summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--23555-0.txt969
-rw-r--r--23555-0.zipbin0 -> 20663 bytes
-rw-r--r--23555-h.zipbin0 -> 22204 bytes
-rw-r--r--23555-h/23555-h.htm1096
-rw-r--r--23555.txt968
-rw-r--r--23555.zipbin0 -> 20571 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 3049 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/23555-0.txt b/23555-0.txt
new file mode 100644
index 0000000..910ea97
--- /dev/null
+++ b/23555-0.txt
@@ -0,0 +1,969 @@
+The Project Gutenberg EBook of The Lost Guidon, by
+Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Lost Guidon
+ 1911
+
+Author: Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+Release Date: November 19, 2007 [EBook #23555]
+Last Updated: March 8, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+THE LOST GUIDON
+
+By Charles Egbert Craddock
+
+1911
+
+
+Night came early. It might well seem that day had fled affrighted. The
+heavy masses of clouds, glooming low, which had gathered thicker and
+thicker, as if crowding to witness the catastrophe, had finally shaken
+asunder in the concussions of the air at the discharges of artillery,
+and now the direful rain, always sequence of the shock of battle, was
+steadily falling, falling, on the stricken field. Many a soldier who
+might have survived his wounds would succumb to exposure to the elements
+during the night, debarred the tardy succor that must needs await his
+turn. One of the surgeons at their hasty work at the field hospital,
+under the shelter of the cliffs on the slope, paused to note the presage
+of doom and death, and to draw a long breath before he adjusted himself
+anew to the grim duties of the scalpel in his hand. His face was set and
+haggard, less with a realization of the significance of the scene--for
+he was used to its recurrence--than simply with a physical reflection of
+horror, as if it were glassed in a mirror. A phenomenon that had earlier
+caught his attention in the landscape appealed again to his notice,
+perhaps because the symptom was not in his line.
+
+“Looks like a case of dementia,” he observed to the senior surgeon,
+standing near at hand.
+
+The superior officer adjusted his field-glass. “Looks like 'Death on the
+White Horse'!” he responded.
+
+Down the highway, at a slow pace, rode a cavalryman wearing a gray
+uniform, with a sergeant's chevrons, and mounted on a steed good in his
+day, but whose day was gone. A great clot of blood had gathered on his
+broad white chest, where a bayonet had thrust him deep. Despite his
+exhaustion, he moved forward at the urgency of his rider's heel and
+hand. The soldier held a long, heavy staff planted on one stirrup,
+from the top of which drooped in the dull air the once gay guidon,
+battle-rent and sodden with rain, and as he went he shouted at
+intervals, “Dovinger's Bangers! Rally on the guidon!” Now and again
+his strident boyish voice varied the appeal, “Hyar's yer Dov-inger's
+Rangers! Bally, boys! Rally on the reserve!”
+
+Indeed, despite his stalwart, tall, broad-shouldered frame, he was
+scarcely more than a boy. His bare head had flaxen curls like a child's;
+his pallid, though sunburned face was broad and soft and beardless; his
+large blue eyes were languid and spiritless, though now and then as he
+turned an intent gaze over the field they flared anew with hope, as if
+he expected to see rise up from that desolate expanse, from among the
+stiffening carcasses of horses and the stark corpses of the troopers,
+that gallant squadron wont to follow, so dashing and debonair, wherever
+the guidons might mark the way. But there was naught astir save the
+darkness slipping down by slow degrees--and perchance under its cloak,
+already stealthily afoot, the ghoulish robbers of the dead that haunt
+the track of battle. They were the human forerunners of the vulture
+breed, with even a keener scent for prey, for as yet the feathered
+carrion-seekers held aloof; two or three only were descried from the
+field hospital, perched on the boughs of a dead tree near the river,
+presently joined by another, its splendid sustained flight impeded
+somewhat by the rain, battling with its big, strong wings against the
+downpour of the torrents and the heavy air.
+
+And still through all echoed the cry, “Rally on the guidon! Dovinger's
+Rangers! Rally on the reserve!”
+
+The bridge that crossed the river, which was running full and foaming,
+had been burnt; but a span, charred and broken, still swung from the
+central pier. Over toward the dun-tinted west a house was blazing, fired
+by some stray bomb, perhaps, or by official design, to hinder the enemy
+from utilizing the shelter, and its red rage of destruction bepainted
+the clouds that hung so low above the chimneys and dormer-windows. To
+the east, the woods on the steeps had been shelled, and a myriad boughs
+and boles riven and rent, lay in fantastic confusion. Through the
+mournful chaos the wind had begun to sweep; it sounded in unison with
+the battle clamors, and shrieked and wailed and roared as it surged
+adown the defiles. Now and then there came on the blast the fusillade
+of dropping shots from the south, where the skirmish line of one
+faction engaged the rear-guard of the other, or the pickets fell within
+rifle-range. Once the sullen, melancholy boom of distant cannon shook
+the clouds, and then was still, and ever and again sounded that tireless
+cry, “Dovinger's Rangers. Hyar's yer guidon! Rally, boys! Rally on the
+guidon! Rally on the reserve!”
+
+The senior surgeon, as the road wound near, stepped down toward it
+when the horseman, still holding himself proudly erect, passed by.
+“Sergeant,” he hailed the guidon, “where is Captain Dovinger?”
+
+The hand mechanically went to the boy's forehead in the usual military
+salute. “Killed, sir.”
+
+“Where are the other officers of the squadron--the junior captain, the
+lieutenants?”
+
+“Killed, sir.”
+
+“What has become of the troopers?”
+
+“Killed, sir, in the last charge.”
+
+There was a pause. Then Dr. Trent broke forth: “Are you a fool, boy? If
+your command is annihilated, why do you keep up this commotion?”
+
+The young fellow looked blank for a moment. Then, as if he had not
+reasoned on the catastrophe: “I thought at first they monght be
+scattered--some of 'em. But ef--ef--they _war_ dead, but could once
+_see_ the guidon, sure 't would call 'em to life. They _couldn't_ be
+so dead but they would rally to the guidon! Guide right!” he shouted
+suddenly. “Dovinger's Rangers! Rally on the guidon, boys! Rally on the
+reserve!”
+
+It was a time that hardened men's hearts. The young soldier had no
+physical hurt that might appeal to the professional sympathies of the
+senior surgeon, and he turned away with a half laugh. “Let him go
+along! He can't rally Dovinger's Rangers this side of the river Styx, it
+seems.”
+
+But an old chaplain who had been hovering about the field hospital,
+whispering a word here and there to stimulate the fortitude of the
+wounded and solace the fears of the dying, recognized moral symptoms
+alien to any diagnosis of which the senior surgeon was capable. The
+latter did not deplore the diversion of interest, for the old man's
+presence was not highly esteemed by the hospital corps at this scene of
+hasty and terrible work, although, having taken a course in medicine in
+early life, he was permitted to aid in certain ways. But the surgeons
+were wont to declare that the men began to bleat at the very sight of
+the chaplain. So gentle, so sympathetic, so paternal, was he that they
+made the more of their wretched woes, seeing them so deeply deplored.
+The senior surgeon, moreover, was not an ardent religionist. “This is no
+time for a revival, Mr. Whitmel,” he would insist. “Jack, there, never
+spoke the name of God in his life, except to swear by it. He is too late
+for prayers, and if _I_ can't pull him through, he is a goner!” But the
+chaplain was fond of quoting:
+
+ “Between the stirrup and the ground
+ He mercy sought and mercy found----”
+
+and sometimes the scene was irreverently called a “love feast” when
+some hard-riding, hard-swearing, hard-fighting, unthinking sinner went
+joyfully out of this world from the fatherly arms of the chaplain into
+the paternal embrace of an eternal and merciful Father, as the man of
+God firmly believed.
+
+He stood now, staring after the guidon borne through the rain and the
+mist, flaunting red as the last leaves of autumn against the dun-tinted
+dusk, that the dead might view the gallant and honored pennant and rise
+again to its leading!
+
+No one followed but the tall, thin figure of the gaunt old chaplain,
+unless indeed the trooping shadows that kept him company had
+mysteriously roused at the stirring summons. Lanterns were now visible,
+dimly flickering in one quarter where the fighting had been furious and
+the slain lay six deep on the ground. Their aspirations, their valor,
+their patriotism, had all exhaled--volatile essences, these incomparable
+values!--and now their bodies, weighted with death, cumbered the earth.
+They must be hurried out of sight, out of remembrance soon, and the
+burial parties were urged to diligence at the trenches where these
+cast-off semblances were to lie undistinguished together. And still the
+reflection of the burning house reddened the gloomy west, and still the
+cry, “Rally on the guidon! Dovinger's Rangers!” smote the thick air.
+
+Suddenly it was silent. The white horse that had been visible in the
+flare from the flaming house, now and again flung athwart the landscape,
+no longer loomed in the vista of the shadowy road. He had given way at
+last, sinking down with that martial figure still in the saddle, and,
+with no struggle save a mere galvanic shiver, passing away from the
+scene of his faithful devoirs.
+
+Fatigue, agitation, anguish, his agonized obsession of the possibility
+of rallying the squadron, had served to prostrate the soldier's physical
+powers of resistance. He could not constrain his muscles to rise from
+the recumbent position against the carcass. He started up, then sank
+back, and in another moment triumphant nature conquered, and he was
+asleep--a dull, dreamless sleep of absolute exhaustion, that perchance
+rescued his reason as well as saved his life.
+
+The old chaplain was a man of infinite prejudice, steeped in all the
+infirmities and fantasies of dogma; a lover of harmony, and essentially
+an apostle of peace. Nevertheless, it would not have been physically
+safe to call him a Jesuit. But indeed he scarcely hesitated; he stepped
+over the great inert bulk of the dead horse, unclenched the muscular
+grasp of the soldier, as if it had been a baby's clasp, slipped the
+staff, technically the lance, of the guidon from its socket, and stood
+with it in his own hand, looking suspiciously to and fro to descry if
+perchance he were observed. The coast clear, he turned to the wall
+of rock beside the road, for this was near the mountain sandstone
+formation, fissured, splintered, with the erosions of water and weather;
+and into one of the cellular, tunnel-like apertures he ran the guidon,
+lance and all,--lost forever from human sight.
+
+In those days one might speak indeed of the march of events. Each seemed
+hard on the heels of its precursor. Change ran riot in the ordering of
+the world, and its aspect was utterly transformed when Casper Girard,
+no longer bearing the guidon of Dovinger's Rangers, came out of the war
+with a captain's shoulder-straps, won by personal fitness often proved,
+the habit of command, and a great and growing opinion of himself. He was
+a changeling, so to speak. No longer he felt a native of the mountain
+cove where he had been born and reared. He had had a glimpse of
+the world from a different standpoint, and it lured him. A dreary,
+disaffected life he led for a time.
+
+“'Minds me of a wild tur-r-key in a trap,” his mother was wont to
+comment. “Always stretchin' his neck an' lookin' up an' away--when
+he mought git out by looking down.” And the simile was so apt that it
+stayed in his mind--looking up and away!
+
+Of all dull inventions, in his estimation the art of printing exceeded.
+He had made but indifferent progress in education during his early
+youth; he was a slow and inexpert reader, and a writer whose chirography
+shrank from exhibition. Now, however, a book in the hand gave him a
+cherished sentiment of touch with the larger world beyond those blue
+ranges that limited his sphere, and he spent much time in sedulously
+reading certain volumes which he had brought home with him.
+
+“Spent _money_ fur 'em!” his mother would ejaculate, contemplating this
+extreme audacity of extravagance.
+
+As she often observed, “the plough-handles seemed red-hot,” and as soon
+as political conditions favored he ran for office. On the strength of
+his war record, a potent lever in those days, he was elected register
+of the county. True, there was only a population of about fifty souls
+in the county town, and the houses were log-cabins, except the temple
+of justice itself, which was a two-story frame building. But his success
+was a step on the road to political preferment, and his ambitious eyes
+were on the future. Into the midst of his quiet incumbency as register
+came Fate, all intrusive, and found him through the infrequent medium of
+a weekly mail. It was at the beginning of the retrospective enthusiasm
+that has served to revive the memories of the War, and he received a
+letter from an old comrade-in-arms, giving the details of a brigade
+reunion shortly to be held at no great distance, and, being of the
+committee, inviting him to be present.
+
+Girard had participated in great military crises; he had marshalled his
+troop in line of battle; as a mere boy, he had ridden with the guidon
+lance planted on his stirrup, with the pennant flying above his head,
+as the marker to lead the fierce and famous Dov-inger Rangers into the
+thickest of the fight; yet he had never felt such palpitant tremors
+of excitement as when he stood on the hotel piazza of the New Helvetia
+Springs, where the banqueters had gathered, and suffered the ordeal of
+introduction to sundry groups of fashionable ladies. He had earlier seen
+specimens of the species in the course of military transitions through
+the cities of the lowlands, and he watched them narrowly to detect
+if they discerned perchance a difference between him and the men of
+education and social station with whom his advancement in the army
+had associated him. He did not reflect that they were too well-bred
+to reveal any appreciation of such incongruity, but he had never
+experienced a more ardent glow of gratification than upon overhearing a
+friend's remark: “Girard is great! Anybody would imagine he was used to
+all this!”
+
+No strategist was ever more wary. He would not undertake to dance, for
+he readily perceived that the gyrations in the ball-room were utterly
+dissimilar to the clumsy capering to which he had been accustomed on the
+puncheon floor of a mountain cabin. He had the less reason for
+regret since he was privileged instead to stroll up and down the
+veranda,--“promenade” was the technical term,--a slender hand,
+delicately gloved, on the sleeve of his gray uniform, the old
+regimentals being _de rigueur_ at these reunions. A white ball-gown,
+such as he had never before seen, fashioned of tissue over lustrous
+white silk, swayed in diaphanous folds against him, for these were the
+days of voluminous draperies; a head of auburn hair elaborately dressed
+gleamed in the moonlight near his shoulder. Miss Alicia Duval thought
+him tremendously handsome; she adored his record, as she would have
+said--unaware how little of it she knew--and she did not so much intend
+to flirt as to draw him out, for there was something about him different
+from the men of her set, and it stimulated her interest.
+
+“Isn't the moon heavenly!” she observed, gazing at the brilliant orb,
+now near the full, swinging in the sky, which became a definite blue in
+its light above the massive dark mountains and the misty valley below;
+for the building was as near the brink as safety permitted--nearer, the
+cautious opined.
+
+“Heavenly? Not more'n it's got a right to be. It's a heavenly body,
+ain't it?” he rejoined.
+
+“Oh, how sarcastic!” she exclaimed. “In what school did you acquire your
+trenchant style?”
+
+He thought of the tiny district school where he had acquired the very
+little he knew of aught, and said nothing, laughing constrainedly in
+lieu of response.
+
+The music of the orchestra came, to them from the ball-room, and the
+rhythmic beat of dancing feet; the wind lifted her hair gently and
+brought to them the fragrance of flowering plants and the pungent
+aroma of mint down in the depths of the ravine hard by, where lurked
+a chalybeate spring; but for the noisy rout of the dance, and now and
+again the flimsy chatter of a passing couple on the piazza, promenading
+like themselves, they might have heard the waters of the fountain
+rise and bubble and break and sigh as the pulsating impulse beat like
+heart-throbs, and perchance on its rocky marge an oread a-singing.
+
+“But you don't answer me,” she pouted with an affectation of
+pettishness. “Do you know that you trouble yourself to talk very little,
+Captain Girard!”
+
+“I think the more,” he declared.
+
+“Think? Oh, dear me! I didn't know that anybody does anything so
+unfashionable nowadays as to _think!_ And what do you think about,
+pray?”
+
+“About you!”
+
+And that began it: he was a gallant man, and he had been a brave one. He
+was not aware how far he was going on so short an acquaintance, but
+his temerity was not displeasing to the lady. She liked his manner of
+storming the citadel, and she did not realize that he merely spoke at
+random, as best he might. He was in his uniform a splendid and martial
+presentment of military youth, and indeed he was much the junior of his
+compeers.
+
+“Who are Captain Girard's people, Papa?” she asked Colonel Duval next
+morning, as the family party sat at breakfast in quasi seclusion at
+one of the small round tables in the crowded dining-room, full of the
+chatter of people and the clatter of dishes.
+
+“Girard?” Colonel Duval repeated thoughtfully. “I really don't know. I
+have an impression they live somewhere in East Tennessee. I never met
+him till just about the end of the war.”
+
+“Oh, Papa! How unsatisfactory you are! You never know anything about
+anybody.”
+
+“I should think his people must be very plain,” said Mrs. Duval. Her
+social discrimination was extremely acute and in constant practice.
+
+“I don't know why. He is very much of a gentleman,” the Colonel
+contended. His heart was warm to-day with much fraternizing, and it was
+not kind to brush the bloom off his peach.
+
+“Oh, trifles suggest the fact. He is not at all _au fait_.”
+
+He was, however, experienced in ways of the world unimagined in her
+philosophy. The reunion had drawn to a close, ending in a flare of
+jollity and tender reminiscence and good-fellowship. The old soldiers
+were all gone save a few regular patrons of the hotel, who with their
+families were completing their summer sojourn. Captain Girard lingered,
+too, fascinated by this glimpse of the frivolous world, hitherto
+unimagined, rather than by the incense to his vanity offered by his
+facile acceptance as a squire of dames. For the first time in his life
+he felt the grinding lack of money. Being a man of resource, he set
+about swiftly supplying this need. In the dull days of inaction, when
+the armies lay supine and only occasionally the monotony was broken by
+the engagement of distant skirmishers or a picket line was driven in on
+the main body, he had learned to play a game at cards much in vogue
+at that period, though for no greater hazards than grains of corn or
+Confederate money, almost as worthless. In the realization now that the
+same principles held good with stakes of value, he seemed to enter upon
+the possession of a veritable gold mine. The peculiar traits that his
+one unique experience of the world had developed--his coolness, his
+courage, his discernment of strategic resources--stood him in good
+stead, and long after the microcosm of the hotel lay fast asleep the
+cards were dealt and play ran high in the little building called the
+casino, ostensibly devoted to the milder delights of billiards and
+cigars.
+
+Either luck favored him or he had rare discrimination of relative
+chances in the run of the cards, or the phenomenally bold hand he played
+disconcerted his adversaries, but his almost invariable winning began
+to affect injuriously his character. Indeed, he was said to be a rook
+of unrivalled rapacity. Colonel Duval was in the frame of mind that his
+wife called “bearish” one morning as his family gathered for breakfast
+in the limited privacy of their circle about the round table in the
+dining-room.
+
+“I want you to avoid that fellow, Alicia,” he growled _sotto voce_, as
+he intercepted a bright matutinal smile that the fair Alicia sent as a
+morning greeting to Girard, who had just entered and taken his seat at a
+distance. “We know nothing under heaven about his people, and he himself
+has the repute of being a desperate gambler.”
+
+His wife raised significant eyebrows. “If that is true, why should he
+stay in this quiet place?”
+
+Colonel Duval experienced a momentary embarrassment. “Oh, the place is
+right enough. He stays, no doubt, because he likes it. You might as well
+ask why old Mr. Whitmel stays here.”
+
+“The idea of mentioning a clergyman in this connection!”
+
+“Mr. Whitmel is professionally busy,” cried Alicia. “He told me that he
+is studying 'the disintegration of a soul.' I hope it is not _my_ soul.”
+
+The phrase probably interested Alicia in her idleness, for she was
+certainly actuated by no view of a moral uplift in the character of
+Girard, the handsome gambler. She did not recognize a subtle cruelty in
+her system of universal fascination, but her vanity demanded constant
+tribute, and she was peculiarly absorbed in the effort to bring to her
+feet this man of iron, her knight in armor, as she was wont to call him,
+to control him with her influence, to bend this unmalleable material
+like the proverbial wax in her hands. She had great faith in the
+coercive power of her hazel eyes, and she brought their batteries to
+bear on Girard on the first occasion when she had him at her mercy.
+
+“I have heard something about you which is very painful,” she said one
+day as they sat together beside the chalybeate spring. The crag, all
+discolored in rust-red streaks by the dripping of the mineral water
+through its interstices, towered above their heads; the ferns, exquisite
+and of subtle fragrance, tufted the niches; the trees were close about
+them, and below, on the precipitous slope; sometimes the lush green
+boughs parted, revealing a distant landscape of azure ranges, far
+stretching against a sky as blue, and in the valley of the foreground
+long bars of golden hue, where fields, denuded of the harvested wheat,
+took the sun. Girard lounged, languid, taciturn, and quiescent as ever,
+on the opposite side of the circular rock basin wherein the clear water
+fell.
+
+“I will tell you what it is,” Alicia went on, after a pause, for, though
+he looked attentive, he gave not even a glance of question. “I hear that
+you gamble.”
+
+His gaze concentrated as he knitted his brows, but he said nothing.
+
+She pulled her broad straw hat forward on her auburn hair and readjusted
+the flounces of her white morning dress, saying while thus engaged,
+“Yes, indeed; that you gamble--like--like fury!”
+
+“Why, don't you know that's against the law?” he demanded unexpectedly.
+
+“I know that it is very wrong and sinful,” she said solemnly.
+
+“Thanky. I'll put that in my pipe an' smoke it! I'm very wrong and
+sinful, I am given to understand.”
+
+“Why, I didn't mean _you_ so much,” she faltered, perturbed by this
+sudden charge of the enemy. “I meant the practice.”
+
+“Oh, I know that I'm a sinner in more ways 'n one; but I _didn't_ know
+that you were a lady-preacher.”
+
+“You mean that it is none of my business----”
+
+“You ought to be so glad of that,” he retorted.
+
+She maintained a silence that might have suggested a degree of offended
+pride, and she was truly humiliated that her vaunted hazel eyes had
+so signally failed to work their wonted charm. As they strolled back
+together up the steep path to the hotel he seemed either unobservant
+or uncaring, so impassive were his manners, and she was aware that her
+demonstration had resulted in giving him information which he could
+not otherwise have gained. Later, she was nettled to notice that he had
+utilized it in prosaic fashion, for that night no lights flared late
+from the casino.
+
+The gamesters, informed that rumors were a-wing, had betaken themselves
+elsewhere. A small smoking-room in the hotel proper seemed less
+obnoxious to suspicion in the depleted condition of the guest-list,
+since autumn was now approaching. After eleven o'clock the coterie would
+scarcely be subject to interruption, and there they gathered as the hour
+waxed late. The cards were duly dealt, the draw was on, when suddenly
+the door opened and old Mr. Whitmel, his favorite meerschaum in his
+hand and a sheaf of newly arrived journals, entered with the evident
+intention of a prolonged stay. A “standpatter” seemed hardly so assured
+as before he encountered the dim, surprised gaze, but the old clergyman
+was esteemed a good sort, and he ventured on a reminder:
+
+“You have been here before, haven't you, Mr. Whitmel? Saw a deal of this
+sort of thing in the army!” And he rattled the chips significantly.
+
+“Used to see that sort of thing in the army? Yes, yes, indeed--more than
+I wanted to see--very much more!”
+
+Colonel Duval took schooling much amiss. He turned up his florid face
+with its auburn mustachios and Burnside whiskers from its bending
+over the cards and showed a broad arch of glittering white teeth in an
+ungenial laugh.
+
+“Remember, Mr. Whitmel, at that fight we had in the hills not far from
+the Ocoee, how you rebuked two artillerymen for swearing? Something was
+wrong with the vent-hole of the piece, and one of the gunners asked what
+business you had with their language; and you said, 'I am a minister of
+the Lord,' and the fellow gave it back very patly, 'I ain't carin' ef
+you was a minister of state!' Then you said, 'No, you would doubtless
+swear in the presence of an angel.' And the fellow with the sponge-staff
+declared, 'Say, Mister, ef you are _that_, you are an angel off your
+feed certain'--you were worn to skin and bone then--'an' the rations of
+manna must be ez skimpy in heaven ez the rations o' bacon down here in
+Dixie.' Ha, ha, ha!”
+
+Mr. Whitmel had taken a seat in an easy-chair; he had struck a match and
+was composedly kindling his pipe. “I felt nearer a higher communion that
+day than often since,” he said.
+
+The coterie of gentlemen looked at one another in disconsolate
+uncertainty, and one turned his cards face downward and laid them
+resignedly on the table. The party was evidently in for one of the old
+chaplain's long stories, with a few words by way of application, and
+there was no decent opportunity to demur. They were the intruders in the
+smoking-room--not he! Here with his pipe and his paper, he was within
+the accommodation assigned him. They must hie them back to the casino to
+be at ease, and this would they do when he should reach the end of his
+story--if indeed it had an end.
+
+For with the prolixity of the eye-witness he was detailing the points of
+the battle; what troops were engaged; how the flank was turned; how
+the reserve was delayed; how the guns were planted; how the cavalry was
+ordered to charge over impracticable ground, and how in consequence he
+saw a squadron literally annihilated; how for hours after the fight
+was over a sergeant of the Dovinger Rangers pervaded the field with the
+guidon, calling on them by name to rally.
+
+“And, gentlemen,” he continued, turning in his chair, the fire kindling
+in his eyes as it died in the bowl of his pipe, “not one man responded,
+for none could rise from that horrid slaughter.”
+
+There was a moment of tense silence. Then, “Back and forth the guidon
+flaunted, and the rain began to fall, and the night came on, and still
+the dusk echoed the cry, 'Guide right! Dovinger's Rangers! Rally on the
+guidon! Rally on the reserve!'”
+
+The old chaplain stuck his pipe into his mouth and brought it aflare
+again with two or three strong indrawing respirations.
+
+“The surgeons said it would end in a case of dementia. I was sorry, for
+I had seen much that day that hurt me, and more than all was this. For
+I could picture that valiant young spirit going through life, spared by
+God's mercy; and it seemed to me that when the enemy, in whatever guise,
+should press him hard and defeat should bear him down he would have the
+courage and the ardor and the moral strength to rally on the reserve. He
+would rally on the guidon.”
+
+The old chaplain pulled strongly at his pipe, setting the blue wreaths
+of smoke circling about his head. “I should know that young fellow again
+wherever I might chance to see him.”
+
+“Did he collapse at last and verify the surgeon's prophecy!” asked the
+dealer.
+
+“Well,” drawled the chaplain, with a little flattered laugh, “I myself
+took care of that Many years ago I studied medicine, before I was
+favored with a higher call. Neurology was my line. When the boy's horse
+sank exhausted beneath him, and he fell into a sleep or stupor on
+the carcass, I removed the object of the obsession. I slipped the
+flag-staff, guidon and all, into a crevice of the rocks, where it will
+remain till the end of our time, be sure.” He laughed in relish of his
+arbitrary intervention.
+
+“There was a fine healthy clamor in camp the next morning about the lost
+guidon. But I did the soldier no damage, for he had been promoted to a
+lieutenancy for special gallantry on the field, and he therefore could
+no longer have carried the guidon if he had had both the flag and the
+troop.”
+
+The stories of camp and field, thus begun, swiftly multiplied; they wore
+the fire to embers, and the oil sank low in the lamps. There was a chill
+sense of dawn in the blue-gray mist when the group, separating at last,
+issued upon the veranda; the moon, so long hovering over the sombre
+massive mountains, was slowly sinking in the west.
+
+Among the shadows of the pillars a tall, martial figure lurked in ambush
+for the old chaplain, as he rounded the corner of the veranda on his way
+to his own quarters.
+
+“Pa'son,” a husky voice spoke from out the dim comminglement of the
+mist and the moon, “'twas me that carried that guidon in Dovinger 's
+Bangers.”
+
+“I know it,” declared the triumphant tactician. “_I_ recognized you as
+soon as I saw you again.”
+
+“I 'm through with this,” the young mountaineer exclaimed abruptly,
+with an eloquent gesture of renunciation toward the deserted card-table
+visible through the vista of open doors. “I'm going home--to work! I'll
+never forget that I was marker in Dovinger's Rangers. I carried the
+guidon! And that last day I marked their way to glory! There's nothing
+left of them except honor and duty, but I'll rally on that, Chaplain.
+Never fear for me, again. I'll rally on the reserve!”
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Lost Guidon, by
+Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
+
+***** This file should be named 23555-0.txt or 23555-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/5/5/23555/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23555-0.zip b/23555-0.zip
new file mode 100644
index 0000000..0c3f2cb
--- /dev/null
+++ b/23555-0.zip
Binary files differ
diff --git a/23555-h.zip b/23555-h.zip
new file mode 100644
index 0000000..7dd68b3
--- /dev/null
+++ b/23555-h.zip
Binary files differ
diff --git a/23555-h/23555-h.htm b/23555-h/23555-h.htm
new file mode 100644
index 0000000..e58d287
--- /dev/null
+++ b/23555-h/23555-h.htm
@@ -0,0 +1,1096 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Lost Guidon, by Charles Egbert Craddock
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Lost Guidon, by
+Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Lost Guidon
+ 1911
+
+Author: Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+Release Date: November 19, 2007 [EBook #23555]
+Last Updated: March 8, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE LOST GUIDON
+ </h1>
+ <h2>
+ By Charles Egbert Craddock <br /> <br /> 1911
+ </h2>
+ <p>
+ <br /><br /> <br />
+ </p>
+ <p>
+ Night came early. It might well seem that day had fled affrighted. The
+ heavy masses of clouds, glooming low, which had gathered thicker and
+ thicker, as if crowding to witness the catastrophe, had finally shaken
+ asunder in the concussions of the air at the discharges of artillery, and
+ now the direful rain, always sequence of the shock of battle, was steadily
+ falling, falling, on the stricken field. Many a soldier who might have
+ survived his wounds would succumb to exposure to the elements during the
+ night, debarred the tardy succor that must needs await his turn. One of
+ the surgeons at their hasty work at the field hospital, under the shelter
+ of the cliffs on the slope, paused to note the presage of doom and death,
+ and to draw a long breath before he adjusted himself anew to the grim
+ duties of the scalpel in his hand. His face was set and haggard, less with
+ a realization of the significance of the scene&mdash;for he was used to
+ its recurrence&mdash;than simply with a physical reflection of horror, as
+ if it were glassed in a mirror. A phenomenon that had earlier caught his
+ attention in the landscape appealed again to his notice, perhaps because
+ the symptom was not in his line.
+ </p>
+ <p>
+ &ldquo;Looks like a case of dementia,&rdquo; he observed to the senior surgeon,
+ standing near at hand.
+ </p>
+ <p>
+ The superior officer adjusted his field-glass. &ldquo;Looks like 'Death on the
+ White Horse'!&rdquo; he responded.
+ </p>
+ <p>
+ Down the highway, at a slow pace, rode a cavalryman wearing a gray
+ uniform, with a sergeant's chevrons, and mounted on a steed good in his
+ day, but whose day was gone. A great clot of blood had gathered on his
+ broad white chest, where a bayonet had thrust him deep. Despite his
+ exhaustion, he moved forward at the urgency of his rider's heel and hand.
+ The soldier held a long, heavy staff planted on one stirrup, from the top
+ of which drooped in the dull air the once gay guidon, battle-rent and
+ sodden with rain, and as he went he shouted at intervals, &ldquo;Dovinger's
+ Bangers! Rally on the guidon!&rdquo; Now and again his strident boyish voice
+ varied the appeal, &ldquo;Hyar's yer Dov-inger's Rangers! Bally, boys! Rally on
+ the reserve!&rdquo;
+ </p>
+ <p>
+ Indeed, despite his stalwart, tall, broad-shouldered frame, he was
+ scarcely more than a boy. His bare head had flaxen curls like a child's;
+ his pallid, though sunburned face was broad and soft and beardless; his
+ large blue eyes were languid and spiritless, though now and then as he
+ turned an intent gaze over the field they flared anew with hope, as if he
+ expected to see rise up from that desolate expanse, from among the
+ stiffening carcasses of horses and the stark corpses of the troopers, that
+ gallant squadron wont to follow, so dashing and debonair, wherever the
+ guidons might mark the way. But there was naught astir save the darkness
+ slipping down by slow degrees&mdash;and perchance under its cloak, already
+ stealthily afoot, the ghoulish robbers of the dead that haunt the track of
+ battle. They were the human forerunners of the vulture breed, with even a
+ keener scent for prey, for as yet the feathered carrion-seekers held
+ aloof; two or three only were descried from the field hospital, perched on
+ the boughs of a dead tree near the river, presently joined by another, its
+ splendid sustained flight impeded somewhat by the rain, battling with its
+ big, strong wings against the downpour of the torrents and the heavy air.
+ </p>
+ <p>
+ And still through all echoed the cry, &ldquo;Rally on the guidon! Dovinger's
+ Rangers! Rally on the reserve!&rdquo;
+ </p>
+ <p>
+ The bridge that crossed the river, which was running full and foaming, had
+ been burnt; but a span, charred and broken, still swung from the central
+ pier. Over toward the dun-tinted west a house was blazing, fired by some
+ stray bomb, perhaps, or by official design, to hinder the enemy from
+ utilizing the shelter, and its red rage of destruction bepainted the
+ clouds that hung so low above the chimneys and dormer-windows. To the
+ east, the woods on the steeps had been shelled, and a myriad boughs and
+ boles riven and rent, lay in fantastic confusion. Through the mournful
+ chaos the wind had begun to sweep; it sounded in unison with the battle
+ clamors, and shrieked and wailed and roared as it surged adown the
+ defiles. Now and then there came on the blast the fusillade of dropping
+ shots from the south, where the skirmish line of one faction engaged the
+ rear-guard of the other, or the pickets fell within rifle-range. Once the
+ sullen, melancholy boom of distant cannon shook the clouds, and then was
+ still, and ever and again sounded that tireless cry, &ldquo;Dovinger's Rangers.
+ Hyar's yer guidon! Rally, boys! Rally on the guidon! Rally on the
+ reserve!&rdquo;
+ </p>
+ <p>
+ The senior surgeon, as the road wound near, stepped down toward it when
+ the horseman, still holding himself proudly erect, passed by. &ldquo;Sergeant,&rdquo;
+ he hailed the guidon, &ldquo;where is Captain Dovinger?&rdquo;
+ </p>
+ <p>
+ The hand mechanically went to the boy's forehead in the usual military
+ salute. &ldquo;Killed, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where are the other officers of the squadron&mdash;the junior captain,
+ the lieutenants?&rdquo;
+ </p>
+ <p>
+ &ldquo;Killed, sir.&rdquo;
+ </p>
+ <p>
+ &ldquo;What has become of the troopers?&rdquo;
+ </p>
+ <p>
+ &ldquo;Killed, sir, in the last charge.&rdquo;
+ </p>
+ <p>
+ There was a pause. Then Dr. Trent broke forth: &ldquo;Are you a fool, boy? If
+ your command is annihilated, why do you keep up this commotion?&rdquo;
+ </p>
+ <p>
+ The young fellow looked blank for a moment. Then, as if he had not
+ reasoned on the catastrophe: &ldquo;I thought at first they monght be scattered&mdash;some
+ of 'em. But ef&mdash;ef&mdash;they <i>war</i> dead, but could once <i>see</i>
+ the guidon, sure 't would call 'em to life. They <i>couldn't</i> be so
+ dead but they would rally to the guidon! Guide right!&rdquo; he shouted
+ suddenly. &ldquo;Dovinger's Rangers! Rally on the guidon, boys! Rally on the
+ reserve!&rdquo;
+ </p>
+ <p>
+ It was a time that hardened men's hearts. The young soldier had no
+ physical hurt that might appeal to the professional sympathies of the
+ senior surgeon, and he turned away with a half laugh. &ldquo;Let him go along!
+ He can't rally Dovinger's Rangers this side of the river Styx, it seems.&rdquo;
+ </p>
+ <p>
+ But an old chaplain who had been hovering about the field hospital,
+ whispering a word here and there to stimulate the fortitude of the wounded
+ and solace the fears of the dying, recognized moral symptoms alien to any
+ diagnosis of which the senior surgeon was capable. The latter did not
+ deplore the diversion of interest, for the old man's presence was not
+ highly esteemed by the hospital corps at this scene of hasty and terrible
+ work, although, having taken a course in medicine in early life, he was
+ permitted to aid in certain ways. But the surgeons were wont to declare
+ that the men began to bleat at the very sight of the chaplain. So gentle,
+ so sympathetic, so paternal, was he that they made the more of their
+ wretched woes, seeing them so deeply deplored. The senior surgeon,
+ moreover, was not an ardent religionist. &ldquo;This is no time for a revival,
+ Mr. Whitmel,&rdquo; he would insist. &ldquo;Jack, there, never spoke the name of God
+ in his life, except to swear by it. He is too late for prayers, and if <i>I</i>
+ can't pull him through, he is a goner!&rdquo; But the chaplain was fond of
+ quoting:
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Between the stirrup and the ground
+ He mercy sought and mercy found&mdash;&mdash;&rdquo;
+ </pre>
+ <p>
+ and sometimes the scene was irreverently called a &ldquo;love feast&rdquo; when some
+ hard-riding, hard-swearing, hard-fighting, unthinking sinner went joyfully
+ out of this world from the fatherly arms of the chaplain into the paternal
+ embrace of an eternal and merciful Father, as the man of God firmly
+ believed.
+ </p>
+ <p>
+ He stood now, staring after the guidon borne through the rain and the
+ mist, flaunting red as the last leaves of autumn against the dun-tinted
+ dusk, that the dead might view the gallant and honored pennant and rise
+ again to its leading!
+ </p>
+ <p>
+ No one followed but the tall, thin figure of the gaunt old chaplain,
+ unless indeed the trooping shadows that kept him company had mysteriously
+ roused at the stirring summons. Lanterns were now visible, dimly
+ flickering in one quarter where the fighting had been furious and the
+ slain lay six deep on the ground. Their aspirations, their valor, their
+ patriotism, had all exhaled&mdash;volatile essences, these incomparable
+ values!&mdash;and now their bodies, weighted with death, cumbered the
+ earth. They must be hurried out of sight, out of remembrance soon, and the
+ burial parties were urged to diligence at the trenches where these
+ cast-off semblances were to lie undistinguished together. And still the
+ reflection of the burning house reddened the gloomy west, and still the
+ cry, &ldquo;Rally on the guidon! Dovinger's Rangers!&rdquo; smote the thick air.
+ </p>
+ <p>
+ Suddenly it was silent. The white horse that had been visible in the flare
+ from the flaming house, now and again flung athwart the landscape, no
+ longer loomed in the vista of the shadowy road. He had given way at last,
+ sinking down with that martial figure still in the saddle, and, with no
+ struggle save a mere galvanic shiver, passing away from the scene of his
+ faithful devoirs.
+ </p>
+ <p>
+ Fatigue, agitation, anguish, his agonized obsession of the possibility of
+ rallying the squadron, had served to prostrate the soldier's physical
+ powers of resistance. He could not constrain his muscles to rise from the
+ recumbent position against the carcass. He started up, then sank back, and
+ in another moment triumphant nature conquered, and he was asleep&mdash;a
+ dull, dreamless sleep of absolute exhaustion, that perchance rescued his
+ reason as well as saved his life.
+ </p>
+ <p>
+ The old chaplain was a man of infinite prejudice, steeped in all the
+ infirmities and fantasies of dogma; a lover of harmony, and essentially an
+ apostle of peace. Nevertheless, it would not have been physically safe to
+ call him a Jesuit. But indeed he scarcely hesitated; he stepped over the
+ great inert bulk of the dead horse, unclenched the muscular grasp of the
+ soldier, as if it had been a baby's clasp, slipped the staff, technically
+ the lance, of the guidon from its socket, and stood with it in his own
+ hand, looking suspiciously to and fro to descry if perchance he were
+ observed. The coast clear, he turned to the wall of rock beside the road,
+ for this was near the mountain sandstone formation, fissured, splintered,
+ with the erosions of water and weather; and into one of the cellular,
+ tunnel-like apertures he ran the guidon, lance and all,&mdash;lost forever
+ from human sight.
+ </p>
+ <p>
+ In those days one might speak indeed of the march of events. Each seemed
+ hard on the heels of its precursor. Change ran riot in the ordering of the
+ world, and its aspect was utterly transformed when Casper Girard, no
+ longer bearing the guidon of Dovinger's Rangers, came out of the war with
+ a captain's shoulder-straps, won by personal fitness often proved, the
+ habit of command, and a great and growing opinion of himself. He was a
+ changeling, so to speak. No longer he felt a native of the mountain cove
+ where he had been born and reared. He had had a glimpse of the world from
+ a different standpoint, and it lured him. A dreary, disaffected life he
+ led for a time.
+ </p>
+ <p>
+ &ldquo;'Minds me of a wild tur-r-key in a trap,&rdquo; his mother was wont to comment.
+ &ldquo;Always stretchin' his neck an' lookin' up an' away&mdash;when he mought
+ git out by looking down.&rdquo; And the simile was so apt that it stayed in his
+ mind&mdash;looking up and away!
+ </p>
+ <p>
+ Of all dull inventions, in his estimation the art of printing exceeded. He
+ had made but indifferent progress in education during his early youth; he
+ was a slow and inexpert reader, and a writer whose chirography shrank from
+ exhibition. Now, however, a book in the hand gave him a cherished
+ sentiment of touch with the larger world beyond those blue ranges that
+ limited his sphere, and he spent much time in sedulously reading certain
+ volumes which he had brought home with him.
+ </p>
+ <p>
+ &ldquo;Spent <i>money</i> fur 'em!&rdquo; his mother would ejaculate, contemplating
+ this extreme audacity of extravagance.
+ </p>
+ <p>
+ As she often observed, &ldquo;the plough-handles seemed red-hot,&rdquo; and as soon as
+ political conditions favored he ran for office. On the strength of his war
+ record, a potent lever in those days, he was elected register of the
+ county. True, there was only a population of about fifty souls in the
+ county town, and the houses were log-cabins, except the temple of justice
+ itself, which was a two-story frame building. But his success was a step
+ on the road to political preferment, and his ambitious eyes were on the
+ future. Into the midst of his quiet incumbency as register came Fate, all
+ intrusive, and found him through the infrequent medium of a weekly mail.
+ It was at the beginning of the retrospective enthusiasm that has served to
+ revive the memories of the War, and he received a letter from an old
+ comrade-in-arms, giving the details of a brigade reunion shortly to be
+ held at no great distance, and, being of the committee, inviting him to be
+ present.
+ </p>
+ <p>
+ Girard had participated in great military crises; he had marshalled his
+ troop in line of battle; as a mere boy, he had ridden with the guidon
+ lance planted on his stirrup, with the pennant flying above his head, as
+ the marker to lead the fierce and famous Dov-inger Rangers into the
+ thickest of the fight; yet he had never felt such palpitant tremors of
+ excitement as when he stood on the hotel piazza of the New Helvetia
+ Springs, where the banqueters had gathered, and suffered the ordeal of
+ introduction to sundry groups of fashionable ladies. He had earlier seen
+ specimens of the species in the course of military transitions through the
+ cities of the lowlands, and he watched them narrowly to detect if they
+ discerned perchance a difference between him and the men of education and
+ social station with whom his advancement in the army had associated him.
+ He did not reflect that they were too well-bred to reveal any appreciation
+ of such incongruity, but he had never experienced a more ardent glow of
+ gratification than upon overhearing a friend's remark: &ldquo;Girard is great!
+ Anybody would imagine he was used to all this!&rdquo;
+ </p>
+ <p>
+ No strategist was ever more wary. He would not undertake to dance, for he
+ readily perceived that the gyrations in the ball-room were utterly
+ dissimilar to the clumsy capering to which he had been accustomed on the
+ puncheon floor of a mountain cabin. He had the less reason for regret
+ since he was privileged instead to stroll up and down the veranda,&mdash;&ldquo;promenade&rdquo;
+ was the technical term,&mdash;a slender hand, delicately gloved, on the
+ sleeve of his gray uniform, the old regimentals being <i>de rigueur</i> at
+ these reunions. A white ball-gown, such as he had never before seen,
+ fashioned of tissue over lustrous white silk, swayed in diaphanous folds
+ against him, for these were the days of voluminous draperies; a head of
+ auburn hair elaborately dressed gleamed in the moonlight near his
+ shoulder. Miss Alicia Duval thought him tremendously handsome; she adored
+ his record, as she would have said&mdash;unaware how little of it she knew&mdash;and
+ she did not so much intend to flirt as to draw him out, for there was
+ something about him different from the men of her set, and it stimulated
+ her interest.
+ </p>
+ <p>
+ &ldquo;Isn't the moon heavenly!&rdquo; she observed, gazing at the brilliant orb, now
+ near the full, swinging in the sky, which became a definite blue in its
+ light above the massive dark mountains and the misty valley below; for the
+ building was as near the brink as safety permitted&mdash;nearer, the
+ cautious opined.
+ </p>
+ <p>
+ &ldquo;Heavenly? Not more'n it's got a right to be. It's a heavenly body, ain't
+ it?&rdquo; he rejoined.
+ </p>
+ <p>
+ &ldquo;Oh, how sarcastic!&rdquo; she exclaimed. &ldquo;In what school did you acquire your
+ trenchant style?&rdquo;
+ </p>
+ <p>
+ He thought of the tiny district school where he had acquired the very
+ little he knew of aught, and said nothing, laughing constrainedly in lieu
+ of response.
+ </p>
+ <p>
+ The music of the orchestra came, to them from the ball-room, and the
+ rhythmic beat of dancing feet; the wind lifted her hair gently and brought
+ to them the fragrance of flowering plants and the pungent aroma of mint
+ down in the depths of the ravine hard by, where lurked a chalybeate
+ spring; but for the noisy rout of the dance, and now and again the flimsy
+ chatter of a passing couple on the piazza, promenading like themselves,
+ they might have heard the waters of the fountain rise and bubble and break
+ and sigh as the pulsating impulse beat like heart-throbs, and perchance on
+ its rocky marge an oread a-singing.
+ </p>
+ <p>
+ &ldquo;But you don't answer me,&rdquo; she pouted with an affectation of pettishness.
+ &ldquo;Do you know that you trouble yourself to talk very little, Captain
+ Girard!&rdquo;
+ </p>
+ <p>
+ &ldquo;I think the more,&rdquo; he declared.
+ </p>
+ <p>
+ &ldquo;Think? Oh, dear me! I didn't know that anybody does anything so
+ unfashionable nowadays as to <i>think!</i> And what do you think about,
+ pray?&rdquo;
+ </p>
+ <p>
+ &ldquo;About you!&rdquo;
+ </p>
+ <p>
+ And that began it: he was a gallant man, and he had been a brave one. He
+ was not aware how far he was going on so short an acquaintance, but his
+ temerity was not displeasing to the lady. She liked his manner of storming
+ the citadel, and she did not realize that he merely spoke at random, as
+ best he might. He was in his uniform a splendid and martial presentment of
+ military youth, and indeed he was much the junior of his compeers.
+ </p>
+ <p>
+ &ldquo;Who are Captain Girard's people, Papa?&rdquo; she asked Colonel Duval next
+ morning, as the family party sat at breakfast in quasi seclusion at one of
+ the small round tables in the crowded dining-room, full of the chatter of
+ people and the clatter of dishes.
+ </p>
+ <p>
+ &ldquo;Girard?&rdquo; Colonel Duval repeated thoughtfully. &ldquo;I really don't know. I
+ have an impression they live somewhere in East Tennessee. I never met him
+ till just about the end of the war.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Papa! How unsatisfactory you are! You never know anything about
+ anybody.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should think his people must be very plain,&rdquo; said Mrs. Duval. Her
+ social discrimination was extremely acute and in constant practice.
+ </p>
+ <p>
+ &ldquo;I don't know why. He is very much of a gentleman,&rdquo; the Colonel contended.
+ His heart was warm to-day with much fraternizing, and it was not kind to
+ brush the bloom off his peach.
+ </p>
+ <p>
+ &ldquo;Oh, trifles suggest the fact. He is not at all <i>au fait</i>.&rdquo;
+ </p>
+ <p>
+ He was, however, experienced in ways of the world unimagined in her
+ philosophy. The reunion had drawn to a close, ending in a flare of jollity
+ and tender reminiscence and good-fellowship. The old soldiers were all
+ gone save a few regular patrons of the hotel, who with their families were
+ completing their summer sojourn. Captain Girard lingered, too, fascinated
+ by this glimpse of the frivolous world, hitherto unimagined, rather than
+ by the incense to his vanity offered by his facile acceptance as a squire
+ of dames. For the first time in his life he felt the grinding lack of
+ money. Being a man of resource, he set about swiftly supplying this need.
+ In the dull days of inaction, when the armies lay supine and only
+ occasionally the monotony was broken by the engagement of distant
+ skirmishers or a picket line was driven in on the main body, he had
+ learned to play a game at cards much in vogue at that period, though for
+ no greater hazards than grains of corn or Confederate money, almost as
+ worthless. In the realization now that the same principles held good with
+ stakes of value, he seemed to enter upon the possession of a veritable
+ gold mine. The peculiar traits that his one unique experience of the world
+ had developed&mdash;his coolness, his courage, his discernment of
+ strategic resources&mdash;stood him in good stead, and long after the
+ microcosm of the hotel lay fast asleep the cards were dealt and play ran
+ high in the little building called the casino, ostensibly devoted to the
+ milder delights of billiards and cigars.
+ </p>
+ <p>
+ Either luck favored him or he had rare discrimination of relative chances
+ in the run of the cards, or the phenomenally bold hand he played
+ disconcerted his adversaries, but his almost invariable winning began to
+ affect injuriously his character. Indeed, he was said to be a rook of
+ unrivalled rapacity. Colonel Duval was in the frame of mind that his wife
+ called &ldquo;bearish&rdquo; one morning as his family gathered for breakfast in the
+ limited privacy of their circle about the round table in the dining-room.
+ </p>
+ <p>
+ &ldquo;I want you to avoid that fellow, Alicia,&rdquo; he growled <i>sotto voce</i>,
+ as he intercepted a bright matutinal smile that the fair Alicia sent as a
+ morning greeting to Girard, who had just entered and taken his seat at a
+ distance. &ldquo;We know nothing under heaven about his people, and he himself
+ has the repute of being a desperate gambler.&rdquo;
+ </p>
+ <p>
+ His wife raised significant eyebrows. &ldquo;If that is true, why should he stay
+ in this quiet place?&rdquo;
+ </p>
+ <p>
+ Colonel Duval experienced a momentary embarrassment. &ldquo;Oh, the place is
+ right enough. He stays, no doubt, because he likes it. You might as well
+ ask why old Mr. Whitmel stays here.&rdquo;
+ </p>
+ <p>
+ &ldquo;The idea of mentioning a clergyman in this connection!&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Whitmel is professionally busy,&rdquo; cried Alicia. &ldquo;He told me that he is
+ studying 'the disintegration of a soul.' I hope it is not <i>my</i> soul.&rdquo;
+ </p>
+ <p>
+ The phrase probably interested Alicia in her idleness, for she was
+ certainly actuated by no view of a moral uplift in the character of
+ Girard, the handsome gambler. She did not recognize a subtle cruelty in
+ her system of universal fascination, but her vanity demanded constant
+ tribute, and she was peculiarly absorbed in the effort to bring to her
+ feet this man of iron, her knight in armor, as she was wont to call him,
+ to control him with her influence, to bend this unmalleable material like
+ the proverbial wax in her hands. She had great faith in the coercive power
+ of her hazel eyes, and she brought their batteries to bear on Girard on
+ the first occasion when she had him at her mercy.
+ </p>
+ <p>
+ &ldquo;I have heard something about you which is very painful,&rdquo; she said one day
+ as they sat together beside the chalybeate spring. The crag, all
+ discolored in rust-red streaks by the dripping of the mineral water
+ through its interstices, towered above their heads; the ferns, exquisite
+ and of subtle fragrance, tufted the niches; the trees were close about
+ them, and below, on the precipitous slope; sometimes the lush green boughs
+ parted, revealing a distant landscape of azure ranges, far stretching
+ against a sky as blue, and in the valley of the foreground long bars of
+ golden hue, where fields, denuded of the harvested wheat, took the sun.
+ Girard lounged, languid, taciturn, and quiescent as ever, on the opposite
+ side of the circular rock basin wherein the clear water fell.
+ </p>
+ <p>
+ &ldquo;I will tell you what it is,&rdquo; Alicia went on, after a pause, for, though
+ he looked attentive, he gave not even a glance of question. &ldquo;I hear that
+ you gamble.&rdquo;
+ </p>
+ <p>
+ His gaze concentrated as he knitted his brows, but he said nothing.
+ </p>
+ <p>
+ She pulled her broad straw hat forward on her auburn hair and readjusted
+ the flounces of her white morning dress, saying while thus engaged, &ldquo;Yes,
+ indeed; that you gamble&mdash;like&mdash;like fury!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, don't you know that's against the law?&rdquo; he demanded unexpectedly.
+ </p>
+ <p>
+ &ldquo;I know that it is very wrong and sinful,&rdquo; she said solemnly.
+ </p>
+ <p>
+ &ldquo;Thanky. I'll put that in my pipe an' smoke it! I'm very wrong and sinful,
+ I am given to understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, I didn't mean <i>you</i> so much,&rdquo; she faltered, perturbed by this
+ sudden charge of the enemy. &ldquo;I meant the practice.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I know that I'm a sinner in more ways 'n one; but I <i>didn't</i>
+ know that you were a lady-preacher.&rdquo;
+ </p>
+ <p>
+ &ldquo;You mean that it is none of my business&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You ought to be so glad of that,&rdquo; he retorted.
+ </p>
+ <p>
+ She maintained a silence that might have suggested a degree of offended
+ pride, and she was truly humiliated that her vaunted hazel eyes had so
+ signally failed to work their wonted charm. As they strolled back together
+ up the steep path to the hotel he seemed either unobservant or uncaring,
+ so impassive were his manners, and she was aware that her demonstration
+ had resulted in giving him information which he could not otherwise have
+ gained. Later, she was nettled to notice that he had utilized it in
+ prosaic fashion, for that night no lights flared late from the casino.
+ </p>
+ <p>
+ The gamesters, informed that rumors were a-wing, had betaken themselves
+ elsewhere. A small smoking-room in the hotel proper seemed less obnoxious
+ to suspicion in the depleted condition of the guest-list, since autumn was
+ now approaching. After eleven o'clock the coterie would scarcely be
+ subject to interruption, and there they gathered as the hour waxed late.
+ The cards were duly dealt, the draw was on, when suddenly the door opened
+ and old Mr. Whitmel, his favorite meerschaum in his hand and a sheaf of
+ newly arrived journals, entered with the evident intention of a prolonged
+ stay. A &ldquo;standpatter&rdquo; seemed hardly so assured as before he encountered
+ the dim, surprised gaze, but the old clergyman was esteemed a good sort,
+ and he ventured on a reminder:
+ </p>
+ <p>
+ &ldquo;You have been here before, haven't you, Mr. Whitmel? Saw a deal of this
+ sort of thing in the army!&rdquo; And he rattled the chips significantly.
+ </p>
+ <p>
+ &ldquo;Used to see that sort of thing in the army? Yes, yes, indeed&mdash;more
+ than I wanted to see&mdash;very much more!&rdquo;
+ </p>
+ <p>
+ Colonel Duval took schooling much amiss. He turned up his florid face with
+ its auburn mustachios and Burnside whiskers from its bending over the
+ cards and showed a broad arch of glittering white teeth in an ungenial
+ laugh.
+ </p>
+ <p>
+ &ldquo;Remember, Mr. Whitmel, at that fight we had in the hills not far from the
+ Ocoee, how you rebuked two artillerymen for swearing? Something was wrong
+ with the vent-hole of the piece, and one of the gunners asked what
+ business you had with their language; and you said, 'I am a minister of
+ the Lord,' and the fellow gave it back very patly, 'I ain't carin' ef you
+ was a minister of state!' Then you said, 'No, you would doubtless swear in
+ the presence of an angel.' And the fellow with the sponge-staff declared,
+ 'Say, Mister, ef you are <i>that</i>, you are an angel off your feed
+ certain'&mdash;you were worn to skin and bone then&mdash;'an' the rations
+ of manna must be ez skimpy in heaven ez the rations o' bacon down here in
+ Dixie.' Ha, ha, ha!&rdquo;
+ </p>
+ <p>
+ Mr. Whitmel had taken a seat in an easy-chair; he had struck a match and
+ was composedly kindling his pipe. &ldquo;I felt nearer a higher communion that
+ day than often since,&rdquo; he said.
+ </p>
+ <p>
+ The coterie of gentlemen looked at one another in disconsolate
+ uncertainty, and one turned his cards face downward and laid them
+ resignedly on the table. The party was evidently in for one of the old
+ chaplain's long stories, with a few words by way of application, and there
+ was no decent opportunity to demur. They were the intruders in the
+ smoking-room&mdash;not he! Here with his pipe and his paper, he was within
+ the accommodation assigned him. They must hie them back to the casino to
+ be at ease, and this would they do when he should reach the end of his
+ story&mdash;if indeed it had an end.
+ </p>
+ <p>
+ For with the prolixity of the eye-witness he was detailing the points of
+ the battle; what troops were engaged; how the flank was turned; how the
+ reserve was delayed; how the guns were planted; how the cavalry was
+ ordered to charge over impracticable ground, and how in consequence he saw
+ a squadron literally annihilated; how for hours after the fight was over a
+ sergeant of the Dovinger Rangers pervaded the field with the guidon,
+ calling on them by name to rally.
+ </p>
+ <p>
+ &ldquo;And, gentlemen,&rdquo; he continued, turning in his chair, the fire kindling in
+ his eyes as it died in the bowl of his pipe, &ldquo;not one man responded, for
+ none could rise from that horrid slaughter.&rdquo;
+ </p>
+ <p>
+ There was a moment of tense silence. Then, &ldquo;Back and forth the guidon
+ flaunted, and the rain began to fall, and the night came on, and still the
+ dusk echoed the cry, 'Guide right! Dovinger's Rangers! Rally on the
+ guidon! Rally on the reserve!'&rdquo;
+ </p>
+ <p>
+ The old chaplain stuck his pipe into his mouth and brought it aflare again
+ with two or three strong indrawing respirations.
+ </p>
+ <p>
+ &ldquo;The surgeons said it would end in a case of dementia. I was sorry, for I
+ had seen much that day that hurt me, and more than all was this. For I
+ could picture that valiant young spirit going through life, spared by
+ God's mercy; and it seemed to me that when the enemy, in whatever guise,
+ should press him hard and defeat should bear him down he would have the
+ courage and the ardor and the moral strength to rally on the reserve. He
+ would rally on the guidon.&rdquo;
+ </p>
+ <p>
+ The old chaplain pulled strongly at his pipe, setting the blue wreaths of
+ smoke circling about his head. &ldquo;I should know that young fellow again
+ wherever I might chance to see him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he collapse at last and verify the surgeon's prophecy!&rdquo; asked the
+ dealer.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; drawled the chaplain, with a little flattered laugh, &ldquo;I myself
+ took care of that Many years ago I studied medicine, before I was favored
+ with a higher call. Neurology was my line. When the boy's horse sank
+ exhausted beneath him, and he fell into a sleep or stupor on the carcass,
+ I removed the object of the obsession. I slipped the flag-staff, guidon
+ and all, into a crevice of the rocks, where it will remain till the end of
+ our time, be sure.&rdquo; He laughed in relish of his arbitrary intervention.
+ </p>
+ <p>
+ &ldquo;There was a fine healthy clamor in camp the next morning about the lost
+ guidon. But I did the soldier no damage, for he had been promoted to a
+ lieutenancy for special gallantry on the field, and he therefore could no
+ longer have carried the guidon if he had had both the flag and the troop.&rdquo;
+ </p>
+ <p>
+ The stories of camp and field, thus begun, swiftly multiplied; they wore
+ the fire to embers, and the oil sank low in the lamps. There was a chill
+ sense of dawn in the blue-gray mist when the group, separating at last,
+ issued upon the veranda; the moon, so long hovering over the sombre
+ massive mountains, was slowly sinking in the west.
+ </p>
+ <p>
+ Among the shadows of the pillars a tall, martial figure lurked in ambush
+ for the old chaplain, as he rounded the corner of the veranda on his way
+ to his own quarters.
+ </p>
+ <p>
+ &ldquo;Pa'son,&rdquo; a husky voice spoke from out the dim comminglement of the mist
+ and the moon, &ldquo;'twas me that carried that guidon in Dovinger 's Bangers.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know it,&rdquo; declared the triumphant tactician. &ldquo;<i>I</i> recognized you
+ as soon as I saw you again.&rdquo;
+ </p>
+ <p>
+ &ldquo;I 'm through with this,&rdquo; the young mountaineer exclaimed abruptly, with
+ an eloquent gesture of renunciation toward the deserted card-table visible
+ through the vista of open doors. &ldquo;I'm going home&mdash;to work! I'll never
+ forget that I was marker in Dovinger's Rangers. I carried the guidon! And
+ that last day I marked their way to glory! There's nothing left of them
+ except honor and duty, but I'll rally on that, Chaplain. Never fear for
+ me, again. I'll rally on the reserve!&rdquo;
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Lost Guidon, by
+Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
+
+***** This file should be named 23555-h.htm or 23555-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/5/5/23555/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/23555.txt b/23555.txt
new file mode 100644
index 0000000..d9591b6
--- /dev/null
+++ b/23555.txt
@@ -0,0 +1,968 @@
+The Project Gutenberg EBook of The Lost Guidon, by
+Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Lost Guidon
+ 1911
+
+Author: Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+Release Date: November 19, 2007 [EBook #23555]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+THE LOST GUIDON
+
+By Charles Egbert Craddock
+
+1911
+
+
+Night came early. It might well seem that day had fled affrighted. The
+heavy masses of clouds, glooming low, which had gathered thicker and
+thicker, as if crowding to witness the catastrophe, had finally shaken
+asunder in the concussions of the air at the discharges of artillery,
+and now the direful rain, always sequence of the shock of battle, was
+steadily falling, falling, on the stricken field. Many a soldier who
+might have survived his wounds would succumb to exposure to the elements
+during the night, debarred the tardy succor that must needs await his
+turn. One of the surgeons at their hasty work at the field hospital,
+under the shelter of the cliffs on the slope, paused to note the presage
+of doom and death, and to draw a long breath before he adjusted himself
+anew to the grim duties of the scalpel in his hand. His face was set and
+haggard, less with a realization of the significance of the scene--for
+he was used to its recurrence--than simply with a physical reflection of
+horror, as if it were glassed in a mirror. A phenomenon that had earlier
+caught his attention in the landscape appealed again to his notice,
+perhaps because the symptom was not in his line.
+
+"Looks like a case of dementia," he observed to the senior surgeon,
+standing near at hand.
+
+The superior officer adjusted his field-glass. "Looks like 'Death on the
+White Horse'!" he responded.
+
+Down the highway, at a slow pace, rode a cavalryman wearing a gray
+uniform, with a sergeant's chevrons, and mounted on a steed good in his
+day, but whose day was gone. A great clot of blood had gathered on his
+broad white chest, where a bayonet had thrust him deep. Despite his
+exhaustion, he moved forward at the urgency of his rider's heel and
+hand. The soldier held a long, heavy staff planted on one stirrup,
+from the top of which drooped in the dull air the once gay guidon,
+battle-rent and sodden with rain, and as he went he shouted at
+intervals, "Dovinger's Bangers! Rally on the guidon!" Now and again
+his strident boyish voice varied the appeal, "Hyar's yer Dov-inger's
+Rangers! Bally, boys! Rally on the reserve!"
+
+Indeed, despite his stalwart, tall, broad-shouldered frame, he was
+scarcely more than a boy. His bare head had flaxen curls like a child's;
+his pallid, though sunburned face was broad and soft and beardless; his
+large blue eyes were languid and spiritless, though now and then as he
+turned an intent gaze over the field they flared anew with hope, as if
+he expected to see rise up from that desolate expanse, from among the
+stiffening carcasses of horses and the stark corpses of the troopers,
+that gallant squadron wont to follow, so dashing and debonair, wherever
+the guidons might mark the way. But there was naught astir save the
+darkness slipping down by slow degrees--and perchance under its cloak,
+already stealthily afoot, the ghoulish robbers of the dead that haunt
+the track of battle. They were the human forerunners of the vulture
+breed, with even a keener scent for prey, for as yet the feathered
+carrion-seekers held aloof; two or three only were descried from the
+field hospital, perched on the boughs of a dead tree near the river,
+presently joined by another, its splendid sustained flight impeded
+somewhat by the rain, battling with its big, strong wings against the
+downpour of the torrents and the heavy air.
+
+And still through all echoed the cry, "Rally on the guidon! Dovinger's
+Rangers! Rally on the reserve!"
+
+The bridge that crossed the river, which was running full and foaming,
+had been burnt; but a span, charred and broken, still swung from the
+central pier. Over toward the dun-tinted west a house was blazing, fired
+by some stray bomb, perhaps, or by official design, to hinder the enemy
+from utilizing the shelter, and its red rage of destruction bepainted
+the clouds that hung so low above the chimneys and dormer-windows. To
+the east, the woods on the steeps had been shelled, and a myriad boughs
+and boles riven and rent, lay in fantastic confusion. Through the
+mournful chaos the wind had begun to sweep; it sounded in unison with
+the battle clamors, and shrieked and wailed and roared as it surged
+adown the defiles. Now and then there came on the blast the fusillade
+of dropping shots from the south, where the skirmish line of one
+faction engaged the rear-guard of the other, or the pickets fell within
+rifle-range. Once the sullen, melancholy boom of distant cannon shook
+the clouds, and then was still, and ever and again sounded that tireless
+cry, "Dovinger's Rangers. Hyar's yer guidon! Rally, boys! Rally on the
+guidon! Rally on the reserve!"
+
+The senior surgeon, as the road wound near, stepped down toward it
+when the horseman, still holding himself proudly erect, passed by.
+"Sergeant," he hailed the guidon, "where is Captain Dovinger?"
+
+The hand mechanically went to the boy's forehead in the usual military
+salute. "Killed, sir."
+
+"Where are the other officers of the squadron--the junior captain, the
+lieutenants?"
+
+"Killed, sir."
+
+"What has become of the troopers?"
+
+"Killed, sir, in the last charge."
+
+There was a pause. Then Dr. Trent broke forth: "Are you a fool, boy? If
+your command is annihilated, why do you keep up this commotion?"
+
+The young fellow looked blank for a moment. Then, as if he had not
+reasoned on the catastrophe: "I thought at first they monght be
+scattered--some of 'em. But ef--ef--they _war_ dead, but could once
+_see_ the guidon, sure 't would call 'em to life. They _couldn't_ be
+so dead but they would rally to the guidon! Guide right!" he shouted
+suddenly. "Dovinger's Rangers! Rally on the guidon, boys! Rally on the
+reserve!"
+
+It was a time that hardened men's hearts. The young soldier had no
+physical hurt that might appeal to the professional sympathies of the
+senior surgeon, and he turned away with a half laugh. "Let him go
+along! He can't rally Dovinger's Rangers this side of the river Styx, it
+seems."
+
+But an old chaplain who had been hovering about the field hospital,
+whispering a word here and there to stimulate the fortitude of the
+wounded and solace the fears of the dying, recognized moral symptoms
+alien to any diagnosis of which the senior surgeon was capable. The
+latter did not deplore the diversion of interest, for the old man's
+presence was not highly esteemed by the hospital corps at this scene of
+hasty and terrible work, although, having taken a course in medicine in
+early life, he was permitted to aid in certain ways. But the surgeons
+were wont to declare that the men began to bleat at the very sight of
+the chaplain. So gentle, so sympathetic, so paternal, was he that they
+made the more of their wretched woes, seeing them so deeply deplored.
+The senior surgeon, moreover, was not an ardent religionist. "This is no
+time for a revival, Mr. Whitmel," he would insist. "Jack, there, never
+spoke the name of God in his life, except to swear by it. He is too late
+for prayers, and if _I_ can't pull him through, he is a goner!" But the
+chaplain was fond of quoting:
+
+ "Between the stirrup and the ground
+ He mercy sought and mercy found----"
+
+and sometimes the scene was irreverently called a "love feast" when
+some hard-riding, hard-swearing, hard-fighting, unthinking sinner went
+joyfully out of this world from the fatherly arms of the chaplain into
+the paternal embrace of an eternal and merciful Father, as the man of
+God firmly believed.
+
+He stood now, staring after the guidon borne through the rain and the
+mist, flaunting red as the last leaves of autumn against the dun-tinted
+dusk, that the dead might view the gallant and honored pennant and rise
+again to its leading!
+
+No one followed but the tall, thin figure of the gaunt old chaplain,
+unless indeed the trooping shadows that kept him company had
+mysteriously roused at the stirring summons. Lanterns were now visible,
+dimly flickering in one quarter where the fighting had been furious and
+the slain lay six deep on the ground. Their aspirations, their valor,
+their patriotism, had all exhaled--volatile essences, these incomparable
+values!--and now their bodies, weighted with death, cumbered the earth.
+They must be hurried out of sight, out of remembrance soon, and the
+burial parties were urged to diligence at the trenches where these
+cast-off semblances were to lie undistinguished together. And still the
+reflection of the burning house reddened the gloomy west, and still the
+cry, "Rally on the guidon! Dovinger's Rangers!" smote the thick air.
+
+Suddenly it was silent. The white horse that had been visible in the
+flare from the flaming house, now and again flung athwart the landscape,
+no longer loomed in the vista of the shadowy road. He had given way at
+last, sinking down with that martial figure still in the saddle, and,
+with no struggle save a mere galvanic shiver, passing away from the
+scene of his faithful devoirs.
+
+Fatigue, agitation, anguish, his agonized obsession of the possibility
+of rallying the squadron, had served to prostrate the soldier's physical
+powers of resistance. He could not constrain his muscles to rise from
+the recumbent position against the carcass. He started up, then sank
+back, and in another moment triumphant nature conquered, and he was
+asleep--a dull, dreamless sleep of absolute exhaustion, that perchance
+rescued his reason as well as saved his life.
+
+The old chaplain was a man of infinite prejudice, steeped in all the
+infirmities and fantasies of dogma; a lover of harmony, and essentially
+an apostle of peace. Nevertheless, it would not have been physically
+safe to call him a Jesuit. But indeed he scarcely hesitated; he stepped
+over the great inert bulk of the dead horse, unclenched the muscular
+grasp of the soldier, as if it had been a baby's clasp, slipped the
+staff, technically the lance, of the guidon from its socket, and stood
+with it in his own hand, looking suspiciously to and fro to descry if
+perchance he were observed. The coast clear, he turned to the wall
+of rock beside the road, for this was near the mountain sandstone
+formation, fissured, splintered, with the erosions of water and weather;
+and into one of the cellular, tunnel-like apertures he ran the guidon,
+lance and all,--lost forever from human sight.
+
+In those days one might speak indeed of the march of events. Each seemed
+hard on the heels of its precursor. Change ran riot in the ordering of
+the world, and its aspect was utterly transformed when Casper Girard,
+no longer bearing the guidon of Dovinger's Rangers, came out of the war
+with a captain's shoulder-straps, won by personal fitness often proved,
+the habit of command, and a great and growing opinion of himself. He was
+a changeling, so to speak. No longer he felt a native of the mountain
+cove where he had been born and reared. He had had a glimpse of
+the world from a different standpoint, and it lured him. A dreary,
+disaffected life he led for a time.
+
+"'Minds me of a wild tur-r-key in a trap," his mother was wont to
+comment. "Always stretchin' his neck an' lookin' up an' away--when
+he mought git out by looking down." And the simile was so apt that it
+stayed in his mind--looking up and away!
+
+Of all dull inventions, in his estimation the art of printing exceeded.
+He had made but indifferent progress in education during his early
+youth; he was a slow and inexpert reader, and a writer whose chirography
+shrank from exhibition. Now, however, a book in the hand gave him a
+cherished sentiment of touch with the larger world beyond those blue
+ranges that limited his sphere, and he spent much time in sedulously
+reading certain volumes which he had brought home with him.
+
+"Spent _money_ fur 'em!" his mother would ejaculate, contemplating this
+extreme audacity of extravagance.
+
+As she often observed, "the plough-handles seemed red-hot," and as soon
+as political conditions favored he ran for office. On the strength of
+his war record, a potent lever in those days, he was elected register
+of the county. True, there was only a population of about fifty souls
+in the county town, and the houses were log-cabins, except the temple
+of justice itself, which was a two-story frame building. But his success
+was a step on the road to political preferment, and his ambitious eyes
+were on the future. Into the midst of his quiet incumbency as register
+came Fate, all intrusive, and found him through the infrequent medium of
+a weekly mail. It was at the beginning of the retrospective enthusiasm
+that has served to revive the memories of the War, and he received a
+letter from an old comrade-in-arms, giving the details of a brigade
+reunion shortly to be held at no great distance, and, being of the
+committee, inviting him to be present.
+
+Girard had participated in great military crises; he had marshalled his
+troop in line of battle; as a mere boy, he had ridden with the guidon
+lance planted on his stirrup, with the pennant flying above his head,
+as the marker to lead the fierce and famous Dov-inger Rangers into the
+thickest of the fight; yet he had never felt such palpitant tremors
+of excitement as when he stood on the hotel piazza of the New Helvetia
+Springs, where the banqueters had gathered, and suffered the ordeal of
+introduction to sundry groups of fashionable ladies. He had earlier seen
+specimens of the species in the course of military transitions through
+the cities of the lowlands, and he watched them narrowly to detect
+if they discerned perchance a difference between him and the men of
+education and social station with whom his advancement in the army
+had associated him. He did not reflect that they were too well-bred
+to reveal any appreciation of such incongruity, but he had never
+experienced a more ardent glow of gratification than upon overhearing a
+friend's remark: "Girard is great! Anybody would imagine he was used to
+all this!"
+
+No strategist was ever more wary. He would not undertake to dance, for
+he readily perceived that the gyrations in the ball-room were utterly
+dissimilar to the clumsy capering to which he had been accustomed on the
+puncheon floor of a mountain cabin. He had the less reason for
+regret since he was privileged instead to stroll up and down the
+veranda,--"promenade" was the technical term,--a slender hand,
+delicately gloved, on the sleeve of his gray uniform, the old
+regimentals being _de rigueur_ at these reunions. A white ball-gown,
+such as he had never before seen, fashioned of tissue over lustrous
+white silk, swayed in diaphanous folds against him, for these were the
+days of voluminous draperies; a head of auburn hair elaborately dressed
+gleamed in the moonlight near his shoulder. Miss Alicia Duval thought
+him tremendously handsome; she adored his record, as she would have
+said--unaware how little of it she knew--and she did not so much intend
+to flirt as to draw him out, for there was something about him different
+from the men of her set, and it stimulated her interest.
+
+"Isn't the moon heavenly!" she observed, gazing at the brilliant orb,
+now near the full, swinging in the sky, which became a definite blue in
+its light above the massive dark mountains and the misty valley below;
+for the building was as near the brink as safety permitted--nearer, the
+cautious opined.
+
+"Heavenly? Not more'n it's got a right to be. It's a heavenly body,
+ain't it?" he rejoined.
+
+"Oh, how sarcastic!" she exclaimed. "In what school did you acquire your
+trenchant style?"
+
+He thought of the tiny district school where he had acquired the very
+little he knew of aught, and said nothing, laughing constrainedly in
+lieu of response.
+
+The music of the orchestra came, to them from the ball-room, and the
+rhythmic beat of dancing feet; the wind lifted her hair gently and
+brought to them the fragrance of flowering plants and the pungent
+aroma of mint down in the depths of the ravine hard by, where lurked
+a chalybeate spring; but for the noisy rout of the dance, and now and
+again the flimsy chatter of a passing couple on the piazza, promenading
+like themselves, they might have heard the waters of the fountain
+rise and bubble and break and sigh as the pulsating impulse beat like
+heart-throbs, and perchance on its rocky marge an oread a-singing.
+
+"But you don't answer me," she pouted with an affectation of
+pettishness. "Do you know that you trouble yourself to talk very little,
+Captain Girard!"
+
+"I think the more," he declared.
+
+"Think? Oh, dear me! I didn't know that anybody does anything so
+unfashionable nowadays as to _think!_ And what do you think about,
+pray?"
+
+"About you!"
+
+And that began it: he was a gallant man, and he had been a brave one. He
+was not aware how far he was going on so short an acquaintance, but
+his temerity was not displeasing to the lady. She liked his manner of
+storming the citadel, and she did not realize that he merely spoke at
+random, as best he might. He was in his uniform a splendid and martial
+presentment of military youth, and indeed he was much the junior of his
+compeers.
+
+"Who are Captain Girard's people, Papa?" she asked Colonel Duval next
+morning, as the family party sat at breakfast in quasi seclusion at
+one of the small round tables in the crowded dining-room, full of the
+chatter of people and the clatter of dishes.
+
+"Girard?" Colonel Duval repeated thoughtfully. "I really don't know. I
+have an impression they live somewhere in East Tennessee. I never met
+him till just about the end of the war."
+
+"Oh, Papa! How unsatisfactory you are! You never know anything about
+anybody."
+
+"I should think his people must be very plain," said Mrs. Duval. Her
+social discrimination was extremely acute and in constant practice.
+
+"I don't know why. He is very much of a gentleman," the Colonel
+contended. His heart was warm to-day with much fraternizing, and it was
+not kind to brush the bloom off his peach.
+
+"Oh, trifles suggest the fact. He is not at all _au fait_."
+
+He was, however, experienced in ways of the world unimagined in her
+philosophy. The reunion had drawn to a close, ending in a flare of
+jollity and tender reminiscence and good-fellowship. The old soldiers
+were all gone save a few regular patrons of the hotel, who with their
+families were completing their summer sojourn. Captain Girard lingered,
+too, fascinated by this glimpse of the frivolous world, hitherto
+unimagined, rather than by the incense to his vanity offered by his
+facile acceptance as a squire of dames. For the first time in his life
+he felt the grinding lack of money. Being a man of resource, he set
+about swiftly supplying this need. In the dull days of inaction, when
+the armies lay supine and only occasionally the monotony was broken by
+the engagement of distant skirmishers or a picket line was driven in on
+the main body, he had learned to play a game at cards much in vogue
+at that period, though for no greater hazards than grains of corn or
+Confederate money, almost as worthless. In the realization now that the
+same principles held good with stakes of value, he seemed to enter upon
+the possession of a veritable gold mine. The peculiar traits that his
+one unique experience of the world had developed--his coolness, his
+courage, his discernment of strategic resources--stood him in good
+stead, and long after the microcosm of the hotel lay fast asleep the
+cards were dealt and play ran high in the little building called the
+casino, ostensibly devoted to the milder delights of billiards and
+cigars.
+
+Either luck favored him or he had rare discrimination of relative
+chances in the run of the cards, or the phenomenally bold hand he played
+disconcerted his adversaries, but his almost invariable winning began
+to affect injuriously his character. Indeed, he was said to be a rook
+of unrivalled rapacity. Colonel Duval was in the frame of mind that his
+wife called "bearish" one morning as his family gathered for breakfast
+in the limited privacy of their circle about the round table in the
+dining-room.
+
+"I want you to avoid that fellow, Alicia," he growled _sotto voce_, as
+he intercepted a bright matutinal smile that the fair Alicia sent as a
+morning greeting to Girard, who had just entered and taken his seat at a
+distance. "We know nothing under heaven about his people, and he himself
+has the repute of being a desperate gambler."
+
+His wife raised significant eyebrows. "If that is true, why should he
+stay in this quiet place?"
+
+Colonel Duval experienced a momentary embarrassment. "Oh, the place is
+right enough. He stays, no doubt, because he likes it. You might as well
+ask why old Mr. Whitmel stays here."
+
+"The idea of mentioning a clergyman in this connection!"
+
+"Mr. Whitmel is professionally busy," cried Alicia. "He told me that he
+is studying 'the disintegration of a soul.' I hope it is not _my_ soul."
+
+The phrase probably interested Alicia in her idleness, for she was
+certainly actuated by no view of a moral uplift in the character of
+Girard, the handsome gambler. She did not recognize a subtle cruelty in
+her system of universal fascination, but her vanity demanded constant
+tribute, and she was peculiarly absorbed in the effort to bring to her
+feet this man of iron, her knight in armor, as she was wont to call him,
+to control him with her influence, to bend this unmalleable material
+like the proverbial wax in her hands. She had great faith in the
+coercive power of her hazel eyes, and she brought their batteries to
+bear on Girard on the first occasion when she had him at her mercy.
+
+"I have heard something about you which is very painful," she said one
+day as they sat together beside the chalybeate spring. The crag, all
+discolored in rust-red streaks by the dripping of the mineral water
+through its interstices, towered above their heads; the ferns, exquisite
+and of subtle fragrance, tufted the niches; the trees were close about
+them, and below, on the precipitous slope; sometimes the lush green
+boughs parted, revealing a distant landscape of azure ranges, far
+stretching against a sky as blue, and in the valley of the foreground
+long bars of golden hue, where fields, denuded of the harvested wheat,
+took the sun. Girard lounged, languid, taciturn, and quiescent as ever,
+on the opposite side of the circular rock basin wherein the clear water
+fell.
+
+"I will tell you what it is," Alicia went on, after a pause, for, though
+he looked attentive, he gave not even a glance of question. "I hear that
+you gamble."
+
+His gaze concentrated as he knitted his brows, but he said nothing.
+
+She pulled her broad straw hat forward on her auburn hair and readjusted
+the flounces of her white morning dress, saying while thus engaged,
+"Yes, indeed; that you gamble--like--like fury!"
+
+"Why, don't you know that's against the law?" he demanded unexpectedly.
+
+"I know that it is very wrong and sinful," she said solemnly.
+
+"Thanky. I'll put that in my pipe an' smoke it! I'm very wrong and
+sinful, I am given to understand."
+
+"Why, I didn't mean _you_ so much," she faltered, perturbed by this
+sudden charge of the enemy. "I meant the practice."
+
+"Oh, I know that I'm a sinner in more ways 'n one; but I _didn't_ know
+that you were a lady-preacher."
+
+"You mean that it is none of my business----"
+
+"You ought to be so glad of that," he retorted.
+
+She maintained a silence that might have suggested a degree of offended
+pride, and she was truly humiliated that her vaunted hazel eyes had
+so signally failed to work their wonted charm. As they strolled back
+together up the steep path to the hotel he seemed either unobservant
+or uncaring, so impassive were his manners, and she was aware that her
+demonstration had resulted in giving him information which he could
+not otherwise have gained. Later, she was nettled to notice that he had
+utilized it in prosaic fashion, for that night no lights flared late
+from the casino.
+
+The gamesters, informed that rumors were a-wing, had betaken themselves
+elsewhere. A small smoking-room in the hotel proper seemed less
+obnoxious to suspicion in the depleted condition of the guest-list,
+since autumn was now approaching. After eleven o'clock the coterie would
+scarcely be subject to interruption, and there they gathered as the hour
+waxed late. The cards were duly dealt, the draw was on, when suddenly
+the door opened and old Mr. Whitmel, his favorite meerschaum in his
+hand and a sheaf of newly arrived journals, entered with the evident
+intention of a prolonged stay. A "standpatter" seemed hardly so assured
+as before he encountered the dim, surprised gaze, but the old clergyman
+was esteemed a good sort, and he ventured on a reminder:
+
+"You have been here before, haven't you, Mr. Whitmel? Saw a deal of this
+sort of thing in the army!" And he rattled the chips significantly.
+
+"Used to see that sort of thing in the army? Yes, yes, indeed--more than
+I wanted to see--very much more!"
+
+Colonel Duval took schooling much amiss. He turned up his florid face
+with its auburn mustachios and Burnside whiskers from its bending
+over the cards and showed a broad arch of glittering white teeth in an
+ungenial laugh.
+
+"Remember, Mr. Whitmel, at that fight we had in the hills not far from
+the Ocoee, how you rebuked two artillerymen for swearing? Something was
+wrong with the vent-hole of the piece, and one of the gunners asked what
+business you had with their language; and you said, 'I am a minister of
+the Lord,' and the fellow gave it back very patly, 'I ain't carin' ef
+you was a minister of state!' Then you said, 'No, you would doubtless
+swear in the presence of an angel.' And the fellow with the sponge-staff
+declared, 'Say, Mister, ef you are _that_, you are an angel off your
+feed certain'--you were worn to skin and bone then--'an' the rations of
+manna must be ez skimpy in heaven ez the rations o' bacon down here in
+Dixie.' Ha, ha, ha!"
+
+Mr. Whitmel had taken a seat in an easy-chair; he had struck a match and
+was composedly kindling his pipe. "I felt nearer a higher communion that
+day than often since," he said.
+
+The coterie of gentlemen looked at one another in disconsolate
+uncertainty, and one turned his cards face downward and laid them
+resignedly on the table. The party was evidently in for one of the old
+chaplain's long stories, with a few words by way of application, and
+there was no decent opportunity to demur. They were the intruders in the
+smoking-room--not he! Here with his pipe and his paper, he was within
+the accommodation assigned him. They must hie them back to the casino to
+be at ease, and this would they do when he should reach the end of his
+story--if indeed it had an end.
+
+For with the prolixity of the eye-witness he was detailing the points of
+the battle; what troops were engaged; how the flank was turned; how
+the reserve was delayed; how the guns were planted; how the cavalry was
+ordered to charge over impracticable ground, and how in consequence he
+saw a squadron literally annihilated; how for hours after the fight
+was over a sergeant of the Dovinger Rangers pervaded the field with the
+guidon, calling on them by name to rally.
+
+"And, gentlemen," he continued, turning in his chair, the fire kindling
+in his eyes as it died in the bowl of his pipe, "not one man responded,
+for none could rise from that horrid slaughter."
+
+There was a moment of tense silence. Then, "Back and forth the guidon
+flaunted, and the rain began to fall, and the night came on, and still
+the dusk echoed the cry, 'Guide right! Dovinger's Rangers! Rally on the
+guidon! Rally on the reserve!'"
+
+The old chaplain stuck his pipe into his mouth and brought it aflare
+again with two or three strong indrawing respirations.
+
+"The surgeons said it would end in a case of dementia. I was sorry, for
+I had seen much that day that hurt me, and more than all was this. For
+I could picture that valiant young spirit going through life, spared by
+God's mercy; and it seemed to me that when the enemy, in whatever guise,
+should press him hard and defeat should bear him down he would have the
+courage and the ardor and the moral strength to rally on the reserve. He
+would rally on the guidon."
+
+The old chaplain pulled strongly at his pipe, setting the blue wreaths
+of smoke circling about his head. "I should know that young fellow again
+wherever I might chance to see him."
+
+"Did he collapse at last and verify the surgeon's prophecy!" asked the
+dealer.
+
+"Well," drawled the chaplain, with a little flattered laugh, "I myself
+took care of that Many years ago I studied medicine, before I was
+favored with a higher call. Neurology was my line. When the boy's horse
+sank exhausted beneath him, and he fell into a sleep or stupor on
+the carcass, I removed the object of the obsession. I slipped the
+flag-staff, guidon and all, into a crevice of the rocks, where it will
+remain till the end of our time, be sure." He laughed in relish of his
+arbitrary intervention.
+
+"There was a fine healthy clamor in camp the next morning about the lost
+guidon. But I did the soldier no damage, for he had been promoted to a
+lieutenancy for special gallantry on the field, and he therefore could
+no longer have carried the guidon if he had had both the flag and the
+troop."
+
+The stories of camp and field, thus begun, swiftly multiplied; they wore
+the fire to embers, and the oil sank low in the lamps. There was a chill
+sense of dawn in the blue-gray mist when the group, separating at last,
+issued upon the veranda; the moon, so long hovering over the sombre
+massive mountains, was slowly sinking in the west.
+
+Among the shadows of the pillars a tall, martial figure lurked in ambush
+for the old chaplain, as he rounded the corner of the veranda on his way
+to his own quarters.
+
+"Pa'son," a husky voice spoke from out the dim comminglement of the
+mist and the moon, "'twas me that carried that guidon in Dovinger 's
+Bangers."
+
+"I know it," declared the triumphant tactician. "_I_ recognized you as
+soon as I saw you again."
+
+"I 'm through with this," the young mountaineer exclaimed abruptly,
+with an eloquent gesture of renunciation toward the deserted card-table
+visible through the vista of open doors. "I'm going home--to work! I'll
+never forget that I was marker in Dovinger's Rangers. I carried the
+guidon! And that last day I marked their way to glory! There's nothing
+left of them except honor and duty, but I'll rally on that, Chaplain.
+Never fear for me, again. I'll rally on the reserve!"
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Lost Guidon, by
+Charles Egbert Craddock (AKA Mary Noailles Murfree)
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE LOST GUIDON ***
+
+***** This file should be named 23555.txt or 23555.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/5/5/23555/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23555.zip b/23555.zip
new file mode 100644
index 0000000..0421160
--- /dev/null
+++ b/23555.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..c3d7fac
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #23555 (https://www.gutenberg.org/ebooks/23555)