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+The Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Hugh Selwyn Mauberley
+
+Author: Ezra Pound
+
+Release Date: November 18, 2007 [EBook #23538]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HUGH SELWYN MAUBERLEY ***
+
+
+
+
+Produced by Lewis Jones
+
+
+
+
+Pound, Ezra (1920) _Hugh Selwyn Mauberley_
+
+
+
+Hugh Selwyn
+Mauberley
+
+BY
+
+E. P.
+
+
+
+
+THE OVID PRESS
+1920
+
+
+
+"VOCAT ÆSTUS IN UMBRAM"
+           _Nemesianus Ec. IV._
+
+
+
+H. S. Mauberley
+
+(LIFE AND CONTACTS)
+
+Transcriber's note: Ezra Pound’s _Hugh Selwyn Mauberley_
+contains accents, diphthongs and Greek characters. Facsimile
+images of the poems as originally published are freely available
+online from the Internet Archive. Please use these images to
+check for any errors or inadequacies in this electronic text.
+
+
+           _MAUBERLEY_
+            CONTENTS
+             Part I.
+            ________
+
+_Ode pour l'élection de son sepulcher_
+II.
+III.
+IV.
+V.
+_Yeux Glauques_
+_"Siena mi fe', disfecemi Maremma"_
+_Brennbaum_
+_Mr. Nixon_
+X.
+XI.
+XII.
+
+         ____________
+
+            ENVOI
+            1919
+        ____________
+
+          Part II.
+           1920
+        (Mauberley)
+
+I.
+II.
+III. _"The age demanded"_
+IV.
+V.   _Medallion_
+
+
+
+
+E.P.
+ODE POUR SELECTION DE SON SEPULCHRE
+
+FOR three years, out of key with his time,
+He strove to resuscitate the dead art
+Of poetry; to maintain "the sublime"
+In the old sense. Wrong from the start--
+
+No hardly, but, seeing he had been born
+In a half savage country, out of date;
+Bent resolutely on wringing lilies from the acorn;
+Capaneus; trout for factitious bait;
+
+_ἴδμεν γάρ τοι πάν πάνθ', όσ' ένι Τροίη_
+Caught in the unstopped ear;
+Giving the rocks small lee-way
+The chopped seas held him, therefore, that year.
+
+His true Penelope was Flaubert,
+He fished by obstinate isles;
+Observed the elegance of Circe's hair
+Rather than the mottoes on sun-dials.
+
+Unaffected by "the march of events,"
+He passed from men's memory in _l'an trentiesme
+De son eage_; the case presents
+No adjunct to the Muses' diadem.
+
+
+II.
+
+THE age demanded an image
+Of its accelerated grimace,
+Something for the modern stage,
+Not, at any rate, an Attic grace;
+
+Not, not certainly, the obscure reveries
+Of the inward gaze;
+Better mendacities
+Than the classics in paraphrase!
+
+The "age demanded" chiefly a mould in plaster,
+Made with no loss of time,
+A prose kinema, not, not assuredly, alabaster
+Or the "sculpture" of rhyme.
+
+
+III.
+
+THE tea-rose tea-gown, etc.
+Supplants the mousseline of Cos,
+The pianola "replaces"
+Sappho's barbitos.
+
+Christ follows Dionysus,
+Phallic and ambrosial
+Made way for macerations;
+Caliban casts out Ariel.
+
+All things are a flowing,
+Sage Heracleitus says;
+But a tawdry cheapness
+Shall reign throughout our days.
+
+Even the Christian beauty
+Defects--after Samothrace;
+We see _το καλόν_
+Decreed in the market place.
+
+Faun's flesh is not to us,
+Nor the saint's vision.
+We have the press for wafer;
+Franchise for circumcision.
+
+All men, in law, are equals.
+Free of Peisistratus,
+We choose a knave or an eunuch
+To rule over us.
+
+O bright Apollo,
+_τίν'  άνδρα, τίν'  ήρωα, τίνα θεον_,
+What god, man, or hero
+Shall I place a tin wreath upon!
+
+
+IV.
+
+THESE fought, in any case,
+and some believing, pro domo, in any case . .
+Some quick to arm,
+some for adventure,
+some from fear of weakness,
+some from fear of censure,
+some for love of slaughter, in imagination,
+learning later . . .
+
+some in fear, learning love of slaughter;
+Died some "pro patria, non dulce non et decor". .
+
+walked eye-deep in hell
+believing in old men's lies, then unbelieving
+came home, home to a lie,
+home to many deceits,
+home to old lies and new infamy;
+
+usury age-old and age-thick
+and liars in public places.
+
+Daring as never before, wastage as never before.
+Young blood and high blood,
+Fair cheeks, and fine bodies;
+
+fortitude as never before
+
+frankness as never before,
+disillusions as never told in the old days,
+hysterias, trench confessions,
+laughter out of dead bellies.
+
+
+V.
+
+THERE died a myriad,
+And of the best, among them,
+For an old bitch gone in the teeth,
+For a botched civilization,
+
+Charm, smiling at the good mouth,
+Quick eyes gone under earth's lid,
+
+For two gross of broken statues,
+For a few thousand battered books.
+
+
+YEUX GLAUQUES
+
+GLADSTONE was still respected,
+When John Ruskin produced
+"Kings Treasuries"; Swinburne
+And Rossetti still abused.
+
+Fœtid Buchanan lifted up his voice
+When that faun's head of hers
+Became a pastime for
+Painters and adulterers.
+
+The Burne-Jones cartons
+Have preserved her eyes;
+Still, at the Tate, they teach
+Cophetua to rhapsodize;
+
+Thin like brook-water,
+With a vacant gaze.
+The English Rubaiyat was still-born
+In those days.
+
+The thin, clear gaze, the same
+Still darts out faun-like from the half-ruin'd fac
+Questing and passive ....
+"Ah, poor Jenny's case"...
+
+Bewildered that a world
+Shows no surprise
+At her last maquero's
+Adulteries.
+
+
+"SIENA MI FE', DISFECEMI MAREMMA"
+
+AMONG the pickled foetuses and bottled bones,
+Engaged in perfecting the catalogue,
+I found the last scion of the
+Senatorial families of Strasbourg, Monsieur Verog.
+
+For two hours he talked of Gallifet;
+Of Dowson; of the Rhymers' Club;
+Told me how Johnson (Lionel) died
+By falling from a high stool in a pub . . .
+
+But showed no trace of alcohol
+At the autopsy, privately performed--
+Tissue preserved--the pure mind
+Arose toward Newman as the whiskey warmed.
+
+Dowson found harlots cheaper than hotels;
+Headlam for uplift; Image impartially imbued
+With raptures for Bacchus, Terpsichore and the Church.
+So spoke the author of "The Dorian Mood",
+
+M. Verog, out of step with the decade,
+Detached from his contemporaries,
+Neglected by the young,
+Because of these reveries.
+
+
+BRENNBAUM.
+
+THE sky-like limpid eyes,
+The circular infant's face,
+The stiffness from spats to collar
+Never relaxing into grace;
+
+The heavy memories of Horeb, Sinai and the forty years,
+Showed only when the daylight fell
+Level across the face
+Of Brennbaum "The Impeccable".
+
+
+MR. NIXON
+
+IN the cream gilded cabin of his steam yacht
+Mr. Nixon advised me kindly, to advance with fewer
+Dangers of delay. "Consider
+    "Carefully the reviewer.
+
+"I was as poor as you are;
+"When I began I got, of course,
+"Advance on royalties, fifty at first", said Mr. Nixon,
+"Follow me, and take a column,
+"Even if you have to work free.
+
+"Butter reviewers. From fifty to three hundred
+"I rose in eighteen months;
+"The hardest nut I had to crack
+"Was Dr. Dundas.
+
+"I never mentioned a man but with the view
+"Of selling my own works.
+"The tip's a good one, as for literature
+"It gives no man a sinecure."
+
+And no one knows, at sight a masterpiece.
+And give up verse, my boy,
+There's nothing in it.
+
+                   *    *    *
+
+Likewise a friend of Bloughram's once advised me:
+Don't kick against the pricks,
+Accept opinion. The "Nineties" tried your game
+And died, there's nothing in it.
+
+
+X.
+
+BENEATH the sagging roof
+The stylist has taken shelter,
+Unpaid, uncelebrated,
+At last from the world's welter
+
+Nature receives him,
+With a placid and uneducated mistress
+He exercises his talents
+And the soil meets his distress.
+
+The haven from sophistications and contentions
+Leaks through its thatch;
+He offers succulent cooking;
+The door has a creaking latch.
+
+
+XI.
+
+"CONSERVATRIX of Milésien"
+Habits of mind and feeling,
+Possibly. But in Ealing
+With the most bank-clerkly of Englishmen?
+
+No, "Milésien" is an exaggeration.
+No instinct has survived in her
+Older than those her grandmother
+Told her would fit her station.
+
+
+XII.
+
+"DAPHNE with her thighs in bark
+Stretches toward me her leafy hands",--
+Subjectively. In the stuffed-satin drawing-room
+I await The Lady Valentine's commands,
+
+Knowing my coat has never been
+Of precisely the fashion
+To stimulate, in her,
+A durable passion;
+
+Doubtful, somewhat, of the value
+Of well-gowned approbation
+Of literary effort,
+But never of The Lady Valentine's vocation:
+
+Poetry, her border of ideas,
+The edge, uncertain, but a means of blending
+With other strata
+Where the lower and higher have ending;
+
+A hook to catch the Lady Jane's attention,
+A modulation toward the theatre,
+Also, in the case of revolution,
+A possible friend and comforter.
+
+             *       *       *
+
+Conduct, on the other hand, the soul
+"Which the highest cultures have nourished"
+To Fleet St. where
+Dr. Johnson flourished;
+
+Beside this thoroughfare
+The sale of half-hose has
+Long since superseded the cultivation
+Of Pierian roses.
+
+
+ENVOI (1919)
+
+GO, dumb-born book,
+Tell her that sang me once that song of Lawes;
+Hadst thou but song
+As thou hast subjects known,
+Then were there cause in thee that should condone
+Even my faults that heavy upon me lie
+And build her glories their longevity.
+
+Tell her that sheds
+Such treasure in the air,
+Recking naught else but that her graces give
+Life to the moment,
+I would bid them live
+As roses might, in magic amber laid,
+Red overwrought with orange and all made
+One substance and one colour
+Braving time.
+
+Tell her that goes
+With song upon her lips
+But sings not out the song, nor knows
+The maker of it, some other mouth,
+May be as fair as hers,
+Might, in new ages, gain her worshippers,
+When our two dusts with Waller's shall be laid,
+Siftings on siftings in oblivion,
+Till change hath broken down
+All things save Beauty alone.
+
+
+1920
+
+(MAUBERLEY)
+
+            I.
+
+TURNED from the "eau-forte
+Par Jaquemart"
+To the strait head
+Of Mcssalina:
+
+"His true Penelope
+Was Flaubert",
+And his tool
+The engraver's
+
+Firmness,
+Not the full smile,
+His art, but an art
+In profile;
+
+Colourless
+Pier Francesca,
+Pisanello lacking the skill
+To forge Achaia.
+
+            II.
+
+     _"Qu'est ce qu'ils savent de l'amour, et
+      gu'est ce qu'ils peuvent comprendre?
+      S'ils ne comprennent pas la poèsie,
+      s'ils ne sentent pas la musique, qu'est ce
+      qu'ils peuvent comprendre de cette pas-
+      sion en comparaison avec laquelle la rose
+      est grossière et le parfum des violettes un
+      tonnerre?"_            CAID ALI
+
+FOR three years, diabolus in the scale,
+He drank ambrosia,
+All passes, ANANGKE prevails,
+Came end, at last, to that Arcadia.
+
+He had moved amid her phantasmagoria,
+Amid her galaxies,
+NUKTIS AGALMA
+
+Drifted....drifted precipitate,
+Asking time to be rid of....
+Of his bewilderment; to designate
+His new found orchid....
+
+To be certain....certain...
+(Amid aerial flowers)..time for arrangements--
+Drifted on
+To the final estrangement;
+
+Unable in the supervening blankness
+To sift TO AGATHON from the chaff
+Until he found his seive...
+Ultimately, his seismograph:
+
+--Given, that is, his urge
+To convey the relation
+Of eye-lid and cheek-bone
+By verbal manifestation;
+
+To present the series
+Of curious heads in medallion--
+
+He had passed, inconscient, full gaze,
+The wide-banded irises
+And botticellian sprays implied
+In their diastasis;
+
+Which anæsthesis, noted a year late,
+And weighed, revealed his great affect,
+(Orchid), mandate
+Of Eros, a retrospect.
+
+            .     .     .
+
+Mouths biting empty air,
+The still stone dogs,
+Caught in metamorphosis were,
+Left him as epilogues.
+
+
+"THE AGE DEMANDED"
+
+VIDE POEM II.
+
+FOR this agility chance found
+Him of all men, unfit
+As the red-beaked steeds of
+The Cytheræan for a chain-bit.
+
+The glow of porcelain
+Brought no reforming sense
+To his perception
+Of the social inconsequence.
+
+Thus, if her colour
+Came against his gaze,
+Tempered as if
+It were through a perfect glaze
+
+He made no immediate application
+Of this to relation of the state
+To the individual, the month was more temperate
+Because this beauty had been
+    ......
+           The coral isle, the lion-coloured sand
+           Burst in upon the porcelain revery:
+           Impetuous troubling
+           Of his imagery.
+    ......
+
+Mildness, amid the neo-Neitzschean clatter,
+His sense of graduations,
+Quite out of place amid
+Resistance to current exacerbations
+
+Invitation, mere invitation to perceptivity
+Gradually led him to the isolation
+Which these presents place
+Under a more tolerant, perhaps, examination.
+
+By constant elimination
+The manifest universe
+Yielded an armour
+Against utter consternation,
+
+A Minoan undulation,
+Seen, we admit, amid ambrosial circumstances
+Strengthened him against
+The discouraging doctrine of chances
+
+And his desire for survival,
+Faint in the most strenuous moods,
+Became an Olympian _apathein_
+In the presence of selected perceptions.
+
+A pale gold, in the aforesaid pattern,
+The unexpected palms
+Destroying, certainly, the artist's urge,
+Left him delighted with the imaginary
+Audition of the phantasmal sea-surge,
+
+Incapable of the least utterance or composition,
+Emendation, conservation of the "better tradition",
+Refinement of medium, elimination of superfluities,
+August attraction or concentration.
+
+Nothing in brief, but maudlin confession
+Irresponse to human aggression,
+Amid the precipitation, down-float
+Of insubstantial manna
+Lifting the faint susurrus
+Of his subjective hosannah.
+
+Ultimate affronts to human redundancies;
+
+Non-esteem of self-styled "his betters"
+Leading, as he well knew,
+To his final
+Exclusion from the world of letters.
+
+
+      IV.
+
+SCATTERED Moluccas
+Not knowing, day to day,
+The first day's end, in the next noon;
+The placid water
+Unbroken by the Simoon;
+
+Thick foliage
+Placid beneath warm suns,
+Tawn fore-shores
+Washed in the cobalt of oblivions;
+
+Or through dawn-mist
+The grey and rose
+Of the juridical
+Flamingoes;
+
+A consciousness disjunct,
+Being but this overblotted
+Series
+Of intermittences;
+
+Coracle of Pacific voyages,
+The unforecasted beach:
+Then on an oar
+Read this:
+
+"I was
+And I no more exist;
+Here drifted
+An hedonist."
+
+
+MEDALLION
+
+LUINI in porcelain!
+The grand piano
+Utters a profane
+Protest with her clear soprano.
+
+The sleek head emerges
+From the gold-yellow frock
+As Anadyomene in the opening
+Pages of Reinach.
+
+Honey-red, closing the face-oval
+A basket-work of braids which seem as if they were
+Spun in King Minos' hall
+From metal, or intractable amber;
+
+The face-oval beneath the glaze,
+Bright in its suave bounding-line, as
+Beneath half-watt rays
+The eyes turn topaz.
+
+
+THIS EDITION OF 200 COPIES IS THE THIRD BOOK
+   OF THE OVID PRESS: WAS PRINTED BY JOHN
+      RODKER: AND COMPLETED APRIL
+              23RD. 1920
+
+OF THIS EDITION:--
+
+15 Copies on Japan Vellum numbered 1-15 & not for sale.
+20 Signed copies numbered 16-35
+165 Unsigned copies numbered 36-200
+
+The initials & colophon by E. Wadsworth.
+
+
+      The · OVID · PRESS
+
+    43 BELSIZE PARK GARDENS
+
+        LONDON N.W.3
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HUGH SELWYN MAUBERLEY ***
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diff --git a/23538-0.zip b/23538-0.zip
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+The Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Hugh Selwyn Mauberley
+
+Author: Ezra Pound
+
+Release Date: November 18, 2007 [EBook #23538]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HUGH SELWYN MAUBERLEY ***
+
+
+
+
+Produced by Lewis Jones
+
+
+
+
+Pound, Ezra (1920) _Hugh Selwyn Mauberley_
+
+
+
+Hugh Selwyn
+Mauberley
+
+BY
+
+E. P.
+
+
+
+
+THE OVID PRESS
+1920
+
+
+
+"VOCAT �STUS IN UMBRAM"
+           _Nemesianus Ec. IV._
+
+
+
+H. S. Mauberley
+
+(LIFE AND CONTACTS)
+
+Transcriber's note: Ezra Pound's _Hugh Selwyn Mauberley_
+contains accents, diphthongs and Greek characters. Facsimile
+images of the poems as originally published are freely available
+online from the Internet Archive. Please use these images to
+check for any errors or inadequacies in this electronic text.
+
+
+           _MAUBERLEY_
+            CONTENTS
+             Part I.
+            ________
+
+_Ode pour l'�lection de son sepulcher_
+II.
+III.
+IV.
+V.
+_Yeux Glauques_
+_"Siena mi fe', disfecemi Maremma"_
+_Brennbaum_
+_Mr. Nixon_
+X.
+XI.
+XII.
+
+         ____________
+
+            ENVOI
+            1919
+        ____________
+
+          Part II.
+           1920
+        (Mauberley)
+
+I.
+II.
+III. _"The age demanded"_
+IV.
+V.   _Medallion_
+
+
+
+
+E.P.
+ODE POUR SELECTION DE SON SEPULCHRE
+
+FOR three years, out of key with his time,
+He strove to resuscitate the dead art
+Of poetry; to maintain "the sublime"
+In the old sense. Wrong from the start--
+
+No hardly, but, seeing he had been born
+In a half savage country, out of date;
+Bent resolutely on wringing lilies from the acorn;
+Capaneus; trout for factitious bait;
+
+_{~GREEK SMALL LETTER IOTA WITH PSILI AND OXIA~}{~GREEK SMALL LETTER DELTA~}{~GREEK SMALL LETTER MU~}{~GREEK SMALL LETTER EPSILON~}{~GREEK SMALL LETTER NU~} {~GREEK SMALL LETTER GAMMA~}{~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER RHO~} {~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER OMICRON~}{~GREEK SMALL LETTER IOTA~} {~GREEK SMALL LETTER PI~}{~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER NU~} {~GREEK SMALL LETTER PI~}{~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER THETA~}', {~GREEK SMALL LETTER OMICRON WITH TONOS~}{~GREEK SMALL LETTER SIGMA~}' {~GREEK SMALL LETTER EPSILON WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER IOTA~} {~GREEK CAPITAL LETTER TAU~}{~GREEK SMALL LETTER RHO~}{~GREEK SMALL LETTER OMICRON~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER ETA~}_
+Caught in the unstopped ear;
+Giving the rocks small lee-way
+The chopped seas held him, therefore, that year.
+
+His true Penelope was Flaubert,
+He fished by obstinate isles;
+Observed the elegance of Circe's hair
+Rather than the mottoes on sun-dials.
+
+Unaffected by "the march of events,"
+He passed from men's memory in _l'an trentiesme
+De son eage_; the case presents
+No adjunct to the Muses' diadem.
+
+
+II.
+
+THE age demanded an image
+Of its accelerated grimace,
+Something for the modern stage,
+Not, at any rate, an Attic grace;
+
+Not, not certainly, the obscure reveries
+Of the inward gaze;
+Better mendacities
+Than the classics in paraphrase!
+
+The "age demanded" chiefly a mould in plaster,
+Made with no loss of time,
+A prose kinema, not, not assuredly, alabaster
+Or the "sculpture" of rhyme.
+
+
+III.
+
+THE tea-rose tea-gown, etc.
+Supplants the mousseline of Cos,
+The pianola "replaces"
+Sappho's barbitos.
+
+Christ follows Dionysus,
+Phallic and ambrosial
+Made way for macerations;
+Caliban casts out Ariel.
+
+All things are a flowing,
+Sage Heracleitus says;
+But a tawdry cheapness
+Shall reign throughout our days.
+
+Even the Christian beauty
+Defects--after Samothrace;
+We see _{~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER OMICRON~} {~GREEK SMALL LETTER KAPPA~}{~GREEK SMALL LETTER ALPHA~}{~GREEK SMALL LETTER LAMDA~}{~GREEK SMALL LETTER OMICRON WITH TONOS~}{~GREEK SMALL LETTER NU~}_
+Decreed in the market place.
+
+Faun's flesh is not to us,
+Nor the saint's vision.
+We have the press for wafer;
+Franchise for circumcision.
+
+All men, in law, are equals.
+Free of Peisistratus,
+We choose a knave or an eunuch
+To rule over us.
+
+O bright Apollo,
+_{~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER NU~}'  {~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER DELTA~}{~GREEK SMALL LETTER RHO~}{~GREEK SMALL LETTER ALPHA~}, {~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER NU~}'  {~GREEK SMALL LETTER ETA WITH TONOS~}{~GREEK SMALL LETTER RHO~}{~GREEK SMALL LETTER OMEGA~}{~GREEK SMALL LETTER ALPHA~}, {~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER ALPHA~} {~GREEK SMALL LETTER THETA~}{~GREEK SMALL LETTER EPSILON~}{~GREEK SMALL LETTER OMICRON~}{~GREEK SMALL LETTER NU~}_,
+What god, man, or hero
+Shall I place a tin wreath upon!
+
+
+IV.
+
+THESE fought, in any case,
+and some believing, pro domo, in any case . .
+Some quick to arm,
+some for adventure,
+some from fear of weakness,
+some from fear of censure,
+some for love of slaughter, in imagination,
+learning later . . .
+
+some in fear, learning love of slaughter;
+Died some "pro patria, non dulce non et decor". .
+
+walked eye-deep in hell
+believing in old men's lies, then unbelieving
+came home, home to a lie,
+home to many deceits,
+home to old lies and new infamy;
+
+usury age-old and age-thick
+and liars in public places.
+
+Daring as never before, wastage as never before.
+Young blood and high blood,
+Fair cheeks, and fine bodies;
+
+fortitude as never before
+
+frankness as never before,
+disillusions as never told in the old days,
+hysterias, trench confessions,
+laughter out of dead bellies.
+
+
+V.
+
+THERE died a myriad,
+And of the best, among them,
+For an old bitch gone in the teeth,
+For a botched civilization,
+
+Charm, smiling at the good mouth,
+Quick eyes gone under earth's lid,
+
+For two gross of broken statues,
+For a few thousand battered books.
+
+
+YEUX GLAUQUES
+
+GLADSTONE was still respected,
+When John Ruskin produced
+"Kings Treasuries"; Swinburne
+And Rossetti still abused.
+
+Foetid Buchanan lifted up his voice
+When that faun's head of hers
+Became a pastime for
+Painters and adulterers.
+
+The Burne-Jones cartons
+Have preserved her eyes;
+Still, at the Tate, they teach
+Cophetua to rhapsodize;
+
+Thin like brook-water,
+With a vacant gaze.
+The English Rubaiyat was still-born
+In those days.
+
+The thin, clear gaze, the same
+Still darts out faun-like from the half-ruin'd fac
+Questing and passive ....
+"Ah, poor Jenny's case"...
+
+Bewildered that a world
+Shows no surprise
+At her last maquero's
+Adulteries.
+
+
+"SIENA MI FE', DISFECEMI MAREMMA"
+
+AMONG the pickled foetuses and bottled bones,
+Engaged in perfecting the catalogue,
+I found the last scion of the
+Senatorial families of Strasbourg, Monsieur Verog.
+
+For two hours he talked of Gallifet;
+Of Dowson; of the Rhymers' Club;
+Told me how Johnson (Lionel) died
+By falling from a high stool in a pub . . .
+
+But showed no trace of alcohol
+At the autopsy, privately performed--
+Tissue preserved--the pure mind
+Arose toward Newman as the whiskey warmed.
+
+Dowson found harlots cheaper than hotels;
+Headlam for uplift; Image impartially imbued
+With raptures for Bacchus, Terpsichore and the Church.
+So spoke the author of "The Dorian Mood",
+
+M. Verog, out of step with the decade,
+Detached from his contemporaries,
+Neglected by the young,
+Because of these reveries.
+
+
+BRENNBAUM.
+
+THE sky-like limpid eyes,
+The circular infant's face,
+The stiffness from spats to collar
+Never relaxing into grace;
+
+The heavy memories of Horeb, Sinai and the forty years,
+Showed only when the daylight fell
+Level across the face
+Of Brennbaum "The Impeccable".
+
+
+MR. NIXON
+
+IN the cream gilded cabin of his steam yacht
+Mr. Nixon advised me kindly, to advance with fewer
+Dangers of delay. "Consider
+    "Carefully the reviewer.
+
+"I was as poor as you are;
+"When I began I got, of course,
+"Advance on royalties, fifty at first", said Mr. Nixon,
+"Follow me, and take a column,
+"Even if you have to work free.
+
+"Butter reviewers. From fifty to three hundred
+"I rose in eighteen months;
+"The hardest nut I had to crack
+"Was Dr. Dundas.
+
+"I never mentioned a man but with the view
+"Of selling my own works.
+"The tip's a good one, as for literature
+"It gives no man a sinecure."
+
+And no one knows, at sight a masterpiece.
+And give up verse, my boy,
+There's nothing in it.
+
+                   *    *    *
+
+Likewise a friend of Bloughram's once advised me:
+Don't kick against the pricks,
+Accept opinion. The "Nineties" tried your game
+And died, there's nothing in it.
+
+
+X.
+
+BENEATH the sagging roof
+The stylist has taken shelter,
+Unpaid, uncelebrated,
+At last from the world's welter
+
+Nature receives him,
+With a placid and uneducated mistress
+He exercises his talents
+And the soil meets his distress.
+
+The haven from sophistications and contentions
+Leaks through its thatch;
+He offers succulent cooking;
+The door has a creaking latch.
+
+
+XI.
+
+"CONSERVATRIX of Mil�sien"
+Habits of mind and feeling,
+Possibly. But in Ealing
+With the most bank-clerkly of Englishmen?
+
+No, "Mil�sien" is an exaggeration.
+No instinct has survived in her
+Older than those her grandmother
+Told her would fit her station.
+
+
+XII.
+
+"DAPHNE with her thighs in bark
+Stretches toward me her leafy hands",--
+Subjectively. In the stuffed-satin drawing-room
+I await The Lady Valentine's commands,
+
+Knowing my coat has never been
+Of precisely the fashion
+To stimulate, in her,
+A durable passion;
+
+Doubtful, somewhat, of the value
+Of well-gowned approbation
+Of literary effort,
+But never of The Lady Valentine's vocation:
+
+Poetry, her border of ideas,
+The edge, uncertain, but a means of blending
+With other strata
+Where the lower and higher have ending;
+
+A hook to catch the Lady Jane's attention,
+A modulation toward the theatre,
+Also, in the case of revolution,
+A possible friend and comforter.
+
+             *       *       *
+
+Conduct, on the other hand, the soul
+"Which the highest cultures have nourished"
+To Fleet St. where
+Dr. Johnson flourished;
+
+Beside this thoroughfare
+The sale of half-hose has
+Long since superseded the cultivation
+Of Pierian roses.
+
+
+ENVOI (1919)
+
+GO, dumb-born book,
+Tell her that sang me once that song of Lawes;
+Hadst thou but song
+As thou hast subjects known,
+Then were there cause in thee that should condone
+Even my faults that heavy upon me lie
+And build her glories their longevity.
+
+Tell her that sheds
+Such treasure in the air,
+Recking naught else but that her graces give
+Life to the moment,
+I would bid them live
+As roses might, in magic amber laid,
+Red overwrought with orange and all made
+One substance and one colour
+Braving time.
+
+Tell her that goes
+With song upon her lips
+But sings not out the song, nor knows
+The maker of it, some other mouth,
+May be as fair as hers,
+Might, in new ages, gain her worshippers,
+When our two dusts with Waller's shall be laid,
+Siftings on siftings in oblivion,
+Till change hath broken down
+All things save Beauty alone.
+
+
+1920
+
+(MAUBERLEY)
+
+            I.
+
+TURNED from the "eau-forte
+Par Jaquemart"
+To the strait head
+Of Mcssalina:
+
+"His true Penelope
+Was Flaubert",
+And his tool
+The engraver's
+
+Firmness,
+Not the full smile,
+His art, but an art
+In profile;
+
+Colourless
+Pier Francesca,
+Pisanello lacking the skill
+To forge Achaia.
+
+            II.
+
+     _"Qu'est ce qu'ils savent de l'amour, et
+      gu'est ce qu'ils peuvent comprendre?
+      S'ils ne comprennent pas la po�sie,
+      s'ils ne sentent pas la musique, qu'est ce
+      qu'ils peuvent comprendre de cette pas-
+      sion en comparaison avec laquelle la rose
+      est grossi�re et le parfum des violettes un
+      tonnerre?"_            CAID ALI
+
+FOR three years, diabolus in the scale,
+He drank ambrosia,
+All passes, ANANGKE prevails,
+Came end, at last, to that Arcadia.
+
+He had moved amid her phantasmagoria,
+Amid her galaxies,
+NUKTIS AGALMA
+
+Drifted....drifted precipitate,
+Asking time to be rid of....
+Of his bewilderment; to designate
+His new found orchid....
+
+To be certain....certain...
+(Amid aerial flowers)..time for arrangements--
+Drifted on
+To the final estrangement;
+
+Unable in the supervening blankness
+To sift TO AGATHON from the chaff
+Until he found his seive...
+Ultimately, his seismograph:
+
+--Given, that is, his urge
+To convey the relation
+Of eye-lid and cheek-bone
+By verbal manifestation;
+
+To present the series
+Of curious heads in medallion--
+
+He had passed, inconscient, full gaze,
+The wide-banded irises
+And botticellian sprays implied
+In their diastasis;
+
+Which an�sthesis, noted a year late,
+And weighed, revealed his great affect,
+(Orchid), mandate
+Of Eros, a retrospect.
+
+            .     .     .
+
+Mouths biting empty air,
+The still stone dogs,
+Caught in metamorphosis were,
+Left him as epilogues.
+
+
+"THE AGE DEMANDED"
+
+VIDE POEM II.
+
+FOR this agility chance found
+Him of all men, unfit
+As the red-beaked steeds of
+The Cyther�an for a chain-bit.
+
+The glow of porcelain
+Brought no reforming sense
+To his perception
+Of the social inconsequence.
+
+Thus, if her colour
+Came against his gaze,
+Tempered as if
+It were through a perfect glaze
+
+He made no immediate application
+Of this to relation of the state
+To the individual, the month was more temperate
+Because this beauty had been
+    ......
+           The coral isle, the lion-coloured sand
+           Burst in upon the porcelain revery:
+           Impetuous troubling
+           Of his imagery.
+    ......
+
+Mildness, amid the neo-Neitzschean clatter,
+His sense of graduations,
+Quite out of place amid
+Resistance to current exacerbations
+
+Invitation, mere invitation to perceptivity
+Gradually led him to the isolation
+Which these presents place
+Under a more tolerant, perhaps, examination.
+
+By constant elimination
+The manifest universe
+Yielded an armour
+Against utter consternation,
+
+A Minoan undulation,
+Seen, we admit, amid ambrosial circumstances
+Strengthened him against
+The discouraging doctrine of chances
+
+And his desire for survival,
+Faint in the most strenuous moods,
+Became an Olympian _apathein_
+In the presence of selected perceptions.
+
+A pale gold, in the aforesaid pattern,
+The unexpected palms
+Destroying, certainly, the artist's urge,
+Left him delighted with the imaginary
+Audition of the phantasmal sea-surge,
+
+Incapable of the least utterance or composition,
+Emendation, conservation of the "better tradition",
+Refinement of medium, elimination of superfluities,
+August attraction or concentration.
+
+Nothing in brief, but maudlin confession
+Irresponse to human aggression,
+Amid the precipitation, down-float
+Of insubstantial manna
+Lifting the faint susurrus
+Of his subjective hosannah.
+
+Ultimate affronts to human redundancies;
+
+Non-esteem of self-styled "his betters"
+Leading, as he well knew,
+To his final
+Exclusion from the world of letters.
+
+
+      IV.
+
+SCATTERED Moluccas
+Not knowing, day to day,
+The first day's end, in the next noon;
+The placid water
+Unbroken by the Simoon;
+
+Thick foliage
+Placid beneath warm suns,
+Tawn fore-shores
+Washed in the cobalt of oblivions;
+
+Or through dawn-mist
+The grey and rose
+Of the juridical
+Flamingoes;
+
+A consciousness disjunct,
+Being but this overblotted
+Series
+Of intermittences;
+
+Coracle of Pacific voyages,
+The unforecasted beach:
+Then on an oar
+Read this:
+
+"I was
+And I no more exist;
+Here drifted
+An hedonist."
+
+
+MEDALLION
+
+LUINI in porcelain!
+The grand piano
+Utters a profane
+Protest with her clear soprano.
+
+The sleek head emerges
+From the gold-yellow frock
+As Anadyomene in the opening
+Pages of Reinach.
+
+Honey-red, closing the face-oval
+A basket-work of braids which seem as if they were
+Spun in King Minos' hall
+From metal, or intractable amber;
+
+The face-oval beneath the glaze,
+Bright in its suave bounding-line, as
+Beneath half-watt rays
+The eyes turn topaz.
+
+
+THIS EDITION OF 200 COPIES IS THE THIRD BOOK
+   OF THE OVID PRESS: WAS PRINTED BY JOHN
+      RODKER: AND COMPLETED APRIL
+              23RD. 1920
+
+OF THIS EDITION:--
+
+15 Copies on Japan Vellum numbered 1-15 & not for sale.
+20 Signed copies numbered 16-35
+165 Unsigned copies numbered 36-200
+
+The initials & colophon by E. Wadsworth.
+
+
+      The � OVID � PRESS
+
+    43 BELSIZE PARK GARDENS
+
+        LONDON N.W.3
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HUGH SELWYN MAUBERLEY ***
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diff --git a/23538-8.zip b/23538-8.zip
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+The Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Hugh Selwyn Mauberley
+
+Author: Ezra Pound
+
+Release Date: November 18, 2007 [EBook #23538]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HUGH SELWYN MAUBERLEY ***
+
+
+
+
+Produced by Lewis Jones
+
+
+
+
+Pound, Ezra (1920) _Hugh Selwyn Mauberley_
+
+
+
+Hugh Selwyn
+Mauberley
+
+BY
+
+E. P.
+
+
+
+
+THE OVID PRESS
+1920
+
+
+
+"VOCAT AESTUS IN UMBRAM"
+           _Nemesianus Ec. IV._
+
+
+
+H. S. Mauberley
+
+(LIFE AND CONTACTS)
+
+Transcriber's note: Ezra Pound's _Hugh Selwyn Mauberley_
+contains accents, diphthongs and Greek characters. Facsimile
+images of the poems as originally published are freely available
+online from the Internet Archive. Please use these images to
+check for any errors or inadequacies in this electronic text.
+
+
+           _MAUBERLEY_
+            CONTENTS
+             Part I.
+            ________
+
+_Ode pour l'election de son sepulcher_
+II.
+III.
+IV.
+V.
+_Yeux Glauques_
+_"Siena mi fe', disfecemi Maremma"_
+_Brennbaum_
+_Mr. Nixon_
+X.
+XI.
+XII.
+
+         ____________
+
+            ENVOI
+            1919
+        ____________
+
+          Part II.
+           1920
+        (Mauberley)
+
+I.
+II.
+III. _"The age demanded"_
+IV.
+V.   _Medallion_
+
+
+
+
+E.P.
+ODE POUR SELECTION DE SON SEPULCHRE
+
+FOR three years, out of key with his time,
+He strove to resuscitate the dead art
+Of poetry; to maintain "the sublime"
+In the old sense. Wrong from the start--
+
+No hardly, but, seeing he had been born
+In a half savage country, out of date;
+Bent resolutely on wringing lilies from the acorn;
+Capaneus; trout for factitious bait;
+
+_{~GREEK SMALL LETTER IOTA WITH PSILI AND OXIA~}{~GREEK SMALL LETTER DELTA~}{~GREEK SMALL LETTER MU~}{~GREEK SMALL LETTER EPSILON~}{~GREEK SMALL LETTER NU~} {~GREEK SMALL LETTER GAMMA~}{~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER RHO~} {~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER OMICRON~}{~GREEK SMALL LETTER IOTA~} {~GREEK SMALL LETTER PI~}{~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER NU~} {~GREEK SMALL LETTER PI~}{~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER THETA~}', {~GREEK SMALL LETTER OMICRON WITH TONOS~}{~GREEK SMALL LETTER SIGMA~}' {~GREEK SMALL LETTER EPSILON WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER IOTA~} {~GREEK CAPITAL LETTER TAU~}{~GREEK SMALL LETTER RHO~}{~GREEK SMALL LETTER OMICRON~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER ETA~}_
+Caught in the unstopped ear;
+Giving the rocks small lee-way
+The chopped seas held him, therefore, that year.
+
+His true Penelope was Flaubert,
+He fished by obstinate isles;
+Observed the elegance of Circe's hair
+Rather than the mottoes on sun-dials.
+
+Unaffected by "the march of events,"
+He passed from men's memory in _l'an trentiesme
+De son eage_; the case presents
+No adjunct to the Muses' diadem.
+
+
+II.
+
+THE age demanded an image
+Of its accelerated grimace,
+Something for the modern stage,
+Not, at any rate, an Attic grace;
+
+Not, not certainly, the obscure reveries
+Of the inward gaze;
+Better mendacities
+Than the classics in paraphrase!
+
+The "age demanded" chiefly a mould in plaster,
+Made with no loss of time,
+A prose kinema, not, not assuredly, alabaster
+Or the "sculpture" of rhyme.
+
+
+III.
+
+THE tea-rose tea-gown, etc.
+Supplants the mousseline of Cos,
+The pianola "replaces"
+Sappho's barbitos.
+
+Christ follows Dionysus,
+Phallic and ambrosial
+Made way for macerations;
+Caliban casts out Ariel.
+
+All things are a flowing,
+Sage Heracleitus says;
+But a tawdry cheapness
+Shall reign throughout our days.
+
+Even the Christian beauty
+Defects--after Samothrace;
+We see _{~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER OMICRON~} {~GREEK SMALL LETTER KAPPA~}{~GREEK SMALL LETTER ALPHA~}{~GREEK SMALL LETTER LAMDA~}{~GREEK SMALL LETTER OMICRON WITH TONOS~}{~GREEK SMALL LETTER NU~}_
+Decreed in the market place.
+
+Faun's flesh is not to us,
+Nor the saint's vision.
+We have the press for wafer;
+Franchise for circumcision.
+
+All men, in law, are equals.
+Free of Peisistratus,
+We choose a knave or an eunuch
+To rule over us.
+
+O bright Apollo,
+_{~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER NU~}'  {~GREEK SMALL LETTER ALPHA WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER DELTA~}{~GREEK SMALL LETTER RHO~}{~GREEK SMALL LETTER ALPHA~}, {~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER NU~}'  {~GREEK SMALL LETTER ETA WITH TONOS~}{~GREEK SMALL LETTER RHO~}{~GREEK SMALL LETTER OMEGA~}{~GREEK SMALL LETTER ALPHA~}, {~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER IOTA WITH TONOS~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER ALPHA~} {~GREEK SMALL LETTER THETA~}{~GREEK SMALL LETTER EPSILON~}{~GREEK SMALL LETTER OMICRON~}{~GREEK SMALL LETTER NU~}_,
+What god, man, or hero
+Shall I place a tin wreath upon!
+
+
+IV.
+
+THESE fought, in any case,
+and some believing, pro domo, in any case . .
+Some quick to arm,
+some for adventure,
+some from fear of weakness,
+some from fear of censure,
+some for love of slaughter, in imagination,
+learning later . . .
+
+some in fear, learning love of slaughter;
+Died some "pro patria, non dulce non et decor". .
+
+walked eye-deep in hell
+believing in old men's lies, then unbelieving
+came home, home to a lie,
+home to many deceits,
+home to old lies and new infamy;
+
+usury age-old and age-thick
+and liars in public places.
+
+Daring as never before, wastage as never before.
+Young blood and high blood,
+Fair cheeks, and fine bodies;
+
+fortitude as never before
+
+frankness as never before,
+disillusions as never told in the old days,
+hysterias, trench confessions,
+laughter out of dead bellies.
+
+
+V.
+
+THERE died a myriad,
+And of the best, among them,
+For an old bitch gone in the teeth,
+For a botched civilization,
+
+Charm, smiling at the good mouth,
+Quick eyes gone under earth's lid,
+
+For two gross of broken statues,
+For a few thousand battered books.
+
+
+YEUX GLAUQUES
+
+GLADSTONE was still respected,
+When John Ruskin produced
+"Kings Treasuries"; Swinburne
+And Rossetti still abused.
+
+Foetid Buchanan lifted up his voice
+When that faun's head of hers
+Became a pastime for
+Painters and adulterers.
+
+The Burne-Jones cartons
+Have preserved her eyes;
+Still, at the Tate, they teach
+Cophetua to rhapsodize;
+
+Thin like brook-water,
+With a vacant gaze.
+The English Rubaiyat was still-born
+In those days.
+
+The thin, clear gaze, the same
+Still darts out faun-like from the half-ruin'd fac
+Questing and passive ....
+"Ah, poor Jenny's case"...
+
+Bewildered that a world
+Shows no surprise
+At her last maquero's
+Adulteries.
+
+
+"SIENA MI FE', DISFECEMI MAREMMA"
+
+AMONG the pickled foetuses and bottled bones,
+Engaged in perfecting the catalogue,
+I found the last scion of the
+Senatorial families of Strasbourg, Monsieur Verog.
+
+For two hours he talked of Gallifet;
+Of Dowson; of the Rhymers' Club;
+Told me how Johnson (Lionel) died
+By falling from a high stool in a pub . . .
+
+But showed no trace of alcohol
+At the autopsy, privately performed--
+Tissue preserved--the pure mind
+Arose toward Newman as the whiskey warmed.
+
+Dowson found harlots cheaper than hotels;
+Headlam for uplift; Image impartially imbued
+With raptures for Bacchus, Terpsichore and the Church.
+So spoke the author of "The Dorian Mood",
+
+M. Verog, out of step with the decade,
+Detached from his contemporaries,
+Neglected by the young,
+Because of these reveries.
+
+
+BRENNBAUM.
+
+THE sky-like limpid eyes,
+The circular infant's face,
+The stiffness from spats to collar
+Never relaxing into grace;
+
+The heavy memories of Horeb, Sinai and the forty years,
+Showed only when the daylight fell
+Level across the face
+Of Brennbaum "The Impeccable".
+
+
+MR. NIXON
+
+IN the cream gilded cabin of his steam yacht
+Mr. Nixon advised me kindly, to advance with fewer
+Dangers of delay. "Consider
+    "Carefully the reviewer.
+
+"I was as poor as you are;
+"When I began I got, of course,
+"Advance on royalties, fifty at first", said Mr. Nixon,
+"Follow me, and take a column,
+"Even if you have to work free.
+
+"Butter reviewers. From fifty to three hundred
+"I rose in eighteen months;
+"The hardest nut I had to crack
+"Was Dr. Dundas.
+
+"I never mentioned a man but with the view
+"Of selling my own works.
+"The tip's a good one, as for literature
+"It gives no man a sinecure."
+
+And no one knows, at sight a masterpiece.
+And give up verse, my boy,
+There's nothing in it.
+
+                   *    *    *
+
+Likewise a friend of Bloughram's once advised me:
+Don't kick against the pricks,
+Accept opinion. The "Nineties" tried your game
+And died, there's nothing in it.
+
+
+X.
+
+BENEATH the sagging roof
+The stylist has taken shelter,
+Unpaid, uncelebrated,
+At last from the world's welter
+
+Nature receives him,
+With a placid and uneducated mistress
+He exercises his talents
+And the soil meets his distress.
+
+The haven from sophistications and contentions
+Leaks through its thatch;
+He offers succulent cooking;
+The door has a creaking latch.
+
+
+XI.
+
+"CONSERVATRIX of Milesien"
+Habits of mind and feeling,
+Possibly. But in Ealing
+With the most bank-clerkly of Englishmen?
+
+No, "Milesien" is an exaggeration.
+No instinct has survived in her
+Older than those her grandmother
+Told her would fit her station.
+
+
+XII.
+
+"DAPHNE with her thighs in bark
+Stretches toward me her leafy hands",--
+Subjectively. In the stuffed-satin drawing-room
+I await The Lady Valentine's commands,
+
+Knowing my coat has never been
+Of precisely the fashion
+To stimulate, in her,
+A durable passion;
+
+Doubtful, somewhat, of the value
+Of well-gowned approbation
+Of literary effort,
+But never of The Lady Valentine's vocation:
+
+Poetry, her border of ideas,
+The edge, uncertain, but a means of blending
+With other strata
+Where the lower and higher have ending;
+
+A hook to catch the Lady Jane's attention,
+A modulation toward the theatre,
+Also, in the case of revolution,
+A possible friend and comforter.
+
+             *       *       *
+
+Conduct, on the other hand, the soul
+"Which the highest cultures have nourished"
+To Fleet St. where
+Dr. Johnson flourished;
+
+Beside this thoroughfare
+The sale of half-hose has
+Long since superseded the cultivation
+Of Pierian roses.
+
+
+ENVOI (1919)
+
+GO, dumb-born book,
+Tell her that sang me once that song of Lawes;
+Hadst thou but song
+As thou hast subjects known,
+Then were there cause in thee that should condone
+Even my faults that heavy upon me lie
+And build her glories their longevity.
+
+Tell her that sheds
+Such treasure in the air,
+Recking naught else but that her graces give
+Life to the moment,
+I would bid them live
+As roses might, in magic amber laid,
+Red overwrought with orange and all made
+One substance and one colour
+Braving time.
+
+Tell her that goes
+With song upon her lips
+But sings not out the song, nor knows
+The maker of it, some other mouth,
+May be as fair as hers,
+Might, in new ages, gain her worshippers,
+When our two dusts with Waller's shall be laid,
+Siftings on siftings in oblivion,
+Till change hath broken down
+All things save Beauty alone.
+
+
+1920
+
+(MAUBERLEY)
+
+            I.
+
+TURNED from the "eau-forte
+Par Jaquemart"
+To the strait head
+Of Mcssalina:
+
+"His true Penelope
+Was Flaubert",
+And his tool
+The engraver's
+
+Firmness,
+Not the full smile,
+His art, but an art
+In profile;
+
+Colourless
+Pier Francesca,
+Pisanello lacking the skill
+To forge Achaia.
+
+            II.
+
+     _"Qu'est ce qu'ils savent de l'amour, et
+      gu'est ce qu'ils peuvent comprendre?
+      S'ils ne comprennent pas la poesie,
+      s'ils ne sentent pas la musique, qu'est ce
+      qu'ils peuvent comprendre de cette pas-
+      sion en comparaison avec laquelle la rose
+      est grossiere et le parfum des violettes un
+      tonnerre?"_            CAID ALI
+
+FOR three years, diabolus in the scale,
+He drank ambrosia,
+All passes, ANANGKE prevails,
+Came end, at last, to that Arcadia.
+
+He had moved amid her phantasmagoria,
+Amid her galaxies,
+NUKTIS AGALMA
+
+Drifted....drifted precipitate,
+Asking time to be rid of....
+Of his bewilderment; to designate
+His new found orchid....
+
+To be certain....certain...
+(Amid aerial flowers)..time for arrangements--
+Drifted on
+To the final estrangement;
+
+Unable in the supervening blankness
+To sift TO AGATHON from the chaff
+Until he found his seive...
+Ultimately, his seismograph:
+
+--Given, that is, his urge
+To convey the relation
+Of eye-lid and cheek-bone
+By verbal manifestation;
+
+To present the series
+Of curious heads in medallion--
+
+He had passed, inconscient, full gaze,
+The wide-banded irises
+And botticellian sprays implied
+In their diastasis;
+
+Which anaesthesis, noted a year late,
+And weighed, revealed his great affect,
+(Orchid), mandate
+Of Eros, a retrospect.
+
+            .     .     .
+
+Mouths biting empty air,
+The still stone dogs,
+Caught in metamorphosis were,
+Left him as epilogues.
+
+
+"THE AGE DEMANDED"
+
+VIDE POEM II.
+
+FOR this agility chance found
+Him of all men, unfit
+As the red-beaked steeds of
+The Cytheraean for a chain-bit.
+
+The glow of porcelain
+Brought no reforming sense
+To his perception
+Of the social inconsequence.
+
+Thus, if her colour
+Came against his gaze,
+Tempered as if
+It were through a perfect glaze
+
+He made no immediate application
+Of this to relation of the state
+To the individual, the month was more temperate
+Because this beauty had been
+    ......
+           The coral isle, the lion-coloured sand
+           Burst in upon the porcelain revery:
+           Impetuous troubling
+           Of his imagery.
+    ......
+
+Mildness, amid the neo-Neitzschean clatter,
+His sense of graduations,
+Quite out of place amid
+Resistance to current exacerbations
+
+Invitation, mere invitation to perceptivity
+Gradually led him to the isolation
+Which these presents place
+Under a more tolerant, perhaps, examination.
+
+By constant elimination
+The manifest universe
+Yielded an armour
+Against utter consternation,
+
+A Minoan undulation,
+Seen, we admit, amid ambrosial circumstances
+Strengthened him against
+The discouraging doctrine of chances
+
+And his desire for survival,
+Faint in the most strenuous moods,
+Became an Olympian _apathein_
+In the presence of selected perceptions.
+
+A pale gold, in the aforesaid pattern,
+The unexpected palms
+Destroying, certainly, the artist's urge,
+Left him delighted with the imaginary
+Audition of the phantasmal sea-surge,
+
+Incapable of the least utterance or composition,
+Emendation, conservation of the "better tradition",
+Refinement of medium, elimination of superfluities,
+August attraction or concentration.
+
+Nothing in brief, but maudlin confession
+Irresponse to human aggression,
+Amid the precipitation, down-float
+Of insubstantial manna
+Lifting the faint susurrus
+Of his subjective hosannah.
+
+Ultimate affronts to human redundancies;
+
+Non-esteem of self-styled "his betters"
+Leading, as he well knew,
+To his final
+Exclusion from the world of letters.
+
+
+      IV.
+
+SCATTERED Moluccas
+Not knowing, day to day,
+The first day's end, in the next noon;
+The placid water
+Unbroken by the Simoon;
+
+Thick foliage
+Placid beneath warm suns,
+Tawn fore-shores
+Washed in the cobalt of oblivions;
+
+Or through dawn-mist
+The grey and rose
+Of the juridical
+Flamingoes;
+
+A consciousness disjunct,
+Being but this overblotted
+Series
+Of intermittences;
+
+Coracle of Pacific voyages,
+The unforecasted beach:
+Then on an oar
+Read this:
+
+"I was
+And I no more exist;
+Here drifted
+An hedonist."
+
+
+MEDALLION
+
+LUINI in porcelain!
+The grand piano
+Utters a profane
+Protest with her clear soprano.
+
+The sleek head emerges
+From the gold-yellow frock
+As Anadyomene in the opening
+Pages of Reinach.
+
+Honey-red, closing the face-oval
+A basket-work of braids which seem as if they were
+Spun in King Minos' hall
+From metal, or intractable amber;
+
+The face-oval beneath the glaze,
+Bright in its suave bounding-line, as
+Beneath half-watt rays
+The eyes turn topaz.
+
+
+THIS EDITION OF 200 COPIES IS THE THIRD BOOK
+   OF THE OVID PRESS: WAS PRINTED BY JOHN
+      RODKER: AND COMPLETED APRIL
+              23RD. 1920
+
+OF THIS EDITION:--
+
+15 Copies on Japan Vellum numbered 1-15 & not for sale.
+20 Signed copies numbered 16-35
+165 Unsigned copies numbered 36-200
+
+The initials & colophon by E. Wadsworth.
+
+
+      The . OVID . PRESS
+
+    43 BELSIZE PARK GARDENS
+
+        LONDON N.W.3
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Hugh Selwyn Mauberley, by Ezra Pound
+
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