summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--18781-0.txt1235
-rw-r--r--18781-0.zipbin0 -> 23056 bytes
-rw-r--r--18781-h.zipbin0 -> 24958 bytes
-rw-r--r--18781-h/18781-h.htm1401
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/18781.txt1256
-rw-r--r--old/18781.zipbin0 -> 23066 bytes
9 files changed, 3908 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/18781-0.txt b/18781-0.txt
new file mode 100644
index 0000000..104319e
--- /dev/null
+++ b/18781-0.txt
@@ -0,0 +1,1235 @@
+The Project Gutenberg eBook of Hero and Leander, by Christopher Marlowe
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: Hero and Leander
+
+Author: Christopher Marlowe
+
+Release Date: July 7, 2006 [eBook #18781]
+[Most recently updated: April 28, 2021]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Daniel Callahan
+
+*** START OF THE PROJECT GUTENBERG EBOOK HERO AND LEANDER ***
+
+
+
+
+Hero and Leander
+
+by Christopher Marlowe
+
+
+
+
+FIRST SESTIAD
+
+
+On Hellespont, guilty of true-love’s blood,
+In view and opposite two cities stood,
+Sea-borderers, disjoined by Neptune’s might;
+The one Abydos, the other Sestos hight.
+At Sestos Hero dwelt; Hero the fair,
+Whom young Apollo courted for her hair,
+And offered as a dower his burning throne,
+Where she should sit for men to gaze upon.
+The outside of her garments were of lawn,
+The lining purple silk, with gilt stars drawn;
+Her wide sleeves green, and bordered with a grove,
+Where Venus in her naked glory strove
+To please the careless and disdainful eyes
+Of proud Adonis, that before her lies.
+Her kirtle blue, whereon was many a stain,
+Made with the blood of wretched lovers slain.
+Upon her head she ware a myrtle wreath,
+From whence her veil reached to the ground beneath.
+Her veil was artificial flowers and leaves
+Whose workmanship both man and beast deceives.
+Many would praise the sweet smell as she passed,
+When ’twas the odour which her breath forth cast;
+And there for honey bees have sought in vain,
+And, beat from thence, have lighted there again.
+About her neck hung chains of pebblestone,
+Which, lightened by her neck, like diamonds shone.
+She ware no gloves; for neither sun nor wind
+Would burn or parch her hands, but to her mind,
+Or warm or cool them, for they took delight
+To play upon those hands, they were so white.
+Buskins of shells, all silvered used she,
+And branched with blushing coral to the knee;
+Where sparrows perched of hollow pearl and gold,
+Such as the world would wonder to behold.
+Those with sweet water oft her handmaid fills,
+Which, as she went, would chirrup through the bills.
+Some say for her the fairest Cupid pined
+And looking in her face was strooken blind.
+But this is true: so like was one the other,
+As he imagined Hero was his mother.
+And oftentimes into her bosom flew,
+About her naked neck his bare arms threw,
+And laid his childish head upon her breast,
+And, with still panting rocked, there took his rest.
+So lovely fair was Hero, Venus’ nun,
+As Nature wept, thinking she was undone,
+Because she took more from her than she left,
+And of such wondrous beauty her bereft.
+Therefore, in sign her treasure suffered wrack,
+Since Hero’s time hath half the world been black.
+
+Amorous Leander, beautiful and young,
+(whose tragedy divine Musaeus sung,)
+Dwelt at Abydos; since him dwelt there none
+For whom succeeding times make greater moan.
+His dangling tresses, that were never shorn,
+Had they been cut, and unto Colchos borne,
+Would have allured the vent’rous youth of Greece
+To hazard more than for the golden fleece.
+Fair Cynthia wished his arms might be her sphere;
+Grief makes her pale, because she moves not there.
+His body was as straight as Circe’s wand;
+Jove might have sipped out nectar from his hand.
+Even as delicious meat is to the taste,
+So was his neck in touching, and surpassed
+The white of Pelop’s shoulder. I could tell ye
+How smooth his breast was and how white his belly;
+And whose immortal fingers did imprint
+That heavenly path with many a curious dint
+That runs along his back, but my rude pen
+Can hardly blazon forth the loves of men,
+Much less of powerful gods. Let it suffice
+That my slack Muse sings of Leander’s eyes,
+Those orient cheeks and lips, exceeding his
+That leaped into the water for a kiss
+Of his own shadow and, despising many,
+Died ere he could enjoy the love of any.
+Had wild Hippolytus Leander seen
+Enamoured of his beauty had he been.
+His presence made the rudest peasant melt
+That in the vast uplandish country dwelt.
+The barbarous Thracian soldier, moved with nought,
+Was moved with him and for his favour sought.
+Some swore he was a maid in man’s attire,
+For in his looks were all that men desire,
+A pleasant smiling cheek, a speaking eye,
+A brow for love to banquet royally;
+And such as knew he was a man, would say,
+“Leander, thou art made for amorous play.
+Why art thou not in love, and loved of all?
+Though thou be fair, yet be not thine own thrall.”
+
+The men of wealthy Sestos every year,
+(For his sake whom their goddess held so dear,
+Rose-cheeked Adonis) kept a solemn feast.
+Thither resorted many a wandering guest
+To meet their loves. Such as had none at all,
+Came lovers home from this great festival.
+For every street like to a firmament
+Glistered with breathing stars who, where they went,
+Frighted the melancholy earth which deemed
+Eternal heaven to burn, for so it seemed,
+As if another Phaeton had got
+The guidance of the sun’s rich chariot.
+But far above the loveliest Hero shined
+And stole away th’ enchanted gazer’s mind,
+For like sea nymphs’ enveigling Harmony,
+So was her beauty to the standers by.
+Nor that night-wandering, pale, and wat’ry star
+(When yawning dragons draw her thirling car
+From Latmus’ mount up to the gloomy sky
+Where, crowned with blazing light and majesty,
+She proudly sits) more overrules the flood
+Than she the hearts of those that near her stood.
+Even as, when gaudy nymphs pursue the chase,
+Wretched Ixion’s shaggy footed race,
+Incensed with savage heat, gallop amain
+From steep pine-bearing mountains to the plain.
+So ran the people forth to gaze upon her,
+And all that viewed her were enamoured on her.
+And as in fury of a dreadful fight,
+Their fellows being slain or put to flight,
+Poor soldiers stand with fear of death dead strooken,
+So at her presence all surprised and tooken,
+Await the sentence of her scornful eyes.
+He whom she favours lives, the other dies.
+There might you see one sigh, another rage;
+And some, (their violent passions to assuage)
+Compile sharp satires, but alas too late,
+For faithful love will never turn to hate.
+And many seeing great princes were denied
+Pin’d as they went, and thinking on her died.
+On this feast day, O cursed day and hour,
+Went Hero thorough Sestos from her tower
+To Venus’ temple, where unhappily
+As after chanced, they did each other spy.
+
+So fair a church as this had Venus none.
+The walls were of discoloured jasper stone
+Wherein was Proteus carved, and o’erhead
+A lively vine of green sea agate spread,
+Where by one hand lightheaded Bacchus hung,
+And, with the other, wine from grapes out wrung.
+Of crystal shining fair the pavement was.
+The town of Sestos called it Venus’ glass.
+There might you see the gods in sundry shapes
+Committing heady riots, incest, rapes.
+For know, that underneath this radiant floor
+Was Danae’s statue in a brazen tower,
+Jove slyly stealing from his sister’s bed,
+To dally with Idalian Ganymede,
+And for his love Europa bellowing loud,
+And tumbling with the Rainbow in a cloud;
+Blood quaffing Mars heaving the iron net
+Which limping Vulcan and his Cyclops set;
+Love kindling fire to burn such towns as Troy;
+Sylvanus weeping for the lovely boy
+That now is turned into a cypress tree,
+Under whose shade the wood gods love to be.
+And in the midst a silver altar stood.
+There Hero, sacrificing turtle’s blood,
+Vailed to the ground, vailing her eyelids close,
+And modestly they opened as she rose.
+Thence flew Love’s arrow with the golden head,
+And thus Leander was enamoured.
+Stone still he stood, and evermore he gazed
+Till with the fire that from his countenance blazed
+Relenting Hero’s gentle heart was strook.
+Such force and virtue hath an amorous look.
+
+It lies not in our power to love or hate,
+For will in us is overruled by fate.
+When two are stripped, long ere the course begin
+We wish that one should lose, the other win.
+And one especially do we affect
+Of two gold ingots like in each respect.
+The reason no man knows; let it suffice
+What we behold is censured by our eyes.
+Where both deliberate, the love is slight:
+Who ever loved, that loved not at first sight?
+
+He kneeled, but unto her devoutly prayed.
+Chaste Hero to herself thus softly said,
+“Were I the saint he worships, I would hear him;”
+And, as she spake those words, came somewhat near him.
+He started up, she blushed as one ashamed,
+Wherewith Leander much more was inflamed.
+He touched her hand; in touching it she trembled.
+Love deeply grounded, hardly is dissembled.
+These lovers parleyed by the touch of hands;
+True love is mute, and oft amazed stands.
+Thus while dumb signs their yielding hearts entangled,
+The air with sparks of living fire was spangled,
+And night, deep drenched in misty Acheron,
+Heaved up her head, and half the world upon
+Breathed darkness forth (dark night is Cupid’s day).
+And now begins Leander to display
+Love’s holy fire, with words, with sighs, and tears,
+Which like sweet music entered Hero’s ears,
+And yet at every word she turned aside,
+And always cut him off as he replied.
+At last, like to a bold sharp sophister,
+With cheerful hope thus he accosted her.
+“Fair creature, let me speak without offence.
+I would my rude words had the influence
+To lead thy thoughts as thy fair looks do mine,
+Then shouldst thou be his prisoner, who is thine.
+Be not unkind and fair; misshapen stuff
+Are of behaviour boisterous and rough.
+O shun me not, but hear me ere you go.
+God knows I cannot force love as you do.
+My words shall be as spotless as my youth,
+Full of simplicity and naked truth.
+This sacrifice, (whose sweet perfume descending
+From Venus’ altar, to your footsteps bending)
+Doth testify that you exceed her far,
+To whom you offer, and whose nun you are.
+Why should you worship her? Her you surpass
+As much as sparkling diamonds flaring glass.
+A diamond set in lead his worth retains;
+A heavenly nymph, beloved of human swains,
+Receives no blemish, but ofttimes more grace;
+Which makes me hope, although I am but base:
+Base in respect of thee, divine and pure,
+Dutiful service may thy love procure.
+And I in duty will excel all other,
+As thou in beauty dost exceed Love’s mother.
+Nor heaven, nor thou, were made to gaze upon,
+As heaven preserves all things, so save thou one.
+A stately builded ship, well rigged and tall,
+The ocean maketh more majestical.
+Why vowest thou then to live in Sestos here
+Who on Love’s seas more glorious wouldst appear?
+Like untuned golden strings all women are,
+Which long time lie untouched, will harshly jar.
+Vessels of brass, oft handled, brightly shine.
+What difference betwixt the richest mine
+And basest mould, but use? For both, not used,
+Are of like worth. Then treasure is abused
+When misers keep it; being put to loan,
+In time it will return us two for one.
+Rich robes themselves and others do adorn;
+Neither themselves nor others, if not worn.
+Who builds a palace and rams up the gate
+Shall see it ruinous and desolate.
+Ah, simple Hero, learn thyself to cherish.
+Lone women like to empty houses perish.
+Less sins the poor rich man that starves himself
+In heaping up a mass of drossy pelf,
+Than such as you. His golden earth remains
+Which, after his decease, some other gains.
+But this fair gem, sweet in the loss alone,
+When you fleet hence, can be bequeathed to none.
+Or, if it could, down from th’enameled sky
+All heaven would come to claim this legacy,
+And with intestine broils the world destroy,
+And quite confound nature’s sweet harmony.
+Well therefore by the gods decreed it is
+We human creatures should enjoy that bliss.
+One is no number; maids are nothing then
+Without the sweet society of men.
+Wilt thou live single still? One shalt thou be,
+Though never singling Hymen couple thee.
+Wild savages, that drink of running springs,
+Think water far excels all earthly things,
+But they that daily taste neat wine despise it.
+Virginity, albeit some highly prize it,
+Compared with marriage, had you tried them both,
+Differs as much as wine and water doth.
+Base bullion for the stamp’s sake we allow;
+Even so for men’s impression do we you,
+By which alone, our reverend fathers say,
+Women receive perfection every way.
+This idol which you term virginity
+Is neither essence subject to the eye
+No, nor to any one exterior sense,
+Nor hath it any place of residence,
+Nor is’t of earth or mould celestial,
+Or capable of any form at all.
+Of that which hath no being do not boast;
+Things that are not at all are never lost.
+Men foolishly do call it virtuous;
+What virtue is it that is born with us?
+Much less can honour be ascribed thereto;
+Honour is purchased by the deeds we do.
+Believe me, Hero, honour is not won
+Until some honourable deed be done.
+Seek you for chastity, immortal fame,
+And know that some have wronged Diana’s name?
+Whose name is it, if she be false or not
+So she be fair, but some vile tongues will blot?
+But you are fair, (ay me) so wondrous fair,
+So young, so gentle, and so debonair,
+As Greece will think if thus you live alone
+Some one or other keeps you as his own.
+Then, Hero, hate me not nor from me fly
+To follow swiftly blasting infamy.
+Perhaps thy sacred priesthood makes thee loath.
+Tell me, to whom mad’st thou that heedless oath?”
+
+“To Venus,” answered she and, as she spake,
+Forth from those two tralucent cisterns brake
+A stream of liquid pearl, which down her face
+Made milk-white paths, whereon the gods might trace
+To Jove’s high court. He thus replied: “The rites
+In which love’s beauteous empress most delights
+Are banquets, Doric music, midnight revel,
+Plays, masks, and all that stern age counteth evil.
+Thee as a holy idiot doth she scorn
+For thou in vowing chastity hast sworn
+To rob her name and honour, and thereby
+Committ’st a sin far worse than perjury,
+Even sacrilege against her deity,
+Through regular and formal purity.
+To expiate which sin, kiss and shake hands.
+Such sacrifice as this Venus demands.”
+
+Thereat she smiled and did deny him so,
+As put thereby, yet might he hope for moe.
+Which makes him quickly re-enforce his speech,
+And her in humble manner thus beseech.
+“Though neither gods nor men may thee deserve,
+Yet for her sake, whom you have vowed to serve,
+Abandon fruitless cold virginity,
+The gentle queen of love’s sole enemy.
+Then shall you most resemble Venus’ nun,
+When Venus’ sweet rites are performed and done.
+Flint-breasted Pallas joys in single life,
+But Pallas and your mistress are at strife.
+Love, Hero, then, and be not tyrannous,
+But heal the heart that thou hast wounded thus,
+Nor stain thy youthful years with avarice.
+Fair fools delight to be accounted nice.
+The richest corn dies, if it be not reaped;
+Beauty alone is lost, too warily kept.”
+
+These arguments he used, and many more,
+Wherewith she yielded, that was won before.
+Hero’s looks yielded but her words made war.
+Women are won when they begin to jar.
+Thus, having swallowed Cupid’s golden hook,
+The more she strived, the deeper was she strook.
+Yet, evilly feigning anger, strove she still
+And would be thought to grant against her will.
+So having paused a while at last she said,
+“Who taught thee rhetoric to deceive a maid?
+Ay me, such words as these should I abhor
+And yet I like them for the orator.”
+
+With that Leander stooped to have embraced her
+But from his spreading arms away she cast her,
+And thus bespake him: “Gentle youth, forbear
+To touch the sacred garments which I wear.
+Upon a rock and underneath a hill
+Far from the town (where all is whist and still,
+Save that the sea, playing on yellow sand,
+Sends forth a rattling murmur to the land,
+Whose sound allures the golden Morpheus
+In silence of the night to visit us)
+My turret stands and there, God knows, I play,
+With Venus’ swans and sparrows all the day.
+A dwarfish beldam bears me company,
+That hops about the chamber where I lie,
+And spends the night (that might be better spent)
+In vain discourse and apish merriment.
+Come thither.” As she spake this, her tongue tripped,
+For unawares “come thither” from her slipped.
+And suddenly her former colour changed,
+And here and there her eyes through anger ranged.
+And like a planet, moving several ways,
+At one self instant she, poor soul, assays,
+Loving, not to love at all, and every part
+Strove to resist the motions of her heart.
+And hands so pure, so innocent, nay, such
+As might have made heaven stoop to have a touch,
+Did she uphold to Venus, and again
+Vowed spotless chastity, but all in vain.
+Cupid beats down her prayers with his wings,
+Her vows above the empty air he flings,
+All deep enraged, his sinewy bow he bent,
+And shot a shaft that burning from him went,
+Wherewith she strooken, looked so dolefully,
+As made love sigh to see his tyranny.
+And as she wept her tears to pearl he turned,
+And wound them on his arm and for her mourned.
+Then towards the palace of the destinies
+Laden with languishment and grief he flies,
+And to those stern nymphs humbly made request
+Both might enjoy each other, and be blest.
+But with a ghastly dreadful countenance,
+Threatening a thousand deaths at every glance,
+They answered Love, nor would vouchsafe so much
+As one poor word, their hate to him was such.
+Hearken a while and I will tell you why.
+Heaven’s winged herald, Jove-borne Mercury,
+The selfsame day that he asleep had laid
+Enchanted Argus, spied a country maid
+Whose careless hair instead of pearl t’adorn it
+Glistered with dew, as one that seemed to scorn it;
+Her breath as fragrant as the morning rose,
+Her mind pure, and her tongue untaught to gloze.
+Yet proud she was (for lofty pride that dwells
+In towered courts is oft in shepherds’ cells.)
+And too too well the fair vermilion knew,
+And silver tincture of her cheeks, that drew
+The love of every swain. On her this god
+Enamoured was, and with his snaky rod
+Did charm her nimble feet, and made her stay,
+The while upon a hillock down he lay
+And sweetly on his pipe began to play,
+And with smooth speech her fancy to assay,
+Till in his twining arms he locked her fast
+And then he wooed with kisses; and at last,
+As shepherds do, her on the ground he laid
+And, tumbling in the grass, he often strayed
+Beyond the bounds of shame, in being bold
+To eye those parts which no eye should behold.
+And, like an insolent commanding lover
+Boasting his parentage, would needs discover
+The way to new Elysium, but she,
+Whose only dower was her chastity,
+Having striv’n in vain was now about to cry
+And crave the help of shepherds that were nigh.
+Herewith he stayed his fury, and began
+To give her leave to rise. Away she ran;
+After went Mercury who used such cunning
+As she, to hear his tale, left off her running.
+Maids are not won by brutish force and might,
+But speeches full of pleasure, and delight.
+And, knowing Hermes courted her, was glad
+That she such loveliness and beauty had
+As could provoke his liking, yet was mute
+And neither would deny nor grant his suit.
+Still vowed he love. She, wanting no excuse
+To feed him with delays, as women use,
+Or thirsting after immortality, -
+All women are ambitious naturally -
+Imposed upon her lover such a task
+As he ought not perform nor yet she ask.
+A draught of flowing nectar she requested,
+Wherewith the king of gods and men is feasted.
+He, ready to accomplish what she willed,
+Stole some from Hebe (Hebe Jove’s cup filled)
+And gave it to his simple rustic love.
+Which being known (as what is hid from Jove?)
+He inly stormed and waxed more furious
+Than for the fire filched by Prometheus,
+And thrusts him down from heaven. He, wandering here,
+In mournful terms, with sad and heavy cheer,
+Complained to Cupid. Cupid for his sake,
+To be revenged on Jove did undertake.
+And those on whom heaven, earth, and hell relies,
+I mean the adamantine Destinies,
+He wounds with love, and forced them equally
+To dote upon deceitful Mercury.
+They offered him the deadly fatal knife
+That shears the slender threads of human life.
+At his fair feathered feet the engines laid
+Which th’ earth from ugly Chaos’ den upweighed.
+These he regarded not but did entreat
+That Jove, usurper of his father’s seat,
+Might presently be banished into hell,
+And aged Saturn in Olympus dwell.
+They granted what he craved, and once again
+Saturn and Ops began their golden reign.
+Murder, rape, war, lust, and treachery,
+Were with Jove closed in Stygian empery.
+But long this blessed time continued not.
+As soon as he his wished purpose got
+He reckless of his promise did despise
+The love of th’ everlasting Destinies.
+They seeing it both love and him abhorred
+And Jupiter unto his place restored.
+And but that Learning in despite of Fate
+Will mount aloft and enter heaven gate
+And to the seat of Jove itself advance,
+Hermes had slept in hell with Ignorance.
+Yet as a punishment they added this,
+That he and Poverty should always kiss.
+And to this day is every scholar poor;
+Gross gold from them runs headlong to the boor.
+Likewise the angry Sisters thus deluded,
+To venge themselves on Hermes, have concluded
+That Midas’ brood shall sit in honour’s chair,
+To which the Muses’ sons are only heir;
+And fruitful wits, that in aspiring are,
+Shall discontent run into regions far;
+And few great lords in virtuous deeds shall joy
+But be surprised with every garish toy,
+And still enrich the lofty servile clown,
+Who with encroaching guile keeps learning down.
+Then Muse not Cupid’s suit no better sped,
+Seeing in their loves the Fates were injured.
+
+(The end of the First Sestiad)
+
+
+
+
+SECOND SESTIAD
+
+
+By this, sad Hero, with love unacquainted,
+Viewing Leander’s face, fell down and fainted.
+He kissed her and breathed life into her lips,
+Wherewith as one displeased away she trips.
+Yet, as she went, full often looked behind,
+And many poor excuses did she find
+To linger by the way, and once she stayed,
+And would have turned again, but was afraid,
+In offering parley, to be counted light.
+So on she goes and in her idle flight
+Her painted fan of curled plumes let fall,
+Thinking to train Leander therewithal.
+He, being a novice, knew not what she meant
+But stayed, and after her a letter sent,
+Which joyful Hero answered in such sort,
+As he had hope to scale the beauteous fort
+Wherein the liberal Graces locked their wealth,
+And therefore to her tower he got by stealth.
+Wide open stood the door, he need not climb,
+And she herself before the pointed time
+Had spread the board, with roses strowed the room,
+And oft looked out, and mused he did not come.
+At last he came. O who can tell the greeting
+These greedy lovers had at their first meeting.
+He asked, she gave, and nothing was denied.
+Both to each other quickly were affied.
+Look how their hands, so were their hearts united,
+And what he did she willingly requited.
+(Sweet are the kisses, the embracements sweet,
+When like desires and affections meet,
+For from the earth to heaven is Cupid raised,
+Where fancy is in equal balance peised.)
+Yet she this rashness suddenly repented
+And turned aside, and to herself lamented
+As if her name and honour had been wronged
+By being possessed of him for whom she longed.
+Ay, and she wished, albeit not from her heart
+That he would leave her turret and depart.
+The mirthful god of amorous pleasure smiled
+To see how he this captive nymph beguiled.
+For hitherto he did but fan the fire,
+And kept it down that it might mount the higher.
+Now waxed she jealous lest his love abated,
+Fearing her own thoughts made her to be hated.
+Therefore unto him hastily she goes
+And, like light Salmacis, her body throws
+Upon his bosom where with yielding eyes
+She offers up herself a sacrifice
+To slake his anger if he were displeased.
+O, what god would not therewith be appeased?
+Like Aesop’s cock this jewel he enjoyed
+And as a brother with his sister toyed
+Supposing nothing else was to be done,
+Now he her favour and good will had won.
+But know you not that creatures wanting sense
+By nature have a mutual appetence,
+And, wanting organs to advance a step,
+Moved by love’s force unto each other lep?
+Much more in subjects having intellect
+Some hidden influence breeds like effect.
+Albeit Leander rude in love and raw,
+Long dallying with Hero, nothing saw
+That might delight him more, yet he suspected
+Some amorous rites or other were neglected.
+Therefore unto his body hers he clung.
+She, fearing on the rushes to be flung,
+Strived with redoubled strength; the more she strived
+The more a gentle pleasing heat revived,
+Which taught him all that elder lovers know.
+And now the same gan so to scorch and glow
+As in plain terms (yet cunningly) he craved it.
+Love always makes those eloquent that have it.
+She, with a kind of granting, put him by it
+And ever, as he thought himself most nigh it,
+Like to the tree of Tantalus, she fled
+And, seeming lavish, saved her maidenhead.
+Ne’er king more sought to keep his diadem,
+Than Hero this inestimable gem.
+Above our life we love a steadfast friend,
+Yet when a token of great worth we send,
+We often kiss it, often look thereon,
+And stay the messenger that would be gone.
+No marvel then, though Hero would not yield
+So soon to part from that she dearly held.
+Jewels being lost are found again, this never;
+’Tis lost but once, and once lost, lost forever.
+
+Now had the morn espied her lover’s steeds,
+Whereat she starts, puts on her purple weeds,
+And red for anger that he stayed so long
+All headlong throws herself the clouds among.
+And now Leander, fearing to be missed,
+Embraced her suddenly, took leave, and kissed.
+Long was he taking leave, and loath to go,
+And kissed again as lovers use to do.
+Sad Hero wrung him by the hand and wept
+Saying, “Let your vows and promises be kept.”
+Then standing at the door she turned about
+As loath to see Leander going out.
+And now the sun that through th’ horizon peeps,
+As pitying these lovers, downward creeps,
+So that in silence of the cloudy night,
+Though it was morning, did he take his flight.
+But what the secret trusty night concealed
+Leander’s amorous habit soon revealed.
+With Cupid’s myrtle was his bonnet crowned,
+About his arms the purple riband wound
+Wherewith she wreathed her largely spreading hair.
+Nor could the youth abstain, but he must wear
+The sacred ring wherewith she was endowed
+When first religious chastity she vowed.
+Which made his love through Sestos to be known,
+And thence unto Abydos sooner blown
+Than he could sail; for incorporeal fame
+Whose weight consists in nothing but her name,
+Is swifter than the wind, whose tardy plumes
+Are reeking water and dull earthly fumes.
+Home when he came, he seemed not to be there,
+But, like exiled air thrust from his sphere,
+Set in a foreign place; and straight from thence,
+Alcides like, by mighty violence
+He would have chased away the swelling main
+That him from her unjustly did detain.
+Like as the sun in a diameter
+Fires and inflames objects removed far,
+And heateth kindly, shining laterally,
+So beauty sweetly quickens when ’tis nigh,
+But being separated and removed,
+Burns where it cherished, murders where it loved.
+Therefore even as an index to a book,
+So to his mind was young Leander’s look.
+O, none but gods have power their love to hide,
+Affection by the countenance is descried.
+The light of hidden fire itself discovers,
+And love that is concealed betrays poor lovers,
+His secret flame apparently was seen.
+Leander’s father knew where he had been
+And for the same mildly rebuked his son,
+Thinking to quench the sparkles new begun.
+But love resisted once grows passionate,
+And nothing more than counsel lovers hate.
+For as a hot proud horse highly disdains
+To have his head controlled, but breaks the reins,
+Spits forth the ringled bit, and with his hooves
+Checks the submissive ground; so he that loves,
+The more he is restrained, the worse he fares.
+What is it now, but mad Leander dares?
+“O Hero, Hero!” thus he cried full oft;
+And then he got him to a rock aloft,
+Where having spied her tower, long stared he on’t,
+And prayed the narrow toiling Hellespont
+To part in twain, that he might come and go;
+But still the rising billows answered, “No.”
+With that he stripped him to the ivory skin
+And, crying “Love, I come,” leaped lively in.
+Whereat the sapphire visaged god grew proud,
+And made his capering Triton sound aloud,
+Imagining that Ganymede, displeased,
+Had left the heavens; therefore on him he seized.
+Leander strived; the waves about him wound,
+And pulled him to the bottom, where the ground
+Was strewed with pearl, and in low coral groves
+Sweet singing mermaids sported with their loves
+On heaps of heavy gold, and took great pleasure
+To spurn in careless sort the shipwrack treasure.
+For here the stately azure palace stood
+Where kingly Neptune and his train abode.
+The lusty god embraced him, called him “Love,”
+And swore he never should return to Jove.
+But when he knew it was not Ganymede,
+For under water he was almost dead,
+He heaved him up and, looking on his face,
+Beat down the bold waves with his triple mace,
+Which mounted up, intending to have kissed him,
+And fell in drops like tears because they missed him.
+Leander, being up, began to swim
+And, looking back, saw Neptune follow him,
+Whereat aghast, the poor soul ’gan to cry
+“O, let me visit Hero ere I die!”
+The god put Helle’s bracelet on his arm,
+And swore the sea should never do him harm.
+He clapped his plump cheeks, with his tresses played
+And, smiling wantonly, his love bewrayed.
+He watched his arms and, as they opened wide
+At every stroke, betwixt them would he slide
+And steal a kiss, and then run out and dance,
+And, as he turned, cast many a lustful glance,
+And threw him gaudy toys to please his eye,
+And dive into the water, and there pry
+Upon his breast, his thighs, and every limb,
+And up again, and close beside him swim,
+And talk of love. Leander made reply,
+“You are deceived; I am no woman, I.”
+Thereat smiled Neptune, and then told a tale,
+How that a shepherd, sitting in a vale,
+Played with a boy so fair and kind,
+As for his love both earth and heaven pined;
+That of the cooling river durst not drink,
+Lest water nymphs should pull him from the brink.
+And when he sported in the fragrant lawns,
+Goat footed satyrs and upstaring fauns
+Would steal him thence. Ere half this tale was done,
+“Ay me,” Leander cried, “th’ enamoured sun
+That now should shine on Thetis’ glassy bower,
+Descends upon my radiant Hero’s tower.
+O, that these tardy arms of mine were wings!”
+And, as he spake, upon the waves he springs.
+Neptune was angry that he gave no ear,
+And in his heart revenging malice bare.
+He flung at him his mace but, as it went,
+He called it in, for love made him repent.
+The mace, returning back, his own hand hit
+As meaning to be venged for darting it.
+When this fresh bleeding wound Leander viewed,
+His colour went and came, as if he rued
+The grief which Neptune felt. In gentle breasts
+Relenting thoughts, remorse, and pity rests.
+And who have hard hearts and obdurate minds,
+But vicious, harebrained, and illiterate hinds?
+The god, seeing him with pity to be moved,
+Thereon concluded that he was beloved.
+(Love is too full of faith, too credulous,
+With folly and false hope deluding us.)
+Wherefore, Leander’s fancy to surprise,
+To the rich Ocean for gifts he flies.
+’Tis wisdom to give much; a gift prevails
+When deep persuading oratory fails.
+
+By this Leander, being near the land,
+Cast down his weary feet and felt the sand.
+Breathless albeit he were he rested not
+Till to the solitary tower he got,
+And knocked and called. At which celestial noise
+The longing heart of Hero much more joys
+Than nymphs and shepherds when the timbrel rings,
+Or crooked dolphin when the sailor sings.
+She stayed not for her robes but straight arose
+And, drunk with gladness, to the door she goes,
+Where seeing a naked man, she screeched for fear
+(Such sights as this to tender maids are rare)
+And ran into the dark herself to hide.
+(Rich jewels in the dark are soonest spied).
+Unto her was he led, or rather drawn
+By those white limbs which sparkled through the lawn.
+The nearer that he came, the more she fled,
+And, seeking refuge, slipped into her bed.
+Whereon Leander sitting thus began,
+Through numbing cold, all feeble, faint, and wan.
+“If not for love, yet, love, for pity sake,
+Me in thy bed and maiden bosom take.
+At least vouchsafe these arms some little room,
+Who, hoping to embrace thee, cheerly swum.
+This head was beat with many a churlish billow,
+And therefore let it rest upon thy pillow.”
+Herewith affrighted, Hero shrunk away,
+And in her lukewarm place Leander lay,
+Whose lively heat, like fire from heaven fet,
+Would animate gross clay and higher set
+The drooping thoughts of base declining souls
+Than dreary Mars carousing nectar bowls.
+His hands he cast upon her like a snare.
+She, overcome with shame and sallow fear,
+Like chaste Diana when Actaeon spied her,
+Being suddenly betrayed, dived down to hide her.
+And, as her silver body downward went,
+With both her hands she made the bed a tent,
+And in her own mind thought herself secure,
+O’ercast with dim and darksome coverture.
+And now she lets him whisper in her ear,
+Flatter, entreat, promise, protest and swear;
+Yet ever, as he greedily assayed
+To touch those dainties, she the harpy played,
+And every limb did, as a soldier stout,
+Defend the fort, and keep the foeman out.
+For though the rising ivory mount he scaled,
+Which is with azure circling lines empaled,
+Much like a globe (a globe may I term this,
+By which love sails to regions full of bliss)
+Yet there with Sisyphus he toiled in vain,
+Till gentle parley did the truce obtain.
+Wherein Leander on her quivering breast
+Breathless spoke something, and sighed out the rest;
+Which so prevailed, as he with small ado
+Enclosed her in his arms and kissed her too.
+And every kiss to her was as a charm,
+And to Leander as a fresh alarm,
+So that the truce was broke and she, alas,
+(Poor silly maiden) at his mercy was.
+Love is not full of pity (as men say)
+But deaf and cruel where he means to prey.
+Even as a bird, which in our hands we wring,
+Forth plungeth and oft flutters with her wing,
+She trembling strove. This strife of hers (like that
+Which made the world) another world begat
+Of unknown joy. Treason was in her thought,
+And cunningly to yield herself she sought.
+Seeming not won, yet won she was at length.
+In such wars women use but half their strength.
+Leander now, like Theban Hercules,
+Entered the orchard of th’ Hesperides;
+Whose fruit none rightly can describe but he
+That pulls or shakes it from the golden tree.
+And now she wished this night were never done,
+And sighed to think upon th’ approaching sun;
+For much it grieved her that the bright daylight
+Should know the pleasure of this blessed night,
+And them, like Mars and Erycine, display
+Both in each other’s arms chained as they lay.
+Again, she knew not how to frame her look,
+Or speak to him, who in a moment took
+That which so long so charily she kept,
+And fain by stealth away she would have crept,
+And to some corner secretly have gone,
+Leaving Leander in the bed alone.
+But as her naked feet were whipping out,
+He on the sudden clinged her so about,
+That, mermaid-like, unto the floor she slid.
+One half appeared, the other half was hid.
+Thus near the bed she blushing stood upright,
+And from her countenance behold ye might
+A kind of twilight break, which through the hair,
+As from an orient cloud, glimpsed here and there,
+And round about the chamber this false morn
+Brought forth the day before the day was born.
+So Hero’s ruddy cheek Hero betrayed,
+And her all naked to his sight displayed,
+Whence his admiring eyes more pleasure took
+Than Dis, on heaps of gold fixing his look.
+By this, Apollo’s golden harp began
+To sound forth music to the ocean,
+Which watchful Hesperus no sooner heard
+But he the bright day-bearing car prepared
+And ran before, as harbinger of light,
+And with his flaring beams mocked ugly night,
+Till she, o’ercome with anguish, shame, and rage,
+Danged down to hell her loathsome carriage.
+
+
+(The end of the Second Sestiad)
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK HERO AND LEANDER ***
+
+***** This file should be named 18781-0.txt or 18781-0.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/8/7/8/18781/
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
diff --git a/18781-0.zip b/18781-0.zip
new file mode 100644
index 0000000..2d3fe8f
--- /dev/null
+++ b/18781-0.zip
Binary files differ
diff --git a/18781-h.zip b/18781-h.zip
new file mode 100644
index 0000000..d45ae11
--- /dev/null
+++ b/18781-h.zip
Binary files differ
diff --git a/18781-h/18781-h.htm b/18781-h/18781-h.htm
new file mode 100644
index 0000000..f8ebc05
--- /dev/null
+++ b/18781-h/18781-h.htm
@@ -0,0 +1,1401 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of Hero and Leander, by Christopher Marlowe</title>
+
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+p.noindent {text-indent: 0% }
+
+p.center {text-align: center;
+ text-indent: 0em;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold;'>The Project Gutenberg eBook of Hero and Leander, by Christopher Marlowe</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Hero and Leander</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Christopher Marlowe</div>
+<div style='display:block;margin:1em 0'>Release Date: July 7, 2006 [eBook #18781]<br />
+[Most recently updated: April 28, 2021]</div>
+<div style='display:block;margin:1em 0'>Language: English</div>
+<div style='display:block;margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Daniel Callahan</div>
+<div style='margin-top:2em;margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK HERO AND LEANDER ***</div>
+
+<h1>Hero and Leander</h1>
+
+<h2 class="no-break">by Christopher Marlowe</h2>
+
+<hr />
+
+<div class="chapter">
+
+<h2>FIRST SESTIAD</h2>
+
+<p class="noindent">
+On Hellespont, guilty of true-love&rsquo;s blood,<br />
+In view and opposite two cities stood,<br />
+Sea-borderers, disjoined by Neptune&rsquo;s might;<br />
+The one Abydos, the other Sestos hight.<br />
+At Sestos Hero dwelt; Hero the fair,<br />
+Whom young Apollo courted for her hair,<br />
+And offered as a dower his burning throne,<br />
+Where she should sit for men to gaze upon.<br />
+The outside of her garments were of lawn,<br />
+The lining purple silk, with gilt stars drawn;<br />
+Her wide sleeves green, and bordered with a grove,<br />
+Where Venus in her naked glory strove<br />
+To please the careless and disdainful eyes<br />
+Of proud Adonis, that before her lies.<br />
+Her kirtle blue, whereon was many a stain,<br />
+Made with the blood of wretched lovers slain.<br />
+Upon her head she ware a myrtle wreath,<br />
+From whence her veil reached to the ground beneath.<br />
+Her veil was artificial flowers and leaves<br />
+Whose workmanship both man and beast deceives.<br />
+Many would praise the sweet smell as she passed,<br />
+When &rsquo;twas the odour which her breath forth cast;<br />
+And there for honey bees have sought in vain,<br />
+And, beat from thence, have lighted there again.<br />
+About her neck hung chains of pebblestone,<br />
+Which, lightened by her neck, like diamonds shone.<br />
+She ware no gloves; for neither sun nor wind<br />
+Would burn or parch her hands, but to her mind,<br />
+Or warm or cool them, for they took delight<br />
+To play upon those hands, they were so white.<br />
+Buskins of shells, all silvered used she,<br />
+And branched with blushing coral to the knee;<br />
+Where sparrows perched of hollow pearl and gold,<br />
+Such as the world would wonder to behold.<br />
+Those with sweet water oft her handmaid fills,<br />
+Which, as she went, would chirrup through the bills.<br />
+Some say for her the fairest Cupid pined<br />
+And looking in her face was strooken blind.<br />
+But this is true: so like was one the other,<br />
+As he imagined Hero was his mother.<br />
+And oftentimes into her bosom flew,<br />
+About her naked neck his bare arms threw,<br />
+And laid his childish head upon her breast,<br />
+And, with still panting rocked, there took his rest.<br />
+So lovely fair was Hero, Venus&rsquo; nun,<br />
+As Nature wept, thinking she was undone,<br />
+Because she took more from her than she left,<br />
+And of such wondrous beauty her bereft.<br />
+Therefore, in sign her treasure suffered wrack,<br />
+Since Hero&rsquo;s time hath half the world been black.
+</p>
+
+<p>
+Amorous Leander, beautiful and young,<br />
+(whose tragedy divine Musaeus sung,)<br />
+Dwelt at Abydos; since him dwelt there none<br />
+For whom succeeding times make greater moan.<br />
+His dangling tresses, that were never shorn,<br />
+Had they been cut, and unto Colchos borne,<br />
+Would have allured the vent&rsquo;rous youth of Greece<br />
+To hazard more than for the golden fleece.<br />
+Fair Cynthia wished his arms might be her sphere;<br />
+Grief makes her pale, because she moves not there.<br />
+His body was as straight as Circe&rsquo;s wand;<br />
+Jove might have sipped out nectar from his hand.<br />
+Even as delicious meat is to the taste,<br />
+So was his neck in touching, and surpassed<br />
+The white of Pelop&rsquo;s shoulder. I could tell ye<br />
+How smooth his breast was and how white his belly;<br />
+And whose immortal fingers did imprint<br />
+That heavenly path with many a curious dint<br />
+That runs along his back, but my rude pen<br />
+Can hardly blazon forth the loves of men,<br />
+Much less of powerful gods. Let it suffice<br />
+That my slack Muse sings of Leander&rsquo;s eyes,<br />
+Those orient cheeks and lips, exceeding his<br />
+That leaped into the water for a kiss<br />
+Of his own shadow and, despising many,<br />
+Died ere he could enjoy the love of any.<br />
+Had wild Hippolytus Leander seen<br />
+Enamoured of his beauty had he been.<br />
+His presence made the rudest peasant melt<br />
+That in the vast uplandish country dwelt.<br />
+The barbarous Thracian soldier, moved with nought,<br />
+Was moved with him and for his favour sought.<br />
+Some swore he was a maid in man&rsquo;s attire,<br />
+For in his looks were all that men desire,<br />
+A pleasant smiling cheek, a speaking eye,<br />
+A brow for love to banquet royally;<br />
+And such as knew he was a man, would say,<br />
+&ldquo;Leander, thou art made for amorous play.<br />
+Why art thou not in love, and loved of all?<br />
+Though thou be fair, yet be not thine own thrall.&rdquo;
+</p>
+
+<p>
+The men of wealthy Sestos every year,<br />
+(For his sake whom their goddess held so dear,<br />
+Rose-cheeked Adonis) kept a solemn feast.<br />
+Thither resorted many a wandering guest<br />
+To meet their loves. Such as had none at all,<br />
+Came lovers home from this great festival.<br />
+For every street like to a firmament<br />
+Glistered with breathing stars who, where they went,<br />
+Frighted the melancholy earth which deemed<br />
+Eternal heaven to burn, for so it seemed,<br />
+As if another Phaeton had got<br />
+The guidance of the sun&rsquo;s rich chariot.<br />
+But far above the loveliest Hero shined<br />
+And stole away th&rsquo; enchanted gazer&rsquo;s mind,<br />
+For like sea nymphs&rsquo; enveigling Harmony,<br />
+So was her beauty to the standers by.<br />
+Nor that night-wandering, pale, and wat&rsquo;ry star<br />
+(When yawning dragons draw her thirling car<br />
+From Latmus&rsquo; mount up to the gloomy sky<br />
+Where, crowned with blazing light and majesty,<br />
+She proudly sits) more overrules the flood<br />
+Than she the hearts of those that near her stood.<br />
+Even as, when gaudy nymphs pursue the chase,<br />
+Wretched Ixion&rsquo;s shaggy footed race,<br />
+Incensed with savage heat, gallop amain<br />
+From steep pine-bearing mountains to the plain.<br />
+So ran the people forth to gaze upon her,<br />
+And all that viewed her were enamoured on her.<br />
+And as in fury of a dreadful fight,<br />
+Their fellows being slain or put to flight,<br />
+Poor soldiers stand with fear of death dead strooken,<br />
+So at her presence all surprised and tooken,<br />
+Await the sentence of her scornful eyes.<br />
+He whom she favours lives, the other dies.<br />
+There might you see one sigh, another rage;<br />
+And some, (their violent passions to assuage)<br />
+Compile sharp satires, but alas too late,<br />
+For faithful love will never turn to hate.<br />
+And many seeing great princes were denied<br />
+Pin&rsquo;d as they went, and thinking on her died.<br />
+On this feast day, O cursed day and hour,<br />
+Went Hero thorough Sestos from her tower<br />
+To Venus&rsquo; temple, where unhappily<br />
+As after chanced, they did each other spy.
+</p>
+
+<p>
+So fair a church as this had Venus none.<br />
+The walls were of discoloured jasper stone<br />
+Wherein was Proteus carved, and o&rsquo;erhead<br />
+A lively vine of green sea agate spread,<br />
+Where by one hand lightheaded Bacchus hung,<br />
+And, with the other, wine from grapes out wrung.<br />
+Of crystal shining fair the pavement was.<br />
+The town of Sestos called it Venus&rsquo; glass.<br />
+There might you see the gods in sundry shapes<br />
+Committing heady riots, incest, rapes.<br />
+For know, that underneath this radiant floor<br />
+Was Danae&rsquo;s statue in a brazen tower,<br />
+Jove slyly stealing from his sister&rsquo;s bed,<br />
+To dally with Idalian Ganymede,<br />
+And for his love Europa bellowing loud,<br />
+And tumbling with the Rainbow in a cloud;<br />
+Blood quaffing Mars heaving the iron net<br />
+Which limping Vulcan and his Cyclops set;<br />
+Love kindling fire to burn such towns as Troy;<br />
+Sylvanus weeping for the lovely boy<br />
+That now is turned into a cypress tree,<br />
+Under whose shade the wood gods love to be.<br />
+And in the midst a silver altar stood.<br />
+There Hero, sacrificing turtle&rsquo;s blood,<br />
+Vailed to the ground, vailing her eyelids close,<br />
+And modestly they opened as she rose.<br />
+Thence flew Love&rsquo;s arrow with the golden head,<br />
+And thus Leander was enamoured.<br />
+Stone still he stood, and evermore he gazed<br />
+Till with the fire that from his countenance blazed<br />
+Relenting Hero&rsquo;s gentle heart was strook.<br />
+Such force and virtue hath an amorous look.
+</p>
+
+<p>
+It lies not in our power to love or hate,<br />
+For will in us is overruled by fate.<br />
+When two are stripped, long ere the course begin<br />
+We wish that one should lose, the other win.<br />
+And one especially do we affect<br />
+Of two gold ingots like in each respect.<br />
+The reason no man knows; let it suffice<br />
+What we behold is censured by our eyes.<br />
+Where both deliberate, the love is slight:<br />
+Who ever loved, that loved not at first sight?
+</p>
+
+<p>
+He kneeled, but unto her devoutly prayed.<br />
+Chaste Hero to herself thus softly said,<br />
+&ldquo;Were I the saint he worships, I would hear him;&rdquo;<br />
+And, as she spake those words, came somewhat near him.<br />
+He started up, she blushed as one ashamed,<br />
+Wherewith Leander much more was inflamed.<br />
+He touched her hand; in touching it she trembled.<br />
+Love deeply grounded, hardly is dissembled.<br />
+These lovers parleyed by the touch of hands;<br />
+True love is mute, and oft amazed stands.<br />
+Thus while dumb signs their yielding hearts entangled,<br />
+The air with sparks of living fire was spangled,<br />
+And night, deep drenched in misty Acheron,<br />
+Heaved up her head, and half the world upon<br />
+Breathed darkness forth (dark night is Cupid&rsquo;s day).<br />
+And now begins Leander to display<br />
+Love&rsquo;s holy fire, with words, with sighs, and tears,<br />
+Which like sweet music entered Hero&rsquo;s ears,<br />
+And yet at every word she turned aside,<br />
+And always cut him off as he replied.<br />
+At last, like to a bold sharp sophister,<br />
+With cheerful hope thus he accosted her.<br />
+&ldquo;Fair creature, let me speak without offence.<br />
+I would my rude words had the influence<br />
+To lead thy thoughts as thy fair looks do mine,<br />
+Then shouldst thou be his prisoner, who is thine.<br />
+Be not unkind and fair; misshapen stuff<br />
+Are of behaviour boisterous and rough.<br />
+O shun me not, but hear me ere you go.<br />
+God knows I cannot force love as you do.<br />
+My words shall be as spotless as my youth,<br />
+Full of simplicity and naked truth.<br />
+This sacrifice, (whose sweet perfume descending<br />
+From Venus&rsquo; altar, to your footsteps bending)<br />
+Doth testify that you exceed her far,<br />
+To whom you offer, and whose nun you are.<br />
+Why should you worship her? Her you surpass<br />
+As much as sparkling diamonds flaring glass.<br />
+A diamond set in lead his worth retains;<br />
+A heavenly nymph, beloved of human swains,<br />
+Receives no blemish, but ofttimes more grace;<br />
+Which makes me hope, although I am but base:<br />
+Base in respect of thee, divine and pure,<br />
+Dutiful service may thy love procure.<br />
+And I in duty will excel all other,<br />
+As thou in beauty dost exceed Love&rsquo;s mother.<br />
+Nor heaven, nor thou, were made to gaze upon,<br />
+As heaven preserves all things, so save thou one.<br />
+A stately builded ship, well rigged and tall,<br />
+The ocean maketh more majestical.<br />
+Why vowest thou then to live in Sestos here<br />
+Who on Love&rsquo;s seas more glorious wouldst appear?<br />
+Like untuned golden strings all women are,<br />
+Which long time lie untouched, will harshly jar.<br />
+Vessels of brass, oft handled, brightly shine.<br />
+What difference betwixt the richest mine<br />
+And basest mould, but use? For both, not used,<br />
+Are of like worth. Then treasure is abused<br />
+When misers keep it; being put to loan,<br />
+In time it will return us two for one.<br />
+Rich robes themselves and others do adorn;<br />
+Neither themselves nor others, if not worn.<br />
+Who builds a palace and rams up the gate<br />
+Shall see it ruinous and desolate.<br />
+Ah, simple Hero, learn thyself to cherish.<br />
+Lone women like to empty houses perish.<br />
+Less sins the poor rich man that starves himself<br />
+In heaping up a mass of drossy pelf,<br />
+Than such as you. His golden earth remains<br />
+Which, after his decease, some other gains.<br />
+But this fair gem, sweet in the loss alone,<br />
+When you fleet hence, can be bequeathed to none.<br />
+Or, if it could, down from th&rsquo;enameled sky<br />
+All heaven would come to claim this legacy,<br />
+And with intestine broils the world destroy,<br />
+And quite confound nature&rsquo;s sweet harmony.<br />
+Well therefore by the gods decreed it is<br />
+We human creatures should enjoy that bliss.<br />
+One is no number; maids are nothing then<br />
+Without the sweet society of men.<br />
+Wilt thou live single still? One shalt thou be,<br />
+Though never singling Hymen couple thee.<br />
+Wild savages, that drink of running springs,<br />
+Think water far excels all earthly things,<br />
+But they that daily taste neat wine despise it.<br />
+Virginity, albeit some highly prize it,<br />
+Compared with marriage, had you tried them both,<br />
+Differs as much as wine and water doth.<br />
+Base bullion for the stamp&rsquo;s sake we allow;<br />
+Even so for men&rsquo;s impression do we you,<br />
+By which alone, our reverend fathers say,<br />
+Women receive perfection every way.<br />
+This idol which you term virginity<br />
+Is neither essence subject to the eye<br />
+No, nor to any one exterior sense,<br />
+Nor hath it any place of residence,<br />
+Nor is&rsquo;t of earth or mould celestial,<br />
+Or capable of any form at all.<br />
+Of that which hath no being do not boast;<br />
+Things that are not at all are never lost.<br />
+Men foolishly do call it virtuous;<br />
+What virtue is it that is born with us?<br />
+Much less can honour be ascribed thereto;<br />
+Honour is purchased by the deeds we do.<br />
+Believe me, Hero, honour is not won<br />
+Until some honourable deed be done.<br />
+Seek you for chastity, immortal fame,<br />
+And know that some have wronged Diana&rsquo;s name?<br />
+Whose name is it, if she be false or not<br />
+So she be fair, but some vile tongues will blot?<br />
+But you are fair, (ay me) so wondrous fair,<br />
+So young, so gentle, and so debonair,<br />
+As Greece will think if thus you live alone<br />
+Some one or other keeps you as his own.<br />
+Then, Hero, hate me not nor from me fly<br />
+To follow swiftly blasting infamy.<br />
+Perhaps thy sacred priesthood makes thee loath.<br />
+Tell me, to whom mad&rsquo;st thou that heedless oath?&rdquo;
+</p>
+
+<p>
+&ldquo;To Venus,&rdquo; answered she and, as she spake,<br />
+Forth from those two tralucent cisterns brake<br />
+A stream of liquid pearl, which down her face<br />
+Made milk-white paths, whereon the gods might trace<br />
+To Jove&rsquo;s high court. He thus replied: &ldquo;The rites<br />
+In which love&rsquo;s beauteous empress most delights<br />
+Are banquets, Doric music, midnight revel,<br />
+Plays, masks, and all that stern age counteth evil.<br />
+Thee as a holy idiot doth she scorn<br />
+For thou in vowing chastity hast sworn<br />
+To rob her name and honour, and thereby<br />
+Committ&rsquo;st a sin far worse than perjury,<br />
+Even sacrilege against her deity,<br />
+Through regular and formal purity.<br />
+To expiate which sin, kiss and shake hands.<br />
+Such sacrifice as this Venus demands.&rdquo;
+</p>
+
+<p>
+Thereat she smiled and did deny him so,<br />
+As put thereby, yet might he hope for moe.<br />
+Which makes him quickly re-enforce his speech,<br />
+And her in humble manner thus beseech.<br />
+&ldquo;Though neither gods nor men may thee deserve,<br />
+Yet for her sake, whom you have vowed to serve,<br />
+Abandon fruitless cold virginity,<br />
+The gentle queen of love&rsquo;s sole enemy.<br />
+Then shall you most resemble Venus&rsquo; nun,<br />
+When Venus&rsquo; sweet rites are performed and done.<br />
+Flint-breasted Pallas joys in single life,<br />
+But Pallas and your mistress are at strife.<br />
+Love, Hero, then, and be not tyrannous,<br />
+But heal the heart that thou hast wounded thus,<br />
+Nor stain thy youthful years with avarice.<br />
+Fair fools delight to be accounted nice.<br />
+The richest corn dies, if it be not reaped;<br />
+Beauty alone is lost, too warily kept.&rdquo;
+</p>
+
+<p>
+These arguments he used, and many more,<br />
+Wherewith she yielded, that was won before.<br />
+Hero&rsquo;s looks yielded but her words made war.<br />
+Women are won when they begin to jar.<br />
+Thus, having swallowed Cupid&rsquo;s golden hook,<br />
+The more she strived, the deeper was she strook.<br />
+Yet, evilly feigning anger, strove she still<br />
+And would be thought to grant against her will.<br />
+So having paused a while at last she said,<br />
+&ldquo;Who taught thee rhetoric to deceive a maid?<br />
+Ay me, such words as these should I abhor<br />
+And yet I like them for the orator.&rdquo;
+</p>
+
+<p>
+With that Leander stooped to have embraced her<br />
+But from his spreading arms away she cast her,<br />
+And thus bespake him: &ldquo;Gentle youth, forbear<br />
+To touch the sacred garments which I wear.<br />
+Upon a rock and underneath a hill<br />
+Far from the town (where all is whist and still,<br />
+Save that the sea, playing on yellow sand,<br />
+Sends forth a rattling murmur to the land,<br />
+Whose sound allures the golden Morpheus<br />
+In silence of the night to visit us)<br />
+My turret stands and there, God knows, I play,<br />
+With Venus&rsquo; swans and sparrows all the day.<br />
+A dwarfish beldam bears me company,<br />
+That hops about the chamber where I lie,<br />
+And spends the night (that might be better spent)<br />
+In vain discourse and apish merriment.<br />
+Come thither.&rdquo; As she spake this, her tongue tripped,<br />
+For unawares &ldquo;come thither&rdquo; from her slipped.<br />
+And suddenly her former colour changed,<br />
+And here and there her eyes through anger ranged.<br />
+And like a planet, moving several ways,<br />
+At one self instant she, poor soul, assays,<br />
+Loving, not to love at all, and every part<br />
+Strove to resist the motions of her heart.<br />
+And hands so pure, so innocent, nay, such<br />
+As might have made heaven stoop to have a touch,<br />
+Did she uphold to Venus, and again<br />
+Vowed spotless chastity, but all in vain.<br />
+Cupid beats down her prayers with his wings,<br />
+Her vows above the empty air he flings,<br />
+All deep enraged, his sinewy bow he bent,<br />
+And shot a shaft that burning from him went,<br />
+Wherewith she strooken, looked so dolefully,<br />
+As made love sigh to see his tyranny.<br />
+And as she wept her tears to pearl he turned,<br />
+And wound them on his arm and for her mourned.<br />
+Then towards the palace of the destinies<br />
+Laden with languishment and grief he flies,<br />
+And to those stern nymphs humbly made request<br />
+Both might enjoy each other, and be blest.<br />
+But with a ghastly dreadful countenance,<br />
+Threatening a thousand deaths at every glance,<br />
+They answered Love, nor would vouchsafe so much<br />
+As one poor word, their hate to him was such.<br />
+Hearken a while and I will tell you why.<br />
+Heaven&rsquo;s winged herald, Jove-borne Mercury,<br />
+The selfsame day that he asleep had laid<br />
+Enchanted Argus, spied a country maid<br />
+Whose careless hair instead of pearl t&rsquo;adorn it<br />
+Glistered with dew, as one that seemed to scorn it;<br />
+Her breath as fragrant as the morning rose,<br />
+Her mind pure, and her tongue untaught to gloze.<br />
+Yet proud she was (for lofty pride that dwells<br />
+In towered courts is oft in shepherds&rsquo; cells.)<br />
+And too too well the fair vermilion knew,<br />
+And silver tincture of her cheeks, that drew<br />
+The love of every swain. On her this god<br />
+Enamoured was, and with his snaky rod<br />
+Did charm her nimble feet, and made her stay,<br />
+The while upon a hillock down he lay<br />
+And sweetly on his pipe began to play,<br />
+And with smooth speech her fancy to assay,<br />
+Till in his twining arms he locked her fast<br />
+And then he wooed with kisses; and at last,<br />
+As shepherds do, her on the ground he laid<br />
+And, tumbling in the grass, he often strayed<br />
+Beyond the bounds of shame, in being bold<br />
+To eye those parts which no eye should behold.<br />
+And, like an insolent commanding lover<br />
+Boasting his parentage, would needs discover<br />
+The way to new Elysium, but she,<br />
+Whose only dower was her chastity,<br />
+Having striv&rsquo;n in vain was now about to cry<br />
+And crave the help of shepherds that were nigh.<br />
+Herewith he stayed his fury, and began<br />
+To give her leave to rise. Away she ran;<br />
+After went Mercury who used such cunning<br />
+As she, to hear his tale, left off her running.<br />
+Maids are not won by brutish force and might,<br />
+But speeches full of pleasure, and delight.<br />
+And, knowing Hermes courted her, was glad<br />
+That she such loveliness and beauty had<br />
+As could provoke his liking, yet was mute<br />
+And neither would deny nor grant his suit.<br />
+Still vowed he love. She, wanting no excuse<br />
+To feed him with delays, as women use,<br />
+Or thirsting after immortality, -<br />
+All women are ambitious naturally -<br />
+Imposed upon her lover such a task<br />
+As he ought not perform nor yet she ask.<br />
+A draught of flowing nectar she requested,<br />
+Wherewith the king of gods and men is feasted.<br />
+He, ready to accomplish what she willed,<br />
+Stole some from Hebe (Hebe Jove&rsquo;s cup filled)<br />
+And gave it to his simple rustic love.<br />
+Which being known (as what is hid from Jove?)<br />
+He inly stormed and waxed more furious<br />
+Than for the fire filched by Prometheus,<br />
+And thrusts him down from heaven. He, wandering here,<br />
+In mournful terms, with sad and heavy cheer,<br />
+Complained to Cupid. Cupid for his sake,<br />
+To be revenged on Jove did undertake.<br />
+And those on whom heaven, earth, and hell relies,<br />
+I mean the adamantine Destinies,<br />
+He wounds with love, and forced them equally<br />
+To dote upon deceitful Mercury.<br />
+They offered him the deadly fatal knife<br />
+That shears the slender threads of human life.<br />
+At his fair feathered feet the engines laid<br />
+Which th&rsquo; earth from ugly Chaos&rsquo; den upweighed.<br />
+These he regarded not but did entreat<br />
+That Jove, usurper of his father&rsquo;s seat,<br />
+Might presently be banished into hell,<br />
+And aged Saturn in Olympus dwell.<br />
+They granted what he craved, and once again<br />
+Saturn and Ops began their golden reign.<br />
+Murder, rape, war, lust, and treachery,<br />
+Were with Jove closed in Stygian empery.<br />
+But long this blessed time continued not.<br />
+As soon as he his wished purpose got<br />
+He reckless of his promise did despise<br />
+The love of th&rsquo; everlasting Destinies.<br />
+They seeing it both love and him abhorred<br />
+And Jupiter unto his place restored.<br />
+And but that Learning in despite of Fate<br />
+Will mount aloft and enter heaven gate<br />
+And to the seat of Jove itself advance,<br />
+Hermes had slept in hell with Ignorance.<br />
+Yet as a punishment they added this,<br />
+That he and Poverty should always kiss.<br />
+And to this day is every scholar poor;<br />
+Gross gold from them runs headlong to the boor.<br />
+Likewise the angry Sisters thus deluded,<br />
+To venge themselves on Hermes, have concluded<br />
+That Midas&rsquo; brood shall sit in honour&rsquo;s chair,<br />
+To which the Muses&rsquo; sons are only heir;<br />
+And fruitful wits, that in aspiring are,<br />
+Shall discontent run into regions far;<br />
+And few great lords in virtuous deeds shall joy<br />
+But be surprised with every garish toy,<br />
+And still enrich the lofty servile clown,<br />
+Who with encroaching guile keeps learning down.<br />
+Then Muse not Cupid&rsquo;s suit no better sped,<br />
+Seeing in their loves the Fates were injured.
+</p>
+
+<p class="center">
+(The end of the First Sestiad)
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>SECOND SESTIAD</h2>
+
+<p>
+By this, sad Hero, with love unacquainted,<br />
+Viewing Leander&rsquo;s face, fell down and fainted.<br />
+He kissed her and breathed life into her lips,<br />
+Wherewith as one displeased away she trips.<br />
+Yet, as she went, full often looked behind,<br />
+And many poor excuses did she find<br />
+To linger by the way, and once she stayed,<br />
+And would have turned again, but was afraid,<br />
+In offering parley, to be counted light.<br />
+So on she goes and in her idle flight<br />
+Her painted fan of curled plumes let fall,<br />
+Thinking to train Leander therewithal.<br />
+He, being a novice, knew not what she meant<br />
+But stayed, and after her a letter sent,<br />
+Which joyful Hero answered in such sort,<br />
+As he had hope to scale the beauteous fort<br />
+Wherein the liberal Graces locked their wealth,<br />
+And therefore to her tower he got by stealth.<br />
+Wide open stood the door, he need not climb,<br />
+And she herself before the pointed time<br />
+Had spread the board, with roses strowed the room,<br />
+And oft looked out, and mused he did not come.<br />
+At last he came. O who can tell the greeting<br />
+These greedy lovers had at their first meeting.<br />
+He asked, she gave, and nothing was denied.<br />
+Both to each other quickly were affied.<br />
+Look how their hands, so were their hearts united,<br />
+And what he did she willingly requited.<br />
+(Sweet are the kisses, the embracements sweet,<br />
+When like desires and affections meet,<br />
+For from the earth to heaven is Cupid raised,<br />
+Where fancy is in equal balance peised.)<br />
+Yet she this rashness suddenly repented<br />
+And turned aside, and to herself lamented<br />
+As if her name and honour had been wronged<br />
+By being possessed of him for whom she longed.<br />
+Ay, and she wished, albeit not from her heart<br />
+That he would leave her turret and depart.<br />
+The mirthful god of amorous pleasure smiled<br />
+To see how he this captive nymph beguiled.<br />
+For hitherto he did but fan the fire,<br />
+And kept it down that it might mount the higher.<br />
+Now waxed she jealous lest his love abated,<br />
+Fearing her own thoughts made her to be hated.<br />
+Therefore unto him hastily she goes<br />
+And, like light Salmacis, her body throws<br />
+Upon his bosom where with yielding eyes<br />
+She offers up herself a sacrifice<br />
+To slake his anger if he were displeased.<br />
+O, what god would not therewith be appeased?<br />
+Like Aesop&rsquo;s cock this jewel he enjoyed<br />
+And as a brother with his sister toyed<br />
+Supposing nothing else was to be done,<br />
+Now he her favour and good will had won.<br />
+But know you not that creatures wanting sense<br />
+By nature have a mutual appetence,<br />
+And, wanting organs to advance a step,<br />
+Moved by love&rsquo;s force unto each other lep?<br />
+Much more in subjects having intellect<br />
+Some hidden influence breeds like effect.<br />
+Albeit Leander rude in love and raw,<br />
+Long dallying with Hero, nothing saw<br />
+That might delight him more, yet he suspected<br />
+Some amorous rites or other were neglected.<br />
+Therefore unto his body hers he clung.<br />
+She, fearing on the rushes to be flung,<br />
+Strived with redoubled strength; the more she strived<br />
+The more a gentle pleasing heat revived,<br />
+Which taught him all that elder lovers know.<br />
+And now the same gan so to scorch and glow<br />
+As in plain terms (yet cunningly) he craved it.<br />
+Love always makes those eloquent that have it.<br />
+She, with a kind of granting, put him by it<br />
+And ever, as he thought himself most nigh it,<br />
+Like to the tree of Tantalus, she fled<br />
+And, seeming lavish, saved her maidenhead.<br />
+Ne&rsquo;er king more sought to keep his diadem,<br />
+Than Hero this inestimable gem.<br />
+Above our life we love a steadfast friend,<br />
+Yet when a token of great worth we send,<br />
+We often kiss it, often look thereon,<br />
+And stay the messenger that would be gone.<br />
+No marvel then, though Hero would not yield<br />
+So soon to part from that she dearly held.<br />
+Jewels being lost are found again, this never;<br />
+&rsquo;Tis lost but once, and once lost, lost forever.
+</p>
+
+<p>
+Now had the morn espied her lover&rsquo;s steeds,<br />
+Whereat she starts, puts on her purple weeds,<br />
+And red for anger that he stayed so long<br />
+All headlong throws herself the clouds among.<br />
+And now Leander, fearing to be missed,<br />
+Embraced her suddenly, took leave, and kissed.<br />
+Long was he taking leave, and loath to go,<br />
+And kissed again as lovers use to do.<br />
+Sad Hero wrung him by the hand and wept<br />
+Saying, &ldquo;Let your vows and promises be kept.&rdquo;<br />
+Then standing at the door she turned about<br />
+As loath to see Leander going out.<br />
+And now the sun that through th&rsquo; horizon peeps,<br />
+As pitying these lovers, downward creeps,<br />
+So that in silence of the cloudy night,<br />
+Though it was morning, did he take his flight.<br />
+But what the secret trusty night concealed<br />
+Leander&rsquo;s amorous habit soon revealed.<br />
+With Cupid&rsquo;s myrtle was his bonnet crowned,<br />
+About his arms the purple riband wound<br />
+Wherewith she wreathed her largely spreading hair.<br />
+Nor could the youth abstain, but he must wear<br />
+The sacred ring wherewith she was endowed<br />
+When first religious chastity she vowed.<br />
+Which made his love through Sestos to be known,<br />
+And thence unto Abydos sooner blown<br />
+Than he could sail; for incorporeal fame<br />
+Whose weight consists in nothing but her name,<br />
+Is swifter than the wind, whose tardy plumes<br />
+Are reeking water and dull earthly fumes.<br />
+Home when he came, he seemed not to be there,<br />
+But, like exiled air thrust from his sphere,<br />
+Set in a foreign place; and straight from thence,<br />
+Alcides like, by mighty violence<br />
+He would have chased away the swelling main<br />
+That him from her unjustly did detain.<br />
+Like as the sun in a diameter<br />
+Fires and inflames objects removed far,<br />
+And heateth kindly, shining laterally,<br />
+So beauty sweetly quickens when &rsquo;tis nigh,<br />
+But being separated and removed,<br />
+Burns where it cherished, murders where it loved.<br />
+Therefore even as an index to a book,<br />
+So to his mind was young Leander&rsquo;s look.<br />
+O, none but gods have power their love to hide,<br />
+Affection by the countenance is descried.<br />
+The light of hidden fire itself discovers,<br />
+And love that is concealed betrays poor lovers,<br />
+His secret flame apparently was seen.<br />
+Leander&rsquo;s father knew where he had been<br />
+And for the same mildly rebuked his son,<br />
+Thinking to quench the sparkles new begun.<br />
+But love resisted once grows passionate,<br />
+And nothing more than counsel lovers hate.<br />
+For as a hot proud horse highly disdains<br />
+To have his head controlled, but breaks the reins,<br />
+Spits forth the ringled bit, and with his hooves<br />
+Checks the submissive ground; so he that loves,<br />
+The more he is restrained, the worse he fares.<br />
+What is it now, but mad Leander dares?<br />
+&ldquo;O Hero, Hero!&rdquo; thus he cried full oft;<br />
+And then he got him to a rock aloft,<br />
+Where having spied her tower, long stared he on&rsquo;t,<br />
+And prayed the narrow toiling Hellespont<br />
+To part in twain, that he might come and go;<br />
+But still the rising billows answered, &ldquo;No.&rdquo;<br />
+With that he stripped him to the ivory skin<br />
+And, crying &ldquo;Love, I come,&rdquo; leaped lively in.<br />
+Whereat the sapphire visaged god grew proud,<br />
+And made his capering Triton sound aloud,<br />
+Imagining that Ganymede, displeased,<br />
+Had left the heavens; therefore on him he seized.<br />
+Leander strived; the waves about him wound,<br />
+And pulled him to the bottom, where the ground<br />
+Was strewed with pearl, and in low coral groves<br />
+Sweet singing mermaids sported with their loves<br />
+On heaps of heavy gold, and took great pleasure<br />
+To spurn in careless sort the shipwrack treasure.<br />
+For here the stately azure palace stood<br />
+Where kingly Neptune and his train abode.<br />
+The lusty god embraced him, called him &ldquo;Love,&rdquo;<br />
+And swore he never should return to Jove.<br />
+But when he knew it was not Ganymede,<br />
+For under water he was almost dead,<br />
+He heaved him up and, looking on his face,<br />
+Beat down the bold waves with his triple mace,<br />
+Which mounted up, intending to have kissed him,<br />
+And fell in drops like tears because they missed him.<br />
+Leander, being up, began to swim<br />
+And, looking back, saw Neptune follow him,<br />
+Whereat aghast, the poor soul &rsquo;gan to cry<br />
+&ldquo;O, let me visit Hero ere I die!&rdquo;<br />
+The god put Helle&rsquo;s bracelet on his arm,<br />
+And swore the sea should never do him harm.<br />
+He clapped his plump cheeks, with his tresses played<br />
+And, smiling wantonly, his love bewrayed.<br />
+He watched his arms and, as they opened wide<br />
+At every stroke, betwixt them would he slide<br />
+And steal a kiss, and then run out and dance,<br />
+And, as he turned, cast many a lustful glance,<br />
+And threw him gaudy toys to please his eye,<br />
+And dive into the water, and there pry<br />
+Upon his breast, his thighs, and every limb,<br />
+And up again, and close beside him swim,<br />
+And talk of love. Leander made reply,<br />
+&ldquo;You are deceived; I am no woman, I.&rdquo;<br />
+Thereat smiled Neptune, and then told a tale,<br />
+How that a shepherd, sitting in a vale,<br />
+Played with a boy so fair and kind,<br />
+As for his love both earth and heaven pined;<br />
+That of the cooling river durst not drink,<br />
+Lest water nymphs should pull him from the brink.<br />
+And when he sported in the fragrant lawns,<br />
+Goat footed satyrs and upstaring fauns<br />
+Would steal him thence. Ere half this tale was done,<br />
+&ldquo;Ay me,&rdquo; Leander cried, &ldquo;th&rsquo; enamoured sun<br />
+That now should shine on Thetis&rsquo; glassy bower,<br />
+Descends upon my radiant Hero&rsquo;s tower.<br />
+O, that these tardy arms of mine were wings!&rdquo;<br />
+And, as he spake, upon the waves he springs.<br />
+Neptune was angry that he gave no ear,<br />
+And in his heart revenging malice bare.<br />
+He flung at him his mace but, as it went,<br />
+He called it in, for love made him repent.<br />
+The mace, returning back, his own hand hit<br />
+As meaning to be venged for darting it.<br />
+When this fresh bleeding wound Leander viewed,<br />
+His colour went and came, as if he rued<br />
+The grief which Neptune felt. In gentle breasts<br />
+Relenting thoughts, remorse, and pity rests.<br />
+And who have hard hearts and obdurate minds,<br />
+But vicious, harebrained, and illiterate hinds?<br />
+The god, seeing him with pity to be moved,<br />
+Thereon concluded that he was beloved.<br />
+(Love is too full of faith, too credulous,<br />
+With folly and false hope deluding us.)<br />
+Wherefore, Leander&rsquo;s fancy to surprise,<br />
+To the rich Ocean for gifts he flies.<br />
+&rsquo;Tis wisdom to give much; a gift prevails<br />
+When deep persuading oratory fails.
+</p>
+
+<p>
+By this Leander, being near the land,<br />
+Cast down his weary feet and felt the sand.<br />
+Breathless albeit he were he rested not<br />
+Till to the solitary tower he got,<br />
+And knocked and called. At which celestial noise<br />
+The longing heart of Hero much more joys<br />
+Than nymphs and shepherds when the timbrel rings,<br />
+Or crooked dolphin when the sailor sings.<br />
+She stayed not for her robes but straight arose<br />
+And, drunk with gladness, to the door she goes,<br />
+Where seeing a naked man, she screeched for fear<br />
+(Such sights as this to tender maids are rare)<br />
+And ran into the dark herself to hide.<br />
+(Rich jewels in the dark are soonest spied).<br />
+Unto her was he led, or rather drawn<br />
+By those white limbs which sparkled through the lawn.<br />
+The nearer that he came, the more she fled,<br />
+And, seeking refuge, slipped into her bed.<br />
+Whereon Leander sitting thus began,<br />
+Through numbing cold, all feeble, faint, and wan.<br />
+&ldquo;If not for love, yet, love, for pity sake,<br />
+Me in thy bed and maiden bosom take.<br />
+At least vouchsafe these arms some little room,<br />
+Who, hoping to embrace thee, cheerly swum.<br />
+This head was beat with many a churlish billow,<br />
+And therefore let it rest upon thy pillow.&rdquo;<br />
+Herewith affrighted, Hero shrunk away,<br />
+And in her lukewarm place Leander lay,<br />
+Whose lively heat, like fire from heaven fet,<br />
+Would animate gross clay and higher set<br />
+The drooping thoughts of base declining souls<br />
+Than dreary Mars carousing nectar bowls.<br />
+His hands he cast upon her like a snare.<br />
+She, overcome with shame and sallow fear,<br />
+Like chaste Diana when Actaeon spied her,<br />
+Being suddenly betrayed, dived down to hide her.<br />
+And, as her silver body downward went,<br />
+With both her hands she made the bed a tent,<br />
+And in her own mind thought herself secure,<br />
+O&rsquo;ercast with dim and darksome coverture.<br />
+And now she lets him whisper in her ear,<br />
+Flatter, entreat, promise, protest and swear;<br />
+Yet ever, as he greedily assayed<br />
+To touch those dainties, she the harpy played,<br />
+And every limb did, as a soldier stout,<br />
+Defend the fort, and keep the foeman out.<br />
+For though the rising ivory mount he scaled,<br />
+Which is with azure circling lines empaled,<br />
+Much like a globe (a globe may I term this,<br />
+By which love sails to regions full of bliss)<br />
+Yet there with Sisyphus he toiled in vain,<br />
+Till gentle parley did the truce obtain.<br />
+Wherein Leander on her quivering breast<br />
+Breathless spoke something, and sighed out the rest;<br />
+Which so prevailed, as he with small ado<br />
+Enclosed her in his arms and kissed her too.<br />
+And every kiss to her was as a charm,<br />
+And to Leander as a fresh alarm,<br />
+So that the truce was broke and she, alas,<br />
+(Poor silly maiden) at his mercy was.<br />
+Love is not full of pity (as men say)<br />
+But deaf and cruel where he means to prey.<br />
+Even as a bird, which in our hands we wring,<br />
+Forth plungeth and oft flutters with her wing,<br />
+She trembling strove. This strife of hers (like that<br />
+Which made the world) another world begat<br />
+Of unknown joy. Treason was in her thought,<br />
+And cunningly to yield herself she sought.<br />
+Seeming not won, yet won she was at length.<br />
+In such wars women use but half their strength.<br />
+Leander now, like Theban Hercules,<br />
+Entered the orchard of th&rsquo; Hesperides;<br />
+Whose fruit none rightly can describe but he<br />
+That pulls or shakes it from the golden tree.<br />
+And now she wished this night were never done,<br />
+And sighed to think upon th&rsquo; approaching sun;<br />
+For much it grieved her that the bright daylight<br />
+Should know the pleasure of this blessed night,<br />
+And them, like Mars and Erycine, display<br />
+Both in each other&rsquo;s arms chained as they lay.<br />
+Again, she knew not how to frame her look,<br />
+Or speak to him, who in a moment took<br />
+That which so long so charily she kept,<br />
+And fain by stealth away she would have crept,<br />
+And to some corner secretly have gone,<br />
+Leaving Leander in the bed alone.<br />
+But as her naked feet were whipping out,<br />
+He on the sudden clinged her so about,<br />
+That, mermaid-like, unto the floor she slid.<br />
+One half appeared, the other half was hid.<br />
+Thus near the bed she blushing stood upright,<br />
+And from her countenance behold ye might<br />
+A kind of twilight break, which through the hair,<br />
+As from an orient cloud, glimpsed here and there,<br />
+And round about the chamber this false morn<br />
+Brought forth the day before the day was born.<br />
+So Hero&rsquo;s ruddy cheek Hero betrayed,<br />
+And her all naked to his sight displayed,<br />
+Whence his admiring eyes more pleasure took<br />
+Than Dis, on heaps of gold fixing his look.<br />
+By this, Apollo&rsquo;s golden harp began<br />
+To sound forth music to the ocean,<br />
+Which watchful Hesperus no sooner heard<br />
+But he the bright day-bearing car prepared<br />
+And ran before, as harbinger of light,<br />
+And with his flaring beams mocked ugly night,<br />
+Till she, o&rsquo;ercome with anguish, shame, and rage,<br />
+Danged down to hell her loathsome carriage.<br />
+</p>
+
+<p class="center">
+(The end of the Second Sestiad)
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block;margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK HERO AND LEANDER ***</div>
+<div style='display:block;margin:1em 0;'>This file should be named 18781-h.htm or 18781-h.zip</div>
+<div style='display:block;margin:1em 0;'>This and all associated files of various formats will be found in https://www.gutenberg.org/1/8/7/8/18781/</div>
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</body>
+
+</html> \ No newline at end of file
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..063275b
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #18781 (https://www.gutenberg.org/ebooks/18781)
diff --git a/old/18781.txt b/old/18781.txt
new file mode 100644
index 0000000..9f37ace
--- /dev/null
+++ b/old/18781.txt
@@ -0,0 +1,1256 @@
+The Project Gutenberg eBook, Hero and Leander, by Christopher Marlowe
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Hero and Leander
+
+
+Author: Christopher Marlowe
+
+
+
+Release Date: July 7, 2006 [eBook #18781]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK HERO AND LEANDER***
+
+
+E-text prepared by Daniel Callahan from source material generously
+provided by Classic Literature Library
+(http://www.classic-literature.co.uk/)
+
+
+
+HERO AND LEANDER
+
+by
+
+Christopher Marlowe
+
+
+
+
+
+
+
+FIRST SESTIAD
+
+On Hellespont, guilty of true-love's blood,
+In view and opposite two cities stood,
+Sea-borderers, disjoined by Neptune's might;
+The one Abydos, the other Sestos hight.
+At Sestos Hero dwelt; Hero the fair,
+Whom young Apollo courted for her hair,
+And offered as a dower his burning throne,
+Where she should sit for men to gaze upon.
+The outside of her garments were of lawn,
+The lining purple silk, with gilt stars drawn;
+Her wide sleeves green, and bordered with a grove,
+Where Venus in her naked glory strove
+To please the careless and disdainful eyes
+Of proud Adonis, that before her lies.
+Her kirtle blue, whereon was many a stain,
+Made with the blood of wretched lovers slain.
+Upon her head she ware a myrtle wreath,
+From whence her veil reached to the ground beneath.
+Her veil was artificial flowers and leaves
+Whose workmanship both man and beast deceives.
+Many would praise the sweet smell as she passed,
+When 'twas the odour which her breath forth cast;
+And there for honey bees have sought in vain,
+And, beat from thence, have lighted there again.
+About her neck hung chains of pebblestone,
+Which, lightened by her neck, like diamonds shone.
+She ware no gloves; for neither sun nor wind
+Would burn or parch her hands, but to her mind,
+Or warm or cool them, for they took delight
+To play upon those hands, they were so white.
+Buskins of shells, all silvered used she,
+And branched with blushing coral to the knee;
+Where sparrows perched of hollow pearl and gold,
+Such as the world would wonder to behold.
+Those with sweet water oft her handmaid fills,
+Which, as she went, would chirrup through the bills.
+Some say for her the fairest Cupid pined
+And looking in her face was strooken blind.
+But this is true: so like was one the other,
+As he imagined Hero was his mother.
+And oftentimes into her bosom flew,
+About her naked neck his bare arms threw,
+And laid his childish head upon her breast,
+And, with still panting rocked, there took his rest.
+So lovely fair was Hero, Venus' nun,
+As Nature wept, thinking she was undone,
+Because she took more from her than she left,
+And of such wondrous beauty her bereft.
+Therefore, in sign her treasure suffered wrack,
+Since Hero's time hath half the world been black.
+
+Amorous Leander, beautiful and young,
+(whose tragedy divine Musaeus sung,)
+Dwelt at Abydos; since him dwelt there none
+For whom succeeding times make greater moan.
+His dangling tresses, that were never shorn,
+Had they been cut, and unto Colchos borne,
+Would have allured the vent'rous youth of Greece
+To hazard more than for the golden fleece.
+Fair Cynthia wished his arms might be her sphere;
+Grief makes her pale, because she moves not there.
+His body was as straight as Circe's wand;
+Jove might have sipped out nectar from his hand.
+Even as delicious meat is to the taste,
+So was his neck in touching, and surpassed
+The white of Pelop's shoulder. I could tell ye
+How smooth his breast was and how white his belly;
+And whose immortal fingers did imprint
+That heavenly path with many a curious dint
+That runs along his back, but my rude pen
+Can hardly blazon forth the loves of men,
+Much less of powerful gods. Let it suffice
+That my slack Muse sings of Leander's eyes,
+Those orient cheeks and lips, exceeding his
+That leaped into the water for a kiss
+Of his own shadow and, despising many,
+Died ere he could enjoy the love of any.
+Had wild Hippolytus Leander seen
+Enamoured of his beauty had he been.
+His presence made the rudest peasant melt
+That in the vast uplandish country dwelt.
+The barbarous Thracian soldier, moved with nought,
+Was moved with him and for his favour sought.
+Some swore he was a maid in man's attire,
+For in his looks were all that men desire,
+A pleasant smiling cheek, a speaking eye,
+A brow for love to banquet royally;
+And such as knew he was a man, would say,
+"Leander, thou art made for amorous play.
+Why art thou not in love, and loved of all?
+Though thou be fair, yet be not thine own thrall."
+
+The men of wealthy Sestos every year,
+(For his sake whom their goddess held so dear,
+Rose-cheeked Adonis) kept a solemn feast.
+Thither resorted many a wandering guest
+To meet their loves.
+Such as had none at all,
+Came lovers home from this great festival.
+For every street like to a firmament
+Glistered with breathing stars who, where they went,
+Frighted the melancholy earth which deemed
+Eternal heaven to burn, for so it seemed,
+As if another Phaeton had got
+The guidance of the sun's rich chariot.
+But far above the loveliest Hero shined
+And stole away th' enchanted gazer's mind,
+For like sea nymphs' enveigling Harmony,
+So was her beauty to the standers by.
+Nor that night-wandering, pale, and wat'ry star
+(When yawning dragons draw her thirling car
+From Latmus' mount up to the gloomy sky
+Where, crowned with blazing light and majesty,
+She proudly sits) more overrules the flood
+Than she the hearts of those that near her stood.
+Even as, when gaudy nymphs pursue the chase,
+Wretched Ixion's shaggy footed race,
+Incensed with savage heat, gallop amain
+From steep pine-bearing mountains to the plain.
+So ran the people forth to gaze upon her,
+And all that viewed her were enamoured on her.
+And as in fury of a dreadful fight,
+Their fellows being slain or put to flight,
+Poor soldiers stand with fear of death dead strooken,
+So at her presence all surprised and tooken,
+Await the sentence of her scornful eyes.
+He whom she favours lives, the other dies.
+There might you see one sigh, another rage;
+And some, (their violent passions to assuage)
+Compile sharp satires, but alas too late,
+For faithful love will never turn to hate.
+And many seeing great princes were denied
+Pin'd as they went, and thinking on her died.
+On this feast day, O cursed day and hour,
+Went Hero thorough Sestos from her tower
+To Venus' temple, where unhappily
+As after chanced, they did each other spy.
+
+So fair a church as this had Venus none.
+The walls were of discoloured jasper stone
+Wherein was Proteus carved, and o'erhead
+A lively vine of green sea agate spread,
+Where by one hand lightheaded Bacchus hung,
+And, with the other, wine from grapes out wrung.
+Of crystal shining fair the pavement was.
+The town of Sestos called it Venus' glass.
+There might you see the gods in sundry shapes
+Committing heady riots, incest, rapes.
+For know, that underneath this radiant floor
+Was Danae's statue in a brazen tower,
+Jove slyly stealing from his sister's bed,
+To dally with Idalian Ganymede,
+And for his love Europa bellowing loud,
+And tumbling with the Rainbow in a cloud;
+Blood quaffing Mars heaving the iron net
+Which limping Vulcan and his Cyclops set;
+Love kindling fire to burn such towns as Troy;
+Sylvanus weeping for the lovely boy
+That now is turned into a cypress tree,
+Under whose shade the wood gods love to be.
+And in the midst a silver altar stood.
+There Hero, sacrificing turtle's blood,
+Vailed to the ground, vailing her eyelids close,
+And modestly they opened as she rose.
+Thence flew Love's arrow with the golden head,
+And thus Leander was enamoured.
+Stone still he stood, and evermore he gazed
+Till with the fire that from his countenance blazed
+Relenting Hero's gentle heart was strook.
+Such force and virtue hath an amorous look.
+
+It lies not in our power to love or hate,
+For will in us is overruled by fate.
+When two are stripped, long ere the course begin
+We wish that one should lose, the other win.
+And one especially do we affect
+Of two gold ingots like in each respect.
+The reason no man knows; let it suffice
+What we behold is censured by our eyes.
+Where both deliberate, the love is slight:
+Who ever loved, that loved not at first sight?
+
+He kneeled, but unto her devoutly prayed.
+Chaste Hero to herself thus softly said,
+"Were I the saint he worships, I would hear him;"
+And, as she spake those words, came somewhat near him.
+He started up, she blushed as one ashamed,
+Wherewith Leander much more was inflamed.
+He touched her hand; in touching it she trembled.
+Love deeply grounded, hardly is dissembled.
+These lovers parleyed by the touch of hands;
+True love is mute, and oft amazed stands.
+Thus while dumb signs their yielding hearts entangled,
+The air with sparks of living fire was spangled,
+And night, deep drenched in misty Acheron,
+Heaved up her head, and half the world upon
+Breathed darkness forth (dark night is Cupid's day).
+And now begins Leander to display
+Love's holy fire, with words, with sighs, and tears,
+Which like sweet music entered Hero's ears,
+And yet at every word she turned aside,
+And always cut him off as he replied.
+At last, like to a bold sharp sophister,
+With cheerful hope thus he accosted her.
+"Fair creature, let me speak without offence.
+I would my rude words had the influence
+To lead thy thoughts as thy fair looks do mine,
+Then shouldst thou be his prisoner, who is thine.
+Be not unkind and fair; misshapen stuff
+Are of behaviour boisterous and rough.
+O shun me not, but hear me ere you go.
+God knows I cannot force love as you do.
+My words shall be as spotless as my youth,
+Full of simplicity and naked truth.
+This sacrifice, (whose sweet perfume descending
+From Venus' altar, to your footsteps bending)
+Doth testify that you exceed her far,
+To whom you offer, and whose nun you are.
+Why should you worship her? Her you surpass
+As much as sparkling diamonds flaring glass.
+A diamond set in lead his worth retains;
+A heavenly nymph, beloved of human swains,
+Receives no blemish, but ofttimes more grace;
+Which makes me hope, although I am but base:
+Base in respect of thee, divine and pure,
+Dutiful service may thy love procure.
+And I in duty will excel all other,
+As thou in beauty dost exceed Love's mother.
+Nor heaven, nor thou, were made to gaze upon,
+As heaven preserves all things, so save thou one.
+A stately builded ship, well rigged and tall,
+The ocean maketh more majestical.
+Why vowest thou then to live in Sestos here
+Who on Love's seas more glorious wouldst appear?
+Like untuned golden strings all women are,
+Which long time lie untouched, will harshly jar.
+Vessels of brass, oft handled, brightly shine.
+What difference betwixt the richest mine
+And basest mould, but use? For both, not used,
+Are of like worth. Then treasure is abused
+When misers keep it; being put to loan,
+In time it will return us two for one.
+Rich robes themselves and others do adorn;
+Neither themselves nor others, if not worn.
+Who builds a palace and rams up the gate
+Shall see it ruinous and desolate.
+Ah, simple Hero, learn thyself to cherish.
+Lone women like to empty houses perish.
+Less sins the poor rich man that starves himself
+In heaping up a mass of drossy pelf,
+Than such as you. His golden earth remains
+Which, after his decease, some other gains.
+But this fair gem, sweet in the loss alone,
+When you fleet hence, can be bequeathed to none.
+Or, if it could, down from th'enameled sky
+All heaven would come to claim this legacy,
+And with intestine broils the world destroy,
+And quite confound nature's sweet harmony.
+Well therefore by the gods decreed it is
+We human creatures should enjoy that bliss.
+One is no number; maids are nothing then
+Without the sweet society of men.
+Wilt thou live single still? One shalt thou be,
+Though never singling Hymen couple thee.
+Wild savages, that drink of running springs,
+Think water far excels all earthly things,
+But they that daily taste neat wine despise it.
+Virginity, albeit some highly prize it,
+Compared with marriage, had you tried them both,
+Differs as much as wine and water doth.
+Base bullion for the stamp's sake we allow;
+Even so for men's impression do we you,
+By which alone, our reverend fathers say,
+Women receive perfection every way.
+This idol which you term virginity
+Is neither essence subject to the eye
+No, nor to any one exterior sense,
+Nor hath it any place of residence,
+Nor is't of earth or mould celestial,
+Or capable of any form at all.
+Of that which hath no being do not boast;
+Things that are not at all are never lost.
+Men foolishly do call it virtuous;
+What virtue is it that is born with us?
+Much less can honour be ascribed thereto;
+Honour is purchased by the deeds we do.
+Believe me, Hero, honour is not won
+Until some honourable deed be done.
+Seek you for chastity, immortal fame,
+And know that some have wronged Diana's name?
+Whose name is it, if she be false or not
+So she be fair, but some vile tongues will blot?
+But you are fair, (ay me) so wondrous fair,
+So young, so gentle, and so debonair,
+As Greece will think if thus you live alone
+Some one or other keeps you as his own.
+Then, Hero, hate me not nor from me fly
+To follow swiftly blasting infamy.
+Perhaps thy sacred priesthood makes thee loath.
+Tell me, to whom mad'st thou that heedless oath?"
+
+"To Venus," answered she and, as she spake,
+Forth from those two tralucent cisterns brake
+A stream of liquid pearl, which down her face
+Made milk-white paths, whereon the gods might trace
+To Jove's high court.
+He thus replied: "The rites
+In which love's beauteous empress most delights
+Are banquets, Doric music, midnight revel,
+Plays, masks, and all that stern age counteth evil.
+Thee as a holy idiot doth she scorn
+For thou in vowing chastity hast sworn
+To rob her name and honour, and thereby
+Committ'st a sin far worse than perjury,
+Even sacrilege against her deity,
+Through regular and formal purity.
+To expiate which sin, kiss and shake hands.
+Such sacrifice as this Venus demands."
+
+Thereat she smiled and did deny him so,
+As put thereby, yet might he hope for moe.
+Which makes him quickly re-enforce his speech,
+And her in humble manner thus beseech.
+"Though neither gods nor men may thee deserve,
+Yet for her sake, whom you have vowed to serve,
+Abandon fruitless cold virginity,
+The gentle queen of love's sole enemy.
+Then shall you most resemble Venus' nun,
+When Venus' sweet rites are performed and done.
+Flint-breasted Pallas joys in single life,
+But Pallas and your mistress are at strife.
+Love, Hero, then, and be not tyrannous,
+But heal the heart that thou hast wounded thus,
+Nor stain thy youthful years with avarice.
+Fair fools delight to be accounted nice.
+The richest corn dies, if it be not reaped;
+Beauty alone is lost, too warily kept."
+
+These arguments he used, and many more,
+Wherewith she yielded, that was won before.
+Hero's looks yielded but her words made war.
+Women are won when they begin to jar.
+Thus, having swallowed Cupid's golden hook,
+The more she strived, the deeper was she strook.
+Yet, evilly feigning anger, strove she still
+And would be thought to grant against her will.
+So having paused a while at last she said,
+"Who taught thee rhetoric to deceive a maid?
+Ay me, such words as these should I abhor
+And yet I like them for the orator."
+
+With that Leander stooped to have embraced her
+But from his spreading arms away she cast her,
+And thus bespake him: "Gentle youth, forbear
+To touch the sacred garments which I wear.
+Upon a rock and underneath a hill
+Far from the town (where all is whist and still,
+Save that the sea, playing on yellow sand,
+Sends forth a rattling murmur to the land,
+Whose sound allures the golden Morpheus
+In silence of the night to visit us)
+My turret stands and there, God knows, I play.
+With Venus' swans and sparrows all the day.
+A dwarfish beldam bears me company,
+That hops about the chamber where I lie,
+And spends the night (that might be better spent)
+In vain discourse and apish merriment.
+Come thither." As she spake this, her tongue tripped,
+For unawares "come thither" from her slipped.
+And suddenly her former colour changed,
+And here and there her eyes through anger ranged.
+And like a planet, moving several ways,
+At one self instant she, poor soul, assays,
+Loving, not to love at all, and every part
+Strove to resist the motions of her heart.
+And hands so pure, so innocent, nay, such
+As might have made heaven stoop to have a touch,
+Did she uphold to Venus, and again
+Vowed spotless chastity, but all in vain.
+Cupid beats down her prayers with his wings,
+Her vows above the empty air he flings,
+All deep enraged, his sinewy bow he bent,
+And shot a shaft that burning from him went,
+Wherewith she strooken, looked so dolefully,
+As made love sigh to see his tyranny.
+And as she wept her tears to pearl he turned,
+And wound them on his arm and for her mourned.
+Then towards the palace of the destinies
+Laden with languishment and grief he flies,
+And to those stern nymphs humbly made request
+Both might enjoy each other, and be blest.
+But with a ghastly dreadful countenance,
+Threatening a thousand deaths at every glance,
+They answered Love, nor would vouchsafe so much
+As one poor word, their hate to him was such.
+Hearken a while and I will tell you why.
+Heaven's winged herald, Jove-borne Mercury,
+The selfsame day that he asleep had laid
+Enchanted Argus, spied a country maid
+Whose careless hair instead of pearl t'adorn it
+Glistered with dew, as one that seemed to scorn it;
+Her breath as fragrant as the morning rose,
+Her mind pure, and her tongue untaught to gloze.
+Yet proud she was (for lofty pride that dwells
+In towered courts is oft in shepherds' cells.)
+And too too well the fair vermilion knew,
+And silver tincture of her cheeks, that drew
+The love of every swain. On her this god
+Enamoured was, and with his snaky rod
+Did charm her nimble feet, and made her stay,
+The while upon a hillock down he lay
+And sweetly on his pipe began to play,
+And with smooth speech her fancy to assay,
+Till in his twining arms he locked her fast
+And then he wooed with kisses; and at last,
+As shepherds do, her on the ground he laid
+And, tumbling in the grass, he often strayed
+Beyond the bounds of shame, in being bold
+To eye those parts which no eye should behold.
+And, like an insolent commanding lover
+Boasting his parentage, would needs discover
+The way to new Elysium, but she,
+Whose only dower was her chastity,
+Having striv'n in vain was now about to cry
+And crave the help of shepherds that were nigh.
+Herewith he stayed his fury, and began
+To give her leave to rise. Away she ran;
+After went Mercury who used such cunning
+As she, to hear his tale, left off her running.
+Maids are not won by brutish force and might,
+But speeches full of pleasure, and delight.
+And, knowing Hermes courted her, was glad
+That she such loveliness and beauty had
+As could provoke his liking, yet was mute
+And neither would deny nor grant his suit.
+Still vowed he love. She, wanting no excuse
+To feed him with delays, as women use,
+Or thirsting after immortality,--
+All women are ambitious naturally--
+Imposed upon her lover such a task
+As he ought not perform nor yet she ask.
+A draught of flowing nectar she requested,
+Wherewith the king of gods and men is feasted.
+He, ready to accomplish what she willed,
+Stole some from Hebe (Hebe Jove's cup filled)
+And gave it to his simple rustic love.
+Which being known (as what is hid from Jove?)
+He inly stormed and waxed more furious
+Than for the fire filched by Prometheus,
+And thrusts him down from heaven. He, wandering here,
+In mournful terms, with sad and heavy cheer,
+Complained to Cupid. Cupid for his sake,
+To be revenged on Jove did undertake.
+And those on whom heaven, earth, and hell relies,
+I mean the adamantine Destinies,
+He wounds with love, and forced them equally
+To dote upon deceitful Mercury.
+They offered him the deadly fatal knife
+That shears the slender threads of human life.
+At his fair feathered feet the engines laid
+Which th' earth from ugly Chaos' den upweighed.
+These he regarded not but did entreat
+That Jove, usurper of his father's seat,
+Might presently be banished into hell,
+And aged Saturn in Olympus dwell.
+They granted what he craved, and once again
+Saturn and Ops began their golden reign.
+Murder, rape, war, lust, and treachery,
+Were with Jove closed in Stygian empery.
+But long this blessed time continued not.
+As soon as he his wished purpose got
+He reckless of his promise did despise
+The love of th' everlasting Destinies.
+They seeing it both love and him abhorred
+And Jupiter unto his place restored.
+And but that Learning in despite of Fate
+Will mount aloft and enter heaven gate
+And to the seat of Jove itself advance,
+Hermes had slept in hell with Ignorance.
+Yet as a punishment they added this,
+That he and Poverty should always kiss.
+And to this day is every scholar poor;
+Gross gold from them runs headlong to the boor.
+Likewise the angry Sisters thus deluded,
+To venge themselves on Hermes, have concluded
+That Midas' brood shall sit in honour's chair,
+To which the Muses' sons are only heir;
+And fruitful wits, that in aspiring are,
+Shall discontent run into regions far;
+And few great lords in virtuous deeds shall joy
+But be surprised with every garish toy,
+And still enrich the lofty servile clown,
+Who with encroaching guile keeps learning down.
+Then Muse not Cupid's suit no better sped,
+Seeing in their loves the Fates were injured.
+
+(The end of the First Sestiad)
+
+
+
+SECOND SESTIAD
+
+By this, sad Hero, with love unacquainted,
+Viewing Leander's face, fell down and fainted.
+He kissed her and breathed life into her lips,
+Wherewith as one displeased away she trips.
+Yet, as she went, full often looked behind,
+And many poor excuses did she find
+To linger by the way, and once she stayed,
+And would have turned again, but was afraid,
+In offering parley, to be counted light.
+So on she goes and in her idle flight
+Her painted fan of curled plumes let fall,
+Thinking to train Leander therewithal.
+He, being a novice, knew not what she meant
+But stayed, and after her a letter sent,
+Which joyful Hero answered in such sort,
+As he had hope to scale the beauteous fort
+Wherein the liberal Graces locked their wealth,
+And therefore to her tower he got by stealth.
+Wide open stood the door, he need not climb,
+And she herself before the pointed time
+Had spread the board, with roses strowed the room,
+And oft looked out, and mused he did not come.
+At last he came.
+O who can tell the greeting
+These greedy lovers had at their first meeting.
+He asked, she gave, and nothing was denied.
+Both to each other quickly were affied.
+Look how their hands, so were their hearts united,
+And what he did she willingly requited.
+(Sweet are the kisses, the embracements sweet,
+When like desires and affections meet,
+For from the earth to heaven is Cupid raised,
+Where fancy is in equal balance peised.)
+Yet she this rashness suddenly repented
+And turned aside, and to herself lamented
+As if her name and honour had been wronged
+By being possessed of him for whom she longed.
+Ay, and she wished, albeit not from her heart
+That he would leave her turret and depart.
+The mirthful god of amorous pleasure smiled
+To see how he this captive nymph beguiled.
+For hitherto he did but fan the fire,
+And kept it down that it might mount the higher.
+Now waxed she jealous lest his love abated,
+Fearing her own thoughts made her to be hated.
+Therefore unto him hastily she goes
+And, like light Salmacis, her body throws
+Upon his bosom where with yielding eyes
+She offers up herself a sacrifice
+To slake his anger if he were displeased.
+O, what god would not therewith be appeased?
+Like Aesop's cock this jewel he enjoyed
+And as a brother with his sister toyed
+Supposing nothing else was to be done,
+Now he her favour and good will had won.
+But know you not that creatures wanting sense
+By nature have a mutual appetence,
+And, wanting organs to advance a step,
+Moved by love's force unto each other lep?
+Much more in subjects having intellect
+Some hidden influence breeds like effect.
+Albeit Leander rude in love and raw,
+Long dallying with Hero, nothing saw
+That might delight him more, yet he suspected
+Some amorous rites or other were neglected.
+Therefore unto his body hers he clung.
+She, fearing on the rushes to be flung,
+Strived with redoubled strength; the more she strived
+The more a gentle pleasing heat revived,
+Which taught him all that elder lovers know.
+And now the same gan so to scorch and glow
+As in plain terms (yet cunningly) he craved it.
+Love always makes those eloquent that have it.
+She, with a kind of granting, put him by it
+And ever, as he thought himself most nigh it,
+Like to the tree of Tantalus, she fled
+And, seeming lavish, saved her maidenhead.
+Ne'er king more sought to keep his diadem,
+Than Hero this inestimable gem.
+Above our life we love a steadfast friend,
+Yet when a token of great worth we send,
+We often kiss it, often look thereon,
+And stay the messenger that would be gone.
+No marvel then, though Hero would not yield
+So soon to part from that she dearly held.
+Jewels being lost are found again, this never;
+'Tis lost but once, and once lost, lost forever.
+
+Now had the morn espied her lover's steeds,
+Whereat she starts, puts on her purple weeds,
+And red for anger that he stayed so long
+All headlong throws herself the clouds among.
+And now Leander, fearing to be missed,
+Embraced her suddenly, took leave, and kissed.
+Long was he taking leave, and loath to go,
+And kissed again as lovers use to do.
+Sad Hero wrung him by the hand and wept
+Saying, "Let your vows and promises be kept."
+Then standing at the door she turned about
+As loath to see Leander going out.
+And now the sun that through th' horizon peeps,
+As pitying these lovers, downward creeps,
+So that in silence of the cloudy night,
+Though it was morning, did he take his flight.
+But what the secret trusty night concealed
+Leander's amorous habit soon revealed.
+With Cupid's myrtle was his bonnet crowned,
+About his arms the purple riband wound
+Wherewith she wreathed her largely spreading hair.
+Nor could the youth abstain, but he must wear
+The sacred ring wherewith she was endowed
+When first religious chastity she vowed.
+Which made his love through Sestos to be known,
+And thence unto Abydos sooner blown
+Than he could sail; for incorporeal fame
+Whose weight consists in nothing but her name,
+Is swifter than the wind, whose tardy plumes
+Are reeking water and dull earthly fumes.
+Home when he came, he seemed not to be there,
+But, like exiled air thrust from his sphere,
+Set in a foreign place; and straight from thence,
+Alcides like, by mighty violence
+He would have chased away the swelling main
+That him from her unjustly did detain.
+Like as the sun in a diameter
+Fires and inflames objects removed far,
+And heateth kindly, shining laterally,
+So beauty sweetly quickens when 'tis nigh,
+But being separated and removed,
+Burns where it cherished, murders where it loved.
+Therefore even as an index to a book,
+So to his mind was young Leander's look.
+O, none but gods have power their love to hide,
+Affection by the countenance is descried.
+The light of hidden fire itself discovers,
+And love that is concealed betrays poor lovers,
+His secret flame apparently was seen.
+Leander's father knew where he had been
+And for the same mildly rebuked his son,
+Thinking to quench the sparkles new begun.
+But love resisted once grows passionate,
+And nothing more than counsel lovers hate.
+For as a hot proud horse highly disdains
+To have his head controlled, but breaks the reins,
+Spits forth the ringled bit, and with his hooves
+Checks the submissive ground; so he that loves,
+The more he is restrained, the worse he fares.
+What is it now, but mad Leander dares?
+"O Hero, Hero!" thus he cried full oft;
+And then he got him to a rock aloft,
+Where having spied her tower, long stared he on't,
+And prayed the narrow toiling Hellespont
+To part in twain, that he might come and go;
+But still the rising billows answered, "No."
+With that he stripped him to the ivory skin
+And, crying "Love, I come," leaped lively in.
+Whereat the sapphire visaged god grew proud,
+And made his capering Triton sound aloud,
+Imagining that Ganymede, displeased,
+Had left the heavens; therefore on him he seized.
+Leander strived; the waves about him wound,
+And pulled him to the bottom, where the ground
+Was strewed with pearl, and in low coral groves
+Sweet singing mermaids sported with their loves
+On heaps of heavy gold, and took great pleasure
+To spurn in careless sort the shipwrack treasure.
+For here the stately azure palace stood
+Where kingly Neptune and his train abode.
+The lusty god embraced him, called him "Love,"
+And swore he never should return to Jove.
+But when he knew it was not Ganymede,
+For under water he was almost dead,
+He heaved him up and, looking on his face,
+Beat down the bold waves with his triple mace,
+Which mounted up, intending to have kissed him,
+And fell in drops like tears because they missed him.
+Leander, being up, began to swim
+And, looking back, saw Neptune follow him,
+Whereat aghast, the poor soul 'gan to cry
+"O, let me visit Hero ere I die!"
+The god put Helle's bracelet on his arm,
+And swore the sea should never do him harm.
+He clapped his plump cheeks, with his tresses played
+And, smiling wantonly, his love bewrayed.
+He watched his arms and, as they opened wide
+At every stroke, betwixt them would he slide
+And steal a kiss, and then run out and dance,
+And, as he turned, cast many a lustful glance,
+And threw him gaudy toys to please his eye,
+And dive into the water, and there pry
+Upon his breast, his thighs, and every limb,
+And up again, and close beside him swim,
+And talk of love.
+Leander made reply,
+"You are deceived; I am no woman, I."
+Thereat smiled Neptune, and then told a tale,
+How that a shepherd, sitting in a vale,
+Played with a boy so fair and kind,
+As for his love both earth and heaven pined;
+That of the cooling river durst not drink,
+Lest water nymphs should pull him from the brink.
+And when he sported in the fragrant lawns,
+Goat footed satyrs and upstaring fauns
+Would steal him thence. Ere half this tale was done,
+"Ay me," Leander cried, "th' enamoured sun
+That now should shine on Thetis' glassy bower,
+Descends upon my radiant Hero's tower.
+O, that these tardy arms of mine were wings!"
+And, as he spake, upon the waves he springs.
+Neptune was angry that he gave no ear,
+And in his heart revenging malice bare.
+He flung at him his mace but, as it went,
+He called it in, for love made him repent.
+The mace, returning back, his own hand hit
+As meaning to be venged for darting it.
+When this fresh bleeding wound Leander viewed,
+His colour went and came, as if he rued
+The grief which Neptune felt. In gentle breasts
+Relenting thoughts, remorse, and pity rests.
+And who have hard hearts and obdurate minds,
+But vicious, harebrained, and illiterate hinds?
+The god, seeing him with pity to be moved,
+Thereon concluded that he was beloved.
+(Love is too full of faith, too credulous,
+With folly and false hope deluding us.)
+Wherefore, Leander's fancy to surprise,
+To the rich Ocean for gifts he flies.
+'tis wisdom to give much; a gift prevails
+When deep persuading oratory fails.
+
+By this Leander, being near the land,
+Cast down his weary feet and felt the sand.
+Breathless albeit he were he rested not
+Till to the solitary tower he got,
+And knocked and called. At which celestial noise
+The longing heart of Hero much more joys
+Than nymphs and shepherds when the timbrel rings,
+Or crooked dolphin when the sailor sings.
+She stayed not for her robes but straight arose
+And, drunk with gladness, to the door she goes,
+Where seeing a naked man, she screeched for fear
+(Such sights as this to tender maids are rare)
+And ran into the dark herself to hide.
+(Rich jewels in the dark are soonest spied).
+Unto her was he led, or rather drawn
+By those white limbs which sparkled through the lawn.
+The nearer that he came, the more she fled,
+And, seeking refuge, slipped into her bed.
+Whereon Leander sitting thus began,
+Through numbing cold, all feeble, faint, and wan.
+"If not for love, yet, love, for pity sake,
+Me in thy bed and maiden bosom take.
+At least vouchsafe these arms some little room,
+Who, hoping to embrace thee, cheerly swum.
+This head was beat with many a churlish billow,
+And therefore let it rest upon thy pillow."
+Herewith affrighted, Hero shrunk away,
+And in her lukewarm place Leander lay,
+Whose lively heat, like fire from heaven fet,
+Would animate gross clay and higher set
+The drooping thoughts of base declining souls
+Than dreary Mars carousing nectar bowls.
+His hands he cast upon her like a snare.
+She, overcome with shame and sallow fear,
+Like chaste Diana when Actaeon spied her,
+Being suddenly betrayed, dived down to hide her.
+And, as her silver body downward went,
+With both her hands she made the bed a tent,
+And in her own mind thought herself secure,
+O'ercast with dim and darksome coverture.
+And now she lets him whisper in her ear,
+Flatter, entreat, promise, protest and swear;
+Yet ever, as he greedily assayed
+To touch those dainties, she the harpy played,
+And every limb did, as a soldier stout,
+Defend the fort, and keep the foeman out.
+For though the rising ivory mount he scaled,
+Which is with azure circling lines empaled,
+Much like a globe (a globe may I term this,
+By which love sails to regions full of bliss)
+Yet there with Sisyphus he toiled in vain,
+Till gentle parley did the truce obtain.
+Wherein Leander on her quivering breast
+Breathless spoke something, and sighed out the rest;
+Which so prevailed, as he with small ado
+Enclosed her in his arms and kissed her too.
+And every kiss to her was as a charm,
+And to Leander as a fresh alarm,
+So that the truce was broke and she, alas,
+(Poor silly maiden) at his mercy was.
+Love is not full of pity (as men say)
+But deaf and cruel where he means to prey.
+Even as a bird, which in our hands we wring,
+Forth plungeth and oft flutters with her wing,
+She trembling strove.
+
+This strife of hers (like that
+Which made the world) another world begat
+Of unknown joy. Treason was in her thought,
+And cunningly to yield herself she sought.
+Seeming not won, yet won she was at length.
+In such wars women use but half their strength.
+Leander now, like Theban Hercules,
+Entered the orchard of th' Hesperides;
+Whose fruit none rightly can describe but he
+That pulls or shakes it from the golden tree.
+And now she wished this night were never done,
+And sighed to think upon th' approaching sun;
+For much it grieved her that the bright daylight
+Should know the pleasure of this blessed night,
+And them, like Mars and Erycine, display
+Both in each other's arms chained as they lay.
+Again, she knew not how to frame her look,
+Or speak to him, who in a moment took
+That which so long so charily she kept,
+And fain by stealth away she would have crept,
+And to some corner secretly have gone,
+Leaving Leander in the bed alone.
+But as her naked feet were whipping out,
+He on the sudden clinged her so about,
+That, mermaid-like, unto the floor she slid.
+One half appeared, the other half was hid.
+Thus near the bed she blushing stood upright,
+And from her countenance behold ye might
+A kind of twilight break, which through the hair,
+As from an orient cloud, glimpsed here and there,
+And round about the chamber this false morn
+Brought forth the day before the day was born.
+So Hero's ruddy cheek Hero betrayed,
+And her all naked to his sight displayed,
+Whence his admiring eyes more pleasure took
+Than Dis, on heaps of gold fixing his look.
+By this, Apollo's golden harp began
+To sound forth music to the ocean,
+Which watchful Hesperus no sooner heard
+But he the bright day-bearing car prepared
+And ran before, as harbinger of light,
+And with his flaring beams mocked ugly night,
+Till she, o'ercome with anguish, shame, and rage,
+Danged down to hell her loathsome carriage.
+
+(The end of the Second Sestiad)
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK HERO AND LEANDER***
+
+
+******* This file should be named 18781.txt or 18781.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/8/7/8/18781
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/old/18781.zip b/old/18781.zip
new file mode 100644
index 0000000..6a55f56
--- /dev/null
+++ b/old/18781.zip
Binary files differ