diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:46:00 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 01:46:00 -0700 |
| commit | 0e4d17d416af788d94892536f6834266d3843ba7 (patch) | |
| tree | e376691197bbef01286856af32fae5ec35c8bbac | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 21807-8.txt | 5582 | ||||
| -rw-r--r-- | 21807-8.zip | bin | 0 -> 113248 bytes | |||
| -rw-r--r-- | 21807-h.zip | bin | 0 -> 143704 bytes | |||
| -rw-r--r-- | 21807-h/21807-h.htm | 7214 | ||||
| -rw-r--r-- | 21807-h/images/img-front.jpg | bin | 0 -> 26468 bytes | |||
| -rw-r--r-- | 21807.txt | 5582 | ||||
| -rw-r--r-- | 21807.zip | bin | 0 -> 113221 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
10 files changed, 18394 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/21807-8.txt b/21807-8.txt new file mode 100644 index 0000000..2cf46fc --- /dev/null +++ b/21807-8.txt @@ -0,0 +1,5582 @@ +The Project Gutenberg eBook, The Holy Cross and Other Tales, by Eugene +Field, Illustrated by S. W. Van Schaik + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Holy Cross and Other Tales + + +Author: Eugene Field + + + +Release Date: June 11, 2007 [eBook #21807] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK THE HOLY CROSS AND OTHER TALES*** + + +E-text prepared by Al Haines + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustration. + See 21807-h.htm or 21807-h.zip: + (https://www.gutenberg.org/dirs/2/1/8/0/21807/21807-h/21807-h.htm) + or + (https://www.gutenberg.org/dirs/2/1/8/0/21807/21807-h.zip) + + + + + +The Works of Eugene Field + +Vol. V + +The Writings in Prose and Verse of Eugene Field + +THE HOLY CROSS AND OTHER TALES + + + + + + + + +[Frontispiece: "Presently the whole company was moved by a gentle +pity." Drawn by S. W. Van Schaik.] + + + + +Charles Scribner's Sons +New York +1911 + +Copyright, 1893, by +Eugene Field. + +Copyright, 1896, by +Julia Sutherland Field. + + + + +DEDICATED WITH LOVE + +AND GRATITUDE TO + +ROSWELL MARTIN FIELD + + + + +NOTE. + +To this volume as it was originally issued have been added five Tales, +beginning with "The Platonic Bassoon," which are characteristic of the +various moods, serious, gay, or pathetic, out of which grew the best +work of the author's later years. + + + + +INTRODUCTION + +ALAS, POOR YORICK! + +In paying a tribute to the mingled mirth and tenderness of Eugene +Field--the poet of whose going the West may say, "He took our daylight +with him"--one of his fellow journalists has written that he was a +jester, but not of the kind that Shakespeare drew in Yorick. He was +not only,--so the writer implied,--the maker of jibes and fantastic +devices, but the bard of friendship and affection, of melodious lyrical +conceits; he was the laureate of children--dear for his "Wynken, +Blynken and Nod" and "Little Boy Blue"; the scholarly book-lover, +withal, who relished and paraphrased his Horace, who wrote with delight +a quaint archaic English of his special devising; who collected rare +books, and brought out his own "Little Books" of "Western Verse" and +"Profitable Tales" in high-priced limited editions, with broad margins +of paper that moths and rust do not corrupt, but which tempts +bibliomaniacs to break through and steal. + +For my own part, I would select Yorick as the very forecast, in +imaginative literature, of our various Eugene. Surely Shakespeare +conceived the "mad rogue" of Elsinore as made up of grave and gay, of +wit and gentleness, and not as a mere clown or "jig maker." It is true +that when Field put on his cap and bells, he too was "wont to set the +table on a roar," as the feasters at a hundred tables, from "Casey's +Table d'Hôte" to the banquets of the opulent East, now rise to testify. +But Shakespeare plainly reveals, concerning Yorick, that mirth was not +his sole attribute,--that his motley covered the sweetest nature and +the tenderest heart. It could be no otherwise with one who loved and +comprehended childhood and whom the children loved. And what does +Hamlet say?--"He hath borne me upon his back a thousand times . . . +Here hung those lips that I have kissed I know not how oft!" Of what +is he thinking but of his boyhood, before doubts and contemplation +wrapped him in the shadow, and when in his young grief or frolic the +gentle Yorick, with his jest, his "excellent fancy," and his songs and +gambols, was his comrade? + +Of all moderns, then, here or in the old world, Eugene Field seems to +be most like the survival, or revival, of the ideal jester of knightly +times; as if Yorick himself were incarnated, or as if a superior bearer +of the bauble at the court of Italy, or of France, or of English King +Hal, had come to life again--as much out of time as Twain's Yankee at +the Court of Arthur; but not out of place,--for he fitted himself as +aptly to his folk and region as Puck to the fays and mortals of a wood +near Athens. In the days of divine sovereignty, the jester, we see, +was by all odds the wise man of the palace; the real fools were those +he made his butt--the foppish pages, the obsequious courtiers, the +swaggering guardsmen, the insolent nobles, and not seldom majesty +itself. And thus it is that painters and romancers have loved to draw +him. Who would not rather be Yorick than Osric, or Touchstone than Le +Beau, or even poor Bertuccio than one of his brutal mockers? Was not +the redoubtable Chicot, with his sword and brains, the true ruler of +France? To come to the jesters of history--which is so much less real +than fiction--what laurels are greener than those of Triboulet, and +Will Somers, and John Heywood--dramatist and master of the king's merry +Interludes? Their shafts were feathered with mirth and song, but +pointed with wisdom, and well might old John Trussell say "That it +often happens that wise counsel is more sweetly followed when it is +tempered with folly, and earnest is the less offensive if it be +delivered in jest." + +Yes, Field "caught on" to his time--a complex American, with the +obstreperous _bizarrerie_ of the frontier and the artistic delicacy of +our oldest culture always at odds within him--but he was, above all, a +child of nature, a frolic incarnate, and just as he would have been in +any time or country. Fortune had given him that unforgettable mummer's +face,--that clean-cut, mobile visage,--that animated natural mask! No +one else had so deep and rich a voice for the rendering of the music +and pathos of a poet's lines, and no actor ever managed both face and +voice better than he in delivering his own verses merry or sad. One +night, he was seen among the audience at "Uncut Leaves," and was +instantly requested to do something towards the evening's +entertainment. As he was not in evening dress, he refused to take the +platform, but stood up in the lank length of an ulster, from his corner +seat, and recited "Dibdin's Ghost" and "Two Opinions" in a manner which +blighted the chances of the readers that came after him. It is true +that no clown ever equalled the number and lawlessness of his practical +jokes. Above all, every friend that he had--except the Dean of his +profession, for whom he did exhibit unbounded and filial reverence--was +soon or late a victim of his whimsicality, or else justly distrusted +the measure of Field's regard for him. Nor was the friendship +perfected until one bestirred himself to pay Eugene back in kind. As +to this, I am only one of scores now speaking from personal experience. +There seemed to be no doubt in his mind that the victim of his fun, +even when it outraged common sensibilities, _must_ enjoy it as much as +he. Who but Eugene, after being the welcome guest, at a European +capital, of one of our most ambitious and refined ambassadors, would +have written a lyric, sounding the praises of a German "onion pie," +ending each stanza with + + Ach, Liebe! Ach, mein Gott! + +and would have printed it in America, with his host's initials affixed? + +My own matriculation at Eugene's College of Unreason was in this wise. +In 1887, Mr. Ben Ticknor, the Boston publisher, was complaining that he +needed some new and promising authors to enlarge his book-list. The +New York "Sun" and "Tribune" had been copying Field's rhymes and prose +extravaganzas--the former often very charming, the latter the broadest +satire of Chicago life and people. I suggested to Mr. Ticknor that he +should ask the poet-humorist to collect, for publication in book-form, +the choicest of his writings thus far. To make the story brief, Mr. +Field did so, and the outcome--at which I was somewhat taken aback--was +the remarkable book, "Culture's Garland," with its title imitated from +the sentimental "Annuals" of long ago, and its cover ornamented with +sausages linked together as a coronal wreath! The symbol certainly +fitted the greater part of the contents, which ludicrously scored the +Chicago "culture" of that time, and made Pullman, Armour, and other +commercial magnates of the Lakeside City special types in illustration. +All this had its use, and many of the sufferers long since became the +_farceur's_ devoted friends. The Fair showed the country what Chicago +really was and is. Certainly there is no other American city where the +richest class appear so enthusiastic with respect to art and +literature. "The practice of virtue makes men virtuous," and even if +there was some pretence and affectation in the culture of ten years +ago, it has resulted in as high standards of taste as can elsewhere be +found. Moreover, if our own "four hundred" had even affected, or made +it the fashion to be interested in, whatever makes for real culture, +the intellectual life of this metropolis would not now be so far apart +from the "social swim." There were scattered through "Culture's +Garland" not a few of Field's delicate bits of verse. In some way he +found that I had instigated Mr. Ticknor's request, and, although I was +thinking solely of the publisher's interests, he expressed unstinted +gratitude. Soon afterwards I was delighted to receive from him a +quarto parchment "breviary," containing a dozen ballads, long and +short, engrossed in his exquisitely fine handwriting, and illuminated +with colored borders and drawings by the poet himself. It must have +required days for the mechanical execution, and certainly I would not +now exchange it for its weight in diamonds. This was the way our +friendship began. It was soon strengthened by meetings and +correspondence, and never afterwards broken. + +Some years ago, however, I visited Chicago, to lecture, at the +invitation of its famous social and literary "Twentieth Century Club." +This was Eugene's opportunity, and I ought not to have been as +dumfounded as I was, one day, when our evening papers copied from the +"Chicago Record" a "very pleasant joke" at the expense of his town and +myself! It was headed: "Chicago Excited! Tremendous Preparations for +His Reception," and went on to give the order and route of a procession +that was to be formed at the Chicago station and escort me to my +quarters--stopping at Armour's packing-yards and the art-galleries on +the way. It included the "Twentieth Century Club" in carriages, the +"Browning Club" in busses, and the "Homer Club" in drays; ten +millionnaire publishers, and as many pork-packers, in a chariot drawn +by white horses, followed by not less than two hundred Chicago poets +afoot! I have no doubt that Eugene thought I would enjoy this kind of +advertisement as heartily as he did. If so, he lacked the gift of +putting himself in the other man's place. But his sardonic face, +a-grin like a school-boy's, was one with two others which shone upon me +when I did reach Chicago, and my pride was not wounded sufficiently to +prevent me from enjoying the restaurant luncheon to which he bore me +off in triumph. I did promise to square accounts with him, in time, +and this is how I fulfilled my word. The next year, at a meeting of a +suburban "Society of Authors," a certain lady-journalist was chaffed as +to her acquaintanceship with Field, and accused of addressing him as +"Gene." At this she took umbrage, saying: "It's true we worked +together on the same paper for five years, but he was always a perfect +gentleman. I _never_ called him 'Gene.'" This was reported by the +press, and gave me the refrain for a skit entitled "Katharine and +Eugenio:" + + Five years she sate a-near him + Within that type-strewn loft; + She handed him the paste-pot, + He passed the scissors oft; + They dipped in the same inkstand + That crowned their desk between, + Yet--he never called her Katie, + She never called him "Gene." + + Though close--ah! close--the droplight + That classic head revealed, + She was to him Miss Katharine, + He--naught but Mister Field; + Decorum graced his upright brow + And thinned his lips serene, + And, though he wrote a poem each hour, + Why should she call him "Gene?" + + She gazed at his sporadic hair-- + She knew his hymns by rote; + They longed to dine together + At Casey's table d'hôte; + Alas, that Fortune's "hostages"-- + But let us draw a screen! + He dared not call her Katie; + How _could_ she call him "Gene?" + +I signed my verses "By one of Gene's Victims"; they appeared in _The +Tribune_, and soon were copied by papers in every part of the country. +Other stanzas, with the same refrain, were added by the funny men of +the southern and western press, and it was months before 'Gene' saw the +last of them. The word "Eugenio," which was the name by which I always +addressed him in our correspondence, left him in no doubt as to the +initiator of the series, and so our "Merry War" ended, I think, with a +fair quittance to either side. + +Grieving, with so many others, over Yorick's premature death, it is a +solace for me to remember how pleasant was our last interchange of +written words. Not long ago, he was laid very low by pneumonia, but +recovered, and before leaving his sickroom wrote me a sweetly serious +letter--with here and there a sparkle in it--but in a tone sobered by +illness, and full of yearning for a closer companionship with his +friends. At the same time he sent me the first editions, long ago +picked up, of all my earlier books, and begged me to write on their +fly-leaves. This I did; with pains to gratify him as much as possible, +and in one of the volumes wrote this little quatrain: + + TO EUGENE FIELD + + Death thought to claim you in this year of years, + But Fancy cried--and raised her shield between-- + "Still let men weep, and smile amid their tears; + Take any two beside, but spare Eugene!" + +In view of his near escape, the hyperbole, if such there was, might +well be pardoned, and it touched Eugene so manifestly that--now that +the eddy indeed has swept him away, and the Sabine Farm mourns for its +new-world Horace--I cannot be too thankful that such was my last +message to him. + +Eugene Field was so mixed a compound that it will always be impossible +quite to decide whether he was wont to judge critically of either his +own conduct or his literary creations. As to the latter, he put the +worst and the best side by side, and apparently cared alike for both. +That he did much beneath his standard, fine and true at times,--is +unquestionable, and many a set of verses went the rounds that harmed +his reputation. On the whole, I think this was due to the fact that he +got his stated income as a newspaper poet and jester, and had to +furnish his score of "Sharps and Flats" with more or less regularity. +For all this, he certainly has left pieces, compact of the rarer +elements, sufficient in number to preserve for him a unique place among +America's most original characters, scholarly wits, and poets of +brightest fancy. Yorick is no more! But his genius will need no +chance upturning of his grave-turf for its remembrance. When all is +sifted, its fame is more likely to strengthen than to decline. + +EDMUND CLARENCE STEDMAN. + + +[Originally contributed to the "Souvenir Book" of the N.Y. Hebrew Fair, +December, 1895.] + + + + +Contents + + +THE HOLY CROSS + +THE ROSE AND THE THRUSH + +THE PAGAN SEAL-WIFE + +FLAIL, TRASK, AND BISLAND + +THE TOUCH IN THE HEART + +DANIEL AND THE DEVIL + +METHUSELAH + +FÉLICE AND PETIT-POULAIN + +THE RIVER + +FRANZ ABT + +MISTRESS MERCILESS + +THE PLATONIC BASSOON + +HAWAIIAN FOLK TALES + +LUTE BAKER AND HIS WIFE EM + +JOEL'S TALK WITH SANTA CLAUS + +THE LONESOME LITTLE SHOE + + + + +THE HOLY CROSS + + +Whilst the noble Don Esclevador and his little band of venturesome +followers explored the neighboring fastnesses in quest for gold, the +Father Miguel tarried at the shrine which in sweet piety they had hewn +out of the stubborn rock in that strangely desolate spot. Here, upon +that serene August morning, the holy Father held communion with the +saints, beseeching them, in all humility, to intercede with our beloved +Mother for the safe guidance of the fugitive Cortes to his native +shores, and for the divine protection of the little host, which, +separated from the Spanish army, had wandered leagues to the northward, +and had sought refuge in the noble mountains of an unknown land. The +Father's devotions were, upon a sudden, interrupted by the approach of +an aged man who toiled along the mountain-side path,--a man so aged and +so bowed and so feeble that he seemed to have been brought down into +that place, by means of some necromantic art, out of distant centuries. +His face was yellow and wrinkled like ancient parchment, and a beard +whiter than Samite streamed upon his breast, whilst about his withered +body and shrunken legs hung faded raiment which the elements had +corroded and the thorns had grievously rent. And as he toiled along, +the aged man continually groaned, and continually wrung his palsied +hands, as if a sorrow, no lighter than his years, afflicted him. + +"In whose name comest thou?" demanded the Father Miguel, advancing a +space toward the stranger, but not in threatening wise; whereat the +aged man stopped in his course and lifted his eyebrows, and regarded +the Father a goodly time, but he spake no word. + +"In whose name comest thou?" repeated the priestly man. "Upon these +mountains have we lifted up the cross of our blessed Lord in the name +of our sovereign liege, and here have we set down a tabernacle to the +glory of the Virgin and of her ever-blessed son, our Redeemer and +thine,--whoso thou mayest be!" + +"Who is thy king I know not," quoth the aged man, feebly; "but the +shrine in yonder wall of rock I know; and by that symbol which I see +therein, and by thy faith for which it stands, I conjure thee, as thou +lovest both, give me somewhat to eat and to drink, that betimes I may +go upon my way again, for the journey before me is a long one." + +These words spake the old man in tones of such exceeding sadness that +the Father Miguel, touched by compassion, hastened to meet the +wayfarer, and, with his arms about him, and with whisperings of sweet +comfort, to conduct him to a resting-place. Coarse food in goodly +plenty was at hand; and it happily fortuned, too, that there was a +homely wine, made by Pietro del y Saguache himself, of the wild grapes +in which a neighboring valley abounded. Of these things anon the old +man partook, greedily but silently, and all that while he rolled his +eyes upon the shrine; and then at last, struggling to his feet, he made +as if to go upon his way. + +"Nay," interposed the Father Miguel, kindly; "abide with us a season. +Thou art an old man and sorely spent. Such as we have thou shalt have, +and if thy soul be distressed, we shall pour upon it the healing balm +of our blessed faith." + +"Little knowest thou whereof thou speakest," quoth the old man, sadly. +"There is no balm can avail me. I prithee let me go hence, ere, +knowing what manner of man I am, thou hatest me and doest evil unto +me." But as he said these words he fell back again even then into the +seat where he had sat, and, as through fatigue, his hoary head dropped +upon his bosom. + +"Thou art ill!" cried the Father Miguel, hastening to his side. "Thou +shalt go no farther this day! Give me thy staff,"--and he plucked it +from him. + +Then said the old man: "As I am now, so have I been these many hundred +years. Thou hast heard tell of me,--canst thou not guess my name; +canst thou not read my sorrow in my face and in my bosom? As thou art +good and holy through thy faith in that symbol in yonder shrine, +hearken to me, for I will tell thee of the wretch whom thou hast +succored. Then, if it be thy will, give me thy curse and send me on my +way." + +Much marvelled the Father Miguel at these words, and he deemed the old +man to be mad; but he made no answer. And presently the old man, +bowing his head upon his hands, had to say in this wise:-- + +"Upon a time," he quoth, "I abided in the city of the Great +King,--there was I born and there I abided. I was of good stature, and +I asked favor of none. I was an artisan, and many came to my shop, and +my cunning was sought of many,--for I was exceeding crafty in my trade; +and so, therefore, speedily my pride begot an insolence that had +respect to none at all. And once I heard a tumult in the street, as of +the cries of men and boys commingled, and the clashing of arms and +staves. Seeking to know the cause thereof, I saw that one was being +driven to execution,--one that had said he was the Son of God and the +King of the Jews, for which blasphemy and crime against our people he +was to die upon the cross. Overcome by the weight of this cross, which +he bore upon his shoulders, the victim tottered in the street and +swayed this way and that, as though each moment he were like to fall, +and he groaned in sore agony. Meanwhile about him pressed a multitude +that with vast clamor railed at him and scoffed him and smote him, to +whom he paid no heed; but in his agony his eyes were alway uplifted to +heaven, and his lips moved in prayer for them that so shamefully +entreated him. And as he went his way to Calvary, it fortuned that he +fell and lay beneath the cross right at my very door, whereupon, +turning his eyes upon me as I stood over against him, he begged me that +for a little moment I should bear up the weight of the cross whilst +that he wiped the sweat from off his brow. But I was filled with +hatred, and I spurned him with my foot, and I said to him: 'Move on, +thou wretched criminal, move on. Pollute not my doorway with thy +touch,--move on to death, I command thee!' This was the answer I gave +to him, but no succor at all. Then he spake to me once again, and he +said: 'Thou, too, shalt move on, O Jew! Thou shalt move on forever, +but not to death!' And with these words he bore up the cross again and +went upon his way to Calvary. + +"Then of a sudden," quoth the old man, "a horror filled my breast, and +a resistless terror possessed me. So was I accursed forevermore. A +voice kept saying always to me: 'Move on, O Jew! move on forever!' +From home, from kin, from country, from all I knew and loved I fled; +nowhere could I tarry,--the nameless horror burned in my bosom, and I +heard continually a voice crying unto me: 'Move on, O Jew! move on +forever!' So, with the years, the centuries, the ages, I have fled +before that cry and in that nameless horror; empires have risen and +crumbled, races have been born and are extinct, mountains have been +cast up and time hath levelled them,--still I do live and still I +wander hither and thither upon the face of the earth, and am an +accursed thing. The gift of tongues is mine,--all men I know, yet +mankind knows me not. Death meets me face to face, and passes me by; +the sea devours all other prey, but will not hide me in its depths; +wild beasts flee from me, and pestilences turn their consuming breaths +elsewhere. On and on and on I go,--not to a home, nor to my people, +nor to my grave, but evermore into the tortures of an eternity of +sorrow. And evermore I feel the nameless horror burn within, whilst +evermore I see the pleading eyes of him that bore the cross, and +evermore I hear his voice crying: 'Move on, O Jew! move on +forevermore!'" + +"Thou art the Wandering Jew!" cried the Father Miguel. + +"I am he," saith the aged man. "I marvel not that thou dost revolt +against me, for thou standest in the shadow of that same cross which I +have spurned, and thou art illumined with the love of him that went his +way to Calvary. But I beseech thee bear with me until I have told thee +all,--then drive me hence if thou art so minded." + +"Speak on," quoth the Father Miguel. + +Then said the Jew: "How came I here I scarcely know; the seasons are +one to me, and one day but as another; for the span of my life, O +priestly man! is eternity. This much know you: from a far country I +embarked upon a ship,--I knew not whence 't was bound, nor cared I. I +obeyed the voice that bade me go. Anon a mighty tempest fell upon the +ship and overwhelmed it. The cruel sea brought peace to all but me; a +many days it tossed and buffeted me, then with a cry of exultation cast +me at last upon a shore I had not seen before, a coast far, far +westward whereon abides no human thing. But in that solitude still +heard I from within the awful mandate that sent me journeying onward, +'Move on, O Jew! move on;' and into vast forests I plunged, and mighty +plains I traversed; onward, onward, onward I went, with the nameless +horror in my bosom, and--that cry, that awful cry! The rains beat upon +me; the sun wrought pitilessly with me; the thickets tore my flesh; and +the inhospitable shores bruised my weary feet,--yet onward I went, +plucking what food I might from thorny bushes to stay my hunger, and +allaying my feverish thirst at pools where reptiles crawled. Sometimes +a monster beast stood in my pathway and threatened to devour me; then +would I spread my two arms thus, and welcome death, crying: 'Rend thou +this Jew in twain, O beast! strike thy kindly fangs deep into this +heart,--be not afeard, for I shall make no battle with thee, nor any +outcry whatsoever!' But, lo, the beast would cower before me and skulk +away. So there is no death for me; the judgment spoken is irrevocable; +my sin is unpardonable, and the voice will not be hushed!" + +Thus and so much spake the Jew, bowing his hoary head upon his hands. +Then was the Father Miguel vastly troubled; yet he recoiled not from +the Jew,--nay, he took the old man by the hand and sought to soothe him. + +"Thy sin was most heinous, O Jew!" quoth the Father; "but it falleth in +our blessed faith to know that whoso repenteth of his sin, what it +soever may be, the same shall surely be forgiven. Thy punishment hath +already been severe, and God is merciful, for even as we are all his +children, even so his tenderness to us is like unto the tenderness of a +father unto his child--yea, and infinitely tenderer and sweeter, for +who can estimate the love of our heavenly Father? Thou didst deny thy +succor to the Nazarene when he besought it, yet so great compassion +hath he that if thou but callest upon him he will forget thy +wrong,--leastwise will pardon it. Therefore be thou persuaded by me, +and tarry here this night, that in the presence of yonder symbol and +the holy relics our prayers may go up with thine unto our blessed +Mother and to the saints who haply shall intercede for thee in +Paradise. Rest here, O sufferer,--rest thou here, and we shall +presently give thee great comfort." The Jew, well-nigh fainting with +fatigue, being persuaded by the holy Father's gentle words, gave +finally his consent unto this thing, and went anon unto the cave beyond +the shrine, and entered thereinto, and lay upon a bed of skins and +furs, and made as if to sleep. And when he slept his sleep was +seemingly disturbed by visions, and he tossed as doth an one that sees +full evil things, and in that sleep he muttered somewhat of a voice he +seemed to hear, though round about there was no sound whatsoever, save +only the soft music of the pine-trees on the mountain-side. Meanwhile +in the shrine, hewn out of those rocks, did the Father Miguel bow +before the sacred symbol of his faith and plead for mercy for that same +Jew that slumbered anear. And when, as the deepening blue mantle of +night fell upon the hilltops and obscured the valleys round about, Don +Esclevador and his sturdy men came clamoring along the mountain-side, +the holy Father met them a way off and bade them have regard to the +aged man that slept in yonder cave. But when he told them of that Jew +and of his misery and of the secret causes thereof, out spake the noble +Don Esclevador, full hotly,-- + +"By our sweet Christ," he cried, "shall we not offend our blessed faith +and do most impiously in the Virgin's sight if we give this harbor and +this succor unto so vile a sinner as this Jew that hath denied our dear +Lord!" + +Which words had like to wrought great evil with the Jew, for instantly +the other men sprang forward as if to awaken the Jew and drive him +forth into the night. But the Father Miguel stretched forth his hands +and commanded them to do no evil unto the Jew, and so persuasively did +he set forth the godliness and the sweetness of compassion that +presently the whole company was moved with a gentle pity toward that +Jew. Therefore it befell anon, when night came down from the skies and +after they had feasted upon their homely food as was their wont, that +they talked of the Jew, and thinking of their own hardships and +misfortunes (whereof it is not now to speak), they had all the more +compassion to that Jew, which spake them passing fair, I ween. + +Now all this while lay the Jew upon the bed of skins and furs within +the cave, and though he slept (for he was exceeding weary), he tossed +continually from side to side, and spoke things in his sleep, as if his +heart were sorely troubled, and as if in his dreams he beheld grievous +things. And seeing the old man, and hearing his broken speech, the +others moved softly hither and thither and made no noise soever lest +they should awaken him. And many an one--yes, all that valiant company +bowed down that night before the symbol in the shrine, and with sweet +reverence called upon our blessed Virgin to plead in the cause of that +wretched Jew. Then sleep came to all, and in dreams the noble Don +Esclevador saw his sovereign liege, and kneeled before his throne, and +heard his sovereign liege's gracious voice; in dreams the heartweary +soldier sailed the blue waters of the Spanish main, and pressed his +native shore, and beheld once again the lovelight in the dark eyes of +her that awaited him; in dreams the mountain-pines were kissed of the +singing winds, and murmured drowsily and tossed their arms as do little +children that dream of their play; in dreams the Jew swayed hither and +thither, scourged by that nameless horror in his bosom, and seeing the +pleading eyes of our dying Master, and hearing that awful mandate: +"Move on, O Jew! move on forever!" So each slept and dreamed his +dreams,--all slept but the Father Miguel, who alone throughout the +night kneeled in the shrine and called unto the saints and unto our +Mother Mary in prayer. And his supplication was for that Jew; and the +mists fell upon that place and compassed it about, and it was as if the +heavens had reached down their lips to kiss the holy shrine. And +suddenly there came unto the Jew a quiet as of death, so that he tossed +no more in his sleep and spake no word, but lay exceeding still, +smiling in his sleep as one who sees his home in dreams, or his mother, +or some other such beloved thing. + +It came to pass that early in the morning the Jew came from the cavern +to go upon his way, and the Father Miguel besought him to take with him +a goodly loaf in his wallet as wise provision against hunger. But the +Jew denied this, and then he said: "Last night while I slept methought +I stood once more in the city of the Great King,--ay, in that very +doorway where I stood, swart and lusty, when I spurned him that went +his way to Calvary. In my bosom burned the terror as of old, and my +soul was consumed of a mighty anguish. None of those that passed in +that street knew me; centuries had ground to dust all my kin. 'O God!' +I cried in agony, 'suffer my sin to be forgotten,--suffer me to sleep, +to sleep forever beneath the burden of the cross I sometime spurned!' +As I spake these words there stood before me one in shining raiment, +and lo! 't was he who bore the cross to Calvary! His eyes that had +pleaded to me on a time now fell compassionately upon me, and the voice +that had commanded me move on forever, now broke full sweetly on my +ears: 'Thou shalt go on no more, O Jew, but as thou hast asked, so +shall it be, and thou shalt sleep forever beneath the cross.' Then +fell I into a deep slumber, and, therefrom but just now awaking, I feel +within me what peace bespeaketh pardon for my sin. This day am I +ransomed; so suffer me to go my way, O holy man." + +So went the Jew upon his way, not groaningly and in toilsome wise, as +was his wont, but eagerly, as goeth one to meet his bride, or unto some +sweet reward. And the Father Miguel stood long, looking after him and +being sorely troubled in mind; for he knew not what interpretation he +should make of all these things. And anon the Jew was lost to sight in +the forest. + +But once, a little space thereafter, while that José Conejos, the +Castilian, clambered up the yonder mountain-side, he saw amid the +grasses there the dead and withered body of an aged man, and thereupon +forthwith made he such clamor that Don Esclevador hastened thither and +saw it was the Jew; and since there was no sign that wild beasts had +wrought evil with him, it was declared that the Jew had died of age and +fatigue and sorrow, albeit on the wrinkled face there was a smile of +peace that none had seen thereon while yet the Jew lived. And it was +accounted to be a most wondrous thing that, whereas never before had +flowers of that kind been seen in those mountains, there now bloomed +all round about flowers of the dye of blood, which thing the noble Don +Esclevador took full wisely to be a symbol of our dear Lord's most +precious blood, whereby not only you and I but even the Jew shall be +redeemed to Paradise. + +Within the spot where they had found the Jew they buried him, and there +he sleeps unto this very day. Above the grave the Father Miguel said a +prayer; and the ground of that mountain they adjudged to be holy +ground; but over the grave wherein lay the Jew they set up neither +cross nor symbol of any kind, fearing to offend their holy faith. + +But that very night, when that they were returned unto their camp half +a league distant, there arose a mighty tempest, and there was such an +upheaval and rending of the earth as only God's hand could make; and +there was a crashing and a groaning as if the world were smitten in +twain, and the winds fled through the valleys in dismay, and the trees +of the forest shrieked in terror and fell upon their faces. Then in +the morning when the tempest ceased and all the sky was calm and +radiant they saw that an impassable chasm lay between them and that +mountain-side wherein the Jew slept the sleep of death; that God had +traced with his finger a mighty gulf about that holy ground which held +the bones of the transgressor. Between heaven and earth hung that +lonely grave, nor could any foot scale the precipice that guarded it; +but one might see that the spot was beautiful with kindly mountain +verdure and that flowers of blood-red dye bloomed in that lonely place. + +This was the happening in a summer-time a many years ago; to the mellow +grace of that summer succeeded the purple glory of the autumn, and then +came on apace the hoary dignity of winter. But the earth hath its +resurrection too, and anon came the beauteous spring-time with warmth +and scents and new life. The brooks leapt forth once more from their +hiding-places, the verdure awaked, and the trees put forth their +foliage. Then from the awful mountain peaks the snow silently and +slowly slipped to the valleys, and in divers natural channels went +onward and ever downward to the southern sea, and now at last 't was +summer-time again and the mellow grace of August brooded over the +earth. But in that yonder mountain-side had fallen a symbol never to +be removed,--ay, upon that holy ground where slept the Jew was +stretched a cross, a mighty cross of snow on which the sun never fell +and which no breath of wind ever disturbed. Elsewhere was the tender +warmth of verdure and the sacred passion of the blood-red flowers, but +over that lonely grave was stretched the symbol of him that went his +way to Calvary, and in that grave slept the Jew. + +Mightily marvelled Don Esclevador and his warrior host at this thing; +but the Father Miguel knew its meaning; for he was minded of that +vision wherein it was foretold unto the Jew that, pardoned for his sin, +he should sleep forever under the burden of the cross he spurned. All +this the Father Miguel showed unto Don Esclevador and the others, and +he said: "I deem that unto all ages this holy symbol shall bear witness +of our dear Christ's mercy and compassion. Though we, O exiled +brothers, sleep in this foreign land in graves which none shall know, +upon that mountain height beyond shall stretch the eternal witness to +our faith and to our Redeemer's love, minding all that look thereon, +not of the pains and the punishments of the Jew, but of the exceeding +mercy of our blessed Lord, and of the certain eternal peace that cometh +through his love!" + +How long ago these things whereof I speak befell, I shall not say. +They never saw--that Spanish host--they never saw their native land, +their sovereign liege, their loved ones' faces again; they sleep, and +they are dust among those mighty mountains in the West. Where is the +grave of the Father Miguel, or of Don Esclevador, or of any of the +valiant Spanish exiles, it is not to tell; God only knoweth, and the +saints: all sleep in the faith, and their reward is certain. But where +sleepeth the Jew all may see and know; for on that awful mountain-side, +in a spot inaccessible to man, lieth the holy cross of snow. The winds +pass lightly over that solemn tomb, and never a sunbeam lingereth +there. White and majestic it lies where God's hands have placed it, +and its mighty arms stretch forth as in a benediction upon the fleeting +dust beneath. + +So shall it bide forever upon that mountain-side, and the memory of the +Jew and of all else human shall fade away and be forgotten in the +surpassing glory of the love and the compassion of him that bore the +redeeming burden to Calvary. + + + + +THE ROSE AND THE THRUSH + +There was none other in the quiet valley so happy as the +rose-tree,--none other so happy unless perchance it was the thrush who +made his home in the linden yonder. The thrush loved the rose-tree's +daughter, and he was happy in thinking that some day she would be his +bride. Now the rose-tree had many daughters, and each was beautiful; +but the rose whom the thrush loved was more beautiful than her sisters, +and all the wooers came wooing her until at last the fair creature's +head was turned, and the rose grew capricious and disdainful. Among +her many lovers were the south wind and the fairy Dewlove and the +little elf-prince Beambright and the hoptoad, whom all the rest called +Mr. Roughbrown. The hoptoad lived in the stone-wall several yards +away; but every morning and evening he made a journey to the rose-tree, +and there he would sit for hours gazing with tender longings at the +beautiful rose, and murmuring impassioned avowals. The rose's disdain +did not chill the hoptoad's ardor. "See what I have brought you, fair +rose," he would say. "A beautiful brown beetle with golden wings and +green eyes! Surely there is not in all the world a more delicious +morsel than a brown beetle! Or, if you but say the word, I will fetch +you a tender little fly, or a young gnat,--see, I am willing to undergo +all toils and dangers for your own sweet sake." + +Poor Mr. Roughbrown! His wooing was very hopeless. And all the time +he courted the imperious rose, who should be peeping at him from her +home in the hedge but as plump and as sleek a little Miss Dormouse as +ever you saw, and her eyes were full of envy. + +"If Mr. Roughbrown had any sense," she said to herself, "he would waste +no time on that vain and frivolous rose. He is far too good a catch +for _her_." + +The south wind was forever sighing and sobbing about. He lives, you +know, very many miles from here. His home is beyond a great sea; in +the midst of a vast desert there is an oasis, and it is among the +palm-trees and the flowers of this oasis that the south wind abides. +When spring calls from the North, "O south wind, where are you? Come +hither, my sunny friend!" the south wind leaps from his couch in the +far-off oasis, and hastens whither the spring-time calls. As he speeds +across the sea the mermaids seek to tangle him in their tresses, and +the waves try to twine their white arms about him; but he shakes them +off and laughingly flies upon his way. Wheresoever he goes he is +beloved. With their soft, solemn music the pine-trees seek to detain +him; the flowers of earth lift up their voices and cry, "Abide with us, +dear spirit,"--but to all he answers: "The spring-time calls me in the +North, and I must hasten whither she calls." But when the south wind +came to the rose-tree he would go no farther; he loved the rose, and he +lingered about her with singing and sighing and protestations. + +It was not until late in the evening that Dewlove and the elf-prince +appeared. Just as the moon rolled up in the horizon and poured a broad +streak of silver through the lake the three crickets went "Chirp-chirp, +chirp-chirp, chirp-chirp," and then out danced Dewlove and Beambright +from their hiding-places. The cunning little fairy lived under the +moss at the foot of the oak-tree; he was no bigger than a cambric +needle,--but he had two eyes, and in this respect he had quite the +advantage of the needle. As for the elf-prince, his home was in the +tiny, dark subterranean passage which the mole used to live in; he was +plump as a cupid, and his hair was long and curly, although if you +force me to it I must tell you that the elf-prince was really no larger +than your little finger,--so you will see that so far as physical +proportions were concerned Dewlove and Beambright were pretty well +matched. Merry, merry fellows they were, and I should certainly fail +most lamentably did I attempt to tell you how prettily they danced upon +the greensward of the meadowlands throughout the summer nights. +Sometimes the other fairies and elves joined them,--delicate little +lady fairies with gossamer wings, and chubby little lady elves clad in +filmy spider webs,--and they danced and danced and danced, while the +three crickets went "Chirp-chirp, chirp-chirp, chirp-chirp," all night +long. Now it was very strange--was it not?--that instead of loving one +of these delicate little lady fairies, or one of these chubby little +lady elves, both Dewlove and Beambright loved the rose. Yet, she was +indeed very beautiful. + +The thrush did not pester the rose with his protestations of love. He +was not a particularly proud fellow, but he thought too much of the +rose to vex her with his pleadings. But all day long he would perch in +the thicket and sing his songs as only a thrush can sing to the +beautiful rose he loves. He sung, we will say, of the forests he had +explored, of the famous river he had once seen, of the dew which the +rose loved, of the storm-king that slew the old pine and made his cones +into a crown,--he sung of a thousand things which we might not +understand, but which pleased the rose because she understood them. +And one day the thrush swooped down from the linden upon a monstrous +devil's darning-needle that came spinning along and poised himself to +stab the beautiful rose. Yes, like lightning the thrush swooped down +on this murderous monster, and he bit him in two, and I am glad of it, +and so are you if your heart be not wholly callous. + +"How comes it," said the rose-tree to the thrush that day,--"how comes +it that you do not woo my daughter? You have shown that you love her; +why not speak to her?" + +"No, I will wait," answered the thrush. "She has many wooers, and each +wooes her in his own way. Let me show her by my devotion that I am +worthy of her, and then perchance she will listen kindly to me when I +speak to her." + +The rose-tree thought very strange of this; in all her experience of +bringing out her fair daughters into society she had never before had +to deal with so curious a lover as the thrush. She made up her mind to +speak for him. + +"My daughter," said she to the rose, "the thrush loves you; of all your +wooers he is the most constant and the most amiable. I pray that you +will hear kindly to his suit." + +The rose laughed carelessly,--yes, merrily,--as if she heeded not the +heartache which her indifference might cause the honest thrush. + +"Mother," said the rose, "these suitors are pestering me beyond all +endurance. How can I have any patience with the south wind, who is +forever importuning me with his sentimental sighs and melancholy +wheezing? And as for that old hoptoad, Mr. Roughbrown,--why, it is a +husband I want, not a father!" + +"Prince Beambright pleases you, then?" asked the rose-tree. + +"He is a merry, capering fellow," said the daughter, "and so is his +friend Dewlove; but I do not fancy either. And as for the thrush who +sends you to speak for him,--why, he is quite out of the question, I +assure you. The truth is, mother, that I am to fill a higher station +than that of bride to any of these simple rustic folk. Am I not more +beautiful than any of my companions, and have I not ambitions above all +others of my kind?" + +"Whom have you seen that you talk so vain-gloriously?" cried the +rose-tree in alarm. "What flattery has instilled into you this fatal +poison?" + +"Have you not seen the poet who comes this way every morning?" asked +the rose. "His face is noble, and he sings grandly to the pictures +Nature spreads before his eyes. I should be his bride. Some day he +will see me; he will bear me away upon his bosom; he will indite to me +a poem that shall live forever!" + +These words the thrush heard, and his heart sank within him. If his +songs that day were not so blithe as usual it was because of the words +that the rose had spoken. Yet the thrush sang on, and his song was +full of his honest love. + +It was the next morning that the poet came that way. He lived in the +city, but each day he stole away from the noise and crowd of the city +to commune with himself and with Nature in the quiet valley where +bloomed the rose-tree, where the thrush sung, and where dwelt the fays +and the elves of whom it has been spoken. The sun shone fiercely; +withal the quiet valley was cool, and the poet bared his brow to the +breeze that swept down the quiet valley from the lake over yonder. + +"The south wind loves the rose! Aha, aha, foolish brother to love the +rose!" + +This was what the breeze said, and the poet heard it. Then his eyes +fell upon the rose-tree and upon her blooming daughters. + +"The hoptoad loves the rose! Foolish old Roughbrown to love the rose, +aha, aha!" + +There was a malicious squeakiness in this utterance,--of course it came +from that envious Miss Dormouse, who was forever peeping out of her +habitation in the hedge. + +"What a beautiful rose!" cried the poet, and leaping over the old +stone-wall he plucked the rose from the mother-tree,--yes, the poet +bore away this very rose who had hoped to be the poet's bride. + +Then the rose-tree wept bitterly, and so did her other daughters; the +south wind wailed, and the old hoptoad gave three croaks so dolorous +that if you had heard them you would have said that his heart was truly +broken. All were sad,--all but the envious dormouse, who chuckled +maliciously, and said it was no more than they deserved. + +The thrush saw the poet bearing the rose away, yet how could the +fluttering little creature hope to prevail against the cruel invader? +What could he do but twitter in anguish? So there are tragedies and +heartaches in lives that are not human. + +As the poet returned to the city he wore the rose upon his breast. The +rose was happy, for the poet spoke to her now and then, and praised her +loveliness, and she saw that her beauty had given him an inspiration. + +"The rose despised my brother! Aha, aha, foolish rose,--but she shall +wither!" + +It was the breeze that spake; far away from the lake in the quiet +valley its voice was very low, but the rose heard and trembled. + +"It's a lie," cried the rose. "I shall not die. The poet loves me, +and I shall live forever upon his bosom." + +Yet a singular faintness--a faintness never felt before--came upon the +rose; she bent her head and sighed. The heat--that was all--was very +oppressive, and here at the entrance to the city the tumult aroused an +aggravating dust. The poet seemed suddenly to forget the rose. A +carriage was approaching, and from the carriage leaned a lady, who +beckoned to the poet. The lady was very fair, and the poet hastened to +answer her call. And as he hastened the rose fell from his bosom into +the hot highway, and the poet paid no heed. Ascending into the +carriage with the lady (I am sure she must have been a princess!) the +poet was whirled away, and there in the stifling dust lay the fainting +rose, all stained and dying. + +The sparrows flew down and pecked at her inquisitively; the cruel +wagons crushed her beneath their iron wheels; careless feet buffeted +her hither and thither. She was no longer a beautiful rose; no, nor +even a reminiscence of one,--simply a colorless, scentless, ill-shapen +mass. + +But all at once she heard a familiar voice, and then she saw familiar +eyes. The voice was tender and the eyes were kindly. + +"O honest thrush," cried the rose, "is it you who have come to reproach +me for my folly?" + +"No, no, dear rose," said the thrush, "how should I speak ill to you? +Come, rest your poor head upon my breast, and let me bear you home." + +"Let me rather die here," sighed the rose, "for it was here that my +folly brought me. How could I go back with you whom I never so much as +smiled upon? And do they not hate and deride me in the valley? I +would rather die here in misery than there in shame!" + +"Poor, broken flower, they love you," urged the thrush. "They grieve +for you; let me bear you back where the mother-tree will shade you, and +where the south wind will nurse you--for--for he loves you." + +So the thrush bore back the withering rose to her home in the quiet +valley. + +"So she has come back, has she?" sneered the dormouse. "Well, she has +impudence, if nothing else!" + +"She was pretty once," said the old hoptoad; "but she lost her +opportunity when I made up my mind to go wooing a certain glossy damsel +in the hedge." + +The rose-tree reached out her motherly arms to welcome her dying +daughter, and she said: "Rest here, dear one, and let me rock you to +repose." + +It was evening in the quiet valley now. Where was the south wind that +he came not with his wooing? He had flown to the North, for that day +he had heard the spring-time's voice a-calling, and he went in answer +to its summons. Everything was still. "Chirp-chirp, chirp-chirp, +chirp-chirp," piped the three crickets, and forthwith the fairy boy and +the elf-prince danced from their habitations. Their little feet +tinkled over the clover and the daisies. + +"Hush, little folk," cried the rose-tree. "Do not dance to-night,--the +rose is dying." + +But they danced on. The rose did not hear them; she heard only the +voice of the thrush, who perched in the linden yonder, and, with a +breaking heart, sung to the dying flower. + + + + +THE PAGAN SEAL-WIFE[1] + +It is to tell of Harold, the son of Egbert, the son of Ib; comely was +he to look upon, and a braver than he lived not in these islands, nor +one more beloved of all people. But it chanced upon a time, while he +was still in early manhood, that a grievous sorrow befell him; for on a +day his mother Eleanor came to her end in this full evil wise. It was +her intent to go unto the neighboring island, where grazed the goats +and the kine, and it fortuned that, as she made her way thither in the +boat, she heard sweet music, as if one played upon a harp in the +waters, and, looking over the side of the boat, she beheld down in the +waters a sea-maiden making those exceeding pleasant sounds. And the +sea-maiden ceased to play, and smiled up at Eleanor, and stretched up +her hands and besought Eleanor to pluck her from the sea into the boat, +which seeking to do, Eleanor fell headlong into the waters, and was +never thereafter seen either alive or dead by any of her kin. Now +under this passing heavy grief Egbert, the son of Ib, being old and +spent by toil, brake down, and on a night died, making with his latest +breath most heavy lamentation for Eleanor, his wife; so died he, and +his soul sped, as they tell, to that far northern land where the souls +of the departed make merry all the night, which merriment sendeth forth +so vast and so beautiful a light that all the heavens are illumined +thereby. But Harold, the son of Egbert and of Eleanor, was left alone, +having neither brother, nor sister, nor any of kin, save an uncle +abiding many leagues distant in Jutland. Thereupon befell a wonderful +thing; if it had not happened it would not be told. It chanced that, +on a certain evening in the summer-time, Harold walked alone where a +Druid circle lay coiled like a dark serpent on a hillside; his heart +was filled with dolor, for he thought continually of Eleanor, his +mother, and he wept softly to himself through love of that dear mother. +While thus he walked in vast heaviness of soul, he was beheld of +Membril, the fairy that with her goodly subjects dwelt in the ruin of +the Pict's house hard by the Druid circle. And Membril had compassion +upon Harold, and upon the exceeding fine down of a tiny sea-bird she +rode out to meet him, and it was before his eyes as if a star shined +out of a mist in his pathway. So it was that Membril the fairy made +herself known to him, and having so done, she said and she sung: + + I am Membril, queen of Fay, + That would charm thy grief away! + Thou art like the little bark + Drifting in the cold and dark,-- + Drifting through the tempest's roar + To a rocky, icy shore; + All the torment dost thou feel + Of the spent and fearful seal + Wounded by the hunter's steel. + I am Membril,--hark to me: + Better times await on thee! + Wouldst thou clasp thy mother dear,-- + Strange things see and stranger hear? + Straight betake thee to thy boat + And to yonder haven float,-- + Go thy way, and silent be,-- + It is Membril counsels thee; + Go thy way, and thou shalt see! + + +Great marvel had Harold to this thing; nevertheless he did the bidding +of Membril the fairy, and it was full wisely done. And presently he +came to where his boat lay, half on the shore and half in the waters, +and he unloosed the thong that held it, and entered into the boat; but +he put neither hand to the oars thereof, for he was intent to do the +bidding of Membril the fairy. Then as if of its own accord, or as if +the kindly waves themselves bore it along, the boat moved upon the +waters and turned toward the yonder haven whereof it was said and sung. +Fair shone the moon, and the night was passing fair; the shadows fell +from the hilltops in their sleep and lay, as they had been little weary +children, in the valleys and upon the shore, and they were rocked in +the cradles of those valleys, and the waters along the shore sung +softly to them. Upon the one side lay the island where grazed the +goats and the kine, and upon the other side lay the island where Harold +and other people abode; between these islands crept the sea with its +gentle murmurings, and upon this sea drifted the boat bearing Harold to +the yonder haven. Now the haven whereunto the course lay brooded +almost beneath the shadow of the Stennis stones, and the waters thereof +were dark, as if, forsooth, the sea frowned whensoever it saw those +bloody stones peering down into its tranquil bosom. And some said that +the place was haunted, and that upon each seventh night came thereunto +the spirits of them that had been slain upon those stones, and waved +their ghostly arms and wailed grievously; but of latter times none +believeth this thing to be true. + +It befell that, coming into the haven and bearing toward the shore +thereof, Harold was 'ware of sweet music, and presently he saw figures +as of men and women dancing upon the holm; but neither could he see who +these people were, nor could he tell wherefrom the music came. But +such fair music never had he heard before, and with great marvel he +came from the boat into the cluster of beech-trees that stood between +the haven and that holm where the people danced. Then of a sudden +Harold saw twelve skins lying upon the shore in the moonlight; and they +were the comeliest and most precious sealskins that ever he saw, and he +coveted them. So presently he took up one of the sealskins and bore it +with him into his boat, and pushed the boat from the shore into the +waters of the haven again, and, so doing, there was such plashing of +the waters that those people dancing upon the fair green holm became +'ware of Harold's presence, and were afeared, so that, ceasing from +their sport, they made haste down to the shore and did on the skins and +dived into the waters with shrill cries. But there was one of them +that could not do so, because Harold bore off that skin wherewith she +was wont to begird herself, and when she found it not she wailed and +wept and besought Harold to give her that skin again,--and, lo! it was +Eleanor, the wife of Egbert! Now when Harold saw that it was his +mother that so entreated him he was filled with wonder, and he drew +nearer the shore to regard her and to hear her words, for he loved her +passing well. But he denied her that skin, knowing full well that so +soon as she possessed it she would leave him and he should never again +behold her. Then Eleanor related to him how that she had been drowned +in the sea through treachery of the harp-maiden, and how that the souls +of drowned people entered into the bodies of seals, nor were permitted +to return to earth, save only one night in every month, at which time +each recovered his human shape and was suffered to dance in the +moonlight upon the fair green holm from the hour of sunset unto the +hour of sunrise. + +"Give me the skin, I pray thee," she cried, "for if the sun came upon +me unawares I should crumble into dust before thine eyes, and that +moment would a curse fall upon you. I am happy as I am; the sea and +those who dwell therein are good to me,--give me the skin, I beseech +thee, that I may return whence I came, and thereby shall a great +blessing accrue to thee and thine." + +But Harold said: "Nay, mother, I were a fool to part so cheerfully with +one whom I love dearer than life itself! I shall not let you go so +easily; you shall come with me to our home, where I have lived alone +too long already. I shall be alone no longer,--come with me, I say, +for I will not deliver up this skin, nor shall any force wrest it from +me!" + +Then Eleanor, his mother, reasoned a space with him, and anon she +showed him the folly of his way; but still he hung his head upon his +breast and was loath to do her bidding, until at last she sware unto +him that if he gave to her that skin he should, upon the next dancing +night, have to wife the most beautiful maiden in the world, and +therefore should be alone in the world no more. To this presently +Harold gave assent, and then Eleanor, his mother, bade him come to that +same spot one month hence, and do what she should then bid him do. +Receiving, therefore, the skin from him, she folded it about her and +threw herself into the sea, and Harold betook himself unto his home. + +Now wit ye well that full wearily dragged the days and the nights until +that month was spent; but now at last it was the month of August, and +upon the night of the seventh day thereof ended the season of waiting. +It is to tell that upon that night came Harold, the son of Egbert, from +his hut, and stood on the threshold thereof, and awaited the rising of +the moon from out the silver waters yonder. While thus he stood there +appeared unto him Membril the fairy, and smiling upon him she said and +she sung:-- + + I am Membril, queen of Fay, + Come to urge thee on thy way; + Haste to yonder haven-side + Where awaits thy promised bride; + Daughter of a king is she,-- + Many leagues she comes to thee, + Thine and only thine to be. + Haste and see, then come again + To thy pretty home, and, when + Smiles the sun on earth once more, + Will come knocking at thy door; + Open then, and to thy breast + Clasp whom thou shalt love the best! + It is Membril counsels thee,-- + Haste and see what thou shalt see! + + +Now by this thing was Harold mightily rejoiced, and he believed it to +be truth that great good was in store for him; for he had seen pleasant +things in the candle a many nights, and the smoke from his fire blew +cheerily and lightly to the westward, and a swan had circled over his +house that day week, and in his net each day for twice seven days had +he drawn from the sea a fish having one golden eye and one silver eye: +which things, as all men know, portend full goodly things, or else they +portend nothing at all whatsoever. So, being pleasantly minded, Harold +returned in kind unto Membril, the fairy queen, that bespoke him so +courteously, and to her and to them that bore her company he said and +he sung:-- + + Welcome, bonnie queen of Fay! + For thou speakest pleasing words; + Thou shalt have a gill of whey + And a thimblefull of curds; + In this rose is honey-dew + That a bee hath brought for you! + + Welcome, bonnie queen of Fay! + Call thy sisters from the gloam, + And, whilst I am on my way, + Feast and frolic in my home,-- + Kiss the moonbeams, blanching white, + Shrinking, shivering with affright! + + Welcome, all, and have no fear,-- + There is flax upon the sill, + No foul sprite can enter here,-- + Feast and frolic as you will; + Feast and frisk till break of day,-- + Welcome, little folk of Fay! + + +Thus having said and thus having sung, Harold went upon his way, and +came to his boat and entered into it and journeyed to the haven where +some time he had seen and discoursed with Eleanor, his mother. His +course to this same haven lay, as before, over the waters that stole in +between the two islands from the great sea beyond. Fair shone the +moon, and the night was passing fair; the shadows rolled from the +hilltops in their sleep and lay like little weary children in the +valleys and upon the shore, and they were rocked in the cradles of +those valleys, and the waters along the shore sung softly to them. +Upon this hand lay the island where the goats and the kine found sweet +pasturage, and upon the other hand stretched the island where people +abode, and where the bloody Stennis stones rebuked the smiling sky, and +where ghosts walked and wailed and waved their white arms in the +shadows of those haunted ruins where once upon a time the Picts had +dwelt. And Harold's heart was full of joy, the more in especial when, +as he bore nigh unto the haven, he heard sweet music and beheld a +goodly company of people that danced in the moonlight upon the fair +green holm. Then, when presently his boat touched the inner shore of +the haven, and he departed therefrom and drew the boat upon the shore, +he saw wherefrom issued the beautiful music to which the people danced; +he saw that the waters reached out their white fingers and touched the +kale and the fair pebbles and the brittle shells and the moss upon the +beach, and these things gave forth sweet sounds, which were as if a +thousand attuned harps vied with the singing of the summer-night winds. +Then, as before, Harold saw sealskins lying upon the shore, and +presently came Eleanor, his mother, and pointing to a certain fair +velvet skin, she said: "Take that fair velvet skin into thy boat and +speed with all haste to thy home. To-morrow at sunrise thy bride shall +come knocking at thy door. And so, farewell, my son,--oh, Harold, my +only son!" Which saying, Eleanor, the wife of Egbert, drew a skin +about her and leapt into the sea; nor was she ever thereafter beholden +of human eyes. + +Then Harold took up the fair velvet skin to which his mother had +directed him, and he bore it away with him in his boat. So softly went +he upon the waters that none of them that danced upon the fair green +holm either saw or heard him. Still danced they on to the sweet music +made by the white fingers of the waves, and still shone the white moon +upon the fair green holm where they so danced. + +Now when came Harold to his home, bearing the precious skin with him, +he saw the fairies at play upon the floor of his hut, and they feared +no evil, for there was barley strewn upon the sill so that no wicked +sprite could enter there. And when Membril, the fairy queen, saw him +bringing the skin that he had found upon the shore, she bade him good +welcome, and she said and she sung:-- + + I am Membril, queen of Fay,-- + Ponder well what words I say; + Hide that fair and velvet skin + Some secluded spot within; + In the tree where ravens croak,-- + In the hollow of the oak, + In the cave with mosses lined, + In the earth where none may find; + Hide it quick and hide it deep,-- + So secure shall be thy sleep, + Thine shall bride and blessings be, + Thine a fair posterity,-- + So doth Membril counsel thee! + + +So, pondering upon this counsel and thinking well of it, Harold took +the fair velvet skin and hid it, and none knew where it was hid,--none +save only the raven that lived in the hollow oak. And when he had so +done he returned unto his home and lay upon his bed and slept. It came +to pass that early upon the morrow, when the sun made all the eastward +sky blush for the exceeding ardor of his morning kiss, there came a +knocking at the door of Harold's hut, and Harold opened the door, and +lo! there stood upon the threshold the fairest maiden that eyes ever +beheld. Unlike was she to maidens dwelling in those islands, for her +hair was black as the waters of the long winter night, and her eyes +were as the twin midnight rocks that look up from the white waves of +the moonlit sea in yonder reef; withal was she most beautiful to look +upon, and her voice was as music that stealeth to one over pleasant +waters. + +The maiden's name was Persis, and she was the daughter of a Pagan king +that ruled in a country many, many--oh, many leagues to the southward +of these islands, in a country where unicorns and dragons be, and where +dwelleth the phoenix and hippogriffins and the cockatrix, and where +bloometh a tree that runneth blood, and where mighty princes do +wondrous things. Now it fortuned that the king was minded to wed his +daughter Persis unto a neighboring prince, a high and mighty prince, +but one whom Persis loved not, neither could she love. So for the +first time Persis said, "Nay, I will not," unto her father's mandate, +whereat the king was passing wroth, and he put his daughter in a place +that was like a jail to her, for it was where none might see her, and +where she might see none,--none but those that attended upon her. This +much told Persis, the Pagan princess, unto Harold, and then, +furthermore, she said: "The place wherein I was put by the king, my +father, was hard by the sea, and oftentimes I went thereon in my little +boat, and once, looking down from that boat into the sea, I saw the +face of a fair young man within a magic mirror that was held up in the +waters of the sea by two ghostly hands, and the fair young man moved +his lips and smiled at me, and methought I heard him say: 'Come, be my +bride, O fair and gentle Persis!' But, vastly afeared, I cried out and +put back again to shore. Yet in my dreams I saw that face and heard +that voice, nor could I find any rest until I came upon the sea again +in hope to see the face and hear the voice once more. Then, that +second time, as I looked into the sea, another face came up from below +and lifted above the waters, and a woman's voice spake thus to me: 'I +am mother of him that loveth thee and whom thou lovest; his face hast +thou seen in the mirror, and of thee I have spoken to him; come, let me +bear thee as a bride to him!' And in that moment a faintness came upon +me and I fell into her arms, and so was I drowned (as men say), and so +was I a seal a little space until last dancing night, when, lo! some +one brought me to life again, and one that said her name was Membril +showed me the way unto thy door. And now I look upon thy face in +truth, and thou art he who shall have me to his wife, for thou art he +whose face I saw within the mirror which the ghostly hands bore up to +me that day upon the sea!" + +Great then was Harold's joy, and he folded her in his arms, and he +spake sweet words to her, and she was content. So they were wed that +very day, and there came to do them honor all the folk upon these +islands: Dougal and Tam and Ib and Robbie and Nels and Gram and Rupert +and Rolf and many others and all their kin, and they made merry, and it +was well. And never spake the Pagan princess of that soft velvet skin +which Harold had hid away,--never spake she of it to him or to any +other one. + +It is to tell that to Harold and to Persis were born these children, +and in this order: Egbert and Ib (that was nicknamed the Strong) and +Harold and Joan and Tam and Annie and Rupert the Fair and Flocken and +Elsa and Albert and Theodoric,--these eleven children were born unto +them in good time; and right fair children were they to see, comely and +stout, yet sweetly minded withal. And prosperous times continually +befell Harold; his herds multiplied, and the fish came into his nets, +so that presently there was none other richer than he in all that +country, and he did great good with his riches, for he had compassion +to the poor. So Harold was beloved of all, and all spake full fairly +of his wife,--how that she cared for his little ones, and kept the +house, and did deeds of sweet charity among the needy and +distressed,--ay, so was Persis, the wife of Harold, beloved of all, and +by none other more than by Harold, who was wont to say that Persis had +brought him all he loved best: his children, his fortune, his +happiness, and, best of all, herself. So now they were wed twice seven +years, and in that time was Persis still as young and fair to look upon +as when she came to Harold's door for the first time and knocked. This +I account to be a marvel, but still more a marvel was it that in all +these years spake she never a word of that soft velvet skin which +Harold took and hid,--never a word to him nor to any one else. But the +soft velvet skin lay meanwhile in the hollow of the oak, and in the +branches of that tree perched a raven that croaked and croaked and +croaked. + +Now it befell upon a time that a ship touched at that island, and there +came therefrom men that knelt down upon the shore and made strange +prayers to a strange God, and forthwith uplifted in that island a +symbol of wood in the similitude of a cross. Straightway went Harold +with the rest to know the cause thereof, being fearful lest for this +impiety their own gods, whom they served diligently, should send hail +and fire upon them and their herds. But those that had come in the +ship spake gently with them and showed themselves to be peaceful folk +whose God delighted not in wars, but rather in gentleness and love. +How it was, I, knowing not, cannot say, but presently the cause of that +new God, whose law was gentleness and love, waxed mightily, and the +people came from all around to kiss that cross and worship it. And +among them came Harold, for in his heart had dawned the light of a new +wisdom, and he knew the truth as we know it, you and I. So Harold was +baptized in the Christian faith, he and his children; but Persis, his +wife, was not baptized, for she was the daughter of a Pagan king, and +she feared to bring evil upon those she loved by doing any blasphemous +thing. Right sorely grieved was Harold because of this, and oftentimes +he spake with her thereof, and oftentimes he prayed unto his God and +ours to incline her mind toward the cross, which saveth all alike. But +Persis would say: "My best beloved, let me not do this thing in haste, +for I fear to vex thy God since I am a Pagan and the daughter of a +Pagan king, and therefore have not within me the light that there is in +thee and thy kind. Perchance (since thy God is good and gracious) the +light will come to me anon, and shine before mine eyes as it shineth +before thine. I pray thee, let me bide my time." So spake Persis, and +her life ever thereafter was kind and charitable, as, soothly, it had +ever before been, and she served Harold, her husband, well, and she was +beloved of all, and a great sweetness came to all out of her daily life. + +It fortuned, upon a day whilst Harold was from home, there was knocking +at the door of their house, and forthwith the door opened and there +stood in the midst of them one clad all in black and of rueful +countenance. Then, as if she foresaw evil, Persis called unto her +little ones and stood between them and that one all in black, and she +demanded of him his name and will. "I am the Death-Angel," quoth he, +"and I come for the best-beloved of thy lambs!" + +Now Theodoric was that best-beloved; for he was her very little one, +and had always slept upon her bosom. So when she heard those words she +made a great outcry, and wrestled with the Death-Angel, and sought to +stay him in his purpose. But the Death-Angel chilled her with his +breath, and overcame her, and prevailed against her; and he reached +into the midst of them and took Theodoric in his arms and folded him +upon his breast, and Theodoric fell asleep there, and his head dropped +upon the Death-Angel's shoulder. But in her battle for the child, +Persis catched at the chain about the child's neck, and the chain brake +and remained in her hand, and upon the chain was the little cross of +fair alabaster which an holy man had put there when Theodoric was +baptized. So the Death-Angel went his way with that best-beloved lamb, +and Persis fell upon her face and wailed. + +The years went on and all was well upon these islands. Egbert became a +mighty fisherman, and Ib (that was nicknamed the Strong) wrought +wondrous things in Norroway, as all men know; Joan was wed to Cuthbert +the Dane, and Flocken was wooed of a rich man's son of Scotland. So +were all things for good and for the best, and it was a marvel to all +that Persis, the wife of Harold, looked still to be as young and +beautiful as when she came from the sea to be her husband's bride. Her +life was full of gentleness and charity, and all folk blessed her. But +never in all these years spake she aught to any one of the fair velvet +skin; and through all the years that skin lay hid in the hollow of the +oak-tree, where the raven croaked and croaked and croaked. + +At last upon a time a malady fell upon Persis, and a strange light came +into her eyes, and naught they did was of avail to her. One day she +called Harold to her, and said: "My beloved, the time draweth near when +we twain must part. I pray thee, send for the holy man, for I would +fain be baptized in thy faith and in the faith of our children." So +Harold fetched the holy man, and Persis, the daughter of the Pagan +king, was baptized, and she spake freely and full sweetly of her love +to Jesus Christ, her Saviour, and she prayed to be taken into his rest. +And when she was baptized, there was given to her the name of Ruth, +which was most fairly done, I trow, for soothly she had been the friend +of all. + +Then, when the holy man was gone, she said to her husband: "Beloved, I +beseech thee go to yonder oak-tree, and bring me from the hollow +thereof the fair velvet skin that hath lain therein so many years." + +Then Harold marvelled, and he cried: "Who told thee that the fair +velvet skin was hidden there?" + +"The raven told me all," she answered; "and had I been so minded I +might have left thee long ago,--thee and our little ones. But I loved +thee and them, and the fair velvet skin hath been unseen of me." + +"And wouldst thou leave us now?" he cried. "Nay, it shall not be! +Thou shalt not see that fair velvet skin, for this very day will I cast +it into the sea!" + +But she put an arm about his neck and said: "This night, dear one, we +part; but whether we shall presently be joined together in another life +I know not, neither canst thou say; for I, having been a Pagan and the +daughter of a Pagan king, may by my birth and custom have so grievously +offended our true God that even in his compassion and mercy he shall +not find pardon for me. Therefore I would have thee fetch--since I +shall die this night and do require of thee this last act of +kindness--I would have thee fetch that same fair velvet skin from +yonder oak-tree, and wrap me therein, and bear me hence, and lay me +upon the green holm by the farther haven, for this is dancing night, +and the seal-folk shall come from the sea as is their wont. Thou shalt +lay me, so wrapped within that fair velvet skin, upon that holm, and +thou shalt go a space aside and watch throughout the night, coming not +anear me (as thou lovest me!) until the dawn breaks, nor shalt thou +make any outcry, but thou shalt wait until the night is sped. Then, +when thou comest at daybreak to the holm, if thou findest me in the +fair velvet skin thou shalt know that my sin hath been pardoned; but if +I be not there thou may'st know that, being a Pagan, the seal-folk have +borne me back into the sea unto my kind. Thus do I require of thee; +swear so to do, and let thy beloved bless thee." + +So Harold swore to do, and so he did. Straightway he went to the +oak-tree and took from the hollow thereof the fair velvet skin; seeing +which deed, the raven flew away and was never thereafter seen in these +islands. And with a heavy heart, and with full many a caress and word +of love, did Harold bind his fair wife in that same velvet skin, and he +bore her to his boat, and they went together upon the waters; for he +had sworn so to do. His course unto the haven lay as before over the +waters that stole in between the two islands from the great troubled +sea beyond. Fair shone the moon, and the night was passing fair; the +shadows lay asleep, like little weary children, in the valleys, and the +waters moaned, and the winds rebuked the white fingers that stretched +up from the waves to clutch them. And when they were come to the inner +shore of the haven, Harold took his wife and bore her up the bank and +laid her where the light came down from the moon and slept full sweetly +upon the fragrant sward. Then, kissing her, he went his way and sat +behind the Stennis stones a goodly space beyond, and there he kept his +watch, as he had sworn to do. + +Now wit ye well a grievous heavy watch it was that night, for his heart +yearned for that beloved wife that lay that while upon the fair green +holm,--ay, never before had night seemed so long to Harold as did that +dancing night when he waited for the seal-folk to come where the +some-time Pagan princess lay wrapped in the fair velvet skin. But +while he watched and waited, Membril, the fairy queen, came and brought +others of her kind with her, and they made a circle about Harold, and +threw around him such a charm that no evil could befall him from the +ghosts and ghouls that in their shrouds walked among those bloody +stones and wailed wofully and waved their white arms. For Membril, +coming to Harold in the similitude of a glow-worm, made herself known +to him, and she said and she sung: + + Loving heart, be calm a space + In this gloomy vigil place; + Though these confines haunted be + Naught of harm can come to thee-- + Nothing canst thou see or hear + Of the ghosts that stalk anear, + For around thee Membril flings + Charms of Fay and fairy rings. + + +Nothing daunted was Harold by thoughts of evil monsters, and naught +recked he of the uncanny dangers of that haunted place; but he +addressed these words to Membril and her host, and he said and he sung: + + Tell me if thy piercing eyes + See the inner haven shore. + There my Own Beloved lies, + With the cowslips bending o'er: + Speed, O gentle folk of Fay! + And in guise of cowslips say + I shall love my love for aye! + + +Even so did Membril and the rest; and presently they returned, and they +brought these words unto Harold, saying and singing them:-- + + We as cowslips in that place + Clustered round thy dear one's face, + And we whispered to her there + Those same words we went to bear; + And she smiled and bade us then + Bear these words to thee again: + "Die we shall, and part we may,-- + Love is love and lives for aye!" + + +Then of a sudden there was a tumult upon the waters, as if the waters +were troubled, and there came up out of the waters a host of seals that +made their way to the shore and cast aside their skins and came forth +in the forms of men and of women, for they were the drowned folk that +were come, as was their wont, to dance in the moonlight upon the fair +green holm. At that moment the waters stretched out their white +fingers and struck the kale and the pebbles and the soft moss upon the +beach, for they sought to make music for the seal-folk to dance +thereby; but the music that was made was not merry nor gleeful, but was +passing gruesome and mournful. And presently the seal-folk came where +lay the wife of Harold wrapped in the fair velvet skin, and they knew +her of old, and they called her by what name she was known to them, +"Persis! Persis!" over and over again, and there was great wailing +among the seal-folk for a mighty space; and the seal-folk danced never +at all that night, but wailed about the wife of Harold, and called +"Persis! Persis!" over and over again, and made great moan. And at +last all was still once more, for the seal-folk, weeping and clamoring +grievously, went back into the sea, and the sea sobbed itself to sleep. + +Mindful of the oath he swore, Harold dared not go down to that shore, +but he besought Membril, the queen of Fay, to fetch him tidings from +his beloved, whether she still lay upon the holm, or whether the +seal-folk had borne her away with them into the waters of the deep. +But Membril might not go, nor any of her host, for already the dawn was +in the east and the kine were lowing on yonder slope. So Harold was +left alone a tedious time, until the sun looked upon the earth, and +then, with clamoring heart, Harold came from the Stennis stones and +leapt downward to the holm where his beloved had lain that weary while. +Then he saw that the fair velvet skin was still there, and presently he +saw that within the skin his beloved still reposed. He called to her, +but she made no answer; with exceeding haste he kneeled down and did +off the fair velvet skin, and folded his beloved to his breast. The +sun shone full upon her glorious face and kissed away the dew that +clung to her white cheeks. + +"Thou art redeemed, O my beloved!" cried Harold; but her lips spake +not, and her eyes opened not upon him. Yet on the dead wife's face was +such a smile as angels wear, and it told him that they should meet +again in a love that knoweth no fear of parting. And as Harold held +her to his bosom and wailed, there fell down from her hand what she had +kept with her to the last, and it lay upon the fair green holm,--the +little alabaster cross which she had snatched from Theodoric's neck +that day the Death-Angel bore the child away. + +It was to tell of Harold, the son of Egbert, the son of Ib, and of +Persis, his wife, daughter of the Pagan king; and it hath been told. +And there is no more to tell, for the tale is ended. + + + +[1] Orkney Folk-Lore. + + + + +FLAIL, TRASK, AND BISLAND + +My quondam friends, Flail, Trask, and Bisland, are no more; they are +dead, and with them has gone out of existence as gross an imposition as +the moral cowardice of man were capable of inventing, constructing, and +practising. + +When Alice became my wife she knew that I was a lover and collector of +books, but, being a young thing, she had no idea of the monstrous +proportions which bibliomania, unchecked, is almost certain to acquire. +Indeed, the dear girl innocently and rapturously encouraged this +insidious vice. "Some time," she used to say, "we shall have a house +of our own, and then your library shall cover the whole top-floor, and +the book-cases shall be built in the walls, and there shall be a lovely +blue-glass sky-light," etc. Moreover, although she could not tell the +difference between an Elzevir and a Pickering, or between a folio and +an octavo, Alice was very proud of our little library, and I recall now +with real delight the times I used to hear her showing off those +precious books to her lady callers. Alice made up for certain +inaccuracies of information with a distinct enthusiasm and garrulity +that never failed to impress her callers deeply. I was mighty proud of +Alice; I was prepared to say, paraphrasing Sam Johnson's remark about +the Scotchman, "A wife can be made much of, if caught young." + +It was not until after little Grolier and little Richard de Bury were +born to us that Alice's regard for my pretty library seemed to abate. +I then began to realize the truth of what my bachelor friend Kinzie had +often declared,--namely, that the chief objection to children was that +they weaned the collector from his love of books. Grolier was a +mischievous boy, and I had hard work trying to convince his mother that +he should by no means be allowed to have his sweet but destructive will +with my Bewicks and Bedfords. Thumb and finger marks look well enough +in certain places, but I protested that they did not enhance the quaint +beauty of an old wood-cut, a delicate binding, or a wide margin. And +Richard de Bury--a lovely little 16mo of a child--was almost as +destructive as his older brother. The most painful feature of it all +to me then was that their mother actually protected the toddling knaves +in their vandalism. I never saw another woman change so as Alice did +after those two boys came to us. Why, she even suggested to me one day +that when we did build our new house we should devote the upper story +thereof not to library but to nursery purposes! + +Things gradually got to the pass that I began to be afraid to bring +books into the house. At first Alice used to reproach me indirectly by +eying the new book jealously, and hinting in a subtle, womanly way that +Grolier needed new shoes, or that Richard was sadly in need of a new +cap. Presently, encouraged by my lamb-like reticence, Alice began to +complain gently of what she termed my extravagance, and finally she +fell into the pernicious practice of berating me roundly for neglecting +my family for the selfish--yes, the cruel--gratification of a foolish +fad, and then she would weep and gather up the two boys and wonder how +soon we should all be in the poorhouse. + +I have spoken of my bachelor friend, Kinzie; there was a philosopher +for you, and his philosophy was all the sweeter because it had never +been embittered by marital experience. I had confidence in Kinzie, and +I told him all about the dilemma I was in. He pitied me and condoled +with me, for he was a sympathetic man, and he was, too, as consistent a +bibliomaniac as I ever met with. "Be of good cheer," said he, "we +shall find a way out of all this trouble." And he suggested a way. I +seized upon it as the proverbial drowning man is supposed to clutch at +the proverbial straw. + +The next time I took a bundle of books home I marched into the house +boldly with them. Alice fetched a deep sigh. "Ah, been buying more +books, have you?" she asked in a despairing tone. + +"No, indeed," I answered triumphantly, "they were given to me,--a +present from judge Trask. I'm in great luck, ain't I?" + +Alice was almost as pleased as I was. The interest with which she +inspected the lovely volumes was not feigned. "But who is Judge +Trask?" she asked, as she read the autographic lines upon a flyleaf in +each book. I explained glibly that the judge was a wealthy and +cultured citizen who felt somewhat under obligation to me for certain +little services I had rendered him one time and another. I was not to +be trapped or cornered. I had learned my sinful lesson perfectly. +Alice never so much as suspected me of evil. + +The scheme worked so well that I pursued it with more or less +diligence. I should say that about twice a week on an average a bundle +of books came to the house "with the compliments" of either Judge Trask +or Colonel Flail or Mr. Bisland. You can understand that I could not +hope to play the Trask deception exclusively and successfully. I +invented Colonel Flail and Mr. Bisland, and I contrived to render them +quite as liberal in their patronage as the mythical Judge Trask +himself. Occasionally a donation came in, by way of variety, from +Smeaton and Holbrook and Caswell and other solitary creations of my +mendacious imagination, when I used to blind poor dear Alice to the +hideous truth. Touching myself, I gave it out that I had abandoned +book-buying, was convinced of the folly of the mania, had reformed, and +was repentant. Alice loved me all the better for that, and she became +once more the sweetest, most amiable little woman in all the world. +She was inexpressibly happy in the fond delusion that I had become +prudent and thrifty, and was putting money in bank for that home we +were going to buy--sometime. + +Meanwhile the names of Flail, Trask, and Bisland became household words +with us. Occasionally Smeaton and Holbrook and Caswell were mentioned +gratefully as some fair volume bearing their autograph was inspected; +but, after all, Flail, Trask, and Bisland were the favorites, for it +was from them that most of my beloved books came. Yes, Alice gradually +grew to love those three myths; she loved them because they were good +to me. + +Alice had, like most others of her sex, a strong sense of duty. She +determined to do something for my noble friends, and finally she +planned a lovely little dinner whereat Judge Trask and Colonel Flail +and Mr. Bisland were to be regaled with choicest viands of Alice's +choice larder and with the sweetest speeches of Alice's graceful heart. +I was authorized only to convey the invitations to this delectable +banquet, and here was a pretty plight for a man to be in, surely +enough! But my bachelor friend Kinzie (ough, the Mephisto!) helped me +out. I reported back to Alice that Judge Trask was out of town, that +Colonel Flail was sick abed with grip, and that Mr. Bisland was +altogether too shy a man to think of venturing out to a dinner alone. +Alice was dreadfully disappointed. Still there was consolation in +feeling that she had done her duty in trying to do it. + +Well, this system of deception and perjury went on a long time, Alice +never suspecting any evil, but perfectly happy in my supposed reform +and economy, and in the gracious liberality of those three +Maecenas-like friends, Flail, Trask, and Bisland, who kept pouring in +rare and beauteous old tomes upon me. She was joyous, too, in the +prospect of that new house which we would soon be able to build, now +that I had so long quit the old ruinous mania for book-buying! And +I--wretch that I was--I humored her in this conceit; I heaped perjury +upon perjury; lying and deception had become my second nature. Yet I +loathed myself and I hated those books; they reproached me every time I +came into their presence. So I was miserable and helpless; how hard it +is to turn about when one once gets into the downward path! The shifts +I was put to, and the desperate devices which I was forced to +employ,--I shudder to recall them! Life became a constant, terrifying +lie. + +Thank Heaven, it is over now, and my face is turned the right way. A +third little son was born to us. Alice was, oh! so very ill. When she +was convalescing she said to me one day: "Hiram, I have been thinking +it all over, and I've made up my mind that we must name the baby Trask +Flail Bisland, after our three good friends." + +I did n't make any answer, went out into the hall, and communed awhile +with my own hideous, tormented self. How my soul revolted against the +prospect of giving to that innocent babe a name that would serve simply +to scourge me through the rest of my wicked life! No, I could not +consent to that. I would be a coward no longer! + +I went back into Alice's room, and sat upon the bed beside her, and +took one of Alice's dear little white hands in mine, and told her +everything, told Alice the whole truth,--all about my wickedness and +perjuries and deceptions; told her what a selfish, cruel monster I had +been; dispelled all the sinful delusion about Flail, Trask, and +Bisland; threw myself, penitent and hopeless, upon my deceived, +outraged little wife's mercy. Was it a mean advantage to take of a +sick woman? + +I fancied she would reproach me, for I knew that her heart was set upon +that new house she had talked of so often; I told her that the savings +she had supposed were in bank, were in reality represented only by and +in those stately folios and sumptuous quartos which the mythical Flail, +Trask, and Bisland had presumably donated. "But," I added, "I shall +sell them now, and with the money I shall build the home in which we +may be happy again,--a lovely home, sweetheart, with no library at all, +but all nursery if you wish it so!" + +"No," said Alice, when I had ended my blubbering confession, "we shall +not part with the books; they have caused you more suffering than they +have me, and, moreover, their presence will have a beneficial effect +upon you. Furthermore, I myself have become attached to them,--you +know I thought they were given to you, and so I have learned to care +for them. Poor Judge Trask and Colonel Flail and Mr. Bisland,--so they +are only myths? Dear Hiram," she added with a sigh, "I can forgive you +for everything except for taking those three good men out of our lives!" + +After all this I have indeed reformed. I have actually become prudent, +and I have a bank-account that is constantly increasing. I do not hate +books; I simply do not buy them. And I eschew that old sinner, Kinzie, +and all the sinister influences he represents. As for our third little +boy, we have named him Reform Meigs, after Alice's mother's +grandfather, who built the first saw-mill in what is now the State of +Ohio, and was killed by the Indians in 1796. + + + + +THE TOUCH IN THE HEART + +Old Abel Dunklee was delighted, and so was old Abel's wife, when little +Abel came. For this coming they had waited many years. God had +prospered them elsewise; this one supreme blessing only had been +withheld. Yet Abel had never despaired. "I shall some time have a +son," said he. "I shall call him Abel. He shall be rich; he shall +succeed to my business; my house, my factory, my lands, my +fortune,--all shall be his!" Abel Dunklee felt this to be a certainty, +and with this prospect constantly in mind he slaved and pinched and +bargained. So when at last the little one did come it was as heir to a +considerable property. + +The joy in the house of Dunklee was not shared by the community at +large. Abel Dunklee was by no means a popular man. Folk had the +well-defined opinion that he was selfish, miserly, and hard. If he had +not been actually bad, he had never been what the world calls a good +man. His methods had been of the grinding, sordid order. He had +always been scrupulously honest in the payment of his debts, and in +keeping his word; but his sense of duty seemed to stop there: Abel's +idea of goodness was to owe no man any money. He never gave a penny to +charities, and he never spent any time sympathizing with the +misfortunes or distresses of other people. He was narrow, close, +selfish, and hard, so his neighbors and the community at large said, +and I shall not deny that the verdict was a just one. + +When a little one comes into this world of ours, it is the impulse of +the people here to bid it welcome, and to make its lot pleasant. When +little Abel was born no such enthusiasm obtained outside the austere +Dunklee household. Popular sentiment found vent in an expression of +the hope that the son and heir would grow up to scatter the dollars +which old man Dunklee had accumulated by years of relentless avarice +and unflagging toil. But Dr. Hardy--he who had officiated in an +all-important capacity upon that momentous occasion in the Dunklee +household--Dr. Hardy shook his head wisely, and perhaps sadly, as if he +were saying to himself: "No, the child will never do either what the +old folk or what the other folk would have him do; he is not long for +here." + +Had you questioned him closely, Dr. Hardy would have told you that +little Abel was as frail a babe as ever did battle for life. Dr. Hardy +would surely never have dared say that to old Dunklee; for in his +rapture in the coming of that little boy old Dunklee would have smote +the offender who presumed even to intimate that the babe was not the +most vigorous as well as the most beautiful creature upon earth. The +old man was simply assotted upon the child,--in a selfish way, +undoubtedly, but even this selfish love of that puny little child +showed that the old man was capable of somewhat better than his past +life had been. To hear him talk you might have fancied that Mrs. +Dunklee had no part or parcel or interest in their offspring. It was +always "my little boy,"--yes, old Abel Dunklee's money had a rival in +the old man's heart at last, and that rival was a helpless, shrunken, +sickly little babe. + +Among his business associates Abel Dunklee was familiarly known as Old +Growly, for the reason that his voice was harsh and discordant, and +sounded for all the world like the hoarse growling of an ill-natured +bear. Abel was not a particularly irritable person, but his slavish +devotion to money-getting, his indifference to the amenities of life, +his entire neglect of the tender practices of humanity, his rough, +unkempt personality, and his deep, hoarse voice,--these things combined +to make that sobriquet of "Old Growly" an exceedingly appropriate one. +And presumably Abel never thought of resenting the slur implied therein +and thereby; he was too shrewd not to see that, however disrespectful +and evil-intentioned the phrase might be, it served him to good +purpose; for it conduced to that very general awe, not to say terror, +which kept people from bothering him with their charitable and +sentimental schemes. + +Yes, I think we can accept it as a fact that Abel liked that sobriquet; +it meant more money in his pocket, and fewer demands upon his time and +patience. + +But Old Growly abroad and Old Growly at home were two very different +people. Only the voice was the same. The homely, furrowed, wizened +face lighted up, and the keen, restless eyes lost their expression of +shrewdness, and the thin, bony hands that elsewhere clutched and +clutched and pinched and pinched for possession unlimbered themselves +in the presence of little Abel, and reached out their long fingers +yearningly and caressingly toward the little child. Then the hoarse +voice would growl a salutation that was full of tenderness, for it came +straight from the old man's heart; only, had you not known how much he +loved the child, you might have thought otherwise, for the old man's +voice was always hoarse and discordant, and that was why they called +him Old Growly. But what proved his love for that puny babe was the +fact that every afternoon, when he came home from the factory, Old +Growly brought his little boy a dime; and once, when the little fellow +had a fever on him from teething, Old Growly brought him a dollar! +Next day the tooth came through and the fever left him, but you could +not make the old man believe but what it was the dollar that did it +all. That was natural, perhaps; for his life had been spent in +grubbing for money, and he had not the soul to see that the best and +sweetest things in human life are not to be had by riches alone. + +As the doctor had in one way and another intimated would be the case, +the child did not wax fat and vigorous. Although Old Growly did not +seem to see the truth, little Abel grew older only to become what the +doctor had foretold,--a cripple. A weakness of the spine was +developed, a malady that dwarfed the child's physical growth, giving to +his wee face a pinched, starved look, warping his emaciated body, and +enfeebling his puny limbs, while at the same time it quickened the +intellectual faculties to the degree of precocity. And so two and +three and four years went by, little Abel clinging to life with +pathetic heroism, and Old Growly loving that little cripple with all +the violence of his selfish nature. Never once did it occur to the +father that his child might die, that death's seal was already set upon +the misshapen little body; on the contrary, Old Growly's thoughts were +constantly of little Abel's famous future, of the great fortune he was +to fall heir to, of the prosperous business career he was to pursue, of +the influence he was to wield in the world,--of dollars, dollars, +dollars, millions of them which little Abel was some time to possess; +these were Old Growly's dreams, and he loved to dream them! + +Meanwhile the world did well by the old man; despising him, +undoubtedly, for his avarice and selfishness, but constantly pouring +wealth, and more wealth, and even more wealth into his coffers. As for +the old man, he cared not for what the world thought or said, so long +as it paid tribute to him; he wrought on as of old, industriously, +shrewdly, hardly, but with this new purpose: to make his little boy +happy and great with riches. + +Toys and picture-books were vanities in which Old Growly never +indulged; to have expended a farthing for chattels of that character +would have seemed to Old Growly like sinful extravagance. The few +playthings which little Abel had were such as his mother +surreptitiously bought; the old man believed that a child should be +imbued with a proper regard for the value of money from the very start, +so his presents were always cash in hand, and he bought a large tin +bank for little Abel, and taught the child how to put the copper and +silver pieces into it, and he labored diligently to impress upon the +child of how great benefit that same money would be to him by and by. +Just picture to yourself, if you can, that fond, foolish old man +seeking to teach this lesson to that wan-eyed, pinched-face little +cripple! But little Abel took it all very seriously, and was so apt a +pupil that Old Growly made great joy and was wont to rub his bony hands +gleefully and say to himself, "He has great genius,--this boy of +mine,--great genius for finance!" + +But on a day, coming from his factory, Old Growly was stricken with +horror to find that during his absence from home a great change had +come upon his child. The doctor said it was simply the progress of the +disease; that it was a marvel that little Abel had already held out so +long; that from the moment of his birth the seal of death had been set +upon him in that cruel malady which had drawn his face and warped his +body and limbs. Then all at once Old Growly's eyes seemed to be opened +to the truth, and like a lightning flash it came to him that perhaps +his pleasant dreams which he had dreamed of his child's future could +never be realized. It was a bitter awakening, yet amid it all the old +man was full of hope, determination, and battle. He had little faith +in drugs and nursing and professional skill; he remembered that upon +previous occasions cures had been wrought by means of money; teeth had +been brought through, the pangs of colic beguiled, and numerous other +ailments to which infancy is heir had by the same specific been +baffled. So now Old Growly set about wooing his little boy from the +embrace of death,--sought to coax him back to health with money, and +the dimes became dollars, and the tin bank was like to burst of +fulness. But little Abel drooped and drooped, and he lost all interest +in other things, and he was content to lie, drooping-eyed and listless, +in his mother's arms all day. At last the little flame went out with +hardly so much as a flutter, and the hope of the house of Dunklee was +dissipated forever. But even in those last moments of the little +cripple's suffering the father struggled to call back the old look into +the fading eyes, and the old smile into the dear, white face. He +brought treasure from his vaults and held it up before those fading +eyes, and promised it all, all, all--everything he possessed, gold, +houses, lands--all he had he would give to that little child if that +little child would only live. But the fading eyes saw other things, +and the ears that were deaf to the old man's lamentations heard voices +that soothed the anguish of that last solemn hour. And so little Abel +knew the Mystery. + +Then the old man crept away from that vestige of his love, and stood +alone in the night, and lifted up his face, and beat his bosom, and +moaned at the stars, asking over and over again why he had been so +bereaved. And while he agonized in this wise and cried there came to +him a voice,--a voice so small that none else could hear, a voice +seemingly from God; for from infinite space beyond those stars it sped +its instantaneous way to the old man's soul and lodged there. + +"Abel, I have touched thy heart!" + +And so, having come into the darkness of night, old Dunklee went back +into the light of day and found life beautiful; for the touch was in +his heart. + +After that, Old Growly's way of dealing with the world changed. He had +always been an honest man, honest as the world goes. But now he was +somewhat better than honest; he was kind, considerate, merciful. +People saw and felt the change, and they knew why it was so. But the +pathetic part of it all was that Old Growly would never admit--no, not +even to himself--that he was the least changed from his old grinding, +hard self. The good deeds he did were not his own; they were his +little boy's,--at least so he said. And it was his whim when doing +some kind and tender thing to lay it to little Abel, of whom he always +spoke as if he were still living. His workmen, his neighbors, his +townsmen,--all alike felt the graciousness of the wondrous change, and +many, ah! many a lowly sufferer blessed that broken old man for succor +in little Abel's name. And the old man was indeed much broken: not +that he had parted with his shrewdness and acumen, for, as of old, his +every venture prospered; but in this particular his mind seemed +weakened; that, as I have said, he fancied his child lived, that he was +given to low muttering and incoherent mumblings, of which the burden +seemed to be that child of his, and that his greatest pleasure appeared +now to be watching other little ones at their play. In fact, so +changed was he from the Old Growly of former years, that, whereas he +had then been wholly indifferent to the presence of those little ones +upon earth, he now sought their company, and delighted to view their +innocent and mirthful play. And so, presently, the children, from +regarding him at first with distrust, came to confide in and love him, +and in due time the old man was known far and wide as Old Grampa +Growly, and he was pleased thereat. It was his wont to go every fair +day, of an afternoon, into a park hard by his dwelling, and mingle with +the crowd of little folk there; and when they were weary of their +sports they used to gather about him,--some even clambering upon his +knees,--and hear him tell his story, for he had only one story to tell, +and that was the story that lay next his heart,--the story ever and +forever beginning with, "Once ther' wuz a littl' boy." A very tender +little story it was, too, told very much more sweetly than I could ever +tell it; for it was of Old Grampa Growly's own little boy, and it came +from that heart in which the touch--the touch of God Himself--lay like +a priceless pearl. + +So you must know that the last years of the old man's life made full +atonement for those that had gone before. People forgot that the old +man had ever been other than he was now, and of course the children +never knew otherwise. But as for himself, Old Grampa Growly grew +tenderer and tenderer, and his goodness became a household word, and he +was beloved of all. And to the very last he loved the little ones, and +shared their pleasures, and sympathized with them in their griefs, but +always repeating that same old story, beginning with "Once ther' wuz a +littl' boy." + +The curious part of it was this: that while he implied by his +confidences to the children that his own little boy was dead, he never +made that admission to others. On the contrary, it was his wont, as I +have said, to speak of little Abel as if that child still lived, and, +humoring him in this conceit, it was the custom of the older ones to +speak always of that child as if he lived and were known and beloved of +all. In this custom the old man had great content and solace. For it +was his wish that all he gave to and did for charity's sake should be +known to come, not from him, but from Abel, his son, and this was his +express stipulation at all such times. I know whereof I speak, for I +was one of those to whom the old man came upon a time and said: "My +little boy--Abel, you know--will give me no peace till I do what he +requires. He has this sum of money which he has saved in his bank, +count it yourselves, it is $50,000, and he bids me give it to the +townsfolk for a hospital, one for little lame boys and girls. And I +have promised him--my little boy, Abel, you know--that I will give +$50,000 more. You shall have it when that hospital is built." Surely +enough, in eighteen months' time the old man handed us the rest of the +money, and when we told him that the place was to be called the Abel +Dunklee hospital he was sorely distressed, and shook his head, and +said: "No, no,--not _my_ name! Call it the _Little_ Abel hospital, for +little Abel--my boy, you know--has done it all." + +The old man lived many years,--lived to hear tender voices bless him, +and to see pale faces brighten at the sound of his footfall. Yes, for +many years the quaint, shuffling figure moved about our streets, and +his hoarse but kindly voice--oh, very kindly now!--was heard repeating +to the children that pathetic old story of "Once ther' wuz a littl' +boy." And where the dear old feet trod the grass grew greenest, and +the sunbeams nestled. But at last there came a summons for the old +man,--a summons from away off yonder,--and the old man heard it and +went thither. + +The doctor--himself hoary and stooping now--told me that toward the +last Old Grampa Growly sunk into a sort of sleep, or stupor, from which +they could not rouse him. For many hours he lay like one dead, but his +thin, creased face was very peaceful, and there was no pain. Children +tiptoed in with flowers, and some cried bitterly, while others--those +who were younger--whispered to one another: "Hush, let us make no +noise; Old Grampa Growly is sleeping." + +At last the old man roused up. He had lain like one dead for many +hours, but now at last he seemed to wake of a sudden, and, seeing +children about him, perhaps he fancied himself in that pleasant park, +under the trees, where so very often he had told his one pathetic story +to those little ones. Leastwise he made a feeble motion as if he would +have them gather nearer, and, seeming to know his wish, the children +came closer to him. Those who were nearest heard him say with the +ineffable tenderness of old, "Once ther' wuz a littl' boy--" + +And with those last sweet words upon his lips, and with the touch in +his heart, the old man went down into the Valley. + + + + +DANIEL AND THE DEVIL + +Daniel was a very wretched man. As he sat with his head bowed upon his +desk that evening he made up his mind that his life had been a failure. +"I have labored long and diligently," said he to himself, "and although I +am known throughout the city as an industrious and shrewd business man, I +am still a poor man, and shall probably continue so to the end of my days +unless--unless--" + +Here Daniel stopped and shivered. For a week or more he had been +brooding over his unhappy lot. There seemed to be but one way out of his +trouble, yet his soul revolted from taking that step. That was why he +stopped and shivered. + +"But," he argued, "I _must_ do something! My nine children are growing +up into big boys and girls. They must have those advantages which my +limited means will not admit of! All my life so far has been pure, +circumspect, and rigid; poverty has at last broken my spirit. I give up +the fight,--I am ready to sell my soul to the Devil!" + +"The determination is a wise one," said a voice at Daniel's elbow. +Daniel looked up and beheld a grim-visaged stranger in the chair beside +him. The stranger was arrayed all in black, and he exhaled a distinct +odor of sulphur. + +"Am I to understand," asked the stranger, "that you are prepared to enter +into a league with the Devil?" + +"Yes," said Daniel, firmly; and he set his teeth together after the +fashion of a man who is not to be moved from his purpose. + +"Then I am ready to treat with you," said the stranger. + +"Are you the Devil?" asked Daniel, eying the stranger critically. + +"No, but I am authorized to enter into contracts for him," explained the +stranger. "My name is Beelzebub, and I am my master's most trusted +agent." + +"Sir," said Daniel, "you must pardon me (for I am loath to wound your +feelings), but one of the rules governing my career as a business man has +been to deal directly with principals, and never to trust to the offices +of middle-men. The affair now in hand is one concerning the Devil and +myself, and between us two and by us two only can the preliminaries be +adjusted." + +"As it so happens," explained Beelzebub, "this is Friday,--commonly +called hangman's day,--and that is as busy a time in our particular +locality as a Monday is in a laundry, or as the first of every month is +at a book-keeper's desk. You can understand, perhaps, that this is the +Devil's busy day; therefore be content to make this deal with me, and you +will find that my master will cheerfully accept any contract I may enter +into as his agent and in his behalf." + +But no,--Daniel would not agree to this; with the Devil himself, and only +the Devil himself, would he treat. So he bade Beelzebub go to the Devil +and make known his wishes. Beelzebub departed, much chagrined. +Presently back came the Devil, and surely it _was_ the Devil this +time,--there could be no mistake about it; for he wore a scarlet cloak, +and had cloven feet, and carried about with him as many suffocating +smells as there are kinds of brimstone, sulphur, and assafoetida. + +The two talked over all Daniel's miseries; the Devil sympathized with +Daniel, and ever and anon a malodorous, gummy tear would trickle down the +Devil's sinister nose and drop off on the carpet. + +"What you want is money," said the Devil. "That will give you the +comfort and the contentment you crave." + +"Yes," said Daniel; "it will give me every opportunity to do good." + +"To do good!" repeated the Devil. "To do good, indeed! Yes, it's many a +good time we shall have together, friend Daniel! Ha, ha, ha!" And the +Devil laughed uproariously. Nothing seemed more humorous than the +prospect of "doing good" with the Devil's money! But Daniel failed to +see what the Devil was so jolly about. Daniel was not a humorist; he +was, as we have indicated, a plain business man. + +It was finally agreed that Daniel should sell his soul to the Devil upon +condition that for the space of twenty-four years the Devil should serve +Daniel faithfully, should provide him with riches, and should do +whatsoever he was commanded to do; then, at the end of the twenty-fourth +year, Daniel's soul was to pass into the possession of the Devil, and was +to remain there forever, without recourse or benefit of clergy. Surely a +more horrible contract was never entered into! + +"You will have to sign your name to this contract," said the Devil, +producing a sheet of asbestos paper upon which all the terms of the +diabolical treaty were set forth exactly. + +"Certainly," replied Daniel. "I have been a business man long enough to +know the propriety and necessity of written contracts. And as for you, +you must of course give a bond for the faithful execution of your part of +this business." + +"That is something I have never done before," suggested the Devil. + +"I shall insist upon it," said Daniel, firmly. "This is no affair of +sentiment; it is strictly and coldly business: you are to do certain +service, and are to receive certain rewards therefor--" + +"Yes, your soul!" cried the Devil, gleefully rubbing his callous hands +together. "Your soul in twenty-four years!" + +"Yes," said Daniel. "Now, no contract is good unless there is a quid pro +quo." + +"That's so," said the Devil, "so let's get a lawyer to draw up the paper +for me to sign." + +"Why a lawyer?" queried Daniel. "A contract is a simple instrument; I, +as a business man, can frame one sufficiently binding." + +"But I prefer to have a lawyer do it," urged the Devil. + +"And _I_ prefer to do it myself," said Daniel. + +When a business man once gets his mind set, not even an Archimedean lever +could stir it. So Daniel drew up the bond for the Devil to sign, and +this bond specified that in case the Devil failed at any time during the +next twenty-four years to do whatso Daniel commanded him, then should the +bond which the Devil held against Daniel become null and void, and upon +that same day should a thousand and one souls be released forever from +the Devil's dominion. The Devil winced; he hated to sign this agreement, +but he had to. An awful clap of thunder ratified the abominable treaty, +and every black cat within a radius of a hundred leagues straightway fell +to frothing and to yowling grotesquely. + +Presently Daniel began to prosper; the Devil was a faithful slave, and he +served Daniel so artfully that no person on earth suspected that Daniel +had leagued with the evil one. Daniel had the finest house in the city, +his wife dressed magnificently, and his children enjoyed every luxury +wealth could provide. Still, Daniel was content to be known as a +business man; he deported himself modestly and kindly; he pursued with +all his old-time diligence the trade which in earlier days he had found +so unproductive of riches. His indifference to the pleasures which money +put within his reach was passing strange, and it caused the Devil vast +uneasiness. + +"Daniel," said the Devil, one day, "you're not getting out of this thing +all the fun there is in it. You go poking along in the same old rut with +never a suspicion that you have it in your power to enjoy every pleasure +of human life. Why don't you break away from the old restraints? Why +don't you avail yourself of the advantages at your command?" + +"I know what you 're driving at," said Daniel, shrewdly, "Politics!" + +"No, not at all," remonstrated the Devil. "What I mean is fun,--gayety. +Why not have a good time, Daniel?" + +"But I am having a good time," said Daniel. "My business is going along +all right, I am rich. I 've got a lovely home; my wife is happy; my +children are healthy and contented; I am respected,--what more could I +ask? What better time could I demand?" + +"You don't understand me," explained the Devil. "What I mean by a good +time is that which makes the heart merry and keeps the soul youthful and +buoyant,--wine, Daniel! Wine and the theatre and pretty girls and fast +horses and all that sort of happy, joyful life!" + +"Tut, tut, tut!" cried Daniel; "no more of that, sir! I sowed my wild +oats in college. What right have I to think of such silly follies,--I, +at forty years of age, and a business man too?" + +So not even the Devil himself could persuade Daniel into a life of +dissipation. All you who have made a study of the business man will +agree that of all human beings he is the hardest to swerve from +conservative methods. The Devil groaned and began to wonder why he had +ever tied up to a man like Daniel,--a business man. + +Pretty soon Daniel developed an ambition. He wanted reputation, and he +told the Devil so. The Devil's eyes sparkled. "At last," murmured the +Devil, with a sigh of relief,--"at last." + +"Yes," said Daniel, "I want to be known far and wide. You must build a +church for me." + +"What!" shrieked the Devil. And the Devil's tail stiffened up like a +sore thumb. + +"Yes," said Daniel, calmly; "you must build a church for me, and it must +be the largest and the handsomest church in the city. The sittings shall +be free, and you shall provide the funds for its support forever." + +The Devil frothed at his mouth, and blue fire issued from his ears and +nostrils. He was the maddest devil ever seen on earth. + +"I won't do it!" roared the Devil. "Do you suppose I'm going to spend my +time building churches and stultifying myself just for the sake of +gratifying your idle whims? I won't do it,--never!" + +"Then the bond I gave is null and void," said Daniel. + +"Take your old bond," said the Devil, petulantly. + +"But the bond you gave is operative," continued Daniel. "So release the +thousand and one souls you owe me when you refuse to obey me." + +"Oh, Daniel!" whimpered the Devil, "how can you treat me so? Have n't I +always been good to you? Have n't I given you riches and prosperity? +Does no sentiment of friendship--" + +"Hush," said Daniel, interrupting him. "I have already told you a +thousand times that our relations were simply those of one business man +with another. It now behooves you to fulfil your part of our compact; +eventually I shall fulfil mine. Come, now, to business! Will you or +will you not keep your word and save your bond?" + +The Devil was sorely put to his trumps. But when it came to releasing a +thousand and one souls from hell,--ah, that staggered him! He had to +build the church, and a noble one it was too. Then he endowed the +church, and finally he built a parsonage; altogether it was a stupendous +work, and Daniel got all the credit for it. The preacher whom Daniel +installed in this magnificent temple was severely orthodox, and one of +the first things he did was to preach a series of sermons upon the +personality of the Devil, wherein he inveighed most bitterly against that +person and his work. + +By and by Daniel made the Devil endow and build a number of hospitals, +charity schools, free baths, libraries, and other institutions of similar +character. Then he made him secure the election of honest men to office +and of upright judges to the bench. It almost broke the Devil's heart to +do it, but the Devil was prepared to do almost anything else than forfeit +his bond and give up those one thousand and one souls. By this time +Daniel came to be known far and wide for his philanthropy and his piety. +This gratified him of course; but most of all he gloried in the +circumstance that he was a business man. + +"Have you anything for me to do today?" asked the Devil, one morning. He +had grown to be a very meek and courteous devil; steady employment in +righteous causes had chastened him to a degree and purged away somewhat +of the violence of his nature. On this particular morning he looked +haggard and ill,--yes, and he looked, too, as blue as a whetstone. + +"I am not feeling robust," explained the Devil. "To tell the truth, I am +somewhat ill." + +"I am sorry to hear it," said Daniel; "but as I am not conducting a +sanitarium, I can do nothing further than express my regret that you are +ailing. Of course our business relations do not contemplate any +interchange of sympathies; still I'll go easy with you to-day. You may +go up to the house and look after the children; see that they don't smoke +cigarettes, or quarrel, or tease the cat, or do anything out of the way." + +Now that was fine business for the Devil to be in; but how could the +Devil help himself? He was wholly at Daniel's mercy. He went groaning +about the humiliating task. + +The crash came at last. It was when the Devil informed Daniel one day +that he was n't going to work for him any more. + +"You have ruined my business," said the Devil, wearily. "A committee of +imps waited upon me last night and told me that unless I severed my +connection with you a permanent suspension of my interests down yonder +would be necessitated. While I have been running around doing your +insane errands my personal business has gone to the dogs--I would n't be +at all surprised if I were to have to get a new plant altogether. +Meanwhile my reputation has suffered; I am no longer respected, and the +number of my recruits is daily becoming smaller. I give up,--I can make +no further sacrifice." + +"Then you are prepared to forfeit your bond?" asked Daniel. + +"Not by any means," replied the Devil. "I propose to throw the matter +into the courts." + +"That will hardly be to your interest," said Daniel, "since, as you well +know, we have recently elected honest men to the bench, and, as I +recollect, most of our judges are members in good standing of the church +we built some years ago!" + +The Devil howled with rage. Then, presently, he began to whimper. + +"For the last time," expostulated Daniel, "let me remind you that +sentiment does not enter into this affair at all. We are simply two +business parties coöperating in a business scheme. Our respective duties +are exactly defined in the bonds we hold. You keep your contract and +I'll keep mine. Let me see, I still have a margin of thirteen years." + +The Devil groaned and writhed. + +"They call me a dude," whimpered the Devil. + +"Who do?" asked Daniel. + +"Beelzebub and the rest," said the Devil. "I have been trotting around +doing pious errands so long that I 've lost all my sulphur-and-brimstone +flavor, and now I smell like spikenard and myrrh." + +"Pooh!" said Daniel. + +"Well, I do," insisted the Devil. "You've humiliated me so that I hain't +got any more ambition. Yes, Daniel, you've worked me shamefully hard!" + +"Well," said Daniel, "I have a very distinct suspicion that when, +thirteen years hence, I fall into your hands I shall not enjoy what might +be called a sedentary life." + +The Devil plucked up at this suggestion. "Indeed you shall not," he +muttered. "I'll make it hot for you!" + +"But come, we waste time," said Daniel. "I am a man of business, and I +cannot fritter away the precious moments parleying with you. I have +important work for you. Tomorrow is Sunday; you are to see that all the +saloons are kept closed." + +"I sha'n't--I won't!" yelled the Devil. + +"But you must," said Daniel, firmly. + +"Do you really expect me to do _that_?" roared the Devil. "Do you fancy +that I am so arrant a fool as to shut off the very feeders whereby my +hungry hell is supplied? That would be suicidal!" + +"I don't know anything about that," said Daniel; "I am a business man, +and by this business arrangement of ours it is explicitly stipulated--" + +"I don't care what the stipulations are!" shrieked the Devil. "I'm +through with you, and may I be consumed by my own fires if ever again I +have anything to do with a business man!" + +The upshot of it all was that the Devil forfeited his bond, and by this +act Daniel was released from every obligation unto the Devil, and one +thousand and one souls were ransomed from the torture of the infernal +fires. + + + + +METHUSELAH + +The discussion now going on between our clergymen and certain +unbelievers touching the question of Cain and his wife will surely +result beneficially, for it will set everybody to reading his Bible +more diligently. Still, the biography of Cain is one that we could +never become particularly interested in; in short, of all the Old +Testament characters none other interests us so much as does +Methuselah, the man who lived 969 years. Would it be possible to find +in all history another life at once so grand and so pathetic? One can +get a faint idea of the awful magnitude of Methuselah's career by +pausing to recollect that 969 years represent 9.69 centuries, 96 +decades, 11,628 months, 50,388 weeks, 353,928 days, 8,494,272 hours, +521,656,320 minutes, and 36,299,879,200 seconds! + +How came he to live so long? Ah, that is easily enough explained. He +loved life and the world,--both were beautiful to him. And one day he +spoke his wish in words. "Oh, that I might live a thousand years!" he +cried. + +Then looking up straightway he beheld an angel, and the angel said: +"Wouldst thou live a thousand years?" + +And Methuselah answered him, saying: "As the Lord is my God, I would +live a thousand years." + +"It shall be even so," said the angel; and then the angel departed out +of his sight. So Methuselah lived on and on, as the angel had promised. + +How sweet a treasure the young Methuselah must have been to his parents +and to his doting ancestors; with what tender solicitude must the old +folks have watched the child's progress from the innocence of his first +to the virility of his later centuries. We can picture the happy +reunions of the old Adam family under the domestic vines and fig-trees +that bloomed near the Euphrates. When Methuselah was a mere toddler of +nineteen years, Adam was still living, and so was his estimable wife; +the possibility is that the venerable couple gave young Methuselah a +birthday party at which (we can easily imagine) there were present +these following, to-wit: Adam, aged 687; Seth, aged 557; Enos, aged +452; Cainan, aged 362; Mahalaleel, aged 292; Jared, aged 227; Enoch, +aged 65, and his infant boy Methuselah, aged 19. Here were represented +eight direct generations, and there were present, of course, +the wives and daughters; so that, on the whole, the gathering +must have been as numerous as it was otherwise remarkable. +Nowhere in any of the vistas of history, of romance, or of +mythology were it possible to find a spectacle more imposing than +that of the child Methuselah surrounded by his father Enoch, +his grandfather Jared, his great-grandfather Mahalaleel, his +great-great-grandfather Cainan, his great-great-great-grandfather +Enos, his great-great-great-great-grandfather Seth, and his +great-great-great-great-great-grandfather Adam, as well as by his +great-great-great-great-great-grandmother Eve, and her feminine +posterity for (say) four centuries! How pretty and how kindly dear old +grandma Eve must have looked on that gala occasion, attired, as she +must have been, in all the quaint simplicity of that primeval period; +and how must the dear old soul have fretted through fear that little +Methuselah would eat too many papaws, or drink too much goat's milk. +It is a marvel, we think, that in spite of the indulgence and the +petting in which he was reared, Methuselah grew to be a good, kind man. + +Profane historians agree that just about the time he reached the age of +ninety-four Methuselah became deeply enamoured of a comely and +sprightly damsel named Mizpah,--a young thing scarce turned +seventy-six. Up to this period of adolescence his cautious father +Enoch had kept Methuselah out of all love entanglements, and it is +probable that he would not have approved of this affair with Mizpah had +not Jared, the boy's grandfather, counselled Enoch to give the boy a +chance. But alas and alackaday for the instability of youthful +affection! It befell in an evil time that there came over from the +land of Nod a frivolous and gorgeously apparelled beau, who, with +finely wrought phrases, did so fascinate the giddy Mizpah that +incontinently she gave Methuselah the mitten, and went with the dashing +young stranger of 102 as his bride. + +This shocking blow so grievously affected Methuselah that for some time +(that is to say, for a period of ninety-one years) he shunned female +society. But having recovered somewhat from the bitterness of that +great disappointment received in the callowness of his ninth decade, he +finally met and fell in love with Adah, a young woman of 148, and her +he married. The issue of this union was a boy whom they named Lamech, +and this child from the very hour of his birth gave his father vast +worriment, which, considering the disparity in their ages, is indeed +most shocking of contemplation. The tableau of a father (aged 187) +vainly coddling a colicky babe certainly does not call for our +enthusiasm. Yet we presume to say that Methuselah bore his trials +meekly, that he cherished and adored the baby, and that he spent weeks +and months playing peek-a-boo and ride-a-cock-horse. In all our +consideration of Methuselah we must remember that the mere matter of +time was of no consequence to him. + +Lamech grew to boyhood, involving his father in all those ridiculous +complications which parents nowadays do not heed so much, but which +must have been of vast annoyance to a man of Methuselah's advanced age +and proper notions. Whittling with the old gentleman's razor, hooking +off from school, trampling down the neighbors' rowen, tracking mud into +the front parlor--these were some of Lamech's idiosyncrasies, and of +course they tormented Methuselah, who recalled sadly that boys were no +longer what they used to be when he was a boy some centuries previous. +But when he got to be 182 years old Lamech had sowed all his wild oats, +and it was then he married a clever young girl of 98, who bore him a +son whom they called Noah. Now if Methuselah had been worried and +plagued by Lamech, he was more than compensated therefor by this baby +grandson, whom he found to be, aside from all prejudices, the prettiest +and the smartest child he had ever seen. Old father Adam, who was now +turned of his ninth century, tottered over to see the baby, and he, +too, allowed that it was an uncommonly bright child. And dear old +grandma Eve declared that there was an expression about the upper part +of the little Noah's face that reminded her very much of the soft-eyed +boy she lost 800 years ago. And dear old grandma Eve used to rock +little Noah and sing to him, and cry softly to herself all the while. + +Now, in good time, Noah grew to lusty youth, and although he was, on +the whole, a joy to his grandsire Methuselah, he developed certain +traits and predilections that occasioned the old gentleman much +uneasiness. At the tender age of 265 Noah exhibited a strange passion +for aquatics, and while it was common for other boys of that time to +divert themselves with the flocks and herds, with slingshots and +spears, with music and dancing, Noah preferred to spend his hours +floating toy-ships in the bayous of the Euphrates. Every day he took +his little shittim-wood boats down to the water, tied strings to them, +and let them float hither and thither on the crystal bosom of the tide. +Naturally enough these practices worried the grandfather mightily. + +"May not the crocodiles compass him round about?" groaned Methuselah. +"May not behemoth prevail against him? Or, verily, it may befall that +the waves shall devour him. Woe is me and lamentation unto this +household if destruction come to him through the folly of his fathers!" + +So Methuselah's age began to be full of care and trouble, and many a +time he felt weary of living, and sometimes--yes, sometimes--he wished +he were dead. People in those times were not afraid to die; they +believed in the second and better life, because God spoke with them and +told them it should be. + +The last century of this good man's sojourn upon earth was +particularly pathetic. His ancestors were all dead; he alone +remained the last living reminiscence of a time that but for him +would have been forgotten. Deprived of the wise counsels of his +great-great-great-great-great-grandfather Adam and of the gentle +admonitions of his great-great-great-great-great-grandmother Eve, +Methuselah felt not only lonesome but even in danger of wrong-doing, so +precious to him had been the teachings of these worthy progenitors. +And what particularly disturbed Methuselah were the dreadful changes +that had taken place in society since he was a boy. Dress, speech, +customs, and morals were all different now from what they used to be. + +When Methuselah was a boy,--ah, he remembered it well,--people went +hither and thither clad only in simple fig-leaf garb; and they were +content therewith. + +When Methuselah was a boy, people spoke a plain, direct language, +strong in its truth, its simplicity, and its honest vigor. + +When Methuselah was a boy, manners were open and unaffected, and morals +were pure and healthy. + +But now all these things were changed. An evil called fashion had +filled the minds of men and women with vanity. From the sinful land of +Nod and from other pagan countries came divers tradesmen with purples +and linens and fine feathers, whereby a wicked pride was engendered, +and from these sinful countries, too, came frivolous manners that +supplanted the guileless etiquette of the past. + +Moreover, traffic and intercourse with the subtle heathen had corrupted +and perverted the speech of Adam's time: crafty phrases and false +rhetorics had crept in, and the grand old Edenic idioms either were +fast being debased or had become wholly obsolete. Such new-fangled +words as "eftsoon," "albeit," "wench," "soothly," "zounds," "whenas," +and "sithence" had stolen into common usage, making more direct and +simpler speech a jest and a byword. + +Likewise had prudence given way to extravagance, abstemiousness to +intemperance, dignity to frivolity, and continence to lust; so that by +these evils was Methuselah grievously tormented, and it repented him +full sore that he had lived to see such exceeding wickedness upon +earth. But in the midst of all these follies did Methuselah maintain +an upright and godly life, and continually did he bless God for that he +had held him in the path of rectitude. + +Now when Methuselah was in the 964th summer of his sojourn he was +called upon to mourn the death of his son Lamech, whom an inscrutable +Providence had cut off in what in those days was considered the flower +of a man's life,--namely, the eighth century thereof. Lamech's +untimely decease was a severe blow to his doting father, who, +forgetting all his son's boyish indiscretions, remembered now only +Lamech's good and lovable traits and deeds. It is reasonable to +suppose, however, that the old gentleman was somewhat beguiled from his +grief by the lively dispositions and playful antics of Lamech's +grandsons, Noah's sons, and his own great-grandsons,--Shem, Ham, and +Japheth,--who at this time had attained to the frolicsome ages of +ninety-five, ninety-two, and ninety-one, respectively. These boys +inherited from their father a violent penchant for aquatics, and +scarcely a day passed that they did not paddle around the bayous and +sloughs of the Euphrates in their gopher-wood canoes. + +"Gran'pa," Noah used to say, "the conduct of those boys causes me +constant vexation. I have no time to follow them around, and I am +haunted continually by the fear that they will be drowned, or that the +crocodiles will get them if they don't watch out!" + +But Methuselah would smiling answer: "Possess thy soul in patience and +thy bowels in peace; for verily is it not written 'boys will be boys!'" + +Now Shem, Ham, and Japheth were very fond of their great-grandpa, and +to their credit be it said that next to paddling over the water +privileges of the Euphrates they liked nothing better than to sit in +the old gentleman's lap, and to hear him talk about old times. +Marvellous tales he told them, too; for his career of nine and a half +centuries had been well stocked with incident, as one would naturally +suppose. Howbeit, the admiration which these callow youths had for +Methuselah was not shared by a large majority of the people then on +earth. On the contrary, we blush to admit it, Methuselah was held in +very trifling esteem by his frivolous fellow-citizens, who habitually +referred to him as an "old 'wayback," "a barnacle," an "old fogy," a +"mossback," or a "garrulous dotard," and with singular irreverence they +took delight in twitting him upon his senility and in pestering him +with divers new-fangled notions altogether distasteful, not to say +shocking, to a gentleman of his years. + +It was perhaps, however, at the old settlers' picnics, which even then +were of annual occurrence, that Methuselah most enjoyed himself; for on +these occasions he was given the place of prominence and he was +deferred to in everything, since he antedated all the others by at +least three centuries. The historians and the antiquarians of the time +found him of much assistance to them in their labors, since he was +always ready to provide them with dates touching incidents of the +remote period from which he had come down unscathed. He remembered +vividly how, when he was 186 years of age, the Euphrates had frozen +over to a depth of seven feet; the 209th winter of his existence he +referred to as "the winter of the deep snow;" he remembered that +when he was a boy the women had more character than the women +of these later years; he had a vivid recollection of the great +plague that prevailed in the city of Enoch during his fourth +century; he could repeat, word for word, the address of welcome +his great-great-great-great-great-grandfather Adam delivered to an +excursion party that came over from the land of Nod one time when +Methuselah was a mere child of eighty-seven,--oh, yes, poor old +Methuselah was full of reminiscence, and having crowded an active +career into the brief period of 969 years, it can be imagined that +ponderous tomes would not hold the tales he told whenever he was +encouraged. + +One day, however, Methuselah's grandson Noah took the old gentleman +aside and confided into his ear-trumpet a very solemn secret which must +have grieved the old gentleman immensely, for he gnashed his gums and +wrung his thin, bony hands and groaned dolorously. + +"The end of all flesh is at hand," said Noah. "The earth is filled +with violence through them, and God will destroy them with the earth. +I will make an ark of gopher-wood, the length thereof 300 cubits, the +breadth of it 50 cubits, and the height of it 30 cubits, and I will +pitch it within and without with pitch. Into the ark will I come, and +my sons and my wife, and my sons' wives, and certain living beasts +shall come, and birds of the air, and we and they shall be saved. Come +thou also, for thou art an austere man and a just." + +But as Methuselah sate alone upon his couch that night he thought of +his life: how sweet it had been,--how that, despite the evil now and +then, there had been more of happiness than of sorrow in it. He even +forgot the wickedness of the world and remembered only its good and its +sunshine, its kindness and its love. He blessed God for it all, and he +prayed for the death-angel to come to him ere he beheld the destruction +of all he so much loved. + +Then the angel came and spread his shadow about the old man. + +And the angel said: "Thy prayer is heard, and God doth forgive thee the +score-and-ten years of the promised span of thy life." + +And Methuselah gathered up his feet into the bed, and prattling of the +brooks, he fell asleep; and so he slept with his fathers. + + + + +FÉLICE AND PETIT-POULAIN + +The name was singularly appropriate, for assuredly Félice was the +happiest of all four-footed creatures. Her nature was gentle; she was +obedient, long-suffering, kind. She had known what it was to toil and +to bear burdens; sometimes she had suffered from hunger and from +thirst; and before she came into the possession of Jacques she had been +beaten, for Pierre, her former owner, was a hard master. But Félice +was always a kind, faithful, and gentle creature; presumably that was +why they named her that pretty name, Félice. She may not have been +happy when Pierre owned and overworked and starved and beat her; that +does not concern us now, for herein it is to tell of that time when she +belonged to Jacques, and Jacques was a merciful man. + +Jacques was a farmer; he lived a short distance from Cinqville, which, +as you are probably aware, is a town of considerable importance upon +what used to be the boundary line between France and Germany. The +country round about is devoted to agriculture. You can fancy that, +with its even roads, leafy woods, quiet lanes, velvety paddocks, tall +hedges, and bountiful fields, this country was indeed as pleasant a +home as Félice--or, for that matter, any other properly minded +horse--could hope for. Toward the southern horizon there were hills +that looked a grayish blue from a distance; upon these hills were +vineyards, and the wine that came therefrom is very famous wine, as +your uncle, if he be a club man, will very truly assure you. There was +a pretty little river that curled like a silver snake through the +fertile meadows, and lost its way among the hills, and there were many +tiny brooks that scampered across lots and got tangled up with that +pretty little river in most bewildering fashion. So, as you can +imagine, this was a fair country, and you do not wonder that, with so +merciful a master as Jacques, our friend Félice was happy. + +But what perfected her happiness was the coming of her little colt, as +cunning and as blithe a creature as ever whisked a tail or galloped on +four legs. I do not know why they called him by that name, but +Petit-Poulain was what they called him, and that name seemed to please +Félice, for when farmer Jacques came thrice a day to the stile and +cried, "Petit-Poulain, petit, petit, Petit-Poulain!" the kind old +mother would look up fondly, and, with doting eyes, watch her dainty +little colt go bounding toward his calling master. And he was indeed a +lovely little fellow. The curé, the holy père François, predicted that +in due time that colt would make a great name for himself and a great +fortune for his owner. The holy père knew whereof he spake, for in his +youth he had tasted of the sweets of Parisian life, and upon one +memorable occasion had successfully placed ten francs upon the winner +of le grand prix. We can suppose that Félice thought well of the holy +père. He never came down the road that she did not thrust her nose +through the hedge and give a mild whinny of recognition, as if she fain +would say: "Pray stop a moment and see Petit-Poulain and his old +mother!" + +What happy days those were for Félice and her darling colt. With what +tenderness they played together in the paddock; or, when the sky was +overcast and a storm came on, with what solicitude would the old mother +lead the way into the thatched stable, where there was snug protection +against the threatening element. There are those who say that none but +humankind is immortal,--that none but man has a soul. I do not make or +believe that claim. There is that within me which tells me that no +thing in this world and life of ours which has felt the grace of +maternity shall utterly perish. And this I say in all reverence, and +with the hope that I offend neither God nor man. + +You are to know that old Félice's devotion to Petit-Poulain was human +in its tenderness. As readily, as gladly, and as surely as your dear +mother would lay down her life for you would old Félice have yielded up +her life for her innocent, blithe darling. So old Félice was happy +that pleasant time in that fair country, and Petit-Poulain waxed hale +and evermore blithe and beautiful. + +Happy days, too, were those for that peaceful country and the other +dwellers therein. There was no thought of evil there; the seasons were +propitious, the vineyards thrived, the crops were bountiful; as far as +eye could see all was prosperity and contentment. But one day the holy +Father François came hurrying down the road, and it was too evident +that he brought evil tidings. Félice thought it very strange that he +paid no heed to her when, as was her wont, she thrust her nose through +the hedge and gave a mild whinny of welcome. Anon she saw that he +talked long and earnestly with her master Jacques, and presently she +saw that Jacques went into the cottage and came again therefrom with +his wife Justine and kissed her, and then went away with Père François +toward the town off yonder. Félice saw that Justine was weeping, and +with never a suspicion of impending evil, she wondered why Justine +should weep when all was so prosperous and bright and fair and happy +about her. Félice saw and wondered, and meanwhile Petit-Poulain +scampered gayly about that velvety paddock. + +That night the vineyard hills, bathed in the mellow grace of moonlight, +saw a sight they had never seen before. From the east an army came +riding and marching on,--an army of strange, determined men, speaking a +language before unheard in that fair country and threatening things of +which that peaceful valley had never dreamed. You and I, of course, +know that these were the Germans advancing upon France,--a nation of +immortals eager to destroy the possessions and the human lives of +fellow-immortals! But old Félice, hearing the din away off +yonder,--the unwonted noise of cavalry and infantry advancing with +murderous intent,--she did not understand it all, she did not even +suspect the truth. You cannot wonder, for what should a soulless beast +know of the noble, the human privilege of human slaughter? Old Félice +heard that strange din, and instinct led her to coax her little colt +from the pleasant paddock into that snug and secure retreat, the +thatched stable, and there, in the early morning, they found her, +Petit-Poulain pulling eagerly at her generous dugs. + +Those who came riding up were strangers in those parts; they were +ominously accoutred and they spoke words that old Félice had never +heard before. Yes, as you have already guessed, they were German +cavalry-men. A battle was impending, and they needed more horses. + +"Old enough; but in lieu of a better, she will do." That was what they +said. They approached her carefully, for they suspected that she might +be vicious. Poor old Félice, she had never harmed even the flies that +pestered her. "They are going to put me at the plough," she thought. +"It is a long time since I did work of any kind,--nothing, in fact, +since Petit-Poulain was born. Poor Petit-Poulain will miss me; but I +will soon return." With these thoughts she turned her head fondly and +caressed her pretty colt. + +"The colt must be tied in the stall or he will follow her." So said +the cavalrymen. They threw a rope about his neck and made him fast in +the stable. Petit-Poulain was very much surprised, and he remonstrated +vainly with his fierce little heels. + +They put a halter upon old Félice. Justine, the farmer's wife, met +them in the yard, and reproached them wildly in French. They laughed +boisterously, and answered her in German. Then they rode away, leading +old Félice, who kept turning her head and whinnying pathetically, for +she was thinking of Petit-Poulain. + +Of peace I know and can speak,--of peace, with its solace of love, +plenty, honor, fame, happiness, and its pathetic tragedy of poverty, +heartache, disappointment, tears, bereavement. Of war I know nothing, +and never shall know; it is not in my heart of for my hand to break +that law which God enjoined from Sinai and Christ confirmed in Galilee. +I do not know of war, nor can I tell you of that battle which men with +immortal souls fought one glorious day in a fertile country with +vineyard hills all round about. But when night fell there was +desolation everywhere and death. The Eden was a wilderness; the +winding river was choked with mangled corpses; shell and shot had mowed +down the acres of waving grain, the exuberant orchards, the gardens and +the hedgerows; black, charred ruins, gaunt and ghostlike, marked the +spots where homes had stood. The vines had been cut and torn away, and +the despoiled hills seemed to crouch down like bereaved mothers under +the pitiless gaze of the myriad eyes of heaven. + +The victors went their way; a greater triumph was in store for them; a +mighty capital was to be besieged; more homes were to be +desolated,--more blood shed, more hearts broken. So the victors went +their way, their hands red and their immortal souls elated. + +In the early dawn a horse came galloping homeward. It is Félice, old +Félice, riderless, splashed with mud, wild-eyed, sore with fatigue! +Félice, Félice, what horrors hast thou not seen! If thou couldst +speak, if that tongue of thine could be loosed, what would it say of +those who, forgetful of their souls, sink lower than the soulless +brutes! Better it is thou canst not speak; the anguish in thine eyes, +the despair in thy honest heart, the fear, the awful fear in thy mother +breast,--what tongue could utter them? + +Adown the road she galloped,--the same road she had traversed, perhaps, +a thousand times before, yet it was so changed now she hardly knew it. +Twenty-four hours had ruthlessly levelled the noble trees, the +hedgerows, and the fields of grain. Twenty-four hours of battle had +done all this and more. In all those ghastly hours, one thought had +haunted Félice; one thought alone,--the thought of Petit-Poulain! She +pictured him tied in that far-away stall, wondering why she did not +come. He was hungry, she knew; her dugs were full of milk and they +pained her; how sweet would be her relief when her Petit-Poulain broke +his long fast. Petit-Poulain, Petit-Poulain, Petit-Poulain,--this one +thought and this alone had old Félice throughout those hours of battle +and of horror. + +Could this have been the farm-house? It was a ruin now. Shells had +torn it apart. Where was the good master Jacques; had he gone with the +curé to the defence of the town? And Justine,--where was she? Bullets +had cut away the rose-trees and the smoke-bush; the garden was no more. +The havoc, the desolation, was complete. The cote, which had +surmounted the pole around which an ivy twined, had been swept away. +The pigeons now circled here and there bewildered; wondering, perhaps, +why Justine did not come and call to them and feed them. + +To this seared, scarred spot came old Félice. He that had ridden her +into battle lay with his face downward near those distant vineyard +hills. His blood had stained Félice's neck; a bullet had grazed her +flank, but that was a slight wound,--riderless, she turned and came +from the battle-field and sought her Petit-Poulain once again. + +Hard by the ruins of cottage, of garden, and of cote, she came up +standing; she was steaming and breathless. She rolled her eyes wildly +around,--she looked for the stable where she had left Petit-Poulain. +She trembled as if an overwhelming apprehension of disaster suddenly +possessed her. She gave a whinny, pathetic in its tenderness. She was +calling Petit-Poulain. But there was no answer. + +Petit-Poulain lay dead in the ruins of the stable. His shelter had not +escaped the fury of the battle. He could not run away, for they had +tied him fast when they carried his old mother off. So now he lay amid +that debris, his eyes half open in death and his legs stretched out +stark and stiff. + +And old Félice,--her udder bursting with the maternal grace he never +again should know, and her heart breaking with the agony of sudden and +awful bereavement,--she staggered, as if blinded by despair, toward +that vestige of her love, and bent over him and caressed her +Petit-Poulain. + + + + +THE RIVER + +Once upon a time a little boy came, during his play, to the bank of a +river. The waters of the river were very dark and wild, and there was +so black a cloud over the river that the little boy could not see the +further shore. An icy wind came up from the cloud and chilled the +little boy, and he trembled with cold and fear as the wind smote his +cheeks and ran its slender icicle fingers through his yellow curls. An +old man sat on the bank of the river; he was very, very old; his head +and shoulders were covered with a black mantle; and his beard was white +as snow. + +"Will you come with me, little boy?" asked the old man. + +"Where?" inquired the little boy. + +"To yonder shore," replied the old man. + +"Oh, no; not to that dark shore," said the little boy. "I should be +afraid to go." + +"But think of the sunlight always there," said the old man, "the birds +and flowers; and remember there is no pain, nor anything of that kind +to vex you." + +The little boy looked and saw the dark cloud hanging over the waters, +and he felt the cold wind come up from the river; moreover, the sight +of the strange man terrified him. So, hearing his mother calling him, +the little boy ran back to his home, leaving the old man by the river +alone. + +Many years after that time the little boy came again to the river; but +he was not a little boy now,--he was a big, strong man. + +"The river is the same," said he; "the wind is the same cold, cutting +wind of ice, and the same black cloud obscures yonder shore. I wonder +where the strange old man can be." + +"I am he," said a solemn voice. + +The man turned and looked on him who spoke, and he saw a warrior clad +in black armor and wielding an iron sword. + +"No, you are not he!" cried the man. "You are a warrior come to do me +harm." + +"I am indeed a warrior," said the other. "Come with me across the +river." + +"No," replied the man, "I will not go with you. Hark, I hear the +voices of my wife and children calling to me,--I will return to them!" + +The warrior strove to hold him fast and bear him across the river to +the yonder shore, but the man prevailed against him and returned to his +wife and little ones, and the warrior was left upon the river-bank. + +Then many years went by and the strong man became old and feeble. He +found no pleasure in the world, for he was weary of living. His wife +and children were dead, and the old man was alone. So one day in those +years he came to the bank of the river for the third time, and he saw +that the waters had become quiet and that the wind which came up from +the river was warm and gentle and smelled of flowers; there was no dark +cloud overhanging the yonder shore, but in its place was a golden mist +through which the old man could see people walking on the yonder shore +and stretching out their hands to him, and he could hear them calling +him by name. Then he knew they were the voices of his dear ones. + +"I am weary and lonesome," cried the old man. "All have gone before +me: father, mother, wife, children,--all whom I have loved. I see them +and hear them on yonder shore, but who will bear me to them?" + +Then a spirit came in answer to this cry. But the spirit was not a +strange old man nor yet an armored warrior; but as he came to the +river's bank that day he was a gentle angel, clad in white; his face +was very beautiful, and there was divine tenderness in his eyes. + +"Rest thy head upon my bosom," said the angel, "and I will bear thee +across the river to those who call thee." + +So, with the sweet peace of a little child sinking to his slumbers, the +old man drooped in the arms of the angel and was borne across the river +to those who stood upon the yonder shore and called. + + + + +FRANZ ABT + +Many years ago a young composer was sitting in a garden. All around +bloomed beautiful roses, and through the gentle evening air the +swallows flitted, twittering cheerily. The young composer neither saw +the roses nor heard the evening music of the swallows; his heart was +full of sadness and his eyes were bent wearily upon the earth before +him. + +"Why," said the young composer, with a sigh, "should I be doomed to all +this bitter disappointment? Learning seems vain, patience is +mocked,--fame is as far from me as ever." + +The roses heard his complaint. They bent closer to him and whispered, +"Listen to us,--listen to us." And the swallows heard him, too, and +they flitted nearer him; and they, too, twittered, "Listen to +us,--listen to us." But the young composer was in no mood to be +beguiled by the whisperings of the roses and the twitterings of the +birds; with a heavy heart and sighing bitterly he arose and went his +way. + +It came to pass that many times after that the young composer came at +evening and sat in the garden where the roses bloomed and the swallows +twittered; his heart was always full of disappointment, and often he +cried out in anguish against the cruelty of fame that it came not to +him. And each time the roses bent closer to him, and the swallows flew +lower, and there in the garden the sweet flowers and little birds +cried, "Listen to us,--listen to us, and we will help you." + +And one evening the young composer, hearing their gentle pleadings, +smiled sadly, and said: "Yes, I will listen to you. What have you to +say, pretty roses?" + +"Make your songs of us," whispered the roses,--"make your songs of us." + +"Ha, ha!" laughed the composer. "A song of the roses would be very +strange, indeed! No, sweet flowers,--it is fame I seek, and fame would +scorn even the beauty of your blushes and the subtlety of your +perfumes." + +"You are wrong," twittered the swallows, flying lower. "You are wrong, +foolish man. Make a song for the heart,--make a song of the swallows +and the roses, and it will be sung forever, and your fame shall never +die." + +But the composer laughed louder than before; surely there never had +been a stranger suggestion than that of the roses and the swallows! +Still, in his chamber that night the composer thought of what the +swallows had said, and in his dreams he seemed to hear the soft tones +of the roses pleading with him. Yes, many times thereafter the +composer recalled what the birds and flowers had said, but he never +would ask them as he sat in the garden at evening how he could make the +heart-song of which they chattered. And the summer sped swiftly by, +and one evening when the composer came into the garden the roses were +dead, and their leaves lay scattered on the ground. There were no +swallows fluttering in the sky, and the nests under the eaves were +deserted. Then the composer knew his little friends were beyond +recall, and he was oppressed by a feeling of loneliness. The roses and +the swallows had grown to be a solace to the composer, had stolen into +his heart all unawares,--now that they were gone, he was filled with +sadness. + +"I will do as they counselled," said he; "I will make a song of +them,--a song of the swallows and the roses. I will forget my greed +for fame while I write in memory of my little friends." + +Then the composer made a song of the swallows and the roses, and, while +he wrote, it seemed to him that he could hear the twittering of the +little birds all around him, and scent the fragrance of the flowers, +and his soul was warmed with a warmth he had never felt before, and his +tears fell upon his manuscript. + +When the world heard the song which the composer had made of the +swallows and the roses, it did homage to his genius. Such sentiment, +such delicacy, such simplicity, such melody, such heart, such +soul,--ah, there was no word of rapturous praise too good for the +composer now: fame, the sweetest and most enduring kind of fame, had +come to him. + +And the swallows and the roses had done it all. Their subtle +influences had filled the composer's soul with a great inspiration,--by +means like this God loves to speak to the human heart. + +"We told you so," whispered the roses when they came again in the +spring. "We told you that if you sang of us the world would love your +song." + +Then the swallows, flying back from the south, twittered: "We told you +so; sing the songs the heart loves, and you shall live forever." + +"Ah, dear ones," said the composer, softly; "you spoke the truth. He +who seeks a fame that is immortal has only to reach and abide in the +human heart." + +The lesson he learned of the swallows and the roses he never forgot. +It was the inspiration and motive of a long and beautiful life. He +left for others that which some called a loftier ambition. He was +content to sit among the flowers and hear the twitter of birds and make +songs that found an echo in all breasts. Ah, there was such a +beautiful simplicity,--such a sweet wisdom in his life! And where'er +the swallows flew, and where'er the roses bloomed, he was famed and +revered and beloved, and his songs were sung. + +Then his hair grew white at last, and his eyes were dim and his steps +were slow. A mortal illness came upon him, and he knew that death was +nigh. + +"The winter has been long," said he, wearily. "Open the window and +raise me up that I may see the garden, for it must be that spring is +come." + +It was indeed spring, but the roses had not yet bloomed. The swallows +were chattering in their nests under the eaves or flitting in the mild, +warm sky. + +"Hear them," he said faintly. "How sweetly they sing. But alas! where +are the roses?" + +Where are the roses? Heaped over thee, dear singing heart; blooming on +thy quiet grave in the Fatherland, and clustered and entwined all in +and about thy memory, which with thy songs shall go down from heart to +heart to immortality. + + + + +MISTRESS MERCILESS + +This is to tell of our little Mistress Merciless, who for a season +abided with us, but is now and forever gone from us unto the far-off +land of Ever-Plaisance. The tale is soon told; for it were not seemly +to speak all the things that are in one's heart when one hath to say of +a much-beloved child, whose life here hath been shortened so that, in +God's wisdom and kindness, her life shall be longer in that garden that +bloometh far away. + +You shall know that all did call her Mistress Merciless; but her +mercilessness was of a sweet, persuasive kind: for with the beauty of +her face and the music of her voice and the exceeding sweetness of her +virtues was she wont to slay all hearts; and this she did unwittingly, +for she was a little child. And so it was in love that we did call her +Mistress Merciless, just as it was in love that she did lord it over +all our hearts. + +Upon a time walked she in a full fair garden, and there went with her +an handmaiden that we did call in merry wise the Queen of Sheba; for +this handmaiden was in sooth no queen at all, but a sorry and +ill-favored wench; but she was assotted upon our little Mistress +Merciless and served her diligently, and for that good reason was +vastly beholden of us all. Yet, in a jest, we called her the Queen of +Sheba; and I make a venture that she looked exceeding fair in the eyes +of our little Mistress Merciless: for the eyes of children look not +upon the faces but into the hearts and souls of others. Whilst these +two walked in the full fair garden at that time they came presently +unto an arbor wherein there was a rustic seat, which was called the +Siege of Restfulness; and hereupon sate a little sick boy that, from +his birth, had been lame, so that he could not play and make merry with +other children, but was wont to come every day into this full fair +garden and content himself with the companionship of the flowers. And, +though he was a little lame boy, he never trod upon those flowers; and +even had he done so, methinks the pressure of those crippled feet had +been a caress, for the little lame boy was filled with the spirit of +love and tenderness. As the tiniest, whitest, shrinking flower +exhaleth the most precious perfume, so in and from this little lame +boy's life there came a grace that was hallowing in its beauty. + +Since they never before had seen him, they asked him his name; and he +answered them that of those at home he was called Master Sweetheart, a +name he could not understand: for surely, being a cripple, he must be a +very sorry sweetheart; yet, that he was a sweetheart unto his mother at +least he had no doubt, for she did love to hold him in her lap and call +him by that name; and many times when she did so he saw that tears were +in her eyes,--a proof, she told him when he asked, that Master +Sweetheart was her sweetheart before all others upon earth. + +It befell that our little Mistress Merciless and Master Sweetheart +became fast friends, and the Queen of Sheba was handmaiden to them +both; for the simple, loyal creature had not a mind above the artless +prattle of childhood, and the strange allegory of the lame boy's speech +filled her with awe, even as the innocent lisping of our little +Mistress Merciless delighted her heart and came within the +comprehension of her limited understanding. So each day, when it was +fair, these three came into the full fair garden, and rambled there +together; and when they were weary they entered into the arbor and sate +together upon the Siege of Restfulness. Wit ye well there was not a +flower or a tree or a shrub or a bird in all that full fair garden +which they did not know and love, and in very sooth every flower and +tree and shrub and bird therein did know and love them. + +When they entered into the arbor, and sate together upon the Siege of +Restfulness, it was Master Sweetheart's wont to tell them of the land +of Ever-Plaisance, for it was a conceit of his that he journeyed each +day nearer and nearer to that land, and that his journey thitherward +was nearly done. How came he to know of that land I cannot say, for I +do not know; but I am fain to believe that, as he said, the exceeding +fair angels told him thereof when by night, as he lay sleeping, they +came singing and with caresses to his bedside. + +I speak now of a holy thing, therefore I speak truth when I say that +while little children lie sleeping in their beds at night it pleaseth +God to send His exceeding fair angels with singing and caresses to bear +messages of His love unto those little sleeping children. And I have +seen those exceeding fair angels bend with folded wings over the little +cradles and the little beds, and kiss those little sleeping children +and whisper God's messages of love to them, and I knew that those +messages were full of sweet tidings; for, even though they slept, the +little children smiled. This have I seen, and there is none who loveth +little children that will deny the truth of this thing which I have now +solemnly declared. + +Of that land of Ever-Plaisance was our little Mistress Merciless ever +fain to hear tell. But when she beset the rest of us to speak thereof +we knew not what to say other than to confirm such reports as Master +Sweetheart had already made. For when it cometh to knowing of that +far-off land,--ah me, who knoweth more than the veriest little child? +And oftentimes within the bosom of a little, helpless, fading one there +bloometh a wisdom which sages cannot comprehend. So when she asked us +we were wont to bid her go to Master Sweetheart, for he knew the truth +and spake it. + +It is now to tell of an adventure which on a time befell in that full +fair garden of which you have heard me speak. In this garden lived +many birds of surpassing beauty and most rapturous song, and among them +was one that they called Joyous, for that he did ever carol forth so +joyously, it mattered not what the day soever might be. This bird +Joyous had his home in the top of an exceeding high tree, hard by the +pleasant arbor, and here did he use to sit at such times as the little +people came into that arbor, and then would he sing to them such songs +as befitted that quiet spot, and them that came thereto. But there was +a full evil cat that dwelt near by, and this cruel beast found no +pleasure in the music that Joyous did make continually; nay, that music +filled this full evil cat with a wicked thirst for the blood of that +singing innocent, and she had no peace for the malice that was within +her seeking to devise a means whereby she might comprehend the bird +Joyous to her murderous intent. Now you must know that it was the wont +of our little Mistress Merciless and of Master Sweetheart to feed the +birds in that fair garden with such crumbs as they were suffered to +bring with them into the arbor, and at such times would those birds fly +down with grateful twitterings and eat of those crumbs upon the +greensward round about the arbor. Wit ye well, it was a merry sight to +see those twittering birds making feast upon the good things which +those children brought, and our little Mistress Merciless and little +Master Sweetheart had sweet satisfaction therein. But, on a day, +whilst thus those twittering birds made great feasting, lo! on a sudden +did that full evil cat whereof I have spoken steal softly from a +thicket, and with one hideous bound make her way into the very midst of +those birds and seize upon that bird Joyous, that was wont to sing so +merrily from the tree hard by the arbor. Oh, there was a mighty din +and a fearful fluttering, and the rest flew swiftly away, but Joyous +could not do so, because the full evil cat held him in her cruel fangs +and claws. And I make no doubt that Joyous would speedily have met his +death, but that with a wrathful cry did our little Mistress Merciless +hasten to his rescue. And our little Mistress belabored that full evil +cat with Master Sweetheart's crutch, until that cruel beast let loose +her hold upon the fluttering bird and was full glad to escape with her +aching bones into the thicket again. So it was that Joyous was +recovered from death; but even then might it have fared ill with him, +had they not taken him up and dressed his wounds and cared for him +until duly he was well again. And then they released him to do his +plaisance, and he returned to his home in the tree hard by the arbor +and there he sung unto those children more sweetly than ever before; +for his heart was full of gratitude to our little Mistress Merciless +and Master Sweetheart. + +Now, of the dolls that she had in goodly number, that one which was +named Beautiful did our little Mistress Merciless love best. Know well +that the doll Beautiful had come not from oversea, and was neither of +wax nor of china; but she was right ingeniously constructed of a +bed-key that was made of wood, and unto the top of this bed-key had the +Queen of Sheba superadded a head with a fair face, and upon the body +and the arms of the key had she hung passing noble raiment. Unto this +doll Beautiful was our little Mistress Merciless vastly beholden, and +she did use to have the doll Beautiful lie by her side at night whilst +she slept, and whithersoever during the day she went, there also would +she take the doll Beautiful, too. Much sorrow and lamentation, +therefore, made our little Mistress Merciless when on an evil day the +doll Beautiful by chance fell into the fish-pond, and was not rescued +therefrom until one of her beauteous eyes had been devoured of the +envious water; so that ever thereafter the doll Beautiful had but one +eye, and that, forsooth, was grievously faded. And on another evil day +came a monster ribald dog pup and seized upon the doll Beautiful whilst +she reposed in the arbor, and bore her away, and romped boisterously +with her upon the sward, and tore off her black-thread hair, and sought +to destroy her wholly, which surely he would have done but for the +Queen of Sheba, who made haste to rescue the doll Beautiful, and +chastise that monster ribald dog pup. + +Therefore, as you can understand, the time was right busily spent. The +full fair garden, with its flowers and the singing birds and the +gracious arbor and the Siege of Restfulness, found favor with those +children, and amid these joyous scenes did Master Sweetheart have to +tell each day of that far-off land of Ever-Plaisance, whither he said +he was going. And one day, when the sun shone very bright, and the +full fair garden joyed in the music of those birds, Master Sweetheart +did not come, and they missed the little lame boy and wondered where he +was. And as he never came again they thought at last that of a surety +he had departed into that country whereof he loved to tell. Which +thing filled our little Mistress Merciless with wonder and inquiry; and +I think she was lonely ever after that,--lonely for Master Sweetheart. + +I am thinking now of her and of him; for this is the Christmas +season,--the time when it is most meet to think of the children and +other sweet and holy things. There is snow everywhere, snow and cold. +The garden is desolate and voiceless: the flowers are gone, the trees +are ghosts, the birds have departed. It is winter out there, and it is +winter, too, in this heart of mine. Yet in this Christmas season I +think of them, and it pleaseth me--God forbid that I offend with much +speaking--it pleaseth me to tell of the little things they did and +loved. And you shall understand it all if, perchance, this sacred +Christmas time a little Mistress Merciless of your own, or a little +Master Sweetheart, clingeth to your knee and sanctifieth your +hearthstone. + +When of an evening all the joy of day was done, would our little +Mistress Merciless fall aweary; and then her eyelids would grow +exceeding heavy and her little tired hands were fain to fold. At such +a time it was my wont to beguile her weariness with little tales of +faery, or with the gentle play that sleepy children like. Much was her +fancy taken with what I told her of the train that every night whirleth +away to Shut-Eye Town, bearing unto that beauteous country sleepy +little girls and boys. Nor would she be content until I told her +thereof,--yes, every night whilst I robed her in her cap and gown would +she demand of me that tale of Shut-Eye Town, and the wonderful train +that was to bear her thither. Then would I say in this wise:-- + + +At Bedtime-ville there is a train of cars that waiteth for you, my +sweet,--for you and for other little ones that would go to quiet, +slumbrous Shut-Eye Town. + +But make no haste; there is room for all. Each hath a tiny car that is +snug and warm, and when the train starteth each car swingeth soothingly +this way and that way, this way and that way, through all the journey +of the night. + +Your little gown is white and soft; your little cap will hold those +pretty curls so fast that they cannot get away. Here is a curl that +peepeth out to see what is going to happen. Hush, little curl! make no +noise; we will let you peep out at the wonderful sights, but you must +not tell the others about it; let them sleep, snuggled close together. + +The locomotive is ready to start. Can you not hear it? + +"Shug-chug! Shug-chug! Shug-chug!" That is what the locomotive is +saying, all to itself. It knoweth how pleasant a journey it is about +to make. + +"Shug-chug! Shug-chug! Shug-chug!" + +Oh, many a time hath it proudly swept over prairie and hill, over river +and plain, through sleeping gardens and drowsy cities, swiftly and +quietly, bearing the little ones to the far, pleasant valley where +lieth Shut-Eye Town. + +"Shug-chug! Shug-chug! Shug-chug!" + +So sayeth the locomotive to itself at the station in Bedtime-ville; for +it knoweth how fair and far a journey is before it. + +Then a bell soundeth. Surely my little one heareth the bell! + +"Ting-long! Ting-a-long! Ting-long!" + +So soundeth the bell, and it seemeth to invite you to sleep and dreams. + +"Ting-long! Ting-a-long! Ting-long!" + +How sweetly ringeth and calleth that bell. + +"To sleep--to dreams, O little lambs!" it seemeth to call. "Nestle +down close, fold your hands, and shut your dear eyes! We are off and +away to Shut-Eye Town! Ting-long! Ting-a-long! Ting-long! To +sleep--to dreams, O little cosset lambs!" + +And now the conductor calleth out in turn. "All aboard!" he calleth, +"All aboard for Shut-Eye Town!" he calleth in a kindly tone. + +But, hark ye, dear-my-soul, make thou no haste; there is room for all. +Here is a cosey little car for you. How like your cradle it is, for it +is snug and warm, and it rocketh this way and that way, this way and +that way, all night long, and its pillows caress you tenderly. So step +into the pretty nest, and in it speed to Shut-Eye Town. + +"Toot! Toot!" + +That is the whistle. It soundeth twice, but it must sound again before +the train can start. Now you have nestled down, and your dear hands +are folded; let your two eyes be folded, too, my sweet; for in a moment +you shall be rocked away, and away, away into the golden mists of Balow! + +"Ting-long! Ting-a-long! Ting-long!" + +"All aboard!" + +"Toot! Toot! Toot!" + +And so my little golden apple is off and away for Shut-Eye Town! + +Slowly moveth the train, yet faster by degrees. Your hands are folded, +my beloved, and your dear eyes they are closed; and yet you see the +beauteous sights that skirt the journey through the mists of Balow. +And it is rockaway, rockaway, rockaway, that your speeding cradle +goes,--rockaway, rockaway, rockaway, through the golden glories that +lie in the path that leadeth to Shut-Eye Town. + +"Toot! Toot!" + +So crieth the whistle, and it is "down-brakes," for here we are at +Ginkville, and every little one knoweth that pleasant waking-place, +where mother with her gentle hands holdeth the gracious cup to her +sleepy darling's lips. + +"Ting-long! Ting-a-long! Ting-long!" and off is the train again. And +swifter and swifter it speedeth,--oh, I am sure no other train speedeth +half so swiftly! The sights my dear one sees! I cannot tell of +them--one must see those beauteous sights to know how wonderful they +are! + +"Shug-chug! Shug-chug! Shug-chug!" + +On and on and on the locomotive proudly whirleth the train. + +"Ting-long! Ting-a-long! Ting-long!" + +The bell calleth anon, but fainter and evermore fainter; and fainter +and fainter groweth that other calling--"Toot! Toot! Toot!"--till +finally I know that in that Shut-Eye Town afar my dear one dreameth the +dreams of Balow. + + +This was the bedtime tale which I was wont to tell our little Mistress +Merciless, and at its end I looked upon her face to see it calm and +beautiful in sleep. + +Then was I wont to kneel beside her little bed and fold my two +hands,--thus,--and let my heart call to the host invisible: "O guardian +angels of this little child, hold her in thy keeping from all the +perils of darkness and the night! O sovereign Shepherd, cherish Thy +little lamb and mine, and, Holy Mother, fold her to thy bosom and thy +love! But give her back to me,--when morning cometh, restore ye unto +me my little one!" + +But once she came not back. She had spoken much of Master Sweetheart +and of that land of Ever-Plaisance whither he had gone. And she was +not afeared to make the journey alone; so once upon a time when our +little Mistress Merciless bade us good-by, and went away forever, we +knew that it were better so; for she was lonely here, and without her +that far-distant country whither she journeyed were not content. +Though our hearts were like to break for love of her, we knew that it +were better so. + +The tale is told, for it were not seemly to speak all the things that +are in one's heart when one hath to say of a much-beloved child whose +life here hath been shortened so that, in God's wisdom and kindness, +her life shall be longer in that garden that bloometh far away. + +About me are scattered the toys she loved, and the doll Beautiful hath +come down all battered and grim,--yet, oh! so very precious to me, from +those distant years; yonder fareth the Queen of Sheba in her service as +handmaiden unto me and mine,--gaunt and doleful-eyed, yet stanch and +sturdy as of old. The garden lieth under the Christmas snow,--the +garden where ghosts of trees wave their arms and moan over the graves +of flowers; the once gracious arbor is crippled now with the +infirmities of age, the Siege of Restfulness fast sinketh into decay, +and long, oh! long ago did that bird Joyous carol forth his last sweet +song in the garden that was once so passing fair. + +And amid it all,--this heartache and the loneliness which the years +have brought,--cometh my Christmas gift to-day: the solace of a vision +of that country whither she--our little Mistress Merciless--hath gone; +a glimpse of that far-off land of Ever-Plaisance. + + + + +THE PLATONIC BASSOON + +All who knew the beautiful and accomplished Aurora wondered why she did +not marry. She had now reached the mature age of twenty-five years, +and was in full possession of those charms which are estimated by all +men as the choicest gifts a woman can possess. You must know that +Aurora had a queenly person, delightful manners, an extensive +education, and an amiable disposition; and, being the only child of +wealthy parents, she should not have lacked the one thing that seemed +necessary to perfect and round out her usefulness as a member of +society. + +The truth was, Aurora did not fancy the male sex. She regarded men as +conveniences that might come handy at times when an escort to the +theatre was required, or when a partner in a dance was demanded, when a +fan was to be picked up, or when an errand was to be run; but the idea +of marrying any man was as distasteful to Aurora as the proposition to +marry a hat-rack or any other piece of household furniture would have +been. + +The secret of this strange aversion might have been traced to Aurora's +maiden aunt Eliza, who had directed Aurora's education, and had from +her niece's early youth instilled into Aurora's mind very distinct +notions touching the masculine sex. + +Aurora had numerous admirers among the young gentlemen who moved in the +same elevated social circle as herself and frequently called at her +father's house. Any one of them would gladly have made her his wife, +and many of them had expressed a tender yearning for her life +companionship. But Aurora was quick to recognize in each suitor some +objectionable trait or habit or feature which her aunt Eliza had told +about, and which imperatively prohibited a continuance of the young +gentleman's attentions. + +Aurora's father could not understand why his daughter was so +hypercritical and fastidious in a matter which others of her sex were +so apt to accept with charitable eyes. "They are bright, honest +fellows," he urged, "worthy of any girl's love. Receive their advances +kindly, my child, and having chosen one among them, you will be the +happier for it." + +"Never mind, Aurora," said Aunt Eliza. "Men are all alike. They show +their meanness in different ways, but the same spirit of evil is in 'em +all. I have lived in this world forty-six years, and during that time +I have found men to be the most unfeeling and most untrustworthy of +brutes." + +So it was that at the age of twenty-five Aurora was found beautiful, +amiable, and accomplished, but thoroughly and hopelessly a man-hater. +And it was about this time that she became involved in that unhappy +affair which even to this day is talked of by those who knew her then. + +On the evening of a certain day Aurora attended the opera with her +father and mother and Morgan Magnus, the young banker. Their box at +the opera was so close to the orchestra that by reaching out her hand +Aurora could have touched several of the instruments. Now it happened +that a bassoon was the instrument nearest the box in which Aurora sat, +and it was natural therefore that the bassoon attracted more of +Aurora's attention than any other instrument in the orchestra. If you +have never beheld or heard a bassoon you are to understand that it is +an instrument of wood, of considerable more length than breadth, +provided with numerous stops and keys, and capable of producing an +infinite variety of tones, ranging from the depth of lugubriousness to +the highest pitch of vivacity. This particular bassoon was of an +appearance that bordered upon the somber, the polished white of his +keys emphasizing the solemn black of his long, willowy body. And, as +he loomed up above the serene bald head of the musician that played +him, Aurora thought she had never seen a more distingué object. + +The opera was "Il Trovatore," a work well calculated to call in play +all that peculiar pathos of which the bassoon is capable. When Aurora +saw the player raise the bassoon and apply the tiny tube thereunto +appertaining to his lips, and heard him evoke from the innermost +recesses of the bassoon tones that were fairly reeking with tears and +redolent of melancholy, she felt a curious sentiment of pity awakened +in her bosom. + +Aurora had seen many an agonized swain at her feet, and had heard his +impassioned pleadings for mercy; she had perused many a love missive +wherein her pity was eloquently implored, but never had she experienced +the tender, melting sentiment that percolated through her breast when +she heard the bassoon mingling his melancholy tones with Manrico's +plaints. The tears welled up into Aurora's eyes, her bosom heaved +convulsively, and the most subtile emotions thrilled her soul. + +In vain did young Magnus, the banker, seek to learn the cause of her +agitation, and it seemed like a cruel mockery when Aurora's mother +said: "You must remember, dear, that it is not real; it is only a +play." After this memorable evening, wherein an unexpected and +indescribable sweetness had crept into the young woman's life, Aurora +more frequently insisted upon going to the opera. A strange +fascination attracted her thither, and on each succeeding evening she +found some new beauty in the bassoon, some new phase in his +kaleidoscopic character to wonder at, some new accomplishment to +admire. On one occasion--it was at the opera bouffe--this musical +prodigy exhibited a playfulness and an exuberance of wit and humor that +Aurora had never dreamed of. He ran the gamut of vocal conceit, and +the polyglot fertility of his fancy simply astounded his rapt auditor. +She was dazed, enchanted, spellbound. So here we find the fair Aurora +passing from the condition of pity into the estate of admiration. + +And now, having first conceived a wondrous pity for the bassoon, and +then having become imbued with an admiration of his wit, sarcasm, +badinage, repartee, and humor, it followed naturally and logically that +Aurora should fall desperately in love with him; for pity and +admiration are but the forerunners of the grand passion. + +"Aunt Eliza," said Aurora one day, "you have instilled into my +sensitive nature an indelible aversion to men, compared with which all +such deleble passions as affection and love are as inconsequential as +summer zephyrs. I believe men to be by nature and practice gross, +vulgar, sensual, and unworthy; and from this opinion I feel that I +shall never recede. Yet such a clinging and fragile thing is woman's +heart that it must needs have some object about which it may twine, +even as the gentle ivy twines about the oak. Now, as you know, some +women there are who, convinced of the utter worthlessness of the +opposite sex, dedicate their lives to the adoration of some art or +science, lavishing thereupon that love which women less prudent +squander upon base men and ungrateful children; in the painting of +pictures, devotion to the drama, the cultivation of music, pursuit of +trade, or the exclusive attention to a profession, some women find the +highest pleasure. But you and I, dear aunt, who are directed by even +higher and purer motives than these women, scorn the pursuits of the +arts and sciences, the professions and trades, and lay our hearts as +willing sacrifices upon the altars of a tabby cat and a bassoon. What +could be purer or more exalted than a love of that kind?" + +Having uttered this eloquent preface, which was, indeed, characteristic +of the fair creature, Aurora told Aunt Eliza of the bassoon, and as she +spoke of his versatile accomplishments and admirable qualities her eyes +glowed with an unwonted animation, and a carmine hue suffused her +beautiful cheeks. It was plain that Aurora was deeply in love, and +Aunt Eliza was overjoyed. + +"It is gratifying," said Aunt Eliza, "to find that my teachings promise +such happy results, that the seeds I have so carefully sown already +show signs of a glorious fruition. Now, while it is true that I cannot +conceive of a happier love than that which exists between my own dear +tabby cat and myself, it is also true that I recognize your bassoon as +an object so much worthier of adoration than mankind in general, and +your male acquaintances in particular, that I most heartily felicitate +you upon the idol you have chosen for your worship. Bassoons do not +smoke, nor chew tobacco, nor swear, nor bet on horse-races, nor play +billiards, nor do any of those horrid things which constitute the +larger part of a man's ambitions and pursuits. You have acted wisely, +my dear, and heaven grant you may be as happy in his love as I am in +tabby's." + +"I feel that I shall be," murmured Aurora; "already my bassoon is very +precious to me." + +With the dawn of this first passion a new motive seemed to come into +Aurora's life--a gentle melancholy, a subdued sentiment whose +accompaniments were sighings and day-dreamings and solitary tears and +swoonings. + +Quite naturally Aurora sought Aunt Eliza's society more than ever now, +and her conversation and thoughts were always on the bassoon. It was +very beautiful. + +But late one night Aurora burst into Aunt Eliza's room and threw +herself upon Aunt Eliza's bed, sobbing bitterly. Aunt Eliza was +inexpressibly shocked, and under a sudden impulse of horror the tabby +sprang to her feet, arched her back, bristled her tail, and uttered +monosyllables of astonishment. + +"Why, Aurora, what ails you?" inquired Aunt Eliza, kindly. + +"Oh, auntie, my heart is broken, I know it is," wailed Aurora. + +"Come, come, my child," said Aunt Eliza, soothingly, "don't take on so. +Tell auntie what ails you." + +"He was harsh and cruel to me to-night, and oh! I loved him so!" +moaned Aurora. + +"A lovers' quarrel, eh?" thought Aunt Eliza; and she got up, slipped +her wrapper on, and brewed Aurora a big bowl of boneset tea. Oh, how +nice and bitter and fragrant it was, and how Aunt Eliza's nostrils +sniffed, and how her eyes sparkled as she sipped the grateful beverage. + +"There, drink that, my dear," said Aunt Eliza, "and then tell me all +about it." + +Aurora quaffed the bowl of boneset tea, and the wholesome draught +seemed to give her fortitude, for now she told Aunt Eliza the whole +story. It seems that Aurora had been to the opera as usual, not for +the purpose of hearing and seeing the performance, but simply for the +sake of being where the beloved bassoon was. The opera was Wagner's +"Die Walküre," and the part played by the bassoon in the orchestration +was one of conspicuous importance. Fully appreciating his importance, +the bassoon conducted himself with brutal arrogance and +superciliousness on this occasion. His whole nature seemed changed; +his tones were harsh and discordant, and with malevolent obstinacy he +led all the other instruments in the orchestra through a seemingly +endless series of musical pyrotechnics. There never was a more +remarkable exhibition of stubbornness. When the violins and the +'cellos, the hautboys and the flutes, the cornets and the trombones, +said "Come, let us work together in G minor," or "Let us do this +passage in B flat," the bassoon would lead off with a wild shriek in D +sharp or some other foreign key, and maintain it so lustily that the +other instruments--e. g., the violins, the 'cellos, the hautboys, and +all--were compelled to back, switch, and wheel into the bassoon's lead +as best they could. + +But no sooner had they come into harmony than the bassoon--oh, +melancholy perversity of that instrument--would strike off into another +key with a ribald snicker or coarse guffaw, causing more turbulence and +another stampede. And this preposterous condition of affairs was kept +up the whole evening, the bassoon seeming to take a fiendish delight in +his riotous, brutal conduct. + +At first Aurora was mortified; then her mortification deepened into +chagrin. In the hope of touching his heart she bestowed upon him a +look of such tender supplication that, had he not been the most callous +creature in the world, he must have melted under it. To his eternal +shame, let it be said, the bassoon remained as impervious to her +beseeching glances as if he had been a sphinx or a rhinoceros. In +fact, Aurora's supplicating eyes seemed to instigate him to further and +greater madness, for after that he became still more riotous, and at +many times during the evening the crisis in the orchestra threatened +anarchy and general disintegration. + +Aurora's humiliation can be imagined by those only who have experienced +a like bitterness--the bitterness of awakening to a realization of the +cruelty of love. Aurora loved the bassoon tenderly, deeply, +absorbingly. The sprightliness of his lighter moods, no less than the +throbbing pathos of his sadder moments, had won her heart. She had +given him her love unreservedly, she fairly worshipped him, and now she +awakened, as it were, from a golden dream, to find her idol clay! It +was very sad. Yet who that has loved either man or bassoon does not +know this bitterness? + +"He will be gentler hereafter," said Aunt Eliza, encouragingly. "You +must always remember that we should be charitable and indulgent with +those we love. Who knows why the bassoon was harsh and wayward and +imperious to-night? Let us not judge him till we have heard the whys +and wherefores. He may have been ill; depend upon it, my dear, he had +cause for his conduct." + +Aunt Eliza's prudent words were a great solace to Aurora. And she +forgave the bassoon all the pain he had inflicted when she went to the +opera the next night and heard him in "I Puritani," a work in which the +grand virility of his nature, its vigor and force, came out with +telling effect. There was not a trace of the insolence he had +manifested in "Die Walküre," nor of the humorous antics he had +displayed in "La Grande Duchesse"; divested of all charlatanism, he was +now a magnificent, sonorous, manly bassoon, and you may depend upon it +Aurora was more in love with him than ever. + +It was about this time that, perceiving a marked change in his +daughter's appearance and demeanor, Aurora's father began to question +her mother about it all, and that good lady at last made bold to tell +the old gentleman the whole truth of the matter, which was simply that +Aurora cherished a passion for the bassoon. Now the father was an +exceedingly matter-of-fact, old-fashioned man, who possessed not the +least bit of sentiment, and when he heard that his only child had +fallen in love with a bassoon, his anger was very great. He summoned +Aurora into his presence, and regarded her with an austere countenance. + +"Girl," he said, in icy tones, "is it true that you have been flirting +with a bassoon?" + +"Father," replied Aurora, with dignity, "I have never flirted with +anybody, and you grievously wrong the bassoon when you intimated that +he, too, is capable of such frivolity." + +"It is nevertheless true," roared the old gentleman, "that you have +conceived a passion for this bassoon, and have cherished it +clandestinely." + +"It _is_ true, father, that I love the bassoon," said Aurora; "it is +true that I admire his wit, vivacity, sentiment, soul, force, power, +and manliness, but I have loved in secret. We have never met; he may +know I love him, and he may reciprocate my love, but he has never +spoken to me nor I to him, so there is nothing clandestine in the +affair." + +"Oh, my child! my child!" sobbed the old man, breaking down; "how could +you love a bassoon, when so many eligible young men are suitors for +your hand?" + +"Don't mention him in the same breath with those horrid creatures!" +cried Aurora, indignantly. "What scent of tobacco or odor of wines has +ever profaned the purity of his balmy breath? What does he know of +billiards, of horse-racing, of actresses, and those other features of +brutal men's lives? Father, he is pure and good and exalted; seek not +to debase him by naming him in the category of man!" + +"These are Eliza's teachings!" shrieked the old gentleman; and off he +bundled to vent his wrath on the maiden aunt. But it was little +satisfaction he got from Aunt Eliza. + +After that the old gentleman kept a strict eye on Aurora, and very soon +he became satisfied of two things: First, that Aurora was sincerely in +love with the bassoon; and, second, that the bassoon cared nothing for +Aurora. That Aurora loved the bassoon was evidenced by her demeanor +when in his presence--her steadfast eyes, her parted lips, her heaving +bosom, her piteous sighs, her flushed cheeks, and her varying emotions +as his tones changed, bore unimpeachable testimony to the sincerity of +her passion. That the bassoon did not care for Aurora was proved by +his utter disregard of her feelings, for though he might be tender this +moment he was harsh the next--though pleading now he spurned her anon; +and so, variable and fickle and false as the winds, he kept Aurora in +misery and hysterics about half the time. + +One morning the old gentleman entered the theatre while the orchestra +was rehearsing. + +"Who plays the bassoon?" he asked, in an imperative tone. + +"Ich!" said a man with a bald head and gold spectacles. + +"Your name?" demanded the old gentleman. + +"Otto Baumgarten," replied he of the bald head and gold spectacles. + +"Then, Otto Baumgarten," said the father, "I will give you one hundred +dollars for your bassoon." + +"Mein Gott!" said Herr Baumgarten, "dat bassoon gost me not half so +much fon dot!" + +"Never mind!" replied the old gentleman. "Take the money and give me +the bassoon." + +Herr Baumgarten did not hesitate a moment. He clutched at the gold +pieces, and while he counted them Aurora's father was hastening up the +street with the bassoon under his arm. Aurora saw him coming, and she +recognized the idol of her soul; his silver-plated keys were not to be +mistaken. With a cry of joy she met her father in the hallway, +snatched the bassoon to her heart, and covered him with kisses. + +"He makes no answer to your protestations!" said her father. "Come, +give over a love that is hopeless; cast aside this bassoon, who is +hollow at heart, and whose affection at best is only platonic!" + +"You speak blasphemies, father," cried Aurora, "and you yourself shall +hear how he loves me, for when I but put my lips to this slender +mouthpiece there shall issue from my worshipped bassoon tones of such +ineffable tenderness that even you shall be convinced that my passion +is reciprocated." + +With these words Aurora glued her beauteous lips to the slender +blowpipe of the bassoon, and, having inflated her lungs to their +capacity, breathed into it a respiration that seemed to come from her +very soul. But no sound issued from the cold, hollow, unresponsive +bassoon. Aurora repeated the effort with increased vigor. There came +no answer at all. + +"Aha!" laughed her father. "I told you so; he loves you not." + +But then, with a last superhuman effort, Aurora made her third attempt; +her eyeballs started from their sockets, big, blue veins and cords +stood out on her lovely neck, and all the force and vigor of her young +life seemed to go out through her pursed lips into the bassoon's +system. And then, oh then! as if to mock her idolatry and sound the +death knell of her unhappy love, the bassoon recoiled and emitted a +tone so harsh, so discordant, so supernatural, that even Aurora's +father drew back in horror. + +And lo! hearing that supernatural sound that told her of the +hopelessness of love, Aurora dropped the hollow, mocking scoffer, +clutched spasmodically at her heart, and, with an agonizing shriek, +fell lifeless to the floor. + + + + +HAWAIIAN FOLK TALES + + +I + +THE EEL-KING + +There was a maiden named Liliokani whose father was a fisherman. But +the maiden liked not her father's employment, for she believed it to be +an offence against Atua, the all-god, to deprive any animal of that +life which Atua had breathed into it. And this was pleasing unto Atua, +and he blessed Liliokani with exceeding beauty; no other eyes were so +large, dark, and tender as hers; the braids of her long, soft hair fell +like silken seagrass upon her shoulders; she was tall and graceful as +the palm, and her voice was the voice of the sea when the sea cradles +the moonlight and sings it to sleep. + +Full many kings' sons came wooing Liliokani, and chiefs renowned in +war; and with others came Tatatao, that was a mighty hunter of hares +and had compassed famous hardships. For those men that delight in +adventure and battle are most pleasantly minded to gentle women, for +thus capriciously hath Atua, the all-god, ordained. But Liliokani had +no ear to the wooing of these men, and the fisherman's daughter was a +virgin when Mimi came. + +Mimi was king of the eels, and Atua had given him eternal life and the +power to change his shape when it pleased him to issue from the water +and walk the earth. It befell that this eel-king, Mimi, beheld +Liliokani upon a time as he swam the little river near her father's +abode, and he saw that she was exceeding fair and he heard the soft, +sad sea-tone in her voice. So for many days Mimi frequented those +parts and grew more and more in love with the maiden. + +Upon a certain day, while she helped her father to mend his nets, +Liliokani saw a young man of goodly stature and handsome face +approaching, and to herself she said: "Surely if ever I be tempted to +wed it shall be with this young man, whose like I have never before +known." But she had no thought that it was Mimi, the eel-king, who in +this changed shape now walked the earth. + +Sweetly he made obeisance and pleasant was his discourse with the +fisherman and his daughter, and he told them many things of his home, +which he said was many kumes distant from that spot. Though he spake +mostly to the old man, his eyes were fixed upon Liliokani, and, after +the fashion of her sex, that maiden presently knew that he had great +love unto her. Many days after that came Mimi to hold discourse with +them, and they had joy of his coming, for in sooth he was of fair +countenance and sweet address, and the fisherman, being a single-minded +and a simple man, had no suspicion of the love between Mimi and +Liliokani. But once Mimi said to Liliokani in such a voice as the +sea-wind hath to the maiden palm-trees: "Brown maiden mine, let thy +door be unlatched this night, and I will come to thee." + +So the door was not latched that night and Mimi went in unto her, and +they two were together and alone. + +"What meaneth that moaning of the sea?" asked Liliokani. + +"The sea chanteth our bridal anthem," he answered. + +"And what sad music cometh from the palms to-night?" she asked. + +"They sing soft and low of our wedded love," he answered. + +But Liliokani apprehended evil, and, although she spake no more of it +at that time, a fear of trouble was in her heart. + +Now Atua, the all-god, was exceeding wroth at this thing, and in +grievous anger he beheld how that every night the door was unlatched +and Mimi went in unto Liliokani. And Atua set about to do vengeance, +and Atua's wrath is sure and very dreadful. + +There was a night when Mimi did not come; the door was unlatched and +the breath of Liliokani was as the perfume of flowers and of spices +commingled; yet he came not. Then Liliokani wept and unbraided her +hair and cried as a widow crieth, and she thought that Mimi had found +another pleasanter than she unto him. So, upon the next night, she +latched the door. But in the middle of the night, when the fire was +kindled in the island moon, there was a gentle tapping at the door, and +Mimi called to her. And when she had unlatched the door she began to +chide him, but he stopped her chiding, and with great groaning he took +her to his breast, and she knew by the beating of his heart that evil +had come upon him. + +Then Mimi told her who he was and how wroth the all-god was because the +eel-king, forgetful of his immortality and neglectful of his domain, +loved the daughter of a mortal. + +"Forswear me, then," quoth Liliokani, "forswear me, and come not hither +again, and the anger of the all-god shall be appeased." + +"It is not to lie to Atua," answered Mimi. "The all-god readeth every +heart and knoweth every thought. How can I, that love thee only, +forswear thee? More just and terrible would be Atua's wrath for that +lie to him and that wrong to thee and to myself. Brown maiden, I go +back into the sea and from thee forever, bearing with me a love for +thee which even the all-god's anger cannot chill." + +So he kissed her for the last time and bade her a last farewell, and +then he went from that door down to the water's edge and into his +domain. And Liliokani made great moan and her heart was like to break. +But the sea was placid as a hearthstone and the palms lay asleep in the +sky that night, for it was Atua's will that the woman should suffer +alone. + +In the middle of the next night a mighty tempest arose. The clouds +reached down and buffeted the earth and sea, and the winds and the +waters cried out in anger against each other and smote each other. +Above the tumult Atua's voice was heard. "Arise, Liliokani," quoth +that voice, "and with thy father's stone hatchet smite off the head of +the fish that lieth upon the threshold of the door." + +Then Liliokani arose with fear and trembling and went to the door, and +there, on the threshold, lay a monster eel whose body had been floated +thither by the flood and the tempest. With her father's stone hatchet +she smote off the eel's head, and the head fell into the hut, but the +long, dead body floated back with the flood into the sea and was seen +no more. Then the tempest abated, and with the morning came the sun's +light and its tender warmth. And at the earliest moment Liliokani took +the eel's head secretly and buried it with much sorrow and weeping, for +the eyes within that lifeless head were Mimi's eyes, and Liliokani knew +that this thing was come of the all-god's wrath. + +It was her wont to go each day and make moan over the spot where she +had hid this vestige of her love, and presently Atua pitied her, for +Atua loveth his children upon this earth, even though they sin most +grievously. So, by and by, Liliokani saw that two green leaves were +sprouting from the earth, and in a season these two leaves became twin +stalks and grew into trees, the like of which had never before been +seen upon earth. And Liliokani lived to see and to taste the fruit of +these twin trees that sprung from Mimi's brain--the red cocoanut and +the white cocoanut, whereof all men have eaten since that time. And +all folk hold that fruit in sweet estimation, for it cometh from the +love that a god had unto a mortal woman, and mortality is love and love +is immortality. + +Atua forgot not Liliokani when the skies opened to her; she liveth +forever in the star that looketh only upon this island, and it is her +tender grace that nourishes the infant cocoas and maketh the elder ones +fruitful. Meanwhile no woman that dwelleth upon earth hath +satisfaction in tasting the flesh of eels, for a knowledge of Mimi's +love and sacrifice hath been subtly implanted by Atua, the all-god, in +every woman's breast. + + +II + +THE MOON LADY + +Once there were four maidens who were the daughters of Talakoa, and +they were so very beautiful that their fame spread through the +universe. The oldest of these maidens was named Kaulualua, and it is +of her that it is to tell this tale. + +One day while Kaulualua was combing her hair she saw a tall, fair man +fishing in the rivulet, and he was a stranger to her. Never before had +she seen so fair a man, though in very sooth she had been wooed of many +king's sons and of chiefs from every part of the earth. Then she +called to her three sisters and asked them his name, but they could not +answer; this, however, they knew--he was of no country whereof they had +heard tell, for he was strangely clad and he was of exceeding fair +complexion and his stature surpassed that of other men. + +The next day these maidens saw this same tall, fair man, but he no +longer fished in the rivulet; he hunted the hares and was passing +skilful thereat, so that the maidens admired him not only for his +exceeding comeliness but also for his skill as a huntsman, for surely +there was no hare that could escape his vigilance and the point of his +arrow. So when Talakoa, their father, came that evening the maidens +told him of this stranger, and he wondered who he was and whence he +fared. Awaking from sleep in the middle of that night, Kaulualua saw +that the stars shone with rare brilliancy, and that by their light a +man was gazing upon her through the window. And she saw that the man +was the tall, fair man of whom it has been spoken. So she uttered no +cry, but feigned that she slept, for she saw that there was love in the +tall, fair man's eyes, and it pleaseth a maiden to be looked upon in +that wise. + +When it was morning this tall, fair man came and entered that house and +laid a fish and a hare upon the hearthstone and called for Talakoa. +And he quoth to Talakoa: + +"Old man, I would have your daughter to wife." + +Being a full crafty man, as beseemeth one of years, Talakoa replied: +"Four daughters have I." + +The tall, fair man announced: "You speak sooth, as well becometh a full +crafty man. Four daughters have you, and it is Kaulualua that I would +have to wife." + +Saith that full crafty man, the father: "How many palm trees grow in +thy possession, and how many rivers flow through thy chiefdom? Whence +comest thou, gentle sir, for assuredly neither I nor mine have seen the +like of thee before." + +"Good sooth," answered the tall, fair man, "I will tell you no lie, for +I would have that daughter to wife, and the things you require do well +beseem a full crafty man that meaneth for his child's good. I am the +man of the moon, and my name is Marama." + +Then Talakoa and his daughters looked at one another and were sore +puzzled, for they knew not whereof Marama spake. And they deemed him a +madman; yet did they not laugh him to scorn, because that he had come +a-wooing, and had laid the fish and the hare upon the hearthstone. + +"Kind sir, bringing gifts," quoth Talakoa, "I say no lie to you, but we +know not that country whereof you speak. Pray tell us of the moon and +where is it situate, and how many kumes is it distant from here?" + +"Full crafty man, father of her whom I would have to wife, I will tell +you truly," answered Marama. "The moon wherefrom I come is a mighty +island in the vast sea of night, and it is distant from here so great a +space that it were not to count the kumes that lie between. Exceeding +fair is that island in that vast sea, and it hath mountains and valleys +and plains and seas and rivers and lakes, and I am the chief overall. +Atua made that island for me and put it in that mighty sea, for I am +the son of Atua, and over that island in that sea I shall rule forever." + +Great wonder had they to hear tell of these things, and they knew now +that Marama was the child of Atua, who made the universe and is the +all-god. Then Marama said on: + +"Atua bade me search and find me a wife, and upon the stars have I +walked two hundred years, fishing and hunting, and seeing maidens, but +of all maidens seen there is none that I did love. So now at last, in +this island of this earth, I have found Kaulualua, and have seen the +pearl of her beauty and smelled the cinnamon of her breath, and I would +fain have her to wife that she may be ruler with me over the moon, my +island in the vast, black sea of night." + +It was not for Talakoa, being of earth such as all human kind, to +gainsay the words of Marama. And there was a flame in Kaulualua's +heart and incense in her breath and honey in her eyes toward this tall, +fair man that was the son of Atua. So the old father said to her: +"Take up the fish and the hare and roast them, my daughter, and spread +them before us, and we will eat them and so pledge our troth, one to +another." + +This thing did Kaulualua, and so the man from the moon had her to wife. + +That night they went from the home of Talakoa to the island in the sea +of night, and Talakoa and the three maidens watched for a signal from +that island, for Kaulualua told them she would build a fire thereon +that they might know when she was come thither. Many, many nights they +watched, and their hair grew white, and Time marked their faces with +his fingers, and the moss gathered on the palm trees. At last, as if +he would sleep forever, Talakoa laid himself upon his mat by the door +and asked that the skies be opened to him, for he was enfeebled with +age. + +And while he asked this thing the three sisters saw a dim light afar +off in the black sea of night, and it was such a light as had never +before been seen. And this light grew larger and brighter, so that in +seven nights it was thrice the size of the largest palm leaf, and it +lighted up all that far-off island in the sea of night, and they knew +that Kaulualua and the moon-god were in their home at last. So old +Talakoa was soothed and the skies that opened unto him found him +satisfied. + +The three sisters lived long, and yet two hundred ages are gone since +the earth received them into its bosom. Yet still upon that island in +the dark sea of night abideth in love the moon-god with his bride. +Atua hath been good to her, for he hath given her eternal youth, as he +giveth to all wives that do truly love and serve their husbands. It is +for us to see that pleasant island wherein Kaulualua liveth; it is for +us to see that when Marama goeth abroad to hunt or to fish his +moon-lady sitteth alone and maketh moan, and heedeth not her fires; it +is for us to see that when anon he cometh back she buildeth up those +fires whereon to cook food for him, and presently the fires grow +brighter and the whole round moon island is lighted and warmed thereby. +In this wise an exceeding fair example is set unto all wives of their +duty unto their mates. + +When the sea singeth to the sands, when the cane beckoneth to the +stars, and when the palm-leaves whisper to sweet-breathed night, how +pleasant it is, my brown maiden, to stand with thee and look upon that +island in the azure sea that spreadeth like a veil above the cocoa +trees. For there we see the moon-lady, and she awaiteth her dear lord +and she smileth in love; and that grace warmeth our hearts--your heart +and mine, O little maiden! and we are glad with a joy that knoweth no +speaking. + + + + +LUTE BAKER AND HIS WIFE EM + +The Plainfield boys always had the name of being smart, and I guess +Lute Baker was just about the smartest boy the old town ever turned +out. Well, he came by it naturally; Judge Baker was known all over +western Massachusetts as the sage of Plainfield, and Lute's mother--she +was a Kellogg before the judge married her--she had more faculty than a +dozen of your girls nowadays, and her cooking was talked about +everywhere--never was another woman, as folks said, could cook like +Miss Baker. The boys--Lute's friends--used to hang around the back +porch of noonings just to get some of her doughnuts; she was always +considerate and liberal to growing boys. May be Lute would n't have +been so popular if it had n't been for those doughnuts, and may be he +would n't have been so smart if it had n't been for all the good things +his mother fed into him. Always did believe there was piety and wisdom +in New England victuals. + +Lute went to Amherst College and did well; was valedictorian; then he +taught school a winter, for Judge Baker said that nobody could amount +to much in the world unless he taught school a spell. Lute was set on +being a lawyer, and so presently he went down to Springfield and read +and studied in Judge Morris' office, and Judge Morris wrote a letter +home to the Bakers once testifying to Lute's "probity" and +"acumen"--things that are never heard tell of except high up in the +legal profession. + +How Lute came to get the western fever I can't say, but get it he did, +and one winter he up and piked off to Chicago, and there he hung out +his shingle and joined a literary social and proceeded to get rich and +famous. The next spring Judge Baker fell off the woodshed while he was +shingling it, and it jarred him so he kind of drooped and pined round a +spell and then one day up and died. Lute had to come back home and +settle up the estate. + +When he went west again he took a wife with him--Emma Cowles that was +(everybody called her Em for short), pretty as a picture and as likely +a girl as there was in the township. Lute had always had a hankering +for Em, and Em thought there never was another such a young fellow as +Lute; she understood him perfectly, having sung in the choir with him +two years. The young couple went west well provided. + +Lute and Em went to housekeeping in Chicago. Em wanted to do her own +work, but Lute would n't hear to it; so they hired a German girl that +was just over from the vineyards of the Rhine country. + +"Lute," says Em, "Hulda does n't know much about cooking." + +"So I see," says Lute, feelingly. "She's green as grass; you'll have +to teach her." + +Hulda could swing a hoe and wield a spade deftly, but of the cuisine +she knew somewhat less than nothing. Em had lots of patience and +pluck, but she found teaching Hulda how to cook a precious hard job. +Lute was amiable enough at first; used to laugh it off with a cordial +bet that by and by Em would make a famous cook of the obtuse but +willing immigrant. This moral backing buoyed Em up considerable, until +one evening in an unguarded moment Lute expressed a pining for some +doughnuts "like those mother makes," and that casual remark made Em +unhappy. But next evening when Lute came home there were doughnuts on +the table--beautiful, big, plethoric doughnuts that fairly reeked with +the homely, delicious sentiment of New England. Lute ate one. Em felt +hurt. + +"I guess it's because I 've eaten so much else," explained Lute, "but +somehow or other they don't taste like mother's." + +Next day Em fed the rest of the doughnuts to a poor man who came and +said he was starving. "Thank you, marm," said he, with his heart full +of gratitude and his mouth full of doughnuts; "I ha' n't had anything +as good as this since I left Connecticut twenty years ago." + +That little subtlety consoled Em, but still she found it hard to bear +up under her apparent inability to do her duty by Lute's critical +palate. Once when Lute brought Col. Hi Thomas home to dinner they had +chicken pie. The colonel praised it and passed his plate a third time. + +"Oh, but you ought to eat some of mother's chicken pie," said Lute. +"Mother never puts an under crust in her chicken pies, and that makes +'em juicier." + +Same way when they had fried pork and potatoes; Lute could not +understand why the flesh of the wallowing, carnivorous western hog +should n't be as white and firm and sweet as the meat of the swill-fed +Yankee pig. And why were the Hubbard squashes so tasteless and why was +maple syrup so very different? Yes, amid all his professional duties +Lute found time to note and remark upon this and other similar things, +and of course Em was--by implication, at least--held responsible for +them all. + +And Em did try so hard, so very hard, to correct the evils and to +answer the hypercritical demands of Lute's foolishly petted and spoiled +appetite. She warred valorously with butchers, grocers, and hucksters; +she sent down east to Mother Baker for all the famous family recipes; +she wrestled in speech and in practice with that awful Hulda; she +experimented long and patiently; she blistered her pretty face and +burned her little hands over that kitchen range--yes, a slow, constant +martyrdom that conscientious wife willingly endured for years in her +enthusiastic determination to do her duty by Lute. Doughnuts, +chicken-pies, boiled dinners, layer-cakes, soda biscuits, flapjacks, +fish balls, baked beans, squash pies, corned-beef hash, dried-apple +sauce, currant wine, succotash, brown bread--how valorously Em toiled +over them, only to be rewarded with some cruel reminder of how "mother" +used to do these things! It was terrible; a tedious martyrdom. + +Lute--mind you--Lute was not wilfully cruel; no, he was simply and +irremediably a heedless idiot of a man, just as every married man is, +for a spell, at least. But it broke Em's heart, all the same. + +Lute's mother came to visit them when their first child was born, and +she lifted a great deal of trouble off the patient wife. Old Miss +Baker always liked Em; had told the minister three years ago that she +knew Em would make Lute a good Christian wife. They named the boy +Moses, after the old judge who was dead, and old Miss Baker said he +should have his gran'pa's watch when he got to be twenty-one. + +Old Miss Baker always stuck by Em; may be she remembered how the old +judge had talked once on a time about his mother's cooking. For all +married men are, as I have said, idiotically cruel about that sort of +thing. Yes, old Miss Baker braced Em up wonderful; brought a lot of +dried catnip out west with her for the baby; taught Em how to make +salt-rising bread; told her all about stewing things and broiling +things and roasting things; showed her how to tell the real Yankee +codfish from the counterfeit--oh, she just did Em lots of good, did old +Miss Baker! + +The rewards of virtue may be slow in coming, but they are sure to come. +Em's three boys--the three bouncing boys that came to Em and +Lute--those three boys waxed fat and grew up boisterous, blatant +appreciators of their mother's cooking. The way those boys did eat +mother's doughnuts! And mother's pies--wow! Other boys--the +neighbors' boys--came round regularly in troops, battalions, armies, +and like a consuming fire licked up the wholesome viands which Em's +skill and liberality provided for her own boys' enthusiastic playmates. +And all those boys--there must have been millions of 'em--were living, +breathing, vociferous testimonials to the unapproachable excellence of +Em's cooking. + +Lute got into politics, and they elected him to the legislature. After +the campaign, needing rest, he took it into his head to run down east +to see his mother; he had not been back home for eight years. He took +little Moses with him. They were gone about three weeks. Gran'ma +Baker had made great preparations for them; had cooked up enough pies +to last all winter, and four plump, beheaded, well-plucked, +yellow-legged pullets hung stiff and solemn-like in the chill pantry +off the kitchen, awaiting the last succulent scene of all. + +Lute and the little boy got there late of an evening. The dear old +lady was so glad to see them; the love that beamed from her kindly eyes +well nigh melted the glass in her silver-bowed specks. The table was +spread in the dining-room; the sheet-iron stove sighed till it seemed +like to crack with the heat of that hardwood fire. + +"Why, Lute, you ain't eatin' enough to keep a fly alive," remonstrated +old Miss Baker, when her son declined a second doughnut; "and what ails +the child?" she continued; "ha' n't he got no appetite? Why, when you +wuz his age, Lute, seemed as if I could n't cook doughnuts fast enough +for you!" + +Lute explained that both he and his little boy had eaten pretty +heartily on the train that day. But all the time of their visit there +poor old Gran'ma Baker wondered and worried because they did n't eat +enough--seemed to her as if western folks had n't the right kind of +appetite. Even the plump pullets, served in a style that had made Miss +Baker famed throughout those discriminating parts--even those pullets +failed to awaken the expected and proper enthusiasm in the visitors. + +Home again in Chicago, Lute drew his chair up to the table with an +eloquent sigh of relief. As for little Moses, he clamored his delight. + +"Chicken pie!" he cried, gleefully; and then he added a soulful "wow!" +as his eager eyes fell upon a plateful of hot, exuberant, voluptuous +doughnuts. + +"Yes, we are both glad to get back," said Lute. + +"But I am afraid," suggested Em, timidly, "that gran'ma's cooking has +spoiled you." + +Little Moses (bless him) howled an indignant, a wrathful remonstrance. +"Gran'ma can't cook worth a cent!" said he. + +Em expected Lute to be dreadfully shocked, but he was n't. + +"I would n't let her know it for all the world," remarked Lute, +confidentially, "but mother has lost her grip on cooking. At any rate, +her cooking is n't what it used to be; it has changed." + +Then Em came bravely to the rescue. "No, Lute," says she, and she +meant it, "your mother's cooking has n't changed, but _you_ have. The +man has grown away from the boy, and the tastes, the ways, and the +delights of boyhood have no longer any fascination for the man." + +"May be you 're right," said Lute. "At any rate, I 'm free to say that +_your_ cooking beats the world." + +Good for Lute! Virtue triumphs and my true story ends. But first an +explanation to concinnate my narrative. + +I should never have known this true story if Lute himself had n't told +it to me at the last dinner of the Sons of New England--told it to me +right before Em, that dear, patient little martyred wife of his. And I +knew by the love light in Em's eyes that she was glad that she had +endured that martyrdom for Lute's sake. + + + + +JOEL'S TALK WITH SANTA CLAUS + +One Christmas eve Joel Baker was in a most unhappy mood. He was +lonesome and miserable; the chimes making merry Christmas music outside +disturbed rather than soothed him, the jingle of the sleigh-bells +fretted him, and the shrill whistling of the wind around the corners of +the house and up and down the chimney seemed to grate harshly on his +ears. + +"Humph," said Joel, wearily, "Christmas is nothin' to me; there _was_ a +time when it meant a great deal, but that was long ago--fifty years is +a long stretch to look back over. There is nothin' in Christmas now, +nothin' for _me_ at least; it is so long since Santa Claus remembered +me that I venture to say he has forgotten that there ever was such a +person as Joel Baker in all the world. It used to be different; Santa +Claus _used_ to think a great deal of me when I was a boy. Ah! +Christmas nowadays ain't what it was in the good old time--no, not what +it used to be." + +As Joel was absorbed in his distressing thoughts he became aware very +suddenly that somebody was entering or trying to enter the room. First +came a draft of cold air, then a scraping, grating sound, then a +strange shuffling, and then,--yes, then, all at once, Joel saw a pair +of fat legs and a still fatter body dangle down the chimney, followed +presently by a long white beard, above which appeared a jolly red nose +and two bright twinkling eyes, while over the head and forehead was +drawn a fur cap, white with snowflakes. + +"Ha, ha," chuckled the fat, jolly stranger, emerging from the chimney +and standing well to one side of the hearthstone; "ha, ha, they don't +have the big, wide chimneys they used to build, but they can't keep +Santa Claus out--no, they can't keep Santa Claus out! Ha, ha, ha. +Though the chimney were no bigger than a gas pipe, Santa Claus would +slide down it!" + +It didn't require a second glance to assure Joel that the new-comer was +indeed Santa Claus. Joel knew the good old saint--oh, yes--and he had +seen him once before, and, although that was when Joel was a little +boy, he had never forgotten how Santa Claus looked. + +Nor had Santa Claus forgotten Joel, although Joel thought he had; for +now Santa Claus looked kindly at Joel and smiled and said: "Merry +Christmas to you, Joel!" + +"Thank you, old Santa Claus," replied Joel, "but I don't believe it's +going to be a very merry Christmas. It's been so long since I 've had +a merry Christmas that I don't believe I 'd know how to act if I had +one." + +"Let's see," said Santa Claus, "it must be going on fifty years since I +saw you last--yes, you were eight years old the last time I slipped +down the chimney of the old homestead and filled your stocking. Do you +remember it?" + +"I remember it well," answered Joel. "I had made up my mind to lie +awake and see Santa Claus; I had heard tell of you, but I 'd never seen +you, and Brother Otis and I concluded we 'd lie awake and watch for you +to come." + +Santa Claus shook his head reproachfully. "That was very wrong," said +he, "for I 'm so scarey that if I 'd known you boys were awake I 'd +never have come down the chimney at all, and then you 'd have had no +presents." + +"But Otis could n't keep awake," explained Joel. "We talked about +everythin' we could think of, till father called out to us that if we +did n't stop talking he 'd have to send one of us up into the attic to +sleep with the hired man. So in less than five minutes Otis was sound +asleep and no pinching could wake him up. But _I_ was bound to see +Santa Claus and I don't believe anything would 've put me to sleep. I +heard the big clock in the sitting-room strike eleven, and I had begun +wonderin' if you never were going to come, when all of a sudden I heard +the tinkle of the bells around your reindeers' necks. Then I heard the +reindeers prancin' on the roof and the sound of your sleigh-runners +cuttin' through the crust and slippin' over the shingles. I was kind +o' scared and I covered my head up with the sheet and quilts--only I +left a little hole so I could peek out and see what was goin' on. As +soon as I saw you I got over bein' scared--for you were jolly and +smilin' like, and you chuckled as you went around to each stockin' and +filled it up." + +"Yes, I can remember the night," said Santa Claus. "I brought you a +sled, did n't I?" + +"Yes, and you brought Otis one, too," replied Joel. "Mine was red and +had 'Yankee Doodle' painted in black letters on the side; Otis' was +black and had 'Snow Queen' in gilt letters." + +"I remember those sleds distinctly," said Santa Claus, "for I made them +specially for you boys." + +"You set the sleds up against the wall," continued Joel, "and then you +filled the stockin's." + +"There were six of 'em, as I recollect?" said Santa Claus. + +"Let me see," queried Joel. "There was mine, and Otis', and Elvira's, +and Thankful's, and Susan Prickett's--Susan was our help, you know. +No, there were only five, and, as I remember, they were the biggest we +could beg or borrer of Aunt Dorcas, who weighed nigh unto two hundred +pounds. Otis and I did n't like Susan Prickett, and we were hopin' you +'d put a cold potato in her stockin'." + +"But Susan was a good girl," remonstrated Santa Claus. "You know I put +cold potatoes only in the stockin's of boys and girls who are bad and +don't believe in Santa Claus." + +"At any rate," said Joel, "you filled all the stockin's with candy and +pop-corn and nuts and raisins, and I can remember you said you were +afraid you 'd run out of pop-corn balls before you got around. Then +you left each of us a book. Elvira got the best one, which was 'The +Garland of Frien'ship,' and had poems in it about the bleeding of +hearts, and so forth. Father was n't expectin' anything, but you left +him a new pair of mittens, and mother got a new fur boa to wear to +meetin'." + +"Of course," said Santa Claus, "I never forgot father and mother." + +"Well, it was as much as I could do to lay still," continued Joel, "for +I 'd been longin' for a sled, an' the sight of that red sled with +'Yankee Doodle' painted on it jest made me wild. But, somehow or +other, I began to get powerful sleepy all at once, and I could n't keep +my eyes open. The next thing I knew Otis was nudgin' me in the ribs. +'Git up, Joel,' says he; 'it's Chris'mas an' Santa Claus has been +here.' 'Merry Christ'mas! Merry Chris'mas!' we cried as we tumbled +out o' bed. Then Elvira an' Thankful came in, not more 'n half +dressed, and Susan came in, too, an' we just made Rome howl with 'Merry +Chris'mas! Merry Chris'mas!' to each other. 'Ef you children don't +make less noise in there,' cried father, 'I'll hev to send you all back +to bed.' The idea of askin' boys an' girls to keep quiet on Chris'mas +mornin' when they 've got new sleds an' 'Garlands of Frien'ship'!" + +Santa Claus chuckled; his rosy cheeks fairly beamed joy. + +"Otis an' I did n't want any breakfast," said Joel. "We made up our +minds that a stockin'ful of candy and pop-corn and raisins would stay +us for a while. I do believe there was n't buckwheat cakes enough in +the township to keep us indoors that mornin'; buckwheat cakes don't +size up much 'longside of a red sled with 'Yankee Doodle' painted onto +it and a black sled named 'Snow Queen.' _We_ did n't care how cold it +was--so much the better for slidin' down hill! All the boys had new +sleds--Lafe Dawson, Bill Holbrook, Gum Adams, Rube Playford, Leander +Merrick, Ezra Purple--all on 'em had new sleds excep' Martin Peavey, +and he said he calculated Santa Claus had skipped him this year 'cause +his father had broke his leg haulin' logs from the Pelham woods and had +been kep' indoors six weeks. But Martin had his ol' sled, and he +didn't hev to ask any odds of any of us, neither." + +"I brought Martin a sled the _next_ Christmas," said Santa Claus. + +"Like as not--but did you ever slide down hill, Santa Claus? I don't +mean such hills as they hev out here in this _new_ country, but one of +them old-fashioned New England hills that was made 'specially for boys +to slide down, full of bumpers an' thank-ye-marms, and about ten times +longer comin' up than it is goin' down! The wind blew in our faces and +almos' took our breath away. 'Merry Chris'mas to ye, little boys!' it +seemed to say, and it untied our mufflers an' whirled the snow in our +faces, just as if it was a boy, too, an' wanted to play with us. An +ol' crow came flappin' over us from the corn field beyond the meadow. +He said: 'Caw, caw,' when he saw my new sled--I s'pose he 'd never seen +a red one before. Otis had a hard time with _his_ sled--the black +one--an' he wondered why it would n't go as fast as mine would. 'Hev +you scraped the paint off'n the runners?' asked Wralsey Goodnow. +'Course I hev,' said Otis; 'broke my own knife an' Lute Ingraham's +a-doin' it, but it don't seem to make no dif'rence--the darned ol' +thing won't go!' Then, what did Simon Buzzell say but that, like 's +not, it was because Otis's sled's name was 'Snow Queen.' 'Never did +see a girl sled that was worth a cent, anyway,' sez Simon. Well, now, +that jest about broke Otis up in business. 'It ain't a girl sled,' sez +he, 'and its name ain't "Snow Queen"! I'm a-goin' to call it "Dan'l +Webster," or "Ol'ver Optic," or "Sheriff Robbins," or after some other +big man!' An' the boys plagued him so much about that pesky girl sled +that he scratched off the name, an', as I remember, it _did_ go better +after that! + +"About the only thing," continued Joel, "that marred the harmony of the +occasion, as the editor of the 'Hampshire County Phoenix' used to say, +was the ashes that Deacon Morris Frisbie sprinkled out in front of his +house. He said he was n't going to have folks breakin' their necks +jest on account of a lot of frivolous boys that was goin' to the +gallows as fas' as they could! Oh, how we hated him! and we 'd have +snowballed him, too, if we had n't been afraid of the constable that +lived next door. But the ashes did n't bother us much, and every time +we slid sidesaddle we 'd give the ashes a kick, and that sort of +scattered 'em." + +The bare thought of this made Santa Claus laugh. + +"Goin' on about nine o'clock," said Joel, "the girls come along--Sister +Elvira an' Thankful, Prudence Tucker, Belle Yocum, Sophrone Holbrook, +Sis Hubbard, an' Marthy Sawyer. Marthy's brother Increase wanted her +to ride on _his_ sled, but Marthy allowed that a red sled was her +choice every time. 'I don't see how I 'm goin' to hold on,' said +Marthy. 'Seems as if I would hev my hands full keepin' my things from +blowin' away.' 'Don't worry about yourself, Marthy,' sez I, 'for if +you'll look after your things, I kind o' calc'late I'll manage not to +lose _you_ on the way.' Dear Marthy--seems as if I could see you now, +with your tangled hair a-blowin' in the wind, your eyes all bright and +sparklin', an' your cheeks as red as apples. Seems, too, as if I could +hear you laughin' an' callin', jist as you did as I toiled up the old +New England hill that Chris'mas mornin'--a callin': 'Joel, Joel, +Joel--ain't ye ever comin', Joel?' But the hill is long and steep, +Marthy, an' Joel ain't the boy he used to be; he 's old, an' gray, an' +feeble, but there 's love an' faith in his heart, an' they kind o' keep +him totterin' tow'rds the voice he hears a-callin': 'Joel, Joel, Joel!'" + +"I know--I see it all," murmured Santa Claus, very softly. + +"Oh, that was so long ago," sighed Joel; "so very long ago! And I've +had no Chris'mas since--only once, when our little one--Marthy's an' +mine--you remember him, Santa Claus?" + +"Yes," said Santa Claus, "a toddling little boy with blue eyes--" + +"Like his mother," interrupted Joel; "an' he was like her, too--so +gentle an' lovin', only we called him Joel, for that was my father's +name and it kind o' run in the fam'ly. He wa' n't more 'n three years +old when you came with your Chris'mas presents for him, Santa Claus. +We had told him about you, and he used to go to the chimney every night +and make a little prayer about what he wanted you to bring him. And +you brought 'em, too--a stick-horse, an' a picture-book, an' some +blocks, an' a drum--they 're on the shelf in the closet there, and his +little Chris'mas stockin' with 'em--I 've saved 'em all, an' I 've +taken 'em down an' held 'em in my hands, oh, so many times!" + +"But when I came again," said Santa Claus-- + +"His little bed was empty, an' I was alone. It killed his +mother--Marthy was so tender-hearted; she kind o' drooped an' pined +after that. So now they 've been asleep side by side in the +buryin'-ground these thirty years. + +"That's why I 'm so sad-like whenever Chris'mas comes," said Joel, +after a pause. "The thinkin' of long ago makes me bitter almost. It's +so different now from what it used to be." + +"No, Joel, oh, no," said Santa Claus. "'T is the same world, and human +nature is the same and always will be. But Christmas is for the little +folks, and you, who are old and grizzled now, must know it and love it +only through the gladness it brings the little ones." + +"True," groaned Joel; "but how may I know and feel this gladness when I +have no little stocking hanging in my chimney corner--no child to +please me with his prattle? See, I am alone." + +"No, you 're not alone, Joel," said Santa Claus. "There are children +in this great city who would love and bless you for your goodness if +you but touched their hearts. Make them happy, Joel; send by me this +night some gift to the little boy in the old house yonder--he is poor +and sick; a simple toy will fill his Christmas with gladness." + +"His little sister, too--take _her_ some present," said Joel; "make +them happy for me, Santa Claus--you are right--make them happy for me." + +How sweetly Joel slept! When he awoke, the sunlight streamed in +through the window and seemed to bid him a merry Christmas. How +contented and happy Joel felt! It must have been the talk with Santa +Claus that did it all; he had never known a sweeter sense of peace. A +little girl came out of the house over the way. She had a new doll in +her arms, and she sang a merry little song and she laughed with joy as +she skipped along the street. Ay, and at the window sat the little +sick boy, and the toy Santa Claus left him seemed to have brought him +strength and health, for his eyes sparkled and his cheeks glowed, and +it was plain to see his heart was full of happiness. + +And, oh! how the chimes did ring out, and how joyfully they sang their +Christmas carol that morning! They sang of Bethlehem and the manger +and the Babe; they sang of love and charity, till all the Christmas air +seemed full of angel voices. + + Carol of the Christmas morn-- + Carol of the Christ-child born-- + Carol to the list'ning sky + Till it echoes back again + "Glory be to God on high, + Peace on earth, good will tow'rd men!" + + +So all this music--the carol of the chimes, the sound of children's +voices, the smile of the poor little boy over the way--all this sweet +music crept into Joel's heart that Christmas morning; yes, and with +these sweet, holy influences came others so subtile and divine that, in +its silent communion with them, Joel's heart cried out amen and amen to +the glory of the Christmas time. + + + + +THE LONESOME LITTLE SHOE + +The clock was in ill humor; so was the vase. It was all on account of +the little shoe that had been placed on the mantel-piece that day, and +had done nothing but sigh dolorously all the afternoon and evening. + +"Look you here, neighbor," quoth the clock, in petulant tones, "you are +sadly mistaken if you think you will be permitted to disturb our peace +and harmony with your constant sighs and groans. If you are ill, pray +let us know; otherwise, have done with your manifestations of distress." + +"Possibly you do not know what befell the melancholy plaque that +intruded his presence upon us last week," said the vase. "We pitched +him off the mantelpiece, and he was shattered into a thousand bits." + +The little shoe gave a dreadful shudder. It could not help thinking it +had fallen among inhospitable neighbors. It began to cry. The brass +candlestick took pity on the sobbing thing, and declared with some show +of temper that the little shoe should not be imposed on. + +"Now tell us why you are so full of sadness," said the brass +candlestick. + +"I do not know how to explain," whimpered the little shoe. "You see I +am quite a young thing, albeit I have a rusty appearance and there is a +hole in my toes and my heel is badly run over. I feel so lonesome and +friendless and sort of neglected-like, that it seems as if there were +nothing for me to do but sigh and grieve and weep all day long." + +"Sighing and weeping do no good," remarked the vase, philosophically. + +"I know that very well," replied the little shoe; "but once I was so +happy that my present lonesome lot oppresses me all the more +grievously." + +"You say you once were happy--pray tell us all about it," demanded the +brass candlestick. + +The vase was eager to hear the little shoe's story, and even the proud, +haughty clock expressed a willingness to listen. The matchbox came +from the other end of the mantel-piece, and the pen-wiper, the +paper-cutter, and the cigar-case gathered around the little shoe, and +urged it to proceed with its narrative. + +"The first thing I can remember in my short life," said the little +shoe, "was being taken from a large box in which there were many of my +kind thrown together in great confusion. I found myself tied with a +slender cord to a little mate, a shoe so very like me that you could +not have told us apart. We two were taken and put in a large window in +the midst of many grown-up shoes, and we had nothing to do but gaze out +of the window all day long into the wide, busy street. That was a very +pleasant life. Sometimes the sunbeams would dance through the +window-panes and play at hide-and-seek all over me and my little mate; +they would kiss and caress us, and we learned to love them very +much--they were so warm and gentle and merrisome. Sometimes the +raindrops would patter against the window-panes, singing wild songs to +us, and clamoring to break through and destroy us with their eagerness. +When night came, we could see stars away up in the dark sky winking at +us, and very often the old mother moon stole out from behind a cloud to +give us a kindly smile. The wind used to sing us lullabies, and in one +corner of our window there was a little open space where the mice gave +a grand ball every night to the music of the crickets and a blind frog. +Altogether we had a merry time." + +"I 'd have liked it all but the wind," said the brass candlestick. "I +don't know why it is, but I 'm dreadfully put out by the horrid old +wind!" + +"Many people," continued the little shoe, "used to stop and look in at +the window, and I believe my little mate and I were admired more than +any of our larger and more pretentious companions. I can remember +there was a pair of red-top boots that was exceedingly jealous of us. +But that did not last long, for one day a very sweet lady came and +peered in at the window and smiled very joyously when she saw me and my +little mate. Then I remember we were taken from the window, and the +lady held us in her hands and examined us very closely, and measured +our various dimensions with a string, and finally, I remember, she said +she would carry us home. We did not know what that meant, only we +realized that we would never live in the shop window again, and we were +loath to be separated from the sunbeams and the mice and the other +friends that had been so kind to us." + +"What a droll little shoe!" exclaimed the vase. Whereupon the clock +frowned and ticked a warning to the vase not to interrupt the little +shoe in the midst of its diverting narrative. + +"It is not necessary for me to tell you how we were wrapped in paper +and carried a weary distance," said the little shoe; "it is sufficient +to my purpose to say that, after what seemed to us an interminable +journey and a cruel banging around, we were taken from the paper and +found ourselves in a quiet, cozy room--yes, in this very apartment +where we all are now! The sweet lady held us in her lap, and at the +sweet lady's side stood a little child, gazing at us with an expression +of commingled astonishment, admiration, and glee. We knew the little +child belonged to the sweet lady, and from the talk we heard we knew +that henceforth the child was to be our little master." + +As if some sudden anguish came upon it, hushing its speech, the little +shoe paused in its narrative. The others said never a word. Perhaps +it was because they were beginning to understand. The proud, haughty +clock seemed to be less imperious for the moment, and its ticking was +softer and more reverential. + +"From that time," resumed the little shoe, "our little master and we +were inseparable during all the happy day. We played and danced with +him and wandered everywhere through the grass, over the carpets, down +the yard, up the street--ay, everywhere our little master went, we went +too, sharing his pretty antics and making music everywhere. Then, when +evening came and little master was put to sleep, in yonder crib, we +were set on the warm carpet near his bed where we could watch him while +he slept, and bid him good-morrow when the morning came. Those were +pleasant nights, too, for no sooner had little master fallen asleep +than the fairies came trooping through the keyholes and fluttering down +the chimney to dance over his eyes all night long, giving him happy +dreams, and filling his baby ears with sweetest music." + +"What a curious conceit!" said the pen-wiper. + +"And is it true that fairies dance on children's eyelids at night?" +asked the paper-cutter. + +"Certainly," the clock chimed in, "and they sing very pretty lullabies +and very cunning operettas, too. I myself have seen and heard them." + +"I should like to hear a fairy operetta," suggested the pen-wiper. + +"I remember one the fairies sang my little master as they danced over +his eyelids," said the little shoe, "and I will repeat it if you wish." + +"Nothing would please me more," said the pen-wiper. + +"Then you must know," said the little shoe, "that, as soon as my master +fell asleep, the fairies would make their appearance, led by their +queen, a most beautiful and amiable little lady no bigger than a +cambric needle. Assembling on the pillow of the crib, they would order +their minstrels and orchestra to seat themselves on little master's +forehead. The minstrels invariably were the cricket, the flea, the +katydid, and the gnat, while the orchestra consisted of mosquitos, +bumblebees, and wasps. Once in a great while, on very important +occasions, the fairies would bring the old blind hop-toad down the +chimney and set him on the window-sill, where he would discourse droll +ditties to the infinite delight of his hearers. But on ordinary +occasions, the fairy queen, whose name was Taffie, would lead the +performance in these pleasing words, sung to a very dulcet air: + + AN INVITATION TO SLEEP + + Little eyelids, cease your winking; + Little orbs, forget to beam; + Little soul, to slumber sinking, + Let the fairies rule your dream. + Breezes, through the lattice sweeping, + Sing their lullabies the while-- + And a star-ray, softly creeping + To thy bedside, woos thy smile. + But no song nor ray entrancing + Can allure thee from the spell + Of the tiny fairies dancing + O'er the eyes they love so well. + See, we come in countless number-- + I, their queen, and all my court-- + Haste, my precious one, to slumber + Which invites our fairy sport. + + +"At the conclusion of this song Prince Whimwham, a tidy little +gentleman fairy in pink silk small-clothes, approaching Queen Taffie +and bowing graciously, would say: + + Pray, lady, may I have the pleasure + Of leading you this stately measure? + +To which her majesty would reply with equal graciousness in the +affirmative. Then Prince Whimwham and Queen Taffie would take their +places on one of my master's eyelids, and the other gentleman fairies +and lady fairies would follow their example, till at last my master's +face would seem to be alive with these delightful little beings. The +mosquitos would blow a shrill blast on their trumpets, the orchestra +would strike up, and then the festivities would begin in earnest. How +the bumblebees would drone, how the wasps would buzz, and how the +mosquitos would blare! It was a delightful harmony of weird sounds. +The strange little dancers floated hither and thither over my master's +baby face, as light as thistledowns, and as graceful as the slender +plumes they wore in their hats and bonnets. Presently they would weary +of dancing, and then the minstrels would be commanded to entertain +them. Invariably the flea, who was a rattle-headed fellow, would +discourse some such incoherent song as this: + + COQUETRY + + Tiddle-de-dumpty, tiddle-de-dee-- + The spider courted the frisky flea; + Tiddle-de-dumpty, tiddle-de-doo-- + The flea ran off with the bugaboo! + "Oh, tiddle-de-dee!" + Said the frisky flea-- + For what cared she + For the miseree + The spider knew, + When, tiddle-de-doo, + The flea ran off with the bugaboo! + + Rumpty-tumpty, pimplety-pan-- + The flubdub courted a catamaran + But timplety-topplety, timpity-tare-- + The flubdub wedded the big blue bear! + The fun began + With a pimplety-pan + When the catamaran, + Tore up a man + And streaked the air + With his gore and hair + Because the flubdub wedded the bear! + + +"I remember with what dignity the fairy queen used to reprove the flea +for his inane levity: + + Nay, futile flea; these verses you are making + Disturb the child--for, see, he is awaking! + Come, little cricket, sing your quaintest numbers, + And they, perchance, shall lull him back to slumbers. + + +"Upon this invitation the cricket, who is justly one of the most famous +songsters in the world, would get his pretty voice in tune and sing as +follows: + + THE CRICKET'S SONG + + When all around from out the ground + The little flowers are peeping, + And from the hills the merry rills + With vernal songs are leaping, + I sing my song the whole day long + In woodland, hedge, and thicket-- + And sing it, too, the whole night through, + For I 'm a merry cricket. + + The children hear my chirrup clear + As, in the woodland straying, + They gather flow'rs through summer hours-- + And then I hear them saying: + "Sing, sing away the livelong day, + Glad songster of the thicket-- + With your shrill mirth you gladden earth, + You merry little cricket!" + + When summer goes, and Christmas snows + Are from the north returning, + I quit my lair and hasten where + The old yule-log is burning. + And where at night the ruddy light + Of that old log is flinging + A genial joy o'er girl and boy, + There I resume my singing. + + And, when they hear my chirrup clear, + The children stop their playing-- + With eager feet they haste to greet + My welcome music, saying: + "The little thing has come to sing + Of woodland, hedge, and thicket-- + Of summer day and lambs at play-- + Oh, how we love the cricket!" + + +"This merry little song always seemed to please everybody except the +gnat. The fairies appeared to regard the gnat as a pestiferous insect, +but a contemptuous pity led them to call upon him for a recitation, +which invariably was in the following strain: + + THE FATE OF THE FLIMFLAM + + A flimflam flopped from a fillamaloo, + Where the pollywog pinkled so pale, + And the pipkin piped a petulant "pooh" + To the garrulous gawp of the gale. + "Oh, woe to the swap of the sweeping swipe + That booms on the hobbling bay!" + Snickered the snark to the snoozing snipe + That lurked where the lamprey lay. + + The gluglug glinked in the glimmering gloam, + Where the buzbuz bumbled his bee-- + When the flimflam flitted, all flecked with foam, + From the sozzling and succulent sea. + "Oh, swither the swipe, with its sweltering sweep!" + She swore as she swayed in a swoon, + And a doleful dank dumped over the deep, + To the lay of the limpid loon! + + +"This was simply horrid, as you all will allow. The queen and her +fairy followers were much relieved when the honest katydid narrated a +pleasant moral in the form of a ballad to this effect: + + CONTENTMENT + + Once on a time an old red hen + Went strutting 'round with pompous clucks, + For she had little babies ten, + A part of which were tiny ducks. + "'T is very rare that hens," said she, + "Have baby ducks as well as chicks-- + But I possess, as you can see, + Of chickens four and ducklings six!" + + A season later, this old hen + Appeared, still cackling of her luck, + For, though she boasted babies ten, + Not one among them was a duck! + "'T is well," she murmured, brooding o'er + The little chicks of fleecy down-- + "My babies now will stay ashore, + And, consequently, cannot drown!" + + The following spring the old red hen + Clucked just as proudly as of yore-- + But lo! her babes were ducklings ten, + Instead of chickens, as before! + "'T is better," said the old red hen, + As she surveyed her waddling brood; + "A little water now and then + Will surely do my darlings good!" + + But oh! alas, how very sad! + When gentle spring rolled round again + The eggs eventuated bad, + And childless was the old red hen! + Yet patiently she bore her woe, + And still she wore a cheerful air, + And said: "'T is best these things are so, + For babies are a dreadful care!" + + I half suspect that many men, + And many, many women, too, + Could learn a lesson from the hen + With foliage of vermilion hue; + She ne'er presumed to take offence + At any fate that might befall, + But meekly bowed to Providence-- + She was contented--that was all! + + +"Then the fairies would resume their dancing. Each little gentleman +fairy would bow to his lady fairy and sing in the most musical of +voices: + + Sweet little fairy, + Tender and airy, + Come, let us dance on the good baby-eyes; + Merrily skipping, + Cheerily tripping, + Murmur we ever our soft lullabies. + + +"And then, as the rest danced, the fairy queen sang the following +slumber-song, accompanied by the orchestra: + + A FAIRY LULLABY + + There are two stars in yonder steeps + That watch the baby while he sleeps. + But while the baby is awake + And singing gayly all day long, + The little stars their slumbers take + Lulled by the music of his song. + So sleep, dear tired baby, sleep + While little stars their vigils keep. + + Beside his loving mother-sheep + A little lambkin is asleep; + What does he know of midnight gloom--- + He sleeps, and in his quiet dreams + He thinks he plucks the clover bloom + And drinks at cooling, purling streams. + And those same stars the baby knows + Sing softly to the lamb's repose. + + Sleep, little lamb; sleep, little child-- + The stars are dim--the night is wild; + But o'er the cot and o'er the lea + A sleepless eye forever beams-- + A shepherd watches over thee + In all thy little baby dreams; + The shepherd loves his tiny sheep-- + Sleep, precious little lambkin, sleep! + + +"That is very pretty, indeed!" exclaimed the brass candlestick. + +"So it is," replied the little shoe, "but you should hear it sung by +the fairy queen!" + +"Did the operetta end with that lullaby?" inquired the cigar-case. + +"Oh, no," said the little shoe. "No sooner had the queen finished her +lullaby than an old gran'ma fairy, wearing a quaint mob-cap and large +spectacles, limped forward with her crutch and droned out a curious +ballad, which seemed to be for the special benefit of the boy and girl +fairies, very many of whom were of the company. This ballad was as +follows: + + BALLAD OF THE JELLY-CAKE + + A little boy whose name was Tim + Once ate some jelly-cake for tea-- + Which cake did not agree with him, + As by the sequel you shall see. + "My darling child," his mother said, + "Pray do not eat that jelly-cake, + For, after you have gone to bed, + I fear 't will make your stomach ache!" + But foolish little Tim demurred + Unto his mother's warning word. + + That night, while all the household slept, + Tim felt an awful pain, and then + From out the dark a nightmare leapt + And stood upon his abdomen! + "I cannot breathe!" the infant cried-- + "Oh, Mrs. Nightmare, pity take!" + "There is no mercy," she replied, + "For boys who feast on jelly-cake!" + And so, despite the moans of Tim, + The cruel nightmare went for him. + + At first, she 'd tickle Timmy's toes + Or roughly smite his baby cheek-- + And now she 'd rudely tweak his nose + And other petty vengeance wreak; + And then, with hobnails in her shoes + And her two horrid eyes aflame, + The mare proceeded to amuse + Herself by prancing o'er his frame--- + First to his throbbing brow, and then + Back to his little feet again. + + At last, fantastic, wild, and weird, + And clad in garments ghastly grim, + A scowling hoodoo band appeared + And joined in worrying little Tim. + Each member of this hoodoo horde + Surrounded Tim with fierce ado + And with long, cruel gimlets bored + His aching system through and through, + And while they labored all night long + The nightmare neighed a dismal song. + + Next morning, looking pale and wild, + Poor little Tim emerged from bed-- + "Good gracious! what can ail the child!" + His agitated mother said. + "We live to learn," responded he, + "And I have lived to learn to take + Plain bread and butter for my tea, + And never, never, jelly-cake! + For when my hulk with pastry teems, + I must _expect_ unpleasant dreams!" + + +"Now you can imagine this ballad impressed the child fairies very +deeply," continued the little shoe. "Whenever the gran'ma fairy sang +it, the little fairies expressed great surprise that boys and girls +ever should think of eating things which occasioned so much trouble. +So the night was spent in singing and dancing, and our master would +sleep as sweetly as you please. At last the lark--what a beautiful +bird she is--would flutter against the window panes, and give the +fairies warning in these words: + + MORNING SONG + + The eastern sky is streaked with red, + The weary night is done, + And from his distant ocean bed + Rolls up the morning sun. + The dew, like tiny silver beads + Bespread o'er velvet green, + Is scattered on the wakeful meads + By angel hands unseen. + "Good-morrow, robin in the trees!" + The star-eyed daisy cries; + "Good-morrow," sings the morning breeze + Unto the ruddy skies; + "Good-morrow, every living thing!" + Kind Nature seems to say, + And all her works devoutly sing + A hymn to birth of day, + So, haste, without delay, + Haste, fairy friends, on silver wing, + And to your homes away! + + +"But the fairies could never leave little master so unceremoniously. +Before betaking themselves to their pretty homes under the rocks near +the brook, they would address a parting song to his eyes, and this song +they called a matin invocation: + + TO A SLEEPING BABY'S EYES + + And thou, twin orbs of love and joy! + Unveil thy glories with the morn-- + Dear eyes, another day is born-- + Awake, O little sleeping boy! + Bright are the summer morning skies, + But in this quiet little room + There broods a chill, oppressive gloom-- + All for the brightness of thine eyes. + Without those radiant orbs of thine + How dark this little world would be-- + This sweet home-world that worships thee-- + So let their wondrous glories shine + On those who love their warmth and joy-- + Awake, O sleeping little boy. + + +"So that ended the fairy operetta, did it?" inquired the match-box. + +"Yes," said the little shoe, with a sigh of regret. "The fairies were +such bewitching creatures, and they sang so sweetly, I could have +wished they would never stop their antics and singing. But, alas! I +fear I shall never see them again." + +"What makes you think so?" asked the brass candlestick. + +"I 'm sure I can't tell," replied the little shoe; "only everything is +so strange-like and so changed from what it used to be that I hardly +know whether indeed I am still the same little shoe I used to be." + +"Why, what can you mean?" queried the old clock, with a puzzled look on +her face. + +"I will try to tell you," said the little shoe. "You see, my mate and +our master and I were great friends; as I have said, we roamed and +frolicked around together all day, and at night my little mate and I +watched at master's bedside while he slept. One day we three took a +long ramble, away up the street and beyond where the houses were built, +until we came into a beautiful green field, where the grass was very +tall and green, and where there were pretty flowers of every kind. Our +little master talked to the flowers and they answered him, and we all +had a merry time in the meadow that afternoon, I can tell you. 'Don't +go away, little child,' cried the daisies, 'but stay and be our +playfellow always.' A butterfly came and perched on our master's hand, +and looked up and smiled, and said: 'I 'm not afraid of _you_; you +would n't hurt me, would you?' A little mouse told us there was a +thrush's nest in the bush yonder, and we hurried to see it. The lady +thrush was singing her four babies to sleep. They were strange-looking +babies, with their gaping mouths, bulbing eyes, and scant feathers! +'Do not wake them up,' protested the lady thrush. 'Go a little further +on and you will come to the brook. I will join you presently.' So we +went to the brook." + +"Oh, but I would have been afraid," suggested the pen-wiper. + +"Afraid of the brook!" cried the little shoe. "Oh, no; what could be +prettier than the brook! We heard it singing in the distance. We +called to it and it bade us welcome. How it smiled in the sunshine! +How restless and furtive and nimble it was, yet full of merry prattling +and noisy song. Our master was overjoyed. He had never seen the brook +before; nor had we, for that matter. 'Let me cool your little feet,' +said the brook, and, without replying, our master waded knee-deep into +the brook. In an instant we were wet through--my mate and I; but how +deliciously cool it was here in the brook, and how smooth and bright +the pebbles were! One of the pebbles told me it had come many, many +miles that day from its home in the hills where the brook was born." + +"Pooh, I don't believe it," sneered the vase. + +"Presently our master toddled back from out the brook," continued the +little shoe, heedless of the vase's interruption, "and sat among the +cowslips and buttercups on the bank. The brook sang on as merrily as +before. 'Would you like to go sailing?' asked our master of my mate. +'Indeed I would,' replied my mate, and so our master pulled my mate +from his little foot and set it afloat upon the dancing waves of the +brook. My mate was not the least alarmed. It spun around gayly +several times at first and then glided rapidly away. The butterfly +hastened and alighted upon the merry little craft. 'Where are you +going?' I cried. 'I am going down to the sea,' replied my little mate, +with laughter. 'And I am going to marry the rose in the far-away +south,' cried the butterfly. 'But will you not come back?' I cried. +They answered me, but they were so far away I could not hear them. It +was very distressing, and I grieved exceedingly. Then, all at once, I +discovered my little master was asleep, fast asleep among the cowslips +and buttercups. I did not try to wake him--only I felt very miserable, +for I was so cold and wet. Presently the lady thrush came, as she had +said she would. The child is asleep--he will be ill--I must hasten to +tell his mother,' she cried, and away she flew." + +"And was he sick?" asked the vase. + +"I do not know," said the little shoe. "I can remember it was late +that evening when the sweet lady and others came and took us up and +carried us back home, to this very room. Then I was pulled off very +unceremoniously and thrown under my little master's bed, and I never +saw my little master after that. + +"How very strange!" exclaimed the match-safe. + +"Very, very strange," repeated the shoe. "For many days and nights I +lay under the crib all alone. I could hear my little master sighing +and talking as if in a dream. Sometimes he spoke of me, and of the +brook, and of my little mate dancing to the sea, and one night he +breathed very loud and quick and he cried out and seemed to struggle, +and then, all at once, he stopped, and I could hear the sweet lady +weeping. But I remember all this very faintly. I was hoping the +fairies would come back, but they never came. + +"I remember," resumed the little shoe, after a solemn pause, "I +remember how, after a long, long time, the sweet lady came and drew me +from under the crib and held me in her lap and kissed me and wept over +me. Then she put me in a dark, lonesome drawer, where there were +dresses and stockings and the little hat my master used to wear. There +I lived, oh! such a weary time, and we talked--the dresses, the +stockings, the hat, and I did--about our little master, and we wondered +that he never came. And every little while the sweet lady would take +us from the drawer and caress us, and we saw that she was pale and that +her eyes were red with weeping." + +"But has your little master never come back!" asked the old clock. + +"Not yet," said the little shoe, "and that is why I am so very +lonesome. Sometimes I think he has gone down to the sea in search of +my little mate and that the two will come back together. But I do not +understand it. The sweet lady took me from the drawer to-day and +kissed me and set me here on the mantelpiece." + +"You don't mean to say she kissed you?" cried the haughty vase, "you +horrid little stumped-out shoe!" + +"Indeed she did," insisted the lonesome little shoe, "and I know she +loves me. But why she loves me and kisses me and weeps over me I do +not know. It is all very strange. I do not understand it at all." + + + +***END OF THE PROJECT GUTENBERG EBOOK THE HOLY CROSS AND OTHER TALES*** + + +******* This file should be named 21807-8.txt or 21807-8.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/2/1/8/0/21807 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/21807-8.zip b/21807-8.zip Binary files differnew file mode 100644 index 0000000..b2d3efb --- /dev/null +++ b/21807-8.zip diff --git a/21807-h.zip b/21807-h.zip Binary files differnew file mode 100644 index 0000000..c1459a8 --- /dev/null +++ b/21807-h.zip diff --git a/21807-h/21807-h.htm b/21807-h/21807-h.htm new file mode 100644 index 0000000..48c5a49 --- /dev/null +++ b/21807-h/21807-h.htm @@ -0,0 +1,7214 @@ +<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1"> +<title>The Project Gutenberg eBook of The Holy Cross and Other Tales, by Eugene Field</title> +<style type="text/css"> +BODY { color: Black; + background: White; + margin-right: 5%; + margin-left: 10%; + font-size: medium; + font-family: "Times New Roman", serif; + text-align: justify } + +P {text-indent: 4% } + +P.noindent {text-indent: 0% } + +P.story {text-indent: 4%; + margin-left: 0%; + margin-right: 0%; + font-size: small } + +P.poem {text-indent: 0%; + margin-left: 10%; + font-size: small } + +P.letter {font-size: small ; + margin-left: 10% ; + margin-right: 10% } + +P.salutation {font-size: small ; + text-indent: 0%; + margin-left: 10% ; + margin-right: 10% } + +P.closing {font-size: small ; + text-indent: 0%; + margin-left: 10% ; + margin-right: 10% } + +P.footnote {font-size: small ; + text-indent: 0% ; + margin-left: 0% ; + margin-right: 0% } + +P.transnote {font-size: small ; + text-indent: 0% ; + margin-left: 0% ; + margin-right: 0% } + +P.index {font-size: small ; + text-indent: -5% ; + margin-left: 5% ; + margin-right: 0% } + +P.intro {font-size: medium ; + text-indent: -5% ; + margin-left: 5% ; + margin-right: 0% } + +P.dedication {text-indent: 0%; + margin-left: 15%; + text-align: justify } + +P.published {font-size: small ; + text-indent: 0% ; + margin-left: 15% } + +P.quote {font-size: small ; + text-indent: 4% ; + margin-left: 0% ; + margin-right: 0% } + +P.report {font-size: small ; + text-indent: 4% ; + margin-left: 0% ; + margin-right: 0% } + +P.report2 {font-size: small ; + text-indent: 4% ; + margin-left: 10% ; + margin-right: 10% } + +P.finis { text-align: center ; + text-indent: 0% ; + margin-left: 0% ; + margin-right: 0% } + +H3.h3left { margin-left: 0%; + margin-right: 1%; + margin-bottom: .5% ; + margin-top: 0; + float: left ; + clear: left ; + text-align: center } + +H3.h3right { margin-left: 1%; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + float: right ; + clear: right ; + text-align: center } + +H3.h3center { margin-left: 0; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + float: none ; + clear: both ; + text-align: center } + +H4.h4left { margin-left: 0%; + margin-right: 1%; + margin-bottom: .5% ; + margin-top: 0; + float: left ; + clear: left ; + text-align: center } + +H4.h4right { margin-left: 1%; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + float: right ; + clear: right ; + text-align: center } + +H4.h4center { margin-left: 0; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + float: none ; + clear: both ; + text-align: center } + +H5.h5left { margin-left: 0%; + margin-right: 1%; + margin-bottom: .5% ; + margin-top: 0; + float: left ; + clear: left ; + text-align: center } + +H5.h5right { margin-left: 1%; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + float: right ; + clear: right ; + text-align: center } + +H5.h5center { margin-left: 0; + margin-right: 0 ; + margin-bottom: .5% ; + margin-top: 0; + float: none ; + clear: both ; + text-align: center } + +IMG.imgleft { float: left; + clear: left; + margin-left: 0; + margin-bottom: 0; + margin-top: 1%; + margin-right: 1%; + padding: 0; + text-align: center } + +IMG.imgright {float: right; + clear: right; + margin-left: 1%; + margin-bottom: 0; + margin-top: 1%; + margin-right: 0; + padding: 0; + text-align: center } + +IMG.imgcenter { margin-left: auto; + margin-bottom: 0; + margin-top: 1%; + margin-right: auto; } + +.pagenum { position: absolute; + left: 1%; + font-size: 95%; + text-align: left; + text-indent: 0; + font-style: normal; + font-weight: normal; + font-variant: normal; } + + hr.full { width: 100%; + height: 5px; } + a:link { color:blue; + text-decoration:none; } + link { color:blue; + text-decoration:none; } + a:visited { color:blue; + text-decoration:none; } + a:hover { color:red; + text-decoration: underline; } + pre { font-size: 75%; } + +</style> +</head> +<body> +<h1 align="center">The Project Gutenberg eBook, The Holy Cross and Other Tales, by Eugene +Field, Illustrated by S. W. Van Schaik</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: The Holy Cross and Other Tales</p> +<p>Author: Eugene Field</p> +<p>Release Date: June 11, 2007 [eBook #21807]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK THE HOLY CROSS AND OTHER TALES***</p> +<br><br><center><h3>E-text prepared by Al Haines</h3></center><br><br> +<p> </p> +<hr class="full" noshade> +<p> </p> + +<A NAME="img-front"></A> +<CENTER> +<IMG CLASS="imgcenter" SRC="images/img-front.jpg" ALT=""Presently the whole company was moved by a gentle pity." Drawn by S. W. Van Schaik." BORDER="2" WIDTH="306" HEIGHT="462"> +<H3 CLASS="h3center" STYLE="width: 306px"> +"Presently the whole company was moved by a gentle pity."<BR>Drawn by S. W. Van Schaik. +</H3> +</CENTER> + +<BR><BR> + + +<H3 ALIGN="center"> +THE WORKS OF EUGENE FIELD +<BR> +Vol. V +<BR><BR> +THE WRITINGS IN PROSE AND VERSE OF EUGENE FIELD +</H3> + +<BR><BR> + +<H1 ALIGN="center"> +THE HOLY CROSS AND OTHER TALES +</H1> + +<BR><BR> + +<H4 ALIGN="center"> +CHARLES SCRIBNER'S SONS +<BR> +NEW YORK +<BR> +1911 +</H4> + +<BR><BR><BR> + +<H5 ALIGN="center"> +Copyright, 1893, by +<BR> +EUGENE FIELD. +<BR><BR> +Copyright, 1896, by +<BR> +JULIA SUTHERLAND FIELD. +</H5> + +<BR><BR><BR> + +<H3 ALIGN="center"> +DEDICATED WITH LOVE +<BR> +AND GRATITUDE TO +<BR> +ROSWELL MARTIN FIELD +</H3> + +<BR><BR><BR> + +<H3 ALIGN="center"> +NOTE. +</H3> + +<P CLASS="noindent"> +To this volume as it was originally issued have been added five Tales, +beginning with "The Platonic Bassoon," which are characteristic of the +various moods, serious, gay, or pathetic, out of which grew the best +work of the author's later years. +</P> + +<BR><BR><BR> + +<H3 ALIGN="center"> +INTRODUCTION +</H3> + +<H3 ALIGN="center"> +ALAS, POOR YORICK! +</H3> + +<P> +In paying a tribute to the mingled mirth and tenderness of Eugene +Field—the poet of whose going the West may say, "He took our daylight +with him"—one of his fellow journalists has written that he was a +jester, but not of the kind that Shakespeare drew in Yorick. He was +not only,—so the writer implied,—the maker of jibes and fantastic +devices, but the bard of friendship and affection, of melodious lyrical +conceits; he was the laureate of children—dear for his "Wynken, +Blynken and Nod" and "Little Boy Blue"; the scholarly book-lover, +withal, who relished and paraphrased his Horace, who wrote with delight +a quaint archaic English of his special devising; who collected rare +books, and brought out his own "Little Books" of "Western Verse" and +"Profitable Tales" in high-priced limited editions, with broad margins +of paper that moths and rust do not corrupt, but which tempts +bibliomaniacs to break through and steal. +</P> + +<P> +For my own part, I would select Yorick as the very forecast, in +imaginative literature, of our various Eugene. Surely Shakespeare +conceived the "mad rogue" of Elsinore as made up of grave and gay, of +wit and gentleness, and not as a mere clown or "jig maker." It is true +that when Field put on his cap and bells, he too was "wont to set the +table on a roar," as the feasters at a hundred tables, from "Casey's +Table d'Hôte" to the banquets of the opulent East, now rise to testify. +But Shakespeare plainly reveals, concerning Yorick, that mirth was not +his sole attribute,—that his motley covered the sweetest nature and +the tenderest heart. It could be no otherwise with one who loved and +comprehended childhood and whom the children loved. And what does +Hamlet say?—"He hath borne me upon his back a thousand times … +Here hung those lips that I have kissed I know not how oft!" Of what +is he thinking but of his boyhood, before doubts and contemplation +wrapped him in the shadow, and when in his young grief or frolic the +gentle Yorick, with his jest, his "excellent fancy," and his songs and +gambols, was his comrade? +</P> + +<P> +Of all moderns, then, here or in the old world, Eugene Field seems to +be most like the survival, or revival, of the ideal jester of knightly +times; as if Yorick himself were incarnated, or as if a superior bearer +of the bauble at the court of Italy, or of France, or of English King +Hal, had come to life again—as much out of time as Twain's Yankee at +the Court of Arthur; but not out of place,—for he fitted himself as +aptly to his folk and region as Puck to the fays and mortals of a wood +near Athens. In the days of divine sovereignty, the jester, we see, +was by all odds the wise man of the palace; the real fools were those +he made his butt—the foppish pages, the obsequious courtiers, the +swaggering guardsmen, the insolent nobles, and not seldom majesty +itself. And thus it is that painters and romancers have loved to draw +him. Who would not rather be Yorick than Osric, or Touchstone than Le +Beau, or even poor Bertuccio than one of his brutal mockers? Was not +the redoubtable Chicot, with his sword and brains, the true ruler of +France? To come to the jesters of history—which is so much less real +than fiction—what laurels are greener than those of Triboulet, and +Will Somers, and John Heywood—dramatist and master of the king's merry +Interludes? Their shafts were feathered with mirth and song, but +pointed with wisdom, and well might old John Trussell say "That it +often happens that wise counsel is more sweetly followed when it is +tempered with folly, and earnest is the less offensive if it be +delivered in jest." +</P> + +<P> +Yes, Field "caught on" to his time—a complex American, with the +obstreperous <I>bizarrerie</I> of the frontier and the artistic delicacy of +our oldest culture always at odds within him—but he was, above all, a +child of nature, a frolic incarnate, and just as he would have been in +any time or country. Fortune had given him that unforgettable mummer's +face,—that clean-cut, mobile visage,—that animated natural mask! No +one else had so deep and rich a voice for the rendering of the music +and pathos of a poet's lines, and no actor ever managed both face and +voice better than he in delivering his own verses merry or sad. One +night, he was seen among the audience at "Uncut Leaves," and was +instantly requested to do something towards the evening's +entertainment. As he was not in evening dress, he refused to take the +platform, but stood up in the lank length of an ulster, from his corner +seat, and recited "Dibdin's Ghost" and "Two Opinions" in a manner which +blighted the chances of the readers that came after him. It is true +that no clown ever equalled the number and lawlessness of his practical +jokes. Above all, every friend that he had—except the Dean of his +profession, for whom he did exhibit unbounded and filial reverence—was +soon or late a victim of his whimsicality, or else justly distrusted +the measure of Field's regard for him. Nor was the friendship +perfected until one bestirred himself to pay Eugene back in kind. As +to this, I am only one of scores now speaking from personal experience. +There seemed to be no doubt in his mind that the victim of his fun, +even when it outraged common sensibilities, <I>must</I> enjoy it as much as +he. Who but Eugene, after being the welcome guest, at a European +capital, of one of our most ambitious and refined ambassadors, would +have written a lyric, sounding the praises of a German "onion pie," +ending each stanza with +</P> + +<P CLASS="poem"> +Ach, Liebe! Ach, mein Gott!<BR> +</P> + +<P CLASS="noindent"> +and would have printed it in America, with his host's initials affixed? +</P> + +<P> +My own matriculation at Eugene's College of Unreason was in this wise. +In 1887, Mr. Ben Ticknor, the Boston publisher, was complaining that he +needed some new and promising authors to enlarge his book-list. The +New York "Sun" and "Tribune" had been copying Field's rhymes and prose +extravaganzas—the former often very charming, the latter the broadest +satire of Chicago life and people. I suggested to Mr. Ticknor that he +should ask the poet-humorist to collect, for publication in book-form, +the choicest of his writings thus far. To make the story brief, Mr. +Field did so, and the outcome—at which I was somewhat taken aback—was +the remarkable book, "Culture's Garland," with its title imitated from +the sentimental "Annuals" of long ago, and its cover ornamented with +sausages linked together as a coronal wreath! The symbol certainly +fitted the greater part of the contents, which ludicrously scored the +Chicago "culture" of that time, and made Pullman, Armour, and other +commercial magnates of the Lakeside City special types in illustration. +All this had its use, and many of the sufferers long since became the +<I>farceur's</I> devoted friends. The Fair showed the country what Chicago +really was and is. Certainly there is no other American city where the +richest class appear so enthusiastic with respect to art and +literature. "The practice of virtue makes men virtuous," and even if +there was some pretence and affectation in the culture of ten years +ago, it has resulted in as high standards of taste as can elsewhere be +found. Moreover, if our own "four hundred" had even affected, or made +it the fashion to be interested in, whatever makes for real culture, +the intellectual life of this metropolis would not now be so far apart +from the "social swim." There were scattered through "Culture's +Garland" not a few of Field's delicate bits of verse. In some way he +found that I had instigated Mr. Ticknor's request, and, although I was +thinking solely of the publisher's interests, he expressed unstinted +gratitude. Soon afterwards I was delighted to receive from him a +quarto parchment "breviary," containing a dozen ballads, long and +short, engrossed in his exquisitely fine handwriting, and illuminated +with colored borders and drawings by the poet himself. It must have +required days for the mechanical execution, and certainly I would not +now exchange it for its weight in diamonds. This was the way our +friendship began. It was soon strengthened by meetings and +correspondence, and never afterwards broken. +</P> + +<P> +Some years ago, however, I visited Chicago, to lecture, at the +invitation of its famous social and literary "Twentieth Century Club." +This was Eugene's opportunity, and I ought not to have been as +dumfounded as I was, one day, when our evening papers copied from the +"Chicago Record" a "very pleasant joke" at the expense of his town and +myself! It was headed: "Chicago Excited! Tremendous Preparations for +His Reception," and went on to give the order and route of a procession +that was to be formed at the Chicago station and escort me to my +quarters—stopping at Armour's packing-yards and the art-galleries on +the way. It included the "Twentieth Century Club" in carriages, the +"Browning Club" in busses, and the "Homer Club" in drays; ten +millionnaire publishers, and as many pork-packers, in a chariot drawn +by white horses, followed by not less than two hundred Chicago poets +afoot! I have no doubt that Eugene thought I would enjoy this kind of +advertisement as heartily as he did. If so, he lacked the gift of +putting himself in the other man's place. But his sardonic face, +a-grin like a school-boy's, was one with two others which shone upon me +when I did reach Chicago, and my pride was not wounded sufficiently to +prevent me from enjoying the restaurant luncheon to which he bore me +off in triumph. I did promise to square accounts with him, in time, +and this is how I fulfilled my word. The next year, at a meeting of a +suburban "Society of Authors," a certain lady-journalist was chaffed as +to her acquaintanceship with Field, and accused of addressing him as +"Gene." At this she took umbrage, saying: "It's true we worked +together on the same paper for five years, but he was always a perfect +gentleman. I <I>never</I> called him 'Gene.'" This was reported by the +press, and gave me the refrain for a skit entitled "Katharine and +Eugenio:" +</P> + +<P CLASS="poem"> +Five years she sate a-near him<BR> +<SPAN STYLE="margin-left: 1em">Within that type-strewn loft;</SPAN><BR> +She handed him the paste-pot,<BR> +<SPAN STYLE="margin-left: 1em">He passed the scissors oft;</SPAN><BR> +They dipped in the same inkstand<BR> +<SPAN STYLE="margin-left: 1em">That crowned their desk between,</SPAN><BR> +Yet—he never called her Katie,<BR> +<SPAN STYLE="margin-left: 1em">She never called him "Gene."</SPAN><BR> +</P> + +<P CLASS="poem"> +Though close—ah! close—the droplight<BR> +<SPAN STYLE="margin-left: 1em">That classic head revealed,</SPAN><BR> +She was to him Miss Katharine,<BR> +<SPAN STYLE="margin-left: 1em">He—naught but Mister Field;</SPAN><BR> +Decorum graced his upright brow<BR> +<SPAN STYLE="margin-left: 1em">And thinned his lips serene,</SPAN><BR> +And, though he wrote a poem each hour,<BR> +<SPAN STYLE="margin-left: 1em">Why should she call him "Gene?"</SPAN><BR> +</P> + +<P CLASS="poem"> +She gazed at his sporadic hair—<BR> +<SPAN STYLE="margin-left: 1em">She knew his hymns by rote;</SPAN><BR> +They longed to dine together<BR> +<SPAN STYLE="margin-left: 1em">At Casey's table d'hôte;</SPAN><BR> +Alas, that Fortune's "hostages"—<BR> +<SPAN STYLE="margin-left: 1em">But let us draw a screen!</SPAN><BR> +He dared not call her Katie;<BR> +<SPAN STYLE="margin-left: 1em">How <I>could</I> she call him "Gene?"</SPAN><BR> +</P> + +<P CLASS="noindent"> +I signed my verses "By one of Gene's Victims"; they appeared in <I>The +Tribune</I>, and soon were copied by papers in every part of the country. +Other stanzas, with the same refrain, were added by the funny men of +the southern and western press, and it was months before 'Gene' saw the +last of them. The word "Eugenio," which was the name by which I always +addressed him in our correspondence, left him in no doubt as to the +initiator of the series, and so our "Merry War" ended, I think, with a +fair quittance to either side. +</P> + +<P> +Grieving, with so many others, over Yorick's premature death, it is a +solace for me to remember how pleasant was our last interchange of +written words. Not long ago, he was laid very low by pneumonia, but +recovered, and before leaving his sickroom wrote me a sweetly serious +letter—with here and there a sparkle in it—but in a tone sobered by +illness, and full of yearning for a closer companionship with his +friends. At the same time he sent me the first editions, long ago +picked up, of all my earlier books, and begged me to write on their +fly-leaves. This I did; with pains to gratify him as much as possible, +and in one of the volumes wrote this little quatrain: +</P> + +<P CLASS="poem"> +TO EUGENE FIELD +</P> + +<P CLASS="poem"> +Death thought to claim you in this year of years,<BR> +<SPAN STYLE="margin-left: 1em">But Fancy cried—and raised her shield between—</SPAN><BR> +"Still let men weep, and smile amid their tears;<BR> +<SPAN STYLE="margin-left: 1em">Take any two beside, but spare Eugene!"</SPAN><BR> +</P> + +<P CLASS="noindent"> +In view of his near escape, the hyperbole, if such there was, might +well be pardoned, and it touched Eugene so manifestly that—now that +the eddy indeed has swept him away, and the Sabine Farm mourns for its +new-world Horace—I cannot be too thankful that such was my last +message to him. +</P> + +<P> +Eugene Field was so mixed a compound that it will always be impossible +quite to decide whether he was wont to judge critically of either his +own conduct or his literary creations. As to the latter, he put the +worst and the best side by side, and apparently cared alike for both. +That he did much beneath his standard, fine and true at times,—is +unquestionable, and many a set of verses went the rounds that harmed +his reputation. On the whole, I think this was due to the fact that he +got his stated income as a newspaper poet and jester, and had to +furnish his score of "Sharps and Flats" with more or less regularity. +For all this, he certainly has left pieces, compact of the rarer +elements, sufficient in number to preserve for him a unique place among +America's most original characters, scholarly wits, and poets of +brightest fancy. Yorick is no more! But his genius will need no +chance upturning of his grave-turf for its remembrance. When all is +sifted, its fame is more likely to strengthen than to decline. +</P> + +<P CLASS="noindent"> +EDMUND CLARENCE STEDMAN. +</P> + +<BR> + +<P> +[Originally contributed to the "Souvenir Book" of the N.Y. Hebrew Fair, +December, 1895.] +</P> + +<BR><BR><BR> + +<H2 ALIGN="center"> +Contents +</H2> + +<BR> + +<P CLASS="noindent"> +<A HREF="#chap01">THE HOLY CROSS</A> +<BR> +<A HREF="#chap02">THE ROSE AND THE THRUSH</A> +<BR> +<A HREF="#chap03">THE PAGAN SEAL-WIFE</A> +<BR> +<A HREF="#chap04">FLAIL, TRASK, AND BISLAND</A> +<BR> +<A HREF="#chap05">THE TOUCH IN THE HEART</A> +<BR> +<A HREF="#chap06">DANIEL AND THE DEVIL</A> +<BR> +<A HREF="#chap07">METHUSELAH</A> +<BR> +<A HREF="#chap08">FÉLICE AND PETIT-POULAIN</A> +<BR> +<A HREF="#chap09">THE RIVER</A> +<BR> +<A HREF="#chap10">FRANZ ABT</A> +<BR> +<A HREF="#chap11">MISTRESS MERCILESS</A> +<BR> +<A HREF="#chap12">THE PLATONIC BASSOON</A> +<BR> +<A HREF="#chap13">HAWAIIAN FOLK TALES</A> +<BR> +<A HREF="#chap14">LUTE BAKER AND HIS WIFE EM</A> +<BR> +<A HREF="#chap15">JOEL'S TALK WITH SANTA CLAUS</A> +<BR> +<A HREF="#chap16">THE LONESOME LITTLE SHOE</A> +</P> + +<BR><BR><BR> + +<A NAME="chap01"></A> + +<H3 ALIGN="center"> +THE HOLY CROSS +</H3> + +<P> +Whilst the noble Don Esclevador and his little band of venturesome +followers explored the neighboring fastnesses in quest for gold, the +Father Miguel tarried at the shrine which in sweet piety they had hewn +out of the stubborn rock in that strangely desolate spot. Here, upon +that serene August morning, the holy Father held communion with the +saints, beseeching them, in all humility, to intercede with our beloved +Mother for the safe guidance of the fugitive Cortes to his native +shores, and for the divine protection of the little host, which, +separated from the Spanish army, had wandered leagues to the northward, +and had sought refuge in the noble mountains of an unknown land. The +Father's devotions were, upon a sudden, interrupted by the approach of +an aged man who toiled along the mountain-side path,—a man so aged and +so bowed and so feeble that he seemed to have been brought down into +that place, by means of some necromantic art, out of distant centuries. +His face was yellow and wrinkled like ancient parchment, and a beard +whiter than Samite streamed upon his breast, whilst about his withered +body and shrunken legs hung faded raiment which the elements had +corroded and the thorns had grievously rent. And as he toiled along, +the aged man continually groaned, and continually wrung his palsied +hands, as if a sorrow, no lighter than his years, afflicted him. +</P> + +<P> +"In whose name comest thou?" demanded the Father Miguel, advancing a +space toward the stranger, but not in threatening wise; whereat the +aged man stopped in his course and lifted his eyebrows, and regarded +the Father a goodly time, but he spake no word. +</P> + +<P> +"In whose name comest thou?" repeated the priestly man. "Upon these +mountains have we lifted up the cross of our blessed Lord in the name +of our sovereign liege, and here have we set down a tabernacle to the +glory of the Virgin and of her ever-blessed son, our Redeemer and +thine,—whoso thou mayest be!" +</P> + +<P> +"Who is thy king I know not," quoth the aged man, feebly; "but the +shrine in yonder wall of rock I know; and by that symbol which I see +therein, and by thy faith for which it stands, I conjure thee, as thou +lovest both, give me somewhat to eat and to drink, that betimes I may +go upon my way again, for the journey before me is a long one." +</P> + +<P> +These words spake the old man in tones of such exceeding sadness that +the Father Miguel, touched by compassion, hastened to meet the +wayfarer, and, with his arms about him, and with whisperings of sweet +comfort, to conduct him to a resting-place. Coarse food in goodly +plenty was at hand; and it happily fortuned, too, that there was a +homely wine, made by Pietro del y Saguache himself, of the wild grapes +in which a neighboring valley abounded. Of these things anon the old +man partook, greedily but silently, and all that while he rolled his +eyes upon the shrine; and then at last, struggling to his feet, he made +as if to go upon his way. +</P> + +<P> +"Nay," interposed the Father Miguel, kindly; "abide with us a season. +Thou art an old man and sorely spent. Such as we have thou shalt have, +and if thy soul be distressed, we shall pour upon it the healing balm +of our blessed faith." +</P> + +<P> +"Little knowest thou whereof thou speakest," quoth the old man, sadly. +"There is no balm can avail me. I prithee let me go hence, ere, +knowing what manner of man I am, thou hatest me and doest evil unto +me." But as he said these words he fell back again even then into the +seat where he had sat, and, as through fatigue, his hoary head dropped +upon his bosom. +</P> + +<P> +"Thou art ill!" cried the Father Miguel, hastening to his side. "Thou +shalt go no farther this day! Give me thy staff,"—and he plucked it +from him. +</P> + +<P> +Then said the old man: "As I am now, so have I been these many hundred +years. Thou hast heard tell of me,—canst thou not guess my name; +canst thou not read my sorrow in my face and in my bosom? As thou art +good and holy through thy faith in that symbol in yonder shrine, +hearken to me, for I will tell thee of the wretch whom thou hast +succored. Then, if it be thy will, give me thy curse and send me on my +way." +</P> + +<P> +Much marvelled the Father Miguel at these words, and he deemed the old +man to be mad; but he made no answer. And presently the old man, +bowing his head upon his hands, had to say in this wise:— +</P> + +<P> +"Upon a time," he quoth, "I abided in the city of the Great +King,—there was I born and there I abided. I was of good stature, and +I asked favor of none. I was an artisan, and many came to my shop, and +my cunning was sought of many,—for I was exceeding crafty in my trade; +and so, therefore, speedily my pride begot an insolence that had +respect to none at all. And once I heard a tumult in the street, as of +the cries of men and boys commingled, and the clashing of arms and +staves. Seeking to know the cause thereof, I saw that one was being +driven to execution,—one that had said he was the Son of God and the +King of the Jews, for which blasphemy and crime against our people he +was to die upon the cross. Overcome by the weight of this cross, which +he bore upon his shoulders, the victim tottered in the street and +swayed this way and that, as though each moment he were like to fall, +and he groaned in sore agony. Meanwhile about him pressed a multitude +that with vast clamor railed at him and scoffed him and smote him, to +whom he paid no heed; but in his agony his eyes were alway uplifted to +heaven, and his lips moved in prayer for them that so shamefully +entreated him. And as he went his way to Calvary, it fortuned that he +fell and lay beneath the cross right at my very door, whereupon, +turning his eyes upon me as I stood over against him, he begged me that +for a little moment I should bear up the weight of the cross whilst +that he wiped the sweat from off his brow. But I was filled with +hatred, and I spurned him with my foot, and I said to him: 'Move on, +thou wretched criminal, move on. Pollute not my doorway with thy +touch,—move on to death, I command thee!' This was the answer I gave +to him, but no succor at all. Then he spake to me once again, and he +said: 'Thou, too, shalt move on, O Jew! Thou shalt move on forever, +but not to death!' And with these words he bore up the cross again and +went upon his way to Calvary. +</P> + +<P> +"Then of a sudden," quoth the old man, "a horror filled my breast, and +a resistless terror possessed me. So was I accursed forevermore. A +voice kept saying always to me: 'Move on, O Jew! move on forever!' +From home, from kin, from country, from all I knew and loved I fled; +nowhere could I tarry,—the nameless horror burned in my bosom, and I +heard continually a voice crying unto me: 'Move on, O Jew! move on +forever!' So, with the years, the centuries, the ages, I have fled +before that cry and in that nameless horror; empires have risen and +crumbled, races have been born and are extinct, mountains have been +cast up and time hath levelled them,—still I do live and still I +wander hither and thither upon the face of the earth, and am an +accursed thing. The gift of tongues is mine,—all men I know, yet +mankind knows me not. Death meets me face to face, and passes me by; +the sea devours all other prey, but will not hide me in its depths; +wild beasts flee from me, and pestilences turn their consuming breaths +elsewhere. On and on and on I go,—not to a home, nor to my people, +nor to my grave, but evermore into the tortures of an eternity of +sorrow. And evermore I feel the nameless horror burn within, whilst +evermore I see the pleading eyes of him that bore the cross, and +evermore I hear his voice crying: 'Move on, O Jew! move on +forevermore!'" +</P> + +<P> +"Thou art the Wandering Jew!" cried the Father Miguel. +</P> + +<P> +"I am he," saith the aged man. "I marvel not that thou dost revolt +against me, for thou standest in the shadow of that same cross which I +have spurned, and thou art illumined with the love of him that went his +way to Calvary. But I beseech thee bear with me until I have told thee +all,—then drive me hence if thou art so minded." +</P> + +<P> +"Speak on," quoth the Father Miguel. +</P> + +<P> +Then said the Jew: "How came I here I scarcely know; the seasons are +one to me, and one day but as another; for the span of my life, O +priestly man! is eternity. This much know you: from a far country I +embarked upon a ship,—I knew not whence 't was bound, nor cared I. I +obeyed the voice that bade me go. Anon a mighty tempest fell upon the +ship and overwhelmed it. The cruel sea brought peace to all but me; a +many days it tossed and buffeted me, then with a cry of exultation cast +me at last upon a shore I had not seen before, a coast far, far +westward whereon abides no human thing. But in that solitude still +heard I from within the awful mandate that sent me journeying onward, +'Move on, O Jew! move on;' and into vast forests I plunged, and mighty +plains I traversed; onward, onward, onward I went, with the nameless +horror in my bosom, and—that cry, that awful cry! The rains beat upon +me; the sun wrought pitilessly with me; the thickets tore my flesh; and +the inhospitable shores bruised my weary feet,—yet onward I went, +plucking what food I might from thorny bushes to stay my hunger, and +allaying my feverish thirst at pools where reptiles crawled. Sometimes +a monster beast stood in my pathway and threatened to devour me; then +would I spread my two arms thus, and welcome death, crying: 'Rend thou +this Jew in twain, O beast! strike thy kindly fangs deep into this +heart,—be not afeard, for I shall make no battle with thee, nor any +outcry whatsoever!' But, lo, the beast would cower before me and skulk +away. So there is no death for me; the judgment spoken is irrevocable; +my sin is unpardonable, and the voice will not be hushed!" +</P> + +<P> +Thus and so much spake the Jew, bowing his hoary head upon his hands. +Then was the Father Miguel vastly troubled; yet he recoiled not from +the Jew,—nay, he took the old man by the hand and sought to soothe him. +</P> + +<P> +"Thy sin was most heinous, O Jew!" quoth the Father; "but it falleth in +our blessed faith to know that whoso repenteth of his sin, what it +soever may be, the same shall surely be forgiven. Thy punishment hath +already been severe, and God is merciful, for even as we are all his +children, even so his tenderness to us is like unto the tenderness of a +father unto his child—yea, and infinitely tenderer and sweeter, for +who can estimate the love of our heavenly Father? Thou didst deny thy +succor to the Nazarene when he besought it, yet so great compassion +hath he that if thou but callest upon him he will forget thy +wrong,—leastwise will pardon it. Therefore be thou persuaded by me, +and tarry here this night, that in the presence of yonder symbol and +the holy relics our prayers may go up with thine unto our blessed +Mother and to the saints who haply shall intercede for thee in +Paradise. Rest here, O sufferer,—rest thou here, and we shall +presently give thee great comfort." The Jew, well-nigh fainting with +fatigue, being persuaded by the holy Father's gentle words, gave +finally his consent unto this thing, and went anon unto the cave beyond +the shrine, and entered thereinto, and lay upon a bed of skins and +furs, and made as if to sleep. And when he slept his sleep was +seemingly disturbed by visions, and he tossed as doth an one that sees +full evil things, and in that sleep he muttered somewhat of a voice he +seemed to hear, though round about there was no sound whatsoever, save +only the soft music of the pine-trees on the mountain-side. Meanwhile +in the shrine, hewn out of those rocks, did the Father Miguel bow +before the sacred symbol of his faith and plead for mercy for that same +Jew that slumbered anear. And when, as the deepening blue mantle of +night fell upon the hilltops and obscured the valleys round about, Don +Esclevador and his sturdy men came clamoring along the mountain-side, +the holy Father met them a way off and bade them have regard to the +aged man that slept in yonder cave. But when he told them of that Jew +and of his misery and of the secret causes thereof, out spake the noble +Don Esclevador, full hotly,— +</P> + +<P> +"By our sweet Christ," he cried, "shall we not offend our blessed faith +and do most impiously in the Virgin's sight if we give this harbor and +this succor unto so vile a sinner as this Jew that hath denied our dear +Lord!" +</P> + +<P> +Which words had like to wrought great evil with the Jew, for instantly +the other men sprang forward as if to awaken the Jew and drive him +forth into the night. But the Father Miguel stretched forth his hands +and commanded them to do no evil unto the Jew, and so persuasively did +he set forth the godliness and the sweetness of compassion that +presently the whole company was moved with a gentle pity toward that +Jew. Therefore it befell anon, when night came down from the skies and +after they had feasted upon their homely food as was their wont, that +they talked of the Jew, and thinking of their own hardships and +misfortunes (whereof it is not now to speak), they had all the more +compassion to that Jew, which spake them passing fair, I ween. +</P> + +<P> +Now all this while lay the Jew upon the bed of skins and furs within +the cave, and though he slept (for he was exceeding weary), he tossed +continually from side to side, and spoke things in his sleep, as if his +heart were sorely troubled, and as if in his dreams he beheld grievous +things. And seeing the old man, and hearing his broken speech, the +others moved softly hither and thither and made no noise soever lest +they should awaken him. And many an one—yes, all that valiant company +bowed down that night before the symbol in the shrine, and with sweet +reverence called upon our blessed Virgin to plead in the cause of that +wretched Jew. Then sleep came to all, and in dreams the noble Don +Esclevador saw his sovereign liege, and kneeled before his throne, and +heard his sovereign liege's gracious voice; in dreams the heartweary +soldier sailed the blue waters of the Spanish main, and pressed his +native shore, and beheld once again the lovelight in the dark eyes of +her that awaited him; in dreams the mountain-pines were kissed of the +singing winds, and murmured drowsily and tossed their arms as do little +children that dream of their play; in dreams the Jew swayed hither and +thither, scourged by that nameless horror in his bosom, and seeing the +pleading eyes of our dying Master, and hearing that awful mandate: +"Move on, O Jew! move on forever!" So each slept and dreamed his +dreams,—all slept but the Father Miguel, who alone throughout the +night kneeled in the shrine and called unto the saints and unto our +Mother Mary in prayer. And his supplication was for that Jew; and the +mists fell upon that place and compassed it about, and it was as if the +heavens had reached down their lips to kiss the holy shrine. And +suddenly there came unto the Jew a quiet as of death, so that he tossed +no more in his sleep and spake no word, but lay exceeding still, +smiling in his sleep as one who sees his home in dreams, or his mother, +or some other such beloved thing. +</P> + +<P> +It came to pass that early in the morning the Jew came from the cavern +to go upon his way, and the Father Miguel besought him to take with him +a goodly loaf in his wallet as wise provision against hunger. But the +Jew denied this, and then he said: "Last night while I slept methought +I stood once more in the city of the Great King,—ay, in that very +doorway where I stood, swart and lusty, when I spurned him that went +his way to Calvary. In my bosom burned the terror as of old, and my +soul was consumed of a mighty anguish. None of those that passed in +that street knew me; centuries had ground to dust all my kin. 'O God!' +I cried in agony, 'suffer my sin to be forgotten,—suffer me to sleep, +to sleep forever beneath the burden of the cross I sometime spurned!' +As I spake these words there stood before me one in shining raiment, +and lo! 't was he who bore the cross to Calvary! His eyes that had +pleaded to me on a time now fell compassionately upon me, and the voice +that had commanded me move on forever, now broke full sweetly on my +ears: 'Thou shalt go on no more, O Jew, but as thou hast asked, so +shall it be, and thou shalt sleep forever beneath the cross.' Then +fell I into a deep slumber, and, therefrom but just now awaking, I feel +within me what peace bespeaketh pardon for my sin. This day am I +ransomed; so suffer me to go my way, O holy man." +</P> + +<P> +So went the Jew upon his way, not groaningly and in toilsome wise, as +was his wont, but eagerly, as goeth one to meet his bride, or unto some +sweet reward. And the Father Miguel stood long, looking after him and +being sorely troubled in mind; for he knew not what interpretation he +should make of all these things. And anon the Jew was lost to sight in +the forest. +</P> + +<P> +But once, a little space thereafter, while that José Conejos, the +Castilian, clambered up the yonder mountain-side, he saw amid the +grasses there the dead and withered body of an aged man, and thereupon +forthwith made he such clamor that Don Esclevador hastened thither and +saw it was the Jew; and since there was no sign that wild beasts had +wrought evil with him, it was declared that the Jew had died of age and +fatigue and sorrow, albeit on the wrinkled face there was a smile of +peace that none had seen thereon while yet the Jew lived. And it was +accounted to be a most wondrous thing that, whereas never before had +flowers of that kind been seen in those mountains, there now bloomed +all round about flowers of the dye of blood, which thing the noble Don +Esclevador took full wisely to be a symbol of our dear Lord's most +precious blood, whereby not only you and I but even the Jew shall be +redeemed to Paradise. +</P> + +<P> +Within the spot where they had found the Jew they buried him, and there +he sleeps unto this very day. Above the grave the Father Miguel said a +prayer; and the ground of that mountain they adjudged to be holy +ground; but over the grave wherein lay the Jew they set up neither +cross nor symbol of any kind, fearing to offend their holy faith. +</P> + +<P> +But that very night, when that they were returned unto their camp half +a league distant, there arose a mighty tempest, and there was such an +upheaval and rending of the earth as only God's hand could make; and +there was a crashing and a groaning as if the world were smitten in +twain, and the winds fled through the valleys in dismay, and the trees +of the forest shrieked in terror and fell upon their faces. Then in +the morning when the tempest ceased and all the sky was calm and +radiant they saw that an impassable chasm lay between them and that +mountain-side wherein the Jew slept the sleep of death; that God had +traced with his finger a mighty gulf about that holy ground which held +the bones of the transgressor. Between heaven and earth hung that +lonely grave, nor could any foot scale the precipice that guarded it; +but one might see that the spot was beautiful with kindly mountain +verdure and that flowers of blood-red dye bloomed in that lonely place. +</P> + +<P> +This was the happening in a summer-time a many years ago; to the mellow +grace of that summer succeeded the purple glory of the autumn, and then +came on apace the hoary dignity of winter. But the earth hath its +resurrection too, and anon came the beauteous spring-time with warmth +and scents and new life. The brooks leapt forth once more from their +hiding-places, the verdure awaked, and the trees put forth their +foliage. Then from the awful mountain peaks the snow silently and +slowly slipped to the valleys, and in divers natural channels went +onward and ever downward to the southern sea, and now at last 't was +summer-time again and the mellow grace of August brooded over the +earth. But in that yonder mountain-side had fallen a symbol never to +be removed,—ay, upon that holy ground where slept the Jew was +stretched a cross, a mighty cross of snow on which the sun never fell +and which no breath of wind ever disturbed. Elsewhere was the tender +warmth of verdure and the sacred passion of the blood-red flowers, but +over that lonely grave was stretched the symbol of him that went his +way to Calvary, and in that grave slept the Jew. +</P> + +<P> +Mightily marvelled Don Esclevador and his warrior host at this thing; +but the Father Miguel knew its meaning; for he was minded of that +vision wherein it was foretold unto the Jew that, pardoned for his sin, +he should sleep forever under the burden of the cross he spurned. All +this the Father Miguel showed unto Don Esclevador and the others, and +he said: "I deem that unto all ages this holy symbol shall bear witness +of our dear Christ's mercy and compassion. Though we, O exiled +brothers, sleep in this foreign land in graves which none shall know, +upon that mountain height beyond shall stretch the eternal witness to +our faith and to our Redeemer's love, minding all that look thereon, +not of the pains and the punishments of the Jew, but of the exceeding +mercy of our blessed Lord, and of the certain eternal peace that cometh +through his love!" +</P> + +<P> +How long ago these things whereof I speak befell, I shall not say. +They never saw—that Spanish host—they never saw their native land, +their sovereign liege, their loved ones' faces again; they sleep, and +they are dust among those mighty mountains in the West. Where is the +grave of the Father Miguel, or of Don Esclevador, or of any of the +valiant Spanish exiles, it is not to tell; God only knoweth, and the +saints: all sleep in the faith, and their reward is certain. But where +sleepeth the Jew all may see and know; for on that awful mountain-side, +in a spot inaccessible to man, lieth the holy cross of snow. The winds +pass lightly over that solemn tomb, and never a sunbeam lingereth +there. White and majestic it lies where God's hands have placed it, +and its mighty arms stretch forth as in a benediction upon the fleeting +dust beneath. +</P> + +<P> +So shall it bide forever upon that mountain-side, and the memory of the +Jew and of all else human shall fade away and be forgotten in the +surpassing glory of the love and the compassion of him that bore the +redeeming burden to Calvary. +</P> + +<BR><BR><BR> + +<A NAME="chap02"></A> + +<H3 ALIGN="center"> +THE ROSE AND THE THRUSH +</H3> + +<P> +There was none other in the quiet valley so happy as the +rose-tree,—none other so happy unless perchance it was the thrush who +made his home in the linden yonder. The thrush loved the rose-tree's +daughter, and he was happy in thinking that some day she would be his +bride. Now the rose-tree had many daughters, and each was beautiful; +but the rose whom the thrush loved was more beautiful than her sisters, +and all the wooers came wooing her until at last the fair creature's +head was turned, and the rose grew capricious and disdainful. Among +her many lovers were the south wind and the fairy Dewlove and the +little elf-prince Beambright and the hoptoad, whom all the rest called +Mr. Roughbrown. The hoptoad lived in the stone-wall several yards +away; but every morning and evening he made a journey to the rose-tree, +and there he would sit for hours gazing with tender longings at the +beautiful rose, and murmuring impassioned avowals. The rose's disdain +did not chill the hoptoad's ardor. "See what I have brought you, fair +rose," he would say. "A beautiful brown beetle with golden wings and +green eyes! Surely there is not in all the world a more delicious +morsel than a brown beetle! Or, if you but say the word, I will fetch +you a tender little fly, or a young gnat,—see, I am willing to undergo +all toils and dangers for your own sweet sake." +</P> + +<P> +Poor Mr. Roughbrown! His wooing was very hopeless. And all the time +he courted the imperious rose, who should be peeping at him from her +home in the hedge but as plump and as sleek a little Miss Dormouse as +ever you saw, and her eyes were full of envy. +</P> + +<P> +"If Mr. Roughbrown had any sense," she said to herself, "he would waste +no time on that vain and frivolous rose. He is far too good a catch +for <I>her</I>." +</P> + +<P> +The south wind was forever sighing and sobbing about. He lives, you +know, very many miles from here. His home is beyond a great sea; in +the midst of a vast desert there is an oasis, and it is among the +palm-trees and the flowers of this oasis that the south wind abides. +When spring calls from the North, "O south wind, where are you? Come +hither, my sunny friend!" the south wind leaps from his couch in the +far-off oasis, and hastens whither the spring-time calls. As he speeds +across the sea the mermaids seek to tangle him in their tresses, and +the waves try to twine their white arms about him; but he shakes them +off and laughingly flies upon his way. Wheresoever he goes he is +beloved. With their soft, solemn music the pine-trees seek to detain +him; the flowers of earth lift up their voices and cry, "Abide with us, +dear spirit,"—but to all he answers: "The spring-time calls me in the +North, and I must hasten whither she calls." But when the south wind +came to the rose-tree he would go no farther; he loved the rose, and he +lingered about her with singing and sighing and protestations. +</P> + +<P> +It was not until late in the evening that Dewlove and the elf-prince +appeared. Just as the moon rolled up in the horizon and poured a broad +streak of silver through the lake the three crickets went "Chirp-chirp, +chirp-chirp, chirp-chirp," and then out danced Dewlove and Beambright +from their hiding-places. The cunning little fairy lived under the +moss at the foot of the oak-tree; he was no bigger than a cambric +needle,—but he had two eyes, and in this respect he had quite the +advantage of the needle. As for the elf-prince, his home was in the +tiny, dark subterranean passage which the mole used to live in; he was +plump as a cupid, and his hair was long and curly, although if you +force me to it I must tell you that the elf-prince was really no larger +than your little finger,—so you will see that so far as physical +proportions were concerned Dewlove and Beambright were pretty well +matched. Merry, merry fellows they were, and I should certainly fail +most lamentably did I attempt to tell you how prettily they danced upon +the greensward of the meadowlands throughout the summer nights. +Sometimes the other fairies and elves joined them,—delicate little +lady fairies with gossamer wings, and chubby little lady elves clad in +filmy spider webs,—and they danced and danced and danced, while the +three crickets went "Chirp-chirp, chirp-chirp, chirp-chirp," all night +long. Now it was very strange—was it not?—that instead of loving one +of these delicate little lady fairies, or one of these chubby little +lady elves, both Dewlove and Beambright loved the rose. Yet, she was +indeed very beautiful. +</P> + +<P> +The thrush did not pester the rose with his protestations of love. He +was not a particularly proud fellow, but he thought too much of the +rose to vex her with his pleadings. But all day long he would perch in +the thicket and sing his songs as only a thrush can sing to the +beautiful rose he loves. He sung, we will say, of the forests he had +explored, of the famous river he had once seen, of the dew which the +rose loved, of the storm-king that slew the old pine and made his cones +into a crown,—he sung of a thousand things which we might not +understand, but which pleased the rose because she understood them. +And one day the thrush swooped down from the linden upon a monstrous +devil's darning-needle that came spinning along and poised himself to +stab the beautiful rose. Yes, like lightning the thrush swooped down +on this murderous monster, and he bit him in two, and I am glad of it, +and so are you if your heart be not wholly callous. +</P> + +<P> +"How comes it," said the rose-tree to the thrush that day,—"how comes +it that you do not woo my daughter? You have shown that you love her; +why not speak to her?" +</P> + +<P> +"No, I will wait," answered the thrush. "She has many wooers, and each +wooes her in his own way. Let me show her by my devotion that I am +worthy of her, and then perchance she will listen kindly to me when I +speak to her." +</P> + +<P> +The rose-tree thought very strange of this; in all her experience of +bringing out her fair daughters into society she had never before had +to deal with so curious a lover as the thrush. She made up her mind to +speak for him. +</P> + +<P> +"My daughter," said she to the rose, "the thrush loves you; of all your +wooers he is the most constant and the most amiable. I pray that you +will hear kindly to his suit." +</P> + +<P> +The rose laughed carelessly,—yes, merrily,—as if she heeded not the +heartache which her indifference might cause the honest thrush. +</P> + +<P> +"Mother," said the rose, "these suitors are pestering me beyond all +endurance. How can I have any patience with the south wind, who is +forever importuning me with his sentimental sighs and melancholy +wheezing? And as for that old hoptoad, Mr. Roughbrown,—why, it is a +husband I want, not a father!" +</P> + +<P> +"Prince Beambright pleases you, then?" asked the rose-tree. +</P> + +<P> +"He is a merry, capering fellow," said the daughter, "and so is his +friend Dewlove; but I do not fancy either. And as for the thrush who +sends you to speak for him,—why, he is quite out of the question, I +assure you. The truth is, mother, that I am to fill a higher station +than that of bride to any of these simple rustic folk. Am I not more +beautiful than any of my companions, and have I not ambitions above all +others of my kind?" +</P> + +<P> +"Whom have you seen that you talk so vain-gloriously?" cried the +rose-tree in alarm. "What flattery has instilled into you this fatal +poison?" +</P> + +<P> +"Have you not seen the poet who comes this way every morning?" asked +the rose. "His face is noble, and he sings grandly to the pictures +Nature spreads before his eyes. I should be his bride. Some day he +will see me; he will bear me away upon his bosom; he will indite to me +a poem that shall live forever!" +</P> + +<P> +These words the thrush heard, and his heart sank within him. If his +songs that day were not so blithe as usual it was because of the words +that the rose had spoken. Yet the thrush sang on, and his song was +full of his honest love. +</P> + +<P> +It was the next morning that the poet came that way. He lived in the +city, but each day he stole away from the noise and crowd of the city +to commune with himself and with Nature in the quiet valley where +bloomed the rose-tree, where the thrush sung, and where dwelt the fays +and the elves of whom it has been spoken. The sun shone fiercely; +withal the quiet valley was cool, and the poet bared his brow to the +breeze that swept down the quiet valley from the lake over yonder. +</P> + +<P> +"The south wind loves the rose! Aha, aha, foolish brother to love the +rose!" +</P> + +<P> +This was what the breeze said, and the poet heard it. Then his eyes +fell upon the rose-tree and upon her blooming daughters. +</P> + +<P> +"The hoptoad loves the rose! Foolish old Roughbrown to love the rose, +aha, aha!" +</P> + +<P> +There was a malicious squeakiness in this utterance,—of course it came +from that envious Miss Dormouse, who was forever peeping out of her +habitation in the hedge. +</P> + +<P> +"What a beautiful rose!" cried the poet, and leaping over the old +stone-wall he plucked the rose from the mother-tree,—yes, the poet +bore away this very rose who had hoped to be the poet's bride. +</P> + +<P> +Then the rose-tree wept bitterly, and so did her other daughters; the +south wind wailed, and the old hoptoad gave three croaks so dolorous +that if you had heard them you would have said that his heart was truly +broken. All were sad,—all but the envious dormouse, who chuckled +maliciously, and said it was no more than they deserved. +</P> + +<P> +The thrush saw the poet bearing the rose away, yet how could the +fluttering little creature hope to prevail against the cruel invader? +What could he do but twitter in anguish? So there are tragedies and +heartaches in lives that are not human. +</P> + +<P> +As the poet returned to the city he wore the rose upon his breast. The +rose was happy, for the poet spoke to her now and then, and praised her +loveliness, and she saw that her beauty had given him an inspiration. +</P> + +<P> +"The rose despised my brother! Aha, aha, foolish rose,—but she shall +wither!" +</P> + +<P> +It was the breeze that spake; far away from the lake in the quiet +valley its voice was very low, but the rose heard and trembled. +</P> + +<P> +"It's a lie," cried the rose. "I shall not die. The poet loves me, +and I shall live forever upon his bosom." +</P> + +<P> +Yet a singular faintness—a faintness never felt before—came upon the +rose; she bent her head and sighed. The heat—that was all—was very +oppressive, and here at the entrance to the city the tumult aroused an +aggravating dust. The poet seemed suddenly to forget the rose. A +carriage was approaching, and from the carriage leaned a lady, who +beckoned to the poet. The lady was very fair, and the poet hastened to +answer her call. And as he hastened the rose fell from his bosom into +the hot highway, and the poet paid no heed. Ascending into the +carriage with the lady (I am sure she must have been a princess!) the +poet was whirled away, and there in the stifling dust lay the fainting +rose, all stained and dying. +</P> + +<P> +The sparrows flew down and pecked at her inquisitively; the cruel +wagons crushed her beneath their iron wheels; careless feet buffeted +her hither and thither. She was no longer a beautiful rose; no, nor +even a reminiscence of one,—simply a colorless, scentless, ill-shapen +mass. +</P> + +<P> +But all at once she heard a familiar voice, and then she saw familiar +eyes. The voice was tender and the eyes were kindly. +</P> + +<P> +"O honest thrush," cried the rose, "is it you who have come to reproach +me for my folly?" +</P> + +<P> +"No, no, dear rose," said the thrush, "how should I speak ill to you? +Come, rest your poor head upon my breast, and let me bear you home." +</P> + +<P> +"Let me rather die here," sighed the rose, "for it was here that my +folly brought me. How could I go back with you whom I never so much as +smiled upon? And do they not hate and deride me in the valley? I +would rather die here in misery than there in shame!" +</P> + +<P> +"Poor, broken flower, they love you," urged the thrush. "They grieve +for you; let me bear you back where the mother-tree will shade you, and +where the south wind will nurse you—for—for he loves you." +</P> + +<P> +So the thrush bore back the withering rose to her home in the quiet +valley. +</P> + +<P> +"So she has come back, has she?" sneered the dormouse. "Well, she has +impudence, if nothing else!" +</P> + +<P> +"She was pretty once," said the old hoptoad; "but she lost her +opportunity when I made up my mind to go wooing a certain glossy damsel +in the hedge." +</P> + +<P> +The rose-tree reached out her motherly arms to welcome her dying +daughter, and she said: "Rest here, dear one, and let me rock you to +repose." +</P> + +<P> +It was evening in the quiet valley now. Where was the south wind that +he came not with his wooing? He had flown to the North, for that day +he had heard the spring-time's voice a-calling, and he went in answer +to its summons. Everything was still. "Chirp-chirp, chirp-chirp, +chirp-chirp," piped the three crickets, and forthwith the fairy boy and +the elf-prince danced from their habitations. Their little feet +tinkled over the clover and the daisies. +</P> + +<P> +"Hush, little folk," cried the rose-tree. "Do not dance to-night,—the +rose is dying." +</P> + +<P> +But they danced on. The rose did not hear them; she heard only the +voice of the thrush, who perched in the linden yonder, and, with a +breaking heart, sung to the dying flower. +</P> + +<BR><BR><BR> + +<A NAME="chap03"></A> + +<H3 ALIGN="center"> +THE PAGAN SEAL-WIFE[1] +</H3> + +<P> +It is to tell of Harold, the son of Egbert, the son of Ib; comely was +he to look upon, and a braver than he lived not in these islands, nor +one more beloved of all people. But it chanced upon a time, while he +was still in early manhood, that a grievous sorrow befell him; for on a +day his mother Eleanor came to her end in this full evil wise. It was +her intent to go unto the neighboring island, where grazed the goats +and the kine, and it fortuned that, as she made her way thither in the +boat, she heard sweet music, as if one played upon a harp in the +waters, and, looking over the side of the boat, she beheld down in the +waters a sea-maiden making those exceeding pleasant sounds. And the +sea-maiden ceased to play, and smiled up at Eleanor, and stretched up +her hands and besought Eleanor to pluck her from the sea into the boat, +which seeking to do, Eleanor fell headlong into the waters, and was +never thereafter seen either alive or dead by any of her kin. Now +under this passing heavy grief Egbert, the son of Ib, being old and +spent by toil, brake down, and on a night died, making with his latest +breath most heavy lamentation for Eleanor, his wife; so died he, and +his soul sped, as they tell, to that far northern land where the souls +of the departed make merry all the night, which merriment sendeth forth +so vast and so beautiful a light that all the heavens are illumined +thereby. But Harold, the son of Egbert and of Eleanor, was left alone, +having neither brother, nor sister, nor any of kin, save an uncle +abiding many leagues distant in Jutland. Thereupon befell a wonderful +thing; if it had not happened it would not be told. It chanced that, +on a certain evening in the summer-time, Harold walked alone where a +Druid circle lay coiled like a dark serpent on a hillside; his heart +was filled with dolor, for he thought continually of Eleanor, his +mother, and he wept softly to himself through love of that dear mother. +While thus he walked in vast heaviness of soul, he was beheld of +Membril, the fairy that with her goodly subjects dwelt in the ruin of +the Pict's house hard by the Druid circle. And Membril had compassion +upon Harold, and upon the exceeding fine down of a tiny sea-bird she +rode out to meet him, and it was before his eyes as if a star shined +out of a mist in his pathway. So it was that Membril the fairy made +herself known to him, and having so done, she said and she sung: +</P> + +<P CLASS="poem"> +I am Membril, queen of Fay,<BR> +That would charm thy grief away!<BR> +Thou art like the little bark<BR> +Drifting in the cold and dark,—<BR> +Drifting through the tempest's roar<BR> +To a rocky, icy shore;<BR> +All the torment dost thou feel<BR> +Of the spent and fearful seal<BR> +Wounded by the hunter's steel.<BR> +I am Membril,—hark to me:<BR> +Better times await on thee!<BR> +Wouldst thou clasp thy mother dear,—<BR> +Strange things see and stranger hear?<BR> +Straight betake thee to thy boat<BR> +And to yonder haven float,—<BR> +Go thy way, and silent be,—<BR> +It is Membril counsels thee;<BR> +Go thy way, and thou shalt see!<BR> +</P> + +<BR> + +<P> +Great marvel had Harold to this thing; nevertheless he did the bidding +of Membril the fairy, and it was full wisely done. And presently he +came to where his boat lay, half on the shore and half in the waters, +and he unloosed the thong that held it, and entered into the boat; but +he put neither hand to the oars thereof, for he was intent to do the +bidding of Membril the fairy. Then as if of its own accord, or as if +the kindly waves themselves bore it along, the boat moved upon the +waters and turned toward the yonder haven whereof it was said and sung. +Fair shone the moon, and the night was passing fair; the shadows fell +from the hilltops in their sleep and lay, as they had been little weary +children, in the valleys and upon the shore, and they were rocked in +the cradles of those valleys, and the waters along the shore sung +softly to them. Upon the one side lay the island where grazed the +goats and the kine, and upon the other side lay the island where Harold +and other people abode; between these islands crept the sea with its +gentle murmurings, and upon this sea drifted the boat bearing Harold to +the yonder haven. Now the haven whereunto the course lay brooded +almost beneath the shadow of the Stennis stones, and the waters thereof +were dark, as if, forsooth, the sea frowned whensoever it saw those +bloody stones peering down into its tranquil bosom. And some said that +the place was haunted, and that upon each seventh night came thereunto +the spirits of them that had been slain upon those stones, and waved +their ghostly arms and wailed grievously; but of latter times none +believeth this thing to be true. +</P> + +<P> +It befell that, coming into the haven and bearing toward the shore +thereof, Harold was 'ware of sweet music, and presently he saw figures +as of men and women dancing upon the holm; but neither could he see who +these people were, nor could he tell wherefrom the music came. But +such fair music never had he heard before, and with great marvel he +came from the boat into the cluster of beech-trees that stood between +the haven and that holm where the people danced. Then of a sudden +Harold saw twelve skins lying upon the shore in the moonlight; and they +were the comeliest and most precious sealskins that ever he saw, and he +coveted them. So presently he took up one of the sealskins and bore it +with him into his boat, and pushed the boat from the shore into the +waters of the haven again, and, so doing, there was such plashing of +the waters that those people dancing upon the fair green holm became +'ware of Harold's presence, and were afeared, so that, ceasing from +their sport, they made haste down to the shore and did on the skins and +dived into the waters with shrill cries. But there was one of them +that could not do so, because Harold bore off that skin wherewith she +was wont to begird herself, and when she found it not she wailed and +wept and besought Harold to give her that skin again,—and, lo! it was +Eleanor, the wife of Egbert! Now when Harold saw that it was his +mother that so entreated him he was filled with wonder, and he drew +nearer the shore to regard her and to hear her words, for he loved her +passing well. But he denied her that skin, knowing full well that so +soon as she possessed it she would leave him and he should never again +behold her. Then Eleanor related to him how that she had been drowned +in the sea through treachery of the harp-maiden, and how that the souls +of drowned people entered into the bodies of seals, nor were permitted +to return to earth, save only one night in every month, at which time +each recovered his human shape and was suffered to dance in the +moonlight upon the fair green holm from the hour of sunset unto the +hour of sunrise. +</P> + +<P> +"Give me the skin, I pray thee," she cried, "for if the sun came upon +me unawares I should crumble into dust before thine eyes, and that +moment would a curse fall upon you. I am happy as I am; the sea and +those who dwell therein are good to me,—give me the skin, I beseech +thee, that I may return whence I came, and thereby shall a great +blessing accrue to thee and thine." +</P> + +<P> +But Harold said: "Nay, mother, I were a fool to part so cheerfully with +one whom I love dearer than life itself! I shall not let you go so +easily; you shall come with me to our home, where I have lived alone +too long already. I shall be alone no longer,—come with me, I say, +for I will not deliver up this skin, nor shall any force wrest it from +me!" +</P> + +<P> +Then Eleanor, his mother, reasoned a space with him, and anon she +showed him the folly of his way; but still he hung his head upon his +breast and was loath to do her bidding, until at last she sware unto +him that if he gave to her that skin he should, upon the next dancing +night, have to wife the most beautiful maiden in the world, and +therefore should be alone in the world no more. To this presently +Harold gave assent, and then Eleanor, his mother, bade him come to that +same spot one month hence, and do what she should then bid him do. +Receiving, therefore, the skin from him, she folded it about her and +threw herself into the sea, and Harold betook himself unto his home. +</P> + +<P> +Now wit ye well that full wearily dragged the days and the nights until +that month was spent; but now at last it was the month of August, and +upon the night of the seventh day thereof ended the season of waiting. +It is to tell that upon that night came Harold, the son of Egbert, from +his hut, and stood on the threshold thereof, and awaited the rising of +the moon from out the silver waters yonder. While thus he stood there +appeared unto him Membril the fairy, and smiling upon him she said and +she sung:— +</P> + +<P CLASS="poem"> +I am Membril, queen of Fay,<BR> +Come to urge thee on thy way;<BR> +Haste to yonder haven-side<BR> +Where awaits thy promised bride;<BR> +Daughter of a king is she,—<BR> +Many leagues she comes to thee,<BR> +Thine and only thine to be.<BR> +Haste and see, then come again<BR> +To thy pretty home, and, when<BR> +Smiles the sun on earth once more,<BR> +Will come knocking at thy door;<BR> +Open then, and to thy breast<BR> +Clasp whom thou shalt love the best!<BR> +It is Membril counsels thee,—<BR> +Haste and see what thou shalt see!<BR> +</P> + +<BR> + +<P> +Now by this thing was Harold mightily rejoiced, and he believed it to +be truth that great good was in store for him; for he had seen pleasant +things in the candle a many nights, and the smoke from his fire blew +cheerily and lightly to the westward, and a swan had circled over his +house that day week, and in his net each day for twice seven days had +he drawn from the sea a fish having one golden eye and one silver eye: +which things, as all men know, portend full goodly things, or else they +portend nothing at all whatsoever. So, being pleasantly minded, Harold +returned in kind unto Membril, the fairy queen, that bespoke him so +courteously, and to her and to them that bore her company he said and +he sung:— +</P> + +<P CLASS="poem"> +Welcome, bonnie queen of Fay!<BR> +<SPAN STYLE="margin-left: 1em">For thou speakest pleasing words;</SPAN><BR> +Thou shalt have a gill of whey<BR> +<SPAN STYLE="margin-left: 1em">And a thimblefull of curds;</SPAN><BR> +In this rose is honey-dew<BR> +That a bee hath brought for you!<BR> +</P> + +<P CLASS="poem"> +Welcome, bonnie queen of Fay!<BR> +<SPAN STYLE="margin-left: 1em">Call thy sisters from the gloam,</SPAN><BR> +And, whilst I am on my way,<BR> +<SPAN STYLE="margin-left: 1em">Feast and frolic in my home,—</SPAN><BR> +Kiss the moonbeams, blanching white,<BR> +Shrinking, shivering with affright!<BR> +</P> + +<P CLASS="poem"> +Welcome, all, and have no fear,—<BR> +<SPAN STYLE="margin-left: 1em">There is flax upon the sill,</SPAN><BR> +No foul sprite can enter here,—<BR> +<SPAN STYLE="margin-left: 1em">Feast and frolic as you will;</SPAN><BR> +Feast and frisk till break of day,—<BR> +Welcome, little folk of Fay!<BR> +</P> + +<BR> + +<P> +Thus having said and thus having sung, Harold went upon his way, and +came to his boat and entered into it and journeyed to the haven where +some time he had seen and discoursed with Eleanor, his mother. His +course to this same haven lay, as before, over the waters that stole in +between the two islands from the great sea beyond. Fair shone the +moon, and the night was passing fair; the shadows rolled from the +hilltops in their sleep and lay like little weary children in the +valleys and upon the shore, and they were rocked in the cradles of +those valleys, and the waters along the shore sung softly to them. +Upon this hand lay the island where the goats and the kine found sweet +pasturage, and upon the other hand stretched the island where people +abode, and where the bloody Stennis stones rebuked the smiling sky, and +where ghosts walked and wailed and waved their white arms in the +shadows of those haunted ruins where once upon a time the Picts had +dwelt. And Harold's heart was full of joy, the more in especial when, +as he bore nigh unto the haven, he heard sweet music and beheld a +goodly company of people that danced in the moonlight upon the fair +green holm. Then, when presently his boat touched the inner shore of +the haven, and he departed therefrom and drew the boat upon the shore, +he saw wherefrom issued the beautiful music to which the people danced; +he saw that the waters reached out their white fingers and touched the +kale and the fair pebbles and the brittle shells and the moss upon the +beach, and these things gave forth sweet sounds, which were as if a +thousand attuned harps vied with the singing of the summer-night winds. +Then, as before, Harold saw sealskins lying upon the shore, and +presently came Eleanor, his mother, and pointing to a certain fair +velvet skin, she said: "Take that fair velvet skin into thy boat and +speed with all haste to thy home. To-morrow at sunrise thy bride shall +come knocking at thy door. And so, farewell, my son,—oh, Harold, my +only son!" Which saying, Eleanor, the wife of Egbert, drew a skin +about her and leapt into the sea; nor was she ever thereafter beholden +of human eyes. +</P> + +<P> +Then Harold took up the fair velvet skin to which his mother had +directed him, and he bore it away with him in his boat. So softly went +he upon the waters that none of them that danced upon the fair green +holm either saw or heard him. Still danced they on to the sweet music +made by the white fingers of the waves, and still shone the white moon +upon the fair green holm where they so danced. +</P> + +<P> +Now when came Harold to his home, bearing the precious skin with him, +he saw the fairies at play upon the floor of his hut, and they feared +no evil, for there was barley strewn upon the sill so that no wicked +sprite could enter there. And when Membril, the fairy queen, saw him +bringing the skin that he had found upon the shore, she bade him good +welcome, and she said and she sung:— +</P> + +<P CLASS="poem"> +I am Membril, queen of Fay,—<BR> +Ponder well what words I say;<BR> +Hide that fair and velvet skin<BR> +Some secluded spot within;<BR> +In the tree where ravens croak,—<BR> +In the hollow of the oak,<BR> +In the cave with mosses lined,<BR> +In the earth where none may find;<BR> +Hide it quick and hide it deep,—<BR> +So secure shall be thy sleep,<BR> +Thine shall bride and blessings be,<BR> +Thine a fair posterity,—<BR> +So doth Membril counsel thee!<BR> +</P> + +<BR> + +<P> +So, pondering upon this counsel and thinking well of it, Harold took +the fair velvet skin and hid it, and none knew where it was hid,—none +save only the raven that lived in the hollow oak. And when he had so +done he returned unto his home and lay upon his bed and slept. It came +to pass that early upon the morrow, when the sun made all the eastward +sky blush for the exceeding ardor of his morning kiss, there came a +knocking at the door of Harold's hut, and Harold opened the door, and +lo! there stood upon the threshold the fairest maiden that eyes ever +beheld. Unlike was she to maidens dwelling in those islands, for her +hair was black as the waters of the long winter night, and her eyes +were as the twin midnight rocks that look up from the white waves of +the moonlit sea in yonder reef; withal was she most beautiful to look +upon, and her voice was as music that stealeth to one over pleasant +waters. +</P> + +<P> +The maiden's name was Persis, and she was the daughter of a Pagan king +that ruled in a country many, many—oh, many leagues to the southward +of these islands, in a country where unicorns and dragons be, and where +dwelleth the phoenix and hippogriffins and the cockatrix, and where +bloometh a tree that runneth blood, and where mighty princes do +wondrous things. Now it fortuned that the king was minded to wed his +daughter Persis unto a neighboring prince, a high and mighty prince, +but one whom Persis loved not, neither could she love. So for the +first time Persis said, "Nay, I will not," unto her father's mandate, +whereat the king was passing wroth, and he put his daughter in a place +that was like a jail to her, for it was where none might see her, and +where she might see none,—none but those that attended upon her. This +much told Persis, the Pagan princess, unto Harold, and then, +furthermore, she said: "The place wherein I was put by the king, my +father, was hard by the sea, and oftentimes I went thereon in my little +boat, and once, looking down from that boat into the sea, I saw the +face of a fair young man within a magic mirror that was held up in the +waters of the sea by two ghostly hands, and the fair young man moved +his lips and smiled at me, and methought I heard him say: 'Come, be my +bride, O fair and gentle Persis!' But, vastly afeared, I cried out and +put back again to shore. Yet in my dreams I saw that face and heard +that voice, nor could I find any rest until I came upon the sea again +in hope to see the face and hear the voice once more. Then, that +second time, as I looked into the sea, another face came up from below +and lifted above the waters, and a woman's voice spake thus to me: 'I +am mother of him that loveth thee and whom thou lovest; his face hast +thou seen in the mirror, and of thee I have spoken to him; come, let me +bear thee as a bride to him!' And in that moment a faintness came upon +me and I fell into her arms, and so was I drowned (as men say), and so +was I a seal a little space until last dancing night, when, lo! some +one brought me to life again, and one that said her name was Membril +showed me the way unto thy door. And now I look upon thy face in +truth, and thou art he who shall have me to his wife, for thou art he +whose face I saw within the mirror which the ghostly hands bore up to +me that day upon the sea!" +</P> + +<P> +Great then was Harold's joy, and he folded her in his arms, and he +spake sweet words to her, and she was content. So they were wed that +very day, and there came to do them honor all the folk upon these +islands: Dougal and Tam and Ib and Robbie and Nels and Gram and Rupert +and Rolf and many others and all their kin, and they made merry, and it +was well. And never spake the Pagan princess of that soft velvet skin +which Harold had hid away,—never spake she of it to him or to any +other one. +</P> + +<P> +It is to tell that to Harold and to Persis were born these children, +and in this order: Egbert and Ib (that was nicknamed the Strong) and +Harold and Joan and Tam and Annie and Rupert the Fair and Flocken and +Elsa and Albert and Theodoric,—these eleven children were born unto +them in good time; and right fair children were they to see, comely and +stout, yet sweetly minded withal. And prosperous times continually +befell Harold; his herds multiplied, and the fish came into his nets, +so that presently there was none other richer than he in all that +country, and he did great good with his riches, for he had compassion +to the poor. So Harold was beloved of all, and all spake full fairly +of his wife,—how that she cared for his little ones, and kept the +house, and did deeds of sweet charity among the needy and +distressed,—ay, so was Persis, the wife of Harold, beloved of all, and +by none other more than by Harold, who was wont to say that Persis had +brought him all he loved best: his children, his fortune, his +happiness, and, best of all, herself. So now they were wed twice seven +years, and in that time was Persis still as young and fair to look upon +as when she came to Harold's door for the first time and knocked. This +I account to be a marvel, but still more a marvel was it that in all +these years spake she never a word of that soft velvet skin which +Harold took and hid,—never a word to him nor to any one else. But the +soft velvet skin lay meanwhile in the hollow of the oak, and in the +branches of that tree perched a raven that croaked and croaked and +croaked. +</P> + +<P> +Now it befell upon a time that a ship touched at that island, and there +came therefrom men that knelt down upon the shore and made strange +prayers to a strange God, and forthwith uplifted in that island a +symbol of wood in the similitude of a cross. Straightway went Harold +with the rest to know the cause thereof, being fearful lest for this +impiety their own gods, whom they served diligently, should send hail +and fire upon them and their herds. But those that had come in the +ship spake gently with them and showed themselves to be peaceful folk +whose God delighted not in wars, but rather in gentleness and love. +How it was, I, knowing not, cannot say, but presently the cause of that +new God, whose law was gentleness and love, waxed mightily, and the +people came from all around to kiss that cross and worship it. And +among them came Harold, for in his heart had dawned the light of a new +wisdom, and he knew the truth as we know it, you and I. So Harold was +baptized in the Christian faith, he and his children; but Persis, his +wife, was not baptized, for she was the daughter of a Pagan king, and +she feared to bring evil upon those she loved by doing any blasphemous +thing. Right sorely grieved was Harold because of this, and oftentimes +he spake with her thereof, and oftentimes he prayed unto his God and +ours to incline her mind toward the cross, which saveth all alike. But +Persis would say: "My best beloved, let me not do this thing in haste, +for I fear to vex thy God since I am a Pagan and the daughter of a +Pagan king, and therefore have not within me the light that there is in +thee and thy kind. Perchance (since thy God is good and gracious) the +light will come to me anon, and shine before mine eyes as it shineth +before thine. I pray thee, let me bide my time." So spake Persis, and +her life ever thereafter was kind and charitable, as, soothly, it had +ever before been, and she served Harold, her husband, well, and she was +beloved of all, and a great sweetness came to all out of her daily life. +</P> + +<P> +It fortuned, upon a day whilst Harold was from home, there was knocking +at the door of their house, and forthwith the door opened and there +stood in the midst of them one clad all in black and of rueful +countenance. Then, as if she foresaw evil, Persis called unto her +little ones and stood between them and that one all in black, and she +demanded of him his name and will. "I am the Death-Angel," quoth he, +"and I come for the best-beloved of thy lambs!" +</P> + +<P> +Now Theodoric was that best-beloved; for he was her very little one, +and had always slept upon her bosom. So when she heard those words she +made a great outcry, and wrestled with the Death-Angel, and sought to +stay him in his purpose. But the Death-Angel chilled her with his +breath, and overcame her, and prevailed against her; and he reached +into the midst of them and took Theodoric in his arms and folded him +upon his breast, and Theodoric fell asleep there, and his head dropped +upon the Death-Angel's shoulder. But in her battle for the child, +Persis catched at the chain about the child's neck, and the chain brake +and remained in her hand, and upon the chain was the little cross of +fair alabaster which an holy man had put there when Theodoric was +baptized. So the Death-Angel went his way with that best-beloved lamb, +and Persis fell upon her face and wailed. +</P> + +<P> +The years went on and all was well upon these islands. Egbert became a +mighty fisherman, and Ib (that was nicknamed the Strong) wrought +wondrous things in Norroway, as all men know; Joan was wed to Cuthbert +the Dane, and Flocken was wooed of a rich man's son of Scotland. So +were all things for good and for the best, and it was a marvel to all +that Persis, the wife of Harold, looked still to be as young and +beautiful as when she came from the sea to be her husband's bride. Her +life was full of gentleness and charity, and all folk blessed her. But +never in all these years spake she aught to any one of the fair velvet +skin; and through all the years that skin lay hid in the hollow of the +oak-tree, where the raven croaked and croaked and croaked. +</P> + +<P> +At last upon a time a malady fell upon Persis, and a strange light came +into her eyes, and naught they did was of avail to her. One day she +called Harold to her, and said: "My beloved, the time draweth near when +we twain must part. I pray thee, send for the holy man, for I would +fain be baptized in thy faith and in the faith of our children." So +Harold fetched the holy man, and Persis, the daughter of the Pagan +king, was baptized, and she spake freely and full sweetly of her love +to Jesus Christ, her Saviour, and she prayed to be taken into his rest. +And when she was baptized, there was given to her the name of Ruth, +which was most fairly done, I trow, for soothly she had been the friend +of all. +</P> + +<P> +Then, when the holy man was gone, she said to her husband: "Beloved, I +beseech thee go to yonder oak-tree, and bring me from the hollow +thereof the fair velvet skin that hath lain therein so many years." +</P> + +<P> +Then Harold marvelled, and he cried: "Who told thee that the fair +velvet skin was hidden there?" +</P> + +<P> +"The raven told me all," she answered; "and had I been so minded I +might have left thee long ago,—thee and our little ones. But I loved +thee and them, and the fair velvet skin hath been unseen of me." +</P> + +<P> +"And wouldst thou leave us now?" he cried. "Nay, it shall not be! +Thou shalt not see that fair velvet skin, for this very day will I cast +it into the sea!" +</P> + +<P> +But she put an arm about his neck and said: "This night, dear one, we +part; but whether we shall presently be joined together in another life +I know not, neither canst thou say; for I, having been a Pagan and the +daughter of a Pagan king, may by my birth and custom have so grievously +offended our true God that even in his compassion and mercy he shall +not find pardon for me. Therefore I would have thee fetch—since I +shall die this night and do require of thee this last act of +kindness—I would have thee fetch that same fair velvet skin from +yonder oak-tree, and wrap me therein, and bear me hence, and lay me +upon the green holm by the farther haven, for this is dancing night, +and the seal-folk shall come from the sea as is their wont. Thou shalt +lay me, so wrapped within that fair velvet skin, upon that holm, and +thou shalt go a space aside and watch throughout the night, coming not +anear me (as thou lovest me!) until the dawn breaks, nor shalt thou +make any outcry, but thou shalt wait until the night is sped. Then, +when thou comest at daybreak to the holm, if thou findest me in the +fair velvet skin thou shalt know that my sin hath been pardoned; but if +I be not there thou may'st know that, being a Pagan, the seal-folk have +borne me back into the sea unto my kind. Thus do I require of thee; +swear so to do, and let thy beloved bless thee." +</P> + +<P> +So Harold swore to do, and so he did. Straightway he went to the +oak-tree and took from the hollow thereof the fair velvet skin; seeing +which deed, the raven flew away and was never thereafter seen in these +islands. And with a heavy heart, and with full many a caress and word +of love, did Harold bind his fair wife in that same velvet skin, and he +bore her to his boat, and they went together upon the waters; for he +had sworn so to do. His course unto the haven lay as before over the +waters that stole in between the two islands from the great troubled +sea beyond. Fair shone the moon, and the night was passing fair; the +shadows lay asleep, like little weary children, in the valleys, and the +waters moaned, and the winds rebuked the white fingers that stretched +up from the waves to clutch them. And when they were come to the inner +shore of the haven, Harold took his wife and bore her up the bank and +laid her where the light came down from the moon and slept full sweetly +upon the fragrant sward. Then, kissing her, he went his way and sat +behind the Stennis stones a goodly space beyond, and there he kept his +watch, as he had sworn to do. +</P> + +<P> +Now wit ye well a grievous heavy watch it was that night, for his heart +yearned for that beloved wife that lay that while upon the fair green +holm,—ay, never before had night seemed so long to Harold as did that +dancing night when he waited for the seal-folk to come where the +some-time Pagan princess lay wrapped in the fair velvet skin. But +while he watched and waited, Membril, the fairy queen, came and brought +others of her kind with her, and they made a circle about Harold, and +threw around him such a charm that no evil could befall him from the +ghosts and ghouls that in their shrouds walked among those bloody +stones and wailed wofully and waved their white arms. For Membril, +coming to Harold in the similitude of a glow-worm, made herself known +to him, and she said and she sung: +</P> + +<P CLASS="poem"> +Loving heart, be calm a space<BR> +In this gloomy vigil place;<BR> +Though these confines haunted be<BR> +Naught of harm can come to thee—<BR> +Nothing canst thou see or hear<BR> +Of the ghosts that stalk anear,<BR> +For around thee Membril flings<BR> +Charms of Fay and fairy rings.<BR> +</P> + +<BR> + +<P> +Nothing daunted was Harold by thoughts of evil monsters, and naught +recked he of the uncanny dangers of that haunted place; but he +addressed these words to Membril and her host, and he said and he sung: +</P> + +<P CLASS="poem"> +Tell me if thy piercing eyes<BR> +<SPAN STYLE="margin-left: 1em">See the inner haven shore.</SPAN><BR> +There my Own Beloved lies,<BR> +<SPAN STYLE="margin-left: 1em">With the cowslips bending o'er:</SPAN><BR> +Speed, O gentle folk of Fay!<BR> +And in guise of cowslips say<BR> +I shall love my love for aye!<BR> +</P> + +<BR> + +<P> +Even so did Membril and the rest; and presently they returned, and they +brought these words unto Harold, saying and singing them:— +</P> + +<P CLASS="poem"> +We as cowslips in that place<BR> +Clustered round thy dear one's face,<BR> +And we whispered to her there<BR> +Those same words we went to bear;<BR> +And she smiled and bade us then<BR> +Bear these words to thee again:<BR> +"Die we shall, and part we may,—<BR> +Love is love and lives for aye!"<BR> +</P> + +<BR> + +<P> +Then of a sudden there was a tumult upon the waters, as if the waters +were troubled, and there came up out of the waters a host of seals that +made their way to the shore and cast aside their skins and came forth +in the forms of men and of women, for they were the drowned folk that +were come, as was their wont, to dance in the moonlight upon the fair +green holm. At that moment the waters stretched out their white +fingers and struck the kale and the pebbles and the soft moss upon the +beach, for they sought to make music for the seal-folk to dance +thereby; but the music that was made was not merry nor gleeful, but was +passing gruesome and mournful. And presently the seal-folk came where +lay the wife of Harold wrapped in the fair velvet skin, and they knew +her of old, and they called her by what name she was known to them, +"Persis! Persis!" over and over again, and there was great wailing +among the seal-folk for a mighty space; and the seal-folk danced never +at all that night, but wailed about the wife of Harold, and called +"Persis! Persis!" over and over again, and made great moan. And at +last all was still once more, for the seal-folk, weeping and clamoring +grievously, went back into the sea, and the sea sobbed itself to sleep. +</P> + +<P> +Mindful of the oath he swore, Harold dared not go down to that shore, +but he besought Membril, the queen of Fay, to fetch him tidings from +his beloved, whether she still lay upon the holm, or whether the +seal-folk had borne her away with them into the waters of the deep. +But Membril might not go, nor any of her host, for already the dawn was +in the east and the kine were lowing on yonder slope. So Harold was +left alone a tedious time, until the sun looked upon the earth, and +then, with clamoring heart, Harold came from the Stennis stones and +leapt downward to the holm where his beloved had lain that weary while. +Then he saw that the fair velvet skin was still there, and presently he +saw that within the skin his beloved still reposed. He called to her, +but she made no answer; with exceeding haste he kneeled down and did +off the fair velvet skin, and folded his beloved to his breast. The +sun shone full upon her glorious face and kissed away the dew that +clung to her white cheeks. +</P> + +<P> +"Thou art redeemed, O my beloved!" cried Harold; but her lips spake +not, and her eyes opened not upon him. Yet on the dead wife's face was +such a smile as angels wear, and it told him that they should meet +again in a love that knoweth no fear of parting. And as Harold held +her to his bosom and wailed, there fell down from her hand what she had +kept with her to the last, and it lay upon the fair green holm,—the +little alabaster cross which she had snatched from Theodoric's neck +that day the Death-Angel bore the child away. +</P> + +<P> +It was to tell of Harold, the son of Egbert, the son of Ib, and of +Persis, his wife, daughter of the Pagan king; and it hath been told. +And there is no more to tell, for the tale is ended. +</P> + +<BR><BR> + +<P CLASS="footnote"> +[1] Orkney Folk-Lore. +</P> + +<BR><BR><BR> + +<A NAME="chap04"></A> + +<H3 ALIGN="center"> +FLAIL, TRASK, AND BISLAND +</H3> + +<P> +My quondam friends, Flail, Trask, and Bisland, are no more; they are +dead, and with them has gone out of existence as gross an imposition as +the moral cowardice of man were capable of inventing, constructing, and +practising. +</P> + +<P> +When Alice became my wife she knew that I was a lover and collector of +books, but, being a young thing, she had no idea of the monstrous +proportions which bibliomania, unchecked, is almost certain to acquire. +Indeed, the dear girl innocently and rapturously encouraged this +insidious vice. "Some time," she used to say, "we shall have a house +of our own, and then your library shall cover the whole top-floor, and +the book-cases shall be built in the walls, and there shall be a lovely +blue-glass sky-light," etc. Moreover, although she could not tell the +difference between an Elzevir and a Pickering, or between a folio and +an octavo, Alice was very proud of our little library, and I recall now +with real delight the times I used to hear her showing off those +precious books to her lady callers. Alice made up for certain +inaccuracies of information with a distinct enthusiasm and garrulity +that never failed to impress her callers deeply. I was mighty proud of +Alice; I was prepared to say, paraphrasing Sam Johnson's remark about +the Scotchman, "A wife can be made much of, if caught young." +</P> + +<P> +It was not until after little Grolier and little Richard de Bury were +born to us that Alice's regard for my pretty library seemed to abate. +I then began to realize the truth of what my bachelor friend Kinzie had +often declared,—namely, that the chief objection to children was that +they weaned the collector from his love of books. Grolier was a +mischievous boy, and I had hard work trying to convince his mother that +he should by no means be allowed to have his sweet but destructive will +with my Bewicks and Bedfords. Thumb and finger marks look well enough +in certain places, but I protested that they did not enhance the quaint +beauty of an old wood-cut, a delicate binding, or a wide margin. And +Richard de Bury—a lovely little 16mo of a child—was almost as +destructive as his older brother. The most painful feature of it all +to me then was that their mother actually protected the toddling knaves +in their vandalism. I never saw another woman change so as Alice did +after those two boys came to us. Why, she even suggested to me one day +that when we did build our new house we should devote the upper story +thereof not to library but to nursery purposes! +</P> + +<P> +Things gradually got to the pass that I began to be afraid to bring +books into the house. At first Alice used to reproach me indirectly by +eying the new book jealously, and hinting in a subtle, womanly way that +Grolier needed new shoes, or that Richard was sadly in need of a new +cap. Presently, encouraged by my lamb-like reticence, Alice began to +complain gently of what she termed my extravagance, and finally she +fell into the pernicious practice of berating me roundly for neglecting +my family for the selfish—yes, the cruel—gratification of a foolish +fad, and then she would weep and gather up the two boys and wonder how +soon we should all be in the poorhouse. +</P> + +<P> +I have spoken of my bachelor friend, Kinzie; there was a philosopher +for you, and his philosophy was all the sweeter because it had never +been embittered by marital experience. I had confidence in Kinzie, and +I told him all about the dilemma I was in. He pitied me and condoled +with me, for he was a sympathetic man, and he was, too, as consistent a +bibliomaniac as I ever met with. "Be of good cheer," said he, "we +shall find a way out of all this trouble." And he suggested a way. I +seized upon it as the proverbial drowning man is supposed to clutch at +the proverbial straw. +</P> + +<P> +The next time I took a bundle of books home I marched into the house +boldly with them. Alice fetched a deep sigh. "Ah, been buying more +books, have you?" she asked in a despairing tone. +</P> + +<P> +"No, indeed," I answered triumphantly, "they were given to me,—a +present from judge Trask. I'm in great luck, ain't I?" +</P> + +<P> +Alice was almost as pleased as I was. The interest with which she +inspected the lovely volumes was not feigned. "But who is Judge +Trask?" she asked, as she read the autographic lines upon a flyleaf in +each book. I explained glibly that the judge was a wealthy and +cultured citizen who felt somewhat under obligation to me for certain +little services I had rendered him one time and another. I was not to +be trapped or cornered. I had learned my sinful lesson perfectly. +Alice never so much as suspected me of evil. +</P> + +<P> +The scheme worked so well that I pursued it with more or less +diligence. I should say that about twice a week on an average a bundle +of books came to the house "with the compliments" of either Judge Trask +or Colonel Flail or Mr. Bisland. You can understand that I could not +hope to play the Trask deception exclusively and successfully. I +invented Colonel Flail and Mr. Bisland, and I contrived to render them +quite as liberal in their patronage as the mythical Judge Trask +himself. Occasionally a donation came in, by way of variety, from +Smeaton and Holbrook and Caswell and other solitary creations of my +mendacious imagination, when I used to blind poor dear Alice to the +hideous truth. Touching myself, I gave it out that I had abandoned +book-buying, was convinced of the folly of the mania, had reformed, and +was repentant. Alice loved me all the better for that, and she became +once more the sweetest, most amiable little woman in all the world. +She was inexpressibly happy in the fond delusion that I had become +prudent and thrifty, and was putting money in bank for that home we +were going to buy—sometime. +</P> + +<P> +Meanwhile the names of Flail, Trask, and Bisland became household words +with us. Occasionally Smeaton and Holbrook and Caswell were mentioned +gratefully as some fair volume bearing their autograph was inspected; +but, after all, Flail, Trask, and Bisland were the favorites, for it +was from them that most of my beloved books came. Yes, Alice gradually +grew to love those three myths; she loved them because they were good +to me. +</P> + +<P> +Alice had, like most others of her sex, a strong sense of duty. She +determined to do something for my noble friends, and finally she +planned a lovely little dinner whereat Judge Trask and Colonel Flail +and Mr. Bisland were to be regaled with choicest viands of Alice's +choice larder and with the sweetest speeches of Alice's graceful heart. +I was authorized only to convey the invitations to this delectable +banquet, and here was a pretty plight for a man to be in, surely +enough! But my bachelor friend Kinzie (ough, the Mephisto!) helped me +out. I reported back to Alice that Judge Trask was out of town, that +Colonel Flail was sick abed with grip, and that Mr. Bisland was +altogether too shy a man to think of venturing out to a dinner alone. +Alice was dreadfully disappointed. Still there was consolation in +feeling that she had done her duty in trying to do it. +</P> + +<P> +Well, this system of deception and perjury went on a long time, Alice +never suspecting any evil, but perfectly happy in my supposed reform +and economy, and in the gracious liberality of those three +Maecenas-like friends, Flail, Trask, and Bisland, who kept pouring in +rare and beauteous old tomes upon me. She was joyous, too, in the +prospect of that new house which we would soon be able to build, now +that I had so long quit the old ruinous mania for book-buying! And +I—wretch that I was—I humored her in this conceit; I heaped perjury +upon perjury; lying and deception had become my second nature. Yet I +loathed myself and I hated those books; they reproached me every time I +came into their presence. So I was miserable and helpless; how hard it +is to turn about when one once gets into the downward path! The shifts +I was put to, and the desperate devices which I was forced to +employ,—I shudder to recall them! Life became a constant, terrifying +lie. +</P> + +<P> +Thank Heaven, it is over now, and my face is turned the right way. A +third little son was born to us. Alice was, oh! so very ill. When she +was convalescing she said to me one day: "Hiram, I have been thinking +it all over, and I've made up my mind that we must name the baby Trask +Flail Bisland, after our three good friends." +</P> + +<P> +I did n't make any answer, went out into the hall, and communed awhile +with my own hideous, tormented self. How my soul revolted against the +prospect of giving to that innocent babe a name that would serve simply +to scourge me through the rest of my wicked life! No, I could not +consent to that. I would be a coward no longer! +</P> + +<P> +I went back into Alice's room, and sat upon the bed beside her, and +took one of Alice's dear little white hands in mine, and told her +everything, told Alice the whole truth,—all about my wickedness and +perjuries and deceptions; told her what a selfish, cruel monster I had +been; dispelled all the sinful delusion about Flail, Trask, and +Bisland; threw myself, penitent and hopeless, upon my deceived, +outraged little wife's mercy. Was it a mean advantage to take of a +sick woman? +</P> + +<P> +I fancied she would reproach me, for I knew that her heart was set upon +that new house she had talked of so often; I told her that the savings +she had supposed were in bank, were in reality represented only by and +in those stately folios and sumptuous quartos which the mythical Flail, +Trask, and Bisland had presumably donated. "But," I added, "I shall +sell them now, and with the money I shall build the home in which we +may be happy again,—a lovely home, sweetheart, with no library at all, +but all nursery if you wish it so!" +</P> + +<P> +"No," said Alice, when I had ended my blubbering confession, "we shall +not part with the books; they have caused you more suffering than they +have me, and, moreover, their presence will have a beneficial effect +upon you. Furthermore, I myself have become attached to them,—you +know I thought they were given to you, and so I have learned to care +for them. Poor Judge Trask and Colonel Flail and Mr. Bisland,—so they +are only myths? Dear Hiram," she added with a sigh, "I can forgive you +for everything except for taking those three good men out of our lives!" +</P> + +<P> +After all this I have indeed reformed. I have actually become prudent, +and I have a bank-account that is constantly increasing. I do not hate +books; I simply do not buy them. And I eschew that old sinner, Kinzie, +and all the sinister influences he represents. As for our third little +boy, we have named him Reform Meigs, after Alice's mother's +grandfather, who built the first saw-mill in what is now the State of +Ohio, and was killed by the Indians in 1796. +</P> + +<BR><BR><BR> + +<A NAME="chap05"></A> + +<H3 ALIGN="center"> +THE TOUCH IN THE HEART +</H3> + +<P> +Old Abel Dunklee was delighted, and so was old Abel's wife, when little +Abel came. For this coming they had waited many years. God had +prospered them elsewise; this one supreme blessing only had been +withheld. Yet Abel had never despaired. "I shall some time have a +son," said he. "I shall call him Abel. He shall be rich; he shall +succeed to my business; my house, my factory, my lands, my +fortune,—all shall be his!" Abel Dunklee felt this to be a certainty, +and with this prospect constantly in mind he slaved and pinched and +bargained. So when at last the little one did come it was as heir to a +considerable property. +</P> + +<P> +The joy in the house of Dunklee was not shared by the community at +large. Abel Dunklee was by no means a popular man. Folk had the +well-defined opinion that he was selfish, miserly, and hard. If he had +not been actually bad, he had never been what the world calls a good +man. His methods had been of the grinding, sordid order. He had +always been scrupulously honest in the payment of his debts, and in +keeping his word; but his sense of duty seemed to stop there: Abel's +idea of goodness was to owe no man any money. He never gave a penny to +charities, and he never spent any time sympathizing with the +misfortunes or distresses of other people. He was narrow, close, +selfish, and hard, so his neighbors and the community at large said, +and I shall not deny that the verdict was a just one. +</P> + +<P> +When a little one comes into this world of ours, it is the impulse of +the people here to bid it welcome, and to make its lot pleasant. When +little Abel was born no such enthusiasm obtained outside the austere +Dunklee household. Popular sentiment found vent in an expression of +the hope that the son and heir would grow up to scatter the dollars +which old man Dunklee had accumulated by years of relentless avarice +and unflagging toil. But Dr. Hardy—he who had officiated in an +all-important capacity upon that momentous occasion in the Dunklee +household—Dr. Hardy shook his head wisely, and perhaps sadly, as if he +were saying to himself: "No, the child will never do either what the +old folk or what the other folk would have him do; he is not long for +here." +</P> + +<P> +Had you questioned him closely, Dr. Hardy would have told you that +little Abel was as frail a babe as ever did battle for life. Dr. Hardy +would surely never have dared say that to old Dunklee; for in his +rapture in the coming of that little boy old Dunklee would have smote +the offender who presumed even to intimate that the babe was not the +most vigorous as well as the most beautiful creature upon earth. The +old man was simply assotted upon the child,—in a selfish way, +undoubtedly, but even this selfish love of that puny little child +showed that the old man was capable of somewhat better than his past +life had been. To hear him talk you might have fancied that Mrs. +Dunklee had no part or parcel or interest in their offspring. It was +always "my little boy,"—yes, old Abel Dunklee's money had a rival in +the old man's heart at last, and that rival was a helpless, shrunken, +sickly little babe. +</P> + +<P> +Among his business associates Abel Dunklee was familiarly known as Old +Growly, for the reason that his voice was harsh and discordant, and +sounded for all the world like the hoarse growling of an ill-natured +bear. Abel was not a particularly irritable person, but his slavish +devotion to money-getting, his indifference to the amenities of life, +his entire neglect of the tender practices of humanity, his rough, +unkempt personality, and his deep, hoarse voice,—these things combined +to make that sobriquet of "Old Growly" an exceedingly appropriate one. +And presumably Abel never thought of resenting the slur implied therein +and thereby; he was too shrewd not to see that, however disrespectful +and evil-intentioned the phrase might be, it served him to good +purpose; for it conduced to that very general awe, not to say terror, +which kept people from bothering him with their charitable and +sentimental schemes. +</P> + +<P> +Yes, I think we can accept it as a fact that Abel liked that sobriquet; +it meant more money in his pocket, and fewer demands upon his time and +patience. +</P> + +<P> +But Old Growly abroad and Old Growly at home were two very different +people. Only the voice was the same. The homely, furrowed, wizened +face lighted up, and the keen, restless eyes lost their expression of +shrewdness, and the thin, bony hands that elsewhere clutched and +clutched and pinched and pinched for possession unlimbered themselves +in the presence of little Abel, and reached out their long fingers +yearningly and caressingly toward the little child. Then the hoarse +voice would growl a salutation that was full of tenderness, for it came +straight from the old man's heart; only, had you not known how much he +loved the child, you might have thought otherwise, for the old man's +voice was always hoarse and discordant, and that was why they called +him Old Growly. But what proved his love for that puny babe was the +fact that every afternoon, when he came home from the factory, Old +Growly brought his little boy a dime; and once, when the little fellow +had a fever on him from teething, Old Growly brought him a dollar! +Next day the tooth came through and the fever left him, but you could +not make the old man believe but what it was the dollar that did it +all. That was natural, perhaps; for his life had been spent in +grubbing for money, and he had not the soul to see that the best and +sweetest things in human life are not to be had by riches alone. +</P> + +<P> +As the doctor had in one way and another intimated would be the case, +the child did not wax fat and vigorous. Although Old Growly did not +seem to see the truth, little Abel grew older only to become what the +doctor had foretold,—a cripple. A weakness of the spine was +developed, a malady that dwarfed the child's physical growth, giving to +his wee face a pinched, starved look, warping his emaciated body, and +enfeebling his puny limbs, while at the same time it quickened the +intellectual faculties to the degree of precocity. And so two and +three and four years went by, little Abel clinging to life with +pathetic heroism, and Old Growly loving that little cripple with all +the violence of his selfish nature. Never once did it occur to the +father that his child might die, that death's seal was already set upon +the misshapen little body; on the contrary, Old Growly's thoughts were +constantly of little Abel's famous future, of the great fortune he was +to fall heir to, of the prosperous business career he was to pursue, of +the influence he was to wield in the world,—of dollars, dollars, +dollars, millions of them which little Abel was some time to possess; +these were Old Growly's dreams, and he loved to dream them! +</P> + +<P> +Meanwhile the world did well by the old man; despising him, +undoubtedly, for his avarice and selfishness, but constantly pouring +wealth, and more wealth, and even more wealth into his coffers. As for +the old man, he cared not for what the world thought or said, so long +as it paid tribute to him; he wrought on as of old, industriously, +shrewdly, hardly, but with this new purpose: to make his little boy +happy and great with riches. +</P> + +<P> +Toys and picture-books were vanities in which Old Growly never +indulged; to have expended a farthing for chattels of that character +would have seemed to Old Growly like sinful extravagance. The few +playthings which little Abel had were such as his mother +surreptitiously bought; the old man believed that a child should be +imbued with a proper regard for the value of money from the very start, +so his presents were always cash in hand, and he bought a large tin +bank for little Abel, and taught the child how to put the copper and +silver pieces into it, and he labored diligently to impress upon the +child of how great benefit that same money would be to him by and by. +Just picture to yourself, if you can, that fond, foolish old man +seeking to teach this lesson to that wan-eyed, pinched-face little +cripple! But little Abel took it all very seriously, and was so apt a +pupil that Old Growly made great joy and was wont to rub his bony hands +gleefully and say to himself, "He has great genius,—this boy of +mine,—great genius for finance!" +</P> + +<P> +But on a day, coming from his factory, Old Growly was stricken with +horror to find that during his absence from home a great change had +come upon his child. The doctor said it was simply the progress of the +disease; that it was a marvel that little Abel had already held out so +long; that from the moment of his birth the seal of death had been set +upon him in that cruel malady which had drawn his face and warped his +body and limbs. Then all at once Old Growly's eyes seemed to be opened +to the truth, and like a lightning flash it came to him that perhaps +his pleasant dreams which he had dreamed of his child's future could +never be realized. It was a bitter awakening, yet amid it all the old +man was full of hope, determination, and battle. He had little faith +in drugs and nursing and professional skill; he remembered that upon +previous occasions cures had been wrought by means of money; teeth had +been brought through, the pangs of colic beguiled, and numerous other +ailments to which infancy is heir had by the same specific been +baffled. So now Old Growly set about wooing his little boy from the +embrace of death,—sought to coax him back to health with money, and +the dimes became dollars, and the tin bank was like to burst of +fulness. But little Abel drooped and drooped, and he lost all interest +in other things, and he was content to lie, drooping-eyed and listless, +in his mother's arms all day. At last the little flame went out with +hardly so much as a flutter, and the hope of the house of Dunklee was +dissipated forever. But even in those last moments of the little +cripple's suffering the father struggled to call back the old look into +the fading eyes, and the old smile into the dear, white face. He +brought treasure from his vaults and held it up before those fading +eyes, and promised it all, all, all—everything he possessed, gold, +houses, lands—all he had he would give to that little child if that +little child would only live. But the fading eyes saw other things, +and the ears that were deaf to the old man's lamentations heard voices +that soothed the anguish of that last solemn hour. And so little Abel +knew the Mystery. +</P> + +<P> +Then the old man crept away from that vestige of his love, and stood +alone in the night, and lifted up his face, and beat his bosom, and +moaned at the stars, asking over and over again why he had been so +bereaved. And while he agonized in this wise and cried there came to +him a voice,—a voice so small that none else could hear, a voice +seemingly from God; for from infinite space beyond those stars it sped +its instantaneous way to the old man's soul and lodged there. +</P> + +<P> +"Abel, I have touched thy heart!" +</P> + +<P> +And so, having come into the darkness of night, old Dunklee went back +into the light of day and found life beautiful; for the touch was in +his heart. +</P> + +<P> +After that, Old Growly's way of dealing with the world changed. He had +always been an honest man, honest as the world goes. But now he was +somewhat better than honest; he was kind, considerate, merciful. +People saw and felt the change, and they knew why it was so. But the +pathetic part of it all was that Old Growly would never admit—no, not +even to himself—that he was the least changed from his old grinding, +hard self. The good deeds he did were not his own; they were his +little boy's,—at least so he said. And it was his whim when doing +some kind and tender thing to lay it to little Abel, of whom he always +spoke as if he were still living. His workmen, his neighbors, his +townsmen,—all alike felt the graciousness of the wondrous change, and +many, ah! many a lowly sufferer blessed that broken old man for succor +in little Abel's name. And the old man was indeed much broken: not +that he had parted with his shrewdness and acumen, for, as of old, his +every venture prospered; but in this particular his mind seemed +weakened; that, as I have said, he fancied his child lived, that he was +given to low muttering and incoherent mumblings, of which the burden +seemed to be that child of his, and that his greatest pleasure appeared +now to be watching other little ones at their play. In fact, so +changed was he from the Old Growly of former years, that, whereas he +had then been wholly indifferent to the presence of those little ones +upon earth, he now sought their company, and delighted to view their +innocent and mirthful play. And so, presently, the children, from +regarding him at first with distrust, came to confide in and love him, +and in due time the old man was known far and wide as Old Grampa +Growly, and he was pleased thereat. It was his wont to go every fair +day, of an afternoon, into a park hard by his dwelling, and mingle with +the crowd of little folk there; and when they were weary of their +sports they used to gather about him,—some even clambering upon his +knees,—and hear him tell his story, for he had only one story to tell, +and that was the story that lay next his heart,—the story ever and +forever beginning with, "Once ther' wuz a littl' boy." A very tender +little story it was, too, told very much more sweetly than I could ever +tell it; for it was of Old Grampa Growly's own little boy, and it came +from that heart in which the touch—the touch of God Himself—lay like +a priceless pearl. +</P> + +<P> +So you must know that the last years of the old man's life made full +atonement for those that had gone before. People forgot that the old +man had ever been other than he was now, and of course the children +never knew otherwise. But as for himself, Old Grampa Growly grew +tenderer and tenderer, and his goodness became a household word, and he +was beloved of all. And to the very last he loved the little ones, and +shared their pleasures, and sympathized with them in their griefs, but +always repeating that same old story, beginning with "Once ther' wuz a +littl' boy." +</P> + +<P> +The curious part of it was this: that while he implied by his +confidences to the children that his own little boy was dead, he never +made that admission to others. On the contrary, it was his wont, as I +have said, to speak of little Abel as if that child still lived, and, +humoring him in this conceit, it was the custom of the older ones to +speak always of that child as if he lived and were known and beloved of +all. In this custom the old man had great content and solace. For it +was his wish that all he gave to and did for charity's sake should be +known to come, not from him, but from Abel, his son, and this was his +express stipulation at all such times. I know whereof I speak, for I +was one of those to whom the old man came upon a time and said: "My +little boy—Abel, you know—will give me no peace till I do what he +requires. He has this sum of money which he has saved in his bank, +count it yourselves, it is $50,000, and he bids me give it to the +townsfolk for a hospital, one for little lame boys and girls. And I +have promised him—my little boy, Abel, you know—that I will give +$50,000 more. You shall have it when that hospital is built." Surely +enough, in eighteen months' time the old man handed us the rest of the +money, and when we told him that the place was to be called the Abel +Dunklee hospital he was sorely distressed, and shook his head, and +said: "No, no,—not <I>my</I> name! Call it the <I>Little</I> Abel hospital, for +little Abel—my boy, you know—has done it all." +</P> + +<P> +The old man lived many years,—lived to hear tender voices bless him, +and to see pale faces brighten at the sound of his footfall. Yes, for +many years the quaint, shuffling figure moved about our streets, and +his hoarse but kindly voice—oh, very kindly now!—was heard repeating +to the children that pathetic old story of "Once ther' wuz a littl' +boy." And where the dear old feet trod the grass grew greenest, and +the sunbeams nestled. But at last there came a summons for the old +man,—a summons from away off yonder,—and the old man heard it and +went thither. +</P> + +<P> +The doctor—himself hoary and stooping now—told me that toward the +last Old Grampa Growly sunk into a sort of sleep, or stupor, from which +they could not rouse him. For many hours he lay like one dead, but his +thin, creased face was very peaceful, and there was no pain. Children +tiptoed in with flowers, and some cried bitterly, while others—those +who were younger—whispered to one another: "Hush, let us make no +noise; Old Grampa Growly is sleeping." +</P> + +<P> +At last the old man roused up. He had lain like one dead for many +hours, but now at last he seemed to wake of a sudden, and, seeing +children about him, perhaps he fancied himself in that pleasant park, +under the trees, where so very often he had told his one pathetic story +to those little ones. Leastwise he made a feeble motion as if he would +have them gather nearer, and, seeming to know his wish, the children +came closer to him. Those who were nearest heard him say with the +ineffable tenderness of old, "Once ther' wuz a littl' boy—" +</P> + +<P> +And with those last sweet words upon his lips, and with the touch in +his heart, the old man went down into the Valley. +</P> + +<BR><BR><BR> + +<A NAME="chap06"></A> + +<H3 ALIGN="center"> +DANIEL AND THE DEVIL +</H3> + +<P> +Daniel was a very wretched man. As he sat with his head bowed upon his +desk that evening he made up his mind that his life had been a failure. +"I have labored long and diligently," said he to himself, "and although I +am known throughout the city as an industrious and shrewd business man, I +am still a poor man, and shall probably continue so to the end of my days +unless—unless—" +</P> + +<P> +Here Daniel stopped and shivered. For a week or more he had been +brooding over his unhappy lot. There seemed to be but one way out of his +trouble, yet his soul revolted from taking that step. That was why he +stopped and shivered. +</P> + +<P> +"But," he argued, "I <I>must</I> do something! My nine children are growing +up into big boys and girls. They must have those advantages which my +limited means will not admit of! All my life so far has been pure, +circumspect, and rigid; poverty has at last broken my spirit. I give up +the fight,—I am ready to sell my soul to the Devil!" +</P> + +<P> +"The determination is a wise one," said a voice at Daniel's elbow. +Daniel looked up and beheld a grim-visaged stranger in the chair beside +him. The stranger was arrayed all in black, and he exhaled a distinct +odor of sulphur. +</P> + +<P> +"Am I to understand," asked the stranger, "that you are prepared to enter +into a league with the Devil?" +</P> + +<P> +"Yes," said Daniel, firmly; and he set his teeth together after the +fashion of a man who is not to be moved from his purpose. +</P> + +<P> +"Then I am ready to treat with you," said the stranger. +</P> + +<P> +"Are you the Devil?" asked Daniel, eying the stranger critically. +</P> + +<P> +"No, but I am authorized to enter into contracts for him," explained the +stranger. "My name is Beelzebub, and I am my master's most trusted +agent." +</P> + +<P> +"Sir," said Daniel, "you must pardon me (for I am loath to wound your +feelings), but one of the rules governing my career as a business man has +been to deal directly with principals, and never to trust to the offices +of middle-men. The affair now in hand is one concerning the Devil and +myself, and between us two and by us two only can the preliminaries be +adjusted." +</P> + +<P> +"As it so happens," explained Beelzebub, "this is Friday,—commonly +called hangman's day,—and that is as busy a time in our particular +locality as a Monday is in a laundry, or as the first of every month is +at a book-keeper's desk. You can understand, perhaps, that this is the +Devil's busy day; therefore be content to make this deal with me, and you +will find that my master will cheerfully accept any contract I may enter +into as his agent and in his behalf." +</P> + +<P> +But no,—Daniel would not agree to this; with the Devil himself, and only +the Devil himself, would he treat. So he bade Beelzebub go to the Devil +and make known his wishes. Beelzebub departed, much chagrined. +Presently back came the Devil, and surely it <I>was</I> the Devil this +time,—there could be no mistake about it; for he wore a scarlet cloak, +and had cloven feet, and carried about with him as many suffocating +smells as there are kinds of brimstone, sulphur, and assafoetida. +</P> + +<P> +The two talked over all Daniel's miseries; the Devil sympathized with +Daniel, and ever and anon a malodorous, gummy tear would trickle down the +Devil's sinister nose and drop off on the carpet. +</P> + +<P> +"What you want is money," said the Devil. "That will give you the +comfort and the contentment you crave." +</P> + +<P> +"Yes," said Daniel; "it will give me every opportunity to do good." +</P> + +<P> +"To do good!" repeated the Devil. "To do good, indeed! Yes, it's many a +good time we shall have together, friend Daniel! Ha, ha, ha!" And the +Devil laughed uproariously. Nothing seemed more humorous than the +prospect of "doing good" with the Devil's money! But Daniel failed to +see what the Devil was so jolly about. Daniel was not a humorist; he +was, as we have indicated, a plain business man. +</P> + +<P> +It was finally agreed that Daniel should sell his soul to the Devil upon +condition that for the space of twenty-four years the Devil should serve +Daniel faithfully, should provide him with riches, and should do +whatsoever he was commanded to do; then, at the end of the twenty-fourth +year, Daniel's soul was to pass into the possession of the Devil, and was +to remain there forever, without recourse or benefit of clergy. Surely a +more horrible contract was never entered into! +</P> + +<P> +"You will have to sign your name to this contract," said the Devil, +producing a sheet of asbestos paper upon which all the terms of the +diabolical treaty were set forth exactly. +</P> + +<P> +"Certainly," replied Daniel. "I have been a business man long enough to +know the propriety and necessity of written contracts. And as for you, +you must of course give a bond for the faithful execution of your part of +this business." +</P> + +<P> +"That is something I have never done before," suggested the Devil. +</P> + +<P> +"I shall insist upon it," said Daniel, firmly. "This is no affair of +sentiment; it is strictly and coldly business: you are to do certain +service, and are to receive certain rewards therefor—" +</P> + +<P> +"Yes, your soul!" cried the Devil, gleefully rubbing his callous hands +together. "Your soul in twenty-four years!" +</P> + +<P> +"Yes," said Daniel. "Now, no contract is good unless there is a quid pro +quo." +</P> + +<P> +"That's so," said the Devil, "so let's get a lawyer to draw up the paper +for me to sign." +</P> + +<P> +"Why a lawyer?" queried Daniel. "A contract is a simple instrument; I, +as a business man, can frame one sufficiently binding." +</P> + +<P> +"But I prefer to have a lawyer do it," urged the Devil. +</P> + +<P> +"And <I>I</I> prefer to do it myself," said Daniel. +</P> + +<P> +When a business man once gets his mind set, not even an Archimedean lever +could stir it. So Daniel drew up the bond for the Devil to sign, and +this bond specified that in case the Devil failed at any time during the +next twenty-four years to do whatso Daniel commanded him, then should the +bond which the Devil held against Daniel become null and void, and upon +that same day should a thousand and one souls be released forever from +the Devil's dominion. The Devil winced; he hated to sign this agreement, +but he had to. An awful clap of thunder ratified the abominable treaty, +and every black cat within a radius of a hundred leagues straightway fell +to frothing and to yowling grotesquely. +</P> + +<P> +Presently Daniel began to prosper; the Devil was a faithful slave, and he +served Daniel so artfully that no person on earth suspected that Daniel +had leagued with the evil one. Daniel had the finest house in the city, +his wife dressed magnificently, and his children enjoyed every luxury +wealth could provide. Still, Daniel was content to be known as a +business man; he deported himself modestly and kindly; he pursued with +all his old-time diligence the trade which in earlier days he had found +so unproductive of riches. His indifference to the pleasures which money +put within his reach was passing strange, and it caused the Devil vast +uneasiness. +</P> + +<P> +"Daniel," said the Devil, one day, "you're not getting out of this thing +all the fun there is in it. You go poking along in the same old rut with +never a suspicion that you have it in your power to enjoy every pleasure +of human life. Why don't you break away from the old restraints? Why +don't you avail yourself of the advantages at your command?" +</P> + +<P> +"I know what you 're driving at," said Daniel, shrewdly, "Politics!" +</P> + +<P> +"No, not at all," remonstrated the Devil. "What I mean is fun,—gayety. +Why not have a good time, Daniel?" +</P> + +<P> +"But I am having a good time," said Daniel. "My business is going along +all right, I am rich. I 've got a lovely home; my wife is happy; my +children are healthy and contented; I am respected,—what more could I +ask? What better time could I demand?" +</P> + +<P> +"You don't understand me," explained the Devil. "What I mean by a good +time is that which makes the heart merry and keeps the soul youthful and +buoyant,—wine, Daniel! Wine and the theatre and pretty girls and fast +horses and all that sort of happy, joyful life!" +</P> + +<P> +"Tut, tut, tut!" cried Daniel; "no more of that, sir! I sowed my wild +oats in college. What right have I to think of such silly follies,—I, +at forty years of age, and a business man too?" +</P> + +<P> +So not even the Devil himself could persuade Daniel into a life of +dissipation. All you who have made a study of the business man will +agree that of all human beings he is the hardest to swerve from +conservative methods. The Devil groaned and began to wonder why he had +ever tied up to a man like Daniel,—a business man. +</P> + +<P> +Pretty soon Daniel developed an ambition. He wanted reputation, and he +told the Devil so. The Devil's eyes sparkled. "At last," murmured the +Devil, with a sigh of relief,—"at last." +</P> + +<P> +"Yes," said Daniel, "I want to be known far and wide. You must build a +church for me." +</P> + +<P> +"What!" shrieked the Devil. And the Devil's tail stiffened up like a +sore thumb. +</P> + +<P> +"Yes," said Daniel, calmly; "you must build a church for me, and it must +be the largest and the handsomest church in the city. The sittings shall +be free, and you shall provide the funds for its support forever." +</P> + +<P> +The Devil frothed at his mouth, and blue fire issued from his ears and +nostrils. He was the maddest devil ever seen on earth. +</P> + +<P> +"I won't do it!" roared the Devil. "Do you suppose I'm going to spend my +time building churches and stultifying myself just for the sake of +gratifying your idle whims? I won't do it,—never!" +</P> + +<P> +"Then the bond I gave is null and void," said Daniel. +</P> + +<P> +"Take your old bond," said the Devil, petulantly. +</P> + +<P> +"But the bond you gave is operative," continued Daniel. "So release the +thousand and one souls you owe me when you refuse to obey me." +</P> + +<P> +"Oh, Daniel!" whimpered the Devil, "how can you treat me so? Have n't I +always been good to you? Have n't I given you riches and prosperity? +Does no sentiment of friendship—" +</P> + +<P> +"Hush," said Daniel, interrupting him. "I have already told you a +thousand times that our relations were simply those of one business man +with another. It now behooves you to fulfil your part of our compact; +eventually I shall fulfil mine. Come, now, to business! Will you or +will you not keep your word and save your bond?" +</P> + +<P> +The Devil was sorely put to his trumps. But when it came to releasing a +thousand and one souls from hell,—ah, that staggered him! He had to +build the church, and a noble one it was too. Then he endowed the +church, and finally he built a parsonage; altogether it was a stupendous +work, and Daniel got all the credit for it. The preacher whom Daniel +installed in this magnificent temple was severely orthodox, and one of +the first things he did was to preach a series of sermons upon the +personality of the Devil, wherein he inveighed most bitterly against that +person and his work. +</P> + +<P> +By and by Daniel made the Devil endow and build a number of hospitals, +charity schools, free baths, libraries, and other institutions of similar +character. Then he made him secure the election of honest men to office +and of upright judges to the bench. It almost broke the Devil's heart to +do it, but the Devil was prepared to do almost anything else than forfeit +his bond and give up those one thousand and one souls. By this time +Daniel came to be known far and wide for his philanthropy and his piety. +This gratified him of course; but most of all he gloried in the +circumstance that he was a business man. +</P> + +<P> +"Have you anything for me to do today?" asked the Devil, one morning. He +had grown to be a very meek and courteous devil; steady employment in +righteous causes had chastened him to a degree and purged away somewhat +of the violence of his nature. On this particular morning he looked +haggard and ill,—yes, and he looked, too, as blue as a whetstone. +</P> + +<P> +"I am not feeling robust," explained the Devil. "To tell the truth, I am +somewhat ill." +</P> + +<P> +"I am sorry to hear it," said Daniel; "but as I am not conducting a +sanitarium, I can do nothing further than express my regret that you are +ailing. Of course our business relations do not contemplate any +interchange of sympathies; still I'll go easy with you to-day. You may +go up to the house and look after the children; see that they don't smoke +cigarettes, or quarrel, or tease the cat, or do anything out of the way." +</P> + +<P> +Now that was fine business for the Devil to be in; but how could the +Devil help himself? He was wholly at Daniel's mercy. He went groaning +about the humiliating task. +</P> + +<P> +The crash came at last. It was when the Devil informed Daniel one day +that he was n't going to work for him any more. +</P> + +<P> +"You have ruined my business," said the Devil, wearily. "A committee of +imps waited upon me last night and told me that unless I severed my +connection with you a permanent suspension of my interests down yonder +would be necessitated. While I have been running around doing your +insane errands my personal business has gone to the dogs—I would n't be +at all surprised if I were to have to get a new plant altogether. +Meanwhile my reputation has suffered; I am no longer respected, and the +number of my recruits is daily becoming smaller. I give up,—I can make +no further sacrifice." +</P> + +<P> +"Then you are prepared to forfeit your bond?" asked Daniel. +</P> + +<P> +"Not by any means," replied the Devil. "I propose to throw the matter +into the courts." +</P> + +<P> +"That will hardly be to your interest," said Daniel, "since, as you well +know, we have recently elected honest men to the bench, and, as I +recollect, most of our judges are members in good standing of the church +we built some years ago!" +</P> + +<P> +The Devil howled with rage. Then, presently, he began to whimper. +</P> + +<P> +"For the last time," expostulated Daniel, "let me remind you that +sentiment does not enter into this affair at all. We are simply two +business parties coöperating in a business scheme. Our respective duties +are exactly defined in the bonds we hold. You keep your contract and +I'll keep mine. Let me see, I still have a margin of thirteen years." +</P> + +<P> +The Devil groaned and writhed. +</P> + +<P> +"They call me a dude," whimpered the Devil. +</P> + +<P> +"Who do?" asked Daniel. +</P> + +<P> +"Beelzebub and the rest," said the Devil. "I have been trotting around +doing pious errands so long that I 've lost all my sulphur-and-brimstone +flavor, and now I smell like spikenard and myrrh." +</P> + +<P> +"Pooh!" said Daniel. +</P> + +<P> +"Well, I do," insisted the Devil. "You've humiliated me so that I hain't +got any more ambition. Yes, Daniel, you've worked me shamefully hard!" +</P> + +<P> +"Well," said Daniel, "I have a very distinct suspicion that when, +thirteen years hence, I fall into your hands I shall not enjoy what might +be called a sedentary life." +</P> + +<P> +The Devil plucked up at this suggestion. "Indeed you shall not," he +muttered. "I'll make it hot for you!" +</P> + +<P> +"But come, we waste time," said Daniel. "I am a man of business, and I +cannot fritter away the precious moments parleying with you. I have +important work for you. Tomorrow is Sunday; you are to see that all the +saloons are kept closed." +</P> + +<P> +"I sha'n't—I won't!" yelled the Devil. +</P> + +<P> +"But you must," said Daniel, firmly. +</P> + +<P> +"Do you really expect me to do <I>that</I>?" roared the Devil. "Do you fancy +that I am so arrant a fool as to shut off the very feeders whereby my +hungry hell is supplied? That would be suicidal!" +</P> + +<P> +"I don't know anything about that," said Daniel; "I am a business man, +and by this business arrangement of ours it is explicitly stipulated—" +</P> + +<P> +"I don't care what the stipulations are!" shrieked the Devil. "I'm +through with you, and may I be consumed by my own fires if ever again I +have anything to do with a business man!" +</P> + +<P> +The upshot of it all was that the Devil forfeited his bond, and by this +act Daniel was released from every obligation unto the Devil, and one +thousand and one souls were ransomed from the torture of the infernal +fires. +</P> + +<BR><BR><BR> + +<A NAME="chap07"></A> + +<H3 ALIGN="center"> +METHUSELAH +</H3> + +<P> +The discussion now going on between our clergymen and certain +unbelievers touching the question of Cain and his wife will surely +result beneficially, for it will set everybody to reading his Bible +more diligently. Still, the biography of Cain is one that we could +never become particularly interested in; in short, of all the Old +Testament characters none other interests us so much as does +Methuselah, the man who lived 969 years. Would it be possible to find +in all history another life at once so grand and so pathetic? One can +get a faint idea of the awful magnitude of Methuselah's career by +pausing to recollect that 969 years represent 9.69 centuries, 96 +decades, 11,628 months, 50,388 weeks, 353,928 days, 8,494,272 hours, +521,656,320 minutes, and 36,299,879,200 seconds! +</P> + +<P> +How came he to live so long? Ah, that is easily enough explained. He +loved life and the world,—both were beautiful to him. And one day he +spoke his wish in words. "Oh, that I might live a thousand years!" he +cried. +</P> + +<P> +Then looking up straightway he beheld an angel, and the angel said: +"Wouldst thou live a thousand years?" +</P> + +<P> +And Methuselah answered him, saying: "As the Lord is my God, I would +live a thousand years." +</P> + +<P> +"It shall be even so," said the angel; and then the angel departed out +of his sight. So Methuselah lived on and on, as the angel had promised. +</P> + +<P> +How sweet a treasure the young Methuselah must have been to his parents +and to his doting ancestors; with what tender solicitude must the old +folks have watched the child's progress from the innocence of his first +to the virility of his later centuries. We can picture the happy +reunions of the old Adam family under the domestic vines and fig-trees +that bloomed near the Euphrates. When Methuselah was a mere toddler of +nineteen years, Adam was still living, and so was his estimable wife; +the possibility is that the venerable couple gave young Methuselah a +birthday party at which (we can easily imagine) there were present +these following, to-wit: Adam, aged 687; Seth, aged 557; Enos, aged +452; Cainan, aged 362; Mahalaleel, aged 292; Jared, aged 227; Enoch, +aged 65, and his infant boy Methuselah, aged 19. Here were represented +eight direct generations, and there were present, of course, the wives +and daughters; so that, on the whole, the gathering must have been as +numerous as it was otherwise remarkable. Nowhere in any of the vistas +of history, of romance, or of mythology were it possible to find a +spectacle more imposing than that of the child Methuselah surrounded by +his father Enoch, his grandfather Jared, his great-grandfather +Mahalaleel, his great-great-grandfather Cainan, his +great-great-great-grandfather Enos, his +great-great-great-great-grandfather Seth, and his +great-great-great-great-great-grandfather Adam, as well as by his +great-great-great-great-great-grandmother Eve, and her feminine +posterity for (say) four centuries! How pretty and how kindly dear old +grandma Eve must have looked on that gala occasion, attired, as she +must have been, in all the quaint simplicity of that primeval period; +and how must the dear old soul have fretted through fear that little +Methuselah would eat too many papaws, or drink too much goat's milk. +It is a marvel, we think, that in spite of the indulgence and the +petting in which he was reared, Methuselah grew to be a good, kind man. +</P> + +<P> +Profane historians agree that just about the time he reached the age of +ninety-four Methuselah became deeply enamoured of a comely and +sprightly damsel named Mizpah,—a young thing scarce turned +seventy-six. Up to this period of adolescence his cautious father +Enoch had kept Methuselah out of all love entanglements, and it is +probable that he would not have approved of this affair with Mizpah had +not Jared, the boy's grandfather, counselled Enoch to give the boy a +chance. But alas and alackaday for the instability of youthful +affection! It befell in an evil time that there came over from the +land of Nod a frivolous and gorgeously apparelled beau, who, with +finely wrought phrases, did so fascinate the giddy Mizpah that +incontinently she gave Methuselah the mitten, and went with the dashing +young stranger of 102 as his bride. +</P> + +<P> +This shocking blow so grievously affected Methuselah that for some time +(that is to say, for a period of ninety-one years) he shunned female +society. But having recovered somewhat from the bitterness of that +great disappointment received in the callowness of his ninth decade, he +finally met and fell in love with Adah, a young woman of 148, and her +he married. The issue of this union was a boy whom they named Lamech, +and this child from the very hour of his birth gave his father vast +worriment, which, considering the disparity in their ages, is indeed +most shocking of contemplation. The tableau of a father (aged 187) +vainly coddling a colicky babe certainly does not call for our +enthusiasm. Yet we presume to say that Methuselah bore his trials +meekly, that he cherished and adored the baby, and that he spent weeks +and months playing peek-a-boo and ride-a-cock-horse. In all our +consideration of Methuselah we must remember that the mere matter of +time was of no consequence to him. +</P> + +<P> +Lamech grew to boyhood, involving his father in all those ridiculous +complications which parents nowadays do not heed so much, but which +must have been of vast annoyance to a man of Methuselah's advanced age +and proper notions. Whittling with the old gentleman's razor, hooking +off from school, trampling down the neighbors' rowen, tracking mud into +the front parlor—these were some of Lamech's idiosyncrasies, and of +course they tormented Methuselah, who recalled sadly that boys were no +longer what they used to be when he was a boy some centuries previous. +But when he got to be 182 years old Lamech had sowed all his wild oats, +and it was then he married a clever young girl of 98, who bore him a +son whom they called Noah. Now if Methuselah had been worried and +plagued by Lamech, he was more than compensated therefor by this baby +grandson, whom he found to be, aside from all prejudices, the prettiest +and the smartest child he had ever seen. Old father Adam, who was now +turned of his ninth century, tottered over to see the baby, and he, +too, allowed that it was an uncommonly bright child. And dear old +grandma Eve declared that there was an expression about the upper part +of the little Noah's face that reminded her very much of the soft-eyed +boy she lost 800 years ago. And dear old grandma Eve used to rock +little Noah and sing to him, and cry softly to herself all the while. +</P> + +<P> +Now, in good time, Noah grew to lusty youth, and although he was, on +the whole, a joy to his grandsire Methuselah, he developed certain +traits and predilections that occasioned the old gentleman much +uneasiness. At the tender age of 265 Noah exhibited a strange passion +for aquatics, and while it was common for other boys of that time to +divert themselves with the flocks and herds, with slingshots and +spears, with music and dancing, Noah preferred to spend his hours +floating toy-ships in the bayous of the Euphrates. Every day he took +his little shittim-wood boats down to the water, tied strings to them, +and let them float hither and thither on the crystal bosom of the tide. +Naturally enough these practices worried the grandfather mightily. +</P> + +<P> +"May not the crocodiles compass him round about?" groaned Methuselah. +"May not behemoth prevail against him? Or, verily, it may befall that +the waves shall devour him. Woe is me and lamentation unto this +household if destruction come to him through the folly of his fathers!" +</P> + +<P> +So Methuselah's age began to be full of care and trouble, and many a +time he felt weary of living, and sometimes—yes, sometimes—he wished +he were dead. People in those times were not afraid to die; they +believed in the second and better life, because God spoke with them and +told them it should be. +</P> + +<P> +The last century of this good man's sojourn upon earth was particularly +pathetic. His ancestors were all dead; he alone remained the last +living reminiscence of a time that but for him would have been +forgotten. Deprived of the wise counsels of his +great-great-great-great-great-grandfather Adam and of the gentle +admonitions of his great-great-great-great-great-grandmother Eve, +Methuselah felt not only lonesome but even in danger of wrong-doing, so +precious to him had been the teachings of these worthy progenitors. +And what particularly disturbed Methuselah were the dreadful changes +that had taken place in society since he was a boy. Dress, speech, +customs, and morals were all different now from what they used to be. +</P> + +<P> +When Methuselah was a boy,—ah, he remembered it well,—people went +hither and thither clad only in simple fig-leaf garb; and they were +content therewith. +</P> + +<P> +When Methuselah was a boy, people spoke a plain, direct language, +strong in its truth, its simplicity, and its honest vigor. +</P> + +<P> +When Methuselah was a boy, manners were open and unaffected, and morals +were pure and healthy. +</P> + +<P> +But now all these things were changed. An evil called fashion had +filled the minds of men and women with vanity. From the sinful land of +Nod and from other pagan countries came divers tradesmen with purples +and linens and fine feathers, whereby a wicked pride was engendered, +and from these sinful countries, too, came frivolous manners that +supplanted the guileless etiquette of the past. +</P> + +<P> +Moreover, traffic and intercourse with the subtle heathen had corrupted +and perverted the speech of Adam's time: crafty phrases and false +rhetorics had crept in, and the grand old Edenic idioms either were +fast being debased or had become wholly obsolete. Such new-fangled +words as "eftsoon," "albeit," "wench," "soothly," "zounds," "whenas," +and "sithence" had stolen into common usage, making more direct and +simpler speech a jest and a byword. +</P> + +<P> +Likewise had prudence given way to extravagance, abstemiousness to +intemperance, dignity to frivolity, and continence to lust; so that by +these evils was Methuselah grievously tormented, and it repented him +full sore that he had lived to see such exceeding wickedness upon +earth. But in the midst of all these follies did Methuselah maintain +an upright and godly life, and continually did he bless God for that he +had held him in the path of rectitude. +</P> + +<P> +Now when Methuselah was in the 964th summer of his sojourn he was +called upon to mourn the death of his son Lamech, whom an inscrutable +Providence had cut off in what in those days was considered the flower +of a man's life,—namely, the eighth century thereof. Lamech's +untimely decease was a severe blow to his doting father, who, +forgetting all his son's boyish indiscretions, remembered now only +Lamech's good and lovable traits and deeds. It is reasonable to +suppose, however, that the old gentleman was somewhat beguiled from his +grief by the lively dispositions and playful antics of Lamech's +grandsons, Noah's sons, and his own great-grandsons,—Shem, Ham, and +Japheth,—who at this time had attained to the frolicsome ages of +ninety-five, ninety-two, and ninety-one, respectively. These boys +inherited from their father a violent penchant for aquatics, and +scarcely a day passed that they did not paddle around the bayous and +sloughs of the Euphrates in their gopher-wood canoes. +</P> + +<P> +"Gran'pa," Noah used to say, "the conduct of those boys causes me +constant vexation. I have no time to follow them around, and I am +haunted continually by the fear that they will be drowned, or that the +crocodiles will get them if they don't watch out!" +</P> + +<P> +But Methuselah would smiling answer: "Possess thy soul in patience and +thy bowels in peace; for verily is it not written 'boys will be boys!'" +</P> + +<P> +Now Shem, Ham, and Japheth were very fond of their great-grandpa, and +to their credit be it said that next to paddling over the water +privileges of the Euphrates they liked nothing better than to sit in +the old gentleman's lap, and to hear him talk about old times. +Marvellous tales he told them, too; for his career of nine and a half +centuries had been well stocked with incident, as one would naturally +suppose. Howbeit, the admiration which these callow youths had for +Methuselah was not shared by a large majority of the people then on +earth. On the contrary, we blush to admit it, Methuselah was held in +very trifling esteem by his frivolous fellow-citizens, who habitually +referred to him as an "old 'wayback," "a barnacle," an "old fogy," a +"mossback," or a "garrulous dotard," and with singular irreverence they +took delight in twitting him upon his senility and in pestering him +with divers new-fangled notions altogether distasteful, not to say +shocking, to a gentleman of his years. +</P> + +<P> +It was perhaps, however, at the old settlers' picnics, which even then +were of annual occurrence, that Methuselah most enjoyed himself; for on +these occasions he was given the place of prominence and he was +deferred to in everything, since he antedated all the others by at +least three centuries. The historians and the antiquarians of the time +found him of much assistance to them in their labors, since he was +always ready to provide them with dates touching incidents of the +remote period from which he had come down unscathed. He remembered +vividly how, when he was 186 years of age, the Euphrates had frozen +over to a depth of seven feet; the 209th winter of his existence he +referred to as "the winter of the deep snow;" he remembered that when +he was a boy the women had more character than the women of these later +years; he had a vivid recollection of the great plague that prevailed +in the city of Enoch during his fourth century; he could repeat, word +for word, the address of welcome his +great-great-great-great-great-grandfather Adam delivered to an +excursion party that came over from the land of Nod one time when +Methuselah was a mere child of eighty-seven,—oh, yes, poor old +Methuselah was full of reminiscence, and having crowded an active +career into the brief period of 969 years, it can be imagined that +ponderous tomes would not hold the tales he told whenever he was +encouraged. +</P> + +<P> +One day, however, Methuselah's grandson Noah took the old gentleman +aside and confided into his ear-trumpet a very solemn secret which must +have grieved the old gentleman immensely, for he gnashed his gums and +wrung his thin, bony hands and groaned dolorously. +</P> + +<P> +"The end of all flesh is at hand," said Noah. "The earth is filled +with violence through them, and God will destroy them with the earth. +I will make an ark of gopher-wood, the length thereof 300 cubits, the +breadth of it 50 cubits, and the height of it 30 cubits, and I will +pitch it within and without with pitch. Into the ark will I come, and +my sons and my wife, and my sons' wives, and certain living beasts +shall come, and birds of the air, and we and they shall be saved. Come +thou also, for thou art an austere man and a just." +</P> + +<P> +But as Methuselah sate alone upon his couch that night he thought of +his life: how sweet it had been,—how that, despite the evil now and +then, there had been more of happiness than of sorrow in it. He even +forgot the wickedness of the world and remembered only its good and its +sunshine, its kindness and its love. He blessed God for it all, and he +prayed for the death-angel to come to him ere he beheld the destruction +of all he so much loved. +</P> + +<P> +Then the angel came and spread his shadow about the old man. +</P> + +<P> +And the angel said: "Thy prayer is heard, and God doth forgive thee the +score-and-ten years of the promised span of thy life." +</P> + +<P> +And Methuselah gathered up his feet into the bed, and prattling of the +brooks, he fell asleep; and so he slept with his fathers. +</P> + +<BR><BR><BR> + +<A NAME="chap08"></A> + +<H3 ALIGN="center"> +FÉLICE AND PETIT-POULAIN +</H3> + +<P> +The name was singularly appropriate, for assuredly Félice was the +happiest of all four-footed creatures. Her nature was gentle; she was +obedient, long-suffering, kind. She had known what it was to toil and +to bear burdens; sometimes she had suffered from hunger and from +thirst; and before she came into the possession of Jacques she had been +beaten, for Pierre, her former owner, was a hard master. But Félice +was always a kind, faithful, and gentle creature; presumably that was +why they named her that pretty name, Félice. She may not have been +happy when Pierre owned and overworked and starved and beat her; that +does not concern us now, for herein it is to tell of that time when she +belonged to Jacques, and Jacques was a merciful man. +</P> + +<P> +Jacques was a farmer; he lived a short distance from Cinqville, which, +as you are probably aware, is a town of considerable importance upon +what used to be the boundary line between France and Germany. The +country round about is devoted to agriculture. You can fancy that, +with its even roads, leafy woods, quiet lanes, velvety paddocks, tall +hedges, and bountiful fields, this country was indeed as pleasant a +home as Félice—or, for that matter, any other properly minded +horse—could hope for. Toward the southern horizon there were hills +that looked a grayish blue from a distance; upon these hills were +vineyards, and the wine that came therefrom is very famous wine, as +your uncle, if he be a club man, will very truly assure you. There was +a pretty little river that curled like a silver snake through the +fertile meadows, and lost its way among the hills, and there were many +tiny brooks that scampered across lots and got tangled up with that +pretty little river in most bewildering fashion. So, as you can +imagine, this was a fair country, and you do not wonder that, with so +merciful a master as Jacques, our friend Félice was happy. +</P> + +<P> +But what perfected her happiness was the coming of her little colt, as +cunning and as blithe a creature as ever whisked a tail or galloped on +four legs. I do not know why they called him by that name, but +Petit-Poulain was what they called him, and that name seemed to please +Félice, for when farmer Jacques came thrice a day to the stile and +cried, "Petit-Poulain, petit, petit, Petit-Poulain!" the kind old +mother would look up fondly, and, with doting eyes, watch her dainty +little colt go bounding toward his calling master. And he was indeed a +lovely little fellow. The curé, the holy père François, predicted that +in due time that colt would make a great name for himself and a great +fortune for his owner. The holy père knew whereof he spake, for in his +youth he had tasted of the sweets of Parisian life, and upon one +memorable occasion had successfully placed ten francs upon the winner +of le grand prix. We can suppose that Félice thought well of the holy +père. He never came down the road that she did not thrust her nose +through the hedge and give a mild whinny of recognition, as if she fain +would say: "Pray stop a moment and see Petit-Poulain and his old +mother!" +</P> + +<P> +What happy days those were for Félice and her darling colt. With what +tenderness they played together in the paddock; or, when the sky was +overcast and a storm came on, with what solicitude would the old mother +lead the way into the thatched stable, where there was snug protection +against the threatening element. There are those who say that none but +humankind is immortal,—that none but man has a soul. I do not make or +believe that claim. There is that within me which tells me that no +thing in this world and life of ours which has felt the grace of +maternity shall utterly perish. And this I say in all reverence, and +with the hope that I offend neither God nor man. +</P> + +<P> +You are to know that old Félice's devotion to Petit-Poulain was human +in its tenderness. As readily, as gladly, and as surely as your dear +mother would lay down her life for you would old Félice have yielded up +her life for her innocent, blithe darling. So old Félice was happy +that pleasant time in that fair country, and Petit-Poulain waxed hale +and evermore blithe and beautiful. +</P> + +<P> +Happy days, too, were those for that peaceful country and the other +dwellers therein. There was no thought of evil there; the seasons were +propitious, the vineyards thrived, the crops were bountiful; as far as +eye could see all was prosperity and contentment. But one day the holy +Father François came hurrying down the road, and it was too evident +that he brought evil tidings. Félice thought it very strange that he +paid no heed to her when, as was her wont, she thrust her nose through +the hedge and gave a mild whinny of welcome. Anon she saw that he +talked long and earnestly with her master Jacques, and presently she +saw that Jacques went into the cottage and came again therefrom with +his wife Justine and kissed her, and then went away with Père François +toward the town off yonder. Félice saw that Justine was weeping, and +with never a suspicion of impending evil, she wondered why Justine +should weep when all was so prosperous and bright and fair and happy +about her. Félice saw and wondered, and meanwhile Petit-Poulain +scampered gayly about that velvety paddock. +</P> + +<P> +That night the vineyard hills, bathed in the mellow grace of moonlight, +saw a sight they had never seen before. From the east an army came +riding and marching on,—an army of strange, determined men, speaking a +language before unheard in that fair country and threatening things of +which that peaceful valley had never dreamed. You and I, of course, +know that these were the Germans advancing upon France,—a nation of +immortals eager to destroy the possessions and the human lives of +fellow-immortals! But old Félice, hearing the din away off +yonder,—the unwonted noise of cavalry and infantry advancing with +murderous intent,—she did not understand it all, she did not even +suspect the truth. You cannot wonder, for what should a soulless beast +know of the noble, the human privilege of human slaughter? Old Félice +heard that strange din, and instinct led her to coax her little colt +from the pleasant paddock into that snug and secure retreat, the +thatched stable, and there, in the early morning, they found her, +Petit-Poulain pulling eagerly at her generous dugs. +</P> + +<P> +Those who came riding up were strangers in those parts; they were +ominously accoutred and they spoke words that old Félice had never +heard before. Yes, as you have already guessed, they were German +cavalry-men. A battle was impending, and they needed more horses. +</P> + +<P> +"Old enough; but in lieu of a better, she will do." That was what they +said. They approached her carefully, for they suspected that she might +be vicious. Poor old Félice, she had never harmed even the flies that +pestered her. "They are going to put me at the plough," she thought. +"It is a long time since I did work of any kind,—nothing, in fact, +since Petit-Poulain was born. Poor Petit-Poulain will miss me; but I +will soon return." With these thoughts she turned her head fondly and +caressed her pretty colt. +</P> + +<P> +"The colt must be tied in the stall or he will follow her." So said +the cavalrymen. They threw a rope about his neck and made him fast in +the stable. Petit-Poulain was very much surprised, and he remonstrated +vainly with his fierce little heels. +</P> + +<P> +They put a halter upon old Félice. Justine, the farmer's wife, met +them in the yard, and reproached them wildly in French. They laughed +boisterously, and answered her in German. Then they rode away, leading +old Félice, who kept turning her head and whinnying pathetically, for +she was thinking of Petit-Poulain. +</P> + +<P> +Of peace I know and can speak,—of peace, with its solace of love, +plenty, honor, fame, happiness, and its pathetic tragedy of poverty, +heartache, disappointment, tears, bereavement. Of war I know nothing, +and never shall know; it is not in my heart of for my hand to break +that law which God enjoined from Sinai and Christ confirmed in Galilee. +I do not know of war, nor can I tell you of that battle which men with +immortal souls fought one glorious day in a fertile country with +vineyard hills all round about. But when night fell there was +desolation everywhere and death. The Eden was a wilderness; the +winding river was choked with mangled corpses; shell and shot had mowed +down the acres of waving grain, the exuberant orchards, the gardens and +the hedgerows; black, charred ruins, gaunt and ghostlike, marked the +spots where homes had stood. The vines had been cut and torn away, and +the despoiled hills seemed to crouch down like bereaved mothers under +the pitiless gaze of the myriad eyes of heaven. +</P> + +<P> +The victors went their way; a greater triumph was in store for them; a +mighty capital was to be besieged; more homes were to be +desolated,—more blood shed, more hearts broken. So the victors went +their way, their hands red and their immortal souls elated. +</P> + +<P> +In the early dawn a horse came galloping homeward. It is Félice, old +Félice, riderless, splashed with mud, wild-eyed, sore with fatigue! +Félice, Félice, what horrors hast thou not seen! If thou couldst +speak, if that tongue of thine could be loosed, what would it say of +those who, forgetful of their souls, sink lower than the soulless +brutes! Better it is thou canst not speak; the anguish in thine eyes, +the despair in thy honest heart, the fear, the awful fear in thy mother +breast,—what tongue could utter them? +</P> + +<P> +Adown the road she galloped,—the same road she had traversed, perhaps, +a thousand times before, yet it was so changed now she hardly knew it. +Twenty-four hours had ruthlessly levelled the noble trees, the +hedgerows, and the fields of grain. Twenty-four hours of battle had +done all this and more. In all those ghastly hours, one thought had +haunted Félice; one thought alone,—the thought of Petit-Poulain! She +pictured him tied in that far-away stall, wondering why she did not +come. He was hungry, she knew; her dugs were full of milk and they +pained her; how sweet would be her relief when her Petit-Poulain broke +his long fast. Petit-Poulain, Petit-Poulain, Petit-Poulain,—this one +thought and this alone had old Félice throughout those hours of battle +and of horror. +</P> + +<P> +Could this have been the farm-house? It was a ruin now. Shells had +torn it apart. Where was the good master Jacques; had he gone with the +curé to the defence of the town? And Justine,—where was she? Bullets +had cut away the rose-trees and the smoke-bush; the garden was no more. +The havoc, the desolation, was complete. The cote, which had +surmounted the pole around which an ivy twined, had been swept away. +The pigeons now circled here and there bewildered; wondering, perhaps, +why Justine did not come and call to them and feed them. +</P> + +<P> +To this seared, scarred spot came old Félice. He that had ridden her +into battle lay with his face downward near those distant vineyard +hills. His blood had stained Félice's neck; a bullet had grazed her +flank, but that was a slight wound,—riderless, she turned and came +from the battle-field and sought her Petit-Poulain once again. +</P> + +<P> +Hard by the ruins of cottage, of garden, and of cote, she came up +standing; she was steaming and breathless. She rolled her eyes wildly +around,—she looked for the stable where she had left Petit-Poulain. +She trembled as if an overwhelming apprehension of disaster suddenly +possessed her. She gave a whinny, pathetic in its tenderness. She was +calling Petit-Poulain. But there was no answer. +</P> + +<P> +Petit-Poulain lay dead in the ruins of the stable. His shelter had not +escaped the fury of the battle. He could not run away, for they had +tied him fast when they carried his old mother off. So now he lay amid +that debris, his eyes half open in death and his legs stretched out +stark and stiff. +</P> + +<P> +And old Félice,—her udder bursting with the maternal grace he never +again should know, and her heart breaking with the agony of sudden and +awful bereavement,—she staggered, as if blinded by despair, toward +that vestige of her love, and bent over him and caressed her +Petit-Poulain. +</P> + +<BR><BR><BR> + +<A NAME="chap09"></A> + +<H3 ALIGN="center"> +THE RIVER +</H3> + +<P> +Once upon a time a little boy came, during his play, to the bank of a +river. The waters of the river were very dark and wild, and there was +so black a cloud over the river that the little boy could not see the +further shore. An icy wind came up from the cloud and chilled the +little boy, and he trembled with cold and fear as the wind smote his +cheeks and ran its slender icicle fingers through his yellow curls. An +old man sat on the bank of the river; he was very, very old; his head +and shoulders were covered with a black mantle; and his beard was white +as snow. +</P> + +<P> +"Will you come with me, little boy?" asked the old man. +</P> + +<P> +"Where?" inquired the little boy. +</P> + +<P> +"To yonder shore," replied the old man. +</P> + +<P> +"Oh, no; not to that dark shore," said the little boy. "I should be +afraid to go." +</P> + +<P> +"But think of the sunlight always there," said the old man, "the birds +and flowers; and remember there is no pain, nor anything of that kind +to vex you." +</P> + +<P> +The little boy looked and saw the dark cloud hanging over the waters, +and he felt the cold wind come up from the river; moreover, the sight +of the strange man terrified him. So, hearing his mother calling him, +the little boy ran back to his home, leaving the old man by the river +alone. +</P> + +<P> +Many years after that time the little boy came again to the river; but +he was not a little boy now,—he was a big, strong man. +</P> + +<P> +"The river is the same," said he; "the wind is the same cold, cutting +wind of ice, and the same black cloud obscures yonder shore. I wonder +where the strange old man can be." +</P> + +<P> +"I am he," said a solemn voice. +</P> + +<P> +The man turned and looked on him who spoke, and he saw a warrior clad +in black armor and wielding an iron sword. +</P> + +<P> +"No, you are not he!" cried the man. "You are a warrior come to do me +harm." +</P> + +<P> +"I am indeed a warrior," said the other. "Come with me across the +river." +</P> + +<P> +"No," replied the man, "I will not go with you. Hark, I hear the +voices of my wife and children calling to me,—I will return to them!" +</P> + +<P> +The warrior strove to hold him fast and bear him across the river to +the yonder shore, but the man prevailed against him and returned to his +wife and little ones, and the warrior was left upon the river-bank. +</P> + +<P> +Then many years went by and the strong man became old and feeble. He +found no pleasure in the world, for he was weary of living. His wife +and children were dead, and the old man was alone. So one day in those +years he came to the bank of the river for the third time, and he saw +that the waters had become quiet and that the wind which came up from +the river was warm and gentle and smelled of flowers; there was no dark +cloud overhanging the yonder shore, but in its place was a golden mist +through which the old man could see people walking on the yonder shore +and stretching out their hands to him, and he could hear them calling +him by name. Then he knew they were the voices of his dear ones. +</P> + +<P> +"I am weary and lonesome," cried the old man. "All have gone before +me: father, mother, wife, children,—all whom I have loved. I see them +and hear them on yonder shore, but who will bear me to them?" +</P> + +<P> +Then a spirit came in answer to this cry. But the spirit was not a +strange old man nor yet an armored warrior; but as he came to the +river's bank that day he was a gentle angel, clad in white; his face +was very beautiful, and there was divine tenderness in his eyes. +</P> + +<P> +"Rest thy head upon my bosom," said the angel, "and I will bear thee +across the river to those who call thee." +</P> + +<P> +So, with the sweet peace of a little child sinking to his slumbers, the +old man drooped in the arms of the angel and was borne across the river +to those who stood upon the yonder shore and called. +</P> + +<BR><BR><BR> + +<A NAME="chap10"></A> + +<H3 ALIGN="center"> +FRANZ ABT +</H3> + +<P> +Many years ago a young composer was sitting in a garden. All around +bloomed beautiful roses, and through the gentle evening air the +swallows flitted, twittering cheerily. The young composer neither saw +the roses nor heard the evening music of the swallows; his heart was +full of sadness and his eyes were bent wearily upon the earth before +him. +</P> + +<P> +"Why," said the young composer, with a sigh, "should I be doomed to all +this bitter disappointment? Learning seems vain, patience is +mocked,—fame is as far from me as ever." +</P> + +<P> +The roses heard his complaint. They bent closer to him and whispered, +"Listen to us,—listen to us." And the swallows heard him, too, and +they flitted nearer him; and they, too, twittered, "Listen to +us,—listen to us." But the young composer was in no mood to be +beguiled by the whisperings of the roses and the twitterings of the +birds; with a heavy heart and sighing bitterly he arose and went his +way. +</P> + +<P> +It came to pass that many times after that the young composer came at +evening and sat in the garden where the roses bloomed and the swallows +twittered; his heart was always full of disappointment, and often he +cried out in anguish against the cruelty of fame that it came not to +him. And each time the roses bent closer to him, and the swallows flew +lower, and there in the garden the sweet flowers and little birds +cried, "Listen to us,—listen to us, and we will help you." +</P> + +<P> +And one evening the young composer, hearing their gentle pleadings, +smiled sadly, and said: "Yes, I will listen to you. What have you to +say, pretty roses?" +</P> + +<P> +"Make your songs of us," whispered the roses,—"make your songs of us." +</P> + +<P> +"Ha, ha!" laughed the composer. "A song of the roses would be very +strange, indeed! No, sweet flowers,—it is fame I seek, and fame would +scorn even the beauty of your blushes and the subtlety of your +perfumes." +</P> + +<P> +"You are wrong," twittered the swallows, flying lower. "You are wrong, +foolish man. Make a song for the heart,—make a song of the swallows +and the roses, and it will be sung forever, and your fame shall never +die." +</P> + +<P> +But the composer laughed louder than before; surely there never had +been a stranger suggestion than that of the roses and the swallows! +Still, in his chamber that night the composer thought of what the +swallows had said, and in his dreams he seemed to hear the soft tones +of the roses pleading with him. Yes, many times thereafter the +composer recalled what the birds and flowers had said, but he never +would ask them as he sat in the garden at evening how he could make the +heart-song of which they chattered. And the summer sped swiftly by, +and one evening when the composer came into the garden the roses were +dead, and their leaves lay scattered on the ground. There were no +swallows fluttering in the sky, and the nests under the eaves were +deserted. Then the composer knew his little friends were beyond +recall, and he was oppressed by a feeling of loneliness. The roses and +the swallows had grown to be a solace to the composer, had stolen into +his heart all unawares,—now that they were gone, he was filled with +sadness. +</P> + +<P> +"I will do as they counselled," said he; "I will make a song of +them,—a song of the swallows and the roses. I will forget my greed +for fame while I write in memory of my little friends." +</P> + +<P> +Then the composer made a song of the swallows and the roses, and, while +he wrote, it seemed to him that he could hear the twittering of the +little birds all around him, and scent the fragrance of the flowers, +and his soul was warmed with a warmth he had never felt before, and his +tears fell upon his manuscript. +</P> + +<P> +When the world heard the song which the composer had made of the +swallows and the roses, it did homage to his genius. Such sentiment, +such delicacy, such simplicity, such melody, such heart, such +soul,—ah, there was no word of rapturous praise too good for the +composer now: fame, the sweetest and most enduring kind of fame, had +come to him. +</P> + +<P> +And the swallows and the roses had done it all. Their subtle +influences had filled the composer's soul with a great inspiration,—by +means like this God loves to speak to the human heart. +</P> + +<P> +"We told you so," whispered the roses when they came again in the +spring. "We told you that if you sang of us the world would love your +song." +</P> + +<P> +Then the swallows, flying back from the south, twittered: "We told you +so; sing the songs the heart loves, and you shall live forever." +</P> + +<P> +"Ah, dear ones," said the composer, softly; "you spoke the truth. He +who seeks a fame that is immortal has only to reach and abide in the +human heart." +</P> + +<P> +The lesson he learned of the swallows and the roses he never forgot. +It was the inspiration and motive of a long and beautiful life. He +left for others that which some called a loftier ambition. He was +content to sit among the flowers and hear the twitter of birds and make +songs that found an echo in all breasts. Ah, there was such a +beautiful simplicity,—such a sweet wisdom in his life! And where'er +the swallows flew, and where'er the roses bloomed, he was famed and +revered and beloved, and his songs were sung. +</P> + +<P> +Then his hair grew white at last, and his eyes were dim and his steps +were slow. A mortal illness came upon him, and he knew that death was +nigh. +</P> + +<P> +"The winter has been long," said he, wearily. "Open the window and +raise me up that I may see the garden, for it must be that spring is +come." +</P> + +<P> +It was indeed spring, but the roses had not yet bloomed. The swallows +were chattering in their nests under the eaves or flitting in the mild, +warm sky. +</P> + +<P> +"Hear them," he said faintly. "How sweetly they sing. But alas! where +are the roses?" +</P> + +<P> +Where are the roses? Heaped over thee, dear singing heart; blooming on +thy quiet grave in the Fatherland, and clustered and entwined all in +and about thy memory, which with thy songs shall go down from heart to +heart to immortality. +</P> + +<BR><BR><BR> + +<A NAME="chap11"></A> + +<H3 ALIGN="center"> +MISTRESS MERCILESS +</H3> + +<P> +This is to tell of our little Mistress Merciless, who for a season +abided with us, but is now and forever gone from us unto the far-off +land of Ever-Plaisance. The tale is soon told; for it were not seemly +to speak all the things that are in one's heart when one hath to say of +a much-beloved child, whose life here hath been shortened so that, in +God's wisdom and kindness, her life shall be longer in that garden that +bloometh far away. +</P> + +<P> +You shall know that all did call her Mistress Merciless; but her +mercilessness was of a sweet, persuasive kind: for with the beauty of +her face and the music of her voice and the exceeding sweetness of her +virtues was she wont to slay all hearts; and this she did unwittingly, +for she was a little child. And so it was in love that we did call her +Mistress Merciless, just as it was in love that she did lord it over +all our hearts. +</P> + +<P> +Upon a time walked she in a full fair garden, and there went with her +an handmaiden that we did call in merry wise the Queen of Sheba; for +this handmaiden was in sooth no queen at all, but a sorry and +ill-favored wench; but she was assotted upon our little Mistress +Merciless and served her diligently, and for that good reason was +vastly beholden of us all. Yet, in a jest, we called her the Queen of +Sheba; and I make a venture that she looked exceeding fair in the eyes +of our little Mistress Merciless: for the eyes of children look not +upon the faces but into the hearts and souls of others. Whilst these +two walked in the full fair garden at that time they came presently +unto an arbor wherein there was a rustic seat, which was called the +Siege of Restfulness; and hereupon sate a little sick boy that, from +his birth, had been lame, so that he could not play and make merry with +other children, but was wont to come every day into this full fair +garden and content himself with the companionship of the flowers. And, +though he was a little lame boy, he never trod upon those flowers; and +even had he done so, methinks the pressure of those crippled feet had +been a caress, for the little lame boy was filled with the spirit of +love and tenderness. As the tiniest, whitest, shrinking flower +exhaleth the most precious perfume, so in and from this little lame +boy's life there came a grace that was hallowing in its beauty. +</P> + +<P> +Since they never before had seen him, they asked him his name; and he +answered them that of those at home he was called Master Sweetheart, a +name he could not understand: for surely, being a cripple, he must be a +very sorry sweetheart; yet, that he was a sweetheart unto his mother at +least he had no doubt, for she did love to hold him in her lap and call +him by that name; and many times when she did so he saw that tears were +in her eyes,—a proof, she told him when he asked, that Master +Sweetheart was her sweetheart before all others upon earth. +</P> + +<P> +It befell that our little Mistress Merciless and Master Sweetheart +became fast friends, and the Queen of Sheba was handmaiden to them +both; for the simple, loyal creature had not a mind above the artless +prattle of childhood, and the strange allegory of the lame boy's speech +filled her with awe, even as the innocent lisping of our little +Mistress Merciless delighted her heart and came within the +comprehension of her limited understanding. So each day, when it was +fair, these three came into the full fair garden, and rambled there +together; and when they were weary they entered into the arbor and sate +together upon the Siege of Restfulness. Wit ye well there was not a +flower or a tree or a shrub or a bird in all that full fair garden +which they did not know and love, and in very sooth every flower and +tree and shrub and bird therein did know and love them. +</P> + +<P> +When they entered into the arbor, and sate together upon the Siege of +Restfulness, it was Master Sweetheart's wont to tell them of the land +of Ever-Plaisance, for it was a conceit of his that he journeyed each +day nearer and nearer to that land, and that his journey thitherward +was nearly done. How came he to know of that land I cannot say, for I +do not know; but I am fain to believe that, as he said, the exceeding +fair angels told him thereof when by night, as he lay sleeping, they +came singing and with caresses to his bedside. +</P> + +<P> +I speak now of a holy thing, therefore I speak truth when I say that +while little children lie sleeping in their beds at night it pleaseth +God to send His exceeding fair angels with singing and caresses to bear +messages of His love unto those little sleeping children. And I have +seen those exceeding fair angels bend with folded wings over the little +cradles and the little beds, and kiss those little sleeping children +and whisper God's messages of love to them, and I knew that those +messages were full of sweet tidings; for, even though they slept, the +little children smiled. This have I seen, and there is none who loveth +little children that will deny the truth of this thing which I have now +solemnly declared. +</P> + +<P> +Of that land of Ever-Plaisance was our little Mistress Merciless ever +fain to hear tell. But when she beset the rest of us to speak thereof +we knew not what to say other than to confirm such reports as Master +Sweetheart had already made. For when it cometh to knowing of that +far-off land,—ah me, who knoweth more than the veriest little child? +And oftentimes within the bosom of a little, helpless, fading one there +bloometh a wisdom which sages cannot comprehend. So when she asked us +we were wont to bid her go to Master Sweetheart, for he knew the truth +and spake it. +</P> + +<P> +It is now to tell of an adventure which on a time befell in that full +fair garden of which you have heard me speak. In this garden lived +many birds of surpassing beauty and most rapturous song, and among them +was one that they called Joyous, for that he did ever carol forth so +joyously, it mattered not what the day soever might be. This bird +Joyous had his home in the top of an exceeding high tree, hard by the +pleasant arbor, and here did he use to sit at such times as the little +people came into that arbor, and then would he sing to them such songs +as befitted that quiet spot, and them that came thereto. But there was +a full evil cat that dwelt near by, and this cruel beast found no +pleasure in the music that Joyous did make continually; nay, that music +filled this full evil cat with a wicked thirst for the blood of that +singing innocent, and she had no peace for the malice that was within +her seeking to devise a means whereby she might comprehend the bird +Joyous to her murderous intent. Now you must know that it was the wont +of our little Mistress Merciless and of Master Sweetheart to feed the +birds in that fair garden with such crumbs as they were suffered to +bring with them into the arbor, and at such times would those birds fly +down with grateful twitterings and eat of those crumbs upon the +greensward round about the arbor. Wit ye well, it was a merry sight to +see those twittering birds making feast upon the good things which +those children brought, and our little Mistress Merciless and little +Master Sweetheart had sweet satisfaction therein. But, on a day, +whilst thus those twittering birds made great feasting, lo! on a sudden +did that full evil cat whereof I have spoken steal softly from a +thicket, and with one hideous bound make her way into the very midst of +those birds and seize upon that bird Joyous, that was wont to sing so +merrily from the tree hard by the arbor. Oh, there was a mighty din +and a fearful fluttering, and the rest flew swiftly away, but Joyous +could not do so, because the full evil cat held him in her cruel fangs +and claws. And I make no doubt that Joyous would speedily have met his +death, but that with a wrathful cry did our little Mistress Merciless +hasten to his rescue. And our little Mistress belabored that full evil +cat with Master Sweetheart's crutch, until that cruel beast let loose +her hold upon the fluttering bird and was full glad to escape with her +aching bones into the thicket again. So it was that Joyous was +recovered from death; but even then might it have fared ill with him, +had they not taken him up and dressed his wounds and cared for him +until duly he was well again. And then they released him to do his +plaisance, and he returned to his home in the tree hard by the arbor +and there he sung unto those children more sweetly than ever before; +for his heart was full of gratitude to our little Mistress Merciless +and Master Sweetheart. +</P> + +<P> +Now, of the dolls that she had in goodly number, that one which was +named Beautiful did our little Mistress Merciless love best. Know well +that the doll Beautiful had come not from oversea, and was neither of +wax nor of china; but she was right ingeniously constructed of a +bed-key that was made of wood, and unto the top of this bed-key had the +Queen of Sheba superadded a head with a fair face, and upon the body +and the arms of the key had she hung passing noble raiment. Unto this +doll Beautiful was our little Mistress Merciless vastly beholden, and +she did use to have the doll Beautiful lie by her side at night whilst +she slept, and whithersoever during the day she went, there also would +she take the doll Beautiful, too. Much sorrow and lamentation, +therefore, made our little Mistress Merciless when on an evil day the +doll Beautiful by chance fell into the fish-pond, and was not rescued +therefrom until one of her beauteous eyes had been devoured of the +envious water; so that ever thereafter the doll Beautiful had but one +eye, and that, forsooth, was grievously faded. And on another evil day +came a monster ribald dog pup and seized upon the doll Beautiful whilst +she reposed in the arbor, and bore her away, and romped boisterously +with her upon the sward, and tore off her black-thread hair, and sought +to destroy her wholly, which surely he would have done but for the +Queen of Sheba, who made haste to rescue the doll Beautiful, and +chastise that monster ribald dog pup. +</P> + +<P> +Therefore, as you can understand, the time was right busily spent. The +full fair garden, with its flowers and the singing birds and the +gracious arbor and the Siege of Restfulness, found favor with those +children, and amid these joyous scenes did Master Sweetheart have to +tell each day of that far-off land of Ever-Plaisance, whither he said +he was going. And one day, when the sun shone very bright, and the +full fair garden joyed in the music of those birds, Master Sweetheart +did not come, and they missed the little lame boy and wondered where he +was. And as he never came again they thought at last that of a surety +he had departed into that country whereof he loved to tell. Which +thing filled our little Mistress Merciless with wonder and inquiry; and +I think she was lonely ever after that,—lonely for Master Sweetheart. +</P> + +<P> +I am thinking now of her and of him; for this is the Christmas +season,—the time when it is most meet to think of the children and +other sweet and holy things. There is snow everywhere, snow and cold. +The garden is desolate and voiceless: the flowers are gone, the trees +are ghosts, the birds have departed. It is winter out there, and it is +winter, too, in this heart of mine. Yet in this Christmas season I +think of them, and it pleaseth me—God forbid that I offend with much +speaking—it pleaseth me to tell of the little things they did and +loved. And you shall understand it all if, perchance, this sacred +Christmas time a little Mistress Merciless of your own, or a little +Master Sweetheart, clingeth to your knee and sanctifieth your +hearthstone. +</P> + +<P> +When of an evening all the joy of day was done, would our little +Mistress Merciless fall aweary; and then her eyelids would grow +exceeding heavy and her little tired hands were fain to fold. At such +a time it was my wont to beguile her weariness with little tales of +faery, or with the gentle play that sleepy children like. Much was her +fancy taken with what I told her of the train that every night whirleth +away to Shut-Eye Town, bearing unto that beauteous country sleepy +little girls and boys. Nor would she be content until I told her +thereof,—yes, every night whilst I robed her in her cap and gown would +she demand of me that tale of Shut-Eye Town, and the wonderful train +that was to bear her thither. Then would I say in this wise:— +</P> + +<BR> + +<P CLASS="story"> +At Bedtime-ville there is a train of cars that waiteth for you, my +sweet,—for you and for other little ones that would go to quiet, +slumbrous Shut-Eye Town. +</P> + +<P CLASS="story"> +But make no haste; there is room for all. Each hath a tiny car that is +snug and warm, and when the train starteth each car swingeth soothingly +this way and that way, this way and that way, through all the journey +of the night. +</P> + +<P CLASS="story"> +Your little gown is white and soft; your little cap will hold those +pretty curls so fast that they cannot get away. Here is a curl that +peepeth out to see what is going to happen. Hush, little curl! make no +noise; we will let you peep out at the wonderful sights, but you must +not tell the others about it; let them sleep, snuggled close together. +</P> + +<P CLASS="story"> +The locomotive is ready to start. Can you not hear it? +</P> + +<P CLASS="story"> +"Shug-chug! Shug-chug! Shug-chug!" That is what the locomotive is +saying, all to itself. It knoweth how pleasant a journey it is about +to make. +</P> + +<P CLASS="story"> +"Shug-chug! Shug-chug! Shug-chug!" +</P> + +<P CLASS="story"> +Oh, many a time hath it proudly swept over prairie and hill, over river +and plain, through sleeping gardens and drowsy cities, swiftly and +quietly, bearing the little ones to the far, pleasant valley where +lieth Shut-Eye Town. +</P> + +<P CLASS="story"> +"Shug-chug! Shug-chug! Shug-chug!" +</P> + +<P CLASS="story"> +So sayeth the locomotive to itself at the station in Bedtime-ville; for +it knoweth how fair and far a journey is before it. +</P> + +<P CLASS="story"> +Then a bell soundeth. Surely my little one heareth the bell! +</P> + +<P CLASS="story"> +"Ting-long! Ting-a-long! Ting-long!" +</P> + +<P CLASS="story"> +So soundeth the bell, and it seemeth to invite you to sleep and dreams. +</P> + +<P CLASS="story"> +"Ting-long! Ting-a-long! Ting-long!" +</P> + +<P CLASS="story"> +How sweetly ringeth and calleth that bell. +</P> + +<P CLASS="story"> +"To sleep—to dreams, O little lambs!" it seemeth to call. "Nestle +down close, fold your hands, and shut your dear eyes! We are off and +away to Shut-Eye Town! Ting-long! Ting-a-long! Ting-long! To +sleep—to dreams, O little cosset lambs!" +</P> + +<P CLASS="story"> +And now the conductor calleth out in turn. "All aboard!" he calleth, +"All aboard for Shut-Eye Town!" he calleth in a kindly tone. +</P> + +<P CLASS="story"> +But, hark ye, dear-my-soul, make thou no haste; there is room for all. +Here is a cosey little car for you. How like your cradle it is, for it +is snug and warm, and it rocketh this way and that way, this way and +that way, all night long, and its pillows caress you tenderly. So step +into the pretty nest, and in it speed to Shut-Eye Town. +</P> + +<P CLASS="story"> +"Toot! Toot!" +</P> + +<P CLASS="story"> +That is the whistle. It soundeth twice, but it must sound again before +the train can start. Now you have nestled down, and your dear hands +are folded; let your two eyes be folded, too, my sweet; for in a moment +you shall be rocked away, and away, away into the golden mists of Balow! +</P> + +<P CLASS="story"> +"Ting-long! Ting-a-long! Ting-long!" +</P> + +<P CLASS="story"> +"All aboard!" +</P> + +<P CLASS="story"> +"Toot! Toot! Toot!" +</P> + +<P CLASS="story"> +And so my little golden apple is off and away for Shut-Eye Town! +</P> + +<P CLASS="story"> +Slowly moveth the train, yet faster by degrees. Your hands are folded, +my beloved, and your dear eyes they are closed; and yet you see the +beauteous sights that skirt the journey through the mists of Balow. +And it is rockaway, rockaway, rockaway, that your speeding cradle +goes,—rockaway, rockaway, rockaway, through the golden glories that +lie in the path that leadeth to Shut-Eye Town. +</P> + +<P CLASS="story"> +"Toot! Toot!" +</P> + +<P CLASS="story"> +So crieth the whistle, and it is "down-brakes," for here we are at +Ginkville, and every little one knoweth that pleasant waking-place, +where mother with her gentle hands holdeth the gracious cup to her +sleepy darling's lips. +</P> + +<P CLASS="story"> +"Ting-long! Ting-a-long! Ting-long!" and off is the train again. And +swifter and swifter it speedeth,—oh, I am sure no other train speedeth +half so swiftly! The sights my dear one sees! I cannot tell of +them—one must see those beauteous sights to know how wonderful they +are! +</P> + +<P CLASS="story"> +"Shug-chug! Shug-chug! Shug-chug!" +</P> + +<P CLASS="story"> +On and on and on the locomotive proudly whirleth the train. +</P> + +<P CLASS="story"> +"Ting-long! Ting-a-long! Ting-long!" +</P> + +<P CLASS="story"> +The bell calleth anon, but fainter and evermore fainter; and fainter +and fainter groweth that other calling—"Toot! Toot! Toot!"—till +finally I know that in that Shut-Eye Town afar my dear one dreameth the +dreams of Balow. +</P> + +<BR> + +<P> +This was the bedtime tale which I was wont to tell our little Mistress +Merciless, and at its end I looked upon her face to see it calm and +beautiful in sleep. +</P> + +<P> +Then was I wont to kneel beside her little bed and fold my two +hands,—thus,—and let my heart call to the host invisible: "O guardian +angels of this little child, hold her in thy keeping from all the +perils of darkness and the night! O sovereign Shepherd, cherish Thy +little lamb and mine, and, Holy Mother, fold her to thy bosom and thy +love! But give her back to me,—when morning cometh, restore ye unto +me my little one!" +</P> + +<P> +But once she came not back. She had spoken much of Master Sweetheart +and of that land of Ever-Plaisance whither he had gone. And she was +not afeared to make the journey alone; so once upon a time when our +little Mistress Merciless bade us good-by, and went away forever, we +knew that it were better so; for she was lonely here, and without her +that far-distant country whither she journeyed were not content. +Though our hearts were like to break for love of her, we knew that it +were better so. +</P> + +<P> +The tale is told, for it were not seemly to speak all the things that +are in one's heart when one hath to say of a much-beloved child whose +life here hath been shortened so that, in God's wisdom and kindness, +her life shall be longer in that garden that bloometh far away. +</P> + +<P> +About me are scattered the toys she loved, and the doll Beautiful hath +come down all battered and grim,—yet, oh! so very precious to me, from +those distant years; yonder fareth the Queen of Sheba in her service as +handmaiden unto me and mine,—gaunt and doleful-eyed, yet stanch and +sturdy as of old. The garden lieth under the Christmas snow,—the +garden where ghosts of trees wave their arms and moan over the graves +of flowers; the once gracious arbor is crippled now with the +infirmities of age, the Siege of Restfulness fast sinketh into decay, +and long, oh! long ago did that bird Joyous carol forth his last sweet +song in the garden that was once so passing fair. +</P> + +<P> +And amid it all,—this heartache and the loneliness which the years +have brought,—cometh my Christmas gift to-day: the solace of a vision +of that country whither she—our little Mistress Merciless—hath gone; +a glimpse of that far-off land of Ever-Plaisance. +</P> + +<BR><BR><BR> + +<A NAME="chap12"></A> + +<H3 ALIGN="center"> +THE PLATONIC BASSOON +</H3> + +<P> +All who knew the beautiful and accomplished Aurora wondered why she did +not marry. She had now reached the mature age of twenty-five years, +and was in full possession of those charms which are estimated by all +men as the choicest gifts a woman can possess. You must know that +Aurora had a queenly person, delightful manners, an extensive +education, and an amiable disposition; and, being the only child of +wealthy parents, she should not have lacked the one thing that seemed +necessary to perfect and round out her usefulness as a member of +society. +</P> + +<P> +The truth was, Aurora did not fancy the male sex. She regarded men as +conveniences that might come handy at times when an escort to the +theatre was required, or when a partner in a dance was demanded, when a +fan was to be picked up, or when an errand was to be run; but the idea +of marrying any man was as distasteful to Aurora as the proposition to +marry a hat-rack or any other piece of household furniture would have +been. +</P> + +<P> +The secret of this strange aversion might have been traced to Aurora's +maiden aunt Eliza, who had directed Aurora's education, and had from +her niece's early youth instilled into Aurora's mind very distinct +notions touching the masculine sex. +</P> + +<P> +Aurora had numerous admirers among the young gentlemen who moved in the +same elevated social circle as herself and frequently called at her +father's house. Any one of them would gladly have made her his wife, +and many of them had expressed a tender yearning for her life +companionship. But Aurora was quick to recognize in each suitor some +objectionable trait or habit or feature which her aunt Eliza had told +about, and which imperatively prohibited a continuance of the young +gentleman's attentions. +</P> + +<P> +Aurora's father could not understand why his daughter was so +hypercritical and fastidious in a matter which others of her sex were +so apt to accept with charitable eyes. "They are bright, honest +fellows," he urged, "worthy of any girl's love. Receive their advances +kindly, my child, and having chosen one among them, you will be the +happier for it." +</P> + +<P> +"Never mind, Aurora," said Aunt Eliza. "Men are all alike. They show +their meanness in different ways, but the same spirit of evil is in 'em +all. I have lived in this world forty-six years, and during that time +I have found men to be the most unfeeling and most untrustworthy of +brutes." +</P> + +<P> +So it was that at the age of twenty-five Aurora was found beautiful, +amiable, and accomplished, but thoroughly and hopelessly a man-hater. +And it was about this time that she became involved in that unhappy +affair which even to this day is talked of by those who knew her then. +</P> + +<P> +On the evening of a certain day Aurora attended the opera with her +father and mother and Morgan Magnus, the young banker. Their box at +the opera was so close to the orchestra that by reaching out her hand +Aurora could have touched several of the instruments. Now it happened +that a bassoon was the instrument nearest the box in which Aurora sat, +and it was natural therefore that the bassoon attracted more of +Aurora's attention than any other instrument in the orchestra. If you +have never beheld or heard a bassoon you are to understand that it is +an instrument of wood, of considerable more length than breadth, +provided with numerous stops and keys, and capable of producing an +infinite variety of tones, ranging from the depth of lugubriousness to +the highest pitch of vivacity. This particular bassoon was of an +appearance that bordered upon the somber, the polished white of his +keys emphasizing the solemn black of his long, willowy body. And, as +he loomed up above the serene bald head of the musician that played +him, Aurora thought she had never seen a more distingué object. +</P> + +<P> +The opera was "Il Trovatore," a work well calculated to call in play +all that peculiar pathos of which the bassoon is capable. When Aurora +saw the player raise the bassoon and apply the tiny tube thereunto +appertaining to his lips, and heard him evoke from the innermost +recesses of the bassoon tones that were fairly reeking with tears and +redolent of melancholy, she felt a curious sentiment of pity awakened +in her bosom. +</P> + +<P> +Aurora had seen many an agonized swain at her feet, and had heard his +impassioned pleadings for mercy; she had perused many a love missive +wherein her pity was eloquently implored, but never had she experienced +the tender, melting sentiment that percolated through her breast when +she heard the bassoon mingling his melancholy tones with Manrico's +plaints. The tears welled up into Aurora's eyes, her bosom heaved +convulsively, and the most subtile emotions thrilled her soul. +</P> + +<P> +In vain did young Magnus, the banker, seek to learn the cause of her +agitation, and it seemed like a cruel mockery when Aurora's mother +said: "You must remember, dear, that it is not real; it is only a +play." After this memorable evening, wherein an unexpected and +indescribable sweetness had crept into the young woman's life, Aurora +more frequently insisted upon going to the opera. A strange +fascination attracted her thither, and on each succeeding evening she +found some new beauty in the bassoon, some new phase in his +kaleidoscopic character to wonder at, some new accomplishment to +admire. On one occasion—it was at the opera bouffe—this musical +prodigy exhibited a playfulness and an exuberance of wit and humor that +Aurora had never dreamed of. He ran the gamut of vocal conceit, and +the polyglot fertility of his fancy simply astounded his rapt auditor. +She was dazed, enchanted, spellbound. So here we find the fair Aurora +passing from the condition of pity into the estate of admiration. +</P> + +<P> +And now, having first conceived a wondrous pity for the bassoon, and +then having become imbued with an admiration of his wit, sarcasm, +badinage, repartee, and humor, it followed naturally and logically that +Aurora should fall desperately in love with him; for pity and +admiration are but the forerunners of the grand passion. +</P> + +<P> +"Aunt Eliza," said Aurora one day, "you have instilled into my +sensitive nature an indelible aversion to men, compared with which all +such deleble passions as affection and love are as inconsequential as +summer zephyrs. I believe men to be by nature and practice gross, +vulgar, sensual, and unworthy; and from this opinion I feel that I +shall never recede. Yet such a clinging and fragile thing is woman's +heart that it must needs have some object about which it may twine, +even as the gentle ivy twines about the oak. Now, as you know, some +women there are who, convinced of the utter worthlessness of the +opposite sex, dedicate their lives to the adoration of some art or +science, lavishing thereupon that love which women less prudent +squander upon base men and ungrateful children; in the painting of +pictures, devotion to the drama, the cultivation of music, pursuit of +trade, or the exclusive attention to a profession, some women find the +highest pleasure. But you and I, dear aunt, who are directed by even +higher and purer motives than these women, scorn the pursuits of the +arts and sciences, the professions and trades, and lay our hearts as +willing sacrifices upon the altars of a tabby cat and a bassoon. What +could be purer or more exalted than a love of that kind?" +</P> + +<P> +Having uttered this eloquent preface, which was, indeed, characteristic +of the fair creature, Aurora told Aunt Eliza of the bassoon, and as she +spoke of his versatile accomplishments and admirable qualities her eyes +glowed with an unwonted animation, and a carmine hue suffused her +beautiful cheeks. It was plain that Aurora was deeply in love, and +Aunt Eliza was overjoyed. +</P> + +<P> +"It is gratifying," said Aunt Eliza, "to find that my teachings promise +such happy results, that the seeds I have so carefully sown already +show signs of a glorious fruition. Now, while it is true that I cannot +conceive of a happier love than that which exists between my own dear +tabby cat and myself, it is also true that I recognize your bassoon as +an object so much worthier of adoration than mankind in general, and +your male acquaintances in particular, that I most heartily felicitate +you upon the idol you have chosen for your worship. Bassoons do not +smoke, nor chew tobacco, nor swear, nor bet on horse-races, nor play +billiards, nor do any of those horrid things which constitute the +larger part of a man's ambitions and pursuits. You have acted wisely, +my dear, and heaven grant you may be as happy in his love as I am in +tabby's." +</P> + +<P> +"I feel that I shall be," murmured Aurora; "already my bassoon is very +precious to me." +</P> + +<P> +With the dawn of this first passion a new motive seemed to come into +Aurora's life—a gentle melancholy, a subdued sentiment whose +accompaniments were sighings and day-dreamings and solitary tears and +swoonings. +</P> + +<P> +Quite naturally Aurora sought Aunt Eliza's society more than ever now, +and her conversation and thoughts were always on the bassoon. It was +very beautiful. +</P> + +<P> +But late one night Aurora burst into Aunt Eliza's room and threw +herself upon Aunt Eliza's bed, sobbing bitterly. Aunt Eliza was +inexpressibly shocked, and under a sudden impulse of horror the tabby +sprang to her feet, arched her back, bristled her tail, and uttered +monosyllables of astonishment. +</P> + +<P> +"Why, Aurora, what ails you?" inquired Aunt Eliza, kindly. +</P> + +<P> +"Oh, auntie, my heart is broken, I know it is," wailed Aurora. +</P> + +<P> +"Come, come, my child," said Aunt Eliza, soothingly, "don't take on so. +Tell auntie what ails you." +</P> + +<P> +"He was harsh and cruel to me to-night, and oh! I loved him so!" +moaned Aurora. +</P> + +<P> +"A lovers' quarrel, eh?" thought Aunt Eliza; and she got up, slipped +her wrapper on, and brewed Aurora a big bowl of boneset tea. Oh, how +nice and bitter and fragrant it was, and how Aunt Eliza's nostrils +sniffed, and how her eyes sparkled as she sipped the grateful beverage. +</P> + +<P> +"There, drink that, my dear," said Aunt Eliza, "and then tell me all +about it." +</P> + +<P> +Aurora quaffed the bowl of boneset tea, and the wholesome draught +seemed to give her fortitude, for now she told Aunt Eliza the whole +story. It seems that Aurora had been to the opera as usual, not for +the purpose of hearing and seeing the performance, but simply for the +sake of being where the beloved bassoon was. The opera was Wagner's +"Die Walküre," and the part played by the bassoon in the orchestration +was one of conspicuous importance. Fully appreciating his importance, +the bassoon conducted himself with brutal arrogance and +superciliousness on this occasion. His whole nature seemed changed; +his tones were harsh and discordant, and with malevolent obstinacy he +led all the other instruments in the orchestra through a seemingly +endless series of musical pyrotechnics. There never was a more +remarkable exhibition of stubbornness. When the violins and the +'cellos, the hautboys and the flutes, the cornets and the trombones, +said "Come, let us work together in G minor," or "Let us do this +passage in B flat," the bassoon would lead off with a wild shriek in D +sharp or some other foreign key, and maintain it so lustily that the +other instruments—e. g., the violins, the 'cellos, the hautboys, and +all—were compelled to back, switch, and wheel into the bassoon's lead +as best they could. +</P> + +<P> +But no sooner had they come into harmony than the bassoon—oh, +melancholy perversity of that instrument—would strike off into another +key with a ribald snicker or coarse guffaw, causing more turbulence and +another stampede. And this preposterous condition of affairs was kept +up the whole evening, the bassoon seeming to take a fiendish delight in +his riotous, brutal conduct. +</P> + +<P> +At first Aurora was mortified; then her mortification deepened into +chagrin. In the hope of touching his heart she bestowed upon him a +look of such tender supplication that, had he not been the most callous +creature in the world, he must have melted under it. To his eternal +shame, let it be said, the bassoon remained as impervious to her +beseeching glances as if he had been a sphinx or a rhinoceros. In +fact, Aurora's supplicating eyes seemed to instigate him to further and +greater madness, for after that he became still more riotous, and at +many times during the evening the crisis in the orchestra threatened +anarchy and general disintegration. +</P> + +<P> +Aurora's humiliation can be imagined by those only who have experienced +a like bitterness—the bitterness of awakening to a realization of the +cruelty of love. Aurora loved the bassoon tenderly, deeply, +absorbingly. The sprightliness of his lighter moods, no less than the +throbbing pathos of his sadder moments, had won her heart. She had +given him her love unreservedly, she fairly worshipped him, and now she +awakened, as it were, from a golden dream, to find her idol clay! It +was very sad. Yet who that has loved either man or bassoon does not +know this bitterness? +</P> + +<P> +"He will be gentler hereafter," said Aunt Eliza, encouragingly. "You +must always remember that we should be charitable and indulgent with +those we love. Who knows why the bassoon was harsh and wayward and +imperious to-night? Let us not judge him till we have heard the whys +and wherefores. He may have been ill; depend upon it, my dear, he had +cause for his conduct." +</P> + +<P> +Aunt Eliza's prudent words were a great solace to Aurora. And she +forgave the bassoon all the pain he had inflicted when she went to the +opera the next night and heard him in "I Puritani," a work in which the +grand virility of his nature, its vigor and force, came out with +telling effect. There was not a trace of the insolence he had +manifested in "Die Walküre," nor of the humorous antics he had +displayed in "La Grande Duchesse"; divested of all charlatanism, he was +now a magnificent, sonorous, manly bassoon, and you may depend upon it +Aurora was more in love with him than ever. +</P> + +<P> +It was about this time that, perceiving a marked change in his +daughter's appearance and demeanor, Aurora's father began to question +her mother about it all, and that good lady at last made bold to tell +the old gentleman the whole truth of the matter, which was simply that +Aurora cherished a passion for the bassoon. Now the father was an +exceedingly matter-of-fact, old-fashioned man, who possessed not the +least bit of sentiment, and when he heard that his only child had +fallen in love with a bassoon, his anger was very great. He summoned +Aurora into his presence, and regarded her with an austere countenance. +</P> + +<P> +"Girl," he said, in icy tones, "is it true that you have been flirting +with a bassoon?" +</P> + +<P> +"Father," replied Aurora, with dignity, "I have never flirted with +anybody, and you grievously wrong the bassoon when you intimated that +he, too, is capable of such frivolity." +</P> + +<P> +"It is nevertheless true," roared the old gentleman, "that you have +conceived a passion for this bassoon, and have cherished it +clandestinely." +</P> + +<P> +"It <I>is</I> true, father, that I love the bassoon," said Aurora; "it is +true that I admire his wit, vivacity, sentiment, soul, force, power, +and manliness, but I have loved in secret. We have never met; he may +know I love him, and he may reciprocate my love, but he has never +spoken to me nor I to him, so there is nothing clandestine in the +affair." +</P> + +<P> +"Oh, my child! my child!" sobbed the old man, breaking down; "how could +you love a bassoon, when so many eligible young men are suitors for +your hand?" +</P> + +<P> +"Don't mention him in the same breath with those horrid creatures!" +cried Aurora, indignantly. "What scent of tobacco or odor of wines has +ever profaned the purity of his balmy breath? What does he know of +billiards, of horse-racing, of actresses, and those other features of +brutal men's lives? Father, he is pure and good and exalted; seek not +to debase him by naming him in the category of man!" +</P> + +<P> +"These are Eliza's teachings!" shrieked the old gentleman; and off he +bundled to vent his wrath on the maiden aunt. But it was little +satisfaction he got from Aunt Eliza. +</P> + +<P> +After that the old gentleman kept a strict eye on Aurora, and very soon +he became satisfied of two things: First, that Aurora was sincerely in +love with the bassoon; and, second, that the bassoon cared nothing for +Aurora. That Aurora loved the bassoon was evidenced by her demeanor +when in his presence—her steadfast eyes, her parted lips, her heaving +bosom, her piteous sighs, her flushed cheeks, and her varying emotions +as his tones changed, bore unimpeachable testimony to the sincerity of +her passion. That the bassoon did not care for Aurora was proved by +his utter disregard of her feelings, for though he might be tender this +moment he was harsh the next—though pleading now he spurned her anon; +and so, variable and fickle and false as the winds, he kept Aurora in +misery and hysterics about half the time. +</P> + +<P> +One morning the old gentleman entered the theatre while the orchestra +was rehearsing. +</P> + +<P> +"Who plays the bassoon?" he asked, in an imperative tone. +</P> + +<P> +"Ich!" said a man with a bald head and gold spectacles. +</P> + +<P> +"Your name?" demanded the old gentleman. +</P> + +<P> +"Otto Baumgarten," replied he of the bald head and gold spectacles. +</P> + +<P> +"Then, Otto Baumgarten," said the father, "I will give you one hundred +dollars for your bassoon." +</P> + +<P> +"Mein Gott!" said Herr Baumgarten, "dat bassoon gost me not half so +much fon dot!" +</P> + +<P> +"Never mind!" replied the old gentleman. "Take the money and give me +the bassoon." +</P> + +<P> +Herr Baumgarten did not hesitate a moment. He clutched at the gold +pieces, and while he counted them Aurora's father was hastening up the +street with the bassoon under his arm. Aurora saw him coming, and she +recognized the idol of her soul; his silver-plated keys were not to be +mistaken. With a cry of joy she met her father in the hallway, +snatched the bassoon to her heart, and covered him with kisses. +</P> + +<P> +"He makes no answer to your protestations!" said her father. "Come, +give over a love that is hopeless; cast aside this bassoon, who is +hollow at heart, and whose affection at best is only platonic!" +</P> + +<P> +"You speak blasphemies, father," cried Aurora, "and you yourself shall +hear how he loves me, for when I but put my lips to this slender +mouthpiece there shall issue from my worshipped bassoon tones of such +ineffable tenderness that even you shall be convinced that my passion +is reciprocated." +</P> + +<P> +With these words Aurora glued her beauteous lips to the slender +blowpipe of the bassoon, and, having inflated her lungs to their +capacity, breathed into it a respiration that seemed to come from her +very soul. But no sound issued from the cold, hollow, unresponsive +bassoon. Aurora repeated the effort with increased vigor. There came +no answer at all. +</P> + +<P> +"Aha!" laughed her father. "I told you so; he loves you not." +</P> + +<P> +But then, with a last superhuman effort, Aurora made her third attempt; +her eyeballs started from their sockets, big, blue veins and cords +stood out on her lovely neck, and all the force and vigor of her young +life seemed to go out through her pursed lips into the bassoon's +system. And then, oh then! as if to mock her idolatry and sound the +death knell of her unhappy love, the bassoon recoiled and emitted a +tone so harsh, so discordant, so supernatural, that even Aurora's +father drew back in horror. +</P> + +<P> +And lo! hearing that supernatural sound that told her of the +hopelessness of love, Aurora dropped the hollow, mocking scoffer, +clutched spasmodically at her heart, and, with an agonizing shriek, +fell lifeless to the floor. +</P> + +<BR><BR><BR> + +<A NAME="chap13"></A> + +<H3 ALIGN="center"> +HAWAIIAN FOLK TALES +</H3> + +<BR> + +<H3 ALIGN="center"> +I +</H3> + +<H3 ALIGN="center"> +THE EEL-KING +</H3> + +<P> +There was a maiden named Liliokani whose father was a fisherman. But +the maiden liked not her father's employment, for she believed it to be +an offence against Atua, the all-god, to deprive any animal of that +life which Atua had breathed into it. And this was pleasing unto Atua, +and he blessed Liliokani with exceeding beauty; no other eyes were so +large, dark, and tender as hers; the braids of her long, soft hair fell +like silken seagrass upon her shoulders; she was tall and graceful as +the palm, and her voice was the voice of the sea when the sea cradles +the moonlight and sings it to sleep. +</P> + +<P> +Full many kings' sons came wooing Liliokani, and chiefs renowned in +war; and with others came Tatatao, that was a mighty hunter of hares +and had compassed famous hardships. For those men that delight in +adventure and battle are most pleasantly minded to gentle women, for +thus capriciously hath Atua, the all-god, ordained. But Liliokani had +no ear to the wooing of these men, and the fisherman's daughter was a +virgin when Mimi came. +</P> + +<P> +Mimi was king of the eels, and Atua had given him eternal life and the +power to change his shape when it pleased him to issue from the water +and walk the earth. It befell that this eel-king, Mimi, beheld +Liliokani upon a time as he swam the little river near her father's +abode, and he saw that she was exceeding fair and he heard the soft, +sad sea-tone in her voice. So for many days Mimi frequented those +parts and grew more and more in love with the maiden. +</P> + +<P> +Upon a certain day, while she helped her father to mend his nets, +Liliokani saw a young man of goodly stature and handsome face +approaching, and to herself she said: "Surely if ever I be tempted to +wed it shall be with this young man, whose like I have never before +known." But she had no thought that it was Mimi, the eel-king, who in +this changed shape now walked the earth. +</P> + +<P> +Sweetly he made obeisance and pleasant was his discourse with the +fisherman and his daughter, and he told them many things of his home, +which he said was many kumes distant from that spot. Though he spake +mostly to the old man, his eyes were fixed upon Liliokani, and, after +the fashion of her sex, that maiden presently knew that he had great +love unto her. Many days after that came Mimi to hold discourse with +them, and they had joy of his coming, for in sooth he was of fair +countenance and sweet address, and the fisherman, being a single-minded +and a simple man, had no suspicion of the love between Mimi and +Liliokani. But once Mimi said to Liliokani in such a voice as the +sea-wind hath to the maiden palm-trees: "Brown maiden mine, let thy +door be unlatched this night, and I will come to thee." +</P> + +<P> +So the door was not latched that night and Mimi went in unto her, and +they two were together and alone. +</P> + +<P> +"What meaneth that moaning of the sea?" asked Liliokani. +</P> + +<P> +"The sea chanteth our bridal anthem," he answered. +</P> + +<P> +"And what sad music cometh from the palms to-night?" she asked. +</P> + +<P> +"They sing soft and low of our wedded love," he answered. +</P> + +<P> +But Liliokani apprehended evil, and, although she spake no more of it +at that time, a fear of trouble was in her heart. +</P> + +<P> +Now Atua, the all-god, was exceeding wroth at this thing, and in +grievous anger he beheld how that every night the door was unlatched +and Mimi went in unto Liliokani. And Atua set about to do vengeance, +and Atua's wrath is sure and very dreadful. +</P> + +<P> +There was a night when Mimi did not come; the door was unlatched and +the breath of Liliokani was as the perfume of flowers and of spices +commingled; yet he came not. Then Liliokani wept and unbraided her +hair and cried as a widow crieth, and she thought that Mimi had found +another pleasanter than she unto him. So, upon the next night, she +latched the door. But in the middle of the night, when the fire was +kindled in the island moon, there was a gentle tapping at the door, and +Mimi called to her. And when she had unlatched the door she began to +chide him, but he stopped her chiding, and with great groaning he took +her to his breast, and she knew by the beating of his heart that evil +had come upon him. +</P> + +<P> +Then Mimi told her who he was and how wroth the all-god was because the +eel-king, forgetful of his immortality and neglectful of his domain, +loved the daughter of a mortal. +</P> + +<P> +"Forswear me, then," quoth Liliokani, "forswear me, and come not hither +again, and the anger of the all-god shall be appeased." +</P> + +<P> +"It is not to lie to Atua," answered Mimi. "The all-god readeth every +heart and knoweth every thought. How can I, that love thee only, +forswear thee? More just and terrible would be Atua's wrath for that +lie to him and that wrong to thee and to myself. Brown maiden, I go +back into the sea and from thee forever, bearing with me a love for +thee which even the all-god's anger cannot chill." +</P> + +<P> +So he kissed her for the last time and bade her a last farewell, and +then he went from that door down to the water's edge and into his +domain. And Liliokani made great moan and her heart was like to break. +But the sea was placid as a hearthstone and the palms lay asleep in the +sky that night, for it was Atua's will that the woman should suffer +alone. +</P> + +<P> +In the middle of the next night a mighty tempest arose. The clouds +reached down and buffeted the earth and sea, and the winds and the +waters cried out in anger against each other and smote each other. +Above the tumult Atua's voice was heard. "Arise, Liliokani," quoth +that voice, "and with thy father's stone hatchet smite off the head of +the fish that lieth upon the threshold of the door." +</P> + +<P> +Then Liliokani arose with fear and trembling and went to the door, and +there, on the threshold, lay a monster eel whose body had been floated +thither by the flood and the tempest. With her father's stone hatchet +she smote off the eel's head, and the head fell into the hut, but the +long, dead body floated back with the flood into the sea and was seen +no more. Then the tempest abated, and with the morning came the sun's +light and its tender warmth. And at the earliest moment Liliokani took +the eel's head secretly and buried it with much sorrow and weeping, for +the eyes within that lifeless head were Mimi's eyes, and Liliokani knew +that this thing was come of the all-god's wrath. +</P> + +<P> +It was her wont to go each day and make moan over the spot where she +had hid this vestige of her love, and presently Atua pitied her, for +Atua loveth his children upon this earth, even though they sin most +grievously. So, by and by, Liliokani saw that two green leaves were +sprouting from the earth, and in a season these two leaves became twin +stalks and grew into trees, the like of which had never before been +seen upon earth. And Liliokani lived to see and to taste the fruit of +these twin trees that sprung from Mimi's brain—the red cocoanut and +the white cocoanut, whereof all men have eaten since that time. And +all folk hold that fruit in sweet estimation, for it cometh from the +love that a god had unto a mortal woman, and mortality is love and love +is immortality. +</P> + +<P> +Atua forgot not Liliokani when the skies opened to her; she liveth +forever in the star that looketh only upon this island, and it is her +tender grace that nourishes the infant cocoas and maketh the elder ones +fruitful. Meanwhile no woman that dwelleth upon earth hath +satisfaction in tasting the flesh of eels, for a knowledge of Mimi's +love and sacrifice hath been subtly implanted by Atua, the all-god, in +every woman's breast. +</P> + +<BR><BR> + +<H3 ALIGN="center"> +II +</H3> + +<H3 ALIGN="center"> +THE MOON LADY +</H3> + +<P> +Once there were four maidens who were the daughters of Talakoa, and +they were so very beautiful that their fame spread through the +universe. The oldest of these maidens was named Kaulualua, and it is +of her that it is to tell this tale. +</P> + +<P> +One day while Kaulualua was combing her hair she saw a tall, fair man +fishing in the rivulet, and he was a stranger to her. Never before had +she seen so fair a man, though in very sooth she had been wooed of many +king's sons and of chiefs from every part of the earth. Then she +called to her three sisters and asked them his name, but they could not +answer; this, however, they knew—he was of no country whereof they had +heard tell, for he was strangely clad and he was of exceeding fair +complexion and his stature surpassed that of other men. +</P> + +<P> +The next day these maidens saw this same tall, fair man, but he no +longer fished in the rivulet; he hunted the hares and was passing +skilful thereat, so that the maidens admired him not only for his +exceeding comeliness but also for his skill as a huntsman, for surely +there was no hare that could escape his vigilance and the point of his +arrow. So when Talakoa, their father, came that evening the maidens +told him of this stranger, and he wondered who he was and whence he +fared. Awaking from sleep in the middle of that night, Kaulualua saw +that the stars shone with rare brilliancy, and that by their light a +man was gazing upon her through the window. And she saw that the man +was the tall, fair man of whom it has been spoken. So she uttered no +cry, but feigned that she slept, for she saw that there was love in the +tall, fair man's eyes, and it pleaseth a maiden to be looked upon in +that wise. +</P> + +<P> +When it was morning this tall, fair man came and entered that house and +laid a fish and a hare upon the hearthstone and called for Talakoa. +And he quoth to Talakoa: +</P> + +<P> +"Old man, I would have your daughter to wife." +</P> + +<P> +Being a full crafty man, as beseemeth one of years, Talakoa replied: +"Four daughters have I." +</P> + +<P> +The tall, fair man announced: "You speak sooth, as well becometh a full +crafty man. Four daughters have you, and it is Kaulualua that I would +have to wife." +</P> + +<P> +Saith that full crafty man, the father: "How many palm trees grow in +thy possession, and how many rivers flow through thy chiefdom? Whence +comest thou, gentle sir, for assuredly neither I nor mine have seen the +like of thee before." +</P> + +<P> +"Good sooth," answered the tall, fair man, "I will tell you no lie, for +I would have that daughter to wife, and the things you require do well +beseem a full crafty man that meaneth for his child's good. I am the +man of the moon, and my name is Marama." +</P> + +<P> +Then Talakoa and his daughters looked at one another and were sore +puzzled, for they knew not whereof Marama spake. And they deemed him a +madman; yet did they not laugh him to scorn, because that he had come +a-wooing, and had laid the fish and the hare upon the hearthstone. +</P> + +<P> +"Kind sir, bringing gifts," quoth Talakoa, "I say no lie to you, but we +know not that country whereof you speak. Pray tell us of the moon and +where is it situate, and how many kumes is it distant from here?" +</P> + +<P> +"Full crafty man, father of her whom I would have to wife, I will tell +you truly," answered Marama. "The moon wherefrom I come is a mighty +island in the vast sea of night, and it is distant from here so great a +space that it were not to count the kumes that lie between. Exceeding +fair is that island in that vast sea, and it hath mountains and valleys +and plains and seas and rivers and lakes, and I am the chief overall. +Atua made that island for me and put it in that mighty sea, for I am +the son of Atua, and over that island in that sea I shall rule forever." +</P> + +<P> +Great wonder had they to hear tell of these things, and they knew now +that Marama was the child of Atua, who made the universe and is the +all-god. Then Marama said on: +</P> + +<P> +"Atua bade me search and find me a wife, and upon the stars have I +walked two hundred years, fishing and hunting, and seeing maidens, but +of all maidens seen there is none that I did love. So now at last, in +this island of this earth, I have found Kaulualua, and have seen the +pearl of her beauty and smelled the cinnamon of her breath, and I would +fain have her to wife that she may be ruler with me over the moon, my +island in the vast, black sea of night." +</P> + +<P> +It was not for Talakoa, being of earth such as all human kind, to +gainsay the words of Marama. And there was a flame in Kaulualua's +heart and incense in her breath and honey in her eyes toward this tall, +fair man that was the son of Atua. So the old father said to her: +"Take up the fish and the hare and roast them, my daughter, and spread +them before us, and we will eat them and so pledge our troth, one to +another." +</P> + +<P> +This thing did Kaulualua, and so the man from the moon had her to wife. +</P> + +<P> +That night they went from the home of Talakoa to the island in the sea +of night, and Talakoa and the three maidens watched for a signal from +that island, for Kaulualua told them she would build a fire thereon +that they might know when she was come thither. Many, many nights they +watched, and their hair grew white, and Time marked their faces with +his fingers, and the moss gathered on the palm trees. At last, as if +he would sleep forever, Talakoa laid himself upon his mat by the door +and asked that the skies be opened to him, for he was enfeebled with +age. +</P> + +<P> +And while he asked this thing the three sisters saw a dim light afar +off in the black sea of night, and it was such a light as had never +before been seen. And this light grew larger and brighter, so that in +seven nights it was thrice the size of the largest palm leaf, and it +lighted up all that far-off island in the sea of night, and they knew +that Kaulualua and the moon-god were in their home at last. So old +Talakoa was soothed and the skies that opened unto him found him +satisfied. +</P> + +<P> +The three sisters lived long, and yet two hundred ages are gone since +the earth received them into its bosom. Yet still upon that island in +the dark sea of night abideth in love the moon-god with his bride. +Atua hath been good to her, for he hath given her eternal youth, as he +giveth to all wives that do truly love and serve their husbands. It is +for us to see that pleasant island wherein Kaulualua liveth; it is for +us to see that when Marama goeth abroad to hunt or to fish his +moon-lady sitteth alone and maketh moan, and heedeth not her fires; it +is for us to see that when anon he cometh back she buildeth up those +fires whereon to cook food for him, and presently the fires grow +brighter and the whole round moon island is lighted and warmed thereby. +In this wise an exceeding fair example is set unto all wives of their +duty unto their mates. +</P> + +<P> +When the sea singeth to the sands, when the cane beckoneth to the +stars, and when the palm-leaves whisper to sweet-breathed night, how +pleasant it is, my brown maiden, to stand with thee and look upon that +island in the azure sea that spreadeth like a veil above the cocoa +trees. For there we see the moon-lady, and she awaiteth her dear lord +and she smileth in love; and that grace warmeth our hearts—your heart +and mine, O little maiden! and we are glad with a joy that knoweth no +speaking. +</P> + +<BR><BR><BR> + +<A NAME="chap14"></A> + +<H3 ALIGN="center"> +LUTE BAKER AND HIS WIFE EM +</H3> + +<P> +The Plainfield boys always had the name of being smart, and I guess +Lute Baker was just about the smartest boy the old town ever turned +out. Well, he came by it naturally; Judge Baker was known all over +western Massachusetts as the sage of Plainfield, and Lute's mother—she +was a Kellogg before the judge married her—she had more faculty than a +dozen of your girls nowadays, and her cooking was talked about +everywhere—never was another woman, as folks said, could cook like +Miss Baker. The boys—Lute's friends—used to hang around the back +porch of noonings just to get some of her doughnuts; she was always +considerate and liberal to growing boys. May be Lute would n't have +been so popular if it had n't been for those doughnuts, and may be he +would n't have been so smart if it had n't been for all the good things +his mother fed into him. Always did believe there was piety and wisdom +in New England victuals. +</P> + +<P> +Lute went to Amherst College and did well; was valedictorian; then he +taught school a winter, for Judge Baker said that nobody could amount +to much in the world unless he taught school a spell. Lute was set on +being a lawyer, and so presently he went down to Springfield and read +and studied in Judge Morris' office, and Judge Morris wrote a letter +home to the Bakers once testifying to Lute's "probity" and +"acumen"—things that are never heard tell of except high up in the +legal profession. +</P> + +<P> +How Lute came to get the western fever I can't say, but get it he did, +and one winter he up and piked off to Chicago, and there he hung out +his shingle and joined a literary social and proceeded to get rich and +famous. The next spring Judge Baker fell off the woodshed while he was +shingling it, and it jarred him so he kind of drooped and pined round a +spell and then one day up and died. Lute had to come back home and +settle up the estate. +</P> + +<P> +When he went west again he took a wife with him—Emma Cowles that was +(everybody called her Em for short), pretty as a picture and as likely +a girl as there was in the township. Lute had always had a hankering +for Em, and Em thought there never was another such a young fellow as +Lute; she understood him perfectly, having sung in the choir with him +two years. The young couple went west well provided. +</P> + +<P> +Lute and Em went to housekeeping in Chicago. Em wanted to do her own +work, but Lute would n't hear to it; so they hired a German girl that +was just over from the vineyards of the Rhine country. +</P> + +<P> +"Lute," says Em, "Hulda does n't know much about cooking." +</P> + +<P> +"So I see," says Lute, feelingly. "She's green as grass; you'll have +to teach her." +</P> + +<P> +Hulda could swing a hoe and wield a spade deftly, but of the cuisine +she knew somewhat less than nothing. Em had lots of patience and +pluck, but she found teaching Hulda how to cook a precious hard job. +Lute was amiable enough at first; used to laugh it off with a cordial +bet that by and by Em would make a famous cook of the obtuse but +willing immigrant. This moral backing buoyed Em up considerable, until +one evening in an unguarded moment Lute expressed a pining for some +doughnuts "like those mother makes," and that casual remark made Em +unhappy. But next evening when Lute came home there were doughnuts on +the table—beautiful, big, plethoric doughnuts that fairly reeked with +the homely, delicious sentiment of New England. Lute ate one. Em felt +hurt. +</P> + +<P> +"I guess it's because I 've eaten so much else," explained Lute, "but +somehow or other they don't taste like mother's." +</P> + +<P> +Next day Em fed the rest of the doughnuts to a poor man who came and +said he was starving. "Thank you, marm," said he, with his heart full +of gratitude and his mouth full of doughnuts; "I ha' n't had anything +as good as this since I left Connecticut twenty years ago." +</P> + +<P> +That little subtlety consoled Em, but still she found it hard to bear +up under her apparent inability to do her duty by Lute's critical +palate. Once when Lute brought Col. Hi Thomas home to dinner they had +chicken pie. The colonel praised it and passed his plate a third time. +</P> + +<P> +"Oh, but you ought to eat some of mother's chicken pie," said Lute. +"Mother never puts an under crust in her chicken pies, and that makes +'em juicier." +</P> + +<P> +Same way when they had fried pork and potatoes; Lute could not +understand why the flesh of the wallowing, carnivorous western hog +should n't be as white and firm and sweet as the meat of the swill-fed +Yankee pig. And why were the Hubbard squashes so tasteless and why was +maple syrup so very different? Yes, amid all his professional duties +Lute found time to note and remark upon this and other similar things, +and of course Em was—by implication, at least—held responsible for +them all. +</P> + +<P> +And Em did try so hard, so very hard, to correct the evils and to +answer the hypercritical demands of Lute's foolishly petted and spoiled +appetite. She warred valorously with butchers, grocers, and hucksters; +she sent down east to Mother Baker for all the famous family recipes; +she wrestled in speech and in practice with that awful Hulda; she +experimented long and patiently; she blistered her pretty face and +burned her little hands over that kitchen range—yes, a slow, constant +martyrdom that conscientious wife willingly endured for years in her +enthusiastic determination to do her duty by Lute. Doughnuts, +chicken-pies, boiled dinners, layer-cakes, soda biscuits, flapjacks, +fish balls, baked beans, squash pies, corned-beef hash, dried-apple +sauce, currant wine, succotash, brown bread—how valorously Em toiled +over them, only to be rewarded with some cruel reminder of how "mother" +used to do these things! It was terrible; a tedious martyrdom. +</P> + +<P> +Lute—mind you—Lute was not wilfully cruel; no, he was simply and +irremediably a heedless idiot of a man, just as every married man is, +for a spell, at least. But it broke Em's heart, all the same. +</P> + +<P> +Lute's mother came to visit them when their first child was born, and +she lifted a great deal of trouble off the patient wife. Old Miss +Baker always liked Em; had told the minister three years ago that she +knew Em would make Lute a good Christian wife. They named the boy +Moses, after the old judge who was dead, and old Miss Baker said he +should have his gran'pa's watch when he got to be twenty-one. +</P> + +<P> +Old Miss Baker always stuck by Em; may be she remembered how the old +judge had talked once on a time about his mother's cooking. For all +married men are, as I have said, idiotically cruel about that sort of +thing. Yes, old Miss Baker braced Em up wonderful; brought a lot of +dried catnip out west with her for the baby; taught Em how to make +salt-rising bread; told her all about stewing things and broiling +things and roasting things; showed her how to tell the real Yankee +codfish from the counterfeit—oh, she just did Em lots of good, did old +Miss Baker! +</P> + +<P> +The rewards of virtue may be slow in coming, but they are sure to come. +Em's three boys—the three bouncing boys that came to Em and +Lute—those three boys waxed fat and grew up boisterous, blatant +appreciators of their mother's cooking. The way those boys did eat +mother's doughnuts! And mother's pies—wow! Other boys—the +neighbors' boys—came round regularly in troops, battalions, armies, +and like a consuming fire licked up the wholesome viands which Em's +skill and liberality provided for her own boys' enthusiastic playmates. +And all those boys—there must have been millions of 'em—were living, +breathing, vociferous testimonials to the unapproachable excellence of +Em's cooking. +</P> + +<P> +Lute got into politics, and they elected him to the legislature. After +the campaign, needing rest, he took it into his head to run down east +to see his mother; he had not been back home for eight years. He took +little Moses with him. They were gone about three weeks. Gran'ma +Baker had made great preparations for them; had cooked up enough pies +to last all winter, and four plump, beheaded, well-plucked, +yellow-legged pullets hung stiff and solemn-like in the chill pantry +off the kitchen, awaiting the last succulent scene of all. +</P> + +<P> +Lute and the little boy got there late of an evening. The dear old +lady was so glad to see them; the love that beamed from her kindly eyes +well nigh melted the glass in her silver-bowed specks. The table was +spread in the dining-room; the sheet-iron stove sighed till it seemed +like to crack with the heat of that hardwood fire. +</P> + +<P> +"Why, Lute, you ain't eatin' enough to keep a fly alive," remonstrated +old Miss Baker, when her son declined a second doughnut; "and what ails +the child?" she continued; "ha' n't he got no appetite? Why, when you +wuz his age, Lute, seemed as if I could n't cook doughnuts fast enough +for you!" +</P> + +<P> +Lute explained that both he and his little boy had eaten pretty +heartily on the train that day. But all the time of their visit there +poor old Gran'ma Baker wondered and worried because they did n't eat +enough—seemed to her as if western folks had n't the right kind of +appetite. Even the plump pullets, served in a style that had made Miss +Baker famed throughout those discriminating parts—even those pullets +failed to awaken the expected and proper enthusiasm in the visitors. +</P> + +<P> +Home again in Chicago, Lute drew his chair up to the table with an +eloquent sigh of relief. As for little Moses, he clamored his delight. +</P> + +<P> +"Chicken pie!" he cried, gleefully; and then he added a soulful "wow!" +as his eager eyes fell upon a plateful of hot, exuberant, voluptuous +doughnuts. +</P> + +<P> +"Yes, we are both glad to get back," said Lute. +</P> + +<P> +"But I am afraid," suggested Em, timidly, "that gran'ma's cooking has +spoiled you." +</P> + +<P> +Little Moses (bless him) howled an indignant, a wrathful remonstrance. +"Gran'ma can't cook worth a cent!" said he. +</P> + +<P> +Em expected Lute to be dreadfully shocked, but he was n't. +</P> + +<P> +"I would n't let her know it for all the world," remarked Lute, +confidentially, "but mother has lost her grip on cooking. At any rate, +her cooking is n't what it used to be; it has changed." +</P> + +<P> +Then Em came bravely to the rescue. "No, Lute," says she, and she +meant it, "your mother's cooking has n't changed, but <I>you</I> have. The +man has grown away from the boy, and the tastes, the ways, and the +delights of boyhood have no longer any fascination for the man." +</P> + +<P> +"May be you 're right," said Lute. "At any rate, I 'm free to say that +<I>your</I> cooking beats the world." +</P> + +<P> +Good for Lute! Virtue triumphs and my true story ends. But first an +explanation to concinnate my narrative. +</P> + +<P> +I should never have known this true story if Lute himself had n't told +it to me at the last dinner of the Sons of New England—told it to me +right before Em, that dear, patient little martyred wife of his. And I +knew by the love light in Em's eyes that she was glad that she had +endured that martyrdom for Lute's sake. +</P> + +<BR><BR><BR> + +<A NAME="chap15"></A> + +<H3 ALIGN="center"> +JOEL'S TALK WITH SANTA CLAUS +</H3> + +<P> +One Christmas eve Joel Baker was in a most unhappy mood. He was +lonesome and miserable; the chimes making merry Christmas music outside +disturbed rather than soothed him, the jingle of the sleigh-bells +fretted him, and the shrill whistling of the wind around the corners of +the house and up and down the chimney seemed to grate harshly on his +ears. +</P> + +<P> +"Humph," said Joel, wearily, "Christmas is nothin' to me; there <I>was</I> a +time when it meant a great deal, but that was long ago—fifty years is +a long stretch to look back over. There is nothin' in Christmas now, +nothin' for <I>me</I> at least; it is so long since Santa Claus remembered +me that I venture to say he has forgotten that there ever was such a +person as Joel Baker in all the world. It used to be different; Santa +Claus <I>used</I> to think a great deal of me when I was a boy. Ah! +Christmas nowadays ain't what it was in the good old time—no, not what +it used to be." +</P> + +<P> +As Joel was absorbed in his distressing thoughts he became aware very +suddenly that somebody was entering or trying to enter the room. First +came a draft of cold air, then a scraping, grating sound, then a +strange shuffling, and then,—yes, then, all at once, Joel saw a pair +of fat legs and a still fatter body dangle down the chimney, followed +presently by a long white beard, above which appeared a jolly red nose +and two bright twinkling eyes, while over the head and forehead was +drawn a fur cap, white with snowflakes. +</P> + +<P> +"Ha, ha," chuckled the fat, jolly stranger, emerging from the chimney +and standing well to one side of the hearthstone; "ha, ha, they don't +have the big, wide chimneys they used to build, but they can't keep +Santa Claus out—no, they can't keep Santa Claus out! Ha, ha, ha. +Though the chimney were no bigger than a gas pipe, Santa Claus would +slide down it!" +</P> + +<P> +It didn't require a second glance to assure Joel that the new-comer was +indeed Santa Claus. Joel knew the good old saint—oh, yes—and he had +seen him once before, and, although that was when Joel was a little +boy, he had never forgotten how Santa Claus looked. +</P> + +<P> +Nor had Santa Claus forgotten Joel, although Joel thought he had; for +now Santa Claus looked kindly at Joel and smiled and said: "Merry +Christmas to you, Joel!" +</P> + +<P> +"Thank you, old Santa Claus," replied Joel, "but I don't believe it's +going to be a very merry Christmas. It's been so long since I 've had +a merry Christmas that I don't believe I 'd know how to act if I had +one." +</P> + +<P> +"Let's see," said Santa Claus, "it must be going on fifty years since I +saw you last—yes, you were eight years old the last time I slipped +down the chimney of the old homestead and filled your stocking. Do you +remember it?" +</P> + +<P> +"I remember it well," answered Joel. "I had made up my mind to lie +awake and see Santa Claus; I had heard tell of you, but I 'd never seen +you, and Brother Otis and I concluded we 'd lie awake and watch for you +to come." +</P> + +<P> +Santa Claus shook his head reproachfully. "That was very wrong," said +he, "for I 'm so scarey that if I 'd known you boys were awake I 'd +never have come down the chimney at all, and then you 'd have had no +presents." +</P> + +<P> +"But Otis could n't keep awake," explained Joel. "We talked about +everythin' we could think of, till father called out to us that if we +did n't stop talking he 'd have to send one of us up into the attic to +sleep with the hired man. So in less than five minutes Otis was sound +asleep and no pinching could wake him up. But <I>I</I> was bound to see +Santa Claus and I don't believe anything would 've put me to sleep. I +heard the big clock in the sitting-room strike eleven, and I had begun +wonderin' if you never were going to come, when all of a sudden I heard +the tinkle of the bells around your reindeers' necks. Then I heard the +reindeers prancin' on the roof and the sound of your sleigh-runners +cuttin' through the crust and slippin' over the shingles. I was kind +o' scared and I covered my head up with the sheet and quilts—only I +left a little hole so I could peek out and see what was goin' on. As +soon as I saw you I got over bein' scared—for you were jolly and +smilin' like, and you chuckled as you went around to each stockin' and +filled it up." +</P> + +<P> +"Yes, I can remember the night," said Santa Claus. "I brought you a +sled, did n't I?" +</P> + +<P> +"Yes, and you brought Otis one, too," replied Joel. "Mine was red and +had 'Yankee Doodle' painted in black letters on the side; Otis' was +black and had 'Snow Queen' in gilt letters." +</P> + +<P> +"I remember those sleds distinctly," said Santa Claus, "for I made them +specially for you boys." +</P> + +<P> +"You set the sleds up against the wall," continued Joel, "and then you +filled the stockin's." +</P> + +<P> +"There were six of 'em, as I recollect?" said Santa Claus. +</P> + +<P> +"Let me see," queried Joel. "There was mine, and Otis', and Elvira's, +and Thankful's, and Susan Prickett's—Susan was our help, you know. +No, there were only five, and, as I remember, they were the biggest we +could beg or borrer of Aunt Dorcas, who weighed nigh unto two hundred +pounds. Otis and I did n't like Susan Prickett, and we were hopin' you +'d put a cold potato in her stockin'." +</P> + +<P> +"But Susan was a good girl," remonstrated Santa Claus. "You know I put +cold potatoes only in the stockin's of boys and girls who are bad and +don't believe in Santa Claus." +</P> + +<P> +"At any rate," said Joel, "you filled all the stockin's with candy and +pop-corn and nuts and raisins, and I can remember you said you were +afraid you 'd run out of pop-corn balls before you got around. Then +you left each of us a book. Elvira got the best one, which was 'The +Garland of Frien'ship,' and had poems in it about the bleeding of +hearts, and so forth. Father was n't expectin' anything, but you left +him a new pair of mittens, and mother got a new fur boa to wear to +meetin'." +</P> + +<P> +"Of course," said Santa Claus, "I never forgot father and mother." +</P> + +<P> +"Well, it was as much as I could do to lay still," continued Joel, "for +I 'd been longin' for a sled, an' the sight of that red sled with +'Yankee Doodle' painted on it jest made me wild. But, somehow or +other, I began to get powerful sleepy all at once, and I could n't keep +my eyes open. The next thing I knew Otis was nudgin' me in the ribs. +'Git up, Joel,' says he; 'it's Chris'mas an' Santa Claus has been +here.' 'Merry Christ'mas! Merry Chris'mas!' we cried as we tumbled +out o' bed. Then Elvira an' Thankful came in, not more 'n half +dressed, and Susan came in, too, an' we just made Rome howl with 'Merry +Chris'mas! Merry Chris'mas!' to each other. 'Ef you children don't +make less noise in there,' cried father, 'I'll hev to send you all back +to bed.' The idea of askin' boys an' girls to keep quiet on Chris'mas +mornin' when they 've got new sleds an' 'Garlands of Frien'ship'!" +</P> + +<P> +Santa Claus chuckled; his rosy cheeks fairly beamed joy. +</P> + +<P> +"Otis an' I did n't want any breakfast," said Joel. "We made up our +minds that a stockin'ful of candy and pop-corn and raisins would stay +us for a while. I do believe there was n't buckwheat cakes enough in +the township to keep us indoors that mornin'; buckwheat cakes don't +size up much 'longside of a red sled with 'Yankee Doodle' painted onto +it and a black sled named 'Snow Queen.' <I>We</I> did n't care how cold it +was—so much the better for slidin' down hill! All the boys had new +sleds—Lafe Dawson, Bill Holbrook, Gum Adams, Rube Playford, Leander +Merrick, Ezra Purple—all on 'em had new sleds excep' Martin Peavey, +and he said he calculated Santa Claus had skipped him this year 'cause +his father had broke his leg haulin' logs from the Pelham woods and had +been kep' indoors six weeks. But Martin had his ol' sled, and he +didn't hev to ask any odds of any of us, neither." +</P> + +<P> +"I brought Martin a sled the <I>next</I> Christmas," said Santa Claus. +</P> + +<P> +"Like as not—but did you ever slide down hill, Santa Claus? I don't +mean such hills as they hev out here in this <I>new</I> country, but one of +them old-fashioned New England hills that was made 'specially for boys +to slide down, full of bumpers an' thank-ye-marms, and about ten times +longer comin' up than it is goin' down! The wind blew in our faces and +almos' took our breath away. 'Merry Chris'mas to ye, little boys!' it +seemed to say, and it untied our mufflers an' whirled the snow in our +faces, just as if it was a boy, too, an' wanted to play with us. An +ol' crow came flappin' over us from the corn field beyond the meadow. +He said: 'Caw, caw,' when he saw my new sled—I s'pose he 'd never seen +a red one before. Otis had a hard time with <I>his</I> sled—the black +one—an' he wondered why it would n't go as fast as mine would. 'Hev +you scraped the paint off'n the runners?' asked Wralsey Goodnow. +'Course I hev,' said Otis; 'broke my own knife an' Lute Ingraham's +a-doin' it, but it don't seem to make no dif'rence—the darned ol' +thing won't go!' Then, what did Simon Buzzell say but that, like 's +not, it was because Otis's sled's name was 'Snow Queen.' 'Never did +see a girl sled that was worth a cent, anyway,' sez Simon. Well, now, +that jest about broke Otis up in business. 'It ain't a girl sled,' sez +he, 'and its name ain't "Snow Queen"! I'm a-goin' to call it "Dan'l +Webster," or "Ol'ver Optic," or "Sheriff Robbins," or after some other +big man!' An' the boys plagued him so much about that pesky girl sled +that he scratched off the name, an', as I remember, it <I>did</I> go better +after that! +</P> + +<P> +"About the only thing," continued Joel, "that marred the harmony of the +occasion, as the editor of the 'Hampshire County Phoenix' used to say, +was the ashes that Deacon Morris Frisbie sprinkled out in front of his +house. He said he was n't going to have folks breakin' their necks +jest on account of a lot of frivolous boys that was goin' to the +gallows as fas' as they could! Oh, how we hated him! and we 'd have +snowballed him, too, if we had n't been afraid of the constable that +lived next door. But the ashes did n't bother us much, and every time +we slid sidesaddle we 'd give the ashes a kick, and that sort of +scattered 'em." +</P> + +<P> +The bare thought of this made Santa Claus laugh. +</P> + +<P> +"Goin' on about nine o'clock," said Joel, "the girls come along—Sister +Elvira an' Thankful, Prudence Tucker, Belle Yocum, Sophrone Holbrook, +Sis Hubbard, an' Marthy Sawyer. Marthy's brother Increase wanted her +to ride on <I>his</I> sled, but Marthy allowed that a red sled was her +choice every time. 'I don't see how I 'm goin' to hold on,' said +Marthy. 'Seems as if I would hev my hands full keepin' my things from +blowin' away.' 'Don't worry about yourself, Marthy,' sez I, 'for if +you'll look after your things, I kind o' calc'late I'll manage not to +lose <I>you</I> on the way.' Dear Marthy—seems as if I could see you now, +with your tangled hair a-blowin' in the wind, your eyes all bright and +sparklin', an' your cheeks as red as apples. Seems, too, as if I could +hear you laughin' an' callin', jist as you did as I toiled up the old +New England hill that Chris'mas mornin'—a callin': 'Joel, Joel, +Joel—ain't ye ever comin', Joel?' But the hill is long and steep, +Marthy, an' Joel ain't the boy he used to be; he 's old, an' gray, an' +feeble, but there 's love an' faith in his heart, an' they kind o' keep +him totterin' tow'rds the voice he hears a-callin': 'Joel, Joel, Joel!'" +</P> + +<P> +"I know—I see it all," murmured Santa Claus, very softly. +</P> + +<P> +"Oh, that was so long ago," sighed Joel; "so very long ago! And I've +had no Chris'mas since—only once, when our little one—Marthy's an' +mine—you remember him, Santa Claus?" +</P> + +<P> +"Yes," said Santa Claus, "a toddling little boy with blue eyes—" +</P> + +<P> +"Like his mother," interrupted Joel; "an' he was like her, too—so +gentle an' lovin', only we called him Joel, for that was my father's +name and it kind o' run in the fam'ly. He wa' n't more 'n three years +old when you came with your Chris'mas presents for him, Santa Claus. +We had told him about you, and he used to go to the chimney every night +and make a little prayer about what he wanted you to bring him. And +you brought 'em, too—a stick-horse, an' a picture-book, an' some +blocks, an' a drum—they 're on the shelf in the closet there, and his +little Chris'mas stockin' with 'em—I 've saved 'em all, an' I 've +taken 'em down an' held 'em in my hands, oh, so many times!" +</P> + +<P> +"But when I came again," said Santa Claus— +</P> + +<P> +"His little bed was empty, an' I was alone. It killed his +mother—Marthy was so tender-hearted; she kind o' drooped an' pined +after that. So now they 've been asleep side by side in the +buryin'-ground these thirty years. +</P> + +<P> +"That's why I 'm so sad-like whenever Chris'mas comes," said Joel, +after a pause. "The thinkin' of long ago makes me bitter almost. It's +so different now from what it used to be." +</P> + +<P> +"No, Joel, oh, no," said Santa Claus. "'T is the same world, and human +nature is the same and always will be. But Christmas is for the little +folks, and you, who are old and grizzled now, must know it and love it +only through the gladness it brings the little ones." +</P> + +<P> +"True," groaned Joel; "but how may I know and feel this gladness when I +have no little stocking hanging in my chimney corner—no child to +please me with his prattle? See, I am alone." +</P> + +<P> +"No, you 're not alone, Joel," said Santa Claus. "There are children +in this great city who would love and bless you for your goodness if +you but touched their hearts. Make them happy, Joel; send by me this +night some gift to the little boy in the old house yonder—he is poor +and sick; a simple toy will fill his Christmas with gladness." +</P> + +<P> +"His little sister, too—take <I>her</I> some present," said Joel; "make +them happy for me, Santa Claus—you are right—make them happy for me." +</P> + +<P> +How sweetly Joel slept! When he awoke, the sunlight streamed in +through the window and seemed to bid him a merry Christmas. How +contented and happy Joel felt! It must have been the talk with Santa +Claus that did it all; he had never known a sweeter sense of peace. A +little girl came out of the house over the way. She had a new doll in +her arms, and she sang a merry little song and she laughed with joy as +she skipped along the street. Ay, and at the window sat the little +sick boy, and the toy Santa Claus left him seemed to have brought him +strength and health, for his eyes sparkled and his cheeks glowed, and +it was plain to see his heart was full of happiness. +</P> + +<P> +And, oh! how the chimes did ring out, and how joyfully they sang their +Christmas carol that morning! They sang of Bethlehem and the manger +and the Babe; they sang of love and charity, till all the Christmas air +seemed full of angel voices. +</P> + +<P CLASS="poem"> +Carol of the Christmas morn—<BR> +<SPAN STYLE="margin-left: 1em">Carol of the Christ-child born—</SPAN><BR> +Carol to the list'ning sky<BR> +<SPAN STYLE="margin-left: 1em">Till it echoes back again</SPAN><BR> +<SPAN STYLE="margin-left: 1em">"Glory be to God on high,</SPAN><BR> +<SPAN STYLE="margin-left: 1em">Peace on earth, good will tow'rd men!"</SPAN><BR> +</P> + +<BR> + +<P> +So all this music—the carol of the chimes, the sound of children's +voices, the smile of the poor little boy over the way—all this sweet +music crept into Joel's heart that Christmas morning; yes, and with +these sweet, holy influences came others so subtile and divine that, in +its silent communion with them, Joel's heart cried out amen and amen to +the glory of the Christmas time. +</P> + +<BR><BR><BR> + +<A NAME="chap16"></A> + +<H3 ALIGN="center"> +THE LONESOME LITTLE SHOE +</H3> + +<P> +The clock was in ill humor; so was the vase. It was all on account of +the little shoe that had been placed on the mantel-piece that day, and +had done nothing but sigh dolorously all the afternoon and evening. +</P> + +<P> +"Look you here, neighbor," quoth the clock, in petulant tones, "you are +sadly mistaken if you think you will be permitted to disturb our peace +and harmony with your constant sighs and groans. If you are ill, pray +let us know; otherwise, have done with your manifestations of distress." +</P> + +<P> +"Possibly you do not know what befell the melancholy plaque that +intruded his presence upon us last week," said the vase. "We pitched +him off the mantelpiece, and he was shattered into a thousand bits." +</P> + +<P> +The little shoe gave a dreadful shudder. It could not help thinking it +had fallen among inhospitable neighbors. It began to cry. The brass +candlestick took pity on the sobbing thing, and declared with some show +of temper that the little shoe should not be imposed on. +</P> + +<P> +"Now tell us why you are so full of sadness," said the brass +candlestick. +</P> + +<P> +"I do not know how to explain," whimpered the little shoe. "You see I +am quite a young thing, albeit I have a rusty appearance and there is a +hole in my toes and my heel is badly run over. I feel so lonesome and +friendless and sort of neglected-like, that it seems as if there were +nothing for me to do but sigh and grieve and weep all day long." +</P> + +<P> +"Sighing and weeping do no good," remarked the vase, philosophically. +</P> + +<P> +"I know that very well," replied the little shoe; "but once I was so +happy that my present lonesome lot oppresses me all the more +grievously." +</P> + +<P> +"You say you once were happy—pray tell us all about it," demanded the +brass candlestick. +</P> + +<P> +The vase was eager to hear the little shoe's story, and even the proud, +haughty clock expressed a willingness to listen. The matchbox came +from the other end of the mantel-piece, and the pen-wiper, the +paper-cutter, and the cigar-case gathered around the little shoe, and +urged it to proceed with its narrative. +</P> + +<P> +"The first thing I can remember in my short life," said the little +shoe, "was being taken from a large box in which there were many of my +kind thrown together in great confusion. I found myself tied with a +slender cord to a little mate, a shoe so very like me that you could +not have told us apart. We two were taken and put in a large window in +the midst of many grown-up shoes, and we had nothing to do but gaze out +of the window all day long into the wide, busy street. That was a very +pleasant life. Sometimes the sunbeams would dance through the +window-panes and play at hide-and-seek all over me and my little mate; +they would kiss and caress us, and we learned to love them very +much—they were so warm and gentle and merrisome. Sometimes the +raindrops would patter against the window-panes, singing wild songs to +us, and clamoring to break through and destroy us with their eagerness. +When night came, we could see stars away up in the dark sky winking at +us, and very often the old mother moon stole out from behind a cloud to +give us a kindly smile. The wind used to sing us lullabies, and in one +corner of our window there was a little open space where the mice gave +a grand ball every night to the music of the crickets and a blind frog. +Altogether we had a merry time." +</P> + +<P> +"I 'd have liked it all but the wind," said the brass candlestick. "I +don't know why it is, but I 'm dreadfully put out by the horrid old +wind!" +</P> + +<P> +"Many people," continued the little shoe, "used to stop and look in at +the window, and I believe my little mate and I were admired more than +any of our larger and more pretentious companions. I can remember +there was a pair of red-top boots that was exceedingly jealous of us. +But that did not last long, for one day a very sweet lady came and +peered in at the window and smiled very joyously when she saw me and my +little mate. Then I remember we were taken from the window, and the +lady held us in her hands and examined us very closely, and measured +our various dimensions with a string, and finally, I remember, she said +she would carry us home. We did not know what that meant, only we +realized that we would never live in the shop window again, and we were +loath to be separated from the sunbeams and the mice and the other +friends that had been so kind to us." +</P> + +<P> +"What a droll little shoe!" exclaimed the vase. Whereupon the clock +frowned and ticked a warning to the vase not to interrupt the little +shoe in the midst of its diverting narrative. +</P> + +<P> +"It is not necessary for me to tell you how we were wrapped in paper +and carried a weary distance," said the little shoe; "it is sufficient +to my purpose to say that, after what seemed to us an interminable +journey and a cruel banging around, we were taken from the paper and +found ourselves in a quiet, cozy room—yes, in this very apartment +where we all are now! The sweet lady held us in her lap, and at the +sweet lady's side stood a little child, gazing at us with an expression +of commingled astonishment, admiration, and glee. We knew the little +child belonged to the sweet lady, and from the talk we heard we knew +that henceforth the child was to be our little master." +</P> + +<P> +As if some sudden anguish came upon it, hushing its speech, the little +shoe paused in its narrative. The others said never a word. Perhaps +it was because they were beginning to understand. The proud, haughty +clock seemed to be less imperious for the moment, and its ticking was +softer and more reverential. +</P> + +<P> +"From that time," resumed the little shoe, "our little master and we +were inseparable during all the happy day. We played and danced with +him and wandered everywhere through the grass, over the carpets, down +the yard, up the street—ay, everywhere our little master went, we went +too, sharing his pretty antics and making music everywhere. Then, when +evening came and little master was put to sleep, in yonder crib, we +were set on the warm carpet near his bed where we could watch him while +he slept, and bid him good-morrow when the morning came. Those were +pleasant nights, too, for no sooner had little master fallen asleep +than the fairies came trooping through the keyholes and fluttering down +the chimney to dance over his eyes all night long, giving him happy +dreams, and filling his baby ears with sweetest music." +</P> + +<P> +"What a curious conceit!" said the pen-wiper. +</P> + +<P> +"And is it true that fairies dance on children's eyelids at night?" +asked the paper-cutter. +</P> + +<P> +"Certainly," the clock chimed in, "and they sing very pretty lullabies +and very cunning operettas, too. I myself have seen and heard them." +</P> + +<P> +"I should like to hear a fairy operetta," suggested the pen-wiper. +</P> + +<P> +"I remember one the fairies sang my little master as they danced over +his eyelids," said the little shoe, "and I will repeat it if you wish." +</P> + +<P> +"Nothing would please me more," said the pen-wiper. +</P> + +<P> +"Then you must know," said the little shoe, "that, as soon as my master +fell asleep, the fairies would make their appearance, led by their +queen, a most beautiful and amiable little lady no bigger than a +cambric needle. Assembling on the pillow of the crib, they would order +their minstrels and orchestra to seat themselves on little master's +forehead. The minstrels invariably were the cricket, the flea, the +katydid, and the gnat, while the orchestra consisted of mosquitos, +bumblebees, and wasps. Once in a great while, on very important +occasions, the fairies would bring the old blind hop-toad down the +chimney and set him on the window-sill, where he would discourse droll +ditties to the infinite delight of his hearers. But on ordinary +occasions, the fairy queen, whose name was Taffie, would lead the +performance in these pleasing words, sung to a very dulcet air: +</P> + +<P CLASS="poem"> +AN INVITATION TO SLEEP<BR> +</P> + +<P CLASS="poem"> +Little eyelids, cease your winking;<BR> +<SPAN STYLE="margin-left: 1em">Little orbs, forget to beam;</SPAN><BR> +Little soul, to slumber sinking,<BR> +<SPAN STYLE="margin-left: 1em">Let the fairies rule your dream.</SPAN><BR> +Breezes, through the lattice sweeping,<BR> +<SPAN STYLE="margin-left: 1em">Sing their lullabies the while—</SPAN><BR> +And a star-ray, softly creeping<BR> +<SPAN STYLE="margin-left: 1em">To thy bedside, woos thy smile.</SPAN><BR> +But no song nor ray entrancing<BR> +<SPAN STYLE="margin-left: 1em">Can allure thee from the spell</SPAN><BR> +Of the tiny fairies dancing<BR> +<SPAN STYLE="margin-left: 1em">O'er the eyes they love so well.</SPAN><BR> +See, we come in countless number—<BR> +<SPAN STYLE="margin-left: 1em">I, their queen, and all my court—</SPAN><BR> +Haste, my precious one, to slumber<BR> +<SPAN STYLE="margin-left: 1em">Which invites our fairy sport.</SPAN><BR> +</P> + +<BR> + +<P> +"At the conclusion of this song Prince Whimwham, a tidy little +gentleman fairy in pink silk small-clothes, approaching Queen Taffie +and bowing graciously, would say: +</P> + +<P CLASS="poem"> +Pray, lady, may I have the pleasure<BR> +Of leading you this stately measure?<BR> +</P> + +<P CLASS="noindent"> +To which her majesty would reply with equal graciousness in the +affirmative. Then Prince Whimwham and Queen Taffie would take their +places on one of my master's eyelids, and the other gentleman fairies +and lady fairies would follow their example, till at last my master's +face would seem to be alive with these delightful little beings. The +mosquitos would blow a shrill blast on their trumpets, the orchestra +would strike up, and then the festivities would begin in earnest. How +the bumblebees would drone, how the wasps would buzz, and how the +mosquitos would blare! It was a delightful harmony of weird sounds. +The strange little dancers floated hither and thither over my master's +baby face, as light as thistledowns, and as graceful as the slender +plumes they wore in their hats and bonnets. Presently they would weary +of dancing, and then the minstrels would be commanded to entertain +them. Invariably the flea, who was a rattle-headed fellow, would +discourse some such incoherent song as this: +</P> + +<P CLASS="poem"> +COQUETRY<BR> +</P> + +<P CLASS="poem"> +Tiddle-de-dumpty, tiddle-de-dee—<BR> +The spider courted the frisky flea;<BR> +Tiddle-de-dumpty, tiddle-de-doo—<BR> +The flea ran off with the bugaboo!<BR> +<SPAN STYLE="margin-left: 2em">"Oh, tiddle-de-dee!"</SPAN><BR> +<SPAN STYLE="margin-left: 2em">Said the frisky flea—</SPAN><BR> +<SPAN STYLE="margin-left: 2em">For what cared she</SPAN><BR> +<SPAN STYLE="margin-left: 2em">For the miseree</SPAN><BR> +<SPAN STYLE="margin-left: 2em">The spider knew,</SPAN><BR> +<SPAN STYLE="margin-left: 2em">When, tiddle-de-doo,</SPAN><BR> +The flea ran off with the bugaboo!<BR> +</P> + +<P CLASS="poem"> +Rumpty-tumpty, pimplety-pan—<BR> +The flubdub courted a catamaran<BR> +But timplety-topplety, timpity-tare—<BR> +The flubdub wedded the big blue bear!<BR> +<SPAN STYLE="margin-left: 2em">The fun began</SPAN><BR> +<SPAN STYLE="margin-left: 2em">With a pimplety-pan</SPAN><BR> +<SPAN STYLE="margin-left: 2em">When the catamaran,</SPAN><BR> +<SPAN STYLE="margin-left: 2em">Tore up a man</SPAN><BR> +<SPAN STYLE="margin-left: 2em">And streaked the air</SPAN><BR> +<SPAN STYLE="margin-left: 2em">With his gore and hair</SPAN><BR> +Because the flubdub wedded the bear!<BR> +</P> + +<BR> + +<P> +"I remember with what dignity the fairy queen used to reprove the flea +for his inane levity: +</P> + +<P CLASS="poem"> +Nay, futile flea; these verses you are making<BR> +Disturb the child—for, see, he is awaking!<BR> +Come, little cricket, sing your quaintest numbers,<BR> +And they, perchance, shall lull him back to slumbers.<BR> +</P> + +<BR> + +<P> +"Upon this invitation the cricket, who is justly one of the most famous +songsters in the world, would get his pretty voice in tune and sing as +follows: +</P> + +<P CLASS="poem"> +THE CRICKET'S SONG<BR> +</P> + +<P CLASS="poem"> +When all around from out the ground<BR> +<SPAN STYLE="margin-left: 1em">The little flowers are peeping,</SPAN><BR> +And from the hills the merry rills<BR> +<SPAN STYLE="margin-left: 1em">With vernal songs are leaping,</SPAN><BR> +I sing my song the whole day long<BR> +<SPAN STYLE="margin-left: 1em">In woodland, hedge, and thicket—</SPAN><BR> +And sing it, too, the whole night through,<BR> +<SPAN STYLE="margin-left: 1em">For I 'm a merry cricket.</SPAN><BR> +</P> + +<P CLASS="poem"> +The children hear my chirrup clear<BR> +<SPAN STYLE="margin-left: 1em">As, in the woodland straying,</SPAN><BR> +They gather flow'rs through summer hours—<BR> +<SPAN STYLE="margin-left: 1em">And then I hear them saying:</SPAN><BR> +"Sing, sing away the livelong day,<BR> +<SPAN STYLE="margin-left: 1em">Glad songster of the thicket—</SPAN><BR> +With your shrill mirth you gladden earth,<BR> +<SPAN STYLE="margin-left: 1em">You merry little cricket!"</SPAN><BR> +</P> + +<P CLASS="poem"> +When summer goes, and Christmas snows<BR> +<SPAN STYLE="margin-left: 1em">Are from the north returning,</SPAN><BR> +I quit my lair and hasten where<BR> +<SPAN STYLE="margin-left: 1em">The old yule-log is burning.</SPAN><BR> +And where at night the ruddy light<BR> +<SPAN STYLE="margin-left: 1em">Of that old log is flinging</SPAN><BR> +A genial joy o'er girl and boy,<BR> +<SPAN STYLE="margin-left: 1em">There I resume my singing.</SPAN><BR> +</P> + +<P CLASS="poem"> +And, when they hear my chirrup clear,<BR> +<SPAN STYLE="margin-left: 1em">The children stop their playing—</SPAN><BR> +With eager feet they haste to greet<BR> +<SPAN STYLE="margin-left: 1em">My welcome music, saying:</SPAN><BR> +"The little thing has come to sing<BR> +<SPAN STYLE="margin-left: 1em">Of woodland, hedge, and thicket—</SPAN><BR> +Of summer day and lambs at play—<BR> +<SPAN STYLE="margin-left: 1em">Oh, how we love the cricket!"</SPAN><BR> +</P> + +<BR> + +<P> +"This merry little song always seemed to please everybody except the +gnat. The fairies appeared to regard the gnat as a pestiferous insect, +but a contemptuous pity led them to call upon him for a recitation, +which invariably was in the following strain: +</P> + +<P CLASS="poem"> +THE FATE OF THE FLIMFLAM<BR> +</P> + +<P CLASS="poem"> +A flimflam flopped from a fillamaloo,<BR> +<SPAN STYLE="margin-left: 1em">Where the pollywog pinkled so pale,</SPAN><BR> +And the pipkin piped a petulant "pooh"<BR> +<SPAN STYLE="margin-left: 1em">To the garrulous gawp of the gale.</SPAN><BR> +"Oh, woe to the swap of the sweeping swipe<BR> +<SPAN STYLE="margin-left: 1em">That booms on the hobbling bay!"</SPAN><BR> +Snickered the snark to the snoozing snipe<BR> +<SPAN STYLE="margin-left: 1em">That lurked where the lamprey lay.</SPAN><BR> +</P> + +<P CLASS="poem"> +The gluglug glinked in the glimmering gloam,<BR> +<SPAN STYLE="margin-left: 1em">Where the buzbuz bumbled his bee—</SPAN><BR> +When the flimflam flitted, all flecked with foam,<BR> +<SPAN STYLE="margin-left: 1em">From the sozzling and succulent sea.</SPAN><BR> +"Oh, swither the swipe, with its sweltering sweep!"<BR> +<SPAN STYLE="margin-left: 1em">She swore as she swayed in a swoon,</SPAN><BR> +And a doleful dank dumped over the deep,<BR> +<SPAN STYLE="margin-left: 1em">To the lay of the limpid loon!</SPAN><BR> +</P> + +<BR> + +<P> +"This was simply horrid, as you all will allow. The queen and her +fairy followers were much relieved when the honest katydid narrated a +pleasant moral in the form of a ballad to this effect: +</P> + +<P CLASS="poem"> +CONTENTMENT<BR> +</P> + +<P CLASS="poem"> +Once on a time an old red hen<BR> +<SPAN STYLE="margin-left: 1em">Went strutting 'round with pompous clucks,</SPAN><BR> +For she had little babies ten,<BR> +<SPAN STYLE="margin-left: 1em">A part of which were tiny ducks.</SPAN><BR> +"'T is very rare that hens," said she,<BR> +<SPAN STYLE="margin-left: 1em">"Have baby ducks as well as chicks—</SPAN><BR> +But I possess, as you can see,<BR> +<SPAN STYLE="margin-left: 1em">Of chickens four and ducklings six!"</SPAN><BR> +</P> + +<P CLASS="poem"> +A season later, this old hen<BR> +<SPAN STYLE="margin-left: 1em">Appeared, still cackling of her luck,</SPAN><BR> +For, though she boasted babies ten,<BR> +<SPAN STYLE="margin-left: 1em">Not one among them was a duck!</SPAN><BR> +"'T is well," she murmured, brooding o'er<BR> +<SPAN STYLE="margin-left: 1em">The little chicks of fleecy down—</SPAN><BR> +"My babies now will stay ashore,<BR> +<SPAN STYLE="margin-left: 1em">And, consequently, cannot drown!"</SPAN><BR> +</P> + +<P CLASS="poem"> +The following spring the old red hen<BR> +<SPAN STYLE="margin-left: 1em">Clucked just as proudly as of yore—</SPAN><BR> +But lo! her babes were ducklings ten,<BR> +<SPAN STYLE="margin-left: 1em">Instead of chickens, as before!</SPAN><BR> +"'T is better," said the old red hen,<BR> +<SPAN STYLE="margin-left: 1em">As she surveyed her waddling brood;</SPAN><BR> +"A little water now and then<BR> +<SPAN STYLE="margin-left: 1em">Will surely do my darlings good!"</SPAN><BR> +</P> + +<P CLASS="poem"> +But oh! alas, how very sad!<BR> +<SPAN STYLE="margin-left: 1em">When gentle spring rolled round again</SPAN><BR> +The eggs eventuated bad,<BR> +<SPAN STYLE="margin-left: 1em">And childless was the old red hen!</SPAN><BR> +Yet patiently she bore her woe,<BR> +<SPAN STYLE="margin-left: 1em">And still she wore a cheerful air,</SPAN><BR> +And said: "'T is best these things are so,<BR> +<SPAN STYLE="margin-left: 1em">For babies are a dreadful care!"</SPAN><BR> +</P> + +<P CLASS="poem"> +I half suspect that many men,<BR> +<SPAN STYLE="margin-left: 1em">And many, many women, too,</SPAN><BR> +Could learn a lesson from the hen<BR> +<SPAN STYLE="margin-left: 1em">With foliage of vermilion hue;</SPAN><BR> +She ne'er presumed to take offence<BR> +<SPAN STYLE="margin-left: 1em">At any fate that might befall,</SPAN><BR> +But meekly bowed to Providence—<BR> +<SPAN STYLE="margin-left: 1em">She was contented—that was all!</SPAN><BR> +</P> + +<BR> + +<P> +"Then the fairies would resume their dancing. Each little gentleman +fairy would bow to his lady fairy and sing in the most musical of +voices: +</P> + +<P CLASS="poem"> +<SPAN STYLE="margin-left: 2em">Sweet little fairy,</SPAN><BR> +<SPAN STYLE="margin-left: 2em">Tender and airy,</SPAN><BR> +Come, let us dance on the good baby-eyes;<BR> +<SPAN STYLE="margin-left: 2em">Merrily skipping,</SPAN><BR> +<SPAN STYLE="margin-left: 2em">Cheerily tripping,</SPAN><BR> +Murmur we ever our soft lullabies.<BR> +</P> + +<BR> + +<P> +"And then, as the rest danced, the fairy queen sang the following +slumber-song, accompanied by the orchestra: +</P> + +<P CLASS="poem"> +A FAIRY LULLABY<BR> +</P> + +<P CLASS="poem"> +There are two stars in yonder steeps<BR> +That watch the baby while he sleeps.<BR> +<SPAN STYLE="margin-left: 1em">But while the baby is awake</SPAN><BR> +<SPAN STYLE="margin-left: 2em">And singing gayly all day long,</SPAN><BR> +<SPAN STYLE="margin-left: 1em">The little stars their slumbers take</SPAN><BR> +<SPAN STYLE="margin-left: 2em">Lulled by the music of his song.</SPAN><BR> +So sleep, dear tired baby, sleep<BR> +While little stars their vigils keep.<BR> +</P> + +<P CLASS="poem"> +Beside his loving mother-sheep<BR> +A little lambkin is asleep;<BR> +<SPAN STYLE="margin-left: 1em">What does he know of midnight gloom—-</SPAN><BR> +<SPAN STYLE="margin-left: 2em">He sleeps, and in his quiet dreams</SPAN><BR> +<SPAN STYLE="margin-left: 1em">He thinks he plucks the clover bloom</SPAN><BR> +<SPAN STYLE="margin-left: 2em">And drinks at cooling, purling streams.</SPAN><BR> +And those same stars the baby knows<BR> +Sing softly to the lamb's repose.<BR> +</P> + +<P CLASS="poem"> +Sleep, little lamb; sleep, little child—<BR> +The stars are dim—the night is wild;<BR> +<SPAN STYLE="margin-left: 1em">But o'er the cot and o'er the lea</SPAN><BR> +<SPAN STYLE="margin-left: 2em">A sleepless eye forever beams—</SPAN><BR> +<SPAN STYLE="margin-left: 1em">A shepherd watches over thee</SPAN><BR> +<SPAN STYLE="margin-left: 2em">In all thy little baby dreams;</SPAN><BR> +The shepherd loves his tiny sheep—<BR> +Sleep, precious little lambkin, sleep!<BR> +</P> + +<BR> + +<P> +"That is very pretty, indeed!" exclaimed the brass candlestick. +</P> + +<P> +"So it is," replied the little shoe, "but you should hear it sung by +the fairy queen!" +</P> + +<P> +"Did the operetta end with that lullaby?" inquired the cigar-case. +</P> + +<P> +"Oh, no," said the little shoe. "No sooner had the queen finished her +lullaby than an old gran'ma fairy, wearing a quaint mob-cap and large +spectacles, limped forward with her crutch and droned out a curious +ballad, which seemed to be for the special benefit of the boy and girl +fairies, very many of whom were of the company. This ballad was as +follows: +</P> + +<P CLASS="poem"> +BALLAD OF THE JELLY-CAKE<BR> +</P> + +<P CLASS="poem"> +A little boy whose name was Tim<BR> +<SPAN STYLE="margin-left: 1em">Once ate some jelly-cake for tea—</SPAN><BR> +Which cake did not agree with him,<BR> +<SPAN STYLE="margin-left: 1em">As by the sequel you shall see.</SPAN><BR> +"My darling child," his mother said,<BR> +<SPAN STYLE="margin-left: 1em">"Pray do not eat that jelly-cake,</SPAN><BR> +For, after you have gone to bed,<BR> +<SPAN STYLE="margin-left: 1em">I fear 't will make your stomach ache!"</SPAN><BR> +But foolish little Tim demurred<BR> +Unto his mother's warning word.<BR> +</P> + +<P CLASS="poem"> +That night, while all the household slept,<BR> +<SPAN STYLE="margin-left: 1em">Tim felt an awful pain, and then</SPAN><BR> +From out the dark a nightmare leapt<BR> +<SPAN STYLE="margin-left: 1em">And stood upon his abdomen!</SPAN><BR> +"I cannot breathe!" the infant cried—<BR> +<SPAN STYLE="margin-left: 1em">"Oh, Mrs. Nightmare, pity take!"</SPAN><BR> +"There is no mercy," she replied,<BR> +<SPAN STYLE="margin-left: 1em">"For boys who feast on jelly-cake!"</SPAN><BR> +And so, despite the moans of Tim,<BR> +The cruel nightmare went for him.<BR> +</P> + +<P CLASS="poem"> +At first, she 'd tickle Timmy's toes<BR> +<SPAN STYLE="margin-left: 1em">Or roughly smite his baby cheek—</SPAN><BR> +And now she 'd rudely tweak his nose<BR> +<SPAN STYLE="margin-left: 1em">And other petty vengeance wreak;</SPAN><BR> +And then, with hobnails in her shoes<BR> +<SPAN STYLE="margin-left: 1em">And her two horrid eyes aflame,</SPAN><BR> +The mare proceeded to amuse<BR> +<SPAN STYLE="margin-left: 1em">Herself by prancing o'er his frame—-</SPAN><BR> +First to his throbbing brow, and then<BR> +Back to his little feet again.<BR> +</P> + +<P CLASS="poem"> +At last, fantastic, wild, and weird,<BR> +<SPAN STYLE="margin-left: 1em">And clad in garments ghastly grim,</SPAN><BR> +A scowling hoodoo band appeared<BR> +<SPAN STYLE="margin-left: 1em">And joined in worrying little Tim.</SPAN><BR> +Each member of this hoodoo horde<BR> +<SPAN STYLE="margin-left: 1em">Surrounded Tim with fierce ado</SPAN><BR> +And with long, cruel gimlets bored<BR> +<SPAN STYLE="margin-left: 1em">His aching system through and through,</SPAN><BR> +And while they labored all night long<BR> +The nightmare neighed a dismal song.<BR> +</P> + +<P CLASS="poem"> +Next morning, looking pale and wild,<BR> +<SPAN STYLE="margin-left: 1em">Poor little Tim emerged from bed—</SPAN><BR> +"Good gracious! what can ail the child!"<BR> +<SPAN STYLE="margin-left: 1em">His agitated mother said.</SPAN><BR> +"We live to learn," responded he,<BR> +<SPAN STYLE="margin-left: 1em">"And I have lived to learn to take</SPAN><BR> +Plain bread and butter for my tea,<BR> +<SPAN STYLE="margin-left: 1em">And never, never, jelly-cake!</SPAN><BR> +For when my hulk with pastry teems,<BR> +I must <I>expect</I> unpleasant dreams!"<BR> +</P> + +<BR> + +<P> +"Now you can imagine this ballad impressed the child fairies very +deeply," continued the little shoe. "Whenever the gran'ma fairy sang +it, the little fairies expressed great surprise that boys and girls +ever should think of eating things which occasioned so much trouble. +So the night was spent in singing and dancing, and our master would +sleep as sweetly as you please. At last the lark—what a beautiful +bird she is—would flutter against the window panes, and give the +fairies warning in these words: +</P> + +<P CLASS="poem"> +MORNING SONG<BR> +</P> + +<P CLASS="poem"> +The eastern sky is streaked with red,<BR> +<SPAN STYLE="margin-left: 1em">The weary night is done,</SPAN><BR> +And from his distant ocean bed<BR> +<SPAN STYLE="margin-left: 1em">Rolls up the morning sun.</SPAN><BR> +The dew, like tiny silver beads<BR> +<SPAN STYLE="margin-left: 1em">Bespread o'er velvet green,</SPAN><BR> +Is scattered on the wakeful meads<BR> +<SPAN STYLE="margin-left: 1em">By angel hands unseen.</SPAN><BR> +"Good-morrow, robin in the trees!"<BR> +<SPAN STYLE="margin-left: 1em">The star-eyed daisy cries;</SPAN><BR> +"Good-morrow," sings the morning breeze<BR> +<SPAN STYLE="margin-left: 1em">Unto the ruddy skies;</SPAN><BR> +"Good-morrow, every living thing!"<BR> +<SPAN STYLE="margin-left: 1em">Kind Nature seems to say,</SPAN><BR> +And all her works devoutly sing<BR> +<SPAN STYLE="margin-left: 1em">A hymn to birth of day,</SPAN><BR> +So, haste, without delay,<BR> +<SPAN STYLE="margin-left: 1em">Haste, fairy friends, on silver wing,</SPAN><BR> +And to your homes away!<BR> +</P> + +<BR> + +<P> +"But the fairies could never leave little master so unceremoniously. +Before betaking themselves to their pretty homes under the rocks near +the brook, they would address a parting song to his eyes, and this song +they called a matin invocation: +</P> + +<P CLASS="poem"> +TO A SLEEPING BABY'S EYES<BR> +</P> + +<P CLASS="poem"> +And thou, twin orbs of love and joy!<BR> +<SPAN STYLE="margin-left: 2em">Unveil thy glories with the morn—</SPAN><BR> +<SPAN STYLE="margin-left: 2em">Dear eyes, another day is born—</SPAN><BR> +Awake, O little sleeping boy!<BR> +Bright are the summer morning skies,<BR> +<SPAN STYLE="margin-left: 2em">But in this quiet little room</SPAN><BR> +<SPAN STYLE="margin-left: 2em">There broods a chill, oppressive gloom—</SPAN><BR> +All for the brightness of thine eyes.<BR> +Without those radiant orbs of thine<BR> +<SPAN STYLE="margin-left: 2em">How dark this little world would be—</SPAN><BR> +<SPAN STYLE="margin-left: 2em">This sweet home-world that worships thee—</SPAN><BR> +So let their wondrous glories shine<BR> +On those who love their warmth and joy—<BR> +Awake, O sleeping little boy.<BR> +</P> + +<BR> + +<P> +"So that ended the fairy operetta, did it?" inquired the match-box. +</P> + +<P> +"Yes," said the little shoe, with a sigh of regret. "The fairies were +such bewitching creatures, and they sang so sweetly, I could have +wished they would never stop their antics and singing. But, alas! I +fear I shall never see them again." +</P> + +<P> +"What makes you think so?" asked the brass candlestick. +</P> + +<P> +"I 'm sure I can't tell," replied the little shoe; "only everything is +so strange-like and so changed from what it used to be that I hardly +know whether indeed I am still the same little shoe I used to be." +</P> + +<P> +"Why, what can you mean?" queried the old clock, with a puzzled look on +her face. +</P> + +<P> +"I will try to tell you," said the little shoe. "You see, my mate and +our master and I were great friends; as I have said, we roamed and +frolicked around together all day, and at night my little mate and I +watched at master's bedside while he slept. One day we three took a +long ramble, away up the street and beyond where the houses were built, +until we came into a beautiful green field, where the grass was very +tall and green, and where there were pretty flowers of every kind. Our +little master talked to the flowers and they answered him, and we all +had a merry time in the meadow that afternoon, I can tell you. 'Don't +go away, little child,' cried the daisies, 'but stay and be our +playfellow always.' A butterfly came and perched on our master's hand, +and looked up and smiled, and said: 'I 'm not afraid of <I>you</I>; you +would n't hurt me, would you?' A little mouse told us there was a +thrush's nest in the bush yonder, and we hurried to see it. The lady +thrush was singing her four babies to sleep. They were strange-looking +babies, with their gaping mouths, bulbing eyes, and scant feathers! +'Do not wake them up,' protested the lady thrush. 'Go a little further +on and you will come to the brook. I will join you presently.' So we +went to the brook." +</P> + +<P> +"Oh, but I would have been afraid," suggested the pen-wiper. +</P> + +<P> +"Afraid of the brook!" cried the little shoe. "Oh, no; what could be +prettier than the brook! We heard it singing in the distance. We +called to it and it bade us welcome. How it smiled in the sunshine! +How restless and furtive and nimble it was, yet full of merry prattling +and noisy song. Our master was overjoyed. He had never seen the brook +before; nor had we, for that matter. 'Let me cool your little feet,' +said the brook, and, without replying, our master waded knee-deep into +the brook. In an instant we were wet through—my mate and I; but how +deliciously cool it was here in the brook, and how smooth and bright +the pebbles were! One of the pebbles told me it had come many, many +miles that day from its home in the hills where the brook was born." +</P> + +<P> +"Pooh, I don't believe it," sneered the vase. +</P> + +<P> +"Presently our master toddled back from out the brook," continued the +little shoe, heedless of the vase's interruption, "and sat among the +cowslips and buttercups on the bank. The brook sang on as merrily as +before. 'Would you like to go sailing?' asked our master of my mate. +'Indeed I would,' replied my mate, and so our master pulled my mate +from his little foot and set it afloat upon the dancing waves of the +brook. My mate was not the least alarmed. It spun around gayly +several times at first and then glided rapidly away. The butterfly +hastened and alighted upon the merry little craft. 'Where are you +going?' I cried. 'I am going down to the sea,' replied my little mate, +with laughter. 'And I am going to marry the rose in the far-away +south,' cried the butterfly. 'But will you not come back?' I cried. +They answered me, but they were so far away I could not hear them. It +was very distressing, and I grieved exceedingly. Then, all at once, I +discovered my little master was asleep, fast asleep among the cowslips +and buttercups. I did not try to wake him—only I felt very miserable, +for I was so cold and wet. Presently the lady thrush came, as she had +said she would. The child is asleep—he will be ill—I must hasten to +tell his mother,' she cried, and away she flew." +</P> + +<P> +"And was he sick?" asked the vase. +</P> + +<P> +"I do not know," said the little shoe. "I can remember it was late +that evening when the sweet lady and others came and took us up and +carried us back home, to this very room. Then I was pulled off very +unceremoniously and thrown under my little master's bed, and I never +saw my little master after that. +</P> + +<P> +"How very strange!" exclaimed the match-safe. +</P> + +<P> +"Very, very strange," repeated the shoe. "For many days and nights I +lay under the crib all alone. I could hear my little master sighing +and talking as if in a dream. Sometimes he spoke of me, and of the +brook, and of my little mate dancing to the sea, and one night he +breathed very loud and quick and he cried out and seemed to struggle, +and then, all at once, he stopped, and I could hear the sweet lady +weeping. But I remember all this very faintly. I was hoping the +fairies would come back, but they never came. +</P> + +<P> +"I remember," resumed the little shoe, after a solemn pause, "I +remember how, after a long, long time, the sweet lady came and drew me +from under the crib and held me in her lap and kissed me and wept over +me. Then she put me in a dark, lonesome drawer, where there were +dresses and stockings and the little hat my master used to wear. There +I lived, oh! such a weary time, and we talked—the dresses, the +stockings, the hat, and I did—about our little master, and we wondered +that he never came. And every little while the sweet lady would take +us from the drawer and caress us, and we saw that she was pale and that +her eyes were red with weeping." +</P> + +<P> +"But has your little master never come back!" asked the old clock. +</P> + +<P> +"Not yet," said the little shoe, "and that is why I am so very +lonesome. Sometimes I think he has gone down to the sea in search of +my little mate and that the two will come back together. But I do not +understand it. The sweet lady took me from the drawer to-day and +kissed me and set me here on the mantelpiece." +</P> + +<P> +"You don't mean to say she kissed you?" cried the haughty vase, "you +horrid little stumped-out shoe!" +</P> + +<P> +"Indeed she did," insisted the lonesome little shoe, "and I know she +loves me. But why she loves me and kisses me and weeps over me I do +not know. It is all very strange. I do not understand it at all." +</P> + +<BR><BR><BR><BR> +<hr class="full" noshade> + +<p>***END OF THE PROJECT GUTENBERG EBOOK THE HOLY CROSS AND OTHER TALES***</p> +<p>******* This file should be named 21807-h.txt or 21807-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/2/1/8/0/21807">http://www.gutenberg.org/2/1/8/0/21807</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://www.gutenberg.org/fundraising/pglaf + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="http://www.gutenberg.org">http://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +http://www.gutenberg.org/dirs/1/0/2/3/10234 + +or filename 24689 would be found at: +http://www.gutenberg.org/dirs/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/21807-h/images/img-front.jpg b/21807-h/images/img-front.jpg Binary files differnew file mode 100644 index 0000000..cb9b630 --- /dev/null +++ b/21807-h/images/img-front.jpg diff --git a/21807.txt b/21807.txt new file mode 100644 index 0000000..d1e013f --- /dev/null +++ b/21807.txt @@ -0,0 +1,5582 @@ +The Project Gutenberg eBook, The Holy Cross and Other Tales, by Eugene +Field, Illustrated by S. W. Van Schaik + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: The Holy Cross and Other Tales + + +Author: Eugene Field + + + +Release Date: June 11, 2007 [eBook #21807] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK THE HOLY CROSS AND OTHER TALES*** + + +E-text prepared by Al Haines + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustration. + See 21807-h.htm or 21807-h.zip: + (https://www.gutenberg.org/dirs/2/1/8/0/21807/21807-h/21807-h.htm) + or + (https://www.gutenberg.org/dirs/2/1/8/0/21807/21807-h.zip) + + + + + +The Works of Eugene Field + +Vol. V + +The Writings in Prose and Verse of Eugene Field + +THE HOLY CROSS AND OTHER TALES + + + + + + + + +[Frontispiece: "Presently the whole company was moved by a gentle +pity." Drawn by S. W. Van Schaik.] + + + + +Charles Scribner's Sons +New York +1911 + +Copyright, 1893, by +Eugene Field. + +Copyright, 1896, by +Julia Sutherland Field. + + + + +DEDICATED WITH LOVE + +AND GRATITUDE TO + +ROSWELL MARTIN FIELD + + + + +NOTE. + +To this volume as it was originally issued have been added five Tales, +beginning with "The Platonic Bassoon," which are characteristic of the +various moods, serious, gay, or pathetic, out of which grew the best +work of the author's later years. + + + + +INTRODUCTION + +ALAS, POOR YORICK! + +In paying a tribute to the mingled mirth and tenderness of Eugene +Field--the poet of whose going the West may say, "He took our daylight +with him"--one of his fellow journalists has written that he was a +jester, but not of the kind that Shakespeare drew in Yorick. He was +not only,--so the writer implied,--the maker of jibes and fantastic +devices, but the bard of friendship and affection, of melodious lyrical +conceits; he was the laureate of children--dear for his "Wynken, +Blynken and Nod" and "Little Boy Blue"; the scholarly book-lover, +withal, who relished and paraphrased his Horace, who wrote with delight +a quaint archaic English of his special devising; who collected rare +books, and brought out his own "Little Books" of "Western Verse" and +"Profitable Tales" in high-priced limited editions, with broad margins +of paper that moths and rust do not corrupt, but which tempts +bibliomaniacs to break through and steal. + +For my own part, I would select Yorick as the very forecast, in +imaginative literature, of our various Eugene. Surely Shakespeare +conceived the "mad rogue" of Elsinore as made up of grave and gay, of +wit and gentleness, and not as a mere clown or "jig maker." It is true +that when Field put on his cap and bells, he too was "wont to set the +table on a roar," as the feasters at a hundred tables, from "Casey's +Table d'Hote" to the banquets of the opulent East, now rise to testify. +But Shakespeare plainly reveals, concerning Yorick, that mirth was not +his sole attribute,--that his motley covered the sweetest nature and +the tenderest heart. It could be no otherwise with one who loved and +comprehended childhood and whom the children loved. And what does +Hamlet say?--"He hath borne me upon his back a thousand times . . . +Here hung those lips that I have kissed I know not how oft!" Of what +is he thinking but of his boyhood, before doubts and contemplation +wrapped him in the shadow, and when in his young grief or frolic the +gentle Yorick, with his jest, his "excellent fancy," and his songs and +gambols, was his comrade? + +Of all moderns, then, here or in the old world, Eugene Field seems to +be most like the survival, or revival, of the ideal jester of knightly +times; as if Yorick himself were incarnated, or as if a superior bearer +of the bauble at the court of Italy, or of France, or of English King +Hal, had come to life again--as much out of time as Twain's Yankee at +the Court of Arthur; but not out of place,--for he fitted himself as +aptly to his folk and region as Puck to the fays and mortals of a wood +near Athens. In the days of divine sovereignty, the jester, we see, +was by all odds the wise man of the palace; the real fools were those +he made his butt--the foppish pages, the obsequious courtiers, the +swaggering guardsmen, the insolent nobles, and not seldom majesty +itself. And thus it is that painters and romancers have loved to draw +him. Who would not rather be Yorick than Osric, or Touchstone than Le +Beau, or even poor Bertuccio than one of his brutal mockers? Was not +the redoubtable Chicot, with his sword and brains, the true ruler of +France? To come to the jesters of history--which is so much less real +than fiction--what laurels are greener than those of Triboulet, and +Will Somers, and John Heywood--dramatist and master of the king's merry +Interludes? Their shafts were feathered with mirth and song, but +pointed with wisdom, and well might old John Trussell say "That it +often happens that wise counsel is more sweetly followed when it is +tempered with folly, and earnest is the less offensive if it be +delivered in jest." + +Yes, Field "caught on" to his time--a complex American, with the +obstreperous _bizarrerie_ of the frontier and the artistic delicacy of +our oldest culture always at odds within him--but he was, above all, a +child of nature, a frolic incarnate, and just as he would have been in +any time or country. Fortune had given him that unforgettable mummer's +face,--that clean-cut, mobile visage,--that animated natural mask! No +one else had so deep and rich a voice for the rendering of the music +and pathos of a poet's lines, and no actor ever managed both face and +voice better than he in delivering his own verses merry or sad. One +night, he was seen among the audience at "Uncut Leaves," and was +instantly requested to do something towards the evening's +entertainment. As he was not in evening dress, he refused to take the +platform, but stood up in the lank length of an ulster, from his corner +seat, and recited "Dibdin's Ghost" and "Two Opinions" in a manner which +blighted the chances of the readers that came after him. It is true +that no clown ever equalled the number and lawlessness of his practical +jokes. Above all, every friend that he had--except the Dean of his +profession, for whom he did exhibit unbounded and filial reverence--was +soon or late a victim of his whimsicality, or else justly distrusted +the measure of Field's regard for him. Nor was the friendship +perfected until one bestirred himself to pay Eugene back in kind. As +to this, I am only one of scores now speaking from personal experience. +There seemed to be no doubt in his mind that the victim of his fun, +even when it outraged common sensibilities, _must_ enjoy it as much as +he. Who but Eugene, after being the welcome guest, at a European +capital, of one of our most ambitious and refined ambassadors, would +have written a lyric, sounding the praises of a German "onion pie," +ending each stanza with + + Ach, Liebe! Ach, mein Gott! + +and would have printed it in America, with his host's initials affixed? + +My own matriculation at Eugene's College of Unreason was in this wise. +In 1887, Mr. Ben Ticknor, the Boston publisher, was complaining that he +needed some new and promising authors to enlarge his book-list. The +New York "Sun" and "Tribune" had been copying Field's rhymes and prose +extravaganzas--the former often very charming, the latter the broadest +satire of Chicago life and people. I suggested to Mr. Ticknor that he +should ask the poet-humorist to collect, for publication in book-form, +the choicest of his writings thus far. To make the story brief, Mr. +Field did so, and the outcome--at which I was somewhat taken aback--was +the remarkable book, "Culture's Garland," with its title imitated from +the sentimental "Annuals" of long ago, and its cover ornamented with +sausages linked together as a coronal wreath! The symbol certainly +fitted the greater part of the contents, which ludicrously scored the +Chicago "culture" of that time, and made Pullman, Armour, and other +commercial magnates of the Lakeside City special types in illustration. +All this had its use, and many of the sufferers long since became the +_farceur's_ devoted friends. The Fair showed the country what Chicago +really was and is. Certainly there is no other American city where the +richest class appear so enthusiastic with respect to art and +literature. "The practice of virtue makes men virtuous," and even if +there was some pretence and affectation in the culture of ten years +ago, it has resulted in as high standards of taste as can elsewhere be +found. Moreover, if our own "four hundred" had even affected, or made +it the fashion to be interested in, whatever makes for real culture, +the intellectual life of this metropolis would not now be so far apart +from the "social swim." There were scattered through "Culture's +Garland" not a few of Field's delicate bits of verse. In some way he +found that I had instigated Mr. Ticknor's request, and, although I was +thinking solely of the publisher's interests, he expressed unstinted +gratitude. Soon afterwards I was delighted to receive from him a +quarto parchment "breviary," containing a dozen ballads, long and +short, engrossed in his exquisitely fine handwriting, and illuminated +with colored borders and drawings by the poet himself. It must have +required days for the mechanical execution, and certainly I would not +now exchange it for its weight in diamonds. This was the way our +friendship began. It was soon strengthened by meetings and +correspondence, and never afterwards broken. + +Some years ago, however, I visited Chicago, to lecture, at the +invitation of its famous social and literary "Twentieth Century Club." +This was Eugene's opportunity, and I ought not to have been as +dumfounded as I was, one day, when our evening papers copied from the +"Chicago Record" a "very pleasant joke" at the expense of his town and +myself! It was headed: "Chicago Excited! Tremendous Preparations for +His Reception," and went on to give the order and route of a procession +that was to be formed at the Chicago station and escort me to my +quarters--stopping at Armour's packing-yards and the art-galleries on +the way. It included the "Twentieth Century Club" in carriages, the +"Browning Club" in busses, and the "Homer Club" in drays; ten +millionnaire publishers, and as many pork-packers, in a chariot drawn +by white horses, followed by not less than two hundred Chicago poets +afoot! I have no doubt that Eugene thought I would enjoy this kind of +advertisement as heartily as he did. If so, he lacked the gift of +putting himself in the other man's place. But his sardonic face, +a-grin like a school-boy's, was one with two others which shone upon me +when I did reach Chicago, and my pride was not wounded sufficiently to +prevent me from enjoying the restaurant luncheon to which he bore me +off in triumph. I did promise to square accounts with him, in time, +and this is how I fulfilled my word. The next year, at a meeting of a +suburban "Society of Authors," a certain lady-journalist was chaffed as +to her acquaintanceship with Field, and accused of addressing him as +"Gene." At this she took umbrage, saying: "It's true we worked +together on the same paper for five years, but he was always a perfect +gentleman. I _never_ called him 'Gene.'" This was reported by the +press, and gave me the refrain for a skit entitled "Katharine and +Eugenio:" + + Five years she sate a-near him + Within that type-strewn loft; + She handed him the paste-pot, + He passed the scissors oft; + They dipped in the same inkstand + That crowned their desk between, + Yet--he never called her Katie, + She never called him "Gene." + + Though close--ah! close--the droplight + That classic head revealed, + She was to him Miss Katharine, + He--naught but Mister Field; + Decorum graced his upright brow + And thinned his lips serene, + And, though he wrote a poem each hour, + Why should she call him "Gene?" + + She gazed at his sporadic hair-- + She knew his hymns by rote; + They longed to dine together + At Casey's table d'hote; + Alas, that Fortune's "hostages"-- + But let us draw a screen! + He dared not call her Katie; + How _could_ she call him "Gene?" + +I signed my verses "By one of Gene's Victims"; they appeared in _The +Tribune_, and soon were copied by papers in every part of the country. +Other stanzas, with the same refrain, were added by the funny men of +the southern and western press, and it was months before 'Gene' saw the +last of them. The word "Eugenio," which was the name by which I always +addressed him in our correspondence, left him in no doubt as to the +initiator of the series, and so our "Merry War" ended, I think, with a +fair quittance to either side. + +Grieving, with so many others, over Yorick's premature death, it is a +solace for me to remember how pleasant was our last interchange of +written words. Not long ago, he was laid very low by pneumonia, but +recovered, and before leaving his sickroom wrote me a sweetly serious +letter--with here and there a sparkle in it--but in a tone sobered by +illness, and full of yearning for a closer companionship with his +friends. At the same time he sent me the first editions, long ago +picked up, of all my earlier books, and begged me to write on their +fly-leaves. This I did; with pains to gratify him as much as possible, +and in one of the volumes wrote this little quatrain: + + TO EUGENE FIELD + + Death thought to claim you in this year of years, + But Fancy cried--and raised her shield between-- + "Still let men weep, and smile amid their tears; + Take any two beside, but spare Eugene!" + +In view of his near escape, the hyperbole, if such there was, might +well be pardoned, and it touched Eugene so manifestly that--now that +the eddy indeed has swept him away, and the Sabine Farm mourns for its +new-world Horace--I cannot be too thankful that such was my last +message to him. + +Eugene Field was so mixed a compound that it will always be impossible +quite to decide whether he was wont to judge critically of either his +own conduct or his literary creations. As to the latter, he put the +worst and the best side by side, and apparently cared alike for both. +That he did much beneath his standard, fine and true at times,--is +unquestionable, and many a set of verses went the rounds that harmed +his reputation. On the whole, I think this was due to the fact that he +got his stated income as a newspaper poet and jester, and had to +furnish his score of "Sharps and Flats" with more or less regularity. +For all this, he certainly has left pieces, compact of the rarer +elements, sufficient in number to preserve for him a unique place among +America's most original characters, scholarly wits, and poets of +brightest fancy. Yorick is no more! But his genius will need no +chance upturning of his grave-turf for its remembrance. When all is +sifted, its fame is more likely to strengthen than to decline. + +EDMUND CLARENCE STEDMAN. + + +[Originally contributed to the "Souvenir Book" of the N.Y. Hebrew Fair, +December, 1895.] + + + + +Contents + + +THE HOLY CROSS + +THE ROSE AND THE THRUSH + +THE PAGAN SEAL-WIFE + +FLAIL, TRASK, AND BISLAND + +THE TOUCH IN THE HEART + +DANIEL AND THE DEVIL + +METHUSELAH + +FELICE AND PETIT-POULAIN + +THE RIVER + +FRANZ ABT + +MISTRESS MERCILESS + +THE PLATONIC BASSOON + +HAWAIIAN FOLK TALES + +LUTE BAKER AND HIS WIFE EM + +JOEL'S TALK WITH SANTA CLAUS + +THE LONESOME LITTLE SHOE + + + + +THE HOLY CROSS + + +Whilst the noble Don Esclevador and his little band of venturesome +followers explored the neighboring fastnesses in quest for gold, the +Father Miguel tarried at the shrine which in sweet piety they had hewn +out of the stubborn rock in that strangely desolate spot. Here, upon +that serene August morning, the holy Father held communion with the +saints, beseeching them, in all humility, to intercede with our beloved +Mother for the safe guidance of the fugitive Cortes to his native +shores, and for the divine protection of the little host, which, +separated from the Spanish army, had wandered leagues to the northward, +and had sought refuge in the noble mountains of an unknown land. The +Father's devotions were, upon a sudden, interrupted by the approach of +an aged man who toiled along the mountain-side path,--a man so aged and +so bowed and so feeble that he seemed to have been brought down into +that place, by means of some necromantic art, out of distant centuries. +His face was yellow and wrinkled like ancient parchment, and a beard +whiter than Samite streamed upon his breast, whilst about his withered +body and shrunken legs hung faded raiment which the elements had +corroded and the thorns had grievously rent. And as he toiled along, +the aged man continually groaned, and continually wrung his palsied +hands, as if a sorrow, no lighter than his years, afflicted him. + +"In whose name comest thou?" demanded the Father Miguel, advancing a +space toward the stranger, but not in threatening wise; whereat the +aged man stopped in his course and lifted his eyebrows, and regarded +the Father a goodly time, but he spake no word. + +"In whose name comest thou?" repeated the priestly man. "Upon these +mountains have we lifted up the cross of our blessed Lord in the name +of our sovereign liege, and here have we set down a tabernacle to the +glory of the Virgin and of her ever-blessed son, our Redeemer and +thine,--whoso thou mayest be!" + +"Who is thy king I know not," quoth the aged man, feebly; "but the +shrine in yonder wall of rock I know; and by that symbol which I see +therein, and by thy faith for which it stands, I conjure thee, as thou +lovest both, give me somewhat to eat and to drink, that betimes I may +go upon my way again, for the journey before me is a long one." + +These words spake the old man in tones of such exceeding sadness that +the Father Miguel, touched by compassion, hastened to meet the +wayfarer, and, with his arms about him, and with whisperings of sweet +comfort, to conduct him to a resting-place. Coarse food in goodly +plenty was at hand; and it happily fortuned, too, that there was a +homely wine, made by Pietro del y Saguache himself, of the wild grapes +in which a neighboring valley abounded. Of these things anon the old +man partook, greedily but silently, and all that while he rolled his +eyes upon the shrine; and then at last, struggling to his feet, he made +as if to go upon his way. + +"Nay," interposed the Father Miguel, kindly; "abide with us a season. +Thou art an old man and sorely spent. Such as we have thou shalt have, +and if thy soul be distressed, we shall pour upon it the healing balm +of our blessed faith." + +"Little knowest thou whereof thou speakest," quoth the old man, sadly. +"There is no balm can avail me. I prithee let me go hence, ere, +knowing what manner of man I am, thou hatest me and doest evil unto +me." But as he said these words he fell back again even then into the +seat where he had sat, and, as through fatigue, his hoary head dropped +upon his bosom. + +"Thou art ill!" cried the Father Miguel, hastening to his side. "Thou +shalt go no farther this day! Give me thy staff,"--and he plucked it +from him. + +Then said the old man: "As I am now, so have I been these many hundred +years. Thou hast heard tell of me,--canst thou not guess my name; +canst thou not read my sorrow in my face and in my bosom? As thou art +good and holy through thy faith in that symbol in yonder shrine, +hearken to me, for I will tell thee of the wretch whom thou hast +succored. Then, if it be thy will, give me thy curse and send me on my +way." + +Much marvelled the Father Miguel at these words, and he deemed the old +man to be mad; but he made no answer. And presently the old man, +bowing his head upon his hands, had to say in this wise:-- + +"Upon a time," he quoth, "I abided in the city of the Great +King,--there was I born and there I abided. I was of good stature, and +I asked favor of none. I was an artisan, and many came to my shop, and +my cunning was sought of many,--for I was exceeding crafty in my trade; +and so, therefore, speedily my pride begot an insolence that had +respect to none at all. And once I heard a tumult in the street, as of +the cries of men and boys commingled, and the clashing of arms and +staves. Seeking to know the cause thereof, I saw that one was being +driven to execution,--one that had said he was the Son of God and the +King of the Jews, for which blasphemy and crime against our people he +was to die upon the cross. Overcome by the weight of this cross, which +he bore upon his shoulders, the victim tottered in the street and +swayed this way and that, as though each moment he were like to fall, +and he groaned in sore agony. Meanwhile about him pressed a multitude +that with vast clamor railed at him and scoffed him and smote him, to +whom he paid no heed; but in his agony his eyes were alway uplifted to +heaven, and his lips moved in prayer for them that so shamefully +entreated him. And as he went his way to Calvary, it fortuned that he +fell and lay beneath the cross right at my very door, whereupon, +turning his eyes upon me as I stood over against him, he begged me that +for a little moment I should bear up the weight of the cross whilst +that he wiped the sweat from off his brow. But I was filled with +hatred, and I spurned him with my foot, and I said to him: 'Move on, +thou wretched criminal, move on. Pollute not my doorway with thy +touch,--move on to death, I command thee!' This was the answer I gave +to him, but no succor at all. Then he spake to me once again, and he +said: 'Thou, too, shalt move on, O Jew! Thou shalt move on forever, +but not to death!' And with these words he bore up the cross again and +went upon his way to Calvary. + +"Then of a sudden," quoth the old man, "a horror filled my breast, and +a resistless terror possessed me. So was I accursed forevermore. A +voice kept saying always to me: 'Move on, O Jew! move on forever!' +From home, from kin, from country, from all I knew and loved I fled; +nowhere could I tarry,--the nameless horror burned in my bosom, and I +heard continually a voice crying unto me: 'Move on, O Jew! move on +forever!' So, with the years, the centuries, the ages, I have fled +before that cry and in that nameless horror; empires have risen and +crumbled, races have been born and are extinct, mountains have been +cast up and time hath levelled them,--still I do live and still I +wander hither and thither upon the face of the earth, and am an +accursed thing. The gift of tongues is mine,--all men I know, yet +mankind knows me not. Death meets me face to face, and passes me by; +the sea devours all other prey, but will not hide me in its depths; +wild beasts flee from me, and pestilences turn their consuming breaths +elsewhere. On and on and on I go,--not to a home, nor to my people, +nor to my grave, but evermore into the tortures of an eternity of +sorrow. And evermore I feel the nameless horror burn within, whilst +evermore I see the pleading eyes of him that bore the cross, and +evermore I hear his voice crying: 'Move on, O Jew! move on +forevermore!'" + +"Thou art the Wandering Jew!" cried the Father Miguel. + +"I am he," saith the aged man. "I marvel not that thou dost revolt +against me, for thou standest in the shadow of that same cross which I +have spurned, and thou art illumined with the love of him that went his +way to Calvary. But I beseech thee bear with me until I have told thee +all,--then drive me hence if thou art so minded." + +"Speak on," quoth the Father Miguel. + +Then said the Jew: "How came I here I scarcely know; the seasons are +one to me, and one day but as another; for the span of my life, O +priestly man! is eternity. This much know you: from a far country I +embarked upon a ship,--I knew not whence 't was bound, nor cared I. I +obeyed the voice that bade me go. Anon a mighty tempest fell upon the +ship and overwhelmed it. The cruel sea brought peace to all but me; a +many days it tossed and buffeted me, then with a cry of exultation cast +me at last upon a shore I had not seen before, a coast far, far +westward whereon abides no human thing. But in that solitude still +heard I from within the awful mandate that sent me journeying onward, +'Move on, O Jew! move on;' and into vast forests I plunged, and mighty +plains I traversed; onward, onward, onward I went, with the nameless +horror in my bosom, and--that cry, that awful cry! The rains beat upon +me; the sun wrought pitilessly with me; the thickets tore my flesh; and +the inhospitable shores bruised my weary feet,--yet onward I went, +plucking what food I might from thorny bushes to stay my hunger, and +allaying my feverish thirst at pools where reptiles crawled. Sometimes +a monster beast stood in my pathway and threatened to devour me; then +would I spread my two arms thus, and welcome death, crying: 'Rend thou +this Jew in twain, O beast! strike thy kindly fangs deep into this +heart,--be not afeard, for I shall make no battle with thee, nor any +outcry whatsoever!' But, lo, the beast would cower before me and skulk +away. So there is no death for me; the judgment spoken is irrevocable; +my sin is unpardonable, and the voice will not be hushed!" + +Thus and so much spake the Jew, bowing his hoary head upon his hands. +Then was the Father Miguel vastly troubled; yet he recoiled not from +the Jew,--nay, he took the old man by the hand and sought to soothe him. + +"Thy sin was most heinous, O Jew!" quoth the Father; "but it falleth in +our blessed faith to know that whoso repenteth of his sin, what it +soever may be, the same shall surely be forgiven. Thy punishment hath +already been severe, and God is merciful, for even as we are all his +children, even so his tenderness to us is like unto the tenderness of a +father unto his child--yea, and infinitely tenderer and sweeter, for +who can estimate the love of our heavenly Father? Thou didst deny thy +succor to the Nazarene when he besought it, yet so great compassion +hath he that if thou but callest upon him he will forget thy +wrong,--leastwise will pardon it. Therefore be thou persuaded by me, +and tarry here this night, that in the presence of yonder symbol and +the holy relics our prayers may go up with thine unto our blessed +Mother and to the saints who haply shall intercede for thee in +Paradise. Rest here, O sufferer,--rest thou here, and we shall +presently give thee great comfort." The Jew, well-nigh fainting with +fatigue, being persuaded by the holy Father's gentle words, gave +finally his consent unto this thing, and went anon unto the cave beyond +the shrine, and entered thereinto, and lay upon a bed of skins and +furs, and made as if to sleep. And when he slept his sleep was +seemingly disturbed by visions, and he tossed as doth an one that sees +full evil things, and in that sleep he muttered somewhat of a voice he +seemed to hear, though round about there was no sound whatsoever, save +only the soft music of the pine-trees on the mountain-side. Meanwhile +in the shrine, hewn out of those rocks, did the Father Miguel bow +before the sacred symbol of his faith and plead for mercy for that same +Jew that slumbered anear. And when, as the deepening blue mantle of +night fell upon the hilltops and obscured the valleys round about, Don +Esclevador and his sturdy men came clamoring along the mountain-side, +the holy Father met them a way off and bade them have regard to the +aged man that slept in yonder cave. But when he told them of that Jew +and of his misery and of the secret causes thereof, out spake the noble +Don Esclevador, full hotly,-- + +"By our sweet Christ," he cried, "shall we not offend our blessed faith +and do most impiously in the Virgin's sight if we give this harbor and +this succor unto so vile a sinner as this Jew that hath denied our dear +Lord!" + +Which words had like to wrought great evil with the Jew, for instantly +the other men sprang forward as if to awaken the Jew and drive him +forth into the night. But the Father Miguel stretched forth his hands +and commanded them to do no evil unto the Jew, and so persuasively did +he set forth the godliness and the sweetness of compassion that +presently the whole company was moved with a gentle pity toward that +Jew. Therefore it befell anon, when night came down from the skies and +after they had feasted upon their homely food as was their wont, that +they talked of the Jew, and thinking of their own hardships and +misfortunes (whereof it is not now to speak), they had all the more +compassion to that Jew, which spake them passing fair, I ween. + +Now all this while lay the Jew upon the bed of skins and furs within +the cave, and though he slept (for he was exceeding weary), he tossed +continually from side to side, and spoke things in his sleep, as if his +heart were sorely troubled, and as if in his dreams he beheld grievous +things. And seeing the old man, and hearing his broken speech, the +others moved softly hither and thither and made no noise soever lest +they should awaken him. And many an one--yes, all that valiant company +bowed down that night before the symbol in the shrine, and with sweet +reverence called upon our blessed Virgin to plead in the cause of that +wretched Jew. Then sleep came to all, and in dreams the noble Don +Esclevador saw his sovereign liege, and kneeled before his throne, and +heard his sovereign liege's gracious voice; in dreams the heartweary +soldier sailed the blue waters of the Spanish main, and pressed his +native shore, and beheld once again the lovelight in the dark eyes of +her that awaited him; in dreams the mountain-pines were kissed of the +singing winds, and murmured drowsily and tossed their arms as do little +children that dream of their play; in dreams the Jew swayed hither and +thither, scourged by that nameless horror in his bosom, and seeing the +pleading eyes of our dying Master, and hearing that awful mandate: +"Move on, O Jew! move on forever!" So each slept and dreamed his +dreams,--all slept but the Father Miguel, who alone throughout the +night kneeled in the shrine and called unto the saints and unto our +Mother Mary in prayer. And his supplication was for that Jew; and the +mists fell upon that place and compassed it about, and it was as if the +heavens had reached down their lips to kiss the holy shrine. And +suddenly there came unto the Jew a quiet as of death, so that he tossed +no more in his sleep and spake no word, but lay exceeding still, +smiling in his sleep as one who sees his home in dreams, or his mother, +or some other such beloved thing. + +It came to pass that early in the morning the Jew came from the cavern +to go upon his way, and the Father Miguel besought him to take with him +a goodly loaf in his wallet as wise provision against hunger. But the +Jew denied this, and then he said: "Last night while I slept methought +I stood once more in the city of the Great King,--ay, in that very +doorway where I stood, swart and lusty, when I spurned him that went +his way to Calvary. In my bosom burned the terror as of old, and my +soul was consumed of a mighty anguish. None of those that passed in +that street knew me; centuries had ground to dust all my kin. 'O God!' +I cried in agony, 'suffer my sin to be forgotten,--suffer me to sleep, +to sleep forever beneath the burden of the cross I sometime spurned!' +As I spake these words there stood before me one in shining raiment, +and lo! 't was he who bore the cross to Calvary! His eyes that had +pleaded to me on a time now fell compassionately upon me, and the voice +that had commanded me move on forever, now broke full sweetly on my +ears: 'Thou shalt go on no more, O Jew, but as thou hast asked, so +shall it be, and thou shalt sleep forever beneath the cross.' Then +fell I into a deep slumber, and, therefrom but just now awaking, I feel +within me what peace bespeaketh pardon for my sin. This day am I +ransomed; so suffer me to go my way, O holy man." + +So went the Jew upon his way, not groaningly and in toilsome wise, as +was his wont, but eagerly, as goeth one to meet his bride, or unto some +sweet reward. And the Father Miguel stood long, looking after him and +being sorely troubled in mind; for he knew not what interpretation he +should make of all these things. And anon the Jew was lost to sight in +the forest. + +But once, a little space thereafter, while that Jose Conejos, the +Castilian, clambered up the yonder mountain-side, he saw amid the +grasses there the dead and withered body of an aged man, and thereupon +forthwith made he such clamor that Don Esclevador hastened thither and +saw it was the Jew; and since there was no sign that wild beasts had +wrought evil with him, it was declared that the Jew had died of age and +fatigue and sorrow, albeit on the wrinkled face there was a smile of +peace that none had seen thereon while yet the Jew lived. And it was +accounted to be a most wondrous thing that, whereas never before had +flowers of that kind been seen in those mountains, there now bloomed +all round about flowers of the dye of blood, which thing the noble Don +Esclevador took full wisely to be a symbol of our dear Lord's most +precious blood, whereby not only you and I but even the Jew shall be +redeemed to Paradise. + +Within the spot where they had found the Jew they buried him, and there +he sleeps unto this very day. Above the grave the Father Miguel said a +prayer; and the ground of that mountain they adjudged to be holy +ground; but over the grave wherein lay the Jew they set up neither +cross nor symbol of any kind, fearing to offend their holy faith. + +But that very night, when that they were returned unto their camp half +a league distant, there arose a mighty tempest, and there was such an +upheaval and rending of the earth as only God's hand could make; and +there was a crashing and a groaning as if the world were smitten in +twain, and the winds fled through the valleys in dismay, and the trees +of the forest shrieked in terror and fell upon their faces. Then in +the morning when the tempest ceased and all the sky was calm and +radiant they saw that an impassable chasm lay between them and that +mountain-side wherein the Jew slept the sleep of death; that God had +traced with his finger a mighty gulf about that holy ground which held +the bones of the transgressor. Between heaven and earth hung that +lonely grave, nor could any foot scale the precipice that guarded it; +but one might see that the spot was beautiful with kindly mountain +verdure and that flowers of blood-red dye bloomed in that lonely place. + +This was the happening in a summer-time a many years ago; to the mellow +grace of that summer succeeded the purple glory of the autumn, and then +came on apace the hoary dignity of winter. But the earth hath its +resurrection too, and anon came the beauteous spring-time with warmth +and scents and new life. The brooks leapt forth once more from their +hiding-places, the verdure awaked, and the trees put forth their +foliage. Then from the awful mountain peaks the snow silently and +slowly slipped to the valleys, and in divers natural channels went +onward and ever downward to the southern sea, and now at last 't was +summer-time again and the mellow grace of August brooded over the +earth. But in that yonder mountain-side had fallen a symbol never to +be removed,--ay, upon that holy ground where slept the Jew was +stretched a cross, a mighty cross of snow on which the sun never fell +and which no breath of wind ever disturbed. Elsewhere was the tender +warmth of verdure and the sacred passion of the blood-red flowers, but +over that lonely grave was stretched the symbol of him that went his +way to Calvary, and in that grave slept the Jew. + +Mightily marvelled Don Esclevador and his warrior host at this thing; +but the Father Miguel knew its meaning; for he was minded of that +vision wherein it was foretold unto the Jew that, pardoned for his sin, +he should sleep forever under the burden of the cross he spurned. All +this the Father Miguel showed unto Don Esclevador and the others, and +he said: "I deem that unto all ages this holy symbol shall bear witness +of our dear Christ's mercy and compassion. Though we, O exiled +brothers, sleep in this foreign land in graves which none shall know, +upon that mountain height beyond shall stretch the eternal witness to +our faith and to our Redeemer's love, minding all that look thereon, +not of the pains and the punishments of the Jew, but of the exceeding +mercy of our blessed Lord, and of the certain eternal peace that cometh +through his love!" + +How long ago these things whereof I speak befell, I shall not say. +They never saw--that Spanish host--they never saw their native land, +their sovereign liege, their loved ones' faces again; they sleep, and +they are dust among those mighty mountains in the West. Where is the +grave of the Father Miguel, or of Don Esclevador, or of any of the +valiant Spanish exiles, it is not to tell; God only knoweth, and the +saints: all sleep in the faith, and their reward is certain. But where +sleepeth the Jew all may see and know; for on that awful mountain-side, +in a spot inaccessible to man, lieth the holy cross of snow. The winds +pass lightly over that solemn tomb, and never a sunbeam lingereth +there. White and majestic it lies where God's hands have placed it, +and its mighty arms stretch forth as in a benediction upon the fleeting +dust beneath. + +So shall it bide forever upon that mountain-side, and the memory of the +Jew and of all else human shall fade away and be forgotten in the +surpassing glory of the love and the compassion of him that bore the +redeeming burden to Calvary. + + + + +THE ROSE AND THE THRUSH + +There was none other in the quiet valley so happy as the +rose-tree,--none other so happy unless perchance it was the thrush who +made his home in the linden yonder. The thrush loved the rose-tree's +daughter, and he was happy in thinking that some day she would be his +bride. Now the rose-tree had many daughters, and each was beautiful; +but the rose whom the thrush loved was more beautiful than her sisters, +and all the wooers came wooing her until at last the fair creature's +head was turned, and the rose grew capricious and disdainful. Among +her many lovers were the south wind and the fairy Dewlove and the +little elf-prince Beambright and the hoptoad, whom all the rest called +Mr. Roughbrown. The hoptoad lived in the stone-wall several yards +away; but every morning and evening he made a journey to the rose-tree, +and there he would sit for hours gazing with tender longings at the +beautiful rose, and murmuring impassioned avowals. The rose's disdain +did not chill the hoptoad's ardor. "See what I have brought you, fair +rose," he would say. "A beautiful brown beetle with golden wings and +green eyes! Surely there is not in all the world a more delicious +morsel than a brown beetle! Or, if you but say the word, I will fetch +you a tender little fly, or a young gnat,--see, I am willing to undergo +all toils and dangers for your own sweet sake." + +Poor Mr. Roughbrown! His wooing was very hopeless. And all the time +he courted the imperious rose, who should be peeping at him from her +home in the hedge but as plump and as sleek a little Miss Dormouse as +ever you saw, and her eyes were full of envy. + +"If Mr. Roughbrown had any sense," she said to herself, "he would waste +no time on that vain and frivolous rose. He is far too good a catch +for _her_." + +The south wind was forever sighing and sobbing about. He lives, you +know, very many miles from here. His home is beyond a great sea; in +the midst of a vast desert there is an oasis, and it is among the +palm-trees and the flowers of this oasis that the south wind abides. +When spring calls from the North, "O south wind, where are you? Come +hither, my sunny friend!" the south wind leaps from his couch in the +far-off oasis, and hastens whither the spring-time calls. As he speeds +across the sea the mermaids seek to tangle him in their tresses, and +the waves try to twine their white arms about him; but he shakes them +off and laughingly flies upon his way. Wheresoever he goes he is +beloved. With their soft, solemn music the pine-trees seek to detain +him; the flowers of earth lift up their voices and cry, "Abide with us, +dear spirit,"--but to all he answers: "The spring-time calls me in the +North, and I must hasten whither she calls." But when the south wind +came to the rose-tree he would go no farther; he loved the rose, and he +lingered about her with singing and sighing and protestations. + +It was not until late in the evening that Dewlove and the elf-prince +appeared. Just as the moon rolled up in the horizon and poured a broad +streak of silver through the lake the three crickets went "Chirp-chirp, +chirp-chirp, chirp-chirp," and then out danced Dewlove and Beambright +from their hiding-places. The cunning little fairy lived under the +moss at the foot of the oak-tree; he was no bigger than a cambric +needle,--but he had two eyes, and in this respect he had quite the +advantage of the needle. As for the elf-prince, his home was in the +tiny, dark subterranean passage which the mole used to live in; he was +plump as a cupid, and his hair was long and curly, although if you +force me to it I must tell you that the elf-prince was really no larger +than your little finger,--so you will see that so far as physical +proportions were concerned Dewlove and Beambright were pretty well +matched. Merry, merry fellows they were, and I should certainly fail +most lamentably did I attempt to tell you how prettily they danced upon +the greensward of the meadowlands throughout the summer nights. +Sometimes the other fairies and elves joined them,--delicate little +lady fairies with gossamer wings, and chubby little lady elves clad in +filmy spider webs,--and they danced and danced and danced, while the +three crickets went "Chirp-chirp, chirp-chirp, chirp-chirp," all night +long. Now it was very strange--was it not?--that instead of loving one +of these delicate little lady fairies, or one of these chubby little +lady elves, both Dewlove and Beambright loved the rose. Yet, she was +indeed very beautiful. + +The thrush did not pester the rose with his protestations of love. He +was not a particularly proud fellow, but he thought too much of the +rose to vex her with his pleadings. But all day long he would perch in +the thicket and sing his songs as only a thrush can sing to the +beautiful rose he loves. He sung, we will say, of the forests he had +explored, of the famous river he had once seen, of the dew which the +rose loved, of the storm-king that slew the old pine and made his cones +into a crown,--he sung of a thousand things which we might not +understand, but which pleased the rose because she understood them. +And one day the thrush swooped down from the linden upon a monstrous +devil's darning-needle that came spinning along and poised himself to +stab the beautiful rose. Yes, like lightning the thrush swooped down +on this murderous monster, and he bit him in two, and I am glad of it, +and so are you if your heart be not wholly callous. + +"How comes it," said the rose-tree to the thrush that day,--"how comes +it that you do not woo my daughter? You have shown that you love her; +why not speak to her?" + +"No, I will wait," answered the thrush. "She has many wooers, and each +wooes her in his own way. Let me show her by my devotion that I am +worthy of her, and then perchance she will listen kindly to me when I +speak to her." + +The rose-tree thought very strange of this; in all her experience of +bringing out her fair daughters into society she had never before had +to deal with so curious a lover as the thrush. She made up her mind to +speak for him. + +"My daughter," said she to the rose, "the thrush loves you; of all your +wooers he is the most constant and the most amiable. I pray that you +will hear kindly to his suit." + +The rose laughed carelessly,--yes, merrily,--as if she heeded not the +heartache which her indifference might cause the honest thrush. + +"Mother," said the rose, "these suitors are pestering me beyond all +endurance. How can I have any patience with the south wind, who is +forever importuning me with his sentimental sighs and melancholy +wheezing? And as for that old hoptoad, Mr. Roughbrown,--why, it is a +husband I want, not a father!" + +"Prince Beambright pleases you, then?" asked the rose-tree. + +"He is a merry, capering fellow," said the daughter, "and so is his +friend Dewlove; but I do not fancy either. And as for the thrush who +sends you to speak for him,--why, he is quite out of the question, I +assure you. The truth is, mother, that I am to fill a higher station +than that of bride to any of these simple rustic folk. Am I not more +beautiful than any of my companions, and have I not ambitions above all +others of my kind?" + +"Whom have you seen that you talk so vain-gloriously?" cried the +rose-tree in alarm. "What flattery has instilled into you this fatal +poison?" + +"Have you not seen the poet who comes this way every morning?" asked +the rose. "His face is noble, and he sings grandly to the pictures +Nature spreads before his eyes. I should be his bride. Some day he +will see me; he will bear me away upon his bosom; he will indite to me +a poem that shall live forever!" + +These words the thrush heard, and his heart sank within him. If his +songs that day were not so blithe as usual it was because of the words +that the rose had spoken. Yet the thrush sang on, and his song was +full of his honest love. + +It was the next morning that the poet came that way. He lived in the +city, but each day he stole away from the noise and crowd of the city +to commune with himself and with Nature in the quiet valley where +bloomed the rose-tree, where the thrush sung, and where dwelt the fays +and the elves of whom it has been spoken. The sun shone fiercely; +withal the quiet valley was cool, and the poet bared his brow to the +breeze that swept down the quiet valley from the lake over yonder. + +"The south wind loves the rose! Aha, aha, foolish brother to love the +rose!" + +This was what the breeze said, and the poet heard it. Then his eyes +fell upon the rose-tree and upon her blooming daughters. + +"The hoptoad loves the rose! Foolish old Roughbrown to love the rose, +aha, aha!" + +There was a malicious squeakiness in this utterance,--of course it came +from that envious Miss Dormouse, who was forever peeping out of her +habitation in the hedge. + +"What a beautiful rose!" cried the poet, and leaping over the old +stone-wall he plucked the rose from the mother-tree,--yes, the poet +bore away this very rose who had hoped to be the poet's bride. + +Then the rose-tree wept bitterly, and so did her other daughters; the +south wind wailed, and the old hoptoad gave three croaks so dolorous +that if you had heard them you would have said that his heart was truly +broken. All were sad,--all but the envious dormouse, who chuckled +maliciously, and said it was no more than they deserved. + +The thrush saw the poet bearing the rose away, yet how could the +fluttering little creature hope to prevail against the cruel invader? +What could he do but twitter in anguish? So there are tragedies and +heartaches in lives that are not human. + +As the poet returned to the city he wore the rose upon his breast. The +rose was happy, for the poet spoke to her now and then, and praised her +loveliness, and she saw that her beauty had given him an inspiration. + +"The rose despised my brother! Aha, aha, foolish rose,--but she shall +wither!" + +It was the breeze that spake; far away from the lake in the quiet +valley its voice was very low, but the rose heard and trembled. + +"It's a lie," cried the rose. "I shall not die. The poet loves me, +and I shall live forever upon his bosom." + +Yet a singular faintness--a faintness never felt before--came upon the +rose; she bent her head and sighed. The heat--that was all--was very +oppressive, and here at the entrance to the city the tumult aroused an +aggravating dust. The poet seemed suddenly to forget the rose. A +carriage was approaching, and from the carriage leaned a lady, who +beckoned to the poet. The lady was very fair, and the poet hastened to +answer her call. And as he hastened the rose fell from his bosom into +the hot highway, and the poet paid no heed. Ascending into the +carriage with the lady (I am sure she must have been a princess!) the +poet was whirled away, and there in the stifling dust lay the fainting +rose, all stained and dying. + +The sparrows flew down and pecked at her inquisitively; the cruel +wagons crushed her beneath their iron wheels; careless feet buffeted +her hither and thither. She was no longer a beautiful rose; no, nor +even a reminiscence of one,--simply a colorless, scentless, ill-shapen +mass. + +But all at once she heard a familiar voice, and then she saw familiar +eyes. The voice was tender and the eyes were kindly. + +"O honest thrush," cried the rose, "is it you who have come to reproach +me for my folly?" + +"No, no, dear rose," said the thrush, "how should I speak ill to you? +Come, rest your poor head upon my breast, and let me bear you home." + +"Let me rather die here," sighed the rose, "for it was here that my +folly brought me. How could I go back with you whom I never so much as +smiled upon? And do they not hate and deride me in the valley? I +would rather die here in misery than there in shame!" + +"Poor, broken flower, they love you," urged the thrush. "They grieve +for you; let me bear you back where the mother-tree will shade you, and +where the south wind will nurse you--for--for he loves you." + +So the thrush bore back the withering rose to her home in the quiet +valley. + +"So she has come back, has she?" sneered the dormouse. "Well, she has +impudence, if nothing else!" + +"She was pretty once," said the old hoptoad; "but she lost her +opportunity when I made up my mind to go wooing a certain glossy damsel +in the hedge." + +The rose-tree reached out her motherly arms to welcome her dying +daughter, and she said: "Rest here, dear one, and let me rock you to +repose." + +It was evening in the quiet valley now. Where was the south wind that +he came not with his wooing? He had flown to the North, for that day +he had heard the spring-time's voice a-calling, and he went in answer +to its summons. Everything was still. "Chirp-chirp, chirp-chirp, +chirp-chirp," piped the three crickets, and forthwith the fairy boy and +the elf-prince danced from their habitations. Their little feet +tinkled over the clover and the daisies. + +"Hush, little folk," cried the rose-tree. "Do not dance to-night,--the +rose is dying." + +But they danced on. The rose did not hear them; she heard only the +voice of the thrush, who perched in the linden yonder, and, with a +breaking heart, sung to the dying flower. + + + + +THE PAGAN SEAL-WIFE[1] + +It is to tell of Harold, the son of Egbert, the son of Ib; comely was +he to look upon, and a braver than he lived not in these islands, nor +one more beloved of all people. But it chanced upon a time, while he +was still in early manhood, that a grievous sorrow befell him; for on a +day his mother Eleanor came to her end in this full evil wise. It was +her intent to go unto the neighboring island, where grazed the goats +and the kine, and it fortuned that, as she made her way thither in the +boat, she heard sweet music, as if one played upon a harp in the +waters, and, looking over the side of the boat, she beheld down in the +waters a sea-maiden making those exceeding pleasant sounds. And the +sea-maiden ceased to play, and smiled up at Eleanor, and stretched up +her hands and besought Eleanor to pluck her from the sea into the boat, +which seeking to do, Eleanor fell headlong into the waters, and was +never thereafter seen either alive or dead by any of her kin. Now +under this passing heavy grief Egbert, the son of Ib, being old and +spent by toil, brake down, and on a night died, making with his latest +breath most heavy lamentation for Eleanor, his wife; so died he, and +his soul sped, as they tell, to that far northern land where the souls +of the departed make merry all the night, which merriment sendeth forth +so vast and so beautiful a light that all the heavens are illumined +thereby. But Harold, the son of Egbert and of Eleanor, was left alone, +having neither brother, nor sister, nor any of kin, save an uncle +abiding many leagues distant in Jutland. Thereupon befell a wonderful +thing; if it had not happened it would not be told. It chanced that, +on a certain evening in the summer-time, Harold walked alone where a +Druid circle lay coiled like a dark serpent on a hillside; his heart +was filled with dolor, for he thought continually of Eleanor, his +mother, and he wept softly to himself through love of that dear mother. +While thus he walked in vast heaviness of soul, he was beheld of +Membril, the fairy that with her goodly subjects dwelt in the ruin of +the Pict's house hard by the Druid circle. And Membril had compassion +upon Harold, and upon the exceeding fine down of a tiny sea-bird she +rode out to meet him, and it was before his eyes as if a star shined +out of a mist in his pathway. So it was that Membril the fairy made +herself known to him, and having so done, she said and she sung: + + I am Membril, queen of Fay, + That would charm thy grief away! + Thou art like the little bark + Drifting in the cold and dark,-- + Drifting through the tempest's roar + To a rocky, icy shore; + All the torment dost thou feel + Of the spent and fearful seal + Wounded by the hunter's steel. + I am Membril,--hark to me: + Better times await on thee! + Wouldst thou clasp thy mother dear,-- + Strange things see and stranger hear? + Straight betake thee to thy boat + And to yonder haven float,-- + Go thy way, and silent be,-- + It is Membril counsels thee; + Go thy way, and thou shalt see! + + +Great marvel had Harold to this thing; nevertheless he did the bidding +of Membril the fairy, and it was full wisely done. And presently he +came to where his boat lay, half on the shore and half in the waters, +and he unloosed the thong that held it, and entered into the boat; but +he put neither hand to the oars thereof, for he was intent to do the +bidding of Membril the fairy. Then as if of its own accord, or as if +the kindly waves themselves bore it along, the boat moved upon the +waters and turned toward the yonder haven whereof it was said and sung. +Fair shone the moon, and the night was passing fair; the shadows fell +from the hilltops in their sleep and lay, as they had been little weary +children, in the valleys and upon the shore, and they were rocked in +the cradles of those valleys, and the waters along the shore sung +softly to them. Upon the one side lay the island where grazed the +goats and the kine, and upon the other side lay the island where Harold +and other people abode; between these islands crept the sea with its +gentle murmurings, and upon this sea drifted the boat bearing Harold to +the yonder haven. Now the haven whereunto the course lay brooded +almost beneath the shadow of the Stennis stones, and the waters thereof +were dark, as if, forsooth, the sea frowned whensoever it saw those +bloody stones peering down into its tranquil bosom. And some said that +the place was haunted, and that upon each seventh night came thereunto +the spirits of them that had been slain upon those stones, and waved +their ghostly arms and wailed grievously; but of latter times none +believeth this thing to be true. + +It befell that, coming into the haven and bearing toward the shore +thereof, Harold was 'ware of sweet music, and presently he saw figures +as of men and women dancing upon the holm; but neither could he see who +these people were, nor could he tell wherefrom the music came. But +such fair music never had he heard before, and with great marvel he +came from the boat into the cluster of beech-trees that stood between +the haven and that holm where the people danced. Then of a sudden +Harold saw twelve skins lying upon the shore in the moonlight; and they +were the comeliest and most precious sealskins that ever he saw, and he +coveted them. So presently he took up one of the sealskins and bore it +with him into his boat, and pushed the boat from the shore into the +waters of the haven again, and, so doing, there was such plashing of +the waters that those people dancing upon the fair green holm became +'ware of Harold's presence, and were afeared, so that, ceasing from +their sport, they made haste down to the shore and did on the skins and +dived into the waters with shrill cries. But there was one of them +that could not do so, because Harold bore off that skin wherewith she +was wont to begird herself, and when she found it not she wailed and +wept and besought Harold to give her that skin again,--and, lo! it was +Eleanor, the wife of Egbert! Now when Harold saw that it was his +mother that so entreated him he was filled with wonder, and he drew +nearer the shore to regard her and to hear her words, for he loved her +passing well. But he denied her that skin, knowing full well that so +soon as she possessed it she would leave him and he should never again +behold her. Then Eleanor related to him how that she had been drowned +in the sea through treachery of the harp-maiden, and how that the souls +of drowned people entered into the bodies of seals, nor were permitted +to return to earth, save only one night in every month, at which time +each recovered his human shape and was suffered to dance in the +moonlight upon the fair green holm from the hour of sunset unto the +hour of sunrise. + +"Give me the skin, I pray thee," she cried, "for if the sun came upon +me unawares I should crumble into dust before thine eyes, and that +moment would a curse fall upon you. I am happy as I am; the sea and +those who dwell therein are good to me,--give me the skin, I beseech +thee, that I may return whence I came, and thereby shall a great +blessing accrue to thee and thine." + +But Harold said: "Nay, mother, I were a fool to part so cheerfully with +one whom I love dearer than life itself! I shall not let you go so +easily; you shall come with me to our home, where I have lived alone +too long already. I shall be alone no longer,--come with me, I say, +for I will not deliver up this skin, nor shall any force wrest it from +me!" + +Then Eleanor, his mother, reasoned a space with him, and anon she +showed him the folly of his way; but still he hung his head upon his +breast and was loath to do her bidding, until at last she sware unto +him that if he gave to her that skin he should, upon the next dancing +night, have to wife the most beautiful maiden in the world, and +therefore should be alone in the world no more. To this presently +Harold gave assent, and then Eleanor, his mother, bade him come to that +same spot one month hence, and do what she should then bid him do. +Receiving, therefore, the skin from him, she folded it about her and +threw herself into the sea, and Harold betook himself unto his home. + +Now wit ye well that full wearily dragged the days and the nights until +that month was spent; but now at last it was the month of August, and +upon the night of the seventh day thereof ended the season of waiting. +It is to tell that upon that night came Harold, the son of Egbert, from +his hut, and stood on the threshold thereof, and awaited the rising of +the moon from out the silver waters yonder. While thus he stood there +appeared unto him Membril the fairy, and smiling upon him she said and +she sung:-- + + I am Membril, queen of Fay, + Come to urge thee on thy way; + Haste to yonder haven-side + Where awaits thy promised bride; + Daughter of a king is she,-- + Many leagues she comes to thee, + Thine and only thine to be. + Haste and see, then come again + To thy pretty home, and, when + Smiles the sun on earth once more, + Will come knocking at thy door; + Open then, and to thy breast + Clasp whom thou shalt love the best! + It is Membril counsels thee,-- + Haste and see what thou shalt see! + + +Now by this thing was Harold mightily rejoiced, and he believed it to +be truth that great good was in store for him; for he had seen pleasant +things in the candle a many nights, and the smoke from his fire blew +cheerily and lightly to the westward, and a swan had circled over his +house that day week, and in his net each day for twice seven days had +he drawn from the sea a fish having one golden eye and one silver eye: +which things, as all men know, portend full goodly things, or else they +portend nothing at all whatsoever. So, being pleasantly minded, Harold +returned in kind unto Membril, the fairy queen, that bespoke him so +courteously, and to her and to them that bore her company he said and +he sung:-- + + Welcome, bonnie queen of Fay! + For thou speakest pleasing words; + Thou shalt have a gill of whey + And a thimblefull of curds; + In this rose is honey-dew + That a bee hath brought for you! + + Welcome, bonnie queen of Fay! + Call thy sisters from the gloam, + And, whilst I am on my way, + Feast and frolic in my home,-- + Kiss the moonbeams, blanching white, + Shrinking, shivering with affright! + + Welcome, all, and have no fear,-- + There is flax upon the sill, + No foul sprite can enter here,-- + Feast and frolic as you will; + Feast and frisk till break of day,-- + Welcome, little folk of Fay! + + +Thus having said and thus having sung, Harold went upon his way, and +came to his boat and entered into it and journeyed to the haven where +some time he had seen and discoursed with Eleanor, his mother. His +course to this same haven lay, as before, over the waters that stole in +between the two islands from the great sea beyond. Fair shone the +moon, and the night was passing fair; the shadows rolled from the +hilltops in their sleep and lay like little weary children in the +valleys and upon the shore, and they were rocked in the cradles of +those valleys, and the waters along the shore sung softly to them. +Upon this hand lay the island where the goats and the kine found sweet +pasturage, and upon the other hand stretched the island where people +abode, and where the bloody Stennis stones rebuked the smiling sky, and +where ghosts walked and wailed and waved their white arms in the +shadows of those haunted ruins where once upon a time the Picts had +dwelt. And Harold's heart was full of joy, the more in especial when, +as he bore nigh unto the haven, he heard sweet music and beheld a +goodly company of people that danced in the moonlight upon the fair +green holm. Then, when presently his boat touched the inner shore of +the haven, and he departed therefrom and drew the boat upon the shore, +he saw wherefrom issued the beautiful music to which the people danced; +he saw that the waters reached out their white fingers and touched the +kale and the fair pebbles and the brittle shells and the moss upon the +beach, and these things gave forth sweet sounds, which were as if a +thousand attuned harps vied with the singing of the summer-night winds. +Then, as before, Harold saw sealskins lying upon the shore, and +presently came Eleanor, his mother, and pointing to a certain fair +velvet skin, she said: "Take that fair velvet skin into thy boat and +speed with all haste to thy home. To-morrow at sunrise thy bride shall +come knocking at thy door. And so, farewell, my son,--oh, Harold, my +only son!" Which saying, Eleanor, the wife of Egbert, drew a skin +about her and leapt into the sea; nor was she ever thereafter beholden +of human eyes. + +Then Harold took up the fair velvet skin to which his mother had +directed him, and he bore it away with him in his boat. So softly went +he upon the waters that none of them that danced upon the fair green +holm either saw or heard him. Still danced they on to the sweet music +made by the white fingers of the waves, and still shone the white moon +upon the fair green holm where they so danced. + +Now when came Harold to his home, bearing the precious skin with him, +he saw the fairies at play upon the floor of his hut, and they feared +no evil, for there was barley strewn upon the sill so that no wicked +sprite could enter there. And when Membril, the fairy queen, saw him +bringing the skin that he had found upon the shore, she bade him good +welcome, and she said and she sung:-- + + I am Membril, queen of Fay,-- + Ponder well what words I say; + Hide that fair and velvet skin + Some secluded spot within; + In the tree where ravens croak,-- + In the hollow of the oak, + In the cave with mosses lined, + In the earth where none may find; + Hide it quick and hide it deep,-- + So secure shall be thy sleep, + Thine shall bride and blessings be, + Thine a fair posterity,-- + So doth Membril counsel thee! + + +So, pondering upon this counsel and thinking well of it, Harold took +the fair velvet skin and hid it, and none knew where it was hid,--none +save only the raven that lived in the hollow oak. And when he had so +done he returned unto his home and lay upon his bed and slept. It came +to pass that early upon the morrow, when the sun made all the eastward +sky blush for the exceeding ardor of his morning kiss, there came a +knocking at the door of Harold's hut, and Harold opened the door, and +lo! there stood upon the threshold the fairest maiden that eyes ever +beheld. Unlike was she to maidens dwelling in those islands, for her +hair was black as the waters of the long winter night, and her eyes +were as the twin midnight rocks that look up from the white waves of +the moonlit sea in yonder reef; withal was she most beautiful to look +upon, and her voice was as music that stealeth to one over pleasant +waters. + +The maiden's name was Persis, and she was the daughter of a Pagan king +that ruled in a country many, many--oh, many leagues to the southward +of these islands, in a country where unicorns and dragons be, and where +dwelleth the phoenix and hippogriffins and the cockatrix, and where +bloometh a tree that runneth blood, and where mighty princes do +wondrous things. Now it fortuned that the king was minded to wed his +daughter Persis unto a neighboring prince, a high and mighty prince, +but one whom Persis loved not, neither could she love. So for the +first time Persis said, "Nay, I will not," unto her father's mandate, +whereat the king was passing wroth, and he put his daughter in a place +that was like a jail to her, for it was where none might see her, and +where she might see none,--none but those that attended upon her. This +much told Persis, the Pagan princess, unto Harold, and then, +furthermore, she said: "The place wherein I was put by the king, my +father, was hard by the sea, and oftentimes I went thereon in my little +boat, and once, looking down from that boat into the sea, I saw the +face of a fair young man within a magic mirror that was held up in the +waters of the sea by two ghostly hands, and the fair young man moved +his lips and smiled at me, and methought I heard him say: 'Come, be my +bride, O fair and gentle Persis!' But, vastly afeared, I cried out and +put back again to shore. Yet in my dreams I saw that face and heard +that voice, nor could I find any rest until I came upon the sea again +in hope to see the face and hear the voice once more. Then, that +second time, as I looked into the sea, another face came up from below +and lifted above the waters, and a woman's voice spake thus to me: 'I +am mother of him that loveth thee and whom thou lovest; his face hast +thou seen in the mirror, and of thee I have spoken to him; come, let me +bear thee as a bride to him!' And in that moment a faintness came upon +me and I fell into her arms, and so was I drowned (as men say), and so +was I a seal a little space until last dancing night, when, lo! some +one brought me to life again, and one that said her name was Membril +showed me the way unto thy door. And now I look upon thy face in +truth, and thou art he who shall have me to his wife, for thou art he +whose face I saw within the mirror which the ghostly hands bore up to +me that day upon the sea!" + +Great then was Harold's joy, and he folded her in his arms, and he +spake sweet words to her, and she was content. So they were wed that +very day, and there came to do them honor all the folk upon these +islands: Dougal and Tam and Ib and Robbie and Nels and Gram and Rupert +and Rolf and many others and all their kin, and they made merry, and it +was well. And never spake the Pagan princess of that soft velvet skin +which Harold had hid away,--never spake she of it to him or to any +other one. + +It is to tell that to Harold and to Persis were born these children, +and in this order: Egbert and Ib (that was nicknamed the Strong) and +Harold and Joan and Tam and Annie and Rupert the Fair and Flocken and +Elsa and Albert and Theodoric,--these eleven children were born unto +them in good time; and right fair children were they to see, comely and +stout, yet sweetly minded withal. And prosperous times continually +befell Harold; his herds multiplied, and the fish came into his nets, +so that presently there was none other richer than he in all that +country, and he did great good with his riches, for he had compassion +to the poor. So Harold was beloved of all, and all spake full fairly +of his wife,--how that she cared for his little ones, and kept the +house, and did deeds of sweet charity among the needy and +distressed,--ay, so was Persis, the wife of Harold, beloved of all, and +by none other more than by Harold, who was wont to say that Persis had +brought him all he loved best: his children, his fortune, his +happiness, and, best of all, herself. So now they were wed twice seven +years, and in that time was Persis still as young and fair to look upon +as when she came to Harold's door for the first time and knocked. This +I account to be a marvel, but still more a marvel was it that in all +these years spake she never a word of that soft velvet skin which +Harold took and hid,--never a word to him nor to any one else. But the +soft velvet skin lay meanwhile in the hollow of the oak, and in the +branches of that tree perched a raven that croaked and croaked and +croaked. + +Now it befell upon a time that a ship touched at that island, and there +came therefrom men that knelt down upon the shore and made strange +prayers to a strange God, and forthwith uplifted in that island a +symbol of wood in the similitude of a cross. Straightway went Harold +with the rest to know the cause thereof, being fearful lest for this +impiety their own gods, whom they served diligently, should send hail +and fire upon them and their herds. But those that had come in the +ship spake gently with them and showed themselves to be peaceful folk +whose God delighted not in wars, but rather in gentleness and love. +How it was, I, knowing not, cannot say, but presently the cause of that +new God, whose law was gentleness and love, waxed mightily, and the +people came from all around to kiss that cross and worship it. And +among them came Harold, for in his heart had dawned the light of a new +wisdom, and he knew the truth as we know it, you and I. So Harold was +baptized in the Christian faith, he and his children; but Persis, his +wife, was not baptized, for she was the daughter of a Pagan king, and +she feared to bring evil upon those she loved by doing any blasphemous +thing. Right sorely grieved was Harold because of this, and oftentimes +he spake with her thereof, and oftentimes he prayed unto his God and +ours to incline her mind toward the cross, which saveth all alike. But +Persis would say: "My best beloved, let me not do this thing in haste, +for I fear to vex thy God since I am a Pagan and the daughter of a +Pagan king, and therefore have not within me the light that there is in +thee and thy kind. Perchance (since thy God is good and gracious) the +light will come to me anon, and shine before mine eyes as it shineth +before thine. I pray thee, let me bide my time." So spake Persis, and +her life ever thereafter was kind and charitable, as, soothly, it had +ever before been, and she served Harold, her husband, well, and she was +beloved of all, and a great sweetness came to all out of her daily life. + +It fortuned, upon a day whilst Harold was from home, there was knocking +at the door of their house, and forthwith the door opened and there +stood in the midst of them one clad all in black and of rueful +countenance. Then, as if she foresaw evil, Persis called unto her +little ones and stood between them and that one all in black, and she +demanded of him his name and will. "I am the Death-Angel," quoth he, +"and I come for the best-beloved of thy lambs!" + +Now Theodoric was that best-beloved; for he was her very little one, +and had always slept upon her bosom. So when she heard those words she +made a great outcry, and wrestled with the Death-Angel, and sought to +stay him in his purpose. But the Death-Angel chilled her with his +breath, and overcame her, and prevailed against her; and he reached +into the midst of them and took Theodoric in his arms and folded him +upon his breast, and Theodoric fell asleep there, and his head dropped +upon the Death-Angel's shoulder. But in her battle for the child, +Persis catched at the chain about the child's neck, and the chain brake +and remained in her hand, and upon the chain was the little cross of +fair alabaster which an holy man had put there when Theodoric was +baptized. So the Death-Angel went his way with that best-beloved lamb, +and Persis fell upon her face and wailed. + +The years went on and all was well upon these islands. Egbert became a +mighty fisherman, and Ib (that was nicknamed the Strong) wrought +wondrous things in Norroway, as all men know; Joan was wed to Cuthbert +the Dane, and Flocken was wooed of a rich man's son of Scotland. So +were all things for good and for the best, and it was a marvel to all +that Persis, the wife of Harold, looked still to be as young and +beautiful as when she came from the sea to be her husband's bride. Her +life was full of gentleness and charity, and all folk blessed her. But +never in all these years spake she aught to any one of the fair velvet +skin; and through all the years that skin lay hid in the hollow of the +oak-tree, where the raven croaked and croaked and croaked. + +At last upon a time a malady fell upon Persis, and a strange light came +into her eyes, and naught they did was of avail to her. One day she +called Harold to her, and said: "My beloved, the time draweth near when +we twain must part. I pray thee, send for the holy man, for I would +fain be baptized in thy faith and in the faith of our children." So +Harold fetched the holy man, and Persis, the daughter of the Pagan +king, was baptized, and she spake freely and full sweetly of her love +to Jesus Christ, her Saviour, and she prayed to be taken into his rest. +And when she was baptized, there was given to her the name of Ruth, +which was most fairly done, I trow, for soothly she had been the friend +of all. + +Then, when the holy man was gone, she said to her husband: "Beloved, I +beseech thee go to yonder oak-tree, and bring me from the hollow +thereof the fair velvet skin that hath lain therein so many years." + +Then Harold marvelled, and he cried: "Who told thee that the fair +velvet skin was hidden there?" + +"The raven told me all," she answered; "and had I been so minded I +might have left thee long ago,--thee and our little ones. But I loved +thee and them, and the fair velvet skin hath been unseen of me." + +"And wouldst thou leave us now?" he cried. "Nay, it shall not be! +Thou shalt not see that fair velvet skin, for this very day will I cast +it into the sea!" + +But she put an arm about his neck and said: "This night, dear one, we +part; but whether we shall presently be joined together in another life +I know not, neither canst thou say; for I, having been a Pagan and the +daughter of a Pagan king, may by my birth and custom have so grievously +offended our true God that even in his compassion and mercy he shall +not find pardon for me. Therefore I would have thee fetch--since I +shall die this night and do require of thee this last act of +kindness--I would have thee fetch that same fair velvet skin from +yonder oak-tree, and wrap me therein, and bear me hence, and lay me +upon the green holm by the farther haven, for this is dancing night, +and the seal-folk shall come from the sea as is their wont. Thou shalt +lay me, so wrapped within that fair velvet skin, upon that holm, and +thou shalt go a space aside and watch throughout the night, coming not +anear me (as thou lovest me!) until the dawn breaks, nor shalt thou +make any outcry, but thou shalt wait until the night is sped. Then, +when thou comest at daybreak to the holm, if thou findest me in the +fair velvet skin thou shalt know that my sin hath been pardoned; but if +I be not there thou may'st know that, being a Pagan, the seal-folk have +borne me back into the sea unto my kind. Thus do I require of thee; +swear so to do, and let thy beloved bless thee." + +So Harold swore to do, and so he did. Straightway he went to the +oak-tree and took from the hollow thereof the fair velvet skin; seeing +which deed, the raven flew away and was never thereafter seen in these +islands. And with a heavy heart, and with full many a caress and word +of love, did Harold bind his fair wife in that same velvet skin, and he +bore her to his boat, and they went together upon the waters; for he +had sworn so to do. His course unto the haven lay as before over the +waters that stole in between the two islands from the great troubled +sea beyond. Fair shone the moon, and the night was passing fair; the +shadows lay asleep, like little weary children, in the valleys, and the +waters moaned, and the winds rebuked the white fingers that stretched +up from the waves to clutch them. And when they were come to the inner +shore of the haven, Harold took his wife and bore her up the bank and +laid her where the light came down from the moon and slept full sweetly +upon the fragrant sward. Then, kissing her, he went his way and sat +behind the Stennis stones a goodly space beyond, and there he kept his +watch, as he had sworn to do. + +Now wit ye well a grievous heavy watch it was that night, for his heart +yearned for that beloved wife that lay that while upon the fair green +holm,--ay, never before had night seemed so long to Harold as did that +dancing night when he waited for the seal-folk to come where the +some-time Pagan princess lay wrapped in the fair velvet skin. But +while he watched and waited, Membril, the fairy queen, came and brought +others of her kind with her, and they made a circle about Harold, and +threw around him such a charm that no evil could befall him from the +ghosts and ghouls that in their shrouds walked among those bloody +stones and wailed wofully and waved their white arms. For Membril, +coming to Harold in the similitude of a glow-worm, made herself known +to him, and she said and she sung: + + Loving heart, be calm a space + In this gloomy vigil place; + Though these confines haunted be + Naught of harm can come to thee-- + Nothing canst thou see or hear + Of the ghosts that stalk anear, + For around thee Membril flings + Charms of Fay and fairy rings. + + +Nothing daunted was Harold by thoughts of evil monsters, and naught +recked he of the uncanny dangers of that haunted place; but he +addressed these words to Membril and her host, and he said and he sung: + + Tell me if thy piercing eyes + See the inner haven shore. + There my Own Beloved lies, + With the cowslips bending o'er: + Speed, O gentle folk of Fay! + And in guise of cowslips say + I shall love my love for aye! + + +Even so did Membril and the rest; and presently they returned, and they +brought these words unto Harold, saying and singing them:-- + + We as cowslips in that place + Clustered round thy dear one's face, + And we whispered to her there + Those same words we went to bear; + And she smiled and bade us then + Bear these words to thee again: + "Die we shall, and part we may,-- + Love is love and lives for aye!" + + +Then of a sudden there was a tumult upon the waters, as if the waters +were troubled, and there came up out of the waters a host of seals that +made their way to the shore and cast aside their skins and came forth +in the forms of men and of women, for they were the drowned folk that +were come, as was their wont, to dance in the moonlight upon the fair +green holm. At that moment the waters stretched out their white +fingers and struck the kale and the pebbles and the soft moss upon the +beach, for they sought to make music for the seal-folk to dance +thereby; but the music that was made was not merry nor gleeful, but was +passing gruesome and mournful. And presently the seal-folk came where +lay the wife of Harold wrapped in the fair velvet skin, and they knew +her of old, and they called her by what name she was known to them, +"Persis! Persis!" over and over again, and there was great wailing +among the seal-folk for a mighty space; and the seal-folk danced never +at all that night, but wailed about the wife of Harold, and called +"Persis! Persis!" over and over again, and made great moan. And at +last all was still once more, for the seal-folk, weeping and clamoring +grievously, went back into the sea, and the sea sobbed itself to sleep. + +Mindful of the oath he swore, Harold dared not go down to that shore, +but he besought Membril, the queen of Fay, to fetch him tidings from +his beloved, whether she still lay upon the holm, or whether the +seal-folk had borne her away with them into the waters of the deep. +But Membril might not go, nor any of her host, for already the dawn was +in the east and the kine were lowing on yonder slope. So Harold was +left alone a tedious time, until the sun looked upon the earth, and +then, with clamoring heart, Harold came from the Stennis stones and +leapt downward to the holm where his beloved had lain that weary while. +Then he saw that the fair velvet skin was still there, and presently he +saw that within the skin his beloved still reposed. He called to her, +but she made no answer; with exceeding haste he kneeled down and did +off the fair velvet skin, and folded his beloved to his breast. The +sun shone full upon her glorious face and kissed away the dew that +clung to her white cheeks. + +"Thou art redeemed, O my beloved!" cried Harold; but her lips spake +not, and her eyes opened not upon him. Yet on the dead wife's face was +such a smile as angels wear, and it told him that they should meet +again in a love that knoweth no fear of parting. And as Harold held +her to his bosom and wailed, there fell down from her hand what she had +kept with her to the last, and it lay upon the fair green holm,--the +little alabaster cross which she had snatched from Theodoric's neck +that day the Death-Angel bore the child away. + +It was to tell of Harold, the son of Egbert, the son of Ib, and of +Persis, his wife, daughter of the Pagan king; and it hath been told. +And there is no more to tell, for the tale is ended. + + + +[1] Orkney Folk-Lore. + + + + +FLAIL, TRASK, AND BISLAND + +My quondam friends, Flail, Trask, and Bisland, are no more; they are +dead, and with them has gone out of existence as gross an imposition as +the moral cowardice of man were capable of inventing, constructing, and +practising. + +When Alice became my wife she knew that I was a lover and collector of +books, but, being a young thing, she had no idea of the monstrous +proportions which bibliomania, unchecked, is almost certain to acquire. +Indeed, the dear girl innocently and rapturously encouraged this +insidious vice. "Some time," she used to say, "we shall have a house +of our own, and then your library shall cover the whole top-floor, and +the book-cases shall be built in the walls, and there shall be a lovely +blue-glass sky-light," etc. Moreover, although she could not tell the +difference between an Elzevir and a Pickering, or between a folio and +an octavo, Alice was very proud of our little library, and I recall now +with real delight the times I used to hear her showing off those +precious books to her lady callers. Alice made up for certain +inaccuracies of information with a distinct enthusiasm and garrulity +that never failed to impress her callers deeply. I was mighty proud of +Alice; I was prepared to say, paraphrasing Sam Johnson's remark about +the Scotchman, "A wife can be made much of, if caught young." + +It was not until after little Grolier and little Richard de Bury were +born to us that Alice's regard for my pretty library seemed to abate. +I then began to realize the truth of what my bachelor friend Kinzie had +often declared,--namely, that the chief objection to children was that +they weaned the collector from his love of books. Grolier was a +mischievous boy, and I had hard work trying to convince his mother that +he should by no means be allowed to have his sweet but destructive will +with my Bewicks and Bedfords. Thumb and finger marks look well enough +in certain places, but I protested that they did not enhance the quaint +beauty of an old wood-cut, a delicate binding, or a wide margin. And +Richard de Bury--a lovely little 16mo of a child--was almost as +destructive as his older brother. The most painful feature of it all +to me then was that their mother actually protected the toddling knaves +in their vandalism. I never saw another woman change so as Alice did +after those two boys came to us. Why, she even suggested to me one day +that when we did build our new house we should devote the upper story +thereof not to library but to nursery purposes! + +Things gradually got to the pass that I began to be afraid to bring +books into the house. At first Alice used to reproach me indirectly by +eying the new book jealously, and hinting in a subtle, womanly way that +Grolier needed new shoes, or that Richard was sadly in need of a new +cap. Presently, encouraged by my lamb-like reticence, Alice began to +complain gently of what she termed my extravagance, and finally she +fell into the pernicious practice of berating me roundly for neglecting +my family for the selfish--yes, the cruel--gratification of a foolish +fad, and then she would weep and gather up the two boys and wonder how +soon we should all be in the poorhouse. + +I have spoken of my bachelor friend, Kinzie; there was a philosopher +for you, and his philosophy was all the sweeter because it had never +been embittered by marital experience. I had confidence in Kinzie, and +I told him all about the dilemma I was in. He pitied me and condoled +with me, for he was a sympathetic man, and he was, too, as consistent a +bibliomaniac as I ever met with. "Be of good cheer," said he, "we +shall find a way out of all this trouble." And he suggested a way. I +seized upon it as the proverbial drowning man is supposed to clutch at +the proverbial straw. + +The next time I took a bundle of books home I marched into the house +boldly with them. Alice fetched a deep sigh. "Ah, been buying more +books, have you?" she asked in a despairing tone. + +"No, indeed," I answered triumphantly, "they were given to me,--a +present from judge Trask. I'm in great luck, ain't I?" + +Alice was almost as pleased as I was. The interest with which she +inspected the lovely volumes was not feigned. "But who is Judge +Trask?" she asked, as she read the autographic lines upon a flyleaf in +each book. I explained glibly that the judge was a wealthy and +cultured citizen who felt somewhat under obligation to me for certain +little services I had rendered him one time and another. I was not to +be trapped or cornered. I had learned my sinful lesson perfectly. +Alice never so much as suspected me of evil. + +The scheme worked so well that I pursued it with more or less +diligence. I should say that about twice a week on an average a bundle +of books came to the house "with the compliments" of either Judge Trask +or Colonel Flail or Mr. Bisland. You can understand that I could not +hope to play the Trask deception exclusively and successfully. I +invented Colonel Flail and Mr. Bisland, and I contrived to render them +quite as liberal in their patronage as the mythical Judge Trask +himself. Occasionally a donation came in, by way of variety, from +Smeaton and Holbrook and Caswell and other solitary creations of my +mendacious imagination, when I used to blind poor dear Alice to the +hideous truth. Touching myself, I gave it out that I had abandoned +book-buying, was convinced of the folly of the mania, had reformed, and +was repentant. Alice loved me all the better for that, and she became +once more the sweetest, most amiable little woman in all the world. +She was inexpressibly happy in the fond delusion that I had become +prudent and thrifty, and was putting money in bank for that home we +were going to buy--sometime. + +Meanwhile the names of Flail, Trask, and Bisland became household words +with us. Occasionally Smeaton and Holbrook and Caswell were mentioned +gratefully as some fair volume bearing their autograph was inspected; +but, after all, Flail, Trask, and Bisland were the favorites, for it +was from them that most of my beloved books came. Yes, Alice gradually +grew to love those three myths; she loved them because they were good +to me. + +Alice had, like most others of her sex, a strong sense of duty. She +determined to do something for my noble friends, and finally she +planned a lovely little dinner whereat Judge Trask and Colonel Flail +and Mr. Bisland were to be regaled with choicest viands of Alice's +choice larder and with the sweetest speeches of Alice's graceful heart. +I was authorized only to convey the invitations to this delectable +banquet, and here was a pretty plight for a man to be in, surely +enough! But my bachelor friend Kinzie (ough, the Mephisto!) helped me +out. I reported back to Alice that Judge Trask was out of town, that +Colonel Flail was sick abed with grip, and that Mr. Bisland was +altogether too shy a man to think of venturing out to a dinner alone. +Alice was dreadfully disappointed. Still there was consolation in +feeling that she had done her duty in trying to do it. + +Well, this system of deception and perjury went on a long time, Alice +never suspecting any evil, but perfectly happy in my supposed reform +and economy, and in the gracious liberality of those three +Maecenas-like friends, Flail, Trask, and Bisland, who kept pouring in +rare and beauteous old tomes upon me. She was joyous, too, in the +prospect of that new house which we would soon be able to build, now +that I had so long quit the old ruinous mania for book-buying! And +I--wretch that I was--I humored her in this conceit; I heaped perjury +upon perjury; lying and deception had become my second nature. Yet I +loathed myself and I hated those books; they reproached me every time I +came into their presence. So I was miserable and helpless; how hard it +is to turn about when one once gets into the downward path! The shifts +I was put to, and the desperate devices which I was forced to +employ,--I shudder to recall them! Life became a constant, terrifying +lie. + +Thank Heaven, it is over now, and my face is turned the right way. A +third little son was born to us. Alice was, oh! so very ill. When she +was convalescing she said to me one day: "Hiram, I have been thinking +it all over, and I've made up my mind that we must name the baby Trask +Flail Bisland, after our three good friends." + +I did n't make any answer, went out into the hall, and communed awhile +with my own hideous, tormented self. How my soul revolted against the +prospect of giving to that innocent babe a name that would serve simply +to scourge me through the rest of my wicked life! No, I could not +consent to that. I would be a coward no longer! + +I went back into Alice's room, and sat upon the bed beside her, and +took one of Alice's dear little white hands in mine, and told her +everything, told Alice the whole truth,--all about my wickedness and +perjuries and deceptions; told her what a selfish, cruel monster I had +been; dispelled all the sinful delusion about Flail, Trask, and +Bisland; threw myself, penitent and hopeless, upon my deceived, +outraged little wife's mercy. Was it a mean advantage to take of a +sick woman? + +I fancied she would reproach me, for I knew that her heart was set upon +that new house she had talked of so often; I told her that the savings +she had supposed were in bank, were in reality represented only by and +in those stately folios and sumptuous quartos which the mythical Flail, +Trask, and Bisland had presumably donated. "But," I added, "I shall +sell them now, and with the money I shall build the home in which we +may be happy again,--a lovely home, sweetheart, with no library at all, +but all nursery if you wish it so!" + +"No," said Alice, when I had ended my blubbering confession, "we shall +not part with the books; they have caused you more suffering than they +have me, and, moreover, their presence will have a beneficial effect +upon you. Furthermore, I myself have become attached to them,--you +know I thought they were given to you, and so I have learned to care +for them. Poor Judge Trask and Colonel Flail and Mr. Bisland,--so they +are only myths? Dear Hiram," she added with a sigh, "I can forgive you +for everything except for taking those three good men out of our lives!" + +After all this I have indeed reformed. I have actually become prudent, +and I have a bank-account that is constantly increasing. I do not hate +books; I simply do not buy them. And I eschew that old sinner, Kinzie, +and all the sinister influences he represents. As for our third little +boy, we have named him Reform Meigs, after Alice's mother's +grandfather, who built the first saw-mill in what is now the State of +Ohio, and was killed by the Indians in 1796. + + + + +THE TOUCH IN THE HEART + +Old Abel Dunklee was delighted, and so was old Abel's wife, when little +Abel came. For this coming they had waited many years. God had +prospered them elsewise; this one supreme blessing only had been +withheld. Yet Abel had never despaired. "I shall some time have a +son," said he. "I shall call him Abel. He shall be rich; he shall +succeed to my business; my house, my factory, my lands, my +fortune,--all shall be his!" Abel Dunklee felt this to be a certainty, +and with this prospect constantly in mind he slaved and pinched and +bargained. So when at last the little one did come it was as heir to a +considerable property. + +The joy in the house of Dunklee was not shared by the community at +large. Abel Dunklee was by no means a popular man. Folk had the +well-defined opinion that he was selfish, miserly, and hard. If he had +not been actually bad, he had never been what the world calls a good +man. His methods had been of the grinding, sordid order. He had +always been scrupulously honest in the payment of his debts, and in +keeping his word; but his sense of duty seemed to stop there: Abel's +idea of goodness was to owe no man any money. He never gave a penny to +charities, and he never spent any time sympathizing with the +misfortunes or distresses of other people. He was narrow, close, +selfish, and hard, so his neighbors and the community at large said, +and I shall not deny that the verdict was a just one. + +When a little one comes into this world of ours, it is the impulse of +the people here to bid it welcome, and to make its lot pleasant. When +little Abel was born no such enthusiasm obtained outside the austere +Dunklee household. Popular sentiment found vent in an expression of +the hope that the son and heir would grow up to scatter the dollars +which old man Dunklee had accumulated by years of relentless avarice +and unflagging toil. But Dr. Hardy--he who had officiated in an +all-important capacity upon that momentous occasion in the Dunklee +household--Dr. Hardy shook his head wisely, and perhaps sadly, as if he +were saying to himself: "No, the child will never do either what the +old folk or what the other folk would have him do; he is not long for +here." + +Had you questioned him closely, Dr. Hardy would have told you that +little Abel was as frail a babe as ever did battle for life. Dr. Hardy +would surely never have dared say that to old Dunklee; for in his +rapture in the coming of that little boy old Dunklee would have smote +the offender who presumed even to intimate that the babe was not the +most vigorous as well as the most beautiful creature upon earth. The +old man was simply assotted upon the child,--in a selfish way, +undoubtedly, but even this selfish love of that puny little child +showed that the old man was capable of somewhat better than his past +life had been. To hear him talk you might have fancied that Mrs. +Dunklee had no part or parcel or interest in their offspring. It was +always "my little boy,"--yes, old Abel Dunklee's money had a rival in +the old man's heart at last, and that rival was a helpless, shrunken, +sickly little babe. + +Among his business associates Abel Dunklee was familiarly known as Old +Growly, for the reason that his voice was harsh and discordant, and +sounded for all the world like the hoarse growling of an ill-natured +bear. Abel was not a particularly irritable person, but his slavish +devotion to money-getting, his indifference to the amenities of life, +his entire neglect of the tender practices of humanity, his rough, +unkempt personality, and his deep, hoarse voice,--these things combined +to make that sobriquet of "Old Growly" an exceedingly appropriate one. +And presumably Abel never thought of resenting the slur implied therein +and thereby; he was too shrewd not to see that, however disrespectful +and evil-intentioned the phrase might be, it served him to good +purpose; for it conduced to that very general awe, not to say terror, +which kept people from bothering him with their charitable and +sentimental schemes. + +Yes, I think we can accept it as a fact that Abel liked that sobriquet; +it meant more money in his pocket, and fewer demands upon his time and +patience. + +But Old Growly abroad and Old Growly at home were two very different +people. Only the voice was the same. The homely, furrowed, wizened +face lighted up, and the keen, restless eyes lost their expression of +shrewdness, and the thin, bony hands that elsewhere clutched and +clutched and pinched and pinched for possession unlimbered themselves +in the presence of little Abel, and reached out their long fingers +yearningly and caressingly toward the little child. Then the hoarse +voice would growl a salutation that was full of tenderness, for it came +straight from the old man's heart; only, had you not known how much he +loved the child, you might have thought otherwise, for the old man's +voice was always hoarse and discordant, and that was why they called +him Old Growly. But what proved his love for that puny babe was the +fact that every afternoon, when he came home from the factory, Old +Growly brought his little boy a dime; and once, when the little fellow +had a fever on him from teething, Old Growly brought him a dollar! +Next day the tooth came through and the fever left him, but you could +not make the old man believe but what it was the dollar that did it +all. That was natural, perhaps; for his life had been spent in +grubbing for money, and he had not the soul to see that the best and +sweetest things in human life are not to be had by riches alone. + +As the doctor had in one way and another intimated would be the case, +the child did not wax fat and vigorous. Although Old Growly did not +seem to see the truth, little Abel grew older only to become what the +doctor had foretold,--a cripple. A weakness of the spine was +developed, a malady that dwarfed the child's physical growth, giving to +his wee face a pinched, starved look, warping his emaciated body, and +enfeebling his puny limbs, while at the same time it quickened the +intellectual faculties to the degree of precocity. And so two and +three and four years went by, little Abel clinging to life with +pathetic heroism, and Old Growly loving that little cripple with all +the violence of his selfish nature. Never once did it occur to the +father that his child might die, that death's seal was already set upon +the misshapen little body; on the contrary, Old Growly's thoughts were +constantly of little Abel's famous future, of the great fortune he was +to fall heir to, of the prosperous business career he was to pursue, of +the influence he was to wield in the world,--of dollars, dollars, +dollars, millions of them which little Abel was some time to possess; +these were Old Growly's dreams, and he loved to dream them! + +Meanwhile the world did well by the old man; despising him, +undoubtedly, for his avarice and selfishness, but constantly pouring +wealth, and more wealth, and even more wealth into his coffers. As for +the old man, he cared not for what the world thought or said, so long +as it paid tribute to him; he wrought on as of old, industriously, +shrewdly, hardly, but with this new purpose: to make his little boy +happy and great with riches. + +Toys and picture-books were vanities in which Old Growly never +indulged; to have expended a farthing for chattels of that character +would have seemed to Old Growly like sinful extravagance. The few +playthings which little Abel had were such as his mother +surreptitiously bought; the old man believed that a child should be +imbued with a proper regard for the value of money from the very start, +so his presents were always cash in hand, and he bought a large tin +bank for little Abel, and taught the child how to put the copper and +silver pieces into it, and he labored diligently to impress upon the +child of how great benefit that same money would be to him by and by. +Just picture to yourself, if you can, that fond, foolish old man +seeking to teach this lesson to that wan-eyed, pinched-face little +cripple! But little Abel took it all very seriously, and was so apt a +pupil that Old Growly made great joy and was wont to rub his bony hands +gleefully and say to himself, "He has great genius,--this boy of +mine,--great genius for finance!" + +But on a day, coming from his factory, Old Growly was stricken with +horror to find that during his absence from home a great change had +come upon his child. The doctor said it was simply the progress of the +disease; that it was a marvel that little Abel had already held out so +long; that from the moment of his birth the seal of death had been set +upon him in that cruel malady which had drawn his face and warped his +body and limbs. Then all at once Old Growly's eyes seemed to be opened +to the truth, and like a lightning flash it came to him that perhaps +his pleasant dreams which he had dreamed of his child's future could +never be realized. It was a bitter awakening, yet amid it all the old +man was full of hope, determination, and battle. He had little faith +in drugs and nursing and professional skill; he remembered that upon +previous occasions cures had been wrought by means of money; teeth had +been brought through, the pangs of colic beguiled, and numerous other +ailments to which infancy is heir had by the same specific been +baffled. So now Old Growly set about wooing his little boy from the +embrace of death,--sought to coax him back to health with money, and +the dimes became dollars, and the tin bank was like to burst of +fulness. But little Abel drooped and drooped, and he lost all interest +in other things, and he was content to lie, drooping-eyed and listless, +in his mother's arms all day. At last the little flame went out with +hardly so much as a flutter, and the hope of the house of Dunklee was +dissipated forever. But even in those last moments of the little +cripple's suffering the father struggled to call back the old look into +the fading eyes, and the old smile into the dear, white face. He +brought treasure from his vaults and held it up before those fading +eyes, and promised it all, all, all--everything he possessed, gold, +houses, lands--all he had he would give to that little child if that +little child would only live. But the fading eyes saw other things, +and the ears that were deaf to the old man's lamentations heard voices +that soothed the anguish of that last solemn hour. And so little Abel +knew the Mystery. + +Then the old man crept away from that vestige of his love, and stood +alone in the night, and lifted up his face, and beat his bosom, and +moaned at the stars, asking over and over again why he had been so +bereaved. And while he agonized in this wise and cried there came to +him a voice,--a voice so small that none else could hear, a voice +seemingly from God; for from infinite space beyond those stars it sped +its instantaneous way to the old man's soul and lodged there. + +"Abel, I have touched thy heart!" + +And so, having come into the darkness of night, old Dunklee went back +into the light of day and found life beautiful; for the touch was in +his heart. + +After that, Old Growly's way of dealing with the world changed. He had +always been an honest man, honest as the world goes. But now he was +somewhat better than honest; he was kind, considerate, merciful. +People saw and felt the change, and they knew why it was so. But the +pathetic part of it all was that Old Growly would never admit--no, not +even to himself--that he was the least changed from his old grinding, +hard self. The good deeds he did were not his own; they were his +little boy's,--at least so he said. And it was his whim when doing +some kind and tender thing to lay it to little Abel, of whom he always +spoke as if he were still living. His workmen, his neighbors, his +townsmen,--all alike felt the graciousness of the wondrous change, and +many, ah! many a lowly sufferer blessed that broken old man for succor +in little Abel's name. And the old man was indeed much broken: not +that he had parted with his shrewdness and acumen, for, as of old, his +every venture prospered; but in this particular his mind seemed +weakened; that, as I have said, he fancied his child lived, that he was +given to low muttering and incoherent mumblings, of which the burden +seemed to be that child of his, and that his greatest pleasure appeared +now to be watching other little ones at their play. In fact, so +changed was he from the Old Growly of former years, that, whereas he +had then been wholly indifferent to the presence of those little ones +upon earth, he now sought their company, and delighted to view their +innocent and mirthful play. And so, presently, the children, from +regarding him at first with distrust, came to confide in and love him, +and in due time the old man was known far and wide as Old Grampa +Growly, and he was pleased thereat. It was his wont to go every fair +day, of an afternoon, into a park hard by his dwelling, and mingle with +the crowd of little folk there; and when they were weary of their +sports they used to gather about him,--some even clambering upon his +knees,--and hear him tell his story, for he had only one story to tell, +and that was the story that lay next his heart,--the story ever and +forever beginning with, "Once ther' wuz a littl' boy." A very tender +little story it was, too, told very much more sweetly than I could ever +tell it; for it was of Old Grampa Growly's own little boy, and it came +from that heart in which the touch--the touch of God Himself--lay like +a priceless pearl. + +So you must know that the last years of the old man's life made full +atonement for those that had gone before. People forgot that the old +man had ever been other than he was now, and of course the children +never knew otherwise. But as for himself, Old Grampa Growly grew +tenderer and tenderer, and his goodness became a household word, and he +was beloved of all. And to the very last he loved the little ones, and +shared their pleasures, and sympathized with them in their griefs, but +always repeating that same old story, beginning with "Once ther' wuz a +littl' boy." + +The curious part of it was this: that while he implied by his +confidences to the children that his own little boy was dead, he never +made that admission to others. On the contrary, it was his wont, as I +have said, to speak of little Abel as if that child still lived, and, +humoring him in this conceit, it was the custom of the older ones to +speak always of that child as if he lived and were known and beloved of +all. In this custom the old man had great content and solace. For it +was his wish that all he gave to and did for charity's sake should be +known to come, not from him, but from Abel, his son, and this was his +express stipulation at all such times. I know whereof I speak, for I +was one of those to whom the old man came upon a time and said: "My +little boy--Abel, you know--will give me no peace till I do what he +requires. He has this sum of money which he has saved in his bank, +count it yourselves, it is $50,000, and he bids me give it to the +townsfolk for a hospital, one for little lame boys and girls. And I +have promised him--my little boy, Abel, you know--that I will give +$50,000 more. You shall have it when that hospital is built." Surely +enough, in eighteen months' time the old man handed us the rest of the +money, and when we told him that the place was to be called the Abel +Dunklee hospital he was sorely distressed, and shook his head, and +said: "No, no,--not _my_ name! Call it the _Little_ Abel hospital, for +little Abel--my boy, you know--has done it all." + +The old man lived many years,--lived to hear tender voices bless him, +and to see pale faces brighten at the sound of his footfall. Yes, for +many years the quaint, shuffling figure moved about our streets, and +his hoarse but kindly voice--oh, very kindly now!--was heard repeating +to the children that pathetic old story of "Once ther' wuz a littl' +boy." And where the dear old feet trod the grass grew greenest, and +the sunbeams nestled. But at last there came a summons for the old +man,--a summons from away off yonder,--and the old man heard it and +went thither. + +The doctor--himself hoary and stooping now--told me that toward the +last Old Grampa Growly sunk into a sort of sleep, or stupor, from which +they could not rouse him. For many hours he lay like one dead, but his +thin, creased face was very peaceful, and there was no pain. Children +tiptoed in with flowers, and some cried bitterly, while others--those +who were younger--whispered to one another: "Hush, let us make no +noise; Old Grampa Growly is sleeping." + +At last the old man roused up. He had lain like one dead for many +hours, but now at last he seemed to wake of a sudden, and, seeing +children about him, perhaps he fancied himself in that pleasant park, +under the trees, where so very often he had told his one pathetic story +to those little ones. Leastwise he made a feeble motion as if he would +have them gather nearer, and, seeming to know his wish, the children +came closer to him. Those who were nearest heard him say with the +ineffable tenderness of old, "Once ther' wuz a littl' boy--" + +And with those last sweet words upon his lips, and with the touch in +his heart, the old man went down into the Valley. + + + + +DANIEL AND THE DEVIL + +Daniel was a very wretched man. As he sat with his head bowed upon his +desk that evening he made up his mind that his life had been a failure. +"I have labored long and diligently," said he to himself, "and although I +am known throughout the city as an industrious and shrewd business man, I +am still a poor man, and shall probably continue so to the end of my days +unless--unless--" + +Here Daniel stopped and shivered. For a week or more he had been +brooding over his unhappy lot. There seemed to be but one way out of his +trouble, yet his soul revolted from taking that step. That was why he +stopped and shivered. + +"But," he argued, "I _must_ do something! My nine children are growing +up into big boys and girls. They must have those advantages which my +limited means will not admit of! All my life so far has been pure, +circumspect, and rigid; poverty has at last broken my spirit. I give up +the fight,--I am ready to sell my soul to the Devil!" + +"The determination is a wise one," said a voice at Daniel's elbow. +Daniel looked up and beheld a grim-visaged stranger in the chair beside +him. The stranger was arrayed all in black, and he exhaled a distinct +odor of sulphur. + +"Am I to understand," asked the stranger, "that you are prepared to enter +into a league with the Devil?" + +"Yes," said Daniel, firmly; and he set his teeth together after the +fashion of a man who is not to be moved from his purpose. + +"Then I am ready to treat with you," said the stranger. + +"Are you the Devil?" asked Daniel, eying the stranger critically. + +"No, but I am authorized to enter into contracts for him," explained the +stranger. "My name is Beelzebub, and I am my master's most trusted +agent." + +"Sir," said Daniel, "you must pardon me (for I am loath to wound your +feelings), but one of the rules governing my career as a business man has +been to deal directly with principals, and never to trust to the offices +of middle-men. The affair now in hand is one concerning the Devil and +myself, and between us two and by us two only can the preliminaries be +adjusted." + +"As it so happens," explained Beelzebub, "this is Friday,--commonly +called hangman's day,--and that is as busy a time in our particular +locality as a Monday is in a laundry, or as the first of every month is +at a book-keeper's desk. You can understand, perhaps, that this is the +Devil's busy day; therefore be content to make this deal with me, and you +will find that my master will cheerfully accept any contract I may enter +into as his agent and in his behalf." + +But no,--Daniel would not agree to this; with the Devil himself, and only +the Devil himself, would he treat. So he bade Beelzebub go to the Devil +and make known his wishes. Beelzebub departed, much chagrined. +Presently back came the Devil, and surely it _was_ the Devil this +time,--there could be no mistake about it; for he wore a scarlet cloak, +and had cloven feet, and carried about with him as many suffocating +smells as there are kinds of brimstone, sulphur, and assafoetida. + +The two talked over all Daniel's miseries; the Devil sympathized with +Daniel, and ever and anon a malodorous, gummy tear would trickle down the +Devil's sinister nose and drop off on the carpet. + +"What you want is money," said the Devil. "That will give you the +comfort and the contentment you crave." + +"Yes," said Daniel; "it will give me every opportunity to do good." + +"To do good!" repeated the Devil. "To do good, indeed! Yes, it's many a +good time we shall have together, friend Daniel! Ha, ha, ha!" And the +Devil laughed uproariously. Nothing seemed more humorous than the +prospect of "doing good" with the Devil's money! But Daniel failed to +see what the Devil was so jolly about. Daniel was not a humorist; he +was, as we have indicated, a plain business man. + +It was finally agreed that Daniel should sell his soul to the Devil upon +condition that for the space of twenty-four years the Devil should serve +Daniel faithfully, should provide him with riches, and should do +whatsoever he was commanded to do; then, at the end of the twenty-fourth +year, Daniel's soul was to pass into the possession of the Devil, and was +to remain there forever, without recourse or benefit of clergy. Surely a +more horrible contract was never entered into! + +"You will have to sign your name to this contract," said the Devil, +producing a sheet of asbestos paper upon which all the terms of the +diabolical treaty were set forth exactly. + +"Certainly," replied Daniel. "I have been a business man long enough to +know the propriety and necessity of written contracts. And as for you, +you must of course give a bond for the faithful execution of your part of +this business." + +"That is something I have never done before," suggested the Devil. + +"I shall insist upon it," said Daniel, firmly. "This is no affair of +sentiment; it is strictly and coldly business: you are to do certain +service, and are to receive certain rewards therefor--" + +"Yes, your soul!" cried the Devil, gleefully rubbing his callous hands +together. "Your soul in twenty-four years!" + +"Yes," said Daniel. "Now, no contract is good unless there is a quid pro +quo." + +"That's so," said the Devil, "so let's get a lawyer to draw up the paper +for me to sign." + +"Why a lawyer?" queried Daniel. "A contract is a simple instrument; I, +as a business man, can frame one sufficiently binding." + +"But I prefer to have a lawyer do it," urged the Devil. + +"And _I_ prefer to do it myself," said Daniel. + +When a business man once gets his mind set, not even an Archimedean lever +could stir it. So Daniel drew up the bond for the Devil to sign, and +this bond specified that in case the Devil failed at any time during the +next twenty-four years to do whatso Daniel commanded him, then should the +bond which the Devil held against Daniel become null and void, and upon +that same day should a thousand and one souls be released forever from +the Devil's dominion. The Devil winced; he hated to sign this agreement, +but he had to. An awful clap of thunder ratified the abominable treaty, +and every black cat within a radius of a hundred leagues straightway fell +to frothing and to yowling grotesquely. + +Presently Daniel began to prosper; the Devil was a faithful slave, and he +served Daniel so artfully that no person on earth suspected that Daniel +had leagued with the evil one. Daniel had the finest house in the city, +his wife dressed magnificently, and his children enjoyed every luxury +wealth could provide. Still, Daniel was content to be known as a +business man; he deported himself modestly and kindly; he pursued with +all his old-time diligence the trade which in earlier days he had found +so unproductive of riches. His indifference to the pleasures which money +put within his reach was passing strange, and it caused the Devil vast +uneasiness. + +"Daniel," said the Devil, one day, "you're not getting out of this thing +all the fun there is in it. You go poking along in the same old rut with +never a suspicion that you have it in your power to enjoy every pleasure +of human life. Why don't you break away from the old restraints? Why +don't you avail yourself of the advantages at your command?" + +"I know what you 're driving at," said Daniel, shrewdly, "Politics!" + +"No, not at all," remonstrated the Devil. "What I mean is fun,--gayety. +Why not have a good time, Daniel?" + +"But I am having a good time," said Daniel. "My business is going along +all right, I am rich. I 've got a lovely home; my wife is happy; my +children are healthy and contented; I am respected,--what more could I +ask? What better time could I demand?" + +"You don't understand me," explained the Devil. "What I mean by a good +time is that which makes the heart merry and keeps the soul youthful and +buoyant,--wine, Daniel! Wine and the theatre and pretty girls and fast +horses and all that sort of happy, joyful life!" + +"Tut, tut, tut!" cried Daniel; "no more of that, sir! I sowed my wild +oats in college. What right have I to think of such silly follies,--I, +at forty years of age, and a business man too?" + +So not even the Devil himself could persuade Daniel into a life of +dissipation. All you who have made a study of the business man will +agree that of all human beings he is the hardest to swerve from +conservative methods. The Devil groaned and began to wonder why he had +ever tied up to a man like Daniel,--a business man. + +Pretty soon Daniel developed an ambition. He wanted reputation, and he +told the Devil so. The Devil's eyes sparkled. "At last," murmured the +Devil, with a sigh of relief,--"at last." + +"Yes," said Daniel, "I want to be known far and wide. You must build a +church for me." + +"What!" shrieked the Devil. And the Devil's tail stiffened up like a +sore thumb. + +"Yes," said Daniel, calmly; "you must build a church for me, and it must +be the largest and the handsomest church in the city. The sittings shall +be free, and you shall provide the funds for its support forever." + +The Devil frothed at his mouth, and blue fire issued from his ears and +nostrils. He was the maddest devil ever seen on earth. + +"I won't do it!" roared the Devil. "Do you suppose I'm going to spend my +time building churches and stultifying myself just for the sake of +gratifying your idle whims? I won't do it,--never!" + +"Then the bond I gave is null and void," said Daniel. + +"Take your old bond," said the Devil, petulantly. + +"But the bond you gave is operative," continued Daniel. "So release the +thousand and one souls you owe me when you refuse to obey me." + +"Oh, Daniel!" whimpered the Devil, "how can you treat me so? Have n't I +always been good to you? Have n't I given you riches and prosperity? +Does no sentiment of friendship--" + +"Hush," said Daniel, interrupting him. "I have already told you a +thousand times that our relations were simply those of one business man +with another. It now behooves you to fulfil your part of our compact; +eventually I shall fulfil mine. Come, now, to business! Will you or +will you not keep your word and save your bond?" + +The Devil was sorely put to his trumps. But when it came to releasing a +thousand and one souls from hell,--ah, that staggered him! He had to +build the church, and a noble one it was too. Then he endowed the +church, and finally he built a parsonage; altogether it was a stupendous +work, and Daniel got all the credit for it. The preacher whom Daniel +installed in this magnificent temple was severely orthodox, and one of +the first things he did was to preach a series of sermons upon the +personality of the Devil, wherein he inveighed most bitterly against that +person and his work. + +By and by Daniel made the Devil endow and build a number of hospitals, +charity schools, free baths, libraries, and other institutions of similar +character. Then he made him secure the election of honest men to office +and of upright judges to the bench. It almost broke the Devil's heart to +do it, but the Devil was prepared to do almost anything else than forfeit +his bond and give up those one thousand and one souls. By this time +Daniel came to be known far and wide for his philanthropy and his piety. +This gratified him of course; but most of all he gloried in the +circumstance that he was a business man. + +"Have you anything for me to do today?" asked the Devil, one morning. He +had grown to be a very meek and courteous devil; steady employment in +righteous causes had chastened him to a degree and purged away somewhat +of the violence of his nature. On this particular morning he looked +haggard and ill,--yes, and he looked, too, as blue as a whetstone. + +"I am not feeling robust," explained the Devil. "To tell the truth, I am +somewhat ill." + +"I am sorry to hear it," said Daniel; "but as I am not conducting a +sanitarium, I can do nothing further than express my regret that you are +ailing. Of course our business relations do not contemplate any +interchange of sympathies; still I'll go easy with you to-day. You may +go up to the house and look after the children; see that they don't smoke +cigarettes, or quarrel, or tease the cat, or do anything out of the way." + +Now that was fine business for the Devil to be in; but how could the +Devil help himself? He was wholly at Daniel's mercy. He went groaning +about the humiliating task. + +The crash came at last. It was when the Devil informed Daniel one day +that he was n't going to work for him any more. + +"You have ruined my business," said the Devil, wearily. "A committee of +imps waited upon me last night and told me that unless I severed my +connection with you a permanent suspension of my interests down yonder +would be necessitated. While I have been running around doing your +insane errands my personal business has gone to the dogs--I would n't be +at all surprised if I were to have to get a new plant altogether. +Meanwhile my reputation has suffered; I am no longer respected, and the +number of my recruits is daily becoming smaller. I give up,--I can make +no further sacrifice." + +"Then you are prepared to forfeit your bond?" asked Daniel. + +"Not by any means," replied the Devil. "I propose to throw the matter +into the courts." + +"That will hardly be to your interest," said Daniel, "since, as you well +know, we have recently elected honest men to the bench, and, as I +recollect, most of our judges are members in good standing of the church +we built some years ago!" + +The Devil howled with rage. Then, presently, he began to whimper. + +"For the last time," expostulated Daniel, "let me remind you that +sentiment does not enter into this affair at all. We are simply two +business parties cooeperating in a business scheme. Our respective duties +are exactly defined in the bonds we hold. You keep your contract and +I'll keep mine. Let me see, I still have a margin of thirteen years." + +The Devil groaned and writhed. + +"They call me a dude," whimpered the Devil. + +"Who do?" asked Daniel. + +"Beelzebub and the rest," said the Devil. "I have been trotting around +doing pious errands so long that I 've lost all my sulphur-and-brimstone +flavor, and now I smell like spikenard and myrrh." + +"Pooh!" said Daniel. + +"Well, I do," insisted the Devil. "You've humiliated me so that I hain't +got any more ambition. Yes, Daniel, you've worked me shamefully hard!" + +"Well," said Daniel, "I have a very distinct suspicion that when, +thirteen years hence, I fall into your hands I shall not enjoy what might +be called a sedentary life." + +The Devil plucked up at this suggestion. "Indeed you shall not," he +muttered. "I'll make it hot for you!" + +"But come, we waste time," said Daniel. "I am a man of business, and I +cannot fritter away the precious moments parleying with you. I have +important work for you. Tomorrow is Sunday; you are to see that all the +saloons are kept closed." + +"I sha'n't--I won't!" yelled the Devil. + +"But you must," said Daniel, firmly. + +"Do you really expect me to do _that_?" roared the Devil. "Do you fancy +that I am so arrant a fool as to shut off the very feeders whereby my +hungry hell is supplied? That would be suicidal!" + +"I don't know anything about that," said Daniel; "I am a business man, +and by this business arrangement of ours it is explicitly stipulated--" + +"I don't care what the stipulations are!" shrieked the Devil. "I'm +through with you, and may I be consumed by my own fires if ever again I +have anything to do with a business man!" + +The upshot of it all was that the Devil forfeited his bond, and by this +act Daniel was released from every obligation unto the Devil, and one +thousand and one souls were ransomed from the torture of the infernal +fires. + + + + +METHUSELAH + +The discussion now going on between our clergymen and certain +unbelievers touching the question of Cain and his wife will surely +result beneficially, for it will set everybody to reading his Bible +more diligently. Still, the biography of Cain is one that we could +never become particularly interested in; in short, of all the Old +Testament characters none other interests us so much as does +Methuselah, the man who lived 969 years. Would it be possible to find +in all history another life at once so grand and so pathetic? One can +get a faint idea of the awful magnitude of Methuselah's career by +pausing to recollect that 969 years represent 9.69 centuries, 96 +decades, 11,628 months, 50,388 weeks, 353,928 days, 8,494,272 hours, +521,656,320 minutes, and 36,299,879,200 seconds! + +How came he to live so long? Ah, that is easily enough explained. He +loved life and the world,--both were beautiful to him. And one day he +spoke his wish in words. "Oh, that I might live a thousand years!" he +cried. + +Then looking up straightway he beheld an angel, and the angel said: +"Wouldst thou live a thousand years?" + +And Methuselah answered him, saying: "As the Lord is my God, I would +live a thousand years." + +"It shall be even so," said the angel; and then the angel departed out +of his sight. So Methuselah lived on and on, as the angel had promised. + +How sweet a treasure the young Methuselah must have been to his parents +and to his doting ancestors; with what tender solicitude must the old +folks have watched the child's progress from the innocence of his first +to the virility of his later centuries. We can picture the happy +reunions of the old Adam family under the domestic vines and fig-trees +that bloomed near the Euphrates. When Methuselah was a mere toddler of +nineteen years, Adam was still living, and so was his estimable wife; +the possibility is that the venerable couple gave young Methuselah a +birthday party at which (we can easily imagine) there were present +these following, to-wit: Adam, aged 687; Seth, aged 557; Enos, aged +452; Cainan, aged 362; Mahalaleel, aged 292; Jared, aged 227; Enoch, +aged 65, and his infant boy Methuselah, aged 19. Here were represented +eight direct generations, and there were present, of course, +the wives and daughters; so that, on the whole, the gathering +must have been as numerous as it was otherwise remarkable. +Nowhere in any of the vistas of history, of romance, or of +mythology were it possible to find a spectacle more imposing than +that of the child Methuselah surrounded by his father Enoch, +his grandfather Jared, his great-grandfather Mahalaleel, his +great-great-grandfather Cainan, his great-great-great-grandfather +Enos, his great-great-great-great-grandfather Seth, and his +great-great-great-great-great-grandfather Adam, as well as by his +great-great-great-great-great-grandmother Eve, and her feminine +posterity for (say) four centuries! How pretty and how kindly dear old +grandma Eve must have looked on that gala occasion, attired, as she +must have been, in all the quaint simplicity of that primeval period; +and how must the dear old soul have fretted through fear that little +Methuselah would eat too many papaws, or drink too much goat's milk. +It is a marvel, we think, that in spite of the indulgence and the +petting in which he was reared, Methuselah grew to be a good, kind man. + +Profane historians agree that just about the time he reached the age of +ninety-four Methuselah became deeply enamoured of a comely and +sprightly damsel named Mizpah,--a young thing scarce turned +seventy-six. Up to this period of adolescence his cautious father +Enoch had kept Methuselah out of all love entanglements, and it is +probable that he would not have approved of this affair with Mizpah had +not Jared, the boy's grandfather, counselled Enoch to give the boy a +chance. But alas and alackaday for the instability of youthful +affection! It befell in an evil time that there came over from the +land of Nod a frivolous and gorgeously apparelled beau, who, with +finely wrought phrases, did so fascinate the giddy Mizpah that +incontinently she gave Methuselah the mitten, and went with the dashing +young stranger of 102 as his bride. + +This shocking blow so grievously affected Methuselah that for some time +(that is to say, for a period of ninety-one years) he shunned female +society. But having recovered somewhat from the bitterness of that +great disappointment received in the callowness of his ninth decade, he +finally met and fell in love with Adah, a young woman of 148, and her +he married. The issue of this union was a boy whom they named Lamech, +and this child from the very hour of his birth gave his father vast +worriment, which, considering the disparity in their ages, is indeed +most shocking of contemplation. The tableau of a father (aged 187) +vainly coddling a colicky babe certainly does not call for our +enthusiasm. Yet we presume to say that Methuselah bore his trials +meekly, that he cherished and adored the baby, and that he spent weeks +and months playing peek-a-boo and ride-a-cock-horse. In all our +consideration of Methuselah we must remember that the mere matter of +time was of no consequence to him. + +Lamech grew to boyhood, involving his father in all those ridiculous +complications which parents nowadays do not heed so much, but which +must have been of vast annoyance to a man of Methuselah's advanced age +and proper notions. Whittling with the old gentleman's razor, hooking +off from school, trampling down the neighbors' rowen, tracking mud into +the front parlor--these were some of Lamech's idiosyncrasies, and of +course they tormented Methuselah, who recalled sadly that boys were no +longer what they used to be when he was a boy some centuries previous. +But when he got to be 182 years old Lamech had sowed all his wild oats, +and it was then he married a clever young girl of 98, who bore him a +son whom they called Noah. Now if Methuselah had been worried and +plagued by Lamech, he was more than compensated therefor by this baby +grandson, whom he found to be, aside from all prejudices, the prettiest +and the smartest child he had ever seen. Old father Adam, who was now +turned of his ninth century, tottered over to see the baby, and he, +too, allowed that it was an uncommonly bright child. And dear old +grandma Eve declared that there was an expression about the upper part +of the little Noah's face that reminded her very much of the soft-eyed +boy she lost 800 years ago. And dear old grandma Eve used to rock +little Noah and sing to him, and cry softly to herself all the while. + +Now, in good time, Noah grew to lusty youth, and although he was, on +the whole, a joy to his grandsire Methuselah, he developed certain +traits and predilections that occasioned the old gentleman much +uneasiness. At the tender age of 265 Noah exhibited a strange passion +for aquatics, and while it was common for other boys of that time to +divert themselves with the flocks and herds, with slingshots and +spears, with music and dancing, Noah preferred to spend his hours +floating toy-ships in the bayous of the Euphrates. Every day he took +his little shittim-wood boats down to the water, tied strings to them, +and let them float hither and thither on the crystal bosom of the tide. +Naturally enough these practices worried the grandfather mightily. + +"May not the crocodiles compass him round about?" groaned Methuselah. +"May not behemoth prevail against him? Or, verily, it may befall that +the waves shall devour him. Woe is me and lamentation unto this +household if destruction come to him through the folly of his fathers!" + +So Methuselah's age began to be full of care and trouble, and many a +time he felt weary of living, and sometimes--yes, sometimes--he wished +he were dead. People in those times were not afraid to die; they +believed in the second and better life, because God spoke with them and +told them it should be. + +The last century of this good man's sojourn upon earth was +particularly pathetic. His ancestors were all dead; he alone +remained the last living reminiscence of a time that but for him +would have been forgotten. Deprived of the wise counsels of his +great-great-great-great-great-grandfather Adam and of the gentle +admonitions of his great-great-great-great-great-grandmother Eve, +Methuselah felt not only lonesome but even in danger of wrong-doing, so +precious to him had been the teachings of these worthy progenitors. +And what particularly disturbed Methuselah were the dreadful changes +that had taken place in society since he was a boy. Dress, speech, +customs, and morals were all different now from what they used to be. + +When Methuselah was a boy,--ah, he remembered it well,--people went +hither and thither clad only in simple fig-leaf garb; and they were +content therewith. + +When Methuselah was a boy, people spoke a plain, direct language, +strong in its truth, its simplicity, and its honest vigor. + +When Methuselah was a boy, manners were open and unaffected, and morals +were pure and healthy. + +But now all these things were changed. An evil called fashion had +filled the minds of men and women with vanity. From the sinful land of +Nod and from other pagan countries came divers tradesmen with purples +and linens and fine feathers, whereby a wicked pride was engendered, +and from these sinful countries, too, came frivolous manners that +supplanted the guileless etiquette of the past. + +Moreover, traffic and intercourse with the subtle heathen had corrupted +and perverted the speech of Adam's time: crafty phrases and false +rhetorics had crept in, and the grand old Edenic idioms either were +fast being debased or had become wholly obsolete. Such new-fangled +words as "eftsoon," "albeit," "wench," "soothly," "zounds," "whenas," +and "sithence" had stolen into common usage, making more direct and +simpler speech a jest and a byword. + +Likewise had prudence given way to extravagance, abstemiousness to +intemperance, dignity to frivolity, and continence to lust; so that by +these evils was Methuselah grievously tormented, and it repented him +full sore that he had lived to see such exceeding wickedness upon +earth. But in the midst of all these follies did Methuselah maintain +an upright and godly life, and continually did he bless God for that he +had held him in the path of rectitude. + +Now when Methuselah was in the 964th summer of his sojourn he was +called upon to mourn the death of his son Lamech, whom an inscrutable +Providence had cut off in what in those days was considered the flower +of a man's life,--namely, the eighth century thereof. Lamech's +untimely decease was a severe blow to his doting father, who, +forgetting all his son's boyish indiscretions, remembered now only +Lamech's good and lovable traits and deeds. It is reasonable to +suppose, however, that the old gentleman was somewhat beguiled from his +grief by the lively dispositions and playful antics of Lamech's +grandsons, Noah's sons, and his own great-grandsons,--Shem, Ham, and +Japheth,--who at this time had attained to the frolicsome ages of +ninety-five, ninety-two, and ninety-one, respectively. These boys +inherited from their father a violent penchant for aquatics, and +scarcely a day passed that they did not paddle around the bayous and +sloughs of the Euphrates in their gopher-wood canoes. + +"Gran'pa," Noah used to say, "the conduct of those boys causes me +constant vexation. I have no time to follow them around, and I am +haunted continually by the fear that they will be drowned, or that the +crocodiles will get them if they don't watch out!" + +But Methuselah would smiling answer: "Possess thy soul in patience and +thy bowels in peace; for verily is it not written 'boys will be boys!'" + +Now Shem, Ham, and Japheth were very fond of their great-grandpa, and +to their credit be it said that next to paddling over the water +privileges of the Euphrates they liked nothing better than to sit in +the old gentleman's lap, and to hear him talk about old times. +Marvellous tales he told them, too; for his career of nine and a half +centuries had been well stocked with incident, as one would naturally +suppose. Howbeit, the admiration which these callow youths had for +Methuselah was not shared by a large majority of the people then on +earth. On the contrary, we blush to admit it, Methuselah was held in +very trifling esteem by his frivolous fellow-citizens, who habitually +referred to him as an "old 'wayback," "a barnacle," an "old fogy," a +"mossback," or a "garrulous dotard," and with singular irreverence they +took delight in twitting him upon his senility and in pestering him +with divers new-fangled notions altogether distasteful, not to say +shocking, to a gentleman of his years. + +It was perhaps, however, at the old settlers' picnics, which even then +were of annual occurrence, that Methuselah most enjoyed himself; for on +these occasions he was given the place of prominence and he was +deferred to in everything, since he antedated all the others by at +least three centuries. The historians and the antiquarians of the time +found him of much assistance to them in their labors, since he was +always ready to provide them with dates touching incidents of the +remote period from which he had come down unscathed. He remembered +vividly how, when he was 186 years of age, the Euphrates had frozen +over to a depth of seven feet; the 209th winter of his existence he +referred to as "the winter of the deep snow;" he remembered that +when he was a boy the women had more character than the women +of these later years; he had a vivid recollection of the great +plague that prevailed in the city of Enoch during his fourth +century; he could repeat, word for word, the address of welcome +his great-great-great-great-great-grandfather Adam delivered to an +excursion party that came over from the land of Nod one time when +Methuselah was a mere child of eighty-seven,--oh, yes, poor old +Methuselah was full of reminiscence, and having crowded an active +career into the brief period of 969 years, it can be imagined that +ponderous tomes would not hold the tales he told whenever he was +encouraged. + +One day, however, Methuselah's grandson Noah took the old gentleman +aside and confided into his ear-trumpet a very solemn secret which must +have grieved the old gentleman immensely, for he gnashed his gums and +wrung his thin, bony hands and groaned dolorously. + +"The end of all flesh is at hand," said Noah. "The earth is filled +with violence through them, and God will destroy them with the earth. +I will make an ark of gopher-wood, the length thereof 300 cubits, the +breadth of it 50 cubits, and the height of it 30 cubits, and I will +pitch it within and without with pitch. Into the ark will I come, and +my sons and my wife, and my sons' wives, and certain living beasts +shall come, and birds of the air, and we and they shall be saved. Come +thou also, for thou art an austere man and a just." + +But as Methuselah sate alone upon his couch that night he thought of +his life: how sweet it had been,--how that, despite the evil now and +then, there had been more of happiness than of sorrow in it. He even +forgot the wickedness of the world and remembered only its good and its +sunshine, its kindness and its love. He blessed God for it all, and he +prayed for the death-angel to come to him ere he beheld the destruction +of all he so much loved. + +Then the angel came and spread his shadow about the old man. + +And the angel said: "Thy prayer is heard, and God doth forgive thee the +score-and-ten years of the promised span of thy life." + +And Methuselah gathered up his feet into the bed, and prattling of the +brooks, he fell asleep; and so he slept with his fathers. + + + + +FELICE AND PETIT-POULAIN + +The name was singularly appropriate, for assuredly Felice was the +happiest of all four-footed creatures. Her nature was gentle; she was +obedient, long-suffering, kind. She had known what it was to toil and +to bear burdens; sometimes she had suffered from hunger and from +thirst; and before she came into the possession of Jacques she had been +beaten, for Pierre, her former owner, was a hard master. But Felice +was always a kind, faithful, and gentle creature; presumably that was +why they named her that pretty name, Felice. She may not have been +happy when Pierre owned and overworked and starved and beat her; that +does not concern us now, for herein it is to tell of that time when she +belonged to Jacques, and Jacques was a merciful man. + +Jacques was a farmer; he lived a short distance from Cinqville, which, +as you are probably aware, is a town of considerable importance upon +what used to be the boundary line between France and Germany. The +country round about is devoted to agriculture. You can fancy that, +with its even roads, leafy woods, quiet lanes, velvety paddocks, tall +hedges, and bountiful fields, this country was indeed as pleasant a +home as Felice--or, for that matter, any other properly minded +horse--could hope for. Toward the southern horizon there were hills +that looked a grayish blue from a distance; upon these hills were +vineyards, and the wine that came therefrom is very famous wine, as +your uncle, if he be a club man, will very truly assure you. There was +a pretty little river that curled like a silver snake through the +fertile meadows, and lost its way among the hills, and there were many +tiny brooks that scampered across lots and got tangled up with that +pretty little river in most bewildering fashion. So, as you can +imagine, this was a fair country, and you do not wonder that, with so +merciful a master as Jacques, our friend Felice was happy. + +But what perfected her happiness was the coming of her little colt, as +cunning and as blithe a creature as ever whisked a tail or galloped on +four legs. I do not know why they called him by that name, but +Petit-Poulain was what they called him, and that name seemed to please +Felice, for when farmer Jacques came thrice a day to the stile and +cried, "Petit-Poulain, petit, petit, Petit-Poulain!" the kind old +mother would look up fondly, and, with doting eyes, watch her dainty +little colt go bounding toward his calling master. And he was indeed a +lovely little fellow. The cure, the holy pere Francois, predicted that +in due time that colt would make a great name for himself and a great +fortune for his owner. The holy pere knew whereof he spake, for in his +youth he had tasted of the sweets of Parisian life, and upon one +memorable occasion had successfully placed ten francs upon the winner +of le grand prix. We can suppose that Felice thought well of the holy +pere. He never came down the road that she did not thrust her nose +through the hedge and give a mild whinny of recognition, as if she fain +would say: "Pray stop a moment and see Petit-Poulain and his old +mother!" + +What happy days those were for Felice and her darling colt. With what +tenderness they played together in the paddock; or, when the sky was +overcast and a storm came on, with what solicitude would the old mother +lead the way into the thatched stable, where there was snug protection +against the threatening element. There are those who say that none but +humankind is immortal,--that none but man has a soul. I do not make or +believe that claim. There is that within me which tells me that no +thing in this world and life of ours which has felt the grace of +maternity shall utterly perish. And this I say in all reverence, and +with the hope that I offend neither God nor man. + +You are to know that old Felice's devotion to Petit-Poulain was human +in its tenderness. As readily, as gladly, and as surely as your dear +mother would lay down her life for you would old Felice have yielded up +her life for her innocent, blithe darling. So old Felice was happy +that pleasant time in that fair country, and Petit-Poulain waxed hale +and evermore blithe and beautiful. + +Happy days, too, were those for that peaceful country and the other +dwellers therein. There was no thought of evil there; the seasons were +propitious, the vineyards thrived, the crops were bountiful; as far as +eye could see all was prosperity and contentment. But one day the holy +Father Francois came hurrying down the road, and it was too evident +that he brought evil tidings. Felice thought it very strange that he +paid no heed to her when, as was her wont, she thrust her nose through +the hedge and gave a mild whinny of welcome. Anon she saw that he +talked long and earnestly with her master Jacques, and presently she +saw that Jacques went into the cottage and came again therefrom with +his wife Justine and kissed her, and then went away with Pere Francois +toward the town off yonder. Felice saw that Justine was weeping, and +with never a suspicion of impending evil, she wondered why Justine +should weep when all was so prosperous and bright and fair and happy +about her. Felice saw and wondered, and meanwhile Petit-Poulain +scampered gayly about that velvety paddock. + +That night the vineyard hills, bathed in the mellow grace of moonlight, +saw a sight they had never seen before. From the east an army came +riding and marching on,--an army of strange, determined men, speaking a +language before unheard in that fair country and threatening things of +which that peaceful valley had never dreamed. You and I, of course, +know that these were the Germans advancing upon France,--a nation of +immortals eager to destroy the possessions and the human lives of +fellow-immortals! But old Felice, hearing the din away off +yonder,--the unwonted noise of cavalry and infantry advancing with +murderous intent,--she did not understand it all, she did not even +suspect the truth. You cannot wonder, for what should a soulless beast +know of the noble, the human privilege of human slaughter? Old Felice +heard that strange din, and instinct led her to coax her little colt +from the pleasant paddock into that snug and secure retreat, the +thatched stable, and there, in the early morning, they found her, +Petit-Poulain pulling eagerly at her generous dugs. + +Those who came riding up were strangers in those parts; they were +ominously accoutred and they spoke words that old Felice had never +heard before. Yes, as you have already guessed, they were German +cavalry-men. A battle was impending, and they needed more horses. + +"Old enough; but in lieu of a better, she will do." That was what they +said. They approached her carefully, for they suspected that she might +be vicious. Poor old Felice, she had never harmed even the flies that +pestered her. "They are going to put me at the plough," she thought. +"It is a long time since I did work of any kind,--nothing, in fact, +since Petit-Poulain was born. Poor Petit-Poulain will miss me; but I +will soon return." With these thoughts she turned her head fondly and +caressed her pretty colt. + +"The colt must be tied in the stall or he will follow her." So said +the cavalrymen. They threw a rope about his neck and made him fast in +the stable. Petit-Poulain was very much surprised, and he remonstrated +vainly with his fierce little heels. + +They put a halter upon old Felice. Justine, the farmer's wife, met +them in the yard, and reproached them wildly in French. They laughed +boisterously, and answered her in German. Then they rode away, leading +old Felice, who kept turning her head and whinnying pathetically, for +she was thinking of Petit-Poulain. + +Of peace I know and can speak,--of peace, with its solace of love, +plenty, honor, fame, happiness, and its pathetic tragedy of poverty, +heartache, disappointment, tears, bereavement. Of war I know nothing, +and never shall know; it is not in my heart of for my hand to break +that law which God enjoined from Sinai and Christ confirmed in Galilee. +I do not know of war, nor can I tell you of that battle which men with +immortal souls fought one glorious day in a fertile country with +vineyard hills all round about. But when night fell there was +desolation everywhere and death. The Eden was a wilderness; the +winding river was choked with mangled corpses; shell and shot had mowed +down the acres of waving grain, the exuberant orchards, the gardens and +the hedgerows; black, charred ruins, gaunt and ghostlike, marked the +spots where homes had stood. The vines had been cut and torn away, and +the despoiled hills seemed to crouch down like bereaved mothers under +the pitiless gaze of the myriad eyes of heaven. + +The victors went their way; a greater triumph was in store for them; a +mighty capital was to be besieged; more homes were to be +desolated,--more blood shed, more hearts broken. So the victors went +their way, their hands red and their immortal souls elated. + +In the early dawn a horse came galloping homeward. It is Felice, old +Felice, riderless, splashed with mud, wild-eyed, sore with fatigue! +Felice, Felice, what horrors hast thou not seen! If thou couldst +speak, if that tongue of thine could be loosed, what would it say of +those who, forgetful of their souls, sink lower than the soulless +brutes! Better it is thou canst not speak; the anguish in thine eyes, +the despair in thy honest heart, the fear, the awful fear in thy mother +breast,--what tongue could utter them? + +Adown the road she galloped,--the same road she had traversed, perhaps, +a thousand times before, yet it was so changed now she hardly knew it. +Twenty-four hours had ruthlessly levelled the noble trees, the +hedgerows, and the fields of grain. Twenty-four hours of battle had +done all this and more. In all those ghastly hours, one thought had +haunted Felice; one thought alone,--the thought of Petit-Poulain! She +pictured him tied in that far-away stall, wondering why she did not +come. He was hungry, she knew; her dugs were full of milk and they +pained her; how sweet would be her relief when her Petit-Poulain broke +his long fast. Petit-Poulain, Petit-Poulain, Petit-Poulain,--this one +thought and this alone had old Felice throughout those hours of battle +and of horror. + +Could this have been the farm-house? It was a ruin now. Shells had +torn it apart. Where was the good master Jacques; had he gone with the +cure to the defence of the town? And Justine,--where was she? Bullets +had cut away the rose-trees and the smoke-bush; the garden was no more. +The havoc, the desolation, was complete. The cote, which had +surmounted the pole around which an ivy twined, had been swept away. +The pigeons now circled here and there bewildered; wondering, perhaps, +why Justine did not come and call to them and feed them. + +To this seared, scarred spot came old Felice. He that had ridden her +into battle lay with his face downward near those distant vineyard +hills. His blood had stained Felice's neck; a bullet had grazed her +flank, but that was a slight wound,--riderless, she turned and came +from the battle-field and sought her Petit-Poulain once again. + +Hard by the ruins of cottage, of garden, and of cote, she came up +standing; she was steaming and breathless. She rolled her eyes wildly +around,--she looked for the stable where she had left Petit-Poulain. +She trembled as if an overwhelming apprehension of disaster suddenly +possessed her. She gave a whinny, pathetic in its tenderness. She was +calling Petit-Poulain. But there was no answer. + +Petit-Poulain lay dead in the ruins of the stable. His shelter had not +escaped the fury of the battle. He could not run away, for they had +tied him fast when they carried his old mother off. So now he lay amid +that debris, his eyes half open in death and his legs stretched out +stark and stiff. + +And old Felice,--her udder bursting with the maternal grace he never +again should know, and her heart breaking with the agony of sudden and +awful bereavement,--she staggered, as if blinded by despair, toward +that vestige of her love, and bent over him and caressed her +Petit-Poulain. + + + + +THE RIVER + +Once upon a time a little boy came, during his play, to the bank of a +river. The waters of the river were very dark and wild, and there was +so black a cloud over the river that the little boy could not see the +further shore. An icy wind came up from the cloud and chilled the +little boy, and he trembled with cold and fear as the wind smote his +cheeks and ran its slender icicle fingers through his yellow curls. An +old man sat on the bank of the river; he was very, very old; his head +and shoulders were covered with a black mantle; and his beard was white +as snow. + +"Will you come with me, little boy?" asked the old man. + +"Where?" inquired the little boy. + +"To yonder shore," replied the old man. + +"Oh, no; not to that dark shore," said the little boy. "I should be +afraid to go." + +"But think of the sunlight always there," said the old man, "the birds +and flowers; and remember there is no pain, nor anything of that kind +to vex you." + +The little boy looked and saw the dark cloud hanging over the waters, +and he felt the cold wind come up from the river; moreover, the sight +of the strange man terrified him. So, hearing his mother calling him, +the little boy ran back to his home, leaving the old man by the river +alone. + +Many years after that time the little boy came again to the river; but +he was not a little boy now,--he was a big, strong man. + +"The river is the same," said he; "the wind is the same cold, cutting +wind of ice, and the same black cloud obscures yonder shore. I wonder +where the strange old man can be." + +"I am he," said a solemn voice. + +The man turned and looked on him who spoke, and he saw a warrior clad +in black armor and wielding an iron sword. + +"No, you are not he!" cried the man. "You are a warrior come to do me +harm." + +"I am indeed a warrior," said the other. "Come with me across the +river." + +"No," replied the man, "I will not go with you. Hark, I hear the +voices of my wife and children calling to me,--I will return to them!" + +The warrior strove to hold him fast and bear him across the river to +the yonder shore, but the man prevailed against him and returned to his +wife and little ones, and the warrior was left upon the river-bank. + +Then many years went by and the strong man became old and feeble. He +found no pleasure in the world, for he was weary of living. His wife +and children were dead, and the old man was alone. So one day in those +years he came to the bank of the river for the third time, and he saw +that the waters had become quiet and that the wind which came up from +the river was warm and gentle and smelled of flowers; there was no dark +cloud overhanging the yonder shore, but in its place was a golden mist +through which the old man could see people walking on the yonder shore +and stretching out their hands to him, and he could hear them calling +him by name. Then he knew they were the voices of his dear ones. + +"I am weary and lonesome," cried the old man. "All have gone before +me: father, mother, wife, children,--all whom I have loved. I see them +and hear them on yonder shore, but who will bear me to them?" + +Then a spirit came in answer to this cry. But the spirit was not a +strange old man nor yet an armored warrior; but as he came to the +river's bank that day he was a gentle angel, clad in white; his face +was very beautiful, and there was divine tenderness in his eyes. + +"Rest thy head upon my bosom," said the angel, "and I will bear thee +across the river to those who call thee." + +So, with the sweet peace of a little child sinking to his slumbers, the +old man drooped in the arms of the angel and was borne across the river +to those who stood upon the yonder shore and called. + + + + +FRANZ ABT + +Many years ago a young composer was sitting in a garden. All around +bloomed beautiful roses, and through the gentle evening air the +swallows flitted, twittering cheerily. The young composer neither saw +the roses nor heard the evening music of the swallows; his heart was +full of sadness and his eyes were bent wearily upon the earth before +him. + +"Why," said the young composer, with a sigh, "should I be doomed to all +this bitter disappointment? Learning seems vain, patience is +mocked,--fame is as far from me as ever." + +The roses heard his complaint. They bent closer to him and whispered, +"Listen to us,--listen to us." And the swallows heard him, too, and +they flitted nearer him; and they, too, twittered, "Listen to +us,--listen to us." But the young composer was in no mood to be +beguiled by the whisperings of the roses and the twitterings of the +birds; with a heavy heart and sighing bitterly he arose and went his +way. + +It came to pass that many times after that the young composer came at +evening and sat in the garden where the roses bloomed and the swallows +twittered; his heart was always full of disappointment, and often he +cried out in anguish against the cruelty of fame that it came not to +him. And each time the roses bent closer to him, and the swallows flew +lower, and there in the garden the sweet flowers and little birds +cried, "Listen to us,--listen to us, and we will help you." + +And one evening the young composer, hearing their gentle pleadings, +smiled sadly, and said: "Yes, I will listen to you. What have you to +say, pretty roses?" + +"Make your songs of us," whispered the roses,--"make your songs of us." + +"Ha, ha!" laughed the composer. "A song of the roses would be very +strange, indeed! No, sweet flowers,--it is fame I seek, and fame would +scorn even the beauty of your blushes and the subtlety of your +perfumes." + +"You are wrong," twittered the swallows, flying lower. "You are wrong, +foolish man. Make a song for the heart,--make a song of the swallows +and the roses, and it will be sung forever, and your fame shall never +die." + +But the composer laughed louder than before; surely there never had +been a stranger suggestion than that of the roses and the swallows! +Still, in his chamber that night the composer thought of what the +swallows had said, and in his dreams he seemed to hear the soft tones +of the roses pleading with him. Yes, many times thereafter the +composer recalled what the birds and flowers had said, but he never +would ask them as he sat in the garden at evening how he could make the +heart-song of which they chattered. And the summer sped swiftly by, +and one evening when the composer came into the garden the roses were +dead, and their leaves lay scattered on the ground. There were no +swallows fluttering in the sky, and the nests under the eaves were +deserted. Then the composer knew his little friends were beyond +recall, and he was oppressed by a feeling of loneliness. The roses and +the swallows had grown to be a solace to the composer, had stolen into +his heart all unawares,--now that they were gone, he was filled with +sadness. + +"I will do as they counselled," said he; "I will make a song of +them,--a song of the swallows and the roses. I will forget my greed +for fame while I write in memory of my little friends." + +Then the composer made a song of the swallows and the roses, and, while +he wrote, it seemed to him that he could hear the twittering of the +little birds all around him, and scent the fragrance of the flowers, +and his soul was warmed with a warmth he had never felt before, and his +tears fell upon his manuscript. + +When the world heard the song which the composer had made of the +swallows and the roses, it did homage to his genius. Such sentiment, +such delicacy, such simplicity, such melody, such heart, such +soul,--ah, there was no word of rapturous praise too good for the +composer now: fame, the sweetest and most enduring kind of fame, had +come to him. + +And the swallows and the roses had done it all. Their subtle +influences had filled the composer's soul with a great inspiration,--by +means like this God loves to speak to the human heart. + +"We told you so," whispered the roses when they came again in the +spring. "We told you that if you sang of us the world would love your +song." + +Then the swallows, flying back from the south, twittered: "We told you +so; sing the songs the heart loves, and you shall live forever." + +"Ah, dear ones," said the composer, softly; "you spoke the truth. He +who seeks a fame that is immortal has only to reach and abide in the +human heart." + +The lesson he learned of the swallows and the roses he never forgot. +It was the inspiration and motive of a long and beautiful life. He +left for others that which some called a loftier ambition. He was +content to sit among the flowers and hear the twitter of birds and make +songs that found an echo in all breasts. Ah, there was such a +beautiful simplicity,--such a sweet wisdom in his life! And where'er +the swallows flew, and where'er the roses bloomed, he was famed and +revered and beloved, and his songs were sung. + +Then his hair grew white at last, and his eyes were dim and his steps +were slow. A mortal illness came upon him, and he knew that death was +nigh. + +"The winter has been long," said he, wearily. "Open the window and +raise me up that I may see the garden, for it must be that spring is +come." + +It was indeed spring, but the roses had not yet bloomed. The swallows +were chattering in their nests under the eaves or flitting in the mild, +warm sky. + +"Hear them," he said faintly. "How sweetly they sing. But alas! where +are the roses?" + +Where are the roses? Heaped over thee, dear singing heart; blooming on +thy quiet grave in the Fatherland, and clustered and entwined all in +and about thy memory, which with thy songs shall go down from heart to +heart to immortality. + + + + +MISTRESS MERCILESS + +This is to tell of our little Mistress Merciless, who for a season +abided with us, but is now and forever gone from us unto the far-off +land of Ever-Plaisance. The tale is soon told; for it were not seemly +to speak all the things that are in one's heart when one hath to say of +a much-beloved child, whose life here hath been shortened so that, in +God's wisdom and kindness, her life shall be longer in that garden that +bloometh far away. + +You shall know that all did call her Mistress Merciless; but her +mercilessness was of a sweet, persuasive kind: for with the beauty of +her face and the music of her voice and the exceeding sweetness of her +virtues was she wont to slay all hearts; and this she did unwittingly, +for she was a little child. And so it was in love that we did call her +Mistress Merciless, just as it was in love that she did lord it over +all our hearts. + +Upon a time walked she in a full fair garden, and there went with her +an handmaiden that we did call in merry wise the Queen of Sheba; for +this handmaiden was in sooth no queen at all, but a sorry and +ill-favored wench; but she was assotted upon our little Mistress +Merciless and served her diligently, and for that good reason was +vastly beholden of us all. Yet, in a jest, we called her the Queen of +Sheba; and I make a venture that she looked exceeding fair in the eyes +of our little Mistress Merciless: for the eyes of children look not +upon the faces but into the hearts and souls of others. Whilst these +two walked in the full fair garden at that time they came presently +unto an arbor wherein there was a rustic seat, which was called the +Siege of Restfulness; and hereupon sate a little sick boy that, from +his birth, had been lame, so that he could not play and make merry with +other children, but was wont to come every day into this full fair +garden and content himself with the companionship of the flowers. And, +though he was a little lame boy, he never trod upon those flowers; and +even had he done so, methinks the pressure of those crippled feet had +been a caress, for the little lame boy was filled with the spirit of +love and tenderness. As the tiniest, whitest, shrinking flower +exhaleth the most precious perfume, so in and from this little lame +boy's life there came a grace that was hallowing in its beauty. + +Since they never before had seen him, they asked him his name; and he +answered them that of those at home he was called Master Sweetheart, a +name he could not understand: for surely, being a cripple, he must be a +very sorry sweetheart; yet, that he was a sweetheart unto his mother at +least he had no doubt, for she did love to hold him in her lap and call +him by that name; and many times when she did so he saw that tears were +in her eyes,--a proof, she told him when he asked, that Master +Sweetheart was her sweetheart before all others upon earth. + +It befell that our little Mistress Merciless and Master Sweetheart +became fast friends, and the Queen of Sheba was handmaiden to them +both; for the simple, loyal creature had not a mind above the artless +prattle of childhood, and the strange allegory of the lame boy's speech +filled her with awe, even as the innocent lisping of our little +Mistress Merciless delighted her heart and came within the +comprehension of her limited understanding. So each day, when it was +fair, these three came into the full fair garden, and rambled there +together; and when they were weary they entered into the arbor and sate +together upon the Siege of Restfulness. Wit ye well there was not a +flower or a tree or a shrub or a bird in all that full fair garden +which they did not know and love, and in very sooth every flower and +tree and shrub and bird therein did know and love them. + +When they entered into the arbor, and sate together upon the Siege of +Restfulness, it was Master Sweetheart's wont to tell them of the land +of Ever-Plaisance, for it was a conceit of his that he journeyed each +day nearer and nearer to that land, and that his journey thitherward +was nearly done. How came he to know of that land I cannot say, for I +do not know; but I am fain to believe that, as he said, the exceeding +fair angels told him thereof when by night, as he lay sleeping, they +came singing and with caresses to his bedside. + +I speak now of a holy thing, therefore I speak truth when I say that +while little children lie sleeping in their beds at night it pleaseth +God to send His exceeding fair angels with singing and caresses to bear +messages of His love unto those little sleeping children. And I have +seen those exceeding fair angels bend with folded wings over the little +cradles and the little beds, and kiss those little sleeping children +and whisper God's messages of love to them, and I knew that those +messages were full of sweet tidings; for, even though they slept, the +little children smiled. This have I seen, and there is none who loveth +little children that will deny the truth of this thing which I have now +solemnly declared. + +Of that land of Ever-Plaisance was our little Mistress Merciless ever +fain to hear tell. But when she beset the rest of us to speak thereof +we knew not what to say other than to confirm such reports as Master +Sweetheart had already made. For when it cometh to knowing of that +far-off land,--ah me, who knoweth more than the veriest little child? +And oftentimes within the bosom of a little, helpless, fading one there +bloometh a wisdom which sages cannot comprehend. So when she asked us +we were wont to bid her go to Master Sweetheart, for he knew the truth +and spake it. + +It is now to tell of an adventure which on a time befell in that full +fair garden of which you have heard me speak. In this garden lived +many birds of surpassing beauty and most rapturous song, and among them +was one that they called Joyous, for that he did ever carol forth so +joyously, it mattered not what the day soever might be. This bird +Joyous had his home in the top of an exceeding high tree, hard by the +pleasant arbor, and here did he use to sit at such times as the little +people came into that arbor, and then would he sing to them such songs +as befitted that quiet spot, and them that came thereto. But there was +a full evil cat that dwelt near by, and this cruel beast found no +pleasure in the music that Joyous did make continually; nay, that music +filled this full evil cat with a wicked thirst for the blood of that +singing innocent, and she had no peace for the malice that was within +her seeking to devise a means whereby she might comprehend the bird +Joyous to her murderous intent. Now you must know that it was the wont +of our little Mistress Merciless and of Master Sweetheart to feed the +birds in that fair garden with such crumbs as they were suffered to +bring with them into the arbor, and at such times would those birds fly +down with grateful twitterings and eat of those crumbs upon the +greensward round about the arbor. Wit ye well, it was a merry sight to +see those twittering birds making feast upon the good things which +those children brought, and our little Mistress Merciless and little +Master Sweetheart had sweet satisfaction therein. But, on a day, +whilst thus those twittering birds made great feasting, lo! on a sudden +did that full evil cat whereof I have spoken steal softly from a +thicket, and with one hideous bound make her way into the very midst of +those birds and seize upon that bird Joyous, that was wont to sing so +merrily from the tree hard by the arbor. Oh, there was a mighty din +and a fearful fluttering, and the rest flew swiftly away, but Joyous +could not do so, because the full evil cat held him in her cruel fangs +and claws. And I make no doubt that Joyous would speedily have met his +death, but that with a wrathful cry did our little Mistress Merciless +hasten to his rescue. And our little Mistress belabored that full evil +cat with Master Sweetheart's crutch, until that cruel beast let loose +her hold upon the fluttering bird and was full glad to escape with her +aching bones into the thicket again. So it was that Joyous was +recovered from death; but even then might it have fared ill with him, +had they not taken him up and dressed his wounds and cared for him +until duly he was well again. And then they released him to do his +plaisance, and he returned to his home in the tree hard by the arbor +and there he sung unto those children more sweetly than ever before; +for his heart was full of gratitude to our little Mistress Merciless +and Master Sweetheart. + +Now, of the dolls that she had in goodly number, that one which was +named Beautiful did our little Mistress Merciless love best. Know well +that the doll Beautiful had come not from oversea, and was neither of +wax nor of china; but she was right ingeniously constructed of a +bed-key that was made of wood, and unto the top of this bed-key had the +Queen of Sheba superadded a head with a fair face, and upon the body +and the arms of the key had she hung passing noble raiment. Unto this +doll Beautiful was our little Mistress Merciless vastly beholden, and +she did use to have the doll Beautiful lie by her side at night whilst +she slept, and whithersoever during the day she went, there also would +she take the doll Beautiful, too. Much sorrow and lamentation, +therefore, made our little Mistress Merciless when on an evil day the +doll Beautiful by chance fell into the fish-pond, and was not rescued +therefrom until one of her beauteous eyes had been devoured of the +envious water; so that ever thereafter the doll Beautiful had but one +eye, and that, forsooth, was grievously faded. And on another evil day +came a monster ribald dog pup and seized upon the doll Beautiful whilst +she reposed in the arbor, and bore her away, and romped boisterously +with her upon the sward, and tore off her black-thread hair, and sought +to destroy her wholly, which surely he would have done but for the +Queen of Sheba, who made haste to rescue the doll Beautiful, and +chastise that monster ribald dog pup. + +Therefore, as you can understand, the time was right busily spent. The +full fair garden, with its flowers and the singing birds and the +gracious arbor and the Siege of Restfulness, found favor with those +children, and amid these joyous scenes did Master Sweetheart have to +tell each day of that far-off land of Ever-Plaisance, whither he said +he was going. And one day, when the sun shone very bright, and the +full fair garden joyed in the music of those birds, Master Sweetheart +did not come, and they missed the little lame boy and wondered where he +was. And as he never came again they thought at last that of a surety +he had departed into that country whereof he loved to tell. Which +thing filled our little Mistress Merciless with wonder and inquiry; and +I think she was lonely ever after that,--lonely for Master Sweetheart. + +I am thinking now of her and of him; for this is the Christmas +season,--the time when it is most meet to think of the children and +other sweet and holy things. There is snow everywhere, snow and cold. +The garden is desolate and voiceless: the flowers are gone, the trees +are ghosts, the birds have departed. It is winter out there, and it is +winter, too, in this heart of mine. Yet in this Christmas season I +think of them, and it pleaseth me--God forbid that I offend with much +speaking--it pleaseth me to tell of the little things they did and +loved. And you shall understand it all if, perchance, this sacred +Christmas time a little Mistress Merciless of your own, or a little +Master Sweetheart, clingeth to your knee and sanctifieth your +hearthstone. + +When of an evening all the joy of day was done, would our little +Mistress Merciless fall aweary; and then her eyelids would grow +exceeding heavy and her little tired hands were fain to fold. At such +a time it was my wont to beguile her weariness with little tales of +faery, or with the gentle play that sleepy children like. Much was her +fancy taken with what I told her of the train that every night whirleth +away to Shut-Eye Town, bearing unto that beauteous country sleepy +little girls and boys. Nor would she be content until I told her +thereof,--yes, every night whilst I robed her in her cap and gown would +she demand of me that tale of Shut-Eye Town, and the wonderful train +that was to bear her thither. Then would I say in this wise:-- + + +At Bedtime-ville there is a train of cars that waiteth for you, my +sweet,--for you and for other little ones that would go to quiet, +slumbrous Shut-Eye Town. + +But make no haste; there is room for all. Each hath a tiny car that is +snug and warm, and when the train starteth each car swingeth soothingly +this way and that way, this way and that way, through all the journey +of the night. + +Your little gown is white and soft; your little cap will hold those +pretty curls so fast that they cannot get away. Here is a curl that +peepeth out to see what is going to happen. Hush, little curl! make no +noise; we will let you peep out at the wonderful sights, but you must +not tell the others about it; let them sleep, snuggled close together. + +The locomotive is ready to start. Can you not hear it? + +"Shug-chug! Shug-chug! Shug-chug!" That is what the locomotive is +saying, all to itself. It knoweth how pleasant a journey it is about +to make. + +"Shug-chug! Shug-chug! Shug-chug!" + +Oh, many a time hath it proudly swept over prairie and hill, over river +and plain, through sleeping gardens and drowsy cities, swiftly and +quietly, bearing the little ones to the far, pleasant valley where +lieth Shut-Eye Town. + +"Shug-chug! Shug-chug! Shug-chug!" + +So sayeth the locomotive to itself at the station in Bedtime-ville; for +it knoweth how fair and far a journey is before it. + +Then a bell soundeth. Surely my little one heareth the bell! + +"Ting-long! Ting-a-long! Ting-long!" + +So soundeth the bell, and it seemeth to invite you to sleep and dreams. + +"Ting-long! Ting-a-long! Ting-long!" + +How sweetly ringeth and calleth that bell. + +"To sleep--to dreams, O little lambs!" it seemeth to call. "Nestle +down close, fold your hands, and shut your dear eyes! We are off and +away to Shut-Eye Town! Ting-long! Ting-a-long! Ting-long! To +sleep--to dreams, O little cosset lambs!" + +And now the conductor calleth out in turn. "All aboard!" he calleth, +"All aboard for Shut-Eye Town!" he calleth in a kindly tone. + +But, hark ye, dear-my-soul, make thou no haste; there is room for all. +Here is a cosey little car for you. How like your cradle it is, for it +is snug and warm, and it rocketh this way and that way, this way and +that way, all night long, and its pillows caress you tenderly. So step +into the pretty nest, and in it speed to Shut-Eye Town. + +"Toot! Toot!" + +That is the whistle. It soundeth twice, but it must sound again before +the train can start. Now you have nestled down, and your dear hands +are folded; let your two eyes be folded, too, my sweet; for in a moment +you shall be rocked away, and away, away into the golden mists of Balow! + +"Ting-long! Ting-a-long! Ting-long!" + +"All aboard!" + +"Toot! Toot! Toot!" + +And so my little golden apple is off and away for Shut-Eye Town! + +Slowly moveth the train, yet faster by degrees. Your hands are folded, +my beloved, and your dear eyes they are closed; and yet you see the +beauteous sights that skirt the journey through the mists of Balow. +And it is rockaway, rockaway, rockaway, that your speeding cradle +goes,--rockaway, rockaway, rockaway, through the golden glories that +lie in the path that leadeth to Shut-Eye Town. + +"Toot! Toot!" + +So crieth the whistle, and it is "down-brakes," for here we are at +Ginkville, and every little one knoweth that pleasant waking-place, +where mother with her gentle hands holdeth the gracious cup to her +sleepy darling's lips. + +"Ting-long! Ting-a-long! Ting-long!" and off is the train again. And +swifter and swifter it speedeth,--oh, I am sure no other train speedeth +half so swiftly! The sights my dear one sees! I cannot tell of +them--one must see those beauteous sights to know how wonderful they +are! + +"Shug-chug! Shug-chug! Shug-chug!" + +On and on and on the locomotive proudly whirleth the train. + +"Ting-long! Ting-a-long! Ting-long!" + +The bell calleth anon, but fainter and evermore fainter; and fainter +and fainter groweth that other calling--"Toot! Toot! Toot!"--till +finally I know that in that Shut-Eye Town afar my dear one dreameth the +dreams of Balow. + + +This was the bedtime tale which I was wont to tell our little Mistress +Merciless, and at its end I looked upon her face to see it calm and +beautiful in sleep. + +Then was I wont to kneel beside her little bed and fold my two +hands,--thus,--and let my heart call to the host invisible: "O guardian +angels of this little child, hold her in thy keeping from all the +perils of darkness and the night! O sovereign Shepherd, cherish Thy +little lamb and mine, and, Holy Mother, fold her to thy bosom and thy +love! But give her back to me,--when morning cometh, restore ye unto +me my little one!" + +But once she came not back. She had spoken much of Master Sweetheart +and of that land of Ever-Plaisance whither he had gone. And she was +not afeared to make the journey alone; so once upon a time when our +little Mistress Merciless bade us good-by, and went away forever, we +knew that it were better so; for she was lonely here, and without her +that far-distant country whither she journeyed were not content. +Though our hearts were like to break for love of her, we knew that it +were better so. + +The tale is told, for it were not seemly to speak all the things that +are in one's heart when one hath to say of a much-beloved child whose +life here hath been shortened so that, in God's wisdom and kindness, +her life shall be longer in that garden that bloometh far away. + +About me are scattered the toys she loved, and the doll Beautiful hath +come down all battered and grim,--yet, oh! so very precious to me, from +those distant years; yonder fareth the Queen of Sheba in her service as +handmaiden unto me and mine,--gaunt and doleful-eyed, yet stanch and +sturdy as of old. The garden lieth under the Christmas snow,--the +garden where ghosts of trees wave their arms and moan over the graves +of flowers; the once gracious arbor is crippled now with the +infirmities of age, the Siege of Restfulness fast sinketh into decay, +and long, oh! long ago did that bird Joyous carol forth his last sweet +song in the garden that was once so passing fair. + +And amid it all,--this heartache and the loneliness which the years +have brought,--cometh my Christmas gift to-day: the solace of a vision +of that country whither she--our little Mistress Merciless--hath gone; +a glimpse of that far-off land of Ever-Plaisance. + + + + +THE PLATONIC BASSOON + +All who knew the beautiful and accomplished Aurora wondered why she did +not marry. She had now reached the mature age of twenty-five years, +and was in full possession of those charms which are estimated by all +men as the choicest gifts a woman can possess. You must know that +Aurora had a queenly person, delightful manners, an extensive +education, and an amiable disposition; and, being the only child of +wealthy parents, she should not have lacked the one thing that seemed +necessary to perfect and round out her usefulness as a member of +society. + +The truth was, Aurora did not fancy the male sex. She regarded men as +conveniences that might come handy at times when an escort to the +theatre was required, or when a partner in a dance was demanded, when a +fan was to be picked up, or when an errand was to be run; but the idea +of marrying any man was as distasteful to Aurora as the proposition to +marry a hat-rack or any other piece of household furniture would have +been. + +The secret of this strange aversion might have been traced to Aurora's +maiden aunt Eliza, who had directed Aurora's education, and had from +her niece's early youth instilled into Aurora's mind very distinct +notions touching the masculine sex. + +Aurora had numerous admirers among the young gentlemen who moved in the +same elevated social circle as herself and frequently called at her +father's house. Any one of them would gladly have made her his wife, +and many of them had expressed a tender yearning for her life +companionship. But Aurora was quick to recognize in each suitor some +objectionable trait or habit or feature which her aunt Eliza had told +about, and which imperatively prohibited a continuance of the young +gentleman's attentions. + +Aurora's father could not understand why his daughter was so +hypercritical and fastidious in a matter which others of her sex were +so apt to accept with charitable eyes. "They are bright, honest +fellows," he urged, "worthy of any girl's love. Receive their advances +kindly, my child, and having chosen one among them, you will be the +happier for it." + +"Never mind, Aurora," said Aunt Eliza. "Men are all alike. They show +their meanness in different ways, but the same spirit of evil is in 'em +all. I have lived in this world forty-six years, and during that time +I have found men to be the most unfeeling and most untrustworthy of +brutes." + +So it was that at the age of twenty-five Aurora was found beautiful, +amiable, and accomplished, but thoroughly and hopelessly a man-hater. +And it was about this time that she became involved in that unhappy +affair which even to this day is talked of by those who knew her then. + +On the evening of a certain day Aurora attended the opera with her +father and mother and Morgan Magnus, the young banker. Their box at +the opera was so close to the orchestra that by reaching out her hand +Aurora could have touched several of the instruments. Now it happened +that a bassoon was the instrument nearest the box in which Aurora sat, +and it was natural therefore that the bassoon attracted more of +Aurora's attention than any other instrument in the orchestra. If you +have never beheld or heard a bassoon you are to understand that it is +an instrument of wood, of considerable more length than breadth, +provided with numerous stops and keys, and capable of producing an +infinite variety of tones, ranging from the depth of lugubriousness to +the highest pitch of vivacity. This particular bassoon was of an +appearance that bordered upon the somber, the polished white of his +keys emphasizing the solemn black of his long, willowy body. And, as +he loomed up above the serene bald head of the musician that played +him, Aurora thought she had never seen a more distingue object. + +The opera was "Il Trovatore," a work well calculated to call in play +all that peculiar pathos of which the bassoon is capable. When Aurora +saw the player raise the bassoon and apply the tiny tube thereunto +appertaining to his lips, and heard him evoke from the innermost +recesses of the bassoon tones that were fairly reeking with tears and +redolent of melancholy, she felt a curious sentiment of pity awakened +in her bosom. + +Aurora had seen many an agonized swain at her feet, and had heard his +impassioned pleadings for mercy; she had perused many a love missive +wherein her pity was eloquently implored, but never had she experienced +the tender, melting sentiment that percolated through her breast when +she heard the bassoon mingling his melancholy tones with Manrico's +plaints. The tears welled up into Aurora's eyes, her bosom heaved +convulsively, and the most subtile emotions thrilled her soul. + +In vain did young Magnus, the banker, seek to learn the cause of her +agitation, and it seemed like a cruel mockery when Aurora's mother +said: "You must remember, dear, that it is not real; it is only a +play." After this memorable evening, wherein an unexpected and +indescribable sweetness had crept into the young woman's life, Aurora +more frequently insisted upon going to the opera. A strange +fascination attracted her thither, and on each succeeding evening she +found some new beauty in the bassoon, some new phase in his +kaleidoscopic character to wonder at, some new accomplishment to +admire. On one occasion--it was at the opera bouffe--this musical +prodigy exhibited a playfulness and an exuberance of wit and humor that +Aurora had never dreamed of. He ran the gamut of vocal conceit, and +the polyglot fertility of his fancy simply astounded his rapt auditor. +She was dazed, enchanted, spellbound. So here we find the fair Aurora +passing from the condition of pity into the estate of admiration. + +And now, having first conceived a wondrous pity for the bassoon, and +then having become imbued with an admiration of his wit, sarcasm, +badinage, repartee, and humor, it followed naturally and logically that +Aurora should fall desperately in love with him; for pity and +admiration are but the forerunners of the grand passion. + +"Aunt Eliza," said Aurora one day, "you have instilled into my +sensitive nature an indelible aversion to men, compared with which all +such deleble passions as affection and love are as inconsequential as +summer zephyrs. I believe men to be by nature and practice gross, +vulgar, sensual, and unworthy; and from this opinion I feel that I +shall never recede. Yet such a clinging and fragile thing is woman's +heart that it must needs have some object about which it may twine, +even as the gentle ivy twines about the oak. Now, as you know, some +women there are who, convinced of the utter worthlessness of the +opposite sex, dedicate their lives to the adoration of some art or +science, lavishing thereupon that love which women less prudent +squander upon base men and ungrateful children; in the painting of +pictures, devotion to the drama, the cultivation of music, pursuit of +trade, or the exclusive attention to a profession, some women find the +highest pleasure. But you and I, dear aunt, who are directed by even +higher and purer motives than these women, scorn the pursuits of the +arts and sciences, the professions and trades, and lay our hearts as +willing sacrifices upon the altars of a tabby cat and a bassoon. What +could be purer or more exalted than a love of that kind?" + +Having uttered this eloquent preface, which was, indeed, characteristic +of the fair creature, Aurora told Aunt Eliza of the bassoon, and as she +spoke of his versatile accomplishments and admirable qualities her eyes +glowed with an unwonted animation, and a carmine hue suffused her +beautiful cheeks. It was plain that Aurora was deeply in love, and +Aunt Eliza was overjoyed. + +"It is gratifying," said Aunt Eliza, "to find that my teachings promise +such happy results, that the seeds I have so carefully sown already +show signs of a glorious fruition. Now, while it is true that I cannot +conceive of a happier love than that which exists between my own dear +tabby cat and myself, it is also true that I recognize your bassoon as +an object so much worthier of adoration than mankind in general, and +your male acquaintances in particular, that I most heartily felicitate +you upon the idol you have chosen for your worship. Bassoons do not +smoke, nor chew tobacco, nor swear, nor bet on horse-races, nor play +billiards, nor do any of those horrid things which constitute the +larger part of a man's ambitions and pursuits. You have acted wisely, +my dear, and heaven grant you may be as happy in his love as I am in +tabby's." + +"I feel that I shall be," murmured Aurora; "already my bassoon is very +precious to me." + +With the dawn of this first passion a new motive seemed to come into +Aurora's life--a gentle melancholy, a subdued sentiment whose +accompaniments were sighings and day-dreamings and solitary tears and +swoonings. + +Quite naturally Aurora sought Aunt Eliza's society more than ever now, +and her conversation and thoughts were always on the bassoon. It was +very beautiful. + +But late one night Aurora burst into Aunt Eliza's room and threw +herself upon Aunt Eliza's bed, sobbing bitterly. Aunt Eliza was +inexpressibly shocked, and under a sudden impulse of horror the tabby +sprang to her feet, arched her back, bristled her tail, and uttered +monosyllables of astonishment. + +"Why, Aurora, what ails you?" inquired Aunt Eliza, kindly. + +"Oh, auntie, my heart is broken, I know it is," wailed Aurora. + +"Come, come, my child," said Aunt Eliza, soothingly, "don't take on so. +Tell auntie what ails you." + +"He was harsh and cruel to me to-night, and oh! I loved him so!" +moaned Aurora. + +"A lovers' quarrel, eh?" thought Aunt Eliza; and she got up, slipped +her wrapper on, and brewed Aurora a big bowl of boneset tea. Oh, how +nice and bitter and fragrant it was, and how Aunt Eliza's nostrils +sniffed, and how her eyes sparkled as she sipped the grateful beverage. + +"There, drink that, my dear," said Aunt Eliza, "and then tell me all +about it." + +Aurora quaffed the bowl of boneset tea, and the wholesome draught +seemed to give her fortitude, for now she told Aunt Eliza the whole +story. It seems that Aurora had been to the opera as usual, not for +the purpose of hearing and seeing the performance, but simply for the +sake of being where the beloved bassoon was. The opera was Wagner's +"Die Walkuere," and the part played by the bassoon in the orchestration +was one of conspicuous importance. Fully appreciating his importance, +the bassoon conducted himself with brutal arrogance and +superciliousness on this occasion. His whole nature seemed changed; +his tones were harsh and discordant, and with malevolent obstinacy he +led all the other instruments in the orchestra through a seemingly +endless series of musical pyrotechnics. There never was a more +remarkable exhibition of stubbornness. When the violins and the +'cellos, the hautboys and the flutes, the cornets and the trombones, +said "Come, let us work together in G minor," or "Let us do this +passage in B flat," the bassoon would lead off with a wild shriek in D +sharp or some other foreign key, and maintain it so lustily that the +other instruments--e. g., the violins, the 'cellos, the hautboys, and +all--were compelled to back, switch, and wheel into the bassoon's lead +as best they could. + +But no sooner had they come into harmony than the bassoon--oh, +melancholy perversity of that instrument--would strike off into another +key with a ribald snicker or coarse guffaw, causing more turbulence and +another stampede. And this preposterous condition of affairs was kept +up the whole evening, the bassoon seeming to take a fiendish delight in +his riotous, brutal conduct. + +At first Aurora was mortified; then her mortification deepened into +chagrin. In the hope of touching his heart she bestowed upon him a +look of such tender supplication that, had he not been the most callous +creature in the world, he must have melted under it. To his eternal +shame, let it be said, the bassoon remained as impervious to her +beseeching glances as if he had been a sphinx or a rhinoceros. In +fact, Aurora's supplicating eyes seemed to instigate him to further and +greater madness, for after that he became still more riotous, and at +many times during the evening the crisis in the orchestra threatened +anarchy and general disintegration. + +Aurora's humiliation can be imagined by those only who have experienced +a like bitterness--the bitterness of awakening to a realization of the +cruelty of love. Aurora loved the bassoon tenderly, deeply, +absorbingly. The sprightliness of his lighter moods, no less than the +throbbing pathos of his sadder moments, had won her heart. She had +given him her love unreservedly, she fairly worshipped him, and now she +awakened, as it were, from a golden dream, to find her idol clay! It +was very sad. Yet who that has loved either man or bassoon does not +know this bitterness? + +"He will be gentler hereafter," said Aunt Eliza, encouragingly. "You +must always remember that we should be charitable and indulgent with +those we love. Who knows why the bassoon was harsh and wayward and +imperious to-night? Let us not judge him till we have heard the whys +and wherefores. He may have been ill; depend upon it, my dear, he had +cause for his conduct." + +Aunt Eliza's prudent words were a great solace to Aurora. And she +forgave the bassoon all the pain he had inflicted when she went to the +opera the next night and heard him in "I Puritani," a work in which the +grand virility of his nature, its vigor and force, came out with +telling effect. There was not a trace of the insolence he had +manifested in "Die Walkuere," nor of the humorous antics he had +displayed in "La Grande Duchesse"; divested of all charlatanism, he was +now a magnificent, sonorous, manly bassoon, and you may depend upon it +Aurora was more in love with him than ever. + +It was about this time that, perceiving a marked change in his +daughter's appearance and demeanor, Aurora's father began to question +her mother about it all, and that good lady at last made bold to tell +the old gentleman the whole truth of the matter, which was simply that +Aurora cherished a passion for the bassoon. Now the father was an +exceedingly matter-of-fact, old-fashioned man, who possessed not the +least bit of sentiment, and when he heard that his only child had +fallen in love with a bassoon, his anger was very great. He summoned +Aurora into his presence, and regarded her with an austere countenance. + +"Girl," he said, in icy tones, "is it true that you have been flirting +with a bassoon?" + +"Father," replied Aurora, with dignity, "I have never flirted with +anybody, and you grievously wrong the bassoon when you intimated that +he, too, is capable of such frivolity." + +"It is nevertheless true," roared the old gentleman, "that you have +conceived a passion for this bassoon, and have cherished it +clandestinely." + +"It _is_ true, father, that I love the bassoon," said Aurora; "it is +true that I admire his wit, vivacity, sentiment, soul, force, power, +and manliness, but I have loved in secret. We have never met; he may +know I love him, and he may reciprocate my love, but he has never +spoken to me nor I to him, so there is nothing clandestine in the +affair." + +"Oh, my child! my child!" sobbed the old man, breaking down; "how could +you love a bassoon, when so many eligible young men are suitors for +your hand?" + +"Don't mention him in the same breath with those horrid creatures!" +cried Aurora, indignantly. "What scent of tobacco or odor of wines has +ever profaned the purity of his balmy breath? What does he know of +billiards, of horse-racing, of actresses, and those other features of +brutal men's lives? Father, he is pure and good and exalted; seek not +to debase him by naming him in the category of man!" + +"These are Eliza's teachings!" shrieked the old gentleman; and off he +bundled to vent his wrath on the maiden aunt. But it was little +satisfaction he got from Aunt Eliza. + +After that the old gentleman kept a strict eye on Aurora, and very soon +he became satisfied of two things: First, that Aurora was sincerely in +love with the bassoon; and, second, that the bassoon cared nothing for +Aurora. That Aurora loved the bassoon was evidenced by her demeanor +when in his presence--her steadfast eyes, her parted lips, her heaving +bosom, her piteous sighs, her flushed cheeks, and her varying emotions +as his tones changed, bore unimpeachable testimony to the sincerity of +her passion. That the bassoon did not care for Aurora was proved by +his utter disregard of her feelings, for though he might be tender this +moment he was harsh the next--though pleading now he spurned her anon; +and so, variable and fickle and false as the winds, he kept Aurora in +misery and hysterics about half the time. + +One morning the old gentleman entered the theatre while the orchestra +was rehearsing. + +"Who plays the bassoon?" he asked, in an imperative tone. + +"Ich!" said a man with a bald head and gold spectacles. + +"Your name?" demanded the old gentleman. + +"Otto Baumgarten," replied he of the bald head and gold spectacles. + +"Then, Otto Baumgarten," said the father, "I will give you one hundred +dollars for your bassoon." + +"Mein Gott!" said Herr Baumgarten, "dat bassoon gost me not half so +much fon dot!" + +"Never mind!" replied the old gentleman. "Take the money and give me +the bassoon." + +Herr Baumgarten did not hesitate a moment. He clutched at the gold +pieces, and while he counted them Aurora's father was hastening up the +street with the bassoon under his arm. Aurora saw him coming, and she +recognized the idol of her soul; his silver-plated keys were not to be +mistaken. With a cry of joy she met her father in the hallway, +snatched the bassoon to her heart, and covered him with kisses. + +"He makes no answer to your protestations!" said her father. "Come, +give over a love that is hopeless; cast aside this bassoon, who is +hollow at heart, and whose affection at best is only platonic!" + +"You speak blasphemies, father," cried Aurora, "and you yourself shall +hear how he loves me, for when I but put my lips to this slender +mouthpiece there shall issue from my worshipped bassoon tones of such +ineffable tenderness that even you shall be convinced that my passion +is reciprocated." + +With these words Aurora glued her beauteous lips to the slender +blowpipe of the bassoon, and, having inflated her lungs to their +capacity, breathed into it a respiration that seemed to come from her +very soul. But no sound issued from the cold, hollow, unresponsive +bassoon. Aurora repeated the effort with increased vigor. There came +no answer at all. + +"Aha!" laughed her father. "I told you so; he loves you not." + +But then, with a last superhuman effort, Aurora made her third attempt; +her eyeballs started from their sockets, big, blue veins and cords +stood out on her lovely neck, and all the force and vigor of her young +life seemed to go out through her pursed lips into the bassoon's +system. And then, oh then! as if to mock her idolatry and sound the +death knell of her unhappy love, the bassoon recoiled and emitted a +tone so harsh, so discordant, so supernatural, that even Aurora's +father drew back in horror. + +And lo! hearing that supernatural sound that told her of the +hopelessness of love, Aurora dropped the hollow, mocking scoffer, +clutched spasmodically at her heart, and, with an agonizing shriek, +fell lifeless to the floor. + + + + +HAWAIIAN FOLK TALES + + +I + +THE EEL-KING + +There was a maiden named Liliokani whose father was a fisherman. But +the maiden liked not her father's employment, for she believed it to be +an offence against Atua, the all-god, to deprive any animal of that +life which Atua had breathed into it. And this was pleasing unto Atua, +and he blessed Liliokani with exceeding beauty; no other eyes were so +large, dark, and tender as hers; the braids of her long, soft hair fell +like silken seagrass upon her shoulders; she was tall and graceful as +the palm, and her voice was the voice of the sea when the sea cradles +the moonlight and sings it to sleep. + +Full many kings' sons came wooing Liliokani, and chiefs renowned in +war; and with others came Tatatao, that was a mighty hunter of hares +and had compassed famous hardships. For those men that delight in +adventure and battle are most pleasantly minded to gentle women, for +thus capriciously hath Atua, the all-god, ordained. But Liliokani had +no ear to the wooing of these men, and the fisherman's daughter was a +virgin when Mimi came. + +Mimi was king of the eels, and Atua had given him eternal life and the +power to change his shape when it pleased him to issue from the water +and walk the earth. It befell that this eel-king, Mimi, beheld +Liliokani upon a time as he swam the little river near her father's +abode, and he saw that she was exceeding fair and he heard the soft, +sad sea-tone in her voice. So for many days Mimi frequented those +parts and grew more and more in love with the maiden. + +Upon a certain day, while she helped her father to mend his nets, +Liliokani saw a young man of goodly stature and handsome face +approaching, and to herself she said: "Surely if ever I be tempted to +wed it shall be with this young man, whose like I have never before +known." But she had no thought that it was Mimi, the eel-king, who in +this changed shape now walked the earth. + +Sweetly he made obeisance and pleasant was his discourse with the +fisherman and his daughter, and he told them many things of his home, +which he said was many kumes distant from that spot. Though he spake +mostly to the old man, his eyes were fixed upon Liliokani, and, after +the fashion of her sex, that maiden presently knew that he had great +love unto her. Many days after that came Mimi to hold discourse with +them, and they had joy of his coming, for in sooth he was of fair +countenance and sweet address, and the fisherman, being a single-minded +and a simple man, had no suspicion of the love between Mimi and +Liliokani. But once Mimi said to Liliokani in such a voice as the +sea-wind hath to the maiden palm-trees: "Brown maiden mine, let thy +door be unlatched this night, and I will come to thee." + +So the door was not latched that night and Mimi went in unto her, and +they two were together and alone. + +"What meaneth that moaning of the sea?" asked Liliokani. + +"The sea chanteth our bridal anthem," he answered. + +"And what sad music cometh from the palms to-night?" she asked. + +"They sing soft and low of our wedded love," he answered. + +But Liliokani apprehended evil, and, although she spake no more of it +at that time, a fear of trouble was in her heart. + +Now Atua, the all-god, was exceeding wroth at this thing, and in +grievous anger he beheld how that every night the door was unlatched +and Mimi went in unto Liliokani. And Atua set about to do vengeance, +and Atua's wrath is sure and very dreadful. + +There was a night when Mimi did not come; the door was unlatched and +the breath of Liliokani was as the perfume of flowers and of spices +commingled; yet he came not. Then Liliokani wept and unbraided her +hair and cried as a widow crieth, and she thought that Mimi had found +another pleasanter than she unto him. So, upon the next night, she +latched the door. But in the middle of the night, when the fire was +kindled in the island moon, there was a gentle tapping at the door, and +Mimi called to her. And when she had unlatched the door she began to +chide him, but he stopped her chiding, and with great groaning he took +her to his breast, and she knew by the beating of his heart that evil +had come upon him. + +Then Mimi told her who he was and how wroth the all-god was because the +eel-king, forgetful of his immortality and neglectful of his domain, +loved the daughter of a mortal. + +"Forswear me, then," quoth Liliokani, "forswear me, and come not hither +again, and the anger of the all-god shall be appeased." + +"It is not to lie to Atua," answered Mimi. "The all-god readeth every +heart and knoweth every thought. How can I, that love thee only, +forswear thee? More just and terrible would be Atua's wrath for that +lie to him and that wrong to thee and to myself. Brown maiden, I go +back into the sea and from thee forever, bearing with me a love for +thee which even the all-god's anger cannot chill." + +So he kissed her for the last time and bade her a last farewell, and +then he went from that door down to the water's edge and into his +domain. And Liliokani made great moan and her heart was like to break. +But the sea was placid as a hearthstone and the palms lay asleep in the +sky that night, for it was Atua's will that the woman should suffer +alone. + +In the middle of the next night a mighty tempest arose. The clouds +reached down and buffeted the earth and sea, and the winds and the +waters cried out in anger against each other and smote each other. +Above the tumult Atua's voice was heard. "Arise, Liliokani," quoth +that voice, "and with thy father's stone hatchet smite off the head of +the fish that lieth upon the threshold of the door." + +Then Liliokani arose with fear and trembling and went to the door, and +there, on the threshold, lay a monster eel whose body had been floated +thither by the flood and the tempest. With her father's stone hatchet +she smote off the eel's head, and the head fell into the hut, but the +long, dead body floated back with the flood into the sea and was seen +no more. Then the tempest abated, and with the morning came the sun's +light and its tender warmth. And at the earliest moment Liliokani took +the eel's head secretly and buried it with much sorrow and weeping, for +the eyes within that lifeless head were Mimi's eyes, and Liliokani knew +that this thing was come of the all-god's wrath. + +It was her wont to go each day and make moan over the spot where she +had hid this vestige of her love, and presently Atua pitied her, for +Atua loveth his children upon this earth, even though they sin most +grievously. So, by and by, Liliokani saw that two green leaves were +sprouting from the earth, and in a season these two leaves became twin +stalks and grew into trees, the like of which had never before been +seen upon earth. And Liliokani lived to see and to taste the fruit of +these twin trees that sprung from Mimi's brain--the red cocoanut and +the white cocoanut, whereof all men have eaten since that time. And +all folk hold that fruit in sweet estimation, for it cometh from the +love that a god had unto a mortal woman, and mortality is love and love +is immortality. + +Atua forgot not Liliokani when the skies opened to her; she liveth +forever in the star that looketh only upon this island, and it is her +tender grace that nourishes the infant cocoas and maketh the elder ones +fruitful. Meanwhile no woman that dwelleth upon earth hath +satisfaction in tasting the flesh of eels, for a knowledge of Mimi's +love and sacrifice hath been subtly implanted by Atua, the all-god, in +every woman's breast. + + +II + +THE MOON LADY + +Once there were four maidens who were the daughters of Talakoa, and +they were so very beautiful that their fame spread through the +universe. The oldest of these maidens was named Kaulualua, and it is +of her that it is to tell this tale. + +One day while Kaulualua was combing her hair she saw a tall, fair man +fishing in the rivulet, and he was a stranger to her. Never before had +she seen so fair a man, though in very sooth she had been wooed of many +king's sons and of chiefs from every part of the earth. Then she +called to her three sisters and asked them his name, but they could not +answer; this, however, they knew--he was of no country whereof they had +heard tell, for he was strangely clad and he was of exceeding fair +complexion and his stature surpassed that of other men. + +The next day these maidens saw this same tall, fair man, but he no +longer fished in the rivulet; he hunted the hares and was passing +skilful thereat, so that the maidens admired him not only for his +exceeding comeliness but also for his skill as a huntsman, for surely +there was no hare that could escape his vigilance and the point of his +arrow. So when Talakoa, their father, came that evening the maidens +told him of this stranger, and he wondered who he was and whence he +fared. Awaking from sleep in the middle of that night, Kaulualua saw +that the stars shone with rare brilliancy, and that by their light a +man was gazing upon her through the window. And she saw that the man +was the tall, fair man of whom it has been spoken. So she uttered no +cry, but feigned that she slept, for she saw that there was love in the +tall, fair man's eyes, and it pleaseth a maiden to be looked upon in +that wise. + +When it was morning this tall, fair man came and entered that house and +laid a fish and a hare upon the hearthstone and called for Talakoa. +And he quoth to Talakoa: + +"Old man, I would have your daughter to wife." + +Being a full crafty man, as beseemeth one of years, Talakoa replied: +"Four daughters have I." + +The tall, fair man announced: "You speak sooth, as well becometh a full +crafty man. Four daughters have you, and it is Kaulualua that I would +have to wife." + +Saith that full crafty man, the father: "How many palm trees grow in +thy possession, and how many rivers flow through thy chiefdom? Whence +comest thou, gentle sir, for assuredly neither I nor mine have seen the +like of thee before." + +"Good sooth," answered the tall, fair man, "I will tell you no lie, for +I would have that daughter to wife, and the things you require do well +beseem a full crafty man that meaneth for his child's good. I am the +man of the moon, and my name is Marama." + +Then Talakoa and his daughters looked at one another and were sore +puzzled, for they knew not whereof Marama spake. And they deemed him a +madman; yet did they not laugh him to scorn, because that he had come +a-wooing, and had laid the fish and the hare upon the hearthstone. + +"Kind sir, bringing gifts," quoth Talakoa, "I say no lie to you, but we +know not that country whereof you speak. Pray tell us of the moon and +where is it situate, and how many kumes is it distant from here?" + +"Full crafty man, father of her whom I would have to wife, I will tell +you truly," answered Marama. "The moon wherefrom I come is a mighty +island in the vast sea of night, and it is distant from here so great a +space that it were not to count the kumes that lie between. Exceeding +fair is that island in that vast sea, and it hath mountains and valleys +and plains and seas and rivers and lakes, and I am the chief overall. +Atua made that island for me and put it in that mighty sea, for I am +the son of Atua, and over that island in that sea I shall rule forever." + +Great wonder had they to hear tell of these things, and they knew now +that Marama was the child of Atua, who made the universe and is the +all-god. Then Marama said on: + +"Atua bade me search and find me a wife, and upon the stars have I +walked two hundred years, fishing and hunting, and seeing maidens, but +of all maidens seen there is none that I did love. So now at last, in +this island of this earth, I have found Kaulualua, and have seen the +pearl of her beauty and smelled the cinnamon of her breath, and I would +fain have her to wife that she may be ruler with me over the moon, my +island in the vast, black sea of night." + +It was not for Talakoa, being of earth such as all human kind, to +gainsay the words of Marama. And there was a flame in Kaulualua's +heart and incense in her breath and honey in her eyes toward this tall, +fair man that was the son of Atua. So the old father said to her: +"Take up the fish and the hare and roast them, my daughter, and spread +them before us, and we will eat them and so pledge our troth, one to +another." + +This thing did Kaulualua, and so the man from the moon had her to wife. + +That night they went from the home of Talakoa to the island in the sea +of night, and Talakoa and the three maidens watched for a signal from +that island, for Kaulualua told them she would build a fire thereon +that they might know when she was come thither. Many, many nights they +watched, and their hair grew white, and Time marked their faces with +his fingers, and the moss gathered on the palm trees. At last, as if +he would sleep forever, Talakoa laid himself upon his mat by the door +and asked that the skies be opened to him, for he was enfeebled with +age. + +And while he asked this thing the three sisters saw a dim light afar +off in the black sea of night, and it was such a light as had never +before been seen. And this light grew larger and brighter, so that in +seven nights it was thrice the size of the largest palm leaf, and it +lighted up all that far-off island in the sea of night, and they knew +that Kaulualua and the moon-god were in their home at last. So old +Talakoa was soothed and the skies that opened unto him found him +satisfied. + +The three sisters lived long, and yet two hundred ages are gone since +the earth received them into its bosom. Yet still upon that island in +the dark sea of night abideth in love the moon-god with his bride. +Atua hath been good to her, for he hath given her eternal youth, as he +giveth to all wives that do truly love and serve their husbands. It is +for us to see that pleasant island wherein Kaulualua liveth; it is for +us to see that when Marama goeth abroad to hunt or to fish his +moon-lady sitteth alone and maketh moan, and heedeth not her fires; it +is for us to see that when anon he cometh back she buildeth up those +fires whereon to cook food for him, and presently the fires grow +brighter and the whole round moon island is lighted and warmed thereby. +In this wise an exceeding fair example is set unto all wives of their +duty unto their mates. + +When the sea singeth to the sands, when the cane beckoneth to the +stars, and when the palm-leaves whisper to sweet-breathed night, how +pleasant it is, my brown maiden, to stand with thee and look upon that +island in the azure sea that spreadeth like a veil above the cocoa +trees. For there we see the moon-lady, and she awaiteth her dear lord +and she smileth in love; and that grace warmeth our hearts--your heart +and mine, O little maiden! and we are glad with a joy that knoweth no +speaking. + + + + +LUTE BAKER AND HIS WIFE EM + +The Plainfield boys always had the name of being smart, and I guess +Lute Baker was just about the smartest boy the old town ever turned +out. Well, he came by it naturally; Judge Baker was known all over +western Massachusetts as the sage of Plainfield, and Lute's mother--she +was a Kellogg before the judge married her--she had more faculty than a +dozen of your girls nowadays, and her cooking was talked about +everywhere--never was another woman, as folks said, could cook like +Miss Baker. The boys--Lute's friends--used to hang around the back +porch of noonings just to get some of her doughnuts; she was always +considerate and liberal to growing boys. May be Lute would n't have +been so popular if it had n't been for those doughnuts, and may be he +would n't have been so smart if it had n't been for all the good things +his mother fed into him. Always did believe there was piety and wisdom +in New England victuals. + +Lute went to Amherst College and did well; was valedictorian; then he +taught school a winter, for Judge Baker said that nobody could amount +to much in the world unless he taught school a spell. Lute was set on +being a lawyer, and so presently he went down to Springfield and read +and studied in Judge Morris' office, and Judge Morris wrote a letter +home to the Bakers once testifying to Lute's "probity" and +"acumen"--things that are never heard tell of except high up in the +legal profession. + +How Lute came to get the western fever I can't say, but get it he did, +and one winter he up and piked off to Chicago, and there he hung out +his shingle and joined a literary social and proceeded to get rich and +famous. The next spring Judge Baker fell off the woodshed while he was +shingling it, and it jarred him so he kind of drooped and pined round a +spell and then one day up and died. Lute had to come back home and +settle up the estate. + +When he went west again he took a wife with him--Emma Cowles that was +(everybody called her Em for short), pretty as a picture and as likely +a girl as there was in the township. Lute had always had a hankering +for Em, and Em thought there never was another such a young fellow as +Lute; she understood him perfectly, having sung in the choir with him +two years. The young couple went west well provided. + +Lute and Em went to housekeeping in Chicago. Em wanted to do her own +work, but Lute would n't hear to it; so they hired a German girl that +was just over from the vineyards of the Rhine country. + +"Lute," says Em, "Hulda does n't know much about cooking." + +"So I see," says Lute, feelingly. "She's green as grass; you'll have +to teach her." + +Hulda could swing a hoe and wield a spade deftly, but of the cuisine +she knew somewhat less than nothing. Em had lots of patience and +pluck, but she found teaching Hulda how to cook a precious hard job. +Lute was amiable enough at first; used to laugh it off with a cordial +bet that by and by Em would make a famous cook of the obtuse but +willing immigrant. This moral backing buoyed Em up considerable, until +one evening in an unguarded moment Lute expressed a pining for some +doughnuts "like those mother makes," and that casual remark made Em +unhappy. But next evening when Lute came home there were doughnuts on +the table--beautiful, big, plethoric doughnuts that fairly reeked with +the homely, delicious sentiment of New England. Lute ate one. Em felt +hurt. + +"I guess it's because I 've eaten so much else," explained Lute, "but +somehow or other they don't taste like mother's." + +Next day Em fed the rest of the doughnuts to a poor man who came and +said he was starving. "Thank you, marm," said he, with his heart full +of gratitude and his mouth full of doughnuts; "I ha' n't had anything +as good as this since I left Connecticut twenty years ago." + +That little subtlety consoled Em, but still she found it hard to bear +up under her apparent inability to do her duty by Lute's critical +palate. Once when Lute brought Col. Hi Thomas home to dinner they had +chicken pie. The colonel praised it and passed his plate a third time. + +"Oh, but you ought to eat some of mother's chicken pie," said Lute. +"Mother never puts an under crust in her chicken pies, and that makes +'em juicier." + +Same way when they had fried pork and potatoes; Lute could not +understand why the flesh of the wallowing, carnivorous western hog +should n't be as white and firm and sweet as the meat of the swill-fed +Yankee pig. And why were the Hubbard squashes so tasteless and why was +maple syrup so very different? Yes, amid all his professional duties +Lute found time to note and remark upon this and other similar things, +and of course Em was--by implication, at least--held responsible for +them all. + +And Em did try so hard, so very hard, to correct the evils and to +answer the hypercritical demands of Lute's foolishly petted and spoiled +appetite. She warred valorously with butchers, grocers, and hucksters; +she sent down east to Mother Baker for all the famous family recipes; +she wrestled in speech and in practice with that awful Hulda; she +experimented long and patiently; she blistered her pretty face and +burned her little hands over that kitchen range--yes, a slow, constant +martyrdom that conscientious wife willingly endured for years in her +enthusiastic determination to do her duty by Lute. Doughnuts, +chicken-pies, boiled dinners, layer-cakes, soda biscuits, flapjacks, +fish balls, baked beans, squash pies, corned-beef hash, dried-apple +sauce, currant wine, succotash, brown bread--how valorously Em toiled +over them, only to be rewarded with some cruel reminder of how "mother" +used to do these things! It was terrible; a tedious martyrdom. + +Lute--mind you--Lute was not wilfully cruel; no, he was simply and +irremediably a heedless idiot of a man, just as every married man is, +for a spell, at least. But it broke Em's heart, all the same. + +Lute's mother came to visit them when their first child was born, and +she lifted a great deal of trouble off the patient wife. Old Miss +Baker always liked Em; had told the minister three years ago that she +knew Em would make Lute a good Christian wife. They named the boy +Moses, after the old judge who was dead, and old Miss Baker said he +should have his gran'pa's watch when he got to be twenty-one. + +Old Miss Baker always stuck by Em; may be she remembered how the old +judge had talked once on a time about his mother's cooking. For all +married men are, as I have said, idiotically cruel about that sort of +thing. Yes, old Miss Baker braced Em up wonderful; brought a lot of +dried catnip out west with her for the baby; taught Em how to make +salt-rising bread; told her all about stewing things and broiling +things and roasting things; showed her how to tell the real Yankee +codfish from the counterfeit--oh, she just did Em lots of good, did old +Miss Baker! + +The rewards of virtue may be slow in coming, but they are sure to come. +Em's three boys--the three bouncing boys that came to Em and +Lute--those three boys waxed fat and grew up boisterous, blatant +appreciators of their mother's cooking. The way those boys did eat +mother's doughnuts! And mother's pies--wow! Other boys--the +neighbors' boys--came round regularly in troops, battalions, armies, +and like a consuming fire licked up the wholesome viands which Em's +skill and liberality provided for her own boys' enthusiastic playmates. +And all those boys--there must have been millions of 'em--were living, +breathing, vociferous testimonials to the unapproachable excellence of +Em's cooking. + +Lute got into politics, and they elected him to the legislature. After +the campaign, needing rest, he took it into his head to run down east +to see his mother; he had not been back home for eight years. He took +little Moses with him. They were gone about three weeks. Gran'ma +Baker had made great preparations for them; had cooked up enough pies +to last all winter, and four plump, beheaded, well-plucked, +yellow-legged pullets hung stiff and solemn-like in the chill pantry +off the kitchen, awaiting the last succulent scene of all. + +Lute and the little boy got there late of an evening. The dear old +lady was so glad to see them; the love that beamed from her kindly eyes +well nigh melted the glass in her silver-bowed specks. The table was +spread in the dining-room; the sheet-iron stove sighed till it seemed +like to crack with the heat of that hardwood fire. + +"Why, Lute, you ain't eatin' enough to keep a fly alive," remonstrated +old Miss Baker, when her son declined a second doughnut; "and what ails +the child?" she continued; "ha' n't he got no appetite? Why, when you +wuz his age, Lute, seemed as if I could n't cook doughnuts fast enough +for you!" + +Lute explained that both he and his little boy had eaten pretty +heartily on the train that day. But all the time of their visit there +poor old Gran'ma Baker wondered and worried because they did n't eat +enough--seemed to her as if western folks had n't the right kind of +appetite. Even the plump pullets, served in a style that had made Miss +Baker famed throughout those discriminating parts--even those pullets +failed to awaken the expected and proper enthusiasm in the visitors. + +Home again in Chicago, Lute drew his chair up to the table with an +eloquent sigh of relief. As for little Moses, he clamored his delight. + +"Chicken pie!" he cried, gleefully; and then he added a soulful "wow!" +as his eager eyes fell upon a plateful of hot, exuberant, voluptuous +doughnuts. + +"Yes, we are both glad to get back," said Lute. + +"But I am afraid," suggested Em, timidly, "that gran'ma's cooking has +spoiled you." + +Little Moses (bless him) howled an indignant, a wrathful remonstrance. +"Gran'ma can't cook worth a cent!" said he. + +Em expected Lute to be dreadfully shocked, but he was n't. + +"I would n't let her know it for all the world," remarked Lute, +confidentially, "but mother has lost her grip on cooking. At any rate, +her cooking is n't what it used to be; it has changed." + +Then Em came bravely to the rescue. "No, Lute," says she, and she +meant it, "your mother's cooking has n't changed, but _you_ have. The +man has grown away from the boy, and the tastes, the ways, and the +delights of boyhood have no longer any fascination for the man." + +"May be you 're right," said Lute. "At any rate, I 'm free to say that +_your_ cooking beats the world." + +Good for Lute! Virtue triumphs and my true story ends. But first an +explanation to concinnate my narrative. + +I should never have known this true story if Lute himself had n't told +it to me at the last dinner of the Sons of New England--told it to me +right before Em, that dear, patient little martyred wife of his. And I +knew by the love light in Em's eyes that she was glad that she had +endured that martyrdom for Lute's sake. + + + + +JOEL'S TALK WITH SANTA CLAUS + +One Christmas eve Joel Baker was in a most unhappy mood. He was +lonesome and miserable; the chimes making merry Christmas music outside +disturbed rather than soothed him, the jingle of the sleigh-bells +fretted him, and the shrill whistling of the wind around the corners of +the house and up and down the chimney seemed to grate harshly on his +ears. + +"Humph," said Joel, wearily, "Christmas is nothin' to me; there _was_ a +time when it meant a great deal, but that was long ago--fifty years is +a long stretch to look back over. There is nothin' in Christmas now, +nothin' for _me_ at least; it is so long since Santa Claus remembered +me that I venture to say he has forgotten that there ever was such a +person as Joel Baker in all the world. It used to be different; Santa +Claus _used_ to think a great deal of me when I was a boy. Ah! +Christmas nowadays ain't what it was in the good old time--no, not what +it used to be." + +As Joel was absorbed in his distressing thoughts he became aware very +suddenly that somebody was entering or trying to enter the room. First +came a draft of cold air, then a scraping, grating sound, then a +strange shuffling, and then,--yes, then, all at once, Joel saw a pair +of fat legs and a still fatter body dangle down the chimney, followed +presently by a long white beard, above which appeared a jolly red nose +and two bright twinkling eyes, while over the head and forehead was +drawn a fur cap, white with snowflakes. + +"Ha, ha," chuckled the fat, jolly stranger, emerging from the chimney +and standing well to one side of the hearthstone; "ha, ha, they don't +have the big, wide chimneys they used to build, but they can't keep +Santa Claus out--no, they can't keep Santa Claus out! Ha, ha, ha. +Though the chimney were no bigger than a gas pipe, Santa Claus would +slide down it!" + +It didn't require a second glance to assure Joel that the new-comer was +indeed Santa Claus. Joel knew the good old saint--oh, yes--and he had +seen him once before, and, although that was when Joel was a little +boy, he had never forgotten how Santa Claus looked. + +Nor had Santa Claus forgotten Joel, although Joel thought he had; for +now Santa Claus looked kindly at Joel and smiled and said: "Merry +Christmas to you, Joel!" + +"Thank you, old Santa Claus," replied Joel, "but I don't believe it's +going to be a very merry Christmas. It's been so long since I 've had +a merry Christmas that I don't believe I 'd know how to act if I had +one." + +"Let's see," said Santa Claus, "it must be going on fifty years since I +saw you last--yes, you were eight years old the last time I slipped +down the chimney of the old homestead and filled your stocking. Do you +remember it?" + +"I remember it well," answered Joel. "I had made up my mind to lie +awake and see Santa Claus; I had heard tell of you, but I 'd never seen +you, and Brother Otis and I concluded we 'd lie awake and watch for you +to come." + +Santa Claus shook his head reproachfully. "That was very wrong," said +he, "for I 'm so scarey that if I 'd known you boys were awake I 'd +never have come down the chimney at all, and then you 'd have had no +presents." + +"But Otis could n't keep awake," explained Joel. "We talked about +everythin' we could think of, till father called out to us that if we +did n't stop talking he 'd have to send one of us up into the attic to +sleep with the hired man. So in less than five minutes Otis was sound +asleep and no pinching could wake him up. But _I_ was bound to see +Santa Claus and I don't believe anything would 've put me to sleep. I +heard the big clock in the sitting-room strike eleven, and I had begun +wonderin' if you never were going to come, when all of a sudden I heard +the tinkle of the bells around your reindeers' necks. Then I heard the +reindeers prancin' on the roof and the sound of your sleigh-runners +cuttin' through the crust and slippin' over the shingles. I was kind +o' scared and I covered my head up with the sheet and quilts--only I +left a little hole so I could peek out and see what was goin' on. As +soon as I saw you I got over bein' scared--for you were jolly and +smilin' like, and you chuckled as you went around to each stockin' and +filled it up." + +"Yes, I can remember the night," said Santa Claus. "I brought you a +sled, did n't I?" + +"Yes, and you brought Otis one, too," replied Joel. "Mine was red and +had 'Yankee Doodle' painted in black letters on the side; Otis' was +black and had 'Snow Queen' in gilt letters." + +"I remember those sleds distinctly," said Santa Claus, "for I made them +specially for you boys." + +"You set the sleds up against the wall," continued Joel, "and then you +filled the stockin's." + +"There were six of 'em, as I recollect?" said Santa Claus. + +"Let me see," queried Joel. "There was mine, and Otis', and Elvira's, +and Thankful's, and Susan Prickett's--Susan was our help, you know. +No, there were only five, and, as I remember, they were the biggest we +could beg or borrer of Aunt Dorcas, who weighed nigh unto two hundred +pounds. Otis and I did n't like Susan Prickett, and we were hopin' you +'d put a cold potato in her stockin'." + +"But Susan was a good girl," remonstrated Santa Claus. "You know I put +cold potatoes only in the stockin's of boys and girls who are bad and +don't believe in Santa Claus." + +"At any rate," said Joel, "you filled all the stockin's with candy and +pop-corn and nuts and raisins, and I can remember you said you were +afraid you 'd run out of pop-corn balls before you got around. Then +you left each of us a book. Elvira got the best one, which was 'The +Garland of Frien'ship,' and had poems in it about the bleeding of +hearts, and so forth. Father was n't expectin' anything, but you left +him a new pair of mittens, and mother got a new fur boa to wear to +meetin'." + +"Of course," said Santa Claus, "I never forgot father and mother." + +"Well, it was as much as I could do to lay still," continued Joel, "for +I 'd been longin' for a sled, an' the sight of that red sled with +'Yankee Doodle' painted on it jest made me wild. But, somehow or +other, I began to get powerful sleepy all at once, and I could n't keep +my eyes open. The next thing I knew Otis was nudgin' me in the ribs. +'Git up, Joel,' says he; 'it's Chris'mas an' Santa Claus has been +here.' 'Merry Christ'mas! Merry Chris'mas!' we cried as we tumbled +out o' bed. Then Elvira an' Thankful came in, not more 'n half +dressed, and Susan came in, too, an' we just made Rome howl with 'Merry +Chris'mas! Merry Chris'mas!' to each other. 'Ef you children don't +make less noise in there,' cried father, 'I'll hev to send you all back +to bed.' The idea of askin' boys an' girls to keep quiet on Chris'mas +mornin' when they 've got new sleds an' 'Garlands of Frien'ship'!" + +Santa Claus chuckled; his rosy cheeks fairly beamed joy. + +"Otis an' I did n't want any breakfast," said Joel. "We made up our +minds that a stockin'ful of candy and pop-corn and raisins would stay +us for a while. I do believe there was n't buckwheat cakes enough in +the township to keep us indoors that mornin'; buckwheat cakes don't +size up much 'longside of a red sled with 'Yankee Doodle' painted onto +it and a black sled named 'Snow Queen.' _We_ did n't care how cold it +was--so much the better for slidin' down hill! All the boys had new +sleds--Lafe Dawson, Bill Holbrook, Gum Adams, Rube Playford, Leander +Merrick, Ezra Purple--all on 'em had new sleds excep' Martin Peavey, +and he said he calculated Santa Claus had skipped him this year 'cause +his father had broke his leg haulin' logs from the Pelham woods and had +been kep' indoors six weeks. But Martin had his ol' sled, and he +didn't hev to ask any odds of any of us, neither." + +"I brought Martin a sled the _next_ Christmas," said Santa Claus. + +"Like as not--but did you ever slide down hill, Santa Claus? I don't +mean such hills as they hev out here in this _new_ country, but one of +them old-fashioned New England hills that was made 'specially for boys +to slide down, full of bumpers an' thank-ye-marms, and about ten times +longer comin' up than it is goin' down! The wind blew in our faces and +almos' took our breath away. 'Merry Chris'mas to ye, little boys!' it +seemed to say, and it untied our mufflers an' whirled the snow in our +faces, just as if it was a boy, too, an' wanted to play with us. An +ol' crow came flappin' over us from the corn field beyond the meadow. +He said: 'Caw, caw,' when he saw my new sled--I s'pose he 'd never seen +a red one before. Otis had a hard time with _his_ sled--the black +one--an' he wondered why it would n't go as fast as mine would. 'Hev +you scraped the paint off'n the runners?' asked Wralsey Goodnow. +'Course I hev,' said Otis; 'broke my own knife an' Lute Ingraham's +a-doin' it, but it don't seem to make no dif'rence--the darned ol' +thing won't go!' Then, what did Simon Buzzell say but that, like 's +not, it was because Otis's sled's name was 'Snow Queen.' 'Never did +see a girl sled that was worth a cent, anyway,' sez Simon. Well, now, +that jest about broke Otis up in business. 'It ain't a girl sled,' sez +he, 'and its name ain't "Snow Queen"! I'm a-goin' to call it "Dan'l +Webster," or "Ol'ver Optic," or "Sheriff Robbins," or after some other +big man!' An' the boys plagued him so much about that pesky girl sled +that he scratched off the name, an', as I remember, it _did_ go better +after that! + +"About the only thing," continued Joel, "that marred the harmony of the +occasion, as the editor of the 'Hampshire County Phoenix' used to say, +was the ashes that Deacon Morris Frisbie sprinkled out in front of his +house. He said he was n't going to have folks breakin' their necks +jest on account of a lot of frivolous boys that was goin' to the +gallows as fas' as they could! Oh, how we hated him! and we 'd have +snowballed him, too, if we had n't been afraid of the constable that +lived next door. But the ashes did n't bother us much, and every time +we slid sidesaddle we 'd give the ashes a kick, and that sort of +scattered 'em." + +The bare thought of this made Santa Claus laugh. + +"Goin' on about nine o'clock," said Joel, "the girls come along--Sister +Elvira an' Thankful, Prudence Tucker, Belle Yocum, Sophrone Holbrook, +Sis Hubbard, an' Marthy Sawyer. Marthy's brother Increase wanted her +to ride on _his_ sled, but Marthy allowed that a red sled was her +choice every time. 'I don't see how I 'm goin' to hold on,' said +Marthy. 'Seems as if I would hev my hands full keepin' my things from +blowin' away.' 'Don't worry about yourself, Marthy,' sez I, 'for if +you'll look after your things, I kind o' calc'late I'll manage not to +lose _you_ on the way.' Dear Marthy--seems as if I could see you now, +with your tangled hair a-blowin' in the wind, your eyes all bright and +sparklin', an' your cheeks as red as apples. Seems, too, as if I could +hear you laughin' an' callin', jist as you did as I toiled up the old +New England hill that Chris'mas mornin'--a callin': 'Joel, Joel, +Joel--ain't ye ever comin', Joel?' But the hill is long and steep, +Marthy, an' Joel ain't the boy he used to be; he 's old, an' gray, an' +feeble, but there 's love an' faith in his heart, an' they kind o' keep +him totterin' tow'rds the voice he hears a-callin': 'Joel, Joel, Joel!'" + +"I know--I see it all," murmured Santa Claus, very softly. + +"Oh, that was so long ago," sighed Joel; "so very long ago! And I've +had no Chris'mas since--only once, when our little one--Marthy's an' +mine--you remember him, Santa Claus?" + +"Yes," said Santa Claus, "a toddling little boy with blue eyes--" + +"Like his mother," interrupted Joel; "an' he was like her, too--so +gentle an' lovin', only we called him Joel, for that was my father's +name and it kind o' run in the fam'ly. He wa' n't more 'n three years +old when you came with your Chris'mas presents for him, Santa Claus. +We had told him about you, and he used to go to the chimney every night +and make a little prayer about what he wanted you to bring him. And +you brought 'em, too--a stick-horse, an' a picture-book, an' some +blocks, an' a drum--they 're on the shelf in the closet there, and his +little Chris'mas stockin' with 'em--I 've saved 'em all, an' I 've +taken 'em down an' held 'em in my hands, oh, so many times!" + +"But when I came again," said Santa Claus-- + +"His little bed was empty, an' I was alone. It killed his +mother--Marthy was so tender-hearted; she kind o' drooped an' pined +after that. So now they 've been asleep side by side in the +buryin'-ground these thirty years. + +"That's why I 'm so sad-like whenever Chris'mas comes," said Joel, +after a pause. "The thinkin' of long ago makes me bitter almost. It's +so different now from what it used to be." + +"No, Joel, oh, no," said Santa Claus. "'T is the same world, and human +nature is the same and always will be. But Christmas is for the little +folks, and you, who are old and grizzled now, must know it and love it +only through the gladness it brings the little ones." + +"True," groaned Joel; "but how may I know and feel this gladness when I +have no little stocking hanging in my chimney corner--no child to +please me with his prattle? See, I am alone." + +"No, you 're not alone, Joel," said Santa Claus. "There are children +in this great city who would love and bless you for your goodness if +you but touched their hearts. Make them happy, Joel; send by me this +night some gift to the little boy in the old house yonder--he is poor +and sick; a simple toy will fill his Christmas with gladness." + +"His little sister, too--take _her_ some present," said Joel; "make +them happy for me, Santa Claus--you are right--make them happy for me." + +How sweetly Joel slept! When he awoke, the sunlight streamed in +through the window and seemed to bid him a merry Christmas. How +contented and happy Joel felt! It must have been the talk with Santa +Claus that did it all; he had never known a sweeter sense of peace. A +little girl came out of the house over the way. She had a new doll in +her arms, and she sang a merry little song and she laughed with joy as +she skipped along the street. Ay, and at the window sat the little +sick boy, and the toy Santa Claus left him seemed to have brought him +strength and health, for his eyes sparkled and his cheeks glowed, and +it was plain to see his heart was full of happiness. + +And, oh! how the chimes did ring out, and how joyfully they sang their +Christmas carol that morning! They sang of Bethlehem and the manger +and the Babe; they sang of love and charity, till all the Christmas air +seemed full of angel voices. + + Carol of the Christmas morn-- + Carol of the Christ-child born-- + Carol to the list'ning sky + Till it echoes back again + "Glory be to God on high, + Peace on earth, good will tow'rd men!" + + +So all this music--the carol of the chimes, the sound of children's +voices, the smile of the poor little boy over the way--all this sweet +music crept into Joel's heart that Christmas morning; yes, and with +these sweet, holy influences came others so subtile and divine that, in +its silent communion with them, Joel's heart cried out amen and amen to +the glory of the Christmas time. + + + + +THE LONESOME LITTLE SHOE + +The clock was in ill humor; so was the vase. It was all on account of +the little shoe that had been placed on the mantel-piece that day, and +had done nothing but sigh dolorously all the afternoon and evening. + +"Look you here, neighbor," quoth the clock, in petulant tones, "you are +sadly mistaken if you think you will be permitted to disturb our peace +and harmony with your constant sighs and groans. If you are ill, pray +let us know; otherwise, have done with your manifestations of distress." + +"Possibly you do not know what befell the melancholy plaque that +intruded his presence upon us last week," said the vase. "We pitched +him off the mantelpiece, and he was shattered into a thousand bits." + +The little shoe gave a dreadful shudder. It could not help thinking it +had fallen among inhospitable neighbors. It began to cry. The brass +candlestick took pity on the sobbing thing, and declared with some show +of temper that the little shoe should not be imposed on. + +"Now tell us why you are so full of sadness," said the brass +candlestick. + +"I do not know how to explain," whimpered the little shoe. "You see I +am quite a young thing, albeit I have a rusty appearance and there is a +hole in my toes and my heel is badly run over. I feel so lonesome and +friendless and sort of neglected-like, that it seems as if there were +nothing for me to do but sigh and grieve and weep all day long." + +"Sighing and weeping do no good," remarked the vase, philosophically. + +"I know that very well," replied the little shoe; "but once I was so +happy that my present lonesome lot oppresses me all the more +grievously." + +"You say you once were happy--pray tell us all about it," demanded the +brass candlestick. + +The vase was eager to hear the little shoe's story, and even the proud, +haughty clock expressed a willingness to listen. The matchbox came +from the other end of the mantel-piece, and the pen-wiper, the +paper-cutter, and the cigar-case gathered around the little shoe, and +urged it to proceed with its narrative. + +"The first thing I can remember in my short life," said the little +shoe, "was being taken from a large box in which there were many of my +kind thrown together in great confusion. I found myself tied with a +slender cord to a little mate, a shoe so very like me that you could +not have told us apart. We two were taken and put in a large window in +the midst of many grown-up shoes, and we had nothing to do but gaze out +of the window all day long into the wide, busy street. That was a very +pleasant life. Sometimes the sunbeams would dance through the +window-panes and play at hide-and-seek all over me and my little mate; +they would kiss and caress us, and we learned to love them very +much--they were so warm and gentle and merrisome. Sometimes the +raindrops would patter against the window-panes, singing wild songs to +us, and clamoring to break through and destroy us with their eagerness. +When night came, we could see stars away up in the dark sky winking at +us, and very often the old mother moon stole out from behind a cloud to +give us a kindly smile. The wind used to sing us lullabies, and in one +corner of our window there was a little open space where the mice gave +a grand ball every night to the music of the crickets and a blind frog. +Altogether we had a merry time." + +"I 'd have liked it all but the wind," said the brass candlestick. "I +don't know why it is, but I 'm dreadfully put out by the horrid old +wind!" + +"Many people," continued the little shoe, "used to stop and look in at +the window, and I believe my little mate and I were admired more than +any of our larger and more pretentious companions. I can remember +there was a pair of red-top boots that was exceedingly jealous of us. +But that did not last long, for one day a very sweet lady came and +peered in at the window and smiled very joyously when she saw me and my +little mate. Then I remember we were taken from the window, and the +lady held us in her hands and examined us very closely, and measured +our various dimensions with a string, and finally, I remember, she said +she would carry us home. We did not know what that meant, only we +realized that we would never live in the shop window again, and we were +loath to be separated from the sunbeams and the mice and the other +friends that had been so kind to us." + +"What a droll little shoe!" exclaimed the vase. Whereupon the clock +frowned and ticked a warning to the vase not to interrupt the little +shoe in the midst of its diverting narrative. + +"It is not necessary for me to tell you how we were wrapped in paper +and carried a weary distance," said the little shoe; "it is sufficient +to my purpose to say that, after what seemed to us an interminable +journey and a cruel banging around, we were taken from the paper and +found ourselves in a quiet, cozy room--yes, in this very apartment +where we all are now! The sweet lady held us in her lap, and at the +sweet lady's side stood a little child, gazing at us with an expression +of commingled astonishment, admiration, and glee. We knew the little +child belonged to the sweet lady, and from the talk we heard we knew +that henceforth the child was to be our little master." + +As if some sudden anguish came upon it, hushing its speech, the little +shoe paused in its narrative. The others said never a word. Perhaps +it was because they were beginning to understand. The proud, haughty +clock seemed to be less imperious for the moment, and its ticking was +softer and more reverential. + +"From that time," resumed the little shoe, "our little master and we +were inseparable during all the happy day. We played and danced with +him and wandered everywhere through the grass, over the carpets, down +the yard, up the street--ay, everywhere our little master went, we went +too, sharing his pretty antics and making music everywhere. Then, when +evening came and little master was put to sleep, in yonder crib, we +were set on the warm carpet near his bed where we could watch him while +he slept, and bid him good-morrow when the morning came. Those were +pleasant nights, too, for no sooner had little master fallen asleep +than the fairies came trooping through the keyholes and fluttering down +the chimney to dance over his eyes all night long, giving him happy +dreams, and filling his baby ears with sweetest music." + +"What a curious conceit!" said the pen-wiper. + +"And is it true that fairies dance on children's eyelids at night?" +asked the paper-cutter. + +"Certainly," the clock chimed in, "and they sing very pretty lullabies +and very cunning operettas, too. I myself have seen and heard them." + +"I should like to hear a fairy operetta," suggested the pen-wiper. + +"I remember one the fairies sang my little master as they danced over +his eyelids," said the little shoe, "and I will repeat it if you wish." + +"Nothing would please me more," said the pen-wiper. + +"Then you must know," said the little shoe, "that, as soon as my master +fell asleep, the fairies would make their appearance, led by their +queen, a most beautiful and amiable little lady no bigger than a +cambric needle. Assembling on the pillow of the crib, they would order +their minstrels and orchestra to seat themselves on little master's +forehead. The minstrels invariably were the cricket, the flea, the +katydid, and the gnat, while the orchestra consisted of mosquitos, +bumblebees, and wasps. Once in a great while, on very important +occasions, the fairies would bring the old blind hop-toad down the +chimney and set him on the window-sill, where he would discourse droll +ditties to the infinite delight of his hearers. But on ordinary +occasions, the fairy queen, whose name was Taffie, would lead the +performance in these pleasing words, sung to a very dulcet air: + + AN INVITATION TO SLEEP + + Little eyelids, cease your winking; + Little orbs, forget to beam; + Little soul, to slumber sinking, + Let the fairies rule your dream. + Breezes, through the lattice sweeping, + Sing their lullabies the while-- + And a star-ray, softly creeping + To thy bedside, woos thy smile. + But no song nor ray entrancing + Can allure thee from the spell + Of the tiny fairies dancing + O'er the eyes they love so well. + See, we come in countless number-- + I, their queen, and all my court-- + Haste, my precious one, to slumber + Which invites our fairy sport. + + +"At the conclusion of this song Prince Whimwham, a tidy little +gentleman fairy in pink silk small-clothes, approaching Queen Taffie +and bowing graciously, would say: + + Pray, lady, may I have the pleasure + Of leading you this stately measure? + +To which her majesty would reply with equal graciousness in the +affirmative. Then Prince Whimwham and Queen Taffie would take their +places on one of my master's eyelids, and the other gentleman fairies +and lady fairies would follow their example, till at last my master's +face would seem to be alive with these delightful little beings. The +mosquitos would blow a shrill blast on their trumpets, the orchestra +would strike up, and then the festivities would begin in earnest. How +the bumblebees would drone, how the wasps would buzz, and how the +mosquitos would blare! It was a delightful harmony of weird sounds. +The strange little dancers floated hither and thither over my master's +baby face, as light as thistledowns, and as graceful as the slender +plumes they wore in their hats and bonnets. Presently they would weary +of dancing, and then the minstrels would be commanded to entertain +them. Invariably the flea, who was a rattle-headed fellow, would +discourse some such incoherent song as this: + + COQUETRY + + Tiddle-de-dumpty, tiddle-de-dee-- + The spider courted the frisky flea; + Tiddle-de-dumpty, tiddle-de-doo-- + The flea ran off with the bugaboo! + "Oh, tiddle-de-dee!" + Said the frisky flea-- + For what cared she + For the miseree + The spider knew, + When, tiddle-de-doo, + The flea ran off with the bugaboo! + + Rumpty-tumpty, pimplety-pan-- + The flubdub courted a catamaran + But timplety-topplety, timpity-tare-- + The flubdub wedded the big blue bear! + The fun began + With a pimplety-pan + When the catamaran, + Tore up a man + And streaked the air + With his gore and hair + Because the flubdub wedded the bear! + + +"I remember with what dignity the fairy queen used to reprove the flea +for his inane levity: + + Nay, futile flea; these verses you are making + Disturb the child--for, see, he is awaking! + Come, little cricket, sing your quaintest numbers, + And they, perchance, shall lull him back to slumbers. + + +"Upon this invitation the cricket, who is justly one of the most famous +songsters in the world, would get his pretty voice in tune and sing as +follows: + + THE CRICKET'S SONG + + When all around from out the ground + The little flowers are peeping, + And from the hills the merry rills + With vernal songs are leaping, + I sing my song the whole day long + In woodland, hedge, and thicket-- + And sing it, too, the whole night through, + For I 'm a merry cricket. + + The children hear my chirrup clear + As, in the woodland straying, + They gather flow'rs through summer hours-- + And then I hear them saying: + "Sing, sing away the livelong day, + Glad songster of the thicket-- + With your shrill mirth you gladden earth, + You merry little cricket!" + + When summer goes, and Christmas snows + Are from the north returning, + I quit my lair and hasten where + The old yule-log is burning. + And where at night the ruddy light + Of that old log is flinging + A genial joy o'er girl and boy, + There I resume my singing. + + And, when they hear my chirrup clear, + The children stop their playing-- + With eager feet they haste to greet + My welcome music, saying: + "The little thing has come to sing + Of woodland, hedge, and thicket-- + Of summer day and lambs at play-- + Oh, how we love the cricket!" + + +"This merry little song always seemed to please everybody except the +gnat. The fairies appeared to regard the gnat as a pestiferous insect, +but a contemptuous pity led them to call upon him for a recitation, +which invariably was in the following strain: + + THE FATE OF THE FLIMFLAM + + A flimflam flopped from a fillamaloo, + Where the pollywog pinkled so pale, + And the pipkin piped a petulant "pooh" + To the garrulous gawp of the gale. + "Oh, woe to the swap of the sweeping swipe + That booms on the hobbling bay!" + Snickered the snark to the snoozing snipe + That lurked where the lamprey lay. + + The gluglug glinked in the glimmering gloam, + Where the buzbuz bumbled his bee-- + When the flimflam flitted, all flecked with foam, + From the sozzling and succulent sea. + "Oh, swither the swipe, with its sweltering sweep!" + She swore as she swayed in a swoon, + And a doleful dank dumped over the deep, + To the lay of the limpid loon! + + +"This was simply horrid, as you all will allow. The queen and her +fairy followers were much relieved when the honest katydid narrated a +pleasant moral in the form of a ballad to this effect: + + CONTENTMENT + + Once on a time an old red hen + Went strutting 'round with pompous clucks, + For she had little babies ten, + A part of which were tiny ducks. + "'T is very rare that hens," said she, + "Have baby ducks as well as chicks-- + But I possess, as you can see, + Of chickens four and ducklings six!" + + A season later, this old hen + Appeared, still cackling of her luck, + For, though she boasted babies ten, + Not one among them was a duck! + "'T is well," she murmured, brooding o'er + The little chicks of fleecy down-- + "My babies now will stay ashore, + And, consequently, cannot drown!" + + The following spring the old red hen + Clucked just as proudly as of yore-- + But lo! her babes were ducklings ten, + Instead of chickens, as before! + "'T is better," said the old red hen, + As she surveyed her waddling brood; + "A little water now and then + Will surely do my darlings good!" + + But oh! alas, how very sad! + When gentle spring rolled round again + The eggs eventuated bad, + And childless was the old red hen! + Yet patiently she bore her woe, + And still she wore a cheerful air, + And said: "'T is best these things are so, + For babies are a dreadful care!" + + I half suspect that many men, + And many, many women, too, + Could learn a lesson from the hen + With foliage of vermilion hue; + She ne'er presumed to take offence + At any fate that might befall, + But meekly bowed to Providence-- + She was contented--that was all! + + +"Then the fairies would resume their dancing. Each little gentleman +fairy would bow to his lady fairy and sing in the most musical of +voices: + + Sweet little fairy, + Tender and airy, + Come, let us dance on the good baby-eyes; + Merrily skipping, + Cheerily tripping, + Murmur we ever our soft lullabies. + + +"And then, as the rest danced, the fairy queen sang the following +slumber-song, accompanied by the orchestra: + + A FAIRY LULLABY + + There are two stars in yonder steeps + That watch the baby while he sleeps. + But while the baby is awake + And singing gayly all day long, + The little stars their slumbers take + Lulled by the music of his song. + So sleep, dear tired baby, sleep + While little stars their vigils keep. + + Beside his loving mother-sheep + A little lambkin is asleep; + What does he know of midnight gloom--- + He sleeps, and in his quiet dreams + He thinks he plucks the clover bloom + And drinks at cooling, purling streams. + And those same stars the baby knows + Sing softly to the lamb's repose. + + Sleep, little lamb; sleep, little child-- + The stars are dim--the night is wild; + But o'er the cot and o'er the lea + A sleepless eye forever beams-- + A shepherd watches over thee + In all thy little baby dreams; + The shepherd loves his tiny sheep-- + Sleep, precious little lambkin, sleep! + + +"That is very pretty, indeed!" exclaimed the brass candlestick. + +"So it is," replied the little shoe, "but you should hear it sung by +the fairy queen!" + +"Did the operetta end with that lullaby?" inquired the cigar-case. + +"Oh, no," said the little shoe. "No sooner had the queen finished her +lullaby than an old gran'ma fairy, wearing a quaint mob-cap and large +spectacles, limped forward with her crutch and droned out a curious +ballad, which seemed to be for the special benefit of the boy and girl +fairies, very many of whom were of the company. This ballad was as +follows: + + BALLAD OF THE JELLY-CAKE + + A little boy whose name was Tim + Once ate some jelly-cake for tea-- + Which cake did not agree with him, + As by the sequel you shall see. + "My darling child," his mother said, + "Pray do not eat that jelly-cake, + For, after you have gone to bed, + I fear 't will make your stomach ache!" + But foolish little Tim demurred + Unto his mother's warning word. + + That night, while all the household slept, + Tim felt an awful pain, and then + From out the dark a nightmare leapt + And stood upon his abdomen! + "I cannot breathe!" the infant cried-- + "Oh, Mrs. Nightmare, pity take!" + "There is no mercy," she replied, + "For boys who feast on jelly-cake!" + And so, despite the moans of Tim, + The cruel nightmare went for him. + + At first, she 'd tickle Timmy's toes + Or roughly smite his baby cheek-- + And now she 'd rudely tweak his nose + And other petty vengeance wreak; + And then, with hobnails in her shoes + And her two horrid eyes aflame, + The mare proceeded to amuse + Herself by prancing o'er his frame--- + First to his throbbing brow, and then + Back to his little feet again. + + At last, fantastic, wild, and weird, + And clad in garments ghastly grim, + A scowling hoodoo band appeared + And joined in worrying little Tim. + Each member of this hoodoo horde + Surrounded Tim with fierce ado + And with long, cruel gimlets bored + His aching system through and through, + And while they labored all night long + The nightmare neighed a dismal song. + + Next morning, looking pale and wild, + Poor little Tim emerged from bed-- + "Good gracious! what can ail the child!" + His agitated mother said. + "We live to learn," responded he, + "And I have lived to learn to take + Plain bread and butter for my tea, + And never, never, jelly-cake! + For when my hulk with pastry teems, + I must _expect_ unpleasant dreams!" + + +"Now you can imagine this ballad impressed the child fairies very +deeply," continued the little shoe. "Whenever the gran'ma fairy sang +it, the little fairies expressed great surprise that boys and girls +ever should think of eating things which occasioned so much trouble. +So the night was spent in singing and dancing, and our master would +sleep as sweetly as you please. At last the lark--what a beautiful +bird she is--would flutter against the window panes, and give the +fairies warning in these words: + + MORNING SONG + + The eastern sky is streaked with red, + The weary night is done, + And from his distant ocean bed + Rolls up the morning sun. + The dew, like tiny silver beads + Bespread o'er velvet green, + Is scattered on the wakeful meads + By angel hands unseen. + "Good-morrow, robin in the trees!" + The star-eyed daisy cries; + "Good-morrow," sings the morning breeze + Unto the ruddy skies; + "Good-morrow, every living thing!" + Kind Nature seems to say, + And all her works devoutly sing + A hymn to birth of day, + So, haste, without delay, + Haste, fairy friends, on silver wing, + And to your homes away! + + +"But the fairies could never leave little master so unceremoniously. +Before betaking themselves to their pretty homes under the rocks near +the brook, they would address a parting song to his eyes, and this song +they called a matin invocation: + + TO A SLEEPING BABY'S EYES + + And thou, twin orbs of love and joy! + Unveil thy glories with the morn-- + Dear eyes, another day is born-- + Awake, O little sleeping boy! + Bright are the summer morning skies, + But in this quiet little room + There broods a chill, oppressive gloom-- + All for the brightness of thine eyes. + Without those radiant orbs of thine + How dark this little world would be-- + This sweet home-world that worships thee-- + So let their wondrous glories shine + On those who love their warmth and joy-- + Awake, O sleeping little boy. + + +"So that ended the fairy operetta, did it?" inquired the match-box. + +"Yes," said the little shoe, with a sigh of regret. "The fairies were +such bewitching creatures, and they sang so sweetly, I could have +wished they would never stop their antics and singing. But, alas! I +fear I shall never see them again." + +"What makes you think so?" asked the brass candlestick. + +"I 'm sure I can't tell," replied the little shoe; "only everything is +so strange-like and so changed from what it used to be that I hardly +know whether indeed I am still the same little shoe I used to be." + +"Why, what can you mean?" queried the old clock, with a puzzled look on +her face. + +"I will try to tell you," said the little shoe. "You see, my mate and +our master and I were great friends; as I have said, we roamed and +frolicked around together all day, and at night my little mate and I +watched at master's bedside while he slept. One day we three took a +long ramble, away up the street and beyond where the houses were built, +until we came into a beautiful green field, where the grass was very +tall and green, and where there were pretty flowers of every kind. Our +little master talked to the flowers and they answered him, and we all +had a merry time in the meadow that afternoon, I can tell you. 'Don't +go away, little child,' cried the daisies, 'but stay and be our +playfellow always.' A butterfly came and perched on our master's hand, +and looked up and smiled, and said: 'I 'm not afraid of _you_; you +would n't hurt me, would you?' A little mouse told us there was a +thrush's nest in the bush yonder, and we hurried to see it. The lady +thrush was singing her four babies to sleep. They were strange-looking +babies, with their gaping mouths, bulbing eyes, and scant feathers! +'Do not wake them up,' protested the lady thrush. 'Go a little further +on and you will come to the brook. I will join you presently.' So we +went to the brook." + +"Oh, but I would have been afraid," suggested the pen-wiper. + +"Afraid of the brook!" cried the little shoe. "Oh, no; what could be +prettier than the brook! We heard it singing in the distance. We +called to it and it bade us welcome. How it smiled in the sunshine! +How restless and furtive and nimble it was, yet full of merry prattling +and noisy song. Our master was overjoyed. He had never seen the brook +before; nor had we, for that matter. 'Let me cool your little feet,' +said the brook, and, without replying, our master waded knee-deep into +the brook. In an instant we were wet through--my mate and I; but how +deliciously cool it was here in the brook, and how smooth and bright +the pebbles were! One of the pebbles told me it had come many, many +miles that day from its home in the hills where the brook was born." + +"Pooh, I don't believe it," sneered the vase. + +"Presently our master toddled back from out the brook," continued the +little shoe, heedless of the vase's interruption, "and sat among the +cowslips and buttercups on the bank. The brook sang on as merrily as +before. 'Would you like to go sailing?' asked our master of my mate. +'Indeed I would,' replied my mate, and so our master pulled my mate +from his little foot and set it afloat upon the dancing waves of the +brook. My mate was not the least alarmed. It spun around gayly +several times at first and then glided rapidly away. The butterfly +hastened and alighted upon the merry little craft. 'Where are you +going?' I cried. 'I am going down to the sea,' replied my little mate, +with laughter. 'And I am going to marry the rose in the far-away +south,' cried the butterfly. 'But will you not come back?' I cried. +They answered me, but they were so far away I could not hear them. It +was very distressing, and I grieved exceedingly. Then, all at once, I +discovered my little master was asleep, fast asleep among the cowslips +and buttercups. I did not try to wake him--only I felt very miserable, +for I was so cold and wet. Presently the lady thrush came, as she had +said she would. The child is asleep--he will be ill--I must hasten to +tell his mother,' she cried, and away she flew." + +"And was he sick?" asked the vase. + +"I do not know," said the little shoe. "I can remember it was late +that evening when the sweet lady and others came and took us up and +carried us back home, to this very room. Then I was pulled off very +unceremoniously and thrown under my little master's bed, and I never +saw my little master after that. + +"How very strange!" exclaimed the match-safe. + +"Very, very strange," repeated the shoe. "For many days and nights I +lay under the crib all alone. I could hear my little master sighing +and talking as if in a dream. Sometimes he spoke of me, and of the +brook, and of my little mate dancing to the sea, and one night he +breathed very loud and quick and he cried out and seemed to struggle, +and then, all at once, he stopped, and I could hear the sweet lady +weeping. But I remember all this very faintly. I was hoping the +fairies would come back, but they never came. + +"I remember," resumed the little shoe, after a solemn pause, "I +remember how, after a long, long time, the sweet lady came and drew me +from under the crib and held me in her lap and kissed me and wept over +me. Then she put me in a dark, lonesome drawer, where there were +dresses and stockings and the little hat my master used to wear. There +I lived, oh! such a weary time, and we talked--the dresses, the +stockings, the hat, and I did--about our little master, and we wondered +that he never came. And every little while the sweet lady would take +us from the drawer and caress us, and we saw that she was pale and that +her eyes were red with weeping." + +"But has your little master never come back!" asked the old clock. + +"Not yet," said the little shoe, "and that is why I am so very +lonesome. Sometimes I think he has gone down to the sea in search of +my little mate and that the two will come back together. But I do not +understand it. The sweet lady took me from the drawer to-day and +kissed me and set me here on the mantelpiece." + +"You don't mean to say she kissed you?" cried the haughty vase, "you +horrid little stumped-out shoe!" + +"Indeed she did," insisted the lonesome little shoe, "and I know she +loves me. But why she loves me and kisses me and weeps over me I do +not know. It is all very strange. I do not understand it at all." + + + +***END OF THE PROJECT GUTENBERG EBOOK THE HOLY CROSS AND OTHER TALES*** + + +******* This file should be named 21807.txt or 21807.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/2/1/8/0/21807 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://www.gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/21807.zip b/21807.zip Binary files differnew file mode 100644 index 0000000..6acf5de --- /dev/null +++ b/21807.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..a0af64e --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #21807 (https://www.gutenberg.org/ebooks/21807) |
