and drew the handkerchief across his forehead, which was intensely white, + and beaded with moisture, though his face retained a healthy glow. But + Faxon’s gaze remained fastened to the hand he had uncovered: it was so + long, so colourless, so wasted, so much older than the brow he passed it + over. + </p> + <p> + “It’s queer—a healthy face but dying hands,” the secretary mused: he + somehow wished young Rainer had kept on his glove. + </p> + <p> + The whistle of the express drew the young men to their feet, and the next + moment two heavily-furred gentlemen had descended to the platform and were + breasting the rigour of the night. Frank Rainer introduced them as Mr. + Grisben and Mr. Balch, and Faxon, while their luggage was being lifted + into the second sleigh, discerned them, by the roving lantern-gleam, to be + an elderly greyheaded pair, of the average prosperous business cut. + </p> + <p> + They saluted their host’s nephew with friendly familiarity, and Mr. + Grisben, who seemed the spokesman of the two, ended his greeting with a + genial—“and many many more of them, dear boy!” which suggested to + Faxon that their arrival coincided with an anniversary. But he could not + press the enquiry, for the seat allotted him was at the coachman’s side, + while Frank Rainer joined his uncle’s guests inside the sleigh. + </p> + <p> + A swift flight (behind such horses as one could be sure of John + Lavington’s having) brought them to tall gateposts, an illuminated lodge, + and an avenue on which the snow had been levelled to the smoothness of + marble. At the end of the avenue the long house loomed up, its principal + bulk dark, but one wing sending out a ray of welcome; and the next moment + Faxon was receiving a violent impression of warmth and light, of hot-house + plants, hurrying servants, a vast spectacular oak hall like a + stage-setting, and, in its unreal middle distance, a small figure, + correctly dressed, conventionally featured, and utterly unlike his rather + florid conception of the great John Lavington. + </p> + <p> + The surprise of the contrast remained with him through his hurried + dressing in the large luxurious bedroom to which he had been shown. “I + don’t see where he comes in,” was the only way he could put it, so + difficult was it to fit the exuberance of Lavington’s public personality + into his host’s contracted frame and manner. Mr. Laving ton, to whom + Faxon’s case had been rapidly explained by young Rainer, had welcomed him + with a sort of dry and stilted cordiality that exactly matched his narrow + face, his stiff hand, and the whiff of scent on his evening handkerchief. + “Make yourself at home—at home!” he had repeated, in a tone that + suggested, on his own part, a complete inability to perform the feat he + urged on his visitor. “Any friend of Frank’s... delighted... make yourself + thoroughly at home!” + </p> + <p> + <a name="link2H_4_0002" id="link2H_4_0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + II + </h2> + <p> + In spite of the balmy temperature and complicated conveniences of Faxon’s + bedroom, the injunction was not easy to obey. It was wonderful luck to + have found a night’s shelter under the opulent roof of Overdale, and he + tasted the physical satisfaction to the full. But the place, for all its + ingenuities of comfort, was oddly cold and unwelcoming. He couldn’t have + said why, and could only suppose that Mr. Lavington’s intense personality—intensely + negative, but intense all the same—must, in some occult way, have + penetrated every corner of his dwelling. Perhaps, though, it was merely + that Faxon himself was tired and hungry, more deeply chilled than he had + known till he came in from the cold, and unutterably sick of all strange + houses, and of the prospect of perpetually treading other people’s stairs. + </p> + <p> + “I hope you’re not famished?” Rainer’s slim figure was in the doorway. “My + uncle has a little business to attend to with Mr. Grisben, and we don’t + dine for half an hour. Shall I fetch you, or can you find your way down? + Come straight to the dining-room—the second door on the left of the + long gallery.” + </p> + <p> + He disappeared, leaving a ray of warmth behind him, and Faxon, relieved, + lit a cigarette and sat down by the fire. + </p> + <p> + Looking about with less haste, he was struck by a detail that had escaped + him. The room was full of flowers—a mere “bachelor’s room,” in the + wing of a house opened only for a few days, in the dead middle of a New + Hampshire winter! Flowers were everywhere, not in senseless profusion, but + placed with the same conscious art that he had remarked in the grouping of + the blossoming shrubs in the hall. A vase of arums stood on the + writing-table, a cluster of strange-hued carnations on the stand at his + elbow, and from bowls of glass and porcelain clumps of freesia-bulbs + diffused their melting fragrance. The fact implied acres of glass—but + that was the least interesting part of it. The flowers themselves, their + quality, selection and arrangement, attested on some one’s part—and + on whose but John Lavington’s?—a solicitous and sensitive passion + for that particular form of beauty. Well, it simply made the man, as he + had appeared to Faxon, all the harder to understand! + </p> + <p> + The half-hour elapsed, and Faxon, rejoicing at the prospect of food, set + out to make his way to the dining-room. He had not noticed the direction + he had followed in going to his room, and was puzzled, when he left it, to + find that two staircases, of apparently equal importance, invited him. He + chose the one to his right, and reached, at its foot, a long gallery such + as Rainer had described. The gallery was empty, the doors down its length + were closed; but Rainer had said: “The second to the left,” and Faxon, + after pausing for some chance enlightenment which did not come, laid his + hand on the second knob to the left. + </p> + <p> + The room he entered was square, with dusky picture-hung walls. In its + centre, about a table lit by veiled lamps, he fancied Mr. Lavington and + his guests to be already seated at dinner; then he perceived that the + table was covered not with viands but with papers, and that he had + blundered into what seemed to be his host’s study. As he paused Frank + Rainer looked up. + </p> + <p> + “Oh, here’s Mr. Faxon. Why not ask him—?” + </p> + <p> + Mr. Lavington, from the end of the table, reflected his nephew’s smile in + a glance of impartial benevolence. + </p> + <p> + “Certainly. Come in, Mr. Faxon. If you won’t think it a liberty—” + </p> + <p> + Mr. Grisben, who sat opposite his host, turned his head toward the door. + “Of course Mr. Faxon’s an American citizen?” + </p> + <p> + Frank Rainer laughed. “That’s all right!... Oh, no, not one of your + pin-pointed pens, Uncle Jack! Haven’t you got a quill somewhere?” + </p> + <p> + Mr. Balch, who spoke slowly and as if reluctantly, in a muffled voice of + which there seemed to be very little left, raised his hand to say: “One + moment: you acknowledge this to be—?” + </p> + <p> + “My last will and testament?” Rainer’s laugh redoubled. “Well, I won’t + answer for the ‘last.’ It’s the first, anyway.” + </p> + <p> + “It’s a mere formula,” Mr. Balch explained. + </p> + <p> + “Well, here goes.” Rainer dipped his quill in the inkstand his uncle had + pushed in his direction, and dashed a gallant signature across the + document. + </p> + <p> + Faxon, understanding what was expected of him, and conjecturing that the + young man was signing his will on the attainment of his majority, had + placed himself behind Mr. Grisben, and stood awaiting his turn to affix + his name to the instrument. Rainer, having signed, was about to push the + paper across the table to Mr. Balch; but the latter, again raising his + hand, said in his sad imprisoned voice: “The seal—?” + </p> + <p> + “Oh, does there have to be a seal?” + </p> + <p> + Faxon, looking over Mr. Grisben at John Lavington, saw a faint frown + between his impassive eyes. “Really, Frank!” He seemed, Faxon thought, + slightly irritated by his nephew’s frivolity. + </p> + <p> + “Who’s got a seal?” Frank Rainer continued, glancing about the table. + “There doesn’t seem to be one here.” + </p> + <p> + Mr. Grisben interposed. “A wafer will do. Lavington, you have a wafer?” + </p> + <p> + Mr. Lavington had recovered his serenity. “There must be some in one of + the drawers. But I’m ashamed to say I don’t know where my secretary keeps + these things. He ought to have seen to it that a wafer was sent with the + document.” + </p> + <p> + “Oh, hang it—” Frank Rainer pushed the paper aside: “It’s the hand + of God—and I’m as hungry as a wolf. Let’s dine first, Uncle Jack.” + </p> + <p> + “I think I’ve a seal upstairs,” said Faxon. + </p> + <p> + Mr. Lavington sent him a barely perceptible smile. “So sorry to give you + the trouble—” + </p> + <p> + “Oh, I say, don’t send him after it now. Let’s wait till after dinner!” + </p> + <p> + Mr. Lavington continued to smile on <i>his</i> guest, and the latter, as + if under the faint coercion of the smile, turned from the room and ran + upstairs. Having taken the seal from his writing-case he came down again, + and once more opened the door of the study. No one was speaking when he + entered—they were evidently awaiting his return with the mute + impatience of hunger, and he put the seal in Rainer’s reach, and stood + watching while Mr. Grisben struck a match and held it to one of the + candles flanking the inkstand. As the wax descended on the paper Faxon + remarked again the strange emaciation, the premature physical weariness, + of the hand that held it: he wondered if Mr. Lavington had ever noticed + his nephew’s hand, and if it were not poignantly visible to him now. + </p> + <p> + With this thought in his mind, Faxon raised his eyes to look at Mr. + Lavington. The great man’s gaze rested on Frank Rainer with an expression + of untroubled benevolence; and at the same instant Faxon’s attention was + attracted by the presence in the room of another person, who must have + joined the group while he was upstairs searching for the seal. The + new-comer was a man of about Mr. Lavington’s age and figure, who stood + just behind his chair, and who, at the moment when Faxon first saw him, + was gazing at young Rainer with an equal intensity of attention. The + likeness between the two men—perhaps increased by the fact that the + hooded lamps on the table left the figure behind the chair in shadow—struck + Faxon the more because of the contrast in their expression. John + Lavington, during his nephew’s clumsy attempt to drop the wax and apply + the seal, continued to fasten on him a look of half-amused affection; + while the man behind the chair, so oddly reduplicating the lines of his + features and figure, turned on the boy a face of pale hostility. + </p> + <p> + The impression was so startling that Faxon forgot what was going on about + him. He was just dimly aware of young Rainer’s exclaiming; “Your turn, Mr. + Grisben!” of Mr. Grisben’s protesting: “No—no; Mr. Faxon first,” and + of the pen’s being thereupon transferred to his own hand. He received it + with a deadly sense of being unable to move, or even to understand what + was expected of him, till he became conscious of Mr. Grisben’s paternally + pointing out the precise spot on which he was to leave his autograph. The + effort to fix his attention and steady his hand prolonged the process of + signing, and when he stood up—a strange weight of fatigue on all his + limbs—the figure behind Mr. Lavington’s chair was gone. + </p> + <p> + Faxon felt an immediate sense of relief. It was puzzling that the man’s + exit should have been so rapid and noiseless, but the door behind Mr. + Lavington was screened by a tapestry hanging, and Faxon concluded that the + unknown looker-on had merely had to raise it to pass out. At any rate he + was gone, and with his withdrawal the strange weight was lifted. Young + Rainer was lighting a cigarette, Mr. Balch inscribing his name at the foot + of the document, Mr. Lavington—his eyes no longer on his nephew—examining + a strange white-winged orchid in the vase at his elbow. Every thing + suddenly seemed to have grown natural and simple again, and Faxon found + himself responding with a smile to the affable gesture with which his host + declared: “And now, Mr. Faxon, we’ll dine.” + </p> + <p> + <a name="link2H_4_0003" id="link2H_4_0003"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + III + </h2> + <p> + “I wonder how I blundered into the wrong room just now; I thought you told + me to take the second door to the left,” Faxon said to Frank Rainer as + they followed the older men down the gallery. + </p> + <p> + “So I did; but I probably forgot to tell you which staircase to take. + Coming from your bedroom, I ought to have said the fourth door to the + right. It’s a puzzling house, because my uncle keeps adding to it from + year to year. He built this room last summer for his modern pictures.” + </p> + <p> + Young Rainer, pausing to open another door, touched an electric button + which sent a circle of light about the walls of a long room hung with + canvases of the French impressionist school. + </p> + <p> + Faxon advanced, attracted by a shimmering Monet, but Rainer laid a hand on + his arm. + </p> + <p> + “He bought that last week. But come along—I’ll show you all this + after dinner. Or <i>he</i> will, rather—he loves it.” + </p> + <p> + “Does he really love things?” + </p> + <p> + Rainer stared, clearly perplexed at the question. “Rather! Flowers and + pictures especially! Haven’t you noticed the flowers? I suppose you think + his manner’s cold; it seems so at first; but he’s really awfully keen + about things.” + </p> + <p> + Faxon looked quickly at the speaker. “Has your uncle a brother?” + </p> + <p> + “Brother? No—never had. He and my mother were the only ones.” + </p> + <p> + “Or any relation who—who looks like him? Who might be mistaken for + him?” + </p> + <p> + “Not that I ever heard of. Does he remind you of some one?” + </p> + <p> + “Yes.” + </p> + <p> + “That’s queer. We’ll ask him if he’s got a double. Come on!” + </p> + <p> + But another picture had arrested Faxon, and some minutes elapsed before he + and his young host reached the dining-room. It was a large room, with the + same conventionally handsome furniture and delicately grouped flowers; and + Faxon’s first glance showed him that only three men were seated about the + dining-table. The man who had stood behind Mr. Lavington’s chair was not + present, and no seat awaited him. + </p> + <p> + When the young men entered, Mr. Grisben was speaking, and his host, who + faced the door, sat looking down at his untouched soup-plate and turning + the spoon about in his small dry hand. + </p> + <p> + “It’s pretty late to call them rumours—they were devilish close to + facts when we left town this morning,” Mr. Grisben was saying, with an + unexpected incisiveness of tone. + </p> + <p> + Mr. Lavington laid down his spoon and smiled interrogatively. “Oh, facts—what + <i>are</i> facts? Just the way a thing happens to look at a given + minute....” + </p> + <p> + “You haven’t heard anything from town?” Mr. Grisben persisted. + </p> + <p> + “Not a syllable. So you see.... Balch, a little more of that <i>petite + marmite</i>. Mr. Faxon... between Frank and Mr. Grisben, please.” + </p> + <p> + The dinner progressed through a series of complicated courses, + ceremoniously dispensed by a prelatical butler attended by three tall + footmen, and it was evident that Mr. Lavington took a certain satisfaction + in the pageant. That, Faxon reflected, was probably the joint in his + armour—that and the flowers. He had changed the subject—not + abruptly but firmly—when the young men entered, but Faxon perceived + that it still possessed the thoughts of the two elderly visitors, and Mr. + Balch presently observed, in a voice that seemed to come from the last + survivor down a mine-shaft: “If it <i>does</i> come, it will be the + biggest crash since ‘93.” + </p> + <p> + Mr. Lavington looked bored but polite. “Wall Street can stand crashes + better than it could then. It’s got a robuster constitution.” + </p> + <p> + “Yes; but—” + </p> + <p> + “Speaking of constitutions,” Mr. Grisben intervened: “Frank, are you + taking care of yourself?” + </p> + <p> + A flush rose to young Rainer’s cheeks. + </p> + <p> + “Why, of course! Isn’t that what I’m here for?” + </p> + <p> + “You’re here about three days in the month, aren’t you? And the rest of + the time it’s crowded restaurants and hot ballrooms in town. I thought you + were to be shipped off to New Mexico?” + </p> + <p> + “Oh, I’ve got a new man who says that’s rot.” + </p> + <p> + “Well, you don’t look as if your new man were right,” said Mr. Grisben + bluntly. + </p> + <p> + Faxon saw the lad’s colour fade, and the rings of shadow deepen under his + gay eyes. At the same moment his uncle turned to him with a renewed + intensity of attention. There was such solicitude in Mr. Lavington’s gaze + that it seemed almost to fling a shield between his nephew and Mr. + Grisben’s tactless scrutiny. + </p> + <p> + “We think Frank’s a good deal better,” he began; “this new doctor—” + </p> + <p> + The butler, coming up, bent to whisper a word in his ear, and the + communication caused a sudden change in Mr. Lavington’s expression. His + face was naturally so colourless that it seemed not so much to pale as to + fade, to dwindle and recede into something blurred and blotted-out. He + half rose, sat down again and sent a rigid smile about the table. + </p> + <p> + “Will you excuse me? The telephone. Peters, go on with the dinner.” With + small precise steps he walked out of the door which one of the footmen had + thrown open. + </p> + <p> + A momentary silence fell on the group; then Mr. Grisben once more + addressed himself to Rainer. “You ought to have gone, my boy; you ought to + have gone.” + </p> + <p> + The anxious look returned to the youth’s eyes. “My uncle doesn’t think so, + really.” + </p> + <p> + “You’re not a baby, to be always governed by your uncle’s opinion. You + came of age to-day, didn’t you? Your uncle spoils you.... that’s what’s + the matter....” + </p> + <p> + The thrust evidently went home, for Rainer laughed and looked down with a + slight accession of colour. + </p> + <p> + “But the doctor—” + </p> + <p> + “Use your common sense, Frank! You had to try twenty doctors to find one + to tell you what you wanted to be told.” + </p> + <p> + A look of apprehension overshadowed Rainer’, gaiety. “Oh, come—I + say!... What would <i>you</i> do?” he stammered. + </p> + <p> + “Pack up and jump on the first train.” Mr. Grisben leaned forward and laid + his hand kindly on the young man’s arm. “Look here: my nephew Jim Grisben + is out there ranching on a big scale. He’ll take you in and be glad to + have you. You say your new doctor thinks it won’t do you any good; but he + doesn’t pretend to say it will do you harm, does he? Well, then—give + it a trial. It’ll take you out of hot theatres and night restaurants, + anyhow.... And all the rest of it.... Eh, Balch?” + </p> + <p> + “Go!” said Mr. Balch hollowly. “Go <i>at once</i>,” he added, as if a + closer look at the youth’s face had impressed on him the need of backing + up his friend. + </p> + <p> + Young Rainer had turned ashy-pale. He tried to stiffen his mouth into a + smile. “Do I look as bad as all that?” + </p> + <p> + Mr. Grisben was helping himself to terrapin. “You look like the day after + an earthquake,” he said. + </p> + <p> + The terrapin had encircled the table, and been deliberately enjoyed by Mr. + Lavington’s three visitors (Rainer, Faxon noticed, left his plate + untouched) before the door was thrown open to re-admit their host. Mr. + Lavington advanced with an air of recovered composure. He seated himself, + picked up his napkin and consulted the gold-monogrammed menu. “No, don’t + bring back the filet.... Some terrapin; yes....” He looked affably about + the table. “Sorry to have deserted you, but the storm has played the deuce + with the wires, and I had to wait a long time before I could get a good + connection. It must be blowing up for a blizzard.” + </p> + <p> + “Uncle Jack,” young Rainer broke out, “Mr. Grisben’s been lecturing me.” + </p> + <p> + Mr. Lavington was helping himself to terrapin. “Ah—what about?” + </p> + <p> + “He thinks I ought to have given New Mexico a show.” + </p> + <p> + “I want him to go straight out to my nephew at Santa Paz and stay there + till his next birthday.” Mr. Lavington signed to the butler to hand the + terrapin to Mr. Grisben, who, as he took a second helping, addressed + himself again to Rainer. “Jim’s in New York now, and going back the day + after tomorrow in Olyphant’s private car. I’ll ask Olyphant to squeeze you + in if you’ll go. And when you’ve been out there a week or two, in the + saddle all day and sleeping nine hours a night, I suspect you won’t think + much of the doctor who prescribed New York.” + </p> + <p> + Faxon spoke up, he knew not why. “I was out there once: it’s a splendid + life. I saw a fellow—oh, a really <i>bad</i> case—who’d been + simply made over by it.” + </p> + <p> + “It <i>does</i> sound jolly,” Rainer laughed, a sudden eagerness in his + tone. + </p> + <p> + His uncle looked at him gently. “Perhaps Grisben’s right. It’s an + opportunity—” + </p> + <p> + Faxon glanced up with a start: the figure dimly perceived in the study was + now more visibly and tangibly planted behind Mr. Lavington’s chair. + </p> + <p> + “That’s right, Frank: you see your uncle approves. And the trip out there + with Olyphant isn’t a thing to be missed. So drop a few dozen dinners and + be at the Grand Central the day after tomorrow at five.” + </p> + <p> + Mr. Grisben’s pleasant grey eye sought corroboration of his host, and + Faxon, in a cold anguish of suspense, continued to watch him as he turned + his glance on Mr. Lavington. One could not look at Lavington without + seeing the presence at his back, and it was clear that, the next minute, + some change in Mr. Grisben’s expression must give his watcher a clue. + </p> + <p> + But Mr. Grisben’s expression did not change: the gaze he fixed on his host + remained unperturbed, and the clue he gave was the startling one of not + seeming to see the other figure. + </p> + <p> + Faxon’s first impulse was to look away, to look anywhere else, to resort + again to the champagne glass the watchful butler had already brimmed; but + some fatal attraction, at war in him with an overwhelming physical + resistance, held his eyes upon the spot they feared. + </p> + <p> + The figure was still standing, more distinctly, and therefore more + resemblingly, at Mr. Lavington’s back; and while the latter continued to + gaze affectionately at his nephew, his counterpart, as before, fixed young + Rainer with eyes of deadly menace. + </p> + <p> + Faxon, with what felt like an actual wrench of the muscles, dragged his + own eyes from the sight to scan the other countenances about the table; + but not one revealed the least consciousness of what he saw, and a sense + of mortal isolation sank upon him. + </p> + <p> + “It’s worth considering, certainly—” he heard Mr. Lavington + continue; and as Rainer’s face lit up, the face behind his uncle’s chair + seemed to gather into its look all the fierce weariness of old unsatisfied + hates. That was the thing that, as the minutes laboured by, Faxon was + becoming most conscious of. The watcher behind the chair was no longer + merely malevolent: he had grown suddenly, unutterably tired. His hatred + seemed to well up out of the very depths of balked effort and thwarted + hopes, and the fact made him more pitiable, and yet more dire. + </p> + <p> + Faxon’s look reverted to Mr. Lavington, as if to surprise in him a + corresponding change. At first none was visible: his pinched smile was + screwed to his blank face like a gas-light to a white-washed wall. Then + the fixity of the smile became ominous: Faxon saw that its wearer was + afraid to let it go. It was evident that Mr. Lavington was unutterably + tired too, and the discovery sent a colder current through Faxon’s veins. + Looking down at his untouched plate, he caught the soliciting twinkle of + the champagne glass; but the sight of the wine turned him sick. + </p> + <p> + “Well, we’ll go into the details presently,” he heard Mr. Lavington say, + still on the question of his nephew’s future. “Let’s have a cigar first. + No—not here, Peters.” He turned his smile on Faxon. “When we’ve had + coffee I want to show you my pictures.” + </p> + <p> + “Oh, by the way, Uncle Jack—Mr. Faxon wants to know if you’ve got a + double?” + </p> + <p> + “A double?” Mr. Lavington, still smiling, continued to address himself to + his guest. “Not that I know of. Have you seen one, Mr. Faxon?” + </p> + <p> + Faxon thought: “My God, if I look up now they’ll <i>both</i> be looking at + me!” To avoid raising his eyes he made as though to lift the glass to his + lips; but his hand sank inert, and he looked up. Mr. Lavington’s glance + was politely bent on him, but with a loosening of the strain about his + heart he saw that the figure behind the chair still kept its gaze on + Rainer. + </p> + <p> + “Do you think you’ve seen my double, Mr. Faxon?” + </p> + <p> + Would the other face turn if he said yes? Faxon felt a dryness in his + throat. “No,” he answered. + </p> + <p> + “Ah? It’s possible I’ve a dozen. I believe I’m extremely usual-looking,” + Mr. Lavington went on conversationally; and still the other face watched + Rainer. + </p> + <p> + “It was... a mistake... a confusion of memory....” Faxon heard himself + stammer. Mr. Lavington pushed back his chair, and as he did so Mr. Grisben + suddenly leaned forward. + </p> + <p> + “Lavington! What have we been thinking of? We haven’t drunk Frank’s + health!” + </p> + <p> + Mr. Lavington reseated himself. “My dear boy!... Peters, another + bottle....” He turned to his nephew. “After such a sin of omission I don’t + presume to propose the toast myself... but Frank knows.... Go ahead, + Grisben!” + </p> + <p> + The boy shone on his uncle. “No, no, Uncle Jack! Mr. Grisben won’t mind. + Nobody but <i>you</i>—to-day!” + </p> + <p> + The butler was replenishing the glasses. He filled Mr. Lavington’s last, + and Mr. Lavington put out his small hand to raise it.... As he did so, + Faxon looked away. + </p> + <p> + “Well, then—All the good I’ve wished you in all the past years.... I + put it into the prayer that the coming ones may be healthy and happy and + many... and <i>many</i>, dear boy!” + </p> + <p> + Faxon saw the hands about him reach out for their glasses. Automatically, + he reached for his. His eyes were still on the table, and he repeated to + himself with a trembling vehemence: “I won’t look up! I won’t.... I + won’t....” + </p> + <p> + His fingers clasped the glass and raised it to the level of his lips. He + saw the other hands making the same motion. He heard Mr. Grisben’s genial + “Hear! Hear!” and Mr. Batch’s hollow echo. He said to himself, as the rim + of the glass touched his lips: “I won’t look up! I swear I won’t!—” + and he looked. + </p> + <p> + The glass was so full that it required an extraordinary effort to hold it + there, brimming and suspended, during the awful interval before he could + trust his hand to lower it again, untouched, to the table. It was this + merciful preoccupation which saved him, kept him from crying out, from + losing his hold, from slipping down into the bottomless blackness that + gaped for him. As long as the problem of the glass engaged him he felt + able to keep his seat, manage his muscles, fit unnoticeably into the + group; but as the glass touched the table his last link with safety + snapped. He stood up and dashed out of the room. + </p> + <p> + <a name="link2H_4_0004" id="link2H_4_0004"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + IV + </h2> + <p> + In the gallery, the instinct of self-preservation helped him to turn back + and sign to young Rainer not to follow. He stammered out something about a + touch of dizziness, and joining them presently; and the boy nodded + sympathetically and drew back. + </p> + <p> + At the foot of the stairs Faxon ran against a servant. “I should like to + telephone to Weymore,” he said with dry lips. + </p> + <p> + “Sorry, sir; wires all down. We’ve been trying the last hour to get New + York again for Mr. Lavington.” + </p> + <p> + Faxon shot on to his room, burst into it, and bolted the door. The + lamplight lay on furniture, flowers, books; in the ashes a log still + glimmered. He dropped down on the sofa and hid his face. The room was + profoundly silent, the whole house was still: nothing about him gave a + hint of what was going on, darkly and dumbly, in the room he had flown + from, and with the covering of his eyes oblivion and reassurance seemed to + fall on him. But they fell for a moment only; then his lids opened again + to the monstrous vision. There it was, stamped on his pupils, a part of + him forever, an indelible horror burnt into his body and brain. But why + into his—just his? Why had he alone been chosen to see what he had + seen? What business was it of <i>his</i>, in God’s name? Any one of the + others, thus enlightened, might have exposed the horror and defeated it; + but <i>he</i>, the one weaponless and defenceless spectator, the one whom + none of the others would believe or understand if he attempted to reveal + what he knew—<i>he</i> alone had been singled out as the victim of + this dreadful initiation! + </p> + <p> + Suddenly he sat up, listening: he had heard a step on the stairs. Some + one, no doubt, was coming to see how he was—to urge him, if he felt + better, to go down and join the smokers. Cautiously he opened his door; + yes, it was young Rainer’s step. Faxon looked down the passage, remembered + the other stairway and darted to it. All he wanted was to get out of the + house. Not another instant would he breathe its abominable air! What + business was it of <i>his</i>, in God’s name? + </p> + <p> + He reached the opposite end of the lower gallery, and beyond it saw the + hall by which he had entered. It was empty, and on a long table he + recognized his coat and cap. He got into his coat, unbolted the door, and + plunged into the purifying night. + </p> + <p> + The darkness was deep, and the cold so intense that for an instant it + stopped his breathing. Then he perceived that only a thin snow was + falling, and resolutely he set his face for flight. The trees along the + avenue marked his way as he hastened with long strides over the beaten + snow. Gradually, while he walked, the tumult in his brain subsided. The + impulse to fly still drove him forward, but he began feel that he was + flying from a terror of his own creating, and that the most urgent reason + for escape was the need of hiding his state, of shunning other eyes till + he should regain his balance. + </p> + <p> + He had spent the long hours in the train in fruitless broodings on a + discouraging situation, and he remembered how his bitterness had turned to + exasperation when he found that the Weymore sleigh was not awaiting him. + It was absurd, of course; but, though he had joked with Rainer over Mrs. + Culme’s forgetfulness, to confess it had cost a pang. That was what his + rootless life had brought him to: for lack of a personal stake in things + his sensibility was at the mercy of such trifles.... Yes; that, and the + cold and fatigue, the absence of hope and the haunting sense of starved + aptitudes, all these had brought him to the perilous verge over which, + once or twice before, his terrified brain had hung. + </p> + <p> + Why else, in the name of any imaginable logic, human or devilish, should + he, a stranger, be singled out for this experience? What could it mean to + him, how was he related to it, what bearing had it on his case?... Unless, + indeed, it was just because he was a stranger—a stranger everywhere—because + he had no personal life, no warm screen of private egotisms to shield him + from exposure, that he had developed this abnormal sensitiveness to the + vicissitudes of others. The thought pulled him up with a shudder. No! Such + a fate was too abominable; all that was strong and sound in him rejected + it. A thousand times better regard himself as ill, disorganized, deluded, + than as the predestined victim of such warnings! + </p> + <p> + He reached the gates and paused before the darkened lodge. The wind had + risen and was sweeping the snow into his race. The cold had him in its + grasp again, and he stood uncertain. Should he put his sanity to the test + and go back? He turned and looked down the dark drive to the house. A + single ray shone through the trees, evoking a picture of the lights, the + flowers, the faces grouped about that fatal room. He turned and plunged + out into the road.... + </p> + <p> + He remembered that, about a mile from Overdale, the coachman had pointed + out the road to Northridge; and he began to walk in that direction. Once + in the road he had the gale in his face, and the wet snow on his moustache + and eye-lashes instantly hardened to ice. The same ice seemed to be + driving a million blades into his throat and lungs, but he pushed on, the + vision of the warm room pursuing him. + </p> + <p> + The snow in the road was deep and uneven. He stumbled across ruts and sank + into drifts, and the wind drove against him like a granite cliff. Now and + then he stopped, gasping, as if an invisible hand had tightened an iron + band about his body; then he started again, stiffening himself against the + stealthy penetration of the cold. The snow continued to descend out of a + pall of inscrutable darkness, and once or twice he paused, fearing he had + missed the road to Northridge; but, seeing no sign of a turn, he ploughed + on. + </p> + <p> + At last, feeling sure that he had walked for more than a mile, he halted + and looked back. The act of turning brought immediate relief, first + because it put his back to the wind, and then because, far down the road, + it showed him the gleam of a lantern. A sleigh was coming—a sleigh + that might perhaps give him a lift to the village! Fortified by the hope, + he began to walk back toward the light. It came forward very slowly, with + unaccountable sigsags and waverings; and even when he was within a few + yards of it he could catch no sound of sleigh-bells. Then it paused and + became stationary by the roadside, as though carried by a pedestrian who + had stopped, exhausted by the cold. The thought made Faxon hasten on, and + a moment later he was stooping over a motionless figure huddled against + the snow-bank. The lantern had dropped from its bearer’s hand, and Faxon, + fearfully raising it, threw its light into the face of Frank Rainer. + </p> + <p> + “Rainer! What on earth are you doing here?” + </p> + <p> + The boy smiled back through his pallour. “What are <i>you</i>, I’d like to + know?” he retorted; and, scrambling to his feet with a clutch oh Faxon’s + arm, he added gaily: “Well, I’ve run you down!” + </p> + <p> + Faxon stood confounded, his heart sinking. The lad’s face was grey. + </p> + <p> + “What madness—” he began. + </p> + <p> + “Yes, it <i>is</i>. What on earth did you do it for?” + </p> + <p> + “I? Do what?... Why I.... I was just taking a walk.... I often walk at + night....” + </p> + <p> + Frank Rainer burst into a laugh. “On such nights? Then you hadn’t bolted?” + </p> + <p> + “Bolted?” + </p> + <p> + “Because I’d done something to offend you? My uncle thought you had.” + </p> + <p> + Faxon grasped his arm. “Did your uncle send you after me?” + </p> + <p> + “Well, he gave me an awful rowing for not going up to your room with you + when you said you were ill. And when we found you’d gone we were + frightened—and he was awfully upset—so I said I’d catch + you.... You’re <i>not</i> ill, are you?” + </p> + <p> + “Ill? No. Never better.” Faxon picked up the lantern. “Come; let’s go + back. It was awfully hot in that dining-room.” + </p> + <p> + “Yes; I hoped it was only that.” + </p> + <p> + They trudged on in silence for a few minutes; then Faxon questioned: + “You’re not too done up?” + </p> + <p> + “Oh, no. It’s a lot easier with the wind behind us.” + </p> + <p> + “All right. Don’t talk any more.” + </p> + <p> + They pushed ahead, walking, in spite of the light that guided them, more + slowly than Faxon had walked alone into the gale. The fact of his + companion’s stumbling against a drift gave Faxon a pretext for saying: + “Take hold of my arm,” and Rainer obeying, gasped out: “I’m blown!” + </p> + <p> + “So am I. Who wouldn’t be?” + </p> + <p> + “What a dance you led me! If it hadn’t been for one of the servants + happening to see you—” + </p> + <p> + “Yes; all right. And now, won’t you kindly shut up?” + </p> + <p> + Rainer laughed and hung on him. “Oh, the cold doesn’t hurt me....” + </p> + <p> + For the first few minutes after Rainer had overtaken him, anxiety for the + lad had been Faxon’s only thought. But as each labouring step carried them + nearer to the spot he had been fleeing, the reasons for his flight grew + more ominous and more insistent. No, he was not ill, he was not distraught + and deluded—he was the instrument singled out to warn and save; and + here he was, irresistibly driven, dragging the victim back to his doom! + </p> + <p> + The intensity of the conviction had almost checked his steps. But what + could he do or say? At all costs he must get Rainer out of the cold, into + the house and into his bed. After that he would act. + </p> + <p> + The snow-fall was thickening, and as they reached a stretch of the road + between open fields the wind took them at an angle, lashing their faces + with barbed thongs. Rainer stopped to take breath, and Faxon felt the + heavier pressure of his arm. + </p> + <p> + “When we get to the lodge, can’t we telephone to the stable for a sleigh?” + </p> + <p> + “If they’re not all asleep at the lodge.” + </p> + <p> + “Oh, I’ll manage. Don’t talk!” Faxon ordered; and they plodded on.... + </p> + <p> + At length the lantern ray showed ruts that curved away from the road under + tree-darkness. + </p> + <p> + Faxon’s spirits rose. “There’s the gate! We’ll be there in five minutes.” + </p> + <p> + As he spoke he caught, above the boundary hedge, the gleam of a light at + the farther end of the dark avenue. It was the same light that had shone + on the scene of which every detail was burnt into his brain; and he felt + again its overpowering reality. No—he couldn’t let the boy go back! + </p> + <p> + They were at the lodge at last, and Faxon was hammering on the door. He + said to himself: “I’ll get him inside first, and make them give him a hot + drink. Then I’ll see—I’ll find an argument....” + </p> + <p> + There was no answer to his knocking, and after an interval Rainer said: + “Look here—we’d better go on.” + </p> + <p> + “No!” + </p> + <p> + “I can, perfectly—” + </p> + <p> + “You sha’n’t go to the house, I say!” Faxon redoubled his blows, and at + length steps sounded on the stairs. Rainer was leaning against the lintel, + and as the door opened the light from the hall flashed on his pale face + and fixed eyes. Faxon caught him by the arm and drew him in. + </p> + <p> + “It <i>was</i> cold out there.” he sighed; and then, abruptly, as if + invisible shears at a single stroke had cut every muscle in his body, he + swerved, drooped on Faxon’s arm, and seemed to sink into nothing at his + feet. + </p> + <p> + The lodge-keeper and Faxon bent over him, and somehow, between them, + lifted him into the kitchen and laid him on a sofa by the stove. + </p> + <p> + The lodge-keeper, stammering: “I’ll ring up the house,” dashed out of the + room. But Faxon heard the words without heeding them: omens mattered + nothing now, beside this woe fulfilled. He knelt down to undo the fur + collar about Rainer’s throat, and as he did so he felt a warm moisture on + his hands. He held them up, and they were red.... + </p> + <p> + <a name="link2H_4_0005" id="link2H_4_0005"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + V + </h2> + <p> + The palms threaded their endless line along the yellow river. The little + steamer lay at the wharf, and George Faxon, sitting in the verandah of the + wooden hotel, idly watched the coolies carrying the freight across the + gang-plank. + </p> + <p> + He had been looking at such scenes for two months. Nearly five had elapsed + since he had descended from the train at Northridge and strained his eyes + for the sleigh that was to take him to Weymore: Weymore, which he was + never to behold!... Part of the interval—the first part—was + still a great grey blur. Even now he could not be quite sure how he had + got back to Boston, reached the house of a cousin, and been thence + transferred to a quiet room looking out on snow under bare trees. He + looked out a long time at the same scene, and finally one day a man he had + known at Harvard came to see him and invited him to go out on a business + trip to the Malay Peninsula. + </p> + <p> + “You’ve had a bad shake-up, and it’ll do you no end of good to get away + from things.” + </p> + <p> + When the doctor came the next day it turned out that he knew of the plan + and approved it. “You ought to be quiet for a year. Just loaf and look at + the landscape,” he advised. + </p> + <p> + Faxon felt the first faint stirrings of curiosity. + </p> + <p> + “What’s been the matter with me, anyway?” + </p> + <p> + “Well, over-work, I suppose. You must have been bottling up for a bad + breakdown before you started for New Hampshire last December. And the + shock of that poor boy’s death did the rest.” + </p> + <p> + Ah, yes—Rainer had died. He remembered.... + </p> + <p> + He started for the East, and gradually, by imperceptible degrees, life + crept back into his weary bones and leaden brain. His friend was patient + and considerate, and they travelled slowly and talked little. At first + Faxon had felt a great shrinking from whatever touched on familiar things. + He seldom looked at a newspaper and he never opened a letter without a + contraction of the heart. It was not that he had any special cause for + apprehension, but merely that a great trail of darkness lay on everything. + He had looked too deep down into the abyss.... But little by little health + and energy returned to him, and with them the common promptings of + curiosity. He was beginning to wonder how the world was going, and when, + presently, the hotel-keeper told him there were no letters for him in the + steamer’s mail-bag, he felt a distinct sense of disappointment. His friend + had gone into the jungle on a long excursion, and he was lonely, + unoccupied and wholesomely bored. He got up and strolled into the stuffy + reading-room. + </p> + <p> + There he found a game of dominoes, a mutilated picture-puzzle, some copies + of <i>Zion’s Herald</i> and a pile of New York and London newspapers. + </p> + <p> + He began to glance through the papers, and was disappointed to find that + they were less recent than he had hoped. Evidently the last numbers had + been carried off by luckier travellers. He continued to turn them over, + picking out the American ones first. These, as it happened, were the + oldest: they dated back to December and January. To Faxon, however, they + had all the flavour of novelty, since they covered the precise period + during which he had virtually ceased to exist. It had never before + occurred to him to wonder what had happened in the world during that + interval of obliteration; but now he felt a sudden desire to know. + </p> + <p> + To prolong the pleasure, he began by sorting the papers chronologically, + and as he found and spread out the earliest number, the date at the top of + the page entered into his consciousness like a key slipping into a lock. + It was the seventeenth of December: the date of the day after his arrival + at Northridge. He glanced at the first page and read in blazing + characters: “Reported Failure of Opal Cement Company. Lavington’s name + involved. Gigantic Exposure of Corruption Shakes Wall Street to Its + Foundations.” + </p> + <p> + He read on, and when he had finished the first paper he turned to the + next. There was a gap of three days, but the Opal Cement “Investigation” + still held the centre of the stage. From its complex revelations of greed + and ruin his eye wandered to the death notices, and he read: “Rainer. + Suddenly, at Northridge, New Hampshire, Francis John, only son of the + late....” + </p> + <p> + His eyes clouded, and he dropped the newspaper and sat for a long time + with his face in his hands. When he looked up again he noticed that his + gesture had pushed the other papers from the table and scattered them at + his feet. The uppermost lay spread out before him, and heavily his eyes + began their search again. “John Lavington comes forward with plan for + reconstructing Company. Offers to put in ten millions of his own—The + proposal under consideration by the District Attorney.” + </p> + <p> + Ten millions... ten millions of his own. But if John Lavington was + ruined?... Faxon stood up with a cry. That was it, then—that was + what the warning meant! And if he had not fled from it, dashed wildly away + from it into the night, he might have broken the spell of iniquity, the + powers of darkness might not have prevailed! He caught up the pile of + newspapers and began to glance through each in turn for the head-line: + “Wills Admitted to Probate.” In the last of all he found the paragraph he + sought, and it stared up at him as if with Rainer’s dying eyes. + </p> + <p> + That—<i>that</i> was what he had done! The powers of pity had + singled him out to warn and save, and he had closed his ears to their + call, and washed his hands of it, and fled. Washed his hands of it! That + was the word. It caught him back to the dreadful moment in the lodge when, + raising himself up from Rainer’s side, he had looked at his hands and seen + that they were red.... + </p> + <p> + <br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Triumph Of Night, by Edith Wharton + +*** END OF THIS PROJECT GUTENBERG EBOOK THE TRIUMPH OF NIGHT *** + +***** This file should be named 24351-h.htm or 24351-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/4/3/5/24351/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Triumph Of Night + 1916 + +Author: Edith Wharton + +Release Date: January 17, 2008 [EBook #24351] +[Last updated: August 30, 2017] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE TRIUMPH OF NIGHT *** + + + + +Produced by David Widger + + + + + +THE TRIUMPH OF NIGHT + +By Edith Wharton + +Copyright, 1916, By Charles Scribner's Sons + + + + +I + +It was clear that the sleigh from Weymore had not come; and the +shivering young traveller from Boston, who had counted on jumping into +it when he left the train at Northridge Junction, found himself standing +alone on the open platform, exposed to the full assault of night-fall +and winter. + +The blast that swept him came off New Hampshire snow-fields and ice-hung +forests. It seemed to have traversed interminable leagues of frozen +silence, filling them with the same cold roar and sharpening its edge +against the same bitter black-and-white landscape. Dark, searching +and sword-like, it alternately muffled and harried its victim, like a +bull-fighter now whirling his cloak and now planting his darts. This +analogy brought home to the young man the fact that he himself had +no cloak, and that the overcoat in which he had faced the relatively +temperate air of Boston seemed no thicker than a sheet of paper on the +bleak heights of Northridge. George Faxon said to himself that the place +was uncommonly well-named. It clung to an exposed ledge over the valley +from which the train had lifted him, and the wind combed it with teeth +of steel that he seemed actually to hear scraping against the wooden +sides of the station. Other building there was none: the village lay far +down the road, and thither--since the Weymore sleigh had not come--Faxon +saw himself under the necessity of plodding through several feet of +snow. + +He understood well enough what had happened: his hostess had forgotten +that he was coming. Young as Faxon was, this sad lucidity of soul had +been acquired as the result of long experience, and he knew that the +visitors who can least afford to hire a carriage are almost always those +whom their hosts forget to send for. Yet to say that Mrs. Culme had +forgotten him was too crude a way of putting it Similar incidents led +him to think that she had probably told her maid to tell the butler to +telephone the coachman to tell one of the grooms (if no one else needed +him) to drive over to Northridge to fetch the new secretary; but on +a night like this, what groom who respected his rights would fail to +forget the order? + +Faxon's obvious course was to struggle through the drifts to the +village, and there rout out a sleigh to convey him to Weymore; but what +if, on his arrival at Mrs. Culme's, no one remembered to ask him +what this devotion to duty had cost? That, again, was one of the +contingencies he had expensively learned to look out for, and the +perspicacity so acquired told him it would be cheaper to spend the night +at the Northridge inn, and advise Mrs. Culme of his presence there by +telephone. He had reached this decision, and was about to entrust his +luggage to a vague man with a lantern, when his hopes were raised by the +sound of bells. + +Two sleighs were just dashing up to the station, and from the foremost +there sprang a young man muffled in furs. + +"Weymore?--No, these are not the Weymore sleighs." + +The voice was that of the youth who had jumped to the platform--a voice +so agreeable that, in spite of the words, it fell consolingly on Faxon's +ears. At the same moment the wandering station-lantern, casting a +transient light on the speaker, showed his features to be in the +pleasantest harmony with his voice. He was very fair and very +young--hardly in the twenties, Faxon thought--but his face, though full +of a morning freshness, was a trifle too thin and fine-drawn, as though +a vivid spirit contended in him with a strain of physical weakness. +Faxon was perhaps the quicker to notice such delicacies of balance +because his own temperament hung on lightly quivering nerves, which yet, +as he believed, would never quite swing him beyond a normal sensibility. + +"You expected a sleigh from Weymore?" the newcomer continued, standing +beside Faxon like a slender column of fur. + +Mrs. Culme's secretary explained his difficulty, and the other brushed +it aside with a contemptuous "Oh, _Mrs. Culme!_" that carried both +speakers a long way toward reciprocal understanding. + +"But then you must be--" The youth broke off with a smile of +interrogation. + +"The new secretary? Yes. But apparently there are no notes to be +answered this evening." Faxon's laugh deepened the sense of solidarity +which had so promptly established itself between the two. + +His friend laughed also. "Mrs. Culme," he explained, "was lunching at my +uncle's to-day, and she said you were due this evening. But seven hours +is a long time for Mrs. Culme to remember anything." + +"Well," said Faxon philosophically, "I suppose that's one of the reasons +why she needs a secretary. And I've always the inn at Northridge," he +concluded. + +"Oh, but you haven't, though! It burned down last week." + +"The deuce it did!" said Faxon; but the humour of the situation struck +him before its inconvenience. His life, for years past, had been mainly +a succession of resigned adaptations, and he had learned, before dealing +practically with his embarrassments, to extract from most of them a +small tribute of amusement. + +"Oh, well, there's sure to be somebody in the place who can put me up." + +"No one _you_ could put up with. Besides, Northridge is three miles off, +and our place--in the opposite direction--is a little nearer." +Through the darkness, Faxon saw his friend sketch a gesture of +self-introduction. "My name's Frank Rainer, and I'm staying with my +uncle at Overdale. I've driven over to meet two friends of his, who are +due in a few minutes from New York. If you don't mind waiting till they +arrive I'm sure Overdale can do you better than Northridge. We're only +down from town for a few days, but the house is always ready for a lot +of people." + +"But your uncle--?" Faxon could only object, with the odd sense, through +his embarrassment, that it would be magically dispelled by his invisible +friend's next words. + +"Oh, my uncle--you'll see! I answer for _him!_ I daresay you've heard of +him--John Lavington?" + +John Lavington! There was a certain irony in asking if one had heard of +John Lavington! Even from a post of observation as obscure as that of +Mrs. Culme's secretary the rumour of John Lavington's money, of his +pictures, his politics, his charities and his hospitality, was as +difficult to escape as the roar of a cataract in a mountain solitude. +It might almost have been said that the one place in which one would +not have expected to come upon him was in just such a solitude as +now surrounded the speakers--at least in this deepest hour of its +desertedness. But it was just like Lavington's brilliant ubiquity to put +one in the wrong even there. + +"Oh, yes, I've heard of your uncle." + +"Then you _will_ come, won't you? We've only five minutes to wait." +young Rainer urged, in the tone that dispels scruples by ignoring them; +and Faxon found himself accepting the invitation as simply as it was +offered. + +A delay in the arrival of the New York train lengthened their five +minutes to fifteen; and as they paced the icy platform Faxon began to +see why it had seemed the most natural thing in the world to accede to +his new acquaintance's suggestion. It was because Frank Rainer was +one of the privileged beings who simplify human intercourse by the +atmosphere of confidence and good humour they diffuse. He produced this +effect, Faxon noted, by the exercise of no gift but his youth, and of no +art but his sincerity; and these qualities were revealed in a smile of +such sweetness that Faxon felt, as never before, what Nature can achieve +when she deigns to match the face with the mind. + +He learned that the young man was the ward, and the only nephew, of John +Lavington, with whom he had made his home since the death of his mother, +the great man's sister. Mr. Lavington, Rainer said, had been "a regular +brick" to him--"But then he is to every one, you know"--and the young +fellow's situation seemed in fact to be perfectly in keeping with his +person. Apparently the only shade that had ever rested on him was cast +by the physical weakness which Faxon had already detected. Young Rainer +had been threatened with tuberculosis, and the disease was so far +advanced that, according to the highest authorities, banishment to +Arizona or New Mexico was inevitable. "But luckily my uncle didn't pack +me off, as most people would have done, without getting another opinion. +Whose? Oh, an awfully clever chap, a young doctor with a lot of new +ideas, who simply laughed at my being sent away, and said I'd do +perfectly well in New York if I didn't dine out too much, and if I +dashed off occasionally to Northridge for a little fresh air. So it's +really my uncle's doing that I'm not in exile--and I feel no end better +since the new chap told me I needn't bother." Young Rainer went on to +confess that he was extremely fond of dining out, dancing and similar +distractions; and Faxon, listening to him, was inclined to think that +the physician who had refused to cut him off altogether from these +pleasures was probably a better psychologist than his seniors. + +"All the same you ought to be careful, you know." The sense of +elder-brotherly concern that forced the words from Faxon made him, as he +spoke, slip his arm through Frank Rainer 's. + +The latter met the movement with a responsive pressure. "Oh, I _am_: +awfully, awfully. And then my uncle has such an eye on me!" + +"But if your uncle has such an eye on you, what does he say to your +swallowing knives out here in this Siberian wild?" + +Rainer raised his fur collar with a careless gesture. "It's not that +that does it--the cold's good for me." + +"And it's not the dinners and dances? What is it, then?" Faxon +good-humouredly insisted; to which his companion answered with a laugh: +"Well, my uncle says it's being bored; and I rather think he's right!" + +His laugh ended in a spasm of coughing and a struggle for breath that +made Faxon, still holding his arm, guide him hastily into the shelter of +the fireless waiting-room. + +Young Rainer had dropped down on the bench against the wall and pulled +off one of his fur gloves to grope for a handkerchief. He tossed +aside his cap and drew the handkerchief across his forehead, which was +intensely white, and beaded with moisture, though his face retained +a healthy glow. But Faxon's gaze remained fastened to the hand he had +uncovered: it was so long, so colourless, so wasted, so much older than +the brow he passed it over. + +"It's queer--a healthy face but dying hands," the secretary mused: he +somehow wished young Rainer had kept on his glove. + +The whistle of the express drew the young men to their feet, and the +next moment two heavily-furred gentlemen had descended to the platform +and were breasting the rigour of the night. Frank Rainer introduced them +as Mr. Grisben and Mr. Balch, and Faxon, while their luggage was +being lifted into the second sleigh, discerned them, by the roving +lantern-gleam, to be an elderly greyheaded pair, of the average +prosperous business cut. + +They saluted their host's nephew with friendly familiarity, and Mr. +Grisben, who seemed the spokesman of the two, ended his greeting with a +genial--"and many many more of them, dear boy!" which suggested to Faxon +that their arrival coincided with an anniversary. But he could not press +the enquiry, for the seat allotted him was at the coachman's side, while +Frank Rainer joined his uncle's guests inside the sleigh. + +A swift flight (behind such horses as one could be sure of John +Lavington's having) brought them to tall gateposts, an illuminated +lodge, and an avenue on which the snow had been levelled to the +smoothness of marble. At the end of the avenue the long house loomed up, +its principal bulk dark, but one wing sending out a ray of welcome; and +the next moment Faxon was receiving a violent impression of warmth and +light, of hot-house plants, hurrying servants, a vast spectacular oak +hall like a stage-setting, and, in its unreal middle distance, a small +figure, correctly dressed, conventionally featured, and utterly unlike +his rather florid conception of the great John Lavington. + +The surprise of the contrast remained with him through his hurried +dressing in the large luxurious bedroom to which he had been shown. +"I don't see where he comes in," was the only way he could put it, so +difficult was it to fit the exuberance of Lavington's public personality +into his host's contracted frame and manner. Mr. Laving ton, to whom +Faxon's case had been rapidly explained by young Rainer, had welcomed +him with a sort of dry and stilted cordiality that exactly matched +his narrow face, his stiff hand, and the whiff of scent on his evening +handkerchief. "Make yourself at home--at home!" he had repeated, in a +tone that suggested, on his own part, a complete inability to perform +the feat he urged on his visitor. "Any friend of Frank's... delighted... +make yourself thoroughly at home!" + + + + +II + +In spite of the balmy temperature and complicated conveniences of +Faxon's bedroom, the injunction was not easy to obey. It was wonderful +luck to have found a night's shelter under the opulent roof of Overdale, +and he tasted the physical satisfaction to the full. But the place, +for all its ingenuities of comfort, was oddly cold and unwelcoming. +He couldn't have said why, and could only suppose that Mr. Lavington's +intense personality--intensely negative, but intense all the same--must, +in some occult way, have penetrated every corner of his dwelling. +Perhaps, though, it was merely that Faxon himself was tired and hungry, +more deeply chilled than he had known till he came in from the cold, +and unutterably sick of all strange houses, and of the prospect of +perpetually treading other people's stairs. + +"I hope you're not famished?" Rainer's slim figure was in the doorway. +"My uncle has a little business to attend to with Mr. Grisben, and we +don't dine for half an hour. Shall I fetch you, or can you find your way +down? Come straight to the dining-room--the second door on the left of +the long gallery." + +He disappeared, leaving a ray of warmth behind him, and Faxon, relieved, +lit a cigarette and sat down by the fire. + +Looking about with less haste, he was struck by a detail that had +escaped him. The room was full of flowers--a mere "bachelor's room," in +the wing of a house opened only for a few days, in the dead middle of +a New Hampshire winter! Flowers were everywhere, not in senseless +profusion, but placed with the same conscious art that he had remarked +in the grouping of the blossoming shrubs in the hall. A vase of arums +stood on the writing-table, a cluster of strange-hued carnations on +the stand at his elbow, and from bowls of glass and porcelain clumps of +freesia-bulbs diffused their melting fragrance. The fact implied acres +of glass--but that was the least interesting part of it. The flowers +themselves, their quality, selection and arrangement, attested on +some one's part--and on whose but John Lavington's?--a solicitous and +sensitive passion for that particular form of beauty. Well, it simply +made the man, as he had appeared to Faxon, all the harder to understand! + +The half-hour elapsed, and Faxon, rejoicing at the prospect of food, set +out to make his way to the dining-room. He had not noticed the direction +he had followed in going to his room, and was puzzled, when he left it, +to find that two staircases, of apparently equal importance, invited +him. He chose the one to his right, and reached, at its foot, a long +gallery such as Rainer had described. The gallery was empty, the doors +down its length were closed; but Rainer had said: "The second to the +left," and Faxon, after pausing for some chance enlightenment which did +not come, laid his hand on the second knob to the left. + +The room he entered was square, with dusky picture-hung walls. In its +centre, about a table lit by veiled lamps, he fancied Mr. Lavington and +his guests to be already seated at dinner; then he perceived that the +table was covered not with viands but with papers, and that he had +blundered into what seemed to be his host's study. As he paused Frank +Rainer looked up. + +"Oh, here's Mr. Faxon. Why not ask him--?" + +Mr. Lavington, from the end of the table, reflected his nephew's smile +in a glance of impartial benevolence. + +"Certainly. Come in, Mr. Faxon. If you won't think it a liberty--" + +Mr. Grisben, who sat opposite his host, turned his head toward the door. +"Of course Mr. Faxon's an American citizen?" + +Frank Rainer laughed. "That's all right!... Oh, no, not one of your +pin-pointed pens, Uncle Jack! Haven't you got a quill somewhere?" + +Mr. Balch, who spoke slowly and as if reluctantly, in a muffled voice of +which there seemed to be very little left, raised his hand to say: "One +moment: you acknowledge this to be--?" + +"My last will and testament?" Rainer's laugh redoubled. "Well, I won't +answer for the 'last.' It's the first, anyway." + +"It's a mere formula," Mr. Balch explained. + +"Well, here goes." Rainer dipped his quill in the inkstand his uncle +had pushed in his direction, and dashed a gallant signature across the +document. + +Faxon, understanding what was expected of him, and conjecturing that the +young man was signing his will on the attainment of his majority, had +placed himself behind Mr. Grisben, and stood awaiting his turn to affix +his name to the instrument. Rainer, having signed, was about to push the +paper across the table to Mr. Balch; but the latter, again raising his +hand, said in his sad imprisoned voice: "The seal--?" + +"Oh, does there have to be a seal?" + +Faxon, looking over Mr. Grisben at John Lavington, saw a faint frown +between his impassive eyes. "Really, Frank!" He seemed, Faxon thought, +slightly irritated by his nephew's frivolity. + +"Who's got a seal?" Frank Rainer continued, glancing about the table. +"There doesn't seem to be one here." + +Mr. Grisben interposed. "A wafer will do. Lavington, you have a wafer?" + +Mr. Lavington had recovered his serenity. "There must be some in one +of the drawers. But I'm ashamed to say I don't know where my secretary +keeps these things. He ought to have seen to it that a wafer was sent +with the document." + +"Oh, hang it--" Frank Rainer pushed the paper aside: "It's the hand of +God--and I'm as hungry as a wolf. Let's dine first, Uncle Jack." + +"I think I've a seal upstairs," said Faxon. + +Mr. Lavington sent him a barely perceptible smile. "So sorry to give you +the trouble--" + +"Oh, I say, don't send him after it now. Let's wait till after dinner!" + +Mr. Lavington continued to smile on _his_ guest, and the latter, as +if under the faint coercion of the smile, turned from the room and +ran upstairs. Having taken the seal from his writing-case he came down +again, and once more opened the door of the study. No one was speaking +when he entered--they were evidently awaiting his return with the mute +impatience of hunger, and he put the seal in Rainer's reach, and stood +watching while Mr. Grisben struck a match and held it to one of the +candles flanking the inkstand. As the wax descended on the paper Faxon +remarked again the strange emaciation, the premature physical weariness, +of the hand that held it: he wondered if Mr. Lavington had ever noticed +his nephew's hand, and if it were not poignantly visible to him now. + +With this thought in his mind, Faxon raised his eyes to look at +Mr. Lavington. The great man's gaze rested on Frank Rainer with an +expression of untroubled benevolence; and at the same instant Faxon's +attention was attracted by the presence in the room of another person, +who must have joined the group while he was upstairs searching for the +seal. The new-comer was a man of about Mr. Lavington's age and figure, +who stood just behind his chair, and who, at the moment when Faxon +first saw him, was gazing at young Rainer with an equal intensity of +attention. The likeness between the two men--perhaps increased by the +fact that the hooded lamps on the table left the figure behind the +chair in shadow--struck Faxon the more because of the contrast in their +expression. John Lavington, during his nephew's clumsy attempt to +drop the wax and apply the seal, continued to fasten on him a look +of half-amused affection; while the man behind the chair, so oddly +reduplicating the lines of his features and figure, turned on the boy a +face of pale hostility. + +The impression was so startling that Faxon forgot what was going on +about him. He was just dimly aware of young Rainer's exclaiming; "Your +turn, Mr. Grisben!" of Mr. Grisben's protesting: "No--no; Mr. Faxon +first," and of the pen's being thereupon transferred to his own hand. +He received it with a deadly sense of being unable to move, or even to +understand what was expected of him, till he became conscious of Mr. +Grisben's paternally pointing out the precise spot on which he was to +leave his autograph. The effort to fix his attention and steady his hand +prolonged the process of signing, and when he stood up--a strange weight +of fatigue on all his limbs--the figure behind Mr. Lavington's chair was +gone. + +Faxon felt an immediate sense of relief. It was puzzling that the man's +exit should have been so rapid and noiseless, but the door behind Mr. +Lavington was screened by a tapestry hanging, and Faxon concluded that +the unknown looker-on had merely had to raise it to pass out. At any +rate he was gone, and with his withdrawal the strange weight was lifted. +Young Rainer was lighting a cigarette, Mr. Balch inscribing his name +at the foot of the document, Mr. Lavington--his eyes no longer on his +nephew--examining a strange white-winged orchid in the vase at his +elbow. Every thing suddenly seemed to have grown natural and simple +again, and Faxon found himself responding with a smile to the affable +gesture with which his host declared: "And now, Mr. Faxon, we'll dine." + + + + +III + +"I wonder how I blundered into the wrong room just now; I thought you +told me to take the second door to the left," Faxon said to Frank Rainer +as they followed the older men down the gallery. + +"So I did; but I probably forgot to tell you which staircase to take. +Coming from your bedroom, I ought to have said the fourth door to the +right. It's a puzzling house, because my uncle keeps adding to it from +year to year. He built this room last summer for his modern pictures." + +Young Rainer, pausing to open another door, touched an electric button +which sent a circle of light about the walls of a long room hung with +canvases of the French impressionist school. + +Faxon advanced, attracted by a shimmering Monet, but Rainer laid a hand +on his arm. + +"He bought that last week. But come along--I'll show you all this after +dinner. Or _he_ will, rather--he loves it." + +"Does he really love things?" + +Rainer stared, clearly perplexed at the question. "Rather! Flowers and +pictures especially! Haven't you noticed the flowers? I suppose you +think his manner's cold; it seems so at first; but he's really awfully +keen about things." + +Faxon looked quickly at the speaker. "Has your uncle a brother?" + +"Brother? No--never had. He and my mother were the only ones." + +"Or any relation who--who looks like him? Who might be mistaken for +him?" + +"Not that I ever heard of. Does he remind you of some one?" + +"Yes." + +"That's queer. We'll ask him if he's got a double. Come on!" + +But another picture had arrested Faxon, and some minutes elapsed before +he and his young host reached the dining-room. It was a large room, +with the same conventionally handsome furniture and delicately grouped +flowers; and Faxon's first glance showed him that only three men +were seated about the dining-table. The man who had stood behind Mr. +Lavington's chair was not present, and no seat awaited him. + +When the young men entered, Mr. Grisben was speaking, and his host, who +faced the door, sat looking down at his untouched soup-plate and turning +the spoon about in his small dry hand. + +"It's pretty late to call them rumours--they were devilish close to +facts when we left town this morning," Mr. Grisben was saying, with an +unexpected incisiveness of tone. + +Mr. Lavington laid down his spoon and smiled interrogatively. "Oh, +facts--what _are_ facts? Just the way a thing happens to look at a given +minute...." + +"You haven't heard anything from town?" Mr. Grisben persisted. + +"Not a syllable. So you see.... Balch, a little more of that _petite +marmite_. Mr. Faxon... between Frank and Mr. Grisben, please." + +The dinner progressed through a series of complicated courses, +ceremoniously dispensed by a prelatical butler attended by three +tall footmen, and it was evident that Mr. Lavington took a certain +satisfaction in the pageant. That, Faxon reflected, was probably +the joint in his armour--that and the flowers. He had changed the +subject--not abruptly but firmly--when the young men entered, but +Faxon perceived that it still possessed the thoughts of the two elderly +visitors, and Mr. Balch presently observed, in a voice that seemed to +come from the last survivor down a mine-shaft: "If it _does_ come, it +will be the biggest crash since '93." + +Mr. Lavington looked bored but polite. "Wall Street can stand crashes +better than it could then. It's got a robuster constitution." + +"Yes; but--" + +"Speaking of constitutions," Mr. Grisben intervened: "Frank, are you +taking care of yourself?" + +A flush rose to young Rainer's cheeks. + +"Why, of course! Isn't that what I'm here for?" + +"You're here about three days in the month, aren't you? And the rest of +the time it's crowded restaurants and hot ballrooms in town. I thought +you were to be shipped off to New Mexico?" + +"Oh, I've got a new man who says that's rot." + +"Well, you don't look as if your new man were right," said Mr. Grisben +bluntly. + +Faxon saw the lad's colour fade, and the rings of shadow deepen under +his gay eyes. At the same moment his uncle turned to him with a renewed +intensity of attention. There was such solicitude in Mr. Lavington's +gaze that it seemed almost to fling a shield between his nephew and Mr. +Grisben's tactless scrutiny. + +"We think Frank's a good deal better," he began; "this new doctor--" + +The butler, coming up, bent to whisper a word in his ear, and the +communication caused a sudden change in Mr. Lavington's expression. His +face was naturally so colourless that it seemed not so much to pale as +to fade, to dwindle and recede into something blurred and blotted-out. He +half rose, sat down again and sent a rigid smile about the table. + +"Will you excuse me? The telephone. Peters, go on with the dinner." With +small precise steps he walked out of the door which one of the footmen +had thrown open. + +A momentary silence fell on the group; then Mr. Grisben once more +addressed himself to Rainer. "You ought to have gone, my boy; you ought +to have gone." + +The anxious look returned to the youth's eyes. "My uncle doesn't think +so, really." + +"You're not a baby, to be always governed by your uncle's opinion. You +came of age to-day, didn't you? Your uncle spoils you.... that's what's +the matter...." + +The thrust evidently went home, for Rainer laughed and looked down with +a slight accession of colour. + +"But the doctor--" + +"Use your common sense, Frank! You had to try twenty doctors to find one +to tell you what you wanted to be told." + +A look of apprehension overshadowed Rainer', gaiety. "Oh, come--I +say!... What would _you_ do?" he stammered. + +"Pack up and jump on the first train." Mr. Grisben leaned forward and +laid his hand kindly on the young man's arm. "Look here: my nephew Jim +Grisben is out there ranching on a big scale. He'll take you in and be +glad to have you. You say your new doctor thinks it won't do you any +good; but he doesn't pretend to say it will do you harm, does he? Well, +then--give it a trial. It'll take you out of hot theatres and night +restaurants, anyhow.... And all the rest of it.... Eh, Balch?" + +"Go!" said Mr. Balch hollowly. "Go _at once_," he added, as if a closer +look at the youth's face had impressed on him the need of backing up his +friend. + +Young Rainer had turned ashy-pale. He tried to stiffen his mouth into a +smile. "Do I look as bad as all that?" + +Mr. Grisben was helping himself to terrapin. "You look like the day +after an earthquake," he said. + +The terrapin had encircled the table, and been deliberately enjoyed by +Mr. Lavington's three visitors (Rainer, Faxon noticed, left his plate +untouched) before the door was thrown open to re-admit their host. +Mr. Lavington advanced with an air of recovered composure. He seated +himself, picked up his napkin and consulted the gold-monogrammed menu. +"No, don't bring back the filet.... Some terrapin; yes...." He looked +affably about the table. "Sorry to have deserted you, but the storm has +played the deuce with the wires, and I had to wait a long time before I +could get a good connection. It must be blowing up for a blizzard." + +"Uncle Jack," young Rainer broke out, "Mr. Grisben's been lecturing me." + +Mr. Lavington was helping himself to terrapin. "Ah--what about?" + +"He thinks I ought to have given New Mexico a show." + +"I want him to go straight out to my nephew at Santa Paz and stay there +till his next birthday." Mr. Lavington signed to the butler to hand the +terrapin to Mr. Grisben, who, as he took a second helping, addressed +himself again to Rainer. "Jim's in New York now, and going back the day +after tomorrow in Olyphant's private car. I'll ask Olyphant to squeeze +you in if you'll go. And when you've been out there a week or two, in +the saddle all day and sleeping nine hours a night, I suspect you won't +think much of the doctor who prescribed New York." + +Faxon spoke up, he knew not why. "I was out there once: it's a splendid +life. I saw a fellow--oh, a really _bad_ case--who'd been simply made +over by it." + +"It _does_ sound jolly," Rainer laughed, a sudden eagerness in his tone. + +His uncle looked at him gently. "Perhaps Grisben's right. It's an +opportunity--" + +Faxon glanced up with a start: the figure dimly perceived in the study +was now more visibly and tangibly planted behind Mr. Lavington's chair. + +"That's right, Frank: you see your uncle approves. And the trip out +there with Olyphant isn't a thing to be missed. So drop a few dozen +dinners and be at the Grand Central the day after tomorrow at five." + +Mr. Grisben's pleasant grey eye sought corroboration of his host, and +Faxon, in a cold anguish of suspense, continued to watch him as he +turned his glance on Mr. Lavington. One could not look at Lavington +without seeing the presence at his back, and it was clear that, the next +minute, some change in Mr. Grisben's expression must give his watcher a +clue. + +But Mr. Grisben's expression did not change: the gaze he fixed on his +host remained unperturbed, and the clue he gave was the startling one of +not seeming to see the other figure. + +Faxon's first impulse was to look away, to look anywhere else, to resort +again to the champagne glass the watchful butler had already brimmed; +but some fatal attraction, at war in him with an overwhelming physical +resistance, held his eyes upon the spot they feared. + +The figure was still standing, more distinctly, and therefore more +resemblingly, at Mr. Lavington's back; and while the latter continued +to gaze affectionately at his nephew, his counterpart, as before, fixed +young Rainer with eyes of deadly menace. + +Faxon, with what felt like an actual wrench of the muscles, dragged his +own eyes from the sight to scan the other countenances about the table; +but not one revealed the least consciousness of what he saw, and a sense +of mortal isolation sank upon him. + +"It's worth considering, certainly--" he heard Mr. Lavington continue; +and as Rainer's face lit up, the face behind his uncle's chair seemed to +gather into its look all the fierce weariness of old unsatisfied hates. +That was the thing that, as the minutes laboured by, Faxon was becoming +most conscious of. The watcher behind the chair was no longer merely +malevolent: he had grown suddenly, unutterably tired. His hatred seemed +to well up out of the very depths of balked effort and thwarted hopes, +and the fact made him more pitiable, and yet more dire. + +Faxon's look reverted to Mr. Lavington, as if to surprise in him a +corresponding change. At first none was visible: his pinched smile was +screwed to his blank face like a gas-light to a white-washed wall. Then +the fixity of the smile became ominous: Faxon saw that its wearer was +afraid to let it go. It was evident that Mr. Lavington was unutterably +tired too, and the discovery sent a colder current through Faxon's +veins. Looking down at his untouched plate, he caught the soliciting +twinkle of the champagne glass; but the sight of the wine turned him +sick. + +"Well, we'll go into the details presently," he heard Mr. Lavington say, +still on the question of his nephew's future. "Let's have a cigar first. +No--not here, Peters." He turned his smile on Faxon. "When we've had +coffee I want to show you my pictures." + +"Oh, by the way, Uncle Jack--Mr. Faxon wants to know if you've got a +double?" + +"A double?" Mr. Lavington, still smiling, continued to address himself +to his guest. "Not that I know of. Have you seen one, Mr. Faxon?" + +Faxon thought: "My God, if I look up now they'll _both_ be looking at +me!" To avoid raising his eyes he made as though to lift the glass to +his lips; but his hand sank inert, and he looked up. Mr. Lavington's +glance was politely bent on him, but with a loosening of the strain +about his heart he saw that the figure behind the chair still kept its +gaze on Rainer. + +"Do you think you've seen my double, Mr. Faxon?" + +Would the other face turn if he said yes? Faxon felt a dryness in his +throat. "No," he answered. + +"Ah? It's possible I've a dozen. I believe I'm extremely usual-looking," +Mr. Lavington went on conversationally; and still the other face watched +Rainer. + +"It was... a mistake... a confusion of memory...." Faxon heard himself +stammer. Mr. Lavington pushed back his chair, and as he did so Mr. +Grisben suddenly leaned forward. + +"Lavington! What have we been thinking of? We haven't drunk Frank's +health!" + +Mr. Lavington reseated himself. "My dear boy!... Peters, another +bottle...." He turned to his nephew. "After such a sin of omission I +don't presume to propose the toast myself... but Frank knows.... Go +ahead, Grisben!" + +The boy shone on his uncle. "No, no, Uncle Jack! Mr. Grisben won't mind. +Nobody but _you_--to-day!" + +The butler was replenishing the glasses. He filled Mr. Lavington's last, +and Mr. Lavington put out his small hand to raise it.... As he did so, +Faxon looked away. + +"Well, then--All the good I've wished you in all the past years.... I +put it into the prayer that the coming ones may be healthy and happy and +many... and _many_, dear boy!" + +Faxon saw the hands about him reach out for their glasses. +Automatically, he reached for his. His eyes were still on the table, and +he repeated to himself with a trembling vehemence: "I won't look up! I +won't.... I won't...." + +His fingers clasped the glass and raised it to the level of his lips. +He saw the other hands making the same motion. He heard Mr. Grisben's +genial "Hear! Hear!" and Mr. Batch's hollow echo. He said to himself, +as the rim of the glass touched his lips: "I won't look up! I swear I +won't!--" and he looked. + +The glass was so full that it required an extraordinary effort to hold +it there, brimming and suspended, during the awful interval before he +could trust his hand to lower it again, untouched, to the table. It was +this merciful preoccupation which saved him, kept him from crying out, +from losing his hold, from slipping down into the bottomless blackness +that gaped for him. As long as the problem of the glass engaged him he +felt able to keep his seat, manage his muscles, fit unnoticeably into +the group; but as the glass touched the table his last link with safety +snapped. He stood up and dashed out of the room. + + + + +IV + +In the gallery, the instinct of self-preservation helped him to turn +back and sign to young Rainer not to follow. He stammered out something +about a touch of dizziness, and joining them presently; and the boy +nodded sympathetically and drew back. + +At the foot of the stairs Faxon ran against a servant. "I should like to +telephone to Weymore," he said with dry lips. + +"Sorry, sir; wires all down. We've been trying the last hour to get New +York again for Mr. Lavington." + +Faxon shot on to his room, burst into it, and bolted the door. The +lamplight lay on furniture, flowers, books; in the ashes a log still +glimmered. He dropped down on the sofa and hid his face. The room was +profoundly silent, the whole house was still: nothing about him gave a +hint of what was going on, darkly and dumbly, in the room he had flown +from, and with the covering of his eyes oblivion and reassurance seemed +to fall on him. But they fell for a moment only; then his lids opened +again to the monstrous vision. There it was, stamped on his pupils, a +part of him forever, an indelible horror burnt into his body and brain. +But why into his--just his? Why had he alone been chosen to see what he +had seen? What business was it of _his_, in God's name? Any one of the +others, thus enlightened, might have exposed the horror and defeated +it; but _he_, the one weaponless and defenceless spectator, the one whom +none of the others would believe or understand if he attempted to reveal +what he knew--_he_ alone had been singled out as the victim of this +dreadful initiation! + +Suddenly he sat up, listening: he had heard a step on the stairs. Some +one, no doubt, was coming to see how he was--to urge him, if he felt +better, to go down and join the smokers. Cautiously he opened his +door; yes, it was young Rainer's step. Faxon looked down the passage, +remembered the other stairway and darted to it. All he wanted was to get +out of the house. Not another instant would he breathe its abominable +air! What business was it of _his_, in God's name? + +He reached the opposite end of the lower gallery, and beyond it saw +the hall by which he had entered. It was empty, and on a long table he +recognized his coat and cap. He got into his coat, unbolted the door, +and plunged into the purifying night. + +The darkness was deep, and the cold so intense that for an instant +it stopped his breathing. Then he perceived that only a thin snow was +falling, and resolutely he set his face for flight. The trees along the +avenue marked his way as he hastened with long strides over the beaten +snow. Gradually, while he walked, the tumult in his brain subsided. The +impulse to fly still drove him forward, but he began feel that he was +flying from a terror of his own creating, and that the most urgent +reason for escape was the need of hiding his state, of shunning other +eyes till he should regain his balance. + +He had spent the long hours in the train in fruitless broodings on a +discouraging situation, and he remembered how his bitterness had turned +to exasperation when he found that the Weymore sleigh was not awaiting +him. It was absurd, of course; but, though he had joked with Rainer over +Mrs. Culme's forgetfulness, to confess it had cost a pang. That was what +his rootless life had brought him to: for lack of a personal stake in +things his sensibility was at the mercy of such trifles.... Yes; that, +and the cold and fatigue, the absence of hope and the haunting sense of +starved aptitudes, all these had brought him to the perilous verge over +which, once or twice before, his terrified brain had hung. + +Why else, in the name of any imaginable logic, human or devilish, +should he, a stranger, be singled out for this experience? What could +it mean to him, how was he related to it, what bearing had it on his +case?... Unless, indeed, it was just because he was a stranger--a +stranger everywhere--because he had no personal life, no warm screen of +private egotisms to shield him from exposure, that he had developed this +abnormal sensitiveness to the vicissitudes of others. The thought pulled +him up with a shudder. No! Such a fate was too abominable; all that +was strong and sound in him rejected it. A thousand times better regard +himself as ill, disorganized, deluded, than as the predestined victim of +such warnings! + +He reached the gates and paused before the darkened lodge. The wind had +risen and was sweeping the snow into his race. The cold had him in its +grasp again, and he stood uncertain. Should he put his sanity to the +test and go back? He turned and looked down the dark drive to the house. +A single ray shone through the trees, evoking a picture of the lights, +the flowers, the faces grouped about that fatal room. He turned and +plunged out into the road.... + +He remembered that, about a mile from Overdale, the coachman had pointed +out the road to Northridge; and he began to walk in that direction. +Once in the road he had the gale in his face, and the wet snow on his +moustache and eye-lashes instantly hardened to ice. The same ice seemed +to be driving a million blades into his throat and lungs, but he pushed +on, the vision of the warm room pursuing him. + +The snow in the road was deep and uneven. He stumbled across ruts and +sank into drifts, and the wind drove against him like a granite cliff. +Now and then he stopped, gasping, as if an invisible hand had tightened +an iron band about his body; then he started again, stiffening himself +against the stealthy penetration of the cold. The snow continued to +descend out of a pall of inscrutable darkness, and once or twice he +paused, fearing he had missed the road to Northridge; but, seeing no +sign of a turn, he ploughed on. + +At last, feeling sure that he had walked for more than a mile, he halted +and looked back. The act of turning brought immediate relief, first +because it put his back to the wind, and then because, far down the +road, it showed him the gleam of a lantern. A sleigh was coming--a +sleigh that might perhaps give him a lift to the village! Fortified by +the hope, he began to walk back toward the light. It came forward very +slowly, with unaccountable sigsags and waverings; and even when he was +within a few yards of it he could catch no sound of sleigh-bells. Then +it paused and became stationary by the roadside, as though carried by +a pedestrian who had stopped, exhausted by the cold. The thought made +Faxon hasten on, and a moment later he was stooping over a motionless +figure huddled against the snow-bank. The lantern had dropped from its +bearer's hand, and Faxon, fearfully raising it, threw its light into the +face of Frank Rainer. + +"Rainer! What on earth are you doing here?" + +The boy smiled back through his pallour. "What are _you_, I'd like to +know?" he retorted; and, scrambling to his feet with a clutch oh Faxon's +arm, he added gaily: "Well, I've run you down!" + +Faxon stood confounded, his heart sinking. The lad's face was grey. + +"What madness--" he began. + +"Yes, it _is_. What on earth did you do it for?" + +"I? Do what?... Why I.... I was just taking a walk.... I often walk at +night...." + +Frank Rainer burst into a laugh. "On such nights? Then you hadn't +bolted?" + +"Bolted?" + +"Because I'd done something to offend you? My uncle thought you had." + +Faxon grasped his arm. "Did your uncle send you after me?" + +"Well, he gave me an awful rowing for not going up to your room with +you when you said you were ill. And when we found you'd gone we were +frightened--and he was awfully upset--so I said I'd catch you.... You're +_not_ ill, are you?" + +"Ill? No. Never better." Faxon picked up the lantern. "Come; let's go +back. It was awfully hot in that dining-room." + +"Yes; I hoped it was only that." + +They trudged on in silence for a few minutes; then Faxon questioned: +"You're not too done up?" + +"Oh, no. It's a lot easier with the wind behind us." + +"All right. Don't talk any more." + +They pushed ahead, walking, in spite of the light that guided them, +more slowly than Faxon had walked alone into the gale. The fact of his +companion's stumbling against a drift gave Faxon a pretext for saying: +"Take hold of my arm," and Rainer obeying, gasped out: "I'm blown!" + +"So am I. Who wouldn't be?" + +"What a dance you led me! If it hadn't been for one of the servants +happening to see you--" + +"Yes; all right. And now, won't you kindly shut up?" + +Rainer laughed and hung on him. "Oh, the cold doesn't hurt me...." + +For the first few minutes after Rainer had overtaken him, anxiety +for the lad had been Faxon's only thought. But as each labouring step +carried them nearer to the spot he had been fleeing, the reasons for his +flight grew more ominous and more insistent. No, he was not ill, he was +not distraught and deluded--he was the instrument singled out to warn +and save; and here he was, irresistibly driven, dragging the victim back +to his doom! + +The intensity of the conviction had almost checked his steps. But what +could he do or say? At all costs he must get Rainer out of the cold, +into the house and into his bed. After that he would act. + +The snow-fall was thickening, and as they reached a stretch of the road +between open fields the wind took them at an angle, lashing their faces +with barbed thongs. Rainer stopped to take breath, and Faxon felt the +heavier pressure of his arm. + +"When we get to the lodge, can't we telephone to the stable for a +sleigh?" + +"If they're not all asleep at the lodge." + +"Oh, I'll manage. Don't talk!" Faxon ordered; and they plodded on.... + +At length the lantern ray showed ruts that curved away from the road +under tree-darkness. + +Faxon's spirits rose. "There's the gate! We'll be there in five +minutes." + +As he spoke he caught, above the boundary hedge, the gleam of a light at +the farther end of the dark avenue. It was the same light that had shone +on the scene of which every detail was burnt into his brain; and he felt +again its overpowering reality. No--he couldn't let the boy go back! + +They were at the lodge at last, and Faxon was hammering on the door. He +said to himself: "I'll get him inside first, and make them give him a +hot drink. Then I'll see--I'll find an argument...." + +There was no answer to his knocking, and after an interval Rainer said: +"Look here--we'd better go on." + +"No!" + +"I can, perfectly--" + +"You sha'n't go to the house, I say!" Faxon redoubled his blows, and +at length steps sounded on the stairs. Rainer was leaning against the +lintel, and as the door opened the light from the hall flashed on his +pale face and fixed eyes. Faxon caught him by the arm and drew him in. + +"It _was_ cold out there." he sighed; and then, abruptly, as if +invisible shears at a single stroke had cut every muscle in his body, he +swerved, drooped on Faxon's arm, and seemed to sink into nothing at his +feet. + +The lodge-keeper and Faxon bent over him, and somehow, between them, +lifted him into the kitchen and laid him on a sofa by the stove. + +The lodge-keeper, stammering: "I'll ring up the house," dashed out of +the room. But Faxon heard the words without heeding them: omens mattered +nothing now, beside this woe fulfilled. He knelt down to undo the fur +collar about Rainer's throat, and as he did so he felt a warm moisture +on his hands. He held them up, and they were red.... + + + + +V + +The palms threaded their endless line along the yellow river. The little +steamer lay at the wharf, and George Faxon, sitting in the verandah of +the wooden hotel, idly watched the coolies carrying the freight across +the gang-plank. + +He had been looking at such scenes for two months. Nearly five had +elapsed since he had descended from the train at Northridge and strained +his eyes for the sleigh that was to take him to Weymore: Weymore, which +he was never to behold!... Part of the interval--the first part--was +still a great grey blur. Even now he could not be quite sure how he +had got back to Boston, reached the house of a cousin, and been thence +transferred to a quiet room looking out on snow under bare trees. He +looked out a long time at the same scene, and finally one day a man +he had known at Harvard came to see him and invited him to go out on a +business trip to the Malay Peninsula. + +"You've had a bad shake-up, and it'll do you no end of good to get away +from things." + +When the doctor came the next day it turned out that he knew of the plan +and approved it. "You ought to be quiet for a year. Just loaf and look +at the landscape," he advised. + +Faxon felt the first faint stirrings of curiosity. + +"What's been the matter with me, anyway?" + +"Well, over-work, I suppose. You must have been bottling up for a bad +breakdown before you started for New Hampshire last December. And the +shock of that poor boy's death did the rest." + +Ah, yes--Rainer had died. He remembered.... + +He started for the East, and gradually, by imperceptible degrees, life +crept back into his weary bones and leaden brain. His friend was patient +and considerate, and they travelled slowly and talked little. At first +Faxon had felt a great shrinking from whatever touched on familiar +things. He seldom looked at a newspaper and he never opened a letter +without a contraction of the heart. It was not that he had any special +cause for apprehension, but merely that a great trail of darkness lay on +everything. He had looked too deep down into the abyss.... But little +by little health and energy returned to him, and with them the common +promptings of curiosity. He was beginning to wonder how the world was +going, and when, presently, the hotel-keeper told him there were no +letters for him in the steamer's mail-bag, he felt a distinct sense of +disappointment. His friend had gone into the jungle on a long excursion, +and he was lonely, unoccupied and wholesomely bored. He got up and +strolled into the stuffy reading-room. + +There he found a game of dominoes, a mutilated picture-puzzle, some +copies of _Zion's Herald_ and a pile of New York and London newspapers. + +He began to glance through the papers, and was disappointed to find that +they were less recent than he had hoped. Evidently the last numbers had +been carried off by luckier travellers. He continued to turn them over, +picking out the American ones first. These, as it happened, were the +oldest: they dated back to December and January. To Faxon, however, they +had all the flavour of novelty, since they covered the precise period +during which he had virtually ceased to exist. It had never before +occurred to him to wonder what had happened in the world during that +interval of obliteration; but now he felt a sudden desire to know. + +To prolong the pleasure, he began by sorting the papers chronologically, +and as he found and spread out the earliest number, the date at the top +of the page entered into his consciousness like a key slipping into a +lock. It was the seventeenth of December: the date of the day after his +arrival at Northridge. He glanced at the first page and read in blazing +characters: "Reported Failure of Opal Cement Company. Lavington's name +involved. Gigantic Exposure of Corruption Shakes Wall Street to Its +Foundations." + +He read on, and when he had finished the first paper he turned to the +next. There was a gap of three days, but the Opal Cement "Investigation" +still held the centre of the stage. From its complex revelations of +greed and ruin his eye wandered to the death notices, and he read: +"Rainer. Suddenly, at Northridge, New Hampshire, Francis John, only son +of the late...." + +His eyes clouded, and he dropped the newspaper and sat for a long time +with his face in his hands. When he looked up again he noticed that his +gesture had pushed the other papers from the table and scattered them at +his feet. The uppermost lay spread out before him, and heavily his eyes +began their search again. "John Lavington comes forward with plan for +reconstructing Company. Offers to put in ten millions of his own--The +proposal under consideration by the District Attorney." + +Ten millions... ten millions of his own. But if John Lavington was +ruined?... Faxon stood up with a cry. That was it, then--that was what +the warning meant! And if he had not fled from it, dashed wildly away +from it into the night, he might have broken the spell of iniquity, the +powers of darkness might not have prevailed! He caught up the pile of +newspapers and began to glance through each in turn for the head-line: +"Wills Admitted to Probate." In the last of all he found the paragraph +he sought, and it stared up at him as if with Rainer's dying eyes. + +That--_that_ was what he had done! The powers of pity had singled him +out to warn and save, and he had closed his ears to their call, and +washed his hands of it, and fled. Washed his hands of it! That was +the word. It caught him back to the dreadful moment in the lodge when, +raising himself up from Rainer's side, he had looked at his hands and +seen that they were red.... + + + + + +End of the Project Gutenberg EBook of The Triumph Of Night, by Edith Wharton + +*** END OF THIS PROJECT GUTENBERG EBOOK THE TRIUMPH OF NIGHT *** + +***** This file should be named 24351.txt or 24351.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/4/3/5/24351/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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