diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:54:41 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:54:41 -0700 |
| commit | 40c8d442ce3a53ee6c1cc68a3c07366dc6921f71 (patch) | |
| tree | 440616301d1de607e8141e9aaee7be89e3a44593 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 22836-0.txt | 699 | ||||
| -rw-r--r-- | 22836-0.zip | bin | 0 -> 15359 bytes | |||
| -rw-r--r-- | 22836-8.txt | 698 | ||||
| -rw-r--r-- | 22836-8.zip | bin | 0 -> 15266 bytes | |||
| -rw-r--r-- | 22836-h.zip | bin | 0 -> 16558 bytes | |||
| -rw-r--r-- | 22836-h/22836-h.htm | 776 | ||||
| -rw-r--r-- | 22836.txt | 698 | ||||
| -rw-r--r-- | 22836.zip | bin | 0 -> 15248 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/22836-h.htm.2019-04-13 | 775 |
12 files changed, 3662 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/22836-0.txt b/22836-0.txt new file mode 100644 index 0000000..9d55679 --- /dev/null +++ b/22836-0.txt @@ -0,0 +1,699 @@ +The Project Gutenberg EBook of Town Versus Country, by Mary Russell Mitford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Town Versus Country + +Author: Mary Russell Mitford + +Release Date: October 2, 2007 [EBook #22836] +Last Updated: December 18, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + + + + +Produced by David Widger + + + + + +TOWN VERSUS COUNTRY. + +By Mary Russell Mitford + + +“I’m desperately afear’d, Sue, that that brother of thine will turn out +a jackanapes,” was the apostrophe of the good yeoman Michael Howe, to +his pretty daughter Susan, as they were walking one fine afternoon in +harvest through some narrow and richly wooded lanes, which wound +between the crofts of his farm of Rutherford West, situate in that +out-of-the-way part of Berkshire which is emphatically called “the Low +Country,” for no better reason that I can discover than that it is the +very hilliest part of the royal county. “I’m sadly afear’d, Sue, that +he’ll turn out a jackanapes!”--and the stout farmer brandished the tall +paddle which served him at once as a walking stick and a weeding-hook, +and began vigorously eradicating the huge thistles which grew by the +roadside, as a mere vent for his vexation. “You’ll see that he’ll come +back an arrant puppy,” quoth Michael Howe. + +“Oh, father! don’t say so,” rejoined Susan, “why should you think so +hardly of poor William--our own dear William, whom we have not seen +these three years? What earthly harm has he done?” + +“Harm, girl! Look at his letters! You know you’re ashamed yourself to +take ‘em of the postman. Pink paper, forsooth, and blue ink, and a seal +with bits of make-believe gold speckled about in it like a ladybird’s +wings--I hate all make-believes, all shams; they’re worse than +poison;--and stinking of some outlandish scent, so that I’m forced to +smoke a couple of pipes extra to get rid of the smell; and latterly, as +if this folly was not enough, he has crammed these precious scrawls into +a sort of paper-bag, pasted together just as if o’ purpose to make us +pay double postage. Jackanapes did I call him? He’s a worse mollycot +than a woman.” + +“Dear father, all young men will be foolish one way or another; and you +know my uncle says, that William is wonderfully steady for so young a +man, and his master is so well pleased with him, that he is now foreman +in his great concern. You must pardon a little nonsense in a country +youth, thrown suddenly into a fine shop in the gayest part of London, +and with his godfather’s legacy coming unexpectedly upon him, and making +him too rich for a journeyman tradesman. But he’s coming to see us now. +He would have come six months ago, as soon as he got this money, if his +master could have spared him; and he’ll be wiser before he goes back to +London.” + +“Not he. Hang Lunnon! Why did he go to Lunnon at all? Why could not he +stop at Rutherford like his father and his father’s father, and see to +the farm? What business had he in a great shop?--a man-mercer’s they +call it. What call had he to Lunnon, I say? Tell me that, Miss Susan. + +“Why, dear father, you know very well that when Master George Arnot was +so unluckily obstinate about the affair of the water-course, and would +go to law with you, and swore that instead of marrying William, poor +Mary should be married to the rich maltster old Jacob Giles, William, +who had loved Mary ever since they were children together, could not +bear to stay in the country, and went off to my uncle, forbidding me +ever to mention her name in a letter; and,--” “Well! well!” rejoined the +father, somewhat softened, “but he need not have turned puppy and +coxcomb because he was crossed in love. Pshaw!” added the good farmer, +giving a mighty tug with his paddle at a tough mullein which happened to +stand in his way, “I was crossed in love myself, in my young days, +but I did not run off and turn tailor. I made up plump to another +wench--your poor mother, Susan, that’s dead and gone--and carried her +off like a man; married her in a month, girl; and that’s what Will +should have done. I’m afear’d we shall find him a sad jackanapes. Jem +Hathaway, the gauger, told me last market-day that he saw him one Sunday +in the what-dye-call’t--the Park there, covered with rings, and gold +chains, and fine velvets--all green and gold, like our great peacock. +Well! we shall soon see. He comes to-night, you say? ‘Tis not above six +o’clock by the sun, and the Wantage coach don’t come in till seven. Even +if they lend him a horse and cart at the Nag’s Head, he can’t be here +these two hours. So I shall just see the ten acre field cleared, and be +home time enough to shake him by the hand if he comes like a man, or +to kick him out of doors if he looks like a dandy.” And off strode the +stout yeoman in his clouted shoes, his leather gaiters, and smockfrock, +and a beard (it was Friday) of six days’ growth; looking altogether +prodigiously like a man who would keep his word. + +Susan, on her part, continued to thread the narrow winding lanes that +led towards Wantage; walking leisurely along, and forming as she went, +half unconsciously, a nosegay of the wild flowers of the season; the +delicate hare-bell, the lingering wood-vetch, the blue scabious, the +heaths which clustered on the bank, the tall graceful lilac campanula, +the snowy bells of the bindweed, the latest briar-rose, and that +species of clematis, which, perhaps, because it generally indicates +the neighbourhood of houses, has won for itself the pretty name of the +traveller’s joy, whilst that loveliest of wild flowers, whose name is +now sentimentalised out of prettiness, the intensely blue forget-me-not, +was there in rich profusion. + +Susan herself was not unlike her posy; sweet and delicate, and full of +a certain pastoral grace. Her light and airy figure suited well with a +fair mild countenance, breaking into blushes and smiles when she spoke, +and set off by bright ringlets of golden hair, parted on her white +forehead, and hanging in long curls on her finely-rounded cheeks. Always +neat but never fine, gentle, cheerful, and modest, it would be difficult +to find a prettier specimen of an English farmer’s daughter than Susan +Howe. But just now the little damsel wore a look of care not usual to +her fair and tranquil features; she seemed, as she was, full of trouble. + +“Poor William!” so ran her thoughts, “my father would not even listen +to his last letter because it poisoned him with musk. I wonder that +William can like that disagreeable smell! and he expects him to come +down on the top of the coach, instead of which, he says that he means +to purchase a--a--(even in her thoughts poor Susan could not master +the word, and was obliged to have recourse to the musk-scented billet) +britschka--ay, that’s it!--or a droschky; I wonder what sort of things +they are--and that he only visits us _en passant_ in a tour, for which, +town being so empty, and business slack, his employer has given him +leave, and in which he is to be accompanied by his friend Monsieur +Victor--Victor--I can’t make out his other name--an eminent perfumer who +lives next door. To think of bringing a Frenchman here, remembering how +my father hates the whole nation! Oh dear, dear! And yet I know William. +I know why he went, and I do believe, in spite of a little finery and +foolishness, and of all the britschkas, and droschkies, and Victors, +into the bargain, that he’ll be glad to get home again. No place like +home! Even in these silly notes that feeling is always at the bottom. +Did not I hear a carriage before me? Yes!--no!--I can’t tell. One +takes every thing for the sound of wheels when one is expecting a dear +friend!--And if we can but get him to look, as he used to look, and to +be what he used to be, he won’t leave us again for all the fine shops in +Regent Street, or all the britschkas and droschkies in Christendom. My +father is getting old now, and William ought to stay at home,” thought +the affectionate sister; “and I firmly believe that what he ought to do, +he will do. Besides which--surely there _is_ a carriage now.” Just as +Susan arrived at this point of her cogitations, that sound which had +haunted her imagination all the afternoon, the sound of wheels rapidly +advancing, became more and more audible, and was suddenly succeeded by +a tremendous crash, mixed with men’s voices--one of them her +brother’s--venting in two languages (for Monsieur Victor, whatever might +be his proficiency in English, had recourse in this emergency to his +native tongue) the different ejaculations of anger and astonishment +which are pretty sure to accompany an overset: and on turning a corner +of the lane, Susan caught her first sight of the britschka or droschky, +whichever it might be, that had so much puzzled her simple apprehension, +in the shape of a heavy-looking open carriage garnished with head and +apron, lying prostrate against a gate-post, of which the wheels had +fallen foul. Her brother was fully occupied in disengaging the horses +from the traces, in reprimanding his companion for his bad driving, +which he declared had occasioned the accident, and in directing him to +go for assistance to a cottage half a mile back on the road to Wantage, +whilst he himself intimated his intention of proceeding for more help +to the Farm; and the obedient Frenchman--who, notwithstanding the +derangement which his coëffure might naturally be expected to have +experienced in his tumble, looked, Susan thought, as if his hair were +put in paper every night and pomatumed every morning, and as if his +whole dapper person were saturated with his own finest essences, a sort +of travelling perfumer’s shop, a peripatetic pouncet-box--walked off +in the direction indicated, with an air of habitual submission, which +showed pretty plainly that, whether as proprietor of the unlucky +britschka, or from his own force of character, William was considered as +the principal director of the present expedition. + +Having sent his comrade off, William Howe, leaving his steeds quietly +browsing by the wayside, bent his steps towards home. Susan advanced +rapidly to meet him; and in a few seconds the brother and sister were in +each other’s arms; and, after most affectionate greetings, they sat +down by mutual consent upon a piece of felled timber which lay upon the +bank--the lane on one side being bounded by an old coppice--and began to +ask each other the thousand questions so interesting to the children of +one house who have been long parted. + +Seldom surely has the rough and rugged bark of an unhewed elm had +the honour of supporting so perfect an exquisite. Jem Hathaway, the +exciseman, had in nothing exaggerated the magnificence of our young +Londoner. From shoes which looked as if they had come from Paris in the +ambassador’s bag, to the curled head and the whiskered and mustachio’d +countenance, (for the hat which should have been the crown of the finery +was wanting--probably in consequence of the recent overturn,) from top +to toe he looked fit for a ball at Almack’s, or a fete at Bridgewater +House; and, oh! how unsuited to the old-fashioned homestead at +Rutherford West! His lower appointments, hose and trousers, were of the +finest woven silk; his coat was claret colour, of the latest cut; his +waistcoat--talk of the great peacock, _he_ would have seemed dingy +and dusky beside such a splendour of colour!--his waistcoat literally +dazzled poor Susan’s eyes; and his rings, and chains, and studs, and +brooches, seemed to the wondering girl almost sufficient to stock a +jeweller’s shop. + +In spite of all this nonsense, it was clear to her from every look and +word that she was not mistaken in believing William unchanged in mind +and disposition, and that there was a warm and a kind heart beating +under the finery. Moreover, she felt that if the unseemly magnificence +could once be thrown aside, the whiskers and mustachios cleared away, +and his fine manly person reinstated in the rustic costume in which she +had been accustomed to see him, her brother would _then_ appear +greatly improved in face and figure, taller, more vigorous, and with an +expression of intelligence and frankness delightful to behold. But how +to get quit of the finery, and the Frenchman, and the britschka? Or how +reconcile her father to iniquities so far surpassing even the smell of +musk? + +William, on his part, regarded his sister with unqualified admiration. +He had left a laughing blooming girl, he found a delicate and lovely +young woman, all the more lovely for the tears that mingled with her +smiles, true tokens of a most pure affection. + +“And you really are glad to see me, Susy? And my father is well? And +here is the old place, looking just as it used to do; house, and ricks, +and barnyard, not quite in sight, but one feels that one shall see them +at the next turning--the great coppice right opposite, looking +thicker and greener than ever! how often we have gone nutting in that +coppice!--the tall holly at the gate, with the woodbine climbing up, +and twisting its sweet garlands round the very topmost spray like a +coronet;--many a time and often have I climbed the holly to twine the +flaunting wreath round your straw-bonnet, Miss Susy! And here, on the +other side of the hedge, is the very field where Hector and Harebell ran +their famous course, and gave their hare fifty turns before they +killed her, without ever letting her get out of the stubble. Those were +pleasant days, Susan, after all!” + +“Happy days, dear William!” + +“And we shall go nutting again, shall we not?” + +“Surely, dear brother! Only”---- And + +Susan suddenly stopped. + +“Only what, Miss Susy?’ + +“Only I don’t see how you can possibly go into the copse in this dress. +Think how the brambles would prick and tear, and how that chain would +catch in the hazel stems! and as to climbing the holly-tree in that fine +tight coat, or beating the stubbles for a hare in those delicate +thin shoes, why the thing is out of the question. And I really don’t +believe,” continued Susan, finding it easier to go on than to begin, +“I really don’t believe that either Hector or Harebell would know you if +they saw you so decked out.” + +William laughed outright + +“I don’t mean to go coursing in these shoes, I assure you, Susy. This is +an evening dress. I have a shooting-jacket and all thereunto belonging +in the britschka, which will not puzzle either Harebell or Hector, +because it’s just what they have been used to see me wear.” + +“Put it on, then, I beseech you?” exclaimed Susy; “put it on directly!” + +“Why, I am not going coursing this evening.” + +“No--but my father!--Oh, dear William! if you did but know how he hates +finery, and foreigners, and whiskers, and britschkas! Oh, dear William, +send off the French gentleman and the outlandish carriage--run into the +coppice and put on the shooting-dress!” + +“Oh, Susan!” began William; but Susan having once summoned up courage +sufficient to put her remonstrances into words, followed up the attack +with an earnestness that did not admit a moment’s interruption. + +“My father hates finery even more than Harebell or Hector would do. You +know his country notions, dear William; and I think that latterly he has +hated everything that looks Londonish and new-fangled worse than ever. +We are old-fashioned people at Rutherford. There’s your pretty old +friend Mary Amott can’t abide gewgaws any more than my father.” + +“Mary Arnott! You mean Mrs. Giles. What do I care for her likes and +dislikes?” exclaimed William, haughtily. + +“I mean Mary Arnott, and not Mrs. Giles, and you do care for her likes +and dislikes a great deal,” replied his sister, with some archness. +“Poor Mary, when the week before that fixed for the wedding arrived, +felt that she _could_ not marry Master Jacob Giles; so she found an +opportunity of speaking to him alone, and told him the truth. I even +believe, although I have no warrant for saying so, that she confessed +she could not love him because she loved another. Master Giles behaved +like a wise man, and told her father that it would be very wrong to +force her inclinations. He behaved kindly as well as wisely, for he +endeavoured to reconcile all parties, and put matters in train for the +wedding that had hindered his. This at that time Master Arnott would not +hear of, and therefore we did not tell you that the marriage which you +took for granted had gone off. Till about three months ago, that odious +lawsuit was in full action, and Master Arnott as violently set against +my father as ever. Then, however, he was taken ill, and, upon his +deathbed, he sent for his old friend, begged his pardon, and appointed +him guardian to Mary. And there she is at home--for she would not come +to meet you--but there she is, hoping to find you just what you were +when you went away, and hating Frenchmen, and britschkas, and finery, +and the smell of musk, just as if she were my father’s daughter in good +earnest. And now, dear William, I know what has been passing in your +mind, quite as well as if hearts were peep-shows, and one could see to +the bottom of them at the rate of a penny a look. I know that you went +away for love of Mary, and flung yourself into the finery of London +to try to get rid of the thought of her, and came down with all this +nonsense of britschkas, and whiskers, and waistcoats, and rings, just to +show her what a beau she had lost in losing you--Did not you, now? Well! +don’t stand squeezing my hand, but go and meet your French friend, who +has got a man, I see, to help to pick up the fallen equipage. Go and get +rid of him,” quoth Susan. + +“How can I?” exclaimed William, in laughing perplexity. + +“Give him the britschka!” responded his sister, “and send them off +together as fast as may be. That will be a magnificent farewell. And +then take your portmanteau into the copse, and change all this trumpery +for the shooting-jacket and its belongings; and then come back and let +me trim these whiskers as closely as scissors can trim them, and then +we’ll go to the farm, to gladden the hearts of Harebell, Hector, my dear +father, and--somebody else; and it will not be that somebody’s fault if +ever you go to London again, or get into a britschka, or put on a chain, +or a ring, or write with blue ink upon pink paper, as long as you live. +Now go and dismiss the Frenchman,” added Susan, laughing, “and well +walk home together the happiest brother and sister in Christendom.” + + + + + +End of Project Gutenberg’s Town Versus Country, by Mary Russell Mitford + +*** END OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + +***** This file should be named 22836-0.txt or 22836-0.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/8/3/22836/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/22836-0.zip b/22836-0.zip Binary files differnew file mode 100644 index 0000000..68ea5f6 --- /dev/null +++ b/22836-0.zip diff --git a/22836-8.txt b/22836-8.txt new file mode 100644 index 0000000..139a8dd --- /dev/null +++ b/22836-8.txt @@ -0,0 +1,698 @@ +The Project Gutenberg EBook of Town Versus Country, by Mary Russell Mitford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Town Versus Country + +Author: Mary Russell Mitford + +Release Date: October 2, 2007 [EBook #22836] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + + + + +Produced by David Widger + + + + + +TOWN VERSUS COUNTRY. + +By Mary Russell Mitford + + +"I'm desperately afear'd, Sue, that that brother of thine will turn out +a jackanapes," was the apostrophe of the good yeoman Michael Howe, to +his pretty daughter Susan, as they were walking one fine afternoon in +harvest through some narrow and richly wooded lanes, which wound +between the crofts of his farm of Rutherford West, situate in that +out-of-the-way part of Berkshire which is emphatically called "the Low +Country," for no better reason that I can discover than that it is the +very hilliest part of the royal county. "I'm sadly afear'd, Sue, that +he'll turn out a jackanapes!"--and the stout farmer brandished the tall +paddle which served him at once as a walking stick and a weeding-hook, +and began vigorously eradicating the huge thistles which grew by the +roadside, as a mere vent for his vexation. "You'll see that he'll come +back an arrant puppy," quoth Michael Howe. + +"Oh, father! don't say so," rejoined Susan, "why should you think so +hardly of poor William--our own dear William, whom we have not seen +these three years? What earthly harm has he done?" + +"Harm, girl! Look at his letters! You know you're ashamed yourself to +take 'em of the postman. Pink paper, forsooth, and blue ink, and a seal +with bits of make-believe gold speckled about in it like a ladybird's +wings--I hate all make-believes, all shams; they're worse than +poison;--and stinking of some outlandish scent, so that I'm forced to +smoke a couple of pipes extra to get rid of the smell; and latterly, as +if this folly was not enough, he has crammed these precious scrawls into +a sort of paper-bag, pasted together just as if o' purpose to make us +pay double postage. Jackanapes did I call him? He's a worse mollycot +than a woman." + +"Dear father, all young men will be foolish one way or another; and you +know my uncle says, that William is wonderfully steady for so young a +man, and his master is so well pleased with him, that he is now foreman +in his great concern. You must pardon a little nonsense in a country +youth, thrown suddenly into a fine shop in the gayest part of London, +and with his godfather's legacy coming unexpectedly upon him, and making +him too rich for a journeyman tradesman. But he's coming to see us now. +He would have come six months ago, as soon as he got this money, if his +master could have spared him; and he'll be wiser before he goes back to +London." + +"Not he. Hang Lunnon! Why did he go to Lunnon at all? Why could not he +stop at Rutherford like his father and his father's father, and see to +the farm? What business had he in a great shop?--a man-mercer's they +call it. What call had he to Lunnon, I say? Tell me that, Miss Susan. + +"Why, dear father, you know very well that when Master George Arnot was +so unluckily obstinate about the affair of the water-course, and would +go to law with you, and swore that instead of marrying William, poor +Mary should be married to the rich maltster old Jacob Giles, William, +who had loved Mary ever since they were children together, could not +bear to stay in the country, and went off to my uncle, forbidding me +ever to mention her name in a letter; and,--" "Well! well!" rejoined the +father, somewhat softened, "but he need not have turned puppy and +coxcomb because he was crossed in love. Pshaw!" added the good farmer, +giving a mighty tug with his paddle at a tough mullein which happened to +stand in his way, "I was crossed in love myself, in my young days, +but I did not run off and turn tailor. I made up plump to another +wench--your poor mother, Susan, that's dead and gone--and carried her +off like a man; married her in a month, girl; and that's what Will +should have done. I'm afear'd we shall find him a sad jackanapes. Jem +Hathaway, the gauger, told me last market-day that he saw him one Sunday +in the what-dye-call't--the Park there, covered with rings, and gold +chains, and fine velvets--all green and gold, like our great peacock. +Well! we shall soon see. He comes to-night, you say? 'Tis not above six +o'clock by the sun, and the Wantage coach don't come in till seven. Even +if they lend him a horse and cart at the Nag's Head, he can't be here +these two hours. So I shall just see the ten acre field cleared, and be +home time enough to shake him by the hand if he comes like a man, or +to kick him out of doors if he looks like a dandy." And off strode the +stout yeoman in his clouted shoes, his leather gaiters, and smockfrock, +and a beard (it was Friday) of six days' growth; looking altogether +prodigiously like a man who would keep his word. + +Susan, on her part, continued to thread the narrow winding lanes that +led towards Wantage; walking leisurely along, and forming as she went, +half unconsciously, a nosegay of the wild flowers of the season; the +delicate hare-bell, the lingering wood-vetch, the blue scabious, the +heaths which clustered on the bank, the tall graceful lilac campanula, +the snowy bells of the bindweed, the latest briar-rose, and that +species of clematis, which, perhaps, because it generally indicates +the neighbourhood of houses, has won for itself the pretty name of the +traveller's joy, whilst that loveliest of wild flowers, whose name is +now sentimentalised out of prettiness, the intensely blue forget-me-not, +was there in rich profusion. + +Susan herself was not unlike her posy; sweet and delicate, and full of +a certain pastoral grace. Her light and airy figure suited well with a +fair mild countenance, breaking into blushes and smiles when she spoke, +and set off by bright ringlets of golden hair, parted on her white +forehead, and hanging in long curls on her finely-rounded cheeks. Always +neat but never fine, gentle, cheerful, and modest, it would be difficult +to find a prettier specimen of an English farmer's daughter than Susan +Howe. But just now the little damsel wore a look of care not usual to +her fair and tranquil features; she seemed, as she was, full of trouble. + +"Poor William!" so ran her thoughts, "my father would not even listen +to his last letter because it poisoned him with musk. I wonder that +William can like that disagreeable smell! and he expects him to come +down on the top of the coach, instead of which, he says that he means +to purchase a--a--(even in her thoughts poor Susan could not master +the word, and was obliged to have recourse to the musk-scented billet) +britschka--ay, that's it!--or a droschky; I wonder what sort of things +they are--and that he only visits us _en passant_ in a tour, for which, +town being so empty, and business slack, his employer has given him +leave, and in which he is to be accompanied by his friend Monsieur +Victor--Victor--I can't make out his other name--an eminent perfumer who +lives next door. To think of bringing a Frenchman here, remembering how +my father hates the whole nation! Oh dear, dear! And yet I know William. +I know why he went, and I do believe, in spite of a little finery and +foolishness, and of all the britschkas, and droschkies, and Victors, +into the bargain, that he'll be glad to get home again. No place like +home! Even in these silly notes that feeling is always at the bottom. +Did not I hear a carriage before me? Yes!--no!--I can't tell. One +takes every thing for the sound of wheels when one is expecting a dear +friend!--And if we can but get him to look, as he used to look, and to +be what he used to be, he won't leave us again for all the fine shops in +Regent Street, or all the britschkas and droschkies in Christendom. My +father is getting old now, and William ought to stay at home," thought +the affectionate sister; "and I firmly believe that what he ought to do, +he will do. Besides which--surely there _is_ a carriage now." Just as +Susan arrived at this point of her cogitations, that sound which had +haunted her imagination all the afternoon, the sound of wheels rapidly +advancing, became more and more audible, and was suddenly succeeded by +a tremendous crash, mixed with men's voices--one of them her +brother's--venting in two languages (for Monsieur Victor, whatever might +be his proficiency in English, had recourse in this emergency to his +native tongue) the different ejaculations of anger and astonishment +which are pretty sure to accompany an overset: and on turning a corner +of the lane, Susan caught her first sight of the britschka or droschky, +whichever it might be, that had so much puzzled her simple apprehension, +in the shape of a heavy-looking open carriage garnished with head and +apron, lying prostrate against a gate-post, of which the wheels had +fallen foul. Her brother was fully occupied in disengaging the horses +from the traces, in reprimanding his companion for his bad driving, +which he declared had occasioned the accident, and in directing him to +go for assistance to a cottage half a mile back on the road to Wantage, +whilst he himself intimated his intention of proceeding for more help +to the Farm; and the obedient Frenchman--who, notwithstanding the +derangement which his coffure might naturally be expected to have +experienced in his tumble, looked, Susan thought, as if his hair were +put in paper every night and pomatumed every morning, and as if his +whole dapper person were saturated with his own finest essences, a sort +of travelling perfumer's shop, a peripatetic pouncet-box--walked off +in the direction indicated, with an air of habitual submission, which +showed pretty plainly that, whether as proprietor of the unlucky +britschka, or from his own force of character, William was considered as +the principal director of the present expedition. + +Having sent his comrade off, William Howe, leaving his steeds quietly +browsing by the wayside, bent his steps towards home. Susan advanced +rapidly to meet him; and in a few seconds the brother and sister were in +each other's arms; and, after most affectionate greetings, they sat +down by mutual consent upon a piece of felled timber which lay upon the +bank--the lane on one side being bounded by an old coppice--and began to +ask each other the thousand questions so interesting to the children of +one house who have been long parted. + +Seldom surely has the rough and rugged bark of an unhewed elm had +the honour of supporting so perfect an exquisite. Jem Hathaway, the +exciseman, had in nothing exaggerated the magnificence of our young +Londoner. From shoes which looked as if they had come from Paris in the +ambassador's bag, to the curled head and the whiskered and mustachio'd +countenance, (for the hat which should have been the crown of the finery +was wanting--probably in consequence of the recent overturn,) from top +to toe he looked fit for a ball at Almack's, or a fete at Bridgewater +House; and, oh! how unsuited to the old-fashioned homestead at +Rutherford West! His lower appointments, hose and trousers, were of the +finest woven silk; his coat was claret colour, of the latest cut; his +waistcoat--talk of the great peacock, _he_ would have seemed dingy +and dusky beside such a splendour of colour!--his waistcoat literally +dazzled poor Susan's eyes; and his rings, and chains, and studs, and +brooches, seemed to the wondering girl almost sufficient to stock a +jeweller's shop. + +In spite of all this nonsense, it was clear to her from every look and +word that she was not mistaken in believing William unchanged in mind +and disposition, and that there was a warm and a kind heart beating +under the finery. Moreover, she felt that if the unseemly magnificence +could once be thrown aside, the whiskers and mustachios cleared away, +and his fine manly person reinstated in the rustic costume in which she +had been accustomed to see him, her brother would _then_ appear +greatly improved in face and figure, taller, more vigorous, and with an +expression of intelligence and frankness delightful to behold. But how +to get quit of the finery, and the Frenchman, and the britschka? Or how +reconcile her father to iniquities so far surpassing even the smell of +musk? + +William, on his part, regarded his sister with unqualified admiration. +He had left a laughing blooming girl, he found a delicate and lovely +young woman, all the more lovely for the tears that mingled with her +smiles, true tokens of a most pure affection. + +"And you really are glad to see me, Susy? And my father is well? And +here is the old place, looking just as it used to do; house, and ricks, +and barnyard, not quite in sight, but one feels that one shall see them +at the next turning--the great coppice right opposite, looking +thicker and greener than ever! how often we have gone nutting in that +coppice!--the tall holly at the gate, with the woodbine climbing up, +and twisting its sweet garlands round the very topmost spray like a +coronet;--many a time and often have I climbed the holly to twine the +flaunting wreath round your straw-bonnet, Miss Susy! And here, on the +other side of the hedge, is the very field where Hector and Harebell ran +their famous course, and gave their hare fifty turns before they +killed her, without ever letting her get out of the stubble. Those were +pleasant days, Susan, after all!" + +"Happy days, dear William!" + +"And we shall go nutting again, shall we not?" + +"Surely, dear brother! Only"---- And + +Susan suddenly stopped. + +"Only what, Miss Susy?' + +"Only I don't see how you can possibly go into the copse in this dress. +Think how the brambles would prick and tear, and how that chain would +catch in the hazel stems! and as to climbing the holly-tree in that fine +tight coat, or beating the stubbles for a hare in those delicate +thin shoes, why the thing is out of the question. And I really don't +believe," continued Susan, finding it easier to go on than to begin, +"I really don't believe that either Hector or Harebell would know you if +they saw you so decked out." + +William laughed outright + +"I don't mean to go coursing in these shoes, I assure you, Susy. This is +an evening dress. I have a shooting-jacket and all thereunto belonging +in the britschka, which will not puzzle either Harebell or Hector, +because it's just what they have been used to see me wear." + +"Put it on, then, I beseech you?" exclaimed Susy; "put it on directly!" + +"Why, I am not going coursing this evening." + +"No--but my father!--Oh, dear William! if you did but know how he hates +finery, and foreigners, and whiskers, and britschkas! Oh, dear William, +send off the French gentleman and the outlandish carriage--run into the +coppice and put on the shooting-dress!" + +"Oh, Susan!" began William; but Susan having once summoned up courage +sufficient to put her remonstrances into words, followed up the attack +with an earnestness that did not admit a moment's interruption. + +"My father hates finery even more than Harebell or Hector would do. You +know his country notions, dear William; and I think that latterly he has +hated everything that looks Londonish and new-fangled worse than ever. +We are old-fashioned people at Rutherford. There's your pretty old +friend Mary Amott can't abide gewgaws any more than my father." + +"Mary Arnott! You mean Mrs. Giles. What do I care for her likes and +dislikes?" exclaimed William, haughtily. + +"I mean Mary Arnott, and not Mrs. Giles, and you do care for her likes +and dislikes a great deal," replied his sister, with some archness. +"Poor Mary, when the week before that fixed for the wedding arrived, +felt that she _could_ not marry Master Jacob Giles; so she found an +opportunity of speaking to him alone, and told him the truth. I even +believe, although I have no warrant for saying so, that she confessed +she could not love him because she loved another. Master Giles behaved +like a wise man, and told her father that it would be very wrong to +force her inclinations. He behaved kindly as well as wisely, for he +endeavoured to reconcile all parties, and put matters in train for the +wedding that had hindered his. This at that time Master Arnott would not +hear of, and therefore we did not tell you that the marriage which you +took for granted had gone off. Till about three months ago, that odious +lawsuit was in full action, and Master Arnott as violently set against +my father as ever. Then, however, he was taken ill, and, upon his +deathbed, he sent for his old friend, begged his pardon, and appointed +him guardian to Mary. And there she is at home--for she would not come +to meet you--but there she is, hoping to find you just what you were +when you went away, and hating Frenchmen, and britschkas, and finery, +and the smell of musk, just as if she were my father's daughter in good +earnest. And now, dear William, I know what has been passing in your +mind, quite as well as if hearts were peep-shows, and one could see to +the bottom of them at the rate of a penny a look. I know that you went +away for love of Mary, and flung yourself into the finery of London +to try to get rid of the thought of her, and came down with all this +nonsense of britschkas, and whiskers, and waistcoats, and rings, just to +show her what a beau she had lost in losing you--Did not you, now? Well! +don't stand squeezing my hand, but go and meet your French friend, who +has got a man, I see, to help to pick up the fallen equipage. Go and get +rid of him," quoth Susan. + +"How can I?" exclaimed William, in laughing perplexity. + +"Give him the britschka!" responded his sister, "and send them off +together as fast as may be. That will be a magnificent farewell. And +then take your portmanteau into the copse, and change all this trumpery +for the shooting-jacket and its belongings; and then come back and let +me trim these whiskers as closely as scissors can trim them, and then +we'll go to the farm, to gladden the hearts of Harebell, Hector, my dear +father, and--somebody else; and it will not be that somebody's fault if +ever you go to London again, or get into a britschka, or put on a chain, +or a ring, or write with blue ink upon pink paper, as long as you live. +Now go and dismiss the Frenchman," added Susan, laughing, "and well +walk home together the happiest brother and sister in Christendom." + + + + + +End of Project Gutenberg's Town Versus Country, by Mary Russell Mitford + +*** END OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + +***** This file should be named 22836-8.txt or 22836-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/8/3/22836/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/22836-8.zip b/22836-8.zip Binary files differnew file mode 100644 index 0000000..9317e05 --- /dev/null +++ b/22836-8.zip diff --git a/22836-h.zip b/22836-h.zip Binary files differnew file mode 100644 index 0000000..ffd3cd5 --- /dev/null +++ b/22836-h.zip diff --git a/22836-h/22836-h.htm b/22836-h/22836-h.htm new file mode 100644 index 0000000..a3a993f --- /dev/null +++ b/22836-h/22836-h.htm @@ -0,0 +1,776 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> + <title> + Town Versus Country., by Mary Russell Mitford + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Town Versus Country, by Mary Russell Mitford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Town Versus Country + +Author: Mary Russell Mitford + +Release Date: October 2, 2007 [EBook #22836] +Last Updated: December 18, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + + + + +Produced by David Widger + + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + TOWN VERSUS COUNTRY. + </h1> + <h2> + By Mary Russell Mitford + </h2> + <p> + <br /> <br /> <br /> + </p> + <p> + “I’m desperately afear’d, Sue, that that brother of thine will turn out a + jackanapes,” was the apostrophe of the good yeoman Michael Howe, to his + pretty daughter Susan, as they were walking one fine afternoon in harvest + through some narrow and richly wooded lanes, which wound between the + crofts of his farm of Rutherford West, situate in that out-of-the-way part + of Berkshire which is emphatically called “the Low Country,” for no better + reason that I can discover than that it is the very hilliest part of the + royal county. “I’m sadly afear’d, Sue, that he’ll turn out a jackanapes!”—and + the stout farmer brandished the tall paddle which served him at once as a + walking stick and a weeding-hook, and began vigorously eradicating the + huge thistles which grew by the roadside, as a mere vent for his vexation. + “You’ll see that he’ll come back an arrant puppy,” quoth Michael Howe. + </p> + <p> + “Oh, father! don’t say so,” rejoined Susan, “why should you think so + hardly of poor William—our own dear William, whom we have not seen + these three years? What earthly harm has he done?” + </p> + <p> + “Harm, girl! Look at his letters! You know you’re ashamed yourself to take + ‘em of the postman. Pink paper, forsooth, and blue ink, and a seal with + bits of make-believe gold speckled about in it like a ladybird’s wings—I + hate all make-believes, all shams; they’re worse than poison;—and + stinking of some outlandish scent, so that I’m forced to smoke a couple of + pipes extra to get rid of the smell; and latterly, as if this folly was + not enough, he has crammed these precious scrawls into a sort of + paper-bag, pasted together just as if o’ purpose to make us pay double + postage. Jackanapes did I call him? He’s a worse mollycot than a woman.” + </p> + <p> + “Dear father, all young men will be foolish one way or another; and you + know my uncle says, that William is wonderfully steady for so young a man, + and his master is so well pleased with him, that he is now foreman in his + great concern. You must pardon a little nonsense in a country youth, + thrown suddenly into a fine shop in the gayest part of London, and with + his godfather’s legacy coming unexpectedly upon him, and making him too + rich for a journeyman tradesman. But he’s coming to see us now. He would + have come six months ago, as soon as he got this money, if his master + could have spared him; and he’ll be wiser before he goes back to London.” + </p> + <p> + “Not he. Hang Lunnon! Why did he go to Lunnon at all? Why could not he + stop at Rutherford like his father and his father’s father, and see to the + farm? What business had he in a great shop?—a man-mercer’s they call + it. What call had he to Lunnon, I say? Tell me that, Miss Susan. + </p> + <p> + “Why, dear father, you know very well that when Master George Arnot was so + unluckily obstinate about the affair of the water-course, and would go to + law with you, and swore that instead of marrying William, poor Mary should + be married to the rich maltster old Jacob Giles, William, who had loved + Mary ever since they were children together, could not bear to stay in the + country, and went off to my uncle, forbidding me ever to mention her name + in a letter; and,—” “Well! well!” rejoined the father, somewhat + softened, “but he need not have turned puppy and coxcomb because he was + crossed in love. Pshaw!” added the good farmer, giving a mighty tug with + his paddle at a tough mullein which happened to stand in his way, “I was + crossed in love myself, in my young days, but I did not run off and turn + tailor. I made up plump to another wench—your poor mother, Susan, + that’s dead and gone—and carried her off like a man; married her in + a month, girl; and that’s what Will should have done. I’m afear’d we shall + find him a sad jackanapes. Jem Hathaway, the gauger, told me last + market-day that he saw him one Sunday in the what-dye-call’t—the + Park there, covered with rings, and gold chains, and fine velvets—all + green and gold, like our great peacock. Well! we shall soon see. He comes + to-night, you say? ‘Tis not above six o’clock by the sun, and the Wantage + coach don’t come in till seven. Even if they lend him a horse and cart at + the Nag’s Head, he can’t be here these two hours. So I shall just see the + ten acre field cleared, and be home time enough to shake him by the hand + if he comes like a man, or to kick him out of doors if he looks like a + dandy.” And off strode the stout yeoman in his clouted shoes, his leather + gaiters, and smockfrock, and a beard (it was Friday) of six days’ growth; + looking altogether prodigiously like a man who would keep his word. + </p> + <p> + Susan, on her part, continued to thread the narrow winding lanes that led + towards Wantage; walking leisurely along, and forming as she went, half + unconsciously, a nosegay of the wild flowers of the season; the delicate + hare-bell, the lingering wood-vetch, the blue scabious, the heaths which + clustered on the bank, the tall graceful lilac campanula, the snowy bells + of the bindweed, the latest briar-rose, and that species of clematis, + which, perhaps, because it generally indicates the neighbourhood of + houses, has won for itself the pretty name of the traveller’s joy, whilst + that loveliest of wild flowers, whose name is now sentimentalised out of + prettiness, the intensely blue forget-me-not, was there in rich profusion. + </p> + <p> + Susan herself was not unlike her posy; sweet and delicate, and full of a + certain pastoral grace. Her light and airy figure suited well with a fair + mild countenance, breaking into blushes and smiles when she spoke, and set + off by bright ringlets of golden hair, parted on her white forehead, and + hanging in long curls on her finely-rounded cheeks. Always neat but never + fine, gentle, cheerful, and modest, it would be difficult to find a + prettier specimen of an English farmer’s daughter than Susan Howe. But + just now the little damsel wore a look of care not usual to her fair and + tranquil features; she seemed, as she was, full of trouble. + </p> + <p> + “Poor William!” so ran her thoughts, “my father would not even listen to + his last letter because it poisoned him with musk. I wonder that William + can like that disagreeable smell! and he expects him to come down on the + top of the coach, instead of which, he says that he means to purchase a—a—(even + in her thoughts poor Susan could not master the word, and was obliged to + have recourse to the musk-scented billet) britschka—ay, that’s it!—or + a droschky; I wonder what sort of things they are—and that he only + visits us <i>en passant</i> in a tour, for which, town being so empty, and + business slack, his employer has given him leave, and in which he is to be + accompanied by his friend Monsieur Victor—Victor—I can’t make + out his other name—an eminent perfumer who lives next door. To think + of bringing a Frenchman here, remembering how my father hates the whole + nation! Oh dear, dear! And yet I know William. I know why he went, and I + do believe, in spite of a little finery and foolishness, and of all the + britschkas, and droschkies, and Victors, into the bargain, that he’ll be + glad to get home again. No place like home! Even in these silly notes that + feeling is always at the bottom. Did not I hear a carriage before me? Yes!—no!—I + can’t tell. One takes every thing for the sound of wheels when one is + expecting a dear friend!—And if we can but get him to look, as he + used to look, and to be what he used to be, he won’t leave us again for + all the fine shops in Regent Street, or all the britschkas and droschkies + in Christendom. My father is getting old now, and William ought to stay at + home,” thought the affectionate sister; “and I firmly believe that what he + ought to do, he will do. Besides which—surely there <i>is</i> a + carriage now.” Just as Susan arrived at this point of her cogitations, + that sound which had haunted her imagination all the afternoon, the sound + of wheels rapidly advancing, became more and more audible, and was + suddenly succeeded by a tremendous crash, mixed with men’s voices—one + of them her brother’s—venting in two languages (for Monsieur Victor, + whatever might be his proficiency in English, had recourse in this + emergency to his native tongue) the different ejaculations of anger and + astonishment which are pretty sure to accompany an overset: and on turning + a corner of the lane, Susan caught her first sight of the britschka or + droschky, whichever it might be, that had so much puzzled her simple + apprehension, in the shape of a heavy-looking open carriage garnished with + head and apron, lying prostrate against a gate-post, of which the wheels + had fallen foul. Her brother was fully occupied in disengaging the horses + from the traces, in reprimanding his companion for his bad driving, which + he declared had occasioned the accident, and in directing him to go for + assistance to a cottage half a mile back on the road to Wantage, whilst he + himself intimated his intention of proceeding for more help to the Farm; + and the obedient Frenchman—who, notwithstanding the derangement + which his coëffure might naturally be expected to have experienced in his + tumble, looked, Susan thought, as if his hair were put in paper every + night and pomatumed every morning, and as if his whole dapper person were + saturated with his own finest essences, a sort of travelling perfumer’s + shop, a peripatetic pouncet-box—walked off in the direction + indicated, with an air of habitual submission, which showed pretty plainly + that, whether as proprietor of the unlucky britschka, or from his own + force of character, William was considered as the principal director of + the present expedition. + </p> + <p> + Having sent his comrade off, William Howe, leaving his steeds quietly + browsing by the wayside, bent his steps towards home. Susan advanced + rapidly to meet him; and in a few seconds the brother and sister were in + each other’s arms; and, after most affectionate greetings, they sat down + by mutual consent upon a piece of felled timber which lay upon the bank—the + lane on one side being bounded by an old coppice—and began to ask + each other the thousand questions so interesting to the children of one + house who have been long parted. + </p> + <p> + Seldom surely has the rough and rugged bark of an unhewed elm had the + honour of supporting so perfect an exquisite. Jem Hathaway, the exciseman, + had in nothing exaggerated the magnificence of our young Londoner. From + shoes which looked as if they had come from Paris in the ambassador’s bag, + to the curled head and the whiskered and mustachio’d countenance, (for the + hat which should have been the crown of the finery was wanting—probably + in consequence of the recent overturn,) from top to toe he looked fit for + a ball at Almack’s, or a fete at Bridgewater House; and, oh! how unsuited + to the old-fashioned homestead at Rutherford West! His lower appointments, + hose and trousers, were of the finest woven silk; his coat was claret + colour, of the latest cut; his waistcoat—talk of the great peacock, + <i>he</i> would have seemed dingy and dusky beside such a splendour of + colour!—his waistcoat literally dazzled poor Susan’s eyes; and his + rings, and chains, and studs, and brooches, seemed to the wondering girl + almost sufficient to stock a jeweller’s shop. + </p> + <p> + In spite of all this nonsense, it was clear to her from every look and + word that she was not mistaken in believing William unchanged in mind and + disposition, and that there was a warm and a kind heart beating under the + finery. Moreover, she felt that if the unseemly magnificence could once be + thrown aside, the whiskers and mustachios cleared away, and his fine manly + person reinstated in the rustic costume in which she had been accustomed + to see him, her brother would <i>then</i> appear greatly improved in face + and figure, taller, more vigorous, and with an expression of intelligence + and frankness delightful to behold. But how to get quit of the finery, and + the Frenchman, and the britschka? Or how reconcile her father to + iniquities so far surpassing even the smell of musk? + </p> + <p> + William, on his part, regarded his sister with unqualified admiration. He + had left a laughing blooming girl, he found a delicate and lovely young + woman, all the more lovely for the tears that mingled with her smiles, + true tokens of a most pure affection. + </p> + <p> + “And you really are glad to see me, Susy? And my father is well? And here + is the old place, looking just as it used to do; house, and ricks, and + barnyard, not quite in sight, but one feels that one shall see them at the + next turning—the great coppice right opposite, looking thicker and + greener than ever! how often we have gone nutting in that coppice!—the + tall holly at the gate, with the woodbine climbing up, and twisting its + sweet garlands round the very topmost spray like a coronet;—many a + time and often have I climbed the holly to twine the flaunting wreath + round your straw-bonnet, Miss Susy! And here, on the other side of the + hedge, is the very field where Hector and Harebell ran their famous + course, and gave their hare fifty turns before they killed her, without + ever letting her get out of the stubble. Those were pleasant days, Susan, + after all!” + </p> + <p> + “Happy days, dear William!” + </p> + <p> + “And we shall go nutting again, shall we not?” + </p> + <p> + “Surely, dear brother! Only”—— And + </p> + <p> + Susan suddenly stopped. + </p> + <p> + “Only what, Miss Susy?’ + </p> + <p> + “Only I don’t see how you can possibly go into the copse in this dress. + Think how the brambles would prick and tear, and how that chain would + catch in the hazel stems! and as to climbing the holly-tree in that fine + tight coat, or beating the stubbles for a hare in those delicate thin + shoes, why the thing is out of the question. And I really don’t believe,” + continued Susan, finding it easier to go on than to begin, “I really don’t + believe that either Hector or Harebell would know you if they saw you so + decked out.” + </p> + <p> + William laughed outright + </p> + <p> + “I don’t mean to go coursing in these shoes, I assure you, Susy. This is + an evening dress. I have a shooting-jacket and all thereunto belonging in + the britschka, which will not puzzle either Harebell or Hector, because + it’s just what they have been used to see me wear.” + </p> + <p> + “Put it on, then, I beseech you?” exclaimed Susy; “put it on directly!” + </p> + <p> + “Why, I am not going coursing this evening.” + </p> + <p> + “No—but my father!—Oh, dear William! if you did but know how + he hates finery, and foreigners, and whiskers, and britschkas! Oh, dear + William, send off the French gentleman and the outlandish carriage—run + into the coppice and put on the shooting-dress!” + </p> + <p> + “Oh, Susan!” began William; but Susan having once summoned up courage + sufficient to put her remonstrances into words, followed up the attack + with an earnestness that did not admit a moment’s interruption. + </p> + <p> + “My father hates finery even more than Harebell or Hector would do. You + know his country notions, dear William; and I think that latterly he has + hated everything that looks Londonish and new-fangled worse than ever. We + are old-fashioned people at Rutherford. There’s your pretty old friend + Mary Amott can’t abide gewgaws any more than my father.” + </p> + <p> + “Mary Arnott! You mean Mrs. Giles. What do I care for her likes and + dislikes?” exclaimed William, haughtily. + </p> + <p> + “I mean Mary Arnott, and not Mrs. Giles, and you do care for her likes and + dislikes a great deal,” replied his sister, with some archness. “Poor + Mary, when the week before that fixed for the wedding arrived, felt that + she <i>could</i> not marry Master Jacob Giles; so she found an opportunity + of speaking to him alone, and told him the truth. I even believe, although + I have no warrant for saying so, that she confessed she could not love him + because she loved another. Master Giles behaved like a wise man, and told + her father that it would be very wrong to force her inclinations. He + behaved kindly as well as wisely, for he endeavoured to reconcile all + parties, and put matters in train for the wedding that had hindered his. + This at that time Master Arnott would not hear of, and therefore we did + not tell you that the marriage which you took for granted had gone off. + Till about three months ago, that odious lawsuit was in full action, and + Master Arnott as violently set against my father as ever. Then, however, + he was taken ill, and, upon his deathbed, he sent for his old friend, + begged his pardon, and appointed him guardian to Mary. And there she is at + home—for she would not come to meet you—but there she is, + hoping to find you just what you were when you went away, and hating + Frenchmen, and britschkas, and finery, and the smell of musk, just as if + she were my father’s daughter in good earnest. And now, dear William, I + know what has been passing in your mind, quite as well as if hearts were + peep-shows, and one could see to the bottom of them at the rate of a penny + a look. I know that you went away for love of Mary, and flung yourself + into the finery of London to try to get rid of the thought of her, and + came down with all this nonsense of britschkas, and whiskers, and + waistcoats, and rings, just to show her what a beau she had lost in losing + you—Did not you, now? Well! don’t stand squeezing my hand, but go + and meet your French friend, who has got a man, I see, to help to pick up + the fallen equipage. Go and get rid of him,” quoth Susan. + </p> + <p> + “How can I?” exclaimed William, in laughing perplexity. + </p> + <p> + “Give him the britschka!” responded his sister, “and send them off + together as fast as may be. That will be a magnificent farewell. And then + take your portmanteau into the copse, and change all this trumpery for the + shooting-jacket and its belongings; and then come back and let me trim + these whiskers as closely as scissors can trim them, and then we’ll go to + the farm, to gladden the hearts of Harebell, Hector, my dear father, and—somebody + else; and it will not be that somebody’s fault if ever you go to London + again, or get into a britschka, or put on a chain, or a ring, or write + with blue ink upon pink paper, as long as you live. Now go and dismiss the + Frenchman,” added Susan, laughing, “and well walk home together the + happiest brother and sister in Christendom.” + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of Project Gutenberg’s Town Versus Country, by Mary Russell Mitford + +*** END OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + +***** This file should be named 22836-h.htm or 22836-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/8/3/22836/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/22836.txt b/22836.txt new file mode 100644 index 0000000..09dcff8 --- /dev/null +++ b/22836.txt @@ -0,0 +1,698 @@ +The Project Gutenberg EBook of Town Versus Country, by Mary Russell Mitford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Town Versus Country + +Author: Mary Russell Mitford + +Release Date: October 2, 2007 [EBook #22836] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + + + + +Produced by David Widger + + + + + +TOWN VERSUS COUNTRY. + +By Mary Russell Mitford + + +"I'm desperately afear'd, Sue, that that brother of thine will turn out +a jackanapes," was the apostrophe of the good yeoman Michael Howe, to +his pretty daughter Susan, as they were walking one fine afternoon in +harvest through some narrow and richly wooded lanes, which wound +between the crofts of his farm of Rutherford West, situate in that +out-of-the-way part of Berkshire which is emphatically called "the Low +Country," for no better reason that I can discover than that it is the +very hilliest part of the royal county. "I'm sadly afear'd, Sue, that +he'll turn out a jackanapes!"--and the stout farmer brandished the tall +paddle which served him at once as a walking stick and a weeding-hook, +and began vigorously eradicating the huge thistles which grew by the +roadside, as a mere vent for his vexation. "You'll see that he'll come +back an arrant puppy," quoth Michael Howe. + +"Oh, father! don't say so," rejoined Susan, "why should you think so +hardly of poor William--our own dear William, whom we have not seen +these three years? What earthly harm has he done?" + +"Harm, girl! Look at his letters! You know you're ashamed yourself to +take 'em of the postman. Pink paper, forsooth, and blue ink, and a seal +with bits of make-believe gold speckled about in it like a ladybird's +wings--I hate all make-believes, all shams; they're worse than +poison;--and stinking of some outlandish scent, so that I'm forced to +smoke a couple of pipes extra to get rid of the smell; and latterly, as +if this folly was not enough, he has crammed these precious scrawls into +a sort of paper-bag, pasted together just as if o' purpose to make us +pay double postage. Jackanapes did I call him? He's a worse mollycot +than a woman." + +"Dear father, all young men will be foolish one way or another; and you +know my uncle says, that William is wonderfully steady for so young a +man, and his master is so well pleased with him, that he is now foreman +in his great concern. You must pardon a little nonsense in a country +youth, thrown suddenly into a fine shop in the gayest part of London, +and with his godfather's legacy coming unexpectedly upon him, and making +him too rich for a journeyman tradesman. But he's coming to see us now. +He would have come six months ago, as soon as he got this money, if his +master could have spared him; and he'll be wiser before he goes back to +London." + +"Not he. Hang; Lunnon! Why did he go to Lunnon at all? Why could not he +stop at Rutherford like his father and his father's father, and see to +the farm? What business had he in a great shop?--a man-mercer's they +call it. What call had he to Lunnon, I say? Tell me that, Miss Susan. + +"Why, dear father, you know very well that when Master George Arnot was +so unluckily obstinate about the affair of the water-course, and would +go to law with you, and swore that instead of marrying William, poor +Mary should be married to the rich maltster old Jacob Giles, William, +who had loved Mary ever since they were children together, could not +bear to stay in the country, and went off to my uncle, forbidding me +ever to mention her name in a letter; and,--" "Well! well!" rejoined the +father, somewhat softened, "but he need not have turned puppy and +coxcomb because he was crossed in love. Pshaw!" added the good farmer, +giving a mighty tug with his paddle at a tough mullein which happened to +stand in his way, "I was crossed in love myself, in my young days, +but I did not run off and turn tailor. I made up plump to another +wench--your poor mother, Susan, that's dead and gone--and carried her +off like a man; married her in a month, girl; and that's what Will +should have done. I'm afear'd we shall find him a sad jackanapes. Jem +Hathaway, the gauger, told me last market-day that he saw him one Sunday +in the what-dye-call't--the Park there, covered with rings, and gold +chains, and fine velvets--all green and gold, like our great peacock. +Well! we shall soon see. He comes to-night, you say? 'Tis not above six +o'clock by the sun, and the Wantage coach don't come in till seven. Even +if they lend him a horse and cart at the Nag's Head, he can't be here +these two hours. So I shall just see the ten acre field cleared, and be +home time enough to shake him by the hand if he comes like a man, or +to kick him out of doors if he looks like a dandy." And off strode the +stout yeoman in his clouted shoes, his leather gaiters, and smockfrock, +and a beard (it was Friday) of six days' growth; looking altogether +prodigiously like a man who would keep his word. + +Susan, on her part, continued to thread the narrow winding lanes that +led towards Wantage; walking leisurely along, and forming as she went, +half unconsciously, a nosegay of the wild flowers of the season; the +delicate hare-bell, the lingering wood-vetch, the blue scabious, the +heaths which clustered on the bank, the tall graceful lilac campanula, +the snowy bells of the bindweed, the latest briar-rose, and that +species of clematis, which, perhaps, because it generally indicates +the neighbourhood of houses, has won for itself the pretty name of the +traveller's joy, whilst that loveliest of wild flowers, whose name is +now sentimentalised out of prettiness, the intensely blue forget-me-not, +was there in rich profusion. + +Susan herself was not unlike her posy; sweet and delicate, and full of +a certain pastoral grace. Her light and airy figure suited well with a +fair mild countenance, breaking into blushes and smiles when she spoke, +and set off by bright ringlets of golden hair, parted on her white +forehead, and hanging in long curls on her finely-rounded cheeks. Always +neat but never fine, gentle, cheerful, and modest, it would be difficult +to find a prettier specimen of an English farmer's daughter than Susan +Howe. But just now the little damsel wore a look of care not usual to +her fair and tranquil features; she seemed, as she was, full of trouble. + +"Poor William!" so ran her thoughts, "my father would not even listen +to his last letter because it poisoned him with musk. I wonder that +William can like that disagreeable smell! and he expects him to come +down on the top of the coach, instead of which, he says that he means +to purchase a--a--(even in her thoughts poor Susan could not master +the word, and was obliged to have recourse to the musk-scented billet) +britschka--ay, that's it!--or a droschky; I wonder what sort of things +they are--and that he only visits us _en passant_ in a tour, for which, +town being so empty, and business slack, his employer has given him +leave, and in which he is to be accompanied by his friend Monsieur +Victor--Victor--I can't make out his other name--an eminent perfumer who +lives next door. To think of bringing a Frenchman here, remembering how +my father hates the whole nation! Oh dear, dear! And yet I know William. +I know why he went, and I do believe, in spite of a little finery and +foolishness, and of all the britschkas, and droschkies, and Victors, +into the bargain, that he'll be glad to get home again. No place like +home! Even in these silly notes that feeling is always at the bottom. +Did not I hear a carriage before me? Yes!--no!--I can't tell. One +takes every thing for the sound of wheels when one is expecting a dear +friend!--And if we can but get him to look, as he used to look, and to +be what he used to be, he won't leave us again for all the fine shops in +Regent Street, or all the britschkas and droschkies in Christendom. My +father is getting old now, and William ought to stay at home," thought +the affectionate sister; "and I firmly believe that what he ought to do, +he will do. Besides which--surely there _is_ a carriage now." Just as +Susan arrived at this point of her cogitations, that sound which had +haunted her imagination all the afternoon, the sound of wheels rapidly +advancing, became more and more audible, and was suddenly succeeded by +a tremendous crash, mixed with men's voices--one of them her +brother's--venting in two languages (for Monsieur Victor, whatever might +be his proficiency in English, had recourse in this emergency to his +native tongue) the different ejaculations of anger and astonishment +which are pretty sure to accompany an overset: and on turning a corner +of the lane, Susan caught her first sight of the britschka or droschky, +whichever it might be, that had so much puzzled her simple apprehension, +in the shape of a heavy-looking open carriage garnished with head and +apron, lying prostrate against a gate-post, of which the wheels had +fallen foul. Her brother was fully occupied in disengaging the horses +from the traces, in reprimanding his companion for his bad driving, +which he declared had occasioned the accident, and in directing him to +go for assistance to a cottage half a mile back on the road to Wantage, +whilst he himself intimated his intention of proceeding for more help +to the Farm; and the obedient Frenchman--who, notwithstanding the +derangement which his coeffure might naturally be expected to have +experienced in his tumble, looked, Susan thought, as if his hair were +put in paper every night and pomatumed every morning, and as if his +whole dapper person were saturated with his own finest essences, a sort +of travelling perfumer's shop, a peripatetic pouncet-box--walked off +in the direction indicated, with an air of habitual submission, which +showed pretty plainly that, whether as proprietor of the unlucky +britschka, or from his own force of character, William was considered as +the principal director of the present expedition. + +Having sent his comrade off, William Howe, leaving his steeds quietly +browsing by the wayside, bent his steps towards home. Susan advanced +rapidly to meet him; and in a few seconds the brother and sister were in +each other's arms; and, after most affectionate greetings, they sat +down by mutual consent upon a piece of felled timber which lay upon the +bank--the lane on one side being bounded by an old coppice--and began to +ask each other the thousand questions so interesting to the children of +one house who have been long parted. + +Seldom surely has the rough and rugged bark of an unhewed elm had +the honour of supporting so perfect an exquisite. Jem Hathaway, the +exciseman, had in nothing exaggerated the magnificence of our young +Londoner. From shoes which looked as if they had come from Paris in the +ambassador's bag, to the curled head and the whiskered and mustachio'd +countenance, (for the hat which should have been the crown of the finery +was wanting--probably in consequence of the recent overturn,) from top +to toe he looked fit for a ball at Almack's, or a fete at Bridgewater +House; and, oh! how unsuited to the old-fashioned homestead at +Rutherford West! His lower appointments, hose and trousers, were of the +finest woven silk; his coat was claret colour, of the latest cut; his +waistcoat--talk of the great peacock, _he_ would have seemed dingy +and dusky beside such a splendour of colour!--his waistcoat literally +dazzled poor Susan's eyes; and his rings, and chains, and studs, and +brooches, seemed to the wondering girl almost sufficient to stock a +jeweller's shop. + +In spite of all this nonsense, it was clear to her from every look and +word that she was not mistaken in believing William unchanged in mind +and disposition, and that there was a warm and a kind heart beating +under the finery. Moreover, she felt that if the unseemly magnificence +could once be thrown aside, the whiskers and mustachios cleared away, +and his fine manly person reinstated in the rustic costume in which she +had been accustomed to see him, her brother would _then_ appear +greatly improved in face and figure, taller, more vigorous, and with an +expression of intelligence and frankness delightful to behold. But how +to get quit of the finery, and the Frenchman, and the britschka? Or how +reconcile her father to iniquities so far surpassing even the smell of +musk? + +William, on his part, regarded his sister with unqualified admiration. +He had left a laughing blooming girl, he found a delicate and lovely +young woman, all the more lovely for the tears that mingled with her +smiles, true tokens of a most pure affection. + +"And you really are glad to see me, Susy? And my father is well? And +here is the old place, looking just as it used to do; house, and ricks, +and barnyard, not quite in sight, but one feels that one shall see them +at the next turning--the great coppice right opposite, looking +thicker and greener than ever! how often we have gone nutting in that +coppice!--the tall holly at the gate, with the woodbine climbing up, +and twisting its sweet garlands round the very topmost spray like a +coronet;--many a time and often have I climbed the holly to twine the +flaunting wreath round your straw-bonnet, Miss Susy! And here, on the +other side of the hedge, is the very field where Hector and Harebell ran +their famous course, and gave their hare fifty turns before they +killed her, without ever letting her get out of the stubble. Those were +pleasant days, Susan, after all!" + +"Happy days, dear William!" + +"And we shall go nutting again, shall we not?" + +"Surely, dear brother! Only"---- And + +Susan suddenly stopped. + +"Only what, Miss Susy?' + +"Only I don't see how you can possibly go into the copse in this dress. +Think how the brambles would prick and tear, and how that chain would +catch in the hazel stems! and as to climbing the holly-tree in that fine +tight coat, or beating the stubbles for a hare in those delicate +thin shoes, why the thing is out of the question. And I really don't +believe," continued Susan, finding it easier to go on than to begin, +"I really don't believe that either Hector or Harebell would know you if +they saw you so decked out." + +William laughed outright + +"I don't mean to go coursing in these shoes, I assure you, Susy. This is +an evening dress. I have a shooting-jacket and all thereunto belonging +in the britschka, which will not puzzle either Harebell or Hector, +because it's just what they have been used to see me wear." + +"Put it on, then, I beseech you?" exclaimed Susy; "put it on directly!" + +"Why, I am not going coursing this evening." + +"No--but my father!--Oh, dear William! if you did but know how he hates +finery, and foreigners, and whiskers, and britschkas! Oh, dear William, +send off the French gentleman and the outlandish carriage--run into the +coppice and put on the shooting-dress!" + +"Oh, Susan!" began William; but Susan having once summoned up courage +sufficient to put her remonstrances into words, followed up the attack +with an earnestness that did not admit a moment's interruption. + +"My father hates finery even more than Harebell or Hector would do. You +know his country notions, dear William; and I think that latterly he has +hated everything that looks Londonish and new-fangled worse than ever. +We are old-fashioned people at Rutherford. There's your pretty old +friend Mary Amott can't abide gewgaws any more than my father." + +"Mary Arnott! You mean Mrs. Giles. What do I care for her likes and +dislikes?" exclaimed William, haughtily. + +"I mean Mary Arnott, and not Mrs. Giles, and you do care for her likes +and dislikes a great deal," replied his sister, with some archness. +"Poor Mary, when the week before that fixed for the wedding arrived, +felt that she _could_ not marry Master Jacob Giles; so she found an +opportunity of speaking to him alone, and told him the truth. I even +believe, although I have no warrant for saying so, that she confessed +she could not love him because she loved another. Master Giles behaved +like a wise man, and told her father that it would be very wrong to +force her inclinations. He behaved kindly as well as wisely, for he +endeavoured to reconcile all parties, and put matters in train for the +wedding that had hindered his. This at that time Master Arnott would not +hear of, and therefore we did not tell you that the marriage which you +took for granted had gone off. Till about three months ago, that odious +lawsuit was in full action, and Master Arnott as violently set against +my father as ever. Then, however, he was taken ill, and, upon his +deathbed, he sent for his old friend, begged his pardon, and appointed +him guardian to Mary. And there she is at home--for she would not come +to meet you--but there she is, hoping to find you just what you were +when you went away, and hating Frenchmen, and britschkas, and finery, +and the smell of musk, just as if she were my father's daughter in good +earnest. And now, dear William, I know what has been passing in your +mind, quite as well as if hearts were peep-shows, and one could see to +the bottom of them at the rate of a penny a look. I know that you went +away for love of Mary, and flung yourself into the finery of London +to try to get rid of the thought of her, and came down with all this +nonsense of britschkas, and whiskers, and waistcoats, and rings, just to +show her what a beau she had lost in losing you--Did not you, now? Well! +don't stand squeezing my hand, but go and meet your French friend, who +has got a man, I see, to help to pick up the fallen equipage. Go and get +rid of him," quoth Susan. + +"How can I?" exclaimed William, in laughing perplexity. + +"Give him the britschka!" responded his sister, "and send them off +together as fast as may be. That will be a magnificent farewell. And +then take your portmanteau into the copse, and change all this trumpery +for the shooting-jacket and its belongings; and then come back and let +me trim these whiskers as closely as scissors can trim them, and then +we'll go to the farm, to gladden the hearts of Harebell, Hector, my dear +father, and--somebody else; and it will not be that somebody's fault if +ever you go to London again, or get into a britschka, or put on a chain, +or a ring, or write with blue ink upon pink paper, as long as you live. +Now go and dismiss the Frenchman," added Susan, laughing, "and well +walk home together the happiest brother and sister in Christendom." + + + + + +End of Project Gutenberg's Town Versus Country, by Mary Russell Mitford + +*** END OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + +***** This file should be named 22836.txt or 22836.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/8/3/22836/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/22836.zip b/22836.zip Binary files differnew file mode 100644 index 0000000..30bab28 --- /dev/null +++ b/22836.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..d73849e --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #22836 (https://www.gutenberg.org/ebooks/22836) diff --git a/old/22836-h.htm.2019-04-13 b/old/22836-h.htm.2019-04-13 new file mode 100644 index 0000000..446c272 --- /dev/null +++ b/old/22836-h.htm.2019-04-13 @@ -0,0 +1,775 @@ +<?xml version="1.0" encoding="utf-8"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + Town Versus Country., by Mary Russell Mitford + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Town Versus Country, by Mary Russell Mitford + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Town Versus Country + +Author: Mary Russell Mitford + +Release Date: October 2, 2007 [EBook #22836] +Last Updated: December 18, 2016 + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + + + + +Produced by David Widger + + + + + +</pre> + <div style="height: 8em;"> + <br /><br /><br /><br /><br /><br /><br /><br /> + </div> + <h1> + TOWN VERSUS COUNTRY. + </h1> + <h2> + By Mary Russell Mitford + </h2> + <p> + <br /> <br /> <br /> + </p> + <p> + “I’m desperately afear’d, Sue, that that brother of thine will turn out a + jackanapes,” was the apostrophe of the good yeoman Michael Howe, to his + pretty daughter Susan, as they were walking one fine afternoon in harvest + through some narrow and richly wooded lanes, which wound between the + crofts of his farm of Rutherford West, situate in that out-of-the-way part + of Berkshire which is emphatically called “the Low Country,” for no better + reason that I can discover than that it is the very hilliest part of the + royal county. “I’m sadly afear’d, Sue, that he’ll turn out a jackanapes!”—and + the stout farmer brandished the tall paddle which served him at once as a + walking stick and a weeding-hook, and began vigorously eradicating the + huge thistles which grew by the roadside, as a mere vent for his vexation. + “You’ll see that he’ll come back an arrant puppy,” quoth Michael Howe. + </p> + <p> + “Oh, father! don’t say so,” rejoined Susan, “why should you think so + hardly of poor William—our own dear William, whom we have not seen + these three years? What earthly harm has he done?” + </p> + <p> + “Harm, girl! Look at his letters! You know you’re ashamed yourself to take + ‘em of the postman. Pink paper, forsooth, and blue ink, and a seal with + bits of make-believe gold speckled about in it like a ladybird’s wings—I + hate all make-believes, all shams; they’re worse than poison;—and + stinking of some outlandish scent, so that I’m forced to smoke a couple of + pipes extra to get rid of the smell; and latterly, as if this folly was + not enough, he has crammed these precious scrawls into a sort of + paper-bag, pasted together just as if o’ purpose to make us pay double + postage. Jackanapes did I call him? He’s a worse mollycot than a woman.” + </p> + <p> + “Dear father, all young men will be foolish one way or another; and you + know my uncle says, that William is wonderfully steady for so young a man, + and his master is so well pleased with him, that he is now foreman in his + great concern. You must pardon a little nonsense in a country youth, + thrown suddenly into a fine shop in the gayest part of London, and with + his godfather’s legacy coming unexpectedly upon him, and making him too + rich for a journeyman tradesman. But he’s coming to see us now. He would + have come six months ago, as soon as he got this money, if his master + could have spared him; and he’ll be wiser before he goes back to London.” + </p> + <p> + “Not he. Hang Lunnon! Why did he go to Lunnon at all? Why could not he + stop at Rutherford like his father and his father’s father, and see to the + farm? What business had he in a great shop?—a man-mercer’s they call + it. What call had he to Lunnon, I say? Tell me that, Miss Susan. + </p> + <p> + “Why, dear father, you know very well that when Master George Arnot was so + unluckily obstinate about the affair of the water-course, and would go to + law with you, and swore that instead of marrying William, poor Mary should + be married to the rich maltster old Jacob Giles, William, who had loved + Mary ever since they were children together, could not bear to stay in the + country, and went off to my uncle, forbidding me ever to mention her name + in a letter; and,—” “Well! well!” rejoined the father, somewhat + softened, “but he need not have turned puppy and coxcomb because he was + crossed in love. Pshaw!” added the good farmer, giving a mighty tug with + his paddle at a tough mullein which happened to stand in his way, “I was + crossed in love myself, in my young days, but I did not run off and turn + tailor. I made up plump to another wench—your poor mother, Susan, + that’s dead and gone—and carried her off like a man; married her in + a month, girl; and that’s what Will should have done. I’m afear’d we shall + find him a sad jackanapes. Jem Hathaway, the gauger, told me last + market-day that he saw him one Sunday in the what-dye-call’t—the + Park there, covered with rings, and gold chains, and fine velvets—all + green and gold, like our great peacock. Well! we shall soon see. He comes + to-night, you say? ‘Tis not above six o’clock by the sun, and the Wantage + coach don’t come in till seven. Even if they lend him a horse and cart at + the Nag’s Head, he can’t be here these two hours. So I shall just see the + ten acre field cleared, and be home time enough to shake him by the hand + if he comes like a man, or to kick him out of doors if he looks like a + dandy.” And off strode the stout yeoman in his clouted shoes, his leather + gaiters, and smockfrock, and a beard (it was Friday) of six days’ growth; + looking altogether prodigiously like a man who would keep his word. + </p> + <p> + Susan, on her part, continued to thread the narrow winding lanes that led + towards Wantage; walking leisurely along, and forming as she went, half + unconsciously, a nosegay of the wild flowers of the season; the delicate + hare-bell, the lingering wood-vetch, the blue scabious, the heaths which + clustered on the bank, the tall graceful lilac campanula, the snowy bells + of the bindweed, the latest briar-rose, and that species of clematis, + which, perhaps, because it generally indicates the neighbourhood of + houses, has won for itself the pretty name of the traveller’s joy, whilst + that loveliest of wild flowers, whose name is now sentimentalised out of + prettiness, the intensely blue forget-me-not, was there in rich profusion. + </p> + <p> + Susan herself was not unlike her posy; sweet and delicate, and full of a + certain pastoral grace. Her light and airy figure suited well with a fair + mild countenance, breaking into blushes and smiles when she spoke, and set + off by bright ringlets of golden hair, parted on her white forehead, and + hanging in long curls on her finely-rounded cheeks. Always neat but never + fine, gentle, cheerful, and modest, it would be difficult to find a + prettier specimen of an English farmer’s daughter than Susan Howe. But + just now the little damsel wore a look of care not usual to her fair and + tranquil features; she seemed, as she was, full of trouble. + </p> + <p> + “Poor William!” so ran her thoughts, “my father would not even listen to + his last letter because it poisoned him with musk. I wonder that William + can like that disagreeable smell! and he expects him to come down on the + top of the coach, instead of which, he says that he means to purchase a—a—(even + in her thoughts poor Susan could not master the word, and was obliged to + have recourse to the musk-scented billet) britschka—ay, that’s it!—or + a droschky; I wonder what sort of things they are—and that he only + visits us <i>en passant</i> in a tour, for which, town being so empty, and + business slack, his employer has given him leave, and in which he is to be + accompanied by his friend Monsieur Victor—Victor—I can’t make + out his other name—an eminent perfumer who lives next door. To think + of bringing a Frenchman here, remembering how my father hates the whole + nation! Oh dear, dear! And yet I know William. I know why he went, and I + do believe, in spite of a little finery and foolishness, and of all the + britschkas, and droschkies, and Victors, into the bargain, that he’ll be + glad to get home again. No place like home! Even in these silly notes that + feeling is always at the bottom. Did not I hear a carriage before me? Yes!—no!—I + can’t tell. One takes every thing for the sound of wheels when one is + expecting a dear friend!—And if we can but get him to look, as he + used to look, and to be what he used to be, he won’t leave us again for + all the fine shops in Regent Street, or all the britschkas and droschkies + in Christendom. My father is getting old now, and William ought to stay at + home,” thought the affectionate sister; “and I firmly believe that what he + ought to do, he will do. Besides which—surely there <i>is</i> a + carriage now.” Just as Susan arrived at this point of her cogitations, + that sound which had haunted her imagination all the afternoon, the sound + of wheels rapidly advancing, became more and more audible, and was + suddenly succeeded by a tremendous crash, mixed with men’s voices—one + of them her brother’s—venting in two languages (for Monsieur Victor, + whatever might be his proficiency in English, had recourse in this + emergency to his native tongue) the different ejaculations of anger and + astonishment which are pretty sure to accompany an overset: and on turning + a corner of the lane, Susan caught her first sight of the britschka or + droschky, whichever it might be, that had so much puzzled her simple + apprehension, in the shape of a heavy-looking open carriage garnished with + head and apron, lying prostrate against a gate-post, of which the wheels + had fallen foul. Her brother was fully occupied in disengaging the horses + from the traces, in reprimanding his companion for his bad driving, which + he declared had occasioned the accident, and in directing him to go for + assistance to a cottage half a mile back on the road to Wantage, whilst he + himself intimated his intention of proceeding for more help to the Farm; + and the obedient Frenchman—who, notwithstanding the derangement + which his coëffure might naturally be expected to have experienced in his + tumble, looked, Susan thought, as if his hair were put in paper every + night and pomatumed every morning, and as if his whole dapper person were + saturated with his own finest essences, a sort of travelling perfumer’s + shop, a peripatetic pouncet-box—walked off in the direction + indicated, with an air of habitual submission, which showed pretty plainly + that, whether as proprietor of the unlucky britschka, or from his own + force of character, William was considered as the principal director of + the present expedition. + </p> + <p> + Having sent his comrade off, William Howe, leaving his steeds quietly + browsing by the wayside, bent his steps towards home. Susan advanced + rapidly to meet him; and in a few seconds the brother and sister were in + each other’s arms; and, after most affectionate greetings, they sat down + by mutual consent upon a piece of felled timber which lay upon the bank—the + lane on one side being bounded by an old coppice—and began to ask + each other the thousand questions so interesting to the children of one + house who have been long parted. + </p> + <p> + Seldom surely has the rough and rugged bark of an unhewed elm had the + honour of supporting so perfect an exquisite. Jem Hathaway, the exciseman, + had in nothing exaggerated the magnificence of our young Londoner. From + shoes which looked as if they had come from Paris in the ambassador’s bag, + to the curled head and the whiskered and mustachio’d countenance, (for the + hat which should have been the crown of the finery was wanting—probably + in consequence of the recent overturn,) from top to toe he looked fit for + a ball at Almack’s, or a fete at Bridgewater House; and, oh! how unsuited + to the old-fashioned homestead at Rutherford West! His lower appointments, + hose and trousers, were of the finest woven silk; his coat was claret + colour, of the latest cut; his waistcoat—talk of the great peacock, + <i>he</i> would have seemed dingy and dusky beside such a splendour of + colour!—his waistcoat literally dazzled poor Susan’s eyes; and his + rings, and chains, and studs, and brooches, seemed to the wondering girl + almost sufficient to stock a jeweller’s shop. + </p> + <p> + In spite of all this nonsense, it was clear to her from every look and + word that she was not mistaken in believing William unchanged in mind and + disposition, and that there was a warm and a kind heart beating under the + finery. Moreover, she felt that if the unseemly magnificence could once be + thrown aside, the whiskers and mustachios cleared away, and his fine manly + person reinstated in the rustic costume in which she had been accustomed + to see him, her brother would <i>then</i> appear greatly improved in face + and figure, taller, more vigorous, and with an expression of intelligence + and frankness delightful to behold. But how to get quit of the finery, and + the Frenchman, and the britschka? Or how reconcile her father to + iniquities so far surpassing even the smell of musk? + </p> + <p> + William, on his part, regarded his sister with unqualified admiration. He + had left a laughing blooming girl, he found a delicate and lovely young + woman, all the more lovely for the tears that mingled with her smiles, + true tokens of a most pure affection. + </p> + <p> + “And you really are glad to see me, Susy? And my father is well? And here + is the old place, looking just as it used to do; house, and ricks, and + barnyard, not quite in sight, but one feels that one shall see them at the + next turning—the great coppice right opposite, looking thicker and + greener than ever! how often we have gone nutting in that coppice!—the + tall holly at the gate, with the woodbine climbing up, and twisting its + sweet garlands round the very topmost spray like a coronet;—many a + time and often have I climbed the holly to twine the flaunting wreath + round your straw-bonnet, Miss Susy! And here, on the other side of the + hedge, is the very field where Hector and Harebell ran their famous + course, and gave their hare fifty turns before they killed her, without + ever letting her get out of the stubble. Those were pleasant days, Susan, + after all!” + </p> + <p> + “Happy days, dear William!” + </p> + <p> + “And we shall go nutting again, shall we not?” + </p> + <p> + “Surely, dear brother! Only”—— And + </p> + <p> + Susan suddenly stopped. + </p> + <p> + “Only what, Miss Susy?’ + </p> + <p> + “Only I don’t see how you can possibly go into the copse in this dress. + Think how the brambles would prick and tear, and how that chain would + catch in the hazel stems! and as to climbing the holly-tree in that fine + tight coat, or beating the stubbles for a hare in those delicate thin + shoes, why the thing is out of the question. And I really don’t believe,” + continued Susan, finding it easier to go on than to begin, “I really don’t + believe that either Hector or Harebell would know you if they saw you so + decked out.” + </p> + <p> + William laughed outright + </p> + <p> + “I don’t mean to go coursing in these shoes, I assure you, Susy. This is + an evening dress. I have a shooting-jacket and all thereunto belonging in + the britschka, which will not puzzle either Harebell or Hector, because + it’s just what they have been used to see me wear.” + </p> + <p> + “Put it on, then, I beseech you?” exclaimed Susy; “put it on directly!” + </p> + <p> + “Why, I am not going coursing this evening.” + </p> + <p> + “No—but my father!—Oh, dear William! if you did but know how + he hates finery, and foreigners, and whiskers, and britschkas! Oh, dear + William, send off the French gentleman and the outlandish carriage—run + into the coppice and put on the shooting-dress!” + </p> + <p> + “Oh, Susan!” began William; but Susan having once summoned up courage + sufficient to put her remonstrances into words, followed up the attack + with an earnestness that did not admit a moment’s interruption. + </p> + <p> + “My father hates finery even more than Harebell or Hector would do. You + know his country notions, dear William; and I think that latterly he has + hated everything that looks Londonish and new-fangled worse than ever. We + are old-fashioned people at Rutherford. There’s your pretty old friend + Mary Amott can’t abide gewgaws any more than my father.” + </p> + <p> + “Mary Arnott! You mean Mrs. Giles. What do I care for her likes and + dislikes?” exclaimed William, haughtily. + </p> + <p> + “I mean Mary Arnott, and not Mrs. Giles, and you do care for her likes and + dislikes a great deal,” replied his sister, with some archness. “Poor + Mary, when the week before that fixed for the wedding arrived, felt that + she <i>could</i> not marry Master Jacob Giles; so she found an opportunity + of speaking to him alone, and told him the truth. I even believe, although + I have no warrant for saying so, that she confessed she could not love him + because she loved another. Master Giles behaved like a wise man, and told + her father that it would be very wrong to force her inclinations. He + behaved kindly as well as wisely, for he endeavoured to reconcile all + parties, and put matters in train for the wedding that had hindered his. + This at that time Master Arnott would not hear of, and therefore we did + not tell you that the marriage which you took for granted had gone off. + Till about three months ago, that odious lawsuit was in full action, and + Master Arnott as violently set against my father as ever. Then, however, + he was taken ill, and, upon his deathbed, he sent for his old friend, + begged his pardon, and appointed him guardian to Mary. And there she is at + home—for she would not come to meet you—but there she is, + hoping to find you just what you were when you went away, and hating + Frenchmen, and britschkas, and finery, and the smell of musk, just as if + she were my father’s daughter in good earnest. And now, dear William, I + know what has been passing in your mind, quite as well as if hearts were + peep-shows, and one could see to the bottom of them at the rate of a penny + a look. I know that you went away for love of Mary, and flung yourself + into the finery of London to try to get rid of the thought of her, and + came down with all this nonsense of britschkas, and whiskers, and + waistcoats, and rings, just to show her what a beau she had lost in losing + you—Did not you, now? Well! don’t stand squeezing my hand, but go + and meet your French friend, who has got a man, I see, to help to pick up + the fallen equipage. Go and get rid of him,” quoth Susan. + </p> + <p> + “How can I?” exclaimed William, in laughing perplexity. + </p> + <p> + “Give him the britschka!” responded his sister, “and send them off + together as fast as may be. That will be a magnificent farewell. And then + take your portmanteau into the copse, and change all this trumpery for the + shooting-jacket and its belongings; and then come back and let me trim + these whiskers as closely as scissors can trim them, and then we’ll go to + the farm, to gladden the hearts of Harebell, Hector, my dear father, and—somebody + else; and it will not be that somebody’s fault if ever you go to London + again, or get into a britschka, or put on a chain, or a ring, or write + with blue ink upon pink paper, as long as you live. Now go and dismiss the + Frenchman,” added Susan, laughing, “and well walk home together the + happiest brother and sister in Christendom.” + </p> + <div style="height: 6em;"> + <br /><br /><br /><br /><br /><br /> + </div> +<pre xml:space="preserve"> + + + + + +End of Project Gutenberg’s Town Versus Country, by Mary Russell Mitford + +*** END OF THIS PROJECT GUTENBERG EBOOK TOWN VERSUS COUNTRY *** + +***** This file should be named 22836-h.htm or 22836-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/2/8/3/22836/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” + or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase “Project Gutenberg” appears, or with which the phrase “Project +Gutenberg” is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase “Project Gutenberg” associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +“Plain Vanilla ASCII” or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original “Plain Vanilla ASCII” or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, “Information about donations to + the Project Gutenberg Literary Archive Foundation.” + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +“Defects,” such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm’s +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state’s laws. + +The Foundation’s principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation’s web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |
