diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:06:02 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:06:02 -0700 |
| commit | ee09a77089b7c65bdee78d7cbda9b3e8032db006 (patch) | |
| tree | bd65647e44d24da9146291be1798b9c23c780247 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 23630-0.txt | 1938 | ||||
| -rw-r--r-- | 23630-0.zip | bin | 0 -> 45598 bytes | |||
| -rw-r--r-- | 23630-8.txt | 1937 | ||||
| -rw-r--r-- | 23630-8.zip | bin | 0 -> 45268 bytes | |||
| -rw-r--r-- | 23630-h.zip | bin | 0 -> 131738 bytes | |||
| -rw-r--r-- | 23630-h/23630-h.htm | 2120 | ||||
| -rw-r--r-- | 23630-h/images/006.jpg | bin | 0 -> 56852 bytes | |||
| -rw-r--r-- | 23630-h/images/025.jpg | bin | 0 -> 28424 bytes | |||
| -rw-r--r-- | 23630.txt | 1937 | ||||
| -rw-r--r-- | 23630.zip | bin | 0 -> 45243 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/23630-h.htm.2021-01-25 | 2119 |
14 files changed, 10067 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/23630-0.txt b/23630-0.txt new file mode 100644 index 0000000..03692b4 --- /dev/null +++ b/23630-0.txt @@ -0,0 +1,1938 @@ +The Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Phantoms Of The Foot-Bridge + 1895 + +Author: Charles Egbert Craddock (AKA Mary Noailles Murfree) + +Illustrator: A. B. Frost + +Release Date: November 26, 2007 [EBook #23630] +Last Updated: March 8, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + + + + +Produced by David Widger + + + + + + +THE PHANTOMS OF THE FOOT-BRIDGE + +By Charles Egbert Craddock + +1895 + + +Across the narrow gorge the little foot-bridge stretched-a brace of +logs, the upper surface hewn, and a slight hand-rail formed of a cedar +pole. A flimsy structure, one might think, looking down at the dark and +rocky depths beneath, through which flowed the mountain stream, swift +and strong, but it was doubtless substantial enough for all ordinary +usage, and certainly sufficient for the imponderable and elusive +travellers who by common report frequented it. + +“We ain’t likely ter meet nobody. Few folks kem this way nowadays, +‘thout it air jes’ ter ford the creek down along hyar a piece, sence +harnts an’ sech onlikely critters hev been viewed a-crossin’ the +foot-bredge. An’ it hev got the name o’ bein’ toler’ble onlucky, too,” + said Roxby. + +His interlocutor drew back slightly. He had his own reasons to recoil +from the subject of death. For him it was invested with a more immediate +terror than is usual to many of the living, with that flattering +persuasion of immortality in every strong pulsation repudiating all +possibility of cessation. Then, lifting his gloomy, long-lashed eyes to +the bridge far up the stream, he asked, “Whose ‘harms?” + +His voice had a low, repressed cadence, as of one who speaks seldom, +grave, even melancholy, and little indicative of the averse interest +that had kindled in his sombre eyes. In comparison the drawl of the +mountaineer, who had found him heavy company by the way, seemed imbued +with an abnormal vivacity, and keyed a tone or two higher than was its +wont. + +“Thar ain’t a few,” he replied, with a sudden glow of the pride of the +cicerone. “Thar’s a graveyard t’other side o’ the gorge, an’ not more +than a haffen-mile off, an’ a cornsider’ble passel o’ folks hev +been buried thar off an’ on, an’ the foot-bredge ain’t in nowise +ill-convenient ter them.” + +Thus demonstrating the spectral resources of the locality, he rode his +horse well into the stream as he spoke, and dropped the reins that the +animal’s impatient lips might reach the water. He sat fac-, ing the +foot-bridge, flecked with the alternate shifting of the sunshine and the +shadows of the tremulous firs that grew on either side of the high +banks on the ever-ascending slope, thus arching both above and below +the haunted bridge. His companion had joined him in the centre of +the stream; but while the horses drank, the stranger’s eyes were +persistently bent on the concentric circles of the water that the +movement of the animals had set astir in the current, as if he feared +that too close or curious a gaze might discern some pilgrim, whom he +cared not to see, traversing that shadowy quivering foot-bridge. He +was mounted on a strong, handsome chestnut, as marked a contrast to his +guide’s lank and trace-galled sorrel as were the two riders. A slender +gloved hand had fallen with the reins to the pommel of the saddle. His +soft felt hat, like a sombrero, shadowed his clear-cut face. He was +carefully shaven, save for a long drooping dark mustache and imperial. +His suit of dark cloth was much concealed by a black cloak, one end of +which thrown back across his shoulder showed a bright blue lining, the +color giving a sudden heightening touch to his attire, as if he were “in +costume.” It was a fleeting fashion of the day, but it added a certain +picturesqueness to a horseman, and seemed far enough from the times +that produced the square-tailed frock-coat which the mountaineer wore, +constructed of brown jeans, the skirts of which stood stiffly out on +each side of the saddle, and gave him, with his broad-brimmed hat, a +certain Quakerish aspect. + +“I dun’no’ why folks be so ‘feared of ‘em,” Rox-by remarked, +speculatively. “The dead ain’t so oncommon, nohow. Them ez hev been +in the war, like you an’ me done, oughter be in an’ ‘bout used ter +corpses-though I never seen none o’ ‘em afoot agin. Lookin’ at a smit +field o’ battle, arter the rage is jes’ passed, oughter gin a body a +realizin’ sense how easy the sperit kin flee, an’ what pore vessels fur +holdin’ the spark o’ life human clay be.” + +Simeon Roxby had a keen, not unkindly face, and he had that look of +extreme intelligence which is entirely distinct from intellectuality, +and which one sometimes sees in a minor degree in a very clever dog or a +fine horse. One might rely on him to understand instinctively everything +one might say to him, even in its subtler aesthetic values, although he +had consciously learned little. He was of the endowed natures to whom +much is given, rather than of those who are set to acquire. He had +many lines in his face-even his simple life had gone hard with him, its +sorrows un assuaged by its simplicity. His hair was grizzled, and hung +long and straight on his collar. He wore a grizzled beard cut broad and +short. His boots had big spurs, although the lank old sorrel had never +felt them. He sat his horse like the cavalryman he had been for four +years of hard riding and raiding, but his face had a certain gentleness +that accented the Quaker-like suggestion of his garb, a look of +communing with the higher things. + +“I never blamed ‘em,’” he went on, evidently reverting to the spectres +of the bridge-“I never blamed ‘em for comin’ back wunst in a while. It +‘pears ter me ‘twould take me a long time ter git familiar with heaven, +an’ sociable with them ez hev gone before. An’, my Lord, jes’ think what +the good green yearth is! Leastwise the mountings. I ain’t settin’ store +on the valley lands I seen whenst I went ter the wars. I kin remember +yit what them streets in the valley towns smelt like.” + +He lifted his head, drawing a long breath to inhale the exquisite +fragrance of the fir, the freshness of the pellucid water, the aroma of +the autumn wind, blowing through the sere leaves still clinging red and +yellow to the boughs of the forest. + +“Naw, I ain’t blamin’ ‘em, though I don’t hanker ter view ‘em,” he +resumed. “One of ‘em I wouldn’t be afeard of, though. I feel mighty +sorry fur her. The old folks used ter tell about her. A young ‘oman she +war, a-crossin’ this bredge with her child in her arms. She war young, +an’ mus’ have been keerless, I reckon; though ez ‘twar her fust baby, +she moightn’t hev been practised in holdin’ it an’ sech, an’ somehows +it slipped through her arms an’ fell inter the ruver, an’ war killed in +a minit, dashin’ agin the rocks. She jes’ stood fur a second a-screamin’ +like a wild painter, an’ jumped off’n the bredge arter it. She got it +agin; for when they dragged her body out’n the ruver she hed it in her +arms too tight fur even death ter onloose. An’ thar they air together in +the buryin’-ground.” + +He gave a nod toward the slope of the mountain that intercepted the +melancholy view of the graveyard. + +“Got it yit!” he continued; “bekase” (he lowered his voice) “on windy +nights, whenst the moon is on the wane, she is viewed kerryin’ the baby +along the bredge--kerryin’ it clear over, _safe an’ sound_, like she +thought she oughter done, I reckon, in that one minute, whilst she stood +an’ screamed an’ surveyed what she hed done. That child would hev been +nigh ter my age ef he hed lived.” + +Only the sunbeams wavered athwart the bridge now as the firs swayed +above, giving glimpses of the sky, and their fibrous shadows flickered +back and forth. The wild mountain stream flashed white between the brown +bowlders, and plunged down the gorge in a succession of cascades, each +seeming more transparently green and amber and brown than the other. The +chestnut horse gazed meditatively at these limpid out-gushings, having +drunk his fill; then thought better of his moderation, and once more +thrust his head down to the water. The hand of his rider, which had +made a motion to gather up the reins, dropped leniently on his neck, as +Simeon Roxby spoke again: + +“Several--several others hev been viewed, actin’ accordin’ ter thar +motions in life. Now thar war a peddler--some say he slipped one icy +evenin’, ‘bout dusk in winter--some say evil ones waylaid him fur his +gear an’ his goods in his pack, but the settlemint mostly believes +he war alone whenst he fell. His pack ‘pears ter be full still, they +say--but ye air ‘bleeged ter know he hev hed ter set that pack down fur +good ‘fore this time. We kin take nuthin’ out’n this world, no matter +what kind o’ a line o’ goods we kerry in life. Heaven’s no place fur +tradin’, I understan’, an’ I _do_ wonder sometimes how in the worl’ them +merchants an’ sech in the valley towns air goin’ ter entertain tharse’fs +in the happy land o’ Canaan. It’s goin’ ter be sorter bleak fur them, +sure’s ye air born.” + +With a look of freshened recollection, he suddenly drew a plug of +tobacco from his pocket, and he talked on even as he gnawed a piece from +it. + +“Durin’ the war a cavalry-man got shot out hyar whilst runnin’ ‘crost +that thar foot-bredge. Thar hed been a scrimmage an’ his horse war kilt, +an’ he tuk ter the bresh on foot, hopin’ ter hide in the laurel. But ez +he war crossin’ the foot-bredge some o’ the pursuin’ party war fordin’ +the ruver over thar, an’ thinkin’ he’d make out ter escape they fired +on him, jes’ ez the feller tried ter surrender. He turned this way an’ +flung up both arms--but thar’s mighty leetle truce in a pistol-ball. +That minute it tuk him right through the brain. Seems toler’ble long +range fur a pistol, don’t it? He kin be viewed now most enny moonlight +night out hyar on the foot-bredge, throwin’ up both hands in sign of +surrender.” + +The wild-geese were a-wing on the way southward. Looking up to that +narrow section of the blue sky which the incision of the gorge into +the very depths of the woods made visible, he could see the tiny files +deploying along the azure or the flecking cirrus, and hear the vague +clangor of their leader’s cry. He lifted his head to mechanically follow +their flight. Then, as his eyes came back to earth, they rested again on +the old bridge. + +“Strange enough,” he said, suddenly, “the sker-riest tale I hev ever +hearn ‘bout that thar old bredge is one that my niece set a-goin’. She +_seen_ the harnt _herself_, an’ it shakes me wuss ‘n the idee o’ all the +rest.” + +His companion’s gloomy gaze was lifted for a moment with an expression +of inquiry from the slowly widening circles of the water about the +horse’s head as he drank. But Roxby’s eyes, with a certain gleam of +excitement, a superstitious dilation, still dwelt upon the bridge at +the end of the upward vista. He went on merely from the impetus of the +subject. “Yes, sir--she _seen_ it a-pacin’ of its sorrowful way acrost +that bredge, same ez the t’others of the percession o’ harnts. ‘Twar +my niece, Mill’cent--brother’s darter--by name, Mill’cent Roxby. Waal, +Mill’cent an’ a lot o’ young fools o’ her age--little over fryin’ +size--they ‘tended camp-meetin’ down hyar on Tomahawk Creek--‘tain’t +so long ago--along with the old folks. An’ ‘bout twenty went huddled up +tergether in a road-wagin. An’, lo! the wagin it bruk down on the way +home, an’ what with proppin’ it up on a crotch, they made out ter reach +the cross-roads over yander at the Notch, an’ thar the sober old folks +called a halt, an’ hed the wagin mended at the blacksmith-shop. Waal, it +tuk some two hours, fur Pete Rodd ain’t a-goin’ ter hurry hisself--in my +opinion the angel Gabriel will hev ter blow his bugle oftener’n wunst +at the last day ‘fore Pete Rodd makes up his mind ter rise from the +dead an’ answer the roll-call--an’ this hyar young lot sorter found it +tiresome waitin’ on thar elders’ solemn company. The old folks, whilst +waitin’, set outside on the porches of the houses at the settlemint, +an’ repeated some o’ the sermons they hed hearn at camp, an’ more’n one +raised a hyme chune. An’ the young fry--they hed hed a steady diet o’ +sermons an’ hyme chunes fur fower days--they tuk ter stragglin’ off +down the road, two an’ two, like the same sorter id jits the world over, +leavin’ word with the old folks that the wagin would overtake ‘em an’ +pick ‘em up on the road when it passed. Waal, they walked several mile, +an’ time they got ter the crest o’ the hill over yander the moon hed +riz, an’ they could look down an’ see the mist in the valley. The +moon war bright in the buryin’-groun’ when they passed it, an’ the +head-boards stood up white an’ stiff, an’ a light frost hed fell on the +mounds, an’ they showed plain, an’ shone sorter lonesome an’ cold. +The young folks begun ter look behind em’ fur the wagin. Some said--I +b’lieve ‘twar Em’ry Keen an--they could read the names on the boards +plain, ‘twar so light, the moon bein’ nigh the full: but Em’ry never +read nuthin’ at night by the moon in his life; he ain’t enny too capable +o’ wrastlin’ with the alphabet with a strong daytime on his book ter +light him ter knowledge. An’ the shadows war black an’ still, an’ all +the yearth looked ez ef nuthin’ lived nor ever would agin, an’ they +hearn a wolf howl. Waal, that disaccommodated the gals mightily, an’ +they hed a heap more interes’ in that old wagin, all smellin’ rank with +wagin-grease an’ tar, than they did in thar lovyers; an’ they hed ruther +hev hearn that old botch of a wheel that Pete Rodd hed set onto it com +in’ a-creakin’ an’ a-com-plainin’ along the road than the sweetest words +them boys war able ter make up or remember. So they stood thar in the +road--a-stare-gazin’ them head-boards, like they expected every grave +ter open an’ the reveilly ter sound--a-waitin’ ter be overtook by the +wagin, a-listenin’, but hearin’ nuthin’ in the silence o’ the frost--not +a dead leaf a-twirlin’, nor a frozen blade o’ grass astir. An’ then +two or three o’ the gals ‘lowed they hed ruther walk back ter meet the +wagin, an’ whenst the boys ‘lowed ter go on--nuthin’ war likely ter +ketch ‘em--one of ‘em bust out a-cryin’. Waal, thar war the eend o’ that +much! So the gay party set out on the back track, a-keepin’ step +ter sobs an’ sniffles, an’ that’s how kem _they_ seen no harnt. But +Mill’-cent an’ three or four o’ the t’others ‘lowed they’d go on. They +warn’t two mile from home, an’ full five from the cross-roads. So Em’ry +Keenan--he hev been waitin’ on her sence the year one--so he put his +skeer in his pocket an’ kem along with her, a-shakin’ in his shoes, I’ll +be bound! So down the hill in the frosty moonlight them few kem--purty +nigh beat out, I reckon, Mill’cent war, what with the sermonizin’ an’ +the hyme-singin’ an’ hevin’ ter look continual at the sheep’s-eyes o’ +Em’ry Keenan--he wears my patience ter the bone! So she concluded ter +take the short-cut. An’ Em’ry he agreed. So they tuk the lead, the rest +a following an’ kem down thar through all that black growth”--he lifted +his arm and pointed at the great slope, dense with fir and pine and the +heavy underbrush--“keepin’ the bridle-path--easy enough even at night, +fur the bresh is so thick they couldn’t lose thar way. But the moonlight +war mightily slivered up, fallin’ through the needles of the pines an’ +the skeins of dead vines, an’ looked bleached and onnatural, an’ holped +the dark mighty leetle. An’ they seen the water a-shinin’ an’ a-plungin’ +down the gorge, an’ the glistenin’ of the frost on the floor o’ the +bredge. Thar war a few icicles on the hand-rail, an’ the branches o’ the +firs hung ez still ez death; only that cold, racin’, shoutin’, jouncin’ +water moved. Jes ez they got toler’ble nigh the foot-bredge a sudden +cloud kem over the face o’ the sky. Thar warn’t no wind on the yearth, +but up above the air war a-stirrin’. An’ Em’ry he ‘lowed Mill’cent +shouldn’t cross the foot-bredge whilst the light warn’t clar--I wonder +the critter hed that much sense! An’ she jes’ drapped down on that rock +thar ter rest”--he pointed up the slope to a great fragment that had +broken off from the ledges and lay near the bank: the bulk of the mass +was overgrown with moss and lichen, but the jagged edges of the recent +fracture gleamed white and crystalline among the brown and olive-green +shadows about it. A tree was close beside it. “Agin that thar pine trunk +Em’ry he stood an’ leaned. The rest war behind, a-comin’ down the +hill. An’ all of a suddenty a light fell on the furder eend o’ +the foot-bredge--a waverin’ light, mighty white an’ misty in the +darksomeness. Mill’cent ‘lowed ez fust she thunk it war the moon. An’ +lookin’ up, she seen the cloud; it held the moon close kivered. An’ +lookin’ down, she seen the light war movin’--movin’ from the furder eend +o’ the bredge, straight acrost it. Sometimes a hand war held afore it, +ez ef ter shield it from the draught, an’ then Mill’cent ‘seen twar a +candle, an’ the white in the mistiness war a ‘oman wearin’ white an’ +carryn’ it. + +[Illustration: The Phantom of the Foot-bridge 025] + +Lookin’ ter right an’ then ter lef the ‘oman kem, with now her right +hand shieldin’ the candle she held, an’ now layin’ it on the hand-rail. +The candle shone on the water, fur it didn’t flare, an’ when the ‘oman +held her hand before it the light made a bright spot on the foot-bredge +an’ in the dark air about her, an’ on the fir branches over her head. +An’ a thin mist seemed to hang about her white frock, but not over her +face, fur when she reached the middle o’ the foot-bredge she laid her +hand agin on the rail, an’ in the clear light o’ the candle Mill’cent +seen the harnt’s face. An’ thar she beheld her own face; _her own +face_ she looked upon ez she waited thar under the tree watchin’ the +foot-bredge; _her own face_ pale an’ troubled; her own self dressed in +white, crossin’ the foot-bredge, an’ lightin’ her steps with a corpse’s +candle.” He drew up the reins abruptly. He seemed in sudden haste to go. +His companion looked with deepening interest at the bridge, although he +followed his guide’s surging pathway to the opposite bank. As the two +dripping horses struggled up the steep incline he asked, “Did the man +with her see the manifestation also?” + +“He _‘lows_ he did,” responded Roxby, equivocally. “But when Mill’cent +fust got so she could tell it, ‘peared ter me ez Em’ry Keen an fund it +ez much news ez the rest o’ we-uns. Mill’cent jes’ drapped stone-dead, +accordin’ ter all accounts, an’ he an’ the t’other young folks flung +water in her face till she kem out’n her faint; an’ jes’ then they hearn +the wagin a-rattlin’ along the road, an’ they stopped it an’ fetched her +home in it. She never told the tale till she war home, an’ it skeered +me an’ my mother powerful, fur Mill’cent is all the kin we hev got. +Mill’cent is gran’daddy an’ gran’mam-my, sons an’ daughters, uncles an’ +aunts, cousins, nieces, an’ nephews, all in one. The only thing I ain’t +pervided with is a nephew-in-law, an’ I don’t need him. Leastwise I +ain’t lookin’ fur Em’ry Keenan jes’ at present.” + +The pace was brisker when the two horses, bending their strength +sturdily to the task, had pressed up the massive slope from the deep +cleft of the gorge. As the road curved about the outer verge of the +mountain, the valley far beneath came into view, with intersecting +valleys and transverse ranges, dense with the growths of primeval +wildernesses, and rugged with the tilted strata of great upheavals, and +with chasms cut in the solid rock by centuries of erosion, traces +of some remote cataclysmal period, registering thus its throes and +turmoils. The blue sky, seen beyond a gaunt profile of one of the +farther summits that defined its craggy serrated edge against the +ultimate distances of the western heavens, seemed of a singularly suave +tint, incongruous with the savagery of the scene, which clouds and +portents of storm might better have befitted. The little graveyard, +which John Dundas discerned with recognizing eyes, albeit they had never +before rested upon it, was revealed suddenly, lying high on the opposite +side of the gorge. No frost glimmered now on the lowly mounds; the +flickering autumnal sunshine loitered unafraid among them, according +to its languid wont for many a year. Shadows of the gray un-painted +head-boards lay on the withered grass, brown and crisp, with never +a cicada left to break the deathlike silence. A tuft of red leaves, +vagrant in the wind, had been caught on one of the primitive monuments, +and swayed there with a decorative effect. The enclosure seemed, to +unaccustomed eyes, of small compass, and few the denizens who had found +shelter here and a resting-place, but it numbered all the dead of the +country-side for many a mile and many a year, and somehow the loneliness +was assuaged to a degree by the reflection that they had known each +other in life, unlike the great herds of cities, and that it was a +common fate which the neighbors, huddled together, encountered in +company. + +It had no discordant effect in the pervasive sense of gloom, of mighty +antagonistic forces with which the scene was replete; it fostered a +realization of the pitiable minuteness and helplessness of human nature +in the midst of the vastness of inanimate nature and the evidences of +infinite lengths of forgotten time, of the long reaches of unimagined +history, eventful, fateful, which the landscape at once suggested and +revealed and concealed. + +Like the sudden flippant clatter of castanets in the pause of some +solemn funeral music was the impression given by the first glimpse along +the winding woodland way of a great flimsy white building, with its +many pillars, its piazzas, its “observatory,” its band-stand, its garish +intimations of the giddy, gay world of a summer hotel. But, alack! it, +too, had its surfeit of woe. + +“The guerrillas an’ bushwhackers tuk it out on the old hotel, sure!” + observed Sim Roxby, by way of introduction. “Thar warn’t much fightin’ +hyar-abouts, an’ few sure-enough soldiers ever kem along. But wunst in a +while a band o’ guerrillas went through like a suddint wind-storm, an’ +I tell ye they made things whurl while they war about it. They made a +sorter barracks o’ the old place. Looks some like lightning hed struck +it.” + +He had reined up his horse about one hundred yards in front of the +edifice, where the weed-grown gravelled drive--carefully tended ten +years agone--had diverged from the straight avenue of poplars, sweeping +in a circle around to the broad flight of steps. + +“Though,” he qualified abruptly, as if a sudden thought had struck +him, “ef ye air countin’ on buyin’ it, a leetle money spent ter keerful +purpose will go a long way toward makin’ it ez good ez new.” + +His companion did not reply, and for the first time Roxby cast upon him +a covert glance charged with the curiosity which would have been earlier +and more easily aroused in another man by the manner of the stranger. A +letter--infrequent missive in his experience--had come from an ancient +companion-in-arms, his former colonel, requesting him in behalf of a +friend of the old commander to repair to the railway station, thirty +miles distant, to meet and guide this prospective purchaser of the old +hotel to the site of the property. And now as Roxby looked at him the +suspicion which his kind heart had not been quick to entertain was +seized upon by his alert brain. + +“The cunnel’s been fooled somehows,” he said to himself. + +For the look with which John Dundas contemplated the place was not the +gaze of him concerned with possible investment--with the problems of +repair, the details of the glazier and the painter and the plasterer. +The mind was evidently neither braced for resistance nor resigned to +despair, as behooves one smitten by the foreknowledge of the certainty +of the excess of the expenditures over the estimates. Only with pensive, +listless melancholy, void of any intention, his eyes traversed the +long rows of open doors, riven by rude hands from their locks, swinging +helplessly to and fro in the wind, and giving to the deserted and +desolate old place a spurious air of motion and life. Many of the +shutters had been wrenched from their hinges, and lay rotting on the +floors. The ball-room windows caught on their shattered glass the +reflection of the clouds, and it seemed as if here and there a wan face +looked through at the riders wending along the weed-grown path. Where so +many faces had been what wonder that a similitude should linger in the +loneliness! The pallid face seemed to draw back as they glanced up while +slowly pacing around the drive. A rabbit sitting motionless on the front +piazza did not draw back, although observing them with sedate eyes as +he poised himself upright on his haunches, with his listless fore-paws +suspended in the air, and it occurred to Dundas that he was probably +unfamiliar with the presence of human beings, and had never heard the +crack of a gun. A great swirl of swallows came soaring out of the big +kitchen chimneys and circled in the sky, darting down again and again +upward. Through an open passage was a glimpse of a quadrangle, with its +weed-grown spaces and litter of yellow leaves. A tawny streak, a red +fox, sped through it as Dundas looked. A half-moon, all a-tilt, hung +above it. He saw the glimmer through the bare boughs of the leafless +locust-trees here and there still standing, although outside on the lawn +many a stump bore token how ruthlessly the bushwhackers had furnished +their fires. + +“That thar moon’s a-hangin’ fur rain,” said the mountaineer, commenting +upon the aspect of the luminary, which he, too, had noticed as they +passed. “I ain’t s’prised none ef we hev fallin’ weather agin ‘fore +day, an’ the man--by name Morgan Holden--that hev charge o’ the hotel +property can’t git back fur a week an’ better.” + +A vague wonder to find himself so suspicious flitted through his mind, +with the thought that perhaps the colonel might have reckoned on this +delay. “Surely the ruvers down yander at Knoxville mus’ be a-boomin’, +with all this wet weather,” he said to himself. + +Then aloud: “Morgan Holden he went ter Col-bury ter ‘tend ter some +business in court, an’ the ruvers hev riz so that, what with the bredges +bein’ washed away an’ the fords so onsartain an’ tricky, he’ll stay till +the ruver falls. He don’t know ye war kemin’, ye see. The mail-rider hev +quit, ‘count o’ the rise in the ruver, an’ thar’s no way ter git word +ter him. Still, ef ye air minded ter wait, I’ll be powerful obligated +fur yer comp’ny down ter my house till the ruver falls an’ Holden he +gits back.” + +The stranger murmured his obligations, but his eyes dwelt lingeringly +upon the old hotel, with its flapping doors and its shattered windows. +Through the recurrent vistas of these, placed opposite in the rooms, +came again broken glimpses of the grassy space within the quadrangle, +with its leafless locust-trees, first of all to yield their foliage to +the autumn wind, where a tiny owl was shrilling stridulously under the +lonely red sky and the melancholy moon. + +“Hed ye ‘lowed ter, put up at the old hotel?” asked Roxby, some inherent +quickness supplying the lack of a definite answer. + +For the first time the stranger turned upon him a look more expressive +than the casual fragmentary attention with which he had half heeded, +half ignored his talk since their first encounter at the railway +station. + +“A simple fellow, but good as gold,” was the phrase with which Simeon +Roxby had been commended as guide and in some sort guard. + +“Not so simple, perhaps,” the sophisticated man thought as their eyes +met. Not so simple but that the truth must serve. “The colonel suggested +that it might be best,” he replied, more alert to the present moment +than his languid preoccupation had heretofore permitted. + +The answer was good as far as it went. A few days spent in the old +hostelry certainly would serve well to acquaint the prospective +purchaser with its actual condition and the measures and means needed +for its repair; but as Sim Roxby stood there, with the cry of the owl +shrilling in the desert air, the lonely red sky, the ominous tilted +moon, the doors drearily flapping to and fro as the wind stole into the +forlorn and empty place and sped back affrighted, he marvelled at the +refuge contemplated. + +“I believe there is some of the furniture here yet. We could contrive to +set up a bed from what is left. The colonel could make it all right with +Holden, and I could stay a day or two, as we originally planned.” + +“Ye-es. I don’t mind Holden: a man ain’t much in charge of a place ez +ain’t got a lock or a key ter bless itself with, an’ takes the owel an’ +the fox an’ the gopher fur boarders; but, ennyhow, kem with me home ter +supper. Mill’cent will hev it ready by now ennyhows, an’ ye need suthin’ +hearty an’ hot ter stiffen ye up ter move inter sech quarters ez these.” + Dundas hesitated, but the mountaineer had already taken assent for +granted, and pushed his horse into a sharp trot. Evidently a refusal was +not in order. Dundas pressed forward, and they rode together along the +winding way past the ten-pin alley, its long low roof half hidden in the +encroaching undergrowth springing up apace beneath the great trees; past +the stables; past a line of summer cottages, strangely staring of aspect +out of the yawning doors and windows, giving, instead of an impression +of vacancy, a sense of covert watching, of secret occupancy. If one’s +glances were only quick enough, were there not faces pressed to those +shattered panes--scarcely seen--swiftly withdrawn? + +He was in a desert; he had hardly been so utterly alone in all his life; +yet he bore through the empty place a feeling of espionage, and ever +and anon he glanced keenly at the overgrown lawns, with their deepening +drifts of autumn leaves, at the staring windows and flaring doors, which +emitted sometimes sudden creaking wails in the silence, as if he sought +to assure himself of the vacancy of which his mind took cognizance and +yet all his senses denied. + +Little of his sentiment, although sedulously cloaked, was lost on Sim +Roxby; and he was aware, too, in some subtle way, of the relief his +guest experienced when they plunged into the darkening forest and left +the forlorn place behind them. The clearing in which it was situated +seemed an oasis of light in the desert of night in which the rest of +the world lay. From the obscurity of the forest Dundas saw, through the +vistas of the giant trees, the clustering cottages, the great hotel, +gables and chimneys and tower, stark and distinct as in some weird +dream-light in the midst of the encircling gloom. The after-glow of +sunset was still aflare on the western windows; the whole empty place +was alight with a reminiscence of its old aspect--its old gay life. Who +knows what memories were a-stalk there--what semblance of former times? +What might not the darkness foster, the impunity of desertion, the +associations that inhabited the place with almost the strength of human +occupancy itself? Who knows--who knows? + +He remembered the scene afterward, the impression he received. And from +this, he thought, arose his regret for his decision to take up here his +abiding-place. + +The forest shut out the illumined landscape, and the night seemed indeed +at hand; the gigantic boles of the trees loomed through the encompassing +gloom, that was yet a semi-transparent medium, like some dark but clear +fluid through which objects were dimly visible, albeit tinged with its +own sombre hue. The lank, rawboned sorrel had set a sharp pace, to +which the chestnut, after momentary lagging, as if weary with the day’s +travel, responded briskly. He had received in some way intimations that +his companion’s corn-crib was near at hand, and if he had not deduced +from these premises the probability of sharing his fare, his mental +processes served him quite as well as reason, and brought him to the +same result. On and on they sped, neck and neck, through the darkening +woods; fire flashed now and again from their iron-shod hoofs; often +a splash and a shower of drops told of a swift dashing through the +mud-holes that recent rains had fostered in the shallows. The dank odor +of dripping boughs came on the clear air. Once the chestnut shied from a +sudden strange shining point springing up in the darkness close at +hand, which the country-bred horse discriminated as fox-fire, and +kept steadily on, unmindful of the rotting log where it glowed. Far in +advance, in the dank depths of the woods, a Will-o’-the-wisp danced and +flickered and lured the traveller’s eye. The stranger was not sure of +the different quality of another light, appearing down a vista as the +road turned, until the sorrel, making a tremendous spurt, headed for it, +uttering a joyous neigh at the sight. + +The deep-voiced barking of hounds rose melodiously on the silence, +and as the horses burst out of the woods into a small clearing, Dundas +beheld in the brighter light a half-dozen of the animals nimbly afoot in +the road, one springing over the fence, another in the act of climbing, +his fore-paws on the topmost rail, his long neck stretched, and his head +turning about in attitudes of observation. He evidently wished to assure +himself whether the excitement of his friends was warranted by the facts +before he troubled himself to vault over the fence. Three or four still +lingered near the door of a log-cabin, fawning about a girl who stood on +the porch. Her pose was alert, expectant; a fire in the dooryard, where +the domestic manufacture of soap had been in progress, cast a red flare +on the house, its appurtenances, the great dark forest looming all +around, and, more than the glow of the hearth within, lighted up the +central figure of the scene. She was tall, straight, and strong; a +wealth of fair hair was clustered in a knot at the back of her head, and +fleecy tendrils fell over her brow; on it was perched a soldier’s-cap; +and certainly more gallant and fearless eyes had never looked out from +under the straight, stiff brim. Her chin, firm, round, dimpled, was +uplifted as she raised her head, descrying the horsemen’s approach. She +wore a full dark-red skirt, a dark brown waist, and around her neck +was twisted a gray cotton kerchief, faded to a pale ashen hue, the +neutrality of which somehow aided the delicate brilliancy of the +blended roseate and pearly tints of her face. Was this the seer of +ghosts--Dundas marvelled--this the Millicent whose pallid and troubled +phantom already-paced the foot-bridge? + +He did not realize that he had drawn up his horse suddenly at the sight +of her, nor did he notice that his host had dismounted, until Roxby was +at the chestnut’s head, ready to lead the animal to supper in the barn. +His evident surprise, his preoccupation, were not lost upon Roxby, +however. His hand hesitated on the girth of the chestnut’s saddle when +he stood between the two horses in the barn. He had half intended to +disregard the stranger’s declination of his invitation, and stable the +creature. Then he shook his head slowly; the mystery that hung about the +new-comer was not reassuring. “A heap o’ wuthless cattle ‘mongst them +valley men,” he said; for the war had been in some sort an education to +his simplicity. “Let him stay whar the cunnel expected him ter stay. I +ain’t wantin’ no stranger a-hangin’ round about Mill’cent, nohow. Em’ry +Keenan ain’t a pattern o’ perfection, but I be toler’ble well acquainted +with the cut o’ his foolishness, an’ I know his daddy an’ mammy, an’ +both sets o’ gran’daddies an’ gran’mammies, an’ I could tell ye exac’ly +which one the critter got his nose an’ his mouth from, an’ them lean +sheep’s-eyes o’ his’n, an’ nigh every tone o’ his voice. Em’ry never +thunk afore ez I set store on bein’ acquainted with him. He ‘lowed I +knowed him _too_ well.” + +He laughed as he glanced through the open door into the darkening +landscape. Horizontal gray clouds were slipping fast across the pearly +spaces of the sky. The yellow stubble gleamed among the brown earth +of the farther field, still striped with its furrows. The black forest +encircled the little cleared space, and a wind was astir among the +tree-tops. A white star gleamed through the broken clapboards of the +roof, the fire still flared under the soap-kettle in the dooryard, and +the silence was suddenly smitten by a high cracked old voice, which told +him that his mother had perceived the dismounted stranger at the gate, +and was graciously welcoming him. + +She had come to the door, where the girl still stood, but half withdrawn +in the shadow. Dundas silently bowed as he passed her, following his +aged hostess into the low room, all bedight with the firelight of a huge +chimney-place, and comfortable with the realization of a journey’s end. +The wilderness might stretch its weary miles around, the weird wind +wander in the solitudes, the star look coldly on unmoved by aught it +beheld, the moon show sad portents, but at the door they all failed, +for here waited rest and peace and human companionship and the sense of +home. + +“Take a cheer, stranger, an’ make yerself at home. Powerful glad ter +see ye---war ‘feard night would overtake ye. Ye fund the water toler’ble +high in all the creeks an’ sech, I reckon, an’ fords shifty an’ +onsartain. Yes, sir. Fall rains kem on earlier’n common, an’ more’n +we need. Wisht we could divide it with that thar drought we had in the +summer. Craps war cut toler’ble short, sir--toler’ble short.” + +Mrs. Roxby’s spectacles beamed upon him with an expression of the utmost +benignity as the firelight played on the lenses, but her eyes peering +over them seemed endowed in some sort with independence of outlook. It +was as if from behind some bland mask a critical observation was poised +for unbiased judgment. He felt in some degree under surveillance. But +when a light step heralded an approach he looked up, regardless of +the betrayal of interest, and bent a steady gaze upon Millicent as she +paused in the doorway. + +And as she stood there, distinct in the firelight and outlined against +the black background of the night, she seemed some modern half-military +ideal of Diana, with her two gaunt hounds beside her, the rest of the +pack vaguely glimpsed at her heels outside, the perfect outline and +chiselling of her features, her fine, strong, supple figure, the look of +steady courage in her eyes, and the soldier’s cap on her fair hair. Her +face so impressed itself upon his mind that he seemed to have seen her +often. It was some resemblance to a picture of a vivandière, doubtless, +in a foreign gallery--he could not say when or where; a remnant of a +tourist’s overcrowded impressions; a half-realized reminiscence, he +thought, with an uneasy sense of recognition. + +“Hello, Mill’cent! home agin!” Roxby cried, in cheery greeting as he +entered at the back door opposite. “What sorter topknot is that ye got +on?” he demanded, looking jocosely at her head-gear. + +The girl put up her hand with an expression of horror. A deep red +flush dyed her cheek as she touched the cap. “I forgot ‘twar thar,” she +murmured, contritely. Then, with a sudden rush of anger as she tore it +off: “‘Twar granny’s fault. She axed me ter put it on, so ez ter see +which one I looked most like.” + +“Stranger,” quavered the old woman, with a painful break in her voice, +“I los’ fower sons in the war, an’ Mill’cent hev got the fambly favor.” + +“Ye _mought_ hev let me know ez I war a-perlitin’ round in this hyar +men’s gear yit,” the girl muttered, as she hung the cap on a prong of +the deer antlers on which rested the rifle of the master of the house. + +Roxby’s face had clouded at the mention of the four sons who had gone +out from the mountains never to return, leaving to their mother’s aching +heart only the vague comfort of an elusive resemblance in a girl’s +face; but as he noted Millicent’s pettish manner, and divined her +mortification because of her unseemly head-gear in the stranger’s +presence, he addressed her again in that jocose tone without which he +seldom spoke to her. + +[Illustration: Warn’t you-uns apologizin’ ter me 006] + +“Warn’t you-uns apologizin’ ter me t’other day fur not bein’ a nephew +‘stiddier a niece? Looked sorter like a nephew ter-night.” + +She shook her head, covered now only with its own charming tresses +waving in thick undulations to the coil at the nape of her neck--a +trifle dishevelled from the rude haste with which the cap had been torn +off. + +Roxby had seated himself, and with his elbows on his knees he looked +up at her with a teasing jocularity, such as one might assume toward a +child. + +“_Ye war_,” he declared, with affected solemnity--“ye war ‘pologizin’ +fur not bein’ a nephew, an’ ‘lowed ef ye war a nephew we could go +a-huntin’ tergether, an’ ye could holp me in all my quar’ls an’ fights. +I been aging some lately, an’ ef I war ter go ter the settlemint an’ git +inter a fight I mought not be able ter hold my own. Think what ‘twould +be ter a pore old man ter hev a dutiful nephew step up an’”--he doubled +his fists and squared off--“jes’ let daylight through some o’ them +cusses. An’ didn’t _ye say_”--he dropped his belligerent attitude and +pointed an insistent finger at her, as if to fix the matter in her +recollection--“ef ye war a nephew ‘stiddier a niece ye could fire a gun +‘thout shettin’ yer eyes? An’ I told ye then ez that would mend yer aim +mightily. I told ye that I’d be powerful mortified ef I hed a nephew ez +hed ter shet his eyes ter keep the noise out’n his ears whenst he fired +a rifle. The tale would go mighty hard with me at the settlemint.” + +The girl’s eyes glowed upon him with the fixity and the lustre of those +of a child who is entertained and absorbed by an elder’s jovial wiles. +A flash of laughter broke over her face, and the low, gurgling, +half-dreamy sound was pleasant to hear. She was evidently no more than +a child to these bereft old people, and by them cherished as naught else +on earth. + +“An’ didn’t _I tell you-uns,_” he went on, affecting to warm to the +discussion, and in reality oblivious of the presence of the +guest’--“didn’t I tell ye ez how ef ye war a nephew ‘stiddier a niece ye +wouldn’t hev sech cattle ez Em’ry Keenan a-dan-glin’ round underfoot, +like a puppy ye can’t gin away, an’ that _won’t_ git lost, an’ ye ain’t +got the heart ter kill?” + +The girl’s lip suddenly curled with scorn. “Yer nephew would be +obligated ter make a ch’ice fur marryin’ ‘mongst these hyar mounting +gals--Par-mely Lepstone, or Belindy M’ria Matthews, or one o’ the +Windrow gals. Waal, sir, I’d ruther be yer niece--even ef Em’ry Keenan +_air_ like a puppy underfoot, that ye can’t gin away, an’ won’t git +lost, an’ ye ain’t got the heart ter kill.” She laughed again, +showing her white teeth. She evidently relished the description of the +persistent adherence of poor Emory Keenan. “But which one o’ these hyar +gals would ye recommend ter yer nephew ter marry--ef ye hed a nephew?” + +She looked at him with flashing eyes, conscious of having propounded a +poser. + +He hesitated for a moment. Then--“I’m surrounded,” he said, with a +laugh. “Ez I couldn’t find a wife fur myself, I can’t undertake +ter recommend one ter my nephew. Mighty fine boy he’d hev been, an’ +saaft-spoken an’ perlite ter aged men--not sassy an’ makin’ game o’ old +uncles like a niece. Mighty fine boy!” + +“Ye air welcome ter him,” she said, with a simulation of scorn, as she +turned away to the table. + +Whether it were the military cap she had worn, or the fancied +resemblance to the young soldiers, never to grow old, who had gone forth +from this humble abode to return no more, there was still to the guest’s +mind the suggestion of the vivandière about her as she set the table +and spread upon it the simple fare. To and from the fireplace she was +followed by two or three of the younger dogs, their callowness expressed +in their lack of manners and perfervid interest in the approaching meal. +This induced their brief journeys back and forth, albeit embarrassed +by their physical conformation, short turns on four legs not being +apparently the easy thing it would seem from so much youthful +suppleness. The dignity of the elder hounds did not suffer them to move, +but they looked on from erect postures about the hearth with glistening +eyes and slobbering jaws. + +Ever and anon the deep blue eyes of Millicent were lifted to the outer +gloom, as if she took note of its sinister aspect. She showed scant +interest in the stranger, whose gaze seldom left her as he sat beside +the fire. He was a handsome man, his face and figure illumined by the +firelight, and it might have been that he felt a certain pique, an +unaccustomed slight, in that his presence was so indifferent an element +in the estimation of any young and comely specimen of the feminine sex. +Certainly he had rarely encountered such absolute preoccupation as her +smiling far-away look betokened as she went back and forth with her +young canine friends at her heels, or stood at the table deftly slicing +the salt-rising bread, the dogs poised skilfully upon their hind-legs +to better view the appetizing performance; whenever she turned her face +toward them they laid their heads languish-ingly askew, as if to remind +her that supper could not be more fitly bestowed than on them. One, to +steady himself, placed unobserved his fore-paw on the edge of the table, +his well-padded toes leaving a vague imprint as of fingers upon the +coarse white cloth; but John Dundas was a sportsman, and could the +better relax an exacting nicety where so pleasant-featured and affable +a beggar was concerned. He forgot the turmoils of his own troubles as +he gazed at Millicent, the dreary aspect of the solitudes without, the +exile from his accustomed sphere of culture and comfort, the poverty +and coarseness of her surroundings. He was sorry that he had declined +a longer lease of Roxby’s hospitality, and it was in his mind to +reconsider when it should be again proffered. Her attitude, her gesture, +her face, her environment, all appealed to his sense of beauty, his +interest, his curiosity, as little ever had done heretofore. Slice after +slice of the firm fragrant bread was deftly cut and laid on the plate, +as again and again she lifted her eyes with a look that might seem to +expect to rest on summer in the full flush of a June noontide without, +rather than on the wan, wintry night sky and the plundered, quaking +woods, while the robber wind sped on his raids hither and thither so +swiftly that none might follow, so stealthily that none might hinder. A +sudden radiance broke upon her face, a sudden shadow fell on the +firelit floor, and there was entering at the doorway a tall, lithe young +mountaineer, whose first glance, animated with a responsive brightness, +was for the girl, but whose punctilious greeting was addressed to the +old woman. + +“Howdy, Mis’ Roxby--howdy? Air yer rheumatics mendin’ enny?” he +demanded, with the condolent suavity of the would-be son-in-law, or +grand-son-in-law, as the case may be. And he hung with a transfixed +interest upon her reply, prolix and discursive according to the wont of +those who cultivate “rheumatics,” as if each separate twinge racked his +own sympathetic and filial sensibilities. Not until the tale was ended +did he set his gun against the wall and advance to the seat which Roxby +had indicated with the end of the stick he was whittling. He observed +the stranger with only slight interest, till Dundas drew up his chair +opposite at the table. There the light from the tallow dip, guttering in +the centre, fell upon his handsome face and eyes, his carefully tended +beard and hair, his immaculate cuffs and delicate hand, the seal-ring on +his taper finger. + +“Like a gal, by gum!” thought Emory Keenan. “Rings on his fingers--yit +six feet high!” + +He looked at his elders, marvelling that they so hospitably repressed +the disgust which this effeminate adornment must occasion, forgetting +that it was possible that they did not even observe it. In the gala-days +of the old hotel, before the war, they had seen much “finicking finery” + in garb and equipage and habits affected by the _jeunesse dorée_ who +frequented the place in those halcyon times, and were accustomed to +such details. It might be that they and Millicent approved such flimsy +daintiness. He began to fume inwardly with a sense of inferiority in her +estimation. One of his fingers had been frosted last winter, and with +the first twinge of cold weather it was beginning to look very red and +sad and clumsy, as if it had just remembered its ancient woe; he glanced +from it once more at the delicate ringed hand of the stranger. + +Dundas was looking up with a slow, deferential, decorous smile that +nevertheless lightened and transfigured his expression. It seemed +somehow communicated to Millicent’s face as she looked down at him from +beneath her white eyelids and long, thick, dark lashes, for she was +standing beside him, handing him the plate of bread. Then, still +smiling, she passed noiselessly on to the others. + +Emory was indeed clumsy, for he had stretched his hand downward to +offer a morsel to a friend of his under the table--he was on terms of +exceeding amity with the four-footed members of the household--and in +his absorption not withdrawing it as swiftly as one accustomed to canine +manners should do, he had his frosted finger well mumbled before he +could, as it were, repossess himself of it. + +“I wonder what they charge fur iron over yander at the settlemint, +Em’ry?” observed Sim Roxby presently. + +“Dun’no’, sir,” responded Emory, glumly, his sullen black eyes full of +smouldering fire--“hevin’ no call ter know, ez I ain’t no blacksmith.” + +“I war jes’ wonderin’ ef tenpenny nails didn’t cost toler’ble high ez +reg’lar feed,” observed Roxby, gravely. + +But his mother laughed out with a gleeful cracked treble, always a ready +sequence of her son’s rustic sallies. “He got ye that time, Em’ry,” she +cried. + +A forced smile crossed Emory’s face. He tossed back his tangled dark +hair with a gasp that was like the snort of an unruly horse submitting +to the inevitable, but with restive projects in his brain. “I let the +dog hyar ketch my finger whilst feedin’ him,” he said. His plausible +excuse for the ten-penny expression was complete; but he added, his +darker mood recurring instantly, “An’, Mis’ Roxby, I hev put a stop ter +them ez hev tuk ter callin’ me Em’ly, I hev.” + +The old woman looked up, her small wrinkled mouth round and amazed. +“_I_ never called ye Emily,” she declared. + +Swift repentance seized him. + +“Naw, ‘m,” he said, with hurried propitiation. “I ‘lowed ye did.” + +“I didn’t,” said the old woman. “But ef I warter find it toothsome ter +call ye ‘Emily,’ I dun’no’ how ye air goin’ ter pervent it. Ye can’t go +gun-nin’ fur me, like ye done fur the men at the mill, fur callin’ ye +‘Emily.’” + +“Law, Mis’ Roxby!” he could only exclaim, in his horror and contrition +at this picture he had thus conjured up. “Ye air welcome ter call me +ennything ye air a mind ter,” he protested. + +And then he gasped once more. The eyes of the guest, contemptuous, +amused, seeing through him, were fixed upon him. And he himself had +furnished the lily-handed stranger with the information that he had been +stigmatized “Em’ly” in the banter of his associates, until he had taken +up arms, as it were, to repress this derision. + +“It takes powerful little ter put ye down, Em’ry,” said Roxby, with +rallying laughter. “Mam hev sent ye skedaddlin’ in no time at all. I +don’t b’lieve the Lord made woman out’n the man’s rib. He made her out’n +the man’s backbone; fur the man ain’t hed none ter speak of sence.” + +Millicent, with a low gurgle of laughter, sat down beside Emory at the +table, and fixed her eyes, softly lighted with mirth, upon him. The +others too had laughed, the stranger with a flattering intonation, but +young Keenan looked at her with a dumb appealing humility that did not +altogether fail of its effect, for she busied herself to help his plate +with an air of proprietorship as if he were a child, and returned +it with a smile very radiant and sufficient at close range. She then +addressed herself to her own meal. The young dogs under the table ceased +to beg, and gambolled and gnawed and tugged at her stout little shoes, +the sound of their callow mirthful growls rising occasionally above +the talk. Sometimes she rose again to wait on the table, when they came +leaping out after her, jumping and catching at her skirts, now and then +casting themselves on the ground prone before her feet, and rolling over +and over in the sheer joy of existence. + +The stranger took little part in the talk at the table. Never a question +was asked him as to his mission in the mountains, or the length of +his stay, his vocation, or his home. That extreme courtesy of the +mountaineers, exemplified in their singular abstinence from any +expressions of curiosity, accepted such account of himself as he had +volunteered, and asked for no more. In the face of this standard of +manners any inquisitiveness on his part, such as might have elicited +points of interest for his merely momentary entertainment, was tabooed. +Nevertheless, silent though he was for the most part, the relish with +which he listened, his half-covert interest in the girl, his quick +observation of the others, the sudden very apparent enlivening of his +mental atmosphere, betokened that his quarters were not displeasing +to him. It seemed only a short time before the meal was ended and the +circle all, save Millicent, with pipes alight before the fire again. The +dogs, well fed, had ranged themselves on the glowing hearth, lying prone +on the hot stones; one old hound, however, who conserved the air of +listening to the conversation, sat upright and nodded from time to time, +now and again losing his balance and tipping forward in a truly human +fashion, then gazing round on the circle with an open luminous eye, as +who should say he had not slept. + +It was all very cheerful within, but outside the wind still blared +mournfully. Once more Dundas was sorry that he had declined the +invitation to remain, and it was with a somewhat tentative intention +that he made a motion to return to the hotel. But his host seemed +to regard his resolution as final, and rose with a regret, not an +insistence. The two women stared in silent amazement at the mere idea +of his camping out, as it were, in the old hotel. The ascendency of +masculine government here, notwithstanding Roxby’s assertion that +Eve was made of Adam’s backbone, was very apparent in their mute +acquiescence and the alacrity with which they began to collect various +articles, according to his directions, to make the stranger’s stay more +comfortable. + +“Em’ry kin go along an’ holp,” he said, heartlessly; for poor Emory’s +joy in perceiving that the guest was not a fixture, and that his +presence was not to be an embargo on any word between himself and +Millicent during the entire evening, was pitiably manifest. But the +situation was still not without its comforts, since Dundas was to go +too. Hence he was not poor company when once in the saddle, and was +civil to a degree of which his former dismayed surliness had given no +promise. + +Night had become a definite element. The twilight had fled. Above their +heads, as they galloped through the dank woods, the bare boughs of the +trees clashed together--so high above their heads that to the town +man, unaccustomed to these great growths, the sound seemed not of the +vicinage, but unfamiliar, uncanny, and more than once he checked his +horse to listen. As they approached the mountain’s verge and overlooked +the valley and beheld the sky, the sense of the predominance of darkness +was redoubled. The ranges gloomed against the clearer spaces, but a +cloud, deep gray with curling white edges, was coming up from the +west, with an invisible convoy of vague films, beneath which the stars, +glimmering white points, disappeared one by one. The swift motion of +this aerial fleet sailing with the wind might be inferred from the +seemingly hurried pace of the moon making hard for the west. Still +bright was the illumined segment, but despite its glitter the shadowy +space of the full disk was distinctly visible, its dusky field spangled +with myriads of minute, dully golden points. Down, down it took its +way in haste--in disordered fright, it seemed, as if it had no heart +to witness the storm which the wind and the clouds foreboded--to fairer +skies somewhere behind those western mountains. Soon even its vague +light would encroach no more upon the darkness. The great hotel would be +invisible, annihilated as it were in the gloom, and not even thus dimly +exist, glimmering, alone, forlorn, so incongruous to the wilderness that +it seemed even now some mere figment of the brain, as the two horsemen +came with a freshened burst of speed along the deserted avenue and +reined up beside a small gate at the side. + +“No use ter ride all the way around,” observed Emory Keenan. “Mought jes +ez well ‘light an’ hitch hyar.” + +The moon gave him the escort of a great grotesque shadow as he +threw himself from his horse and passed the reins over a decrepit +hitching-post near at hand. Then he essayed the latch of the small gate. +He glanced up at Dundas, the moonlight in his dark eyes, with a smile as +it resisted his strength. + +He was a fairly good-looking fellow when rid of the self-consciousness +of jealousy. His eyes, mouth, chin, and nose, acquired from reliable +and recognizable sources, were good features, and statuesque in their +immobility beneath the drooping curves of his broad soft hat. He was +tall, with the slenderness of youth, despite his evident weight and +strength. He was long-waisted and lithe and small of girth, with broad +square shoulders, whose play of muscles as he strove with the gate was +not altogether concealed by the butternut jeans coat belted in with his +pistols by a broad leathern belt. His boots reached high on his long +legs, and jingled with a pair of huge cavalry spurs. His stalwart +strength seemed as if it must break the obdurate gate rather than open +it, but finally, with a rasping creak, dismally loud in the silence, it +swung slowly back. + +The young mountaineer stood gazing for a moment at the red rust on the +hinges. “How long sence this gate must hev been opened afore?” he said, +again looking up at Dundas with a smile. + +Somehow the words struck a chill to the stranger’s heart. The sense of +the loneliness of the place, of isolation, filled him with a sort of +awe. The night-bound wilderness itself was not more daunting than these +solitary tiers of piazzas, these vacant series of rooms and corridors, +all instinct with vanished human presence, all alert with echoes of +human voices. A step, a laugh, a rustle of garments--he could have sworn +he heard them at any open doorway as he followed his guide along the dim +moonlit piazza, with its pillars duplicated at regular intervals by the +shadows on the floor. How their tread echoed down these lonely ways! +From the opposite side of the house he heard Kee-nan’s spurs jangling, +his soldierly stride sounding back as if their entrance had roused +barracks. He winced once to see his own shadow with its stealthier +movement. It seemed painfully furtive. For the first time during the +evening his jaded mind, that had instinctively sought the solace of +contemplating trifles, reverted to its own tormented processes. “Am +I not hiding?” he said to himself, in a sort of sarcastic pity of his +plight. + +The idea seemed never to enter the mind of the transparent Keenan. He +laughed out gayly as they turned into the weed-grown quadrangle, and +the red fox that Dundas had earlier observed slipped past him with +affrighted speed and dashed among the shadows of the dense shrubbery of +the old lawn without. Again and again the sound rang back from wall to +wall, first with the jollity of seeming imitation, then with an appalled +effect sinking to silence, and suddenly rising again in a grewsome +_staccato_ that suggested some terrible unearthly laughter, and bore but +scant resemblance to the hearty mirth which had evoked it Keenan paused +and looked back with friendly gleaming eyes. “Oughter been a leetle +handier with these hyar consarns,” he said, touching the pistols in his +belt. + +It vaguely occurred to Dundas that the young man went strangely heavily +armed for an evening visit at a neighbor’s house. But it was a lawless +country and lawless times, and the sub-current of suggestion did not +definitely fix itself in his mind until he remembered it later. He +was looking into each vacant open doorway, seeing the still moonlight +starkly white upon the floor; the cobwebbed and broken window-panes, +through which a section of leafless trees beyond was visible; bits of +furniture here and there, broken by the vandalism of the guerillas. Now +and then a scurrying movement told of a gopher, hiding too, and on one +mantel-piece, the black fireplace yawning below, sat a tiny tawny-tinted +owl, whose motionless beadlike eyes met his with a stare of stolid +surprise. After he had passed, its sudden ill-omened cry set the silence +to shuddering. + +Keenan, leading the way, paused in displeasure. “I wisht I hed viewed +that critter,” he said, glumly. “I’d hev purvented that screechin’ ter +call the devil, sure. It’s jes a certain sign o’ death.” + +He was about to turn, to wreak his vengeance, perchance. But the bird, +sufficiently fortunate itself, whatever woe it presaged for others, +suddenly took its awkward flight through sheen and shadow across the +quadrangle, and when they heard its cry again it came from some remote +section of the building, with a doleful echo as a refrain. + +The circumstance was soon forgotten by Keenan. He seemed a happy, +mercurial, lucid nature, and he began presently to dwell with interest +on the availability of the old music-stand in the centre of the square +as a manger. “Hyar,” he said, striking the rotten old structure with +a heavy hand, which sent a quiver and a thrill through all the +timbers--“hyar’s whar the guerillas always hitched thar beastises. Thar +feed an’ forage war piled up thar on the fiddlers’ seats. Ye can’t do no +better’n ter pattern arter them, till ye git ready ter hev fiddlers an’ +sech a-sawin’ away in hyar agin.” + +And he sauntered away from the little pavilion, followed by Dundas, who +had not accepted his suggestion of a room on the first floor as being +less liable to leakage, but finally made choice of an inner apartment in +the second story. He looked hard at Keenan, when he stood in the doorway +surveying the selection. The room opened into a cross-hall which gave +upon a broad piazza that was latticed; tiny squares of moonlight were +all sharply drawn on the floor, and, seen through a vista of gray +shadow, seemed truly of a gilded lustre. From the windows of this room +on a court-yard no light Could be visible to any passer-by without. +Another door gave on an inner gallery, and through its floor a staircase +came up from the quadrangle close to the threshold. Dundas wondered if +these features were of possible significance in Keenan’s estimation. The +young mountaineer turned suddenly, and snatching up a handful of slats +broken from the shutters, remarked: + +“Let’s see how the chimbly draws--that’s the main p’int.” + +There was no defect in the chimney’s constitution. It drew admirably, +and with the white and red flames dancing in the fireplace, two or +three chairs, more or less disabled, a table, and an upholstered lounge +gathered at random from the rooms near at hand, the possibility of +sojourning comfortably for a few days in the deserted hostelry seemed +amply assured. + +Once more Dundas gazed fixedly at the face of the young mountaineer, +who still bent on one knee on the hearth, watching with smiling eyes +the triumphs of his fire-making. It seemed to him afterwards that his +judgment was strangely at fault; he perceived naught of import in the +shallow brightness of the young man’s eyes, like the polished surface of +jet; in the instability of his jealousy, his anger; in his hap-hazard, +mercurial temperament. Once he might have noted how flat were the +spaces beneath the eyes, how few were the lines that defined the lid, +the socket, the curve of the cheekbone, the bridge of the nose, and how +expressionless. It was doubtless the warmth and glow of the fire, +the clinging desire of companionship, the earnest determination to be +content, pathetic in one who had but little reason for optimism, that +caused him to ignore the vacillating glancing moods that successively +swayed Keenan, strong while they lasted, but with scanty augury because +of their evanescence. He was like some newly discovered property in +physics of untried potentialities, of which nothing is ascertained but +its uncertainties. + +And yet he seemed to Dundas a simple country fellow, good-natured in the +main, unsuspicious, and helpful. So, giving a long sigh of relief and +fatigue, Dundas sank down in one of the large arm-chairs that had once +done duty for the summer loungers on the piazza. + +In the light of the fire Emory was once more looking at him. A certain +air of distinction, a grace and ease of movement, an indescribable +quality of bearing which he could not discriminate, yet which he +instinctively recognized as superior, offended him in some sort. He +noticed again the ring on the stranger’s hand as he drew off his glove. +Gloves! Emory Keen an would as soon have thought of wearing a petticoat. +Once more the fear that these effeminate graces found favor in +Millicent’s estimation smote upon his heart. It made the surface of his +opaque eyes glisten as Dundas rose and took up a pipe and tobacco-pouch +which he had laid on the mantelpiece, his full height and fine figure +shown in the changed posture. + +“Ez tall ez me, ef not taller, an’, by gum! a good thirty pound +heavier,” Emory reflected, with, a growing dismay that he had not those +stalwart claims to precedence in height and weight as an offset to the +smoother fascinations of the stranger’s polish. + +He had risen hastily to his feet. He would not linger to smoke +fraternally over the fire, and thus cement friendly relations. + +“I guided him hyar, like old Sim Roxby axed me ter do, an’ that’s all. I +ain’t keerin’ ef I never lay eyes on him again,” he said to himself. + +“Going?” said Dundas, pleasantly, noticing the motion. “You’ll look in +again, won’t you?” + +“Wunst in a while, I reckon,” drawled Keenan, a trifle thrown off his +balance by this courtesy. + +He paused at the door, looking back over his shoulder for a moment at +the illumined room, then stepped out into the night, leaving the tenant +of the lonely old house filling his pipe by the fire. + +His tread rang along the deserted gallery, and sudden echoes came +tramping down the vacant halls as if many a denizen of the once populous +place was once more astir within its walls. Long after Dundas had heard +him spring from the lower piazza to the ground, and the rusty gate clang +behind him, vague footfalls were audible far away, and were still again, +and once more a pattering tread in some gaunt and empty apartment near +at hand, faint and fainter yet, till he hardly knew whether it were the +reverberations of sound or fancy that held his senses in thrall. + +And when all was still and silent at last he felt less solitary than +when these elusive tokens of human presence were astir. + +Late, late he sat over the dwindling embers. His mind, no longer +diverted by the events of the day, recurred with melancholy persistence +to a theme which even they, although fraught with novelty and presage +of danger, had not altogether crowded out. And as the sense of peril +dulled, the craft of sophistry grew clumsy. Remorse laid hold upon him +in these dim watches of the night. Self-reproach had found him out here, +defenceless so far from the specious wiles and ways of men. All the line +of provocations seemed slight, seemed naught, as he reviewed them and +balanced them against a human life. True, it was not in some mad quarrel +that his skill had taken it and had served to keep his own--a duel, a +fair fight, strictly regular according to the code of “honorable men” + for ages past--and he sought to argue that it was doubtless but the +morbid sense of the wild fastnesses without, the illimitable vastness +of the black night, the unutterable indurability of nature to the +influences of civilization, which made it taste like murder. He had +brought away even from the scene of action, to which he had gone with +decorous deliberation--his worldly affairs arranged for the possibility +of death, his will made, his volition surrendered, and his sacred honor +in the hands of his seconds--a humiliating recollection of the sudden +revulsion of the aspect of all things; the criminal sense of haste with +which he was hurried away after that first straight shot; the agitation, +nay, the fright of his seconds; their eagerness to be swiftly rid of +him, their insistence that he should go away for a time, get out of the +country, out of the embarrassing purview of the law, which was prone to +regard the matter as he himself saw it now, and which had an ugly trick +of calling things by their right names in the sincere phraseology of an +indictment. And thus it was that he was here, remote from all the usual +lines of flight, with his affectation of being a possible purchaser for +the old hotel, far from the railroad, the telegraph, even the postal +service. Some time--soon, indeed, it might be, when the first flush +of excitement and indignation should be overpast, and the law, like a +barking dog that will not bite, should have noisily exhausted the gamut +of its devoirs--he would go back and live according to his habit in his +wonted place, as did other men whom he had known to be “called out,” and +who had survived their opponents. Meantime he heard the ash crumble; he +saw the lighted room wane from glancing yellow to a dull steady red, +and so to dusky brown; he marked the wind rise, and die away, and come +again, banging the doors of the empty rooms, and setting timbers all +strangely to creaking as under sudden trampling feet; then lift into the +air with a rustling sound like the stir of garments and the flutter of +wings, calling out weirdly in the great voids of the upper atmosphere. + +He had welcomed the sense of fatigue earlier in the evening, for it +promised sleep. Now it had slipped away from him. He was strong and +young, and the burning sensation that the frosty air had left on his +face was the only token of the long journey. It seemed as if he +would never sleep again as he lay on the lounge watching the gray ash +gradually overgrow the embers, till presently only a vague dull glow +gave intimation of the position of the hearth in the room. And then, +bereft of this dim sense of companionship, he stared wide-eyed in the +darkness, feeling the only creature alive and awake in all the world. +No; the fox was suddenly barking within the quadrangle--a strangely wild +and alien tone. And presently he heard the animal trot past his door +on the piazza, the cushioned footfalls like those of a swift dog. He +thought with a certain anxiety of the tawny tiny owl that had sat like +a stuffed ornament on the mantel-piece of a neighboring room, and he +listened with a quaking vicarious presentiment of woe for the sounds of +capture and despair. He was sensible of waiting and hoping for the fox’s +bootless return, when he suddenly lost consciousness. + +How long he slept he did not know, but it seemed only a momentary +respite from the torture of memory, when, still in the darkness, +thousands of tremulous penetrating sounds were astir, and with a great +start he recognized the rain on the roof. It was coming down in steady +torrents that made the house rock before the tumult of his plunging +heart was still, and he was longing again for the forgetfulness of +sleep. In vain. The hours dragged by; the windows slowly, slowly denned +their dull gray squares against the dull gray day dawning without. +The walls that had been left with only the first dark coat of plaster, +awaiting another season for the final decoration, showed their drapings +of cobweb, and the names and pencilled scribblings with which the fancy +of transient bushwhackers had chosen to deface them. The locust-trees +within the quadrangle drearily tossed their branches to and fro in the +wind, the bark very black and distinct against the persistent gray lines +of rain and the white walls of the galleried buildings opposite; the +gutters were brimming, roaring along like miniature torrents; nowhere +was the fox or the owl to be seen. Somehow their presence would have +been a relief--the sight of any living thing reassuring. As he walked +slowly along the deserted piazzas, in turning sudden corners, again and +again he paused, expecting that something, some one, was approaching to +meet him. When at last he mounted his horse, that had neighed gleefully +to see him, and rode away through the avenue and along the empty ways +among the untenanted summer cottages, all the drearier and more forlorn +because of the rain, he felt as if he had left an aberration, some +hideous dream, behind, instead of the stark reality of the gaunt and +vacant and dilapidated old house. + +The transition to the glow and cheer of Sim Roxby’s fireside was like +a rescue, a restoration. The smiling welcome in the women’s eyes, their +soft drawling voices, with mellifluous intonations that gave a value to +each commonplace simple word, braced his nerves like a tonic. It might +have been only the contrast with the recollections of the night, with +the prospect visible through the open door--the serried lines of rain +dropping aslant from the gray sky and elusively outlined against the +dark masses of leafless woods that encircled the clearing; the dooryard +half submerged with puddles of a clay-brown tint, embossed always with +myriads of protruding drops of rain, for however they melted away the +downpour renewed them, and to the eye they were stationary, albeit +pervaded with a continual tremor--but somehow he was cognizant of a +certain coddling tenderness in the old woman’s manner that might have +been relished by a petted child, an unaffected friendliness in the +girl’s clear eyes. They made him sit close to the great wood fire; the +blue and yellow flames gushed out from the piles of hickory logs, and +the bed of coals gleamed at red and white heat beneath. They took his +hat to carefully dry it, and they spread out his cloak on two chairs +at one side of the room, where it dismally dripped. When he ventured to +sneeze, Mrs. Roxby compounded and administered a “yerb tea,” a sovereign +remedy against colds, which he tasted on compulsion and in great doubt, +and swallowed with alacrity and confidence, finding its basis the easily +recognizable “toddy.” He had little knowledge how white and troubled +his face had looked as he came in from the gray day, how strongly marked +were those lines of sharp mental distress, how piteously apparent was +his mute appeal for sympathy and comfort. + +“Mill’cent,” said the old woman in the shed-room, as they washed and +wiped the dishes after the cozy breakfast of venison and corn-dodgers +and honey and milk, “that thar man hev run agin the law, sure’s ye air +born.” + +Millicent turned her reflective fair face, that seemed whiter and +more delicate in the damp dark day, and looked doubtfully out over the +fields, where the water ran in steely lines in the furrows. + +“Mus’ hev been by accident or suthin’. _He_ ain’t no hardened sinner.” + +“Shucks!” the old woman commented upon her reluctant acquiescence. “I +ain’t keerin’ for the law! ‘Tain’t none o’ my job. The tomfool men make +an’ break it. Ennybody ez hev seen this war air obleeged to take note +o’ the wickedness o’ men in gineral. This hyer man air a sorter pitiful +sinner, an’ he hev got a look in his eyes that plumb teches my heart. +I ‘ain’t got no call ter know nuthin’ ‘bout the law, bein’ a ‘oman an’ +naterally ignorant. I dun’no’ ez he hev run agin it.” + +“Mus’ hev been by accident,” said Millicent, dreamily, still gazing over +the sodden fields. + +The suspicion did nothing to diminish his comfort or their cordiality. +The morning dragged by without change in the outer aspects. The noontide +dinner came and went without Roxby’s return, for the report of the +washing away of a bridge some miles distant down the river had early +called him out to the scene of the disaster, to verify in his own +interests the rumor, since he had expected to haul his wheat to the +settlement the ensuing day. The afternoon found the desultory talk still +in progress about the fire, the old woman alternately carding cotton +and nodding in her chair in the corner; the dogs eying the stranger, +listening much of the time with the air of children taking instruction, +only occasionally wandering out-of-doors, the floor here and there +bearing the damp imprint of their feet; and Millicent on her knees in +the other corner, the firelight on her bright hair, her delicate cheek, +her quickly glancing eyes, as she deftly moulded bullets. + +“Uncle Sim hed ter s’render his shootin’-irons,” she explained, “an’ he +‘ain’t got no ca’tridge-loadin’ ones lef. So he makes out with his old +muzzle-loadin’ rifle that he hed afore the war, an’ I moulds his bullets +for him rainy days.” + +As she held up a moulded ball and dexterously clipped off the surplus +lead, the gesture was so culinary in its delicacy that one of the dogs +in front of the fire extended his head, making a long neck, with a +tentative sniff and a glistening gluttonous eye. + +“Ef I swallered enny mo’ lead, I wouldn’t take it hot, Towse,” she said, +holding out the bullet for canine inspection. “‘Tain’t healthy!” + +But the dog, perceiving the nature of the commodity, drew back with a +look of deep reproach, rose precipitately, and with a drooping tail went +out skulkingly into the wet gray day. + +“Towse can’t abide a bullet,” she observed, “nor nuthin’ ‘bout a gun. +He got shot wunst a-huntin’, an’ he never furgot it. Jes show him a gun +an’ he ain’t nowhar ter be seen--like he war cotch up in the clouds.” + +“Good watch-dog, I suppose,” suggested Dundas, striving to enter into +the spirit of her talk. + +“Naw; too sp’ilt for a gyard-dog--granny coddled him so whenst he +got shot. He’s jest vally’ble fur his conversation, I reckon,” she +continued, with a smile in her eyes. “I dun’no’ what else, but he _is_ +toler’ble good company.” + +The other dogs pressed about her, the heads of the great hounds as high +as her own as she sat among them on the floor. With bright eyes and +knitted brows they followed the motions of pouring in the melted metal, +the lifting of the bullets from the mould, the clipping off of the +surplus lead, and the flash of the keen knife. + +Outside the sad light waned; the wind sighed and sighed; the dreary +rain fell; the trees clashed their boughs dolorously together, and their +turbulence deadened the sound of galloping horses. As Dundas sat and +gazed at the girl’s intent head, with its fleecy tendrils and its +massive coil, the great hounds beside her, all emblazoned by the +firelight upon the brown wall near by, with the vast fireplace at hand, +the whole less like reality than some artist’s pictured fancy, he knew +naught of a sudden entrance, until she moved, breaking the spell, and +looked up to meet the displeasure in Roxby’s eyes and the dark scowl on +Emory Keenan’s face. + +***** + +That night the wind shifted to the north. Morning found the chilled +world still, ice where the water had lodged, all the trees incased in +glittering garb that followed the symmetry alike of every bough and +the tiniest twig, and made splendid the splintered remnants of the +lightning-riven. The fields were laced across from furrow to furrow, in +which the frozen water still stood gleaming, with white arabesques which +had known a more humble identity as stubble and crab-grass; the sky was +slate-colored, and from its sad tint this white splendor gained added +values of contrast. When the sun should shine abroad much of the effect +would be lost in the too dazzling glister; but the sun did not shine. + +All day the gray mood held unchanged. Night was imperceptibly sifting +down upon all this whiteness, that seemed as if it would not be +obscured, as if it held within itself some property of luminosity, when +Millicent, a white apron tied over her golden head, improvising a hood, +its superfluous fulness gathered in many folds and pleats around her +neck, fichu-wise, stood beside the ice-draped fodder-stack and essayed +with half-numbed hands to insert a tallow dip into the socket of a +lantern, all incrusted and clumsy with previous drippings. + +“I dun’no’ whether I be a-goin’ ter need this hyar consarn whilst +milkin’ or no,” she observed, half to herself, half to Emory, who, +chewing a straw, somewhat surlily had followed her out for a word apart. +“The dusk ‘pears slow ter-night, but Spot’s mighty late comin’ home, an’ +old Sue air fractious an’ contrairy-minded, and feels mighty anxious +an’ oneasy ‘boutn her calf, that’s ez tall ez she is nowadays, an’ don’t +keer no mo’ ‘bout her mammy ‘n a half-grown human does. I tell her she +oughtn’t ter be mad with me, but with the way she brung up her chile, ez +won’t notice her now.” + +She looked up with a laugh, her eyes and teeth gleaming; her golden hair +still showed its color beneath the spotless whiteness of her voluminous +headgear, and the clear tints of her complexion seemed all the more +delicate and fresh in the snowy pallor of the surroundings and the +grayness of the evening. + +“I reckon I’d better take it along,” and once more she addressed herself +to the effort to insert the dip into the lantern. + +Emory hardly heard. His pulse was quick. His eye glittered. He breathed +hard as, with both hands in his pockets, he came close to her. + +“Mill’cent,” he said, “I told ye the t’other day ez ye thunk a heap too +much o’ that thar stran-ger-” + +“An’ I tole ye, bubby, that I didn’t think nuthin’ o’ nobody but +you-uns,” she interrupted, with an effort to placate his jealousy. The +little jocularity which she affected dwindled and died before the steady +glow of his gaze, and she falteringly looked at him, her unguided hands +futilely fumbling with the lantern. + +“Ye can’t fool me,” he stoutly asseverated. “Ye think mo’ o’ him ‘n o’ +me, kase ye ‘low he air rich, an’ book-larned, an’ smooth-fingered, an’ +fini-fied ez a gal, an’ goin’ ter buy the hotel. I say, _hotel!_ Now +_I’ll_ tell ye what he is--I’ll tell ye! He’s a criminal. He’s runnin’ +from the law. He’s hidin’ in the old hotel that he’s purtendin’ ter +buy.” + +She stared wide-eyed and pallid, breathless and waiting. + +He interpreted her expression as doubt, denial. + +“It’s gospel sure,” he cried. “Fur this very evenin’ I met a gang o’ +men an’ the sheriff’s deputy down yander by the sulphur spring ‘bout +sundown, an’ he ‘lowed ez they war a-sarchin’ fur a criminal ez war +skulkin’ round hyarabout lately--ez they wanted a man fur hevin’ +c’mitted murder.” + +“But ye didn’t accuse _him_, surely; ye hed no right ter s’picion _him_. +Uncle Sim! Oh, my Lord! Ye surely wouldn’t! Oh, Uncle Sim!” + +Her tremulous words broke into a quavering cry as she caught his arm +convulsively, for his face confirmed her fears. She thrust him wildly +away, and started toward the house. + +“Ye needn’t go tattlin’ on me,” he said, roughly pushing her aside. +“I’ll tell Mr. Roxby myself. I ain’t ‘shamed o’ what I done. I’ll +tell him. I’ll tell him myself.” And animated with this intention to +forestall her disclosure, his long strides bore him swiftly past and +into the house. + +It seemed to him that he lingered there only a moment or two, for Roxby +was not at the cabin, and he said nothing of the quarrel to the old +woman. Already his heart had revolted against his treachery, and then +there came to him the further reflection that he did not know enough +to justify suspicion. Was not the stranger furnished with the fullest +credentials--a letter to Roxby from the Colonel? Perhaps he had allowed +his jealousy to endanger the man, to place him in jeopardy even of his +life should he resist arrest. + +Keenan tarried at the house merely long enough to devise a plausible +excuse for his sudden excited entrance, and then took his way back to +the barnyard. + +It was vacant. The cows still stood lowing at the bars; the sheep +cowered together in their shed; the great whitened cone of the +fodder-stack gleamed icily in the purple air; beside it lay the lantern +where Millicent had cast it aside. She was gone! He would not believe +it till he had run to the barn, calling her name in the shadowy place, +while the horse at his manger left his corn to look over the walls of +his stall with inquisitive surprised eyes, luminous in the dusk. He +searched the hen-house, where the fowls on their perches crowded close +because of the chill of the evening. He even ran to the bars and looked +down across the narrow ravine to which the clearing sloped. Beyond the +chasm-like gorge he saw presently on the high ascent opposite footprints +that had broken the light frostlike coating of ice on the dead leaves +and moss--climbing footprints, swift, disordered. He looked back again +at the lantern where Millicent had flung it in her haste. Her mission +was plain now. She had gone to warn Dundas. She had taken a direct line +through the woods. She hoped to forestall the deputy sheriff and his +posse, following the circuitous mountain road. + +Keenan’s lip curled in triumph. His heart burned hot with scornful anger +and contempt of the futility of her effort. “They’re there afore she +started!” he said, looking up at the aspects of the hour shown by the +sky, and judging of the interval since the encounter by the spring. +Through a rift in the gray cloud a star looked down with an icy +scintillation and disappeared again. He heard a branch in the woods snap +beneath the weight of ice. A light sprang into the window of the cabin +hard by, and came in a great gush of orange-tinted glow out into the +snowy bleak wintry space. He suddenly leaped over the fence and ran like +a deer through the woods. + +Millicent too had been swift. He had thought to overtake her before he +emerged from the woods into the more open space where the hotel stood. +In this quarter the cloud-break had been greater. Toward the west a +fading amber glow still lingered in long horizontal bars upon the opaque +gray sky. The white mountains opposite were hung with purple shadows +borrowed from a glimpse of sunset somewhere far away over the valley +of East Tennessee; one distant lofty range was drawn in elusive snowy +suggestions, rather than lines, against a green space of intense yet +pale tint. The moon, now nearing the full, hung over the wooded valley, +and aided the ice and the crust of snow to show its bleak, wan, wintry +aspect; a tiny spark glowed in its depths from some open door of an +isolated home. Over it all a mist was rising from the east, drawing its +fleecy but opaque curtain. Already it had climbed the mountain-side and +advanced, windless, soundless, overwhelming, annihilating all before and +beneath it. The old hotel had disappeared, save that here and there a +gaunt gable protruded and was withdrawn, showed once more, and once more +was submerged. + +A horse’s head suddenly looking out of the enveloping mist close to his +shoulder gave him the first intimation of the arrival, the secret silent +waiting, of those whom he had directed hither. That the saddles were +empty he saw a moment later. The animals stood together in a row, +hitched to the rack. No disturbance sounded from the silent building. +The event was in abeyance. The fugitive in hiding was doubtless at +ease, unsuspecting, while the noiseless search of the officers for his +quarters was under way. + +With a thrill of excitement Keenan crept stealthily through an open +passage and into the old grass-grown spaces of the quadrangle. Night +possessed the place, but the cloud seemed denser than the darkness. He +was somehow sensible of its convolutions as he stood against the wall +and strained his eyes into the dusk. Suddenly it was penetrated by a +milky-white glimmer, a glimmer duplicated at equidistant points, each +fading as its successor sprang into brilliance. The next moment he +understood its significance. It had come from the blurred windows of the +old ball-room. Milli-cent had lighted her candle as she searched for the +fugitive’s quarters; she was passing down the length of the old house +on the second story, and suddenly she emerged upon the gallery. She +shielded the feeble flicker with her Hand; her white-hooded head gleamed +as with an aureola as the divergent rays rested on the opaque mist; and +now and again she clutched the baluster and walked with tremulous care, +for the flooring was rotten here and there, and ready to crumble away. +Her face was pallid, troubled; and Dundas, who had been warned by the +tramp of horses and the tread of men, and who had descended the stairs, +revolver in hand, ready to slip away if he might under cover of +the mist, paused appalled, gazing across the quadrangle as on an +apparition--the sight so familiar to his senses, so strange to his +experience. He saw in an abrupt shifting of the mist that there were +other figures skulking in doorways, watching her progress. The next +moment she leaned forward to clutch the baluster, and the light of the +candle fell full on Emory Keenan, lurking in the open passage. A sudden +sharp cry of “Surrender!” The young mountaineer, confused, swiftly drew +his pistol. Others were swifter still. A sharp report rang out into +the chill crisp air, rousing all the affrighted echoes--a few faltering +steps, a heavy fall, and for a long time Emory Keenan’s life-blood +stained the floor of the promenade. Even when it had faded, the rustic +gossips came often and gazed at the spot with morbid interest, until, a +decade later, an enterprising proprietor removed the floor and altered +the shape of that section of the building out of recognition. + +The escape of Dundas was easily effected. The deputy sheriff, confronted +with the problem of satisfactorily accounting for the death of a man +who had committed no offence against public polity, was no longer +formidable. His errand had been the arrest of a horse-thief, well-known +to him, and he had no interest in pursuing a fugitive, however obnoxious +to the law, whose personal description was so different from that of the +object of his search. + +Time restored to Dundas his former place in life and the esteem of his +fellow-citizens. His stay in the mountains was an episode which he will +not often recall, but sometimes volition fails, and he marvels at the +strange fulfilment of the girl’s vision; he winces to think that her +solicitude for his safety should have cost her her lover; he wonders +whether she yet lives, and whether that tender troubled phantom, on +nights when the wind is still and the moon is low and the mists rise, +again joins the strange, elusive, woful company crossing the quaking +foot-bridge. + + + + + + +End of the Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + +***** This file should be named 23630-0.txt or 23630-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/6/3/23630/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23630-0.zip b/23630-0.zip Binary files differnew file mode 100644 index 0000000..9d8a13f --- /dev/null +++ b/23630-0.zip diff --git a/23630-8.txt b/23630-8.txt new file mode 100644 index 0000000..9032cb8 --- /dev/null +++ b/23630-8.txt @@ -0,0 +1,1937 @@ +The Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Phantoms Of The Foot-Bridge + 1895 + +Author: Charles Egbert Craddock (AKA Mary Noailles Murfree) + +Illustrator: A. B. Frost + +Release Date: November 26, 2007 [EBook #23630] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + + + + +Produced by David Widger + + + + + + +THE PHANTOMS OF THE FOOT-BRIDGE + +By Charles Egbert Craddock + +1895 + + +Across the narrow gorge the little foot-bridge stretched-a brace of +logs, the upper surface hewn, and a slight hand-rail formed of a cedar +pole. A flimsy structure, one might think, looking down at the dark and +rocky depths beneath, through which flowed the mountain stream, swift +and strong, but it was doubtless substantial enough for all ordinary +usage, and certainly sufficient for the imponderable and elusive +travellers who by common report frequented it. + +"We ain't likely ter meet nobody. Few folks kem this way nowadays, +'thout it air jes' ter ford the creek down along hyar a piece, sence +harnts an' sech onlikely critters hev been viewed a-crossin' the +foot-bredge. An' it hev got the name o' bein' toler'ble onlucky, too," +said Roxby. + +His interlocutor drew back slightly. He had his own reasons to recoil +from the subject of death. For him it was invested with a more immediate +terror than is usual to many of the living, with that flattering +persuasion of immortality in every strong pulsation repudiating all +possibility of cessation. Then, lifting his gloomy, long-lashed eyes to +the bridge far up the stream, he asked, "Whose 'harms?" + +His voice had a low, repressed cadence, as of one who speaks seldom, +grave, even melancholy, and little indicative of the averse interest +that had kindled in his sombre eyes. In comparison the drawl of the +mountaineer, who had found him heavy company by the way, seemed imbued +with an abnormal vivacity, and keyed a tone or two higher than was its +wont. + +"Thar ain't a few," he replied, with a sudden glow of the pride of the +cicerone. "Thar's a graveyard t'other side o' the gorge, an' not more +than a haffen-mile off, an' a cornsider'ble passel o' folks hev +been buried thar off an' on, an' the foot-bredge ain't in nowise +ill-convenient ter them." + +Thus demonstrating the spectral resources of the locality, he rode his +horse well into the stream as he spoke, and dropped the reins that the +animal's impatient lips might reach the water. He sat fac-, ing the +foot-bridge, flecked with the alternate shifting of the sunshine and the +shadows of the tremulous firs that grew on either side of the high +banks on the ever-ascending slope, thus arching both above and below +the haunted bridge. His companion had joined him in the centre of +the stream; but while the horses drank, the stranger's eyes were +persistently bent on the concentric circles of the water that the +movement of the animals had set astir in the current, as if he feared +that too close or curious a gaze might discern some pilgrim, whom he +cared not to see, traversing that shadowy quivering foot-bridge. He +was mounted on a strong, handsome chestnut, as marked a contrast to his +guide's lank and trace-galled sorrel as were the two riders. A slender +gloved hand had fallen with the reins to the pommel of the saddle. His +soft felt hat, like a sombrero, shadowed his clear-cut face. He was +carefully shaven, save for a long drooping dark mustache and imperial. +His suit of dark cloth was much concealed by a black cloak, one end of +which thrown back across his shoulder showed a bright blue lining, the +color giving a sudden heightening touch to his attire, as if he were "in +costume." It was a fleeting fashion of the day, but it added a certain +picturesqueness to a horseman, and seemed far enough from the times +that produced the square-tailed frock-coat which the mountaineer wore, +constructed of brown jeans, the skirts of which stood stiffly out on +each side of the saddle, and gave him, with his broad-brimmed hat, a +certain Quakerish aspect. + +"I dun'no' why folks be so 'feared of 'em," Rox-by remarked, +speculatively. "The dead ain't so oncommon, nohow. Them ez hev been +in the war, like you an' me done, oughter be in an' 'bout used ter +corpses-though I never seen none o' 'em afoot agin. Lookin' at a smit +field o' battle, arter the rage is jes' passed, oughter gin a body a +realizin' sense how easy the sperit kin flee, an' what pore vessels fur +holdin' the spark o' life human clay be." + +Simeon Roxby had a keen, not unkindly face, and he had that look of +extreme intelligence which is entirely distinct from intellectuality, +and which one sometimes sees in a minor degree in a very clever dog or a +fine horse. One might rely on him to understand instinctively everything +one might say to him, even in its subtler aesthetic values, although he +had consciously learned little. He was of the endowed natures to whom +much is given, rather than of those who are set to acquire. He had +many lines in his face-even his simple life had gone hard with him, its +sorrows un assuaged by its simplicity. His hair was grizzled, and hung +long and straight on his collar. He wore a grizzled beard cut broad and +short. His boots had big spurs, although the lank old sorrel had never +felt them. He sat his horse like the cavalryman he had been for four +years of hard riding and raiding, but his face had a certain gentleness +that accented the Quaker-like suggestion of his garb, a look of +communing with the higher things. + +"I never blamed 'em,'" he went on, evidently reverting to the spectres +of the bridge-"I never blamed 'em for comin' back wunst in a while. It +'pears ter me 'twould take me a long time ter git familiar with heaven, +an' sociable with them ez hev gone before. An', my Lord, jes' think what +the good green yearth is! Leastwise the mountings. I ain't settin' store +on the valley lands I seen whenst I went ter the wars. I kin remember +yit what them streets in the valley towns smelt like." + +He lifted his head, drawing a long breath to inhale the exquisite +fragrance of the fir, the freshness of the pellucid water, the aroma of +the autumn wind, blowing through the sere leaves still clinging red and +yellow to the boughs of the forest. + +"Naw, I ain't blamin' 'em, though I don't hanker ter view 'em," he +resumed. "One of 'em I wouldn't be afeard of, though. I feel mighty +sorry fur her. The old folks used ter tell about her. A young 'oman she +war, a-crossin' this bredge with her child in her arms. She war young, +an' mus' have been keerless, I reckon; though ez 'twar her fust baby, +she moightn't hev been practised in holdin' it an' sech, an' somehows +it slipped through her arms an' fell inter the ruver, an' war killed in +a minit, dashin' agin the rocks. She jes' stood fur a second a-screamin' +like a wild painter, an' jumped off'n the bredge arter it. She got it +agin; for when they dragged her body out'n the ruver she hed it in her +arms too tight fur even death ter onloose. An' thar they air together in +the buryin'-ground." + +He gave a nod toward the slope of the mountain that intercepted the +melancholy view of the graveyard. + +"Got it yit!" he continued; "bekase" (he lowered his voice) "on windy +nights, whenst the moon is on the wane, she is viewed kerryin' the baby +along the bredge--kerryin' it clear over, _safe an' sound_, like she +thought she oughter done, I reckon, in that one minute, whilst she stood +an' screamed an' surveyed what she hed done. That child would hev been +nigh ter my age ef he hed lived." + +Only the sunbeams wavered athwart the bridge now as the firs swayed +above, giving glimpses of the sky, and their fibrous shadows flickered +back and forth. The wild mountain stream flashed white between the brown +bowlders, and plunged down the gorge in a succession of cascades, each +seeming more transparently green and amber and brown than the other. The +chestnut horse gazed meditatively at these limpid out-gushings, having +drunk his fill; then thought better of his moderation, and once more +thrust his head down to the water. The hand of his rider, which had +made a motion to gather up the reins, dropped leniently on his neck, as +Simeon Roxby spoke again: + +"Several--several others hev been viewed, actin' accordin' ter thar +motions in life. Now thar war a peddler--some say he slipped one icy +evenin', 'bout dusk in winter--some say evil ones waylaid him fur his +gear an' his goods in his pack, but the settlemint mostly believes +he war alone whenst he fell. His pack 'pears ter be full still, they +say--but ye air 'bleeged ter know he hev hed ter set that pack down fur +good 'fore this time. We kin take nuthin' out'n this world, no matter +what kind o' a line o' goods we kerry in life. Heaven's no place fur +tradin', I understan', an' I _do_ wonder sometimes how in the worl' them +merchants an' sech in the valley towns air goin' ter entertain tharse'fs +in the happy land o' Canaan. It's goin' ter be sorter bleak fur them, +sure's ye air born." + +With a look of freshened recollection, he suddenly drew a plug of +tobacco from his pocket, and he talked on even as he gnawed a piece from +it. + +"Durin' the war a cavalry-man got shot out hyar whilst runnin' 'crost +that thar foot-bredge. Thar hed been a scrimmage an' his horse war kilt, +an' he tuk ter the bresh on foot, hopin' ter hide in the laurel. But ez +he war crossin' the foot-bredge some o' the pursuin' party war fordin' +the ruver over thar, an' thinkin' he'd make out ter escape they fired +on him, jes' ez the feller tried ter surrender. He turned this way an' +flung up both arms--but thar's mighty leetle truce in a pistol-ball. +That minute it tuk him right through the brain. Seems toler'ble long +range fur a pistol, don't it? He kin be viewed now most enny moonlight +night out hyar on the foot-bredge, throwin' up both hands in sign of +surrender." + +The wild-geese were a-wing on the way southward. Looking up to that +narrow section of the blue sky which the incision of the gorge into +the very depths of the woods made visible, he could see the tiny files +deploying along the azure or the flecking cirrus, and hear the vague +clangor of their leader's cry. He lifted his head to mechanically follow +their flight. Then, as his eyes came back to earth, they rested again on +the old bridge. + +"Strange enough," he said, suddenly, "the sker-riest tale I hev ever +hearn 'bout that thar old bredge is one that my niece set a-goin'. She +_seen_ the harnt _herself_, an' it shakes me wuss 'n the idee o' all the +rest." + +His companion's gloomy gaze was lifted for a moment with an expression +of inquiry from the slowly widening circles of the water about the +horse's head as he drank. But Roxby's eyes, with a certain gleam of +excitement, a superstitious dilation, still dwelt upon the bridge at +the end of the upward vista. He went on merely from the impetus of the +subject. "Yes, sir--she _seen_ it a-pacin' of its sorrowful way acrost +that bredge, same ez the t'others of the percession o' harnts. 'Twar +my niece, Mill'cent--brother's darter--by name, Mill'cent Roxby. Waal, +Mill'cent an' a lot o' young fools o' her age--little over fryin' +size--they 'tended camp-meetin' down hyar on Tomahawk Creek--'tain't +so long ago--along with the old folks. An' 'bout twenty went huddled up +tergether in a road-wagin. An', lo! the wagin it bruk down on the way +home, an' what with proppin' it up on a crotch, they made out ter reach +the cross-roads over yander at the Notch, an' thar the sober old folks +called a halt, an' hed the wagin mended at the blacksmith-shop. Waal, it +tuk some two hours, fur Pete Rodd ain't a-goin' ter hurry hisself--in my +opinion the angel Gabriel will hev ter blow his bugle oftener'n wunst +at the last day 'fore Pete Rodd makes up his mind ter rise from the +dead an' answer the roll-call--an' this hyar young lot sorter found it +tiresome waitin' on thar elders' solemn company. The old folks, whilst +waitin', set outside on the porches of the houses at the settlemint, +an' repeated some o' the sermons they hed hearn at camp, an' more'n one +raised a hyme chune. An' the young fry--they hed hed a steady diet o' +sermons an' hyme chunes fur fower days--they tuk ter stragglin' off +down the road, two an' two, like the same sorter id jits the world over, +leavin' word with the old folks that the wagin would overtake 'em an' +pick 'em up on the road when it passed. Waal, they walked several mile, +an' time they got ter the crest o' the hill over yander the moon hed +riz, an' they could look down an' see the mist in the valley. The +moon war bright in the buryin'-groun' when they passed it, an' the +head-boards stood up white an' stiff, an' a light frost hed fell on the +mounds, an' they showed plain, an' shone sorter lonesome an' cold. +The young folks begun ter look behind em' fur the wagin. Some said--I +b'lieve 'twar Em'ry Keen an--they could read the names on the boards +plain, 'twar so light, the moon bein' nigh the full: but Em'ry never +read nuthin' at night by the moon in his life; he ain't enny too capable +o' wrastlin' with the alphabet with a strong daytime on his book ter +light him ter knowledge. An' the shadows war black an' still, an' all +the yearth looked ez ef nuthin' lived nor ever would agin, an' they +hearn a wolf howl. Waal, that disaccommodated the gals mightily, an' +they hed a heap more interes' in that old wagin, all smellin' rank with +wagin-grease an' tar, than they did in thar lovyers; an' they hed ruther +hev hearn that old botch of a wheel that Pete Rodd hed set onto it com +in' a-creakin' an' a-com-plainin' along the road than the sweetest words +them boys war able ter make up or remember. So they stood thar in the +road--a-stare-gazin' them head-boards, like they expected every grave +ter open an' the reveilly ter sound--a-waitin' ter be overtook by the +wagin, a-listenin', but hearin' nuthin' in the silence o' the frost--not +a dead leaf a-twirlin', nor a frozen blade o' grass astir. An' then +two or three o' the gals 'lowed they hed ruther walk back ter meet the +wagin, an' whenst the boys 'lowed ter go on--nuthin' war likely ter +ketch 'em--one of 'em bust out a-cryin'. Waal, thar war the eend o' that +much! So the gay party set out on the back track, a-keepin' step +ter sobs an' sniffles, an' that's how kem _they_ seen no harnt. But +Mill'-cent an' three or four o' the t'others 'lowed they'd go on. They +warn't two mile from home, an' full five from the cross-roads. So Em'ry +Keenan--he hev been waitin' on her sence the year one--so he put his +skeer in his pocket an' kem along with her, a-shakin' in his shoes, I'll +be bound! So down the hill in the frosty moonlight them few kem--purty +nigh beat out, I reckon, Mill'cent war, what with the sermonizin' an' +the hyme-singin' an' hevin' ter look continual at the sheep's-eyes o' +Em'ry Keenan--he wears my patience ter the bone! So she concluded ter +take the short-cut. An' Em'ry he agreed. So they tuk the lead, the rest +a following an' kem down thar through all that black growth"--he lifted +his arm and pointed at the great slope, dense with fir and pine and the +heavy underbrush--"keepin' the bridle-path--easy enough even at night, +fur the bresh is so thick they couldn't lose thar way. But the moonlight +war mightily slivered up, fallin' through the needles of the pines an' +the skeins of dead vines, an' looked bleached and onnatural, an' holped +the dark mighty leetle. An' they seen the water a-shinin' an' a-plungin' +down the gorge, an' the glistenin' of the frost on the floor o' the +bredge. Thar war a few icicles on the hand-rail, an' the branches o' the +firs hung ez still ez death; only that cold, racin', shoutin', jouncin' +water moved. Jes ez they got toler'ble nigh the foot-bredge a sudden +cloud kem over the face o' the sky. Thar warn't no wind on the yearth, +but up above the air war a-stirrin'. An' Em'ry he 'lowed Mill'cent +shouldn't cross the foot-bredge whilst the light warn't clar--I wonder +the critter hed that much sense! An' she jes' drapped down on that rock +thar ter rest"--he pointed up the slope to a great fragment that had +broken off from the ledges and lay near the bank: the bulk of the mass +was overgrown with moss and lichen, but the jagged edges of the recent +fracture gleamed white and crystalline among the brown and olive-green +shadows about it. A tree was close beside it. "Agin that thar pine trunk +Em'ry he stood an' leaned. The rest war behind, a-comin' down the +hill. An' all of a suddenty a light fell on the furder eend o' +the foot-bredge--a waverin' light, mighty white an' misty in the +darksomeness. Mill'cent 'lowed ez fust she thunk it war the moon. An' +lookin' up, she seen the cloud; it held the moon close kivered. An' +lookin' down, she seen the light war movin'--movin' from the furder eend +o' the bredge, straight acrost it. Sometimes a hand war held afore it, +ez ef ter shield it from the draught, an' then Mill'cent 'seen twar a +candle, an' the white in the mistiness war a 'oman wearin' white an' +carryn' it. + +[Illustration: The Phantom of the Foot-bridge 025] + +Lookin' ter right an' then ter lef the 'oman kem, with now her right +hand shieldin' the candle she held, an' now layin' it on the hand-rail. +The candle shone on the water, fur it didn't flare, an' when the 'oman +held her hand before it the light made a bright spot on the foot-bredge +an' in the dark air about her, an' on the fir branches over her head. +An' a thin mist seemed to hang about her white frock, but not over her +face, fur when she reached the middle o' the foot-bredge she laid her +hand agin on the rail, an' in the clear light o' the candle Mill'cent +seen the harnt's face. An' thar she beheld her own face; _her own +face_ she looked upon ez she waited thar under the tree watchin' the +foot-bredge; _her own face_ pale an' troubled; her own self dressed in +white, crossin' the foot-bredge, an' lightin' her steps with a corpse's +candle." He drew up the reins abruptly. He seemed in sudden haste to go. +His companion looked with deepening interest at the bridge, although he +followed his guide's surging pathway to the opposite bank. As the two +dripping horses struggled up the steep incline he asked, "Did the man +with her see the manifestation also?" + +"He _'lows_ he did," responded Roxby, equivocally. "But when Mill'cent +fust got so she could tell it, 'peared ter me ez Em'ry Keen an fund it +ez much news ez the rest o' we-uns. Mill'cent jes' drapped stone-dead, +accordin' ter all accounts, an' he an' the t'other young folks flung +water in her face till she kem out'n her faint; an' jes' then they hearn +the wagin a-rattlin' along the road, an' they stopped it an' fetched her +home in it. She never told the tale till she war home, an' it skeered +me an' my mother powerful, fur Mill'cent is all the kin we hev got. +Mill'cent is gran'daddy an' gran'mam-my, sons an' daughters, uncles an' +aunts, cousins, nieces, an' nephews, all in one. The only thing I ain't +pervided with is a nephew-in-law, an' I don't need him. Leastwise I +ain't lookin' fur Em'ry Keenan jes' at present." + +The pace was brisker when the two horses, bending their strength +sturdily to the task, had pressed up the massive slope from the deep +cleft of the gorge. As the road curved about the outer verge of the +mountain, the valley far beneath came into view, with intersecting +valleys and transverse ranges, dense with the growths of primeval +wildernesses, and rugged with the tilted strata of great upheavals, and +with chasms cut in the solid rock by centuries of erosion, traces +of some remote cataclysmal period, registering thus its throes and +turmoils. The blue sky, seen beyond a gaunt profile of one of the +farther summits that defined its craggy serrated edge against the +ultimate distances of the western heavens, seemed of a singularly suave +tint, incongruous with the savagery of the scene, which clouds and +portents of storm might better have befitted. The little graveyard, +which John Dundas discerned with recognizing eyes, albeit they had never +before rested upon it, was revealed suddenly, lying high on the opposite +side of the gorge. No frost glimmered now on the lowly mounds; the +flickering autumnal sunshine loitered unafraid among them, according +to its languid wont for many a year. Shadows of the gray un-painted +head-boards lay on the withered grass, brown and crisp, with never +a cicada left to break the deathlike silence. A tuft of red leaves, +vagrant in the wind, had been caught on one of the primitive monuments, +and swayed there with a decorative effect. The enclosure seemed, to +unaccustomed eyes, of small compass, and few the denizens who had found +shelter here and a resting-place, but it numbered all the dead of the +country-side for many a mile and many a year, and somehow the loneliness +was assuaged to a degree by the reflection that they had known each +other in life, unlike the great herds of cities, and that it was a +common fate which the neighbors, huddled together, encountered in +company. + +It had no discordant effect in the pervasive sense of gloom, of mighty +antagonistic forces with which the scene was replete; it fostered a +realization of the pitiable minuteness and helplessness of human nature +in the midst of the vastness of inanimate nature and the evidences of +infinite lengths of forgotten time, of the long reaches of unimagined +history, eventful, fateful, which the landscape at once suggested and +revealed and concealed. + +Like the sudden flippant clatter of castanets in the pause of some +solemn funeral music was the impression given by the first glimpse along +the winding woodland way of a great flimsy white building, with its +many pillars, its piazzas, its "observatory," its band-stand, its garish +intimations of the giddy, gay world of a summer hotel. But, alack! it, +too, had its surfeit of woe. + +"The guerrillas an' bushwhackers tuk it out on the old hotel, sure!" +observed Sim Roxby, by way of introduction. "Thar warn't much fightin' +hyar-abouts, an' few sure-enough soldiers ever kem along. But wunst in a +while a band o' guerrillas went through like a suddint wind-storm, an' +I tell ye they made things whurl while they war about it. They made a +sorter barracks o' the old place. Looks some like lightning hed struck +it." + +He had reined up his horse about one hundred yards in front of the +edifice, where the weed-grown gravelled drive--carefully tended ten +years agone--had diverged from the straight avenue of poplars, sweeping +in a circle around to the broad flight of steps. + +"Though," he qualified abruptly, as if a sudden thought had struck +him, "ef ye air countin' on buyin' it, a leetle money spent ter keerful +purpose will go a long way toward makin' it ez good ez new." + +His companion did not reply, and for the first time Roxby cast upon him +a covert glance charged with the curiosity which would have been earlier +and more easily aroused in another man by the manner of the stranger. A +letter--infrequent missive in his experience--had come from an ancient +companion-in-arms, his former colonel, requesting him in behalf of a +friend of the old commander to repair to the railway station, thirty +miles distant, to meet and guide this prospective purchaser of the old +hotel to the site of the property. And now as Roxby looked at him the +suspicion which his kind heart had not been quick to entertain was +seized upon by his alert brain. + +"The cunnel's been fooled somehows," he said to himself. + +For the look with which John Dundas contemplated the place was not the +gaze of him concerned with possible investment--with the problems of +repair, the details of the glazier and the painter and the plasterer. +The mind was evidently neither braced for resistance nor resigned to +despair, as behooves one smitten by the foreknowledge of the certainty +of the excess of the expenditures over the estimates. Only with pensive, +listless melancholy, void of any intention, his eyes traversed the +long rows of open doors, riven by rude hands from their locks, swinging +helplessly to and fro in the wind, and giving to the deserted and +desolate old place a spurious air of motion and life. Many of the +shutters had been wrenched from their hinges, and lay rotting on the +floors. The ball-room windows caught on their shattered glass the +reflection of the clouds, and it seemed as if here and there a wan face +looked through at the riders wending along the weed-grown path. Where so +many faces had been what wonder that a similitude should linger in the +loneliness! The pallid face seemed to draw back as they glanced up while +slowly pacing around the drive. A rabbit sitting motionless on the front +piazza did not draw back, although observing them with sedate eyes as +he poised himself upright on his haunches, with his listless fore-paws +suspended in the air, and it occurred to Dundas that he was probably +unfamiliar with the presence of human beings, and had never heard the +crack of a gun. A great swirl of swallows came soaring out of the big +kitchen chimneys and circled in the sky, darting down again and again +upward. Through an open passage was a glimpse of a quadrangle, with its +weed-grown spaces and litter of yellow leaves. A tawny streak, a red +fox, sped through it as Dundas looked. A half-moon, all a-tilt, hung +above it. He saw the glimmer through the bare boughs of the leafless +locust-trees here and there still standing, although outside on the lawn +many a stump bore token how ruthlessly the bushwhackers had furnished +their fires. + +"That thar moon's a-hangin' fur rain," said the mountaineer, commenting +upon the aspect of the luminary, which he, too, had noticed as they +passed. "I ain't s'prised none ef we hev fallin' weather agin 'fore +day, an' the man--by name Morgan Holden--that hev charge o' the hotel +property can't git back fur a week an' better." + +A vague wonder to find himself so suspicious flitted through his mind, +with the thought that perhaps the colonel might have reckoned on this +delay. "Surely the ruvers down yander at Knoxville mus' be a-boomin', +with all this wet weather," he said to himself. + +Then aloud: "Morgan Holden he went ter Col-bury ter 'tend ter some +business in court, an' the ruvers hev riz so that, what with the bredges +bein' washed away an' the fords so onsartain an' tricky, he'll stay till +the ruver falls. He don't know ye war kemin', ye see. The mail-rider hev +quit, 'count o' the rise in the ruver, an' thar's no way ter git word +ter him. Still, ef ye air minded ter wait, I'll be powerful obligated +fur yer comp'ny down ter my house till the ruver falls an' Holden he +gits back." + +The stranger murmured his obligations, but his eyes dwelt lingeringly +upon the old hotel, with its flapping doors and its shattered windows. +Through the recurrent vistas of these, placed opposite in the rooms, +came again broken glimpses of the grassy space within the quadrangle, +with its leafless locust-trees, first of all to yield their foliage to +the autumn wind, where a tiny owl was shrilling stridulously under the +lonely red sky and the melancholy moon. + +"Hed ye 'lowed ter, put up at the old hotel?" asked Roxby, some inherent +quickness supplying the lack of a definite answer. + +For the first time the stranger turned upon him a look more expressive +than the casual fragmentary attention with which he had half heeded, +half ignored his talk since their first encounter at the railway +station. + +"A simple fellow, but good as gold," was the phrase with which Simeon +Roxby had been commended as guide and in some sort guard. + +"Not so simple, perhaps," the sophisticated man thought as their eyes +met. Not so simple but that the truth must serve. "The colonel suggested +that it might be best," he replied, more alert to the present moment +than his languid preoccupation had heretofore permitted. + +The answer was good as far as it went. A few days spent in the old +hostelry certainly would serve well to acquaint the prospective +purchaser with its actual condition and the measures and means needed +for its repair; but as Sim Roxby stood there, with the cry of the owl +shrilling in the desert air, the lonely red sky, the ominous tilted +moon, the doors drearily flapping to and fro as the wind stole into the +forlorn and empty place and sped back affrighted, he marvelled at the +refuge contemplated. + +"I believe there is some of the furniture here yet. We could contrive to +set up a bed from what is left. The colonel could make it all right with +Holden, and I could stay a day or two, as we originally planned." + +"Ye-es. I don't mind Holden: a man ain't much in charge of a place ez +ain't got a lock or a key ter bless itself with, an' takes the owel an' +the fox an' the gopher fur boarders; but, ennyhow, kem with me home ter +supper. Mill'cent will hev it ready by now ennyhows, an' ye need suthin' +hearty an' hot ter stiffen ye up ter move inter sech quarters ez these." +Dundas hesitated, but the mountaineer had already taken assent for +granted, and pushed his horse into a sharp trot. Evidently a refusal was +not in order. Dundas pressed forward, and they rode together along the +winding way past the ten-pin alley, its long low roof half hidden in the +encroaching undergrowth springing up apace beneath the great trees; past +the stables; past a line of summer cottages, strangely staring of aspect +out of the yawning doors and windows, giving, instead of an impression +of vacancy, a sense of covert watching, of secret occupancy. If one's +glances were only quick enough, were there not faces pressed to those +shattered panes--scarcely seen--swiftly withdrawn? + +He was in a desert; he had hardly been so utterly alone in all his life; +yet he bore through the empty place a feeling of espionage, and ever +and anon he glanced keenly at the overgrown lawns, with their deepening +drifts of autumn leaves, at the staring windows and flaring doors, which +emitted sometimes sudden creaking wails in the silence, as if he sought +to assure himself of the vacancy of which his mind took cognizance and +yet all his senses denied. + +Little of his sentiment, although sedulously cloaked, was lost on Sim +Roxby; and he was aware, too, in some subtle way, of the relief his +guest experienced when they plunged into the darkening forest and left +the forlorn place behind them. The clearing in which it was situated +seemed an oasis of light in the desert of night in which the rest of +the world lay. From the obscurity of the forest Dundas saw, through the +vistas of the giant trees, the clustering cottages, the great hotel, +gables and chimneys and tower, stark and distinct as in some weird +dream-light in the midst of the encircling gloom. The after-glow of +sunset was still aflare on the western windows; the whole empty place +was alight with a reminiscence of its old aspect--its old gay life. Who +knows what memories were a-stalk there--what semblance of former times? +What might not the darkness foster, the impunity of desertion, the +associations that inhabited the place with almost the strength of human +occupancy itself? Who knows--who knows? + +He remembered the scene afterward, the impression he received. And from +this, he thought, arose his regret for his decision to take up here his +abiding-place. + +The forest shut out the illumined landscape, and the night seemed indeed +at hand; the gigantic boles of the trees loomed through the encompassing +gloom, that was yet a semi-transparent medium, like some dark but clear +fluid through which objects were dimly visible, albeit tinged with its +own sombre hue. The lank, rawboned sorrel had set a sharp pace, to +which the chestnut, after momentary lagging, as if weary with the day's +travel, responded briskly. He had received in some way intimations that +his companion's corn-crib was near at hand, and if he had not deduced +from these premises the probability of sharing his fare, his mental +processes served him quite as well as reason, and brought him to the +same result. On and on they sped, neck and neck, through the darkening +woods; fire flashed now and again from their iron-shod hoofs; often +a splash and a shower of drops told of a swift dashing through the +mud-holes that recent rains had fostered in the shallows. The dank odor +of dripping boughs came on the clear air. Once the chestnut shied from a +sudden strange shining point springing up in the darkness close at +hand, which the country-bred horse discriminated as fox-fire, and +kept steadily on, unmindful of the rotting log where it glowed. Far in +advance, in the dank depths of the woods, a Will-o'-the-wisp danced and +flickered and lured the traveller's eye. The stranger was not sure of +the different quality of another light, appearing down a vista as the +road turned, until the sorrel, making a tremendous spurt, headed for it, +uttering a joyous neigh at the sight. + +The deep-voiced barking of hounds rose melodiously on the silence, +and as the horses burst out of the woods into a small clearing, Dundas +beheld in the brighter light a half-dozen of the animals nimbly afoot in +the road, one springing over the fence, another in the act of climbing, +his fore-paws on the topmost rail, his long neck stretched, and his head +turning about in attitudes of observation. He evidently wished to assure +himself whether the excitement of his friends was warranted by the facts +before he troubled himself to vault over the fence. Three or four still +lingered near the door of a log-cabin, fawning about a girl who stood on +the porch. Her pose was alert, expectant; a fire in the dooryard, where +the domestic manufacture of soap had been in progress, cast a red flare +on the house, its appurtenances, the great dark forest looming all +around, and, more than the glow of the hearth within, lighted up the +central figure of the scene. She was tall, straight, and strong; a +wealth of fair hair was clustered in a knot at the back of her head, and +fleecy tendrils fell over her brow; on it was perched a soldier's-cap; +and certainly more gallant and fearless eyes had never looked out from +under the straight, stiff brim. Her chin, firm, round, dimpled, was +uplifted as she raised her head, descrying the horsemen's approach. She +wore a full dark-red skirt, a dark brown waist, and around her neck +was twisted a gray cotton kerchief, faded to a pale ashen hue, the +neutrality of which somehow aided the delicate brilliancy of the +blended roseate and pearly tints of her face. Was this the seer of +ghosts--Dundas marvelled--this the Millicent whose pallid and troubled +phantom already-paced the foot-bridge? + +He did not realize that he had drawn up his horse suddenly at the sight +of her, nor did he notice that his host had dismounted, until Roxby was +at the chestnut's head, ready to lead the animal to supper in the barn. +His evident surprise, his preoccupation, were not lost upon Roxby, +however. His hand hesitated on the girth of the chestnut's saddle when +he stood between the two horses in the barn. He had half intended to +disregard the stranger's declination of his invitation, and stable the +creature. Then he shook his head slowly; the mystery that hung about the +new-comer was not reassuring. "A heap o' wuthless cattle 'mongst them +valley men," he said; for the war had been in some sort an education to +his simplicity. "Let him stay whar the cunnel expected him ter stay. I +ain't wantin' no stranger a-hangin' round about Mill'cent, nohow. Em'ry +Keenan ain't a pattern o' perfection, but I be toler'ble well acquainted +with the cut o' his foolishness, an' I know his daddy an' mammy, an' +both sets o' gran'daddies an' gran'mammies, an' I could tell ye exac'ly +which one the critter got his nose an' his mouth from, an' them lean +sheep's-eyes o' his'n, an' nigh every tone o' his voice. Em'ry never +thunk afore ez I set store on bein' acquainted with him. He 'lowed I +knowed him _too_ well." + +He laughed as he glanced through the open door into the darkening +landscape. Horizontal gray clouds were slipping fast across the pearly +spaces of the sky. The yellow stubble gleamed among the brown earth +of the farther field, still striped with its furrows. The black forest +encircled the little cleared space, and a wind was astir among the +tree-tops. A white star gleamed through the broken clapboards of the +roof, the fire still flared under the soap-kettle in the dooryard, and +the silence was suddenly smitten by a high cracked old voice, which told +him that his mother had perceived the dismounted stranger at the gate, +and was graciously welcoming him. + +She had come to the door, where the girl still stood, but half withdrawn +in the shadow. Dundas silently bowed as he passed her, following his +aged hostess into the low room, all bedight with the firelight of a huge +chimney-place, and comfortable with the realization of a journey's end. +The wilderness might stretch its weary miles around, the weird wind +wander in the solitudes, the star look coldly on unmoved by aught it +beheld, the moon show sad portents, but at the door they all failed, +for here waited rest and peace and human companionship and the sense of +home. + +"Take a cheer, stranger, an' make yerself at home. Powerful glad ter +see ye---war 'feard night would overtake ye. Ye fund the water toler'ble +high in all the creeks an' sech, I reckon, an' fords shifty an' +onsartain. Yes, sir. Fall rains kem on earlier'n common, an' more'n +we need. Wisht we could divide it with that thar drought we had in the +summer. Craps war cut toler'ble short, sir--toler'ble short." + +Mrs. Roxby's spectacles beamed upon him with an expression of the utmost +benignity as the firelight played on the lenses, but her eyes peering +over them seemed endowed in some sort with independence of outlook. It +was as if from behind some bland mask a critical observation was poised +for unbiased judgment. He felt in some degree under surveillance. But +when a light step heralded an approach he looked up, regardless of +the betrayal of interest, and bent a steady gaze upon Millicent as she +paused in the doorway. + +And as she stood there, distinct in the firelight and outlined against +the black background of the night, she seemed some modern half-military +ideal of Diana, with her two gaunt hounds beside her, the rest of the +pack vaguely glimpsed at her heels outside, the perfect outline and +chiselling of her features, her fine, strong, supple figure, the look of +steady courage in her eyes, and the soldier's cap on her fair hair. Her +face so impressed itself upon his mind that he seemed to have seen her +often. It was some resemblance to a picture of a vivandire, doubtless, +in a foreign gallery--he could not say when or where; a remnant of a +tourist's overcrowded impressions; a half-realized reminiscence, he +thought, with an uneasy sense of recognition. + +"Hello, Mill'cent! home agin!" Roxby cried, in cheery greeting as he +entered at the back door opposite. "What sorter topknot is that ye got +on?" he demanded, looking jocosely at her head-gear. + +The girl put up her hand with an expression of horror. A deep red +flush dyed her cheek as she touched the cap. "I forgot 'twar thar," she +murmured, contritely. Then, with a sudden rush of anger as she tore it +off: "'Twar granny's fault. She axed me ter put it on, so ez ter see +which one I looked most like." + +"Stranger," quavered the old woman, with a painful break in her voice, +"I los' fower sons in the war, an' Mill'cent hev got the fambly favor." + +"Ye _mought_ hev let me know ez I war a-perlitin' round in this hyar +men's gear yit," the girl muttered, as she hung the cap on a prong of +the deer antlers on which rested the rifle of the master of the house. + +Roxby's face had clouded at the mention of the four sons who had gone +out from the mountains never to return, leaving to their mother's aching +heart only the vague comfort of an elusive resemblance in a girl's +face; but as he noted Millicent's pettish manner, and divined her +mortification because of her unseemly head-gear in the stranger's +presence, he addressed her again in that jocose tone without which he +seldom spoke to her. + +[Illustration: Warn't you-uns apologizin' ter me 006] + +"Warn't you-uns apologizin' ter me t'other day fur not bein' a nephew +'stiddier a niece? Looked sorter like a nephew ter-night." + +She shook her head, covered now only with its own charming tresses +waving in thick undulations to the coil at the nape of her neck--a +trifle dishevelled from the rude haste with which the cap had been torn +off. + +Roxby had seated himself, and with his elbows on his knees he looked +up at her with a teasing jocularity, such as one might assume toward a +child. + +"_Ye war_," he declared, with affected solemnity--"ye war 'pologizin' +fur not bein' a nephew, an' 'lowed ef ye war a nephew we could go +a-huntin' tergether, an' ye could holp me in all my quar'ls an' fights. +I been aging some lately, an' ef I war ter go ter the settlemint an' git +inter a fight I mought not be able ter hold my own. Think what 'twould +be ter a pore old man ter hev a dutiful nephew step up an'"--he doubled +his fists and squared off--"jes' let daylight through some o' them +cusses. An' didn't _ye say_"--he dropped his belligerent attitude and +pointed an insistent finger at her, as if to fix the matter in her +recollection--"ef ye war a nephew 'stiddier a niece ye could fire a gun +'thout shettin' yer eyes? An' I told ye then ez that would mend yer aim +mightily. I told ye that I'd be powerful mortified ef I hed a nephew ez +hed ter shet his eyes ter keep the noise out'n his ears whenst he fired +a rifle. The tale would go mighty hard with me at the settlemint." + +The girl's eyes glowed upon him with the fixity and the lustre of those +of a child who is entertained and absorbed by an elder's jovial wiles. +A flash of laughter broke over her face, and the low, gurgling, +half-dreamy sound was pleasant to hear. She was evidently no more than +a child to these bereft old people, and by them cherished as naught else +on earth. + +"An' didn't _I tell you-uns,_" he went on, affecting to warm to the +discussion, and in reality oblivious of the presence of the +guest'--"didn't I tell ye ez how ef ye war a nephew 'stiddier a niece ye +wouldn't hev sech cattle ez Em'ry Keenan a-dan-glin' round underfoot, +like a puppy ye can't gin away, an' that _won't_ git lost, an' ye ain't +got the heart ter kill?" + +The girl's lip suddenly curled with scorn. "Yer nephew would be +obligated ter make a ch'ice fur marryin' 'mongst these hyar mounting +gals--Par-mely Lepstone, or Belindy M'ria Matthews, or one o' the +Windrow gals. Waal, sir, I'd ruther be yer niece--even ef Em'ry Keenan +_air_ like a puppy underfoot, that ye can't gin away, an' won't git +lost, an' ye ain't got the heart ter kill." She laughed again, +showing her white teeth. She evidently relished the description of the +persistent adherence of poor Emory Keenan. "But which one o' these hyar +gals would ye recommend ter yer nephew ter marry--ef ye hed a nephew?" + +She looked at him with flashing eyes, conscious of having propounded a +poser. + +He hesitated for a moment. Then--"I'm surrounded," he said, with a +laugh. "Ez I couldn't find a wife fur myself, I can't undertake +ter recommend one ter my nephew. Mighty fine boy he'd hev been, an' +saaft-spoken an' perlite ter aged men--not sassy an' makin' game o' old +uncles like a niece. Mighty fine boy!" + +"Ye air welcome ter him," she said, with a simulation of scorn, as she +turned away to the table. + +Whether it were the military cap she had worn, or the fancied +resemblance to the young soldiers, never to grow old, who had gone forth +from this humble abode to return no more, there was still to the guest's +mind the suggestion of the vivandire about her as she set the table +and spread upon it the simple fare. To and from the fireplace she was +followed by two or three of the younger dogs, their callowness expressed +in their lack of manners and perfervid interest in the approaching meal. +This induced their brief journeys back and forth, albeit embarrassed +by their physical conformation, short turns on four legs not being +apparently the easy thing it would seem from so much youthful +suppleness. The dignity of the elder hounds did not suffer them to move, +but they looked on from erect postures about the hearth with glistening +eyes and slobbering jaws. + +Ever and anon the deep blue eyes of Millicent were lifted to the outer +gloom, as if she took note of its sinister aspect. She showed scant +interest in the stranger, whose gaze seldom left her as he sat beside +the fire. He was a handsome man, his face and figure illumined by the +firelight, and it might have been that he felt a certain pique, an +unaccustomed slight, in that his presence was so indifferent an element +in the estimation of any young and comely specimen of the feminine sex. +Certainly he had rarely encountered such absolute preoccupation as her +smiling far-away look betokened as she went back and forth with her +young canine friends at her heels, or stood at the table deftly slicing +the salt-rising bread, the dogs poised skilfully upon their hind-legs +to better view the appetizing performance; whenever she turned her face +toward them they laid their heads languish-ingly askew, as if to remind +her that supper could not be more fitly bestowed than on them. One, to +steady himself, placed unobserved his fore-paw on the edge of the table, +his well-padded toes leaving a vague imprint as of fingers upon the +coarse white cloth; but John Dundas was a sportsman, and could the +better relax an exacting nicety where so pleasant-featured and affable +a beggar was concerned. He forgot the turmoils of his own troubles as +he gazed at Millicent, the dreary aspect of the solitudes without, the +exile from his accustomed sphere of culture and comfort, the poverty +and coarseness of her surroundings. He was sorry that he had declined +a longer lease of Roxby's hospitality, and it was in his mind to +reconsider when it should be again proffered. Her attitude, her gesture, +her face, her environment, all appealed to his sense of beauty, his +interest, his curiosity, as little ever had done heretofore. Slice after +slice of the firm fragrant bread was deftly cut and laid on the plate, +as again and again she lifted her eyes with a look that might seem to +expect to rest on summer in the full flush of a June noontide without, +rather than on the wan, wintry night sky and the plundered, quaking +woods, while the robber wind sped on his raids hither and thither so +swiftly that none might follow, so stealthily that none might hinder. A +sudden radiance broke upon her face, a sudden shadow fell on the +firelit floor, and there was entering at the doorway a tall, lithe young +mountaineer, whose first glance, animated with a responsive brightness, +was for the girl, but whose punctilious greeting was addressed to the +old woman. + +"Howdy, Mis' Roxby--howdy? Air yer rheumatics mendin' enny?" he +demanded, with the condolent suavity of the would-be son-in-law, or +grand-son-in-law, as the case may be. And he hung with a transfixed +interest upon her reply, prolix and discursive according to the wont of +those who cultivate "rheumatics," as if each separate twinge racked his +own sympathetic and filial sensibilities. Not until the tale was ended +did he set his gun against the wall and advance to the seat which Roxby +had indicated with the end of the stick he was whittling. He observed +the stranger with only slight interest, till Dundas drew up his chair +opposite at the table. There the light from the tallow dip, guttering in +the centre, fell upon his handsome face and eyes, his carefully tended +beard and hair, his immaculate cuffs and delicate hand, the seal-ring on +his taper finger. + +"Like a gal, by gum!" thought Emory Keenan. "Rings on his fingers--yit +six feet high!" + +He looked at his elders, marvelling that they so hospitably repressed +the disgust which this effeminate adornment must occasion, forgetting +that it was possible that they did not even observe it. In the gala-days +of the old hotel, before the war, they had seen much "finicking finery" +in garb and equipage and habits affected by the _jeunesse dore_ who +frequented the place in those halcyon times, and were accustomed to +such details. It might be that they and Millicent approved such flimsy +daintiness. He began to fume inwardly with a sense of inferiority in her +estimation. One of his fingers had been frosted last winter, and with +the first twinge of cold weather it was beginning to look very red and +sad and clumsy, as if it had just remembered its ancient woe; he glanced +from it once more at the delicate ringed hand of the stranger. + +Dundas was looking up with a slow, deferential, decorous smile that +nevertheless lightened and transfigured his expression. It seemed +somehow communicated to Millicent's face as she looked down at him from +beneath her white eyelids and long, thick, dark lashes, for she was +standing beside him, handing him the plate of bread. Then, still +smiling, she passed noiselessly on to the others. + +Emory was indeed clumsy, for he had stretched his hand downward to +offer a morsel to a friend of his under the table--he was on terms of +exceeding amity with the four-footed members of the household--and in +his absorption not withdrawing it as swiftly as one accustomed to canine +manners should do, he had his frosted finger well mumbled before he +could, as it were, repossess himself of it. + +"I wonder what they charge fur iron over yander at the settlemint, +Em'ry?" observed Sim Roxby presently. + +"Dun'no', sir," responded Emory, glumly, his sullen black eyes full of +smouldering fire--"hevin' no call ter know, ez I ain't no blacksmith." + +"I war jes' wonderin' ef tenpenny nails didn't cost toler'ble high ez +reg'lar feed," observed Roxby, gravely. + +But his mother laughed out with a gleeful cracked treble, always a ready +sequence of her son's rustic sallies. "He got ye that time, Em'ry," she +cried. + +A forced smile crossed Emory's face. He tossed back his tangled dark +hair with a gasp that was like the snort of an unruly horse submitting +to the inevitable, but with restive projects in his brain. "I let the +dog hyar ketch my finger whilst feedin' him," he said. His plausible +excuse for the ten-penny expression was complete; but he added, his +darker mood recurring instantly, "An', Mis' Roxby, I hev put a stop ter +them ez hev tuk ter callin' me Em'ly, I hev." + +The old woman looked up, her small wrinkled mouth round and amazed. +"_I_ never called ye Emily," she declared. + +Swift repentance seized him. + +"Naw, 'm," he said, with hurried propitiation. "I 'lowed ye did." + +"I didn't," said the old woman. "But ef I warter find it toothsome ter +call ye 'Emily,' I dun'no' how ye air goin' ter pervent it. Ye can't go +gun-nin' fur me, like ye done fur the men at the mill, fur callin' ye +'Emily.'" + +"Law, Mis' Roxby!" he could only exclaim, in his horror and contrition +at this picture he had thus conjured up. "Ye air welcome ter call me +ennything ye air a mind ter," he protested. + +And then he gasped once more. The eyes of the guest, contemptuous, +amused, seeing through him, were fixed upon him. And he himself had +furnished the lily-handed stranger with the information that he had been +stigmatized "Em'ly" in the banter of his associates, until he had taken +up arms, as it were, to repress this derision. + +"It takes powerful little ter put ye down, Em'ry," said Roxby, with +rallying laughter. "Mam hev sent ye skedaddlin' in no time at all. I +don't b'lieve the Lord made woman out'n the man's rib. He made her out'n +the man's backbone; fur the man ain't hed none ter speak of sence." + +Millicent, with a low gurgle of laughter, sat down beside Emory at the +table, and fixed her eyes, softly lighted with mirth, upon him. The +others too had laughed, the stranger with a flattering intonation, but +young Keenan looked at her with a dumb appealing humility that did not +altogether fail of its effect, for she busied herself to help his plate +with an air of proprietorship as if he were a child, and returned +it with a smile very radiant and sufficient at close range. She then +addressed herself to her own meal. The young dogs under the table ceased +to beg, and gambolled and gnawed and tugged at her stout little shoes, +the sound of their callow mirthful growls rising occasionally above +the talk. Sometimes she rose again to wait on the table, when they came +leaping out after her, jumping and catching at her skirts, now and then +casting themselves on the ground prone before her feet, and rolling over +and over in the sheer joy of existence. + +The stranger took little part in the talk at the table. Never a question +was asked him as to his mission in the mountains, or the length of +his stay, his vocation, or his home. That extreme courtesy of the +mountaineers, exemplified in their singular abstinence from any +expressions of curiosity, accepted such account of himself as he had +volunteered, and asked for no more. In the face of this standard of +manners any inquisitiveness on his part, such as might have elicited +points of interest for his merely momentary entertainment, was tabooed. +Nevertheless, silent though he was for the most part, the relish with +which he listened, his half-covert interest in the girl, his quick +observation of the others, the sudden very apparent enlivening of his +mental atmosphere, betokened that his quarters were not displeasing +to him. It seemed only a short time before the meal was ended and the +circle all, save Millicent, with pipes alight before the fire again. The +dogs, well fed, had ranged themselves on the glowing hearth, lying prone +on the hot stones; one old hound, however, who conserved the air of +listening to the conversation, sat upright and nodded from time to time, +now and again losing his balance and tipping forward in a truly human +fashion, then gazing round on the circle with an open luminous eye, as +who should say he had not slept. + +It was all very cheerful within, but outside the wind still blared +mournfully. Once more Dundas was sorry that he had declined the +invitation to remain, and it was with a somewhat tentative intention +that he made a motion to return to the hotel. But his host seemed +to regard his resolution as final, and rose with a regret, not an +insistence. The two women stared in silent amazement at the mere idea +of his camping out, as it were, in the old hotel. The ascendency of +masculine government here, notwithstanding Roxby's assertion that +Eve was made of Adam's backbone, was very apparent in their mute +acquiescence and the alacrity with which they began to collect various +articles, according to his directions, to make the stranger's stay more +comfortable. + +"Em'ry kin go along an' holp," he said, heartlessly; for poor Emory's +joy in perceiving that the guest was not a fixture, and that his +presence was not to be an embargo on any word between himself and +Millicent during the entire evening, was pitiably manifest. But the +situation was still not without its comforts, since Dundas was to go +too. Hence he was not poor company when once in the saddle, and was +civil to a degree of which his former dismayed surliness had given no +promise. + +Night had become a definite element. The twilight had fled. Above their +heads, as they galloped through the dank woods, the bare boughs of the +trees clashed together--so high above their heads that to the town +man, unaccustomed to these great growths, the sound seemed not of the +vicinage, but unfamiliar, uncanny, and more than once he checked his +horse to listen. As they approached the mountain's verge and overlooked +the valley and beheld the sky, the sense of the predominance of darkness +was redoubled. The ranges gloomed against the clearer spaces, but a +cloud, deep gray with curling white edges, was coming up from the +west, with an invisible convoy of vague films, beneath which the stars, +glimmering white points, disappeared one by one. The swift motion of +this aerial fleet sailing with the wind might be inferred from the +seemingly hurried pace of the moon making hard for the west. Still +bright was the illumined segment, but despite its glitter the shadowy +space of the full disk was distinctly visible, its dusky field spangled +with myriads of minute, dully golden points. Down, down it took its +way in haste--in disordered fright, it seemed, as if it had no heart +to witness the storm which the wind and the clouds foreboded--to fairer +skies somewhere behind those western mountains. Soon even its vague +light would encroach no more upon the darkness. The great hotel would be +invisible, annihilated as it were in the gloom, and not even thus dimly +exist, glimmering, alone, forlorn, so incongruous to the wilderness that +it seemed even now some mere figment of the brain, as the two horsemen +came with a freshened burst of speed along the deserted avenue and +reined up beside a small gate at the side. + +"No use ter ride all the way around," observed Emory Keenan. "Mought jes +ez well 'light an' hitch hyar." + +The moon gave him the escort of a great grotesque shadow as he +threw himself from his horse and passed the reins over a decrepit +hitching-post near at hand. Then he essayed the latch of the small gate. +He glanced up at Dundas, the moonlight in his dark eyes, with a smile as +it resisted his strength. + +He was a fairly good-looking fellow when rid of the self-consciousness +of jealousy. His eyes, mouth, chin, and nose, acquired from reliable +and recognizable sources, were good features, and statuesque in their +immobility beneath the drooping curves of his broad soft hat. He was +tall, with the slenderness of youth, despite his evident weight and +strength. He was long-waisted and lithe and small of girth, with broad +square shoulders, whose play of muscles as he strove with the gate was +not altogether concealed by the butternut jeans coat belted in with his +pistols by a broad leathern belt. His boots reached high on his long +legs, and jingled with a pair of huge cavalry spurs. His stalwart +strength seemed as if it must break the obdurate gate rather than open +it, but finally, with a rasping creak, dismally loud in the silence, it +swung slowly back. + +The young mountaineer stood gazing for a moment at the red rust on the +hinges. "How long sence this gate must hev been opened afore?" he said, +again looking up at Dundas with a smile. + +Somehow the words struck a chill to the stranger's heart. The sense of +the loneliness of the place, of isolation, filled him with a sort of +awe. The night-bound wilderness itself was not more daunting than these +solitary tiers of piazzas, these vacant series of rooms and corridors, +all instinct with vanished human presence, all alert with echoes of +human voices. A step, a laugh, a rustle of garments--he could have sworn +he heard them at any open doorway as he followed his guide along the dim +moonlit piazza, with its pillars duplicated at regular intervals by the +shadows on the floor. How their tread echoed down these lonely ways! +From the opposite side of the house he heard Kee-nan's spurs jangling, +his soldierly stride sounding back as if their entrance had roused +barracks. He winced once to see his own shadow with its stealthier +movement. It seemed painfully furtive. For the first time during the +evening his jaded mind, that had instinctively sought the solace of +contemplating trifles, reverted to its own tormented processes. "Am +I not hiding?" he said to himself, in a sort of sarcastic pity of his +plight. + +The idea seemed never to enter the mind of the transparent Keenan. He +laughed out gayly as they turned into the weed-grown quadrangle, and +the red fox that Dundas had earlier observed slipped past him with +affrighted speed and dashed among the shadows of the dense shrubbery of +the old lawn without. Again and again the sound rang back from wall to +wall, first with the jollity of seeming imitation, then with an appalled +effect sinking to silence, and suddenly rising again in a grewsome +_staccato_ that suggested some terrible unearthly laughter, and bore but +scant resemblance to the hearty mirth which had evoked it Keenan paused +and looked back with friendly gleaming eyes. "Oughter been a leetle +handier with these hyar consarns," he said, touching the pistols in his +belt. + +It vaguely occurred to Dundas that the young man went strangely heavily +armed for an evening visit at a neighbor's house. But it was a lawless +country and lawless times, and the sub-current of suggestion did not +definitely fix itself in his mind until he remembered it later. He +was looking into each vacant open doorway, seeing the still moonlight +starkly white upon the floor; the cobwebbed and broken window-panes, +through which a section of leafless trees beyond was visible; bits of +furniture here and there, broken by the vandalism of the guerillas. Now +and then a scurrying movement told of a gopher, hiding too, and on one +mantel-piece, the black fireplace yawning below, sat a tiny tawny-tinted +owl, whose motionless beadlike eyes met his with a stare of stolid +surprise. After he had passed, its sudden ill-omened cry set the silence +to shuddering. + +Keenan, leading the way, paused in displeasure. "I wisht I hed viewed +that critter," he said, glumly. "I'd hev purvented that screechin' ter +call the devil, sure. It's jes a certain sign o' death." + +He was about to turn, to wreak his vengeance, perchance. But the bird, +sufficiently fortunate itself, whatever woe it presaged for others, +suddenly took its awkward flight through sheen and shadow across the +quadrangle, and when they heard its cry again it came from some remote +section of the building, with a doleful echo as a refrain. + +The circumstance was soon forgotten by Keenan. He seemed a happy, +mercurial, lucid nature, and he began presently to dwell with interest +on the availability of the old music-stand in the centre of the square +as a manger. "Hyar," he said, striking the rotten old structure with +a heavy hand, which sent a quiver and a thrill through all the +timbers--"hyar's whar the guerillas always hitched thar beastises. Thar +feed an' forage war piled up thar on the fiddlers' seats. Ye can't do no +better'n ter pattern arter them, till ye git ready ter hev fiddlers an' +sech a-sawin' away in hyar agin." + +And he sauntered away from the little pavilion, followed by Dundas, who +had not accepted his suggestion of a room on the first floor as being +less liable to leakage, but finally made choice of an inner apartment in +the second story. He looked hard at Keenan, when he stood in the doorway +surveying the selection. The room opened into a cross-hall which gave +upon a broad piazza that was latticed; tiny squares of moonlight were +all sharply drawn on the floor, and, seen through a vista of gray +shadow, seemed truly of a gilded lustre. From the windows of this room +on a court-yard no light Could be visible to any passer-by without. +Another door gave on an inner gallery, and through its floor a staircase +came up from the quadrangle close to the threshold. Dundas wondered if +these features were of possible significance in Keenan's estimation. The +young mountaineer turned suddenly, and snatching up a handful of slats +broken from the shutters, remarked: + +"Let's see how the chimbly draws--that's the main p'int." + +There was no defect in the chimney's constitution. It drew admirably, +and with the white and red flames dancing in the fireplace, two or +three chairs, more or less disabled, a table, and an upholstered lounge +gathered at random from the rooms near at hand, the possibility of +sojourning comfortably for a few days in the deserted hostelry seemed +amply assured. + +Once more Dundas gazed fixedly at the face of the young mountaineer, +who still bent on one knee on the hearth, watching with smiling eyes +the triumphs of his fire-making. It seemed to him afterwards that his +judgment was strangely at fault; he perceived naught of import in the +shallow brightness of the young man's eyes, like the polished surface of +jet; in the instability of his jealousy, his anger; in his hap-hazard, +mercurial temperament. Once he might have noted how flat were the +spaces beneath the eyes, how few were the lines that defined the lid, +the socket, the curve of the cheekbone, the bridge of the nose, and how +expressionless. It was doubtless the warmth and glow of the fire, +the clinging desire of companionship, the earnest determination to be +content, pathetic in one who had but little reason for optimism, that +caused him to ignore the vacillating glancing moods that successively +swayed Keenan, strong while they lasted, but with scanty augury because +of their evanescence. He was like some newly discovered property in +physics of untried potentialities, of which nothing is ascertained but +its uncertainties. + +And yet he seemed to Dundas a simple country fellow, good-natured in the +main, unsuspicious, and helpful. So, giving a long sigh of relief and +fatigue, Dundas sank down in one of the large arm-chairs that had once +done duty for the summer loungers on the piazza. + +In the light of the fire Emory was once more looking at him. A certain +air of distinction, a grace and ease of movement, an indescribable +quality of bearing which he could not discriminate, yet which he +instinctively recognized as superior, offended him in some sort. He +noticed again the ring on the stranger's hand as he drew off his glove. +Gloves! Emory Keen an would as soon have thought of wearing a petticoat. +Once more the fear that these effeminate graces found favor in +Millicent's estimation smote upon his heart. It made the surface of his +opaque eyes glisten as Dundas rose and took up a pipe and tobacco-pouch +which he had laid on the mantelpiece, his full height and fine figure +shown in the changed posture. + +"Ez tall ez me, ef not taller, an', by gum! a good thirty pound +heavier," Emory reflected, with, a growing dismay that he had not those +stalwart claims to precedence in height and weight as an offset to the +smoother fascinations of the stranger's polish. + +He had risen hastily to his feet. He would not linger to smoke +fraternally over the fire, and thus cement friendly relations. + +"I guided him hyar, like old Sim Roxby axed me ter do, an' that's all. I +ain't keerin' ef I never lay eyes on him again," he said to himself. + +"Going?" said Dundas, pleasantly, noticing the motion. "You'll look in +again, won't you?" + +"Wunst in a while, I reckon," drawled Keenan, a trifle thrown off his +balance by this courtesy. + +He paused at the door, looking back over his shoulder for a moment at +the illumined room, then stepped out into the night, leaving the tenant +of the lonely old house filling his pipe by the fire. + +His tread rang along the deserted gallery, and sudden echoes came +tramping down the vacant halls as if many a denizen of the once populous +place was once more astir within its walls. Long after Dundas had heard +him spring from the lower piazza to the ground, and the rusty gate clang +behind him, vague footfalls were audible far away, and were still again, +and once more a pattering tread in some gaunt and empty apartment near +at hand, faint and fainter yet, till he hardly knew whether it were the +reverberations of sound or fancy that held his senses in thrall. + +And when all was still and silent at last he felt less solitary than +when these elusive tokens of human presence were astir. + +Late, late he sat over the dwindling embers. His mind, no longer +diverted by the events of the day, recurred with melancholy persistence +to a theme which even they, although fraught with novelty and presage +of danger, had not altogether crowded out. And as the sense of peril +dulled, the craft of sophistry grew clumsy. Remorse laid hold upon him +in these dim watches of the night. Self-reproach had found him out here, +defenceless so far from the specious wiles and ways of men. All the line +of provocations seemed slight, seemed naught, as he reviewed them and +balanced them against a human life. True, it was not in some mad quarrel +that his skill had taken it and had served to keep his own--a duel, a +fair fight, strictly regular according to the code of "honorable men" +for ages past--and he sought to argue that it was doubtless but the +morbid sense of the wild fastnesses without, the illimitable vastness +of the black night, the unutterable indurability of nature to the +influences of civilization, which made it taste like murder. He had +brought away even from the scene of action, to which he had gone with +decorous deliberation--his worldly affairs arranged for the possibility +of death, his will made, his volition surrendered, and his sacred honor +in the hands of his seconds--a humiliating recollection of the sudden +revulsion of the aspect of all things; the criminal sense of haste with +which he was hurried away after that first straight shot; the agitation, +nay, the fright of his seconds; their eagerness to be swiftly rid of +him, their insistence that he should go away for a time, get out of the +country, out of the embarrassing purview of the law, which was prone to +regard the matter as he himself saw it now, and which had an ugly trick +of calling things by their right names in the sincere phraseology of an +indictment. And thus it was that he was here, remote from all the usual +lines of flight, with his affectation of being a possible purchaser for +the old hotel, far from the railroad, the telegraph, even the postal +service. Some time--soon, indeed, it might be, when the first flush +of excitement and indignation should be overpast, and the law, like a +barking dog that will not bite, should have noisily exhausted the gamut +of its devoirs--he would go back and live according to his habit in his +wonted place, as did other men whom he had known to be "called out," and +who had survived their opponents. Meantime he heard the ash crumble; he +saw the lighted room wane from glancing yellow to a dull steady red, +and so to dusky brown; he marked the wind rise, and die away, and come +again, banging the doors of the empty rooms, and setting timbers all +strangely to creaking as under sudden trampling feet; then lift into the +air with a rustling sound like the stir of garments and the flutter of +wings, calling out weirdly in the great voids of the upper atmosphere. + +He had welcomed the sense of fatigue earlier in the evening, for it +promised sleep. Now it had slipped away from him. He was strong and +young, and the burning sensation that the frosty air had left on his +face was the only token of the long journey. It seemed as if he +would never sleep again as he lay on the lounge watching the gray ash +gradually overgrow the embers, till presently only a vague dull glow +gave intimation of the position of the hearth in the room. And then, +bereft of this dim sense of companionship, he stared wide-eyed in the +darkness, feeling the only creature alive and awake in all the world. +No; the fox was suddenly barking within the quadrangle--a strangely wild +and alien tone. And presently he heard the animal trot past his door +on the piazza, the cushioned footfalls like those of a swift dog. He +thought with a certain anxiety of the tawny tiny owl that had sat like +a stuffed ornament on the mantel-piece of a neighboring room, and he +listened with a quaking vicarious presentiment of woe for the sounds of +capture and despair. He was sensible of waiting and hoping for the fox's +bootless return, when he suddenly lost consciousness. + +How long he slept he did not know, but it seemed only a momentary +respite from the torture of memory, when, still in the darkness, +thousands of tremulous penetrating sounds were astir, and with a great +start he recognized the rain on the roof. It was coming down in steady +torrents that made the house rock before the tumult of his plunging +heart was still, and he was longing again for the forgetfulness of +sleep. In vain. The hours dragged by; the windows slowly, slowly denned +their dull gray squares against the dull gray day dawning without. +The walls that had been left with only the first dark coat of plaster, +awaiting another season for the final decoration, showed their drapings +of cobweb, and the names and pencilled scribblings with which the fancy +of transient bushwhackers had chosen to deface them. The locust-trees +within the quadrangle drearily tossed their branches to and fro in the +wind, the bark very black and distinct against the persistent gray lines +of rain and the white walls of the galleried buildings opposite; the +gutters were brimming, roaring along like miniature torrents; nowhere +was the fox or the owl to be seen. Somehow their presence would have +been a relief--the sight of any living thing reassuring. As he walked +slowly along the deserted piazzas, in turning sudden corners, again and +again he paused, expecting that something, some one, was approaching to +meet him. When at last he mounted his horse, that had neighed gleefully +to see him, and rode away through the avenue and along the empty ways +among the untenanted summer cottages, all the drearier and more forlorn +because of the rain, he felt as if he had left an aberration, some +hideous dream, behind, instead of the stark reality of the gaunt and +vacant and dilapidated old house. + +The transition to the glow and cheer of Sim Roxby's fireside was like +a rescue, a restoration. The smiling welcome in the women's eyes, their +soft drawling voices, with mellifluous intonations that gave a value to +each commonplace simple word, braced his nerves like a tonic. It might +have been only the contrast with the recollections of the night, with +the prospect visible through the open door--the serried lines of rain +dropping aslant from the gray sky and elusively outlined against the +dark masses of leafless woods that encircled the clearing; the dooryard +half submerged with puddles of a clay-brown tint, embossed always with +myriads of protruding drops of rain, for however they melted away the +downpour renewed them, and to the eye they were stationary, albeit +pervaded with a continual tremor--but somehow he was cognizant of a +certain coddling tenderness in the old woman's manner that might have +been relished by a petted child, an unaffected friendliness in the +girl's clear eyes. They made him sit close to the great wood fire; the +blue and yellow flames gushed out from the piles of hickory logs, and +the bed of coals gleamed at red and white heat beneath. They took his +hat to carefully dry it, and they spread out his cloak on two chairs +at one side of the room, where it dismally dripped. When he ventured to +sneeze, Mrs. Roxby compounded and administered a "yerb tea," a sovereign +remedy against colds, which he tasted on compulsion and in great doubt, +and swallowed with alacrity and confidence, finding its basis the easily +recognizable "toddy." He had little knowledge how white and troubled +his face had looked as he came in from the gray day, how strongly marked +were those lines of sharp mental distress, how piteously apparent was +his mute appeal for sympathy and comfort. + +"Mill'cent," said the old woman in the shed-room, as they washed and +wiped the dishes after the cozy breakfast of venison and corn-dodgers +and honey and milk, "that thar man hev run agin the law, sure's ye air +born." + +Millicent turned her reflective fair face, that seemed whiter and +more delicate in the damp dark day, and looked doubtfully out over the +fields, where the water ran in steely lines in the furrows. + +"Mus' hev been by accident or suthin'. _He_ ain't no hardened sinner." + +"Shucks!" the old woman commented upon her reluctant acquiescence. "I +ain't keerin' for the law! 'Tain't none o' my job. The tomfool men make +an' break it. Ennybody ez hev seen this war air obleeged to take note +o' the wickedness o' men in gineral. This hyer man air a sorter pitiful +sinner, an' he hev got a look in his eyes that plumb teches my heart. +I 'ain't got no call ter know nuthin' 'bout the law, bein' a 'oman an' +naterally ignorant. I dun'no' ez he hev run agin it." + +"Mus' hev been by accident," said Millicent, dreamily, still gazing over +the sodden fields. + +The suspicion did nothing to diminish his comfort or their cordiality. +The morning dragged by without change in the outer aspects. The noontide +dinner came and went without Roxby's return, for the report of the +washing away of a bridge some miles distant down the river had early +called him out to the scene of the disaster, to verify in his own +interests the rumor, since he had expected to haul his wheat to the +settlement the ensuing day. The afternoon found the desultory talk still +in progress about the fire, the old woman alternately carding cotton +and nodding in her chair in the corner; the dogs eying the stranger, +listening much of the time with the air of children taking instruction, +only occasionally wandering out-of-doors, the floor here and there +bearing the damp imprint of their feet; and Millicent on her knees in +the other corner, the firelight on her bright hair, her delicate cheek, +her quickly glancing eyes, as she deftly moulded bullets. + +"Uncle Sim hed ter s'render his shootin'-irons," she explained, "an' he +'ain't got no ca'tridge-loadin' ones lef. So he makes out with his old +muzzle-loadin' rifle that he hed afore the war, an' I moulds his bullets +for him rainy days." + +As she held up a moulded ball and dexterously clipped off the surplus +lead, the gesture was so culinary in its delicacy that one of the dogs +in front of the fire extended his head, making a long neck, with a +tentative sniff and a glistening gluttonous eye. + +"Ef I swallered enny mo' lead, I wouldn't take it hot, Towse," she said, +holding out the bullet for canine inspection. "'Tain't healthy!" + +But the dog, perceiving the nature of the commodity, drew back with a +look of deep reproach, rose precipitately, and with a drooping tail went +out skulkingly into the wet gray day. + +"Towse can't abide a bullet," she observed, "nor nuthin' 'bout a gun. +He got shot wunst a-huntin', an' he never furgot it. Jes show him a gun +an' he ain't nowhar ter be seen--like he war cotch up in the clouds." + +"Good watch-dog, I suppose," suggested Dundas, striving to enter into +the spirit of her talk. + +"Naw; too sp'ilt for a gyard-dog--granny coddled him so whenst he +got shot. He's jest vally'ble fur his conversation, I reckon," she +continued, with a smile in her eyes. "I dun'no' what else, but he _is_ +toler'ble good company." + +The other dogs pressed about her, the heads of the great hounds as high +as her own as she sat among them on the floor. With bright eyes and +knitted brows they followed the motions of pouring in the melted metal, +the lifting of the bullets from the mould, the clipping off of the +surplus lead, and the flash of the keen knife. + +Outside the sad light waned; the wind sighed and sighed; the dreary +rain fell; the trees clashed their boughs dolorously together, and their +turbulence deadened the sound of galloping horses. As Dundas sat and +gazed at the girl's intent head, with its fleecy tendrils and its +massive coil, the great hounds beside her, all emblazoned by the +firelight upon the brown wall near by, with the vast fireplace at hand, +the whole less like reality than some artist's pictured fancy, he knew +naught of a sudden entrance, until she moved, breaking the spell, and +looked up to meet the displeasure in Roxby's eyes and the dark scowl on +Emory Keenan's face. + +***** + +That night the wind shifted to the north. Morning found the chilled +world still, ice where the water had lodged, all the trees incased in +glittering garb that followed the symmetry alike of every bough and +the tiniest twig, and made splendid the splintered remnants of the +lightning-riven. The fields were laced across from furrow to furrow, in +which the frozen water still stood gleaming, with white arabesques which +had known a more humble identity as stubble and crab-grass; the sky was +slate-colored, and from its sad tint this white splendor gained added +values of contrast. When the sun should shine abroad much of the effect +would be lost in the too dazzling glister; but the sun did not shine. + +All day the gray mood held unchanged. Night was imperceptibly sifting +down upon all this whiteness, that seemed as if it would not be +obscured, as if it held within itself some property of luminosity, when +Millicent, a white apron tied over her golden head, improvising a hood, +its superfluous fulness gathered in many folds and pleats around her +neck, fichu-wise, stood beside the ice-draped fodder-stack and essayed +with half-numbed hands to insert a tallow dip into the socket of a +lantern, all incrusted and clumsy with previous drippings. + +"I dun'no' whether I be a-goin' ter need this hyar consarn whilst +milkin' or no," she observed, half to herself, half to Emory, who, +chewing a straw, somewhat surlily had followed her out for a word apart. +"The dusk 'pears slow ter-night, but Spot's mighty late comin' home, an' +old Sue air fractious an' contrairy-minded, and feels mighty anxious +an' oneasy 'boutn her calf, that's ez tall ez she is nowadays, an' don't +keer no mo' 'bout her mammy 'n a half-grown human does. I tell her she +oughtn't ter be mad with me, but with the way she brung up her chile, ez +won't notice her now." + +She looked up with a laugh, her eyes and teeth gleaming; her golden hair +still showed its color beneath the spotless whiteness of her voluminous +headgear, and the clear tints of her complexion seemed all the more +delicate and fresh in the snowy pallor of the surroundings and the +grayness of the evening. + +"I reckon I'd better take it along," and once more she addressed herself +to the effort to insert the dip into the lantern. + +Emory hardly heard. His pulse was quick. His eye glittered. He breathed +hard as, with both hands in his pockets, he came close to her. + +"Mill'cent," he said, "I told ye the t'other day ez ye thunk a heap too +much o' that thar stran-ger-" + +"An' I tole ye, bubby, that I didn't think nuthin' o' nobody but +you-uns," she interrupted, with an effort to placate his jealousy. The +little jocularity which she affected dwindled and died before the steady +glow of his gaze, and she falteringly looked at him, her unguided hands +futilely fumbling with the lantern. + +"Ye can't fool me," he stoutly asseverated. "Ye think mo' o' him 'n o' +me, kase ye 'low he air rich, an' book-larned, an' smooth-fingered, an' +fini-fied ez a gal, an' goin' ter buy the hotel. I say, _hotel!_ Now +_I'll_ tell ye what he is--I'll tell ye! He's a criminal. He's runnin' +from the law. He's hidin' in the old hotel that he's purtendin' ter +buy." + +She stared wide-eyed and pallid, breathless and waiting. + +He interpreted her expression as doubt, denial. + +"It's gospel sure," he cried. "Fur this very evenin' I met a gang o' +men an' the sheriff's deputy down yander by the sulphur spring 'bout +sundown, an' he 'lowed ez they war a-sarchin' fur a criminal ez war +skulkin' round hyarabout lately--ez they wanted a man fur hevin' +c'mitted murder." + +"But ye didn't accuse _him_, surely; ye hed no right ter s'picion _him_. +Uncle Sim! Oh, my Lord! Ye surely wouldn't! Oh, Uncle Sim!" + +Her tremulous words broke into a quavering cry as she caught his arm +convulsively, for his face confirmed her fears. She thrust him wildly +away, and started toward the house. + +"Ye needn't go tattlin' on me," he said, roughly pushing her aside. +"I'll tell Mr. Roxby myself. I ain't 'shamed o' what I done. I'll +tell him. I'll tell him myself." And animated with this intention to +forestall her disclosure, his long strides bore him swiftly past and +into the house. + +It seemed to him that he lingered there only a moment or two, for Roxby +was not at the cabin, and he said nothing of the quarrel to the old +woman. Already his heart had revolted against his treachery, and then +there came to him the further reflection that he did not know enough +to justify suspicion. Was not the stranger furnished with the fullest +credentials--a letter to Roxby from the Colonel? Perhaps he had allowed +his jealousy to endanger the man, to place him in jeopardy even of his +life should he resist arrest. + +Keenan tarried at the house merely long enough to devise a plausible +excuse for his sudden excited entrance, and then took his way back to +the barnyard. + +It was vacant. The cows still stood lowing at the bars; the sheep +cowered together in their shed; the great whitened cone of the +fodder-stack gleamed icily in the purple air; beside it lay the lantern +where Millicent had cast it aside. She was gone! He would not believe +it till he had run to the barn, calling her name in the shadowy place, +while the horse at his manger left his corn to look over the walls of +his stall with inquisitive surprised eyes, luminous in the dusk. He +searched the hen-house, where the fowls on their perches crowded close +because of the chill of the evening. He even ran to the bars and looked +down across the narrow ravine to which the clearing sloped. Beyond the +chasm-like gorge he saw presently on the high ascent opposite footprints +that had broken the light frostlike coating of ice on the dead leaves +and moss--climbing footprints, swift, disordered. He looked back again +at the lantern where Millicent had flung it in her haste. Her mission +was plain now. She had gone to warn Dundas. She had taken a direct line +through the woods. She hoped to forestall the deputy sheriff and his +posse, following the circuitous mountain road. + +Keenan's lip curled in triumph. His heart burned hot with scornful anger +and contempt of the futility of her effort. "They're there afore she +started!" he said, looking up at the aspects of the hour shown by the +sky, and judging of the interval since the encounter by the spring. +Through a rift in the gray cloud a star looked down with an icy +scintillation and disappeared again. He heard a branch in the woods snap +beneath the weight of ice. A light sprang into the window of the cabin +hard by, and came in a great gush of orange-tinted glow out into the +snowy bleak wintry space. He suddenly leaped over the fence and ran like +a deer through the woods. + +Millicent too had been swift. He had thought to overtake her before he +emerged from the woods into the more open space where the hotel stood. +In this quarter the cloud-break had been greater. Toward the west a +fading amber glow still lingered in long horizontal bars upon the opaque +gray sky. The white mountains opposite were hung with purple shadows +borrowed from a glimpse of sunset somewhere far away over the valley +of East Tennessee; one distant lofty range was drawn in elusive snowy +suggestions, rather than lines, against a green space of intense yet +pale tint. The moon, now nearing the full, hung over the wooded valley, +and aided the ice and the crust of snow to show its bleak, wan, wintry +aspect; a tiny spark glowed in its depths from some open door of an +isolated home. Over it all a mist was rising from the east, drawing its +fleecy but opaque curtain. Already it had climbed the mountain-side and +advanced, windless, soundless, overwhelming, annihilating all before and +beneath it. The old hotel had disappeared, save that here and there a +gaunt gable protruded and was withdrawn, showed once more, and once more +was submerged. + +A horse's head suddenly looking out of the enveloping mist close to his +shoulder gave him the first intimation of the arrival, the secret silent +waiting, of those whom he had directed hither. That the saddles were +empty he saw a moment later. The animals stood together in a row, +hitched to the rack. No disturbance sounded from the silent building. +The event was in abeyance. The fugitive in hiding was doubtless at +ease, unsuspecting, while the noiseless search of the officers for his +quarters was under way. + +With a thrill of excitement Keenan crept stealthily through an open +passage and into the old grass-grown spaces of the quadrangle. Night +possessed the place, but the cloud seemed denser than the darkness. He +was somehow sensible of its convolutions as he stood against the wall +and strained his eyes into the dusk. Suddenly it was penetrated by a +milky-white glimmer, a glimmer duplicated at equidistant points, each +fading as its successor sprang into brilliance. The next moment he +understood its significance. It had come from the blurred windows of the +old ball-room. Milli-cent had lighted her candle as she searched for the +fugitive's quarters; she was passing down the length of the old house +on the second story, and suddenly she emerged upon the gallery. She +shielded the feeble flicker with her Hand; her white-hooded head gleamed +as with an aureola as the divergent rays rested on the opaque mist; and +now and again she clutched the baluster and walked with tremulous care, +for the flooring was rotten here and there, and ready to crumble away. +Her face was pallid, troubled; and Dundas, who had been warned by the +tramp of horses and the tread of men, and who had descended the stairs, +revolver in hand, ready to slip away if he might under cover of +the mist, paused appalled, gazing across the quadrangle as on an +apparition--the sight so familiar to his senses, so strange to his +experience. He saw in an abrupt shifting of the mist that there were +other figures skulking in doorways, watching her progress. The next +moment she leaned forward to clutch the baluster, and the light of the +candle fell full on Emory Keenan, lurking in the open passage. A sudden +sharp cry of "Surrender!" The young mountaineer, confused, swiftly drew +his pistol. Others were swifter still. A sharp report rang out into +the chill crisp air, rousing all the affrighted echoes--a few faltering +steps, a heavy fall, and for a long time Emory Keenan's life-blood +stained the floor of the promenade. Even when it had faded, the rustic +gossips came often and gazed at the spot with morbid interest, until, a +decade later, an enterprising proprietor removed the floor and altered +the shape of that section of the building out of recognition. + +The escape of Dundas was easily effected. The deputy sheriff, confronted +with the problem of satisfactorily accounting for the death of a man +who had committed no offence against public polity, was no longer +formidable. His errand had been the arrest of a horse-thief, well-known +to him, and he had no interest in pursuing a fugitive, however obnoxious +to the law, whose personal description was so different from that of the +object of his search. + +Time restored to Dundas his former place in life and the esteem of his +fellow-citizens. His stay in the mountains was an episode which he will +not often recall, but sometimes volition fails, and he marvels at the +strange fulfilment of the girl's vision; he winces to think that her +solicitude for his safety should have cost her her lover; he wonders +whether she yet lives, and whether that tender troubled phantom, on +nights when the wind is still and the moon is low and the mists rise, +again joins the strange, elusive, woful company crossing the quaking +foot-bridge. + + + + + + +End of the Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + +***** This file should be named 23630-8.txt or 23630-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/6/3/23630/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23630-8.zip b/23630-8.zip Binary files differnew file mode 100644 index 0000000..498d8b1 --- /dev/null +++ b/23630-8.zip diff --git a/23630-h.zip b/23630-h.zip Binary files differnew file mode 100644 index 0000000..b6b640e --- /dev/null +++ b/23630-h.zip diff --git a/23630-h/23630-h.htm b/23630-h/23630-h.htm new file mode 100644 index 0000000..ab3dd16 --- /dev/null +++ b/23630-h/23630-h.htm @@ -0,0 +1,2120 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <title> + The Phantoms of the Foot-bridge, by Charles Egbert Craddock + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Phantoms Of The Foot-Bridge + 1895 + +Author: Charles Egbert Craddock (AKA Mary Noailles Murfree) + +Illustrator: A. B. Frost + +Release Date: November 26, 2007 [EBook #23630] +Last Updated: March 8, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + + + + +Produced by David Widger + + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + THE PHANTOMS OF THE FOOT-BRIDGE + </h1> + <h2> + By Charles Egbert Craddock <br /><br /> 1895 + </h2> + <p> + <br /><br /><br /> + </p> + <p> + Across the narrow gorge the little foot-bridge stretched-a brace of logs, + the upper surface hewn, and a slight hand-rail formed of a cedar pole. A + flimsy structure, one might think, looking down at the dark and rocky + depths beneath, through which flowed the mountain stream, swift and + strong, but it was doubtless substantial enough for all ordinary usage, + and certainly sufficient for the imponderable and elusive travellers who + by common report frequented it. + </p> + <p> + “We ain't likely ter meet nobody. Few folks kem this way nowadays, 'thout + it air jes' ter ford the creek down along hyar a piece, sence harnts an' + sech onlikely critters hev been viewed a-crossin' the foot-bredge. An' it + hev got the name o' bein' toler'ble onlucky, too,” said Roxby. + </p> + <p> + His interlocutor drew back slightly. He had his own reasons to recoil from + the subject of death. For him it was invested with a more immediate terror + than is usual to many of the living, with that flattering persuasion of + immortality in every strong pulsation repudiating all possibility of + cessation. Then, lifting his gloomy, long-lashed eyes to the bridge far up + the stream, he asked, “Whose 'harms?” + </p> + <p> + His voice had a low, repressed cadence, as of one who speaks seldom, + grave, even melancholy, and little indicative of the averse interest that + had kindled in his sombre eyes. In comparison the drawl of the + mountaineer, who had found him heavy company by the way, seemed imbued + with an abnormal vivacity, and keyed a tone or two higher than was its + wont. + </p> + <p> + “Thar ain't a few,” he replied, with a sudden glow of the pride of the + cicerone. “Thar's a graveyard t'other side o' the gorge, an' not more than + a haffen-mile off, an' a cornsider'ble passel o' folks hev been buried + thar off an' on, an' the foot-bredge ain't in nowise ill-convenient ter + them.” + </p> + <p> + Thus demonstrating the spectral resources of the locality, he rode his + horse well into the stream as he spoke, and dropped the reins that the + animal's impatient lips might reach the water. He sat fac-, ing the + foot-bridge, flecked with the alternate shifting of the sunshine and the + shadows of the tremulous firs that grew on either side of the high banks + on the ever-ascending slope, thus arching both above and below the haunted + bridge. His companion had joined him in the centre of the stream; but + while the horses drank, the stranger's eyes were persistently bent on the + concentric circles of the water that the movement of the animals had set + astir in the current, as if he feared that too close or curious a gaze + might discern some pilgrim, whom he cared not to see, traversing that + shadowy quivering foot-bridge. He was mounted on a strong, handsome + chestnut, as marked a contrast to his guide's lank and trace-galled sorrel + as were the two riders. A slender gloved hand had fallen with the reins to + the pommel of the saddle. His soft felt hat, like a sombrero, shadowed his + clear-cut face. He was carefully shaven, save for a long drooping dark + mustache and imperial. His suit of dark cloth was much concealed by a + black cloak, one end of which thrown back across his shoulder showed a + bright blue lining, the color giving a sudden heightening touch to his + attire, as if he were “in costume.” It was a fleeting fashion of the day, + but it added a certain picturesqueness to a horseman, and seemed far + enough from the times that produced the square-tailed frock-coat which the + mountaineer wore, constructed of brown jeans, the skirts of which stood + stiffly out on each side of the saddle, and gave him, with his + broad-brimmed hat, a certain Quakerish aspect. + </p> + <p> + “I dun'no' why folks be so 'feared of 'em,” Rox-by remarked, + speculatively. “The dead ain't so oncommon, nohow. Them ez hev been in the + war, like you an' me done, oughter be in an' 'bout used ter corpses-though + I never seen none o' 'em afoot agin. Lookin' at a smit field o' battle, + arter the rage is jes' passed, oughter gin a body a realizin' sense how + easy the sperit kin flee, an' what pore vessels fur holdin' the spark o' + life human clay be.” + </p> + <p> + Simeon Roxby had a keen, not unkindly face, and he had that look of + extreme intelligence which is entirely distinct from intellectuality, and + which one sometimes sees in a minor degree in a very clever dog or a fine + horse. One might rely on him to understand instinctively everything one + might say to him, even in its subtler aesthetic values, although he had + consciously learned little. He was of the endowed natures to whom much is + given, rather than of those who are set to acquire. He had many lines in + his face-even his simple life had gone hard with him, its sorrows un + assuaged by its simplicity. His hair was grizzled, and hung long and + straight on his collar. He wore a grizzled beard cut broad and short. His + boots had big spurs, although the lank old sorrel had never felt them. He + sat his horse like the cavalryman he had been for four years of hard + riding and raiding, but his face had a certain gentleness that accented + the Quaker-like suggestion of his garb, a look of communing with the + higher things. + </p> + <p> + “I never blamed 'em,'” he went on, evidently reverting to the spectres of + the bridge-“I never blamed 'em for comin' back wunst in a while. It 'pears + ter me 'twould take me a long time ter git familiar with heaven, an' + sociable with them ez hev gone before. An', my Lord, jes' think what the + good green yearth is! Leastwise the mountings. I ain't settin' store on + the valley lands I seen whenst I went ter the wars. I kin remember yit + what them streets in the valley towns smelt like.” + </p> + <p> + He lifted his head, drawing a long breath to inhale the exquisite + fragrance of the fir, the freshness of the pellucid water, the aroma of + the autumn wind, blowing through the sere leaves still clinging red and + yellow to the boughs of the forest. + </p> + <p> + “Naw, I ain't blamin' 'em, though I don't hanker ter view 'em,” he + resumed. “One of 'em I wouldn't be afeard of, though. I feel mighty sorry + fur her. The old folks used ter tell about her. A young 'oman she war, + a-crossin' this bredge with her child in her arms. She war young, an' mus' + have been keerless, I reckon; though ez 'twar her fust baby, she moightn't + hev been practised in holdin' it an' sech, an' somehows it slipped through + her arms an' fell inter the ruver, an' war killed in a minit, dashin' agin + the rocks. She jes' stood fur a second a-screamin' like a wild painter, + an' jumped off'n the bredge arter it. She got it agin; for when they + dragged her body out'n the ruver she hed it in her arms too tight fur even + death ter onloose. An' thar they air together in the buryin'-ground.” + </p> + <p> + He gave a nod toward the slope of the mountain that intercepted the + melancholy view of the graveyard. + </p> + <p> + “Got it yit!” he continued; “bekase” (he lowered his voice) “on windy + nights, whenst the moon is on the wane, she is viewed kerryin' the baby + along the bredge—kerryin' it clear over, <i>safe an' sound</i>, like + she thought she oughter done, I reckon, in that one minute, whilst she + stood an' screamed an' surveyed what she hed done. That child would hev + been nigh ter my age ef he hed lived.” + </p> + <p> + Only the sunbeams wavered athwart the bridge now as the firs swayed above, + giving glimpses of the sky, and their fibrous shadows flickered back and + forth. The wild mountain stream flashed white between the brown bowlders, + and plunged down the gorge in a succession of cascades, each seeming more + transparently green and amber and brown than the other. The chestnut horse + gazed meditatively at these limpid out-gushings, having drunk his fill; + then thought better of his moderation, and once more thrust his head down + to the water. The hand of his rider, which had made a motion to gather up + the reins, dropped leniently on his neck, as Simeon Roxby spoke again: + </p> + <p> + “Several—several others hev been viewed, actin' accordin' ter thar + motions in life. Now thar war a peddler—some say he slipped one icy + evenin', 'bout dusk in winter—some say evil ones waylaid him fur his + gear an' his goods in his pack, but the settlemint mostly believes he war + alone whenst he fell. His pack 'pears ter be full still, they say—but + ye air 'bleeged ter know he hev hed ter set that pack down fur good 'fore + this time. We kin take nuthin' out'n this world, no matter what kind o' a + line o' goods we kerry in life. Heaven's no place fur tradin', I + understan', an' I <i>do</i> wonder sometimes how in the worl' them + merchants an' sech in the valley towns air goin' ter entertain tharse'fs + in the happy land o' Canaan. It's goin' ter be sorter bleak fur them, + sure's ye air born.” + </p> + <p> + With a look of freshened recollection, he suddenly drew a plug of tobacco + from his pocket, and he talked on even as he gnawed a piece from it. + </p> + <p> + “Durin' the war a cavalry-man got shot out hyar whilst runnin' 'crost that + thar foot-bredge. Thar hed been a scrimmage an' his horse war kilt, an' he + tuk ter the bresh on foot, hopin' ter hide in the laurel. But ez he war + crossin' the foot-bredge some o' the pursuin' party war fordin' the ruver + over thar, an' thinkin' he'd make out ter escape they fired on him, jes' + ez the feller tried ter surrender. He turned this way an' flung up both + arms—but thar's mighty leetle truce in a pistol-ball. That minute it + tuk him right through the brain. Seems toler'ble long range fur a pistol, + don't it? He kin be viewed now most enny moonlight night out hyar on the + foot-bredge, throwin' up both hands in sign of surrender.” + </p> + <p> + The wild-geese were a-wing on the way southward. Looking up to that narrow + section of the blue sky which the incision of the gorge into the very + depths of the woods made visible, he could see the tiny files deploying + along the azure or the flecking cirrus, and hear the vague clangor of + their leader's cry. He lifted his head to mechanically follow their + flight. Then, as his eyes came back to earth, they rested again on the old + bridge. + </p> + <p> + “Strange enough,” he said, suddenly, “the sker-riest tale I hev ever hearn + 'bout that thar old bredge is one that my niece set a-goin'. She <i>seen</i> + the harnt <i>herself</i>, an' it shakes me wuss 'n the idee o' all the + rest.” + </p> + <p> + His companion's gloomy gaze was lifted for a moment with an expression of + inquiry from the slowly widening circles of the water about the horse's + head as he drank. But Roxby's eyes, with a certain gleam of excitement, a + superstitious dilation, still dwelt upon the bridge at the end of the + upward vista. He went on merely from the impetus of the subject. “Yes, sir—she + <i>seen</i> it a-pacin' of its sorrowful way acrost that bredge, same ez + the t'others of the percession o' harnts. 'Twar my niece, Mill'cent—brother's + darter—by name, Mill'cent Roxby. Waal, Mill'cent an' a lot o' young + fools o' her age—little over fryin' size—they 'tended + camp-meetin' down hyar on Tomahawk Creek—'tain't so long ago—along + with the old folks. An' 'bout twenty went huddled up tergether in a + road-wagin. An', lo! the wagin it bruk down on the way home, an' what with + proppin' it up on a crotch, they made out ter reach the cross-roads over + yander at the Notch, an' thar the sober old folks called a halt, an' hed + the wagin mended at the blacksmith-shop. Waal, it tuk some two hours, fur + Pete Rodd ain't a-goin' ter hurry hisself—in my opinion the angel + Gabriel will hev ter blow his bugle oftener'n wunst at the last day 'fore + Pete Rodd makes up his mind ter rise from the dead an' answer the + roll-call—an' this hyar young lot sorter found it tiresome waitin' + on thar elders' solemn company. The old folks, whilst waitin', set outside + on the porches of the houses at the settlemint, an' repeated some o' the + sermons they hed hearn at camp, an' more'n one raised a hyme chune. An' + the young fry—they hed hed a steady diet o' sermons an' hyme chunes + fur fower days—they tuk ter stragglin' off down the road, two an' + two, like the same sorter id jits the world over, leavin' word with the + old folks that the wagin would overtake 'em an' pick 'em up on the road + when it passed. Waal, they walked several mile, an' time they got ter the + crest o' the hill over yander the moon hed riz, an' they could look down + an' see the mist in the valley. The moon war bright in the buryin'-groun' + when they passed it, an' the head-boards stood up white an' stiff, an' a + light frost hed fell on the mounds, an' they showed plain, an' shone + sorter lonesome an' cold. The young folks begun ter look behind em' fur + the wagin. Some said—I b'lieve 'twar Em'ry Keen an—they could + read the names on the boards plain, 'twar so light, the moon bein' nigh + the full: but Em'ry never read nuthin' at night by the moon in his life; + he ain't enny too capable o' wrastlin' with the alphabet with a strong + daytime on his book ter light him ter knowledge. An' the shadows war black + an' still, an' all the yearth looked ez ef nuthin' lived nor ever would + agin, an' they hearn a wolf howl. Waal, that disaccommodated the gals + mightily, an' they hed a heap more interes' in that old wagin, all + smellin' rank with wagin-grease an' tar, than they did in thar lovyers; + an' they hed ruther hev hearn that old botch of a wheel that Pete Rodd hed + set onto it com in' a-creakin' an' a-com-plainin' along the road than the + sweetest words them boys war able ter make up or remember. So they stood + thar in the road—a-stare-gazin' them head-boards, like they expected + every grave ter open an' the reveilly ter sound—a-waitin' ter be + overtook by the wagin, a-listenin', but hearin' nuthin' in the silence o' + the frost—not a dead leaf a-twirlin', nor a frozen blade o' grass + astir. An' then two or three o' the gals 'lowed they hed ruther walk back + ter meet the wagin, an' whenst the boys 'lowed ter go on—nuthin' war + likely ter ketch 'em—one of 'em bust out a-cryin'. Waal, thar war + the eend o' that much! So the gay party set out on the back track, + a-keepin' step ter sobs an' sniffles, an' that's how kem <i>they</i> seen + no harnt. But Mill'-cent an' three or four o' the t'others 'lowed they'd + go on. They warn't two mile from home, an' full five from the cross-roads. + So Em'ry Keenan—he hev been waitin' on her sence the year one—so + he put his skeer in his pocket an' kem along with her, a-shakin' in his + shoes, I'll be bound! So down the hill in the frosty moonlight them few + kem—purty nigh beat out, I reckon, Mill'cent war, what with the + sermonizin' an' the hyme-singin' an' hevin' ter look continual at the + sheep's-eyes o' Em'ry Keenan—he wears my patience ter the bone! So + she concluded ter take the short-cut. An' Em'ry he agreed. So they tuk the + lead, the rest a following an' kem down thar through all that black + growth”—he lifted his arm and pointed at the great slope, dense with + fir and pine and the heavy underbrush—“keepin' the bridle-path—easy + enough even at night, fur the bresh is so thick they couldn't lose thar + way. But the moonlight war mightily slivered up, fallin' through the + needles of the pines an' the skeins of dead vines, an' looked bleached and + onnatural, an' holped the dark mighty leetle. An' they seen the water + a-shinin' an' a-plungin' down the gorge, an' the glistenin' of the frost + on the floor o' the bredge. Thar war a few icicles on the hand-rail, an' + the branches o' the firs hung ez still ez death; only that cold, racin', + shoutin', jouncin' water moved. Jes ez they got toler'ble nigh the + foot-bredge a sudden cloud kem over the face o' the sky. Thar warn't no + wind on the yearth, but up above the air war a-stirrin'. An' Em'ry he + 'lowed Mill'cent shouldn't cross the foot-bredge whilst the light warn't + clar—I wonder the critter hed that much sense! An' she jes' drapped + down on that rock thar ter rest”—he pointed up the slope to a great + fragment that had broken off from the ledges and lay near the bank: the + bulk of the mass was overgrown with moss and lichen, but the jagged edges + of the recent fracture gleamed white and crystalline among the brown and + olive-green shadows about it. A tree was close beside it. “Agin that thar + pine trunk Em'ry he stood an' leaned. The rest war behind, a-comin' down + the hill. An' all of a suddenty a light fell on the furder eend o' the + foot-bredge—a waverin' light, mighty white an' misty in the + darksomeness. Mill'cent 'lowed ez fust she thunk it war the moon. An' + lookin' up, she seen the cloud; it held the moon close kivered. An' + lookin' down, she seen the light war movin'—movin' from the furder + eend o' the bredge, straight acrost it. Sometimes a hand war held afore + it, ez ef ter shield it from the draught, an' then Mill'cent 'seen twar a + candle, an' the white in the mistiness war a 'oman wearin' white an' + carryn' it. + </p> + <p> + <a name="linkimage-0001" id="linkimage-0001"> + <!-- IMG --></a> + </p> + <div class="figleft" style="width:30%;"> + <img width="100%" src="images/025.jpg" + alt="The Phantom of the Foot-bridge 025 " /> + </div> + <p> + Lookin' ter right an' then ter lef the 'oman kem, with now her right hand + shieldin' the candle she held, an' now layin' it on the hand-rail. The + candle shone on the water, fur it didn't flare, an' when the 'oman held + her hand before it the light made a bright spot on the foot-bredge an' in + the dark air about her, an' on the fir branches over her head. An' a thin + mist seemed to hang about her white frock, but not over her face, fur when + she reached the middle o' the foot-bredge she laid her hand agin on the + rail, an' in the clear light o' the candle Mill'cent seen the harnt's + face. An' thar she beheld her own face; <i>her own face</i> she looked + upon ez she waited thar under the tree watchin' the foot-bredge; <i>her + own face</i> pale an' troubled; her own self dressed in white, crossin' + the foot-bredge, an' lightin' her steps with a corpse's candle.” He drew + up the reins abruptly. He seemed in sudden haste to go. His companion + looked with deepening interest at the bridge, although he followed his + guide's surging pathway to the opposite bank. As the two dripping horses + struggled up the steep incline he asked, “Did the man with her see the + manifestation also?” + </p> + <p> + “He <i>'lows</i> he did,” responded Roxby, equivocally. “But when + Mill'cent fust got so she could tell it, 'peared ter me ez Em'ry Keen an + fund it ez much news ez the rest o' we-uns. Mill'cent jes' drapped + stone-dead, accordin' ter all accounts, an' he an' the t'other young folks + flung water in her face till she kem out'n her faint; an' jes' then they + hearn the wagin a-rattlin' along the road, an' they stopped it an' fetched + her home in it. She never told the tale till she war home, an' it skeered + me an' my mother powerful, fur Mill'cent is all the kin we hev got. + Mill'cent is gran'daddy an' gran'mam-my, sons an' daughters, uncles an' + aunts, cousins, nieces, an' nephews, all in one. The only thing I ain't + pervided with is a nephew-in-law, an' I don't need him. Leastwise I ain't + lookin' fur Em'ry Keenan jes' at present.” + </p> + <p> + The pace was brisker when the two horses, bending their strength sturdily + to the task, had pressed up the massive slope from the deep cleft of the + gorge. As the road curved about the outer verge of the mountain, the + valley far beneath came into view, with intersecting valleys and + transverse ranges, dense with the growths of primeval wildernesses, and + rugged with the tilted strata of great upheavals, and with chasms cut in + the solid rock by centuries of erosion, traces of some remote cataclysmal + period, registering thus its throes and turmoils. The blue sky, seen + beyond a gaunt profile of one of the farther summits that defined its + craggy serrated edge against the ultimate distances of the western + heavens, seemed of a singularly suave tint, incongruous with the savagery + of the scene, which clouds and portents of storm might better have + befitted. The little graveyard, which John Dundas discerned with + recognizing eyes, albeit they had never before rested upon it, was + revealed suddenly, lying high on the opposite side of the gorge. No frost + glimmered now on the lowly mounds; the flickering autumnal sunshine + loitered unafraid among them, according to its languid wont for many a + year. Shadows of the gray un-painted head-boards lay on the withered + grass, brown and crisp, with never a cicada left to break the deathlike + silence. A tuft of red leaves, vagrant in the wind, had been caught on one + of the primitive monuments, and swayed there with a decorative effect. The + enclosure seemed, to unaccustomed eyes, of small compass, and few the + denizens who had found shelter here and a resting-place, but it numbered + all the dead of the country-side for many a mile and many a year, and + somehow the loneliness was assuaged to a degree by the reflection that + they had known each other in life, unlike the great herds of cities, and + that it was a common fate which the neighbors, huddled together, + encountered in company. + </p> + <p> + It had no discordant effect in the pervasive sense of gloom, of mighty + antagonistic forces with which the scene was replete; it fostered a + realization of the pitiable minuteness and helplessness of human nature in + the midst of the vastness of inanimate nature and the evidences of + infinite lengths of forgotten time, of the long reaches of unimagined + history, eventful, fateful, which the landscape at once suggested and + revealed and concealed. + </p> + <p> + Like the sudden flippant clatter of castanets in the pause of some solemn + funeral music was the impression given by the first glimpse along the + winding woodland way of a great flimsy white building, with its many + pillars, its piazzas, its “observatory,” its band-stand, its garish + intimations of the giddy, gay world of a summer hotel. But, alack! it, + too, had its surfeit of woe. + </p> + <p> + “The guerrillas an' bushwhackers tuk it out on the old hotel, sure!” + observed Sim Roxby, by way of introduction. “Thar warn't much fightin' + hyar-abouts, an' few sure-enough soldiers ever kem along. But wunst in a + while a band o' guerrillas went through like a suddint wind-storm, an' I + tell ye they made things whurl while they war about it. They made a sorter + barracks o' the old place. Looks some like lightning hed struck it.” + </p> + <p> + He had reined up his horse about one hundred yards in front of the + edifice, where the weed-grown gravelled drive—carefully tended ten + years agone—had diverged from the straight avenue of poplars, + sweeping in a circle around to the broad flight of steps. + </p> + <p> + “Though,” he qualified abruptly, as if a sudden thought had struck him, + “ef ye air countin' on buyin' it, a leetle money spent ter keerful purpose + will go a long way toward makin' it ez good ez new.” + </p> + <p> + His companion did not reply, and for the first time Roxby cast upon him a + covert glance charged with the curiosity which would have been earlier and + more easily aroused in another man by the manner of the stranger. A letter—infrequent + missive in his experience—had come from an ancient + companion-in-arms, his former colonel, requesting him in behalf of a + friend of the old commander to repair to the railway station, thirty miles + distant, to meet and guide this prospective purchaser of the old hotel to + the site of the property. And now as Roxby looked at him the suspicion + which his kind heart had not been quick to entertain was seized upon by + his alert brain. + </p> + <p> + “The cunnel's been fooled somehows,” he said to himself. + </p> + <p> + For the look with which John Dundas contemplated the place was not the + gaze of him concerned with possible investment—with the problems of + repair, the details of the glazier and the painter and the plasterer. The + mind was evidently neither braced for resistance nor resigned to despair, + as behooves one smitten by the foreknowledge of the certainty of the + excess of the expenditures over the estimates. Only with pensive, listless + melancholy, void of any intention, his eyes traversed the long rows of + open doors, riven by rude hands from their locks, swinging helplessly to + and fro in the wind, and giving to the deserted and desolate old place a + spurious air of motion and life. Many of the shutters had been wrenched + from their hinges, and lay rotting on the floors. The ball-room windows + caught on their shattered glass the reflection of the clouds, and it + seemed as if here and there a wan face looked through at the riders + wending along the weed-grown path. Where so many faces had been what + wonder that a similitude should linger in the loneliness! The pallid face + seemed to draw back as they glanced up while slowly pacing around the + drive. A rabbit sitting motionless on the front piazza did not draw back, + although observing them with sedate eyes as he poised himself upright on + his haunches, with his listless fore-paws suspended in the air, and it + occurred to Dundas that he was probably unfamiliar with the presence of + human beings, and had never heard the crack of a gun. A great swirl of + swallows came soaring out of the big kitchen chimneys and circled in the + sky, darting down again and again upward. Through an open passage was a + glimpse of a quadrangle, with its weed-grown spaces and litter of yellow + leaves. A tawny streak, a red fox, sped through it as Dundas looked. A + half-moon, all a-tilt, hung above it. He saw the glimmer through the bare + boughs of the leafless locust-trees here and there still standing, + although outside on the lawn many a stump bore token how ruthlessly the + bushwhackers had furnished their fires. + </p> + <p> + “That thar moon's a-hangin' fur rain,” said the mountaineer, commenting + upon the aspect of the luminary, which he, too, had noticed as they + passed. “I ain't s'prised none ef we hev fallin' weather agin 'fore day, + an' the man—by name Morgan Holden—that hev charge o' the hotel + property can't git back fur a week an' better.” + </p> + <p> + A vague wonder to find himself so suspicious flitted through his mind, + with the thought that perhaps the colonel might have reckoned on this + delay. “Surely the ruvers down yander at Knoxville mus' be a-boomin', with + all this wet weather,” he said to himself. + </p> + <p> + Then aloud: “Morgan Holden he went ter Col-bury ter 'tend ter some + business in court, an' the ruvers hev riz so that, what with the bredges + bein' washed away an' the fords so onsartain an' tricky, he'll stay till + the ruver falls. He don't know ye war kemin', ye see. The mail-rider hev + quit, 'count o' the rise in the ruver, an' thar's no way ter git word ter + him. Still, ef ye air minded ter wait, I'll be powerful obligated fur yer + comp'ny down ter my house till the ruver falls an' Holden he gits back.” + </p> + <p> + The stranger murmured his obligations, but his eyes dwelt lingeringly upon + the old hotel, with its flapping doors and its shattered windows. Through + the recurrent vistas of these, placed opposite in the rooms, came again + broken glimpses of the grassy space within the quadrangle, with its + leafless locust-trees, first of all to yield their foliage to the autumn + wind, where a tiny owl was shrilling stridulously under the lonely red sky + and the melancholy moon. + </p> + <p> + “Hed ye 'lowed ter, put up at the old hotel?” asked Roxby, some inherent + quickness supplying the lack of a definite answer. + </p> + <p> + For the first time the stranger turned upon him a look more expressive + than the casual fragmentary attention with which he had half heeded, half + ignored his talk since their first encounter at the railway station. + </p> + <p> + “A simple fellow, but good as gold,” was the phrase with which Simeon + Roxby had been commended as guide and in some sort guard. + </p> + <p> + “Not so simple, perhaps,” the sophisticated man thought as their eyes met. + Not so simple but that the truth must serve. “The colonel suggested that + it might be best,” he replied, more alert to the present moment than his + languid preoccupation had heretofore permitted. + </p> + <p> + The answer was good as far as it went. A few days spent in the old + hostelry certainly would serve well to acquaint the prospective purchaser + with its actual condition and the measures and means needed for its + repair; but as Sim Roxby stood there, with the cry of the owl shrilling in + the desert air, the lonely red sky, the ominous tilted moon, the doors + drearily flapping to and fro as the wind stole into the forlorn and empty + place and sped back affrighted, he marvelled at the refuge contemplated. + </p> + <p> + “I believe there is some of the furniture here yet. We could contrive to + set up a bed from what is left. The colonel could make it all right with + Holden, and I could stay a day or two, as we originally planned.” + </p> + <p> + “Ye-es. I don't mind Holden: a man ain't much in charge of a place ez + ain't got a lock or a key ter bless itself with, an' takes the owel an' + the fox an' the gopher fur boarders; but, ennyhow, kem with me home ter + supper. Mill'cent will hev it ready by now ennyhows, an' ye need suthin' + hearty an' hot ter stiffen ye up ter move inter sech quarters ez these.” + Dundas hesitated, but the mountaineer had already taken assent for + granted, and pushed his horse into a sharp trot. Evidently a refusal was + not in order. Dundas pressed forward, and they rode together along the + winding way past the ten-pin alley, its long low roof half hidden in the + encroaching undergrowth springing up apace beneath the great trees; past + the stables; past a line of summer cottages, strangely staring of aspect + out of the yawning doors and windows, giving, instead of an impression of + vacancy, a sense of covert watching, of secret occupancy. If one's glances + were only quick enough, were there not faces pressed to those shattered + panes—scarcely seen—swiftly withdrawn? + </p> + <p> + He was in a desert; he had hardly been so utterly alone in all his life; + yet he bore through the empty place a feeling of espionage, and ever and + anon he glanced keenly at the overgrown lawns, with their deepening drifts + of autumn leaves, at the staring windows and flaring doors, which emitted + sometimes sudden creaking wails in the silence, as if he sought to assure + himself of the vacancy of which his mind took cognizance and yet all his + senses denied. + </p> + <p> + Little of his sentiment, although sedulously cloaked, was lost on Sim + Roxby; and he was aware, too, in some subtle way, of the relief his guest + experienced when they plunged into the darkening forest and left the + forlorn place behind them. The clearing in which it was situated seemed an + oasis of light in the desert of night in which the rest of the world lay. + From the obscurity of the forest Dundas saw, through the vistas of the + giant trees, the clustering cottages, the great hotel, gables and chimneys + and tower, stark and distinct as in some weird dream-light in the midst of + the encircling gloom. The after-glow of sunset was still aflare on the + western windows; the whole empty place was alight with a reminiscence of + its old aspect—its old gay life. Who knows what memories were + a-stalk there—what semblance of former times? What might not the + darkness foster, the impunity of desertion, the associations that + inhabited the place with almost the strength of human occupancy itself? + Who knows—who knows? + </p> + <p> + He remembered the scene afterward, the impression he received. And from + this, he thought, arose his regret for his decision to take up here his + abiding-place. + </p> + <p> + The forest shut out the illumined landscape, and the night seemed indeed + at hand; the gigantic boles of the trees loomed through the encompassing + gloom, that was yet a semi-transparent medium, like some dark but clear + fluid through which objects were dimly visible, albeit tinged with its own + sombre hue. The lank, rawboned sorrel had set a sharp pace, to which the + chestnut, after momentary lagging, as if weary with the day's travel, + responded briskly. He had received in some way intimations that his + companion's corn-crib was near at hand, and if he had not deduced from + these premises the probability of sharing his fare, his mental processes + served him quite as well as reason, and brought him to the same result. On + and on they sped, neck and neck, through the darkening woods; fire flashed + now and again from their iron-shod hoofs; often a splash and a shower of + drops told of a swift dashing through the mud-holes that recent rains had + fostered in the shallows. The dank odor of dripping boughs came on the + clear air. Once the chestnut shied from a sudden strange shining point + springing up in the darkness close at hand, which the country-bred horse + discriminated as fox-fire, and kept steadily on, unmindful of the rotting + log where it glowed. Far in advance, in the dank depths of the woods, a + Will-o'-the-wisp danced and flickered and lured the traveller's eye. The + stranger was not sure of the different quality of another light, appearing + down a vista as the road turned, until the sorrel, making a tremendous + spurt, headed for it, uttering a joyous neigh at the sight. + </p> + <p> + The deep-voiced barking of hounds rose melodiously on the silence, and as + the horses burst out of the woods into a small clearing, Dundas beheld in + the brighter light a half-dozen of the animals nimbly afoot in the road, + one springing over the fence, another in the act of climbing, his + fore-paws on the topmost rail, his long neck stretched, and his head + turning about in attitudes of observation. He evidently wished to assure + himself whether the excitement of his friends was warranted by the facts + before he troubled himself to vault over the fence. Three or four still + lingered near the door of a log-cabin, fawning about a girl who stood on + the porch. Her pose was alert, expectant; a fire in the dooryard, where + the domestic manufacture of soap had been in progress, cast a red flare on + the house, its appurtenances, the great dark forest looming all around, + and, more than the glow of the hearth within, lighted up the central + figure of the scene. She was tall, straight, and strong; a wealth of fair + hair was clustered in a knot at the back of her head, and fleecy tendrils + fell over her brow; on it was perched a soldier's-cap; and certainly more + gallant and fearless eyes had never looked out from under the straight, + stiff brim. Her chin, firm, round, dimpled, was uplifted as she raised her + head, descrying the horsemen's approach. She wore a full dark-red skirt, a + dark brown waist, and around her neck was twisted a gray cotton kerchief, + faded to a pale ashen hue, the neutrality of which somehow aided the + delicate brilliancy of the blended roseate and pearly tints of her face. + Was this the seer of ghosts—Dundas marvelled—this the + Millicent whose pallid and troubled phantom already-paced the foot-bridge? + </p> + <p> + He did not realize that he had drawn up his horse suddenly at the sight of + her, nor did he notice that his host had dismounted, until Roxby was at + the chestnut's head, ready to lead the animal to supper in the barn. His + evident surprise, his preoccupation, were not lost upon Roxby, however. + His hand hesitated on the girth of the chestnut's saddle when he stood + between the two horses in the barn. He had half intended to disregard the + stranger's declination of his invitation, and stable the creature. Then he + shook his head slowly; the mystery that hung about the new-comer was not + reassuring. “A heap o' wuthless cattle 'mongst them valley men,” he said; + for the war had been in some sort an education to his simplicity. “Let him + stay whar the cunnel expected him ter stay. I ain't wantin' no stranger + a-hangin' round about Mill'cent, nohow. Em'ry Keenan ain't a pattern o' + perfection, but I be toler'ble well acquainted with the cut o' his + foolishness, an' I know his daddy an' mammy, an' both sets o' gran'daddies + an' gran'mammies, an' I could tell ye exac'ly which one the critter got + his nose an' his mouth from, an' them lean sheep's-eyes o' his'n, an' nigh + every tone o' his voice. Em'ry never thunk afore ez I set store on bein' + acquainted with him. He 'lowed I knowed him <i>too</i> well.” + </p> + <p> + He laughed as he glanced through the open door into the darkening + landscape. Horizontal gray clouds were slipping fast across the pearly + spaces of the sky. The yellow stubble gleamed among the brown earth of the + farther field, still striped with its furrows. The black forest encircled + the little cleared space, and a wind was astir among the tree-tops. A + white star gleamed through the broken clapboards of the roof, the fire + still flared under the soap-kettle in the dooryard, and the silence was + suddenly smitten by a high cracked old voice, which told him that his + mother had perceived the dismounted stranger at the gate, and was + graciously welcoming him. + </p> + <p> + She had come to the door, where the girl still stood, but half withdrawn + in the shadow. Dundas silently bowed as he passed her, following his aged + hostess into the low room, all bedight with the firelight of a huge + chimney-place, and comfortable with the realization of a journey's end. + The wilderness might stretch its weary miles around, the weird wind wander + in the solitudes, the star look coldly on unmoved by aught it beheld, the + moon show sad portents, but at the door they all failed, for here waited + rest and peace and human companionship and the sense of home. + </p> + <p> + “Take a cheer, stranger, an' make yerself at home. Powerful glad ter see + ye—-war 'feard night would overtake ye. Ye fund the water toler'ble + high in all the creeks an' sech, I reckon, an' fords shifty an' onsartain. + Yes, sir. Fall rains kem on earlier'n common, an' more'n we need. Wisht we + could divide it with that thar drought we had in the summer. Craps war cut + toler'ble short, sir—toler'ble short.” + </p> + <p> + Mrs. Roxby's spectacles beamed upon him with an expression of the utmost + benignity as the firelight played on the lenses, but her eyes peering over + them seemed endowed in some sort with independence of outlook. It was as + if from behind some bland mask a critical observation was poised for + unbiased judgment. He felt in some degree under surveillance. But when a + light step heralded an approach he looked up, regardless of the betrayal + of interest, and bent a steady gaze upon Millicent as she paused in the + doorway. + </p> + <p> + And as she stood there, distinct in the firelight and outlined against the + black background of the night, she seemed some modern half-military ideal + of Diana, with her two gaunt hounds beside her, the rest of the pack + vaguely glimpsed at her heels outside, the perfect outline and chiselling + of her features, her fine, strong, supple figure, the look of steady + courage in her eyes, and the soldier's cap on her fair hair. Her face so + impressed itself upon his mind that he seemed to have seen her often. It + was some resemblance to a picture of a vivandière, doubtless, in a foreign + gallery—he could not say when or where; a remnant of a tourist's + overcrowded impressions; a half-realized reminiscence, he thought, with an + uneasy sense of recognition. + </p> + <p> + “Hello, Mill'cent! home agin!” Roxby cried, in cheery greeting as he + entered at the back door opposite. “What sorter topknot is that ye got + on?” he demanded, looking jocosely at her head-gear. + </p> + <p> + The girl put up her hand with an expression of horror. A deep red flush + dyed her cheek as she touched the cap. “I forgot 'twar thar,” she + murmured, contritely. Then, with a sudden rush of anger as she tore it + off: “'Twar granny's fault. She axed me ter put it on, so ez ter see which + one I looked most like.” + </p> + <p> + “Stranger,” quavered the old woman, with a painful break in her voice, “I + los' fower sons in the war, an' Mill'cent hev got the fambly favor.” + </p> + <p> + “Ye <i>mought</i> hev let me know ez I war a-perlitin' round in this hyar + men's gear yit,” the girl muttered, as she hung the cap on a prong of the + deer antlers on which rested the rifle of the master of the house. + </p> + <p> + Roxby's face had clouded at the mention of the four sons who had gone out + from the mountains never to return, leaving to their mother's aching heart + only the vague comfort of an elusive resemblance in a girl's face; but as + he noted Millicent's pettish manner, and divined her mortification because + of her unseemly head-gear in the stranger's presence, he addressed her + again in that jocose tone without which he seldom spoke to her. + </p> + <p> + <a name="linkimage-0002" id="linkimage-0002"> + <!-- IMG --></a> + </p> + <div class="fig" style="width:80%"> + <img src="images/006.jpg" alt="Warn't You-uns Apologizin' Ter Me 006 " width="100%" /><br /> + </div> + <p> + “Warn't you-uns apologizin' ter me t'other day fur not bein' a nephew + 'stiddier a niece? Looked sorter like a nephew ter-night.” + </p> + <p> + She shook her head, covered now only with its own charming tresses waving + in thick undulations to the coil at the nape of her neck—a trifle + dishevelled from the rude haste with which the cap had been torn off. + </p> + <p> + Roxby had seated himself, and with his elbows on his knees he looked up at + her with a teasing jocularity, such as one might assume toward a child. + </p> + <p> + “<i>Ye war</i>,” he declared, with affected solemnity—“ye war + 'pologizin' fur not bein' a nephew, an' 'lowed ef ye war a nephew we could + go a-huntin' tergether, an' ye could holp me in all my quar'ls an' fights. + I been aging some lately, an' ef I war ter go ter the settlemint an' git + inter a fight I mought not be able ter hold my own. Think what 'twould be + ter a pore old man ter hev a dutiful nephew step up an'”—he doubled + his fists and squared off—“jes' let daylight through some o' them + cusses. An' didn't <i>ye say</i>”—he dropped his belligerent + attitude and pointed an insistent finger at her, as if to fix the matter + in her recollection—“ef ye war a nephew 'stiddier a niece ye could + fire a gun 'thout shettin' yer eyes? An' I told ye then ez that would mend + yer aim mightily. I told ye that I'd be powerful mortified ef I hed a + nephew ez hed ter shet his eyes ter keep the noise out'n his ears whenst + he fired a rifle. The tale would go mighty hard with me at the + settlemint.” + </p> + <p> + The girl's eyes glowed upon him with the fixity and the lustre of those of + a child who is entertained and absorbed by an elder's jovial wiles. A + flash of laughter broke over her face, and the low, gurgling, half-dreamy + sound was pleasant to hear. She was evidently no more than a child to + these bereft old people, and by them cherished as naught else on earth. + </p> + <p> + “An' didn't <i>I tell you-uns,</i>” he went on, affecting to warm to the + discussion, and in reality oblivious of the presence of the guest'—“didn't + I tell ye ez how ef ye war a nephew 'stiddier a niece ye wouldn't hev sech + cattle ez Em'ry Keenan a-dan-glin' round underfoot, like a puppy ye can't + gin away, an' that <i>won't</i> git lost, an' ye ain't got the heart ter + kill?” + </p> + <p> + The girl's lip suddenly curled with scorn. “Yer nephew would be obligated + ter make a ch'ice fur marryin' 'mongst these hyar mounting gals—Par-mely + Lepstone, or Belindy M'ria Matthews, or one o' the Windrow gals. Waal, + sir, I'd ruther be yer niece—even ef Em'ry Keenan <i>air</i> like a + puppy underfoot, that ye can't gin away, an' won't git lost, an' ye ain't + got the heart ter kill.” She laughed again, showing her white teeth. She + evidently relished the description of the persistent adherence of poor + Emory Keenan. “But which one o' these hyar gals would ye recommend ter yer + nephew ter marry—ef ye hed a nephew?” + </p> + <p> + She looked at him with flashing eyes, conscious of having propounded a + poser. + </p> + <p> + He hesitated for a moment. Then—“I'm surrounded,” he said, with a + laugh. “Ez I couldn't find a wife fur myself, I can't undertake ter + recommend one ter my nephew. Mighty fine boy he'd hev been, an' + saaft-spoken an' perlite ter aged men—not sassy an' makin' game o' + old uncles like a niece. Mighty fine boy!” + </p> + <p> + “Ye air welcome ter him,” she said, with a simulation of scorn, as she + turned away to the table. + </p> + <p> + Whether it were the military cap she had worn, or the fancied resemblance + to the young soldiers, never to grow old, who had gone forth from this + humble abode to return no more, there was still to the guest's mind the + suggestion of the vivandière about her as she set the table and spread + upon it the simple fare. To and from the fireplace she was followed by two + or three of the younger dogs, their callowness expressed in their lack of + manners and perfervid interest in the approaching meal. This induced their + brief journeys back and forth, albeit embarrassed by their physical + conformation, short turns on four legs not being apparently the easy thing + it would seem from so much youthful suppleness. The dignity of the elder + hounds did not suffer them to move, but they looked on from erect postures + about the hearth with glistening eyes and slobbering jaws. + </p> + <p> + Ever and anon the deep blue eyes of Millicent were lifted to the outer + gloom, as if she took note of its sinister aspect. She showed scant + interest in the stranger, whose gaze seldom left her as he sat beside the + fire. He was a handsome man, his face and figure illumined by the + firelight, and it might have been that he felt a certain pique, an + unaccustomed slight, in that his presence was so indifferent an element in + the estimation of any young and comely specimen of the feminine sex. + Certainly he had rarely encountered such absolute preoccupation as her + smiling far-away look betokened as she went back and forth with her young + canine friends at her heels, or stood at the table deftly slicing the + salt-rising bread, the dogs poised skilfully upon their hind-legs to + better view the appetizing performance; whenever she turned her face + toward them they laid their heads languish-ingly askew, as if to remind + her that supper could not be more fitly bestowed than on them. One, to + steady himself, placed unobserved his fore-paw on the edge of the table, + his well-padded toes leaving a vague imprint as of fingers upon the coarse + white cloth; but John Dundas was a sportsman, and could the better relax + an exacting nicety where so pleasant-featured and affable a beggar was + concerned. He forgot the turmoils of his own troubles as he gazed at + Millicent, the dreary aspect of the solitudes without, the exile from his + accustomed sphere of culture and comfort, the poverty and coarseness of + her surroundings. He was sorry that he had declined a longer lease of + Roxby's hospitality, and it was in his mind to reconsider when it should + be again proffered. Her attitude, her gesture, her face, her environment, + all appealed to his sense of beauty, his interest, his curiosity, as + little ever had done heretofore. Slice after slice of the firm fragrant + bread was deftly cut and laid on the plate, as again and again she lifted + her eyes with a look that might seem to expect to rest on summer in the + full flush of a June noontide without, rather than on the wan, wintry + night sky and the plundered, quaking woods, while the robber wind sped on + his raids hither and thither so swiftly that none might follow, so + stealthily that none might hinder. A sudden radiance broke upon her face, + a sudden shadow fell on the firelit floor, and there was entering at the + doorway a tall, lithe young mountaineer, whose first glance, animated with + a responsive brightness, was for the girl, but whose punctilious greeting + was addressed to the old woman. + </p> + <p> + “Howdy, Mis' Roxby—howdy? Air yer rheumatics mendin' enny?” he + demanded, with the condolent suavity of the would-be son-in-law, or + grand-son-in-law, as the case may be. And he hung with a transfixed + interest upon her reply, prolix and discursive according to the wont of + those who cultivate “rheumatics,” as if each separate twinge racked his + own sympathetic and filial sensibilities. Not until the tale was ended did + he set his gun against the wall and advance to the seat which Roxby had + indicated with the end of the stick he was whittling. He observed the + stranger with only slight interest, till Dundas drew up his chair opposite + at the table. There the light from the tallow dip, guttering in the + centre, fell upon his handsome face and eyes, his carefully tended beard + and hair, his immaculate cuffs and delicate hand, the seal-ring on his + taper finger. + </p> + <p> + “Like a gal, by gum!” thought Emory Keenan. “Rings on his fingers—yit + six feet high!” + </p> + <p> + He looked at his elders, marvelling that they so hospitably repressed the + disgust which this effeminate adornment must occasion, forgetting that it + was possible that they did not even observe it. In the gala-days of the + old hotel, before the war, they had seen much “finicking finery” in garb + and equipage and habits affected by the <i>jeunesse dorée</i> who + frequented the place in those halcyon times, and were accustomed to such + details. It might be that they and Millicent approved such flimsy + daintiness. He began to fume inwardly with a sense of inferiority in her + estimation. One of his fingers had been frosted last winter, and with the + first twinge of cold weather it was beginning to look very red and sad and + clumsy, as if it had just remembered its ancient woe; he glanced from it + once more at the delicate ringed hand of the stranger. + </p> + <p> + Dundas was looking up with a slow, deferential, decorous smile that + nevertheless lightened and transfigured his expression. It seemed somehow + communicated to Millicent's face as she looked down at him from beneath + her white eyelids and long, thick, dark lashes, for she was standing + beside him, handing him the plate of bread. Then, still smiling, she + passed noiselessly on to the others. + </p> + <p> + Emory was indeed clumsy, for he had stretched his hand downward to offer a + morsel to a friend of his under the table—he was on terms of + exceeding amity with the four-footed members of the household—and in + his absorption not withdrawing it as swiftly as one accustomed to canine + manners should do, he had his frosted finger well mumbled before he could, + as it were, repossess himself of it. + </p> + <p> + “I wonder what they charge fur iron over yander at the settlemint, Em'ry?” + observed Sim Roxby presently. + </p> + <p> + “Dun'no', sir,” responded Emory, glumly, his sullen black eyes full of + smouldering fire—“hevin' no call ter know, ez I ain't no + blacksmith.” + </p> + <p> + “I war jes' wonderin' ef tenpenny nails didn't cost toler'ble high ez + reg'lar feed,” observed Roxby, gravely. + </p> + <p> + But his mother laughed out with a gleeful cracked treble, always a ready + sequence of her son's rustic sallies. “He got ye that time, Em'ry,” she + cried. + </p> + <p> + A forced smile crossed Emory's face. He tossed back his tangled dark hair + with a gasp that was like the snort of an unruly horse submitting to the + inevitable, but with restive projects in his brain. “I let the dog hyar + ketch my finger whilst feedin' him,” he said. His plausible excuse for the + ten-penny expression was complete; but he added, his darker mood recurring + instantly, “An', Mis' Roxby, I hev put a stop ter them ez hev tuk ter + callin' me Em'ly, I hev.” + </p> + <p> + The old woman looked up, her small wrinkled mouth round and amazed. “<i>I</i> + never called ye Emily,” she declared. + </p> + <p> + Swift repentance seized him. + </p> + <p> + “Naw, 'm,” he said, with hurried propitiation. “I 'lowed ye did.” + </p> + <p> + “I didn't,” said the old woman. “But ef I warter find it toothsome ter + call ye 'Emily,' I dun'no' how ye air goin' ter pervent it. Ye can't go + gun-nin' fur me, like ye done fur the men at the mill, fur callin' ye + 'Emily.'” + </p> + <p> + “Law, Mis' Roxby!” he could only exclaim, in his horror and contrition at + this picture he had thus conjured up. “Ye air welcome ter call me + ennything ye air a mind ter,” he protested. + </p> + <p> + And then he gasped once more. The eyes of the guest, contemptuous, amused, + seeing through him, were fixed upon him. And he himself had furnished the + lily-handed stranger with the information that he had been stigmatized + “Em'ly” in the banter of his associates, until he had taken up arms, as it + were, to repress this derision. + </p> + <p> + “It takes powerful little ter put ye down, Em'ry,” said Roxby, with + rallying laughter. “Mam hev sent ye skedaddlin' in no time at all. I don't + b'lieve the Lord made woman out'n the man's rib. He made her out'n the + man's backbone; fur the man ain't hed none ter speak of sence.” + </p> + <p> + Millicent, with a low gurgle of laughter, sat down beside Emory at the + table, and fixed her eyes, softly lighted with mirth, upon him. The others + too had laughed, the stranger with a flattering intonation, but young + Keenan looked at her with a dumb appealing humility that did not + altogether fail of its effect, for she busied herself to help his plate + with an air of proprietorship as if he were a child, and returned it with + a smile very radiant and sufficient at close range. She then addressed + herself to her own meal. The young dogs under the table ceased to beg, and + gambolled and gnawed and tugged at her stout little shoes, the sound of + their callow mirthful growls rising occasionally above the talk. Sometimes + she rose again to wait on the table, when they came leaping out after her, + jumping and catching at her skirts, now and then casting themselves on the + ground prone before her feet, and rolling over and over in the sheer joy + of existence. + </p> + <p> + The stranger took little part in the talk at the table. Never a question + was asked him as to his mission in the mountains, or the length of his + stay, his vocation, or his home. That extreme courtesy of the + mountaineers, exemplified in their singular abstinence from any + expressions of curiosity, accepted such account of himself as he had + volunteered, and asked for no more. In the face of this standard of + manners any inquisitiveness on his part, such as might have elicited + points of interest for his merely momentary entertainment, was tabooed. + Nevertheless, silent though he was for the most part, the relish with + which he listened, his half-covert interest in the girl, his quick + observation of the others, the sudden very apparent enlivening of his + mental atmosphere, betokened that his quarters were not displeasing to + him. It seemed only a short time before the meal was ended and the circle + all, save Millicent, with pipes alight before the fire again. The dogs, + well fed, had ranged themselves on the glowing hearth, lying prone on the + hot stones; one old hound, however, who conserved the air of listening to + the conversation, sat upright and nodded from time to time, now and again + losing his balance and tipping forward in a truly human fashion, then + gazing round on the circle with an open luminous eye, as who should say he + had not slept. + </p> + <p> + It was all very cheerful within, but outside the wind still blared + mournfully. Once more Dundas was sorry that he had declined the invitation + to remain, and it was with a somewhat tentative intention that he made a + motion to return to the hotel. But his host seemed to regard his + resolution as final, and rose with a regret, not an insistence. The two + women stared in silent amazement at the mere idea of his camping out, as + it were, in the old hotel. The ascendency of masculine government here, + notwithstanding Roxby's assertion that Eve was made of Adam's backbone, + was very apparent in their mute acquiescence and the alacrity with which + they began to collect various articles, according to his directions, to + make the stranger's stay more comfortable. + </p> + <p> + “Em'ry kin go along an' holp,” he said, heartlessly; for poor Emory's joy + in perceiving that the guest was not a fixture, and that his presence was + not to be an embargo on any word between himself and Millicent during the + entire evening, was pitiably manifest. But the situation was still not + without its comforts, since Dundas was to go too. Hence he was not poor + company when once in the saddle, and was civil to a degree of which his + former dismayed surliness had given no promise. + </p> + <p> + Night had become a definite element. The twilight had fled. Above their + heads, as they galloped through the dank woods, the bare boughs of the + trees clashed together—so high above their heads that to the town + man, unaccustomed to these great growths, the sound seemed not of the + vicinage, but unfamiliar, uncanny, and more than once he checked his horse + to listen. As they approached the mountain's verge and overlooked the + valley and beheld the sky, the sense of the predominance of darkness was + redoubled. The ranges gloomed against the clearer spaces, but a cloud, + deep gray with curling white edges, was coming up from the west, with an + invisible convoy of vague films, beneath which the stars, glimmering white + points, disappeared one by one. The swift motion of this aerial fleet + sailing with the wind might be inferred from the seemingly hurried pace of + the moon making hard for the west. Still bright was the illumined segment, + but despite its glitter the shadowy space of the full disk was distinctly + visible, its dusky field spangled with myriads of minute, dully golden + points. Down, down it took its way in haste—in disordered fright, it + seemed, as if it had no heart to witness the storm which the wind and the + clouds foreboded—to fairer skies somewhere behind those western + mountains. Soon even its vague light would encroach no more upon the + darkness. The great hotel would be invisible, annihilated as it were in + the gloom, and not even thus dimly exist, glimmering, alone, forlorn, so + incongruous to the wilderness that it seemed even now some mere figment of + the brain, as the two horsemen came with a freshened burst of speed along + the deserted avenue and reined up beside a small gate at the side. + </p> + <p> + “No use ter ride all the way around,” observed Emory Keenan. “Mought jes + ez well 'light an' hitch hyar.” + </p> + <p> + The moon gave him the escort of a great grotesque shadow as he threw + himself from his horse and passed the reins over a decrepit hitching-post + near at hand. Then he essayed the latch of the small gate. He glanced up + at Dundas, the moonlight in his dark eyes, with a smile as it resisted his + strength. + </p> + <p> + He was a fairly good-looking fellow when rid of the self-consciousness of + jealousy. His eyes, mouth, chin, and nose, acquired from reliable and + recognizable sources, were good features, and statuesque in their + immobility beneath the drooping curves of his broad soft hat. He was tall, + with the slenderness of youth, despite his evident weight and strength. He + was long-waisted and lithe and small of girth, with broad square + shoulders, whose play of muscles as he strove with the gate was not + altogether concealed by the butternut jeans coat belted in with his + pistols by a broad leathern belt. His boots reached high on his long legs, + and jingled with a pair of huge cavalry spurs. His stalwart strength + seemed as if it must break the obdurate gate rather than open it, but + finally, with a rasping creak, dismally loud in the silence, it swung + slowly back. + </p> + <p> + The young mountaineer stood gazing for a moment at the red rust on the + hinges. “How long sence this gate must hev been opened afore?” he said, + again looking up at Dundas with a smile. + </p> + <p> + Somehow the words struck a chill to the stranger's heart. The sense of the + loneliness of the place, of isolation, filled him with a sort of awe. The + night-bound wilderness itself was not more daunting than these solitary + tiers of piazzas, these vacant series of rooms and corridors, all instinct + with vanished human presence, all alert with echoes of human voices. A + step, a laugh, a rustle of garments—he could have sworn he heard + them at any open doorway as he followed his guide along the dim moonlit + piazza, with its pillars duplicated at regular intervals by the shadows on + the floor. How their tread echoed down these lonely ways! From the + opposite side of the house he heard Kee-nan's spurs jangling, his + soldierly stride sounding back as if their entrance had roused barracks. + He winced once to see his own shadow with its stealthier movement. It + seemed painfully furtive. For the first time during the evening his jaded + mind, that had instinctively sought the solace of contemplating trifles, + reverted to its own tormented processes. “Am I not hiding?” he said to + himself, in a sort of sarcastic pity of his plight. + </p> + <p> + The idea seemed never to enter the mind of the transparent Keenan. He + laughed out gayly as they turned into the weed-grown quadrangle, and the + red fox that Dundas had earlier observed slipped past him with affrighted + speed and dashed among the shadows of the dense shrubbery of the old lawn + without. Again and again the sound rang back from wall to wall, first with + the jollity of seeming imitation, then with an appalled effect sinking to + silence, and suddenly rising again in a grewsome <i>staccato</i> that + suggested some terrible unearthly laughter, and bore but scant resemblance + to the hearty mirth which had evoked it Keenan paused and looked back with + friendly gleaming eyes. “Oughter been a leetle handier with these hyar + consarns,” he said, touching the pistols in his belt. + </p> + <p> + It vaguely occurred to Dundas that the young man went strangely heavily + armed for an evening visit at a neighbor's house. But it was a lawless + country and lawless times, and the sub-current of suggestion did not + definitely fix itself in his mind until he remembered it later. He was + looking into each vacant open doorway, seeing the still moonlight starkly + white upon the floor; the cobwebbed and broken window-panes, through which + a section of leafless trees beyond was visible; bits of furniture here and + there, broken by the vandalism of the guerillas. Now and then a scurrying + movement told of a gopher, hiding too, and on one mantel-piece, the black + fireplace yawning below, sat a tiny tawny-tinted owl, whose motionless + beadlike eyes met his with a stare of stolid surprise. After he had + passed, its sudden ill-omened cry set the silence to shuddering. + </p> + <p> + Keenan, leading the way, paused in displeasure. “I wisht I hed viewed that + critter,” he said, glumly. “I'd hev purvented that screechin' ter call the + devil, sure. It's jes a certain sign o' death.” + </p> + <p> + He was about to turn, to wreak his vengeance, perchance. But the bird, + sufficiently fortunate itself, whatever woe it presaged for others, + suddenly took its awkward flight through sheen and shadow across the + quadrangle, and when they heard its cry again it came from some remote + section of the building, with a doleful echo as a refrain. + </p> + <p> + The circumstance was soon forgotten by Keenan. He seemed a happy, + mercurial, lucid nature, and he began presently to dwell with interest on + the availability of the old music-stand in the centre of the square as a + manger. “Hyar,” he said, striking the rotten old structure with a heavy + hand, which sent a quiver and a thrill through all the timbers—“hyar's + whar the guerillas always hitched thar beastises. Thar feed an' forage war + piled up thar on the fiddlers' seats. Ye can't do no better'n ter pattern + arter them, till ye git ready ter hev fiddlers an' sech a-sawin' away in + hyar agin.” + </p> + <p> + And he sauntered away from the little pavilion, followed by Dundas, who + had not accepted his suggestion of a room on the first floor as being less + liable to leakage, but finally made choice of an inner apartment in the + second story. He looked hard at Keenan, when he stood in the doorway + surveying the selection. The room opened into a cross-hall which gave upon + a broad piazza that was latticed; tiny squares of moonlight were all + sharply drawn on the floor, and, seen through a vista of gray shadow, + seemed truly of a gilded lustre. From the windows of this room on a + court-yard no light Could be visible to any passer-by without. Another + door gave on an inner gallery, and through its floor a staircase came up + from the quadrangle close to the threshold. Dundas wondered if these + features were of possible significance in Keenan's estimation. The young + mountaineer turned suddenly, and snatching up a handful of slats broken + from the shutters, remarked: + </p> + <p> + “Let's see how the chimbly draws—that's the main p'int.” + </p> + <p> + There was no defect in the chimney's constitution. It drew admirably, and + with the white and red flames dancing in the fireplace, two or three + chairs, more or less disabled, a table, and an upholstered lounge gathered + at random from the rooms near at hand, the possibility of sojourning + comfortably for a few days in the deserted hostelry seemed amply assured. + </p> + <p> + Once more Dundas gazed fixedly at the face of the young mountaineer, who + still bent on one knee on the hearth, watching with smiling eyes the + triumphs of his fire-making. It seemed to him afterwards that his judgment + was strangely at fault; he perceived naught of import in the shallow + brightness of the young man's eyes, like the polished surface of jet; in + the instability of his jealousy, his anger; in his hap-hazard, mercurial + temperament. Once he might have noted how flat were the spaces beneath the + eyes, how few were the lines that defined the lid, the socket, the curve + of the cheekbone, the bridge of the nose, and how expressionless. It was + doubtless the warmth and glow of the fire, the clinging desire of + companionship, the earnest determination to be content, pathetic in one + who had but little reason for optimism, that caused him to ignore the + vacillating glancing moods that successively swayed Keenan, strong while + they lasted, but with scanty augury because of their evanescence. He was + like some newly discovered property in physics of untried potentialities, + of which nothing is ascertained but its uncertainties. + </p> + <p> + And yet he seemed to Dundas a simple country fellow, good-natured in the + main, unsuspicious, and helpful. So, giving a long sigh of relief and + fatigue, Dundas sank down in one of the large arm-chairs that had once + done duty for the summer loungers on the piazza. + </p> + <p> + In the light of the fire Emory was once more looking at him. A certain air + of distinction, a grace and ease of movement, an indescribable quality of + bearing which he could not discriminate, yet which he instinctively + recognized as superior, offended him in some sort. He noticed again the + ring on the stranger's hand as he drew off his glove. Gloves! Emory Keen + an would as soon have thought of wearing a petticoat. Once more the fear + that these effeminate graces found favor in Millicent's estimation smote + upon his heart. It made the surface of his opaque eyes glisten as Dundas + rose and took up a pipe and tobacco-pouch which he had laid on the + mantelpiece, his full height and fine figure shown in the changed posture. + </p> + <p> + “Ez tall ez me, ef not taller, an', by gum! a good thirty pound heavier,” + Emory reflected, with, a growing dismay that he had not those stalwart + claims to precedence in height and weight as an offset to the smoother + fascinations of the stranger's polish. + </p> + <p> + He had risen hastily to his feet. He would not linger to smoke fraternally + over the fire, and thus cement friendly relations. + </p> + <p> + “I guided him hyar, like old Sim Roxby axed me ter do, an' that's all. I + ain't keerin' ef I never lay eyes on him again,” he said to himself. + </p> + <p> + “Going?” said Dundas, pleasantly, noticing the motion. “You'll look in + again, won't you?” + </p> + <p> + “Wunst in a while, I reckon,” drawled Keenan, a trifle thrown off his + balance by this courtesy. + </p> + <p> + He paused at the door, looking back over his shoulder for a moment at the + illumined room, then stepped out into the night, leaving the tenant of the + lonely old house filling his pipe by the fire. + </p> + <p> + His tread rang along the deserted gallery, and sudden echoes came tramping + down the vacant halls as if many a denizen of the once populous place was + once more astir within its walls. Long after Dundas had heard him spring + from the lower piazza to the ground, and the rusty gate clang behind him, + vague footfalls were audible far away, and were still again, and once more + a pattering tread in some gaunt and empty apartment near at hand, faint + and fainter yet, till he hardly knew whether it were the reverberations of + sound or fancy that held his senses in thrall. + </p> + <p> + And when all was still and silent at last he felt less solitary than when + these elusive tokens of human presence were astir. + </p> + <p> + Late, late he sat over the dwindling embers. His mind, no longer diverted + by the events of the day, recurred with melancholy persistence to a theme + which even they, although fraught with novelty and presage of danger, had + not altogether crowded out. And as the sense of peril dulled, the craft of + sophistry grew clumsy. Remorse laid hold upon him in these dim watches of + the night. Self-reproach had found him out here, defenceless so far from + the specious wiles and ways of men. All the line of provocations seemed + slight, seemed naught, as he reviewed them and balanced them against a + human life. True, it was not in some mad quarrel that his skill had taken + it and had served to keep his own—a duel, a fair fight, strictly + regular according to the code of “honorable men” for ages past—and + he sought to argue that it was doubtless but the morbid sense of the wild + fastnesses without, the illimitable vastness of the black night, the + unutterable indurability of nature to the influences of civilization, + which made it taste like murder. He had brought away even from the scene + of action, to which he had gone with decorous deliberation—his + worldly affairs arranged for the possibility of death, his will made, his + volition surrendered, and his sacred honor in the hands of his seconds—a + humiliating recollection of the sudden revulsion of the aspect of all + things; the criminal sense of haste with which he was hurried away after + that first straight shot; the agitation, nay, the fright of his seconds; + their eagerness to be swiftly rid of him, their insistence that he should + go away for a time, get out of the country, out of the embarrassing + purview of the law, which was prone to regard the matter as he himself saw + it now, and which had an ugly trick of calling things by their right names + in the sincere phraseology of an indictment. And thus it was that he was + here, remote from all the usual lines of flight, with his affectation of + being a possible purchaser for the old hotel, far from the railroad, the + telegraph, even the postal service. Some time—soon, indeed, it might + be, when the first flush of excitement and indignation should be overpast, + and the law, like a barking dog that will not bite, should have noisily + exhausted the gamut of its devoirs—he would go back and live + according to his habit in his wonted place, as did other men whom he had + known to be “called out,” and who had survived their opponents. Meantime + he heard the ash crumble; he saw the lighted room wane from glancing + yellow to a dull steady red, and so to dusky brown; he marked the wind + rise, and die away, and come again, banging the doors of the empty rooms, + and setting timbers all strangely to creaking as under sudden trampling + feet; then lift into the air with a rustling sound like the stir of + garments and the flutter of wings, calling out weirdly in the great voids + of the upper atmosphere. + </p> + <p> + He had welcomed the sense of fatigue earlier in the evening, for it + promised sleep. Now it had slipped away from him. He was strong and young, + and the burning sensation that the frosty air had left on his face was the + only token of the long journey. It seemed as if he would never sleep again + as he lay on the lounge watching the gray ash gradually overgrow the + embers, till presently only a vague dull glow gave intimation of the + position of the hearth in the room. And then, bereft of this dim sense of + companionship, he stared wide-eyed in the darkness, feeling the only + creature alive and awake in all the world. No; the fox was suddenly + barking within the quadrangle—a strangely wild and alien tone. And + presently he heard the animal trot past his door on the piazza, the + cushioned footfalls like those of a swift dog. He thought with a certain + anxiety of the tawny tiny owl that had sat like a stuffed ornament on the + mantel-piece of a neighboring room, and he listened with a quaking + vicarious presentiment of woe for the sounds of capture and despair. He + was sensible of waiting and hoping for the fox's bootless return, when he + suddenly lost consciousness. + </p> + <p> + How long he slept he did not know, but it seemed only a momentary respite + from the torture of memory, when, still in the darkness, thousands of + tremulous penetrating sounds were astir, and with a great start he + recognized the rain on the roof. It was coming down in steady torrents + that made the house rock before the tumult of his plunging heart was + still, and he was longing again for the forgetfulness of sleep. In vain. + The hours dragged by; the windows slowly, slowly denned their dull gray + squares against the dull gray day dawning without. The walls that had been + left with only the first dark coat of plaster, awaiting another season for + the final decoration, showed their drapings of cobweb, and the names and + pencilled scribblings with which the fancy of transient bushwhackers had + chosen to deface them. The locust-trees within the quadrangle drearily + tossed their branches to and fro in the wind, the bark very black and + distinct against the persistent gray lines of rain and the white walls of + the galleried buildings opposite; the gutters were brimming, roaring along + like miniature torrents; nowhere was the fox or the owl to be seen. + Somehow their presence would have been a relief—the sight of any + living thing reassuring. As he walked slowly along the deserted piazzas, + in turning sudden corners, again and again he paused, expecting that + something, some one, was approaching to meet him. When at last he mounted + his horse, that had neighed gleefully to see him, and rode away through + the avenue and along the empty ways among the untenanted summer cottages, + all the drearier and more forlorn because of the rain, he felt as if he + had left an aberration, some hideous dream, behind, instead of the stark + reality of the gaunt and vacant and dilapidated old house. + </p> + <p> + The transition to the glow and cheer of Sim Roxby's fireside was like a + rescue, a restoration. The smiling welcome in the women's eyes, their soft + drawling voices, with mellifluous intonations that gave a value to each + commonplace simple word, braced his nerves like a tonic. It might have + been only the contrast with the recollections of the night, with the + prospect visible through the open door—the serried lines of rain + dropping aslant from the gray sky and elusively outlined against the dark + masses of leafless woods that encircled the clearing; the dooryard half + submerged with puddles of a clay-brown tint, embossed always with myriads + of protruding drops of rain, for however they melted away the downpour + renewed them, and to the eye they were stationary, albeit pervaded with a + continual tremor—but somehow he was cognizant of a certain coddling + tenderness in the old woman's manner that might have been relished by a + petted child, an unaffected friendliness in the girl's clear eyes. They + made him sit close to the great wood fire; the blue and yellow flames + gushed out from the piles of hickory logs, and the bed of coals gleamed at + red and white heat beneath. They took his hat to carefully dry it, and + they spread out his cloak on two chairs at one side of the room, where it + dismally dripped. When he ventured to sneeze, Mrs. Roxby compounded and + administered a “yerb tea,” a sovereign remedy against colds, which he + tasted on compulsion and in great doubt, and swallowed with alacrity and + confidence, finding its basis the easily recognizable “toddy.” He had + little knowledge how white and troubled his face had looked as he came in + from the gray day, how strongly marked were those lines of sharp mental + distress, how piteously apparent was his mute appeal for sympathy and + comfort. + </p> + <p> + “Mill'cent,” said the old woman in the shed-room, as they washed and wiped + the dishes after the cozy breakfast of venison and corn-dodgers and honey + and milk, “that thar man hev run agin the law, sure's ye air born.” + </p> + <p> + Millicent turned her reflective fair face, that seemed whiter and more + delicate in the damp dark day, and looked doubtfully out over the fields, + where the water ran in steely lines in the furrows. + </p> + <p> + “Mus' hev been by accident or suthin'. <i>He</i> ain't no hardened + sinner.” + </p> + <p> + “Shucks!” the old woman commented upon her reluctant acquiescence. “I + ain't keerin' for the law! 'Tain't none o' my job. The tomfool men make + an' break it. Ennybody ez hev seen this war air obleeged to take note o' + the wickedness o' men in gineral. This hyer man air a sorter pitiful + sinner, an' he hev got a look in his eyes that plumb teches my heart. I + 'ain't got no call ter know nuthin' 'bout the law, bein' a 'oman an' + naterally ignorant. I dun'no' ez he hev run agin it.” + </p> + <p> + “Mus' hev been by accident,” said Millicent, dreamily, still gazing over + the sodden fields. + </p> + <p> + The suspicion did nothing to diminish his comfort or their cordiality. The + morning dragged by without change in the outer aspects. The noontide + dinner came and went without Roxby's return, for the report of the washing + away of a bridge some miles distant down the river had early called him + out to the scene of the disaster, to verify in his own interests the + rumor, since he had expected to haul his wheat to the settlement the + ensuing day. The afternoon found the desultory talk still in progress + about the fire, the old woman alternately carding cotton and nodding in + her chair in the corner; the dogs eying the stranger, listening much of + the time with the air of children taking instruction, only occasionally + wandering out-of-doors, the floor here and there bearing the damp imprint + of their feet; and Millicent on her knees in the other corner, the + firelight on her bright hair, her delicate cheek, her quickly glancing + eyes, as she deftly moulded bullets. + </p> + <p> + “Uncle Sim hed ter s'render his shootin'-irons,” she explained, “an' he + 'ain't got no ca'tridge-loadin' ones lef. So he makes out with his old + muzzle-loadin' rifle that he hed afore the war, an' I moulds his bullets + for him rainy days.” + </p> + <p> + As she held up a moulded ball and dexterously clipped off the surplus + lead, the gesture was so culinary in its delicacy that one of the dogs in + front of the fire extended his head, making a long neck, with a tentative + sniff and a glistening gluttonous eye. + </p> + <p> + “Ef I swallered enny mo' lead, I wouldn't take it hot, Towse,” she said, + holding out the bullet for canine inspection. “'Tain't healthy!” + </p> + <p> + But the dog, perceiving the nature of the commodity, drew back with a look + of deep reproach, rose precipitately, and with a drooping tail went out + skulkingly into the wet gray day. + </p> + <p> + “Towse can't abide a bullet,” she observed, “nor nuthin' 'bout a gun. He + got shot wunst a-huntin', an' he never furgot it. Jes show him a gun an' + he ain't nowhar ter be seen—like he war cotch up in the clouds.” + </p> + <p> + “Good watch-dog, I suppose,” suggested Dundas, striving to enter into the + spirit of her talk. + </p> + <p> + “Naw; too sp'ilt for a gyard-dog—granny coddled him so whenst he got + shot. He's jest vally'ble fur his conversation, I reckon,” she continued, + with a smile in her eyes. “I dun'no' what else, but he <i>is</i> toler'ble + good company.” + </p> + <p> + The other dogs pressed about her, the heads of the great hounds as high as + her own as she sat among them on the floor. With bright eyes and knitted + brows they followed the motions of pouring in the melted metal, the + lifting of the bullets from the mould, the clipping off of the surplus + lead, and the flash of the keen knife. + </p> + <p> + Outside the sad light waned; the wind sighed and sighed; the dreary rain + fell; the trees clashed their boughs dolorously together, and their + turbulence deadened the sound of galloping horses. As Dundas sat and gazed + at the girl's intent head, with its fleecy tendrils and its massive coil, + the great hounds beside her, all emblazoned by the firelight upon the + brown wall near by, with the vast fireplace at hand, the whole less like + reality than some artist's pictured fancy, he knew naught of a sudden + entrance, until she moved, breaking the spell, and looked up to meet the + displeasure in Roxby's eyes and the dark scowl on Emory Keenan's face. + </p> + <hr /> + <p> + That night the wind shifted to the north. Morning found the chilled world + still, ice where the water had lodged, all the trees incased in glittering + garb that followed the symmetry alike of every bough and the tiniest twig, + and made splendid the splintered remnants of the lightning-riven. The + fields were laced across from furrow to furrow, in which the frozen water + still stood gleaming, with white arabesques which had known a more humble + identity as stubble and crab-grass; the sky was slate-colored, and from + its sad tint this white splendor gained added values of contrast. When the + sun should shine abroad much of the effect would be lost in the too + dazzling glister; but the sun did not shine. + </p> + <p> + All day the gray mood held unchanged. Night was imperceptibly sifting down + upon all this whiteness, that seemed as if it would not be obscured, as if + it held within itself some property of luminosity, when Millicent, a white + apron tied over her golden head, improvising a hood, its superfluous + fulness gathered in many folds and pleats around her neck, fichu-wise, + stood beside the ice-draped fodder-stack and essayed with half-numbed + hands to insert a tallow dip into the socket of a lantern, all incrusted + and clumsy with previous drippings. + </p> + <p> + “I dun'no' whether I be a-goin' ter need this hyar consarn whilst milkin' + or no,” she observed, half to herself, half to Emory, who, chewing a + straw, somewhat surlily had followed her out for a word apart. “The dusk + 'pears slow ter-night, but Spot's mighty late comin' home, an' old Sue air + fractious an' contrairy-minded, and feels mighty anxious an' oneasy 'boutn + her calf, that's ez tall ez she is nowadays, an' don't keer no mo' 'bout + her mammy 'n a half-grown human does. I tell her she oughtn't ter be mad + with me, but with the way she brung up her chile, ez won't notice her + now.” + </p> + <p> + She looked up with a laugh, her eyes and teeth gleaming; her golden hair + still showed its color beneath the spotless whiteness of her voluminous + headgear, and the clear tints of her complexion seemed all the more + delicate and fresh in the snowy pallor of the surroundings and the + grayness of the evening. + </p> + <p> + “I reckon I'd better take it along,” and once more she addressed herself + to the effort to insert the dip into the lantern. + </p> + <p> + Emory hardly heard. His pulse was quick. His eye glittered. He breathed + hard as, with both hands in his pockets, he came close to her. + </p> + <p> + “Mill'cent,” he said, “I told ye the t'other day ez ye thunk a heap too + much o' that thar stran-ger-” + </p> + <p> + “An' I tole ye, bubby, that I didn't think nuthin' o' nobody but you-uns,” + she interrupted, with an effort to placate his jealousy. The little + jocularity which she affected dwindled and died before the steady glow of + his gaze, and she falteringly looked at him, her unguided hands futilely + fumbling with the lantern. + </p> + <p> + “Ye can't fool me,” he stoutly asseverated. “Ye think mo' o' him 'n o' me, + kase ye 'low he air rich, an' book-larned, an' smooth-fingered, an' + fini-fied ez a gal, an' goin' ter buy the hotel. I say, <i>hotel!</i> Now + <i>I'll</i> tell ye what he is—I'll tell ye! He's a criminal. He's + runnin' from the law. He's hidin' in the old hotel that he's purtendin' + ter buy.” + </p> + <p> + She stared wide-eyed and pallid, breathless and waiting. + </p> + <p> + He interpreted her expression as doubt, denial. + </p> + <p> + “It's gospel sure,” he cried. “Fur this very evenin' I met a gang o' men + an' the sheriff's deputy down yander by the sulphur spring 'bout sundown, + an' he 'lowed ez they war a-sarchin' fur a criminal ez war skulkin' round + hyarabout lately—ez they wanted a man fur hevin' c'mitted murder.” + </p> + <p> + “But ye didn't accuse <i>him</i>, surely; ye hed no right ter s'picion <i>him</i>. + Uncle Sim! Oh, my Lord! Ye surely wouldn't! Oh, Uncle Sim!” + </p> + <p> + Her tremulous words broke into a quavering cry as she caught his arm + convulsively, for his face confirmed her fears. She thrust him wildly + away, and started toward the house. + </p> + <p> + “Ye needn't go tattlin' on me,” he said, roughly pushing her aside. “I'll + tell Mr. Roxby myself. I ain't 'shamed o' what I done. I'll tell him. I'll + tell him myself.” And animated with this intention to forestall her + disclosure, his long strides bore him swiftly past and into the house. + </p> + <p> + It seemed to him that he lingered there only a moment or two, for Roxby + was not at the cabin, and he said nothing of the quarrel to the old woman. + Already his heart had revolted against his treachery, and then there came + to him the further reflection that he did not know enough to justify + suspicion. Was not the stranger furnished with the fullest credentials—a + letter to Roxby from the Colonel? Perhaps he had allowed his jealousy to + endanger the man, to place him in jeopardy even of his life should he + resist arrest. + </p> + <p> + Keenan tarried at the house merely long enough to devise a plausible + excuse for his sudden excited entrance, and then took his way back to the + barnyard. + </p> + <p> + It was vacant. The cows still stood lowing at the bars; the sheep cowered + together in their shed; the great whitened cone of the fodder-stack + gleamed icily in the purple air; beside it lay the lantern where Millicent + had cast it aside. She was gone! He would not believe it till he had run + to the barn, calling her name in the shadowy place, while the horse at his + manger left his corn to look over the walls of his stall with inquisitive + surprised eyes, luminous in the dusk. He searched the hen-house, where the + fowls on their perches crowded close because of the chill of the evening. + He even ran to the bars and looked down across the narrow ravine to which + the clearing sloped. Beyond the chasm-like gorge he saw presently on the + high ascent opposite footprints that had broken the light frostlike + coating of ice on the dead leaves and moss—climbing footprints, + swift, disordered. He looked back again at the lantern where Millicent had + flung it in her haste. Her mission was plain now. She had gone to warn + Dundas. She had taken a direct line through the woods. She hoped to + forestall the deputy sheriff and his posse, following the circuitous + mountain road. + </p> + <p> + Keenan's lip curled in triumph. His heart burned hot with scornful anger + and contempt of the futility of her effort. “They're there afore she + started!” he said, looking up at the aspects of the hour shown by the sky, + and judging of the interval since the encounter by the spring. Through a + rift in the gray cloud a star looked down with an icy scintillation and + disappeared again. He heard a branch in the woods snap beneath the weight + of ice. A light sprang into the window of the cabin hard by, and came in a + great gush of orange-tinted glow out into the snowy bleak wintry space. He + suddenly leaped over the fence and ran like a deer through the woods. + </p> + <p> + Millicent too had been swift. He had thought to overtake her before he + emerged from the woods into the more open space where the hotel stood. In + this quarter the cloud-break had been greater. Toward the west a fading + amber glow still lingered in long horizontal bars upon the opaque gray + sky. The white mountains opposite were hung with purple shadows borrowed + from a glimpse of sunset somewhere far away over the valley of East + Tennessee; one distant lofty range was drawn in elusive snowy suggestions, + rather than lines, against a green space of intense yet pale tint. The + moon, now nearing the full, hung over the wooded valley, and aided the ice + and the crust of snow to show its bleak, wan, wintry aspect; a tiny spark + glowed in its depths from some open door of an isolated home. Over it all + a mist was rising from the east, drawing its fleecy but opaque curtain. + Already it had climbed the mountain-side and advanced, windless, + soundless, overwhelming, annihilating all before and beneath it. The old + hotel had disappeared, save that here and there a gaunt gable protruded + and was withdrawn, showed once more, and once more was submerged. + </p> + <p> + A horse's head suddenly looking out of the enveloping mist close to his + shoulder gave him the first intimation of the arrival, the secret silent + waiting, of those whom he had directed hither. That the saddles were empty + he saw a moment later. The animals stood together in a row, hitched to the + rack. No disturbance sounded from the silent building. The event was in + abeyance. The fugitive in hiding was doubtless at ease, unsuspecting, + while the noiseless search of the officers for his quarters was under way. + </p> + <p> + With a thrill of excitement Keenan crept stealthily through an open + passage and into the old grass-grown spaces of the quadrangle. Night + possessed the place, but the cloud seemed denser than the darkness. He was + somehow sensible of its convolutions as he stood against the wall and + strained his eyes into the dusk. Suddenly it was penetrated by a + milky-white glimmer, a glimmer duplicated at equidistant points, each + fading as its successor sprang into brilliance. The next moment he + understood its significance. It had come from the blurred windows of the + old ball-room. Milli-cent had lighted her candle as she searched for the + fugitive's quarters; she was passing down the length of the old house on + the second story, and suddenly she emerged upon the gallery. She shielded + the feeble flicker with her Hand; her white-hooded head gleamed as with an + aureola as the divergent rays rested on the opaque mist; and now and again + she clutched the baluster and walked with tremulous care, for the flooring + was rotten here and there, and ready to crumble away. Her face was pallid, + troubled; and Dundas, who had been warned by the tramp of horses and the + tread of men, and who had descended the stairs, revolver in hand, ready to + slip away if he might under cover of the mist, paused appalled, gazing + across the quadrangle as on an apparition—the sight so familiar to + his senses, so strange to his experience. He saw in an abrupt shifting of + the mist that there were other figures skulking in doorways, watching her + progress. The next moment she leaned forward to clutch the baluster, and + the light of the candle fell full on Emory Keenan, lurking in the open + passage. A sudden sharp cry of “Surrender!” The young mountaineer, + confused, swiftly drew his pistol. Others were swifter still. A sharp + report rang out into the chill crisp air, rousing all the affrighted + echoes—a few faltering steps, a heavy fall, and for a long time + Emory Keenan's life-blood stained the floor of the promenade. Even when it + had faded, the rustic gossips came often and gazed at the spot with morbid + interest, until, a decade later, an enterprising proprietor removed the + floor and altered the shape of that section of the building out of + recognition. + </p> + <p> + The escape of Dundas was easily effected. The deputy sheriff, confronted + with the problem of satisfactorily accounting for the death of a man who + had committed no offence against public polity, was no longer formidable. + His errand had been the arrest of a horse-thief, well-known to him, and he + had no interest in pursuing a fugitive, however obnoxious to the law, + whose personal description was so different from that of the object of his + search. + </p> + <p> + Time restored to Dundas his former place in life and the esteem of his + fellow-citizens. His stay in the mountains was an episode which he will + not often recall, but sometimes volition fails, and he marvels at the + strange fulfilment of the girl's vision; he winces to think that her + solicitude for his safety should have cost her her lover; he wonders + whether she yet lives, and whether that tender troubled phantom, on nights + when the wind is still and the moon is low and the mists rise, again joins + the strange, elusive, woful company crossing the quaking foot-bridge. + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + +***** This file should be named 23630-h.htm or 23630-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/6/3/23630/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/23630-h/images/006.jpg b/23630-h/images/006.jpg Binary files differnew file mode 100644 index 0000000..75876f6 --- /dev/null +++ b/23630-h/images/006.jpg diff --git a/23630-h/images/025.jpg b/23630-h/images/025.jpg Binary files differnew file mode 100644 index 0000000..27092b0 --- /dev/null +++ b/23630-h/images/025.jpg diff --git a/23630.txt b/23630.txt new file mode 100644 index 0000000..7607818 --- /dev/null +++ b/23630.txt @@ -0,0 +1,1937 @@ +The Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Phantoms Of The Foot-Bridge + 1895 + +Author: Charles Egbert Craddock (AKA Mary Noailles Murfree) + +Illustrator: A. B. Frost + +Release Date: November 26, 2007 [EBook #23630] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + + + + +Produced by David Widger + + + + + + +THE PHANTOMS OF THE FOOT-BRIDGE + +By Charles Egbert Craddock + +1895 + + +Across the narrow gorge the little foot-bridge stretched-a brace of +logs, the upper surface hewn, and a slight hand-rail formed of a cedar +pole. A flimsy structure, one might think, looking down at the dark and +rocky depths beneath, through which flowed the mountain stream, swift +and strong, but it was doubtless substantial enough for all ordinary +usage, and certainly sufficient for the imponderable and elusive +travellers who by common report frequented it. + +"We ain't likely ter meet nobody. Few folks kem this way nowadays, +'thout it air jes' ter ford the creek down along hyar a piece, sence +harnts an' sech onlikely critters hev been viewed a-crossin' the +foot-bredge. An' it hev got the name o' bein' toler'ble onlucky, too," +said Roxby. + +His interlocutor drew back slightly. He had his own reasons to recoil +from the subject of death. For him it was invested with a more immediate +terror than is usual to many of the living, with that flattering +persuasion of immortality in every strong pulsation repudiating all +possibility of cessation. Then, lifting his gloomy, long-lashed eyes to +the bridge far up the stream, he asked, "Whose 'harms?" + +His voice had a low, repressed cadence, as of one who speaks seldom, +grave, even melancholy, and little indicative of the averse interest +that had kindled in his sombre eyes. In comparison the drawl of the +mountaineer, who had found him heavy company by the way, seemed imbued +with an abnormal vivacity, and keyed a tone or two higher than was its +wont. + +"Thar ain't a few," he replied, with a sudden glow of the pride of the +cicerone. "Thar's a graveyard t'other side o' the gorge, an' not more +than a haffen-mile off, an' a cornsider'ble passel o' folks hev +been buried thar off an' on, an' the foot-bredge ain't in nowise +ill-convenient ter them." + +Thus demonstrating the spectral resources of the locality, he rode his +horse well into the stream as he spoke, and dropped the reins that the +animal's impatient lips might reach the water. He sat fac-, ing the +foot-bridge, flecked with the alternate shifting of the sunshine and the +shadows of the tremulous firs that grew on either side of the high +banks on the ever-ascending slope, thus arching both above and below +the haunted bridge. His companion had joined him in the centre of +the stream; but while the horses drank, the stranger's eyes were +persistently bent on the concentric circles of the water that the +movement of the animals had set astir in the current, as if he feared +that too close or curious a gaze might discern some pilgrim, whom he +cared not to see, traversing that shadowy quivering foot-bridge. He +was mounted on a strong, handsome chestnut, as marked a contrast to his +guide's lank and trace-galled sorrel as were the two riders. A slender +gloved hand had fallen with the reins to the pommel of the saddle. His +soft felt hat, like a sombrero, shadowed his clear-cut face. He was +carefully shaven, save for a long drooping dark mustache and imperial. +His suit of dark cloth was much concealed by a black cloak, one end of +which thrown back across his shoulder showed a bright blue lining, the +color giving a sudden heightening touch to his attire, as if he were "in +costume." It was a fleeting fashion of the day, but it added a certain +picturesqueness to a horseman, and seemed far enough from the times +that produced the square-tailed frock-coat which the mountaineer wore, +constructed of brown jeans, the skirts of which stood stiffly out on +each side of the saddle, and gave him, with his broad-brimmed hat, a +certain Quakerish aspect. + +"I dun'no' why folks be so 'feared of 'em," Rox-by remarked, +speculatively. "The dead ain't so oncommon, nohow. Them ez hev been +in the war, like you an' me done, oughter be in an' 'bout used ter +corpses-though I never seen none o' 'em afoot agin. Lookin' at a smit +field o' battle, arter the rage is jes' passed, oughter gin a body a +realizin' sense how easy the sperit kin flee, an' what pore vessels fur +holdin' the spark o' life human clay be." + +Simeon Roxby had a keen, not unkindly face, and he had that look of +extreme intelligence which is entirely distinct from intellectuality, +and which one sometimes sees in a minor degree in a very clever dog or a +fine horse. One might rely on him to understand instinctively everything +one might say to him, even in its subtler aesthetic values, although he +had consciously learned little. He was of the endowed natures to whom +much is given, rather than of those who are set to acquire. He had +many lines in his face-even his simple life had gone hard with him, its +sorrows un assuaged by its simplicity. His hair was grizzled, and hung +long and straight on his collar. He wore a grizzled beard cut broad and +short. His boots had big spurs, although the lank old sorrel had never +felt them. He sat his horse like the cavalryman he had been for four +years of hard riding and raiding, but his face had a certain gentleness +that accented the Quaker-like suggestion of his garb, a look of +communing with the higher things. + +"I never blamed 'em,'" he went on, evidently reverting to the spectres +of the bridge-"I never blamed 'em for comin' back wunst in a while. It +'pears ter me 'twould take me a long time ter git familiar with heaven, +an' sociable with them ez hev gone before. An', my Lord, jes' think what +the good green yearth is! Leastwise the mountings. I ain't settin' store +on the valley lands I seen whenst I went ter the wars. I kin remember +yit what them streets in the valley towns smelt like." + +He lifted his head, drawing a long breath to inhale the exquisite +fragrance of the fir, the freshness of the pellucid water, the aroma of +the autumn wind, blowing through the sere leaves still clinging red and +yellow to the boughs of the forest. + +"Naw, I ain't blamin' 'em, though I don't hanker ter view 'em," he +resumed. "One of 'em I wouldn't be afeard of, though. I feel mighty +sorry fur her. The old folks used ter tell about her. A young 'oman she +war, a-crossin' this bredge with her child in her arms. She war young, +an' mus' have been keerless, I reckon; though ez 'twar her fust baby, +she moightn't hev been practised in holdin' it an' sech, an' somehows +it slipped through her arms an' fell inter the ruver, an' war killed in +a minit, dashin' agin the rocks. She jes' stood fur a second a-screamin' +like a wild painter, an' jumped off'n the bredge arter it. She got it +agin; for when they dragged her body out'n the ruver she hed it in her +arms too tight fur even death ter onloose. An' thar they air together in +the buryin'-ground." + +He gave a nod toward the slope of the mountain that intercepted the +melancholy view of the graveyard. + +"Got it yit!" he continued; "bekase" (he lowered his voice) "on windy +nights, whenst the moon is on the wane, she is viewed kerryin' the baby +along the bredge--kerryin' it clear over, _safe an' sound_, like she +thought she oughter done, I reckon, in that one minute, whilst she stood +an' screamed an' surveyed what she hed done. That child would hev been +nigh ter my age ef he hed lived." + +Only the sunbeams wavered athwart the bridge now as the firs swayed +above, giving glimpses of the sky, and their fibrous shadows flickered +back and forth. The wild mountain stream flashed white between the brown +bowlders, and plunged down the gorge in a succession of cascades, each +seeming more transparently green and amber and brown than the other. The +chestnut horse gazed meditatively at these limpid out-gushings, having +drunk his fill; then thought better of his moderation, and once more +thrust his head down to the water. The hand of his rider, which had +made a motion to gather up the reins, dropped leniently on his neck, as +Simeon Roxby spoke again: + +"Several--several others hev been viewed, actin' accordin' ter thar +motions in life. Now thar war a peddler--some say he slipped one icy +evenin', 'bout dusk in winter--some say evil ones waylaid him fur his +gear an' his goods in his pack, but the settlemint mostly believes +he war alone whenst he fell. His pack 'pears ter be full still, they +say--but ye air 'bleeged ter know he hev hed ter set that pack down fur +good 'fore this time. We kin take nuthin' out'n this world, no matter +what kind o' a line o' goods we kerry in life. Heaven's no place fur +tradin', I understan', an' I _do_ wonder sometimes how in the worl' them +merchants an' sech in the valley towns air goin' ter entertain tharse'fs +in the happy land o' Canaan. It's goin' ter be sorter bleak fur them, +sure's ye air born." + +With a look of freshened recollection, he suddenly drew a plug of +tobacco from his pocket, and he talked on even as he gnawed a piece from +it. + +"Durin' the war a cavalry-man got shot out hyar whilst runnin' 'crost +that thar foot-bredge. Thar hed been a scrimmage an' his horse war kilt, +an' he tuk ter the bresh on foot, hopin' ter hide in the laurel. But ez +he war crossin' the foot-bredge some o' the pursuin' party war fordin' +the ruver over thar, an' thinkin' he'd make out ter escape they fired +on him, jes' ez the feller tried ter surrender. He turned this way an' +flung up both arms--but thar's mighty leetle truce in a pistol-ball. +That minute it tuk him right through the brain. Seems toler'ble long +range fur a pistol, don't it? He kin be viewed now most enny moonlight +night out hyar on the foot-bredge, throwin' up both hands in sign of +surrender." + +The wild-geese were a-wing on the way southward. Looking up to that +narrow section of the blue sky which the incision of the gorge into +the very depths of the woods made visible, he could see the tiny files +deploying along the azure or the flecking cirrus, and hear the vague +clangor of their leader's cry. He lifted his head to mechanically follow +their flight. Then, as his eyes came back to earth, they rested again on +the old bridge. + +"Strange enough," he said, suddenly, "the sker-riest tale I hev ever +hearn 'bout that thar old bredge is one that my niece set a-goin'. She +_seen_ the harnt _herself_, an' it shakes me wuss 'n the idee o' all the +rest." + +His companion's gloomy gaze was lifted for a moment with an expression +of inquiry from the slowly widening circles of the water about the +horse's head as he drank. But Roxby's eyes, with a certain gleam of +excitement, a superstitious dilation, still dwelt upon the bridge at +the end of the upward vista. He went on merely from the impetus of the +subject. "Yes, sir--she _seen_ it a-pacin' of its sorrowful way acrost +that bredge, same ez the t'others of the percession o' harnts. 'Twar +my niece, Mill'cent--brother's darter--by name, Mill'cent Roxby. Waal, +Mill'cent an' a lot o' young fools o' her age--little over fryin' +size--they 'tended camp-meetin' down hyar on Tomahawk Creek--'tain't +so long ago--along with the old folks. An' 'bout twenty went huddled up +tergether in a road-wagin. An', lo! the wagin it bruk down on the way +home, an' what with proppin' it up on a crotch, they made out ter reach +the cross-roads over yander at the Notch, an' thar the sober old folks +called a halt, an' hed the wagin mended at the blacksmith-shop. Waal, it +tuk some two hours, fur Pete Rodd ain't a-goin' ter hurry hisself--in my +opinion the angel Gabriel will hev ter blow his bugle oftener'n wunst +at the last day 'fore Pete Rodd makes up his mind ter rise from the +dead an' answer the roll-call--an' this hyar young lot sorter found it +tiresome waitin' on thar elders' solemn company. The old folks, whilst +waitin', set outside on the porches of the houses at the settlemint, +an' repeated some o' the sermons they hed hearn at camp, an' more'n one +raised a hyme chune. An' the young fry--they hed hed a steady diet o' +sermons an' hyme chunes fur fower days--they tuk ter stragglin' off +down the road, two an' two, like the same sorter id jits the world over, +leavin' word with the old folks that the wagin would overtake 'em an' +pick 'em up on the road when it passed. Waal, they walked several mile, +an' time they got ter the crest o' the hill over yander the moon hed +riz, an' they could look down an' see the mist in the valley. The +moon war bright in the buryin'-groun' when they passed it, an' the +head-boards stood up white an' stiff, an' a light frost hed fell on the +mounds, an' they showed plain, an' shone sorter lonesome an' cold. +The young folks begun ter look behind em' fur the wagin. Some said--I +b'lieve 'twar Em'ry Keen an--they could read the names on the boards +plain, 'twar so light, the moon bein' nigh the full: but Em'ry never +read nuthin' at night by the moon in his life; he ain't enny too capable +o' wrastlin' with the alphabet with a strong daytime on his book ter +light him ter knowledge. An' the shadows war black an' still, an' all +the yearth looked ez ef nuthin' lived nor ever would agin, an' they +hearn a wolf howl. Waal, that disaccommodated the gals mightily, an' +they hed a heap more interes' in that old wagin, all smellin' rank with +wagin-grease an' tar, than they did in thar lovyers; an' they hed ruther +hev hearn that old botch of a wheel that Pete Rodd hed set onto it com +in' a-creakin' an' a-com-plainin' along the road than the sweetest words +them boys war able ter make up or remember. So they stood thar in the +road--a-stare-gazin' them head-boards, like they expected every grave +ter open an' the reveilly ter sound--a-waitin' ter be overtook by the +wagin, a-listenin', but hearin' nuthin' in the silence o' the frost--not +a dead leaf a-twirlin', nor a frozen blade o' grass astir. An' then +two or three o' the gals 'lowed they hed ruther walk back ter meet the +wagin, an' whenst the boys 'lowed ter go on--nuthin' war likely ter +ketch 'em--one of 'em bust out a-cryin'. Waal, thar war the eend o' that +much! So the gay party set out on the back track, a-keepin' step +ter sobs an' sniffles, an' that's how kem _they_ seen no harnt. But +Mill'-cent an' three or four o' the t'others 'lowed they'd go on. They +warn't two mile from home, an' full five from the cross-roads. So Em'ry +Keenan--he hev been waitin' on her sence the year one--so he put his +skeer in his pocket an' kem along with her, a-shakin' in his shoes, I'll +be bound! So down the hill in the frosty moonlight them few kem--purty +nigh beat out, I reckon, Mill'cent war, what with the sermonizin' an' +the hyme-singin' an' hevin' ter look continual at the sheep's-eyes o' +Em'ry Keenan--he wears my patience ter the bone! So she concluded ter +take the short-cut. An' Em'ry he agreed. So they tuk the lead, the rest +a following an' kem down thar through all that black growth"--he lifted +his arm and pointed at the great slope, dense with fir and pine and the +heavy underbrush--"keepin' the bridle-path--easy enough even at night, +fur the bresh is so thick they couldn't lose thar way. But the moonlight +war mightily slivered up, fallin' through the needles of the pines an' +the skeins of dead vines, an' looked bleached and onnatural, an' holped +the dark mighty leetle. An' they seen the water a-shinin' an' a-plungin' +down the gorge, an' the glistenin' of the frost on the floor o' the +bredge. Thar war a few icicles on the hand-rail, an' the branches o' the +firs hung ez still ez death; only that cold, racin', shoutin', jouncin' +water moved. Jes ez they got toler'ble nigh the foot-bredge a sudden +cloud kem over the face o' the sky. Thar warn't no wind on the yearth, +but up above the air war a-stirrin'. An' Em'ry he 'lowed Mill'cent +shouldn't cross the foot-bredge whilst the light warn't clar--I wonder +the critter hed that much sense! An' she jes' drapped down on that rock +thar ter rest"--he pointed up the slope to a great fragment that had +broken off from the ledges and lay near the bank: the bulk of the mass +was overgrown with moss and lichen, but the jagged edges of the recent +fracture gleamed white and crystalline among the brown and olive-green +shadows about it. A tree was close beside it. "Agin that thar pine trunk +Em'ry he stood an' leaned. The rest war behind, a-comin' down the +hill. An' all of a suddenty a light fell on the furder eend o' +the foot-bredge--a waverin' light, mighty white an' misty in the +darksomeness. Mill'cent 'lowed ez fust she thunk it war the moon. An' +lookin' up, she seen the cloud; it held the moon close kivered. An' +lookin' down, she seen the light war movin'--movin' from the furder eend +o' the bredge, straight acrost it. Sometimes a hand war held afore it, +ez ef ter shield it from the draught, an' then Mill'cent 'seen twar a +candle, an' the white in the mistiness war a 'oman wearin' white an' +carryn' it. + +[Illustration: The Phantom of the Foot-bridge 025] + +Lookin' ter right an' then ter lef the 'oman kem, with now her right +hand shieldin' the candle she held, an' now layin' it on the hand-rail. +The candle shone on the water, fur it didn't flare, an' when the 'oman +held her hand before it the light made a bright spot on the foot-bredge +an' in the dark air about her, an' on the fir branches over her head. +An' a thin mist seemed to hang about her white frock, but not over her +face, fur when she reached the middle o' the foot-bredge she laid her +hand agin on the rail, an' in the clear light o' the candle Mill'cent +seen the harnt's face. An' thar she beheld her own face; _her own +face_ she looked upon ez she waited thar under the tree watchin' the +foot-bredge; _her own face_ pale an' troubled; her own self dressed in +white, crossin' the foot-bredge, an' lightin' her steps with a corpse's +candle." He drew up the reins abruptly. He seemed in sudden haste to go. +His companion looked with deepening interest at the bridge, although he +followed his guide's surging pathway to the opposite bank. As the two +dripping horses struggled up the steep incline he asked, "Did the man +with her see the manifestation also?" + +"He _'lows_ he did," responded Roxby, equivocally. "But when Mill'cent +fust got so she could tell it, 'peared ter me ez Em'ry Keen an fund it +ez much news ez the rest o' we-uns. Mill'cent jes' drapped stone-dead, +accordin' ter all accounts, an' he an' the t'other young folks flung +water in her face till she kem out'n her faint; an' jes' then they hearn +the wagin a-rattlin' along the road, an' they stopped it an' fetched her +home in it. She never told the tale till she war home, an' it skeered +me an' my mother powerful, fur Mill'cent is all the kin we hev got. +Mill'cent is gran'daddy an' gran'mam-my, sons an' daughters, uncles an' +aunts, cousins, nieces, an' nephews, all in one. The only thing I ain't +pervided with is a nephew-in-law, an' I don't need him. Leastwise I +ain't lookin' fur Em'ry Keenan jes' at present." + +The pace was brisker when the two horses, bending their strength +sturdily to the task, had pressed up the massive slope from the deep +cleft of the gorge. As the road curved about the outer verge of the +mountain, the valley far beneath came into view, with intersecting +valleys and transverse ranges, dense with the growths of primeval +wildernesses, and rugged with the tilted strata of great upheavals, and +with chasms cut in the solid rock by centuries of erosion, traces +of some remote cataclysmal period, registering thus its throes and +turmoils. The blue sky, seen beyond a gaunt profile of one of the +farther summits that defined its craggy serrated edge against the +ultimate distances of the western heavens, seemed of a singularly suave +tint, incongruous with the savagery of the scene, which clouds and +portents of storm might better have befitted. The little graveyard, +which John Dundas discerned with recognizing eyes, albeit they had never +before rested upon it, was revealed suddenly, lying high on the opposite +side of the gorge. No frost glimmered now on the lowly mounds; the +flickering autumnal sunshine loitered unafraid among them, according +to its languid wont for many a year. Shadows of the gray un-painted +head-boards lay on the withered grass, brown and crisp, with never +a cicada left to break the deathlike silence. A tuft of red leaves, +vagrant in the wind, had been caught on one of the primitive monuments, +and swayed there with a decorative effect. The enclosure seemed, to +unaccustomed eyes, of small compass, and few the denizens who had found +shelter here and a resting-place, but it numbered all the dead of the +country-side for many a mile and many a year, and somehow the loneliness +was assuaged to a degree by the reflection that they had known each +other in life, unlike the great herds of cities, and that it was a +common fate which the neighbors, huddled together, encountered in +company. + +It had no discordant effect in the pervasive sense of gloom, of mighty +antagonistic forces with which the scene was replete; it fostered a +realization of the pitiable minuteness and helplessness of human nature +in the midst of the vastness of inanimate nature and the evidences of +infinite lengths of forgotten time, of the long reaches of unimagined +history, eventful, fateful, which the landscape at once suggested and +revealed and concealed. + +Like the sudden flippant clatter of castanets in the pause of some +solemn funeral music was the impression given by the first glimpse along +the winding woodland way of a great flimsy white building, with its +many pillars, its piazzas, its "observatory," its band-stand, its garish +intimations of the giddy, gay world of a summer hotel. But, alack! it, +too, had its surfeit of woe. + +"The guerrillas an' bushwhackers tuk it out on the old hotel, sure!" +observed Sim Roxby, by way of introduction. "Thar warn't much fightin' +hyar-abouts, an' few sure-enough soldiers ever kem along. But wunst in a +while a band o' guerrillas went through like a suddint wind-storm, an' +I tell ye they made things whurl while they war about it. They made a +sorter barracks o' the old place. Looks some like lightning hed struck +it." + +He had reined up his horse about one hundred yards in front of the +edifice, where the weed-grown gravelled drive--carefully tended ten +years agone--had diverged from the straight avenue of poplars, sweeping +in a circle around to the broad flight of steps. + +"Though," he qualified abruptly, as if a sudden thought had struck +him, "ef ye air countin' on buyin' it, a leetle money spent ter keerful +purpose will go a long way toward makin' it ez good ez new." + +His companion did not reply, and for the first time Roxby cast upon him +a covert glance charged with the curiosity which would have been earlier +and more easily aroused in another man by the manner of the stranger. A +letter--infrequent missive in his experience--had come from an ancient +companion-in-arms, his former colonel, requesting him in behalf of a +friend of the old commander to repair to the railway station, thirty +miles distant, to meet and guide this prospective purchaser of the old +hotel to the site of the property. And now as Roxby looked at him the +suspicion which his kind heart had not been quick to entertain was +seized upon by his alert brain. + +"The cunnel's been fooled somehows," he said to himself. + +For the look with which John Dundas contemplated the place was not the +gaze of him concerned with possible investment--with the problems of +repair, the details of the glazier and the painter and the plasterer. +The mind was evidently neither braced for resistance nor resigned to +despair, as behooves one smitten by the foreknowledge of the certainty +of the excess of the expenditures over the estimates. Only with pensive, +listless melancholy, void of any intention, his eyes traversed the +long rows of open doors, riven by rude hands from their locks, swinging +helplessly to and fro in the wind, and giving to the deserted and +desolate old place a spurious air of motion and life. Many of the +shutters had been wrenched from their hinges, and lay rotting on the +floors. The ball-room windows caught on their shattered glass the +reflection of the clouds, and it seemed as if here and there a wan face +looked through at the riders wending along the weed-grown path. Where so +many faces had been what wonder that a similitude should linger in the +loneliness! The pallid face seemed to draw back as they glanced up while +slowly pacing around the drive. A rabbit sitting motionless on the front +piazza did not draw back, although observing them with sedate eyes as +he poised himself upright on his haunches, with his listless fore-paws +suspended in the air, and it occurred to Dundas that he was probably +unfamiliar with the presence of human beings, and had never heard the +crack of a gun. A great swirl of swallows came soaring out of the big +kitchen chimneys and circled in the sky, darting down again and again +upward. Through an open passage was a glimpse of a quadrangle, with its +weed-grown spaces and litter of yellow leaves. A tawny streak, a red +fox, sped through it as Dundas looked. A half-moon, all a-tilt, hung +above it. He saw the glimmer through the bare boughs of the leafless +locust-trees here and there still standing, although outside on the lawn +many a stump bore token how ruthlessly the bushwhackers had furnished +their fires. + +"That thar moon's a-hangin' fur rain," said the mountaineer, commenting +upon the aspect of the luminary, which he, too, had noticed as they +passed. "I ain't s'prised none ef we hev fallin' weather agin 'fore +day, an' the man--by name Morgan Holden--that hev charge o' the hotel +property can't git back fur a week an' better." + +A vague wonder to find himself so suspicious flitted through his mind, +with the thought that perhaps the colonel might have reckoned on this +delay. "Surely the ruvers down yander at Knoxville mus' be a-boomin', +with all this wet weather," he said to himself. + +Then aloud: "Morgan Holden he went ter Col-bury ter 'tend ter some +business in court, an' the ruvers hev riz so that, what with the bredges +bein' washed away an' the fords so onsartain an' tricky, he'll stay till +the ruver falls. He don't know ye war kemin', ye see. The mail-rider hev +quit, 'count o' the rise in the ruver, an' thar's no way ter git word +ter him. Still, ef ye air minded ter wait, I'll be powerful obligated +fur yer comp'ny down ter my house till the ruver falls an' Holden he +gits back." + +The stranger murmured his obligations, but his eyes dwelt lingeringly +upon the old hotel, with its flapping doors and its shattered windows. +Through the recurrent vistas of these, placed opposite in the rooms, +came again broken glimpses of the grassy space within the quadrangle, +with its leafless locust-trees, first of all to yield their foliage to +the autumn wind, where a tiny owl was shrilling stridulously under the +lonely red sky and the melancholy moon. + +"Hed ye 'lowed ter, put up at the old hotel?" asked Roxby, some inherent +quickness supplying the lack of a definite answer. + +For the first time the stranger turned upon him a look more expressive +than the casual fragmentary attention with which he had half heeded, +half ignored his talk since their first encounter at the railway +station. + +"A simple fellow, but good as gold," was the phrase with which Simeon +Roxby had been commended as guide and in some sort guard. + +"Not so simple, perhaps," the sophisticated man thought as their eyes +met. Not so simple but that the truth must serve. "The colonel suggested +that it might be best," he replied, more alert to the present moment +than his languid preoccupation had heretofore permitted. + +The answer was good as far as it went. A few days spent in the old +hostelry certainly would serve well to acquaint the prospective +purchaser with its actual condition and the measures and means needed +for its repair; but as Sim Roxby stood there, with the cry of the owl +shrilling in the desert air, the lonely red sky, the ominous tilted +moon, the doors drearily flapping to and fro as the wind stole into the +forlorn and empty place and sped back affrighted, he marvelled at the +refuge contemplated. + +"I believe there is some of the furniture here yet. We could contrive to +set up a bed from what is left. The colonel could make it all right with +Holden, and I could stay a day or two, as we originally planned." + +"Ye-es. I don't mind Holden: a man ain't much in charge of a place ez +ain't got a lock or a key ter bless itself with, an' takes the owel an' +the fox an' the gopher fur boarders; but, ennyhow, kem with me home ter +supper. Mill'cent will hev it ready by now ennyhows, an' ye need suthin' +hearty an' hot ter stiffen ye up ter move inter sech quarters ez these." +Dundas hesitated, but the mountaineer had already taken assent for +granted, and pushed his horse into a sharp trot. Evidently a refusal was +not in order. Dundas pressed forward, and they rode together along the +winding way past the ten-pin alley, its long low roof half hidden in the +encroaching undergrowth springing up apace beneath the great trees; past +the stables; past a line of summer cottages, strangely staring of aspect +out of the yawning doors and windows, giving, instead of an impression +of vacancy, a sense of covert watching, of secret occupancy. If one's +glances were only quick enough, were there not faces pressed to those +shattered panes--scarcely seen--swiftly withdrawn? + +He was in a desert; he had hardly been so utterly alone in all his life; +yet he bore through the empty place a feeling of espionage, and ever +and anon he glanced keenly at the overgrown lawns, with their deepening +drifts of autumn leaves, at the staring windows and flaring doors, which +emitted sometimes sudden creaking wails in the silence, as if he sought +to assure himself of the vacancy of which his mind took cognizance and +yet all his senses denied. + +Little of his sentiment, although sedulously cloaked, was lost on Sim +Roxby; and he was aware, too, in some subtle way, of the relief his +guest experienced when they plunged into the darkening forest and left +the forlorn place behind them. The clearing in which it was situated +seemed an oasis of light in the desert of night in which the rest of +the world lay. From the obscurity of the forest Dundas saw, through the +vistas of the giant trees, the clustering cottages, the great hotel, +gables and chimneys and tower, stark and distinct as in some weird +dream-light in the midst of the encircling gloom. The after-glow of +sunset was still aflare on the western windows; the whole empty place +was alight with a reminiscence of its old aspect--its old gay life. Who +knows what memories were a-stalk there--what semblance of former times? +What might not the darkness foster, the impunity of desertion, the +associations that inhabited the place with almost the strength of human +occupancy itself? Who knows--who knows? + +He remembered the scene afterward, the impression he received. And from +this, he thought, arose his regret for his decision to take up here his +abiding-place. + +The forest shut out the illumined landscape, and the night seemed indeed +at hand; the gigantic boles of the trees loomed through the encompassing +gloom, that was yet a semi-transparent medium, like some dark but clear +fluid through which objects were dimly visible, albeit tinged with its +own sombre hue. The lank, rawboned sorrel had set a sharp pace, to +which the chestnut, after momentary lagging, as if weary with the day's +travel, responded briskly. He had received in some way intimations that +his companion's corn-crib was near at hand, and if he had not deduced +from these premises the probability of sharing his fare, his mental +processes served him quite as well as reason, and brought him to the +same result. On and on they sped, neck and neck, through the darkening +woods; fire flashed now and again from their iron-shod hoofs; often +a splash and a shower of drops told of a swift dashing through the +mud-holes that recent rains had fostered in the shallows. The dank odor +of dripping boughs came on the clear air. Once the chestnut shied from a +sudden strange shining point springing up in the darkness close at +hand, which the country-bred horse discriminated as fox-fire, and +kept steadily on, unmindful of the rotting log where it glowed. Far in +advance, in the dank depths of the woods, a Will-o'-the-wisp danced and +flickered and lured the traveller's eye. The stranger was not sure of +the different quality of another light, appearing down a vista as the +road turned, until the sorrel, making a tremendous spurt, headed for it, +uttering a joyous neigh at the sight. + +The deep-voiced barking of hounds rose melodiously on the silence, +and as the horses burst out of the woods into a small clearing, Dundas +beheld in the brighter light a half-dozen of the animals nimbly afoot in +the road, one springing over the fence, another in the act of climbing, +his fore-paws on the topmost rail, his long neck stretched, and his head +turning about in attitudes of observation. He evidently wished to assure +himself whether the excitement of his friends was warranted by the facts +before he troubled himself to vault over the fence. Three or four still +lingered near the door of a log-cabin, fawning about a girl who stood on +the porch. Her pose was alert, expectant; a fire in the dooryard, where +the domestic manufacture of soap had been in progress, cast a red flare +on the house, its appurtenances, the great dark forest looming all +around, and, more than the glow of the hearth within, lighted up the +central figure of the scene. She was tall, straight, and strong; a +wealth of fair hair was clustered in a knot at the back of her head, and +fleecy tendrils fell over her brow; on it was perched a soldier's-cap; +and certainly more gallant and fearless eyes had never looked out from +under the straight, stiff brim. Her chin, firm, round, dimpled, was +uplifted as she raised her head, descrying the horsemen's approach. She +wore a full dark-red skirt, a dark brown waist, and around her neck +was twisted a gray cotton kerchief, faded to a pale ashen hue, the +neutrality of which somehow aided the delicate brilliancy of the +blended roseate and pearly tints of her face. Was this the seer of +ghosts--Dundas marvelled--this the Millicent whose pallid and troubled +phantom already-paced the foot-bridge? + +He did not realize that he had drawn up his horse suddenly at the sight +of her, nor did he notice that his host had dismounted, until Roxby was +at the chestnut's head, ready to lead the animal to supper in the barn. +His evident surprise, his preoccupation, were not lost upon Roxby, +however. His hand hesitated on the girth of the chestnut's saddle when +he stood between the two horses in the barn. He had half intended to +disregard the stranger's declination of his invitation, and stable the +creature. Then he shook his head slowly; the mystery that hung about the +new-comer was not reassuring. "A heap o' wuthless cattle 'mongst them +valley men," he said; for the war had been in some sort an education to +his simplicity. "Let him stay whar the cunnel expected him ter stay. I +ain't wantin' no stranger a-hangin' round about Mill'cent, nohow. Em'ry +Keenan ain't a pattern o' perfection, but I be toler'ble well acquainted +with the cut o' his foolishness, an' I know his daddy an' mammy, an' +both sets o' gran'daddies an' gran'mammies, an' I could tell ye exac'ly +which one the critter got his nose an' his mouth from, an' them lean +sheep's-eyes o' his'n, an' nigh every tone o' his voice. Em'ry never +thunk afore ez I set store on bein' acquainted with him. He 'lowed I +knowed him _too_ well." + +He laughed as he glanced through the open door into the darkening +landscape. Horizontal gray clouds were slipping fast across the pearly +spaces of the sky. The yellow stubble gleamed among the brown earth +of the farther field, still striped with its furrows. The black forest +encircled the little cleared space, and a wind was astir among the +tree-tops. A white star gleamed through the broken clapboards of the +roof, the fire still flared under the soap-kettle in the dooryard, and +the silence was suddenly smitten by a high cracked old voice, which told +him that his mother had perceived the dismounted stranger at the gate, +and was graciously welcoming him. + +She had come to the door, where the girl still stood, but half withdrawn +in the shadow. Dundas silently bowed as he passed her, following his +aged hostess into the low room, all bedight with the firelight of a huge +chimney-place, and comfortable with the realization of a journey's end. +The wilderness might stretch its weary miles around, the weird wind +wander in the solitudes, the star look coldly on unmoved by aught it +beheld, the moon show sad portents, but at the door they all failed, +for here waited rest and peace and human companionship and the sense of +home. + +"Take a cheer, stranger, an' make yerself at home. Powerful glad ter +see ye---war 'feard night would overtake ye. Ye fund the water toler'ble +high in all the creeks an' sech, I reckon, an' fords shifty an' +onsartain. Yes, sir. Fall rains kem on earlier'n common, an' more'n +we need. Wisht we could divide it with that thar drought we had in the +summer. Craps war cut toler'ble short, sir--toler'ble short." + +Mrs. Roxby's spectacles beamed upon him with an expression of the utmost +benignity as the firelight played on the lenses, but her eyes peering +over them seemed endowed in some sort with independence of outlook. It +was as if from behind some bland mask a critical observation was poised +for unbiased judgment. He felt in some degree under surveillance. But +when a light step heralded an approach he looked up, regardless of +the betrayal of interest, and bent a steady gaze upon Millicent as she +paused in the doorway. + +And as she stood there, distinct in the firelight and outlined against +the black background of the night, she seemed some modern half-military +ideal of Diana, with her two gaunt hounds beside her, the rest of the +pack vaguely glimpsed at her heels outside, the perfect outline and +chiselling of her features, her fine, strong, supple figure, the look of +steady courage in her eyes, and the soldier's cap on her fair hair. Her +face so impressed itself upon his mind that he seemed to have seen her +often. It was some resemblance to a picture of a vivandiere, doubtless, +in a foreign gallery--he could not say when or where; a remnant of a +tourist's overcrowded impressions; a half-realized reminiscence, he +thought, with an uneasy sense of recognition. + +"Hello, Mill'cent! home agin!" Roxby cried, in cheery greeting as he +entered at the back door opposite. "What sorter topknot is that ye got +on?" he demanded, looking jocosely at her head-gear. + +The girl put up her hand with an expression of horror. A deep red +flush dyed her cheek as she touched the cap. "I forgot 'twar thar," she +murmured, contritely. Then, with a sudden rush of anger as she tore it +off: "'Twar granny's fault. She axed me ter put it on, so ez ter see +which one I looked most like." + +"Stranger," quavered the old woman, with a painful break in her voice, +"I los' fower sons in the war, an' Mill'cent hev got the fambly favor." + +"Ye _mought_ hev let me know ez I war a-perlitin' round in this hyar +men's gear yit," the girl muttered, as she hung the cap on a prong of +the deer antlers on which rested the rifle of the master of the house. + +Roxby's face had clouded at the mention of the four sons who had gone +out from the mountains never to return, leaving to their mother's aching +heart only the vague comfort of an elusive resemblance in a girl's +face; but as he noted Millicent's pettish manner, and divined her +mortification because of her unseemly head-gear in the stranger's +presence, he addressed her again in that jocose tone without which he +seldom spoke to her. + +[Illustration: Warn't you-uns apologizin' ter me 006] + +"Warn't you-uns apologizin' ter me t'other day fur not bein' a nephew +'stiddier a niece? Looked sorter like a nephew ter-night." + +She shook her head, covered now only with its own charming tresses +waving in thick undulations to the coil at the nape of her neck--a +trifle dishevelled from the rude haste with which the cap had been torn +off. + +Roxby had seated himself, and with his elbows on his knees he looked +up at her with a teasing jocularity, such as one might assume toward a +child. + +"_Ye war_," he declared, with affected solemnity--"ye war 'pologizin' +fur not bein' a nephew, an' 'lowed ef ye war a nephew we could go +a-huntin' tergether, an' ye could holp me in all my quar'ls an' fights. +I been aging some lately, an' ef I war ter go ter the settlemint an' git +inter a fight I mought not be able ter hold my own. Think what 'twould +be ter a pore old man ter hev a dutiful nephew step up an'"--he doubled +his fists and squared off--"jes' let daylight through some o' them +cusses. An' didn't _ye say_"--he dropped his belligerent attitude and +pointed an insistent finger at her, as if to fix the matter in her +recollection--"ef ye war a nephew 'stiddier a niece ye could fire a gun +'thout shettin' yer eyes? An' I told ye then ez that would mend yer aim +mightily. I told ye that I'd be powerful mortified ef I hed a nephew ez +hed ter shet his eyes ter keep the noise out'n his ears whenst he fired +a rifle. The tale would go mighty hard with me at the settlemint." + +The girl's eyes glowed upon him with the fixity and the lustre of those +of a child who is entertained and absorbed by an elder's jovial wiles. +A flash of laughter broke over her face, and the low, gurgling, +half-dreamy sound was pleasant to hear. She was evidently no more than +a child to these bereft old people, and by them cherished as naught else +on earth. + +"An' didn't _I tell you-uns,_" he went on, affecting to warm to the +discussion, and in reality oblivious of the presence of the +guest'--"didn't I tell ye ez how ef ye war a nephew 'stiddier a niece ye +wouldn't hev sech cattle ez Em'ry Keenan a-dan-glin' round underfoot, +like a puppy ye can't gin away, an' that _won't_ git lost, an' ye ain't +got the heart ter kill?" + +The girl's lip suddenly curled with scorn. "Yer nephew would be +obligated ter make a ch'ice fur marryin' 'mongst these hyar mounting +gals--Par-mely Lepstone, or Belindy M'ria Matthews, or one o' the +Windrow gals. Waal, sir, I'd ruther be yer niece--even ef Em'ry Keenan +_air_ like a puppy underfoot, that ye can't gin away, an' won't git +lost, an' ye ain't got the heart ter kill." She laughed again, +showing her white teeth. She evidently relished the description of the +persistent adherence of poor Emory Keenan. "But which one o' these hyar +gals would ye recommend ter yer nephew ter marry--ef ye hed a nephew?" + +She looked at him with flashing eyes, conscious of having propounded a +poser. + +He hesitated for a moment. Then--"I'm surrounded," he said, with a +laugh. "Ez I couldn't find a wife fur myself, I can't undertake +ter recommend one ter my nephew. Mighty fine boy he'd hev been, an' +saaft-spoken an' perlite ter aged men--not sassy an' makin' game o' old +uncles like a niece. Mighty fine boy!" + +"Ye air welcome ter him," she said, with a simulation of scorn, as she +turned away to the table. + +Whether it were the military cap she had worn, or the fancied +resemblance to the young soldiers, never to grow old, who had gone forth +from this humble abode to return no more, there was still to the guest's +mind the suggestion of the vivandiere about her as she set the table +and spread upon it the simple fare. To and from the fireplace she was +followed by two or three of the younger dogs, their callowness expressed +in their lack of manners and perfervid interest in the approaching meal. +This induced their brief journeys back and forth, albeit embarrassed +by their physical conformation, short turns on four legs not being +apparently the easy thing it would seem from so much youthful +suppleness. The dignity of the elder hounds did not suffer them to move, +but they looked on from erect postures about the hearth with glistening +eyes and slobbering jaws. + +Ever and anon the deep blue eyes of Millicent were lifted to the outer +gloom, as if she took note of its sinister aspect. She showed scant +interest in the stranger, whose gaze seldom left her as he sat beside +the fire. He was a handsome man, his face and figure illumined by the +firelight, and it might have been that he felt a certain pique, an +unaccustomed slight, in that his presence was so indifferent an element +in the estimation of any young and comely specimen of the feminine sex. +Certainly he had rarely encountered such absolute preoccupation as her +smiling far-away look betokened as she went back and forth with her +young canine friends at her heels, or stood at the table deftly slicing +the salt-rising bread, the dogs poised skilfully upon their hind-legs +to better view the appetizing performance; whenever she turned her face +toward them they laid their heads languish-ingly askew, as if to remind +her that supper could not be more fitly bestowed than on them. One, to +steady himself, placed unobserved his fore-paw on the edge of the table, +his well-padded toes leaving a vague imprint as of fingers upon the +coarse white cloth; but John Dundas was a sportsman, and could the +better relax an exacting nicety where so pleasant-featured and affable +a beggar was concerned. He forgot the turmoils of his own troubles as +he gazed at Millicent, the dreary aspect of the solitudes without, the +exile from his accustomed sphere of culture and comfort, the poverty +and coarseness of her surroundings. He was sorry that he had declined +a longer lease of Roxby's hospitality, and it was in his mind to +reconsider when it should be again proffered. Her attitude, her gesture, +her face, her environment, all appealed to his sense of beauty, his +interest, his curiosity, as little ever had done heretofore. Slice after +slice of the firm fragrant bread was deftly cut and laid on the plate, +as again and again she lifted her eyes with a look that might seem to +expect to rest on summer in the full flush of a June noontide without, +rather than on the wan, wintry night sky and the plundered, quaking +woods, while the robber wind sped on his raids hither and thither so +swiftly that none might follow, so stealthily that none might hinder. A +sudden radiance broke upon her face, a sudden shadow fell on the +firelit floor, and there was entering at the doorway a tall, lithe young +mountaineer, whose first glance, animated with a responsive brightness, +was for the girl, but whose punctilious greeting was addressed to the +old woman. + +"Howdy, Mis' Roxby--howdy? Air yer rheumatics mendin' enny?" he +demanded, with the condolent suavity of the would-be son-in-law, or +grand-son-in-law, as the case may be. And he hung with a transfixed +interest upon her reply, prolix and discursive according to the wont of +those who cultivate "rheumatics," as if each separate twinge racked his +own sympathetic and filial sensibilities. Not until the tale was ended +did he set his gun against the wall and advance to the seat which Roxby +had indicated with the end of the stick he was whittling. He observed +the stranger with only slight interest, till Dundas drew up his chair +opposite at the table. There the light from the tallow dip, guttering in +the centre, fell upon his handsome face and eyes, his carefully tended +beard and hair, his immaculate cuffs and delicate hand, the seal-ring on +his taper finger. + +"Like a gal, by gum!" thought Emory Keenan. "Rings on his fingers--yit +six feet high!" + +He looked at his elders, marvelling that they so hospitably repressed +the disgust which this effeminate adornment must occasion, forgetting +that it was possible that they did not even observe it. In the gala-days +of the old hotel, before the war, they had seen much "finicking finery" +in garb and equipage and habits affected by the _jeunesse doree_ who +frequented the place in those halcyon times, and were accustomed to +such details. It might be that they and Millicent approved such flimsy +daintiness. He began to fume inwardly with a sense of inferiority in her +estimation. One of his fingers had been frosted last winter, and with +the first twinge of cold weather it was beginning to look very red and +sad and clumsy, as if it had just remembered its ancient woe; he glanced +from it once more at the delicate ringed hand of the stranger. + +Dundas was looking up with a slow, deferential, decorous smile that +nevertheless lightened and transfigured his expression. It seemed +somehow communicated to Millicent's face as she looked down at him from +beneath her white eyelids and long, thick, dark lashes, for she was +standing beside him, handing him the plate of bread. Then, still +smiling, she passed noiselessly on to the others. + +Emory was indeed clumsy, for he had stretched his hand downward to +offer a morsel to a friend of his under the table--he was on terms of +exceeding amity with the four-footed members of the household--and in +his absorption not withdrawing it as swiftly as one accustomed to canine +manners should do, he had his frosted finger well mumbled before he +could, as it were, repossess himself of it. + +"I wonder what they charge fur iron over yander at the settlemint, +Em'ry?" observed Sim Roxby presently. + +"Dun'no', sir," responded Emory, glumly, his sullen black eyes full of +smouldering fire--"hevin' no call ter know, ez I ain't no blacksmith." + +"I war jes' wonderin' ef tenpenny nails didn't cost toler'ble high ez +reg'lar feed," observed Roxby, gravely. + +But his mother laughed out with a gleeful cracked treble, always a ready +sequence of her son's rustic sallies. "He got ye that time, Em'ry," she +cried. + +A forced smile crossed Emory's face. He tossed back his tangled dark +hair with a gasp that was like the snort of an unruly horse submitting +to the inevitable, but with restive projects in his brain. "I let the +dog hyar ketch my finger whilst feedin' him," he said. His plausible +excuse for the ten-penny expression was complete; but he added, his +darker mood recurring instantly, "An', Mis' Roxby, I hev put a stop ter +them ez hev tuk ter callin' me Em'ly, I hev." + +The old woman looked up, her small wrinkled mouth round and amazed. +"_I_ never called ye Emily," she declared. + +Swift repentance seized him. + +"Naw, 'm," he said, with hurried propitiation. "I 'lowed ye did." + +"I didn't," said the old woman. "But ef I warter find it toothsome ter +call ye 'Emily,' I dun'no' how ye air goin' ter pervent it. Ye can't go +gun-nin' fur me, like ye done fur the men at the mill, fur callin' ye +'Emily.'" + +"Law, Mis' Roxby!" he could only exclaim, in his horror and contrition +at this picture he had thus conjured up. "Ye air welcome ter call me +ennything ye air a mind ter," he protested. + +And then he gasped once more. The eyes of the guest, contemptuous, +amused, seeing through him, were fixed upon him. And he himself had +furnished the lily-handed stranger with the information that he had been +stigmatized "Em'ly" in the banter of his associates, until he had taken +up arms, as it were, to repress this derision. + +"It takes powerful little ter put ye down, Em'ry," said Roxby, with +rallying laughter. "Mam hev sent ye skedaddlin' in no time at all. I +don't b'lieve the Lord made woman out'n the man's rib. He made her out'n +the man's backbone; fur the man ain't hed none ter speak of sence." + +Millicent, with a low gurgle of laughter, sat down beside Emory at the +table, and fixed her eyes, softly lighted with mirth, upon him. The +others too had laughed, the stranger with a flattering intonation, but +young Keenan looked at her with a dumb appealing humility that did not +altogether fail of its effect, for she busied herself to help his plate +with an air of proprietorship as if he were a child, and returned +it with a smile very radiant and sufficient at close range. She then +addressed herself to her own meal. The young dogs under the table ceased +to beg, and gambolled and gnawed and tugged at her stout little shoes, +the sound of their callow mirthful growls rising occasionally above +the talk. Sometimes she rose again to wait on the table, when they came +leaping out after her, jumping and catching at her skirts, now and then +casting themselves on the ground prone before her feet, and rolling over +and over in the sheer joy of existence. + +The stranger took little part in the talk at the table. Never a question +was asked him as to his mission in the mountains, or the length of +his stay, his vocation, or his home. That extreme courtesy of the +mountaineers, exemplified in their singular abstinence from any +expressions of curiosity, accepted such account of himself as he had +volunteered, and asked for no more. In the face of this standard of +manners any inquisitiveness on his part, such as might have elicited +points of interest for his merely momentary entertainment, was tabooed. +Nevertheless, silent though he was for the most part, the relish with +which he listened, his half-covert interest in the girl, his quick +observation of the others, the sudden very apparent enlivening of his +mental atmosphere, betokened that his quarters were not displeasing +to him. It seemed only a short time before the meal was ended and the +circle all, save Millicent, with pipes alight before the fire again. The +dogs, well fed, had ranged themselves on the glowing hearth, lying prone +on the hot stones; one old hound, however, who conserved the air of +listening to the conversation, sat upright and nodded from time to time, +now and again losing his balance and tipping forward in a truly human +fashion, then gazing round on the circle with an open luminous eye, as +who should say he had not slept. + +It was all very cheerful within, but outside the wind still blared +mournfully. Once more Dundas was sorry that he had declined the +invitation to remain, and it was with a somewhat tentative intention +that he made a motion to return to the hotel. But his host seemed +to regard his resolution as final, and rose with a regret, not an +insistence. The two women stared in silent amazement at the mere idea +of his camping out, as it were, in the old hotel. The ascendency of +masculine government here, notwithstanding Roxby's assertion that +Eve was made of Adam's backbone, was very apparent in their mute +acquiescence and the alacrity with which they began to collect various +articles, according to his directions, to make the stranger's stay more +comfortable. + +"Em'ry kin go along an' holp," he said, heartlessly; for poor Emory's +joy in perceiving that the guest was not a fixture, and that his +presence was not to be an embargo on any word between himself and +Millicent during the entire evening, was pitiably manifest. But the +situation was still not without its comforts, since Dundas was to go +too. Hence he was not poor company when once in the saddle, and was +civil to a degree of which his former dismayed surliness had given no +promise. + +Night had become a definite element. The twilight had fled. Above their +heads, as they galloped through the dank woods, the bare boughs of the +trees clashed together--so high above their heads that to the town +man, unaccustomed to these great growths, the sound seemed not of the +vicinage, but unfamiliar, uncanny, and more than once he checked his +horse to listen. As they approached the mountain's verge and overlooked +the valley and beheld the sky, the sense of the predominance of darkness +was redoubled. The ranges gloomed against the clearer spaces, but a +cloud, deep gray with curling white edges, was coming up from the +west, with an invisible convoy of vague films, beneath which the stars, +glimmering white points, disappeared one by one. The swift motion of +this aerial fleet sailing with the wind might be inferred from the +seemingly hurried pace of the moon making hard for the west. Still +bright was the illumined segment, but despite its glitter the shadowy +space of the full disk was distinctly visible, its dusky field spangled +with myriads of minute, dully golden points. Down, down it took its +way in haste--in disordered fright, it seemed, as if it had no heart +to witness the storm which the wind and the clouds foreboded--to fairer +skies somewhere behind those western mountains. Soon even its vague +light would encroach no more upon the darkness. The great hotel would be +invisible, annihilated as it were in the gloom, and not even thus dimly +exist, glimmering, alone, forlorn, so incongruous to the wilderness that +it seemed even now some mere figment of the brain, as the two horsemen +came with a freshened burst of speed along the deserted avenue and +reined up beside a small gate at the side. + +"No use ter ride all the way around," observed Emory Keenan. "Mought jes +ez well 'light an' hitch hyar." + +The moon gave him the escort of a great grotesque shadow as he +threw himself from his horse and passed the reins over a decrepit +hitching-post near at hand. Then he essayed the latch of the small gate. +He glanced up at Dundas, the moonlight in his dark eyes, with a smile as +it resisted his strength. + +He was a fairly good-looking fellow when rid of the self-consciousness +of jealousy. His eyes, mouth, chin, and nose, acquired from reliable +and recognizable sources, were good features, and statuesque in their +immobility beneath the drooping curves of his broad soft hat. He was +tall, with the slenderness of youth, despite his evident weight and +strength. He was long-waisted and lithe and small of girth, with broad +square shoulders, whose play of muscles as he strove with the gate was +not altogether concealed by the butternut jeans coat belted in with his +pistols by a broad leathern belt. His boots reached high on his long +legs, and jingled with a pair of huge cavalry spurs. His stalwart +strength seemed as if it must break the obdurate gate rather than open +it, but finally, with a rasping creak, dismally loud in the silence, it +swung slowly back. + +The young mountaineer stood gazing for a moment at the red rust on the +hinges. "How long sence this gate must hev been opened afore?" he said, +again looking up at Dundas with a smile. + +Somehow the words struck a chill to the stranger's heart. The sense of +the loneliness of the place, of isolation, filled him with a sort of +awe. The night-bound wilderness itself was not more daunting than these +solitary tiers of piazzas, these vacant series of rooms and corridors, +all instinct with vanished human presence, all alert with echoes of +human voices. A step, a laugh, a rustle of garments--he could have sworn +he heard them at any open doorway as he followed his guide along the dim +moonlit piazza, with its pillars duplicated at regular intervals by the +shadows on the floor. How their tread echoed down these lonely ways! +From the opposite side of the house he heard Kee-nan's spurs jangling, +his soldierly stride sounding back as if their entrance had roused +barracks. He winced once to see his own shadow with its stealthier +movement. It seemed painfully furtive. For the first time during the +evening his jaded mind, that had instinctively sought the solace of +contemplating trifles, reverted to its own tormented processes. "Am +I not hiding?" he said to himself, in a sort of sarcastic pity of his +plight. + +The idea seemed never to enter the mind of the transparent Keenan. He +laughed out gayly as they turned into the weed-grown quadrangle, and +the red fox that Dundas had earlier observed slipped past him with +affrighted speed and dashed among the shadows of the dense shrubbery of +the old lawn without. Again and again the sound rang back from wall to +wall, first with the jollity of seeming imitation, then with an appalled +effect sinking to silence, and suddenly rising again in a grewsome +_staccato_ that suggested some terrible unearthly laughter, and bore but +scant resemblance to the hearty mirth which had evoked it Keenan paused +and looked back with friendly gleaming eyes. "Oughter been a leetle +handier with these hyar consarns," he said, touching the pistols in his +belt. + +It vaguely occurred to Dundas that the young man went strangely heavily +armed for an evening visit at a neighbor's house. But it was a lawless +country and lawless times, and the sub-current of suggestion did not +definitely fix itself in his mind until he remembered it later. He +was looking into each vacant open doorway, seeing the still moonlight +starkly white upon the floor; the cobwebbed and broken window-panes, +through which a section of leafless trees beyond was visible; bits of +furniture here and there, broken by the vandalism of the guerillas. Now +and then a scurrying movement told of a gopher, hiding too, and on one +mantel-piece, the black fireplace yawning below, sat a tiny tawny-tinted +owl, whose motionless beadlike eyes met his with a stare of stolid +surprise. After he had passed, its sudden ill-omened cry set the silence +to shuddering. + +Keenan, leading the way, paused in displeasure. "I wisht I hed viewed +that critter," he said, glumly. "I'd hev purvented that screechin' ter +call the devil, sure. It's jes a certain sign o' death." + +He was about to turn, to wreak his vengeance, perchance. But the bird, +sufficiently fortunate itself, whatever woe it presaged for others, +suddenly took its awkward flight through sheen and shadow across the +quadrangle, and when they heard its cry again it came from some remote +section of the building, with a doleful echo as a refrain. + +The circumstance was soon forgotten by Keenan. He seemed a happy, +mercurial, lucid nature, and he began presently to dwell with interest +on the availability of the old music-stand in the centre of the square +as a manger. "Hyar," he said, striking the rotten old structure with +a heavy hand, which sent a quiver and a thrill through all the +timbers--"hyar's whar the guerillas always hitched thar beastises. Thar +feed an' forage war piled up thar on the fiddlers' seats. Ye can't do no +better'n ter pattern arter them, till ye git ready ter hev fiddlers an' +sech a-sawin' away in hyar agin." + +And he sauntered away from the little pavilion, followed by Dundas, who +had not accepted his suggestion of a room on the first floor as being +less liable to leakage, but finally made choice of an inner apartment in +the second story. He looked hard at Keenan, when he stood in the doorway +surveying the selection. The room opened into a cross-hall which gave +upon a broad piazza that was latticed; tiny squares of moonlight were +all sharply drawn on the floor, and, seen through a vista of gray +shadow, seemed truly of a gilded lustre. From the windows of this room +on a court-yard no light Could be visible to any passer-by without. +Another door gave on an inner gallery, and through its floor a staircase +came up from the quadrangle close to the threshold. Dundas wondered if +these features were of possible significance in Keenan's estimation. The +young mountaineer turned suddenly, and snatching up a handful of slats +broken from the shutters, remarked: + +"Let's see how the chimbly draws--that's the main p'int." + +There was no defect in the chimney's constitution. It drew admirably, +and with the white and red flames dancing in the fireplace, two or +three chairs, more or less disabled, a table, and an upholstered lounge +gathered at random from the rooms near at hand, the possibility of +sojourning comfortably for a few days in the deserted hostelry seemed +amply assured. + +Once more Dundas gazed fixedly at the face of the young mountaineer, +who still bent on one knee on the hearth, watching with smiling eyes +the triumphs of his fire-making. It seemed to him afterwards that his +judgment was strangely at fault; he perceived naught of import in the +shallow brightness of the young man's eyes, like the polished surface of +jet; in the instability of his jealousy, his anger; in his hap-hazard, +mercurial temperament. Once he might have noted how flat were the +spaces beneath the eyes, how few were the lines that defined the lid, +the socket, the curve of the cheekbone, the bridge of the nose, and how +expressionless. It was doubtless the warmth and glow of the fire, +the clinging desire of companionship, the earnest determination to be +content, pathetic in one who had but little reason for optimism, that +caused him to ignore the vacillating glancing moods that successively +swayed Keenan, strong while they lasted, but with scanty augury because +of their evanescence. He was like some newly discovered property in +physics of untried potentialities, of which nothing is ascertained but +its uncertainties. + +And yet he seemed to Dundas a simple country fellow, good-natured in the +main, unsuspicious, and helpful. So, giving a long sigh of relief and +fatigue, Dundas sank down in one of the large arm-chairs that had once +done duty for the summer loungers on the piazza. + +In the light of the fire Emory was once more looking at him. A certain +air of distinction, a grace and ease of movement, an indescribable +quality of bearing which he could not discriminate, yet which he +instinctively recognized as superior, offended him in some sort. He +noticed again the ring on the stranger's hand as he drew off his glove. +Gloves! Emory Keen an would as soon have thought of wearing a petticoat. +Once more the fear that these effeminate graces found favor in +Millicent's estimation smote upon his heart. It made the surface of his +opaque eyes glisten as Dundas rose and took up a pipe and tobacco-pouch +which he had laid on the mantelpiece, his full height and fine figure +shown in the changed posture. + +"Ez tall ez me, ef not taller, an', by gum! a good thirty pound +heavier," Emory reflected, with, a growing dismay that he had not those +stalwart claims to precedence in height and weight as an offset to the +smoother fascinations of the stranger's polish. + +He had risen hastily to his feet. He would not linger to smoke +fraternally over the fire, and thus cement friendly relations. + +"I guided him hyar, like old Sim Roxby axed me ter do, an' that's all. I +ain't keerin' ef I never lay eyes on him again," he said to himself. + +"Going?" said Dundas, pleasantly, noticing the motion. "You'll look in +again, won't you?" + +"Wunst in a while, I reckon," drawled Keenan, a trifle thrown off his +balance by this courtesy. + +He paused at the door, looking back over his shoulder for a moment at +the illumined room, then stepped out into the night, leaving the tenant +of the lonely old house filling his pipe by the fire. + +His tread rang along the deserted gallery, and sudden echoes came +tramping down the vacant halls as if many a denizen of the once populous +place was once more astir within its walls. Long after Dundas had heard +him spring from the lower piazza to the ground, and the rusty gate clang +behind him, vague footfalls were audible far away, and were still again, +and once more a pattering tread in some gaunt and empty apartment near +at hand, faint and fainter yet, till he hardly knew whether it were the +reverberations of sound or fancy that held his senses in thrall. + +And when all was still and silent at last he felt less solitary than +when these elusive tokens of human presence were astir. + +Late, late he sat over the dwindling embers. His mind, no longer +diverted by the events of the day, recurred with melancholy persistence +to a theme which even they, although fraught with novelty and presage +of danger, had not altogether crowded out. And as the sense of peril +dulled, the craft of sophistry grew clumsy. Remorse laid hold upon him +in these dim watches of the night. Self-reproach had found him out here, +defenceless so far from the specious wiles and ways of men. All the line +of provocations seemed slight, seemed naught, as he reviewed them and +balanced them against a human life. True, it was not in some mad quarrel +that his skill had taken it and had served to keep his own--a duel, a +fair fight, strictly regular according to the code of "honorable men" +for ages past--and he sought to argue that it was doubtless but the +morbid sense of the wild fastnesses without, the illimitable vastness +of the black night, the unutterable indurability of nature to the +influences of civilization, which made it taste like murder. He had +brought away even from the scene of action, to which he had gone with +decorous deliberation--his worldly affairs arranged for the possibility +of death, his will made, his volition surrendered, and his sacred honor +in the hands of his seconds--a humiliating recollection of the sudden +revulsion of the aspect of all things; the criminal sense of haste with +which he was hurried away after that first straight shot; the agitation, +nay, the fright of his seconds; their eagerness to be swiftly rid of +him, their insistence that he should go away for a time, get out of the +country, out of the embarrassing purview of the law, which was prone to +regard the matter as he himself saw it now, and which had an ugly trick +of calling things by their right names in the sincere phraseology of an +indictment. And thus it was that he was here, remote from all the usual +lines of flight, with his affectation of being a possible purchaser for +the old hotel, far from the railroad, the telegraph, even the postal +service. Some time--soon, indeed, it might be, when the first flush +of excitement and indignation should be overpast, and the law, like a +barking dog that will not bite, should have noisily exhausted the gamut +of its devoirs--he would go back and live according to his habit in his +wonted place, as did other men whom he had known to be "called out," and +who had survived their opponents. Meantime he heard the ash crumble; he +saw the lighted room wane from glancing yellow to a dull steady red, +and so to dusky brown; he marked the wind rise, and die away, and come +again, banging the doors of the empty rooms, and setting timbers all +strangely to creaking as under sudden trampling feet; then lift into the +air with a rustling sound like the stir of garments and the flutter of +wings, calling out weirdly in the great voids of the upper atmosphere. + +He had welcomed the sense of fatigue earlier in the evening, for it +promised sleep. Now it had slipped away from him. He was strong and +young, and the burning sensation that the frosty air had left on his +face was the only token of the long journey. It seemed as if he +would never sleep again as he lay on the lounge watching the gray ash +gradually overgrow the embers, till presently only a vague dull glow +gave intimation of the position of the hearth in the room. And then, +bereft of this dim sense of companionship, he stared wide-eyed in the +darkness, feeling the only creature alive and awake in all the world. +No; the fox was suddenly barking within the quadrangle--a strangely wild +and alien tone. And presently he heard the animal trot past his door +on the piazza, the cushioned footfalls like those of a swift dog. He +thought with a certain anxiety of the tawny tiny owl that had sat like +a stuffed ornament on the mantel-piece of a neighboring room, and he +listened with a quaking vicarious presentiment of woe for the sounds of +capture and despair. He was sensible of waiting and hoping for the fox's +bootless return, when he suddenly lost consciousness. + +How long he slept he did not know, but it seemed only a momentary +respite from the torture of memory, when, still in the darkness, +thousands of tremulous penetrating sounds were astir, and with a great +start he recognized the rain on the roof. It was coming down in steady +torrents that made the house rock before the tumult of his plunging +heart was still, and he was longing again for the forgetfulness of +sleep. In vain. The hours dragged by; the windows slowly, slowly denned +their dull gray squares against the dull gray day dawning without. +The walls that had been left with only the first dark coat of plaster, +awaiting another season for the final decoration, showed their drapings +of cobweb, and the names and pencilled scribblings with which the fancy +of transient bushwhackers had chosen to deface them. The locust-trees +within the quadrangle drearily tossed their branches to and fro in the +wind, the bark very black and distinct against the persistent gray lines +of rain and the white walls of the galleried buildings opposite; the +gutters were brimming, roaring along like miniature torrents; nowhere +was the fox or the owl to be seen. Somehow their presence would have +been a relief--the sight of any living thing reassuring. As he walked +slowly along the deserted piazzas, in turning sudden corners, again and +again he paused, expecting that something, some one, was approaching to +meet him. When at last he mounted his horse, that had neighed gleefully +to see him, and rode away through the avenue and along the empty ways +among the untenanted summer cottages, all the drearier and more forlorn +because of the rain, he felt as if he had left an aberration, some +hideous dream, behind, instead of the stark reality of the gaunt and +vacant and dilapidated old house. + +The transition to the glow and cheer of Sim Roxby's fireside was like +a rescue, a restoration. The smiling welcome in the women's eyes, their +soft drawling voices, with mellifluous intonations that gave a value to +each commonplace simple word, braced his nerves like a tonic. It might +have been only the contrast with the recollections of the night, with +the prospect visible through the open door--the serried lines of rain +dropping aslant from the gray sky and elusively outlined against the +dark masses of leafless woods that encircled the clearing; the dooryard +half submerged with puddles of a clay-brown tint, embossed always with +myriads of protruding drops of rain, for however they melted away the +downpour renewed them, and to the eye they were stationary, albeit +pervaded with a continual tremor--but somehow he was cognizant of a +certain coddling tenderness in the old woman's manner that might have +been relished by a petted child, an unaffected friendliness in the +girl's clear eyes. They made him sit close to the great wood fire; the +blue and yellow flames gushed out from the piles of hickory logs, and +the bed of coals gleamed at red and white heat beneath. They took his +hat to carefully dry it, and they spread out his cloak on two chairs +at one side of the room, where it dismally dripped. When he ventured to +sneeze, Mrs. Roxby compounded and administered a "yerb tea," a sovereign +remedy against colds, which he tasted on compulsion and in great doubt, +and swallowed with alacrity and confidence, finding its basis the easily +recognizable "toddy." He had little knowledge how white and troubled +his face had looked as he came in from the gray day, how strongly marked +were those lines of sharp mental distress, how piteously apparent was +his mute appeal for sympathy and comfort. + +"Mill'cent," said the old woman in the shed-room, as they washed and +wiped the dishes after the cozy breakfast of venison and corn-dodgers +and honey and milk, "that thar man hev run agin the law, sure's ye air +born." + +Millicent turned her reflective fair face, that seemed whiter and +more delicate in the damp dark day, and looked doubtfully out over the +fields, where the water ran in steely lines in the furrows. + +"Mus' hev been by accident or suthin'. _He_ ain't no hardened sinner." + +"Shucks!" the old woman commented upon her reluctant acquiescence. "I +ain't keerin' for the law! 'Tain't none o' my job. The tomfool men make +an' break it. Ennybody ez hev seen this war air obleeged to take note +o' the wickedness o' men in gineral. This hyer man air a sorter pitiful +sinner, an' he hev got a look in his eyes that plumb teches my heart. +I 'ain't got no call ter know nuthin' 'bout the law, bein' a 'oman an' +naterally ignorant. I dun'no' ez he hev run agin it." + +"Mus' hev been by accident," said Millicent, dreamily, still gazing over +the sodden fields. + +The suspicion did nothing to diminish his comfort or their cordiality. +The morning dragged by without change in the outer aspects. The noontide +dinner came and went without Roxby's return, for the report of the +washing away of a bridge some miles distant down the river had early +called him out to the scene of the disaster, to verify in his own +interests the rumor, since he had expected to haul his wheat to the +settlement the ensuing day. The afternoon found the desultory talk still +in progress about the fire, the old woman alternately carding cotton +and nodding in her chair in the corner; the dogs eying the stranger, +listening much of the time with the air of children taking instruction, +only occasionally wandering out-of-doors, the floor here and there +bearing the damp imprint of their feet; and Millicent on her knees in +the other corner, the firelight on her bright hair, her delicate cheek, +her quickly glancing eyes, as she deftly moulded bullets. + +"Uncle Sim hed ter s'render his shootin'-irons," she explained, "an' he +'ain't got no ca'tridge-loadin' ones lef. So he makes out with his old +muzzle-loadin' rifle that he hed afore the war, an' I moulds his bullets +for him rainy days." + +As she held up a moulded ball and dexterously clipped off the surplus +lead, the gesture was so culinary in its delicacy that one of the dogs +in front of the fire extended his head, making a long neck, with a +tentative sniff and a glistening gluttonous eye. + +"Ef I swallered enny mo' lead, I wouldn't take it hot, Towse," she said, +holding out the bullet for canine inspection. "'Tain't healthy!" + +But the dog, perceiving the nature of the commodity, drew back with a +look of deep reproach, rose precipitately, and with a drooping tail went +out skulkingly into the wet gray day. + +"Towse can't abide a bullet," she observed, "nor nuthin' 'bout a gun. +He got shot wunst a-huntin', an' he never furgot it. Jes show him a gun +an' he ain't nowhar ter be seen--like he war cotch up in the clouds." + +"Good watch-dog, I suppose," suggested Dundas, striving to enter into +the spirit of her talk. + +"Naw; too sp'ilt for a gyard-dog--granny coddled him so whenst he +got shot. He's jest vally'ble fur his conversation, I reckon," she +continued, with a smile in her eyes. "I dun'no' what else, but he _is_ +toler'ble good company." + +The other dogs pressed about her, the heads of the great hounds as high +as her own as she sat among them on the floor. With bright eyes and +knitted brows they followed the motions of pouring in the melted metal, +the lifting of the bullets from the mould, the clipping off of the +surplus lead, and the flash of the keen knife. + +Outside the sad light waned; the wind sighed and sighed; the dreary +rain fell; the trees clashed their boughs dolorously together, and their +turbulence deadened the sound of galloping horses. As Dundas sat and +gazed at the girl's intent head, with its fleecy tendrils and its +massive coil, the great hounds beside her, all emblazoned by the +firelight upon the brown wall near by, with the vast fireplace at hand, +the whole less like reality than some artist's pictured fancy, he knew +naught of a sudden entrance, until she moved, breaking the spell, and +looked up to meet the displeasure in Roxby's eyes and the dark scowl on +Emory Keenan's face. + +***** + +That night the wind shifted to the north. Morning found the chilled +world still, ice where the water had lodged, all the trees incased in +glittering garb that followed the symmetry alike of every bough and +the tiniest twig, and made splendid the splintered remnants of the +lightning-riven. The fields were laced across from furrow to furrow, in +which the frozen water still stood gleaming, with white arabesques which +had known a more humble identity as stubble and crab-grass; the sky was +slate-colored, and from its sad tint this white splendor gained added +values of contrast. When the sun should shine abroad much of the effect +would be lost in the too dazzling glister; but the sun did not shine. + +All day the gray mood held unchanged. Night was imperceptibly sifting +down upon all this whiteness, that seemed as if it would not be +obscured, as if it held within itself some property of luminosity, when +Millicent, a white apron tied over her golden head, improvising a hood, +its superfluous fulness gathered in many folds and pleats around her +neck, fichu-wise, stood beside the ice-draped fodder-stack and essayed +with half-numbed hands to insert a tallow dip into the socket of a +lantern, all incrusted and clumsy with previous drippings. + +"I dun'no' whether I be a-goin' ter need this hyar consarn whilst +milkin' or no," she observed, half to herself, half to Emory, who, +chewing a straw, somewhat surlily had followed her out for a word apart. +"The dusk 'pears slow ter-night, but Spot's mighty late comin' home, an' +old Sue air fractious an' contrairy-minded, and feels mighty anxious +an' oneasy 'boutn her calf, that's ez tall ez she is nowadays, an' don't +keer no mo' 'bout her mammy 'n a half-grown human does. I tell her she +oughtn't ter be mad with me, but with the way she brung up her chile, ez +won't notice her now." + +She looked up with a laugh, her eyes and teeth gleaming; her golden hair +still showed its color beneath the spotless whiteness of her voluminous +headgear, and the clear tints of her complexion seemed all the more +delicate and fresh in the snowy pallor of the surroundings and the +grayness of the evening. + +"I reckon I'd better take it along," and once more she addressed herself +to the effort to insert the dip into the lantern. + +Emory hardly heard. His pulse was quick. His eye glittered. He breathed +hard as, with both hands in his pockets, he came close to her. + +"Mill'cent," he said, "I told ye the t'other day ez ye thunk a heap too +much o' that thar stran-ger-" + +"An' I tole ye, bubby, that I didn't think nuthin' o' nobody but +you-uns," she interrupted, with an effort to placate his jealousy. The +little jocularity which she affected dwindled and died before the steady +glow of his gaze, and she falteringly looked at him, her unguided hands +futilely fumbling with the lantern. + +"Ye can't fool me," he stoutly asseverated. "Ye think mo' o' him 'n o' +me, kase ye 'low he air rich, an' book-larned, an' smooth-fingered, an' +fini-fied ez a gal, an' goin' ter buy the hotel. I say, _hotel!_ Now +_I'll_ tell ye what he is--I'll tell ye! He's a criminal. He's runnin' +from the law. He's hidin' in the old hotel that he's purtendin' ter +buy." + +She stared wide-eyed and pallid, breathless and waiting. + +He interpreted her expression as doubt, denial. + +"It's gospel sure," he cried. "Fur this very evenin' I met a gang o' +men an' the sheriff's deputy down yander by the sulphur spring 'bout +sundown, an' he 'lowed ez they war a-sarchin' fur a criminal ez war +skulkin' round hyarabout lately--ez they wanted a man fur hevin' +c'mitted murder." + +"But ye didn't accuse _him_, surely; ye hed no right ter s'picion _him_. +Uncle Sim! Oh, my Lord! Ye surely wouldn't! Oh, Uncle Sim!" + +Her tremulous words broke into a quavering cry as she caught his arm +convulsively, for his face confirmed her fears. She thrust him wildly +away, and started toward the house. + +"Ye needn't go tattlin' on me," he said, roughly pushing her aside. +"I'll tell Mr. Roxby myself. I ain't 'shamed o' what I done. I'll +tell him. I'll tell him myself." And animated with this intention to +forestall her disclosure, his long strides bore him swiftly past and +into the house. + +It seemed to him that he lingered there only a moment or two, for Roxby +was not at the cabin, and he said nothing of the quarrel to the old +woman. Already his heart had revolted against his treachery, and then +there came to him the further reflection that he did not know enough +to justify suspicion. Was not the stranger furnished with the fullest +credentials--a letter to Roxby from the Colonel? Perhaps he had allowed +his jealousy to endanger the man, to place him in jeopardy even of his +life should he resist arrest. + +Keenan tarried at the house merely long enough to devise a plausible +excuse for his sudden excited entrance, and then took his way back to +the barnyard. + +It was vacant. The cows still stood lowing at the bars; the sheep +cowered together in their shed; the great whitened cone of the +fodder-stack gleamed icily in the purple air; beside it lay the lantern +where Millicent had cast it aside. She was gone! He would not believe +it till he had run to the barn, calling her name in the shadowy place, +while the horse at his manger left his corn to look over the walls of +his stall with inquisitive surprised eyes, luminous in the dusk. He +searched the hen-house, where the fowls on their perches crowded close +because of the chill of the evening. He even ran to the bars and looked +down across the narrow ravine to which the clearing sloped. Beyond the +chasm-like gorge he saw presently on the high ascent opposite footprints +that had broken the light frostlike coating of ice on the dead leaves +and moss--climbing footprints, swift, disordered. He looked back again +at the lantern where Millicent had flung it in her haste. Her mission +was plain now. She had gone to warn Dundas. She had taken a direct line +through the woods. She hoped to forestall the deputy sheriff and his +posse, following the circuitous mountain road. + +Keenan's lip curled in triumph. His heart burned hot with scornful anger +and contempt of the futility of her effort. "They're there afore she +started!" he said, looking up at the aspects of the hour shown by the +sky, and judging of the interval since the encounter by the spring. +Through a rift in the gray cloud a star looked down with an icy +scintillation and disappeared again. He heard a branch in the woods snap +beneath the weight of ice. A light sprang into the window of the cabin +hard by, and came in a great gush of orange-tinted glow out into the +snowy bleak wintry space. He suddenly leaped over the fence and ran like +a deer through the woods. + +Millicent too had been swift. He had thought to overtake her before he +emerged from the woods into the more open space where the hotel stood. +In this quarter the cloud-break had been greater. Toward the west a +fading amber glow still lingered in long horizontal bars upon the opaque +gray sky. The white mountains opposite were hung with purple shadows +borrowed from a glimpse of sunset somewhere far away over the valley +of East Tennessee; one distant lofty range was drawn in elusive snowy +suggestions, rather than lines, against a green space of intense yet +pale tint. The moon, now nearing the full, hung over the wooded valley, +and aided the ice and the crust of snow to show its bleak, wan, wintry +aspect; a tiny spark glowed in its depths from some open door of an +isolated home. Over it all a mist was rising from the east, drawing its +fleecy but opaque curtain. Already it had climbed the mountain-side and +advanced, windless, soundless, overwhelming, annihilating all before and +beneath it. The old hotel had disappeared, save that here and there a +gaunt gable protruded and was withdrawn, showed once more, and once more +was submerged. + +A horse's head suddenly looking out of the enveloping mist close to his +shoulder gave him the first intimation of the arrival, the secret silent +waiting, of those whom he had directed hither. That the saddles were +empty he saw a moment later. The animals stood together in a row, +hitched to the rack. No disturbance sounded from the silent building. +The event was in abeyance. The fugitive in hiding was doubtless at +ease, unsuspecting, while the noiseless search of the officers for his +quarters was under way. + +With a thrill of excitement Keenan crept stealthily through an open +passage and into the old grass-grown spaces of the quadrangle. Night +possessed the place, but the cloud seemed denser than the darkness. He +was somehow sensible of its convolutions as he stood against the wall +and strained his eyes into the dusk. Suddenly it was penetrated by a +milky-white glimmer, a glimmer duplicated at equidistant points, each +fading as its successor sprang into brilliance. The next moment he +understood its significance. It had come from the blurred windows of the +old ball-room. Milli-cent had lighted her candle as she searched for the +fugitive's quarters; she was passing down the length of the old house +on the second story, and suddenly she emerged upon the gallery. She +shielded the feeble flicker with her Hand; her white-hooded head gleamed +as with an aureola as the divergent rays rested on the opaque mist; and +now and again she clutched the baluster and walked with tremulous care, +for the flooring was rotten here and there, and ready to crumble away. +Her face was pallid, troubled; and Dundas, who had been warned by the +tramp of horses and the tread of men, and who had descended the stairs, +revolver in hand, ready to slip away if he might under cover of +the mist, paused appalled, gazing across the quadrangle as on an +apparition--the sight so familiar to his senses, so strange to his +experience. He saw in an abrupt shifting of the mist that there were +other figures skulking in doorways, watching her progress. The next +moment she leaned forward to clutch the baluster, and the light of the +candle fell full on Emory Keenan, lurking in the open passage. A sudden +sharp cry of "Surrender!" The young mountaineer, confused, swiftly drew +his pistol. Others were swifter still. A sharp report rang out into +the chill crisp air, rousing all the affrighted echoes--a few faltering +steps, a heavy fall, and for a long time Emory Keenan's life-blood +stained the floor of the promenade. Even when it had faded, the rustic +gossips came often and gazed at the spot with morbid interest, until, a +decade later, an enterprising proprietor removed the floor and altered +the shape of that section of the building out of recognition. + +The escape of Dundas was easily effected. The deputy sheriff, confronted +with the problem of satisfactorily accounting for the death of a man +who had committed no offence against public polity, was no longer +formidable. His errand had been the arrest of a horse-thief, well-known +to him, and he had no interest in pursuing a fugitive, however obnoxious +to the law, whose personal description was so different from that of the +object of his search. + +Time restored to Dundas his former place in life and the esteem of his +fellow-citizens. His stay in the mountains was an episode which he will +not often recall, but sometimes volition fails, and he marvels at the +strange fulfilment of the girl's vision; he winces to think that her +solicitude for his safety should have cost her her lover; he wonders +whether she yet lives, and whether that tender troubled phantom, on +nights when the wind is still and the moon is low and the mists rise, +again joins the strange, elusive, woful company crossing the quaking +foot-bridge. + + + + + + +End of the Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + +***** This file should be named 23630.txt or 23630.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/6/3/23630/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23630.zip b/23630.zip Binary files differnew file mode 100644 index 0000000..bde7616 --- /dev/null +++ b/23630.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..561fa9f --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #23630 (https://www.gutenberg.org/ebooks/23630) diff --git a/old/23630-h.htm.2021-01-25 b/old/23630-h.htm.2021-01-25 new file mode 100644 index 0000000..001a8b1 --- /dev/null +++ b/old/23630-h.htm.2021-01-25 @@ -0,0 +1,2119 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + The Phantoms of the Foot-bridge, by Charles Egbert Craddock + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Phantoms Of The Foot-Bridge + 1895 + +Author: Charles Egbert Craddock (AKA Mary Noailles Murfree) + +Illustrator: A. B. Frost + +Release Date: November 26, 2007 [EBook #23630] +Last Updated: March 8, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + + + + +Produced by David Widger + + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + THE PHANTOMS OF THE FOOT-BRIDGE + </h1> + <h2> + By Charles Egbert Craddock <br /><br /> 1895 + </h2> + <p> + <br /><br /><br /> + </p> + <p> + Across the narrow gorge the little foot-bridge stretched-a brace of logs, + the upper surface hewn, and a slight hand-rail formed of a cedar pole. A + flimsy structure, one might think, looking down at the dark and rocky + depths beneath, through which flowed the mountain stream, swift and + strong, but it was doubtless substantial enough for all ordinary usage, + and certainly sufficient for the imponderable and elusive travellers who + by common report frequented it. + </p> + <p> + “We ain't likely ter meet nobody. Few folks kem this way nowadays, 'thout + it air jes' ter ford the creek down along hyar a piece, sence harnts an' + sech onlikely critters hev been viewed a-crossin' the foot-bredge. An' it + hev got the name o' bein' toler'ble onlucky, too,” said Roxby. + </p> + <p> + His interlocutor drew back slightly. He had his own reasons to recoil from + the subject of death. For him it was invested with a more immediate terror + than is usual to many of the living, with that flattering persuasion of + immortality in every strong pulsation repudiating all possibility of + cessation. Then, lifting his gloomy, long-lashed eyes to the bridge far up + the stream, he asked, “Whose 'harms?” + </p> + <p> + His voice had a low, repressed cadence, as of one who speaks seldom, + grave, even melancholy, and little indicative of the averse interest that + had kindled in his sombre eyes. In comparison the drawl of the + mountaineer, who had found him heavy company by the way, seemed imbued + with an abnormal vivacity, and keyed a tone or two higher than was its + wont. + </p> + <p> + “Thar ain't a few,” he replied, with a sudden glow of the pride of the + cicerone. “Thar's a graveyard t'other side o' the gorge, an' not more than + a haffen-mile off, an' a cornsider'ble passel o' folks hev been buried + thar off an' on, an' the foot-bredge ain't in nowise ill-convenient ter + them.” + </p> + <p> + Thus demonstrating the spectral resources of the locality, he rode his + horse well into the stream as he spoke, and dropped the reins that the + animal's impatient lips might reach the water. He sat fac-, ing the + foot-bridge, flecked with the alternate shifting of the sunshine and the + shadows of the tremulous firs that grew on either side of the high banks + on the ever-ascending slope, thus arching both above and below the haunted + bridge. His companion had joined him in the centre of the stream; but + while the horses drank, the stranger's eyes were persistently bent on the + concentric circles of the water that the movement of the animals had set + astir in the current, as if he feared that too close or curious a gaze + might discern some pilgrim, whom he cared not to see, traversing that + shadowy quivering foot-bridge. He was mounted on a strong, handsome + chestnut, as marked a contrast to his guide's lank and trace-galled sorrel + as were the two riders. A slender gloved hand had fallen with the reins to + the pommel of the saddle. His soft felt hat, like a sombrero, shadowed his + clear-cut face. He was carefully shaven, save for a long drooping dark + mustache and imperial. His suit of dark cloth was much concealed by a + black cloak, one end of which thrown back across his shoulder showed a + bright blue lining, the color giving a sudden heightening touch to his + attire, as if he were “in costume.” It was a fleeting fashion of the day, + but it added a certain picturesqueness to a horseman, and seemed far + enough from the times that produced the square-tailed frock-coat which the + mountaineer wore, constructed of brown jeans, the skirts of which stood + stiffly out on each side of the saddle, and gave him, with his + broad-brimmed hat, a certain Quakerish aspect. + </p> + <p> + “I dun'no' why folks be so 'feared of 'em,” Rox-by remarked, + speculatively. “The dead ain't so oncommon, nohow. Them ez hev been in the + war, like you an' me done, oughter be in an' 'bout used ter corpses-though + I never seen none o' 'em afoot agin. Lookin' at a smit field o' battle, + arter the rage is jes' passed, oughter gin a body a realizin' sense how + easy the sperit kin flee, an' what pore vessels fur holdin' the spark o' + life human clay be.” + </p> + <p> + Simeon Roxby had a keen, not unkindly face, and he had that look of + extreme intelligence which is entirely distinct from intellectuality, and + which one sometimes sees in a minor degree in a very clever dog or a fine + horse. One might rely on him to understand instinctively everything one + might say to him, even in its subtler aesthetic values, although he had + consciously learned little. He was of the endowed natures to whom much is + given, rather than of those who are set to acquire. He had many lines in + his face-even his simple life had gone hard with him, its sorrows un + assuaged by its simplicity. His hair was grizzled, and hung long and + straight on his collar. He wore a grizzled beard cut broad and short. His + boots had big spurs, although the lank old sorrel had never felt them. He + sat his horse like the cavalryman he had been for four years of hard + riding and raiding, but his face had a certain gentleness that accented + the Quaker-like suggestion of his garb, a look of communing with the + higher things. + </p> + <p> + “I never blamed 'em,'” he went on, evidently reverting to the spectres of + the bridge-“I never blamed 'em for comin' back wunst in a while. It 'pears + ter me 'twould take me a long time ter git familiar with heaven, an' + sociable with them ez hev gone before. An', my Lord, jes' think what the + good green yearth is! Leastwise the mountings. I ain't settin' store on + the valley lands I seen whenst I went ter the wars. I kin remember yit + what them streets in the valley towns smelt like.” + </p> + <p> + He lifted his head, drawing a long breath to inhale the exquisite + fragrance of the fir, the freshness of the pellucid water, the aroma of + the autumn wind, blowing through the sere leaves still clinging red and + yellow to the boughs of the forest. + </p> + <p> + “Naw, I ain't blamin' 'em, though I don't hanker ter view 'em,” he + resumed. “One of 'em I wouldn't be afeard of, though. I feel mighty sorry + fur her. The old folks used ter tell about her. A young 'oman she war, + a-crossin' this bredge with her child in her arms. She war young, an' mus' + have been keerless, I reckon; though ez 'twar her fust baby, she moightn't + hev been practised in holdin' it an' sech, an' somehows it slipped through + her arms an' fell inter the ruver, an' war killed in a minit, dashin' agin + the rocks. She jes' stood fur a second a-screamin' like a wild painter, + an' jumped off'n the bredge arter it. She got it agin; for when they + dragged her body out'n the ruver she hed it in her arms too tight fur even + death ter onloose. An' thar they air together in the buryin'-ground.” + </p> + <p> + He gave a nod toward the slope of the mountain that intercepted the + melancholy view of the graveyard. + </p> + <p> + “Got it yit!” he continued; “bekase” (he lowered his voice) “on windy + nights, whenst the moon is on the wane, she is viewed kerryin' the baby + along the bredge—kerryin' it clear over, <i>safe an' sound</i>, like + she thought she oughter done, I reckon, in that one minute, whilst she + stood an' screamed an' surveyed what she hed done. That child would hev + been nigh ter my age ef he hed lived.” + </p> + <p> + Only the sunbeams wavered athwart the bridge now as the firs swayed above, + giving glimpses of the sky, and their fibrous shadows flickered back and + forth. The wild mountain stream flashed white between the brown bowlders, + and plunged down the gorge in a succession of cascades, each seeming more + transparently green and amber and brown than the other. The chestnut horse + gazed meditatively at these limpid out-gushings, having drunk his fill; + then thought better of his moderation, and once more thrust his head down + to the water. The hand of his rider, which had made a motion to gather up + the reins, dropped leniently on his neck, as Simeon Roxby spoke again: + </p> + <p> + “Several—several others hev been viewed, actin' accordin' ter thar + motions in life. Now thar war a peddler—some say he slipped one icy + evenin', 'bout dusk in winter—some say evil ones waylaid him fur his + gear an' his goods in his pack, but the settlemint mostly believes he war + alone whenst he fell. His pack 'pears ter be full still, they say—but + ye air 'bleeged ter know he hev hed ter set that pack down fur good 'fore + this time. We kin take nuthin' out'n this world, no matter what kind o' a + line o' goods we kerry in life. Heaven's no place fur tradin', I + understan', an' I <i>do</i> wonder sometimes how in the worl' them + merchants an' sech in the valley towns air goin' ter entertain tharse'fs + in the happy land o' Canaan. It's goin' ter be sorter bleak fur them, + sure's ye air born.” + </p> + <p> + With a look of freshened recollection, he suddenly drew a plug of tobacco + from his pocket, and he talked on even as he gnawed a piece from it. + </p> + <p> + “Durin' the war a cavalry-man got shot out hyar whilst runnin' 'crost that + thar foot-bredge. Thar hed been a scrimmage an' his horse war kilt, an' he + tuk ter the bresh on foot, hopin' ter hide in the laurel. But ez he war + crossin' the foot-bredge some o' the pursuin' party war fordin' the ruver + over thar, an' thinkin' he'd make out ter escape they fired on him, jes' + ez the feller tried ter surrender. He turned this way an' flung up both + arms—but thar's mighty leetle truce in a pistol-ball. That minute it + tuk him right through the brain. Seems toler'ble long range fur a pistol, + don't it? He kin be viewed now most enny moonlight night out hyar on the + foot-bredge, throwin' up both hands in sign of surrender.” + </p> + <p> + The wild-geese were a-wing on the way southward. Looking up to that narrow + section of the blue sky which the incision of the gorge into the very + depths of the woods made visible, he could see the tiny files deploying + along the azure or the flecking cirrus, and hear the vague clangor of + their leader's cry. He lifted his head to mechanically follow their + flight. Then, as his eyes came back to earth, they rested again on the old + bridge. + </p> + <p> + “Strange enough,” he said, suddenly, “the sker-riest tale I hev ever hearn + 'bout that thar old bredge is one that my niece set a-goin'. She <i>seen</i> + the harnt <i>herself</i>, an' it shakes me wuss 'n the idee o' all the + rest.” + </p> + <p> + His companion's gloomy gaze was lifted for a moment with an expression of + inquiry from the slowly widening circles of the water about the horse's + head as he drank. But Roxby's eyes, with a certain gleam of excitement, a + superstitious dilation, still dwelt upon the bridge at the end of the + upward vista. He went on merely from the impetus of the subject. “Yes, sir—she + <i>seen</i> it a-pacin' of its sorrowful way acrost that bredge, same ez + the t'others of the percession o' harnts. 'Twar my niece, Mill'cent—brother's + darter—by name, Mill'cent Roxby. Waal, Mill'cent an' a lot o' young + fools o' her age—little over fryin' size—they 'tended + camp-meetin' down hyar on Tomahawk Creek—'tain't so long ago—along + with the old folks. An' 'bout twenty went huddled up tergether in a + road-wagin. An', lo! the wagin it bruk down on the way home, an' what with + proppin' it up on a crotch, they made out ter reach the cross-roads over + yander at the Notch, an' thar the sober old folks called a halt, an' hed + the wagin mended at the blacksmith-shop. Waal, it tuk some two hours, fur + Pete Rodd ain't a-goin' ter hurry hisself—in my opinion the angel + Gabriel will hev ter blow his bugle oftener'n wunst at the last day 'fore + Pete Rodd makes up his mind ter rise from the dead an' answer the + roll-call—an' this hyar young lot sorter found it tiresome waitin' + on thar elders' solemn company. The old folks, whilst waitin', set outside + on the porches of the houses at the settlemint, an' repeated some o' the + sermons they hed hearn at camp, an' more'n one raised a hyme chune. An' + the young fry—they hed hed a steady diet o' sermons an' hyme chunes + fur fower days—they tuk ter stragglin' off down the road, two an' + two, like the same sorter id jits the world over, leavin' word with the + old folks that the wagin would overtake 'em an' pick 'em up on the road + when it passed. Waal, they walked several mile, an' time they got ter the + crest o' the hill over yander the moon hed riz, an' they could look down + an' see the mist in the valley. The moon war bright in the buryin'-groun' + when they passed it, an' the head-boards stood up white an' stiff, an' a + light frost hed fell on the mounds, an' they showed plain, an' shone + sorter lonesome an' cold. The young folks begun ter look behind em' fur + the wagin. Some said—I b'lieve 'twar Em'ry Keen an—they could + read the names on the boards plain, 'twar so light, the moon bein' nigh + the full: but Em'ry never read nuthin' at night by the moon in his life; + he ain't enny too capable o' wrastlin' with the alphabet with a strong + daytime on his book ter light him ter knowledge. An' the shadows war black + an' still, an' all the yearth looked ez ef nuthin' lived nor ever would + agin, an' they hearn a wolf howl. Waal, that disaccommodated the gals + mightily, an' they hed a heap more interes' in that old wagin, all + smellin' rank with wagin-grease an' tar, than they did in thar lovyers; + an' they hed ruther hev hearn that old botch of a wheel that Pete Rodd hed + set onto it com in' a-creakin' an' a-com-plainin' along the road than the + sweetest words them boys war able ter make up or remember. So they stood + thar in the road—a-stare-gazin' them head-boards, like they expected + every grave ter open an' the reveilly ter sound—a-waitin' ter be + overtook by the wagin, a-listenin', but hearin' nuthin' in the silence o' + the frost—not a dead leaf a-twirlin', nor a frozen blade o' grass + astir. An' then two or three o' the gals 'lowed they hed ruther walk back + ter meet the wagin, an' whenst the boys 'lowed ter go on—nuthin' war + likely ter ketch 'em—one of 'em bust out a-cryin'. Waal, thar war + the eend o' that much! So the gay party set out on the back track, + a-keepin' step ter sobs an' sniffles, an' that's how kem <i>they</i> seen + no harnt. But Mill'-cent an' three or four o' the t'others 'lowed they'd + go on. They warn't two mile from home, an' full five from the cross-roads. + So Em'ry Keenan—he hev been waitin' on her sence the year one—so + he put his skeer in his pocket an' kem along with her, a-shakin' in his + shoes, I'll be bound! So down the hill in the frosty moonlight them few + kem—purty nigh beat out, I reckon, Mill'cent war, what with the + sermonizin' an' the hyme-singin' an' hevin' ter look continual at the + sheep's-eyes o' Em'ry Keenan—he wears my patience ter the bone! So + she concluded ter take the short-cut. An' Em'ry he agreed. So they tuk the + lead, the rest a following an' kem down thar through all that black + growth”—he lifted his arm and pointed at the great slope, dense with + fir and pine and the heavy underbrush—“keepin' the bridle-path—easy + enough even at night, fur the bresh is so thick they couldn't lose thar + way. But the moonlight war mightily slivered up, fallin' through the + needles of the pines an' the skeins of dead vines, an' looked bleached and + onnatural, an' holped the dark mighty leetle. An' they seen the water + a-shinin' an' a-plungin' down the gorge, an' the glistenin' of the frost + on the floor o' the bredge. Thar war a few icicles on the hand-rail, an' + the branches o' the firs hung ez still ez death; only that cold, racin', + shoutin', jouncin' water moved. Jes ez they got toler'ble nigh the + foot-bredge a sudden cloud kem over the face o' the sky. Thar warn't no + wind on the yearth, but up above the air war a-stirrin'. An' Em'ry he + 'lowed Mill'cent shouldn't cross the foot-bredge whilst the light warn't + clar—I wonder the critter hed that much sense! An' she jes' drapped + down on that rock thar ter rest”—he pointed up the slope to a great + fragment that had broken off from the ledges and lay near the bank: the + bulk of the mass was overgrown with moss and lichen, but the jagged edges + of the recent fracture gleamed white and crystalline among the brown and + olive-green shadows about it. A tree was close beside it. “Agin that thar + pine trunk Em'ry he stood an' leaned. The rest war behind, a-comin' down + the hill. An' all of a suddenty a light fell on the furder eend o' the + foot-bredge—a waverin' light, mighty white an' misty in the + darksomeness. Mill'cent 'lowed ez fust she thunk it war the moon. An' + lookin' up, she seen the cloud; it held the moon close kivered. An' + lookin' down, she seen the light war movin'—movin' from the furder + eend o' the bredge, straight acrost it. Sometimes a hand war held afore + it, ez ef ter shield it from the draught, an' then Mill'cent 'seen twar a + candle, an' the white in the mistiness war a 'oman wearin' white an' + carryn' it. + </p> + <p> + <a name="linkimage-0001" id="linkimage-0001"> + <!-- IMG --></a> + </p> + <div class="figleft" style="width:30%;"> + <img width="100%" src="images/025.jpg" + alt="The Phantom of the Foot-bridge 025 " /> + </div> + <p> + Lookin' ter right an' then ter lef the 'oman kem, with now her right hand + shieldin' the candle she held, an' now layin' it on the hand-rail. The + candle shone on the water, fur it didn't flare, an' when the 'oman held + her hand before it the light made a bright spot on the foot-bredge an' in + the dark air about her, an' on the fir branches over her head. An' a thin + mist seemed to hang about her white frock, but not over her face, fur when + she reached the middle o' the foot-bredge she laid her hand agin on the + rail, an' in the clear light o' the candle Mill'cent seen the harnt's + face. An' thar she beheld her own face; <i>her own face</i> she looked + upon ez she waited thar under the tree watchin' the foot-bredge; <i>her + own face</i> pale an' troubled; her own self dressed in white, crossin' + the foot-bredge, an' lightin' her steps with a corpse's candle.” He drew + up the reins abruptly. He seemed in sudden haste to go. His companion + looked with deepening interest at the bridge, although he followed his + guide's surging pathway to the opposite bank. As the two dripping horses + struggled up the steep incline he asked, “Did the man with her see the + manifestation also?” + </p> + <p> + “He <i>'lows</i> he did,” responded Roxby, equivocally. “But when + Mill'cent fust got so she could tell it, 'peared ter me ez Em'ry Keen an + fund it ez much news ez the rest o' we-uns. Mill'cent jes' drapped + stone-dead, accordin' ter all accounts, an' he an' the t'other young folks + flung water in her face till she kem out'n her faint; an' jes' then they + hearn the wagin a-rattlin' along the road, an' they stopped it an' fetched + her home in it. She never told the tale till she war home, an' it skeered + me an' my mother powerful, fur Mill'cent is all the kin we hev got. + Mill'cent is gran'daddy an' gran'mam-my, sons an' daughters, uncles an' + aunts, cousins, nieces, an' nephews, all in one. The only thing I ain't + pervided with is a nephew-in-law, an' I don't need him. Leastwise I ain't + lookin' fur Em'ry Keenan jes' at present.” + </p> + <p> + The pace was brisker when the two horses, bending their strength sturdily + to the task, had pressed up the massive slope from the deep cleft of the + gorge. As the road curved about the outer verge of the mountain, the + valley far beneath came into view, with intersecting valleys and + transverse ranges, dense with the growths of primeval wildernesses, and + rugged with the tilted strata of great upheavals, and with chasms cut in + the solid rock by centuries of erosion, traces of some remote cataclysmal + period, registering thus its throes and turmoils. The blue sky, seen + beyond a gaunt profile of one of the farther summits that defined its + craggy serrated edge against the ultimate distances of the western + heavens, seemed of a singularly suave tint, incongruous with the savagery + of the scene, which clouds and portents of storm might better have + befitted. The little graveyard, which John Dundas discerned with + recognizing eyes, albeit they had never before rested upon it, was + revealed suddenly, lying high on the opposite side of the gorge. No frost + glimmered now on the lowly mounds; the flickering autumnal sunshine + loitered unafraid among them, according to its languid wont for many a + year. Shadows of the gray un-painted head-boards lay on the withered + grass, brown and crisp, with never a cicada left to break the deathlike + silence. A tuft of red leaves, vagrant in the wind, had been caught on one + of the primitive monuments, and swayed there with a decorative effect. The + enclosure seemed, to unaccustomed eyes, of small compass, and few the + denizens who had found shelter here and a resting-place, but it numbered + all the dead of the country-side for many a mile and many a year, and + somehow the loneliness was assuaged to a degree by the reflection that + they had known each other in life, unlike the great herds of cities, and + that it was a common fate which the neighbors, huddled together, + encountered in company. + </p> + <p> + It had no discordant effect in the pervasive sense of gloom, of mighty + antagonistic forces with which the scene was replete; it fostered a + realization of the pitiable minuteness and helplessness of human nature in + the midst of the vastness of inanimate nature and the evidences of + infinite lengths of forgotten time, of the long reaches of unimagined + history, eventful, fateful, which the landscape at once suggested and + revealed and concealed. + </p> + <p> + Like the sudden flippant clatter of castanets in the pause of some solemn + funeral music was the impression given by the first glimpse along the + winding woodland way of a great flimsy white building, with its many + pillars, its piazzas, its “observatory,” its band-stand, its garish + intimations of the giddy, gay world of a summer hotel. But, alack! it, + too, had its surfeit of woe. + </p> + <p> + “The guerrillas an' bushwhackers tuk it out on the old hotel, sure!” + observed Sim Roxby, by way of introduction. “Thar warn't much fightin' + hyar-abouts, an' few sure-enough soldiers ever kem along. But wunst in a + while a band o' guerrillas went through like a suddint wind-storm, an' I + tell ye they made things whurl while they war about it. They made a sorter + barracks o' the old place. Looks some like lightning hed struck it.” + </p> + <p> + He had reined up his horse about one hundred yards in front of the + edifice, where the weed-grown gravelled drive—carefully tended ten + years agone—had diverged from the straight avenue of poplars, + sweeping in a circle around to the broad flight of steps. + </p> + <p> + “Though,” he qualified abruptly, as if a sudden thought had struck him, + “ef ye air countin' on buyin' it, a leetle money spent ter keerful purpose + will go a long way toward makin' it ez good ez new.” + </p> + <p> + His companion did not reply, and for the first time Roxby cast upon him a + covert glance charged with the curiosity which would have been earlier and + more easily aroused in another man by the manner of the stranger. A letter—infrequent + missive in his experience—had come from an ancient + companion-in-arms, his former colonel, requesting him in behalf of a + friend of the old commander to repair to the railway station, thirty miles + distant, to meet and guide this prospective purchaser of the old hotel to + the site of the property. And now as Roxby looked at him the suspicion + which his kind heart had not been quick to entertain was seized upon by + his alert brain. + </p> + <p> + “The cunnel's been fooled somehows,” he said to himself. + </p> + <p> + For the look with which John Dundas contemplated the place was not the + gaze of him concerned with possible investment—with the problems of + repair, the details of the glazier and the painter and the plasterer. The + mind was evidently neither braced for resistance nor resigned to despair, + as behooves one smitten by the foreknowledge of the certainty of the + excess of the expenditures over the estimates. Only with pensive, listless + melancholy, void of any intention, his eyes traversed the long rows of + open doors, riven by rude hands from their locks, swinging helplessly to + and fro in the wind, and giving to the deserted and desolate old place a + spurious air of motion and life. Many of the shutters had been wrenched + from their hinges, and lay rotting on the floors. The ball-room windows + caught on their shattered glass the reflection of the clouds, and it + seemed as if here and there a wan face looked through at the riders + wending along the weed-grown path. Where so many faces had been what + wonder that a similitude should linger in the loneliness! The pallid face + seemed to draw back as they glanced up while slowly pacing around the + drive. A rabbit sitting motionless on the front piazza did not draw back, + although observing them with sedate eyes as he poised himself upright on + his haunches, with his listless fore-paws suspended in the air, and it + occurred to Dundas that he was probably unfamiliar with the presence of + human beings, and had never heard the crack of a gun. A great swirl of + swallows came soaring out of the big kitchen chimneys and circled in the + sky, darting down again and again upward. Through an open passage was a + glimpse of a quadrangle, with its weed-grown spaces and litter of yellow + leaves. A tawny streak, a red fox, sped through it as Dundas looked. A + half-moon, all a-tilt, hung above it. He saw the glimmer through the bare + boughs of the leafless locust-trees here and there still standing, + although outside on the lawn many a stump bore token how ruthlessly the + bushwhackers had furnished their fires. + </p> + <p> + “That thar moon's a-hangin' fur rain,” said the mountaineer, commenting + upon the aspect of the luminary, which he, too, had noticed as they + passed. “I ain't s'prised none ef we hev fallin' weather agin 'fore day, + an' the man—by name Morgan Holden—that hev charge o' the hotel + property can't git back fur a week an' better.” + </p> + <p> + A vague wonder to find himself so suspicious flitted through his mind, + with the thought that perhaps the colonel might have reckoned on this + delay. “Surely the ruvers down yander at Knoxville mus' be a-boomin', with + all this wet weather,” he said to himself. + </p> + <p> + Then aloud: “Morgan Holden he went ter Col-bury ter 'tend ter some + business in court, an' the ruvers hev riz so that, what with the bredges + bein' washed away an' the fords so onsartain an' tricky, he'll stay till + the ruver falls. He don't know ye war kemin', ye see. The mail-rider hev + quit, 'count o' the rise in the ruver, an' thar's no way ter git word ter + him. Still, ef ye air minded ter wait, I'll be powerful obligated fur yer + comp'ny down ter my house till the ruver falls an' Holden he gits back.” + </p> + <p> + The stranger murmured his obligations, but his eyes dwelt lingeringly upon + the old hotel, with its flapping doors and its shattered windows. Through + the recurrent vistas of these, placed opposite in the rooms, came again + broken glimpses of the grassy space within the quadrangle, with its + leafless locust-trees, first of all to yield their foliage to the autumn + wind, where a tiny owl was shrilling stridulously under the lonely red sky + and the melancholy moon. + </p> + <p> + “Hed ye 'lowed ter, put up at the old hotel?” asked Roxby, some inherent + quickness supplying the lack of a definite answer. + </p> + <p> + For the first time the stranger turned upon him a look more expressive + than the casual fragmentary attention with which he had half heeded, half + ignored his talk since their first encounter at the railway station. + </p> + <p> + “A simple fellow, but good as gold,” was the phrase with which Simeon + Roxby had been commended as guide and in some sort guard. + </p> + <p> + “Not so simple, perhaps,” the sophisticated man thought as their eyes met. + Not so simple but that the truth must serve. “The colonel suggested that + it might be best,” he replied, more alert to the present moment than his + languid preoccupation had heretofore permitted. + </p> + <p> + The answer was good as far as it went. A few days spent in the old + hostelry certainly would serve well to acquaint the prospective purchaser + with its actual condition and the measures and means needed for its + repair; but as Sim Roxby stood there, with the cry of the owl shrilling in + the desert air, the lonely red sky, the ominous tilted moon, the doors + drearily flapping to and fro as the wind stole into the forlorn and empty + place and sped back affrighted, he marvelled at the refuge contemplated. + </p> + <p> + “I believe there is some of the furniture here yet. We could contrive to + set up a bed from what is left. The colonel could make it all right with + Holden, and I could stay a day or two, as we originally planned.” + </p> + <p> + “Ye-es. I don't mind Holden: a man ain't much in charge of a place ez + ain't got a lock or a key ter bless itself with, an' takes the owel an' + the fox an' the gopher fur boarders; but, ennyhow, kem with me home ter + supper. Mill'cent will hev it ready by now ennyhows, an' ye need suthin' + hearty an' hot ter stiffen ye up ter move inter sech quarters ez these.” + Dundas hesitated, but the mountaineer had already taken assent for + granted, and pushed his horse into a sharp trot. Evidently a refusal was + not in order. Dundas pressed forward, and they rode together along the + winding way past the ten-pin alley, its long low roof half hidden in the + encroaching undergrowth springing up apace beneath the great trees; past + the stables; past a line of summer cottages, strangely staring of aspect + out of the yawning doors and windows, giving, instead of an impression of + vacancy, a sense of covert watching, of secret occupancy. If one's glances + were only quick enough, were there not faces pressed to those shattered + panes—scarcely seen—swiftly withdrawn? + </p> + <p> + He was in a desert; he had hardly been so utterly alone in all his life; + yet he bore through the empty place a feeling of espionage, and ever and + anon he glanced keenly at the overgrown lawns, with their deepening drifts + of autumn leaves, at the staring windows and flaring doors, which emitted + sometimes sudden creaking wails in the silence, as if he sought to assure + himself of the vacancy of which his mind took cognizance and yet all his + senses denied. + </p> + <p> + Little of his sentiment, although sedulously cloaked, was lost on Sim + Roxby; and he was aware, too, in some subtle way, of the relief his guest + experienced when they plunged into the darkening forest and left the + forlorn place behind them. The clearing in which it was situated seemed an + oasis of light in the desert of night in which the rest of the world lay. + From the obscurity of the forest Dundas saw, through the vistas of the + giant trees, the clustering cottages, the great hotel, gables and chimneys + and tower, stark and distinct as in some weird dream-light in the midst of + the encircling gloom. The after-glow of sunset was still aflare on the + western windows; the whole empty place was alight with a reminiscence of + its old aspect—its old gay life. Who knows what memories were + a-stalk there—what semblance of former times? What might not the + darkness foster, the impunity of desertion, the associations that + inhabited the place with almost the strength of human occupancy itself? + Who knows—who knows? + </p> + <p> + He remembered the scene afterward, the impression he received. And from + this, he thought, arose his regret for his decision to take up here his + abiding-place. + </p> + <p> + The forest shut out the illumined landscape, and the night seemed indeed + at hand; the gigantic boles of the trees loomed through the encompassing + gloom, that was yet a semi-transparent medium, like some dark but clear + fluid through which objects were dimly visible, albeit tinged with its own + sombre hue. The lank, rawboned sorrel had set a sharp pace, to which the + chestnut, after momentary lagging, as if weary with the day's travel, + responded briskly. He had received in some way intimations that his + companion's corn-crib was near at hand, and if he had not deduced from + these premises the probability of sharing his fare, his mental processes + served him quite as well as reason, and brought him to the same result. On + and on they sped, neck and neck, through the darkening woods; fire flashed + now and again from their iron-shod hoofs; often a splash and a shower of + drops told of a swift dashing through the mud-holes that recent rains had + fostered in the shallows. The dank odor of dripping boughs came on the + clear air. Once the chestnut shied from a sudden strange shining point + springing up in the darkness close at hand, which the country-bred horse + discriminated as fox-fire, and kept steadily on, unmindful of the rotting + log where it glowed. Far in advance, in the dank depths of the woods, a + Will-o'-the-wisp danced and flickered and lured the traveller's eye. The + stranger was not sure of the different quality of another light, appearing + down a vista as the road turned, until the sorrel, making a tremendous + spurt, headed for it, uttering a joyous neigh at the sight. + </p> + <p> + The deep-voiced barking of hounds rose melodiously on the silence, and as + the horses burst out of the woods into a small clearing, Dundas beheld in + the brighter light a half-dozen of the animals nimbly afoot in the road, + one springing over the fence, another in the act of climbing, his + fore-paws on the topmost rail, his long neck stretched, and his head + turning about in attitudes of observation. He evidently wished to assure + himself whether the excitement of his friends was warranted by the facts + before he troubled himself to vault over the fence. Three or four still + lingered near the door of a log-cabin, fawning about a girl who stood on + the porch. Her pose was alert, expectant; a fire in the dooryard, where + the domestic manufacture of soap had been in progress, cast a red flare on + the house, its appurtenances, the great dark forest looming all around, + and, more than the glow of the hearth within, lighted up the central + figure of the scene. She was tall, straight, and strong; a wealth of fair + hair was clustered in a knot at the back of her head, and fleecy tendrils + fell over her brow; on it was perched a soldier's-cap; and certainly more + gallant and fearless eyes had never looked out from under the straight, + stiff brim. Her chin, firm, round, dimpled, was uplifted as she raised her + head, descrying the horsemen's approach. She wore a full dark-red skirt, a + dark brown waist, and around her neck was twisted a gray cotton kerchief, + faded to a pale ashen hue, the neutrality of which somehow aided the + delicate brilliancy of the blended roseate and pearly tints of her face. + Was this the seer of ghosts—Dundas marvelled—this the + Millicent whose pallid and troubled phantom already-paced the foot-bridge? + </p> + <p> + He did not realize that he had drawn up his horse suddenly at the sight of + her, nor did he notice that his host had dismounted, until Roxby was at + the chestnut's head, ready to lead the animal to supper in the barn. His + evident surprise, his preoccupation, were not lost upon Roxby, however. + His hand hesitated on the girth of the chestnut's saddle when he stood + between the two horses in the barn. He had half intended to disregard the + stranger's declination of his invitation, and stable the creature. Then he + shook his head slowly; the mystery that hung about the new-comer was not + reassuring. “A heap o' wuthless cattle 'mongst them valley men,” he said; + for the war had been in some sort an education to his simplicity. “Let him + stay whar the cunnel expected him ter stay. I ain't wantin' no stranger + a-hangin' round about Mill'cent, nohow. Em'ry Keenan ain't a pattern o' + perfection, but I be toler'ble well acquainted with the cut o' his + foolishness, an' I know his daddy an' mammy, an' both sets o' gran'daddies + an' gran'mammies, an' I could tell ye exac'ly which one the critter got + his nose an' his mouth from, an' them lean sheep's-eyes o' his'n, an' nigh + every tone o' his voice. Em'ry never thunk afore ez I set store on bein' + acquainted with him. He 'lowed I knowed him <i>too</i> well.” + </p> + <p> + He laughed as he glanced through the open door into the darkening + landscape. Horizontal gray clouds were slipping fast across the pearly + spaces of the sky. The yellow stubble gleamed among the brown earth of the + farther field, still striped with its furrows. The black forest encircled + the little cleared space, and a wind was astir among the tree-tops. A + white star gleamed through the broken clapboards of the roof, the fire + still flared under the soap-kettle in the dooryard, and the silence was + suddenly smitten by a high cracked old voice, which told him that his + mother had perceived the dismounted stranger at the gate, and was + graciously welcoming him. + </p> + <p> + She had come to the door, where the girl still stood, but half withdrawn + in the shadow. Dundas silently bowed as he passed her, following his aged + hostess into the low room, all bedight with the firelight of a huge + chimney-place, and comfortable with the realization of a journey's end. + The wilderness might stretch its weary miles around, the weird wind wander + in the solitudes, the star look coldly on unmoved by aught it beheld, the + moon show sad portents, but at the door they all failed, for here waited + rest and peace and human companionship and the sense of home. + </p> + <p> + “Take a cheer, stranger, an' make yerself at home. Powerful glad ter see + ye—-war 'feard night would overtake ye. Ye fund the water toler'ble + high in all the creeks an' sech, I reckon, an' fords shifty an' onsartain. + Yes, sir. Fall rains kem on earlier'n common, an' more'n we need. Wisht we + could divide it with that thar drought we had in the summer. Craps war cut + toler'ble short, sir—toler'ble short.” + </p> + <p> + Mrs. Roxby's spectacles beamed upon him with an expression of the utmost + benignity as the firelight played on the lenses, but her eyes peering over + them seemed endowed in some sort with independence of outlook. It was as + if from behind some bland mask a critical observation was poised for + unbiased judgment. He felt in some degree under surveillance. But when a + light step heralded an approach he looked up, regardless of the betrayal + of interest, and bent a steady gaze upon Millicent as she paused in the + doorway. + </p> + <p> + And as she stood there, distinct in the firelight and outlined against the + black background of the night, she seemed some modern half-military ideal + of Diana, with her two gaunt hounds beside her, the rest of the pack + vaguely glimpsed at her heels outside, the perfect outline and chiselling + of her features, her fine, strong, supple figure, the look of steady + courage in her eyes, and the soldier's cap on her fair hair. Her face so + impressed itself upon his mind that he seemed to have seen her often. It + was some resemblance to a picture of a vivandière, doubtless, in a foreign + gallery—he could not say when or where; a remnant of a tourist's + overcrowded impressions; a half-realized reminiscence, he thought, with an + uneasy sense of recognition. + </p> + <p> + “Hello, Mill'cent! home agin!” Roxby cried, in cheery greeting as he + entered at the back door opposite. “What sorter topknot is that ye got + on?” he demanded, looking jocosely at her head-gear. + </p> + <p> + The girl put up her hand with an expression of horror. A deep red flush + dyed her cheek as she touched the cap. “I forgot 'twar thar,” she + murmured, contritely. Then, with a sudden rush of anger as she tore it + off: “'Twar granny's fault. She axed me ter put it on, so ez ter see which + one I looked most like.” + </p> + <p> + “Stranger,” quavered the old woman, with a painful break in her voice, “I + los' fower sons in the war, an' Mill'cent hev got the fambly favor.” + </p> + <p> + “Ye <i>mought</i> hev let me know ez I war a-perlitin' round in this hyar + men's gear yit,” the girl muttered, as she hung the cap on a prong of the + deer antlers on which rested the rifle of the master of the house. + </p> + <p> + Roxby's face had clouded at the mention of the four sons who had gone out + from the mountains never to return, leaving to their mother's aching heart + only the vague comfort of an elusive resemblance in a girl's face; but as + he noted Millicent's pettish manner, and divined her mortification because + of her unseemly head-gear in the stranger's presence, he addressed her + again in that jocose tone without which he seldom spoke to her. + </p> + <p> + <a name="linkimage-0002" id="linkimage-0002"> + <!-- IMG --></a> + </p> + <div class="fig" style="width:80%"> + <img src="images/006.jpg" alt="Warn't You-uns Apologizin' Ter Me 006 " width="100%" /><br /> + </div> + <p> + “Warn't you-uns apologizin' ter me t'other day fur not bein' a nephew + 'stiddier a niece? Looked sorter like a nephew ter-night.” + </p> + <p> + She shook her head, covered now only with its own charming tresses waving + in thick undulations to the coil at the nape of her neck—a trifle + dishevelled from the rude haste with which the cap had been torn off. + </p> + <p> + Roxby had seated himself, and with his elbows on his knees he looked up at + her with a teasing jocularity, such as one might assume toward a child. + </p> + <p> + “<i>Ye war</i>,” he declared, with affected solemnity—“ye war + 'pologizin' fur not bein' a nephew, an' 'lowed ef ye war a nephew we could + go a-huntin' tergether, an' ye could holp me in all my quar'ls an' fights. + I been aging some lately, an' ef I war ter go ter the settlemint an' git + inter a fight I mought not be able ter hold my own. Think what 'twould be + ter a pore old man ter hev a dutiful nephew step up an'”—he doubled + his fists and squared off—“jes' let daylight through some o' them + cusses. An' didn't <i>ye say</i>”—he dropped his belligerent + attitude and pointed an insistent finger at her, as if to fix the matter + in her recollection—“ef ye war a nephew 'stiddier a niece ye could + fire a gun 'thout shettin' yer eyes? An' I told ye then ez that would mend + yer aim mightily. I told ye that I'd be powerful mortified ef I hed a + nephew ez hed ter shet his eyes ter keep the noise out'n his ears whenst + he fired a rifle. The tale would go mighty hard with me at the + settlemint.” + </p> + <p> + The girl's eyes glowed upon him with the fixity and the lustre of those of + a child who is entertained and absorbed by an elder's jovial wiles. A + flash of laughter broke over her face, and the low, gurgling, half-dreamy + sound was pleasant to hear. She was evidently no more than a child to + these bereft old people, and by them cherished as naught else on earth. + </p> + <p> + “An' didn't <i>I tell you-uns,</i>” he went on, affecting to warm to the + discussion, and in reality oblivious of the presence of the guest'—“didn't + I tell ye ez how ef ye war a nephew 'stiddier a niece ye wouldn't hev sech + cattle ez Em'ry Keenan a-dan-glin' round underfoot, like a puppy ye can't + gin away, an' that <i>won't</i> git lost, an' ye ain't got the heart ter + kill?” + </p> + <p> + The girl's lip suddenly curled with scorn. “Yer nephew would be obligated + ter make a ch'ice fur marryin' 'mongst these hyar mounting gals—Par-mely + Lepstone, or Belindy M'ria Matthews, or one o' the Windrow gals. Waal, + sir, I'd ruther be yer niece—even ef Em'ry Keenan <i>air</i> like a + puppy underfoot, that ye can't gin away, an' won't git lost, an' ye ain't + got the heart ter kill.” She laughed again, showing her white teeth. She + evidently relished the description of the persistent adherence of poor + Emory Keenan. “But which one o' these hyar gals would ye recommend ter yer + nephew ter marry—ef ye hed a nephew?” + </p> + <p> + She looked at him with flashing eyes, conscious of having propounded a + poser. + </p> + <p> + He hesitated for a moment. Then—“I'm surrounded,” he said, with a + laugh. “Ez I couldn't find a wife fur myself, I can't undertake ter + recommend one ter my nephew. Mighty fine boy he'd hev been, an' + saaft-spoken an' perlite ter aged men—not sassy an' makin' game o' + old uncles like a niece. Mighty fine boy!” + </p> + <p> + “Ye air welcome ter him,” she said, with a simulation of scorn, as she + turned away to the table. + </p> + <p> + Whether it were the military cap she had worn, or the fancied resemblance + to the young soldiers, never to grow old, who had gone forth from this + humble abode to return no more, there was still to the guest's mind the + suggestion of the vivandière about her as she set the table and spread + upon it the simple fare. To and from the fireplace she was followed by two + or three of the younger dogs, their callowness expressed in their lack of + manners and perfervid interest in the approaching meal. This induced their + brief journeys back and forth, albeit embarrassed by their physical + conformation, short turns on four legs not being apparently the easy thing + it would seem from so much youthful suppleness. The dignity of the elder + hounds did not suffer them to move, but they looked on from erect postures + about the hearth with glistening eyes and slobbering jaws. + </p> + <p> + Ever and anon the deep blue eyes of Millicent were lifted to the outer + gloom, as if she took note of its sinister aspect. She showed scant + interest in the stranger, whose gaze seldom left her as he sat beside the + fire. He was a handsome man, his face and figure illumined by the + firelight, and it might have been that he felt a certain pique, an + unaccustomed slight, in that his presence was so indifferent an element in + the estimation of any young and comely specimen of the feminine sex. + Certainly he had rarely encountered such absolute preoccupation as her + smiling far-away look betokened as she went back and forth with her young + canine friends at her heels, or stood at the table deftly slicing the + salt-rising bread, the dogs poised skilfully upon their hind-legs to + better view the appetizing performance; whenever she turned her face + toward them they laid their heads languish-ingly askew, as if to remind + her that supper could not be more fitly bestowed than on them. One, to + steady himself, placed unobserved his fore-paw on the edge of the table, + his well-padded toes leaving a vague imprint as of fingers upon the coarse + white cloth; but John Dundas was a sportsman, and could the better relax + an exacting nicety where so pleasant-featured and affable a beggar was + concerned. He forgot the turmoils of his own troubles as he gazed at + Millicent, the dreary aspect of the solitudes without, the exile from his + accustomed sphere of culture and comfort, the poverty and coarseness of + her surroundings. He was sorry that he had declined a longer lease of + Roxby's hospitality, and it was in his mind to reconsider when it should + be again proffered. Her attitude, her gesture, her face, her environment, + all appealed to his sense of beauty, his interest, his curiosity, as + little ever had done heretofore. Slice after slice of the firm fragrant + bread was deftly cut and laid on the plate, as again and again she lifted + her eyes with a look that might seem to expect to rest on summer in the + full flush of a June noontide without, rather than on the wan, wintry + night sky and the plundered, quaking woods, while the robber wind sped on + his raids hither and thither so swiftly that none might follow, so + stealthily that none might hinder. A sudden radiance broke upon her face, + a sudden shadow fell on the firelit floor, and there was entering at the + doorway a tall, lithe young mountaineer, whose first glance, animated with + a responsive brightness, was for the girl, but whose punctilious greeting + was addressed to the old woman. + </p> + <p> + “Howdy, Mis' Roxby—howdy? Air yer rheumatics mendin' enny?” he + demanded, with the condolent suavity of the would-be son-in-law, or + grand-son-in-law, as the case may be. And he hung with a transfixed + interest upon her reply, prolix and discursive according to the wont of + those who cultivate “rheumatics,” as if each separate twinge racked his + own sympathetic and filial sensibilities. Not until the tale was ended did + he set his gun against the wall and advance to the seat which Roxby had + indicated with the end of the stick he was whittling. He observed the + stranger with only slight interest, till Dundas drew up his chair opposite + at the table. There the light from the tallow dip, guttering in the + centre, fell upon his handsome face and eyes, his carefully tended beard + and hair, his immaculate cuffs and delicate hand, the seal-ring on his + taper finger. + </p> + <p> + “Like a gal, by gum!” thought Emory Keenan. “Rings on his fingers—yit + six feet high!” + </p> + <p> + He looked at his elders, marvelling that they so hospitably repressed the + disgust which this effeminate adornment must occasion, forgetting that it + was possible that they did not even observe it. In the gala-days of the + old hotel, before the war, they had seen much “finicking finery” in garb + and equipage and habits affected by the <i>jeunesse dorée</i> who + frequented the place in those halcyon times, and were accustomed to such + details. It might be that they and Millicent approved such flimsy + daintiness. He began to fume inwardly with a sense of inferiority in her + estimation. One of his fingers had been frosted last winter, and with the + first twinge of cold weather it was beginning to look very red and sad and + clumsy, as if it had just remembered its ancient woe; he glanced from it + once more at the delicate ringed hand of the stranger. + </p> + <p> + Dundas was looking up with a slow, deferential, decorous smile that + nevertheless lightened and transfigured his expression. It seemed somehow + communicated to Millicent's face as she looked down at him from beneath + her white eyelids and long, thick, dark lashes, for she was standing + beside him, handing him the plate of bread. Then, still smiling, she + passed noiselessly on to the others. + </p> + <p> + Emory was indeed clumsy, for he had stretched his hand downward to offer a + morsel to a friend of his under the table—he was on terms of + exceeding amity with the four-footed members of the household—and in + his absorption not withdrawing it as swiftly as one accustomed to canine + manners should do, he had his frosted finger well mumbled before he could, + as it were, repossess himself of it. + </p> + <p> + “I wonder what they charge fur iron over yander at the settlemint, Em'ry?” + observed Sim Roxby presently. + </p> + <p> + “Dun'no', sir,” responded Emory, glumly, his sullen black eyes full of + smouldering fire—“hevin' no call ter know, ez I ain't no + blacksmith.” + </p> + <p> + “I war jes' wonderin' ef tenpenny nails didn't cost toler'ble high ez + reg'lar feed,” observed Roxby, gravely. + </p> + <p> + But his mother laughed out with a gleeful cracked treble, always a ready + sequence of her son's rustic sallies. “He got ye that time, Em'ry,” she + cried. + </p> + <p> + A forced smile crossed Emory's face. He tossed back his tangled dark hair + with a gasp that was like the snort of an unruly horse submitting to the + inevitable, but with restive projects in his brain. “I let the dog hyar + ketch my finger whilst feedin' him,” he said. His plausible excuse for the + ten-penny expression was complete; but he added, his darker mood recurring + instantly, “An', Mis' Roxby, I hev put a stop ter them ez hev tuk ter + callin' me Em'ly, I hev.” + </p> + <p> + The old woman looked up, her small wrinkled mouth round and amazed. “<i>I</i> + never called ye Emily,” she declared. + </p> + <p> + Swift repentance seized him. + </p> + <p> + “Naw, 'm,” he said, with hurried propitiation. “I 'lowed ye did.” + </p> + <p> + “I didn't,” said the old woman. “But ef I warter find it toothsome ter + call ye 'Emily,' I dun'no' how ye air goin' ter pervent it. Ye can't go + gun-nin' fur me, like ye done fur the men at the mill, fur callin' ye + 'Emily.'” + </p> + <p> + “Law, Mis' Roxby!” he could only exclaim, in his horror and contrition at + this picture he had thus conjured up. “Ye air welcome ter call me + ennything ye air a mind ter,” he protested. + </p> + <p> + And then he gasped once more. The eyes of the guest, contemptuous, amused, + seeing through him, were fixed upon him. And he himself had furnished the + lily-handed stranger with the information that he had been stigmatized + “Em'ly” in the banter of his associates, until he had taken up arms, as it + were, to repress this derision. + </p> + <p> + “It takes powerful little ter put ye down, Em'ry,” said Roxby, with + rallying laughter. “Mam hev sent ye skedaddlin' in no time at all. I don't + b'lieve the Lord made woman out'n the man's rib. He made her out'n the + man's backbone; fur the man ain't hed none ter speak of sence.” + </p> + <p> + Millicent, with a low gurgle of laughter, sat down beside Emory at the + table, and fixed her eyes, softly lighted with mirth, upon him. The others + too had laughed, the stranger with a flattering intonation, but young + Keenan looked at her with a dumb appealing humility that did not + altogether fail of its effect, for she busied herself to help his plate + with an air of proprietorship as if he were a child, and returned it with + a smile very radiant and sufficient at close range. She then addressed + herself to her own meal. The young dogs under the table ceased to beg, and + gambolled and gnawed and tugged at her stout little shoes, the sound of + their callow mirthful growls rising occasionally above the talk. Sometimes + she rose again to wait on the table, when they came leaping out after her, + jumping and catching at her skirts, now and then casting themselves on the + ground prone before her feet, and rolling over and over in the sheer joy + of existence. + </p> + <p> + The stranger took little part in the talk at the table. Never a question + was asked him as to his mission in the mountains, or the length of his + stay, his vocation, or his home. That extreme courtesy of the + mountaineers, exemplified in their singular abstinence from any + expressions of curiosity, accepted such account of himself as he had + volunteered, and asked for no more. In the face of this standard of + manners any inquisitiveness on his part, such as might have elicited + points of interest for his merely momentary entertainment, was tabooed. + Nevertheless, silent though he was for the most part, the relish with + which he listened, his half-covert interest in the girl, his quick + observation of the others, the sudden very apparent enlivening of his + mental atmosphere, betokened that his quarters were not displeasing to + him. It seemed only a short time before the meal was ended and the circle + all, save Millicent, with pipes alight before the fire again. The dogs, + well fed, had ranged themselves on the glowing hearth, lying prone on the + hot stones; one old hound, however, who conserved the air of listening to + the conversation, sat upright and nodded from time to time, now and again + losing his balance and tipping forward in a truly human fashion, then + gazing round on the circle with an open luminous eye, as who should say he + had not slept. + </p> + <p> + It was all very cheerful within, but outside the wind still blared + mournfully. Once more Dundas was sorry that he had declined the invitation + to remain, and it was with a somewhat tentative intention that he made a + motion to return to the hotel. But his host seemed to regard his + resolution as final, and rose with a regret, not an insistence. The two + women stared in silent amazement at the mere idea of his camping out, as + it were, in the old hotel. The ascendency of masculine government here, + notwithstanding Roxby's assertion that Eve was made of Adam's backbone, + was very apparent in their mute acquiescence and the alacrity with which + they began to collect various articles, according to his directions, to + make the stranger's stay more comfortable. + </p> + <p> + “Em'ry kin go along an' holp,” he said, heartlessly; for poor Emory's joy + in perceiving that the guest was not a fixture, and that his presence was + not to be an embargo on any word between himself and Millicent during the + entire evening, was pitiably manifest. But the situation was still not + without its comforts, since Dundas was to go too. Hence he was not poor + company when once in the saddle, and was civil to a degree of which his + former dismayed surliness had given no promise. + </p> + <p> + Night had become a definite element. The twilight had fled. Above their + heads, as they galloped through the dank woods, the bare boughs of the + trees clashed together—so high above their heads that to the town + man, unaccustomed to these great growths, the sound seemed not of the + vicinage, but unfamiliar, uncanny, and more than once he checked his horse + to listen. As they approached the mountain's verge and overlooked the + valley and beheld the sky, the sense of the predominance of darkness was + redoubled. The ranges gloomed against the clearer spaces, but a cloud, + deep gray with curling white edges, was coming up from the west, with an + invisible convoy of vague films, beneath which the stars, glimmering white + points, disappeared one by one. The swift motion of this aerial fleet + sailing with the wind might be inferred from the seemingly hurried pace of + the moon making hard for the west. Still bright was the illumined segment, + but despite its glitter the shadowy space of the full disk was distinctly + visible, its dusky field spangled with myriads of minute, dully golden + points. Down, down it took its way in haste—in disordered fright, it + seemed, as if it had no heart to witness the storm which the wind and the + clouds foreboded—to fairer skies somewhere behind those western + mountains. Soon even its vague light would encroach no more upon the + darkness. The great hotel would be invisible, annihilated as it were in + the gloom, and not even thus dimly exist, glimmering, alone, forlorn, so + incongruous to the wilderness that it seemed even now some mere figment of + the brain, as the two horsemen came with a freshened burst of speed along + the deserted avenue and reined up beside a small gate at the side. + </p> + <p> + “No use ter ride all the way around,” observed Emory Keenan. “Mought jes + ez well 'light an' hitch hyar.” + </p> + <p> + The moon gave him the escort of a great grotesque shadow as he threw + himself from his horse and passed the reins over a decrepit hitching-post + near at hand. Then he essayed the latch of the small gate. He glanced up + at Dundas, the moonlight in his dark eyes, with a smile as it resisted his + strength. + </p> + <p> + He was a fairly good-looking fellow when rid of the self-consciousness of + jealousy. His eyes, mouth, chin, and nose, acquired from reliable and + recognizable sources, were good features, and statuesque in their + immobility beneath the drooping curves of his broad soft hat. He was tall, + with the slenderness of youth, despite his evident weight and strength. He + was long-waisted and lithe and small of girth, with broad square + shoulders, whose play of muscles as he strove with the gate was not + altogether concealed by the butternut jeans coat belted in with his + pistols by a broad leathern belt. His boots reached high on his long legs, + and jingled with a pair of huge cavalry spurs. His stalwart strength + seemed as if it must break the obdurate gate rather than open it, but + finally, with a rasping creak, dismally loud in the silence, it swung + slowly back. + </p> + <p> + The young mountaineer stood gazing for a moment at the red rust on the + hinges. “How long sence this gate must hev been opened afore?” he said, + again looking up at Dundas with a smile. + </p> + <p> + Somehow the words struck a chill to the stranger's heart. The sense of the + loneliness of the place, of isolation, filled him with a sort of awe. The + night-bound wilderness itself was not more daunting than these solitary + tiers of piazzas, these vacant series of rooms and corridors, all instinct + with vanished human presence, all alert with echoes of human voices. A + step, a laugh, a rustle of garments—he could have sworn he heard + them at any open doorway as he followed his guide along the dim moonlit + piazza, with its pillars duplicated at regular intervals by the shadows on + the floor. How their tread echoed down these lonely ways! From the + opposite side of the house he heard Kee-nan's spurs jangling, his + soldierly stride sounding back as if their entrance had roused barracks. + He winced once to see his own shadow with its stealthier movement. It + seemed painfully furtive. For the first time during the evening his jaded + mind, that had instinctively sought the solace of contemplating trifles, + reverted to its own tormented processes. “Am I not hiding?” he said to + himself, in a sort of sarcastic pity of his plight. + </p> + <p> + The idea seemed never to enter the mind of the transparent Keenan. He + laughed out gayly as they turned into the weed-grown quadrangle, and the + red fox that Dundas had earlier observed slipped past him with affrighted + speed and dashed among the shadows of the dense shrubbery of the old lawn + without. Again and again the sound rang back from wall to wall, first with + the jollity of seeming imitation, then with an appalled effect sinking to + silence, and suddenly rising again in a grewsome <i>staccato</i> that + suggested some terrible unearthly laughter, and bore but scant resemblance + to the hearty mirth which had evoked it Keenan paused and looked back with + friendly gleaming eyes. “Oughter been a leetle handier with these hyar + consarns,” he said, touching the pistols in his belt. + </p> + <p> + It vaguely occurred to Dundas that the young man went strangely heavily + armed for an evening visit at a neighbor's house. But it was a lawless + country and lawless times, and the sub-current of suggestion did not + definitely fix itself in his mind until he remembered it later. He was + looking into each vacant open doorway, seeing the still moonlight starkly + white upon the floor; the cobwebbed and broken window-panes, through which + a section of leafless trees beyond was visible; bits of furniture here and + there, broken by the vandalism of the guerillas. Now and then a scurrying + movement told of a gopher, hiding too, and on one mantel-piece, the black + fireplace yawning below, sat a tiny tawny-tinted owl, whose motionless + beadlike eyes met his with a stare of stolid surprise. After he had + passed, its sudden ill-omened cry set the silence to shuddering. + </p> + <p> + Keenan, leading the way, paused in displeasure. “I wisht I hed viewed that + critter,” he said, glumly. “I'd hev purvented that screechin' ter call the + devil, sure. It's jes a certain sign o' death.” + </p> + <p> + He was about to turn, to wreak his vengeance, perchance. But the bird, + sufficiently fortunate itself, whatever woe it presaged for others, + suddenly took its awkward flight through sheen and shadow across the + quadrangle, and when they heard its cry again it came from some remote + section of the building, with a doleful echo as a refrain. + </p> + <p> + The circumstance was soon forgotten by Keenan. He seemed a happy, + mercurial, lucid nature, and he began presently to dwell with interest on + the availability of the old music-stand in the centre of the square as a + manger. “Hyar,” he said, striking the rotten old structure with a heavy + hand, which sent a quiver and a thrill through all the timbers—“hyar's + whar the guerillas always hitched thar beastises. Thar feed an' forage war + piled up thar on the fiddlers' seats. Ye can't do no better'n ter pattern + arter them, till ye git ready ter hev fiddlers an' sech a-sawin' away in + hyar agin.” + </p> + <p> + And he sauntered away from the little pavilion, followed by Dundas, who + had not accepted his suggestion of a room on the first floor as being less + liable to leakage, but finally made choice of an inner apartment in the + second story. He looked hard at Keenan, when he stood in the doorway + surveying the selection. The room opened into a cross-hall which gave upon + a broad piazza that was latticed; tiny squares of moonlight were all + sharply drawn on the floor, and, seen through a vista of gray shadow, + seemed truly of a gilded lustre. From the windows of this room on a + court-yard no light Could be visible to any passer-by without. Another + door gave on an inner gallery, and through its floor a staircase came up + from the quadrangle close to the threshold. Dundas wondered if these + features were of possible significance in Keenan's estimation. The young + mountaineer turned suddenly, and snatching up a handful of slats broken + from the shutters, remarked: + </p> + <p> + “Let's see how the chimbly draws—that's the main p'int.” + </p> + <p> + There was no defect in the chimney's constitution. It drew admirably, and + with the white and red flames dancing in the fireplace, two or three + chairs, more or less disabled, a table, and an upholstered lounge gathered + at random from the rooms near at hand, the possibility of sojourning + comfortably for a few days in the deserted hostelry seemed amply assured. + </p> + <p> + Once more Dundas gazed fixedly at the face of the young mountaineer, who + still bent on one knee on the hearth, watching with smiling eyes the + triumphs of his fire-making. It seemed to him afterwards that his judgment + was strangely at fault; he perceived naught of import in the shallow + brightness of the young man's eyes, like the polished surface of jet; in + the instability of his jealousy, his anger; in his hap-hazard, mercurial + temperament. Once he might have noted how flat were the spaces beneath the + eyes, how few were the lines that defined the lid, the socket, the curve + of the cheekbone, the bridge of the nose, and how expressionless. It was + doubtless the warmth and glow of the fire, the clinging desire of + companionship, the earnest determination to be content, pathetic in one + who had but little reason for optimism, that caused him to ignore the + vacillating glancing moods that successively swayed Keenan, strong while + they lasted, but with scanty augury because of their evanescence. He was + like some newly discovered property in physics of untried potentialities, + of which nothing is ascertained but its uncertainties. + </p> + <p> + And yet he seemed to Dundas a simple country fellow, good-natured in the + main, unsuspicious, and helpful. So, giving a long sigh of relief and + fatigue, Dundas sank down in one of the large arm-chairs that had once + done duty for the summer loungers on the piazza. + </p> + <p> + In the light of the fire Emory was once more looking at him. A certain air + of distinction, a grace and ease of movement, an indescribable quality of + bearing which he could not discriminate, yet which he instinctively + recognized as superior, offended him in some sort. He noticed again the + ring on the stranger's hand as he drew off his glove. Gloves! Emory Keen + an would as soon have thought of wearing a petticoat. Once more the fear + that these effeminate graces found favor in Millicent's estimation smote + upon his heart. It made the surface of his opaque eyes glisten as Dundas + rose and took up a pipe and tobacco-pouch which he had laid on the + mantelpiece, his full height and fine figure shown in the changed posture. + </p> + <p> + “Ez tall ez me, ef not taller, an', by gum! a good thirty pound heavier,” + Emory reflected, with, a growing dismay that he had not those stalwart + claims to precedence in height and weight as an offset to the smoother + fascinations of the stranger's polish. + </p> + <p> + He had risen hastily to his feet. He would not linger to smoke fraternally + over the fire, and thus cement friendly relations. + </p> + <p> + “I guided him hyar, like old Sim Roxby axed me ter do, an' that's all. I + ain't keerin' ef I never lay eyes on him again,” he said to himself. + </p> + <p> + “Going?” said Dundas, pleasantly, noticing the motion. “You'll look in + again, won't you?” + </p> + <p> + “Wunst in a while, I reckon,” drawled Keenan, a trifle thrown off his + balance by this courtesy. + </p> + <p> + He paused at the door, looking back over his shoulder for a moment at the + illumined room, then stepped out into the night, leaving the tenant of the + lonely old house filling his pipe by the fire. + </p> + <p> + His tread rang along the deserted gallery, and sudden echoes came tramping + down the vacant halls as if many a denizen of the once populous place was + once more astir within its walls. Long after Dundas had heard him spring + from the lower piazza to the ground, and the rusty gate clang behind him, + vague footfalls were audible far away, and were still again, and once more + a pattering tread in some gaunt and empty apartment near at hand, faint + and fainter yet, till he hardly knew whether it were the reverberations of + sound or fancy that held his senses in thrall. + </p> + <p> + And when all was still and silent at last he felt less solitary than when + these elusive tokens of human presence were astir. + </p> + <p> + Late, late he sat over the dwindling embers. His mind, no longer diverted + by the events of the day, recurred with melancholy persistence to a theme + which even they, although fraught with novelty and presage of danger, had + not altogether crowded out. And as the sense of peril dulled, the craft of + sophistry grew clumsy. Remorse laid hold upon him in these dim watches of + the night. Self-reproach had found him out here, defenceless so far from + the specious wiles and ways of men. All the line of provocations seemed + slight, seemed naught, as he reviewed them and balanced them against a + human life. True, it was not in some mad quarrel that his skill had taken + it and had served to keep his own—a duel, a fair fight, strictly + regular according to the code of “honorable men” for ages past—and + he sought to argue that it was doubtless but the morbid sense of the wild + fastnesses without, the illimitable vastness of the black night, the + unutterable indurability of nature to the influences of civilization, + which made it taste like murder. He had brought away even from the scene + of action, to which he had gone with decorous deliberation—his + worldly affairs arranged for the possibility of death, his will made, his + volition surrendered, and his sacred honor in the hands of his seconds—a + humiliating recollection of the sudden revulsion of the aspect of all + things; the criminal sense of haste with which he was hurried away after + that first straight shot; the agitation, nay, the fright of his seconds; + their eagerness to be swiftly rid of him, their insistence that he should + go away for a time, get out of the country, out of the embarrassing + purview of the law, which was prone to regard the matter as he himself saw + it now, and which had an ugly trick of calling things by their right names + in the sincere phraseology of an indictment. And thus it was that he was + here, remote from all the usual lines of flight, with his affectation of + being a possible purchaser for the old hotel, far from the railroad, the + telegraph, even the postal service. Some time—soon, indeed, it might + be, when the first flush of excitement and indignation should be overpast, + and the law, like a barking dog that will not bite, should have noisily + exhausted the gamut of its devoirs—he would go back and live + according to his habit in his wonted place, as did other men whom he had + known to be “called out,” and who had survived their opponents. Meantime + he heard the ash crumble; he saw the lighted room wane from glancing + yellow to a dull steady red, and so to dusky brown; he marked the wind + rise, and die away, and come again, banging the doors of the empty rooms, + and setting timbers all strangely to creaking as under sudden trampling + feet; then lift into the air with a rustling sound like the stir of + garments and the flutter of wings, calling out weirdly in the great voids + of the upper atmosphere. + </p> + <p> + He had welcomed the sense of fatigue earlier in the evening, for it + promised sleep. Now it had slipped away from him. He was strong and young, + and the burning sensation that the frosty air had left on his face was the + only token of the long journey. It seemed as if he would never sleep again + as he lay on the lounge watching the gray ash gradually overgrow the + embers, till presently only a vague dull glow gave intimation of the + position of the hearth in the room. And then, bereft of this dim sense of + companionship, he stared wide-eyed in the darkness, feeling the only + creature alive and awake in all the world. No; the fox was suddenly + barking within the quadrangle—a strangely wild and alien tone. And + presently he heard the animal trot past his door on the piazza, the + cushioned footfalls like those of a swift dog. He thought with a certain + anxiety of the tawny tiny owl that had sat like a stuffed ornament on the + mantel-piece of a neighboring room, and he listened with a quaking + vicarious presentiment of woe for the sounds of capture and despair. He + was sensible of waiting and hoping for the fox's bootless return, when he + suddenly lost consciousness. + </p> + <p> + How long he slept he did not know, but it seemed only a momentary respite + from the torture of memory, when, still in the darkness, thousands of + tremulous penetrating sounds were astir, and with a great start he + recognized the rain on the roof. It was coming down in steady torrents + that made the house rock before the tumult of his plunging heart was + still, and he was longing again for the forgetfulness of sleep. In vain. + The hours dragged by; the windows slowly, slowly denned their dull gray + squares against the dull gray day dawning without. The walls that had been + left with only the first dark coat of plaster, awaiting another season for + the final decoration, showed their drapings of cobweb, and the names and + pencilled scribblings with which the fancy of transient bushwhackers had + chosen to deface them. The locust-trees within the quadrangle drearily + tossed their branches to and fro in the wind, the bark very black and + distinct against the persistent gray lines of rain and the white walls of + the galleried buildings opposite; the gutters were brimming, roaring along + like miniature torrents; nowhere was the fox or the owl to be seen. + Somehow their presence would have been a relief—the sight of any + living thing reassuring. As he walked slowly along the deserted piazzas, + in turning sudden corners, again and again he paused, expecting that + something, some one, was approaching to meet him. When at last he mounted + his horse, that had neighed gleefully to see him, and rode away through + the avenue and along the empty ways among the untenanted summer cottages, + all the drearier and more forlorn because of the rain, he felt as if he + had left an aberration, some hideous dream, behind, instead of the stark + reality of the gaunt and vacant and dilapidated old house. + </p> + <p> + The transition to the glow and cheer of Sim Roxby's fireside was like a + rescue, a restoration. The smiling welcome in the women's eyes, their soft + drawling voices, with mellifluous intonations that gave a value to each + commonplace simple word, braced his nerves like a tonic. It might have + been only the contrast with the recollections of the night, with the + prospect visible through the open door—the serried lines of rain + dropping aslant from the gray sky and elusively outlined against the dark + masses of leafless woods that encircled the clearing; the dooryard half + submerged with puddles of a clay-brown tint, embossed always with myriads + of protruding drops of rain, for however they melted away the downpour + renewed them, and to the eye they were stationary, albeit pervaded with a + continual tremor—but somehow he was cognizant of a certain coddling + tenderness in the old woman's manner that might have been relished by a + petted child, an unaffected friendliness in the girl's clear eyes. They + made him sit close to the great wood fire; the blue and yellow flames + gushed out from the piles of hickory logs, and the bed of coals gleamed at + red and white heat beneath. They took his hat to carefully dry it, and + they spread out his cloak on two chairs at one side of the room, where it + dismally dripped. When he ventured to sneeze, Mrs. Roxby compounded and + administered a “yerb tea,” a sovereign remedy against colds, which he + tasted on compulsion and in great doubt, and swallowed with alacrity and + confidence, finding its basis the easily recognizable “toddy.” He had + little knowledge how white and troubled his face had looked as he came in + from the gray day, how strongly marked were those lines of sharp mental + distress, how piteously apparent was his mute appeal for sympathy and + comfort. + </p> + <p> + “Mill'cent,” said the old woman in the shed-room, as they washed and wiped + the dishes after the cozy breakfast of venison and corn-dodgers and honey + and milk, “that thar man hev run agin the law, sure's ye air born.” + </p> + <p> + Millicent turned her reflective fair face, that seemed whiter and more + delicate in the damp dark day, and looked doubtfully out over the fields, + where the water ran in steely lines in the furrows. + </p> + <p> + “Mus' hev been by accident or suthin'. <i>He</i> ain't no hardened + sinner.” + </p> + <p> + “Shucks!” the old woman commented upon her reluctant acquiescence. “I + ain't keerin' for the law! 'Tain't none o' my job. The tomfool men make + an' break it. Ennybody ez hev seen this war air obleeged to take note o' + the wickedness o' men in gineral. This hyer man air a sorter pitiful + sinner, an' he hev got a look in his eyes that plumb teches my heart. I + 'ain't got no call ter know nuthin' 'bout the law, bein' a 'oman an' + naterally ignorant. I dun'no' ez he hev run agin it.” + </p> + <p> + “Mus' hev been by accident,” said Millicent, dreamily, still gazing over + the sodden fields. + </p> + <p> + The suspicion did nothing to diminish his comfort or their cordiality. The + morning dragged by without change in the outer aspects. The noontide + dinner came and went without Roxby's return, for the report of the washing + away of a bridge some miles distant down the river had early called him + out to the scene of the disaster, to verify in his own interests the + rumor, since he had expected to haul his wheat to the settlement the + ensuing day. The afternoon found the desultory talk still in progress + about the fire, the old woman alternately carding cotton and nodding in + her chair in the corner; the dogs eying the stranger, listening much of + the time with the air of children taking instruction, only occasionally + wandering out-of-doors, the floor here and there bearing the damp imprint + of their feet; and Millicent on her knees in the other corner, the + firelight on her bright hair, her delicate cheek, her quickly glancing + eyes, as she deftly moulded bullets. + </p> + <p> + “Uncle Sim hed ter s'render his shootin'-irons,” she explained, “an' he + 'ain't got no ca'tridge-loadin' ones lef. So he makes out with his old + muzzle-loadin' rifle that he hed afore the war, an' I moulds his bullets + for him rainy days.” + </p> + <p> + As she held up a moulded ball and dexterously clipped off the surplus + lead, the gesture was so culinary in its delicacy that one of the dogs in + front of the fire extended his head, making a long neck, with a tentative + sniff and a glistening gluttonous eye. + </p> + <p> + “Ef I swallered enny mo' lead, I wouldn't take it hot, Towse,” she said, + holding out the bullet for canine inspection. “'Tain't healthy!” + </p> + <p> + But the dog, perceiving the nature of the commodity, drew back with a look + of deep reproach, rose precipitately, and with a drooping tail went out + skulkingly into the wet gray day. + </p> + <p> + “Towse can't abide a bullet,” she observed, “nor nuthin' 'bout a gun. He + got shot wunst a-huntin', an' he never furgot it. Jes show him a gun an' + he ain't nowhar ter be seen—like he war cotch up in the clouds.” + </p> + <p> + “Good watch-dog, I suppose,” suggested Dundas, striving to enter into the + spirit of her talk. + </p> + <p> + “Naw; too sp'ilt for a gyard-dog—granny coddled him so whenst he got + shot. He's jest vally'ble fur his conversation, I reckon,” she continued, + with a smile in her eyes. “I dun'no' what else, but he <i>is</i> toler'ble + good company.” + </p> + <p> + The other dogs pressed about her, the heads of the great hounds as high as + her own as she sat among them on the floor. With bright eyes and knitted + brows they followed the motions of pouring in the melted metal, the + lifting of the bullets from the mould, the clipping off of the surplus + lead, and the flash of the keen knife. + </p> + <p> + Outside the sad light waned; the wind sighed and sighed; the dreary rain + fell; the trees clashed their boughs dolorously together, and their + turbulence deadened the sound of galloping horses. As Dundas sat and gazed + at the girl's intent head, with its fleecy tendrils and its massive coil, + the great hounds beside her, all emblazoned by the firelight upon the + brown wall near by, with the vast fireplace at hand, the whole less like + reality than some artist's pictured fancy, he knew naught of a sudden + entrance, until she moved, breaking the spell, and looked up to meet the + displeasure in Roxby's eyes and the dark scowl on Emory Keenan's face. + </p> + <hr /> + <p> + That night the wind shifted to the north. Morning found the chilled world + still, ice where the water had lodged, all the trees incased in glittering + garb that followed the symmetry alike of every bough and the tiniest twig, + and made splendid the splintered remnants of the lightning-riven. The + fields were laced across from furrow to furrow, in which the frozen water + still stood gleaming, with white arabesques which had known a more humble + identity as stubble and crab-grass; the sky was slate-colored, and from + its sad tint this white splendor gained added values of contrast. When the + sun should shine abroad much of the effect would be lost in the too + dazzling glister; but the sun did not shine. + </p> + <p> + All day the gray mood held unchanged. Night was imperceptibly sifting down + upon all this whiteness, that seemed as if it would not be obscured, as if + it held within itself some property of luminosity, when Millicent, a white + apron tied over her golden head, improvising a hood, its superfluous + fulness gathered in many folds and pleats around her neck, fichu-wise, + stood beside the ice-draped fodder-stack and essayed with half-numbed + hands to insert a tallow dip into the socket of a lantern, all incrusted + and clumsy with previous drippings. + </p> + <p> + “I dun'no' whether I be a-goin' ter need this hyar consarn whilst milkin' + or no,” she observed, half to herself, half to Emory, who, chewing a + straw, somewhat surlily had followed her out for a word apart. “The dusk + 'pears slow ter-night, but Spot's mighty late comin' home, an' old Sue air + fractious an' contrairy-minded, and feels mighty anxious an' oneasy 'boutn + her calf, that's ez tall ez she is nowadays, an' don't keer no mo' 'bout + her mammy 'n a half-grown human does. I tell her she oughtn't ter be mad + with me, but with the way she brung up her chile, ez won't notice her + now.” + </p> + <p> + She looked up with a laugh, her eyes and teeth gleaming; her golden hair + still showed its color beneath the spotless whiteness of her voluminous + headgear, and the clear tints of her complexion seemed all the more + delicate and fresh in the snowy pallor of the surroundings and the + grayness of the evening. + </p> + <p> + “I reckon I'd better take it along,” and once more she addressed herself + to the effort to insert the dip into the lantern. + </p> + <p> + Emory hardly heard. His pulse was quick. His eye glittered. He breathed + hard as, with both hands in his pockets, he came close to her. + </p> + <p> + “Mill'cent,” he said, “I told ye the t'other day ez ye thunk a heap too + much o' that thar stran-ger-” + </p> + <p> + “An' I tole ye, bubby, that I didn't think nuthin' o' nobody but you-uns,” + she interrupted, with an effort to placate his jealousy. The little + jocularity which she affected dwindled and died before the steady glow of + his gaze, and she falteringly looked at him, her unguided hands futilely + fumbling with the lantern. + </p> + <p> + “Ye can't fool me,” he stoutly asseverated. “Ye think mo' o' him 'n o' me, + kase ye 'low he air rich, an' book-larned, an' smooth-fingered, an' + fini-fied ez a gal, an' goin' ter buy the hotel. I say, <i>hotel!</i> Now + <i>I'll</i> tell ye what he is—I'll tell ye! He's a criminal. He's + runnin' from the law. He's hidin' in the old hotel that he's purtendin' + ter buy.” + </p> + <p> + She stared wide-eyed and pallid, breathless and waiting. + </p> + <p> + He interpreted her expression as doubt, denial. + </p> + <p> + “It's gospel sure,” he cried. “Fur this very evenin' I met a gang o' men + an' the sheriff's deputy down yander by the sulphur spring 'bout sundown, + an' he 'lowed ez they war a-sarchin' fur a criminal ez war skulkin' round + hyarabout lately—ez they wanted a man fur hevin' c'mitted murder.” + </p> + <p> + “But ye didn't accuse <i>him</i>, surely; ye hed no right ter s'picion <i>him</i>. + Uncle Sim! Oh, my Lord! Ye surely wouldn't! Oh, Uncle Sim!” + </p> + <p> + Her tremulous words broke into a quavering cry as she caught his arm + convulsively, for his face confirmed her fears. She thrust him wildly + away, and started toward the house. + </p> + <p> + “Ye needn't go tattlin' on me,” he said, roughly pushing her aside. “I'll + tell Mr. Roxby myself. I ain't 'shamed o' what I done. I'll tell him. I'll + tell him myself.” And animated with this intention to forestall her + disclosure, his long strides bore him swiftly past and into the house. + </p> + <p> + It seemed to him that he lingered there only a moment or two, for Roxby + was not at the cabin, and he said nothing of the quarrel to the old woman. + Already his heart had revolted against his treachery, and then there came + to him the further reflection that he did not know enough to justify + suspicion. Was not the stranger furnished with the fullest credentials—a + letter to Roxby from the Colonel? Perhaps he had allowed his jealousy to + endanger the man, to place him in jeopardy even of his life should he + resist arrest. + </p> + <p> + Keenan tarried at the house merely long enough to devise a plausible + excuse for his sudden excited entrance, and then took his way back to the + barnyard. + </p> + <p> + It was vacant. The cows still stood lowing at the bars; the sheep cowered + together in their shed; the great whitened cone of the fodder-stack + gleamed icily in the purple air; beside it lay the lantern where Millicent + had cast it aside. She was gone! He would not believe it till he had run + to the barn, calling her name in the shadowy place, while the horse at his + manger left his corn to look over the walls of his stall with inquisitive + surprised eyes, luminous in the dusk. He searched the hen-house, where the + fowls on their perches crowded close because of the chill of the evening. + He even ran to the bars and looked down across the narrow ravine to which + the clearing sloped. Beyond the chasm-like gorge he saw presently on the + high ascent opposite footprints that had broken the light frostlike + coating of ice on the dead leaves and moss—climbing footprints, + swift, disordered. He looked back again at the lantern where Millicent had + flung it in her haste. Her mission was plain now. She had gone to warn + Dundas. She had taken a direct line through the woods. She hoped to + forestall the deputy sheriff and his posse, following the circuitous + mountain road. + </p> + <p> + Keenan's lip curled in triumph. His heart burned hot with scornful anger + and contempt of the futility of her effort. “They're there afore she + started!” he said, looking up at the aspects of the hour shown by the sky, + and judging of the interval since the encounter by the spring. Through a + rift in the gray cloud a star looked down with an icy scintillation and + disappeared again. He heard a branch in the woods snap beneath the weight + of ice. A light sprang into the window of the cabin hard by, and came in a + great gush of orange-tinted glow out into the snowy bleak wintry space. He + suddenly leaped over the fence and ran like a deer through the woods. + </p> + <p> + Millicent too had been swift. He had thought to overtake her before he + emerged from the woods into the more open space where the hotel stood. In + this quarter the cloud-break had been greater. Toward the west a fading + amber glow still lingered in long horizontal bars upon the opaque gray + sky. The white mountains opposite were hung with purple shadows borrowed + from a glimpse of sunset somewhere far away over the valley of East + Tennessee; one distant lofty range was drawn in elusive snowy suggestions, + rather than lines, against a green space of intense yet pale tint. The + moon, now nearing the full, hung over the wooded valley, and aided the ice + and the crust of snow to show its bleak, wan, wintry aspect; a tiny spark + glowed in its depths from some open door of an isolated home. Over it all + a mist was rising from the east, drawing its fleecy but opaque curtain. + Already it had climbed the mountain-side and advanced, windless, + soundless, overwhelming, annihilating all before and beneath it. The old + hotel had disappeared, save that here and there a gaunt gable protruded + and was withdrawn, showed once more, and once more was submerged. + </p> + <p> + A horse's head suddenly looking out of the enveloping mist close to his + shoulder gave him the first intimation of the arrival, the secret silent + waiting, of those whom he had directed hither. That the saddles were empty + he saw a moment later. The animals stood together in a row, hitched to the + rack. No disturbance sounded from the silent building. The event was in + abeyance. The fugitive in hiding was doubtless at ease, unsuspecting, + while the noiseless search of the officers for his quarters was under way. + </p> + <p> + With a thrill of excitement Keenan crept stealthily through an open + passage and into the old grass-grown spaces of the quadrangle. Night + possessed the place, but the cloud seemed denser than the darkness. He was + somehow sensible of its convolutions as he stood against the wall and + strained his eyes into the dusk. Suddenly it was penetrated by a + milky-white glimmer, a glimmer duplicated at equidistant points, each + fading as its successor sprang into brilliance. The next moment he + understood its significance. It had come from the blurred windows of the + old ball-room. Milli-cent had lighted her candle as she searched for the + fugitive's quarters; she was passing down the length of the old house on + the second story, and suddenly she emerged upon the gallery. She shielded + the feeble flicker with her Hand; her white-hooded head gleamed as with an + aureola as the divergent rays rested on the opaque mist; and now and again + she clutched the baluster and walked with tremulous care, for the flooring + was rotten here and there, and ready to crumble away. Her face was pallid, + troubled; and Dundas, who had been warned by the tramp of horses and the + tread of men, and who had descended the stairs, revolver in hand, ready to + slip away if he might under cover of the mist, paused appalled, gazing + across the quadrangle as on an apparition—the sight so familiar to + his senses, so strange to his experience. He saw in an abrupt shifting of + the mist that there were other figures skulking in doorways, watching her + progress. The next moment she leaned forward to clutch the baluster, and + the light of the candle fell full on Emory Keenan, lurking in the open + passage. A sudden sharp cry of “Surrender!” The young mountaineer, + confused, swiftly drew his pistol. Others were swifter still. A sharp + report rang out into the chill crisp air, rousing all the affrighted + echoes—a few faltering steps, a heavy fall, and for a long time + Emory Keenan's life-blood stained the floor of the promenade. Even when it + had faded, the rustic gossips came often and gazed at the spot with morbid + interest, until, a decade later, an enterprising proprietor removed the + floor and altered the shape of that section of the building out of + recognition. + </p> + <p> + The escape of Dundas was easily effected. The deputy sheriff, confronted + with the problem of satisfactorily accounting for the death of a man who + had committed no offence against public polity, was no longer formidable. + His errand had been the arrest of a horse-thief, well-known to him, and he + had no interest in pursuing a fugitive, however obnoxious to the law, + whose personal description was so different from that of the object of his + search. + </p> + <p> + Time restored to Dundas his former place in life and the esteem of his + fellow-citizens. His stay in the mountains was an episode which he will + not often recall, but sometimes volition fails, and he marvels at the + strange fulfilment of the girl's vision; he winces to think that her + solicitude for his safety should have cost her her lover; he wonders + whether she yet lives, and whether that tender troubled phantom, on nights + when the wind is still and the moon is low and the mists rise, again joins + the strange, elusive, woful company crossing the quaking foot-bridge. + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Phantoms Of The Foot-Bridge, by +Charles Egbert Craddock (AKA Mary Noailles Murfree) + +*** END OF THIS PROJECT GUTENBERG EBOOK THE PHANTOMS OF THE FOOT-BRIDGE *** + +***** This file should be named 23630-h.htm or 23630-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/6/3/23630/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |
