summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:06:01 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:06:01 -0700
commit510d64e36d1b9a8cfe33f9b38776f77a835855d7 (patch)
tree5ff1de1f88da9db31e6967b2fa50247c2cd91830
initial commit of ebook 23619HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--23619-8.txt1456
-rw-r--r--23619-8.zipbin0 -> 21590 bytes
-rw-r--r--23619-h.zipbin0 -> 2622801 bytes
-rw-r--r--23619-h/23619-h.htm1786
-rw-r--r--23619-h/images/backcover.jpgbin0 -> 103157 bytes
-rw-r--r--23619-h/images/cover.jpgbin0 -> 103077 bytes
-rw-r--r--23619-h/images/hand.pngbin0 -> 1337 bytes
-rw-r--r--23619-h/images/i-001.jpgbin0 -> 93872 bytes
-rw-r--r--23619-h/images/i-002.jpgbin0 -> 98491 bytes
-rw-r--r--23619-h/images/i-003.jpgbin0 -> 92089 bytes
-rw-r--r--23619-h/images/i-004.jpgbin0 -> 99266 bytes
-rw-r--r--23619-h/images/i-005.jpgbin0 -> 101182 bytes
-rw-r--r--23619-h/images/i-006.jpgbin0 -> 83869 bytes
-rw-r--r--23619-h/images/i-007.jpgbin0 -> 97189 bytes
-rw-r--r--23619-h/images/i-008.jpgbin0 -> 97753 bytes
-rw-r--r--23619-h/images/i-009.jpgbin0 -> 74282 bytes
-rw-r--r--23619-h/images/i-010.jpgbin0 -> 91472 bytes
-rw-r--r--23619-h/images/i-011.jpgbin0 -> 87894 bytes
-rw-r--r--23619-h/images/i-012.jpgbin0 -> 83510 bytes
-rw-r--r--23619-h/images/i-013.jpgbin0 -> 101728 bytes
-rw-r--r--23619-h/images/i-014.jpgbin0 -> 82100 bytes
-rw-r--r--23619-h/images/i-015.jpgbin0 -> 99134 bytes
-rw-r--r--23619-h/images/i-016.jpgbin0 -> 91821 bytes
-rw-r--r--23619-h/images/i-017.jpgbin0 -> 98953 bytes
-rw-r--r--23619-h/images/i-018.jpgbin0 -> 99924 bytes
-rw-r--r--23619-h/images/i-019.jpgbin0 -> 97892 bytes
-rw-r--r--23619-h/images/i-020.jpgbin0 -> 81223 bytes
-rw-r--r--23619-h/images/i-021.jpgbin0 -> 90370 bytes
-rw-r--r--23619-h/images/i-022.jpgbin0 -> 89200 bytes
-rw-r--r--23619-h/images/i-023.jpgbin0 -> 97806 bytes
-rw-r--r--23619-h/images/i-024.jpgbin0 -> 83263 bytes
-rw-r--r--23619-h/images/i-025.jpgbin0 -> 86255 bytes
-rw-r--r--23619-h/images/i-026.jpgbin0 -> 86931 bytes
-rw-r--r--23619-page-images/c001.jpgbin0 -> 2958436 bytes
-rw-r--r--23619-page-images/c002.jpgbin0 -> 2860863 bytes
-rw-r--r--23619-page-images/f001.pngbin0 -> 27377 bytes
-rw-r--r--23619-page-images/f002.pngbin0 -> 27111 bytes
-rw-r--r--23619-page-images/f003.jpgbin0 -> 2225479 bytes
-rw-r--r--23619-page-images/p001-image.jpgbin0 -> 1144154 bytes
-rw-r--r--23619-page-images/p001.pngbin0 -> 40879 bytes
-rw-r--r--23619-page-images/p002.pngbin0 -> 15016 bytes
-rw-r--r--23619-page-images/p003-image.jpgbin0 -> 952766 bytes
-rw-r--r--23619-page-images/p003.pngbin0 -> 35572 bytes
-rw-r--r--23619-page-images/p004-image.jpgbin0 -> 836056 bytes
-rw-r--r--23619-page-images/p004.pngbin0 -> 35031 bytes
-rw-r--r--23619-page-images/p005-image.jpgbin0 -> 1118996 bytes
-rw-r--r--23619-page-images/p005.pngbin0 -> 44646 bytes
-rw-r--r--23619-page-images/p006-image.jpgbin0 -> 859620 bytes
-rw-r--r--23619-page-images/p006.pngbin0 -> 34278 bytes
-rw-r--r--23619-page-images/p007-image.jpgbin0 -> 997903 bytes
-rw-r--r--23619-page-images/p007.pngbin0 -> 39236 bytes
-rw-r--r--23619-page-images/p008-image.jpgbin0 -> 918267 bytes
-rw-r--r--23619-page-images/p008.pngbin0 -> 36573 bytes
-rw-r--r--23619-page-images/p009-image.jpgbin0 -> 1046909 bytes
-rw-r--r--23619-page-images/p009.pngbin0 -> 42729 bytes
-rw-r--r--23619-page-images/p010-image.jpgbin0 -> 877812 bytes
-rw-r--r--23619-page-images/p010.pngbin0 -> 32593 bytes
-rw-r--r--23619-page-images/p011-image.jpgbin0 -> 1070283 bytes
-rw-r--r--23619-page-images/p011.pngbin0 -> 42635 bytes
-rw-r--r--23619-page-images/p012-image.jpgbin0 -> 860835 bytes
-rw-r--r--23619-page-images/p012.pngbin0 -> 32995 bytes
-rw-r--r--23619-page-images/p013-image.jpgbin0 -> 1047011 bytes
-rw-r--r--23619-page-images/p013.pngbin0 -> 40982 bytes
-rw-r--r--23619-page-images/p014-image.jpgbin0 -> 835702 bytes
-rw-r--r--23619-page-images/p014.pngbin0 -> 30870 bytes
-rw-r--r--23619-page-images/p015-image.jpgbin0 -> 976970 bytes
-rw-r--r--23619-page-images/p015.pngbin0 -> 41652 bytes
-rw-r--r--23619-page-images/p016-image.jpgbin0 -> 795886 bytes
-rw-r--r--23619-page-images/p016.pngbin0 -> 29150 bytes
-rw-r--r--23619-page-images/p017-image.jpgbin0 -> 1120092 bytes
-rw-r--r--23619-page-images/p017.pngbin0 -> 45165 bytes
-rw-r--r--23619-page-images/p018-image.jpgbin0 -> 969756 bytes
-rw-r--r--23619-page-images/p018.pngbin0 -> 41357 bytes
-rw-r--r--23619-page-images/p019-image.jpgbin0 -> 967456 bytes
-rw-r--r--23619-page-images/p019.pngbin0 -> 38176 bytes
-rw-r--r--23619-page-images/p020-image.jpgbin0 -> 806688 bytes
-rw-r--r--23619-page-images/p020.pngbin0 -> 32563 bytes
-rw-r--r--23619-page-images/p021-image.jpgbin0 -> 1063302 bytes
-rw-r--r--23619-page-images/p021.pngbin0 -> 36997 bytes
-rw-r--r--23619-page-images/p022-image.jpgbin0 -> 875047 bytes
-rw-r--r--23619-page-images/p022.pngbin0 -> 39311 bytes
-rw-r--r--23619-page-images/p023-image.jpgbin0 -> 1101507 bytes
-rw-r--r--23619-page-images/p023.pngbin0 -> 45284 bytes
-rw-r--r--23619-page-images/p024-image.jpgbin0 -> 835445 bytes
-rw-r--r--23619-page-images/p024.pngbin0 -> 35689 bytes
-rw-r--r--23619-page-images/p025-image.jpgbin0 -> 1130193 bytes
-rw-r--r--23619-page-images/p025.pngbin0 -> 47473 bytes
-rw-r--r--23619-page-images/p026-image.jpgbin0 -> 915308 bytes
-rw-r--r--23619-page-images/p026.pngbin0 -> 33567 bytes
-rw-r--r--23619-page-images/p027.pngbin0 -> 48511 bytes
-rw-r--r--23619-page-images/p028.pngbin0 -> 49272 bytes
-rw-r--r--23619-page-images/p029.pngbin0 -> 49602 bytes
-rw-r--r--23619-page-images/p030.pngbin0 -> 53122 bytes
-rw-r--r--23619-page-images/p032.pngbin0 -> 38026 bytes
-rw-r--r--23619-page-images/p033.pngbin0 -> 38461 bytes
-rw-r--r--23619.txt1456
-rw-r--r--23619.zipbin0 -> 21564 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
100 files changed, 4714 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/23619-8.txt b/23619-8.txt
new file mode 100644
index 0000000..8d7b437
--- /dev/null
+++ b/23619-8.txt
@@ -0,0 +1,1456 @@
+The Project Gutenberg EBook of The Royal Picture Alphabet, by Luke Limner
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Royal Picture Alphabet
+
+Author: Luke Limner
+
+Release Date: November 25, 2007 [EBook #23619]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ROYAL PICTURE ALPHABET ***
+
+
+
+
+Produced by Jacqueline Jeremy and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive/American Libraries.)
+
+
+
+
+
+
+
+
+
+ THE
+ ROYAL
+ PICTURE ALPHABET
+
+ OF HUMOUR AND DROLL MORAL TALES
+ OR WORDS & THEIR MEANINGS
+ ILLUSTRATED
+
+ [Illustration]
+
+ LONDON:
+ WARD AND LOCK,
+ 158, FLEET STREET.
+
+
+
+
+[Illustration: LAUGH and LEARN]
+
+[Illustration: The Royal Picture Alphabet.]
+
+
+
+
+ POETICAL PREFACE
+ TO THE
+ ROYAL PICTURE ALPHABET.
+
+ TO PRECEPTORS.
+
+
+ With learning may laughter be found,
+ "'Tis good to be merry and wise;"
+ To gaily get over the ground,
+ As higher and higher we rise.
+
+ Some children their letters may learn,
+ While others will surely do more,
+ As the subjects suggestively turn
+ To matters not thought of before.
+
+ Descriptions and pictures combined
+ Are here made attractive and clear;
+ So suited that children may find
+ From error the truth to appear.
+
+
+
+
+[Illustration]
+
+A a.
+
+ +-----------------------+
+ | ABLUTION, |
+ |_The Act of Cleansing_.|
+ +-----------------------+
+
+ The little sweep has washed his face,
+ But not as we advise:
+ For black as soot he's made the soap,
+ And rubbed it in his eyes.
+
+
+
+
+[Illustration]
+
+B b.
+
+ +-------------------+
+ |BARTER, _Exchange_.|
+ +-------------------+
+
+ Here's Master Mack presenting fruit,
+ Of which he makes display;
+ He knows he'll soon have Lucy's rope,
+ And with it skip away.
+
+
+
+
+[Illustration]
+
+C c.
+
+ +----------------------------+
+ |CATASTROPHE, _a Final Event_|
+ | (_generally unhappy_). |
+ +----------------------------+
+
+ "Oh here's a sad catastrophe!"
+ Was Mrs. Blossom's cry--
+ Then--"Water! water! bring to me--
+ Or all my fish will die."
+
+
+
+
+[Illustration]
+
+D d.
+
+ +-------------------+
+ | DELIGHTFUL, |
+ |_easant, Charming_.|
+ +-------------------+
+
+ These boys are bathing in the stream
+ When they should be at school:
+ The master's coming round to see
+ Who disregards his rule.
+
+
+
+
+[Illustration]
+
+E e.
+
+ +----------------------------+
+ | ECCENTRICITY, |
+ |_Irregularity, Strangeness_.|
+ +----------------------------+
+
+ We often see things seeming strange;
+ But scarce so strange as this:--
+ Here everything is mis-applied,
+ Here every change amiss.
+
+
+
+
+[Illustration]
+
+F f.
+
+ +---------------------------------+
+ | FRAUD, |
+ |_Deceit, Trick, Artifice, Cheat_.|
+ +---------------------------------+
+
+ Here is Pat Murphy, fast asleep.
+ And there is Neddy Bray:
+ The thief a watchful eye doth keep
+ Until he gets away.
+
+
+
+
+[Illustration]
+
+G g.
+
+ +------------------------+
+ | GENIUS, |
+ |_Mental Power, Faculty_.|
+ +------------------------+
+
+ A little boy with little slate
+ May sometimes make more clear
+ The little thoughts that he would state
+ Than can by words appear.
+
+
+
+
+[Illustration]
+
+H h.
+
+ +----------------+
+ | HORROR, |
+ |_Terror, Dread_.|
+ +----------------+
+
+ This little harmless speckled frog
+ Seems Lady Townsend's dread:
+ I fear she'll run away and cry,
+ And hide her silly head.
+
+
+
+
+[Illustration]
+
+I i. J j.
+
+ +----------------------------+
+ | ICHABOD AT THE JAM. |
+ | |
+ |ICHABOD, _a Christian Name_.|
+ |JAM, _a Conserve of Fruits_.|
+ +----------------------------+
+
+
+ Enough is good, excess is bad:
+ Yet Ichabod you see,
+ Will with the jam his stomach cram,
+ Until they disagree.
+
+
+
+
+[Illustration]
+
+K k.
+
+ +-------------------------+
+ | KNOWING, |
+ |_Conscious, Intelligent_.|
+ +-------------------------+
+
+ Tho' horses know both beans and corn,
+ And snuff them in the wind;
+ They also all know Jemmy Small,
+ And what he holds behind.
+
+
+
+
+[Illustration]
+
+L l.
+
+ +-----------------------------+
+ | LUCKY, |
+ |_Fortunate, Happy by Chance_.|
+ +-----------------------------+
+
+ We must admire, in Lovebook's case.
+ The prompt decision made:
+ As he could not have gained the wood
+ If time had been delayed.
+
+
+
+
+[Illustration]
+
+M m.
+
+ +-----------------------+
+ | MIMIC, |
+ |_Imitative, Burlesque_.|
+ +-----------------------+
+
+ The Gentleman, who struts so fine,
+ Unconscious seems to be
+ Of Imitation by the boy
+ Who has the street-door key.
+
+
+
+
+[Illustration]
+
+N n.
+
+ +-----------------------------+
+ | NEGLIGENCE, |
+ |_Heedlessness, Carelessness_.|
+ +-----------------------------+
+
+ The character Tom Slowboy bears
+ Would much against him tell--
+ For any work that's wanted done,
+ Or even play done well.
+
+
+
+
+[Illustration]
+
+O o.
+
+ +----------------------------+
+ | OBSTINACY, |
+ |_Stubbornness, Waywardness_.|
+ +----------------------------+
+
+ The obstinacy of the pig
+ Is nature--as you see:
+ But boys and girls who have a mind
+ Should never stubborn be.
+
+
+
+
+[Illustration]
+
+P p.
+
+ +-------------------------------+
+ | PETS, |
+ |_Favourites, Spoilt Fondlings_.|
+ +-------------------------------+
+
+ Some people say that Aunty Gray
+ To animals is kind;
+ We think, instead, they are over fed,
+ And kept too much confined.
+
+
+
+
+[Illustration]
+
+Q q.
+
+ +------------------------+
+ | QUANDARY, |
+ |_A Doubt, a Difficulty_.|
+ +------------------------+
+
+ Dame Partlet's in difficulty
+ And looks around with doubt:
+ Let's hope, as she some way got in,
+ She may some way get out.
+
+
+
+
+[Illustration]
+
+R r.
+
+ +-------------------------+
+ | RIVALRY, |
+ |_Competition, Emulation_.|
+ +-------------------------+
+
+ In every competition prize
+ This should be kept in view--
+ Whoever wins should be the one
+ Who does deserve it, too.
+
+
+
+
+[Illustration]
+
+S s.
+
+ +---------------------------+
+ | SLUGGARD, |
+ |_An Inactive, Lazy Fellow_.|
+ +---------------------------+
+
+ To lie so many hours in bed
+ You surely must be ill--
+ And need some physic, Master Ned,
+ As birch, or draught, or pill!
+
+
+
+
+[Illustration]
+
+T t.
+
+ +--------------------------+
+ | TOPSY-TURVY, |
+ |_Upside Down, Bottom Top_.|
+ +--------------------------+
+
+ Here's Topsy-Turvy, upside down,
+ The ceiling seems the base:
+ Reverse the ground and 'twill be found
+ The things are out of place.
+
+
+
+
+[Illustration]
+
+U u. V v.
+
+ +----------------------------------+
+ | UNCOMMON VEGETATION. |
+ | |
+ |UNCOMMON, _Rare, not Frequent_. |
+ |VEGETATION, _the Power of Growth_.|
+ +----------------------------------+
+
+ Th' uncommon vegetation, here,
+ With art has much to do:
+ The trees are nature, but the fruit
+ Uncommon and untrue.
+
+
+
+
+[Illustration]
+
+W w.
+
+ +---------------------------+
+ | WONDER, |
+ |_Admiration, Astonishment_.|
+ +---------------------------+
+
+ The wise may live and wonder still,
+ However much they know,
+ But simple Giles has wonder found
+ Within the penny show.
+
+
+
+
+[Illustration]
+
+X x.
+
+ +----------------------------------------+
+ |NO ENGLISH WORD BEGINS WITH THIS LETTER.|
+ | XANTIPPE, |
+ | _A Greek Matron, Wife of Socrates_. |
+ +----------------------------------------+
+
+ Here's Socrates and Xantippe--
+ Philosopher and wife--
+ For gentleness renowned was he;
+ She, better known for strife.
+
+
+
+
+[Illustration]
+
+Y y.
+
+ +--------------------+
+ | YEARN, |
+ |_To Grieve, to Vex_.|
+ +--------------------+
+
+ Miss Cross has tried to reach the grapes,
+ She's tried and tried again--
+ And now she's vexed to think that all
+ Her efforts are in vain.
+
+
+
+
+[Illustration]
+
+Z z.
+
+ +----------------------------+
+ | ZANY, |
+ |_A Buffoon, a Merry Andrew_.|
+ +----------------------------+
+
+ Here's Zany reading in a book--
+ With heels above his head--
+ And, judging by his laughing look,
+ Finds fun in what he's read.
+
+
+
+
+MORAL TALES.
+
+
+ABLUTION.--Poor little fellow, you are certainly making comical
+faces: I fear the soap has got into your eyes, and that you will
+make that towel very black indeed. All boys, when they wash
+themselves, should take care to rinse off the soap and dirt before
+using the towel. To make the poor little sweep quite clean would
+take much washing. I should like to see the soap and water a little
+cleaner. Many of us have nice wash-stands and baths of marble, but
+this poor little fellow must make the best of what he can get. See
+how cleverly he has put a brick under the broken leg of the stool to
+prop it. I like to see boys clever and ingenious.
+
+
+BARTER.--Miss Lucy Hart was a nice girl, but rather thoughtless,
+little regarding any time but the present--new things in her eyes
+being the prettiest and the best;--thus, she would cast away old
+toys for new ones, as if she were not likely to want them again.
+See, Master George Mc Gregor is bartering for her skipping-rope;
+offering some fruit in exchange for it. The fruit he has picked off
+the tree without permission. I know Lucy's mamma will be vexed; for
+not only will the fruit soon be gone, and the skip-rope wanted
+again, but it was a present from Papa. The plaything cost far more
+than a little fruit, which will be quickly eaten, and possibly make
+Lucy unwell after so much as she has had to-day.
+
+
+CATASTROPHE.--Poor dear lady! has the cat tried to help himself to a
+gold fish, and overturned the handsome glass vase? Naughty Tom!
+greedy puss! I am sure kind Mrs. Blossom always feeds you well; and
+I think you know that you have done wrong, or you would not run so
+fast over the rails into Admiral Seaworth's garden, where he keeps
+his large dog Neptune, who may bark and send you back in a fright.
+
+Poor fish, see how they gasp!--run and fetch some water, or they
+will die. Men drown in water, but fish cannot live out of it. It is
+the nature of cats to catch mice and birds--so that we should keep
+our little favourites out of their reach.
+
+
+DELIGHTFUL.--These boys, I fear, are bathing without their parents'
+consent, which is very wrong, indeed. It is very pleasant in the
+water on a fine day; but little boys should not go there, as it
+might be deep, and they might become cramped in their limbs, and be
+drowned when no one was near, as many naughty boys have been before
+now.
+
+It is proper that boys should learn to swim, when with Papa or some
+kind friend, but not as these boys have. I feel just sure they have
+played the truant--as I see the village school-master, with his
+little dog, coming over the rustic bridge to catch them.
+
+I think that the letter D might, in this case, stand for Disobedient
+as well as Delightful.
+
+
+ECCENTRICITY.--What have we here?--a very odd, comical picture,
+indeed! What a strange fellow, to put his hat upon the fire, and a
+saucepan on his head. I do declare he has his trowsers and waistcoat
+on wrong side before. See, he has taken the poker for a
+walking-stick, put a greasy candle in the book, and the eggs upon
+the floor. Why a small baby-boy would not do this: the poor fellow
+must be out of his right mind. You may laugh at this odd picture for
+it is very ridiculous, and will hurt no one; but good children
+should never make sport of those who are deformed in mind or body,
+for it is not a fault but a misfortune to be so.
+
+
+FRAUD.--Patrick Murphy--commonly called, for shortness, Pat--was a
+very stupid little man; he reared pigs, and had he been sober, would
+have by this time saved a little property; but, no, Pat liked beer
+and strong drink: so that upon market-days he was far less sensible
+than his own jackass--which did know its way home--and for a long
+time took back foolish tipsy Pat safely; until one day, the roads
+being very bad, the cart came to a stop, and Neddy could pull no
+further. A rogue passing, seeing Pat asleep, unloosed the donkey
+from the cart, leaving Pat to awake, and much wonder what could have
+become of Neddy Bray, the donkey.
+
+It was very wrong of the man to take Pat's donkey, although Pat was
+a drunken fellow.
+
+
+GENIUS.--Bravo! my little Artist. I dare say if you try again you
+will improve upon your first attempt. All people should learn to
+draw, that they may be able to describe a form in a very few lines,
+making things intelligible at sight which could not be described in
+any other way. A little knowledge of drawing will lead to a love of
+pictures and delight in the beautiful works of nature. Giotto, a
+great painter, who lived many hundred years ago, was but a poor
+shepherd-boy, who amused himself by drawing portraits of his sheep
+as he tended them on the hills; from rude attempts he rose to be a
+great artist, whose works are treasured by kings and princes. I dare
+say you may some day see some of the works of Giotto, the great
+Italian painter.
+
+
+HORROR.--This drawing represents little Lady Selina Jemima Townsend
+as she appeared when afraid. Afraid--of what? Why, a poor tiny
+reptile, a harmless frog, that had jumped into her hat full of
+daisies, with a croak, as much as to say--"How do you do? Good
+morning, Lady Townsend; I am glad to see you down in the country."
+But what do you think she did? Why, the little lady scampered away
+as fast as she could to her governess, in whose dress she hid her
+face, crying,--saying she had seen "a nasty horrid thing." For this
+her governess reproved her, saying, "God created nothing in vain."
+Frogs are harmless and beautiful when in the water, through which
+they can swim and dive with wonderful ease.
+
+
+ICHABOD AT THE JAM.--Ichabod is an odd name, but such is the name of
+the little boy in the picture. He was much pampered by his parents,
+and never knew when he had had enough. Ichabod would cry for things
+to eat, then cry again because he could eat no more, and after all
+cry, because eating made him feel sick and ill: but that was not
+all; Ichabod was, I am ashamed to say, a thief. He stole the jam
+when his mother thought he was asleep in bed. See, Betty the maid
+has heard a noise, and caught the rogue in the act. To-morrow and
+for many days Ichabod will be ill in bed, and have to take much
+nasty physic. I wish he had _mis_-taken the mustard for honey, and
+burnt his naughty, fibbing tongue.
+
+
+KNOWING.--Ah! ah! Jemmy Small. I fear the steeds are too knowing for
+you to-day. They appear conscious: they would like the beans and
+corn you have in the sieve, but do not like the halter you are
+hiding behind your back. More than one has kicked up his heels, as
+much as to say--"Catch me if you can!" You seem to think, as you
+bite the straw in your mouth, that they may give you a pretty run. I
+know Bob, the pony, will not be soon caught.
+
+Horses and other animals like play much better than work, but good
+boys and girls ought to love both, and not require sweetmeats to
+induce them to do their duty--for they have intellects of a high
+order, and may become clever men and women.
+
+
+LUCKY.--Master Lovebook was indeed lucky in his escape from the
+Bull--and I will tell you how it happened: In going to school, this
+young gentleman had to go round by the wood and across the meadows,
+when one day he observed a savage bull making towards him; alarmed,
+he did not run crying anywhere, but considered one moment, and made
+back the shortest way to the wood, with all speed for the posts,
+just as the savage animal was going to toss him high in the air.
+
+Master Lovebook was unfortunate in meeting the bull, but fortunate
+in having the posts between him and the infuriated animal.
+
+In danger, brave little boys never cry, but think what is the best
+to be done.
+
+
+MIMIC.--To be vain of anything is not right, and to be proud of fine
+clothes very silly indeed. The young gentleman in the picture, I
+think, is vain. See, he is smoking a cigar, and if we may judge by
+the expression of his face, we may presume that he does not fully
+enjoy it. As he struts along the rude boys ridicule him. See the boy
+behind mimicking his airs and graces--using the handle of the
+door-key for an eye-glass. I fear that lad's mirth will soon be
+changed into sorrow--for the jug must be broken against the post,
+and the beer spilled--so that in turn he will be laughed at.
+
+We cannot help smiling at the little coxcomb, although at the same
+time we pity him.
+
+
+NEGLIGENCE.--Here is Tommy Slowboy, the lowest boy in the
+day-school, too idle to learn or even play. See how vacantly he
+stands gaping at the men clearing the snow from the house-tops, with
+his hand in his pocket because he has lost his glove, having placed
+the hot shoulder of mutton down in the cold snow. No wonder the
+first dog passing helps itself to the joint. Tom will not only be
+chid, but have to go without his dinner. Yet, what cares Tom for
+scolding or anything else, he who is so neglectful of duty?
+
+Mind that you strive to learn early, that you may become wise and
+happy hereafter. Look at the picture of Tommy Slowboy, and avoid
+apathy and indolence.
+
+
+OBSTINACY.--Obstinacy is a sad thing. See the naughty Pig in the
+picture, how he pulls in the opposite direction. Master Pig will be
+obliged to go into the sty, and very likely get the whip for his
+pains; like a wayward child that gets chid for disobedience. I hope
+there are very few disobedient young ladies and gentlemen, like the
+perverse pig. The pig is a stupid animal: but I have heard of a
+learned pig that could tell his letters, pointing to them with his
+snout; but most swine are dirty in their ways, and not at all
+particular--little caring so long as they can eat, grunt, and sleep.
+The pig will often lie in the dirtiest corner of his house, and
+stand in its trough of food.
+
+
+PETS.--Here is a portrait of Aunt Gray feeding her Pets, or
+rather stuffing the poor monkey. Some people say Miss Gray is
+kind to animals, but I do not think so, for she keeps her pets
+prisoners--feeding them too much, and all for her own pleasure,
+until they become like spoilt children, peevish, and always wanting
+sweet things. Kind children love animals, and delight to see them
+free. In the Zoological Gardens animals are not pets; they have
+there plenty of room, and are nicely kept for our instruction. See,
+poor Jacko, the monkey, has grown too fat to leap, as in his native
+woods he used, from bough to bough. The poor gold fish have hardly
+room to turn in their glass prison: how they would enjoy a swim in
+the garden pond!
+
+
+QUANDARY.--Poor Dame Partlet having got into the back yard cannot
+get out again. She is in a Quandary, for she fears the dogs will
+bite her--though their chains are not long enough. Keeper, the
+mastiff, is a noble fellow, and would not hurt women or children;
+neither would Nero, the bull-dog; he would rather face a lion or a
+wild ox: whilst Snap, the terrier, barks and snarls in the company
+of his brave companions.
+
+Little boys and girls should not touch strange dogs, for they
+sometimes snap at those who are not familiar to them. To take food
+from dogs is not prudent, for they growl, bite, and are
+ill-tempered, like a little fellow would be if deprived of his
+dinner, after he had tasted the first morsel.
+
+
+RIVALRY.--To compete for good is famous--such as little boys
+rivalling one another in a race up the Ladder of Learning--that is
+exercise of the mind. Here we have a picture of country boys
+exercising their strength--climbing up a pole covered with grease,
+for a prize of food for the body. The boy that wins the leg of
+mutton will be the hero of the fair, and be carried round the place
+on the shoulders of the men. See how they strive and tear to win the
+prize. I should not wonder if they all slipped down together,
+notwithstanding the encouraging cheers of the crowd. See how the man
+on the housetop swings his hat in the air, and the people applaud. A
+few inches higher, and the prize is won.
+
+
+SLUGGARD.--Heavy-headed, sleepy Ned, awake, arise! You lazy fellow!
+Look at the clock! Eight hours' rest is enough for any little
+boy--and here you have taken nearly fourteen. All Sluggards should
+get their slates, and calculate how much time they waste every
+year--weeks that can never be regained. If you only lie in bed two
+hours later than you should every day, you lose more than one day in
+a week, or sixty-four days in the course of the year: which, at the
+end of seventy years, would be awful indeed! Twelve whole years
+lost! Lazy, idle people, never seem to have time for anything:
+industrious ones, time for anything and everything. I hope when
+little Ned sees his portrait he will be shocked with his appearance,
+and reform his ways.
+
+
+TOPSY-TURVY.--Well, of all the funny pictures in this droll book I
+think this the drollest--a big letter T resting on its top on the
+ceiling, like in an overturned doll's house, or a view taken by an
+artist standing upon his head. Turn it over, and see how comical it
+looks--everything appears to have lost its gravity.
+
+_Gravity_ means the power that holds us to the earth (as Papa's
+loadstone attracts the needle): if it were not for gravity, we could
+not move about. Some day you shall read in that nice book called the
+"Evenings at Home," about gravity, and why an apple falls to the
+ground. A great philosopher, Sir Isaac Newton, discovered why, as he
+lay under a tree. At a future time you will learn about gravity and
+many other things.
+
+
+UNCOMMON VEGETATION.--Uncle Periwinkle was very kind; he loved
+nature and his nephews dearly. He wore green spectacles, a
+dressing-gown all covered with leaves, and a large straw hat; in
+fact he was very fond of gardening, and reared all kinds of odd
+plants--this his nephews knew, and determined to play a joke upon
+him--not a cruel, heartless joke, that would hurt or destroy
+anything: no! they were too kind for that. They only carefully tied
+the carpenter's planes upon the plane-tree, as if it were fruit--and
+some little boxes of all colours upon the box-tree, like blossom; so
+that when the old gentleman beheld it, he exclaimed--"Uncommon
+Vegetation!" upon which John and Walter came laughing out of the
+greenhouse to receive a bunch of fine grapes for their pleasant
+joke.
+
+
+WONDER.--So, Master Ploughboy Giles, you are spending your penny and
+your holiday at the fair. You seem not a little astonished at what
+you have seen in that peep-show. Surely you cannot imagine that they
+are real; it is the magnifying power of the glasses that makes the
+pictures appear so large. The pyramids of Egypt are the largest
+stone buildings in the world, and the oldest; the Behemoth, a huge
+animal that existed thousands of years ago (but I do not think it
+had wings like a butterfly, as in the showman's picture); Daniel
+Lambert was an enormously fat man, who died a long time back. All
+these things must be in miniature if they are to be seen in that
+small box, very little larger than a dog's house.
+
+
+XANTIPPE.--The comical event pictured here occurred more than
+two thousand years ago: Xantippe, the wife of the great and
+good philosopher Socrates, continually tormented him with her
+ill-humour--using him very cruelly--one day emptying a vessel
+of dirty water over her celebrated husband, whom she ought to
+have loved: he only remarked, that "after thunder there generally
+falls rain." Socrates lived in the refined city of Athens; he was
+one of the most eminent philosophers of Greece; he was very plain
+in person, as you perceive by the picture: but a man may be great
+and good, yet ugly, as Socrates was. The philosopher had enemies
+who sought his destruction; he was killed with poison. After his
+death his accusers were despised, as you will read in ancient
+history some day.
+
+
+YEARN.--What have we here? Little Miss Cross vexed, just because she
+cannot get at the grapes. I am sure I should not like to have my
+portrait drawn with such a sullen face. She has been trying to take
+fruit without her aunt's permission, that very likely is unripe and
+improper for her. The walk in a delightful garden ought not to make
+her long to eat all the fruit she sets eyes upon, or wish to pick
+the sweet flowers, that last much longer upon the plants than when
+plucked. I perceive that the peevish young lady in the picture has
+been picking the flowers. See, they are strewn upon the seat beside
+her, under those dirty feet that have trodden down the beds of
+mould. I am afraid Miss Cross cannot be a joyous, happy child,
+because disobedient.
+
+
+ZANY.--Finis is the Latin word for finish, and here it is the last
+droll picture--a Zany laughing at his portrait in this comical book,
+which he seems vastly to enjoy. What a droll fellow, to read with
+his head where his heels should be, like the clown in the pantomime.
+Look at his staff, the cock and bells, with which he dances, making
+a jingling noise. A Zany is not an idiot, but often a funny clever
+fellow, paid to make people laugh. We all like a good laugh
+sometimes. Many years ago kings used to keep jesters to amuse the
+company; King Henry the Eighth had a clever jester, called Will
+Somers, whose portrait was painted by a great artist named Holbein,
+which is now in the palace at Hampton Court, and may be seen by
+those who love pictures.
+
+
+
+
+
+ ILLUSTRATED
+ POPULAR
+ EDUCATIONAL WORKS,
+
+ PUBLISHED BY
+ WARD AND LOCK, 158, FLEET STREET,
+ LONDON.
+
+ Messrs. WARD and LOCK have much pleasure in announcing
+ that they have just purchased the Copyrights of many of
+ the Valuable ILLUSTRATED EDUCATIONAL WORKS lately
+ published from the office of the _Illustrated London News_.
+ The New Editions of these Popular Books have been most
+ carefully revised, and in their present state arrive as
+ near perfection as possible. It is the intention of the
+ present proprietors of these Educational Books to continue
+ the Series, and they have already made arrangements to
+ this effect.
+
+ The object of the Publishers is to supply a Series of
+ Illustrated Volumes, adapted both for Schools and Private
+ Study, which shall be accurate and complete text-books,
+ _and at a price within the reach of every one_.
+
+ The old system of instruction, by which the names of things
+ only were presented to the mind of the pupil, has been long
+ admitted to have been imperfect and unsuccessful. With the
+ young it is necessary to speak to the Eye, as well as to
+ the Mind--to give a picture of an object as well as a
+ description; and the adoption of such a plan of tuition is
+ not only far more effective than that which is confined to
+ words, but is at the same time much less irksome to the
+ teacher, and more pleasant to the pupil. A greater interest
+ is excited, and the representation of the object remains
+ clear and distinct in the mind of the child long after the
+ verbal description has passed away.
+
+ --> For Particulars of the "Illustrated Popular Educational
+ Works," see Catalogue.
+
+ * * * * *
+
+ JUST READY,
+
+ THE ILLUSTRATED
+ WEBSTER
+ SPELLING BOOK.
+
+ Demy 8vo, embellished with upwards of
+ 250 SPLENDID ENGRAVINGS
+
+ By GILBERT, HARVEY, DALZIEL, and other eminent artists.
+ 128 pp., new and accented type, upon the principle of "Webster's
+ Dictionary of the English Language." Cloth, gilt lettered,
+ price 1s.; coloured, 2s.
+
+ *.* The "ILLUSTRATED WEBSTER SPELLING BOOK" has been most
+ carefully compiled by an Eminent English Scholar, who is
+ daily engaged in the tuition of youth, and, therefore, knows
+ exactly what is really useful in a Spelling Book. The
+ Reading Lessons are arranged upon a new progressive
+ principle, exceedingly simple, and well adapted for the
+ purpose. The Accented Type has been adopted, so as to ensure
+ correct pronunciation. The old system of mis-spelling words
+ is dangerous in the extreme, and, therefore, very justly,
+ has now fallen into disuse. In a word, the "ILLUSTRATED
+ WEBSTER SPELLING BOOK," whether considered in respect to its
+ Typography, Binding, or Beauty of its Illustrations, must
+ take the highest position as a School-Book, entirely setting
+ aside the old-fashioned, and, in most instances,
+ unintelligible--so called--helps to learning.
+
+ N.B.--Be careful to order "THE ILLUSTRATED WEBSTER SPELLING
+ BOOK."
+
+ * * * * *
+
+ IN PREPARATION,
+
+ THE ILLUSTRATED WEBSTER READER, SERIES I.,
+ THE ILLUSTRATED WEBSTER READER, SERIES II.,
+ And other Educational Works.
+
+ * * * * *
+
+ JOHNSON AND WALKER SUPERSEDED.
+
+ Containing 10,000 more Words than Walker's Dictionary.
+
+ WEBSTER'S
+ POCKET PRONOUNCING DICTIONARY
+
+ Of the English Language;
+
+ Condensed from the Original Dictionary by NOAH WEBSTER,
+ LL.D. With Accented Vocabularies of Classical, Scriptural,
+ and Modern Geographical Names. Revised Edition, by WILLIAM
+ G. WEBSTER (Son of NOAH WEBSTER). Royal 16mo, cloth gilt,
+ 2s. 6d.; or strongly bound in roan, gilt, 3s.
+
+ *.* The Public will do well to be on their guard against
+ unfair statements in reference to "Dr. Webster's" principle
+ of pronunciation by accents. The old system of pronunciation
+ by mis-spelling words has become obsolete, and Dr. Webster's
+ method is universally acknowledged and adopted.
+
+ * * * * *
+
+ WEBSTER'S DICTIONARY
+ OF THE ENGLISH LANGUAGE
+ FOR THE MILLION!
+
+ Now Ready, Royal 16mo, bound in Cloth,
+ PRICE EIGHTEENPENCE,
+
+ WEBSTER'S DICTIONARY
+ OF THE ENGLISH LANGUAGE.
+
+ The extraordinary success attendant upon the publication of
+ the Half-crown Edition of WEBSTER'S POCKET PRONOUNCING
+ DICTIONARY OF THE ENGLISH LANGUAGE,--in the face of a most
+ obstinate and inveterate opposition on the part of the
+ proprietors of the out-of-date and worthless compilations,
+ so called Dictionaries, printed from old stereotype plates,
+ which have remained unaltered for years,--has induced
+ Messrs. WARD and LOCK to issue a CHEAPER EDITION FOR THE
+ MILLION, price only =ONE SHILLING AND SIXPENCE!!!=
+
+ *.* The New Edition at =1s. 6d.= will, of course, be printed
+ on thinner paper, but still the type will appear perfectly
+ distinct. It is almost unnecessary to state, that only an
+ enormous sale can reimburse the Publishers in issuing an
+ edition at so low a price as =1s. 6d.=; still, Messrs. WARD
+ and LOCK feel assured that their good intentions will be
+ appreciated by an extensive and continually increasing sale.
+ "WEBSTER" is now the only reliable authority on the English
+ Language, and it is only right that every Englishman,
+ however humble his sphere, should be able to purchase the
+ best English Dictionary. Whilst the Cheaper Edition, at
+ =1s. 6d.=, is well adapted for National and British Schools,
+ the Half-Crown Edition, on superior paper, and bound in
+ cloth, gilt lettered, will be always in demand for Schools
+ of a higher grade.
+
+ * * * * *
+
+ Third Edition, Revised.
+
+ THE ILLUSTRATED DRAWING BOOK.
+
+ Comprising a complete Introduction to Drawing and
+ Perspective; with Instructions for Etching on Copper or
+ Steel, &c. &c. By ROBERT SCOTT BURN. Illustrated with above
+ 300 Subjects for Study in every branch of Art. Demy 8vo,
+ cloth, 2s.
+
+ *.* This extremely popular and useful "Drawing Book" has
+ been thoroughly revised by the Author, and many new
+ Illustrations are added, thus rendering the =Third Edition=
+ the most perfect Handbook of Drawing for Schools and
+ Students.
+
+ "This is one of those cheap and useful publications lately
+ issued by WARD and LOCK. It is what it professes to be--an
+ elementary book, in which the rules laid down are simple and
+ few, and the drawings to be copied and studied are easily
+ delineated and illustrative or first principles."--_Globe._
+
+ "We could point to a work selling for twelve shillings not
+ half so complete, nor containing half the number of
+ illustrations. Perhaps of all the books for which the public
+ are indebted to Messrs. WARD and LOCK this one will be found
+ most extensively and practically useful. It is the
+ completest thing of the kind which has ever
+ appeared."--_Tait's Magazine._
+
+ "This is a very capital Instruction Book, embodying a
+ complete course of Lessons in Drawing, from the first
+ Elements of Outline Sketching up to the most elaborate rules
+ of the Art."--_Bristol Mercury._
+
+ * * * * *
+
+ Just ready, Second Edition, Revised by the Author.
+
+ THE ILLUSTRATED ARCHITECTURAL, ENGINEERING, AND
+ MECHANICAL DRAWING BOOK.
+
+ By ROBERT SCOTT BURN. With 300 Engravings. Demy 8vo, cloth, 2s.
+
+ "This _Book_ should be given to every youth, for amusement
+ as well as for instruction."--_Taunton Journal._
+
+ * * * * *
+
+ Third and Revised Edition.
+
+ MECHANICS AND MECHANISM.
+
+ By ROBERT SCOTT BURN. With about 250 Illustrations. Demy
+ 8vo, cloth, 2s.
+
+ "One of the best-considered and most judiciously-illustrated
+ elementary treatises on Mechanics and Mechanism which we
+ have met with. The illustrations, diagrams, and explanations
+ are skilfully introduced, and happily apposite--numerous and
+ beautifully executed. As a handbook for the instruction of
+ youth, it would be difficult to surpass it."--_Derby
+ Mercury._
+
+ * * * * *
+
+ Second Edition, Revised by the Author.
+
+ THE STEAM ENGINE:
+ ITS HISTORY AND MECHANISM.
+
+ Being Descriptions and Illustrations of the Stationary,
+ Locomotive, and Marine Engine. By ROBERT SCOTT BURN. Demy
+ 8vo, 200 pp., cloth, 3s.
+
+ *.* A most perfect compendium of everything appertaining to
+ the Steam Engine. Mr. BURN treats his subjects in a
+ thoroughly practical and popular manner, so that he who runs
+ may read, and also understand.
+
+ "Mr. BURN's History of the Steam Engine treats an
+ interesting subject in an admirably intelligible manner, and
+ is illustrated by some excellent Diagrams. This is a book
+ for the general reader, and deserves a wide
+ circulation."--_Leader._
+
+ * * * * *
+
+ Third Edition, Revised.
+
+ THE ILLUSTRATED PRACTICAL GEOMETRY.
+
+ Edited by ROBERT SCOTT BURN, Editor of the "Illustrated
+ Drawing Book." Demy 8vo, cloth, 2s.
+
+ "Suited to the youthful mind, and calculated to assist
+ Instructors, filled as it is with really good Diagrams and
+ Drawings elucidatory of the text."--_Globe._
+
+ * * * * *
+
+ LONDON: WARD AND LOCK, 158, FLEET STREET
+ AND ALL BOOKSELLERS.
+
+
+
+
+
+End of Project Gutenberg's The Royal Picture Alphabet, by Luke Limner
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ROYAL PICTURE ALPHABET ***
+
+***** This file should be named 23619-8.txt or 23619-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/6/1/23619/
+
+Produced by Jacqueline Jeremy and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23619-8.zip b/23619-8.zip
new file mode 100644
index 0000000..598d7c5
--- /dev/null
+++ b/23619-8.zip
Binary files differ
diff --git a/23619-h.zip b/23619-h.zip
new file mode 100644
index 0000000..e62c800
--- /dev/null
+++ b/23619-h.zip
Binary files differ
diff --git a/23619-h/23619-h.htm b/23619-h/23619-h.htm
new file mode 100644
index 0000000..8d33c38
--- /dev/null
+++ b/23619-h/23619-h.htm
@@ -0,0 +1,1786 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of The Royal Picture Alphabet, by Luke Limner.
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p {margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ font-family: serif;
+ text-indent: 2em;
+ }
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ h2.top {margin-top: 3em;}
+
+ hr {width: 65%;
+ margin: 2em auto 2em auto;
+ clear: both;
+ }
+ hr.hr2 {width: 20%;
+ margin: 2em auto 2em auto;
+ clear: both;
+ }
+ hr.hr3 {width: 20%;
+ margin: 0em auto 0em auto;
+ clear: both;
+ }
+ hr.hr4{width: 100%;
+ margin: 2em 0 2em 0;
+ clear: both;
+ }
+
+ body{margin-left: 10%;
+ margin-right: 10%;
+ }
+
+
+ table {margin: 5em auto 10em auto; text-align: center; border: double 8px #000000; width: 500px;}
+ td {font-family: serif; font-size: 1.4em; line-height: 1.5em; padding: 0em;}
+ td span.i0 {display: block; margin-left: 0em; padding-left: 2em; text-indent: -2em;}
+ td span.i2 {display: block; margin-left: 1em; padding-left: 2em; text-indent: -2em;}
+ .td1 {text-align: center; }
+ .td2 {font-size: 450%; color: #a81a00; text-align: left; width: 40%;}
+ .td3 {text-align: center; border: 1px solid; width: 60%;}
+ .td4 {text-align: left; padding: 2em 0em 2em 3em;}
+ .td2a {font-size: 450%; color: #a81a00; text-align: left; width: 45%}
+ .td2c {font-size: 450%; color: #a81a00; text-align: left; width: 30%;}
+ .td3a {border: 1px solid; width: 30%; text-align: left; padding-left: 4px; width: 65%}
+ .td3b {border: 1px solid; width: 65%; text-align: left; padding-left: 2em;}
+ .td3c {text-align: center; border: 1px solid; width: 70%;}
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ visibility: hidden;
+ position: absolute;
+ right: 5em;
+ font-size: 10px;
+ font-weight: normal;
+ font-variant: normal;
+ font-style: normal;
+ letter-spacing: normal;
+ text-indent: 0em;
+ text-align: right;
+ color: #999999;
+ background-color: transparent;
+ } /* page numbers */
+
+ .blockquot{margin-left: 5%; margin-right: 10%;}
+
+ .s {border: solid 2px;}
+ .dbox {border: double 8px; width: 500px; margin: 5em auto 10em auto; padding: 0;}
+
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ .u {text-decoration: underline;}
+ .left {text-align: left;}
+
+ .figcenter {margin: 0em auto 2em auto; text-align: center;}
+ .fig {margin: 5em auto 5em auto; text-align: center;}
+
+ .poem {margin-left:10%; margin-right:10%; text-align: left;}
+ .poem br {display: none;}
+ .poem .stanza {margin: 1em 0em 1em 0em; font-family: serif; font-size: 1.4em; line-height: 1.5em;}
+ .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
+ .poem span.i2 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;}
+
+ .block {margin: 1em auto 5em auto; width: 25em;}
+ .con {width: 500px; margin: auto; text-align: center;}
+ .title {font-size: .9em; text-align: center; font-weight: 600; word-spacing: 1em; font-family: sans-serif; text-indent: 0em;}
+ .title2 {font-size: 1.2em; text-align: center; font-weight: 600; text-indent: 0em;}
+ .ls {letter-spacing: .2em;}
+ .ws {word-spacing: 1em;}
+ .ni {text-indent: 0em;}
+ .hang {margin-left: 0em; padding-left: 1em; text-indent: -1em; font-family: serif; text-align: left;}
+ .tiny {font-size: .8em;}
+ .huge {font-size: 1.5em;}
+ .serif {font-family: serif;}
+ .sans {font-family: sans-serif;}
+ .us {font-size: 1.2em;}
+ // -->
+ /* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Royal Picture Alphabet, by Luke Limner
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Royal Picture Alphabet
+
+Author: Luke Limner
+
+Release Date: November 25, 2007 [EBook #23619]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ROYAL PICTURE ALPHABET ***
+
+
+
+
+Produced by Jacqueline Jeremy and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive/American Libraries.)
+
+
+
+
+
+
+</pre>
+
+
+
+<div class="con">
+<div class="fig" style="width: 500px;">
+<span class='pagenum'><a name="Page_1" id="Page_1">[Pg 1]</a></span>
+<img src="images/cover.jpg" class="s" width="500" height="685" alt="Cover&#8212;The Royal Picture Alphabet" title="of humour and droll moral tales, or words &#83; their meanings, illustrated" />
+<span class='pagenum'><a name="Page_2" id="Page_2">[Pg 2]</a></span>
+</div>
+
+
+
+
+<div class="fig" style="width: 500px;">
+<span class='pagenum'><a name="Page_3" id="Page_3">[Pg 3]</a></span>
+<img src="images/i-001.jpg" width="500" height="662" alt="LAUGH and LEARN" title="" />
+</div>
+
+
+
+
+<div class="dbox">
+<span class='pagenum'><a name="Page_4" id="Page_4">[Pg 4]</a></span>
+<h1>THE<br />
+ROYAL<br />
+PICTURE ALPHABET.</h1>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-002.jpg" width="500" height="430" alt="" title="" />
+</div>
+
+<p class="title">LONDON:<br />
+<big>WARD AND LOCK,</big><br />
+<small>158, FLEET STREET</small>.</p>
+</div>
+
+
+
+<div class="dbox">
+<h2 class="top"><span class='pagenum'><a name="Page_5" id="Page_5">[Pg 5]</a></span>
+POETICAL PREFACE<br /><br />
+<small>TO THE</small><br /><br />
+<big>ROYAL PICTURE ALPHABET</big>.</h2>
+
+
+<hr class="hr2" />
+
+<h3>TO PRECEPTORS.</h3>
+
+
+<div class="poem block">
+<div class="stanza">
+<span class="i0">With learning may laughter be found,<br /></span>
+<span class="i2">&#8220;&#8217;Tis good to be merry and wise;&#8221;<br /></span>
+<span class="i0">To gaily get over the ground,<br /></span>
+<span class="i2">As higher and higher we rise.<br /></span>
+</div>
+<div class="stanza">
+<span class="i0">Some children their letters may learn,<br /></span>
+<span class="i2">While others will surely do more,<br /></span>
+<span class="i0">As the subjects suggestively turn<br /></span>
+<span class="i2">To matters not thought of before.<br /></span>
+</div>
+<div class="stanza">
+<span class="i0">Descriptions and pictures combined<br /></span>
+<span class="i2">Are here made attractive and clear;<br /></span>
+<span class="i0">So suited that children may find<br /></span>
+<span class="i2">From error the truth to appear.<br /></span>
+</div></div>
+</div>
+
+
+<table summary="A">
+<tr>
+<td class="td1" colspan="2"><span class='pagenum'><a name="Page_6" id="Page_6">[Pg 6]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-003.jpg" width="500" height="554" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Aa.</td>
+<td class="td3"><span class="smcap">Ablution,</span><br />
+<i>The Act of Cleansing</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">The little sweep has washed his face,<br /></span>
+<span class="i2">But not as we advise:<br /></span>
+<span class="i0">For black as soot he&#8217;s made the soap,<br /></span>
+<span class="i2">And rubbed it in his eyes.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+
+
+<table summary="B">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-004.jpg" width="500" height="575" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Bb.</td>
+<td class="td3"><span class="smcap">Barter</span>,<br />
+<i>Exchange</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Here&#8217;s Master Mack presenting fruit,<br /></span>
+<span class="i2">Of which he makes display;<br /></span>
+<span class="i0">He knows he&#8217;ll soon have Lucy&#8217;s rope,<br /></span>
+<span class="i2">And with it skip away.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="C">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_8" id="Page_8">[Pg 8]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-005.jpg" width="500" height="549" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Cc.</td>
+<td class="td3"><span class="smcap">Catastrophe</span>, <i>a Final Event</i><br />
+(<i>generally unhappy</i>).</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">&#8220;Oh here&#8217;s a sad catastrophe!&#8221;<br /></span>
+<span class="i2">Was Mrs. Blossom&#8217;s cry&#8212;<br /></span>
+<span class="i0">Then&#8212;&#8220;Water! water! bring to me&#8212;<br /></span>
+<span class="i2">Or all my fish will die.&#8221;<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="D">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span>
+<a name="Illustration" id="Illustration">
+</a><div class="figcenter" style="width: 500px;">
+<img src="images/i-006.jpg" width="500" height="536" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Dd.</td>
+<td class="td3"><span class="smcap">DELIGHTFUL</span>,<br />
+<i>Pleasant, Charming</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">These boys are bathing in the stream<br /></span>
+<span class="i2">When they should be at school:<br /></span>
+<span class="i0">The master&#8217;s coming round to see<br /></span>
+<span class="i2">Who disregards his rule.<br /></span></td>
+</tr>
+</table>
+
+
+
+<table summary="E">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-007.jpg" width="500" height="557" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Ee.</td>
+<td class="td3"><span class="smcap">Eccentricity</span>,<br />
+<i>Irregularity, Strangeness</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">We often see things seeming strange;<br /></span>
+<span class="i2">But scarce so strange as this:&#8212;<br /></span>
+<span class="i0">Here everything is mis-applied,<br /></span>
+<span class="i2">Here every change amiss.<br /></span></td>
+</tr>
+</table>
+
+
+
+<table summary="F">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_11" id="Page_11">[Pg 11]</a></span>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-008.jpg" width="500" height="561" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Ff.</td>
+<td class="td3"><span class="smcap">Fraud</span>,<br />
+<i>Deceit, Trick, Artifice, Cheat</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Here is Pat Murphy, fast asleep.<br /></span>
+<span class="i2">And there is Neddy Bray:<br /></span>
+<span class="i0">The thief a watchful eye doth keep<br /></span>
+<span class="i2">Until he gets away.<br /></span></td>
+</tr>
+</table>
+
+
+<table summary="G">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-009.jpg" width="500" height="556" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Gg.</td>
+<td class="td3"><span class="smcap">Genius</span>,<br />
+<i>Mental Power, Faculty</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">A little boy with little slate<br /></span>
+<span class="i2">May sometimes make more clear<br /></span>
+<span class="i0">The little thoughts that he would state<br /></span>
+<span class="i2">Than can by words appear.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="H">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-010.jpg" width="500" height="547" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Hh.</td>
+<td class="td3"><span class="smcap">Horror</span>,<br />
+<i>Terror, Dread</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">This little harmless speckled frog<br /></span>
+<span class="i2">Seems Lady Townsend&#8217;s dread:<br /></span>
+<span class="i0">I fear she&#8217;ll run away and cry,<br /></span>
+<span class="i2">And hide her silly head.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="I, J">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-011.jpg" width="500" height="549" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Ii.&#8201;Jj.</td>
+<td class="td3b">&#160;ICHABOD AT THE JAM.<br />
+<span class="smcap">Ichabod</span>, <i>a Christian Name</i>.<br />
+<span class="smcap">Jam</span>, <i>a Conserve of Fruits</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Enough is good, excess is bad:<br /></span>
+<span class="i2">Yet Ichabod you see,<br /></span>
+<span class="i0">Will with the jam his stomach cram,<br /></span>
+<span class="i2">Until they disagree.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="K">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-012.jpg" width="500" height="548" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Kk.</td>
+<td class="td3"><span class="smcap">Knowing</span>,<br />
+<i>Conscious, Intelligent</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Tho&#8217; horses know both beans and corn,<br /></span>
+<span class="i2">And snuff them in the wind;<br /></span>
+<span class="i0">They also all know Jemmy Small,<br /></span>
+<span class="i2">And what he holds behind.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="L">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_16" id="Page_16">[Pg 16]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-013.jpg" width="500" height="554" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Ll.</td>
+<td class="td3"><span class="smcap">Lucky</span>,<br />
+<i>Fortunate, Happy by Chance</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">We must admire, in Lovebook&#8217;s case.<br /></span>
+<span class="i2">The prompt decision made:<br /></span>
+<span class="i0">As he could not have gained the wood<br /></span>
+<span class="i2">If time had been delayed.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="M">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-014.jpg" width="500" height="560" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Mm.</td>
+<td class="td3"><span class="smcap">Mimic</span>,<br />
+<i>Imitative, Burlesque</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">The Gentleman, who struts so fine,<br /></span>
+<span class="i2">Unconscious seems to be<br /></span>
+<span class="i0">Of Imitation by the boy<br /></span>
+<span class="i2">Who has the street-door key.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="N">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-015.jpg" width="500" height="566" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Nn.</td>
+<td class="td3"><span class="smcap">Negligence</span>,<br />
+<i>Heedlessness, Carelessness</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">The character Tom Slowboy bears<br /></span>
+<span class="i2">Would much against him tell&#8212;<br /></span>
+<span class="i0">For any work that&#8217;s wanted done,<br /></span>
+<span class="i2">Or even play done well.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="O">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-016.jpg" width="500" height="535" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Oo.</td>
+<td class="td3"><span class="smcap">Obstinacy</span>,<br />
+<i>Stubbornness, Waywardness</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">The obstinacy of the pig<br /></span>
+<span class="i2">Is nature&#8212;as you see:<br /></span>
+<span class="i0">But boys and girls who have a mind<br /></span>
+<span class="i2">Should never stubborn be.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="P">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-017.jpg" width="500" height="553" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Pp.</td>
+<td class="td3"><span class="smcap">Pets</span>,<br />
+<i>Favourites, Spoilt Fondlings</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Some people say that Aunty Gray<br /></span>
+<span class="i2">To animals is kind;<br /></span>
+<span class="i0">We think, instead, they are over fed,<br /></span>
+<span class="i2">And kept too much confined.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="Q">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_21" id="Page_21">[Pg 21]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-018.jpg" width="500" height="555" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Qq.</td>
+<td class="td3"><span class="smcap">Quandary</span>,<br />
+<i>A Doubt, a Difficulty</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Dame Partlet&#8217;s in difficulty<br /></span>
+<span class="i2">And looks around with doubt:<br /></span>
+<span class="i0">Let&#8217;s hope, as she some way got in,<br /></span>
+<span class="i2">She may some way get out.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="R">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-019.jpg" width="500" height="578" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Rr.</td>
+<td class="td3"><span class="smcap">Rivalry</span>,<br />
+<i>Competition, Emulation</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">In every competition prize<br /></span>
+<span class="i2">This should be kept in view&#8212;<br /></span>
+<span class="i0">Whoever wins should be the one<br /></span>
+<span class="i2">Who does deserve it, too.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="S">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-020.jpg" width="500" height="559" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Ss.</td>
+<td class="td3"><span class="smcap">Sluggard</span>,<br />
+<i>An Inactive, Lazy Fellow</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">To lie so many hours in bed<br /></span>
+<span class="i2">You surely must be ill&#8212;<br /></span>
+<span class="i0">And need some physic, Master Ned,<br /></span>
+<span class="i2">As birch, or draught, or pill!<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="T">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-021.jpg" width="500" height="551" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Tt.</td>
+<td class="td3"><span class="smcap">Topsy-Turvy</span>,<br />
+<i>Upside Down, Bottom Top</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Here&#8217;s Topsy-Turvy, upside down,<br /></span>
+<span class="i2">The ceiling seems the base:<br /></span>
+<span class="i0">Reverse the ground and &#8217;twill be found<br /></span>
+<span class="i2">The things are out of place.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="U, V">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-022.jpg" width="500" height="554" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2a">Uu.Vv.</td>
+<td class="td3a us">&#160; &#160; UNCOMMON VEGETATION.<br />
+<span class="smcap">Uncommon</span>, <i>Rare, not Frequent</i>.<br />
+<span class="smcap">Vegetation</span>, <i>the Power of Growth</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Th&#8217; uncommon vegetation, here,<br /></span>
+<span class="i2">With art has much to do:<br /></span>
+<span class="i0">The trees are nature, but the fruit<br /></span>
+<span class="i2">Uncommon and untrue.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="W">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-023.jpg" width="500" height="559" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Ww.</td>
+<td class="td3"><span class="smcap">Wonder</span>,<br />
+<i>Admiration, Astonishment</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">The wise may live and wonder still,<br /></span>
+<span class="i2">However much they know,<br /></span>
+<span class="i0">But simple Giles has wonder found<br /></span>
+<span class="i2">Within the penny show.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="X">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-024.jpg" width="500" height="563" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2c">Xx.</td>
+<td class="td3c"><small><span class="smcap tiny">no english word begins with this letter</span></small>.<br />
+
+<span class="smcap">Xantippe</span>,<br />
+<i>A Greek Matron, Wife of Socrates</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Here&#8217;s Socrates and Xantippe&#8212;<br /></span>
+<span class="i2">Philosopher and wife&#8212;<br /></span>
+<span class="i0">For gentleness renowned was he;<br /></span>
+<span class="i2">She, better known for strife.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="Y">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_28" id="Page_28">[Pg 28]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-025.jpg" width="500" height="512" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Yy.</td>
+<td class="td3"><span class="smcap">Yearn</span>,<br />
+<i>To Grieve, to Vex</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Miss Cross has tried to reach the grapes,<br /></span>
+<span class="i2">She&#8217;s tried and tried again&#8212;<br /></span>
+<span class="i0">And now she&#8217;s vexed to think that all<br /></span>
+<span class="i2">Her efforts are in vain.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<table summary="Z">
+<tr>
+<td class="td1" colspan="2">
+<span class='pagenum'><a name="Page_29" id="Page_29">[Pg 29]</a></span>
+<div class="figcenter" style="width: 500px;">
+<img src="images/i-026.jpg" width="500" height="569" alt="" title="" /></div></td>
+</tr>
+<tr>
+<td class="td2">Zz.</td>
+<td class="td3"><span class="smcap">Zany</span>,<br />
+<i>A Buffoon, a Merry Andrew</i>.</td>
+</tr>
+<tr>
+<td class="td4" colspan="2">
+<span class="i0">Here&#8217;s Zany reading in a book&#8212;<br /></span>
+<span class="i2">With heels above his head&#8212;<br /></span>
+<span class="i0">And, judging by his laughing look,<br /></span>
+<span class="i2">Finds fun in what he&#8217;s read.<br /></span></td>
+</tr>
+</table>
+
+
+
+
+<hr />
+
+<h2><span class='pagenum'><a name="Page_30" id="Page_30">[Pg 30]</a></span>MORAL TALES.</h2>
+
+<hr class="hr2" />
+
+<p>ABLUTION.&#8212;Poor little fellow, you are certainly making comical
+faces: I fear the soap has got into your eyes, and that you will
+make that towel very black indeed. All boys, when they wash
+themselves, should take care to rinse off the soap and dirt before
+using the towel. To make the poor little sweep quite clean would
+take much washing. I should like to see the soap and water a little
+cleaner. Many of us have nice wash-stands and baths of marble, but
+this poor little fellow must make the best of what he can get. See
+how cleverly he has put a brick under the broken leg of the stool to
+prop it. I like to see boys clever and ingenious.</p>
+
+
+<p>BARTER.&#8212;Miss Lucy Hart was a nice girl, but rather thoughtless,
+little regarding any time but the present&#8212;new things in her eyes
+being the prettiest and the best;&#8212;thus, she would cast away old
+toys for new ones, as if she were not likely to want them again.
+See, Master George Mc&#160;Gregor is bartering for her skipping-rope;
+offering some fruit in exchange for it. The fruit he has picked off
+the tree without permission. I know Lucy&#8217;s mamma will be vexed; for
+not only will the fruit soon be gone, and the skip-rope wanted
+again, but it was a present from Papa. The plaything cost far more
+than a little fruit, which will be quickly eaten, and possibly make
+Lucy unwell after so much as she has had to-day.</p>
+
+
+<p>CATASTROPHE.&#8212;Poor dear lady! has the cat tried to help himself to a
+gold fish, and overturned the handsome glass vase? Naughty Tom!
+greedy puss! I am sure kind Mrs. Blossom always feeds you well; and
+I think you know that you have done wrong, or you would not run so
+fast over the rails into Admiral Seaworth&#8217;s garden, where he keeps
+his large dog Neptune, who may bark and send you back in a fright.</p>
+
+<p>Poor fish, see how they gasp!&#8212;run and fetch some water, or they
+will die. Men drown in water, but fish cannot live out of it. It is
+the nature of cats to catch mice and birds&#8212;so that we should keep
+our little favourites out of their reach.</p>
+
+
+<p>DELIGHTFUL.&#8212;These boys, I fear, are bathing without their parents&#8217;
+consent, which is very wrong, indeed. It is very pleasant in the
+water on a fine day; but little boys should not go there, as it
+might be deep, and they might become cramped in their limbs, and be
+drowned when no one was near, as many naughty boys have been before
+now.</p>
+
+<p>It is proper that boys should learn to swim, when with Papa or some
+kind friend, but not as these boys have. I feel just sure they have
+played the truant&#8212;as I see the village school-master, with his
+little dog, coming over the rustic bridge to catch them.</p>
+
+<p>I think that the letter D might, in this case, stand for Disobedient
+as well as Delightful.</p>
+
+
+<p>ECCENTRICITY.&#8212;What have we here?&#8212;a very odd, comical picture,
+indeed! What a strange fellow, to put his hat upon the fire, and a
+saucepan on his head. I do declare he has his trowsers and waistcoat
+on wrong side before. See, he has taken the poker for a
+walking-stick, put a greasy candle in the book, and the eggs upon
+the floor. Why a small baby-boy would not do this: the poor fellow
+must be out of his right mind. You may laugh at this odd picture for
+it is very ridiculous, and will hurt no one; but good children
+should never make sport of those who are deformed in mind or body,
+for it is not a fault but a misfortune to be so.</p>
+
+
+<p>FRAUD.&#8212;Patrick Murphy&#8212;commonly called, for shortness, Pat&#8212;was a
+very stupid little man; he reared pigs, and had he been sober, would
+have by this time saved a little property; but, no, Pat liked beer
+and strong drink: so that upon market-days he was far less sensible
+than his own jackass&#8212;which did know its way home&#8212;and for a long
+time took back foolish tipsy Pat safely; until one day, the roads
+being very bad, the cart came to a stop, and Neddy could pull no
+further. A rogue passing, seeing Pat asleep, unloosed the donkey
+from the cart, leaving Pat to awake, and much wonder what could have
+become of Neddy Bray, the donkey.</p>
+
+<p>It was very wrong of the man to take Pat&#8217;s donkey, although Pat was
+a drunken fellow.</p>
+
+
+<p><span class='pagenum'><a name="Page_31" id="Page_31">[Pg 31]</a></span>GENIUS.&#8212;Bravo! my little Artist. I dare say if you try again you
+will improve upon your first attempt. All people should learn to
+draw, that they may be able to describe a form in a very few lines,
+making things intelligible at sight which could not be described in
+any other way. A little knowledge of drawing will lead to a love of
+pictures and delight in the beautiful works of nature. Giotto, a
+great painter, who lived many hundred years ago, was but a poor
+shepherd-boy, who amused himself by drawing portraits of his sheep
+as he tended them on the hills; from rude attempts he rose to be a
+great artist, whose works are treasured by kings and princes. I dare
+say you may some day see some of the works of Giotto, the great
+Italian painter.</p>
+
+
+<p>HORROR.&#8212;This drawing represents little Lady Selina Jemima Townsend
+as she appeared when afraid. Afraid&#8212;of what? Why, a poor tiny
+reptile, a harmless frog, that had jumped into her hat full of
+daisies, with a croak, as much as to say&#8212;&#8220;How do you do? Good
+morning, Lady Townsend; I am glad to see you down in the country.&#8221;
+But what do you think she did? Why, the little lady scampered away
+as fast as she could to her governess, in whose dress she hid her
+face, crying,&#8212;saying she had seen &#8220;a nasty horrid thing.&#8221; For this
+her governess reproved her, saying, &#8220;God created nothing in vain.&#8221;
+Frogs are harmless and beautiful when in the water, through which
+they can swim and dive with wonderful ease.</p>
+
+
+<p>ICHABOD AT THE JAM.&#8212;Ichabod is an odd name, but such is the name of
+the little boy in the picture. He was much pampered by his parents,
+and never knew when he had had enough. Ichabod would cry for things
+to eat, then cry again because he could eat no more, and after all
+cry, because eating made him feel sick and ill: but that was not
+all; Ichabod was, I am ashamed to say, a thief. He stole the jam
+when his mother thought he was asleep in bed. See, Betty the maid
+has heard a noise, and caught the rogue in the act. To-morrow and
+for many days Ichabod will be ill in bed, and have to take much
+nasty physic. I wish he had <i>mis</i>-taken the mustard for honey, and
+burnt his naughty, fibbing tongue.</p>
+
+
+<p>KNOWING.&#8212;Ah! ah! Jemmy Small. I fear the steeds are too knowing for
+you to-day. They appear conscious: they would like the beans and
+corn you have in the sieve, but do not like the halter you are
+hiding behind your back. More than one has kicked up his heels, as
+much as to say&#8212;&#8220;Catch me if you can!&#8221; You seem to think, as you
+bite the straw in your mouth, that they may give you a pretty run. I
+know Bob, the pony, will not be soon caught.</p>
+
+<p>Horses and other animals like play much better than work, but good
+boys and girls ought to love both, and not require sweetmeats to
+induce them to do their duty&#8212;for they have intellects of a high
+order, and may become clever men and women.</p>
+
+
+<p>LUCKY.&#8212;Master Lovebook was indeed lucky in his escape from the
+Bull&#8212;and I will tell you how it happened: In going to school, this
+young gentleman had to go round by the wood and across the meadows,
+when one day he observed a savage bull making towards him; alarmed,
+he did not run crying anywhere, but considered one moment, and made
+back the shortest way to the wood, with all speed for the posts,
+just as the savage animal was going to toss him high in the air.</p>
+
+<p>Master Lovebook was unfortunate in meeting the bull, but fortunate
+in having the posts between him and the infuriated animal.</p>
+
+<p>In danger, brave little boys never cry, but think what is the best
+to be done.</p>
+
+
+<p>MIMIC.&#8212;To be vain of anything is not right, and to be proud of fine
+clothes very silly indeed. The young gentleman in the picture, I
+think, is vain. See, he is smoking a cigar, and if we may judge by
+the expression of his face, we may presume that he does not fully
+enjoy it. As he struts along the rude boys ridicule him. See the boy
+behind mimicking his airs and graces&#8212;using the handle of the
+door-key for an eye-glass. I fear that lad&#8217;s mirth will soon be
+changed into sorrow&#8212;for the jug must be broken against the post,
+and the beer spilled&#8212;so that in turn he will be laughed at.</p>
+
+<p>We cannot help smiling at the little coxcomb, although at the same
+time we pity him.</p>
+
+
+<p><span class='pagenum'><a name="Page_32" id="Page_32">[Pg 32]</a></span>NEGLIGENCE.&#8212;Here is Tommy Slowboy, the lowest boy in the
+day-school, too idle to learn or even play. See how vacantly he
+stands gaping at the men clearing the snow from the house-tops, with
+his hand in his pocket because he has lost his glove, having placed
+the hot shoulder of mutton down in the cold snow. No wonder the
+first dog passing helps itself to the joint. Tom will not only be
+chid, but have to go without his dinner. Yet, what cares Tom for
+scolding or anything else, he who is so neglectful of duty?</p>
+
+<p>Mind that you strive to learn early, that you may become wise and
+happy hereafter. Look at the picture of Tommy Slowboy, and avoid
+apathy and indolence.</p>
+
+
+<p>OBSTINACY.&#8212;Obstinacy is a sad thing. See the naughty Pig in the
+picture, how he pulls in the opposite direction. Master Pig will be
+obliged to go into the sty, and very likely get the whip for his
+pains; like a wayward child that gets chid for disobedience. I hope
+there are very few disobedient young ladies and gentlemen, like the
+perverse pig. The pig is a stupid animal: but I have heard of a
+learned pig that could tell his letters, pointing to them with his
+snout; but most swine are dirty in their ways, and not at all
+particular&#8212;little caring so long as they can eat, grunt, and sleep.
+The pig will often lie in the dirtiest corner of his house, and
+stand in its trough of food.</p>
+
+
+<p>PETS.&#8212;Here is a portrait of Aunt Gray feeding her Pets, or
+rather stuffing the poor monkey. Some people say Miss Gray is
+kind to animals, but I do not think so, for she keeps her pets
+prisoners&#8212;feeding them too much, and all for her own pleasure,
+until they become like spoilt children, peevish, and always wanting
+sweet things. Kind children love animals, and delight to see them
+free. In the Zoological Gardens animals are not pets; they have
+there plenty of room, and are nicely kept for our instruction. See,
+poor Jacko, the monkey, has grown too fat to leap, as in his native
+woods he used, from bough to bough. The poor gold fish have hardly
+room to turn in their glass prison: how they would enjoy a swim in
+the garden pond!</p>
+
+
+<p>QUANDARY.&#8212;Poor Dame Partlet having got into the back yard cannot
+get out again. She is in a Quandary, for she fears the dogs will
+bite her&#8212;though their chains are not long enough. Keeper, the
+mastiff, is a noble fellow, and would not hurt women or children;
+neither would Nero, the bull-dog; he would rather face a lion or a
+wild ox: whilst Snap, the terrier, barks and snarls in the company
+of his brave companions.</p>
+
+<p>Little boys and girls should not touch strange dogs, for they
+sometimes snap at those who are not familiar to them. To take food
+from dogs is not prudent, for they growl, bite, and are
+ill-tempered, like a little fellow would be if deprived of his
+dinner, after he had tasted the first morsel.</p>
+
+
+<p>RIVALRY.&#8212;To compete for good is famous&#8212;such as little boys
+rivalling one another in a race up the Ladder of Learning&#8212;that is
+exercise of the mind. Here we have a picture of country boys
+exercising their strength&#8212;climbing up a pole covered with grease,
+for a prize of food for the body. The boy that wins the leg of
+mutton will be the hero of the fair, and be carried round the place
+on the shoulders of the men. See how they strive and tear to win the
+prize. I should not wonder if they all slipped down together,
+notwithstanding the encouraging cheers of the crowd. See how the man
+on the housetop swings his hat in the air, and the people applaud. A
+few inches higher, and the prize is won.</p>
+
+
+<p>SLUGGARD.&#8212;Heavy-headed, sleepy Ned, awake, arise! You lazy fellow!
+Look at the clock! Eight hours&#8217; rest is enough for any little
+boy&#8212;and here you have taken nearly fourteen. All Sluggards should
+get their slates, and calculate how much time they waste every
+year&#8212;weeks that can never be regained. If you only lie in bed two
+hours later than you should every day, you lose more than one day in
+a week, or sixty-four days in the course of the year: which, at the
+end of seventy years, would be awful indeed! Twelve whole years
+lost! Lazy, idle people, never seem to have time for anything:
+industrious ones, time for anything and everything. I hope when
+little Ned sees his portrait he will be shocked with his appearance,
+and reform his ways.</p>
+
+
+<p><span class='pagenum'><a name="Page_33" id="Page_33">[Pg 33]</a></span>TOPSY-TURVY.&#8212;Well, of all the funny pictures in this droll book I
+think this the drollest&#8212;a big letter T resting on its top on the
+ceiling, like in an overturned doll&#8217;s house, or a view taken by an
+artist standing upon his head. Turn it over, and see how comical it
+looks&#8212;everything appears to have lost its gravity.</p>
+
+<p><i>Gravity</i> means the power that holds us to the earth (as Papa&#8217;s
+loadstone attracts the needle): if it were not for gravity, we could
+not move about. Some day you shall read in that nice book called the
+&#8220;Evenings at Home,&#8221; about gravity, and why an apple falls to the
+ground. A great philosopher, Sir Isaac Newton, discovered why, as he
+lay under a tree. At a future time you will learn about gravity and
+many other things.</p>
+
+
+<p>UNCOMMON VEGETATION.&#8212;Uncle Periwinkle was very kind; he loved
+nature and his nephews dearly. He wore green spectacles, a
+dressing-gown all covered with leaves, and a large straw hat; in
+fact he was very fond of gardening, and reared all kinds of odd
+plants&#8212;this his nephews knew, and determined to play a joke upon
+him&#8212;not a cruel, heartless joke, that would hurt or destroy
+anything: no! they were too kind for that. They only carefully tied
+the carpenter&#8217;s planes upon the plane-tree, as if it were fruit&#8212;and
+some little boxes of all colours upon the box-tree, like blossom; so
+that when the old gentleman beheld it, he exclaimed&#8212;&#8220;Uncommon
+Vegetation!&#8221; upon which John and Walter came laughing out of the
+greenhouse to receive a bunch of fine grapes for their pleasant
+joke.</p>
+
+
+<p>WONDER.&#8212;So, Master Ploughboy Giles, you are spending your penny and
+your holiday at the fair. You seem not a little astonished at what
+you have seen in that peep-show. Surely you cannot imagine that they
+are real; it is the magnifying power of the glasses that makes the
+pictures appear so large. The pyramids of Egypt are the largest
+stone buildings in the world, and the oldest; the Behemoth, a huge
+animal that existed thousands of years ago (but I do not think it
+had wings like a butterfly, as in the showman&#8217;s picture); Daniel
+Lambert was an enormously fat man, who died a long time back. All
+these things must be in miniature if they are to be seen in that
+small box, very little larger than a dog&#8217;s house.</p>
+
+
+<p>XANTIPPE.&#8212;The comical event pictured here occurred more than two
+thousand years ago: Xantippe, the wife of the great and good
+philosopher Socrates, continually tormented him with her
+ill-humour&#8212;using him very cruelly&#8212;one day emptying a vessel of
+dirty water over her celebrated husband, whom she ought to have
+loved: he only remarked, that &#8220;after thunder there generally falls
+rain.&#8221; Socrates lived in the refined city of Athens; he was one of
+the most eminent philosophers of Greece; he was very plain in
+person, as you perceive by the picture: but a man may be great and
+good, yet ugly, as Socrates was. The philosopher had enemies who
+sought his destruction; he was killed with poison. After his death
+his accusers were despised, as you will read in ancient history some
+day.</p>
+
+
+<p>YEARN.&#8212;What have we here? Little Miss Cross vexed, just because she
+cannot get at the grapes. I am sure I should not like to have my
+portrait drawn with such a sullen face. She has been trying to take
+fruit without her aunt&#8217;s permission, that very likely is unripe and
+improper for her. The walk in a delightful garden ought not to make
+her long to eat all the fruit she sets eyes upon, or wish to pick
+the sweet flowers, that last much longer upon the plants than when
+plucked. I perceive that the peevish young lady in the picture has
+been picking the flowers. See, they are strewn upon the seat beside
+her, under those dirty feet that have trodden down the beds of
+mould. I am afraid Miss Cross cannot be a joyous, happy child,
+because disobedient.</p>
+
+
+<p>ZANY.&#8212;Finis is the Latin word for finish, and here it is the last
+droll picture&#8212;a Zany laughing at his portrait in this comical book,
+which he seems vastly to enjoy. What a droll fellow, to read with
+his head where his heels should be, like the clown in the pantomime.
+Look at his staff, the cock and bells, with which he dances, making
+a jingling noise. A Zany is not an idiot, but often a funny clever
+fellow, paid to make people laugh. We all like a good laugh
+sometimes. Many years ago kings used to keep jesters to amuse the
+company; King Henry the Eighth had a clever jester, called Will
+Somers, whose portrait was painted by a great artist named Holbein,
+which is now in the palace at Hampton Court, and may be seen by
+those who love pictures.</p>
+
+
+<hr class="hr4" />
+
+
+<p class="title2 ws"><span class="ls serif"><big>ILLUSTRATED</big></span><br /><br />
+<span class="sans"><small>POPULAR</small></span><br /><br />
+<span class="ls serif"><big>EDUCATIONAL WORKS,</big></span><br /><br />
+<span class="tiny serif">PUBLISHED BY</span><br /><br />
+<span class="sans">WARD AND LOCK, 158, FLEET STREET,</span><br /><br />
+LONDON.</p>
+
+<hr class="hr2" />
+
+<p class="ni">Messrs. WARD and LOCK have much pleasure in announcing
+that they have just purchased the Copyrights of many of
+the Valuable <span class="smcap">Illustrated Educational Works</span> lately
+published from the office of the <i>Illustrated London News</i>.
+The New Editions of these Popular Books have been most
+carefully revised, and in their present state arrive as
+near perfection as possible. It is the intention of the
+present proprietors of these Educational Books to continue
+the Series, and they have already made arrangements to
+this effect.</p>
+
+<p>The object of the Publishers is to supply a Series of
+Illustrated Volumes, adapted both for Schools and Private
+Study, which shall be accurate and complete text-books,
+<i>and at a price within the reach of every one</i>.</p>
+
+<p>The old system of instruction, by which the names of things
+only were presented to the mind of the pupil, has been long
+admitted to have been imperfect and unsuccessful. With the
+young it is necessary to speak to the Eye, as well as to
+the Mind&#8212;to give a picture of an object as well as a
+description; and the adoption of such a plan of tuition is
+not only far more effective than that which is confined to
+words, but is at the same time much less irksome to the
+teacher, and more pleasant to the pupil. A greater interest
+is excited, and the representation of the object remains
+clear and distinct in the mind of the child long after the
+verbal description has passed away.</p>
+
+<p class="hang"><img src="images/hand.png" style="vertical-align: bottom;" width="50" height="27" alt="pointer" title="" /> For Particulars of the &#8220;Illustrated Popular Educational Works,&#8221; see Catalogue.</p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="tiny serif">JUST READY,</span><br />
+<br />
+<span class="ls ws serif">THE ILLUSTRATED</span><br /><br />
+<span class="sans">WEBSTER</span><br /><br />
+<span class="ls ws serif"><big>SPELLING BOOK.</big></span><br />
+<br />
+<span class="tiny serif">Demy 8vo, embellished with upwards of</span><br /><br />
+<span class="sans ws">250 SPLENDID ENGRAVINGS</span><br /><br />
+</p>
+
+<hr class="hr2" />
+
+<p class="hang">By <span class="smcap">Gilbert, Harvey, Dalziel</span>, and other eminent artists.
+128&nbsp;pp., new and accented type, upon the principle of &#8220;Webster&#8217;s
+Dictionary of the English Language.&#8221; Cloth, gilt lettered,
+price 1s.; coloured, 2s.</p>
+
+<p style="line-height: 1.2em;">*<sub>&#8727;</sub>* The &#8220;<span class="smcap">Illustrated Webster Spelling Book</span>&#8221; has been most
+carefully compiled by an Eminent English Scholar, who is
+daily engaged in the tuition of youth, and, therefore, knows
+exactly what is really useful in a Spelling Book. The
+Reading Lessons are arranged upon a new progressive
+principle, exceedingly simple, and well adapted for the
+purpose. The Accented Type has been adopted, so as to ensure
+correct pronunciation. The old system of mis-spelling words
+is dangerous in the extreme, and, therefore, very justly,
+has now fallen into disuse. In a word, the &#8220;<span class="smcap">Illustrated
+Webster Spelling Book</span>,&#8221; whether considered in respect to its
+Typography, Binding, or Beauty of its Illustrations, must
+take the highest position as a School-Book, entirely setting
+aside the old-fashioned, and, in most instances,
+unintelligible&#8212;so called&#8212;helps to learning.</p>
+
+<h5>N.B.&#8212;Be careful to order &#8220;THE ILLUSTRATED WEBSTER SPELLING
+BOOK.&#8221;</h5>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="tiny serif ws">IN PREPARATION,</span><br />
+<br />
+<span class="ls ws sans">THE ILLUSTRATED</span><br /><br />
+<span class="ls ws serif"><big>WEBSTER READER,</big></span><br /><br />
+<span class="serif ws">SERIES I.,</span><br /><br />
+<span class="serif smcap ws"><small>the illustrated webster reader, series ii.,</small></span><br /><br />
+<span class="tiny serif">And other Educational Works.</span><br />
+</p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="sans ws tiny">JOHNSON AND WALKER SUPERSEDED.</span></p>
+<hr class="hr3" />
+<p class="title2"><span class="tiny serif">Containing 10,000 more Words than Walker&#8217;s Dictionary.</span></p>
+<hr class="hr3" />
+<p class="title2"><span class="sans ls ws">WEBSTER&#8217;S<br />
+POCKET PRONOUNCING DICTIONARY</span><br />
+<br />
+<span class="serif ws">Of the English Language;</span><br />
+</p>
+
+<p class="hang">Condensed from the Original Dictionary by <span class="smcap">Noah Webster</span>,
+LL.D. With Accented Vocabularies of Classical, Scriptural,
+and Modern Geographical Names. Revised Edition, by <span class="smcap">William
+G. Webster</span> (Son of <span class="smcap">Noah Webster</span>). Royal 16mo, cloth gilt,
+2s.&nbsp;6d.; or strongly bound in roan, gilt, 3s.</p>
+<hr class="hr3" />
+<p style="line-height: 1.2em;">*<sub>&#8727;</sub>* The Public will do well to be on their guard against
+unfair statements in reference to &#8220;Dr. Webster&#8217;s&#8221; principle
+of pronunciation by accents. The old system of pronunciation
+by mis-spelling words has become obsolete, and Dr. Webster&#8217;s
+method is universally acknowledged and adopted.</p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="sans huge">WEBSTER&#8217;S DICTIONARY</span><br />
+<span class="tiny serif ws">OF THE ENGLISH LANGUAGE</span><br />
+<span class="sans ws huge">FOR THE MILLION!</span><br /></p>
+<hr class="hr3" />
+<p class="title2"><span class="tiny serif">Now Ready, Royal 16mo, bound in Cloth,</span><br />
+<span class="sans smcap"><b>price eighteenpence,</b></span><br />
+<span class="serif ls ws huge">WEBSTER&#8217;S DICTIONARY</span><br />
+<span class="sans ws">OF THE ENGLISH LANGUAGE.</span><br /></p>
+
+<p class="hang">The extraordinary success attendant upon the publication of
+the Half-crown Edition of <span class="smcap">Webster&#8217;s Pocket Pronouncing
+Dictionary of the English Language</span>,&#8212;in the face of a most
+obstinate and inveterate opposition on the part of the
+proprietors of the out-of-date and worthless compilations,
+so called Dictionaries, printed from old stereotype plates,
+which have remained unaltered for years,&#8212;has induced
+Messrs. <span class="smcap">Ward</span> and <span class="smcap">Lock</span> to issue a CHEAPER EDITION FOR THE
+MILLION, price only <span class="sans"><b>ONE SHILLING AND SIXPENCE!!!</b></span></p>
+
+<p style="line-height: 1.2em;">*<sub>&#8727;</sub>* The New Edition at <b>1s.&#160;6d.</b> will, of course, be printed
+on thinner paper, but still the type will appear perfectly
+distinct. It is almost unnecessary to state, that only an
+enormous sale can reimburse the Publishers in issuing an
+edition at so low a price as <b>1s.&#160;6d.</b>; still, Messrs. <span class="smcap">Ward</span>
+and <span class="smcap">Lock</span> feel assured that their good intentions will be
+appreciated by an extensive and continually increasing sale.
+&#8220;<span class="smcap">Webster</span>&#8221; is now the only reliable authority on the English
+Language, and it is only right that every Englishman,
+however humble his sphere, should be able to purchase the
+best English Dictionary. Whilst the Cheaper Edition, at <b>1s.&#160;6d.</b>, is well adapted for National and British Schools, the
+Half-Crown Edition, on superior paper, and bound in cloth,
+gilt lettered, will be always in demand for Schools of a
+higher grade.</p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="tiny serif">Third Edition, Revised.</span><br />
+<span class="sans ws">THE ILLUSTRATED DRAWING BOOK.</span></p>
+
+<p class="hang serif">Comprising a complete Introduction to Drawing and
+Perspective; with Instructions for Etching on Copper or
+Steel, &#38;c. &#38;c. By <span class="smcap">Robert Scott Burn</span>. Illustrated with above
+300 Subjects for Study in every branch of Art. Demy 8vo,
+cloth, 2s.</p>
+
+<p class="serif" style="line-height: 1.2em;">*<sub>&#8727;</sub>* This extremely popular and useful &#8220;Drawing Book&#8221; has
+been thoroughly revised by the Author, and many new
+Illustrations are added, thus rendering the <b>Third Edition</b>
+the most perfect Handbook of Drawing for Schools and
+Students.</p>
+
+<p class="serif" style="line-height: 1.2em;">*<sub>&#8727;</sub>* &#8220;This is one of those cheap and useful publications lately
+issued by <span class="smcap">Ward</span> and <span class="smcap">Lock</span>. It is what it professes to be&#8212;an
+elementary book, in which the rules laid down are simple and
+few, and the drawings to be copied and studied are easily
+delineated and illustrative or first principles.&#8221;&#8212;<i>Globe.</i></p>
+
+<p class="serif" style="line-height: 1.2em;">*<sub>&#8727;</sub>* &#8220;We could point to a work selling for twelve shillings not
+half so complete, nor containing half the number of
+illustrations. Perhaps of all the books for which the public
+are indebted to Messrs. <span class="smcap">Ward</span> and <span class="smcap">Lock</span> this one will be found
+most extensively and practically useful. It is the
+completest thing of the kind which has ever
+appeared.&#8221;&#8212;<i>Tait&#8217;s Magazine.</i></p>
+
+<p class="serif" style="line-height: 1.2em;">*<sub>&#8727;</sub>* &#8220;This is a very capital Instruction Book, embodying a
+complete course of Lessons in Drawing, from the first
+Elements of Outline Sketching up to the most elaborate rules
+of the Art.&#8221;&#8212;<i>Bristol Mercury.</i></p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="tiny serif">Just ready, Second Edition, Revised by the Author.</span><br />
+<span class="sans"><small>THE ILLUSTRATED ARCHITECTURAL, ENGINEERING,<br />
+AND MECHANICAL DRAWING BOOK.</small></span><br />
+<span class="serif tiny">By</span> <span class="smcap serif tiny">Robert Scott Burn</span>. <span class="serif tiny">With 300 Engravings. Demy 8vo,&#160;cloth,&#160;2s.</span></p>
+
+<p class="serif">&#8220;This <i>Book</i> should be given to every youth, for amusement
+as well as for instruction.&#8221;&#8212;<i>Taunton Journal.</i></p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="tiny serif">Third and Revised Edition.</span><br />
+<span class="sans">MECHANICS AND MECHANISM.</span><br />
+<span class="serif tiny">By</span> <span class="smcap serif tiny">Robert Scott Burn</span>. <span class="serif tiny">With about 250 Illustrations. Demy
+8vo,&#160;cloth,&#160;2s.</span></p>
+
+<p class="serif">&#8220;One of the best-considered and most judiciously-illustrated
+elementary treatises on Mechanics and Mechanism which we
+have met with. The illustrations, diagrams, and explanations
+are skilfully introduced, and happily apposite&#8212;numerous and
+beautifully executed. As a handbook for the instruction of
+youth, it would be difficult to surpass it.&#8221;&#8212;<i>Derby
+Mercury.</i></p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="tiny serif">Second Edition, Revised by the Author.</span><br />
+<span class="sans">THE STEAM ENGINE:<br />
+<small>ITS HISTORY AND MECHANISM.</small></span></p>
+
+<p class="serif center">Being Descriptions and Illustrations of the Stationary,
+Locomotive, and Marine Engine. By <span class="smcap">Robert Scott Burn</span>. Demy
+8vo, 200&#160;pp.,&#160;cloth,&#160;3s.</p>
+
+<p class="serif" style="line-height: 1.2em;">*<sub>&#8727;</sub>* A most perfect compendium of everything appertaining to
+the Steam Engine. Mr. <span class="smcap">Burn</span> treats his subjects in a
+thoroughly practical and popular manner, so that he who runs
+may read, and also understand.</p>
+
+<p class="serif">&#8220;Mr. <span class="smcap">Burn&#8217;s</span> History of the Steam Engine treats an
+interesting subject in an admirably intelligible manner, and
+is illustrated by some excellent Diagrams. This is a book
+for the general reader, and deserves a wide
+circulation.&#8221;&#8212;<i>Leader.</i></p>
+
+<hr class="hr4" />
+
+<p class="title2"><span class="tiny serif">Third Edition, Revised.</span><br />
+<span class="sans">THE ILLUSTRATED PRACTICAL GEOMETRY.</span></p>
+
+<p class="serif center">Edited by <span class="smcap">Robert Scott Burn</span>, Editor of the &#8220;Illustrated
+Drawing Book.&#8221; Demy 8vo,&#160;cloth,&#160;2s.</p>
+
+<p class="serif">&#8220;Suited to the youthful mind, and calculated to assist
+Instructors, filled as it is with really good Diagrams and
+Drawings elucidatory of the text.&#8221;&#8212;<i>Globe.</i></p>
+
+<hr class="hr3" />
+
+<h5>LONDON: WARD AND LOCK, 158, FLEET STREET<br />
+<small>AND ALL BOOKSELLERS.</small></h5>
+<hr class="hr4" />
+
+<div class="fig" style="width: 500px;">
+<img src="images/backcover.jpg" class="s" width="500" height="685" alt="Backcover" title="" />
+</div>
+</div>
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of Project Gutenberg's The Royal Picture Alphabet, by Luke Limner
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ROYAL PICTURE ALPHABET ***
+
+***** This file should be named 23619-h.htm or 23619-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/6/1/23619/
+
+Produced by Jacqueline Jeremy and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
+
diff --git a/23619-h/images/backcover.jpg b/23619-h/images/backcover.jpg
new file mode 100644
index 0000000..35f4d10
--- /dev/null
+++ b/23619-h/images/backcover.jpg
Binary files differ
diff --git a/23619-h/images/cover.jpg b/23619-h/images/cover.jpg
new file mode 100644
index 0000000..0838604
--- /dev/null
+++ b/23619-h/images/cover.jpg
Binary files differ
diff --git a/23619-h/images/hand.png b/23619-h/images/hand.png
new file mode 100644
index 0000000..c4df367
--- /dev/null
+++ b/23619-h/images/hand.png
Binary files differ
diff --git a/23619-h/images/i-001.jpg b/23619-h/images/i-001.jpg
new file mode 100644
index 0000000..38a9ec9
--- /dev/null
+++ b/23619-h/images/i-001.jpg
Binary files differ
diff --git a/23619-h/images/i-002.jpg b/23619-h/images/i-002.jpg
new file mode 100644
index 0000000..ece114b
--- /dev/null
+++ b/23619-h/images/i-002.jpg
Binary files differ
diff --git a/23619-h/images/i-003.jpg b/23619-h/images/i-003.jpg
new file mode 100644
index 0000000..1cc4f01
--- /dev/null
+++ b/23619-h/images/i-003.jpg
Binary files differ
diff --git a/23619-h/images/i-004.jpg b/23619-h/images/i-004.jpg
new file mode 100644
index 0000000..0632cfa
--- /dev/null
+++ b/23619-h/images/i-004.jpg
Binary files differ
diff --git a/23619-h/images/i-005.jpg b/23619-h/images/i-005.jpg
new file mode 100644
index 0000000..797fcde
--- /dev/null
+++ b/23619-h/images/i-005.jpg
Binary files differ
diff --git a/23619-h/images/i-006.jpg b/23619-h/images/i-006.jpg
new file mode 100644
index 0000000..2656dad
--- /dev/null
+++ b/23619-h/images/i-006.jpg
Binary files differ
diff --git a/23619-h/images/i-007.jpg b/23619-h/images/i-007.jpg
new file mode 100644
index 0000000..02c7c2a
--- /dev/null
+++ b/23619-h/images/i-007.jpg
Binary files differ
diff --git a/23619-h/images/i-008.jpg b/23619-h/images/i-008.jpg
new file mode 100644
index 0000000..bacbbba
--- /dev/null
+++ b/23619-h/images/i-008.jpg
Binary files differ
diff --git a/23619-h/images/i-009.jpg b/23619-h/images/i-009.jpg
new file mode 100644
index 0000000..49efbf1
--- /dev/null
+++ b/23619-h/images/i-009.jpg
Binary files differ
diff --git a/23619-h/images/i-010.jpg b/23619-h/images/i-010.jpg
new file mode 100644
index 0000000..484f6bf
--- /dev/null
+++ b/23619-h/images/i-010.jpg
Binary files differ
diff --git a/23619-h/images/i-011.jpg b/23619-h/images/i-011.jpg
new file mode 100644
index 0000000..318e0b5
--- /dev/null
+++ b/23619-h/images/i-011.jpg
Binary files differ
diff --git a/23619-h/images/i-012.jpg b/23619-h/images/i-012.jpg
new file mode 100644
index 0000000..6a0ab62
--- /dev/null
+++ b/23619-h/images/i-012.jpg
Binary files differ
diff --git a/23619-h/images/i-013.jpg b/23619-h/images/i-013.jpg
new file mode 100644
index 0000000..474a02a
--- /dev/null
+++ b/23619-h/images/i-013.jpg
Binary files differ
diff --git a/23619-h/images/i-014.jpg b/23619-h/images/i-014.jpg
new file mode 100644
index 0000000..f927fe7
--- /dev/null
+++ b/23619-h/images/i-014.jpg
Binary files differ
diff --git a/23619-h/images/i-015.jpg b/23619-h/images/i-015.jpg
new file mode 100644
index 0000000..86f91da
--- /dev/null
+++ b/23619-h/images/i-015.jpg
Binary files differ
diff --git a/23619-h/images/i-016.jpg b/23619-h/images/i-016.jpg
new file mode 100644
index 0000000..33e4b6e
--- /dev/null
+++ b/23619-h/images/i-016.jpg
Binary files differ
diff --git a/23619-h/images/i-017.jpg b/23619-h/images/i-017.jpg
new file mode 100644
index 0000000..bc20f43
--- /dev/null
+++ b/23619-h/images/i-017.jpg
Binary files differ
diff --git a/23619-h/images/i-018.jpg b/23619-h/images/i-018.jpg
new file mode 100644
index 0000000..bc4e560
--- /dev/null
+++ b/23619-h/images/i-018.jpg
Binary files differ
diff --git a/23619-h/images/i-019.jpg b/23619-h/images/i-019.jpg
new file mode 100644
index 0000000..876180b
--- /dev/null
+++ b/23619-h/images/i-019.jpg
Binary files differ
diff --git a/23619-h/images/i-020.jpg b/23619-h/images/i-020.jpg
new file mode 100644
index 0000000..523ea0c
--- /dev/null
+++ b/23619-h/images/i-020.jpg
Binary files differ
diff --git a/23619-h/images/i-021.jpg b/23619-h/images/i-021.jpg
new file mode 100644
index 0000000..621f7c6
--- /dev/null
+++ b/23619-h/images/i-021.jpg
Binary files differ
diff --git a/23619-h/images/i-022.jpg b/23619-h/images/i-022.jpg
new file mode 100644
index 0000000..9e084d4
--- /dev/null
+++ b/23619-h/images/i-022.jpg
Binary files differ
diff --git a/23619-h/images/i-023.jpg b/23619-h/images/i-023.jpg
new file mode 100644
index 0000000..b75a33b
--- /dev/null
+++ b/23619-h/images/i-023.jpg
Binary files differ
diff --git a/23619-h/images/i-024.jpg b/23619-h/images/i-024.jpg
new file mode 100644
index 0000000..b0e0b95
--- /dev/null
+++ b/23619-h/images/i-024.jpg
Binary files differ
diff --git a/23619-h/images/i-025.jpg b/23619-h/images/i-025.jpg
new file mode 100644
index 0000000..f2c63b3
--- /dev/null
+++ b/23619-h/images/i-025.jpg
Binary files differ
diff --git a/23619-h/images/i-026.jpg b/23619-h/images/i-026.jpg
new file mode 100644
index 0000000..7b009a4
--- /dev/null
+++ b/23619-h/images/i-026.jpg
Binary files differ
diff --git a/23619-page-images/c001.jpg b/23619-page-images/c001.jpg
new file mode 100644
index 0000000..4c87bab
--- /dev/null
+++ b/23619-page-images/c001.jpg
Binary files differ
diff --git a/23619-page-images/c002.jpg b/23619-page-images/c002.jpg
new file mode 100644
index 0000000..9099261
--- /dev/null
+++ b/23619-page-images/c002.jpg
Binary files differ
diff --git a/23619-page-images/f001.png b/23619-page-images/f001.png
new file mode 100644
index 0000000..efb5145
--- /dev/null
+++ b/23619-page-images/f001.png
Binary files differ
diff --git a/23619-page-images/f002.png b/23619-page-images/f002.png
new file mode 100644
index 0000000..87d0540
--- /dev/null
+++ b/23619-page-images/f002.png
Binary files differ
diff --git a/23619-page-images/f003.jpg b/23619-page-images/f003.jpg
new file mode 100644
index 0000000..8d3b67a
--- /dev/null
+++ b/23619-page-images/f003.jpg
Binary files differ
diff --git a/23619-page-images/p001-image.jpg b/23619-page-images/p001-image.jpg
new file mode 100644
index 0000000..b7507a9
--- /dev/null
+++ b/23619-page-images/p001-image.jpg
Binary files differ
diff --git a/23619-page-images/p001.png b/23619-page-images/p001.png
new file mode 100644
index 0000000..8f153b2
--- /dev/null
+++ b/23619-page-images/p001.png
Binary files differ
diff --git a/23619-page-images/p002.png b/23619-page-images/p002.png
new file mode 100644
index 0000000..f398f67
--- /dev/null
+++ b/23619-page-images/p002.png
Binary files differ
diff --git a/23619-page-images/p003-image.jpg b/23619-page-images/p003-image.jpg
new file mode 100644
index 0000000..b46c2e8
--- /dev/null
+++ b/23619-page-images/p003-image.jpg
Binary files differ
diff --git a/23619-page-images/p003.png b/23619-page-images/p003.png
new file mode 100644
index 0000000..8bd972d
--- /dev/null
+++ b/23619-page-images/p003.png
Binary files differ
diff --git a/23619-page-images/p004-image.jpg b/23619-page-images/p004-image.jpg
new file mode 100644
index 0000000..b2c1c29
--- /dev/null
+++ b/23619-page-images/p004-image.jpg
Binary files differ
diff --git a/23619-page-images/p004.png b/23619-page-images/p004.png
new file mode 100644
index 0000000..731132a
--- /dev/null
+++ b/23619-page-images/p004.png
Binary files differ
diff --git a/23619-page-images/p005-image.jpg b/23619-page-images/p005-image.jpg
new file mode 100644
index 0000000..0b5242d
--- /dev/null
+++ b/23619-page-images/p005-image.jpg
Binary files differ
diff --git a/23619-page-images/p005.png b/23619-page-images/p005.png
new file mode 100644
index 0000000..7ba1147
--- /dev/null
+++ b/23619-page-images/p005.png
Binary files differ
diff --git a/23619-page-images/p006-image.jpg b/23619-page-images/p006-image.jpg
new file mode 100644
index 0000000..ed74a13
--- /dev/null
+++ b/23619-page-images/p006-image.jpg
Binary files differ
diff --git a/23619-page-images/p006.png b/23619-page-images/p006.png
new file mode 100644
index 0000000..940bd44
--- /dev/null
+++ b/23619-page-images/p006.png
Binary files differ
diff --git a/23619-page-images/p007-image.jpg b/23619-page-images/p007-image.jpg
new file mode 100644
index 0000000..76786ba
--- /dev/null
+++ b/23619-page-images/p007-image.jpg
Binary files differ
diff --git a/23619-page-images/p007.png b/23619-page-images/p007.png
new file mode 100644
index 0000000..4967e2f
--- /dev/null
+++ b/23619-page-images/p007.png
Binary files differ
diff --git a/23619-page-images/p008-image.jpg b/23619-page-images/p008-image.jpg
new file mode 100644
index 0000000..207d21f
--- /dev/null
+++ b/23619-page-images/p008-image.jpg
Binary files differ
diff --git a/23619-page-images/p008.png b/23619-page-images/p008.png
new file mode 100644
index 0000000..2910ce3
--- /dev/null
+++ b/23619-page-images/p008.png
Binary files differ
diff --git a/23619-page-images/p009-image.jpg b/23619-page-images/p009-image.jpg
new file mode 100644
index 0000000..e423865
--- /dev/null
+++ b/23619-page-images/p009-image.jpg
Binary files differ
diff --git a/23619-page-images/p009.png b/23619-page-images/p009.png
new file mode 100644
index 0000000..5100263
--- /dev/null
+++ b/23619-page-images/p009.png
Binary files differ
diff --git a/23619-page-images/p010-image.jpg b/23619-page-images/p010-image.jpg
new file mode 100644
index 0000000..d703ef3
--- /dev/null
+++ b/23619-page-images/p010-image.jpg
Binary files differ
diff --git a/23619-page-images/p010.png b/23619-page-images/p010.png
new file mode 100644
index 0000000..5fbcfcc
--- /dev/null
+++ b/23619-page-images/p010.png
Binary files differ
diff --git a/23619-page-images/p011-image.jpg b/23619-page-images/p011-image.jpg
new file mode 100644
index 0000000..a10da2b
--- /dev/null
+++ b/23619-page-images/p011-image.jpg
Binary files differ
diff --git a/23619-page-images/p011.png b/23619-page-images/p011.png
new file mode 100644
index 0000000..52a41ef
--- /dev/null
+++ b/23619-page-images/p011.png
Binary files differ
diff --git a/23619-page-images/p012-image.jpg b/23619-page-images/p012-image.jpg
new file mode 100644
index 0000000..8ed48a9
--- /dev/null
+++ b/23619-page-images/p012-image.jpg
Binary files differ
diff --git a/23619-page-images/p012.png b/23619-page-images/p012.png
new file mode 100644
index 0000000..64e7a8f
--- /dev/null
+++ b/23619-page-images/p012.png
Binary files differ
diff --git a/23619-page-images/p013-image.jpg b/23619-page-images/p013-image.jpg
new file mode 100644
index 0000000..9ab7edd
--- /dev/null
+++ b/23619-page-images/p013-image.jpg
Binary files differ
diff --git a/23619-page-images/p013.png b/23619-page-images/p013.png
new file mode 100644
index 0000000..479bb9a
--- /dev/null
+++ b/23619-page-images/p013.png
Binary files differ
diff --git a/23619-page-images/p014-image.jpg b/23619-page-images/p014-image.jpg
new file mode 100644
index 0000000..648763d
--- /dev/null
+++ b/23619-page-images/p014-image.jpg
Binary files differ
diff --git a/23619-page-images/p014.png b/23619-page-images/p014.png
new file mode 100644
index 0000000..5f2a50f
--- /dev/null
+++ b/23619-page-images/p014.png
Binary files differ
diff --git a/23619-page-images/p015-image.jpg b/23619-page-images/p015-image.jpg
new file mode 100644
index 0000000..cc03101
--- /dev/null
+++ b/23619-page-images/p015-image.jpg
Binary files differ
diff --git a/23619-page-images/p015.png b/23619-page-images/p015.png
new file mode 100644
index 0000000..4594073
--- /dev/null
+++ b/23619-page-images/p015.png
Binary files differ
diff --git a/23619-page-images/p016-image.jpg b/23619-page-images/p016-image.jpg
new file mode 100644
index 0000000..fa7c503
--- /dev/null
+++ b/23619-page-images/p016-image.jpg
Binary files differ
diff --git a/23619-page-images/p016.png b/23619-page-images/p016.png
new file mode 100644
index 0000000..4e89be2
--- /dev/null
+++ b/23619-page-images/p016.png
Binary files differ
diff --git a/23619-page-images/p017-image.jpg b/23619-page-images/p017-image.jpg
new file mode 100644
index 0000000..55184fd
--- /dev/null
+++ b/23619-page-images/p017-image.jpg
Binary files differ
diff --git a/23619-page-images/p017.png b/23619-page-images/p017.png
new file mode 100644
index 0000000..ecdf604
--- /dev/null
+++ b/23619-page-images/p017.png
Binary files differ
diff --git a/23619-page-images/p018-image.jpg b/23619-page-images/p018-image.jpg
new file mode 100644
index 0000000..d67c273
--- /dev/null
+++ b/23619-page-images/p018-image.jpg
Binary files differ
diff --git a/23619-page-images/p018.png b/23619-page-images/p018.png
new file mode 100644
index 0000000..269f29a
--- /dev/null
+++ b/23619-page-images/p018.png
Binary files differ
diff --git a/23619-page-images/p019-image.jpg b/23619-page-images/p019-image.jpg
new file mode 100644
index 0000000..addbdab
--- /dev/null
+++ b/23619-page-images/p019-image.jpg
Binary files differ
diff --git a/23619-page-images/p019.png b/23619-page-images/p019.png
new file mode 100644
index 0000000..88ea5b9
--- /dev/null
+++ b/23619-page-images/p019.png
Binary files differ
diff --git a/23619-page-images/p020-image.jpg b/23619-page-images/p020-image.jpg
new file mode 100644
index 0000000..5983f9b
--- /dev/null
+++ b/23619-page-images/p020-image.jpg
Binary files differ
diff --git a/23619-page-images/p020.png b/23619-page-images/p020.png
new file mode 100644
index 0000000..50065e1
--- /dev/null
+++ b/23619-page-images/p020.png
Binary files differ
diff --git a/23619-page-images/p021-image.jpg b/23619-page-images/p021-image.jpg
new file mode 100644
index 0000000..ae4d5d0
--- /dev/null
+++ b/23619-page-images/p021-image.jpg
Binary files differ
diff --git a/23619-page-images/p021.png b/23619-page-images/p021.png
new file mode 100644
index 0000000..c3da5ec
--- /dev/null
+++ b/23619-page-images/p021.png
Binary files differ
diff --git a/23619-page-images/p022-image.jpg b/23619-page-images/p022-image.jpg
new file mode 100644
index 0000000..ad02bd1
--- /dev/null
+++ b/23619-page-images/p022-image.jpg
Binary files differ
diff --git a/23619-page-images/p022.png b/23619-page-images/p022.png
new file mode 100644
index 0000000..cec4ca3
--- /dev/null
+++ b/23619-page-images/p022.png
Binary files differ
diff --git a/23619-page-images/p023-image.jpg b/23619-page-images/p023-image.jpg
new file mode 100644
index 0000000..4d36384
--- /dev/null
+++ b/23619-page-images/p023-image.jpg
Binary files differ
diff --git a/23619-page-images/p023.png b/23619-page-images/p023.png
new file mode 100644
index 0000000..024126d
--- /dev/null
+++ b/23619-page-images/p023.png
Binary files differ
diff --git a/23619-page-images/p024-image.jpg b/23619-page-images/p024-image.jpg
new file mode 100644
index 0000000..4bfce39
--- /dev/null
+++ b/23619-page-images/p024-image.jpg
Binary files differ
diff --git a/23619-page-images/p024.png b/23619-page-images/p024.png
new file mode 100644
index 0000000..49b9954
--- /dev/null
+++ b/23619-page-images/p024.png
Binary files differ
diff --git a/23619-page-images/p025-image.jpg b/23619-page-images/p025-image.jpg
new file mode 100644
index 0000000..62cf87f
--- /dev/null
+++ b/23619-page-images/p025-image.jpg
Binary files differ
diff --git a/23619-page-images/p025.png b/23619-page-images/p025.png
new file mode 100644
index 0000000..2c306f8
--- /dev/null
+++ b/23619-page-images/p025.png
Binary files differ
diff --git a/23619-page-images/p026-image.jpg b/23619-page-images/p026-image.jpg
new file mode 100644
index 0000000..9709fe0
--- /dev/null
+++ b/23619-page-images/p026-image.jpg
Binary files differ
diff --git a/23619-page-images/p026.png b/23619-page-images/p026.png
new file mode 100644
index 0000000..fd6bf25
--- /dev/null
+++ b/23619-page-images/p026.png
Binary files differ
diff --git a/23619-page-images/p027.png b/23619-page-images/p027.png
new file mode 100644
index 0000000..597c42e
--- /dev/null
+++ b/23619-page-images/p027.png
Binary files differ
diff --git a/23619-page-images/p028.png b/23619-page-images/p028.png
new file mode 100644
index 0000000..9e53ba9
--- /dev/null
+++ b/23619-page-images/p028.png
Binary files differ
diff --git a/23619-page-images/p029.png b/23619-page-images/p029.png
new file mode 100644
index 0000000..e478070
--- /dev/null
+++ b/23619-page-images/p029.png
Binary files differ
diff --git a/23619-page-images/p030.png b/23619-page-images/p030.png
new file mode 100644
index 0000000..93685bd
--- /dev/null
+++ b/23619-page-images/p030.png
Binary files differ
diff --git a/23619-page-images/p032.png b/23619-page-images/p032.png
new file mode 100644
index 0000000..f9b6b1c
--- /dev/null
+++ b/23619-page-images/p032.png
Binary files differ
diff --git a/23619-page-images/p033.png b/23619-page-images/p033.png
new file mode 100644
index 0000000..ab6ac94
--- /dev/null
+++ b/23619-page-images/p033.png
Binary files differ
diff --git a/23619.txt b/23619.txt
new file mode 100644
index 0000000..d0c5055
--- /dev/null
+++ b/23619.txt
@@ -0,0 +1,1456 @@
+The Project Gutenberg EBook of The Royal Picture Alphabet, by Luke Limner
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Royal Picture Alphabet
+
+Author: Luke Limner
+
+Release Date: November 25, 2007 [EBook #23619]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ROYAL PICTURE ALPHABET ***
+
+
+
+
+Produced by Jacqueline Jeremy and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive/American Libraries.)
+
+
+
+
+
+
+
+
+
+ THE
+ ROYAL
+ PICTURE ALPHABET
+
+ OF HUMOUR AND DROLL MORAL TALES
+ OR WORDS & THEIR MEANINGS
+ ILLUSTRATED
+
+ [Illustration]
+
+ LONDON:
+ WARD AND LOCK,
+ 158, FLEET STREET.
+
+
+
+
+[Illustration: LAUGH and LEARN]
+
+[Illustration: The Royal Picture Alphabet.]
+
+
+
+
+ POETICAL PREFACE
+ TO THE
+ ROYAL PICTURE ALPHABET.
+
+ TO PRECEPTORS.
+
+
+ With learning may laughter be found,
+ "'Tis good to be merry and wise;"
+ To gaily get over the ground,
+ As higher and higher we rise.
+
+ Some children their letters may learn,
+ While others will surely do more,
+ As the subjects suggestively turn
+ To matters not thought of before.
+
+ Descriptions and pictures combined
+ Are here made attractive and clear;
+ So suited that children may find
+ From error the truth to appear.
+
+
+
+
+[Illustration]
+
+A a.
+
+ +-----------------------+
+ | ABLUTION, |
+ |_The Act of Cleansing_.|
+ +-----------------------+
+
+ The little sweep has washed his face,
+ But not as we advise:
+ For black as soot he's made the soap,
+ And rubbed it in his eyes.
+
+
+
+
+[Illustration]
+
+B b.
+
+ +-------------------+
+ |BARTER, _Exchange_.|
+ +-------------------+
+
+ Here's Master Mack presenting fruit,
+ Of which he makes display;
+ He knows he'll soon have Lucy's rope,
+ And with it skip away.
+
+
+
+
+[Illustration]
+
+C c.
+
+ +----------------------------+
+ |CATASTROPHE, _a Final Event_|
+ | (_generally unhappy_). |
+ +----------------------------+
+
+ "Oh here's a sad catastrophe!"
+ Was Mrs. Blossom's cry--
+ Then--"Water! water! bring to me--
+ Or all my fish will die."
+
+
+
+
+[Illustration]
+
+D d.
+
+ +-------------------+
+ | DELIGHTFUL, |
+ |_easant, Charming_.|
+ +-------------------+
+
+ These boys are bathing in the stream
+ When they should be at school:
+ The master's coming round to see
+ Who disregards his rule.
+
+
+
+
+[Illustration]
+
+E e.
+
+ +----------------------------+
+ | ECCENTRICITY, |
+ |_Irregularity, Strangeness_.|
+ +----------------------------+
+
+ We often see things seeming strange;
+ But scarce so strange as this:--
+ Here everything is mis-applied,
+ Here every change amiss.
+
+
+
+
+[Illustration]
+
+F f.
+
+ +---------------------------------+
+ | FRAUD, |
+ |_Deceit, Trick, Artifice, Cheat_.|
+ +---------------------------------+
+
+ Here is Pat Murphy, fast asleep.
+ And there is Neddy Bray:
+ The thief a watchful eye doth keep
+ Until he gets away.
+
+
+
+
+[Illustration]
+
+G g.
+
+ +------------------------+
+ | GENIUS, |
+ |_Mental Power, Faculty_.|
+ +------------------------+
+
+ A little boy with little slate
+ May sometimes make more clear
+ The little thoughts that he would state
+ Than can by words appear.
+
+
+
+
+[Illustration]
+
+H h.
+
+ +----------------+
+ | HORROR, |
+ |_Terror, Dread_.|
+ +----------------+
+
+ This little harmless speckled frog
+ Seems Lady Townsend's dread:
+ I fear she'll run away and cry,
+ And hide her silly head.
+
+
+
+
+[Illustration]
+
+I i. J j.
+
+ +----------------------------+
+ | ICHABOD AT THE JAM. |
+ | |
+ |ICHABOD, _a Christian Name_.|
+ |JAM, _a Conserve of Fruits_.|
+ +----------------------------+
+
+
+ Enough is good, excess is bad:
+ Yet Ichabod you see,
+ Will with the jam his stomach cram,
+ Until they disagree.
+
+
+
+
+[Illustration]
+
+K k.
+
+ +-------------------------+
+ | KNOWING, |
+ |_Conscious, Intelligent_.|
+ +-------------------------+
+
+ Tho' horses know both beans and corn,
+ And snuff them in the wind;
+ They also all know Jemmy Small,
+ And what he holds behind.
+
+
+
+
+[Illustration]
+
+L l.
+
+ +-----------------------------+
+ | LUCKY, |
+ |_Fortunate, Happy by Chance_.|
+ +-----------------------------+
+
+ We must admire, in Lovebook's case.
+ The prompt decision made:
+ As he could not have gained the wood
+ If time had been delayed.
+
+
+
+
+[Illustration]
+
+M m.
+
+ +-----------------------+
+ | MIMIC, |
+ |_Imitative, Burlesque_.|
+ +-----------------------+
+
+ The Gentleman, who struts so fine,
+ Unconscious seems to be
+ Of Imitation by the boy
+ Who has the street-door key.
+
+
+
+
+[Illustration]
+
+N n.
+
+ +-----------------------------+
+ | NEGLIGENCE, |
+ |_Heedlessness, Carelessness_.|
+ +-----------------------------+
+
+ The character Tom Slowboy bears
+ Would much against him tell--
+ For any work that's wanted done,
+ Or even play done well.
+
+
+
+
+[Illustration]
+
+O o.
+
+ +----------------------------+
+ | OBSTINACY, |
+ |_Stubbornness, Waywardness_.|
+ +----------------------------+
+
+ The obstinacy of the pig
+ Is nature--as you see:
+ But boys and girls who have a mind
+ Should never stubborn be.
+
+
+
+
+[Illustration]
+
+P p.
+
+ +-------------------------------+
+ | PETS, |
+ |_Favourites, Spoilt Fondlings_.|
+ +-------------------------------+
+
+ Some people say that Aunty Gray
+ To animals is kind;
+ We think, instead, they are over fed,
+ And kept too much confined.
+
+
+
+
+[Illustration]
+
+Q q.
+
+ +------------------------+
+ | QUANDARY, |
+ |_A Doubt, a Difficulty_.|
+ +------------------------+
+
+ Dame Partlet's in difficulty
+ And looks around with doubt:
+ Let's hope, as she some way got in,
+ She may some way get out.
+
+
+
+
+[Illustration]
+
+R r.
+
+ +-------------------------+
+ | RIVALRY, |
+ |_Competition, Emulation_.|
+ +-------------------------+
+
+ In every competition prize
+ This should be kept in view--
+ Whoever wins should be the one
+ Who does deserve it, too.
+
+
+
+
+[Illustration]
+
+S s.
+
+ +---------------------------+
+ | SLUGGARD, |
+ |_An Inactive, Lazy Fellow_.|
+ +---------------------------+
+
+ To lie so many hours in bed
+ You surely must be ill--
+ And need some physic, Master Ned,
+ As birch, or draught, or pill!
+
+
+
+
+[Illustration]
+
+T t.
+
+ +--------------------------+
+ | TOPSY-TURVY, |
+ |_Upside Down, Bottom Top_.|
+ +--------------------------+
+
+ Here's Topsy-Turvy, upside down,
+ The ceiling seems the base:
+ Reverse the ground and 'twill be found
+ The things are out of place.
+
+
+
+
+[Illustration]
+
+U u. V v.
+
+ +----------------------------------+
+ | UNCOMMON VEGETATION. |
+ | |
+ |UNCOMMON, _Rare, not Frequent_. |
+ |VEGETATION, _the Power of Growth_.|
+ +----------------------------------+
+
+ Th' uncommon vegetation, here,
+ With art has much to do:
+ The trees are nature, but the fruit
+ Uncommon and untrue.
+
+
+
+
+[Illustration]
+
+W w.
+
+ +---------------------------+
+ | WONDER, |
+ |_Admiration, Astonishment_.|
+ +---------------------------+
+
+ The wise may live and wonder still,
+ However much they know,
+ But simple Giles has wonder found
+ Within the penny show.
+
+
+
+
+[Illustration]
+
+X x.
+
+ +----------------------------------------+
+ |NO ENGLISH WORD BEGINS WITH THIS LETTER.|
+ | XANTIPPE, |
+ | _A Greek Matron, Wife of Socrates_. |
+ +----------------------------------------+
+
+ Here's Socrates and Xantippe--
+ Philosopher and wife--
+ For gentleness renowned was he;
+ She, better known for strife.
+
+
+
+
+[Illustration]
+
+Y y.
+
+ +--------------------+
+ | YEARN, |
+ |_To Grieve, to Vex_.|
+ +--------------------+
+
+ Miss Cross has tried to reach the grapes,
+ She's tried and tried again--
+ And now she's vexed to think that all
+ Her efforts are in vain.
+
+
+
+
+[Illustration]
+
+Z z.
+
+ +----------------------------+
+ | ZANY, |
+ |_A Buffoon, a Merry Andrew_.|
+ +----------------------------+
+
+ Here's Zany reading in a book--
+ With heels above his head--
+ And, judging by his laughing look,
+ Finds fun in what he's read.
+
+
+
+
+MORAL TALES.
+
+
+ABLUTION.--Poor little fellow, you are certainly making comical
+faces: I fear the soap has got into your eyes, and that you will
+make that towel very black indeed. All boys, when they wash
+themselves, should take care to rinse off the soap and dirt before
+using the towel. To make the poor little sweep quite clean would
+take much washing. I should like to see the soap and water a little
+cleaner. Many of us have nice wash-stands and baths of marble, but
+this poor little fellow must make the best of what he can get. See
+how cleverly he has put a brick under the broken leg of the stool to
+prop it. I like to see boys clever and ingenious.
+
+
+BARTER.--Miss Lucy Hart was a nice girl, but rather thoughtless,
+little regarding any time but the present--new things in her eyes
+being the prettiest and the best;--thus, she would cast away old
+toys for new ones, as if she were not likely to want them again.
+See, Master George Mc Gregor is bartering for her skipping-rope;
+offering some fruit in exchange for it. The fruit he has picked off
+the tree without permission. I know Lucy's mamma will be vexed; for
+not only will the fruit soon be gone, and the skip-rope wanted
+again, but it was a present from Papa. The plaything cost far more
+than a little fruit, which will be quickly eaten, and possibly make
+Lucy unwell after so much as she has had to-day.
+
+
+CATASTROPHE.--Poor dear lady! has the cat tried to help himself to a
+gold fish, and overturned the handsome glass vase? Naughty Tom!
+greedy puss! I am sure kind Mrs. Blossom always feeds you well; and
+I think you know that you have done wrong, or you would not run so
+fast over the rails into Admiral Seaworth's garden, where he keeps
+his large dog Neptune, who may bark and send you back in a fright.
+
+Poor fish, see how they gasp!--run and fetch some water, or they
+will die. Men drown in water, but fish cannot live out of it. It is
+the nature of cats to catch mice and birds--so that we should keep
+our little favourites out of their reach.
+
+
+DELIGHTFUL.--These boys, I fear, are bathing without their parents'
+consent, which is very wrong, indeed. It is very pleasant in the
+water on a fine day; but little boys should not go there, as it
+might be deep, and they might become cramped in their limbs, and be
+drowned when no one was near, as many naughty boys have been before
+now.
+
+It is proper that boys should learn to swim, when with Papa or some
+kind friend, but not as these boys have. I feel just sure they have
+played the truant--as I see the village school-master, with his
+little dog, coming over the rustic bridge to catch them.
+
+I think that the letter D might, in this case, stand for Disobedient
+as well as Delightful.
+
+
+ECCENTRICITY.--What have we here?--a very odd, comical picture,
+indeed! What a strange fellow, to put his hat upon the fire, and a
+saucepan on his head. I do declare he has his trowsers and waistcoat
+on wrong side before. See, he has taken the poker for a
+walking-stick, put a greasy candle in the book, and the eggs upon
+the floor. Why a small baby-boy would not do this: the poor fellow
+must be out of his right mind. You may laugh at this odd picture for
+it is very ridiculous, and will hurt no one; but good children
+should never make sport of those who are deformed in mind or body,
+for it is not a fault but a misfortune to be so.
+
+
+FRAUD.--Patrick Murphy--commonly called, for shortness, Pat--was a
+very stupid little man; he reared pigs, and had he been sober, would
+have by this time saved a little property; but, no, Pat liked beer
+and strong drink: so that upon market-days he was far less sensible
+than his own jackass--which did know its way home--and for a long
+time took back foolish tipsy Pat safely; until one day, the roads
+being very bad, the cart came to a stop, and Neddy could pull no
+further. A rogue passing, seeing Pat asleep, unloosed the donkey
+from the cart, leaving Pat to awake, and much wonder what could have
+become of Neddy Bray, the donkey.
+
+It was very wrong of the man to take Pat's donkey, although Pat was
+a drunken fellow.
+
+
+GENIUS.--Bravo! my little Artist. I dare say if you try again you
+will improve upon your first attempt. All people should learn to
+draw, that they may be able to describe a form in a very few lines,
+making things intelligible at sight which could not be described in
+any other way. A little knowledge of drawing will lead to a love of
+pictures and delight in the beautiful works of nature. Giotto, a
+great painter, who lived many hundred years ago, was but a poor
+shepherd-boy, who amused himself by drawing portraits of his sheep
+as he tended them on the hills; from rude attempts he rose to be a
+great artist, whose works are treasured by kings and princes. I dare
+say you may some day see some of the works of Giotto, the great
+Italian painter.
+
+
+HORROR.--This drawing represents little Lady Selina Jemima Townsend
+as she appeared when afraid. Afraid--of what? Why, a poor tiny
+reptile, a harmless frog, that had jumped into her hat full of
+daisies, with a croak, as much as to say--"How do you do? Good
+morning, Lady Townsend; I am glad to see you down in the country."
+But what do you think she did? Why, the little lady scampered away
+as fast as she could to her governess, in whose dress she hid her
+face, crying,--saying she had seen "a nasty horrid thing." For this
+her governess reproved her, saying, "God created nothing in vain."
+Frogs are harmless and beautiful when in the water, through which
+they can swim and dive with wonderful ease.
+
+
+ICHABOD AT THE JAM.--Ichabod is an odd name, but such is the name of
+the little boy in the picture. He was much pampered by his parents,
+and never knew when he had had enough. Ichabod would cry for things
+to eat, then cry again because he could eat no more, and after all
+cry, because eating made him feel sick and ill: but that was not
+all; Ichabod was, I am ashamed to say, a thief. He stole the jam
+when his mother thought he was asleep in bed. See, Betty the maid
+has heard a noise, and caught the rogue in the act. To-morrow and
+for many days Ichabod will be ill in bed, and have to take much
+nasty physic. I wish he had _mis_-taken the mustard for honey, and
+burnt his naughty, fibbing tongue.
+
+
+KNOWING.--Ah! ah! Jemmy Small. I fear the steeds are too knowing for
+you to-day. They appear conscious: they would like the beans and
+corn you have in the sieve, but do not like the halter you are
+hiding behind your back. More than one has kicked up his heels, as
+much as to say--"Catch me if you can!" You seem to think, as you
+bite the straw in your mouth, that they may give you a pretty run. I
+know Bob, the pony, will not be soon caught.
+
+Horses and other animals like play much better than work, but good
+boys and girls ought to love both, and not require sweetmeats to
+induce them to do their duty--for they have intellects of a high
+order, and may become clever men and women.
+
+
+LUCKY.--Master Lovebook was indeed lucky in his escape from the
+Bull--and I will tell you how it happened: In going to school, this
+young gentleman had to go round by the wood and across the meadows,
+when one day he observed a savage bull making towards him; alarmed,
+he did not run crying anywhere, but considered one moment, and made
+back the shortest way to the wood, with all speed for the posts,
+just as the savage animal was going to toss him high in the air.
+
+Master Lovebook was unfortunate in meeting the bull, but fortunate
+in having the posts between him and the infuriated animal.
+
+In danger, brave little boys never cry, but think what is the best
+to be done.
+
+
+MIMIC.--To be vain of anything is not right, and to be proud of fine
+clothes very silly indeed. The young gentleman in the picture, I
+think, is vain. See, he is smoking a cigar, and if we may judge by
+the expression of his face, we may presume that he does not fully
+enjoy it. As he struts along the rude boys ridicule him. See the boy
+behind mimicking his airs and graces--using the handle of the
+door-key for an eye-glass. I fear that lad's mirth will soon be
+changed into sorrow--for the jug must be broken against the post,
+and the beer spilled--so that in turn he will be laughed at.
+
+We cannot help smiling at the little coxcomb, although at the same
+time we pity him.
+
+
+NEGLIGENCE.--Here is Tommy Slowboy, the lowest boy in the
+day-school, too idle to learn or even play. See how vacantly he
+stands gaping at the men clearing the snow from the house-tops, with
+his hand in his pocket because he has lost his glove, having placed
+the hot shoulder of mutton down in the cold snow. No wonder the
+first dog passing helps itself to the joint. Tom will not only be
+chid, but have to go without his dinner. Yet, what cares Tom for
+scolding or anything else, he who is so neglectful of duty?
+
+Mind that you strive to learn early, that you may become wise and
+happy hereafter. Look at the picture of Tommy Slowboy, and avoid
+apathy and indolence.
+
+
+OBSTINACY.--Obstinacy is a sad thing. See the naughty Pig in the
+picture, how he pulls in the opposite direction. Master Pig will be
+obliged to go into the sty, and very likely get the whip for his
+pains; like a wayward child that gets chid for disobedience. I hope
+there are very few disobedient young ladies and gentlemen, like the
+perverse pig. The pig is a stupid animal: but I have heard of a
+learned pig that could tell his letters, pointing to them with his
+snout; but most swine are dirty in their ways, and not at all
+particular--little caring so long as they can eat, grunt, and sleep.
+The pig will often lie in the dirtiest corner of his house, and
+stand in its trough of food.
+
+
+PETS.--Here is a portrait of Aunt Gray feeding her Pets, or
+rather stuffing the poor monkey. Some people say Miss Gray is
+kind to animals, but I do not think so, for she keeps her pets
+prisoners--feeding them too much, and all for her own pleasure,
+until they become like spoilt children, peevish, and always wanting
+sweet things. Kind children love animals, and delight to see them
+free. In the Zoological Gardens animals are not pets; they have
+there plenty of room, and are nicely kept for our instruction. See,
+poor Jacko, the monkey, has grown too fat to leap, as in his native
+woods he used, from bough to bough. The poor gold fish have hardly
+room to turn in their glass prison: how they would enjoy a swim in
+the garden pond!
+
+
+QUANDARY.--Poor Dame Partlet having got into the back yard cannot
+get out again. She is in a Quandary, for she fears the dogs will
+bite her--though their chains are not long enough. Keeper, the
+mastiff, is a noble fellow, and would not hurt women or children;
+neither would Nero, the bull-dog; he would rather face a lion or a
+wild ox: whilst Snap, the terrier, barks and snarls in the company
+of his brave companions.
+
+Little boys and girls should not touch strange dogs, for they
+sometimes snap at those who are not familiar to them. To take food
+from dogs is not prudent, for they growl, bite, and are
+ill-tempered, like a little fellow would be if deprived of his
+dinner, after he had tasted the first morsel.
+
+
+RIVALRY.--To compete for good is famous--such as little boys
+rivalling one another in a race up the Ladder of Learning--that is
+exercise of the mind. Here we have a picture of country boys
+exercising their strength--climbing up a pole covered with grease,
+for a prize of food for the body. The boy that wins the leg of
+mutton will be the hero of the fair, and be carried round the place
+on the shoulders of the men. See how they strive and tear to win the
+prize. I should not wonder if they all slipped down together,
+notwithstanding the encouraging cheers of the crowd. See how the man
+on the housetop swings his hat in the air, and the people applaud. A
+few inches higher, and the prize is won.
+
+
+SLUGGARD.--Heavy-headed, sleepy Ned, awake, arise! You lazy fellow!
+Look at the clock! Eight hours' rest is enough for any little
+boy--and here you have taken nearly fourteen. All Sluggards should
+get their slates, and calculate how much time they waste every
+year--weeks that can never be regained. If you only lie in bed two
+hours later than you should every day, you lose more than one day in
+a week, or sixty-four days in the course of the year: which, at the
+end of seventy years, would be awful indeed! Twelve whole years
+lost! Lazy, idle people, never seem to have time for anything:
+industrious ones, time for anything and everything. I hope when
+little Ned sees his portrait he will be shocked with his appearance,
+and reform his ways.
+
+
+TOPSY-TURVY.--Well, of all the funny pictures in this droll book I
+think this the drollest--a big letter T resting on its top on the
+ceiling, like in an overturned doll's house, or a view taken by an
+artist standing upon his head. Turn it over, and see how comical it
+looks--everything appears to have lost its gravity.
+
+_Gravity_ means the power that holds us to the earth (as Papa's
+loadstone attracts the needle): if it were not for gravity, we could
+not move about. Some day you shall read in that nice book called the
+"Evenings at Home," about gravity, and why an apple falls to the
+ground. A great philosopher, Sir Isaac Newton, discovered why, as he
+lay under a tree. At a future time you will learn about gravity and
+many other things.
+
+
+UNCOMMON VEGETATION.--Uncle Periwinkle was very kind; he loved
+nature and his nephews dearly. He wore green spectacles, a
+dressing-gown all covered with leaves, and a large straw hat; in
+fact he was very fond of gardening, and reared all kinds of odd
+plants--this his nephews knew, and determined to play a joke upon
+him--not a cruel, heartless joke, that would hurt or destroy
+anything: no! they were too kind for that. They only carefully tied
+the carpenter's planes upon the plane-tree, as if it were fruit--and
+some little boxes of all colours upon the box-tree, like blossom; so
+that when the old gentleman beheld it, he exclaimed--"Uncommon
+Vegetation!" upon which John and Walter came laughing out of the
+greenhouse to receive a bunch of fine grapes for their pleasant
+joke.
+
+
+WONDER.--So, Master Ploughboy Giles, you are spending your penny and
+your holiday at the fair. You seem not a little astonished at what
+you have seen in that peep-show. Surely you cannot imagine that they
+are real; it is the magnifying power of the glasses that makes the
+pictures appear so large. The pyramids of Egypt are the largest
+stone buildings in the world, and the oldest; the Behemoth, a huge
+animal that existed thousands of years ago (but I do not think it
+had wings like a butterfly, as in the showman's picture); Daniel
+Lambert was an enormously fat man, who died a long time back. All
+these things must be in miniature if they are to be seen in that
+small box, very little larger than a dog's house.
+
+
+XANTIPPE.--The comical event pictured here occurred more than
+two thousand years ago: Xantippe, the wife of the great and
+good philosopher Socrates, continually tormented him with her
+ill-humour--using him very cruelly--one day emptying a vessel
+of dirty water over her celebrated husband, whom she ought to
+have loved: he only remarked, that "after thunder there generally
+falls rain." Socrates lived in the refined city of Athens; he was
+one of the most eminent philosophers of Greece; he was very plain
+in person, as you perceive by the picture: but a man may be great
+and good, yet ugly, as Socrates was. The philosopher had enemies
+who sought his destruction; he was killed with poison. After his
+death his accusers were despised, as you will read in ancient
+history some day.
+
+
+YEARN.--What have we here? Little Miss Cross vexed, just because she
+cannot get at the grapes. I am sure I should not like to have my
+portrait drawn with such a sullen face. She has been trying to take
+fruit without her aunt's permission, that very likely is unripe and
+improper for her. The walk in a delightful garden ought not to make
+her long to eat all the fruit she sets eyes upon, or wish to pick
+the sweet flowers, that last much longer upon the plants than when
+plucked. I perceive that the peevish young lady in the picture has
+been picking the flowers. See, they are strewn upon the seat beside
+her, under those dirty feet that have trodden down the beds of
+mould. I am afraid Miss Cross cannot be a joyous, happy child,
+because disobedient.
+
+
+ZANY.--Finis is the Latin word for finish, and here it is the last
+droll picture--a Zany laughing at his portrait in this comical book,
+which he seems vastly to enjoy. What a droll fellow, to read with
+his head where his heels should be, like the clown in the pantomime.
+Look at his staff, the cock and bells, with which he dances, making
+a jingling noise. A Zany is not an idiot, but often a funny clever
+fellow, paid to make people laugh. We all like a good laugh
+sometimes. Many years ago kings used to keep jesters to amuse the
+company; King Henry the Eighth had a clever jester, called Will
+Somers, whose portrait was painted by a great artist named Holbein,
+which is now in the palace at Hampton Court, and may be seen by
+those who love pictures.
+
+
+
+
+
+ ILLUSTRATED
+ POPULAR
+ EDUCATIONAL WORKS,
+
+ PUBLISHED BY
+ WARD AND LOCK, 158, FLEET STREET,
+ LONDON.
+
+ Messrs. WARD and LOCK have much pleasure in announcing
+ that they have just purchased the Copyrights of many of
+ the Valuable ILLUSTRATED EDUCATIONAL WORKS lately
+ published from the office of the _Illustrated London News_.
+ The New Editions of these Popular Books have been most
+ carefully revised, and in their present state arrive as
+ near perfection as possible. It is the intention of the
+ present proprietors of these Educational Books to continue
+ the Series, and they have already made arrangements to
+ this effect.
+
+ The object of the Publishers is to supply a Series of
+ Illustrated Volumes, adapted both for Schools and Private
+ Study, which shall be accurate and complete text-books,
+ _and at a price within the reach of every one_.
+
+ The old system of instruction, by which the names of things
+ only were presented to the mind of the pupil, has been long
+ admitted to have been imperfect and unsuccessful. With the
+ young it is necessary to speak to the Eye, as well as to
+ the Mind--to give a picture of an object as well as a
+ description; and the adoption of such a plan of tuition is
+ not only far more effective than that which is confined to
+ words, but is at the same time much less irksome to the
+ teacher, and more pleasant to the pupil. A greater interest
+ is excited, and the representation of the object remains
+ clear and distinct in the mind of the child long after the
+ verbal description has passed away.
+
+ --> For Particulars of the "Illustrated Popular Educational
+ Works," see Catalogue.
+
+ * * * * *
+
+ JUST READY,
+
+ THE ILLUSTRATED
+ WEBSTER
+ SPELLING BOOK.
+
+ Demy 8vo, embellished with upwards of
+ 250 SPLENDID ENGRAVINGS
+
+ By GILBERT, HARVEY, DALZIEL, and other eminent artists.
+ 128 pp., new and accented type, upon the principle of "Webster's
+ Dictionary of the English Language." Cloth, gilt lettered,
+ price 1s.; coloured, 2s.
+
+ *.* The "ILLUSTRATED WEBSTER SPELLING BOOK" has been most
+ carefully compiled by an Eminent English Scholar, who is
+ daily engaged in the tuition of youth, and, therefore, knows
+ exactly what is really useful in a Spelling Book. The
+ Reading Lessons are arranged upon a new progressive
+ principle, exceedingly simple, and well adapted for the
+ purpose. The Accented Type has been adopted, so as to ensure
+ correct pronunciation. The old system of mis-spelling words
+ is dangerous in the extreme, and, therefore, very justly,
+ has now fallen into disuse. In a word, the "ILLUSTRATED
+ WEBSTER SPELLING BOOK," whether considered in respect to its
+ Typography, Binding, or Beauty of its Illustrations, must
+ take the highest position as a School-Book, entirely setting
+ aside the old-fashioned, and, in most instances,
+ unintelligible--so called--helps to learning.
+
+ N.B.--Be careful to order "THE ILLUSTRATED WEBSTER SPELLING
+ BOOK."
+
+ * * * * *
+
+ IN PREPARATION,
+
+ THE ILLUSTRATED WEBSTER READER, SERIES I.,
+ THE ILLUSTRATED WEBSTER READER, SERIES II.,
+ And other Educational Works.
+
+ * * * * *
+
+ JOHNSON AND WALKER SUPERSEDED.
+
+ Containing 10,000 more Words than Walker's Dictionary.
+
+ WEBSTER'S
+ POCKET PRONOUNCING DICTIONARY
+
+ Of the English Language;
+
+ Condensed from the Original Dictionary by NOAH WEBSTER,
+ LL.D. With Accented Vocabularies of Classical, Scriptural,
+ and Modern Geographical Names. Revised Edition, by WILLIAM
+ G. WEBSTER (Son of NOAH WEBSTER). Royal 16mo, cloth gilt,
+ 2s. 6d.; or strongly bound in roan, gilt, 3s.
+
+ *.* The Public will do well to be on their guard against
+ unfair statements in reference to "Dr. Webster's" principle
+ of pronunciation by accents. The old system of pronunciation
+ by mis-spelling words has become obsolete, and Dr. Webster's
+ method is universally acknowledged and adopted.
+
+ * * * * *
+
+ WEBSTER'S DICTIONARY
+ OF THE ENGLISH LANGUAGE
+ FOR THE MILLION!
+
+ Now Ready, Royal 16mo, bound in Cloth,
+ PRICE EIGHTEENPENCE,
+
+ WEBSTER'S DICTIONARY
+ OF THE ENGLISH LANGUAGE.
+
+ The extraordinary success attendant upon the publication of
+ the Half-crown Edition of WEBSTER'S POCKET PRONOUNCING
+ DICTIONARY OF THE ENGLISH LANGUAGE,--in the face of a most
+ obstinate and inveterate opposition on the part of the
+ proprietors of the out-of-date and worthless compilations,
+ so called Dictionaries, printed from old stereotype plates,
+ which have remained unaltered for years,--has induced
+ Messrs. WARD and LOCK to issue a CHEAPER EDITION FOR THE
+ MILLION, price only =ONE SHILLING AND SIXPENCE!!!=
+
+ *.* The New Edition at =1s. 6d.= will, of course, be printed
+ on thinner paper, but still the type will appear perfectly
+ distinct. It is almost unnecessary to state, that only an
+ enormous sale can reimburse the Publishers in issuing an
+ edition at so low a price as =1s. 6d.=; still, Messrs. WARD
+ and LOCK feel assured that their good intentions will be
+ appreciated by an extensive and continually increasing sale.
+ "WEBSTER" is now the only reliable authority on the English
+ Language, and it is only right that every Englishman,
+ however humble his sphere, should be able to purchase the
+ best English Dictionary. Whilst the Cheaper Edition, at
+ =1s. 6d.=, is well adapted for National and British Schools,
+ the Half-Crown Edition, on superior paper, and bound in
+ cloth, gilt lettered, will be always in demand for Schools
+ of a higher grade.
+
+ * * * * *
+
+ Third Edition, Revised.
+
+ THE ILLUSTRATED DRAWING BOOK.
+
+ Comprising a complete Introduction to Drawing and
+ Perspective; with Instructions for Etching on Copper or
+ Steel, &c. &c. By ROBERT SCOTT BURN. Illustrated with above
+ 300 Subjects for Study in every branch of Art. Demy 8vo,
+ cloth, 2s.
+
+ *.* This extremely popular and useful "Drawing Book" has
+ been thoroughly revised by the Author, and many new
+ Illustrations are added, thus rendering the =Third Edition=
+ the most perfect Handbook of Drawing for Schools and
+ Students.
+
+ "This is one of those cheap and useful publications lately
+ issued by WARD and LOCK. It is what it professes to be--an
+ elementary book, in which the rules laid down are simple and
+ few, and the drawings to be copied and studied are easily
+ delineated and illustrative or first principles."--_Globe._
+
+ "We could point to a work selling for twelve shillings not
+ half so complete, nor containing half the number of
+ illustrations. Perhaps of all the books for which the public
+ are indebted to Messrs. WARD and LOCK this one will be found
+ most extensively and practically useful. It is the
+ completest thing of the kind which has ever
+ appeared."--_Tait's Magazine._
+
+ "This is a very capital Instruction Book, embodying a
+ complete course of Lessons in Drawing, from the first
+ Elements of Outline Sketching up to the most elaborate rules
+ of the Art."--_Bristol Mercury._
+
+ * * * * *
+
+ Just ready, Second Edition, Revised by the Author.
+
+ THE ILLUSTRATED ARCHITECTURAL, ENGINEERING, AND
+ MECHANICAL DRAWING BOOK.
+
+ By ROBERT SCOTT BURN. With 300 Engravings. Demy 8vo, cloth, 2s.
+
+ "This _Book_ should be given to every youth, for amusement
+ as well as for instruction."--_Taunton Journal._
+
+ * * * * *
+
+ Third and Revised Edition.
+
+ MECHANICS AND MECHANISM.
+
+ By ROBERT SCOTT BURN. With about 250 Illustrations. Demy
+ 8vo, cloth, 2s.
+
+ "One of the best-considered and most judiciously-illustrated
+ elementary treatises on Mechanics and Mechanism which we
+ have met with. The illustrations, diagrams, and explanations
+ are skilfully introduced, and happily apposite--numerous and
+ beautifully executed. As a handbook for the instruction of
+ youth, it would be difficult to surpass it."--_Derby
+ Mercury._
+
+ * * * * *
+
+ Second Edition, Revised by the Author.
+
+ THE STEAM ENGINE:
+ ITS HISTORY AND MECHANISM.
+
+ Being Descriptions and Illustrations of the Stationary,
+ Locomotive, and Marine Engine. By ROBERT SCOTT BURN. Demy
+ 8vo, 200 pp., cloth, 3s.
+
+ *.* A most perfect compendium of everything appertaining to
+ the Steam Engine. Mr. BURN treats his subjects in a
+ thoroughly practical and popular manner, so that he who runs
+ may read, and also understand.
+
+ "Mr. BURN's History of the Steam Engine treats an
+ interesting subject in an admirably intelligible manner, and
+ is illustrated by some excellent Diagrams. This is a book
+ for the general reader, and deserves a wide
+ circulation."--_Leader._
+
+ * * * * *
+
+ Third Edition, Revised.
+
+ THE ILLUSTRATED PRACTICAL GEOMETRY.
+
+ Edited by ROBERT SCOTT BURN, Editor of the "Illustrated
+ Drawing Book." Demy 8vo, cloth, 2s.
+
+ "Suited to the youthful mind, and calculated to assist
+ Instructors, filled as it is with really good Diagrams and
+ Drawings elucidatory of the text."--_Globe._
+
+ * * * * *
+
+ LONDON: WARD AND LOCK, 158, FLEET STREET
+ AND ALL BOOKSELLERS.
+
+
+
+
+
+End of Project Gutenberg's The Royal Picture Alphabet, by Luke Limner
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ROYAL PICTURE ALPHABET ***
+
+***** This file should be named 23619.txt or 23619.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/6/1/23619/
+
+Produced by Jacqueline Jeremy and the Online Distributed
+Proofreading Team at http://www.pgdp.net (This file was
+produced from images generously made available by The
+Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23619.zip b/23619.zip
new file mode 100644
index 0000000..317c823
--- /dev/null
+++ b/23619.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..58659ac
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #23619 (https://www.gutenberg.org/ebooks/23619)