initial commit of ebook 237HEADmain

1 files changed, 1217 insertions, 0 deletions

diff --git a/237.txt b/237.txt
new file mode 100644
index 0000000..579b30c
--- /dev/null
+++ b/237.txt
@@ -0,0 +1,1217 @@
+The Project Gutenberg EBook of Sexti Properti Carmina, by Sextus Propertius
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Sexti Properti Carmina
+
+Author: Sextus Propertius
+
+Release Date: April 3, 2008 [EBook #237]
+
+Language: Latin
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SEXTI PROPERTI CARMINA ***
+
+
+
+
+
+
+
+
+
+
+
+
+
+  SEXTI PROPERTI ELEGIARVM
+
+  LIBER PRIMVS
+
+  CYNTHIA MONOBIBLOS
+
+
+  I
+
+  CYNTHIA prima suis miserum me cepit ocellis,
+      contactum nullis ante cupidinibus.
+  tum mihi constantis deiecit lumina fastus
+      et caput impositis pressit Amor pedibus,
+  donec me docuit castas odisse puellas
+      improbus, et nullo uiuere consilio.
+  et mihi iam toto furor hic non deficit anno,
+      cum tamen aduersos cogor habere deos.
+  Milanion nullos fugiendo, Tulle, labores
+      saeuitiam durae contudit Iasidos.
+  nam modo Partheniis amens errabat in antris,
+      ibat et hirsutas ille uidere feras;
+  ille etiam Hylaei percussus uulnere rami
+      saucius Arcadiis rupibus ingemuit.
+  ergo uelocem potuit domuisse puellam:
+      tantum in amore preces et benefacta ualent.
+  in me tardus Amor non ullas cogitat artis,
+      nec meminit notas, ut prius, ire uias.
+  at uos, deductae quibus est fallacia lunae
+      et labor in magicis sacra piare focis,
+  en agedum dominae mentem conuertite nostrae,
+      et facite illa meo palleat ore magis!
+  tunc ego crediderim uobis et sidera et amnis
+      posse Cytaeines ducere carminibus.
+  et uos, qui sero lapsum reuocatis, amici,
+      quaerite non sani pectoris auxilia.
+  fortiter et ferrum saeuos patiemur et ignis,
+      sit modo libertas quae uelit ira loqui.
+  ferte per extremas gentis et ferte per undas,
+      qua non ulla meum femina norit iter:
+  uos remanete, quibus facili deus annuit aure,
+      sitis et in tuto semper amore pares.
+  in me nostra Venus noctes exercet amaras,
+      et nullo uacuus tempore defit Amor.
+  hoc, moneo, uitate malum:  sua quemque moretur
+      cura, neque assueto mutet amore locum.
+  quod si quis monitis tardas aduerterit auris,
+      heu referet quanto uerba dolore mea!
+
+
+
+  II
+
+  QVID iuuat ornato procedere, uita, capillo
+      et tenuis Coa ueste mouere sinus?
+  aut quid Orontea crinis perfundere murra,.
+      teque peregrinis uendere muneribus;
+  naturae decus mercato perdere cultu,
+      nec sinere in propriis membra nitere bonis?
+  crede mihi, non ulla tua est medicina figurae:
+      nudus Amor formae non amat artificem.
+  aspice quos summittat humus formosa colores;
+      ut ueniant hederae sponte sua melius,
+  surgat et in solis formosius arbutus antris,
+      et sciat indocilis currere lympha uias.
+  litora natiuis persuadent picta lapillis,
+      et uolucres nulla dulcius arte canunt.
+  non sic Leucippis succendit Castora Phoebe,
+      Pollucem cultu non Hilaira soror;
+  non, Idae et cupido quondam discordia Phoebo,
+      Eueni patriis filia litoribus;
+  nec Phrygium falso traxit candore maritum
+      auecta externis Hippodamia rotis:
+  sed facies aderat nullis obnoxia gemmis,
+      qualis Apelleis est color in tabulis.
+  non illis studium uulgo conquirere amantis:
+      illis ampla satis forma pudicitia.
+  non ego nunc uereor ne sim tibi uilior istis:
+      uni si qua placet, culta puella sat est;
+  cum tibi praesertim Phoebus sua carmina donet
+      Aoniam libens Calliopea lyram,
+  unica nec desit iucundis gratia uerbis,
+      omnia quaeque Venus, quaeque Minerua probat.
+  his tu semper eris nostrae gratissima uitae,
+      taedia dum miserae sint tibi luxuriae.
+
+
+
+  III
+
+  QVALIS Thesea iacuit cedente carina
+      languida desertis Gnosia litoribus;
+  qualis et accubuit primo Cepheia somno
+      libera iam duris cotibus Andromede;
+  nec minus assiduis Edonis fessa choreis
+      qualis in herboso concidit Apidano:
+  talis uisa mihi mollem spirare quietem
+      Cynthia non certis nixa caput manibus,
+  ebria cum multo traherem uestigia Baccho,
+      et quaterent sera nocte facem pueri.
+  hanc ego, nondum etiam sensus deperditus omnis,
+      molliter impresso conor adire toro;
+  et quamuis duplici correptum ardore iuberent
+      hac Amor hac Liber, durus uterque deus,
+  subiecto leuiter positam temptare lacerto
+      osculaque admota sumere et arma manu,
+  non tamen ausus eram dominae turbare quietem,
+      expertae metuens iurgia saeuitiae;
+  sed sic intentis haerebam fixus ocellis,
+      Argus ut ignotis cornibus Inachidos.
+  et modo soluebam nostra de fronte corollas
+      ponebam tuis, Cynthia, temporibus;
+  et modo gaudebam lapsos formare capillos;
+      nunc furtiua cauis poma dabam manibus;
+  omniaque ingrato largibar munera somno,
+      munera de prono saepe uoluta sinu;
+  et quotiens raro duxit suspiria motu,
+      obstupui uano credulus auspicio,
+  ne qua tibi insolitos portarent uisa timores,
+      neue quis inuitam cogeret esse suam:
+  donec diuersas praecurrens luna fenestras,
+      luna moraturis sedula luminibus,
+  compositos leuibus radiis patefecit ocellos.
+      sic ait in molli fixa toro cubitum:
+  'tandem te nostro referens iniuria lecto
+      alterius clausis expulit e foribus?
+  namque ubi longa meae consumpsti tempora noctis
+      languidus exactis, ei mihi, sideribus?
+  o utinam talis perducas, improbe, noctes,
+      me miseram qualis semper habere iubes!
+  nam modo purpureo fallebam stamine somnum,
+      rursus et Orpheae carmine, fessa, lyrae;
+  interdum leuiter mecum deserta querebar
+      externo longas saepe in amore moras:
+  dum me iucundis lapsam sopor impulit alis.
+      illa fuit lacrimis ultima cura meis.'
+
+
+
+  IV
+
+  QVID mihi tam multas laudando, Basse, puellas
+      mutatum domina cogis abire mea?
+  quid me non pateris uitae quodcumque sequetur
+      hoc magis assueto ducere seruitio?
+  tu licet Antiopae formam Nycteidos, et tu
+      Spartanae referas laudibus Hermionae,
+  et quascumque tulit formosi temporis aetas;
+      Cynthia non illas nomen habere sinat:
+  nedum, si leuibus fuerit collata figuris,
+      inferior duro iudice turpis eat.
+  haec sed forma mei pars est extrema furoris;
+      sunt maiora, quibus, Basse, perire iuuat:
+  ingenuus color et multis decus artibus, et quae
+      gaudia sub tacita dicere ueste libet.
+  quo magis et nostros contendis soluere amores,
+      hoc magis accepta fallit uterque fide.
+  non impune feres:  sciet haec insana puella
+      et tibi non tacitis uocibus hostis erit;
+  nec tibi me post haec committet Cynthia nec te
+      quaeret; erit tanti criminis illa memor,
+  et te circum omnis alias irata puellas
+      differet:  heu nullo limine carus eris.
+  nullas illa suis contemnet fletibus aras,
+      et quicumque sacer, qualis ubique, lapis.
+  non ullo grauius temptatur Cynthia damno,
+      quam sibi cum rapto cessat amore deus:
+  praecipue nostri.  maneat sic semper, adoro,
+      nec quicquam ex illa quod querar inueniam!
+
+
+
+  V
+
+  INVIDE, tu tandem uoces compesce molestas
+      et sine nos cursu, quo sumus, ire pares!
+  quid tibi uis, insane?  meos sentire furores?
+      infelix, properas ultima nosse mala,
+  et miser ignotos uestigia ferre per ignis,
+      et bibere e tota toxica Thessalia.
+  non est illa uagis similis collata puellis:
+      molliter irasci non solet illa tibi.
+  quod si forte tuis non est contraria uotis,
+      at tibi curarum milia quanta dabit!
+  non tibi iam somnos, non illa relinquet ocellos:
+      illa feros animis alligat una uiros.
+  a, mea contemptus quotiens ad limina curres,
+      cum tibi singultu fortia uerba cadent,
+  et tremulus maestis orietur fletibus horror,
+      et timor informem ducet in ore notam,
+  et quaecumque uoles fugient tibi uerba querenti,
+      nec poteris, qui sis aut ubi, nosse miser!
+  tum graue seruitium nostrae cogere puellae
+      discere et exclusum quid sit abire domum;
+  nec iam pallorem totiens mirabere nostrum,
+      aut cur sim toto corpore nullus ego.
+  nec tibi nobilitas poterit succurrere amanti:
+      nescit Amor priscis cedere imaginibus.
+  quod si parua tuae dederis uestigia culpae,
+      quam cito de tanto nomine rumor eris!
+  non ego tum potero solacia ferre roganti,
+      cum mihi nulla mei sit medicina mali;
+  sed pariter miseri socio cogemur amore
+      alter in alterius mutua flere sinu.
+  quare, quid possit mea Cynthia, desine, Galle,
+      quaerere:  non impune illa rogata uenit.
+
+
+
+  VI
+
+  NON ego nunc Hadriae uereor mare noscere tecum
+      Tulle, neque Aegaeo ducere uela salo,
+  cum quo Rhipaeos possim conscendere montis
+      ulterius domos uadere Memnonias;
+  sed me complexae remorantur uerba puellae,
+      mutatoque graues saepe colore preces.
+  illa mihi totis argutat noctibus ignis,
+      et queritur nullos esse relicta deos;
+  illa meam mihi iam se denegat, illa minatur,
+      quae solet irato tristis amica uiro.
+  his ego non horam possum durare querelis:
+      a pereat, si quis lentus amare potest!
+  an mihi sit tanti doctas cognoscere Athenas
+      atque Asiae ueteres cernere diuitias,
+  ut mihi deducta faciat conuicia puppi
+      Cynthia et insanis ora notet manibus,
+  osculaque opposito dicat sibi debita uento,
+      et nihil infido durius esse uiro?
+  tu patrui meritas conare anteire securis,
+      et uetera oblitis iura refer sociis.
+  nam tua non aetas umquam cessauit amori,
+      semper et armatae cura fuit patriae;
+  et tibi non umquam nostros puer iste labores
+      afferat et lacrimis omnia nota meis!
+  me sine, quem semper uoluit fortuna iacere,
+      hanc animam extremae reddere nequitiae.
+  multi longinquo periere in amore libenter,
+      in quorum numero me quoque terra tegat.
+  non ego sum laudi, non natus idoneus armis:
+      hanc me militiam fata subire uolunt.
+  at tu seu mollis qua tendit Ionia, seu qua
+      Lydia Pactoli tingit arata liquor;
+  seu pedibus terras seu pontum carpere remis
+      ibis, et accepti pars eris imperii:
+  tum tibi si qua mei ueniet non immemor hora,
+      uiuere me duro sidere certus eris.
+
+
+
+  VII
+
+  DVM tibi Cadmeae dicuntur, Pontice, Thebae
+      armaque fraternae tristia militiae,
+  atque, ita sim felix, primo contendis Homero,
+      (sint modo fata tuis mollia carminibus:)
+  nos, ut consuemus, nostros agitamus amores,
+      atque aliquid duram quaerimus in dominam;
+  nec tantum ingenio quantum seruire dolori
+      cogor et aetatis tempora dura queri.
+  hic mihi conteritur uitae modus, haec mea fama est,
+      hinc cupio nomen carminis ire mei.
+  me laudent doctae solum placuisse puellae,
+      Pontice, et iniustas saepe tulisse minas;
+  me legat assidue post haec neglectus amator,
+      et prosint illi cognita nostra mala.
+  te quoque si certo puer hic concusserit arcu,
+      (quod nolim:  nostros te uiolasse deos!)
+  longe castra tibi, longe miser agmina septem
+      flebis in aeterno surda iacere situ;
+  et frustra cupies mollem componere uersum,
+      nec tibi subiciet carmina serus Amor.
+  tum me non humilem mirabere saepe poetam,
+      tunc ego Romanis praeferar ingeniis;
+  nec poterunt iuuenes nostro reticere sepulcro
+      'Ardoris nostri magne poeta, iaces.'
+  tu caue nostra tuo contemnas carmina fastu:
+      saepe uenit magno faenore tardus Amor.
+
+
+
+  VIII
+
+  TVNE igitur demens, nec te mea cura moratur?
+      an tibi sum gelida uilior Illyria?
+  et tibi iam tanti, quicumque est, iste uidetur,
+      ut sine me uento quolibet ire uelis?
+  tune audire potes uesani murmura ponti
+      fortis, et in dura naue iacere potes?
+  tu pedibus teneris positas fulcire pruinas,
+      tu potes insolitas, Cynthia, ferre niues?
+  o utinam hibernae duplicentur tempora brumae,
+      et sit iners tardis nauita Vergiliis,
+  nec tibi Tyrrhena soluatur funis harena,
+      neue inimica meas eleuet aura preces!
+  atque ego non uideam talis subsidere uentos,
+      cum tibi prouectas auferet unda ratis,
+  ut me defixum uacua patiatur in ora
+      crudelem infesta saepe uocare manu!
+  Sed quocumque modo de me, periura, mereris,
+      sit Galatea tuae non aliena uiae:
+  ut te, felici praeuecta Ceraunia remo,
+      accipiat placidis Oricos aequoribus.
+  nam me non ullae poterunt corrumpere, de te
+      quin ego, uita, tuo limine uerba querar;
+  nec me deficiet nautas rogitare citatos
+      'Dicite, quo portu clausa puella mea est?
+  et dicam 'Licet Atraciis considat in oris,
+      et licet Hylleis, illa futura mea est.'
+  hic erat! hic iurata manet! rumpantur iniqui!
+      uicimus:  assiduas non tulit illa preces.
+  falsa licet cupidus deponat gaudia liuor:
+      destitit ire nouas Cynthia nostra uias.
+  illi carus ego et per me carissima Roma
+      dicitur, et sine me dulcia regna negat.
+  illa uel angusto mecum requiescere lecto
+      et quocumque modo maluit esse mea,
+  quam sibi dotatae regnum uetus Hippodamiae,
+      et quas Elis opes ante pararat equis.
+  quamuis magna daret, quamuis maiora daturus,
+      non tamen illa meos fugit auara sinus.
+  hanc ego non auro, non Indis flectere conchis,
+      sed potui blandi carminis obsequio.
+  sunt igitur Musae, neque amanti tardus Apollo,
+      quis ego fretus amo:  Cynthia rara mea est!
+  nunc mihi summa licet contingere sidera plantis:
+      siue dies seu nox uenerit, illa mea est!
+  nec mihi riualis certos subducit amores:
+      ista meam norit gloria canitiem.
+
+
+
+  IX
+
+  DICEBAM tibi uenturos, irrisor, amores,
+      nec tibi perpetuo libera uerba fore:
+  ecce iaces supplexque uenis ad iura puellae,
+      et tibi nunc quaeuis imperat empta modo.
+  non me Chaoniae uincant in amore columbae
+      dicere, quos iuuenes quaeque puella domet.
+  me dolor et lacrimae merito fecere peritum:
+      atque utinam posito dicar amore rudis!
+  quid tibi nunc misero prodest graue dicere carmen
+      aut Amphioniae moenia flere lyrae?
+  plus in amore ualet Mimnermi uersus Homero:
+      carmina mansuetus lenia quaerit Amor.
+  i quaeso et tristis istos compone libellos,
+      et cane quod quaeuis nosse puella uelit!
+  quid si non esset facilis tibi copia?  nunc tu
+      insanus medio flumine quaeris aquam.
+  necdum etiam palles, uero nec tangeris igni:
+      haec est uenturi prima fauilla mali.
+  tum magis Armenias cupies accedere tigris
+      et magis infernae uincula nosse rotae,
+  quam pueri totiens arcum sentire medullis
+      et nihil iratae posse negare tuae.
+  nullus Amor cuiquam facilis ita praebuit alas,
+      ut non alterna presserit ille manu.
+  nec te decipiat, quod sit satis illa parata:
+      acrius illa subit, Pontice, si qua tua est,
+  quippe ubi non liceat uacuos seducere ocellos
+      nec uigilare alio nomine cedat Amor.
+  qui non ante patet, donec manus attigit ossa.
+      quisquis es, assiduas a fuge blanditias!
+  illis et silices et possint cedere quercus,
+      nedum tu possis, spiritus iste leuis.
+  quare, si pudor est, quam primum errata fatere:
+      dicere quo pereas saepe in amore leuat.
+
+
+
+  X
+
+  O IVCVNDA quies, primo cum testis amori
+      affueram uestris conscius in lacrimis!
+  o noctem meminisse mihi iucunda uoluptas,
+      o quotiens uotis illa uocanda meis.
+  cum te complexa morientem, Galle, puella
+      uidimus et longa ducere uerba mora!
+  quamuis labentis premeret mihi somnus ocellos
+      et mediis caelo Luna ruberet equis,
+  non tamen a uestro potui secedere lusu.
+      tantus in alternis uocibus ardor erat.
+  sed quoniam non es ueritus concedere nobis,
+      accipe commissae munera laetitiae:
+  non solum uestros didici reticere dolores,
+      est quiddam in nobis maius, amice, fide.
+  possum ego diuersos iterum coniungere amantis.
+      et dominae tardas possum aperire fores;
+  et possum alterius curas sanare recentis,
+      nec leuis in uerbis est medicina meis.
+  Cynthia me docuit semper quaecumque petenda
+      quaeque cauenda forent:  non nihil egit Amor.
+  tu caue ne tristi cupias pugnare puellae,
+      neue superba loqui, neue tacere diu;
+  neu, si quid petiit, ingrata fronte negaris.
+      neu tibi pro uano uerba benigna cadant.
+  irritata uellit, quando contemnitur illa,
+      nec meminit iustas ponere laesa minas:
+  at quo sis humilis magis et subiectus amori,
+      hoc magis effecto saepe fruare bono.
+  is poterit felix una remanere puella,
+      qui numquam uacuo pectore liber erit.
+
+
+
+  XI
+
+  ECQVID te mediis cessantem, Cynthia, Bais,
+      qua iacet Herculeis semita litoribus,
+  et modo Thesproti mirantem subdita regno
+      proxima Misenis aequora nobilibus,
+  nostri cura subit memores a! ducere noctes?
+      ecquis in extremo restat amore locus?
+  an te nescio quis simulatis ignibus hostis
+      sustulit e nostris, Cynthia, carminibus?
+  atque utinam mage te, remis confisa minutis,
+      paruula Lucrina cumba moretur aqua,
+  aut teneat clausam tenui Teuthrantis in unda
+      alternae facilis cedere lympha manu,
+  quam uacet alterius blandos audire susurros
+      molliter in tacito litore compositam!Q
+  ut solet amota labi custode puella
+      perfida, communis nec meminisse deos:
+  non quia perspecta non es mihi cognita fama,
+      sed quod in hac omnis parte timetur amor.
+  ignosces igitur, si quid tibi triste libelli
+      attulerint nostri:  culpa timoris erit.
+  'an mihi non maior carae custodia matris?'
+      aut sine te uitae cura sit ulla meae?
+  tu mihi sola domus, tu, Cynthia, sola parentes,
+      omnia tu nostrae tempora laetitiae.
+  seu tristis ueniam seu contra laetus amicis,
+      quicquid ero, dicam' Cynthia causa fuit.
+  tu modo quam primum corruptas desere Baias:
+      multis ista dabunt litora discidium,
+  litora quae fuerant castis inimica puellis:
+      a pereant Baiae, crimen amoris, aquae!
+
+
+
+  XII
+
+  QVID mihi desidiae non cessas fingere crimen,
+      quod faciat nobis conscia Roma moram?
+  tam multa illa meo diuisa est milia lecto,
+      quantum Hypanis Veneto dissidet Eridano;
+  nec mihi consuetos amplexu nutrit amores
+      Cynthia, nec nostra dulcis in aure sonat.
+  olim gratus eram:  non illo tempore cuiquam
+      contigit ut simili posset amare fide.
+  inuidiae fuimus:  non me deus obruit?  an quae
+      lecta Prometheis diuidit herba iugis?
+  non sum ego qui fueram:  mutat uia longa puellas.
+      quantus in exiguo tempore fugit amor!
+  nunc primum longas solus cognoscere noctes
+      cogor et ipse meis auribus esse grauis.
+  felix, qui potuit praesenti flere puellae;
+      non nihil aspersis gaudet Amor lacrimis:
+  aut si despectus potuit mutare calores,
+      sunt quoque translato gaudia seruitio.
+  mi neque amare aliam neque ab hac desistere fas est:
+      Cynthia prima fuit, Cynthia finis erit.
+
+
+
+  XIII
+
+  TV, quod saepe soles, nostro laetabere casu,
+      Galle, quod abrepto solus amore uacem.
+  at non ipse tuas imitabor, perfide, uoces:
+      fallere te numquam, Galle, puella uelit.
+  dum tibi deceptis augetur fama puellis,
+      certus et in nullo quaeris amore moram,
+  perditus in quadam tardis pallescere curis
+      incipis, et primo lapsus abire gradu.
+  haec erit illarum contempti poena doloris:
+      multarum miseras exiget una uices.
+  haec tibi uulgaris istos compescet amores,
+      nec noua quaerendo semper amicus eris.
+  haec ego non rumore malo, non augure doctus;
+      uidi ego:  me quaeso teste negare potes?
+  uidi ego te toto uinctum languescere collo
+      et flere iniectis, Galle, diu manibus,
+  et cupere optatis animam deponere uerbis,
+      et quae deinde meus celat, amice, pudor.
+  non ego complexus potui diducere uestros:
+      tantus erat demens inter utrosque furor.
+  non sic Haemonio Salmonida mixtus Enipeo
+      Taenarius facili pressit amore deus,
+  nec sic caelestem flagrans amor Herculis Heben
+      sensit in Oetaeis gaudia prima iugis.
+  una dies omnis potuit praecurrere amantis:
+      nam tibi non tepidas subdidit illa faces,
+  nec tibi praeteritos passa est succedere fastus,
+      nec sinet abduci:  te tuus ardor aget.
+  nec mirum, cum sit Ioue digna et proxima Ledae
+      et Ledae partu gratior, una tribus;
+  illa sit Inachiis et blandior heroinis,
+      illa suis uerbis cogat amare Iouem.
+  tu uero quoniam semel es periturus amore,
+      utere:  non alio limine dignus eras.
+  quae tibi sit felix quoniam nouus incidit error;
+      et quodcumque uoles, una sit ista tibi.
+
+
+
+  XIV
+
+  TV licet abiectus Tiberina molliter unda
+      Lesbia Mentoreo uina bibas opere,
+  et modo tam celeres mireris currere lintres
+      et modo tam tardas funibus ire ratis;
+  et nemus omne satas intendat uertice siluas,
+      urgetur quantis Caucasus arboribus;
+  non tamen ista meo ualeant contendere amori:
+      nescit Amor magnis cedere diuitiis.
+  nam siue optatam mecum trahit illa quietem,
+      seu facili totum ducit amore diem,
+  tum mihi Pactoli ueniunt sub tecta liquores,
+      et legitur Rubris gemma sub aequoribus;
+  tum mihi cessuros spondent mea gaudia reges:
+      quae maneant, dum me fata perire uolent!
+  nam quis diuitiis aduerso gaudet Amore?
+      nulla mihi tristi praemia sint Venere!
+  illa potest magnas heroum infringere uires,
+      illa etiam duris mentibus esse dolor:
+  illa neque Arabium metuit transcendere limen
+      nec timet ostrino, Tulle, subire toro
+  et miserum toto iuuenem uersare cubili:
+      quid releuant uariis serica textilibus?
+  quae mihi dum placata aderit, non ulla uerebor
+      regna uel Alcinoi munera despicere.
+
+
+
+  XV
+
+  SAEPE ego multa tuae leuitatis dura timebam,
+      hac tamen excepta, Cynthia, perfidia.
+  aspice me quanto rapiat fortuna periclo!
+      tu tamen in nostro lenta timore uenis;
+  et potes hesternos manibus componere crinis
+      et longa faciem quaerere desidia,
+  nec minus Eois pectus uariare lapillis,
+      ut formosa nouo quae parat ire uiro.
+  at non sic Ithaci digressu mota Calypso
+      desertis olim fleuerat aequoribus:
+  multos illa dies incomptis maesta capillis
+      sederat, iniusto multa locuta salo,
+  et quamuis numquam post haec uisura, dolebat
+      illa tamen, longae conscia laetitiae.
+  nec sic Aesoniden rapientibus anxia uentis
+      Hypsipyle uacuo constitit in thalamo:
+  Hypsipyle nullos post illos sensit amores,
+      ut semel Haemonio tabuit hospitio.
+  Alphesiboea suos ulta est pro coniuge fratres
+      sanguinis et cari uincula rupit amor.
+  coniugis Euadne miseros elata per ignis
+      occidit, Argiuae fama pudicitiae.
+  quarum nulla tuos potuit conuertere mores,
+      tu quoque uti fieres nobilis historia.
+  desine iam reuocare tuis periuria uerbis,
+      Cynthia, et oblitos parce mouere deos;
+  audax a nimium, nostro dolitura periclo,
+      si quid forte tibi durius inciderit!
+  multa prius:  uasto labentur flumina ponto,
+      annus et inuersas duxerit ante uices,
+  quam tua sub nostro mutetur pectore cura:
+      sis quodcumque uoles, non aliena tamen.
+  quam tibi ne uiles isti uideantur ocelli,
+      per quos saepe mihi credita perfidia est!
+  hos tu iurabas, si quid mentita fuisses,
+      ut tibi suppositis exciderent manibus:
+  et contra magnum potes hos attollere Solem,
+      nec tremis admissae conscia nequitiae?
+  quis te cogebat multos pallere colores
+      et fletum inuitis ducere luminibus?
+  quis ego nunc pereo, similis moniturus amantis
+      'O nullis tutum credere blanditiis!'
+
+
+
+  XVI
+
+  'QVAE fueram magnis olim patefacta triumphis,
+      Ianua Tarpeiae nota pudicitiae;
+  cuius inaurati celebrarunt limina currus,
+      captorum lacrimis umida supplicibus;
+  nunc ego, nocturnis potorum saucia rixis,
+      pulsata indignis saepe queror manibus,
+  et mihi non desunt turpes pendere corollae
+      semper et exclusis signa iacere faces.
+  nec possum infamis dominae defendere noctes
+      nobilis obscenis tradita carminibus;
+  (nec tamen illa suae reuocatur parcere famae,
+      turpior et saecli uiuere luxuria.)
+  has inter grauibus cogor deflere querelis,
+      supplicis a longis tristior excubiis.
+  ille meos numquam patitur requiescere postis,
+      arguta referens carmina blanditia:
+  "Ianua uel domina penitus crudelior ipsa,
+      quid mihi iam duris clausa taces foribus?
+  cur numquam reserata meos admittis amores,
+      nescia furtiuas reddere mota preces?
+  nullane finis erit nostro concessa dolori,
+      turpis et in tepido limine somnus erit?
+  me mediae noctes, me sidera plena iacentem,
+      frigidaque Eoo me dolet aura gelu:
+  tu sola humanos numquam miserata dolores
+      respondes tacitis mutua cardinibus.
+  o utinam traiecta caua mea uocula rima
+      percussas dominae uertat in auriculas!
+  sit licet et saxo patientior illa Sicano,
+      sit licet et ferro durior et chalybe,
+  non tamen illa suos poterit compescere ocellos,
+      surget et inuitis spiritus in lacrimis.
+  nunc iacet alterius felici nixa lacerto,
+      at mea nocturno uerba cadunt Zephyro.
+  sed tu sola mei, tu maxima causa doloris,
+      uicta meis numquam, ianua, muneribus.
+  te non ulla meae laesit petulantia linguae,
+      quae solet irato dicere tota loco,
+  ut me tam longa raucum patiare querela
+      sollicitas triuio peruigilare moras.
+  at tibi saepe nouo deduxi carmina uersu,
+      osculaque impressis nixa dedi gradibus.
+  ante tuos quotiens uerti me, perfida, postis,
+      debitaque occultis uota tuli manibus!"
+  haec ille et si quae miseri nouistis amantes,
+      et matutinis obstrepit alitibus.
+  sic ego nunc dominae uitiis et semper amantis
+      fletibus aeterna deferor inuidia.'
+
+
+
+  XVII
+
+  ET merito, quoniam potui fugisse puellam
+      nunc ego desertas alloquor alcyonas.
+  nec mihi Cassiope solito uisura carinam,
+      omniaque ingrato litore uota cadunt.
+  quin etiam absenti prosunt tibi, Cynthia, uenti:
+      aspice, quam saeuas increpat aura minas.
+  nullane placatae ueniet fortuna procellae?
+      haecine parua meum funus harena teget?
+  tu tamen in melius saeuas conuerte querelas:
+      sat tibi sit poenae nox et iniqua uada.
+  an poteris siccis mea fata reponere ocellis,
+      ossaque nulla tuo nostra tenere sinu?
+  a pereat, quicumque ratis et uela parauit
+      primus et inuito gurgite fecit iter!
+  nonne fuit leuius dominae peruincere mores
+      (quamuis dura, tamen rara puella fuit),
+  quam sic ignotis circumdata litora siluis
+      cernere et optatos quaerere Tyndaridas?
+  illic si qua meum sepelissent fata dolorem,
+      ultimus et posito staret amore lapis,
+  illa meo caros donasset funere crinis,
+      molliter et tenera poneret ossa rosa;
+  illa meum extremo clamasset puluere nomen,
+      ut mihi non ullo pondere terra foret.
+  at uos, aequoreae formosa Doride natae,
+      candida felici soluite uela choro:
+  si quando uestras labens Amor attigit undas,
+      mansuetis socio parcite litoribus.
+
+
+
+  XVIII
+
+  HAEC certe deserta loca et taciturna querenti,
+      et uacuum Zephyri possidet aura nemus.
+  hic licet occultos proferre impune dolores,
+      si modo sola queant saxa tenere fidem.
+  unde tuos primum repetam, mea Cynthia, fastus?
+      quod mihi das flendi, Cynthia, principium?
+  qui modo felices inter numerabar amantis,
+      nunc in amore tuo cogor habere notam.
+  quid tantum merui?  quae te mihi carmina mutant
+      an noua tristitiae causa puella tuae?
+  sic mihi te referas, leuis, ut non altera nostro
+      limine formosos intulit ulla pedes.
+  quamuis multa tibi dolor hic meus aspera debet,
+      non ita saeua tamen uenerit ira mea
+  ut tibi sim merito semper furor, et tua flendo
+      lumina deiectis turpia sint lacrimis.
+  an quia parua damus mutato signa colore?
+      et non ulla meo clamat in ore fides?
+  uos eritis testes, si quos habet arbor amores,
+      fagus et Arcadio pinus amica deo.
+  a quotiens teneras resonant mea uerba sub umbras,
+      scribitur et uestris Cynthia corticibus!
+  an tua quod peperit nobis iniuria curas,
+      quae solum tacitis cognita sunt foribus?
+  omnia consueui timidus perferre superbae
+      iussa neque arguto facta dolore queri.
+  pro quo diuini fontes et frigida rupes
+      et datur inculto tramite dura quies;
+  et quodcumque meae possunt narrare querelae,
+      cogor ad argutas dicere solus auis.
+  sed qualiscum es resonent mihi 'Cynthia' siluae,
+      nec deserta tuo nomine saxa uacent.
+
+
+
+  XIX
+
+  NON ego nunc tristis uereor, mea Cynthia, Manis,
+      nec moror extremo debita fata rogo;
+  sed ne forte tuo careat mihi funus amore,
+      hic timor est ipsis durior exsequiis.
+  non adeo leuiter noster puer haesit ocellis,
+      ut meus oblito puluis amore uacet.
+  illic Phylacides iucundae coniugis heros
+      non potuit caecis immemor esse locis,
+  sed cupidus falsis attingere gaudia palmis
+      Thessalus antiquam uenerat umbra domum.
+  illic quidquid ero, semper tua dicar imago:
+      traicit et fati litora magnus amor.
+  illic formosae ueniant chorus heroinae,
+      quas dedit Argiuis Dardana praeda uiris;
+  quarum nulla tua fuerit mihi, Cynthia, forma
+      gratior, et (Tellus hoc ita iusta sinat)
+  quamuis te longae remorentur fata senectae,
+      cara tamen lacrimis ossa futura meis.
+  quae tu uiua mea possis sentire fauilla!
+      tum mihi non ullo mors sit amara loco.
+  quam uereor, ne te contempto, Cynthia, busto
+      abstrahat e nostro puluere iniquus Amor,
+  cogat et inuitam lacrimas siccare cadentis!
+      flectitur assiduis certa puella minis.
+  quare, dum licet, inter nos laetemur amantes:
+      non satis est ullo tempore longus amor.
+
+
+
+  XX
+
+  HOC pro continuo te, Galle, monemus amore,
+      (id tibi ne uacuo defluat ex animo)
+  saepe imprudenti fortuna occurrit amanti:
+      crudelis Minyis dixerit Ascanius.
+  est tibi non infra speciem, non nomine dispar,
+      Theiodamanteo proximus ardor Hylae:
+  hunc tu, siue leges umbrosae flumina siluae,
+      siue Aniena tuos tinxerit unda pedes,
+  siue Gigantea spatiabere litoris ora,
+      siue ubicumque uago fluminis hospitio,
+  Nympharum semper cupidas defende rapinas
+      (non minor Ausoniis est amor Adryasin);
+  ne tibi sint duri montes et frigida saxa,
+      Galle, neque expertos semper adire lacus:
+  quae miser ignotis error perpessus in oris
+      Herculis indomito fleuerat Ascanio.
+  namque ferunt olim Pagasae naualibus Argon
+      egressam longe Phasidos isse uiam,
+  et iam praeteritis labentem Athamantidos undis
+      Mysorum scopulis applicuisse ratem.
+  hic manus heroum, placidis ut constitit oris,
+      mollia composita litora fronde tegit.
+  at comes inuicti iuuenis processerat ultra
+      raram sepositi quaerere fontis aquam.
+  hunc duo sectati fratres, Aquilonia proles,
+      hunc super et Zetes, hunc super et Calais,
+  oscula suspensis instabant carpere palmis,
+      oscula et alterna ferre supina fuga.
+  ille sub extrema pendens secluditur ala
+      et uolucres ramo summouet insidias.
+  iam Pandioniae cessat genus Orithyiae:
+      a dolor! ibat Hylas, ibat Hamadryasin.
+  hic erat Arganthi Pegae sub uertice montis
+      grata domus Nymphis umida Thyniasin,
+  quam supra nullae pendebant debita curae
+      roscida desertis poma sub arboribus,
+  et circum irriguo surgebant lilia prato
+      candida purpureis mixta papaueribus.
+  quae modo decerpens tenero pueriliter ungui
+      proposito florem praetulit officio,
+  et modo formosis incumbens nescius undis
+      errorem blandis tardat imaginibus.
+  tandem haurire parat demissis flumina palmis
+      innixus dextro plena trahens umero.
+  cuius ut accensae Dryades candore puellae
+      miratae solitos destituere choros,
+  prolapsum leuiter facili traxere liquore:
+      tum sonitum rapto corpore fecit Hylas.
+  cui procul Alcides iterat responsa, sed illi
+      nomen ab extremis fontibus aura refert.
+  his, o Galle, tuos monitus seruabis amores,
+      formosum Nymphis credere uisus Hylan.
+  'Tu, qui consortem properas euadere casum,
+      miles ab Etruscis saucius aggeribus,
+  quid nostro gemitu turgentia lumina torques?
+      pars ego sum uestrae proxima militiae.
+  sic te seruato, ut possint gaudere parentes,
+      ne soror acta tuis sentiat e lacrimis:
+  Gallum per medios ereptum Caesaris ensis
+      effugere ignotas non potuisse manus;
+  et quicumque super dispersa inuenerit ossa
+      montibus Etruscis, haec sciat esse mea.'
+
+
+
+  XXII
+
+  QVALIS et unde genus, qui sint mihi, Tulle, Penates,
+      quaeris pro nostra semper amicitia.
+  si Perusina tibi patriae sunt nota sepulcra,
+      (Italiae duris funera temporibus,
+  cum Romana suos egit discordia ciuis,)
+      sic mihi praecipue puluis Etrusca dolor.
+  tu proiecta mei perpessa es membra propinqui,
+      tu nullo miseri contegis ossa solo.
+  proxima supposito contingens Vmbria campo
+      me genuit terris fertilis uberibus.
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Sexti Properti Carmina, by Sextus Propertius
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SEXTI PROPERTI CARMINA ***
+
+***** This file should be named 237.txt or 237.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/2/3/237/
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.