diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:04:44 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:04:44 -0700 |
| commit | 8f1e0f658883c03e24746cc4a02067437cc953ba (patch) | |
| tree | bbcf9e25af48e5d6e77260fe7927fc036c2f10dd | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 23359-0.txt | 933 | ||||
| -rw-r--r-- | 23359-0.zip | bin | 0 -> 19250 bytes | |||
| -rw-r--r-- | 23359-h.zip | bin | 0 -> 20954 bytes | |||
| -rw-r--r-- | 23359-h/23359-h.htm | 1116 | ||||
| -rw-r--r-- | 23359.txt | 932 | ||||
| -rw-r--r-- | 23359.zip | bin | 0 -> 19149 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
9 files changed, 2997 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/23359-0.txt b/23359-0.txt new file mode 100644 index 0000000..4bcf0d8 --- /dev/null +++ b/23359-0.txt @@ -0,0 +1,933 @@ +The Project Gutenberg EBook of Quite So, by Thomas Bailey Aldrich + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Quite So + +Author: Thomas Bailey Aldrich + +Release Date: November 6, 2007 [EBook #23359] +Last Updated: March 3, 2018 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK QUITE SO *** + + + + +Produced by David Widger + + + + + + +QUITE SO + +By Thomas Bailey Aldrich + +Boston And New York Houghton Mifflin Company + +Copyright, 1873, 1885, and 1901 + + + + +I. + +Of course that was not his name. Even in the State of Maine, where it +is still a custom to maim a child for life by christening him Arioch or +Shadrach or Ephraim, nobody would dream of calling a boy “Quite So.” + It was merely a nickname which we gave him in camp; but it stuck to him +with such bur-like tenacity, and is so inseparable from my memory of +him, that I do not think I could write definitely of John Bladburn if I +were to call him anything but “Quite So.” + +It was one night shortly after the first battle of Bull Run. The Army +of the Potomac, shattered, stunned, and forlorn, was back in its +old quarters behind the earthworks. The melancholy line of ambulances +bearing our wounded to Washington was not done creeping over Long +Bridge; the blue smocks and the gray still lay in windrows on the field +of Manassas; and the gloom that weighed down our hearts was like the fog +that stretched along the bosom of the Potomac, and enfolded the valley +of the Shenandoah. A drizzling rain had set in at twilight, and, growing +bolder with the darkness, was beating a dismal tattoo on the tent--the +tent of Mess 6, Company A, --th Regiment, N. Y. Volunteers. Our mess, +consisting originally of eight men, was reduced to four. Little Billy, +as one of the boys grimly remarked, had concluded to remain at Manassas; +Corporal Steele we had to leave at Fairfax Court-House, shot through +the hip; Hunter and Suydam we had said good-by to that afternoon. “Tell +Johnny Reb,” says Hunter, lifting up the leather side-piece of the +ambulance, “that I 'll be back again as soon as I get a new leg.” But +Suydam said nothing; he only unclosed his eyes languidly and smiled +farewell to us. + +The four of us who were left alive and unhurt that shameful July day +sat gloomily smoking our brier-wood pipes, thinking our thoughts, +and listening to the rain pattering against the canvas. That, and the +occasional whine of a hungry cur, foraging on the outskirts of the camp +for a stray bone, alone broke the silence, save when a vicious drop of +rain detached itself meditatively from the ridge-pole of the tent, and +fell upon the wick of our tallow candle, making it “cuss,” as Ned Strong +described it. The candle was in the midst of one of its most profane +fits when Blakely, knocking the ashes from his pipe and addressing no +one in particular, but giving breath, unconsciously as it were, to +the result of his cogitations, observed that “it was considerable of a +fizzle.” + +“The 'on to Richmond' business?” + +“Yes.” + +“I wonder what they 'll do about it over yonder,” said Curtis, pointing +over his right shoulder. By “over yonder” he meant the North in general +and Massachusetts especially. Curtis was a Boston boy, and his sense of +locality was so strong that, during all his wanderings in Virginia, I +do not believe there was a moment, day or night, when he could not have +made a bee-line for Faneuil Hall. + +“Do about it?” cried Strong. “They 'll make about two hundred thousand +blue flannel trousers and send them along, each pair with a man in +it--all the short men in the long trousers, and all the tall men in the +short ones,” he added, ruefully contemplating his own leg-gear, which +scarcely reached to his ankles. + +“That's so,” said Blakely. “Just now, when I was tackling the commissary +for an extra candle, I saw a crowd of new fellows drawing blankets.” + +“I say there, drop that!” cried Strong. “All right, sir, didn't know +it was you,” he added hastily, seeing it was Lieutenant Haines who had +thrown back the flap of the tent, and let in a gust of wind and +rain that threatened the most serious bronchial consequences to our +discontented tallow dip. + +“You 're to bunk in here,” said the lieutenant, speaking to some one +outside. The some one stepped in, and Haines vanished in the darkness. + +When Strong had succeeded in restoring the candle to consciousness, the +light fell upon a tall, shy-looking man of about thirty-five, with +long, hay-colored beard and mustache, upon which the rain-drops stood in +clusters, like the night-dew on patches of cobweb in a meadow. It was +an honest face, with unworldly sort of blue eyes, that looked out from +under the broad visor of the infantry cap. With a deferential glance +towards us, the new-comer unstrapped his knapsack, spread his blanket +over it, and sat down unobtrusively. + +“Rather damp night out,” remarked Blakely, whose strong hand was +supposed to be conversation. + +“Quite so,” replied the stranger, not curtly, but pleasantly, and with +an air as if he had said all there was to be said about it. + +“Come from the North recently?” inquired Blakely, after a pause. + +“Yes.” + +“From any place in particular?” + +“Maine.” + +“People considerably stirred up down there?” continued Blakely, +determined not to give up. + +“Quite so.” + +Blakely threw a puzzled look over the tent, and seeing Ned Strong on +the broad grin, frowned severely. Strong instantly assumed an abstracted +air, and began humming softly, + + “I wish I was in Dixie.” + +“The State of Maine,” observed Blakely, with a certain defiance of +manner not at all necessary in discussing a geographical question, “is a +pleasant State.” + +“In summer,” suggested the stranger. + +“In summer, I mean,” returned Blakely with animation, thinking he had +broken the ice. “Cold as blazes in winter, though--Isn't it?” + +The new recruit merely nodded. + +Blakely eyed the man homicidally for a moment, and then, smiling one of +those smiles of simulated gayety which the novelists inform us are more +tragic than tears, turned upon him with withering irony. + +“Trust you left the old folks pretty comfortable?” + +“Dead.” + +“The old folks dead!” + +“Quite so.” + +Blakely made a sudden dive for his blanket, tucked it around him with +painful precision, and was heard no more. + +Just then the bugle sounded “lights out,”--bugle answering bugle in +far-off camps. When our not elaborate night-toilets were complete, +Strong threw somebody else's old boot at the candle with infallible +aim, and darkness took possession of the tent. Ned, who lay on my left, +presently reached over to me, and whispered, “I say, our friend 'quite +so' is a garrulous old boy! He'll talk himself to death some of these +odd times, if he is n't careful. How he _did_ run on!” + +The next morning, when I opened my eyes, the new member of Mess 6 was +sitting on his knapsack, combing his blonde beard with a horn comb. He +nodded pleasantly to me, and to each of the boys as they woke up, one by +one. Blakely did not appear disposed to renew the animated conversation +of the previous night; but while he was gone to make a requisition for +what was in pure sarcasm called coffee, Curtis ventured to ask the man +his name. + +“Bladburn, John,” was the reply. + +“That's rather an unwieldy name for every-day use,” put in Strong. “If +it would n't hurt your feelings, I 'd like to call you Quite So--for +short. Don't say no, if you don't like it. Is it agreeable?” + +Bladburn gave a little laugh, all to himself, seemingly, and was about +to say, “Quite so,” when he caught at the words, blushed like a girl, +and nodded a sunny assent to Strong. From that day until the end, the +sobriquet clung to him. + +The disaster at Bull Bun was followed, as the reader knows, by a long +period of masterly inactivity, so far as the Army of the Potomac was +concerned. McDowell, a good soldier, but unlucky, retired to Arlington +Heights, and McClellan, who had distinguished himself in Western +Virginia, took command of the forces in front of Washington, and bent +his energies to reorganizing the demoralized troops. It was a dreary +time to the people of the North, who looked fatuously from week to week +for “the fall of Richmond;” and it was a dreary time to the denizens of +that vast city of tents and forts which stretched in a semicircle before +the beleaguered Capitol--so tedious and soul-wearing a time that the +hardships of forced marches and the horrors of battle became desirable +things to them. + +Roll-call morning and evening, guard-duty, dress-parades, an occasional +reconnoissance, dominoes, wrestling-matches, and such rude games as +could be carried on in camp made up the sum of our lives. The arrival of +the mail with letters and papers from home was the event of the day. We +noticed that Bladburn neither wrote nor received any letters. When the +rest of the boys were scribbling away for dear life, with drum-heads +and knapsacks and cracker-boxes for writing-desks, he would sit serenely +smoking his pipe, but looking out on us through rings of smoke with a +face expressive of the tenderest interest. + +“Look here, Quite So,” Strong would say, “the mail-bag closes in half an +hour. Ain't you going to write?” + +“I believe not to-day,” Bladburn would reply, as if he had written +yesterday, or would write to-morrow: but he never wrote. + +He had become a great favorite with us, and with all the officers of the +regiment. He talked less than any man I ever knew, but there was nothing +sinister or sullen in his reticence. It was sunshine,--warmth and +brightness, but no voice. Unassuming and modest to the verge of shyness, +he impressed every one as a man of singular pluck and nerve. + +“Do you know,” said Curtis to me one day, “that that fellow Quite So +is clear grit, and when we come to close quarters with our Palmetto +brethren over yonder, he'll do something devilish?” + +“What makes you think so?” + +“Well, nothing quite explainable; the exasperating coolness of the man, +as much as anything. This morning the boys were teasing Muffin Fan [a +small mulatto girl who used to bring muffins into camp three times a +week,--at the peril of her life!] and Jemmy Blunt of Company K--you know +him--was rather rough on the girl, when Quite So, who had been reading +under a tree, shut one finger in his book, walked over to where the +boys were skylarking, and with the smile of a juvenile angel on his face +lifted Jemmy out of that and set him down gently in front of his own +tent. There Blunt sat speechless, staring at Quite So, who was back +again under the tree, pegging away at his little Latin grammar.” + +That Latin grammar! He always had it about him, reading it or turning +over its dog's-eared pages at odd intervals and in out-of-the-way +places. Half a dozen times a day he would draw it out from the bosom +of his blouse, which had taken the shape of the book just over the left +breast, look at it as if to assure himself it was all right, and then +put the thing back. At night the volume lay beneath his pillow. The +first thing in the morning, before he was well awake, his hand would go +groping instinctively under his knapsack in search of it. + +A devastating curiosity seized upon us boys concerning that Latin +grammar, for we had discovered the nature of the book. Strong wanted +to steal it one night, but concluded not to. “In the first place,” + reflected Strong, “I haven't the heart to do it, and in the next place I +have n't the moral courage. Quite So would placidly break every bone in +my body.” And I believe Strong was not far out of the way. + +Sometimes I was vexed with myself for allowing this tall, simple-hearted +country fellow to puzzle me so much. And yet, was he a simple-hearted +country fellow? City bred he certainly was not; but his manner, in spite +of his awkwardness, had an indescribable air of refinement. Now and +then, too, he dropped a word or a phrase that showed his familiarity +with unexpected lines of reading. “The other day,” said Curtis, with the +slightest elevation of eyebrow, “he had the cheek to correct my Latin +for me.” In short, Quite So was a daily problem to the members of Mess +6. Whenever he was absent, and Blakely and Curtis and Strong and I got +together in the tent, we discussed him, evolving various theories to +explain why he never wrote to anybody and why nobody ever wrote to him. +Had the man committed some terrible crime, and fled to the army to hide +his guilt? Blakely suggested that he must have murdered “the old folks.” + What did he mean by eternally conning that tattered Latin grammar? And +was his name Bladburn, anyhow? Even his imperturbable amiability became +suspicious. And then his frightful reticence! If he was the victim of +any deep grief or crushing calamity, why did n't he seem unhappy? What +business had he to be cheerful? + +“It's my opinion,” said Strong, “that he 's a rival Wandering Jew; the +original Jacobs, you know, was a dark fellow.” + +Blakely inferred from something Bladburn had said, or something he had +not said--which was more likely--that he had been a schoolmaster at some +period of his life. + +“Schoolmaster be hanged!” was Strong's comment. “Can you fancy a +schoolmaster going about conjugating baby verbs out of a dratted little +spelling-book? No, Quite So has evidently been a--a--Blest if I can +imagine _what_ he 's been!” + +Whatever John Bladburn had been, he was a lonely man. Whenever I want +a type of perfect human isolation, I shall think of him, as he was in +those days, moving remote, self-contained, and alone in the midst of two +hundred thousand men. + + + + +II. + +The Indian summer, with its infinite beauty and tenderness, came like a +reproach that year to Virginia. The foliage, touched here and there with +prismatic tints, drooped motionless in the golden haze. The delicate +Virginia creeper was almost minded to put forth its scarlet buds again. +No wonder the lovely phantom--this dusky Southern sister of the pale +Northern June--lingered not long with us, but, filling the once peaceful +glens and valleys with her pathos, stole away rebukefully before the +savage enginery of man. + +The preparations that had been going on for months in arsenals and +foundries at the North were nearly completed. For weeks past the air had +been filled with rumors of an advance; but the rumor of to-day refuted +the rumor of yesterday, and the Grand Army did not move. Heintzelman's +corps was constantly folding its tents, like the Arabs, and as silently +stealing away; but somehow it was always in the same place the next +morning. One day, at last, orders came down for our brigade to move. + +“We 're going to Richmond, boys!” shouted Strong, thrusting his head in +at the tent; and we all cheered and waved our caps like mad. You see, +Big Bethel and Bull Run and Ball's Bluff (the bloody B's, as we used to +call them) had n't taught us any better sense. + +Rising abruptly from the plateau, to the left of our encampment, was +a tall hill covered with a stunted growth of red-oak, persimmon, and +chestnut. The night before we struck tents I climbed up to the crest to +take a parting look at a spectacle which custom had not been able to +rob of its enchantment. There, at my feet, and extending miles and miles +away, lay the camps of the Grand Army, with its camp-fires reflected +luridly against the sky. Thousands of lights were twinkling in every +direction, some nestling in the valley, some like fire-flies beating +their wings and palpitating among the trees, and others stretching in +parallel lines and curves, like the street-lamps of a city. Somewhere, +far off, a band was playing, at intervals it seemed; and now and then, +nearer to, a silvery strain from a bugle shot sharply up through the +night, and seemed to lose itself like a rocket among the stars--the +patient, untroubled stars. Suddenly a hand was laid upon my arm. + +“I 'd like to say a word to you,” said Bladburn. + +With a little start of surprise, I made room for him on the fallen tree +where I was seated. + +“I may n't get another chance,” he said. “You and the boys have been +very kind to me, kinder than I deserve; but sometimes I 've fancied that +my not saying anything about myself had given you the idea that all was +not right in my past. I want to say that I came down to Virginia with a +clean record.” + +“We never really doubted it, Bladburn.” + +“If I did n't write home,” he continued, “it was because I had n't any +home, neither kith nor kin. When I said the old folks were dead, I said +it. Am I boring you? If I thought I was”-- + +“No, Bladburn. I have often wanted you to talk to me about yourself, not +from idle curiosity, I trust, but because I liked you that rainy night +when you came to camp, and have gone on liking you ever since. This +is n't too much to say, when Heaven only knows how soon I may be past +saying it or you listening to it.” + +“That's it,” said Bladburn, hurriedly, “that's why I want to talk with +you. I 've a fancy that I sha' n't come out of our first battle.” + +The words gave me a queer start, for I had been trying several days to +throw off a similar presentiment concerning him--a foolish presentiment +that grew out of a dream. + +“In case anything of that kind turns up,” he continued, “I 'd like you +to have my Latin grammar here--you 've seen me reading it. You might +stick it away in a bookcase, for the sake of old times. It goes against +me to think of it falling into rough hands or being kicked about camp +and trampled underfoot.” + +He was drumming softly with his fingers on the volume in the bosom of +his blouse. + +“I did n't intend to speak of this to a living soul,” he went on, +motioning me not to answer him; “but something took hold of me to-night +and made me follow you up here, Perhaps if I told you all, you would be +the more willing to look after the little book in case it goes ill with +me. When the war broke out I was teaching school down in Maine, in the +same village where my father was schoolmaster before me. The old man +when he died left me quite alone. I lived pretty much by myself, having +no interests outside of the district school, which seemed in a manner my +personal property. Eight years ago last spring a new pupil was brought +to the school, a slight slip of a girl, with a sad kind of face and +quiet ways. Perhaps it was because she was n't very strong, and perhaps +because she was n't used over well by those who had charge of her, or +perhaps it was because my life was lonely, that my heart warmed to the +child. It all seems like a dream now, since that April morning when +little Mary stood in front of my desk with her pretty eyes looking down +bashfully and her soft hair falling over her face. One day I look up, +and six years have gone by--as they go by in dreams--and among the +scholars is a tall girl of sixteen, with serious, womanly eyes which I +cannot trust myself to look upon. The old life has come to an end. +The child has become a woman and can teach the master now. So help me +Heaven, I did n't know that I loved her until that day! + +“Long after the children had gone home I sat in the school-room with +my face resting on my hands. There was her desk, the afternoon shadows +falling across it. It never looked empty and cheerless before. I went +and stood by the low chair, as I had stood hundreds of times. On the +desk was a pile of books, ready to be taken away, and among the rest a +small Latin grammar which we had studied together. What little despairs +and triumphs and happy hours were associated with it! I took it up +curiously, as if it were some gentle dead thing, and turned over the +pages, and could hardly see them. Turning the pages, idly so, I came to +a leaf on which something was written with ink, in the familiar girlish +hand. It was only the words 'Dear John,' through which she had drawn +two hasty pencil lines--I wish she had n't drawn those lines!” added +Bladburn, under his breath. + +He was silent for a minute or two, looking off towards the camps, where +the lights were fading out one by one. + +“I had no right to go and love Mary. I was twice her age, an awkward, +unsocial man, that would have blighted her youth. I was as wrong as +wrong can be. But I never meant to tell her. I locked the grammar in my +desk and the secret in my heart for a year. I could n't bear to meet her +in the village, and kept away from every place where she was likely to +be. Then she came to me, and sat down at my feet penitently, just as she +used to do when she was a child, and asked what she had done to anger +me; and then, Heaven forgive me! I told her all, and asked her if she +could say with her lips the words she had written, and she nestled in my +arms all a-trembling like a bird, and said them over and over again. + +“When Mary's family heard of our engagement, there was trouble. They +looked higher for Mary than a middle-aged schoolmaster. No blame to +them. They forbade me the house, her uncles; but we met in the village +and at the neighbors' houses, and I was happy, knowing she loved me. +Matters were in this state when the war came on. I had a strong call to +look after the old flag, and I hung my head that day when the company +raised in our village marched by the school-house to the railroad +station; but I couldn't tear myself away. About this time the minister's +son, who had been away to college, came to the village. He met Mary here +and there, and they became great friends. He was a likely fellow, near +her own age, and it was natural they should like one another. Sometimes +I winced at seeing him made free of the home from which I was shut out; +then I would open the grammar at the leaf where 'Dear John' was written +up in the corner, and my trouble was gone. Mary was sorrowful and pale +these days, and I think her people were worrying her. + +“It was one evening two or three days before we got the news of Bull +Run. I had gone down to the burying-ground to trim the spruce hedge set +round the old man's lot, and was just stepping into the enclosure, when +I heard voices from the opposite side. One was Mary's, and the other +I knew to be young Marston's, the minister's son. I did n't mean to +listen, but what Mary was saying struck me dumb. _We must never meet +again_, she was saying in a wild way. _We must say good-by here, for +ever,--good-by, good-by!_ And I could hear her sobbing. Then, presently, +she said, hurriedly, _No, no; my hand, not my lips!_ Then it seemed he +kissed her hands, and the two parted, one going towards the parsonage, +and the other out by the gate near where I stood. + +“I don't know how long I stood there, but the night-dews had wet me to +the bone when I stole out of the graveyard and across the road to the +school-house. I unlocked the door, and took the Latin grammar from the +desk and hid it in my bosom. There was not a sound or a light anywhere +as I walked out of the village. And now,” said Bladburn, rising suddenly +from the tree-trunk, “if the little book ever falls in your way, won't +you see that it comes to no harm, for my sake, and for the sake of the +little woman who was true to me and did n't love me? Wherever she is +to-night, God bless her!” + +As we descended to camp with our arms resting on each other's shoulder, +the watch-fires were burning low in the valleys and along the hillsides, +and as far as the eye could reach the silent tents lay bleaching in the +moonlight. + + + + +III. + +We imagined that the throwing forward of our brigade was the initial +movement of a general advance of the army; but that, as the reader will +remember, did not take place until the following March. The Confederates +had fallen back to Centreville without firing a shot, and the +national troops were in possession of Lewinsville, Vienna, and Fairfax +Court-House. Our new position was nearly identical with that which we +had occupied on the night previous to the battle of Bull Run--on the old +turnpike road to Manassas, where the enemy was supposed to be in great +force. With a field-glass we could see the Rebel pickets moving in a +belt of woodland on our right, and morning and evening we heard the +spiteful roll of their snare-drums. + +Those pickets soon became a nuisance to us. Hardly a night passed but +they fired upon our outposts, so far with no harmful result; but after +a while it grew to be a serious matter. The Rebels would crawl out on +all-fours from the wood into a field covered with underbrush, and lie +there in the dark for hours, waiting for a shot. Then our men took to +the rifle-pits--pits ten or twelve feet long by four or five deep, with +the loose earth banked up a few inches high on the exposed sides. All +the pits bore names, more or less felicitous, by which they were known +to their transient tenants. One was called “The Pepper-Box,” another +“Uncle Sam's Well,” another “The Reb-Trap,” and another, I am +constrained to say, was named after a not-to-be-mentioned tropical +locality. Though this rude sort of nomenclature predominated, there was +no lack of softer titles, such as “Fortress Matilda” and “Castle Mary,” + and one had, though unintentionally, a literary flavor to it, “Blair's +Grave,” which was not popularly considered as reflecting unpleasantly on +Nat Blair, who had assisted in making the excavation. + +Some of the regiment had discovered a field of late corn in the +neighborhood, and used to boil a few ears every day, while it lasted, +for the boys detailed on the night-picket. The corn-cobs were always +scrupulously preserved and mounted on the parapets of the pits. Whenever +a Rebel shot carried away one of these _barbette_ guns, there was +swearing in that particular trench. Strong, who was very sensitive to +this kind of disaster, was complaining bitterly one morning, because he +had lost three “pieces” the night before. + +“There's Quite So, now,” said Strong, “when a Minie-ball comes _ping!_ +and knocks one of his guns to flinders, he merely smiles, and does n't +at all see the degradation of the thing.” + +Poor Bladburn! As I watched him day by day going about his duties, in +his shy, cheery way, with a smile for every one and not an extra word +for anybody, it was hard to believe he was the same man who, that night +before we broke camp by the Potomac, had poured out to me the story of +his love and sorrow in words that burned in my memory. + +While Strong was speaking, Blakely lifted aside the flap of the tent and +looked in on us. + +“Boys, Quite So was hurt last night,” he said, with a white tremor to +his lip. + +“What!” + +“Shot on picket.” + +“Why, he was in the pit next to mine,” cried Strong. + +“Badly hurt?” + +“Badly hurt.” + +I knew he was; I need not have asked the question. He never meant to go +back to New England! + +Bladburn was lying on the stretcher in the hospital-tent The surgeon +had knelt down by him, and was carefully cutting away the bosom of his +blouse. The Latin grammar, stained and torn, slipped, and fell to the +floor. Bladburn gave me a quick glance. I picked up the book, and as I +placed it in his hand, the icy fingers closed softly over mine. He was +sinking fast. In a few minutes the surgeon finished his examination. +When he rose to his feet there were tears on the weather-beaten cheeks. +He was a rough outside, but a tender heart. + +“My poor lad,” he blurted out, “it's no use. If you 've anything to say, +say it now, for you 've nearly done with this world.” + +Then Bladburn lifted his eyes slowly to the surgeon, and the old smile +flitted over his face as he murmured, + +“Quite so.” + + + + + + +End of the Project Gutenberg EBook of Quite So, by Thomas Bailey Aldrich + +*** END OF THIS PROJECT GUTENBERG EBOOK QUITE SO *** + +***** This file should be named 23359-0.txt or 23359-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/3/5/23359/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23359-0.zip b/23359-0.zip Binary files differnew file mode 100644 index 0000000..7076fba --- /dev/null +++ b/23359-0.zip diff --git a/23359-h.zip b/23359-h.zip Binary files differnew file mode 100644 index 0000000..94f8567 --- /dev/null +++ b/23359-h.zip diff --git a/23359-h/23359-h.htm b/23359-h/23359-h.htm new file mode 100644 index 0000000..5efe2c5 --- /dev/null +++ b/23359-h/23359-h.htm @@ -0,0 +1,1116 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + Quite So, by Thomas Bailey Aldrich + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Quite So, by Thomas Bailey Aldrich + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Quite So + +Author: Thomas Bailey Aldrich + +Release Date: November 6, 2007 [EBook #23359] +Last Updated: March 3, 2018 + + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK QUITE SO *** + + + + +Produced by David Widger + + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + QUITE SO + </h1> + <h2> + By Thomas Bailey Aldrich + </h2> + <h3> + Boston And New York Houghton Mifflin Company + </h3> + <h4> + Copyright, 1873, 1885, and 1901 + </h4> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h2> + Contents + </h2> + <table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3"> + <tr> + <td> + <p class="toc"> + <a href="#link2H_4_0001"> I. </a> + </p> + <p class="toc"> + <a href="#link2H_4_0002"> II. </a> + </p> + <p class="toc"> + <a href="#link2H_4_0003"> III. </a> + </p> + </td> + </tr> + </table> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + I. + </h2> + <p> + Of course that was not his name. Even in the State of Maine, where it is + still a custom to maim a child for life by christening him Arioch or + Shadrach or Ephraim, nobody would dream of calling a boy “Quite So.” It + was merely a nickname which we gave him in camp; but it stuck to him with + such bur-like tenacity, and is so inseparable from my memory of him, that + I do not think I could write definitely of John Bladburn if I were to call + him anything but “Quite So.” + </p> + <p> + It was one night shortly after the first battle of Bull Run. The Army of + the Potomac, shattered, stunned, and forlorn, was back in its old quarters + behind the earthworks. The melancholy line of ambulances bearing our + wounded to Washington was not done creeping over Long Bridge; the blue + smocks and the gray still lay in windrows on the field of Manassas; and + the gloom that weighed down our hearts was like the fog that stretched + along the bosom of the Potomac, and enfolded the valley of the Shenandoah. + A drizzling rain had set in at twilight, and, growing bolder with the + darkness, was beating a dismal tattoo on the tent—the tent of Mess + 6, Company A, —th Regiment, N. Y. Volunteers. Our mess, consisting + originally of eight men, was reduced to four. Little Billy, as one of the + boys grimly remarked, had concluded to remain at Manassas; Corporal Steele + we had to leave at Fairfax Court-House, shot through the hip; Hunter and + Suydam we had said good-by to that afternoon. “Tell Johnny Reb,” says + Hunter, lifting up the leather side-piece of the ambulance, “that I 'll be + back again as soon as I get a new leg.” But Suydam said nothing; he only + unclosed his eyes languidly and smiled farewell to us. + </p> + <p> + The four of us who were left alive and unhurt that shameful July day sat + gloomily smoking our brier-wood pipes, thinking our thoughts, and + listening to the rain pattering against the canvas. That, and the + occasional whine of a hungry cur, foraging on the outskirts of the camp + for a stray bone, alone broke the silence, save when a vicious drop of + rain detached itself meditatively from the ridge-pole of the tent, and + fell upon the wick of our tallow candle, making it “cuss,” as Ned Strong + described it. The candle was in the midst of one of its most profane fits + when Blakely, knocking the ashes from his pipe and addressing no one in + particular, but giving breath, unconsciously as it were, to the result of + his cogitations, observed that “it was considerable of a fizzle.” + </p> + <p> + “The 'on to Richmond' business?” + </p> + <p> + “Yes.” + </p> + <p> + “I wonder what they 'll do about it over yonder,” said Curtis, pointing + over his right shoulder. By “over yonder” he meant the North in general + and Massachusetts especially. Curtis was a Boston boy, and his sense of + locality was so strong that, during all his wanderings in Virginia, I do + not believe there was a moment, day or night, when he could not have made + a bee-line for Faneuil Hall. + </p> + <p> + “Do about it?” cried Strong. “They 'll make about two hundred thousand + blue flannel trousers and send them along, each pair with a man in it—all + the short men in the long trousers, and all the tall men in the short + ones,” he added, ruefully contemplating his own leg-gear, which scarcely + reached to his ankles. + </p> + <p> + “That's so,” said Blakely. “Just now, when I was tackling the commissary + for an extra candle, I saw a crowd of new fellows drawing blankets.” + </p> + <p> + “I say there, drop that!” cried Strong. “All right, sir, didn't know it + was you,” he added hastily, seeing it was Lieutenant Haines who had thrown + back the flap of the tent, and let in a gust of wind and rain that + threatened the most serious bronchial consequences to our discontented + tallow dip. + </p> + <p> + “You 're to bunk in here,” said the lieutenant, speaking to some one + outside. The some one stepped in, and Haines vanished in the darkness. + </p> + <p> + When Strong had succeeded in restoring the candle to consciousness, the + light fell upon a tall, shy-looking man of about thirty-five, with long, + hay-colored beard and mustache, upon which the rain-drops stood in + clusters, like the night-dew on patches of cobweb in a meadow. It was an + honest face, with unworldly sort of blue eyes, that looked out from under + the broad visor of the infantry cap. With a deferential glance towards us, + the new-comer unstrapped his knapsack, spread his blanket over it, and sat + down unobtrusively. + </p> + <p> + “Rather damp night out,” remarked Blakely, whose strong hand was supposed + to be conversation. + </p> + <p> + “Quite so,” replied the stranger, not curtly, but pleasantly, and with an + air as if he had said all there was to be said about it. + </p> + <p> + “Come from the North recently?” inquired Blakely, after a pause. + </p> + <p> + “Yes.” + </p> + <p> + “From any place in particular?” + </p> + <p> + “Maine.” + </p> + <p> + “People considerably stirred up down there?” continued Blakely, determined + not to give up. + </p> + <p> + “Quite so.” + </p> + <p> + Blakely threw a puzzled look over the tent, and seeing Ned Strong on the + broad grin, frowned severely. Strong instantly assumed an abstracted air, + and began humming softly, + </p> +<pre xml:space="preserve"> + “I wish I was in Dixie.” + </pre> + <p> + “The State of Maine,” observed Blakely, with a certain defiance of manner + not at all necessary in discussing a geographical question, “is a pleasant + State.” + </p> + <p> + “In summer,” suggested the stranger. + </p> + <p> + “In summer, I mean,” returned Blakely with animation, thinking he had + broken the ice. “Cold as blazes in winter, though—Isn't it?” + </p> + <p> + The new recruit merely nodded. + </p> + <p> + Blakely eyed the man homicidally for a moment, and then, smiling one of + those smiles of simulated gayety which the novelists inform us are more + tragic than tears, turned upon him with withering irony. + </p> + <p> + “Trust you left the old folks pretty comfortable?” + </p> + <p> + “Dead.” + </p> + <p> + “The old folks dead!” + </p> + <p> + “Quite so.” + </p> + <p> + Blakely made a sudden dive for his blanket, tucked it around him with + painful precision, and was heard no more. + </p> + <p> + Just then the bugle sounded “lights out,”—bugle answering bugle in + far-off camps. When our not elaborate night-toilets were complete, Strong + threw somebody else's old boot at the candle with infallible aim, and + darkness took possession of the tent. Ned, who lay on my left, presently + reached over to me, and whispered, “I say, our friend 'quite so' is a + garrulous old boy! He'll talk himself to death some of these odd times, if + he is n't careful. How he <i>did</i> run on!” + </p> + <p> + The next morning, when I opened my eyes, the new member of Mess 6 was + sitting on his knapsack, combing his blonde beard with a horn comb. He + nodded pleasantly to me, and to each of the boys as they woke up, one by + one. Blakely did not appear disposed to renew the animated conversation of + the previous night; but while he was gone to make a requisition for what + was in pure sarcasm called coffee, Curtis ventured to ask the man his + name. + </p> + <p> + “Bladburn, John,” was the reply. + </p> + <p> + “That's rather an unwieldy name for every-day use,” put in Strong. “If it + would n't hurt your feelings, I 'd like to call you Quite So—for + short. Don't say no, if you don't like it. Is it agreeable?” + </p> + <p> + Bladburn gave a little laugh, all to himself, seemingly, and was about to + say, “Quite so,” when he caught at the words, blushed like a girl, and + nodded a sunny assent to Strong. From that day until the end, the + sobriquet clung to him. + </p> + <p> + The disaster at Bull Bun was followed, as the reader knows, by a long + period of masterly inactivity, so far as the Army of the Potomac was + concerned. McDowell, a good soldier, but unlucky, retired to Arlington + Heights, and McClellan, who had distinguished himself in Western Virginia, + took command of the forces in front of Washington, and bent his energies + to reorganizing the demoralized troops. It was a dreary time to the people + of the North, who looked fatuously from week to week for “the fall of + Richmond;” and it was a dreary time to the denizens of that vast city of + tents and forts which stretched in a semicircle before the beleaguered + Capitol—so tedious and soul-wearing a time that the hardships of + forced marches and the horrors of battle became desirable things to them. + </p> + <p> + Roll-call morning and evening, guard-duty, dress-parades, an occasional + reconnoissance, dominoes, wrestling-matches, and such rude games as could + be carried on in camp made up the sum of our lives. The arrival of the + mail with letters and papers from home was the event of the day. We + noticed that Bladburn neither wrote nor received any letters. When the + rest of the boys were scribbling away for dear life, with drum-heads and + knapsacks and cracker-boxes for writing-desks, he would sit serenely + smoking his pipe, but looking out on us through rings of smoke with a face + expressive of the tenderest interest. + </p> + <p> + “Look here, Quite So,” Strong would say, “the mail-bag closes in half an + hour. Ain't you going to write?” + </p> + <p> + “I believe not to-day,” Bladburn would reply, as if he had written + yesterday, or would write to-morrow: but he never wrote. + </p> + <p> + He had become a great favorite with us, and with all the officers of the + regiment. He talked less than any man I ever knew, but there was nothing + sinister or sullen in his reticence. It was sunshine,—warmth and + brightness, but no voice. Unassuming and modest to the verge of shyness, + he impressed every one as a man of singular pluck and nerve. + </p> + <p> + “Do you know,” said Curtis to me one day, “that that fellow Quite So is + clear grit, and when we come to close quarters with our Palmetto brethren + over yonder, he'll do something devilish?” + </p> + <p> + “What makes you think so?” + </p> + <p> + “Well, nothing quite explainable; the exasperating coolness of the man, as + much as anything. This morning the boys were teasing Muffin Fan [a small + mulatto girl who used to bring muffins into camp three times a week,—at + the peril of her life!] and Jemmy Blunt of Company K—you know him—was + rather rough on the girl, when Quite So, who had been reading under a + tree, shut one finger in his book, walked over to where the boys were + skylarking, and with the smile of a juvenile angel on his face lifted + Jemmy out of that and set him down gently in front of his own tent. There + Blunt sat speechless, staring at Quite So, who was back again under the + tree, pegging away at his little Latin grammar.” + </p> + <p> + That Latin grammar! He always had it about him, reading it or turning over + its dog's-eared pages at odd intervals and in out-of-the-way places. Half + a dozen times a day he would draw it out from the bosom of his blouse, + which had taken the shape of the book just over the left breast, look at + it as if to assure himself it was all right, and then put the thing back. + At night the volume lay beneath his pillow. The first thing in the + morning, before he was well awake, his hand would go groping instinctively + under his knapsack in search of it. + </p> + <p> + A devastating curiosity seized upon us boys concerning that Latin grammar, + for we had discovered the nature of the book. Strong wanted to steal it + one night, but concluded not to. “In the first place,” reflected Strong, + “I haven't the heart to do it, and in the next place I have n't the moral + courage. Quite So would placidly break every bone in my body.” And I + believe Strong was not far out of the way. + </p> + <p> + Sometimes I was vexed with myself for allowing this tall, simple-hearted + country fellow to puzzle me so much. And yet, was he a simple-hearted + country fellow? City bred he certainly was not; but his manner, in spite + of his awkwardness, had an indescribable air of refinement. Now and then, + too, he dropped a word or a phrase that showed his familiarity with + unexpected lines of reading. “The other day,” said Curtis, with the + slightest elevation of eyebrow, “he had the cheek to correct my Latin for + me.” In short, Quite So was a daily problem to the members of Mess 6. + Whenever he was absent, and Blakely and Curtis and Strong and I got + together in the tent, we discussed him, evolving various theories to + explain why he never wrote to anybody and why nobody ever wrote to him. + Had the man committed some terrible crime, and fled to the army to hide + his guilt? Blakely suggested that he must have murdered “the old folks.” + What did he mean by eternally conning that tattered Latin grammar? And was + his name Bladburn, anyhow? Even his imperturbable amiability became + suspicious. And then his frightful reticence! If he was the victim of any + deep grief or crushing calamity, why did n't he seem unhappy? What + business had he to be cheerful? + </p> + <p> + “It's my opinion,” said Strong, “that he 's a rival Wandering Jew; the + original Jacobs, you know, was a dark fellow.” + </p> + <p> + Blakely inferred from something Bladburn had said, or something he had not + said—which was more likely—that he had been a schoolmaster at + some period of his life. + </p> + <p> + “Schoolmaster be hanged!” was Strong's comment. “Can you fancy a + schoolmaster going about conjugating baby verbs out of a dratted little + spelling-book? No, Quite So has evidently been a—a—Blest if I + can imagine <i>what</i> he 's been!” + </p> + <p> + Whatever John Bladburn had been, he was a lonely man. Whenever I want a + type of perfect human isolation, I shall think of him, as he was in those + days, moving remote, self-contained, and alone in the midst of two hundred + thousand men. + </p> + <p> + <a name="link2H_4_0002" id="link2H_4_0002"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + II. + </h2> + <p> + The Indian summer, with its infinite beauty and tenderness, came like a + reproach that year to Virginia. The foliage, touched here and there with + prismatic tints, drooped motionless in the golden haze. The delicate + Virginia creeper was almost minded to put forth its scarlet buds again. No + wonder the lovely phantom—this dusky Southern sister of the pale + Northern June—lingered not long with us, but, filling the once + peaceful glens and valleys with her pathos, stole away rebukefully before + the savage enginery of man. + </p> + <p> + The preparations that had been going on for months in arsenals and + foundries at the North were nearly completed. For weeks past the air had + been filled with rumors of an advance; but the rumor of to-day refuted the + rumor of yesterday, and the Grand Army did not move. Heintzelman's corps + was constantly folding its tents, like the Arabs, and as silently stealing + away; but somehow it was always in the same place the next morning. One + day, at last, orders came down for our brigade to move. + </p> + <p> + “We 're going to Richmond, boys!” shouted Strong, thrusting his head in at + the tent; and we all cheered and waved our caps like mad. You see, Big + Bethel and Bull Run and Ball's Bluff (the bloody B's, as we used to call + them) had n't taught us any better sense. + </p> + <p> + Rising abruptly from the plateau, to the left of our encampment, was a + tall hill covered with a stunted growth of red-oak, persimmon, and + chestnut. The night before we struck tents I climbed up to the crest to + take a parting look at a spectacle which custom had not been able to rob + of its enchantment. There, at my feet, and extending miles and miles away, + lay the camps of the Grand Army, with its camp-fires reflected luridly + against the sky. Thousands of lights were twinkling in every direction, + some nestling in the valley, some like fire-flies beating their wings and + palpitating among the trees, and others stretching in parallel lines and + curves, like the street-lamps of a city. Somewhere, far off, a band was + playing, at intervals it seemed; and now and then, nearer to, a silvery + strain from a bugle shot sharply up through the night, and seemed to lose + itself like a rocket among the stars—the patient, untroubled stars. + Suddenly a hand was laid upon my arm. + </p> + <p> + “I 'd like to say a word to you,” said Bladburn. + </p> + <p> + With a little start of surprise, I made room for him on the fallen tree + where I was seated. + </p> + <p> + “I may n't get another chance,” he said. “You and the boys have been very + kind to me, kinder than I deserve; but sometimes I 've fancied that my not + saying anything about myself had given you the idea that all was not right + in my past. I want to say that I came down to Virginia with a clean + record.” + </p> + <p> + “We never really doubted it, Bladburn.” + </p> + <p> + “If I did n't write home,” he continued, “it was because I had n't any + home, neither kith nor kin. When I said the old folks were dead, I said + it. Am I boring you? If I thought I was”— + </p> + <p> + “No, Bladburn. I have often wanted you to talk to me about yourself, not + from idle curiosity, I trust, but because I liked you that rainy night + when you came to camp, and have gone on liking you ever since. This is n't + too much to say, when Heaven only knows how soon I may be past saying it + or you listening to it.” + </p> + <p> + “That's it,” said Bladburn, hurriedly, “that's why I want to talk with + you. I 've a fancy that I sha' n't come out of our first battle.” + </p> + <p> + The words gave me a queer start, for I had been trying several days to + throw off a similar presentiment concerning him—a foolish + presentiment that grew out of a dream. + </p> + <p> + “In case anything of that kind turns up,” he continued, “I 'd like you to + have my Latin grammar here—you 've seen me reading it. You might + stick it away in a bookcase, for the sake of old times. It goes against me + to think of it falling into rough hands or being kicked about camp and + trampled underfoot.” + </p> + <p> + He was drumming softly with his fingers on the volume in the bosom of his + blouse. + </p> + <p> + “I did n't intend to speak of this to a living soul,” he went on, + motioning me not to answer him; “but something took hold of me to-night + and made me follow you up here, Perhaps if I told you all, you would be + the more willing to look after the little book in case it goes ill with + me. When the war broke out I was teaching school down in Maine, in the + same village where my father was schoolmaster before me. The old man when + he died left me quite alone. I lived pretty much by myself, having no + interests outside of the district school, which seemed in a manner my + personal property. Eight years ago last spring a new pupil was brought to + the school, a slight slip of a girl, with a sad kind of face and quiet + ways. Perhaps it was because she was n't very strong, and perhaps because + she was n't used over well by those who had charge of her, or perhaps it + was because my life was lonely, that my heart warmed to the child. It all + seems like a dream now, since that April morning when little Mary stood in + front of my desk with her pretty eyes looking down bashfully and her soft + hair falling over her face. One day I look up, and six years have gone by—as + they go by in dreams—and among the scholars is a tall girl of + sixteen, with serious, womanly eyes which I cannot trust myself to look + upon. The old life has come to an end. The child has become a woman and + can teach the master now. So help me Heaven, I did n't know that I loved + her until that day! + </p> + <p> + “Long after the children had gone home I sat in the school-room with my + face resting on my hands. There was her desk, the afternoon shadows + falling across it. It never looked empty and cheerless before. I went and + stood by the low chair, as I had stood hundreds of times. On the desk was + a pile of books, ready to be taken away, and among the rest a small Latin + grammar which we had studied together. What little despairs and triumphs + and happy hours were associated with it! I took it up curiously, as if it + were some gentle dead thing, and turned over the pages, and could hardly + see them. Turning the pages, idly so, I came to a leaf on which something + was written with ink, in the familiar girlish hand. It was only the words + 'Dear John,' through which she had drawn two hasty pencil lines—I + wish she had n't drawn those lines!” added Bladburn, under his breath. + </p> + <p> + He was silent for a minute or two, looking off towards the camps, where + the lights were fading out one by one. + </p> + <p> + “I had no right to go and love Mary. I was twice her age, an awkward, + unsocial man, that would have blighted her youth. I was as wrong as wrong + can be. But I never meant to tell her. I locked the grammar in my desk and + the secret in my heart for a year. I could n't bear to meet her in the + village, and kept away from every place where she was likely to be. Then + she came to me, and sat down at my feet penitently, just as she used to do + when she was a child, and asked what she had done to anger me; and then, + Heaven forgive me! I told her all, and asked her if she could say with her + lips the words she had written, and she nestled in my arms all a-trembling + like a bird, and said them over and over again. + </p> + <p> + “When Mary's family heard of our engagement, there was trouble. They + looked higher for Mary than a middle-aged schoolmaster. No blame to them. + They forbade me the house, her uncles; but we met in the village and at + the neighbors' houses, and I was happy, knowing she loved me. Matters were + in this state when the war came on. I had a strong call to look after the + old flag, and I hung my head that day when the company raised in our + village marched by the school-house to the railroad station; but I + couldn't tear myself away. About this time the minister's son, who had + been away to college, came to the village. He met Mary here and there, and + they became great friends. He was a likely fellow, near her own age, and + it was natural they should like one another. Sometimes I winced at seeing + him made free of the home from which I was shut out; then I would open the + grammar at the leaf where 'Dear John' was written up in the corner, and my + trouble was gone. Mary was sorrowful and pale these days, and I think her + people were worrying her. + </p> + <p> + “It was one evening two or three days before we got the news of Bull Run. + I had gone down to the burying-ground to trim the spruce hedge set round + the old man's lot, and was just stepping into the enclosure, when I heard + voices from the opposite side. One was Mary's, and the other I knew to be + young Marston's, the minister's son. I did n't mean to listen, but what + Mary was saying struck me dumb. <i>We must never meet again</i>, she was + saying in a wild way. <i>We must say good-by here, for ever,—good-by, + good-by!</i> And I could hear her sobbing. Then, presently, she said, + hurriedly, <i>No, no; my hand, not my lips!</i> Then it seemed he kissed + her hands, and the two parted, one going towards the parsonage, and the + other out by the gate near where I stood. + </p> + <p> + “I don't know how long I stood there, but the night-dews had wet me to the + bone when I stole out of the graveyard and across the road to the + school-house. I unlocked the door, and took the Latin grammar from the + desk and hid it in my bosom. There was not a sound or a light anywhere as + I walked out of the village. And now,” said Bladburn, rising suddenly from + the tree-trunk, “if the little book ever falls in your way, won't you see + that it comes to no harm, for my sake, and for the sake of the little + woman who was true to me and did n't love me? Wherever she is to-night, + God bless her!” + </p> + <p> + As we descended to camp with our arms resting on each other's shoulder, + the watch-fires were burning low in the valleys and along the hillsides, + and as far as the eye could reach the silent tents lay bleaching in the + moonlight. + </p> + <p> + <a name="link2H_4_0003" id="link2H_4_0003"> + <!-- H2 anchor --> </a> + </p> + <div style="height: 4em;"> + <br /><br /><br /><br /> + </div> + <h2> + III. + </h2> + <p> + We imagined that the throwing forward of our brigade was the initial + movement of a general advance of the army; but that, as the reader will + remember, did not take place until the following March. The Confederates + had fallen back to Centreville without firing a shot, and the national + troops were in possession of Lewinsville, Vienna, and Fairfax Court-House. + Our new position was nearly identical with that which we had occupied on + the night previous to the battle of Bull Run—on the old turnpike + road to Manassas, where the enemy was supposed to be in great force. With + a field-glass we could see the Rebel pickets moving in a belt of woodland + on our right, and morning and evening we heard the spiteful roll of their + snare-drums. + </p> + <p> + Those pickets soon became a nuisance to us. Hardly a night passed but they + fired upon our outposts, so far with no harmful result; but after a while + it grew to be a serious matter. The Rebels would crawl out on all-fours + from the wood into a field covered with underbrush, and lie there in the + dark for hours, waiting for a shot. Then our men took to the rifle-pits—pits + ten or twelve feet long by four or five deep, with the loose earth banked + up a few inches high on the exposed sides. All the pits bore names, more + or less felicitous, by which they were known to their transient tenants. + One was called “The Pepper-Box,” another “Uncle Sam's Well,” another “The + Reb-Trap,” and another, I am constrained to say, was named after a + not-to-be-mentioned tropical locality. Though this rude sort of + nomenclature predominated, there was no lack of softer titles, such as + “Fortress Matilda” and “Castle Mary,” and one had, though unintentionally, + a literary flavor to it, “Blair's Grave,” which was not popularly + considered as reflecting unpleasantly on Nat Blair, who had assisted in + making the excavation. + </p> + <p> + Some of the regiment had discovered a field of late corn in the + neighborhood, and used to boil a few ears every day, while it lasted, for + the boys detailed on the night-picket. The corn-cobs were always + scrupulously preserved and mounted on the parapets of the pits. Whenever a + Rebel shot carried away one of these <i>barbette</i> guns, there was + swearing in that particular trench. Strong, who was very sensitive to this + kind of disaster, was complaining bitterly one morning, because he had + lost three “pieces” the night before. + </p> + <p> + “There's Quite So, now,” said Strong, “when a Minie-ball comes <i>ping!</i> + and knocks one of his guns to flinders, he merely smiles, and does n't at + all see the degradation of the thing.” + </p> + <p> + Poor Bladburn! As I watched him day by day going about his duties, in his + shy, cheery way, with a smile for every one and not an extra word for + anybody, it was hard to believe he was the same man who, that night before + we broke camp by the Potomac, had poured out to me the story of his love + and sorrow in words that burned in my memory. + </p> + <p> + While Strong was speaking, Blakely lifted aside the flap of the tent and + looked in on us. + </p> + <p> + “Boys, Quite So was hurt last night,” he said, with a white tremor to his + lip. + </p> + <p> + “What!” + </p> + <p> + “Shot on picket.” + </p> + <p> + “Why, he was in the pit next to mine,” cried Strong. + </p> + <p> + “Badly hurt?” + </p> + <p> + “Badly hurt.” + </p> + <p> + I knew he was; I need not have asked the question. He never meant to go + back to New England! + </p> + <p> + Bladburn was lying on the stretcher in the hospital-tent The surgeon had + knelt down by him, and was carefully cutting away the bosom of his blouse. + The Latin grammar, stained and torn, slipped, and fell to the floor. + Bladburn gave me a quick glance. I picked up the book, and as I placed it + in his hand, the icy fingers closed softly over mine. He was sinking fast. + In a few minutes the surgeon finished his examination. When he rose to his + feet there were tears on the weather-beaten cheeks. He was a rough + outside, but a tender heart. + </p> + <p> + “My poor lad,” he blurted out, “it's no use. If you 've anything to say, + say it now, for you 've nearly done with this world.” + </p> + <p> + Then Bladburn lifted his eyes slowly to the surgeon, and the old smile + flitted over his face as he murmured, + </p> + <p> + “Quite so.” + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of Quite So, by Thomas Bailey Aldrich + +*** END OF THIS PROJECT GUTENBERG EBOOK QUITE SO *** + +***** This file should be named 23359-h.htm or 23359-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/3/5/23359/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/23359.txt b/23359.txt new file mode 100644 index 0000000..e94d9ae --- /dev/null +++ b/23359.txt @@ -0,0 +1,932 @@ +The Project Gutenberg EBook of Quite So, by Thomas Bailey Aldrich + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Quite So + +Author: Thomas Bailey Aldrich + +Release Date: November 6, 2007 [EBook #23359] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK QUITE SO *** + + + + +Produced by David Widger + + + + + + +QUITE SO + +By Thomas Bailey Aldrich + +Boston And New York Houghton Mifflin Company + +Copyright, 1873, 1885, and 1901 + + + + +I. + +Of course that was not his name. Even in the State of Maine, where it +is still a custom to maim a child for life by christening him Arioch or +Shadrach or Ephraim, nobody would dream of calling a boy "Quite So." +It was merely a nickname which we gave him in camp; but it stuck to him +with such bur-like tenacity, and is so inseparable from my memory of +him, that I do not think I could write definitely of John Bladburn if I +were to call him anything but "Quite So." + +It was one night shortly after the first battle of Bull Run. The Army +of the Potomac, shattered, stunned, and forlorn, was back in its +old quarters behind the earthworks. The melancholy line of ambulances +bearing our wounded to Washington was not done creeping over Long +Bridge; the blue smocks and the gray still lay in windrows on the field +of Manassas; and the gloom that weighed down our hearts was like the fog +that stretched along the bosom of the Potomac, and enfolded the valley +of the Shenandoah. A drizzling rain had set in at twilight, and, growing +bolder with the darkness, was beating a dismal tattoo on the tent--the +tent of Mess 6, Company A, --th Regiment, N. Y. Volunteers. Our mess, +consisting originally of eight men, was reduced to four. Little Billy, +as one of the boys grimly remarked, had concluded to remain at Manassas; +Corporal Steele we had to leave at Fairfax Court-House, shot through +the hip; Hunter and Suydam we had said good-by to that afternoon. "Tell +Johnny Reb," says Hunter, lifting up the leather side-piece of the +ambulance, "that I 'll be back again as soon as I get a new leg." But +Suydam said nothing; he only unclosed his eyes languidly and smiled +farewell to us. + +The four of us who were left alive and unhurt that shameful July day +sat gloomily smoking our brier-wood pipes, thinking our thoughts, +and listening to the rain pattering against the canvas. That, and the +occasional whine of a hungry cur, foraging on the outskirts of the camp +for a stray bone, alone broke the silence, save when a vicious drop of +rain detached itself meditatively from the ridge-pole of the tent, and +fell upon the wick of our tallow candle, making it "cuss," as Ned Strong +described it. The candle was in the midst of one of its most profane +fits when Blakely, knocking the ashes from his pipe and addressing no +one in particular, but giving breath, unconsciously as it were, to +the result of his cogitations, observed that "it was considerable of a +fizzle." + +"The 'on to Richmond' business?" + +"Yes." + +"I wonder what they 'll do about it over yonder," said Curtis, pointing +over his right shoulder. By "over yonder" he meant the North in general +and Massachusetts especially. Curtis was a Boston boy, and his sense of +locality was so strong that, during all his wanderings in Virginia, I +do not believe there was a moment, day or night, when he could not have +made a bee-line for Faneuil Hall. + +"Do about it?" cried Strong. "They 'll make about two hundred thousand +blue flannel trousers and send them along, each pair with a man in +it--all the short men in the long trousers, and all the tall men in the +short ones," he added, ruefully contemplating his own leg-gear, which +scarcely reached to his ankles. + +"That's so," said Blakely. "Just now, when I was tackling the commissary +for an extra candle, I saw a crowd of new fellows drawing blankets." + +"I say there, drop that!" cried Strong. "All right, sir, didn't know +it was you," he added hastily, seeing it was Lieutenant Haines who had +thrown back the flap of the tent, and let in a gust of wind and +rain that threatened the most serious bronchial consequences to our +discontented tallow dip. + +"You 're to bunk in here," said the lieutenant, speaking to some one +outside. The some one stepped in, and Haines vanished in the darkness. + +When Strong had succeeded in restoring the candle to consciousness, the +light fell upon a tall, shy-looking man of about thirty-five, with +long, hay-colored beard and mustache, upon which the rain-drops stood in +clusters, like the night-dew on patches of cobweb in a meadow. It was +an honest face, with unworldly sort of blue eyes, that looked out from +under the broad visor of the infantry cap. With a deferential glance +towards us, the new-comer unstrapped his knapsack, spread his blanket +over it, and sat down unobtrusively. + +"Rather damp night out," remarked Blakely, whose strong hand was +supposed to be conversation. + +"Quite so," replied the stranger, not curtly, but pleasantly, and with +an air as if he had said all there was to be said about it. + +"Come from the North recently?" inquired Blakely, after a pause. + +"Yes." + +"From any place in particular?" + +"Maine." + +"People considerably stirred up down there?" continued Blakely, +determined not to give up. + +"Quite so." + +Blakely threw a puzzled look over the tent, and seeing Ned Strong on +the broad grin, frowned severely. Strong instantly assumed an abstracted +air, and began humming softly, + + "I wish I was in Dixie." + +"The State of Maine," observed Blakely, with a certain defiance of +manner not at all necessary in discussing a geographical question, "is a +pleasant State." + +"In summer," suggested the stranger. + +"In summer, I mean," returned Blakely with animation, thinking he had +broken the ice. "Cold as blazes in winter, though--Isn't it?" + +The new recruit merely nodded. + +Blakely eyed the man homicidally for a moment, and then, smiling one of +those smiles of simulated gayety which the novelists inform us are more +tragic than tears, turned upon him with withering irony. + +"Trust you left the old folks pretty comfortable?" + +"Dead." + +"The old folks dead!" + +"Quite so." + +Blakely made a sudden dive for his blanket, tucked it around him with +painful precision, and was heard no more. + +Just then the bugle sounded "lights out,"--bugle answering bugle in +far-off camps. When our not elaborate night-toilets were complete, +Strong threw somebody else's old boot at the candle with infallible +aim, and darkness took possession of the tent. Ned, who lay on my left, +presently reached over to me, and whispered, "I say, our friend 'quite +so' is a garrulous old boy! He'll talk himself to death some of these +odd times, if he is n't careful. How he _did_ run on!" + +The next morning, when I opened my eyes, the new member of Mess 6 was +sitting on his knapsack, combing his blonde beard with a horn comb. He +nodded pleasantly to me, and to each of the boys as they woke up, one by +one. Blakely did not appear disposed to renew the animated conversation +of the previous night; but while he was gone to make a requisition for +what was in pure sarcasm called coffee, Curtis ventured to ask the man +his name. + +"Bladburn, John," was the reply. + +"That's rather an unwieldy name for every-day use," put in Strong. "If +it would n't hurt your feelings, I 'd like to call you Quite So--for +short. Don't say no, if you don't like it. Is it agreeable?" + +Bladburn gave a little laugh, all to himself, seemingly, and was about +to say, "Quite so," when he caught at the words, blushed like a girl, +and nodded a sunny assent to Strong. From that day until the end, the +sobriquet clung to him. + +The disaster at Bull Bun was followed, as the reader knows, by a long +period of masterly inactivity, so far as the Army of the Potomac was +concerned. McDowell, a good soldier, but unlucky, retired to Arlington +Heights, and McClellan, who had distinguished himself in Western +Virginia, took command of the forces in front of Washington, and bent +his energies to reorganizing the demoralized troops. It was a dreary +time to the people of the North, who looked fatuously from week to week +for "the fall of Richmond;" and it was a dreary time to the denizens of +that vast city of tents and forts which stretched in a semicircle before +the beleaguered Capitol--so tedious and soul-wearing a time that the +hardships of forced marches and the horrors of battle became desirable +things to them. + +Roll-call morning and evening, guard-duty, dress-parades, an occasional +reconnoissance, dominoes, wrestling-matches, and such rude games as +could be carried on in camp made up the sum of our lives. The arrival of +the mail with letters and papers from home was the event of the day. We +noticed that Bladburn neither wrote nor received any letters. When the +rest of the boys were scribbling away for dear life, with drum-heads +and knapsacks and cracker-boxes for writing-desks, he would sit serenely +smoking his pipe, but looking out on us through rings of smoke with a +face expressive of the tenderest interest. + +"Look here, Quite So," Strong would say, "the mail-bag closes in half an +hour. Ain't you going to write?" + +"I believe not to-day," Bladburn would reply, as if he had written +yesterday, or would write to-morrow: but he never wrote. + +He had become a great favorite with us, and with all the officers of the +regiment. He talked less than any man I ever knew, but there was nothing +sinister or sullen in his reticence. It was sunshine,--warmth and +brightness, but no voice. Unassuming and modest to the verge of shyness, +he impressed every one as a man of singular pluck and nerve. + +"Do you know," said Curtis to me one day, "that that fellow Quite So +is clear grit, and when we come to close quarters with our Palmetto +brethren over yonder, he'll do something devilish?" + +"What makes you think so?" + +"Well, nothing quite explainable; the exasperating coolness of the man, +as much as anything. This morning the boys were teasing Muffin Fan [a +small mulatto girl who used to bring muffins into camp three times a +week,--at the peril of her life!] and Jemmy Blunt of Company K--you know +him--was rather rough on the girl, when Quite So, who had been reading +under a tree, shut one finger in his book, walked over to where the +boys were skylarking, and with the smile of a juvenile angel on his face +lifted Jemmy out of that and set him down gently in front of his own +tent. There Blunt sat speechless, staring at Quite So, who was back +again under the tree, pegging away at his little Latin grammar." + +That Latin grammar! He always had it about him, reading it or turning +over its dog's-eared pages at odd intervals and in out-of-the-way +places. Half a dozen times a day he would draw it out from the bosom +of his blouse, which had taken the shape of the book just over the left +breast, look at it as if to assure himself it was all right, and then +put the thing back. At night the volume lay beneath his pillow. The +first thing in the morning, before he was well awake, his hand would go +groping instinctively under his knapsack in search of it. + +A devastating curiosity seized upon us boys concerning that Latin +grammar, for we had discovered the nature of the book. Strong wanted +to steal it one night, but concluded not to. "In the first place," +reflected Strong, "I haven't the heart to do it, and in the next place I +have n't the moral courage. Quite So would placidly break every bone in +my body." And I believe Strong was not far out of the way. + +Sometimes I was vexed with myself for allowing this tall, simple-hearted +country fellow to puzzle me so much. And yet, was he a simple-hearted +country fellow? City bred he certainly was not; but his manner, in spite +of his awkwardness, had an indescribable air of refinement. Now and +then, too, he dropped a word or a phrase that showed his familiarity +with unexpected lines of reading. "The other day," said Curtis, with the +slightest elevation of eyebrow, "he had the cheek to correct my Latin +for me." In short, Quite So was a daily problem to the members of Mess +6. Whenever he was absent, and Blakely and Curtis and Strong and I got +together in the tent, we discussed him, evolving various theories to +explain why he never wrote to anybody and why nobody ever wrote to him. +Had the man committed some terrible crime, and fled to the army to hide +his guilt? Blakely suggested that he must have murdered "the old folks." +What did he mean by eternally conning that tattered Latin grammar? And +was his name Bladburn, anyhow? Even his imperturbable amiability became +suspicious. And then his frightful reticence! If he was the victim of +any deep grief or crushing calamity, why did n't he seem unhappy? What +business had he to be cheerful? + +"It's my opinion," said Strong, "that he 's a rival Wandering Jew; the +original Jacobs, you know, was a dark fellow." + +Blakely inferred from something Bladburn had said, or something he had +not said--which was more likely--that he had been a schoolmaster at some +period of his life. + +"Schoolmaster be hanged!" was Strong's comment. "Can you fancy a +schoolmaster going about conjugating baby verbs out of a dratted little +spelling-book? No, Quite So has evidently been a--a--Blest if I can +imagine _what_ he 's been!" + +Whatever John Bladburn had been, he was a lonely man. Whenever I want +a type of perfect human isolation, I shall think of him, as he was in +those days, moving remote, self-contained, and alone in the midst of two +hundred thousand men. + + + + +II. + +The Indian summer, with its infinite beauty and tenderness, came like a +reproach that year to Virginia. The foliage, touched here and there with +prismatic tints, drooped motionless in the golden haze. The delicate +Virginia creeper was almost minded to put forth its scarlet buds again. +No wonder the lovely phantom--this dusky Southern sister of the pale +Northern June--lingered not long with us, but, filling the once peaceful +glens and valleys with her pathos, stole away rebukefully before the +savage enginery of man. + +The preparations that had been going on for months in arsenals and +foundries at the North were nearly completed. For weeks past the air had +been filled with rumors of an advance; but the rumor of to-day refuted +the rumor of yesterday, and the Grand Army did not move. Heintzelman's +corps was constantly folding its tents, like the Arabs, and as silently +stealing away; but somehow it was always in the same place the next +morning. One day, at last, orders came down for our brigade to move. + +"We 're going to Richmond, boys!" shouted Strong, thrusting his head in +at the tent; and we all cheered and waved our caps like mad. You see, +Big Bethel and Bull Run and Ball's Bluff (the bloody B's, as we used to +call them) had n't taught us any better sense. + +Rising abruptly from the plateau, to the left of our encampment, was +a tall hill covered with a stunted growth of red-oak, persimmon, and +chestnut. The night before we struck tents I climbed up to the crest to +take a parting look at a spectacle which custom had not been able to +rob of its enchantment. There, at my feet, and extending miles and miles +away, lay the camps of the Grand Army, with its camp-fires reflected +luridly against the sky. Thousands of lights were twinkling in every +direction, some nestling in the valley, some like fire-flies beating +their wings and palpitating among the trees, and others stretching in +parallel lines and curves, like the street-lamps of a city. Somewhere, +far off, a band was playing, at intervals it seemed; and now and then, +nearer to, a silvery strain from a bugle shot sharply up through the +night, and seemed to lose itself like a rocket among the stars--the +patient, untroubled stars. Suddenly a hand was laid upon my arm. + +"I 'd like to say a word to you," said Bladburn. + +With a little start of surprise, I made room for him on the fallen tree +where I was seated. + +"I may n't get another chance," he said. "You and the boys have been +very kind to me, kinder than I deserve; but sometimes I 've fancied that +my not saying anything about myself had given you the idea that all was +not right in my past. I want to say that I came down to Virginia with a +clean record." + +"We never really doubted it, Bladburn." + +"If I did n't write home," he continued, "it was because I had n't any +home, neither kith nor kin. When I said the old folks were dead, I said +it. Am I boring you? If I thought I was"-- + +"No, Bladburn. I have often wanted you to talk to me about yourself, not +from idle curiosity, I trust, but because I liked you that rainy night +when you came to camp, and have gone on liking you ever since. This +is n't too much to say, when Heaven only knows how soon I may be past +saying it or you listening to it." + +"That's it," said Bladburn, hurriedly, "that's why I want to talk with +you. I 've a fancy that I sha' n't come out of our first battle." + +The words gave me a queer start, for I had been trying several days to +throw off a similar presentiment concerning him--a foolish presentiment +that grew out of a dream. + +"In case anything of that kind turns up," he continued, "I 'd like you +to have my Latin grammar here--you 've seen me reading it. You might +stick it away in a bookcase, for the sake of old times. It goes against +me to think of it falling into rough hands or being kicked about camp +and trampled underfoot." + +He was drumming softly with his fingers on the volume in the bosom of +his blouse. + +"I did n't intend to speak of this to a living soul," he went on, +motioning me not to answer him; "but something took hold of me to-night +and made me follow you up here, Perhaps if I told you all, you would be +the more willing to look after the little book in case it goes ill with +me. When the war broke out I was teaching school down in Maine, in the +same village where my father was schoolmaster before me. The old man +when he died left me quite alone. I lived pretty much by myself, having +no interests outside of the district school, which seemed in a manner my +personal property. Eight years ago last spring a new pupil was brought +to the school, a slight slip of a girl, with a sad kind of face and +quiet ways. Perhaps it was because she was n't very strong, and perhaps +because she was n't used over well by those who had charge of her, or +perhaps it was because my life was lonely, that my heart warmed to the +child. It all seems like a dream now, since that April morning when +little Mary stood in front of my desk with her pretty eyes looking down +bashfully and her soft hair falling over her face. One day I look up, +and six years have gone by--as they go by in dreams--and among the +scholars is a tall girl of sixteen, with serious, womanly eyes which I +cannot trust myself to look upon. The old life has come to an end. +The child has become a woman and can teach the master now. So help me +Heaven, I did n't know that I loved her until that day! + +"Long after the children had gone home I sat in the school-room with +my face resting on my hands. There was her desk, the afternoon shadows +falling across it. It never looked empty and cheerless before. I went +and stood by the low chair, as I had stood hundreds of times. On the +desk was a pile of books, ready to be taken away, and among the rest a +small Latin grammar which we had studied together. What little despairs +and triumphs and happy hours were associated with it! I took it up +curiously, as if it were some gentle dead thing, and turned over the +pages, and could hardly see them. Turning the pages, idly so, I came to +a leaf on which something was written with ink, in the familiar girlish +hand. It was only the words 'Dear John,' through which she had drawn +two hasty pencil lines--I wish she had n't drawn those lines!" added +Bladburn, under his breath. + +He was silent for a minute or two, looking off towards the camps, where +the lights were fading out one by one. + +"I had no right to go and love Mary. I was twice her age, an awkward, +unsocial man, that would have blighted her youth. I was as wrong as +wrong can be. But I never meant to tell her. I locked the grammar in my +desk and the secret in my heart for a year. I could n't bear to meet her +in the village, and kept away from every place where she was likely to +be. Then she came to me, and sat down at my feet penitently, just as she +used to do when she was a child, and asked what she had done to anger +me; and then, Heaven forgive me! I told her all, and asked her if she +could say with her lips the words she had written, and she nestled in my +arms all a-trembling like a bird, and said them over and over again. + +"When Mary's family heard of our engagement, there was trouble. They +looked higher for Mary than a middle-aged schoolmaster. No blame to +them. They forbade me the house, her uncles; but we met in the village +and at the neighbors' houses, and I was happy, knowing she loved me. +Matters were in this state when the war came on. I had a strong call to +look after the old flag, and I hung my head that day when the company +raised in our village marched by the school-house to the railroad +station; but I couldn't tear myself away. About this time the minister's +son, who had been away to college, came to the village. He met Mary here +and there, and they became great friends. He was a likely fellow, near +her own age, and it was natural they should like one another. Sometimes +I winced at seeing him made free of the home from which I was shut out; +then I would open the grammar at the leaf where 'Dear John' was written +up in the corner, and my trouble was gone. Mary was sorrowful and pale +these days, and I think her people were worrying her. + +"It was one evening two or three days before we got the news of Bull +Run. I had gone down to the burying-ground to trim the spruce hedge set +round the old man's lot, and was just stepping into the enclosure, when +I heard voices from the opposite side. One was Mary's, and the other +I knew to be young Marston's, the minister's son. I did n't mean to +listen, but what Mary was saying struck me dumb. _We must never meet +again_, she was saying in a wild way. _We must say good-by here, for +ever,--good-by, good-by!_ And I could hear her sobbing. Then, presently, +she said, hurriedly, _No, no; my hand, not my lips!_ Then it seemed he +kissed her hands, and the two parted, one going towards the parsonage, +and the other out by the gate near where I stood. + +"I don't know how long I stood there, but the night-dews had wet me to +the bone when I stole out of the graveyard and across the road to the +school-house. I unlocked the door, and took the Latin grammar from the +desk and hid it in my bosom. There was not a sound or a light anywhere +as I walked out of the village. And now," said Bladburn, rising suddenly +from the tree-trunk, "if the little book ever falls in your way, won't +you see that it comes to no harm, for my sake, and for the sake of the +little woman who was true to me and did n't love me? Wherever she is +to-night, God bless her!" + +As we descended to camp with our arms resting on each other's shoulder, +the watch-fires were burning low in the valleys and along the hillsides, +and as far as the eye could reach the silent tents lay bleaching in the +moonlight. + + + + +III. + +We imagined that the throwing forward of our brigade was the initial +movement of a general advance of the army; but that, as the reader will +remember, did not take place until the following March. The Confederates +had fallen back to Centreville without firing a shot, and the +national troops were in possession of Lewinsville, Vienna, and Fairfax +Court-House. Our new position was nearly identical with that which we +had occupied on the night previous to the battle of Bull Run--on the old +turnpike road to Manassas, where the enemy was supposed to be in great +force. With a field-glass we could see the Rebel pickets moving in a +belt of woodland on our right, and morning and evening we heard the +spiteful roll of their snare-drums. + +Those pickets soon became a nuisance to us. Hardly a night passed but +they fired upon our outposts, so far with no harmful result; but after +a while it grew to be a serious matter. The Rebels would crawl out on +all-fours from the wood into a field covered with underbrush, and lie +there in the dark for hours, waiting for a shot. Then our men took to +the rifle-pits--pits ten or twelve feet long by four or five deep, with +the loose earth banked up a few inches high on the exposed sides. All +the pits bore names, more or less felicitous, by which they were known +to their transient tenants. One was called "The Pepper-Box," another +"Uncle Sam's Well," another "The Reb-Trap," and another, I am +constrained to say, was named after a not-to-be-mentioned tropical +locality. Though this rude sort of nomenclature predominated, there was +no lack of softer titles, such as "Fortress Matilda" and "Castle Mary," +and one had, though unintentionally, a literary flavor to it, "Blair's +Grave," which was not popularly considered as reflecting unpleasantly on +Nat Blair, who had assisted in making the excavation. + +Some of the regiment had discovered a field of late corn in the +neighborhood, and used to boil a few ears every day, while it lasted, +for the boys detailed on the night-picket. The corn-cobs were always +scrupulously preserved and mounted on the parapets of the pits. Whenever +a Rebel shot carried away one of these _barbette_ guns, there was +swearing in that particular trench. Strong, who was very sensitive to +this kind of disaster, was complaining bitterly one morning, because he +had lost three "pieces" the night before. + +"There's Quite So, now," said Strong, "when a Minie-ball comes _ping!_ +and knocks one of his guns to flinders, he merely smiles, and does n't +at all see the degradation of the thing." + +Poor Bladburn! As I watched him day by day going about his duties, in +his shy, cheery way, with a smile for every one and not an extra word +for anybody, it was hard to believe he was the same man who, that night +before we broke camp by the Potomac, had poured out to me the story of +his love and sorrow in words that burned in my memory. + +While Strong was speaking, Blakely lifted aside the flap of the tent and +looked in on us. + +"Boys, Quite So was hurt last night," he said, with a white tremor to +his lip. + +"What!" + +"Shot on picket." + +"Why, he was in the pit next to mine," cried Strong. + +"Badly hurt?" + +"Badly hurt." + +I knew he was; I need not have asked the question. He never meant to go +back to New England! + +Bladburn was lying on the stretcher in the hospital-tent The surgeon +had knelt down by him, and was carefully cutting away the bosom of his +blouse. The Latin grammar, stained and torn, slipped, and fell to the +floor. Bladburn gave me a quick glance. I picked up the book, and as I +placed it in his hand, the icy fingers closed softly over mine. He was +sinking fast. In a few minutes the surgeon finished his examination. +When he rose to his feet there were tears on the weather-beaten cheeks. +He was a rough outside, but a tender heart. + +"My poor lad," he blurted out, "it's no use. If you 've anything to say, +say it now, for you 've nearly done with this world." + +Then Bladburn lifted his eyes slowly to the surgeon, and the old smile +flitted over his face as he murmured, + +"Quite so." + + + + + + +End of the Project Gutenberg EBook of Quite So, by Thomas Bailey Aldrich + +*** END OF THIS PROJECT GUTENBERG EBOOK QUITE SO *** + +***** This file should be named 23359.txt or 23359.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/3/3/5/23359/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/23359.zip b/23359.zip Binary files differnew file mode 100644 index 0000000..6b94398 --- /dev/null +++ b/23359.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..e4dbb7a --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #23359 (https://www.gutenberg.org/ebooks/23359) |
