summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:04:45 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:04:45 -0700
commit7239977c81eb336755292426b3aeb6f1e0eb9ca1 (patch)
tree8cf21caa872dc7d9f5cfb99de0ef083947373d06
initial commit of ebook 23369HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--23369-0.txt1040
-rw-r--r--23369-0.zipbin0 -> 20594 bytes
-rw-r--r--23369-8.txt1039
-rw-r--r--23369-8.zipbin0 -> 20481 bytes
-rw-r--r--23369-h.zipbin0 -> 22225 bytes
-rw-r--r--23369-h/23369-h.htm1234
-rw-r--r--23369.txt1039
-rw-r--r--23369.zipbin0 -> 20461 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/23369-h.htm.2021-01-251233
12 files changed, 5601 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/23369-0.txt b/23369-0.txt
new file mode 100644
index 0000000..e3cca19
--- /dev/null
+++ b/23369-0.txt
@@ -0,0 +1,1040 @@
+The Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mrs. Dud's Sister
+
+Author: Josephine Daskam
+
+Release Date: November 6, 2007 [EBook #23369]
+Last Updated: March 8, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+MRS. DUD'S SISTER
+
+By Josephine Daskam
+
+Copyright, 1903, by Charles Scribner's Sons
+
+
+They were having tea on the terrace. As Varian strolled up to the group
+he wished that Hunter could see the picture they made--Hunter, who
+had not been in America for thirty years, and who had been so honestly
+surprised when Varian had spoken of Mrs. Dud's pretty maids--she always
+had pretty ones, even to the cook's third assistant.
+
+“Maids? Maids? It used to be 'help,'” he had protested. “You don't mean
+to say they have waitresses in Binghamville now?”
+
+Varian had despaired of giving him any idea.
+
+“Come over and see Mrs. Dud,” he had urged, “and do her portrait. We've
+moved on since you left us, you know. She's a wonder--she really is.
+When you remember how she used to carry her father's dinner to the store
+Saturday afternoons--”
+
+“And now I suppose she sports real Mechlin on her cap,” assented Hunter,
+anxious to show how perfectly he caught the situation.
+
+Varian had roared helplessly. “Cap? Cap!” he had moaned finally. “Oh, my
+sainted granny! Cap! My poor fellow, your view of Binghamville must be
+like the old maps of Africa in the green geography, that said 'desert'
+and 'interior' and 'savage tribes' from time to time. I should like
+awfully to see Mrs. Dud in a cap.”
+
+Hunter had looked puzzled.
+
+“But, dear me! she might very well wear one, I should think,” he had
+murmured defensively. “I don't wish to be invidious, but surely
+Lizzie must be--let's see; 'eighty, 'ninety--why, she must be between
+forty-five and fifty now.”
+
+Varian had waved his hand dramatically. “Nobody considers Mrs. Dud and
+time in the same breath. If you could see her in her golf rig! Or on
+a horse! She even sheds a lustre on the rest of us. I forget my
+rheumatism!”
+
+But Hunter, retreating behind his determination to avoid a second
+seasickness--it might have been sincere; nobody ever knew--had stayed
+in Florence, and Varian had been obliged to come without him to the
+house-party.
+
+On a straw cushion, a cup in her strong white hand, a bunch of adoring
+young girls at her feet, sat Mrs. Dud. Rosy and firm-cheeked, crisp
+in stiff white duck, deliriously contrasted with her fluffy
+Parisian parasol, she scorned the softening ruffles of her presumable
+contemporaries; her delicately squared chin, for the most part held
+high, showed a straight white collar under a throat only a little fuller
+than the girlish ones all around her.
+
+Old Dudley himself strolled about the group, gossiping here and there
+with some pretty woman, sending the grave servants from one to another
+with some particularly desirable sandwich, “rubbing it in,” as he said
+to the men who had failed to touch his score on the links, tantalizingly
+uncertain as to which one of the young women he would invite to lead
+the cotillon with him at the club dance that week: none of the young men
+could take his place at that, as they themselves enviously admitted.
+
+What a well-matched couple it was! What a lot they got out of life!
+Varian walked quietly by the group, to enjoy better the pretty, modish
+picture they made. Their quick chatter, their bursts of laughter, the
+sweet faint odor of the tea, the gay dresses and light flannels, with
+the quiet, sombrely attired servants to add tone, all gave him, fresh
+from Hunter's quick sense of the effective, an appreciation that gained
+force from his separateness; he walked farther away to get a different
+point of view.
+
+He was out of any path now, and suddenly, hardly beyond reach of
+their voices, he found himself in a part of the grounds he had never
+approached before. A thick high hedge shut in a kind of court at the
+side and back of the great house, and a solid wooden door, carefully
+matched to its green, left open by accident, showed a picture so out
+of line with the succession of vivid scenes that dazzled the visitor at
+Wilton Bluffs that he stopped involuntarily. The rectangle was
+carpeted with the characteristic emerald turf of the place, divided by
+intersecting red brick paths into four regular squares. In the farther
+corner of each of these a trim green clothes-tree was planted, all
+abloom with snowy fringed napkins that shone dazzling white against the
+hedge. One of the squares was a neat little kitchen-garden; parsley was
+there in plenty, and other vaguely familiar green things, curly-leaved
+and spear-pointed. A warm gust of wind brought mint to his nostrils. A
+second plot held a small crab-apple tree covered with pink and orange
+globes. A great tortoise-shell cat with two kittens ornamented the
+third, and in the middle of the fourth, beside a small wooden table, a
+woman sat with her back toward the intruder. On the table were one or
+two tin boxes and a yellow earthen dish; in her left hand, raised to
+the shoulder-level, was a tall thin bottle, from which an amber fluid
+dripped in an almost imperceptibly thin stream; her right arm stirred
+vigorously. She was a middle-aged woman with lightly grayed hair--a kind
+of premonitory powdering. Over her full skirt of lavender-striped cotton
+stuff fell a broad, competent white apron. Except for the thudding of
+the spoon against the bowl, and a faint, homely echo of clashing china
+and tin, mingled with occasionally raised voices and laughter from some
+farther kitchen region, all was utterly, placidly still.
+
+Varian stood chained to the open gate. Something in the calm sun-bathed
+picture tugged strongly at his heart. He thought suddenly of his mother
+and his Aunt Delia--he had been very fond of Aunt Delia. And what
+cookies she used to make! Molasses cookies, brown, moist, and crumbly,
+they had sweetened his boyhood.
+
+What was it, that delighted sense of congruity that filled him, every
+passing second, with keener familiarity, so strangely tinged with sorrow
+and regret? Ah, he had it! He bit his lip as it came clear to him. His
+little namesake nephew, dead at eight years old, and dear as only a
+dearly loved child can be, had delighted greatly in the Kate Greenaway
+pictures that came in “painting-books,” with colored prints on alternate
+pages and corresponding outlines on the others. Dozens of those books
+the boy had cleverly filled in with his little japanned paint-box and
+mussy, quill-handled brushes; and the scene before him, the rich tints
+of the hedge, the symmetrical little tree brilliant with hundreds of
+tiny globes, the big white apron, the lazy yellow cats, and everywhere
+the prim rectangular lines so amusingly conventional to accentuate the
+likeness, almost choked him with the suddenness of the recognition. They
+must have colored that very picture a dozen times, Tommy and he.
+
+Half unconsciously he rested his arms on the top of the gate and drifted
+into revery. He forgot that he was at Wilton Bluffs, one of the greatest
+of the country palaces, and lived for a while in a mingled vision of his
+boyhood on the old farm and in the land of the Greenaway painting-books.
+
+Suddenly a door opened into the green.
+
+A housemaid advanced to the table, bearing in both red hands a long tray
+covered with a napkin. On the napkin lay, heaped in rich confusion, a
+great pile of spicy, smoking brown cookies.
+
+“They're just out o' the oven,” she began, but Varian could contain
+himself no longer. He could not be deceived: he would have known those
+cookies in the Desert of Sahara. He crossed the little plot in three
+long steps, and faced the astonished maid.
+
+“I beg your pardon,” he said firmly, “but it is very necessary that I
+should have one of those cookies! I hope you can spare one?”
+
+She giggled convulsively.
+
+“I--I guess you can, sir,” she murmured, laying down the tray and
+retreating toward the house door.
+
+Varian faced the older woman, and, with hat still in hand, instinctively
+bowed lower; for this was no housekeeper--he was sure of that. Even as
+she met his eyes a great flood of pink rushed to her smooth forehead,
+and she dropped her lids as she bowed slightly. He reflected
+irrelevantly that he had never seen Mrs. Dudley blush in his life.
+
+“You are very welcome to all you wish, I am sure,” she said graciously.
+“I--I didn't know any one liked them but me. I always have them made for
+me--I taught her the rule. I always call them”--she laughed nervously,
+and it dawned on him that this woman was really shy and “talking against
+time,” as they said--“I always call them 'Aunt Delia's cookies.' They--”
+
+“Aunt Delia's cookies!” he interrupted. “What Aunt Delia?”
+
+“Aunt Delia Parmentre,” she returned, a little surprised, evidently,
+at this stranger, who, with a straw sailor-hat in one hand and a warm
+molasses cooky in the other, stared so intently at her. “She wasn't
+really my aunt, of course--”
+
+“But she was mine!” he burst out, “and these are her cookies, and no
+mistake. Who are you?”
+
+Again she flushed, but more lightly.
+
+“I am Miss Redding,” she said with a gentle dignity, “Mrs. Wilton's
+sister.”
+
+He stared at her vaguely.
+
+“Mrs. Wilton--oh! you're her sister? I didn't know--” He stopped
+abruptly. As his confusion grew, her own faded away.
+
+“You didn't know she had one?” she asked, almost mischievously.
+
+“I didn't know you were here,” he recovered himself. “You've never been
+with Mrs. Dud before, have you?”
+
+“No, not here when there was company,” she said.
+
+He hardly noticed the words; his mind was groping among past histories.
+
+“Her sister--her sister,” he muttered. “Why, then,” with an illuminating
+smile, “I used to go to school with you! I'm Tom Varian!”
+
+She smiled and held out her hand.
+
+“I'm very glad to see you,” she said cordially. “Won't you--” She looked
+about for a chair, but he dropped on the grass at her feet.
+
+“You've changed since we met last,” he remarked, biting into his cooky.
+She looked at his bronzed face and thick silvered hair and nodded
+thoughtfully.
+
+“I was six years old then,” she said; “and you were one of the 'big
+boys'--you were fourteen.”
+
+“That's a long while,” he suggested laughingly.
+
+“It is thirty-six years,” she replied simply.
+
+He winced. His associates were not accustomed to be so scrupulously
+accurate. It seemed indecently long ago. And yet there was a certain
+charm, now one faced it, a quaint halo of interest.
+
+“You used to hand me water in a tin dipper,” he said.
+
+She nodded. “Yes, that was for a reward, when I was good,” she said
+seriously. “I could hand the water to the big boys. I was very proud of
+it. You drank a great deal.”
+
+He chuckled. “I was born thirsty,” he acknowledged. “By George, how
+it comes back! I can see it now, that school-house! Funny little red
+thing--remember how it looked? Big shelf around the sides for a desk,
+and another under that for the books? Bench all round the room to sit
+on, and we just whopped our legs over and faced round to recite? And
+carved--Lord! I don't believe there was an inch of the wood, all told,
+that was clear! I nearly cut my thumb off there, one day.”
+
+“One of the big girls fainted away,” she added, “and they laid her on
+the floor and told me to bring a dipper of water; but my hand shook so I
+spilled it all over my apron, and she came to before we got more. I was
+very timid.”
+
+He began on another cooky.
+
+“Did you have two pigtails? And striped stockings?” he inquired, his
+eyes fixed reminiscently on the hedge.
+
+She nodded softly.
+
+“And played some game with stones? I can't just remember--”
+
+“It was houses,” she reminded him. “We little girls used to make little
+houses--just marked out with stones in squares on the ground; and if you
+boys felt like it, you'd bring us big flat stones to eat our dinner on.”
+
+“Ah, yes!” It all came back to him. “And then you'd race off to get
+flag-root or something, and--”
+
+“And gobble our dinner as we ran. It was fun, all the same,” she added.
+
+“But what a mite you were, to be in school!” he said wonderingly. “What
+under heaven did you study?”
+
+“I don't remember at all,” she confessed. “But I suppose I spelled. Do
+you remember the spelling-matches? And how you big ones wanted to 'leave
+off head'?”
+
+He chuckled. “I should say I did! And sometimes the greatest idiot would
+'leave off head' because there wasn't any more time. It was maddening!”
+
+He munched in silence for a while, and she did not dream of
+interrupting.
+
+“In the winter, though--George! but it was cold! We used to positively
+swim through the drifts. I tell you, there aren't any such snows now!
+How did you get there?”
+
+“I only went in the summer,” she said; “and I used to come in all
+stained with the berries I ate along the way. It was dreadful”--she
+grew stern, as if addressing the little girl in striped stockings and
+pigtails--“the way I ate berries! I used to eat the bushes clean on the
+way to school!”
+
+She had got over her first shyness, and had gained time to realize her
+big apron, which she hastily untied. He caught the motion and protested.
+
+“No, no! Keep it on! I haven't seen a woman--a lady--in an apron for
+years! Please keep it on! And do go on with the--the mess in the dish!”
+
+“The mess”--she bent her brows reprovingly--“it's mayonnaise sauce. But
+I don't think--”
+
+He jumped up to put the bowl in her lap. A sudden twinge in his knee
+wrung an involuntary groan from him. He walked a little stiffly toward
+her.
+
+“You have rheumatism! And you sat all the time on that damp grass!” she
+cried reproachfully. “I thought at first it was the craziest thing to
+do, but I didn't dare say so.”
+
+He ignored the charge but smiled at the confession.
+
+“And now you're not afraid?”
+
+She blushed again. It was very becoming.
+
+“It seems--it seems foolish to act like strangers when it's been
+so long--we remember so well--” She sighed a little. He studied her
+face--so like her sister's and so utterly different. The same gray eyes,
+but calm and drooped; the same clear white skin, but a fuller, yes, a
+more matronly face, a riper, sweeter, more restful curve. The soft dark
+shadows that accentuated Mrs. Dudley's eyes were lacking; a group of
+tiny wrinkles at the corners gave her instead a pleasant, humorous
+regard that her sister's literal directness missed utterly.
+
+Nervous under his scrutiny, she rose hastily, and before he could
+prevent her she had brought him a roomy arm-chair from the house.
+
+“At our age there's no use in running risks,” she said simply, “you
+ought not to sit on the grass; leave that for the young folks.”
+
+Again he winced, but dropped with relief into the chair.
+
+“Oh, one must keep up with the procession, you know!” he said lightly.
+
+She made no reply; and as she lifted the bottle and began to beat the
+yellow mass again, it occurred to him that the remark was exceptionally
+silly.
+
+“Does it have to go in slowly like that--the whole bottleful?” he
+inquired lazily.
+
+She nodded. “Or it curdles,” she explained. “The cook sprained his wrist
+yesterday. He never allows anybody to make the mayonnaise--he can't
+trust them--and I was glad to do it for him. He says mine is as good as
+his. Did you ever see him?”
+
+“Well, no,” Varian returned. “But he doesn't need to be seen to be
+appreciated.”
+
+A strange suspicion crept over him.
+
+“Do you often--Do you do much--How is it that you--” He could not say it
+properly. Was it possible that Mrs. Dud---- It was unworthy of her!
+
+She caught his meaning, and her cool gray eyes met his with their
+uncompromising directness. He seemed convicted of unnecessary shuffling.
+
+“Oh, Lizzie asked me not to do anything,” she said quietly. “She
+wanted me to enjoy myself with her friends. But I'm not used to so much
+society, and I don't want to be any hinderance. I'm not so young as I
+used to be. I'd have liked the gayety well enough when I was a girl, but
+I guess it tires me a little now. There seems to be so much going on
+all the time. Lizzie says she's resting, but it wouldn't rest me. Do you
+find it so?”
+
+He recalled his yesterday's programme: driving a pulling team all
+the morning; carrying Mrs. Dud's heavy bag over the links all the
+afternoon--she preferred her friends to caddies; prompting for the
+dramatics rehearsal, with a poor light, all the evening, while the
+actors gossiped and squabbled and flirted contentedly.
+
+“It is not always restful,” he admitted.
+
+“It makes my head ache,” she remarked placidly. “I like to see the girls
+enjoy themselves. I'm glad they're happy--some of those visiting Lizzie
+are so pretty!--but I'm glad I haven't got to run about so much. I'm
+very fond of driving myself, if I have a good quiet horse that won't
+shy and doesn't go fast, and Lizzie has one for me--a white one that's
+gentle--and I drive about in the phaëton a great deal. The doctor
+that came that night--were you here?--when Mrs. Page fainted and they
+couldn't bring her to (it seems she was in the habit of taking some
+medicine to make her sleep, and it weakened her heart) asked me if I
+wouldn't like to take out some patients of his, and so I called for a
+very nice lady--a Mrs. Williams; you probably don't know her?--and after
+that a young girl with spinal trouble, and--and several others. They
+seemed to enjoy it, and I'm sure I did. Once I took a young girl that's
+staying here--she had a bad headache. She was a sweet girl, and I liked
+her. She said the drive helped her a great deal. It's astonishing”--her
+eyes met his wonderingly--“how much trouble you can have, with all the
+money you want! I--I was sorry for her,” she added, half to herself.
+
+Before he thought he leaned forward, took her hand with the silver
+tablespoon in it, and kissed it gently. He admired her as he would
+admire some charming soft pastel hung in a cool white room.
+
+“How sweet and good you are!” he said warmly; and then, to cover her
+deep embarrassment and his own sudden emotion, he continued quickly,
+“Are you very busy in the morning, always?”
+
+“There are different things,” she murmured, still looking at her spoon.
+“I have letters to write--I keep up with a good many old friends in
+Binghamville and Albany, where I lived with my married niece ten years,
+till they moved West. I loved her children; I half brought them up. One
+died; I can't seem to get over it--” Her eyes filled, and she made no
+effort to cover two tears that slipped over.
+
+Varian took her hand again. “I know about that--I know!” he said softly.
+
+“Then there are my flowers; I do so enjoy the beds and the greenhouses
+here,” she went on more cheerfully. “The gardeners are very kind to
+me--I think they like to have me come in. Mr. McFadden gives me a good
+many slips and cuttings. I love flowers dearly. Then I read a good deal,
+and there is always some little thing to do for the young girls here.
+They--the ones I know--come in for a moment while I mend something, or
+pin their things in the back, and it's surprising how much there is to
+do! They fly about so they can't stop to take care of their things. They
+talk to me while I set them straight, and it's very interesting. I tell
+Lizzie I go out a great deal, just hearing about their adventures, when
+she drops in to see me. She never forgets me; she brings somebody to my
+sitting-room every day or so that she thinks I'd enjoy meeting--and I
+always do. She never makes a mistake.”
+
+“Oh, she's wonderful,” Varian agreed easily. “There's nobody like Mrs.
+Dud, of course.”
+
+She stopped her work a moment and looked curiously at him.
+
+“What do you mean by that?” she asked. “You all say it--in just that
+way; but I don't think I quite see what you mean. Why is she wonderful?
+Because she looks so young?”
+
+“That, in the first place,” Varian returned, with a smile, “but not only
+that.”
+
+“Of course that is very strange,” she mused. “Now Lizzie is three years
+older than I. You would never think it, would you?”
+
+“No,” he agreed, still smiling; “but then, Mrs. Dud looks younger than
+everybody. It is her specialty. I think what we mean,” he continued,
+“is her amazing capacity; she does so much, so ridiculously much, and
+so much better than other people. We try to keep up with things--your
+sister is a little bit ahead. She seems to have always been doing the
+very latest thing, you see. And all her responsibilities, her various
+affairs--it makes one's head swim! The women have set themselves
+a tremendous field to cover nowadays, and when one succeeds so
+admirably--” He paused.
+
+She shook her head thoughtfully.
+
+“But everything is done for her!” she protested. “Why, I have never
+yet seen all the servants in this house! And you know there is a
+housekeeper? Lizzie sees her a little while in the morning, that's all.
+And she never sews a stitch--there's a seamstress here all the time,
+you know, and that has nothing to do with the clothes that come home
+in boxes. And little Dudley has his tutor, and his old nurse that looks
+after his clothes. What is it that she does to make it so wonderful?”
+
+He only smiled at her perplexity, and she added confidentially:
+
+“Lizzie wanted me to go to her dressmaker, but I didn't like the idea of
+a man, to begin with, and then I knew Miss Simms would feel so hurt. She
+lives in Albany, and she's made my dresses for so long that I thought,
+though she may not be so stylish, I'd better keep up with her; wouldn't
+you?”
+
+A perfectly unreasonable tenderness surged through his heart. How sweet
+she was!
+
+“If she made that dress, I certainly should!” he declared.
+
+She smoothed the crisp lavender folds deprecatingly.
+
+“Oh, this is only a cotton dress,” she said. “But she made my gray silk,
+too, and Lizzie herself said it fitted beautifully.”
+
+She took up the bottle again: it was nearly empty.
+
+“Now my mother,” she began, “_she_ was wonderful, if you like. Do you
+know what my mother used to do? We lived on the farm, you know, like
+yours, and most of the work of that farm mother did. She did the
+cooking--for all the hired hands, too; she made the butter, and took
+care of the hens; she made the candles and the soap; she made the
+carpets and all our clothes--my brothers', too; and she put up preserves
+and jellies and cordials, and did the most beautiful embroidery; I
+have some of mother's embroidered collars, and I can't do anything like
+them.”
+
+“It was tremendous,” he said. “My Aunt Delia did that, too.”
+
+“We were old-fashioned, even for then,” she said. “Everybody didn't do
+so much, of course, as we did. Lizzie says we were just on the edge of
+the new age. It certainly is different. And of course I wouldn't go back
+to it for anything. After we came back from boarding-school it was all
+changed. We moved, then, nearer the town. But, do you know, my mother
+went to singing-school, and Lizzie was looking that up in a book, the
+other day, to see what they did--she wanted it for a party!”
+
+He laughed. “That _is_ delicious!” he said.
+
+“See what I found to-day!” she added, drawing a small object from
+her pocket. “I hunted it up to show Miss Porter tonight. She was so
+interested when I told her about it.”
+
+She showed him, with a tender amusement, a little slender white silk
+mitten. Around the wrist was embroidered in dark blue a legend in Old
+English script. He puzzled it out: _A Whig or no Husband!_
+
+“That was mother's,” she said, “the girls wore them then. She was quite
+a belle, mother was! And when people ask me how Lizzie does so much, I
+say that she inherits it. But at her age mother was broken down and
+old. She had to be. There were nine of us, and here there's only little
+Dudley, and it was so long before he came.”
+
+They sat quietly. The setting sun flamed through the crab-apples and
+burnished the fur of the tortoise-shell cat. The mint smelled strong.
+The sweet, mellow summer evening was reflected in her handsome face,
+with its delicate lines, that only added a restful charm to forehead and
+cheek. He had no need to talk; it was very, very pleasant sitting there.
+
+A maid came out to get the mayonnaise, and the spell was broken. He took
+out his watch.
+
+“Just time to dress,” he sighed. “Will you be here again? We must talk
+old times once more.”
+
+She smiled and seemed to assent, but her eyes were not on him; she was
+still in a revery. He walked softly away. She seemed hardly to notice
+him, and his last backward glance found the quiet of the picture
+unbroken; again it was a page from the Greenaway book.
+
+He reached the terrace; laughter and applause from the piazza caught his
+ear. Fresh from the atmosphere he had left, he stared in amazement at
+the scene before him.
+
+Swift figures were scudding from one to another of the four great elms
+that marked out a natural rectangle on the smooth side lawn.
+
+“Puss! puss! Here, puss!” a high voice called, and a tall slender girl
+in a swish of lace and pink draperies rushed across one side of the
+square. A portly trousered figure essayed to gain the tree she had left,
+but a romping girl in white caught him easily, while Mrs. Dud, the tail
+of her gown thrown over her arm, skimmed triumphantly across to her
+partner's tree.
+
+“One more, one more, colonel. You can't give up, now you're caught! One
+more before we go in!” called the pink girl.
+
+“Here's Mr. Varian. Come and help us out--the colonel's beaten!” added
+Mrs. Dud.
+
+“Here, puss! here, puss!” With excited little shrieks and laughs they
+dashed by, the colonel making ineffectual grabs at their elusive skirts.
+Varian shook his head good-naturedly.
+
+“Too late, too late!” he called back, and taking pity on the puffing,
+purple colonel, he bore him off.
+
+“Thank God! I'm just about winded! I'd have dropped in my tracks,”
+ complained the rescued man, breathing hard as they rounded the
+shrubbery. In the corner two figures, half seen in the dark, leaned
+toward each other an imperceptible moment. The colonel laughed
+contentedly.
+
+“When I see that sort of thing, I think we've made a mistake--eh,
+Varian?” he said, half serious. “It's a poor job, getting old alone.
+Live at the club, visit here and there, make yourself agreeable to
+get asked again, nobody to care if you're sick, always play the other
+fellow's game--little monotonous after a while, eh?”
+
+Varian nodded. “Right enough,” he said.
+
+“Different ending to their route!” suggested the colonel, jerking his
+elbow back toward the two in the shrubbery.
+
+“That's it!” The answer was laconic, but the pictures that swept through
+his brain took on a precision and color that half frightened him.
+
+He had no idea how frequently he dropped in at the little court behind
+the hedge after that. Sometimes he sat and mused alone there; more than
+once he took a surreptitious afternoon nap. He developed a dormant fancy
+for gardening, and walked with his new-old friend contentedly among the
+deserted garden paths. He studied her hair especially, wondering why it
+was that the little tender flecks of white attracted him so. At dinner
+he secretly tried to rouse in himself the same desire to stroke the
+gleaming silver fleece, high-dressed, puffed, and ornamented with jet,
+of the woman opposite him, whose hair, somewhat prematurely turned
+snowy, had won her a great vogue among her friends. But he never
+succeeded. She was absolutely too effective. She turned the simplest
+gathering to a fancy-dress ball, he decided.
+
+He had supposed that it was the quaint privacy of their acquaintance
+that charmed him particularly--the feeling of an almost double
+existence; but when Mrs. Dud, who, he afterwards reflected, was of
+course omniscient, restrained herself no longer, and thanked him with a
+pretty sincerity for his delicate and appreciated courtesy, intimating
+charmingly that she realized the personal motive, a veil suddenly
+dropped. He gasped, shook himself, colored a little, and met her eye.
+
+“I'm afraid I'm not so kind as you think,” he said, a little awkwardly.
+“I've been an old fool, I see. Do you think--is that the way _she_ looks
+at it?”
+
+“Mary?” said Mrs. Dud, wonderingly. “Yes, I suppose so. Why?”
+
+The naïve egotism of the answer only threw a softer light on the picture
+that had grown to fill his thoughts. He smiled inscrutably.
+
+“Because in that case it is due to her to undeceive her,” he said. “I am
+glad I have entertained her. I should like to have the opportunity to do
+so indefinitely. Do you think there's a chance for me?”
+
+“What on earth do you mean?” asked his hostess, in unassumed
+stupefaction.
+
+“I mean, do you think she would marry me?” Varian brought out plumply.
+“Is there--was there ever anybody else?”
+
+For one instant Mrs. Dud lost her poise; in her eyes he almost saw more
+than she meant; the sheer, flat blow of it levelled her for a breath to
+the plane of other and ordinary women. But even as he thought it, it was
+gone. She put out her hand; she smiled; she shook her finger at him.
+
+“I think, my friend, she would be a fool not to marry you,” she answered
+him, clear-eyed; “and there was never,” her tone was too sweet, he
+thought, to carry but one meaning--pleasure for him, “there was never
+anybody else!”
+
+Varian walked straight to the garden. She was training a fiery wall
+of nasturtiums with firm white fingers. It occurred to him that he was
+ready to give up the tally-ho, and the Berkshires, and the scramble
+of pretty girls for the place beside him, to sit quietly and watch her
+among her flowers.
+
+“I'm getting old--old!” he said to himself, but he said it with a smile.
+
+For he knew that no boy's heart ever beat more swiftly, no boy's tongue
+ever sought more excitedly to find the right words. But when he faced
+her a little doubt chilled him: she was so calm and complete, in
+her sunny, busy, balanced life, that he feared to disturb that sweet
+placidity. With an undercurrent of fear, a sudden realization that he
+had no more the blessed egotism of youth to drive him on, he walked
+beside her, outwardly content, at heart a little solitary. At some light
+question he turned and faced her.
+
+“You could not have all the greenhouses, but there could be plenty of
+flowers,” he said pleadingly.
+
+“Flowers? Where?” she asked.
+
+“Wherever we lived,” he answered. “And oh, Mary, I think we could be
+happy together! Don't say no!” as she shrank a little. “Don't, Mary, for
+heaven's sake! I care too much--I care terribly. I am too old a man to
+care so much and--lose.... There, there, my dear girl, never mind. I
+can bear it, of course. Only I didn't know I'd planned it all out so,
+and--But never mind. I was going to have a bay-window full of--”
+
+He turned away from her for a moment. But her hand was on his arm.
+
+“We can plan it out together,” she said.
+
+He knew how she would blush; he had even dared to think how directly her
+clear gray eyes would meet his--her sky-ness was never hesitation--but
+he had not dreamed how soft her hair could be.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+***** This file should be named 23369-0.txt or 23369-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23369/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23369-0.zip b/23369-0.zip
new file mode 100644
index 0000000..99b2e90
--- /dev/null
+++ b/23369-0.zip
Binary files differ
diff --git a/23369-8.txt b/23369-8.txt
new file mode 100644
index 0000000..a06b761
--- /dev/null
+++ b/23369-8.txt
@@ -0,0 +1,1039 @@
+The Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mrs. Dud's Sister
+
+Author: Josephine Daskam
+
+Release Date: November 6, 2007 [EBook #23369]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+MRS. DUD'S SISTER
+
+By Josephine Daskam
+
+Copyright, 1903, by Charles Scribner's Sons
+
+
+They were having tea on the terrace. As Varian strolled up to the group
+he wished that Hunter could see the picture they made--Hunter, who
+had not been in America for thirty years, and who had been so honestly
+surprised when Varian had spoken of Mrs. Dud's pretty maids--she always
+had pretty ones, even to the cook's third assistant.
+
+"Maids? Maids? It used to be 'help,'" he had protested. "You don't mean
+to say they have waitresses in Binghamville now?"
+
+Varian had despaired of giving him any idea.
+
+"Come over and see Mrs. Dud," he had urged, "and do her portrait. We've
+moved on since you left us, you know. She's a wonder--she really is.
+When you remember how she used to carry her father's dinner to the store
+Saturday afternoons--"
+
+"And now I suppose she sports real Mechlin on her cap," assented Hunter,
+anxious to show how perfectly he caught the situation.
+
+Varian had roared helplessly. "Cap? Cap!" he had moaned finally. "Oh, my
+sainted granny! Cap! My poor fellow, your view of Binghamville must be
+like the old maps of Africa in the green geography, that said 'desert'
+and 'interior' and 'savage tribes' from time to time. I should like
+awfully to see Mrs. Dud in a cap."
+
+Hunter had looked puzzled.
+
+"But, dear me! she might very well wear one, I should think," he had
+murmured defensively. "I don't wish to be invidious, but surely
+Lizzie must be--let's see; 'eighty, 'ninety--why, she must be between
+forty-five and fifty now."
+
+Varian had waved his hand dramatically. "Nobody considers Mrs. Dud and
+time in the same breath. If you could see her in her golf rig! Or on
+a horse! She even sheds a lustre on the rest of us. I forget my
+rheumatism!"
+
+But Hunter, retreating behind his determination to avoid a second
+seasickness--it might have been sincere; nobody ever knew--had stayed
+in Florence, and Varian had been obliged to come without him to the
+house-party.
+
+On a straw cushion, a cup in her strong white hand, a bunch of adoring
+young girls at her feet, sat Mrs. Dud. Rosy and firm-cheeked, crisp
+in stiff white duck, deliriously contrasted with her fluffy
+Parisian parasol, she scorned the softening ruffles of her presumable
+contemporaries; her delicately squared chin, for the most part held
+high, showed a straight white collar under a throat only a little fuller
+than the girlish ones all around her.
+
+Old Dudley himself strolled about the group, gossiping here and there
+with some pretty woman, sending the grave servants from one to another
+with some particularly desirable sandwich, "rubbing it in," as he said
+to the men who had failed to touch his score on the links, tantalizingly
+uncertain as to which one of the young women he would invite to lead
+the cotillon with him at the club dance that week: none of the young men
+could take his place at that, as they themselves enviously admitted.
+
+What a well-matched couple it was! What a lot they got out of life!
+Varian walked quietly by the group, to enjoy better the pretty, modish
+picture they made. Their quick chatter, their bursts of laughter, the
+sweet faint odor of the tea, the gay dresses and light flannels, with
+the quiet, sombrely attired servants to add tone, all gave him, fresh
+from Hunter's quick sense of the effective, an appreciation that gained
+force from his separateness; he walked farther away to get a different
+point of view.
+
+He was out of any path now, and suddenly, hardly beyond reach of
+their voices, he found himself in a part of the grounds he had never
+approached before. A thick high hedge shut in a kind of court at the
+side and back of the great house, and a solid wooden door, carefully
+matched to its green, left open by accident, showed a picture so out
+of line with the succession of vivid scenes that dazzled the visitor at
+Wilton Bluffs that he stopped involuntarily. The rectangle was
+carpeted with the characteristic emerald turf of the place, divided by
+intersecting red brick paths into four regular squares. In the farther
+corner of each of these a trim green clothes-tree was planted, all
+abloom with snowy fringed napkins that shone dazzling white against the
+hedge. One of the squares was a neat little kitchen-garden; parsley was
+there in plenty, and other vaguely familiar green things, curly-leaved
+and spear-pointed. A warm gust of wind brought mint to his nostrils. A
+second plot held a small crab-apple tree covered with pink and orange
+globes. A great tortoise-shell cat with two kittens ornamented the
+third, and in the middle of the fourth, beside a small wooden table, a
+woman sat with her back toward the intruder. On the table were one or
+two tin boxes and a yellow earthen dish; in her left hand, raised to
+the shoulder-level, was a tall thin bottle, from which an amber fluid
+dripped in an almost imperceptibly thin stream; her right arm stirred
+vigorously. She was a middle-aged woman with lightly grayed hair--a kind
+of premonitory powdering. Over her full skirt of lavender-striped cotton
+stuff fell a broad, competent white apron. Except for the thudding of
+the spoon against the bowl, and a faint, homely echo of clashing china
+and tin, mingled with occasionally raised voices and laughter from some
+farther kitchen region, all was utterly, placidly still.
+
+Varian stood chained to the open gate. Something in the calm sun-bathed
+picture tugged strongly at his heart. He thought suddenly of his mother
+and his Aunt Delia--he had been very fond of Aunt Delia. And what
+cookies she used to make! Molasses cookies, brown, moist, and crumbly,
+they had sweetened his boyhood.
+
+What was it, that delighted sense of congruity that filled him, every
+passing second, with keener familiarity, so strangely tinged with sorrow
+and regret? Ah, he had it! He bit his lip as it came clear to him. His
+little namesake nephew, dead at eight years old, and dear as only a
+dearly loved child can be, had delighted greatly in the Kate Greenaway
+pictures that came in "painting-books," with colored prints on alternate
+pages and corresponding outlines on the others. Dozens of those books
+the boy had cleverly filled in with his little japanned paint-box and
+mussy, quill-handled brushes; and the scene before him, the rich tints
+of the hedge, the symmetrical little tree brilliant with hundreds of
+tiny globes, the big white apron, the lazy yellow cats, and everywhere
+the prim rectangular lines so amusingly conventional to accentuate the
+likeness, almost choked him with the suddenness of the recognition. They
+must have colored that very picture a dozen times, Tommy and he.
+
+Half unconsciously he rested his arms on the top of the gate and drifted
+into revery. He forgot that he was at Wilton Bluffs, one of the greatest
+of the country palaces, and lived for a while in a mingled vision of his
+boyhood on the old farm and in the land of the Greenaway painting-books.
+
+Suddenly a door opened into the green.
+
+A housemaid advanced to the table, bearing in both red hands a long tray
+covered with a napkin. On the napkin lay, heaped in rich confusion, a
+great pile of spicy, smoking brown cookies.
+
+"They're just out o' the oven," she began, but Varian could contain
+himself no longer. He could not be deceived: he would have known those
+cookies in the Desert of Sahara. He crossed the little plot in three
+long steps, and faced the astonished maid.
+
+"I beg your pardon," he said firmly, "but it is very necessary that I
+should have one of those cookies! I hope you can spare one?"
+
+She giggled convulsively.
+
+"I--I guess you can, sir," she murmured, laying down the tray and
+retreating toward the house door.
+
+Varian faced the older woman, and, with hat still in hand, instinctively
+bowed lower; for this was no housekeeper--he was sure of that. Even as
+she met his eyes a great flood of pink rushed to her smooth forehead,
+and she dropped her lids as she bowed slightly. He reflected
+irrelevantly that he had never seen Mrs. Dudley blush in his life.
+
+"You are very welcome to all you wish, I am sure," she said graciously.
+"I--I didn't know any one liked them but me. I always have them made for
+me--I taught her the rule. I always call them"--she laughed nervously,
+and it dawned on him that this woman was really shy and "talking against
+time," as they said--"I always call them 'Aunt Delia's cookies.' They--"
+
+"Aunt Delia's cookies!" he interrupted. "What Aunt Delia?"
+
+"Aunt Delia Parmentre," she returned, a little surprised, evidently,
+at this stranger, who, with a straw sailor-hat in one hand and a warm
+molasses cooky in the other, stared so intently at her. "She wasn't
+really my aunt, of course--"
+
+"But she was mine!" he burst out, "and these are her cookies, and no
+mistake. Who are you?"
+
+Again she flushed, but more lightly.
+
+"I am Miss Redding," she said with a gentle dignity, "Mrs. Wilton's
+sister."
+
+He stared at her vaguely.
+
+"Mrs. Wilton--oh! you're her sister? I didn't know--" He stopped
+abruptly. As his confusion grew, her own faded away.
+
+"You didn't know she had one?" she asked, almost mischievously.
+
+"I didn't know you were here," he recovered himself. "You've never been
+with Mrs. Dud before, have you?"
+
+"No, not here when there was company," she said.
+
+He hardly noticed the words; his mind was groping among past histories.
+
+"Her sister--her sister," he muttered. "Why, then," with an illuminating
+smile, "I used to go to school with you! I'm Tom Varian!"
+
+She smiled and held out her hand.
+
+"I'm very glad to see you," she said cordially. "Won't you--" She looked
+about for a chair, but he dropped on the grass at her feet.
+
+"You've changed since we met last," he remarked, biting into his cooky.
+She looked at his bronzed face and thick silvered hair and nodded
+thoughtfully.
+
+"I was six years old then," she said; "and you were one of the 'big
+boys'--you were fourteen."
+
+"That's a long while," he suggested laughingly.
+
+"It is thirty-six years," she replied simply.
+
+He winced. His associates were not accustomed to be so scrupulously
+accurate. It seemed indecently long ago. And yet there was a certain
+charm, now one faced it, a quaint halo of interest.
+
+"You used to hand me water in a tin dipper," he said.
+
+She nodded. "Yes, that was for a reward, when I was good," she said
+seriously. "I could hand the water to the big boys. I was very proud of
+it. You drank a great deal."
+
+He chuckled. "I was born thirsty," he acknowledged. "By George, how
+it comes back! I can see it now, that school-house! Funny little red
+thing--remember how it looked? Big shelf around the sides for a desk,
+and another under that for the books? Bench all round the room to sit
+on, and we just whopped our legs over and faced round to recite? And
+carved--Lord! I don't believe there was an inch of the wood, all told,
+that was clear! I nearly cut my thumb off there, one day."
+
+"One of the big girls fainted away," she added, "and they laid her on
+the floor and told me to bring a dipper of water; but my hand shook so I
+spilled it all over my apron, and she came to before we got more. I was
+very timid."
+
+He began on another cooky.
+
+"Did you have two pigtails? And striped stockings?" he inquired, his
+eyes fixed reminiscently on the hedge.
+
+She nodded softly.
+
+"And played some game with stones? I can't just remember--"
+
+"It was houses," she reminded him. "We little girls used to make little
+houses--just marked out with stones in squares on the ground; and if you
+boys felt like it, you'd bring us big flat stones to eat our dinner on."
+
+"Ah, yes!" It all came back to him. "And then you'd race off to get
+flag-root or something, and--"
+
+"And gobble our dinner as we ran. It was fun, all the same," she added.
+
+"But what a mite you were, to be in school!" he said wonderingly. "What
+under heaven did you study?"
+
+"I don't remember at all," she confessed. "But I suppose I spelled. Do
+you remember the spelling-matches? And how you big ones wanted to 'leave
+off head'?"
+
+He chuckled. "I should say I did! And sometimes the greatest idiot would
+'leave off head' because there wasn't any more time. It was maddening!"
+
+He munched in silence for a while, and she did not dream of
+interrupting.
+
+"In the winter, though--George! but it was cold! We used to positively
+swim through the drifts. I tell you, there aren't any such snows now!
+How did you get there?"
+
+"I only went in the summer," she said; "and I used to come in all
+stained with the berries I ate along the way. It was dreadful"--she
+grew stern, as if addressing the little girl in striped stockings and
+pigtails--"the way I ate berries! I used to eat the bushes clean on the
+way to school!"
+
+She had got over her first shyness, and had gained time to realize her
+big apron, which she hastily untied. He caught the motion and protested.
+
+"No, no! Keep it on! I haven't seen a woman--a lady--in an apron for
+years! Please keep it on! And do go on with the--the mess in the dish!"
+
+"The mess"--she bent her brows reprovingly--"it's mayonnaise sauce. But
+I don't think--"
+
+He jumped up to put the bowl in her lap. A sudden twinge in his knee
+wrung an involuntary groan from him. He walked a little stiffly toward
+her.
+
+"You have rheumatism! And you sat all the time on that damp grass!" she
+cried reproachfully. "I thought at first it was the craziest thing to
+do, but I didn't dare say so."
+
+He ignored the charge but smiled at the confession.
+
+"And now you're not afraid?"
+
+She blushed again. It was very becoming.
+
+"It seems--it seems foolish to act like strangers when it's been
+so long--we remember so well--" She sighed a little. He studied her
+face--so like her sister's and so utterly different. The same gray eyes,
+but calm and drooped; the same clear white skin, but a fuller, yes, a
+more matronly face, a riper, sweeter, more restful curve. The soft dark
+shadows that accentuated Mrs. Dudley's eyes were lacking; a group of
+tiny wrinkles at the corners gave her instead a pleasant, humorous
+regard that her sister's literal directness missed utterly.
+
+Nervous under his scrutiny, she rose hastily, and before he could
+prevent her she had brought him a roomy arm-chair from the house.
+
+"At our age there's no use in running risks," she said simply, "you
+ought not to sit on the grass; leave that for the young folks."
+
+Again he winced, but dropped with relief into the chair.
+
+"Oh, one must keep up with the procession, you know!" he said lightly.
+
+She made no reply; and as she lifted the bottle and began to beat the
+yellow mass again, it occurred to him that the remark was exceptionally
+silly.
+
+"Does it have to go in slowly like that--the whole bottleful?" he
+inquired lazily.
+
+She nodded. "Or it curdles," she explained. "The cook sprained his wrist
+yesterday. He never allows anybody to make the mayonnaise--he can't
+trust them--and I was glad to do it for him. He says mine is as good as
+his. Did you ever see him?"
+
+"Well, no," Varian returned. "But he doesn't need to be seen to be
+appreciated."
+
+A strange suspicion crept over him.
+
+"Do you often--Do you do much--How is it that you--" He could not say it
+properly. Was it possible that Mrs. Dud---- It was unworthy of her!
+
+She caught his meaning, and her cool gray eyes met his with their
+uncompromising directness. He seemed convicted of unnecessary shuffling.
+
+"Oh, Lizzie asked me not to do anything," she said quietly. "She
+wanted me to enjoy myself with her friends. But I'm not used to so much
+society, and I don't want to be any hinderance. I'm not so young as I
+used to be. I'd have liked the gayety well enough when I was a girl, but
+I guess it tires me a little now. There seems to be so much going on
+all the time. Lizzie says she's resting, but it wouldn't rest me. Do you
+find it so?"
+
+He recalled his yesterday's programme: driving a pulling team all
+the morning; carrying Mrs. Dud's heavy bag over the links all the
+afternoon--she preferred her friends to caddies; prompting for the
+dramatics rehearsal, with a poor light, all the evening, while the
+actors gossiped and squabbled and flirted contentedly.
+
+"It is not always restful," he admitted.
+
+"It makes my head ache," she remarked placidly. "I like to see the girls
+enjoy themselves. I'm glad they're happy--some of those visiting Lizzie
+are so pretty!--but I'm glad I haven't got to run about so much. I'm
+very fond of driving myself, if I have a good quiet horse that won't
+shy and doesn't go fast, and Lizzie has one for me--a white one that's
+gentle--and I drive about in the phaton a great deal. The doctor
+that came that night--were you here?--when Mrs. Page fainted and they
+couldn't bring her to (it seems she was in the habit of taking some
+medicine to make her sleep, and it weakened her heart) asked me if I
+wouldn't like to take out some patients of his, and so I called for a
+very nice lady--a Mrs. Williams; you probably don't know her?--and after
+that a young girl with spinal trouble, and--and several others. They
+seemed to enjoy it, and I'm sure I did. Once I took a young girl that's
+staying here--she had a bad headache. She was a sweet girl, and I liked
+her. She said the drive helped her a great deal. It's astonishing"--her
+eyes met his wonderingly--"how much trouble you can have, with all the
+money you want! I--I was sorry for her," she added, half to herself.
+
+Before he thought he leaned forward, took her hand with the silver
+tablespoon in it, and kissed it gently. He admired her as he would
+admire some charming soft pastel hung in a cool white room.
+
+"How sweet and good you are!" he said warmly; and then, to cover her
+deep embarrassment and his own sudden emotion, he continued quickly,
+"Are you very busy in the morning, always?"
+
+"There are different things," she murmured, still looking at her spoon.
+"I have letters to write--I keep up with a good many old friends in
+Binghamville and Albany, where I lived with my married niece ten years,
+till they moved West. I loved her children; I half brought them up. One
+died; I can't seem to get over it--" Her eyes filled, and she made no
+effort to cover two tears that slipped over.
+
+Varian took her hand again. "I know about that--I know!" he said softly.
+
+"Then there are my flowers; I do so enjoy the beds and the greenhouses
+here," she went on more cheerfully. "The gardeners are very kind to
+me--I think they like to have me come in. Mr. McFadden gives me a good
+many slips and cuttings. I love flowers dearly. Then I read a good deal,
+and there is always some little thing to do for the young girls here.
+They--the ones I know--come in for a moment while I mend something, or
+pin their things in the back, and it's surprising how much there is to
+do! They fly about so they can't stop to take care of their things. They
+talk to me while I set them straight, and it's very interesting. I tell
+Lizzie I go out a great deal, just hearing about their adventures, when
+she drops in to see me. She never forgets me; she brings somebody to my
+sitting-room every day or so that she thinks I'd enjoy meeting--and I
+always do. She never makes a mistake."
+
+"Oh, she's wonderful," Varian agreed easily. "There's nobody like Mrs.
+Dud, of course."
+
+She stopped her work a moment and looked curiously at him.
+
+"What do you mean by that?" she asked. "You all say it--in just that
+way; but I don't think I quite see what you mean. Why is she wonderful?
+Because she looks so young?"
+
+"That, in the first place," Varian returned, with a smile, "but not only
+that."
+
+"Of course that is very strange," she mused. "Now Lizzie is three years
+older than I. You would never think it, would you?"
+
+"No," he agreed, still smiling; "but then, Mrs. Dud looks younger than
+everybody. It is her specialty. I think what we mean," he continued,
+"is her amazing capacity; she does so much, so ridiculously much, and
+so much better than other people. We try to keep up with things--your
+sister is a little bit ahead. She seems to have always been doing the
+very latest thing, you see. And all her responsibilities, her various
+affairs--it makes one's head swim! The women have set themselves
+a tremendous field to cover nowadays, and when one succeeds so
+admirably--" He paused.
+
+She shook her head thoughtfully.
+
+"But everything is done for her!" she protested. "Why, I have never
+yet seen all the servants in this house! And you know there is a
+housekeeper? Lizzie sees her a little while in the morning, that's all.
+And she never sews a stitch--there's a seamstress here all the time,
+you know, and that has nothing to do with the clothes that come home
+in boxes. And little Dudley has his tutor, and his old nurse that looks
+after his clothes. What is it that she does to make it so wonderful?"
+
+He only smiled at her perplexity, and she added confidentially:
+
+"Lizzie wanted me to go to her dressmaker, but I didn't like the idea of
+a man, to begin with, and then I knew Miss Simms would feel so hurt. She
+lives in Albany, and she's made my dresses for so long that I thought,
+though she may not be so stylish, I'd better keep up with her; wouldn't
+you?"
+
+A perfectly unreasonable tenderness surged through his heart. How sweet
+she was!
+
+"If she made that dress, I certainly should!" he declared.
+
+She smoothed the crisp lavender folds deprecatingly.
+
+"Oh, this is only a cotton dress," she said. "But she made my gray silk,
+too, and Lizzie herself said it fitted beautifully."
+
+She took up the bottle again: it was nearly empty.
+
+"Now my mother," she began, "_she_ was wonderful, if you like. Do you
+know what my mother used to do? We lived on the farm, you know, like
+yours, and most of the work of that farm mother did. She did the
+cooking--for all the hired hands, too; she made the butter, and took
+care of the hens; she made the candles and the soap; she made the
+carpets and all our clothes--my brothers', too; and she put up preserves
+and jellies and cordials, and did the most beautiful embroidery; I
+have some of mother's embroidered collars, and I can't do anything like
+them."
+
+"It was tremendous," he said. "My Aunt Delia did that, too."
+
+"We were old-fashioned, even for then," she said. "Everybody didn't do
+so much, of course, as we did. Lizzie says we were just on the edge of
+the new age. It certainly is different. And of course I wouldn't go back
+to it for anything. After we came back from boarding-school it was all
+changed. We moved, then, nearer the town. But, do you know, my mother
+went to singing-school, and Lizzie was looking that up in a book, the
+other day, to see what they did--she wanted it for a party!"
+
+He laughed. "That _is_ delicious!" he said.
+
+"See what I found to-day!" she added, drawing a small object from
+her pocket. "I hunted it up to show Miss Porter tonight. She was so
+interested when I told her about it."
+
+She showed him, with a tender amusement, a little slender white silk
+mitten. Around the wrist was embroidered in dark blue a legend in Old
+English script. He puzzled it out: _A Whig or no Husband!_
+
+"That was mother's," she said, "the girls wore them then. She was quite
+a belle, mother was! And when people ask me how Lizzie does so much, I
+say that she inherits it. But at her age mother was broken down and
+old. She had to be. There were nine of us, and here there's only little
+Dudley, and it was so long before he came."
+
+They sat quietly. The setting sun flamed through the crab-apples and
+burnished the fur of the tortoise-shell cat. The mint smelled strong.
+The sweet, mellow summer evening was reflected in her handsome face,
+with its delicate lines, that only added a restful charm to forehead and
+cheek. He had no need to talk; it was very, very pleasant sitting there.
+
+A maid came out to get the mayonnaise, and the spell was broken. He took
+out his watch.
+
+"Just time to dress," he sighed. "Will you be here again? We must talk
+old times once more."
+
+She smiled and seemed to assent, but her eyes were not on him; she was
+still in a revery. He walked softly away. She seemed hardly to notice
+him, and his last backward glance found the quiet of the picture
+unbroken; again it was a page from the Greenaway book.
+
+He reached the terrace; laughter and applause from the piazza caught his
+ear. Fresh from the atmosphere he had left, he stared in amazement at
+the scene before him.
+
+Swift figures were scudding from one to another of the four great elms
+that marked out a natural rectangle on the smooth side lawn.
+
+"Puss! puss! Here, puss!" a high voice called, and a tall slender girl
+in a swish of lace and pink draperies rushed across one side of the
+square. A portly trousered figure essayed to gain the tree she had left,
+but a romping girl in white caught him easily, while Mrs. Dud, the tail
+of her gown thrown over her arm, skimmed triumphantly across to her
+partner's tree.
+
+"One more, one more, colonel. You can't give up, now you're caught! One
+more before we go in!" called the pink girl.
+
+"Here's Mr. Varian. Come and help us out--the colonel's beaten!" added
+Mrs. Dud.
+
+"Here, puss! here, puss!" With excited little shrieks and laughs they
+dashed by, the colonel making ineffectual grabs at their elusive skirts.
+Varian shook his head good-naturedly.
+
+"Too late, too late!" he called back, and taking pity on the puffing,
+purple colonel, he bore him off.
+
+"Thank God! I'm just about winded! I'd have dropped in my tracks,"
+complained the rescued man, breathing hard as they rounded the
+shrubbery. In the corner two figures, half seen in the dark, leaned
+toward each other an imperceptible moment. The colonel laughed
+contentedly.
+
+"When I see that sort of thing, I think we've made a mistake--eh,
+Varian?" he said, half serious. "It's a poor job, getting old alone.
+Live at the club, visit here and there, make yourself agreeable to
+get asked again, nobody to care if you're sick, always play the other
+fellow's game--little monotonous after a while, eh?"
+
+Varian nodded. "Right enough," he said.
+
+"Different ending to their route!" suggested the colonel, jerking his
+elbow back toward the two in the shrubbery.
+
+"That's it!" The answer was laconic, but the pictures that swept through
+his brain took on a precision and color that half frightened him.
+
+He had no idea how frequently he dropped in at the little court behind
+the hedge after that. Sometimes he sat and mused alone there; more than
+once he took a surreptitious afternoon nap. He developed a dormant fancy
+for gardening, and walked with his new-old friend contentedly among the
+deserted garden paths. He studied her hair especially, wondering why it
+was that the little tender flecks of white attracted him so. At dinner
+he secretly tried to rouse in himself the same desire to stroke the
+gleaming silver fleece, high-dressed, puffed, and ornamented with jet,
+of the woman opposite him, whose hair, somewhat prematurely turned
+snowy, had won her a great vogue among her friends. But he never
+succeeded. She was absolutely too effective. She turned the simplest
+gathering to a fancy-dress ball, he decided.
+
+He had supposed that it was the quaint privacy of their acquaintance
+that charmed him particularly--the feeling of an almost double
+existence; but when Mrs. Dud, who, he afterwards reflected, was of
+course omniscient, restrained herself no longer, and thanked him with a
+pretty sincerity for his delicate and appreciated courtesy, intimating
+charmingly that she realized the personal motive, a veil suddenly
+dropped. He gasped, shook himself, colored a little, and met her eye.
+
+"I'm afraid I'm not so kind as you think," he said, a little awkwardly.
+"I've been an old fool, I see. Do you think--is that the way _she_ looks
+at it?"
+
+"Mary?" said Mrs. Dud, wonderingly. "Yes, I suppose so. Why?"
+
+The nave egotism of the answer only threw a softer light on the picture
+that had grown to fill his thoughts. He smiled inscrutably.
+
+"Because in that case it is due to her to undeceive her," he said. "I am
+glad I have entertained her. I should like to have the opportunity to do
+so indefinitely. Do you think there's a chance for me?"
+
+"What on earth do you mean?" asked his hostess, in unassumed
+stupefaction.
+
+"I mean, do you think she would marry me?" Varian brought out plumply.
+"Is there--was there ever anybody else?"
+
+For one instant Mrs. Dud lost her poise; in her eyes he almost saw more
+than she meant; the sheer, flat blow of it levelled her for a breath to
+the plane of other and ordinary women. But even as he thought it, it was
+gone. She put out her hand; she smiled; she shook her finger at him.
+
+"I think, my friend, she would be a fool not to marry you," she answered
+him, clear-eyed; "and there was never," her tone was too sweet, he
+thought, to carry but one meaning--pleasure for him, "there was never
+anybody else!"
+
+Varian walked straight to the garden. She was training a fiery wall
+of nasturtiums with firm white fingers. It occurred to him that he was
+ready to give up the tally-ho, and the Berkshires, and the scramble
+of pretty girls for the place beside him, to sit quietly and watch her
+among her flowers.
+
+"I'm getting old--old!" he said to himself, but he said it with a smile.
+
+For he knew that no boy's heart ever beat more swiftly, no boy's tongue
+ever sought more excitedly to find the right words. But when he faced
+her a little doubt chilled him: she was so calm and complete, in
+her sunny, busy, balanced life, that he feared to disturb that sweet
+placidity. With an undercurrent of fear, a sudden realization that he
+had no more the blessed egotism of youth to drive him on, he walked
+beside her, outwardly content, at heart a little solitary. At some light
+question he turned and faced her.
+
+"You could not have all the greenhouses, but there could be plenty of
+flowers," he said pleadingly.
+
+"Flowers? Where?" she asked.
+
+"Wherever we lived," he answered. "And oh, Mary, I think we could be
+happy together! Don't say no!" as she shrank a little. "Don't, Mary, for
+heaven's sake! I care too much--I care terribly. I am too old a man to
+care so much and--lose.... There, there, my dear girl, never mind. I
+can bear it, of course. Only I didn't know I'd planned it all out so,
+and--But never mind. I was going to have a bay-window full of--"
+
+He turned away from her for a moment. But her hand was on his arm.
+
+"We can plan it out together," she said.
+
+He knew how she would blush; he had even dared to think how directly her
+clear gray eyes would meet his--her sky-ness was never hesitation--but
+he had not dreamed how soft her hair could be.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+***** This file should be named 23369-8.txt or 23369-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23369/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23369-8.zip b/23369-8.zip
new file mode 100644
index 0000000..108f1b5
--- /dev/null
+++ b/23369-8.zip
Binary files differ
diff --git a/23369-h.zip b/23369-h.zip
new file mode 100644
index 0000000..e89a4a9
--- /dev/null
+++ b/23369-h.zip
Binary files differ
diff --git a/23369-h/23369-h.htm b/23369-h/23369-h.htm
new file mode 100644
index 0000000..8081f97
--- /dev/null
+++ b/23369-h/23369-h.htm
@@ -0,0 +1,1234 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <title>
+ Mrs. Dud's Sister, by Josephine Daskam
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mrs. Dud's Sister
+
+Author: Josephine Daskam
+
+Release Date: November 6, 2007 [EBook #23369]
+Last Updated: March 8, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ MRS. DUD'S SISTER
+ </h1>
+ <h2>
+ By Josephine Daskam <br /> <br /> Copyright, 1903, by Charles Scribner's
+ Sons
+ </h2>
+ <p>
+ <br /><br /> <br />
+ </p>
+ <p>
+ They were having tea on the terrace. As Varian strolled up to the group he
+ wished that Hunter could see the picture they made&mdash;Hunter, who had
+ not been in America for thirty years, and who had been so honestly
+ surprised when Varian had spoken of Mrs. Dud's pretty maids&mdash;she
+ always had pretty ones, even to the cook's third assistant.
+ </p>
+ <p>
+ &ldquo;Maids? Maids? It used to be 'help,'&rdquo; he had protested. &ldquo;You don't mean to
+ say they have waitresses in Binghamville now?&rdquo;
+ </p>
+ <p>
+ Varian had despaired of giving him any idea.
+ </p>
+ <p>
+ &ldquo;Come over and see Mrs. Dud,&rdquo; he had urged, &ldquo;and do her portrait. We've
+ moved on since you left us, you know. She's a wonder&mdash;she really is.
+ When you remember how she used to carry her father's dinner to the store
+ Saturday afternoons&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And now I suppose she sports real Mechlin on her cap,&rdquo; assented Hunter,
+ anxious to show how perfectly he caught the situation.
+ </p>
+ <p>
+ Varian had roared helplessly. &ldquo;Cap? Cap!&rdquo; he had moaned finally. &ldquo;Oh, my
+ sainted granny! Cap! My poor fellow, your view of Binghamville must be
+ like the old maps of Africa in the green geography, that said 'desert' and
+ 'interior' and 'savage tribes' from time to time. I should like awfully to
+ see Mrs. Dud in a cap.&rdquo;
+ </p>
+ <p>
+ Hunter had looked puzzled.
+ </p>
+ <p>
+ &ldquo;But, dear me! she might very well wear one, I should think,&rdquo; he had
+ murmured defensively. &ldquo;I don't wish to be invidious, but surely Lizzie
+ must be&mdash;let's see; 'eighty, 'ninety&mdash;why, she must be between
+ forty-five and fifty now.&rdquo;
+ </p>
+ <p>
+ Varian had waved his hand dramatically. &ldquo;Nobody considers Mrs. Dud and
+ time in the same breath. If you could see her in her golf rig! Or on a
+ horse! She even sheds a lustre on the rest of us. I forget my rheumatism!&rdquo;
+ </p>
+ <p>
+ But Hunter, retreating behind his determination to avoid a second
+ seasickness&mdash;it might have been sincere; nobody ever knew&mdash;had
+ stayed in Florence, and Varian had been obliged to come without him to the
+ house-party.
+ </p>
+ <p>
+ On a straw cushion, a cup in her strong white hand, a bunch of adoring
+ young girls at her feet, sat Mrs. Dud. Rosy and firm-cheeked, crisp in
+ stiff white duck, deliriously contrasted with her fluffy Parisian parasol,
+ she scorned the softening ruffles of her presumable contemporaries; her
+ delicately squared chin, for the most part held high, showed a straight
+ white collar under a throat only a little fuller than the girlish ones all
+ around her.
+ </p>
+ <p>
+ Old Dudley himself strolled about the group, gossiping here and there with
+ some pretty woman, sending the grave servants from one to another with
+ some particularly desirable sandwich, &ldquo;rubbing it in,&rdquo; as he said to the
+ men who had failed to touch his score on the links, tantalizingly
+ uncertain as to which one of the young women he would invite to lead the
+ cotillon with him at the club dance that week: none of the young men could
+ take his place at that, as they themselves enviously admitted.
+ </p>
+ <p>
+ What a well-matched couple it was! What a lot they got out of life! Varian
+ walked quietly by the group, to enjoy better the pretty, modish picture
+ they made. Their quick chatter, their bursts of laughter, the sweet faint
+ odor of the tea, the gay dresses and light flannels, with the quiet,
+ sombrely attired servants to add tone, all gave him, fresh from Hunter's
+ quick sense of the effective, an appreciation that gained force from his
+ separateness; he walked farther away to get a different point of view.
+ </p>
+ <p>
+ He was out of any path now, and suddenly, hardly beyond reach of their
+ voices, he found himself in a part of the grounds he had never approached
+ before. A thick high hedge shut in a kind of court at the side and back of
+ the great house, and a solid wooden door, carefully matched to its green,
+ left open by accident, showed a picture so out of line with the succession
+ of vivid scenes that dazzled the visitor at Wilton Bluffs that he stopped
+ involuntarily. The rectangle was carpeted with the characteristic emerald
+ turf of the place, divided by intersecting red brick paths into four
+ regular squares. In the farther corner of each of these a trim green
+ clothes-tree was planted, all abloom with snowy fringed napkins that shone
+ dazzling white against the hedge. One of the squares was a neat little
+ kitchen-garden; parsley was there in plenty, and other vaguely familiar
+ green things, curly-leaved and spear-pointed. A warm gust of wind brought
+ mint to his nostrils. A second plot held a small crab-apple tree covered
+ with pink and orange globes. A great tortoise-shell cat with two kittens
+ ornamented the third, and in the middle of the fourth, beside a small
+ wooden table, a woman sat with her back toward the intruder. On the table
+ were one or two tin boxes and a yellow earthen dish; in her left hand,
+ raised to the shoulder-level, was a tall thin bottle, from which an amber
+ fluid dripped in an almost imperceptibly thin stream; her right arm
+ stirred vigorously. She was a middle-aged woman with lightly grayed hair&mdash;a
+ kind of premonitory powdering. Over her full skirt of lavender-striped
+ cotton stuff fell a broad, competent white apron. Except for the thudding
+ of the spoon against the bowl, and a faint, homely echo of clashing china
+ and tin, mingled with occasionally raised voices and laughter from some
+ farther kitchen region, all was utterly, placidly still.
+ </p>
+ <p>
+ Varian stood chained to the open gate. Something in the calm sun-bathed
+ picture tugged strongly at his heart. He thought suddenly of his mother
+ and his Aunt Delia&mdash;he had been very fond of Aunt Delia. And what
+ cookies she used to make! Molasses cookies, brown, moist, and crumbly,
+ they had sweetened his boyhood.
+ </p>
+ <p>
+ What was it, that delighted sense of congruity that filled him, every
+ passing second, with keener familiarity, so strangely tinged with sorrow
+ and regret? Ah, he had it! He bit his lip as it came clear to him. His
+ little namesake nephew, dead at eight years old, and dear as only a dearly
+ loved child can be, had delighted greatly in the Kate Greenaway pictures
+ that came in &ldquo;painting-books,&rdquo; with colored prints on alternate pages and
+ corresponding outlines on the others. Dozens of those books the boy had
+ cleverly filled in with his little japanned paint-box and mussy,
+ quill-handled brushes; and the scene before him, the rich tints of the
+ hedge, the symmetrical little tree brilliant with hundreds of tiny globes,
+ the big white apron, the lazy yellow cats, and everywhere the prim
+ rectangular lines so amusingly conventional to accentuate the likeness,
+ almost choked him with the suddenness of the recognition. They must have
+ colored that very picture a dozen times, Tommy and he.
+ </p>
+ <p>
+ Half unconsciously he rested his arms on the top of the gate and drifted
+ into revery. He forgot that he was at Wilton Bluffs, one of the greatest
+ of the country palaces, and lived for a while in a mingled vision of his
+ boyhood on the old farm and in the land of the Greenaway painting-books.
+ </p>
+ <p>
+ Suddenly a door opened into the green.
+ </p>
+ <p>
+ A housemaid advanced to the table, bearing in both red hands a long tray
+ covered with a napkin. On the napkin lay, heaped in rich confusion, a
+ great pile of spicy, smoking brown cookies.
+ </p>
+ <p>
+ &ldquo;They're just out o' the oven,&rdquo; she began, but Varian could contain
+ himself no longer. He could not be deceived: he would have known those
+ cookies in the Desert of Sahara. He crossed the little plot in three long
+ steps, and faced the astonished maid.
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; he said firmly, &ldquo;but it is very necessary that I
+ should have one of those cookies! I hope you can spare one?&rdquo;
+ </p>
+ <p>
+ She giggled convulsively.
+ </p>
+ <p>
+ &ldquo;I&mdash;I guess you can, sir,&rdquo; she murmured, laying down the tray and
+ retreating toward the house door.
+ </p>
+ <p>
+ Varian faced the older woman, and, with hat still in hand, instinctively
+ bowed lower; for this was no housekeeper&mdash;he was sure of that. Even
+ as she met his eyes a great flood of pink rushed to her smooth forehead,
+ and she dropped her lids as she bowed slightly. He reflected irrelevantly
+ that he had never seen Mrs. Dudley blush in his life.
+ </p>
+ <p>
+ &ldquo;You are very welcome to all you wish, I am sure,&rdquo; she said graciously. &ldquo;I&mdash;I
+ didn't know any one liked them but me. I always have them made for me&mdash;I
+ taught her the rule. I always call them&rdquo;&mdash;she laughed nervously, and
+ it dawned on him that this woman was really shy and &ldquo;talking against
+ time,&rdquo; as they said&mdash;&ldquo;I always call them 'Aunt Delia's cookies.' They&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Aunt Delia's cookies!&rdquo; he interrupted. &ldquo;What Aunt Delia?&rdquo;
+ </p>
+ <p>
+ &ldquo;Aunt Delia Parmentre,&rdquo; she returned, a little surprised, evidently, at
+ this stranger, who, with a straw sailor-hat in one hand and a warm
+ molasses cooky in the other, stared so intently at her. &ldquo;She wasn't really
+ my aunt, of course&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But she was mine!&rdquo; he burst out, &ldquo;and these are her cookies, and no
+ mistake. Who are you?&rdquo;
+ </p>
+ <p>
+ Again she flushed, but more lightly.
+ </p>
+ <p>
+ &ldquo;I am Miss Redding,&rdquo; she said with a gentle dignity, &ldquo;Mrs. Wilton's
+ sister.&rdquo;
+ </p>
+ <p>
+ He stared at her vaguely.
+ </p>
+ <p>
+ &ldquo;Mrs. Wilton&mdash;oh! you're her sister? I didn't know&mdash;&rdquo; He stopped
+ abruptly. As his confusion grew, her own faded away.
+ </p>
+ <p>
+ &ldquo;You didn't know she had one?&rdquo; she asked, almost mischievously.
+ </p>
+ <p>
+ &ldquo;I didn't know you were here,&rdquo; he recovered himself. &ldquo;You've never been
+ with Mrs. Dud before, have you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not here when there was company,&rdquo; she said.
+ </p>
+ <p>
+ He hardly noticed the words; his mind was groping among past histories.
+ </p>
+ <p>
+ &ldquo;Her sister&mdash;her sister,&rdquo; he muttered. &ldquo;Why, then,&rdquo; with an
+ illuminating smile, &ldquo;I used to go to school with you! I'm Tom Varian!&rdquo;
+ </p>
+ <p>
+ She smiled and held out her hand.
+ </p>
+ <p>
+ &ldquo;I'm very glad to see you,&rdquo; she said cordially. &ldquo;Won't you&mdash;&rdquo; She
+ looked about for a chair, but he dropped on the grass at her feet.
+ </p>
+ <p>
+ &ldquo;You've changed since we met last,&rdquo; he remarked, biting into his cooky.
+ She looked at his bronzed face and thick silvered hair and nodded
+ thoughtfully.
+ </p>
+ <p>
+ &ldquo;I was six years old then,&rdquo; she said; &ldquo;and you were one of the 'big boys'&mdash;you
+ were fourteen.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's a long while,&rdquo; he suggested laughingly.
+ </p>
+ <p>
+ &ldquo;It is thirty-six years,&rdquo; she replied simply.
+ </p>
+ <p>
+ He winced. His associates were not accustomed to be so scrupulously
+ accurate. It seemed indecently long ago. And yet there was a certain
+ charm, now one faced it, a quaint halo of interest.
+ </p>
+ <p>
+ &ldquo;You used to hand me water in a tin dipper,&rdquo; he said.
+ </p>
+ <p>
+ She nodded. &ldquo;Yes, that was for a reward, when I was good,&rdquo; she said
+ seriously. &ldquo;I could hand the water to the big boys. I was very proud of
+ it. You drank a great deal.&rdquo;
+ </p>
+ <p>
+ He chuckled. &ldquo;I was born thirsty,&rdquo; he acknowledged. &ldquo;By George, how it
+ comes back! I can see it now, that school-house! Funny little red thing&mdash;remember
+ how it looked? Big shelf around the sides for a desk, and another under
+ that for the books? Bench all round the room to sit on, and we just
+ whopped our legs over and faced round to recite? And carved&mdash;Lord! I
+ don't believe there was an inch of the wood, all told, that was clear! I
+ nearly cut my thumb off there, one day.&rdquo;
+ </p>
+ <p>
+ &ldquo;One of the big girls fainted away,&rdquo; she added, &ldquo;and they laid her on the
+ floor and told me to bring a dipper of water; but my hand shook so I
+ spilled it all over my apron, and she came to before we got more. I was
+ very timid.&rdquo;
+ </p>
+ <p>
+ He began on another cooky.
+ </p>
+ <p>
+ &ldquo;Did you have two pigtails? And striped stockings?&rdquo; he inquired, his eyes
+ fixed reminiscently on the hedge.
+ </p>
+ <p>
+ She nodded softly.
+ </p>
+ <p>
+ &ldquo;And played some game with stones? I can't just remember&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It was houses,&rdquo; she reminded him. &ldquo;We little girls used to make little
+ houses&mdash;just marked out with stones in squares on the ground; and if
+ you boys felt like it, you'd bring us big flat stones to eat our dinner
+ on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, yes!&rdquo; It all came back to him. &ldquo;And then you'd race off to get
+ flag-root or something, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And gobble our dinner as we ran. It was fun, all the same,&rdquo; she added.
+ </p>
+ <p>
+ &ldquo;But what a mite you were, to be in school!&rdquo; he said wonderingly. &ldquo;What
+ under heaven did you study?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't remember at all,&rdquo; she confessed. &ldquo;But I suppose I spelled. Do you
+ remember the spelling-matches? And how you big ones wanted to 'leave off
+ head'?&rdquo;
+ </p>
+ <p>
+ He chuckled. &ldquo;I should say I did! And sometimes the greatest idiot would
+ 'leave off head' because there wasn't any more time. It was maddening!&rdquo;
+ </p>
+ <p>
+ He munched in silence for a while, and she did not dream of interrupting.
+ </p>
+ <p>
+ &ldquo;In the winter, though&mdash;George! but it was cold! We used to
+ positively swim through the drifts. I tell you, there aren't any such
+ snows now! How did you get there?&rdquo;
+ </p>
+ <p>
+ &ldquo;I only went in the summer,&rdquo; she said; &ldquo;and I used to come in all stained
+ with the berries I ate along the way. It was dreadful&rdquo;&mdash;she grew
+ stern, as if addressing the little girl in striped stockings and pigtails&mdash;&ldquo;the
+ way I ate berries! I used to eat the bushes clean on the way to school!&rdquo;
+ </p>
+ <p>
+ She had got over her first shyness, and had gained time to realize her big
+ apron, which she hastily untied. He caught the motion and protested.
+ </p>
+ <p>
+ &ldquo;No, no! Keep it on! I haven't seen a woman&mdash;a lady&mdash;in an apron
+ for years! Please keep it on! And do go on with the&mdash;the mess in the
+ dish!&rdquo;
+ </p>
+ <p>
+ &ldquo;The mess&rdquo;&mdash;she bent her brows reprovingly&mdash;&ldquo;it's mayonnaise
+ sauce. But I don't think&mdash;&rdquo;
+ </p>
+ <p>
+ He jumped up to put the bowl in her lap. A sudden twinge in his knee wrung
+ an involuntary groan from him. He walked a little stiffly toward her.
+ </p>
+ <p>
+ &ldquo;You have rheumatism! And you sat all the time on that damp grass!&rdquo; she
+ cried reproachfully. &ldquo;I thought at first it was the craziest thing to do,
+ but I didn't dare say so.&rdquo;
+ </p>
+ <p>
+ He ignored the charge but smiled at the confession.
+ </p>
+ <p>
+ &ldquo;And now you're not afraid?&rdquo;
+ </p>
+ <p>
+ She blushed again. It was very becoming.
+ </p>
+ <p>
+ &ldquo;It seems&mdash;it seems foolish to act like strangers when it's been so
+ long&mdash;we remember so well&mdash;&rdquo; She sighed a little. He studied her
+ face&mdash;so like her sister's and so utterly different. The same gray
+ eyes, but calm and drooped; the same clear white skin, but a fuller, yes,
+ a more matronly face, a riper, sweeter, more restful curve. The soft dark
+ shadows that accentuated Mrs. Dudley's eyes were lacking; a group of tiny
+ wrinkles at the corners gave her instead a pleasant, humorous regard that
+ her sister's literal directness missed utterly.
+ </p>
+ <p>
+ Nervous under his scrutiny, she rose hastily, and before he could prevent
+ her she had brought him a roomy arm-chair from the house.
+ </p>
+ <p>
+ &ldquo;At our age there's no use in running risks,&rdquo; she said simply, &ldquo;you ought
+ not to sit on the grass; leave that for the young folks.&rdquo;
+ </p>
+ <p>
+ Again he winced, but dropped with relief into the chair.
+ </p>
+ <p>
+ &ldquo;Oh, one must keep up with the procession, you know!&rdquo; he said lightly.
+ </p>
+ <p>
+ She made no reply; and as she lifted the bottle and began to beat the
+ yellow mass again, it occurred to him that the remark was exceptionally
+ silly.
+ </p>
+ <p>
+ &ldquo;Does it have to go in slowly like that&mdash;the whole bottleful?&rdquo; he
+ inquired lazily.
+ </p>
+ <p>
+ She nodded. &ldquo;Or it curdles,&rdquo; she explained. &ldquo;The cook sprained his wrist
+ yesterday. He never allows anybody to make the mayonnaise&mdash;he can't
+ trust them&mdash;and I was glad to do it for him. He says mine is as good
+ as his. Did you ever see him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, no,&rdquo; Varian returned. &ldquo;But he doesn't need to be seen to be
+ appreciated.&rdquo;
+ </p>
+ <p>
+ A strange suspicion crept over him.
+ </p>
+ <p>
+ &ldquo;Do you often&mdash;Do you do much&mdash;How is it that you&mdash;&rdquo; He
+ could not say it properly. Was it possible that Mrs. Dud&mdash;&mdash; It
+ was unworthy of her!
+ </p>
+ <p>
+ She caught his meaning, and her cool gray eyes met his with their
+ uncompromising directness. He seemed convicted of unnecessary shuffling.
+ </p>
+ <p>
+ &ldquo;Oh, Lizzie asked me not to do anything,&rdquo; she said quietly. &ldquo;She wanted me
+ to enjoy myself with her friends. But I'm not used to so much society, and
+ I don't want to be any hinderance. I'm not so young as I used to be. I'd
+ have liked the gayety well enough when I was a girl, but I guess it tires
+ me a little now. There seems to be so much going on all the time. Lizzie
+ says she's resting, but it wouldn't rest me. Do you find it so?&rdquo;
+ </p>
+ <p>
+ He recalled his yesterday's programme: driving a pulling team all the
+ morning; carrying Mrs. Dud's heavy bag over the links all the afternoon&mdash;she
+ preferred her friends to caddies; prompting for the dramatics rehearsal,
+ with a poor light, all the evening, while the actors gossiped and
+ squabbled and flirted contentedly.
+ </p>
+ <p>
+ &ldquo;It is not always restful,&rdquo; he admitted.
+ </p>
+ <p>
+ &ldquo;It makes my head ache,&rdquo; she remarked placidly. &ldquo;I like to see the girls
+ enjoy themselves. I'm glad they're happy&mdash;some of those visiting
+ Lizzie are so pretty!&mdash;but I'm glad I haven't got to run about so
+ much. I'm very fond of driving myself, if I have a good quiet horse that
+ won't shy and doesn't go fast, and Lizzie has one for me&mdash;a white one
+ that's gentle&mdash;and I drive about in the phaëton a great deal. The
+ doctor that came that night&mdash;were you here?&mdash;when Mrs. Page
+ fainted and they couldn't bring her to (it seems she was in the habit of
+ taking some medicine to make her sleep, and it weakened her heart) asked
+ me if I wouldn't like to take out some patients of his, and so I called
+ for a very nice lady&mdash;a Mrs. Williams; you probably don't know her?&mdash;and
+ after that a young girl with spinal trouble, and&mdash;and several others.
+ They seemed to enjoy it, and I'm sure I did. Once I took a young girl
+ that's staying here&mdash;she had a bad headache. She was a sweet girl,
+ and I liked her. She said the drive helped her a great deal. It's
+ astonishing&rdquo;&mdash;her eyes met his wonderingly&mdash;&ldquo;how much trouble
+ you can have, with all the money you want! I&mdash;I was sorry for her,&rdquo;
+ she added, half to herself.
+ </p>
+ <p>
+ Before he thought he leaned forward, took her hand with the silver
+ tablespoon in it, and kissed it gently. He admired her as he would admire
+ some charming soft pastel hung in a cool white room.
+ </p>
+ <p>
+ &ldquo;How sweet and good you are!&rdquo; he said warmly; and then, to cover her deep
+ embarrassment and his own sudden emotion, he continued quickly, &ldquo;Are you
+ very busy in the morning, always?&rdquo;
+ </p>
+ <p>
+ &ldquo;There are different things,&rdquo; she murmured, still looking at her spoon. &ldquo;I
+ have letters to write&mdash;I keep up with a good many old friends in
+ Binghamville and Albany, where I lived with my married niece ten years,
+ till they moved West. I loved her children; I half brought them up. One
+ died; I can't seem to get over it&mdash;&rdquo; Her eyes filled, and she made no
+ effort to cover two tears that slipped over.
+ </p>
+ <p>
+ Varian took her hand again. &ldquo;I know about that&mdash;I know!&rdquo; he said
+ softly.
+ </p>
+ <p>
+ &ldquo;Then there are my flowers; I do so enjoy the beds and the greenhouses
+ here,&rdquo; she went on more cheerfully. &ldquo;The gardeners are very kind to me&mdash;I
+ think they like to have me come in. Mr. McFadden gives me a good many
+ slips and cuttings. I love flowers dearly. Then I read a good deal, and
+ there is always some little thing to do for the young girls here. They&mdash;the
+ ones I know&mdash;come in for a moment while I mend something, or pin
+ their things in the back, and it's surprising how much there is to do!
+ They fly about so they can't stop to take care of their things. They talk
+ to me while I set them straight, and it's very interesting. I tell Lizzie
+ I go out a great deal, just hearing about their adventures, when she drops
+ in to see me. She never forgets me; she brings somebody to my sitting-room
+ every day or so that she thinks I'd enjoy meeting&mdash;and I always do.
+ She never makes a mistake.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, she's wonderful,&rdquo; Varian agreed easily. &ldquo;There's nobody like Mrs.
+ Dud, of course.&rdquo;
+ </p>
+ <p>
+ She stopped her work a moment and looked curiously at him.
+ </p>
+ <p>
+ &ldquo;What do you mean by that?&rdquo; she asked. &ldquo;You all say it&mdash;in just that
+ way; but I don't think I quite see what you mean. Why is she wonderful?
+ Because she looks so young?&rdquo;
+ </p>
+ <p>
+ &ldquo;That, in the first place,&rdquo; Varian returned, with a smile, &ldquo;but not only
+ that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course that is very strange,&rdquo; she mused. &ldquo;Now Lizzie is three years
+ older than I. You would never think it, would you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he agreed, still smiling; &ldquo;but then, Mrs. Dud looks younger than
+ everybody. It is her specialty. I think what we mean,&rdquo; he continued, &ldquo;is
+ her amazing capacity; she does so much, so ridiculously much, and so much
+ better than other people. We try to keep up with things&mdash;your sister
+ is a little bit ahead. She seems to have always been doing the very latest
+ thing, you see. And all her responsibilities, her various affairs&mdash;it
+ makes one's head swim! The women have set themselves a tremendous field to
+ cover nowadays, and when one succeeds so admirably&mdash;&rdquo; He paused.
+ </p>
+ <p>
+ She shook her head thoughtfully.
+ </p>
+ <p>
+ &ldquo;But everything is done for her!&rdquo; she protested. &ldquo;Why, I have never yet
+ seen all the servants in this house! And you know there is a housekeeper?
+ Lizzie sees her a little while in the morning, that's all. And she never
+ sews a stitch&mdash;there's a seamstress here all the time, you know, and
+ that has nothing to do with the clothes that come home in boxes. And
+ little Dudley has his tutor, and his old nurse that looks after his
+ clothes. What is it that she does to make it so wonderful?&rdquo;
+ </p>
+ <p>
+ He only smiled at her perplexity, and she added confidentially:
+ </p>
+ <p>
+ &ldquo;Lizzie wanted me to go to her dressmaker, but I didn't like the idea of a
+ man, to begin with, and then I knew Miss Simms would feel so hurt. She
+ lives in Albany, and she's made my dresses for so long that I thought,
+ though she may not be so stylish, I'd better keep up with her; wouldn't
+ you?&rdquo;
+ </p>
+ <p>
+ A perfectly unreasonable tenderness surged through his heart. How sweet
+ she was!
+ </p>
+ <p>
+ &ldquo;If she made that dress, I certainly should!&rdquo; he declared.
+ </p>
+ <p>
+ She smoothed the crisp lavender folds deprecatingly.
+ </p>
+ <p>
+ &ldquo;Oh, this is only a cotton dress,&rdquo; she said. &ldquo;But she made my gray silk,
+ too, and Lizzie herself said it fitted beautifully.&rdquo;
+ </p>
+ <p>
+ She took up the bottle again: it was nearly empty.
+ </p>
+ <p>
+ &ldquo;Now my mother,&rdquo; she began, &ldquo;<i>she</i> was wonderful, if you like. Do you
+ know what my mother used to do? We lived on the farm, you know, like
+ yours, and most of the work of that farm mother did. She did the cooking&mdash;for
+ all the hired hands, too; she made the butter, and took care of the hens;
+ she made the candles and the soap; she made the carpets and all our
+ clothes&mdash;my brothers', too; and she put up preserves and jellies and
+ cordials, and did the most beautiful embroidery; I have some of mother's
+ embroidered collars, and I can't do anything like them.&rdquo;
+ </p>
+ <p>
+ &ldquo;It was tremendous,&rdquo; he said. &ldquo;My Aunt Delia did that, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;We were old-fashioned, even for then,&rdquo; she said. &ldquo;Everybody didn't do so
+ much, of course, as we did. Lizzie says we were just on the edge of the
+ new age. It certainly is different. And of course I wouldn't go back to it
+ for anything. After we came back from boarding-school it was all changed.
+ We moved, then, nearer the town. But, do you know, my mother went to
+ singing-school, and Lizzie was looking that up in a book, the other day,
+ to see what they did&mdash;she wanted it for a party!&rdquo;
+ </p>
+ <p>
+ He laughed. &ldquo;That <i>is</i> delicious!&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;See what I found to-day!&rdquo; she added, drawing a small object from her
+ pocket. &ldquo;I hunted it up to show Miss Porter tonight. She was so interested
+ when I told her about it.&rdquo;
+ </p>
+ <p>
+ She showed him, with a tender amusement, a little slender white silk
+ mitten. Around the wrist was embroidered in dark blue a legend in Old
+ English script. He puzzled it out: <i>A Whig or no Husband!</i>
+ </p>
+ <p>
+ &ldquo;That was mother's,&rdquo; she said, &ldquo;the girls wore them then. She was quite a
+ belle, mother was! And when people ask me how Lizzie does so much, I say
+ that she inherits it. But at her age mother was broken down and old. She
+ had to be. There were nine of us, and here there's only little Dudley, and
+ it was so long before he came.&rdquo;
+ </p>
+ <p>
+ They sat quietly. The setting sun flamed through the crab-apples and
+ burnished the fur of the tortoise-shell cat. The mint smelled strong. The
+ sweet, mellow summer evening was reflected in her handsome face, with its
+ delicate lines, that only added a restful charm to forehead and cheek. He
+ had no need to talk; it was very, very pleasant sitting there.
+ </p>
+ <p>
+ A maid came out to get the mayonnaise, and the spell was broken. He took
+ out his watch.
+ </p>
+ <p>
+ &ldquo;Just time to dress,&rdquo; he sighed. &ldquo;Will you be here again? We must talk old
+ times once more.&rdquo;
+ </p>
+ <p>
+ She smiled and seemed to assent, but her eyes were not on him; she was
+ still in a revery. He walked softly away. She seemed hardly to notice him,
+ and his last backward glance found the quiet of the picture unbroken;
+ again it was a page from the Greenaway book.
+ </p>
+ <p>
+ He reached the terrace; laughter and applause from the piazza caught his
+ ear. Fresh from the atmosphere he had left, he stared in amazement at the
+ scene before him.
+ </p>
+ <p>
+ Swift figures were scudding from one to another of the four great elms
+ that marked out a natural rectangle on the smooth side lawn.
+ </p>
+ <p>
+ &ldquo;Puss! puss! Here, puss!&rdquo; a high voice called, and a tall slender girl in
+ a swish of lace and pink draperies rushed across one side of the square. A
+ portly trousered figure essayed to gain the tree she had left, but a
+ romping girl in white caught him easily, while Mrs. Dud, the tail of her
+ gown thrown over her arm, skimmed triumphantly across to her partner's
+ tree.
+ </p>
+ <p>
+ &ldquo;One more, one more, colonel. You can't give up, now you're caught! One
+ more before we go in!&rdquo; called the pink girl.
+ </p>
+ <p>
+ &ldquo;Here's Mr. Varian. Come and help us out&mdash;the colonel's beaten!&rdquo;
+ added Mrs. Dud.
+ </p>
+ <p>
+ &ldquo;Here, puss! here, puss!&rdquo; With excited little shrieks and laughs they
+ dashed by, the colonel making ineffectual grabs at their elusive skirts.
+ Varian shook his head good-naturedly.
+ </p>
+ <p>
+ &ldquo;Too late, too late!&rdquo; he called back, and taking pity on the puffing,
+ purple colonel, he bore him off.
+ </p>
+ <p>
+ &ldquo;Thank God! I'm just about winded! I'd have dropped in my tracks,&rdquo;
+ complained the rescued man, breathing hard as they rounded the shrubbery.
+ In the corner two figures, half seen in the dark, leaned toward each other
+ an imperceptible moment. The colonel laughed contentedly.
+ </p>
+ <p>
+ &ldquo;When I see that sort of thing, I think we've made a mistake&mdash;eh,
+ Varian?&rdquo; he said, half serious. &ldquo;It's a poor job, getting old alone. Live
+ at the club, visit here and there, make yourself agreeable to get asked
+ again, nobody to care if you're sick, always play the other fellow's game&mdash;little
+ monotonous after a while, eh?&rdquo;
+ </p>
+ <p>
+ Varian nodded. &ldquo;Right enough,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Different ending to their route!&rdquo; suggested the colonel, jerking his
+ elbow back toward the two in the shrubbery.
+ </p>
+ <p>
+ &ldquo;That's it!&rdquo; The answer was laconic, but the pictures that swept through
+ his brain took on a precision and color that half frightened him.
+ </p>
+ <p>
+ He had no idea how frequently he dropped in at the little court behind the
+ hedge after that. Sometimes he sat and mused alone there; more than once
+ he took a surreptitious afternoon nap. He developed a dormant fancy for
+ gardening, and walked with his new-old friend contentedly among the
+ deserted garden paths. He studied her hair especially, wondering why it
+ was that the little tender flecks of white attracted him so. At dinner he
+ secretly tried to rouse in himself the same desire to stroke the gleaming
+ silver fleece, high-dressed, puffed, and ornamented with jet, of the woman
+ opposite him, whose hair, somewhat prematurely turned snowy, had won her a
+ great vogue among her friends. But he never succeeded. She was absolutely
+ too effective. She turned the simplest gathering to a fancy-dress ball, he
+ decided.
+ </p>
+ <p>
+ He had supposed that it was the quaint privacy of their acquaintance that
+ charmed him particularly&mdash;the feeling of an almost double existence;
+ but when Mrs. Dud, who, he afterwards reflected, was of course omniscient,
+ restrained herself no longer, and thanked him with a pretty sincerity for
+ his delicate and appreciated courtesy, intimating charmingly that she
+ realized the personal motive, a veil suddenly dropped. He gasped, shook
+ himself, colored a little, and met her eye.
+ </p>
+ <p>
+ &ldquo;I'm afraid I'm not so kind as you think,&rdquo; he said, a little awkwardly.
+ &ldquo;I've been an old fool, I see. Do you think&mdash;is that the way <i>she</i>
+ looks at it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mary?&rdquo; said Mrs. Dud, wonderingly. &ldquo;Yes, I suppose so. Why?&rdquo;
+ </p>
+ <p>
+ The naïve egotism of the answer only threw a softer light on the picture
+ that had grown to fill his thoughts. He smiled inscrutably.
+ </p>
+ <p>
+ &ldquo;Because in that case it is due to her to undeceive her,&rdquo; he said. &ldquo;I am
+ glad I have entertained her. I should like to have the opportunity to do
+ so indefinitely. Do you think there's a chance for me?&rdquo;
+ </p>
+ <p>
+ &ldquo;What on earth do you mean?&rdquo; asked his hostess, in unassumed stupefaction.
+ </p>
+ <p>
+ &ldquo;I mean, do you think she would marry me?&rdquo; Varian brought out plumply. &ldquo;Is
+ there&mdash;was there ever anybody else?&rdquo;
+ </p>
+ <p>
+ For one instant Mrs. Dud lost her poise; in her eyes he almost saw more
+ than she meant; the sheer, flat blow of it levelled her for a breath to
+ the plane of other and ordinary women. But even as he thought it, it was
+ gone. She put out her hand; she smiled; she shook her finger at him.
+ </p>
+ <p>
+ &ldquo;I think, my friend, she would be a fool not to marry you,&rdquo; she answered
+ him, clear-eyed; &ldquo;and there was never,&rdquo; her tone was too sweet, he
+ thought, to carry but one meaning&mdash;pleasure for him, &ldquo;there was never
+ anybody else!&rdquo;
+ </p>
+ <p>
+ Varian walked straight to the garden. She was training a fiery wall of
+ nasturtiums with firm white fingers. It occurred to him that he was ready
+ to give up the tally-ho, and the Berkshires, and the scramble of pretty
+ girls for the place beside him, to sit quietly and watch her among her
+ flowers.
+ </p>
+ <p>
+ &ldquo;I'm getting old&mdash;old!&rdquo; he said to himself, but he said it with a
+ smile.
+ </p>
+ <p>
+ For he knew that no boy's heart ever beat more swiftly, no boy's tongue
+ ever sought more excitedly to find the right words. But when he faced her
+ a little doubt chilled him: she was so calm and complete, in her sunny,
+ busy, balanced life, that he feared to disturb that sweet placidity. With
+ an undercurrent of fear, a sudden realization that he had no more the
+ blessed egotism of youth to drive him on, he walked beside her, outwardly
+ content, at heart a little solitary. At some light question he turned and
+ faced her.
+ </p>
+ <p>
+ &ldquo;You could not have all the greenhouses, but there could be plenty of
+ flowers,&rdquo; he said pleadingly.
+ </p>
+ <p>
+ &ldquo;Flowers? Where?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Wherever we lived,&rdquo; he answered. &ldquo;And oh, Mary, I think we could be happy
+ together! Don't say no!&rdquo; as she shrank a little. &ldquo;Don't, Mary, for
+ heaven's sake! I care too much&mdash;I care terribly. I am too old a man
+ to care so much and&mdash;lose.... There, there, my dear girl, never mind.
+ I can bear it, of course. Only I didn't know I'd planned it all out so,
+ and&mdash;But never mind. I was going to have a bay-window full of&mdash;&rdquo;
+ </p>
+ <p>
+ He turned away from her for a moment. But her hand was on his arm.
+ </p>
+ <p>
+ &ldquo;We can plan it out together,&rdquo; she said.
+ </p>
+ <p>
+ He knew how she would blush; he had even dared to think how directly her
+ clear gray eyes would meet his&mdash;her sky-ness was never hesitation&mdash;but
+ he had not dreamed how soft her hair could be.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+***** This file should be named 23369-h.htm or 23369-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23369/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/23369.txt b/23369.txt
new file mode 100644
index 0000000..0a1eaf7
--- /dev/null
+++ b/23369.txt
@@ -0,0 +1,1039 @@
+The Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mrs. Dud's Sister
+
+Author: Josephine Daskam
+
+Release Date: November 6, 2007 [EBook #23369]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+MRS. DUD'S SISTER
+
+By Josephine Daskam
+
+Copyright, 1903, by Charles Scribner's Sons
+
+
+They were having tea on the terrace. As Varian strolled up to the group
+he wished that Hunter could see the picture they made--Hunter, who
+had not been in America for thirty years, and who had been so honestly
+surprised when Varian had spoken of Mrs. Dud's pretty maids--she always
+had pretty ones, even to the cook's third assistant.
+
+"Maids? Maids? It used to be 'help,'" he had protested. "You don't mean
+to say they have waitresses in Binghamville now?"
+
+Varian had despaired of giving him any idea.
+
+"Come over and see Mrs. Dud," he had urged, "and do her portrait. We've
+moved on since you left us, you know. She's a wonder--she really is.
+When you remember how she used to carry her father's dinner to the store
+Saturday afternoons--"
+
+"And now I suppose she sports real Mechlin on her cap," assented Hunter,
+anxious to show how perfectly he caught the situation.
+
+Varian had roared helplessly. "Cap? Cap!" he had moaned finally. "Oh, my
+sainted granny! Cap! My poor fellow, your view of Binghamville must be
+like the old maps of Africa in the green geography, that said 'desert'
+and 'interior' and 'savage tribes' from time to time. I should like
+awfully to see Mrs. Dud in a cap."
+
+Hunter had looked puzzled.
+
+"But, dear me! she might very well wear one, I should think," he had
+murmured defensively. "I don't wish to be invidious, but surely
+Lizzie must be--let's see; 'eighty, 'ninety--why, she must be between
+forty-five and fifty now."
+
+Varian had waved his hand dramatically. "Nobody considers Mrs. Dud and
+time in the same breath. If you could see her in her golf rig! Or on
+a horse! She even sheds a lustre on the rest of us. I forget my
+rheumatism!"
+
+But Hunter, retreating behind his determination to avoid a second
+seasickness--it might have been sincere; nobody ever knew--had stayed
+in Florence, and Varian had been obliged to come without him to the
+house-party.
+
+On a straw cushion, a cup in her strong white hand, a bunch of adoring
+young girls at her feet, sat Mrs. Dud. Rosy and firm-cheeked, crisp
+in stiff white duck, deliriously contrasted with her fluffy
+Parisian parasol, she scorned the softening ruffles of her presumable
+contemporaries; her delicately squared chin, for the most part held
+high, showed a straight white collar under a throat only a little fuller
+than the girlish ones all around her.
+
+Old Dudley himself strolled about the group, gossiping here and there
+with some pretty woman, sending the grave servants from one to another
+with some particularly desirable sandwich, "rubbing it in," as he said
+to the men who had failed to touch his score on the links, tantalizingly
+uncertain as to which one of the young women he would invite to lead
+the cotillon with him at the club dance that week: none of the young men
+could take his place at that, as they themselves enviously admitted.
+
+What a well-matched couple it was! What a lot they got out of life!
+Varian walked quietly by the group, to enjoy better the pretty, modish
+picture they made. Their quick chatter, their bursts of laughter, the
+sweet faint odor of the tea, the gay dresses and light flannels, with
+the quiet, sombrely attired servants to add tone, all gave him, fresh
+from Hunter's quick sense of the effective, an appreciation that gained
+force from his separateness; he walked farther away to get a different
+point of view.
+
+He was out of any path now, and suddenly, hardly beyond reach of
+their voices, he found himself in a part of the grounds he had never
+approached before. A thick high hedge shut in a kind of court at the
+side and back of the great house, and a solid wooden door, carefully
+matched to its green, left open by accident, showed a picture so out
+of line with the succession of vivid scenes that dazzled the visitor at
+Wilton Bluffs that he stopped involuntarily. The rectangle was
+carpeted with the characteristic emerald turf of the place, divided by
+intersecting red brick paths into four regular squares. In the farther
+corner of each of these a trim green clothes-tree was planted, all
+abloom with snowy fringed napkins that shone dazzling white against the
+hedge. One of the squares was a neat little kitchen-garden; parsley was
+there in plenty, and other vaguely familiar green things, curly-leaved
+and spear-pointed. A warm gust of wind brought mint to his nostrils. A
+second plot held a small crab-apple tree covered with pink and orange
+globes. A great tortoise-shell cat with two kittens ornamented the
+third, and in the middle of the fourth, beside a small wooden table, a
+woman sat with her back toward the intruder. On the table were one or
+two tin boxes and a yellow earthen dish; in her left hand, raised to
+the shoulder-level, was a tall thin bottle, from which an amber fluid
+dripped in an almost imperceptibly thin stream; her right arm stirred
+vigorously. She was a middle-aged woman with lightly grayed hair--a kind
+of premonitory powdering. Over her full skirt of lavender-striped cotton
+stuff fell a broad, competent white apron. Except for the thudding of
+the spoon against the bowl, and a faint, homely echo of clashing china
+and tin, mingled with occasionally raised voices and laughter from some
+farther kitchen region, all was utterly, placidly still.
+
+Varian stood chained to the open gate. Something in the calm sun-bathed
+picture tugged strongly at his heart. He thought suddenly of his mother
+and his Aunt Delia--he had been very fond of Aunt Delia. And what
+cookies she used to make! Molasses cookies, brown, moist, and crumbly,
+they had sweetened his boyhood.
+
+What was it, that delighted sense of congruity that filled him, every
+passing second, with keener familiarity, so strangely tinged with sorrow
+and regret? Ah, he had it! He bit his lip as it came clear to him. His
+little namesake nephew, dead at eight years old, and dear as only a
+dearly loved child can be, had delighted greatly in the Kate Greenaway
+pictures that came in "painting-books," with colored prints on alternate
+pages and corresponding outlines on the others. Dozens of those books
+the boy had cleverly filled in with his little japanned paint-box and
+mussy, quill-handled brushes; and the scene before him, the rich tints
+of the hedge, the symmetrical little tree brilliant with hundreds of
+tiny globes, the big white apron, the lazy yellow cats, and everywhere
+the prim rectangular lines so amusingly conventional to accentuate the
+likeness, almost choked him with the suddenness of the recognition. They
+must have colored that very picture a dozen times, Tommy and he.
+
+Half unconsciously he rested his arms on the top of the gate and drifted
+into revery. He forgot that he was at Wilton Bluffs, one of the greatest
+of the country palaces, and lived for a while in a mingled vision of his
+boyhood on the old farm and in the land of the Greenaway painting-books.
+
+Suddenly a door opened into the green.
+
+A housemaid advanced to the table, bearing in both red hands a long tray
+covered with a napkin. On the napkin lay, heaped in rich confusion, a
+great pile of spicy, smoking brown cookies.
+
+"They're just out o' the oven," she began, but Varian could contain
+himself no longer. He could not be deceived: he would have known those
+cookies in the Desert of Sahara. He crossed the little plot in three
+long steps, and faced the astonished maid.
+
+"I beg your pardon," he said firmly, "but it is very necessary that I
+should have one of those cookies! I hope you can spare one?"
+
+She giggled convulsively.
+
+"I--I guess you can, sir," she murmured, laying down the tray and
+retreating toward the house door.
+
+Varian faced the older woman, and, with hat still in hand, instinctively
+bowed lower; for this was no housekeeper--he was sure of that. Even as
+she met his eyes a great flood of pink rushed to her smooth forehead,
+and she dropped her lids as she bowed slightly. He reflected
+irrelevantly that he had never seen Mrs. Dudley blush in his life.
+
+"You are very welcome to all you wish, I am sure," she said graciously.
+"I--I didn't know any one liked them but me. I always have them made for
+me--I taught her the rule. I always call them"--she laughed nervously,
+and it dawned on him that this woman was really shy and "talking against
+time," as they said--"I always call them 'Aunt Delia's cookies.' They--"
+
+"Aunt Delia's cookies!" he interrupted. "What Aunt Delia?"
+
+"Aunt Delia Parmentre," she returned, a little surprised, evidently,
+at this stranger, who, with a straw sailor-hat in one hand and a warm
+molasses cooky in the other, stared so intently at her. "She wasn't
+really my aunt, of course--"
+
+"But she was mine!" he burst out, "and these are her cookies, and no
+mistake. Who are you?"
+
+Again she flushed, but more lightly.
+
+"I am Miss Redding," she said with a gentle dignity, "Mrs. Wilton's
+sister."
+
+He stared at her vaguely.
+
+"Mrs. Wilton--oh! you're her sister? I didn't know--" He stopped
+abruptly. As his confusion grew, her own faded away.
+
+"You didn't know she had one?" she asked, almost mischievously.
+
+"I didn't know you were here," he recovered himself. "You've never been
+with Mrs. Dud before, have you?"
+
+"No, not here when there was company," she said.
+
+He hardly noticed the words; his mind was groping among past histories.
+
+"Her sister--her sister," he muttered. "Why, then," with an illuminating
+smile, "I used to go to school with you! I'm Tom Varian!"
+
+She smiled and held out her hand.
+
+"I'm very glad to see you," she said cordially. "Won't you--" She looked
+about for a chair, but he dropped on the grass at her feet.
+
+"You've changed since we met last," he remarked, biting into his cooky.
+She looked at his bronzed face and thick silvered hair and nodded
+thoughtfully.
+
+"I was six years old then," she said; "and you were one of the 'big
+boys'--you were fourteen."
+
+"That's a long while," he suggested laughingly.
+
+"It is thirty-six years," she replied simply.
+
+He winced. His associates were not accustomed to be so scrupulously
+accurate. It seemed indecently long ago. And yet there was a certain
+charm, now one faced it, a quaint halo of interest.
+
+"You used to hand me water in a tin dipper," he said.
+
+She nodded. "Yes, that was for a reward, when I was good," she said
+seriously. "I could hand the water to the big boys. I was very proud of
+it. You drank a great deal."
+
+He chuckled. "I was born thirsty," he acknowledged. "By George, how
+it comes back! I can see it now, that school-house! Funny little red
+thing--remember how it looked? Big shelf around the sides for a desk,
+and another under that for the books? Bench all round the room to sit
+on, and we just whopped our legs over and faced round to recite? And
+carved--Lord! I don't believe there was an inch of the wood, all told,
+that was clear! I nearly cut my thumb off there, one day."
+
+"One of the big girls fainted away," she added, "and they laid her on
+the floor and told me to bring a dipper of water; but my hand shook so I
+spilled it all over my apron, and she came to before we got more. I was
+very timid."
+
+He began on another cooky.
+
+"Did you have two pigtails? And striped stockings?" he inquired, his
+eyes fixed reminiscently on the hedge.
+
+She nodded softly.
+
+"And played some game with stones? I can't just remember--"
+
+"It was houses," she reminded him. "We little girls used to make little
+houses--just marked out with stones in squares on the ground; and if you
+boys felt like it, you'd bring us big flat stones to eat our dinner on."
+
+"Ah, yes!" It all came back to him. "And then you'd race off to get
+flag-root or something, and--"
+
+"And gobble our dinner as we ran. It was fun, all the same," she added.
+
+"But what a mite you were, to be in school!" he said wonderingly. "What
+under heaven did you study?"
+
+"I don't remember at all," she confessed. "But I suppose I spelled. Do
+you remember the spelling-matches? And how you big ones wanted to 'leave
+off head'?"
+
+He chuckled. "I should say I did! And sometimes the greatest idiot would
+'leave off head' because there wasn't any more time. It was maddening!"
+
+He munched in silence for a while, and she did not dream of
+interrupting.
+
+"In the winter, though--George! but it was cold! We used to positively
+swim through the drifts. I tell you, there aren't any such snows now!
+How did you get there?"
+
+"I only went in the summer," she said; "and I used to come in all
+stained with the berries I ate along the way. It was dreadful"--she
+grew stern, as if addressing the little girl in striped stockings and
+pigtails--"the way I ate berries! I used to eat the bushes clean on the
+way to school!"
+
+She had got over her first shyness, and had gained time to realize her
+big apron, which she hastily untied. He caught the motion and protested.
+
+"No, no! Keep it on! I haven't seen a woman--a lady--in an apron for
+years! Please keep it on! And do go on with the--the mess in the dish!"
+
+"The mess"--she bent her brows reprovingly--"it's mayonnaise sauce. But
+I don't think--"
+
+He jumped up to put the bowl in her lap. A sudden twinge in his knee
+wrung an involuntary groan from him. He walked a little stiffly toward
+her.
+
+"You have rheumatism! And you sat all the time on that damp grass!" she
+cried reproachfully. "I thought at first it was the craziest thing to
+do, but I didn't dare say so."
+
+He ignored the charge but smiled at the confession.
+
+"And now you're not afraid?"
+
+She blushed again. It was very becoming.
+
+"It seems--it seems foolish to act like strangers when it's been
+so long--we remember so well--" She sighed a little. He studied her
+face--so like her sister's and so utterly different. The same gray eyes,
+but calm and drooped; the same clear white skin, but a fuller, yes, a
+more matronly face, a riper, sweeter, more restful curve. The soft dark
+shadows that accentuated Mrs. Dudley's eyes were lacking; a group of
+tiny wrinkles at the corners gave her instead a pleasant, humorous
+regard that her sister's literal directness missed utterly.
+
+Nervous under his scrutiny, she rose hastily, and before he could
+prevent her she had brought him a roomy arm-chair from the house.
+
+"At our age there's no use in running risks," she said simply, "you
+ought not to sit on the grass; leave that for the young folks."
+
+Again he winced, but dropped with relief into the chair.
+
+"Oh, one must keep up with the procession, you know!" he said lightly.
+
+She made no reply; and as she lifted the bottle and began to beat the
+yellow mass again, it occurred to him that the remark was exceptionally
+silly.
+
+"Does it have to go in slowly like that--the whole bottleful?" he
+inquired lazily.
+
+She nodded. "Or it curdles," she explained. "The cook sprained his wrist
+yesterday. He never allows anybody to make the mayonnaise--he can't
+trust them--and I was glad to do it for him. He says mine is as good as
+his. Did you ever see him?"
+
+"Well, no," Varian returned. "But he doesn't need to be seen to be
+appreciated."
+
+A strange suspicion crept over him.
+
+"Do you often--Do you do much--How is it that you--" He could not say it
+properly. Was it possible that Mrs. Dud---- It was unworthy of her!
+
+She caught his meaning, and her cool gray eyes met his with their
+uncompromising directness. He seemed convicted of unnecessary shuffling.
+
+"Oh, Lizzie asked me not to do anything," she said quietly. "She
+wanted me to enjoy myself with her friends. But I'm not used to so much
+society, and I don't want to be any hinderance. I'm not so young as I
+used to be. I'd have liked the gayety well enough when I was a girl, but
+I guess it tires me a little now. There seems to be so much going on
+all the time. Lizzie says she's resting, but it wouldn't rest me. Do you
+find it so?"
+
+He recalled his yesterday's programme: driving a pulling team all
+the morning; carrying Mrs. Dud's heavy bag over the links all the
+afternoon--she preferred her friends to caddies; prompting for the
+dramatics rehearsal, with a poor light, all the evening, while the
+actors gossiped and squabbled and flirted contentedly.
+
+"It is not always restful," he admitted.
+
+"It makes my head ache," she remarked placidly. "I like to see the girls
+enjoy themselves. I'm glad they're happy--some of those visiting Lizzie
+are so pretty!--but I'm glad I haven't got to run about so much. I'm
+very fond of driving myself, if I have a good quiet horse that won't
+shy and doesn't go fast, and Lizzie has one for me--a white one that's
+gentle--and I drive about in the phaeton a great deal. The doctor
+that came that night--were you here?--when Mrs. Page fainted and they
+couldn't bring her to (it seems she was in the habit of taking some
+medicine to make her sleep, and it weakened her heart) asked me if I
+wouldn't like to take out some patients of his, and so I called for a
+very nice lady--a Mrs. Williams; you probably don't know her?--and after
+that a young girl with spinal trouble, and--and several others. They
+seemed to enjoy it, and I'm sure I did. Once I took a young girl that's
+staying here--she had a bad headache. She was a sweet girl, and I liked
+her. She said the drive helped her a great deal. It's astonishing"--her
+eyes met his wonderingly--"how much trouble you can have, with all the
+money you want! I--I was sorry for her," she added, half to herself.
+
+Before he thought he leaned forward, took her hand with the silver
+tablespoon in it, and kissed it gently. He admired her as he would
+admire some charming soft pastel hung in a cool white room.
+
+"How sweet and good you are!" he said warmly; and then, to cover her
+deep embarrassment and his own sudden emotion, he continued quickly,
+"Are you very busy in the morning, always?"
+
+"There are different things," she murmured, still looking at her spoon.
+"I have letters to write--I keep up with a good many old friends in
+Binghamville and Albany, where I lived with my married niece ten years,
+till they moved West. I loved her children; I half brought them up. One
+died; I can't seem to get over it--" Her eyes filled, and she made no
+effort to cover two tears that slipped over.
+
+Varian took her hand again. "I know about that--I know!" he said softly.
+
+"Then there are my flowers; I do so enjoy the beds and the greenhouses
+here," she went on more cheerfully. "The gardeners are very kind to
+me--I think they like to have me come in. Mr. McFadden gives me a good
+many slips and cuttings. I love flowers dearly. Then I read a good deal,
+and there is always some little thing to do for the young girls here.
+They--the ones I know--come in for a moment while I mend something, or
+pin their things in the back, and it's surprising how much there is to
+do! They fly about so they can't stop to take care of their things. They
+talk to me while I set them straight, and it's very interesting. I tell
+Lizzie I go out a great deal, just hearing about their adventures, when
+she drops in to see me. She never forgets me; she brings somebody to my
+sitting-room every day or so that she thinks I'd enjoy meeting--and I
+always do. She never makes a mistake."
+
+"Oh, she's wonderful," Varian agreed easily. "There's nobody like Mrs.
+Dud, of course."
+
+She stopped her work a moment and looked curiously at him.
+
+"What do you mean by that?" she asked. "You all say it--in just that
+way; but I don't think I quite see what you mean. Why is she wonderful?
+Because she looks so young?"
+
+"That, in the first place," Varian returned, with a smile, "but not only
+that."
+
+"Of course that is very strange," she mused. "Now Lizzie is three years
+older than I. You would never think it, would you?"
+
+"No," he agreed, still smiling; "but then, Mrs. Dud looks younger than
+everybody. It is her specialty. I think what we mean," he continued,
+"is her amazing capacity; she does so much, so ridiculously much, and
+so much better than other people. We try to keep up with things--your
+sister is a little bit ahead. She seems to have always been doing the
+very latest thing, you see. And all her responsibilities, her various
+affairs--it makes one's head swim! The women have set themselves
+a tremendous field to cover nowadays, and when one succeeds so
+admirably--" He paused.
+
+She shook her head thoughtfully.
+
+"But everything is done for her!" she protested. "Why, I have never
+yet seen all the servants in this house! And you know there is a
+housekeeper? Lizzie sees her a little while in the morning, that's all.
+And she never sews a stitch--there's a seamstress here all the time,
+you know, and that has nothing to do with the clothes that come home
+in boxes. And little Dudley has his tutor, and his old nurse that looks
+after his clothes. What is it that she does to make it so wonderful?"
+
+He only smiled at her perplexity, and she added confidentially:
+
+"Lizzie wanted me to go to her dressmaker, but I didn't like the idea of
+a man, to begin with, and then I knew Miss Simms would feel so hurt. She
+lives in Albany, and she's made my dresses for so long that I thought,
+though she may not be so stylish, I'd better keep up with her; wouldn't
+you?"
+
+A perfectly unreasonable tenderness surged through his heart. How sweet
+she was!
+
+"If she made that dress, I certainly should!" he declared.
+
+She smoothed the crisp lavender folds deprecatingly.
+
+"Oh, this is only a cotton dress," she said. "But she made my gray silk,
+too, and Lizzie herself said it fitted beautifully."
+
+She took up the bottle again: it was nearly empty.
+
+"Now my mother," she began, "_she_ was wonderful, if you like. Do you
+know what my mother used to do? We lived on the farm, you know, like
+yours, and most of the work of that farm mother did. She did the
+cooking--for all the hired hands, too; she made the butter, and took
+care of the hens; she made the candles and the soap; she made the
+carpets and all our clothes--my brothers', too; and she put up preserves
+and jellies and cordials, and did the most beautiful embroidery; I
+have some of mother's embroidered collars, and I can't do anything like
+them."
+
+"It was tremendous," he said. "My Aunt Delia did that, too."
+
+"We were old-fashioned, even for then," she said. "Everybody didn't do
+so much, of course, as we did. Lizzie says we were just on the edge of
+the new age. It certainly is different. And of course I wouldn't go back
+to it for anything. After we came back from boarding-school it was all
+changed. We moved, then, nearer the town. But, do you know, my mother
+went to singing-school, and Lizzie was looking that up in a book, the
+other day, to see what they did--she wanted it for a party!"
+
+He laughed. "That _is_ delicious!" he said.
+
+"See what I found to-day!" she added, drawing a small object from
+her pocket. "I hunted it up to show Miss Porter tonight. She was so
+interested when I told her about it."
+
+She showed him, with a tender amusement, a little slender white silk
+mitten. Around the wrist was embroidered in dark blue a legend in Old
+English script. He puzzled it out: _A Whig or no Husband!_
+
+"That was mother's," she said, "the girls wore them then. She was quite
+a belle, mother was! And when people ask me how Lizzie does so much, I
+say that she inherits it. But at her age mother was broken down and
+old. She had to be. There were nine of us, and here there's only little
+Dudley, and it was so long before he came."
+
+They sat quietly. The setting sun flamed through the crab-apples and
+burnished the fur of the tortoise-shell cat. The mint smelled strong.
+The sweet, mellow summer evening was reflected in her handsome face,
+with its delicate lines, that only added a restful charm to forehead and
+cheek. He had no need to talk; it was very, very pleasant sitting there.
+
+A maid came out to get the mayonnaise, and the spell was broken. He took
+out his watch.
+
+"Just time to dress," he sighed. "Will you be here again? We must talk
+old times once more."
+
+She smiled and seemed to assent, but her eyes were not on him; she was
+still in a revery. He walked softly away. She seemed hardly to notice
+him, and his last backward glance found the quiet of the picture
+unbroken; again it was a page from the Greenaway book.
+
+He reached the terrace; laughter and applause from the piazza caught his
+ear. Fresh from the atmosphere he had left, he stared in amazement at
+the scene before him.
+
+Swift figures were scudding from one to another of the four great elms
+that marked out a natural rectangle on the smooth side lawn.
+
+"Puss! puss! Here, puss!" a high voice called, and a tall slender girl
+in a swish of lace and pink draperies rushed across one side of the
+square. A portly trousered figure essayed to gain the tree she had left,
+but a romping girl in white caught him easily, while Mrs. Dud, the tail
+of her gown thrown over her arm, skimmed triumphantly across to her
+partner's tree.
+
+"One more, one more, colonel. You can't give up, now you're caught! One
+more before we go in!" called the pink girl.
+
+"Here's Mr. Varian. Come and help us out--the colonel's beaten!" added
+Mrs. Dud.
+
+"Here, puss! here, puss!" With excited little shrieks and laughs they
+dashed by, the colonel making ineffectual grabs at their elusive skirts.
+Varian shook his head good-naturedly.
+
+"Too late, too late!" he called back, and taking pity on the puffing,
+purple colonel, he bore him off.
+
+"Thank God! I'm just about winded! I'd have dropped in my tracks,"
+complained the rescued man, breathing hard as they rounded the
+shrubbery. In the corner two figures, half seen in the dark, leaned
+toward each other an imperceptible moment. The colonel laughed
+contentedly.
+
+"When I see that sort of thing, I think we've made a mistake--eh,
+Varian?" he said, half serious. "It's a poor job, getting old alone.
+Live at the club, visit here and there, make yourself agreeable to
+get asked again, nobody to care if you're sick, always play the other
+fellow's game--little monotonous after a while, eh?"
+
+Varian nodded. "Right enough," he said.
+
+"Different ending to their route!" suggested the colonel, jerking his
+elbow back toward the two in the shrubbery.
+
+"That's it!" The answer was laconic, but the pictures that swept through
+his brain took on a precision and color that half frightened him.
+
+He had no idea how frequently he dropped in at the little court behind
+the hedge after that. Sometimes he sat and mused alone there; more than
+once he took a surreptitious afternoon nap. He developed a dormant fancy
+for gardening, and walked with his new-old friend contentedly among the
+deserted garden paths. He studied her hair especially, wondering why it
+was that the little tender flecks of white attracted him so. At dinner
+he secretly tried to rouse in himself the same desire to stroke the
+gleaming silver fleece, high-dressed, puffed, and ornamented with jet,
+of the woman opposite him, whose hair, somewhat prematurely turned
+snowy, had won her a great vogue among her friends. But he never
+succeeded. She was absolutely too effective. She turned the simplest
+gathering to a fancy-dress ball, he decided.
+
+He had supposed that it was the quaint privacy of their acquaintance
+that charmed him particularly--the feeling of an almost double
+existence; but when Mrs. Dud, who, he afterwards reflected, was of
+course omniscient, restrained herself no longer, and thanked him with a
+pretty sincerity for his delicate and appreciated courtesy, intimating
+charmingly that she realized the personal motive, a veil suddenly
+dropped. He gasped, shook himself, colored a little, and met her eye.
+
+"I'm afraid I'm not so kind as you think," he said, a little awkwardly.
+"I've been an old fool, I see. Do you think--is that the way _she_ looks
+at it?"
+
+"Mary?" said Mrs. Dud, wonderingly. "Yes, I suppose so. Why?"
+
+The naive egotism of the answer only threw a softer light on the picture
+that had grown to fill his thoughts. He smiled inscrutably.
+
+"Because in that case it is due to her to undeceive her," he said. "I am
+glad I have entertained her. I should like to have the opportunity to do
+so indefinitely. Do you think there's a chance for me?"
+
+"What on earth do you mean?" asked his hostess, in unassumed
+stupefaction.
+
+"I mean, do you think she would marry me?" Varian brought out plumply.
+"Is there--was there ever anybody else?"
+
+For one instant Mrs. Dud lost her poise; in her eyes he almost saw more
+than she meant; the sheer, flat blow of it levelled her for a breath to
+the plane of other and ordinary women. But even as he thought it, it was
+gone. She put out her hand; she smiled; she shook her finger at him.
+
+"I think, my friend, she would be a fool not to marry you," she answered
+him, clear-eyed; "and there was never," her tone was too sweet, he
+thought, to carry but one meaning--pleasure for him, "there was never
+anybody else!"
+
+Varian walked straight to the garden. She was training a fiery wall
+of nasturtiums with firm white fingers. It occurred to him that he was
+ready to give up the tally-ho, and the Berkshires, and the scramble
+of pretty girls for the place beside him, to sit quietly and watch her
+among her flowers.
+
+"I'm getting old--old!" he said to himself, but he said it with a smile.
+
+For he knew that no boy's heart ever beat more swiftly, no boy's tongue
+ever sought more excitedly to find the right words. But when he faced
+her a little doubt chilled him: she was so calm and complete, in
+her sunny, busy, balanced life, that he feared to disturb that sweet
+placidity. With an undercurrent of fear, a sudden realization that he
+had no more the blessed egotism of youth to drive him on, he walked
+beside her, outwardly content, at heart a little solitary. At some light
+question he turned and faced her.
+
+"You could not have all the greenhouses, but there could be plenty of
+flowers," he said pleadingly.
+
+"Flowers? Where?" she asked.
+
+"Wherever we lived," he answered. "And oh, Mary, I think we could be
+happy together! Don't say no!" as she shrank a little. "Don't, Mary, for
+heaven's sake! I care too much--I care terribly. I am too old a man to
+care so much and--lose.... There, there, my dear girl, never mind. I
+can bear it, of course. Only I didn't know I'd planned it all out so,
+and--But never mind. I was going to have a bay-window full of--"
+
+He turned away from her for a moment. But her hand was on his arm.
+
+"We can plan it out together," she said.
+
+He knew how she would blush; he had even dared to think how directly her
+clear gray eyes would meet his--her sky-ness was never hesitation--but
+he had not dreamed how soft her hair could be.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+***** This file should be named 23369.txt or 23369.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23369/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23369.zip b/23369.zip
new file mode 100644
index 0000000..fab2bc1
--- /dev/null
+++ b/23369.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..9a0c749
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #23369 (https://www.gutenberg.org/ebooks/23369)
diff --git a/old/23369-h.htm.2021-01-25 b/old/23369-h.htm.2021-01-25
new file mode 100644
index 0000000..c51f1cf
--- /dev/null
+++ b/old/23369-h.htm.2021-01-25
@@ -0,0 +1,1233 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Mrs. Dud's Sister, by Josephine Daskam
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mrs. Dud's Sister
+
+Author: Josephine Daskam
+
+Release Date: November 6, 2007 [EBook #23369]
+Last Updated: March 8, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ MRS. DUD'S SISTER
+ </h1>
+ <h2>
+ By Josephine Daskam <br /> <br /> Copyright, 1903, by Charles Scribner's
+ Sons
+ </h2>
+ <p>
+ <br /><br /> <br />
+ </p>
+ <p>
+ They were having tea on the terrace. As Varian strolled up to the group he
+ wished that Hunter could see the picture they made&mdash;Hunter, who had
+ not been in America for thirty years, and who had been so honestly
+ surprised when Varian had spoken of Mrs. Dud's pretty maids&mdash;she
+ always had pretty ones, even to the cook's third assistant.
+ </p>
+ <p>
+ &ldquo;Maids? Maids? It used to be 'help,'&rdquo; he had protested. &ldquo;You don't mean to
+ say they have waitresses in Binghamville now?&rdquo;
+ </p>
+ <p>
+ Varian had despaired of giving him any idea.
+ </p>
+ <p>
+ &ldquo;Come over and see Mrs. Dud,&rdquo; he had urged, &ldquo;and do her portrait. We've
+ moved on since you left us, you know. She's a wonder&mdash;she really is.
+ When you remember how she used to carry her father's dinner to the store
+ Saturday afternoons&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And now I suppose she sports real Mechlin on her cap,&rdquo; assented Hunter,
+ anxious to show how perfectly he caught the situation.
+ </p>
+ <p>
+ Varian had roared helplessly. &ldquo;Cap? Cap!&rdquo; he had moaned finally. &ldquo;Oh, my
+ sainted granny! Cap! My poor fellow, your view of Binghamville must be
+ like the old maps of Africa in the green geography, that said 'desert' and
+ 'interior' and 'savage tribes' from time to time. I should like awfully to
+ see Mrs. Dud in a cap.&rdquo;
+ </p>
+ <p>
+ Hunter had looked puzzled.
+ </p>
+ <p>
+ &ldquo;But, dear me! she might very well wear one, I should think,&rdquo; he had
+ murmured defensively. &ldquo;I don't wish to be invidious, but surely Lizzie
+ must be&mdash;let's see; 'eighty, 'ninety&mdash;why, she must be between
+ forty-five and fifty now.&rdquo;
+ </p>
+ <p>
+ Varian had waved his hand dramatically. &ldquo;Nobody considers Mrs. Dud and
+ time in the same breath. If you could see her in her golf rig! Or on a
+ horse! She even sheds a lustre on the rest of us. I forget my rheumatism!&rdquo;
+ </p>
+ <p>
+ But Hunter, retreating behind his determination to avoid a second
+ seasickness&mdash;it might have been sincere; nobody ever knew&mdash;had
+ stayed in Florence, and Varian had been obliged to come without him to the
+ house-party.
+ </p>
+ <p>
+ On a straw cushion, a cup in her strong white hand, a bunch of adoring
+ young girls at her feet, sat Mrs. Dud. Rosy and firm-cheeked, crisp in
+ stiff white duck, deliriously contrasted with her fluffy Parisian parasol,
+ she scorned the softening ruffles of her presumable contemporaries; her
+ delicately squared chin, for the most part held high, showed a straight
+ white collar under a throat only a little fuller than the girlish ones all
+ around her.
+ </p>
+ <p>
+ Old Dudley himself strolled about the group, gossiping here and there with
+ some pretty woman, sending the grave servants from one to another with
+ some particularly desirable sandwich, &ldquo;rubbing it in,&rdquo; as he said to the
+ men who had failed to touch his score on the links, tantalizingly
+ uncertain as to which one of the young women he would invite to lead the
+ cotillon with him at the club dance that week: none of the young men could
+ take his place at that, as they themselves enviously admitted.
+ </p>
+ <p>
+ What a well-matched couple it was! What a lot they got out of life! Varian
+ walked quietly by the group, to enjoy better the pretty, modish picture
+ they made. Their quick chatter, their bursts of laughter, the sweet faint
+ odor of the tea, the gay dresses and light flannels, with the quiet,
+ sombrely attired servants to add tone, all gave him, fresh from Hunter's
+ quick sense of the effective, an appreciation that gained force from his
+ separateness; he walked farther away to get a different point of view.
+ </p>
+ <p>
+ He was out of any path now, and suddenly, hardly beyond reach of their
+ voices, he found himself in a part of the grounds he had never approached
+ before. A thick high hedge shut in a kind of court at the side and back of
+ the great house, and a solid wooden door, carefully matched to its green,
+ left open by accident, showed a picture so out of line with the succession
+ of vivid scenes that dazzled the visitor at Wilton Bluffs that he stopped
+ involuntarily. The rectangle was carpeted with the characteristic emerald
+ turf of the place, divided by intersecting red brick paths into four
+ regular squares. In the farther corner of each of these a trim green
+ clothes-tree was planted, all abloom with snowy fringed napkins that shone
+ dazzling white against the hedge. One of the squares was a neat little
+ kitchen-garden; parsley was there in plenty, and other vaguely familiar
+ green things, curly-leaved and spear-pointed. A warm gust of wind brought
+ mint to his nostrils. A second plot held a small crab-apple tree covered
+ with pink and orange globes. A great tortoise-shell cat with two kittens
+ ornamented the third, and in the middle of the fourth, beside a small
+ wooden table, a woman sat with her back toward the intruder. On the table
+ were one or two tin boxes and a yellow earthen dish; in her left hand,
+ raised to the shoulder-level, was a tall thin bottle, from which an amber
+ fluid dripped in an almost imperceptibly thin stream; her right arm
+ stirred vigorously. She was a middle-aged woman with lightly grayed hair&mdash;a
+ kind of premonitory powdering. Over her full skirt of lavender-striped
+ cotton stuff fell a broad, competent white apron. Except for the thudding
+ of the spoon against the bowl, and a faint, homely echo of clashing china
+ and tin, mingled with occasionally raised voices and laughter from some
+ farther kitchen region, all was utterly, placidly still.
+ </p>
+ <p>
+ Varian stood chained to the open gate. Something in the calm sun-bathed
+ picture tugged strongly at his heart. He thought suddenly of his mother
+ and his Aunt Delia&mdash;he had been very fond of Aunt Delia. And what
+ cookies she used to make! Molasses cookies, brown, moist, and crumbly,
+ they had sweetened his boyhood.
+ </p>
+ <p>
+ What was it, that delighted sense of congruity that filled him, every
+ passing second, with keener familiarity, so strangely tinged with sorrow
+ and regret? Ah, he had it! He bit his lip as it came clear to him. His
+ little namesake nephew, dead at eight years old, and dear as only a dearly
+ loved child can be, had delighted greatly in the Kate Greenaway pictures
+ that came in &ldquo;painting-books,&rdquo; with colored prints on alternate pages and
+ corresponding outlines on the others. Dozens of those books the boy had
+ cleverly filled in with his little japanned paint-box and mussy,
+ quill-handled brushes; and the scene before him, the rich tints of the
+ hedge, the symmetrical little tree brilliant with hundreds of tiny globes,
+ the big white apron, the lazy yellow cats, and everywhere the prim
+ rectangular lines so amusingly conventional to accentuate the likeness,
+ almost choked him with the suddenness of the recognition. They must have
+ colored that very picture a dozen times, Tommy and he.
+ </p>
+ <p>
+ Half unconsciously he rested his arms on the top of the gate and drifted
+ into revery. He forgot that he was at Wilton Bluffs, one of the greatest
+ of the country palaces, and lived for a while in a mingled vision of his
+ boyhood on the old farm and in the land of the Greenaway painting-books.
+ </p>
+ <p>
+ Suddenly a door opened into the green.
+ </p>
+ <p>
+ A housemaid advanced to the table, bearing in both red hands a long tray
+ covered with a napkin. On the napkin lay, heaped in rich confusion, a
+ great pile of spicy, smoking brown cookies.
+ </p>
+ <p>
+ &ldquo;They're just out o' the oven,&rdquo; she began, but Varian could contain
+ himself no longer. He could not be deceived: he would have known those
+ cookies in the Desert of Sahara. He crossed the little plot in three long
+ steps, and faced the astonished maid.
+ </p>
+ <p>
+ &ldquo;I beg your pardon,&rdquo; he said firmly, &ldquo;but it is very necessary that I
+ should have one of those cookies! I hope you can spare one?&rdquo;
+ </p>
+ <p>
+ She giggled convulsively.
+ </p>
+ <p>
+ &ldquo;I&mdash;I guess you can, sir,&rdquo; she murmured, laying down the tray and
+ retreating toward the house door.
+ </p>
+ <p>
+ Varian faced the older woman, and, with hat still in hand, instinctively
+ bowed lower; for this was no housekeeper&mdash;he was sure of that. Even
+ as she met his eyes a great flood of pink rushed to her smooth forehead,
+ and she dropped her lids as she bowed slightly. He reflected irrelevantly
+ that he had never seen Mrs. Dudley blush in his life.
+ </p>
+ <p>
+ &ldquo;You are very welcome to all you wish, I am sure,&rdquo; she said graciously. &ldquo;I&mdash;I
+ didn't know any one liked them but me. I always have them made for me&mdash;I
+ taught her the rule. I always call them&rdquo;&mdash;she laughed nervously, and
+ it dawned on him that this woman was really shy and &ldquo;talking against
+ time,&rdquo; as they said&mdash;&ldquo;I always call them 'Aunt Delia's cookies.' They&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Aunt Delia's cookies!&rdquo; he interrupted. &ldquo;What Aunt Delia?&rdquo;
+ </p>
+ <p>
+ &ldquo;Aunt Delia Parmentre,&rdquo; she returned, a little surprised, evidently, at
+ this stranger, who, with a straw sailor-hat in one hand and a warm
+ molasses cooky in the other, stared so intently at her. &ldquo;She wasn't really
+ my aunt, of course&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But she was mine!&rdquo; he burst out, &ldquo;and these are her cookies, and no
+ mistake. Who are you?&rdquo;
+ </p>
+ <p>
+ Again she flushed, but more lightly.
+ </p>
+ <p>
+ &ldquo;I am Miss Redding,&rdquo; she said with a gentle dignity, &ldquo;Mrs. Wilton's
+ sister.&rdquo;
+ </p>
+ <p>
+ He stared at her vaguely.
+ </p>
+ <p>
+ &ldquo;Mrs. Wilton&mdash;oh! you're her sister? I didn't know&mdash;&rdquo; He stopped
+ abruptly. As his confusion grew, her own faded away.
+ </p>
+ <p>
+ &ldquo;You didn't know she had one?&rdquo; she asked, almost mischievously.
+ </p>
+ <p>
+ &ldquo;I didn't know you were here,&rdquo; he recovered himself. &ldquo;You've never been
+ with Mrs. Dud before, have you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not here when there was company,&rdquo; she said.
+ </p>
+ <p>
+ He hardly noticed the words; his mind was groping among past histories.
+ </p>
+ <p>
+ &ldquo;Her sister&mdash;her sister,&rdquo; he muttered. &ldquo;Why, then,&rdquo; with an
+ illuminating smile, &ldquo;I used to go to school with you! I'm Tom Varian!&rdquo;
+ </p>
+ <p>
+ She smiled and held out her hand.
+ </p>
+ <p>
+ &ldquo;I'm very glad to see you,&rdquo; she said cordially. &ldquo;Won't you&mdash;&rdquo; She
+ looked about for a chair, but he dropped on the grass at her feet.
+ </p>
+ <p>
+ &ldquo;You've changed since we met last,&rdquo; he remarked, biting into his cooky.
+ She looked at his bronzed face and thick silvered hair and nodded
+ thoughtfully.
+ </p>
+ <p>
+ &ldquo;I was six years old then,&rdquo; she said; &ldquo;and you were one of the 'big boys'&mdash;you
+ were fourteen.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's a long while,&rdquo; he suggested laughingly.
+ </p>
+ <p>
+ &ldquo;It is thirty-six years,&rdquo; she replied simply.
+ </p>
+ <p>
+ He winced. His associates were not accustomed to be so scrupulously
+ accurate. It seemed indecently long ago. And yet there was a certain
+ charm, now one faced it, a quaint halo of interest.
+ </p>
+ <p>
+ &ldquo;You used to hand me water in a tin dipper,&rdquo; he said.
+ </p>
+ <p>
+ She nodded. &ldquo;Yes, that was for a reward, when I was good,&rdquo; she said
+ seriously. &ldquo;I could hand the water to the big boys. I was very proud of
+ it. You drank a great deal.&rdquo;
+ </p>
+ <p>
+ He chuckled. &ldquo;I was born thirsty,&rdquo; he acknowledged. &ldquo;By George, how it
+ comes back! I can see it now, that school-house! Funny little red thing&mdash;remember
+ how it looked? Big shelf around the sides for a desk, and another under
+ that for the books? Bench all round the room to sit on, and we just
+ whopped our legs over and faced round to recite? And carved&mdash;Lord! I
+ don't believe there was an inch of the wood, all told, that was clear! I
+ nearly cut my thumb off there, one day.&rdquo;
+ </p>
+ <p>
+ &ldquo;One of the big girls fainted away,&rdquo; she added, &ldquo;and they laid her on the
+ floor and told me to bring a dipper of water; but my hand shook so I
+ spilled it all over my apron, and she came to before we got more. I was
+ very timid.&rdquo;
+ </p>
+ <p>
+ He began on another cooky.
+ </p>
+ <p>
+ &ldquo;Did you have two pigtails? And striped stockings?&rdquo; he inquired, his eyes
+ fixed reminiscently on the hedge.
+ </p>
+ <p>
+ She nodded softly.
+ </p>
+ <p>
+ &ldquo;And played some game with stones? I can't just remember&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It was houses,&rdquo; she reminded him. &ldquo;We little girls used to make little
+ houses&mdash;just marked out with stones in squares on the ground; and if
+ you boys felt like it, you'd bring us big flat stones to eat our dinner
+ on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, yes!&rdquo; It all came back to him. &ldquo;And then you'd race off to get
+ flag-root or something, and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And gobble our dinner as we ran. It was fun, all the same,&rdquo; she added.
+ </p>
+ <p>
+ &ldquo;But what a mite you were, to be in school!&rdquo; he said wonderingly. &ldquo;What
+ under heaven did you study?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't remember at all,&rdquo; she confessed. &ldquo;But I suppose I spelled. Do you
+ remember the spelling-matches? And how you big ones wanted to 'leave off
+ head'?&rdquo;
+ </p>
+ <p>
+ He chuckled. &ldquo;I should say I did! And sometimes the greatest idiot would
+ 'leave off head' because there wasn't any more time. It was maddening!&rdquo;
+ </p>
+ <p>
+ He munched in silence for a while, and she did not dream of interrupting.
+ </p>
+ <p>
+ &ldquo;In the winter, though&mdash;George! but it was cold! We used to
+ positively swim through the drifts. I tell you, there aren't any such
+ snows now! How did you get there?&rdquo;
+ </p>
+ <p>
+ &ldquo;I only went in the summer,&rdquo; she said; &ldquo;and I used to come in all stained
+ with the berries I ate along the way. It was dreadful&rdquo;&mdash;she grew
+ stern, as if addressing the little girl in striped stockings and pigtails&mdash;&ldquo;the
+ way I ate berries! I used to eat the bushes clean on the way to school!&rdquo;
+ </p>
+ <p>
+ She had got over her first shyness, and had gained time to realize her big
+ apron, which she hastily untied. He caught the motion and protested.
+ </p>
+ <p>
+ &ldquo;No, no! Keep it on! I haven't seen a woman&mdash;a lady&mdash;in an apron
+ for years! Please keep it on! And do go on with the&mdash;the mess in the
+ dish!&rdquo;
+ </p>
+ <p>
+ &ldquo;The mess&rdquo;&mdash;she bent her brows reprovingly&mdash;&ldquo;it's mayonnaise
+ sauce. But I don't think&mdash;&rdquo;
+ </p>
+ <p>
+ He jumped up to put the bowl in her lap. A sudden twinge in his knee wrung
+ an involuntary groan from him. He walked a little stiffly toward her.
+ </p>
+ <p>
+ &ldquo;You have rheumatism! And you sat all the time on that damp grass!&rdquo; she
+ cried reproachfully. &ldquo;I thought at first it was the craziest thing to do,
+ but I didn't dare say so.&rdquo;
+ </p>
+ <p>
+ He ignored the charge but smiled at the confession.
+ </p>
+ <p>
+ &ldquo;And now you're not afraid?&rdquo;
+ </p>
+ <p>
+ She blushed again. It was very becoming.
+ </p>
+ <p>
+ &ldquo;It seems&mdash;it seems foolish to act like strangers when it's been so
+ long&mdash;we remember so well&mdash;&rdquo; She sighed a little. He studied her
+ face&mdash;so like her sister's and so utterly different. The same gray
+ eyes, but calm and drooped; the same clear white skin, but a fuller, yes,
+ a more matronly face, a riper, sweeter, more restful curve. The soft dark
+ shadows that accentuated Mrs. Dudley's eyes were lacking; a group of tiny
+ wrinkles at the corners gave her instead a pleasant, humorous regard that
+ her sister's literal directness missed utterly.
+ </p>
+ <p>
+ Nervous under his scrutiny, she rose hastily, and before he could prevent
+ her she had brought him a roomy arm-chair from the house.
+ </p>
+ <p>
+ &ldquo;At our age there's no use in running risks,&rdquo; she said simply, &ldquo;you ought
+ not to sit on the grass; leave that for the young folks.&rdquo;
+ </p>
+ <p>
+ Again he winced, but dropped with relief into the chair.
+ </p>
+ <p>
+ &ldquo;Oh, one must keep up with the procession, you know!&rdquo; he said lightly.
+ </p>
+ <p>
+ She made no reply; and as she lifted the bottle and began to beat the
+ yellow mass again, it occurred to him that the remark was exceptionally
+ silly.
+ </p>
+ <p>
+ &ldquo;Does it have to go in slowly like that&mdash;the whole bottleful?&rdquo; he
+ inquired lazily.
+ </p>
+ <p>
+ She nodded. &ldquo;Or it curdles,&rdquo; she explained. &ldquo;The cook sprained his wrist
+ yesterday. He never allows anybody to make the mayonnaise&mdash;he can't
+ trust them&mdash;and I was glad to do it for him. He says mine is as good
+ as his. Did you ever see him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, no,&rdquo; Varian returned. &ldquo;But he doesn't need to be seen to be
+ appreciated.&rdquo;
+ </p>
+ <p>
+ A strange suspicion crept over him.
+ </p>
+ <p>
+ &ldquo;Do you often&mdash;Do you do much&mdash;How is it that you&mdash;&rdquo; He
+ could not say it properly. Was it possible that Mrs. Dud&mdash;&mdash; It
+ was unworthy of her!
+ </p>
+ <p>
+ She caught his meaning, and her cool gray eyes met his with their
+ uncompromising directness. He seemed convicted of unnecessary shuffling.
+ </p>
+ <p>
+ &ldquo;Oh, Lizzie asked me not to do anything,&rdquo; she said quietly. &ldquo;She wanted me
+ to enjoy myself with her friends. But I'm not used to so much society, and
+ I don't want to be any hinderance. I'm not so young as I used to be. I'd
+ have liked the gayety well enough when I was a girl, but I guess it tires
+ me a little now. There seems to be so much going on all the time. Lizzie
+ says she's resting, but it wouldn't rest me. Do you find it so?&rdquo;
+ </p>
+ <p>
+ He recalled his yesterday's programme: driving a pulling team all the
+ morning; carrying Mrs. Dud's heavy bag over the links all the afternoon&mdash;she
+ preferred her friends to caddies; prompting for the dramatics rehearsal,
+ with a poor light, all the evening, while the actors gossiped and
+ squabbled and flirted contentedly.
+ </p>
+ <p>
+ &ldquo;It is not always restful,&rdquo; he admitted.
+ </p>
+ <p>
+ &ldquo;It makes my head ache,&rdquo; she remarked placidly. &ldquo;I like to see the girls
+ enjoy themselves. I'm glad they're happy&mdash;some of those visiting
+ Lizzie are so pretty!&mdash;but I'm glad I haven't got to run about so
+ much. I'm very fond of driving myself, if I have a good quiet horse that
+ won't shy and doesn't go fast, and Lizzie has one for me&mdash;a white one
+ that's gentle&mdash;and I drive about in the phaëton a great deal. The
+ doctor that came that night&mdash;were you here?&mdash;when Mrs. Page
+ fainted and they couldn't bring her to (it seems she was in the habit of
+ taking some medicine to make her sleep, and it weakened her heart) asked
+ me if I wouldn't like to take out some patients of his, and so I called
+ for a very nice lady&mdash;a Mrs. Williams; you probably don't know her?&mdash;and
+ after that a young girl with spinal trouble, and&mdash;and several others.
+ They seemed to enjoy it, and I'm sure I did. Once I took a young girl
+ that's staying here&mdash;she had a bad headache. She was a sweet girl,
+ and I liked her. She said the drive helped her a great deal. It's
+ astonishing&rdquo;&mdash;her eyes met his wonderingly&mdash;&ldquo;how much trouble
+ you can have, with all the money you want! I&mdash;I was sorry for her,&rdquo;
+ she added, half to herself.
+ </p>
+ <p>
+ Before he thought he leaned forward, took her hand with the silver
+ tablespoon in it, and kissed it gently. He admired her as he would admire
+ some charming soft pastel hung in a cool white room.
+ </p>
+ <p>
+ &ldquo;How sweet and good you are!&rdquo; he said warmly; and then, to cover her deep
+ embarrassment and his own sudden emotion, he continued quickly, &ldquo;Are you
+ very busy in the morning, always?&rdquo;
+ </p>
+ <p>
+ &ldquo;There are different things,&rdquo; she murmured, still looking at her spoon. &ldquo;I
+ have letters to write&mdash;I keep up with a good many old friends in
+ Binghamville and Albany, where I lived with my married niece ten years,
+ till they moved West. I loved her children; I half brought them up. One
+ died; I can't seem to get over it&mdash;&rdquo; Her eyes filled, and she made no
+ effort to cover two tears that slipped over.
+ </p>
+ <p>
+ Varian took her hand again. &ldquo;I know about that&mdash;I know!&rdquo; he said
+ softly.
+ </p>
+ <p>
+ &ldquo;Then there are my flowers; I do so enjoy the beds and the greenhouses
+ here,&rdquo; she went on more cheerfully. &ldquo;The gardeners are very kind to me&mdash;I
+ think they like to have me come in. Mr. McFadden gives me a good many
+ slips and cuttings. I love flowers dearly. Then I read a good deal, and
+ there is always some little thing to do for the young girls here. They&mdash;the
+ ones I know&mdash;come in for a moment while I mend something, or pin
+ their things in the back, and it's surprising how much there is to do!
+ They fly about so they can't stop to take care of their things. They talk
+ to me while I set them straight, and it's very interesting. I tell Lizzie
+ I go out a great deal, just hearing about their adventures, when she drops
+ in to see me. She never forgets me; she brings somebody to my sitting-room
+ every day or so that she thinks I'd enjoy meeting&mdash;and I always do.
+ She never makes a mistake.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, she's wonderful,&rdquo; Varian agreed easily. &ldquo;There's nobody like Mrs.
+ Dud, of course.&rdquo;
+ </p>
+ <p>
+ She stopped her work a moment and looked curiously at him.
+ </p>
+ <p>
+ &ldquo;What do you mean by that?&rdquo; she asked. &ldquo;You all say it&mdash;in just that
+ way; but I don't think I quite see what you mean. Why is she wonderful?
+ Because she looks so young?&rdquo;
+ </p>
+ <p>
+ &ldquo;That, in the first place,&rdquo; Varian returned, with a smile, &ldquo;but not only
+ that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course that is very strange,&rdquo; she mused. &ldquo;Now Lizzie is three years
+ older than I. You would never think it, would you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he agreed, still smiling; &ldquo;but then, Mrs. Dud looks younger than
+ everybody. It is her specialty. I think what we mean,&rdquo; he continued, &ldquo;is
+ her amazing capacity; she does so much, so ridiculously much, and so much
+ better than other people. We try to keep up with things&mdash;your sister
+ is a little bit ahead. She seems to have always been doing the very latest
+ thing, you see. And all her responsibilities, her various affairs&mdash;it
+ makes one's head swim! The women have set themselves a tremendous field to
+ cover nowadays, and when one succeeds so admirably&mdash;&rdquo; He paused.
+ </p>
+ <p>
+ She shook her head thoughtfully.
+ </p>
+ <p>
+ &ldquo;But everything is done for her!&rdquo; she protested. &ldquo;Why, I have never yet
+ seen all the servants in this house! And you know there is a housekeeper?
+ Lizzie sees her a little while in the morning, that's all. And she never
+ sews a stitch&mdash;there's a seamstress here all the time, you know, and
+ that has nothing to do with the clothes that come home in boxes. And
+ little Dudley has his tutor, and his old nurse that looks after his
+ clothes. What is it that she does to make it so wonderful?&rdquo;
+ </p>
+ <p>
+ He only smiled at her perplexity, and she added confidentially:
+ </p>
+ <p>
+ &ldquo;Lizzie wanted me to go to her dressmaker, but I didn't like the idea of a
+ man, to begin with, and then I knew Miss Simms would feel so hurt. She
+ lives in Albany, and she's made my dresses for so long that I thought,
+ though she may not be so stylish, I'd better keep up with her; wouldn't
+ you?&rdquo;
+ </p>
+ <p>
+ A perfectly unreasonable tenderness surged through his heart. How sweet
+ she was!
+ </p>
+ <p>
+ &ldquo;If she made that dress, I certainly should!&rdquo; he declared.
+ </p>
+ <p>
+ She smoothed the crisp lavender folds deprecatingly.
+ </p>
+ <p>
+ &ldquo;Oh, this is only a cotton dress,&rdquo; she said. &ldquo;But she made my gray silk,
+ too, and Lizzie herself said it fitted beautifully.&rdquo;
+ </p>
+ <p>
+ She took up the bottle again: it was nearly empty.
+ </p>
+ <p>
+ &ldquo;Now my mother,&rdquo; she began, &ldquo;<i>she</i> was wonderful, if you like. Do you
+ know what my mother used to do? We lived on the farm, you know, like
+ yours, and most of the work of that farm mother did. She did the cooking&mdash;for
+ all the hired hands, too; she made the butter, and took care of the hens;
+ she made the candles and the soap; she made the carpets and all our
+ clothes&mdash;my brothers', too; and she put up preserves and jellies and
+ cordials, and did the most beautiful embroidery; I have some of mother's
+ embroidered collars, and I can't do anything like them.&rdquo;
+ </p>
+ <p>
+ &ldquo;It was tremendous,&rdquo; he said. &ldquo;My Aunt Delia did that, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;We were old-fashioned, even for then,&rdquo; she said. &ldquo;Everybody didn't do so
+ much, of course, as we did. Lizzie says we were just on the edge of the
+ new age. It certainly is different. And of course I wouldn't go back to it
+ for anything. After we came back from boarding-school it was all changed.
+ We moved, then, nearer the town. But, do you know, my mother went to
+ singing-school, and Lizzie was looking that up in a book, the other day,
+ to see what they did&mdash;she wanted it for a party!&rdquo;
+ </p>
+ <p>
+ He laughed. &ldquo;That <i>is</i> delicious!&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;See what I found to-day!&rdquo; she added, drawing a small object from her
+ pocket. &ldquo;I hunted it up to show Miss Porter tonight. She was so interested
+ when I told her about it.&rdquo;
+ </p>
+ <p>
+ She showed him, with a tender amusement, a little slender white silk
+ mitten. Around the wrist was embroidered in dark blue a legend in Old
+ English script. He puzzled it out: <i>A Whig or no Husband!</i>
+ </p>
+ <p>
+ &ldquo;That was mother's,&rdquo; she said, &ldquo;the girls wore them then. She was quite a
+ belle, mother was! And when people ask me how Lizzie does so much, I say
+ that she inherits it. But at her age mother was broken down and old. She
+ had to be. There were nine of us, and here there's only little Dudley, and
+ it was so long before he came.&rdquo;
+ </p>
+ <p>
+ They sat quietly. The setting sun flamed through the crab-apples and
+ burnished the fur of the tortoise-shell cat. The mint smelled strong. The
+ sweet, mellow summer evening was reflected in her handsome face, with its
+ delicate lines, that only added a restful charm to forehead and cheek. He
+ had no need to talk; it was very, very pleasant sitting there.
+ </p>
+ <p>
+ A maid came out to get the mayonnaise, and the spell was broken. He took
+ out his watch.
+ </p>
+ <p>
+ &ldquo;Just time to dress,&rdquo; he sighed. &ldquo;Will you be here again? We must talk old
+ times once more.&rdquo;
+ </p>
+ <p>
+ She smiled and seemed to assent, but her eyes were not on him; she was
+ still in a revery. He walked softly away. She seemed hardly to notice him,
+ and his last backward glance found the quiet of the picture unbroken;
+ again it was a page from the Greenaway book.
+ </p>
+ <p>
+ He reached the terrace; laughter and applause from the piazza caught his
+ ear. Fresh from the atmosphere he had left, he stared in amazement at the
+ scene before him.
+ </p>
+ <p>
+ Swift figures were scudding from one to another of the four great elms
+ that marked out a natural rectangle on the smooth side lawn.
+ </p>
+ <p>
+ &ldquo;Puss! puss! Here, puss!&rdquo; a high voice called, and a tall slender girl in
+ a swish of lace and pink draperies rushed across one side of the square. A
+ portly trousered figure essayed to gain the tree she had left, but a
+ romping girl in white caught him easily, while Mrs. Dud, the tail of her
+ gown thrown over her arm, skimmed triumphantly across to her partner's
+ tree.
+ </p>
+ <p>
+ &ldquo;One more, one more, colonel. You can't give up, now you're caught! One
+ more before we go in!&rdquo; called the pink girl.
+ </p>
+ <p>
+ &ldquo;Here's Mr. Varian. Come and help us out&mdash;the colonel's beaten!&rdquo;
+ added Mrs. Dud.
+ </p>
+ <p>
+ &ldquo;Here, puss! here, puss!&rdquo; With excited little shrieks and laughs they
+ dashed by, the colonel making ineffectual grabs at their elusive skirts.
+ Varian shook his head good-naturedly.
+ </p>
+ <p>
+ &ldquo;Too late, too late!&rdquo; he called back, and taking pity on the puffing,
+ purple colonel, he bore him off.
+ </p>
+ <p>
+ &ldquo;Thank God! I'm just about winded! I'd have dropped in my tracks,&rdquo;
+ complained the rescued man, breathing hard as they rounded the shrubbery.
+ In the corner two figures, half seen in the dark, leaned toward each other
+ an imperceptible moment. The colonel laughed contentedly.
+ </p>
+ <p>
+ &ldquo;When I see that sort of thing, I think we've made a mistake&mdash;eh,
+ Varian?&rdquo; he said, half serious. &ldquo;It's a poor job, getting old alone. Live
+ at the club, visit here and there, make yourself agreeable to get asked
+ again, nobody to care if you're sick, always play the other fellow's game&mdash;little
+ monotonous after a while, eh?&rdquo;
+ </p>
+ <p>
+ Varian nodded. &ldquo;Right enough,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Different ending to their route!&rdquo; suggested the colonel, jerking his
+ elbow back toward the two in the shrubbery.
+ </p>
+ <p>
+ &ldquo;That's it!&rdquo; The answer was laconic, but the pictures that swept through
+ his brain took on a precision and color that half frightened him.
+ </p>
+ <p>
+ He had no idea how frequently he dropped in at the little court behind the
+ hedge after that. Sometimes he sat and mused alone there; more than once
+ he took a surreptitious afternoon nap. He developed a dormant fancy for
+ gardening, and walked with his new-old friend contentedly among the
+ deserted garden paths. He studied her hair especially, wondering why it
+ was that the little tender flecks of white attracted him so. At dinner he
+ secretly tried to rouse in himself the same desire to stroke the gleaming
+ silver fleece, high-dressed, puffed, and ornamented with jet, of the woman
+ opposite him, whose hair, somewhat prematurely turned snowy, had won her a
+ great vogue among her friends. But he never succeeded. She was absolutely
+ too effective. She turned the simplest gathering to a fancy-dress ball, he
+ decided.
+ </p>
+ <p>
+ He had supposed that it was the quaint privacy of their acquaintance that
+ charmed him particularly&mdash;the feeling of an almost double existence;
+ but when Mrs. Dud, who, he afterwards reflected, was of course omniscient,
+ restrained herself no longer, and thanked him with a pretty sincerity for
+ his delicate and appreciated courtesy, intimating charmingly that she
+ realized the personal motive, a veil suddenly dropped. He gasped, shook
+ himself, colored a little, and met her eye.
+ </p>
+ <p>
+ &ldquo;I'm afraid I'm not so kind as you think,&rdquo; he said, a little awkwardly.
+ &ldquo;I've been an old fool, I see. Do you think&mdash;is that the way <i>she</i>
+ looks at it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mary?&rdquo; said Mrs. Dud, wonderingly. &ldquo;Yes, I suppose so. Why?&rdquo;
+ </p>
+ <p>
+ The naïve egotism of the answer only threw a softer light on the picture
+ that had grown to fill his thoughts. He smiled inscrutably.
+ </p>
+ <p>
+ &ldquo;Because in that case it is due to her to undeceive her,&rdquo; he said. &ldquo;I am
+ glad I have entertained her. I should like to have the opportunity to do
+ so indefinitely. Do you think there's a chance for me?&rdquo;
+ </p>
+ <p>
+ &ldquo;What on earth do you mean?&rdquo; asked his hostess, in unassumed stupefaction.
+ </p>
+ <p>
+ &ldquo;I mean, do you think she would marry me?&rdquo; Varian brought out plumply. &ldquo;Is
+ there&mdash;was there ever anybody else?&rdquo;
+ </p>
+ <p>
+ For one instant Mrs. Dud lost her poise; in her eyes he almost saw more
+ than she meant; the sheer, flat blow of it levelled her for a breath to
+ the plane of other and ordinary women. But even as he thought it, it was
+ gone. She put out her hand; she smiled; she shook her finger at him.
+ </p>
+ <p>
+ &ldquo;I think, my friend, she would be a fool not to marry you,&rdquo; she answered
+ him, clear-eyed; &ldquo;and there was never,&rdquo; her tone was too sweet, he
+ thought, to carry but one meaning&mdash;pleasure for him, &ldquo;there was never
+ anybody else!&rdquo;
+ </p>
+ <p>
+ Varian walked straight to the garden. She was training a fiery wall of
+ nasturtiums with firm white fingers. It occurred to him that he was ready
+ to give up the tally-ho, and the Berkshires, and the scramble of pretty
+ girls for the place beside him, to sit quietly and watch her among her
+ flowers.
+ </p>
+ <p>
+ &ldquo;I'm getting old&mdash;old!&rdquo; he said to himself, but he said it with a
+ smile.
+ </p>
+ <p>
+ For he knew that no boy's heart ever beat more swiftly, no boy's tongue
+ ever sought more excitedly to find the right words. But when he faced her
+ a little doubt chilled him: she was so calm and complete, in her sunny,
+ busy, balanced life, that he feared to disturb that sweet placidity. With
+ an undercurrent of fear, a sudden realization that he had no more the
+ blessed egotism of youth to drive him on, he walked beside her, outwardly
+ content, at heart a little solitary. At some light question he turned and
+ faced her.
+ </p>
+ <p>
+ &ldquo;You could not have all the greenhouses, but there could be plenty of
+ flowers,&rdquo; he said pleadingly.
+ </p>
+ <p>
+ &ldquo;Flowers? Where?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Wherever we lived,&rdquo; he answered. &ldquo;And oh, Mary, I think we could be happy
+ together! Don't say no!&rdquo; as she shrank a little. &ldquo;Don't, Mary, for
+ heaven's sake! I care too much&mdash;I care terribly. I am too old a man
+ to care so much and&mdash;lose.... There, there, my dear girl, never mind.
+ I can bear it, of course. Only I didn't know I'd planned it all out so,
+ and&mdash;But never mind. I was going to have a bay-window full of&mdash;&rdquo;
+ </p>
+ <p>
+ He turned away from her for a moment. But her hand was on his arm.
+ </p>
+ <p>
+ &ldquo;We can plan it out together,&rdquo; she said.
+ </p>
+ <p>
+ He knew how she would blush; he had even dared to think how directly her
+ clear gray eyes would meet his&mdash;her sky-ness was never hesitation&mdash;but
+ he had not dreamed how soft her hair could be.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Mrs. Dud's Sister, by Josephine Daskam
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MRS. DUD'S SISTER ***
+
+***** This file should be named 23369-h.htm or 23369-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23369/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>