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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:50:07 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:50:07 -0700 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/16995-8.txt b/16995-8.txt new file mode 100644 index 0000000..cdb1882 --- /dev/null +++ b/16995-8.txt @@ -0,0 +1,2979 @@ +The Project Gutenberg EBook of Riley Love-Lyrics, by James Whitcomb Riley + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Riley Love-Lyrics + +Author: James Whitcomb Riley + +Release Date: November 4, 2005 [EBook #16995] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS *** + + + + +Produced by Suzanne Lybarger, Brian Janes, Diane Monico, +and the Project Gutenberg Online Distributed Proofreading Team at +https://www.pgdp.net + + + + + + + + + + +RILEY LOVE-LYRICS + + + + +[Illustration: (LOVE-LYRICS)] + + + + +RILEY +LOVE-LYRICS + + +JAMES WHITCOMB RILEY + + +WITH LIFE PICTURES BY +WILLIAM B. DYER + + +[Illustration] + + +NEW YORK +GROSSET & DUNLAP +PUBLISHERS + +Copyright, 1883, 1887, 1888, 1890, 1891, 1892, 1894, +1897, 1898, 1901, 1905 + +by + +James Whitcomb Riley + + + + +INSCRIBED + + +To the Elect of Love,--or side-by-side +In raptest ecstasy, or sundered wide +By seas that bear no message to or fro +Between the loved and lost of long ago. + + + + +So were I but a minstrel, deft + At weaving, with the trembling strings +Of my glad harp, the warp and weft + Of rondels such as rapture sings,-- + I'd loop my lyre across my breast, + Nor stay me till my knee found rest + In midnight banks of bud and flower + Beneath my lady's lattice-bower. + +And there, drenched with the teary dews, + I'd woo her with such wondrous art +As well might stanch the songs that ooze + Out of the mockbird's breaking heart; + So light, so tender, and so sweet + Should be the words I would repeat, + Her casement, on my gradual sight, + Would blossom as a lily might. + + + + +CONTENTS + + PAGE + +BLOOMS OF MAY 185 + +DISCOURAGING MODEL, A 133 + +"DREAM" 46 + +FARMER WHIPPLE--BACHELOR 167 + +HAS SHE FORGOTTEN? 181 + +HE AND I 83 + +HE CALLED HER IN 50 + +HER BEAUTIFUL EYES 60 + +HER HAIR 128 + +HER FACE AND BROW 63 + +HER WAITING FACE 71 + +HOME AT NIGHT 122 + +HOW IT HAPPENED 95 + +IKE WALTON'S PRAYER 107 + +ILLILEO 111 + +JUDITH 79 + +LAST NIGHT AND THIS 131 + +LEONAINIE 68 + +LET US FORGET 64 + +LOST PATH, THE 87 + +MY BRIDE THAT IS TO BE 90 + +MY MARY 117 + +NOTHIN' TO SAY 103 + +OLD PLAYED-OUT SONG, A' 31 + +OLD SWEETHEART OF MINE, AN 23 + +OLD YEAR AND THE NEW, THE 72 + +OUT-WORN SAPPHO, AN 37 + +PASSING OF A HEART, THE 44 + +RIVAL, THE 148 + +ROSE, THE 178 + +SERMON OF THE ROSE, THE 189 + +SONG OF LONG AGO, A 160 + +SUSPENSE 136 + +THEIR SWEET SORROW 76 + +TO HEAR HER SING 146 + +TOM VAN ARDEN 139 + +TOUCHES OF HER HANDS, THE 157 + +VARIATION, A 151 + +VERY YOUTHFUL AFFAIR, A 36 + +WHEN AGE COMES ON 164 + +WHEN LIDE MARRIED _Him_ 125 + +WHEN MY DREAMS COME TRUE 99 + +WHEN SHE COMES HOME 67 + +WHERE SHALL WE LAND 154 + +WIFE-BLESSÉD, THE 115 + + + + +ILLUSTRATIONS + + PAGE + +LOVE-LYRICS FRONTISPIECE + +ILLUSTRATIONS--TAILPIECE xx + +AN OLD SWEETHEART OF MINE 23 + +AND I LIGHT MY PIPE IN SILENCE 24 + +THE VOICES OF MY CHILDREN 25 + +THE PINK SUNBONNET 26 + +WHEN FIRST I KISSED HER 27 + +MY WIFE IS STANDING THERE 30 + +A' OLD PLAYED-OUT SONG 33 + +A' OLD PLAYED-OUT SONG--TAILPIECE 35 + +A VERY YOUTHFUL AFFAIR 36 + +AN OUT-WORN SAPPHO 41 + +AN OUT-WORN SAPPHO--TAILPIECE 43 + +THE PASSING OF A HEART--TITLE 44 + +THE PASSING OF A HEART--TAILPIECE 45 + +"DREAM" 47 + +"DREAM"--TAILPIECE 49 + +HE CALLED HER IN--TITLE 50 + +A DARK AND EERIE CHILD 51 + +WHEN SHE FIRST CAME TO ME 57 + +HE CALLED HER IN--TAILPIECE 59 + +HER BEAUTIFUL EYES 61 + +HER FACE AND BROW 63 + +LET US FORGET--TITLE 64 + +OUR WORN EYES ARE WET 65 + +WHEN SHE COMES HOME 67 + +LEONAINIE--TITLE 68 + +LEONAINIE--TAILPIECE 70 + +HER WAITING FACE 71 + +THE OLD YEAR AND THE NEW--TITLE 72 + +I SAW THE OLD YEAR END 73 + +THEIR SWEET SORROW 77 + +JUDITH 79 + +O, HER EYES ARE AMBER-FINE 81 + +HE AND I 85 + +THE LOST PATH--TITLE 87 + +THE LOST PATH 89 + +MADONNA-LIKE AND GLORIFIED 91 + +HOW IT HAPPENED 97 + +WHEN MY DREAMS COME TRUE 101 + +NOTHIN' TO SAY 105 + +IKE WALTON'S PRAYER--TITLE 107 + +IKE WALTON'S PRAYER--TAILPIECE 110 + +ILLILEO 113 + +WIFE-BLESSÉD, THE 115 + +THE AULD TRYSTING-TREE 119 + +MY MARY--TAILPIECE 121 + +HOME AT NIGHT 123 + +WHEN LIDE MARRIED _Him_--TITLE 125 + +WHEN LIDE MARRIED _Him_--TAILPIECE 127 + +HER HAIR 129 + +LAST NIGHT AND THIS--TITLE 131 + +LAST NIGHT AND THIS--TAILPIECE 132 + +A DISCOURAGING MODEL--TITLE 133 + +A CAMEO FACE 135 + +SUSPENSE 137 + +TOM VAN ARDEN--TITLE 139 + +TOM VAN ARDEN 141 + +TO HEAR HER SING 146 + +THE RIVAL 148 + +A VARIATION--TITLE 151 + +WHERE SHALL WE LAND?--TITLE 154 + +WHERE SHALL WE LAND?--TAILPIECE 156 + +THE TOUCHES OF HER HANDS--TITLE 157 + +THE TOUCHES OF HER HANDS--TAILPIECE 158 + +O RARELY SOFT, THE TOUCHES OF HER HANDS 159 + +A SONG OF LONG AGO 161 + +WHEN AGE COMES ON 165 + +FARMER WHIPPLE--BACHELOR--TITLE 167 + +RIDIN' HOME WITH MARY 171 + +FARMER WHIPPLE--BACHELOR--TAILPIECE 177 + +THE ROSE--TITLE 178 + +HAS SHE FORGOTTEN? 183 + +BLOOMS OF MAY--TITLE 185 + +O LAD AND LASS 186 + +O GLEAM AND GLOOM AND WOODLAND BLOOM 187 + +THE SERMON OF THE ROSE 191 + +[Illustration: (ILLUSTRATIONS--TAILPIECE)] + + + + +RILEY LOVE-LYRICS + + + + +[Illustration: (AN OLD SWEETHEART OF MINE)] + + + + +AN OLD SWEETHEART OF MINE + + +As one who cons at evening o'er an album all alone, +And muses on the faces of the friends that he has known, +So I turn the leaves of fancy till, in shadowy design, +I find the smiling features of an old sweetheart of mine. + +[Illustration: (AND I LIGHT MY PIPE IN SILENCE)] + +The lamplight seems to glimmer with a flicker of surprise, +As I turn it low to rest me of the dazzle in my eyes, +And light my pipe in silence, save a sigh that seems to yoke +Its fate with my tobacco and to vanish with the smoke. + +'Tis a fragrant retrospection--for the loving thoughts that start +Into being are like perfume from the blossom of the heart; +And to dream the old dreams over is a luxury divine-- +When my truant fancy wanders with that old sweetheart of mine. + +Though I hear, beneath my study, like a fluttering of wings, +The voices of my children, and the mother as she sings, +I feel no twinge of conscience to deny me any theme +When Care has cast her anchor in the harbor of a dream. + +In fact, to speak in earnest, I believe it adds a charm +To spice the good a trifle with a little dust of harm-- +For I find an extra flavor in Memory's mellow wine +That makes me drink the deeper to that old sweetheart of mine. + +[Illustration: (THE VOICES OF MY CHILDREN)] + +[Illustration: (THE PINK SUNBONNET)] + +A face of lily-beauty, with a form of airy grace, +Floats out of my tobacco as the genii from the vase; +And I thrill beneath the glances of a pair of azure eyes +As glowing as the summer and as tender as the skies. + +I can see the pink sunbonnet and the little checkered dress +She wore when first I kissed her and she answered the caress +With the written declaration that, "as surely as the vine +Grew round the stump," she loved me--that old sweetheart of mine. + +[Illustration: (WHEN FIRST I KISSED HER)] + +And again I feel the pressure of her slender little hand, +As we used to talk together of the future we had planned-- +When I should be a poet, and with nothing else to do +But write the tender verses that she set the music to: + +When we should live together in a cozy little cot +Hid in a nest of roses, with a fairy garden-spot, +Where the vines were ever fruited, and the weather ever fine, +And the birds were ever singing for that old sweetheart of mine: + +[Illustration] + +When I should be her lover forever and a day, +And she my faithful sweetheart till the golden hair was gray; +And we should be so happy that when either's lips were dumb +They would not smile in Heaven till the other's kiss had come. + + * * * * * + +But, ah! my dream is broken by a step upon the stair, +And the door is softly opened, and--my wife is standing there; +Yet with eagerness and rapture all my visions I resign +To greet the living presence of that old sweetheart of mine. + +[Illustration: (MY WIFE IS STANDING THERE)] + + + + +A' OLD PLAYED-OUT SONG + + +It's the curiousest thing in creation, + Whenever I hear that old song +"Do They Miss Me at Home," I'm so bothered, + My life seems as short as it's long!-- +Fer ev'rything 'pears like adzackly + It 'peared in the years past and gone,-- +When I started out sparkin', at twenty, + And had my first neckercher on! + +Though I'm wrinkelder, older and grayer + Right now than my parents was then, +You strike up that song "Do They Miss Me," + And I'm jest a youngster again!-- +I'm a-standin' back thare in the furries + A-wishin' fer evening to come, +And a-whisperin' over and over + Them words "Do They Miss Me at Home?" + +You see, _Marthy Ellen she_ sung it + The first time I heerd it; and so, +As she was my very first sweetheart, + It reminds me of her, don't you know;-- +How her face used to look, in the twilight, + As I tuck her to Spellin'; and she +Kep' a-hummin' that song tel I ast her, + Pine-blank, ef she ever missed _me_! + +I can shet my eyes now, as you sing it, + And hear her low answerin' words; +And then the glad chirp of the crickets, + As clear as the twitter of birds; +And the dust in the road is like velvet, + And the ragweed and fennel and grass +Is as sweet as the scent of the lilies + Of Eden of old, as we pass. + +"_Do They Miss Me at Home?_" Sing it lower-- + And softer--and sweet as the breeze +That powdered our path with the snowy + White bloom of the old locus'-trees! +Let the whipperwills he'p you to sing it, + And the echoes 'way over the hill, +Tel the moon boolges out, in a chorus + Of stars, and our voices is still. + +[Illustration: (A' OLD PLAYED-OUT SONG)] + +But oh! "They's a chord in the music + That's missed when _her_ voice is away!" +Though I listen from midnight tel morning, + And dawn tel the dusk of the day! +And I grope through the dark, lookin' up'ards + And on through the heavenly dome, +With my longin' soul singin' and sobbin' + The words "Do They Miss Me at Home?" + +[Illustration: (A' OLD PLAYED-OUT SONG--TAILPIECE)] + + + + +[Illustration: (A VERY YOUTHFUL AFFAIR)] + +A VERY YOUTHFUL AFFAIR + + +I'm bin a-visitun 'bout a week +To my little Cousin's at Nameless Creek, +An' I'm got the hives an' a new straw hat, +An' I'm come back home where my beau lives at. + + + + +AN OUT-WORN SAPPHO + + +How tired I am! I sink down all alone + Here by the wayside of the Present. Lo, +Even as a child I hide my face and moan-- + A little girl that may no farther go; + The path above me only seems to grow + More rugged, climbing still, and ever briered + With keener thorns of pain than these below; + And O the bleeding feet that falter so + And are so very tired! + +Why, I have journeyed from the far-off Lands + Of Babyhood--where baby-lilies blew +Their trumpets in mine ears, and filled my hands + With treasures of perfume and honey-dew, + And where the orchard shadows ever drew + Their cool arms round me when my cheeks were fired + With too much joy, and lulled mine eyelids to, + And only let the starshine trickle through + In sprays, when I was tired! + +Yet I remember, when the butterfly + Went flickering about me like a flame +That quenched itself in roses suddenly, + How oft I wished that _I_ might blaze the same, + And in some rose-wreath nestle with my name, + While all the world looked on it and admired.-- + Poor moth!--Along my wavering flight toward fame + The winds drive backward, and my wings are lame + And broken, bruised and tired! + +I hardly know the path from those old times; + I know at first it was a smoother one +Than this that hurries past me now, and climbs + So high, its far cliffs even hide the sun + And shroud in gloom my journey scarce begun. + I could not do quite all the world required-- + I could not do quite all I should have done, + And in my eagerness I have outrun + My strength--and I am tired.... + +Just tired! But when of old I had the stay + Of mother-hands, O very sweet indeed +It was to dream that all the weary way + I should but follow where I now must lead-- + For long ago they left me in my need, + And, groping on alone, I tripped and mired + Among rank grasses where the serpents breed + In knotted coils about the feet of speed.-- + There first it was I tired. + +And yet I staggered on, and bore my load + Right gallantly: The sun, in summer-time, +In lazy belts came slipping down the road + To woo me on, with many a glimmering rhyme + Rained from the golden rim of some fair clime, + That, hovering beyond the clouds, inspired + My failing heart with fancies so sublime + I half forgot my path of dust and grime, + Though I was growing tired. + +And there were many voices cheering me: + I listened to sweet praises where the wind +Went laughing o'er my shoulders gleefully + And scattering my love-songs far behind;-- + Until, at last, I thought the world so kind-- + So rich in all my yearning soul desired-- + So generous--so loyally inclined, + I grew to love and trust it.... I was blind-- + Yea, blind as I was tired! + +And yet one hand held me in creature-touch: + And O, how fair it was, how true and strong, +How it did hold my heart up like a crutch, + Till, in my dreams, I joyed to walk along + The toilsome way, contented with a song-- + 'Twas all of earthly things I had acquired, + And 'twas enough, I feigned, or right or wrong, + Since, binding me to man--a mortal thong-- + It stayed me, growing tired.... + +Yea, I had e'en resigned me to the strait + Of earthly rulership--had bowed my head +Acceptant of the master-mind--the great + One lover--lord of all,--the perfected + Kiss-comrade of my soul;--had stammering said + My prayers to him;--all--all that he desired + I rendered sacredly as we were wed.-- + Nay--nay!--'twas but a myth I worshippéd.-- + And--God of love!--how tired! + +[Illustration: (AN OUT-WORN SAPPHO)] + +For, O my friends, to lose the latest grasp-- + To feel the last hope slipping from its hold-- +To feel the one fond hand within your clasp + Fall slack, and loosen with a touch so cold + Its pressure may not warm you as of old + Before the light of love had thus expired-- + To know your tears are worthless, though they rolled + Their torrents out in molten drops of gold.-- + God's pity! I am tired! + +And I must rest.--Yet do not say "She _died_," + In speaking of me, sleeping here alone. +I kiss the grassy grave I sink beside, + And close mine eyes in slumber all mine own: + Hereafter I shall neither sob nor moan + Nor murmur one complaint;--all I desired, + And failed in life to find, will now be known-- + So let me dream. Good night! And on the stone + Say simply: She was tired. + +[Illustration: (AN OUT-WORN SAPPHO--TAILPIECE)] + + + + +[Illustration: (THE PASSING OF A HEART--TITLE)] + +THE PASSING OF A HEART + + +O Touch me with your hands-- + For pity's sake! +My brow throbs ever on with such an ache +As only your cool touch may take away; +And so, I pray + You, touch me with your hands! + +Touch--touch me with your hands.-- + Smooth back the hair +You once caressed, and kissed, and called so fair +That I did dream its gold would wear alway, +And lo, to-day-- + O touch me with your hands! + +Just touch me with your hands, + And let them press +My weary eyelids with the old caress, +And lull me till I sleep. Then go your way, +That Death may say: + He touched her with his hands. + +[Illustration: (THE PASSING OF A HEART--TAILPIECE)] + + + + +"DREAM" + + +Because her eyes were far too deep +And holy for a laugh to leap +Across the brink where sorrow tried +To drown within the amber tide; +Because the looks, whose ripples kissed +The trembling lids through tender mist, +Were dazzled with a radiant gleam-- +Because of this I called her "Dream." + +Because the roses growing wild +About her features when she smiled +Were ever dewed with tears that fell +With tenderness ineffable; +Because her lips might spill a kiss +That, dripping in a world like this, +Would tincture death's myrrh-bitter stream +To sweetness--so I called her "Dream." + +[Illustration: ("DREAM")] + +Because I could not understand +The magic touches of a hand +That seemed, beneath her strange control, +To smooth the plumage of the soul +And calm it, till, with folded wings, +It half forgot its flutterings, +And, nestled in her palm, did seem +To trill a song that called her "Dream." + +Because I saw her, in a sleep +As dark and desolate and deep +And fleeting as the taunting night +That flings a vision of delight +To some lorn martyr as he lies +In slumber ere the day he dies-- +Because she vanished like a gleam +Of glory, do I call her "Dream." + +[Illustration: ("DREAM"--TAILPIECE)] + + + + +[Illustration: (HE CALLED HER IN--TITLE)] + +HE CALLED HER IN + + +I + +He called her in from me and shut the door. +And she so loved the sunshine and the sky!-- +She loved them even better yet than I +That ne'er knew dearth of them--my mother dead, +Nature had nursed me in her lap instead: +And I had grown a dark and eerie child +That rarely smiled, +Save when, shut all alone in grasses high, +Looking straight up in God's great lonesome sky +And coaxing Mother to smile back on me. +'Twas lying thus, this fair girl suddenly +Came to me, nestled in the fields beside +A pleasant-seeming home, with doorway wide-- +The sunshine beating in upon the floor + +[Illustration: (A DARK AND EERIE CHILD)] + +Like golden rain.-- +O sweet, sweet face above me, turn again +And leave me! I had cried, but that an ache +Within my throat so gripped it I could make +No sound but a thick sobbing. Cowering so, +I felt her light hand laid +Upon my hair--a touch that ne'er before +Had tamed me thus, all soothed and unafraid-- +It seemed the touch the children used to know +When Christ was here, so dear it was--so dear,-- +At once I loved her as the leaves love dew +In midmost summer when the days are new. +Barely an hour I knew her, yet a curl +Of silken sunshine did she clip for me +Out of the bright May-morning of her hair, +And bound and gave it to me laughingly, +And caught my hands and called me "_Little girl_," +Tiptoeing, as she spoke, to kiss me there! +And I stood dazed and dumb for very stress +Of my great happiness. +She plucked me by the gown, nor saw how mean +The raiment--drew me with her everywhere: +Smothered her face in tufts of grasses green: +Put up her dainty hands and peeped between +Her fingers at the blossoms--crooned and talked +To them in strange, glad whispers, as we walked,-- +Said _this_ one was her angel mother--_this_, +Her baby-sister--come back, for a kiss, +Clean from the Good-World!--smiled and kissed them, then +Closed her soft eyes and kissed them o'er again. +And so did she beguile me--so we played,-- +She was the dazzling Shine--I, the dark Shade-- +And we did mingle like to these, and thus, +Together, made +The perfect summer, pure and glorious. +So blent we, till a harsh voice broke upon +Our happiness.--She, startled as a fawn, +Cried, "Oh, 'tis Father!"--all the blossoms gone +From out her cheeks as those from out her grasp.-- +Harsher the voice came:--She could only gasp +Affrightedly, "Good-bye!--good-bye! good-bye!" +And lo, I stood alone, with that harsh cry +Ringing a new and unknown sense of shame +Through soul and frame, +And, with wet eyes, repeating o'er and o'er,-- +"He called her in from me and shut the door!" + + +II + +He called her in from me and shut the door! +And I went wandering alone again-- +So lonely--O so very lonely then, +I thought no little sallow star, alone +In all a world of twilight, e'er had known +Such utter loneliness. But that I wore +Above my heart that gleaming tress of hair +To lighten up the night of my despair, +I think I might have groped into my grave +Nor cared to wave +The ferns above it with a breath of prayer. +And how I hungered for the sweet, sweet face +That bent above me in my hiding-place +That day amid the grasses there beside +Her pleasant home!--"Her _pleasant_ home!" I sighed, +Remembering;--then shut my teeth and feigned +The harsh voice calling _me_,--then clinched my nails +So deeply in my palms, the sharp wounds pained, +And tossed my face toward heaven, as one who pales +In splendid martyrdom, with soul serene, +As near to God as high the guillotine. +And I had _envied_ her? Not that--O no! +But I had longed for some sweet haven so!-- +Wherein the tempest-beaten heart might ride +Sometimes at peaceful anchor, and abide +Where those that loved me touched me with their hands, +And looked upon me with glad eyes, and slipped +Smooth fingers o'er my brow, and lulled the strands +Of my wild tresses, as they backward tipped +My yearning face and kissed it satisfied. +Then bitterly I murmured as before,-- +"He called her in from me and shut the door!" + + +III + +He called her in from me and shut the door! +After long struggling with my pride and pain-- +A weary while it seemed, in which the more +I held myself from her, the greater fain +Was I to look upon her face again;-- +At last--at last--half conscious where my feet +Were faring, I stood waist-deep in the sweet +Green grasses there where she +First came to me.-- +The very blossoms she had plucked that day, +And, at her father's voice, had cast away, +Around me lay, +Still bright and blooming in these eyes of mine; +And as I gathered each one eagerly, +I pressed it to my lips and drank the wine +Her kisses left there for the honey-bee. +Then, after I had laid them with the tress + +[Illustration: (WHEN SHE FIRST CAME TO ME)] + +Of her bright hair with lingering tenderness, +I, turning, crept on to the hedge that bound +Her pleasant-seeming home--but all around +Was never sign of her!--The windows all +Were blinded; and I heard no rippling fall +Of her glad laugh, nor any harsh voice call;-- +But clutching to the tangled grasses, caught +A sound as though a strong man bowed his head +And sobbed alone--unloved--uncomforted!-- +And then straightway before +My tearless eyes, all vividly, was wrought +A vision that is with me evermore:-- +A little girl that lies asleep, nor hears +Nor heeds not any voice nor fall of tears.-- +And I sit singing o'er and o'er and o'er,-- +"God called her in from him and shut the door!" + +[Illustration: (HE CALLED HER IN--TAILPIECE)] + + + + +HER BEAUTIFUL EYES + + +O her beautiful eyes! they are blue as the dew +On the violet's bloom when the morning is new, +And the light of their love is the gleam of the sun +O'er the meadows of Spring where the quick shadows run +As the morn shifts the mists and the clouds from the skies-- +So I stand in the dawn of her beautiful eyes. + +And her beautiful eyes are as mid-day to me, +When the lily-bell bends with the weight of the bee, +And the throat of the thrush is a-pulse in the heat, +And the senses are drugged with the subtle and sweet +And delirious breaths of the air's lullabies-- +So I swoon in the noon of her beautiful eyes. + +O her beautiful eyes! they have smitten mine own +As a glory glanced down from the glare of the Throne; +And I reel, and I falter and fall, as afar +Fell the shepherds that looked on the mystical Star, +And yet dazed in the tidings that bade them arise-- +So I groped through the night of her beautiful eyes. + +[Illustration: (HER BEAUTIFUL EYES)] + + + + +[Illustration: (HER FACE AND BROW)] + +HER FACE AND BROW + + +Ah, help me! but her face and brow +Are lovelier than lilies are +Beneath the light of moon and star +That smile as they are smiling now-- +White lilies in a pallid swoon +Of sweetest white beneath the moon-- +White lilies, in a flood of bright +Pure lucidness of liquid light +Cascading down some plenilune, +When all the azure overhead +Blooms like a dazzling daisy-bed.-- +So luminous her face and brow, +The luster of their glory, shed +In memory, even, blinds me now. + + + + +[Illustration: (LET US FORGET--TITLE)] + +LET US FORGET + + +Let us forget. What matters it that we + Once reigned o'er happy realms of long-ago, + And talked of love, and let our voices low, +And ruled for some brief sessions royally? +What if we sung, or laughed, or wept maybe? + It has availed not anything, and so + Let it go by that we may better know +How poor a thing is lost to you and me. + But yesterday I kissed your lips, and yet +Did thrill you not enough to shake the dew + From your drenched lids--and missed, with no regret, +Your kiss shot back, with sharp breaths failing you: + And so, to-day, while our worn eyes are wet + With all this waste of tears, let us forget! + +[Illustration: (OUR WORN EYES ARE WET)] + + + + +[Illustration: (WHEN SHE COMES HOME)] + +WHEN SHE COMES HOME + + +When she comes home again! A thousand ways + I fashion, to myself, the tenderness + Of my glad welcome: I shall tremble--yes; +And touch her, as when first in the old days +I touched her girlish hand, nor dared upraise + Mine eyes, such was my faint heart's sweet distress. + Then silence: And the perfume of her dress: +The room will sway a little, and a haze + Cloy eyesight--soulsight, even--for a space: +And tears--yes; and the ache here in the throat, + To know that I so ill deserve the place +Her arms make for me; and the sobbing note + I stay with kisses, ere the tearful face + Again is hidden in the old embrace. + + + + +[Illustration: (LEONAINIE--TITLE)] + +LEONAINIE + + +Leonainie--Angels named her; + And they took the light +Of the laughing stars and framed her + In a smile of white; + And they made her hair of gloomy + Midnight, and her eyes of bloomy + Moonshine, and they brought her to me + In the solemn night.--- + +In a solemn night of summer, + When my heart of gloom +Blossomed up to greet the comer + Like a rose in bloom; + All forebodings that distressed me + I forgot as Joy caressed me-- + (_Lying_ Joy! that caught and pressed me + In the arms of doom!) + +Only spake the little lisper + In the Angel-tongue; +Yet I, listening, heard her whisper-- + "Songs are only sung + Here below that they may grieve you-- + Tales but told you to deceive you,-- + So must Leonainie leave you + While her love is young." + +Then God smiled and it was morning. + Matchless and supreme +Heaven's glory seemed adorning + Earth with its esteem: + Every heart but mine seemed gifted + With the voice of prayer, and lifted + Where my Leonainie drifted + From me like a dream. + +[Illustration: (LEONAINIE--TAILPIECE)] + + + + +[Illustration: (HER WAITING FACE)] + +HER WAITING FACE + + + In some strange place +Of long-lost lands he finds her waiting face-- +Comes marveling upon it, unaware, +Set moonwise in the midnight of her hair. + + + + +[Illustration: (THE OLD YEAR AND THE NEW--TITLE)] + +THE OLD YEAR AND THE NEW + + +I + +As one in sorrow looks upon + The dead face of a loyal friend, +By the dim light of New Year's dawn + I saw the Old Year end. + +Upon the pallid features lay + The dear old smile--so warm and bright +Ere thus its cheer had died away + In ashes of delight. + +The hands that I had learned to love + With strength of passion half divine, +Were folded now, all heedless of + The emptiness of mine. + +[Illustration: (I SAW THE OLD YEAR END)] + +The eyes that once had shed their bright + Sweet looks like sunshine, now were dull, +And ever lidded from the light + That made them beautiful. + + +II + +The chimes of bells were in the air, + And sounds of mirth in hall and street, +With pealing laughter everywhere + And throb of dancing feet: + +The mirth and the convivial din + Of revelers in wanton glee, +With tunes of harp and violin + In tangled harmony. + +But with a sense of nameless dread, + I turned me, from the merry face +Of this newcomer, to my dead; + And, kneeling there a space, + +I sobbed aloud, all tearfully:-- + By this dear face so fixed and cold, +O Lord, let not this New Year be + As happy as the old! + + + + +THEIR SWEET SORROW + + +They meet to say farewell: Their way +Of saying this is hard to say.-- + He holds her hand an instant, wholly + Distressed--and she unclasps it slowly. + +He bends _his_ gaze evasively +Over the printed page that she + Recurs to, with a new-moon shoulder + Glimpsed from the lace-mists that enfold her. + +The clock, beneath its crystal cup, +Discreetly clicks--"_Quick! Act! Speak up!_" + A tension circles both her slender + Wrists--and her raised eyes flash in splendor. + +Even as he feels his dazzled own.-- +Then, blindingly, round either thrown, + They feel a stress of arms that ever + Strain tremblingly--and "_Never! Never!_" + +Is whispered brokenly, with half +A sob, like a belated laugh,-- + While cloyingly their blurred kiss closes, + Sweet as the dew's lip to the rose's. + +[Illustration: (THEIR SWEET SORROW)] + + + + +[Illustration: (JUDITH)] + +JUDITH + + +O her eyes are amber-fine-- +Dark and deep as wells of wine, +While her smile is like the noon +Splendor of a day of June. +If she sorrow--lo! her face +It is like a flowery space +In bright meadows, overlaid +With light clouds and lulled with shade. +If she laugh--it is the trill +Of the wayward whippoorwill +Over upland pastures, heard +Echoed by the mocking-bird +In dim thickets dense with bloom +And blurred cloyings of perfume. +If she sigh--a zephyr swells +Over odorous asphodels +And wan lilies in lush plots +Of moon-drown'd forget-me-nots. +Then, the soft touch of her hand-- +Takes all breath to understand +What to liken it thereto!-- +Never roseleaf rinsed with dew +Might slip soother-suave than slips +Her slow palm, the while her lips +Swoon through mine, with kiss on kiss +Sweet as heated honey is. + +[Illustration: (O, HER EYES ARE AMBER-FINE)] + + + + +HE AND I + + +Just drifting on together-- + He and I-- +As through the balmy weather + Of July + Drift two thistle-tufts imbedded + Each in each--by zephyrs wedded-- + Touring upward, giddy-headed, + For the sky. + +And, veering up and onward, + Do we seem +Forever drifting dawnward + In a dream, + Where we meet song-birds that know us, + And the winds their kisses blow us, + While the years flow far below us + Like a stream. + +And we are happy--very-- + He and I-- +Aye, even glad and merry + Though on high + The heavens are sometimes shrouded + By the midnight storm, and clouded + Till the pallid moon is crowded + From the sky. + +My spirit ne'er expresses + Any choice +But to clothe him with caresses + And rejoice; + And as he laughs, it is in + Such a tone the moonbeams glisten + And the stars come out to listen + To his voice. + +And so, whate'er the weather, + He and I,-- +With our lives linked thus together, + Float and fly + As two thistle-tufts imbedded + Each in each--by zephyrs wedded-- + Touring upward, giddy-headed, + For the sky. + +[Illustration: (HE AND I)] + + + + +[Illustration: (THE LOST PATH--TITLE)] + +THE LOST PATH + + +Alone they walked--their fingers knit together, + And swaying listlessly as might a swing +Wherein Dan Cupid dangled in the weather + Of some sun-flooded afternoon of Spring. + +Within the clover-fields the tickled cricket + Laughed lightly as they loitered down the lane, +And from the covert of the hazel-thicket + The squirrel peeped and laughed at them again. + +The bumble-bee that tipped the lily-vases + Along the road-side in the shadows dim, +Went following the blossoms of their faces + As though their sweets must needs be shared with him. + +Between the pasture bars the wondering cattle + Stared wistfully, and from their mellow bells +Shook out a welcoming whose dreamy rattle + Fell swooningly away in faint farewells. + +And though at last the gloom of night fell o'er them + And folded all the landscape from their eyes, +They only know the dusky path before them + Was leading safely on to Paradise. + +[Illustration: (THE LOST PATH)] + + + + +MY BRIDE THAT IS TO BE + + +O soul of mine, look out and see + My bride, my bride that is to be! + Reach out with mad, impatient hands, +And draw aside futurity +As one might draw a veil aside-- + And so unveil her where she stands +Madonna-like and glorified-- + The queen of undiscovered lands +Of love, to where she beckons me-- +My bride--my bride that is to be. + +The shadow of a willow-tree + That wavers on a garden-wall + In summertime may never fall +In attitude as gracefully +As my fair bride that is to be;-- + Nor ever Autumn's leaves of brown +As lightly flutter to the lawn +As fall her fairy-feet upon + The path of love she loiters down.-- +O'er drops of dew she walks, and yet +Not one may stain her sandal wet-- +Aye, she might _dance_ upon the way +Nor crush a single drop to spray, +So airy-like she seems to me,-- +My bride, my bride that is to be. + +[Illustration: (MADONNA-LIKE AND GLORIFIED)] + +I know not if her eyes are light +As summer skies or dark as night,-- +I only know that they are dim + With mystery: In vain I peer + To make their hidden meaning clear, + While o'er their surface, like a tear +That ripples to the silken brim, +A look of longing seems to swim + All worn and wearylike to me; +And then, as suddenly, my sight +Is blinded with a smile so bright, + Through folded lids I still may see + My bride, my bride that is to be. + +Her face is like a night of June +Upon whose brow the crescent-moon +Hangs pendant in a diadem +Of stars, with envy lighting them.-- + And, like a wild cascade, her hair +Floods neck and shoulder, arm and wrist, +Till only through a gleaming mist + I seem to see a siren there, +With lips of love and melody + And open arms and heaving breast + Wherein I fling myself to rest, +The while my heart cries hopelessly +For my fair bride that is to be.... + +Nay, foolish heart and blinded eyes! +My bride hath need of no disguise.-- + But, rather, let her come to me +In such a form as bent above + My pillow when in infancy +I knew not anything but love.-- +O let her come from out the lands + Of Womanhood--not fairy isles,-- +And let her come with Woman's hands + And Woman's eyes of tears and smiles,-- +With Woman's hopefulness and grace +Of patience lighting up her face: +And let her diadem be wrought +Of kindly deed and prayerful thought, +That ever over all distress +May beam the light of cheerfulness.-- +And let her feet be brave to fare +The labyrinths of doubt and care, +That, following, my own may find +The path to Heaven God designed.-- +O let her come like this to me-- +My bride--my bride that is to be. + + + + +HOW IT HAPPENED + + +I got to thinkin' of her--both her parents dead and gone-- +And all her sisters married off, and none but her and John +A-livin' all alone there in that lonesome sort o' way, +And him a blame old bachelor, confirmder ev'ry day! +I'd knowed 'em all from childern, and their daddy from the time +He settled in the neighberhood, and hadn't airy a dime +Er dollar, when he married, fer to start housekeepin' on!-- +So I got to thinkin' of her--both her parents dead and gone! + +I got to thinkin' of her; and a-wundern what she done +That all her sisters kep' a-gittin' married, one by one, +And her without no chances--and the best girl of the pack-- +An old maid, with her hands, you might say, tied behind her back! +And Mother, too, afore she died, she ust to jes' take on, +When none of 'em was left, you know, but Evaline and John, +And jes' declare to goodness 'at the young men must be bline +To not see what a wife they'd git if they got Evaline! + +I got to thinkin' of her; in my great affliction she +Was sich a comfert to us, and so kind and neighberly,-- +She'd come, and leave her housework, fer to he'p out little Jane, +And talk of _her own_ mother 'at she'd never see again-- +Maybe sometimes cry together--though, fer the most part she +Would have the child so riconciled and happy-like 'at we +Felt lonesomer 'n ever when she'd put her bonnet on +And say she'd railly haf to be a-gittin' back to John! + +I got to thinkin' of her, as I say,--and more and more +I'd think of her dependence, and the burdens 'at she bore,-- +Her parents both a-bein' dead, and all her sisters gone +And married off, and her a-livin' there alone with John-- +You might say jes' a-toilin' and a-slavin' out her life +Fer a man 'at hadn't pride enough to git hisse'f a wife-- +'Less some one married _Evaline_ and packed her off some day!-- +So I got to thinkin' of her--and it happened thataway. + +[Illustration: (HOW IT HAPPENED)] + + + + +WHEN MY DREAMS COME TRUE + + +I + +When my dreams come true--when my dreams come true-- +Shall I lean from out my casement, in the starlight and the dew, +To listen--smile and listen to the tinkle of the strings +Of the sweet guitar my lover's fingers fondle, as he sings? +And as the nude moon slowly, slowly shoulders into view, +Shall I vanish from his vision--when my dreams come true? + +When my dreams come true--shall the simple gown I wear +Be changed to softest satin, and my maiden-braided hair +Be raveled into flossy mists of rarest, fairest gold, +To be minted into kisses, more than any heart can hold?-- +Or "the summer of my tresses" shall my lover liken to +"The fervor of his passion"--when my dreams come true? + + +II + +When my dreams come true--I shall bide among the sheaves +Of happy harvest meadows; and the grasses and the leaves +Shall lift and lean between me and the splendor of the sun, +Till the moon swoons into twilight, and the gleaners' work is done-- +Save that yet an arm shall bind me, even as the reapers do +The meanest sheaf of harvest--when my dreams come true. + +When my dreams come true! when my dreams come true! +True love in all simplicity is fresh and pure as dew;-- +The blossom in the blackest mold is kindlier to the eye +Than any lily born of pride that looms against the sky: +And so it is I know my heart will gladly welcome you, +My lowliest of lovers, when my dreams come true. + +[Illustration: (WHEN MY DREAMS COME TRUE)] + + + + +NOTHIN' TO SAY + + +Nothin' to say, my daughter! Nothin' at all to say! +Gyrls that's in love, I've noticed, ginerly has their way! +Yer mother did, afore you, when her folks objected to me-- +Yit here I am, and here you air; and yer mother--where is she? + +You look lots like yer mother: Purty much same in size; +And about the same complected; and favor about the eyes: +Like her, too, about _livin_' here,--because _she_ couldn't stay: +It'll 'most seem like you was dead--like her!--But I hain't got nothin' to say! + +She left you her little Bible--writ yer name acrost the page-- +And left her ear bobs fer you, ef ever you come of age. +I've allus kep' 'em and gyuarded 'em, but ef yer goin' away-- +Nothin' to say, my daughter! Nothin' at all to say! + +You don't rikollect her, I reckon? No; you wasn't a year old then! +And now yer--how old _air_ you? W'y, child, not "_twenty_!" When? +And yer nex' birthday's in Aprile? and you want to git married that day? +... I wisht yer mother was livin'!--But--I hain't got nothin' to say! + +Twenty year! and as good a gyrl as parent ever found! +There's a straw ketched onto yer dress there--I'll bresh it off--turn round. +(Her mother was jes' twenty when us two run away!) +Nothin' to say, my daughter! Nothin' at all to say! + +[Illustration: (NOTHIN' TO SAY)] + + + + +[Illustration: (IKE WALTON'S PRAYER--TITLE)] + +IKE WALTON'S PRAYER + + +I crave, dear Lord, +No boundless hoard +Of gold and gear, + Nor jewels fine, + Nor lands, nor kine, +Nor treasure-heaps of anything-- + Let but a little hut be mine + Where at the hearthstone I may hear + The cricket sing, + And have the shine + Of one glad woman's eyes to make, + For my poor sake, + Our simple home a place divine;-- +Just the wee cot--the cricket's chirr-- +Love, and the smiling face of her. + +I pray not for +Great riches, nor + For vast estates, and castle-halls,-- + Give me to hear the bare footfalls + Of children o'er + An oaken floor, + New-rinsed with sunshine, or bespread + With but the tiny coverlet + And pillow for the baby's head; +And pray Thou, may +The door stand open and the day + Send ever in a gentle breeze, + With fragrance from the locust-trees, + And drowsy moan of doves, and blur + Of robin-chirps, and drone of bees, + With afterhushes of the stir + Of intermingling sounds, and then + The good-wife and the smile of her + Filling the silences again-- + The cricket's call, + And the wee cot, + Dear Lord of all, + Deny me not! + +I pray not that +Men tremble at + My power of place + And lordly sway,-- +I only pray for simple grace +To look my neighbor in the face + Full honestly from day to day-- +Yield me his horny palm to hold, + And I'll not pray + For gold;-- +The tanned face, garlanded with mirth, +It hath the kingliest smile on earth-- +The swart brow, diamonded with sweat, +Hath never need of coronet. + And so I reach, + Dear Lord, to Thee, + And do beseech + Thou givest me +The wee cot, and the cricket's chirr, +Love, and the glad sweet face of her. + +[Illustration: (IKE WALTON'S PRAYER--TAILPIECE)] + + + + +ILLILEO + + +Illileo, the moonlight seemed lost across the vales-- +The stars but strewed the azure as an armor's scattered scales; +The airs of night were quiet as the breath of silken sails; +And all your words were sweeter than the notes of nightingales. + +Illileo Legardi, in the garden there alone, +With your figure carved of fervor, as the Psyche carved of stone, +There came to me no murmur of the fountain's undertone +So mystically, musically mellow as your own. + +You whispered low, Illileo--so low the leaves were mute, +And the echoes faltered breathless in your voice's vain pursuit; +And there died the distant dalliance of the serenader's lute: +And I held you in my bosom as the husk may hold the fruit. + +Illileo, I listened. I believed you. In my bliss, +What were all the worlds above me since I found you thus in this?-- +Let them reeling reach to win me--even Heaven I would miss, +Grasping earthward!--I would cling here, though I clung by just a kiss! + +And blossoms should grow odorless--and lilies all aghast-- +And I said the stars should slacken in their paces through the vast, +Ere yet my loyalty should fail enduring to the last.-- +So vowed I. It is written. It is changeless as the past. + +Illileo Legardi, in the shade your palace throws +Like a cowl about the singer at your gilded porticos, +A moan goes with the music that may vex the high repose +Of a heart that fades and crumbles as the crimson of a rose. + +[Illustration: (ILLILEO)] + + + + +[Illustration: (WIFE-BLESSÉD, THE)] + +THE WIFE-BLESSÉD + + +I + +In youth he wrought, with eyes ablur, + Lorn-faced and long of hair-- +In youth--in youth he painted her + A sister of the air-- +Could clasp her not, but felt the stir + Of pinions everywhere. + + +II + +She lured his gaze, in braver days, + And tranced him sirenwise; +And he did paint her, through a haze + Of sullen paradise, +With scars of kisses on her face + And embers in her eyes. + + +III + +And now--nor dream nor wild conceit-- + Though faltering, as before-- +Through tears he paints her, as is meet, + Tracing the dear face o'er +With lilied patience meek and sweet + As Mother Mary wore. + + + + +MY MARY + + +My Mary, O my Mary! + The simmer-skies are blue; +The dawnin' brings the dazzle, + An' the gloamin' brings the dew,-- +The mirk o' nicht the glory + O' the moon, an' kindles, too, +The stars that shift aboon the lift.-- + But nae thing brings me you! + +Where is it, O my Mary, + Ye are biding a' the while? +I ha' wended by your window-- + I ha' waited by the stile, +An' up an' down the river + I ha' won for mony a mile, +Yet never found, adrift or drown'd, + Your lang-belated smile. + +Is it forgot, my Mary, + How glad we used to be?-- +The simmer-time when bonny bloomed + The auld trysting-tree,-- +How there I carved the name for you, + An' you the name for me; +An' the gloamin' kenned it only + When we kissed sae tenderly. + +Speek ance to me, my Mary!-- + But whisper in my ear +As light as ony sleeper's breath, + An' a' my soul will hear; +My heart shall stap its beating + An' the soughing atmosphere +Be hushed the while I leaning smile + An' listen to you, dear! + +My Mary, O my Mary! + The blossoms bring the bees; +The sunshine brings the blossoms, + An' the leaves on a' the trees; +The simmer brings the sunshine + An' the fragrance o' the breeze,-- +But O wi'out you, Mary, + I care nae thing for these! + +[Illustration: (THE AULD TRYSTING-TREE)] + +We were sae happy, Mary! + O think how ance we said-- +Wad ane o' us gae fickle, + Or ane o' us lie dead,-- +To feel anither's kisses + We wad feign the auld instead, +An' ken the ither's footsteps + In the green grass owerhead. + +My Mary, O my Mary! + Are ye daughter o' the air, +That ye vanish aye before me + As I follow everywhere?-- +Or is it ye are only + But a mortal, wan wi' care?-- +Syne I search through a' the kirkyird + An' I dinna find ye there! + +[Illustration: (MY MARY--TAILPIECE)] + + + + +HOME AT NIGHT + + +When chirping crickets fainter cry, +And pale stars blossom in the sky, +And twilight's gloom has dimmed the bloom +And blurred the butterfly: + +When locust-blossoms fleck the walk, +And up the tiger-lily stalk +The glow-worm crawls and clings and falls +And glimmers down the garden-walls: + +When buzzing things, with double wings +Of crisp and raspish flutterings, +Go whizzing by so very nigh +One thinks of fangs and stings:-- + +O then, within, is stilled the din +Of crib she rocks the baby in, +And heart and gate and latch's weight +Are lifted--and the lips of Kate. + +[Illustration: (HOME AT NIGHT)] + + + + +[Illustration: (WHEN LIDE MARRIED _Him_--TITLE)] + +WHEN LIDE MARRIED _HIM_ + + +When Lide married _him_--w'y, she had to jes dee-fy +The whole poppilation!--But she never bat' an eye! +Her parents begged, and _threatened_--she must give him up--that _he_ +Wuz jes "a common drunkard!"--And he _wuz_, appearantly.-- + Swore they'd chase him off the place + Ef he ever showed his face-- +Long after she'd _eloped_ with him and _married_ him fer shore!-- +When Lide married _him_, it wuz "_Katy, bar the door!_" + +When Lide married _him_--Well! she had to go and be +A _hired girl_ in town somewheres--while he tromped round to see +What _he_ could git that _he_ could do,--you might say, jes sawed wood +From door to door!--that's what he done--'cause that wuz best he could! + And the strangest thing, i jing! + Wuz, he didn't _drink_ a thing,-- +But jes got down to bizness, like he someway _wanted_ to, +When Lide married him, like they warned her _not_ to do! + +When Lide married _him_--er, ruther, _had_ ben married +A little up'ards of a year--some feller come and carried +That _hired girl_ away with him--a ruther _stylish_ feller +In a bran-new green spring-wagon, with the wheels striped red and yeller: + And he whispered, as they driv + Tords the country, "_Now we'll live!_"-- +And _somepin' else_ she _laughed_ to hear, though both her eyes wuz dim, +'Bout "_trustin' Love and Heav'n above_, sence Lide married _him_!" + +[Illustration: (WHEN LIDE MARRIED _Him_--TAILPIECE)] + + + + +HER HAIR + + +The beauty of her hair bewilders me-- + Pouring adown the brow, its cloven tide + Swirling about the ears on either side +And storming around the neck tumultuously: +Or like the lights of old antiquity + Through mullioned windows, in cathedrals wide, + Spilled moltenly o'er figures deified +In chastest marble, nude of drapery. +And so I love it.--Either unconfined; + Or plaited in close braidings manifold; +Or smoothly drawn; or indolently twined + In careless knots whose coilings come unrolled +At any lightest kiss; or by the wind + Whipped out in flossy ravelings of gold. + +[Illustration: (HER HAIR)] + + + + +[Illustration: (LAST NIGHT AND THIS--TITLE)] + +LAST NIGHT--AND THIS + + +Last night--how deep the darkness was! +And well I knew its depths, because +I waded it from shore to shore, +Thinking to reach the light no more. + +She would not even touch my hand.-- +The winds rose and the cedars fanned +The moon out, and the stars fled back +In heaven and hid--and all was black! + +But ah! To-night a summons came, +Signed with a teardrop for a name,-- +For as I wondering kissed it, lo, +A line beneath it told me so. + +And _now_ the moon hangs over me +A disk of dazzling brilliancy, +And every star-tip stabs my sight +With splintered glitterings of light! + +[Illustration: (LAST NIGHT AND THIS--TAILPIECE)] + + + + +[Illustration: (A DISCOURAGING MODEL--TITLE)] + +A DISCOURAGING MODEL + + +Just the airiest, fairiest slip of a thing, +With a Gainsborough hat, like a butterfly's wing, +Tilted up at one side with the jauntiest air, +And a knot of red roses sown in under there + Where the shadows are lost in her hair. + +Then a cameo face, carven in on a ground +Of that shadowy hair where the roses are wound; +And the gleam of a smile O as fair and as faint +And as sweet as the masters of old used to paint + Round the lips of their favorite saint! + +And that lace at her throat--and the fluttering hands +Snowing there, with a grace that no art understands +The flakes of their touches--first fluttering at +The bow--then the roses--the hair--and then that + Little tilt of the Gainsborough hat. + +What artist on earth, with a model like this, +Holding not on his palette the tint of a kiss, +Nor a pigment to hint of the hue of her hair, +Nor the gold of her smile--O what artist could dare + To expect a result half so fair? + +[Illustration: (A CAMEO FACE)] + + + + +SUSPENSE + + +A woman's figure, on a ground of night + Inlaid with sallow stars that dimly stare + Down in the lonesome eyes, uplifted there +As in vague hope some alien lance of light +Might pierce their woe. The tears that blind her sight-- + The salt and bitter blood of her despair-- + Her hands toss back through torrents of her hair +And grip toward God with anguish infinite. + And O the carven mouth, with all its great +Intensity of longing frozen fast + In such a smile as well may designate +The slowly murdered heart, that, to the last + Conceals each newer wound, and back at Fate +Throbs Love's eternal lie--"Lo, I can wait!" + +[Illustration: (SUSPENSE)] + + + + +[Illustration: (TOM VAN ARDEN--TITLE)] + +TOM VAN ARDEN + + +Tom Van Arden, my old friend, + Our warm fellowship is one +Far too old to comprehend + Where its bond was first begun: + Mirage-like before my gaze + Gleams a land of other days, + Where two truant boys, astray, + Dream their lazy lives away. + +There's a vision, in the guise + Of Midsummer, where the Past +Like a weary beggar lies + In the shadow Time has cast; + And as blends the bloom of trees + With the drowsy hum of bees, + Fragrant thoughts and murmurs blend, + Tom Van Arden, my old friend. + +Tom Van Arden, my old friend, + All the pleasures we have known +Thrill me now as I extend + This old hand and grasp your own-- + Feeling, in the rude caress, + All affection's tenderness; + Feeling, though the touch be rough, + Our old souls are soft enough. + +So we'll make a mellow hour; + Fill your pipe, and taste the wine-- +Warp your face, if it be sour, + I can spare a smile from mine; + If it sharpen up your wit, + Let me feel the edge of it-- + I have eager ears to lend, + Tom Van Arden, my old friend. + +[Illustration: (TOM VAN ARDEN)] + +Tom Van Arden, my old friend, + Are we "lucky dogs," indeed? +Are we all that we pretend + In the jolly life we lead?-- + Bachelors, we must confess + Boast of "single blessedness" + To the world, but not alone-- + Man's best sorrow is his own. + +And the saddest truth is this,-- + Life to us has never proved +What we tasted in the kiss + Of the women we have loved: + Vainly we congratulate + Our escape from such a fate + As their lying lips could send, + Tom Van Arden, my old friend! + +Tom Van Arden, my old friend, + Hearts, like fruit upon the stem, +Ripen sweetest, I contend, + As the frost falls over them: + Your regard for me to-day + Makes November taste of May, + And through every vein of rhyme + Pours the blood of summertime. + +When our souls are cramped with youth + Happiness seems far away +In the future, while, in truth, + We looked back on it to-day + Through our tears, nor dare to boast,-- + "Better to have loved and lost!" + Broken hearts are hard to mend, + Tom Van Arden, my old friend. + +Tom Van Arden, my old friend, + I grow prosy, and you tire; +Fill the glasses while I bend + To prod up the failing fire.... + You are restless:--I presume + There's a dampness in the room.-- + Much of warmth our nature begs, + With rheumatics in our legs!... + +Humph! the legs we used to fling + Limber-jointed in the dance, +When we heard the fiddle ring + Up the curtain of Romance, + And in crowded public halls + Played with hearts like jugglers'-balls.-- + _Feats of mountebanks, depend_!-- + Tom Van Arden, my old friend. + +Tom Van Arden, my old friend, + Pardon, then, this theme of mine: +While the fire-light leaps to lend + Higher color to the wine,-- + I propose a health to those + Who have _homes_, and home's repose, + Wife and child-love without end! + ... Tom Van Arden, my old friend. + + + + +[Illustration: (TO HEAR HER SING)] + +TO HEAR HER SING + + +To hear her sing--to hear her sing-- +It is to hear the birds of Spring +In dewy groves on blooming sprays +Pour out their blithest roundelays. + +It is to hear the robin trill +At morning, or the whippoorwill +At dusk, when stars are blossoming +To hear her sing--to hear her sing! + +To hear her sing--it is to hear +The laugh of childhood ringing clear +In woody path or grassy lane +Our feet may never fare again. + +Faint, far away as Memory dwells, +It is to hear the village bells +At twilight, as the truant hears +Them, hastening home, with smiles and tears. + +Such joy it is to hear her sing, +We fall in love with everything-- +The simple things of every day +Grow lovelier than words can say. + +The idle brooks that purl across +The gleaming pebbles and the moss, +We love no less than classic streams-- +The Rhines and Arnos of our dreams. + +To hear her sing--with folded eyes, +It is, beneath Venetian skies, +To hear the gondoliers' refrain, +Or troubadours of sunny Spain.-- + +To hear the bulbul's voice that shook +The throat that trilled for Lalla Rookh: +What wonder we in homage bring +Our hearts to her--to hear her sing! + + + + +THE RIVAL + + +I so loved once, when Death came by I hid + Away my face, +And all my sweetheart's tresses she undid + To make my hiding-place. + +The dread shade passed me thus unheeding; and + I turned me then +To calm my love--kiss down her shielding hand + And comfort her again. + +And lo! she answered not: And she did sit + All fixedly, +With her fair face and the sweet smile of it, + In love with Death, not me. + +[Illustration: (THE RIVAL)] + + + + +[Illustration: (A VARIATION--TITLE)] + +A VARIATION + + +I am tired of this! + Nothing else but loving! +Nothing else but kiss and kiss, + Coo, and turtle-doving! + Can't you change the order some? + Hate me just a little--come! + +Lay aside your "dears," + "Darlings," "kings," and "princes!"-- +Call me knave, and dry your tears-- + Nothing in me winces,-- + Call me something low and base-- + Something that will suit the case! + +Wish I had your eyes + And their drooping lashes! +I would dry their teary lies + Up with lightning-flashes-- + Make your sobbing lips unsheathe + All the glitter of your teeth! + +Can't you lift one word-- + With some pang of laughter-- +Louder than the drowsy bird + Crooning 'neath the rafter? + Just one bitter word, to shriek + Madly at me as I speak! + +How I hate the fair + Beauty of your forehead! +How I hate your fragrant hair! + How I hate the torrid + Touches of your splendid lips, + And the kiss that drips and drips! + +Ah, you pale at last! + And your face is lifted +Like a white sail to the blast, + And your hands are shifted + Into fists: and, towering thus, + You are simply glorious! + +Now before me looms + Something more than human; +Something more than beauty blooms + In the wrath of Woman-- + Something to bow down before + Reverently and adore. + + + + +[Illustration: (WHERE SHALL WE LAND?--TITLE)] + +WHERE SHALL WE LAND? + + "Where shall we land you, sweet?"--Swinburne. + + +All listlessly we float +Out seaward in the boat + That beareth Love. +Our sails of purest snow +Bend to the blue below + And to the blue above. + Where shall we land? + +We drift upon a tide +Shoreless on every side, + Save where the eye +Of Fancy sweeps far lands +Shelved slopingly with sands + Of gold and porphyry. + Where shall we land? + +The fairy isles we see, +Loom up so mistily-- + So vaguely fair, +We do not care to break +Fresh bubbles in our wake + To bend our course for there. + Where shall we land? + +The warm winds of the deep +Have lulled our sails to sleep, + And so we glide +Careless of wave or wind, +Or change of any kind, + Or turn of any tide. + Where shall we land? + +We droop our dreamy eyes +Where our reflection lies + Steeped in the sea, +And, in an endless fit +Of languor, smile on it + And its sweet mimicry. + Where shall we land? + +"Where shall we land?" God's grace! +I know not any place + So fair as this-- +Swung here between the blue +Of sea and sky, with you + To ask me, with a kiss, + "Where shall we land?" + +[Illustration: (WHERE SHALL WE LAND?--TAILPIECE)] + + + + +[Illustration: (THE TOUCHES OF HER HANDS--TITLE)] + +THE TOUCHES OF HER HANDS + + +The touches of her hands are like the fall + Of velvet snowflakes; like the touch of down +The peach just brushes 'gainst the garden wall; +The flossy fondlings of the thistle-wisp + Caught in the crinkle of a leaf of brown +The blighting frost hath turned from green to crisp. + +Soft as the falling of the dusk at night, +The touches of her hands, and the delight-- + The touches of her hands! +The touches of her hands are like the dew +That falls so softly down no one e'er knew +The touch thereof save lovers like to one +Astray in lights where ranged Endymion. + +O rarely soft, the touches of her hands, +As drowsy zephyrs in enchanted lands; + Or pulse of dying fay; or fairy sighs; +Or--in between the midnight and the dawn, +When long unrest and tears and fears are gone-- + Sleep, smoothing down the lids of weary eyes. + +[Illustration: (THE TOUCHES OF HER HANDS--TAILPIECE)] + +[Illustration: (O RARELY SOFT, THE TOUCHES OF HER HANDS)] + + + + +A SONG OF LONG AGO + + +A song of Long Ago: +Sing it lightly--sing it low-- +Sing it softly--like the lisping of the lips we used to know +When our baby-laughter spilled +From the glad hearts ever filled +With music blithe as robin ever trilled! + +Let the fragrant summer-breeze, +And the leaves of locust-trees, +And the apple-buds and blossoms, and the wings of honey-bees, +All palpitate with glee, +Till the happy harmony +Brings back each childish joy to you and me. + +Let the eyes of fancy turn +Where the tumbled pippins burn +Like embers in the orchard's lap of tangled grass and fern,-- +There let the old path wind +In and out and on behind +The cider-press that chuckles as we grind. + +[Illustration: (A SONG OF LONG AGO)] + +Blend in the song the moan +Of the dove that grieves alone, +And the wild whir of the locust, and the bumble's drowsy drone; +And the low of cows that call +Through the pasture-bars when all +The landscape fades away at evenfall. + +Then, far away and clear, +Through the dusky atmosphere, +Let the wailing of the kildee be the only sound we hear: +O sad and sweet and low +As the memory may know +Is the glad-pathetic song of Long Ago! + + + + +WHEN AGE COMES ON + + +When Age comes on!-- +The deepening dusk is where the dawn + Once glittered splendid, and the dew +In honey-drips, from red rose-lips + Was kissed away by me and you.-- +And now across the frosty lawn +Black foot-prints trail, and Age comes on-- + And Age comes on! + And biting wild-winds whistle through +Our tattered hopes--and Age comes on! + +When Age comes on!-- +O tide of raptures, long withdrawn, + Flow back in summer-floods, and fling +Here at our feet our childhood sweet, + And all the songs we used to sing!... +Old loves, old friends--all dead and gone-- +Our old faith lost--and Age comes on-- + And Age comes on! + Poor hearts! have we not anything +But longings left when Age comes on! + +[Illustration: (WHEN AGE COMES ON)] + + + + +[Illustration: (FARMER WHIPPLE--BACHELOR--TITLE)] + +FARMER WHIPPLE--BACHELOR + + +It's a mystery to see me--a man o' fifty-four, +Who's lived a cross old bachelor fer thirty year' and more-- +A-lookin' glad and smilin'! And they's none o' you can say +That you can guess the reason why I feel so good to-day! + +I must tell you all about it! But I'll have to deviate +A little in beginnin', so's to set the matter straight +As to how it comes to happen that I never took a wife-- +Kind o' "crawfish" from the Present to the Springtime of my life! + +I was brought up in the country: Of a family of five-- +Three brothers and a sister--I'm the only one alive,-- +Fer they all died little babies; and 'twas one o' Mother's ways, +You know, to want a daughter; so she took a girl to raise. + +The sweetest little thing she was, with rosy cheeks, and fat-- +We was little chunks o' shavers then about as high as that! +But someway we sort o' _suited_-like! and Mother she'd declare +She never laid her eyes on a more lovin' pair + +Than _we_ was! So we growed up side by side fer thirteen year', +And every hour of it she growed to me more dear!-- +W'y, even Father's dyin', as he did, I do believe +Warn't more affectin' to me than it was to see her grieve! + +I was then a lad o' twenty; and I felt a flash o' pride +In thinkin' all depended on _me_ now to pervide +Fer Mother and fer Mary; and I went about the place +With sleeves rolled up--and workin', with a mighty smilin' face.-- + +Fer _sompin' else_ was workin'! but not a word I said +Of a certain sort o' notion that was runnin' through my head,-- +"Someday I'd mayby marry, and _a brother's_ love was one +Thing--_a lover's_ was another!" was the way the notion run! + +I remember onc't in harvest, when the "cradle-in'" was done-- +When the harvest of my summers mounted up to twenty-one +I was ridin' home with Mary at the closin' o' the day-- +A-chawin' straws and thinkin', in a lover's lazy way! + +And Mary's cheeks was burnin' like the sunset down the lane: +I noticed she was thinkin', too, and ast her to explain. +Well--when she turned and _kissed_ me, _with her arms around me--law!_ +I'd a bigger load o' heaven than I had a load o' straw! + +I don't p'tend to learnin', but I'll tell you what's a fact, +They's a mighty truthful sayin' somers in a' almanack-- +Er _somers_--'bout "puore happiness"--perhaps some folks'll laugh +At the idy--"only lastin' jest two seconds and a half."-- + +But it's jest as true as preachin'!--fer that was _a sister's_ kiss, +And a sister's lovin' confidence a-tellin' to me this:-- +"_She_ was happy, _bein' promised to the son o' farmer Brown_."-- +And my feelin's struck a pardnership with sunset and went down! + +I don't know _how_ I acted--I don't know _what_ I said, +Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead; +And the hosses kindo' glimmered before me in the road. +And the lines fell from my fingers--and that was all I knowed-- + +Fer--well, I don't know _how_ long--They's a dim rememberence +Of a sound o' snortin' hosses, and a stake-and-ridered fence +A-whizzin' past, and wheat-sheaves a-dancin' in the air, +And Mary screamin' "Murder!" and a-runnin' up to where + +[Illustration: (RIDIN' HOME WITH MARY)] + +_I_ was layin' by the roadside, and the wagon upside down +A-leanin' on the gate-post, with the wheels a whirlin' round! +And I tried to raise and meet her, but I couldn't, with a vague +Sorto' notion comin' to me that I had a broken leg. + +Well, the women nussed me through it; but many a time I'd sigh +As I'd keep a-gittin' better instid o' goin' to die, +And wonder what was left _me_ worth livin' fer below, +When the girl I loved was married to another, don't you know! + +And my thoughts was as rebellious as the folks was good and kind +When Brown and Mary married--Railly must a-been my _mind_ +Was kindo' out o' kilter!--fer I hated Brown, you see, +Worse'n _pizen_--and the feller whittled crutches out fer _me_-- + +And done a thousand little ac's o' kindness and respect-- +And me a-wishin' all the time that I could break his neck! +My relief was like a mourner's when the funeral is done +When they moved to Illinois in the Fall o' Forty-one. + +Then I went to work in airnest--I had nothin' much in view +But to drown'd out rickollections--and it kep' me busy, too! +But I slowly thrived and prospered, tel Mother used to say +She expected yit to see me a wealthy man some day. + +Then I'd think how little _money_ was, compared to happiness-- +And who'd be left to use it when I died I couldn't guess! +But I've still kep' speculatin' and a-gainin' year by year, +Tel I'm pay-in' half the taxes in the county, mighty near! + +Well!--A year ago er better, a letter comes to hand +Astin' how I'd like to dicker fer some Illinois land-- +"The feller that had owned it," it went ahead to state, +"Had jest deceased, insolvent, leavin' chance to speculate,"-- + +And then it closed by sayin' that I'd "better come and see."-- +I'd never been West, anyhow--a most too wild fer _me_ +I'd allus had a notion; but a lawyer here in town +Said I'd find myself mistakened when I come to look around. + +So I bids good-bye to Mother, and I jumps aboard the train, +A-thinkin' what I'd bring her when I come back home again-- +And ef she'd had an idy what the present was to be, +I think it's more'n likely she'd a-went along with me! + +Cars is awful tejus ridin', fer all they go so fast! +But finally they called out my stoppin'-place at last; +And that night, at the tavern, I dreamp' _I_ was a train +O' cars, and _skeered_ at sompin', runnin' down a country lane! + +Well, in the mornin' airly--after huntin' up the man-- +The lawyer who was wantin' to swap the piece o' land-- +We started fer the country; and I ast the history +Of the farm--its former owner--and so-forth, etcetery! + +And--well--it was inte_rest_in'--I su-prised him, I suppose, +By the loud and frequent manner in which I blowed my nose!-- +But his su-prise was greater, and it made him wonder more, +When I kissed and hugged the widder when she met us at the door!-- + +_It was Mary_: They's a feelin' a-hidin' down in here-- +Of course I can't explain it, ner ever make it clear.-- +It was with us in that meetin', I don't want you to fergit! +And it makes me kind o' nervous when I think about it yit! + +I _bought_ that farm, and _deeded_ it, afore I left the town, +With "title clear to mansions in the skies," to Mary Brown! +And fu'thermore, I took her and _the childern_--fer, you see, +They'd never seed their Grandma--and I fetched 'em home with me. + +So _now_ you've got an idy why a man o' fifty-four, +Who's lived a cross old bachelor fer thirty year' and more, +Is a-lookin' glad and smilin'!--And I've jest come into town +To git a pair o' license fer to _marry_ Mary Brown. + +[Illustration: (FARMER WHIPPLE--BACHELOR--TAILPIECE)] + + + + +[Illustration: (THE ROSE--TITLE)] + +THE ROSE + + +It tossed its head at the wooing breeze; + And the sun, like a bashful swain, +Beamed on it through the waving trees + With a passion all in vain,-- +For my rose laughed in a crimson glee, +And hid in the leaves in wait for me. + +The honey-bee came there to sing + His love through the languid hours, +And vaunt of his hives, as a proud old king + Might boast of his palace-towers: +But my rose bowed in a mockery, +And hid in the leaves in wait for me. + +The humming-bird, like a courtier gay, + Dipped down with a dalliant song, +And twanged his wings through the roundelay + Of love the whole day long: +Yet my rose turned from his minstrelsy +And hid in the leaves in wait for me. + +The firefly came in the twilight dim + My red, red rose to woo-- +Till quenched was the flame of love in him + And the light of his lantern too, +As my rose wept with dewdrops three +And hid in the leaves in wait for me. + +And I said: I will cull my own sweet rose-- + Some day I will claim as mine +The priceless worth of the flower that knows + No change, but a bloom divine-- +The bloom of a fadeless constancy +That hides in the leaves in wait for me! + +But time passed by in a strange disguise, + And I marked it not, but lay +In a lazy dream, with drowsy eyes, + Till the summer slipped away, +And a chill wind sang in a minor key: +"Where is the rose that waits for thee?" + + * * * * * + +I dream to-day, o'er a purple stain + Of bloom on a withered stalk, +Pelted down by the autumn rain + In the dust of the garden-walk, +That an Angel-rose in the world to be +Will hide in the leaves in wait for me. + + + + +HAS SHE FORGOTTEN? + + +I + +Has she forgotten? On this very May +We were to meet here, with the birds and bees, +As on that Sabbath, underneath the trees +We strayed among the tombs, and stripped away +The vines from these old granites, cold and gray-- +And yet indeed not grim enough were they +To stay our kisses, smiles and ecstasies, +Or closer voice-lost vows and rhapsodies. +Has she forgotten--that the May has won +Its promise?--that the bird-songs from the tree +Are sprayed above the grasses as the sun +Might jar the dazzling dew down showeringly? +Has she forgotten life--love--everyone-- +Has she forgotten me--forgotten me? + + +II + +Low, low down in the violets I press +My lips and whisper to her. Does she hear, +And yet hold silence, though I call her dear, +Just as of old, save for the tearfulness + +Of the clenched eyes, and the soul's vast distress? +Has she forgotten thus the old caress +That made our breath a quickened atmosphere +That failed nigh unto swooning with the sheer +Delight? Mine arms clutch now this earthen heap +Sodden with tears that flow on ceaselessly +As autumn rains the long, long, long nights weep +In memory of days that used to be,-- +Has she forgotten these? And in her sleep, +Has she forgotten me--forgotten me? + + +III + +To-night, against my pillow, with shut eyes, +I mean to weld our faces--through the dense +Incalculable darkness make pretense +That she has risen from her reveries +To mate her dreams with mine in marriages +Of mellow palms, smooth faces, and tense ease +Of every longing nerve of indolence,-- +Lift from the grave her quiet lips, and stun +My senses with her kisses--drawl the glee +Of her glad mouth, full blithe and tenderly, +Across mine own, forgetful if is done +The old love's awful dawn-time when said we, +"To-day is ours!"... Ah, Heaven! can it be +She has forgotten me--forgotten me! + +[Illustration: (HAS SHE FORGOTTEN?)] + + + + +[Illustration: (BLOOMS OF MAY--TITLE)] + +BLOOMS OF MAY + + +But yesterday!... +O blooms of May, +And summer roses--Where-away? +O stars above, +And lips of love +And all the honeyed sweets thereof! + +[Illustration: (O LAD AND LASS)] + +O lad and lass +And orchard-pass, +And briered lane, and daisied grass! +O gleam and gloom, +And woodland bloom, +And breezy breaths of all perfume!-- + +No more for me +Or mine shall be +Thy raptures--save in memory,-- +No more--no more-- +Till through the Door +Of Glory gleam the days of yore. + +[Illustration: (O GLEAM AND GLOOM AND WOODLAND BLOOM)] + + + + +THE SERMON OF THE ROSE + + +Wilful we are in our infirmity +Of childish questioning and discontent. +Whate'er befalls us is divinely meant-- +Thou Truth the clearer for thy mystery! +Make us to meet what is or is to be +With fervid welcome, knowing it is sent +To serve us in some way full excellent, +Though we discern it all belatedly. +The rose buds, and the rose blooms and the rose +Bows in the dews, and in its fulness, lo, +Is in the lover's hand,--then on the breast +Of her he loves,--and there dies.--And who knows +Which fate of all a rose may undergo +Is fairest, dearest, sweetest, loveliest? + +Nay, we are children: we will not mature. +A blessed gift must seem a theft; and tears +Must storm our eyes when but a joy appears +In drear disguise of sorrow; and how poor +We seem when we are richest,--most secure +Against all poverty the lifelong years +We yet must waste in childish doubts and fears +That, in despite of reason, still endure! +Alas! the sermon of the rose we will +Not wisely ponder; nor the sobs of grief +Lulled into sighs of rapture; nor the cry +Of fierce defiance that again is still. +Be patient--patient with our frail belief, +And stay it yet a little ere we die. + +O opulent life of ours, though dispossessed +Of treasure after treasure! Youth most fair +Went first, but left its priceless coil of hair-- +Moaned over sleepless nights, kissed and caressed +Through drip and blur of tears the tenderest. +And next went Love--the ripe rose glowing there +Her very sister!... It is here; but where +Is she, of all the world the first and best? +And yet how sweet the sweet earth after rain-- +How sweet the sunlight on the garden wall +Across the roses--and how sweetly flows +The limpid yodel of the brook again! +And yet--and yet how sweeter after all, +The smouldering sweetness of a dead red rose! + +[Illustration: (THE SERMON OF THE ROSE)] + + + + + + + + + +End of Project Gutenberg's Riley Love-Lyrics, by James Whitcomb Riley + +*** END OF THIS PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS *** + +***** This file should be named 16995-8.txt or 16995-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/9/9/16995/ + +Produced by Suzanne Lybarger, Brian Janes, Diane Monico, +and the Project Gutenberg Online Distributed Proofreading Team at +https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Riley Love-Lyrics + +Author: James Whitcomb Riley + +Release Date: November 4, 2005 [EBook #16995] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS *** + + + + +Produced by Suzanne Lybarger, Brian Janes, Diane Monico, +and the Project Gutenberg Online Distributed Proofreading Team at +https://www.pgdp.net + + + + + + +</pre> + + + + + +<h1>RILEY LOVE-LYRICS</h1> + + + + +<p><a name="LOVE-LYRICS" id="LOVE-LYRICS"></a></p> +<p class="figcenter" style="width: 414px;"> +<img src="images/image004.jpg" width="414" height="600" alt="LOVE-LYRICS" title="LOVE-LYRICS" /> +</p> +<hr style="width: 65%;" /> + + + +<h1>RILEY<br /> +LOVE-LYRICS</h1> + + +<h2>JAMES WHITCOMB RILEY<br /><br /></h2> + + +<p class="center"><small>WITH LIFE PICTURES BY</small><br /> +<big>WILLIAM B. DYER</big><br /><br /></p> + + +<p class="figcenter" style="width: 76px;"> +<img src="images/image001.jpg" width="76" height="80" alt="" title="" /> +<br /><br /></p> + + +<p class="center">NEW YORK<br /> +<big>GROSSET & DUNLAP</big><br /> +PUBLISHERS</p> +<hr style="width: 65%;" /> + + + + +<p class="center">Copyright, 1883, 1887, 1888, 1890, 1891, 1892,<br /> +1894, 1897, 1898, 1901, 1905</p> + +<p class="center">by</p> + +<p class="center">James Whitcomb Riley</p> +<hr style="width: 65%;" /> + + + + +<h3>INSCRIBED</h3> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> +<tr> +<td> +<p> +<span class="smcap">To the Elect of Love,—or side-by-side<br /> +In raptest ecstasy, or sundered wide<br /> +By seas that bear no message to or fro<br /> +Between the loved and lost of long ago.</span><br /> +</p> +</td> +</tr> +</table></div> +<hr style="width: 65%;" /> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr> +<td> +<p> +<i>So were I but a minstrel, deft<br /> +<span style="margin-left: 1em;">At weaving, with the trembling strings</span><br /> +Of my glad harp, the warp and weft<br /> +<span style="margin-left: 1em;">Of rondels such as rapture sings,—</span><br /> +<span style="margin-left: 2em;">I'd loop my lyre across my breast,</span><br /> +<span style="margin-left: 2em;">Nor stay me till my knee found rest</span><br /> +<span style="margin-left: 2em;">In midnight banks of bud and flower</span><br /> +<span style="margin-left: 2em;">Beneath my lady's lattice-bower.</span><br /> +<br /> +And there, drenched with the teary dews,<br /> +<span style="margin-left: 1em;">I'd woo her with such wondrous art</span><br /> +As well might stanch the songs that ooze<br /> +<span style="margin-left: 1em;">Out of the mockbird's breaking heart;</span><br /> +<span style="margin-left: 2em;">So light, so tender, and so sweet</span><br /> +<span style="margin-left: 2em;">Should be the words I would repeat,</span><br /> +<span style="margin-left: 2em;">Her casement, on my gradual sight,</span><br /> +<span style="margin-left: 2em;">Would blossom as a lily might.</span><br /></i> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /> +<h2><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2> + +<div class="centered"> +<table border="0" cellpadding="4" cellspacing="2" summary="TOC" > + +<tr><td></td><td align='right'> PAGE</td></tr> +<tr><td> +<span class="smcap">Blooms of May</span></td> <td align='right'><a href="#Page_185">185</a></td></tr> +<tr><td> +<span class="smcap">Discouraging Model, A</span></td> <td align='right'><a href="#Page_133">133</a></td></tr> +<tr><td> +<span class="smcap">"Dream"</span></td> <td align='right'><a href="#Page_46">46</a></td></tr><tr><td> + +<span class="smcap">Farmer Whipple—Bachelor</span></td> <td align='right'><a href="#Page_167">167</a></td></tr><tr><td> + +<span class="smcap">Has She Forgotten?</span></td> <td align='right'><a href="#Page_181">181</a></td></tr><tr><td> + +<span class="smcap">He and I</span></td> <td align='right'><a href="#Page_83">83</a></td></tr><tr><td> + +<span class="smcap">He Called Her In</span></td> <td align='right'><a href="#Page_50">50</a></td></tr><tr><td> + +<span class="smcap">Her Beautiful Eyes</span></td> <td align='right'><a href="#Page_60">60</a></td></tr><tr><td> + +<span class="smcap">Her Hair</span></td> <td align='right'><a href="#Page_128">128</a></td></tr><tr><td> + +<span class="smcap">Her Face and Brow</span></td> <td align='right'><a href="#Page_63">63</a></td></tr><tr><td> + +<span class="smcap">Her Waiting Face</span></td> <td align='right'><a href="#Page_71">71</a></td></tr><tr><td> + +<span class="smcap">Home at Night</span></td> <td align='right'><a href="#Page_122">122</a></td></tr><tr><td> + +<span class="smcap">How it Happened</span></td> <td align='right'><a href="#Page_95">95</a></td></tr><tr><td> + +<span class="smcap">Ike Walton's Prayer</span></td> <td align='right'><a href="#Page_107">107</a></td></tr><tr><td> + +<span class="smcap">Illileo</span></td> <td align='right'><a href="#Page_111">111</a></td></tr><tr><td> + +<span class="smcap">Judith</span></td> <td align='right'><a href="#Page_79">79</a></td></tr><tr><td> + +<span class="smcap">Last Night and This</span></td> <td align='right'><a href="#Page_131">131</a></td></tr><tr><td> + +<span class="smcap">Leonainie</span></td> <td align='right'><a href="#Page_68">68</a></td></tr><tr><td> + +<span class="smcap">Let Us Forget</span></td> <td align='right'><a href="#Page_64">64</a></td></tr><tr><td> + +<span class="smcap">Lost Path, The</span></td> <td align='right'><a href="#Page_87">87</a></td></tr><tr><td> + +<span class="smcap">My Bride That Is To Be</span></td> <td align='right'><a href="#Page_90">90</a></td></tr><tr><td> + +<span class="smcap">My Mary</span></td> <td align='right'><a href="#Page_117">117</a></td></tr><tr><td> + +<span class="smcap">Nothin' to Say</span></td> <td align='right'><a href="#Page_103">103</a></td></tr><tr><td> + +<span class="smcap">Old Played-out Song, A'</span></td> <td align='right'><a href="#Page_31">31</a></td></tr><tr><td> + +<span class="smcap">Old Sweetheart of Mine, An</span></td> <td align='right'><a href="#Page_23">23</a></td></tr><tr><td> + +<span class="smcap">Old Year and the New, The</span></td> <td align='right'><a href="#Page_72">72</a></td></tr><tr><td> + +<span class="smcap">Out-worn Sappho, An</span></td> <td align='right'><a href="#Page_37">37</a></td></tr><tr><td> + +<span class="smcap">Passing of a Heart, The</span></td> <td align='right'><a href="#Page_44">44</a></td></tr><tr><td> + +<span class="smcap">Rival, The</span></td> <td align='right'><a href="#Page_148">148</a></td></tr><tr><td> + +<span class="smcap">Rose, The</span></td> <td align='right'><a href="#Page_178">178</a></td></tr><tr><td> + +<span class="smcap">Sermon of the Rose, The</span></td> <td align='right'><a href="#Page_189">189</a></td></tr><tr><td> + +<span class="smcap">Song of Long Ago, A</span></td> <td align='right'><a href="#Page_160">160</a></td></tr><tr><td> + +<span class="smcap">Suspense</span></td> <td align='right'><a href="#Page_136">136</a></td></tr><tr><td> + +<span class="smcap">Their Sweet Sorrow</span></td> <td align='right'><a href="#Page_76">76</a></td></tr><tr><td> + +<span class="smcap">To Hear Her Sing</span></td> <td align='right'><a href="#Page_146">146</a></td></tr><tr><td> + +<span class="smcap">Tom Van Arden</span></td> <td align='right'><a href="#Page_139">139</a></td></tr><tr><td> + +<span class="smcap">Touches of Her Hands, The</span></td> <td align='right'><a href="#Page_157">157</a></td></tr><tr><td> + +<span class="smcap">Variation, A</span></td> <td align='right'><a href="#Page_151">151</a></td></tr><tr><td> + +<span class="smcap">Very Youthful Affair, A</span></td> <td align='right'><a href="#Page_36">36</a></td></tr><tr><td> + +<span class="smcap">When Age Comes On</span></td> <td align='right'><a href="#Page_164">164</a></td></tr> +<tr><td> + +<span class="smcap">When Lide Married</span> <i>Him</i></td> <td align='right'><a href="#Page_125">125</a></td></tr> +<tr><td> + +<span class="smcap">When My Dreams Come True</span></td> <td align='right'><a href="#Page_99">99</a></td></tr> +<tr><td> + +<span class="smcap">When She Comes Home</span></td> <td align='right'><a href="#Page_67">67</a></td></tr> +<tr><td> + +<span class="smcap">Where Shall We Land</span></td> <td align='right'><a href="#Page_154">154</a></td></tr> +<tr><td> + +<span class="smcap">Wife-Blesséd, The</span></td> <td align='right'><a href="#Page_115">115</a></td></tr> +</table></div> + + + +<hr style="width: 65%;" /> +<h2><a name="ILLUSTRATIONS" id="ILLUSTRATIONS"></a>ILLUSTRATIONS</h2> + + + +<div class="centered"> +<table border="0" cellpadding="4" cellspacing="2" summary="LOI" > + +<tr><td></td><td align='right'>PAGE</td></tr> +<tr><td> +<span class="smcap">Love-Lyrics</span></td> <td align='right'><span class="smcap"><a href="#LOVE-LYRICS">Frontispiece</a></span></td></tr> +<tr><td> +<span class="smcap">Illustrations—Tailpiece</span></td> <td align='right'><a href="#Page_20">xx</a></td></tr> +<tr><td> +<span class="smcap">An Old Sweetheart of Mine</span></td> <td align='right'><a href="#Page_23">23</a></td></tr> +<tr><td> +<span class="smcap">And I Light My Pipe in Silence</span></td> <td align='right'><a href="#Page_24">24</a></td></tr> +<tr><td> +<span class="smcap">The Voices of My Children</span></td> <td align='right'><a href="#Page_25">25</a></td></tr> +<tr><td> +<span class="smcap">The Pink Sunbonnet</span></td> <td align='right'><a href="#Page_26">26</a></td></tr> +<tr><td> +<span class="smcap">When First I Kissed Her</span></td> <td align='right'><a href="#Page_27">27</a></td></tr> +<tr><td> +<span class="smcap">(untitled image)</span></td> <td align='right'><a href="#Page_29">29</a></td></tr> +<tr><td> +<span class="smcap">My Wife is Standing There</span></td> <td align='right'><a href="#Page_30">30</a></td></tr> +<tr><td> +<span class="smcap">A' Old Played-Out Song</span></td> <td align='right'><a href="#Page_33">33</a></td></tr> +<tr><td> +<span class="smcap">A' Old Played-Out Song—Tailpiece</span></td> <td align='right'><a href="#Page_35">35</a></td></tr> +<tr><td> +<span class="smcap">A Very Youthful Affair</span></td> <td align='right'><a href="#Page_36">36</a></td></tr> +<tr><td> +<span class="smcap">An Out-worn Sappho</span></td> <td align='right'><a href="#Page_41">41</a></td></tr> +<tr><td> +<span class="smcap">An Out-worn Sappho—Tailpiece</span></td> <td align='right'><a href="#Page_43">43</a></td></tr> +<tr><td> +<span class="smcap">The Passing of a Heart—Title</span></td> <td align='right'><a href="#Page_44">44</a></td></tr> +<tr><td> +<span class="smcap">The Passing of a Heart—Tailpiece</span></td> <td align='right'><a href="#Page_45">45</a></td></tr> +<tr><td> +<span class="smcap">"Dream"</span></td> <td align='right'><a href="#Page_47">47</a></td></tr> +<tr><td> +<span class="smcap">"Dream"—Tailpiece</span></td> <td align='right'><a href="#Page_49">49</a></td></tr> +<tr><td> +<span class="smcap">He Called Her In—Title</span></td> <td align='right'><a href="#Page_50">50</a></td></tr> +<tr><td> +<span class="smcap">A Dark and Eerie Child</span></td> <td align='right'><a href="#Page_51">51</a></td></tr> +<tr><td> +<span class="smcap">When She First Came to Me</span></td> <td align='right'><a href="#Page_57">57</a></td></tr> +<tr><td> +<span class="smcap">He Called Her In—Tailpiece</span></td> <td align='right'><a href="#Page_59">59</a></td></tr> +<tr><td> +<span class="smcap">Her Beautiful Eyes</span></td> <td align='right'><a href="#Page_61">61</a></td></tr> +<tr><td> +<span class="smcap">Her Face and Brow</span></td> <td align='right'><a href="#Page_63">63</a></td></tr> +<tr><td> +<span class="smcap">Let Us Forget—Title</span></td> <td align='right'><a href="#Page_64">64</a></td></tr> +<tr><td> +<span class="smcap">Our Worn Eyes are Wet</span></td> <td align='right'><a href="#Page_65">65</a></td></tr> +<tr><td> +<span class="smcap">When She Comes Home</span></td> <td align='right'><a href="#Page_67">67</a></td></tr> +<tr><td> +<span class="smcap">Leonainie—Title</span></td> <td align='right'><a href="#Page_68">68</a></td></tr> +<tr><td> +<span class="smcap">Leonainie—Tailpiece</span></td> <td align='right'><a href="#Page_70">70</a></td></tr> +<tr><td> +<span class="smcap">Her Waiting Face</span></td> <td align='right'><a href="#Page_71">71</a></td></tr> +<tr><td> +<span class="smcap">The Old Year and the New—Title</span></td> <td align='right'><a href="#Page_72">72</a></td></tr> +<tr><td> +<span class="smcap">I Saw the Old Year End</span></td> <td align='right'><a href="#Page_73">73</a></td></tr> +<tr><td> +<span class="smcap">Their Sweet Sorrow</span></td> <td align='right'><a href="#Page_77">77</a></td></tr> +<tr><td> +<span class="smcap">Judith</span></td> <td align='right'><a href="#Page_79">79</a></td></tr> +<tr><td> +<span class="smcap">O, Her Eyes are Amber-fine</span></td> <td align='right'><a href="#Page_81">81</a></td></tr> +<tr><td> +<span class="smcap">He and I</span></td> <td align='right'><a href="#Page_85">85</a></td></tr> +<tr><td> +<span class="smcap">The Lost Path—Title</span></td> <td align='right'> <a href="#Page_87">87</a></td></tr> +<tr><td> +<span class="smcap">The Lost Path</span></td> <td align='right'><a href="#Page_89">89</a></td></tr> +<tr><td> +<span class="smcap">Madonna-like and Glorified</span></td> <td align='right'><a href="#Page_91">91</a></td></tr> +<tr><td> +<span class="smcap">How it Happened</span></td> <td align='right'><a href="#Page_97">97</a></td></tr> +<tr><td> +<span class="smcap">When My Dreams Come True</span></td> <td align='right'><a href="#Page_101">101</a></td></tr> +<tr><td> +<span class="smcap">Nothin' to Say</span></td> <td align='right'><a href="#Page_105">105</a></td></tr> +<tr><td> +<span class="smcap">Ike Walton's Prayer—Title</span></td> <td align='right'><a href="#Page_107">107</a></td></tr> +<tr><td> +<span class="smcap">Ike Walton's Prayer—Tailpiece</span></td> <td align='right'><a href="#Page_110">110</a></td></tr> +<tr><td> +<span class="smcap">Illileo</span></td> <td align='right'><a href="#Page_113">113</a></td></tr> +<tr><td> +<span class="smcap">Wife-Blesséd, The</span></td> <td align='right'><a href="#Page_115">115</a></td></tr> +<tr><td> +<span class="smcap">The Auld Trysting-Tree</span></td> <td align='right'><a href="#Page_119">119</a></td></tr> +<tr><td> +<span class="smcap">My Mary—Tailpiece</span></td> <td align='right'><a href="#Page_121">121</a></td></tr> +<tr><td> +<span class="smcap">Home at Night</span></td> <td align='right'><a href="#Page_123">123</a></td></tr> +<tr><td> +<span class="smcap">When Lide Married</span> <i>Him</i>—<span class="smcap">Title</span></td> <td align='right'><a href="#Page_125">125</a></td></tr> +<tr><td> +<span class="smcap">When Lide Married</span> <i>Him</i>—<span class="smcap">Tailpiece</span></td> <td align='right'><a href="#Page_127">127</a></td></tr> +<tr><td> +<span class="smcap">Her Hair</span></td> <td align='right'><a href="#Page_129">129</a></td></tr> +<tr><td> +<span class="smcap">Last Night and This—Title</span></td> <td align='right'><a href="#Page_131">131</a></td></tr> +<tr><td> +<span class="smcap">Last Night and This—Tailpiece</span></td> <td align='right'><a href="#Page_132">132</a></td></tr> +<tr><td> +<span class="smcap">A Discouraging Model—Title</span></td> <td align='right'><a href="#Page_133">133</a></td></tr> +<tr><td> +<span class="smcap">A Cameo Face</span></td> <td align='right'><a href="#Page_135">135</a></td></tr> +<tr><td> +<span class="smcap">Suspense</span></td> <td align='right'><a href="#Page_137">137</a></td></tr> +<tr><td> +<span class="smcap">Tom Van Arden—Title</span></td> <td align='right'><a href="#Page_139">139</a></td></tr> +<tr><td> +<span class="smcap">Tom Van Arden</span></td> <td align='right'><a href="#Page_141">141</a></td></tr> +<tr><td> +<span class="smcap">To Hear Her Sing</span></td> <td align='right'><a href="#Page_146">146</a></td></tr> +<tr><td> +<span class="smcap">The Rival</span></td> <td align='right'><a href="#Page_148">148</a></td></tr> +<tr><td> +<span class="smcap">A Variation—Title</span></td> <td align='right'><a href="#Page_151">151</a></td></tr> +<tr><td> +<span class="smcap">Where Shall We Land?—Title</span></td> <td align='right'><a href="#Page_154">154</a></td></tr> +<tr><td> +<span class="smcap">Where Shall We Land?—Tailpiece</span></td> <td align='right'><a href="#Page_156">156</a></td></tr> +<tr><td> +<span class="smcap">The Touches of Her Hands—Title</span></td> <td align='right'><a href="#Page_157">157</a></td></tr> +<tr><td> +<span class="smcap">The Touches of Her Hands—Tailpiece</span></td> <td align='right'><a href="#Page_158">158</a></td></tr> +<tr><td> +<span class="smcap">O Rarely Soft, the Touches of Her Hands</span></td> <td align='right'><a href="#Page_159">159</a></td></tr> +<tr><td> +<span class="smcap">A Song of Long Ago</span></td> <td align='right'><a href="#Page_161">161</a></td></tr> +<tr><td> +<span class="smcap">When Age Comes On</span></td> <td align='right'><a href="#Page_165">165</a></td></tr> +<tr><td> +<span class="smcap">Farmer Whipple—Bachelor—Title</span></td> <td align='right'><a href="#Page_167">167</a></td></tr> +<tr><td> +<span class="smcap">Ridin' Home with Mary</span></td> <td align='right'><a href="#Page_171">171</a></td></tr> +<tr><td> +<span class="smcap">Farmer Whipple—Bachelor—Tailpiece</span></td> <td align='right'><a href="#Page_177">177</a></td></tr> +<tr><td> +<span class="smcap">The Rose—Title</span></td> <td align='right'><a href="#Page_178">178</a></td></tr> +<tr><td> +<span class="smcap">Has She Forgotten?</span></td> <td align='right'><a href="#Page_183">183</a></td></tr> +<tr><td> +<span class="smcap">Blooms of May—Title</span></td> <td align='right'><a href="#Page_185">185</a></td></tr> +<tr><td> +<span class="smcap">O Lad and Lass</span></td> <td align='right'><a href="#Page_186">186</a></td></tr> +<tr><td> +<span class="smcap">O Gleam and Gloom and Woodland Bloom</span></td> <td align='right'><a href="#Page_187">187</a></td></tr> +<tr><td> +<span class="smcap">The Sermon of the Rose</span></td> <td align='right'><a href="#Page_191">191</a></td></tr> +</table></div> + +<p><span class='pagenum'><a name="Page_20" id="Page_20">[Pg xx]</a></span></p> +<p class="figcenter" style="width: 326px;"> +<img src="images/image016.jpg" width="326" height="400" alt="(ILLUSTRATIONS—TAILPIECE)" title="(ILLUSTRATIONS—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /> +<h2><a name="RILEY_LOVE-LYRICS" id="RILEY_LOVE-LYRICS"></a>RILEY LOVE-LYRICS</h2> +<hr style="width: 65%;" /> + + +<p><span class='pagenum'><a name="Page_23" id="Page_23">[Pg 23]</a></span> +<a name="Illustration_AN_OLD_SWEETHEART_OF_MINE" id="Illustration_AN_OLD_SWEETHEART_OF_MINE"></a></p> +<p class="figcenter" style="width: 474px;"> +<img src="images/image019.jpg" width="474" height="600" alt="(AN OLD SWEETHEART OF MINE)" title="(AN OLD SWEETHEART OF MINE)" /> +</p> + + + + +<h2><a name="AN_OLD_SWEETHEART_OF_MINE" id="AN_OLD_SWEETHEART_OF_MINE"></a>AN OLD SWEETHEART OF MINE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +As one who cons at evening o'er an album all alone,<br /> +And muses on the faces of the friends that he has known,<br /> +So I turn the leaves of fancy till, in shadowy design,<br /> +I find the smiling features of an old sweetheart of mine.<br /> +</p> + +<p><span class='pagenum'><a name="Page_24" id="Page_24">[Pg 24]</a></span></p> +<p class="figcenter" style="width: 400px;"> +<img src="images/image020.jpg" width="400" height="288" alt="(AND I LIGHT MY PIPE IN SILENCE)" title="(AND I LIGHT MY PIPE IN SILENCE)" /> +</p> + +<p> +The lamplight seems to glimmer with a flicker of surprise,<br /> +As I turn it low to rest me of the dazzle in my eyes,<br /> +And light my pipe in silence, save a sigh that seems to yoke<br /> +Its fate with my tobacco and to vanish with the smoke.<br /> +<br /> +'Tis a fragrant retrospection—for the loving thoughts that start<br /> +Into being are like perfume from the blossom of the heart;<br /> +And to dream the old dreams over is a luxury divine—<br /> +When my truant fancy wanders with that old sweetheart of mine.<br /> +<br /><span class='pagenum'><a name="Page_25" id="Page_25"> [Pg 25]</a></span> +Though I hear, beneath my study, like a fluttering of wings,<br /> +The voices of my children, and the mother as she sings,<br /> +I feel no twinge of conscience to deny me any theme<br /> +When Care has cast her anchor in the harbor of a dream.<br /> +<br /> +</p> + +<p class="figcenter" style="width: 400px;"> +<img src="images/image021.jpg" width="400" height="369" alt="(THE VOICES OF MY CHILDREN)" title="(THE VOICES OF MY CHILDREN)" /> +</p> + +<p> +In fact, to speak in earnest, I believe it adds a charm<br /> +To spice the good a trifle with a little dust of harm—<br /> +For I find an extra flavor in Memory's mellow wine<br /> +That makes me drink the deeper to that old sweetheart of mine.<br /> +<br /> +</p> + +<p><span class='pagenum'><a name="Page_26" id="Page_26"> [Pg 26]</a></span></p> +<p class="figcenter" style="width: 400px;"> +<img src="images/image022.jpg" width="400" height="380" alt="(THE PINK SUNBONNET)" title="(THE PINK SUNBONNET)" /> +</p> + +<p> +A face of lily-beauty, with a form of airy grace,<br /> +Floats out of my tobacco as the genii from the vase;<br /> +And I thrill beneath the glances of a pair of azure eyes<br /> +As glowing as the summer and as tender as the skies.<br /> +<br /> +I can see the pink sunbonnet and the little checkered dress<br /> +She wore when first I kissed her and she answered the caress<br /> +With the written declaration that, "as surely as the vine<br /> +Grew round the stump," she loved me—that old sweetheart of mine.<br /> +</p> + +<p><span class='pagenum'><a name="Page_27" id="Page_27"> [Pg 27]</a></span></p> +<p class="figcenter" style="width: 400px;"> +<img src="images/image023.jpg" width="400" height="594" alt="(WHEN FIRST I KISSED HER)" title="(WHEN FIRST I KISSED HER)" /> +</p> + +<p> +And again I feel the pressure of her slender little hand,<br /> +As we used to talk together of the future we had planned—<br /> +When I should be a poet, and with nothing else to do<br /><span class='pagenum'><a name="Page_28" id="Page_28"> [Pg 28]</a></span><span class='pagenum'><a name="Page_29" id="Page_29"> [Pg 29]</a></span> +But write the tender verses that she set the music to:<br /> +<br /> +When we should live together in a cozy little cot<br /> +Hid in a nest of roses, with a fairy garden-spot,<br /> +Where the vines were ever fruited, and the weather ever fine,<br /> +And the birds were ever singing for that old sweetheart of mine:<br /> +</p> + +<p class="figcenter" style="width: 350px;"> +<img src="images/image025.jpg" width="350" height="170" alt="(untitled image)" title="(untitled image)" /> +</p> + +<p> +When I should be her lover forever and a day,<br /> +And she my faithful sweetheart till the golden hair was gray;<br /> +And we should be so happy that when either's lips were dumb<br /> +They would not smile in Heaven till the other's kiss had come. +</p> + +<p class="center">* * *</p> + +<p><span class='pagenum'><a name="Page_30" id="Page_30"> [Pg 30]</a></span> +But, ah! my dream is broken by a step upon the stair,<br /> +And the door is softly opened, and—my wife is standing there;<br /> +Yet with eagerness and rapture all my visions I resign<br /> +To greet the living presence of that old sweetheart of mine.<br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 294px;"> +<img src="images/image026.jpg" width="294" height="600" alt="(MY WIFE IS STANDING THERE)" title="(MY WIFE IS STANDING THERE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_31" id="Page_31"> [Pg 31]</a></span></p> +<h2><a name="A_OLD_PLAYED-OUT_SONG" id="A_OLD_PLAYED-OUT_SONG"></a>A' OLD PLAYED-OUT SONG</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +It's the curiousest thing in creation,<br /> +<span style="margin-left: 1em;">Whenever I hear that old song</span><br /> +"Do They Miss Me at Home," I'm so bothered,<br /> +<span style="margin-left: 1em;">My life seems as short as it's long!—</span><br /> +Fer ev'rything 'pears like adzackly<br /> +<span style="margin-left: 1em;">It 'peared in the years past and gone,—</span><br /> +When I started out sparkin', at twenty,<br /> +<span style="margin-left: 1em;">And had my first neckercher on!</span><br /> +<br /> +Though I'm wrinkelder, older and grayer<br /> +<span style="margin-left: 1em;">Right now than my parents was then,</span><br /> +You strike up that song "Do They Miss Me,"<br /> +<span style="margin-left: 1em;">And I'm jest a youngster again!—</span><br /> +I'm a-standin' back thare in the furries<br /> +<span style="margin-left: 1em;">A-wishin' fer evening to come,</span><br /> +And a-whisperin' over and over<br /> +<span style="margin-left: 1em;">Them words "Do They Miss Me at Home?"</span><br /> +<br /> +You see, <i>Marthy Ellen she</i> sung it<br /> +<span style="margin-left: 1em;">The first time I heerd it; and so,</span><br /> +As she was my very first sweetheart,<br /><span class='pagenum'><a name="Page_32" id="Page_32"> [Pg 32]</a></span> +<span style="margin-left: 1em;">It reminds me of her, don't you know;—</span><br /> +How her face used to look, in the twilight,<br /> +<span style="margin-left: 1em;">As I tuck her to Spellin'; and she</span><br /> +Kep' a-hummin' that song tel I ast her,<br /> +<span style="margin-left: 1em;">Pine-blank, ef she ever missed <i>me</i>!</span><br /> +<br /> +I can shet my eyes now, as you sing it,<br /> +<span style="margin-left: 1em;">And hear her low answerin' words;</span><br /> +And then the glad chirp of the crickets,<br /> +<span style="margin-left: 1em;">As clear as the twitter of birds;</span><br /> +And the dust in the road is like velvet,<br /> +<span style="margin-left: 1em;">And the ragweed and fennel and grass</span><br /> +Is as sweet as the scent of the lilies<br /> +<span style="margin-left: 1em;">Of Eden of old, as we pass.</span><br /> +<br /> +"<i>Do They Miss Me at Home?</i>" Sing it lower—<br /> +<span style="margin-left: 1em;">And softer—and sweet as the breeze</span><br /> +That powdered our path with the snowy<br /> +<span style="margin-left: 1em;">White bloom of the old locus'-trees!</span><br /> +Let the whipperwills he'p you to sing it,<br /> +<span style="margin-left: 1em;">And the echoes 'way over the hill,</span><br /> +Tel the moon boolges out, in a chorus<br /> +<span style="margin-left: 1em;">Of stars, and our voices is still.</span><br /> +</p> + +<p><span class='pagenum'><a name="Page_33" id="Page_33"> [Pg 33]</a></span></p> +<p class="figcenter" style="width: 290px;"> +<img src="images/image029.jpg" width="290" height="420" alt="(A' OLD PLAYED-OUT SONG)" title="(A' OLD PLAYED-OUT SONG)" /> +</p> + +<p><span class='pagenum'><a name="Page_34" id="Page_34"> [Pg 34]</a></span><span class='pagenum'><a name="Page_35" id="Page_35"> [Pg 35]</a></span></p> +<p>But oh! "They's a chord in the music<br /> +<span style="margin-left: 1em;">That's missed when <i>her</i> voice is away!"</span><br /> +Though I listen from midnight tel morning,<br /> +<span style="margin-left: 1em;">And dawn tel the dusk of the day!</span><br /> +And I grope through the dark, lookin' up'ards<br /> +<span style="margin-left: 1em;">And on through the heavenly dome,</span><br /> +With my longin' soul singin' and sobbin'<br /> +<span style="margin-left: 1em;">The words "Do They Miss Me at Home?"</span><br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 400px;"> +<img src="images/image031.jpg" width="400" height="288" alt="(A' OLD PLAYED-OUT SONG—TAILPIECE)" title="(A' OLD PLAYED-OUT SONG—TAILPIECE)" /> +</p> + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_36" id="Page_36"> [Pg 36]</a></span> +<a name="Illustration_A_VERY_YOUTHFUL_AFFAIR" id="Illustration_A_VERY_YOUTHFUL_AFFAIR"></a></p> +<p class="figcenter" style="width: 289px;"> +<img src="images/image032.jpg" width="289" height="450" alt="(A VERY YOUTHFUL AFFAIR)" title="(A VERY YOUTHFUL AFFAIR)" /> +</p> + +<h2>A VERY YOUTHFUL AFFAIR</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +I'm bin a-visitun 'bout a week<br /> +To my little Cousin's at Nameless Creek,<br /> +An' I'm got the hives an' a new straw hat,<br /> +An' I'm come back home where my beau lives at.<br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_37" id="Page_37"> [Pg 37]</a></span></p> +<h2><a name="AN_OUT-WORN_SAPPHO" id="AN_OUT-WORN_SAPPHO"></a>AN OUT-WORN SAPPHO</h2> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +How tired I am! I sink down all alone<br /> +<span style="margin-left: 1em;">Here by the wayside of the Present. Lo,</span><br /> +Even as a child I hide my face and moan—<br /> +<span style="margin-left: 1em;">A little girl that may no farther go;</span><br /> +<span style="margin-left: 1em;">The path above me only seems to grow</span><br /> +<span style="margin-left: 2em;">More rugged, climbing still, and ever briered</span><br /> +<span style="margin-left: 1em;">With keener thorns of pain than these below;</span><br /> +<span style="margin-left: 1em;">And O the bleeding feet that falter so</span><br /> +<span style="margin-left: 3em;">And are so very tired!</span><br /> +<br /> +Why, I have journeyed from the far-off Lands<br /> +<span style="margin-left: 1em;">Of Babyhood—where baby-lilies blew</span><br /> +Their trumpets in mine ears, and filled my hands<br /> +<span style="margin-left: 1em;">With treasures of perfume and honey-dew,</span><br /> +<span style="margin-left: 1em;">And where the orchard shadows ever drew</span><br /> +<span style="margin-left: 2em;">Their cool arms round me when my cheeks were fired</span><br /> +<span style="margin-left: 1em;">With too much joy, and lulled mine eyelids to,</span><br /> +<span style="margin-left: 1em;">And only let the starshine trickle through</span><br /> +<span style="margin-left: 3em;">In sprays, when I was tired!</span><br /> +<br /><span class='pagenum'><a name="Page_38" id="Page_38"> [Pg 38]</a></span> +Yet I remember, when the butterfly<br /> +<span style="margin-left: 1em;">Went flickering about me like a flame</span><br /> +That quenched itself in roses suddenly,<br /> +<span style="margin-left: 1em;">How oft I wished that <i>I</i> might blaze the same,</span><br /> +<span style="margin-left: 1em;">And in some rose-wreath nestle with my name,</span><br /> +<span style="margin-left: 2em;">While all the world looked on it and admired.—</span><br /> +<span style="margin-left: 1em;">Poor moth!—Along my wavering flight toward fame</span><br /> +<span style="margin-left: 1em;">The winds drive backward, and my wings are lame</span><br /> +<span style="margin-left: 3em;">And broken, bruised and tired!</span><br /> +<br /> +I hardly know the path from those old times;<br /> +<span style="margin-left: 1em;">I know at first it was a smoother one</span><br /> +Than this that hurries past me now, and climbs<br /> +<span style="margin-left: 1em;">So high, its far cliffs even hide the sun</span><br /> +<span style="margin-left: 1em;">And shroud in gloom my journey scarce begun.</span><br /> +<span style="margin-left: 2em;">I could not do quite all the world required—</span><br /> +<span style="margin-left: 1em;">I could not do quite all I should have done,</span><br /> +<span style="margin-left: 1em;">And in my eagerness I have outrun</span><br /> +<span style="margin-left: 3em;">My strength—and I am tired....</span><br /> +<br /> +Just tired! But when of old I had the stay<br /> +<span style="margin-left: 1em;">Of mother-hands, O very sweet indeed</span><br /> +It was to dream that all the weary way<br /> +<span style="margin-left: 1em;">I should but follow where I now must lead—</span><br /> +<span style="margin-left: 1em;">For long ago they left me in my need,</span><br /><span class='pagenum'><a name="Page_39" id="Page_39"> [Pg 39]</a></span> +<span style="margin-left: 2em;">And, groping on alone, I tripped and mired</span><br /> +<span style="margin-left: 1em;">Among rank grasses where the serpents breed</span><br /> +<span style="margin-left: 1em;">In knotted coils about the feet of speed.—</span><br /> +<span style="margin-left: 3em;">There first it was I tired.</span><br /> +<br /> +And yet I staggered on, and bore my load<br /> +<span style="margin-left: 1em;">Right gallantly: The sun, in summer-time,</span><br /> +In lazy belts came slipping down the road<br /> +<span style="margin-left: 1em;">To woo me on, with many a glimmering rhyme</span><br /> +<span style="margin-left: 1em;">Rained from the golden rim of some fair clime,</span><br /> +<span style="margin-left: 2em;">That, hovering beyond the clouds, inspired</span><br /> +<span style="margin-left: 1em;">My failing heart with fancies so sublime</span><br /> +<span style="margin-left: 1em;">I half forgot my path of dust and grime,</span><br /> +<span style="margin-left: 3em;">Though I was growing tired.</span><br /> +<br /> +And there were many voices cheering me:<br /> +<span style="margin-left: 1em;">I listened to sweet praises where the wind</span><br /> +Went laughing o'er my shoulders gleefully<br /> +<span style="margin-left: 1em;">And scattering my love-songs far behind;—</span><br /> +<span style="margin-left: 1em;">Until, at last, I thought the world so kind—</span><br /> +<span style="margin-left: 2em;">So rich in all my yearning soul desired—</span><br /> +<span style="margin-left: 1em;">So generous—so loyally inclined,</span><br /> +<span style="margin-left: 1em;">I grew to love and trust it.... I was blind—</span><br /> +<span style="margin-left: 3em;">Yea, blind as I was tired!</span><br /> +<br /><span class='pagenum'><a name="Page_40" id="Page_40"> [Pg 40]</a></span> +And yet one hand held me in creature-touch:<br /> +<span style="margin-left: 1em;">And O, how fair it was, how true and strong,</span><br /> +How it did hold my heart up like a crutch,<br /> +<span style="margin-left: 1em;">Till, in my dreams, I joyed to walk along</span><br /> +<span style="margin-left: 1em;">The toilsome way, contented with a song—</span><br /> +<span style="margin-left: 2em;">'Twas all of earthly things I had acquired,</span><br /> +<span style="margin-left: 1em;">And 'twas enough, I feigned, or right or wrong,</span><br /> +<span style="margin-left: 1em;">Since, binding me to man—a mortal thong—</span><br /> +<span style="margin-left: 2em;">It stayed me, growing tired....</span><br /> +<br /> +Yea, I had e'en resigned me to the strait<br /> +<span style="margin-left: 1em;">Of earthly rulership—had bowed my head</span><br /> +Acceptant of the master-mind—the great<br /> +<span style="margin-left: 1em;">One lover—lord of all,—the perfected</span><br /> +<span style="margin-left: 1em;">Kiss-comrade of my soul;—had stammering said</span><br /> +<span style="margin-left: 2em;">My prayers to him;—all—all that he desired</span><br /> +<span style="margin-left: 1em;">I rendered sacredly as we were wed.—</span><br /> +<span style="margin-left: 1em;">Nay—nay!—'twas but a myth I worshippéd.—</span><br /> +<span style="margin-left: 3em;">And—God of love!—how tired!</span><br /> +</p> + +<p><span class='pagenum'><a name="Page_41" id="Page_41"> [Pg 41]</a></span></p> +<p class="figcenter" style="width: 272px;"> +<img src="images/image037.jpg" width="272" height="600" alt="(AN OUT-WORN SAPPHO)" title="(AN OUT-WORN SAPPHO)" /> +</p> + +<p> +For, O my friends, to lose the latest grasp—<br /> +<span style="margin-left: 1em;">To feel the last hope slipping from its hold—</span><br /> +To feel the one fond hand within your clasp<br /> +<span style="margin-left: 1em;">Fall slack, and loosen with a touch so cold</span><br /> +<span style="margin-left: 1em;">Its pressure may not warm you as of old</span><br /><span class='pagenum'><a name="Page_42" id="Page_42"> [Pg 42]</a></span><span class='pagenum'><a name="Page_43" id="Page_43"> [Pg 43]</a></span> +<span style="margin-left: 2em;">Before the light of love had thus expired—</span><br /> +<span style="margin-left: 1em;">To know your tears are worthless, though they rolled</span><br /> +<span style="margin-left: 1em;">Their torrents out in molten drops of gold.—</span><br /> +<span style="margin-left: 3em;">God's pity! I am tired!</span><br /> +<br /> +And I must rest.—Yet do not say "She <i>died</i>,"<br /> +<span style="margin-left: 1em;">In speaking of me, sleeping here alone.</span><br /> +I kiss the grassy grave I sink beside,<br /> +<span style="margin-left: 1em;">And close mine eyes in slumber all mine own:</span><br /> +<span style="margin-left: 1em;">Hereafter I shall neither sob nor moan</span><br /> +<span style="margin-left: 2em;">Nor murmur one complaint;—all I desired,</span><br /> +<span style="margin-left: 1em;">And failed in life to find, will now be known—</span><br /> +<span style="margin-left: 1em;">So let me dream. Good night! And on the stone</span><br /> +<span style="margin-left: 3em;">Say simply: She was tired.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 368px;"> +<img src="images/image039.jpg" width="368" height="500" alt="(AN OUT-WORN SAPPHO—TAILPIECE)" title="(AN OUT-WORN SAPPHO—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_44" id="Page_44"> [Pg 44]</a></span> +<a name="Illustration_THE_PASSING_OF_A_HEART_TITLE" id="Illustration_THE_PASSING_OF_A_HEART_TITLE"></a></p> +<p class="figcenter" style="width: 472px;"> +<img src="images/image040.jpg" width="472" height="193" alt="(THE PASSING OF A HEART—TITLE)" title="(THE PASSING OF A HEART—TITLE)" /> +</p> + +<h2>THE PASSING OF A HEART</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +O Touch me with your hands—<br /> +<span style="margin-left: 14.5em;">For pity's sake!</span><br /> +My brow throbs ever on with such an ache<br /> +As only your cool touch may take away;<br /> +And so, I pray<br /> +<span style="margin-left: 7.5em;">You, touch me with your hands!</span><br /> +<br /> +Touch—touch me with your hands.—<br /> +<span style="margin-left: 12.5em;">Smooth back the hair</span><br /> +You once caressed, and kissed, and called so fair<br /> +That I did dream its gold would wear alway,<br /> +And lo, to-day—<br /> +<span style="margin-left: 9em;">O touch me with your hands!</span><br /> +<br /><span class='pagenum'><a name="Page_45" id="Page_45"> [Pg 45]</a></span> +Just touch me with your hands,<br /> +<span style="margin-left: 13.5em;">And let them press</span><br /> +My weary eyelids with the old caress,<br /> +And lull me till I sleep. Then go your way,<br /> +That Death may say:<br /> +<span style="margin-left: 7.5em;">He touched her with his hands.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 600px;"> +<img src="images/image041.jpg" width="600" height="360" alt="(THE PASSING OF A HEART—TAILPIECE)" title="(THE PASSING OF A HEART—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_46" id="Page_46"> [Pg 46]</a></span></p> +<h2><a name="DREAM" id="DREAM"></a>"DREAM"</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Because her eyes were far too deep<br /> +And holy for a laugh to leap<br /> +Across the brink where sorrow tried<br /> +To drown within the amber tide;<br /> +Because the looks, whose ripples kissed<br /> +The trembling lids through tender mist,<br /> +Were dazzled with a radiant gleam—<br /> +Because of this I called her "Dream."<br /> +<br /> +Because the roses growing wild<br /> +About her features when she smiled<br /> +Were ever dewed with tears that fell<br /> +With tenderness ineffable;<br /> +Because her lips might spill a kiss<br /> +That, dripping in a world like this,<br /> +Would tincture death's myrrh-bitter stream<br /> +To sweetness—so I called her "Dream."<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_47" id="Page_47"> [Pg 47]</a></span></p> +<p class="figcenter" style="width: 435px;"> +<img src="images/image043.jpg" width="435" height="600" alt="("DREAM")" title="("DREAM")" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Because I could not understand<br /> +The magic touches of a hand<br /> +That seemed, beneath her strange control,<br /><span class='pagenum'><a name="Page_48" id="Page_48"> [Pg 48]</a></span><span class='pagenum'><a name="Page_49" id="Page_49"> [Pg 49]</a></span> +To smooth the plumage of the soul<br /> +And calm it, till, with folded wings,<br /> +It half forgot its flutterings,<br /> +And, nestled in her palm, did seem<br /> +To trill a song that called her "Dream."<br /> +<br /> +Because I saw her, in a sleep<br /> +As dark and desolate and deep<br /> +And fleeting as the taunting night<br /> +That flings a vision of delight<br /> +To some lorn martyr as he lies<br /> +In slumber ere the day he dies—<br /> +Because she vanished like a gleam<br /> +Of glory, do I call her "Dream."<br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 600px;"> +<img src="images/image045.jpg" width="600" height="385" alt="("DREAM"—TAILPIECE)" title="("DREAM"—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_50" id="Page_50"> [Pg 50]</a></span></p> +<p><a name="Illustration_HE_CALLED_HER_IN_TITLE" id="Illustration_HE_CALLED_HER_IN_TITLE"></a></p> +<p class="figcenter" style="width: 600px;"> +<img src="images/image046.jpg" width="600" height="338" alt="(HE CALLED HER IN—TITLE)" title="(HE CALLED HER IN—TITLE)" /> +</p> + +<h2>HE CALLED HER IN</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p class="center">I</p> + +<p> +He called her in from me and shut the door.<br /> +And she so loved the sunshine and the sky!—<br /> +She loved them even better yet than I<br /> +That ne'er knew dearth of them—my mother dead,<br /> +Nature had nursed me in her lap instead:<br /> +And I had grown a dark and eerie child<br /> +That rarely smiled,<br /> +Save when, shut all alone in grasses high,<br /> +Looking straight up in God's great lonesome sky<br /> +And coaxing Mother to smile back on me.<br /> +'Twas lying thus, this fair girl suddenly<br /> +Came to me, nestled in the fields beside<br /> +A pleasant-seeming home, with doorway wide—<br /> +The sunshine beating in upon the floor<br /> +</p> + +<p><span class='pagenum'><a name="Page_51" id="Page_51"> [Pg 51]</a></span></p> +<p class="figcenter" style="width: 349px;"> +<img src="images/image047.jpg" width="349" height="600" alt="(A DARK AND EERIE CHILD)" title="(A DARK AND EERIE CHILD)" /> +</p> + +<p><span class='pagenum'><a name="Page_52" id="Page_52"> [Pg 52]</a></span><span class='pagenum'><a name="Page_53" id="Page_53"> [Pg 53]</a></span></p> +<p>Like golden rain.—<br /> +O sweet, sweet face above me, turn again<br /> +And leave me! I had cried, but that an ache<br /> +Within my throat so gripped it I could make<br /> +No sound but a thick sobbing. Cowering so,<br /> +I felt her light hand laid<br /> +Upon my hair—a touch that ne'er before<br /> +Had tamed me thus, all soothed and unafraid—<br /> +It seemed the touch the children used to know<br /> +When Christ was here, so dear it was—so dear,—<br /> +At once I loved her as the leaves love dew<br /> +In midmost summer when the days are new.<br /> +Barely an hour I knew her, yet a curl<br /> +Of silken sunshine did she clip for me<br /> +Out of the bright May-morning of her hair,<br /> +And bound and gave it to me laughingly,<br /> +And caught my hands and called me "<i>Little girl</i>,"<br /> +Tiptoeing, as she spoke, to kiss me there!<br /> +And I stood dazed and dumb for very stress<br /> +Of my great happiness.<br /> +She plucked me by the gown, nor saw how mean<br /> +The raiment—drew me with her everywhere:<br /> +Smothered her face in tufts of grasses green:<br /> +Put up her dainty hands and peeped between<br /> +Her fingers at the blossoms—crooned and talked<br /> +To them in strange, glad whispers, as we walked,—<br /> +Said <i>this</i> one was her angel mother—<i>this</i>,<br /> +Her baby-sister—come back, for a kiss,<br /> +Clean from the Good-World!—smiled and kissed them, then<br /><span class='pagenum'><a name="Page_54" id="Page_54"> [Pg 54]</a></span> +Closed her soft eyes and kissed them o'er again.<br /> +And so did she beguile me—so we played,—<br /> +She was the dazzling Shine—I, the dark Shade—<br /> +And we did mingle like to these, and thus,<br /> +Together, made<br /> +The perfect summer, pure and glorious.<br /> +So blent we, till a harsh voice broke upon<br /> +Our happiness.—She, startled as a fawn,<br /> +Cried, "Oh, 'tis Father!"—all the blossoms gone<br /> +From out her cheeks as those from out her grasp.—<br /> +Harsher the voice came:—She could only gasp<br /> +Affrightedly, "Good-bye!—good-bye! good-bye!"<br /> +And lo, I stood alone, with that harsh cry<br /> +Ringing a new and unknown sense of shame<br /> +Through soul and frame,<br /> +And, with wet eyes, repeating o'er and o'er,—<br /> +"He called her in from me and shut the door!"<br /> +</p> + + +<p class="center">II</p> + +<p> +He called her in from me and shut the door!<br /> +And I went wandering alone again—<br /> +So lonely—O so very lonely then,<br /> +I thought no little sallow star, alone<br /><span class='pagenum'><a name="Page_55" id="Page_55"> [Pg 55]</a></span> +In all a world of twilight, e'er had known<br /> +Such utter loneliness. But that I wore<br /> +Above my heart that gleaming tress of hair<br /> +To lighten up the night of my despair,<br /> +I think I might have groped into my grave<br /> +Nor cared to wave<br /> +The ferns above it with a breath of prayer.<br /> +And how I hungered for the sweet, sweet face<br /> +That bent above me in my hiding-place<br /> +That day amid the grasses there beside<br /> +Her pleasant home!—"Her <i>pleasant</i> home!" I sighed,<br /> +Remembering;—then shut my teeth and feigned<br /> +The harsh voice calling <i>me</i>,—then clinched my nails<br /> +So deeply in my palms, the sharp wounds pained,<br /> +And tossed my face toward heaven, as one who pales<br /> +In splendid martyrdom, with soul serene,<br /> +As near to God as high the guillotine.<br /> +And I had <i>envied</i> her? Not that—O no!<br /> +But I had longed for some sweet haven so!—<br /> +Wherein the tempest-beaten heart might ride<br /> +Sometimes at peaceful anchor, and abide<br /> +Where those that loved me touched me with their hands,<br /> +And looked upon me with glad eyes, and slipped<br /> +Smooth fingers o'er my brow, and lulled the strands<br /><span class='pagenum'><a name="Page_56" id="Page_56"> [Pg 56]</a></span> +Of my wild tresses, as they backward tipped<br /> +My yearning face and kissed it satisfied.<br /> +Then bitterly I murmured as before,—<br /> +"He called her in from me and shut the door!"<br /> +</p> + + +<p class="center">III</p> + +<p> +He called her in from me and shut the door!<br /> +After long struggling with my pride and pain—<br /> +A weary while it seemed, in which the more<br /> +I held myself from her, the greater fain<br /> +Was I to look upon her face again;—<br /> +At last—at last—half conscious where my feet<br /> +Were faring, I stood waist-deep in the sweet<br /> +Green grasses there where she<br /> +First came to me.—<br /> +The very blossoms she had plucked that day,<br /> +And, at her father's voice, had cast away,<br /> +Around me lay,<br /> +Still bright and blooming in these eyes of mine;<br /> +And as I gathered each one eagerly,<br /> +I pressed it to my lips and drank the wine<br /> +Her kisses left there for the honey-bee.<br /> +Then, after I had laid them with the tress<br /> +</p> + +<p><span class='pagenum'><a name="Page_57" id="Page_57"> [Pg 57]</a></span></p> +<p class="figcenter" style="width: 359px;"> +<img src="images/image053.jpg" width="359" height="600" alt="(WHEN SHE FIRST CAME TO ME)" title="(WHEN SHE FIRST CAME TO ME)" /> +</p> + +<p><span class='pagenum'><a name="Page_58" id="Page_58"> [Pg 58]</a></span><span class='pagenum'><a name="Page_59" id="Page_59"> [Pg 59]</a></span></p> +<p>Of her bright hair with lingering tenderness,<br /> +I, turning, crept on to the hedge that bound<br /> +Her pleasant-seeming home—but all around<br /> +Was never sign of her!—The windows all<br /> +Were blinded; and I heard no rippling fall<br /> +Of her glad laugh, nor any harsh voice call;—<br /> +But clutching to the tangled grasses, caught<br /> +A sound as though a strong man bowed his head<br /> +And sobbed alone—unloved—uncomforted!—<br /> +And then straightway before<br /> +My tearless eyes, all vividly, was wrought<br /> +A vision that is with me evermore:—<br /> +A little girl that lies asleep, nor hears<br /> +Nor heeds not any voice nor fall of tears.—<br /> +And I sit singing o'er and o'er and o'er,—<br /> +"God called her in from him and shut the door!"<br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 400px;"> +<img src="images/image055.jpg" width="400" height="277" alt=""(HE CALLED HER IN—TAILPIECE)"" title=""(HE CALLED HER IN—TAILPIECE)"" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_60" id="Page_60"> [Pg 60]</a></span></p> +<h2><a name="HER_BEAUTIFUL_EYES" id="HER_BEAUTIFUL_EYES"></a>HER BEAUTIFUL EYES</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +O her beautiful eyes! they are blue as the dew<br /> +On the violet's bloom when the morning is new,<br /> +And the light of their love is the gleam of the sun<br /> +O'er the meadows of Spring where the quick shadows run<br /> +As the morn shifts the mists and the clouds from the skies—<br /> +So I stand in the dawn of her beautiful eyes.<br /> +<br /> +And her beautiful eyes are as mid-day to me,<br /> +When the lily-bell bends with the weight of the bee,<br /> +And the throat of the thrush is a-pulse in the heat,<br /> +And the senses are drugged with the subtle and sweet<br /> +And delirious breaths of the air's lullabies—<br /> +So I swoon in the noon of her beautiful eyes.<br /> +<br /> +O her beautiful eyes! they have smitten mine own<br /> +As a glory glanced down from the glare of the Throne;<br /> +And I reel, and I falter and fall, as afar<br /> +Fell the shepherds that looked on the mystical Star,<br /> +And yet dazed in the tidings that bade them arise—<br /> +So I groped through the night of her beautiful eyes.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_61" id="Page_61"> [Pg 61]</a></span></p> +<p class="figcenter" style="width: 390px;"> +<img src="images/image057.jpg" width="390" height="600" alt="(HER BEAUTIFUL EYES)" title="(HER BEAUTIFUL EYES)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_62" id="Page_62"> [Pg 62]</a></span><span class='pagenum'><a name="Page_63" id="Page_63"> [Pg 63]</a></span> +<a name="Illustration_HER_FACE_AND_BROW" id="Illustration_HER_FACE_AND_BROW"></a></p> +<p class="figcenter" style="width: 400px;"> +<img src="images/image059.jpg" width="400" height="284" alt="(HER FACE AND BROW)" title="(HER FACE AND BROW)" /> +</p> + +<h2>HER FACE AND BROW</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Ah, help me! but her face and brow<br /> +Are lovelier than lilies are<br /> +Beneath the light of moon and star<br /> +That smile as they are smiling now—<br /> +White lilies in a pallid swoon<br /> +Of sweetest white beneath the moon—<br /> +White lilies, in a flood of bright<br /> +Pure lucidness of liquid light<br /> +Cascading down some plenilune,<br /> +When all the azure overhead<br /> +Blooms like a dazzling daisy-bed.—<br /> +So luminous her face and brow,<br /> +The luster of their glory, shed<br /> +In memory, even, blinds me now.<br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_64" id="Page_64"> [Pg 64]</a></span> +<a name="Illustration_LET_US_FORGET_TITLE" id="Illustration_LET_US_FORGET_TITLE"></a></p> +<p class="figcenter" style="width: 400px;"> +<img src="images/image060.jpg" width="400" height="403" alt="(LET US FORGET—TITLE)" title="(LET US FORGET—TITLE)" /> +</p> + +<h2>LET US FORGET</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Let us forget. What matters it that we<br /> +<span style="margin-left: 1em;">Once reigned o'er happy realms of long-ago,</span><br /> +<span style="margin-left: 1em;">And talked of love, and let our voices low,</span><br /> +And ruled for some brief sessions royally?<br /> +What if we sung, or laughed, or wept maybe?<br /> +<span style="margin-left: 1em;">It has availed not anything, and so</span><br /> +<span style="margin-left: 1em;">Let it go by that we may better know</span><br /> +How poor a thing is lost to you and me.<br /> +<span style="margin-left: 1em;">But yesterday I kissed your lips, and yet</span><br /> +Did thrill you not enough to shake the dew<br /> +<span style="margin-left: 1em;">From your drenched lids—and missed, with no regret,</span><br /> +Your kiss shot back, with sharp breaths failing you:<br /> +<span style="margin-left: 1em;">And so, to-day, while our worn eyes are wet</span><br /> +<span style="margin-left: 1em;">With all this waste of tears, let us forget!</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_65" id="Page_65"> [Pg 65]</a></span></p> +<p class="figcenter" style="width: 440px;"> +<img src="images/image061.jpg" width="440" height="600" alt="(OUR WORN EYES ARE WET)" title="(OUR WORN EYES ARE WET)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_66" id="Page_66"> [Pg 66]</a></span><span class='pagenum'><a name="Page_67" id="Page_67"> [Pg 67]</a></span></p> +<p><a name="Illustration_WHEN_SHE_COMES_HOME" id="Illustration_WHEN_SHE_COMES_HOME"></a></p> +<p class="figcenter" style="width: 285px;"> +<img src="images/image063.jpg" width="285" height="399" alt="(WHEN SHE COMES HOME)" title="(WHEN SHE COMES HOME)" /> +</p> + +<h2>WHEN SHE COMES HOME</h2> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + + +<tr><td> +<p> +When she comes home again! A thousand ways<br /> +<span style="margin-left: 1em;">I fashion, to myself, the tenderness</span><br /> +<span style="margin-left: 1em;">Of my glad welcome: I shall tremble—yes;</span><br /> +And touch her, as when first in the old days<br /> +I touched her girlish hand, nor dared upraise<br /> +<span style="margin-left: 1em;">Mine eyes, such was my faint heart's sweet distress.</span><br /> +<span style="margin-left: 1em;">Then silence: And the perfume of her dress:</span><br /> +The room will sway a little, and a haze<br /> +<span style="margin-left: 1em;">Cloy eyesight—soulsight, even—for a space:</span><br /> +And tears—yes; and the ache here in the throat,<br /> +<span style="margin-left: 1em;">To know that I so ill deserve the place</span><br /> +Her arms make for me; and the sobbing note<br /> +<span style="margin-left: 1em;">I stay with kisses, ere the tearful face</span><br /> +<span style="margin-left: 1em;">Again is hidden in the old embrace.</span><br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_68" id="Page_68"> [Pg 68]</a></span></p> +<p><a name="Illustration_LEONAINIE_TITLE" id="Illustration_LEONAINIE_TITLE"></a></p> +<p class="figcenter" style="width: 245px;"> +<img src="images/image064.jpg" width="245" height="400" alt="(LEONAINIE—TITLE)" title="(LEONAINIE—TITLE)" /> +</p> + +<h2>LEONAINIE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Leonainie—Angels named her;<br /> +<span style="margin-left: 1em;">And they took the light</span><br /> +Of the laughing stars and framed her<br /> +<span style="margin-left: 1em;">In a smile of white;</span><br /> +<span style="margin-left: 2em;">And they made her hair of gloomy</span><br /><span class='pagenum'><a name="Page_69" id="Page_69"> [Pg 69]</a></span> +<span style="margin-left: 2em;">Midnight, and her eyes of bloomy</span><br /> +<span style="margin-left: 2em;">Moonshine, and they brought her to me</span><br /> +<span style="margin-left: 1em;">In the solemn night.—-</span><br /> +<br /> +In a solemn night of summer,<br /> +<span style="margin-left: 1em;">When my heart of gloom</span><br /> +Blossomed up to greet the comer<br /> +<span style="margin-left: 1em;">Like a rose in bloom;</span><br /> +<span style="margin-left: 2em;">All forebodings that distressed me</span><br /> +<span style="margin-left: 2em;">I forgot as Joy caressed me—</span><br /> +<span style="margin-left: 2em;">(<i>Lying</i> Joy! that caught and pressed me</span><br /> +<span style="margin-left: 1em;">In the arms of doom!)</span><br /> +<br /> +Only spake the little lisper<br /> +<span style="margin-left: 1em;">In the Angel-tongue;</span><br /> +Yet I, listening, heard her whisper—<br /> +<span style="margin-left: 1em;">"Songs are only sung</span><br /> +<span style="margin-left: 2em;">Here below that they may grieve you—</span><br /> +<span style="margin-left: 2em;">Tales but told you to deceive you,—</span><br /> +<span style="margin-left: 2em;">So must Leonainie leave you</span><br /> +<span style="margin-left: 1em;">While her love is young."</span><br /> +<br /><span class='pagenum'><a name="Page_70" id="Page_70"> [Pg 70]</a></span> +Then God smiled and it was morning.<br /> +<span style="margin-left: 1em;">Matchless and supreme</span><br /> +Heaven's glory seemed adorning<br /> +<span style="margin-left: 1em;">Earth with its esteem:</span><br /> +<span style="margin-left: 2em;">Every heart but mine seemed gifted</span><br /> +<span style="margin-left: 2em;">With the voice of prayer, and lifted</span><br /> +<span style="margin-left: 2em;">Where my Leonainie drifted</span><br /> +<span style="margin-left: 1em;">From me like a dream.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 600px;"> +<img src="images/image066.jpg" width="600" height="300" alt="(LEONAINIE—TAILPIECE)" title="(LEONAINIE—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_71" id="Page_71"> [Pg 71]</a></span></p> +<p><a name="Illustration_HER_WAITING_FACE" id="Illustration_HER_WAITING_FACE"></a></p> +<p class="figcenter" style="width: 408px;"> +<img src="images/image067.jpg" width="408" height="600" alt="(HER WAITING FACE)" title="(HER WAITING FACE)" /> +</p> + +<h2>HER WAITING FACE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +<span style="margin-left: 12.5em;">In some strange place</span><br /> +Of long-lost lands he finds her waiting face—<br /> +Comes marveling upon it, unaware,<br /> +Set moonwise in the midnight of her hair.<br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_72" id="Page_72"> [Pg 72]</a></span> +<a name="Illustration_THE_OLD_YEAR_AND_THE_NEW_TITLE" id="Illustration_THE_OLD_YEAR_AND_THE_NEW_TITLE"></a></p> +<p class="figcenter" style="width: 260px;"> +<img src="images/image068.jpg" width="260" height="400" alt="(THE OLD YEAR AND THE NEW—TITLE)" title="(THE OLD YEAR AND THE NEW—TITLE)" /> +</p> + +<h2>THE OLD YEAR AND THE NEW</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p class="center">I</p> + +<p> +As one in sorrow looks upon<br /> +<span style="margin-left: 1em;">The dead face of a loyal friend,</span><br /> +By the dim light of New Year's dawn<br /> +<span style="margin-left: 1em;">I saw the Old Year end.</span><br /> +<br /> +Upon the pallid features lay<br /> +<span style="margin-left: 1em;">The dear old smile—so warm and bright</span><br /> +Ere thus its cheer had died away<br /> +<span style="margin-left: 1em;">In ashes of delight.</span><br /> +<br /> +The hands that I had learned to love<br /> +<span style="margin-left: 1em;">With strength of passion half divine,</span><br /> +Were folded now, all heedless of<br /> +<span style="margin-left: 1em;">The emptiness of mine.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_73" id="Page_73"> [Pg 73]</a></span></p> +<p class="figcenter" style="width: 458px;"> +<img src="images/image069.jpg" width="458" height="600" alt="(I SAW THE OLD YEAR END)" title="(I SAW THE OLD YEAR END)" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p><span class='pagenum'><a name="Page_74" id="Page_74"> [Pg 74]</a></span><span class='pagenum'><a name="Page_75" id="Page_75"> [Pg 75]</a></span></p> +<p>The eyes that once had shed their bright<br /> +<span style="margin-left: 1em;">Sweet looks like sunshine, now were dull,</span><br /> +And ever lidded from the light<br /> +<span style="margin-left: 1em;">That made them beautiful.</span><br /> +</p> + + +<p class="center">II</p> + +<p> +The chimes of bells were in the air,<br /> +<span style="margin-left: 1em;">And sounds of mirth in hall and street,</span><br /> +With pealing laughter everywhere<br /> +<span style="margin-left: 1em;">And throb of dancing feet:</span><br /> +<br /> +The mirth and the convivial din<br /> +<span style="margin-left: 1em;">Of revelers in wanton glee,</span><br /> +With tunes of harp and violin<br /> +<span style="margin-left: 1em;">In tangled harmony.</span><br /> +<br /> +But with a sense of nameless dread,<br /> +<span style="margin-left: 1em;">I turned me, from the merry face</span><br /> +Of this newcomer, to my dead;<br /> +<span style="margin-left: 1em;">And, kneeling there a space,</span><br /> +<br /> +I sobbed aloud, all tearfully:—<br /> +<span style="margin-left: 1em;">By this dear face so fixed and cold,</span><br /> +O Lord, let not this New Year be<br /> +<span style="margin-left: 1em;">As happy as the old!</span><br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_76" id="Page_76"> [Pg 76]</a></span></p> +<h2><a name="THEIR_SWEET_SORROW" id="THEIR_SWEET_SORROW"></a>THEIR SWEET SORROW</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +They meet to say farewell: Their way<br /> +Of saying this is hard to say.—<br /> +<span style="margin-left: 1em;">He holds her hand an instant, wholly</span><br /> +<span style="margin-left: 1em;">Distressed—and she unclasps it slowly.</span><br /> +<br /> +He bends <i>his</i> gaze evasively<br /> +Over the printed page that she<br /> +<span style="margin-left: 1em;">Recurs to, with a new-moon shoulder</span><br /> +<span style="margin-left: 1em;">Glimpsed from the lace-mists that enfold her.</span><br /> +<br /> +The clock, beneath its crystal cup,<br /> +Discreetly clicks—"<i>Quick! Act! Speak up!</i>"<br /> +<span style="margin-left: 1em;">A tension circles both her slender</span><br /> +<span style="margin-left: 1em;">Wrists—and her raised eyes flash in splendor.</span><br /> +<br /> +Even as he feels his dazzled own.—<br /> +Then, blindingly, round either thrown,<br /> +<span style="margin-left: 1em;">They feel a stress of arms that ever</span><br /> +<span style="margin-left: 1em;">Strain tremblingly—and "<i>Never! Never!</i>"</span><br /> +<br /> +Is whispered brokenly, with half<br /> +A sob, like a belated laugh,—<br /> +<span style="margin-left: 1em;">While cloyingly their blurred kiss closes,</span><br /> +<span style="margin-left: 1em;">Sweet as the dew's lip to the rose's.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_77" id="Page_77"> [Pg 77]</a></span></p> +<p class="figcenter" style="width: 402px;"> +<img src="images/image073.jpg" width="402" height="600" alt="(THEIR SWEET SORROW)" title="(THEIR SWEET SORROW)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_78" id="Page_78"> [Pg 78]</a></span><span class='pagenum'><a name="Page_79" id="Page_79"> [Pg 79]</a></span> +<a name="Illustration_JUDITH" id="Illustration_JUDITH"></a></p> +<p class="figcenter" style="width: 316px;"> +<img src="images/image075.jpg" width="316" height="400" alt="(JUDITH)" title="(JUDITH)" /> +</p> + +<h2>JUDITH</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +O her eyes are amber-fine—<br /> +Dark and deep as wells of wine,<br /> +While her smile is like the noon<br /> +Splendor of a day of June.<br /> +If she sorrow—lo! her face<br /> +It is like a flowery space<br /> +In bright meadows, overlaid<br /><span class='pagenum'><a name="Page_80" id="Page_80"> [Pg 80]</a></span> +With light clouds and lulled with shade.<br /> +If she laugh—it is the trill<br /> +Of the wayward whippoorwill<br /> +Over upland pastures, heard<br /> +Echoed by the mocking-bird<br /> +In dim thickets dense with bloom<br /> +And blurred cloyings of perfume.<br /> +If she sigh—a zephyr swells<br /> +Over odorous asphodels<br /> +And wan lilies in lush plots<br /> +Of moon-drown'd forget-me-nots.<br /> +Then, the soft touch of her hand—<br /> +Takes all breath to understand<br /> +What to liken it thereto!—<br /> +Never roseleaf rinsed with dew<br /> +Might slip soother-suave than slips<br /> +Her slow palm, the while her lips<br /> +Swoon through mine, with kiss on kiss<br /> +Sweet as heated honey is.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_81" id="Page_81"> [Pg 81]</a></span></p> +<p class="figcenter" style="width: 409px;"> +<img src="images/image077.jpg" width="409" height="600" alt="(O, HER EYES ARE AMBER-FINE)" title="(O, HER EYES ARE AMBER-FINE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_82" id="Page_82"> [Pg 82]</a></span><span class='pagenum'><a name="Page_83" id="Page_83"> [Pg 83]</a></span></p> +<h2><a name="HE_AND_I" id="HE_AND_I"></a>HE AND I</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Just drifting on together—<br /> +<span style="margin-left: 4em;">He and I—</span><br /> +As through the balmy weather<br /> +<span style="margin-left: 4em;">Of July</span><br /> +<span style="margin-left: 1em;">Drift two thistle-tufts imbedded</span><br /> +<span style="margin-left: 1em;">Each in each—by zephyrs wedded—</span><br /> +<span style="margin-left: 1em;">Touring upward, giddy-headed,</span><br /> +<span style="margin-left: 4em;">For the sky.</span><br /> +<br /> +And, veering up and onward,<br /> +<span style="margin-left: 4em;">Do we seem</span><br /> +Forever drifting dawnward<br /> +<span style="margin-left: 4em;">In a dream,</span><br /> +<span style="margin-left: 1em;">Where we meet song-birds that know us,</span><br /> +<span style="margin-left: 1em;">And the winds their kisses blow us,</span><br /> +<span style="margin-left: 1em;">While the years flow far below us</span><br /> +<span style="margin-left: 4em;">Like a stream.</span><br /> +<br /> +And we are happy—very—<br /> +<span style="margin-left: 4em;">He and I—</span><br /> +Aye, even glad and merry<br /><span class='pagenum'><a name="Page_84" id="Page_84"> [Pg 84]</a></span> +<span style="margin-left: 4em;">Though on high</span><br /> +<span style="margin-left: 1em;">The heavens are sometimes shrouded</span><br /> +<span style="margin-left: 1em;">By the midnight storm, and clouded</span><br /> +<span style="margin-left: 1em;">Till the pallid moon is crowded</span><br /> +<span style="margin-left: 4em;">From the sky.</span><br /> +<br /> +My spirit ne'er expresses<br /> +<span style="margin-left: 4em;">Any choice</span><br /> +But to clothe him with caresses<br /> +<span style="margin-left: 4em;">And rejoice;</span><br /> +<span style="margin-left: 1em;">And as he laughs, it is in</span><br /> +<span style="margin-left: 1em;">Such a tone the moonbeams glisten</span><br /> +<span style="margin-left: 1em;">And the stars come out to listen</span><br /> +<span style="margin-left: 4em;">To his voice.</span><br /> +<br /> +And so, whate'er the weather,<br /> +<span style="margin-left: 4em;">He and I,—</span><br /> +With our lives linked thus together,<br /> +<span style="margin-left: 4em;">Float and fly</span><br /> +<span style="margin-left: 1em;">As two thistle-tufts imbedded</span><br /> +<span style="margin-left: 1em;">Each in each—by zephyrs wedded—</span><br /> +<span style="margin-left: 1em;">Touring upward, giddy-headed,</span><br /> +<span style="margin-left: 4em;">For the sky.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_85" id="Page_85"> [Pg 85]</a></span></p> +<p class="figcenter" style="width: 409px;"> +<img src="images/image081.jpg" width="409" height="600" alt="(HE AND I)" title="(HE AND I)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_86" id="Page_86"> [Pg 86]</a></span><span class='pagenum'><a name="Page_87" id="Page_87"> [Pg 87]</a></span></p> +<p><a name="Illustration_THE_LOST_PATH_TITLE" id="Illustration_THE_LOST_PATH_TITLE"></a></p> +<p class="figcenter" style="width: 290px;"> +<img src="images/image083.jpg" width="290" height="400" alt="(THE LOST PATH—TITLE)" title="(THE LOST PATH—TITLE)" /> +</p> + +<h2>THE LOST PATH</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Alone they walked—their fingers knit together,<br /> +<span style="margin-left: 1em;">And swaying listlessly as might a swing</span><br /> +Wherein Dan Cupid dangled in the weather<br /> +<span style="margin-left: 1em;">Of some sun-flooded afternoon of Spring.</span><br /> +<br /><span class='pagenum'><a name="Page_88" id="Page_88"> [Pg 88]</a></span> +Within the clover-fields the tickled cricket<br /> +<span style="margin-left: 1em;">Laughed lightly as they loitered down the lane,</span><br /> +And from the covert of the hazel-thicket<br /> +<span style="margin-left: 1em;">The squirrel peeped and laughed at them again.</span><br /> +<br /> +The bumble-bee that tipped the lily-vases<br /> +<span style="margin-left: 1em;">Along the road-side in the shadows dim,</span><br /> +Went following the blossoms of their faces<br /> +<span style="margin-left: 1em;">As though their sweets must needs be shared with him.</span><br /> +<br /> +Between the pasture bars the wondering cattle<br /> +<span style="margin-left: 1em;">Stared wistfully, and from their mellow bells</span><br /> +Shook out a welcoming whose dreamy rattle<br /> +<span style="margin-left: 1em;">Fell swooningly away in faint farewells.</span><br /> +<br /> +And though at last the gloom of night fell o'er them<br /> +<span style="margin-left: 1em;">And folded all the landscape from their eyes,</span><br /> +They only know the dusky path before them<br /> +<span style="margin-left: 1em;">Was leading safely on to Paradise.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_89" id="Page_89"> [Pg 89]</a></span></p> +<p class="figcenter" style="width: 446px;"> +<img src="images/image085.jpg" width="446" height="600" alt="(THE LOST PATH)" title="(THE LOST PATH)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_90" id="Page_90"> [Pg 90]</a></span></p> +<h2><a name="MY_BRIDE_THAT_IS_TO_BE" id="MY_BRIDE_THAT_IS_TO_BE"></a>MY BRIDE THAT IS TO BE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +O soul of mine, look out and see<br /> +<span style="margin-left: 1em;">My bride, my bride that is to be!</span><br /> +<span style="margin-left: 1em;">Reach out with mad, impatient hands,</span><br /> +And draw aside futurity<br /> +As one might draw a veil aside—<br /> +<span style="margin-left: 1em;">And so unveil her where she stands</span><br /> +Madonna-like and glorified—<br /> +<span style="margin-left: 1em;">The queen of undiscovered lands</span><br /> +Of love, to where she beckons me—<br /> +My bride—my bride that is to be.<br /> +<br /> +The shadow of a willow-tree<br /> +<span style="margin-left: 1em;">That wavers on a garden-wall</span><br /> +<span style="margin-left: 1em;">In summertime may never fall</span><br /> +In attitude as gracefully<br /> +As my fair bride that is to be;—<br /> +<span style="margin-left: 1em;">Nor ever Autumn's leaves of brown</span><br /> +As lightly flutter to the lawn<br /> +As fall her fairy-feet upon<br /> +<span style="margin-left: 1em;">The path of love she loiters down.—</span><br /> +O'er drops of dew she walks, and yet<br /> +Not one may stain her sandal wet—<br /> +Aye, she might <i>dance</i> upon the way<br /><span class='pagenum'><a name="Page_91" id="Page_91"> [Pg 91]</a></span><span class='pagenum'><a name="Page_92" id="Page_92"> [Pg 92]</a></span><span class='pagenum'><a name="Page_93" id="Page_93"> [Pg 93]</a></span> +Nor crush a single drop to spray,<br /> +So airy-like she seems to me,—<br /> +My bride, my bride that is to be.<br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 420px;"> +<img src="images/image087.jpg" width="420" height="600" alt="(MADONNA-LIKE AND GLORIFIED)" title="(MADONNA-LIKE AND GLORIFIED)" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +I know not if her eyes are light<br /> +As summer skies or dark as night,—<br /> +I only know that they are dim<br /> +<span style="margin-left: 1em;">With mystery: In vain I peer</span><br /> +<span style="margin-left: 1em;">To make their hidden meaning clear,</span><br /> +<span style="margin-left: 1em;">While o'er their surface, like a tear</span><br /> +That ripples to the silken brim,<br /> +A look of longing seems to swim<br /> +<span style="margin-left: 1em;">All worn and wearylike to me;</span><br /> +And then, as suddenly, my sight<br /> +Is blinded with a smile so bright,<br /> +<span style="margin-left: 1em;">Through folded lids I still may see</span><br /> +<span style="margin-left: 1em;">My bride, my bride that is to be.</span><br /> +<br /> +Her face is like a night of June<br /> +Upon whose brow the crescent-moon<br /> +Hangs pendant in a diadem<br /> +Of stars, with envy lighting them.—<br /> +<span style="margin-left: 1em;">And, like a wild cascade, her hair</span><br /> +Floods neck and shoulder, arm and wrist,<br /> +Till only through a gleaming mist<br /> +<span style="margin-left: 1em;">I seem to see a siren there,</span><br /> +With lips of love and melody<br /> +<span style="margin-left: 1em;">And open arms and heaving breast</span><br /><span class='pagenum'><a name="Page_94" id="Page_94"> [Pg 94]</a></span> +<span style="margin-left: 1em;">Wherein I fling myself to rest,</span><br /> +The while my heart cries hopelessly<br /> +For my fair bride that is to be....<br /> +<br /> +Nay, foolish heart and blinded eyes!<br /> +My bride hath need of no disguise.—<br /> +<span style="margin-left: 1em;">But, rather, let her come to me</span><br /> +In such a form as bent above<br /> +<span style="margin-left: 1em;">My pillow when in infancy</span><br /> +I knew not anything but love.—<br /> +O let her come from out the lands<br /> +<span style="margin-left: 1em;">Of Womanhood—not fairy isles,—</span><br /> +And let her come with Woman's hands<br /> +<span style="margin-left: 1em;">And Woman's eyes of tears and smiles,—</span><br /> +With Woman's hopefulness and grace<br /> +Of patience lighting up her face:<br /> +And let her diadem be wrought<br /> +Of kindly deed and prayerful thought,<br /> +That ever over all distress<br /> +May beam the light of cheerfulness.—<br /> +And let her feet be brave to fare<br /> +The labyrinths of doubt and care,<br /> +That, following, my own may find<br /> +The path to Heaven God designed.—<br /> +O let her come like this to me—<br /> +My bride—my bride that is to be.<br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_95" id="Page_95"> [Pg 95]</a></span></p> +<h2><a name="HOW_IT_HAPPENED" id="HOW_IT_HAPPENED"></a>HOW IT HAPPENED</h2> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +I got to thinkin' of her—both her parents dead and gone—<br /> +And all her sisters married off, and none but her and John<br /> +A-livin' all alone there in that lonesome sort o' way,<br /> +And him a blame old bachelor, confirmder ev'ry day!<br /> +I'd knowed 'em all from childern, and their daddy from the time<br /> +He settled in the neighberhood, and hadn't airy a dime<br /> +Er dollar, when he married, fer to start housekeepin' on!—<br /> +So I got to thinkin' of her—both her parents dead and gone!<br /> +<br /> +I got to thinkin' of her; and a-wundern what she done<br /> +That all her sisters kep' a-gittin' married, one by one,<br /> +And her without no chances—and the best girl of the pack—<br /> +An old maid, with her hands, you might say, tied behind her back!<br /> +And Mother, too, afore she died, she ust to jes' take on,<br /> +When none of 'em was left, you know, but Evaline and John,<br /> +And jes' declare to goodness 'at the young men must be bline<br /><span class='pagenum'><a name="Page_96" id="Page_96"> [Pg 96]</a></span> +To not see what a wife they'd git if they got Evaline!<br /> +<br /> +I got to thinkin' of her; in my great affliction she<br /> +Was sich a comfert to us, and so kind and neighberly,—<br /> +She'd come, and leave her housework, fer to he'p out little Jane,<br /> +And talk of <i>her own</i> mother 'at she'd never see again—<br /> +Maybe sometimes cry together—though, fer the most part she<br /> +Would have the child so riconciled and happy-like 'at we<br /> +Felt lonesomer 'n ever when she'd put her bonnet on<br /> +And say she'd railly haf to be a-gittin' back to John!<br /> +<br /> +I got to thinkin' of her, as I say,—and more and more<br /> +I'd think of her dependence, and the burdens 'at she bore,—<br /> +Her parents both a-bein' dead, and all her sisters gone<br /> +And married off, and her a-livin' there alone with John—<br /> +You might say jes' a-toilin' and a-slavin' out her life<br /> +Fer a man 'at hadn't pride enough to git hisse'f a wife—<br /> +'Less some one married <i>Evaline</i> and packed her off some day!—<br /> +So I got to thinkin' of her—and it happened thataway.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_97" id="Page_97"> [Pg 97]</a></span></p> +<p class="figcenter" style="width: 364px;"> +<img src="images/image093.jpg" width="364" height="600" alt="(HOW IT HAPPENED)" title="(HOW IT HAPPENED)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_98" id="Page_98"> [Pg 98]</a></span><span class='pagenum'><a name="Page_99" id="Page_99"> [Pg 99]</a></span></p> +<h2><a name="WHEN_MY_DREAMS_COME_TRUE" id="WHEN_MY_DREAMS_COME_TRUE"></a>WHEN MY DREAMS COME TRUE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p class="center">I</p> + +<p> +When my dreams come true—when my dreams come true—<br /> +Shall I lean from out my casement, in the starlight and the dew,<br /> +To listen—smile and listen to the tinkle of the strings<br /> +Of the sweet guitar my lover's fingers fondle, as he sings?<br /> +And as the nude moon slowly, slowly shoulders into view,<br /> +Shall I vanish from his vision—when my dreams come true?<br /> +<br /> +When my dreams come true—shall the simple gown I wear<br /> +Be changed to softest satin, and my maiden-braided hair<br /> +Be raveled into flossy mists of rarest, fairest gold,<br /> +To be minted into kisses, more than any heart can hold?—<br /> +Or "the summer of my tresses" shall my lover liken to<br /> +"The fervor of his passion"—when my dreams come true?<br /> +</p> + + +<p class="center">II<span class='pagenum'><a name="Page_100" id="Page_100"> [Pg 100]</a></span></p> + +<p> +When my dreams come true—I shall bide among the sheaves<br /> +Of happy harvest meadows; and the grasses and the leaves<br /> +Shall lift and lean between me and the splendor of the sun,<br /> +Till the moon swoons into twilight, and the gleaners' work is done—<br /> +Save that yet an arm shall bind me, even as the reapers do<br /> +The meanest sheaf of harvest—when my dreams come true.<br /> +<br /> +When my dreams come true! when my dreams come true!<br /> +True love in all simplicity is fresh and pure as dew;—<br /> +The blossom in the blackest mold is kindlier to the eye<br /> +Than any lily born of pride that looms against the sky:<br /> +And so it is I know my heart will gladly welcome you,<br /> +My lowliest of lovers, when my dreams come true.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_101" id="Page_101"> [Pg 101]</a></span></p> +<p class="figcenter" style="width: 406px;"> +<img src="images/image097.jpg" width="406" height="600" alt="(WHEN MY DREAMS COME TRUE)" title="(WHEN MY DREAMS COME TRUE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_102" id="Page_102"> [Pg 102]</a></span><span class='pagenum'><a name="Page_103" id="Page_103"> [Pg 103]</a></span></p> +<h2><a name="NOTHIN_TO_SAY" id="NOTHIN_TO_SAY"></a>NOTHIN' TO SAY</h2> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Nothin' to say, my daughter! Nothin' at all to say!<br /> +Gyrls that's in love, I've noticed, ginerly has their way!<br /> +Yer mother did, afore you, when her folks objected to me—<br /> +Yit here I am, and here you air; and yer mother—where is she?<br /> +<br /> +You look lots like yer mother: Purty much same in size;<br /> +And about the same complected; and favor about the eyes:<br /> +Like her, too, about <i>livin</i>' here,—because <i>she</i> couldn't stay:<br /> +It'll 'most seem like you was dead—like her!—But I hain't got nothin' to say!<br /> +<br /><span class='pagenum'><a name="Page_104" id="Page_104"> [Pg 104]</a></span> +She left you her little Bible—writ yer name acrost the page—<br /> +And left her ear bobs fer you, ef ever you come of age.<br /> +I've allus kep' 'em and gyuarded 'em, but ef yer goin' away—<br /> +Nothin' to say, my daughter! Nothin' at all to say!<br /> +<br /> +You don't rikollect her, I reckon? No; you wasn't a year old then!<br /> +And now yer—how old <i>air</i> you? W'y, child, not "<i>twenty</i>!" When?<br /> +And yer nex' birthday's in Aprile? and you want to git married that day?<br /> +... I wisht yer mother was livin'!—But—I hain't got nothin' to say!<br /> +<br /> +Twenty year! and as good a gyrl as parent ever found!<br /> +There's a straw ketched onto yer dress there—I'll bresh it off—turn round.<br /> +(Her mother was jes' twenty when us two run away!)<br /> +Nothin' to say, my daughter! Nothin' at all to say!<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_105" id="Page_105"> [Pg 105]</a></span></p> +<p class="figcenter" style="width: 400px;"> +<img src="images/image101.jpg" width="400" height="600" alt="(NOTHIN' TO SAY)" title="(NOTHIN' TO SAY)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_106" id="Page_106"> [Pg 106]</a></span><span class='pagenum'><a name="Page_107" id="Page_107"> [Pg 107]</a></span></p> +<p><a name="Illustration_IKE_WALTONS_PRAYER_TITLE" id="Illustration_IKE_WALTONS_PRAYER_TITLE"></a></p> +<p class="figcenter" style="width: 400px;"> +<img src="images/image103.jpg" width="400" height="290" alt="(IKE WALTON'S PRAYER—TITLE)" title="(IKE WALTON'S PRAYER—TITLE)" /> +</p> + +<h2>IKE WALTON'S PRAYER</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +I crave, dear Lord,<br /> +No boundless hoard<br /> +Of gold and gear,<br /> +<span style="margin-left: 1em;">Nor jewels fine,</span><br /> +<span style="margin-left: 1em;">Nor lands, nor kine,</span><br /> +Nor treasure-heaps of anything—<br /> +<span style="margin-left: 1em;">Let but a little hut be mine</span><br /> +<span style="margin-left: 1em;">Where at the hearthstone I may hear</span><br /><span class='pagenum'><a name="Page_108" id="Page_108"> [Pg 108]</a></span> +<span style="margin-left: 3em;">The cricket sing,</span><br /> +<span style="margin-left: 2em;">And have the shine</span><br /> +<span style="margin-left: 1em;">Of one glad woman's eyes to make,</span><br /> +<span style="margin-left: 1em;">For my poor sake,</span><br /> +<span style="margin-left: 2em;">Our simple home a place divine;—</span><br /> +Just the wee cot—the cricket's chirr—<br /> +Love, and the smiling face of her.<br /> +<br /> +I pray not for<br /> +Great riches, nor<br /> +<span style="margin-left: 1em;">For vast estates, and castle-halls,—</span><br /> +<span style="margin-left: 1em;">Give me to hear the bare footfalls</span><br /> +<span style="margin-left: 2em;">Of children o'er</span><br /> +<span style="margin-left: 2em;">An oaken floor,</span><br /> +<span style="margin-left: 1em;">New-rinsed with sunshine, or bespread</span><br /> +<span style="margin-left: 1em;">With but the tiny coverlet</span><br /> +<span style="margin-left: 1em;">And pillow for the baby's head;</span><br /> +And pray Thou, may<br /> +The door stand open and the day<br /> +<span style="margin-left: 1em;">Send ever in a gentle breeze,</span><br /> +<span style="margin-left: 1em;">With fragrance from the locust-trees,</span><br /> +<span style="margin-left: 2em;">And drowsy moan of doves, and blur</span><br /> +<span style="margin-left: 1em;">Of robin-chirps, and drone of bees,</span><br /> +<span style="margin-left: 2em;">With afterhushes of the stir</span><br /><span class='pagenum'><a name="Page_109" id="Page_109"> [Pg 109]</a></span> +<span style="margin-left: 1em;">Of intermingling sounds, and then</span><br /> +<span style="margin-left: 2em;">The good-wife and the smile of her</span><br /> +<span style="margin-left: 1em;">Filling the silences again—</span><br /> +<span style="margin-left: 3em;">The cricket's call,</span><br /> +<span style="margin-left: 4em;">And the wee cot,</span><br /> +<span style="margin-left: 3em;">Dear Lord of all,</span><br /> +<span style="margin-left: 4em;">Deny me not!</span><br /> +<br /> +I pray not that<br /> +Men tremble at<br /> +<span style="margin-left: 1em;">My power of place</span><br /> +<span style="margin-left: 2em;">And lordly sway,—</span><br /> +I only pray for simple grace<br /> +To look my neighbor in the face<br /> +<span style="margin-left: 1em;">Full honestly from day to day—</span><br /> +Yield me his horny palm to hold,<br /> +<span style="margin-left: 3em;">And I'll not pray</span><br /> +<span style="margin-left: 4em;">For gold;—</span><br /> +The tanned face, garlanded with mirth,<br /> +It hath the kingliest smile on earth—<br /> +The swart brow, diamonded with sweat,<br /> +Hath never need of coronet.<br /> +<span style="margin-left: 3em;">And so I reach,</span><br /><span class='pagenum'><a name="Page_110" id="Page_110"> [Pg 110]</a></span> +<span style="margin-left: 4em;">Dear Lord, to Thee,</span><br /> +<span style="margin-left: 3em;">And do beseech</span><br /> +<span style="margin-left: 4em;">Thou givest me</span><br /> +The wee cot, and the cricket's chirr,<br /> +Love, and the glad sweet face of her.<br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 470px;"> +<img src="images/image106.jpg" width="470" height="400" alt="(IKE WALTON'S PRAYER—TAILPIECE)" title="(IKE WALTON'S PRAYER—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_111" id="Page_111"> [Pg 111]</a></span></p> +<h2><a name="ILLILEO" id="ILLILEO"></a>ILLILEO</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Illileo, the moonlight seemed lost across the vales—<br /> +The stars but strewed the azure as an armor's scattered scales;<br /> +The airs of night were quiet as the breath of silken sails;<br /> +And all your words were sweeter than the notes of nightingales.<br /> +<br /> +Illileo Legardi, in the garden there alone,<br /> +With your figure carved of fervor, as the Psyche carved of stone,<br /> +There came to me no murmur of the fountain's undertone<br /> +So mystically, musically mellow as your own.<br /> +<br /> +You whispered low, Illileo—so low the leaves were mute,<br /> +And the echoes faltered breathless in your voice's vain pursuit;<br /> +And there died the distant dalliance of the serenader's lute:<br /><span class='pagenum'><a name="Page_112" id="Page_112"> [Pg 112]</a></span> +And I held you in my bosom as the husk may hold the fruit.<br /> +<br /> +Illileo, I listened. I believed you. In my bliss,<br /> +What were all the worlds above me since I found you thus in this?—<br /> +Let them reeling reach to win me—even Heaven I would miss,<br /> +Grasping earthward!—I would cling here, though I clung by just a kiss!<br /> +<br /> +And blossoms should grow odorless—and lilies all aghast—<br /> +And I said the stars should slacken in their paces through the vast,<br /> +Ere yet my loyalty should fail enduring to the last.—<br /> +So vowed I. It is written. It is changeless as the past.<br /> +<br /> +Illileo Legardi, in the shade your palace throws<br /> +Like a cowl about the singer at your gilded porticos,<br /> +A moan goes with the music that may vex the high repose<br /> +Of a heart that fades and crumbles as the crimson of a rose.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_113" id="Page_113"> [Pg 113]</a></span></p> +<p class="figcenter" style="width: 376px;"> +<img src="images/image109.jpg" width="376" height="600" alt="(ILLILEO)" title="(ILLILEO)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_114" id="Page_114"> [Pg 114]</a></span><span class='pagenum'><a name="Page_115" id="Page_115"> [Pg 115]</a></span></p> +<p><a name="Illustration_WIFE-BLESSED_THE" id="Illustration_WIFE-BLESSED_THE"></a></p> +<p class="figcenter" style="width: 370px;"> +<img src="images/image111.jpg" width="370" height="400" alt="(WIFE-BLESSÉD, THE)" title="(WIFE-BLESSÉD, THE)" /> +</p> + +<h2>THE WIFE-BLESSÉD</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p class="center">I</p> + +<p> +In youth he wrought, with eyes ablur,<br /> +<span style="margin-left: 1em;">Lorn-faced and long of hair—</span><br /> +In youth—in youth he painted her<br /> +<span style="margin-left: 1em;">A sister of the air—</span><br /> +Could clasp her not, but felt the stir<br /> +<span style="margin-left: 1em;">Of pinions everywhere.</span><br /> +</p> + + +<p class="center">II<span class='pagenum'><a name="Page_116" id="Page_116"> [Pg 116]</a></span></p> + +<p> +She lured his gaze, in braver days,<br /> +<span style="margin-left: 1em;">And tranced him sirenwise;</span><br /> +And he did paint her, through a haze<br /> +<span style="margin-left: 1em;">Of sullen paradise,</span><br /> +With scars of kisses on her face<br /> +<span style="margin-left: 1em;">And embers in her eyes.</span><br /> +</p> + + +<p class="center">III</p> + +<p> +And now—nor dream nor wild conceit—<br /> +<span style="margin-left: 1em;">Though faltering, as before—</span><br /> +Through tears he paints her, as is meet,<br /> +<span style="margin-left: 1em;">Tracing the dear face o'er</span><br /> +With lilied patience meek and sweet<br /> +<span style="margin-left: 1em;">As Mother Mary wore.</span><br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_117" id="Page_117"> [Pg 117]</a></span></p> +<h2><a name="MY_MARY" id="MY_MARY"></a>MY MARY</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +My Mary, O my Mary!<br /> +<span style="margin-left: 1em;">The simmer-skies are blue;</span><br /> +The dawnin' brings the dazzle,<br /> +<span style="margin-left: 1em;">An' the gloamin' brings the dew,—</span><br /> +The mirk o' nicht the glory<br /> +<span style="margin-left: 1em;">O' the moon, an' kindles, too,</span><br /> +The stars that shift aboon the lift.—<br /> +<span style="margin-left: 1em;">But nae thing brings me you!</span><br /> +<br /> +Where is it, O my Mary,<br /> +<span style="margin-left: 1em;">Ye are biding a' the while?</span><br /> +I ha' wended by your window—<br /> +<span style="margin-left: 1em;">I ha' waited by the stile,</span><br /> +An' up an' down the river<br /> +<span style="margin-left: 1em;">I ha' won for mony a mile,</span><br /> +Yet never found, adrift or drown'd,<br /> +<span style="margin-left: 1em;">Your lang-belated smile.</span><br /> +<br /> +Is it forgot, my Mary,<br /> +<span style="margin-left: 1em;">How glad we used to be?—</span><br /> +The simmer-time when bonny bloomed<br /><span class='pagenum'><a name="Page_118" id="Page_118"> [Pg 118]</a></span> +<span style="margin-left: 1em;">The auld trysting-tree,—</span><br /> +How there I carved the name for you,<br /> +<span style="margin-left: 1em;">An' you the name for me;</span><br /> +An' the gloamin' kenned it only<br /> +<span style="margin-left: 1em;">When we kissed sae tenderly.</span><br /> +<br /> +Speek ance to me, my Mary!—<br /> +<span style="margin-left: 1em;">But whisper in my ear</span><br /> +As light as ony sleeper's breath,<br /> +<span style="margin-left: 1em;">An' a' my soul will hear;</span><br /> +My heart shall stap its beating<br /> +<span style="margin-left: 1em;">An' the soughing atmosphere</span><br /> +Be hushed the while I leaning smile<br /> +<span style="margin-left: 1em;">An' listen to you, dear!</span><br /> +<br /> +My Mary, O my Mary!<br /> +<span style="margin-left: 1em;">The blossoms bring the bees;</span><br /> +The sunshine brings the blossoms,<br /> +<span style="margin-left: 1em;">An' the leaves on a' the trees;</span><br /> +The simmer brings the sunshine<br /> +<span style="margin-left: 1em;">An' the fragrance o' the breeze,—</span><br /> +But O wi'out you, Mary,<br /> +<span style="margin-left: 1em;">I care nae thing for these!</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_119" id="Page_119"> [Pg 119]</a></span></p> +<p class="figcenter" style="width: 376px;"> +<img src="images/image115.jpg" width="376" height="400" alt="(THE AULD TRYSTING-TREE)" title="(THE AULD TRYSTING-TREE)" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p><span class='pagenum'><a name="Page_120" id="Page_120"> [Pg 120]</a></span><span class='pagenum'><a name="Page_121" id="Page_121"> [Pg 121]</a></span></p> +<p>We were sae happy, Mary!<br /> +<span style="margin-left: 1em;">O think how ance we said—</span><br /> +Wad ane o' us gae fickle,<br /> +<span style="margin-left: 1em;">Or ane o' us lie dead,—</span><br /> +To feel anither's kisses<br /> +<span style="margin-left: 1em;">We wad feign the auld instead,</span><br /> +An' ken the ither's footsteps<br /> +<span style="margin-left: 1em;">In the green grass owerhead.</span><br /> +<br /> +My Mary, O my Mary!<br /> +<span style="margin-left: 1em;">Are ye daughter o' the air,</span><br /> +That ye vanish aye before me<br /> +<span style="margin-left: 1em;">As I follow everywhere?—</span><br /> +Or is it ye are only<br /> +<span style="margin-left: 1em;">But a mortal, wan wi' care?—</span><br /> +Syne I search through a' the kirkyird<br /> +<span style="margin-left: 1em;">An' I dinna find ye there!</span><br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 500px;"> +<img src="images/image117.jpg" width="500" height="274" alt="(MY MARY—TAILPIECE)" title="(MY MARY—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_122" id="Page_122"> [Pg 122]</a></span></p> +<h2><a name="HOME_AT_NIGHT" id="HOME_AT_NIGHT"></a>HOME AT NIGHT</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +When chirping crickets fainter cry,<br /> +And pale stars blossom in the sky,<br /> +And twilight's gloom has dimmed the bloom<br /> +And blurred the butterfly:<br /> +<br /> +When locust-blossoms fleck the walk,<br /> +And up the tiger-lily stalk<br /> +The glow-worm crawls and clings and falls<br /> +And glimmers down the garden-walls:<br /> +<br /> +When buzzing things, with double wings<br /> +Of crisp and raspish flutterings,<br /> +Go whizzing by so very nigh<br /> +One thinks of fangs and stings:—<br /> +<br /> +O then, within, is stilled the din<br /> +Of crib she rocks the baby in,<br /> +And heart and gate and latch's weight<br /> +Are lifted—and the lips of Kate.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_123" id="Page_123"> [Pg 123]</a></span></p> +<p class="figcenter" style="width: 430px;"> +<img src="images/image119.jpg" width="430" height="600" alt="(HOME AT NIGHT)" title="(HOME AT NIGHT)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_124" id="Page_124"> [Pg 124]</a></span><span class='pagenum'><a name="Page_125" id="Page_125"> [Pg 125]</a></span></p> +<p><a name="Illustration_WHEN_LIDE_MARRIED_Him_TITLE" id="Illustration_WHEN_LIDE_MARRIED_Him_TITLE"></a></p> +<p class="figcenter" style="width: 305px;"> +<img src="images/image121.jpg" width="305" height="400" alt="(WHEN LIDE MARRIED Him—TITLE)" title="(WHEN LIDE MARRIED Him—TITLE)" /> +</p> + +<h2>WHEN LIDE MARRIED <i>HIM</i></h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +When Lide married <i>him</i>—w'y, she had to jes dee-fy<br /> +The whole poppilation!—But she never bat' an eye!<br /> +Her parents begged, and <i>threatened</i>—she must give him up—that <i>he</i><br /> +Wuz jes "a common drunkard!"—And he <i>wuz</i>, appearantly.—<br /> +<span style="margin-left: 5em;">Swore they'd chase him off the place</span><br /><span class='pagenum'><a name="Page_126" id="Page_126"> [Pg 126]</a></span> +<span style="margin-left: 5em;">Ef he ever showed his face—</span><br /> +Long after she'd <i>eloped</i> with him and <i>married</i> him fer shore!—<br /> +When Lide married <i>him</i>, it wuz "<i>Katy, bar the door!</i>"<br /> +<br /> +When Lide married <i>him</i>—Well! she had to go and be<br /> +A <i>hired girl</i> in town somewheres—while he tromped round to see<br /> +What <i>he</i> could git that <i>he</i> could do,—you might say, jes sawed wood<br /> +From door to door!—that's what he done—'cause that wuz best he could!<br /> +<span style="margin-left: 5em;">And the strangest thing, i jing!</span><br /> +<span style="margin-left: 5em;">Wuz, he didn't <i>drink</i> a thing,—</span><br /> +But jes got down to bizness, like he someway <i>wanted</i> to,<br /> +When Lide married him, like they warned her <i>not</i> to do!<br /> +<br /> +When Lide married <i>him</i>—er, ruther, <i>had</i> ben married<br /> +A little up'ards of a year—some feller come and carried<br /> +That <i>hired girl</i> away with him—a ruther <i>stylish</i> feller<br /> +In a bran-new green spring-wagon, with the wheels striped red and yeller:<br /> +<span style="margin-left: 5em;">And he whispered, as they driv</span><br /><span class='pagenum'><a name="Page_127" id="Page_127"> [Pg 127]</a></span> +<span style="margin-left: 5em;">Tords the country, "<i>Now we'll live!</i>"—</span><br /> +And <i>somepin' else</i> she <i>laughed</i> to hear, though both her eyes wuz dim,<br /> +'Bout "<i>trustin' Love and Heav'n above</i>, sence Lide married <i>him</i>!"<br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 500px;"> +<img src="images/image123.jpg" width="500" height="307" alt="(WHEN LIDE MARRIED Him—TAILPIECE)" title="(WHEN LIDE MARRIED Him—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_128" id="Page_128"> [Pg 128]</a></span></p> +<h2><a name="HER_HAIR" id="HER_HAIR"></a>HER HAIR</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +The beauty of her hair bewilders me—<br /> +<span style="margin-left: 1em;">Pouring adown the brow, its cloven tide</span><br /> +<span style="margin-left: 1em;">Swirling about the ears on either side</span><br /> +And storming around the neck tumultuously:<br /> +Or like the lights of old antiquity<br /> +<span style="margin-left: 1em;">Through mullioned windows, in cathedrals wide,</span><br /> +<span style="margin-left: 1em;">Spilled moltenly o'er figures deified</span><br /> +In chastest marble, nude of drapery.<br /> +And so I love it.—Either unconfined;<br /> +<span style="margin-left: 1em;">Or plaited in close braidings manifold;</span><br /> +Or smoothly drawn; or indolently twined<br /> +<span style="margin-left: 1em;">In careless knots whose coilings come unrolled</span><br /> +At any lightest kiss; or by the wind<br /> +<span style="margin-left: 1em;">Whipped out in flossy ravelings of gold.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_129" id="Page_129"> [Pg 129]</a></span></p> +<p class="figcenter" style="width: 482px;"> +<img src="images/image125.jpg" width="482" height="600" alt="(HER HAIR)" title="(HER HAIR)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_130" id="Page_130"> [Pg 130]</a></span><span class='pagenum'><a name="Page_131" id="Page_131"> [Pg 131]</a></span> +<a name="Illustration_LAST_NIGHT_AND_THIS_TITLE" id="Illustration_LAST_NIGHT_AND_THIS_TITLE"></a></p> +<p class="figcenter" style="width: 500px;"> +<img src="images/image127.jpg" width="500" height="154" alt="(LAST NIGHT AND THIS—TITLE)" title="(LAST NIGHT AND THIS—TITLE)" /> +</p> + +<h2>LAST NIGHT—AND THIS</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Last night—how deep the darkness was!<br /> +And well I knew its depths, because<br /> +I waded it from shore to shore,<br /> +Thinking to reach the light no more.<br /> +<br /><span class='pagenum'><a name="Page_132" id="Page_132"> [Pg 132]</a></span> +She would not even touch my hand.—<br /> +The winds rose and the cedars fanned<br /> +The moon out, and the stars fled back<br /> +In heaven and hid—and all was black!<br /> +<br /> +But ah! To-night a summons came,<br /> +Signed with a teardrop for a name,—<br /> +For as I wondering kissed it, lo,<br /> +A line beneath it told me so.<br /> +<br /> +And <i>now</i> the moon hangs over me<br /> +A disk of dazzling brilliancy,<br /> +And every star-tip stabs my sight<br /> +With splintered glitterings of light!<br /> +</p> +</td> +</tr> +</table></div> + +<p class="figcenter" style="width: 500px;"> +<img src="images/image128.jpg" width="500" height="168" alt="(LAST NIGHT AND THIS—TAILPIECE)" title="(LAST NIGHT AND THIS—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_133" id="Page_133"> [Pg 133]</a></span> +<a name="Illustration_A_DISCOURAGING_MODEL_TITLE" id="Illustration_A_DISCOURAGING_MODEL_TITLE"></a></p> +<p class="figcenter" style="width: 312px;"> +<img src="images/image129.jpg" width="312" height="400" alt="(A DISCOURAGING MODEL—TITLE)" title="(A DISCOURAGING MODEL—TITLE)" /> +</p> + +<h2>A DISCOURAGING MODEL</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Just the airiest, fairiest slip of a thing,<br /> +With a Gainsborough hat, like a butterfly's wing,<br /> +Tilted up at one side with the jauntiest air,<br /> +And a knot of red roses sown in under there<br /> +<span style="margin-left: 2em;">Where the shadows are lost in her hair.</span><br /> +<br /><span class='pagenum'><a name="Page_134" id="Page_134"> [Pg 134]</a></span> +Then a cameo face, carven in on a ground<br /> +Of that shadowy hair where the roses are wound;<br /> +And the gleam of a smile O as fair and as faint<br /> +And as sweet as the masters of old used to paint<br /> +<span style="margin-left: 2em;">Round the lips of their favorite saint!</span><br /> +<br /> +And that lace at her throat—and the fluttering hands<br /> +Snowing there, with a grace that no art understands<br /> +The flakes of their touches—first fluttering at<br /> +The bow—then the roses—the hair—and then that<br /> +<span style="margin-left: 2em;">Little tilt of the Gainsborough hat.</span><br /> +<br /> +What artist on earth, with a model like this,<br /> +Holding not on his palette the tint of a kiss,<br /> +Nor a pigment to hint of the hue of her hair,<br /> +Nor the gold of her smile—O what artist could dare<br /> +<span style="margin-left: 2em;">To expect a result half so fair?</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_135" id="Page_135"> [Pg 135]</a></span></p> +<p class="figcenter" style="width: 494px;"> +<img src="images/image131.jpg" width="494" height="600" alt="(A CAMEO FACE)" title="(A CAMEO FACE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_136" id="Page_136"> [Pg 136]</a></span></p> +<h2><a name="SUSPENSE" id="SUSPENSE"></a>SUSPENSE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +A woman's figure, on a ground of night<br /> +<span style="margin-left: 1em;">Inlaid with sallow stars that dimly stare</span><br /> +<span style="margin-left: 1em;">Down in the lonesome eyes, uplifted there</span><br /> +As in vague hope some alien lance of light<br /> +Might pierce their woe. The tears that blind her sight—<br /> +<span style="margin-left: 1.5em;">The salt and bitter blood of her despair—</span><br /> +<span style="margin-left: 1.5em;">Her hands toss back through torrents of her hair</span><br /> +And grip toward God with anguish infinite.<br /> +<span style="margin-left: 1.5em;">And O the carven mouth, with all its great</span><br /> +Intensity of longing frozen fast<br /> +<span style="margin-left: 1.5em;">In such a smile as well may designate</span><br /> +The slowly murdered heart, that, to the last<br /> +<span style="margin-left: 1.5em;">Conceals each newer wound, and back at Fate</span><br /> +Throbs Love's eternal lie—"Lo, I can wait!"<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_137" id="Page_137"> [Pg 137]</a></span></p> +<p class="figcenter" style="width: 546px;"> +<img src="images/image133.jpg" width="546" height="600" alt="(SUSPENSE)" title="(SUSPENSE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_138" id="Page_138"> [Pg 138]</a></span><span class='pagenum'><a name="Page_139" id="Page_139"> [Pg 139]</a></span> +<a name="Illustration_TOM_VAN_ARDEN_TITLE" id="Illustration_TOM_VAN_ARDEN_TITLE"></a></p> +<p class="figcenter" style="width: 500px;"> +<img src="images/image135.jpg" width="500" height="289" alt="(TOM VAN ARDEN—TITLE)" title="(TOM VAN ARDEN—TITLE)" /> +</p> + +<h2>TOM VAN ARDEN</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Tom Van Arden, my old friend,<br /> +<span style="margin-left: 1em;">Our warm fellowship is one</span><br /> +Far too old to comprehend<br /> +<span style="margin-left: 1em;">Where its bond was first begun:</span><br /> +<span style="margin-left: 2em;">Mirage-like before my gaze</span><br /> +<span style="margin-left: 2em;">Gleams a land of other days,</span><br /> +<span style="margin-left: 2em;">Where two truant boys, astray,</span><br /> +<span style="margin-left: 2em;">Dream their lazy lives away.</span><br /> +<br /><span class='pagenum'><a name="Page_140" id="Page_140"> [Pg 140]</a></span> +There's a vision, in the guise<br /> +<span style="margin-left: 1em;">Of Midsummer, where the Past</span><br /> +Like a weary beggar lies<br /> +<span style="margin-left: 1em;">In the shadow Time has cast;</span><br /> +<span style="margin-left: 2em;">And as blends the bloom of trees</span><br /> +<span style="margin-left: 2em;">With the drowsy hum of bees,</span><br /> +<span style="margin-left: 2em;">Fragrant thoughts and murmurs blend,</span><br /> +<span style="margin-left: 2em;">Tom Van Arden, my old friend.</span><br /> +<br /> +Tom Van Arden, my old friend,<br /> +<span style="margin-left: 1em;">All the pleasures we have known</span><br /> +Thrill me now as I extend<br /> +<span style="margin-left: 1em;">This old hand and grasp your own—</span><br /> +<span style="margin-left: 2em;">Feeling, in the rude caress,</span><br /> +<span style="margin-left: 2em;">All affection's tenderness;</span><br /> +<span style="margin-left: 2em;">Feeling, though the touch be rough,</span><br /> +<span style="margin-left: 2em;">Our old souls are soft enough.</span><br /> +<br /> +So we'll make a mellow hour;<br /> +<span style="margin-left: 1em;">Fill your pipe, and taste the wine—</span><br /> +Warp your face, if it be sour,<br /> +<span style="margin-left: 1em;">I can spare a smile from mine;</span><br /> +<span style="margin-left: 2em;">If it sharpen up your wit,</span><br /> +<span style="margin-left: 2em;">Let me feel the edge of it—</span><br /> +<span style="margin-left: 2em;">I have eager ears to lend,</span><br /> +<span style="margin-left: 2em;">Tom Van Arden, my old friend.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_141" id="Page_141"> [Pg 141]</a></span></p> +<p class="figcenter" style="width: 405px;"> +<img src="images/image137.jpg" width="405" height="600" alt="(TOM VAN ARDEN)" title="(TOM VAN ARDEN)" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p><span class='pagenum'><a name="Page_142" id="Page_142"> [Pg 142]</a></span><span class='pagenum'><a name="Page_143" id="Page_143"> [Pg 143]</a></span></p> +<p>Tom Van Arden, my old friend,<br /> +<span style="margin-left: 1em;">Are we "lucky dogs," indeed?</span><br /> +Are we all that we pretend<br /> +<span style="margin-left: 1em;">In the jolly life we lead?—</span><br /> +<span style="margin-left: 2em;">Bachelors, we must confess</span><br /> +<span style="margin-left: 2em;">Boast of "single blessedness"</span><br /> +<span style="margin-left: 2em;">To the world, but not alone—</span><br /> +<span style="margin-left: 2em;">Man's best sorrow is his own.</span><br /> +<br /> +And the saddest truth is this,—<br /> +<span style="margin-left: 1em;">Life to us has never proved</span><br /> +What we tasted in the kiss<br /> +<span style="margin-left: 1em;">Of the women we have loved:</span><br /> +<span style="margin-left: 2em;">Vainly we congratulate</span><br /> +<span style="margin-left: 2em;">Our escape from such a fate</span><br /> +<span style="margin-left: 2em;">As their lying lips could send,</span><br /> +<span style="margin-left: 2em;">Tom Van Arden, my old friend!</span><br /> +<br /> +Tom Van Arden, my old friend,<br /> +<span style="margin-left: 1em;">Hearts, like fruit upon the stem,</span><br /> +Ripen sweetest, I contend,<br /> +<span style="margin-left: 1em;">As the frost falls over them:</span><br /> +<span style="margin-left: 2em;">Your regard for me to-day</span><br /><span class='pagenum'><a name="Page_144" id="Page_144"> [Pg 144]</a></span> +<span style="margin-left: 2em;">Makes November taste of May,</span><br /> +<span style="margin-left: 2em;">And through every vein of rhyme</span><br /> +<span style="margin-left: 2em;">Pours the blood of summertime.</span><br /> +<br /> +When our souls are cramped with youth<br /> +<span style="margin-left: 1em;">Happiness seems far away</span><br /> +In the future, while, in truth,<br /> +<span style="margin-left: 1em;">We looked back on it to-day</span><br /> +<span style="margin-left: 2em;">Through our tears, nor dare to boast,—</span><br /> +<span style="margin-left: 2em;">"Better to have loved and lost!"</span><br /> +<span style="margin-left: 2em;">Broken hearts are hard to mend,</span><br /> +<span style="margin-left: 2em;">Tom Van Arden, my old friend.</span><br /> +<br /> +Tom Van Arden, my old friend,<br /> +<span style="margin-left: 1em;">I grow prosy, and you tire;</span><br /> +Fill the glasses while I bend<br /> +<span style="margin-left: 1em;">To prod up the failing fire....</span><br /> +<span style="margin-left: 2em;">You are restless:—I presume</span><br /> +<span style="margin-left: 2em;">There's a dampness in the room.—</span><br /> +<span style="margin-left: 2em;">Much of warmth our nature begs,</span><br /> +<span style="margin-left: 2em;">With rheumatics in our legs!...</span><br /> +<br /><span class='pagenum'><a name="Page_145" id="Page_145"> [Pg 145]</a></span> +Humph! the legs we used to fling<br /> +<span style="margin-left: 1em;">Limber-jointed in the dance,</span><br /> +When we heard the fiddle ring<br /> +<span style="margin-left: 1em;">Up the curtain of Romance,</span><br /> +<span style="margin-left: 2em;">And in crowded public halls</span><br /> +<span style="margin-left: 2em;">Played with hearts like jugglers'-balls.—</span><br /> +<span style="margin-left: 2em;"><i>Feats of mountebanks, depend</i>!—</span><br /> +<span style="margin-left: 2em;">Tom Van Arden, my old friend.</span><br /> +<br /> +Tom Van Arden, my old friend,<br /> +<span style="margin-left: 1em;">Pardon, then, this theme of mine:</span><br /> +While the fire-light leaps to lend<br /> +<span style="margin-left: 1em;">Higher color to the wine,—</span><br /> +<span style="margin-left: 2em;">I propose a health to those</span><br /> +<span style="margin-left: 2em;">Who have <i>homes</i>, and home's repose,</span><br /> +<span style="margin-left: 2em;">Wife and child-love without end!</span><br /> +<span style="margin-left: 2em;">... Tom Van Arden, my old friend.</span><br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_146" id="Page_146"> [Pg 146]</a></span> +<a name="Illustration_TO_HEAR_HER_SING" id="Illustration_TO_HEAR_HER_SING"></a></p> +<p class="figcenter" style="width: 298px;"> +<img src="images/image142.jpg" width="298" height="400" alt="(TO HEAR HER SING)" title="(TO HEAR HER SING)" /> +</p> + +<h2>TO HEAR HER SING</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +To hear her sing—to hear her sing—<br /> +It is to hear the birds of Spring<br /> +In dewy groves on blooming sprays<br /> +Pour out their blithest roundelays.<br /> +<br /> +It is to hear the robin trill<br /> +At morning, or the whippoorwill<br /> +At dusk, when stars are blossoming<br /> +To hear her sing—to hear her sing!<br /> +<br /> +To hear her sing—it is to hear<br /> +The laugh of childhood ringing clear<br /> +In woody path or grassy lane<br /> +Our feet may never fare again.<br /> +<br /><span class='pagenum'><a name="Page_147" id="Page_147"> [Pg 147]</a></span> +Faint, far away as Memory dwells,<br /> +It is to hear the village bells<br /> +At twilight, as the truant hears<br /> +Them, hastening home, with smiles and tears.<br /> +<br /> +Such joy it is to hear her sing,<br /> +We fall in love with everything—<br /> +The simple things of every day<br /> +Grow lovelier than words can say.<br /> +<br /> +The idle brooks that purl across<br /> +The gleaming pebbles and the moss,<br /> +We love no less than classic streams—<br /> +The Rhines and Arnos of our dreams.<br /> +<br /> +To hear her sing—with folded eyes,<br /> +It is, beneath Venetian skies,<br /> +To hear the gondoliers' refrain,<br /> +Or troubadours of sunny Spain.—<br /> +<br /> +To hear the bulbul's voice that shook<br /> +The throat that trilled for Lalla Rookh:<br /> +What wonder we in homage bring<br /> +Our hearts to her—to hear her sing!<br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_148" id="Page_148"> [Pg 148]</a></span></p> +<h2><a name="THE_RIVAL" id="THE_RIVAL"></a>THE RIVAL</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +I so loved once, when Death came by I hid<br /> +<span style="margin-left: 1em;">Away my face,</span><br /> +And all my sweetheart's tresses she undid<br /> +<span style="margin-left: 1em;">To make my hiding-place.</span><br /> +<br /> +The dread shade passed me thus unheeding; and<br /> +<span style="margin-left: 1em;">I turned me then</span><br /> +To calm my love—kiss down her shielding hand<br /> +<span style="margin-left: 1em;">And comfort her again.</span><br /> +<br /> +And lo! she answered not: And she did sit<br /> +<span style="margin-left: 1em;">All fixedly,</span><br /> +With her fair face and the sweet smile of it,<br /> +<span style="margin-left: 1em;">In love with Death, not me.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_149" id="Page_149"> [Pg 149]</a></span></p> +<p class="figcenter" style="width: 385px;"> +<img src="images/image145.jpg" width="385" height="600" alt="(THE RIVAL)" title="(THE RIVAL)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_150" id="Page_150"> [Pg 150]</a></span><span class='pagenum'><a name="Page_151" id="Page_151"> [Pg 151]</a></span></p> +<p><a name="Illustration_A_VARIATION_TITLE" id="Illustration_A_VARIATION_TITLE"></a></p> +<p class="figcenter" style="width: 377px;"> +<img src="images/image147.jpg" width="377" height="600" alt="(A VARIATION—TITLE)" title="(A VARIATION—TITLE)" /> +</p> + +<h2>A VARIATION</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +I am tired of this!<br /> +<span style="margin-left: 1em;">Nothing else but loving!</span><br /> +Nothing else but kiss and kiss,<br /> +<span style="margin-left: 1em;">Coo, and turtle-doving!</span><br /> +<span style="margin-left: 2em;">Can't you change the order some?</span><br /> +<span style="margin-left: 2em;">Hate me just a little—come!</span><br /> +<br /><span class='pagenum'><a name="Page_152" id="Page_152"> [Pg 152]</a></span> +Lay aside your "dears,"<br /> +<span style="margin-left: 1em;">"Darlings," "kings," and "princes!"—</span><br /> +Call me knave, and dry your tears—<br /> +<span style="margin-left: 1em;">Nothing in me winces,—</span><br /> +<span style="margin-left: 2em;">Call me something low and base—</span><br /> +<span style="margin-left: 2em;">Something that will suit the case!</span><br /> +<br /> +Wish I had your eyes<br /> +<span style="margin-left: 1em;">And their drooping lashes!</span><br /> +I would dry their teary lies<br /> +<span style="margin-left: 1em;">Up with lightning-flashes—</span><br /> +<span style="margin-left: 2em;">Make your sobbing lips unsheathe</span><br /> +<span style="margin-left: 2em;">All the glitter of your teeth!</span><br /> +<br /> +Can't you lift one word—<br /> +<span style="margin-left: 1em;">With some pang of laughter—</span><br /> +Louder than the drowsy bird<br /> +<span style="margin-left: 1em;">Crooning 'neath the rafter?</span><br /> +<span style="margin-left: 2em;">Just one bitter word, to shriek</span><br /> +<span style="margin-left: 2em;">Madly at me as I speak!</span><br /> +<br /> +How I hate the fair<br /> +<span style="margin-left: 1em;">Beauty of your forehead!</span><br /> +How I hate your fragrant hair!<br /><span class='pagenum'><a name="Page_153" id="Page_153"> [Pg 153]</a></span> +<span style="margin-left: 1em;">How I hate the torrid</span><br /> +<span style="margin-left: 2em;">Touches of your splendid lips,</span><br /> +<span style="margin-left: 2em;">And the kiss that drips and drips!</span><br /> +<br /> +Ah, you pale at last!<br /> +<span style="margin-left: 1em;">And your face is lifted</span><br /> +Like a white sail to the blast,<br /> +<span style="margin-left: 1em;">And your hands are shifted</span><br /> +<span style="margin-left: 2em;">Into fists: and, towering thus,</span><br /> +<span style="margin-left: 2em;">You are simply glorious!</span><br /> +<br /> +Now before me looms<br /> +<span style="margin-left: 1em;">Something more than human;</span><br /> +Something more than beauty blooms<br /> +<span style="margin-left: 1em;">In the wrath of Woman—</span><br /> +<span style="margin-left: 2em;">Something to bow down before</span><br /> +<span style="margin-left: 2em;">Reverently and adore.</span><br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_154" id="Page_154"> [Pg 154]</a></span></p> +<p><a name="Illustration_WHERE_SHALL_WE_LAND_TITLE" id="Illustration_WHERE_SHALL_WE_LAND_TITLE"></a></p> +<p class="figcenter" style="width: 500px;"> +<img src="images/image150.jpg" width="500" height="376" alt="(WHERE SHALL WE LAND?—TITLE)" title="(WHERE SHALL WE LAND?—TITLE)" /> +</p> + +<h2>WHERE SHALL WE LAND?</h2> + + +<p class="center"> +"Where shall we land you, sweet?"—Swinburne.<br /> +</p> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +All listlessly we float<br /> +Out seaward in the boat<br /> +<span style="margin-left: 4em;">That beareth Love.</span><br /> +Our sails of purest snow<br /> +Bend to the blue below<br /> +<span style="margin-left: 2em;">And to the blue above.</span><br /> +<span style="margin-left: 4em;">Where shall we land?</span><br /> +<br /><span class='pagenum'><a name="Page_155" id="Page_155"> [Pg 155]</a></span> +We drift upon a tide<br /> +Shoreless on every side,<br /> +<span style="margin-left: 2em;">Save where the eye</span><br /> +Of Fancy sweeps far lands<br /> +Shelved slopingly with sands<br /> +<span style="margin-left: 2em;">Of gold and porphyry.</span><br /> +<span style="margin-left: 4em;">Where shall we land?</span><br /> +<br /> +The fairy isles we see,<br /> +Loom up so mistily—<br /> +<span style="margin-left: 2em;">So vaguely fair,</span><br /> +We do not care to break<br /> +Fresh bubbles in our wake<br /> +<span style="margin-left: 2em;">To bend our course for there.</span><br /> +<span style="margin-left: 4em;">Where shall we land?</span><br /> +<br /> +The warm winds of the deep<br /> +Have lulled our sails to sleep,<br /> +<span style="margin-left: 2em;">And so we glide</span><br /> +Careless of wave or wind,<br /> +Or change of any kind,<br /> +<span style="margin-left: 2em;">Or turn of any tide.</span><br /> +<span style="margin-left: 4em;">Where shall we land?</span><br /> +<br /> +We droop our dreamy eyes<br /> +Where our reflection lies<br /> +<span style="margin-left: 2em;">Steeped in the sea,</span><br /> +And, in an endless fit<br /><span class='pagenum'><a name="Page_156" id="Page_156"> [Pg 156]</a></span> +Of languor, smile on it<br /> +<span style="margin-left: 2em;">And its sweet mimicry.</span><br /> +<span style="margin-left: 4em;">Where shall we land?</span><br /> +<br /> +"Where shall we land?" God's grace!<br /> +I know not any place<br /> +<span style="margin-left: 2em;">So fair as this—</span><br /> +Swung here between the blue<br /> +Of sea and sky, with you<br /> +<span style="margin-left: 2em;">To ask me, with a kiss,</span><br /> +<span style="margin-left: 4em;">"Where shall we land?"</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><a name="Illustration_WHERE_SHALL_WE_LAND_TAILPIECE" id="Illustration_WHERE_SHALL_WE_LAND_TAILPIECE"></a></p> +<p class="figcenter" style="width: 327px;"> +<img src="images/image152.jpg" width="327" height="400" alt="(WHERE SHALL WE LAND?—TAILPIECE)" title="(WHERE SHALL WE LAND?—TAILPIECE)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_157" id="Page_157"> [Pg 157]</a></span></p> +<p><a name="Illustration_THE_TOUCHES_OF_HER_HANDS_TITLE" id="Illustration_THE_TOUCHES_OF_HER_HANDS_TITLE"></a></p> +<p class="figcenter" style="width: 500px;"> +<img src="images/image153.jpg" width="500" height="347" alt="(THE TOUCHES OF HER HANDS—TITLE)" title="(THE TOUCHES OF HER HANDS—TITLE)" /> +</p> + +<h2>THE TOUCHES OF HER HANDS</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +The touches of her hands are like the fall<br /> +<span style="margin-left: 1em;">Of velvet snowflakes; like the touch of down</span><br /> +The peach just brushes 'gainst the garden wall;<br /> +The flossy fondlings of the thistle-wisp<br /> +<span style="margin-left: 1em;">Caught in the crinkle of a leaf of brown</span><br /> +The blighting frost hath turned from green to crisp.<br /> +<br /><span class='pagenum'><a name="Page_158" id="Page_158"> [Pg 158]</a></span> +Soft as the falling of the dusk at night,<br /> +The touches of her hands, and the delight—<br /> +<span style="margin-left: 1em;">The touches of her hands!</span><br /> +The touches of her hands are like the dew<br /> +That falls so softly down no one e'er knew<br /> +The touch thereof save lovers like to one<br /> +Astray in lights where ranged Endymion.<br /> +<br /> +O rarely soft, the touches of her hands,<br /> +As drowsy zephyrs in enchanted lands;<br /> +<span style="margin-left: 1em;">Or pulse of dying fay; or fairy sighs;</span><br /> +Or—in between the midnight and the dawn,<br /> +When long unrest and tears and fears are gone—<br /> +<span style="margin-left: 1em;">Sleep, smoothing down the lids of weary eyes.</span><br /> +</p> +</td> +</tr> +</table></div> + +<p><a name="Illustration_THE_TOUCHES_OF_HER_HANDS_TAILPIECE" id="Illustration_THE_TOUCHES_OF_HER_HANDS_TAILPIECE"></a></p> +<p class="figcenter" style="width: 554px;"> +<img src="images/image154.jpg" width="554" height="400" alt="(THE TOUCHES OF HER HANDS—TAILPIECE)" title="(THE TOUCHES OF HER HANDS—TAILPIECE)" /> +</p> + +<p><span class='pagenum'><a name="Page_159" id="Page_159"> [Pg 159]</a></span></p> +<p class="figcenter" style="width: 223px;"> +<img src="images/image155.jpg" width="223" height="600" alt="(O RARELY SOFT, THE TOUCHES OF HER HANDS)" title="(O RARELY SOFT, THE TOUCHES OF HER HANDS)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_160" id="Page_160"> [Pg 160]</a></span></p> +<h2><a name="A_SONG_OF_LONG_AGO" id="A_SONG_OF_LONG_AGO"></a>A SONG OF LONG AGO</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +A song of Long Ago:<br /> +Sing it lightly—sing it low—<br /> +Sing it softly—like the lisping of the lips we used to know<br /> +When our baby-laughter spilled<br /> +From the glad hearts ever filled<br /> +With music blithe as robin ever trilled!<br /> +<br /> +Let the fragrant summer-breeze,<br /> +And the leaves of locust-trees,<br /> +And the apple-buds and blossoms, and the wings of honey-bees,<br /> +All palpitate with glee,<br /> +Till the happy harmony<br /> +Brings back each childish joy to you and me.<br /> +<br /> +Let the eyes of fancy turn<br /> +Where the tumbled pippins burn<br /> +Like embers in the orchard's lap of tangled grass and fern,—<br /> +There let the old path wind<br /> +In and out and on behind<br /> +The cider-press that chuckles as we grind.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_161" id="Page_161"> [Pg 161]</a></span></p> +<p class="figcenter" style="width: 373px;"> +<img src="images/image157.jpg" width="373" height="600" alt="(A SONG OF LONG AGO)" title="(A SONG OF LONG AGO)" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p><span class='pagenum'><a name="Page_162" id="Page_162"> [Pg 162]</a></span><span class='pagenum'><a name="Page_163" id="Page_163"> [Pg 163]</a></span></p> +<p>Blend in the song the moan<br /> +Of the dove that grieves alone,<br /> +And the wild whir of the locust, and the bumble's drowsy drone;<br /> +And the low of cows that call<br /> +Through the pasture-bars when all<br /> +The landscape fades away at evenfall.<br /> +<br /> +Then, far away and clear,<br /> +Through the dusky atmosphere,<br /> +Let the wailing of the kildee be the only sound we hear:<br /> +O sad and sweet and low<br /> +As the memory may know<br /> +Is the glad-pathetic song of Long Ago!<br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_164" id="Page_164"> [Pg 164]</a></span></p> +<h2><a name="WHEN_AGE_COMES_ON" id="WHEN_AGE_COMES_ON"></a>WHEN AGE COMES ON</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +When Age comes on!—<br /> +The deepening dusk is where the dawn<br /> +<span style="margin-left: 1em;">Once glittered splendid, and the dew</span><br /> +In honey-drips, from red rose-lips<br /> +<span style="margin-left: 1em;">Was kissed away by me and you.—</span><br /> +And now across the frosty lawn<br /> +Black foot-prints trail, and Age comes on—<br /> +<span style="margin-left: 5em;">And Age comes on!</span><br /> +<span style="margin-left: 1em;">And biting wild-winds whistle through</span><br /> +Our tattered hopes—and Age comes on!<br /> +<br /> +When Age comes on!—<br /> +O tide of raptures, long withdrawn,<br /> +<span style="margin-left: 1em;">Flow back in summer-floods, and fling</span><br /> +Here at our feet our childhood sweet,<br /> +<span style="margin-left: 1em;">And all the songs we used to sing!...</span><br /> +Old loves, old friends—all dead and gone—<br /> +Our old faith lost—and Age comes on—<br /> +<span style="margin-left: 5em;">And Age comes on!</span><br /> +<span style="margin-left: 1em;">Poor hearts! have we not anything</span><br /> +But longings left when Age comes on!<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_165" id="Page_165"> [Pg 165]</a></span></p> +<p class="figcenter" style="width: 421px;"> +<img src="images/image161.jpg" width="421" height="600" alt="(WHEN AGE COMES ON)" title="(WHEN AGE COMES ON)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_166" id="Page_166"> [Pg 166]</a></span><span class='pagenum'><a name="Page_167" id="Page_167"> [Pg 167]</a></span></p> +<p><a name="Illustration_FARMER_WHIPPLE_BACHELORmdashTITLE" id="Illustration_FARMER_WHIPPLE_BACHELORmdashTITLE"></a></p> +<p class="figcenter" style="width: 301px;"> +<img src="images/image163.jpg" width="301" height="400" alt="(FARMER WHIPPLE—BACHELOR—TITLE)" title="(FARMER WHIPPLE—BACHELOR—TITLE)" /> +</p> + +<h2>FARMER WHIPPLE—BACHELOR</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +It's a mystery to see me—a man o' fifty-four,<br /> +Who's lived a cross old bachelor fer thirty year' and more—<br /> +A-lookin' glad and smilin'! And they's none o' you can say<br /> +That you can guess the reason why I feel so good to-day!<br /> +<br /><span class='pagenum'><a name="Page_168" id="Page_168"> [Pg 168]</a></span> +I must tell you all about it! But I'll have to deviate<br /> +A little in beginnin', so's to set the matter straight<br /> +As to how it comes to happen that I never took a wife—<br /> +Kind o' "crawfish" from the Present to the Springtime of my life!<br /> +<br /> +I was brought up in the country: Of a family of five—<br /> +Three brothers and a sister—I'm the only one alive,—<br /> +Fer they all died little babies; and 'twas one o' Mother's ways,<br /> +You know, to want a daughter; so she took a girl to raise.<br /> +<br /> +The sweetest little thing she was, with rosy cheeks, and fat—<br /> +We was little chunks o' shavers then about as high as that!<br /> +But someway we sort o' <i>suited</i>-like! and Mother she'd declare<br /> +She never laid her eyes on a more lovin' pair<br /> +<br /> +Than <i>we</i> was! So we growed up side by side fer thirteen year',<br /> +And every hour of it she growed to me more dear!—<br /> +W'y, even Father's dyin', as he did, I do believe<br /> +Warn't more affectin' to me than it was to see her grieve!<br /> +<br /><span class='pagenum'><a name="Page_169" id="Page_169"> [Pg 169]</a></span> +I was then a lad o' twenty; and I felt a flash o' pride<br /> +In thinkin' all depended on <i>me</i> now to pervide<br /> +Fer Mother and fer Mary; and I went about the place<br /> +With sleeves rolled up—and workin', with a mighty smilin' face.—<br /> +<br /> +Fer <i>sompin' else</i> was workin'! but not a word I said<br /> +Of a certain sort o' notion that was runnin' through my head,—<br /> +"Someday I'd mayby marry, and <i>a brother's</i> love was one<br /> +Thing—<i>a lover's</i> was another!" was the way the notion run!<br /> +<br /> +I remember onc't in harvest, when the "cradle-in'" was done—<br /> +When the harvest of my summers mounted up to twenty-one<br /> +I was ridin' home with Mary at the closin' o' the day—<br /> +A-chawin' straws and thinkin', in a lover's lazy way!<br /> +<br /> +And Mary's cheeks was burnin' like the sunset down the lane:<br /> +I noticed she was thinkin', too, and ast her to explain.<br /> +Well—when she turned and <i>kissed</i> me, <i>with her arms around me—law!</i><br /> +I'd a bigger load o' heaven than I had a load o' straw!<br /> +<br /><span class='pagenum'><a name="Page_170" id="Page_170"> [Pg 170]</a></span> +I don't p'tend to learnin', but I'll tell you what's a fact,<br /> +They's a mighty truthful sayin' somers in a' almanack—<br /> +Er <i>somers</i>—'bout "puore happiness"—perhaps some folks'll laugh<br /> +At the idy—"only lastin' jest two seconds and a half."—<br /> +<br /> +But it's jest as true as preachin'!—fer that was <i>a sister's</i> kiss,<br /> +And a sister's lovin' confidence a-tellin' to me this:—<br /> +"<i>She</i> was happy, <i>bein' promised to the son o' farmer Brown</i>."—<br /> +And my feelin's struck a pardnership with sunset and went down!<br /> +<br /> +I don't know <i>how</i> I acted—I don't know <i>what</i> I said,<br /> +Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;<br /> +And the hosses kindo' glimmered before me in the road.<br /> +And the lines fell from my fingers—and that was all I knowed—<br /> +<br /> +Fer—well, I don't know <i>how</i> long—They's a dim rememberence<br /> +Of a sound o' snortin' hosses, and a stake-and-ridered fence<br /> +A-whizzin' past, and wheat-sheaves a-dancin' in the air,<br /> +And Mary screamin' "Murder!" and a-runnin' up to where<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_171" id="Page_171"> [Pg 171]</a></span></p> +<p class="figcenter" style="width: 425px;"> +<img src="images/image167.jpg" width="425" height="512" alt="(RIDIN' HOME WITH MARY)" title="(RIDIN' HOME WITH MARY)" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p><span class='pagenum'><a name="Page_172" id="Page_172"> [Pg 172]</a></span><span class='pagenum'><a name="Page_173" id="Page_173"> [Pg 173]</a></span></p> +<p><i>I</i> was layin' by the roadside, and the wagon upside down<br /> +A-leanin' on the gate-post, with the wheels a whirlin' round!<br /> +And I tried to raise and meet her, but I couldn't, with a vague<br /> +Sorto' notion comin' to me that I had a broken leg.<br /> +<br /> +Well, the women nussed me through it; but many a time I'd sigh<br /> +As I'd keep a-gittin' better instid o' goin' to die,<br /> +And wonder what was left <i>me</i> worth livin' fer below,<br /> +When the girl I loved was married to another, don't you know!<br /> +<br /> +And my thoughts was as rebellious as the folks was good and kind<br /> +When Brown and Mary married—Railly must a-been my <i>mind</i><br /> +Was kindo' out o' kilter!—fer I hated Brown, you see,<br /> +Worse'n <i>pizen</i>—and the feller whittled crutches out fer <i>me</i>—<br /> +<br /><span class='pagenum'><a name="Page_174" id="Page_174"> [Pg 174]</a></span> +And done a thousand little ac's o' kindness and respect—<br /> +And me a-wishin' all the time that I could break his neck!<br /> +My relief was like a mourner's when the funeral is done<br /> +When they moved to Illinois in the Fall o' Forty-one.<br /> +<br /> +Then I went to work in airnest—I had nothin' much in view<br /> +But to drown'd out rickollections—and it kep' me busy, too!<br /> +But I slowly thrived and prospered, tel Mother used to say<br /> +She expected yit to see me a wealthy man some day.<br /> +<br /> +Then I'd think how little <i>money</i> was, compared to happiness—<br /> +And who'd be left to use it when I died I couldn't guess!<br /> +But I've still kep' speculatin' and a-gainin' year by year,<br /> +Tel I'm pay-in' half the taxes in the county, mighty near!<br /> +<br /> +Well!—A year ago er better, a letter comes to hand<br /> +Astin' how I'd like to dicker fer some Illinois land—<br /> +"The feller that had owned it," it went ahead to state,<br /> +"Had jest deceased, insolvent, leavin' chance to speculate,"—<br /> +<br /><span class='pagenum'><a name="Page_175" id="Page_175"> [Pg 175]</a></span> +And then it closed by sayin' that I'd "better come and see."—<br /> +I'd never been West, anyhow—a most too wild fer <i>me</i><br /> +I'd allus had a notion; but a lawyer here in town<br /> +Said I'd find myself mistakened when I come to look around.<br /> +<br /> +So I bids good-bye to Mother, and I jumps aboard the train,<br /> +A-thinkin' what I'd bring her when I come back home again—<br /> +And ef she'd had an idy what the present was to be,<br /> +I think it's more'n likely she'd a-went along with me!<br /> +<br /> +Cars is awful tejus ridin', fer all they go so fast!<br /> +But finally they called out my stoppin'-place at last;<br /> +And that night, at the tavern, I dreamp' <i>I</i> was a train<br /> +O' cars, and <i>skeered</i> at sompin', runnin' down a country lane!<br /> +<br /> +Well, in the mornin' airly—after huntin' up the man—<br /> +The lawyer who was wantin' to swap the piece o' land—<br /> +We started fer the country; and I ast the history<br /> +Of the farm—its former owner—and so-forth, etcetery!<br /> +<br /><span class='pagenum'><a name="Page_176" id="Page_176"> [Pg 176]</a></span> +And—well—it was inte<i>rest</i>in'—I su-prised him, I suppose,<br /> +By the loud and frequent manner in which I blowed my nose!—<br /> +But his su-prise was greater, and it made him wonder more,<br /> +When I kissed and hugged the widder when she met us at the door!—<br /> +<br /> +<i>It was Mary</i>: They's a feelin' a-hidin' down in here—<br /> +Of course I can't explain it, ner ever make it clear.—<br /> +It was with us in that meetin', I don't want you to fergit!<br /> +And it makes me kind o' nervous when I think about it yit!<br /> +<br /> +I <i>bought</i> that farm, and <i>deeded</i> it, afore I left the town,<br /> +With "title clear to mansions in the skies," to Mary Brown!<br /> +And fu'thermore, I took her and <i>the childern</i>—fer, you see,<br /> +They'd never seed their Grandma—and I fetched 'em home with me.<br /> +<br /><span class='pagenum'><a name="Page_177" id="Page_177"> [Pg 177]</a></span> +So <i>now</i> you've got an idy why a man o' fifty-four,<br /> +Who's lived a cross old bachelor fer thirty year' and more,<br /> +Is a-lookin' glad and smilin'!—And I've jest come into town<br /> +To git a pair o' license fer to <i>marry</i> Mary Brown.<br /> +</p> +</td> +</tr> +</table></div> + +<p><a name="Illustration_FARMER_WHIPPLE_BACHELOR_TAILPIECE" id="Illustration_FARMER_WHIPPLE_BACHELOR_TAILPIECE"></a></p> +<p class="figcenter" style="width: 326px;"> +<img src="images/image173.jpg" width="326" height="400" alt="(FARMER WHIPPLE—BACHELOR—TAILPIECE)" title="(FARMER WHIPPLE—BACHELOR—TAILPIECE" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_178" id="Page_178"> [Pg 178]</a></span></p> +<p><a name="Illustration_THE_ROSE_TITLE" id="Illustration_THE_ROSE_TITLE"></a></p> +<p class="figcenter" style="width: 500px;"> +<img src="images/image174.jpg" width="500" height="346" alt="(THE ROSE—TITLE)" title="(THE ROSE—TITLE)" /> +</p> + +<h2>THE ROSE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +It tossed its head at the wooing breeze;<br /> +<span style="margin-left: 1em;">And the sun, like a bashful swain,</span><br /> +Beamed on it through the waving trees<br /> +<span style="margin-left: 1em;">With a passion all in vain,—</span><br /> +For my rose laughed in a crimson glee,<br /> +And hid in the leaves in wait for me.<br /> +<br /><span class='pagenum'><a name="Page_179" id="Page_179"> [Pg 179]</a></span> +The honey-bee came there to sing<br /> +<span style="margin-left: 1em;">His love through the languid hours,</span><br /> +And vaunt of his hives, as a proud old king<br /> +<span style="margin-left: 1em;">Might boast of his palace-towers:</span><br /> +But my rose bowed in a mockery,<br /> +And hid in the leaves in wait for me.<br /> +<br /> +The humming-bird, like a courtier gay,<br /> +<span style="margin-left: 1em;">Dipped down with a dalliant song,</span><br /> +And twanged his wings through the roundelay<br /> +<span style="margin-left: 1em;">Of love the whole day long:</span><br /> +Yet my rose turned from his minstrelsy<br /> +And hid in the leaves in wait for me.<br /> +<br /> +The firefly came in the twilight dim<br /> +<span style="margin-left: 1em;">My red, red rose to woo—</span><br /> +Till quenched was the flame of love in him<br /> +<span style="margin-left: 1em;">And the light of his lantern too,</span><br /> +As my rose wept with dewdrops three<br /> +And hid in the leaves in wait for me.<br /> +<br /> +And I said: I will cull my own sweet rose—<br /> +<span style="margin-left: 1em;">Some day I will claim as mine</span><br /> +The priceless worth of the flower that knows<br /><span class='pagenum'><a name="Page_180" id="Page_180"> [Pg 180]</a></span> +<span style="margin-left: 1em;">No change, but a bloom divine—</span><br /> +The bloom of a fadeless constancy<br /> +That hides in the leaves in wait for me!<br /> +<br /> +But time passed by in a strange disguise,<br /> +<span style="margin-left: 1em;">And I marked it not, but lay</span><br /> +In a lazy dream, with drowsy eyes,<br /> +<span style="margin-left: 1em;">Till the summer slipped away,</span><br /> +And a chill wind sang in a minor key:<br /> +"Where is the rose that waits for thee?" +</p> + +<p class="center">* * *</p> + +<p>I dream to-day, o'er a purple stain<br /> +<span style="margin-left: 1em;">Of bloom on a withered stalk,</span><br /> +Pelted down by the autumn rain<br /> +<span style="margin-left: 1em;">In the dust of the garden-walk,</span><br /> +That an Angel-rose in the world to be<br /> +Will hide in the leaves in wait for me.<br /> +</p> +</td> +</tr> +</table></div> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_181" id="Page_181"> [Pg 181]</a></span></p> +<h2><a name="HAS_SHE_FORGOTTEN" id="HAS_SHE_FORGOTTEN"></a>HAS SHE FORGOTTEN?</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p class="center">I</p> + +<p> +Has she forgotten? On this very May<br /> +We were to meet here, with the birds and bees,<br /> +As on that Sabbath, underneath the trees<br /> +We strayed among the tombs, and stripped away<br /> +The vines from these old granites, cold and gray—<br /> +And yet indeed not grim enough were they<br /> +To stay our kisses, smiles and ecstasies,<br /> +Or closer voice-lost vows and rhapsodies.<br /> +Has she forgotten—that the May has won<br /> +Its promise?—that the bird-songs from the tree<br /> +Are sprayed above the grasses as the sun<br /> +Might jar the dazzling dew down showeringly?<br /> +Has she forgotten life—love—everyone—<br /> +Has she forgotten me—forgotten me?<br /> +</p> + + +<p class="center">II</p> + +<p> +Low, low down in the violets I press<br /> +My lips and whisper to her. Does she hear,<br /> +And yet hold silence, though I call her dear,<br /> +Just as of old, save for the tearfulness<br /> +<br /><span class='pagenum'><a name="Page_182" id="Page_182"> [Pg 182]</a></span> +Of the clenched eyes, and the soul's vast distress?<br /> +Has she forgotten thus the old caress<br /> +That made our breath a quickened atmosphere<br /> +That failed nigh unto swooning with the sheer<br /> +Delight? Mine arms clutch now this earthen heap<br /> +Sodden with tears that flow on ceaselessly<br /> +As autumn rains the long, long, long nights weep<br /> +In memory of days that used to be,—<br /> +Has she forgotten these? And in her sleep,<br /> +Has she forgotten me—forgotten me?<br /> +</p> + + +<p class="center">III</p> + +<p> +To-night, against my pillow, with shut eyes,<br /> +I mean to weld our faces—through the dense<br /> +Incalculable darkness make pretense<br /> +That she has risen from her reveries<br /> +To mate her dreams with mine in marriages<br /> +Of mellow palms, smooth faces, and tense ease<br /> +Of every longing nerve of indolence,—<br /> +Lift from the grave her quiet lips, and stun<br /> +My senses with her kisses—drawl the glee<br /> +Of her glad mouth, full blithe and tenderly,<br /> +Across mine own, forgetful if is done<br /> +The old love's awful dawn-time when said we,<br /> +"To-day is ours!"... Ah, Heaven! can it be<br /> +She has forgotten me—forgotten me!<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_183" id="Page_183"> [Pg 183]</a></span></p> +<p class="figcenter" style="width: 403px;"> +<img src="images/image179.jpg" width="403" height="600" alt="(HAS SHE FORGOTTEN?)" title="(HAS SHE FORGOTTEN?)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_184" id="Page_184"> [Pg 184]</a></span><span class='pagenum'><a name="Page_185" id="Page_185"> [Pg 185]</a></span></p> +<p><a name="Illustration_BLOOMS_OF_MAY_TITLE" id="Illustration_BLOOMS_OF_MAY_TITLE"></a></p> +<p class="figcenter" style="width: 269px;"> +<img src="images/image181.jpg" width="269" height="400" alt="(BLOOMS OF MAY—TITLE)" title="(BLOOMS OF MAY—TITLE)" /> +</p> + +<h2>BLOOMS OF MAY</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +But yesterday!...<br /> +O blooms of May,<br /> +And summer roses—Where-away?<br /> +O stars above,<br /> +And lips of love<br /> +And all the honeyed sweets thereof!<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_186" id="Page_186"> [Pg 186]</a></span></p> +<p class="figcenter" style="width: 376px;"> +<img src="images/image182.jpg" width="376" height="400" alt="(O LAD AND LASS)" title="(O LAD AND LASS)" /> +</p> + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> +<tr><td> +<p> +O lad and lass<br /> +And orchard-pass,<br /> +And briered lane, and daisied grass!<br /> +O gleam and gloom,<br /> +And woodland bloom,<br /> +And breezy breaths of all perfume!—<br /> +<br /> +No more for me<br /> +Or mine shall be<br /> +Thy raptures—save in memory,—<br /> +No more—no more—<br /> +Till through the Door<br /> +Of Glory gleam the days of yore.<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_187" id="Page_187"> [Pg 187]</a></span></p> +<p class="figcenter" style="width: 430px;"> +<img src="images/image183.jpg" width="430" height="600" alt="(O GLEAM AND GLOOM AND WOODLAND BLOOM)" title="(O GLEAM AND GLOOM AND WOODLAND BLOOM)" /> +</p> + + + +<hr style="width: 65%;" /><p><span class='pagenum'><a name="Page_188" id="Page_188"> [Pg 188]</a></span><span class='pagenum'><a name="Page_189" id="Page_189"> [Pg 189]</a></span></p> +<h2><a name="THE_SERMON_OF_THE_ROSE" id="THE_SERMON_OF_THE_ROSE"></a>THE SERMON OF THE ROSE</h2> + + +<div class="centered"> +<table border="0" cellpadding="0" cellspacing="0" summary="poem"> + +<tr><td> +<p> +Wilful we are in our infirmity<br /> +Of childish questioning and discontent.<br /> +Whate'er befalls us is divinely meant—<br /> +Thou Truth the clearer for thy mystery!<br /> +Make us to meet what is or is to be<br /> +With fervid welcome, knowing it is sent<br /> +To serve us in some way full excellent,<br /> +Though we discern it all belatedly.<br /> +The rose buds, and the rose blooms and the rose<br /> +Bows in the dews, and in its fulness, lo,<br /> +Is in the lover's hand,—then on the breast<br /> +Of her he loves,—and there dies.—And who knows<br /> +Which fate of all a rose may undergo<br /> +Is fairest, dearest, sweetest, loveliest?<br /> +<br /> +Nay, we are children: we will not mature.<br /> +A blessed gift must seem a theft; and tears<br /> +Must storm our eyes when but a joy appears<br /> +In drear disguise of sorrow; and how poor<br /> +We seem when we are richest,—most secure<br /><span class='pagenum'><a name="Page_190" id="Page_190"> [Pg 190]</a></span> +Against all poverty the lifelong years<br /> +We yet must waste in childish doubts and fears<br /> +That, in despite of reason, still endure!<br /> +Alas! the sermon of the rose we will<br /> +Not wisely ponder; nor the sobs of grief<br /> +Lulled into sighs of rapture; nor the cry<br /> +Of fierce defiance that again is still.<br /> +Be patient—patient with our frail belief,<br /> +And stay it yet a little ere we die.<br /> +<br /> +O opulent life of ours, though dispossessed<br /> +Of treasure after treasure! Youth most fair<br /> +Went first, but left its priceless coil of hair—<br /> +Moaned over sleepless nights, kissed and caressed<br /> +Through drip and blur of tears the tenderest.<br /> +And next went Love—the ripe rose glowing there<br /> +Her very sister!... It is here; but where<br /> +Is she, of all the world the first and best?<br /> +And yet how sweet the sweet earth after rain—<br /> +How sweet the sunlight on the garden wall<br /> +Across the roses—and how sweetly flows<br /> +The limpid yodel of the brook again!<br /> +And yet—and yet how sweeter after all,<br /> +The smouldering sweetness of a dead red rose!<br /> +</p> +</td> +</tr> +</table></div> + +<p><span class='pagenum'><a name="Page_191" id="Page_191"> [Pg 191]</a></span></p> +<p class="figcenter" style="width: 533px;"> +<img src="images/image187.jpg" width="533" height="600" alt="(THE SERMON OF THE ROSE)" title="(THE SERMON OF THE ROSE)" /> +</p> + + + + + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Riley Love-Lyrics, by James Whitcomb Riley + +*** END OF THIS PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS *** + +***** This file should be named 16995-h.htm or 16995-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/9/9/16995/ + +Produced by Suzanne Lybarger, Brian Janes, Diane Monico, +and the Project Gutenberg Online Distributed Proofreading Team at +https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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--git a/16995.txt b/16995.txt new file mode 100644 index 0000000..7028930 --- /dev/null +++ b/16995.txt @@ -0,0 +1,2979 @@ +The Project Gutenberg EBook of Riley Love-Lyrics, by James Whitcomb Riley + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Riley Love-Lyrics + +Author: James Whitcomb Riley + +Release Date: November 4, 2005 [EBook #16995] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS *** + + + + +Produced by Suzanne Lybarger, Brian Janes, Diane Monico, +and the Project Gutenberg Online Distributed Proofreading Team at +https://www.pgdp.net + + + + + + + + + + +RILEY LOVE-LYRICS + + + + +[Illustration: (LOVE-LYRICS)] + + + + +RILEY +LOVE-LYRICS + + +JAMES WHITCOMB RILEY + + +WITH LIFE PICTURES BY +WILLIAM B. DYER + + +[Illustration] + + +NEW YORK +GROSSET & DUNLAP +PUBLISHERS + +Copyright, 1883, 1887, 1888, 1890, 1891, 1892, 1894, +1897, 1898, 1901, 1905 + +by + +James Whitcomb Riley + + + + +INSCRIBED + + +To the Elect of Love,--or side-by-side +In raptest ecstasy, or sundered wide +By seas that bear no message to or fro +Between the loved and lost of long ago. + + + + +So were I but a minstrel, deft + At weaving, with the trembling strings +Of my glad harp, the warp and weft + Of rondels such as rapture sings,-- + I'd loop my lyre across my breast, + Nor stay me till my knee found rest + In midnight banks of bud and flower + Beneath my lady's lattice-bower. + +And there, drenched with the teary dews, + I'd woo her with such wondrous art +As well might stanch the songs that ooze + Out of the mockbird's breaking heart; + So light, so tender, and so sweet + Should be the words I would repeat, + Her casement, on my gradual sight, + Would blossom as a lily might. + + + + +CONTENTS + + PAGE + +BLOOMS OF MAY 185 + +DISCOURAGING MODEL, A 133 + +"DREAM" 46 + +FARMER WHIPPLE--BACHELOR 167 + +HAS SHE FORGOTTEN? 181 + +HE AND I 83 + +HE CALLED HER IN 50 + +HER BEAUTIFUL EYES 60 + +HER HAIR 128 + +HER FACE AND BROW 63 + +HER WAITING FACE 71 + +HOME AT NIGHT 122 + +HOW IT HAPPENED 95 + +IKE WALTON'S PRAYER 107 + +ILLILEO 111 + +JUDITH 79 + +LAST NIGHT AND THIS 131 + +LEONAINIE 68 + +LET US FORGET 64 + +LOST PATH, THE 87 + +MY BRIDE THAT IS TO BE 90 + +MY MARY 117 + +NOTHIN' TO SAY 103 + +OLD PLAYED-OUT SONG, A' 31 + +OLD SWEETHEART OF MINE, AN 23 + +OLD YEAR AND THE NEW, THE 72 + +OUT-WORN SAPPHO, AN 37 + +PASSING OF A HEART, THE 44 + +RIVAL, THE 148 + +ROSE, THE 178 + +SERMON OF THE ROSE, THE 189 + +SONG OF LONG AGO, A 160 + +SUSPENSE 136 + +THEIR SWEET SORROW 76 + +TO HEAR HER SING 146 + +TOM VAN ARDEN 139 + +TOUCHES OF HER HANDS, THE 157 + +VARIATION, A 151 + +VERY YOUTHFUL AFFAIR, A 36 + +WHEN AGE COMES ON 164 + +WHEN LIDE MARRIED _Him_ 125 + +WHEN MY DREAMS COME TRUE 99 + +WHEN SHE COMES HOME 67 + +WHERE SHALL WE LAND 154 + +WIFE-BLESSED, THE 115 + + + + +ILLUSTRATIONS + + PAGE + +LOVE-LYRICS FRONTISPIECE + +ILLUSTRATIONS--TAILPIECE xx + +AN OLD SWEETHEART OF MINE 23 + +AND I LIGHT MY PIPE IN SILENCE 24 + +THE VOICES OF MY CHILDREN 25 + +THE PINK SUNBONNET 26 + +WHEN FIRST I KISSED HER 27 + +MY WIFE IS STANDING THERE 30 + +A' OLD PLAYED-OUT SONG 33 + +A' OLD PLAYED-OUT SONG--TAILPIECE 35 + +A VERY YOUTHFUL AFFAIR 36 + +AN OUT-WORN SAPPHO 41 + +AN OUT-WORN SAPPHO--TAILPIECE 43 + +THE PASSING OF A HEART--TITLE 44 + +THE PASSING OF A HEART--TAILPIECE 45 + +"DREAM" 47 + +"DREAM"--TAILPIECE 49 + +HE CALLED HER IN--TITLE 50 + +A DARK AND EERIE CHILD 51 + +WHEN SHE FIRST CAME TO ME 57 + +HE CALLED HER IN--TAILPIECE 59 + +HER BEAUTIFUL EYES 61 + +HER FACE AND BROW 63 + +LET US FORGET--TITLE 64 + +OUR WORN EYES ARE WET 65 + +WHEN SHE COMES HOME 67 + +LEONAINIE--TITLE 68 + +LEONAINIE--TAILPIECE 70 + +HER WAITING FACE 71 + +THE OLD YEAR AND THE NEW--TITLE 72 + +I SAW THE OLD YEAR END 73 + +THEIR SWEET SORROW 77 + +JUDITH 79 + +O, HER EYES ARE AMBER-FINE 81 + +HE AND I 85 + +THE LOST PATH--TITLE 87 + +THE LOST PATH 89 + +MADONNA-LIKE AND GLORIFIED 91 + +HOW IT HAPPENED 97 + +WHEN MY DREAMS COME TRUE 101 + +NOTHIN' TO SAY 105 + +IKE WALTON'S PRAYER--TITLE 107 + +IKE WALTON'S PRAYER--TAILPIECE 110 + +ILLILEO 113 + +WIFE-BLESSED, THE 115 + +THE AULD TRYSTING-TREE 119 + +MY MARY--TAILPIECE 121 + +HOME AT NIGHT 123 + +WHEN LIDE MARRIED _Him_--TITLE 125 + +WHEN LIDE MARRIED _Him_--TAILPIECE 127 + +HER HAIR 129 + +LAST NIGHT AND THIS--TITLE 131 + +LAST NIGHT AND THIS--TAILPIECE 132 + +A DISCOURAGING MODEL--TITLE 133 + +A CAMEO FACE 135 + +SUSPENSE 137 + +TOM VAN ARDEN--TITLE 139 + +TOM VAN ARDEN 141 + +TO HEAR HER SING 146 + +THE RIVAL 148 + +A VARIATION--TITLE 151 + +WHERE SHALL WE LAND?--TITLE 154 + +WHERE SHALL WE LAND?--TAILPIECE 156 + +THE TOUCHES OF HER HANDS--TITLE 157 + +THE TOUCHES OF HER HANDS--TAILPIECE 158 + +O RARELY SOFT, THE TOUCHES OF HER HANDS 159 + +A SONG OF LONG AGO 161 + +WHEN AGE COMES ON 165 + +FARMER WHIPPLE--BACHELOR--TITLE 167 + +RIDIN' HOME WITH MARY 171 + +FARMER WHIPPLE--BACHELOR--TAILPIECE 177 + +THE ROSE--TITLE 178 + +HAS SHE FORGOTTEN? 183 + +BLOOMS OF MAY--TITLE 185 + +O LAD AND LASS 186 + +O GLEAM AND GLOOM AND WOODLAND BLOOM 187 + +THE SERMON OF THE ROSE 191 + +[Illustration: (ILLUSTRATIONS--TAILPIECE)] + + + + +RILEY LOVE-LYRICS + + + + +[Illustration: (AN OLD SWEETHEART OF MINE)] + + + + +AN OLD SWEETHEART OF MINE + + +As one who cons at evening o'er an album all alone, +And muses on the faces of the friends that he has known, +So I turn the leaves of fancy till, in shadowy design, +I find the smiling features of an old sweetheart of mine. + +[Illustration: (AND I LIGHT MY PIPE IN SILENCE)] + +The lamplight seems to glimmer with a flicker of surprise, +As I turn it low to rest me of the dazzle in my eyes, +And light my pipe in silence, save a sigh that seems to yoke +Its fate with my tobacco and to vanish with the smoke. + +'Tis a fragrant retrospection--for the loving thoughts that start +Into being are like perfume from the blossom of the heart; +And to dream the old dreams over is a luxury divine-- +When my truant fancy wanders with that old sweetheart of mine. + +Though I hear, beneath my study, like a fluttering of wings, +The voices of my children, and the mother as she sings, +I feel no twinge of conscience to deny me any theme +When Care has cast her anchor in the harbor of a dream. + +In fact, to speak in earnest, I believe it adds a charm +To spice the good a trifle with a little dust of harm-- +For I find an extra flavor in Memory's mellow wine +That makes me drink the deeper to that old sweetheart of mine. + +[Illustration: (THE VOICES OF MY CHILDREN)] + +[Illustration: (THE PINK SUNBONNET)] + +A face of lily-beauty, with a form of airy grace, +Floats out of my tobacco as the genii from the vase; +And I thrill beneath the glances of a pair of azure eyes +As glowing as the summer and as tender as the skies. + +I can see the pink sunbonnet and the little checkered dress +She wore when first I kissed her and she answered the caress +With the written declaration that, "as surely as the vine +Grew round the stump," she loved me--that old sweetheart of mine. + +[Illustration: (WHEN FIRST I KISSED HER)] + +And again I feel the pressure of her slender little hand, +As we used to talk together of the future we had planned-- +When I should be a poet, and with nothing else to do +But write the tender verses that she set the music to: + +When we should live together in a cozy little cot +Hid in a nest of roses, with a fairy garden-spot, +Where the vines were ever fruited, and the weather ever fine, +And the birds were ever singing for that old sweetheart of mine: + +[Illustration] + +When I should be her lover forever and a day, +And she my faithful sweetheart till the golden hair was gray; +And we should be so happy that when either's lips were dumb +They would not smile in Heaven till the other's kiss had come. + + * * * * * + +But, ah! my dream is broken by a step upon the stair, +And the door is softly opened, and--my wife is standing there; +Yet with eagerness and rapture all my visions I resign +To greet the living presence of that old sweetheart of mine. + +[Illustration: (MY WIFE IS STANDING THERE)] + + + + +A' OLD PLAYED-OUT SONG + + +It's the curiousest thing in creation, + Whenever I hear that old song +"Do They Miss Me at Home," I'm so bothered, + My life seems as short as it's long!-- +Fer ev'rything 'pears like adzackly + It 'peared in the years past and gone,-- +When I started out sparkin', at twenty, + And had my first neckercher on! + +Though I'm wrinkelder, older and grayer + Right now than my parents was then, +You strike up that song "Do They Miss Me," + And I'm jest a youngster again!-- +I'm a-standin' back thare in the furries + A-wishin' fer evening to come, +And a-whisperin' over and over + Them words "Do They Miss Me at Home?" + +You see, _Marthy Ellen she_ sung it + The first time I heerd it; and so, +As she was my very first sweetheart, + It reminds me of her, don't you know;-- +How her face used to look, in the twilight, + As I tuck her to Spellin'; and she +Kep' a-hummin' that song tel I ast her, + Pine-blank, ef she ever missed _me_! + +I can shet my eyes now, as you sing it, + And hear her low answerin' words; +And then the glad chirp of the crickets, + As clear as the twitter of birds; +And the dust in the road is like velvet, + And the ragweed and fennel and grass +Is as sweet as the scent of the lilies + Of Eden of old, as we pass. + +"_Do They Miss Me at Home?_" Sing it lower-- + And softer--and sweet as the breeze +That powdered our path with the snowy + White bloom of the old locus'-trees! +Let the whipperwills he'p you to sing it, + And the echoes 'way over the hill, +Tel the moon boolges out, in a chorus + Of stars, and our voices is still. + +[Illustration: (A' OLD PLAYED-OUT SONG)] + +But oh! "They's a chord in the music + That's missed when _her_ voice is away!" +Though I listen from midnight tel morning, + And dawn tel the dusk of the day! +And I grope through the dark, lookin' up'ards + And on through the heavenly dome, +With my longin' soul singin' and sobbin' + The words "Do They Miss Me at Home?" + +[Illustration: (A' OLD PLAYED-OUT SONG--TAILPIECE)] + + + + +[Illustration: (A VERY YOUTHFUL AFFAIR)] + +A VERY YOUTHFUL AFFAIR + + +I'm bin a-visitun 'bout a week +To my little Cousin's at Nameless Creek, +An' I'm got the hives an' a new straw hat, +An' I'm come back home where my beau lives at. + + + + +AN OUT-WORN SAPPHO + + +How tired I am! I sink down all alone + Here by the wayside of the Present. Lo, +Even as a child I hide my face and moan-- + A little girl that may no farther go; + The path above me only seems to grow + More rugged, climbing still, and ever briered + With keener thorns of pain than these below; + And O the bleeding feet that falter so + And are so very tired! + +Why, I have journeyed from the far-off Lands + Of Babyhood--where baby-lilies blew +Their trumpets in mine ears, and filled my hands + With treasures of perfume and honey-dew, + And where the orchard shadows ever drew + Their cool arms round me when my cheeks were fired + With too much joy, and lulled mine eyelids to, + And only let the starshine trickle through + In sprays, when I was tired! + +Yet I remember, when the butterfly + Went flickering about me like a flame +That quenched itself in roses suddenly, + How oft I wished that _I_ might blaze the same, + And in some rose-wreath nestle with my name, + While all the world looked on it and admired.-- + Poor moth!--Along my wavering flight toward fame + The winds drive backward, and my wings are lame + And broken, bruised and tired! + +I hardly know the path from those old times; + I know at first it was a smoother one +Than this that hurries past me now, and climbs + So high, its far cliffs even hide the sun + And shroud in gloom my journey scarce begun. + I could not do quite all the world required-- + I could not do quite all I should have done, + And in my eagerness I have outrun + My strength--and I am tired.... + +Just tired! But when of old I had the stay + Of mother-hands, O very sweet indeed +It was to dream that all the weary way + I should but follow where I now must lead-- + For long ago they left me in my need, + And, groping on alone, I tripped and mired + Among rank grasses where the serpents breed + In knotted coils about the feet of speed.-- + There first it was I tired. + +And yet I staggered on, and bore my load + Right gallantly: The sun, in summer-time, +In lazy belts came slipping down the road + To woo me on, with many a glimmering rhyme + Rained from the golden rim of some fair clime, + That, hovering beyond the clouds, inspired + My failing heart with fancies so sublime + I half forgot my path of dust and grime, + Though I was growing tired. + +And there were many voices cheering me: + I listened to sweet praises where the wind +Went laughing o'er my shoulders gleefully + And scattering my love-songs far behind;-- + Until, at last, I thought the world so kind-- + So rich in all my yearning soul desired-- + So generous--so loyally inclined, + I grew to love and trust it.... I was blind-- + Yea, blind as I was tired! + +And yet one hand held me in creature-touch: + And O, how fair it was, how true and strong, +How it did hold my heart up like a crutch, + Till, in my dreams, I joyed to walk along + The toilsome way, contented with a song-- + 'Twas all of earthly things I had acquired, + And 'twas enough, I feigned, or right or wrong, + Since, binding me to man--a mortal thong-- + It stayed me, growing tired.... + +Yea, I had e'en resigned me to the strait + Of earthly rulership--had bowed my head +Acceptant of the master-mind--the great + One lover--lord of all,--the perfected + Kiss-comrade of my soul;--had stammering said + My prayers to him;--all--all that he desired + I rendered sacredly as we were wed.-- + Nay--nay!--'twas but a myth I worshipped.-- + And--God of love!--how tired! + +[Illustration: (AN OUT-WORN SAPPHO)] + +For, O my friends, to lose the latest grasp-- + To feel the last hope slipping from its hold-- +To feel the one fond hand within your clasp + Fall slack, and loosen with a touch so cold + Its pressure may not warm you as of old + Before the light of love had thus expired-- + To know your tears are worthless, though they rolled + Their torrents out in molten drops of gold.-- + God's pity! I am tired! + +And I must rest.--Yet do not say "She _died_," + In speaking of me, sleeping here alone. +I kiss the grassy grave I sink beside, + And close mine eyes in slumber all mine own: + Hereafter I shall neither sob nor moan + Nor murmur one complaint;--all I desired, + And failed in life to find, will now be known-- + So let me dream. Good night! And on the stone + Say simply: She was tired. + +[Illustration: (AN OUT-WORN SAPPHO--TAILPIECE)] + + + + +[Illustration: (THE PASSING OF A HEART--TITLE)] + +THE PASSING OF A HEART + + +O Touch me with your hands-- + For pity's sake! +My brow throbs ever on with such an ache +As only your cool touch may take away; +And so, I pray + You, touch me with your hands! + +Touch--touch me with your hands.-- + Smooth back the hair +You once caressed, and kissed, and called so fair +That I did dream its gold would wear alway, +And lo, to-day-- + O touch me with your hands! + +Just touch me with your hands, + And let them press +My weary eyelids with the old caress, +And lull me till I sleep. Then go your way, +That Death may say: + He touched her with his hands. + +[Illustration: (THE PASSING OF A HEART--TAILPIECE)] + + + + +"DREAM" + + +Because her eyes were far too deep +And holy for a laugh to leap +Across the brink where sorrow tried +To drown within the amber tide; +Because the looks, whose ripples kissed +The trembling lids through tender mist, +Were dazzled with a radiant gleam-- +Because of this I called her "Dream." + +Because the roses growing wild +About her features when she smiled +Were ever dewed with tears that fell +With tenderness ineffable; +Because her lips might spill a kiss +That, dripping in a world like this, +Would tincture death's myrrh-bitter stream +To sweetness--so I called her "Dream." + +[Illustration: ("DREAM")] + +Because I could not understand +The magic touches of a hand +That seemed, beneath her strange control, +To smooth the plumage of the soul +And calm it, till, with folded wings, +It half forgot its flutterings, +And, nestled in her palm, did seem +To trill a song that called her "Dream." + +Because I saw her, in a sleep +As dark and desolate and deep +And fleeting as the taunting night +That flings a vision of delight +To some lorn martyr as he lies +In slumber ere the day he dies-- +Because she vanished like a gleam +Of glory, do I call her "Dream." + +[Illustration: ("DREAM"--TAILPIECE)] + + + + +[Illustration: (HE CALLED HER IN--TITLE)] + +HE CALLED HER IN + + +I + +He called her in from me and shut the door. +And she so loved the sunshine and the sky!-- +She loved them even better yet than I +That ne'er knew dearth of them--my mother dead, +Nature had nursed me in her lap instead: +And I had grown a dark and eerie child +That rarely smiled, +Save when, shut all alone in grasses high, +Looking straight up in God's great lonesome sky +And coaxing Mother to smile back on me. +'Twas lying thus, this fair girl suddenly +Came to me, nestled in the fields beside +A pleasant-seeming home, with doorway wide-- +The sunshine beating in upon the floor + +[Illustration: (A DARK AND EERIE CHILD)] + +Like golden rain.-- +O sweet, sweet face above me, turn again +And leave me! I had cried, but that an ache +Within my throat so gripped it I could make +No sound but a thick sobbing. Cowering so, +I felt her light hand laid +Upon my hair--a touch that ne'er before +Had tamed me thus, all soothed and unafraid-- +It seemed the touch the children used to know +When Christ was here, so dear it was--so dear,-- +At once I loved her as the leaves love dew +In midmost summer when the days are new. +Barely an hour I knew her, yet a curl +Of silken sunshine did she clip for me +Out of the bright May-morning of her hair, +And bound and gave it to me laughingly, +And caught my hands and called me "_Little girl_," +Tiptoeing, as she spoke, to kiss me there! +And I stood dazed and dumb for very stress +Of my great happiness. +She plucked me by the gown, nor saw how mean +The raiment--drew me with her everywhere: +Smothered her face in tufts of grasses green: +Put up her dainty hands and peeped between +Her fingers at the blossoms--crooned and talked +To them in strange, glad whispers, as we walked,-- +Said _this_ one was her angel mother--_this_, +Her baby-sister--come back, for a kiss, +Clean from the Good-World!--smiled and kissed them, then +Closed her soft eyes and kissed them o'er again. +And so did she beguile me--so we played,-- +She was the dazzling Shine--I, the dark Shade-- +And we did mingle like to these, and thus, +Together, made +The perfect summer, pure and glorious. +So blent we, till a harsh voice broke upon +Our happiness.--She, startled as a fawn, +Cried, "Oh, 'tis Father!"--all the blossoms gone +From out her cheeks as those from out her grasp.-- +Harsher the voice came:--She could only gasp +Affrightedly, "Good-bye!--good-bye! good-bye!" +And lo, I stood alone, with that harsh cry +Ringing a new and unknown sense of shame +Through soul and frame, +And, with wet eyes, repeating o'er and o'er,-- +"He called her in from me and shut the door!" + + +II + +He called her in from me and shut the door! +And I went wandering alone again-- +So lonely--O so very lonely then, +I thought no little sallow star, alone +In all a world of twilight, e'er had known +Such utter loneliness. But that I wore +Above my heart that gleaming tress of hair +To lighten up the night of my despair, +I think I might have groped into my grave +Nor cared to wave +The ferns above it with a breath of prayer. +And how I hungered for the sweet, sweet face +That bent above me in my hiding-place +That day amid the grasses there beside +Her pleasant home!--"Her _pleasant_ home!" I sighed, +Remembering;--then shut my teeth and feigned +The harsh voice calling _me_,--then clinched my nails +So deeply in my palms, the sharp wounds pained, +And tossed my face toward heaven, as one who pales +In splendid martyrdom, with soul serene, +As near to God as high the guillotine. +And I had _envied_ her? Not that--O no! +But I had longed for some sweet haven so!-- +Wherein the tempest-beaten heart might ride +Sometimes at peaceful anchor, and abide +Where those that loved me touched me with their hands, +And looked upon me with glad eyes, and slipped +Smooth fingers o'er my brow, and lulled the strands +Of my wild tresses, as they backward tipped +My yearning face and kissed it satisfied. +Then bitterly I murmured as before,-- +"He called her in from me and shut the door!" + + +III + +He called her in from me and shut the door! +After long struggling with my pride and pain-- +A weary while it seemed, in which the more +I held myself from her, the greater fain +Was I to look upon her face again;-- +At last--at last--half conscious where my feet +Were faring, I stood waist-deep in the sweet +Green grasses there where she +First came to me.-- +The very blossoms she had plucked that day, +And, at her father's voice, had cast away, +Around me lay, +Still bright and blooming in these eyes of mine; +And as I gathered each one eagerly, +I pressed it to my lips and drank the wine +Her kisses left there for the honey-bee. +Then, after I had laid them with the tress + +[Illustration: (WHEN SHE FIRST CAME TO ME)] + +Of her bright hair with lingering tenderness, +I, turning, crept on to the hedge that bound +Her pleasant-seeming home--but all around +Was never sign of her!--The windows all +Were blinded; and I heard no rippling fall +Of her glad laugh, nor any harsh voice call;-- +But clutching to the tangled grasses, caught +A sound as though a strong man bowed his head +And sobbed alone--unloved--uncomforted!-- +And then straightway before +My tearless eyes, all vividly, was wrought +A vision that is with me evermore:-- +A little girl that lies asleep, nor hears +Nor heeds not any voice nor fall of tears.-- +And I sit singing o'er and o'er and o'er,-- +"God called her in from him and shut the door!" + +[Illustration: (HE CALLED HER IN--TAILPIECE)] + + + + +HER BEAUTIFUL EYES + + +O her beautiful eyes! they are blue as the dew +On the violet's bloom when the morning is new, +And the light of their love is the gleam of the sun +O'er the meadows of Spring where the quick shadows run +As the morn shifts the mists and the clouds from the skies-- +So I stand in the dawn of her beautiful eyes. + +And her beautiful eyes are as mid-day to me, +When the lily-bell bends with the weight of the bee, +And the throat of the thrush is a-pulse in the heat, +And the senses are drugged with the subtle and sweet +And delirious breaths of the air's lullabies-- +So I swoon in the noon of her beautiful eyes. + +O her beautiful eyes! they have smitten mine own +As a glory glanced down from the glare of the Throne; +And I reel, and I falter and fall, as afar +Fell the shepherds that looked on the mystical Star, +And yet dazed in the tidings that bade them arise-- +So I groped through the night of her beautiful eyes. + +[Illustration: (HER BEAUTIFUL EYES)] + + + + +[Illustration: (HER FACE AND BROW)] + +HER FACE AND BROW + + +Ah, help me! but her face and brow +Are lovelier than lilies are +Beneath the light of moon and star +That smile as they are smiling now-- +White lilies in a pallid swoon +Of sweetest white beneath the moon-- +White lilies, in a flood of bright +Pure lucidness of liquid light +Cascading down some plenilune, +When all the azure overhead +Blooms like a dazzling daisy-bed.-- +So luminous her face and brow, +The luster of their glory, shed +In memory, even, blinds me now. + + + + +[Illustration: (LET US FORGET--TITLE)] + +LET US FORGET + + +Let us forget. What matters it that we + Once reigned o'er happy realms of long-ago, + And talked of love, and let our voices low, +And ruled for some brief sessions royally? +What if we sung, or laughed, or wept maybe? + It has availed not anything, and so + Let it go by that we may better know +How poor a thing is lost to you and me. + But yesterday I kissed your lips, and yet +Did thrill you not enough to shake the dew + From your drenched lids--and missed, with no regret, +Your kiss shot back, with sharp breaths failing you: + And so, to-day, while our worn eyes are wet + With all this waste of tears, let us forget! + +[Illustration: (OUR WORN EYES ARE WET)] + + + + +[Illustration: (WHEN SHE COMES HOME)] + +WHEN SHE COMES HOME + + +When she comes home again! A thousand ways + I fashion, to myself, the tenderness + Of my glad welcome: I shall tremble--yes; +And touch her, as when first in the old days +I touched her girlish hand, nor dared upraise + Mine eyes, such was my faint heart's sweet distress. + Then silence: And the perfume of her dress: +The room will sway a little, and a haze + Cloy eyesight--soulsight, even--for a space: +And tears--yes; and the ache here in the throat, + To know that I so ill deserve the place +Her arms make for me; and the sobbing note + I stay with kisses, ere the tearful face + Again is hidden in the old embrace. + + + + +[Illustration: (LEONAINIE--TITLE)] + +LEONAINIE + + +Leonainie--Angels named her; + And they took the light +Of the laughing stars and framed her + In a smile of white; + And they made her hair of gloomy + Midnight, and her eyes of bloomy + Moonshine, and they brought her to me + In the solemn night.--- + +In a solemn night of summer, + When my heart of gloom +Blossomed up to greet the comer + Like a rose in bloom; + All forebodings that distressed me + I forgot as Joy caressed me-- + (_Lying_ Joy! that caught and pressed me + In the arms of doom!) + +Only spake the little lisper + In the Angel-tongue; +Yet I, listening, heard her whisper-- + "Songs are only sung + Here below that they may grieve you-- + Tales but told you to deceive you,-- + So must Leonainie leave you + While her love is young." + +Then God smiled and it was morning. + Matchless and supreme +Heaven's glory seemed adorning + Earth with its esteem: + Every heart but mine seemed gifted + With the voice of prayer, and lifted + Where my Leonainie drifted + From me like a dream. + +[Illustration: (LEONAINIE--TAILPIECE)] + + + + +[Illustration: (HER WAITING FACE)] + +HER WAITING FACE + + + In some strange place +Of long-lost lands he finds her waiting face-- +Comes marveling upon it, unaware, +Set moonwise in the midnight of her hair. + + + + +[Illustration: (THE OLD YEAR AND THE NEW--TITLE)] + +THE OLD YEAR AND THE NEW + + +I + +As one in sorrow looks upon + The dead face of a loyal friend, +By the dim light of New Year's dawn + I saw the Old Year end. + +Upon the pallid features lay + The dear old smile--so warm and bright +Ere thus its cheer had died away + In ashes of delight. + +The hands that I had learned to love + With strength of passion half divine, +Were folded now, all heedless of + The emptiness of mine. + +[Illustration: (I SAW THE OLD YEAR END)] + +The eyes that once had shed their bright + Sweet looks like sunshine, now were dull, +And ever lidded from the light + That made them beautiful. + + +II + +The chimes of bells were in the air, + And sounds of mirth in hall and street, +With pealing laughter everywhere + And throb of dancing feet: + +The mirth and the convivial din + Of revelers in wanton glee, +With tunes of harp and violin + In tangled harmony. + +But with a sense of nameless dread, + I turned me, from the merry face +Of this newcomer, to my dead; + And, kneeling there a space, + +I sobbed aloud, all tearfully:-- + By this dear face so fixed and cold, +O Lord, let not this New Year be + As happy as the old! + + + + +THEIR SWEET SORROW + + +They meet to say farewell: Their way +Of saying this is hard to say.-- + He holds her hand an instant, wholly + Distressed--and she unclasps it slowly. + +He bends _his_ gaze evasively +Over the printed page that she + Recurs to, with a new-moon shoulder + Glimpsed from the lace-mists that enfold her. + +The clock, beneath its crystal cup, +Discreetly clicks--"_Quick! Act! Speak up!_" + A tension circles both her slender + Wrists--and her raised eyes flash in splendor. + +Even as he feels his dazzled own.-- +Then, blindingly, round either thrown, + They feel a stress of arms that ever + Strain tremblingly--and "_Never! Never!_" + +Is whispered brokenly, with half +A sob, like a belated laugh,-- + While cloyingly their blurred kiss closes, + Sweet as the dew's lip to the rose's. + +[Illustration: (THEIR SWEET SORROW)] + + + + +[Illustration: (JUDITH)] + +JUDITH + + +O her eyes are amber-fine-- +Dark and deep as wells of wine, +While her smile is like the noon +Splendor of a day of June. +If she sorrow--lo! her face +It is like a flowery space +In bright meadows, overlaid +With light clouds and lulled with shade. +If she laugh--it is the trill +Of the wayward whippoorwill +Over upland pastures, heard +Echoed by the mocking-bird +In dim thickets dense with bloom +And blurred cloyings of perfume. +If she sigh--a zephyr swells +Over odorous asphodels +And wan lilies in lush plots +Of moon-drown'd forget-me-nots. +Then, the soft touch of her hand-- +Takes all breath to understand +What to liken it thereto!-- +Never roseleaf rinsed with dew +Might slip soother-suave than slips +Her slow palm, the while her lips +Swoon through mine, with kiss on kiss +Sweet as heated honey is. + +[Illustration: (O, HER EYES ARE AMBER-FINE)] + + + + +HE AND I + + +Just drifting on together-- + He and I-- +As through the balmy weather + Of July + Drift two thistle-tufts imbedded + Each in each--by zephyrs wedded-- + Touring upward, giddy-headed, + For the sky. + +And, veering up and onward, + Do we seem +Forever drifting dawnward + In a dream, + Where we meet song-birds that know us, + And the winds their kisses blow us, + While the years flow far below us + Like a stream. + +And we are happy--very-- + He and I-- +Aye, even glad and merry + Though on high + The heavens are sometimes shrouded + By the midnight storm, and clouded + Till the pallid moon is crowded + From the sky. + +My spirit ne'er expresses + Any choice +But to clothe him with caresses + And rejoice; + And as he laughs, it is in + Such a tone the moonbeams glisten + And the stars come out to listen + To his voice. + +And so, whate'er the weather, + He and I,-- +With our lives linked thus together, + Float and fly + As two thistle-tufts imbedded + Each in each--by zephyrs wedded-- + Touring upward, giddy-headed, + For the sky. + +[Illustration: (HE AND I)] + + + + +[Illustration: (THE LOST PATH--TITLE)] + +THE LOST PATH + + +Alone they walked--their fingers knit together, + And swaying listlessly as might a swing +Wherein Dan Cupid dangled in the weather + Of some sun-flooded afternoon of Spring. + +Within the clover-fields the tickled cricket + Laughed lightly as they loitered down the lane, +And from the covert of the hazel-thicket + The squirrel peeped and laughed at them again. + +The bumble-bee that tipped the lily-vases + Along the road-side in the shadows dim, +Went following the blossoms of their faces + As though their sweets must needs be shared with him. + +Between the pasture bars the wondering cattle + Stared wistfully, and from their mellow bells +Shook out a welcoming whose dreamy rattle + Fell swooningly away in faint farewells. + +And though at last the gloom of night fell o'er them + And folded all the landscape from their eyes, +They only know the dusky path before them + Was leading safely on to Paradise. + +[Illustration: (THE LOST PATH)] + + + + +MY BRIDE THAT IS TO BE + + +O soul of mine, look out and see + My bride, my bride that is to be! + Reach out with mad, impatient hands, +And draw aside futurity +As one might draw a veil aside-- + And so unveil her where she stands +Madonna-like and glorified-- + The queen of undiscovered lands +Of love, to where she beckons me-- +My bride--my bride that is to be. + +The shadow of a willow-tree + That wavers on a garden-wall + In summertime may never fall +In attitude as gracefully +As my fair bride that is to be;-- + Nor ever Autumn's leaves of brown +As lightly flutter to the lawn +As fall her fairy-feet upon + The path of love she loiters down.-- +O'er drops of dew she walks, and yet +Not one may stain her sandal wet-- +Aye, she might _dance_ upon the way +Nor crush a single drop to spray, +So airy-like she seems to me,-- +My bride, my bride that is to be. + +[Illustration: (MADONNA-LIKE AND GLORIFIED)] + +I know not if her eyes are light +As summer skies or dark as night,-- +I only know that they are dim + With mystery: In vain I peer + To make their hidden meaning clear, + While o'er their surface, like a tear +That ripples to the silken brim, +A look of longing seems to swim + All worn and wearylike to me; +And then, as suddenly, my sight +Is blinded with a smile so bright, + Through folded lids I still may see + My bride, my bride that is to be. + +Her face is like a night of June +Upon whose brow the crescent-moon +Hangs pendant in a diadem +Of stars, with envy lighting them.-- + And, like a wild cascade, her hair +Floods neck and shoulder, arm and wrist, +Till only through a gleaming mist + I seem to see a siren there, +With lips of love and melody + And open arms and heaving breast + Wherein I fling myself to rest, +The while my heart cries hopelessly +For my fair bride that is to be.... + +Nay, foolish heart and blinded eyes! +My bride hath need of no disguise.-- + But, rather, let her come to me +In such a form as bent above + My pillow when in infancy +I knew not anything but love.-- +O let her come from out the lands + Of Womanhood--not fairy isles,-- +And let her come with Woman's hands + And Woman's eyes of tears and smiles,-- +With Woman's hopefulness and grace +Of patience lighting up her face: +And let her diadem be wrought +Of kindly deed and prayerful thought, +That ever over all distress +May beam the light of cheerfulness.-- +And let her feet be brave to fare +The labyrinths of doubt and care, +That, following, my own may find +The path to Heaven God designed.-- +O let her come like this to me-- +My bride--my bride that is to be. + + + + +HOW IT HAPPENED + + +I got to thinkin' of her--both her parents dead and gone-- +And all her sisters married off, and none but her and John +A-livin' all alone there in that lonesome sort o' way, +And him a blame old bachelor, confirmder ev'ry day! +I'd knowed 'em all from childern, and their daddy from the time +He settled in the neighberhood, and hadn't airy a dime +Er dollar, when he married, fer to start housekeepin' on!-- +So I got to thinkin' of her--both her parents dead and gone! + +I got to thinkin' of her; and a-wundern what she done +That all her sisters kep' a-gittin' married, one by one, +And her without no chances--and the best girl of the pack-- +An old maid, with her hands, you might say, tied behind her back! +And Mother, too, afore she died, she ust to jes' take on, +When none of 'em was left, you know, but Evaline and John, +And jes' declare to goodness 'at the young men must be bline +To not see what a wife they'd git if they got Evaline! + +I got to thinkin' of her; in my great affliction she +Was sich a comfert to us, and so kind and neighberly,-- +She'd come, and leave her housework, fer to he'p out little Jane, +And talk of _her own_ mother 'at she'd never see again-- +Maybe sometimes cry together--though, fer the most part she +Would have the child so riconciled and happy-like 'at we +Felt lonesomer 'n ever when she'd put her bonnet on +And say she'd railly haf to be a-gittin' back to John! + +I got to thinkin' of her, as I say,--and more and more +I'd think of her dependence, and the burdens 'at she bore,-- +Her parents both a-bein' dead, and all her sisters gone +And married off, and her a-livin' there alone with John-- +You might say jes' a-toilin' and a-slavin' out her life +Fer a man 'at hadn't pride enough to git hisse'f a wife-- +'Less some one married _Evaline_ and packed her off some day!-- +So I got to thinkin' of her--and it happened thataway. + +[Illustration: (HOW IT HAPPENED)] + + + + +WHEN MY DREAMS COME TRUE + + +I + +When my dreams come true--when my dreams come true-- +Shall I lean from out my casement, in the starlight and the dew, +To listen--smile and listen to the tinkle of the strings +Of the sweet guitar my lover's fingers fondle, as he sings? +And as the nude moon slowly, slowly shoulders into view, +Shall I vanish from his vision--when my dreams come true? + +When my dreams come true--shall the simple gown I wear +Be changed to softest satin, and my maiden-braided hair +Be raveled into flossy mists of rarest, fairest gold, +To be minted into kisses, more than any heart can hold?-- +Or "the summer of my tresses" shall my lover liken to +"The fervor of his passion"--when my dreams come true? + + +II + +When my dreams come true--I shall bide among the sheaves +Of happy harvest meadows; and the grasses and the leaves +Shall lift and lean between me and the splendor of the sun, +Till the moon swoons into twilight, and the gleaners' work is done-- +Save that yet an arm shall bind me, even as the reapers do +The meanest sheaf of harvest--when my dreams come true. + +When my dreams come true! when my dreams come true! +True love in all simplicity is fresh and pure as dew;-- +The blossom in the blackest mold is kindlier to the eye +Than any lily born of pride that looms against the sky: +And so it is I know my heart will gladly welcome you, +My lowliest of lovers, when my dreams come true. + +[Illustration: (WHEN MY DREAMS COME TRUE)] + + + + +NOTHIN' TO SAY + + +Nothin' to say, my daughter! Nothin' at all to say! +Gyrls that's in love, I've noticed, ginerly has their way! +Yer mother did, afore you, when her folks objected to me-- +Yit here I am, and here you air; and yer mother--where is she? + +You look lots like yer mother: Purty much same in size; +And about the same complected; and favor about the eyes: +Like her, too, about _livin_' here,--because _she_ couldn't stay: +It'll 'most seem like you was dead--like her!--But I hain't got nothin' to say! + +She left you her little Bible--writ yer name acrost the page-- +And left her ear bobs fer you, ef ever you come of age. +I've allus kep' 'em and gyuarded 'em, but ef yer goin' away-- +Nothin' to say, my daughter! Nothin' at all to say! + +You don't rikollect her, I reckon? No; you wasn't a year old then! +And now yer--how old _air_ you? W'y, child, not "_twenty_!" When? +And yer nex' birthday's in Aprile? and you want to git married that day? +... I wisht yer mother was livin'!--But--I hain't got nothin' to say! + +Twenty year! and as good a gyrl as parent ever found! +There's a straw ketched onto yer dress there--I'll bresh it off--turn round. +(Her mother was jes' twenty when us two run away!) +Nothin' to say, my daughter! Nothin' at all to say! + +[Illustration: (NOTHIN' TO SAY)] + + + + +[Illustration: (IKE WALTON'S PRAYER--TITLE)] + +IKE WALTON'S PRAYER + + +I crave, dear Lord, +No boundless hoard +Of gold and gear, + Nor jewels fine, + Nor lands, nor kine, +Nor treasure-heaps of anything-- + Let but a little hut be mine + Where at the hearthstone I may hear + The cricket sing, + And have the shine + Of one glad woman's eyes to make, + For my poor sake, + Our simple home a place divine;-- +Just the wee cot--the cricket's chirr-- +Love, and the smiling face of her. + +I pray not for +Great riches, nor + For vast estates, and castle-halls,-- + Give me to hear the bare footfalls + Of children o'er + An oaken floor, + New-rinsed with sunshine, or bespread + With but the tiny coverlet + And pillow for the baby's head; +And pray Thou, may +The door stand open and the day + Send ever in a gentle breeze, + With fragrance from the locust-trees, + And drowsy moan of doves, and blur + Of robin-chirps, and drone of bees, + With afterhushes of the stir + Of intermingling sounds, and then + The good-wife and the smile of her + Filling the silences again-- + The cricket's call, + And the wee cot, + Dear Lord of all, + Deny me not! + +I pray not that +Men tremble at + My power of place + And lordly sway,-- +I only pray for simple grace +To look my neighbor in the face + Full honestly from day to day-- +Yield me his horny palm to hold, + And I'll not pray + For gold;-- +The tanned face, garlanded with mirth, +It hath the kingliest smile on earth-- +The swart brow, diamonded with sweat, +Hath never need of coronet. + And so I reach, + Dear Lord, to Thee, + And do beseech + Thou givest me +The wee cot, and the cricket's chirr, +Love, and the glad sweet face of her. + +[Illustration: (IKE WALTON'S PRAYER--TAILPIECE)] + + + + +ILLILEO + + +Illileo, the moonlight seemed lost across the vales-- +The stars but strewed the azure as an armor's scattered scales; +The airs of night were quiet as the breath of silken sails; +And all your words were sweeter than the notes of nightingales. + +Illileo Legardi, in the garden there alone, +With your figure carved of fervor, as the Psyche carved of stone, +There came to me no murmur of the fountain's undertone +So mystically, musically mellow as your own. + +You whispered low, Illileo--so low the leaves were mute, +And the echoes faltered breathless in your voice's vain pursuit; +And there died the distant dalliance of the serenader's lute: +And I held you in my bosom as the husk may hold the fruit. + +Illileo, I listened. I believed you. In my bliss, +What were all the worlds above me since I found you thus in this?-- +Let them reeling reach to win me--even Heaven I would miss, +Grasping earthward!--I would cling here, though I clung by just a kiss! + +And blossoms should grow odorless--and lilies all aghast-- +And I said the stars should slacken in their paces through the vast, +Ere yet my loyalty should fail enduring to the last.-- +So vowed I. It is written. It is changeless as the past. + +Illileo Legardi, in the shade your palace throws +Like a cowl about the singer at your gilded porticos, +A moan goes with the music that may vex the high repose +Of a heart that fades and crumbles as the crimson of a rose. + +[Illustration: (ILLILEO)] + + + + +[Illustration: (WIFE-BLESSED, THE)] + +THE WIFE-BLESSED + + +I + +In youth he wrought, with eyes ablur, + Lorn-faced and long of hair-- +In youth--in youth he painted her + A sister of the air-- +Could clasp her not, but felt the stir + Of pinions everywhere. + + +II + +She lured his gaze, in braver days, + And tranced him sirenwise; +And he did paint her, through a haze + Of sullen paradise, +With scars of kisses on her face + And embers in her eyes. + + +III + +And now--nor dream nor wild conceit-- + Though faltering, as before-- +Through tears he paints her, as is meet, + Tracing the dear face o'er +With lilied patience meek and sweet + As Mother Mary wore. + + + + +MY MARY + + +My Mary, O my Mary! + The simmer-skies are blue; +The dawnin' brings the dazzle, + An' the gloamin' brings the dew,-- +The mirk o' nicht the glory + O' the moon, an' kindles, too, +The stars that shift aboon the lift.-- + But nae thing brings me you! + +Where is it, O my Mary, + Ye are biding a' the while? +I ha' wended by your window-- + I ha' waited by the stile, +An' up an' down the river + I ha' won for mony a mile, +Yet never found, adrift or drown'd, + Your lang-belated smile. + +Is it forgot, my Mary, + How glad we used to be?-- +The simmer-time when bonny bloomed + The auld trysting-tree,-- +How there I carved the name for you, + An' you the name for me; +An' the gloamin' kenned it only + When we kissed sae tenderly. + +Speek ance to me, my Mary!-- + But whisper in my ear +As light as ony sleeper's breath, + An' a' my soul will hear; +My heart shall stap its beating + An' the soughing atmosphere +Be hushed the while I leaning smile + An' listen to you, dear! + +My Mary, O my Mary! + The blossoms bring the bees; +The sunshine brings the blossoms, + An' the leaves on a' the trees; +The simmer brings the sunshine + An' the fragrance o' the breeze,-- +But O wi'out you, Mary, + I care nae thing for these! + +[Illustration: (THE AULD TRYSTING-TREE)] + +We were sae happy, Mary! + O think how ance we said-- +Wad ane o' us gae fickle, + Or ane o' us lie dead,-- +To feel anither's kisses + We wad feign the auld instead, +An' ken the ither's footsteps + In the green grass owerhead. + +My Mary, O my Mary! + Are ye daughter o' the air, +That ye vanish aye before me + As I follow everywhere?-- +Or is it ye are only + But a mortal, wan wi' care?-- +Syne I search through a' the kirkyird + An' I dinna find ye there! + +[Illustration: (MY MARY--TAILPIECE)] + + + + +HOME AT NIGHT + + +When chirping crickets fainter cry, +And pale stars blossom in the sky, +And twilight's gloom has dimmed the bloom +And blurred the butterfly: + +When locust-blossoms fleck the walk, +And up the tiger-lily stalk +The glow-worm crawls and clings and falls +And glimmers down the garden-walls: + +When buzzing things, with double wings +Of crisp and raspish flutterings, +Go whizzing by so very nigh +One thinks of fangs and stings:-- + +O then, within, is stilled the din +Of crib she rocks the baby in, +And heart and gate and latch's weight +Are lifted--and the lips of Kate. + +[Illustration: (HOME AT NIGHT)] + + + + +[Illustration: (WHEN LIDE MARRIED _Him_--TITLE)] + +WHEN LIDE MARRIED _HIM_ + + +When Lide married _him_--w'y, she had to jes dee-fy +The whole poppilation!--But she never bat' an eye! +Her parents begged, and _threatened_--she must give him up--that _he_ +Wuz jes "a common drunkard!"--And he _wuz_, appearantly.-- + Swore they'd chase him off the place + Ef he ever showed his face-- +Long after she'd _eloped_ with him and _married_ him fer shore!-- +When Lide married _him_, it wuz "_Katy, bar the door!_" + +When Lide married _him_--Well! she had to go and be +A _hired girl_ in town somewheres--while he tromped round to see +What _he_ could git that _he_ could do,--you might say, jes sawed wood +From door to door!--that's what he done--'cause that wuz best he could! + And the strangest thing, i jing! + Wuz, he didn't _drink_ a thing,-- +But jes got down to bizness, like he someway _wanted_ to, +When Lide married him, like they warned her _not_ to do! + +When Lide married _him_--er, ruther, _had_ ben married +A little up'ards of a year--some feller come and carried +That _hired girl_ away with him--a ruther _stylish_ feller +In a bran-new green spring-wagon, with the wheels striped red and yeller: + And he whispered, as they driv + Tords the country, "_Now we'll live!_"-- +And _somepin' else_ she _laughed_ to hear, though both her eyes wuz dim, +'Bout "_trustin' Love and Heav'n above_, sence Lide married _him_!" + +[Illustration: (WHEN LIDE MARRIED _Him_--TAILPIECE)] + + + + +HER HAIR + + +The beauty of her hair bewilders me-- + Pouring adown the brow, its cloven tide + Swirling about the ears on either side +And storming around the neck tumultuously: +Or like the lights of old antiquity + Through mullioned windows, in cathedrals wide, + Spilled moltenly o'er figures deified +In chastest marble, nude of drapery. +And so I love it.--Either unconfined; + Or plaited in close braidings manifold; +Or smoothly drawn; or indolently twined + In careless knots whose coilings come unrolled +At any lightest kiss; or by the wind + Whipped out in flossy ravelings of gold. + +[Illustration: (HER HAIR)] + + + + +[Illustration: (LAST NIGHT AND THIS--TITLE)] + +LAST NIGHT--AND THIS + + +Last night--how deep the darkness was! +And well I knew its depths, because +I waded it from shore to shore, +Thinking to reach the light no more. + +She would not even touch my hand.-- +The winds rose and the cedars fanned +The moon out, and the stars fled back +In heaven and hid--and all was black! + +But ah! To-night a summons came, +Signed with a teardrop for a name,-- +For as I wondering kissed it, lo, +A line beneath it told me so. + +And _now_ the moon hangs over me +A disk of dazzling brilliancy, +And every star-tip stabs my sight +With splintered glitterings of light! + +[Illustration: (LAST NIGHT AND THIS--TAILPIECE)] + + + + +[Illustration: (A DISCOURAGING MODEL--TITLE)] + +A DISCOURAGING MODEL + + +Just the airiest, fairiest slip of a thing, +With a Gainsborough hat, like a butterfly's wing, +Tilted up at one side with the jauntiest air, +And a knot of red roses sown in under there + Where the shadows are lost in her hair. + +Then a cameo face, carven in on a ground +Of that shadowy hair where the roses are wound; +And the gleam of a smile O as fair and as faint +And as sweet as the masters of old used to paint + Round the lips of their favorite saint! + +And that lace at her throat--and the fluttering hands +Snowing there, with a grace that no art understands +The flakes of their touches--first fluttering at +The bow--then the roses--the hair--and then that + Little tilt of the Gainsborough hat. + +What artist on earth, with a model like this, +Holding not on his palette the tint of a kiss, +Nor a pigment to hint of the hue of her hair, +Nor the gold of her smile--O what artist could dare + To expect a result half so fair? + +[Illustration: (A CAMEO FACE)] + + + + +SUSPENSE + + +A woman's figure, on a ground of night + Inlaid with sallow stars that dimly stare + Down in the lonesome eyes, uplifted there +As in vague hope some alien lance of light +Might pierce their woe. The tears that blind her sight-- + The salt and bitter blood of her despair-- + Her hands toss back through torrents of her hair +And grip toward God with anguish infinite. + And O the carven mouth, with all its great +Intensity of longing frozen fast + In such a smile as well may designate +The slowly murdered heart, that, to the last + Conceals each newer wound, and back at Fate +Throbs Love's eternal lie--"Lo, I can wait!" + +[Illustration: (SUSPENSE)] + + + + +[Illustration: (TOM VAN ARDEN--TITLE)] + +TOM VAN ARDEN + + +Tom Van Arden, my old friend, + Our warm fellowship is one +Far too old to comprehend + Where its bond was first begun: + Mirage-like before my gaze + Gleams a land of other days, + Where two truant boys, astray, + Dream their lazy lives away. + +There's a vision, in the guise + Of Midsummer, where the Past +Like a weary beggar lies + In the shadow Time has cast; + And as blends the bloom of trees + With the drowsy hum of bees, + Fragrant thoughts and murmurs blend, + Tom Van Arden, my old friend. + +Tom Van Arden, my old friend, + All the pleasures we have known +Thrill me now as I extend + This old hand and grasp your own-- + Feeling, in the rude caress, + All affection's tenderness; + Feeling, though the touch be rough, + Our old souls are soft enough. + +So we'll make a mellow hour; + Fill your pipe, and taste the wine-- +Warp your face, if it be sour, + I can spare a smile from mine; + If it sharpen up your wit, + Let me feel the edge of it-- + I have eager ears to lend, + Tom Van Arden, my old friend. + +[Illustration: (TOM VAN ARDEN)] + +Tom Van Arden, my old friend, + Are we "lucky dogs," indeed? +Are we all that we pretend + In the jolly life we lead?-- + Bachelors, we must confess + Boast of "single blessedness" + To the world, but not alone-- + Man's best sorrow is his own. + +And the saddest truth is this,-- + Life to us has never proved +What we tasted in the kiss + Of the women we have loved: + Vainly we congratulate + Our escape from such a fate + As their lying lips could send, + Tom Van Arden, my old friend! + +Tom Van Arden, my old friend, + Hearts, like fruit upon the stem, +Ripen sweetest, I contend, + As the frost falls over them: + Your regard for me to-day + Makes November taste of May, + And through every vein of rhyme + Pours the blood of summertime. + +When our souls are cramped with youth + Happiness seems far away +In the future, while, in truth, + We looked back on it to-day + Through our tears, nor dare to boast,-- + "Better to have loved and lost!" + Broken hearts are hard to mend, + Tom Van Arden, my old friend. + +Tom Van Arden, my old friend, + I grow prosy, and you tire; +Fill the glasses while I bend + To prod up the failing fire.... + You are restless:--I presume + There's a dampness in the room.-- + Much of warmth our nature begs, + With rheumatics in our legs!... + +Humph! the legs we used to fling + Limber-jointed in the dance, +When we heard the fiddle ring + Up the curtain of Romance, + And in crowded public halls + Played with hearts like jugglers'-balls.-- + _Feats of mountebanks, depend_!-- + Tom Van Arden, my old friend. + +Tom Van Arden, my old friend, + Pardon, then, this theme of mine: +While the fire-light leaps to lend + Higher color to the wine,-- + I propose a health to those + Who have _homes_, and home's repose, + Wife and child-love without end! + ... Tom Van Arden, my old friend. + + + + +[Illustration: (TO HEAR HER SING)] + +TO HEAR HER SING + + +To hear her sing--to hear her sing-- +It is to hear the birds of Spring +In dewy groves on blooming sprays +Pour out their blithest roundelays. + +It is to hear the robin trill +At morning, or the whippoorwill +At dusk, when stars are blossoming +To hear her sing--to hear her sing! + +To hear her sing--it is to hear +The laugh of childhood ringing clear +In woody path or grassy lane +Our feet may never fare again. + +Faint, far away as Memory dwells, +It is to hear the village bells +At twilight, as the truant hears +Them, hastening home, with smiles and tears. + +Such joy it is to hear her sing, +We fall in love with everything-- +The simple things of every day +Grow lovelier than words can say. + +The idle brooks that purl across +The gleaming pebbles and the moss, +We love no less than classic streams-- +The Rhines and Arnos of our dreams. + +To hear her sing--with folded eyes, +It is, beneath Venetian skies, +To hear the gondoliers' refrain, +Or troubadours of sunny Spain.-- + +To hear the bulbul's voice that shook +The throat that trilled for Lalla Rookh: +What wonder we in homage bring +Our hearts to her--to hear her sing! + + + + +THE RIVAL + + +I so loved once, when Death came by I hid + Away my face, +And all my sweetheart's tresses she undid + To make my hiding-place. + +The dread shade passed me thus unheeding; and + I turned me then +To calm my love--kiss down her shielding hand + And comfort her again. + +And lo! she answered not: And she did sit + All fixedly, +With her fair face and the sweet smile of it, + In love with Death, not me. + +[Illustration: (THE RIVAL)] + + + + +[Illustration: (A VARIATION--TITLE)] + +A VARIATION + + +I am tired of this! + Nothing else but loving! +Nothing else but kiss and kiss, + Coo, and turtle-doving! + Can't you change the order some? + Hate me just a little--come! + +Lay aside your "dears," + "Darlings," "kings," and "princes!"-- +Call me knave, and dry your tears-- + Nothing in me winces,-- + Call me something low and base-- + Something that will suit the case! + +Wish I had your eyes + And their drooping lashes! +I would dry their teary lies + Up with lightning-flashes-- + Make your sobbing lips unsheathe + All the glitter of your teeth! + +Can't you lift one word-- + With some pang of laughter-- +Louder than the drowsy bird + Crooning 'neath the rafter? + Just one bitter word, to shriek + Madly at me as I speak! + +How I hate the fair + Beauty of your forehead! +How I hate your fragrant hair! + How I hate the torrid + Touches of your splendid lips, + And the kiss that drips and drips! + +Ah, you pale at last! + And your face is lifted +Like a white sail to the blast, + And your hands are shifted + Into fists: and, towering thus, + You are simply glorious! + +Now before me looms + Something more than human; +Something more than beauty blooms + In the wrath of Woman-- + Something to bow down before + Reverently and adore. + + + + +[Illustration: (WHERE SHALL WE LAND?--TITLE)] + +WHERE SHALL WE LAND? + + "Where shall we land you, sweet?"--Swinburne. + + +All listlessly we float +Out seaward in the boat + That beareth Love. +Our sails of purest snow +Bend to the blue below + And to the blue above. + Where shall we land? + +We drift upon a tide +Shoreless on every side, + Save where the eye +Of Fancy sweeps far lands +Shelved slopingly with sands + Of gold and porphyry. + Where shall we land? + +The fairy isles we see, +Loom up so mistily-- + So vaguely fair, +We do not care to break +Fresh bubbles in our wake + To bend our course for there. + Where shall we land? + +The warm winds of the deep +Have lulled our sails to sleep, + And so we glide +Careless of wave or wind, +Or change of any kind, + Or turn of any tide. + Where shall we land? + +We droop our dreamy eyes +Where our reflection lies + Steeped in the sea, +And, in an endless fit +Of languor, smile on it + And its sweet mimicry. + Where shall we land? + +"Where shall we land?" God's grace! +I know not any place + So fair as this-- +Swung here between the blue +Of sea and sky, with you + To ask me, with a kiss, + "Where shall we land?" + +[Illustration: (WHERE SHALL WE LAND?--TAILPIECE)] + + + + +[Illustration: (THE TOUCHES OF HER HANDS--TITLE)] + +THE TOUCHES OF HER HANDS + + +The touches of her hands are like the fall + Of velvet snowflakes; like the touch of down +The peach just brushes 'gainst the garden wall; +The flossy fondlings of the thistle-wisp + Caught in the crinkle of a leaf of brown +The blighting frost hath turned from green to crisp. + +Soft as the falling of the dusk at night, +The touches of her hands, and the delight-- + The touches of her hands! +The touches of her hands are like the dew +That falls so softly down no one e'er knew +The touch thereof save lovers like to one +Astray in lights where ranged Endymion. + +O rarely soft, the touches of her hands, +As drowsy zephyrs in enchanted lands; + Or pulse of dying fay; or fairy sighs; +Or--in between the midnight and the dawn, +When long unrest and tears and fears are gone-- + Sleep, smoothing down the lids of weary eyes. + +[Illustration: (THE TOUCHES OF HER HANDS--TAILPIECE)] + +[Illustration: (O RARELY SOFT, THE TOUCHES OF HER HANDS)] + + + + +A SONG OF LONG AGO + + +A song of Long Ago: +Sing it lightly--sing it low-- +Sing it softly--like the lisping of the lips we used to know +When our baby-laughter spilled +From the glad hearts ever filled +With music blithe as robin ever trilled! + +Let the fragrant summer-breeze, +And the leaves of locust-trees, +And the apple-buds and blossoms, and the wings of honey-bees, +All palpitate with glee, +Till the happy harmony +Brings back each childish joy to you and me. + +Let the eyes of fancy turn +Where the tumbled pippins burn +Like embers in the orchard's lap of tangled grass and fern,-- +There let the old path wind +In and out and on behind +The cider-press that chuckles as we grind. + +[Illustration: (A SONG OF LONG AGO)] + +Blend in the song the moan +Of the dove that grieves alone, +And the wild whir of the locust, and the bumble's drowsy drone; +And the low of cows that call +Through the pasture-bars when all +The landscape fades away at evenfall. + +Then, far away and clear, +Through the dusky atmosphere, +Let the wailing of the kildee be the only sound we hear: +O sad and sweet and low +As the memory may know +Is the glad-pathetic song of Long Ago! + + + + +WHEN AGE COMES ON + + +When Age comes on!-- +The deepening dusk is where the dawn + Once glittered splendid, and the dew +In honey-drips, from red rose-lips + Was kissed away by me and you.-- +And now across the frosty lawn +Black foot-prints trail, and Age comes on-- + And Age comes on! + And biting wild-winds whistle through +Our tattered hopes--and Age comes on! + +When Age comes on!-- +O tide of raptures, long withdrawn, + Flow back in summer-floods, and fling +Here at our feet our childhood sweet, + And all the songs we used to sing!... +Old loves, old friends--all dead and gone-- +Our old faith lost--and Age comes on-- + And Age comes on! + Poor hearts! have we not anything +But longings left when Age comes on! + +[Illustration: (WHEN AGE COMES ON)] + + + + +[Illustration: (FARMER WHIPPLE--BACHELOR--TITLE)] + +FARMER WHIPPLE--BACHELOR + + +It's a mystery to see me--a man o' fifty-four, +Who's lived a cross old bachelor fer thirty year' and more-- +A-lookin' glad and smilin'! And they's none o' you can say +That you can guess the reason why I feel so good to-day! + +I must tell you all about it! But I'll have to deviate +A little in beginnin', so's to set the matter straight +As to how it comes to happen that I never took a wife-- +Kind o' "crawfish" from the Present to the Springtime of my life! + +I was brought up in the country: Of a family of five-- +Three brothers and a sister--I'm the only one alive,-- +Fer they all died little babies; and 'twas one o' Mother's ways, +You know, to want a daughter; so she took a girl to raise. + +The sweetest little thing she was, with rosy cheeks, and fat-- +We was little chunks o' shavers then about as high as that! +But someway we sort o' _suited_-like! and Mother she'd declare +She never laid her eyes on a more lovin' pair + +Than _we_ was! So we growed up side by side fer thirteen year', +And every hour of it she growed to me more dear!-- +W'y, even Father's dyin', as he did, I do believe +Warn't more affectin' to me than it was to see her grieve! + +I was then a lad o' twenty; and I felt a flash o' pride +In thinkin' all depended on _me_ now to pervide +Fer Mother and fer Mary; and I went about the place +With sleeves rolled up--and workin', with a mighty smilin' face.-- + +Fer _sompin' else_ was workin'! but not a word I said +Of a certain sort o' notion that was runnin' through my head,-- +"Someday I'd mayby marry, and _a brother's_ love was one +Thing--_a lover's_ was another!" was the way the notion run! + +I remember onc't in harvest, when the "cradle-in'" was done-- +When the harvest of my summers mounted up to twenty-one +I was ridin' home with Mary at the closin' o' the day-- +A-chawin' straws and thinkin', in a lover's lazy way! + +And Mary's cheeks was burnin' like the sunset down the lane: +I noticed she was thinkin', too, and ast her to explain. +Well--when she turned and _kissed_ me, _with her arms around me--law!_ +I'd a bigger load o' heaven than I had a load o' straw! + +I don't p'tend to learnin', but I'll tell you what's a fact, +They's a mighty truthful sayin' somers in a' almanack-- +Er _somers_--'bout "puore happiness"--perhaps some folks'll laugh +At the idy--"only lastin' jest two seconds and a half."-- + +But it's jest as true as preachin'!--fer that was _a sister's_ kiss, +And a sister's lovin' confidence a-tellin' to me this:-- +"_She_ was happy, _bein' promised to the son o' farmer Brown_."-- +And my feelin's struck a pardnership with sunset and went down! + +I don't know _how_ I acted--I don't know _what_ I said, +Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead; +And the hosses kindo' glimmered before me in the road. +And the lines fell from my fingers--and that was all I knowed-- + +Fer--well, I don't know _how_ long--They's a dim rememberence +Of a sound o' snortin' hosses, and a stake-and-ridered fence +A-whizzin' past, and wheat-sheaves a-dancin' in the air, +And Mary screamin' "Murder!" and a-runnin' up to where + +[Illustration: (RIDIN' HOME WITH MARY)] + +_I_ was layin' by the roadside, and the wagon upside down +A-leanin' on the gate-post, with the wheels a whirlin' round! +And I tried to raise and meet her, but I couldn't, with a vague +Sorto' notion comin' to me that I had a broken leg. + +Well, the women nussed me through it; but many a time I'd sigh +As I'd keep a-gittin' better instid o' goin' to die, +And wonder what was left _me_ worth livin' fer below, +When the girl I loved was married to another, don't you know! + +And my thoughts was as rebellious as the folks was good and kind +When Brown and Mary married--Railly must a-been my _mind_ +Was kindo' out o' kilter!--fer I hated Brown, you see, +Worse'n _pizen_--and the feller whittled crutches out fer _me_-- + +And done a thousand little ac's o' kindness and respect-- +And me a-wishin' all the time that I could break his neck! +My relief was like a mourner's when the funeral is done +When they moved to Illinois in the Fall o' Forty-one. + +Then I went to work in airnest--I had nothin' much in view +But to drown'd out rickollections--and it kep' me busy, too! +But I slowly thrived and prospered, tel Mother used to say +She expected yit to see me a wealthy man some day. + +Then I'd think how little _money_ was, compared to happiness-- +And who'd be left to use it when I died I couldn't guess! +But I've still kep' speculatin' and a-gainin' year by year, +Tel I'm pay-in' half the taxes in the county, mighty near! + +Well!--A year ago er better, a letter comes to hand +Astin' how I'd like to dicker fer some Illinois land-- +"The feller that had owned it," it went ahead to state, +"Had jest deceased, insolvent, leavin' chance to speculate,"-- + +And then it closed by sayin' that I'd "better come and see."-- +I'd never been West, anyhow--a most too wild fer _me_ +I'd allus had a notion; but a lawyer here in town +Said I'd find myself mistakened when I come to look around. + +So I bids good-bye to Mother, and I jumps aboard the train, +A-thinkin' what I'd bring her when I come back home again-- +And ef she'd had an idy what the present was to be, +I think it's more'n likely she'd a-went along with me! + +Cars is awful tejus ridin', fer all they go so fast! +But finally they called out my stoppin'-place at last; +And that night, at the tavern, I dreamp' _I_ was a train +O' cars, and _skeered_ at sompin', runnin' down a country lane! + +Well, in the mornin' airly--after huntin' up the man-- +The lawyer who was wantin' to swap the piece o' land-- +We started fer the country; and I ast the history +Of the farm--its former owner--and so-forth, etcetery! + +And--well--it was inte_rest_in'--I su-prised him, I suppose, +By the loud and frequent manner in which I blowed my nose!-- +But his su-prise was greater, and it made him wonder more, +When I kissed and hugged the widder when she met us at the door!-- + +_It was Mary_: They's a feelin' a-hidin' down in here-- +Of course I can't explain it, ner ever make it clear.-- +It was with us in that meetin', I don't want you to fergit! +And it makes me kind o' nervous when I think about it yit! + +I _bought_ that farm, and _deeded_ it, afore I left the town, +With "title clear to mansions in the skies," to Mary Brown! +And fu'thermore, I took her and _the childern_--fer, you see, +They'd never seed their Grandma--and I fetched 'em home with me. + +So _now_ you've got an idy why a man o' fifty-four, +Who's lived a cross old bachelor fer thirty year' and more, +Is a-lookin' glad and smilin'!--And I've jest come into town +To git a pair o' license fer to _marry_ Mary Brown. + +[Illustration: (FARMER WHIPPLE--BACHELOR--TAILPIECE)] + + + + +[Illustration: (THE ROSE--TITLE)] + +THE ROSE + + +It tossed its head at the wooing breeze; + And the sun, like a bashful swain, +Beamed on it through the waving trees + With a passion all in vain,-- +For my rose laughed in a crimson glee, +And hid in the leaves in wait for me. + +The honey-bee came there to sing + His love through the languid hours, +And vaunt of his hives, as a proud old king + Might boast of his palace-towers: +But my rose bowed in a mockery, +And hid in the leaves in wait for me. + +The humming-bird, like a courtier gay, + Dipped down with a dalliant song, +And twanged his wings through the roundelay + Of love the whole day long: +Yet my rose turned from his minstrelsy +And hid in the leaves in wait for me. + +The firefly came in the twilight dim + My red, red rose to woo-- +Till quenched was the flame of love in him + And the light of his lantern too, +As my rose wept with dewdrops three +And hid in the leaves in wait for me. + +And I said: I will cull my own sweet rose-- + Some day I will claim as mine +The priceless worth of the flower that knows + No change, but a bloom divine-- +The bloom of a fadeless constancy +That hides in the leaves in wait for me! + +But time passed by in a strange disguise, + And I marked it not, but lay +In a lazy dream, with drowsy eyes, + Till the summer slipped away, +And a chill wind sang in a minor key: +"Where is the rose that waits for thee?" + + * * * * * + +I dream to-day, o'er a purple stain + Of bloom on a withered stalk, +Pelted down by the autumn rain + In the dust of the garden-walk, +That an Angel-rose in the world to be +Will hide in the leaves in wait for me. + + + + +HAS SHE FORGOTTEN? + + +I + +Has she forgotten? On this very May +We were to meet here, with the birds and bees, +As on that Sabbath, underneath the trees +We strayed among the tombs, and stripped away +The vines from these old granites, cold and gray-- +And yet indeed not grim enough were they +To stay our kisses, smiles and ecstasies, +Or closer voice-lost vows and rhapsodies. +Has she forgotten--that the May has won +Its promise?--that the bird-songs from the tree +Are sprayed above the grasses as the sun +Might jar the dazzling dew down showeringly? +Has she forgotten life--love--everyone-- +Has she forgotten me--forgotten me? + + +II + +Low, low down in the violets I press +My lips and whisper to her. Does she hear, +And yet hold silence, though I call her dear, +Just as of old, save for the tearfulness + +Of the clenched eyes, and the soul's vast distress? +Has she forgotten thus the old caress +That made our breath a quickened atmosphere +That failed nigh unto swooning with the sheer +Delight? Mine arms clutch now this earthen heap +Sodden with tears that flow on ceaselessly +As autumn rains the long, long, long nights weep +In memory of days that used to be,-- +Has she forgotten these? And in her sleep, +Has she forgotten me--forgotten me? + + +III + +To-night, against my pillow, with shut eyes, +I mean to weld our faces--through the dense +Incalculable darkness make pretense +That she has risen from her reveries +To mate her dreams with mine in marriages +Of mellow palms, smooth faces, and tense ease +Of every longing nerve of indolence,-- +Lift from the grave her quiet lips, and stun +My senses with her kisses--drawl the glee +Of her glad mouth, full blithe and tenderly, +Across mine own, forgetful if is done +The old love's awful dawn-time when said we, +"To-day is ours!"... Ah, Heaven! can it be +She has forgotten me--forgotten me! + +[Illustration: (HAS SHE FORGOTTEN?)] + + + + +[Illustration: (BLOOMS OF MAY--TITLE)] + +BLOOMS OF MAY + + +But yesterday!... +O blooms of May, +And summer roses--Where-away? +O stars above, +And lips of love +And all the honeyed sweets thereof! + +[Illustration: (O LAD AND LASS)] + +O lad and lass +And orchard-pass, +And briered lane, and daisied grass! +O gleam and gloom, +And woodland bloom, +And breezy breaths of all perfume!-- + +No more for me +Or mine shall be +Thy raptures--save in memory,-- +No more--no more-- +Till through the Door +Of Glory gleam the days of yore. + +[Illustration: (O GLEAM AND GLOOM AND WOODLAND BLOOM)] + + + + +THE SERMON OF THE ROSE + + +Wilful we are in our infirmity +Of childish questioning and discontent. +Whate'er befalls us is divinely meant-- +Thou Truth the clearer for thy mystery! +Make us to meet what is or is to be +With fervid welcome, knowing it is sent +To serve us in some way full excellent, +Though we discern it all belatedly. +The rose buds, and the rose blooms and the rose +Bows in the dews, and in its fulness, lo, +Is in the lover's hand,--then on the breast +Of her he loves,--and there dies.--And who knows +Which fate of all a rose may undergo +Is fairest, dearest, sweetest, loveliest? + +Nay, we are children: we will not mature. +A blessed gift must seem a theft; and tears +Must storm our eyes when but a joy appears +In drear disguise of sorrow; and how poor +We seem when we are richest,--most secure +Against all poverty the lifelong years +We yet must waste in childish doubts and fears +That, in despite of reason, still endure! +Alas! the sermon of the rose we will +Not wisely ponder; nor the sobs of grief +Lulled into sighs of rapture; nor the cry +Of fierce defiance that again is still. +Be patient--patient with our frail belief, +And stay it yet a little ere we die. + +O opulent life of ours, though dispossessed +Of treasure after treasure! Youth most fair +Went first, but left its priceless coil of hair-- +Moaned over sleepless nights, kissed and caressed +Through drip and blur of tears the tenderest. +And next went Love--the ripe rose glowing there +Her very sister!... It is here; but where +Is she, of all the world the first and best? +And yet how sweet the sweet earth after rain-- +How sweet the sunlight on the garden wall +Across the roses--and how sweetly flows +The limpid yodel of the brook again! +And yet--and yet how sweeter after all, +The smouldering sweetness of a dead red rose! + +[Illustration: (THE SERMON OF THE ROSE)] + + + + + + + + + +End of Project Gutenberg's Riley Love-Lyrics, by James Whitcomb Riley + +*** END OF THIS PROJECT GUTENBERG EBOOK RILEY LOVE-LYRICS *** + +***** This file should be named 16995.txt or 16995.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/9/9/16995/ + +Produced by Suzanne Lybarger, Brian Janes, Diane Monico, +and the Project Gutenberg Online Distributed Proofreading Team at +https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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