summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--20633-8.txt5775
-rw-r--r--20633-8.zipbin0 -> 93885 bytes
-rw-r--r--20633-h.zipbin0 -> 102349 bytes
-rw-r--r--20633-h/20633-h.htm7531
-rw-r--r--20633.txt5775
-rw-r--r--20633.zipbin0 -> 93852 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 19097 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/20633-8.txt b/20633-8.txt
new file mode 100644
index 0000000..bb00f6a
--- /dev/null
+++ b/20633-8.txt
@@ -0,0 +1,5775 @@
+The Project Gutenberg EBook of Winsome Winnie and other New Nonsense Novels, by
+Stephen Leacock
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Winsome Winnie and other New Nonsense Novels
+
+Author: Stephen Leacock
+
+Release Date: February 20, 2007 [EBook #20633]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK WINSOME WINNIE AND OTHERS ***
+
+
+
+
+Produced by Malcolm Farmer and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+WINSOME WINNIE
+AND OTHER NEW
+NONSENSE NOVELS
+
+
+_BY THE SAME AUTHOR_
+
+
+THE HOHENZOLLERNS IN AMERICA
+AND OTHER IMPOSSIBILITIES
+
+LITERARY LAPSES
+
+NONSENSE NOVELS
+
+SUNSHINE SKETCHES OF A LITTLE
+TOWN. With a Frontispiece by Cyrus Cuneo
+
+BEHIND THE BEYOND AND OTHER
+CONTRIBUTIONS TO HUMAN
+KNOWLEDGE. With 17 Illustrations
+by "FISH"
+
+ARCADIAN ADVENTURES WITH
+THE IDLE RICH
+
+MOONBEAMS FROM THE LARGER
+LUNACY
+
+ESSAYS AND LITERARY STUDIES
+
+FURTHER FOOLISHNESS: SKETCHES
+AND SATIRES ON THE FOLLIES
+OF THE DAY. With coloured Frontispiece
+by "FISH" and 5 other Plates by
+M. BLOOD.
+
+FRENZIED FICTION
+
+THE UNSOLVED RIDDLE OF SOCIAL
+JUSTICE.
+
+
+THE BODLEY HEAD
+
+
+
+
+_WINSOME WINNIE
+AND OTHER NEW
+NONSENSE NOVELS_
+
+_BY STEPHEN LEACOCK_
+
+
+_LONDON: JOHN LANE, THE BODLEY HEAD
+NEW YORK: JOHN LANE COMPANY MCMXXI_
+
+_Printed in Great Britain by R. Clay & Sons, Ltd., London and Bungay_
+
+
+
+_CONTENTS_
+
+
+
+ CHAP.
+
+ I. WINSOME WINNIE; OR, TRIAL AND TEMPTATION
+ I. THROWN ON THE WORLD
+ II. A RENCOUNTER
+ III. FRIENDS IN DISTRESS
+ IV. A GAMBLING PARTY IN ST. JAMES'S CLOSE
+ V. THE ABDUCTION
+ VI. THE UNKNOWN
+ VII. THE PROPOSAL
+ VIII. WEDDED AT LAST
+
+ II. JOHN AND I; OR, HOW I NEARLY LOST MY HUSBAND
+
+ III. THE SPLIT IN THE CABINET; OR, THE FATE OF ENGLAND
+
+ IV. WHO DO YOU THINK DID IT? OR, THE MIXED-UP MURDER MYSTERY
+ I. HE DINED WITH ME LAST NIGHT
+ II. I MUST SAVE HER LIFE
+ III. I MUST BUY A BOOK ON BILLIARDS
+ IV. THAT IS NOT BILLIARD CHALK
+ V. HAS ANYBODY HERE SEEN KELLY?
+ VI. SHOW ME THE MAN WHO WORE THOSE BOOTS
+ VII. OH, MR. KENT, SAVE ME!
+ VIII. YOU ARE PETER KELLY
+ IX. LET ME TELL YOU THE STORY OF MY LIFE
+ X. SO DO I
+
+ V. BROKEN BARRIERS; OR, RED LOVE ON A BLUE ISLAND
+
+ VI. THE KIDNAPPED PLUMBER: A TALE OF THE NEW TIME
+
+ VII. THE BLUE AND THE GREY: A PRE-WAR WAR STORY
+
+ VIII. BUGGAM GRANGE: A GOOD OLD GHOST STORY
+
+
+
+
+I
+
+WINSOME WINNIE
+
+OR, TRIAL AND TEMPTATION
+
+(_Narrated after the best models of 1875_)
+
+
+
+
+_I.--Winsome Winnie; or, Trial and Temptation._
+
+
+CHAPTER I
+
+THROWN ON THE WORLD
+
+
+"Miss Winnifred," said the Old Lawyer, looking keenly over and through
+his shaggy eyebrows at the fair young creature seated before him, "you
+are this morning twenty-one."
+
+Winnifred Clair raised her deep mourning veil, lowered her eyes and
+folded her hands.
+
+"This morning," continued Mr. Bonehead, "my guardianship is at an end."
+
+There was a tone of something like emotion in the voice of the stern old
+lawyer, while for a moment his eye glistened with something like a tear
+which he hastened to remove with something like a handkerchief. "I have
+therefore sent for you," he went on, "to render you an account of my
+trust."
+
+He heaved a sigh at her, and then, reaching out his hand, he pulled the
+woollen bell-rope up and down several times.
+
+An aged clerk appeared.
+
+"Did the bell ring?" he asked.
+
+"I think it did," said the Lawyer. "Be good enough, Atkinson, to fetch
+me the papers of the estate of the late Major Clair defunct."
+
+"I have them here," said the clerk, and he laid upon the table a bundle
+of faded blue papers, and withdrew.
+
+"Miss Winnifred," resumed the Old Lawyer, "I will now proceed to give
+you an account of the disposition that has been made of your property.
+This first document refers to the sum of two thousand pounds left to you
+by your great uncle. It is lost."
+
+Winnifred bowed.
+
+"Pray give me your best attention and I will endeavour to explain to you
+how I lost it."
+
+"Oh, sir," cried Winnifred, "I am only a poor girl unskilled in the
+ways of the world, and knowing nothing but music and French; I fear that
+the details of business are beyond my grasp. But if it is lost, I gather
+that it is gone."
+
+"It is," said Mr. Bonehead. "I lost it in a marginal option in an
+undeveloped oil company. I suppose that means nothing to you."
+
+"Alas," sighed Winnifred, "nothing."
+
+"Very good," resumed the Lawyer. "Here next we have a statement in
+regard to the thousand pounds left you under the will of your maternal
+grandmother. I lost it at Monte Carlo. But I need not fatigue you with
+the details."
+
+"Pray spare them," cried the girl.
+
+"This final item relates to the sum of fifteen hundred pounds placed in
+trust for you by your uncle. I lost it on a horse race. That horse,"
+added the Old Lawyer with rising excitement, "ought to have won. He was
+coming down the stretch like blue--but there, there, my dear, you must
+forgive me if the recollection of it still stirs me to anger. Suffice it
+to say the horse fell. I have kept for your inspection the score card
+of the race, and the betting tickets. You will find everything in
+order."
+
+"Sir," said Winnifred, as Mr. Bonehead proceeded to fold up his papers,
+"I am but a poor inadequate girl, a mere child in business, but tell me,
+I pray, what is left to me of the money that you have managed?"
+
+"Nothing," said the Lawyer. "Everything is gone. And I regret to say,
+Miss Clair, that it is my painful duty to convey to you a further
+disclosure of a distressing nature. It concerns your birth."
+
+"Just Heaven!" cried Winnifred, with a woman's quick intuition. "Does it
+concern my father?"
+
+"It does, Miss Clair. Your father was not your father."
+
+"Oh, sir," exclaimed Winnifred. "My poor mother! How she must have
+suffered!"
+
+"Your mother was not your mother," said the Old Lawyer gravely. "Nay,
+nay, do not question me. There is a dark secret about your birth."
+
+"Alas," said Winnifred, wringing her hands, "I am, then, alone in the
+world and penniless."
+
+"You are," said Mr. Bonehead, deeply moved. "You are, unfortunately,
+thrown upon the world. But, if you ever find yourself in a position
+where you need help and advice, do not scruple to come to me.
+Especially," he added, "for advice. And meantime let me ask you in what
+way do you propose to earn your livelihood?"
+
+"I have my needle," said Winnifred.
+
+"Let me see it," said the Lawyer.
+
+Winnifred showed it to him.
+
+"I fear," said Mr. Bonehead, shaking his head, "you will not do much
+with that."
+
+Then he rang the bell again.
+
+"Atkinson," he said, "take Miss Clair out and throw her on the world."
+
+
+
+
+CHAPTER II
+
+A RENCOUNTER
+
+
+As Winnifred Clair passed down the stairway leading from the Lawyer's
+office, a figure appeared before her in the corridor, blocking the way.
+It was that of a tall, aristocratic-looking man, whose features wore
+that peculiarly saturnine appearance seen only in the English nobility.
+The face, while entirely gentlemanly in its general aspect, was stamped
+with all the worst passions of mankind.
+
+Had the innocent girl but known it, the face was that of Lord Wynchgate,
+one of the most contemptible of the greater nobility of Britain, and the
+figure was his too.
+
+"Ha!" exclaimed the dissolute Aristocrat, "whom have we here? Stay,
+pretty one, and let me see the fair countenance that I divine behind
+your veil."
+
+"Sir," said Winnifred, drawing herself up proudly, "let me pass, I
+pray."
+
+"Not so," cried Wynchgate, reaching out and seizing his intended victim
+by the wrist, "not till I have at least seen the colour of those eyes
+and imprinted a kiss upon those fair lips."
+
+With a brutal laugh, he drew the struggling girl towards him.
+
+In another moment the aristocratic villain would have succeeded in
+lifting the veil of the unhappy girl, when suddenly a ringing voice
+cried, "Hold! stop! desist! begone! lay to! cut it out!"
+
+With these words a tall, athletic young man, attracted doubtless by the
+girl's cries, leapt into the corridor from the street without. His
+figure was that, more or less, of a Greek god, while his face, although
+at the moment inflamed with anger, was of an entirely moral and
+permissible configuration.
+
+"Save me! save me!" cried Winnifred.
+
+"I will," cried the Stranger, rushing towards Lord Wynchgate with
+uplifted cane.
+
+But the cowardly Aristocrat did not await the onslaught of the unknown.
+
+"You shall yet be mine!" he hissed in Winnifred's ear, and, releasing
+his grasp, he rushed with a bound past the rescuer into the street.
+
+"Oh, sir," said Winnifred, clasping her hands and falling on her knees
+in gratitude. "I am only a poor inadequate girl, but if the prayers of
+one who can offer naught but her prayers to her benefactor can avail to
+the advantage of one who appears to have every conceivable advantage
+already, let him know that they are his."
+
+"Nay," said the stranger, as he aided the blushing girl to rise, "kneel
+not to me, I beseech. If I have done aught to deserve the gratitude of
+one who, whoever she is, will remain for ever present as a bright memory
+in the breast of one in whose breast such memories are all too few, he
+is all too richly repaid. If she does that, he is blessed indeed."
+
+"She does. He is!" cried Winnifred, deeply moved. "Here on her knees she
+blesses him. And now," she added, "we must part. Seek not to follow me.
+One who has aided a poor girl in the hour of need will respect her wish
+when she tells him that, alone and buffeted by the world, her one
+prayer is that he will leave her."
+
+"He will!" cried the Unknown. "He will. He does."
+
+"Leave me, yes, leave me," exclaimed Winnifred.
+
+"I will," said the Unknown.
+
+"Do, do," sobbed the distraught girl. "Yet stay, one moment more. Let
+she, who has received so much from her benefactor, at least know his
+name."
+
+"He cannot! He must not!" exclaimed the Indistinguishable. "His birth is
+such--but enough!"
+
+He tore his hand from the girl's detaining clasp and rushed forth from
+the place.
+
+Winnifred Clair was alone.
+
+
+
+
+CHAPTER III
+
+FRIENDS IN DISTRESS
+
+
+Winnifred was now in the humblest lodgings in the humblest part of
+London. A simple bedroom and sitting-room sufficed for her wants. Here
+she sat on her trunk, bravely planning for the future.
+
+"Miss Clair," said the Landlady, knocking at the door, "do try to eat
+something. You must keep up your health. See, I've brought you a
+kippered herring."
+
+Winnifred ate the herring, her heart filled with gratitude. With renewed
+strength she sallied forth on the street to resume her vain search for
+employment. For two weeks now Winnifred Clair had sought employment even
+of the humblest character. At various dress-making establishments she
+had offered, to no purpose, the services of her needle. They had looked
+at it and refused it.
+
+In vain she had offered to various editors and publishers the use of her
+pen. They had examined it coldly and refused it.
+
+She had tried fruitlessly to obtain a position of trust. The various
+banks and trust companies to which she had applied declined her
+services. In vain she had advertised in the newspapers offering to take
+sole charge of a little girl. No one would give her one.
+
+Her slender stock of money which she had in her purse on leaving Mr.
+Bonehead's office was almost consumed.
+
+Each night the unhappy girl returned to her lodging exhausted with
+disappointment and fatigue.
+
+Yet even in her adversity she was not altogether friendless.
+
+Each evening, on her return home, a soft tap was heard at the door.
+
+"Miss Clair," said the voice of the Landlady, "I have brought you a
+fried egg. Eat it. You must keep up your strength."
+
+Then one morning a terrible temptation had risen before her.
+
+"Miss Clair," said the manager of an agency to which she had applied, "I
+am glad to be able at last to make you a definite offer of employment.
+Are you prepared to go upon the stage?"
+
+The stage!
+
+A flush of shame and indignation swept over the girl. Had it come to
+this? Little versed in the world as Winnifred was, she knew but too well
+the horror, the iniquity, the depth of degradation implied in the word.
+
+"Yes," continued the agent, "I have a letter here asking me to recommend
+a young lady of suitable refinement to play the part of Eliza in _Uncle
+Tom's Cabin._ Will you accept?"
+
+"Sir," said Winnifred proudly, "answer me first this question fairly. If
+I go upon the stage, can I, as Eliza, remain as innocent, as simple as I
+am now?"
+
+"You can not," said the manager.
+
+"Then, sir," said Winnifred, rising from her chair, "let me say this.
+Your offer is doubtless intended to be kind. Coming from the class you
+do, and inspired by the ideas you are, you no doubt mean well. But let a
+poor girl, friendless and alone, tell you that rather than accept such a
+degradation she will die."
+
+"Very good," said the manager.
+
+"I go forth," cried Winnifred, "to perish."
+
+"All right," said the manager.
+
+The door closed behind her. Winnifred Clair, once more upon the street,
+sank down upon the steps of the building in a swoon.
+
+But at this very juncture Providence, which always watches over the
+innocent and defenceless, was keeping its eye direct upon Winnifred.
+
+At that very moment when our heroine sank fainting upon the doorstep, a
+handsome equipage, drawn by two superb black steeds, happened to pass
+along the street.
+
+Its appearance and character proclaimed it at once to be one of those
+vehicles in which only the superior classes of the exclusive aristocracy
+are privileged to ride. Its sides were emblazoned with escutcheons,
+insignia and other paraphernalia. The large gilt coronet that appeared
+up its panelling, surmounted by a bunch of huckleberries, quartered in a
+field of potatoes, indicated that its possessor was, at least, of the
+rank of marquis. A coachman and two grooms rode in front, while two
+footmen, seated in the boot, or box at the rear, contrived, by the
+immobility of their attitude and the melancholy of their faces, to
+inspire the scene with an exclusive and aristocratic grandeur.
+
+The occupants of the equipage--for we refuse to count the menials as
+being such--were two in number, a lady and gentleman, both of advanced
+years. Their snow-white hair and benign countenances indicated that they
+belonged to that rare class of beings to whom rank and wealth are but an
+incentive to nobler things. A gentle philanthropy played all over their
+faces, and their eyes sought eagerly in the passing scene of the humble
+street for new objects of benefaction.
+
+Those acquainted with the countenances of the aristocracy would have
+recognized at once in the occupants of the equipage the Marquis of
+Muddlenut and his spouse, the Marchioness.
+
+It was the eye of the Marchioness which first detected the form of
+Winnifred Clair upon the doorstep.
+
+"Hold! pause! stop!" she cried, in lively agitation.
+
+The horses were at once pulled in, the brakes applied to the wheels, and
+with the aid of a powerful lever, operated by three of the menials, the
+carriage was brought to a standstill.
+
+"See! Look!" cried the Marchioness. "She has fainted. Quick, William,
+your flask. Let us hasten to her aid."
+
+In another moment the noble lady was bending over the prostrate form of
+Winnifred Clair, and pouring brandy between her lips.
+
+Winnifred opened her eyes. "Where am I?" she asked feebly.
+
+"She speaks!" cried the Marchioness. "Give her another flaskful."
+
+After the second flask the girl sat up.
+
+"Tell me," she cried, clasping her hands, "what has happened? Where am
+I?"
+
+"With friends!" answered the Marchioness. "But do not essay to speak.
+Drink this. You must husband your strength. Meantime, let us drive you
+to your home."
+
+Winnifred was lifted tenderly by the menservants into the aristocratic
+equipage. The brake was unset, the lever reversed, and the carriage
+thrown again into motion.
+
+On the way Winnifred, at the solicitation of the Marchioness, related
+her story.
+
+"My poor child!" exclaimed the lady, "how you must have suffered. Thank
+Heaven it is over now. To-morrow we shall call for you and bring you
+away with us to Muddlenut Chase."
+
+Alas, could she but have known it, before the morrow should dawn, worse
+dangers still were in store for our heroine. But what these dangers
+were, we must reserve for another chapter.
+
+
+
+
+CHAPTER IV
+
+A GAMBLING PARTY IN ST. JAMES'S CLOSE
+
+
+We must now ask our readers to shift the scene--if they don't mind doing
+this for us--to the apartments of the Earl of Wynchgate in St. James's
+Close. The hour is nine o'clock in the evening, and the picture before
+us is one of revelry and dissipation so characteristic of the nobility
+of England. The atmosphere of the room is thick with blue Havana smoke
+such as is used by the nobility, while on the green baize table a litter
+of counters and cards, in which aces, kings, and even two spots are
+heaped in confusion, proclaim the reckless nature of the play.
+
+Seated about the table are six men, dressed in the height of fashion,
+each with collar and white necktie and broad white shirt, their faces
+stamped with all, or nearly all, of the baser passions of mankind.
+
+Lord Wynchgate--for he it was who sat at the head of the table--rose
+with an oath, and flung his cards upon the table.
+
+All turned and looked at him, with an oath. "Curse it, Dogwood," he
+exclaimed, with another oath, to the man who sat beside him. "Take the
+money. I play no more to-night. My luck is out."
+
+"Ha! ha!" laughed Lord Dogwood, with a third oath, "your mind is not on
+the cards. Who is the latest young beauty, pray, who so absorbs you? I
+hear a whisper in town of a certain misadventure of yours----"
+
+"Dogwood," said Wynchgate, clenching his fist, "have a care, man, or you
+shall measure the length of my sword."
+
+Both noblemen faced each other, their hands upon their swords.
+
+"My lords, my lords!" pleaded a distinguished-looking man of more
+advanced years, who sat at one side of the table, and in whose features
+the habitués of diplomatic circles would have recognized the handsome
+lineaments of the Marquis of Frogwater, British Ambassador to Siam, "let
+us have no quarrelling. Come, Wynchgate, come, Dogwood," he continued,
+with a mild oath, "put up your swords. It were a shame to waste time in
+private quarrelling. They may be needed all too soon in Cochin China,
+or, for the matter of that," he added sadly, "in Cambodia or in Dutch
+Guinea."
+
+"Frogwater," said young Lord Dogwood, with a generous flush, "I was
+wrong. Wynchgate, your hand."
+
+The two noblemen shook hands.
+
+"My friends," said Lord Wynchgate, "in asking you to abandon our game, I
+had an end in view. I ask your help in an affair of the heart."
+
+"Ha! excellent!" exclaimed the five noblemen. "We are with you heart and
+soul."
+
+"I propose this night," continued Wynchgate, "with your help, to carry
+off a young girl, a female!"
+
+"An abduction!" exclaimed the Ambassador somewhat sternly. "Wynchgate, I
+cannot countenance this."
+
+"Mistake me not," said the Earl, "I intend to abduct her. But I propose
+nothing dishonourable. It is my firm resolve to offer her marriage."
+
+"Then," said Lord Frogwater, "I am with you."
+
+"Gentlemen," concluded Wynchgate, "all is ready. The coach is below. I
+have provided masks, pistols, and black cloaks. Follow me."
+
+A few moments later, a coach, with the blinds drawn, in which were six
+noblemen armed to the teeth, might have been seen, were it not for the
+darkness, approaching the humble lodging in which Winnifred Clair was
+sheltered.
+
+But what it did when it got there, we must leave to another chapter.
+
+
+
+
+CHAPTER V
+
+THE ABDUCTION
+
+
+The hour was twenty minutes to ten on the evening described in our last
+chapter.
+
+Winnifred Clair was seated, still fully dressed, at the window of the
+bedroom, looking out over the great city.
+
+A light tap came at the door.
+
+"If it's a fried egg," called Winnifred softly, "I do not need it. I ate
+yesterday."
+
+"No," said the voice of the Landlady. "You are wanted below."
+
+"I!" exclaimed Winnifred, "below!"
+
+"You," said the Landlady, "below. A party of gentlemen have called for
+you."
+
+"Gentlemen," exclaimed Winnifred, putting her hand to her brow in
+perplexity, "for me! at this late hour! Here! This evening! In this
+house?"
+
+"Yes," repeated the Landlady, "six gentlemen. They arrived in a closed
+coach. They are all closely masked and heavily armed. They beg you will
+descend at once."
+
+"Just Heaven!" cried the Unhappy Girl. "Is it possible that they mean to
+abduct me?"
+
+"They do," said the Landlady. "They said so!"
+
+"Alas!" cried Winnifred, "I am powerless. Tell them"--she
+hesitated--"tell them I will be down immediately. Let them not come up.
+Keep them below on any pretext. Show them an album. Let them look at the
+goldfish. Anything, but not here! I shall be ready in a moment."
+
+Feverishly she made herself ready. As hastily as possible she removed
+all traces of tears from her face. She threw about her shoulders an
+opera cloak, and with a light Venetian scarf half concealed the beauty
+of her hair and features. "Abducted!" she murmured, "and by six of them!
+I think she said six. Oh, the horror of it!" A touch of powder to her
+cheeks and a slight blackening of her eyebrows, and the courageous girl
+was ready.
+
+Lord Wynchgate and his companions--for they it was, that is to say, they
+were it--sat below in the sitting-room looking at the albums. "Woman,"
+said Lord Wynchgate to the Landlady, with an oath, "let her hurry up. We
+have seen enough of these. We can wait no longer."
+
+"I am here," cried a clear voice upon the threshold, and Winnifred stood
+before them. "My lords, for I divine who you are and wherefore you have
+come, take me, do your worst with me, but spare, oh, spare this humble
+companion of my sorrow."
+
+"Right-oh!" said Lord Dogwood, with a brutal laugh.
+
+"Enough," exclaimed Wynchgate, and seizing Winnifred by the waist, he
+dragged her forth out of the house and out upon the street.
+
+But something in the brutal violence of his behaviour seemed to kindle
+for the moment a spark of manly feeling, if such there were, in the
+breasts of his companions.
+
+"Wynchgate," cried young Lord Dogwood, "my mind misgives me. I doubt if
+this is a gentlemanly thing to do. I'll have no further hand in it."
+
+A chorus of approval from his companions endorsed his utterance. For a
+moment they hesitated.
+
+"Nay," cried Winnifred, turning to confront the masked faces that stood
+about her, "go forward with your fell design. I am here. I am helpless.
+Let no prayers stay your hand. Go to it."
+
+"Have done with this!" cried Wynchgate, with a brutal oath. "Shove her
+in the coach."
+
+But at the very moment the sound of hurrying footsteps was heard, and a
+clear, ringing, manly, well-toned, vibrating voice cried, "Hold! Stop!
+Desist! Have a care, titled villain, or I will strike you to the earth."
+
+A tall aristocratic form bounded out of the darkness.
+
+"Gentlemen," cried Wynchgate, releasing his hold upon the frightened
+girl, "we are betrayed. Save yourselves. To the coach."
+
+In another instant the six noblemen had leaped into the coach and
+disappeared down the street.
+
+Winnifred, still half inanimate with fright, turned to her rescuer, and
+saw before her the form and lineaments of the Unknown Stranger, who had
+thus twice stood between her and disaster. Half fainting, she fell
+swooning into his arms.
+
+"Dear lady," he exclaimed, "rouse yourself. You are safe. Let me restore
+you to your home!"
+
+"That voice!" cried Winnifred, resuming consciousness. "It is my
+benefactor."
+
+She would have swooned again, but the Unknown lifted her bodily up the
+steps of her home and leant her against the door.
+
+"Farewell," he said, in a voice resonant with gloom.
+
+"Oh, sir!" cried the unhappy girl, "let one who owes so much to one who
+has saved her in her hour of need at least know his name."
+
+But the stranger, with a mournful gesture of farewell, had disappeared
+as rapidly as he had come.
+
+But, as to why he had disappeared, we must ask our reader's patience for
+another chapter.
+
+
+
+
+CHAPTER VI
+
+THE UNKNOWN
+
+
+The scene is now shifted, sideways and forwards, so as to put it at
+Muddlenut Chase, and to make it a fortnight later than the events
+related in the last chapter.
+
+Winnifred is now at the Chase as the guest of the Marquis and
+Marchioness. There her bruised soul finds peace.
+
+The Chase itself was one of those typical country homes which are, or
+were till yesterday, the glory of England. The approach to the Chase lay
+through twenty miles of glorious forest, filled with fallow deer and
+wild bulls. The house itself, dating from the time of the Plantagenets,
+was surrounded by a moat covered with broad lilies and floating green
+scum. Magnificent peacocks sunned themselves on the terraces, while
+from the surrounding shrubberies there rose the soft murmur of doves,
+pigeons, bats, owls and partridges.
+
+Here sat Winnifred Clair day after day upon the terrace recovering her
+strength, under the tender solicitude of the Marchioness.
+
+Each day the girl urged upon her noble hostess the necessity of her
+departure. "Nay," said the Marchioness, with gentle insistence, "stay
+where you are. Your soul is bruised. You must rest."
+
+"Alas," cried Winnifred, "who am I that I should rest? Alone, despised,
+buffeted by fate, what right have I to your kindness?"
+
+"Miss Clair," replied the noble lady, "wait till you are stronger. There
+is something that I wish to say to you."
+
+Then at last, one morning when Winnifred's temperature had fallen to
+ninety-eight point three, the Marchioness spoke.
+
+"Miss Clair," she said, in a voice which throbbed with emotion,
+"Winnifred, if I may so call you, Lord Muddlenut and I have formed a
+plan for your future. It is our dearest wish that you should marry our
+son."
+
+"Alas," cried Winnifred, while tears rose in her eyes, "it cannot be!"
+
+"Say not so," cried the Marchioness. "Our son, Lord Mordaunt Muddlenut,
+is young, handsome, all that a girl could desire. After months of
+wandering he returns to us this morning. It is our dearest wish to see
+him married and established. We offer you his hand."
+
+"Indeed," replied Winnifred, while her tears fell even more freely, "I
+seem to requite but ill the kindness that you show. Alas, my heart is no
+longer in my keeping."
+
+"Where is it?" cried the Marchioness.
+
+"It is another's. One whose very name I do not know holds it in his
+keeping."
+
+But at this moment a blithe, gladsome step was heard upon the flagstones
+of the terrace. A manly, ringing voice, which sent a thrill to
+Winnifred's heart, cried "Mother!" and in another instant Lord Mordaunt
+Muddlenut, for he it was, had folded the Marchioness to his heart.
+
+Winnifred rose, her heart beating wildly. One glance was enough. The
+newcomer, Lord Mordaunt, was none other than the Unknown, the
+Unaccountable, to whose protection she had twice owed her life.
+
+With a wild cry Winnifred Clair leaped across the flagstones of the
+terrace and fled into the park.
+
+
+
+
+CHAPTER VII
+
+THE PROPOSAL
+
+
+They stood beneath the great trees of the ancestral park, into which
+Lord Mordaunt had followed Winnifred at a single bound. All about them
+was the radiance of early June.
+
+Lord Mordaunt knelt on one knee on the greensward, and with a touch in
+which respect and reverence were mingled with the deepest and manliest
+emotion, he took between his finger and thumb the tip of the girl's
+gloved hand.
+
+"Miss Clair," he uttered, in a voice suffused with the deepest
+yearning, yet vibrating with the most profound respect, "Miss
+Clair--Winnifred--hear me, I implore!"
+
+"Alas," cried Winnifred, struggling in vain to disengage the tip of her
+glove from the impetuous clasp of the young nobleman, "alas, whither can
+I fly? I do not know my way through the wood, and there are bulls in all
+directions. I am not used to them! Lord Mordaunt, I implore you, let the
+tears of one but little skilled in the art of dissimulation----"
+
+"Nay, Winnifred," said the Young Earl, "fly not. Hear me out!"
+
+"Let me fly," begged the unhappy girl.
+
+"You must not fly," pleaded Mordaunt. "Let me first, here upon bended
+knee, convey to you the expression of a devotion, a love, as ardent and
+as deep as ever burned in a human heart. Winnifred, be my bride!"
+
+"Oh, sir," sobbed Winnifred, "if the knowledge of a gratitude, a
+thankfulness from one whose heart will ever treasure as its proudest
+memory the recollection of one who did for one all that one could have
+wanted done for one--if this be some poor guerdon, let it suffice. But,
+alas, my birth, the dark secret of my birth forbids----"
+
+"Nay," cried Mordaunt, leaping now to his feet, "your birth is all
+right. I have looked into it myself. It is as good--or nearly as
+good--as my own. Till I knew this, my lips were sealed by duty. While I
+supposed that you had a lower birth and I an upper, I was bound to
+silence. But come with me to the house. There is one arrived with me who
+will explain all."
+
+Hand in hand the lovers, for such they now were, returned to the Chase.
+There in the great hall the Marquis and the Marchioness were standing
+ready to greet them.
+
+"My child!" exclaimed the noble lady, as she folded Winnifred to her
+heart. Then she turned to her son. "Let her know all!" she cried.
+
+Lord Mordaunt stepped across the room to a curtain. He drew it aside,
+and there stepped forth Mr. Bonehead, the old lawyer who had cast
+Winnifred upon the world.
+
+"Miss Clair," said the Lawyer, advancing and taking the girl's hand for
+a moment in a kindly clasp, "the time has come for me to explain all.
+You are not, you never were, the penniless girl that you suppose. Under
+the terms of your father's will, I was called upon to act a part and to
+throw you upon the world. It was my client's wish, and I followed it. I
+told you, quite truthfully, that I had put part of your money into
+options in an oil-well. Miss Clair, that well is now producing a million
+gallons of gasolene a month!'
+
+"A million gallons!" cried Winnifred. "I can never use it."
+
+"Wait till you own a motor-car, Miss Winnifred," said the Lawyer.
+
+"Then I am rich!" exclaimed the bewildered girl.
+
+"Rich beyond your dreams," answered the Lawyer. "Miss Clair, you own in
+your own right about half of the State of Texas--I think it is in Texas,
+at any rate either Texas or Rhode Island, or one of those big states in
+America. More than this, I have invested your property since your
+father's death so wisely that even after paying the income tax and the
+property tax, the inheritance tax, the dog tax and the tax on
+amusements, you will still have one half of one per cent to spend."
+
+Winnifred clasped her hands.
+
+"I knew it all the time," said Lord Mordaunt, drawing the girl to his
+embrace, "I found it out through this good man."
+
+"We knew it too," said the Marchioness. "Can you forgive us, darling,
+our little plot for your welfare? Had we not done this Mordaunt might
+have had to follow you over to America and chase you all around Newport
+and Narragansett at a fearful expense."
+
+"How can I thank you enough?" cried Winnifred. Then she added eagerly,
+"And my birth, my descent?"
+
+"It is all right," interjected the Old Lawyer. "It is A 1. Your father,
+who died before you were born, quite a little time before, belonged to
+the very highest peerage of Wales. You are descended directly from
+Claer-ap-Claer, who murdered Owen Glendower. Your mother we are still
+tracing up. But we have already connected her with Floyd-ap-Floyd, who
+murdered Prince Llewellyn."
+
+"Oh, sir," cried the grateful girl. "I only hope I may prove worthy of
+them!"
+
+"One thing more," said Lord Mordaunt, and stepping over to another
+curtain he drew it aside and there emerged Lord Wynchgate.
+
+He stood before Winnifred, a manly contrition struggling upon features
+which, but for the evil courses of he who wore them, might have been
+almost presentable.
+
+"Miss Clair," he said, "I ask your pardon. I tried to carry you off. I
+never will again. But before we part let me say that my acquaintance
+with you has made me a better man, broader, bigger and, I hope, deeper."
+
+With a profound bow, Lord Wynchgate took his leave.
+
+
+
+
+CHAPTER VIII
+
+WEDDED AT LAST
+
+
+Lord Mordaunt and his bride were married forthwith in the parish church
+of Muddlenut Chase. With Winnifred's money they have drained the moat,
+rebuilt the Chase, and chased the bulls out of the park. They have six
+children, so far, and are respected, honoured and revered in the
+countryside far and wide, over a radius of twenty miles in
+circumference.
+
+
+
+
+II
+
+JOHN AND I
+
+OR, HOW I NEARLY LOST MY HUSBAND
+
+(_Narrated after the approved fashion of the best Heart and Home
+Magazines_)
+
+
+
+
+_II.--John and I; or, How I Nearly Lost My Husband._
+
+
+It was after we had been married about two years that I began to feel
+that I needed more air. Every time I looked at John across the
+breakfast-table, I felt as if I must have more air, more space.
+
+I seemed to feel as if I had no room to expand. I had begun to ask
+myself whether I had been wise in marrying John, whether John was really
+sufficient for my development. I felt cramped and shut in. In spite of
+myself the question would arise in my mind whether John really
+understood my nature. He had a way of reading the newspaper, propped up
+against the sugar-bowl, at breakfast, that somehow made me feel as if
+things had gone all wrong. It was bitter to realize that the time had
+come when John could prefer the newspaper to his wife's society.
+
+But perhaps I had better go back and tell the whole miserable story from
+the beginning.
+
+I shall never forget--I suppose no woman ever does--the evening when
+John first spoke out his love for me. I had felt for some time past that
+it was there. Again and again, he seemed about to speak. But somehow his
+words seemed to fail him. Twice I took him into the very heart of the
+little wood beside Mother's house, but it was only a small wood, and
+somehow he slipped out on the other side. "Oh, John," I had said, "how
+lonely and still it seems in the wood with no one here but ourselves! Do
+you think," I said, "that the birds have souls?" "I don't know," John
+answered, "let's get out of this." I was sure that his emotion was too
+strong for him. "I never feel a bit lonesome where you are, John," I
+said, as we made our way among the underbrush. "I think we can get out
+down that little gully," he answered. Then one evening in June after tea
+I led John down a path beside the house to a little corner behind the
+garden where there was a stone wall on one side and a high fence right
+in front of us, and thorn bushes on the other side. There was a little
+bench in the angle of the wall and the fence, and we sat down on it.
+
+"Minnie," John said, "there's something I meant to say----"
+
+"Oh, John," I cried, and I flung my arms round his neck. It all came
+with such a flood of surprise.
+
+"All I meant, Minn----" John went on, but I checked him.
+
+"Oh, don't, John, don't say anything more," I said. "It's just too
+perfect." Then I rose and seized him by the wrist. "Come," I said, "come
+to Mother," and I rushed him along the path.
+
+As soon as Mother saw us come in hand in hand in this way, she guessed
+everything. She threw both her arms round John's neck and fairly pinned
+him against the wall. John tried to speak, but Mother wouldn't let him.
+"I saw it all along, John," she said. "Don't speak. Don't say a word. I
+guessed your love for Minn from the very start. I don't know what I
+shall do without her, John, but she's yours now; take her." Then Mother
+began to cry and I couldn't help crying too. "Take him to Father,"
+Mother said, and we each took one of John's wrists and took him to
+Father on the back verandah. As soon as John saw Father he tried to
+speak again--"I think I ought to say," he began, but Mother stopped him.
+"Father," she said, "he wants to take our little girl away. He loves her
+very dearly, Alfred," she said, "and I think it our duty to let her go,
+no matter how hard it is, and oh, please Heaven, Alfred, he'll treat her
+well and not misuse her, or beat her," and she began to sob again.
+
+Father got up and took John by the hand and shook it warmly.
+
+"Take her, boy," he said. "She's all yours now, take her."
+
+So John and I were engaged, and in due time our wedding day came and we
+were married. I remember that for days and days before the wedding day
+John seemed very nervous and depressed; I think he was worrying, poor
+boy, as to whether he could really make me happy and whether he could
+fill my life as it should be filled. But I told him that he was not to
+worry, because I _meant_ to be happy, and was determined just to make
+the best of everything.
+
+Father stayed with John a good deal before the wedding day, and on the
+wedding morning he went and fetched him to the church in a closed
+carriage and had him there all ready when we came. It was a beautiful
+day in September, and the church looked just lovely. I had a beautiful
+gown of white organdie with _tulle_ at the throat, and I carried a great
+bunch of white roses, and Father led John up the aisle after me.
+
+I remember that Mother cried a good deal at the wedding, and told John
+that he had stolen her darling and that he must never misuse me or beat
+me. And I remember that the clergyman spoke very severely to John, and
+told him he hoped he realized the responsibility he was taking and that
+it was his duty to make me happy. A lot of our old friends were there,
+and they all spoke quite sharply to John, and all the women kissed me
+and said they hoped I would never regret what I had done, and I just
+kept up my spirits by sheer determination, and told them that I had made
+up my mind to be happy and that I was going to be so.
+
+So presently it was all over and we were driven to the station and got
+the afternoon train for New York, and when we sat down in the
+compartment among all our bandboxes and flowers, John said, "Well, thank
+God, that's over." And I said, "Oh, John, an oath! on our wedding day,
+an oath!" John said, "I'm sorry, Minn, I didn't mean----" but I said,
+"Don't, John, don't make it worse. Swear at me if you must, but don't
+make it harder to bear."
+
+ * * * * *
+
+We spent our honeymoon in New York. At first I had thought of going
+somewhere to the great lonely woods, where I could have walked under the
+great trees and felt the silence of nature, and where John should have
+been my Viking and captured me with his spear, and where I should be
+his and his alone and no other man should share me; and John had said
+all right. Or else I had planned to go away somewhere to the seashore,
+where I could have watched the great waves dashing themselves against
+the rocks. I had told John that he should be my cave man, and should
+seize me in his arms and carry me whither he would. I felt somehow that
+for my development I wanted to get as close to nature as ever I
+could--that my mind seemed to be reaching out for a great emptiness. But
+I looked over all the hotel and steamship folders I could find and it
+seemed impossible to get good accommodation, so we came to New York. I
+had a great deal of shopping to do for our new house, so I could not be
+much with John, but I felt it was not right to neglect him, so I drove
+him somewhere in a taxi each morning and called for him again in the
+evening. One day I took him to the Metropolitan Museum, and another day
+I left him at the Zoo, and another day at the aquarium. John seemed very
+happy and quiet among the fishes.
+
+So presently we came back home, and I spent many busy days in fixing and
+arranging our new house. I had the drawing-room done in blue, and the
+dining-room all in dark panelled wood, and a boudoir upstairs done in
+pink and white enamel to match my bedroom and dressing-room. There was a
+very nice little room in the basement next to the coal cellar that I
+turned into a "den" for John, so that when he wanted to smoke he could
+go down there and do it. John seemed to appreciate his den at once, and
+often would stay down there so long that I had to call to him to come
+up.
+
+When I look back on those days they seem very bright and happy. But it
+was not very long before a change came. I began to realize that John was
+neglecting me. I noticed it at first in small things. I don't know just
+how long it was after our marriage that John began to read the newspaper
+at breakfast. At first he would only pick it up and read it in little
+bits, and only on the front page. I tried not to be hurt at it, and
+would go on talking just as brightly as I could, without seeming to
+notice anything. But presently he went on to reading the inside part of
+the paper, and then one day he opened up the financial page and folded
+the paper right back and leant it against the sugar-bowl.
+
+I could not but wonder whether John's love for me was what it had been.
+Was it cooling? I asked myself. And what was cooling it? It hardly
+seemed possible, when I looked back to the wild passion with which he
+had proposed to me on the garden bench, that John's love was waning. But
+I kept noticing different little things. One day in the spring-time I
+saw John getting out a lot of fishing tackle from a box and fitting it
+together. I asked him what he was going to do, and he said that he was
+going to fish. I went to my room and had a good cry. It seemed dreadful
+that he could neglect his wife for a few worthless fish.
+
+So I decided to put John to the test. It had been my habit every morning
+after he put his coat on to go to the office to let John have one kiss,
+just one weeny kiss, to keep him happy all day. So this day when he was
+getting ready I bent my head over a big bowl of flowers and pretended
+not to notice. I think John must have been hurt, as I heard him steal
+out on tiptoe.
+
+Well, I realized that things had come to a dreadful state, and so I sent
+over to Mother, and Mother came, and we had a good cry together. I made
+up my mind to force myself to face things and just to be as bright as
+ever I could. Mother and I both thought that things would be better if I
+tried all I could to make something out of John. I have always felt that
+every woman should make all that she can out of her husband. So I did my
+best first of all to straighten up John's appearance. I shifted the
+style of collar he was wearing to a tighter kind that I liked better,
+and I brushed his hair straight backward instead of forward, which gave
+him a much more alert look. Mother said that John needed waking up, and
+so we did all we could to wake him up. Mother came over to stay with me
+a good deal, and in the evenings we generally had a little music or a
+game of cards.
+
+About this time another difficulty began to come into my married life,
+which I suppose I ought to have foreseen--I mean the attentions of other
+gentlemen. I have always called forth a great deal of admiration in
+gentlemen, but I have always done my best to act like a lady and to
+discourage it in every possible way. I had been innocent enough to
+suppose that this would end with married life, and it gave me a dreadful
+shock to realize that such was not the case. The first one I noticed was
+a young man who came to the house, at an hour when John was out, for the
+purpose, so he said at least, of reading the gas meter. He looked at me
+in just the boldest way and asked me to show him the way to the cellar.
+I don't know whether it was a pretext or not, but I just summoned all
+the courage I had and showed him to the head of the cellar stairs. I had
+determined that if he tried to carry me down with him I would scream for
+the servants, but I suppose something in my manner made him desist, and
+he went alone. When he came up he professed to have read the meter and
+he left the house quite quietly. But I thought it wiser to say nothing
+to John of what had happened.
+
+There were others too. There was a young man with large brown eyes who
+came and said he had been sent to tune the piano. He came on three
+separate days, and he bent his ear over the keys in such a mournful way
+that I knew he must have fallen in love with me. On the last day he
+offered to tune my harp for a dollar extra, but I refused, and when I
+asked him instead to tune Mother's mandoline he said he didn't know how.
+Of course I told John nothing of all this.
+
+Then there was Mr. McQueen, who came to the house several times to play
+cribbage with John. He had been desperately in love with me years
+before--at least I remember his taking me home from a hockey match once,
+and what a struggle it was for him not to come into the parlour and see
+Mother for a few minutes when I asked him; and, though he was married
+now and with three children, I felt sure when he came to play cribbage
+with John that it _meant_ something. He was very discreet and
+honourable, and never betrayed himself for a moment, and I acted my
+part as if there was nothing at all behind. But one night, when he came
+over to play and John had had to go out, he refused to stay even for an
+instant. He had got his overshoes off before I told him that John was
+out, and asked him if he wouldn't come into the parlour and hear Mother
+play the mandoline, but he just made one dive for his overshoes and was
+gone. I knew that he didn't dare to trust himself.
+
+Then presently a new trouble came. I began to suspect that John was
+drinking. I don't mean for a moment that he was drunk, or that he was
+openly cruel to me. But at times he seemed to act so queerly, and I
+noticed that one night when by accident I left a bottle of raspberry
+vinegar on the sideboard overnight, it was all gone in the morning. Two
+or three times when McQueen and John were to play cribbage, John would
+fetch home two or three bottles of bevo with him and they would sit
+sipping all evening.
+
+I think he was drinking bevo by himself, too, though I could never be
+sure of it. At any rate he often seemed queer and restless in the
+evenings, and instead of staying in his den he would wander all over the
+house. Once we heard him--I mean Mother and I and two lady friends who
+were with us that evening--quite late (after ten o'clock) apparently
+moving about in the pantry. "John," I called, "is that you?" "Yes,
+Minn," he answered, quietly enough, I admit. "What are you doing there?"
+I asked. "Looking for something to eat," he said. "John," I said, "you
+are forgetting what is due to me as your wife. You were fed at six. Go
+back."
+
+He went. But yet I felt more and more that his love must be dwindling to
+make him act as he did. I thought it all over wearily enough and asked
+myself whether I had done everything I should to hold my husband's love.
+I had kept him in at nights. I had cut down his smoking. I had stopped
+his playing cards. What more was there that I could do?
+
+ * * * * *
+
+So at last the conviction came to me that I must go away. I felt that I
+must get away somewhere and think things out. At first I thought of Palm
+Beach, but the season had not opened and I felt somehow that I couldn't
+wait. I wanted to get away somewhere by myself and just face things as
+they were. So one morning I said to John, "John, I think I'd like to go
+off somewhere for a little time, just to be by myself, dear, and I don't
+want you to ask to come with me or to follow me, but just let me go."
+John said, "All right, Minn. When are you going to start?" The cold
+brutality of it cut me to the heart, and I went upstairs and had a good
+cry and looked over steamship and railroad folders. I thought of Havana
+for a while, because the pictures of the harbour and the castle and the
+queer Spanish streets looked so attractive, but then I was afraid that
+at Havana a woman alone by herself might be simply persecuted by
+attentions from gentlemen. They say the Spanish temperament is something
+fearful. So I decided on Bermuda instead. I felt that in a beautiful,
+quiet place like Bermuda I could think everything all over and face
+things, and it said on the folder that there were always at least two
+English regiments in garrison there, and the English officers, whatever
+their faults, always treat a woman with the deepest respect.
+
+So I said nothing more to John, but in the next few days I got all my
+arrangements made and my things packed. And when the last afternoon came
+I sat down and wrote John a long letter, to leave on my boudoir table,
+telling him that I had gone to Bermuda. I told him that I wanted to be
+alone: I said that I couldn't tell when I would be back--that it might
+be months, or it might be years, and I hoped that he would try to be as
+happy as he could and forget me entirely, and to send me money on the
+first of every month.
+
+ * * * * *
+
+Well, it was just at that moment that one of those strange coincidences
+happen, little things in themselves, but which seem to alter the whole
+course of a person's life. I had nearly finished the letter to John that
+I was to leave on the writing-desk, when just then the maid came up to
+my room with a telegram. It was for John, but I thought it my duty to
+open it and read it for him before I left. And I nearly fainted when I
+saw that it was from a lawyer in Bermuda--of all places--and it said
+that a legacy of two hundred thousand dollars had been left to John by
+an uncle of his who had died there, and asking for instructions about
+the disposition of it.
+
+A great wave seemed to sweep over me, and all the wicked thoughts that
+had been in my mind--for I saw now that they _were_ wicked--were driven
+clean away. I thought how completely lost poor old John would feel if
+all this money came to him and he didn't have to work any more and had
+no one at his side to help and guide him in using it.
+
+I tore up the wicked letter I had written, and I hurried as fast as I
+could to pack up a valise with John's things (my own were packed
+already, as I said). Then presently John came in, and I broke the news
+to him as gently and as tenderly as I could about his uncle having left
+him the money and having died. I told him that I had found out all
+about the trains and the Bermuda steamer, and had everything all packed
+and ready for us to leave at once. John seemed a little dazed about it
+all, and kept saying that his uncle had taught him to play tennis when
+he was a little boy, and he was very grateful and thankful to me for
+having everything arranged, and thought it wonderful.
+
+I had time to telephone to a few of my women friends, and they just
+managed to rush round for a few minutes to say good-bye. I couldn't help
+crying a little when I told them about John's uncle dying so far away
+with none of us near him, and I told them about the legacy, and they
+cried a little to hear of it all; and when I told them that John and I
+might not come back direct from Bermuda, but might take a run over to
+Europe first, they all cried some more.
+
+We left for New York that evening, and after we had been to Bermuda and
+arranged about a suitable monument for John's uncle and collected the
+money, we sailed for Europe.
+
+All through the happy time that has followed, I like to think that
+through all our trials and difficulties affliction brought us safely
+together at last.
+
+
+
+
+III
+
+THE SPLIT IN THE CABINET
+
+OR, THE FATE OF ENGLAND
+
+(_A political novel of the Days that Were_)
+
+
+
+
+_III.--The Split in the Cabinet; or, The Fate of England._
+
+
+
+
+CHAPTER I
+
+
+"The fate of England hangs upon it," murmured Sir John Elphinspoon, as
+he sank wearily into an armchair. For a moment, as he said "England,"
+the baronet's eye glistened and his ears lifted as if in defiance, but
+as soon as he stopped saying it his eye lost its brilliance and his ears
+dropped wearily at the sides of his head.
+
+Lady Elphinspoon looked at her husband anxiously. She could not conceal
+from herself that his face, as he sank into his chair, seemed somehow
+ten years older than it had been ten years ago.
+
+"You are home early, John?" she queried.
+
+"The House rose early, my dear," said the baronet.
+
+"For the All England Ping-Pong match?"
+
+"No, for the Dog Show. The Prime Minister felt that the Cabinet ought to
+attend. He said that their presence there would help to bind the
+colonies to us. I understand also that he has a pup in the show himself.
+He took the Cabinet with him."
+
+"And why not you?" asked Lady Elphinspoon.
+
+"You forget, my dear," said the baronet, "as Foreign Secretary my
+presence at a Dog Show might be offensive to the Shah of Persia. Had it
+been a Cat Show----"
+
+The baronet paused and shook his head in deep gloom.
+
+"John," said his wife, "I feel that there is something more. Did
+anything happen at the House?"
+
+Sir John nodded.
+
+"A bad business," he said. "The Wazuchistan Boundary Bill was read this
+afternoon for the third time."
+
+No woman in England, so it was generally said, had a keener political
+insight than Lady Elphinspoon.
+
+"The third time," she repeated thoughtfully, "and how many more will it
+have to go?"
+
+Sir John turned his head aside and groaned.
+
+"You are faint," exclaimed Lady Elphinspoon, "let me ring for tea."
+
+The baronet shook his head.
+
+"An egg, John--let me beat you up an egg."
+
+"Yes, yes," murmured Sir John, still abstracted, "beat it, yes, do beat
+it."
+
+Lady Elphinspoon, in spite of her elevated position as the wife of the
+Foreign Secretary of Great Britain, held it not beneath her to perform
+for her husband the plainest household service. She rang for an egg. The
+butler broke it for her into a tall goblet filled with old sherry, and
+the noble lady, with her own hands, beat the stuff out of it. For the
+veteran politician, whose official duties rarely allowed him to eat, an
+egg was a sovereign remedy. Taken either in a goblet of sherry or in a
+mug of rum, or in half a pint of whisky, it never failed to revive his
+energies.
+
+The effect of the egg was at once visible in the brightening of his eye
+and the lengthening of his ears.
+
+"And now explain to me," said his wife, "what has happened. What _is_
+this Boundary Bill?"
+
+"We never meant it to pass," said Sir John. "It was introduced only as a
+sop to public opinion. It delimits our frontier in such a way as to
+extend our suzerainty over the entire desert of El Skrub. The Wazoos
+have claimed that this is their desert. The hill tribes are restless. If
+we attempt to advance the Wazoos will rise. If we retire it deals a blow
+at our prestige."
+
+Lady Elphinspoon shuddered. Her long political training had taught her
+that nothing was so fatal to England as to be hit in the prestige.
+
+"And on the other hand," continued Sir John, "if we move sideways, the
+Ohulîs, the mortal enemies of the Wazoos, will strike us in our rear."
+
+"In our rear!" exclaimed Lady Elphinspoon in a tone of pain. "Oh, John,
+we must go forward. Take another egg."
+
+"We cannot," groaned the Foreign Secretary. "There are reasons which I
+cannot explain even to you, Caroline, reasons of State, which absolutely
+prevent us from advancing into Wazuchistan. Our hands are tied. Meantime
+if the Wazoos rise, it is all over with us. It will split the Cabinet."
+
+"Split the Cabinet!" repeated Lady Elphinspoon in alarm. She well knew
+that next to a blow in the prestige the splitting of the Cabinet was
+about the worst thing that could happen to Great Britain. "Oh, John,
+they _must_ be held together at all costs. Can nothing be done?"
+
+"Everything is being done that can be. The Prime Minister has them at
+the Dog Show at this moment. To-night the Chancellor is taking them to
+moving pictures. And to-morrow--it is a State secret, my dear, but it
+will be very generally known in the morning--we have seats for them all
+at the circus. If we can hold them together all is well, but if they
+split we are undone. Meantime our difficulties increase. At the very
+passage of the Bill itself a question was asked by one of the new labour
+members, a miner, my dear, a quite uneducated man----"
+
+"Yes?" queried Lady Elphinspoon.
+
+"He asked the Colonial Secretary"--Sir John shuddered--"to tell him
+where Wazuchistan is. Worse than that, my dear," added Sir John, "he
+defied him to tell him where it is."
+
+"What did you do? Surely he has no right to information of that sort?"
+
+"It was a close shave. Luckily the Whips saved us. They got the
+Secretary out of the House and rushed him to the British Museum. When he
+got back he said that he would answer the question a month from Friday.
+We got a great burst of cheers, but it was a close thing. But stop, I
+must speak at once with Powers. My despatch box, yes, here it is. Now
+where is young Powers? There is work for him to do at once."
+
+"Mr. Powers is in the conservatory with Angela," said Lady Elphinspoon.
+
+"With Angela!" exclaimed Sir John, while a slight shade of displeasure
+appeared upon his brow. "With Angela again! Do you think it quite
+proper, my dear, that Powers should be so constantly with Angela?"
+
+"John," said his wife, "you forget, I think, who Mr. Powers is. I am
+sure that Angela knows too well what is due to her rank, and to herself,
+to consider Mr. Powers anything more than an instructive companion. And
+I notice that, since Mr. Powers has been your secretary, Angela's mind
+is much keener. Already the girl has a wonderful grasp on foreign
+policy. Only yesterday I heard her asking the Prime Minister at luncheon
+whether we intend to extend our Senegambian protectorate over the
+Fusees. He was delighted."
+
+"Oh, very well, very well," said Sir John. Then he rang a bell for a
+manservant.
+
+"Ask Mr. Powers," he said, "to be good enough to attend me in the
+library."
+
+
+
+
+CHAPTER II
+
+
+Angela Elphinspoon stood with Perriton Powers among the begonias of the
+conservatory. The same news which had so agitated Sir John lay heavy on
+both their hearts.
+
+"Will the Wazoo rise?" asked Angela, clasping her hands before her,
+while her great eyes sought the young man's face and found it. "Oh, Mr.
+Powers! Tell me, will they rise? It seems too dreadful to contemplate.
+Do you think the Wazoo will rise?"
+
+"It is only too likely," said Powers. They stood looking into one
+another's eyes, their thoughts all on the Wazoo.
+
+Angelina Elphinspoon, as she stood there against the background of the
+begonias, made a picture that a painter, or even a plumber, would have
+loved. Tall and typically English in her fair beauty, her features, in
+repose, had something of the hauteur and distinction of her mother, and
+when in motion they recalled her father.
+
+Perriton Powers was even taller than Angela. The splendid frame and
+stern features of Sir John's secretary made him a striking figure. Yet
+he was, quite frankly, sprung from the people, and made no secret of it.
+His father had been simply a well-to-do London surgeon, who had been
+knighted for some mere discoveries in science. His grandfather, so it
+was whispered, had been nothing more than a successful banker who had
+amassed a fortune simply by successful banking. Yet at Oxford young
+Powers had carried all before him. He had occupied a seat, a front seat,
+in one of the boats, had got his blue and his pink, and had taken a
+double final in Sanscrit and Arithmetic.
+
+He had already travelled widely in the East, spoke Urdu and Hoodoo with
+facility, while as secretary to Sir John Elphinspoon, with a seat in the
+House in prospect, he had his foot upon the ladder of success.
+
+"Yes," repeated Powers thoughtfully, "they may rise. Our confidential
+despatches tell us that for some time they have been secretly passing
+round packets of yeast. The whole tribe is in a ferment."
+
+"But our sphere of influence is at stake," exclaimed Angela.
+
+"It is," said Powers. "As a matter of fact, for over a year we have been
+living on a mere _modus vivendi_."
+
+"Oh, Mr. Powers," cried Angela, "what a way to live."
+
+"We have tried everything," said the secretary. "We offered the Wazoo a
+condominium over the desert of El Skrub. They refused it."
+
+"But it's our desert," said Angela proudly.
+
+"It is. But what can we do? The best we can hope is that El Boob will
+acquiesce in the _status quo_."
+
+At that moment a manservant appeared in the doorway of the conservatory.
+
+"Mr. Powers, sir," he said, "Sir John desires your attendance, sir, in
+the library, sir."
+
+Powers turned to Angela, a new seriousness upon his face.
+
+"Miss Elphinspoon," he said, "I think I know what is coming. Will you
+wait for me here? I shall be back in half an hour."
+
+"I will wait," said the girl. She sat down and waited among the
+begonias, her mind still on the Wazoo, her whole intense nature strung
+to the highest pitch. "Can the _modus vivendi_ hold?" she murmured.
+
+In half an hour Powers returned. He was wearing now his hat and light
+overcoat, and carried on a strap round his neck a tin box with a white
+painted label, "_British Foreign Office. Confidential Despatches. This
+Side Up With Care._"
+
+"Miss Elphinspoon," he said, and there was a new note in his voice,
+"Angela, I leave England to-night----"
+
+"To-night!" gasped Angela.
+
+"On a confidential mission."
+
+"To Wazuchistan!" exclaimed the girl.
+
+Powers paused a moment. "To Wazuchistan," he said, "yes. But it must not
+be known. I shall return in a month--or never. If I fail"--he spoke with
+an assumed lightness--"it is only one more grave among the hills. If I
+succeed, the Cabinet is saved, and with it the destiny of England."
+
+"Oh, Mr. Powers," cried Angela, rising and advancing towards him, "how
+splendid! How noble! No reward will be too great for you."
+
+"My reward," said Powers, and as he spoke he reached out and clasped
+both of the girl's hands in his own, "yes, my reward. May I come and
+claim it here?"
+
+For a moment he looked straight into her eyes. In the next he was gone,
+and Angela was alone.
+
+"His reward!" she murmured. "What could he have meant? His reward that
+he is to claim. What can it be?"
+
+But she could not divine it. She admitted to herself that she had not
+the faintest idea.
+
+
+
+
+CHAPTER III
+
+
+In the days that followed all England was thrilled to its base as the
+news spread that the Wazoo might rise at any moment.
+
+"Will the Wazoos rise?" was the question upon every lip.
+
+In London men went to their offices with a sense of gloom. At lunch they
+could hardly eat. A feeling of impending disaster pervaded all ranks.
+
+Sir John as he passed to and fro to the House was freely accosted in the
+streets.
+
+"Will the Wazoos rise, sir?" asked an honest labourer. "Lord help us
+all, sir, if they do."
+
+Sir John, deeply touched, dropped a shilling in the honest fellow's hat,
+by accident.
+
+At No. 10 Downing Street, women of the working class, with children in
+their arms, stood waiting for news.
+
+On the Exchange all was excitement. Consols fell two points in
+twenty-four hours. Even raising the Bank rate and shutting the door
+brought only a temporary relief.
+
+Lord Glump, the greatest financial expert in London, was reported as
+saying that if the Wazoos rose England would be bankrupt in forty-eight
+hours.
+
+Meanwhile, to the consternation of the whole nation, the Government did
+nothing. The Cabinet seemed to be paralysed.
+
+On the other hand the Press became all the more clamorous. The London
+_Times_ urged that an expedition should be sent at once. Twenty-five
+thousand household troops, it argued, should be sent up the Euphrates or
+up the Ganges or up something without delay. If they were taken in flat
+boats, carried over the mountains on mules, and lifted across the rivers
+in slings, they could then be carried over the desert on jackasses. They
+could reach Wazuchistan in two years. Other papers counselled
+moderation. The _Manchester Guardian_ recalled the fact that the Wazoos
+were a Christian people. Their leader, El Boob, so it was said, had
+accepted Christianity with childlike simplicity and had asked if there
+was any more of it. The _Spectator_ claimed that the Wazoos, or more
+properly the Wazi, were probably the descendants of an Iranic or perhaps
+Urgumic stock. It suggested the award of a Rhodes Scholarship. It looked
+forward to the days when there would be Wazoos at Oxford. Even the
+presence of a single Wazoo, or, more accurately, a single Wooz, would
+help.
+
+With each day the news became more ominous. It was reported in the Press
+that a Wazoo, inflamed apparently with _ghee_, or perhaps with _bhong_,
+had rushed up to the hills and refused to come down. It was said that
+the Shriek-el-Foozlum, the religious head of the tribe, had torn off his
+suspenders and sent them to Mecca.
+
+That same day the _Illustrated London News_ published a drawing "Wazoo
+Warriors Crossing a River and Shouting, Ho!" and the general
+consternation reached its height.
+
+Meantime, for Sir John and his colleagues, the question of the hour
+became, "Could the Cabinet be held together?" Every effort was made. The
+news that the Cabinet had all been seen together at the circus, for a
+moment reassured the nation. But the rumour spread that the First Lord
+of the Admiralty had said that the clowns were a bum lot. The Radical
+Press claimed that if he thought so he ought to resign.
+
+On the fatal Friday the question already referred to was scheduled for
+its answer. The friends of the Government counted on the answer to
+restore confidence. To the consternation of all, the expected answer was
+not forthcoming. The Colonial Secretary rose in his place, visibly
+nervous. Ministers, he said, had been asked where Wazuchistan was. They
+were not prepared, at the present delicate stage of negotiations, to
+say. More hung upon the answer than Ministers were entitled to divulge.
+They could only appeal to the patriotism of the nation. He could only
+say this, that _wherever_ it was, and he used the word _wherever_ with
+all the emphasis of which he was capable, the Government would accept
+the full responsibility for its being where it was.
+
+The House adjourned in something like confusion.
+
+Among those seated behind the grating of the Ladies' Gallery was Lady
+Elphinspoon. Her quick instinct told her the truth. Driving home, she
+found her husband seated, crushed, in his library.
+
+"John," she said, falling on her knees and taking her husband's hands
+in hers, "is this true? Is this the dreadful truth?"
+
+"I see you have divined it, Caroline," said the statesman sadly. "It is
+the truth. We don't know where Wazuchistan is."
+
+For a moment there was silence.
+
+"But, John, how could it have happened?"
+
+"We thought the Colonial Office knew. We were confident that they knew.
+The Colonial Secretary had stated that he had been there. Later on it
+turned out that he meant Saskatchewan. Of course they thought _we_ knew.
+And we both thought that the Exchequer must know. We understood that
+they had collected a hut tax for ten years."
+
+"And hadn't they?"
+
+"Not a penny. The Wazoos live in tents."
+
+"But, surely," pleaded Lady Elphinspoon, "you could find out. Had you no
+maps?"
+
+Sir John shook his head.
+
+"We thought of that at once, my dear. We've looked all through the
+British Museum. Once we thought we had succeeded. But it turned out to
+be Wisconsin."
+
+"But the map in the _Times_? Everybody saw it."
+
+Again the baronet shook his head. "Lord Southcliff had it made in the
+office," he said. "It appears that he always does. Otherwise the
+physical features might not suit him."
+
+"But could you not send some one to see?"
+
+"We did. We sent Perriton Powers to find out where it was. We had a
+month to the good. It was barely time, just time. Powers has failed and
+we are lost. To-morrow all England will guess the truth and the
+Government falls."
+
+
+
+
+CHAPTER IV
+
+
+The crowd outside of No. 10 Downing Street that evening was so dense
+that all traffic was at a standstill. But within the historic room where
+the Cabinet were seated about the long table all was calm. Few could
+have guessed from the quiet demeanour of the group of statesmen that the
+fate of an Empire hung by a thread.
+
+Seated at the head of the table, the Prime Minister was quietly looking
+over a book of butterflies, while waiting for the conference to begin.
+Beside him the Secretary for Ireland was fixing trout flies, while the
+Chancellor of the Exchequer kept his serene face bent over upon his
+needlework. At the Prime Minister's right, Sir John Elphinspoon, no
+longer agitated, but sustained and dignified by the responsibility of
+his office, was playing spillikins.
+
+The little clock on the mantel chimed eight.
+
+The Premier closed his book of butterflies.
+
+"Well, gentlemen," he said, "I fear our meeting will not be a protracted
+one. It seems we are hopelessly at variance. You, Sir Charles," he
+continued, turning to the First Sea Lord, who was in attendance, "are
+still in favour of a naval expedition?"
+
+"Send it up at once," said Sir Charles.
+
+"Up where?" asked the Premier.
+
+"Up anything," answered the Old Sea Dog, "it will get there."
+
+Voices of dissent were raised in undertones around the table.
+
+"I strongly deprecate any expedition," said the Chancellor of the
+Exchequer, "I favour a convention with the Shriek. Let the Shriek sign a
+convention recognizing the existence of a supreme being and receiving
+from us a million sterling in acknowledgment."
+
+"And where will you _find_ the Shriek?" said the Prime Minister. "Come,
+come, gentlemen, I fear that we can play this comedy no longer. The
+truth is," he added with characteristic nonchalance, "we don't know
+where the bally place is. We can't meet the House to-morrow. We are
+hopelessly split. Our existence as a Government is at an end."
+
+But, at that very moment, a great noise of shouting and clamour rose
+from the street without. The Prime Minister lifted his hand for silence.
+"Listen," he said. One of the Ministers went to a window and opened it,
+and the cries outside became audible. "A King's Messenger! Make way for
+the King's Messenger!"
+
+The Premier turned quietly to Sir John.
+
+"Perriton Powers," he said.
+
+In another moment Perriton Powers stood before the Ministers.
+
+Bronzed by the tropic sun, his face was recognizable only by the assured
+glance of his eye. An Afghan _bernous_ was thrown back from his head and
+shoulders, while his commanding figure was draped in a long _chibuok_. A
+pair of pistols and a curved _yasmak_ were in his belt.
+
+"So you got to Wazuchistan all right," said the Premier quietly.
+
+"I went in by way of the Barooda," said Powers. "For many days I was
+unable to cross it. The waters of the river were wild and swollen with
+rains. To cross it seemed certain death----"
+
+"But at last you got over," said the Premier, "and then----"
+
+"I struck out over the Fahuri desert. For days and days, blinded by the
+sun, and almost buried in sand, I despaired."
+
+"But you got through it all right. And after that?"
+
+"My first care was to disguise myself. Staining myself from head to
+foot with betel nut----"
+
+"To look like a beetle," said the Premier. "Exactly. And so you got to
+Wazuchistan. Where is it and what is it?"
+
+"My lord," said Powers, drawing himself up and speaking with emphasis,
+"I got to where it was thought to be. There is no such place!"
+
+The whole Cabinet gave a start of astonishment.
+
+"No such place!" they repeated.
+
+"What about El Boob?" asked the Chancellor.
+
+"There is no such person."
+
+"And the Shriek-el-Foozlum?"
+
+Powers shook his head.
+
+"But do you mean to say," said the Premier in astonishment, "that there
+are no Wazoos? There you _must_ be wrong. True we don't just know where
+they are. But our despatches have shown too many signs of active trouble
+traced directly to the Wazoos to disbelieve in them. There are Wazoos
+somewhere, there--there _must_ be."
+
+"The Wazoos," said Powers, "are there. But they are Irish. So are the
+Ohulîs. They are both Irish."
+
+"But how the devil did they get out there?" questioned the Premier. "And
+why did they make the trouble?"
+
+"The Irish, my lord," interrupted the Chief Secretary for Ireland, "are
+everywhere, and it is their business to make trouble."
+
+"Some years ago," continued Powers, "a few Irish families settled out
+there. The Ohulîs should be properly called the O'Hooleys. The word
+Wazoo is simply the Urdu for McGinnis. El Boob is the Urdu for the
+Arabic El Papa, the Pope. It was my knowledge of Urdu, itself an
+agglutinative language----"
+
+"Precisely," said the Premier. Then he turned to his Cabinet. "Well,
+gentlemen, our task is now simplified. If they are Irish, I think we
+know exactly what to do. I suppose," he continued, turning to Powers,
+"that they want some kind of Home Rule."
+
+"They do," said Powers.
+
+"Separating, of course, the Ohulî counties from the Wazoo?"
+
+"Yes," said Powers.
+
+"Precisely; the thing is simplicity itself. And what contribution will
+they make to the Imperial Exchequer?"
+
+"None."
+
+"And will they pay their own expenses?"
+
+"They refuse to."
+
+"Exactly. All this is plain sailing. Of course they must have a
+constabulary. Lord Edward," continued the Premier, turning now to the
+Secretary of War, "how long will it take to send in a couple of hundred
+constabulary? I think they'll expect it, you know. It's their right."
+
+"Let me see," said Lord Edward, calculating quickly, with military
+precision, "sending them over the Barooda in buckets and then over the
+mountains in baskets--I think in about two weeks."
+
+"Good," said the Premier. "Gentlemen, we shall meet the House to-morrow.
+Sir John, will you meantime draft us an annexation bill? And you, young
+man, what you have done is really not half bad. His Majesty will see you
+to-morrow. I am glad that you are safe."
+
+"On my way home," said Powers, with quiet modesty, "I was attacked by a
+lion----"
+
+"But you beat it off," said the Premier. "Exactly. Good night."
+
+
+
+
+CHAPTER V
+
+
+It was on the following afternoon that Sir John Elphinspoon presented
+the Wazoo Annexation Bill to a crowded and breathless House.
+
+Those who know the House of Commons know that it has its moods. At times
+it is grave, earnest, thoughtful. At other times it is swept with
+emotion which comes at it in waves. Or at times, again, it just seems to
+sit there as if it were stuffed.
+
+But all agreed that they had never seen the House so hushed as when Sir
+John Elphinspoon presented his Bill for the Annexation of Wazuchistan.
+And when at the close of a splendid peroration he turned to pay a
+graceful compliment to the man who had saved the nation, and thundered
+forth to the delighted ears of his listeners--
+
+ _Arma virumque cano Wazoo qui primus ab oris_,
+
+and then, with the words "England, England," still on his lips, fell
+over backwards and was carried out on a stretcher, the House broke into
+wild and unrestrained applause.
+
+
+
+
+CHAPTER VI
+
+
+The next day Sir Perriton Powers--for the King had knighted him after
+breakfast--stood again in the conservatory of the house in Carlton
+Terrace.
+
+"I have come for my reward," he said. "Do I get it?"
+
+"You do," said Angela.
+
+Sir Perriton clasped her in his arms.
+
+"On my way home," he said, "I was attacked by a lion. I tried to beat
+it----"
+
+"Hush, dearest," she whispered, "let me take you to father."
+
+
+
+
+IV
+
+WHO DO YOU THINK DID IT?
+
+OR, THE MIXED-UP MURDER MYSTERY
+
+(_Done after the very latest fashion in this sort of thing_)
+
+
+
+
+_IV.--Who Do You Think Did It? or, The Mixed-Up Murder Mystery._
+
+_NOTE.--Any reader who guesses correctly who did it is entitled (in all
+fairness) to a beautiful gold watch and chain._
+
+
+
+
+CHAPTER I
+
+HE DINED WITH ME LAST NIGHT
+
+
+The afternoon edition of the _Metropolitan Planet_ was going to press.
+Five thousand copies a minute were reeling off its giant cylinders. A
+square acre of paper was passing through its presses every hour. In the
+huge _Planet_ building, which dominated Broadway, employés, compositors,
+reporters, advertisers, surged to and fro. Placed in a single line
+(only, of course, they wouldn't be likely to consent to it) they would
+have reached across Manhattan Island. Placed in two lines, they would
+probably have reached twice as far. Arranged in a procession they would
+have taken an hour in passing a saloon: easily that.
+
+In the whole vast building all was uproar. Telephones, megaphones and
+gramophones were ringing throughout the building. Elevators flew up and
+down, stopping nowhere.
+
+Only in one place was quiet--namely, in the room where sat the big man
+on whose capacious intellect the whole organization depended.
+
+Masterman Throgton, the general manager of the _Planet_, was a man in
+middle life. There was something in his massive frame which suggested
+massiveness, and a certain quality in the poise of his great head which
+indicated a balanced intellect. His face was impenetrable and his
+expression imponderable.
+
+The big chief was sitting in his swivel chair with ink all round him.
+Through this man's great brain passed all the threads and filaments that
+held the news of a continent. Snap one, and the whole continent would
+stop.
+
+At the moment when our story opens (there was no sense in opening it
+sooner), a written message had just been handed in.
+
+The Chief read it. He seemed to grasp its contents in a flash.
+
+"Good God!" he exclaimed. It was the strongest expression that this
+solid, self-contained, semi-detached man ever allowed himself. Anything
+stronger would have seemed too near to profanity. "Good God!" he
+repeated, "Kivas Kelly murdered! In his own home! Why, he dined with me
+last night! I drove him home!"
+
+For a brief moment the big man remained plunged in thought. But with
+Throgton the moment of musing was short. His instinct was to act.
+
+"You may go," he said to the messenger. Then he seized the telephone
+that stood beside him (this man could telephone almost without stopping
+thinking) and spoke into it in quiet, measured tones, without wasting a
+word.
+
+"Hullo, operator! Put me through to two, two, two, two, two. Is that
+two, two, two, two, two? Hullo, two, two, two, two, two; I want
+Transome Kent. Kent speaking? Kent, this is Throgton speaking. Kent, a
+murder has been committed at the Kelly residence, Riverside Drive. I
+want you to go and cover it. Get it all. Don't spare expense. The
+_Planet_ is behind you. Have you got car-fare? Right."
+
+In another moment the big chief had turned round in his swivel chair (at
+least forty degrees) and was reading telegraphic despatches from
+Jerusalem. That was the way he did things.
+
+
+
+
+CHAPTER II
+
+I MUST SAVE HER LIFE
+
+
+Within a few minutes Transome Kent had leapt into a car (a surface car)
+and was speeding north towards Riverside Drive with the full power of
+the car. As he passed uptown a newsboy was already calling, "Club Man
+Murdered! Another Club Man Murdered!" Carelessly throwing a cent to the
+boy, Kent purchased a paper and read the brief notice of the tragedy.
+
+Kivas Kelly, a well-known club man and _bon vivant_, had been found dead
+in his residence on Riverside Drive, with every indication--or, at
+least, with a whole lot of indications--of murder. The unhappy club man
+had been found, fully dressed in his evening clothes, lying on his back
+on the floor of the billiard-room, with his feet stuck up on the edge of
+the table. A narrow black scarf, presumably his evening tie, was twisted
+tightly about his neck by means of a billiard cue inserted in it. There
+was a quiet smile upon his face. He had apparently died from
+strangulation. A couple of bullet-holes passed through his body, one on
+each side, but they went out again. His suspenders were burst at the
+back. His hands were folded across his chest. One of them still held a
+white billiard ball. There was no sign of a struggle or of any
+disturbance in the room. A square piece of cloth was missing from the
+victim's dinner jacket.
+
+In its editorial columns the same paper discussed the more general
+aspects of the murder. This, it said, was the third club man murdered in
+the last fortnight. While not taking an alarmist view, the paper felt
+that the killing of club men had got to stop. There was a limit, a
+reasonable limit, to everything. Why should a club man be killed? It
+might be asked, why should a club man live? But this was hardly to the
+point. They do live. After all, to be fair, what does a club man ask of
+society? Not much. Merely wine, women and singing. Why not let him have
+them? Is it fair to kill him? Does the gain to literature outweigh the
+social wrong? The writer estimated that at the rate of killing now going
+on the club men would be all destroyed in another generation. Something
+should be done to conserve them.
+
+Transome Kent was not a detective. He was a reporter. After sweeping
+everything at Harvard in front of him, and then behind him, he had
+joined the staff of the _Planet_ two months before. His rise had been
+phenomenal. In his first week of work he had unravelled a mystery, in
+his second he had unearthed a packing scandal which had poisoned the
+food of the entire nation for ten years, and in his third he had
+pitilessly exposed some of the best and most respectable people in the
+metropolis. Kent's work on the _Planet_ consisted now almost exclusively
+of unravelling and unearthing, and it was natural that the manager
+should turn to him.
+
+The mansion was a handsome sandstone residence, standing in its own
+grounds. On Kent's arrival he found that the police had already drawn a
+cordon around it with cords. Groups of morbid curiosity-seekers hung
+about it in twos and threes, some of them in fours and fives. Policemen
+were leaning against the fence in all directions. They wore that baffled
+look so common to the detective force of the metropolis. "It seems to
+me," remarked one of them to the man beside him, "that there is an
+inexorable chain of logic about this that I am unable to follow." "So do
+I," said the other.
+
+The Chief Inspector of the Detective Department, a large, heavy-looking
+man, was standing beside a gate-post. He nodded gloomily to Transome
+Kent.
+
+"Are you baffled, Edwards?" asked Kent.
+
+"Baffled again, Mr. Kent," said the Inspector, with a sob in his voice.
+"I thought I could have solved this one, but I can't."
+
+He passed a handkerchief across his eyes.
+
+"Have a cigar, Chief," said Kent, "and let me hear what the trouble is."
+
+The Inspector brightened. Like all policemen, he was simply crazy over
+cigars. "All right, Mr. Kent," he said, "wait till I chase away the
+morbid curiosity-seekers."
+
+He threw a stick at them.
+
+"Now, then," continued Kent, "what about tracks, footmarks? Had you
+thought of them?"
+
+"Yes, first thing. The whole lawn is covered with them, all stamped
+down. Look at these, for instance. These are the tracks of a man with a
+wooden leg"--Kent nodded--"in all probability a sailor, newly landed
+from Java, carrying a Singapore walking-stick, and with a tin-whistle
+tied round his belt."
+
+"Yes, I see that," said Kent thoughtfully. "The weight of the whistle
+weighs him down a little on the right side."
+
+"Do you think, Mr. Kent, a sailor from Java with a wooden leg would
+commit a murder like this?" asked the Inspector eagerly. "Would he do
+it?"
+
+"He would," said the Investigator. "They generally do--as soon as they
+land."
+
+The Inspector nodded. "And look at these marks here, Mr. Kent. You
+recognize them, surely--those are the footsteps of a bar-keeper out of
+employment, waiting for the eighteenth amendment to pass away. See how
+deeply they sink in----"
+
+"Yes," said Kent, "he'd commit murder."
+
+"There are lots more," continued the Inspector, "but they're no good.
+The morbid curiosity-seekers were walking all over this place while we
+were drawing the cordon round it."
+
+"Stop a bit," said Kent, pausing to think a moment. "What about
+thumb-prints?"
+
+"Thumb-prints," said the Inspector. "Don't mention them. The house is
+full of them."
+
+"Any thumb-prints of Italians with that peculiar incurvature of the ball
+of the thumb that denotes a Sicilian brigand?"
+
+"There were three of those," said Inspector Edwards gloomily. "No, Mr.
+Kent, the thumb stuff is no good."
+
+Kent thought again.
+
+"Inspector," he said, "what about mysterious women? Have you seen any
+around?"
+
+"Four went by this morning," said the Inspector, "one at eleven-thirty,
+one at twelve-thirty, and two together at one-thirty. At least," he
+added sadly, "I think they were mysterious. All women look mysterious to
+me."
+
+"I must try in another direction," said Kent. "Let me reconstruct the
+whole thing. I must weave a chain of analysis. Kivas Kelly was a
+bachelor, was he not?"
+
+"He was. He lived alone here."
+
+"Very good, I suppose he had in his employ a butler who had been with
+him for twenty years----"
+
+Edwards nodded.
+
+"I suppose you've arrested him?"
+
+"At once," said the Inspector. "We always arrest the butler, Mr. Kent.
+They expect it. In fact, this man, Williams, gave himself up at once."
+
+"And let me see," continued the Investigator. "I presume there was a
+housekeeper who lived on the top floor, and who had been stone deaf for
+ten years?"
+
+"Precisely."
+
+"She had heard nothing during the murder?"
+
+"Not a thing. But this may have been on account of her deafness."
+
+"True, true," murmured Kent. "And I suppose there was a coachman, a
+thoroughly reliable man, who lived with his wife at the back of the
+house----"
+
+"But who had taken his wife over to see a relation on the night of the
+murder, and who did not return until an advanced hour. Mr. Kent, we've
+been all over that. There's nothing in it."
+
+"Were there any other persons belonging to the establishment?"
+
+"There was Mr. Kelly's stenographer, Alice Delary, but she only came in
+the mornings."
+
+"Have you seen her?" asked Kent eagerly. "What is she like?"
+
+"I have seen her," said the Inspector. "She's a looloo."
+
+"Ha," said Kent, "a looloo!" The two men looked into one another's eyes.
+
+"Yes," repeated Edwards thoughtfully, "a peach."
+
+A sudden swift flash of intuition, an inspiration, leapt into the young
+reporter's brain.
+
+This girl, this peach, at all hazards he must save her life.
+
+
+
+
+CHAPTER III
+
+I MUST BUY A BOOK ON BILLIARDS
+
+
+Kent turned to the Inspector. "Take me into the house," he said. Edwards
+led the way. The interior of the handsome mansion seemed undisturbed. "I
+see no sign of a struggle here," said Kent.
+
+"No," answered the Inspector gloomily. "We can find no sign of a
+struggle anywhere. But, then, we never do."
+
+He opened for the moment the door of the stately drawing-room. "No sign
+of a struggle there," he said. The closed blinds, the draped furniture,
+the covered piano, the muffled chandelier, showed absolutely no sign of
+a struggle.
+
+"Come upstairs to the billiard-room," said Edwards. "The body has been
+removed for the inquest, but nothing else is disturbed."
+
+They went upstairs. On the second floor was the billiard-room, with a
+great English table in the centre of it. But Kent had at once dashed
+across to the window, an exclamation on his lips. "Ha! ha!" he said,
+"what have we here?"
+
+The Inspector shook his head quietly. "The window," he said in a
+monotonous, almost sing-song tone, "has apparently been opened from the
+outside, the sash being lifted with some kind of a sharp instrument. The
+dust on the sill outside has been disturbed as if by a man of
+extraordinary agility lying on his stomach----Don't bother about that,
+Mr. Kent. It's _always_ there."
+
+"True," said Kent. Then he cast his eyes upward, and again an
+involuntary exclamation broke from him. "Did you see that trap-door?" he
+asked.
+
+"We did," said Edwards. "The dust around the rim has been disturbed. The
+trap opens into the hollow of the roof. A man of extraordinary dexterity
+might open the trap with a billiard cue, throw up a fine manila rope,
+climb up the rope and lie there on his stomach.
+
+"No use," continued the Inspector. "For the matter of that, look at this
+huge old-fashioned fireplace. A man of extraordinary precocity could
+climb up the chimney. Or this dumb-waiter on a pulley, for serving
+drinks, leading down into the maids' quarters. A man of extreme
+indelicacy might ride up and down in it."
+
+"Stop a minute," said Kent. "What is the meaning of that hat?"
+
+A light gossamer hat, gay with flowers, hung on a peg at the side of the
+room.
+
+"We thought of that," said Edwards, "and we have left it there. Whoever
+comes for that hat has had a hand in the mystery. We think----"
+
+But Transome Kent was no longer listening. He had seized the edge of the
+billiard table.
+
+"Look, look!" he cried eagerly. "The clue to the mystery! The positions
+of the billiard balls! The white ball in the very centre of the table,
+and the red just standing on the verge of the end pocket! What does it
+mean, Edwards, what does it mean?"
+
+He had grasped Edwards by the arm and was peering into his face.
+
+"I don't know," said the Inspector. "I don't play billiards."
+
+"Neither do I," said Kent, "but I can find out. Quick! The nearest
+book-store. I must buy a book on billiards."
+
+With a wave of the arm, Kent vanished.
+
+The Inspector stood for a moment in thought.
+
+"Gone!" he murmured to himself (it was his habit to murmur all really
+important speeches aloud to himself). "Now, why did Throgton telephone
+to me to put a watch on Kent? Ten dollars a day to shadow him! Why?"
+
+
+
+
+CHAPTER IV
+
+THAT IS NOT BILLIARD CHALK
+
+
+Meantime at the _Planet_ office Masterman Throgton was putting on his
+coat to go home.
+
+"Excuse me, sir," said an employé, "there's a lot of green billiard
+chalk on your sleeve."
+
+Throgton turned and looked the man full in the eye.
+
+"That is not billiard chalk," he said, "it is face powder."
+
+Saying which this big, imperturbable, self-contained man stepped into
+the elevator and went to the ground floor in one drop.
+
+
+
+
+CHAPTER V
+
+HAS ANYBODY HERE SEEN KELLY?
+
+
+The inquest upon the body of Kivas Kelly was held upon the following
+day. Far from offering any solution of what had now become an
+unfathomable mystery, it only made it deeper still. The medical
+testimony, though given by the most distinguished consulting expert of
+the city, was entirely inconclusive. The body, the expert testified,
+showed evident marks of violence. There was a distinct lesion of the
+oesophagus and a decided excoriation of the fibula. The mesodenum was
+gibbous. There was a certain quantity of flab in the binomium and the
+proscenium was wide open.
+
+One striking fact, however, was decided from the testimony of the
+expert, namely, that the stomach of the deceased was found to contain
+half a pint of arsenic. On this point the questioning of the district
+attorney was close and technical. Was it unusual, he asked, to find
+arsenic in the stomach? In the stomach of a club man, no. Was not half
+a pint a large quantity? He would not say that. Was it a small quantity?
+He should not care to say that it was. Would half a pint of arsenic
+cause death? Of a club man, no, not necessarily. That was all.
+
+The other testimony submitted to the inquest jury brought out various
+facts of a substantive character, but calculated rather to complicate
+than to unravel the mystery. The butler swore that on the very day of
+the murder he had served his master a half-pint of arsenic at lunch. But
+he claimed that this was quite a usual happening with his master. On
+cross-examination it appeared that he meant apollinaris. He was certain,
+however, that it was half a pint. The butler, it was shown, had been in
+Kivas Kelly's employ for twenty years.
+
+The coachman, an Irishman, was closely questioned. He had been in Mr.
+Kelly's employ for three years--ever since his arrival from the old
+country. Was it true that he had had, on the day of the murder, a
+violent quarrel with his master? It was. Had he threatened to kill him?
+No. He had threatened to knock his block off, but not to kill him.
+
+The coroner looked at his notes. "Call Alice Delary," he commanded.
+There was a deep sensation in the court as Miss Delary quietly stepped
+forward to her place in the witness-box.
+
+Tall, graceful and willowy, Alice Delary was in her first burst of
+womanhood. Those who looked at the beautiful girl realized that if her
+first burst was like this, what would the second, or the third be like?
+
+The girl was trembling, and evidently distressed, but she gave her
+evidence in a clear, sweet, low voice. She had been in Mr. Kelly's
+employ three years. She was his stenographer. But she came only in the
+mornings and always left at lunch-time. The question immediately asked
+by the jury--"Where did she generally have lunch?"--was disallowed by
+the coroner. Asked by a member of the jury what system of shorthand she
+used, she answered, "Pitman's." Asked by another juryman whether she
+ever cared to go to moving pictures, she said that she went
+occasionally. This created a favourable impression. "Miss Delary," said
+the district attorney, "I want to ask if it is your hat that was found
+hanging in the billiard-room after the crime?"
+
+"Don't you dare ask that girl that," interrupted the magistrate. "Miss
+Delary, you may step down."
+
+But the principal sensation of the day arose out of the evidence offered
+by Masterman Throgton, general manager of the _Planet_. Kivas Kelly, he
+testified, had dined with him at his club on the fateful evening. He had
+afterwards driven him to his home.
+
+"When you went into the house with the deceased," asked the district
+attorney, "how long did you remain there with him?"
+
+"That," said Throgton quietly, "I must refuse to answer."
+
+"Would it incriminate you?" asked the coroner, leaning forward.
+
+"It might," said Throgton.
+
+"Then you're perfectly right not to answer it," said the coroner.
+"Don't ask him that any more. Ask something else."
+
+"Then did you," questioned the attorney, turning to Throgton again,
+"play a game of billiards with the deceased?"
+
+"Stop, stop," said the coroner, "that question I can't allow. It's too
+direct, too brutal; there's something about that question, something
+mean, dirty. Ask another."
+
+"Very good," said the attorney. "Then tell me, Mr. Throgton, if you ever
+saw this blue envelope before?" He held up in his hand a long blue
+envelope.
+
+"Never in my life," said Throgton.
+
+"Of course he didn't," said the coroner. "Let's have a look at it. What
+is it?"
+
+"This envelope, your Honour, was found sticking out of the waistcoat
+pocket of the deceased."
+
+"You don't say," said the coroner. "And what's in it?"
+
+Amid breathless silence, the attorney drew forth a sheet of blue paper,
+bearing a stamp, and read:
+
+"This is the last will and testament of me, Kivas Kelly of New York. I
+leave everything of which I die possessed to my nephew, Peter Kelly."
+
+The entire room gasped. No one spoke. The coroner looked all around.
+"Has anybody here seen Kelly?" he asked.
+
+There was no answer.
+
+The coroner repeated the question.
+
+No one moved.
+
+"Mr. Coroner," said the attorney, "it is my opinion that if Peter Kelly
+is found the mystery is fathomed."
+
+Ten minutes later the jury returned a verdict of murder against a person
+or persons unknown, adding that they would bet a dollar that Kelly did
+it.
+
+The coroner ordered the butler to be released, and directed the issue of
+a warrant for the arrest of Peter Kelly.
+
+
+
+
+CHAPTER VI
+
+SHOW ME THE MAN WHO WORE THOSE BOOTS
+
+
+The remains of the unhappy club man were buried on the following day as
+reverently as those of a club man can be. None followed him to the grave
+except a few morbid curiosity-seekers, who rode on top of the hearse.
+
+The great city turned again to its usual avocations. The unfathomable
+mystery was dismissed from the public mind.
+
+Meantime Transome Kent was on the trail. Sleepless, almost foodless, and
+absolutely drinkless, he was everywhere. He was looking for Peter Kelly.
+Wherever crowds were gathered, the Investigator was there, searching for
+Kelly. In the great concourse of the Grand Central Station, Kent moved
+to and fro, peering into everybody's face. An official touched him on
+the shoulder. "Stop peering into the people's faces," he said. "I am
+unravelling a mystery," Kent answered. "I beg your pardon, sir," said
+the man, "I didn't know."
+
+Kent was here, and everywhere, moving ceaselessly, pro and con, watching
+for Kelly. For hours he stood beside the soda-water fountains examining
+every drinker as he drank. For three days he sat on the steps of
+Masterman Throgton's home, disguised as a plumber waiting for a wrench.
+
+But still no trace of Peter Kelly. Young Kelly, it appeared, had lived
+with his uncle until a little less than three years ago. Then suddenly
+he had disappeared. He had vanished, as a brilliant writer for the New
+York Press framed it, as if the earth had swallowed him up.
+
+Transome Kent, however, was not a man to be baffled by initial defeat.
+
+A week later, the Investigator called in at the office of Inspector
+Edwards.
+
+"Inspector," he said, "I must have some more clues. Take me again to the
+Kelly residence. I must re-analyse my first diæresis."
+
+Together the two friends went to the house. "It is inevitable," said
+Kent, as they entered again the fateful billiard-room, "that we have
+overlooked something."
+
+"We always do," said Edwards gloomily.
+
+"Now tell me," said Kent, as they stood beside the billiard table, "what
+is your own theory, the police theory, of this murder? Give me your
+first theory first, and then go on with the others."
+
+"Our first theory, Mr. Kent, was that the murder was committed by a
+sailor with a wooden leg, newly landed from Java."
+
+"Quite so, quite proper," nodded Kent.
+
+"We knew that he was a sailor," the Inspector went on, dropping again
+into his sing-song monotone, "by the extraordinary agility needed to
+climb up the thirty feet of bare brick wall to the window--a landsman
+could not have climbed more than twenty; the fact that he was from the
+East Indies we knew from the peculiar knot about his victim's neck. We
+knew that he had a wooden leg----"
+
+The Inspector paused and looked troubled.
+
+"We knew it." He paused again. "I'm afraid I can't remember that one."
+
+"Tut, tut," said Kent gently, "you knew it, Edwards, because when he
+leaned against the billiard table the impress of his hand on the
+mahogany was deeper on one side than the other. The man was obviously
+top heavy. But you abandoned this first theory."
+
+"Certainly, Mr. Kent, we always do. Our second theory was----"
+
+But Kent had ceased to listen. He had suddenly stooped down and picked
+up something off the floor.
+
+"Ha ha!" he exclaimed. "What do you make of this?" He held up a square
+fragment of black cloth.
+
+"We never saw it," said Edwards.
+
+"Cloth," muttered Kent, "the missing piece of Kivas Kelly's dinner
+jacket." He whipped out a magnifying glass. "Look," he said, "it's been
+stamped upon--by a man wearing hob-nailed boots--made in Ireland--a man
+of five feet nine and a half inches high----"
+
+"One minute, Mr. Kent," interrupted the Inspector, greatly excited, "I
+don't quite get it."
+
+"The depth of the dint proves the lift of his foot," said Kent
+impatiently, "and the lift of the foot indicates at once the man's
+height. Edwards, find me the man who wore these boots and the mystery is
+solved!"
+
+At that very moment a heavy step, unmistakably to the trained ear that
+of a man in hob-nailed boots, was heard upon the stair. The door opened
+and a man stood hesitating in the doorway.
+
+Both Kent and Edwards gave a start, two starts, of surprise.
+
+The man was exactly five feet nine and a half inches high. He was
+dressed in coachman's dress. His face was saturnine and evil.
+
+It was Dennis, the coachman of the murdered man.
+
+"If you're Mr. Kent," he said, "there's a lady here asking for you."
+
+
+
+
+CHAPTER VII
+
+OH, MR. KENT, SAVE ME!
+
+
+In another moment an absolutely noiseless step was heard upon the
+stair.
+
+A young girl entered, a girl, tall, willowy and beautiful, in the first
+burst, or just about the first burst, of womanhood.
+
+It was Alice Delary.
+
+She was dressed with extreme taste, but Kent's quick eye noted at once
+that she wore no hat.
+
+"Mr. Kent," she cried, "you are Mr. Kent, are you not? They told me that
+you were here. Oh, Mr. Kent, help me, save me!"
+
+She seemed to shudder into herself a moment. Her breath came and went
+quickly.
+
+She reached out her two hands.
+
+"Calm yourself, my dear young lady," said Kent, taking them. "Don't let
+your breath come and go so much. Trust me. Tell me all."
+
+"Mr. Kent," said Delary, regaining her control, but still trembling, "I
+want my hat."
+
+Kent let go the beautiful girl's hands. "Sit down," he said. Then he
+went across the room and fetched the hat, the light gossamer hat, with
+flowers in it, that still hung on a peg.
+
+"Oh, I am so glad to get it back," cried the girl. "I can never thank
+you enough. I was afraid to come for it."
+
+"It is all right," said the Inspector. "The police theory was that it
+was the housekeeper's hat. You are welcome to it."
+
+Kent had been looking closely at the girl before him.
+
+"You have more to say than that," he said. "Tell me all."
+
+"Oh, I will, I will, Mr. Kent. That dreadful night! I was here. I saw,
+at least I heard it all."
+
+She shuddered.
+
+"Oh, Mr. Kent, it was dreadful! I had come back that evening to the
+library to finish some work. I knew that Mr. Kelly was to dine out and
+that I would be alone. I had been working quietly for some time when I
+became aware of voices in the billiard-room. I tried not to listen, but
+they seemed to be quarrelling, and I couldn't help hearing. Oh, Mr.
+Kent, was I wrong?"
+
+"No," said Kent, taking her hand a moment, "you were not."
+
+"I heard one say, 'Get your foot off the table, you've no right to put
+your foot on the table.' Then the other said, 'Well, you keep your
+stomach off the cushion then.'" The girl shivered. "Then presently one
+said, quite fiercely, 'Get back into balk there, get back fifteen
+inches,' and the other voice said, 'By God! I'll shoot from here.' Then
+there was a dead stillness, and then a voice almost screamed, 'You've
+potted me. You've potted me. That ends it.' And then I heard the other
+say in a low tone, 'Forgive me, I didn't mean it. I never meant it to
+end that way.'
+
+"I was so frightened, Mr. Kent, I couldn't stay any longer. I rushed
+downstairs and ran all the way home. Then next day I read what had
+happened, and I knew that I had left my hat there, and was afraid. Oh,
+Mr. Kent, save me!"
+
+"Miss Delary," said the Investigator, taking again the girl's hands and
+looking into her eyes, "you are safe. Tell me only one thing. The man
+who played against Kivas Kelly--did you see him?"
+
+"Only for one moment"--the girl paused--"through the keyhole."
+
+"What was he like?" asked Kent. "Had he an impenetrable face?"
+
+"He had."
+
+"Was there anything massive about his face?"
+
+"Oh, yes, yes, it was all massive."
+
+"Miss Delary," said Kent, "this mystery is now on the brink of solution.
+When I have joined the last links of the chain, may I come and tell you
+all?"
+
+She looked full in his face.
+
+"At any hour of the day or night," she said, "you may come."
+
+Then she was gone.
+
+
+
+
+CHAPTER VIII
+
+YOU ARE PETER KELLY
+
+
+Within a few moments Kent was at the phone.
+
+"I want four, four, four, four. Is that four, four, four, four? Mr.
+Throgton's house? I want Mr. Throgton. Mr. Throgton speaking? Mr.
+Throgton, Kent speaking. The Riverside mystery is solved."
+
+Kent waited in silence a moment. Then he heard Throgton's voice--not a
+note in it disturbed:
+
+"Has anybody found Kelly?"
+
+"Mr. Throgton," said Kent, and he spoke with a strange meaning in his
+tone, "the story is a long one. Suppose I relate it to you"--he paused,
+and laid a peculiar emphasis on what followed--"_over a game of
+billiards_."
+
+"What the devil do you mean?" answered Throgton.
+
+"Let me come round to your house and tell the story. There are points in
+it that I can best illustrate over a billiard table. Suppose I challenge
+you to a fifty point game before I tell my story."
+
+It required no little hardihood to challenge Masterman Throgton at
+billiards. His reputation at his club as a cool, determined player was
+surpassed by few. Throgton had been known to run nine, ten, and even
+twelve at a break. It was not unusual for him to drive his ball clear
+off the table. His keen eye told him infallibly where each of the three
+balls was; instinctively he knew which to shoot with.
+
+In Kent, however, he had no mean adversary. The young reporter, though
+he had never played before, had studied his book to some purpose. His
+strategy was admirable. Keeping his ball well under the shelter of the
+cushion, he eluded every stroke of his adversary, and in his turn caused
+his ball to leap or dart across the table with such speed as to bury
+itself in the pocket at the side.
+
+The score advanced rapidly, both players standing precisely equal. At
+the end of the first half-hour it stood at ten all. Throgton, a grim
+look upon his face, had settled down to work, playing with one knee on
+the table. Kent, calm but alive with excitement, leaned well forward to
+his stroke, his eye held within an inch of the ball.
+
+At fifteen they were still even. Throgton with a sudden effort forced a
+break of three; but Kent rallied and in another twenty minutes they were
+even again at nineteen all.
+
+But it was soon clear that Transome Kent had something else in mind than
+to win the game. Presently his opportunity came. With a masterly stroke,
+such as few trained players could use, he had potted his adversary's
+ball. The red ball was left over the very jaws of the pocket. The white
+was in the centre.
+
+Kent looked into Throgton's face.
+
+The balls were standing in the very same position on the table as on the
+night of the murder.
+
+"I did that on purpose," said Kent quietly.
+
+"What do you mean?" asked Throgton.
+
+"The position of those balls," said Kent. "Mr. Throgton, come into the
+library. I have something to say to you. You know already what it is."
+
+They went into the library. Throgton, his hand unsteady, lighted a
+cigar.
+
+"Well," he said, "what is it?"
+
+"Mr. Throgton," said Kent, "two weeks ago you gave me a mystery to
+solve. To-night I can give you the solution. Do you want it?"
+
+Throgton's face never moved.
+
+"Well," he said.
+
+"A man's life," Kent went on, "may be played out on a billiard table. A
+man's soul, Throgton, may be pocketed."
+
+"What devil's foolery is this?" said Throgton. "What do you mean?"
+
+"I mean that your crime is known--plotter, schemer that you are, you are
+found out--hypocrite, traitor; yes, Masterman Throgton, or rather--let
+me give you your true name-_Peter Kelly_, murderer, I denounce you!"
+
+Throgton never flinched. He walked across to where Kent stood, and with
+his open palm he slapped him over the mouth.
+
+"Transome Kent," he said, "you're a liar."
+
+Then he walked back to his chair and sat down.
+
+"Kent," he continued, "from the first moment of your mock investigation,
+I knew who you were. Your every step was shadowed, your every movement
+dogged. Transome Kent--by your true name, _Peter Kelly_, murderer, I
+denounce you."
+
+Kent walked quietly across to Throgton and dealt him a fearful blow
+behind the ear.
+
+"You're a liar," he said, "I am not Peter Kelly."
+
+They sat looking at one another.
+
+At that moment Throgton's servant appeared at the door.
+
+"A gentleman to see you, sir."
+
+"Who?" said Throgton.
+
+"I don't know, sir, he gave his card."
+
+Masterman Throgton took the card.
+
+On it was printed:
+
+_PETER KELLY_
+
+
+
+
+CHAPTER IX
+
+LET ME TELL YOU THE STORY OF MY LIFE
+
+
+For a moment Throgton and Kent sat looking at one another.
+
+"Show the man up," said Throgton.
+
+A minute later the door opened and a man entered. Kent's keen eye
+analysed him as he stood. His blue clothes, his tanned face, and the
+extraordinary dexterity of his fingers left no doubt of his calling. He
+was a sailor.
+
+"Sit down," said Throgton.
+
+"Thank you," said the sailor, "it rests my wooden leg."
+
+The two men looked again. One of the sailor's legs was made of wood.
+With a start Kent noticed that it was made of East Indian sandalwood.
+
+"I've just come from Java," said Kelly quietly, as he sat down.
+
+Kent nodded. "I see it all now," he said. "Throgton, I wronged you. We
+should have known it was a sailor with a wooden leg from Java. There is
+no other way."
+
+"Gentlemen," said Peter Kelly, "I've come to make my confession. It is
+the usual and right thing to do, gentlemen, and I want to go through
+with it while I can."
+
+"One moment," said Kent, "do you mind interrupting yourself with a
+hacking cough?"
+
+"Thank you, sir," said Kelly, "I'll get to that a little later. Let me
+begin by telling you the story of my life."
+
+"No, no," urged Throgton and Kent, "don't do that!"
+
+Kelly frowned. "I think I have a right to," he said. "You've got to hear
+it. As a boy I had a wild, impulsive nature. Had it been curbed----"
+
+"But it wasn't," said Throgton. "What next?"
+
+"I was the sole relative of my uncle, and heir to great wealth. Pampered
+with every luxury, I was on a footing of----"
+
+"One minute," interrupted Kent, rapidly analysing as he listened. "How
+many legs had you then?"
+
+"Two--on a footing of ease and indolence. I soon lost----"
+
+"Your leg," said Throgton. "Mr. Kelly, pray come to the essential
+things."
+
+"I will," said the sailor. "Gentlemen, bad as I was, I was not
+altogether bad."
+
+"Of course not," said Kent and Throgton soothingly. "Probably not more
+than ninety per cent."
+
+"Even into my life, gentlemen, love entered. If you had seen her you
+would have known that she is as innocent as the driven snow. Three years
+ago she came to my uncle's house. I loved her. One day, hardly knowing
+what I was doing, I took her----" he paused.
+
+"Yes, yes," said Throgton and Kent, "you took her?"
+
+"To the Aquarium. My uncle heard of it. There was a violent quarrel. He
+disinherited me and drove me from the house. I had a liking for the sea
+from a boy."
+
+"Excuse me," said Kent, "from what boy?"
+
+Kelly went right on. "I ran away as a sailor before the mast."
+
+"Pardon me," interrupted Kent, "I am not used to sea terms. Why didn't
+you run _behind_ the mast?"
+
+"Hear me out," said Kelly, "I am nearly done. We sailed for the East
+Indies--for Java. There a Malay pirate bit off my leg. I returned home,
+bitter, disillusioned, the mere wreck that you see. I had but one
+thought. I meant to kill my uncle."
+
+For a moment a hacking cough interrupted Kelly. Kent and Throgton nodded
+quietly to one another.
+
+"I came to his house at night. With the aid of my wooden leg I scaled
+the wall, lifted the window and entered the billiard-room. There was
+murder in my heart. Thank God I was spared from that. At the very moment
+when I got in, a light was turned on in the room and I saw before
+me--but no, I will not name her--my better angel. 'Peter!' she cried,
+then with a woman's intuition she exclaimed, 'You have come to murder
+your uncle. Don't do it.' My whole mood changed. I broke down and cried
+like a--like a----"
+
+Kelly paused a moment.
+
+"Like a boob," said Kent softly. "Go on."
+
+"When I had done crying, we heard voices. 'Quick,' she exclaimed, 'flee,
+hide, he must not see you.' She rushed into the adjoining room, closing
+the door. My eye had noticed already the trap above. I climbed up to
+it. Shall I explain how?"
+
+"Don't," said Kent, "I can analyse it afterwards."
+
+"There I saw what passed. I saw Mr. Throgton and Kivas Kelly come in. I
+watched their game. They were greatly excited and quarrelled over it.
+Throgton lost."
+
+The big man nodded with a scowl. "By his potting the white," he said.
+
+"Precisely," said Kelly, "he missed the red. Your analysis was wrong,
+Mr. Kent. The game ended. You started your reasoning from a false
+diæresis. In billiards people never mark the last point. The board still
+showed ninety-nine all. Throgton left and my uncle, as often happens,
+kept trying over the last shot--a half-ball shot, sir, with the red over
+the pocket. He tried again and again. He couldn't make it. He tried
+various ways. His rest was too unsteady. Finally he made his tie into a
+long loop round his neck and put his cue through it. 'Now, by gad!' he
+said, 'I can do it.'"
+
+"Ha!" said Kent. "Fool that I was."
+
+"Exactly," continued Kelly. "In the excitement of watching my uncle I
+forgot where I was, I leaned too far over and fell out of the trap. I
+landed on uncle, just as he was sitting on the table to shoot. He fell."
+
+"I see it all!" said Kent. "He hit his head, the loop tightened, the cue
+spun round and he was dead."
+
+"That's it," said Kelly. "I saw that he was dead, and I did not dare to
+remain. I straightened the knot in his tie, laid his hands reverently
+across his chest, and departed as I had come."
+
+"Mr. Kelly," said Throgton thoughtfully, "the logic of your story is
+wonderful. It exceeds anything in its line that I have seen published
+for months. But there is just one point that I fail to grasp. The two
+bullet holes?"
+
+"They were old ones," answered the sailor quietly. "My uncle in his
+youth had led a wild life in the west; he was full of them."
+
+There was silence for a moment. Then Kelly spoke again:
+
+"My time, gentlemen, is short." (A hacking cough interrupted him.) "I
+feel that I am withering. It rests with you, gentlemen, whether or not I
+walk out of this room a free man."
+
+Transome Kent rose and walked over to the sailor.
+
+"Mr. Kelly," he said, "here is my hand."
+
+
+
+
+CHAPTER X
+
+SO DO I
+
+
+A few days after the events last narrated, Transome Kent called at the
+boarding-house of Miss Alice Delary. The young Investigator wore a light
+grey tweed suit, with a salmon-coloured geranium in his buttonhole.
+There was something exultant yet at the same time grave in his
+expression, as of one who has taken a momentous decision, affecting his
+future life.
+
+"I wonder," he murmured, "whether I am acting for my happiness."
+
+He sat down for a moment on the stone steps and analysed himself.
+
+Then he rose.
+
+"I am," he said, and rang the bell.
+
+"Miss Delary?" said a maid, "she left here two days ago. If you are Mr.
+Kent, the note on the mantelpiece is for you."
+
+Without a word (Kent never wasted them) the Investigator opened the note
+and read:
+
+ "Dear Mr. Kent,
+
+ "Peter and I were married yesterday morning, and have taken an
+ apartment in Java, New Jersey. You will be glad to hear that
+ Peter's cough is ever so much better. The lawyers have given Peter
+ his money without the least demur.
+
+ "We both feel that your analysis was simply wonderful. Peter says
+ he doesn't know where he would be without it.
+
+ "Very sincerely,
+
+ "Alice Kelly.
+
+ "P.S.--I forgot to mention to you that I saw Peter in the
+ billiard-room. But your analysis was marvellous just the same."
+
+
+That evening Kent sat with Throgton talking over the details of the
+tragedy.
+
+"Throgton," he said, "it has occurred to me that there were points about
+that solution that we didn't get exactly straight somehow."
+
+"So do I," said Throgton.
+
+
+
+
+V
+
+BROKEN BARRIERS
+
+OR, RED LOVE ON A BLUE ISLAND
+
+(_The kind of thing that has replaced the good Old Sea Story_)
+
+
+
+
+_V.--Broken Barriers; or, Red Love on a Blue Island._
+
+
+It was on a bright August afternoon that I stepped on board the steamer
+_Patagonia_ at Southampton outward bound for the West Indies and the
+Port of New Orleans.
+
+I had at the time no presentiment of disaster. I remember remarking to
+the ship's purser, as my things were being carried to my state-room,
+that I had never in all my travels entered upon any voyage with so
+little premonition of accident. "Very good, Mr. Borus," he answered.
+"You will find your state-room in the starboard aisle on the right." I
+distinctly recall remarking to the Captain that I had never, in any of
+my numerous seafarings, seen the sea of a more limpid blue. He agreed
+with me so entirely, as I recollect it, that he did not even trouble to
+answer.
+
+Had anyone told me on that bright summer afternoon that our ship would
+within a week be wrecked among the Dry Tortugas, I should have laughed.
+Had anyone informed me that I should find myself alone on a raft in the
+Caribbean Sea, I should have gone into hysterics.
+
+We had hardly entered the waters of the Caribbean when a storm of
+unprecedented violence broke upon us. Even the Captain had never, so he
+said, seen anything to compare with it. For two days and nights we
+encountered and endured the full fury of the sea. Our soup plates were
+secured with racks and covered with lids. In the smoking-room our
+glasses had to be set in brackets, and as our steward came and went, we
+were from moment to moment in imminent danger of seeing him washed
+overboard.
+
+On the third morning just after daybreak the ship collided with
+something, probably either a floating rock or one of the dry Tortugas.
+She blew out her four funnels, the bowsprit dropped out of its place,
+and the propeller came right off. The Captain, after a brief
+consultation, decided to abandon her. The boats were lowered, and, the
+sea being now quite calm, the passengers were emptied into them.
+
+By what accident I was left behind I cannot tell. I had been talking to
+the second mate and telling him of a rather similar experience of mine
+in the China Sea, and holding him by the coat as I did so, when quite
+suddenly he took me by the shoulders, and rushing me into the deserted
+smoking-room said, "Sit there, Mr. Borus, till I come back for you." The
+fellow spoke in such a menacing way that I thought it wiser to comply.
+
+When I came out they were all gone. By good fortune I found one of the
+ship's rafts still lying on the deck. I gathered together such articles
+as might be of use and contrived, though how I do not know, to launch it
+into the sea.
+
+On my second morning on my raft I was sitting quietly polishing my boots
+and talking to myself when I became aware of an object floating in the
+sea close beside the raft. Judge of my feelings when I realized it to be
+the inanimate body of a girl. Hastily finishing my boots and stopping
+talking to myself, I made shift as best I could to draw the unhappy girl
+towards me with a hook.
+
+After several ineffectual attempts I at last managed to obtain a hold of
+the girl's clothing and drew her on to the raft.
+
+She was still unconscious. The heavy lifebelt round her person must (so
+I divined) have kept her afloat after the wreck. Her clothes were
+sodden, so I reasoned, with the sea-water.
+
+On a handkerchief which was still sticking into the belt of her dress, I
+could see letters embroidered. Realizing that this was no time for
+hesitation, and that the girl's life might depend on my reading her
+name, I plucked it forth. It was Edith Croyden.
+
+As vigorously as I could I now set to work to rub her hands. My idea was
+(partly) to restore her circulation. I next removed her boots, which
+were now rendered useless, as I argued, by the sea-water, and began to
+rub her feet.
+
+I was just considering what to remove next, when the girl opened her
+eyes. "Stop rubbing my feet," she said.
+
+"Miss Croyden," I said, "you mistake me."
+
+I rose, with a sense of pique which I did not trouble to conceal, and
+walked to the other end of the raft. I turned my back upon the girl and
+stood looking out upon the leaden waters of the Caribbean Sea. The ocean
+was now calm. There was nothing in sight.
+
+I was still searching the horizon when I heard a soft footstep on the
+raft behind me, and a light hand was laid upon my shoulder. "Forgive
+me," said the girl's voice.
+
+I turned about. Miss Croyden was standing behind me. She had, so I
+argued, removed her stockings and was standing in her bare feet. There
+is something, I am free to confess, about a woman in her bare feet which
+hits me where I live. With instinctive feminine taste the girl had
+twined a piece of seaweed in her hair. Seaweed, as a rule, gets me every
+time. But I checked myself.
+
+"Miss Croyden," I said, "there is nothing to forgive."
+
+At the mention of her name the girl blushed for a moment and seemed
+about to say something, but stopped.
+
+"Where are we?" she queried presently.
+
+"I don't know," I answered, as cheerily as I could, "but I am going to
+find out."
+
+"How brave you are!" Miss Croyden exclaimed.
+
+"Not at all," I said, putting as much heartiness into my voice as I was
+able to.
+
+The girl watched my preparations with interest.
+
+With the aid of a bent pin hoisted on a long pole I had no difficulty in
+ascertaining our latitude.
+
+"Miss Croydon," I said, "I am now about to ascertain our longitude. To
+do this I must lower myself down into the sea. Pray do not be alarmed or
+anxious. I shall soon be back."
+
+With the help of a long line I lowered myself deep down into the sea
+until I was enabled to ascertain, approximately at any rate, our
+longitude. A fierce thrill went through me at the thought that this
+longitude was our longitude, hers and mine. On the way up, hand over
+hand, I observed a long shark looking at me. Realizing that the fellow
+if voracious might prove dangerous, I lost but little time--indeed, I
+may say I lost absolutely no time--in coming up the rope.
+
+The girl was waiting for me.
+
+"Oh, I am so glad you have come back," she exclaimed, clasping her
+hands.
+
+"It was nothing," I said, wiping the water from my ears, and speaking as
+melodiously as I could.
+
+"Have you found our whereabouts?" she asked.
+
+"Yes," I answered. "Our latitude is normal, but our longitude is, I
+fear, at least three degrees out of the plumb. I am afraid, Miss
+Croyden," I added, speaking as mournfully as I knew how, "that you must
+reconcile your mind to spending a few days with me on this raft."
+
+"Is it as bad as that?" she murmured, her eyes upon the sea.
+
+In the long day that followed, I busied myself as much as I could with
+my work upon the raft, so as to leave the girl as far as possible to
+herself. It was, so I argued, absolutely necessary to let her feel that
+she was safe in my keeping. Otherwise she might jump off the raft and I
+should lose her.
+
+I sorted out my various cans and tins, tested the oil in my chronometer,
+arranged in neat order my various ropes and apparatus, and got my
+frying-pan into readiness for any emergency. Of food we had for the
+present no lack.
+
+With the approach of night I realized that it was necessary to make
+arrangements for the girl's comfort. With the aid of a couple of upright
+poles I stretched a grey blanket across the raft so as to make a
+complete partition.
+
+"Miss Croyden," I said, "this end of the raft is yours. Here you may
+sleep in peace."
+
+"How kind you are," the girl murmured.
+
+"You will be quite safe from interference," I added. "I give you my
+word that I will not obtrude upon you in any way."
+
+"How chivalrous you are," she said.
+
+"Not at all," I answered, as musically as I could. "Understand me, I am
+now putting my head over this partition for the last time. If there is
+anything you want, say so now."
+
+"Nothing," she answered.
+
+"There is a candle and matches beside you. If there is anything that you
+want in the night, call me instantly. Remember, at any hour I shall be
+here. I promise it."
+
+"Good night," she murmured. In a few minutes her soft regular breathing
+told me that she was asleep.
+
+I went forward and seated myself in a tar-bucket, with my head against
+the mast, to get what sleep I could.
+
+But for some time--why, I do not know--sleep would not come.
+
+The image of Edith Croyden filled my mind. In vain I told myself that
+she was a stranger to me: that--beyond her longitude--I knew nothing of
+her. In some strange way this girl had seized hold of me and dominated
+my senses.
+
+The night was very calm and still, with great stars in a velvet sky. In
+the darkness I could hear the water lapping the edge of the raft.
+
+I remained thus in deep thought, sinking further and further into the
+tar-bucket. By the time I reached the bottom of it I realized that I was
+in love with Edith Croyden.
+
+Then the thought of my wife occurred to me and perplexed me. Our unhappy
+marriage had taken place three years before. We brought to one another
+youth, wealth and position. Yet our marriage was a failure. My wife--for
+what reason I cannot guess--seemed to find my society irksome. In vain I
+tried to interest her with narratives of my travels. They seemed--in
+some way that I could not divine--to fatigue her. "Leave me for a
+little, Harold," she would say (I forgot to mention that my name is
+Harold Borus), "I have a pain in my neck." At her own suggestion I had
+taken a trip around the world. On my return she urged me to go round
+again. I was going round for the third time when the wrecking of the
+steamer had interrupted my trip.
+
+On my own part, too, I am free to confess that my wife's attitude had
+aroused in me a sense of pique, not to say injustice. I am not in any
+way a vain man. Yet her attitude wounded me. I would no sooner begin,
+"When I was in the Himalayas hunting the humpo or humped buffalo," than
+she would interrupt and say, "Oh, Harold, would you mind going down to
+the billiard-room and seeing if I left my cigarettes under the
+billiard-table?" When I returned, she was gone.
+
+By agreement we had arranged for a divorce. On my completion of my third
+voyage we were to meet in New Orleans. Clara was to go there on a
+separate ship, giving me the choice of oceans.
+
+Had I met Edith Croyden three months later I should have been a man free
+to woo and win her. As it was I was bound. I must put a clasp of iron on
+my feelings. I must wear a mask. Cheerful, helpful, and full of
+narrative, I must yet let fall no word of love to this defenceless girl.
+
+After a great struggle I rose at last from the tar-bucket, feeling, if
+not a brighter, at least a cleaner man.
+
+Dawn was already breaking. I looked about me. As the sudden beams of the
+tropic sun illumined the placid sea, I saw immediately before me, only a
+hundred yards away, an island. A sandy beach sloped back to a rocky
+eminence, broken with scrub and jungle. I could see a little stream
+leaping among the rocks. With eager haste I paddled the raft close to
+the shore till it ground in about ten inches of water.
+
+I leaped into the water.
+
+With the aid of a stout line, I soon made the raft fast to a rock. Then
+as I turned I saw that Miss Croyden was standing upon the raft, fully
+dressed, and gazing at me. The morning sunlight played in her hair, and
+her deep blue eyes were as soft as the Caribbean Sea itself.
+
+"Don't attempt to wade ashore, Miss Croyden," I cried in agitation.
+"Pray do nothing rash. The waters are simply infested with bacilli."
+
+"But how can I get ashore?" she asked, with a smile which showed all, or
+nearly all, of her pearl-like teeth.
+
+"Miss Croyden," I said, "there is only one way. I must carry you."
+
+In another moment I had walked back to the raft and lifted her as
+tenderly and reverently as if she had been my sister--indeed more so--in
+my arms.
+
+Her weight seemed nothing. When I get a girl like that in my arms I
+simply don't feel it. Just for one moment as I clasped her thus in my
+arms, a fierce thrill ran through me. But I let it run.
+
+When I had carried her well up the sand close to the little stream, I
+set her down. To my surprise, she sank down in a limp heap.
+
+The girl had fainted.
+
+I knew that it was no time for hesitation.
+
+Running to the stream, I filled my hat with water and dashed it in her
+face. Then I took up a handful of mud and threw it at her with all my
+force. After that I beat her with my hat.
+
+At length she opened her eyes and sat up.
+
+"I must have fainted," she said, with a little shiver. "I am cold. Oh,
+if we could only have a fire."
+
+"I will do my best to make one, Miss Croyden," I replied, speaking as
+gymnastically as I could. "I will see what I can do with two dry
+sticks."
+
+"With dry sticks?" queried the girl. "Can you light a fire with that?
+How wonderful you are!"
+
+"I have often seen it done," I replied thoughtfully; "when I was hunting
+the humpo, or humped buffalo, in the Himalayas, it was our usual
+method."
+
+"Have you really hunted the humpo?" she asked, her eyes large with
+interest.
+
+"I have indeed," I said, "but you must rest; later on I will tell you
+about it."
+
+"I wish you could tell me now," she said with a little moan.
+
+Meantime I had managed to select from the driftwood on the beach two
+sticks that seemed absolutely dry. Placing them carefully together, in
+Indian fashion, I then struck a match and found no difficulty in setting
+them on fire.
+
+In a few moments the girl was warming herself beside a generous fire.
+
+Together we breakfasted upon the beach beside the fire, discussing our
+plans like comrades.
+
+Our meal over, I rose.
+
+"I will leave you here a little," I said, "while I explore."
+
+With no great difficulty I made my way through the scrub and climbed the
+eminence of tumbled rocks that shut in the view.
+
+On my return Miss Croyden was still seated by the fire, her head in her
+hands.
+
+"Miss Croyden," I said, "we are on an island."
+
+"Is it inhabited?" she asked.
+
+"Once, perhaps, but not now. It is one of the many keys of the West
+Indies. Here, in old buccaneering days, the pirates landed and careened
+their ships."
+
+"How did they do that?" she asked, fascinated.
+
+"I am not sure," I answered. "I think with white-wash. At any rate, they
+gave them a good careening. But since then these solitudes are only the
+home of the sea-gull, the sea-mew, and the albatross."
+
+The girl shuddered.
+
+"How lonely!" she said.
+
+"Lonely or not," I said with a laugh (luckily I can speak with a laugh
+when I want to), "I must get to work."
+
+I set myself to work to haul up and arrange our effects. With a few
+stones I made a rude table and seats. I took care to laugh and sing as
+much as possible while at my work. The close of the day found me still
+busy with my labours.
+
+"Miss Croyden," I said, "I must now arrange a place for you to sleep."
+
+With the aid of four stakes driven deeply into the ground and with
+blankets strung upon them, I managed to fashion a sort of rude tent,
+roofless, but otherwise quite sheltered.
+
+"Miss Croyden," I said when all was done, "go in there."
+
+Then, with little straps which I had fastened to the blankets, I buckled
+her in reverently.
+
+"Good night, Miss Croyden," I said.
+
+"But you," she exclaimed, "where will you sleep?"
+
+"Oh, I?" I answered, speaking as exuberantly as I could, "I shall do
+very well on the ground. But be sure to call me at the slightest sound."
+
+Then I went out and lay down in a patch of cactus plants.
+
+I need not dwell in detail upon the busy and arduous days that followed
+our landing upon the island. I had much to do. Each morning I took our
+latitude and longitude. By this I then set my watch, cooked porridge,
+and picked flowers till Miss Croyden appeared.
+
+With every day the girl came forth from her habitation as a new surprise
+in her radiant beauty. One morning she had bound a cluster of wild
+arbutus about her brow. Another day she had twisted a band of
+convolvulus around her waist. On a third she had wound herself up in a
+mat of bulrushes.
+
+With her bare feet and wild bulrushes all around her, she looked as a
+cave woman might have looked, her eyes radiant with the Caribbean dawn.
+My whole frame thrilled at the sight of her. At times it was all I could
+do not to tear the bulrushes off her and beat her with the heads of
+them. But I schooled myself to restraint, and handed her a rock to sit
+upon, and passed her her porridge on the end of a shovel with the calm
+politeness of a friend.
+
+Our breakfast over, my more serious labours of the day began. I busied
+myself with hauling rocks or boulders along the sand to build us a house
+against the rainy season. With some tackle from the raft I had made
+myself a set of harness, by means of which I hitched myself to a
+boulder. By getting Miss Croyden to beat me over the back with a stick,
+I found that I made fair progress.
+
+But even as I worked thus for our common comfort, my mind was fiercely
+filled with the thought of Edith Croyden. I knew that if once the
+barriers broke everything would be swept away. Heaven alone knows the
+effort that it cost me. At times nothing but the sternest resolution
+could hold my fierce impulses in check. Once I came upon the girl
+writing in the sand with a stick. I looked to see what she had written.
+I read my own name "Harold." With a wild cry I leapt into the sea and
+dived to the bottom of it. When I came up I was calmer. Edith came
+towards me; all dripping as I was, she placed her hands upon my
+shoulders. "How grand you are!" she said. "I am," I answered; then I
+added, "Miss Croyden, for Heaven's sake don't touch me on the ear. I
+can't stand it." I turned from her and looked out over the sea.
+Presently I heard something like a groan behind me. The girl had thrown
+herself on the sand and was coiled up in a hoop. "Miss Croyden," I said,
+"for God's sake don't coil up in a hoop."
+
+I rushed to the beach and rubbed gravel on my face.
+
+With such activities, alternated with wild bursts of restraint, our life
+on the island passed as rapidly as in a dream. Had I not taken care to
+notch the days upon a stick and then cover the stick with tar, I could
+not have known the passage of the time. The wearing out of our clothing
+had threatened a serious difficulty. But by good fortune I had seen a
+large black and white goat wandering among the rocks and had chased it
+to a standstill. From its skin, leaving the fur still on, Edith had
+fashioned us clothes. Our boots we had replaced with alligator hide. I
+had, by a lucky chance, found an alligator upon the beach, and attaching
+a string to the fellow's neck I had led him to our camp. I had then
+poisoned the fellow with tinned salmon and removed his hide.
+
+Our costume was now brought into harmony with our surroundings. For
+myself, garbed in goatskin with the hair outside, with alligator sandals
+on my feet and with whiskers at least six inches long, I have no doubt
+that I resembled the beau ideal of a cave man. With the open-air life a
+new agility seemed to have come into my limbs. With a single leap in my
+alligator sandals I was enabled to spring into a coco-nut tree.
+
+As for Edith Croyden, I can only say that as she stood beside me on the
+beach in her suit of black goatskin (she had chosen the black spots)
+there were times when I felt like seizing her in the frenzy of my
+passion and hurling her into the sea. Fur always acts on me just like
+that.
+
+It was at the opening of the fifth week of our life upon the island that
+a new and more surprising turn was given to our adventure. It arose out
+of a certain curiosity, harmless enough, on Edith Croyden's part. "Mr.
+Borus," she said one morning, "I should like so much to see the rest of
+our island. Can we?"
+
+"Alas, Miss Croyden," I said, "I fear that there is but little to see.
+Our island, so far as I can judge, is merely one of the uninhabited keys
+of the West Indies. It is nothing but rock and sand and scrub. There is
+no life upon it. I fear," I added, speaking as jauntily as I could,
+"that unless we are taken off it we are destined to stay on it."
+
+"Still I should like to see it," she persisted.
+
+"Come on, then," I answered, "if you are good for a climb we can take a
+look over the ridge of rocks where I went up on the first day."
+
+We made our way across the sand of the beach, among the rocks and
+through the close matted scrub, beyond which an eminence of rugged
+boulders shut out the further view.
+
+Making our way to the top of this we obtained a wide look over the sea.
+The island stretched away to a considerable distance to the eastward,
+widening as it went, the complete view of it being shut off by similar
+and higher ridges of rock.
+
+But it was the nearer view, the foreground, that at once arrested our
+attention. Edith seized my arm. "Look, oh, look!" she said.
+
+Down just below us on the right hand was a similar beach to the one
+that we had left. A rude hut had been erected on it and various articles
+lay strewn about.
+
+Seated on a rock with their backs towards us were a man and a woman. The
+man was dressed in goatskins, and his whiskers, so I inferred from what
+I could see of them from the side, were at least as exuberant as mine.
+The woman was in white fur with a fillet of seaweed round her head. They
+were sitting close together as if in earnest colloquy.
+
+"Cave people," whispered Edith, "aborigines of the island."
+
+But I answered nothing. Something in the tall outline of the seated
+woman held my eye. A cruel presentiment stabbed me to the heart.
+
+In my agitation my foot overset a stone, which rolled noisily down the
+rocks. The noise attracted the attention of the two seated below us.
+They turned and looked searchingly towards the place where we were
+concealed. Their faces were in plain sight. As I looked at that of the
+woman I felt my heart cease beating and the colour leave my face.
+
+I looked into Edith's face. It was as pale as mine.
+
+"What does it mean?" she whispered.
+
+"Miss Croyden," I answered, "Edith--it means this. I have never found
+the courage to tell you. I am a married man. The woman seated there is
+my wife. And I love you."
+
+Edith put out her arms with a low cry and clasped me about the neck.
+"Harold," she murmured, "my Harold."
+
+"Have I done wrong?" I whispered.
+
+"Only what I have done too," she answered. "I, too, am married, Harold,
+and the man sitting there below, John Croyden, is my husband."
+
+With a wild cry such as a cave man might have uttered, I had leapt to my
+feet.
+
+"Your husband!" I shouted. "Then, by the living God, he or I shall never
+leave this place alive."
+
+He saw me coming as I bounded down the rocks. In an instant he had
+sprung to his feet. He gave no cry. He asked no question. He stood
+erect as a cave man would, waiting for his enemy.
+
+And there upon the sands beside the sea we fought, barehanded and
+weaponless. We fought as cave men fight.
+
+For a while we circled round one another, growling. We circled four
+times, each watching for an opportunity. Then I picked up a great
+handful of sand and threw it flap into his face. He grabbed a coco-nut
+and hit me with it in the stomach. Then I seized a twisted strand of wet
+seaweed and landed him with it behind the ear. For a moment he
+staggered. Before he could recover I jumped forward, seized him by the
+hair, slapped his face twice and then leaped behind a rock. Looking from
+the side I could see that Croyden, though half dazed, was feeling round
+for something to throw. To my horror I saw a great stone lying ready to
+his hand. Beside me was nothing. I gave myself up for lost, when at that
+very moment I heard Edith's voice behind me saying, "The shovel, quick,
+the shovel!" The noble girl had rushed back to our encampment and had
+fetched me the shovel. "Swat him with that," she cried. I seized the
+shovel, and with the roar of a wounded bull--or as near as I could make
+it--I rushed out from the rock, the shovel swung over my head.
+
+But the fight was all out of Croyden.
+
+"Don't strike," he said, "I'm all in. I couldn't stand a crack with that
+kind of thing."
+
+He sat down upon the sand, limp. Seen thus, he somehow seemed to be
+quite a small man, not a cave man at all. His goatskin suit shrunk in on
+him. I could hear his pants as he sat.
+
+"I surrender," he said. "Take both the women. They are yours."
+
+I stood over him leaning upon the shovel. The two women had closed in
+near to us.
+
+"I suppose you are _her_ husband, are you?" Croyden went on.
+
+I nodded.
+
+"I thought you were. Take her."
+
+Meantime Clara had drawn nearer to me. She looked somehow very beautiful
+with her golden hair in the sunlight, and the white furs draped about
+her.
+
+"Harold!" she exclaimed. "Harold, is it you? How strange and masterful
+you look. I didn't know you were so strong."
+
+I turned sternly towards her.
+
+"When I was alone," I said, "on the Himalayas hunting the humpo or
+humped buffalo----"
+
+Clara clasped her hands, looking into my face.
+
+"Yes," she said, "tell me about it."
+
+Meantime I could see that Edith had gone over to John Croyden.
+
+"John," she said, "you shouldn't sit on the wet sand like that. You will
+get a chill. Let me help you to get up."
+
+I looked at Clara and at Croyden.
+
+"How has this happened?" I asked. "Tell me."
+
+"We were on the same ship," Croyden said. "There came a great storm.
+Even the Captain had never seen----"
+
+"I know," I interrupted, "so had ours."
+
+"The ship struck a rock, and blew out her four funnels----"
+
+"Ours did too," I nodded.
+
+"The bowsprit was broken, and the steward's pantry was carried away. The
+Captain gave orders to leave the ship----"
+
+"It is enough, Croyden," I said, "I see it all now. You were left behind
+when the boats cleared, by what accident you don't know----"
+
+"I don't," said Croyden.
+
+"As best you could, you constructed a raft, and with such haste as you
+might you placed on it such few things----"
+
+"Exactly," he said, "a chronometer, a sextant----"
+
+"I know," I continued, "two quadrants, a bucket of water, and a
+lightning rod. I presume you picked up Clara floating in the sea."
+
+"I did," Croyden said; "she was unconscious when I got her, but by
+rubbing----"
+
+"Croyden," I said, raising the shovel again, "cut that out."
+
+"I'm sorry," he said.
+
+"It's all right. But you needn't go on. I see all the rest of your
+adventures plainly enough."
+
+"Well, I'm done with it all anyway," said Croyden gloomily. "You can do
+what you like. As for me, I've got a decent suit back there at our camp,
+and I've got it dried and pressed and I'm going to put it on."
+
+He rose wearily, Edith standing beside him.
+
+"What's more, Borus," he said, "I'll tell you something. This island is
+not uninhabited at all."
+
+"Not uninhabited!" exclaimed Clara and Edith together. I saw each of
+them give a rapid look at her goatskin suit.
+
+"Nonsense, Croyden," I said, "this island is one of the West Indian
+keys. On such a key as this the pirates used to land. Here they careened
+their ships----"
+
+"Did what to them?" asked Croyden.
+
+"Careened them all over from one end to the other," I said. "Here they
+got water and buried treasure; but beyond that the island was, and
+remained, only the home of the wild gull and the sea-mews----"
+
+"All right," said Croyden, "only it doesn't happen to be that kind of
+key. It's a West Indian island all right, but there's a summer hotel on
+the other end of it not two miles away."
+
+"A summer hotel!" we exclaimed.
+
+"Yes, a hotel. I suspected it all along. I picked up a tennis racket on
+the beach the first day; and after that I walked over the ridge and
+through the jungle and I could see the roof of the hotel. Only," he
+added rather shamefacedly, "I didn't like to tell her."
+
+"Oh, you coward!" cried Clara. "I could slap you."
+
+"Don't you dare," said Edith. "I'm sure you knew it as well as he did.
+And anyway, I was certain of it myself. I picked up a copy of last
+week's paper in a lunch-basket on the beach, and hid it from Mr. Borus.
+I didn't want to hurt his feelings."
+
+At that moment Croyden pointed with a cry towards the sea.
+
+"Look," he said, "for Heaven's sake, look!"
+
+He turned.
+
+Less than a quarter of a mile away we could see a large white motor
+launch coming round the corner. The deck was gay with awnings and bright
+dresses and parasols.
+
+"Great Heavens!" said Croyden. "I know that launch. It's the
+Appin-Joneses'."
+
+"The Appin-Joneses'!" cried Clara. "Why, we know them too. Don't you
+remember, Harold, the Sunday we spent with them on the Hudson?"
+
+Instinctively we had all jumped for cover, behind the rocks.
+
+"Whatever shall we do?" I exclaimed.
+
+"We must get our things," said Edith Croyden. "Jack, if your suit is
+ready run and get it and stop the launch. Mrs. Borus and Mr. Borus and I
+can get our things straightened up while you keep them talking. My suit
+is nearly ready anyway; I thought some one might come. Mr. Borus, would
+you mind running and fetching me my things, they're all in a parcel
+together? And perhaps if you have a looking-glass and some pins, Mrs.
+Borus, I could come over and dress with you."
+
+That same evening we found ourselves all comfortably gathered on the
+piazza of the Hotel Christopher Columbus. Appin-Jones insisted on making
+himself our host, and the story of our adventures was related again and
+again to an admiring audience, with the accompaniment of cigars and iced
+champagne. Only one detail was suppressed, by common instinct. Both
+Clara and I felt that it would only raise needless comment to explain
+that Mr. and Mrs. Croyden had occupied separate encampments.
+
+Nor is it necessary to relate our safe and easy return to New York.
+
+Both Clara and I found Mr. and Mrs. Croyden delightful travelling
+companions, though perhaps we were not sorry when the moment came to say
+good-bye.
+
+"The word 'good-bye,'" I remarked to Clara, as we drove away, "is always
+a painful one. Oddly enough when I was hunting the humpo, or humped
+buffalo, of the Himalayas----"
+
+"Do tell me about it, darling," whispered Clara, as she nestled beside
+me in the cab.
+
+
+
+
+VI
+
+THE KIDNAPPED PLUMBER
+
+A TALE OF THE NEW TIME
+
+(_Being one chapter--and quite enough---from the Reminiscences of an
+Operating Plumber_)
+
+
+
+
+_VI.--The Kidnapped Plumber: A Tale of the New Time._
+
+
+"Personally," said Thornton, speaking for the first time, "I never care
+to take a case that involves cellar work."
+
+We were sitting--a little group of us--round about the fire in a
+comfortable corner of the Steam and Air Club. Our talk had turned, as
+always happens with a group of professional men, into more or less
+technical channels. I will not say that we were talking shop; the word
+has an offensive sound and might be misunderstood. But we were talking
+as only a group of practising plumbers--including some of the biggest
+men in the profession--would talk. With the exception of Everett, who
+had a national reputation as a Consulting Barber, and Thomas, who was a
+vacuum cleaner expert, I think we all belonged to the same profession.
+We had been holding a convention, and Fortescue, who had one of the
+biggest furnace practices in the country, had read us a paper that
+afternoon--a most revolutionary thing--on External Diagnosis of
+Defective Feed Pipes, and naturally the thing had bred discussion.
+Fortescue, who is one of the most brilliant men in the profession, had
+stoutly maintained his thesis that the only method of diagnosis for
+trouble in a furnace is to sit down in front of it and look at it for
+three days; others held out for unscrewing it and carrying it home for
+consideration; others of us, again, claimed that by tapping the affected
+spot with a wrench the pipe might be fractured in such a way as to prove
+that it was breakable. It was at this point that Thornton interrupted
+with his remark about never being willing to accept a cellar case.
+
+Naturally all the men turned to look at the speaker. Henry Thornton, at
+the time of which I relate, was at the height of his reputation.
+Beginning, quite literally, at the bottom of the ladder, he had in
+twenty years of practice as an operating plumber raised himself to the
+top of his profession. There was much in his appearance to suggest the
+underlying reasons of his success. His face, as is usual with men of our
+calling, had something of the dreamer in it, but the bold set of the jaw
+indicated determination of an uncommon kind. Three times President of
+the Plumbers' Association, Henry Thornton had enjoyed the highest
+honours of his chosen profession. His book on _Nut Coal_ was recognized
+as the last word on the subject, and had been crowned by the French
+Academy of Nuts.
+
+I suppose that one of the principal reasons for his success was his
+singular coolness and resource. I have seen Thornton enter a kitchen,
+with that quiet reassuring step of his, and lay out his instruments on
+the table, while a kitchen tap with a broken washer was sprizzling
+within a few feet of him, as calmly and as quietly as if he were in his
+lecture-room of the Plumbers' College.
+
+"You never go into a cellar?" asked Fortescue. "But hang it, man, I
+don't see how one can avoid it!"
+
+"Well, I do avoid it," answered Thornton, "at least as far as I possibly
+can. I send down my solderist, of course, but personally, unless it is
+absolutely necessary, I never go down."
+
+"That's all very well, my dear fellow," Fortescue cut in, "but you know
+as well as I do that you get case after case where the cellar diagnosis
+is simply vital. I had a case last week, a most interesting thing--" he
+turned to the group of us as he spoke--"a double lesion of a gas-pipe
+under a cement floor--half a dozen of my colleagues had been absolutely
+baffled. They had made an entirely false diagnosis, operated on the
+dining-room floor, which they removed and carried home, and when I was
+called in they had just obtained permission from the Stone Mason's
+Protective Association to knock down one side of the house."
+
+"Excuse me interrupting just a minute," interjected a member of the
+group who hailed from a distant city, "have you much trouble about
+that? I mean about knocking the sides out of houses?"
+
+"No trouble now," said Fortescue. "We did have. But the public is
+getting educated up to it. Our law now allows us to knock the side out
+of a house when we feel that we would really like to see what is in it.
+We are not allowed, of course, to build it up again."
+
+"No, of course not," said the other speaker. "But I suppose you can
+throw the bricks out on the lawn."
+
+"Yes," said Fortescue, "and sit on them to eat lunch. We had a big fight
+in the legislature over that, but we got it through."
+
+"Thank you, but I feel I am interrupting."
+
+"Well, I was only saying that, as soon as I had made up my mind that the
+trouble was in the cellar, the whole case was simple. I took my
+colleagues down at once, and we sat on the floor of the cellar and held
+a consultation till the overpowering smell of gas convinced me that
+there was nothing for it but an operation on the floor. The whole thing
+was most successful. I was very glad, as it happened that the
+proprietor of the house was a very decent fellow, employed, I think, as
+a manager of a bank, or something of the sort. He was most grateful. It
+was he who gave me the engraved monkey wrench that some of you were
+admiring before dinner. After we had finished the whole operation--I
+forgot to say that we had thrown the coal out on the lawn to avoid any
+complication--he quite broke down. He offered us to take his whole house
+and keep it."
+
+"You don't do that, do you?" asked the outsider.
+
+"Oh no, never," said Fortescue. "We've made a very strict professional
+rule against it. We found that some of the younger men were apt to take
+a house when they were given it, and we had to frown down on it. But,
+gentlemen, I feel that when Mr. Thornton says that he never goes down
+into a cellar there must be a story behind it. I think we should invite
+him to relate it to us."
+
+A murmur of assent greeted the speaker's suggestion. For myself I was
+particularly pleased, inasmuch as I have long felt that Thornton as a
+_raconteur_ was almost as interesting as in the rôle of an operating
+plumber. I have often told him that, if he had not happened to meet
+success in his chosen profession, he could have earned a living as a day
+writer: a suggestion which he has always taken in good part and without
+offence.
+
+Those of my readers who have looked through the little volume of
+Reminiscences which I have put together, will recall the narrative of
+_The Missing Nut_ and the little tale entitled _The Blue Blow Torch_ as
+instances in point.
+
+"Not much of a story, perhaps," said Thornton, "but such as it is you
+are welcome to it. So, if you will just fill up your glasses with
+raspberry vinegar, you may have the tale for what it is worth."
+
+We gladly complied with the suggestion and Thornton continued:
+
+"It happened a good many years ago at a time when I was only a young
+fellow fresh from college, very proud of my Plumb. B., and inclined to
+think that I knew it all. I had done a little monograph on _Choked Feed
+in the Blow Torch_, which had attracted attention, and I suppose that
+altogether I was about as conceited a young puppy as one would find in
+the profession. I should mention that at this time I was not married,
+but had set up a modest apartment of my own with a consulting-room and a
+single manservant. Naturally I could not afford the services of a
+solderist or a gassist and did everything for myself, though Simmons, my
+man, could at a pinch be utilized to tear down plaster and break
+furniture."
+
+Thornton paused to take a sip of raspberry vinegar and went on:
+
+"Well, then. I had come home to dinner particularly tired after a long
+day. I had sat in an attic the greater part of the afternoon (a case of
+top story valvular trouble) and had had to sit in a cramped position
+which practically forbade sleep. I was feeling, therefore, none too well
+pleased, when a little while after dinner the bell rang and Simmons
+brought word to the library that there was a client in the
+consulting-room. I reminded the fellow that I could not possibly
+consider a case at such an advanced hour unless I were paid emergency
+overtime wages with time and a half during the day of recovery."
+
+"One moment," interrupted the outside member. "You don't mention
+compensation for mental shock. Do you not draw that here?"
+
+"We do _now_" explained Thornton, "but the time of which I speak is some
+years ago and we still got nothing for mental shock, nor disturbance of
+equilibrium. Nowadays, of course, one would insist on a substantial
+retainer in advance.
+
+"Well, to continue. Simmons, to my surprise, told me that he had already
+informed the client of this fact, and that the answer had only been a
+plea that the case was too urgent to admit of delay. He also supplied
+the further information that the client was a young lady. I am afraid,"
+added Thornton, looking round his audience with a sympathetic smile,
+"that Simmons (I had got him from Harvard and he had not yet quite
+learned his place) even said something about her being strikingly
+handsome."
+
+A general laugh greeted Thornton's announcement.
+
+"After all," said Fortescue, "I never could see why an Ice Man should be
+supposed to have a monopoly on gallantry."
+
+"Oh, I don't know," said Thornton. "For my part--I say it without
+affectation--the moment I am called in professionally, women, as women,
+cease to exist for me. I can stand beside them in the kitchen and
+explain to them the feed tap of a kitchen range without feeling them to
+be anything other than simply clients. And for the most part, I think,
+they reciprocate that attention. There are women, of course, who will
+call a man in with motives--but that's another story. I must get back to
+what I was saying.
+
+"On entering the consulting-room I saw at once that Simmons had
+exaggerated nothing in describing my young client as beautiful. I have
+seldom, even among our own class, seen a more strikingly handsome girl.
+She was dressed in a very plain and simple fashion which showed me at
+once that she belonged merely to the capitalist class. I am, as I think
+you know, something of an observer, and my eye at once noted the absence
+of heavy gold ear-rings and wrist-bangles. The blue feathers at the side
+of her hat were none of them more than six inches long, and the buttons
+on her jacket were so inconspicuous that one would hardly notice them.
+In short, while her dress was no doubt good and serviceable, there was
+an absence of _chic_, a lack of noise about it, that told at once the
+tale of narrow circumstances.
+
+"She was evidently in great distress.
+
+"'Oh, Mr. Thornton,' she exclaimed, advancing towards me, 'do come to
+our house at once. I simply don't know what to do.'
+
+"She spoke with great emotion, and seemed almost on the point of
+breaking into tears.
+
+"'Pray, calm yourself, my dear young lady,' I said, 'and try to tell me
+what is the trouble.'
+
+"'Oh, don't lose any time,' she said, 'do, do come at once.'
+
+"'We will lose no time' I said reassuringly, as I looked at my watch.
+'It is now seven-thirty. We will reckon the time from now, with overtime
+at time and a half. But if I am to do anything for you I must have some
+idea of what has happened.'
+
+"'The cellar boiler,' she moaned, clasping her hands together, 'the
+cellar boiler won't work!'
+
+"'Ah!' I said soothingly. 'The cellar boiler won't work. Now tell me, is
+the feed choked, miss?'
+
+"'I don't know,' she exclaimed.
+
+"'Have you tried letting off the exhaust?'
+
+"She shook her head with a doleful look.
+
+"'I don't know what it is,' she said.
+
+"But already I was hastily gathering together a few instruments,
+questioning her rapidly as I did so.
+
+"'How's your pressure gauge?' I asked. 'How's your water? Do you draw
+from the mains or are you on the high level reservoir?'
+
+"It had occurred to me at once that it might be merely a case of
+stoppage of her main feed, complicated, perhaps, with a valvular trouble
+in her exhaust. On the other hand it was clear enough that, if her feed
+was full and her gauges working, her trouble was more likely a leak
+somewhere in her piping.
+
+"But all attempts to draw from the girl any clear idea of the symptoms
+were unavailing. All she could tell me was that the cellar boiler
+wouldn't work. Beyond that her answers were mere confusion. I gathered
+enough, however, to feel sure that her main feed was still working, and
+that her top story check valve was probably in order. With that I had to
+be content.
+
+"As a young practitioner, I had as yet no motor car. Simmons, however,
+summoned me a taxi, into which I hurriedly placed the girl and my basket
+of instruments, and was soon speeding in the direction she indicated. It
+was a dark, lowering night, with flecks of rain against the windows of
+the cab, and there was something in the lateness of the hour (it was now
+after half-past eight) and the nature of my mission which gave me a
+stimulating sense of adventure. The girl directed me, as I felt sure
+she would, towards the capitalist quarter of the town. We had soon sped
+away from the brightly lighted streets and tall apartment buildings
+among which my usual practice lay, and entered the gloomy and
+dilapidated section of the city where the unhappy capitalist class
+reside. I need not remind those of you who know it that it is scarcely a
+cheerful place to find oneself in after nightfall. The thick growth of
+trees, the silent gloom of the ill-lighted houses, and the rank
+undergrowth of shrubs give it an air of desolation, not to say danger.
+It is certainly not the place that a professional man would choose to be
+abroad in after dark. The inhabitants, living, so it is said, on their
+scanty dividends and on such parts of their income as our taxation is
+still unable to reach, are not people that one would care to fall in
+with after nightfall.
+
+"Since the time of which I speak we have done much to introduce a better
+state of things. The opening of day schools of carpentry, plumbing and
+calcimining for the children of the capitalist is already producing
+results. Strange though it may seem, one of the most brilliant of our
+boiler fitters of to-day was brought up haphazard in this very quarter
+of the town and educated only by a French governess and a university
+tutor. But at the time practically nothing had been done. The place was
+infested with consumers, and there were still, so it was said, servants
+living in some of the older houses. A butler had been caught one night
+in a thick shrubbery beside one of the gloomy streets.
+
+"We alighted at one of the most sombre of the houses, and our
+taxi-driver, with evident relief, made off in the darkness.
+
+"The girl admitted us into a dark hall, where she turned on an electric
+light. 'We have light,' she said, with that peculiar touch of pride that
+one sees so often in her class, 'we have four bulbs.'
+
+"Then she called down a flight of stairs that apparently led to the
+cellar:
+
+"'Father, the plumber has come. Do come up now, dear, and rest.'
+
+"A step sounded on the stairs, and there appeared beside us one of the
+most forbidding-looking men that I have ever beheld. I don't know
+whether any of you have ever seen an Anglican Bishop. Probably not.
+Outside of the bush, they are now never seen. But at the time of which I
+speak there were a few still here and there in the purlieus of the city.
+The man before us was tall and ferocious, and his native ferocity was
+further enhanced by the heavy black beard which he wore in open defiance
+of the compulsory shaving laws. His black shovel-shaped hat and his
+black clothes lent him a singularly sinister appearance, while his legs
+were bound in tight gaiters, as if ready for an instant spring. He
+carried in his hand an enormous monkey wrench, on which his fingers were
+clasped in a restless grip.
+
+"'Can you fix the accursed thing?' he asked.
+
+"I was not accustomed to being spoken to in this way, but I was willing
+for the girl's sake to strain professional courtesy to the limit.
+
+"'I don't know,' I answered, 'but if you will have the goodness first to
+fetch me a little light supper, I shall be glad to see what I can do
+afterwards.'
+
+"My firm manner had its effect. With obvious reluctance the fellow
+served me some biscuits and some not bad champagne in the dining-room.
+
+"The girl had meantime disappeared upstairs.
+
+"'If you're ready now,' said the Bishop, 'come on down.'
+
+"We went down to the cellar. It was a huge, gloomy place, with a cement
+floor, lighted by a dim electric bulb. I could see in the corner the
+outline of a large furnace (in those days the poorer classes had still
+no central heat) and near it a tall boiler. In front of this a man was
+kneeling, evidently trying to unscrew a nut, but twisting it the wrong
+way. He was an elderly man with a grey moustache, and was dressed, in
+open defiance of the law, in a military costume or uniform.
+
+"He turned round towards us and rose from his knees.
+
+"'I'm dashed if I can make the rotten thing go round,' he said.
+
+"'It's all right, General,' said the Bishop. 'I have brought a plumber.'
+
+"For the next few minutes my professional interest absorbed all my
+faculties. I laid out my instruments upon a board, tapped the boiler
+with a small hammer, tested the feed-tube, and in a few moments had made
+what I was convinced was a correct diagnosis of the trouble.
+
+"But here I encountered the greatest professional dilemma in which I
+have ever been placed. There was nothing wrong with the boiler at all.
+It connected, as I ascertained at once by a thermo-dynamic valvular
+test, with the furnace (in fact, I could see it did), and the furnace
+quite evidently had been allowed to go out.
+
+"What was I to do? If I told them this, I broke every professional rule
+of our union. If the thing became known I should probably be disbarred
+and lose my overalls for it. It was my plain professional duty to take a
+large hammer and knock holes in the boiler with it, smash up the furnace
+pipes, start a leak of gas, and then call in three or more of my
+colleagues.
+
+"But somehow I couldn't find it in my heart to do it. The thought of the
+girl's appealing face arose before me.
+
+"'How long has this trouble been going on?' I asked sternly.
+
+"'Quite a time,' answered the Bishop. 'It began, did it not, General,
+the same day that the confounded furnace went out? The General here and
+Admiral Hay and I have been working at it for three days.'
+
+"'Well, gentlemen,' I said, 'I don't want to read you a lesson on your
+own ineptitude, and I don't suppose you would understand it if I did.
+But don't you see that the whole trouble is _because_ you let the
+furnace out? The boiler itself is all right, but you see, gents, it
+feeds off the furnace.'
+
+"'Ah,' said the Bishop in a deep melodious tone, 'it feeds off the
+furnace. Now that is most interesting. Let me repeat that; I must try to
+remember it; it feeds _off_ the furnace. Just so.'
+
+"The upshot was that in twenty minutes we had the whole thing put to
+rights. I set the General breaking up boxes and had the Bishop rake out
+the clinkers, and very soon we had the furnace going and the boiler in
+operation.
+
+"'But now tell me,' said the Bishop, 'suppose one wanted to let the
+furnace out--suppose, I mean to say, that it was summer-time, and
+suppose one rather felt that one didn't care about a furnace and yet one
+wanted one's boiler going for one's hot water, and that sort of thing,
+what would one do?'
+
+"'In that case,' I said, 'you couldn't run your heating off your
+furnace: you'd have to connect in your tubing with a gas generator.'
+
+"'Ah, there you get me rather beyond my depth,' said the Bishop.
+
+"The General shook his head. 'Bishop,' he said, 'just step upstairs a
+minute; I have an idea.'
+
+"They went up together, leaving me below. To my surprise and
+consternation, as they reached the top of the cellar stairs, I saw the
+General swing the door shut and heard a key turn in the lock. I rushed
+to the top of the stairs and tried in vain to open the door. I was
+trapped. In a moment I realized my folly in trusting myself in the hands
+of these people.
+
+"I could hear their voices in the hall, apparently in eager discussion.
+
+"'But the fellow is priceless,' the General was saying. 'We could take
+him round to all the different houses and make him fix them all. Hang
+it, Bishop, I haven't had a decent tap running for two years, and
+Admiral Hay's pantry has been flooded since last March.'
+
+"'But one couldn't compel him?'
+
+"'Certainly, why not? I'd compel him bally quick with this.'
+
+"I couldn't see what the General referred to, but had no doubt that it
+was the huge wrench that he still carried in his hand.
+
+"'We could gag the fellow,' he went on, 'take him from house to house
+and make him put everything right.'
+
+"'Ah, but afterwards?' said the Bishop.
+
+"'Afterwards,' answered the General, 'why kill him! Knock him on the
+head and bury him under the cement in the cellar. Hay and I could
+easily bury him, or for that matter I imagine one could easily use the
+furnace itself to dispose of him.'
+
+"I must confess that my blood ran cold as I listened.
+
+"'But do you think it right?' objected the Bishop. 'You will say, of
+course, that it is only killing a plumber; but yet one asks oneself
+whether it wouldn't be just a _leetle_ bit unjustifiable.'
+
+"'Nonsense,' said the General. 'You remember that last year, when Hay
+strangled the income tax collector, you yourself were very keen on it.'
+
+"'Ah, that was different,' said the Bishop, 'one felt there that there
+was an end to serve, but here----'
+
+"'Nonsense,' repeated the General, 'come along and get Hay. He'll make
+short work of him.'
+
+"I heard their retreating footsteps and then all was still.
+
+"The horror which filled my mind as I sat in the half darkness waiting
+for their return I cannot describe. My fate appeared sealed and I gave
+myself up for lost, when presently I heard a light step in the hall and
+the key turned in the lock.
+
+"The girl stood in front of me. She was trembling with emotion.
+
+"'Quick, quick, Mr. Thornton,' she said. 'I heard all that they said.
+Oh, I think it's dreadful of them, simply dreadful. Mr. Thornton, I'm
+really ashamed that Father should act that way.'
+
+"I came out into the hall still half dazed.
+
+"'They've gone over to Admiral Hay's house, there among the trees.
+That's their lantern. Please, please, don't lose a minute. Do you mind
+not having a cab? I think really you'd prefer not to wait. And look,
+won't you please take this?'--she handed me a little packet as she
+spoke--'this is a piece of pie: you always get that, don't you? and
+there's a bit of cheese with it, but please run.'
+
+"In another moment I had bounded from the door into the darkness. A wild
+rush through the darkened streets, and in twenty minutes I was safe
+back again in my own consulting-room."
+
+Thornton paused in his narrative, and at that moment one of the stewards
+of the club came and whispered something in his ear.
+
+He rose.
+
+"I'm sorry," he said, with a grave face. "I'm called away; a very old
+client of mine. Valvular trouble of the worst kind. I doubt if I can do
+anything, but I must at least go. Please don't let me break up your
+evening, however."
+
+With a courtly bow he left us.
+
+"And do you know the sequel to Thornton's story?" asked Fortescue with a
+smile.
+
+We looked expectantly at him.
+
+"Why, he married the girl," explained Fortescue. "You see, he had to go
+back to her house for his wrench. One always does."
+
+"Of course," we exclaimed.
+
+"In fact he went three times; and the last time he asked the girl to
+marry him and she said 'yes.' He took her out of her surroundings, had
+her educated at a cooking school, and had her given lessons on the
+parlour organ. She's Mrs. Thornton now."
+
+"And the Bishop?" asked some one.
+
+"Oh, Thornton looked after him. He got him a position heating furnaces
+in the synagogues. He worked at it till he died a few years ago. They
+say that once he got the trick of it he took the greatest delight in it.
+Well, I must go too. Good night."
+
+
+
+
+VII
+
+THE BLUE AND THE GREY
+
+A PRE-WAR WAR STORY
+
+(_The title is selected for its originality. A set of seventy-five maps
+will be supplied to any reader free for seventy-five cents. This offer
+is only open till it is closed_)
+
+
+
+
+_VII.--The Blue and the Grey: A Pre-War War Story._
+
+
+
+
+CHAPTER I
+
+
+The scene was a striking one. It was night. Never had the Mississippi
+presented a more remarkable appearance. Broad bayous, swollen beyond our
+powers of description, swirled to and fro in the darkness under trees
+garlanded with Spanish moss. All moss other than Spanish had been swept
+away by the angry flood of the river.
+
+Eggleston Lee Carey Randolph, a young Virginian, captain of the ----th
+company of the ----th regiment of ----'s brigade--even this is more than
+we ought to say, and is hard to pronounce--attached to the Army of the
+Tennessee, struggled in vain with the swollen waters. At times he sank.
+At other times he went up.
+
+In the intervals he wondered whether it would ever be possible for him
+to rejoin the particular platoon of the particular regiment to which he
+belonged, and of which's whereabouts (not having the volume of the army
+record at hand) he was in ignorance. In the intervals, also, he
+reflected on his past life to a sufficient extent to give the reader a
+more or less workable idea as to who and to what he was. His father, the
+old grey-haired Virginian aristocrat, he could see him still. "Take this
+sword, Eggleston," he had said, "use it for the State; never for
+anything else: don't cut string with it or open tin cans. Never sheathe
+it till the soil of Virginia is free. Keep it bright, my boy: oil it
+every now and then, and you'll find it an A 1 sword."
+
+Did Eggleston think, too, in his dire peril of another--younger than his
+father and fairer? Necessarily, he did. "Go, Eggleston!" she had
+exclaimed, as they said farewell under the portico of his father's house
+where she was visiting, "it is your duty. But mine lies elsewhere. I
+cannot forget that I am a Northern girl. I must return at once to my
+people in Pennsylvania. Oh, Egg, when will this cruel war end?"
+
+So had the lovers parted.
+
+Meanwhile--while Eggleston is going up and down for the third time,
+which is of course the last--suppose we leave him, and turn to consider
+the general position of the Confederacy. All right: suppose we do.
+
+
+
+
+CHAPTER II
+
+
+At this date the Confederate Army of the Tennessee was extended in a
+line with its right resting on the Tennessee and its left resting on the
+Mississippi. Its rear rested on the rugged stone hills of the Chickasaba
+range, while its front rested on the marshes and bayous of the Yazoo.
+Having thus--as far as we understand military matters--both its flanks
+covered and its rear protected, its position was one which we ourselves
+consider very comfortable.
+
+It was thus in an admirable situation for holding a review or for
+discussing the Constitution of the United States in reference to the
+right of secession.
+
+The following generals rode up and down in front of the army, namely,
+Mr. A. P. Hill, Mr. Longstreet, and Mr. Joseph Johnston. All these three
+celebrated men are thus presented to our readers at one and the same
+time without extra charge.
+
+But who is this tall, commanding figure who rides beside them, his head
+bent as if listening to what they are saying (he really isn't) while his
+eye alternately flashes with animation or softens to its natural
+melancholy? (In fact, we can only compare it to an electric light bulb
+with the power gone wrong.) Who is it? It is Jefferson C. Davis,
+President, as our readers will be gratified to learn, of the Confederate
+States.
+
+It being a fine day and altogether suitable for the purpose, General
+Longstreet reined in his prancing black charger (during this distressed
+period all the horses in both armies were charged: there was no other
+way to pay for them), and in a few terse words, about three pages, gave
+his views on the Constitution of the United States.
+
+Jefferson Davis, standing up in his stirrups, delivered a stirring
+harangue, about six columns, on the powers of the Supreme Court,
+admirably calculated to rouse the soldiers to frenzy. After which
+General A. P. Hill offered a short address, soldier-like and to the
+point, on the fundamental principles of international law, which
+inflamed the army to the highest pitch.
+
+At this moment an officer approached the President, saluted and stood
+rigidly at attention. Davis, with that nice punctilio which marked the
+Southern army, returned the salute.
+
+"Do you speak first?" he said, "or did I?"
+
+"Let me," said the officer. "Your Excellency," he continued, "a young
+Virginian officer has just been fished out of the Mississippi."
+
+Davis's eye flashed. "Good!" he said. "Look and see if there are many
+more," and then he added with a touch of melancholy, "The South needs
+them: fish them all out. Bring this one here."
+
+Eggleston Lee Carey Randolph, still dripping from the waters of the
+bayou, was led by the faithful negroes who had rescued him before the
+generals. Davis, who kept every thread of the vast panorama of the war
+in his intricate brain, eyed him keenly and directed a few searching
+questions to him, such as: "Who are you? Where are you? What day of the
+week is it? How much is nine times twelve?" and so forth. Satisfied with
+Eggleston's answers, Davis sat in thought a moment, and then continued:
+
+"I am anxious to send some one through the entire line of the
+Confederate armies in such a way that he will be present at all the
+great battles and end up at the battle of Gettysburg. Can you do it?"
+
+Randolph looked at his chief with a flush of pride.
+
+"I can."
+
+"Good!" resumed Davis. "To accomplish this task you must carry
+despatches. What they will be about I have not yet decided. But it is
+customary in such cases to write them so that they are calculated, if
+lost, to endanger the entire Confederate cause. The main thing is, can
+you carry them?"
+
+"Sir," said Eggleston, raising his hand in a military salute, "I am a
+Randolph."
+
+Davis with soldierly dignity removed his hat. "I am proud to hear it,
+Captain Randolph," he said.
+
+"And a Carey," continued our hero.
+
+Davis, with a graciousness all his own, took off his gloves. "I trust
+you, _Major_ Randolph," he said.
+
+"And I am a Lee," added Eggleston quickly.
+
+Davis with a courtly bow unbuttoned his jacket. "It is enough," he said.
+"I trust you. You shall carry the despatches. You are to carry them on
+your person and, as of course you understand, you are to keep on losing
+them. You are to drop them into rivers, hide them in old trees, bury
+them under moss, talk about them in your sleep. In fact, sir," said
+Davis, with a slight gesture of impatience--it was his _one_
+fault--"you must act towards them as any bearer of Confederate
+despatches is expected to act. The point is, can you do it, or can't
+you?"
+
+"Sir," said Randolph, saluting again with simple dignity, "I come from
+Virginia."
+
+"Pardon me," said the President, saluting with both hands, "I had
+forgotten it."
+
+
+
+
+CHAPTER III
+
+
+Randolph set out that night, mounted upon the fastest horse, in fact the
+fleetest, that the Confederate Army could supply. He was attended only
+by a dozen faithful negroes, all devoted to his person.
+
+Riding over the Tennessee mountains by paths known absolutely to no one
+and never advertised, he crossed the Tombigbee, the Tahoochie and the
+Tallahassee, all frightfully swollen, and arrived at the headquarters of
+General Braxton Bragg.
+
+At this moment Bragg was extended over some seven miles of bush and
+dense swamp. His front rested on the marshes of the Tahoochie River,
+while his rear was doubled sharply back and rested on a dense growth of
+cactus plants. Our readers can thus form a fairly accurate idea of
+Bragg's position. Over against him, not more than fifty miles to the
+north, his indomitable opponent, Grant, lay in a frog-swamp. The space
+between them was filled with Union and Confederate pickets,
+fraternizing, joking, roasting corn, and firing an occasional shot at
+one another.
+
+One glance at Randolph's despatches was enough.
+
+"Take them at once to General Hood," said Bragg.
+
+"Where is he?" asked Eggleston, with military precision.
+
+Bragg waved his sword towards the east. It was characteristic of the man
+that even on active service he carried a short sword, while a pistol,
+probably loaded, protruded from his belt. But such was Bragg. Anyway, he
+waved his sword. "Over there beyond the Tahoochicaba range," he said.
+"Do you know it?"
+
+"No," said Randolph, "but I can find it."
+
+"Do," said Bragg, and added, "One thing more. On your present mission
+let nothing stop you. Go forward at all costs. If you come to a river,
+swim it. If you come to a tree, cut it down. If you strike a fence,
+climb over it. But don't stop! If you are killed, never mind. Do you
+understand?"
+
+"Almost," said Eggleston.
+
+Two days later Eggleston reached the headquarters of General Hood, and
+flung himself, rather than dismounted, from his jaded horse.
+
+"Take me to the General!" he gasped.
+
+They pointed to the log cabin in which General Hood was quartered.
+
+Eggleston flung himself, rather than stepped, through the door.
+
+Hood looked up from the table.
+
+"Who was that flung himself in?" he asked.
+
+Randolph reached out his hand. "Despatches!" he gasped. "Food, whisky!"
+
+"Poor lad," said the General, "you are exhausted. When did you last have
+food?"
+
+"Yesterday morning," gasped Eggleston.
+
+"You're lucky," said Hood bitterly. "And when did you last have a
+drink?"
+
+"Two weeks ago," answered Randolph.
+
+"Great Heaven!" said Hood, starting up. "Is it possible? Here, quick,
+drink it!"
+
+He reached out a bottle of whisky. Randolph drained it to the last drop.
+
+"Now, General," he said, "I am at your service."
+
+Meanwhile Hood had cast his eye over the despatches.
+
+"Major Randolph," he said, "you have seen General Bragg?"
+
+"I have."
+
+"And Generals Johnston and Smith?"
+
+"Yes."
+
+"You have been through Mississippi and Tennessee and seen all the
+battles there?"
+
+"I have," said Randolph.
+
+"Then," said Hood, "there is nothing left except to send you at once to
+the army in Virginia under General Lee. Remount your horse at once and
+ride to Gettysburg. Lose no time."
+
+
+
+
+CHAPTER IV
+
+
+It was at Gettysburg in Pennsylvania that Randolph found General Lee.
+
+The famous field is too well known to need description. The armies of
+the North and the South lay in and around the peaceful village of
+Gettysburg. About it the yellow cornfields basked in the summer sun. The
+voices of the teachers and the laughter of merry children rose in the
+harvest-fields. But already the shadow of war was falling over the
+landscape. As soon as the armies arrived, the shrewder of the farmers
+suspected that there would be trouble.
+
+General Lee was seated gravely on his horse, looking gravely over the
+ground before him.
+
+"Major Randolph," said the Confederate chieftain gravely, "you are just
+in time. We are about to go into action. I need your advice."
+
+Randolph bowed. "Ask me anything you like," he said.
+
+"Do you like the way I have the army placed?" asked Lee.
+
+Our hero directed a searching look over the field. "Frankly, I don't,"
+he said.
+
+"What's the matter with it?" questioned Lee eagerly. "I felt there was
+something wrong myself. What is it?"
+
+"Your left," said Randolph, "is too far advanced. It sticks out."
+
+"By Heaven!" said Lee, turning to General Longstreet, "the boy is right!
+Is there anything else?"
+
+"Yes," said Randolph, "your right is crooked. It is all sideways."
+
+"It is. It is!" said Lee, striking his forehead. "I never noticed it.
+I'll have it straightened at once. Major Randolph, if the Confederate
+cause is saved, you, and you alone, have saved it."
+
+"One thing more," said Randolph. "Is your artillery loaded?"
+
+"Major Randolph," said Lee, speaking very gravely, "you have saved us
+again. I never thought of it."
+
+At this moment a bullet sang past Eggleston's ear. He smiled.
+
+"The battle has begun," he murmured. Another bullet buzzed past his
+other ear. He laughed softly to himself. A shell burst close to his
+feet. He broke into uncontrolled laughter. This kind of thing always
+amused him. Then, turning grave in a moment, "Put General Lee under
+cover," he said to those about him, "spread something over him."
+
+In a few moments the battle was raging in all directions. The
+Confederate Army was nominally controlled by General Lee, but in reality
+by our hero. Eggleston was everywhere. Horses were shot under him. Mules
+were shot around him and behind him. Shells exploded all over him; but
+with undaunted courage he continued to wave his sword in all directions,
+riding wherever the fight was hottest.
+
+The battle raged for three days.
+
+On the third day of the conflict, Randolph, his coat shot to rags, his
+hat pierced, his trousers practically useless, still stood at Lee's
+side, urging and encouraging him.
+
+Mounted on his charger, he flew to and fro in all parts of the field,
+moving the artillery, leading the cavalry, animating and directing the
+infantry. In fact, he was the whole battle.
+
+But his efforts were in vain.
+
+He turned sadly to General Lee. "It is bootless," he said.
+
+"What is?" asked Lee.
+
+"The army," said Randolph. "We must withdraw it."
+
+"Major Randolph," said the Confederate chief, "I yield to your superior
+knowledge. We must retreat."
+
+A few hours later the Confederate forces, checked but not beaten, were
+retiring southward towards Virginia.
+
+Eggleston, his head sunk in thought, rode in the rear.
+
+As he thus slowly neared a farmhouse, a woman--a girl--flew from it
+towards him with outstretched arms.
+
+"Eggleston!" she cried.
+
+Randolph flung himself from his horse. "Leonora!" he gasped. "You here!
+In all this danger! How comes it? What brings you here?"
+
+"We live here," she said. "This is Pa's house. This is our farm.
+Gettysburg is our home. Oh, Egg, it has been dreadful, the noise of the
+battle! We couldn't sleep for it. Pa's all upset about it. But come in.
+Do come in. Dinner's nearly ready."
+
+Eggleston gazed a moment at the retreating army. Duty and affection
+struggled in his heart.
+
+"I will," he said.
+
+
+
+
+CHAPTER V
+
+CONCLUSION
+
+
+The strife is done. The conflict has ceased. The wounds are healed.
+North and South are one. East and West are even less. The Civil War is
+over. Lee is dead. Grant is buried in New York. The Union Pacific runs
+from Omaha to San Francisco. There is total prohibition in the United
+States. The output of dressed beef last year broke all records.
+
+And Eggleston Lee Carey Randolph survives, hale and hearty, bright and
+cheery, free and easy--and so forth. There is grey hair upon his temples
+(some, not much), and his step has lost something of its elasticity (not
+a great deal), and his form is somewhat bowed (though not really
+crooked).
+
+But he still lives there in the farmstead at Gettysburg, and Leonora,
+now, like himself, an old woman, is still at his side.
+
+You may see him any day. In fact, he is the old man who shows you over
+the battlefield for fifty cents and explains how he himself fought and
+won the great battle.
+
+
+
+
+VIII
+
+BUGGAM GRANGE
+
+A GOOD OLD GHOST STORY
+
+
+
+
+_VIII.--Buggam Grange: A Good Old Ghost Story._
+
+
+The evening was already falling as the vehicle in which I was contained
+entered upon the long and gloomy avenue that leads to Buggam Grange.
+
+A resounding shriek echoed through the wood as I entered the avenue. I
+paid no attention to it at the moment, judging it to be merely one of
+those resounding shrieks which one might expect to hear in such a place
+at such a time. As my drive continued, however I found myself wondering
+in spite of myself why such a shriek should have been uttered at the
+very moment of my approach.
+
+I am not by temperament in any degree a nervous man, and yet there was
+much in my surroundings to justify a certain feeling of apprehension.
+The Grange is situated in the loneliest part of England, the marsh
+country of the fens to which civilization has still hardly penetrated.
+The inhabitants, of whom there are only one and a half to the square
+mile, live here and there among the fens and eke out a miserable
+existence by frog-fishing and catching flies. They speak a dialect so
+broken as to be practically unintelligible, while the perpetual rain
+which falls upon them renders speech itself almost superfluous.
+
+Here and there where the ground rises slightly above the level of the
+fens there are dense woods tangled with parasitic creepers and filled
+with owls. Bats fly from wood to wood. The air on the lower ground is
+charged with the poisonous gases which exude from the marsh, while in
+the woods it is heavy with the dank odours of deadly nightshade and
+poison ivy.
+
+It had been raining in the afternoon, and as I drove up the avenue the
+mournful dripping of the rain from the dark trees accentuated the
+cheerlessness of the gloom. The vehicle in which I rode was a fly on
+three wheels, the fourth having apparently been broken and taken off,
+causing the fly to sag on one side and drag on its axle over the muddy
+ground, the fly thus moving only at a foot's pace in a way calculated to
+enhance the dreariness of the occasion. The driver on the box in front
+of me was so thickly muffled up as to be indistinguishable, while the
+horse which drew us was so thickly coated with mist as to be practically
+invisible. Seldom, I may say, have I had a drive of so mournful a
+character.
+
+The avenue presently opened out upon a lawn with overgrown shrubberies,
+and in the half darkness I could see the outline of the Grange itself, a
+rambling, dilapidated building. A dim light struggled through the
+casement of a window in a tower room. Save for the melancholy cry of a
+row of owls sitting on the roof, and croaking of the frogs in the moat
+which ran around the grounds, the place was soundless. My driver halted
+his horse at the hither side of the moat. I tried in vain to urge him,
+by signs, to go further. I could see by the fellow's face that he was
+in a paroxysm of fear, and indeed nothing but the extra sixpence which I
+had added to his fare would have made him undertake the drive up the
+avenue. I had no sooner alighted than he wheeled his cab about and made
+off.
+
+Laughing heartily at the fellow's trepidation (I have a way of laughing
+heartily in the dark), I made my way to the door and pulled the
+bell-handle. I could hear the muffled reverberations of the bell far
+within the building. Then all was silent. I bent my ear to listen, but
+could hear nothing except, perhaps, the sound of a low moaning as of a
+person in pain or in great mental distress. Convinced, however, from
+what my friend Sir Jeremy Buggam had told me, that the Grange was not
+empty, I raised the ponderous knocker and beat with it loudly against
+the door.
+
+But perhaps at this point I may do well to explain to my readers (before
+they are too frightened to listen to me) how I came to be beating on the
+door of Buggam Grange at nightfall on a gloomy November evening.
+
+A year before I had been sitting with Sir Jeremy Buggam, the present
+baronet, on the verandah of his ranch in California.
+
+"So you don't believe in the supernatural?" he was saying.
+
+"Not in the slightest," I answered, lighting a cigar as I spoke. When I
+want to speak very positively, I generally light a cigar as I speak.
+
+"Well, at any rate, Digby," said Sir Jeremy, "Buggam Grange is haunted.
+If you want to be assured of it go down there any time and spend the
+night and you'll see for yourself."
+
+"My dear fellow," I replied, "nothing will give me greater pleasure. I
+shall be back in England in six weeks, and I shall be delighted to put
+your ideas to the test. Now tell me," I added somewhat cynically, "is
+there any particular season or day when your Grange is supposed to be
+specially terrible?"
+
+Sir Jeremy looked at me strangely. "Why do you ask that?" he said. "Have
+you heard the story of the Grange?"
+
+"Never heard of the place in my life," I answered cheerily. "Till you
+mentioned it to-night, my dear fellow, I hadn't the remotest idea that
+you still owned property in England."
+
+"The Grange is shut up," said Sir Jeremy, "and has been for twenty
+years. But I keep a man there--Horrod--he was butler in my father's time
+and before. If you care to go, I'll write him that you're coming. And,
+since you are taking your own fate in your hands, the fifteenth of
+November is the day."
+
+At that moment Lady Buggam and Clara and the other girls came trooping
+out on the verandah, and the whole thing passed clean out of my mind.
+Nor did I think of it again until I was back in London. Then, by one of
+those strange coincidences or premonitions--call it what you will--it
+suddenly occurred to me one morning that it was the fifteenth of
+November. Whether Sir Jeremy had written to Horrod or not, I did not
+know. But none the less nightfall found me, as I have described,
+knocking at the door of Buggam Grange.
+
+The sound of the knocker had scarcely ceased to echo when I heard the
+shuffling of feet within, and the sound of chains and bolts being
+withdrawn. The door opened. A man stood before me holding a lighted
+candle which he shaded with his hand. His faded black clothes, once
+apparently a butler's dress, his white hair and advanced age left me in
+no doubt that he was Horrod of whom Sir Jeremy had spoken.
+
+Without a word he motioned me to come in, and, still without speech, he
+helped me to remove my wet outer garments, and then beckoned me into a
+great room, evidently the dining-room of the Grange.
+
+I am not in any degree a nervous man by temperament, as I think I
+remarked before, and yet there was something in the vastness of the
+wainscoted room, lighted only by a single candle, and in the silence of
+the empty house, and still more in the appearance of my speechless
+attendant, which gave me a feeling of distinct uneasiness. As Horrod
+moved to and fro I took occasion to scrutinize his face more narrowly. I
+have seldom seen features more calculated to inspire a nervous dread.
+The pallor of his face and the whiteness of his hair (the man was at
+least seventy), and still more the peculiar furtiveness of his eyes,
+seemed to mark him as one who lived under a great terror. He moved with
+a noiseless step and at times he turned his head to glance in the dark
+corners of the room.
+
+"Sir Jeremy told me," I said, speaking as loudly and as heartily as I
+could, "that he would apprise you of my coming."
+
+I was looking into his face as I spoke.
+
+In answer Horrod laid his finger across his lips and I knew that he was
+deaf and dumb. I am not nervous (I think I said that), but the
+realization that my sole companion in the empty house was a deaf mute
+struck a cold chill to my heart.
+
+Horrod laid in front of me a cold meat pie, a cold goose, a cheese, and
+a tall flagon of cider. But my appetite was gone. I ate the goose, but
+found that after I had finished the pie I had but little zest for the
+cheese, which I finished without enjoyment. The cider had a sour taste,
+and after having permitted Horrod to refill the flagon twice I found
+that it induced a sense of melancholy and decided to drink no more.
+
+My meal finished, the butler picked up the candle and beckoned me to
+follow him. We passed through the empty corridors of the house, a long
+line of pictured Buggams looking upon us as we passed, their portraits
+in the flickering light of the taper assuming a strange and life-like
+appearance, as if leaning forward from their frames to gaze upon the
+intruder.
+
+Horrod led me upstairs and I realized that he was taking me to the tower
+in the east wing, in which I had observed a light.
+
+The rooms to which the butler conducted me consisted of a sitting-room
+with an adjoining bedroom, both of them fitted with antique wainscoting
+against which a faded tapestry fluttered. There was a candle burning on
+the table in the sitting-room, but its insufficient light only rendered
+the surroundings the more dismal. Horrod bent down in front of the
+fireplace and endeavoured to light a fire there. But the wood was
+evidently damp and the fire flickered feebly on the hearth.
+
+The butler left me, and in the stillness of the house I could hear his
+shuffling step echo down the corridor. It may have been fancy, but it
+seemed to me that his departure was the signal for a low moan that came
+from somewhere behind the wainscot. There was a narrow cupboard door at
+one side of the room, and for the moment I wondered whether the moaning
+came from within. I am not as a rule lacking in courage (I am sure my
+reader will be decent enough to believe this), yet I found myself
+entirely unwilling to open the cupboard door and look within. In place
+of doing so I seated myself in a great chair in front of the feeble
+fire. I must have been seated there for some time when I happened to
+lift my eyes to the mantel above and saw, standing upon it, a letter
+addressed to myself. I knew the handwriting at once to be that of Sir
+Jeremy Buggam.
+
+I opened it, and spreading it out within reach of the feeble
+candlelight, I read as follows:
+
+
+ "My dear Digby,
+
+ "In our talk that you will remember, I had no time to finish
+ telling you about the mystery of Buggam Grange. I take for granted,
+ however, that you will go there and that Horrod will put you in the
+ tower rooms, which are the only ones that make any pretence of
+ being habitable. I have, therefore, sent him this letter to deliver
+ at the Grange itself.
+
+ "The story is this:
+
+ "On the night of the fifteenth of November, fifty years ago, my
+ grandfather was murdered in the room in which you are sitting, by
+ his cousin, Sir Duggam Buggam. He was stabbed from behind while
+ seated at the little table at which you are probably reading this
+ letter. The two had been playing cards at the table and my
+ grandfather's body was found lying in a litter of cards and gold
+ sovereigns on the floor. Sir Duggam Buggam, insensible from drink,
+ lay beside him, the fatal knife at his hand, his fingers smeared
+ with blood. My grandfather, though of the younger branch,
+ possessed a part of the estates which were to revert to Sir Duggam
+ on his death. Sir Duggam Buggam was tried at the Assizes and was
+ hanged. On the day of his execution he was permitted by the
+ authorities, out of respect for his rank, to wear a mask to the
+ scaffold. The clothes in which he was executed are hanging at full
+ length in the little cupboard to your right, and the mask is above
+ them. It is said that on every fifteenth of November at midnight
+ the cupboard door opens and Sir Duggam Buggam walks out into the
+ room. It has been found impossible to get servants to remain at the
+ Grange, and the place--except for the presence of Horrod--has been
+ unoccupied for a generation. At the time of the murder Horrod was a
+ young man of twenty-two, newly entered into the service of the
+ family. It was he who entered the room and discovered the crime. On
+ the day of the execution he was stricken with paralysis and has
+ never spoken since. From that time to this he has never consented
+ to leave the Grange, where he lives in isolation.
+
+ "Wishing you a pleasant night after your tiring journey,
+
+ "I remain,
+
+ "Very faithfully,
+
+ "Jeremy Buggam."
+
+
+I leave my reader to imagine my state of mind when I completed the
+perusal of the letter.
+
+I have as little belief in the supernatural as anyone, yet I must
+confess that there was something in the surroundings in which I now
+found myself which rendered me at least uncomfortable. My reader may
+smile if he will, but I assure him that it was with a very distinct
+feeling of uneasiness that I at length managed to rise to my feet, and,
+grasping my candle in my hand, to move backward into the bedroom. As I
+backed into it something so like a moan seemed to proceed from the
+closed cupboard that I accelerated my backward movement to a
+considerable degree. I hastily blew out the candle, threw myself upon
+the bed and drew the bedclothes over my head, keeping, however, one eye
+and one ear still out and available.
+
+How long I lay thus listening to every sound, I cannot tell. The
+stillness had become absolute. From time to time I could dimly hear the
+distant cry of an owl, and once far away in the building below a sound
+as of some one dragging a chain along a floor. More than once I was
+certain that I heard the sound of moaning behind the wainscot. Meantime
+I realized that the hour must now be drawing close upon the fatal moment
+of midnight. My watch I could not see in the darkness, but by reckoning
+the time that must have elapsed I knew that midnight could not be far
+away. Then presently my ear, alert to every sound, could just
+distinguish far away across the fens the striking of a church bell, in
+the clock tower of Buggam village church, no doubt, tolling the hour of
+twelve.
+
+On the last stroke of twelve, the cupboard door in the next room opened.
+There is no need to ask me how I knew it. I couldn't, of course, see it,
+but I could hear, or sense in some way, the sound of it. I could feel
+my hair, all of it, rising upon my head. I was aware that there was a
+_presence_ in the adjoining room, I will not say a person, a living
+soul, but a _presence_. Anyone who has been in the next room to a
+presence will know just how I felt. I could hear a sound as of some one
+groping on the floor and the faint rattle as of coins.
+
+My hair was now perpendicular. My reader can blame it or not, but it
+was.
+
+Then at this very moment from somewhere below in the building there came
+the sound of a prolonged and piercing cry, a cry as of a soul passing in
+agony. My reader may censure me or not, but right at this moment I
+decided to beat it. Whether I should have remained to see what was
+happening is a question that I will not discuss. My one idea was to get
+out, and to get out quickly. The window of the tower room was some
+twenty-five feet above the ground. I sprang out through the casement in
+one leap and landed on the grass below. I jumped over the shrubbery in
+one bound and cleared the moat in one jump. I went down the avenue in
+about six strides and ran five miles along the road through the fens in
+three minutes. This at least is an accurate transcription of my
+sensations. It may have taken longer. I never stopped till I found
+myself on the threshold of the _Buggam Arms_ in Little Buggam, beating
+on the door for the landlord.
+
+I returned to Buggam Grange on the next day in the bright sunlight of a
+frosty November morning, in a seven-cylinder motor car with six local
+constables and a physician. It makes all the difference. We carried
+revolvers, spades, pickaxes, shotguns and an ouija board.
+
+What we found cleared up for ever the mystery of the Grange. We
+discovered Horrod the butler lying on the dining-room floor quite dead.
+The physician said that he had died from heart failure. There was
+evidence from the marks of his shoes in the dust that he had come in the
+night to the tower room. On the table he had placed a paper which
+contained a full confession of his having murdered Jeremy Buggam fifty
+years before. The circumstances of the murder had rendered it easy for
+him to fasten the crime upon Sir Duggam, already insensible from drink.
+A few minutes with the ouija board enabled us to get a full
+corroboration from Sir Duggam. He promised, moreover, now that his name
+was cleared, to go away from the premises for ever.
+
+My friend, the present Sir Jeremy, has rehabilitated Buggam Grange. The
+place is rebuilt. The moat is drained. The whole house is lit with
+electricity. There are beautiful motor drives in all directions in the
+woods. He has had the bats shot and the owls stuffed. His daughter,
+Clara Buggam, became my wife. She is looking over my shoulder as I
+write. What more do you want?
+
+
+THE END
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+LITERARY LAPSES
+
+_Twelfth Edition. Crown 8vo. 5s. net_
+
+
+ _Spectator._--"This little book is a happy example of the way in
+ which the double life can be lived blamelessly and to the great
+ advantage of the community. The book fairly entitles Mr. Leacock to
+ be considered not only a humorist but a benefactor. The contents
+ should appeal to English readers with the double virtue that
+ attaches to work which is at once new and richly humorous."
+
+ _Globe._--"One specimen of Mr. Leacock's humour, 'Boarding-House
+ Geometry,' has long been treasured on this side."
+
+ _The Guardian._--"Much to be welcomed is Professor Stephen Leacock's
+ 'Literary Lapses,'--this charming and humorous work. All the
+ sketches have a freshness and a new personal touch. Mr. Leacock is,
+ as the politicians say, 'a national asset,' and Mr. Leacock is a
+ Canadian to be proud of. One has the comfortable feeling as one
+ reads that one is in the company of a cultured person capable of
+ attractive varieties of foolishness."
+
+ _Pall Mall Gazette._--"The appearance of 'Literary Lapses' is
+ practically the English début of a young Canadian writer who is
+ turning from medicine to literature with every success. Dr. Stephen
+ Leacock is at least the equal of many who are likely to be long
+ remembered for their short comic sketches and essays; he has
+ already shown that he has the high spirits of 'Max Adeler' and the
+ fine sense of quick fun. There are many sketches in 'Literary
+ Lapses' that are worthy of comparison with the best American
+ humour."
+
+ _Morning Post._--"The close connection between imagination, humour,
+ and the mathematical faculty has never been so delightfully
+ demonstrated."
+
+ _Outlook._--"Mr. John Lane must be credited with the desire of
+ associating the Bodley Head with the discovery of new humorists.
+ Mr. Leacock sets out to make people laugh. He succeeds and makes
+ them laugh at the right thing. He has a wide range of new subjects;
+ the world will gain in cheerfulness if Mr. Leacock continues to
+ produce so many excellent jests to the book as there are in the one
+ under notice."
+
+ _Truth._--"By the publication of Mr. Stephen Leacock's 'Literary
+ Lapses' Mr. John Lane has introduced to the British Public a new
+ American humorist for whom a widespread popularity can be
+ confidently predicted."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+NONSENSE NOVELS
+
+_THIRTEENTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ _Spectator._--"We can assure our readers who delight in mere joyous
+ desipience that they will find a rich harvest of laughter in the
+ purely irresponsible outpourings of Professor Leacock's fancy."
+
+ _Pall Mall Gazette._--"It is all not only healthy satire, but
+ healthy humour as well, and shows that the author of 'Literary
+ Lapses' is capable of producing a steady flow of high spirits put
+ into a form which is equal to the best traditions of contemporary
+ humour. Mr. Leacock certainly bids fair to rival the immortal
+ 'Lewis Carroll' in combining the irreconcilable--exact science with
+ perfect humour--and making the amusement better the instruction."
+
+ _Daily Mail._--"In his 'Literary Lapses' Mr. Stephen Leacock gave
+ the laughter-loving world assurance of a new humorist of
+ irresistible high spirits and rare spontaneity and freshness. By
+ this rollicking collection of 'Nonsense Novels,' in tabloid form,
+ he not only confirms the excellent impression of his earlier work,
+ but establishes his reputation as a master of the art of literary
+ burlesque. The whole collection is a sheer delight, and places its
+ author in the front rank as a literary humorist."
+
+ Mr. JAMES DOUGLAS in _The Star_.--"We have all laughed
+ over Mr. Stephen Leacock's 'Literary Lapses.' It is one of those
+ books one would die rather than lend, for to lend it is to lose it
+ for ever. Mr. Leacock's new book, 'Nonsense Novels,' is more
+ humorous than 'Literary Lapses.' That is to say, it is the most
+ humorous book we have had since Mr. Dooley swum into our ken. Its
+ humour is so rich that it places Mr. Leacock beside Mark Twain."
+
+ _Morning Leader._--"Mr. Leacock possesses infinite verbal
+ dexterity.... Mr. Leacock must be added as a recognized humorist."
+
+ _Daily Express._--"Mr. Stephen Leacock's 'Nonsense Novels' is the
+ best collection of parodies I have read for many a day. The whole
+ book is a scream, witty, ingenious, irresistible."
+
+ _Public Opinion._--"A most entertaining book."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+SUNSHINE SKETCHES OF A LITTLE TOWN
+
+WITH A FRONTISPIECE BY CYRUS CUNEO
+
+_Ninth Edition. Crown 8vo. 5s. net_
+
+
+ _The Times._--"His real hard work, for which no emolument would be
+ a fitting reward, is distilling sunshine. This new book is full of
+ it--the sunshine of humour, the thin keen sunshine of irony, the
+ mellow evening sunshine of sentiment."
+
+ _Spectator._--"This is not the first but the third volume in which
+ he has contributed to the gaiety of the Old as well as the New
+ World.... A most welcome freedom from the pessimism of Old-World
+ fiction."
+
+ _Academy._--"One of the best and most enjoyable series of sketches
+ that we have read for some time ... they are all bright and
+ sparkling, and bristle with wit and humour."
+
+ _Pall Mall Gazette._--"Like all real humorists Mr. Leacock steps at
+ once into his proper position.... His touch of humour will make the
+ Anglo-Saxon world his reader.... We cannot recall a more laughable
+ book."
+
+ _Globe._--"Professor Leacock never fails to provide a feast of
+ enjoyment.... No one who wishes to dispose intellectually of a few
+ hours should neglect Professor Leacock's admirable contribution to
+ English literature. It is warranted to bring sunshine into every
+ home."
+
+ _Country Life._--"Informed by a droll humour, quite unforced, Mr.
+ Leacock reviews his little community for the sport of the thing,
+ and the result is a natural and delightful piece of work."
+
+ _Daily Telegraph._--"His Sketches are so fresh and delightful in
+ the manner of their presentation.... Allowing for differences of
+ theme, and of the human materials for study, Mr. Leacock strikes us
+ as a sort of Americanised Mr. W. W. Jacobs. Like the English
+ humorist, the Canadian one has a delightfully fresh and amusing way
+ of putting things, of suggesting more than he says, of narrating
+ more or less ordinary happenings in an irresistibly comical
+ fashion.... Mr. Leacock should be popular with readers who can
+ appreciate fun shot with kindly satire."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+BEHIND THE BEYOND
+
+AND OTHER CONTRIBUTIONS TO HUMAN KNOWLEDGE. With 16 Illustrations by
+A. H. FISH.
+
+_Fifth Edition. Crown 8vo. 5s. net_
+
+
+ _Punch._--"In his latest book, 'Behind the Beyond,' he is in
+ brilliant scoring form. I can see 'Behind the Beyond' breaking up
+ many homes; for no family will be able to stand the sudden sharp
+ yelps of laughter which must infallibly punctuate the decent
+ after-dinner silence when one of its members gets hold of this
+ book. It is Mr. Leacock's peculiar gift that he makes you laugh out
+ loud. When Mr. Leacock's literal translation of Homer, on p. 193,
+ met my eye, a howl of mirth broke from me. I also forgot myself
+ over the interview with the photographer. As for the sketch which
+ gives its title, to the book, it is the last word in polished
+ satire. The present volume is Mr. Leacock at his best."
+
+ _Spectator._--"Beneficent contributions to the gaiety of nations.
+ The longest and best thing in the book is the delightful burlesque
+ of a modern problem play. Miss Fish's illustrations are decidedly
+ clever."
+
+ _Observer._--"There are delicious touches in it."
+
+ _Queen._--"All through the book the author furnishes a continual
+ feast of enjoyment."
+
+ _Dundee Advertiser._--"'Behind the Beyond' is a brilliant parody,
+ and the other sketches are all of Mr. Leacock's very best, 'Homer
+ and Humbug' being as fine a piece of raillery as Mr. Leacock has
+ written. Mr. Leacock is a humorist of the first rank, unique in his
+ own sphere, and this volume will add yet more to his reputation."
+
+ _Aberdeen Free Press._--"Exquisite quality ... amazingly funny."
+
+ _Yorkshire Daily Post._--"In the skit on the problem play which
+ gives the book its title the author reaches his high-water mark."
+
+ _Glasgow Herald._--"Another welcome addition to the gaiety of the
+ nations. The title-piece is an inimitably clever skit. It is both
+ genial and realistic, and there is a genuine laugh in every line of
+ it. Humour and artistry are finely blended in the drawings."
+
+ _Daily Express._--"The pictures have genuine and rare distinction."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+ARCADIAN ADVENTURES WITH THE IDLE RICH
+
+_FOURTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ _Spectator._--"A blend of delicious fooling and excellent satire.
+ Once more the author of 'Literary Lapses' has proved himself a
+ benefactor of his kind."
+
+ _Morning Post._--"All the 'Adventures' are full of the fuel of the
+ laughter which is an intellectual thing."
+
+ _Pall Mall Gazette._--"Professor Leacock shows no falling off
+ either in his fund of social observation or his power of turning it
+ to sarcasm and humour. The book is full to the brim with honest
+ laughter and clever ideas."
+
+ _Bystander._--"It is necessary to laugh, now even more necessary
+ than at ordinary times. Fortunately, Professor Leacock produces a
+ new book at the right moment. It will cause many chuckles. He is
+ simply irresistible."
+
+ _Westminster Gazette._--"Marks a distinct advance in Mr. Leacock's
+ artistic development."
+
+ _Daily Chronicle._--"This altogether delightful and brilliant
+ comedy of life.... Mr. Leacock's humour comes from the very depths
+ of a strong personality, and in the midst of a thousand
+ whimsicalities, a thousand searchlights on the puerilities of human
+ nature he never loses touch with the essential bite of life."
+
+ _Saturday Review._--"Professor Leacock is a delightful writer of
+ irresponsible nonsense with a fresh and original touch. These
+ 'Arcadian Adventures' are things of sheer delight."
+
+ _Tatler._--"I have not felt so full of eagerness and life since the
+ war began as after I had read this delightfully humorous and clever
+ book."
+
+ _Evening Standard._--"In this book the satire is brilliantly
+ conspicuous."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+MOONBEAMS FROM THE LARGER LUNACY
+
+_FOURTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ _Times._--"Such a perfect piece of social observation and joyful
+ castigation as the description of the last man in Europe ... the
+ portrait of So-and-so is not likely to be forgotten ... it is so
+ funny and so true."
+
+ _Morning Post._--"Excellent fooling ... wisdom made laughable."
+
+ _Daily Chronicle._--"Here is wit, fun, frolic, nonsense, verse,
+ satire, comedy, criticism--a perfect gold mine for those who love
+ laughter."
+
+ _Sunday Times._--"Very pungent and telling satire. Buy the book--it
+ will give you a happy hour."
+
+ _Standard._--"Under the beams of the moon of his delight, the
+ author never fails to be amusing."
+
+ _Pall Mall Gazette._--"Mr. Leacock's humour is a credit to Canada,
+ for it has a depth and a polish such as are both rare in the
+ literature of a young nation."
+
+ _Land and Water._--"Unlike a number of so-called humorists, Mr.
+ Leacock is really funny, as these sketches prove."
+
+ _Field._--"Indeed a very pleasant hour can be spent with this
+ author, who is full of humour, wit, and cleverness, and by his work
+ adds much to the gaiety of life."
+
+ _Spectator._--"Mr. Leacock has added to our indebtedness by his new
+ budget of refreshing absurdities.... In shooting folly as it flies,
+ he launches darts that find their billet on both sides of the
+ Atlantic."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+ESSAYS AND LITERARY STUDIES
+
+_Fifth Edition. Crown 8vo. 5s. net_
+
+
+ _Truth._--"Full of practical wisdom, as sober as it is sound."
+
+ _Morning Post._--"He is the subtlest of all transatlantic
+ humorists, and, as we have pointed out before, might almost be
+ defined as the discoverer of a method combining English and
+ American humour. But he never takes either his subject or himself
+ too seriously, and the result is a book which is as readable as any
+ of its mirthful predecessors."
+
+ _World._--"Those readers who fail to find pleasure in this new
+ volume of Essays will be difficult to please. Here are discourses
+ in the author's happiest vein."
+
+ _Daily News._--"All are delightful."
+
+ _Bystander._--"No sane person will object to Professor Leacock
+ professing, so long as he periodically issues such good
+ entertainment as 'Essays and Literary Studies.'"
+
+ _Daily Telegraph._--"The engaging talent of this Canadian author
+ has hitherto been exercised in the lighter realm of wit and fancy.
+ In his latest volume there is the same irresistible humour, the
+ same delicate satire, the same joyous freshness; but the wisdom he
+ distils is concerned more with realities of our changing age."
+
+ _Outlook._--"Mr. Leacock's humour is his own, whimsical with the
+ ease of a self-confident personality, far-sighted, quick-witted,
+ and invariably humane."
+
+ _Times._--"Professor Leacock's paper on American humour is quite
+ the best that we know upon the subject."
+
+ _Spectator._--"Those of us who are grateful to Mr. Leacock as an
+ intrepid purveyor of wholesome food for laughter have not failed to
+ recognize that he mingles shrewdness with levity--that he is, in
+ short, wise as well as merry."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+Further Foolishness
+
+SKETCHES AND SATIRES ON THE FOLLIES OF THE DAY
+
+With Coloured Frontispiece by "Fish," and five other Plates by
+M. Blood
+
+_Fourth Edition. Crown 8vo. 5s. net_
+
+
+ _Morning Post._--"An excellent antidote to war worry."
+
+ _Evening Standard._--"You will acknowledge, if you have not done so
+ before, the satirical keenness of Mr. Leacock."
+
+ _Daily Graphic._--"The book is a joy all through, laughter on every
+ page."
+
+ _Times._--"Further examples of the diverting humour of Professor
+ Leacock."
+
+ _Bystander._--"'Further Foolishness,' in a word, is the most
+ admirable tonic which I can prescribe to-day ... the jolliest
+ possible medley."
+
+ _Daily Chronicle._--"Mr. Leacock's fun is fine and delicate, full
+ of quaint surprises; guaranteed to provoke cheerfulness in the
+ dullest. He is a master-humorist, and this book is one of the
+ cleverest examples of honest humour and witty satire ever
+ produced."
+
+ _Spectator._--"In this new budget of absurdities we are more than
+ ever reminded of Mr. Leacock's essential affinity with Artemus
+ Ward, in whose wildest extravagances there was nearly always a core
+ of wholesome sanity, who was always on the side of the angels, and
+ who was a true patriot as well as a great humorist."
+
+ _Pall Mall Gazette._--"A humorist of high excellence."
+
+ _Daily Express._--"Really clever and admirably good fun."
+
+ _Star._--"Some day there will be a Leacock Club. Its members will
+ all possess a sense of humour."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+FRENZIED FICTION
+
+_FOURTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ "Everything in 'Frenzied Fiction' is exhilarating. Full of good
+ things."--_Morning Post._
+
+ "More delightful samples of Leacock humour. These delightful
+ chapters show Mr. Leacock at his best."
+
+ _Daily Graphic._
+
+ "Stephen Leacock has firmly established himself in public favour as
+ one of our greatest humorists. His readers will be more than
+ pleased with 'Frenzied Fiction.'"--_Evening Standard._
+
+ "It is enough to say that Mr. Leacock retains an unimpaired command
+ of his happy gift of disguising sanity in the garb of the
+ ludicrous. There is always an ultimate core of shrewd common-sense
+ in his burlesques."--_Spectator._
+
+ "Full of mellow humour."--_Daily Mail._
+
+ "From beginning to end the book is one long gurgle of
+ delight."--_World._
+
+ "If it is your first venture into the Leacockian world read that
+ delicious parody 'My Revelations as a Spy,' and we will be sworn
+ that before you've turned half a dozen pages you will have become a
+ life-member of the Leacock Lodge."--_Town Topics._
+
+ "When humour is such as you get in 'Frenzied Fiction' it is a very
+ good thing indeed."--_Sketch._
+
+ "There is always sufficient sense under Stephen Leacock's nonsense
+ to enable one to read him at least twice."--_Land and Water._
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+THE HOHENZOLLERNS IN AMERICA
+
+AND OTHER IMPOSSIBILITIES
+
+_Crown 8vo. 5s. net_
+
+
+ "Equal in gay humour and deft satire to any of its predecessors,
+ and no holiday will be so gay but this volume will make it
+ gayer.... It is a book of rollicking good humour that will keep you
+ chuckling long past summer-time."--_Daily Chronicle._
+
+ "At his best, full of whims and oddities ... the most cheerful of
+ humorists and the wisest of wayside philosophers."--_Daily
+ Telegraph._
+
+ "He has never provided finer food for quiet enjoyment ... his
+ precious quality of Rabelaisian humanism has matured and broadened
+ in its sympathy."--_Globe._
+
+ "In the author's merriest mood. All of it is distilled wit and
+ wisdom of the best brand, full of honest laughter, fun and frolic,
+ comedy and criticism."--_Daily Graphic._
+
+ "The book is inspired by that spirit of broad farce which runs
+ glorious riot through nearly all that Stephen Leacock has
+ written."--_Bookman._
+
+ "He has all the energy and exuberance of the born humorist.... All
+ admirers will recognize it as typical of Mr. Leacock's best
+ work."--_Manchester Guardian._
+
+ "An entertaining volume."--_Scotsman._
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+THE UNSOLVED RIDDLE OF SOCIAL JUSTICE
+
+_Crown 8vo. 5s. net_
+
+
+ A discussion of the new social unrest, the transformation of
+ society which it portends and the social catastrophe which it might
+ precipitate.
+
+ The point of view taken by the author leads towards the conclusion
+ that the safety of the future lies in a progressive movement of
+ social control alleviating at least the misery it cannot
+ obliterate, and based upon the broad general principle of equality
+ of opportunity, and a fair start. The chief immediate opportunities
+ for social betterment, as the writer sees them, lie in the attempt
+ to give every human being in childhood, education and opportunity.
+
+ "His book is short, lucid, always to the point, and sometimes
+ witty."--_Times._
+
+ "A book for the times, suggestive, critical and highly stimulating.
+ Mr. Leacock surveys the troubled hour and discusses the popular
+ palliatives with a keen, unbiassed intelligence and splendid
+ sympathy. I hope it will have as large a circulation as any of his
+ humorous books, for it has much wisdom in it."--_Daily Chronicle._
+
+ "The charm of Mr. Leacock's book is ... that it deals tersely and
+ clearly with the problem of Social Justice without technical jargon
+ or any abuse of generalities."--_Morning Post._
+
+
+ * * * * *
+
+
+THE HUMOROUS NOVELS OF HARRY LEON WILSON
+
+
+BUNKER BEAN
+MA PETTENGILL
+SOMEWHERE IN RED GAP
+RUGGLES OF RED GAP
+
+
+_Crown 8vo. 7s. net_
+
+ Harry Leon Wilson is one of the first of American humorists, and in
+ popularity he is a close rival of O. Henry. His "Ruggles of Red
+ Gap," published at the beginning of the war, achieved a distinct
+ success in England, while the raciness and vivacity of "Ma
+ Pettengill" have furthered the author's reputation as an inimitable
+ delineator of Western comedy. An English edition of this author's
+ works is in course of preparation, of which the above are the first
+ volumes.
+
+
+ "The author has the rare and precious gift of original
+ humour."--_Daily Graphic._
+
+ "Thackeray would have enjoyed Mr. Wilson's merry tale of 'Ruggles
+ of Red Gap.' A very triumph of farce."--_Sunday Times._
+
+ "Mr. Wilson is an American humorist of the first water. We have not
+ for a long time seen anything so clever in its way and so
+ outrageously funny."--_Literary World._
+
+
+LONDON: JOHN LANE, THE BODLEY HEAD
+
+
+
+
+
+End of the Project Gutenberg EBook of Winsome Winnie and other New Nonsense
+Novels, by Stephen Leacock
+
+*** END OF THIS PROJECT GUTENBERG EBOOK WINSOME WINNIE AND OTHERS ***
+
+***** This file should be named 20633-8.txt or 20633-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/6/3/20633/
+
+Produced by Malcolm Farmer and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/20633-8.zip b/20633-8.zip
new file mode 100644
index 0000000..9f23225
--- /dev/null
+++ b/20633-8.zip
Binary files differ
diff --git a/20633-h.zip b/20633-h.zip
new file mode 100644
index 0000000..fd110fd
--- /dev/null
+++ b/20633-h.zip
Binary files differ
diff --git a/20633-h/20633-h.htm b/20633-h/20633-h.htm
new file mode 100644
index 0000000..24db39e
--- /dev/null
+++ b/20633-h/20633-h.htm
@@ -0,0 +1,7531 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <title>
+ The Project Gutenberg eBook of Winsome Winnie, by Stephen Leacock.
+ </title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p { margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ hr { width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+ body{margin-left: 10%;
+ margin-right: 10%;
+ }
+ span.pagenum {position: absolute;
+ right: 1%;
+ color: gray; background-color: inherit;
+ font-variant: normal;
+ font-style: normal;
+ font-size: smaller;}
+
+ .blockquot{margin-left: 5%; margin-right: 10%;}
+ .bb {border-bottom: solid 2px;}
+ .bl {border-left: solid 2px;}
+ .bt {border-top: solid 2px;}
+ .br {border-right: solid 2px;}
+ .bbox {border: solid 2px;}
+ .innerbox {border-bottom: solid 2px;
+ border-top: solid 2px;}
+ .puff {margin-left: 5%;
+ margin-right: 5%;}
+
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+ .tb {text-align: center;
+ letter-spacing: 2.5em;}
+ ul.TOC { /* TOC as a whole, or any sub-list of sub-topics in it */
+ list-style-type: none; /*list with no symbol */
+ position: relative; /*makes a "container" for span.tocright */
+ width: 83%; /*page-number margin pulls in */
+ margin: auto;
+ }
+ span.tocright { /* use absolute positioning to move page# right */
+ position: absolute; right: 0; top: auto;
+ }
+
+ // -->
+ /* XML end ]]>*/
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Winsome Winnie and other New Nonsense Novels, by
+Stephen Leacock
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Winsome Winnie and other New Nonsense Novels
+
+Author: Stephen Leacock
+
+Release Date: February 20, 2007 [EBook #20633]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK WINSOME WINNIE AND OTHERS ***
+
+
+
+
+Produced by Malcolm Farmer and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+<p><span class='pagenum'><a name="Page_1" id="Page_1">[Pg 1]</a></span></p>
+
+<div class="innerbox" style="margin: auto">
+<p class="center">WINSOME WINNIE <br />
+<i>AND OTHER NEW
+NONSENSE NOVELS</i></p>
+</div>
+<p><br /><br /></p>
+
+<p><span class='pagenum'><a name="Page_2" id="Page_2">[Pg 2]</a></span></p>
+
+<div style="margin-left: 25%; margin-right: 25%; text-align: center" class="bbox">
+<i>BY THE SAME AUTHOR</i><br />
+<div class="innerbox">
+<div style="margin-left: 5%; margin-right: 5%; text-align: left; border-top: 0em; border-bottom: solid 2px">
+<br />
+THE HOHENZOLLERNS IN AMERICA
+AND OTHER IMPOSSIBILITIES<br />
+<br />
+LITERARY LAPSES<br />
+<br />
+NONSENSE NOVELS<br />
+<br />
+SUNSHINE SKETCHES OF A LITTLE
+TOWN. With a Frontispiece by Cyrus Cuneo<br />
+<br />
+BEHIND THE BEYOND AND OTHER
+CONTRIBUTIONS TO HUMAN
+KNOWLEDGE. With 17 Illustrations
+by "<span class="smcap">Fish</span>"<br />
+<br />
+ARCADIAN ADVENTURES WITH
+THE IDLE RICH<br />
+<br />
+MOONBEAMS FROM THE LARGER
+LUNACY<br />
+<br />
+ESSAYS AND LITERARY STUDIES<br />
+<br />
+FURTHER FOOLISHNESS: SKETCHES
+AND SATIRES ON THE FOLLIES
+OF THE DAY. With coloured Frontispiece
+by "<span class="smcap">Fish</span>" and 5 other Plates by
+<span class="smcap">M. Blood</span>.<br />
+<br />
+FRENZIED FICTION<br />
+<br />
+THE UNSOLVED RIDDLE OF SOCIAL
+JUSTICE.<br /><br />
+</div>
+</div>
+THE BODLEY HEAD
+</div><p><br /><br /></p>
+<hr />
+<p><span class='pagenum'><a name="Page_3" id="Page_3">[Pg 3]</a></span></p>
+
+<h2>WINSOME WINNIE</h2>
+<h3>AND OTHER NEW<br />
+NONSENSE NOVELS</h3>
+
+<h3>BY STEPHEN LEACOCK</h3>
+<p><br />
+<br />
+<br /></p>
+<p class="center"><i>LONDON: JOHN LANE, THE BODLEY HEAD<br />
+NEW YORK: JOHN LANE COMPANY MCMXXI</i></p>
+
+<hr />
+<p><span class='pagenum'><a name="Page_4" id="Page_4">[Pg 4]</a></span></p>
+
+<p class="center">
+<br />
+<br /><i>Printed in Great Britain by R. Clay &amp; Sons, Ltd., London and Bungay</i>
+<br />
+<br /></p>
+
+<hr />
+<p><span class='pagenum'><a name="Page_5" id="Page_5">[Pg 5]</a></span></p>
+
+
+<h3><i>CONTENTS</i></h3>
+
+
+<ul class="TOC"><li><span class="smcap">Chap.</span><span class="tocright">Page</span></li>
+<li><i><a href="#I">I</a>. WINSOME WINNIE; OR, TRIAL AND TEMPTATION</i> <span class="tocright"><a href="#Page_7">7</a></span></li>
+<li><ul style="list-style-type:none">
+<li><a href="#I_I">I</a>. <span class="smcap">Thrown on the World</span> <span class="tocright"><a href="#Page_9">9</a></span></li>
+<li><a href="#I_II">II</a>. <span class="smcap">A Rencounter</span> <span class="tocright"><a href="#Page_14">14</a></span></li>
+<li><a href="#I_III">III</a>. <span class="smcap">Friends in Distress</span> <span class="tocright"><a href="#Page_18">18</a></span></li>
+<li><a href="#I_IV">IV</a>. <span class="smcap">A Gambling Party in St. James's Close</span> <span class="tocright"><a href="#Page_24">24</a></span></li>
+<li><a href="#I_V">V</a>. <span class="smcap">The Abduction</span> <span class="tocright"><a href="#Page_28">28</a></span></li>
+<li><a href="#I_VI">VI</a>. <span class="smcap">The Unknown</span> <span class="tocright"><a href="#Page_33">33</a></span></li>
+<li><a href="#I_VII">VII</a>. <span class="smcap">The Proposal</span> <span class="tocright"><a href="#Page_36">36</a></span></li>
+<li><a href="#I_VIII">VIII</a>. <span class="smcap">Wedded at Last</span> <span class="tocright"><a href="#Page_42">42</a></span></li>
+</ul></li>
+
+<li><i><a href="#II">II</a>. JOHN AND I; OR, HOW I NEARLY LOST MY HUSBAND</i> <span class="tocright"><a href="#Page_43">43</a></span></li>
+<li><i><a href="#III">III</a>. THE SPLIT IN THE CABINET; OR, THE FATE OF ENGLAND</i> <span class="tocright"><a href="#Page_65">65</a></span></li>
+<li><i><a href="#IV">IV</a>. WHO DO YOU THINK DID IT? OR, THE MIXED-UP MURDER MYSTERY</i> <span class="tocright"><a href="#Page_95">95</a></span></li>
+<li>
+<ul style="list-style-type:none">
+<li><a href="#IV_I">I</a>. <span class="smcap">He Dined with Me Last Night</span> <span class="tocright"><a href="#Page_97">97</a></span></li>
+<li><a href="#IV_II">II</a>. <span class="smcap">I must save her Life</span> <span class="tocright"><a href="#Page_100">100</a></span></li>
+<li><a href="#IV_III">III</a>. <span class="smcap">I must buy a Book on Billiards</span> <span class="tocright"><a href="#Page_108">108</a></span></li>
+<li><a href="#IV_IV">IV</a>. <span class="smcap">That is not Billiard Chalk</span> <span class="tocright"><a href="#Page_112">112</a></span></li>
+<li><a href="#IV_V">V</a>. <span class="smcap">Has anybody here seen Kelly?</span> <span class="tocright"><a href="#Page_113">113</a></span></li>
+<li><a href="#IV_VI">VI</a>. <span class="smcap">Show me the Man who wore those Boots</span> <span class="tocright"><a href="#Page_119">119</a></span></li>
+<li><a href="#IV_VII">VII</a>. <span class="smcap">Oh, Mr. Kent, save me!</span> <span class="tocright"><a href="#Page_123">123</a></span></li>
+<li><a href="#IV_VIII">VIII</a>. <span class="smcap">You are Peter Kelly</span> <span class="tocright"><a href="#Page_127">127</a></span></li>
+<li><a href="#IV_IX">IX</a>. <span class="smcap">Let me tell you the Story of my Life</span> <span class="tocright"><a href="#Page_132">132</a></span></li>
+<li><a href="#IV_X">X</a>. <span class="smcap">So do I</span> <span class="tocright"><a href="#Page_139">139</a></span></li>
+</ul>
+</li>
+
+<li><i><a href="#V">V.</a> BROKEN BARRIERS; OR, RED LOVE ON A BLUE ISLAND</i> <span class="tocright"><a href="#Page_143">143</a></span></li>
+<li><i><a href="#VI">VI</a>. THE KIDNAPPED PLUMBER: A TALE OF THE NEW TIME</i> <span class="tocright"><a href="#Page_177">177</a></span></li>
+<li><i><a href="#VII">VII.</a> THE BLUE AND THE GREY: A PRE-WAR WAR STORY</i> <span class="tocright"><a href="#Page_205">205</a></span></li>
+<li><i><a href="#VIII">VIII</a>. BUGGAM GRANGE: A GOOD OLD GHOST STORY</i> <span class="tocright"><a href="#Page_225">225</a></span></li>
+
+</ul>
+<p>
+<br />
+<br />
+</p>
+
+<p><span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span></p>
+<div class="innerbox">
+<h2><a name="I" id="I"></a>I</h2>
+
+<h3><i>WINSOME WINNIE</i></h3>
+
+<h4><i>OR, TRIAL AND TEMPTATION</i></h4>
+
+<p class="center">(<i>Narrated after the best models of 1875</i>)</p>
+</div>
+<p><span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span></p>
+
+<h3><a name="I_I"></a>CHAPTER I</h3>
+
+<h4>THROWN ON THE WORLD</h4>
+
+<p>"Miss Winnifred," said the Old
+Lawyer, looking keenly over and
+through his shaggy eyebrows at
+the fair young creature seated
+before him, "you are this morning twenty-one."</p>
+
+<p>Winnifred Clair raised her deep mourning
+veil, lowered her eyes and folded her hands.</p>
+
+<p>"This morning," continued Mr. Bonehead,
+"my guardianship is at an end."</p>
+
+<p>There was a tone of something like emotion
+in the voice of the stern old lawyer, while for
+a moment his eye glistened with something
+like a tear which he hastened to remove with<span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span>
+something like a handkerchief. "I have therefore
+sent for you," he went on, "to render you
+an account of my trust."</p>
+
+<p>He heaved a sigh at her, and then, reaching
+out his hand, he pulled the woollen bell-rope
+up and down several times.</p>
+
+<p>An aged clerk appeared.</p>
+
+<p>"Did the bell ring?" he asked.</p>
+
+<p>"I think it did," said the Lawyer. "Be good
+enough, Atkinson, to fetch me the papers of
+the estate of the late Major Clair defunct."</p>
+
+<p>"I have them here," said the clerk, and he
+laid upon the table a bundle of faded blue
+papers, and withdrew.</p>
+
+<p>"Miss Winnifred," resumed the Old Lawyer,
+"I will now proceed to give you an account of
+the disposition that has been made of your
+property. This first document refers to the
+sum of two thousand pounds left to you by
+your great uncle. It is lost."</p>
+
+<p>Winnifred bowed.</p>
+
+<p>"Pray give me your best attention and I will
+endeavour to explain to you how I lost it."</p>
+
+<p>"Oh, sir," cried Winnifred, "I am only a<span class='pagenum'><a name="Page_11" id="Page_11">[Pg 11]</a></span>
+poor girl unskilled in the ways of the world,
+and knowing nothing but music and French; I
+fear that the details of business are beyond my
+grasp. But if it is lost, I gather that it is
+gone."</p>
+
+<p>"It is," said Mr. Bonehead. "I lost it in a
+marginal option in an undeveloped oil company.
+I suppose that means nothing to you."</p>
+
+<p>"Alas," sighed Winnifred, "nothing."</p>
+
+<p>"Very good," resumed the Lawyer. "Here
+next we have a statement in regard to the
+thousand pounds left you under the will of
+your maternal grandmother. I lost it at Monte
+Carlo. But I need not fatigue you with the
+details."</p>
+
+<p>"Pray spare them," cried the girl.</p>
+
+<p>"This final item relates to the sum of fifteen
+hundred pounds placed in trust for you by your
+uncle. I lost it on a horse race. That horse,"
+added the Old Lawyer with rising excitement,
+"ought to have won. He was coming down the
+stretch like blue&mdash;but there, there, my dear,
+you must forgive me if the recollection of it
+still stirs me to anger. Suffice it to say the<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span>
+horse fell. I have kept for your inspection
+the score card of the race, and the betting
+tickets. You will find everything in order."</p>
+
+<p>"Sir," said Winnifred, as Mr. Bonehead
+proceeded to fold up his papers, "I am but a
+poor inadequate girl, a mere child in business,
+but tell me, I pray, what is left to me of the
+money that you have managed?"</p>
+
+<p>"Nothing," said the Lawyer. "Everything
+is gone. And I regret to say, Miss Clair, that
+it is my painful duty to convey to you a further
+disclosure of a distressing nature. It concerns
+your birth."</p>
+
+<p>"Just Heaven!" cried Winnifred, with a
+woman's quick intuition. "Does it concern
+my father?"</p>
+
+<p>"It does, Miss Clair. Your father was not
+your father."</p>
+
+<p>"Oh, sir," exclaimed Winnifred. "My poor
+mother! How she must have suffered!"</p>
+
+<p>"Your mother was not your mother," said
+the Old Lawyer gravely. "Nay, nay, do not
+question me. There is a dark secret about
+your birth."<span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span></p>
+
+<p>"Alas," said Winnifred, wringing her hands,
+"I am, then, alone in the world and penniless."</p>
+
+<p>"You are," said Mr. Bonehead, deeply
+moved. "You are, unfortunately, thrown upon
+the world. But, if you ever find yourself in a
+position where you need help and advice, do
+not scruple to come to me. Especially," he
+added, "for advice. And meantime let me ask
+you in what way do you propose to earn your
+livelihood?"</p>
+
+<p>"I have my needle," said Winnifred.</p>
+
+<p>"Let me see it," said the Lawyer.</p>
+
+<p>Winnifred showed it to him.</p>
+
+<p>"I fear," said Mr. Bonehead, shaking his
+head, "you will not do much with that."</p>
+
+<p>Then he rang the bell again.</p>
+
+<p>"Atkinson," he said, "take Miss Clair out
+and throw her on the world."<br /><br />
+
+<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span></p>
+
+<h3><a name="I_II" id="I_II"></a>CHAPTER II</h3>
+
+<h4>A RENCOUNTER</h4>
+
+
+<p>As Winnifred Clair passed down the stairway
+leading from the Lawyer's office, a figure
+appeared before her in the corridor, blocking
+the way. It was that of a tall, aristocratic-looking
+man, whose features wore that peculiarly
+saturnine appearance seen only in the English
+nobility. The face, while entirely gentlemanly
+in its general aspect, was stamped with all the
+worst passions of mankind.</p>
+
+<p>Had the innocent girl but known it, the face
+was that of Lord Wynchgate, one of the most
+contemptible of the greater nobility of Britain,
+and the figure was his too.</p>
+
+<p>"Ha!" exclaimed the dissolute Aristocrat,
+"whom have we here? Stay, pretty one, and
+let me see the fair countenance that I divine
+behind your veil."</p>
+
+<p>"Sir," said Winnifred, drawing herself up
+proudly, "let me pass, I pray."</p>
+
+<p>"Not so," cried Wynchgate, reaching out and<span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span>
+seizing his intended victim by the wrist, "not
+till I have at least seen the colour of those eyes
+and imprinted a kiss upon those fair lips."</p>
+
+<p>With a brutal laugh, he drew the struggling
+girl towards him.</p>
+
+<p>In another moment the aristocratic villain
+would have succeeded in lifting the veil of the
+unhappy girl, when suddenly a ringing voice
+cried, "Hold! stop! desist! begone! lay to!
+cut it out!"</p>
+
+<p>With these words a tall, athletic young man,
+attracted doubtless by the girl's cries, leapt
+into the corridor from the street without. His
+figure was that, more or less, of a Greek god,
+while his face, although at the moment inflamed
+with anger, was of an entirely moral
+and permissible configuration.</p>
+
+<p>"Save me! save me!" cried Winnifred.</p>
+
+<p>"I will," cried the Stranger, rushing towards
+Lord Wynchgate with uplifted cane.</p>
+
+<p>But the cowardly Aristocrat did not await
+the onslaught of the unknown.</p>
+
+<p>"You shall yet be mine!" he hissed in
+Winnifred's ear, and, releasing his grasp, he<span class='pagenum'><a name="Page_16" id="Page_16">[Pg 16]</a></span>
+rushed with a bound past the rescuer into
+the street.</p>
+
+<p>"Oh, sir," said Winnifred, clasping her
+hands and falling on her knees in gratitude.
+"I am only a poor inadequate girl, but if the
+prayers of one who can offer naught but her
+prayers to her benefactor can avail to the
+advantage of one who appears to have every
+conceivable advantage already, let him know
+that they are his."</p>
+
+<p>"Nay," said the stranger, as he aided the
+blushing girl to rise, "kneel not to me, I beseech.
+If I have done aught to deserve the
+gratitude of one who, whoever she is, will remain
+for ever present as a bright memory in the
+breast of one in whose breast such memories are
+all too few, he is all too richly repaid. If she
+does that, he is blessed indeed."</p>
+
+<p>"She does. He is!" cried Winnifred, deeply
+moved. "Here on her knees she blesses him.
+And now," she added, "we must part. Seek
+not to follow me. One who has aided a poor
+girl in the hour of need will respect her wish
+when she tells him that, alone and buffeted by<span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span>
+the world, her one prayer is that he will leave
+her."</p>
+
+<p>"He will!" cried the Unknown. "He
+will. He does."</p>
+
+<p>"Leave me, yes, leave me," exclaimed
+Winnifred.</p>
+
+<p>"I will," said the Unknown.</p>
+
+<p>"Do, do," sobbed the distraught girl. "Yet
+stay, one moment more. Let she, who has
+received so much from her benefactor, at least
+know his name."</p>
+
+<p>"He cannot! He must not!" exclaimed
+the Indistinguishable. "His birth is such&mdash;but
+enough!"</p>
+
+<p>He tore his hand from the girl's detaining
+clasp and rushed forth from the place.</p>
+
+<p>Winnifred Clair was alone.
+<br />
+<br />
+<span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span></p>
+
+<h3><a name="I_III" id="I_III"></a>CHAPTER III</h3>
+
+<h4>FRIENDS IN DISTRESS</h4>
+
+
+<p>Winnifred was now in the humblest lodgings
+in the humblest part of London. A
+simple bedroom and sitting-room sufficed for
+her wants. Here she sat on her trunk, bravely
+planning for the future.</p>
+
+<p>"Miss Clair," said the Landlady, knocking
+at the door, "do try to eat something. You
+must keep up your health. See, I've brought
+you a kippered herring."</p>
+
+<p>Winnifred ate the herring, her heart filled
+with gratitude. With renewed strength she
+sallied forth on the street to resume her vain
+search for employment. For two weeks now
+Winnifred Clair had sought employment even
+of the humblest character. At various dress-making
+establishments she had offered, to no
+purpose, the services of her needle. They had
+looked at it and refused it.</p>
+
+<p>In vain she had offered to various editors
+and publishers the use of her pen. They had
+examined it coldly and refused it.<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span></p>
+
+<p>She had tried fruitlessly to obtain a position
+of trust. The various banks and trust companies
+to which she had applied declined her
+services. In vain she had advertised in the
+newspapers offering to take sole charge of a
+little girl. No one would give her one.</p>
+
+<p>Her slender stock of money which she had
+in her purse on leaving Mr. Bonehead's office
+was almost consumed.</p>
+
+<p>Each night the unhappy girl returned to her
+lodging exhausted with disappointment and
+fatigue.</p>
+
+<p>Yet even in her adversity she was not
+altogether friendless.</p>
+
+<p>Each evening, on her return home, a soft
+tap was heard at the door.</p>
+
+<p>"Miss Clair," said the voice of the Landlady,
+"I have brought you a fried egg. Eat it.
+You must keep up your strength."</p>
+
+<p>Then one morning a terrible temptation had
+risen before her.</p>
+
+<p>"Miss Clair," said the manager of an agency
+to which she had applied, "I am glad to be able
+at last to make you a definite offer of employ<span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span>ment.
+Are you prepared to go upon the
+stage?"</p>
+
+<p>The stage!</p>
+
+<p>A flush of shame and indignation swept over
+the girl. Had it come to this? Little versed
+in the world as Winnifred was, she knew but
+too well the horror, the iniquity, the depth of
+degradation implied in the word.</p>
+
+<p>"Yes," continued the agent, "I have a letter
+here asking me to recommend a young lady of
+suitable refinement to play the part of Eliza in
+<i>Uncle Tom's Cabin</i>. Will you accept?"</p>
+
+<p>"Sir," said Winnifred proudly, "answer me
+first this question fairly. If I go upon the
+stage, can I, as Eliza, remain as innocent, as
+simple as I am now?"</p>
+
+<p>"You can not," said the manager.</p>
+
+<p>"Then, sir," said Winnifred, rising from her
+chair, "let me say this. Your offer is doubtless
+intended to be kind. Coming from the
+class you do, and inspired by the ideas you are,
+you no doubt mean well. But let a poor girl,
+friendless and alone, tell you that rather than
+accept such a degradation she will die."<span class='pagenum'><a name="Page_21" id="Page_21">[Pg 21]</a></span></p>
+
+<p>"Very good," said the manager.</p>
+
+<p>"I go forth," cried Winnifred, "to perish."</p>
+
+<p>"All right," said the manager.</p>
+
+<p>The door closed behind her. Winnifred
+Clair, once more upon the street, sank down
+upon the steps of the building in a swoon.</p>
+
+<p>But at this very juncture Providence, which
+always watches over the innocent and defenceless,
+was keeping its eye direct upon Winnifred.</p>
+
+<p>At that very moment when our heroine
+sank fainting upon the doorstep, a handsome
+equipage, drawn by two superb black steeds,
+happened to pass along the street.</p>
+
+<p>Its appearance and character proclaimed it
+at once to be one of those vehicles in which
+only the superior classes of the exclusive
+aristocracy are privileged to ride. Its sides
+were emblazoned with escutcheons, insignia
+and other paraphernalia. The large gilt
+coronet that appeared up its panelling, surmounted
+by a bunch of huckleberries, quartered
+in a field of potatoes, indicated that its possessor
+was, at least, of the rank of marquis.
+A coachman and two grooms rode in front,<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span>
+while two footmen, seated in the boot, or box
+at the rear, contrived, by the immobility of
+their attitude and the melancholy of their faces,
+to inspire the scene with an exclusive and
+aristocratic grandeur.</p>
+
+<p>The occupants of the equipage&mdash;for we refuse
+to count the menials as being such&mdash;were
+two in number, a lady and gentleman, both
+of advanced years. Their snow-white hair
+and benign countenances indicated that they
+belonged to that rare class of beings to whom
+rank and wealth are but an incentive to nobler
+things. A gentle philanthropy played all over
+their faces, and their eyes sought eagerly in
+the passing scene of the humble street for
+new objects of benefaction.</p>
+
+<p>Those acquainted with the countenances of
+the aristocracy would have recognized at
+once in the occupants of the equipage the
+Marquis of Muddlenut and his spouse, the
+Marchioness.</p>
+
+<p>It was the eye of the Marchioness which
+first detected the form of Winnifred Clair upon
+the doorstep.<span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span></p>
+
+<p>"Hold! pause! stop!" she cried, in lively
+agitation.</p>
+
+<p>The horses were at once pulled in, the brakes
+applied to the wheels, and with the aid of
+a powerful lever, operated by three of the
+menials, the carriage was brought to a standstill.</p>
+
+<p>"See! Look!" cried the Marchioness.
+"She has fainted. Quick, William, your flask.
+Let us hasten to her aid."</p>
+
+<p>In another moment the noble lady was
+bending over the prostrate form of Winnifred
+Clair, and pouring brandy between her lips.</p>
+
+<p>Winnifred opened her eyes. "Where am
+I?" she asked feebly.</p>
+
+<p>"She speaks!" cried the Marchioness.
+"Give her another flaskful."</p>
+
+<p>After the second flask the girl sat up.</p>
+
+<p>"Tell me," she cried, clasping her hands,
+"what has happened? Where am I?"</p>
+
+<p>"With friends!" answered the Marchioness.
+"But do not essay to speak. Drink this. You
+must husband your strength. Meantime, let
+us drive you to your home."</p>
+
+<p>Winnifred was lifted tenderly by the men-servants
+<span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span>
+into the aristocratic equipage. The
+brake was unset, the lever reversed, and the
+carriage thrown again into motion.</p>
+
+<p>On the way Winnifred, at the solicitation of
+the Marchioness, related her story.</p>
+
+<p>"My poor child!" exclaimed the lady, "how
+you must have suffered. Thank Heaven it is
+over now. To-morrow we shall call for you
+and bring you away with us to Muddlenut
+Chase."</p>
+
+<p>Alas, could she but have known it, before
+the morrow should dawn, worse dangers still
+were in store for our heroine. But what these
+dangers were, we must reserve for another
+chapter.<br />
+<br />
+</p>
+
+<h3><a name="I_IV" id="I_IV"></a>CHAPTER IV</h3>
+
+<h4>A GAMBLING PARTY IN ST. JAMES'S CLOSE</h4>
+
+
+<p>We must now ask our readers to shift the
+scene&mdash;if they don't mind doing this for us&mdash;to
+the apartments of the Earl of Wynchgate in
+St. James's Close. The hour is nine o'clock
+in the evening, and the picture before us is one<span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span>
+of revelry and dissipation so characteristic of
+the nobility of England. The atmosphere of
+the room is thick with blue Havana smoke such
+as is used by the nobility, while on the green
+baize table a litter of counters and cards, in
+which aces, kings, and even two spots are
+heaped in confusion, proclaim the reckless
+nature of the play.</p>
+
+<p>Seated about the table are six men, dressed
+in the height of fashion, each with collar and
+white necktie and broad white shirt, their faces
+stamped with all, or nearly all, of the baser
+passions of mankind.</p>
+
+<p>Lord Wynchgate&mdash;for he it was who sat at
+the head of the table&mdash;rose with an oath, and
+flung his cards upon the table.</p>
+
+<p>All turned and looked at him, with an oath.
+"Curse it, Dogwood," he exclaimed, with
+another oath, to the man who sat beside him.
+"Take the money. I play no more to-night.
+My luck is out."</p>
+
+<p>"Ha! ha!" laughed Lord Dogwood, with
+a third oath, "your mind is not on the cards.
+Who is the latest young beauty, pray, who so<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span>
+absorbs you? I hear a whisper in town of a
+certain misadventure of yours&mdash;&mdash;"</p>
+
+<p>"Dogwood," said Wynchgate, clenching his
+fist, "have a care, man, or you shall measure
+the length of my sword."</p>
+
+<p>Both noblemen faced each other, their hands
+upon their swords.</p>
+
+<p>"My lords, my lords!" pleaded a distinguished-looking
+man of more advanced years,
+who sat at one side of the table, and in whose
+features the habitu&eacute;s of diplomatic circles
+would have recognized the handsome lineaments
+of the Marquis of Frogwater, British
+Ambassador to Siam, "let us have no quarrelling.
+Come, Wynchgate, come, Dogwood,"
+he continued, with a mild oath, "put up your
+swords. It were a shame to waste time in
+private quarrelling. They may be needed all
+too soon in Cochin China, or, for the matter of
+that," he added sadly, "in Cambodia or in
+Dutch Guinea."</p>
+
+<p>"Frogwater," said young Lord Dogwood,
+with a generous flush, "I was wrong. Wynchgate,
+your hand."<span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span></p>
+
+<p>The two noblemen shook hands.</p>
+
+<p>"My friends," said Lord Wynchgate, "in
+asking you to abandon our game, I had an end
+in view. I ask your help in an affair of the
+heart."</p>
+
+<p>"Ha! excellent!" exclaimed the five noblemen.
+"We are with you heart and soul."</p>
+
+<p>"I propose this night," continued Wynchgate,
+"with your help, to carry off a young girl, a
+female!"</p>
+
+<p>"An abduction!" exclaimed the Ambassador
+somewhat sternly. "Wynchgate, I cannot
+countenance this."</p>
+
+<p>"Mistake me not," said the Earl, "I intend
+to abduct her. But I propose nothing dishonourable.
+It is my firm resolve to offer her
+marriage."</p>
+
+<p>"Then," said Lord Frogwater, "I am with
+you."</p>
+
+<p>"Gentlemen," concluded Wynchgate, "all is
+ready. The coach is below. I have provided
+masks, pistols, and black cloaks. Follow me."</p>
+
+<p>A few moments later, a coach, with the
+blinds drawn, in which were six noblemen<span class='pagenum'><a name="Page_28" id="Page_28">[Pg 28]</a></span>
+armed to the teeth, might have been seen, were
+it not for the darkness, approaching the humble
+lodging in which Winnifred Clair was sheltered.</p>
+
+<p>But what it did when it got there, we must
+leave to another chapter.
+<br />
+<br />
+</p>
+
+
+<h3><a name="I_V" id="I_V"></a>CHAPTER V</h3>
+
+<h4>THE ABDUCTION</h4>
+
+
+<p>The hour was twenty minutes to ten on the
+evening described in our last chapter.</p>
+
+<p>Winnifred Clair was seated, still fully
+dressed, at the window of the bedroom, looking
+out over the great city.</p>
+
+<p>A light tap came at the door.</p>
+
+<p>"If it's a fried egg," called Winnifred softly,
+"I do not need it. I ate yesterday."</p>
+
+<p>"No," said the voice of the Landlady. "You
+are wanted below."</p>
+
+<p>"I!" exclaimed Winnifred, "below!"</p>
+
+<p>"You," said the Landlady, "below. A party
+of gentlemen have called for you."</p>
+
+<p>"Gentlemen," exclaimed Winnifred, putting her hand to her brow in
+perplexity, "for me! at<span class='pagenum'><a name="Page_29" id="Page_29">[Pg 29]</a></span> this late hour! Here! This evening! In this
+house?"</p>
+
+<p>"Yes," repeated the Landlady, "six gentlemen. They arrived in a closed
+coach. They are all closely masked and heavily armed. They beg you will
+descend at once."</p>
+
+<p>"Just Heaven!" cried the Unhappy Girl. "Is it possible that they mean to
+abduct me?"</p>
+
+<p>"They do," said the Landlady. "They said so!"</p>
+
+<p>"Alas!" cried Winnifred, "I am powerless. Tell them"&mdash;she
+hesitated&mdash;"tell them I will be down immediately. Let them not come up.
+Keep them below on any pretext. Show them an album. Let them look at the
+goldfish. Anything, but not here! I shall be ready in a moment."</p>
+
+<p>Feverishly she made herself ready. As
+hastily as possible she removed all traces of
+tears from her face. She threw about her
+shoulders an opera cloak, and with a light
+Venetian scarf half concealed the beauty of her
+hair and features. "Abducted!" she murmured,
+"and by six of them! I think she<span class='pagenum'><a name="Page_30" id="Page_30">[Pg 30]</a></span>
+said six. Oh, the horror of it!" A touch of
+powder to her cheeks and a slight blackening of
+her eyebrows, and the courageous girl was ready.</p>
+
+<p>Lord Wynchgate and his companions&mdash;for
+they it was, that is to say, they were it&mdash;sat
+below in the sitting-room looking at the albums.
+"Woman," said Lord Wynchgate to the Landlady,
+with an oath, "let her hurry up. We have
+seen enough of these. We can wait no longer."</p>
+
+<p>"I am here," cried a clear voice upon the
+threshold, and Winnifred stood before them.
+"My lords, for I divine who you are and wherefore
+you have come, take me, do your worst
+with me, but spare, oh, spare this humble
+companion of my sorrow."</p>
+
+<p>"Right-oh!" said Lord Dogwood, with a
+brutal laugh.</p>
+
+<p>"Enough," exclaimed Wynchgate, and seizing
+Winnifred by the waist, he dragged her
+forth out of the house and out upon the street.</p>
+
+<p>But something in the brutal violence of his
+behaviour seemed to kindle for the moment a
+spark of manly feeling, if such there were, in
+the breasts of his companions.<span class='pagenum'><a name="Page_31" id="Page_31">[Pg 31]</a></span></p>
+
+<p>"Wynchgate," cried young Lord Dogwood,
+"my mind misgives me. I doubt if this is a
+gentlemanly thing to do. I'll have no further
+hand in it."</p>
+
+<p>A chorus of approval from his companions
+endorsed his utterance. For a moment they
+hesitated.</p>
+
+<p>"Nay," cried Winnifred, turning to confront
+the masked faces that stood about her, "go
+forward with your fell design. I am here. I
+am helpless. Let no prayers stay your hand.
+Go to it."</p>
+
+<p>"Have done with this!" cried Wynchgate,
+with a brutal oath. "Shove her in the coach."</p>
+
+<p>But at the very moment the sound of hurrying
+footsteps was heard, and a clear, ringing,
+manly, well-toned, vibrating voice cried, "Hold!
+Stop! Desist! Have a care, titled villain, or
+I will strike you to the earth."</p>
+
+<p>A tall aristocratic form bounded out of the
+darkness.</p>
+
+<p>"Gentlemen," cried Wynchgate, releasing
+his hold upon the frightened girl, "we are
+betrayed. Save yourselves. To the coach."<span class='pagenum'><a name="Page_32" id="Page_32">[Pg 32]</a></span></p>
+
+<p>In another instant the six noblemen had
+leaped into the coach and disappeared down
+the street.</p>
+
+<p>Winnifred, still half inanimate with fright,
+turned to her rescuer, and saw before her the
+form and lineaments of the Unknown Stranger,
+who had thus twice stood between her and
+disaster. Half fainting, she fell swooning into
+his arms.</p>
+
+<p>"Dear lady," he exclaimed, "rouse yourself.
+You are safe. Let me restore you to your
+home!"</p>
+
+<p>"That voice!" cried Winnifred, resuming
+consciousness. "It is my benefactor."</p>
+
+<p>She would have swooned again, but the
+Unknown lifted her bodily up the steps of
+her home and leant her against the door.</p>
+
+<p>"Farewell," he said, in a voice resonant with
+gloom.</p>
+
+<p>"Oh, sir!" cried the unhappy girl, "let
+one who owes so much to one who has saved
+her in her hour of need at least know his
+name."</p>
+
+<p>But the stranger, with a mournful gesture<span class='pagenum'><a name="Page_33" id="Page_33">[Pg 33]</a></span>
+of farewell, had disappeared as rapidly as he
+had come.</p>
+
+<p>But, as to why he had disappeared, we must
+ask our reader's patience for another chapter.
+<br />
+<br />
+</p>
+
+
+<h3><a name="I_VI" id="I_VI"></a>CHAPTER VI</h3>
+
+<h4>THE UNKNOWN</h4>
+
+
+<p>The scene is now shifted, sideways and forwards,
+so as to put it at Muddlenut Chase, and
+to make it a fortnight later than the events
+related in the last chapter.</p>
+
+<p>Winnifred is now at the Chase as the guest
+of the Marquis and Marchioness. There her
+bruised soul finds peace.</p>
+
+<p>The Chase itself was one of those typical
+country homes which are, or were till yesterday,
+the glory of England. The approach to
+the Chase lay through twenty miles of glorious
+forest, filled with fallow deer and wild bulls.
+The house itself, dating from the time of
+the Plantagenets, was surrounded by a moat
+covered with broad lilies and floating green
+scum. Magnificent peacocks sunned themselves<span class='pagenum'><a name="Page_34" id="Page_34">[Pg 34]</a></span>
+on the terraces, while from the surrounding
+shrubberies there rose the soft murmur of
+doves, pigeons, bats, owls and partridges.</p>
+
+<p>Here sat Winnifred Clair day after day
+upon the terrace recovering her strength, under
+the tender solicitude of the Marchioness.</p>
+
+<p>Each day the girl urged upon her noble
+hostess the necessity of her departure. "Nay,"
+said the Marchioness, with gentle insistence,
+"stay where you are. Your soul is bruised.
+You must rest."</p>
+
+<p>"Alas," cried Winnifred, "who am I that
+I should rest? Alone, despised, buffeted by
+fate, what right have I to your kindness?"</p>
+
+<p>"Miss Clair," replied the noble lady, "wait
+till you are stronger. There is something that
+I wish to say to you."</p>
+
+<p>Then at last, one morning when Winnifred's
+temperature had fallen to ninety-eight point
+three, the Marchioness spoke.</p>
+
+<p>"Miss Clair," she said, in a voice which
+throbbed with emotion, "Winnifred, if I may
+so call you, Lord Muddlenut and I have
+formed a plan for your future. It is our<span class='pagenum'><a name="Page_35" id="Page_35">[Pg 35]</a></span>
+dearest wish that you should marry our
+son."</p>
+
+<p>"Alas," cried Winnifred, while tears rose
+in her eyes, "it cannot be!"</p>
+
+<p>"Say not so," cried the Marchioness. "Our
+son, Lord Mordaunt Muddlenut, is young,
+handsome, all that a girl could desire. After
+months of wandering he returns to us this morning.
+It is our dearest wish to see him married
+and established. We offer you his hand."</p>
+
+<p>"Indeed," replied Winnifred, while her tears
+fell even more freely, "I seem to requite but
+ill the kindness that you show. Alas, my
+heart is no longer in my keeping."</p>
+
+<p>"Where is it?" cried the Marchioness.</p>
+
+<p>"It is another's. One whose very name I
+do not know holds it in his keeping."</p>
+
+<p>But at this moment a blithe, gladsome step
+was heard upon the flagstones of the terrace.
+A manly, ringing voice, which sent a thrill to
+Winnifred's heart, cried "Mother!" and in
+another instant Lord Mordaunt Muddlenut,
+for he it was, had folded the Marchioness to
+his heart.<span class='pagenum'><a name="Page_36" id="Page_36">[Pg 36]</a></span></p>
+
+<p>Winnifred rose, her heart beating wildly.
+One glance was enough. The newcomer, Lord
+Mordaunt, was none other than the Unknown,
+the Unaccountable, to whose protection she
+had twice owed her life.</p>
+
+<p>With a wild cry Winnifred Clair leaped
+across the flagstones of the terrace and fled
+into the park.
+<br />
+<br />
+</p>
+
+
+<h3><a name="I_VII" id="I_VII"></a>CHAPTER VII</h3>
+
+<h4>THE PROPOSAL</h4>
+
+
+<p>They stood beneath the great trees of the
+ancestral park, into which Lord Mordaunt had
+followed Winnifred at a single bound. All
+about them was the radiance of early June.</p>
+
+<p>Lord Mordaunt knelt on one knee on the
+greensward, and with a touch in which respect
+and reverence were mingled with the deepest
+and manliest emotion, he took between his
+finger and thumb the tip of the girl's gloved
+hand.</p>
+
+<p>"Miss Clair," he uttered, in a voice suffused
+with the deepest yearning, yet vibrating with<span class='pagenum'><a name="Page_37" id="Page_37">[Pg 37]</a></span>
+the most profound respect, "Miss Clair&mdash;Winnifred&mdash;hear
+me, I implore!"</p>
+
+<p>"Alas," cried Winnifred, struggling in vain
+to disengage the tip of her glove from the impetuous
+clasp of the young nobleman, "alas,
+whither can I fly? I do not know my way
+through the wood, and there are bulls in all
+directions. I am not used to them! Lord
+Mordaunt, I implore you, let the tears of
+one but little skilled in the art of dissimulation&mdash;&mdash;"</p>
+
+<p>"Nay, Winnifred," said the Young Earl,
+"fly not. Hear me out!"</p>
+
+<p>"Let me fly," begged the unhappy girl.</p>
+
+<p>"You must not fly," pleaded Mordaunt.
+"Let me first, here upon bended knee, convey
+to you the expression of a devotion, a love, as
+ardent and as deep as ever burned in a human
+heart. Winnifred, be my bride!"</p>
+
+<p>"Oh, sir," sobbed Winnifred, "if the knowledge
+of a gratitude, a thankfulness from one
+whose heart will ever treasure as its proudest
+memory the recollection of one who did for one
+all that one could have wanted done for one&mdash;<span class='pagenum'><a name="Page_38" id="Page_38">[Pg 38]</a></span>if
+this be some poor guerdon, let it suffice.
+But, alas, my birth, the dark secret of my birth
+forbids&mdash;&mdash;"</p>
+
+<p>"Nay," cried Mordaunt, leaping now to his
+feet, "your birth is all right. I have looked
+into it myself. It is as good&mdash;or nearly as
+good&mdash;as my own. Till I knew this, my lips
+were sealed by duty. While I supposed that
+you had a lower birth and I an upper, I was
+bound to silence. But come with me to the
+house. There is one arrived with me who will
+explain all."</p>
+
+<p>Hand in hand the lovers, for such they now
+were, returned to the Chase. There in the
+great hall the Marquis and the Marchioness
+were standing ready to greet them.</p>
+
+<p>"My child!" exclaimed the noble lady, as
+she folded Winnifred to her heart. Then she
+turned to her son. "Let her know all!"
+she cried.</p>
+
+<p>Lord Mordaunt stepped across the room to
+a curtain. He drew it aside, and there stepped
+forth Mr. Bonehead, the old lawyer who had
+cast Winnifred upon the world.<span class='pagenum'><a name="Page_39" id="Page_39">[Pg 39]</a></span></p>
+
+<p>"Miss Clair," said the Lawyer, advancing
+and taking the girl's hand for a moment in a
+kindly clasp, "the time has come for me to
+explain all. You are not, you never were, the
+penniless girl that you suppose. Under the
+terms of your father's will, I was called upon
+to act a part and to throw you upon the world.
+It was my client's wish, and I followed it. I
+told you, quite truthfully, that I had put part
+of your money into options in an oil-well.
+Miss Clair, that well is now producing a
+million gallons of gasolene a month!'</p>
+
+<p>"A million gallons!" cried Winnifred. "I
+can never use it."</p>
+
+<p>"Wait till you own a motor-car, Miss
+Winnifred," said the Lawyer.</p>
+
+<p>"Then I am rich!" exclaimed the bewildered
+girl.</p>
+
+<p>"Rich beyond your dreams," answered the
+Lawyer. "Miss Clair, you own in your own
+right about half of the State of Texas&mdash;I think
+it is in Texas, at any rate either Texas or Rhode
+Island, or one of those big states in America.
+More than this, I have invested your property<span class='pagenum'><a name="Page_40" id="Page_40">[Pg 40]</a></span>
+since your father's death so wisely that even
+after paying the income tax and the property
+tax, the inheritance tax, the dog tax and the tax
+on amusements, you will still have one half of
+one per cent to spend."</p>
+
+<p>Winnifred clasped her hands.</p>
+
+<p>"I knew it all the time," said Lord Mordaunt,
+drawing the girl to his embrace, "I
+found it out through this good man."</p>
+
+<p>"We knew it too," said the Marchioness.
+"Can you forgive us, darling, our little plot for
+your welfare? Had we not done this Mordaunt
+might have had to follow you over to
+America and chase you all around Newport
+and Narragansett at a fearful expense."</p>
+
+<p>"How can I thank you enough?" cried
+Winnifred. Then she added eagerly, "And
+my birth, my descent?"</p>
+
+<p>"It is all right," interjected the Old Lawyer.
+"It is A 1. Your father, who died before you
+were born, quite a little time before, belonged
+to the very highest peerage of Wales. You
+are descended directly from Claer-ap-Claer,
+who murdered Owen Glendower. Your mother<span class='pagenum'><a name="Page_41" id="Page_41">[Pg 41]</a></span>
+we are still tracing up. But we have already
+connected her with Floyd-ap-Floyd, who
+murdered Prince Llewellyn."</p>
+
+<p>"Oh, sir," cried the grateful girl. "I only
+hope I may prove worthy of them!"</p>
+
+<p>"One thing more," said Lord Mordaunt,
+and stepping over to another curtain he drew
+it aside and there emerged Lord Wynchgate.</p>
+
+<p>He stood before Winnifred, a manly contrition
+struggling upon features which, but for
+the evil courses of he who wore them, might
+have been almost presentable.</p>
+
+<p>"Miss Clair," he said, "I ask your pardon.
+I tried to carry you off. I never will again.
+But before we part let me say that my acquaintance
+with you has made me a better man,
+broader, bigger and, I hope, deeper."</p>
+
+<p>With a profound bow, Lord Wynchgate
+took his leave.
+<br />
+<br />
+<span class='pagenum'><a name="Page_42" id="Page_42">[Pg 42]</a></span></p>
+
+<h3><a name="I_VIII" id="I_VIII"></a>CHAPTER VIII</h3>
+<h4>WEDDED AT LAST</h4>
+
+
+<p>Lord Mordaunt and his bride were married
+forthwith in the parish church of Muddlenut
+Chase. With Winnifred's money they have
+drained the moat, rebuilt the Chase, and
+chased the bulls out of the park. They have
+six children, so far, and are respected, honoured
+and revered in the countryside far
+and wide, over a radius of twenty miles in
+circumference.<br />
+<br />
+<br />
+<br />
+</p>
+<p><span class='pagenum'><a name="Page_43" id="Page_43">[Pg 43]</a></span></p>
+<div class="innerbox">
+<h2><a name="II" id="II"></a><i>II</i></h2>
+
+<h2><i>JOHN AND I</i></h2>
+
+<h3><i>OR, HOW I NEARLY LOST MY HUSBAND</i></h3>
+
+<p class="center">(<i>Narrated after the approved fashion of the best
+Heart and Home Magazines</i>)</p>
+</div>
+<p><span class='pagenum'><a name="Page_45" id="Page_45">[Pg 45]</a></span></p>
+
+
+<p>It was after we had been married about
+two years that I began to feel that I
+needed more air. Every time I looked
+at John across the breakfast-table, I felt
+as if I must have more air, more space.</p>
+
+<p>I seemed to feel as if I had no room to
+expand. I had begun to ask myself whether
+I had been wise in marrying John, whether
+John was really sufficient for my development.
+I felt cramped and shut in. In spite of myself
+the question would arise in my mind whether
+John really understood my nature. He had
+a way of reading the newspaper, propped up
+against the sugar-bowl, at breakfast, that
+somehow made me feel as if things had gone
+all wrong. It was bitter to realize that the
+time had come when John could prefer the
+newspaper to his wife's society.
+
+<span class='pagenum'><a name="Page_46" id="Page_46">[Pg 46]</a></span></p>
+
+<p>But perhaps I had better go back and tell
+the whole miserable story from the beginning.</p>
+
+<p>I shall never forget&mdash;I suppose no woman
+ever does&mdash;the evening when John first spoke
+out his love for me. I had felt for some time
+past that it was there. Again and again, he
+seemed about to speak. But somehow his
+words seemed to fail him. Twice I took him
+into the very heart of the little wood beside
+Mother's house, but it was only a small wood,
+and somehow he slipped out on the other side.
+"Oh, John," I had said, "how lonely and still
+it seems in the wood with no one here but ourselves!
+Do you think," I said, "that the birds
+have souls?" "I don't know," John answered,
+"let's get out of this." I was sure that his
+emotion was too strong for him. "I never
+feel a bit lonesome where you are, John," I
+said, as we made our way among the underbrush.
+"I think we can get out down that
+little gully," he answered. Then one evening
+in June after tea I led John down a path beside
+the house to a little corner behind the garden
+where there was a stone wall on one side and<span class='pagenum'><a name="Page_47" id="Page_47">[Pg 47]</a></span>
+a high fence right in front of us, and thorn
+bushes on the other side. There was a little
+bench in the angle of the wall and the fence,
+and we sat down on it.</p>
+
+<p>"Minnie," John said, "there's something I
+meant to say&mdash;&mdash;"</p>
+
+<p>"Oh, John," I cried, and I flung my arms
+round his neck. It all came with such a flood
+of surprise.</p>
+
+<p>"All I meant, Minn&mdash;&mdash;" John went on,
+but I checked him.</p>
+
+<p>"Oh, don't, John, don't say anything more,"
+I said. "It's just too perfect." Then I rose
+and seized him by the wrist. "Come," I said,
+"come to Mother," and I rushed him along
+the path.</p>
+
+<p>As soon as Mother saw us come in hand in
+hand in this way, she guessed everything. She
+threw both her arms round John's neck and
+fairly pinned him against the wall. John tried
+to speak, but Mother wouldn't let him. "I saw
+it all along, John," she said. "Don't speak.
+Don't say a word. I guessed your love for
+Minn from the very start. I don't know what<span class='pagenum'><a name="Page_48" id="Page_48">[Pg 48]</a></span>
+I shall do without her, John, but she's yours
+now; take her." Then Mother began to cry
+and I couldn't help crying too. "Take him to
+Father," Mother said, and we each took one of
+John's wrists and took him to Father on the
+back verandah. As soon as John saw Father
+he tried to speak again&mdash;"I think I ought to
+say," he began, but Mother stopped him.
+"Father," she said, "he wants to take our
+little girl away. He loves her very dearly,
+Alfred," she said, "and I think it our duty to
+let her go, no matter how hard it is, and oh,
+please Heaven, Alfred, he'll treat her well and
+not misuse her, or beat her," and she began
+to sob again.</p>
+
+<p>Father got up and took John by the hand
+and shook it warmly.</p>
+
+<p>"Take her, boy," he said. "She's all
+yours now, take her."</p>
+
+<p>So John and I were engaged, and in due time
+our wedding day came and we were married.
+I remember that for days and days before the
+wedding day John seemed very nervous and
+depressed; I think he was worrying, poor boy,<span class='pagenum'><a name="Page_49" id="Page_49">[Pg 49]</a></span>
+as to whether he could really make me happy
+and whether he could fill my life as it should
+be filled. But I told him that he was not
+to worry, because I <i>meant</i> to be happy, and
+was determined just to make the best of
+everything.</p>
+
+<p>Father stayed with John a good deal before
+the wedding day, and on the wedding morning
+he went and fetched him to the church in a
+closed carriage and had him there all ready
+when we came. It was a beautiful day in
+September, and the church looked just lovely.
+I had a beautiful gown of white organdie with
+<i>tulle</i> at the throat, and I carried a great bunch
+of white roses, and Father led John up the aisle
+after me.</p>
+
+<p>I remember that Mother cried a good deal
+at the wedding, and told John that he had
+stolen her darling and that he must never
+misuse me or beat me. And I remember that
+the clergyman spoke very severely to John, and
+told him he hoped he realized the responsibility
+he was taking and that it was his duty to make
+me happy. A lot of our old friends were there,<span class='pagenum'><a name="Page_50" id="Page_50">[Pg 50]</a></span>
+and they all spoke quite sharply to John, and
+all the women kissed me and said they hoped I
+would never regret what I had done, and I just
+kept up my spirits by sheer determination, and
+told them that I had made up my mind to be
+happy and that I was going to be so.</p>
+
+<p>So presently it was all over and we were
+driven to the station and got the afternoon
+train for New York, and when we sat down
+in the compartment among all our bandboxes
+and flowers, John said, "Well, thank God,
+that's over." And I said, "Oh, John, an oath!
+on our wedding day, an oath!" John said,
+"I'm sorry, Minn, I didn't mean&mdash;&mdash;" but I said,
+"Don't, John, don't make it worse. Swear at
+me if you must, but don't make it harder to
+bear."</p>
+
+<p class="tb">* * * * *</p>
+
+<p>We spent our honeymoon in New York. At
+first I had thought of going somewhere to the
+great lonely woods, where I could have walked
+under the great trees and felt the silence of
+nature, and where John should have been my
+Viking and captured me with his spear, and<span class='pagenum'><a name="Page_51" id="Page_51">[Pg 51]</a></span>
+where I should be his and his alone and no
+other man should share me; and John had said
+all right. Or else I had planned to go away
+somewhere to the seashore, where I could have
+watched the great waves dashing themselves
+against the rocks. I had told John that he
+should be my cave man, and should seize me
+in his arms and carry me whither he would.
+I felt somehow that for my development I
+wanted to get as close to nature as ever I could&mdash;that
+my mind seemed to be reaching out for
+a great emptiness. But I looked over all the
+hotel and steamship folders I could find and it
+seemed impossible to get good accommodation,
+so we came to New York. I had a great deal
+of shopping to do for our new house, so I could
+not be much with John, but I felt it was not
+right to neglect him, so I drove him somewhere
+in a taxi each morning and called for him again
+in the evening. One day I took him to the
+Metropolitan Museum, and another day I left
+him at the Zoo, and another day at the
+aquarium. John seemed very happy and quiet
+among the fishes.<span class='pagenum'><a name="Page_52" id="Page_52">[Pg 52]</a></span></p>
+
+<p>So presently we came back home, and I spent
+many busy days in fixing and arranging our new
+house. I had the drawing-room done in blue,
+and the dining-room all in dark panelled wood,
+and a boudoir upstairs done in pink and white
+enamel to match my bedroom and dressing-room.
+There was a very nice little room in the
+basement next to the coal cellar that I turned
+into a "den" for John, so that when he wanted
+to smoke he could go down there and do it.
+John seemed to appreciate his den at once, and
+often would stay down there so long that I had
+to call to him to come up.</p>
+
+<p>When I look back on those days they seem
+very bright and happy. But it was not very
+long before a change came. I began to realize
+that John was neglecting me. I noticed it at
+first in small things. I don't know just how
+long it was after our marriage that John began
+to read the newspaper at breakfast. At first
+he would only pick it up and read it in little
+bits, and only on the front page. I tried not
+to be hurt at it, and would go on talking just
+as brightly as I could, without seeming to notice<span class='pagenum'><a name="Page_53" id="Page_53">[Pg 53]</a></span>
+anything. But presently he went on to reading
+the inside part of the paper, and then one day
+he opened up the financial page and folded
+the paper right back and leant it against the
+sugar-bowl.</p>
+
+<p>I could not but wonder whether John's love
+for me was what it had been. Was it cooling?
+I asked myself. And what was cooling it?
+It hardly seemed possible, when I looked back
+to the wild passion with which he had proposed
+to me on the garden bench, that John's love
+was waning. But I kept noticing different
+little things. One day in the spring-time I saw
+John getting out a lot of fishing tackle from a
+box and fitting it together. I asked him what
+he was going to do, and he said that he was
+going to fish. I went to my room and had a
+good cry. It seemed dreadful that he could
+neglect his wife for a few worthless fish.</p>
+
+<p>So I decided to put John to the test. It had
+been my habit every morning after he put his
+coat on to go to the office to let John have one
+kiss, just one weeny kiss, to keep him happy all
+day. So this day when he was getting ready I<span class='pagenum'><a name="Page_54" id="Page_54">[Pg 54]</a></span>
+bent my head over a big bowl of flowers and
+pretended not to notice. I think John must
+have been hurt, as I heard him steal out on
+tiptoe.</p>
+
+<p>Well, I realized that things had come to a
+dreadful state, and so I sent over to Mother,
+and Mother came, and we had a good cry
+together. I made up my mind to force myself
+to face things and just to be as bright as ever
+I could. Mother and I both thought that
+things would be better if I tried all I could to
+make something out of John. I have always
+felt that every woman should make all that she
+can out of her husband. So I did my best first
+of all to straighten up John's appearance. I
+shifted the style of collar he was wearing to a
+tighter kind that I liked better, and I brushed
+his hair straight backward instead of forward,
+which gave him a much more alert look.
+Mother said that John needed waking up, and
+so we did all we could to wake him up. Mother
+came over to stay with me a good deal, and in
+the evenings we generally had a little music or
+a game of cards.<span class='pagenum'><a name="Page_55" id="Page_55">[Pg 55]</a></span></p>
+
+<p>About this time another difficulty began to
+come into my married life, which I suppose I
+ought to have foreseen&mdash;I mean the attentions
+of other gentlemen. I have always called
+forth a great deal of admiration in gentlemen,
+but I have always done my best to act like a
+lady and to discourage it in every possible way.
+I had been innocent enough to suppose that this
+would end with married life, and it gave me a
+dreadful shock to realize that such was not the
+case. The first one I noticed was a young man
+who came to the house, at an hour when John
+was out, for the purpose, so he said at least,
+of reading the gas meter. He looked at me in
+just the boldest way and asked me to show him
+the way to the cellar. I don't know whether
+it was a pretext or not, but I just summoned all
+the courage I had and showed him to the head
+of the cellar stairs. I had determined that if
+he tried to carry me down with him I would
+scream for the servants, but I suppose something
+in my manner made him desist, and he
+went alone. When he came up he professed
+to have read the meter and he left the house<span class='pagenum'><a name="Page_56" id="Page_56">[Pg 56]</a></span>
+quite quietly. But I thought it wiser to say
+nothing to John of what had happened.</p>
+
+<p>There were others too. There was a young
+man with large brown eyes who came and said
+he had been sent to tune the piano. He came
+on three separate days, and he bent his ear over
+the keys in such a mournful way that I knew
+he must have fallen in love with me. On the
+last day he offered to tune my harp for a dollar
+extra, but I refused, and when I asked him
+instead to tune Mother's mandoline he said he
+didn't know how. Of course I told John
+nothing of all this.</p>
+
+<p>Then there was Mr. McQueen, who came
+to the house several times to play cribbage with
+John. He had been desperately in love with
+me years before&mdash;at least I remember his taking
+me home from a hockey match once, and what
+a struggle it was for him not to come into the
+parlour and see Mother for a few minutes when
+I asked him; and, though he was married now
+and with three children, I felt sure when he
+came to play cribbage with John that it <i>meant</i>
+something. He was very discreet and honour<span class='pagenum'><a name="Page_57" id="Page_57">[Pg 57]</a></span>able,
+and never betrayed himself for a moment,
+and I acted my part as if there was nothing at
+all behind. But one night, when he came over
+to play and John had had to go out, he refused
+to stay even for an instant. He had got his
+overshoes off before I told him that John was
+out, and asked him if he wouldn't come into
+the parlour and hear Mother play the mandoline,
+but he just made one dive for his overshoes
+and was gone. I knew that he didn't dare to
+trust himself.</p>
+
+<p>Then presently a new trouble came. I
+began to suspect that John was drinking. I
+don't mean for a moment that he was drunk,
+or that he was openly cruel to me. But at
+times he seemed to act so queerly, and I noticed
+that one night when by accident I left a bottle
+of raspberry vinegar on the sideboard overnight,
+it was all gone in the morning. Two
+or three times when McQueen and John were
+to play cribbage, John would fetch home two
+or three bottles of bevo with him and they
+would sit sipping all evening.</p>
+
+<p>I think he was drinking bevo by himself,<span class='pagenum'><a name="Page_58" id="Page_58">[Pg 58]</a></span>
+too, though I could never be sure of it. At any
+rate he often seemed queer and restless in the
+evenings, and instead of staying in his den he
+would wander all over the house. Once we
+heard him&mdash;I mean Mother and I and two lady
+friends who were with us that evening&mdash;quite
+late (after ten o'clock) apparently moving
+about in the pantry. "John," I called, "is
+that you?" "Yes, Minn," he answered, quietly
+enough, I admit. "What are you doing
+there?" I asked. "Looking for something to
+eat," he said. "John," I said, "you are forgetting
+what is due to me as your wife. You
+were fed at six. Go back."</p>
+
+<p>He went. But yet I felt more and more
+that his love must be dwindling to make him act
+as he did. I thought it all over wearily enough
+and asked myself whether I had done everything
+I should to hold my husband's love. I
+had kept him in at nights. I had cut down his
+smoking. I had stopped his playing cards.
+What more was there that I could do?</p>
+
+<p class="tb">* * * * *</p>
+
+<p>So at last the conviction came to me that I<span class='pagenum'><a name="Page_59" id="Page_59">[Pg 59]</a></span>
+must go away. I felt that I must get away
+somewhere and think things out. At first I
+thought of Palm Beach, but the season had not
+opened and I felt somehow that I couldn't wait.
+I wanted to get away somewhere by myself
+and just face things as they were. So one
+morning I said to John, "John, I think I'd like
+to go off somewhere for a little time, just to be
+by myself, dear, and I don't want you to ask
+to come with me or to follow me, but just let
+me go." John said, "All right, Minn. When
+are you going to start?" The cold brutality
+of it cut me to the heart, and I went upstairs
+and had a good cry and looked over steamship
+and railroad folders. I thought of Havana
+for a while, because the pictures of the harbour
+and the castle and the queer Spanish streets
+looked so attractive, but then I was afraid
+that at Havana a woman alone by herself might
+be simply persecuted by attentions from gentlemen.
+They say the Spanish temperament
+is something fearful. So I decided on Bermuda
+instead. I felt that in a beautiful, quiet
+place like Bermuda I could think everything all<span class='pagenum'><a name="Page_60" id="Page_60">[Pg 60]</a></span>
+over and face things, and it said on the folder
+that there were always at least two English
+regiments in garrison there, and the English
+officers, whatever their faults, always treat a
+woman with the deepest respect.</p>
+
+<p>So I said nothing more to John, but in the
+next few days I got all my arrangements made
+and my things packed. And when the last
+afternoon came I sat down and wrote John a
+long letter, to leave on my boudoir table, telling
+him that I had gone to Bermuda. I told him
+that I wanted to be alone: I said that I couldn't
+tell when I would be back&mdash;that it might be
+months, or it might be years, and I hoped that
+he would try to be as happy as he could and
+forget me entirely, and to send me money on
+the first of every month.</p>
+
+<p class="tb">* * * * *</p>
+
+<p>Well, it was just at that moment that one of
+those strange coincidences happen, little things
+in themselves, but which seem to alter the whole
+course of a person's life. I had nearly finished
+the letter to John that I was to leave on the
+writing-desk, when just then the maid came up<span class='pagenum'><a name="Page_61" id="Page_61">[Pg 61]</a></span>
+to my room with a telegram. It was for John,
+but I thought it my duty to open it and read
+it for him before I left. And I nearly fainted
+when I saw that it was from a lawyer in Bermuda&mdash;of
+all places&mdash;and it said that a legacy
+of two hundred thousand dollars had been left
+to John by an uncle of his who had died there,
+and asking for instructions about the disposition
+of it.</p>
+
+<p>A great wave seemed to sweep over me, and
+all the wicked thoughts that had been in my
+mind&mdash;for I saw now that they <i>were</i> wicked&mdash;were
+driven clean away. I thought how completely
+lost poor old John would feel if all this
+money came to him and he didn't have to work
+any more and had no one at his side to help and
+guide him in using it.</p>
+
+<p>I tore up the wicked letter I had written, and
+I hurried as fast as I could to pack up a valise
+with John's things (my own were packed
+already, as I said). Then presently John came
+in, and I broke the news to him as gently and as
+tenderly as I could about his uncle having left
+him the money and having died. I told him<span class='pagenum'><a name="Page_62" id="Page_62">[Pg 62]</a></span>
+that I had found out all about the trains and
+the Bermuda steamer, and had everything all
+packed and ready for us to leave at once. John
+seemed a little dazed about it all, and kept
+saying that his uncle had taught him to play
+tennis when he was a little boy, and he was very
+grateful and thankful to me for having everything
+arranged, and thought it wonderful.</p>
+
+<p>I had time to telephone to a few of my
+women friends, and they just managed to rush
+round for a few minutes to say good-bye. I
+couldn't help crying a little when I told them
+about John's uncle dying so far away with none
+of us near him, and I told them about the legacy,
+and they cried a little to hear of it all; and when
+I told them that John and I might not come
+back direct from Bermuda, but might take a
+run over to Europe first, they all cried some
+more.</p>
+
+<p>We left for New York that evening, and
+after we had been to Bermuda and arranged
+about a suitable monument for John's uncle
+and collected the money, we sailed for
+Europe.<span class='pagenum'><a name="Page_63" id="Page_63">[Pg 63]</a></span></p>
+
+<p>All through the happy time that has followed,
+I like to think that through all our trials and
+difficulties affliction brought us safely together
+at last.
+<br />
+<br /><br />
+<br />
+</p>
+<p><span class='pagenum'><a name="Page_65" id="Page_65">[Pg 65]</a></span></p>
+
+<div class="innerbox">
+<h2><a name="III" id="III"></a><i>III</i></h2>
+
+<h2><i>THE SPLIT IN THE CABINET</i></h2>
+<h3><i>OR, THE FATE OF ENGLAND</i></h3>
+
+<p class="center">(<i>A political novel of the Days that Were</i>)</p>
+</div>
+
+<p><span class='pagenum'><a name="Page_67" id="Page_67">[Pg 67]</a></span></p>
+
+
+<h3>CHAPTER I</h3>
+
+<p>"The fate of England hangs upon it,"
+murmured Sir John Elphinspoon, as
+he sank wearily into an armchair.
+For a moment, as he said "England,"
+the baronet's eye glistened and his ears lifted
+as if in defiance, but as soon as he stopped
+saying it his eye lost its brilliance and
+his ears dropped wearily at the sides of his
+head.</p>
+
+<p>Lady Elphinspoon looked at her husband
+anxiously. She could not conceal from herself
+that his face, as he sank into his chair, seemed
+somehow ten years older than it had been ten
+years ago.</p>
+
+<p>"You are home early, John?" she queried.</p>
+
+<p>"The House rose early, my dear," said the
+baronet.</p>
+
+<p><span class='pagenum'><a name="Page_68" id="Page_68">[Pg 68]</a></span>
+"For the All England Ping-Pong match?"</p>
+
+<p>"No, for the Dog Show. The Prime
+Minister felt that the Cabinet ought to attend.
+He said that their presence there would help
+to bind the colonies to us. I understand also
+that he has a pup in the show himself. He
+took the Cabinet with him."</p>
+
+<p>"And why not you?" asked Lady Elphinspoon.</p>
+
+<p>"You forget, my dear," said the baronet,
+"as Foreign Secretary my presence at a Dog
+Show might be offensive to the Shah of Persia.
+Had it been a Cat Show&mdash;&mdash;"</p>
+
+<p>The baronet paused and shook his head in
+deep gloom.</p>
+
+<p>"John," said his wife, "I feel that there is
+something more. Did anything happen at the
+House?"</p>
+
+<p>Sir John nodded.</p>
+
+<p>"A bad business," he said. "The Wazuchistan
+Boundary Bill was read this afternoon
+for the third time."</p>
+
+<p>No woman in England, so it was generally<span class='pagenum'><a name="Page_69" id="Page_69">[Pg 69]</a></span>
+said, had a keener political insight than Lady
+Elphinspoon.</p>
+
+<p>"The third time," she repeated thoughtfully,
+"and how many more will it have to go?"</p>
+
+<p>Sir John turned his head aside and groaned.</p>
+
+<p>"You are faint," exclaimed Lady Elphinspoon,
+"let me ring for tea."</p>
+
+<p>The baronet shook his head.</p>
+
+<p>"An egg, John&mdash;let me beat you up an egg."</p>
+
+<p>"Yes, yes," murmured Sir John, still
+abstracted, "beat it, yes, do beat it."</p>
+
+<p>Lady Elphinspoon, in spite of her elevated
+position as the wife of the Foreign Secretary
+of Great Britain, held it not beneath her to
+perform for her husband the plainest household
+service. She rang for an egg. The
+butler broke it for her into a tall goblet filled
+with old sherry, and the noble lady, with her
+own hands, beat the stuff out of it. For the
+veteran politician, whose official duties rarely
+allowed him to eat, an egg was a sovereign
+remedy. Taken either in a goblet of sherry
+or in a mug of rum, or in half a pint of
+whisky, it never failed to revive his energies.<span class='pagenum'><a name="Page_70" id="Page_70">[Pg 70]</a></span></p>
+
+<p>The effect of the egg was at once visible in
+the brightening of his eye and the lengthening
+of his ears.</p>
+
+<p>"And now explain to me," said his wife,
+"what has happened. What <i>is</i> this Boundary
+Bill?"</p>
+
+<p>"We never meant it to pass," said Sir John.
+"It was introduced only as a sop to public
+opinion. It delimits our frontier in such a way
+as to extend our suzerainty over the entire
+desert of El Skrub. The Wazoos have claimed
+that this is their desert. The hill tribes are
+restless. If we attempt to advance the Wazoos
+will rise. If we retire it deals a blow at our
+prestige."</p>
+
+<p>Lady Elphinspoon shuddered. Her long
+political training had taught her that nothing
+was so fatal to England as to be hit in the
+prestige.</p>
+
+<p>"And on the other hand," continued Sir
+John, "if we move sideways, the Ohul&icirc;s, the
+mortal enemies of the Wazoos, will strike us
+in our rear."</p>
+
+<p>"In our rear!" exclaimed Lady Elphin<span class='pagenum'><a name="Page_71" id="Page_71">[Pg 71]</a></span>spoon
+in a tone of pain. "Oh, John, we must
+go forward. Take another egg."</p>
+
+<p>"We cannot," groaned the Foreign Secretary.
+"There are reasons which I cannot explain
+even to you, Caroline, reasons of State,
+which absolutely prevent us from advancing
+into Wazuchistan. Our hands are tied. Meantime
+if the Wazoos rise, it is all over with us.
+It will split the Cabinet."</p>
+
+<p>"Split the Cabinet!" repeated Lady Elphinspoon
+in alarm. She well knew that next to a
+blow in the prestige the splitting of the Cabinet
+was about the worst thing that could happen
+to Great Britain. "Oh, John, they <i>must</i> be
+held together at all costs. Can nothing be
+done?"</p>
+
+<p>"Everything is being done that can be. The
+Prime Minister has them at the Dog Show
+at this moment. To-night the Chancellor is
+taking them to moving pictures. And to-morrow&mdash;it
+is a State secret, my dear, but it
+will be very generally known in the morning&mdash;we
+have seats for them all at the circus. If
+we can hold them together all is well, but if<span class='pagenum'><a name="Page_72" id="Page_72">[Pg 72]</a></span>
+they split we are undone. Meantime our difficulties
+increase. At the very passage of the
+Bill itself a question was asked by one of the
+new labour members, a miner, my dear, a quite
+uneducated man&mdash;&mdash;"</p>
+
+<p>"Yes?" queried Lady Elphinspoon.</p>
+
+<p>"He asked the Colonial Secretary"&mdash;Sir
+John shuddered&mdash;"to tell him where Wazuchistan
+is. Worse than that, my dear," added
+Sir John, "he defied him to tell him where it is."</p>
+
+<p>"What did you do? Surely he has no right
+to information of that sort?"</p>
+
+<p>"It was a close shave. Luckily the Whips
+saved us. They got the Secretary out of the
+House and rushed him to the British Museum.
+When he got back he said that he would answer
+the question a month from Friday. We got
+a great burst of cheers, but it was a close thing.
+But stop, I must speak at once with Powers.
+My despatch box, yes, here it is. Now where
+is young Powers? There is work for him to
+do at once."</p>
+
+<p>"Mr. Powers is in the conservatory with
+Angela," said Lady Elphinspoon.<span class='pagenum'><a name="Page_73" id="Page_73">[Pg 73]</a></span></p>
+
+<p>"With Angela!" exclaimed Sir John, while
+a slight shade of displeasure appeared upon his
+brow. "With Angela again! Do you think
+it quite proper, my dear, that Powers should
+be so constantly with Angela?"</p>
+
+<p>"John," said his wife, "you forget, I think,
+who Mr. Powers is. I am sure that Angela
+knows too well what is due to her rank, and to
+herself, to consider Mr. Powers anything more
+than an instructive companion. And I notice
+that, since Mr. Powers has been your secretary,
+Angela's mind is much keener. Already the
+girl has a wonderful grasp on foreign policy.
+Only yesterday I heard her asking the Prime
+Minister at luncheon whether we intend to
+extend our Senegambian protectorate over the
+Fusees. He was delighted."</p>
+
+<p>"Oh, very well, very well," said Sir John.
+Then he rang a bell for a manservant.</p>
+
+<p>"Ask Mr. Powers," he said, "to be good
+enough to attend me in the library."
+<br />
+<br />
+<span class='pagenum'><a name="Page_74" id="Page_74">[Pg 74]</a></span></p>
+
+<h3>CHAPTER II</h3>
+
+
+<p>Angela Elphinspoon stood with Perriton
+Powers among the begonias of the conservatory.
+The same news which had so agitated
+Sir John lay heavy on both their hearts.</p>
+
+<p>"Will the Wazoo rise?" asked Angela,
+clasping her hands before her, while her great
+eyes sought the young man's face and found it.
+"Oh, Mr. Powers! Tell me, will they rise?
+It seems too dreadful to contemplate. Do you
+think the Wazoo will rise?"</p>
+
+<p>"It is only too likely," said Powers. They
+stood looking into one another's eyes, their
+thoughts all on the Wazoo.</p>
+
+<p>Angelina Elphinspoon, as she stood there
+against the background of the begonias, made
+a picture that a painter, or even a plumber,
+would have loved. Tall and typically English
+in her fair beauty, her features, in repose, had
+something of the hauteur and distinction of her
+mother, and when in motion they recalled her
+father.</p>
+
+<p>Perriton Powers was even taller than Angela.<span class='pagenum'><a name="Page_75" id="Page_75">[Pg 75]</a></span>
+The splendid frame and stern features of Sir
+John's secretary made him a striking figure.
+Yet he was, quite frankly, sprung from the
+people, and made no secret of it. His father
+had been simply a well-to-do London surgeon,
+who had been knighted for some mere discoveries
+in science. His grandfather, so it
+was whispered, had been nothing more than a
+successful banker who had amassed a fortune
+simply by successful banking. Yet at Oxford
+young Powers had carried all before him. He
+had occupied a seat, a front seat, in one of the
+boats, had got his blue and his pink, and had
+taken a double final in Sanscrit and Arithmetic.</p>
+
+<p>He had already travelled widely in the East,
+spoke Urdu and Hoodoo with facility, while as
+secretary to Sir John Elphinspoon, with a seat
+in the House in prospect, he had his foot upon
+the ladder of success.</p>
+
+<p>"Yes," repeated Powers thoughtfully, "they
+may rise. Our confidential despatches tell us
+that for some time they have been secretly
+passing round packets of yeast. The whole
+tribe is in a ferment."<span class='pagenum'><a name="Page_76" id="Page_76">[Pg 76]</a></span></p>
+
+<p>"But our sphere of influence is at stake,"
+exclaimed Angela.</p>
+
+<p>"It is," said Powers. "As a matter of fact,
+for over a year we have been living on a mere
+<i>modus vivendi</i>."</p>
+
+<p>"Oh, Mr. Powers," cried Angela, "what a
+way to live."</p>
+
+<p>"We have tried everything," said the secretary.
+"We offered the Wazoo a condominium
+over the desert of El Skrub. They refused it."</p>
+
+<p>"But it's our desert," said Angela proudly.</p>
+
+<p>"It is. But what can we do? The best we
+can hope is that El Boob will acquiesce in the
+<i>status quo</i>."</p>
+
+<p>At that moment a manservant appeared in
+the doorway of the conservatory.</p>
+
+<p>"Mr. Powers, sir," he said, "Sir John desires
+your attendance, sir, in the library, sir."</p>
+
+<p>Powers turned to Angela, a new seriousness
+upon his face.</p>
+
+<p>"Miss Elphinspoon," he said, "I think I
+know what is coming. Will you wait for me
+here? I shall be back in half an hour."</p>
+
+<p>"I will wait," said the girl. She sat down<span class='pagenum'><a name="Page_77" id="Page_77">[Pg 77]</a></span>
+and waited among the begonias, her mind still
+on the Wazoo, her whole intense nature strung
+to the highest pitch. "Can the <i>modus vivendi</i>
+hold?" she murmured.</p>
+
+<p>In half an hour Powers returned. He was
+wearing now his hat and light overcoat, and
+carried on a strap round his neck a tin box with
+a white painted label, "<i>British Foreign Office.
+Confidential Despatches. This Side Up With
+Care.</i>"</p>
+
+<p>"Miss Elphinspoon," he said, and there was
+a new note in his voice, "Angela, I leave
+England to-night&mdash;&mdash;"</p>
+
+<p>"To-night!" gasped Angela.</p>
+
+<p>"On a confidential mission."</p>
+
+<p>"To Wazuchistan!" exclaimed the girl.</p>
+
+<p>Powers paused a moment. "To Wazuchistan,"
+he said, "yes. But it must not be
+known. I shall return in a month&mdash;or never.
+If I fail"&mdash;he spoke with an assumed lightness&mdash;"it
+is only one more grave among the hills. If
+I succeed, the Cabinet is saved, and with it the
+destiny of England."</p>
+
+<p>"Oh, Mr. Powers," cried Angela, rising and<span class='pagenum'><a name="Page_78" id="Page_78">[Pg 78]</a></span>
+advancing towards him, "how splendid! How
+noble! No reward will be too great for you."</p>
+
+<p>"My reward," said Powers, and as he spoke
+he reached out and clasped both of the girl's
+hands in his own, "yes, my reward. May I
+come and claim it here?"</p>
+
+<p>For a moment he looked straight into her
+eyes. In the next he was gone, and Angela
+was alone.</p>
+
+<p>"His reward!" she murmured. "What
+could he have meant? His reward that he is to
+claim. What can it be?"</p>
+
+<p>But she could not divine it. She admitted
+to herself that she had not the faintest idea.
+<br />
+<br />
+</p>
+
+<h3>CHAPTER III</h3>
+
+<p>In the days that followed all England was
+thrilled to its base as the news spread that the
+Wazoo might rise at any moment.</p>
+
+<p>"Will the Wazoos rise?" was the question
+upon every lip.</p>
+
+<p>In London men went to their offices with a
+sense of gloom. At lunch they could hardly<span class='pagenum'><a name="Page_79" id="Page_79">[Pg 79]</a></span>
+eat. A feeling of impending disaster pervaded
+all ranks.</p>
+
+<p>Sir John as he passed to and fro to the
+House was freely accosted in the streets.</p>
+
+<p>"Will the Wazoos rise, sir?" asked an
+honest labourer. "Lord help us all, sir, if they
+do."</p>
+
+<p>Sir John, deeply touched, dropped a shilling
+in the honest fellow's hat, by accident.</p>
+
+<p>At No. 10 Downing Street, women of the
+working class, with children in their arms, stood
+waiting for news.</p>
+
+<p>On the Exchange all was excitement.
+Consols fell two points in twenty-four hours.
+Even raising the Bank rate and shutting the
+door brought only a temporary relief.</p>
+
+<p>Lord Glump, the greatest financial expert in
+London, was reported as saying that if the
+Wazoos rose England would be bankrupt in
+forty-eight hours.</p>
+
+<p>Meanwhile, to the consternation of the whole
+nation, the Government did nothing. The
+Cabinet seemed to be paralysed.</p>
+
+<p>On the other hand the Press became all the<span class='pagenum'><a name="Page_80" id="Page_80">[Pg 80]</a></span>
+more clamorous. The London <i>Times</i> urged
+that an expedition should be sent at once.
+Twenty-five thousand household troops, it
+argued, should be sent up the Euphrates or up
+the Ganges or up something without delay.
+If they were taken in flat boats, carried over
+the mountains on mules, and lifted across the
+rivers in slings, they could then be carried over
+the desert on jackasses. They could reach
+Wazuchistan in two years. Other papers
+counselled moderation. The <i>Manchester
+Guardian</i> recalled the fact that the Wazoos
+were a Christian people. Their leader, El
+Boob, so it was said, had accepted Christianity
+with childlike simplicity and had asked if there
+was any more of it. The <i>Spectator</i> claimed
+that the Wazoos, or more properly the Wazi,
+were probably the descendants of an Iranic or
+perhaps Urgumic stock. It suggested the
+award of a Rhodes Scholarship. It looked
+forward to the days when there would be
+Wazoos at Oxford. Even the presence of a
+single Wazoo, or, more accurately, a single
+Wooz, would help.<span class='pagenum'><a name="Page_81" id="Page_81">[Pg 81]</a></span></p>
+
+<p>With each day the news became more
+ominous. It was reported in the Press that a
+Wazoo, inflamed apparently with <i>ghee</i>, or perhaps
+with <i>bhong</i>, had rushed up to the hills and
+refused to come down. It was said that the
+Shriek-el-Foozlum, the religious head of the
+tribe, had torn off his suspenders and sent
+them to Mecca.</p>
+
+<p>That same day the <i>Illustrated London
+News</i> published a drawing "Wazoo Warriors
+Crossing a River and Shouting, Ho!"
+and the general consternation reached its
+height.</p>
+
+<p>Meantime, for Sir John and his colleagues,
+the question of the hour became, "Could the
+Cabinet be held together?" Every effort was
+made. The news that the Cabinet had all been
+seen together at the circus, for a moment reassured
+the nation. But the rumour spread
+that the First Lord of the Admiralty had said
+that the clowns were a bum lot. The Radical
+Press claimed that if he thought so he ought
+to resign.</p>
+
+<p>On the fatal Friday the question already<span class='pagenum'><a name="Page_82" id="Page_82">[Pg 82]</a></span>
+referred to was scheduled for its answer. The
+friends of the Government counted on the
+answer to restore confidence. To the consternation
+of all, the expected answer was not
+forthcoming. The Colonial Secretary rose in
+his place, visibly nervous. Ministers, he said,
+had been asked where Wazuchistan was. They
+were not prepared, at the present delicate stage
+of negotiations, to say. More hung upon the
+answer than Ministers were entitled to divulge.
+They could only appeal to the patriotism of the
+nation. He could only say this, that <i>wherever</i>
+it was, and he used the word <i>wherever</i> with all
+the emphasis of which he was capable, the
+Government would accept the full responsibility
+for its being where it was.</p>
+
+<p>The House adjourned in something like
+confusion.</p>
+
+<p>Among those seated behind the grating of
+the Ladies' Gallery was Lady Elphinspoon.
+Her quick instinct told her the truth. Driving
+home, she found her husband seated, crushed,
+in his library.</p>
+
+<p>"John," she said, falling on her knees and<span class='pagenum'><a name="Page_83" id="Page_83">[Pg 83]</a></span>
+taking her husband's hands in hers, "is this
+true? Is this the dreadful truth?"</p>
+
+<p>"I see you have divined it, Caroline," said
+the statesman sadly. "It is the truth. We
+don't know where Wazuchistan is."</p>
+
+<p>For a moment there was silence.</p>
+
+<p>"But, John, how could it have happened?"</p>
+
+<p>"We thought the Colonial Office knew. We
+were confident that they knew. The Colonial
+Secretary had stated that he had been there.
+Later on it turned out that he meant Saskatchewan.
+Of course they thought <i>we</i> knew. And
+we both thought that the Exchequer must
+know. We understood that they had collected
+a hut tax for ten years."</p>
+
+<p>"And hadn't they?"</p>
+
+<p>"Not a penny. The Wazoos live in tents."</p>
+
+<p>"But, surely," pleaded Lady Elphinspoon,
+"you could find out. Had you no maps?"</p>
+
+<p>Sir John shook his head.</p>
+
+<p>"We thought of that at once, my dear.
+We've looked all through the British Museum.
+Once we thought we had succeeded. But it
+turned out to be Wisconsin."<span class='pagenum'><a name="Page_84" id="Page_84">[Pg 84]</a></span></p>
+
+<p>"But the map in the <i>Times</i>? Everybody
+saw it."</p>
+
+<p>Again the baronet shook his head. "Lord
+Southcliff had it made in the office," he said.
+"It appears that he always does. Otherwise
+the physical features might not suit him."</p>
+
+<p>"But could you not send some one to see?"</p>
+
+<p>"We did. We sent Perriton Powers to
+find out where it was. We had a month to the
+good. It was barely time, just time. Powers
+has failed and we are lost. To-morrow all
+England will guess the truth and the Government
+falls."
+<br />
+<br />
+</p>
+
+<h3>CHAPTER IV</h3>
+
+<p>The crowd outside of No. 10 Downing
+Street that evening was so dense that all traffic
+was at a standstill. But within the historic
+room where the Cabinet were seated about the
+long table all was calm. Few could have
+guessed from the quiet demeanour of the
+group of statesmen that the fate of an Empire
+hung by a thread.<span class='pagenum'><a name="Page_85" id="Page_85">[Pg 85]</a></span></p>
+
+<p>Seated at the head of the table, the Prime
+Minister was quietly looking over a book of
+butterflies, while waiting for the conference to
+begin. Beside him the Secretary for Ireland
+was fixing trout flies, while the Chancellor of
+the Exchequer kept his serene face bent over
+upon his needlework. At the Prime Minister's
+right, Sir John Elphinspoon, no longer agitated,
+but sustained and dignified by the responsibility
+of his office, was playing spillikins.</p>
+
+<p>The little clock on the mantel chimed eight.</p>
+
+<p>The Premier closed his book of butterflies.</p>
+
+<p>"Well, gentlemen," he said, "I fear our
+meeting will not be a protracted one. It seems
+we are hopelessly at variance. You, Sir
+Charles," he continued, turning to the First
+Sea Lord, who was in attendance, "are still in
+favour of a naval expedition?"</p>
+
+<p>"Send it up at once," said Sir Charles.</p>
+
+<p>"Up where?" asked the Premier.</p>
+
+<p>"Up anything," answered the Old Sea Dog,
+"it will get there."</p>
+
+<p>Voices of dissent were raised in undertones
+around the table.<span class='pagenum'><a name="Page_86" id="Page_86">[Pg 86]</a></span></p>
+
+<p>"I strongly deprecate any expedition," said
+the Chancellor of the Exchequer, "I favour
+a convention with the Shriek. Let the Shriek
+sign a convention recognizing the existence of a
+supreme being and receiving from us a million
+sterling in acknowledgment."</p>
+
+<p>"And where will you <i>find</i> the Shriek?" said
+the Prime Minister. "Come, come, gentlemen,
+I fear that we can play this comedy no
+longer. The truth is," he added with characteristic
+nonchalance, "we don't know where the
+bally place is. We can't meet the House to-*morrow.
+We are hopelessly split. Our existence
+as a Government is at an end."</p>
+
+<p>But, at that very moment, a great noise of
+shouting and clamour rose from the street
+without. The Prime Minister lifted his hand
+for silence. "Listen," he said. One of the
+Ministers went to a window and opened it, and
+the cries outside became audible. "A King's
+Messenger! Make way for the King's
+Messenger!"</p>
+
+<p>The Premier turned quietly to Sir John.</p>
+
+<p>"Perriton Powers," he said.<span class='pagenum'><a name="Page_87" id="Page_87">[Pg 87]</a></span></p>
+
+<p>In another moment Perriton Powers stood
+before the Ministers.</p>
+
+<p>Bronzed by the tropic sun, his face was
+recognizable only by the assured glance of his
+eye. An Afghan <i>bernous</i> was thrown back
+from his head and shoulders, while his commanding
+figure was draped in a long <i>chibuok</i>.
+A pair of pistols and a curved <i>yasmak</i> were in
+his belt.</p>
+
+<p>"So you got to Wazuchistan all right," said
+the Premier quietly.</p>
+
+<p>"I went in by way of the Barooda," said
+Powers. "For many days I was unable to
+cross it. The waters of the river were wild
+and swollen with rains. To cross it seemed
+certain death&mdash;&mdash;"</p>
+
+<p>"But at last you got over," said the Premier,
+"and then&mdash;&mdash;"</p>
+
+<p>"I struck out over the Fahuri desert. For
+days and days, blinded by the sun, and almost
+buried in sand, I despaired."</p>
+
+<p>"But you got through it all right. And after
+that?"</p>
+
+<p>"My first care was to disguise myself.<span class='pagenum'><a name="Page_88" id="Page_88">[Pg 88]</a></span>
+Staining myself from head to foot with betel
+nut&mdash;&mdash;"</p>
+
+<p>"To look like a beetle," said the Premier.
+"Exactly. And so you got to Wazuchistan.
+Where is it and what is it?"</p>
+
+<p>"My lord," said Powers, drawing himself
+up and speaking with emphasis, "I got to where
+it was thought to be. There is no such place!"</p>
+
+<p>The whole Cabinet gave a start of astonishment.</p>
+
+<p>"No such place!" they repeated.</p>
+
+<p>"What about El Boob?" asked the Chancellor.</p>
+
+<p>"There is no such person."</p>
+
+<p>"And the Shriek-el-Foozlum?"</p>
+
+<p>Powers shook his head.</p>
+
+<p>"But do you mean to say," said the Premier
+in astonishment, "that there are no Wazoos?
+There you <i>must</i> be wrong. True we don't just
+know where they are. But our despatches
+have shown too many signs of active trouble
+traced directly to the Wazoos to disbelieve in
+them. There are Wazoos somewhere, there&mdash;there
+<i>must</i> be."<span class='pagenum'><a name="Page_89" id="Page_89">[Pg 89]</a></span></p>
+
+<p>"The Wazoos," said Powers, "are there.
+But they are Irish. So are the Ohul&icirc;s. They
+are both Irish."</p>
+
+<p>"But how the devil did they get out there?"
+questioned the Premier. "And why did they
+make the trouble?"</p>
+
+<p>"The Irish, my lord," interrupted the Chief
+Secretary for Ireland, "are everywhere, and it
+is their business to make trouble."</p>
+
+<p>"Some years ago," continued Powers, "a few
+Irish families settled out there. The Ohul&icirc;s
+should be properly called the O'Hooleys.
+The word Wazoo is simply the Urdu for
+McGinnis. El Boob is the Urdu for the
+Arabic El Papa, the Pope. It was my
+knowledge of Urdu, itself an agglutinative
+language&mdash;&mdash;"</p>
+
+<p>"Precisely," said the Premier. Then he
+turned to his Cabinet. "Well, gentlemen, our
+task is now simplified. If they are Irish, I
+think we know exactly what to do. I suppose,"
+he continued, turning to Powers, "that they
+want some kind of Home Rule."</p>
+
+<p>"They do," said Powers.<span class='pagenum'><a name="Page_90" id="Page_90">[Pg 90]</a></span></p>
+
+<p>"Separating, of course, the Ohul&icirc; counties
+from the Wazoo?"</p>
+
+<p>"Yes," said Powers.</p>
+
+<p>"Precisely; the thing is simplicity itself.
+And what contribution will they make to the
+Imperial Exchequer?"</p>
+
+<p>"None."</p>
+
+<p>"And will they pay their own expenses?"</p>
+
+<p>"They refuse to."</p>
+
+<p>"Exactly. All this is plain sailing. Of
+course they must have a constabulary. Lord
+Edward," continued the Premier, turning now
+to the Secretary of War, "how long will it take
+to send in a couple of hundred constabulary?
+I think they'll expect it, you know. It's their
+right."</p>
+
+<p>"Let me see," said Lord Edward, calculating
+quickly, with military precision, "sending them
+over the Barooda in buckets and then over the
+mountains in baskets&mdash;I think in about two
+weeks."</p>
+
+<p>"Good," said the Premier. "Gentlemen, we
+shall meet the House to-morrow. Sir John,
+will you meantime draft us an annexation bill?<span class='pagenum'><a name="Page_91" id="Page_91">[Pg 91]</a></span>
+And you, young man, what you have done is
+really not half bad. His Majesty will see you
+to-morrow. I am glad that you are safe."</p>
+
+<p>"On my way home," said Powers, with quiet
+modesty, "I was attacked by a lion&mdash;&mdash;"</p>
+
+<p>"But you beat it off," said the Premier.
+"Exactly. Good night."
+<br />
+<br />
+</p>
+
+<h3>CHAPTER V</h3>
+
+
+<p>It was on the following afternoon that
+Sir John Elphinspoon presented the Wazoo
+Annexation Bill to a crowded and breathless
+House.</p>
+
+<p>Those who know the House of Commons
+know that it has its moods. At times it is
+grave, earnest, thoughtful. At other times it
+is swept with emotion which comes at it in
+waves. Or at times, again, it just seems to
+sit there as if it were stuffed.</p>
+
+<p>But all agreed that they had never seen the
+House so hushed as when Sir John Elphinspoon
+presented his Bill for the Annexation of<span class='pagenum'><a name="Page_92" id="Page_92">[Pg 92]</a></span>
+Wazuchistan. And when at the close of a
+splendid peroration he turned to pay a graceful
+compliment to the man who had saved the
+nation, and thundered forth to the delighted
+ears of his listeners&mdash;</p>
+
+<p class="blockquot"><i>Arma virumque cano Wazoo qui primus ab
+oris</i>,</p>
+
+<p>and then, with the words "England, England,"
+still on his lips, fell over backwards and was
+carried out on a stretcher, the House broke
+into wild and unrestrained applause.
+<br />
+<br />
+</p>
+
+<h3>CHAPTER VI</h3>
+
+
+<p>The next day Sir Perriton Powers&mdash;for the
+King had knighted him after breakfast&mdash;stood
+again in the conservatory of the house in
+Carlton Terrace.</p>
+
+<p>"I have come for my reward," he said. "Do
+I get it?"</p>
+
+<p>"You do," said Angela.<span class='pagenum'><a name="Page_93" id="Page_93">[Pg 93]</a></span></p>
+
+<p>Sir Perriton clasped her in his arms.</p>
+
+<p>"On my way home," he said, "I was attacked
+by a lion. I tried to beat it&mdash;&mdash;"</p>
+
+<p>"Hush, dearest," she whispered, "let me
+take you to father."
+<br />
+<br />
+<br />
+<br />
+</p>
+<p><span class='pagenum'><a name="Page_95" id="Page_95">[Pg 95]</a></span></p>
+<div class="innerbox">
+<h2><a name="IV" id="IV"></a><i>IV</i></h2>
+
+<h3><i>WHO DO YOU THINK DID IT?</i></h3>
+
+<h4><i>OR, THE MIXED-UP MURDER MYSTERY</i></h4>
+
+<p class="center">(<i>Done after the very latest fashion in this sort of thing</i>)</p>
+</div>
+<p><span class='pagenum'><a name="Page_97" id="Page_97">[Pg 97]</a></span></p>
+
+<p><br /><i>NOTE.&mdash;Any reader who guesses correctly who
+did it is entitled (in all fairness) to a beautiful
+gold watch and chain.</i><br /></p>
+
+<h3><a name="IV_I" id="IV_I"></a>CHAPTER I</h3>
+
+<h4>HE DINED WITH ME LAST NIGHT</h4>
+
+
+<p>The afternoon edition of the <i>Metropolitan
+Planet</i> was going to press. Five
+thousand copies a minute were reeling
+off its giant cylinders. A square acre
+of paper was passing through its presses every
+hour. In the huge <i>Planet</i> building, which
+dominated Broadway, employ&eacute;s, compositors,
+reporters, advertisers, surged to and fro. Placed
+in a single line (only, of course, they wouldn't
+be likely to consent to it) they would have<span class='pagenum'><a name="Page_98" id="Page_98">[Pg 98]</a></span>
+reached across Manhattan Island. Placed in
+two lines, they would probably have reached
+twice as far. Arranged in a procession they
+would have taken an hour in passing a saloon:
+easily that.</p>
+
+<p>In the whole vast building all was uproar.
+Telephones, megaphones and gramophones
+were ringing throughout the building. Elevators
+flew up and down, stopping nowhere.</p>
+
+<p>Only in one place was quiet&mdash;namely, in the
+room where sat the big man on whose capacious
+intellect the whole organization depended.</p>
+
+<p>Masterman Throgton, the general manager
+of the <i>Planet</i>, was a man in middle life. There
+was something in his massive frame which
+suggested massiveness, and a certain quality in
+the poise of his great head which indicated a
+balanced intellect. His face was impenetrable
+and his expression imponderable.</p>
+
+<p>The big chief was sitting in his swivel chair
+with ink all round him. Through this man's
+great brain passed all the threads and filaments
+that held the news of a continent. Snap one,
+and the whole continent would stop.<span class='pagenum'><a name="Page_99" id="Page_99">[Pg 99]</a></span></p>
+
+<p>At the moment when our story opens (there
+was no sense in opening it sooner), a written
+message had just been handed in.</p>
+
+<p>The Chief read it. He seemed to grasp its
+contents in a flash.</p>
+
+<p>"Good God!" he exclaimed. It was the
+strongest expression that this solid, self-contained,
+semi-detached man ever allowed himself.
+Anything stronger would have seemed
+too near to profanity. "Good God!" he repeated,
+"Kivas Kelly murdered! In his own
+home! Why, he dined with me last night!
+I drove him home!"</p>
+
+<p>For a brief moment the big man remained
+plunged in thought. But with Throgton the
+moment of musing was short. His instinct
+was to act.</p>
+
+<p>"You may go," he said to the messenger.
+Then he seized the telephone that stood beside
+him (this man could telephone almost without
+stopping thinking) and spoke into it in quiet,
+measured tones, without wasting a word.</p>
+
+<p>"Hullo, operator! Put me through to two,
+two, two, two, two. Is that two, two, two,<span class='pagenum'><a name="Page_100" id="Page_100">[Pg 100]</a></span>
+two, two? Hullo, two, two, two, two, two; I
+want Transome Kent. Kent speaking? Kent,
+this is Throgton speaking. Kent, a murder
+has been committed at the Kelly residence,
+Riverside Drive. I want you to go and cover
+it. Get it all. Don't spare expense. The
+<i>Planet</i> is behind you. Have you got car-fare?
+Right."</p>
+
+<p>In another moment the big chief had turned
+round in his swivel chair (at least forty degrees)
+and was reading telegraphic despatches from
+Jerusalem. That was the way he did things.</p>
+
+<h3><a name="IV_II" id="IV_II"></a>CHAPTER II</h3>
+
+<h4>I MUST SAVE HER LIFE</h4>
+
+<p>Within a few minutes Transome Kent had
+leapt into a car (a surface car) and was speeding
+north towards Riverside Drive with the
+full power of the car. As he passed uptown
+a newsboy was already calling, "Club Man
+Murdered! Another Club Man Murdered!"
+Carelessly throwing a cent to the boy, Kent<span class='pagenum'><a name="Page_101" id="Page_101">[Pg 101]</a></span>
+purchased a paper and read the brief notice of
+the tragedy.</p>
+
+<p>Kivas Kelly, a well-known club man and <i>bon
+vivant</i>, had been found dead in his residence
+on Riverside Drive, with every indication&mdash;or,
+at least, with a whole lot of indications&mdash;of
+murder. The unhappy club man had been
+found, fully dressed in his evening clothes, lying
+on his back on the floor of the billiard-room,
+with his feet stuck up on the edge of the table.
+A narrow black scarf, presumably his evening
+tie, was twisted tightly about his neck by means
+of a billiard cue inserted in it. There was a
+quiet smile upon his face. He had apparently
+died from strangulation. A couple of bullet-holes
+passed through his body, one on each side,
+but they went out again. His suspenders were
+burst at the back. His hands were folded
+across his chest. One of them still held a
+white billiard ball. There was no sign of a
+struggle or of any disturbance in the room. A
+square piece of cloth was missing from the
+victim's dinner jacket.</p>
+
+<p>In its editorial columns the same paper dis<span class='pagenum'><a name="Page_102" id="Page_102">[Pg 102]</a></span>cussed
+the more general aspects of the murder.
+This, it said, was the third club man murdered
+in the last fortnight. While not taking an
+alarmist view, the paper felt that the killing of
+club men had got to stop. There was a limit,
+a reasonable limit, to everything. Why should
+a club man be killed? It might be asked, why
+should a club man live? But this was hardly
+to the point. They do live. After all, to be
+fair, what does a club man ask of society? Not
+much. Merely wine, women and singing.
+Why not let him have them? Is it fair to kill
+him? Does the gain to literature outweigh the
+social wrong? The writer estimated that at
+the rate of killing now going on the club men
+would be all destroyed in another generation.
+Something should be done to conserve them.</p>
+
+<p>Transome Kent was not a detective. He
+was a reporter. After sweeping everything at
+Harvard in front of him, and then behind him,
+he had joined the staff of the <i>Planet</i> two
+months before. His rise had been phenomenal.
+In his first week of work he had unravelled a
+mystery, in his second he had unearthed a<span class='pagenum'><a name="Page_103" id="Page_103">[Pg 103]</a></span>
+packing scandal which had poisoned the food of
+the entire nation for ten years, and in his third
+he had pitilessly exposed some of the best
+and most respectable people in the metropolis.
+Kent's work on the <i>Planet</i> consisted now
+almost exclusively of unravelling and unearthing,
+and it was natural that the manager should
+turn to him.</p>
+
+<p>The mansion was a handsome sandstone
+residence, standing in its own grounds. On
+Kent's arrival he found that the police had
+already drawn a cordon around it with cords.
+Groups of morbid curiosity-seekers hung about
+it in twos and threes, some of them in fours
+and fives. Policemen were leaning against the
+fence in all directions. They wore that baffled
+look so common to the detective force of the
+metropolis. "It seems to me," remarked one
+of them to the man beside him, "that there is
+an inexorable chain of logic about this that I
+am unable to follow." "So do I," said the
+other.</p>
+
+<p>The Chief Inspector of the Detective Department,
+a large, heavy-looking man, was standing<span class='pagenum'><a name="Page_104" id="Page_104">[Pg 104]</a></span>
+beside a gate-post. He nodded gloomily to
+Transome Kent.</p>
+
+<p>"Are you baffled, Edwards?" asked Kent.</p>
+
+<p>"Baffled again, Mr. Kent," said the Inspector,
+with a sob in his voice. "I thought
+I could have solved this one, but I can't."</p>
+
+<p>He passed a handkerchief across his eyes.</p>
+
+<p>"Have a cigar, Chief," said Kent, "and let
+me hear what the trouble is."</p>
+
+<p>The Inspector brightened. Like all policemen,
+he was simply crazy over cigars. "All
+right, Mr. Kent," he said, "wait till I chase
+away the morbid curiosity-seekers."</p>
+
+<p>He threw a stick at them.</p>
+
+<p>"Now, then," continued Kent, "what about
+tracks, footmarks? Had you thought of them?"</p>
+
+<p>"Yes, first thing. The whole lawn is
+covered with them, all stamped down. Look
+at these, for instance. These are the tracks of
+a man with a wooden leg"&mdash;Kent nodded&mdash;"in
+all probability a sailor, newly landed from
+Java, carrying a Singapore walking-stick, and
+with a tin-whistle tied round his belt."</p>
+
+<p>"Yes, I see that," said Kent thoughtfully.<span class='pagenum'><a name="Page_105" id="Page_105">[Pg 105]</a></span>
+"The weight of the whistle weighs him down
+a little on the right side."</p>
+
+<p>"Do you think, Mr. Kent, a sailor from
+Java with a wooden leg would commit a murder
+like this?" asked the Inspector eagerly.
+"Would he do it?"</p>
+
+<p>"He would," said the Investigator. "They
+generally do&mdash;as soon as they land."</p>
+
+<p>The Inspector nodded. "And look at these
+marks here, Mr. Kent. You recognize them,
+surely&mdash;those are the footsteps of a bar-keeper
+out of employment, waiting for the eighteenth
+amendment to pass away. See how deeply they
+sink in&mdash;&mdash;"</p>
+
+<p>"Yes," said Kent, "he'd commit murder."</p>
+
+<p>"There are lots more," continued the Inspector,
+"but they're no good. The morbid
+curiosity-seekers were walking all over this
+place while we were drawing the cordon
+round it."</p>
+
+<p>"Stop a bit," said Kent, pausing to think a
+moment. "What about thumb-prints?"</p>
+
+<p>"Thumb-prints," said the Inspector. "Don't
+mention them. The house is full of them."<span class='pagenum'><a name="Page_106" id="Page_106">[Pg 106]</a></span></p>
+
+<p>"Any thumb-prints of Italians with that
+peculiar incurvature of the ball of the thumb
+that denotes a Sicilian brigand?"</p>
+
+<p>"There were three of those," said Inspector
+Edwards gloomily. "No, Mr. Kent, the thumb
+stuff is no good."</p>
+
+<p>Kent thought again.</p>
+
+<p>"Inspector," he said, "what about mysterious
+women? Have you seen any around?"</p>
+
+<p>"Four went by this morning," said the
+Inspector, "one at eleven-thirty, one at twelve-thirty,
+and two together at one-thirty. At
+least," he added sadly, "I think they were
+mysterious. All women look mysterious
+to me."</p>
+
+<p>"I must try in another direction," said Kent.
+"Let me reconstruct the whole thing. I must
+weave a chain of analysis. Kivas Kelly was
+a bachelor, was he not?"</p>
+
+<p>"He was. He lived alone here."</p>
+
+<p>"Very good, I suppose he had in his
+employ a butler who had been with him for
+twenty years&mdash;&mdash;"</p>
+
+<p>Edwards nodded.<span class='pagenum'><a name="Page_107" id="Page_107">[Pg 107]</a></span></p>
+
+<p>"I suppose you've arrested him?"</p>
+
+<p>"At once," said the Inspector. "We always
+arrest the butler, Mr. Kent. They expect it.
+In fact, this man, Williams, gave himself up
+at once."</p>
+
+<p>"And let me see," continued the Investigator.
+"I presume there was a housekeeper
+who lived on the top floor, and who had been
+stone deaf for ten years?"</p>
+
+<p>"Precisely."</p>
+
+<p>"She had heard nothing during the murder?"</p>
+
+<p>"Not a thing. But this may have been on
+account of her deafness."</p>
+
+<p>"True, true," murmured Kent. "And I
+suppose there was a coachman, a thoroughly
+reliable man, who lived with his wife at the
+back of the house&mdash;&mdash;"</p>
+
+<p>"But who had taken his wife over to see
+a relation on the night of the murder, and
+who did not return until an advanced hour.
+Mr. Kent, we've been all over that. There's
+nothing in it."</p>
+
+<p>"Were there any other persons belonging
+to the establishment?"<span class='pagenum'><a name="Page_108" id="Page_108">[Pg 108]</a></span></p>
+
+<p>"There was Mr. Kelly's stenographer, Alice
+Delary, but she only came in the mornings."</p>
+
+<p>"Have you seen her?" asked Kent eagerly.
+"What is she like?"</p>
+
+<p>"I have seen her," said the Inspector.
+"She's a looloo."</p>
+
+<p>"Ha," said Kent, "a looloo!" The two
+men looked into one another's eyes.</p>
+
+<p>"Yes," repeated Edwards thoughtfully, "a
+peach."</p>
+
+<p>A sudden swift flash of intuition, an inspiration,
+leapt into the young reporter's brain.</p>
+
+<p>This girl, this peach, at all hazards he must
+save her life.<br />
+<br />
+</p>
+
+<h3><a name="IV_III" id="IV_III"></a>CHAPTER III</h3>
+
+<h4>I MUST BUY A BOOK ON BILLIARDS</h4>
+
+
+<p>Kent turned to the Inspector. "Take me
+into the house," he said. Edwards led the
+way. The interior of the handsome mansion
+seemed undisturbed. "I see no sign of a
+struggle here," said Kent.<span class='pagenum'><a name="Page_109" id="Page_109">[Pg 109]</a></span></p>
+
+<p>"No," answered the Inspector gloomily.
+"We can find no sign of a struggle anywhere.
+But, then, we never do."</p>
+
+<p>He opened for the moment the door of the
+stately drawing-room. "No sign of a struggle
+there," he said. The closed blinds, the draped
+furniture, the covered piano, the muffled chandelier,
+showed absolutely no sign of a
+struggle.</p>
+
+<p>"Come upstairs to the billiard-room," said
+Edwards. "The body has been removed for
+the inquest, but nothing else is disturbed."</p>
+
+<p>They went upstairs. On the second floor
+was the billiard-room, with a great English
+table in the centre of it. But Kent had at
+once dashed across to the window, an exclamation
+on his lips. "Ha! ha!" he said,
+"what have we here?"</p>
+
+<p>The Inspector shook his head quietly. "The
+window," he said in a monotonous, almost sing-song
+tone, "has apparently been opened from
+the outside, the sash being lifted with some
+kind of a sharp instrument. The dust on
+the sill outside has been disturbed as if by<span class='pagenum'><a name="Page_110" id="Page_110">[Pg 110]</a></span>
+a man of extraordinary agility lying on his
+stomach&mdash;&mdash;Don't bother about that, Mr.
+Kent. It's <i>always</i> there."</p>
+
+<p>"True," said Kent. Then he cast his eyes
+upward, and again an involuntary exclamation
+broke from him. "Did you see that trap-door?"
+he asked.</p>
+
+<p>"We did," said Edwards. "The dust around
+the rim has been disturbed. The trap opens
+into the hollow of the roof. A man of extraordinary
+dexterity might open the trap with
+a billiard cue, throw up a fine manila rope,
+climb up the rope and lie there on his
+stomach.</p>
+
+<p>"No use," continued the Inspector. "For
+the matter of that, look at this huge old-fashioned
+fireplace. A man of extraordinary
+precocity could climb up the chimney. Or
+this dumb-waiter on a pulley, for serving
+drinks, leading down into the maids' quarters.
+A man of extreme indelicacy might ride up
+and down in it."</p>
+
+<p>"Stop a minute," said Kent. "What is the
+meaning of that hat?"<span class='pagenum'><a name="Page_111" id="Page_111">[Pg 111]</a></span></p>
+
+<p>A light gossamer hat, gay with flowers, hung
+on a peg at the side of the room.</p>
+
+<p>"We thought of that," said Edwards, "and
+we have left it there. Whoever comes for
+that hat has had a hand in the mystery. We
+think&mdash;&mdash;"</p>
+
+<p>But Transome Kent was no longer listening.
+He had seized the edge of the billiard table.</p>
+
+<p>"Look, look!" he cried eagerly. "The clue
+to the mystery! The positions of the billiard
+balls! The white ball in the very centre of
+the table, and the red just standing on the
+verge of the end pocket! What does it mean,
+Edwards, what does it mean?"</p>
+
+<p>He had grasped Edwards by the arm and
+was peering into his face.</p>
+
+<p>"I don't know," said the Inspector. "I
+don't play billiards."</p>
+
+<p>"Neither do I," said Kent, "but I can find
+out. Quick! The nearest book-store. I must
+buy a book on billiards."</p>
+
+<p>With a wave of the arm, Kent vanished.</p>
+
+<p>The Inspector stood for a moment in thought.<span class='pagenum'><a name="Page_112" id="Page_112">[Pg 112]</a></span></p>
+
+<p>"Gone!" he murmured to himself (it was
+his habit to murmur all really important
+speeches aloud to himself). "Now, why did
+Throgton telephone to me to put a watch on
+Kent? Ten dollars a day to shadow him! Why?"
+<br />
+<br />
+</p>
+
+<h3><a name="IV_IV" id="IV_IV"></a>CHAPTER IV</h3>
+
+<h4>THAT IS NOT BILLIARD CHALK</h4>
+
+<p>Meantime at the <i>Planet</i> office Masterman
+Throgton was putting on his coat to go home.</p>
+
+<p>"Excuse me, sir," said an employ&eacute;, "there's
+a lot of green billiard chalk on your sleeve."</p>
+
+<p>Throgton turned and looked the man full
+in the eye.</p>
+
+<p>"That is not billiard chalk," he said, "it is
+face powder."</p>
+
+<p>Saying which this big, imperturbable, self-contained
+man stepped into the elevator and
+went to the ground floor in one drop<br />
+<br />
+<span class='pagenum'><a name="Page_113" id="Page_113">[Pg 113]</a></span></p>
+<h3><a name="IV_V" id="IV_V"></a>CHAPTER V.</h3>
+
+<h4>HAS ANYBODY HERE SEEN KELLY?</h4>
+
+<p>The inquest upon the body of Kivas Kelly
+was held upon the following day. Far from
+offering any solution of what had now become
+an unfathomable mystery, it only made it
+deeper still. The medical testimony, though
+given by the most distinguished consulting expert
+of the city, was entirely inconclusive. The
+body, the expert testified, showed evident
+marks of violence. There was a distinct lesion
+of the &oelig;sophagus and a decided excoriation
+of the fibula. The mesodenum was gibbous.
+There was a certain quantity of flab in the
+binomium and the proscenium was wide open.</p>
+
+<p>One striking fact, however, was decided
+from the testimony of the expert, namely, that
+the stomach of the deceased was found to contain
+half a pint of arsenic. On this point
+the questioning of the district attorney was
+close and technical. Was it unusual, he asked,
+to find arsenic in the stomach? In the stomach<span class='pagenum'><a name="Page_114" id="Page_114">[Pg 114]</a></span>
+of a club man, no. Was not half a pint a
+large quantity? He would not say that. Was
+it a small quantity? He should not care to
+say that it was. Would half a pint of arsenic
+cause death? Of a club man, no, not
+necessarily. That was all.</p>
+
+<p>The other testimony submitted to the
+inquest jury brought out various facts of a
+substantive character, but calculated rather to
+complicate than to unravel the mystery. The
+butler swore that on the very day of the
+murder he had served his master a half-pint
+of arsenic at lunch. But he claimed that this
+was quite a usual happening with his master.
+On cross-examination it appeared that he meant
+apollinaris. He was certain, however, that it
+was half a pint. The butler, it was shown,
+had been in Kivas Kelly's employ for twenty
+years.</p>
+
+<p>The coachman, an Irishman, was closely
+questioned. He had been in Mr. Kelly's employ
+for three years&mdash;ever since his arrival
+from the old country. Was it true that he had
+had, on the day of the murder, a violent quarrel<span class='pagenum'><a name="Page_115" id="Page_115">[Pg 115]</a></span>
+with his master? It was. Had he threatened
+to kill him? No. He had threatened to knock
+his block off, but not to kill him.</p>
+
+<p>The coroner looked at his notes. "Call
+Alice Delary," he commanded. There was
+a deep sensation in the court as Miss Delary
+quietly stepped forward to her place in the
+witness-box.</p>
+
+<p>Tall, graceful and willowy, Alice Delary was
+in her first burst of womanhood. Those who
+looked at the beautiful girl realized that if her
+first burst was like this, what would the second,
+or the third be like?</p>
+
+<p>The girl was trembling, and evidently distressed,
+but she gave her evidence in a clear,
+sweet, low voice. She had been in Mr. Kelly's
+employ three years. She was his stenographer.
+But she came only in the mornings and always
+left at lunch-time. The question immediately
+asked by the jury&mdash;"Where did she generally
+have lunch?"&mdash;was disallowed by the coroner.
+Asked by a member of the jury what system of
+shorthand she used, she answered, "Pitman's."
+Asked by another juryman whether she ever<span class='pagenum'><a name="Page_116" id="Page_116">[Pg 116]</a></span>
+cared to go to moving pictures, she said that
+she went occasionally. This created a favourable
+impression. "Miss Delary," said the
+district attorney, "I want to ask if it is your
+hat that was found hanging in the billiard-room
+after the crime?"</p>
+
+<p>"Don't you dare ask that girl that," interrupted
+the magistrate. "Miss Delary, you may
+step down."</p>
+
+<p>But the principal sensation of the day arose
+out of the evidence offered by Masterman
+Throgton, general manager of the <i>Planet</i>.
+Kivas Kelly, he testified, had dined with him
+at his club on the fateful evening. He had
+afterwards driven him to his home.</p>
+
+<p>"When you went into the house with the
+deceased," asked the district attorney, "how
+long did you remain there with him?"</p>
+
+<p>"That," said Throgton quietly, "I must
+refuse to answer."</p>
+
+<p>"Would it incriminate you?" asked the
+coroner, leaning forward.</p>
+
+<p>"It might," said Throgton.</p>
+
+<p>"Then you're perfectly right not to answer<span class='pagenum'><a name="Page_117" id="Page_117">[Pg 117]</a></span>
+it," said the coroner. "Don't ask him that
+any more. Ask something else."</p>
+
+<p>"Then did you," questioned the attorney,
+turning to Throgton again, "play a game of
+billiards with the deceased?"</p>
+
+<p>"Stop, stop," said the coroner, "that
+question I can't allow. It's too direct, too
+brutal; there's something about that question,
+something mean, dirty. Ask another."</p>
+
+<p>"Very good," said the attorney. "Then
+tell me, Mr. Throgton, if you ever saw this
+blue envelope before?" He held up in his
+hand a long blue envelope.</p>
+
+<p>"Never in my life," said Throgton.</p>
+
+<p>"Of course he didn't," said the coroner.
+"Let's have a look at it. What is it?"</p>
+
+<p>"This envelope, your Honour, was found
+sticking out of the waistcoat pocket of the
+deceased."</p>
+
+<p>"You don't say," said the coroner. "And
+what's in it?"</p>
+
+<p>Amid breathless silence, the attorney drew
+forth a sheet of blue paper, bearing a stamp,
+and read:<span class='pagenum'><a name="Page_118" id="Page_118">[Pg 118]</a></span></p>
+
+<p>"This is the last will and testament of me,
+Kivas Kelly of New York. I leave everything
+of which I die possessed to my nephew, Peter
+Kelly."</p>
+
+<p>The entire room gasped. No one spoke.
+The coroner looked all around. "Has anybody
+here seen Kelly?" he asked.</p>
+
+<p>There was no answer.</p>
+
+<p>The coroner repeated the question.</p>
+
+<p>No one moved.</p>
+
+<p>"Mr. Coroner," said the attorney, "it is
+my opinion that if Peter Kelly is found the
+mystery is fathomed."</p>
+
+<p>Ten minutes later the jury returned a verdict
+of murder against a person or persons unknown,
+adding that they would bet a dollar that Kelly
+did it.</p>
+
+<p>The coroner ordered the butler to be
+released, and directed the issue of a warrant
+for the arrest of Peter Kelly.<br />
+<br />
+<span class='pagenum'><a name="Page_119" id="Page_119">[Pg 119]</a></span></p>
+<h3><a name="IV_VI" id="IV_VI"></a>CHAPTER VI</h3>
+
+<h4>SHOW ME THE MAN WHO WORE THOSE BOOTS</h4>
+
+<p>The remains of the unhappy club man were
+buried on the following day as reverently as
+those of a club man can be. None followed
+him to the grave except a few morbid curiosity-seekers,
+who rode on top of the hearse.</p>
+
+<p>The great city turned again to its usual
+avocations. The unfathomable mystery was
+dismissed from the public mind.</p>
+
+<p>Meantime Transome Kent was on the trail.
+Sleepless, almost foodless, and absolutely drinkless,
+he was everywhere. He was looking for
+Peter Kelly. Wherever crowds were gathered,
+the Investigator was there, searching for Kelly.
+In the great concourse of the Grand Central
+Station, Kent moved to and fro, peering into
+everybody's face. An official touched him on
+the shoulder. "Stop peering into the people's
+faces," he said. "I am unravelling a mystery,"
+Kent answered. "I beg your pardon, sir,"
+said the man, "I didn't know."<span class='pagenum'><a name="Page_120" id="Page_120">[Pg 120]</a></span></p>
+
+<p>Kent was here, and everywhere, moving
+ceaselessly, pro and con, watching for Kelly.
+For hours he stood beside the soda-water
+fountains examining every drinker as he drank.
+For three days he sat on the steps of Masterman
+Throgton's home, disguised as a plumber
+waiting for a wrench.</p>
+
+<p>But still no trace of Peter Kelly. Young
+Kelly, it appeared, had lived with his uncle
+until a little less than three years ago. Then
+suddenly he had disappeared. He had vanished,
+as a brilliant writer for the New York Press
+framed it, as if the earth had swallowed
+him up.</p>
+
+<p>Transome Kent, however, was not a man to
+be baffled by initial defeat.</p>
+
+<p>A week later, the Investigator called in at
+the office of Inspector Edwards.</p>
+
+<p>"Inspector," he said, "I must have some
+more clues. Take me again to the Kelly
+residence. I must re-analyse my first di&aelig;resis."</p>
+
+<p>Together the two friends went to the house.
+"It is inevitable," said Kent, as they entered<span class='pagenum'><a name="Page_121" id="Page_121">[Pg 121]</a></span>
+again the fateful billiard-room, "that we have
+overlooked something."</p>
+
+<p>"We always do," said Edwards gloomily.</p>
+
+<p>"Now tell me," said Kent, as they stood beside
+the billiard table, "what is your own theory,
+the police theory, of this murder? Give me
+your first theory first, and then go on with
+the others."</p>
+
+<p>"Our first theory, Mr. Kent, was that the
+murder was committed by a sailor with a
+wooden leg, newly landed from Java."</p>
+
+<p>"Quite so, quite proper," nodded Kent.</p>
+
+<p>"We knew that he was a sailor," the Inspector
+went on, dropping again into his sing-song
+monotone, "by the extraordinary agility
+needed to climb up the thirty feet of bare brick
+wall to the window&mdash;a landsman could not have
+climbed more than twenty; the fact that he
+was from the East Indies we knew from the
+peculiar knot about his victim's neck. We
+knew that he had a wooden leg&mdash;&mdash;"</p>
+
+<p>The Inspector paused and looked troubled.</p>
+
+<p>"We knew it." He paused again. "I'm
+afraid I can't remember that one."<span class='pagenum'><a name="Page_122" id="Page_122">[Pg 122]</a></span></p>
+
+<p>"Tut, tut," said Kent gently, "you knew it,
+Edwards, because when he leaned against the
+billiard table the impress of his hand on
+the mahogany was deeper on one side than
+the other. The man was obviously top heavy.
+But you abandoned this first theory."</p>
+
+<p>"Certainly, Mr. Kent, we always do. Our
+second theory was&mdash;&mdash;"</p>
+
+<p>But Kent had ceased to listen. He had
+suddenly stooped down and picked up something
+off the floor.</p>
+
+<p>"Ha ha!" he exclaimed. "What do you
+make of this?" He held up a square fragment
+of black cloth.</p>
+
+<p>"We never saw it," said Edwards.</p>
+
+<p>"Cloth," muttered Kent, "the missing piece
+of Kivas Kelly's dinner jacket." He whipped
+out a magnifying glass. "Look," he said, "it's
+been stamped upon&mdash;by a man wearing hob-nailed
+boots&mdash;made in Ireland&mdash;a man of five
+feet nine and a half inches high&mdash;&mdash;"</p>
+
+<p>"One minute, Mr. Kent," interrupted the
+Inspector, greatly excited, "I don't quite get it."</p>
+
+<p>"The depth of the dint proves the lift of<span class='pagenum'><a name="Page_123" id="Page_123">[Pg 123]</a></span>
+his foot," said Kent impatiently, "and the lift
+of the foot indicates at once the man's height.
+Edwards, find me the man who wore these
+boots and the mystery is solved!"</p>
+
+<p>At that very moment a heavy step, unmistakably
+to the trained ear that of a man in
+hob-nailed boots, was heard upon the stair.
+The door opened and a man stood hesitating
+in the doorway.</p>
+
+<p>Both Kent and Edwards gave a start, two
+starts, of surprise.</p>
+
+<p>The man was exactly five feet nine and a half
+inches high. He was dressed in coachman's
+dress. His face was saturnine and evil.</p>
+
+<p>It was Dennis, the coachman of the murdered
+man.</p>
+
+<p>"If you're Mr. Kent," he said, "there's a
+lady here asking for you."
+<br />
+<br />
+</p>
+<h3><a name="IV_VII" id="IV_VII"></a>CHAPTER VII</h3>
+
+<h4>OH, MR. KENT, SAVE ME!</h4>
+
+<p>In another moment an absolutely noiseless
+step was heard upon the stair.<span class='pagenum'><a name="Page_124" id="Page_124">[Pg 124]</a></span></p>
+
+<p>A young girl entered, a girl, tall, willowy
+and beautiful, in the first burst, or just about
+the first burst, of womanhood.</p>
+
+<p>It was Alice Delary.</p>
+
+<p>She was dressed with extreme taste, but
+Kent's quick eye noted at once that she wore
+no hat.</p>
+
+<p>"Mr. Kent," she cried, "you are Mr. Kent,
+are you not? They told me that you were
+here. Oh, Mr. Kent, help me, save me!"</p>
+
+<p>She seemed to shudder into herself a
+moment. Her breath came and went quickly.</p>
+
+<p>She reached out her two hands.</p>
+
+<p>"Calm yourself, my dear young lady," said
+Kent, taking them. "Don't let your breath
+come and go so much. Trust me. Tell
+me all."</p>
+
+<p>"Mr. Kent," said Delary, regaining her control,
+but still trembling, "I want my hat."</p>
+
+<p>Kent let go the beautiful girl's hands. "Sit
+down," he said. Then he went across the
+room and fetched the hat, the light gossamer
+hat, with flowers in it, that still hung on a peg.</p>
+
+<p>"Oh, I am so glad to get it back," cried the<span class='pagenum'><a name="Page_125" id="Page_125">[Pg 125]</a></span>
+girl. "I can never thank you enough. I was
+afraid to come for it."</p>
+
+<p>"It is all right," said the Inspector. "The
+police theory was that it was the housekeeper's
+hat. You are welcome to it."</p>
+
+<p>Kent had been looking closely at the girl
+before him.</p>
+
+<p>"You have more to say than that," he said.
+"Tell me all."</p>
+
+<p>"Oh, I will, I will, Mr. Kent. That dreadful
+night! I was here. I saw, at least I heard
+it all."</p>
+
+<p>She shuddered.</p>
+
+<p>"Oh, Mr. Kent, it was dreadful! I had
+come back that evening to the library to finish
+some work. I knew that Mr. Kelly was to
+dine out and that I would be alone. I had
+been working quietly for some time when I
+became aware of voices in the billiard-room.
+I tried not to listen, but they seemed to be
+quarrelling, and I couldn't help hearing. Oh,
+Mr. Kent, was I wrong?"</p>
+
+<p>"No," said Kent, taking her hand a moment,
+"you were not."<span class='pagenum'><a name="Page_126" id="Page_126">[Pg 126]</a></span></p>
+
+<p>"I heard one say, 'Get your foot off the
+table, you've no right to put your foot on the
+table.' Then the other said, 'Well, you keep
+your stomach off the cushion then.'" The
+girl shivered. "Then presently one said, quite
+fiercely, 'Get back into balk there, get back
+fifteen inches,' and the other voice said, 'By
+God! I'll shoot from here.' Then there was a
+dead stillness, and then a voice almost screamed,
+'You've potted me. You've potted me. That
+ends it.' And then I heard the other say in a
+low tone, 'Forgive me, I didn't mean it. I
+never meant it to end that way.'</p>
+
+<p>"I was so frightened, Mr. Kent, I couldn't
+stay any longer. I rushed downstairs and ran
+all the way home. Then next day I read what
+had happened, and I knew that I had left my
+hat there, and was afraid. Oh, Mr. Kent,
+save me!"</p>
+
+<p>"Miss Delary," said the Investigator, taking
+again the girl's hands and looking into her
+eyes, "you are safe. Tell me only one thing.
+The man who played against Kivas Kelly&mdash;did
+you see him?"<span class='pagenum'><a name="Page_127" id="Page_127">[Pg 127]</a></span></p>
+
+<p>"Only for one moment"&mdash;the girl paused&mdash;"through
+the keyhole."</p>
+
+<p>"What was he like?" asked Kent. "Had he
+an impenetrable face?"</p>
+
+<p>"He had."</p>
+
+<p>"Was there anything massive about his
+face?"</p>
+
+<p>"Oh, yes, yes, it was all massive."</p>
+
+<p>"Miss Delary," said Kent, "this mystery is
+now on the brink of solution. When I have
+joined the last links of the chain, may I come
+and tell you all?"</p>
+
+<p>She looked full in his face.</p>
+
+<p>"At any hour of the day or night," she said,
+"you may come."</p>
+
+<p>Then she was gone.
+<br />
+<br />
+</p>
+
+<h3><a name="IV_VIII" id="IV_VIII"></a>CHAPTER VIII</h3>
+<h4>YOU ARE PETER KELLY</h4>
+
+<p>Within a few moments Kent was at the
+phone.</p>
+
+<p>"I want four, four, four, four. Is that four,<span class='pagenum'><a name="Page_128" id="Page_128">[Pg 128]</a></span>
+four, four, four? Mr. Throgton's house? I
+want Mr. Throgton. Mr. Throgton speaking?
+Mr. Throgton, Kent speaking. The Riverside
+mystery is solved."</p>
+
+<p>Kent waited in silence a moment. Then
+he heard Throgton's voice&mdash;not a note in it
+disturbed:</p>
+
+<p>"Has anybody found Kelly?"</p>
+
+<p>"Mr. Throgton," said Kent, and he spoke
+with a strange meaning in his tone, "the story
+is a long one. Suppose I relate it to you"&mdash;he
+paused, and laid a peculiar emphasis on what
+followed&mdash;"<i>over a game of billiards</i>."</p>
+
+<p>"What the devil do you mean?" answered
+Throgton.</p>
+
+<p>"Let me come round to your house and tell
+the story. There are points in it that I can
+best illustrate over a billiard table. Suppose
+I challenge you to a fifty point game before I
+tell my story."</p>
+
+<p class="tb">* * * * *</p>
+
+<p>It required no little hardihood to challenge
+Masterman Throgton at billiards. His reputation
+at his club as a cool, determined player<span class='pagenum'><a name="Page_129" id="Page_129">[Pg 129]</a></span>
+was surpassed by few. Throgton had been
+known to run nine, ten, and even twelve at a
+break. It was not unusual for him to drive
+his ball clear off the table. His keen eye told
+him infallibly where each of the three balls
+was; instinctively he knew which to shoot with.</p>
+
+<p>In Kent, however, he had no mean adversary.
+The young reporter, though he had never
+played before, had studied his book to some
+purpose. His strategy was admirable. Keeping
+his ball well under the shelter of the cushion,
+he eluded every stroke of his adversary, and in
+his turn caused his ball to leap or dart across
+the table with such speed as to bury itself in
+the pocket at the side.</p>
+
+<p>The score advanced rapidly, both players
+standing precisely equal. At the end of the
+first half-hour it stood at ten all. Throgton, a
+grim look upon his face, had settled down to
+work, playing with one knee on the table.
+Kent, calm but alive with excitement, leaned
+well forward to his stroke, his eye held within
+an inch of the ball.</p>
+
+<p>At fifteen they were still even. Throgton<span class='pagenum'><a name="Page_130" id="Page_130">[Pg 130]</a></span>
+with a sudden effort forced a break of three;
+but Kent rallied and in another twenty minutes
+they were even again at nineteen all.</p>
+
+<p>But it was soon clear that Transome Kent
+had something else in mind than to win the
+game. Presently his opportunity came. With
+a masterly stroke, such as few trained players
+could use, he had potted his adversary's ball.
+The red ball was left over the very jaws of
+the pocket. The white was in the centre.</p>
+
+<p>Kent looked into Throgton's face.</p>
+
+<p>The balls were standing in the very same
+position on the table as on the night of the
+murder.</p>
+
+<p>"I did that on purpose," said Kent quietly.</p>
+
+<p>"What do you mean?" asked Throgton.</p>
+
+<p>"The position of those balls," said Kent.
+"Mr. Throgton, come into the library. I have
+something to say to you. You know already
+what it is."</p>
+
+<p>They went into the library. Throgton, his
+hand unsteady, lighted a cigar.</p>
+
+<p>"Well," he said, "what is it?"</p>
+
+<p>"Mr. Throgton," said Kent, "two weeks ago<span class='pagenum'><a name="Page_131" id="Page_131">[Pg 131]</a></span>
+you gave me a mystery to solve. To-night I
+can give you the solution. Do you want it?"</p>
+
+<p>Throgton's face never moved.</p>
+
+<p>"Well," he said.</p>
+
+<p>"A man's life," Kent went on, "may be
+played out on a billiard table. A man's soul,
+Throgton, may be pocketed."</p>
+
+<p>"What devil's foolery is this?" said Throgton.
+"What do you mean?"</p>
+
+<p>"I mean that your crime is known&mdash;plotter,
+schemer that you are, you are found out&mdash;hypocrite,
+traitor; yes, Masterman Throgton,
+or rather&mdash;let me give you your true name-<i>Peter
+Kelly</i>, murderer, I denounce you!"</p>
+
+<p>Throgton never flinched. He walked across
+to where Kent stood, and with his open palm
+he slapped him over the mouth.</p>
+
+<p>"Transome Kent," he said, "you're a liar."</p>
+
+<p>Then he walked back to his chair and sat
+down.</p>
+
+<p>"Kent," he continued, "from the first moment
+of your mock investigation, I knew who
+you were. Your every step was shadowed,
+your every movement dogged. Transome<span class='pagenum'><a name="Page_132" id="Page_132">[Pg 132]</a></span>
+Kent&mdash;by your true name, <i>Peter Kelly</i>, murderer,
+I denounce you."</p>
+
+<p>Kent walked quietly across to Throgton and
+dealt him a fearful blow behind the ear.</p>
+
+<p>"You're a liar," he said, "I am not Peter
+Kelly."</p>
+
+<p>They sat looking at one another.</p>
+
+<p>At that moment Throgton's servant appeared
+at the door.</p>
+
+<p>"A gentleman to see you, sir."</p>
+
+<p>"Who?" said Throgton.</p>
+
+<p>"I don't know, sir, he gave his card."</p>
+
+<p>Masterman Throgton took the card.</p>
+
+<p>On it was printed:</p>
+
+<p class="center"><i>PETER KELLY</i>
+<br />
+<br />
+</p>
+
+
+<h3><a name="IV_IX" id="IV_IX"></a>CHAPTER IX</h3>
+
+<h4>LET ME TELL YOU THE STORY OF MY LIFE</h4>
+
+
+<p>For a moment Throgton and Kent sat
+looking at one another.</p>
+
+<p>"Show the man up," said Throgton.</p>
+
+<p>A minute later the door opened and a man<span class='pagenum'><a name="Page_133" id="Page_133">[Pg 133]</a></span>
+entered. Kent's keen eye analysed him as
+he stood. His blue clothes, his tanned face,
+and the extraordinary dexterity of his fingers
+left no doubt of his calling. He was a
+sailor.</p>
+
+<p>"Sit down," said Throgton.</p>
+
+<p>"Thank you," said the sailor, "it rests my
+wooden leg."</p>
+
+<p>The two men looked again. One of the
+sailor's legs was made of wood. With a start
+Kent noticed that it was made of East Indian
+sandalwood.</p>
+
+<p>"I've just come from Java," said Kelly
+quietly, as he sat down.</p>
+
+<p>Kent nodded. "I see it all now," he said.
+"Throgton, I wronged you. We should have
+known it was a sailor with a wooden leg from
+Java. There is no other way."</p>
+
+<p>"Gentlemen," said Peter Kelly, "I've come
+to make my confession. It is the usual and
+right thing to do, gentlemen, and I want to go
+through with it while I can."</p>
+
+<p>"One moment," said Kent, "do you mind
+interrupting yourself with a hacking cough?"<span class='pagenum'><a name="Page_134" id="Page_134">[Pg 134]</a></span></p>
+
+<p>"Thank you, sir," said Kelly, "I'll get to
+that a little later. Let me begin by telling you
+the story of my life."</p>
+
+<p>"No, no," urged Throgton and Kent, "don't
+do that!"</p>
+
+<p>Kelly frowned. "I think I have a right to,"
+he said. "You've got to hear it. As a boy I
+had a wild, impulsive nature. Had it been
+curbed&mdash;&mdash;"</p>
+
+<p>"But it wasn't," said Throgton. "What
+next?"</p>
+
+<p>"I was the sole relative of my uncle, and
+heir to great wealth. Pampered with every
+luxury, I was on a footing of&mdash;&mdash;"</p>
+
+<p>"One minute," interrupted Kent, rapidly
+analysing as he listened. "How many legs had
+you then?"</p>
+
+<p>"Two&mdash;on a footing of ease and indolence.
+I soon lost&mdash;&mdash;"</p>
+
+<p>"Your leg," said Throgton. "Mr. Kelly,
+pray come to the essential things."</p>
+
+<p>"I will," said the sailor. "Gentlemen, bad
+as I was, I was not altogether bad."</p>
+
+<p>"Of course not," said Kent and Throgton<span class='pagenum'><a name="Page_135" id="Page_135">[Pg 135]</a></span>
+soothingly. "Probably not more than ninety
+per cent."</p>
+
+<p>"Even into my life, gentlemen, love entered.
+If you had seen her you would have known that
+she is as innocent as the driven snow. Three
+years ago she came to my uncle's house. I
+loved her. One day, hardly knowing what I
+was doing, I took her&mdash;&mdash;" he paused.</p>
+
+<p>"Yes, yes," said Throgton and Kent, "you
+took her?"</p>
+
+<p>"To the Aquarium. My uncle heard of it.
+There was a violent quarrel. He disinherited
+me and drove me from the house. I had a
+liking for the sea from a boy."</p>
+
+<p>"Excuse me," said Kent, "from what boy?"</p>
+
+<p>Kelly went right on. "I ran away as a sailor
+before the mast."</p>
+
+<p>"Pardon me," interrupted Kent, "I am not
+used to sea terms. Why didn't you run <i>behind</i>
+the mast?"</p>
+
+<p>"Hear me out," said Kelly, "I am nearly
+done. We sailed for the East Indies&mdash;for
+Java. There a Malay pirate bit off my leg.
+I returned home, bitter, disillusioned, the mere<span class='pagenum'><a name="Page_136" id="Page_136">[Pg 136]</a></span>
+wreck that you see. I had but one thought. I
+meant to kill my uncle."</p>
+
+<p>For a moment a hacking cough interrupted
+Kelly. Kent and Throgton nodded quietly to
+one another.</p>
+
+<p>"I came to his house at night. With the
+aid of my wooden leg I scaled the wall, lifted
+the window and entered the billiard-room.
+There was murder in my heart. Thank God
+I was spared from that. At the very moment
+when I got in, a light was turned on in the
+room and I saw before me&mdash;but no, I will
+not name her&mdash;my better angel. 'Peter!' she
+cried, then with a woman's intuition she exclaimed,
+'You have come to murder your uncle.
+Don't do it.' My whole mood changed. I
+broke down and cried like a&mdash;like a&mdash;&mdash;"</p>
+
+<p>Kelly paused a moment.</p>
+
+<p>"Like a boob," said Kent softly. "Go
+on."</p>
+
+<p>"When I had done crying, we heard voices.
+'Quick,' she exclaimed, 'flee, hide, he must not
+see you.' She rushed into the adjoining room,
+closing the door. My eye had noticed already<span class='pagenum'><a name="Page_137" id="Page_137">[Pg 137]</a></span>
+the trap above. I climbed up to it. Shall I
+explain how?"</p>
+
+<p>"Don't," said Kent, "I can analyse it
+afterwards."</p>
+
+<p>"There I saw what passed. I saw Mr.
+Throgton and Kivas Kelly come in. I watched
+their game. They were greatly excited and
+quarrelled over it. Throgton lost."</p>
+
+<p>The big man nodded with a scowl. "By his
+potting the white," he said.</p>
+
+<p>"Precisely," said Kelly, "he missed the red.
+Your analysis was wrong, Mr. Kent. The game
+ended. You started your reasoning from a false
+di&aelig;resis. In billiards people never mark the
+last point. The board still showed ninety-nine
+all. Throgton left and my uncle, as
+often happens, kept trying over the last shot&mdash;a
+half-ball shot, sir, with the red over the
+pocket. He tried again and again. He
+couldn't make it. He tried various ways. His
+rest was too unsteady. Finally he made his tie
+into a long loop round his neck and put his cue
+through it. 'Now, by gad!' he said, 'I can
+do it.'"<span class='pagenum'><a name="Page_138" id="Page_138">[Pg 138]</a></span></p>
+
+<p>"Ha!" said Kent. "Fool that I was."</p>
+
+<p>"Exactly," continued Kelly. "In the excitement
+of watching my uncle I forgot where
+I was, I leaned too far over and fell out of the
+trap. I landed on uncle, just as he was sitting
+on the table to shoot. He fell."</p>
+
+<p>"I see it all!" said Kent. "He hit his
+head, the loop tightened, the cue spun round
+and he was dead."</p>
+
+<p>"That's it," said Kelly. "I saw that he
+was dead, and I did not dare to remain. I
+straightened the knot in his tie, laid his hands
+reverently across his chest, and departed as I
+had come."</p>
+
+<p>"Mr. Kelly," said Throgton thoughtfully,
+"the logic of your story is wonderful. It
+exceeds anything in its line that I have seen published
+for months. But there is just one point
+that I fail to grasp. The two bullet holes?"</p>
+
+<p>"They were old ones," answered the sailor
+quietly. "My uncle in his youth had led a
+wild life in the west; he was full of them."</p>
+
+<p>There was silence for a moment. Then Kelly
+spoke again:<span class='pagenum'><a name="Page_139" id="Page_139">[Pg 139]</a></span></p>
+
+<p>"My time, gentlemen, is short." (A hacking
+cough interrupted him.) "I feel that I am
+withering. It rests with you, gentlemen,
+whether or not I walk out of this room a free
+man."</p>
+
+<p>Transome Kent rose and walked over to the
+sailor.</p>
+
+<p>"Mr. Kelly," he said, "here is my hand."
+<br />
+<br />
+</p>
+
+<h3><a name="IV_X" id="IV_X"></a>CHAPTER X</h3>
+
+<h4>SO DO I</h4>
+
+<p>A few days after the events last narrated,
+Transome Kent called at the boarding-house of
+Miss Alice Delary. The young Investigator
+wore a light grey tweed suit, with a salmon-coloured
+geranium in his buttonhole. There
+was something exultant yet at the same time
+grave in his expression, as of one who has
+taken a momentous decision, affecting his
+future life.</p>
+
+<p>"I wonder," he murmured, "whether I am
+acting for my happiness."<span class='pagenum'><a name="Page_140" id="Page_140">[Pg 140]</a></span></p>
+
+<p>He sat down for a moment on the stone
+steps and analysed himself.</p>
+
+<p>Then he rose.</p>
+
+<p>"I am," he said, and rang the bell.</p>
+
+<p>"Miss Delary?" said a maid, "she left here
+two days ago. If you are Mr. Kent, the note
+on the mantelpiece is for you."</p>
+
+<p>Without a word (Kent never wasted them)
+the Investigator opened the note and read:</p>
+
+<div class="blockquot"><p>"<span class="smcap">Dear Mr. Kent</span>,<br />
+
+"Peter and I were married yesterday
+morning, and have taken an apartment in Java,
+New Jersey. You will be glad to hear that
+Peter's cough is ever so much better. The
+lawyers have given Peter his money without the
+least demur.</p>
+
+<p>"We both feel that your analysis was simply
+wonderful. Peter says he doesn't know where
+he would be without it.</p>
+
+<p>"Very sincerely,</p>
+
+<p style="text-align:right">"<span class="smcap">Alice Kelly</span>.</p>
+
+<p>"P.S.&mdash;I forgot to mention to you that I<span class='pagenum'><a name="Page_141" id="Page_141">[Pg 141]</a></span>
+saw Peter in the billiard-room. But your
+analysis was marvellous just the same."</p></div>
+
+<p class="tb">* * * * *</p>
+
+<p>That evening Kent sat with Throgton talking
+over the details of the tragedy.</p>
+
+<p>"Throgton," he said, "it has occurred to me
+that there were points about that solution that
+we didn't get exactly straight somehow."</p>
+
+<p>"So do I," said Throgton.
+<br /><br />
+<br />
+<br /></p>
+<p><span class='pagenum'><a name="Page_143" id="Page_143">[Pg 143]</a></span></p>
+<div class="innerbox">
+<h2><a name="V" id="V"></a>V</h2>
+
+<h3><i>BROKEN BARRIERS</i></h3>
+
+<h4><i>OR, RED LOVE ON A BLUE ISLAND</i></h4>
+
+<p class="center">(<i>The kind of thing that has replaced the good Old Sea Story</i>)</p>
+</div>
+<p><span class='pagenum'><a name="Page_145" id="Page_145">[Pg 145]</a></span></p>
+
+<p>It was on a bright August afternoon that
+I stepped on board the steamer <i>Patagonia</i>
+at Southampton outward bound for the
+West Indies and the Port of New
+Orleans.</p>
+
+<p>I had at the time no presentiment of disaster.
+I remember remarking to the ship's purser, as
+my things were being carried to my state-room,
+that I had never in all my travels entered upon
+any voyage with so little premonition of accident.
+"Very good, Mr. Borus," he answered.
+"You will find your state-room in the starboard
+aisle on the right." I distinctly recall remarking
+to the Captain that I had never, in any of
+my numerous seafarings, seen the sea of a more
+limpid blue. He agreed with me so entirely,<span class='pagenum'><a name="Page_146" id="Page_146">[Pg 146]</a></span>
+as I recollect it, that he did not even trouble
+to answer.</p>
+
+<p>Had anyone told me on that bright summer
+afternoon that our ship would within a week
+be wrecked among the Dry Tortugas, I should
+have laughed. Had anyone informed me that I
+should find myself alone on a raft in the Caribbean
+Sea, I should have gone into hysterics.</p>
+
+<p>We had hardly entered the waters of the
+Caribbean when a storm of unprecedented violence
+broke upon us. Even the Captain had
+never, so he said, seen anything to compare
+with it. For two days and nights we encountered
+and endured the full fury of the sea.
+Our soup plates were secured with racks and
+covered with lids. In the smoking-room our
+glasses had to be set in brackets, and as our
+steward came and went, we were from moment
+to moment in imminent danger of seeing him
+washed overboard.</p>
+
+<p>On the third morning just after daybreak the
+ship collided with something, probably either
+a floating rock or one of the dry Tortugas.
+She blew out her four funnels, the bowsprit<span class='pagenum'><a name="Page_147" id="Page_147">[Pg 147]</a></span>
+dropped out of its place, and the propeller
+came right off. The Captain, after a brief
+consultation, decided to abandon her. The
+boats were lowered, and, the sea being now quite
+calm, the passengers were emptied into them.</p>
+
+<p>By what accident I was left behind I cannot
+tell. I had been talking to the second mate
+and telling him of a rather similar experience
+of mine in the China Sea, and holding him by
+the coat as I did so, when quite suddenly he
+took me by the shoulders, and rushing me into
+the deserted smoking-room said, "Sit there,
+Mr. Borus, till I come back for you." The
+fellow spoke in such a menacing way that I
+thought it wiser to comply.</p>
+
+<p>When I came out they were all gone. By
+good fortune I found one of the ship's rafts
+still lying on the deck. I gathered together
+such articles as might be of use and contrived,
+though how I do not know, to launch it into
+the sea.</p>
+
+<p>On my second morning on my raft I was
+sitting quietly polishing my boots and talking
+to myself when I became aware of an object<span class='pagenum'><a name="Page_148" id="Page_148">[Pg 148]</a></span>
+floating in the sea close beside the raft. Judge
+of my feelings when I realized it to be the
+inanimate body of a girl. Hastily finishing
+my boots and stopping talking to myself, I
+made shift as best I could to draw the unhappy
+girl towards me with a hook.</p>
+
+<p>After several ineffectual attempts I at last
+managed to obtain a hold of the girl's clothing
+and drew her on to the raft.</p>
+
+<p>She was still unconscious. The heavy lifebelt
+round her person must (so I divined) have
+kept her afloat after the wreck. Her clothes
+were sodden, so I reasoned, with the sea-water.</p>
+
+<p>On a handkerchief which was still sticking
+into the belt of her dress, I could see letters
+embroidered. Realizing that this was no time
+for hesitation, and that the girl's life might
+depend on my reading her name, I plucked
+it forth. It was Edith Croyden.</p>
+
+<p>As vigorously as I could I now set to work
+to rub her hands. My idea was (partly) to restore
+her circulation. I next removed her boots,
+which were now rendered useless, as I argued,
+by the sea-water, and began to rub her feet.<span class='pagenum'><a name="Page_149" id="Page_149">[Pg 149]</a></span></p>
+
+<p>I was just considering what to remove next,
+when the girl opened her eyes. "Stop rubbing
+my feet," she said.</p>
+
+<p>"Miss Croyden," I said, "you mistake
+me."</p>
+
+<p>I rose, with a sense of pique which I did not
+trouble to conceal, and walked to the other end
+of the raft. I turned my back upon the girl
+and stood looking out upon the leaden waters
+of the Caribbean Sea. The ocean was now
+calm. There was nothing in sight.</p>
+
+<p>I was still searching the horizon when I
+heard a soft footstep on the raft behind me,
+and a light hand was laid upon my shoulder.
+"Forgive me," said the girl's voice.</p>
+
+<p>I turned about. Miss Croyden was standing
+behind me. She had, so I argued, removed
+her stockings and was standing in her bare feet.
+There is something, I am free to confess, about
+a woman in her bare feet which hits me where
+I live. With instinctive feminine taste the girl
+had twined a piece of seaweed in her hair.
+Seaweed, as a rule, gets me every time. But
+I checked myself.<span class='pagenum'><a name="Page_150" id="Page_150">[Pg 150]</a></span></p>
+
+<p>"Miss Croyden," I said, "there is nothing
+to forgive."</p>
+
+<p>At the mention of her name the girl blushed
+for a moment and seemed about to say something,
+but stopped.</p>
+
+<p>"Where are we?" she queried presently.</p>
+
+<p>"I don't know," I answered, as cheerily as
+I could, "but I am going to find out."</p>
+
+<p>"How brave you are!" Miss Croyden
+exclaimed.</p>
+
+<p>"Not at all," I said, putting as much heartiness
+into my voice as I was able to.</p>
+
+<p>The girl watched my preparations with
+interest.</p>
+
+<p>With the aid of a bent pin hoisted on a long
+pole I had no difficulty in ascertaining our
+latitude.</p>
+
+<p>"Miss Croydon," I said, "I am now about
+to ascertain our longitude. To do this I must
+lower myself down into the sea. Pray do
+not be alarmed or anxious. I shall soon be
+back."</p>
+
+<p>With the help of a long line I lowered
+myself deep down into the sea until I was<span class='pagenum'><a name="Page_151" id="Page_151">[Pg 151]</a></span>
+enabled to ascertain, approximately at any
+rate, our longitude. A fierce thrill went through
+me at the thought that this longitude was our
+longitude, hers and mine. On the way up,
+hand over hand, I observed a long shark looking
+at me. Realizing that the fellow if
+voracious might prove dangerous, I lost but
+little time&mdash;indeed, I may say I lost absolutely
+no time&mdash;in coming up the rope.</p>
+
+<p>The girl was waiting for me.</p>
+
+<p>"Oh, I am so glad you have come back," she
+exclaimed, clasping her hands.</p>
+
+<p>"It was nothing," I said, wiping the water
+from my ears, and speaking as melodiously as
+I could.</p>
+
+<p>"Have you found our whereabouts?" she
+asked.</p>
+
+<p>"Yes," I answered. "Our latitude is normal,
+but our longitude is, I fear, at least three
+degrees out of the plumb. I am afraid, Miss
+Croyden," I added, speaking as mournfully as
+I knew how, "that you must reconcile your
+mind to spending a few days with me on this
+raft."<span class='pagenum'><a name="Page_152" id="Page_152">[Pg 152]</a></span></p>
+
+<p>"Is it as bad as that?" she murmured, her
+eyes upon the sea.</p>
+
+<p>In the long day that followed, I busied myself
+as much as I could with my work upon the
+raft, so as to leave the girl as far as possible
+to herself. It was, so I argued, absolutely
+necessary to let her feel that she was safe
+in my keeping. Otherwise she might jump off
+the raft and I should lose her.</p>
+
+<p>I sorted out my various cans and tins, tested
+the oil in my chronometer, arranged in neat
+order my various ropes and apparatus, and got
+my frying-pan into readiness for any emergency.
+Of food we had for the present no lack.</p>
+
+<p>With the approach of night I realized that it
+was necessary to make arrangements for the
+girl's comfort. With the aid of a couple of
+upright poles I stretched a grey blanket across
+the raft so as to make a complete partition.</p>
+
+<p>"Miss Croyden," I said, "this end of the
+raft is yours. Here you may sleep in
+peace."</p>
+
+<p>"How kind you are," the girl murmured.</p>
+
+<p>"You will be quite safe from interference,"<span class='pagenum'><a name="Page_153" id="Page_153">[Pg 153]</a></span>
+I added. "I give you my word that I will not
+obtrude upon you in any way."</p>
+
+<p>"How chivalrous you are," she said.</p>
+
+<p>"Not at all," I answered, as musically as I
+could. "Understand me, I am now putting my
+head over this partition for the last time. If
+there is anything you want, say so now."</p>
+
+<p>"Nothing," she answered.</p>
+
+<p>"There is a candle and matches beside you.
+If there is anything that you want in the night,
+call me instantly. Remember, at any hour I
+shall be here. I promise it."</p>
+
+<p>"Good night," she murmured. In a few
+minutes her soft regular breathing told me that
+she was asleep.</p>
+
+<p>I went forward and seated myself in a tar-bucket,
+with my head against the mast, to get
+what sleep I could.</p>
+
+<p>But for some time&mdash;why, I do not know&mdash;sleep
+would not come.</p>
+
+<p>The image of Edith Croyden filled my mind.
+In vain I told myself that she was a stranger
+to me: that&mdash;beyond her longitude&mdash;I knew
+nothing of her. In some strange way this girl<span class='pagenum'><a name="Page_154" id="Page_154">[Pg 154]</a></span>
+had seized hold of me and dominated my
+senses.</p>
+
+<p>The night was very calm and still, with great
+stars in a velvet sky. In the darkness I could
+hear the water lapping the edge of the raft.</p>
+
+<p>I remained thus in deep thought, sinking
+further and further into the tar-bucket. By
+the time I reached the bottom of it I realized
+that I was in love with Edith Croyden.</p>
+
+<p>Then the thought of my wife occurred to me
+and perplexed me. Our unhappy marriage had
+taken place three years before. We brought to
+one another youth, wealth and position. Yet
+our marriage was a failure. My wife&mdash;for
+what reason I cannot guess&mdash;seemed to find
+my society irksome. In vain I tried to interest
+her with narratives of my travels. They
+seemed&mdash;in some way that I could not divine&mdash;to
+fatigue her. "Leave me for a little,
+Harold," she would say (I forgot to mention
+that my name is Harold Borus), "I have a pain
+in my neck." At her own suggestion I had
+taken a trip around the world. On my return
+she urged me to go round again. I was going<span class='pagenum'><a name="Page_155" id="Page_155">[Pg 155]</a></span>
+round for the third time when the wrecking of
+the steamer had interrupted my trip.</p>
+
+<p>On my own part, too, I am free to confess
+that my wife's attitude had aroused in me a
+sense of pique, not to say injustice. I am not
+in any way a vain man. Yet her attitude
+wounded me. I would no sooner begin,
+"When I was in the Himalayas hunting the
+humpo or humped buffalo," than she would
+interrupt and say, "Oh, Harold, would you
+mind going down to the billiard-room and
+seeing if I left my cigarettes under the
+billiard-table?" When I returned, she was
+gone.</p>
+
+<p>By agreement we had arranged for a divorce.
+On my completion of my third voyage we were
+to meet in New Orleans. Clara was to go
+there on a separate ship, giving me the choice
+of oceans.</p>
+
+<p>Had I met Edith Croyden three months
+later I should have been a man free to woo
+and win her. As it was I was bound. I must
+put a clasp of iron on my feelings. I must
+wear a mask. Cheerful, helpful, and full of<span class='pagenum'><a name="Page_156" id="Page_156">[Pg 156]</a></span>
+narrative, I must yet let fall no word of love
+to this defenceless girl.</p>
+
+<p>After a great struggle I rose at last from
+the tar-bucket, feeling, if not a brighter, at
+least a cleaner man.</p>
+
+<p>Dawn was already breaking. I looked about
+me. As the sudden beams of the tropic sun
+illumined the placid sea, I saw immediately
+before me, only a hundred yards away, an
+island. A sandy beach sloped back to a rocky
+eminence, broken with scrub and jungle. I
+could see a little stream leaping among the
+rocks. With eager haste I paddled the raft
+close to the shore till it ground in about ten
+inches of water.</p>
+
+<p>I leaped into the water.</p>
+
+<p>With the aid of a stout line, I soon made
+the raft fast to a rock. Then as I turned I
+saw that Miss Croyden was standing upon the
+raft, fully dressed, and gazing at me. The
+morning sunlight played in her hair, and her
+deep blue eyes were as soft as the Caribbean
+Sea itself.</p>
+
+<p>"Don't attempt to wade ashore, Miss Croy<span class='pagenum'><a name="Page_157" id="Page_157">[Pg 157]</a></span>den,"
+I cried in agitation. "Pray do nothing
+rash. The waters are simply infested with
+bacilli."</p>
+
+<p>"But how can I get ashore?" she asked,
+with a smile which showed all, or nearly all, of
+her pearl-like teeth.</p>
+
+<p>"Miss Croyden," I said, "there is only one
+way. I must carry you."</p>
+
+<p>In another moment I had walked back to the
+raft and lifted her as tenderly and reverently
+as if she had been my sister&mdash;indeed more so&mdash;in
+my arms.</p>
+
+<p>Her weight seemed nothing. When I get
+a girl like that in my arms I simply don't feel
+it. Just for one moment as I clasped her thus
+in my arms, a fierce thrill ran through me.
+But I let it run.</p>
+
+<p>When I had carried her well up the sand
+close to the little stream, I set her down. To
+my surprise, she sank down in a limp heap.</p>
+
+<p>The girl had fainted.</p>
+
+<p>I knew that it was no time for hesitation.</p>
+
+<p>Running to the stream, I filled my hat with
+water and dashed it in her face. Then I took<span class='pagenum'><a name="Page_158" id="Page_158">[Pg 158]</a></span>
+up a handful of mud and threw it at her with
+all my force. After that I beat her with my
+hat.</p>
+
+<p>At length she opened her eyes and sat up.</p>
+
+<p>"I must have fainted," she said, with a little
+shiver. "I am cold. Oh, if we could only
+have a fire."</p>
+
+<p>"I will do my best to make one, Miss
+Croyden," I replied, speaking as gymnastically
+as I could. "I will see what I can do with
+two dry sticks."</p>
+
+<p>"With dry sticks?" queried the girl. "Can
+you light a fire with that? How wonderful
+you are!"</p>
+
+<p>"I have often seen it done," I replied
+thoughtfully; "when I was hunting the humpo,
+or humped buffalo, in the Himalayas, it was
+our usual method."</p>
+
+<p>"Have you really hunted the humpo?" she
+asked, her eyes large with interest.</p>
+
+<p>"I have indeed," I said, "but you must
+rest; later on I will tell you about it."</p>
+
+<p>"I wish you could tell me now," she said
+with a little moan.<span class='pagenum'><a name="Page_159" id="Page_159">[Pg 159]</a></span></p>
+
+<p>Meantime I had managed to select from
+the driftwood on the beach two sticks that
+seemed absolutely dry. Placing them carefully
+together, in Indian fashion, I then struck a
+match and found no difficulty in setting them
+on fire.</p>
+
+<p>In a few moments the girl was warming
+herself beside a generous fire.</p>
+
+<p>Together we breakfasted upon the beach
+beside the fire, discussing our plans like
+comrades.</p>
+
+<p>Our meal over, I rose.</p>
+
+<p>"I will leave you here a little," I said,
+"while I explore."</p>
+
+<p>With no great difficulty I made my way
+through the scrub and climbed the eminence of
+tumbled rocks that shut in the view.</p>
+
+<p>On my return Miss Croyden was still seated
+by the fire, her head in her hands.</p>
+
+<p>"Miss Croyden," I said, "we are on an
+island."</p>
+
+<p>"Is it inhabited?" she asked.</p>
+
+<p>"Once, perhaps, but not now. It is one of
+the many keys of the West Indies. Here, in<span class='pagenum'><a name="Page_160" id="Page_160">[Pg 160]</a></span>
+old buccaneering days, the pirates landed and
+careened their ships."</p>
+
+<p>"How did they do that?" she asked,
+fascinated.</p>
+
+<p>"I am not sure," I answered. "I think with
+white-wash. At any rate, they gave them a
+good careening. But since then these solitudes
+are only the home of the sea-gull, the sea-mew,
+and the albatross."</p>
+
+<p>The girl shuddered.</p>
+
+<p>"How lonely!" she said.</p>
+
+<p>"Lonely or not," I said with a laugh (luckily
+I can speak with a laugh when I want to), "I
+must get to work."</p>
+
+<p>I set myself to work to haul up and arrange
+our effects. With a few stones I made a rude
+table and seats. I took care to laugh and sing
+as much as possible while at my work. The
+close of the day found me still busy with my
+labours.</p>
+
+<p>"Miss Croyden," I said, "I must now arrange
+a place for you to sleep."</p>
+
+<p>With the aid of four stakes driven deeply
+into the ground and with blankets strung upon<span class='pagenum'><a name="Page_161" id="Page_161">[Pg 161]</a></span>
+them, I managed to fashion a sort of rude tent,
+roofless, but otherwise quite sheltered.</p>
+
+<p>"Miss Croyden," I said when all was done,
+"go in there."</p>
+
+<p>Then, with little straps which I had fastened
+to the blankets, I buckled her in reverently.</p>
+
+<p>"Good night, Miss Croyden," I said.</p>
+
+<p>"But you," she exclaimed, "where will you
+sleep?"</p>
+
+<p>"Oh, I?" I answered, speaking as exuberantly
+as I could, "I shall do very well on the
+ground. But be sure to call me at the slightest
+sound."</p>
+
+<p>Then I went out and lay down in a patch of
+cactus plants.</p>
+
+<p class="tb">* * * * *</p>
+
+<p>I need not dwell in detail upon the busy and
+arduous days that followed our landing upon
+the island. I had much to do. Each morning
+I took our latitude and longitude. By this I
+then set my watch, cooked porridge, and picked
+flowers till Miss Croyden appeared.</p>
+
+<p>With every day the girl came forth from
+her habitation as a new surprise in her radiant<span class='pagenum'><a name="Page_162" id="Page_162">[Pg 162]</a></span>
+beauty. One morning she had bound a cluster
+of wild arbutus about her brow. Another day
+she had twisted a band of convolvulus around
+her waist. On a third she had wound herself
+up in a mat of bulrushes.</p>
+
+<p>With her bare feet and wild bulrushes all
+around her, she looked as a cave woman might
+have looked, her eyes radiant with the Caribbean
+dawn. My whole frame thrilled at the
+sight of her. At times it was all I could do
+not to tear the bulrushes off her and beat
+her with the heads of them. But I schooled
+myself to restraint, and handed her a rock to
+sit upon, and passed her her porridge on the end
+of a shovel with the calm politeness of a friend.</p>
+
+<p>Our breakfast over, my more serious labours
+of the day began. I busied myself with hauling
+rocks or boulders along the sand to build
+us a house against the rainy season. With
+some tackle from the raft I had made myself
+a set of harness, by means of which I hitched
+myself to a boulder. By getting Miss Croyden
+to beat me over the back with a stick, I found
+that I made fair progress.<span class='pagenum'><a name="Page_163" id="Page_163">[Pg 163]</a></span></p>
+
+<p>But even as I worked thus for our common
+comfort, my mind was fiercely filled with the
+thought of Edith Croyden. I knew that if once
+the barriers broke everything would be swept
+away. Heaven alone knows the effort that
+it cost me. At times nothing but the sternest
+resolution could hold my fierce impulses in
+check. Once I came upon the girl writing in
+the sand with a stick. I looked to see what
+she had written. I read my own name "Harold."
+With a wild cry I leapt into the sea
+and dived to the bottom of it. When I came
+up I was calmer. Edith came towards me;
+all dripping as I was, she placed her hands
+upon my shoulders. "How grand you are!"
+she said. "I am," I answered; then I added,
+"Miss Croyden, for Heaven's sake don't touch
+me on the ear. I can't stand it." I turned
+from her and looked out over the sea. Presently
+I heard something like a groan behind
+me. The girl had thrown herself on the sand
+and was coiled up in a hoop. "Miss Croyden,"
+I said, "for God's sake don't coil up in a
+hoop."<span class='pagenum'><a name="Page_164" id="Page_164">[Pg 164]</a></span></p>
+
+<p>I rushed to the beach and rubbed gravel on
+my face.</p>
+
+<p>With such activities, alternated with wild
+bursts of restraint, our life on the island passed
+as rapidly as in a dream. Had I not taken
+care to notch the days upon a stick and then
+cover the stick with tar, I could not have known
+the passage of the time. The wearing out of
+our clothing had threatened a serious difficulty.
+But by good fortune I had seen a large black
+and white goat wandering among the rocks and
+had chased it to a standstill. From its skin,
+leaving the fur still on, Edith had fashioned
+us clothes. Our boots we had replaced with
+alligator hide. I had, by a lucky chance, found
+an alligator upon the beach, and attaching a
+string to the fellow's neck I had led him to our
+camp. I had then poisoned the fellow with
+tinned salmon and removed his hide.</p>
+
+<p>Our costume was now brought into harmony
+with our surroundings. For myself, garbed in
+goatskin with the hair outside, with alligator
+sandals on my feet and with whiskers at least
+six inches long, I have no doubt that I<span class='pagenum'><a name="Page_165" id="Page_165">[Pg 165]</a></span>
+resembled the beau ideal of a cave man. With
+the open-air life a new agility seemed to have
+come into my limbs. With a single leap in my
+alligator sandals I was enabled to spring into
+a coco-nut tree.</p>
+
+<p>As for Edith Croyden, I can only say that
+as she stood beside me on the beach in her
+suit of black goatskin (she had chosen the
+black spots) there were times when I felt like
+seizing her in the frenzy of my passion and
+hurling her into the sea. Fur always acts on
+me just like that.</p>
+
+<p>It was at the opening of the fifth week of
+our life upon the island that a new and more
+surprising turn was given to our adventure. It
+arose out of a certain curiosity, harmless
+enough, on Edith Croyden's part. "Mr.
+Borus," she said one morning, "I should like
+so much to see the rest of our island. Can
+we?"</p>
+
+<p>"Alas, Miss Croyden," I said, "I fear that
+there is but little to see. Our island, so far as
+I can judge, is merely one of the uninhabited
+keys of the West Indies. It is nothing but<span class='pagenum'><a name="Page_166" id="Page_166">[Pg 166]</a></span>
+rock and sand and scrub. There is no life upon
+it. I fear," I added, speaking as jauntily as I
+could, "that unless we are taken off it we are
+destined to stay on it."</p>
+
+<p>"Still I should like to see it," she persisted.</p>
+
+<p>"Come on, then," I answered, "if you are
+good for a climb we can take a look over the
+ridge of rocks where I went up on the first
+day."</p>
+
+<p>We made our way across the sand of the
+beach, among the rocks and through the close
+matted scrub, beyond which an eminence of
+rugged boulders shut out the further view.</p>
+
+<p>Making our way to the top of this we
+obtained a wide look over the sea. The island
+stretched away to a considerable distance to
+the eastward, widening as it went, the complete
+view of it being shut off by similar and higher
+ridges of rock.</p>
+
+<p>But it was the nearer view, the foreground,
+that at once arrested our attention. Edith
+seized my arm. "Look, oh, look!" she
+said.</p>
+
+<p>Down just below us on the right hand was<span class='pagenum'><a name="Page_167" id="Page_167">[Pg 167]</a></span>
+a similar beach to the one that we had left.
+A rude hut had been erected on it and various
+articles lay strewn about.</p>
+
+<p>Seated on a rock with their backs towards us
+were a man and a woman. The man was
+dressed in goatskins, and his whiskers, so I
+inferred from what I could see of them from
+the side, were at least as exuberant as mine.
+The woman was in white fur with a fillet of
+seaweed round her head. They were sitting
+close together as if in earnest colloquy.</p>
+
+<p>"Cave people," whispered Edith, "aborigines
+of the island."</p>
+
+<p>But I answered nothing. Something in the
+tall outline of the seated woman held my eye.
+A cruel presentiment stabbed me to the heart.</p>
+
+<p>In my agitation my foot overset a stone,
+which rolled noisily down the rocks. The noise
+attracted the attention of the two seated
+below us. They turned and looked searchingly
+towards the place where we were concealed.
+Their faces were in plain sight. As I looked
+at that of the woman I felt my heart cease
+beating and the colour leave my face.<span class='pagenum'><a name="Page_168" id="Page_168">[Pg 168]</a></span></p>
+
+<p>I looked into Edith's face. It was as pale
+as mine.</p>
+
+<p>"What does it mean?" she whispered.</p>
+
+<p>"Miss Croyden," I answered, "Edith&mdash;it
+means this. I have never found the courage
+to tell you. I am a married man. The
+woman seated there is my wife. And I
+love you."</p>
+
+<p>Edith put out her arms with a low cry and
+clasped me about the neck. "Harold," she
+murmured, "my Harold."</p>
+
+<p>"Have I done wrong?" I whispered.</p>
+
+<p>"Only what I have done too," she answered.
+"I, too, am married, Harold, and the man
+sitting there below, John Croyden, is my
+husband."</p>
+
+<p>With a wild cry such as a cave man might
+have uttered, I had leapt to my feet.</p>
+
+<p>"Your husband!" I shouted. "Then, by
+the living God, he or I shall never leave this
+place alive."</p>
+
+<p>He saw me coming as I bounded down the
+rocks. In an instant he had sprung to his feet.
+He gave no cry. He asked no question. He<span class='pagenum'><a name="Page_169" id="Page_169">[Pg 169]</a></span>
+stood erect as a cave man would, waiting for
+his enemy.</p>
+
+<p>And there upon the sands beside the sea
+we fought, barehanded and weaponless. We
+fought as cave men fight.</p>
+
+<p>For a while we circled round one another,
+growling. We circled four times, each watching
+for an opportunity. Then I picked up a
+great handful of sand and threw it flap into
+his face. He grabbed a coco-nut and hit me
+with it in the stomach. Then I seized a twisted
+strand of wet seaweed and landed him with it
+behind the ear. For a moment he staggered.
+Before he could recover I jumped forward,
+seized him by the hair, slapped his face twice
+and then leaped behind a rock. Looking from
+the side I could see that Croyden, though half
+dazed, was feeling round for something to
+throw. To my horror I saw a great stone lying
+ready to his hand. Beside me was nothing.
+I gave myself up for lost, when at that very
+moment I heard Edith's voice behind me saying,
+"The shovel, quick, the shovel!" The
+noble girl had rushed back to our encampment<span class='pagenum'><a name="Page_170" id="Page_170">[Pg 170]</a></span>
+and had fetched me the shovel. "Swat him
+with that," she cried. I seized the shovel, and
+with the roar of a wounded bull&mdash;or as near
+as I could make it&mdash;I rushed out from the rock,
+the shovel swung over my head.</p>
+
+<p>But the fight was all out of Croyden.</p>
+
+<p>"Don't strike," he said, "I'm all in. I
+couldn't stand a crack with that kind of
+thing."</p>
+
+<p>He sat down upon the sand, limp. Seen
+thus, he somehow seemed to be quite a small
+man, not a cave man at all. His goatskin
+suit shrunk in on him. I could hear his pants
+as he sat.</p>
+
+<p>"I surrender," he said. "Take both the
+women. They are yours."</p>
+
+<p>I stood over him leaning upon the shovel.
+The two women had closed in near to us.</p>
+
+<p>"I suppose you are <i>her</i> husband, are you?"
+Croyden went on.</p>
+
+<p>I nodded.</p>
+
+<p>"I thought you were. Take her."</p>
+
+<p>Meantime Clara had drawn nearer to me.
+She looked somehow very beautiful with her<span class='pagenum'><a name="Page_171" id="Page_171">[Pg 171]</a></span>
+golden hair in the sunlight, and the white furs
+draped about her.</p>
+
+<p>"Harold!" she exclaimed. "Harold, is it
+you? How strange and masterful you look.
+I didn't know you were so strong."</p>
+
+<p>I turned sternly towards her.</p>
+
+<p>"When I was alone," I said, "on the Himalayas
+hunting the humpo or humped buffalo&mdash;&mdash;"</p>
+
+<p>Clara clasped her hands, looking into my
+face.</p>
+
+<p>"Yes," she said, "tell me about it."</p>
+
+<p>Meantime I could see that Edith had gone
+over to John Croyden.</p>
+
+<p>"John," she said, "you shouldn't sit on the
+wet sand like that. You will get a chill. Let
+me help you to get up."</p>
+
+<p>I looked at Clara and at Croyden.</p>
+
+<p>"How has this happened?" I asked. "Tell
+me."</p>
+
+<p>"We were on the same ship," Croyden said.
+"There came a great storm. Even the Captain
+had never seen&mdash;&mdash;"</p>
+
+<p>"I know," I interrupted, "so had ours."<span class='pagenum'><a name="Page_172" id="Page_172">[Pg 172]</a></span></p>
+
+<p>"The ship struck a rock, and blew out her
+four funnels&mdash;&mdash;"</p>
+
+<p>"Ours did too," I nodded.</p>
+
+<p>"The bowsprit was broken, and the steward's
+pantry was carried away. The Captain gave
+orders to leave the ship&mdash;&mdash;"</p>
+
+<p>"It is enough, Croyden," I said, "I see it all
+now. You were left behind when the boats
+cleared, by what accident you don't know&mdash;&mdash;"</p>
+
+<p>"I don't," said Croyden.</p>
+
+<p>"As best you could, you constructed a raft,
+and with such haste as you might you placed
+on it such few things&mdash;&mdash;"</p>
+
+<p>"Exactly," he said, "a chronometer, a
+sextant&mdash;&mdash;"</p>
+
+<p>"I know," I continued, "two quadrants, a
+bucket of water, and a lightning rod. I presume
+you picked up Clara floating in the sea."</p>
+
+<p>"I did," Croyden said; "she was unconscious
+when I got her, but by rubbing&mdash;&mdash;"</p>
+
+<p>"Croyden," I said, raising the shovel again,
+"cut that out."</p>
+
+<p>"I'm sorry," he said.</p>
+
+<p>"It's all right. But you needn't go on. I<span class='pagenum'><a name="Page_173" id="Page_173">[Pg 173]</a></span>
+see all the rest of your adventures plainly
+enough."</p>
+
+<p>"Well, I'm done with it all anyway," said
+Croyden gloomily. "You can do what you like.
+As for me, I've got a decent suit back there
+at our camp, and I've got it dried and pressed
+and I'm going to put it on."</p>
+
+<p>He rose wearily, Edith standing beside him.</p>
+
+<p>"What's more, Borus," he said, "I'll tell
+you something. This island is not uninhabited
+at all."</p>
+
+<p>"Not uninhabited!" exclaimed Clara and
+Edith together. I saw each of them give a
+rapid look at her goatskin suit.</p>
+
+<p>"Nonsense, Croyden," I said, "this island is
+one of the West Indian keys. On such a key
+as this the pirates used to land. Here they
+careened their ships&mdash;&mdash;"</p>
+
+<p>"Did what to them?" asked Croyden.</p>
+
+<p>"Careened them all over from one end to the
+other," I said. "Here they got water and
+buried treasure; but beyond that the island was,
+and remained, only the home of the wild gull
+and the sea-mews&mdash;&mdash;"<span class='pagenum'><a name="Page_174" id="Page_174">[Pg 174]</a></span></p>
+
+<p>"All right," said Croyden, "only it doesn't
+happen to be that kind of key. It's a West
+Indian island all right, but there's a summer
+hotel on the other end of it not two miles away."</p>
+
+<p>"A summer hotel!" we exclaimed.</p>
+
+<p>"Yes, a hotel. I suspected it all along. I
+picked up a tennis racket on the beach the first
+day; and after that I walked over the ridge
+and through the jungle and I could see the
+roof of the hotel. Only," he added rather
+shamefacedly, "I didn't like to tell her."</p>
+
+<p>"Oh, you coward!" cried Clara. "I could
+slap you."</p>
+
+<p>"Don't you dare," said Edith. "I'm sure
+you knew it as well as he did. And anyway, I
+was certain of it myself. I picked up a copy of
+last week's paper in a lunch-basket on the
+beach, and hid it from Mr. Borus. I didn't
+want to hurt his feelings."</p>
+
+<p>At that moment Croyden pointed with a cry
+towards the sea.</p>
+
+<p>"Look," he said, "for Heaven's sake, look!"</p>
+
+<p>He turned.</p>
+
+<p>Less than a quarter of a mile away we could<span class='pagenum'><a name="Page_175" id="Page_175">[Pg 175]</a></span>
+see a large white motor launch coming round
+the corner. The deck was gay with awnings
+and bright dresses and parasols.</p>
+
+<p>"Great Heavens!" said Croyden. "I know
+that launch. It's the Appin-Joneses'."</p>
+
+<p>"The Appin-Joneses'!" cried Clara. "Why,
+we know them too. Don't you remember,
+Harold, the Sunday we spent with them on the
+Hudson?"</p>
+
+<p>Instinctively we had all jumped for cover,
+behind the rocks.</p>
+
+<p>"Whatever shall we do?" I exclaimed.</p>
+
+<p>"We must get our things," said Edith
+Croyden. "Jack, if your suit is ready run and
+get it and stop the launch. Mrs. Borus and
+Mr. Borus and I can get our things straightened
+up while you keep them talking. My suit is
+nearly ready anyway; I thought some one
+might come. Mr. Borus, would you mind
+running and fetching me my things, they're all
+in a parcel together? And perhaps if you have a
+looking-glass and some pins, Mrs. Borus, I
+could come over and dress with you."</p>
+
+<p class="tb">* * * * *</p>
+<p><span class='pagenum'><a name="Page_176" id="Page_176">[Pg 176]</a></span></p>
+
+<p>That same evening we found ourselves all
+comfortably gathered on the piazza of the
+Hotel Christopher Columbus. Appin-Jones
+insisted on making himself our host, and the
+story of our adventures was related again and
+again to an admiring audience, with the accompaniment
+of cigars and iced champagne. Only
+one detail was suppressed, by common instinct.
+Both Clara and I felt that it would only raise
+needless comment to explain that Mr. and Mrs.
+Croyden had occupied separate encampments.</p>
+
+<p>Nor is it necessary to relate our safe and
+easy return to New York.</p>
+
+<p>Both Clara and I found Mr. and Mrs.
+Croyden delightful travelling companions,
+though perhaps we were not sorry when the
+moment came to say good-bye.</p>
+
+<p>"The word 'good-bye,'" I remarked to
+Clara, as we drove away, "is always a painful
+one. Oddly enough when I was hunting the
+humpo, or humped buffalo, of the Himalayas&mdash;&mdash;"</p>
+
+<p>"Do tell me about it, darling," whispered
+Clara, as she nestled beside me in the cab.
+<br />
+<br /><br />
+<br /></p>
+<p><span class='pagenum'><a name="Page_177" id="Page_177">[Pg 177]</a></span></p>
+<div class="innerbox">
+<h2><a name="VI" id="VI"></a><i>VI</i></h2>
+
+<h2><i>THE KIDNAPPED PLUMBER</i></h2>
+
+<h3><i>A TALE OF THE NEW TIME</i></h3>
+
+<p class="center">(<i>Being one chapter&mdash;and quite enough&mdash;-from the Reminiscences
+of an Operating Plumber</i>)</p>
+</div>
+<p><span class='pagenum'><a name="Page_179" id="Page_179">[Pg 179]</a></span></p>
+
+<p>"Personally," said Thornton, speaking
+for the first time, "I never care
+to take a case that involves cellar
+work."</p>
+
+<p>We were sitting&mdash;a little group of us&mdash;round
+about the fire in a comfortable corner of
+the Steam and Air Club. Our talk had turned,
+as always happens with a group of professional
+men, into more or less technical channels. I
+will not say that we were talking shop; the
+word has an offensive sound and might be misunderstood.
+But we were talking as only a
+group of practising plumbers&mdash;including some
+of the biggest men in the profession&mdash;would
+talk. With the exception of Everett, who had
+a national reputation as a Consulting Barber,
+and Thomas, who was a vacuum cleaner ex<span class='pagenum'><a name="Page_180" id="Page_180">[Pg 180]</a></span>pert,
+I think we all belonged to the same profession.
+We had been holding a convention,
+and Fortescue, who had one of the biggest
+furnace practices in the country, had read us a
+paper that afternoon&mdash;a most revolutionary
+thing&mdash;on External Diagnosis of Defective
+Feed Pipes, and naturally the thing had bred
+discussion. Fortescue, who is one of the most
+brilliant men in the profession, had stoutly
+maintained his thesis that the only method of
+diagnosis for trouble in a furnace is to sit down
+in front of it and look at it for three days;
+others held out for unscrewing it and carrying
+it home for consideration; others of us, again,
+claimed that by tapping the affected spot with
+a wrench the pipe might be fractured in such
+a way as to prove that it was breakable. It
+was at this point that Thornton interrupted
+with his remark about never being willing to
+accept a cellar case.</p>
+
+<p>Naturally all the men turned to look at the
+speaker. Henry Thornton, at the time of
+which I relate, was at the height of his reputation.
+Beginning, quite literally, at the bottom<span class='pagenum'><a name="Page_181" id="Page_181">[Pg 181]</a></span>
+of the ladder, he had in twenty years of
+practice as an operating plumber raised himself
+to the top of his profession. There was much
+in his appearance to suggest the underlying
+reasons of his success. His face, as is usual
+with men of our calling, had something of the
+dreamer in it, but the bold set of the jaw indicated
+determination of an uncommon kind.
+Three times President of the Plumbers' Association,
+Henry Thornton had enjoyed the
+highest honours of his chosen profession. His
+book on <i>Nut Coal</i> was recognized as the last
+word on the subject, and had been crowned
+by the French Academy of Nuts.</p>
+
+<p>I suppose that one of the principal reasons
+for his success was his singular coolness and
+resource. I have seen Thornton enter a
+kitchen, with that quiet reassuring step of his,
+and lay out his instruments on the table, while
+a kitchen tap with a broken washer was sprizzling
+within a few feet of him, as calmly and as
+quietly as if he were in his lecture-room of the
+Plumbers' College.</p>
+
+<p>"You never go into a cellar?" asked Fortes<span class='pagenum'><a name="Page_182" id="Page_182">[Pg 182]</a></span>cue.
+"But hang it, man, I don't see how one
+can avoid it!"</p>
+
+<p>"Well, I do avoid it," answered Thornton,
+"at least as far as I possibly can. I send down
+my solderist, of course, but personally, unless
+it is absolutely necessary, I never go down."</p>
+
+<p>"That's all very well, my dear fellow,"
+Fortescue cut in, "but you know as well as I do
+that you get case after case where the cellar
+diagnosis is simply vital. I had a case last
+week, a most interesting thing&mdash;" he turned
+to the group of us as he spoke&mdash;"a double
+lesion of a gas-pipe under a cement floor&mdash;half a
+dozen of my colleagues had been absolutely
+baffled. They had made an entirely false
+diagnosis, operated on the dining-room floor,
+which they removed and carried home, and
+when I was called in they had just obtained
+permission from the Stone Mason's Protective
+Association to knock down one side of the
+house."</p>
+
+<p>"Excuse me interrupting just a minute,"
+interjected a member of the group who hailed
+from a distant city, "have you much trouble<span class='pagenum'><a name="Page_183" id="Page_183">[Pg 183]</a></span>
+about that? I mean about knocking the sides
+out of houses?"</p>
+
+<p>"No trouble now," said Fortescue. "We did
+have. But the public is getting educated up to
+it. Our law now allows us to knock the side
+out of a house when we feel that we would
+really like to see what is in it. We are not
+allowed, of course, to build it up again."</p>
+
+<p>"No, of course not," said the other speaker.
+"But I suppose you can throw the bricks out
+on the lawn."</p>
+
+<p>"Yes," said Fortescue, "and sit on them to
+eat lunch. We had a big fight in the legislature
+over that, but we got it through."</p>
+
+<p>"Thank you, but I feel I am interrupting."</p>
+
+<p>"Well, I was only saying that, as soon as I
+had made up my mind that the trouble was in
+the cellar, the whole case was simple. I took
+my colleagues down at once, and we sat on the
+floor of the cellar and held a consultation till
+the overpowering smell of gas convinced me
+that there was nothing for it but an operation
+on the floor. The whole thing was most successful.
+I was very glad, as it happened that<span class='pagenum'><a name="Page_184" id="Page_184">[Pg 184]</a></span>
+the proprietor of the house was a very decent
+fellow, employed, I think, as a manager of a
+bank, or something of the sort. He was most
+grateful. It was he who gave me the engraved
+monkey wrench that some of you were admiring
+before dinner. After we had finished the
+whole operation&mdash;I forgot to say that we had
+thrown the coal out on the lawn to avoid any
+complication&mdash;he quite broke down. He offered
+us to take his whole house and keep it."</p>
+
+<p>"You don't do that, do you?" asked the
+outsider.</p>
+
+<p>"Oh no, never," said Fortescue. "We've
+made a very strict professional rule against it.
+We found that some of the younger men were
+apt to take a house when they were given it,
+and we had to frown down on it. But, gentlemen,
+I feel that when Mr. Thornton says that
+he never goes down into a cellar there must
+be a story behind it. I think we should invite
+him to relate it to us."</p>
+
+<p>A murmur of assent greeted the speaker's
+suggestion. For myself I was particularly
+pleased, inasmuch as I have long felt that<span class='pagenum'><a name="Page_185" id="Page_185">[Pg 185]</a></span>
+Thornton as a <i>raconteur</i> was almost as interesting
+as in the r&ocirc;le of an operating plumber.
+I have often told him that, if he had not happened
+to meet success in his chosen profession,
+he could have earned a living as a day writer:
+a suggestion which he has always taken in good
+part and without offence.</p>
+
+<p>Those of my readers who have looked
+through the little volume of Reminiscences
+which I have put together, will recall the narrative
+of <i>The Missing Nut</i> and the little tale
+entitled <i>The Blue Blow Torch</i> as instances in
+point.</p>
+
+<p>"Not much of a story, perhaps," said Thornton,
+"but such as it is you are welcome to it.
+So, if you will just fill up your glasses with
+raspberry vinegar, you may have the tale for
+what it is worth."</p>
+
+<p>We gladly complied with the suggestion and
+Thornton continued:</p>
+
+<p>"It happened a good many years ago at a
+time when I was only a young fellow fresh
+from college, very proud of my Plumb. B., and
+inclined to think that I knew it all. I had done<span class='pagenum'><a name="Page_186" id="Page_186">[Pg 186]</a></span>
+a little monograph on <i>Choked Feed in the Blow
+Torch</i>, which had attracted attention, and I
+suppose that altogether I was about as conceited
+a young puppy as one would find in the
+profession. I should mention that at this time
+I was not married, but had set up a modest
+apartment of my own with a consulting-room
+and a single manservant. Naturally I could
+not afford the services of a solderist or a gassist
+and did everything for myself, though Simmons,
+my man, could at a pinch be utilized
+to tear down plaster and break furniture."</p>
+
+<p>Thornton paused to take a sip of raspberry
+vinegar and went on:</p>
+
+<p>"Well, then. I had come home to dinner
+particularly tired after a long day. I had sat
+in an attic the greater part of the afternoon (a
+case of top story valvular trouble) and had
+had to sit in a cramped position which practically
+forbade sleep. I was feeling, therefore,
+none too well pleased, when a little while after
+dinner the bell rang and Simmons brought
+word to the library that there was a client in
+the consulting-room. I reminded the fellow<span class='pagenum'><a name="Page_187" id="Page_187">[Pg 187]</a></span>
+that I could not possibly consider a case at
+such an advanced hour unless I were paid
+emergency overtime wages with time and a
+half during the day of recovery."</p>
+
+<p>"One moment," interrupted the outside
+member. "You don't mention compensation
+for mental shock. Do you not draw that
+here?"</p>
+
+<p>"We do <i>now</i>" explained Thornton, "but
+the time of which I speak is some years ago
+and we still got nothing for mental shock,
+nor disturbance of equilibrium. Nowadays,
+of course, one would insist on a substantial
+retainer in advance.</p>
+
+<p>"Well, to continue. Simmons, to my surprise,
+told me that he had already informed
+the client of this fact, and that the answer had
+only been a plea that the case was too urgent
+to admit of delay. He also supplied the
+further information that the client was a young
+lady. I am afraid," added Thornton, looking
+round his audience with a sympathetic smile,
+"that Simmons (I had got him from Harvard
+and he had not yet quite learned his place)<span class='pagenum'><a name="Page_188" id="Page_188">[Pg 188]</a></span>
+even said something about her being strikingly
+handsome."</p>
+
+<p>A general laugh greeted Thornton's announcement.</p>
+
+<p>"After all," said Fortescue, "I never could
+see why an Ice Man should be supposed to
+have a monopoly on gallantry."</p>
+
+<p>"Oh, I don't know," said Thornton. "For
+my part&mdash;I say it without affectation&mdash;the
+moment I am called in professionally, women,
+as women, cease to exist for me. I can stand
+beside them in the kitchen and explain to them
+the feed tap of a kitchen range without feeling
+them to be anything other than simply clients.
+And for the most part, I think, they reciprocate
+that attention. There are women, of course,
+who will call a man in with motives&mdash;but that's
+another story. I must get back to what I was
+saying.</p>
+
+<p>"On entering the consulting-room I saw at
+once that Simmons had exaggerated nothing
+in describing my young client as beautiful. I
+have seldom, even among our own class, seen
+a more strikingly handsome girl. She was<span class='pagenum'><a name="Page_189" id="Page_189">[Pg 189]</a></span>
+dressed in a very plain and simple fashion
+which showed me at once that she belonged
+merely to the capitalist class. I am, as I think
+you know, something of an observer, and my
+eye at once noted the absence of heavy gold
+ear-rings and wrist-bangles. The blue feathers
+at the side of her hat were none of them more
+than six inches long, and the buttons on her
+jacket were so inconspicuous that one would
+hardly notice them. In short, while her dress
+was no doubt good and serviceable, there was
+an absence of <i>chic</i>, a lack of noise about it, that
+told at once the tale of narrow circumstances.</p>
+
+<p>"She was evidently in great distress.</p>
+
+<p>"'Oh, Mr. Thornton,' she exclaimed, advancing
+towards me, 'do come to our house
+at once. I simply don't know what to do.'</p>
+
+<p>"She spoke with great emotion, and seemed
+almost on the point of breaking into tears.</p>
+
+<p>"'Pray, calm yourself, my dear young
+lady,' I said, 'and try to tell me what is the
+trouble.'</p>
+
+<p>"'Oh, don't lose any time,' she said, 'do, do
+come at once.'<span class='pagenum'><a name="Page_190" id="Page_190">[Pg 190]</a></span></p>
+
+<p>"'We will lose no time' I said reassuringly,
+as I looked at my watch. 'It is now seven-thirty.
+We will reckon the time from now,
+with overtime at time and a half. But if I
+am to do anything for you I must have some
+idea of what has happened.'</p>
+
+<p>"'The cellar boiler,' she moaned, clasping
+her hands together, 'the cellar boiler won't
+work!'</p>
+
+<p>"'Ah!' I said soothingly. 'The cellar boiler
+won't work. Now tell me, is the feed choked,
+miss?'</p>
+
+<p>"'I don't know,' she exclaimed.</p>
+
+<p>"'Have you tried letting off the exhaust?'</p>
+
+<p>"She shook her head with a doleful look.</p>
+
+<p>"'I don't know what it is,' she said.</p>
+
+<p>"But already I was hastily gathering together
+a few instruments, questioning her rapidly as I
+did so.</p>
+
+<p>"'How's your pressure gauge?' I asked.
+'How's your water? Do you draw from
+the mains or are you on the high level
+reservoir?'</p>
+
+<p>"It had occurred to me at once that it might<span class='pagenum'><a name="Page_191" id="Page_191">[Pg 191]</a></span>
+be merely a case of stoppage of her main feed,
+complicated, perhaps, with a valvular trouble in
+her exhaust. On the other hand it was clear
+enough that, if her feed was full and her
+gauges working, her trouble was more likely
+a leak somewhere in her piping.</p>
+
+<p>"But all attempts to draw from the girl any
+clear idea of the symptoms were unavailing.
+All she could tell me was that the cellar boiler
+wouldn't work. Beyond that her answers were
+mere confusion. I gathered enough, however,
+to feel sure that her main feed was still working,
+and that her top story check valve was probably
+in order. With that I had to be content.</p>
+
+<p>"As a young practitioner, I had as yet no
+motor car. Simmons, however, summoned me
+a taxi, into which I hurriedly placed the girl
+and my basket of instruments, and was soon
+speeding in the direction she indicated. It
+was a dark, lowering night, with flecks of rain
+against the windows of the cab, and there was
+something in the lateness of the hour (it was
+now after half-past eight) and the nature of
+my mission which gave me a stimulating sense<span class='pagenum'><a name="Page_192" id="Page_192">[Pg 192]</a></span>
+of adventure. The girl directed me, as I felt
+sure she would, towards the capitalist quarter
+of the town. We had soon sped away from
+the brightly lighted streets and tall apartment
+buildings among which my usual practice lay,
+and entered the gloomy and dilapidated section
+of the city where the unhappy capitalist class
+reside. I need not remind those of you who
+know it that it is scarcely a cheerful place to
+find oneself in after nightfall. The thick
+growth of trees, the silent gloom of the ill-lighted
+houses, and the rank undergrowth of
+shrubs give it an air of desolation, not to say
+danger. It is certainly not the place that a
+professional man would choose to be abroad in
+after dark. The inhabitants, living, so it is
+said, on their scanty dividends and on such
+parts of their income as our taxation is still
+unable to reach, are not people that one would
+care to fall in with after nightfall.</p>
+
+<p>"Since the time of which I speak we have
+done much to introduce a better state of things.
+The opening of day schools of carpentry,
+plumbing and calcimining for the children of<span class='pagenum'><a name="Page_193" id="Page_193">[Pg 193]</a></span>
+the capitalist is already producing results.
+Strange though it may seem, one of the most
+brilliant of our boiler fitters of to-day was
+brought up haphazard in this very quarter of
+the town and educated only by a French governess
+and a university tutor. But at the time
+practically nothing had been done. The place
+was infested with consumers, and there were
+still, so it was said, servants living in some of
+the older houses. A butler had been caught
+one night in a thick shrubbery beside one of
+the gloomy streets.</p>
+
+<p>"We alighted at one of the most sombre of
+the houses, and our taxi-driver, with evident
+relief, made off in the darkness.</p>
+
+<p>"The girl admitted us into a dark hall,
+where she turned on an electric light. 'We
+have light,' she said, with that peculiar touch
+of pride that one sees so often in her class,
+'we have four bulbs.'</p>
+
+<p>"Then she called down a flight of stairs that
+apparently led to the cellar:</p>
+
+<p>"'Father, the plumber has come. Do come
+up now, dear, and rest.'<span class='pagenum'><a name="Page_194" id="Page_194">[Pg 194]</a></span></p>
+
+<p>"A step sounded on the stairs, and there
+appeared beside us one of the most forbidding-looking
+men that I have ever beheld. I don't
+know whether any of you have ever seen an
+Anglican Bishop. Probably not. Outside of
+the bush, they are now never seen. But at the
+time of which I speak there were a few still
+here and there in the purlieus of the city. The
+man before us was tall and ferocious, and his
+native ferocity was further enhanced by the
+heavy black beard which he wore in open
+defiance of the compulsory shaving laws. His
+black shovel-shaped hat and his black clothes
+lent him a singularly sinister appearance, while
+his legs were bound in tight gaiters, as if ready
+for an instant spring. He carried in his hand
+an enormous monkey wrench, on which his
+fingers were clasped in a restless grip.</p>
+
+<p>"'Can you fix the accursed thing?' he asked.</p>
+
+<p>"I was not accustomed to being spoken to
+in this way, but I was willing for the girl's sake
+to strain professional courtesy to the limit.</p>
+
+<p>"'I don't know,' I answered, 'but if you
+will have the goodness first to fetch me a little<span class='pagenum'><a name="Page_195" id="Page_195">[Pg 195]</a></span>
+light supper, I shall be glad to see what I can
+do afterwards.'</p>
+
+<p>"My firm manner had its effect. With
+obvious reluctance the fellow served me some
+biscuits and some not bad champagne in the
+dining-room.</p>
+
+<p>"The girl had meantime disappeared upstairs.</p>
+
+<p>"'If you're ready now,' said the Bishop,
+'come on down.'</p>
+
+<p>"We went down to the cellar. It was a huge,
+gloomy place, with a cement floor, lighted by
+a dim electric bulb. I could see in the corner
+the outline of a large furnace (in those days
+the poorer classes had still no central heat) and
+near it a tall boiler. In front of this a man
+was kneeling, evidently trying to unscrew a
+nut, but twisting it the wrong way. He was
+an elderly man with a grey moustache, and
+was dressed, in open defiance of the law, in a
+military costume or uniform.</p>
+
+<p>"He turned round towards us and rose from
+his knees.</p>
+
+<p>"'I'm dashed if I can make the rotten thing
+go round,' he said.<span class='pagenum'><a name="Page_196" id="Page_196">[Pg 196]</a></span></p>
+
+<p>"'It's all right, General,' said the Bishop.
+'I have brought a plumber.'</p>
+
+<p>"For the next few minutes my professional
+interest absorbed all my faculties. I laid out
+my instruments upon a board, tapped the
+boiler with a small hammer, tested the feed-tube,
+and in a few moments had made what
+I was convinced was a correct diagnosis of
+the trouble.</p>
+
+<p>"But here I encountered the greatest professional
+dilemma in which I have ever been
+placed. There was nothing wrong with the
+boiler at all. It connected, as I ascertained at
+once by a thermo-dynamic valvular test, with
+the furnace (in fact, I could see it did), and
+the furnace quite evidently had been allowed to
+go out.</p>
+
+<p>"What was I to do? If I told them this, I
+broke every professional rule of our union. If
+the thing became known I should probably be
+disbarred and lose my overalls for it. It was
+my plain professional duty to take a large
+hammer and knock holes in the boiler with it,
+smash up the furnace pipes, start a leak of<span class='pagenum'><a name="Page_197" id="Page_197">[Pg 197]</a></span>
+gas, and then call in three or more of my
+colleagues.</p>
+
+<p>"But somehow I couldn't find it in my heart
+to do it. The thought of the girl's appealing
+face arose before me.</p>
+
+<p>"'How long has this trouble been going
+on?' I asked sternly.</p>
+
+<p>"'Quite a time,' answered the Bishop. 'It
+began, did it not, General, the same day that
+the confounded furnace went out? The
+General here and Admiral Hay and I have
+been working at it for three days.'</p>
+
+<p>"'Well, gentlemen,' I said, 'I don't want to
+read you a lesson on your own ineptitude, and
+I don't suppose you would understand it if I
+did. But don't you see that the whole trouble
+is <i>because</i> you let the furnace out? The boiler
+itself is all right, but you see, gents, it feeds off
+the furnace.'</p>
+
+<p>"'Ah,' said the Bishop in a deep melodious
+tone, 'it feeds off the furnace. Now that is
+most interesting. Let me repeat that; I must
+try to remember it; it feeds <i>off</i> the furnace.
+Just so.'<span class='pagenum'><a name="Page_198" id="Page_198">[Pg 198]</a></span></p>
+
+<p>"The upshot was that in twenty minutes we
+had the whole thing put to rights. I set the
+General breaking up boxes and had the Bishop
+rake out the clinkers, and very soon we had
+the furnace going and the boiler in operation.</p>
+
+<p>"'But now tell me,' said the Bishop,
+'suppose one wanted to let the furnace out&mdash;suppose,
+I mean to say, that it was summer-time,
+and suppose one rather felt that one
+didn't care about a furnace and yet one wanted
+one's boiler going for one's hot water, and that
+sort of thing, what would one do?'</p>
+
+<p>"'In that case,' I said, 'you couldn't run
+your heating off your furnace: you'd have to
+connect in your tubing with a gas generator.'</p>
+
+<p>"'Ah, there you get me rather beyond my
+depth,' said the Bishop.</p>
+
+<p>"The General shook his head. 'Bishop,'
+he said, 'just step upstairs a minute; I have
+an idea.'</p>
+
+<p>"They went up together, leaving me below.
+To my surprise and consternation, as they
+reached the top of the cellar stairs, I saw the
+General swing the door shut and heard a key<span class='pagenum'><a name="Page_199" id="Page_199">[Pg 199]</a></span>
+turn in the lock. I rushed to the top of the
+stairs and tried in vain to open the door. I
+was trapped. In a moment I realized my folly
+in trusting myself in the hands of these people.</p>
+
+<p>"I could hear their voices in the hall, apparently
+in eager discussion.</p>
+
+<p>"'But the fellow is priceless,' the General
+was saying. 'We could take him round to all
+the different houses and make him fix them all.
+Hang it, Bishop, I haven't had a decent tap
+running for two years, and Admiral Hay's
+pantry has been flooded since last March.'</p>
+
+<p>"'But one couldn't compel him?'</p>
+
+<p>"'Certainly, why not? I'd compel him
+bally quick with this.'</p>
+
+<p>"I couldn't see what the General referred
+to, but had no doubt that it was the huge
+wrench that he still carried in his hand.</p>
+
+<p>"'We could gag the fellow,' he went on,
+'take him from house to house and make him
+put everything right.'</p>
+
+<p>"'Ah, but afterwards?' said the Bishop.</p>
+
+<p>"'Afterwards,' answered the General, 'why
+kill him! Knock him on the head and bury<span class='pagenum'><a name="Page_200" id="Page_200">[Pg 200]</a></span>
+him under the cement in the cellar. Hay and
+I could easily bury him, or for that matter I
+imagine one could easily use the furnace itself
+to dispose of him.'</p>
+
+<p>"I must confess that my blood ran cold as I
+listened.</p>
+
+<p>"'But do you think it right?' objected the
+Bishop. 'You will say, of course, that it is
+only killing a plumber; but yet one asks
+oneself whether it wouldn't be just a <i>leetle</i> bit
+unjustifiable.'</p>
+
+<p>"'Nonsense,' said the General. 'You remember
+that last year, when Hay strangled the
+income tax collector, you yourself were very
+keen on it.'</p>
+
+<p>"'Ah, that was different,' said the Bishop,
+'one felt there that there was an end to serve,
+but here&mdash;&mdash;'</p>
+
+<p>"'Nonsense,' repeated the General, 'come
+along and get Hay. He'll make short work
+of him.'</p>
+
+<p>"I heard their retreating footsteps and then
+all was still.</p>
+
+<p>"The horror which filled my mind as I sat<span class='pagenum'><a name="Page_201" id="Page_201">[Pg 201]</a></span>
+in the half darkness waiting for their return I
+cannot describe. My fate appeared sealed and
+I gave myself up for lost, when presently I
+heard a light step in the hall and the key
+turned in the lock.</p>
+
+<p>"The girl stood in front of me. She was
+trembling with emotion.</p>
+
+<p>"'Quick, quick, Mr. Thornton,' she said.
+'I heard all that they said. Oh, I think it's
+dreadful of them, simply dreadful. Mr.
+Thornton, I'm really ashamed that Father
+should act that way.'</p>
+
+<p>"I came out into the hall still half dazed.</p>
+
+<p>"'They've gone over to Admiral Hay's
+house, there among the trees. That's their
+lantern. Please, please, don't lose a minute.
+Do you mind not having a cab? I think
+really you'd prefer not to wait. And look,
+won't you please take this?'&mdash;she handed me
+a little packet as she spoke&mdash;'this is a piece
+of pie: you always get that, don't you? and
+there's a bit of cheese with it, but please run.'</p>
+
+<p>"In another moment I had bounded from
+the door into the darkness. A wild rush<span class='pagenum'><a name="Page_202" id="Page_202">[Pg 202]</a></span>
+through the darkened streets, and in twenty
+minutes I was safe back again in my own
+consulting-room."</p>
+
+<p>Thornton paused in his narrative, and at
+that moment one of the stewards of the club
+came and whispered something in his ear.</p>
+
+<p>He rose.</p>
+
+<p>"I'm sorry," he said, with a grave face.
+"I'm called away; a very old client of mine.
+Valvular trouble of the worst kind. I doubt
+if I can do anything, but I must at least go.
+Please don't let me break up your evening,
+however."</p>
+
+<p>With a courtly bow he left us.</p>
+
+<p>"And do you know the sequel to Thornton's
+story?" asked Fortescue with a smile.</p>
+
+<p>We looked expectantly at him.</p>
+
+<p>"Why, he married the girl," explained
+Fortescue. "You see, he had to go back to her
+house for his wrench. One always does."</p>
+
+<p>"Of course," we exclaimed.</p>
+
+<p>"In fact he went three times; and the last
+time he asked the girl to marry him and she
+said 'yes.' He took her out of her surround<span class='pagenum'><a name="Page_203" id="Page_203">[Pg 203]</a></span>ings[**missing
+comma?] had her educated at a cooking school, and
+had her given lessons on the parlour organ.
+She's Mrs. Thornton now."</p>
+
+<p>"And the Bishop?" asked some one.</p>
+
+<p>"Oh, Thornton looked after him. He got
+him a position heating furnaces in the synagogues.
+He worked at it till he died a few
+years ago. They say that once he got the trick
+of it he took the greatest delight in it. Well,
+I must go too. Good night."
+<br />
+<br /><br />
+<br />
+</p>
+<p><span class='pagenum'><a name="Page_205" id="Page_205">[Pg 205]</a></span></p>
+<div class="innerbox">
+<h2><a name="VII" id="VII"></a><i>VII</i></h2>
+
+<h2><i>THE BLUE AND THE GREY</i></h2>
+
+<h3><i>A PRE-WAR WAR STORY</i></h3>
+
+<p class="center">(<i>The title is selected for its originality. A set of seventy-five
+maps will be supplied to any reader free for seventy-five cents.
+This offer is only open till it is closed</i>)</p>
+</div>
+
+<p><span class='pagenum'><a name="Page_207" id="Page_207">[Pg 207]</a></span></p>
+
+<h3>CHAPTER I</h3>
+
+
+<p>The scene was a striking one. It was
+night. Never had the Mississippi
+presented a more remarkable appearance.
+Broad bayous, swollen beyond
+our powers of description, swirled to and fro
+in the darkness under trees garlanded with
+Spanish moss. All moss other than Spanish
+had been swept away by the angry flood of the
+river.</p>
+
+<p>Eggleston Lee Carey Randolph, a young
+Virginian, captain of the &mdash;&mdash;th company of
+the &mdash;&mdash;th regiment of &mdash;&mdash;'s brigade&mdash;even
+this is more than we ought to say, and is hard
+to pronounce&mdash;attached to the Army of the
+Tennessee, struggled in vain with the swollen<span class='pagenum'><a name="Page_208" id="Page_208">[Pg 208]</a></span>
+waters. At times he sank. At other times he
+went up.</p>
+
+<p>In the intervals he wondered whether it
+would ever be possible for him to rejoin the
+particular platoon of the particular regiment
+to which he belonged, and of which's whereabouts
+(not having the volume of the army
+record at hand) he was in ignorance. In the
+intervals, also, he reflected on his past life to a
+sufficient extent to give the reader a more or
+less workable idea as to who and to what he
+was. His father, the old grey-haired Virginian
+aristocrat, he could see him still. "Take this
+sword, Eggleston," he had said, "use it for
+the State; never for anything else: don't cut
+string with it or open tin cans. Never sheathe
+it till the soil of Virginia is free. Keep it
+bright, my boy: oil it every now and then,
+and you'll find it an A 1 sword."</p>
+
+<p>Did Eggleston think, too, in his dire peril of
+another&mdash;younger than his father and fairer?
+Necessarily, he did. "Go, Eggleston!" she
+had exclaimed, as they said farewell under the
+portico of his father's house where she was<span class='pagenum'><a name="Page_209" id="Page_209">[Pg 209]</a></span>
+visiting, "it is your duty. But mine lies elsewhere.
+I cannot forget that I am a Northern
+girl. I must return at once to my people in
+Pennsylvania. Oh, Egg, when will this cruel
+war end?"</p>
+
+<p>So had the lovers parted.</p>
+
+<p>Meanwhile&mdash;while Eggleston is going up
+and down for the third time, which is of course
+the last&mdash;suppose we leave him, and turn to
+consider the general position of the Confederacy.
+All right: suppose we do.</p>
+
+<h3>CHAPTER II</h3>
+
+<p>At this date the Confederate Army of the
+Tennessee was extended in a line with its right
+resting on the Tennessee and its left resting
+on the Mississippi. Its rear rested on the
+rugged stone hills of the Chickasaba range,
+while its front rested on the marshes and
+bayous of the Yazoo. Having thus&mdash;as far
+as we understand military matters&mdash;both its
+flanks covered and its rear protected, its position<span class='pagenum'><a name="Page_210" id="Page_210">[Pg 210]</a></span>
+was one which we ourselves consider very
+comfortable.</p>
+
+<p>It was thus in an admirable situation for
+holding a review or for discussing the Constitution
+of the United States in reference to the
+right of secession.</p>
+
+<p>The following generals rode up and down in
+front of the army, namely, Mr. A. P. Hill,
+Mr. Longstreet, and Mr. Joseph Johnston.
+All these three celebrated men are thus presented
+to our readers at one and the same time
+without extra charge.</p>
+
+<p>But who is this tall, commanding figure who
+rides beside them, his head bent as if listening
+to what they are saying (he really isn't) while
+his eye alternately flashes with animation or
+softens to its natural melancholy? (In fact,
+we can only compare it to an electric light bulb
+with the power gone wrong.) Who is it? It
+is Jefferson C. Davis, President, as our readers
+will be gratified to learn, of the Confederate
+States.</p>
+
+<p>It being a fine day and altogether suitable
+for the purpose, General Longstreet reined in<span class='pagenum'><a name="Page_211" id="Page_211">[Pg 211]</a></span>
+his prancing black charger (during this distressed
+period all the horses in both armies
+were charged: there was no other way to pay
+for them), and in a few terse words, about
+three pages, gave his views on the Constitution
+of the United States.</p>
+
+<p>Jefferson Davis, standing up in his stirrups,
+delivered a stirring harangue, about six columns,
+on the powers of the Supreme Court, admirably
+calculated to rouse the soldiers to frenzy.
+After which General A. P. Hill offered a short
+address, soldier-like and to the point, on the
+fundamental principles of international law,
+which inflamed the army to the highest pitch.</p>
+
+<p>At this moment an officer approached the
+President, saluted and stood rigidly at attention.
+Davis, with that nice punctilio which marked
+the Southern army, returned the salute.</p>
+
+<p>"Do you speak first?" he said, "or did I?"</p>
+
+<p>"Let me," said the officer. "Your Excellency,"
+he continued, "a young Virginian officer
+has just been fished out of the Mississippi."</p>
+
+<p>Davis's eye flashed. "Good!" he said.
+"Look and see if there are many more," and<span class='pagenum'><a name="Page_212" id="Page_212">[Pg 212]</a></span>
+then he added with a touch of melancholy,
+"The South needs them: fish them all out.
+Bring this one here."</p>
+
+<p>Eggleston Lee Carey Randolph, still dripping
+from the waters of the bayou, was led
+by the faithful negroes who had rescued him
+before the generals. Davis, who kept every
+thread of the vast panorama of the war in his
+intricate brain, eyed him keenly and directed
+a few searching questions to him, such as:
+"Who are you? Where are you? What day
+of the week is it? How much is nine times
+twelve?" and so forth. Satisfied with Eggleston's
+answers, Davis sat in thought a moment,
+and then continued:</p>
+
+<p>"I am anxious to send some one through the
+entire line of the Confederate armies in such
+a way that he will be present at all the great
+battles and end up at the battle of Gettysburg.
+Can you do it?"</p>
+
+<p>Randolph looked at his chief with a flush of
+pride.</p>
+
+<p>"I can."</p>
+
+<p>"Good!" resumed Davis. "To accomplish<span class='pagenum'><a name="Page_213" id="Page_213">[Pg 213]</a></span>
+this task you must carry despatches. What
+they will be about I have not yet decided. But
+it is customary in such cases to write them so
+that they are calculated, if lost, to endanger
+the entire Confederate cause. The main thing
+is, can you carry them?"</p>
+
+<p>"Sir," said Eggleston, raising his hand in a
+military salute, "I am a Randolph."</p>
+
+<p>Davis with soldierly dignity removed his hat.
+"I am proud to hear it, Captain Randolph," he
+said.</p>
+
+<p>"And a Carey," continued our hero.</p>
+
+<p>Davis, with a graciousness all his own, took
+off his gloves. "I trust you, <i>Major</i> Randolph,"
+he said.</p>
+
+<p>"And I am a Lee," added Eggleston quickly.</p>
+
+<p>Davis with a courtly bow unbuttoned his
+jacket. "It is enough," he said. "I trust you.
+You shall carry the despatches. You are to
+carry them on your person and, as of course
+you understand, you are to keep on losing them.
+You are to drop them into rivers, hide them in
+old trees, bury them under moss, talk about
+them in your sleep. In fact, sir," said Davis,<span class='pagenum'><a name="Page_214" id="Page_214">[Pg 214]</a></span>
+with a slight gesture of impatience&mdash;it was his
+<i>one</i> fault&mdash;"you must act towards them as
+any bearer of Confederate despatches is expected
+to act. The point is, can you do it,
+or can't you?"</p>
+
+<p>"Sir," said Randolph, saluting again with
+simple dignity, "I come from Virginia."</p>
+
+<p>"Pardon me," said the President, saluting
+with both hands, "I had forgotten it."</p>
+
+<h3>CHAPTER III</h3>
+
+
+<p>Randolph set out that night, mounted upon
+the fastest horse, in fact the fleetest, that the
+Confederate Army could supply. He was
+attended only by a dozen faithful negroes,
+all devoted to his person.</p>
+
+<p>Riding over the Tennessee mountains by
+paths known absolutely to no one and never
+advertised, he crossed the Tombigbee, the
+Tahoochie and the Tallahassee, all frightfully
+swollen, and arrived at the headquarters of
+General Braxton Bragg.<span class='pagenum'><a name="Page_215" id="Page_215">[Pg 215]</a></span></p>
+
+<p>At this moment Bragg was extended over
+some seven miles of bush and dense swamp.
+His front rested on the marshes of the
+Tahoochie River, while his rear was doubled
+sharply back and rested on a dense growth of
+cactus plants. Our readers can thus form a
+fairly accurate idea of Bragg's position. Over
+against him, not more than fifty miles to the
+north, his indomitable opponent, Grant, lay in
+a frog-swamp. The space between them was
+filled with Union and Confederate pickets,
+fraternizing, joking, roasting corn, and firing
+an occasional shot at one another.</p>
+
+<p>One glance at Randolph's despatches was
+enough.</p>
+
+<p>"Take them at once to General Hood," said
+Bragg.</p>
+
+<p>"Where is he?" asked Eggleston, with
+military precision.</p>
+
+<p>Bragg waved his sword towards the east.
+It was characteristic of the man that even on
+active service he carried a short sword, while
+a pistol, probably loaded, protruded from his
+belt. But such was Bragg. Anyway, he waved<span class='pagenum'><a name="Page_216" id="Page_216">[Pg 216]</a></span>
+his sword. "Over there beyond the Tahoochicaba
+range," he said. "Do you know it?"</p>
+
+<p>"No," said Randolph, "but I can find it."</p>
+
+<p>"Do," said Bragg, and added, "One thing
+more. On your present mission let nothing
+stop you. Go forward at all costs. If you
+come to a river, swim it. If you come to a
+tree, cut it down. If you strike a fence, climb
+over it. But don't stop! If you are killed,
+never mind. Do you understand?"</p>
+
+<p>"Almost," said Eggleston.</p>
+
+<p>Two days later Eggleston reached the headquarters
+of General Hood, and flung himself,
+rather than dismounted, from his jaded
+horse.</p>
+
+<p>"Take me to the General!" he gasped.</p>
+
+<p>They pointed to the log cabin in which
+General Hood was quartered.</p>
+
+<p>Eggleston flung himself, rather than stepped,
+through the door.</p>
+
+<p>Hood looked up from the table.</p>
+
+<p>"Who was that flung himself in?" he asked.</p>
+
+<p>Randolph reached out his hand. "Despatches!"
+he gasped. "Food, whisky!"<span class='pagenum'><a name="Page_217" id="Page_217">[Pg 217]</a></span></p>
+
+<p>"Poor lad," said the General, "you are
+exhausted. When did you last have food?"</p>
+
+<p>"Yesterday morning," gasped Eggleston.</p>
+
+<p>"You're lucky," said Hood bitterly. "And
+when did you last have a drink?"</p>
+
+<p>"Two weeks ago," answered Randolph.</p>
+
+<p>"Great Heaven!" said Hood, starting up.
+"Is it possible? Here, quick, drink it!"</p>
+
+<p>He reached out a bottle of whisky. Randolph
+drained it to the last drop.</p>
+
+<p>"Now, General," he said, "I am at your
+service."</p>
+
+<p>Meanwhile Hood had cast his eye over the
+despatches.</p>
+
+<p>"Major Randolph," he said, "you have seen
+General Bragg?"</p>
+
+<p>"I have."</p>
+
+<p>"And Generals Johnston and Smith?"</p>
+
+<p>"Yes."</p>
+
+<p>"You have been through Mississippi and
+Tennessee and seen all the battles there?"</p>
+
+<p>"I have," said Randolph.</p>
+
+<p>"Then," said Hood, "there is nothing left
+except to send you at once to the army in<span class='pagenum'><a name="Page_218" id="Page_218">[Pg 218]</a></span>
+Virginia under General Lee. Remount your
+horse at once and ride to Gettysburg. Lose no
+time."</p>
+
+<h3>CHAPTER IV</h3>
+
+
+<p>It was at Gettysburg in Pennsylvania that
+Randolph found General Lee.</p>
+
+<p>The famous field is too well known to need
+description. The armies of the North and the
+South lay in and around the peaceful village of
+Gettysburg. About it the yellow cornfields
+basked in the summer sun. The voices of the
+teachers and the laughter of merry children
+rose in the harvest-fields. But already the
+shadow of war was falling over the landscape.
+As soon as the armies arrived, the shrewder
+of the farmers suspected that there would be
+trouble.</p>
+
+<p>General Lee was seated gravely on his
+horse, looking gravely over the ground before
+him.</p>
+
+<p>"Major Randolph," said the Confederate<span class='pagenum'><a name="Page_219" id="Page_219">[Pg 219]</a></span>
+chieftain gravely, "you are just in time. We
+are about to go into action. I need your
+advice."</p>
+
+<p>Randolph bowed. "Ask me anything you
+like," he said.</p>
+
+<p>"Do you like the way I have the army
+placed?" asked Lee.</p>
+
+<p>Our hero directed a searching look over the
+field. "Frankly, I don't," he said.</p>
+
+<p>"What's the matter with it?" questioned
+Lee eagerly. "I felt there was something
+wrong myself. What is it?"</p>
+
+<p>"Your left," said Randolph, "is too far
+advanced. It sticks out."</p>
+
+<p>"By Heaven!" said Lee, turning to General
+Longstreet, "the boy is right! Is there anything
+else?"</p>
+
+<p>"Yes," said Randolph, "your right is
+crooked. It is all sideways."</p>
+
+<p>"It is. It is!" said Lee, striking his
+forehead. "I never noticed it. I'll have it
+straightened at once. Major Randolph, if the
+Confederate cause is saved, you, and you alone,
+have saved it."<span class='pagenum'><a name="Page_220" id="Page_220">[Pg 220]</a></span></p>
+
+<p>"One thing more," said Randolph. "Is
+your artillery loaded?"</p>
+
+<p>"Major Randolph," said Lee, speaking very
+gravely, "you have saved us again. I never
+thought of it."</p>
+
+<p>At this moment a bullet sang past Eggleston's
+ear. He smiled.</p>
+
+<p>"The battle has begun," he murmured.
+Another bullet buzzed past his other ear. He
+laughed softly to himself. A shell burst close
+to his feet. He broke into uncontrolled laughter.
+This kind of thing always amused him. Then,
+turning grave in a moment, "Put General
+Lee under cover," he said to those about
+him, "spread something over him."</p>
+
+<p>In a few moments the battle was raging in
+all directions. The Confederate Army was
+nominally controlled by General Lee, but in
+reality by our hero. Eggleston was everywhere.
+Horses were shot under him. Mules were shot
+around him and behind him. Shells exploded
+all over him; but with undaunted courage he
+continued to wave his sword in all directions,
+riding wherever the fight was hottest.<span class='pagenum'><a name="Page_221" id="Page_221">[Pg 221]</a></span></p>
+
+<p>The battle raged for three days.</p>
+
+<p>On the third day of the conflict, Randolph,
+his coat shot to rags, his hat pierced, his
+trousers practically useless, still stood at Lee's
+side, urging and encouraging him.</p>
+
+<p>Mounted on his charger, he flew to and fro
+in all parts of the field, moving the artillery,
+leading the cavalry, animating and directing the
+infantry. In fact, he was the whole battle.</p>
+
+<p>But his efforts were in vain.</p>
+
+<p>He turned sadly to General Lee. "It is
+bootless," he said.</p>
+
+<p>"What is?" asked Lee.</p>
+
+<p>"The army," said Randolph. "We must
+withdraw it."</p>
+
+<p>"Major Randolph," said the Confederate
+chief, "I yield to your superior knowledge.
+We must retreat."</p>
+
+<p>A few hours later the Confederate forces,
+checked but not beaten, were retiring southward
+towards Virginia.</p>
+
+<p>Eggleston, his head sunk in thought, rode in
+the rear.</p>
+
+<p>As he thus slowly neared a farmhouse, a<span class='pagenum'><a name="Page_222" id="Page_222">[Pg 222]</a></span>
+woman&mdash;a girl&mdash;flew from it towards him with
+outstretched arms.</p>
+
+<p>"Eggleston!" she cried.</p>
+
+<p>Randolph flung himself from his horse.
+"Leonora!" he gasped. "You here! In all
+this danger! How comes it? What brings you
+here?"</p>
+
+<p>"We live here," she said. "This is Pa's
+house. This is our farm. Gettysburg is our
+home. Oh, Egg, it has been dreadful, the
+noise of the battle! We couldn't sleep for it.
+Pa's all upset about it. But come in. Do
+come in. Dinner's nearly ready."</p>
+
+<p>Eggleston gazed a moment at the retreating
+army. Duty and affection struggled in his
+heart.</p>
+
+<p>"I will," he said.</p>
+
+
+<h3>CHAPTER V</h3>
+
+<h4>CONCLUSION</h4>
+
+
+<p>The strife is done. The conflict has ceased.
+The wounds are healed. North and South are<span class='pagenum'><a name="Page_223" id="Page_223">[Pg 223]</a></span>
+one. East and West are even less. The Civil
+War is over. Lee is dead. Grant is buried in
+New York. The Union Pacific runs from
+Omaha to San Francisco. There is total prohibition
+in the United States. The output of
+dressed beef last year broke all records.</p>
+
+<p>And Eggleston Lee Carey Randolph survives,
+hale and hearty, bright and cheery, free and
+easy&mdash;and so forth. There is grey hair upon
+his temples (some, not much), and his step has
+lost something of its elasticity (not a great
+deal), and his form is somewhat bowed (though
+not really crooked).</p>
+
+<p>But he still lives there in the farmstead at
+Gettysburg, and Leonora, now, like himself, an
+old woman, is still at his side.</p>
+
+<p>You may see him any day. In fact, he is
+the old man who shows you over the battlefield
+for fifty cents and explains how he himself
+fought and won the great battle.<br />
+<br /></p>
+
+<p><span class='pagenum'><a name="Page_225" id="Page_225">[Pg 225]</a></span></p>
+<div class="innerbox">
+<h2><a name="VIII" id="VIII"></a><i>VIII</i></h2>
+
+<h3><i>BUGGAM GRANGE</i></h3>
+
+<h4><i>A GOOD OLD GHOST STORY</i></h4></div>
+
+<p><span class='pagenum'><a name="Page_227" id="Page_227">[Pg 227]</a></span></p>
+
+<p>The evening was already falling as
+the vehicle in which I was contained
+entered upon the long and gloomy
+avenue that leads to Buggam Grange.</p>
+
+<p>A resounding shriek echoed through the
+wood as I entered the avenue. I paid no attention
+to it at the moment, judging it to be
+merely one of those resounding shrieks which
+one might expect to hear in such a place at
+such a time. As my drive continued, however
+I found myself wondering in spite of myself
+why such a shriek should have been uttered at
+the very moment of my approach.</p>
+
+<p>I am not by temperament in any degree a
+nervous man, and yet there was much in my
+surroundings to justify a certain feeling of<span class='pagenum'><a name="Page_228" id="Page_228">[Pg 228]</a></span>
+apprehension. The Grange is situated in the
+loneliest part of England, the marsh country
+of the fens to which civilization has still hardly
+penetrated. The inhabitants, of whom there
+are only one and a half to the square mile, live
+here and there among the fens and eke out a
+miserable existence by frog-fishing and catching
+flies. They speak a dialect so broken as to be
+practically unintelligible, while the perpetual
+rain which falls upon them renders speech itself
+almost superfluous.</p>
+
+<p>Here and there where the ground rises
+slightly above the level of the fens there are
+dense woods tangled with parasitic creepers and
+filled with owls. Bats fly from wood to wood.
+The air on the lower ground is charged with
+the poisonous gases which exude from the
+marsh, while in the woods it is heavy with the
+dank odours of deadly nightshade and poison
+ivy.</p>
+
+<p>It had been raining in the afternoon, and as
+I drove up the avenue the mournful dripping
+of the rain from the dark trees accentuated the
+cheerlessness of the gloom. The vehicle in<span class='pagenum'><a name="Page_229" id="Page_229">[Pg 229]</a></span>
+which I rode was a fly on three wheels, the
+fourth having apparently been broken and
+taken off, causing the fly to sag on one side
+and drag on its axle over the muddy ground,
+the fly thus moving only at a foot's pace in a
+way calculated to enhance the dreariness of the
+occasion. The driver on the box in front of me
+was so thickly muffled up as to be indistinguishable,
+while the horse which drew us was so
+thickly coated with mist as to be practically
+invisible. Seldom, I may say, have I had a
+drive of so mournful a character.</p>
+
+<p>The avenue presently opened out upon a
+lawn with overgrown shrubberies, and in the
+half darkness I could see the outline of the
+Grange itself, a rambling, dilapidated building.
+A dim light struggled through the casement
+of a window in a tower room. Save for the
+melancholy cry of a row of owls sitting on the
+roof, and croaking of the frogs in the moat
+which ran around the grounds, the place was
+soundless. My driver halted his horse at the
+hither side of the moat. I tried in vain to
+urge him, by signs, to go further. I could see<span class='pagenum'><a name="Page_230" id="Page_230">[Pg 230]</a></span>
+by the fellow's face that he was in a paroxysm
+of fear, and indeed nothing but the extra
+sixpence which I had added to his fare would
+have made him undertake the drive up the
+avenue. I had no sooner alighted than he
+wheeled his cab about and made off.</p>
+
+<p>Laughing heartily at the fellow's trepidation
+(I have a way of laughing heartily in the
+dark), I made my way to the door and pulled
+the bell-handle. I could hear the muffled
+reverberations of the bell far within the building.
+Then all was silent. I bent my ear to
+listen, but could hear nothing except, perhaps,
+the sound of a low moaning as of a person in
+pain or in great mental distress. Convinced,
+however, from what my friend Sir Jeremy
+Buggam had told me, that the Grange was not
+empty, I raised the ponderous knocker and
+beat with it loudly against the door.</p>
+
+<p>But perhaps at this point I may do well to
+explain to my readers (before they are too
+frightened to listen to me) how I came to be
+beating on the door of Buggam Grange at
+nightfall on a gloomy November evening.<span class='pagenum'><a name="Page_231" id="Page_231">[Pg 231]</a></span></p>
+
+<p>A year before I had been sitting with Sir
+Jeremy Buggam, the present baronet, on the
+verandah of his ranch in California.</p>
+
+<p>"So you don't believe in the supernatural?"
+he was saying.</p>
+
+<p>"Not in the slightest," I answered, lighting
+a cigar as I spoke. When I want to speak very
+positively, I generally light a cigar as I speak.</p>
+
+<p>"Well, at any rate, Digby," said Sir Jeremy,
+"Buggam Grange is haunted. If you want to
+be assured of it go down there any time and
+spend the night and you'll see for yourself."</p>
+
+<p>"My dear fellow," I replied, "nothing will
+give me greater pleasure. I shall be back in
+England in six weeks, and I shall be delighted
+to put your ideas to the test. Now tell me,"
+I added somewhat cynically, "is there any
+particular season or day when your Grange is
+supposed to be specially terrible?"</p>
+
+<p>Sir Jeremy looked at me strangely. "Why
+do you ask that?" he said. "Have you heard
+the story of the Grange?"</p>
+
+<p>"Never heard of the place in my life," I
+answered cheerily. "Till you mentioned it<span class='pagenum'><a name="Page_232" id="Page_232">[Pg 232]</a></span>
+to-night, my dear fellow, I hadn't the remotest
+idea that you still owned property in
+England."</p>
+
+<p>"The Grange is shut up," said Sir Jeremy,
+"and has been for twenty years. But I keep a
+man there&mdash;Horrod&mdash;he was butler in my
+father's time and before. If you care to go,
+I'll write him that you're coming. And, since
+you are taking your own fate in your hands,
+the fifteenth of November is the day."</p>
+
+<p>At that moment Lady Buggam and Clara
+and the other girls came trooping out on the
+verandah, and the whole thing passed clean
+out of my mind. Nor did I think of it again
+until I was back in London. Then, by one of
+those strange coincidences or premonitions&mdash;call
+it what you will&mdash;it suddenly occurred to
+me one morning that it was the fifteenth of
+November. Whether Sir Jeremy had written
+to Horrod or not, I did not know. But none
+the less nightfall found me, as I have described,
+knocking at the door of Buggam Grange.</p>
+
+<p>The sound of the knocker had scarcely
+ceased to echo when I heard the shuffling of<span class='pagenum'><a name="Page_233" id="Page_233">[Pg 233]</a></span>
+feet within, and the sound of chains and bolts
+being withdrawn. The door opened. A man
+stood before me holding a lighted candle which
+he shaded with his hand. His faded black
+clothes, once apparently a butler's dress, his
+white hair and advanced age left me in no
+doubt that he was Horrod of whom Sir Jeremy
+had spoken.</p>
+
+<p>Without a word he motioned me to come in,
+and, still without speech, he helped me to
+remove my wet outer garments, and then
+beckoned me into a great room, evidently the
+dining-room of the Grange.</p>
+
+<p>I am not in any degree a nervous man by
+temperament, as I think I remarked before,
+and yet there was something in the vastness of
+the wainscoted room, lighted only by a single
+candle, and in the silence of the empty house,
+and still more in the appearance of my speechless
+attendant, which gave me a feeling of distinct
+uneasiness. As Horrod moved to and
+fro I took occasion to scrutinize his face more
+narrowly. I have seldom seen features more
+calculated to inspire a nervous dread. The<span class='pagenum'><a name="Page_234" id="Page_234">[Pg 234]</a></span>
+pallor of his face and the whiteness of his hair
+(the man was at least seventy), and still more
+the peculiar furtiveness of his eyes, seemed to
+mark him as one who lived under a great terror.
+He moved with a noiseless step and at times
+he turned his head to glance in the dark corners
+of the room.</p>
+
+<p>"Sir Jeremy told me," I said, speaking as
+loudly and as heartily as I could, "that he would
+apprise you of my coming."</p>
+
+<p>I was looking into his face as I spoke.</p>
+
+<p>In answer Horrod laid his finger across his
+lips and I knew that he was deaf and dumb. I
+am not nervous (I think I said that), but the
+realization that my sole companion in the empty
+house was a deaf mute struck a cold chill to
+my heart.</p>
+
+<p>Horrod laid in front of me a cold meat pie,
+a cold goose, a cheese, and a tall flagon of
+cider. But my appetite was gone. I ate the
+goose, but found that after I had finished the
+pie I had but little zest for the cheese, which
+I finished without enjoyment. The cider had
+a sour taste, and after having permitted<span class='pagenum'><a name="Page_235" id="Page_235">[Pg 235]</a></span>
+Horrod to refill the flagon twice I found that
+it induced a sense of melancholy and decided
+to drink no more.</p>
+
+<p>My meal finished, the butler picked up the
+candle and beckoned me to follow him. We
+passed through the empty corridors of the
+house, a long line of pictured Buggams looking
+upon us as we passed, their portraits in
+the flickering light of the taper assuming a
+strange and life-like appearance, as if leaning
+forward from their frames to gaze upon the
+intruder.</p>
+
+<p>Horrod led me upstairs and I realized that
+he was taking me to the tower in the east wing,
+in which I had observed a light.</p>
+
+<p>The rooms to which the butler conducted
+me consisted of a sitting-room with an adjoining
+bedroom, both of them fitted with antique
+wainscoting against which a faded tapestry
+fluttered. There was a candle burning on the
+table in the sitting-room, but its insufficient light
+only rendered the surroundings the more dismal.
+Horrod bent down in front of the fireplace
+and endeavoured to light a fire there.<span class='pagenum'><a name="Page_236" id="Page_236">[Pg 236]</a></span>
+But the wood was evidently damp and the fire
+flickered feebly on the hearth.</p>
+
+<p>The butler left me, and in the stillness of
+the house I could hear his shuffling step echo
+down the corridor. It may have been fancy,
+but it seemed to me that his departure was the
+signal for a low moan that came from somewhere
+behind the wainscot. There was a narrow
+cupboard door at one side of the room,
+and for the moment I wondered whether the
+moaning came from within. I am not as a rule
+lacking in courage (I am sure my reader will
+be decent enough to believe this), yet I found
+myself entirely unwilling to open the cupboard
+door and look within. In place of doing so
+I seated myself in a great chair in front of
+the feeble fire. I must have been seated there
+for some time when I happened to lift my eyes
+to the mantel above and saw, standing upon
+it, a letter addressed to myself. I knew the
+handwriting at once to be that of Sir Jeremy
+Buggam.</p>
+
+<p>I opened it, and spreading it out within reach
+of the feeble candlelight, I read as follows:<span class='pagenum'><a name="Page_237" id="Page_237">[Pg 237]</a></span></p>
+
+<blockquote><p>"<span class="smcap">My dear Digby</span>,</p>
+
+<p>"In our talk that you will remember, I
+had no time to finish telling you about the
+mystery of Buggam Grange. I take for granted,
+however, that you will go there and that Horrod
+will put you in the tower rooms, which are the
+only ones that make any pretence of being habitable.
+I have, therefore, sent him this letter to
+deliver at the Grange itself.</p>
+
+<p>"The story is this:</p>
+
+<p>"On the night of the fifteenth of November,
+fifty years ago, my grandfather was murdered
+in the room in which you are sitting, by his
+cousin, Sir Duggam Buggam. He was stabbed
+from behind while seated at the little table at
+which you are probably reading this letter.
+The two had been playing cards at the table
+and my grandfather's body was found lying in
+a litter of cards and gold sovereigns on the
+floor. Sir Duggam Buggam, insensible from
+drink, lay beside him, the fatal knife at his
+hand, his fingers smeared with blood. My
+grandfather, though of the younger branch,<span class='pagenum'><a name="Page_238" id="Page_238">[Pg 238]</a></span>
+possessed a part of the estates which were to
+revert to Sir Duggam on his death. Sir Duggam
+Buggam was tried at the Assizes and was
+hanged. On the day of his execution he was
+permitted by the authorities, out of respect for
+his rank, to wear a mask to the scaffold. The
+clothes in which he was executed are hanging
+at full length in the little cupboard to your
+right, and the mask is above them. It is said
+that on every fifteenth of November at midnight
+the cupboard door opens and Sir Duggam
+Buggam walks out into the room. It has been
+found impossible to get servants to remain at
+the Grange, and the place&mdash;except for the
+presence of Horrod&mdash;has been unoccupied for
+a generation. At the time of the murder
+Horrod was a young man of twenty-two, newly
+entered into the service of the family. It was
+he who entered the room and discovered the
+crime. On the day of the execution he was
+stricken with paralysis and has never spoken
+since. From that time to this he has never
+consented to leave the Grange, where he lives
+in isolation.<span class='pagenum'><a name="Page_239" id="Page_239">[Pg 239]</a></span></p>
+
+<p>"Wishing you a pleasant night after your
+tiring journey,</p>
+
+<p>"I remain,</p>
+
+<p>"Very faithfully,</p>
+
+<p style="text-align: right">"<span class="smcap">Jeremy Buggam</span>."</p></blockquote>
+
+<p>I leave my reader to imagine my state of
+mind when I completed the perusal of the
+letter.</p>
+
+<p>I have as little belief in the supernatural as
+anyone, yet I must confess that there was something
+in the surroundings in which I now found
+myself which rendered me at least uncomfortable.
+My reader may smile if he will, but I
+assure him that it was with a very distinct feeling
+of uneasiness that I at length managed to
+rise to my feet, and, grasping my candle in my
+hand, to move backward into the bedroom. As
+I backed into it something so like a moan
+seemed to proceed from the closed cupboard
+that I accelerated my backward movement to a
+considerable degree. I hastily blew out the
+candle, threw myself upon the bed and drew
+the bedclothes over my head, keeping,<span class='pagenum'><a name="Page_240" id="Page_240">[Pg 240]</a></span>
+however, one eye and one ear still out and
+available.</p>
+
+<p>How long I lay thus listening to every
+sound, I cannot tell. The stillness had become
+absolute. From time to time I could dimly
+hear the distant cry of an owl, and once far
+away in the building below a sound as of some
+one dragging a chain along a floor. More than
+once I was certain that I heard the sound of
+moaning behind the wainscot. Meantime I
+realized that the hour must now be drawing
+close upon the fatal moment of midnight. My
+watch I could not see in the darkness, but by
+reckoning the time that must have elapsed I
+knew that midnight could not be far away.
+Then presently my ear, alert to every sound,
+could just distinguish far away across the fens
+the striking of a church bell, in the clock tower
+of Buggam village church, no doubt, tolling the
+hour of twelve.</p>
+
+<p>On the last stroke of twelve, the cupboard
+door in the next room opened. There is no
+need to ask me how I knew it. I couldn't, of
+course, see it, but I could hear, or sense in some<span class='pagenum'><a name="Page_241" id="Page_241">[Pg 241]</a></span>
+way, the sound of it. I could feel my hair, all
+of it, rising upon my head. I was aware that
+there was a <i>presence</i> in the adjoining room, I
+will not say a person, a living soul, but a
+<i>presence</i>. Anyone who has been in the next
+room to a presence will know just how I felt.
+I could hear a sound as of some one groping on
+the floor and the faint rattle as of coins.</p>
+
+<p>My hair was now perpendicular. My reader
+can blame it or not, but it was.</p>
+
+<p>Then at this very moment from somewhere
+below in the building there came the sound of
+a prolonged and piercing cry, a cry as of a soul
+passing in agony. My reader may censure me
+or not, but right at this moment I decided to
+beat it. Whether I should have remained to
+see what was happening is a question that I will
+not discuss. My one idea was to get out, and
+to get out quickly. The window of the tower
+room was some twenty-five feet above the
+ground. I sprang out through the casement in
+one leap and landed on the grass below. I
+jumped over the shrubbery in one bound and
+cleared the moat in one jump. I went down the<span class='pagenum'><a name="Page_242" id="Page_242">[Pg 242]</a></span>
+avenue in about six strides and ran five miles
+along the road through the fens in three
+minutes. This at least is an accurate transcription
+of my sensations. It may have taken
+longer. I never stopped till I found myself on
+the threshold of the <i>Buggam Arms</i> in Little
+Buggam, beating on the door for the landlord.</p>
+
+<p>I returned to Buggam Grange on the next
+day in the bright sunlight of a frosty November
+morning, in a seven-cylinder motor car
+with six local constables and a physician. It
+makes all the difference. We carried revolvers,
+spades, pickaxes, shotguns and an ouija board.</p>
+
+<p>What we found cleared up for ever the mystery
+of the Grange. We discovered Horrod
+the butler lying on the dining-room floor quite
+dead. The physician said that he had died
+from heart failure. There was evidence from
+the marks of his shoes in the dust that he had
+come in the night to the tower room. On the
+table he had placed a paper which contained a
+full confession of his having murdered Jeremy
+Buggam fifty years before. The circumstances
+of the murder had rendered it easy for him to<span class='pagenum'><a name="Page_243" id="Page_243">[Pg 243]</a></span>
+fasten the crime upon Sir Duggam, already
+insensible from drink. A few minutes with
+the ouija board enabled us to get a full corroboration
+from Sir Duggam. He promised,
+moreover, now that his name was cleared, to go
+away from the premises for ever.</p>
+
+<p>My friend, the present Sir Jeremy, has
+rehabilitated Buggam Grange. The place is
+rebuilt. The moat is drained. The whole
+house is lit with electricity. There are beautiful
+motor drives in all directions in the woods.
+He has had the bats shot and the owls stuffed.
+His daughter, Clara Buggam, became my wife.
+She is looking over my shoulder as I write.
+What more do you want?</p>
+
+
+<p class="center"><br /><br />
+<br />
+<br />
+THE END<br /><br />
+<br /><br />
+</p>
+<p><span class='pagenum'><a name="Page_245" id="Page_245">[Pg 245]</a></span></p>
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+<h2>LITERARY LAPSES</h2>
+
+<p class="center"><i>Twelfth Edition. Crown 8vo. 5s. net</i></p>
+
+<p><i>Spectator.</i>&mdash;"This little book is a happy example of the
+way in which the double life can be lived blamelessly and to
+the great advantage of the community. The book fairly
+entitles Mr. Leacock to be considered not only a humorist
+but a benefactor. The contents should appeal to English
+readers with the double virtue that attaches to work which
+is at once new and richly humorous."</p>
+
+<p><i>Globe.</i>&mdash;"One specimen of Mr. Leacock's humour, 'Boarding-House
+Geometry,' has long been treasured on this side."</p>
+
+<p><i>The Guardian.</i>&mdash;"Much to be welcomed is Professor
+Stephen Leacock's 'Literary Lapses,'&mdash;this charming and
+humorous work. All the sketches have a freshness and a
+new personal touch. Mr. Leacock is, as the politicians say,
+'a national asset,' and Mr. Leacock is a Canadian to be proud
+of. One has the comfortable feeling as one reads that one
+is in the company of a cultured person capable of attractive
+varieties of foolishness."</p>
+
+<p><i>Pall Mall Gazette.</i>&mdash;"The appearance of 'Literary Lapses'
+is practically the English d&eacute;but of a young Canadian writer
+who is turning from medicine to literature with every success.
+Dr. Stephen Leacock is at least the equal of many who are
+likely to be long remembered for their short comic sketches
+and essays; he has already shown that he has the high spirits
+of 'Max Adeler' and the fine sense of quick fun. There are
+many sketches in 'Literary Lapses' that are worthy of
+comparison with the best American humour."</p>
+
+<p><i>Morning Post.</i>&mdash;"The close connection between imagination,
+humour, and the mathematical faculty has never been
+so delightfully demonstrated."</p>
+
+<p><i>Outlook.</i>&mdash;"Mr. John Lane must be credited with the
+desire of associating the Bodley Head with the discovery of
+new humorists. Mr. Leacock sets out to make people laugh.
+He succeeds and makes them laugh at the right thing. He
+has a wide range of new subjects; the world will gain
+in cheerfulness if Mr. Leacock continues to produce so many
+excellent jests to the book as there are in the one under
+notice."</p>
+
+<p><i>Truth.</i>&mdash;"By the publication of Mr. Stephen Leacock's
+'Literary Lapses' Mr. John Lane has introduced to the
+British Public a new American humorist for whom a widespread
+popularity can be confidently predicted."</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_246" id="Page_246">[Pg 246]</a></span></p>
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+<h3>NONSENSE NOVELS</h3>
+
+<h4><i>THIRTEENTH EDITION</i></h4>
+
+<p class="center"><i>Crown 8vo. 5s. net</i></p>
+
+<p><i>Spectator.</i>&mdash;"We can assure our readers who delight in
+mere joyous desipience that they will find a rich harvest of
+laughter in the purely irresponsible outpourings of Professor
+Leacock's fancy."</p>
+
+<p><i>Pall Mall Gazette.</i>&mdash;"It is all not only healthy satire, but
+healthy humour as well, and shows that the author of
+'Literary Lapses' is capable of producing a steady flow of
+high spirits put into a form which is equal to the best traditions
+of contemporary humour. Mr. Leacock certainly bids fair
+to rival the immortal 'Lewis Carroll' in combining the
+irreconcilable&mdash;exact science with perfect humour&mdash;and
+making the amusement better the instruction."</p>
+
+<p><i>Daily Mail.</i>&mdash;"In his 'Literary Lapses' Mr. Stephen
+Leacock gave the laughter-loving world assurance of a new
+humorist of irresistible high spirits and rare spontaneity and
+freshness. By this rollicking collection of 'Nonsense Novels,'
+in tabloid form, he not only confirms the excellent impression
+of his earlier work, but establishes his reputation as a master
+of the art of literary burlesque. The whole collection is a
+sheer delight, and places its author in the front rank as a
+literary humorist."</p>
+
+<p>Mr. <span class="smcap">James Douglas</span> in <i>The Star.</i>&mdash;"We have all laughed
+over Mr. Stephen Leacock's 'Literary Lapses.' It is one of
+those books one would die rather than lend, for to lend it is
+to lose it for ever. Mr. Leacock's new book, 'Nonsense
+Novels,' is more humorous than 'Literary Lapses.' That is
+to say, it is the most humorous book we have had since Mr.
+Dooley swum into our ken. Its humour is so rich that it
+places Mr. Leacock beside Mark Twain."</p>
+
+<p><i>Morning Leader.</i>&mdash;"Mr. Leacock possesses infinite verbal
+dexterity.... Mr. Leacock must be added as a recognized
+humorist."</p>
+
+<p><i>Daily Express.</i>&mdash;"Mr. Stephen Leacock's 'Nonsense
+Novels' is the best collection of parodies I have read for many
+a day. The whole book is a scream, witty, ingenious, irresistible."</p>
+
+<p><i>Public Opinion.</i>&mdash;"A most entertaining book."</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_247" id="Page_247">[Pg 247]</a></span></p>
+
+
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+
+<h2>SUNSHINE SKETCHES OF A LITTLE TOWN</h2>
+
+<h4>WITH A FRONTISPIECE BY CYRUS CUNEO</h4>
+
+<p class="center"><i>Ninth Edition. Crown 8vo. 5s. net</i></p>
+
+<p><i>The Times.</i>&mdash;"His real hard work, for which no emolument
+would be a fitting reward, is distilling sunshine. This new
+book is full of it&mdash;the sunshine of humour, the thin keen
+sunshine of irony, the mellow evening sunshine of sentiment."</p>
+
+<p><i>Spectator.</i>&mdash;"This is not the first but the third volume in
+which he has contributed to the gaiety of the Old as well as
+the New World.... A most welcome freedom from the
+pessimism of Old-World fiction."</p>
+
+<p><i>Academy.</i>&mdash;"One of the best and most enjoyable series of
+sketches that we have read for some time ... they are all
+bright and sparkling, and bristle with wit and humour."</p>
+
+<p><i>Pall Mall Gazette.</i>&mdash;"Like all real humorists Mr. Leacock
+steps at once into his proper position.... His touch of
+humour will make the Anglo-Saxon world his reader....
+We cannot recall a more laughable book."</p>
+
+<p><i>Globe.</i>&mdash;"Professor Leacock never fails to provide a feast
+of enjoyment.... No one who wishes to dispose intellectually
+of a few hours should neglect Professor Leacock's admirable
+contribution to English literature. It is warranted to
+bring sunshine into every home."</p>
+
+<p><i>Country Life.</i>&mdash;"Informed by a droll humour, quite
+unforced, Mr. Leacock reviews his little community for the
+sport of the thing, and the result is a natural and delightful
+piece of work."</p>
+
+<p><i>Daily Telegraph.</i>&mdash;"His Sketches are so fresh and delightful
+in the manner of their presentation.... Allowing for
+differences of theme, and of the human materials for study,
+Mr. Leacock strikes us as a sort of Americanised Mr. W. W.
+Jacobs. Like the English humorist, the Canadian one has
+a delightfully fresh and amusing way of putting things, of
+suggesting more than he says, of narrating more or less
+ordinary happenings in an irresistibly comical fashion....
+Mr. Leacock should be popular with readers who can appreciate
+fun shot with kindly satire."</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_248" id="Page_248">[Pg 248]</a></span></p>
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+<h2>BEHIND THE BEYOND</h2>
+
+<p>AND OTHER CONTRIBUTIONS TO HUMAN
+KNOWLEDGE. With 16 Illustrations by <span class="smcap">A. H. Fish</span>.</p>
+
+<p class="center"><i>Fifth Edition. Crown 8vo. 5s. net</i></p>
+
+<p><i>Punch.</i>&mdash;"In his latest book, 'Behind the Beyond,' he is in
+brilliant scoring form. I can see 'Behind the Beyond'
+breaking up many homes; for no family will be able to stand
+the sudden sharp yelps of laughter which must infallibly
+punctuate the decent after-dinner silence when one of its
+members gets hold of this book. It is Mr. Leacock's peculiar
+gift that he makes you laugh out loud. When Mr. Leacock's
+literal translation of Homer, on p. 193, met my eye, a howl of
+mirth broke from me. I also forgot myself over the interview
+with the photographer. As for the sketch which gives its
+title, to the book, it is the last word in polished satire. The
+present volume is Mr. Leacock at his best."</p>
+
+<p><i>Spectator.</i>&mdash;"Beneficent contributions to the gaiety of
+nations. The longest and best thing in the book is the
+delightful burlesque of a modern problem play. Miss Fish's
+illustrations are decidedly clever."</p>
+
+<p><i>Observer.</i>&mdash;"There are delicious touches in it."</p>
+
+<p><i>Queen.</i>&mdash;"All through the book the author furnishes a
+continual feast of enjoyment."</p>
+
+<p><i>Dundee Advertiser.</i>&mdash;"'Behind the Beyond' is a brilliant
+parody, and the other sketches are all of Mr. Leacock's very
+best, 'Homer and Humbug' being as fine a piece of raillery
+as Mr. Leacock has written. Mr. Leacock is a humorist of
+the first rank, unique in his own sphere, and this volume will
+add yet more to his reputation."</p>
+
+<p><i>Aberdeen Free Press.</i>&mdash;"Exquisite quality ... amazingly
+funny."</p>
+
+<p><i>Yorkshire Daily Post.</i>&mdash;"In the skit on the problem play
+which gives the book its title the author reaches his high-water
+mark."</p>
+
+<p><i>Glasgow Herald.</i>&mdash;"Another welcome addition to the gaiety
+of the nations. The title-piece is an inimitably clever skit.
+It is both genial and realistic, and there is a genuine laugh in
+every line of it. Humour and artistry are finely blended in
+the drawings."</p>
+
+<p><i>Daily Express.</i>&mdash;"The pictures have genuine and rare
+distinction."</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_249" id="Page_249">[Pg 249]</a></span></p>
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+<h3>ARCADIAN ADVENTURES WITH THE IDLE RICH</h3>
+
+<h4><i>FOURTH EDITION</i></h4>
+
+<p class="center"><i>Crown 8vo. 5s. net</i></p>
+
+
+<blockquote><p><i>Spectator.</i>&mdash;"A blend of delicious fooling and excellent
+satire. Once more the author of 'Literary Lapses' has
+proved himself a benefactor of his kind."</p>
+
+<p><i>Morning Post.</i>&mdash;"All the 'Adventures' are full of the fuel
+of the laughter which is an intellectual thing."</p>
+
+<p><i>Pall Mall Gazette.</i>&mdash;"Professor Leacock shows no falling
+off either in his fund of social observation or his power of
+turning it to sarcasm and humour. The book is full to the
+brim with honest laughter and clever ideas."</p>
+
+<p><i>Bystander.</i>&mdash;"It is necessary to laugh, now even more
+necessary than at ordinary times. Fortunately, Professor
+Leacock produces a new book at the right moment. It will
+cause many chuckles. He is simply irresistible."</p>
+
+<p><i>Westminster Gazette.</i>&mdash;"Marks a distinct advance in Mr.
+Leacock's artistic development."</p>
+
+<p><i>Daily Chronicle.</i>&mdash;"This altogether delightful and brilliant
+comedy of life.... Mr. Leacock's humour comes from the
+very depths of a strong personality, and in the midst of a
+thousand whimsicalities, a thousand searchlights on the
+puerilities of human nature he never loses touch with the
+essential bite of life."</p>
+
+<p><i>Saturday Review.</i>&mdash;"Professor Leacock is a delightful
+writer of irresponsible nonsense with a fresh and original
+touch. These 'Arcadian Adventures' are things of sheer
+delight."</p>
+
+<p><i>Tatler.</i>&mdash;"I have not felt so full of eagerness and life since
+the war began as after I had read this delightfully humorous
+and clever book."</p>
+
+<p><i>Evening Standard.</i>&mdash;"In this book the satire is brilliantly
+conspicuous."</p></blockquote>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_250" id="Page_250">[Pg 250]</a></span></p>
+
+<div class="bbox" style="text-align: center">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+
+<h3>MOONBEAMS FROM THE LARGER LUNACY</h3>
+
+<h4><i>FOURTH EDITION</i></h4>
+
+<p class="center"><i>Crown 8vo. 5s. net</i></p>
+
+<p><i>Times.</i>&mdash;"Such a perfect piece of social observation and
+joyful castigation as the description of the last man in Europe
+... the portrait of So-and-so is not likely to be forgotten ...
+it is so funny and so true."</p>
+
+<p><i>Morning Post.</i>&mdash;"Excellent fooling ... wisdom made
+laughable."</p>
+
+<p><i>Daily Chronicle.</i>&mdash;"Here is wit, fun, frolic, nonsense,
+verse, satire, comedy, criticism&mdash;a perfect gold mine for those
+who love laughter."</p>
+
+<p><i>Sunday Times.</i>&mdash;"Very pungent and telling satire. Buy
+the book&mdash;it will give you a happy hour."</p>
+
+<p><i>Standard.</i>&mdash;"Under the beams of the moon of his delight,
+the author never fails to be amusing."</p>
+
+<p><i>Pall Mall Gazette.</i>&mdash;"Mr. Leacock's humour is a credit to
+Canada, for it has a depth and a polish such as are both rare
+in the literature of a young nation."</p>
+
+<p><i>Land and Water.</i>&mdash;"Unlike a number of so-called humorists,
+Mr. Leacock is really funny, as these sketches prove."</p>
+
+<p><i>Field.</i>&mdash;"Indeed a very pleasant hour can be spent with
+this author, who is full of humour, wit, and cleverness, and
+by his work adds much to the gaiety of life."</p>
+
+<p><i>Spectator.</i>&mdash;"Mr. Leacock has added to our indebtedness
+by his new budget of refreshing absurdities.... In shooting
+folly as it flies, he launches darts that find their billet on both
+sides of the Atlantic."</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_251" id="Page_251">[Pg 251]</a></span></p>
+
+<div class="bbox" style="text-align: center">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+
+<h3>ESSAYS AND LITERARY STUDIES</h3>
+
+<p class="center"><i>Fifth Edition. Crown 8vo. 5s. net</i></p>
+
+<p><i>Truth.</i>&mdash;"Full of practical wisdom, as sober as it is
+sound."</p>
+
+<p><i>Morning Post.</i>&mdash;"He is the subtlest of all transatlantic
+humorists, and, as we have pointed out before, might almost
+be defined as the discoverer of a method combining English
+and American humour. But he never takes either his subject
+or himself too seriously, and the result is a book which is as
+readable as any of its mirthful predecessors."</p>
+
+<p><i>World.</i>&mdash;"Those readers who fail to find pleasure in this
+new volume of Essays will be difficult to please. Here are
+discourses in the author's happiest vein."</p>
+
+<p><i>Daily News.</i>&mdash;"All are delightful."</p>
+
+<p><i>Bystander.</i>&mdash;"No sane person will object to Professor
+Leacock professing, so long as he periodically issues such good
+entertainment as 'Essays and Literary Studies.'"</p>
+
+<p><i>Daily Telegraph.</i>&mdash;"The engaging talent of this Canadian
+author has hitherto been exercised in the lighter realm of wit
+and fancy. In his latest volume there is the same irresistible
+humour, the same delicate satire, the same joyous freshness;
+but the wisdom he distils is concerned more with realities
+of our changing age."</p>
+
+<p><i>Outlook.</i>&mdash;"Mr. Leacock's humour is his own, whimsical
+with the ease of a self-confident personality, far-sighted,
+quick-witted, and invariably humane."</p>
+
+<p><i>Times.</i>&mdash;"Professor Leacock's paper on American humour
+is quite the best that we know upon the subject."</p>
+
+<p><i>Spectator.</i>&mdash;"Those of us who are grateful to Mr. Leacock
+as an intrepid purveyor of wholesome food for laughter have
+not failed to recognize that he mingles shrewdness with
+levity&mdash;that he is, in short, wise as well as merry."</p>
+
+</div>
+
+<p><br /><br /></p>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+<p><span class='pagenum'><a name="Page_252" id="Page_252">[Pg 252]</a></span></p>
+
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+
+<h2>Further Foolishness</h2>
+
+<h4>SKETCHES AND SATIRES ON
+THE FOLLIES OF THE DAY</h4>
+
+<p class="center">With Coloured Frontispiece by "<span class="smcap">Fish</span>," and five other
+Plates by <span class="smcap">M. Blood</span></p>
+
+<p class="center">
+<i>Fourth Edition. Crown 8vo. 5s. net</i></p>
+
+<p><i>Morning Post.</i>&mdash;"An excellent antidote to war worry."</p>
+
+<p><i>Evening Standard.</i>&mdash;"You will acknowledge, if you have
+not done so before, the satirical keenness of Mr. Leacock."</p>
+
+<p><i>Daily Graphic.</i>&mdash;"The book is a joy all through, laughter
+on every page."</p>
+
+<p><i>Times.</i>&mdash;"Further examples of the diverting humour of
+Professor Leacock."</p>
+
+<p><i>Bystander.</i>&mdash;"'Further Foolishness,' in a word, is the most
+admirable tonic which I can prescribe to-day ... the jolliest
+possible medley."</p>
+
+<p><i>Daily Chronicle.</i>&mdash;"Mr. Leacock's fun is fine and delicate,
+full of quaint surprises; guaranteed to provoke cheerfulness
+in the dullest. He is a master-humorist, and this book is
+one of the cleverest examples of honest humour and witty
+satire ever produced."</p>
+
+<p><i>Spectator.</i>&mdash;"In this new budget of absurdities we are
+more than ever reminded of Mr. Leacock's essential affinity
+with Artemus Ward, in whose wildest extravagances there
+was nearly always a core of wholesome sanity, who was
+always on the side of the angels, and who was a true patriot
+as well as a great humorist."</p>
+
+<p><i>Pall Mall Gazette.</i>&mdash;"A humorist of high excellence."</p>
+
+<p><i>Daily Express.</i>&mdash;"Really clever and admirably good fun."</p>
+
+<p><i>Star.</i>&mdash;"Some day there will be a Leacock Club. Its
+members will all possess a sense of humour."</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_253" id="Page_253">[Pg 253]</a></span></p>
+
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+<h3>FRENZIED FICTION</h3>
+
+<h4><i>FOURTH EDITION</i></h4>
+<p class="center"><i>Crown 8vo. 5s. net</i>.</p>
+
+<p>"Everything in 'Frenzied Fiction' is exhilarating.
+Full of good things."&mdash;<i>Morning Post</i>.</p>
+
+<p>"More delightful samples of Leacock humour. These
+delightful chapters show Mr. Leacock at his best."</p>
+
+<p><i>Daily Graphic</i>.</p>
+
+<p>"Stephen Leacock has firmly established himself in
+public favour as one of our greatest humorists. His
+readers will be more than pleased with 'Frenzied
+Fiction.'"&mdash;<i>Evening Standard</i>.</p>
+
+<p>"It is enough to say that Mr. Leacock retains an
+unimpaired command of his happy gift of disguising
+sanity in the garb of the ludicrous. There is always
+an ultimate core of shrewd common-sense in his burlesques."&mdash;<i>Spectator</i>.</p>
+
+<p>"Full of mellow humour."&mdash;<i>Daily Mail</i>.</p>
+
+<p>"From beginning to end the book is one long gurgle
+of delight."&mdash;<i>World</i>.</p>
+
+<p>"If it is your first venture into the Leacockian world
+read that delicious parody 'My Revelations as a Spy,'
+and we will be sworn that before you've turned half a
+dozen pages you will have become a life-member of the
+Leacock Lodge."&mdash;<i>Town Topics</i>.</p>
+
+<p>"When humour is such as you get in 'Frenzied
+Fiction' it is a very good thing indeed."&mdash;<i>Sketch</i>.</p>
+
+<p>"There is always sufficient sense under Stephen
+Leacock's nonsense to enable one to read him at least
+twice."&mdash;<i>Land and Water</i>.</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_254" id="Page_254">[Pg 254]</a></span></p>
+
+<div class="bbox">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+<h3>THE HOHENZOLLERNS IN AMERICA</h3>
+
+<h4>AND OTHER IMPOSSIBILITIES</h4>
+
+<p class="center"><i>Crown 8vo. 5s. net</i></p>
+
+<p>"Equal in gay humour and deft satire to any of its
+predecessors, and no holiday will be so gay but this
+volume will make it gayer.... It is a book of rollicking
+good humour that will keep you chuckling long past
+summer-time."&mdash;<i>Daily Chronicle</i>.</p>
+
+<p>"At his best, full of whims and oddities ... the
+most cheerful of humorists and the wisest of wayside
+philosophers."&mdash;<i>Daily Telegraph</i>.</p>
+
+<p>"He has never provided finer food for quiet enjoyment ... his
+precious quality of Rabelaisian humanism
+has matured and broadened in its sympathy."&mdash;<i>Globe</i>.</p>
+
+<p>"In the author's merriest mood. All of it is distilled
+wit and wisdom of the best brand, full of honest laughter,
+fun and frolic, comedy and criticism."&mdash;<i>Daily Graphic</i>.</p>
+
+<p>"The book is inspired by that spirit of broad farce
+which runs glorious riot through nearly all that Stephen
+Leacock has written."&mdash;<i>Bookman</i>.</p>
+
+<p>"He has all the energy and exuberance of the born
+humorist.... All admirers will recognize it as typical
+of Mr. Leacock's best work."&mdash;<i>Manchester Guardian</i>.</p>
+
+<p>"An entertaining volume."&mdash;<i>Scotsman</i>.</p>
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+<p><br /><br /></p>
+<p><span class='pagenum'><a name="Page_255" id="Page_255">[Pg 255]</a></span></p>
+
+<div class="bbox" style="text-align: center">
+<p class="center">BY THE SAME AUTHOR</p>
+<div class="innerbox"><div class="puff">
+
+<h3>THE UNSOLVED RIDDLE OF
+SOCIAL JUSTICE</h3>
+
+<p class="center"><i>Crown 8vo. 5s. net</i></p>
+
+<p>A discussion of the new social unrest, the transformation
+of society which it portends and the social
+catastrophe which it might precipitate.</p>
+
+<p>The point of view taken by the author leads towards
+the conclusion that the safety of the future lies in a
+progressive movement of social control alleviating at
+least the misery it cannot obliterate, and based upon
+the broad general principle of equality of opportunity,
+and a fair start. The chief immediate opportunities for
+social betterment, as the writer sees them, lie in the
+attempt to give every human being in childhood,
+education and opportunity.</p>
+
+<p>"His book is short, lucid, always to the point, and sometimes
+witty."&mdash;<i>Times</i>.</p>
+
+<p>"A book for the times, suggestive, critical and highly
+stimulating. Mr. Leacock surveys the troubled hour and
+discusses the popular palliatives with a keen, unbiassed intelligence
+and splendid sympathy. I hope it will have as
+large a circulation as any of his humorous books, for it has
+much wisdom in it."&mdash;<i>Daily Chronicle</i>.</p>
+
+<p>"The charm of Mr. Leacock's book is ... that it deals
+tersely and clearly with the problem of Social Justice without
+technical jargon or any abuse of generalities."&mdash;<i>Morning Post</i>.</p>
+
+</div>
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+<p><br /><br /></p>
+<p><span class='pagenum'>
+<a name="Page_256" id="Page_256">[Pg 256]</a></span></p>
+
+<div class="bbox" style="text-align: center">
+<div style="border-bottom: solid 2px">
+<h3>THE HUMOROUS NOVELS
+OF HARRY LEON WILSON</h3>
+
+<p class="center">
+BUNKER BEAN<br />
+MA PETTENGILL<br />
+SOMEWHERE IN RED GAP<br />
+RUGGLES OF RED GAP<br />
+</p>
+
+<p class="center"><i>Crown 8vo. 7s. net</i></p>
+
+<blockquote>
+<p>Harry Leon Wilson is one of the first of American
+humorists, and in popularity he is a close rival of
+O. Henry. His "Ruggles of Red Gap," published at
+the beginning of the war, achieved a distinct success in
+England, while the raciness and vivacity of "Ma
+Pettengill" have furthered the author's reputation as an
+inimitable delineator of Western comedy. An English
+edition of this author's works is in course of preparation,
+of which the above are the first volumes.</p>
+
+<p>"The author has the rare and precious gift of original
+humour."&mdash;<i>Daily Graphic</i>.</p>
+
+<p>"Thackeray would have enjoyed Mr. Wilson's merry tale
+of 'Ruggles of Red Gap.' A very triumph of farce."&mdash;<i>Sunday
+Times</i>.</p>
+
+<p>"Mr. Wilson is an American humorist of the first water.
+We have not for a long time seen anything so clever in its
+way and so outrageously funny."&mdash;<i>Literary World</i>.</p></blockquote>
+
+</div>
+<p class="center">LONDON: JOHN LANE, THE BODLEY HEAD</p>
+</div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Winsome Winnie and other New Nonsense
+Novels, by Stephen Leacock
+
+*** END OF THIS PROJECT GUTENBERG EBOOK WINSOME WINNIE AND OTHERS ***
+
+***** This file should be named 20633-h.htm or 20633-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/6/3/20633/
+
+Produced by Malcolm Farmer and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/20633.txt b/20633.txt
new file mode 100644
index 0000000..ea8e5c8
--- /dev/null
+++ b/20633.txt
@@ -0,0 +1,5775 @@
+The Project Gutenberg EBook of Winsome Winnie and other New Nonsense Novels, by
+Stephen Leacock
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Winsome Winnie and other New Nonsense Novels
+
+Author: Stephen Leacock
+
+Release Date: February 20, 2007 [EBook #20633]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK WINSOME WINNIE AND OTHERS ***
+
+
+
+
+Produced by Malcolm Farmer and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+WINSOME WINNIE
+AND OTHER NEW
+NONSENSE NOVELS
+
+
+_BY THE SAME AUTHOR_
+
+
+THE HOHENZOLLERNS IN AMERICA
+AND OTHER IMPOSSIBILITIES
+
+LITERARY LAPSES
+
+NONSENSE NOVELS
+
+SUNSHINE SKETCHES OF A LITTLE
+TOWN. With a Frontispiece by Cyrus Cuneo
+
+BEHIND THE BEYOND AND OTHER
+CONTRIBUTIONS TO HUMAN
+KNOWLEDGE. With 17 Illustrations
+by "FISH"
+
+ARCADIAN ADVENTURES WITH
+THE IDLE RICH
+
+MOONBEAMS FROM THE LARGER
+LUNACY
+
+ESSAYS AND LITERARY STUDIES
+
+FURTHER FOOLISHNESS: SKETCHES
+AND SATIRES ON THE FOLLIES
+OF THE DAY. With coloured Frontispiece
+by "FISH" and 5 other Plates by
+M. BLOOD.
+
+FRENZIED FICTION
+
+THE UNSOLVED RIDDLE OF SOCIAL
+JUSTICE.
+
+
+THE BODLEY HEAD
+
+
+
+
+_WINSOME WINNIE
+AND OTHER NEW
+NONSENSE NOVELS_
+
+_BY STEPHEN LEACOCK_
+
+
+_LONDON: JOHN LANE, THE BODLEY HEAD
+NEW YORK: JOHN LANE COMPANY MCMXXI_
+
+_Printed in Great Britain by R. Clay & Sons, Ltd., London and Bungay_
+
+
+
+_CONTENTS_
+
+
+
+ CHAP.
+
+ I. WINSOME WINNIE; OR, TRIAL AND TEMPTATION
+ I. THROWN ON THE WORLD
+ II. A RENCOUNTER
+ III. FRIENDS IN DISTRESS
+ IV. A GAMBLING PARTY IN ST. JAMES'S CLOSE
+ V. THE ABDUCTION
+ VI. THE UNKNOWN
+ VII. THE PROPOSAL
+ VIII. WEDDED AT LAST
+
+ II. JOHN AND I; OR, HOW I NEARLY LOST MY HUSBAND
+
+ III. THE SPLIT IN THE CABINET; OR, THE FATE OF ENGLAND
+
+ IV. WHO DO YOU THINK DID IT? OR, THE MIXED-UP MURDER MYSTERY
+ I. HE DINED WITH ME LAST NIGHT
+ II. I MUST SAVE HER LIFE
+ III. I MUST BUY A BOOK ON BILLIARDS
+ IV. THAT IS NOT BILLIARD CHALK
+ V. HAS ANYBODY HERE SEEN KELLY?
+ VI. SHOW ME THE MAN WHO WORE THOSE BOOTS
+ VII. OH, MR. KENT, SAVE ME!
+ VIII. YOU ARE PETER KELLY
+ IX. LET ME TELL YOU THE STORY OF MY LIFE
+ X. SO DO I
+
+ V. BROKEN BARRIERS; OR, RED LOVE ON A BLUE ISLAND
+
+ VI. THE KIDNAPPED PLUMBER: A TALE OF THE NEW TIME
+
+ VII. THE BLUE AND THE GREY: A PRE-WAR WAR STORY
+
+ VIII. BUGGAM GRANGE: A GOOD OLD GHOST STORY
+
+
+
+
+I
+
+WINSOME WINNIE
+
+OR, TRIAL AND TEMPTATION
+
+(_Narrated after the best models of 1875_)
+
+
+
+
+_I.--Winsome Winnie; or, Trial and Temptation._
+
+
+CHAPTER I
+
+THROWN ON THE WORLD
+
+
+"Miss Winnifred," said the Old Lawyer, looking keenly over and through
+his shaggy eyebrows at the fair young creature seated before him, "you
+are this morning twenty-one."
+
+Winnifred Clair raised her deep mourning veil, lowered her eyes and
+folded her hands.
+
+"This morning," continued Mr. Bonehead, "my guardianship is at an end."
+
+There was a tone of something like emotion in the voice of the stern old
+lawyer, while for a moment his eye glistened with something like a tear
+which he hastened to remove with something like a handkerchief. "I have
+therefore sent for you," he went on, "to render you an account of my
+trust."
+
+He heaved a sigh at her, and then, reaching out his hand, he pulled the
+woollen bell-rope up and down several times.
+
+An aged clerk appeared.
+
+"Did the bell ring?" he asked.
+
+"I think it did," said the Lawyer. "Be good enough, Atkinson, to fetch
+me the papers of the estate of the late Major Clair defunct."
+
+"I have them here," said the clerk, and he laid upon the table a bundle
+of faded blue papers, and withdrew.
+
+"Miss Winnifred," resumed the Old Lawyer, "I will now proceed to give
+you an account of the disposition that has been made of your property.
+This first document refers to the sum of two thousand pounds left to you
+by your great uncle. It is lost."
+
+Winnifred bowed.
+
+"Pray give me your best attention and I will endeavour to explain to you
+how I lost it."
+
+"Oh, sir," cried Winnifred, "I am only a poor girl unskilled in the
+ways of the world, and knowing nothing but music and French; I fear that
+the details of business are beyond my grasp. But if it is lost, I gather
+that it is gone."
+
+"It is," said Mr. Bonehead. "I lost it in a marginal option in an
+undeveloped oil company. I suppose that means nothing to you."
+
+"Alas," sighed Winnifred, "nothing."
+
+"Very good," resumed the Lawyer. "Here next we have a statement in
+regard to the thousand pounds left you under the will of your maternal
+grandmother. I lost it at Monte Carlo. But I need not fatigue you with
+the details."
+
+"Pray spare them," cried the girl.
+
+"This final item relates to the sum of fifteen hundred pounds placed in
+trust for you by your uncle. I lost it on a horse race. That horse,"
+added the Old Lawyer with rising excitement, "ought to have won. He was
+coming down the stretch like blue--but there, there, my dear, you must
+forgive me if the recollection of it still stirs me to anger. Suffice it
+to say the horse fell. I have kept for your inspection the score card
+of the race, and the betting tickets. You will find everything in
+order."
+
+"Sir," said Winnifred, as Mr. Bonehead proceeded to fold up his papers,
+"I am but a poor inadequate girl, a mere child in business, but tell me,
+I pray, what is left to me of the money that you have managed?"
+
+"Nothing," said the Lawyer. "Everything is gone. And I regret to say,
+Miss Clair, that it is my painful duty to convey to you a further
+disclosure of a distressing nature. It concerns your birth."
+
+"Just Heaven!" cried Winnifred, with a woman's quick intuition. "Does it
+concern my father?"
+
+"It does, Miss Clair. Your father was not your father."
+
+"Oh, sir," exclaimed Winnifred. "My poor mother! How she must have
+suffered!"
+
+"Your mother was not your mother," said the Old Lawyer gravely. "Nay,
+nay, do not question me. There is a dark secret about your birth."
+
+"Alas," said Winnifred, wringing her hands, "I am, then, alone in the
+world and penniless."
+
+"You are," said Mr. Bonehead, deeply moved. "You are, unfortunately,
+thrown upon the world. But, if you ever find yourself in a position
+where you need help and advice, do not scruple to come to me.
+Especially," he added, "for advice. And meantime let me ask you in what
+way do you propose to earn your livelihood?"
+
+"I have my needle," said Winnifred.
+
+"Let me see it," said the Lawyer.
+
+Winnifred showed it to him.
+
+"I fear," said Mr. Bonehead, shaking his head, "you will not do much
+with that."
+
+Then he rang the bell again.
+
+"Atkinson," he said, "take Miss Clair out and throw her on the world."
+
+
+
+
+CHAPTER II
+
+A RENCOUNTER
+
+
+As Winnifred Clair passed down the stairway leading from the Lawyer's
+office, a figure appeared before her in the corridor, blocking the way.
+It was that of a tall, aristocratic-looking man, whose features wore
+that peculiarly saturnine appearance seen only in the English nobility.
+The face, while entirely gentlemanly in its general aspect, was stamped
+with all the worst passions of mankind.
+
+Had the innocent girl but known it, the face was that of Lord Wynchgate,
+one of the most contemptible of the greater nobility of Britain, and the
+figure was his too.
+
+"Ha!" exclaimed the dissolute Aristocrat, "whom have we here? Stay,
+pretty one, and let me see the fair countenance that I divine behind
+your veil."
+
+"Sir," said Winnifred, drawing herself up proudly, "let me pass, I
+pray."
+
+"Not so," cried Wynchgate, reaching out and seizing his intended victim
+by the wrist, "not till I have at least seen the colour of those eyes
+and imprinted a kiss upon those fair lips."
+
+With a brutal laugh, he drew the struggling girl towards him.
+
+In another moment the aristocratic villain would have succeeded in
+lifting the veil of the unhappy girl, when suddenly a ringing voice
+cried, "Hold! stop! desist! begone! lay to! cut it out!"
+
+With these words a tall, athletic young man, attracted doubtless by the
+girl's cries, leapt into the corridor from the street without. His
+figure was that, more or less, of a Greek god, while his face, although
+at the moment inflamed with anger, was of an entirely moral and
+permissible configuration.
+
+"Save me! save me!" cried Winnifred.
+
+"I will," cried the Stranger, rushing towards Lord Wynchgate with
+uplifted cane.
+
+But the cowardly Aristocrat did not await the onslaught of the unknown.
+
+"You shall yet be mine!" he hissed in Winnifred's ear, and, releasing
+his grasp, he rushed with a bound past the rescuer into the street.
+
+"Oh, sir," said Winnifred, clasping her hands and falling on her knees
+in gratitude. "I am only a poor inadequate girl, but if the prayers of
+one who can offer naught but her prayers to her benefactor can avail to
+the advantage of one who appears to have every conceivable advantage
+already, let him know that they are his."
+
+"Nay," said the stranger, as he aided the blushing girl to rise, "kneel
+not to me, I beseech. If I have done aught to deserve the gratitude of
+one who, whoever she is, will remain for ever present as a bright memory
+in the breast of one in whose breast such memories are all too few, he
+is all too richly repaid. If she does that, he is blessed indeed."
+
+"She does. He is!" cried Winnifred, deeply moved. "Here on her knees she
+blesses him. And now," she added, "we must part. Seek not to follow me.
+One who has aided a poor girl in the hour of need will respect her wish
+when she tells him that, alone and buffeted by the world, her one
+prayer is that he will leave her."
+
+"He will!" cried the Unknown. "He will. He does."
+
+"Leave me, yes, leave me," exclaimed Winnifred.
+
+"I will," said the Unknown.
+
+"Do, do," sobbed the distraught girl. "Yet stay, one moment more. Let
+she, who has received so much from her benefactor, at least know his
+name."
+
+"He cannot! He must not!" exclaimed the Indistinguishable. "His birth is
+such--but enough!"
+
+He tore his hand from the girl's detaining clasp and rushed forth from
+the place.
+
+Winnifred Clair was alone.
+
+
+
+
+CHAPTER III
+
+FRIENDS IN DISTRESS
+
+
+Winnifred was now in the humblest lodgings in the humblest part of
+London. A simple bedroom and sitting-room sufficed for her wants. Here
+she sat on her trunk, bravely planning for the future.
+
+"Miss Clair," said the Landlady, knocking at the door, "do try to eat
+something. You must keep up your health. See, I've brought you a
+kippered herring."
+
+Winnifred ate the herring, her heart filled with gratitude. With renewed
+strength she sallied forth on the street to resume her vain search for
+employment. For two weeks now Winnifred Clair had sought employment even
+of the humblest character. At various dress-making establishments she
+had offered, to no purpose, the services of her needle. They had looked
+at it and refused it.
+
+In vain she had offered to various editors and publishers the use of her
+pen. They had examined it coldly and refused it.
+
+She had tried fruitlessly to obtain a position of trust. The various
+banks and trust companies to which she had applied declined her
+services. In vain she had advertised in the newspapers offering to take
+sole charge of a little girl. No one would give her one.
+
+Her slender stock of money which she had in her purse on leaving Mr.
+Bonehead's office was almost consumed.
+
+Each night the unhappy girl returned to her lodging exhausted with
+disappointment and fatigue.
+
+Yet even in her adversity she was not altogether friendless.
+
+Each evening, on her return home, a soft tap was heard at the door.
+
+"Miss Clair," said the voice of the Landlady, "I have brought you a
+fried egg. Eat it. You must keep up your strength."
+
+Then one morning a terrible temptation had risen before her.
+
+"Miss Clair," said the manager of an agency to which she had applied, "I
+am glad to be able at last to make you a definite offer of employment.
+Are you prepared to go upon the stage?"
+
+The stage!
+
+A flush of shame and indignation swept over the girl. Had it come to
+this? Little versed in the world as Winnifred was, she knew but too well
+the horror, the iniquity, the depth of degradation implied in the word.
+
+"Yes," continued the agent, "I have a letter here asking me to recommend
+a young lady of suitable refinement to play the part of Eliza in _Uncle
+Tom's Cabin._ Will you accept?"
+
+"Sir," said Winnifred proudly, "answer me first this question fairly. If
+I go upon the stage, can I, as Eliza, remain as innocent, as simple as I
+am now?"
+
+"You can not," said the manager.
+
+"Then, sir," said Winnifred, rising from her chair, "let me say this.
+Your offer is doubtless intended to be kind. Coming from the class you
+do, and inspired by the ideas you are, you no doubt mean well. But let a
+poor girl, friendless and alone, tell you that rather than accept such a
+degradation she will die."
+
+"Very good," said the manager.
+
+"I go forth," cried Winnifred, "to perish."
+
+"All right," said the manager.
+
+The door closed behind her. Winnifred Clair, once more upon the street,
+sank down upon the steps of the building in a swoon.
+
+But at this very juncture Providence, which always watches over the
+innocent and defenceless, was keeping its eye direct upon Winnifred.
+
+At that very moment when our heroine sank fainting upon the doorstep, a
+handsome equipage, drawn by two superb black steeds, happened to pass
+along the street.
+
+Its appearance and character proclaimed it at once to be one of those
+vehicles in which only the superior classes of the exclusive aristocracy
+are privileged to ride. Its sides were emblazoned with escutcheons,
+insignia and other paraphernalia. The large gilt coronet that appeared
+up its panelling, surmounted by a bunch of huckleberries, quartered in a
+field of potatoes, indicated that its possessor was, at least, of the
+rank of marquis. A coachman and two grooms rode in front, while two
+footmen, seated in the boot, or box at the rear, contrived, by the
+immobility of their attitude and the melancholy of their faces, to
+inspire the scene with an exclusive and aristocratic grandeur.
+
+The occupants of the equipage--for we refuse to count the menials as
+being such--were two in number, a lady and gentleman, both of advanced
+years. Their snow-white hair and benign countenances indicated that they
+belonged to that rare class of beings to whom rank and wealth are but an
+incentive to nobler things. A gentle philanthropy played all over their
+faces, and their eyes sought eagerly in the passing scene of the humble
+street for new objects of benefaction.
+
+Those acquainted with the countenances of the aristocracy would have
+recognized at once in the occupants of the equipage the Marquis of
+Muddlenut and his spouse, the Marchioness.
+
+It was the eye of the Marchioness which first detected the form of
+Winnifred Clair upon the doorstep.
+
+"Hold! pause! stop!" she cried, in lively agitation.
+
+The horses were at once pulled in, the brakes applied to the wheels, and
+with the aid of a powerful lever, operated by three of the menials, the
+carriage was brought to a standstill.
+
+"See! Look!" cried the Marchioness. "She has fainted. Quick, William,
+your flask. Let us hasten to her aid."
+
+In another moment the noble lady was bending over the prostrate form of
+Winnifred Clair, and pouring brandy between her lips.
+
+Winnifred opened her eyes. "Where am I?" she asked feebly.
+
+"She speaks!" cried the Marchioness. "Give her another flaskful."
+
+After the second flask the girl sat up.
+
+"Tell me," she cried, clasping her hands, "what has happened? Where am
+I?"
+
+"With friends!" answered the Marchioness. "But do not essay to speak.
+Drink this. You must husband your strength. Meantime, let us drive you
+to your home."
+
+Winnifred was lifted tenderly by the menservants into the aristocratic
+equipage. The brake was unset, the lever reversed, and the carriage
+thrown again into motion.
+
+On the way Winnifred, at the solicitation of the Marchioness, related
+her story.
+
+"My poor child!" exclaimed the lady, "how you must have suffered. Thank
+Heaven it is over now. To-morrow we shall call for you and bring you
+away with us to Muddlenut Chase."
+
+Alas, could she but have known it, before the morrow should dawn, worse
+dangers still were in store for our heroine. But what these dangers
+were, we must reserve for another chapter.
+
+
+
+
+CHAPTER IV
+
+A GAMBLING PARTY IN ST. JAMES'S CLOSE
+
+
+We must now ask our readers to shift the scene--if they don't mind doing
+this for us--to the apartments of the Earl of Wynchgate in St. James's
+Close. The hour is nine o'clock in the evening, and the picture before
+us is one of revelry and dissipation so characteristic of the nobility
+of England. The atmosphere of the room is thick with blue Havana smoke
+such as is used by the nobility, while on the green baize table a litter
+of counters and cards, in which aces, kings, and even two spots are
+heaped in confusion, proclaim the reckless nature of the play.
+
+Seated about the table are six men, dressed in the height of fashion,
+each with collar and white necktie and broad white shirt, their faces
+stamped with all, or nearly all, of the baser passions of mankind.
+
+Lord Wynchgate--for he it was who sat at the head of the table--rose
+with an oath, and flung his cards upon the table.
+
+All turned and looked at him, with an oath. "Curse it, Dogwood," he
+exclaimed, with another oath, to the man who sat beside him. "Take the
+money. I play no more to-night. My luck is out."
+
+"Ha! ha!" laughed Lord Dogwood, with a third oath, "your mind is not on
+the cards. Who is the latest young beauty, pray, who so absorbs you? I
+hear a whisper in town of a certain misadventure of yours----"
+
+"Dogwood," said Wynchgate, clenching his fist, "have a care, man, or you
+shall measure the length of my sword."
+
+Both noblemen faced each other, their hands upon their swords.
+
+"My lords, my lords!" pleaded a distinguished-looking man of more
+advanced years, who sat at one side of the table, and in whose features
+the habitues of diplomatic circles would have recognized the handsome
+lineaments of the Marquis of Frogwater, British Ambassador to Siam, "let
+us have no quarrelling. Come, Wynchgate, come, Dogwood," he continued,
+with a mild oath, "put up your swords. It were a shame to waste time in
+private quarrelling. They may be needed all too soon in Cochin China,
+or, for the matter of that," he added sadly, "in Cambodia or in Dutch
+Guinea."
+
+"Frogwater," said young Lord Dogwood, with a generous flush, "I was
+wrong. Wynchgate, your hand."
+
+The two noblemen shook hands.
+
+"My friends," said Lord Wynchgate, "in asking you to abandon our game, I
+had an end in view. I ask your help in an affair of the heart."
+
+"Ha! excellent!" exclaimed the five noblemen. "We are with you heart and
+soul."
+
+"I propose this night," continued Wynchgate, "with your help, to carry
+off a young girl, a female!"
+
+"An abduction!" exclaimed the Ambassador somewhat sternly. "Wynchgate, I
+cannot countenance this."
+
+"Mistake me not," said the Earl, "I intend to abduct her. But I propose
+nothing dishonourable. It is my firm resolve to offer her marriage."
+
+"Then," said Lord Frogwater, "I am with you."
+
+"Gentlemen," concluded Wynchgate, "all is ready. The coach is below. I
+have provided masks, pistols, and black cloaks. Follow me."
+
+A few moments later, a coach, with the blinds drawn, in which were six
+noblemen armed to the teeth, might have been seen, were it not for the
+darkness, approaching the humble lodging in which Winnifred Clair was
+sheltered.
+
+But what it did when it got there, we must leave to another chapter.
+
+
+
+
+CHAPTER V
+
+THE ABDUCTION
+
+
+The hour was twenty minutes to ten on the evening described in our last
+chapter.
+
+Winnifred Clair was seated, still fully dressed, at the window of the
+bedroom, looking out over the great city.
+
+A light tap came at the door.
+
+"If it's a fried egg," called Winnifred softly, "I do not need it. I ate
+yesterday."
+
+"No," said the voice of the Landlady. "You are wanted below."
+
+"I!" exclaimed Winnifred, "below!"
+
+"You," said the Landlady, "below. A party of gentlemen have called for
+you."
+
+"Gentlemen," exclaimed Winnifred, putting her hand to her brow in
+perplexity, "for me! at this late hour! Here! This evening! In this
+house?"
+
+"Yes," repeated the Landlady, "six gentlemen. They arrived in a closed
+coach. They are all closely masked and heavily armed. They beg you will
+descend at once."
+
+"Just Heaven!" cried the Unhappy Girl. "Is it possible that they mean to
+abduct me?"
+
+"They do," said the Landlady. "They said so!"
+
+"Alas!" cried Winnifred, "I am powerless. Tell them"--she
+hesitated--"tell them I will be down immediately. Let them not come up.
+Keep them below on any pretext. Show them an album. Let them look at the
+goldfish. Anything, but not here! I shall be ready in a moment."
+
+Feverishly she made herself ready. As hastily as possible she removed
+all traces of tears from her face. She threw about her shoulders an
+opera cloak, and with a light Venetian scarf half concealed the beauty
+of her hair and features. "Abducted!" she murmured, "and by six of them!
+I think she said six. Oh, the horror of it!" A touch of powder to her
+cheeks and a slight blackening of her eyebrows, and the courageous girl
+was ready.
+
+Lord Wynchgate and his companions--for they it was, that is to say, they
+were it--sat below in the sitting-room looking at the albums. "Woman,"
+said Lord Wynchgate to the Landlady, with an oath, "let her hurry up. We
+have seen enough of these. We can wait no longer."
+
+"I am here," cried a clear voice upon the threshold, and Winnifred stood
+before them. "My lords, for I divine who you are and wherefore you have
+come, take me, do your worst with me, but spare, oh, spare this humble
+companion of my sorrow."
+
+"Right-oh!" said Lord Dogwood, with a brutal laugh.
+
+"Enough," exclaimed Wynchgate, and seizing Winnifred by the waist, he
+dragged her forth out of the house and out upon the street.
+
+But something in the brutal violence of his behaviour seemed to kindle
+for the moment a spark of manly feeling, if such there were, in the
+breasts of his companions.
+
+"Wynchgate," cried young Lord Dogwood, "my mind misgives me. I doubt if
+this is a gentlemanly thing to do. I'll have no further hand in it."
+
+A chorus of approval from his companions endorsed his utterance. For a
+moment they hesitated.
+
+"Nay," cried Winnifred, turning to confront the masked faces that stood
+about her, "go forward with your fell design. I am here. I am helpless.
+Let no prayers stay your hand. Go to it."
+
+"Have done with this!" cried Wynchgate, with a brutal oath. "Shove her
+in the coach."
+
+But at the very moment the sound of hurrying footsteps was heard, and a
+clear, ringing, manly, well-toned, vibrating voice cried, "Hold! Stop!
+Desist! Have a care, titled villain, or I will strike you to the earth."
+
+A tall aristocratic form bounded out of the darkness.
+
+"Gentlemen," cried Wynchgate, releasing his hold upon the frightened
+girl, "we are betrayed. Save yourselves. To the coach."
+
+In another instant the six noblemen had leaped into the coach and
+disappeared down the street.
+
+Winnifred, still half inanimate with fright, turned to her rescuer, and
+saw before her the form and lineaments of the Unknown Stranger, who had
+thus twice stood between her and disaster. Half fainting, she fell
+swooning into his arms.
+
+"Dear lady," he exclaimed, "rouse yourself. You are safe. Let me restore
+you to your home!"
+
+"That voice!" cried Winnifred, resuming consciousness. "It is my
+benefactor."
+
+She would have swooned again, but the Unknown lifted her bodily up the
+steps of her home and leant her against the door.
+
+"Farewell," he said, in a voice resonant with gloom.
+
+"Oh, sir!" cried the unhappy girl, "let one who owes so much to one who
+has saved her in her hour of need at least know his name."
+
+But the stranger, with a mournful gesture of farewell, had disappeared
+as rapidly as he had come.
+
+But, as to why he had disappeared, we must ask our reader's patience for
+another chapter.
+
+
+
+
+CHAPTER VI
+
+THE UNKNOWN
+
+
+The scene is now shifted, sideways and forwards, so as to put it at
+Muddlenut Chase, and to make it a fortnight later than the events
+related in the last chapter.
+
+Winnifred is now at the Chase as the guest of the Marquis and
+Marchioness. There her bruised soul finds peace.
+
+The Chase itself was one of those typical country homes which are, or
+were till yesterday, the glory of England. The approach to the Chase lay
+through twenty miles of glorious forest, filled with fallow deer and
+wild bulls. The house itself, dating from the time of the Plantagenets,
+was surrounded by a moat covered with broad lilies and floating green
+scum. Magnificent peacocks sunned themselves on the terraces, while
+from the surrounding shrubberies there rose the soft murmur of doves,
+pigeons, bats, owls and partridges.
+
+Here sat Winnifred Clair day after day upon the terrace recovering her
+strength, under the tender solicitude of the Marchioness.
+
+Each day the girl urged upon her noble hostess the necessity of her
+departure. "Nay," said the Marchioness, with gentle insistence, "stay
+where you are. Your soul is bruised. You must rest."
+
+"Alas," cried Winnifred, "who am I that I should rest? Alone, despised,
+buffeted by fate, what right have I to your kindness?"
+
+"Miss Clair," replied the noble lady, "wait till you are stronger. There
+is something that I wish to say to you."
+
+Then at last, one morning when Winnifred's temperature had fallen to
+ninety-eight point three, the Marchioness spoke.
+
+"Miss Clair," she said, in a voice which throbbed with emotion,
+"Winnifred, if I may so call you, Lord Muddlenut and I have formed a
+plan for your future. It is our dearest wish that you should marry our
+son."
+
+"Alas," cried Winnifred, while tears rose in her eyes, "it cannot be!"
+
+"Say not so," cried the Marchioness. "Our son, Lord Mordaunt Muddlenut,
+is young, handsome, all that a girl could desire. After months of
+wandering he returns to us this morning. It is our dearest wish to see
+him married and established. We offer you his hand."
+
+"Indeed," replied Winnifred, while her tears fell even more freely, "I
+seem to requite but ill the kindness that you show. Alas, my heart is no
+longer in my keeping."
+
+"Where is it?" cried the Marchioness.
+
+"It is another's. One whose very name I do not know holds it in his
+keeping."
+
+But at this moment a blithe, gladsome step was heard upon the flagstones
+of the terrace. A manly, ringing voice, which sent a thrill to
+Winnifred's heart, cried "Mother!" and in another instant Lord Mordaunt
+Muddlenut, for he it was, had folded the Marchioness to his heart.
+
+Winnifred rose, her heart beating wildly. One glance was enough. The
+newcomer, Lord Mordaunt, was none other than the Unknown, the
+Unaccountable, to whose protection she had twice owed her life.
+
+With a wild cry Winnifred Clair leaped across the flagstones of the
+terrace and fled into the park.
+
+
+
+
+CHAPTER VII
+
+THE PROPOSAL
+
+
+They stood beneath the great trees of the ancestral park, into which
+Lord Mordaunt had followed Winnifred at a single bound. All about them
+was the radiance of early June.
+
+Lord Mordaunt knelt on one knee on the greensward, and with a touch in
+which respect and reverence were mingled with the deepest and manliest
+emotion, he took between his finger and thumb the tip of the girl's
+gloved hand.
+
+"Miss Clair," he uttered, in a voice suffused with the deepest
+yearning, yet vibrating with the most profound respect, "Miss
+Clair--Winnifred--hear me, I implore!"
+
+"Alas," cried Winnifred, struggling in vain to disengage the tip of her
+glove from the impetuous clasp of the young nobleman, "alas, whither can
+I fly? I do not know my way through the wood, and there are bulls in all
+directions. I am not used to them! Lord Mordaunt, I implore you, let the
+tears of one but little skilled in the art of dissimulation----"
+
+"Nay, Winnifred," said the Young Earl, "fly not. Hear me out!"
+
+"Let me fly," begged the unhappy girl.
+
+"You must not fly," pleaded Mordaunt. "Let me first, here upon bended
+knee, convey to you the expression of a devotion, a love, as ardent and
+as deep as ever burned in a human heart. Winnifred, be my bride!"
+
+"Oh, sir," sobbed Winnifred, "if the knowledge of a gratitude, a
+thankfulness from one whose heart will ever treasure as its proudest
+memory the recollection of one who did for one all that one could have
+wanted done for one--if this be some poor guerdon, let it suffice. But,
+alas, my birth, the dark secret of my birth forbids----"
+
+"Nay," cried Mordaunt, leaping now to his feet, "your birth is all
+right. I have looked into it myself. It is as good--or nearly as
+good--as my own. Till I knew this, my lips were sealed by duty. While I
+supposed that you had a lower birth and I an upper, I was bound to
+silence. But come with me to the house. There is one arrived with me who
+will explain all."
+
+Hand in hand the lovers, for such they now were, returned to the Chase.
+There in the great hall the Marquis and the Marchioness were standing
+ready to greet them.
+
+"My child!" exclaimed the noble lady, as she folded Winnifred to her
+heart. Then she turned to her son. "Let her know all!" she cried.
+
+Lord Mordaunt stepped across the room to a curtain. He drew it aside,
+and there stepped forth Mr. Bonehead, the old lawyer who had cast
+Winnifred upon the world.
+
+"Miss Clair," said the Lawyer, advancing and taking the girl's hand for
+a moment in a kindly clasp, "the time has come for me to explain all.
+You are not, you never were, the penniless girl that you suppose. Under
+the terms of your father's will, I was called upon to act a part and to
+throw you upon the world. It was my client's wish, and I followed it. I
+told you, quite truthfully, that I had put part of your money into
+options in an oil-well. Miss Clair, that well is now producing a million
+gallons of gasolene a month!'
+
+"A million gallons!" cried Winnifred. "I can never use it."
+
+"Wait till you own a motor-car, Miss Winnifred," said the Lawyer.
+
+"Then I am rich!" exclaimed the bewildered girl.
+
+"Rich beyond your dreams," answered the Lawyer. "Miss Clair, you own in
+your own right about half of the State of Texas--I think it is in Texas,
+at any rate either Texas or Rhode Island, or one of those big states in
+America. More than this, I have invested your property since your
+father's death so wisely that even after paying the income tax and the
+property tax, the inheritance tax, the dog tax and the tax on
+amusements, you will still have one half of one per cent to spend."
+
+Winnifred clasped her hands.
+
+"I knew it all the time," said Lord Mordaunt, drawing the girl to his
+embrace, "I found it out through this good man."
+
+"We knew it too," said the Marchioness. "Can you forgive us, darling,
+our little plot for your welfare? Had we not done this Mordaunt might
+have had to follow you over to America and chase you all around Newport
+and Narragansett at a fearful expense."
+
+"How can I thank you enough?" cried Winnifred. Then she added eagerly,
+"And my birth, my descent?"
+
+"It is all right," interjected the Old Lawyer. "It is A 1. Your father,
+who died before you were born, quite a little time before, belonged to
+the very highest peerage of Wales. You are descended directly from
+Claer-ap-Claer, who murdered Owen Glendower. Your mother we are still
+tracing up. But we have already connected her with Floyd-ap-Floyd, who
+murdered Prince Llewellyn."
+
+"Oh, sir," cried the grateful girl. "I only hope I may prove worthy of
+them!"
+
+"One thing more," said Lord Mordaunt, and stepping over to another
+curtain he drew it aside and there emerged Lord Wynchgate.
+
+He stood before Winnifred, a manly contrition struggling upon features
+which, but for the evil courses of he who wore them, might have been
+almost presentable.
+
+"Miss Clair," he said, "I ask your pardon. I tried to carry you off. I
+never will again. But before we part let me say that my acquaintance
+with you has made me a better man, broader, bigger and, I hope, deeper."
+
+With a profound bow, Lord Wynchgate took his leave.
+
+
+
+
+CHAPTER VIII
+
+WEDDED AT LAST
+
+
+Lord Mordaunt and his bride were married forthwith in the parish church
+of Muddlenut Chase. With Winnifred's money they have drained the moat,
+rebuilt the Chase, and chased the bulls out of the park. They have six
+children, so far, and are respected, honoured and revered in the
+countryside far and wide, over a radius of twenty miles in
+circumference.
+
+
+
+
+II
+
+JOHN AND I
+
+OR, HOW I NEARLY LOST MY HUSBAND
+
+(_Narrated after the approved fashion of the best Heart and Home
+Magazines_)
+
+
+
+
+_II.--John and I; or, How I Nearly Lost My Husband._
+
+
+It was after we had been married about two years that I began to feel
+that I needed more air. Every time I looked at John across the
+breakfast-table, I felt as if I must have more air, more space.
+
+I seemed to feel as if I had no room to expand. I had begun to ask
+myself whether I had been wise in marrying John, whether John was really
+sufficient for my development. I felt cramped and shut in. In spite of
+myself the question would arise in my mind whether John really
+understood my nature. He had a way of reading the newspaper, propped up
+against the sugar-bowl, at breakfast, that somehow made me feel as if
+things had gone all wrong. It was bitter to realize that the time had
+come when John could prefer the newspaper to his wife's society.
+
+But perhaps I had better go back and tell the whole miserable story from
+the beginning.
+
+I shall never forget--I suppose no woman ever does--the evening when
+John first spoke out his love for me. I had felt for some time past that
+it was there. Again and again, he seemed about to speak. But somehow his
+words seemed to fail him. Twice I took him into the very heart of the
+little wood beside Mother's house, but it was only a small wood, and
+somehow he slipped out on the other side. "Oh, John," I had said, "how
+lonely and still it seems in the wood with no one here but ourselves! Do
+you think," I said, "that the birds have souls?" "I don't know," John
+answered, "let's get out of this." I was sure that his emotion was too
+strong for him. "I never feel a bit lonesome where you are, John," I
+said, as we made our way among the underbrush. "I think we can get out
+down that little gully," he answered. Then one evening in June after tea
+I led John down a path beside the house to a little corner behind the
+garden where there was a stone wall on one side and a high fence right
+in front of us, and thorn bushes on the other side. There was a little
+bench in the angle of the wall and the fence, and we sat down on it.
+
+"Minnie," John said, "there's something I meant to say----"
+
+"Oh, John," I cried, and I flung my arms round his neck. It all came
+with such a flood of surprise.
+
+"All I meant, Minn----" John went on, but I checked him.
+
+"Oh, don't, John, don't say anything more," I said. "It's just too
+perfect." Then I rose and seized him by the wrist. "Come," I said, "come
+to Mother," and I rushed him along the path.
+
+As soon as Mother saw us come in hand in hand in this way, she guessed
+everything. She threw both her arms round John's neck and fairly pinned
+him against the wall. John tried to speak, but Mother wouldn't let him.
+"I saw it all along, John," she said. "Don't speak. Don't say a word. I
+guessed your love for Minn from the very start. I don't know what I
+shall do without her, John, but she's yours now; take her." Then Mother
+began to cry and I couldn't help crying too. "Take him to Father,"
+Mother said, and we each took one of John's wrists and took him to
+Father on the back verandah. As soon as John saw Father he tried to
+speak again--"I think I ought to say," he began, but Mother stopped him.
+"Father," she said, "he wants to take our little girl away. He loves her
+very dearly, Alfred," she said, "and I think it our duty to let her go,
+no matter how hard it is, and oh, please Heaven, Alfred, he'll treat her
+well and not misuse her, or beat her," and she began to sob again.
+
+Father got up and took John by the hand and shook it warmly.
+
+"Take her, boy," he said. "She's all yours now, take her."
+
+So John and I were engaged, and in due time our wedding day came and we
+were married. I remember that for days and days before the wedding day
+John seemed very nervous and depressed; I think he was worrying, poor
+boy, as to whether he could really make me happy and whether he could
+fill my life as it should be filled. But I told him that he was not to
+worry, because I _meant_ to be happy, and was determined just to make
+the best of everything.
+
+Father stayed with John a good deal before the wedding day, and on the
+wedding morning he went and fetched him to the church in a closed
+carriage and had him there all ready when we came. It was a beautiful
+day in September, and the church looked just lovely. I had a beautiful
+gown of white organdie with _tulle_ at the throat, and I carried a great
+bunch of white roses, and Father led John up the aisle after me.
+
+I remember that Mother cried a good deal at the wedding, and told John
+that he had stolen her darling and that he must never misuse me or beat
+me. And I remember that the clergyman spoke very severely to John, and
+told him he hoped he realized the responsibility he was taking and that
+it was his duty to make me happy. A lot of our old friends were there,
+and they all spoke quite sharply to John, and all the women kissed me
+and said they hoped I would never regret what I had done, and I just
+kept up my spirits by sheer determination, and told them that I had made
+up my mind to be happy and that I was going to be so.
+
+So presently it was all over and we were driven to the station and got
+the afternoon train for New York, and when we sat down in the
+compartment among all our bandboxes and flowers, John said, "Well, thank
+God, that's over." And I said, "Oh, John, an oath! on our wedding day,
+an oath!" John said, "I'm sorry, Minn, I didn't mean----" but I said,
+"Don't, John, don't make it worse. Swear at me if you must, but don't
+make it harder to bear."
+
+ * * * * *
+
+We spent our honeymoon in New York. At first I had thought of going
+somewhere to the great lonely woods, where I could have walked under the
+great trees and felt the silence of nature, and where John should have
+been my Viking and captured me with his spear, and where I should be
+his and his alone and no other man should share me; and John had said
+all right. Or else I had planned to go away somewhere to the seashore,
+where I could have watched the great waves dashing themselves against
+the rocks. I had told John that he should be my cave man, and should
+seize me in his arms and carry me whither he would. I felt somehow that
+for my development I wanted to get as close to nature as ever I
+could--that my mind seemed to be reaching out for a great emptiness. But
+I looked over all the hotel and steamship folders I could find and it
+seemed impossible to get good accommodation, so we came to New York. I
+had a great deal of shopping to do for our new house, so I could not be
+much with John, but I felt it was not right to neglect him, so I drove
+him somewhere in a taxi each morning and called for him again in the
+evening. One day I took him to the Metropolitan Museum, and another day
+I left him at the Zoo, and another day at the aquarium. John seemed very
+happy and quiet among the fishes.
+
+So presently we came back home, and I spent many busy days in fixing and
+arranging our new house. I had the drawing-room done in blue, and the
+dining-room all in dark panelled wood, and a boudoir upstairs done in
+pink and white enamel to match my bedroom and dressing-room. There was a
+very nice little room in the basement next to the coal cellar that I
+turned into a "den" for John, so that when he wanted to smoke he could
+go down there and do it. John seemed to appreciate his den at once, and
+often would stay down there so long that I had to call to him to come
+up.
+
+When I look back on those days they seem very bright and happy. But it
+was not very long before a change came. I began to realize that John was
+neglecting me. I noticed it at first in small things. I don't know just
+how long it was after our marriage that John began to read the newspaper
+at breakfast. At first he would only pick it up and read it in little
+bits, and only on the front page. I tried not to be hurt at it, and
+would go on talking just as brightly as I could, without seeming to
+notice anything. But presently he went on to reading the inside part of
+the paper, and then one day he opened up the financial page and folded
+the paper right back and leant it against the sugar-bowl.
+
+I could not but wonder whether John's love for me was what it had been.
+Was it cooling? I asked myself. And what was cooling it? It hardly
+seemed possible, when I looked back to the wild passion with which he
+had proposed to me on the garden bench, that John's love was waning. But
+I kept noticing different little things. One day in the spring-time I
+saw John getting out a lot of fishing tackle from a box and fitting it
+together. I asked him what he was going to do, and he said that he was
+going to fish. I went to my room and had a good cry. It seemed dreadful
+that he could neglect his wife for a few worthless fish.
+
+So I decided to put John to the test. It had been my habit every morning
+after he put his coat on to go to the office to let John have one kiss,
+just one weeny kiss, to keep him happy all day. So this day when he was
+getting ready I bent my head over a big bowl of flowers and pretended
+not to notice. I think John must have been hurt, as I heard him steal
+out on tiptoe.
+
+Well, I realized that things had come to a dreadful state, and so I sent
+over to Mother, and Mother came, and we had a good cry together. I made
+up my mind to force myself to face things and just to be as bright as
+ever I could. Mother and I both thought that things would be better if I
+tried all I could to make something out of John. I have always felt that
+every woman should make all that she can out of her husband. So I did my
+best first of all to straighten up John's appearance. I shifted the
+style of collar he was wearing to a tighter kind that I liked better,
+and I brushed his hair straight backward instead of forward, which gave
+him a much more alert look. Mother said that John needed waking up, and
+so we did all we could to wake him up. Mother came over to stay with me
+a good deal, and in the evenings we generally had a little music or a
+game of cards.
+
+About this time another difficulty began to come into my married life,
+which I suppose I ought to have foreseen--I mean the attentions of other
+gentlemen. I have always called forth a great deal of admiration in
+gentlemen, but I have always done my best to act like a lady and to
+discourage it in every possible way. I had been innocent enough to
+suppose that this would end with married life, and it gave me a dreadful
+shock to realize that such was not the case. The first one I noticed was
+a young man who came to the house, at an hour when John was out, for the
+purpose, so he said at least, of reading the gas meter. He looked at me
+in just the boldest way and asked me to show him the way to the cellar.
+I don't know whether it was a pretext or not, but I just summoned all
+the courage I had and showed him to the head of the cellar stairs. I had
+determined that if he tried to carry me down with him I would scream for
+the servants, but I suppose something in my manner made him desist, and
+he went alone. When he came up he professed to have read the meter and
+he left the house quite quietly. But I thought it wiser to say nothing
+to John of what had happened.
+
+There were others too. There was a young man with large brown eyes who
+came and said he had been sent to tune the piano. He came on three
+separate days, and he bent his ear over the keys in such a mournful way
+that I knew he must have fallen in love with me. On the last day he
+offered to tune my harp for a dollar extra, but I refused, and when I
+asked him instead to tune Mother's mandoline he said he didn't know how.
+Of course I told John nothing of all this.
+
+Then there was Mr. McQueen, who came to the house several times to play
+cribbage with John. He had been desperately in love with me years
+before--at least I remember his taking me home from a hockey match once,
+and what a struggle it was for him not to come into the parlour and see
+Mother for a few minutes when I asked him; and, though he was married
+now and with three children, I felt sure when he came to play cribbage
+with John that it _meant_ something. He was very discreet and
+honourable, and never betrayed himself for a moment, and I acted my
+part as if there was nothing at all behind. But one night, when he came
+over to play and John had had to go out, he refused to stay even for an
+instant. He had got his overshoes off before I told him that John was
+out, and asked him if he wouldn't come into the parlour and hear Mother
+play the mandoline, but he just made one dive for his overshoes and was
+gone. I knew that he didn't dare to trust himself.
+
+Then presently a new trouble came. I began to suspect that John was
+drinking. I don't mean for a moment that he was drunk, or that he was
+openly cruel to me. But at times he seemed to act so queerly, and I
+noticed that one night when by accident I left a bottle of raspberry
+vinegar on the sideboard overnight, it was all gone in the morning. Two
+or three times when McQueen and John were to play cribbage, John would
+fetch home two or three bottles of bevo with him and they would sit
+sipping all evening.
+
+I think he was drinking bevo by himself, too, though I could never be
+sure of it. At any rate he often seemed queer and restless in the
+evenings, and instead of staying in his den he would wander all over the
+house. Once we heard him--I mean Mother and I and two lady friends who
+were with us that evening--quite late (after ten o'clock) apparently
+moving about in the pantry. "John," I called, "is that you?" "Yes,
+Minn," he answered, quietly enough, I admit. "What are you doing there?"
+I asked. "Looking for something to eat," he said. "John," I said, "you
+are forgetting what is due to me as your wife. You were fed at six. Go
+back."
+
+He went. But yet I felt more and more that his love must be dwindling to
+make him act as he did. I thought it all over wearily enough and asked
+myself whether I had done everything I should to hold my husband's love.
+I had kept him in at nights. I had cut down his smoking. I had stopped
+his playing cards. What more was there that I could do?
+
+ * * * * *
+
+So at last the conviction came to me that I must go away. I felt that I
+must get away somewhere and think things out. At first I thought of Palm
+Beach, but the season had not opened and I felt somehow that I couldn't
+wait. I wanted to get away somewhere by myself and just face things as
+they were. So one morning I said to John, "John, I think I'd like to go
+off somewhere for a little time, just to be by myself, dear, and I don't
+want you to ask to come with me or to follow me, but just let me go."
+John said, "All right, Minn. When are you going to start?" The cold
+brutality of it cut me to the heart, and I went upstairs and had a good
+cry and looked over steamship and railroad folders. I thought of Havana
+for a while, because the pictures of the harbour and the castle and the
+queer Spanish streets looked so attractive, but then I was afraid that
+at Havana a woman alone by herself might be simply persecuted by
+attentions from gentlemen. They say the Spanish temperament is something
+fearful. So I decided on Bermuda instead. I felt that in a beautiful,
+quiet place like Bermuda I could think everything all over and face
+things, and it said on the folder that there were always at least two
+English regiments in garrison there, and the English officers, whatever
+their faults, always treat a woman with the deepest respect.
+
+So I said nothing more to John, but in the next few days I got all my
+arrangements made and my things packed. And when the last afternoon came
+I sat down and wrote John a long letter, to leave on my boudoir table,
+telling him that I had gone to Bermuda. I told him that I wanted to be
+alone: I said that I couldn't tell when I would be back--that it might
+be months, or it might be years, and I hoped that he would try to be as
+happy as he could and forget me entirely, and to send me money on the
+first of every month.
+
+ * * * * *
+
+Well, it was just at that moment that one of those strange coincidences
+happen, little things in themselves, but which seem to alter the whole
+course of a person's life. I had nearly finished the letter to John that
+I was to leave on the writing-desk, when just then the maid came up to
+my room with a telegram. It was for John, but I thought it my duty to
+open it and read it for him before I left. And I nearly fainted when I
+saw that it was from a lawyer in Bermuda--of all places--and it said
+that a legacy of two hundred thousand dollars had been left to John by
+an uncle of his who had died there, and asking for instructions about
+the disposition of it.
+
+A great wave seemed to sweep over me, and all the wicked thoughts that
+had been in my mind--for I saw now that they _were_ wicked--were driven
+clean away. I thought how completely lost poor old John would feel if
+all this money came to him and he didn't have to work any more and had
+no one at his side to help and guide him in using it.
+
+I tore up the wicked letter I had written, and I hurried as fast as I
+could to pack up a valise with John's things (my own were packed
+already, as I said). Then presently John came in, and I broke the news
+to him as gently and as tenderly as I could about his uncle having left
+him the money and having died. I told him that I had found out all
+about the trains and the Bermuda steamer, and had everything all packed
+and ready for us to leave at once. John seemed a little dazed about it
+all, and kept saying that his uncle had taught him to play tennis when
+he was a little boy, and he was very grateful and thankful to me for
+having everything arranged, and thought it wonderful.
+
+I had time to telephone to a few of my women friends, and they just
+managed to rush round for a few minutes to say good-bye. I couldn't help
+crying a little when I told them about John's uncle dying so far away
+with none of us near him, and I told them about the legacy, and they
+cried a little to hear of it all; and when I told them that John and I
+might not come back direct from Bermuda, but might take a run over to
+Europe first, they all cried some more.
+
+We left for New York that evening, and after we had been to Bermuda and
+arranged about a suitable monument for John's uncle and collected the
+money, we sailed for Europe.
+
+All through the happy time that has followed, I like to think that
+through all our trials and difficulties affliction brought us safely
+together at last.
+
+
+
+
+III
+
+THE SPLIT IN THE CABINET
+
+OR, THE FATE OF ENGLAND
+
+(_A political novel of the Days that Were_)
+
+
+
+
+_III.--The Split in the Cabinet; or, The Fate of England._
+
+
+
+
+CHAPTER I
+
+
+"The fate of England hangs upon it," murmured Sir John Elphinspoon, as
+he sank wearily into an armchair. For a moment, as he said "England,"
+the baronet's eye glistened and his ears lifted as if in defiance, but
+as soon as he stopped saying it his eye lost its brilliance and his ears
+dropped wearily at the sides of his head.
+
+Lady Elphinspoon looked at her husband anxiously. She could not conceal
+from herself that his face, as he sank into his chair, seemed somehow
+ten years older than it had been ten years ago.
+
+"You are home early, John?" she queried.
+
+"The House rose early, my dear," said the baronet.
+
+"For the All England Ping-Pong match?"
+
+"No, for the Dog Show. The Prime Minister felt that the Cabinet ought to
+attend. He said that their presence there would help to bind the
+colonies to us. I understand also that he has a pup in the show himself.
+He took the Cabinet with him."
+
+"And why not you?" asked Lady Elphinspoon.
+
+"You forget, my dear," said the baronet, "as Foreign Secretary my
+presence at a Dog Show might be offensive to the Shah of Persia. Had it
+been a Cat Show----"
+
+The baronet paused and shook his head in deep gloom.
+
+"John," said his wife, "I feel that there is something more. Did
+anything happen at the House?"
+
+Sir John nodded.
+
+"A bad business," he said. "The Wazuchistan Boundary Bill was read this
+afternoon for the third time."
+
+No woman in England, so it was generally said, had a keener political
+insight than Lady Elphinspoon.
+
+"The third time," she repeated thoughtfully, "and how many more will it
+have to go?"
+
+Sir John turned his head aside and groaned.
+
+"You are faint," exclaimed Lady Elphinspoon, "let me ring for tea."
+
+The baronet shook his head.
+
+"An egg, John--let me beat you up an egg."
+
+"Yes, yes," murmured Sir John, still abstracted, "beat it, yes, do beat
+it."
+
+Lady Elphinspoon, in spite of her elevated position as the wife of the
+Foreign Secretary of Great Britain, held it not beneath her to perform
+for her husband the plainest household service. She rang for an egg. The
+butler broke it for her into a tall goblet filled with old sherry, and
+the noble lady, with her own hands, beat the stuff out of it. For the
+veteran politician, whose official duties rarely allowed him to eat, an
+egg was a sovereign remedy. Taken either in a goblet of sherry or in a
+mug of rum, or in half a pint of whisky, it never failed to revive his
+energies.
+
+The effect of the egg was at once visible in the brightening of his eye
+and the lengthening of his ears.
+
+"And now explain to me," said his wife, "what has happened. What _is_
+this Boundary Bill?"
+
+"We never meant it to pass," said Sir John. "It was introduced only as a
+sop to public opinion. It delimits our frontier in such a way as to
+extend our suzerainty over the entire desert of El Skrub. The Wazoos
+have claimed that this is their desert. The hill tribes are restless. If
+we attempt to advance the Wazoos will rise. If we retire it deals a blow
+at our prestige."
+
+Lady Elphinspoon shuddered. Her long political training had taught her
+that nothing was so fatal to England as to be hit in the prestige.
+
+"And on the other hand," continued Sir John, "if we move sideways, the
+Ohulis, the mortal enemies of the Wazoos, will strike us in our rear."
+
+"In our rear!" exclaimed Lady Elphinspoon in a tone of pain. "Oh, John,
+we must go forward. Take another egg."
+
+"We cannot," groaned the Foreign Secretary. "There are reasons which I
+cannot explain even to you, Caroline, reasons of State, which absolutely
+prevent us from advancing into Wazuchistan. Our hands are tied. Meantime
+if the Wazoos rise, it is all over with us. It will split the Cabinet."
+
+"Split the Cabinet!" repeated Lady Elphinspoon in alarm. She well knew
+that next to a blow in the prestige the splitting of the Cabinet was
+about the worst thing that could happen to Great Britain. "Oh, John,
+they _must_ be held together at all costs. Can nothing be done?"
+
+"Everything is being done that can be. The Prime Minister has them at
+the Dog Show at this moment. To-night the Chancellor is taking them to
+moving pictures. And to-morrow--it is a State secret, my dear, but it
+will be very generally known in the morning--we have seats for them all
+at the circus. If we can hold them together all is well, but if they
+split we are undone. Meantime our difficulties increase. At the very
+passage of the Bill itself a question was asked by one of the new labour
+members, a miner, my dear, a quite uneducated man----"
+
+"Yes?" queried Lady Elphinspoon.
+
+"He asked the Colonial Secretary"--Sir John shuddered--"to tell him
+where Wazuchistan is. Worse than that, my dear," added Sir John, "he
+defied him to tell him where it is."
+
+"What did you do? Surely he has no right to information of that sort?"
+
+"It was a close shave. Luckily the Whips saved us. They got the
+Secretary out of the House and rushed him to the British Museum. When he
+got back he said that he would answer the question a month from Friday.
+We got a great burst of cheers, but it was a close thing. But stop, I
+must speak at once with Powers. My despatch box, yes, here it is. Now
+where is young Powers? There is work for him to do at once."
+
+"Mr. Powers is in the conservatory with Angela," said Lady Elphinspoon.
+
+"With Angela!" exclaimed Sir John, while a slight shade of displeasure
+appeared upon his brow. "With Angela again! Do you think it quite
+proper, my dear, that Powers should be so constantly with Angela?"
+
+"John," said his wife, "you forget, I think, who Mr. Powers is. I am
+sure that Angela knows too well what is due to her rank, and to herself,
+to consider Mr. Powers anything more than an instructive companion. And
+I notice that, since Mr. Powers has been your secretary, Angela's mind
+is much keener. Already the girl has a wonderful grasp on foreign
+policy. Only yesterday I heard her asking the Prime Minister at luncheon
+whether we intend to extend our Senegambian protectorate over the
+Fusees. He was delighted."
+
+"Oh, very well, very well," said Sir John. Then he rang a bell for a
+manservant.
+
+"Ask Mr. Powers," he said, "to be good enough to attend me in the
+library."
+
+
+
+
+CHAPTER II
+
+
+Angela Elphinspoon stood with Perriton Powers among the begonias of the
+conservatory. The same news which had so agitated Sir John lay heavy on
+both their hearts.
+
+"Will the Wazoo rise?" asked Angela, clasping her hands before her,
+while her great eyes sought the young man's face and found it. "Oh, Mr.
+Powers! Tell me, will they rise? It seems too dreadful to contemplate.
+Do you think the Wazoo will rise?"
+
+"It is only too likely," said Powers. They stood looking into one
+another's eyes, their thoughts all on the Wazoo.
+
+Angelina Elphinspoon, as she stood there against the background of the
+begonias, made a picture that a painter, or even a plumber, would have
+loved. Tall and typically English in her fair beauty, her features, in
+repose, had something of the hauteur and distinction of her mother, and
+when in motion they recalled her father.
+
+Perriton Powers was even taller than Angela. The splendid frame and
+stern features of Sir John's secretary made him a striking figure. Yet
+he was, quite frankly, sprung from the people, and made no secret of it.
+His father had been simply a well-to-do London surgeon, who had been
+knighted for some mere discoveries in science. His grandfather, so it
+was whispered, had been nothing more than a successful banker who had
+amassed a fortune simply by successful banking. Yet at Oxford young
+Powers had carried all before him. He had occupied a seat, a front seat,
+in one of the boats, had got his blue and his pink, and had taken a
+double final in Sanscrit and Arithmetic.
+
+He had already travelled widely in the East, spoke Urdu and Hoodoo with
+facility, while as secretary to Sir John Elphinspoon, with a seat in the
+House in prospect, he had his foot upon the ladder of success.
+
+"Yes," repeated Powers thoughtfully, "they may rise. Our confidential
+despatches tell us that for some time they have been secretly passing
+round packets of yeast. The whole tribe is in a ferment."
+
+"But our sphere of influence is at stake," exclaimed Angela.
+
+"It is," said Powers. "As a matter of fact, for over a year we have been
+living on a mere _modus vivendi_."
+
+"Oh, Mr. Powers," cried Angela, "what a way to live."
+
+"We have tried everything," said the secretary. "We offered the Wazoo a
+condominium over the desert of El Skrub. They refused it."
+
+"But it's our desert," said Angela proudly.
+
+"It is. But what can we do? The best we can hope is that El Boob will
+acquiesce in the _status quo_."
+
+At that moment a manservant appeared in the doorway of the conservatory.
+
+"Mr. Powers, sir," he said, "Sir John desires your attendance, sir, in
+the library, sir."
+
+Powers turned to Angela, a new seriousness upon his face.
+
+"Miss Elphinspoon," he said, "I think I know what is coming. Will you
+wait for me here? I shall be back in half an hour."
+
+"I will wait," said the girl. She sat down and waited among the
+begonias, her mind still on the Wazoo, her whole intense nature strung
+to the highest pitch. "Can the _modus vivendi_ hold?" she murmured.
+
+In half an hour Powers returned. He was wearing now his hat and light
+overcoat, and carried on a strap round his neck a tin box with a white
+painted label, "_British Foreign Office. Confidential Despatches. This
+Side Up With Care._"
+
+"Miss Elphinspoon," he said, and there was a new note in his voice,
+"Angela, I leave England to-night----"
+
+"To-night!" gasped Angela.
+
+"On a confidential mission."
+
+"To Wazuchistan!" exclaimed the girl.
+
+Powers paused a moment. "To Wazuchistan," he said, "yes. But it must not
+be known. I shall return in a month--or never. If I fail"--he spoke with
+an assumed lightness--"it is only one more grave among the hills. If I
+succeed, the Cabinet is saved, and with it the destiny of England."
+
+"Oh, Mr. Powers," cried Angela, rising and advancing towards him, "how
+splendid! How noble! No reward will be too great for you."
+
+"My reward," said Powers, and as he spoke he reached out and clasped
+both of the girl's hands in his own, "yes, my reward. May I come and
+claim it here?"
+
+For a moment he looked straight into her eyes. In the next he was gone,
+and Angela was alone.
+
+"His reward!" she murmured. "What could he have meant? His reward that
+he is to claim. What can it be?"
+
+But she could not divine it. She admitted to herself that she had not
+the faintest idea.
+
+
+
+
+CHAPTER III
+
+
+In the days that followed all England was thrilled to its base as the
+news spread that the Wazoo might rise at any moment.
+
+"Will the Wazoos rise?" was the question upon every lip.
+
+In London men went to their offices with a sense of gloom. At lunch they
+could hardly eat. A feeling of impending disaster pervaded all ranks.
+
+Sir John as he passed to and fro to the House was freely accosted in the
+streets.
+
+"Will the Wazoos rise, sir?" asked an honest labourer. "Lord help us
+all, sir, if they do."
+
+Sir John, deeply touched, dropped a shilling in the honest fellow's hat,
+by accident.
+
+At No. 10 Downing Street, women of the working class, with children in
+their arms, stood waiting for news.
+
+On the Exchange all was excitement. Consols fell two points in
+twenty-four hours. Even raising the Bank rate and shutting the door
+brought only a temporary relief.
+
+Lord Glump, the greatest financial expert in London, was reported as
+saying that if the Wazoos rose England would be bankrupt in forty-eight
+hours.
+
+Meanwhile, to the consternation of the whole nation, the Government did
+nothing. The Cabinet seemed to be paralysed.
+
+On the other hand the Press became all the more clamorous. The London
+_Times_ urged that an expedition should be sent at once. Twenty-five
+thousand household troops, it argued, should be sent up the Euphrates or
+up the Ganges or up something without delay. If they were taken in flat
+boats, carried over the mountains on mules, and lifted across the rivers
+in slings, they could then be carried over the desert on jackasses. They
+could reach Wazuchistan in two years. Other papers counselled
+moderation. The _Manchester Guardian_ recalled the fact that the Wazoos
+were a Christian people. Their leader, El Boob, so it was said, had
+accepted Christianity with childlike simplicity and had asked if there
+was any more of it. The _Spectator_ claimed that the Wazoos, or more
+properly the Wazi, were probably the descendants of an Iranic or perhaps
+Urgumic stock. It suggested the award of a Rhodes Scholarship. It looked
+forward to the days when there would be Wazoos at Oxford. Even the
+presence of a single Wazoo, or, more accurately, a single Wooz, would
+help.
+
+With each day the news became more ominous. It was reported in the Press
+that a Wazoo, inflamed apparently with _ghee_, or perhaps with _bhong_,
+had rushed up to the hills and refused to come down. It was said that
+the Shriek-el-Foozlum, the religious head of the tribe, had torn off his
+suspenders and sent them to Mecca.
+
+That same day the _Illustrated London News_ published a drawing "Wazoo
+Warriors Crossing a River and Shouting, Ho!" and the general
+consternation reached its height.
+
+Meantime, for Sir John and his colleagues, the question of the hour
+became, "Could the Cabinet be held together?" Every effort was made. The
+news that the Cabinet had all been seen together at the circus, for a
+moment reassured the nation. But the rumour spread that the First Lord
+of the Admiralty had said that the clowns were a bum lot. The Radical
+Press claimed that if he thought so he ought to resign.
+
+On the fatal Friday the question already referred to was scheduled for
+its answer. The friends of the Government counted on the answer to
+restore confidence. To the consternation of all, the expected answer was
+not forthcoming. The Colonial Secretary rose in his place, visibly
+nervous. Ministers, he said, had been asked where Wazuchistan was. They
+were not prepared, at the present delicate stage of negotiations, to
+say. More hung upon the answer than Ministers were entitled to divulge.
+They could only appeal to the patriotism of the nation. He could only
+say this, that _wherever_ it was, and he used the word _wherever_ with
+all the emphasis of which he was capable, the Government would accept
+the full responsibility for its being where it was.
+
+The House adjourned in something like confusion.
+
+Among those seated behind the grating of the Ladies' Gallery was Lady
+Elphinspoon. Her quick instinct told her the truth. Driving home, she
+found her husband seated, crushed, in his library.
+
+"John," she said, falling on her knees and taking her husband's hands
+in hers, "is this true? Is this the dreadful truth?"
+
+"I see you have divined it, Caroline," said the statesman sadly. "It is
+the truth. We don't know where Wazuchistan is."
+
+For a moment there was silence.
+
+"But, John, how could it have happened?"
+
+"We thought the Colonial Office knew. We were confident that they knew.
+The Colonial Secretary had stated that he had been there. Later on it
+turned out that he meant Saskatchewan. Of course they thought _we_ knew.
+And we both thought that the Exchequer must know. We understood that
+they had collected a hut tax for ten years."
+
+"And hadn't they?"
+
+"Not a penny. The Wazoos live in tents."
+
+"But, surely," pleaded Lady Elphinspoon, "you could find out. Had you no
+maps?"
+
+Sir John shook his head.
+
+"We thought of that at once, my dear. We've looked all through the
+British Museum. Once we thought we had succeeded. But it turned out to
+be Wisconsin."
+
+"But the map in the _Times_? Everybody saw it."
+
+Again the baronet shook his head. "Lord Southcliff had it made in the
+office," he said. "It appears that he always does. Otherwise the
+physical features might not suit him."
+
+"But could you not send some one to see?"
+
+"We did. We sent Perriton Powers to find out where it was. We had a
+month to the good. It was barely time, just time. Powers has failed and
+we are lost. To-morrow all England will guess the truth and the
+Government falls."
+
+
+
+
+CHAPTER IV
+
+
+The crowd outside of No. 10 Downing Street that evening was so dense
+that all traffic was at a standstill. But within the historic room where
+the Cabinet were seated about the long table all was calm. Few could
+have guessed from the quiet demeanour of the group of statesmen that the
+fate of an Empire hung by a thread.
+
+Seated at the head of the table, the Prime Minister was quietly looking
+over a book of butterflies, while waiting for the conference to begin.
+Beside him the Secretary for Ireland was fixing trout flies, while the
+Chancellor of the Exchequer kept his serene face bent over upon his
+needlework. At the Prime Minister's right, Sir John Elphinspoon, no
+longer agitated, but sustained and dignified by the responsibility of
+his office, was playing spillikins.
+
+The little clock on the mantel chimed eight.
+
+The Premier closed his book of butterflies.
+
+"Well, gentlemen," he said, "I fear our meeting will not be a protracted
+one. It seems we are hopelessly at variance. You, Sir Charles," he
+continued, turning to the First Sea Lord, who was in attendance, "are
+still in favour of a naval expedition?"
+
+"Send it up at once," said Sir Charles.
+
+"Up where?" asked the Premier.
+
+"Up anything," answered the Old Sea Dog, "it will get there."
+
+Voices of dissent were raised in undertones around the table.
+
+"I strongly deprecate any expedition," said the Chancellor of the
+Exchequer, "I favour a convention with the Shriek. Let the Shriek sign a
+convention recognizing the existence of a supreme being and receiving
+from us a million sterling in acknowledgment."
+
+"And where will you _find_ the Shriek?" said the Prime Minister. "Come,
+come, gentlemen, I fear that we can play this comedy no longer. The
+truth is," he added with characteristic nonchalance, "we don't know
+where the bally place is. We can't meet the House to-morrow. We are
+hopelessly split. Our existence as a Government is at an end."
+
+But, at that very moment, a great noise of shouting and clamour rose
+from the street without. The Prime Minister lifted his hand for silence.
+"Listen," he said. One of the Ministers went to a window and opened it,
+and the cries outside became audible. "A King's Messenger! Make way for
+the King's Messenger!"
+
+The Premier turned quietly to Sir John.
+
+"Perriton Powers," he said.
+
+In another moment Perriton Powers stood before the Ministers.
+
+Bronzed by the tropic sun, his face was recognizable only by the assured
+glance of his eye. An Afghan _bernous_ was thrown back from his head and
+shoulders, while his commanding figure was draped in a long _chibuok_. A
+pair of pistols and a curved _yasmak_ were in his belt.
+
+"So you got to Wazuchistan all right," said the Premier quietly.
+
+"I went in by way of the Barooda," said Powers. "For many days I was
+unable to cross it. The waters of the river were wild and swollen with
+rains. To cross it seemed certain death----"
+
+"But at last you got over," said the Premier, "and then----"
+
+"I struck out over the Fahuri desert. For days and days, blinded by the
+sun, and almost buried in sand, I despaired."
+
+"But you got through it all right. And after that?"
+
+"My first care was to disguise myself. Staining myself from head to
+foot with betel nut----"
+
+"To look like a beetle," said the Premier. "Exactly. And so you got to
+Wazuchistan. Where is it and what is it?"
+
+"My lord," said Powers, drawing himself up and speaking with emphasis,
+"I got to where it was thought to be. There is no such place!"
+
+The whole Cabinet gave a start of astonishment.
+
+"No such place!" they repeated.
+
+"What about El Boob?" asked the Chancellor.
+
+"There is no such person."
+
+"And the Shriek-el-Foozlum?"
+
+Powers shook his head.
+
+"But do you mean to say," said the Premier in astonishment, "that there
+are no Wazoos? There you _must_ be wrong. True we don't just know where
+they are. But our despatches have shown too many signs of active trouble
+traced directly to the Wazoos to disbelieve in them. There are Wazoos
+somewhere, there--there _must_ be."
+
+"The Wazoos," said Powers, "are there. But they are Irish. So are the
+Ohulis. They are both Irish."
+
+"But how the devil did they get out there?" questioned the Premier. "And
+why did they make the trouble?"
+
+"The Irish, my lord," interrupted the Chief Secretary for Ireland, "are
+everywhere, and it is their business to make trouble."
+
+"Some years ago," continued Powers, "a few Irish families settled out
+there. The Ohulis should be properly called the O'Hooleys. The word
+Wazoo is simply the Urdu for McGinnis. El Boob is the Urdu for the
+Arabic El Papa, the Pope. It was my knowledge of Urdu, itself an
+agglutinative language----"
+
+"Precisely," said the Premier. Then he turned to his Cabinet. "Well,
+gentlemen, our task is now simplified. If they are Irish, I think we
+know exactly what to do. I suppose," he continued, turning to Powers,
+"that they want some kind of Home Rule."
+
+"They do," said Powers.
+
+"Separating, of course, the Ohuli counties from the Wazoo?"
+
+"Yes," said Powers.
+
+"Precisely; the thing is simplicity itself. And what contribution will
+they make to the Imperial Exchequer?"
+
+"None."
+
+"And will they pay their own expenses?"
+
+"They refuse to."
+
+"Exactly. All this is plain sailing. Of course they must have a
+constabulary. Lord Edward," continued the Premier, turning now to the
+Secretary of War, "how long will it take to send in a couple of hundred
+constabulary? I think they'll expect it, you know. It's their right."
+
+"Let me see," said Lord Edward, calculating quickly, with military
+precision, "sending them over the Barooda in buckets and then over the
+mountains in baskets--I think in about two weeks."
+
+"Good," said the Premier. "Gentlemen, we shall meet the House to-morrow.
+Sir John, will you meantime draft us an annexation bill? And you, young
+man, what you have done is really not half bad. His Majesty will see you
+to-morrow. I am glad that you are safe."
+
+"On my way home," said Powers, with quiet modesty, "I was attacked by a
+lion----"
+
+"But you beat it off," said the Premier. "Exactly. Good night."
+
+
+
+
+CHAPTER V
+
+
+It was on the following afternoon that Sir John Elphinspoon presented
+the Wazoo Annexation Bill to a crowded and breathless House.
+
+Those who know the House of Commons know that it has its moods. At times
+it is grave, earnest, thoughtful. At other times it is swept with
+emotion which comes at it in waves. Or at times, again, it just seems to
+sit there as if it were stuffed.
+
+But all agreed that they had never seen the House so hushed as when Sir
+John Elphinspoon presented his Bill for the Annexation of Wazuchistan.
+And when at the close of a splendid peroration he turned to pay a
+graceful compliment to the man who had saved the nation, and thundered
+forth to the delighted ears of his listeners--
+
+ _Arma virumque cano Wazoo qui primus ab oris_,
+
+and then, with the words "England, England," still on his lips, fell
+over backwards and was carried out on a stretcher, the House broke into
+wild and unrestrained applause.
+
+
+
+
+CHAPTER VI
+
+
+The next day Sir Perriton Powers--for the King had knighted him after
+breakfast--stood again in the conservatory of the house in Carlton
+Terrace.
+
+"I have come for my reward," he said. "Do I get it?"
+
+"You do," said Angela.
+
+Sir Perriton clasped her in his arms.
+
+"On my way home," he said, "I was attacked by a lion. I tried to beat
+it----"
+
+"Hush, dearest," she whispered, "let me take you to father."
+
+
+
+
+IV
+
+WHO DO YOU THINK DID IT?
+
+OR, THE MIXED-UP MURDER MYSTERY
+
+(_Done after the very latest fashion in this sort of thing_)
+
+
+
+
+_IV.--Who Do You Think Did It? or, The Mixed-Up Murder Mystery._
+
+_NOTE.--Any reader who guesses correctly who did it is entitled (in all
+fairness) to a beautiful gold watch and chain._
+
+
+
+
+CHAPTER I
+
+HE DINED WITH ME LAST NIGHT
+
+
+The afternoon edition of the _Metropolitan Planet_ was going to press.
+Five thousand copies a minute were reeling off its giant cylinders. A
+square acre of paper was passing through its presses every hour. In the
+huge _Planet_ building, which dominated Broadway, employes, compositors,
+reporters, advertisers, surged to and fro. Placed in a single line
+(only, of course, they wouldn't be likely to consent to it) they would
+have reached across Manhattan Island. Placed in two lines, they would
+probably have reached twice as far. Arranged in a procession they would
+have taken an hour in passing a saloon: easily that.
+
+In the whole vast building all was uproar. Telephones, megaphones and
+gramophones were ringing throughout the building. Elevators flew up and
+down, stopping nowhere.
+
+Only in one place was quiet--namely, in the room where sat the big man
+on whose capacious intellect the whole organization depended.
+
+Masterman Throgton, the general manager of the _Planet_, was a man in
+middle life. There was something in his massive frame which suggested
+massiveness, and a certain quality in the poise of his great head which
+indicated a balanced intellect. His face was impenetrable and his
+expression imponderable.
+
+The big chief was sitting in his swivel chair with ink all round him.
+Through this man's great brain passed all the threads and filaments that
+held the news of a continent. Snap one, and the whole continent would
+stop.
+
+At the moment when our story opens (there was no sense in opening it
+sooner), a written message had just been handed in.
+
+The Chief read it. He seemed to grasp its contents in a flash.
+
+"Good God!" he exclaimed. It was the strongest expression that this
+solid, self-contained, semi-detached man ever allowed himself. Anything
+stronger would have seemed too near to profanity. "Good God!" he
+repeated, "Kivas Kelly murdered! In his own home! Why, he dined with me
+last night! I drove him home!"
+
+For a brief moment the big man remained plunged in thought. But with
+Throgton the moment of musing was short. His instinct was to act.
+
+"You may go," he said to the messenger. Then he seized the telephone
+that stood beside him (this man could telephone almost without stopping
+thinking) and spoke into it in quiet, measured tones, without wasting a
+word.
+
+"Hullo, operator! Put me through to two, two, two, two, two. Is that
+two, two, two, two, two? Hullo, two, two, two, two, two; I want
+Transome Kent. Kent speaking? Kent, this is Throgton speaking. Kent, a
+murder has been committed at the Kelly residence, Riverside Drive. I
+want you to go and cover it. Get it all. Don't spare expense. The
+_Planet_ is behind you. Have you got car-fare? Right."
+
+In another moment the big chief had turned round in his swivel chair (at
+least forty degrees) and was reading telegraphic despatches from
+Jerusalem. That was the way he did things.
+
+
+
+
+CHAPTER II
+
+I MUST SAVE HER LIFE
+
+
+Within a few minutes Transome Kent had leapt into a car (a surface car)
+and was speeding north towards Riverside Drive with the full power of
+the car. As he passed uptown a newsboy was already calling, "Club Man
+Murdered! Another Club Man Murdered!" Carelessly throwing a cent to the
+boy, Kent purchased a paper and read the brief notice of the tragedy.
+
+Kivas Kelly, a well-known club man and _bon vivant_, had been found dead
+in his residence on Riverside Drive, with every indication--or, at
+least, with a whole lot of indications--of murder. The unhappy club man
+had been found, fully dressed in his evening clothes, lying on his back
+on the floor of the billiard-room, with his feet stuck up on the edge of
+the table. A narrow black scarf, presumably his evening tie, was twisted
+tightly about his neck by means of a billiard cue inserted in it. There
+was a quiet smile upon his face. He had apparently died from
+strangulation. A couple of bullet-holes passed through his body, one on
+each side, but they went out again. His suspenders were burst at the
+back. His hands were folded across his chest. One of them still held a
+white billiard ball. There was no sign of a struggle or of any
+disturbance in the room. A square piece of cloth was missing from the
+victim's dinner jacket.
+
+In its editorial columns the same paper discussed the more general
+aspects of the murder. This, it said, was the third club man murdered in
+the last fortnight. While not taking an alarmist view, the paper felt
+that the killing of club men had got to stop. There was a limit, a
+reasonable limit, to everything. Why should a club man be killed? It
+might be asked, why should a club man live? But this was hardly to the
+point. They do live. After all, to be fair, what does a club man ask of
+society? Not much. Merely wine, women and singing. Why not let him have
+them? Is it fair to kill him? Does the gain to literature outweigh the
+social wrong? The writer estimated that at the rate of killing now going
+on the club men would be all destroyed in another generation. Something
+should be done to conserve them.
+
+Transome Kent was not a detective. He was a reporter. After sweeping
+everything at Harvard in front of him, and then behind him, he had
+joined the staff of the _Planet_ two months before. His rise had been
+phenomenal. In his first week of work he had unravelled a mystery, in
+his second he had unearthed a packing scandal which had poisoned the
+food of the entire nation for ten years, and in his third he had
+pitilessly exposed some of the best and most respectable people in the
+metropolis. Kent's work on the _Planet_ consisted now almost exclusively
+of unravelling and unearthing, and it was natural that the manager
+should turn to him.
+
+The mansion was a handsome sandstone residence, standing in its own
+grounds. On Kent's arrival he found that the police had already drawn a
+cordon around it with cords. Groups of morbid curiosity-seekers hung
+about it in twos and threes, some of them in fours and fives. Policemen
+were leaning against the fence in all directions. They wore that baffled
+look so common to the detective force of the metropolis. "It seems to
+me," remarked one of them to the man beside him, "that there is an
+inexorable chain of logic about this that I am unable to follow." "So do
+I," said the other.
+
+The Chief Inspector of the Detective Department, a large, heavy-looking
+man, was standing beside a gate-post. He nodded gloomily to Transome
+Kent.
+
+"Are you baffled, Edwards?" asked Kent.
+
+"Baffled again, Mr. Kent," said the Inspector, with a sob in his voice.
+"I thought I could have solved this one, but I can't."
+
+He passed a handkerchief across his eyes.
+
+"Have a cigar, Chief," said Kent, "and let me hear what the trouble is."
+
+The Inspector brightened. Like all policemen, he was simply crazy over
+cigars. "All right, Mr. Kent," he said, "wait till I chase away the
+morbid curiosity-seekers."
+
+He threw a stick at them.
+
+"Now, then," continued Kent, "what about tracks, footmarks? Had you
+thought of them?"
+
+"Yes, first thing. The whole lawn is covered with them, all stamped
+down. Look at these, for instance. These are the tracks of a man with a
+wooden leg"--Kent nodded--"in all probability a sailor, newly landed
+from Java, carrying a Singapore walking-stick, and with a tin-whistle
+tied round his belt."
+
+"Yes, I see that," said Kent thoughtfully. "The weight of the whistle
+weighs him down a little on the right side."
+
+"Do you think, Mr. Kent, a sailor from Java with a wooden leg would
+commit a murder like this?" asked the Inspector eagerly. "Would he do
+it?"
+
+"He would," said the Investigator. "They generally do--as soon as they
+land."
+
+The Inspector nodded. "And look at these marks here, Mr. Kent. You
+recognize them, surely--those are the footsteps of a bar-keeper out of
+employment, waiting for the eighteenth amendment to pass away. See how
+deeply they sink in----"
+
+"Yes," said Kent, "he'd commit murder."
+
+"There are lots more," continued the Inspector, "but they're no good.
+The morbid curiosity-seekers were walking all over this place while we
+were drawing the cordon round it."
+
+"Stop a bit," said Kent, pausing to think a moment. "What about
+thumb-prints?"
+
+"Thumb-prints," said the Inspector. "Don't mention them. The house is
+full of them."
+
+"Any thumb-prints of Italians with that peculiar incurvature of the ball
+of the thumb that denotes a Sicilian brigand?"
+
+"There were three of those," said Inspector Edwards gloomily. "No, Mr.
+Kent, the thumb stuff is no good."
+
+Kent thought again.
+
+"Inspector," he said, "what about mysterious women? Have you seen any
+around?"
+
+"Four went by this morning," said the Inspector, "one at eleven-thirty,
+one at twelve-thirty, and two together at one-thirty. At least," he
+added sadly, "I think they were mysterious. All women look mysterious to
+me."
+
+"I must try in another direction," said Kent. "Let me reconstruct the
+whole thing. I must weave a chain of analysis. Kivas Kelly was a
+bachelor, was he not?"
+
+"He was. He lived alone here."
+
+"Very good, I suppose he had in his employ a butler who had been with
+him for twenty years----"
+
+Edwards nodded.
+
+"I suppose you've arrested him?"
+
+"At once," said the Inspector. "We always arrest the butler, Mr. Kent.
+They expect it. In fact, this man, Williams, gave himself up at once."
+
+"And let me see," continued the Investigator. "I presume there was a
+housekeeper who lived on the top floor, and who had been stone deaf for
+ten years?"
+
+"Precisely."
+
+"She had heard nothing during the murder?"
+
+"Not a thing. But this may have been on account of her deafness."
+
+"True, true," murmured Kent. "And I suppose there was a coachman, a
+thoroughly reliable man, who lived with his wife at the back of the
+house----"
+
+"But who had taken his wife over to see a relation on the night of the
+murder, and who did not return until an advanced hour. Mr. Kent, we've
+been all over that. There's nothing in it."
+
+"Were there any other persons belonging to the establishment?"
+
+"There was Mr. Kelly's stenographer, Alice Delary, but she only came in
+the mornings."
+
+"Have you seen her?" asked Kent eagerly. "What is she like?"
+
+"I have seen her," said the Inspector. "She's a looloo."
+
+"Ha," said Kent, "a looloo!" The two men looked into one another's eyes.
+
+"Yes," repeated Edwards thoughtfully, "a peach."
+
+A sudden swift flash of intuition, an inspiration, leapt into the young
+reporter's brain.
+
+This girl, this peach, at all hazards he must save her life.
+
+
+
+
+CHAPTER III
+
+I MUST BUY A BOOK ON BILLIARDS
+
+
+Kent turned to the Inspector. "Take me into the house," he said. Edwards
+led the way. The interior of the handsome mansion seemed undisturbed. "I
+see no sign of a struggle here," said Kent.
+
+"No," answered the Inspector gloomily. "We can find no sign of a
+struggle anywhere. But, then, we never do."
+
+He opened for the moment the door of the stately drawing-room. "No sign
+of a struggle there," he said. The closed blinds, the draped furniture,
+the covered piano, the muffled chandelier, showed absolutely no sign of
+a struggle.
+
+"Come upstairs to the billiard-room," said Edwards. "The body has been
+removed for the inquest, but nothing else is disturbed."
+
+They went upstairs. On the second floor was the billiard-room, with a
+great English table in the centre of it. But Kent had at once dashed
+across to the window, an exclamation on his lips. "Ha! ha!" he said,
+"what have we here?"
+
+The Inspector shook his head quietly. "The window," he said in a
+monotonous, almost sing-song tone, "has apparently been opened from the
+outside, the sash being lifted with some kind of a sharp instrument. The
+dust on the sill outside has been disturbed as if by a man of
+extraordinary agility lying on his stomach----Don't bother about that,
+Mr. Kent. It's _always_ there."
+
+"True," said Kent. Then he cast his eyes upward, and again an
+involuntary exclamation broke from him. "Did you see that trap-door?" he
+asked.
+
+"We did," said Edwards. "The dust around the rim has been disturbed. The
+trap opens into the hollow of the roof. A man of extraordinary dexterity
+might open the trap with a billiard cue, throw up a fine manila rope,
+climb up the rope and lie there on his stomach.
+
+"No use," continued the Inspector. "For the matter of that, look at this
+huge old-fashioned fireplace. A man of extraordinary precocity could
+climb up the chimney. Or this dumb-waiter on a pulley, for serving
+drinks, leading down into the maids' quarters. A man of extreme
+indelicacy might ride up and down in it."
+
+"Stop a minute," said Kent. "What is the meaning of that hat?"
+
+A light gossamer hat, gay with flowers, hung on a peg at the side of the
+room.
+
+"We thought of that," said Edwards, "and we have left it there. Whoever
+comes for that hat has had a hand in the mystery. We think----"
+
+But Transome Kent was no longer listening. He had seized the edge of the
+billiard table.
+
+"Look, look!" he cried eagerly. "The clue to the mystery! The positions
+of the billiard balls! The white ball in the very centre of the table,
+and the red just standing on the verge of the end pocket! What does it
+mean, Edwards, what does it mean?"
+
+He had grasped Edwards by the arm and was peering into his face.
+
+"I don't know," said the Inspector. "I don't play billiards."
+
+"Neither do I," said Kent, "but I can find out. Quick! The nearest
+book-store. I must buy a book on billiards."
+
+With a wave of the arm, Kent vanished.
+
+The Inspector stood for a moment in thought.
+
+"Gone!" he murmured to himself (it was his habit to murmur all really
+important speeches aloud to himself). "Now, why did Throgton telephone
+to me to put a watch on Kent? Ten dollars a day to shadow him! Why?"
+
+
+
+
+CHAPTER IV
+
+THAT IS NOT BILLIARD CHALK
+
+
+Meantime at the _Planet_ office Masterman Throgton was putting on his
+coat to go home.
+
+"Excuse me, sir," said an employe, "there's a lot of green billiard
+chalk on your sleeve."
+
+Throgton turned and looked the man full in the eye.
+
+"That is not billiard chalk," he said, "it is face powder."
+
+Saying which this big, imperturbable, self-contained man stepped into
+the elevator and went to the ground floor in one drop.
+
+
+
+
+CHAPTER V
+
+HAS ANYBODY HERE SEEN KELLY?
+
+
+The inquest upon the body of Kivas Kelly was held upon the following
+day. Far from offering any solution of what had now become an
+unfathomable mystery, it only made it deeper still. The medical
+testimony, though given by the most distinguished consulting expert of
+the city, was entirely inconclusive. The body, the expert testified,
+showed evident marks of violence. There was a distinct lesion of the
+oesophagus and a decided excoriation of the fibula. The mesodenum was
+gibbous. There was a certain quantity of flab in the binomium and the
+proscenium was wide open.
+
+One striking fact, however, was decided from the testimony of the
+expert, namely, that the stomach of the deceased was found to contain
+half a pint of arsenic. On this point the questioning of the district
+attorney was close and technical. Was it unusual, he asked, to find
+arsenic in the stomach? In the stomach of a club man, no. Was not half
+a pint a large quantity? He would not say that. Was it a small quantity?
+He should not care to say that it was. Would half a pint of arsenic
+cause death? Of a club man, no, not necessarily. That was all.
+
+The other testimony submitted to the inquest jury brought out various
+facts of a substantive character, but calculated rather to complicate
+than to unravel the mystery. The butler swore that on the very day of
+the murder he had served his master a half-pint of arsenic at lunch. But
+he claimed that this was quite a usual happening with his master. On
+cross-examination it appeared that he meant apollinaris. He was certain,
+however, that it was half a pint. The butler, it was shown, had been in
+Kivas Kelly's employ for twenty years.
+
+The coachman, an Irishman, was closely questioned. He had been in Mr.
+Kelly's employ for three years--ever since his arrival from the old
+country. Was it true that he had had, on the day of the murder, a
+violent quarrel with his master? It was. Had he threatened to kill him?
+No. He had threatened to knock his block off, but not to kill him.
+
+The coroner looked at his notes. "Call Alice Delary," he commanded.
+There was a deep sensation in the court as Miss Delary quietly stepped
+forward to her place in the witness-box.
+
+Tall, graceful and willowy, Alice Delary was in her first burst of
+womanhood. Those who looked at the beautiful girl realized that if her
+first burst was like this, what would the second, or the third be like?
+
+The girl was trembling, and evidently distressed, but she gave her
+evidence in a clear, sweet, low voice. She had been in Mr. Kelly's
+employ three years. She was his stenographer. But she came only in the
+mornings and always left at lunch-time. The question immediately asked
+by the jury--"Where did she generally have lunch?"--was disallowed by
+the coroner. Asked by a member of the jury what system of shorthand she
+used, she answered, "Pitman's." Asked by another juryman whether she
+ever cared to go to moving pictures, she said that she went
+occasionally. This created a favourable impression. "Miss Delary," said
+the district attorney, "I want to ask if it is your hat that was found
+hanging in the billiard-room after the crime?"
+
+"Don't you dare ask that girl that," interrupted the magistrate. "Miss
+Delary, you may step down."
+
+But the principal sensation of the day arose out of the evidence offered
+by Masterman Throgton, general manager of the _Planet_. Kivas Kelly, he
+testified, had dined with him at his club on the fateful evening. He had
+afterwards driven him to his home.
+
+"When you went into the house with the deceased," asked the district
+attorney, "how long did you remain there with him?"
+
+"That," said Throgton quietly, "I must refuse to answer."
+
+"Would it incriminate you?" asked the coroner, leaning forward.
+
+"It might," said Throgton.
+
+"Then you're perfectly right not to answer it," said the coroner.
+"Don't ask him that any more. Ask something else."
+
+"Then did you," questioned the attorney, turning to Throgton again,
+"play a game of billiards with the deceased?"
+
+"Stop, stop," said the coroner, "that question I can't allow. It's too
+direct, too brutal; there's something about that question, something
+mean, dirty. Ask another."
+
+"Very good," said the attorney. "Then tell me, Mr. Throgton, if you ever
+saw this blue envelope before?" He held up in his hand a long blue
+envelope.
+
+"Never in my life," said Throgton.
+
+"Of course he didn't," said the coroner. "Let's have a look at it. What
+is it?"
+
+"This envelope, your Honour, was found sticking out of the waistcoat
+pocket of the deceased."
+
+"You don't say," said the coroner. "And what's in it?"
+
+Amid breathless silence, the attorney drew forth a sheet of blue paper,
+bearing a stamp, and read:
+
+"This is the last will and testament of me, Kivas Kelly of New York. I
+leave everything of which I die possessed to my nephew, Peter Kelly."
+
+The entire room gasped. No one spoke. The coroner looked all around.
+"Has anybody here seen Kelly?" he asked.
+
+There was no answer.
+
+The coroner repeated the question.
+
+No one moved.
+
+"Mr. Coroner," said the attorney, "it is my opinion that if Peter Kelly
+is found the mystery is fathomed."
+
+Ten minutes later the jury returned a verdict of murder against a person
+or persons unknown, adding that they would bet a dollar that Kelly did
+it.
+
+The coroner ordered the butler to be released, and directed the issue of
+a warrant for the arrest of Peter Kelly.
+
+
+
+
+CHAPTER VI
+
+SHOW ME THE MAN WHO WORE THOSE BOOTS
+
+
+The remains of the unhappy club man were buried on the following day as
+reverently as those of a club man can be. None followed him to the grave
+except a few morbid curiosity-seekers, who rode on top of the hearse.
+
+The great city turned again to its usual avocations. The unfathomable
+mystery was dismissed from the public mind.
+
+Meantime Transome Kent was on the trail. Sleepless, almost foodless, and
+absolutely drinkless, he was everywhere. He was looking for Peter Kelly.
+Wherever crowds were gathered, the Investigator was there, searching for
+Kelly. In the great concourse of the Grand Central Station, Kent moved
+to and fro, peering into everybody's face. An official touched him on
+the shoulder. "Stop peering into the people's faces," he said. "I am
+unravelling a mystery," Kent answered. "I beg your pardon, sir," said
+the man, "I didn't know."
+
+Kent was here, and everywhere, moving ceaselessly, pro and con, watching
+for Kelly. For hours he stood beside the soda-water fountains examining
+every drinker as he drank. For three days he sat on the steps of
+Masterman Throgton's home, disguised as a plumber waiting for a wrench.
+
+But still no trace of Peter Kelly. Young Kelly, it appeared, had lived
+with his uncle until a little less than three years ago. Then suddenly
+he had disappeared. He had vanished, as a brilliant writer for the New
+York Press framed it, as if the earth had swallowed him up.
+
+Transome Kent, however, was not a man to be baffled by initial defeat.
+
+A week later, the Investigator called in at the office of Inspector
+Edwards.
+
+"Inspector," he said, "I must have some more clues. Take me again to the
+Kelly residence. I must re-analyse my first diaeresis."
+
+Together the two friends went to the house. "It is inevitable," said
+Kent, as they entered again the fateful billiard-room, "that we have
+overlooked something."
+
+"We always do," said Edwards gloomily.
+
+"Now tell me," said Kent, as they stood beside the billiard table, "what
+is your own theory, the police theory, of this murder? Give me your
+first theory first, and then go on with the others."
+
+"Our first theory, Mr. Kent, was that the murder was committed by a
+sailor with a wooden leg, newly landed from Java."
+
+"Quite so, quite proper," nodded Kent.
+
+"We knew that he was a sailor," the Inspector went on, dropping again
+into his sing-song monotone, "by the extraordinary agility needed to
+climb up the thirty feet of bare brick wall to the window--a landsman
+could not have climbed more than twenty; the fact that he was from the
+East Indies we knew from the peculiar knot about his victim's neck. We
+knew that he had a wooden leg----"
+
+The Inspector paused and looked troubled.
+
+"We knew it." He paused again. "I'm afraid I can't remember that one."
+
+"Tut, tut," said Kent gently, "you knew it, Edwards, because when he
+leaned against the billiard table the impress of his hand on the
+mahogany was deeper on one side than the other. The man was obviously
+top heavy. But you abandoned this first theory."
+
+"Certainly, Mr. Kent, we always do. Our second theory was----"
+
+But Kent had ceased to listen. He had suddenly stooped down and picked
+up something off the floor.
+
+"Ha ha!" he exclaimed. "What do you make of this?" He held up a square
+fragment of black cloth.
+
+"We never saw it," said Edwards.
+
+"Cloth," muttered Kent, "the missing piece of Kivas Kelly's dinner
+jacket." He whipped out a magnifying glass. "Look," he said, "it's been
+stamped upon--by a man wearing hob-nailed boots--made in Ireland--a man
+of five feet nine and a half inches high----"
+
+"One minute, Mr. Kent," interrupted the Inspector, greatly excited, "I
+don't quite get it."
+
+"The depth of the dint proves the lift of his foot," said Kent
+impatiently, "and the lift of the foot indicates at once the man's
+height. Edwards, find me the man who wore these boots and the mystery is
+solved!"
+
+At that very moment a heavy step, unmistakably to the trained ear that
+of a man in hob-nailed boots, was heard upon the stair. The door opened
+and a man stood hesitating in the doorway.
+
+Both Kent and Edwards gave a start, two starts, of surprise.
+
+The man was exactly five feet nine and a half inches high. He was
+dressed in coachman's dress. His face was saturnine and evil.
+
+It was Dennis, the coachman of the murdered man.
+
+"If you're Mr. Kent," he said, "there's a lady here asking for you."
+
+
+
+
+CHAPTER VII
+
+OH, MR. KENT, SAVE ME!
+
+
+In another moment an absolutely noiseless step was heard upon the
+stair.
+
+A young girl entered, a girl, tall, willowy and beautiful, in the first
+burst, or just about the first burst, of womanhood.
+
+It was Alice Delary.
+
+She was dressed with extreme taste, but Kent's quick eye noted at once
+that she wore no hat.
+
+"Mr. Kent," she cried, "you are Mr. Kent, are you not? They told me that
+you were here. Oh, Mr. Kent, help me, save me!"
+
+She seemed to shudder into herself a moment. Her breath came and went
+quickly.
+
+She reached out her two hands.
+
+"Calm yourself, my dear young lady," said Kent, taking them. "Don't let
+your breath come and go so much. Trust me. Tell me all."
+
+"Mr. Kent," said Delary, regaining her control, but still trembling, "I
+want my hat."
+
+Kent let go the beautiful girl's hands. "Sit down," he said. Then he
+went across the room and fetched the hat, the light gossamer hat, with
+flowers in it, that still hung on a peg.
+
+"Oh, I am so glad to get it back," cried the girl. "I can never thank
+you enough. I was afraid to come for it."
+
+"It is all right," said the Inspector. "The police theory was that it
+was the housekeeper's hat. You are welcome to it."
+
+Kent had been looking closely at the girl before him.
+
+"You have more to say than that," he said. "Tell me all."
+
+"Oh, I will, I will, Mr. Kent. That dreadful night! I was here. I saw,
+at least I heard it all."
+
+She shuddered.
+
+"Oh, Mr. Kent, it was dreadful! I had come back that evening to the
+library to finish some work. I knew that Mr. Kelly was to dine out and
+that I would be alone. I had been working quietly for some time when I
+became aware of voices in the billiard-room. I tried not to listen, but
+they seemed to be quarrelling, and I couldn't help hearing. Oh, Mr.
+Kent, was I wrong?"
+
+"No," said Kent, taking her hand a moment, "you were not."
+
+"I heard one say, 'Get your foot off the table, you've no right to put
+your foot on the table.' Then the other said, 'Well, you keep your
+stomach off the cushion then.'" The girl shivered. "Then presently one
+said, quite fiercely, 'Get back into balk there, get back fifteen
+inches,' and the other voice said, 'By God! I'll shoot from here.' Then
+there was a dead stillness, and then a voice almost screamed, 'You've
+potted me. You've potted me. That ends it.' And then I heard the other
+say in a low tone, 'Forgive me, I didn't mean it. I never meant it to
+end that way.'
+
+"I was so frightened, Mr. Kent, I couldn't stay any longer. I rushed
+downstairs and ran all the way home. Then next day I read what had
+happened, and I knew that I had left my hat there, and was afraid. Oh,
+Mr. Kent, save me!"
+
+"Miss Delary," said the Investigator, taking again the girl's hands and
+looking into her eyes, "you are safe. Tell me only one thing. The man
+who played against Kivas Kelly--did you see him?"
+
+"Only for one moment"--the girl paused--"through the keyhole."
+
+"What was he like?" asked Kent. "Had he an impenetrable face?"
+
+"He had."
+
+"Was there anything massive about his face?"
+
+"Oh, yes, yes, it was all massive."
+
+"Miss Delary," said Kent, "this mystery is now on the brink of solution.
+When I have joined the last links of the chain, may I come and tell you
+all?"
+
+She looked full in his face.
+
+"At any hour of the day or night," she said, "you may come."
+
+Then she was gone.
+
+
+
+
+CHAPTER VIII
+
+YOU ARE PETER KELLY
+
+
+Within a few moments Kent was at the phone.
+
+"I want four, four, four, four. Is that four, four, four, four? Mr.
+Throgton's house? I want Mr. Throgton. Mr. Throgton speaking? Mr.
+Throgton, Kent speaking. The Riverside mystery is solved."
+
+Kent waited in silence a moment. Then he heard Throgton's voice--not a
+note in it disturbed:
+
+"Has anybody found Kelly?"
+
+"Mr. Throgton," said Kent, and he spoke with a strange meaning in his
+tone, "the story is a long one. Suppose I relate it to you"--he paused,
+and laid a peculiar emphasis on what followed--"_over a game of
+billiards_."
+
+"What the devil do you mean?" answered Throgton.
+
+"Let me come round to your house and tell the story. There are points in
+it that I can best illustrate over a billiard table. Suppose I challenge
+you to a fifty point game before I tell my story."
+
+It required no little hardihood to challenge Masterman Throgton at
+billiards. His reputation at his club as a cool, determined player was
+surpassed by few. Throgton had been known to run nine, ten, and even
+twelve at a break. It was not unusual for him to drive his ball clear
+off the table. His keen eye told him infallibly where each of the three
+balls was; instinctively he knew which to shoot with.
+
+In Kent, however, he had no mean adversary. The young reporter, though
+he had never played before, had studied his book to some purpose. His
+strategy was admirable. Keeping his ball well under the shelter of the
+cushion, he eluded every stroke of his adversary, and in his turn caused
+his ball to leap or dart across the table with such speed as to bury
+itself in the pocket at the side.
+
+The score advanced rapidly, both players standing precisely equal. At
+the end of the first half-hour it stood at ten all. Throgton, a grim
+look upon his face, had settled down to work, playing with one knee on
+the table. Kent, calm but alive with excitement, leaned well forward to
+his stroke, his eye held within an inch of the ball.
+
+At fifteen they were still even. Throgton with a sudden effort forced a
+break of three; but Kent rallied and in another twenty minutes they were
+even again at nineteen all.
+
+But it was soon clear that Transome Kent had something else in mind than
+to win the game. Presently his opportunity came. With a masterly stroke,
+such as few trained players could use, he had potted his adversary's
+ball. The red ball was left over the very jaws of the pocket. The white
+was in the centre.
+
+Kent looked into Throgton's face.
+
+The balls were standing in the very same position on the table as on the
+night of the murder.
+
+"I did that on purpose," said Kent quietly.
+
+"What do you mean?" asked Throgton.
+
+"The position of those balls," said Kent. "Mr. Throgton, come into the
+library. I have something to say to you. You know already what it is."
+
+They went into the library. Throgton, his hand unsteady, lighted a
+cigar.
+
+"Well," he said, "what is it?"
+
+"Mr. Throgton," said Kent, "two weeks ago you gave me a mystery to
+solve. To-night I can give you the solution. Do you want it?"
+
+Throgton's face never moved.
+
+"Well," he said.
+
+"A man's life," Kent went on, "may be played out on a billiard table. A
+man's soul, Throgton, may be pocketed."
+
+"What devil's foolery is this?" said Throgton. "What do you mean?"
+
+"I mean that your crime is known--plotter, schemer that you are, you are
+found out--hypocrite, traitor; yes, Masterman Throgton, or rather--let
+me give you your true name-_Peter Kelly_, murderer, I denounce you!"
+
+Throgton never flinched. He walked across to where Kent stood, and with
+his open palm he slapped him over the mouth.
+
+"Transome Kent," he said, "you're a liar."
+
+Then he walked back to his chair and sat down.
+
+"Kent," he continued, "from the first moment of your mock investigation,
+I knew who you were. Your every step was shadowed, your every movement
+dogged. Transome Kent--by your true name, _Peter Kelly_, murderer, I
+denounce you."
+
+Kent walked quietly across to Throgton and dealt him a fearful blow
+behind the ear.
+
+"You're a liar," he said, "I am not Peter Kelly."
+
+They sat looking at one another.
+
+At that moment Throgton's servant appeared at the door.
+
+"A gentleman to see you, sir."
+
+"Who?" said Throgton.
+
+"I don't know, sir, he gave his card."
+
+Masterman Throgton took the card.
+
+On it was printed:
+
+_PETER KELLY_
+
+
+
+
+CHAPTER IX
+
+LET ME TELL YOU THE STORY OF MY LIFE
+
+
+For a moment Throgton and Kent sat looking at one another.
+
+"Show the man up," said Throgton.
+
+A minute later the door opened and a man entered. Kent's keen eye
+analysed him as he stood. His blue clothes, his tanned face, and the
+extraordinary dexterity of his fingers left no doubt of his calling. He
+was a sailor.
+
+"Sit down," said Throgton.
+
+"Thank you," said the sailor, "it rests my wooden leg."
+
+The two men looked again. One of the sailor's legs was made of wood.
+With a start Kent noticed that it was made of East Indian sandalwood.
+
+"I've just come from Java," said Kelly quietly, as he sat down.
+
+Kent nodded. "I see it all now," he said. "Throgton, I wronged you. We
+should have known it was a sailor with a wooden leg from Java. There is
+no other way."
+
+"Gentlemen," said Peter Kelly, "I've come to make my confession. It is
+the usual and right thing to do, gentlemen, and I want to go through
+with it while I can."
+
+"One moment," said Kent, "do you mind interrupting yourself with a
+hacking cough?"
+
+"Thank you, sir," said Kelly, "I'll get to that a little later. Let me
+begin by telling you the story of my life."
+
+"No, no," urged Throgton and Kent, "don't do that!"
+
+Kelly frowned. "I think I have a right to," he said. "You've got to hear
+it. As a boy I had a wild, impulsive nature. Had it been curbed----"
+
+"But it wasn't," said Throgton. "What next?"
+
+"I was the sole relative of my uncle, and heir to great wealth. Pampered
+with every luxury, I was on a footing of----"
+
+"One minute," interrupted Kent, rapidly analysing as he listened. "How
+many legs had you then?"
+
+"Two--on a footing of ease and indolence. I soon lost----"
+
+"Your leg," said Throgton. "Mr. Kelly, pray come to the essential
+things."
+
+"I will," said the sailor. "Gentlemen, bad as I was, I was not
+altogether bad."
+
+"Of course not," said Kent and Throgton soothingly. "Probably not more
+than ninety per cent."
+
+"Even into my life, gentlemen, love entered. If you had seen her you
+would have known that she is as innocent as the driven snow. Three years
+ago she came to my uncle's house. I loved her. One day, hardly knowing
+what I was doing, I took her----" he paused.
+
+"Yes, yes," said Throgton and Kent, "you took her?"
+
+"To the Aquarium. My uncle heard of it. There was a violent quarrel. He
+disinherited me and drove me from the house. I had a liking for the sea
+from a boy."
+
+"Excuse me," said Kent, "from what boy?"
+
+Kelly went right on. "I ran away as a sailor before the mast."
+
+"Pardon me," interrupted Kent, "I am not used to sea terms. Why didn't
+you run _behind_ the mast?"
+
+"Hear me out," said Kelly, "I am nearly done. We sailed for the East
+Indies--for Java. There a Malay pirate bit off my leg. I returned home,
+bitter, disillusioned, the mere wreck that you see. I had but one
+thought. I meant to kill my uncle."
+
+For a moment a hacking cough interrupted Kelly. Kent and Throgton nodded
+quietly to one another.
+
+"I came to his house at night. With the aid of my wooden leg I scaled
+the wall, lifted the window and entered the billiard-room. There was
+murder in my heart. Thank God I was spared from that. At the very moment
+when I got in, a light was turned on in the room and I saw before
+me--but no, I will not name her--my better angel. 'Peter!' she cried,
+then with a woman's intuition she exclaimed, 'You have come to murder
+your uncle. Don't do it.' My whole mood changed. I broke down and cried
+like a--like a----"
+
+Kelly paused a moment.
+
+"Like a boob," said Kent softly. "Go on."
+
+"When I had done crying, we heard voices. 'Quick,' she exclaimed, 'flee,
+hide, he must not see you.' She rushed into the adjoining room, closing
+the door. My eye had noticed already the trap above. I climbed up to
+it. Shall I explain how?"
+
+"Don't," said Kent, "I can analyse it afterwards."
+
+"There I saw what passed. I saw Mr. Throgton and Kivas Kelly come in. I
+watched their game. They were greatly excited and quarrelled over it.
+Throgton lost."
+
+The big man nodded with a scowl. "By his potting the white," he said.
+
+"Precisely," said Kelly, "he missed the red. Your analysis was wrong,
+Mr. Kent. The game ended. You started your reasoning from a false
+diaeresis. In billiards people never mark the last point. The board still
+showed ninety-nine all. Throgton left and my uncle, as often happens,
+kept trying over the last shot--a half-ball shot, sir, with the red over
+the pocket. He tried again and again. He couldn't make it. He tried
+various ways. His rest was too unsteady. Finally he made his tie into a
+long loop round his neck and put his cue through it. 'Now, by gad!' he
+said, 'I can do it.'"
+
+"Ha!" said Kent. "Fool that I was."
+
+"Exactly," continued Kelly. "In the excitement of watching my uncle I
+forgot where I was, I leaned too far over and fell out of the trap. I
+landed on uncle, just as he was sitting on the table to shoot. He fell."
+
+"I see it all!" said Kent. "He hit his head, the loop tightened, the cue
+spun round and he was dead."
+
+"That's it," said Kelly. "I saw that he was dead, and I did not dare to
+remain. I straightened the knot in his tie, laid his hands reverently
+across his chest, and departed as I had come."
+
+"Mr. Kelly," said Throgton thoughtfully, "the logic of your story is
+wonderful. It exceeds anything in its line that I have seen published
+for months. But there is just one point that I fail to grasp. The two
+bullet holes?"
+
+"They were old ones," answered the sailor quietly. "My uncle in his
+youth had led a wild life in the west; he was full of them."
+
+There was silence for a moment. Then Kelly spoke again:
+
+"My time, gentlemen, is short." (A hacking cough interrupted him.) "I
+feel that I am withering. It rests with you, gentlemen, whether or not I
+walk out of this room a free man."
+
+Transome Kent rose and walked over to the sailor.
+
+"Mr. Kelly," he said, "here is my hand."
+
+
+
+
+CHAPTER X
+
+SO DO I
+
+
+A few days after the events last narrated, Transome Kent called at the
+boarding-house of Miss Alice Delary. The young Investigator wore a light
+grey tweed suit, with a salmon-coloured geranium in his buttonhole.
+There was something exultant yet at the same time grave in his
+expression, as of one who has taken a momentous decision, affecting his
+future life.
+
+"I wonder," he murmured, "whether I am acting for my happiness."
+
+He sat down for a moment on the stone steps and analysed himself.
+
+Then he rose.
+
+"I am," he said, and rang the bell.
+
+"Miss Delary?" said a maid, "she left here two days ago. If you are Mr.
+Kent, the note on the mantelpiece is for you."
+
+Without a word (Kent never wasted them) the Investigator opened the note
+and read:
+
+ "Dear Mr. Kent,
+
+ "Peter and I were married yesterday morning, and have taken an
+ apartment in Java, New Jersey. You will be glad to hear that
+ Peter's cough is ever so much better. The lawyers have given Peter
+ his money without the least demur.
+
+ "We both feel that your analysis was simply wonderful. Peter says
+ he doesn't know where he would be without it.
+
+ "Very sincerely,
+
+ "Alice Kelly.
+
+ "P.S.--I forgot to mention to you that I saw Peter in the
+ billiard-room. But your analysis was marvellous just the same."
+
+
+That evening Kent sat with Throgton talking over the details of the
+tragedy.
+
+"Throgton," he said, "it has occurred to me that there were points about
+that solution that we didn't get exactly straight somehow."
+
+"So do I," said Throgton.
+
+
+
+
+V
+
+BROKEN BARRIERS
+
+OR, RED LOVE ON A BLUE ISLAND
+
+(_The kind of thing that has replaced the good Old Sea Story_)
+
+
+
+
+_V.--Broken Barriers; or, Red Love on a Blue Island._
+
+
+It was on a bright August afternoon that I stepped on board the steamer
+_Patagonia_ at Southampton outward bound for the West Indies and the
+Port of New Orleans.
+
+I had at the time no presentiment of disaster. I remember remarking to
+the ship's purser, as my things were being carried to my state-room,
+that I had never in all my travels entered upon any voyage with so
+little premonition of accident. "Very good, Mr. Borus," he answered.
+"You will find your state-room in the starboard aisle on the right." I
+distinctly recall remarking to the Captain that I had never, in any of
+my numerous seafarings, seen the sea of a more limpid blue. He agreed
+with me so entirely, as I recollect it, that he did not even trouble to
+answer.
+
+Had anyone told me on that bright summer afternoon that our ship would
+within a week be wrecked among the Dry Tortugas, I should have laughed.
+Had anyone informed me that I should find myself alone on a raft in the
+Caribbean Sea, I should have gone into hysterics.
+
+We had hardly entered the waters of the Caribbean when a storm of
+unprecedented violence broke upon us. Even the Captain had never, so he
+said, seen anything to compare with it. For two days and nights we
+encountered and endured the full fury of the sea. Our soup plates were
+secured with racks and covered with lids. In the smoking-room our
+glasses had to be set in brackets, and as our steward came and went, we
+were from moment to moment in imminent danger of seeing him washed
+overboard.
+
+On the third morning just after daybreak the ship collided with
+something, probably either a floating rock or one of the dry Tortugas.
+She blew out her four funnels, the bowsprit dropped out of its place,
+and the propeller came right off. The Captain, after a brief
+consultation, decided to abandon her. The boats were lowered, and, the
+sea being now quite calm, the passengers were emptied into them.
+
+By what accident I was left behind I cannot tell. I had been talking to
+the second mate and telling him of a rather similar experience of mine
+in the China Sea, and holding him by the coat as I did so, when quite
+suddenly he took me by the shoulders, and rushing me into the deserted
+smoking-room said, "Sit there, Mr. Borus, till I come back for you." The
+fellow spoke in such a menacing way that I thought it wiser to comply.
+
+When I came out they were all gone. By good fortune I found one of the
+ship's rafts still lying on the deck. I gathered together such articles
+as might be of use and contrived, though how I do not know, to launch it
+into the sea.
+
+On my second morning on my raft I was sitting quietly polishing my boots
+and talking to myself when I became aware of an object floating in the
+sea close beside the raft. Judge of my feelings when I realized it to be
+the inanimate body of a girl. Hastily finishing my boots and stopping
+talking to myself, I made shift as best I could to draw the unhappy girl
+towards me with a hook.
+
+After several ineffectual attempts I at last managed to obtain a hold of
+the girl's clothing and drew her on to the raft.
+
+She was still unconscious. The heavy lifebelt round her person must (so
+I divined) have kept her afloat after the wreck. Her clothes were
+sodden, so I reasoned, with the sea-water.
+
+On a handkerchief which was still sticking into the belt of her dress, I
+could see letters embroidered. Realizing that this was no time for
+hesitation, and that the girl's life might depend on my reading her
+name, I plucked it forth. It was Edith Croyden.
+
+As vigorously as I could I now set to work to rub her hands. My idea was
+(partly) to restore her circulation. I next removed her boots, which
+were now rendered useless, as I argued, by the sea-water, and began to
+rub her feet.
+
+I was just considering what to remove next, when the girl opened her
+eyes. "Stop rubbing my feet," she said.
+
+"Miss Croyden," I said, "you mistake me."
+
+I rose, with a sense of pique which I did not trouble to conceal, and
+walked to the other end of the raft. I turned my back upon the girl and
+stood looking out upon the leaden waters of the Caribbean Sea. The ocean
+was now calm. There was nothing in sight.
+
+I was still searching the horizon when I heard a soft footstep on the
+raft behind me, and a light hand was laid upon my shoulder. "Forgive
+me," said the girl's voice.
+
+I turned about. Miss Croyden was standing behind me. She had, so I
+argued, removed her stockings and was standing in her bare feet. There
+is something, I am free to confess, about a woman in her bare feet which
+hits me where I live. With instinctive feminine taste the girl had
+twined a piece of seaweed in her hair. Seaweed, as a rule, gets me every
+time. But I checked myself.
+
+"Miss Croyden," I said, "there is nothing to forgive."
+
+At the mention of her name the girl blushed for a moment and seemed
+about to say something, but stopped.
+
+"Where are we?" she queried presently.
+
+"I don't know," I answered, as cheerily as I could, "but I am going to
+find out."
+
+"How brave you are!" Miss Croyden exclaimed.
+
+"Not at all," I said, putting as much heartiness into my voice as I was
+able to.
+
+The girl watched my preparations with interest.
+
+With the aid of a bent pin hoisted on a long pole I had no difficulty in
+ascertaining our latitude.
+
+"Miss Croydon," I said, "I am now about to ascertain our longitude. To
+do this I must lower myself down into the sea. Pray do not be alarmed or
+anxious. I shall soon be back."
+
+With the help of a long line I lowered myself deep down into the sea
+until I was enabled to ascertain, approximately at any rate, our
+longitude. A fierce thrill went through me at the thought that this
+longitude was our longitude, hers and mine. On the way up, hand over
+hand, I observed a long shark looking at me. Realizing that the fellow
+if voracious might prove dangerous, I lost but little time--indeed, I
+may say I lost absolutely no time--in coming up the rope.
+
+The girl was waiting for me.
+
+"Oh, I am so glad you have come back," she exclaimed, clasping her
+hands.
+
+"It was nothing," I said, wiping the water from my ears, and speaking as
+melodiously as I could.
+
+"Have you found our whereabouts?" she asked.
+
+"Yes," I answered. "Our latitude is normal, but our longitude is, I
+fear, at least three degrees out of the plumb. I am afraid, Miss
+Croyden," I added, speaking as mournfully as I knew how, "that you must
+reconcile your mind to spending a few days with me on this raft."
+
+"Is it as bad as that?" she murmured, her eyes upon the sea.
+
+In the long day that followed, I busied myself as much as I could with
+my work upon the raft, so as to leave the girl as far as possible to
+herself. It was, so I argued, absolutely necessary to let her feel that
+she was safe in my keeping. Otherwise she might jump off the raft and I
+should lose her.
+
+I sorted out my various cans and tins, tested the oil in my chronometer,
+arranged in neat order my various ropes and apparatus, and got my
+frying-pan into readiness for any emergency. Of food we had for the
+present no lack.
+
+With the approach of night I realized that it was necessary to make
+arrangements for the girl's comfort. With the aid of a couple of upright
+poles I stretched a grey blanket across the raft so as to make a
+complete partition.
+
+"Miss Croyden," I said, "this end of the raft is yours. Here you may
+sleep in peace."
+
+"How kind you are," the girl murmured.
+
+"You will be quite safe from interference," I added. "I give you my
+word that I will not obtrude upon you in any way."
+
+"How chivalrous you are," she said.
+
+"Not at all," I answered, as musically as I could. "Understand me, I am
+now putting my head over this partition for the last time. If there is
+anything you want, say so now."
+
+"Nothing," she answered.
+
+"There is a candle and matches beside you. If there is anything that you
+want in the night, call me instantly. Remember, at any hour I shall be
+here. I promise it."
+
+"Good night," she murmured. In a few minutes her soft regular breathing
+told me that she was asleep.
+
+I went forward and seated myself in a tar-bucket, with my head against
+the mast, to get what sleep I could.
+
+But for some time--why, I do not know--sleep would not come.
+
+The image of Edith Croyden filled my mind. In vain I told myself that
+she was a stranger to me: that--beyond her longitude--I knew nothing of
+her. In some strange way this girl had seized hold of me and dominated
+my senses.
+
+The night was very calm and still, with great stars in a velvet sky. In
+the darkness I could hear the water lapping the edge of the raft.
+
+I remained thus in deep thought, sinking further and further into the
+tar-bucket. By the time I reached the bottom of it I realized that I was
+in love with Edith Croyden.
+
+Then the thought of my wife occurred to me and perplexed me. Our unhappy
+marriage had taken place three years before. We brought to one another
+youth, wealth and position. Yet our marriage was a failure. My wife--for
+what reason I cannot guess--seemed to find my society irksome. In vain I
+tried to interest her with narratives of my travels. They seemed--in
+some way that I could not divine--to fatigue her. "Leave me for a
+little, Harold," she would say (I forgot to mention that my name is
+Harold Borus), "I have a pain in my neck." At her own suggestion I had
+taken a trip around the world. On my return she urged me to go round
+again. I was going round for the third time when the wrecking of the
+steamer had interrupted my trip.
+
+On my own part, too, I am free to confess that my wife's attitude had
+aroused in me a sense of pique, not to say injustice. I am not in any
+way a vain man. Yet her attitude wounded me. I would no sooner begin,
+"When I was in the Himalayas hunting the humpo or humped buffalo," than
+she would interrupt and say, "Oh, Harold, would you mind going down to
+the billiard-room and seeing if I left my cigarettes under the
+billiard-table?" When I returned, she was gone.
+
+By agreement we had arranged for a divorce. On my completion of my third
+voyage we were to meet in New Orleans. Clara was to go there on a
+separate ship, giving me the choice of oceans.
+
+Had I met Edith Croyden three months later I should have been a man free
+to woo and win her. As it was I was bound. I must put a clasp of iron on
+my feelings. I must wear a mask. Cheerful, helpful, and full of
+narrative, I must yet let fall no word of love to this defenceless girl.
+
+After a great struggle I rose at last from the tar-bucket, feeling, if
+not a brighter, at least a cleaner man.
+
+Dawn was already breaking. I looked about me. As the sudden beams of the
+tropic sun illumined the placid sea, I saw immediately before me, only a
+hundred yards away, an island. A sandy beach sloped back to a rocky
+eminence, broken with scrub and jungle. I could see a little stream
+leaping among the rocks. With eager haste I paddled the raft close to
+the shore till it ground in about ten inches of water.
+
+I leaped into the water.
+
+With the aid of a stout line, I soon made the raft fast to a rock. Then
+as I turned I saw that Miss Croyden was standing upon the raft, fully
+dressed, and gazing at me. The morning sunlight played in her hair, and
+her deep blue eyes were as soft as the Caribbean Sea itself.
+
+"Don't attempt to wade ashore, Miss Croyden," I cried in agitation.
+"Pray do nothing rash. The waters are simply infested with bacilli."
+
+"But how can I get ashore?" she asked, with a smile which showed all, or
+nearly all, of her pearl-like teeth.
+
+"Miss Croyden," I said, "there is only one way. I must carry you."
+
+In another moment I had walked back to the raft and lifted her as
+tenderly and reverently as if she had been my sister--indeed more so--in
+my arms.
+
+Her weight seemed nothing. When I get a girl like that in my arms I
+simply don't feel it. Just for one moment as I clasped her thus in my
+arms, a fierce thrill ran through me. But I let it run.
+
+When I had carried her well up the sand close to the little stream, I
+set her down. To my surprise, she sank down in a limp heap.
+
+The girl had fainted.
+
+I knew that it was no time for hesitation.
+
+Running to the stream, I filled my hat with water and dashed it in her
+face. Then I took up a handful of mud and threw it at her with all my
+force. After that I beat her with my hat.
+
+At length she opened her eyes and sat up.
+
+"I must have fainted," she said, with a little shiver. "I am cold. Oh,
+if we could only have a fire."
+
+"I will do my best to make one, Miss Croyden," I replied, speaking as
+gymnastically as I could. "I will see what I can do with two dry
+sticks."
+
+"With dry sticks?" queried the girl. "Can you light a fire with that?
+How wonderful you are!"
+
+"I have often seen it done," I replied thoughtfully; "when I was hunting
+the humpo, or humped buffalo, in the Himalayas, it was our usual
+method."
+
+"Have you really hunted the humpo?" she asked, her eyes large with
+interest.
+
+"I have indeed," I said, "but you must rest; later on I will tell you
+about it."
+
+"I wish you could tell me now," she said with a little moan.
+
+Meantime I had managed to select from the driftwood on the beach two
+sticks that seemed absolutely dry. Placing them carefully together, in
+Indian fashion, I then struck a match and found no difficulty in setting
+them on fire.
+
+In a few moments the girl was warming herself beside a generous fire.
+
+Together we breakfasted upon the beach beside the fire, discussing our
+plans like comrades.
+
+Our meal over, I rose.
+
+"I will leave you here a little," I said, "while I explore."
+
+With no great difficulty I made my way through the scrub and climbed the
+eminence of tumbled rocks that shut in the view.
+
+On my return Miss Croyden was still seated by the fire, her head in her
+hands.
+
+"Miss Croyden," I said, "we are on an island."
+
+"Is it inhabited?" she asked.
+
+"Once, perhaps, but not now. It is one of the many keys of the West
+Indies. Here, in old buccaneering days, the pirates landed and careened
+their ships."
+
+"How did they do that?" she asked, fascinated.
+
+"I am not sure," I answered. "I think with white-wash. At any rate, they
+gave them a good careening. But since then these solitudes are only the
+home of the sea-gull, the sea-mew, and the albatross."
+
+The girl shuddered.
+
+"How lonely!" she said.
+
+"Lonely or not," I said with a laugh (luckily I can speak with a laugh
+when I want to), "I must get to work."
+
+I set myself to work to haul up and arrange our effects. With a few
+stones I made a rude table and seats. I took care to laugh and sing as
+much as possible while at my work. The close of the day found me still
+busy with my labours.
+
+"Miss Croyden," I said, "I must now arrange a place for you to sleep."
+
+With the aid of four stakes driven deeply into the ground and with
+blankets strung upon them, I managed to fashion a sort of rude tent,
+roofless, but otherwise quite sheltered.
+
+"Miss Croyden," I said when all was done, "go in there."
+
+Then, with little straps which I had fastened to the blankets, I buckled
+her in reverently.
+
+"Good night, Miss Croyden," I said.
+
+"But you," she exclaimed, "where will you sleep?"
+
+"Oh, I?" I answered, speaking as exuberantly as I could, "I shall do
+very well on the ground. But be sure to call me at the slightest sound."
+
+Then I went out and lay down in a patch of cactus plants.
+
+I need not dwell in detail upon the busy and arduous days that followed
+our landing upon the island. I had much to do. Each morning I took our
+latitude and longitude. By this I then set my watch, cooked porridge,
+and picked flowers till Miss Croyden appeared.
+
+With every day the girl came forth from her habitation as a new surprise
+in her radiant beauty. One morning she had bound a cluster of wild
+arbutus about her brow. Another day she had twisted a band of
+convolvulus around her waist. On a third she had wound herself up in a
+mat of bulrushes.
+
+With her bare feet and wild bulrushes all around her, she looked as a
+cave woman might have looked, her eyes radiant with the Caribbean dawn.
+My whole frame thrilled at the sight of her. At times it was all I could
+do not to tear the bulrushes off her and beat her with the heads of
+them. But I schooled myself to restraint, and handed her a rock to sit
+upon, and passed her her porridge on the end of a shovel with the calm
+politeness of a friend.
+
+Our breakfast over, my more serious labours of the day began. I busied
+myself with hauling rocks or boulders along the sand to build us a house
+against the rainy season. With some tackle from the raft I had made
+myself a set of harness, by means of which I hitched myself to a
+boulder. By getting Miss Croyden to beat me over the back with a stick,
+I found that I made fair progress.
+
+But even as I worked thus for our common comfort, my mind was fiercely
+filled with the thought of Edith Croyden. I knew that if once the
+barriers broke everything would be swept away. Heaven alone knows the
+effort that it cost me. At times nothing but the sternest resolution
+could hold my fierce impulses in check. Once I came upon the girl
+writing in the sand with a stick. I looked to see what she had written.
+I read my own name "Harold." With a wild cry I leapt into the sea and
+dived to the bottom of it. When I came up I was calmer. Edith came
+towards me; all dripping as I was, she placed her hands upon my
+shoulders. "How grand you are!" she said. "I am," I answered; then I
+added, "Miss Croyden, for Heaven's sake don't touch me on the ear. I
+can't stand it." I turned from her and looked out over the sea.
+Presently I heard something like a groan behind me. The girl had thrown
+herself on the sand and was coiled up in a hoop. "Miss Croyden," I said,
+"for God's sake don't coil up in a hoop."
+
+I rushed to the beach and rubbed gravel on my face.
+
+With such activities, alternated with wild bursts of restraint, our life
+on the island passed as rapidly as in a dream. Had I not taken care to
+notch the days upon a stick and then cover the stick with tar, I could
+not have known the passage of the time. The wearing out of our clothing
+had threatened a serious difficulty. But by good fortune I had seen a
+large black and white goat wandering among the rocks and had chased it
+to a standstill. From its skin, leaving the fur still on, Edith had
+fashioned us clothes. Our boots we had replaced with alligator hide. I
+had, by a lucky chance, found an alligator upon the beach, and attaching
+a string to the fellow's neck I had led him to our camp. I had then
+poisoned the fellow with tinned salmon and removed his hide.
+
+Our costume was now brought into harmony with our surroundings. For
+myself, garbed in goatskin with the hair outside, with alligator sandals
+on my feet and with whiskers at least six inches long, I have no doubt
+that I resembled the beau ideal of a cave man. With the open-air life a
+new agility seemed to have come into my limbs. With a single leap in my
+alligator sandals I was enabled to spring into a coco-nut tree.
+
+As for Edith Croyden, I can only say that as she stood beside me on the
+beach in her suit of black goatskin (she had chosen the black spots)
+there were times when I felt like seizing her in the frenzy of my
+passion and hurling her into the sea. Fur always acts on me just like
+that.
+
+It was at the opening of the fifth week of our life upon the island that
+a new and more surprising turn was given to our adventure. It arose out
+of a certain curiosity, harmless enough, on Edith Croyden's part. "Mr.
+Borus," she said one morning, "I should like so much to see the rest of
+our island. Can we?"
+
+"Alas, Miss Croyden," I said, "I fear that there is but little to see.
+Our island, so far as I can judge, is merely one of the uninhabited keys
+of the West Indies. It is nothing but rock and sand and scrub. There is
+no life upon it. I fear," I added, speaking as jauntily as I could,
+"that unless we are taken off it we are destined to stay on it."
+
+"Still I should like to see it," she persisted.
+
+"Come on, then," I answered, "if you are good for a climb we can take a
+look over the ridge of rocks where I went up on the first day."
+
+We made our way across the sand of the beach, among the rocks and
+through the close matted scrub, beyond which an eminence of rugged
+boulders shut out the further view.
+
+Making our way to the top of this we obtained a wide look over the sea.
+The island stretched away to a considerable distance to the eastward,
+widening as it went, the complete view of it being shut off by similar
+and higher ridges of rock.
+
+But it was the nearer view, the foreground, that at once arrested our
+attention. Edith seized my arm. "Look, oh, look!" she said.
+
+Down just below us on the right hand was a similar beach to the one
+that we had left. A rude hut had been erected on it and various articles
+lay strewn about.
+
+Seated on a rock with their backs towards us were a man and a woman. The
+man was dressed in goatskins, and his whiskers, so I inferred from what
+I could see of them from the side, were at least as exuberant as mine.
+The woman was in white fur with a fillet of seaweed round her head. They
+were sitting close together as if in earnest colloquy.
+
+"Cave people," whispered Edith, "aborigines of the island."
+
+But I answered nothing. Something in the tall outline of the seated
+woman held my eye. A cruel presentiment stabbed me to the heart.
+
+In my agitation my foot overset a stone, which rolled noisily down the
+rocks. The noise attracted the attention of the two seated below us.
+They turned and looked searchingly towards the place where we were
+concealed. Their faces were in plain sight. As I looked at that of the
+woman I felt my heart cease beating and the colour leave my face.
+
+I looked into Edith's face. It was as pale as mine.
+
+"What does it mean?" she whispered.
+
+"Miss Croyden," I answered, "Edith--it means this. I have never found
+the courage to tell you. I am a married man. The woman seated there is
+my wife. And I love you."
+
+Edith put out her arms with a low cry and clasped me about the neck.
+"Harold," she murmured, "my Harold."
+
+"Have I done wrong?" I whispered.
+
+"Only what I have done too," she answered. "I, too, am married, Harold,
+and the man sitting there below, John Croyden, is my husband."
+
+With a wild cry such as a cave man might have uttered, I had leapt to my
+feet.
+
+"Your husband!" I shouted. "Then, by the living God, he or I shall never
+leave this place alive."
+
+He saw me coming as I bounded down the rocks. In an instant he had
+sprung to his feet. He gave no cry. He asked no question. He stood
+erect as a cave man would, waiting for his enemy.
+
+And there upon the sands beside the sea we fought, barehanded and
+weaponless. We fought as cave men fight.
+
+For a while we circled round one another, growling. We circled four
+times, each watching for an opportunity. Then I picked up a great
+handful of sand and threw it flap into his face. He grabbed a coco-nut
+and hit me with it in the stomach. Then I seized a twisted strand of wet
+seaweed and landed him with it behind the ear. For a moment he
+staggered. Before he could recover I jumped forward, seized him by the
+hair, slapped his face twice and then leaped behind a rock. Looking from
+the side I could see that Croyden, though half dazed, was feeling round
+for something to throw. To my horror I saw a great stone lying ready to
+his hand. Beside me was nothing. I gave myself up for lost, when at that
+very moment I heard Edith's voice behind me saying, "The shovel, quick,
+the shovel!" The noble girl had rushed back to our encampment and had
+fetched me the shovel. "Swat him with that," she cried. I seized the
+shovel, and with the roar of a wounded bull--or as near as I could make
+it--I rushed out from the rock, the shovel swung over my head.
+
+But the fight was all out of Croyden.
+
+"Don't strike," he said, "I'm all in. I couldn't stand a crack with that
+kind of thing."
+
+He sat down upon the sand, limp. Seen thus, he somehow seemed to be
+quite a small man, not a cave man at all. His goatskin suit shrunk in on
+him. I could hear his pants as he sat.
+
+"I surrender," he said. "Take both the women. They are yours."
+
+I stood over him leaning upon the shovel. The two women had closed in
+near to us.
+
+"I suppose you are _her_ husband, are you?" Croyden went on.
+
+I nodded.
+
+"I thought you were. Take her."
+
+Meantime Clara had drawn nearer to me. She looked somehow very beautiful
+with her golden hair in the sunlight, and the white furs draped about
+her.
+
+"Harold!" she exclaimed. "Harold, is it you? How strange and masterful
+you look. I didn't know you were so strong."
+
+I turned sternly towards her.
+
+"When I was alone," I said, "on the Himalayas hunting the humpo or
+humped buffalo----"
+
+Clara clasped her hands, looking into my face.
+
+"Yes," she said, "tell me about it."
+
+Meantime I could see that Edith had gone over to John Croyden.
+
+"John," she said, "you shouldn't sit on the wet sand like that. You will
+get a chill. Let me help you to get up."
+
+I looked at Clara and at Croyden.
+
+"How has this happened?" I asked. "Tell me."
+
+"We were on the same ship," Croyden said. "There came a great storm.
+Even the Captain had never seen----"
+
+"I know," I interrupted, "so had ours."
+
+"The ship struck a rock, and blew out her four funnels----"
+
+"Ours did too," I nodded.
+
+"The bowsprit was broken, and the steward's pantry was carried away. The
+Captain gave orders to leave the ship----"
+
+"It is enough, Croyden," I said, "I see it all now. You were left behind
+when the boats cleared, by what accident you don't know----"
+
+"I don't," said Croyden.
+
+"As best you could, you constructed a raft, and with such haste as you
+might you placed on it such few things----"
+
+"Exactly," he said, "a chronometer, a sextant----"
+
+"I know," I continued, "two quadrants, a bucket of water, and a
+lightning rod. I presume you picked up Clara floating in the sea."
+
+"I did," Croyden said; "she was unconscious when I got her, but by
+rubbing----"
+
+"Croyden," I said, raising the shovel again, "cut that out."
+
+"I'm sorry," he said.
+
+"It's all right. But you needn't go on. I see all the rest of your
+adventures plainly enough."
+
+"Well, I'm done with it all anyway," said Croyden gloomily. "You can do
+what you like. As for me, I've got a decent suit back there at our camp,
+and I've got it dried and pressed and I'm going to put it on."
+
+He rose wearily, Edith standing beside him.
+
+"What's more, Borus," he said, "I'll tell you something. This island is
+not uninhabited at all."
+
+"Not uninhabited!" exclaimed Clara and Edith together. I saw each of
+them give a rapid look at her goatskin suit.
+
+"Nonsense, Croyden," I said, "this island is one of the West Indian
+keys. On such a key as this the pirates used to land. Here they careened
+their ships----"
+
+"Did what to them?" asked Croyden.
+
+"Careened them all over from one end to the other," I said. "Here they
+got water and buried treasure; but beyond that the island was, and
+remained, only the home of the wild gull and the sea-mews----"
+
+"All right," said Croyden, "only it doesn't happen to be that kind of
+key. It's a West Indian island all right, but there's a summer hotel on
+the other end of it not two miles away."
+
+"A summer hotel!" we exclaimed.
+
+"Yes, a hotel. I suspected it all along. I picked up a tennis racket on
+the beach the first day; and after that I walked over the ridge and
+through the jungle and I could see the roof of the hotel. Only," he
+added rather shamefacedly, "I didn't like to tell her."
+
+"Oh, you coward!" cried Clara. "I could slap you."
+
+"Don't you dare," said Edith. "I'm sure you knew it as well as he did.
+And anyway, I was certain of it myself. I picked up a copy of last
+week's paper in a lunch-basket on the beach, and hid it from Mr. Borus.
+I didn't want to hurt his feelings."
+
+At that moment Croyden pointed with a cry towards the sea.
+
+"Look," he said, "for Heaven's sake, look!"
+
+He turned.
+
+Less than a quarter of a mile away we could see a large white motor
+launch coming round the corner. The deck was gay with awnings and bright
+dresses and parasols.
+
+"Great Heavens!" said Croyden. "I know that launch. It's the
+Appin-Joneses'."
+
+"The Appin-Joneses'!" cried Clara. "Why, we know them too. Don't you
+remember, Harold, the Sunday we spent with them on the Hudson?"
+
+Instinctively we had all jumped for cover, behind the rocks.
+
+"Whatever shall we do?" I exclaimed.
+
+"We must get our things," said Edith Croyden. "Jack, if your suit is
+ready run and get it and stop the launch. Mrs. Borus and Mr. Borus and I
+can get our things straightened up while you keep them talking. My suit
+is nearly ready anyway; I thought some one might come. Mr. Borus, would
+you mind running and fetching me my things, they're all in a parcel
+together? And perhaps if you have a looking-glass and some pins, Mrs.
+Borus, I could come over and dress with you."
+
+That same evening we found ourselves all comfortably gathered on the
+piazza of the Hotel Christopher Columbus. Appin-Jones insisted on making
+himself our host, and the story of our adventures was related again and
+again to an admiring audience, with the accompaniment of cigars and iced
+champagne. Only one detail was suppressed, by common instinct. Both
+Clara and I felt that it would only raise needless comment to explain
+that Mr. and Mrs. Croyden had occupied separate encampments.
+
+Nor is it necessary to relate our safe and easy return to New York.
+
+Both Clara and I found Mr. and Mrs. Croyden delightful travelling
+companions, though perhaps we were not sorry when the moment came to say
+good-bye.
+
+"The word 'good-bye,'" I remarked to Clara, as we drove away, "is always
+a painful one. Oddly enough when I was hunting the humpo, or humped
+buffalo, of the Himalayas----"
+
+"Do tell me about it, darling," whispered Clara, as she nestled beside
+me in the cab.
+
+
+
+
+VI
+
+THE KIDNAPPED PLUMBER
+
+A TALE OF THE NEW TIME
+
+(_Being one chapter--and quite enough---from the Reminiscences of an
+Operating Plumber_)
+
+
+
+
+_VI.--The Kidnapped Plumber: A Tale of the New Time._
+
+
+"Personally," said Thornton, speaking for the first time, "I never care
+to take a case that involves cellar work."
+
+We were sitting--a little group of us--round about the fire in a
+comfortable corner of the Steam and Air Club. Our talk had turned, as
+always happens with a group of professional men, into more or less
+technical channels. I will not say that we were talking shop; the word
+has an offensive sound and might be misunderstood. But we were talking
+as only a group of practising plumbers--including some of the biggest
+men in the profession--would talk. With the exception of Everett, who
+had a national reputation as a Consulting Barber, and Thomas, who was a
+vacuum cleaner expert, I think we all belonged to the same profession.
+We had been holding a convention, and Fortescue, who had one of the
+biggest furnace practices in the country, had read us a paper that
+afternoon--a most revolutionary thing--on External Diagnosis of
+Defective Feed Pipes, and naturally the thing had bred discussion.
+Fortescue, who is one of the most brilliant men in the profession, had
+stoutly maintained his thesis that the only method of diagnosis for
+trouble in a furnace is to sit down in front of it and look at it for
+three days; others held out for unscrewing it and carrying it home for
+consideration; others of us, again, claimed that by tapping the affected
+spot with a wrench the pipe might be fractured in such a way as to prove
+that it was breakable. It was at this point that Thornton interrupted
+with his remark about never being willing to accept a cellar case.
+
+Naturally all the men turned to look at the speaker. Henry Thornton, at
+the time of which I relate, was at the height of his reputation.
+Beginning, quite literally, at the bottom of the ladder, he had in
+twenty years of practice as an operating plumber raised himself to the
+top of his profession. There was much in his appearance to suggest the
+underlying reasons of his success. His face, as is usual with men of our
+calling, had something of the dreamer in it, but the bold set of the jaw
+indicated determination of an uncommon kind. Three times President of
+the Plumbers' Association, Henry Thornton had enjoyed the highest
+honours of his chosen profession. His book on _Nut Coal_ was recognized
+as the last word on the subject, and had been crowned by the French
+Academy of Nuts.
+
+I suppose that one of the principal reasons for his success was his
+singular coolness and resource. I have seen Thornton enter a kitchen,
+with that quiet reassuring step of his, and lay out his instruments on
+the table, while a kitchen tap with a broken washer was sprizzling
+within a few feet of him, as calmly and as quietly as if he were in his
+lecture-room of the Plumbers' College.
+
+"You never go into a cellar?" asked Fortescue. "But hang it, man, I
+don't see how one can avoid it!"
+
+"Well, I do avoid it," answered Thornton, "at least as far as I possibly
+can. I send down my solderist, of course, but personally, unless it is
+absolutely necessary, I never go down."
+
+"That's all very well, my dear fellow," Fortescue cut in, "but you know
+as well as I do that you get case after case where the cellar diagnosis
+is simply vital. I had a case last week, a most interesting thing--" he
+turned to the group of us as he spoke--"a double lesion of a gas-pipe
+under a cement floor--half a dozen of my colleagues had been absolutely
+baffled. They had made an entirely false diagnosis, operated on the
+dining-room floor, which they removed and carried home, and when I was
+called in they had just obtained permission from the Stone Mason's
+Protective Association to knock down one side of the house."
+
+"Excuse me interrupting just a minute," interjected a member of the
+group who hailed from a distant city, "have you much trouble about
+that? I mean about knocking the sides out of houses?"
+
+"No trouble now," said Fortescue. "We did have. But the public is
+getting educated up to it. Our law now allows us to knock the side out
+of a house when we feel that we would really like to see what is in it.
+We are not allowed, of course, to build it up again."
+
+"No, of course not," said the other speaker. "But I suppose you can
+throw the bricks out on the lawn."
+
+"Yes," said Fortescue, "and sit on them to eat lunch. We had a big fight
+in the legislature over that, but we got it through."
+
+"Thank you, but I feel I am interrupting."
+
+"Well, I was only saying that, as soon as I had made up my mind that the
+trouble was in the cellar, the whole case was simple. I took my
+colleagues down at once, and we sat on the floor of the cellar and held
+a consultation till the overpowering smell of gas convinced me that
+there was nothing for it but an operation on the floor. The whole thing
+was most successful. I was very glad, as it happened that the
+proprietor of the house was a very decent fellow, employed, I think, as
+a manager of a bank, or something of the sort. He was most grateful. It
+was he who gave me the engraved monkey wrench that some of you were
+admiring before dinner. After we had finished the whole operation--I
+forgot to say that we had thrown the coal out on the lawn to avoid any
+complication--he quite broke down. He offered us to take his whole house
+and keep it."
+
+"You don't do that, do you?" asked the outsider.
+
+"Oh no, never," said Fortescue. "We've made a very strict professional
+rule against it. We found that some of the younger men were apt to take
+a house when they were given it, and we had to frown down on it. But,
+gentlemen, I feel that when Mr. Thornton says that he never goes down
+into a cellar there must be a story behind it. I think we should invite
+him to relate it to us."
+
+A murmur of assent greeted the speaker's suggestion. For myself I was
+particularly pleased, inasmuch as I have long felt that Thornton as a
+_raconteur_ was almost as interesting as in the role of an operating
+plumber. I have often told him that, if he had not happened to meet
+success in his chosen profession, he could have earned a living as a day
+writer: a suggestion which he has always taken in good part and without
+offence.
+
+Those of my readers who have looked through the little volume of
+Reminiscences which I have put together, will recall the narrative of
+_The Missing Nut_ and the little tale entitled _The Blue Blow Torch_ as
+instances in point.
+
+"Not much of a story, perhaps," said Thornton, "but such as it is you
+are welcome to it. So, if you will just fill up your glasses with
+raspberry vinegar, you may have the tale for what it is worth."
+
+We gladly complied with the suggestion and Thornton continued:
+
+"It happened a good many years ago at a time when I was only a young
+fellow fresh from college, very proud of my Plumb. B., and inclined to
+think that I knew it all. I had done a little monograph on _Choked Feed
+in the Blow Torch_, which had attracted attention, and I suppose that
+altogether I was about as conceited a young puppy as one would find in
+the profession. I should mention that at this time I was not married,
+but had set up a modest apartment of my own with a consulting-room and a
+single manservant. Naturally I could not afford the services of a
+solderist or a gassist and did everything for myself, though Simmons, my
+man, could at a pinch be utilized to tear down plaster and break
+furniture."
+
+Thornton paused to take a sip of raspberry vinegar and went on:
+
+"Well, then. I had come home to dinner particularly tired after a long
+day. I had sat in an attic the greater part of the afternoon (a case of
+top story valvular trouble) and had had to sit in a cramped position
+which practically forbade sleep. I was feeling, therefore, none too well
+pleased, when a little while after dinner the bell rang and Simmons
+brought word to the library that there was a client in the
+consulting-room. I reminded the fellow that I could not possibly
+consider a case at such an advanced hour unless I were paid emergency
+overtime wages with time and a half during the day of recovery."
+
+"One moment," interrupted the outside member. "You don't mention
+compensation for mental shock. Do you not draw that here?"
+
+"We do _now_" explained Thornton, "but the time of which I speak is some
+years ago and we still got nothing for mental shock, nor disturbance of
+equilibrium. Nowadays, of course, one would insist on a substantial
+retainer in advance.
+
+"Well, to continue. Simmons, to my surprise, told me that he had already
+informed the client of this fact, and that the answer had only been a
+plea that the case was too urgent to admit of delay. He also supplied
+the further information that the client was a young lady. I am afraid,"
+added Thornton, looking round his audience with a sympathetic smile,
+"that Simmons (I had got him from Harvard and he had not yet quite
+learned his place) even said something about her being strikingly
+handsome."
+
+A general laugh greeted Thornton's announcement.
+
+"After all," said Fortescue, "I never could see why an Ice Man should be
+supposed to have a monopoly on gallantry."
+
+"Oh, I don't know," said Thornton. "For my part--I say it without
+affectation--the moment I am called in professionally, women, as women,
+cease to exist for me. I can stand beside them in the kitchen and
+explain to them the feed tap of a kitchen range without feeling them to
+be anything other than simply clients. And for the most part, I think,
+they reciprocate that attention. There are women, of course, who will
+call a man in with motives--but that's another story. I must get back to
+what I was saying.
+
+"On entering the consulting-room I saw at once that Simmons had
+exaggerated nothing in describing my young client as beautiful. I have
+seldom, even among our own class, seen a more strikingly handsome girl.
+She was dressed in a very plain and simple fashion which showed me at
+once that she belonged merely to the capitalist class. I am, as I think
+you know, something of an observer, and my eye at once noted the absence
+of heavy gold ear-rings and wrist-bangles. The blue feathers at the side
+of her hat were none of them more than six inches long, and the buttons
+on her jacket were so inconspicuous that one would hardly notice them.
+In short, while her dress was no doubt good and serviceable, there was
+an absence of _chic_, a lack of noise about it, that told at once the
+tale of narrow circumstances.
+
+"She was evidently in great distress.
+
+"'Oh, Mr. Thornton,' she exclaimed, advancing towards me, 'do come to
+our house at once. I simply don't know what to do.'
+
+"She spoke with great emotion, and seemed almost on the point of
+breaking into tears.
+
+"'Pray, calm yourself, my dear young lady,' I said, 'and try to tell me
+what is the trouble.'
+
+"'Oh, don't lose any time,' she said, 'do, do come at once.'
+
+"'We will lose no time' I said reassuringly, as I looked at my watch.
+'It is now seven-thirty. We will reckon the time from now, with overtime
+at time and a half. But if I am to do anything for you I must have some
+idea of what has happened.'
+
+"'The cellar boiler,' she moaned, clasping her hands together, 'the
+cellar boiler won't work!'
+
+"'Ah!' I said soothingly. 'The cellar boiler won't work. Now tell me, is
+the feed choked, miss?'
+
+"'I don't know,' she exclaimed.
+
+"'Have you tried letting off the exhaust?'
+
+"She shook her head with a doleful look.
+
+"'I don't know what it is,' she said.
+
+"But already I was hastily gathering together a few instruments,
+questioning her rapidly as I did so.
+
+"'How's your pressure gauge?' I asked. 'How's your water? Do you draw
+from the mains or are you on the high level reservoir?'
+
+"It had occurred to me at once that it might be merely a case of
+stoppage of her main feed, complicated, perhaps, with a valvular trouble
+in her exhaust. On the other hand it was clear enough that, if her feed
+was full and her gauges working, her trouble was more likely a leak
+somewhere in her piping.
+
+"But all attempts to draw from the girl any clear idea of the symptoms
+were unavailing. All she could tell me was that the cellar boiler
+wouldn't work. Beyond that her answers were mere confusion. I gathered
+enough, however, to feel sure that her main feed was still working, and
+that her top story check valve was probably in order. With that I had to
+be content.
+
+"As a young practitioner, I had as yet no motor car. Simmons, however,
+summoned me a taxi, into which I hurriedly placed the girl and my basket
+of instruments, and was soon speeding in the direction she indicated. It
+was a dark, lowering night, with flecks of rain against the windows of
+the cab, and there was something in the lateness of the hour (it was now
+after half-past eight) and the nature of my mission which gave me a
+stimulating sense of adventure. The girl directed me, as I felt sure
+she would, towards the capitalist quarter of the town. We had soon sped
+away from the brightly lighted streets and tall apartment buildings
+among which my usual practice lay, and entered the gloomy and
+dilapidated section of the city where the unhappy capitalist class
+reside. I need not remind those of you who know it that it is scarcely a
+cheerful place to find oneself in after nightfall. The thick growth of
+trees, the silent gloom of the ill-lighted houses, and the rank
+undergrowth of shrubs give it an air of desolation, not to say danger.
+It is certainly not the place that a professional man would choose to be
+abroad in after dark. The inhabitants, living, so it is said, on their
+scanty dividends and on such parts of their income as our taxation is
+still unable to reach, are not people that one would care to fall in
+with after nightfall.
+
+"Since the time of which I speak we have done much to introduce a better
+state of things. The opening of day schools of carpentry, plumbing and
+calcimining for the children of the capitalist is already producing
+results. Strange though it may seem, one of the most brilliant of our
+boiler fitters of to-day was brought up haphazard in this very quarter
+of the town and educated only by a French governess and a university
+tutor. But at the time practically nothing had been done. The place was
+infested with consumers, and there were still, so it was said, servants
+living in some of the older houses. A butler had been caught one night
+in a thick shrubbery beside one of the gloomy streets.
+
+"We alighted at one of the most sombre of the houses, and our
+taxi-driver, with evident relief, made off in the darkness.
+
+"The girl admitted us into a dark hall, where she turned on an electric
+light. 'We have light,' she said, with that peculiar touch of pride that
+one sees so often in her class, 'we have four bulbs.'
+
+"Then she called down a flight of stairs that apparently led to the
+cellar:
+
+"'Father, the plumber has come. Do come up now, dear, and rest.'
+
+"A step sounded on the stairs, and there appeared beside us one of the
+most forbidding-looking men that I have ever beheld. I don't know
+whether any of you have ever seen an Anglican Bishop. Probably not.
+Outside of the bush, they are now never seen. But at the time of which I
+speak there were a few still here and there in the purlieus of the city.
+The man before us was tall and ferocious, and his native ferocity was
+further enhanced by the heavy black beard which he wore in open defiance
+of the compulsory shaving laws. His black shovel-shaped hat and his
+black clothes lent him a singularly sinister appearance, while his legs
+were bound in tight gaiters, as if ready for an instant spring. He
+carried in his hand an enormous monkey wrench, on which his fingers were
+clasped in a restless grip.
+
+"'Can you fix the accursed thing?' he asked.
+
+"I was not accustomed to being spoken to in this way, but I was willing
+for the girl's sake to strain professional courtesy to the limit.
+
+"'I don't know,' I answered, 'but if you will have the goodness first to
+fetch me a little light supper, I shall be glad to see what I can do
+afterwards.'
+
+"My firm manner had its effect. With obvious reluctance the fellow
+served me some biscuits and some not bad champagne in the dining-room.
+
+"The girl had meantime disappeared upstairs.
+
+"'If you're ready now,' said the Bishop, 'come on down.'
+
+"We went down to the cellar. It was a huge, gloomy place, with a cement
+floor, lighted by a dim electric bulb. I could see in the corner the
+outline of a large furnace (in those days the poorer classes had still
+no central heat) and near it a tall boiler. In front of this a man was
+kneeling, evidently trying to unscrew a nut, but twisting it the wrong
+way. He was an elderly man with a grey moustache, and was dressed, in
+open defiance of the law, in a military costume or uniform.
+
+"He turned round towards us and rose from his knees.
+
+"'I'm dashed if I can make the rotten thing go round,' he said.
+
+"'It's all right, General,' said the Bishop. 'I have brought a plumber.'
+
+"For the next few minutes my professional interest absorbed all my
+faculties. I laid out my instruments upon a board, tapped the boiler
+with a small hammer, tested the feed-tube, and in a few moments had made
+what I was convinced was a correct diagnosis of the trouble.
+
+"But here I encountered the greatest professional dilemma in which I
+have ever been placed. There was nothing wrong with the boiler at all.
+It connected, as I ascertained at once by a thermo-dynamic valvular
+test, with the furnace (in fact, I could see it did), and the furnace
+quite evidently had been allowed to go out.
+
+"What was I to do? If I told them this, I broke every professional rule
+of our union. If the thing became known I should probably be disbarred
+and lose my overalls for it. It was my plain professional duty to take a
+large hammer and knock holes in the boiler with it, smash up the furnace
+pipes, start a leak of gas, and then call in three or more of my
+colleagues.
+
+"But somehow I couldn't find it in my heart to do it. The thought of the
+girl's appealing face arose before me.
+
+"'How long has this trouble been going on?' I asked sternly.
+
+"'Quite a time,' answered the Bishop. 'It began, did it not, General,
+the same day that the confounded furnace went out? The General here and
+Admiral Hay and I have been working at it for three days.'
+
+"'Well, gentlemen,' I said, 'I don't want to read you a lesson on your
+own ineptitude, and I don't suppose you would understand it if I did.
+But don't you see that the whole trouble is _because_ you let the
+furnace out? The boiler itself is all right, but you see, gents, it
+feeds off the furnace.'
+
+"'Ah,' said the Bishop in a deep melodious tone, 'it feeds off the
+furnace. Now that is most interesting. Let me repeat that; I must try to
+remember it; it feeds _off_ the furnace. Just so.'
+
+"The upshot was that in twenty minutes we had the whole thing put to
+rights. I set the General breaking up boxes and had the Bishop rake out
+the clinkers, and very soon we had the furnace going and the boiler in
+operation.
+
+"'But now tell me,' said the Bishop, 'suppose one wanted to let the
+furnace out--suppose, I mean to say, that it was summer-time, and
+suppose one rather felt that one didn't care about a furnace and yet one
+wanted one's boiler going for one's hot water, and that sort of thing,
+what would one do?'
+
+"'In that case,' I said, 'you couldn't run your heating off your
+furnace: you'd have to connect in your tubing with a gas generator.'
+
+"'Ah, there you get me rather beyond my depth,' said the Bishop.
+
+"The General shook his head. 'Bishop,' he said, 'just step upstairs a
+minute; I have an idea.'
+
+"They went up together, leaving me below. To my surprise and
+consternation, as they reached the top of the cellar stairs, I saw the
+General swing the door shut and heard a key turn in the lock. I rushed
+to the top of the stairs and tried in vain to open the door. I was
+trapped. In a moment I realized my folly in trusting myself in the hands
+of these people.
+
+"I could hear their voices in the hall, apparently in eager discussion.
+
+"'But the fellow is priceless,' the General was saying. 'We could take
+him round to all the different houses and make him fix them all. Hang
+it, Bishop, I haven't had a decent tap running for two years, and
+Admiral Hay's pantry has been flooded since last March.'
+
+"'But one couldn't compel him?'
+
+"'Certainly, why not? I'd compel him bally quick with this.'
+
+"I couldn't see what the General referred to, but had no doubt that it
+was the huge wrench that he still carried in his hand.
+
+"'We could gag the fellow,' he went on, 'take him from house to house
+and make him put everything right.'
+
+"'Ah, but afterwards?' said the Bishop.
+
+"'Afterwards,' answered the General, 'why kill him! Knock him on the
+head and bury him under the cement in the cellar. Hay and I could
+easily bury him, or for that matter I imagine one could easily use the
+furnace itself to dispose of him.'
+
+"I must confess that my blood ran cold as I listened.
+
+"'But do you think it right?' objected the Bishop. 'You will say, of
+course, that it is only killing a plumber; but yet one asks oneself
+whether it wouldn't be just a _leetle_ bit unjustifiable.'
+
+"'Nonsense,' said the General. 'You remember that last year, when Hay
+strangled the income tax collector, you yourself were very keen on it.'
+
+"'Ah, that was different,' said the Bishop, 'one felt there that there
+was an end to serve, but here----'
+
+"'Nonsense,' repeated the General, 'come along and get Hay. He'll make
+short work of him.'
+
+"I heard their retreating footsteps and then all was still.
+
+"The horror which filled my mind as I sat in the half darkness waiting
+for their return I cannot describe. My fate appeared sealed and I gave
+myself up for lost, when presently I heard a light step in the hall and
+the key turned in the lock.
+
+"The girl stood in front of me. She was trembling with emotion.
+
+"'Quick, quick, Mr. Thornton,' she said. 'I heard all that they said.
+Oh, I think it's dreadful of them, simply dreadful. Mr. Thornton, I'm
+really ashamed that Father should act that way.'
+
+"I came out into the hall still half dazed.
+
+"'They've gone over to Admiral Hay's house, there among the trees.
+That's their lantern. Please, please, don't lose a minute. Do you mind
+not having a cab? I think really you'd prefer not to wait. And look,
+won't you please take this?'--she handed me a little packet as she
+spoke--'this is a piece of pie: you always get that, don't you? and
+there's a bit of cheese with it, but please run.'
+
+"In another moment I had bounded from the door into the darkness. A wild
+rush through the darkened streets, and in twenty minutes I was safe
+back again in my own consulting-room."
+
+Thornton paused in his narrative, and at that moment one of the stewards
+of the club came and whispered something in his ear.
+
+He rose.
+
+"I'm sorry," he said, with a grave face. "I'm called away; a very old
+client of mine. Valvular trouble of the worst kind. I doubt if I can do
+anything, but I must at least go. Please don't let me break up your
+evening, however."
+
+With a courtly bow he left us.
+
+"And do you know the sequel to Thornton's story?" asked Fortescue with a
+smile.
+
+We looked expectantly at him.
+
+"Why, he married the girl," explained Fortescue. "You see, he had to go
+back to her house for his wrench. One always does."
+
+"Of course," we exclaimed.
+
+"In fact he went three times; and the last time he asked the girl to
+marry him and she said 'yes.' He took her out of her surroundings, had
+her educated at a cooking school, and had her given lessons on the
+parlour organ. She's Mrs. Thornton now."
+
+"And the Bishop?" asked some one.
+
+"Oh, Thornton looked after him. He got him a position heating furnaces
+in the synagogues. He worked at it till he died a few years ago. They
+say that once he got the trick of it he took the greatest delight in it.
+Well, I must go too. Good night."
+
+
+
+
+VII
+
+THE BLUE AND THE GREY
+
+A PRE-WAR WAR STORY
+
+(_The title is selected for its originality. A set of seventy-five maps
+will be supplied to any reader free for seventy-five cents. This offer
+is only open till it is closed_)
+
+
+
+
+_VII.--The Blue and the Grey: A Pre-War War Story._
+
+
+
+
+CHAPTER I
+
+
+The scene was a striking one. It was night. Never had the Mississippi
+presented a more remarkable appearance. Broad bayous, swollen beyond our
+powers of description, swirled to and fro in the darkness under trees
+garlanded with Spanish moss. All moss other than Spanish had been swept
+away by the angry flood of the river.
+
+Eggleston Lee Carey Randolph, a young Virginian, captain of the ----th
+company of the ----th regiment of ----'s brigade--even this is more than
+we ought to say, and is hard to pronounce--attached to the Army of the
+Tennessee, struggled in vain with the swollen waters. At times he sank.
+At other times he went up.
+
+In the intervals he wondered whether it would ever be possible for him
+to rejoin the particular platoon of the particular regiment to which he
+belonged, and of which's whereabouts (not having the volume of the army
+record at hand) he was in ignorance. In the intervals, also, he
+reflected on his past life to a sufficient extent to give the reader a
+more or less workable idea as to who and to what he was. His father, the
+old grey-haired Virginian aristocrat, he could see him still. "Take this
+sword, Eggleston," he had said, "use it for the State; never for
+anything else: don't cut string with it or open tin cans. Never sheathe
+it till the soil of Virginia is free. Keep it bright, my boy: oil it
+every now and then, and you'll find it an A 1 sword."
+
+Did Eggleston think, too, in his dire peril of another--younger than his
+father and fairer? Necessarily, he did. "Go, Eggleston!" she had
+exclaimed, as they said farewell under the portico of his father's house
+where she was visiting, "it is your duty. But mine lies elsewhere. I
+cannot forget that I am a Northern girl. I must return at once to my
+people in Pennsylvania. Oh, Egg, when will this cruel war end?"
+
+So had the lovers parted.
+
+Meanwhile--while Eggleston is going up and down for the third time,
+which is of course the last--suppose we leave him, and turn to consider
+the general position of the Confederacy. All right: suppose we do.
+
+
+
+
+CHAPTER II
+
+
+At this date the Confederate Army of the Tennessee was extended in a
+line with its right resting on the Tennessee and its left resting on the
+Mississippi. Its rear rested on the rugged stone hills of the Chickasaba
+range, while its front rested on the marshes and bayous of the Yazoo.
+Having thus--as far as we understand military matters--both its flanks
+covered and its rear protected, its position was one which we ourselves
+consider very comfortable.
+
+It was thus in an admirable situation for holding a review or for
+discussing the Constitution of the United States in reference to the
+right of secession.
+
+The following generals rode up and down in front of the army, namely,
+Mr. A. P. Hill, Mr. Longstreet, and Mr. Joseph Johnston. All these three
+celebrated men are thus presented to our readers at one and the same
+time without extra charge.
+
+But who is this tall, commanding figure who rides beside them, his head
+bent as if listening to what they are saying (he really isn't) while his
+eye alternately flashes with animation or softens to its natural
+melancholy? (In fact, we can only compare it to an electric light bulb
+with the power gone wrong.) Who is it? It is Jefferson C. Davis,
+President, as our readers will be gratified to learn, of the Confederate
+States.
+
+It being a fine day and altogether suitable for the purpose, General
+Longstreet reined in his prancing black charger (during this distressed
+period all the horses in both armies were charged: there was no other
+way to pay for them), and in a few terse words, about three pages, gave
+his views on the Constitution of the United States.
+
+Jefferson Davis, standing up in his stirrups, delivered a stirring
+harangue, about six columns, on the powers of the Supreme Court,
+admirably calculated to rouse the soldiers to frenzy. After which
+General A. P. Hill offered a short address, soldier-like and to the
+point, on the fundamental principles of international law, which
+inflamed the army to the highest pitch.
+
+At this moment an officer approached the President, saluted and stood
+rigidly at attention. Davis, with that nice punctilio which marked the
+Southern army, returned the salute.
+
+"Do you speak first?" he said, "or did I?"
+
+"Let me," said the officer. "Your Excellency," he continued, "a young
+Virginian officer has just been fished out of the Mississippi."
+
+Davis's eye flashed. "Good!" he said. "Look and see if there are many
+more," and then he added with a touch of melancholy, "The South needs
+them: fish them all out. Bring this one here."
+
+Eggleston Lee Carey Randolph, still dripping from the waters of the
+bayou, was led by the faithful negroes who had rescued him before the
+generals. Davis, who kept every thread of the vast panorama of the war
+in his intricate brain, eyed him keenly and directed a few searching
+questions to him, such as: "Who are you? Where are you? What day of the
+week is it? How much is nine times twelve?" and so forth. Satisfied with
+Eggleston's answers, Davis sat in thought a moment, and then continued:
+
+"I am anxious to send some one through the entire line of the
+Confederate armies in such a way that he will be present at all the
+great battles and end up at the battle of Gettysburg. Can you do it?"
+
+Randolph looked at his chief with a flush of pride.
+
+"I can."
+
+"Good!" resumed Davis. "To accomplish this task you must carry
+despatches. What they will be about I have not yet decided. But it is
+customary in such cases to write them so that they are calculated, if
+lost, to endanger the entire Confederate cause. The main thing is, can
+you carry them?"
+
+"Sir," said Eggleston, raising his hand in a military salute, "I am a
+Randolph."
+
+Davis with soldierly dignity removed his hat. "I am proud to hear it,
+Captain Randolph," he said.
+
+"And a Carey," continued our hero.
+
+Davis, with a graciousness all his own, took off his gloves. "I trust
+you, _Major_ Randolph," he said.
+
+"And I am a Lee," added Eggleston quickly.
+
+Davis with a courtly bow unbuttoned his jacket. "It is enough," he said.
+"I trust you. You shall carry the despatches. You are to carry them on
+your person and, as of course you understand, you are to keep on losing
+them. You are to drop them into rivers, hide them in old trees, bury
+them under moss, talk about them in your sleep. In fact, sir," said
+Davis, with a slight gesture of impatience--it was his _one_
+fault--"you must act towards them as any bearer of Confederate
+despatches is expected to act. The point is, can you do it, or can't
+you?"
+
+"Sir," said Randolph, saluting again with simple dignity, "I come from
+Virginia."
+
+"Pardon me," said the President, saluting with both hands, "I had
+forgotten it."
+
+
+
+
+CHAPTER III
+
+
+Randolph set out that night, mounted upon the fastest horse, in fact the
+fleetest, that the Confederate Army could supply. He was attended only
+by a dozen faithful negroes, all devoted to his person.
+
+Riding over the Tennessee mountains by paths known absolutely to no one
+and never advertised, he crossed the Tombigbee, the Tahoochie and the
+Tallahassee, all frightfully swollen, and arrived at the headquarters of
+General Braxton Bragg.
+
+At this moment Bragg was extended over some seven miles of bush and
+dense swamp. His front rested on the marshes of the Tahoochie River,
+while his rear was doubled sharply back and rested on a dense growth of
+cactus plants. Our readers can thus form a fairly accurate idea of
+Bragg's position. Over against him, not more than fifty miles to the
+north, his indomitable opponent, Grant, lay in a frog-swamp. The space
+between them was filled with Union and Confederate pickets,
+fraternizing, joking, roasting corn, and firing an occasional shot at
+one another.
+
+One glance at Randolph's despatches was enough.
+
+"Take them at once to General Hood," said Bragg.
+
+"Where is he?" asked Eggleston, with military precision.
+
+Bragg waved his sword towards the east. It was characteristic of the man
+that even on active service he carried a short sword, while a pistol,
+probably loaded, protruded from his belt. But such was Bragg. Anyway, he
+waved his sword. "Over there beyond the Tahoochicaba range," he said.
+"Do you know it?"
+
+"No," said Randolph, "but I can find it."
+
+"Do," said Bragg, and added, "One thing more. On your present mission
+let nothing stop you. Go forward at all costs. If you come to a river,
+swim it. If you come to a tree, cut it down. If you strike a fence,
+climb over it. But don't stop! If you are killed, never mind. Do you
+understand?"
+
+"Almost," said Eggleston.
+
+Two days later Eggleston reached the headquarters of General Hood, and
+flung himself, rather than dismounted, from his jaded horse.
+
+"Take me to the General!" he gasped.
+
+They pointed to the log cabin in which General Hood was quartered.
+
+Eggleston flung himself, rather than stepped, through the door.
+
+Hood looked up from the table.
+
+"Who was that flung himself in?" he asked.
+
+Randolph reached out his hand. "Despatches!" he gasped. "Food, whisky!"
+
+"Poor lad," said the General, "you are exhausted. When did you last have
+food?"
+
+"Yesterday morning," gasped Eggleston.
+
+"You're lucky," said Hood bitterly. "And when did you last have a
+drink?"
+
+"Two weeks ago," answered Randolph.
+
+"Great Heaven!" said Hood, starting up. "Is it possible? Here, quick,
+drink it!"
+
+He reached out a bottle of whisky. Randolph drained it to the last drop.
+
+"Now, General," he said, "I am at your service."
+
+Meanwhile Hood had cast his eye over the despatches.
+
+"Major Randolph," he said, "you have seen General Bragg?"
+
+"I have."
+
+"And Generals Johnston and Smith?"
+
+"Yes."
+
+"You have been through Mississippi and Tennessee and seen all the
+battles there?"
+
+"I have," said Randolph.
+
+"Then," said Hood, "there is nothing left except to send you at once to
+the army in Virginia under General Lee. Remount your horse at once and
+ride to Gettysburg. Lose no time."
+
+
+
+
+CHAPTER IV
+
+
+It was at Gettysburg in Pennsylvania that Randolph found General Lee.
+
+The famous field is too well known to need description. The armies of
+the North and the South lay in and around the peaceful village of
+Gettysburg. About it the yellow cornfields basked in the summer sun. The
+voices of the teachers and the laughter of merry children rose in the
+harvest-fields. But already the shadow of war was falling over the
+landscape. As soon as the armies arrived, the shrewder of the farmers
+suspected that there would be trouble.
+
+General Lee was seated gravely on his horse, looking gravely over the
+ground before him.
+
+"Major Randolph," said the Confederate chieftain gravely, "you are just
+in time. We are about to go into action. I need your advice."
+
+Randolph bowed. "Ask me anything you like," he said.
+
+"Do you like the way I have the army placed?" asked Lee.
+
+Our hero directed a searching look over the field. "Frankly, I don't,"
+he said.
+
+"What's the matter with it?" questioned Lee eagerly. "I felt there was
+something wrong myself. What is it?"
+
+"Your left," said Randolph, "is too far advanced. It sticks out."
+
+"By Heaven!" said Lee, turning to General Longstreet, "the boy is right!
+Is there anything else?"
+
+"Yes," said Randolph, "your right is crooked. It is all sideways."
+
+"It is. It is!" said Lee, striking his forehead. "I never noticed it.
+I'll have it straightened at once. Major Randolph, if the Confederate
+cause is saved, you, and you alone, have saved it."
+
+"One thing more," said Randolph. "Is your artillery loaded?"
+
+"Major Randolph," said Lee, speaking very gravely, "you have saved us
+again. I never thought of it."
+
+At this moment a bullet sang past Eggleston's ear. He smiled.
+
+"The battle has begun," he murmured. Another bullet buzzed past his
+other ear. He laughed softly to himself. A shell burst close to his
+feet. He broke into uncontrolled laughter. This kind of thing always
+amused him. Then, turning grave in a moment, "Put General Lee under
+cover," he said to those about him, "spread something over him."
+
+In a few moments the battle was raging in all directions. The
+Confederate Army was nominally controlled by General Lee, but in reality
+by our hero. Eggleston was everywhere. Horses were shot under him. Mules
+were shot around him and behind him. Shells exploded all over him; but
+with undaunted courage he continued to wave his sword in all directions,
+riding wherever the fight was hottest.
+
+The battle raged for three days.
+
+On the third day of the conflict, Randolph, his coat shot to rags, his
+hat pierced, his trousers practically useless, still stood at Lee's
+side, urging and encouraging him.
+
+Mounted on his charger, he flew to and fro in all parts of the field,
+moving the artillery, leading the cavalry, animating and directing the
+infantry. In fact, he was the whole battle.
+
+But his efforts were in vain.
+
+He turned sadly to General Lee. "It is bootless," he said.
+
+"What is?" asked Lee.
+
+"The army," said Randolph. "We must withdraw it."
+
+"Major Randolph," said the Confederate chief, "I yield to your superior
+knowledge. We must retreat."
+
+A few hours later the Confederate forces, checked but not beaten, were
+retiring southward towards Virginia.
+
+Eggleston, his head sunk in thought, rode in the rear.
+
+As he thus slowly neared a farmhouse, a woman--a girl--flew from it
+towards him with outstretched arms.
+
+"Eggleston!" she cried.
+
+Randolph flung himself from his horse. "Leonora!" he gasped. "You here!
+In all this danger! How comes it? What brings you here?"
+
+"We live here," she said. "This is Pa's house. This is our farm.
+Gettysburg is our home. Oh, Egg, it has been dreadful, the noise of the
+battle! We couldn't sleep for it. Pa's all upset about it. But come in.
+Do come in. Dinner's nearly ready."
+
+Eggleston gazed a moment at the retreating army. Duty and affection
+struggled in his heart.
+
+"I will," he said.
+
+
+
+
+CHAPTER V
+
+CONCLUSION
+
+
+The strife is done. The conflict has ceased. The wounds are healed.
+North and South are one. East and West are even less. The Civil War is
+over. Lee is dead. Grant is buried in New York. The Union Pacific runs
+from Omaha to San Francisco. There is total prohibition in the United
+States. The output of dressed beef last year broke all records.
+
+And Eggleston Lee Carey Randolph survives, hale and hearty, bright and
+cheery, free and easy--and so forth. There is grey hair upon his temples
+(some, not much), and his step has lost something of its elasticity (not
+a great deal), and his form is somewhat bowed (though not really
+crooked).
+
+But he still lives there in the farmstead at Gettysburg, and Leonora,
+now, like himself, an old woman, is still at his side.
+
+You may see him any day. In fact, he is the old man who shows you over
+the battlefield for fifty cents and explains how he himself fought and
+won the great battle.
+
+
+
+
+VIII
+
+BUGGAM GRANGE
+
+A GOOD OLD GHOST STORY
+
+
+
+
+_VIII.--Buggam Grange: A Good Old Ghost Story._
+
+
+The evening was already falling as the vehicle in which I was contained
+entered upon the long and gloomy avenue that leads to Buggam Grange.
+
+A resounding shriek echoed through the wood as I entered the avenue. I
+paid no attention to it at the moment, judging it to be merely one of
+those resounding shrieks which one might expect to hear in such a place
+at such a time. As my drive continued, however I found myself wondering
+in spite of myself why such a shriek should have been uttered at the
+very moment of my approach.
+
+I am not by temperament in any degree a nervous man, and yet there was
+much in my surroundings to justify a certain feeling of apprehension.
+The Grange is situated in the loneliest part of England, the marsh
+country of the fens to which civilization has still hardly penetrated.
+The inhabitants, of whom there are only one and a half to the square
+mile, live here and there among the fens and eke out a miserable
+existence by frog-fishing and catching flies. They speak a dialect so
+broken as to be practically unintelligible, while the perpetual rain
+which falls upon them renders speech itself almost superfluous.
+
+Here and there where the ground rises slightly above the level of the
+fens there are dense woods tangled with parasitic creepers and filled
+with owls. Bats fly from wood to wood. The air on the lower ground is
+charged with the poisonous gases which exude from the marsh, while in
+the woods it is heavy with the dank odours of deadly nightshade and
+poison ivy.
+
+It had been raining in the afternoon, and as I drove up the avenue the
+mournful dripping of the rain from the dark trees accentuated the
+cheerlessness of the gloom. The vehicle in which I rode was a fly on
+three wheels, the fourth having apparently been broken and taken off,
+causing the fly to sag on one side and drag on its axle over the muddy
+ground, the fly thus moving only at a foot's pace in a way calculated to
+enhance the dreariness of the occasion. The driver on the box in front
+of me was so thickly muffled up as to be indistinguishable, while the
+horse which drew us was so thickly coated with mist as to be practically
+invisible. Seldom, I may say, have I had a drive of so mournful a
+character.
+
+The avenue presently opened out upon a lawn with overgrown shrubberies,
+and in the half darkness I could see the outline of the Grange itself, a
+rambling, dilapidated building. A dim light struggled through the
+casement of a window in a tower room. Save for the melancholy cry of a
+row of owls sitting on the roof, and croaking of the frogs in the moat
+which ran around the grounds, the place was soundless. My driver halted
+his horse at the hither side of the moat. I tried in vain to urge him,
+by signs, to go further. I could see by the fellow's face that he was
+in a paroxysm of fear, and indeed nothing but the extra sixpence which I
+had added to his fare would have made him undertake the drive up the
+avenue. I had no sooner alighted than he wheeled his cab about and made
+off.
+
+Laughing heartily at the fellow's trepidation (I have a way of laughing
+heartily in the dark), I made my way to the door and pulled the
+bell-handle. I could hear the muffled reverberations of the bell far
+within the building. Then all was silent. I bent my ear to listen, but
+could hear nothing except, perhaps, the sound of a low moaning as of a
+person in pain or in great mental distress. Convinced, however, from
+what my friend Sir Jeremy Buggam had told me, that the Grange was not
+empty, I raised the ponderous knocker and beat with it loudly against
+the door.
+
+But perhaps at this point I may do well to explain to my readers (before
+they are too frightened to listen to me) how I came to be beating on the
+door of Buggam Grange at nightfall on a gloomy November evening.
+
+A year before I had been sitting with Sir Jeremy Buggam, the present
+baronet, on the verandah of his ranch in California.
+
+"So you don't believe in the supernatural?" he was saying.
+
+"Not in the slightest," I answered, lighting a cigar as I spoke. When I
+want to speak very positively, I generally light a cigar as I speak.
+
+"Well, at any rate, Digby," said Sir Jeremy, "Buggam Grange is haunted.
+If you want to be assured of it go down there any time and spend the
+night and you'll see for yourself."
+
+"My dear fellow," I replied, "nothing will give me greater pleasure. I
+shall be back in England in six weeks, and I shall be delighted to put
+your ideas to the test. Now tell me," I added somewhat cynically, "is
+there any particular season or day when your Grange is supposed to be
+specially terrible?"
+
+Sir Jeremy looked at me strangely. "Why do you ask that?" he said. "Have
+you heard the story of the Grange?"
+
+"Never heard of the place in my life," I answered cheerily. "Till you
+mentioned it to-night, my dear fellow, I hadn't the remotest idea that
+you still owned property in England."
+
+"The Grange is shut up," said Sir Jeremy, "and has been for twenty
+years. But I keep a man there--Horrod--he was butler in my father's time
+and before. If you care to go, I'll write him that you're coming. And,
+since you are taking your own fate in your hands, the fifteenth of
+November is the day."
+
+At that moment Lady Buggam and Clara and the other girls came trooping
+out on the verandah, and the whole thing passed clean out of my mind.
+Nor did I think of it again until I was back in London. Then, by one of
+those strange coincidences or premonitions--call it what you will--it
+suddenly occurred to me one morning that it was the fifteenth of
+November. Whether Sir Jeremy had written to Horrod or not, I did not
+know. But none the less nightfall found me, as I have described,
+knocking at the door of Buggam Grange.
+
+The sound of the knocker had scarcely ceased to echo when I heard the
+shuffling of feet within, and the sound of chains and bolts being
+withdrawn. The door opened. A man stood before me holding a lighted
+candle which he shaded with his hand. His faded black clothes, once
+apparently a butler's dress, his white hair and advanced age left me in
+no doubt that he was Horrod of whom Sir Jeremy had spoken.
+
+Without a word he motioned me to come in, and, still without speech, he
+helped me to remove my wet outer garments, and then beckoned me into a
+great room, evidently the dining-room of the Grange.
+
+I am not in any degree a nervous man by temperament, as I think I
+remarked before, and yet there was something in the vastness of the
+wainscoted room, lighted only by a single candle, and in the silence of
+the empty house, and still more in the appearance of my speechless
+attendant, which gave me a feeling of distinct uneasiness. As Horrod
+moved to and fro I took occasion to scrutinize his face more narrowly. I
+have seldom seen features more calculated to inspire a nervous dread.
+The pallor of his face and the whiteness of his hair (the man was at
+least seventy), and still more the peculiar furtiveness of his eyes,
+seemed to mark him as one who lived under a great terror. He moved with
+a noiseless step and at times he turned his head to glance in the dark
+corners of the room.
+
+"Sir Jeremy told me," I said, speaking as loudly and as heartily as I
+could, "that he would apprise you of my coming."
+
+I was looking into his face as I spoke.
+
+In answer Horrod laid his finger across his lips and I knew that he was
+deaf and dumb. I am not nervous (I think I said that), but the
+realization that my sole companion in the empty house was a deaf mute
+struck a cold chill to my heart.
+
+Horrod laid in front of me a cold meat pie, a cold goose, a cheese, and
+a tall flagon of cider. But my appetite was gone. I ate the goose, but
+found that after I had finished the pie I had but little zest for the
+cheese, which I finished without enjoyment. The cider had a sour taste,
+and after having permitted Horrod to refill the flagon twice I found
+that it induced a sense of melancholy and decided to drink no more.
+
+My meal finished, the butler picked up the candle and beckoned me to
+follow him. We passed through the empty corridors of the house, a long
+line of pictured Buggams looking upon us as we passed, their portraits
+in the flickering light of the taper assuming a strange and life-like
+appearance, as if leaning forward from their frames to gaze upon the
+intruder.
+
+Horrod led me upstairs and I realized that he was taking me to the tower
+in the east wing, in which I had observed a light.
+
+The rooms to which the butler conducted me consisted of a sitting-room
+with an adjoining bedroom, both of them fitted with antique wainscoting
+against which a faded tapestry fluttered. There was a candle burning on
+the table in the sitting-room, but its insufficient light only rendered
+the surroundings the more dismal. Horrod bent down in front of the
+fireplace and endeavoured to light a fire there. But the wood was
+evidently damp and the fire flickered feebly on the hearth.
+
+The butler left me, and in the stillness of the house I could hear his
+shuffling step echo down the corridor. It may have been fancy, but it
+seemed to me that his departure was the signal for a low moan that came
+from somewhere behind the wainscot. There was a narrow cupboard door at
+one side of the room, and for the moment I wondered whether the moaning
+came from within. I am not as a rule lacking in courage (I am sure my
+reader will be decent enough to believe this), yet I found myself
+entirely unwilling to open the cupboard door and look within. In place
+of doing so I seated myself in a great chair in front of the feeble
+fire. I must have been seated there for some time when I happened to
+lift my eyes to the mantel above and saw, standing upon it, a letter
+addressed to myself. I knew the handwriting at once to be that of Sir
+Jeremy Buggam.
+
+I opened it, and spreading it out within reach of the feeble
+candlelight, I read as follows:
+
+
+ "My dear Digby,
+
+ "In our talk that you will remember, I had no time to finish
+ telling you about the mystery of Buggam Grange. I take for granted,
+ however, that you will go there and that Horrod will put you in the
+ tower rooms, which are the only ones that make any pretence of
+ being habitable. I have, therefore, sent him this letter to deliver
+ at the Grange itself.
+
+ "The story is this:
+
+ "On the night of the fifteenth of November, fifty years ago, my
+ grandfather was murdered in the room in which you are sitting, by
+ his cousin, Sir Duggam Buggam. He was stabbed from behind while
+ seated at the little table at which you are probably reading this
+ letter. The two had been playing cards at the table and my
+ grandfather's body was found lying in a litter of cards and gold
+ sovereigns on the floor. Sir Duggam Buggam, insensible from drink,
+ lay beside him, the fatal knife at his hand, his fingers smeared
+ with blood. My grandfather, though of the younger branch,
+ possessed a part of the estates which were to revert to Sir Duggam
+ on his death. Sir Duggam Buggam was tried at the Assizes and was
+ hanged. On the day of his execution he was permitted by the
+ authorities, out of respect for his rank, to wear a mask to the
+ scaffold. The clothes in which he was executed are hanging at full
+ length in the little cupboard to your right, and the mask is above
+ them. It is said that on every fifteenth of November at midnight
+ the cupboard door opens and Sir Duggam Buggam walks out into the
+ room. It has been found impossible to get servants to remain at the
+ Grange, and the place--except for the presence of Horrod--has been
+ unoccupied for a generation. At the time of the murder Horrod was a
+ young man of twenty-two, newly entered into the service of the
+ family. It was he who entered the room and discovered the crime. On
+ the day of the execution he was stricken with paralysis and has
+ never spoken since. From that time to this he has never consented
+ to leave the Grange, where he lives in isolation.
+
+ "Wishing you a pleasant night after your tiring journey,
+
+ "I remain,
+
+ "Very faithfully,
+
+ "Jeremy Buggam."
+
+
+I leave my reader to imagine my state of mind when I completed the
+perusal of the letter.
+
+I have as little belief in the supernatural as anyone, yet I must
+confess that there was something in the surroundings in which I now
+found myself which rendered me at least uncomfortable. My reader may
+smile if he will, but I assure him that it was with a very distinct
+feeling of uneasiness that I at length managed to rise to my feet, and,
+grasping my candle in my hand, to move backward into the bedroom. As I
+backed into it something so like a moan seemed to proceed from the
+closed cupboard that I accelerated my backward movement to a
+considerable degree. I hastily blew out the candle, threw myself upon
+the bed and drew the bedclothes over my head, keeping, however, one eye
+and one ear still out and available.
+
+How long I lay thus listening to every sound, I cannot tell. The
+stillness had become absolute. From time to time I could dimly hear the
+distant cry of an owl, and once far away in the building below a sound
+as of some one dragging a chain along a floor. More than once I was
+certain that I heard the sound of moaning behind the wainscot. Meantime
+I realized that the hour must now be drawing close upon the fatal moment
+of midnight. My watch I could not see in the darkness, but by reckoning
+the time that must have elapsed I knew that midnight could not be far
+away. Then presently my ear, alert to every sound, could just
+distinguish far away across the fens the striking of a church bell, in
+the clock tower of Buggam village church, no doubt, tolling the hour of
+twelve.
+
+On the last stroke of twelve, the cupboard door in the next room opened.
+There is no need to ask me how I knew it. I couldn't, of course, see it,
+but I could hear, or sense in some way, the sound of it. I could feel
+my hair, all of it, rising upon my head. I was aware that there was a
+_presence_ in the adjoining room, I will not say a person, a living
+soul, but a _presence_. Anyone who has been in the next room to a
+presence will know just how I felt. I could hear a sound as of some one
+groping on the floor and the faint rattle as of coins.
+
+My hair was now perpendicular. My reader can blame it or not, but it
+was.
+
+Then at this very moment from somewhere below in the building there came
+the sound of a prolonged and piercing cry, a cry as of a soul passing in
+agony. My reader may censure me or not, but right at this moment I
+decided to beat it. Whether I should have remained to see what was
+happening is a question that I will not discuss. My one idea was to get
+out, and to get out quickly. The window of the tower room was some
+twenty-five feet above the ground. I sprang out through the casement in
+one leap and landed on the grass below. I jumped over the shrubbery in
+one bound and cleared the moat in one jump. I went down the avenue in
+about six strides and ran five miles along the road through the fens in
+three minutes. This at least is an accurate transcription of my
+sensations. It may have taken longer. I never stopped till I found
+myself on the threshold of the _Buggam Arms_ in Little Buggam, beating
+on the door for the landlord.
+
+I returned to Buggam Grange on the next day in the bright sunlight of a
+frosty November morning, in a seven-cylinder motor car with six local
+constables and a physician. It makes all the difference. We carried
+revolvers, spades, pickaxes, shotguns and an ouija board.
+
+What we found cleared up for ever the mystery of the Grange. We
+discovered Horrod the butler lying on the dining-room floor quite dead.
+The physician said that he had died from heart failure. There was
+evidence from the marks of his shoes in the dust that he had come in the
+night to the tower room. On the table he had placed a paper which
+contained a full confession of his having murdered Jeremy Buggam fifty
+years before. The circumstances of the murder had rendered it easy for
+him to fasten the crime upon Sir Duggam, already insensible from drink.
+A few minutes with the ouija board enabled us to get a full
+corroboration from Sir Duggam. He promised, moreover, now that his name
+was cleared, to go away from the premises for ever.
+
+My friend, the present Sir Jeremy, has rehabilitated Buggam Grange. The
+place is rebuilt. The moat is drained. The whole house is lit with
+electricity. There are beautiful motor drives in all directions in the
+woods. He has had the bats shot and the owls stuffed. His daughter,
+Clara Buggam, became my wife. She is looking over my shoulder as I
+write. What more do you want?
+
+
+THE END
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+LITERARY LAPSES
+
+_Twelfth Edition. Crown 8vo. 5s. net_
+
+
+ _Spectator._--"This little book is a happy example of the way in
+ which the double life can be lived blamelessly and to the great
+ advantage of the community. The book fairly entitles Mr. Leacock to
+ be considered not only a humorist but a benefactor. The contents
+ should appeal to English readers with the double virtue that
+ attaches to work which is at once new and richly humorous."
+
+ _Globe._--"One specimen of Mr. Leacock's humour, 'Boarding-House
+ Geometry,' has long been treasured on this side."
+
+ _The Guardian._--"Much to be welcomed is Professor Stephen Leacock's
+ 'Literary Lapses,'--this charming and humorous work. All the
+ sketches have a freshness and a new personal touch. Mr. Leacock is,
+ as the politicians say, 'a national asset,' and Mr. Leacock is a
+ Canadian to be proud of. One has the comfortable feeling as one
+ reads that one is in the company of a cultured person capable of
+ attractive varieties of foolishness."
+
+ _Pall Mall Gazette._--"The appearance of 'Literary Lapses' is
+ practically the English debut of a young Canadian writer who is
+ turning from medicine to literature with every success. Dr. Stephen
+ Leacock is at least the equal of many who are likely to be long
+ remembered for their short comic sketches and essays; he has
+ already shown that he has the high spirits of 'Max Adeler' and the
+ fine sense of quick fun. There are many sketches in 'Literary
+ Lapses' that are worthy of comparison with the best American
+ humour."
+
+ _Morning Post._--"The close connection between imagination, humour,
+ and the mathematical faculty has never been so delightfully
+ demonstrated."
+
+ _Outlook._--"Mr. John Lane must be credited with the desire of
+ associating the Bodley Head with the discovery of new humorists.
+ Mr. Leacock sets out to make people laugh. He succeeds and makes
+ them laugh at the right thing. He has a wide range of new subjects;
+ the world will gain in cheerfulness if Mr. Leacock continues to
+ produce so many excellent jests to the book as there are in the one
+ under notice."
+
+ _Truth._--"By the publication of Mr. Stephen Leacock's 'Literary
+ Lapses' Mr. John Lane has introduced to the British Public a new
+ American humorist for whom a widespread popularity can be
+ confidently predicted."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+NONSENSE NOVELS
+
+_THIRTEENTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ _Spectator._--"We can assure our readers who delight in mere joyous
+ desipience that they will find a rich harvest of laughter in the
+ purely irresponsible outpourings of Professor Leacock's fancy."
+
+ _Pall Mall Gazette._--"It is all not only healthy satire, but
+ healthy humour as well, and shows that the author of 'Literary
+ Lapses' is capable of producing a steady flow of high spirits put
+ into a form which is equal to the best traditions of contemporary
+ humour. Mr. Leacock certainly bids fair to rival the immortal
+ 'Lewis Carroll' in combining the irreconcilable--exact science with
+ perfect humour--and making the amusement better the instruction."
+
+ _Daily Mail._--"In his 'Literary Lapses' Mr. Stephen Leacock gave
+ the laughter-loving world assurance of a new humorist of
+ irresistible high spirits and rare spontaneity and freshness. By
+ this rollicking collection of 'Nonsense Novels,' in tabloid form,
+ he not only confirms the excellent impression of his earlier work,
+ but establishes his reputation as a master of the art of literary
+ burlesque. The whole collection is a sheer delight, and places its
+ author in the front rank as a literary humorist."
+
+ Mr. JAMES DOUGLAS in _The Star_.--"We have all laughed
+ over Mr. Stephen Leacock's 'Literary Lapses.' It is one of those
+ books one would die rather than lend, for to lend it is to lose it
+ for ever. Mr. Leacock's new book, 'Nonsense Novels,' is more
+ humorous than 'Literary Lapses.' That is to say, it is the most
+ humorous book we have had since Mr. Dooley swum into our ken. Its
+ humour is so rich that it places Mr. Leacock beside Mark Twain."
+
+ _Morning Leader._--"Mr. Leacock possesses infinite verbal
+ dexterity.... Mr. Leacock must be added as a recognized humorist."
+
+ _Daily Express._--"Mr. Stephen Leacock's 'Nonsense Novels' is the
+ best collection of parodies I have read for many a day. The whole
+ book is a scream, witty, ingenious, irresistible."
+
+ _Public Opinion._--"A most entertaining book."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+SUNSHINE SKETCHES OF A LITTLE TOWN
+
+WITH A FRONTISPIECE BY CYRUS CUNEO
+
+_Ninth Edition. Crown 8vo. 5s. net_
+
+
+ _The Times._--"His real hard work, for which no emolument would be
+ a fitting reward, is distilling sunshine. This new book is full of
+ it--the sunshine of humour, the thin keen sunshine of irony, the
+ mellow evening sunshine of sentiment."
+
+ _Spectator._--"This is not the first but the third volume in which
+ he has contributed to the gaiety of the Old as well as the New
+ World.... A most welcome freedom from the pessimism of Old-World
+ fiction."
+
+ _Academy._--"One of the best and most enjoyable series of sketches
+ that we have read for some time ... they are all bright and
+ sparkling, and bristle with wit and humour."
+
+ _Pall Mall Gazette._--"Like all real humorists Mr. Leacock steps at
+ once into his proper position.... His touch of humour will make the
+ Anglo-Saxon world his reader.... We cannot recall a more laughable
+ book."
+
+ _Globe._--"Professor Leacock never fails to provide a feast of
+ enjoyment.... No one who wishes to dispose intellectually of a few
+ hours should neglect Professor Leacock's admirable contribution to
+ English literature. It is warranted to bring sunshine into every
+ home."
+
+ _Country Life._--"Informed by a droll humour, quite unforced, Mr.
+ Leacock reviews his little community for the sport of the thing,
+ and the result is a natural and delightful piece of work."
+
+ _Daily Telegraph._--"His Sketches are so fresh and delightful in
+ the manner of their presentation.... Allowing for differences of
+ theme, and of the human materials for study, Mr. Leacock strikes us
+ as a sort of Americanised Mr. W. W. Jacobs. Like the English
+ humorist, the Canadian one has a delightfully fresh and amusing way
+ of putting things, of suggesting more than he says, of narrating
+ more or less ordinary happenings in an irresistibly comical
+ fashion.... Mr. Leacock should be popular with readers who can
+ appreciate fun shot with kindly satire."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+BEHIND THE BEYOND
+
+AND OTHER CONTRIBUTIONS TO HUMAN KNOWLEDGE. With 16 Illustrations by
+A. H. FISH.
+
+_Fifth Edition. Crown 8vo. 5s. net_
+
+
+ _Punch._--"In his latest book, 'Behind the Beyond,' he is in
+ brilliant scoring form. I can see 'Behind the Beyond' breaking up
+ many homes; for no family will be able to stand the sudden sharp
+ yelps of laughter which must infallibly punctuate the decent
+ after-dinner silence when one of its members gets hold of this
+ book. It is Mr. Leacock's peculiar gift that he makes you laugh out
+ loud. When Mr. Leacock's literal translation of Homer, on p. 193,
+ met my eye, a howl of mirth broke from me. I also forgot myself
+ over the interview with the photographer. As for the sketch which
+ gives its title, to the book, it is the last word in polished
+ satire. The present volume is Mr. Leacock at his best."
+
+ _Spectator._--"Beneficent contributions to the gaiety of nations.
+ The longest and best thing in the book is the delightful burlesque
+ of a modern problem play. Miss Fish's illustrations are decidedly
+ clever."
+
+ _Observer._--"There are delicious touches in it."
+
+ _Queen._--"All through the book the author furnishes a continual
+ feast of enjoyment."
+
+ _Dundee Advertiser._--"'Behind the Beyond' is a brilliant parody,
+ and the other sketches are all of Mr. Leacock's very best, 'Homer
+ and Humbug' being as fine a piece of raillery as Mr. Leacock has
+ written. Mr. Leacock is a humorist of the first rank, unique in his
+ own sphere, and this volume will add yet more to his reputation."
+
+ _Aberdeen Free Press._--"Exquisite quality ... amazingly funny."
+
+ _Yorkshire Daily Post._--"In the skit on the problem play which
+ gives the book its title the author reaches his high-water mark."
+
+ _Glasgow Herald._--"Another welcome addition to the gaiety of the
+ nations. The title-piece is an inimitably clever skit. It is both
+ genial and realistic, and there is a genuine laugh in every line of
+ it. Humour and artistry are finely blended in the drawings."
+
+ _Daily Express._--"The pictures have genuine and rare distinction."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+ARCADIAN ADVENTURES WITH THE IDLE RICH
+
+_FOURTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ _Spectator._--"A blend of delicious fooling and excellent satire.
+ Once more the author of 'Literary Lapses' has proved himself a
+ benefactor of his kind."
+
+ _Morning Post._--"All the 'Adventures' are full of the fuel of the
+ laughter which is an intellectual thing."
+
+ _Pall Mall Gazette._--"Professor Leacock shows no falling off
+ either in his fund of social observation or his power of turning it
+ to sarcasm and humour. The book is full to the brim with honest
+ laughter and clever ideas."
+
+ _Bystander._--"It is necessary to laugh, now even more necessary
+ than at ordinary times. Fortunately, Professor Leacock produces a
+ new book at the right moment. It will cause many chuckles. He is
+ simply irresistible."
+
+ _Westminster Gazette._--"Marks a distinct advance in Mr. Leacock's
+ artistic development."
+
+ _Daily Chronicle._--"This altogether delightful and brilliant
+ comedy of life.... Mr. Leacock's humour comes from the very depths
+ of a strong personality, and in the midst of a thousand
+ whimsicalities, a thousand searchlights on the puerilities of human
+ nature he never loses touch with the essential bite of life."
+
+ _Saturday Review._--"Professor Leacock is a delightful writer of
+ irresponsible nonsense with a fresh and original touch. These
+ 'Arcadian Adventures' are things of sheer delight."
+
+ _Tatler._--"I have not felt so full of eagerness and life since the
+ war began as after I had read this delightfully humorous and clever
+ book."
+
+ _Evening Standard._--"In this book the satire is brilliantly
+ conspicuous."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+MOONBEAMS FROM THE LARGER LUNACY
+
+_FOURTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ _Times._--"Such a perfect piece of social observation and joyful
+ castigation as the description of the last man in Europe ... the
+ portrait of So-and-so is not likely to be forgotten ... it is so
+ funny and so true."
+
+ _Morning Post._--"Excellent fooling ... wisdom made laughable."
+
+ _Daily Chronicle._--"Here is wit, fun, frolic, nonsense, verse,
+ satire, comedy, criticism--a perfect gold mine for those who love
+ laughter."
+
+ _Sunday Times._--"Very pungent and telling satire. Buy the book--it
+ will give you a happy hour."
+
+ _Standard._--"Under the beams of the moon of his delight, the
+ author never fails to be amusing."
+
+ _Pall Mall Gazette._--"Mr. Leacock's humour is a credit to Canada,
+ for it has a depth and a polish such as are both rare in the
+ literature of a young nation."
+
+ _Land and Water._--"Unlike a number of so-called humorists, Mr.
+ Leacock is really funny, as these sketches prove."
+
+ _Field._--"Indeed a very pleasant hour can be spent with this
+ author, who is full of humour, wit, and cleverness, and by his work
+ adds much to the gaiety of life."
+
+ _Spectator._--"Mr. Leacock has added to our indebtedness by his new
+ budget of refreshing absurdities.... In shooting folly as it flies,
+ he launches darts that find their billet on both sides of the
+ Atlantic."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+ESSAYS AND LITERARY STUDIES
+
+_Fifth Edition. Crown 8vo. 5s. net_
+
+
+ _Truth._--"Full of practical wisdom, as sober as it is sound."
+
+ _Morning Post._--"He is the subtlest of all transatlantic
+ humorists, and, as we have pointed out before, might almost be
+ defined as the discoverer of a method combining English and
+ American humour. But he never takes either his subject or himself
+ too seriously, and the result is a book which is as readable as any
+ of its mirthful predecessors."
+
+ _World._--"Those readers who fail to find pleasure in this new
+ volume of Essays will be difficult to please. Here are discourses
+ in the author's happiest vein."
+
+ _Daily News._--"All are delightful."
+
+ _Bystander._--"No sane person will object to Professor Leacock
+ professing, so long as he periodically issues such good
+ entertainment as 'Essays and Literary Studies.'"
+
+ _Daily Telegraph._--"The engaging talent of this Canadian author
+ has hitherto been exercised in the lighter realm of wit and fancy.
+ In his latest volume there is the same irresistible humour, the
+ same delicate satire, the same joyous freshness; but the wisdom he
+ distils is concerned more with realities of our changing age."
+
+ _Outlook._--"Mr. Leacock's humour is his own, whimsical with the
+ ease of a self-confident personality, far-sighted, quick-witted,
+ and invariably humane."
+
+ _Times._--"Professor Leacock's paper on American humour is quite
+ the best that we know upon the subject."
+
+ _Spectator._--"Those of us who are grateful to Mr. Leacock as an
+ intrepid purveyor of wholesome food for laughter have not failed to
+ recognize that he mingles shrewdness with levity--that he is, in
+ short, wise as well as merry."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+Further Foolishness
+
+SKETCHES AND SATIRES ON THE FOLLIES OF THE DAY
+
+With Coloured Frontispiece by "Fish," and five other Plates by
+M. Blood
+
+_Fourth Edition. Crown 8vo. 5s. net_
+
+
+ _Morning Post._--"An excellent antidote to war worry."
+
+ _Evening Standard._--"You will acknowledge, if you have not done so
+ before, the satirical keenness of Mr. Leacock."
+
+ _Daily Graphic._--"The book is a joy all through, laughter on every
+ page."
+
+ _Times._--"Further examples of the diverting humour of Professor
+ Leacock."
+
+ _Bystander._--"'Further Foolishness,' in a word, is the most
+ admirable tonic which I can prescribe to-day ... the jolliest
+ possible medley."
+
+ _Daily Chronicle._--"Mr. Leacock's fun is fine and delicate, full
+ of quaint surprises; guaranteed to provoke cheerfulness in the
+ dullest. He is a master-humorist, and this book is one of the
+ cleverest examples of honest humour and witty satire ever
+ produced."
+
+ _Spectator._--"In this new budget of absurdities we are more than
+ ever reminded of Mr. Leacock's essential affinity with Artemus
+ Ward, in whose wildest extravagances there was nearly always a core
+ of wholesome sanity, who was always on the side of the angels, and
+ who was a true patriot as well as a great humorist."
+
+ _Pall Mall Gazette._--"A humorist of high excellence."
+
+ _Daily Express._--"Really clever and admirably good fun."
+
+ _Star._--"Some day there will be a Leacock Club. Its members will
+ all possess a sense of humour."
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+FRENZIED FICTION
+
+_FOURTH EDITION_
+
+_Crown 8vo. 5s. net_
+
+
+ "Everything in 'Frenzied Fiction' is exhilarating. Full of good
+ things."--_Morning Post._
+
+ "More delightful samples of Leacock humour. These delightful
+ chapters show Mr. Leacock at his best."
+
+ _Daily Graphic._
+
+ "Stephen Leacock has firmly established himself in public favour as
+ one of our greatest humorists. His readers will be more than
+ pleased with 'Frenzied Fiction.'"--_Evening Standard._
+
+ "It is enough to say that Mr. Leacock retains an unimpaired command
+ of his happy gift of disguising sanity in the garb of the
+ ludicrous. There is always an ultimate core of shrewd common-sense
+ in his burlesques."--_Spectator._
+
+ "Full of mellow humour."--_Daily Mail._
+
+ "From beginning to end the book is one long gurgle of
+ delight."--_World._
+
+ "If it is your first venture into the Leacockian world read that
+ delicious parody 'My Revelations as a Spy,' and we will be sworn
+ that before you've turned half a dozen pages you will have become a
+ life-member of the Leacock Lodge."--_Town Topics._
+
+ "When humour is such as you get in 'Frenzied Fiction' it is a very
+ good thing indeed."--_Sketch._
+
+ "There is always sufficient sense under Stephen Leacock's nonsense
+ to enable one to read him at least twice."--_Land and Water._
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+THE HOHENZOLLERNS IN AMERICA
+
+AND OTHER IMPOSSIBILITIES
+
+_Crown 8vo. 5s. net_
+
+
+ "Equal in gay humour and deft satire to any of its predecessors,
+ and no holiday will be so gay but this volume will make it
+ gayer.... It is a book of rollicking good humour that will keep you
+ chuckling long past summer-time."--_Daily Chronicle._
+
+ "At his best, full of whims and oddities ... the most cheerful of
+ humorists and the wisest of wayside philosophers."--_Daily
+ Telegraph._
+
+ "He has never provided finer food for quiet enjoyment ... his
+ precious quality of Rabelaisian humanism has matured and broadened
+ in its sympathy."--_Globe._
+
+ "In the author's merriest mood. All of it is distilled wit and
+ wisdom of the best brand, full of honest laughter, fun and frolic,
+ comedy and criticism."--_Daily Graphic._
+
+ "The book is inspired by that spirit of broad farce which runs
+ glorious riot through nearly all that Stephen Leacock has
+ written."--_Bookman._
+
+ "He has all the energy and exuberance of the born humorist.... All
+ admirers will recognize it as typical of Mr. Leacock's best
+ work."--_Manchester Guardian._
+
+ "An entertaining volume."--_Scotsman._
+
+
+ * * * * *
+
+
+BY THE SAME AUTHOR
+
+THE UNSOLVED RIDDLE OF SOCIAL JUSTICE
+
+_Crown 8vo. 5s. net_
+
+
+ A discussion of the new social unrest, the transformation of
+ society which it portends and the social catastrophe which it might
+ precipitate.
+
+ The point of view taken by the author leads towards the conclusion
+ that the safety of the future lies in a progressive movement of
+ social control alleviating at least the misery it cannot
+ obliterate, and based upon the broad general principle of equality
+ of opportunity, and a fair start. The chief immediate opportunities
+ for social betterment, as the writer sees them, lie in the attempt
+ to give every human being in childhood, education and opportunity.
+
+ "His book is short, lucid, always to the point, and sometimes
+ witty."--_Times._
+
+ "A book for the times, suggestive, critical and highly stimulating.
+ Mr. Leacock surveys the troubled hour and discusses the popular
+ palliatives with a keen, unbiassed intelligence and splendid
+ sympathy. I hope it will have as large a circulation as any of his
+ humorous books, for it has much wisdom in it."--_Daily Chronicle._
+
+ "The charm of Mr. Leacock's book is ... that it deals tersely and
+ clearly with the problem of Social Justice without technical jargon
+ or any abuse of generalities."--_Morning Post._
+
+
+ * * * * *
+
+
+THE HUMOROUS NOVELS OF HARRY LEON WILSON
+
+
+BUNKER BEAN
+MA PETTENGILL
+SOMEWHERE IN RED GAP
+RUGGLES OF RED GAP
+
+
+_Crown 8vo. 7s. net_
+
+ Harry Leon Wilson is one of the first of American humorists, and in
+ popularity he is a close rival of O. Henry. His "Ruggles of Red
+ Gap," published at the beginning of the war, achieved a distinct
+ success in England, while the raciness and vivacity of "Ma
+ Pettengill" have furthered the author's reputation as an inimitable
+ delineator of Western comedy. An English edition of this author's
+ works is in course of preparation, of which the above are the first
+ volumes.
+
+
+ "The author has the rare and precious gift of original
+ humour."--_Daily Graphic._
+
+ "Thackeray would have enjoyed Mr. Wilson's merry tale of 'Ruggles
+ of Red Gap.' A very triumph of farce."--_Sunday Times._
+
+ "Mr. Wilson is an American humorist of the first water. We have not
+ for a long time seen anything so clever in its way and so
+ outrageously funny."--_Literary World._
+
+
+LONDON: JOHN LANE, THE BODLEY HEAD
+
+
+
+
+
+End of the Project Gutenberg EBook of Winsome Winnie and other New Nonsense
+Novels, by Stephen Leacock
+
+*** END OF THIS PROJECT GUTENBERG EBOOK WINSOME WINNIE AND OTHERS ***
+
+***** This file should be named 20633.txt or 20633.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/0/6/3/20633/
+
+Produced by Malcolm Farmer and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/20633.zip b/20633.zip
new file mode 100644
index 0000000..2b5eaf1
--- /dev/null
+++ b/20633.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..18467e3
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #20633 (https://www.gutenberg.org/ebooks/20633)