summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:04:44 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:04:44 -0700
commit77e4ce8ce3dc277ff87a61dea3b56a76ad283f42 (patch)
tree93c2e1a1aa3bc7e9155f736522ff5a4a70ed6f7a
initial commit of ebook 23362HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--23362-0.txt871
-rw-r--r--23362-0.zipbin0 -> 18379 bytes
-rw-r--r--23362-8.txt870
-rw-r--r--23362-8.zipbin0 -> 18289 bytes
-rw-r--r--23362-h.zipbin0 -> 19998 bytes
-rw-r--r--23362-h/23362-h.htm1015
-rw-r--r--23362.txt870
-rw-r--r--23362.zipbin0 -> 18266 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/23362-h.htm.2021-01-251014
12 files changed, 4656 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/23362-0.txt b/23362-0.txt
new file mode 100644
index 0000000..ee57cff
--- /dev/null
+++ b/23362-0.txt
@@ -0,0 +1,871 @@
+Project Gutenberg’s Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mademoiselle Olympe Zabriski
+
+Author: Thomas Bailey Aldrich
+
+Release Date: November 6, 2007 [EBook #23362]
+Last Updated: September 20, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+MADEMOISELLE OLYMPE ZABRISKI
+
+By Thomas Bailey Aldrich
+
+Boston And New York Houghton Mifflin Company
+
+Copyright, 1873, 1885, and 1901
+
+
+
+
+I.
+
+We are accustomed to speak with a certain light irony of the tendency
+which women have to gossip, as if the sin itself, if it is a sin, were
+of the gentler sex, and could by no chance be a masculine peccadillo.
+So far as my observation goes, men are as much given to small talk as
+women, and it is undeniable that we have produced the highest type of
+gossiper extant. Where will you find, in or out of literature, such
+another droll, delightful, chatty busybody as Samuel Pepys, Esq.,
+Secretary to the Admiralty in the reigns of those fortunate gentlemen
+Charles II. and James II. of England? He is the king of tattlers as
+Shakespeare is the king of poets.
+
+If it came to a matter of pure gossip, I would back Our Club against
+the Sorosis or any women’s club in existence. Whenever you see in our
+drawing-room four or five young fellows lounging in easy-chairs, cigar
+in hand, and now and then bringing their heads together over the small
+round Japanese table which is always the pivot of these social circles,
+you may be sure that they are discussing Tom’s engagement, or Dick’s
+extravagance, or Harry’s hopeless passion for the younger Miss
+Fleurdelys. It is here old Tippleton gets execrated for that everlasting
+_bon mot_ of his which was quite a success at dinner-parties forty years
+ago; it is here the belle of the season passes under the scalpels of
+merciless young surgeons; it is here B’s financial condition is handled
+in a way that would make B’s hair stand on end; it is here, in short,
+that everything is canvassed--everything that happens in our set, I
+mean, much that never happens, and a great deal that could not possibly
+happen. It was at Our Club that I learned the particulars of the Van
+Twiller affair.
+
+It was great entertainment to Our Club, the Van Twiller affair, though
+it was rather a joyless thing, I fancy, for Van Twiller. To understand
+the case fully, it should be understood that Ralph Van Twiller is one of
+the proudest and most sensitive men living. He is a lineal descendant
+of Wouter Van Twiller, the famous old Dutch governor of New York--Nieuw
+Amsterdam, as it was then; his ancestors have always been burgomasters
+or admirals or generals, and his mother is the Mrs. Vanrensselaer
+Van-zandt Van Twiller whose magnificent place will be pointed out to
+you on the right bank of the Hudson, as you pass up the historic river
+towards Idlewild. Ralph is about twenty-five years old. Birth made him
+a gentleman, and the rise of real estate--some of it in the family since
+the old governor’s time--made him a millionaire. It was a kindly fairy
+that stepped in and made him a good fellow also. Fortune, I take it, was
+in her most jocund mood when she heaped her gifts in this fashion on
+Van Twiller, who was, and will be again, when this cloud blows over, the
+flower of Our Club.
+
+About a year ago there came a whisper--if the word “whisper” is not
+too harsh a term to apply to what seemed a mere breath floating gently
+through the atmosphere of the billiard-room--imparting the intelligence
+that Van Twiller was in some kind of trouble. Just as everybody suddenly
+takes to wearing square-toed boots, or to drawing his neckscarf through
+a ring, so it became all at once the fashion, without any preconcerted
+agreement, for everybody to speak of Van Twilier as a man in some way
+under a cloud. But what the cloud was, and how he got under it, and why
+he did not get away from it, were points that lifted themselves into
+the realm of pure conjecture. There was no man in the club with strong
+enough wing to his imagination to soar to the supposition that Van
+Twiller was embarrassed in money matters. Was he in love? That appeared
+nearly as improbable; for if he had been in love all the world--that
+is, perhaps a hundred first families--would have known all about it
+instantly.
+
+“He has the symptoms,” said Delaney, laughing. “I remember once when
+Jack Hemming “--
+
+“Ned!” cried Hemming, “I protest against any allusion to that business.”
+
+This was one night when Van Twiller had wandered into the club, turned
+over the magazines absently in the reading-room, and wandered out again
+without speaking ten words. The most careless eye would have remarked
+the great change that had come over Van Twiller. Now and then he would
+play a game of billiards with De Peyster or Haseltine, or stop to chat a
+moment in the vestibule with old Duane; but he was an altered man.
+When at the club, he was usually to be found in the small smoking-room
+up-stairs, seated on a fauteuil fast asleep, with the last number of
+The Nation in his hand. Once, if you went to two or three places of an
+evening, you were certain to meet Van Twiller at them all. You seldom
+met him in society now.
+
+By and by came whisper number two--a whisper more emphatic than number
+one, but still untraceable to any tangible mouthpiece. This time the
+whisper said that Van Twiller _was_ in love. But with whom? The list of
+possible Mrs. Van Twillers was carefully examined by experienced hands,
+and a check placed against a fine old Knickerbocker name here and there,
+but nothing satisfactory arrived at. Then that same still small voice
+of rumor, but now with an easily detected staccato sharpness to it, said
+that Van Twiller was in love--with an actress! Van Twiller, whom it had
+taken all these years and all this waste of raw material in the way of
+ancestors to bring to perfection--Ralph Van Twiller, the net result
+and flower of his race, the descendant of Wouter, the son of Mrs.
+Van-rensselaer Vanzandt Van Twiller--in love with an actress! That was
+too ridiculous to be believed--and so everybody believed it. Six
+or seven members of the club abruptly discovered in themselves an
+unsuspected latent passion for the histrionic art. In squads of two
+or three they stormed successively all the theatres in town--Booth’s,
+Wallack’s, Daly’s Fifth Avenue (not burnt down then), and the Grand
+Opera House. Even the shabby homes of the drama over in the Bowery,
+where the Germanic Thespis has not taken out his naturalization papers,
+underwent rigid exploration. But no clue was found to Van Twiller’s
+mysterious attachment. The _opéra bouffe_, which promised the widest
+field for investigation, produced absolutely nothing, not even a crop
+of suspicions. One night, after several weeks of this, Delaney and I
+fancied that we caught sight of Van Twiller in the private box of an
+up-town theatre, where some thrilling trapeze performance was going on,
+which we did not care to sit through; but we concluded afterwards that
+it was only somebody who looked like him. Delaney, by the way, was
+unusually active in this search. I dare say he never quite forgave Van
+Twiller for calling him Muslin Delaney. Ned is fond of ladies’ society,
+and that’s a fact.
+
+The Cimmerian darkness which surrounded Van Twiller’s inamorata left
+us free to indulge in the wildest conjectures. Whether she was
+black-tressed Melpomene, with bowl and dagger, or Thalia, with the fair
+hair and the laughing face, was only to be guessed at. It was popularly
+conceded, however, that Van Twiller was on the point of forming a
+dreadful _mésalliance_.
+
+Up to this period he had visited the club regularly. Suddenly he ceased
+to appear. He was not to be seen on Fifth Avenue, or in the Central
+Park, or at the houses he generally frequented. His chambers--and mighty
+comfortable chambers they were--on Thirty-fourth Street were deserted.
+He had dropped out of the world, shot like a bright particular star from
+his orbit in the heaven of the best society.
+
+The following conversation took place one night in the smoking-room:--
+
+“Where’s Van Twiller?”
+
+“Who’s seen Van Twiller?”
+
+“What has become of Van Twiller?”
+
+Delaney picked up the Evening Post, and read--with a solemnity that
+betrayed young Firkins into exclaiming, “By Jove, now!”--
+
+“Married, on the 10th instant, by the Rev. Friar Laurence, at the
+residence of the bride’s uncle, Montague Capulet, Esq., Miss Adrienne Le
+Couvreur to Mr. Ralph Van Twiller, both of this city. No cards.”
+
+“Free List suspended,” murmured De Peyster.
+
+“It strikes me,” said Frank Livingstone, who had been ruffling the
+leaves of a magazine at the other end of the table, “that you fellows
+are in a great fever about Van Twiller.”
+
+“So we are.”
+
+“Well, he has simply gone out of town.”
+
+“Where?”
+
+“Up to the old homestead on the Hudson.”
+
+“It’s an odd time of year for a fellow to go into the country.”
+
+“He has gone to visit his mother,” said Livingstone.
+
+“In February?”
+
+“I did n’t know, Delaney, that there was any statute in force
+prohibiting a man from visiting his mother in February if he wants to.”
+
+Delaney made some light remark about the pleasure of communing with
+Nature with a cold in her head, and the topic was dropped.
+
+Livingstone was hand in glove with Van Twilier, and if any man shared
+his confidence it was Livingstone. He was aware of the gossip and
+speculation that had been rife in the club, but he either was not at
+liberty or did not think it worth while to relieve our curiosity. In the
+course of a week or two it was reported that Van Twiller was going to
+Europe; and go he did. A dozen of us went down to the Scythia to see him
+off. It was refreshing to have something as positive as the fact that
+Van Twiller had sailed.
+
+
+
+
+II.
+
+Shortly after Van Twiller’s departure the whole thing came out.
+Whether Livingstone found the secret too heavy a burden, or whether it
+transpired through some indiscretion on the part of Mrs. Vanrensselaer
+Vanzandt Van Twiller, I cannot say; but one evening the entire story was
+in the possession of the club.
+
+Van Twiller had actually been very deeply interested--not in an actress,
+for the legitimate drama was not her humble walk in life, but--in
+Mademoiselle Olympe Zabriski, whose really perilous feats on the trapeze
+had astonished New York the year before, though they had failed to
+attract Delaney and me the night we wandered into the up-town theatre on
+the trail of Van Twiller’s mystery.
+
+That a man like Van Twiller should be fascinated even for an instant by
+a common circus-girl seems incredible; but it is always the incredible
+thing that happens. Besides, Mademoiselle Olympe was not a common
+circus-girl; she was a most daring and startling gymnaste, with a beauty
+and a grace of movement that gave to her audacious performance almost
+an air of prudery. Watching her wondrous dexterity and pliant strength,
+both exercised without apparent effort, it seemed the most natural
+proceeding in the world that she should do those unpardonable things.
+She had a way of melting from one graceful posture into another, like
+the dissolving figures thrown from a stereopticon. She was a lithe,
+radiant shape out of the Grecian mythology, now poised up there above
+the gaslights, and now gleaming through the air like a slender gilt
+arrow.
+
+I am describing Mademoiselle Olympe as she appeared to Van Twiller
+on the first occasion when he strolled into the theatre where she was
+performing. To me she was a girl of eighteen or twenty years of age
+(maybe she was much older, for pearl-powder and distance keep these
+people perpetually young), slightly but exquisitely built, with sinews
+of silver wire; rather pretty, perhaps, after a manner, but showing
+plainly the effects of the exhaustive drafts she was making on her
+physical vitality. Now, Van Twiller was an enthusiast on the subject of
+calisthenics. “If I had a daughter,” Van Twiller used to say, “I would
+n’t send her to a boarding-school, or a nunnery; I ‘d send her to a
+gymnasium for the first five years. Our American women have no physique.
+They are lilies, pallid, pretty--and perishable. You marry an American
+woman, and what do you marry? A headache. Look at English girls. They
+are at least roses, and last the season through.” Walking home from the
+theatre that first night, it flitted through Van Twiller’s mind that if
+he could give this girl’s set of nerves and muscles to any one of the
+two hundred high-bred women he knew, he would marry her on the spot and
+worship her forever.
+
+The following evening he went to see Mademoiselle Olympe again. “Olympe
+Zabriski,” he soliloquized, as he sauntered through the lobby--“what a
+queer name! Olympe is French, and Zabriski is Polish. It is her _nom de
+guerre_, of course; her real name is probably Sarah Jones. What kind of
+creature can she be in private life, I wonder? I wonder if she wears
+that costume all the time, and if she springs to her meals from a
+horizontal bar. Of course she rocks the baby to sleep on the trapeze.”
+ And Van Twiller went on making comical domestic tableaux of Mademoiselle
+Zabriski, like the clever, satirical dog he was, until the curtain rose.
+
+This was on a Friday. There was a matinée the next day, and he attended
+that, though he had secured a seat for the usual evening entertainment.
+Then it became a habit of Van Twiller’s to drop into the theatre for
+half an hour or so every night, to assist at the interlude, in which
+she appeared. He cared only for her part of the programme, and timed his
+visits accordingly. It was a surprise to himself when he reflected, one
+morning, that he had not missed a single performance of Mademoiselle
+Olympe for nearly two weeks.
+
+“This will never do,” said Van Twiller. “Olympe”--he called her
+Olympe, as if she were an old acquaintance, and so she might have been
+considered by that time--“is a wonderful creature; but this will never
+do. Van, my boy, you must reform this altogether.”
+
+But half past nine that night saw him in his accustomed orchestra
+chair, and so on for another week. A habit leads a man so gently in the
+beginning that he does not perceive he is led--with what silken threads
+and down what pleasant avenues it leads him! By and by the soft silk
+threads become iron chains, and the pleasant avenues Avernus!
+
+Quite a new element had lately entered into Van Twiller’s enjoyment of
+Mademoiselle Olympe’s ingenious feats--a vaguely born apprehension
+that she might slip from that swinging bar; that one of the thin cords
+supporting it might snap, and let her go headlong from the dizzy height.
+Now and then, for a terrible instant, he would imagine her lying a
+glittering, palpitating heap at the foot-lights, with no color in her
+lips! Sometimes it seemed as if the girl were tempting this kind of
+fate. It was a hard, bitter life, and nothing but poverty and sordid
+misery at home could have driven her to it. What if she should end it
+all some night, by just unclasping that little hand? It looked so small
+and white from where Van Twiller sat!
+
+This frightful idea fascinated while it chilled him, and helped to
+make it nearly impossible for him to keep away from the theatre. In the
+beginning his attendance had not interfered with his social duties or
+pleasures; but now he came to find it distasteful after dinner to do
+anything but read, or walk the streets aimlessly, until it was time to
+go to the play. When that was over, he was in no mood to go anywhere but
+to his rooms. So he dropped away by insensible degrees from his habitual
+haunts, was missed, and began to be talked about at the club. Catching
+some intimation of this, he ventured no more in the orchestra stalls,
+but shrouded himself behind the draperies of the private box in which
+Delaney and I thought we saw him on one occasion.
+
+Now, I find it very perplexing to explain what Van Twiller was wholly
+unable to explain to himself. He was not in love with Mademoiselle
+Olympe. He had no wish to speak to her, or to hear her speak. Nothing
+could have been easier, and nothing further from his desire, than
+to know her personally. A Van Twiller personally acquainted with a
+strolling female acrobat! Good heavens I That was something possible
+only with the discovery of perpetual motion. Taken from her theatrical
+setting, from her lofty perch, so to say, on the trapeze-bar, Olympe
+Zabriski would have shocked every aristocratic fibre in Van Twiller’s
+body. He was simply fascinated by her marvellous grace and _élan_, and
+the magnetic recklessness of the girl. It was very young in him and very
+weak, and no member of the Sorosis, or all the Sorosisters together,
+could have been more severe on Van Twiller than he was on himself. To be
+weak, and to know it, is something of a punishment for a proud man. Van
+Twiller took his punishment, and went to the theatre, regularly.
+
+“When her engagement comes to an end,” he meditated, “that will finish
+the business.”
+
+Mademoiselle Olympe’s engagement finally did come to an end, and
+she departed. But her engagement had been highly beneficial to the
+treasury-chest of the up-town theatre, and before Van Twiller could get
+over missing her she had returned from a short Western tour, and her
+immediate reappearance was underlined on the play-bills.
+
+On a dead-wall opposite the windows of Van Twiller’s sleeping-room there
+appeared, as if by necromancy, an aggressive poster with Mademoiselle
+Olympe Zabriski on it in letters at least a foot high. This thing stared
+him in the face when he woke up, one morning. It gave him a sensation as
+if she had called on him overnight, and left her card.
+
+From time to time through the day he regarded that poster with a
+sardonic eye. He had pitilessly resolved not to repeat the folly of the
+previous month. To say that this moral victory cost him nothing would
+be to deprive it of merit. It cost him many internal struggles. It is
+a fine thing to see a man seizing his temptation by the throat, and
+wrestling with it, and trampling it under foot like St. Anthony. This
+was the spectacle Van Twiller was exhibiting to the angels.
+
+The evening Mademoiselle Olympe was to make her reappearance, Van
+Twiller, having dined at the club, and feeling more like himself than
+he had felt for weeks, returned to his chamber, and, putting on
+dressing-gown and slippers, piled up the greater portion of his library
+about him, and fell to reading assiduously. There is nothing like a
+quiet evening at home with some slight intellectual occupation, after
+one’s feathers have been stroked the wrong way.
+
+When the lively French clock on the mantel-piece--a base of malachite
+surmounted by a flying bronze Mercury with its arms spread gracefully on
+the air, and not remotely suggestive of Mademoiselle Olympe in the
+act of executing her grand flight from the trapeze--when the clock,
+I repeat, struck nine, Van Twilier paid no attention to it. That was
+certainly a triumph. I am anxious to render Van Twiller all the justice
+I can, at this point of the narrative, inasmuch as when the half hour
+sounded musically, like a crystal ball dropping into a silver bowl,
+he rose from the chair automatically, thrust his feet into his
+walking-shoes, threw his overcoat across his arm, and strode out of the
+room.
+
+To be weak and to scorn your weakness, and not to be able to conquer
+it, is, as has been said, a hard thing; and I suspect it was not with
+unalloyed satisfaction that Van Twiller found himself taking his seat
+in the back part of the private box night after night during the second
+engagement of Mademoiselle Olympe. It was so easy not to stay away!
+
+In this second edition of Van Twiller’s fatuity, his case was even
+worse than before. He not only thought of Olympo quite a number of
+times between breakfast and dinner, he not only attended the interlude
+regularly, but he began, in spite of himself, to occupy his leisure
+hours at night by dreaming of her. This was too much of a good thing,
+and Van Twiller regarded it so. Besides, the dream was always the
+same--a harrowing dream, a dream singularly adapted to shattering the
+nerves of a man like Van Twiller. He would imagine himself seated at the
+theatre (with all the members of Our Club in the parquette), watching
+Mademoiselle Olympe as usual, when suddenly that young lady would launch
+herself desperately from the trapeze, and come flying through the air
+like a firebrand hurled at his private box. Then the unfortunate man
+would wake up with cold drops standing on his forehead.
+
+There is one redeeming feature in this infatuation of Van Twiller’s
+which the sober moralist will love to look upon--the serene
+unconsciousness of the person who caused it. She went through her _rôle_
+with admirable aplomb, drew her salary, it may be assumed, punctually,
+and appears from first to last to have been ignorant that there was
+a miserable slave wearing her chains nightly in the left-hand
+proscenium-box.
+
+That Van Twiller, haunting the theatre with the persistency of an
+ex-actor, conducted himself so discreetly as not to draw the fire of
+Mademoiselle Olympe’s blue eyes shows that Van Twiller, however deeply
+under a spell, was not in love. I say this, though I think if Van
+Twiller had not been Van Twiller, if he had been a man of no family and
+no position and no money, if New York had been Paris and Thirty-fourth
+Street a street in the Latin Quarter--but it is useless to speculate on
+what might have happened. What did happen is sufficient.
+
+It happened, then, in the second week of Queen Olympe’s second
+unconscious reign, that an appalling Whisper floated up the Hudson,
+effected a landing at a point between Spuyten Duyvel Creek and Cold
+Spring, and sought out a stately mansion of Dutch architecture standing
+on the bank of the river. The Whisper straightway informed the lady
+dwelling in this mansion that all was not well with the last of the Van
+Twillers; that he was gradually estranging himself from his peers, and
+wasting his nights in a play-house watching a misguided young woman
+turning unmaidenly somersaults on a piece of wood attached to two ropes.
+
+Mrs. Vanrensselaer Vanzandt Van Twiller came down to town by the next
+train to look into this little matter.
+
+She found the flower of the family taking an early breakfast, at 11 a.m.,
+in his cosey apartments on Thirty-fourth Street. With the least
+possible circumlocution she confronted him with what rumor had reported
+of his pursuits, and was pleased, but not too much pleased, when he
+gave her an exact account of his relations with Mademoiselle Zabriski,
+neither concealing nor qualifying anything. As a confession, it was
+unique, and might have been a great deal less entertaining. Two or three
+times in the course of the narrative, the matron had some difficulty
+in preserving the gravity of her countenance. After meditating a few
+minutes, she tapped Van Twiller softly on the arm with the tip of her
+parasol, and invited him to return with her the next day up the Hudson
+and make a brief visit at the home of his ancestors. He accepted the
+invitation with outward alacrity and inward disgust.
+
+When this was settled, and the worthy lady had withdrawn, Van Twiller
+went directly to the establishment of Messrs Ball, Black, and Company,
+and selected, with unerring taste, the finest diamond bracelet
+procurable. For his mother? Dear me, no! She had the family jewels.
+
+I would not like to state the enormous sum Van Twiller paid for this
+bracelet. It was such a clasp of diamonds as would have hastened
+the pulsation of a patrician wrist. It was such a bracelet as Prince
+Camaralzaman might have sent to the Princess Badoura, and the Princess
+Badoura--might have been very glad to get.
+
+In the fragrant Levant morocco case, where these happy jewels lived when
+they were at home, Van Twiller thoughtfully placed his card, on the back
+of which he had written a line begging Mademoiselle Olympe Zabriski to
+accept the accompanying trifle from one who had witnessed her
+graceful performances with interest and pleasure. This was not done
+inconsiderately. “Of course I must enclose my card, as I would to any
+lady,” Van Twiller had said to himself. “A Van Twiller can neither write
+an anonymous letter nor make an anonymous present.” Blood entails its
+duties as well As its privileges.
+
+The casket despatched to its destination, Van Twiller felt easier in his
+mind. He was under obligations to the girl for many an agreeable hour
+that might otherwise have passed heavily. He had paid the debt, and he
+had paid it _en prince_, as became a Van Twiller. He spent the rest of
+the day in looking at some pictures at Goupil’s, and at the club, and in
+making a few purchases for his trip up the Hudson. A consciousness
+that this trip up the Hudson was a disorderly retreat came over him
+unpleasantly at intervals.
+
+When he returned to his rooms late at night, he found a note lying
+on the writing-table. He started as his eye caught the words “------
+Theatre” stamped in carmine letters on one corner of the envelope. Van
+Twiller broke the seal with trembling fingers.
+
+Now, this note some time afterwards fell into the hands of Livingstone,
+who showed it to Stuyvesant, who showed it to Delaney, who showed it to
+me, and I copied it as a literary curiosity. The note ran as follows:--
+
+ Mr. Van Twiller,
+
+ Dear SiR--i am verry greatfull to you for that Bracelett. it
+ come just in the nic of time for me. The Mademoiselle
+ Zabriski dodg is about Plaid out. my beard is getting to
+ much for me. i shall have to grow a mustash and take to some
+ other line of busyness, I dont no what now, but will let you
+ no. You wont feel bad if i sell that Bracelett. i have seen
+ Abrahams Moss and he says he will do the square thing. Pleas
+ accep my thanks for youre Beautifull and Unexpected present.
+
+ Youre respectfull servent,
+
+ Charles Montmorenci Walters.
+
+The next day Van Twiller neither expressed nor felt any unwillingness to
+spend a few weeks with his mother at the old homestead.
+
+And then he went abroad.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Mademoiselle Olympe Zabriski, by
+Thomas Bailey Aldrich
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+***** This file should be named 23362-0.txt or 23362-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23362/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23362-0.zip b/23362-0.zip
new file mode 100644
index 0000000..a384008
--- /dev/null
+++ b/23362-0.zip
Binary files differ
diff --git a/23362-8.txt b/23362-8.txt
new file mode 100644
index 0000000..33c7afb
--- /dev/null
+++ b/23362-8.txt
@@ -0,0 +1,870 @@
+Project Gutenberg's Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mademoiselle Olympe Zabriski
+
+Author: Thomas Bailey Aldrich
+
+Release Date: November 6, 2007 [EBook #23362]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+MADEMOISELLE OLYMPE ZABRISKI
+
+By Thomas Bailey Aldrich
+
+Boston And New York Houghton Mifflin Company
+
+Copyright, 1873, 1885, and 1901
+
+
+
+
+I.
+
+We are accustomed to speak with a certain light irony of the tendency
+which women have to gossip, as if the sin itself, if it is a sin, were
+of the gentler sex, and could by no chance be a masculine peccadillo.
+So far as my observation goes, men are as much given to small talk as
+women, and it is undeniable that we have produced the highest type of
+gossiper extant. Where will you find, in or out of literature, such
+another droll, delightful, chatty busybody as Samuel Pepys, Esq.,
+Secretary to the Admiralty in the reigns of those fortunate gentlemen
+Charles II. and James II. of England? He is the king of tattlers as
+Shakespeare is the king of poets.
+
+If it came to a matter of pure gossip, I would back Our Club against
+the Sorosis or any women's club in existence. Whenever you see in our
+drawing-room four or five young fellows lounging in easy-chairs, cigar
+in hand, and now and then bringing their heads together over the small
+round Japanese table which is always the pivot of these social circles,
+you may be sure that they are discussing Tom's engagement, or Dick's
+extravagance, or Harry's hopeless passion for the younger Miss
+Fleurdelys. It is here old Tippleton gets execrated for that everlasting
+_bon mot_ of his which was quite a success at dinner-parties forty years
+ago; it is here the belle of the season passes under the scalpels of
+merciless young surgeons; it is here B's financial condition is handled
+in a way that would make B's hair stand on end; it is here, in short,
+that everything is canvassed--everything that happens in our set, I
+mean, much that never happens, and a great deal that could not possibly
+happen. It was at Our Club that I learned the particulars of the Van
+Twiller affair.
+
+It was great entertainment to Our Club, the Van Twiller affair, though
+it was rather a joyless thing, I fancy, for Van Twiller. To understand
+the case fully, it should be understood that Ralph Van Twiller is one of
+the proudest and most sensitive men living. He is a lineal descendant
+of Wouter Van Twiller, the famous old Dutch governor of New York--Nieuw
+Amsterdam, as it was then; his ancestors have always been burgomasters
+or admirals or generals, and his mother is the Mrs. Vanrensselaer
+Van-zandt Van Twiller whose magnificent place will be pointed out to
+you on the right bank of the Hudson, as you pass up the historic river
+towards Idlewild. Ralph is about twenty-five years old. Birth made him
+a gentleman, and the rise of real estate--some of it in the family since
+the old governor's time--made him a millionaire. It was a kindly fairy
+that stepped in and made him a good fellow also. Fortune, I take it, was
+in her most jocund mood when she heaped her gifts in this fashion on
+Van Twiller, who was, and will be again, when this cloud blows over, the
+flower of Our Club.
+
+About a year ago there came a whisper--if the word "whisper" is not
+too harsh a term to apply to what seemed a mere breath floating gently
+through the atmosphere of the billiard-room--imparting the intelligence
+that Van Twiller was in some kind of trouble. Just as everybody suddenly
+takes to wearing square-toed boots, or to drawing his neckscarf through
+a ring, so it became all at once the fashion, without any preconcerted
+agreement, for everybody to speak of Van Twilier as a man in some way
+under a cloud. But what the cloud was, and how he got under it, and why
+he did not get away from it, were points that lifted themselves into
+the realm of pure conjecture. There was no man in the club with strong
+enough wing to his imagination to soar to the supposition that Van
+Twiller was embarrassed in money matters. Was he in love? That appeared
+nearly as improbable; for if he had been in love all the world--that
+is, perhaps a hundred first families--would have known all about it
+instantly.
+
+"He has the symptoms," said Delaney, laughing. "I remember once when
+Jack Hemming "--
+
+"Ned!" cried Hemming, "I protest against any allusion to that business."
+
+This was one night when Van Twiller had wandered into the club, turned
+over the magazines absently in the reading-room, and wandered out again
+without speaking ten words. The most careless eye would have remarked
+the great change that had come over Van Twiller. Now and then he would
+play a game of billiards with De Peyster or Haseltine, or stop to chat a
+moment in the vestibule with old Duane; but he was an altered man.
+When at the club, he was usually to be found in the small smoking-room
+up-stairs, seated on a fauteuil fast asleep, with the last number of
+The Nation in his hand. Once, if you went to two or three places of an
+evening, you were certain to meet Van Twiller at them all. You seldom
+met him in society now.
+
+By and by came whisper number two--a whisper more emphatic than number
+one, but still untraceable to any tangible mouthpiece. This time the
+whisper said that Van Twiller _was_ in love. But with whom? The list of
+possible Mrs. Van Twillers was carefully examined by experienced hands,
+and a check placed against a fine old Knickerbocker name here and there,
+but nothing satisfactory arrived at. Then that same still small voice
+of rumor, but now with an easily detected staccato sharpness to it, said
+that Van Twiller was in love--with an actress! Van Twiller, whom it had
+taken all these years and all this waste of raw material in the way of
+ancestors to bring to perfection--Ralph Van Twiller, the net result
+and flower of his race, the descendant of Wouter, the son of Mrs.
+Van-rensselaer Vanzandt Van Twiller--in love with an actress! That was
+too ridiculous to be believed--and so everybody believed it. Six
+or seven members of the club abruptly discovered in themselves an
+unsuspected latent passion for the histrionic art. In squads of two
+or three they stormed successively all the theatres in town--Booth's,
+Wallack's, Daly's Fifth Avenue (not burnt down then), and the Grand
+Opera House. Even the shabby homes of the drama over in the Bowery,
+where the Germanic Thespis has not taken out his naturalization papers,
+underwent rigid exploration. But no clue was found to Van Twiller's
+mysterious attachment. The _opra bouffe_, which promised the widest
+field for investigation, produced absolutely nothing, not even a crop
+of suspicions. One night, after several weeks of this, Delaney and I
+fancied that we caught sight of Van Twiller in the private box of an
+up-town theatre, where some thrilling trapeze performance was going on,
+which we did not care to sit through; but we concluded afterwards that
+it was only somebody who looked like him. Delaney, by the way, was
+unusually active in this search. I dare say he never quite forgave Van
+Twiller for calling him Muslin Delaney. Ned is fond of ladies' society,
+and that's a fact.
+
+The Cimmerian darkness which surrounded Van Twiller's inamorata left
+us free to indulge in the wildest conjectures. Whether she was
+black-tressed Melpomene, with bowl and dagger, or Thalia, with the fair
+hair and the laughing face, was only to be guessed at. It was popularly
+conceded, however, that Van Twiller was on the point of forming a
+dreadful _msalliance_.
+
+Up to this period he had visited the club regularly. Suddenly he ceased
+to appear. He was not to be seen on Fifth Avenue, or in the Central
+Park, or at the houses he generally frequented. His chambers--and mighty
+comfortable chambers they were--on Thirty-fourth Street were deserted.
+He had dropped out of the world, shot like a bright particular star from
+his orbit in the heaven of the best society.
+
+The following conversation took place one night in the smoking-room:--
+
+"Where's Van Twiller?"
+
+"Who's seen Van Twiller?"
+
+"What has become of Van Twiller?"
+
+Delaney picked up the Evening Post, and read--with a solemnity that
+betrayed young Firkins into exclaiming, "By Jove, now!"--
+
+"Married, on the 10th instant, by the Rev. Friar Laurence, at the
+residence of the bride's uncle, Montague Capulet, Esq., Miss Adrienne Le
+Couvreur to Mr. Ralph Van Twiller, both of this city. No cards."
+
+"Free List suspended," murmured De Peyster.
+
+"It strikes me," said Frank Livingstone, who had been ruffling the
+leaves of a magazine at the other end of the table, "that you fellows
+are in a great fever about Van Twiller."
+
+"So we are."
+
+"Well, he has simply gone out of town."
+
+"Where?"
+
+"Up to the old homestead on the Hudson."
+
+"It's an odd time of year for a fellow to go into the country."
+
+"He has gone to visit his mother," said Livingstone.
+
+"In February?"
+
+"I did n't know, Delaney, that there was any statute in force
+prohibiting a man from visiting his mother in February if he wants to."
+
+Delaney made some light remark about the pleasure of communing with
+Nature with a cold in her head, and the topic was dropped.
+
+Livingstone was hand in glove with Van Twilier, and if any man shared
+his confidence it was Livingstone. He was aware of the gossip and
+speculation that had been rife in the club, but he either was not at
+liberty or did not think it worth while to relieve our curiosity. In the
+course of a week or two it was reported that Van Twiller was going to
+Europe; and go he did. A dozen of us went down to the Scythia to see him
+off. It was refreshing to have something as positive as the fact that
+Van Twiller had sailed.
+
+
+
+
+II.
+
+Shortly after Van Twiller's departure the whole thing came out.
+Whether Livingstone found the secret too heavy a burden, or whether it
+transpired through some indiscretion on the part of Mrs. Vanrensselaer
+Vanzandt Van Twiller, I cannot say; but one evening the entire story was
+in the possession of the club.
+
+Van Twiller had actually been very deeply interested--not in an actress,
+for the legitimate drama was not her humble walk in life, but--in
+Mademoiselle Olympe Zabriski, whose really perilous feats on the trapeze
+had astonished New York the year before, though they had failed to
+attract Delaney and me the night we wandered into the up-town theatre on
+the trail of Van Twiller's mystery.
+
+That a man like Van Twiller should be fascinated even for an instant by
+a common circus-girl seems incredible; but it is always the incredible
+thing that happens. Besides, Mademoiselle Olympe was not a common
+circus-girl; she was a most daring and startling gymnaste, with a beauty
+and a grace of movement that gave to her audacious performance almost
+an air of prudery. Watching her wondrous dexterity and pliant strength,
+both exercised without apparent effort, it seemed the most natural
+proceeding in the world that she should do those unpardonable things.
+She had a way of melting from one graceful posture into another, like
+the dissolving figures thrown from a stereopticon. She was a lithe,
+radiant shape out of the Grecian mythology, now poised up there above
+the gaslights, and now gleaming through the air like a slender gilt
+arrow.
+
+I am describing Mademoiselle Olympe as she appeared to Van Twiller
+on the first occasion when he strolled into the theatre where she was
+performing. To me she was a girl of eighteen or twenty years of age
+(maybe she was much older, for pearl-powder and distance keep these
+people perpetually young), slightly but exquisitely built, with sinews
+of silver wire; rather pretty, perhaps, after a manner, but showing
+plainly the effects of the exhaustive drafts she was making on her
+physical vitality. Now, Van Twiller was an enthusiast on the subject of
+calisthenics. "If I had a daughter," Van Twiller used to say, "I would
+n't send her to a boarding-school, or a nunnery; I 'd send her to a
+gymnasium for the first five years. Our American women have no physique.
+They are lilies, pallid, pretty--and perishable. You marry an American
+woman, and what do you marry? A headache. Look at English girls. They
+are at least roses, and last the season through." Walking home from the
+theatre that first night, it flitted through Van Twiller's mind that if
+he could give this girl's set of nerves and muscles to any one of the
+two hundred high-bred women he knew, he would marry her on the spot and
+worship her forever.
+
+The following evening he went to see Mademoiselle Olympe again. "Olympe
+Zabriski," he soliloquized, as he sauntered through the lobby--"what a
+queer name! Olympe is French, and Zabriski is Polish. It is her _nom de
+guerre_, of course; her real name is probably Sarah Jones. What kind of
+creature can she be in private life, I wonder? I wonder if she wears
+that costume all the time, and if she springs to her meals from a
+horizontal bar. Of course she rocks the baby to sleep on the trapeze."
+And Van Twiller went on making comical domestic tableaux of Mademoiselle
+Zabriski, like the clever, satirical dog he was, until the curtain rose.
+
+This was on a Friday. There was a matine the next day, and he attended
+that, though he had secured a seat for the usual evening entertainment.
+Then it became a habit of Van Twiller's to drop into the theatre for
+half an hour or so every night, to assist at the interlude, in which
+she appeared. He cared only for her part of the programme, and timed his
+visits accordingly. It was a surprise to himself when he reflected, one
+morning, that he had not missed a single performance of Mademoiselle
+Olympe for nearly two weeks.
+
+"This will never do," said Van Twiller. "Olympe"--he called her
+Olympe, as if she were an old acquaintance, and so she might have been
+considered by that time--"is a wonderful creature; but this will never
+do. Van, my boy, you must reform this altogether."
+
+But half past nine that night saw him in his accustomed orchestra
+chair, and so on for another week. A habit leads a man so gently in the
+beginning that he does not perceive he is led--with what silken threads
+and down what pleasant avenues it leads him! By and by the soft silk
+threads become iron chains, and the pleasant avenues Avernus!
+
+Quite a new element had lately entered into Van Twiller's enjoyment of
+Mademoiselle Olympe's ingenious feats--a vaguely born apprehension
+that she might slip from that swinging bar; that one of the thin cords
+supporting it might snap, and let her go headlong from the dizzy height.
+Now and then, for a terrible instant, he would imagine her lying a
+glittering, palpitating heap at the foot-lights, with no color in her
+lips! Sometimes it seemed as if the girl were tempting this kind of
+fate. It was a hard, bitter life, and nothing but poverty and sordid
+misery at home could have driven her to it. What if she should end it
+all some night, by just unclasping that little hand? It looked so small
+and white from where Van Twiller sat!
+
+This frightful idea fascinated while it chilled him, and helped to
+make it nearly impossible for him to keep away from the theatre. In the
+beginning his attendance had not interfered with his social duties or
+pleasures; but now he came to find it distasteful after dinner to do
+anything but read, or walk the streets aimlessly, until it was time to
+go to the play. When that was over, he was in no mood to go anywhere but
+to his rooms. So he dropped away by insensible degrees from his habitual
+haunts, was missed, and began to be talked about at the club. Catching
+some intimation of this, he ventured no more in the orchestra stalls,
+but shrouded himself behind the draperies of the private box in which
+Delaney and I thought we saw him on one occasion.
+
+Now, I find it very perplexing to explain what Van Twiller was wholly
+unable to explain to himself. He was not in love with Mademoiselle
+Olympe. He had no wish to speak to her, or to hear her speak. Nothing
+could have been easier, and nothing further from his desire, than
+to know her personally. A Van Twiller personally acquainted with a
+strolling female acrobat! Good heavens I That was something possible
+only with the discovery of perpetual motion. Taken from her theatrical
+setting, from her lofty perch, so to say, on the trapeze-bar, Olympe
+Zabriski would have shocked every aristocratic fibre in Van Twiller's
+body. He was simply fascinated by her marvellous grace and _lan_, and
+the magnetic recklessness of the girl. It was very young in him and very
+weak, and no member of the Sorosis, or all the Sorosisters together,
+could have been more severe on Van Twiller than he was on himself. To be
+weak, and to know it, is something of a punishment for a proud man. Van
+Twiller took his punishment, and went to the theatre, regularly.
+
+"When her engagement comes to an end," he meditated, "that will finish
+the business."
+
+Mademoiselle Olympe's engagement finally did come to an end, and
+she departed. But her engagement had been highly beneficial to the
+treasury-chest of the up-town theatre, and before Van Twiller could get
+over missing her she had returned from a short Western tour, and her
+immediate reappearance was underlined on the play-bills.
+
+On a dead-wall opposite the windows of Van Twiller's sleeping-room there
+appeared, as if by necromancy, an aggressive poster with Mademoiselle
+Olympe Zabriski on it in letters at least a foot high. This thing stared
+him in the face when he woke up, one morning. It gave him a sensation as
+if she had called on him overnight, and left her card.
+
+From time to time through the day he regarded that poster with a
+sardonic eye. He had pitilessly resolved not to repeat the folly of the
+previous month. To say that this moral victory cost him nothing would
+be to deprive it of merit. It cost him many internal struggles. It is
+a fine thing to see a man seizing his temptation by the throat, and
+wrestling with it, and trampling it under foot like St. Anthony. This
+was the spectacle Van Twiller was exhibiting to the angels.
+
+The evening Mademoiselle Olympe was to make her reappearance, Van
+Twiller, having dined at the club, and feeling more like himself than
+he had felt for weeks, returned to his chamber, and, putting on
+dressing-gown and slippers, piled up the greater portion of his library
+about him, and fell to reading assiduously. There is nothing like a
+quiet evening at home with some slight intellectual occupation, after
+one's feathers have been stroked the wrong way.
+
+When the lively French clock on the mantel-piece--a base of malachite
+surmounted by a flying bronze Mercury with its arms spread gracefully on
+the air, and not remotely suggestive of Mademoiselle Olympe in the
+act of executing her grand flight from the trapeze--when the clock,
+I repeat, struck nine, Van Twilier paid no attention to it. That was
+certainly a triumph. I am anxious to render Van Twiller all the justice
+I can, at this point of the narrative, inasmuch as when the half hour
+sounded musically, like a crystal ball dropping into a silver bowl,
+he rose from the chair automatically, thrust his feet into his
+walking-shoes, threw his overcoat across his arm, and strode out of the
+room.
+
+To be weak and to scorn your weakness, and not to be able to conquer
+it, is, as has been said, a hard thing; and I suspect it was not with
+unalloyed satisfaction that Van Twiller found himself taking his seat
+in the back part of the private box night after night during the second
+engagement of Mademoiselle Olympe. It was so easy not to stay away!
+
+In this second edition of Van Twiller's fatuity, his case was even
+worse than before. He not only thought of Olympo quite a number of
+times between breakfast and dinner, he not only attended the interlude
+regularly, but he began, in spite of himself, to occupy his leisure
+hours at night by dreaming of her. This was too much of a good thing,
+and Van Twiller regarded it so. Besides, the dream was always the
+same--a harrowing dream, a dream singularly adapted to shattering the
+nerves of a man like Van Twiller. He would imagine himself seated at the
+theatre (with all the members of Our Club in the parquette), watching
+Mademoiselle Olympe as usual, when suddenly that young lady would launch
+herself desperately from the trapeze, and come flying through the air
+like a firebrand hurled at his private box. Then the unfortunate man
+would wake up with cold drops standing on his forehead.
+
+There is one redeeming feature in this infatuation of Van Twiller's
+which the sober moralist will love to look upon--the serene
+unconsciousness of the person who caused it. She went through her _rle_
+with admirable aplomb, drew her salary, it may be assumed, punctually,
+and appears from first to last to have been ignorant that there was
+a miserable slave wearing her chains nightly in the left-hand
+proscenium-box.
+
+That Van Twiller, haunting the theatre with the persistency of an
+ex-actor, conducted himself so discreetly as not to draw the fire of
+Mademoiselle Olympe's blue eyes shows that Van Twiller, however deeply
+under a spell, was not in love. I say this, though I think if Van
+Twiller had not been Van Twiller, if he had been a man of no family and
+no position and no money, if New York had been Paris and Thirty-fourth
+Street a street in the Latin Quarter--but it is useless to speculate on
+what might have happened. What did happen is sufficient.
+
+It happened, then, in the second week of Queen Olympe's second
+unconscious reign, that an appalling Whisper floated up the Hudson,
+effected a landing at a point between Spuyten Duyvel Creek and Cold
+Spring, and sought out a stately mansion of Dutch architecture standing
+on the bank of the river. The Whisper straightway informed the lady
+dwelling in this mansion that all was not well with the last of the Van
+Twillers; that he was gradually estranging himself from his peers, and
+wasting his nights in a play-house watching a misguided young woman
+turning unmaidenly somersaults on a piece of wood attached to two ropes.
+
+Mrs. Vanrensselaer Vanzandt Van Twiller came down to town by the next
+train to look into this little matter.
+
+She found the flower of the family taking an early breakfast, at 11 a.m.,
+in his cosey apartments on Thirty-fourth Street. With the least
+possible circumlocution she confronted him with what rumor had reported
+of his pursuits, and was pleased, but not too much pleased, when he
+gave her an exact account of his relations with Mademoiselle Zabriski,
+neither concealing nor qualifying anything. As a confession, it was
+unique, and might have been a great deal less entertaining. Two or three
+times in the course of the narrative, the matron had some difficulty
+in preserving the gravity of her countenance. After meditating a few
+minutes, she tapped Van Twiller softly on the arm with the tip of her
+parasol, and invited him to return with her the next day up the Hudson
+and make a brief visit at the home of his ancestors. He accepted the
+invitation with outward alacrity and inward disgust.
+
+When this was settled, and the worthy lady had withdrawn, Van Twiller
+went directly to the establishment of Messrs Ball, Black, and Company,
+and selected, with unerring taste, the finest diamond bracelet
+procurable. For his mother? Dear me, no! She had the family jewels.
+
+I would not like to state the enormous sum Van Twiller paid for this
+bracelet. It was such a clasp of diamonds as would have hastened
+the pulsation of a patrician wrist. It was such a bracelet as Prince
+Camaralzaman might have sent to the Princess Badoura, and the Princess
+Badoura--might have been very glad to get.
+
+In the fragrant Levant morocco case, where these happy jewels lived when
+they were at home, Van Twiller thoughtfully placed his card, on the back
+of which he had written a line begging Mademoiselle Olympe Zabriski to
+accept the accompanying trifle from one who had witnessed her
+graceful performances with interest and pleasure. This was not done
+inconsiderately. "Of course I must enclose my card, as I would to any
+lady," Van Twiller had said to himself. "A Van Twiller can neither write
+an anonymous letter nor make an anonymous present." Blood entails its
+duties as well As its privileges.
+
+The casket despatched to its destination, Van Twiller felt easier in his
+mind. He was under obligations to the girl for many an agreeable hour
+that might otherwise have passed heavily. He had paid the debt, and he
+had paid it _en prince_, as became a Van Twiller. He spent the rest of
+the day in looking at some pictures at Goupil's, and at the club, and in
+making a few purchases for his trip up the Hudson. A consciousness
+that this trip up the Hudson was a disorderly retreat came over him
+unpleasantly at intervals.
+
+When he returned to his rooms late at night, he found a note lying
+on the writing-table. He started as his eye caught the words "------
+Theatre" stamped in carmine letters on one corner of the envelope. Van
+Twiller broke the seal with trembling fingers.
+
+Now, this note some time afterwards fell into the hands of Livingstone,
+who showed it to Stuyvesant, who showed it to Delaney, who showed it to
+me, and I copied it as a literary curiosity. The note ran as follows:--
+
+ Mr. Van Twiller,
+
+ Dear SiR--i am verry greatfull to you for that Bracelett. it
+ come just in the nic of time for me. The Mademoiselle
+ Zabriski dodg is about Plaid out. my beard is getting to
+ much for me. i shall have to grow a mustash and take to some
+ other line of busyness, I dont no what now, but will let you
+ no. You wont feel bad if i sell that Bracelett. i have seen
+ Abrahams Moss and he says he will do the square thing. Pleas
+ accep my thanks for youre Beautifull and Unexpected present.
+
+ Youre respectfull servent,
+
+ Charles Montmorenci Walters.
+
+The next day Van Twiller neither expressed nor felt any unwillingness to
+spend a few weeks with his mother at the old homestead.
+
+And then he went abroad.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Mademoiselle Olympe Zabriski, by
+Thomas Bailey Aldrich
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+***** This file should be named 23362-8.txt or 23362-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23362/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23362-8.zip b/23362-8.zip
new file mode 100644
index 0000000..f5de810
--- /dev/null
+++ b/23362-8.zip
Binary files differ
diff --git a/23362-h.zip b/23362-h.zip
new file mode 100644
index 0000000..69d018f
--- /dev/null
+++ b/23362-h.zip
Binary files differ
diff --git a/23362-h/23362-h.htm b/23362-h/23362-h.htm
new file mode 100644
index 0000000..54651d4
--- /dev/null
+++ b/23362-h/23362-h.htm
@@ -0,0 +1,1015 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <title>
+ Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mademoiselle Olympe Zabriski
+
+Author: Thomas Bailey Aldrich
+
+Release Date: November 6, 2007 [EBook #23362]
+Last Updated: September 20, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ MADEMOISELLE OLYMPE ZABRISKI
+ </h1>
+ <h2>
+ By Thomas Bailey Aldrich
+ </h2>
+ <h3>
+ Boston And New York Houghton Mifflin Company
+ </h3>
+ <h4>
+ Copyright, 1873, 1885, and 1901
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0001"> I. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> II. </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I.
+ </h2>
+ <p>
+ We are accustomed to speak with a certain light irony of the tendency
+ which women have to gossip, as if the sin itself, if it is a sin, were of
+ the gentler sex, and could by no chance be a masculine peccadillo. So far
+ as my observation goes, men are as much given to small talk as women, and
+ it is undeniable that we have produced the highest type of gossiper
+ extant. Where will you find, in or out of literature, such another droll,
+ delightful, chatty busybody as Samuel Pepys, Esq., Secretary to the
+ Admiralty in the reigns of those fortunate gentlemen Charles II. and James
+ II. of England? He is the king of tattlers as Shakespeare is the king of
+ poets.
+ </p>
+ <p>
+ If it came to a matter of pure gossip, I would back Our Club against the
+ Sorosis or any women&rsquo;s club in existence. Whenever you see in our
+ drawing-room four or five young fellows lounging in easy-chairs, cigar in
+ hand, and now and then bringing their heads together over the small round
+ Japanese table which is always the pivot of these social circles, you may
+ be sure that they are discussing Tom&rsquo;s engagement, or Dick&rsquo;s extravagance,
+ or Harry&rsquo;s hopeless passion for the younger Miss Fleurdelys. It is here
+ old Tippleton gets execrated for that everlasting <i>bon mot</i> of his
+ which was quite a success at dinner-parties forty years ago; it is here
+ the belle of the season passes under the scalpels of merciless young
+ surgeons; it is here B&rsquo;s financial condition is handled in a way that
+ would make B&rsquo;s hair stand on end; it is here, in short, that everything is
+ canvassed&mdash;everything that happens in our set, I mean, much that
+ never happens, and a great deal that could not possibly happen. It was at
+ Our Club that I learned the particulars of the Van Twiller affair.
+ </p>
+ <p>
+ It was great entertainment to Our Club, the Van Twiller affair, though it
+ was rather a joyless thing, I fancy, for Van Twiller. To understand the
+ case fully, it should be understood that Ralph Van Twiller is one of the
+ proudest and most sensitive men living. He is a lineal descendant of
+ Wouter Van Twiller, the famous old Dutch governor of New York&mdash;Nieuw
+ Amsterdam, as it was then; his ancestors have always been burgomasters or
+ admirals or generals, and his mother is the Mrs. Vanrensselaer Van-zandt
+ Van Twiller whose magnificent place will be pointed out to you on the
+ right bank of the Hudson, as you pass up the historic river towards
+ Idlewild. Ralph is about twenty-five years old. Birth made him a
+ gentleman, and the rise of real estate&mdash;some of it in the family
+ since the old governor&rsquo;s time&mdash;made him a millionaire. It was a
+ kindly fairy that stepped in and made him a good fellow also. Fortune, I
+ take it, was in her most jocund mood when she heaped her gifts in this
+ fashion on Van Twiller, who was, and will be again, when this cloud blows
+ over, the flower of Our Club.
+ </p>
+ <p>
+ About a year ago there came a whisper&mdash;if the word &ldquo;whisper&rdquo; is not
+ too harsh a term to apply to what seemed a mere breath floating gently
+ through the atmosphere of the billiard-room&mdash;imparting the
+ intelligence that Van Twiller was in some kind of trouble. Just as
+ everybody suddenly takes to wearing square-toed boots, or to drawing his
+ neckscarf through a ring, so it became all at once the fashion, without
+ any preconcerted agreement, for everybody to speak of Van Twilier as a man
+ in some way under a cloud. But what the cloud was, and how he got under
+ it, and why he did not get away from it, were points that lifted
+ themselves into the realm of pure conjecture. There was no man in the club
+ with strong enough wing to his imagination to soar to the supposition that
+ Van Twiller was embarrassed in money matters. Was he in love? That
+ appeared nearly as improbable; for if he had been in love all the world&mdash;that
+ is, perhaps a hundred first families&mdash;would have known all about it
+ instantly.
+ </p>
+ <p>
+ &ldquo;He has the symptoms,&rdquo; said Delaney, laughing. &ldquo;I remember once when Jack
+ Hemming &ldquo;&mdash;
+ </p>
+ <p>
+ &ldquo;Ned!&rdquo; cried Hemming, &ldquo;I protest against any allusion to that business.&rdquo;
+ </p>
+ <p>
+ This was one night when Van Twiller had wandered into the club, turned
+ over the magazines absently in the reading-room, and wandered out again
+ without speaking ten words. The most careless eye would have remarked the
+ great change that had come over Van Twiller. Now and then he would play a
+ game of billiards with De Peyster or Haseltine, or stop to chat a moment
+ in the vestibule with old Duane; but he was an altered man. When at the
+ club, he was usually to be found in the small smoking-room up-stairs,
+ seated on a fauteuil fast asleep, with the last number of The Nation in
+ his hand. Once, if you went to two or three places of an evening, you were
+ certain to meet Van Twiller at them all. You seldom met him in society
+ now.
+ </p>
+ <p>
+ By and by came whisper number two&mdash;a whisper more emphatic than
+ number one, but still untraceable to any tangible mouthpiece. This time
+ the whisper said that Van Twiller <i>was</i> in love. But with whom? The
+ list of possible Mrs. Van Twillers was carefully examined by experienced
+ hands, and a check placed against a fine old Knickerbocker name here and
+ there, but nothing satisfactory arrived at. Then that same still small
+ voice of rumor, but now with an easily detected staccato sharpness to it,
+ said that Van Twiller was in love&mdash;with an actress! Van Twiller, whom
+ it had taken all these years and all this waste of raw material in the way
+ of ancestors to bring to perfection&mdash;Ralph Van Twiller, the net
+ result and flower of his race, the descendant of Wouter, the son of Mrs.
+ Van-rensselaer Vanzandt Van Twiller&mdash;in love with an actress! That
+ was too ridiculous to be believed&mdash;and so everybody believed it. Six
+ or seven members of the club abruptly discovered in themselves an
+ unsuspected latent passion for the histrionic art. In squads of two or
+ three they stormed successively all the theatres in town&mdash;Booth&rsquo;s,
+ Wallack&rsquo;s, Daly&rsquo;s Fifth Avenue (not burnt down then), and the Grand Opera
+ House. Even the shabby homes of the drama over in the Bowery, where the
+ Germanic Thespis has not taken out his naturalization papers, underwent
+ rigid exploration. But no clue was found to Van Twiller&rsquo;s mysterious
+ attachment. The <i>opéra bouffe</i>, which promised the widest field for
+ investigation, produced absolutely nothing, not even a crop of suspicions.
+ One night, after several weeks of this, Delaney and I fancied that we
+ caught sight of Van Twiller in the private box of an up-town theatre,
+ where some thrilling trapeze performance was going on, which we did not
+ care to sit through; but we concluded afterwards that it was only somebody
+ who looked like him. Delaney, by the way, was unusually active in this
+ search. I dare say he never quite forgave Van Twiller for calling him
+ Muslin Delaney. Ned is fond of ladies&rsquo; society, and that&rsquo;s a fact.
+ </p>
+ <p>
+ The Cimmerian darkness which surrounded Van Twiller&rsquo;s inamorata left us
+ free to indulge in the wildest conjectures. Whether she was black-tressed
+ Melpomene, with bowl and dagger, or Thalia, with the fair hair and the
+ laughing face, was only to be guessed at. It was popularly conceded,
+ however, that Van Twiller was on the point of forming a dreadful <i>mésalliance</i>.
+ </p>
+ <p>
+ Up to this period he had visited the club regularly. Suddenly he ceased to
+ appear. He was not to be seen on Fifth Avenue, or in the Central Park, or
+ at the houses he generally frequented. His chambers&mdash;and mighty
+ comfortable chambers they were&mdash;on Thirty-fourth Street were
+ deserted. He had dropped out of the world, shot like a bright particular
+ star from his orbit in the heaven of the best society.
+ </p>
+ <p>
+ The following conversation took place one night in the smoking-room:&mdash;
+ </p>
+ <p>
+ &ldquo;Where&rsquo;s Van Twiller?&rdquo;
+ </p>
+ <p>
+ &ldquo;Who&rsquo;s seen Van Twiller?&rdquo;
+ </p>
+ <p>
+ &ldquo;What has become of Van Twiller?&rdquo;
+ </p>
+ <p>
+ Delaney picked up the Evening Post, and read&mdash;with a solemnity that
+ betrayed young Firkins into exclaiming, &ldquo;By Jove, now!&rdquo;&mdash;
+ </p>
+ <p>
+ &ldquo;Married, on the 10th instant, by the Rev. Friar Laurence, at the
+ residence of the bride&rsquo;s uncle, Montague Capulet, Esq., Miss Adrienne Le
+ Couvreur to Mr. Ralph Van Twiller, both of this city. No cards.&rdquo;
+ </p>
+ <p>
+ &ldquo;Free List suspended,&rdquo; murmured De Peyster.
+ </p>
+ <p>
+ &ldquo;It strikes me,&rdquo; said Frank Livingstone, who had been ruffling the leaves
+ of a magazine at the other end of the table, &ldquo;that you fellows are in a
+ great fever about Van Twiller.&rdquo;
+ </p>
+ <p>
+ &ldquo;So we are.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he has simply gone out of town.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where?&rdquo;
+ </p>
+ <p>
+ &ldquo;Up to the old homestead on the Hudson.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s an odd time of year for a fellow to go into the country.&rdquo;
+ </p>
+ <p>
+ &ldquo;He has gone to visit his mother,&rdquo; said Livingstone.
+ </p>
+ <p>
+ &ldquo;In February?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did n&rsquo;t know, Delaney, that there was any statute in force prohibiting
+ a man from visiting his mother in February if he wants to.&rdquo;
+ </p>
+ <p>
+ Delaney made some light remark about the pleasure of communing with Nature
+ with a cold in her head, and the topic was dropped.
+ </p>
+ <p>
+ Livingstone was hand in glove with Van Twilier, and if any man shared his
+ confidence it was Livingstone. He was aware of the gossip and speculation
+ that had been rife in the club, but he either was not at liberty or did
+ not think it worth while to relieve our curiosity. In the course of a week
+ or two it was reported that Van Twiller was going to Europe; and go he
+ did. A dozen of us went down to the Scythia to see him off. It was
+ refreshing to have something as positive as the fact that Van Twiller had
+ sailed.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II.
+ </h2>
+ <p>
+ Shortly after Van Twiller&rsquo;s departure the whole thing came out. Whether
+ Livingstone found the secret too heavy a burden, or whether it transpired
+ through some indiscretion on the part of Mrs. Vanrensselaer Vanzandt Van
+ Twiller, I cannot say; but one evening the entire story was in the
+ possession of the club.
+ </p>
+ <p>
+ Van Twiller had actually been very deeply interested&mdash;not in an
+ actress, for the legitimate drama was not her humble walk in life, but&mdash;in
+ Mademoiselle Olympe Zabriski, whose really perilous feats on the trapeze
+ had astonished New York the year before, though they had failed to attract
+ Delaney and me the night we wandered into the up-town theatre on the trail
+ of Van Twiller&rsquo;s mystery.
+ </p>
+ <p>
+ That a man like Van Twiller should be fascinated even for an instant by a
+ common circus-girl seems incredible; but it is always the incredible thing
+ that happens. Besides, Mademoiselle Olympe was not a common circus-girl;
+ she was a most daring and startling gymnaste, with a beauty and a grace of
+ movement that gave to her audacious performance almost an air of prudery.
+ Watching her wondrous dexterity and pliant strength, both exercised
+ without apparent effort, it seemed the most natural proceeding in the
+ world that she should do those unpardonable things. She had a way of
+ melting from one graceful posture into another, like the dissolving
+ figures thrown from a stereopticon. She was a lithe, radiant shape out of
+ the Grecian mythology, now poised up there above the gaslights, and now
+ gleaming through the air like a slender gilt arrow.
+ </p>
+ <p>
+ I am describing Mademoiselle Olympe as she appeared to Van Twiller on the
+ first occasion when he strolled into the theatre where she was performing.
+ To me she was a girl of eighteen or twenty years of age (maybe she was
+ much older, for pearl-powder and distance keep these people perpetually
+ young), slightly but exquisitely built, with sinews of silver wire; rather
+ pretty, perhaps, after a manner, but showing plainly the effects of the
+ exhaustive drafts she was making on her physical vitality. Now, Van
+ Twiller was an enthusiast on the subject of calisthenics. &ldquo;If I had a
+ daughter,&rdquo; Van Twiller used to say, &ldquo;I would n&rsquo;t send her to a
+ boarding-school, or a nunnery; I &lsquo;d send her to a gymnasium for the first
+ five years. Our American women have no physique. They are lilies, pallid,
+ pretty&mdash;and perishable. You marry an American woman, and what do you
+ marry? A headache. Look at English girls. They are at least roses, and
+ last the season through.&rdquo; Walking home from the theatre that first night,
+ it flitted through Van Twiller&rsquo;s mind that if he could give this girl&rsquo;s
+ set of nerves and muscles to any one of the two hundred high-bred women he
+ knew, he would marry her on the spot and worship her forever.
+ </p>
+ <p>
+ The following evening he went to see Mademoiselle Olympe again. &ldquo;Olympe
+ Zabriski,&rdquo; he soliloquized, as he sauntered through the lobby&mdash;&ldquo;what
+ a queer name! Olympe is French, and Zabriski is Polish. It is her <i>nom
+ de guerre</i>, of course; her real name is probably Sarah Jones. What kind
+ of creature can she be in private life, I wonder? I wonder if she wears
+ that costume all the time, and if she springs to her meals from a
+ horizontal bar. Of course she rocks the baby to sleep on the trapeze.&rdquo; And
+ Van Twiller went on making comical domestic tableaux of Mademoiselle
+ Zabriski, like the clever, satirical dog he was, until the curtain rose.
+ </p>
+ <p>
+ This was on a Friday. There was a matinée the next day, and he attended
+ that, though he had secured a seat for the usual evening entertainment.
+ Then it became a habit of Van Twiller&rsquo;s to drop into the theatre for half
+ an hour or so every night, to assist at the interlude, in which she
+ appeared. He cared only for her part of the programme, and timed his
+ visits accordingly. It was a surprise to himself when he reflected, one
+ morning, that he had not missed a single performance of Mademoiselle
+ Olympe for nearly two weeks.
+ </p>
+ <p>
+ &ldquo;This will never do,&rdquo; said Van Twiller. &ldquo;Olympe&rdquo;&mdash;he called her
+ Olympe, as if she were an old acquaintance, and so she might have been
+ considered by that time&mdash;&ldquo;is a wonderful creature; but this will
+ never do. Van, my boy, you must reform this altogether.&rdquo;
+ </p>
+ <p>
+ But half past nine that night saw him in his accustomed orchestra chair,
+ and so on for another week. A habit leads a man so gently in the beginning
+ that he does not perceive he is led&mdash;with what silken threads and
+ down what pleasant avenues it leads him! By and by the soft silk threads
+ become iron chains, and the pleasant avenues Avernus!
+ </p>
+ <p>
+ Quite a new element had lately entered into Van Twiller&rsquo;s enjoyment of
+ Mademoiselle Olympe&rsquo;s ingenious feats&mdash;a vaguely born apprehension
+ that she might slip from that swinging bar; that one of the thin cords
+ supporting it might snap, and let her go headlong from the dizzy height.
+ Now and then, for a terrible instant, he would imagine her lying a
+ glittering, palpitating heap at the foot-lights, with no color in her
+ lips! Sometimes it seemed as if the girl were tempting this kind of fate.
+ It was a hard, bitter life, and nothing but poverty and sordid misery at
+ home could have driven her to it. What if she should end it all some
+ night, by just unclasping that little hand? It looked so small and white
+ from where Van Twiller sat!
+ </p>
+ <p>
+ This frightful idea fascinated while it chilled him, and helped to make it
+ nearly impossible for him to keep away from the theatre. In the beginning
+ his attendance had not interfered with his social duties or pleasures; but
+ now he came to find it distasteful after dinner to do anything but read,
+ or walk the streets aimlessly, until it was time to go to the play. When
+ that was over, he was in no mood to go anywhere but to his rooms. So he
+ dropped away by insensible degrees from his habitual haunts, was missed,
+ and began to be talked about at the club. Catching some intimation of
+ this, he ventured no more in the orchestra stalls, but shrouded himself
+ behind the draperies of the private box in which Delaney and I thought we
+ saw him on one occasion.
+ </p>
+ <p>
+ Now, I find it very perplexing to explain what Van Twiller was wholly
+ unable to explain to himself. He was not in love with Mademoiselle Olympe.
+ He had no wish to speak to her, or to hear her speak. Nothing could have
+ been easier, and nothing further from his desire, than to know her
+ personally. A Van Twiller personally acquainted with a strolling female
+ acrobat! Good heavens I That was something possible only with the
+ discovery of perpetual motion. Taken from her theatrical setting, from her
+ lofty perch, so to say, on the trapeze-bar, Olympe Zabriski would have
+ shocked every aristocratic fibre in Van Twiller&rsquo;s body. He was simply
+ fascinated by her marvellous grace and <i>élan</i>, and the magnetic
+ recklessness of the girl. It was very young in him and very weak, and no
+ member of the Sorosis, or all the Sorosisters together, could have been
+ more severe on Van Twiller than he was on himself. To be weak, and to know
+ it, is something of a punishment for a proud man. Van Twiller took his
+ punishment, and went to the theatre, regularly.
+ </p>
+ <p>
+ &ldquo;When her engagement comes to an end,&rdquo; he meditated, &ldquo;that will finish the
+ business.&rdquo;
+ </p>
+ <p>
+ Mademoiselle Olympe&rsquo;s engagement finally did come to an end, and she
+ departed. But her engagement had been highly beneficial to the
+ treasury-chest of the up-town theatre, and before Van Twiller could get
+ over missing her she had returned from a short Western tour, and her
+ immediate reappearance was underlined on the play-bills.
+ </p>
+ <p>
+ On a dead-wall opposite the windows of Van Twiller&rsquo;s sleeping-room there
+ appeared, as if by necromancy, an aggressive poster with Mademoiselle
+ Olympe Zabriski on it in letters at least a foot high. This thing stared
+ him in the face when he woke up, one morning. It gave him a sensation as
+ if she had called on him overnight, and left her card.
+ </p>
+ <p>
+ From time to time through the day he regarded that poster with a sardonic
+ eye. He had pitilessly resolved not to repeat the folly of the previous
+ month. To say that this moral victory cost him nothing would be to deprive
+ it of merit. It cost him many internal struggles. It is a fine thing to
+ see a man seizing his temptation by the throat, and wrestling with it, and
+ trampling it under foot like St. Anthony. This was the spectacle Van
+ Twiller was exhibiting to the angels.
+ </p>
+ <p>
+ The evening Mademoiselle Olympe was to make her reappearance, Van Twiller,
+ having dined at the club, and feeling more like himself than he had felt
+ for weeks, returned to his chamber, and, putting on dressing-gown and
+ slippers, piled up the greater portion of his library about him, and fell
+ to reading assiduously. There is nothing like a quiet evening at home with
+ some slight intellectual occupation, after one&rsquo;s feathers have been
+ stroked the wrong way.
+ </p>
+ <p>
+ When the lively French clock on the mantel-piece&mdash;a base of malachite
+ surmounted by a flying bronze Mercury with its arms spread gracefully on
+ the air, and not remotely suggestive of Mademoiselle Olympe in the act of
+ executing her grand flight from the trapeze&mdash;when the clock, I
+ repeat, struck nine, Van Twilier paid no attention to it. That was
+ certainly a triumph. I am anxious to render Van Twiller all the justice I
+ can, at this point of the narrative, inasmuch as when the half hour
+ sounded musically, like a crystal ball dropping into a silver bowl, he
+ rose from the chair automatically, thrust his feet into his walking-shoes,
+ threw his overcoat across his arm, and strode out of the room.
+ </p>
+ <p>
+ To be weak and to scorn your weakness, and not to be able to conquer it,
+ is, as has been said, a hard thing; and I suspect it was not with
+ unalloyed satisfaction that Van Twiller found himself taking his seat in
+ the back part of the private box night after night during the second
+ engagement of Mademoiselle Olympe. It was so easy not to stay away!
+ </p>
+ <p>
+ In this second edition of Van Twiller&rsquo;s fatuity, his case was even worse
+ than before. He not only thought of Olympo quite a number of times between
+ breakfast and dinner, he not only attended the interlude regularly, but he
+ began, in spite of himself, to occupy his leisure hours at night by
+ dreaming of her. This was too much of a good thing, and Van Twiller
+ regarded it so. Besides, the dream was always the same&mdash;a harrowing
+ dream, a dream singularly adapted to shattering the nerves of a man like
+ Van Twiller. He would imagine himself seated at the theatre (with all the
+ members of Our Club in the parquette), watching Mademoiselle Olympe as
+ usual, when suddenly that young lady would launch herself desperately from
+ the trapeze, and come flying through the air like a firebrand hurled at
+ his private box. Then the unfortunate man would wake up with cold drops
+ standing on his forehead.
+ </p>
+ <p>
+ There is one redeeming feature in this infatuation of Van Twiller&rsquo;s which
+ the sober moralist will love to look upon&mdash;the serene unconsciousness
+ of the person who caused it. She went through her <i>rôle</i> with
+ admirable aplomb, drew her salary, it may be assumed, punctually, and
+ appears from first to last to have been ignorant that there was a
+ miserable slave wearing her chains nightly in the left-hand
+ proscenium-box.
+ </p>
+ <p>
+ That Van Twiller, haunting the theatre with the persistency of an
+ ex-actor, conducted himself so discreetly as not to draw the fire of
+ Mademoiselle Olympe&rsquo;s blue eyes shows that Van Twiller, however deeply
+ under a spell, was not in love. I say this, though I think if Van Twiller
+ had not been Van Twiller, if he had been a man of no family and no
+ position and no money, if New York had been Paris and Thirty-fourth Street
+ a street in the Latin Quarter&mdash;but it is useless to speculate on what
+ might have happened. What did happen is sufficient.
+ </p>
+ <p>
+ It happened, then, in the second week of Queen Olympe&rsquo;s second unconscious
+ reign, that an appalling Whisper floated up the Hudson, effected a landing
+ at a point between Spuyten Duyvel Creek and Cold Spring, and sought out a
+ stately mansion of Dutch architecture standing on the bank of the river.
+ The Whisper straightway informed the lady dwelling in this mansion that
+ all was not well with the last of the Van Twillers; that he was gradually
+ estranging himself from his peers, and wasting his nights in a play-house
+ watching a misguided young woman turning unmaidenly somersaults on a piece
+ of wood attached to two ropes.
+ </p>
+ <p>
+ Mrs. Vanrensselaer Vanzandt Van Twiller came down to town by the next
+ train to look into this little matter.
+ </p>
+ <p>
+ She found the flower of the family taking an early breakfast, at 11 a.m.,
+ in his cosey apartments on Thirty-fourth Street. With the least possible
+ circumlocution she confronted him with what rumor had reported of his
+ pursuits, and was pleased, but not too much pleased, when he gave her an
+ exact account of his relations with Mademoiselle Zabriski, neither
+ concealing nor qualifying anything. As a confession, it was unique, and
+ might have been a great deal less entertaining. Two or three times in the
+ course of the narrative, the matron had some difficulty in preserving the
+ gravity of her countenance. After meditating a few minutes, she tapped Van
+ Twiller softly on the arm with the tip of her parasol, and invited him to
+ return with her the next day up the Hudson and make a brief visit at the
+ home of his ancestors. He accepted the invitation with outward alacrity
+ and inward disgust.
+ </p>
+ <p>
+ When this was settled, and the worthy lady had withdrawn, Van Twiller went
+ directly to the establishment of Messrs Ball, Black, and Company, and
+ selected, with unerring taste, the finest diamond bracelet procurable. For
+ his mother? Dear me, no! She had the family jewels.
+ </p>
+ <p>
+ I would not like to state the enormous sum Van Twiller paid for this
+ bracelet. It was such a clasp of diamonds as would have hastened the
+ pulsation of a patrician wrist. It was such a bracelet as Prince
+ Camaralzaman might have sent to the Princess Badoura, and the Princess
+ Badoura&mdash;might have been very glad to get.
+ </p>
+ <p>
+ In the fragrant Levant morocco case, where these happy jewels lived when
+ they were at home, Van Twiller thoughtfully placed his card, on the back
+ of which he had written a line begging Mademoiselle Olympe Zabriski to
+ accept the accompanying trifle from one who had witnessed her graceful
+ performances with interest and pleasure. This was not done
+ inconsiderately. &ldquo;Of course I must enclose my card, as I would to any
+ lady,&rdquo; Van Twiller had said to himself. &ldquo;A Van Twiller can neither write
+ an anonymous letter nor make an anonymous present.&rdquo; Blood entails its
+ duties as well As its privileges.
+ </p>
+ <p>
+ The casket despatched to its destination, Van Twiller felt easier in his
+ mind. He was under obligations to the girl for many an agreeable hour that
+ might otherwise have passed heavily. He had paid the debt, and he had paid
+ it <i>en prince</i>, as became a Van Twiller. He spent the rest of the day
+ in looking at some pictures at Goupil&rsquo;s, and at the club, and in making a
+ few purchases for his trip up the Hudson. A consciousness that this trip
+ up the Hudson was a disorderly retreat came over him unpleasantly at
+ intervals.
+ </p>
+ <p>
+ When he returned to his rooms late at night, he found a note lying on the
+ writing-table. He started as his eye caught the words &ldquo;&mdash;&mdash;&mdash;
+ Theatre&rdquo; stamped in carmine letters on one corner of the envelope. Van
+ Twiller broke the seal with trembling fingers.
+ </p>
+ <p>
+ Now, this note some time afterwards fell into the hands of Livingstone,
+ who showed it to Stuyvesant, who showed it to Delaney, who showed it to
+ me, and I copied it as a literary curiosity. The note ran as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ Mr. Van Twiller,
+
+ Dear SiR&mdash;i am verry greatfull to you for that Bracelett. it
+ come just in the nic of time for me. The Mademoiselle
+ Zabriski dodg is about Plaid out. my beard is getting to
+ much for me. i shall have to grow a mustash and take to some
+ other line of busyness, I dont no what now, but will let you
+ no. You wont feel bad if i sell that Bracelett. i have seen
+ Abrahams Moss and he says he will do the square thing. Pleas
+ accep my thanks for youre Beautifull and Unexpected present.
+
+ Youre respectfull servent,
+
+ Charles Montmorenci Walters.
+</pre>
+ <p>
+ The next day Van Twiller neither expressed nor felt any unwillingness to
+ spend a few weeks with his mother at the old homestead.
+ </p>
+ <p>
+ And then he went abroad.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Mademoiselle Olympe Zabriski, by
+Thomas Bailey Aldrich
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+***** This file should be named 23362-h.htm or 23362-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23362/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/23362.txt b/23362.txt
new file mode 100644
index 0000000..500ba1e
--- /dev/null
+++ b/23362.txt
@@ -0,0 +1,870 @@
+Project Gutenberg's Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mademoiselle Olympe Zabriski
+
+Author: Thomas Bailey Aldrich
+
+Release Date: November 6, 2007 [EBook #23362]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+
+MADEMOISELLE OLYMPE ZABRISKI
+
+By Thomas Bailey Aldrich
+
+Boston And New York Houghton Mifflin Company
+
+Copyright, 1873, 1885, and 1901
+
+
+
+
+I.
+
+We are accustomed to speak with a certain light irony of the tendency
+which women have to gossip, as if the sin itself, if it is a sin, were
+of the gentler sex, and could by no chance be a masculine peccadillo.
+So far as my observation goes, men are as much given to small talk as
+women, and it is undeniable that we have produced the highest type of
+gossiper extant. Where will you find, in or out of literature, such
+another droll, delightful, chatty busybody as Samuel Pepys, Esq.,
+Secretary to the Admiralty in the reigns of those fortunate gentlemen
+Charles II. and James II. of England? He is the king of tattlers as
+Shakespeare is the king of poets.
+
+If it came to a matter of pure gossip, I would back Our Club against
+the Sorosis or any women's club in existence. Whenever you see in our
+drawing-room four or five young fellows lounging in easy-chairs, cigar
+in hand, and now and then bringing their heads together over the small
+round Japanese table which is always the pivot of these social circles,
+you may be sure that they are discussing Tom's engagement, or Dick's
+extravagance, or Harry's hopeless passion for the younger Miss
+Fleurdelys. It is here old Tippleton gets execrated for that everlasting
+_bon mot_ of his which was quite a success at dinner-parties forty years
+ago; it is here the belle of the season passes under the scalpels of
+merciless young surgeons; it is here B's financial condition is handled
+in a way that would make B's hair stand on end; it is here, in short,
+that everything is canvassed--everything that happens in our set, I
+mean, much that never happens, and a great deal that could not possibly
+happen. It was at Our Club that I learned the particulars of the Van
+Twiller affair.
+
+It was great entertainment to Our Club, the Van Twiller affair, though
+it was rather a joyless thing, I fancy, for Van Twiller. To understand
+the case fully, it should be understood that Ralph Van Twiller is one of
+the proudest and most sensitive men living. He is a lineal descendant
+of Wouter Van Twiller, the famous old Dutch governor of New York--Nieuw
+Amsterdam, as it was then; his ancestors have always been burgomasters
+or admirals or generals, and his mother is the Mrs. Vanrensselaer
+Van-zandt Van Twiller whose magnificent place will be pointed out to
+you on the right bank of the Hudson, as you pass up the historic river
+towards Idlewild. Ralph is about twenty-five years old. Birth made him
+a gentleman, and the rise of real estate--some of it in the family since
+the old governor's time--made him a millionaire. It was a kindly fairy
+that stepped in and made him a good fellow also. Fortune, I take it, was
+in her most jocund mood when she heaped her gifts in this fashion on
+Van Twiller, who was, and will be again, when this cloud blows over, the
+flower of Our Club.
+
+About a year ago there came a whisper--if the word "whisper" is not
+too harsh a term to apply to what seemed a mere breath floating gently
+through the atmosphere of the billiard-room--imparting the intelligence
+that Van Twiller was in some kind of trouble. Just as everybody suddenly
+takes to wearing square-toed boots, or to drawing his neckscarf through
+a ring, so it became all at once the fashion, without any preconcerted
+agreement, for everybody to speak of Van Twilier as a man in some way
+under a cloud. But what the cloud was, and how he got under it, and why
+he did not get away from it, were points that lifted themselves into
+the realm of pure conjecture. There was no man in the club with strong
+enough wing to his imagination to soar to the supposition that Van
+Twiller was embarrassed in money matters. Was he in love? That appeared
+nearly as improbable; for if he had been in love all the world--that
+is, perhaps a hundred first families--would have known all about it
+instantly.
+
+"He has the symptoms," said Delaney, laughing. "I remember once when
+Jack Hemming "--
+
+"Ned!" cried Hemming, "I protest against any allusion to that business."
+
+This was one night when Van Twiller had wandered into the club, turned
+over the magazines absently in the reading-room, and wandered out again
+without speaking ten words. The most careless eye would have remarked
+the great change that had come over Van Twiller. Now and then he would
+play a game of billiards with De Peyster or Haseltine, or stop to chat a
+moment in the vestibule with old Duane; but he was an altered man.
+When at the club, he was usually to be found in the small smoking-room
+up-stairs, seated on a fauteuil fast asleep, with the last number of
+The Nation in his hand. Once, if you went to two or three places of an
+evening, you were certain to meet Van Twiller at them all. You seldom
+met him in society now.
+
+By and by came whisper number two--a whisper more emphatic than number
+one, but still untraceable to any tangible mouthpiece. This time the
+whisper said that Van Twiller _was_ in love. But with whom? The list of
+possible Mrs. Van Twillers was carefully examined by experienced hands,
+and a check placed against a fine old Knickerbocker name here and there,
+but nothing satisfactory arrived at. Then that same still small voice
+of rumor, but now with an easily detected staccato sharpness to it, said
+that Van Twiller was in love--with an actress! Van Twiller, whom it had
+taken all these years and all this waste of raw material in the way of
+ancestors to bring to perfection--Ralph Van Twiller, the net result
+and flower of his race, the descendant of Wouter, the son of Mrs.
+Van-rensselaer Vanzandt Van Twiller--in love with an actress! That was
+too ridiculous to be believed--and so everybody believed it. Six
+or seven members of the club abruptly discovered in themselves an
+unsuspected latent passion for the histrionic art. In squads of two
+or three they stormed successively all the theatres in town--Booth's,
+Wallack's, Daly's Fifth Avenue (not burnt down then), and the Grand
+Opera House. Even the shabby homes of the drama over in the Bowery,
+where the Germanic Thespis has not taken out his naturalization papers,
+underwent rigid exploration. But no clue was found to Van Twiller's
+mysterious attachment. The _opera bouffe_, which promised the widest
+field for investigation, produced absolutely nothing, not even a crop
+of suspicions. One night, after several weeks of this, Delaney and I
+fancied that we caught sight of Van Twiller in the private box of an
+up-town theatre, where some thrilling trapeze performance was going on,
+which we did not care to sit through; but we concluded afterwards that
+it was only somebody who looked like him. Delaney, by the way, was
+unusually active in this search. I dare say he never quite forgave Van
+Twiller for calling him Muslin Delaney. Ned is fond of ladies' society,
+and that's a fact.
+
+The Cimmerian darkness which surrounded Van Twiller's inamorata left
+us free to indulge in the wildest conjectures. Whether she was
+black-tressed Melpomene, with bowl and dagger, or Thalia, with the fair
+hair and the laughing face, was only to be guessed at. It was popularly
+conceded, however, that Van Twiller was on the point of forming a
+dreadful _mesalliance_.
+
+Up to this period he had visited the club regularly. Suddenly he ceased
+to appear. He was not to be seen on Fifth Avenue, or in the Central
+Park, or at the houses he generally frequented. His chambers--and mighty
+comfortable chambers they were--on Thirty-fourth Street were deserted.
+He had dropped out of the world, shot like a bright particular star from
+his orbit in the heaven of the best society.
+
+The following conversation took place one night in the smoking-room:--
+
+"Where's Van Twiller?"
+
+"Who's seen Van Twiller?"
+
+"What has become of Van Twiller?"
+
+Delaney picked up the Evening Post, and read--with a solemnity that
+betrayed young Firkins into exclaiming, "By Jove, now!"--
+
+"Married, on the 10th instant, by the Rev. Friar Laurence, at the
+residence of the bride's uncle, Montague Capulet, Esq., Miss Adrienne Le
+Couvreur to Mr. Ralph Van Twiller, both of this city. No cards."
+
+"Free List suspended," murmured De Peyster.
+
+"It strikes me," said Frank Livingstone, who had been ruffling the
+leaves of a magazine at the other end of the table, "that you fellows
+are in a great fever about Van Twiller."
+
+"So we are."
+
+"Well, he has simply gone out of town."
+
+"Where?"
+
+"Up to the old homestead on the Hudson."
+
+"It's an odd time of year for a fellow to go into the country."
+
+"He has gone to visit his mother," said Livingstone.
+
+"In February?"
+
+"I did n't know, Delaney, that there was any statute in force
+prohibiting a man from visiting his mother in February if he wants to."
+
+Delaney made some light remark about the pleasure of communing with
+Nature with a cold in her head, and the topic was dropped.
+
+Livingstone was hand in glove with Van Twilier, and if any man shared
+his confidence it was Livingstone. He was aware of the gossip and
+speculation that had been rife in the club, but he either was not at
+liberty or did not think it worth while to relieve our curiosity. In the
+course of a week or two it was reported that Van Twiller was going to
+Europe; and go he did. A dozen of us went down to the Scythia to see him
+off. It was refreshing to have something as positive as the fact that
+Van Twiller had sailed.
+
+
+
+
+II.
+
+Shortly after Van Twiller's departure the whole thing came out.
+Whether Livingstone found the secret too heavy a burden, or whether it
+transpired through some indiscretion on the part of Mrs. Vanrensselaer
+Vanzandt Van Twiller, I cannot say; but one evening the entire story was
+in the possession of the club.
+
+Van Twiller had actually been very deeply interested--not in an actress,
+for the legitimate drama was not her humble walk in life, but--in
+Mademoiselle Olympe Zabriski, whose really perilous feats on the trapeze
+had astonished New York the year before, though they had failed to
+attract Delaney and me the night we wandered into the up-town theatre on
+the trail of Van Twiller's mystery.
+
+That a man like Van Twiller should be fascinated even for an instant by
+a common circus-girl seems incredible; but it is always the incredible
+thing that happens. Besides, Mademoiselle Olympe was not a common
+circus-girl; she was a most daring and startling gymnaste, with a beauty
+and a grace of movement that gave to her audacious performance almost
+an air of prudery. Watching her wondrous dexterity and pliant strength,
+both exercised without apparent effort, it seemed the most natural
+proceeding in the world that she should do those unpardonable things.
+She had a way of melting from one graceful posture into another, like
+the dissolving figures thrown from a stereopticon. She was a lithe,
+radiant shape out of the Grecian mythology, now poised up there above
+the gaslights, and now gleaming through the air like a slender gilt
+arrow.
+
+I am describing Mademoiselle Olympe as she appeared to Van Twiller
+on the first occasion when he strolled into the theatre where she was
+performing. To me she was a girl of eighteen or twenty years of age
+(maybe she was much older, for pearl-powder and distance keep these
+people perpetually young), slightly but exquisitely built, with sinews
+of silver wire; rather pretty, perhaps, after a manner, but showing
+plainly the effects of the exhaustive drafts she was making on her
+physical vitality. Now, Van Twiller was an enthusiast on the subject of
+calisthenics. "If I had a daughter," Van Twiller used to say, "I would
+n't send her to a boarding-school, or a nunnery; I 'd send her to a
+gymnasium for the first five years. Our American women have no physique.
+They are lilies, pallid, pretty--and perishable. You marry an American
+woman, and what do you marry? A headache. Look at English girls. They
+are at least roses, and last the season through." Walking home from the
+theatre that first night, it flitted through Van Twiller's mind that if
+he could give this girl's set of nerves and muscles to any one of the
+two hundred high-bred women he knew, he would marry her on the spot and
+worship her forever.
+
+The following evening he went to see Mademoiselle Olympe again. "Olympe
+Zabriski," he soliloquized, as he sauntered through the lobby--"what a
+queer name! Olympe is French, and Zabriski is Polish. It is her _nom de
+guerre_, of course; her real name is probably Sarah Jones. What kind of
+creature can she be in private life, I wonder? I wonder if she wears
+that costume all the time, and if she springs to her meals from a
+horizontal bar. Of course she rocks the baby to sleep on the trapeze."
+And Van Twiller went on making comical domestic tableaux of Mademoiselle
+Zabriski, like the clever, satirical dog he was, until the curtain rose.
+
+This was on a Friday. There was a matinee the next day, and he attended
+that, though he had secured a seat for the usual evening entertainment.
+Then it became a habit of Van Twiller's to drop into the theatre for
+half an hour or so every night, to assist at the interlude, in which
+she appeared. He cared only for her part of the programme, and timed his
+visits accordingly. It was a surprise to himself when he reflected, one
+morning, that he had not missed a single performance of Mademoiselle
+Olympe for nearly two weeks.
+
+"This will never do," said Van Twiller. "Olympe"--he called her
+Olympe, as if she were an old acquaintance, and so she might have been
+considered by that time--"is a wonderful creature; but this will never
+do. Van, my boy, you must reform this altogether."
+
+But half past nine that night saw him in his accustomed orchestra
+chair, and so on for another week. A habit leads a man so gently in the
+beginning that he does not perceive he is led--with what silken threads
+and down what pleasant avenues it leads him! By and by the soft silk
+threads become iron chains, and the pleasant avenues Avernus!
+
+Quite a new element had lately entered into Van Twiller's enjoyment of
+Mademoiselle Olympe's ingenious feats--a vaguely born apprehension
+that she might slip from that swinging bar; that one of the thin cords
+supporting it might snap, and let her go headlong from the dizzy height.
+Now and then, for a terrible instant, he would imagine her lying a
+glittering, palpitating heap at the foot-lights, with no color in her
+lips! Sometimes it seemed as if the girl were tempting this kind of
+fate. It was a hard, bitter life, and nothing but poverty and sordid
+misery at home could have driven her to it. What if she should end it
+all some night, by just unclasping that little hand? It looked so small
+and white from where Van Twiller sat!
+
+This frightful idea fascinated while it chilled him, and helped to
+make it nearly impossible for him to keep away from the theatre. In the
+beginning his attendance had not interfered with his social duties or
+pleasures; but now he came to find it distasteful after dinner to do
+anything but read, or walk the streets aimlessly, until it was time to
+go to the play. When that was over, he was in no mood to go anywhere but
+to his rooms. So he dropped away by insensible degrees from his habitual
+haunts, was missed, and began to be talked about at the club. Catching
+some intimation of this, he ventured no more in the orchestra stalls,
+but shrouded himself behind the draperies of the private box in which
+Delaney and I thought we saw him on one occasion.
+
+Now, I find it very perplexing to explain what Van Twiller was wholly
+unable to explain to himself. He was not in love with Mademoiselle
+Olympe. He had no wish to speak to her, or to hear her speak. Nothing
+could have been easier, and nothing further from his desire, than
+to know her personally. A Van Twiller personally acquainted with a
+strolling female acrobat! Good heavens I That was something possible
+only with the discovery of perpetual motion. Taken from her theatrical
+setting, from her lofty perch, so to say, on the trapeze-bar, Olympe
+Zabriski would have shocked every aristocratic fibre in Van Twiller's
+body. He was simply fascinated by her marvellous grace and _elan_, and
+the magnetic recklessness of the girl. It was very young in him and very
+weak, and no member of the Sorosis, or all the Sorosisters together,
+could have been more severe on Van Twiller than he was on himself. To be
+weak, and to know it, is something of a punishment for a proud man. Van
+Twiller took his punishment, and went to the theatre, regularly.
+
+"When her engagement comes to an end," he meditated, "that will finish
+the business."
+
+Mademoiselle Olympe's engagement finally did come to an end, and
+she departed. But her engagement had been highly beneficial to the
+treasury-chest of the up-town theatre, and before Van Twiller could get
+over missing her she had returned from a short Western tour, and her
+immediate reappearance was underlined on the play-bills.
+
+On a dead-wall opposite the windows of Van Twiller's sleeping-room there
+appeared, as if by necromancy, an aggressive poster with Mademoiselle
+Olympe Zabriski on it in letters at least a foot high. This thing stared
+him in the face when he woke up, one morning. It gave him a sensation as
+if she had called on him overnight, and left her card.
+
+From time to time through the day he regarded that poster with a
+sardonic eye. He had pitilessly resolved not to repeat the folly of the
+previous month. To say that this moral victory cost him nothing would
+be to deprive it of merit. It cost him many internal struggles. It is
+a fine thing to see a man seizing his temptation by the throat, and
+wrestling with it, and trampling it under foot like St. Anthony. This
+was the spectacle Van Twiller was exhibiting to the angels.
+
+The evening Mademoiselle Olympe was to make her reappearance, Van
+Twiller, having dined at the club, and feeling more like himself than
+he had felt for weeks, returned to his chamber, and, putting on
+dressing-gown and slippers, piled up the greater portion of his library
+about him, and fell to reading assiduously. There is nothing like a
+quiet evening at home with some slight intellectual occupation, after
+one's feathers have been stroked the wrong way.
+
+When the lively French clock on the mantel-piece--a base of malachite
+surmounted by a flying bronze Mercury with its arms spread gracefully on
+the air, and not remotely suggestive of Mademoiselle Olympe in the
+act of executing her grand flight from the trapeze--when the clock,
+I repeat, struck nine, Van Twilier paid no attention to it. That was
+certainly a triumph. I am anxious to render Van Twiller all the justice
+I can, at this point of the narrative, inasmuch as when the half hour
+sounded musically, like a crystal ball dropping into a silver bowl,
+he rose from the chair automatically, thrust his feet into his
+walking-shoes, threw his overcoat across his arm, and strode out of the
+room.
+
+To be weak and to scorn your weakness, and not to be able to conquer
+it, is, as has been said, a hard thing; and I suspect it was not with
+unalloyed satisfaction that Van Twiller found himself taking his seat
+in the back part of the private box night after night during the second
+engagement of Mademoiselle Olympe. It was so easy not to stay away!
+
+In this second edition of Van Twiller's fatuity, his case was even
+worse than before. He not only thought of Olympo quite a number of
+times between breakfast and dinner, he not only attended the interlude
+regularly, but he began, in spite of himself, to occupy his leisure
+hours at night by dreaming of her. This was too much of a good thing,
+and Van Twiller regarded it so. Besides, the dream was always the
+same--a harrowing dream, a dream singularly adapted to shattering the
+nerves of a man like Van Twiller. He would imagine himself seated at the
+theatre (with all the members of Our Club in the parquette), watching
+Mademoiselle Olympe as usual, when suddenly that young lady would launch
+herself desperately from the trapeze, and come flying through the air
+like a firebrand hurled at his private box. Then the unfortunate man
+would wake up with cold drops standing on his forehead.
+
+There is one redeeming feature in this infatuation of Van Twiller's
+which the sober moralist will love to look upon--the serene
+unconsciousness of the person who caused it. She went through her _role_
+with admirable aplomb, drew her salary, it may be assumed, punctually,
+and appears from first to last to have been ignorant that there was
+a miserable slave wearing her chains nightly in the left-hand
+proscenium-box.
+
+That Van Twiller, haunting the theatre with the persistency of an
+ex-actor, conducted himself so discreetly as not to draw the fire of
+Mademoiselle Olympe's blue eyes shows that Van Twiller, however deeply
+under a spell, was not in love. I say this, though I think if Van
+Twiller had not been Van Twiller, if he had been a man of no family and
+no position and no money, if New York had been Paris and Thirty-fourth
+Street a street in the Latin Quarter--but it is useless to speculate on
+what might have happened. What did happen is sufficient.
+
+It happened, then, in the second week of Queen Olympe's second
+unconscious reign, that an appalling Whisper floated up the Hudson,
+effected a landing at a point between Spuyten Duyvel Creek and Cold
+Spring, and sought out a stately mansion of Dutch architecture standing
+on the bank of the river. The Whisper straightway informed the lady
+dwelling in this mansion that all was not well with the last of the Van
+Twillers; that he was gradually estranging himself from his peers, and
+wasting his nights in a play-house watching a misguided young woman
+turning unmaidenly somersaults on a piece of wood attached to two ropes.
+
+Mrs. Vanrensselaer Vanzandt Van Twiller came down to town by the next
+train to look into this little matter.
+
+She found the flower of the family taking an early breakfast, at 11 a.m.,
+in his cosey apartments on Thirty-fourth Street. With the least
+possible circumlocution she confronted him with what rumor had reported
+of his pursuits, and was pleased, but not too much pleased, when he
+gave her an exact account of his relations with Mademoiselle Zabriski,
+neither concealing nor qualifying anything. As a confession, it was
+unique, and might have been a great deal less entertaining. Two or three
+times in the course of the narrative, the matron had some difficulty
+in preserving the gravity of her countenance. After meditating a few
+minutes, she tapped Van Twiller softly on the arm with the tip of her
+parasol, and invited him to return with her the next day up the Hudson
+and make a brief visit at the home of his ancestors. He accepted the
+invitation with outward alacrity and inward disgust.
+
+When this was settled, and the worthy lady had withdrawn, Van Twiller
+went directly to the establishment of Messrs Ball, Black, and Company,
+and selected, with unerring taste, the finest diamond bracelet
+procurable. For his mother? Dear me, no! She had the family jewels.
+
+I would not like to state the enormous sum Van Twiller paid for this
+bracelet. It was such a clasp of diamonds as would have hastened
+the pulsation of a patrician wrist. It was such a bracelet as Prince
+Camaralzaman might have sent to the Princess Badoura, and the Princess
+Badoura--might have been very glad to get.
+
+In the fragrant Levant morocco case, where these happy jewels lived when
+they were at home, Van Twiller thoughtfully placed his card, on the back
+of which he had written a line begging Mademoiselle Olympe Zabriski to
+accept the accompanying trifle from one who had witnessed her
+graceful performances with interest and pleasure. This was not done
+inconsiderately. "Of course I must enclose my card, as I would to any
+lady," Van Twiller had said to himself. "A Van Twiller can neither write
+an anonymous letter nor make an anonymous present." Blood entails its
+duties as well As its privileges.
+
+The casket despatched to its destination, Van Twiller felt easier in his
+mind. He was under obligations to the girl for many an agreeable hour
+that might otherwise have passed heavily. He had paid the debt, and he
+had paid it _en prince_, as became a Van Twiller. He spent the rest of
+the day in looking at some pictures at Goupil's, and at the club, and in
+making a few purchases for his trip up the Hudson. A consciousness
+that this trip up the Hudson was a disorderly retreat came over him
+unpleasantly at intervals.
+
+When he returned to his rooms late at night, he found a note lying
+on the writing-table. He started as his eye caught the words "------
+Theatre" stamped in carmine letters on one corner of the envelope. Van
+Twiller broke the seal with trembling fingers.
+
+Now, this note some time afterwards fell into the hands of Livingstone,
+who showed it to Stuyvesant, who showed it to Delaney, who showed it to
+me, and I copied it as a literary curiosity. The note ran as follows:--
+
+ Mr. Van Twiller,
+
+ Dear SiR--i am verry greatfull to you for that Bracelett. it
+ come just in the nic of time for me. The Mademoiselle
+ Zabriski dodg is about Plaid out. my beard is getting to
+ much for me. i shall have to grow a mustash and take to some
+ other line of busyness, I dont no what now, but will let you
+ no. You wont feel bad if i sell that Bracelett. i have seen
+ Abrahams Moss and he says he will do the square thing. Pleas
+ accep my thanks for youre Beautifull and Unexpected present.
+
+ Youre respectfull servent,
+
+ Charles Montmorenci Walters.
+
+The next day Van Twiller neither expressed nor felt any unwillingness to
+spend a few weeks with his mother at the old homestead.
+
+And then he went abroad.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Mademoiselle Olympe Zabriski, by
+Thomas Bailey Aldrich
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+***** This file should be named 23362.txt or 23362.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23362/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/23362.zip b/23362.zip
new file mode 100644
index 0000000..226183a
--- /dev/null
+++ b/23362.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..21bf0be
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #23362 (https://www.gutenberg.org/ebooks/23362)
diff --git a/old/23362-h.htm.2021-01-25 b/old/23362-h.htm.2021-01-25
new file mode 100644
index 0000000..1bad4c0
--- /dev/null
+++ b/old/23362-h.htm.2021-01-25
@@ -0,0 +1,1014 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Mademoiselle Olympe Zabriski
+
+Author: Thomas Bailey Aldrich
+
+Release Date: November 6, 2007 [EBook #23362]
+Last Updated: September 20, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ MADEMOISELLE OLYMPE ZABRISKI
+ </h1>
+ <h2>
+ By Thomas Bailey Aldrich
+ </h2>
+ <h3>
+ Boston And New York Houghton Mifflin Company
+ </h3>
+ <h4>
+ Copyright, 1873, 1885, and 1901
+ </h4>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_4_0001"> I. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> II. </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I.
+ </h2>
+ <p>
+ We are accustomed to speak with a certain light irony of the tendency
+ which women have to gossip, as if the sin itself, if it is a sin, were of
+ the gentler sex, and could by no chance be a masculine peccadillo. So far
+ as my observation goes, men are as much given to small talk as women, and
+ it is undeniable that we have produced the highest type of gossiper
+ extant. Where will you find, in or out of literature, such another droll,
+ delightful, chatty busybody as Samuel Pepys, Esq., Secretary to the
+ Admiralty in the reigns of those fortunate gentlemen Charles II. and James
+ II. of England? He is the king of tattlers as Shakespeare is the king of
+ poets.
+ </p>
+ <p>
+ If it came to a matter of pure gossip, I would back Our Club against the
+ Sorosis or any women&rsquo;s club in existence. Whenever you see in our
+ drawing-room four or five young fellows lounging in easy-chairs, cigar in
+ hand, and now and then bringing their heads together over the small round
+ Japanese table which is always the pivot of these social circles, you may
+ be sure that they are discussing Tom&rsquo;s engagement, or Dick&rsquo;s extravagance,
+ or Harry&rsquo;s hopeless passion for the younger Miss Fleurdelys. It is here
+ old Tippleton gets execrated for that everlasting <i>bon mot</i> of his
+ which was quite a success at dinner-parties forty years ago; it is here
+ the belle of the season passes under the scalpels of merciless young
+ surgeons; it is here B&rsquo;s financial condition is handled in a way that
+ would make B&rsquo;s hair stand on end; it is here, in short, that everything is
+ canvassed&mdash;everything that happens in our set, I mean, much that
+ never happens, and a great deal that could not possibly happen. It was at
+ Our Club that I learned the particulars of the Van Twiller affair.
+ </p>
+ <p>
+ It was great entertainment to Our Club, the Van Twiller affair, though it
+ was rather a joyless thing, I fancy, for Van Twiller. To understand the
+ case fully, it should be understood that Ralph Van Twiller is one of the
+ proudest and most sensitive men living. He is a lineal descendant of
+ Wouter Van Twiller, the famous old Dutch governor of New York&mdash;Nieuw
+ Amsterdam, as it was then; his ancestors have always been burgomasters or
+ admirals or generals, and his mother is the Mrs. Vanrensselaer Van-zandt
+ Van Twiller whose magnificent place will be pointed out to you on the
+ right bank of the Hudson, as you pass up the historic river towards
+ Idlewild. Ralph is about twenty-five years old. Birth made him a
+ gentleman, and the rise of real estate&mdash;some of it in the family
+ since the old governor&rsquo;s time&mdash;made him a millionaire. It was a
+ kindly fairy that stepped in and made him a good fellow also. Fortune, I
+ take it, was in her most jocund mood when she heaped her gifts in this
+ fashion on Van Twiller, who was, and will be again, when this cloud blows
+ over, the flower of Our Club.
+ </p>
+ <p>
+ About a year ago there came a whisper&mdash;if the word &ldquo;whisper&rdquo; is not
+ too harsh a term to apply to what seemed a mere breath floating gently
+ through the atmosphere of the billiard-room&mdash;imparting the
+ intelligence that Van Twiller was in some kind of trouble. Just as
+ everybody suddenly takes to wearing square-toed boots, or to drawing his
+ neckscarf through a ring, so it became all at once the fashion, without
+ any preconcerted agreement, for everybody to speak of Van Twilier as a man
+ in some way under a cloud. But what the cloud was, and how he got under
+ it, and why he did not get away from it, were points that lifted
+ themselves into the realm of pure conjecture. There was no man in the club
+ with strong enough wing to his imagination to soar to the supposition that
+ Van Twiller was embarrassed in money matters. Was he in love? That
+ appeared nearly as improbable; for if he had been in love all the world&mdash;that
+ is, perhaps a hundred first families&mdash;would have known all about it
+ instantly.
+ </p>
+ <p>
+ &ldquo;He has the symptoms,&rdquo; said Delaney, laughing. &ldquo;I remember once when Jack
+ Hemming &ldquo;&mdash;
+ </p>
+ <p>
+ &ldquo;Ned!&rdquo; cried Hemming, &ldquo;I protest against any allusion to that business.&rdquo;
+ </p>
+ <p>
+ This was one night when Van Twiller had wandered into the club, turned
+ over the magazines absently in the reading-room, and wandered out again
+ without speaking ten words. The most careless eye would have remarked the
+ great change that had come over Van Twiller. Now and then he would play a
+ game of billiards with De Peyster or Haseltine, or stop to chat a moment
+ in the vestibule with old Duane; but he was an altered man. When at the
+ club, he was usually to be found in the small smoking-room up-stairs,
+ seated on a fauteuil fast asleep, with the last number of The Nation in
+ his hand. Once, if you went to two or three places of an evening, you were
+ certain to meet Van Twiller at them all. You seldom met him in society
+ now.
+ </p>
+ <p>
+ By and by came whisper number two&mdash;a whisper more emphatic than
+ number one, but still untraceable to any tangible mouthpiece. This time
+ the whisper said that Van Twiller <i>was</i> in love. But with whom? The
+ list of possible Mrs. Van Twillers was carefully examined by experienced
+ hands, and a check placed against a fine old Knickerbocker name here and
+ there, but nothing satisfactory arrived at. Then that same still small
+ voice of rumor, but now with an easily detected staccato sharpness to it,
+ said that Van Twiller was in love&mdash;with an actress! Van Twiller, whom
+ it had taken all these years and all this waste of raw material in the way
+ of ancestors to bring to perfection&mdash;Ralph Van Twiller, the net
+ result and flower of his race, the descendant of Wouter, the son of Mrs.
+ Van-rensselaer Vanzandt Van Twiller&mdash;in love with an actress! That
+ was too ridiculous to be believed&mdash;and so everybody believed it. Six
+ or seven members of the club abruptly discovered in themselves an
+ unsuspected latent passion for the histrionic art. In squads of two or
+ three they stormed successively all the theatres in town&mdash;Booth&rsquo;s,
+ Wallack&rsquo;s, Daly&rsquo;s Fifth Avenue (not burnt down then), and the Grand Opera
+ House. Even the shabby homes of the drama over in the Bowery, where the
+ Germanic Thespis has not taken out his naturalization papers, underwent
+ rigid exploration. But no clue was found to Van Twiller&rsquo;s mysterious
+ attachment. The <i>opéra bouffe</i>, which promised the widest field for
+ investigation, produced absolutely nothing, not even a crop of suspicions.
+ One night, after several weeks of this, Delaney and I fancied that we
+ caught sight of Van Twiller in the private box of an up-town theatre,
+ where some thrilling trapeze performance was going on, which we did not
+ care to sit through; but we concluded afterwards that it was only somebody
+ who looked like him. Delaney, by the way, was unusually active in this
+ search. I dare say he never quite forgave Van Twiller for calling him
+ Muslin Delaney. Ned is fond of ladies&rsquo; society, and that&rsquo;s a fact.
+ </p>
+ <p>
+ The Cimmerian darkness which surrounded Van Twiller&rsquo;s inamorata left us
+ free to indulge in the wildest conjectures. Whether she was black-tressed
+ Melpomene, with bowl and dagger, or Thalia, with the fair hair and the
+ laughing face, was only to be guessed at. It was popularly conceded,
+ however, that Van Twiller was on the point of forming a dreadful <i>mésalliance</i>.
+ </p>
+ <p>
+ Up to this period he had visited the club regularly. Suddenly he ceased to
+ appear. He was not to be seen on Fifth Avenue, or in the Central Park, or
+ at the houses he generally frequented. His chambers&mdash;and mighty
+ comfortable chambers they were&mdash;on Thirty-fourth Street were
+ deserted. He had dropped out of the world, shot like a bright particular
+ star from his orbit in the heaven of the best society.
+ </p>
+ <p>
+ The following conversation took place one night in the smoking-room:&mdash;
+ </p>
+ <p>
+ &ldquo;Where&rsquo;s Van Twiller?&rdquo;
+ </p>
+ <p>
+ &ldquo;Who&rsquo;s seen Van Twiller?&rdquo;
+ </p>
+ <p>
+ &ldquo;What has become of Van Twiller?&rdquo;
+ </p>
+ <p>
+ Delaney picked up the Evening Post, and read&mdash;with a solemnity that
+ betrayed young Firkins into exclaiming, &ldquo;By Jove, now!&rdquo;&mdash;
+ </p>
+ <p>
+ &ldquo;Married, on the 10th instant, by the Rev. Friar Laurence, at the
+ residence of the bride&rsquo;s uncle, Montague Capulet, Esq., Miss Adrienne Le
+ Couvreur to Mr. Ralph Van Twiller, both of this city. No cards.&rdquo;
+ </p>
+ <p>
+ &ldquo;Free List suspended,&rdquo; murmured De Peyster.
+ </p>
+ <p>
+ &ldquo;It strikes me,&rdquo; said Frank Livingstone, who had been ruffling the leaves
+ of a magazine at the other end of the table, &ldquo;that you fellows are in a
+ great fever about Van Twiller.&rdquo;
+ </p>
+ <p>
+ &ldquo;So we are.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he has simply gone out of town.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where?&rdquo;
+ </p>
+ <p>
+ &ldquo;Up to the old homestead on the Hudson.&rdquo;
+ </p>
+ <p>
+ &ldquo;It&rsquo;s an odd time of year for a fellow to go into the country.&rdquo;
+ </p>
+ <p>
+ &ldquo;He has gone to visit his mother,&rdquo; said Livingstone.
+ </p>
+ <p>
+ &ldquo;In February?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did n&rsquo;t know, Delaney, that there was any statute in force prohibiting
+ a man from visiting his mother in February if he wants to.&rdquo;
+ </p>
+ <p>
+ Delaney made some light remark about the pleasure of communing with Nature
+ with a cold in her head, and the topic was dropped.
+ </p>
+ <p>
+ Livingstone was hand in glove with Van Twilier, and if any man shared his
+ confidence it was Livingstone. He was aware of the gossip and speculation
+ that had been rife in the club, but he either was not at liberty or did
+ not think it worth while to relieve our curiosity. In the course of a week
+ or two it was reported that Van Twiller was going to Europe; and go he
+ did. A dozen of us went down to the Scythia to see him off. It was
+ refreshing to have something as positive as the fact that Van Twiller had
+ sailed.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II.
+ </h2>
+ <p>
+ Shortly after Van Twiller&rsquo;s departure the whole thing came out. Whether
+ Livingstone found the secret too heavy a burden, or whether it transpired
+ through some indiscretion on the part of Mrs. Vanrensselaer Vanzandt Van
+ Twiller, I cannot say; but one evening the entire story was in the
+ possession of the club.
+ </p>
+ <p>
+ Van Twiller had actually been very deeply interested&mdash;not in an
+ actress, for the legitimate drama was not her humble walk in life, but&mdash;in
+ Mademoiselle Olympe Zabriski, whose really perilous feats on the trapeze
+ had astonished New York the year before, though they had failed to attract
+ Delaney and me the night we wandered into the up-town theatre on the trail
+ of Van Twiller&rsquo;s mystery.
+ </p>
+ <p>
+ That a man like Van Twiller should be fascinated even for an instant by a
+ common circus-girl seems incredible; but it is always the incredible thing
+ that happens. Besides, Mademoiselle Olympe was not a common circus-girl;
+ she was a most daring and startling gymnaste, with a beauty and a grace of
+ movement that gave to her audacious performance almost an air of prudery.
+ Watching her wondrous dexterity and pliant strength, both exercised
+ without apparent effort, it seemed the most natural proceeding in the
+ world that she should do those unpardonable things. She had a way of
+ melting from one graceful posture into another, like the dissolving
+ figures thrown from a stereopticon. She was a lithe, radiant shape out of
+ the Grecian mythology, now poised up there above the gaslights, and now
+ gleaming through the air like a slender gilt arrow.
+ </p>
+ <p>
+ I am describing Mademoiselle Olympe as she appeared to Van Twiller on the
+ first occasion when he strolled into the theatre where she was performing.
+ To me she was a girl of eighteen or twenty years of age (maybe she was
+ much older, for pearl-powder and distance keep these people perpetually
+ young), slightly but exquisitely built, with sinews of silver wire; rather
+ pretty, perhaps, after a manner, but showing plainly the effects of the
+ exhaustive drafts she was making on her physical vitality. Now, Van
+ Twiller was an enthusiast on the subject of calisthenics. &ldquo;If I had a
+ daughter,&rdquo; Van Twiller used to say, &ldquo;I would n&rsquo;t send her to a
+ boarding-school, or a nunnery; I &lsquo;d send her to a gymnasium for the first
+ five years. Our American women have no physique. They are lilies, pallid,
+ pretty&mdash;and perishable. You marry an American woman, and what do you
+ marry? A headache. Look at English girls. They are at least roses, and
+ last the season through.&rdquo; Walking home from the theatre that first night,
+ it flitted through Van Twiller&rsquo;s mind that if he could give this girl&rsquo;s
+ set of nerves and muscles to any one of the two hundred high-bred women he
+ knew, he would marry her on the spot and worship her forever.
+ </p>
+ <p>
+ The following evening he went to see Mademoiselle Olympe again. &ldquo;Olympe
+ Zabriski,&rdquo; he soliloquized, as he sauntered through the lobby&mdash;&ldquo;what
+ a queer name! Olympe is French, and Zabriski is Polish. It is her <i>nom
+ de guerre</i>, of course; her real name is probably Sarah Jones. What kind
+ of creature can she be in private life, I wonder? I wonder if she wears
+ that costume all the time, and if she springs to her meals from a
+ horizontal bar. Of course she rocks the baby to sleep on the trapeze.&rdquo; And
+ Van Twiller went on making comical domestic tableaux of Mademoiselle
+ Zabriski, like the clever, satirical dog he was, until the curtain rose.
+ </p>
+ <p>
+ This was on a Friday. There was a matinée the next day, and he attended
+ that, though he had secured a seat for the usual evening entertainment.
+ Then it became a habit of Van Twiller&rsquo;s to drop into the theatre for half
+ an hour or so every night, to assist at the interlude, in which she
+ appeared. He cared only for her part of the programme, and timed his
+ visits accordingly. It was a surprise to himself when he reflected, one
+ morning, that he had not missed a single performance of Mademoiselle
+ Olympe for nearly two weeks.
+ </p>
+ <p>
+ &ldquo;This will never do,&rdquo; said Van Twiller. &ldquo;Olympe&rdquo;&mdash;he called her
+ Olympe, as if she were an old acquaintance, and so she might have been
+ considered by that time&mdash;&ldquo;is a wonderful creature; but this will
+ never do. Van, my boy, you must reform this altogether.&rdquo;
+ </p>
+ <p>
+ But half past nine that night saw him in his accustomed orchestra chair,
+ and so on for another week. A habit leads a man so gently in the beginning
+ that he does not perceive he is led&mdash;with what silken threads and
+ down what pleasant avenues it leads him! By and by the soft silk threads
+ become iron chains, and the pleasant avenues Avernus!
+ </p>
+ <p>
+ Quite a new element had lately entered into Van Twiller&rsquo;s enjoyment of
+ Mademoiselle Olympe&rsquo;s ingenious feats&mdash;a vaguely born apprehension
+ that she might slip from that swinging bar; that one of the thin cords
+ supporting it might snap, and let her go headlong from the dizzy height.
+ Now and then, for a terrible instant, he would imagine her lying a
+ glittering, palpitating heap at the foot-lights, with no color in her
+ lips! Sometimes it seemed as if the girl were tempting this kind of fate.
+ It was a hard, bitter life, and nothing but poverty and sordid misery at
+ home could have driven her to it. What if she should end it all some
+ night, by just unclasping that little hand? It looked so small and white
+ from where Van Twiller sat!
+ </p>
+ <p>
+ This frightful idea fascinated while it chilled him, and helped to make it
+ nearly impossible for him to keep away from the theatre. In the beginning
+ his attendance had not interfered with his social duties or pleasures; but
+ now he came to find it distasteful after dinner to do anything but read,
+ or walk the streets aimlessly, until it was time to go to the play. When
+ that was over, he was in no mood to go anywhere but to his rooms. So he
+ dropped away by insensible degrees from his habitual haunts, was missed,
+ and began to be talked about at the club. Catching some intimation of
+ this, he ventured no more in the orchestra stalls, but shrouded himself
+ behind the draperies of the private box in which Delaney and I thought we
+ saw him on one occasion.
+ </p>
+ <p>
+ Now, I find it very perplexing to explain what Van Twiller was wholly
+ unable to explain to himself. He was not in love with Mademoiselle Olympe.
+ He had no wish to speak to her, or to hear her speak. Nothing could have
+ been easier, and nothing further from his desire, than to know her
+ personally. A Van Twiller personally acquainted with a strolling female
+ acrobat! Good heavens I That was something possible only with the
+ discovery of perpetual motion. Taken from her theatrical setting, from her
+ lofty perch, so to say, on the trapeze-bar, Olympe Zabriski would have
+ shocked every aristocratic fibre in Van Twiller&rsquo;s body. He was simply
+ fascinated by her marvellous grace and <i>élan</i>, and the magnetic
+ recklessness of the girl. It was very young in him and very weak, and no
+ member of the Sorosis, or all the Sorosisters together, could have been
+ more severe on Van Twiller than he was on himself. To be weak, and to know
+ it, is something of a punishment for a proud man. Van Twiller took his
+ punishment, and went to the theatre, regularly.
+ </p>
+ <p>
+ &ldquo;When her engagement comes to an end,&rdquo; he meditated, &ldquo;that will finish the
+ business.&rdquo;
+ </p>
+ <p>
+ Mademoiselle Olympe&rsquo;s engagement finally did come to an end, and she
+ departed. But her engagement had been highly beneficial to the
+ treasury-chest of the up-town theatre, and before Van Twiller could get
+ over missing her she had returned from a short Western tour, and her
+ immediate reappearance was underlined on the play-bills.
+ </p>
+ <p>
+ On a dead-wall opposite the windows of Van Twiller&rsquo;s sleeping-room there
+ appeared, as if by necromancy, an aggressive poster with Mademoiselle
+ Olympe Zabriski on it in letters at least a foot high. This thing stared
+ him in the face when he woke up, one morning. It gave him a sensation as
+ if she had called on him overnight, and left her card.
+ </p>
+ <p>
+ From time to time through the day he regarded that poster with a sardonic
+ eye. He had pitilessly resolved not to repeat the folly of the previous
+ month. To say that this moral victory cost him nothing would be to deprive
+ it of merit. It cost him many internal struggles. It is a fine thing to
+ see a man seizing his temptation by the throat, and wrestling with it, and
+ trampling it under foot like St. Anthony. This was the spectacle Van
+ Twiller was exhibiting to the angels.
+ </p>
+ <p>
+ The evening Mademoiselle Olympe was to make her reappearance, Van Twiller,
+ having dined at the club, and feeling more like himself than he had felt
+ for weeks, returned to his chamber, and, putting on dressing-gown and
+ slippers, piled up the greater portion of his library about him, and fell
+ to reading assiduously. There is nothing like a quiet evening at home with
+ some slight intellectual occupation, after one&rsquo;s feathers have been
+ stroked the wrong way.
+ </p>
+ <p>
+ When the lively French clock on the mantel-piece&mdash;a base of malachite
+ surmounted by a flying bronze Mercury with its arms spread gracefully on
+ the air, and not remotely suggestive of Mademoiselle Olympe in the act of
+ executing her grand flight from the trapeze&mdash;when the clock, I
+ repeat, struck nine, Van Twilier paid no attention to it. That was
+ certainly a triumph. I am anxious to render Van Twiller all the justice I
+ can, at this point of the narrative, inasmuch as when the half hour
+ sounded musically, like a crystal ball dropping into a silver bowl, he
+ rose from the chair automatically, thrust his feet into his walking-shoes,
+ threw his overcoat across his arm, and strode out of the room.
+ </p>
+ <p>
+ To be weak and to scorn your weakness, and not to be able to conquer it,
+ is, as has been said, a hard thing; and I suspect it was not with
+ unalloyed satisfaction that Van Twiller found himself taking his seat in
+ the back part of the private box night after night during the second
+ engagement of Mademoiselle Olympe. It was so easy not to stay away!
+ </p>
+ <p>
+ In this second edition of Van Twiller&rsquo;s fatuity, his case was even worse
+ than before. He not only thought of Olympo quite a number of times between
+ breakfast and dinner, he not only attended the interlude regularly, but he
+ began, in spite of himself, to occupy his leisure hours at night by
+ dreaming of her. This was too much of a good thing, and Van Twiller
+ regarded it so. Besides, the dream was always the same&mdash;a harrowing
+ dream, a dream singularly adapted to shattering the nerves of a man like
+ Van Twiller. He would imagine himself seated at the theatre (with all the
+ members of Our Club in the parquette), watching Mademoiselle Olympe as
+ usual, when suddenly that young lady would launch herself desperately from
+ the trapeze, and come flying through the air like a firebrand hurled at
+ his private box. Then the unfortunate man would wake up with cold drops
+ standing on his forehead.
+ </p>
+ <p>
+ There is one redeeming feature in this infatuation of Van Twiller&rsquo;s which
+ the sober moralist will love to look upon&mdash;the serene unconsciousness
+ of the person who caused it. She went through her <i>rôle</i> with
+ admirable aplomb, drew her salary, it may be assumed, punctually, and
+ appears from first to last to have been ignorant that there was a
+ miserable slave wearing her chains nightly in the left-hand
+ proscenium-box.
+ </p>
+ <p>
+ That Van Twiller, haunting the theatre with the persistency of an
+ ex-actor, conducted himself so discreetly as not to draw the fire of
+ Mademoiselle Olympe&rsquo;s blue eyes shows that Van Twiller, however deeply
+ under a spell, was not in love. I say this, though I think if Van Twiller
+ had not been Van Twiller, if he had been a man of no family and no
+ position and no money, if New York had been Paris and Thirty-fourth Street
+ a street in the Latin Quarter&mdash;but it is useless to speculate on what
+ might have happened. What did happen is sufficient.
+ </p>
+ <p>
+ It happened, then, in the second week of Queen Olympe&rsquo;s second unconscious
+ reign, that an appalling Whisper floated up the Hudson, effected a landing
+ at a point between Spuyten Duyvel Creek and Cold Spring, and sought out a
+ stately mansion of Dutch architecture standing on the bank of the river.
+ The Whisper straightway informed the lady dwelling in this mansion that
+ all was not well with the last of the Van Twillers; that he was gradually
+ estranging himself from his peers, and wasting his nights in a play-house
+ watching a misguided young woman turning unmaidenly somersaults on a piece
+ of wood attached to two ropes.
+ </p>
+ <p>
+ Mrs. Vanrensselaer Vanzandt Van Twiller came down to town by the next
+ train to look into this little matter.
+ </p>
+ <p>
+ She found the flower of the family taking an early breakfast, at 11 a.m.,
+ in his cosey apartments on Thirty-fourth Street. With the least possible
+ circumlocution she confronted him with what rumor had reported of his
+ pursuits, and was pleased, but not too much pleased, when he gave her an
+ exact account of his relations with Mademoiselle Zabriski, neither
+ concealing nor qualifying anything. As a confession, it was unique, and
+ might have been a great deal less entertaining. Two or three times in the
+ course of the narrative, the matron had some difficulty in preserving the
+ gravity of her countenance. After meditating a few minutes, she tapped Van
+ Twiller softly on the arm with the tip of her parasol, and invited him to
+ return with her the next day up the Hudson and make a brief visit at the
+ home of his ancestors. He accepted the invitation with outward alacrity
+ and inward disgust.
+ </p>
+ <p>
+ When this was settled, and the worthy lady had withdrawn, Van Twiller went
+ directly to the establishment of Messrs Ball, Black, and Company, and
+ selected, with unerring taste, the finest diamond bracelet procurable. For
+ his mother? Dear me, no! She had the family jewels.
+ </p>
+ <p>
+ I would not like to state the enormous sum Van Twiller paid for this
+ bracelet. It was such a clasp of diamonds as would have hastened the
+ pulsation of a patrician wrist. It was such a bracelet as Prince
+ Camaralzaman might have sent to the Princess Badoura, and the Princess
+ Badoura&mdash;might have been very glad to get.
+ </p>
+ <p>
+ In the fragrant Levant morocco case, where these happy jewels lived when
+ they were at home, Van Twiller thoughtfully placed his card, on the back
+ of which he had written a line begging Mademoiselle Olympe Zabriski to
+ accept the accompanying trifle from one who had witnessed her graceful
+ performances with interest and pleasure. This was not done
+ inconsiderately. &ldquo;Of course I must enclose my card, as I would to any
+ lady,&rdquo; Van Twiller had said to himself. &ldquo;A Van Twiller can neither write
+ an anonymous letter nor make an anonymous present.&rdquo; Blood entails its
+ duties as well As its privileges.
+ </p>
+ <p>
+ The casket despatched to its destination, Van Twiller felt easier in his
+ mind. He was under obligations to the girl for many an agreeable hour that
+ might otherwise have passed heavily. He had paid the debt, and he had paid
+ it <i>en prince</i>, as became a Van Twiller. He spent the rest of the day
+ in looking at some pictures at Goupil&rsquo;s, and at the club, and in making a
+ few purchases for his trip up the Hudson. A consciousness that this trip
+ up the Hudson was a disorderly retreat came over him unpleasantly at
+ intervals.
+ </p>
+ <p>
+ When he returned to his rooms late at night, he found a note lying on the
+ writing-table. He started as his eye caught the words &ldquo;&mdash;&mdash;&mdash;
+ Theatre&rdquo; stamped in carmine letters on one corner of the envelope. Van
+ Twiller broke the seal with trembling fingers.
+ </p>
+ <p>
+ Now, this note some time afterwards fell into the hands of Livingstone,
+ who showed it to Stuyvesant, who showed it to Delaney, who showed it to
+ me, and I copied it as a literary curiosity. The note ran as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ Mr. Van Twiller,
+
+ Dear SiR&mdash;i am verry greatfull to you for that Bracelett. it
+ come just in the nic of time for me. The Mademoiselle
+ Zabriski dodg is about Plaid out. my beard is getting to
+ much for me. i shall have to grow a mustash and take to some
+ other line of busyness, I dont no what now, but will let you
+ no. You wont feel bad if i sell that Bracelett. i have seen
+ Abrahams Moss and he says he will do the square thing. Pleas
+ accep my thanks for youre Beautifull and Unexpected present.
+
+ Youre respectfull servent,
+
+ Charles Montmorenci Walters.
+</pre>
+ <p>
+ The next day Van Twiller neither expressed nor felt any unwillingness to
+ spend a few weeks with his mother at the old homestead.
+ </p>
+ <p>
+ And then he went abroad.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Mademoiselle Olympe Zabriski, by
+Thomas Bailey Aldrich
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI ***
+
+***** This file should be named 23362-h.htm or 23362-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/3/3/6/23362/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>