summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 04:53:51 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 04:53:51 -0700
commitc34c3bdb40310554c0a577f9871378e7f935ce28 (patch)
treefbe66c2604af1609341c4a584c7b5e1bf5b65453
initial commit of ebook 18658HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--18658-8.txt1176
-rw-r--r--18658-8.zipbin0 -> 25307 bytes
-rw-r--r--18658-h.zipbin0 -> 28065 bytes
-rw-r--r--18658-h/18658-h.htm1268
-rw-r--r--18658.txt1176
-rw-r--r--18658.zipbin0 -> 25305 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
9 files changed, 3636 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/18658-8.txt b/18658-8.txt
new file mode 100644
index 0000000..c7ad306
--- /dev/null
+++ b/18658-8.txt
@@ -0,0 +1,1176 @@
+The Project Gutenberg eBook, In Macao, by Charles A. Gunnison
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: In Macao
+
+
+Author: Charles A. Gunnison
+
+
+
+Release Date: June 22, 2006 [eBook #18658]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+
+***START OF THE PROJECT GUTENBERG EBOOK IN MACAO***
+
+
+E-text prepared by Martin Pettit and the Project Gutenberg Online
+Distributed Proofreading Team (http://www.pgdp.net/)
+
+
+
+IN MACAO.
+
+by
+
+CHARLES A. GUNNISON.
+
+
+
+
+
+
+
+Press of
+Commercial Publishing Co.
+34 California St., S.F.
+
+
+
+
+
+_FRAU JULIE FISCHER._
+
+_geb. von Seckendorff-Gutend._
+
+
+_Die beifolgenden, widme ich Ihnen, als Beweis in welch' unvergesslicher
+Erinnerung, die von mir in Beyern verlebte Zeit, gehalten wird, und
+besonders die unvergleichlichen Tage welche ich im Rothem Schloss zu
+Obernzeen zubringen durfte, Tage welche zu den schoensten meines Lebens
+zaehlten, und nie aus meinem Herzen verwischt werden koennen._
+
+ _Charles A. Gunnison._
+
+_San Francisco, Cal., Xmas, 1892._
+
+
+
+
+California.
+
+
+ This is thy form, dear, native home of mine,--
+ A gold-net hammock swung from palm to pine,
+ Moved by the breezes of the peaceful sea,
+ And in the net, smiling so drowsily,
+ My mother California, queen divine,
+ Rests, while the poppy garlands her entwine.
+
+ In her warm arms, 'neath cloudless summer skies,
+ As child I heard her bee-hummed lullabies,
+ Saw her red malvas, blue nemophylæ,
+ Pink manzanitas, deep-hued laurel tree,
+ And what were marvels to my childish eyes,
+ Her mariposas, (tethered butterflies).
+
+ What of the rich and wondrous foreign things
+ Which each new tide to her in tribute brings!
+ Although from olive, orange, fig, and vine,
+ Her own fond children all their wealth consign,
+ 'Tis Flora's gifts my royal mother sings,
+ As, joined to palm and pine, her hammock swings.
+
+
+
+
+In Macao.
+
+_A Story from the "Grasshopper's Library."_
+
+
+I was seated one pleasant day in the garden, which was given to the city
+of Macao by the Marcos family, near the grotto sacred to the poet
+Camoens, when a Portuguese priest came from among the wilderness of
+flowers and sat beside me. He spoke English with a pleasant accent and
+we read Bowring's effusion together, as it is engraved on the marble
+slab nearby. Scarcely had we finished, and the father was telling me of
+Goa in India, when my uncle Robert came from beneath the great banyan
+tree and stood before us. The father jumped to his feet, and throwing
+back his brown robe, rushed forward toward my uncle with a stilletto
+held ready for an upward stroke. Quickly my uncle drew a revolver and
+fired--and the father fell dead at my feet.
+
+
+I
+
+To those who have been in Southern Europe and have seen the towns along
+the Riviera, the first view of Macao, as the steamboat approaches from
+Hong Kong, gives the impression of having been suddenly transported to
+the sunny Mediterranean. Were it not for the colour of the water, and
+the Chinese junks, Macao would indeed be a perfect representation of any
+of those lovely spots, as she lies along her crescent bay, from Mount
+Nillau to Mount Charil, defended by the frowning forts of Sam Francisco
+and Our Lady of Bom Parto. Beautiful as this picture is, it was doubly
+so in the brilliant sunset colouring of a certain March day, as the
+steamer slowly came to her wharf and the passengers stepped ashore
+beneath the blue and white flag of Portugal, in this, her farthest
+eastern possession. The houses with their delicate washings of pink,
+blue, yellow or green, with white stucco ornaments, now golden in the
+light, had a warmth of colouring well set off by the dark foliage of
+camphor and banyan trees showing above the garden walls. The few
+passengers soon dispersed, in chairs or on foot, leaving but one of
+their number upon the wharf. He was apparently expecting some one to
+come for him, for he refused all offers of assistance from the coolies
+and seated himself just outside the gate. American, of medium height,
+brown haired and tanned by a tropical sun, Robert Adams was as good a
+specimen of Anglo Saxon youth as England herself could boast of. He was
+the last descendant of a New England family, which had preserved its
+purity for three centuries as unmixed with continental blood as though
+the three centuries had been passed in the quiet vales of Devon, instead
+of in the New World with its broken barriers.
+
+For three years, after a successful college course, he had been in the
+only shipping house in Hong Kong which sickly American commerce of the
+day was able to support in the once flourishing China trade. A small
+fortune and a good salary, a constitution which even an Eastern summer
+could not break down, and above all, the heart of the girl he loved,
+were surely possessions which any king might envy him. Presently a neat
+bamboo chair borne by three liveried coolies came at a trot down the
+street, and being placed before this last of the passengers, carried him
+away into the darkness which, with the suddenness of the tropics, had
+fallen upon the city. The stillness was broken only by the noise of
+escaping steam from the boat and the regular patter of the barefooted
+chair carriers. When the chair had disappeared up the narrow, winding
+street, a Portuguese wrapped in a black cloak came from behind a wall,
+then by another way walked rapidly over the hill and down the other
+side to the Praya, arriving in front of one of the largest houses on
+that most beautiful promenade just as the coolies put down their burden.
+
+The oil lamps along the Praya had been lighted, stretching out to the
+Estrada Sam Francisco, where the bright windows in the hospital of Sam
+Januarius seemed to be the lake of lights into which this long stream
+flowed. No one was abroad, no steps sounded along the pavement except
+those of the sentry as he walked, and _smoked_, before the neighbouring
+residence of the Governor. Death at night and sleep in the day time are
+the characteristics of Macao. No one seems to work, play, sing, dance or
+even read unless the latter indeed may be done in what Alphonse Daudet
+calls _la Bibliotheque des cigales_.
+
+As Robert Adams stepped from the chair, the Portuguese came forward with
+outstretched hand saying: "What is the news Dom Robert in Hong Kong?"
+"Oh, Dom Pedro, you came out so suddenly I thought I was attacked. No
+news, unless it is that the rector of St. John's is to join me to the
+loveliest girl in Macao or the world, in just three weeks." "I hope you
+won't disappoint him Dom Robert, you came very near doing so to-night,"
+said Pedro de Amaral with a laugh. "How, pray?" asked Adams as they
+entered the now unbarred gate. "You were within three feet of the water,
+if you had fallen in, that would have disappointed him. Not? Three feet
+is near. Not?" "Yes, and the boiler might have burst," replied Adams
+laughing. "Or more improbable yet the Portuguese government might have
+revived Macao, which would kill me with astonishment my dear Amaral."
+
+Having entered the house he was followed by Dom Pedro, who bent upon him
+such a look of hatred as only the eyes of Latin races can give. The
+Portuguese turned to the right to his own apartments and Adams following
+a servant to the left, was soon in the dimly lighted library of Dom Luiz
+de Amaral the father of Dom Pedro. There were not many books on the
+shelves but a superb collection of Oriental swords and knives was
+arranged in the cases from which the shelves had been taken. Two old
+engravings, one of the poet Camoens and the other of Catarina de Atayde,
+his beloved, who died of grief at his banishment, hung on the wall; the
+rest of the furnishings was of that cosmopolitan character which is sure
+to collect in the home of a European resident in the far East.
+
+"Can't you see me Robert?" said a laughing voice of great sweetness from
+a corner of the study. "One would think that both your eyes had met the
+same fate that the right one of poor Camoens did in Morocco." "My
+darling Priscilla how could I see you ten feet away from the light? You
+know olive oil don't give the brightest illumination. But its enough
+though." "Don't!" "Just one," and then a sound not unknown to many of us
+put a stop to the conversation. "Shall I leave the room children?" came
+in merry tones from another corner and immediately an old lady came
+forward giving both hands to him. "That miserable oil of Dom Amaral's
+has put me into a pretty mess," said Adams half annoyed, but laughing as
+he greeted the lady. "Don't berate me before my face dear friend about
+my light, especially when you are so soon to take our brightest light
+away from us." "Fairly trapped, Dom Amaral," cried Adams laughing
+heartily at this third interruption. "And here is Dom Pedro dressed for
+dinner," he continued as the younger Amaral entered the room. "I'll be
+with you presently and have my eyes toned down to your Macao standard."
+
+Being so constant a visitor, Robert Adams had his own rooms at Dom
+Amaral's, where he found his bags unpacked and the clothes laid out by
+those deftest of servants, the Chinese. According to custom the dinner
+of Macao was served at the late hour of nine.
+
+Dom Luiz Diego de Amaral was one of the wealthiest Portuguese in the
+city, having, unlike most of his fellow citizens, investments abroad
+which brought him a considerable income after the birth of Hong Kong
+killed Macao and left it a city of the past, of poverty and pride.
+Having in his youth married a Spanish woman who bore him one son, Pedro,
+he was left a widower before the age of twenty-five.
+
+Some years after, being in Boston where he then had large shipping
+interests, he took a second wife, Priscilla Harvey, and returned to
+Macao. Madam de Amaral's only sister, wife of Captain Fernald had one
+child which was left an orphan at an early age by the drowning of both
+parents in Portsmouth harbour.
+
+This orphan, Priscilla Fernald, was taken to her aunt in China and
+became a member of the household of Dom Amaral. It was a strange
+transplanting for such a flower from the cold coast of Puritan New
+England to the tropical, Roman Catholic colony in the heart of
+heathendom. But the flower of so sturdy a stock remained true. It was
+long accepted by all, even by the maiden Priscilla, that young Amaral
+was to be her husband though nothing had been said on the subject.
+Later, the small circle of Macao society, of which poverty and pride
+were the ruling features, became too dull for the young girl and her
+foster parents took her often to Hong Kong where she met with those of
+the outer world.
+
+In that hospitable society of the "city of the fragrant streams," where
+the dinner table seems to be the only rendezvous, save a garden party
+now and then, a Tarrantella dance or a Government House ball, the fair
+Priscilla met young Robert Adams, a native of her far away and almost
+unknown home. The acquaintance blossomed into friendship and ripened
+into love. The lover was accepted, and now a courtship of two years was
+in three weeks to see them married. There were many disappointed youths
+and envious of Robert Adams, but all took their misfortune as in the way
+of the world, except young Amaral, who, in silence, had watched the
+course of events and now hated the happy suitor with all the fierceness
+of his Southern blood.
+
+That night Robert Adams, unlike the conventional lover, but like a
+healthy, light-hearted fellow, fell asleep without a sigh, listening to
+the waves as they broke regularly on the stone embankment before his
+window. In the room below, Dom Pedro walked until the early morning, no
+beating of waves could lull him to sleep, for his head ached and his
+eyes burned in the fever of jealousy. Thus he brooded over his loss till
+the sun gilded the hermitage fort of Our Lady of Guia.
+
+
+II.
+
+The following day was Sunday, the liveliest, or rather the only day with
+any life at all, in Macao, for the visitors from Hong Kong then go about
+the city sight seeing to be ready for the early return of the steamboat
+on Monday morning.
+
+A pleasant spot, and one not often molested by visitors on account of
+the somewhat toilsome climb required to reach it, is the church of Our
+Lady of Pehna on the summit of Mt. Nillau. Built in 1622 on this high
+point to be more easily protected from any possible invasion of the
+Chinese from the main island of Heang Shang, the church serves now only
+as an addition to the picturesqueness of Macao, and though repaired in
+1837 is again in ruin. Priscilla and her affianced chose this for their
+Sabbath walk, for it is only through nature that the Protestants in
+Macao can worship nature's God, and surely the incense of flowers could
+bear to Him on high the thanksgiving of those two happy hearts, as truly
+as the frankincense and myrrh which the good Fathers of the last century
+burnt upon Mt. Nillau. The narrow but well paved streets with their
+stuccoed houses, barred windows and little peep-holes at the doors, for
+questioning the doubtful applicants for admission, even the two months
+old posters of Chiarini's circus had a new charm this Sunday morning;
+for Adams it was a day of quiet after his week of noise and bustle in
+Hong Kong, while for Priscilla it seemed a gala day full of life after
+the six silent days of sleepy monotony. "I can see that Pedro is not
+friendly toward you Robert," she said; "I could hear him walking during
+all the night and am sure he is planning something to annoy you, I know
+his ways so well." "Don't worry, Priscilla, Dom Pedro was probably
+troubled over some loss at the fan-tan table; they say he won five
+hundred Mexicans last week and then lost that sum doubled."
+
+"That may be so, Robert, but our approaching marriage is a great cross
+to him. It is hard to tell what Pedro's thoughts are; his eyes are like
+our Macao windows of isinglass and let very little light either way."
+
+The winding road between ruined walls of gray stone, half covered with
+clinging ficus, spanned by broken arches, with here and there a fallen
+urn, led them through picturesque turns and by mossy steps to the foot
+of the huge black cross erected before the empty church. Neither spoke;
+they did not care for words and the only expression which framed itself
+audibly was that oft repeated _jubilate_ of health and youth, "How
+beautiful it is to live!"
+
+Dim in the distance, of almost the same shade as the sky, rose the
+White Cloud Hills; lesser hills more distinct in waving outline lay
+before them; then rocky promontories and islands with grotesque forms
+like the twisted dragons of Chinese embroideries, and the low stretch
+which marked the position of the wonderful city of Canton. On the yellow
+water here and there were junks with tanned sails and gay banners;
+islands with graceful pagodas were seen, and the huge white cathedral of
+the near dependency of Taipa. Then in the foreground at their very feet
+was Macao, a feast of colour, red roofs, many-hued walls, green trees
+and brilliant gardens, beautiful as the jewel-set sheath of a Venetian
+dagger, with its poison and death-dealing wickedness hidden.
+
+Dom Amaral with his wife had gone to the new cathedral to services;
+their well appointed chairs had scarcely left the court and the gates
+been bolted behind them when Dom Pedro came from his room. His face had
+changed greatly since the day before; the loss of sleep and the
+bitterness of his heart had made him look pale and thin. For the first
+time in his life he had spoken harshly to his valet, and that meek
+Celestial wore an expression of grief and surprise, for Pedro Amaral,
+whatever his faults, did not have the vulgar one of venting his spleen
+upon his inferiors, so that his lifelong servant was at a loss to
+account for the sudden change.
+
+Dom Pedro walked to the library and drawing the curtains behind him sat
+down before the cases filled with brilliant steel. Suddenly he looked
+away and picked up a book from the table, opening it at random but
+constantly his eyes reverted to the cases before him. Slowly his
+features relaxed and with a broken sigh he was about to replace the book
+when a small photograph card fell from its pages; the face was that of
+Robert Adams, the book Priscilla's "Common Prayer." Like a flash the old
+lines came back in his forehead; he went to the case and opening the
+glass doors, carefully took down a small, silver sheath, the work of
+some artist of Goa, wherein the influence of both India and Europe
+showed in the execution. The pressure of a button pushed out a grooved
+dagger which fitted so low in the sheath as to show only the head of its
+jeweled hilt. Dom Pedro removed the dagger, wrapped it in his
+handkerchief and then putting it in his breast pocket replaced the empty
+sheath in its old position.
+
+
+III.
+
+The government of Macao derives its greatest revenue from the licensing
+of gambling houses, and these form one of the principal attractions in
+the city to the European from Hong Kong as well as the native
+Portuguese and Chinese. Whatever fault the visitor finds, on moral
+grounds, with these houses he must admit the fact that they are quiet
+and orderly, while the picturesqueness of the life within them and that
+peculiar glamour which varnishes all that pertains to a great gambling
+hall where fortune shows herself directly face to face with us, has a
+charm which hides the immorality from even the most straight-laced
+Puritan.
+
+One of these houses was the favourite and nightly resort of Dom Pedro,
+where he played high or low according to the state of his finances at
+the moment. Dom Amaral, though himself a devotee of the fan-tan table,
+observed with fear this controlling passion of his son which he believed
+would some day destroy the comfortable fortune he had amassed with so
+many years of labour.
+
+Adams would have certainly preferred to spend the whole evening in the
+family circle, but Dom Pedro urged him with so much, and such unusual
+kindness to accompany him to the gambling house that he consented, and
+at about eleven o'clock the two young men left the Praya and walked into
+the town beneath the soft lights of the oil lamps. The streets were
+deserted as usual, here and there a policeman, hooded like a pilgrim,
+sauntered leisurely along, or the Chinese watchman with drum and
+clapper woke the echoes of the lonely ways warning thieves of his
+approach.
+
+The only illuminated houses were fan-tan houses and these presently
+became numerous; now and then music was heard but not of a very
+seductive kind. Into one of the largest and most gaily decorated houses,
+Dom Pedro and Robert Adams went, climbing to the second floor by stairs
+bordered with shrubs in huge Chinese pots.
+
+The main playing room contained several tables or counters arranged
+along the walls, behind which sat the croupiers; at one of these Dom
+Pedro stopped. On the table was a plate of metal divided into quarters
+of about a foot square by deep cut lines crossing it, each square being
+marked in Chinese characters indicating one, two, three and four. The
+croupiers rattled a pile of bright brass coins, with square holes in
+them, called cash; then as Dom Pedro made a sign that he was about to
+play, the croupier drew away a part of them under a bowl and Dom Pedro
+placed his wager on number three. The croupier with a bamboo wand then
+counted out the remaining cash one at a time in sets of four, until
+finally there were but three left; this being Dom Pedro's number, he won
+the stakes.
+
+"In good luck to-night," he said, turning to Adams, "Try if this is a
+lucky day for you." Robert Adams placed his money on the same square
+which Dom Pedro had won from, and again the croupier counted the
+remainder slowly, having drawn away some of the cash under the bowl,
+four at a time until but two remained and Adams' stake became part of
+the bank. "Lucky in love, unlucky at play" he said with a laugh, "I
+shall bet no more to-night." Dom Pedro's face darkened but in silence he
+continued winning at every count.
+
+Above the table was a square hole in the ceiling opening into an upper
+room where those could sit who did not wish to be seen, and were thus
+able to let their bets down in a little basket and with the same draw up
+their winnings. This upper room being purposely kept in half light
+enabled its occupants to see those below without being seen themselves.
+
+Dom Pedro's luck was astonishing and quite a crowd of onlookers gathered
+about. Robert Adams growing weary of the play in which he took no
+interest, left, saying that he would walk slowly as far as the ruined
+cathedral of St. Paul and on his return step in again. As he stepped
+back from the table he looked up toward the opening in the ceiling where
+were two women with faces wrapped in black silk robosas, which showed
+only the eyes; as the eyes seemed fixed upon him he raised his hat. The
+action seemed to cause the women considerable consternation, for both
+hurriedly sprang back from the rail and in doing so one let fall, upon
+the table below, the basket with a bit of paper and several Mexican
+dollars which rolled about the room. Everyone looked up laughing at the
+accident but no one from above claimed the money. Adams left the room
+glad to be in the fresh air under the clear, starlit sky.
+
+No more lonely or picturesque ruin ever existed than the church of St.
+Paul; though human habitations crowd close upon it, they are however the
+houses of Chinese and make the Christian edifice seem the more solitary.
+The church is of that favourite style of architecture so common in new
+and old Spain, which always brings to the mind of the wanderer in
+foreign lands the name of good San Xavier.
+
+The half moon had risen high enough to illuminate the whole front as
+Adams climbed the broad, massive steps to the paved space before it.
+Leaning against the heavy balustrade he enjoyed the picture. The shadows
+were deep and through the sightless windows shone a few silver stars.
+The magnificent front of solid granite with graceful scroll-work and
+carved outline, blackened here by smoke and there by age, with vines and
+trees growing from crevices, stood in wondrous beauty.
+
+The detail showed clearer than by day; the panels in high relief, of
+full rigged ship, the double dolphin and the skeleton seemed too fragile
+to have stood through earthquake and typhoon and the conflagrations of
+war for more than two hundred years. The exquisite frieze composed of
+many unconventionalized flowers extending across the front, wherein the
+artist and worker had been one, was a petrified garland. This scene was
+a revelation to Adams for often as he had viewed and sketched the ruin,
+he had never been there by moonlight when its beauties were enhanced and
+its defects hidden. He could see plainly each Chinese character upon the
+carved scrolls and the words "Mater Dei" above the doorway.
+
+Slowly the shadows crept along, making the six broken saints in their
+niches seem alive; slowly the shadows upon the ruin crept along, but a
+swifter shadow suddenly came forward from the steps and Adams having
+forgotten, in the entrancing scene the murderer and thief who lurk in
+all Macao's corners, turned as he heard a soft step, just in time to
+receive in his right arm the upward blow of a dagger aimed at his side.
+He lost his balance falling backward down the steps, striking his head
+upon a heap of broken roof-tiles where he lay insensible. As he fell, a
+woman's scream pierced the night. There was hurried tramping of sandaled
+feet, as of a dozen or more coolies. The shriek was again heard and
+then all was silent and the plaza empty.
+
+
+IV
+
+Sleepy Macao the day after the attempted assassination of Robert Adams
+was treated to a sensation such as had not been its experience since the
+memorable day in 1848 when the old Governor de Amaral lost his head at
+the Porta de Cerco. Murder, attempted or accomplished, could not have
+stirred them up to such an extent, for that was too common an
+occurrence, but the mystery of the event was the cause. Priscilla Harvey
+and her maid with one of Dom Amaral's most trusted men servants had
+disappeared as completely as though the earth had swallowed them.
+
+Robert Adams, since the night of the attack had not recovered his
+senses, and lay in the house of Dom Amaral apparently between life and
+death. The surgeons from Sam Januarius hospital had decided that to save
+him, the amputation of his arm would be necessary, for the dagger which
+had cut it had been poisoned.
+
+In the midst of this trouble, Priscilla's absence was discovered, and
+Macao was alarmed. Men were sent from the Governor's house in all
+directions to search the public houses, the fishing boats, and every
+possible place within the small territory. Word was sent to Taipa. While
+the officials were thus employed, private parties of searchers went over
+the entire peninsula looking among the rocks and copses of the Estrada
+and even the Parsee Tower of Silence was examined, but all in vain. The
+fan-tan house proprietor told of two unknown women with a Chinese
+servant who had visited his house, but when they had left he did not
+know. No more was learned though the search still continued, for large
+rewards were offered by Dom Amaral as well as by the Governor.
+
+Dom Pedro directed the movements, taking greatest interest in all that
+seemed possible to form a clue, and did not rest for nearly forty-eight
+hours. Days soon formed a week but no news came, and Macao began to
+drowze again. Detectives from Hong Kong came, made the usual fuss and
+reached the usual conclusions of their kind, that it was a mysterious
+event.
+
+Contrary to all predictions Robert Adams, having become convalescent and
+the surgical operation by which he had lost his arm having proved
+successful when having heard the awful news, did not have a relapse into
+the fever but seemed with a determination to become more rapidly strong,
+and in five weeks was able to be about. He, of all Priscilla's friends,
+was most hopeful. To his mind vividly came the scene at the Ruins of
+St. Paul and that last sound he had heard. Adams' first walk was to the
+scene of his attempted assassination and Madam de Amaral, who was much
+broken with grief at the terrible event, accompanied him in her chair,
+Dom Pedro going with them.
+
+It was the month of May and the heat being oppressive Madam d'Amaral
+after viewing the scene was carried home and the two young men walked on
+to the Marcos garden. "I have a clue Dom Robert," said Dom Pedro as they
+seated themselves beneath a broad banyan tree from which a view of St.
+Paul's ruin could be had. "There began your troubles," he said pointing,
+"and there this morning I received a paper which will I hope lead to a
+solution of this mystery." He handed Adams a bit of Chinese paper on
+which was written in Portuguese, "Come to the Praca de Luiz de Camoens
+at 8 A.M. to-morrow; follow the guide who meets you, and the lady
+Priscilla will be found." "I do not trust anonymous communications,"
+said Adams, "but we must clutch at a straw now." "Nor do I," replied Dom
+Pedro, "and I will go with you; we will go well armed." Adams glanced
+down at his own empty sleeve and a cruel smile passed over the face of
+Dom Pedro as he noticed his comrade's pain.
+
+The 22nd of May will be long remembered in Macao and never forgotten by
+the family of de Amaral. Early in the morning Robert Adams was up and
+impatiently waiting for Dom Pedro, who appeared a little before eight
+o'clock and the two, after a hurried breakfast, went to the Praca de
+Luiz de Camoens where a Chinese sailor met them. They followed him to
+the shore where a sampan was waiting in which they seated themselves and
+were soon gliding rapidly toward a huge junk of fine build which lay at
+anchor some distance beyond the Portuguese man-of-war, in the direction
+of Taipa. The tide was very low and the vessel did not seem far from
+shore.
+
+The Sampan reached and made fast to the junk, and Adams followed by Dom
+Pedro climbed upon the deck.
+
+Quick as a flash Adams' arm was seized and bound to his side while Dom
+Pedro stepped before him. "Fool!" he cried, "you have stepped into the
+trap with little trouble. It was I who stabbed you, Dom Robert, it was
+I, who took the bride who rightfully belonged to me, as it is I who will
+use you for my own good till I may throw you away. You of Northern blood
+are fools."
+
+"I thought you my friend, Dom Pedro, and I thought you a man," was the
+only reply.
+
+Every appointment of the junk was of exquisite finish, such as is
+seldom seen, and kept scrupulously clean. The men at work on deck, with
+usual Mongolian nonchalance, went about their business without giving
+the least notice to the events occurring. "The lady Priscilla waits you
+in the cabin," said Dom Pedro. "She knows my plans and though I shall
+not intrude upon you I have a Chinese on guard who will kill you if any
+attempt is made to free you. Enter." Adams stepped toward the cabin at
+the stern, where the usual shelf-like arrangements of a junk had been
+transformed into a cabin suited to European taste, with comfort and
+luxury. Adams entered and the door was closed. By it stood a guard with
+drawn sword; in the farther corner sat a woman at a table with her face
+buried in her hands.
+
+"Robert, as you love me stay where you are. Do not move a step, but sit
+down where you are." Her voice was so full of pleading that Adams forgot
+his first impulse and obeyed her. "I know all that has occurred dear
+Robert, your sacrifice and pain and the pain of all my friends during
+these sad weeks. Do not move toward me or you will be killed. I will not
+look up, dare not look up. On that Sunday, which now seems so long ago,
+when I bid you good-night at the library door, when you and he went to
+the fan-tan house, I followed you with his valet and my maid, for I had
+been fearful of his intentions toward you, and when his valet told me
+that he had seen him secrete a dagger in his coat that morning, and when
+I found one missing from the case, I had my fears confirmed. We followed
+and sat in the floor above you and tried to call your attention. When I
+won at the table at last I put in a warning note and then overturned the
+basket. You did not see the paper but he did, and read it. For the rest,
+you were followed at once by him, and we as quickly as possible followed
+both, but only in time to see you fall and to be seized and carried away
+in a closed chair to the yellow house in the Marcos square where, till
+yesterday, I have been confined to the court and inner rooms, with only
+my maid as company and a daily visit from him at which I learned the
+news of your progress toward recovery. Last night we were removed to
+this vessel, and I have expected your arrival with hope and fear. His
+idea is to force a marriage with me by threats against your life, or to
+sail for Hainan or Formosa and accomplish his designs where law and
+justice for us are unknown."
+
+Hurried cries from the deck and a call at the door in Chinese were heard
+and the guide sheathing his sword rushed from the cabin. In a moment the
+lovers were together. The bonds which held Adams' arm were cut and
+Priscilla pointing to the little window cried, "Robert, God is with us!"
+With his one arm encircling Priscilla they looked from the window.
+Apparently a strong gale had suddenly sprung up from the south east and
+rain was falling in torrents; the wind continued to increase though the
+rain passed by, but in the distance appeared a dark tower of water
+slowly moving toward Macao, rushing with bending, changing outline from
+water to sky. The gale became fiercer and the tumult on deck increased.
+Immediately from Taipa came the sound of cannon and it was answered by
+Macao with her heaviest ordnance as if a battle were raging, and, indeed
+it was a terrible battle, one between man and the elements, but man was
+victor and the water spout was broken. The force of the tornado however
+had yet to reach its climax and for fully five minutes swept over the
+terrified city and bay with fearful power. Sampans and junks were hurled
+like egg-shells upon the shore, where but for the low tide, thousands
+instead of hundreds of lives would have been sacrificed. The men-of-war
+and the river steamboats did good service, for the course of the
+tornado, was so restricted that though but a hundred yards from its
+limit of violence they were untouched. Dom Pedro's junk with others was
+torn from its moorings and overturned, but not before Adams and
+Priscilla had jumped from the deck. Even in the awful confusion and the
+terror of the first plunge which carried them below the surface of the
+angry waves, she kept her hand clasped upon the empty sleeve of her
+recovered protector. Being both good swimmers they assisted each other
+with that knowledge of the water and the trust which all coast born
+people have in the mother sea. A boat from one of the war vessels picked
+them up and in a short time they were both beneath the roof of good Dom
+d'Amaral, and rumor with unusual tread, but suited to Macao, slowly
+announced the fact of Priscilla's return.
+
+Dom Pedro weak, and with a broken arm, was also carried to the house of
+his father and none but the principal actors in the tragedy understood
+the mystery.
+
+Priscilla had returned in the midst of the tornado, and that was all.
+The unfortunate young woman was completely prostrated by the terrible
+experiences through which she had lately passed and lay as if lifeless.
+The physicians dreaded an attack of fever would follow, and their worst
+fears were realized. Several weeks went by in anxious watching by the
+sick woman's bedside when at last the fever turned and she gradually
+grew better. Nothing was said of the occurrences which had brought the
+illness about, and Priscilla remembered nothing of them apparently, for
+she asked for no one and seemed happy and content to be left with her
+Chinese _ama_. When she had recovered strength enough to be carried
+into the court-yard it was with joyful expectancy that Adams went to
+greet her, yet his heart sank with sorrow when he saw the marks of the
+great suffering in her face and a terrible desire for revenge seized
+him, which became the dominant passion of his life.
+
+The saddest part of this tale may be given in a few words. Priscilla
+Harvey never regained her reason, though she found pleasure in all the
+beauties of nature and her life was happy during the two years before
+her death. Dom Pedro went to Hong Kong and soon disappeared. Robert
+Adams remained in Macao taking charge of the d'Amaral foreign business.
+He was the daily companion of the unfortunate Priscilla in all her walks
+and it was but a year after her death, when I visited my uncle Robert in
+Macao, when the tragic event occurred which is narrated at the beginning
+of this history.
+
+My uncle is near my own age and we are more like brothers and have been
+together, since the death of Dom Pedro at Camoen's Grotto. The Courts of
+Macao exonerated Adams and though the good Dom d'Amaral would willingly
+have had him remain in the house at Macao it was not pleasant to think,
+that, even justified as he was, he had killed the only son of his host.
+
+It was early in the morning when we left the drowsy city; the sun had
+just touched the windows of Sam Januarius, and as the river boat dropped
+into the stream, the church of Our Lady of Guia received its morning
+salutation. The period had come to this story of love and loss, and the
+book closed.
+
+Perhaps it is just as well not to work, or play, or read except in "the
+library of the grasshoppers" as do my own good, sleeping friends in
+Macao.
+
+
+
+
+My Sapphire Ring.
+
+
+ Where have I seen the sapphire rimmed with gold?
+ When on the dark blue Carribbean sea,
+ Floating at sunset, dreaming lazily,
+ I saw the God of Day the world enfold;
+ There did my eyes the sapphire rare behold.
+
+ I saw the sapphire, when the day was young
+ In royal Venice, as I lay and gazed
+ Into the morning sky, and saw, amazed,
+ Its deep hued brilliance, ere a bird had sung,
+ Or Matin bells from San Stefano rung.
+
+ Once when my course, with myriad sea-flowers strewn,
+ Was o'er Formosa's waves of purple dulse,
+ Rising and falling like a fevered pulse,
+ Moved by the hot and southern born monsoon,
+ I saw the sapphire glow in tropic noon.
+
+ But in our home, beneath our own blue skies,
+ Before I knew these treasures of the Earth,
+ I saw the sapphire of far greater worth--
+ The first born friendship in your boyhood's eyes--
+ Of which this ring as token now I prize.
+
+
+
+
+The Hen That Could Lay and Lie.
+
+
+I had the following story from the bill of an old Spanish hen, an
+inveterate cackler, who used to fly over the neighbouring fence and
+wander, with happy, self-communing clucks about my vegetable garden.
+
+"Yes young man you are young, you may feel bigger than I am, but you are
+not quite so tough, indeed toughness alone has saved me my life for a
+good many Christmas mornings. I am a tough old hen, I have seen the
+world; I have traveled. You know the island in the Napa River just above
+the railroad bridge? Well, I was wrecked there in my young days and it
+happened in this manner.
+
+"The spring of the year 18-- was a wet one; snow fell in the foothills
+and when it melted, the waters rushed down through the cañons and filled
+the river. Our coop, (I say ours as I had a husband then,) stood near
+the bank, and the rising water carried it away. I shall never forget the
+night. It was Billy's last night on earth; Billy was my better half, and
+a handsome, young cock he was, all the young pullets in the yard had
+yellow combs, from envy, the day we were married. Old Partlett with her
+brood of twelve ducks tried her best to get him, but Billy said he
+didn't think it was quite the most moral thing in the world for a hen of
+her age to hatch out ducks and it set a bad example to the young
+'broilers' who were growing up about us, so he declined her proposals
+with thanks and sent her off with her ugly-mouthed off-spring. Well, as
+I was saying, our coop was carried down the stream, Billy and I
+balancing ourselves on the upper roost and speaking words of comfort to
+cheer up each other's fast fainting gizzards. We hens have a proverb
+which says, 'A life without hope is an egg without a yolk, a gizzard
+without gravel,' and that night proved the words to be true. Suddenly
+down went Billy into the roaring flood. I can see his yellow spurs as he
+went under, and his clutching claws, those beautiful, shining claws that
+only walked the path of virtue, as far as I knew. Alas how I fluttered,
+I tried to crow for help but it was useless, I could no more do it than
+the hens of your genus can whistle. Billy went out forever.
+
+"How I remember his kindness now; how he would find the best worms and
+grasshoppers and always call me to see them before he ate them, not as
+that old beast Cochin China does, who not even lets his wife look at the
+delicious morsels he swallows.
+
+"Billy is gone, so I will not regret him for he is probably chief
+crower in St. Peter's hennery now. How Peter must blush when he hears
+Billy crow, if he has any shame for his past sins. They say St. Peter
+has to keep all the dead cocks as a sort of punishment and reminder.
+
+"That night I pulled all the yellow feathers out of my tail, (I have
+Cochin blood in my veins,) and I have gone in black Spanish costume ever
+since out of respect for Billy.
+
+"By morning I was cast with the coop upon a deserted island; there was
+nothing but a coarse grass that was eatable, but I was almost dead with
+hunger, and was about giving up in despair when a happy thought struck
+me, and, I laid an egg, which with a little grass made me a good meal.
+Each day I laid an egg and ate it, feeling that my life at least could
+be saved, though I must be forever without society, yet I thanked heaven
+that hens were made with such resources. Alas! I began to notice that
+the eggs grew smaller each day and I felt starvation again taking me by
+the wattles. To die without friends on a desert island, horrible! Alone!
+Why? Can I not hatch these eggs, can I not raise a brood of little
+pullets who shall lay eggs for themselves and me? Time passed and I
+brought from the shells eight little chicks, but alas they were all
+cocks; poor me. What are they good for on a desert island? They cannot
+even keep themselves. Perhaps I had thought too much of Billy during the
+setting and that influenced the eggs. But my complaint was punished, for
+all of the brood were caught one day in the current and carried away.
+Poor, little, posthumous chicks, how your father Billy would have loved
+you and taught you to crow. Again I tried; this time with more success
+and brought from the eggs six little, fluffy pullets. All lived and we
+took turns, off and on, supplying the family with eggs, till one day men
+passing in a row boat, saw us and took us aboard. We had been on the
+island for two months. All my six pullets lived and married, and are now
+in the yard over the fence."
+
+All this time I had been so interested in the story, that I had not
+noticed the narrator who was in the midst of my lettuce bed busily
+pulling up the young plants.
+
+"Shew there! What are you doing?" I cried. Off she flew with a cackle of
+derision.
+
+Looking after her in astonishment and at my poor lettuce bed, I caught
+the eye of an old turkey, roosting in an apple tree; he was smiling
+grimly.
+
+"So you have been taken in too," he said, with a suppressed gobble. "You
+needn't believe a word of that tale, and if you knew anything about
+raising poultry you would have seen the weak point in her story. It was
+only to play on your sympathy while she made a meal of your lettuce.
+That old hen is one of the toughest confidence operators in the yard,
+and if you take my advice, (and I have lived over four Thanksgivings,)
+you will keep an eye open for all black Spanish hens who have lost a
+husband."
+
+I thanked the old fellow and came into the house, and since then have
+kept on the guard against widows of every genus, with better success
+than Mr. Weller the elder attained.
+
+
+
+
+"Oceanic" at Sea.
+
+
+ What shall I sing of thee, my ship,
+ Lone center of this orb of blue,
+ Horizoned by the rosy light
+ Of peeping dawn, and sleeping evening too?
+
+ Thou art the pupil, ship of mine,
+ Which lights this round and azure eye,
+ Rimmed by the rosy lids of dawn,
+ And lost in sleep when evening rules the sky.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK IN MACAO***
+
+
+******* This file should be named 18658-8.txt or 18658-8.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/8/6/5/18658
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/18658-8.zip b/18658-8.zip
new file mode 100644
index 0000000..ae8feef
--- /dev/null
+++ b/18658-8.zip
Binary files differ
diff --git a/18658-h.zip b/18658-h.zip
new file mode 100644
index 0000000..2224577
--- /dev/null
+++ b/18658-h.zip
Binary files differ
diff --git a/18658-h/18658-h.htm b/18658-h/18658-h.htm
new file mode 100644
index 0000000..86e17ab
--- /dev/null
+++ b/18658-h/18658-h.htm
@@ -0,0 +1,1268 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html>
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<title>The Project Gutenberg eBook of In Macao, by Charles A. Gunnison</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p { margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+ }
+ hr { width: 33%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+ }
+
+ body{margin-left: 10%;
+ margin-right: 10%;
+ }
+
+ .pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+ } /* page numbers */
+
+ .center {text-align: center;}
+ .smcap {font-variant: small-caps;}
+
+ .right {text-align: right;}
+ .left {text-align: left;}
+ .tbrk { margin-top: 2.75em;
+ text-align: justify;
+ margin-bottom: .75em;
+ }
+
+ .poem {margin-left:10%; margin-right:10%; text-align: left;}
+ .poem br {display: none;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem div {display: block; margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem div.i2 {display: block; margin-left: 2em;}
+
+
+ /* index */
+
+ div.index ul li { padding-top: 1em ;text-align: center; }
+
+ div.index ul ul ul, div.index ul li ul li { padding: 0; text-align: left; }
+
+ div.index ul { list-style: none; margin: 0; }
+
+ div.index ul, div.index ul ul ul li { display: inline; }
+
+ div.index .subitem { display: block; padding-left: 2em; }
+ hr.full { width: 100%; }
+ pre {font-size: 75%;}
+ // -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<h1>The Project Gutenberg eBook, In Macao, by Charles A. Gunnison</h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: In Macao</p>
+<p>Author: Charles A. Gunnison</p>
+<p>Release Date: June 22, 2006 [eBook #18658]</p>
+<p>Language: English</p>
+<p>Character set encoding: ISO-8859-1</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK IN MACAO***</p>
+<p>&nbsp;</p>
+<h3>E-text prepared by Martin Pettit<br />
+ and the Project Gutenberg Online Distributed Proofreading Team<br />
+ (http://www.pgdp.net/)</h3>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+
+<h1>IN MACAO.</h1>
+
+<h3>BY</h3>
+
+<h2>CHARLES A. GUNNISON.</h2>
+
+<p class='tbrk'>&nbsp;</p>
+
+<h4>PRESS OF<br />COMMERCIAL PUBLISHING CO.<br />
+<span class="smcap">34 California St., S.F.</span></h4>
+
+<hr />
+<h2>CONTENTS</h2>
+
+<div class="index">
+<ul>
+<li><a href="#FRAU_JULIE_FISCHER">Dedication</a></li>
+<li><a href="#California">California</a></li>
+<li><a href="#In_Macao">In Macao</a></li>
+<li><a href="#My_Sapphire_Ring">My Sapphire Ring</a></li>
+<li><a href="#The_Hen_That_Could_Lay_and_Lie">The Hen That Could Lay and Lie</a></li>
+<li><a href="#Oceanic_at_Sea">"Oceanic" at Sea</a></li>
+</ul>
+</div>
+
+<hr />
+<p><span class='pagenum'><a name="Page_5" id="Page_5">[Pg 5]</a></span></p>
+<h2><a name="FRAU_JULIE_FISCHER" id="FRAU_JULIE_FISCHER"></a><i>FRAU JULIE FISCHER.</i></h2>
+
+<h3><i>geb. von Seckendorff-Gutend.</i></h3>
+
+<blockquote><p><i>Die beifolgenden, widme ich Ihnen, als Beweis in welch' unvergesslicher
+Erinnerung, die von mir in Beyern verlebte Zeit, gehalten wird, und
+besonders die unvergleichlichen Tage welche ich im Rothem Schloss zu
+Obernzeen zubringen durfte, Tage welche zu den schoensten meines Lebens
+zaehlten, und nie aus meinem Herzen verwischt werden koennen.</i></p>
+
+<p class='right'><i>Charles A. Gunnison.</i></p>
+
+<p><i>San Francisco, Cal., Xmas, 1892.</i></p></blockquote>
+
+<hr />
+<p><span class='pagenum'><a name="Page_6" id="Page_6">[Pg 6]</a></span></p>
+<h2><a name="California" id="California"></a>California.</h2>
+
+<div class="poem"><div class="stanza">
+<div>This is thy form, dear, native home of mine,&mdash;</div>
+<div>A gold-net hammock swung from palm to pine,</div>
+<div>Moved by the breezes of the peaceful sea,</div>
+<div>And in the net, smiling so drowsily,</div>
+<div>My mother California, queen divine,</div>
+<div>Rests, while the poppy garlands her entwine.</div>
+</div><div class="stanza">
+<div>In her warm arms, 'neath cloudless summer skies,</div>
+<div>As child I heard her bee-hummed lullabies,</div>
+<div>Saw her red malvas, blue nemophyl&aelig;,</div>
+<div>Pink manzanitas, deep-hued laurel tree,</div>
+<div>And what were marvels to my childish eyes,</div>
+<div>Her mariposas, (tethered butterflies).</div>
+</div><div class="stanza">
+<div>What of the rich and wondrous foreign things</div>
+<div>Which each new tide to her in tribute brings!</div>
+<div>Although from olive, orange, fig, and vine,</div>
+<div>Her own fond children all their wealth consign,</div>
+<div>'Tis Flora's gifts my royal mother sings,</div>
+<div>As, joined to palm and pine, her hammock swings.</div>
+</div></div>
+
+<hr />
+<p><span class='pagenum'><a name="Page_7" id="Page_7">[Pg 7]</a></span></p>
+<h2><a name="In_Macao" id="In_Macao"></a>In Macao.</h2>
+
+<h3><i>A Story from the "Grasshopper's Library."</i></h3>
+
+<p>I was seated one pleasant day in the garden, which was given to the city
+of Macao by the Marcos family, near the grotto sacred to the poet
+Camoens, when a Portuguese priest came from among the wilderness of
+flowers and sat beside me. He spoke English with a pleasant accent and
+we read Bowring's effusion together, as it is engraved on the marble
+slab nearby. Scarcely had we finished, and the father was telling me of
+Goa in India, when my uncle Robert came from beneath the great banyan
+tree and stood before us. The father jumped to his feet, and throwing
+back his brown robe, rushed forward toward my uncle with a stilletto
+held ready for an upward stroke. Quickly my uncle drew a revolver and
+fired&mdash;and the father fell dead at my feet.</p>
+
+<p><span class='pagenum'><a name="Page_8" id="Page_8">[Pg 8]</a></span></p>
+<h3>I</h3>
+
+<p>To those who have been in Southern Europe and have seen the towns along
+the Riviera, the first view of Macao, as the steamboat approaches from
+Hong Kong, gives the impression of having been suddenly transported to
+the sunny Mediterranean. Were it not for the colour of the water, and
+the Chinese junks, Macao would indeed be a perfect representation of any
+of those lovely spots, as she lies along her crescent bay, from Mount
+Nillau to Mount Charil, defended by the frowning forts of Sam Francisco
+and Our Lady of Bom Parto. Beautiful as this picture is, it was doubly
+so in the brilliant sunset colouring of a certain March day, as the
+steamer slowly came to her wharf and the passengers stepped ashore
+beneath the blue and white flag of Portugal, in this, her farthest
+eastern possession. The houses with their delicate washings of pink,
+blue, yellow or green, with white stucco ornaments, now golden in the
+light, had a warmth of colouring well set off by the dark foliage of
+camphor and banyan trees showing above the garden walls. The few
+passengers soon dispersed, in chairs or on foot, leaving but one of
+their number upon the wharf. He was apparently expecting some one to
+come for him, for he refused all offers of assistance from the coolies
+and seated himself just outside the gate. American, of medium height,
+brown<span class='pagenum'><a name="Page_9" id="Page_9">[Pg 9]</a></span> haired and tanned by a tropical sun, Robert Adams was as good a
+specimen of Anglo Saxon youth as England herself could boast of. He was
+the last descendant of a New England family, which had preserved its
+purity for three centuries as unmixed with continental blood as though
+the three centuries had been passed in the quiet vales of Devon, instead
+of in the New World with its broken barriers.</p>
+
+<p>For three years, after a successful college course, he had been in the
+only shipping house in Hong Kong which sickly American commerce of the
+day was able to support in the once flourishing China trade. A small
+fortune and a good salary, a constitution which even an Eastern summer
+could not break down, and above all, the heart of the girl he loved,
+were surely possessions which any king might envy him. Presently a neat
+bamboo chair borne by three liveried coolies came at a trot down the
+street, and being placed before this last of the passengers, carried him
+away into the darkness which, with the suddenness of the tropics, had
+fallen upon the city. The stillness was broken only by the noise of
+escaping steam from the boat and the regular patter of the barefooted
+chair carriers. When the chair had disappeared up the narrow, winding
+street, a Portuguese wrapped in a black cloak came from behind a wall,
+then by another way walked rapidly over the hill and<span class='pagenum'><a name="Page_10" id="Page_10">[Pg 10]</a></span> down the other
+side to the Praya, arriving in front of one of the largest houses on
+that most beautiful promenade just as the coolies put down their burden.</p>
+
+<p>The oil lamps along the Praya had been lighted, stretching out to the
+Estrada Sam Francisco, where the bright windows in the hospital of Sam
+Januarius seemed to be the lake of lights into which this long stream
+flowed. No one was abroad, no steps sounded along the pavement except
+those of the sentry as he walked, and <i>smoked</i>, before the neighbouring
+residence of the Governor. Death at night and sleep in the day time are
+the characteristics of Macao. No one seems to work, play, sing, dance or
+even read unless the latter indeed may be done in what Alphonse Daudet
+calls <i>la Bibliotheque des cigales</i>.</p>
+
+<p>As Robert Adams stepped from the chair, the Portuguese came forward with
+outstretched hand saying: "What is the news Dom Robert in Hong Kong?"
+"Oh, Dom Pedro, you came out so suddenly I thought I was attacked. No
+news, unless it is that the rector of St. John's is to join me to the
+loveliest girl in Macao or the world, in just three weeks." "I hope you
+won't disappoint him Dom Robert, you came very near doing so to-night,"
+said Pedro de Amaral with a laugh. "How, pray?" asked Adams as they
+entered the now unbarred gate. "You were within three feet of the water,
+if you had<span class='pagenum'><a name="Page_11" id="Page_11">[Pg 11]</a></span> fallen in, that would have disappointed him. Not? Three feet
+is near. Not?" "Yes, and the boiler might have burst," replied Adams
+laughing. "Or more improbable yet the Portuguese government might have
+revived Macao, which would kill me with astonishment my dear Amaral."</p>
+
+<p>Having entered the house he was followed by Dom Pedro, who bent upon him
+such a look of hatred as only the eyes of Latin races can give. The
+Portuguese turned to the right to his own apartments and Adams following
+a servant to the left, was soon in the dimly lighted library of Dom Luiz
+de Amaral the father of Dom Pedro. There were not many books on the
+shelves but a superb collection of Oriental swords and knives was
+arranged in the cases from which the shelves had been taken. Two old
+engravings, one of the poet Camoens and the other of Catarina de Atayde,
+his beloved, who died of grief at his banishment, hung on the wall; the
+rest of the furnishings was of that cosmopolitan character which is sure
+to collect in the home of a European resident in the far East.</p>
+
+<p>"Can't you see me Robert?" said a laughing voice of great sweetness from
+a corner of the study. "One would think that both your eyes had met the
+same fate that the right one of poor Camoens did in Morocco." "My
+darling Priscilla how could I see you<span class='pagenum'><a name="Page_12" id="Page_12">[Pg 12]</a></span> ten feet away from the light? You
+know olive oil don't give the brightest illumination. But its enough
+though." "Don't!" "Just one," and then a sound not unknown to many of us
+put a stop to the conversation. "Shall I leave the room children?" came
+in merry tones from another corner and immediately an old lady came
+forward giving both hands to him. "That miserable oil of Dom Amaral's
+has put me into a pretty mess," said Adams half annoyed, but laughing as
+he greeted the lady. "Don't berate me before my face dear friend about
+my light, especially when you are so soon to take our brightest light
+away from us." "Fairly trapped, Dom Amaral," cried Adams laughing
+heartily at this third interruption. "And here is Dom Pedro dressed for
+dinner," he continued as the younger Amaral entered the room. "I'll be
+with you presently and have my eyes toned down to your Macao standard."</p>
+
+<p>Being so constant a visitor, Robert Adams had his own rooms at Dom
+Amaral's, where he found his bags unpacked and the clothes laid out by
+those deftest of servants, the Chinese. According to custom the dinner
+of Macao was served at the late hour of nine.</p>
+
+<p>Dom Luiz Diego de Amaral was one of the wealthiest Portuguese in the
+city, having, unlike most of his fellow citizens, investments abroad
+which brought<span class='pagenum'><a name="Page_13" id="Page_13">[Pg 13]</a></span> him a considerable income after the birth of Hong Kong
+killed Macao and left it a city of the past, of poverty and pride.
+Having in his youth married a Spanish woman who bore him one son, Pedro,
+he was left a widower before the age of twenty-five.</p>
+
+<p>Some years after, being in Boston where he then had large shipping
+interests, he took a second wife, Priscilla Harvey, and returned to
+Macao. Madam de Amaral's only sister, wife of Captain Fernald had one
+child which was left an orphan at an early age by the drowning of both
+parents in Portsmouth harbour.</p>
+
+<p>This orphan, Priscilla Fernald, was taken to her aunt in China and
+became a member of the household of Dom Amaral. It was a strange
+transplanting for such a flower from the cold coast of Puritan New
+England to the tropical, Roman Catholic colony in the heart of
+heathendom. But the flower of so sturdy a stock remained true. It was
+long accepted by all, even by the maiden Priscilla, that young Amaral
+was to be her husband though nothing had been said on the subject.
+Later, the small circle of Macao society, of which poverty and pride
+were the ruling features, became too dull for the young girl and her
+foster parents took her often to Hong Kong where she met with those of
+the outer world.</p>
+
+<p>In that hospitable society of the "city of the fra<span class='pagenum'><a name="Page_14" id="Page_14">[Pg 14]</a></span>grant streams," where
+the dinner table seems to be the only rendezvous, save a garden party
+now and then, a Tarrantella dance or a Government House ball, the fair
+Priscilla met young Robert Adams, a native of her far away and almost
+unknown home. The acquaintance blossomed into friendship and ripened
+into love. The lover was accepted, and now a courtship of two years was
+in three weeks to see them married. There were many disappointed youths
+and envious of Robert Adams, but all took their misfortune as in the way
+of the world, except young Amaral, who, in silence, had watched the
+course of events and now hated the happy suitor with all the fierceness
+of his Southern blood.</p>
+
+<p>That night Robert Adams, unlike the conventional lover, but like a
+healthy, light-hearted fellow, fell asleep without a sigh, listening to
+the waves as they broke regularly on the stone embankment before his
+window. In the room below, Dom Pedro walked until the early morning, no
+beating of waves could lull him to sleep, for his head ached and his
+eyes burned in the fever of jealousy. Thus he brooded over his loss till
+the sun gilded the hermitage fort of Our Lady of Guia.</p>
+
+<p><span class='pagenum'><a name="Page_15" id="Page_15">[Pg 15]</a></span></p>
+<h3>II.</h3>
+
+<p>The following day was Sunday, the liveliest, or rather the only day with
+any life at all, in Macao, for the visitors from Hong Kong then go about
+the city sight seeing to be ready for the early return of the steamboat
+on Monday morning.</p>
+
+<p>A pleasant spot, and one not often molested by visitors on account of
+the somewhat toilsome climb required to reach it, is the church of Our
+Lady of Pehna on the summit of Mt. Nillau. Built in 1622 on this high
+point to be more easily protected from any possible invasion of the
+Chinese from the main island of Heang Shang, the church serves now only
+as an addition to the picturesqueness of Macao, and though repaired in
+1837 is again in ruin. Priscilla and her affianced chose this for their
+Sabbath walk, for it is only through nature that the Protestants in
+Macao can worship nature's God, and surely the incense of flowers could
+bear to Him on high the thanksgiving of those two happy hearts, as truly
+as the frankincense and myrrh which the good Fathers of the last century
+burnt upon Mt. Nillau. The narrow but well paved streets with their
+stuccoed houses, barred windows and little peep-holes at the doors, for
+questioning the doubtful applicants for admission, even the two months
+old posters of Chiari<span class='pagenum'><a name="Page_16" id="Page_16">[Pg 16]</a></span>ni's circus had a new charm this Sunday morning;
+for Adams it was a day of quiet after his week of noise and bustle in
+Hong Kong, while for Priscilla it seemed a gala day full of life after
+the six silent days of sleepy monotony. "I can see that Pedro is not
+friendly toward you Robert," she said; "I could hear him walking during
+all the night and am sure he is planning something to annoy you, I know
+his ways so well." "Don't worry, Priscilla, Dom Pedro was probably
+troubled over some loss at the fan-tan table; they say he won five
+hundred Mexicans last week and then lost that sum doubled."</p>
+
+<p>"That may be so, Robert, but our approaching marriage is a great cross
+to him. It is hard to tell what Pedro's thoughts are; his eyes are like
+our Macao windows of isinglass and let very little light either way."</p>
+
+<p>The winding road between ruined walls of gray stone, half covered with
+clinging ficus, spanned by broken arches, with here and there a fallen
+urn, led them through picturesque turns and by mossy steps to the foot
+of the huge black cross erected before the empty church. Neither spoke;
+they did not care for words and the only expression which framed itself
+audibly was that oft repeated <i>jubilate</i> of health and youth, "How
+beautiful it is to live!"</p>
+
+<p>Dim in the distance, of almost the same shade as<span class='pagenum'><a name="Page_17" id="Page_17">[Pg 17]</a></span> the sky, rose the
+White Cloud Hills; lesser hills more distinct in waving outline lay
+before them; then rocky promontories and islands with grotesque forms
+like the twisted dragons of Chinese embroideries, and the low stretch
+which marked the position of the wonderful city of Canton. On the yellow
+water here and there were junks with tanned sails and gay banners;
+islands with graceful pagodas were seen, and the huge white cathedral of
+the near dependency of Taipa. Then in the foreground at their very feet
+was Macao, a feast of colour, red roofs, many-hued walls, green trees
+and brilliant gardens, beautiful as the jewel-set sheath of a Venetian
+dagger, with its poison and death-dealing wickedness hidden.</p>
+
+<p>Dom Amaral with his wife had gone to the new cathedral to services;
+their well appointed chairs had scarcely left the court and the gates
+been bolted behind them when Dom Pedro came from his room. His face had
+changed greatly since the day before; the loss of sleep and the
+bitterness of his heart had made him look pale and thin. For the first
+time in his life he had spoken harshly to his valet, and that meek
+Celestial wore an expression of grief and surprise, for Pedro Amaral,
+whatever his faults, did not have the vulgar one of venting his spleen
+upon his inferiors, so that his lifelong servant was at a loss to
+account for the sudden change.<span class='pagenum'><a name="Page_18" id="Page_18">[Pg 18]</a></span></p>
+
+<p>Dom Pedro walked to the library and drawing the curtains behind him sat
+down before the cases filled with brilliant steel. Suddenly he looked
+away and picked up a book from the table, opening it at random but
+constantly his eyes reverted to the cases before him. Slowly his
+features relaxed and with a broken sigh he was about to replace the book
+when a small photograph card fell from its pages; the face was that of
+Robert Adams, the book Priscilla's "Common Prayer." Like a flash the old
+lines came back in his forehead; he went to the case and opening the
+glass doors, carefully took down a small, silver sheath, the work of
+some artist of Goa, wherein the influence of both India and Europe
+showed in the execution. The pressure of a button pushed out a grooved
+dagger which fitted so low in the sheath as to show only the head of its
+jeweled hilt. Dom Pedro removed the dagger, wrapped it in his
+handkerchief and then putting it in his breast pocket replaced the empty
+sheath in its old position.</p>
+
+<h3>III.</h3>
+
+<p>The government of Macao derives its greatest revenue from the licensing
+of gambling houses, and these form one of the principal attractions in
+the city<span class='pagenum'><a name="Page_19" id="Page_19">[Pg 19]</a></span> to the European from Hong Kong as well as the native
+Portuguese and Chinese. Whatever fault the visitor finds, on moral
+grounds, with these houses he must admit the fact that they are quiet
+and orderly, while the picturesqueness of the life within them and that
+peculiar glamour which varnishes all that pertains to a great gambling
+hall where fortune shows herself directly face to face with us, has a
+charm which hides the immorality from even the most straight-laced
+Puritan.</p>
+
+<p>One of these houses was the favourite and nightly resort of Dom Pedro,
+where he played high or low according to the state of his finances at
+the moment. Dom Amaral, though himself a devotee of the fan-tan table,
+observed with fear this controlling passion of his son which he believed
+would some day destroy the comfortable fortune he had amassed with so
+many years of labour.</p>
+
+<p>Adams would have certainly preferred to spend the whole evening in the
+family circle, but Dom Pedro urged him with so much, and such unusual
+kindness to accompany him to the gambling house that he consented, and
+at about eleven o'clock the two young men left the Praya and walked into
+the town beneath the soft lights of the oil lamps. The streets were
+deserted as usual, here and there a policeman, hooded like a pilgrim,
+sauntered leisurely along, or<span class='pagenum'><a name="Page_20" id="Page_20">[Pg 20]</a></span> the Chinese watchman with drum and
+clapper woke the echoes of the lonely ways warning thieves of his
+approach.</p>
+
+<p>The only illuminated houses were fan-tan houses and these presently
+became numerous; now and then music was heard but not of a very
+seductive kind. Into one of the largest and most gaily decorated houses,
+Dom Pedro and Robert Adams went, climbing to the second floor by stairs
+bordered with shrubs in huge Chinese pots.</p>
+
+<p>The main playing room contained several tables or counters arranged
+along the walls, behind which sat the croupiers; at one of these Dom
+Pedro stopped. On the table was a plate of metal divided into quarters
+of about a foot square by deep cut lines crossing it, each square being
+marked in Chinese characters indicating one, two, three and four. The
+croupiers rattled a pile of bright brass coins, with square holes in
+them, called cash; then as Dom Pedro made a sign that he was about to
+play, the croupier drew away a part of them under a bowl and Dom Pedro
+placed his wager on number three. The croupier with a bamboo wand then
+counted out the remaining cash one at a time in sets of four, until
+finally there were but three left; this being Dom Pedro's number, he won
+the stakes.</p>
+
+<p>"In good luck to-night," he said, turning to Adams,<span class='pagenum'><a name="Page_21" id="Page_21">[Pg 21]</a></span> "Try if this is a
+lucky day for you." Robert Adams placed his money on the same square
+which Dom Pedro had won from, and again the croupier counted the
+remainder slowly, having drawn away some of the cash under the bowl,
+four at a time until but two remained and Adams' stake became part of
+the bank. "Lucky in love, unlucky at play" he said with a laugh, "I
+shall bet no more to-night." Dom Pedro's face darkened but in silence he
+continued winning at every count.</p>
+
+<p>Above the table was a square hole in the ceiling opening into an upper
+room where those could sit who did not wish to be seen, and were thus
+able to let their bets down in a little basket and with the same draw up
+their winnings. This upper room being purposely kept in half light
+enabled its occupants to see those below without being seen themselves.</p>
+
+<p>Dom Pedro's luck was astonishing and quite a crowd of onlookers gathered
+about. Robert Adams growing weary of the play in which he took no
+interest, left, saying that he would walk slowly as far as the ruined
+cathedral of St. Paul and on his return step in again. As he stepped
+back from the table he looked up toward the opening in the ceiling where
+were two women with faces wrapped in black silk robosas, which showed
+only the eyes; as the eyes seemed fixed upon him he raised his hat. The<span class='pagenum'><a name="Page_22" id="Page_22">[Pg 22]</a></span>
+action seemed to cause the women considerable consternation, for both
+hurriedly sprang back from the rail and in doing so one let fall, upon
+the table below, the basket with a bit of paper and several Mexican
+dollars which rolled about the room. Everyone looked up laughing at the
+accident but no one from above claimed the money. Adams left the room
+glad to be in the fresh air under the clear, starlit sky.</p>
+
+<p>No more lonely or picturesque ruin ever existed than the church of St.
+Paul; though human habitations crowd close upon it, they are however the
+houses of Chinese and make the Christian edifice seem the more solitary.
+The church is of that favourite style of architecture so common in new
+and old Spain, which always brings to the mind of the wanderer in
+foreign lands the name of good San Xavier.</p>
+
+<p>The half moon had risen high enough to illuminate the whole front as
+Adams climbed the broad, massive steps to the paved space before it.
+Leaning against the heavy balustrade he enjoyed the picture. The shadows
+were deep and through the sightless windows shone a few silver stars.
+The magnificent front of solid granite with graceful scroll-work and
+carved outline, blackened here by smoke and there by age, with vines and
+trees growing from crevices, stood in wondrous beauty.</p>
+
+<p>The detail showed clearer than by day; the panels<span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span> in high relief, of
+full rigged ship, the double dolphin and the skeleton seemed too fragile
+to have stood through earthquake and typhoon and the conflagrations of
+war for more than two hundred years. The exquisite frieze composed of
+many unconventionalized flowers extending across the front, wherein the
+artist and worker had been one, was a petrified garland. This scene was
+a revelation to Adams for often as he had viewed and sketched the ruin,
+he had never been there by moonlight when its beauties were enhanced and
+its defects hidden. He could see plainly each Chinese character upon the
+carved scrolls and the words "Mater Dei" above the doorway.</p>
+
+<p>Slowly the shadows crept along, making the six broken saints in their
+niches seem alive; slowly the shadows upon the ruin crept along, but a
+swifter shadow suddenly came forward from the steps and Adams having
+forgotten, in the entrancing scene the murderer and thief who lurk in
+all Macao's corners, turned as he heard a soft step, just in time to
+receive in his right arm the upward blow of a dagger aimed at his side.
+He lost his balance falling backward down the steps, striking his head
+upon a heap of broken roof-tiles where he lay insensible. As he fell, a
+woman's scream pierced the night. There was hurried tramping of sandaled
+feet, as of a dozen or<span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span> more coolies. The shriek was again heard and
+then all was silent and the plaza empty.</p>
+
+<h3>IV</h3>
+
+<p>Sleepy Macao the day after the attempted assassination of Robert Adams
+was treated to a sensation such as had not been its experience since the
+memorable day in 1848 when the old Governor de Amaral lost his head at
+the Porta de Cerco. Murder, attempted or accomplished, could not have
+stirred them up to such an extent, for that was too common an
+occurrence, but the mystery of the event was the cause. Priscilla Harvey
+and her maid with one of Dom Amaral's most trusted men servants had
+disappeared as completely as though the earth had swallowed them.</p>
+
+<p>Robert Adams, since the night of the attack had not recovered his
+senses, and lay in the house of Dom Amaral apparently between life and
+death. The surgeons from Sam Januarius hospital had decided that to save
+him, the amputation of his arm would be necessary, for the dagger which
+had cut it had been poisoned.</p>
+
+<p>In the midst of this trouble, Priscilla's absence was discovered, and
+Macao was alarmed. Men were sent from the Governor's house in all
+directions to search<span class='pagenum'><a name="Page_25" id="Page_25">[Pg 25]</a></span> the public houses, the fishing boats, and every
+possible place within the small territory. Word was sent to Taipa. While
+the officials were thus employed, private parties of searchers went over
+the entire peninsula looking among the rocks and copses of the Estrada
+and even the Parsee Tower of Silence was examined, but all in vain. The
+fan-tan house proprietor told of two unknown women with a Chinese
+servant who had visited his house, but when they had left he did not
+know. No more was learned though the search still continued, for large
+rewards were offered by Dom Amaral as well as by the Governor.</p>
+
+<p>Dom Pedro directed the movements, taking greatest interest in all that
+seemed possible to form a clue, and did not rest for nearly forty-eight
+hours. Days soon formed a week but no news came, and Macao began to
+drowze again. Detectives from Hong Kong came, made the usual fuss and
+reached the usual conclusions of their kind, that it was a mysterious
+event.</p>
+
+<p>Contrary to all predictions Robert Adams, having become convalescent and
+the surgical operation by which he had lost his arm having proved
+successful when having heard the awful news, did not have a relapse into
+the fever but seemed with a determination to become more rapidly strong,
+and in five weeks was able to be about. He, of all Priscilla's friends,
+was<span class='pagenum'><a name="Page_26" id="Page_26">[Pg 26]</a></span> most hopeful. To his mind vividly came the scene at the Ruins of
+St. Paul and that last sound he had heard. Adams' first walk was to the
+scene of his attempted assassination and Madam de Amaral, who was much
+broken with grief at the terrible event, accompanied him in her chair,
+Dom Pedro going with them.</p>
+
+<p>It was the month of May and the heat being oppressive Madam d'Amaral
+after viewing the scene was carried home and the two young men walked on
+to the Marcos garden. "I have a clue Dom Robert," said Dom Pedro as they
+seated themselves beneath a broad banyan tree from which a view of St.
+Paul's ruin could be had. "There began your troubles," he said pointing,
+"and there this morning I received a paper which will I hope lead to a
+solution of this mystery." He handed Adams a bit of Chinese paper on
+which was written in Portuguese, "Come to the Praca de Luiz de Camoens
+at 8 <span class="smcap">a.m.</span> to-morrow; follow the guide who meets you, and the lady
+Priscilla will be found." "I do not trust anonymous communications,"
+said Adams, "but we must clutch at a straw now." "Nor do I," replied Dom
+Pedro, "and I will go with you; we will go well armed." Adams glanced
+down at his own empty sleeve and a cruel smile passed over the face of
+Dom Pedro as he noticed his comrade's pain.<span class='pagenum'><a name="Page_27" id="Page_27">[Pg 27]</a></span></p>
+
+<p>The 22nd of May will be long remembered in Macao and never forgotten by
+the family of de Amaral. Early in the morning Robert Adams was up and
+impatiently waiting for Dom Pedro, who appeared a little before eight
+o'clock and the two, after a hurried breakfast, went to the Praca de
+Luiz de Camoens where a Chinese sailor met them. They followed him to
+the shore where a sampan was waiting in which they seated themselves and
+were soon gliding rapidly toward a huge junk of fine build which lay at
+anchor some distance beyond the Portuguese man-of-war, in the direction
+of Taipa. The tide was very low and the vessel did not seem far from
+shore.</p>
+
+<p>The Sampan reached and made fast to the junk, and Adams followed by Dom
+Pedro climbed upon the deck.</p>
+
+<p>Quick as a flash Adams' arm was seized and bound to his side while Dom
+Pedro stepped before him. "Fool!" he cried, "you have stepped into the
+trap with little trouble. It was I who stabbed you, Dom Robert, it was
+I, who took the bride who rightfully belonged to me, as it is I who will
+use you for my own good till I may throw you away. You of Northern blood
+are fools."</p>
+
+<p>"I thought you my friend, Dom Pedro, and I thought you a man," was the
+only reply.</p>
+
+<p>Every appointment of the junk was of exquisite<span class='pagenum'><a name="Page_28" id="Page_28">[Pg 28]</a></span> finish, such as is
+seldom seen, and kept scrupulously clean. The men at work on deck, with
+usual Mongolian nonchalance, went about their business without giving
+the least notice to the events occurring. "The lady Priscilla waits you
+in the cabin," said Dom Pedro. "She knows my plans and though I shall
+not intrude upon you I have a Chinese on guard who will kill you if any
+attempt is made to free you. Enter." Adams stepped toward the cabin at
+the stern, where the usual shelf-like arrangements of a junk had been
+transformed into a cabin suited to European taste, with comfort and
+luxury. Adams entered and the door was closed. By it stood a guard with
+drawn sword; in the farther corner sat a woman at a table with her face
+buried in her hands.</p>
+
+<p>"Robert, as you love me stay where you are. Do not move a step, but sit
+down where you are." Her voice was so full of pleading that Adams forgot
+his first impulse and obeyed her. "I know all that has occurred dear
+Robert, your sacrifice and pain and the pain of all my friends during
+these sad weeks. Do not move toward me or you will be killed. I will not
+look up, dare not look up. On that Sunday, which now seems so long ago,
+when I bid you good-night at the library door, when you and he went to
+the fan-tan house, I followed you with his valet and my maid, for I had
+been fearful of his intentions toward you,<span class='pagenum'><a name="Page_29" id="Page_29">[Pg 29]</a></span> and when his valet told me
+that he had seen him secrete a dagger in his coat that morning, and when
+I found one missing from the case, I had my fears confirmed. We followed
+and sat in the floor above you and tried to call your attention. When I
+won at the table at last I put in a warning note and then overturned the
+basket. You did not see the paper but he did, and read it. For the rest,
+you were followed at once by him, and we as quickly as possible followed
+both, but only in time to see you fall and to be seized and carried away
+in a closed chair to the yellow house in the Marcos square where, till
+yesterday, I have been confined to the court and inner rooms, with only
+my maid as company and a daily visit from him at which I learned the
+news of your progress toward recovery. Last night we were removed to
+this vessel, and I have expected your arrival with hope and fear. His
+idea is to force a marriage with me by threats against your life, or to
+sail for Hainan or Formosa and accomplish his designs where law and
+justice for us are unknown."</p>
+
+<p>Hurried cries from the deck and a call at the door in Chinese were heard
+and the guide sheathing his sword rushed from the cabin. In a moment the
+lovers were together. The bonds which held Adams' arm were cut and
+Priscilla pointing to the little window cried, "Robert, God is with us!"
+With his one arm encir<span class='pagenum'><a name="Page_30" id="Page_30">[Pg 30]</a></span>cling Priscilla they looked from the window.
+Apparently a strong gale had suddenly sprung up from the south east and
+rain was falling in torrents; the wind continued to increase though the
+rain passed by, but in the distance appeared a dark tower of water
+slowly moving toward Macao, rushing with bending, changing outline from
+water to sky. The gale became fiercer and the tumult on deck increased.
+Immediately from Taipa came the sound of cannon and it was answered by
+Macao with her heaviest ordnance as if a battle were raging, and, indeed
+it was a terrible battle, one between man and the elements, but man was
+victor and the water spout was broken. The force of the tornado however
+had yet to reach its climax and for fully five minutes swept over the
+terrified city and bay with fearful power. Sampans and junks were hurled
+like egg-shells upon the shore, where but for the low tide, thousands
+instead of hundreds of lives would have been sacrificed. The men-of-war
+and the river steamboats did good service, for the course of the
+tornado, was so restricted that though but a hundred yards from its
+limit of violence they were untouched. Dom Pedro's junk with others was
+torn from its moorings and overturned, but not before Adams and
+Priscilla had jumped from the deck. Even in the awful confusion and the
+terror of the first plunge which carried them below the surface of the<span class='pagenum'><a name="Page_31" id="Page_31">[Pg 31]</a></span>
+angry waves, she kept her hand clasped upon the empty sleeve of her
+recovered protector. Being both good swimmers they assisted each other
+with that knowledge of the water and the trust which all coast born
+people have in the mother sea. A boat from one of the war vessels picked
+them up and in a short time they were both beneath the roof of good Dom
+d'Amaral, and rumor with unusual tread, but suited to Macao, slowly
+announced the fact of Priscilla's return.</p>
+
+<p>Dom Pedro weak, and with a broken arm, was also carried to the house of
+his father and none but the principal actors in the tragedy understood
+the mystery.</p>
+
+<p>Priscilla had returned in the midst of the tornado, and that was all.
+The unfortunate young woman was completely prostrated by the terrible
+experiences through which she had lately passed and lay as if lifeless.
+The physicians dreaded an attack of fever would follow, and their worst
+fears were realized. Several weeks went by in anxious watching by the
+sick woman's bedside when at last the fever turned and she gradually
+grew better. Nothing was said of the occurrences which had brought the
+illness about, and Priscilla remembered nothing of them apparently, for
+she asked for no one and seemed happy and content to be left with her
+Chinese <i>ama</i>. When she<span class='pagenum'><a name="Page_32" id="Page_32">[Pg 32]</a></span> had recovered strength enough to be carried
+into the court-yard it was with joyful expectancy that Adams went to
+greet her, yet his heart sank with sorrow when he saw the marks of the
+great suffering in her face and a terrible desire for revenge seized
+him, which became the dominant passion of his life.</p>
+
+<p>The saddest part of this tale may be given in a few words. Priscilla
+Harvey never regained her reason, though she found pleasure in all the
+beauties of nature and her life was happy during the two years before
+her death. Dom Pedro went to Hong Kong and soon disappeared. Robert
+Adams remained in Macao taking charge of the d'Amaral foreign business.
+He was the daily companion of the unfortunate Priscilla in all her walks
+and it was but a year after her death, when I visited my uncle Robert in
+Macao, when the tragic event occurred which is narrated at the beginning
+of this history.</p>
+
+<p>My uncle is near my own age and we are more like brothers and have been
+together, since the death of Dom Pedro at Camoen's Grotto. The Courts of
+Macao exonerated Adams and though the good Dom d'Amaral would willingly
+have had him remain in the house at Macao it was not pleasant to think,
+that, even justified as he was, he had killed the only son of his host.</p>
+
+<p>It was early in the morning when we left the<span class='pagenum'><a name="Page_33" id="Page_33">[Pg 33]</a></span> drowsy city; the sun had
+just touched the windows of Sam Januarius, and as the river boat dropped
+into the stream, the church of Our Lady of Guia received its morning
+salutation. The period had come to this story of love and loss, and the
+book closed.</p>
+
+<p>Perhaps it is just as well not to work, or play, or read except in "the
+library of the grasshoppers" as do my own good, sleeping friends in Macao.</p>
+
+<hr />
+<p><span class='pagenum'><a name="Page_34" id="Page_34">[Pg 34]</a></span></p>
+<h2><a name="My_Sapphire_Ring" id="My_Sapphire_Ring"></a>My Sapphire Ring.</h2>
+
+<div class="poem"><div class="stanza">
+<div>Where have I seen the sapphire rimmed with gold?</div>
+<div>When on the dark blue Carribbean sea,</div>
+<div>Floating at sunset, dreaming lazily,</div>
+<div>I saw the God of Day the world enfold;</div>
+<div>There did my eyes the sapphire rare behold.</div>
+</div><div class="stanza">
+<div>I saw the sapphire, when the day was young</div>
+<div>In royal Venice, as I lay and gazed</div>
+<div>Into the morning sky, and saw, amazed,</div>
+<div>Its deep hued brilliance, ere a bird had sung,</div>
+<div>Or Matin bells from San Stefano rung.</div>
+</div><div class="stanza">
+<div>Once when my course, with myriad sea-flowers strewn,</div>
+<div>Was o'er Formosa's waves of purple dulse,</div>
+<div>Rising and falling like a fevered pulse,</div>
+<div>Moved by the hot and southern born monsoon,</div>
+<div>I saw the sapphire glow in tropic noon.</div>
+</div><div class="stanza">
+<div>But in our home, beneath our own blue skies,</div>
+<div>Before I knew these treasures of the Earth,</div>
+<div>I saw the sapphire of far greater worth&mdash;</div>
+<div>The first born friendship in your boyhood's eyes&mdash;</div>
+<div>Of which this ring as token now I prize.</div>
+</div></div>
+
+<hr />
+<p><span class='pagenum'><a name="Page_35" id="Page_35">[Pg 35]</a></span></p>
+<h2><a name="The_Hen_That_Could_Lay_and_Lie" id="The_Hen_That_Could_Lay_and_Lie"></a>The Hen That Could Lay and Lie.</h2>
+
+<p>I had the following story from the bill of an old Spanish hen, an
+inveterate cackler, who used to fly over the neighbouring fence and
+wander, with happy, self-communing clucks about my vegetable garden.</p>
+
+<p>"Yes young man you are young, you may feel bigger than I am, but you are
+not quite so tough, indeed toughness alone has saved me my life for a
+good many Christmas mornings. I am a tough old hen, I have seen the
+world; I have traveled. You know the island in the Napa River just above
+the railroad bridge? Well, I was wrecked there in my young days and it
+happened in this manner.</p>
+
+<p>"The spring of the year 18&mdash; was a wet one; snow fell in the foothills
+and when it melted, the waters rushed down through the ca&ntilde;ons and filled
+the river. Our coop, (I say ours as I had a husband then,) stood near
+the bank, and the rising water carried it away. I shall never forget the
+night. It was Billy's last night on earth; Billy was my better half, and
+a handsome, young cock he was, all the young pullets in the yard had
+yellow combs, from envy, the day<span class='pagenum'><a name="Page_36" id="Page_36">[Pg 36]</a></span> we were married. Old Partlett with her
+brood of twelve ducks tried her best to get him, but Billy said he
+didn't think it was quite the most moral thing in the world for a hen of
+her age to hatch out ducks and it set a bad example to the young
+'broilers' who were growing up about us, so he declined her proposals
+with thanks and sent her off with her ugly-mouthed off-spring. Well, as
+I was saying, our coop was carried down the stream, Billy and I
+balancing ourselves on the upper roost and speaking words of comfort to
+cheer up each other's fast fainting gizzards. We hens have a proverb
+which says, 'A life without hope is an egg without a yolk, a gizzard
+without gravel,' and that night proved the words to be true. Suddenly
+down went Billy into the roaring flood. I can see his yellow spurs as he
+went under, and his clutching claws, those beautiful, shining claws that
+only walked the path of virtue, as far as I knew. Alas how I fluttered,
+I tried to crow for help but it was useless, I could no more do it than
+the hens of your genus can whistle. Billy went out forever.</p>
+
+<p>"How I remember his kindness now; how he would find the best worms and
+grasshoppers and always call me to see them before he ate them, not as
+that old beast Cochin China does, who not even lets his wife look at the
+delicious morsels he swallows.</p>
+
+<p>"Billy is gone, so I will not regret him for he is<span class='pagenum'><a name="Page_37" id="Page_37">[Pg 37]</a></span> probably chief
+crower in St. Peter's hennery now. How Peter must blush when he hears
+Billy crow, if he has any shame for his past sins. They say St. Peter
+has to keep all the dead cocks as a sort of punishment and reminder.</p>
+
+<p>"That night I pulled all the yellow feathers out of my tail, (I have
+Cochin blood in my veins,) and I have gone in black Spanish costume ever
+since out of respect for Billy.</p>
+
+<p>"By morning I was cast with the coop upon a deserted island; there was
+nothing but a coarse grass that was eatable, but I was almost dead with
+hunger, and was about giving up in despair when a happy thought struck
+me, and, I laid an egg, which with a little grass made me a good meal.
+Each day I laid an egg and ate it, feeling that my life at least could
+be saved, though I must be forever without society, yet I thanked heaven
+that hens were made with such resources. Alas! I began to notice that
+the eggs grew smaller each day and I felt starvation again taking me by
+the wattles. To die without friends on a desert island, horrible! Alone!
+Why? Can I not hatch these eggs, can I not raise a brood of little
+pullets who shall lay eggs for themselves and me? Time passed and I
+brought from the shells eight little chicks, but alas they were all
+cocks; poor me. What are they good for on a desert island?<span class='pagenum'><a name="Page_38" id="Page_38">[Pg 38]</a></span> They cannot
+even keep themselves. Perhaps I had thought too much of Billy during the
+setting and that influenced the eggs. But my complaint was punished, for
+all of the brood were caught one day in the current and carried away.
+Poor, little, posthumous chicks, how your father Billy would have loved
+you and taught you to crow. Again I tried; this time with more success
+and brought from the eggs six little, fluffy pullets. All lived and we
+took turns, off and on, supplying the family with eggs, till one day men
+passing in a row boat, saw us and took us aboard. We had been on the
+island for two months. All my six pullets lived and married, and are now
+in the yard over the fence."</p>
+
+<p>All this time I had been so interested in the story, that I had not
+noticed the narrator who was in the midst of my lettuce bed busily
+pulling up the young plants.</p>
+
+<p>"Shew there! What are you doing?" I cried. Off she flew with a cackle of
+derision.</p>
+
+<p>Looking after her in astonishment and at my poor lettuce bed, I caught
+the eye of an old turkey, roosting in an apple tree; he was smiling
+grimly.</p>
+
+<p>"So you have been taken in too," he said, with a suppressed gobble. "You
+needn't believe a word of that tale, and if you knew anything about
+raising poultry you would have seen the weak point in her<span class='pagenum'><a name="Page_39" id="Page_39">[Pg 39]</a></span> story. It was
+only to play on your sympathy while she made a meal of your lettuce.
+That old hen is one of the toughest confidence operators in the yard,
+and if you take my advice, (and I have lived over four Thanksgivings,)
+you will keep an eye open for all black Spanish hens who have lost a
+husband."</p>
+
+<p>I thanked the old fellow and came into the house, and since then have
+kept on the guard against widows of every genus, with better success
+than Mr. Weller the elder attained.</p>
+
+<hr />
+<p><span class='pagenum'><a name="Page_40" id="Page_40">[Pg 40]</a></span></p>
+<h2><a name="Oceanic_at_Sea" id="Oceanic_at_Sea"></a>"Oceanic" at Sea.</h2>
+
+
+<div class="poem"><div class="stanza">
+<div>What shall I sing of thee, my ship,</div>
+<div class="i2">Lone center of this orb of blue,</div>
+<div>Horizoned by the rosy light</div>
+<div class="i2">Of peeping dawn, and sleeping evening too?</div>
+</div><div class="stanza">
+<div>Thou art the pupil, ship of mine,</div>
+<div class="i2">Which lights this round and azure eye,</div>
+<div>Rimmed by the rosy lids of dawn,</div>
+<div class="i2">And lost in sleep when evening rules the sky.</div>
+</div></div>
+
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<hr class="full" />
+<p>***END OF THE PROJECT GUTENBERG EBOOK IN MACAO***</p>
+<p>******* This file should be named 18658-h.txt or 18658-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="http://www.gutenberg.org/dirs/1/8/6/5/18658">http://www.gutenberg.org/1/8/6/5/18658</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+
+<pre>
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="http://www.gutenberg.org/license">http://www.gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/pglaf
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="http://www.gutenberg.org">http://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.gutenberg.org/dirs/etext06/">http://www.gutenberg.org/dirs/etext06/</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+http://www.gutenberg.org/dirs/1/0/2/3/10234
+
+or filename 24689 would be found at:
+http://www.gutenberg.org/dirs/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="http://www.gutenberg.org/dirs/GUTINDEX.ALL">http://www.gutenberg.org/dirs/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>
diff --git a/18658.txt b/18658.txt
new file mode 100644
index 0000000..1b060b6
--- /dev/null
+++ b/18658.txt
@@ -0,0 +1,1176 @@
+The Project Gutenberg eBook, In Macao, by Charles A. Gunnison
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: In Macao
+
+
+Author: Charles A. Gunnison
+
+
+
+Release Date: June 22, 2006 [eBook #18658]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK IN MACAO***
+
+
+E-text prepared by Martin Pettit and the Project Gutenberg Online
+Distributed Proofreading Team (http://www.pgdp.net/)
+
+
+
+IN MACAO.
+
+by
+
+CHARLES A. GUNNISON.
+
+
+
+
+
+
+
+Press of
+Commercial Publishing Co.
+34 California St., S.F.
+
+
+
+
+
+_FRAU JULIE FISCHER._
+
+_geb. von Seckendorff-Gutend._
+
+
+_Die beifolgenden, widme ich Ihnen, als Beweis in welch' unvergesslicher
+Erinnerung, die von mir in Beyern verlebte Zeit, gehalten wird, und
+besonders die unvergleichlichen Tage welche ich im Rothem Schloss zu
+Obernzeen zubringen durfte, Tage welche zu den schoensten meines Lebens
+zaehlten, und nie aus meinem Herzen verwischt werden koennen._
+
+ _Charles A. Gunnison._
+
+_San Francisco, Cal., Xmas, 1892._
+
+
+
+
+California.
+
+
+ This is thy form, dear, native home of mine,--
+ A gold-net hammock swung from palm to pine,
+ Moved by the breezes of the peaceful sea,
+ And in the net, smiling so drowsily,
+ My mother California, queen divine,
+ Rests, while the poppy garlands her entwine.
+
+ In her warm arms, 'neath cloudless summer skies,
+ As child I heard her bee-hummed lullabies,
+ Saw her red malvas, blue nemophylae,
+ Pink manzanitas, deep-hued laurel tree,
+ And what were marvels to my childish eyes,
+ Her mariposas, (tethered butterflies).
+
+ What of the rich and wondrous foreign things
+ Which each new tide to her in tribute brings!
+ Although from olive, orange, fig, and vine,
+ Her own fond children all their wealth consign,
+ 'Tis Flora's gifts my royal mother sings,
+ As, joined to palm and pine, her hammock swings.
+
+
+
+
+In Macao.
+
+_A Story from the "Grasshopper's Library."_
+
+
+I was seated one pleasant day in the garden, which was given to the city
+of Macao by the Marcos family, near the grotto sacred to the poet
+Camoens, when a Portuguese priest came from among the wilderness of
+flowers and sat beside me. He spoke English with a pleasant accent and
+we read Bowring's effusion together, as it is engraved on the marble
+slab nearby. Scarcely had we finished, and the father was telling me of
+Goa in India, when my uncle Robert came from beneath the great banyan
+tree and stood before us. The father jumped to his feet, and throwing
+back his brown robe, rushed forward toward my uncle with a stilletto
+held ready for an upward stroke. Quickly my uncle drew a revolver and
+fired--and the father fell dead at my feet.
+
+
+I
+
+To those who have been in Southern Europe and have seen the towns along
+the Riviera, the first view of Macao, as the steamboat approaches from
+Hong Kong, gives the impression of having been suddenly transported to
+the sunny Mediterranean. Were it not for the colour of the water, and
+the Chinese junks, Macao would indeed be a perfect representation of any
+of those lovely spots, as she lies along her crescent bay, from Mount
+Nillau to Mount Charil, defended by the frowning forts of Sam Francisco
+and Our Lady of Bom Parto. Beautiful as this picture is, it was doubly
+so in the brilliant sunset colouring of a certain March day, as the
+steamer slowly came to her wharf and the passengers stepped ashore
+beneath the blue and white flag of Portugal, in this, her farthest
+eastern possession. The houses with their delicate washings of pink,
+blue, yellow or green, with white stucco ornaments, now golden in the
+light, had a warmth of colouring well set off by the dark foliage of
+camphor and banyan trees showing above the garden walls. The few
+passengers soon dispersed, in chairs or on foot, leaving but one of
+their number upon the wharf. He was apparently expecting some one to
+come for him, for he refused all offers of assistance from the coolies
+and seated himself just outside the gate. American, of medium height,
+brown haired and tanned by a tropical sun, Robert Adams was as good a
+specimen of Anglo Saxon youth as England herself could boast of. He was
+the last descendant of a New England family, which had preserved its
+purity for three centuries as unmixed with continental blood as though
+the three centuries had been passed in the quiet vales of Devon, instead
+of in the New World with its broken barriers.
+
+For three years, after a successful college course, he had been in the
+only shipping house in Hong Kong which sickly American commerce of the
+day was able to support in the once flourishing China trade. A small
+fortune and a good salary, a constitution which even an Eastern summer
+could not break down, and above all, the heart of the girl he loved,
+were surely possessions which any king might envy him. Presently a neat
+bamboo chair borne by three liveried coolies came at a trot down the
+street, and being placed before this last of the passengers, carried him
+away into the darkness which, with the suddenness of the tropics, had
+fallen upon the city. The stillness was broken only by the noise of
+escaping steam from the boat and the regular patter of the barefooted
+chair carriers. When the chair had disappeared up the narrow, winding
+street, a Portuguese wrapped in a black cloak came from behind a wall,
+then by another way walked rapidly over the hill and down the other
+side to the Praya, arriving in front of one of the largest houses on
+that most beautiful promenade just as the coolies put down their burden.
+
+The oil lamps along the Praya had been lighted, stretching out to the
+Estrada Sam Francisco, where the bright windows in the hospital of Sam
+Januarius seemed to be the lake of lights into which this long stream
+flowed. No one was abroad, no steps sounded along the pavement except
+those of the sentry as he walked, and _smoked_, before the neighbouring
+residence of the Governor. Death at night and sleep in the day time are
+the characteristics of Macao. No one seems to work, play, sing, dance or
+even read unless the latter indeed may be done in what Alphonse Daudet
+calls _la Bibliotheque des cigales_.
+
+As Robert Adams stepped from the chair, the Portuguese came forward with
+outstretched hand saying: "What is the news Dom Robert in Hong Kong?"
+"Oh, Dom Pedro, you came out so suddenly I thought I was attacked. No
+news, unless it is that the rector of St. John's is to join me to the
+loveliest girl in Macao or the world, in just three weeks." "I hope you
+won't disappoint him Dom Robert, you came very near doing so to-night,"
+said Pedro de Amaral with a laugh. "How, pray?" asked Adams as they
+entered the now unbarred gate. "You were within three feet of the water,
+if you had fallen in, that would have disappointed him. Not? Three feet
+is near. Not?" "Yes, and the boiler might have burst," replied Adams
+laughing. "Or more improbable yet the Portuguese government might have
+revived Macao, which would kill me with astonishment my dear Amaral."
+
+Having entered the house he was followed by Dom Pedro, who bent upon him
+such a look of hatred as only the eyes of Latin races can give. The
+Portuguese turned to the right to his own apartments and Adams following
+a servant to the left, was soon in the dimly lighted library of Dom Luiz
+de Amaral the father of Dom Pedro. There were not many books on the
+shelves but a superb collection of Oriental swords and knives was
+arranged in the cases from which the shelves had been taken. Two old
+engravings, one of the poet Camoens and the other of Catarina de Atayde,
+his beloved, who died of grief at his banishment, hung on the wall; the
+rest of the furnishings was of that cosmopolitan character which is sure
+to collect in the home of a European resident in the far East.
+
+"Can't you see me Robert?" said a laughing voice of great sweetness from
+a corner of the study. "One would think that both your eyes had met the
+same fate that the right one of poor Camoens did in Morocco." "My
+darling Priscilla how could I see you ten feet away from the light? You
+know olive oil don't give the brightest illumination. But its enough
+though." "Don't!" "Just one," and then a sound not unknown to many of us
+put a stop to the conversation. "Shall I leave the room children?" came
+in merry tones from another corner and immediately an old lady came
+forward giving both hands to him. "That miserable oil of Dom Amaral's
+has put me into a pretty mess," said Adams half annoyed, but laughing as
+he greeted the lady. "Don't berate me before my face dear friend about
+my light, especially when you are so soon to take our brightest light
+away from us." "Fairly trapped, Dom Amaral," cried Adams laughing
+heartily at this third interruption. "And here is Dom Pedro dressed for
+dinner," he continued as the younger Amaral entered the room. "I'll be
+with you presently and have my eyes toned down to your Macao standard."
+
+Being so constant a visitor, Robert Adams had his own rooms at Dom
+Amaral's, where he found his bags unpacked and the clothes laid out by
+those deftest of servants, the Chinese. According to custom the dinner
+of Macao was served at the late hour of nine.
+
+Dom Luiz Diego de Amaral was one of the wealthiest Portuguese in the
+city, having, unlike most of his fellow citizens, investments abroad
+which brought him a considerable income after the birth of Hong Kong
+killed Macao and left it a city of the past, of poverty and pride.
+Having in his youth married a Spanish woman who bore him one son, Pedro,
+he was left a widower before the age of twenty-five.
+
+Some years after, being in Boston where he then had large shipping
+interests, he took a second wife, Priscilla Harvey, and returned to
+Macao. Madam de Amaral's only sister, wife of Captain Fernald had one
+child which was left an orphan at an early age by the drowning of both
+parents in Portsmouth harbour.
+
+This orphan, Priscilla Fernald, was taken to her aunt in China and
+became a member of the household of Dom Amaral. It was a strange
+transplanting for such a flower from the cold coast of Puritan New
+England to the tropical, Roman Catholic colony in the heart of
+heathendom. But the flower of so sturdy a stock remained true. It was
+long accepted by all, even by the maiden Priscilla, that young Amaral
+was to be her husband though nothing had been said on the subject.
+Later, the small circle of Macao society, of which poverty and pride
+were the ruling features, became too dull for the young girl and her
+foster parents took her often to Hong Kong where she met with those of
+the outer world.
+
+In that hospitable society of the "city of the fragrant streams," where
+the dinner table seems to be the only rendezvous, save a garden party
+now and then, a Tarrantella dance or a Government House ball, the fair
+Priscilla met young Robert Adams, a native of her far away and almost
+unknown home. The acquaintance blossomed into friendship and ripened
+into love. The lover was accepted, and now a courtship of two years was
+in three weeks to see them married. There were many disappointed youths
+and envious of Robert Adams, but all took their misfortune as in the way
+of the world, except young Amaral, who, in silence, had watched the
+course of events and now hated the happy suitor with all the fierceness
+of his Southern blood.
+
+That night Robert Adams, unlike the conventional lover, but like a
+healthy, light-hearted fellow, fell asleep without a sigh, listening to
+the waves as they broke regularly on the stone embankment before his
+window. In the room below, Dom Pedro walked until the early morning, no
+beating of waves could lull him to sleep, for his head ached and his
+eyes burned in the fever of jealousy. Thus he brooded over his loss till
+the sun gilded the hermitage fort of Our Lady of Guia.
+
+
+II.
+
+The following day was Sunday, the liveliest, or rather the only day with
+any life at all, in Macao, for the visitors from Hong Kong then go about
+the city sight seeing to be ready for the early return of the steamboat
+on Monday morning.
+
+A pleasant spot, and one not often molested by visitors on account of
+the somewhat toilsome climb required to reach it, is the church of Our
+Lady of Pehna on the summit of Mt. Nillau. Built in 1622 on this high
+point to be more easily protected from any possible invasion of the
+Chinese from the main island of Heang Shang, the church serves now only
+as an addition to the picturesqueness of Macao, and though repaired in
+1837 is again in ruin. Priscilla and her affianced chose this for their
+Sabbath walk, for it is only through nature that the Protestants in
+Macao can worship nature's God, and surely the incense of flowers could
+bear to Him on high the thanksgiving of those two happy hearts, as truly
+as the frankincense and myrrh which the good Fathers of the last century
+burnt upon Mt. Nillau. The narrow but well paved streets with their
+stuccoed houses, barred windows and little peep-holes at the doors, for
+questioning the doubtful applicants for admission, even the two months
+old posters of Chiarini's circus had a new charm this Sunday morning;
+for Adams it was a day of quiet after his week of noise and bustle in
+Hong Kong, while for Priscilla it seemed a gala day full of life after
+the six silent days of sleepy monotony. "I can see that Pedro is not
+friendly toward you Robert," she said; "I could hear him walking during
+all the night and am sure he is planning something to annoy you, I know
+his ways so well." "Don't worry, Priscilla, Dom Pedro was probably
+troubled over some loss at the fan-tan table; they say he won five
+hundred Mexicans last week and then lost that sum doubled."
+
+"That may be so, Robert, but our approaching marriage is a great cross
+to him. It is hard to tell what Pedro's thoughts are; his eyes are like
+our Macao windows of isinglass and let very little light either way."
+
+The winding road between ruined walls of gray stone, half covered with
+clinging ficus, spanned by broken arches, with here and there a fallen
+urn, led them through picturesque turns and by mossy steps to the foot
+of the huge black cross erected before the empty church. Neither spoke;
+they did not care for words and the only expression which framed itself
+audibly was that oft repeated _jubilate_ of health and youth, "How
+beautiful it is to live!"
+
+Dim in the distance, of almost the same shade as the sky, rose the
+White Cloud Hills; lesser hills more distinct in waving outline lay
+before them; then rocky promontories and islands with grotesque forms
+like the twisted dragons of Chinese embroideries, and the low stretch
+which marked the position of the wonderful city of Canton. On the yellow
+water here and there were junks with tanned sails and gay banners;
+islands with graceful pagodas were seen, and the huge white cathedral of
+the near dependency of Taipa. Then in the foreground at their very feet
+was Macao, a feast of colour, red roofs, many-hued walls, green trees
+and brilliant gardens, beautiful as the jewel-set sheath of a Venetian
+dagger, with its poison and death-dealing wickedness hidden.
+
+Dom Amaral with his wife had gone to the new cathedral to services;
+their well appointed chairs had scarcely left the court and the gates
+been bolted behind them when Dom Pedro came from his room. His face had
+changed greatly since the day before; the loss of sleep and the
+bitterness of his heart had made him look pale and thin. For the first
+time in his life he had spoken harshly to his valet, and that meek
+Celestial wore an expression of grief and surprise, for Pedro Amaral,
+whatever his faults, did not have the vulgar one of venting his spleen
+upon his inferiors, so that his lifelong servant was at a loss to
+account for the sudden change.
+
+Dom Pedro walked to the library and drawing the curtains behind him sat
+down before the cases filled with brilliant steel. Suddenly he looked
+away and picked up a book from the table, opening it at random but
+constantly his eyes reverted to the cases before him. Slowly his
+features relaxed and with a broken sigh he was about to replace the book
+when a small photograph card fell from its pages; the face was that of
+Robert Adams, the book Priscilla's "Common Prayer." Like a flash the old
+lines came back in his forehead; he went to the case and opening the
+glass doors, carefully took down a small, silver sheath, the work of
+some artist of Goa, wherein the influence of both India and Europe
+showed in the execution. The pressure of a button pushed out a grooved
+dagger which fitted so low in the sheath as to show only the head of its
+jeweled hilt. Dom Pedro removed the dagger, wrapped it in his
+handkerchief and then putting it in his breast pocket replaced the empty
+sheath in its old position.
+
+
+III.
+
+The government of Macao derives its greatest revenue from the licensing
+of gambling houses, and these form one of the principal attractions in
+the city to the European from Hong Kong as well as the native
+Portuguese and Chinese. Whatever fault the visitor finds, on moral
+grounds, with these houses he must admit the fact that they are quiet
+and orderly, while the picturesqueness of the life within them and that
+peculiar glamour which varnishes all that pertains to a great gambling
+hall where fortune shows herself directly face to face with us, has a
+charm which hides the immorality from even the most straight-laced
+Puritan.
+
+One of these houses was the favourite and nightly resort of Dom Pedro,
+where he played high or low according to the state of his finances at
+the moment. Dom Amaral, though himself a devotee of the fan-tan table,
+observed with fear this controlling passion of his son which he believed
+would some day destroy the comfortable fortune he had amassed with so
+many years of labour.
+
+Adams would have certainly preferred to spend the whole evening in the
+family circle, but Dom Pedro urged him with so much, and such unusual
+kindness to accompany him to the gambling house that he consented, and
+at about eleven o'clock the two young men left the Praya and walked into
+the town beneath the soft lights of the oil lamps. The streets were
+deserted as usual, here and there a policeman, hooded like a pilgrim,
+sauntered leisurely along, or the Chinese watchman with drum and
+clapper woke the echoes of the lonely ways warning thieves of his
+approach.
+
+The only illuminated houses were fan-tan houses and these presently
+became numerous; now and then music was heard but not of a very
+seductive kind. Into one of the largest and most gaily decorated houses,
+Dom Pedro and Robert Adams went, climbing to the second floor by stairs
+bordered with shrubs in huge Chinese pots.
+
+The main playing room contained several tables or counters arranged
+along the walls, behind which sat the croupiers; at one of these Dom
+Pedro stopped. On the table was a plate of metal divided into quarters
+of about a foot square by deep cut lines crossing it, each square being
+marked in Chinese characters indicating one, two, three and four. The
+croupiers rattled a pile of bright brass coins, with square holes in
+them, called cash; then as Dom Pedro made a sign that he was about to
+play, the croupier drew away a part of them under a bowl and Dom Pedro
+placed his wager on number three. The croupier with a bamboo wand then
+counted out the remaining cash one at a time in sets of four, until
+finally there were but three left; this being Dom Pedro's number, he won
+the stakes.
+
+"In good luck to-night," he said, turning to Adams, "Try if this is a
+lucky day for you." Robert Adams placed his money on the same square
+which Dom Pedro had won from, and again the croupier counted the
+remainder slowly, having drawn away some of the cash under the bowl,
+four at a time until but two remained and Adams' stake became part of
+the bank. "Lucky in love, unlucky at play" he said with a laugh, "I
+shall bet no more to-night." Dom Pedro's face darkened but in silence he
+continued winning at every count.
+
+Above the table was a square hole in the ceiling opening into an upper
+room where those could sit who did not wish to be seen, and were thus
+able to let their bets down in a little basket and with the same draw up
+their winnings. This upper room being purposely kept in half light
+enabled its occupants to see those below without being seen themselves.
+
+Dom Pedro's luck was astonishing and quite a crowd of onlookers gathered
+about. Robert Adams growing weary of the play in which he took no
+interest, left, saying that he would walk slowly as far as the ruined
+cathedral of St. Paul and on his return step in again. As he stepped
+back from the table he looked up toward the opening in the ceiling where
+were two women with faces wrapped in black silk robosas, which showed
+only the eyes; as the eyes seemed fixed upon him he raised his hat. The
+action seemed to cause the women considerable consternation, for both
+hurriedly sprang back from the rail and in doing so one let fall, upon
+the table below, the basket with a bit of paper and several Mexican
+dollars which rolled about the room. Everyone looked up laughing at the
+accident but no one from above claimed the money. Adams left the room
+glad to be in the fresh air under the clear, starlit sky.
+
+No more lonely or picturesque ruin ever existed than the church of St.
+Paul; though human habitations crowd close upon it, they are however the
+houses of Chinese and make the Christian edifice seem the more solitary.
+The church is of that favourite style of architecture so common in new
+and old Spain, which always brings to the mind of the wanderer in
+foreign lands the name of good San Xavier.
+
+The half moon had risen high enough to illuminate the whole front as
+Adams climbed the broad, massive steps to the paved space before it.
+Leaning against the heavy balustrade he enjoyed the picture. The shadows
+were deep and through the sightless windows shone a few silver stars.
+The magnificent front of solid granite with graceful scroll-work and
+carved outline, blackened here by smoke and there by age, with vines and
+trees growing from crevices, stood in wondrous beauty.
+
+The detail showed clearer than by day; the panels in high relief, of
+full rigged ship, the double dolphin and the skeleton seemed too fragile
+to have stood through earthquake and typhoon and the conflagrations of
+war for more than two hundred years. The exquisite frieze composed of
+many unconventionalized flowers extending across the front, wherein the
+artist and worker had been one, was a petrified garland. This scene was
+a revelation to Adams for often as he had viewed and sketched the ruin,
+he had never been there by moonlight when its beauties were enhanced and
+its defects hidden. He could see plainly each Chinese character upon the
+carved scrolls and the words "Mater Dei" above the doorway.
+
+Slowly the shadows crept along, making the six broken saints in their
+niches seem alive; slowly the shadows upon the ruin crept along, but a
+swifter shadow suddenly came forward from the steps and Adams having
+forgotten, in the entrancing scene the murderer and thief who lurk in
+all Macao's corners, turned as he heard a soft step, just in time to
+receive in his right arm the upward blow of a dagger aimed at his side.
+He lost his balance falling backward down the steps, striking his head
+upon a heap of broken roof-tiles where he lay insensible. As he fell, a
+woman's scream pierced the night. There was hurried tramping of sandaled
+feet, as of a dozen or more coolies. The shriek was again heard and
+then all was silent and the plaza empty.
+
+
+IV
+
+Sleepy Macao the day after the attempted assassination of Robert Adams
+was treated to a sensation such as had not been its experience since the
+memorable day in 1848 when the old Governor de Amaral lost his head at
+the Porta de Cerco. Murder, attempted or accomplished, could not have
+stirred them up to such an extent, for that was too common an
+occurrence, but the mystery of the event was the cause. Priscilla Harvey
+and her maid with one of Dom Amaral's most trusted men servants had
+disappeared as completely as though the earth had swallowed them.
+
+Robert Adams, since the night of the attack had not recovered his
+senses, and lay in the house of Dom Amaral apparently between life and
+death. The surgeons from Sam Januarius hospital had decided that to save
+him, the amputation of his arm would be necessary, for the dagger which
+had cut it had been poisoned.
+
+In the midst of this trouble, Priscilla's absence was discovered, and
+Macao was alarmed. Men were sent from the Governor's house in all
+directions to search the public houses, the fishing boats, and every
+possible place within the small territory. Word was sent to Taipa. While
+the officials were thus employed, private parties of searchers went over
+the entire peninsula looking among the rocks and copses of the Estrada
+and even the Parsee Tower of Silence was examined, but all in vain. The
+fan-tan house proprietor told of two unknown women with a Chinese
+servant who had visited his house, but when they had left he did not
+know. No more was learned though the search still continued, for large
+rewards were offered by Dom Amaral as well as by the Governor.
+
+Dom Pedro directed the movements, taking greatest interest in all that
+seemed possible to form a clue, and did not rest for nearly forty-eight
+hours. Days soon formed a week but no news came, and Macao began to
+drowze again. Detectives from Hong Kong came, made the usual fuss and
+reached the usual conclusions of their kind, that it was a mysterious
+event.
+
+Contrary to all predictions Robert Adams, having become convalescent and
+the surgical operation by which he had lost his arm having proved
+successful when having heard the awful news, did not have a relapse into
+the fever but seemed with a determination to become more rapidly strong,
+and in five weeks was able to be about. He, of all Priscilla's friends,
+was most hopeful. To his mind vividly came the scene at the Ruins of
+St. Paul and that last sound he had heard. Adams' first walk was to the
+scene of his attempted assassination and Madam de Amaral, who was much
+broken with grief at the terrible event, accompanied him in her chair,
+Dom Pedro going with them.
+
+It was the month of May and the heat being oppressive Madam d'Amaral
+after viewing the scene was carried home and the two young men walked on
+to the Marcos garden. "I have a clue Dom Robert," said Dom Pedro as they
+seated themselves beneath a broad banyan tree from which a view of St.
+Paul's ruin could be had. "There began your troubles," he said pointing,
+"and there this morning I received a paper which will I hope lead to a
+solution of this mystery." He handed Adams a bit of Chinese paper on
+which was written in Portuguese, "Come to the Praca de Luiz de Camoens
+at 8 A.M. to-morrow; follow the guide who meets you, and the lady
+Priscilla will be found." "I do not trust anonymous communications,"
+said Adams, "but we must clutch at a straw now." "Nor do I," replied Dom
+Pedro, "and I will go with you; we will go well armed." Adams glanced
+down at his own empty sleeve and a cruel smile passed over the face of
+Dom Pedro as he noticed his comrade's pain.
+
+The 22nd of May will be long remembered in Macao and never forgotten by
+the family of de Amaral. Early in the morning Robert Adams was up and
+impatiently waiting for Dom Pedro, who appeared a little before eight
+o'clock and the two, after a hurried breakfast, went to the Praca de
+Luiz de Camoens where a Chinese sailor met them. They followed him to
+the shore where a sampan was waiting in which they seated themselves and
+were soon gliding rapidly toward a huge junk of fine build which lay at
+anchor some distance beyond the Portuguese man-of-war, in the direction
+of Taipa. The tide was very low and the vessel did not seem far from
+shore.
+
+The Sampan reached and made fast to the junk, and Adams followed by Dom
+Pedro climbed upon the deck.
+
+Quick as a flash Adams' arm was seized and bound to his side while Dom
+Pedro stepped before him. "Fool!" he cried, "you have stepped into the
+trap with little trouble. It was I who stabbed you, Dom Robert, it was
+I, who took the bride who rightfully belonged to me, as it is I who will
+use you for my own good till I may throw you away. You of Northern blood
+are fools."
+
+"I thought you my friend, Dom Pedro, and I thought you a man," was the
+only reply.
+
+Every appointment of the junk was of exquisite finish, such as is
+seldom seen, and kept scrupulously clean. The men at work on deck, with
+usual Mongolian nonchalance, went about their business without giving
+the least notice to the events occurring. "The lady Priscilla waits you
+in the cabin," said Dom Pedro. "She knows my plans and though I shall
+not intrude upon you I have a Chinese on guard who will kill you if any
+attempt is made to free you. Enter." Adams stepped toward the cabin at
+the stern, where the usual shelf-like arrangements of a junk had been
+transformed into a cabin suited to European taste, with comfort and
+luxury. Adams entered and the door was closed. By it stood a guard with
+drawn sword; in the farther corner sat a woman at a table with her face
+buried in her hands.
+
+"Robert, as you love me stay where you are. Do not move a step, but sit
+down where you are." Her voice was so full of pleading that Adams forgot
+his first impulse and obeyed her. "I know all that has occurred dear
+Robert, your sacrifice and pain and the pain of all my friends during
+these sad weeks. Do not move toward me or you will be killed. I will not
+look up, dare not look up. On that Sunday, which now seems so long ago,
+when I bid you good-night at the library door, when you and he went to
+the fan-tan house, I followed you with his valet and my maid, for I had
+been fearful of his intentions toward you, and when his valet told me
+that he had seen him secrete a dagger in his coat that morning, and when
+I found one missing from the case, I had my fears confirmed. We followed
+and sat in the floor above you and tried to call your attention. When I
+won at the table at last I put in a warning note and then overturned the
+basket. You did not see the paper but he did, and read it. For the rest,
+you were followed at once by him, and we as quickly as possible followed
+both, but only in time to see you fall and to be seized and carried away
+in a closed chair to the yellow house in the Marcos square where, till
+yesterday, I have been confined to the court and inner rooms, with only
+my maid as company and a daily visit from him at which I learned the
+news of your progress toward recovery. Last night we were removed to
+this vessel, and I have expected your arrival with hope and fear. His
+idea is to force a marriage with me by threats against your life, or to
+sail for Hainan or Formosa and accomplish his designs where law and
+justice for us are unknown."
+
+Hurried cries from the deck and a call at the door in Chinese were heard
+and the guide sheathing his sword rushed from the cabin. In a moment the
+lovers were together. The bonds which held Adams' arm were cut and
+Priscilla pointing to the little window cried, "Robert, God is with us!"
+With his one arm encircling Priscilla they looked from the window.
+Apparently a strong gale had suddenly sprung up from the south east and
+rain was falling in torrents; the wind continued to increase though the
+rain passed by, but in the distance appeared a dark tower of water
+slowly moving toward Macao, rushing with bending, changing outline from
+water to sky. The gale became fiercer and the tumult on deck increased.
+Immediately from Taipa came the sound of cannon and it was answered by
+Macao with her heaviest ordnance as if a battle were raging, and, indeed
+it was a terrible battle, one between man and the elements, but man was
+victor and the water spout was broken. The force of the tornado however
+had yet to reach its climax and for fully five minutes swept over the
+terrified city and bay with fearful power. Sampans and junks were hurled
+like egg-shells upon the shore, where but for the low tide, thousands
+instead of hundreds of lives would have been sacrificed. The men-of-war
+and the river steamboats did good service, for the course of the
+tornado, was so restricted that though but a hundred yards from its
+limit of violence they were untouched. Dom Pedro's junk with others was
+torn from its moorings and overturned, but not before Adams and
+Priscilla had jumped from the deck. Even in the awful confusion and the
+terror of the first plunge which carried them below the surface of the
+angry waves, she kept her hand clasped upon the empty sleeve of her
+recovered protector. Being both good swimmers they assisted each other
+with that knowledge of the water and the trust which all coast born
+people have in the mother sea. A boat from one of the war vessels picked
+them up and in a short time they were both beneath the roof of good Dom
+d'Amaral, and rumor with unusual tread, but suited to Macao, slowly
+announced the fact of Priscilla's return.
+
+Dom Pedro weak, and with a broken arm, was also carried to the house of
+his father and none but the principal actors in the tragedy understood
+the mystery.
+
+Priscilla had returned in the midst of the tornado, and that was all.
+The unfortunate young woman was completely prostrated by the terrible
+experiences through which she had lately passed and lay as if lifeless.
+The physicians dreaded an attack of fever would follow, and their worst
+fears were realized. Several weeks went by in anxious watching by the
+sick woman's bedside when at last the fever turned and she gradually
+grew better. Nothing was said of the occurrences which had brought the
+illness about, and Priscilla remembered nothing of them apparently, for
+she asked for no one and seemed happy and content to be left with her
+Chinese _ama_. When she had recovered strength enough to be carried
+into the court-yard it was with joyful expectancy that Adams went to
+greet her, yet his heart sank with sorrow when he saw the marks of the
+great suffering in her face and a terrible desire for revenge seized
+him, which became the dominant passion of his life.
+
+The saddest part of this tale may be given in a few words. Priscilla
+Harvey never regained her reason, though she found pleasure in all the
+beauties of nature and her life was happy during the two years before
+her death. Dom Pedro went to Hong Kong and soon disappeared. Robert
+Adams remained in Macao taking charge of the d'Amaral foreign business.
+He was the daily companion of the unfortunate Priscilla in all her walks
+and it was but a year after her death, when I visited my uncle Robert in
+Macao, when the tragic event occurred which is narrated at the beginning
+of this history.
+
+My uncle is near my own age and we are more like brothers and have been
+together, since the death of Dom Pedro at Camoen's Grotto. The Courts of
+Macao exonerated Adams and though the good Dom d'Amaral would willingly
+have had him remain in the house at Macao it was not pleasant to think,
+that, even justified as he was, he had killed the only son of his host.
+
+It was early in the morning when we left the drowsy city; the sun had
+just touched the windows of Sam Januarius, and as the river boat dropped
+into the stream, the church of Our Lady of Guia received its morning
+salutation. The period had come to this story of love and loss, and the
+book closed.
+
+Perhaps it is just as well not to work, or play, or read except in "the
+library of the grasshoppers" as do my own good, sleeping friends in
+Macao.
+
+
+
+
+My Sapphire Ring.
+
+
+ Where have I seen the sapphire rimmed with gold?
+ When on the dark blue Carribbean sea,
+ Floating at sunset, dreaming lazily,
+ I saw the God of Day the world enfold;
+ There did my eyes the sapphire rare behold.
+
+ I saw the sapphire, when the day was young
+ In royal Venice, as I lay and gazed
+ Into the morning sky, and saw, amazed,
+ Its deep hued brilliance, ere a bird had sung,
+ Or Matin bells from San Stefano rung.
+
+ Once when my course, with myriad sea-flowers strewn,
+ Was o'er Formosa's waves of purple dulse,
+ Rising and falling like a fevered pulse,
+ Moved by the hot and southern born monsoon,
+ I saw the sapphire glow in tropic noon.
+
+ But in our home, beneath our own blue skies,
+ Before I knew these treasures of the Earth,
+ I saw the sapphire of far greater worth--
+ The first born friendship in your boyhood's eyes--
+ Of which this ring as token now I prize.
+
+
+
+
+The Hen That Could Lay and Lie.
+
+
+I had the following story from the bill of an old Spanish hen, an
+inveterate cackler, who used to fly over the neighbouring fence and
+wander, with happy, self-communing clucks about my vegetable garden.
+
+"Yes young man you are young, you may feel bigger than I am, but you are
+not quite so tough, indeed toughness alone has saved me my life for a
+good many Christmas mornings. I am a tough old hen, I have seen the
+world; I have traveled. You know the island in the Napa River just above
+the railroad bridge? Well, I was wrecked there in my young days and it
+happened in this manner.
+
+"The spring of the year 18-- was a wet one; snow fell in the foothills
+and when it melted, the waters rushed down through the canons and filled
+the river. Our coop, (I say ours as I had a husband then,) stood near
+the bank, and the rising water carried it away. I shall never forget the
+night. It was Billy's last night on earth; Billy was my better half, and
+a handsome, young cock he was, all the young pullets in the yard had
+yellow combs, from envy, the day we were married. Old Partlett with her
+brood of twelve ducks tried her best to get him, but Billy said he
+didn't think it was quite the most moral thing in the world for a hen of
+her age to hatch out ducks and it set a bad example to the young
+'broilers' who were growing up about us, so he declined her proposals
+with thanks and sent her off with her ugly-mouthed off-spring. Well, as
+I was saying, our coop was carried down the stream, Billy and I
+balancing ourselves on the upper roost and speaking words of comfort to
+cheer up each other's fast fainting gizzards. We hens have a proverb
+which says, 'A life without hope is an egg without a yolk, a gizzard
+without gravel,' and that night proved the words to be true. Suddenly
+down went Billy into the roaring flood. I can see his yellow spurs as he
+went under, and his clutching claws, those beautiful, shining claws that
+only walked the path of virtue, as far as I knew. Alas how I fluttered,
+I tried to crow for help but it was useless, I could no more do it than
+the hens of your genus can whistle. Billy went out forever.
+
+"How I remember his kindness now; how he would find the best worms and
+grasshoppers and always call me to see them before he ate them, not as
+that old beast Cochin China does, who not even lets his wife look at the
+delicious morsels he swallows.
+
+"Billy is gone, so I will not regret him for he is probably chief
+crower in St. Peter's hennery now. How Peter must blush when he hears
+Billy crow, if he has any shame for his past sins. They say St. Peter
+has to keep all the dead cocks as a sort of punishment and reminder.
+
+"That night I pulled all the yellow feathers out of my tail, (I have
+Cochin blood in my veins,) and I have gone in black Spanish costume ever
+since out of respect for Billy.
+
+"By morning I was cast with the coop upon a deserted island; there was
+nothing but a coarse grass that was eatable, but I was almost dead with
+hunger, and was about giving up in despair when a happy thought struck
+me, and, I laid an egg, which with a little grass made me a good meal.
+Each day I laid an egg and ate it, feeling that my life at least could
+be saved, though I must be forever without society, yet I thanked heaven
+that hens were made with such resources. Alas! I began to notice that
+the eggs grew smaller each day and I felt starvation again taking me by
+the wattles. To die without friends on a desert island, horrible! Alone!
+Why? Can I not hatch these eggs, can I not raise a brood of little
+pullets who shall lay eggs for themselves and me? Time passed and I
+brought from the shells eight little chicks, but alas they were all
+cocks; poor me. What are they good for on a desert island? They cannot
+even keep themselves. Perhaps I had thought too much of Billy during the
+setting and that influenced the eggs. But my complaint was punished, for
+all of the brood were caught one day in the current and carried away.
+Poor, little, posthumous chicks, how your father Billy would have loved
+you and taught you to crow. Again I tried; this time with more success
+and brought from the eggs six little, fluffy pullets. All lived and we
+took turns, off and on, supplying the family with eggs, till one day men
+passing in a row boat, saw us and took us aboard. We had been on the
+island for two months. All my six pullets lived and married, and are now
+in the yard over the fence."
+
+All this time I had been so interested in the story, that I had not
+noticed the narrator who was in the midst of my lettuce bed busily
+pulling up the young plants.
+
+"Shew there! What are you doing?" I cried. Off she flew with a cackle of
+derision.
+
+Looking after her in astonishment and at my poor lettuce bed, I caught
+the eye of an old turkey, roosting in an apple tree; he was smiling
+grimly.
+
+"So you have been taken in too," he said, with a suppressed gobble. "You
+needn't believe a word of that tale, and if you knew anything about
+raising poultry you would have seen the weak point in her story. It was
+only to play on your sympathy while she made a meal of your lettuce.
+That old hen is one of the toughest confidence operators in the yard,
+and if you take my advice, (and I have lived over four Thanksgivings,)
+you will keep an eye open for all black Spanish hens who have lost a
+husband."
+
+I thanked the old fellow and came into the house, and since then have
+kept on the guard against widows of every genus, with better success
+than Mr. Weller the elder attained.
+
+
+
+
+"Oceanic" at Sea.
+
+
+ What shall I sing of thee, my ship,
+ Lone center of this orb of blue,
+ Horizoned by the rosy light
+ Of peeping dawn, and sleeping evening too?
+
+ Thou art the pupil, ship of mine,
+ Which lights this round and azure eye,
+ Rimmed by the rosy lids of dawn,
+ And lost in sleep when evening rules the sky.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK IN MACAO***
+
+
+******* This file should be named 18658.txt or 18658.zip *******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/8/6/5/18658
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/18658.zip b/18658.zip
new file mode 100644
index 0000000..138f7e0
--- /dev/null
+++ b/18658.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..88a44d6
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #18658 (https://www.gutenberg.org/ebooks/18658)