summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--1680-0.txt2508
-rw-r--r--1680-0.zipbin0 -> 56948 bytes
-rw-r--r--1680-h.zipbin0 -> 59700 bytes
-rw-r--r--1680-h/1680-h.htm2761
-rw-r--r--1680.txt2507
-rw-r--r--1680.zipbin0 -> 56758 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/20040611-1680-h.zipbin0 -> 59175 bytes
-rw-r--r--old/20040611-1680.txt2596
-rw-r--r--old/20040611-1680.zipbin0 -> 58151 bytes
-rw-r--r--old/ctrkt10.txt2467
-rw-r--r--old/ctrkt10.zipbin0 -> 55641 bytes
-rw-r--r--old/ctrkt10h.zipbin0 -> 60178 bytes
15 files changed, 12855 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/1680-0.txt b/1680-0.txt
new file mode 100644
index 0000000..a2faa73
--- /dev/null
+++ b/1680-0.txt
@@ -0,0 +1,2508 @@
+Project Gutenberg’s At the Sign of the Cat and Racket, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: At the Sign of the Cat and Racket
+
+Author: Honore de Balzac
+
+Translator: Clara Bell
+
+Release Date: March, 1998 [Etext #1680]
+Posting Date: February 28, 2010
+Last Updated: November 23, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+
+
+
+Produced by John Bickers, and Dagny
+
+
+
+
+
+AT THE SIGN OF THE CAT AND RACKET
+
+
+By Honore De Balzac
+
+
+Translated by Clara Bell
+
+
+
+
+ DEDICATION
+
+ To Mademoiselle Marie de Montheau
+
+
+
+
+
+AT THE SIGN OF THE CAT AND RACKET
+
+
+Half-way down the Rue Saint-Denis, almost at the corner of the Rue du
+Petit-Lion, there stood formerly one of those delightful houses which
+enable historians to reconstruct old Paris by analogy. The threatening
+walls of this tumbledown abode seemed to have been decorated with
+hieroglyphics. For what other name could the passer-by give to the Xs
+and Vs which the horizontal or diagonal timbers traced on the front,
+outlined by little parallel cracks in the plaster? It was evident that
+every beam quivered in its mortices at the passing of the lightest
+vehicle. This venerable structure was crowned by a triangular roof of
+which no example will, ere long, be seen in Paris. This covering, warped
+by the extremes of the Paris climate, projected three feet over the
+roadway, as much to protect the threshold from the rainfall as to
+shelter the wall of a loft and its sill-less dormer-window. This upper
+story was built of planks, overlapping each other like slates, in order,
+no doubt, not to overweight the frail house.
+
+One rainy morning in the month of March, a young man, carefully wrapped
+in his cloak, stood under the awning of a shop opposite this old house,
+which he was studying with the enthusiasm of an antiquary. In point of
+fact, this relic of the civic life of the sixteenth century offered
+more than one problem to the consideration of an observer. Each story
+presented some singularity; on the first floor four tall, narrow
+windows, close together, were filled as to the lower panes with boards,
+so as to produce the doubtful light by which a clever salesman can
+ascribe to his goods the color his customers inquire for. The young man
+seemed very scornful of this part of the house; his eyes had not yet
+rested on it. The windows of the second floor, where the Venetian blinds
+were drawn up, revealing little dingy muslin curtains behind the large
+Bohemian glass panes, did not interest him either. His attention was
+attracted to the third floor, to the modest sash-frames of wood, so
+clumsily wrought that they might have found a place in the Museum of
+Arts and Crafts to illustrate the early efforts of French carpentry.
+These windows were glazed with small squares of glass so green that, but
+for his good eyes, the young man could not have seen the blue-checked
+cotton curtains which screened the mysteries of the room from profane
+eyes. Now and then the watcher, weary of his fruitless contemplation,
+or of the silence in which the house was buried, like the whole
+neighborhood, dropped his eyes towards the lower regions. An involuntary
+smile parted his lips each time he looked at the shop, where, in fact,
+there were some laughable details.
+
+A formidable wooden beam, resting on four pillars, which appeared to
+have bent under the weight of the decrepit house, had been encrusted
+with as many coats of different paint as there are of rouge on an old
+duchess’ cheek. In the middle of this broad and fantastically carved
+joist there was an old painting representing a cat playing rackets. This
+picture was what moved the young man to mirth. But it must be said
+that the wittiest of modern painters could not invent so comical a
+caricature. The animal held in one of its forepaws a racket as big as
+itself, and stood on its hind legs to aim at hitting an enormous ball,
+returned by a man in a fine embroidered coat. Drawing, color, and
+accessories, all were treated in such a way as to suggest that the
+artist had meant to make game of the shop-owner and of the passing
+observer. Time, while impairing this artless painting, had made it yet
+more grotesque by introducing some uncertain features which must have
+puzzled the conscientious idler. For instance, the cat’s tail had been
+eaten into in such a way that it might now have been taken for the
+figure of a spectator--so long, and thick, and furry were the tails of
+our forefathers’ cats. To the right of the picture, on an azure field
+which ill-disguised the decay of the wood, might be read the name
+“Guillaume,” and to the left, “Successor to Master Chevrel.” Sun and
+rain had worn away most of the gilding parsimoniously applied to the
+letters of this superscription, in which the Us and Vs had changed
+places in obedience to the laws of old-world orthography.
+
+To quench the pride of those who believe that the world is growing
+cleverer day by day, and that modern humbug surpasses everything, it may
+be observed that these signs, of which the origin seems so whimsical to
+many Paris merchants, are the dead pictures of once living pictures
+by which our roguish ancestors contrived to tempt customers into their
+houses. Thus the Spinning Sow, the Green Monkey, and others, were
+animals in cages whose skills astonished the passer-by, and whose
+accomplishments prove the patience of the fifteenth-century artisan.
+Such curiosities did more to enrich their fortunate owners than the
+signs of “Providence,” “Good-faith,” “Grace of God,” and “Decapitation
+of John the Baptist,” which may still be seen in the Rue Saint-Denis.
+
+However, our stranger was certainly not standing there to admire the
+cat, which a minute’s attention sufficed to stamp on his memory. The
+young man himself had his peculiarities. His cloak, folded after the
+manner of an antique drapery, showed a smart pair of shoes, all the more
+remarkable in the midst of the Paris mud, because he wore white silk
+stockings, on which the splashes betrayed his impatience. He had just
+come, no doubt, from a wedding or a ball; for at this early hour he had
+in his hand a pair of white gloves, and his black hair, now out of curl,
+and flowing over his shoulders, showed that it had been dressed _a la
+Caracalla_, a fashion introduced as much by David’s school of painting
+as by the mania for Greek and Roman styles which characterized the early
+years of this century.
+
+In spite of the noise made by a few market gardeners, who, being late,
+rattled past towards the great market-place at a gallop, the busy street
+lay in a stillness of which the magic charm is known only to those who
+have wandered through deserted Paris at the hours when its roar, hushed
+for a moment, rises and spreads in the distance like the great voice
+of the sea. This strange young man must have seemed as curious to the
+shopkeeping folk of the “Cat and Racket” as the “Cat and Racket” was
+to him. A dazzlingly white cravat made his anxious face look even paler
+than it really was. The fire that flashed in his black eyes, gloomy
+and sparkling by turns, was in harmony with the singular outline of
+his features, with his wide, flexible mouth, hardened into a smile. His
+forehead, knit with violent annoyance, had a stamp of doom. Is not the
+forehead the most prophetic feature of a man? When the stranger’s
+brow expressed passion the furrows formed in it were terrible in their
+strength and energy; but when he recovered his calmness, so easily
+upset, it beamed with a luminous grace which gave great attractiveness
+to a countenance in which joy, grief, love, anger, or scorn blazed out
+so contagiously that the coldest man could not fail to be impressed.
+
+He was so thoroughly vexed by the time when the dormer-window of the
+loft was suddenly flung open, that he did not observe the apparition of
+three laughing faces, pink and white and chubby, but as vulgar as the
+face of Commerce as it is seen in sculpture on certain monuments. These
+three faces, framed by the window, recalled the puffy cherubs floating
+among the clouds that surround God the Father. The apprentices snuffed
+up the exhalations of the street with an eagerness that showed how hot
+and poisonous the atmosphere of their garret must be. After pointing to
+the singular sentinel, the most jovial, as he seemed, of the apprentices
+retired and came back holding an instrument whose hard metal pipe is now
+superseded by a leather tube; and they all grinned with mischief as they
+looked down on the loiterer, and sprinkled him with a fine white
+shower of which the scent proved that three chins had just been shaved.
+Standing on tiptoe, in the farthest corner of their loft, to enjoy
+their victim’s rage, the lads ceased laughing on seeing the haughty
+indifference with which the young man shook his cloak, and the
+intense contempt expressed by his face as he glanced up at the empty
+window-frame.
+
+At this moment a slender white hand threw up the lower half of one of
+the clumsy windows on the third floor by the aid of the sash runners,
+of which the pulley so often suddenly gives way and releases the heavy
+panes it ought to hold up. The watcher was then rewarded for his long
+waiting. The face of a young girl appeared, as fresh as one of the
+white cups that bloom on the bosom of the waters, crowned by a frill
+of tumbled muslin, which gave her head a look of exquisite innocence.
+Though wrapped in brown stuff, her neck and shoulders gleamed here
+and there through little openings left by her movements in sleep. No
+expression of embarrassment detracted from the candor of her face, or
+the calm look of eyes immortalized long since in the sublime works of
+Raphael; here were the same grace, the same repose as in those Virgins,
+and now proverbial. There was a delightful contrast between the cheeks
+of that face on which sleep had, as it were, given high relief to a
+superabundance of life, and the antiquity of the heavy window with its
+clumsy shape and black sill. Like those day-blowing flowers, which
+in the early morning have not yet unfurled their cups, twisted by the
+chills of night, the girl, as yet hardly awake, let her blue eyes wander
+beyond the neighboring roofs to look at the sky; then, from habit,
+she cast them down on the gloomy depths of the street, where they
+immediately met those of her adorer. Vanity, no doubt, distressed her at
+being seen in undress; she started back, the worn pulley gave way, and
+the sash fell with the rapid run, which in our day has earned for this
+artless invention of our forefathers an odious name, _Fenetre a la
+Guillotine_. The vision had disappeared. To the young man the most
+radiant star of morning seemed to be hidden by a cloud.
+
+During these little incidents the heavy inside shutters that protected
+the slight windows of the shop of the “Cat and Racket” had been removed
+as if by magic. The old door with its knocker was opened back against
+the wall of the entry by a man-servant, apparently coeval with the sign,
+who, with a shaking hand, hung upon it a square of cloth, on which were
+embroidered in yellow silk the words: “Guillaume, successor to Chevrel.”
+ Many a passer-by would have found it difficult to guess the class of
+trade carried on by Monsieur Guillaume. Between the strong iron bars
+which protected his shop windows on the outside, certain packages,
+wrapped in brown linen, were hardly visible, though as numerous as
+herrings swimming in a shoal. Notwithstanding the primitive aspect of
+the Gothic front, Monsieur Guillaume, of all the merchant clothiers in
+Paris, was the one whose stores were always the best provided, whose
+connections were the most extensive, and whose commercial honesty never
+lay under the slightest suspicion. If some of his brethren in business
+made a contract with the Government, and had not the required quantity
+of cloth, he was always ready to deliver it, however large the number of
+pieces tendered for. The wily dealer knew a thousand ways of extracting
+the largest profits without being obliged, like them, to court
+patrons, cringing to them, or making them costly presents. When his
+fellow-tradesmen could only pay in good bills of long date, he would
+mention his notary as an accommodating man, and managed to get a second
+profit out of the bargain, thanks to this arrangement, which had made it
+a proverb among the traders of the Rue Saint-Denis: “Heaven preserve you
+from Monsieur Guillaume’s notary!” to signify a heavy discount.
+
+The old merchant was to be seen standing on the threshold of his shop,
+as if by a miracle, the instant the servant withdrew. Monsieur Guillaume
+looked at the Rue Saint-Denis, at the neighboring shops, and at the
+weather, like a man disembarking at Havre, and seeing France once more
+after a long voyage. Having convinced himself that nothing had changed
+while he was asleep, he presently perceived the stranger on guard, and
+he, on his part, gazed at the patriarchal draper as Humboldt may have
+scrutinized the first electric eel he saw in America. Monsieur Guillaume
+wore loose black velvet breeches, pepper-and-salt stockings, and square
+toed shoes with silver buckles. His coat, with square-cut fronts,
+square-cut tails, and square-cut collar clothed his slightly bent figure
+in greenish cloth, finished with white metal buttons, tawny from wear.
+His gray hair was so accurately combed and flattened over his yellow
+pate that it made it look like a furrowed field. His little green eyes,
+that might have been pierced with a gimlet, flashed beneath arches
+faintly tinged with red in the place of eyebrows. Anxieties had wrinkled
+his forehead with as many horizontal lines as there were creases in his
+coat. This colorless face expressed patience, commercial shrewdness,
+and the sort of wily cupidity which is needful in business. At that
+time these old families were less rare than they are now, in which the
+characteristic habits and costume of their calling, surviving in
+the midst of more recent civilization, were preserved as cherished
+traditions, like the antediluvian remains found by Cuvier in the
+quarries.
+
+The head of the Guillaume family was a notable upholder of ancient
+practices; he might be heard to regret the Provost of Merchants, and
+never did he mention a decision of the Tribunal of Commerce without
+calling it the _Sentence of the Consuls_. Up and dressed the first of
+the household, in obedience, no doubt, to these old customs, he stood
+sternly awaiting the appearance of his three assistants, ready to scold
+them in case they were late. These young disciples of Mercury knew
+nothing more terrible than the wordless assiduity with which the master
+scrutinized their faces and their movements on Monday in search of
+evidence or traces of their pranks. But at this moment the old clothier
+paid no heed to his apprentices; he was absorbed in trying to divine the
+motive of the anxious looks which the young man in silk stockings and a
+cloak cast alternately at his signboard and into the depths of his shop.
+The daylight was now brighter, and enabled the stranger to discern the
+cashier’s corner enclosed by a railing and screened by old green silk
+curtains, where were kept the immense ledgers, the silent oracles of the
+house. The too inquisitive gazer seemed to covet this little nook,
+and to be taking the plan of a dining-room at one side, lighted by
+a skylight, whence the family at meals could easily see the smallest
+incident that might occur at the shop-door. So much affection for his
+dwelling seemed suspicious to a trader who had lived long enough to
+remember the law of maximum prices; Monsieur Guillaume naturally thought
+that this sinister personage had an eye to the till of the Cat and
+Racket. After quietly observing the mute duel which was going on between
+his master and the stranger, the eldest of the apprentices, having seen
+that the young man was stealthily watching the windows of the third
+floor, ventured to place himself on the stone flag where Monsieur
+Guillaume was standing. He took two steps out into the street, raised
+his head, and fancied that he caught sight of Mademoiselle Augustine
+Guillaume in hasty retreat. The draper, annoyed by his assistant’s
+perspicacity, shot a side glance at him; but the draper and his amorous
+apprentice were suddenly relieved from the fears which the young man’s
+presence had excited in their minds. He hailed a hackney cab on its
+way to a neighboring stand, and jumped into it with an air of affected
+indifference. This departure was a balm to the hearts of the other two
+lads, who had been somewhat uneasy as to meeting the victim of their
+practical joke.
+
+“Well, gentlemen, what ails you that you are standing there with your
+arms folded?” said Monsieur Guillaume to his three neophytes. “In former
+days, bless you, when I was in Master Chevrel’s service, I should have
+overhauled more than two pieces of cloth by this time.”
+
+“Then it was daylight earlier,” said the second assistant, whose duty
+this was.
+
+The old shopkeeper could not help smiling. Though two of these
+young fellows, who were confided to his care by their fathers, rich
+manufacturers at Louviers and at Sedan, had only to ask and to have a
+hundred thousand francs the day when they were old enough to settle in
+life, Guillaume regarded it as his duty to keep them under the rod of an
+old-world despotism, unknown nowadays in the showy modern shops, where
+the apprentices expect to be rich men at thirty. He made them work like
+Negroes. These three assistants were equal to a business which would
+harry ten such clerks as those whose sybaritical tastes now swell the
+columns of the budget. Not a sound disturbed the peace of this solemn
+house, where the hinges were always oiled, and where the meanest article
+of furniture showed the respectable cleanliness which reveals strict
+order and economy. The most waggish of the three youths often amused
+himself by writing the date of its first appearance on the Gruyere
+cheese which was left to their tender mercies at breakfast, and which it
+was their pleasure to leave untouched. This bit of mischief, and a few
+others of the same stamp, would sometimes bring a smile on the face of
+the younger of Guillaume’s daughters, the pretty maiden who has just now
+appeared to the bewitched man in the street.
+
+Though each of these apprentices, even the eldest, paid a round sum for
+his board, not one of them would have been bold enough to remain at the
+master’s table when dessert was served. When Madame Guillaume talked of
+dressing the salad, the hapless youths trembled as they thought of the
+thrift with which her prudent hand dispensed the oil. They could never
+think of spending a night away from the house without having given, long
+before, a plausible reason for such an irregularity. Every Sunday, each
+in his turn, two of them accompanied the Guillaume family to Mass at
+Saint-Leu, and to vespers. Mesdemoiselles Virginie and Augustine, simply
+attired in cotton print, each took the arm of an apprentice and walked
+in front, under the piercing eye of their mother, who closed the little
+family procession with her husband, accustomed by her to carry two large
+prayer-books, bound in black morocco. The second apprentice received
+no salary. As for the eldest, whose twelve years of perseverance and
+discretion had initiated him into the secrets of the house, he was paid
+eight hundred francs a year as the reward of his labors. On certain
+family festivals he received as a gratuity some little gift, to which
+Madame Guillaume’s dry and wrinkled hand alone gave value--netted
+purses, which she took care to stuff with cotton wool, to show off the
+fancy stitches, braces of the strongest make, or heavy silk stockings.
+Sometimes, but rarely, this prime minister was admitted to share the
+pleasures of the family when they went into the country, or when, after
+waiting for months, they made up their mind to exert the right acquired
+by taking a box at the theatre to command a piece which Paris had
+already forgotten.
+
+As to the other assistants, the barrier of respect which formerly
+divided a master draper from his apprentices was that they would
+have been more likely to steal a piece of cloth than to infringe this
+time-honored etiquette. Such reserve may now appear ridiculous; but
+these old houses were a school of honesty and sound morals. The masters
+adopted their apprentices. The young man’s linen was cared for, mended,
+and often replaced by the mistress of the house. If an apprentice fell
+ill, he was the object of truly maternal attention. In a case of
+danger the master lavished his money in calling in the most celebrated
+physicians, for he was not answerable to their parents merely for the
+good conduct and training of the lads. If one of them, whose character
+was unimpeachable, suffered misfortune, these old tradesmen knew how to
+value the intelligence he had displayed, and they did not hesitate
+to entrust the happiness of their daughters to men whom they had long
+trusted with their fortunes. Guillaume was one of these men of the
+old school, and if he had their ridiculous side, he had all their good
+qualities; and Joseph Lebas, the chief assistant, an orphan without any
+fortune, was in his mind destined to be the husband of Virginie, his
+elder daughter. But Joseph did not share the symmetrical ideas of his
+master, who would not for an empire have given his second daughter in
+marriage before the elder. The unhappy assistant felt that his heart was
+wholly given to Mademoiselle Augustine, the younger. In order to justify
+this passion, which had grown up in secret, it is necessary to inquire
+a little further into the springs of the absolute government which ruled
+the old cloth-merchant’s household.
+
+Guillaume had two daughters. The elder, Mademoiselle Virginie, was
+the very image of her mother. Madame Guillaume, daughter of the Sieur
+Chevrel, sat so upright in the stool behind her desk, that more than
+once she had heard some wag bet that she was a stuffed figure. Her
+long, thin face betrayed exaggerated piety. Devoid of attractions or of
+amiable manners, Madame Guillaume commonly decorated her head--that of
+a woman near on sixty--with a cap of a particular and unvarying shape,
+with long lappets, like that of a widow. In all the neighborhood she was
+known as the “portress nun.” Her speech was curt, and her movements had
+the stiff precision of a semaphore. Her eye, with a gleam in it like a
+cat’s, seemed to spite the world because she was so ugly. Mademoiselle
+Virginie, brought up, like her younger sister, under the domestic rule
+of her mother, had reached the age of eight-and-twenty. Youth mitigated
+the graceless effect which her likeness to her mother sometimes gave
+to her features, but maternal austerity had endowed her with two great
+qualities which made up for everything. She was patient and gentle.
+Mademoiselle Augustine, who was but just eighteen, was not like either
+her father or her mother. She was one of those daughters whose total
+absence of any physical affinity with their parents makes one believe in
+the adage: “God gives children.” Augustine was little, or, to describe
+her more truly, delicately made. Full of gracious candor, a man of the
+world could have found no fault in the charming girl beyond a certain
+meanness of gesture or vulgarity of attitude, and sometimes a want of
+ease. Her silent and placid face was full of the transient melancholy
+which comes over all young girls who are too weak to dare to resist
+their mother’s will.
+
+The two sisters, always plainly dressed, could not gratify the innate
+vanity of womanhood but by a luxury of cleanliness which became them
+wonderfully, and made them harmonize with the polished counters and
+the shining shelves, on which the old man-servant never left a speck of
+dust, and with the old-world simplicity of all they saw about them. As
+their style of living compelled them to find the elements of happiness
+in persistent work, Augustine and Virginie had hitherto always satisfied
+their mother, who secretly prided herself on the perfect characters of
+her two daughters. It is easy to imagine the results of the training
+they had received. Brought up to a commercial life, accustomed to
+hear nothing but dreary arguments and calculations about trade, having
+studied nothing but grammar, book-keeping, a little Bible-history, and
+the history of France in Le Ragois, and never reading any book but what
+their mother would sanction, their ideas had not acquired much scope.
+They knew perfectly how to keep house; they were familiar with the
+prices of things; they understood the difficulty of amassing money; they
+were economical, and had a great respect for the qualities that make a
+man of business. Although their father was rich, they were as skilled
+in darning as in embroidery; their mother often talked of having them
+taught to cook, so that they might know how to order a dinner and scold
+a cook with due knowledge. They knew nothing of the pleasures of the
+world; and, seeing how their parents spent their exemplary lives, they
+very rarely suffered their eyes to wander beyond the walls of their
+hereditary home, which to their mother was the whole universe. The
+meetings to which family anniversaries gave rise filled in the future of
+earthly joy to them.
+
+When the great drawing-room on the second floor was to be prepared to
+receive company--Madame Roguin, a Demoiselle Chevrel, fifteen months
+younger than her cousin, and bedecked with diamonds; young Rabourdin,
+employed in the Finance Office; Monsieur Cesar Birotteau, the rich
+perfumer, and his wife, known as Madame Cesar; Monsieur Camusot, the
+richest silk mercer in the Rue des Bourdonnais, with his father-in-law,
+Monsieur Cardot, two or three old bankers, and some immaculate
+ladies--the arrangements, made necessary by the way in which everything
+was packed away--the plate, the Dresden china, the candlesticks, and the
+glass--made a variety in the monotonous lives of the three women, who
+came and went and exerted themselves as nuns would to receive their
+bishop. Then, in the evening, when all three were tired out with having
+wiped, rubbed, unpacked, and arranged all the gauds of the festival, as
+the girls helped their mother to undress, Madame Guillaume would say to
+them, “Children, we have done nothing today.”
+
+When, on very great occasions, “the portress nun” allowed dancing,
+restricting the games of boston, whist, and backgammon within the limits
+of her bedroom, such a concession was accounted as the most unhoped
+felicity, and made them happier than going to the great balls, to two
+or three of which Guillaume would take the girls at the time of the
+Carnival.
+
+And once a year the worthy draper gave an entertainment, when he spared
+no expense. However rich and fashionable the persons invited might be,
+they were careful not to be absent; for the most important houses on
+the exchange had recourse to the immense credit, the fortune, or the
+time-honored experience of Monsieur Guillaume. Still, the excellent
+merchant’s daughters did not benefit as much as might be supposed by the
+lessons the world has to offer to young spirits. At these parties, which
+were indeed set down in the ledger to the credit of the house, they wore
+dresses the shabbiness of which made them blush. Their style of dancing
+was not in any way remarkable, and their mother’s surveillance did not
+allow of their holding any conversation with their partners beyond Yes
+and No. Also, the law of the old sign of the Cat and Racket commanded
+that they should be home by eleven o’clock, the hour when balls and
+fetes begin to be lively. Thus their pleasures, which seemed to conform
+very fairly to their father’s position, were often made insipid by
+circumstances which were part of the family habits and principles.
+
+As to their usual life, one remark will sufficiently paint it. Madame
+Guillaume required her daughters to be dressed very early in the
+morning, to come down every day at the same hour, and she ordered their
+employments with monastic regularity. Augustine, however, had been
+gifted by chance with a spirit lofty enough to feel the emptiness of
+such a life. Her blue eyes would sometimes be raised as if to pierce
+the depths of that gloomy staircase and those damp store-rooms. After
+sounding the profound cloistral silence, she seemed to be listening to
+remote, inarticulate revelations of the life of passion, which accounts
+feelings as of higher value than things. And at such moments her cheek
+would flush, her idle hands would lay the muslin sewing on the polished
+oak counter, and presently her mother would say in a voice, of which
+even the softest tones were sour, “Augustine, my treasure, what are
+you thinking about?” It is possible that two romances discovered
+by Augustine in the cupboard of a cook Madame Guillaume had
+lately discharged--_Hippolyte Comte de Douglas_ and _Le Comte de
+Comminges_--may have contributed to develop the ideas of the young girl,
+who had devoured them in secret, during the long nights of the past
+winter.
+
+And so Augustine’s expression of vague longing, her gentle voice, her
+jasmine skin, and her blue eyes had lighted in poor Lebas’ soul a
+flame as ardent as it was reverent. From an easily understood caprice,
+Augustine felt no affection for the orphan; perhaps she did not know
+that he loved her. On the other hand, the senior apprentice, with his
+long legs, his chestnut hair, his big hands and powerful frame, had
+found a secret admirer in Mademoiselle Virginie, who, in spite of her
+dower of fifty thousand crowns, had as yet no suitor. Nothing could
+be more natural than these two passions at cross-purposes, born in the
+silence of the dingy shop, as violets bloom in the depths of a wood. The
+mute and constant looks which made the young people’s eyes meet by sheer
+need of change in the midst of persistent work and cloistered peace, was
+sure, sooner or later, to give rise to feelings of love. The habit of
+seeing always the same face leads insensibly to our reading there the
+qualities of the soul, and at last effaces all its defects.
+
+“At the pace at which that man goes, our girls will soon have to go on
+their knees to a suitor!” said Monsieur Guillaume to himself, as he
+read the first decree by which Napoleon drew in advance on the conscript
+classes.
+
+From that day the old merchant, grieved at seeing his eldest daughter
+fade, remembered how he had married Mademoiselle Chevrel under much the
+same circumstances as those of Joseph Lebas and Virginie. A good bit
+of business, to marry off his daughter, and discharge a sacred debt
+by repaying to an orphan the benefit he had formerly received from
+his predecessor under similar conditions! Joseph Lebas, who was now
+three-and-thirty, was aware of the obstacle which a difference of
+fifteen years placed between Augustine and himself. Being also too
+clear-sighted not to understand Monsieur Guillaume’s purpose, he knew
+his inexorable principles well enough to feel sure that the second would
+never marry before the elder. So the hapless assistant, whose heart was
+as warm as his legs were long and his chest deep, suffered in silence.
+
+This was the state of the affairs in the tiny republic which, in the
+heart of the Rue Saint-Denis, was not unlike a dependency of La Trappe.
+But to give a full account of events as well as of feelings, it is
+needful to go back to some months before the scene with which this story
+opens. At dusk one evening, a young man passing the darkened shop of the
+Cat and Racket, had paused for a moment to gaze at a picture which might
+have arrested every painter in the world. The shop was not yet lighted,
+and was as a dark cave beyond which the dining-room was visible. A
+hanging lamp shed the yellow light which lends such charm to pictures
+of the Dutch school. The white linen, the silver, the cut glass, were
+brilliant accessories, and made more picturesque by strong contrasts of
+light and shade. The figures of the head of the family and his wife, the
+faces of the apprentices, and the pure form of Augustine, near whom a
+fat chubby-cheeked maid was standing, composed so strange a group; the
+heads were so singular, and every face had so candid an expression; it
+was so easy to read the peace, the silence, the modest way of life in
+this family, that to an artist accustomed to render nature, there was
+something hopeless in any attempt to depict this scene, come upon by
+chance. The stranger was a young painter, who, seven years before, had
+gained the first prize for painting. He had now just come back from
+Rome. His soul, full-fed with poetry; his eyes, satiated with Raphael
+and Michael Angelo, thirsted for real nature after long dwelling in the
+pompous land where art has everywhere left something grandiose. Right or
+wrong, this was his personal feeling. His heart, which had long been
+a prey to the fire of Italian passion, craved one of those modest
+and meditative maidens whom in Rome he had unfortunately seen only
+in painting. From the enthusiasm produced in his excited fancy by the
+living picture before him, he naturally passed to a profound admiration
+for the principal figure; Augustine seemed to be pensive, and did not
+eat; by the arrangement of the lamp the light fell full on her face, and
+her bust seemed to move in a circle of fire, which threw up the shape of
+her head and illuminated it with almost supernatural effect. The artist
+involuntarily compared her to an exiled angel dreaming of heaven. An
+almost unknown emotion, a limpid, seething love flooded his heart. After
+remaining a minute, overwhelmed by the weight of his ideas, he tore
+himself from his bliss, went home, ate nothing, and could not sleep.
+
+The next day he went to his studio, and did not come out of it till he
+had placed on canvas the magic of the scene of which the memory had, in
+a sense, made him a devotee; his happiness was incomplete till he should
+possess a faithful portrait of his idol. He went many times past the
+house of the Cat and Racket; he even ventured in once or twice, under
+a disguise, to get a closer view of the bewitching creature that Madame
+Guillaume covered with her wing. For eight whole months, devoted to his
+love and to his brush, he was lost to the sight of his most intimate
+friends forgetting the world, the theatre, poetry, music, and all his
+dearest habits. One morning Girodet broke through all the barriers with
+which artists are familiar, and which they know how to evade, went into
+his room, and woke him by asking, “What are you going to send to the
+Salon?” The artist grasped his friend’s hand, dragged him off to the
+studio, uncovered a small easel picture and a portrait. After a long
+and eager study of the two masterpieces, Girodet threw himself on his
+comrade’s neck and hugged him, without speaking a word. His feelings
+could only be expressed as he felt them--soul to soul.
+
+“You are in love?” said Girodet.
+
+They both knew that the finest portraits by Titian, Raphael, and
+Leonardo da Vinci, were the outcome of the enthusiastic sentiments
+by which, indeed, under various conditions, every masterpiece is
+engendered. The artist only bent his head in reply.
+
+“How happy are you to be able to be in love, here, after coming back
+from Italy! But I do not advise you to send such works as these to the
+Salon,” the great painter went on. “You see, these two works will not
+be appreciated. Such true coloring, such prodigious work, cannot yet be
+understood; the public is not accustomed to such depths. The pictures
+we paint, my dear fellow, are mere screens. We should do better to
+turn rhymes, and translate the antique poets! There is more glory to be
+looked for there than from our luckless canvases!”
+
+Notwithstanding this charitable advice, the two pictures were exhibited.
+The _Interior_ made a revolution in painting. It gave birth to the
+pictures of genre which pour into all our exhibitions in such prodigious
+quantity that they might be supposed to be produced by machinery. As
+to the portrait, few artists have forgotten that lifelike work; and the
+public, which as a body is sometimes discerning, awarded it the crown
+which Girodet himself had hung over it. The two pictures were surrounded
+by a vast throng. They fought for places, as women say. Speculators and
+moneyed men would have covered the canvas with double napoleons, but the
+artist obstinately refused to sell or to make replicas. An enormous sum
+was offered him for the right of engraving them, and the print-sellers
+were not more favored than the amateurs.
+
+Though these incidents occupied the world, they were not of a nature to
+penetrate the recesses of the monastic solitude in the Rue Saint-Denis.
+However, when paying a visit to Madame Guillaume, the notary’s wife
+spoke of the exhibition before Augustine, of whom she was very fond,
+and explained its purpose. Madame Roguin’s gossip naturally inspired
+Augustine with a wish to see the pictures, and with courage enough to
+ask her cousin secretly to take her to the Louvre. Her cousin succeeded
+in the negotiations she opened with Madame Guillaume for permission to
+release the young girl for two hours from her dull labors. Augustine was
+thus able to make her way through the crowd to see the crowned work. A
+fit of trembling shook her like an aspen leaf as she recognized herself.
+She was terrified, and looked about her to find Madame Roguin, from
+whom she had been separated by a tide of people. At that moment her
+frightened eyes fell on the impassioned face of the young painter. She
+at once recalled the figure of a loiterer whom, being curious, she had
+frequently observed, believing him to be a new neighbor.
+
+“You see how love has inspired me,” said the artist in the timid
+creature’s ear, and she stood in dismay at the words.
+
+She found supernatural courage to enable her to push through the crowd
+and join her cousin, who was still struggling with the mass of people
+that hindered her from getting to the picture.
+
+“You will be stifled!” cried Augustine. “Let us go.”
+
+But there are moments, at the Salon, when two women are not always free
+to direct their steps through the galleries. By the irregular course to
+which they were compelled by the press, Mademoiselle Guillaume and her
+cousin were pushed to within a few steps of the second picture. Chance
+thus brought them, both together, to where they could easily see the
+canvas made famous by fashion, for once in agreement with talent. Madame
+Roguin’s exclamation of surprise was lost in the hubbub and buzz of the
+crowd; Augustine involuntarily shed tears at the sight of this wonderful
+study. Then, by an almost unaccountable impulse, she laid her finger on
+her lips, as she perceived quite near her the ecstatic face of the young
+painter. The stranger replied by a nod, and pointed to Madame Roguin, as
+a spoil-sport, to show Augustine that he had understood. This pantomime
+struck the young girl like hot coals on her flesh; she felt quite
+guilty as she perceived that there was a compact between herself and the
+artist. The suffocating heat, the dazzling sight of beautiful dresses,
+the bewilderment produced in Augustine’s brain by the truth of coloring,
+the multitude of living or painted figures, the profusion of gilt
+frames, gave her a sense of intoxication which doubled her alarms. She
+would perhaps have fainted if an unknown rapture had not surged up
+in her heart to vivify her whole being, in spite of this chaos of
+sensations. She nevertheless believed herself to be under the power
+of the Devil, of whose awful snares she had been warned of by the
+thundering words of preachers. This moment was to her like a moment of
+madness. She found herself accompanied to her cousin’s carriage by the
+young man, radiant with joy and love. Augustine, a prey to an agitation
+new to her experience, an intoxication which seemed to abandon her to
+nature, listened to the eloquent voice of her heart, and looked again
+and again at the young painter, betraying the emotion that came over
+her. Never had the bright rose of her cheeks shown in stronger contrast
+with the whiteness of her skin. The artist saw her beauty in all its
+bloom, her maiden modesty in all its glory. She herself felt a sort of
+rapture mingled with terror at thinking that her presence had brought
+happiness to him whose name was on every lip, and whose talent lent
+immortality to transient scenes. She was loved! It was impossible to
+doubt it. When she no longer saw the artist, these simple words still
+echoed in her ear, “You see how love has inspired me!” And the throbs of
+her heart, as they grew deeper, seemed a pain, her heated blood revealed
+so many unknown forces in her being. She affected a severe headache to
+avoid replying to her cousin’s questions concerning the pictures; but
+on their return Madame Roguin could not forbear from speaking to Madame
+Guillaume of the fame that had fallen on the house of the Cat and
+Racket, and Augustine quaked in every limb as she heard her mother say
+that she should go to the Salon to see her house there. The young girl
+again declared herself suffering, and obtained leave to go to bed.
+
+“That is what comes of sight-seeing,” exclaimed Monsieur Guillaume--“a
+headache. And is it so very amusing to see in a picture what you can
+see any day in your own street? Don’t talk to me of your artists! Like
+writers, they are a starveling crew. Why the devil need they choose my
+house to flout it in their pictures?”
+
+“It may help to sell a few ells more of cloth,” said Joseph Lebas.
+
+This remark did not protect art and thought from being condemned once
+again before the judgment-seat of trade. As may be supposed, these
+speeches did not infuse much hope into Augustine, who, during the night,
+gave herself up to the first meditations of love. The events of the day
+were like a dream, which it was a joy to recall to her mind. She was
+initiated into the fears, the hopes, the remorse, all the ebb and flow
+of feeling which could not fail to toss a heart so simple and timid as
+hers. What a void she perceived in this gloomy house! What a treasure
+she found in her soul! To be the wife of a genius, to share his glory!
+What ravages must such a vision make in the heart of a girl brought up
+among such a family! What hopes must it raise in a young creature who,
+in the midst of sordid elements, had pined for a life of elegance! A
+sunbeam had fallen into the prison. Augustine was suddenly in love. So
+many of her feelings were soothed that she succumbed without reflection.
+At eighteen does not love hold a prism between the world and the eyes
+of a young girl? She was incapable of suspecting the hard facts which
+result from the union of a loving woman with a man of imagination, and
+she believed herself called to make him happy, not seeing any disparity
+between herself and him. To her the future would be as the present.
+When, next day, her father and mother returned from the Salon, their
+dejected faces proclaimed some disappointment. In the first place, the
+painter had removed the two pictures; and then Madame Guillaume had lost
+her cashmere shawl. But the news that the pictures had disappeared from
+the walls since her visit revealed to Augustine a delicacy of sentiment
+which a woman can always appreciate, even by instinct.
+
+On the morning when, on his way home from a ball, Theodore de
+Sommervieux--for this was the name which fame had stamped on Augustine’s
+heart--had been squirted on by the apprentices while awaiting the
+appearance of his artless little friend, who certainly did not know that
+he was there, the lovers had seen each other for the fourth time only
+since their meeting at the Salon. The difficulties which the rule of
+the house placed in the way of the painter’s ardent nature gave added
+violence to his passion for Augustine.
+
+How could he get near to a young girl seated in a counting-house between
+two such women as Mademoiselle Virginie and Madame Guillaume? How could
+he correspond with her when her mother never left her side? Ingenious,
+as lovers are, to imagine woes, Theodore saw a rival in one of the
+assistants, to whose interests he supposed the others to be devoted. If
+he should evade these sons of Argus, he would yet be wrecked under the
+stern eye of the old draper or of Madame Guillaume. The very vehemence
+of his passion hindered the young painter from hitting on the ingenious
+expedients which, in prisoners and in lovers, seem to be the last effort
+of intelligence spurred by a wild craving for liberty, or by the fire of
+love. Theodore wandered about the neighborhood with the restlessness of
+a madman, as though movement might inspire him with some device.
+After racking his imagination, it occurred to him to bribe the blowsy
+waiting-maid with gold. Thus a few notes were exchanged at long
+intervals during the fortnight following the ill-starred morning when
+Monsieur Guillaume and Theodore had so scrutinized one another. At
+the present moment the young couple had agreed to see each other at a
+certain hour of the day, and on Sunday, at Saint-Leu, during Mass and
+vespers. Augustine had sent her dear Theodore a list of the relations
+and friends of the family, to whom the young painter tried to get
+access, in the hope of interesting, if it were possible, in his love
+affairs, one of these souls absorbed in money and trade, to whom a
+genuine passion must appear a quite monstrous speculation, a thing
+unheard-of. Nothing meanwhile, was altered at the sign of the Cat and
+Racket. If Augustine was absent-minded, if, against all obedience to the
+domestic code, she stole up to her room to make signals by means of
+a jar of flowers, if she sighed, if she were lost in thought, no one
+observed it, not even her mother. This will cause some surprise to those
+who have entered into the spirit of the household, where an idea tainted
+with poetry would be in startling contrast to persons and things, where
+no one could venture on a gesture or a look which would not be seen and
+analyzed. Nothing, however, could be more natural: the quiet barque that
+navigated the stormy waters of the Paris Exchange, under the flag of
+the Cat and Racket, was just now in the toils of one of these tempests
+which, returning periodically, might be termed equinoctial. For the
+last fortnight the five men forming the crew, with Madame Guillaume and
+Mademoiselle Virginie, had been devoting themselves to the hard labor,
+known as stock-taking.
+
+Every bale was turned over, and the length verified to ascertain the
+exact value of the remnant. The ticket attached to each parcel was
+carefully examined to see at what time the piece had been bought. The
+retail price was fixed. Monsieur Guillaume, always on his feet, his pen
+behind his ear, was like a captain commanding the working of the ship.
+His sharp tones, spoken through a trap-door, to inquire into the
+depths of the hold in the cellar-store, gave utterance to the barbarous
+formulas of trade-jargon, which find expression only in cipher. “How
+much H. N. Z.?”--“All sold.”--“What is left of Q. X.?”--“Two ells.”--“At
+what price?”--“Fifty-five three.”--“Set down A. at three, with all of
+J. J., all of M. P., and what is left of V. D. O.”--A hundred other
+injunctions equally intelligible were spouted over the counters like
+verses of modern poetry, quoted by romantic spirits, to excite each
+other’s enthusiasm for one of their poets. In the evening Guillaume,
+shut up with his assistant and his wife, balanced his accounts, carried
+on the balance, wrote to debtors in arrears, and made out bills. All
+three were busy over this enormous labor, of which the result could be
+stated on a sheet of foolscap, proving to the head of the house that
+there was so much to the good in hard cash, so much in goods, so much
+in bills and notes; that he did not owe a sou; that a hundred or two
+hundred thousand francs were owing to him; that the capital had been
+increased; that the farmlands, the houses, or the investments were
+extended, or repaired, or doubled. Whence it became necessary to begin
+again with increased ardor, to accumulate more crown-pieces, without its
+ever entering the brain of these laborious ants to ask--“To what end?”
+
+Favored by this annual turmoil, the happy Augustine escaped the
+investigations of her Argus-eyed relations. At last, one Saturday
+evening, the stock-taking was finished. The figures of the sum-total
+showed a row of 0’s long enough to allow Guillaume for once to relax the
+stern rule as to dessert which reigned throughout the year. The shrewd
+old draper rubbed his hands, and allowed his assistants to remain at
+table. The members of the crew had hardly swallowed their thimbleful
+of some home-made liqueur, when the rumble of a carriage was heard. The
+family party were going to see _Cendrillon_ at the Varietes, while
+the two younger apprentices each received a crown of six francs, with
+permission to go wherever they chose, provided they were in by midnight.
+
+Notwithstanding this debauch, the old cloth-merchant was shaving himself
+at six next morning, put on his maroon-colored coat, of which the
+glowing lights afforded him perennial enjoyment, fastened a pair of gold
+buckles on the knee-straps of his ample satin breeches; and then, at
+about seven o’clock, while all were still sleeping in the house, he
+made his way to the little office adjoining the shop on the first floor.
+Daylight came in through a window, fortified by iron bars, and looking
+out on a small yard surrounded by such black walls that it was very like
+a well. The old merchant opened the iron-lined shutters, which were so
+familiar to him, and threw up the lower half of the sash window. The icy
+air of the courtyard came in to cool the hot atmosphere of the little
+room, full of the odor peculiar to offices.
+
+The merchant remained standing, his hand resting on the greasy arm of
+a large cane chair lined with morocco, of which the original hue had
+disappeared; he seemed to hesitate as to seating himself. He looked with
+affection at the double desk, where his wife’s seat, opposite his own,
+was fitted into a little niche in the wall. He contemplated the
+numbered boxes, the files, the implements, the cash box--objects all
+of immemorial origin, and fancied himself in the room with the shade of
+Master Chevrel. He even pulled out the high stool on which he had once
+sat in the presence of his departed master. This stool, covered with
+black leather, the horse-hair showing at every corner--as it had long
+done, without, however, coming out--he placed with a shaking hand on the
+very spot where his predecessor had put it, and then, with an emotion
+difficult to describe, he pulled a bell, which rang at the head of
+Joseph Lebas’ bed. When this decisive blow had been struck, the old man,
+for whom, no doubt, these reminiscences were too much, took up three or
+four bills of exchange, and looked at them without seeing them.
+
+Suddenly Joseph Lebas stood before him.
+
+“Sit down there,” said Guillaume, pointing to the stool.
+
+As the old master draper had never yet bid his assistant be seated in
+his presence, Joseph Lebas was startled.
+
+“What do you think of these notes?” asked Guillaume.
+
+“They will never be paid.”
+
+“Why?”
+
+“Well, I heard the day before yesterday Etienne and Co. had made their
+payments in gold.”
+
+“Oh, oh!” said the draper. “Well, one must be very ill to show one’s
+bile. Let us speak of something else.--Joseph, the stock-taking is
+done.”
+
+“Yes, monsieur, and the dividend is one of the best you have ever made.”
+
+“Do not use new-fangled words. Say the profits, Joseph. Do you know, my
+boy, that this result is partly owing to you? And I do not intend to pay
+you a salary any longer. Madame Guillaume has suggested to me to take
+you into partnership.--‘Guillaume and Lebas;’ will not that make a
+good business name? We might add, ‘and Co.’ to round off the firm’s
+signature.”
+
+Tears rose to the eyes of Joseph Lebas, who tried to hide them.
+
+“Oh, Monsieur Guillaume, how have I deserved such kindness? I only do my
+duty. It was so much already that you should take an interest in a poor
+orph----”
+
+He was brushing the cuff of his left sleeve with his right hand, and
+dared not look at the old man, who smiled as he thought that this modest
+young fellow no doubt needed, as he had needed once on a time, some
+encouragement to complete his explanation.
+
+“To be sure,” said Virginie’s father, “you do not altogether deserve
+this favor, Joseph. You have not so much confidence in me as I have in
+you.” (The young man looked up quickly.) “You know all the secrets
+of the cash-box. For the last two years I have told you almost all
+my concerns. I have sent you to travel in our goods. In short, I have
+nothing on my conscience as regards you. But you--you have a soft place,
+and you have never breathed a word of it.” Joseph Lebas blushed. “Ah,
+ha!” cried Guillaume, “so you thought you could deceive an old fox like
+me? When you knew that I had scented the Lecocq bankruptcy?”
+
+“What, monsieur?” replied Joseph Lebas, looking at his master as keenly
+as his master looked at him, “you knew that I was in love?”
+
+“I know everything, you rascal,” said the worthy and cunning old
+merchant, pulling the assistant’s ear. “And I forgive you--I did the
+same myself.”
+
+“And you will give her to me?”
+
+“Yes--with fifty thousand crowns; and I will leave you as much by will,
+and we will start on our new career under the name of a new firm. We
+will do good business yet, my boy!” added the old man, getting up and
+flourishing his arms. “I tell you, son-in-law, there is nothing like
+trade. Those who ask what pleasure is to be found in it are simpletons.
+To be on the scent of a good bargain, to hold your own on ‘Change, to
+watch as anxiously as at the gaming-table whether Etienne and Co. will
+fail or no, to see a regiment of Guards march past all dressed in your
+cloth, to trip your neighbor up--honestly of course!--to make the goods
+cheaper than others can; then to carry out an undertaking which you
+have planned, which begins, grows, totters, and succeeds! to know the
+workings of every house of business as well as a minister of police, so
+as never to make a mistake; to hold up your head in the midst of wrecks,
+to have friends by correspondence in every manufacturing town; is not
+that a perpetual game, Joseph? That is life, that is! I shall die in
+that harness, like old Chevrel, but taking it easy now, all the same.”
+
+In the heat of his eager rhetoric, old Guillaume had scarcely looked
+at his assistant, who was weeping copiously. “Why, Joseph, my poor boy,
+what is the matter?”
+
+“Oh, I love her so! Monsieur Guillaume, that my heart fails me; I
+believe----”
+
+“Well, well, boy,” said the old man, touched, “you are happier than you
+know, by God! For she loves you. I know it.”
+
+And he blinked his little green eyes as he looked at the young man.
+
+“Mademoiselle Augustine! Mademoiselle Augustine!” exclaimed Joseph Lebas
+in his rapture.
+
+He was about to rush out of the room when he felt himself clutched by a
+hand of iron, and his astonished master spun him round in front of him
+once more.
+
+“What has Augustine to do with this matter?” he asked, in a voice which
+instantly froze the luckless Joseph.
+
+“Is it not she that--that--I love?” stammered the assistant.
+
+Much put out by his own want of perspicacity, Guillaume sat down
+again, and rested his long head in his hands to consider the perplexing
+situation in which he found himself. Joseph Lebas, shamefaced and in
+despair, remained standing.
+
+“Joseph,” the draper said with frigid dignity, “I was speaking of
+Virginie. Love cannot be made to order, I know. I know, too, that you
+can be trusted. We will forget all this. I will not let Augustine marry
+before Virginie.--Your interest will be ten per cent.”
+
+The young man, to whom love gave I know not what power of courage and
+eloquence, clasped his hand, and spoke in his turn--spoke for a quarter
+of an hour, with so much warmth and feeling, that he altered the
+situation. If the question had been a matter of business the old
+tradesman would have had fixed principles to guide his decision; but,
+tossed a thousand miles from commerce, on the ocean of sentiment,
+without a compass, he floated, as he told himself, undecided in the face
+of such an unexpected event. Carried away by his fatherly kindness, he
+began to beat about the bush.
+
+“Deuce take it, Joseph, you must know that there are ten years between
+my two children. Mademoiselle Chevrel was no beauty, still she has had
+nothing to complain of in me. Do as I did. Come, come, don’t cry. Can
+you be so silly? What is to be done? It can be managed perhaps. There
+is always some way out of a scrape. And we men are not always devoted
+Celadons to our wives--you understand? Madame Guillaume is very pious.
+... Come. By Gad, boy, give your arm to Augustine this morning as we go
+to Mass.”
+
+These were the phrases spoken at random by the old draper, and their
+conclusion made the lover happy. He was already thinking of a friend of
+his as a match for Mademoiselle Virginie, as he went out of the smoky
+office, pressing his future father-in-law’s hand, after saying with a
+knowing look that all would turn out for the best.
+
+“What will Madame Guillaume say to it?” was the idea that greatly
+troubled the worthy merchant when he found himself alone.
+
+At breakfast Madame Guillaume and Virginie, to whom the draper had not
+yet confided his disappointment, cast meaning glances at Joseph Lebas,
+who was extremely embarrassed. The young assistant’s bashfulness
+commended him to his mother-in-law’s good graces. The matron became
+so cheerful that she smiled as she looked at her husband, and allowed
+herself some little pleasantries of time-honored acceptance in such
+simple families. She wondered whether Joseph or Virginie were the
+taller, to ask them to compare their height. This preliminary fooling
+brought a cloud to the master’s brow, and he even made such a point of
+decorum that he desired Augustine to take the assistant’s arm on their
+way to Saint-Leu. Madame Guillaume, surprised at this manly delicacy,
+honored her husband with a nod of approval. So the procession left
+the house in such order as to suggest no suspicious meaning to the
+neighbors.
+
+“Does it not seem to you, Mademoiselle Augustine,” said the assistant,
+and he trembled, “that the wife of a merchant whose credit is as good
+as Monsieur Guillaume’s, for instance, might enjoy herself a little more
+than Madame your mother does? Might wear diamonds--or keep a carriage?
+For my part, if I were to marry, I should be glad to take all the work,
+and see my wife happy. I would not put her into the counting-house.
+In the drapery business, you see, a woman is not so necessary now as
+formerly. Monsieur Guillaume was quite right to act as he did--and
+besides, his wife liked it. But so long as a woman knows how to turn her
+hand to the book-keeping, the correspondence, the retail business, the
+orders, and her housekeeping, so as not to sit idle, that is enough. At
+seven o’clock, when the shop is shut, I shall take my pleasures, go to
+the play, and into company.--But you are not listening to me.”
+
+“Yes, indeed, Monsieur Joseph. What do you think of painting? That is a
+fine calling.”
+
+“Yes. I know a master house-painter, Monsieur Lourdois. He is
+well-to-do.”
+
+Thus conversing, the family reached the Church of Saint-Leu. There
+Madame Guillaume reasserted her rights, and, for the first time, placed
+Augustine next herself, Virginie taking her place on the fourth chair,
+next to Lebas. During the sermon all went well between Augustine and
+Theodore, who, standing behind a pillar, worshiped his Madonna with
+fervent devotion; but at the elevation of the Host, Madame Guillaume
+discovered, rather late, that her daughter Augustine was holding her
+prayer-book upside down. She was about to speak to her strongly, when,
+lowering her veil, she interrupted her own devotions to look in the
+direction where her daughter’s eyes found attraction. By the help of her
+spectacles she saw the young artist, whose fashionable elegance seemed
+to proclaim him a cavalry officer on leave rather than a tradesman of
+the neighborhood. It is difficult to conceive of the state of violent
+agitation in which Madame Guillaume found herself--she, who flattered
+herself on having brought up her daughters to perfection--on discovering
+in Augustine a clandestine passion of which her prudery and ignorance
+exaggerated the perils. She believed her daughter to be cankered to the
+core.
+
+“Hold your book right way up, miss,” she muttered in a low voice,
+tremulous with wrath. She snatched away the tell-tale prayer-book and
+returned it with the letter-press right way up. “Do not allow your
+eyes to look anywhere but at your prayers,” she added, “or I shall
+have something to say to you. Your father and I will talk to you after
+church.”
+
+These words came like a thunderbolt on poor Augustine. She felt faint;
+but, torn between the distress she felt and the dread of causing a
+commotion in church she bravely concealed her anguish. It was, however,
+easy to discern the stormy state of her soul from the trembling of her
+prayer-book, and the tears which dropped on every page she turned. From
+the furious glare shot at him by Madame Guillaume the artist saw the
+peril into which his love affair had fallen; he went out, with a raging
+soul, determined to venture all.
+
+“Go to your room, miss!” said Madame Guillaume, on their return home;
+“we will send for you, but take care not to quit it.”
+
+The conference between the husband and wife was conducted so secretly
+that at first nothing was heard of it. Virginie, however, who had tried
+to give her sister courage by a variety of gentle remonstrances, carried
+her good nature so far as to listen at the door of her mother’s bedroom
+where the discussion was held, to catch a word or two. The first time
+she went down to the lower floor she heard her father exclaim, “Then,
+madame, do you wish to kill your daughter?”
+
+“My poor dear!” said Virginie, in tears, “papa takes your part.”
+
+“And what do they want to do to Theodore?” asked the innocent girl.
+
+Virginie, inquisitive, went down again; but this time she stayed longer;
+she learned that Joseph Lebas loved Augustine. It was written that on
+this memorable day, this house, generally so peaceful, should be a hell.
+Monsieur Guillaume brought Joseph Lebas to despair by telling him of
+Augustine’s love for a stranger. Lebas, who had advised his friend to
+become a suitor for Mademoiselle Virginie, saw all his hopes wrecked.
+Mademoiselle Virginie, overcome by hearing that Joseph had, in a way,
+refused her, had a sick headache. The dispute that had arisen from the
+discussion between Monsieur and Madame Guillaume, when, for the third
+time in their lives, they had been of antagonistic opinions, had shown
+itself in a terrible form. Finally, at half-past four in the afternoon,
+Augustine, pale, trembling, and with red eyes, was haled before her
+father and mother. The poor child artlessly related the too brief tale
+of her love. Reassured by a speech from her father, who promised to
+listen to her in silence, she gathered courage as she pronounced to her
+parents the name of Theodore de Sommervieux, with a mischievous little
+emphasis on the aristocratic _de_. And yielding to the unknown charm of
+talking of her feelings, she was brave enough to declare with innocent
+decision that she loved Monsieur de Sommervieux, that she had written to
+him, and she added, with tears in her eyes: “To sacrifice me to another
+man would make me wretched.”
+
+“But, Augustine, you cannot surely know what a painter is?” cried her
+mother with horror.
+
+“Madame Guillaume!” said the old man, compelling her to
+silence.--“Augustine,” he went on, “artists are generally little better
+than beggars. They are too extravagant not to be always a bad sort. I
+served the late Monsieur Joseph Vernet, the late Monsieur Lekain, and
+the late Monsieur Noverre. Oh, if you could only know the tricks played
+on poor Father Chevrel by that Monsieur Noverre, by the Chevalier de
+Saint-Georges, and especially by Monsieur Philidor! They are a set of
+rascals; I know them well! They all have a gab and nice manners. Ah,
+your Monsieur Sumer--, Somm----”
+
+“De Sommervieux, papa.”
+
+“Well, well, de Sommervieux, well and good. He can never have been half
+so sweet to you as Monsieur le Chevalier de Saint-Georges was to me the
+day I got a verdict of the consuls against him. And in those days they
+were gentlemen of quality.”
+
+“But, father, Monsieur Theodore is of good family, and he wrote me that
+he is rich; his father was called Chevalier de Sommervieux before the
+Revolution.”
+
+At these words Monsieur Guillaume looked at his terrible better half,
+who, like an angry woman, sat tapping the floor with her foot while
+keeping sullen silence; she avoided even casting wrathful looks
+at Augustine, appearing to leave to Monsieur Guillaume the whole
+responsibility in so grave a matter, since her opinion was not listened
+to. Nevertheless, in spite of her apparent self-control, when she
+saw her husband giving way so mildly under a catastrophe which had no
+concern with business, she exclaimed:
+
+“Really, monsieur, you are so weak with your daughters! However----”
+
+The sound of a carriage, which stopped at the door, interrupted the
+rating which the old draper already quaked at. In a minute Madame Roguin
+was standing in the middle of the room, and looking at the actors in
+this domestic scene: “I know all, my dear cousin,” said she, with a
+patronizing air.
+
+Madame Roguin made the great mistake of supposing that a Paris notary’s
+wife could play the part of a favorite of fashion.
+
+“I know all,” she repeated, “and I have come into Noah’s Ark, like
+the dove, with the olive-branch. I read that allegory in the _Genie du
+Christianisme_,” she added, turning to Madame Guillaume; “the allusion
+ought to please you, cousin. Do you know,” she went on, smiling at
+Augustine, “that Monsieur de Sommervieux is a charming man? He gave me
+my portrait this morning, painted by a master’s hand. It is worth at
+least six thousand francs.” And at these words she patted Monsieur
+Guillaume on the arm. The old draper could not help making a grimace
+with his lips, which was peculiar to him.
+
+“I know Monsieur de Sommervieux very well,” the Dove ran on. “He has
+come to my evenings this fortnight past, and made them delightful. He
+has told me all his woes, and commissioned me to plead for him. I know
+since this morning that he adores Augustine, and he shall have her. Ah,
+cousin, do not shake your head in refusal. He will be created Baron, I
+can tell you, and has just been made Chevalier of the Legion of Honor,
+by the Emperor himself, at the Salon. Roguin is now his lawyer, and
+knows all his affairs. Well! Monsieur de Sommervieux has twelve thousand
+francs a year in good landed estate. Do you know that the father-in-law
+of such a man may get a rise in life--be mayor of his _arrondissement_,
+for instance. Have we not seen Monsieur Dupont become a Count of the
+Empire, and a senator, all because he went as mayor to congratulate the
+Emperor on his entry into Vienna? Oh, this marriage must take place! For
+my part, I adore the dear young man. His behavior to Augustine is only
+met with in romances. Be easy, little one, you shall be happy, and every
+girl will wish she were in your place. Madame la Duchesse de Carigliano,
+who comes to my ‘At Homes,’ raves about Monsieur de Sommervieux. Some
+spiteful people say she only comes to me to meet him; as if a duchesse
+of yesterday was doing too much honor to a Chevrel, whose family have
+been respected citizens these hundred years!
+
+“Augustine,” Madame Roguin went on, after a short pause, “I have seen
+the portrait. Heavens! How lovely it is! Do you know that the Emperor
+wanted to have it? He laughed, and said to the Deputy High Constable
+that if there were many women like that in his court while all the kings
+visited it, he should have no difficulty about preserving the peace of
+Europe. Is not that a compliment?”
+
+The tempests with which the day had begun were to resemble those of
+nature, by ending in clear and serene weather. Madame Roguin displayed
+so much address in her harangue, she was able to touch so many strings
+in the dry hearts of Monsieur and Madame Guillaume, that at last she hit
+on one which she could work upon. At this strange period commerce and
+finance were more than ever possessed by the crazy mania for seeking
+alliance with rank; and the generals of the Empire took full advantage
+of this desire. Monsieur Guillaume, as a singular exception, opposed
+this deplorable craving. His favorite axioms were that, to secure
+happiness, a woman must marry a man of her own class; that every one was
+punished sooner or later for having climbed too high; that love could
+so little endure under the worries of a household, that both husband and
+wife needed sound good qualities to be happy, that it would not do for
+one to be far in advance of the other, because, above everything, they
+must understand each other; if a man spoke Greek and his wife Latin,
+they might come to die of hunger. He had himself invented this sort
+of adage. And he compared such marriages to old-fashioned materials of
+mixed silk and wool. Still, there is so much vanity at the bottom of
+man’s heart that the prudence of the pilot who steered the Cat and
+Racket so wisely gave way before Madame Roguin’s aggressive volubility.
+Austere Madame Guillaume was the first to see in her daughter’s
+affection a reason for abdicating her principles and for consenting to
+receive Monsieur de Sommervieux, whom she promised herself she would put
+under severe inquisition.
+
+The old draper went to look for Joseph Lebas, and inform him of the
+state of affairs. At half-past six, the dining-room immortalized by the
+artist saw, united under its skylight, Monsieur and Madame Roguin, the
+young painter and his charming Augustine, Joseph Lebas, who found his
+happiness in patience, and Mademoiselle Virginie, convalescent from her
+headache. Monsieur and Madame Guillaume saw in perspective both their
+children married, and the fortunes of the Cat and Racket once more in
+skilful hands. Their satisfaction was at its height when, at dessert,
+Theodore made them a present of the wonderful picture which they had
+failed to see, representing the interior of the old shop, and to which
+they all owed so much happiness.
+
+“Isn’t it pretty!” cried Guillaume. “And to think that any one would pay
+thirty thousand francs for that!”
+
+“Because you can see my lappets in it,” said Madame Guillaume.
+
+“And the cloth unrolled!” added Lebas; “you might take it up in your
+hand.”
+
+“Drapery always comes out well,” replied the painter. “We should be
+only too happy, we modern artists, if we could touch the perfection of
+antique drapery.”
+
+“So you like drapery!” cried old Guillaume. “Well, then, by Gad! shake
+hands on that, my young friend. Since you can respect trade, we shall
+understand each other. And why should it be despised? The world began
+with trade, since Adam sold Paradise for an apple. He did not strike
+a good bargain though!” And the old man roared with honest laughter,
+encouraged by the champagne, which he sent round with a liberal hand.
+The band that covered the young artist’s eyes was so thick that he
+thought his future parents amiable. He was not above enlivening them
+by a few jests in the best taste. So he too pleased every one. In the
+evening, when the drawing-room, furnished with what Madame Guillaume
+called “everything handsome,” was deserted, and while she flitted
+from the table to the chimney-piece, from the candelabra to the tall
+candlesticks, hastily blowing out the wax-lights, the worthy draper, who
+was always clear-sighted when money was in question, called Augustine to
+him, and seating her on his knee, spoke as follows:--
+
+“My dear child, you shall marry your Sommervieux since you insist; you
+may, if you like, risk your capital in happiness. But I am not going to
+be hoodwinked by the thirty thousand francs to be made by spoiling good
+canvas. Money that is lightly earned is lightly spent. Did I not hear
+that hare-brained youngster declare this evening that money was made
+round that it might roll. If it is round for spendthrifts, it is flat
+for saving folks who pile it up. Now, my child, that fine gentleman
+talks of giving you carriages and diamonds! He has money, let him spend
+it on you; so be it. It is no concern of mine. But as to what I can give
+you, I will not have the crown-pieces I have picked up with so much toil
+wasted in carriages and frippery. Those who spend too fast never grow
+rich. A hundred thousand crowns, which is your fortune, will not buy
+up Paris. It is all very well to look forward to a few hundred thousand
+francs to be yours some day; I shall keep you waiting for them as long
+as possible, by Gad! So I took your lover aside, and a man who managed
+the Lecocq bankruptcy had not much difficulty in persuading the artist
+to marry under a settlement of his wife’s money on herself. I will keep
+an eye on the marriage contract to see that what he is to settle on you
+is safely tied up. So now, my child, I hope to be a grandfather, by Gad!
+I will begin at once to lay up for my grandchildren; but swear to me,
+here and now, never to sign any papers relating to money without my
+advice; and if I go soon to join old Father Chevrel, promise to consult
+young Lebas, your brother-in-law.”
+
+“Yes, father, I swear it.”
+
+At these words, spoken in a gentle voice, the old man kissed his
+daughter on both cheeks. That night the lovers slept as soundly as
+Monsieur and Madame Guillaume.
+
+
+
+Some few months after this memorable Sunday the high altar of Saint-Leu
+was the scene of two very different weddings. Augustine and Theodore
+appeared in all the radiance of happiness, their eyes beaming with love,
+dressed with elegance, while a fine carriage waited for them. Virginie,
+who had come in a good hired fly with the rest of the family, humbly
+followed her younger sister, dressed in the simplest fashion like a
+shadow necessary to the harmony of the picture. Monsieur Guillaume had
+exerted himself to the utmost in the church to get Virginie married
+before Augustine, but the priests, high and low, persisted in addressing
+the more elegant of the two brides. He heard some of his neighbors
+highly approving the good sense of Mademoiselle Virginie, who was
+making, as they said, the more substantial match, and remaining faithful
+to the neighborhood; while they fired a few taunts, prompted by envy of
+Augustine, who was marrying an artist and a man of rank; adding, with a
+sort of dismay, that if the Guillaumes were ambitious, there was an end
+to the business. An old fan-maker having remarked that such a prodigal
+would soon bring his wife to beggary, father Guillaume prided himself
+_in petto_ for his prudence in the matter of marriage settlements. In
+the evening, after a splendid ball, followed by one of those substantial
+suppers of which the memory is dying out in the present generation,
+Monsieur and Madame Guillaume remained in a fine house belonging to them
+in the Rue du Colombier, where the wedding had been held; Monsieur
+and Madame Lebas returned in their fly to the old home in the Rue
+Saint-Denis, to steer the good ship Cat and Racket. The artist,
+intoxicated with happiness, carried off his beloved Augustine, and
+eagerly lifting her out of their carriage when it reached the Rue des
+Trois-Freres, led her to an apartment embellished by all the arts.
+
+The fever of passion which possessed Theodore made a year fly over the
+young couple without a single cloud to dim the blue sky under which they
+lived. Life did not hang heavy on the lovers’ hands. Theodore lavished
+on every day inexhaustible _fioriture_ of enjoyment, and he delighted
+to vary the transports of passion by the soft languor of those hours
+of repose when souls soar so high that they seem to have forgotten all
+bodily union. Augustine was too happy for reflection; she floated on
+an undulating tide of rapture; she thought she could not do enough by
+abandoning herself to sanctioned and sacred married love; simple and
+artless, she had no coquetry, no reserves, none of the dominion which a
+worldly-minded girl acquires over her husband by ingenious caprice; she
+loved too well to calculate for the future, and never imagined that so
+exquisite a life could come to an end. Happy in being her husband’s sole
+delight, she believed that her inextinguishable love would always be
+her greatest grace in his eyes, as her devotion and obedience would be
+a perennial charm. And, indeed, the ecstasy of love had made her so
+brilliantly lovely that her beauty filled her with pride, and gave her
+confidence that she could always reign over a man so easy to kindle
+as Monsieur de Sommervieux. Thus her position as a wife brought her no
+knowledge but the lessons of love.
+
+In the midst of her happiness, she was still the simple child who had
+lived in obscurity in the Rue Saint-Denis, and who never thought of
+acquiring the manners, the information, the tone of the world she had
+to live in. Her words being the words of love, she revealed in them, no
+doubt, a certain pliancy of mind and a certain refinement of speech;
+but she used the language common to all women when they find themselves
+plunged in passion, which seems to be their element. When, by chance,
+Augustine expressed an idea that did not harmonize with Theodore’s, the
+young artist laughed, as we laugh at the first mistakes of a foreigner,
+though they end by annoying us if they are not corrected.
+
+In spite of all this love-making, by the end of this year, as delightful
+as it was swift, Sommervieux felt one morning the need for resuming his
+work and his old habits. His wife was expecting their first child. He
+saw some friends again. During the tedious discomforts of the year when
+a young wife is nursing an infant for the first time, he worked,
+no doubt, with zeal, but he occasionally sought diversion in the
+fashionable world. The house which he was best pleased to frequent
+was that of the Duchesse de Carigliano, who had at last attracted the
+celebrated artist to her parties. When Augustine was quite well again,
+and her boy no longer required the assiduous care which debars a mother
+from social pleasures, Theodore had come to the stage of wishing to know
+the joys of satisfied vanity to be found in society by a man who shows
+himself with a handsome woman, the object of envy and admiration.
+
+To figure in drawing-rooms with the reflected lustre of her husband’s
+fame, and to find other women envious of her, was to Augustine a new
+harvest of pleasures; but it was the last gleam of conjugal happiness.
+She first wounded her husband’s vanity when, in spite of vain efforts,
+she betrayed her ignorance, the inelegance of her language, and the
+narrowness of her ideas. Sommervieux’s nature, subjugated for nearly two
+years and a half by the first transports of love, now, in the calm of
+less new possession, recovered its bent and habits, for a while diverted
+from their channel. Poetry, painting, and the subtle joys of imagination
+have inalienable rights over a lofty spirit. These cravings of a
+powerful soul had not been starved in Theodore during these two years;
+they had only found fresh pasture. As soon as the meadows of love had
+been ransacked, and the artist had gathered roses and cornflowers as the
+children do, so greedily that he did not see that his hands could
+hold no more, the scene changed. When the painter showed his wife the
+sketches for his finest compositions he heard her exclaim, as her father
+had done, “How pretty!” This tepid admiration was not the outcome of
+conscientious feeling, but of her faith on the strength of love.
+
+Augustine cared more for a look than for the finest picture. The only
+sublime she knew was that of the heart. At last Theodore could not
+resist the evidence of the cruel fact--his wife was insensible to
+poetry, she did not dwell in his sphere, she could not follow him in
+all his vagaries, his inventions, his joys and his sorrows; she walked
+groveling in the world of reality, while his head was in the skies.
+Common minds cannot appreciate the perennial sufferings of a being
+who, while bound to another by the most intimate affections, is obliged
+constantly to suppress the dearest flights of his soul, and to thrust
+down into the void those images which a magic power compels him to
+create. To him the torture is all the more intolerable because his
+feeling towards his companion enjoins, as its first law, that they
+should have no concealments, but mingle the aspirations of their thought
+as perfectly as the effusions of their soul. The demands of nature are
+not to be cheated. She is as inexorable as necessity, which is, indeed,
+a sort of social nature. Sommervieux took refuge in the peace and
+silence of his studio, hoping that the habit of living with artists
+might mould his wife and develop in her the dormant germs of lofty
+intelligence which some superior minds suppose must exist in every
+being. But Augustine was too sincerely religious not to take fright
+at the tone of artists. At the first dinner Theodore gave, she heard
+a young painter say, with the childlike lightness, which to her was
+unintelligible, and which redeems a jest from the taint of profanity,
+“But, madame, your Paradise cannot be more beautiful than Raphael’s
+Transfiguration!--Well, and I got tired of looking at that.”
+
+Thus Augustine came among this sparkling set in a spirit of distrust
+which no one could fail to see. She was a restraint on their freedom.
+Now an artist who feels restraint is pitiless; he stays away, or laughs
+it to scorn. Madame Guillaume, among other absurdities, had an excessive
+notion of the dignity she considered the prerogative of a married woman;
+and Augustine, though she had often made fun of it, could not help a
+slight imitation of her mother’s primness. This extreme propriety, which
+virtuous wives do not always avoid, suggested a few epigrams in the
+form of sketches, in which the harmless jest was in such good taste
+that Sommervieux could not take offence; and even if they had been
+more severe, these pleasantries were after all only reprisals from
+his friends. Still, nothing could seem a trifle to a spirit so open as
+Theodore’s to impressions from without. A coldness insensibly crept over
+him, and inevitably spread. To attain conjugal happiness we must climb
+a hill whose summit is a narrow ridge, close to a steep and slippery
+descent: the painter’s love was falling down it. He regarded his wife as
+incapable of appreciating the moral considerations which justified him
+in his own eyes for his singular behavior to her, and believed himself
+quite innocent in hiding from her thoughts she could not enter into,
+and peccadilloes outside the jurisdiction of a _bourgeois_ conscience.
+Augustine wrapped herself in sullen and silent grief. These unconfessed
+feelings placed a shroud between the husband and wife which could not
+fail to grow thicker day by day. Though her husband never failed in
+consideration for her, Augustine could not help trembling as she saw
+that he kept for the outer world those treasures of wit and grace that
+he formerly would lay at her feet. She soon began to find sinister
+meaning in the jocular speeches that are current in the world as to the
+inconstancy of men. She made no complaints, but her demeanor conveyed
+reproach.
+
+Three years after her marriage this pretty young woman, who dashed past
+in her handsome carriage, and lived in a sphere of glory and riches
+to the envy of heedless folk incapable of taking a just view of the
+situations of life, was a prey to intense grief. She lost her color; she
+reflected; she made comparisons; then sorrow unfolded to her the first
+lessons of experience. She determined to restrict herself bravely within
+the round of duty, hoping that by this generous conduct she might
+sooner or later win back her husband’s love. But it was not so. When
+Sommervieux, fired with work, came in from his studio, Augustine did not
+put away her work so quickly but that the painter might find his wife
+mending the household linen, and his own, with all the care of a good
+housewife. She supplied generously and without a murmur the money needed
+for his lavishness; but in her anxiety to husband her dear Theodore’s
+fortune, she was strictly economical for herself and in certain details
+of domestic management. Such conduct is incompatible with the easy-going
+habits of artists, who, at the end of their life, have enjoyed it so
+keenly that they never inquire into the causes of their ruin.
+
+It is useless to note every tint of shadow by which the brilliant hues
+of their honeymoon were overcast till they were lost in utter blackness.
+One evening poor Augustine, who had for some time heard her husband
+speak with enthusiasm of the Duchesse de Carigliano, received from a
+friend certain malignantly charitable warnings as to the nature of the
+attachment which Sommervieux had formed for this celebrated flirt of
+the Imperial Court. At one-and-twenty, in all the splendor of youth and
+beauty, Augustine saw herself deserted for a woman of six-and-thirty.
+Feeling herself so wretched in the midst of a world of festivity which
+to her was a blank, the poor little thing could no longer understand
+the admiration she excited, or the envy of which she was the object.
+Her face assumed a different expression. Melancholy, tinged her features
+with the sweetness of resignation and the pallor of scorned love. Ere
+long she too was courted by the most fascinating men; but she remained
+lonely and virtuous. Some contemptuous words which escaped her husband
+filled her with incredible despair. A sinister flash showed her the
+breaches which, as a result of her sordid education, hindered the
+perfect union of her soul with Theodore’s; she loved him well enough to
+absolve him and condemn herself. She shed tears of blood, and perceived,
+too late, that there are _mesalliances_ of the spirit as well as of
+rank and habits. As she recalled the early raptures of their union,
+she understood the full extent of that lost happiness, and accepted the
+conclusion that so rich a harvest of love was in itself a whole life,
+which only sorrow could pay for. At the same time, she loved too truly
+to lose all hope. At one-and-twenty she dared undertake to educate
+herself, and make her imagination, at least, worthy of that she admired.
+“If I am not a poet,” thought she, “at any rate, I will understand
+poetry.”
+
+Then, with all the strength of will, all the energy which every woman
+can display when she loves, Madame de Sommervieux tried to alter her
+character, her manners, and her habits; but by dint of devouring books
+and learning undauntedly, she only succeeded in becoming less ignorant.
+Lightness of wit and the graces of conversation are a gift of nature, or
+the fruit of education begun in the cradle. She could appreciate
+music and enjoy it, but she could not sing with taste. She understood
+literature and the beauties of poetry, but it was too late to
+cultivate her refractory memory. She listened with pleasure to social
+conversation, but she could contribute nothing brilliant. Her religious
+notions and home-grown prejudices were antagonistic to the complete
+emancipation of her intelligence. Finally, a foregone conclusion against
+her had stolen into Theodore’s mind, and this she could not conquer. The
+artist would laugh, at those who flattered him about his wife, and his
+irony had some foundation; he so overawed the pathetic young creature
+that, in his presence, or alone with him, she trembled. Hampered by her
+too eager desire to please, her wits and her knowledge vanished in one
+absorbing feeling. Even her fidelity vexed the unfaithful husband, who
+seemed to bid her do wrong by stigmatizing her virtue as insensibility.
+Augustine tried in vain to abdicate her reason, to yield to her
+husband’s caprices and whims, to devote herself to the selfishness of
+his vanity. Her sacrifices bore no fruit. Perhaps they had both let
+the moment slip when souls may meet in comprehension. One day the young
+wife’s too sensitive heart received one of those blows which so strain
+the bonds of feeling that they seem to be broken. She withdrew into
+solitude. But before long a fatal idea suggested to her to seek counsel
+and comfort in the bosom of her family.
+
+So one morning she made her way towards the grotesque facade of the
+humble, silent home where she had spent her childhood. She sighed as she
+looked up at the sash-window, whence one day she had sent her first kiss
+to him who now shed as much sorrow as glory on her life. Nothing was
+changed in the cavern, where the drapery business had, however, started
+on a new life. Augustine’s sister filled her mother’s old place at the
+desk. The unhappy young woman met her brother-in-law with his pen behind
+his ear; he hardly listened to her, he was so full of business. The
+formidable symptoms of stock-taking were visible all round him; he
+begged her to excuse him. She was received coldly enough by her sister,
+who owed her a grudge. In fact, Augustine, in her finery, and stepping
+out of a handsome carriage, had never been to see her but when passing
+by. The wife of the prudent Lebas, imagining that want of money was the
+prime cause of this early call, tried to keep up a tone of reserve which
+more than once made Augustine smile. The painter’s wife perceived that,
+apart from the cap and lappets, her mother had found in Virginie a
+successor who could uphold the ancient honor of the Cat and Racket. At
+breakfast she observed certain changes in the management of the house
+which did honor to Lebas’ good sense; the assistants did not rise before
+dessert; they were allowed to talk, and the abundant meal spoke of ease
+without luxury. The fashionable woman found some tickets for a box at
+the Francais, where she remembered having seen her sister from time to
+time. Madame Lebas had a cashmere shawl over her shoulders, of which
+the value bore witness to her husband’s generosity to her. In short, the
+couple were keeping pace with the times. During the two-thirds of the
+day she spent there, Augustine was touched to the heart by the equable
+happiness, devoid, to be sure, of all emotion, but equally free from
+storms, enjoyed by this well-matched couple. They had accepted life as
+a commercial enterprise, in which, above all, they must do credit to the
+business. Not finding any great love in her husband, Virginie had set to
+work to create it. Having by degrees learned to esteem and care for his
+wife, the time that his happiness had taken to germinate was to Joseph
+Lebas a guarantee of its durability. Hence, when Augustine plaintively
+set forth her painful position, she had to face the deluge of
+commonplace morality which the traditions of the Rue Saint-Denis
+furnished to her sister.
+
+“The mischief is done, wife,” said Joseph Lebas; “we must try to give
+our sister good advice.” Then the clever tradesman ponderously analyzed
+the resources which law and custom might offer Augustine as a means
+of escape at this crisis; he ticketed every argument, so to speak, and
+arranged them in their degrees of weight under various categories, as
+though they were articles of merchandise of different qualities; then he
+put them in the scale, weighed them, and ended by showing the necessity
+for his sister-in-law’s taking violent steps which could not satisfy the
+love she still had for her husband; and, indeed, the feeling had
+revived in all its strength when she heard Joseph Lebas speak of
+legal proceedings. Augustine thanked them, and returned home even more
+undecided than she had been before consulting them. She now ventured
+to go to the house in the Rue du Colombier, intending to confide her
+troubles to her father and mother; for she was like a sick man who, in
+his desperate plight, tries every prescription, and even puts faith in
+old wives’ remedies.
+
+The old people received their daughter with an effusiveness that touched
+her deeply. Her visit brought them some little change, and that to them
+was worth a fortune. For the last four years they had gone their way
+like navigators without a goal or a compass. Sitting by the chimney
+corner, they would talk over their disasters under the old law of
+_maximum_, of their great investments in cloth, of the way they had
+weathered bankruptcies, and, above all, the famous failure of Lecocq,
+Monsieur Guillaume’s battle of Marengo. Then, when they had exhausted
+the tale of lawsuits, they recapitulated the sum total of their most
+profitable stock-takings, and told each other old stories of the
+Saint-Denis quarter. At two o’clock old Guillaume went to cast an eye on
+the business at the Cat and Racket; on his way back he called at all the
+shops, formerly the rivals of his own, where the young proprietors hoped
+to inveigle the old draper into some risky discount, which, as was his
+wont, he never refused point-blank. Two good Normandy horses were dying
+of their own fat in the stables of the big house; Madame Guillaume never
+used them but to drag her on Sundays to high Mass at the parish church.
+Three times a week the worthy couple kept open house. By the influence
+of his son-in-law Sommervieux, Monsieur Guillaume had been named a
+member of the consulting board for the clothing of the Army. Since her
+husband had stood so high in office, Madame Guillaume had decided
+that she must receive; her rooms were so crammed with gold and silver
+ornaments, and furniture, tasteless but of undoubted value, that the
+simplest room in the house looked like a chapel. Economy and expense
+seemed to be struggling for the upper hand in every accessory. It was as
+though Monsieur Guillaume had looked to a good investment, even in the
+purchase of a candlestick. In the midst of this bazaar, where splendor
+revealed the owner’s want of occupation, Sommervieux’s famous picture
+filled the place of honor, and in it Monsieur and Madame Guillaume found
+their chief consolation, turning their eyes, harnessed with eye-glasses,
+twenty times a day on this presentment of their past life, to them so
+active and amusing. The appearance of this mansion and these rooms,
+where everything had an aroma of staleness and mediocrity, the spectacle
+offered by these two beings, cast away, as it were, on a rock far from
+the world and the ideas which are life, startled Augustine; she could
+here contemplate the sequel of the scene of which the first part had
+struck her at the house of Lebas--a life of stir without movement, a
+mechanical and instinctive existence like that of the beaver; and then
+she felt an indefinable pride in her troubles, as she reflected that
+they had their source in eighteen months of such happiness as, in her
+eyes, was worth a thousand lives like this; its vacuity seemed to her
+horrible. However, she concealed this not very charitable feeling, and
+displayed for her parents her newly-acquired accomplishments of mind,
+and the ingratiating tenderness that love had revealed to her, disposing
+them to listen to her matrimonial grievances. Old people have a weakness
+for this kind of confidence. Madame Guillaume wanted to know the most
+trivial details of that alien life, which to her seemed almost fabulous.
+The travels of Baron da la Houtan, which she began again and again and
+never finished, told her nothing more unheard-of concerning the Canadian
+savages.
+
+“What, child, your husband shuts himself into a room with naked women!
+And you are so simple as to believe that he draws them?”
+
+As she uttered this exclamation, the grandmother laid her spectacles
+on a little work-table, shook her skirts, and clasped her hands on her
+knees, raised by a foot-warmer, her favorite pedestal.
+
+“But, mother, all artists are obliged to have models.”
+
+“He took good care not to tell us that when he asked leave to marry
+you. If I had known it, I would never had given my daughter to a man who
+followed such a trade. Religion forbids such horrors; they are immoral.
+And at what time of night do you say he comes home?”
+
+“At one o’clock--two----”
+
+The old folks looked at each other in utter amazement.
+
+“Then he gambles?” said Monsieur Guillaume. “In my day only gamblers
+stayed out so late.”
+
+Augustine made a face that scorned the accusation.
+
+“He must keep you up through dreadful nights waiting for him,” said
+Madame Guillaume. “But you go to bed, don’t you? And when he has lost,
+the wretch wakes you.”
+
+“No, mamma, on the contrary, he is sometimes in very good spirits. Not
+unfrequently, indeed, when it is fine, he suggests that I should get up
+and go into the woods.”
+
+“The woods! At that hour? Then have you such a small set of rooms that
+his bedroom and his sitting-room are not enough, and that he must run
+about? But it is just to give you cold that the wretch proposes such
+expeditions. He wants to get rid of you. Did one ever hear of a man
+settled in life, a well-behaved, quiet man galloping about like a
+warlock?”
+
+“But, my dear mother, you do not understand that he must have excitement
+to fire his genius. He is fond of scenes which----”
+
+“I would make scenes for him, fine scenes!” cried Madame Guillaume,
+interrupting her daughter. “How can you show any consideration to such a
+man? In the first place, I don’t like his drinking water only; it is not
+wholesome. Why does he object to see a woman eating? What queer notion
+is that! But he is mad. All you tell us about him is impossible. A man
+cannot leave his home without a word, and never come back for ten days.
+And then he tells you he has been to Dieppe to paint the sea. As if
+any one painted the sea! He crams you with a pack of tales that are too
+absurd.”
+
+Augustine opened her lips to defend her husband; but Madame Guillaume
+enjoined silence with a wave of her hand, which she obeyed by a survival
+of habit, and her mother went on in harsh tones: “Don’t talk to me about
+the man! He never set foot in church excepting to see you and to be
+married. People without religion are capable of anything. Did Guillaume
+ever dream of hiding anything from me, of spending three days without
+saying a word to me, and of chattering afterwards like a blind magpie?”
+
+“My dear mother, you judge superior people too severely. If their ideas
+were the same as other folks’, they would not be men of genius.”
+
+“Very well, then let men of genius stop at home and not get married.
+What! A man of genius is to make his wife miserable? And because he is a
+genius it is all right! Genius, genius! It is not so very clever to
+say black one minute and white the next, as he does, to interrupt other
+people, to dance such rigs at home, never to let you know which foot you
+are to stand on, to compel his wife never to be amused unless my lord is
+in gay spirits, and to be dull when he is dull.”
+
+“But, mother, the very nature of such imaginations----”
+
+“What are such ‘imaginations’?” Madame Guillaume went on, interrupting
+her daughter again. “Fine ones his are, my word! What possesses a man
+that all on a sudden, without consulting a doctor, he takes it into his
+head to eat nothing but vegetables? If indeed it were from religious
+motives, it might do him some good--but he has no more religion than a
+Huguenot. Was there ever a man known who, like him, loved horses better
+than his fellow-creatures, had his hair curled like a heathen, laid
+statues under muslin coverlets, shut his shutters in broad day to work
+by lamp-light? There, get along; if he were not so grossly immoral, he
+would be fit to shut up in a lunatic asylum. Consult Monsieur Loraux,
+the priest at Saint Sulpice, ask his opinion about it all, and he will
+tell you that your husband, does not behave like a Christian.”
+
+“Oh, mother, can you believe----?”
+
+“Yes, I do believe. You loved him, and you can see none of these things.
+But I can remember in the early days after your marriage. I met him
+in the Champs-Elysees. He was on horseback. Well, at one minute he was
+galloping as hard as he could tear, and then pulled up to a walk. I said
+to myself at that moment, ‘There is a man devoid of judgement.’”
+
+“Ah, ha!” cried Monsieur Guillaume, “how wise I was to have your money
+settled on yourself with such a queer fellow for a husband!”
+
+When Augustine was so imprudent as to set forth her serious grievances
+against her husband, the two old people were speechless with
+indignation. But the word “divorce” was ere long spoken by Madame
+Guillaume. At the sound of the word divorce the apathetic old draper
+seemed to wake up. Prompted by his love for his daughter, and also by
+the excitement which the proceedings would bring into his uneventful
+life, father Guillaume took up the matter. He made himself the leader of
+the application for a divorce, laid down the lines of it, almost argued
+the case; he offered to be at all the charges, to see the lawyers, the
+pleaders, the judges, to move heaven and earth. Madame de Sommervieux
+was frightened, she refused her father’s services, said she would not
+be separated from her husband even if she were ten times as unhappy, and
+talked no more about her sorrows. After being overwhelmed by her parents
+with all the little wordless and consoling kindnesses by which the
+old couple tried in vain to make up to her for her distress of heart,
+Augustine went away, feeling the impossibility of making a superior mind
+intelligible to weak intellects. She had learned that a wife must hide
+from every one, even from her parents, woes for which it is so difficult
+to find sympathy. The storms and sufferings of the upper spheres
+are appreciated only by the lofty spirits who inhabit there. In any
+circumstance we can only be judged by our equals.
+
+Thus poor Augustine found herself thrown back on the horror of her
+meditations, in the cold atmosphere of her home. Study was indifferent
+to her, since study had not brought her back her husband’s heart.
+Initiated into the secret of these souls of fire, but bereft of their
+resources, she was compelled to share their sorrows without sharing
+their pleasures. She was disgusted with the world, which to her seemed
+mean and small as compared with the incidents of passion. In short, her
+life was a failure.
+
+One evening an idea flashed upon her that lighted up her dark grief like
+a beam from heaven. Such an idea could never have smiled on a heart less
+pure, less virtuous than hers. She determined to go to the Duchesse de
+Carigliano, not to ask her to give her back her husband’s heart, but to
+learn the arts by which it had been captured; to engage the interest of
+this haughty fine lady for the mother of her lover’s children; to appeal
+to her and make her the instrument of her future happiness, since she
+was the cause of her present wretchedness.
+
+So one day Augustine, timid as she was, but armed with supernatural
+courage, got into her carriage at two in the afternoon to try for
+admittance to the boudoir of the famous coquette, who was never visible
+till that hour. Madame de Sommervieux had not yet seen any of the
+ancient and magnificent mansions of the Faubourg Saint-Germain. As she
+made her way through the stately corridors, the handsome staircases,
+the vast drawing-rooms--full of flowers, though it was in the depth of
+winter, and decorated with the taste peculiar to women born to opulence
+or to the elegant habits of the aristocracy, Augustine felt a terrible
+clutch at her heart; she coveted the secrets of an elegance of which
+she had never had an idea; she breathed in an air of grandeur which
+explained the attraction of the house for her husband. When she reached
+the private rooms of the Duchess she was filled with jealousy and a sort
+of despair, as she admired the luxurious arrangement of the furniture,
+the draperies and the hangings. Here disorder was a grace, here luxury
+affected a certain contempt of splendor. The fragrance that floated
+in the warm air flattered the sense of smell without offending it.
+The accessories of the rooms were in harmony with a view, through
+plate-glass windows, of the lawns in a garden planted with evergreen
+trees. It was all bewitching, and the art of it was not perceptible. The
+whole spirit of the mistress of these rooms pervaded the drawing-room
+where Augustine awaited her. She tried to divine her rival’s character
+from the aspect of the scattered objects; but there was here something
+as impenetrable in the disorder as in the symmetry, and to the
+simple-minded young wife all was a sealed letter. All that she could
+discern was that, as a woman, the Duchess was a superior person. Then a
+painful thought came over her.
+
+“Alas! And is it true,” she wondered, “that a simple and loving heart
+is not all-sufficient to an artist; that to balance the weight of these
+powerful souls they need a union with feminine souls of a strength equal
+to their own? If I had been brought up like this siren, our weapons at
+least might have been equal in the hour of struggle.”
+
+“But I am not at home!” The sharp, harsh words, though spoken in an
+undertone in the adjoining boudoir, were heard by Augustine, and her
+heart beat violently.
+
+“The lady is in there,” replied the maid.
+
+“You are an idiot! Show her in,” replied the Duchess, whose voice was
+sweeter, and had assumed the dulcet tones of politeness. She evidently
+now meant to be heard.
+
+Augustine shyly entered the room. At the end of the dainty boudoir she
+saw the Duchess lounging luxuriously on an ottoman covered with brown
+velvet and placed in the centre of a sort of apse outlined by soft folds
+of white muslin over a yellow lining. Ornaments of gilt bronze, arranged
+with exquisite taste, enhanced this sort of dais, under which the
+Duchess reclined like a Greek statue. The dark hue of the velvet gave
+relief to every fascinating charm. A subdued light, friendly to her
+beauty, fell like a reflection rather than a direct illumination. A few
+rare flowers raised their perfumed heads from costly Sevres vases. At
+the moment when this picture was presented to Augustine’s astonished
+eyes, she was approaching so noiselessly that she caught a glance from
+those of the enchantress. This look seemed to say to some one whom
+Augustine did not at first perceive, “Stay; you will see a pretty woman,
+and make her visit seem less of a bore.”
+
+On seeing Augustine, the Duchess rose and made her sit down by her.
+
+“And to what do I owe the pleasure of this visit, madame?” she said with
+a most gracious smile.
+
+“Why all the falseness?” thought Augustine, replying only with a bow.
+
+Her silence was compulsory. The young woman saw before her a superfluous
+witness of the scene. This personage was, of all the Colonels in the
+army, the youngest, the most fashionable, and the finest man. His face,
+full of life and youth, but already expressive, was further enhanced by
+a small moustache twirled up into points, and as black as jet, by a full
+imperial, by whiskers carefully combed, and a forest of black hair in
+some disorder. He was whisking a riding whip with an air of ease and
+freedom which suited his self-satisfied expression and the elegance of
+his dress; the ribbons attached to his button-hole were carelessly tied,
+and he seemed to pride himself much more on his smart appearance than
+on his courage. Augustine looked at the Duchesse de Carigliano, and
+indicated the Colonel by a sidelong glance. All its mute appeal was
+understood.
+
+“Good-bye, then, Monsieur d’Aiglemont, we shall meet in the Bois de
+Boulogne.”
+
+These words were spoken by the siren as though they were the result of
+an agreement made before Augustine’s arrival, and she winged them with a
+threatening look that the officer deserved perhaps for the admiration he
+showed in gazing at the modest flower, which contrasted so well with the
+haughty Duchess. The young fop bowed in silence, turned on the heels
+of his boots, and gracefully quitted the boudoir. At this instant,
+Augustine, watching her rival, whose eyes seemed to follow the brilliant
+officer, detected in that glance a sentiment of which the transient
+expression is known to every woman. She perceived with the deepest
+anguish that her visit would be useless; this lady, full of artifice,
+was too greedy of homage not to have a ruthless heart.
+
+“Madame,” said Augustine in a broken voice, “the step I am about to take
+will seem to you very strange; but there is a madness of despair which
+ought to excuse anything. I understand only too well why Theodore
+prefers your house to any other, and why your mind has so much power
+over his. Alas! I have only to look into myself to find more than ample
+reasons. But I am devoted to my husband, madame. Two years of tears have
+not effaced his image from my heart, though I have lost his. In my folly
+I dared to dream of a contest with you; and I have come to you to ask
+you by what means I may triumph over yourself. Oh, madame,” cried the
+young wife, ardently seizing the hand which her rival allowed her to
+hold, “I will never pray to God for my own happiness with so much
+fervor as I will beseech Him for yours, if you will help me to win back
+Sommervieux’s regard--I will not say his love. I have no hope but in
+you. Ah! tell me how you could please him, and make him forget the first
+days----” At these words Augustine broke down, suffocated with sobs she
+could not suppress. Ashamed of her weakness, she hid her face in her
+handkerchief, which she bathed with tears.
+
+“What a child you are, my dear little beauty!” said the Duchess, carried
+away by the novelty of such a scene, and touched, in spite of herself,
+at receiving such homage from the most perfect virtue perhaps in Paris.
+She took the young wife’s handkerchief, and herself wiped the tears from
+her eyes, soothing her by a few monosyllables murmured with gracious
+compassion. After a moment’s silence the Duchess, grasping poor
+Augustine’s hands in both her own--hands that had a rare character of
+dignity and powerful beauty--said in a gentle and friendly voice:
+“My first warning is to advise you not to weep so bitterly; tears are
+disfiguring. We must learn to deal firmly with the sorrows that make us
+ill, for love does not linger long by a sick-bed. Melancholy, at first,
+no doubt, lends a certain attractive grace, but it ends by dragging the
+features and blighting the loveliest face. And besides, our tyrants are
+so vain as to insist that their slaves should be always cheerful.”
+
+“But, madame, it is not in my power not to feel. How is it possible,
+without suffering a thousand deaths, to see the face which once beamed
+with love and gladness turn chill, colorless, and indifferent? I cannot
+control my heart!”
+
+“So much the worse, sweet child. But I fancy I know all your story.
+In the first place, if your husband is unfaithful to you, understand
+clearly that I am not his accomplice. If I was anxious to have him in my
+drawing-room, it was, I own, out of vanity; he was famous, and he went
+nowhere. I like you too much already to tell you all the mad things he
+has done for my sake. I will only reveal one, because it may perhaps
+help us to bring him back to you, and to punish him for the audacity of
+his behavior to me. He will end by compromising me. I know the world
+too well, my dear, to abandon myself to the discretion of a too superior
+man. You should know that one may allow them to court one, but marry
+them--that is a mistake! We women ought to admire men of genius, and
+delight in them as a spectacle, but as to living with them? Never.--No,
+no. It is like wanting to find pleasure in inspecting the machinery of
+the opera instead of sitting in a box to enjoy its brilliant illusions.
+But this misfortune has fallen on you, my poor child, has it not? Well,
+then, you must try to arm yourself against tyranny.”
+
+“Ah, madame, before coming in here, only seeing you as I came in, I
+already detected some arts of which I had no suspicion.”
+
+“Well, come and see me sometimes, and it will not be long before you
+have mastered the knowledge of these trifles, important, too, in their
+way. Outward things are, to fools, half of life; and in that matter more
+than one clever man is a fool, in spite of all his talent. But I dare
+wager you never could refuse your Theodore anything!”
+
+“How refuse anything, madame, if one loves a man?”
+
+“Poor innocent, I could adore you for your simplicity. You should know
+that the more we love the less we should allow a man, above all, a
+husband, to see the whole extent of our passion. The one who loves most
+is tyrannized over, and, which is worse, is sooner or later neglected.
+The one who wishes to rule should----”
+
+“What, madame, must I then dissimulate, calculate, become false, form an
+artificial character, and live in it? How is it possible to live in such
+a way? Can you----” she hesitated; the Duchess smiled.
+
+“My dear child,” the great lady went on in a serious tone, “conjugal
+happiness has in all times been a speculation, a business demanding
+particular attention. If you persist in talking passion while I am
+talking marriage, we shall soon cease to understand each other. Listen
+to me,” she went on, assuming a confidential tone. “I have been in
+the way of seeing some of the superior men of our day. Those who have
+married have for the most part chosen quite insignificant wives. Well,
+those wives governed them, as the Emperor governs us; and if they were
+not loved, they were at least respected. I like secrets--especially
+those which concern women--well enough to have amused myself by seeking
+the clue to the riddle. Well, my sweet child, those worthy women had the
+gift of analyzing their husbands’ nature; instead of taking fright, like
+you, at their superiority, they very acutely noted the qualities they
+lacked, and either by possessing those qualities, or by feigning to
+possess them, they found means of making such a handsome display of them
+in their husbands’ eyes that in the end they impressed them. Also, I
+must tell you, all these souls which appear so lofty have just a speck
+of madness in them, which we ought to know how to take advantage of. By
+firmly resolving to have the upper hand and never deviating from that
+aim, by bringing all our actions to bear on it, all our ideas, our
+cajolery, we subjugate these eminently capricious natures, which, by
+the very mutability of their thoughts, lend us the means of influencing
+them.”
+
+“Good heavens!” cried the young wife in dismay. “And this is life. It is
+a warfare----”
+
+“In which we must always threaten,” said the Duchess, laughing. “Our
+power is wholly factitious. And we must never allow a man to despise
+us; it is impossible to recover from such a descent but by odious
+manoeuvring. Come,” she added, “I will give you a means of bringing your
+husband to his senses.”
+
+She rose with a smile to guide the young and guileless apprentice
+to conjugal arts through the labyrinth of her palace. They came to
+a back-staircase, which led up to the reception rooms. As Madame de
+Carigliano pressed the secret springlock of the door she stopped,
+looking at Augustine with an inimitable gleam of shrewdness and grace.
+“The Duc de Carigliano adores me,” said she. “Well, he dare not enter by
+this door without my leave. And he is a man in the habit of commanding
+thousands of soldiers. He knows how to face a battery, but before
+me,--he is afraid!”
+
+Augustine sighed. They entered a sumptuous gallery, where the painter’s
+wife was led by the Duchess up to the portrait painted by Theodore of
+Mademoiselle Guillaume. On seeing it, Augustine uttered a cry.
+
+“I knew it was no longer in my house,” she said, “but--here!----”
+
+“My dear child, I asked for it merely to see what pitch of idiocy a man
+of genius may attain to. Sooner or later I should have returned it to
+you, for I never expected the pleasure of seeing the original here face
+to face with the copy. While we finish our conversation I will have it
+carried down to your carriage. And if, armed with such a talisman,
+you are not your husband’s mistress for a hundred years, you are not a
+woman, and you deserve your fate.”
+
+Augustine kissed the Duchess’ hand, and the lady clasped her to her
+heart, with all the more tenderness because she would forget her by the
+morrow. This scene might perhaps have destroyed for ever the candor and
+purity of a less virtuous woman than Augustine, for the astute politics
+of the higher social spheres were no more consonant to Augustine than
+the narrow reasoning of Joseph Lebas, or Madame Guillaume’s vapid
+morality. Strange are the results of the false positions into which
+we may be brought by the slightest mistake in the conduct of life!
+Augustine was like an Alpine cowherd surprised by an avalanche; if he
+hesitates, if he listens to the shouts of his comrades, he is almost
+certainly lost. In such a crisis the heart steels itself or breaks.
+
+Madame de Sommervieux returned home a prey to such agitation as it is
+difficult to describe. Her conversation with the Duchesse de Carigliano
+had roused in her mind a crowd of contradictory thoughts. Like the sheep
+in the fable, full of courage in the wolf’s absence, she preached
+to herself, and laid down admirable plans of conduct; she devised a
+thousand coquettish stratagems; she even talked to her husband, finding,
+away from him, all the springs of true eloquence which never desert a
+woman; then, as she pictured to herself Theodore’s clear and steadfast
+gaze, she began to quake. When she asked whether monsieur were at home
+her voice shook. On learning that he would not be in to dinner, she felt
+an unaccountable thrill of joy. Like a criminal who has appealed against
+sentence of death, a respite, however short, seemed to her a lifetime.
+She placed the portrait in her room, and waited for her husband in all
+the agonies of hope. That this venture must decide her future life, she
+felt too keenly not to shiver at every sound, even the low ticking of
+the clock, which seemed to aggravate her terrors by doling them out to
+her. She tried to cheat time by various devices. The idea struck her of
+dressing in a way which would make her exactly like the portrait. Then,
+knowing her husband’s restless temper, she had her room lighted up with
+unusual brightness, feeling sure that when he came in curiosity would
+bring him there at once. Midnight had struck when, at the call of the
+groom, the street gate was opened, and the artist’s carriage rumbled in
+over the stones of the silent courtyard.
+
+“What is the meaning of this illumination?” asked Theodore in glad
+tones, as he came into her room.
+
+Augustine skilfully seized the auspicious moment; she threw herself into
+her husband’s arms, and pointed to the portrait. The artist stood rigid
+as a rock, and his eyes turned alternately on Augustine, on the accusing
+dress. The frightened wife, half-dead, as she watched her husband’s
+changeful brow--that terrible brow--saw the expressive furrows gathering
+like clouds; then she felt her blood curdling in her veins when, with a
+glaring look, and in a deep hollow voice, he began to question her:
+
+“Where did you find that picture?”
+
+“The Duchess de Carigliano returned it to me.”
+
+“You asked her for it?”
+
+“I did not know that she had it.”
+
+The gentleness, or rather the exquisite sweetness of this angel’s voice,
+might have touched a cannibal, but not an artist in the clutches of
+wounded vanity.
+
+“It is worthy of her!” exclaimed the painter in a voice of thunder. “I
+will be avenged!” he cried, striding up and down the room. “She shall
+die of shame; I will paint her! Yes, I will paint her as Messalina
+stealing out at night from the palace of Claudius.”
+
+“Theodore!” said a faint voice.
+
+“I will kill her!”
+
+“My dear----”
+
+“She is in love with that little cavalry colonel, because he rides
+well----”
+
+“Theodore!”
+
+“Let me be!” said the painter in a tone almost like a roar.
+
+It would be odious to describe the whole scene. In the end the frenzy
+of passion prompted the artist to acts and words which any woman not so
+young as Augustine would have ascribed to madness.
+
+At eight o’clock next morning Madame Guillaume, surprising her
+daughter, found her pale, with red eyes, her hair in disorder, holding a
+handkerchief soaked with tears, while she gazed at the floor strewn with
+the torn fragments of a dress and the broken fragments of a large gilt
+picture-frame. Augustine, almost senseless with grief, pointed to the
+wreck with a gesture of deep despair.
+
+“I don’t know that the loss is very great!” cried the old mistress of
+the Cat and Racket. “It was like you, no doubt; but I am told that there
+is a man on the boulevard who paints lovely portraits for fifty crowns.”
+
+“Oh, mother!”
+
+“Poor child, you are quite right,” replied Madame Guillaume, who
+misinterpreted the expression of her daughter’s glance at her. “True,
+my child, no one ever can love you as fondly as a mother. My darling,
+I guess it all; but confide your sorrows to me, and I will comfort you.
+Did I not tell you long ago that the man was mad! Your maid has told me
+pretty stories. Why, he must be a perfect monster!”
+
+Augustine laid a finger on her white lips, as if to implore a moment’s
+silence. During this dreadful night misery had led her to that patient
+resignation which in mothers and loving wives transcends in its
+effects all human energy, and perhaps reveals in the heart of women the
+existence of certain chords which God has withheld from men.
+
+
+
+An inscription engraved on a broken column in the cemetery at Montmartre
+states that Madame de Sommervieux died at the age of twenty-seven. In
+the simple words of this epitaph one of the timid creature’s friends can
+read the last scene of a tragedy. Every year, on the second of November,
+the solemn day of the dead, he never passes this youthful monument
+without wondering whether it does not need a stronger woman than
+Augustine to endure the violent embrace of genius?
+
+“The humble and modest flowers that bloom in the valley,” he reflects,
+“perish perhaps when they are transplanted too near the skies, to the
+region where storms gather and the sun is scorching.”
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+ Aiglemont, General, Marquis Victor d’
+ The Firm of Nucingen
+ A Woman of Thirty
+
+ Birotteau, Cesar
+ Cesar Birotteau
+ A Bachelor’s Establishment
+
+ Camusot
+ A Distinguished Provincial at Paris
+ A Bachelor’s Establishment
+ Cousin Pons
+ The Muse of the Department
+ Cesar Birotteau
+
+ Cardot, Jean-Jerome-Severin
+ A Start in Life
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor’s Establishment
+ Cesar Birotteau
+
+ Carigliano, Marechal, Duc de
+ Father Goriot
+ Sarrasine
+
+ Carigliano, Duchesse de
+ A Distinguished Provincial at Paris
+ The Peasantry
+ The Member for Arcis
+
+ Guillaume
+ Cesar Birotteau
+
+ Lebas, Joseph
+ Cesar Birotteau
+ Cousin Betty
+
+ Lebas, Madame Joseph (Virginie)
+ Cesar Birotteau
+ Cousin Betty
+
+ Lourdois
+ Cesar Birotteau
+
+ Rabourdin, Xavier
+ The Government Clerks
+ Cesar Birotteau
+ The Middle Classes
+
+ Roguin, Madame
+ Cesar Birotteau
+ Pierrette
+ A Second Home
+ A Daughter of Eve
+
+ Sommervieux, Theodore de
+ The Government Clerks
+ Modeste Mignon
+
+ Sommervieux, Madame Theodore de (Augustine)
+ At the Sign of the Cat and Racket
+ Cesar Birotteau
+
+
+
+
+
+
+End of the Project Gutenberg EBook of At the Sign of the Cat and Racket, by
+Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+***** This file should be named 1680-0.txt or 1680-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/8/1680/
+
+Produced by John Bickers, and Dagny
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/1680-0.zip b/1680-0.zip
new file mode 100644
index 0000000..9bb92d9
--- /dev/null
+++ b/1680-0.zip
Binary files differ
diff --git a/1680-h.zip b/1680-h.zip
new file mode 100644
index 0000000..eb9f740
--- /dev/null
+++ b/1680-h.zip
Binary files differ
diff --git a/1680-h/1680-h.htm b/1680-h/1680-h.htm
new file mode 100644
index 0000000..920c7c7
--- /dev/null
+++ b/1680-h/1680-h.htm
@@ -0,0 +1,2761 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ At the Sign of The Cat and Racket, by Honore de Balzac
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's At the Sign of the Cat and Racket, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: At the Sign of the Cat and Racket
+
+Author: Honore de Balzac
+
+Translator: Clara Bell
+
+Release Date: February 28, 2010 [EBook #1680]
+Last Updated: November 23, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+
+
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ AT THE SIGN OF THE CAT AND RACKET
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Honore De Balzac
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Translated by Clara Bell
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ DEDICATION<br /><br /> To Mademoiselle Marie de Montheau<br />
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ <a href="#link2H_4_0001"> <b>AT THE SIGN OF THE CAT AND RACKET</b> </a><br /><br />
+ <a href="#link2H_4_0002"> ADDENDUM </a><br />
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ AT THE SIGN OF THE CAT AND RACKET
+ </h2>
+ <p>
+ <br />
+ </p>
+ <p>
+ Half-way down the Rue Saint-Denis, almost at the corner of the Rue du
+ Petit-Lion, there stood formerly one of those delightful houses which
+ enable historians to reconstruct old Paris by analogy. The threatening
+ walls of this tumbledown abode seemed to have been decorated with
+ hieroglyphics. For what other name could the passer-by give to the Xs and
+ Vs which the horizontal or diagonal timbers traced on the front, outlined
+ by little parallel cracks in the plaster? It was evident that every beam
+ quivered in its mortices at the passing of the lightest vehicle. This
+ venerable structure was crowned by a triangular roof of which no example
+ will, ere long, be seen in Paris. This covering, warped by the extremes of
+ the Paris climate, projected three feet over the roadway, as much to
+ protect the threshold from the rainfall as to shelter the wall of a loft
+ and its sill-less dormer-window. This upper story was built of planks,
+ overlapping each other like slates, in order, no doubt, not to overweight
+ the frail house.
+ </p>
+ <p>
+ One rainy morning in the month of March, a young man, carefully wrapped in
+ his cloak, stood under the awning of a shop opposite this old house, which
+ he was studying with the enthusiasm of an antiquary. In point of fact,
+ this relic of the civic life of the sixteenth century offered more than
+ one problem to the consideration of an observer. Each story presented some
+ singularity; on the first floor four tall, narrow windows, close together,
+ were filled as to the lower panes with boards, so as to produce the
+ doubtful light by which a clever salesman can ascribe to his goods the
+ color his customers inquire for. The young man seemed very scornful of
+ this part of the house; his eyes had not yet rested on it. The windows of
+ the second floor, where the Venetian blinds were drawn up, revealing
+ little dingy muslin curtains behind the large Bohemian glass panes, did
+ not interest him either. His attention was attracted to the third floor,
+ to the modest sash-frames of wood, so clumsily wrought that they might
+ have found a place in the Museum of Arts and Crafts to illustrate the
+ early efforts of French carpentry. These windows were glazed with small
+ squares of glass so green that, but for his good eyes, the young man could
+ not have seen the blue-checked cotton curtains which screened the
+ mysteries of the room from profane eyes. Now and then the watcher, weary
+ of his fruitless contemplation, or of the silence in which the house was
+ buried, like the whole neighborhood, dropped his eyes towards the lower
+ regions. An involuntary smile parted his lips each time he looked at the
+ shop, where, in fact, there were some laughable details.
+ </p>
+ <p>
+ A formidable wooden beam, resting on four pillars, which appeared to have
+ bent under the weight of the decrepit house, had been encrusted with as
+ many coats of different paint as there are of rouge on an old duchess&rsquo;
+ cheek. In the middle of this broad and fantastically carved joist there
+ was an old painting representing a cat playing rackets. This picture was
+ what moved the young man to mirth. But it must be said that the wittiest
+ of modern painters could not invent so comical a caricature. The animal
+ held in one of its forepaws a racket as big as itself, and stood on its
+ hind legs to aim at hitting an enormous ball, returned by a man in a fine
+ embroidered coat. Drawing, color, and accessories, all were treated in
+ such a way as to suggest that the artist had meant to make game of the
+ shop-owner and of the passing observer. Time, while impairing this artless
+ painting, had made it yet more grotesque by introducing some uncertain
+ features which must have puzzled the conscientious idler. For instance,
+ the cat&rsquo;s tail had been eaten into in such a way that it might now have
+ been taken for the figure of a spectator&mdash;so long, and thick, and
+ furry were the tails of our forefathers&rsquo; cats. To the right of the
+ picture, on an azure field which ill-disguised the decay of the wood,
+ might be read the name &ldquo;Guillaume,&rdquo; and to the left, &ldquo;Successor to Master
+ Chevrel.&rdquo; Sun and rain had worn away most of the gilding parsimoniously
+ applied to the letters of this superscription, in which the Us and Vs had
+ changed places in obedience to the laws of old-world orthography.
+ </p>
+ <p>
+ To quench the pride of those who believe that the world is growing
+ cleverer day by day, and that modern humbug surpasses everything, it may
+ be observed that these signs, of which the origin seems so whimsical to
+ many Paris merchants, are the dead pictures of once living pictures by
+ which our roguish ancestors contrived to tempt customers into their
+ houses. Thus the Spinning Sow, the Green Monkey, and others, were animals
+ in cages whose skills astonished the passer-by, and whose accomplishments
+ prove the patience of the fifteenth-century artisan. Such curiosities did
+ more to enrich their fortunate owners than the signs of &ldquo;Providence,&rdquo;
+ &ldquo;Good-faith,&rdquo; &ldquo;Grace of God,&rdquo; and &ldquo;Decapitation of John the Baptist,&rdquo;
+ which may still be seen in the Rue Saint-Denis.
+ </p>
+ <p>
+ However, our stranger was certainly not standing there to admire the cat,
+ which a minute&rsquo;s attention sufficed to stamp on his memory. The young man
+ himself had his peculiarities. His cloak, folded after the manner of an
+ antique drapery, showed a smart pair of shoes, all the more remarkable in
+ the midst of the Paris mud, because he wore white silk stockings, on which
+ the splashes betrayed his impatience. He had just come, no doubt, from a
+ wedding or a ball; for at this early hour he had in his hand a pair of
+ white gloves, and his black hair, now out of curl, and flowing over his
+ shoulders, showed that it had been dressed <i>a la Caracalla</i>, a
+ fashion introduced as much by David&rsquo;s school of painting as by the mania
+ for Greek and Roman styles which characterized the early years of this
+ century.
+ </p>
+ <p>
+ In spite of the noise made by a few market gardeners, who, being late,
+ rattled past towards the great market-place at a gallop, the busy street
+ lay in a stillness of which the magic charm is known only to those who
+ have wandered through deserted Paris at the hours when its roar, hushed
+ for a moment, rises and spreads in the distance like the great voice of
+ the sea. This strange young man must have seemed as curious to the
+ shopkeeping folk of the &ldquo;Cat and Racket&rdquo; as the &ldquo;Cat and Racket&rdquo; was to
+ him. A dazzlingly white cravat made his anxious face look even paler than
+ it really was. The fire that flashed in his black eyes, gloomy and
+ sparkling by turns, was in harmony with the singular outline of his
+ features, with his wide, flexible mouth, hardened into a smile. His
+ forehead, knit with violent annoyance, had a stamp of doom. Is not the
+ forehead the most prophetic feature of a man? When the stranger&rsquo;s brow
+ expressed passion the furrows formed in it were terrible in their strength
+ and energy; but when he recovered his calmness, so easily upset, it beamed
+ with a luminous grace which gave great attractiveness to a countenance in
+ which joy, grief, love, anger, or scorn blazed out so contagiously that
+ the coldest man could not fail to be impressed.
+ </p>
+ <p>
+ He was so thoroughly vexed by the time when the dormer-window of the loft
+ was suddenly flung open, that he did not observe the apparition of three
+ laughing faces, pink and white and chubby, but as vulgar as the face of
+ Commerce as it is seen in sculpture on certain monuments. These three
+ faces, framed by the window, recalled the puffy cherubs floating among the
+ clouds that surround God the Father. The apprentices snuffed up the
+ exhalations of the street with an eagerness that showed how hot and
+ poisonous the atmosphere of their garret must be. After pointing to the
+ singular sentinel, the most jovial, as he seemed, of the apprentices
+ retired and came back holding an instrument whose hard metal pipe is now
+ superseded by a leather tube; and they all grinned with mischief as they
+ looked down on the loiterer, and sprinkled him with a fine white shower of
+ which the scent proved that three chins had just been shaved. Standing on
+ tiptoe, in the farthest corner of their loft, to enjoy their victim&rsquo;s
+ rage, the lads ceased laughing on seeing the haughty indifference with
+ which the young man shook his cloak, and the intense contempt expressed by
+ his face as he glanced up at the empty window-frame.
+ </p>
+ <p>
+ At this moment a slender white hand threw up the lower half of one of the
+ clumsy windows on the third floor by the aid of the sash runners, of which
+ the pulley so often suddenly gives way and releases the heavy panes it
+ ought to hold up. The watcher was then rewarded for his long waiting. The
+ face of a young girl appeared, as fresh as one of the white cups that
+ bloom on the bosom of the waters, crowned by a frill of tumbled muslin,
+ which gave her head a look of exquisite innocence. Though wrapped in brown
+ stuff, her neck and shoulders gleamed here and there through little
+ openings left by her movements in sleep. No expression of embarrassment
+ detracted from the candor of her face, or the calm look of eyes
+ immortalized long since in the sublime works of Raphael; here were the
+ same grace, the same repose as in those Virgins, and now proverbial. There
+ was a delightful contrast between the cheeks of that face on which sleep
+ had, as it were, given high relief to a superabundance of life, and the
+ antiquity of the heavy window with its clumsy shape and black sill. Like
+ those day-blowing flowers, which in the early morning have not yet
+ unfurled their cups, twisted by the chills of night, the girl, as yet
+ hardly awake, let her blue eyes wander beyond the neighboring roofs to
+ look at the sky; then, from habit, she cast them down on the gloomy depths
+ of the street, where they immediately met those of her adorer. Vanity, no
+ doubt, distressed her at being seen in undress; she started back, the worn
+ pulley gave way, and the sash fell with the rapid run, which in our day
+ has earned for this artless invention of our forefathers an odious name,
+ <i>Fenetre a la Guillotine</i>. The vision had disappeared. To the young
+ man the most radiant star of morning seemed to be hidden by a cloud.
+ </p>
+ <p>
+ During these little incidents the heavy inside shutters that protected the
+ slight windows of the shop of the &ldquo;Cat and Racket&rdquo; had been removed as if
+ by magic. The old door with its knocker was opened back against the wall
+ of the entry by a man-servant, apparently coeval with the sign, who, with
+ a shaking hand, hung upon it a square of cloth, on which were embroidered
+ in yellow silk the words: &ldquo;Guillaume, successor to Chevrel.&rdquo; Many a
+ passer-by would have found it difficult to guess the class of trade
+ carried on by Monsieur Guillaume. Between the strong iron bars which
+ protected his shop windows on the outside, certain packages, wrapped in
+ brown linen, were hardly visible, though as numerous as herrings swimming
+ in a shoal. Notwithstanding the primitive aspect of the Gothic front,
+ Monsieur Guillaume, of all the merchant clothiers in Paris, was the one
+ whose stores were always the best provided, whose connections were the
+ most extensive, and whose commercial honesty never lay under the slightest
+ suspicion. If some of his brethren in business made a contract with the
+ Government, and had not the required quantity of cloth, he was always
+ ready to deliver it, however large the number of pieces tendered for. The
+ wily dealer knew a thousand ways of extracting the largest profits without
+ being obliged, like them, to court patrons, cringing to them, or making
+ them costly presents. When his fellow-tradesmen could only pay in good
+ bills of long date, he would mention his notary as an accommodating man,
+ and managed to get a second profit out of the bargain, thanks to this
+ arrangement, which had made it a proverb among the traders of the Rue
+ Saint-Denis: &ldquo;Heaven preserve you from Monsieur Guillaume&rsquo;s notary!&rdquo; to
+ signify a heavy discount.
+ </p>
+ <p>
+ The old merchant was to be seen standing on the threshold of his shop, as
+ if by a miracle, the instant the servant withdrew. Monsieur Guillaume
+ looked at the Rue Saint-Denis, at the neighboring shops, and at the
+ weather, like a man disembarking at Havre, and seeing France once more
+ after a long voyage. Having convinced himself that nothing had changed
+ while he was asleep, he presently perceived the stranger on guard, and he,
+ on his part, gazed at the patriarchal draper as Humboldt may have
+ scrutinized the first electric eel he saw in America. Monsieur Guillaume
+ wore loose black velvet breeches, pepper-and-salt stockings, and square
+ toed shoes with silver buckles. His coat, with square-cut fronts,
+ square-cut tails, and square-cut collar clothed his slightly bent figure
+ in greenish cloth, finished with white metal buttons, tawny from wear. His
+ gray hair was so accurately combed and flattened over his yellow pate that
+ it made it look like a furrowed field. His little green eyes, that might
+ have been pierced with a gimlet, flashed beneath arches faintly tinged
+ with red in the place of eyebrows. Anxieties had wrinkled his forehead
+ with as many horizontal lines as there were creases in his coat. This
+ colorless face expressed patience, commercial shrewdness, and the sort of
+ wily cupidity which is needful in business. At that time these old
+ families were less rare than they are now, in which the characteristic
+ habits and costume of their calling, surviving in the midst of more recent
+ civilization, were preserved as cherished traditions, like the
+ antediluvian remains found by Cuvier in the quarries.
+ </p>
+ <p>
+ The head of the Guillaume family was a notable upholder of ancient
+ practices; he might be heard to regret the Provost of Merchants, and never
+ did he mention a decision of the Tribunal of Commerce without calling it
+ the <i>Sentence of the Consuls</i>. Up and dressed the first of the
+ household, in obedience, no doubt, to these old customs, he stood sternly
+ awaiting the appearance of his three assistants, ready to scold them in
+ case they were late. These young disciples of Mercury knew nothing more
+ terrible than the wordless assiduity with which the master scrutinized
+ their faces and their movements on Monday in search of evidence or traces
+ of their pranks. But at this moment the old clothier paid no heed to his
+ apprentices; he was absorbed in trying to divine the motive of the anxious
+ looks which the young man in silk stockings and a cloak cast alternately
+ at his signboard and into the depths of his shop. The daylight was now
+ brighter, and enabled the stranger to discern the cashier&rsquo;s corner
+ enclosed by a railing and screened by old green silk curtains, where were
+ kept the immense ledgers, the silent oracles of the house. The too
+ inquisitive gazer seemed to covet this little nook, and to be taking the
+ plan of a dining-room at one side, lighted by a skylight, whence the
+ family at meals could easily see the smallest incident that might occur at
+ the shop-door. So much affection for his dwelling seemed suspicious to a
+ trader who had lived long enough to remember the law of maximum prices;
+ Monsieur Guillaume naturally thought that this sinister personage had an
+ eye to the till of the Cat and Racket. After quietly observing the mute
+ duel which was going on between his master and the stranger, the eldest of
+ the apprentices, having seen that the young man was stealthily watching
+ the windows of the third floor, ventured to place himself on the stone
+ flag where Monsieur Guillaume was standing. He took two steps out into the
+ street, raised his head, and fancied that he caught sight of Mademoiselle
+ Augustine Guillaume in hasty retreat. The draper, annoyed by his
+ assistant&rsquo;s perspicacity, shot a side glance at him; but the draper and
+ his amorous apprentice were suddenly relieved from the fears which the
+ young man&rsquo;s presence had excited in their minds. He hailed a hackney cab
+ on its way to a neighboring stand, and jumped into it with an air of
+ affected indifference. This departure was a balm to the hearts of the
+ other two lads, who had been somewhat uneasy as to meeting the victim of
+ their practical joke.
+ </p>
+ <p>
+ &ldquo;Well, gentlemen, what ails you that you are standing there with your arms
+ folded?&rdquo; said Monsieur Guillaume to his three neophytes. &ldquo;In former days,
+ bless you, when I was in Master Chevrel&rsquo;s service, I should have
+ overhauled more than two pieces of cloth by this time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then it was daylight earlier,&rdquo; said the second assistant, whose duty this
+ was.
+ </p>
+ <p>
+ The old shopkeeper could not help smiling. Though two of these young
+ fellows, who were confided to his care by their fathers, rich
+ manufacturers at Louviers and at Sedan, had only to ask and to have a
+ hundred thousand francs the day when they were old enough to settle in
+ life, Guillaume regarded it as his duty to keep them under the rod of an
+ old-world despotism, unknown nowadays in the showy modern shops, where the
+ apprentices expect to be rich men at thirty. He made them work like
+ Negroes. These three assistants were equal to a business which would harry
+ ten such clerks as those whose sybaritical tastes now swell the columns of
+ the budget. Not a sound disturbed the peace of this solemn house, where
+ the hinges were always oiled, and where the meanest article of furniture
+ showed the respectable cleanliness which reveals strict order and economy.
+ The most waggish of the three youths often amused himself by writing the
+ date of its first appearance on the Gruyere cheese which was left to their
+ tender mercies at breakfast, and which it was their pleasure to leave
+ untouched. This bit of mischief, and a few others of the same stamp, would
+ sometimes bring a smile on the face of the younger of Guillaume&rsquo;s
+ daughters, the pretty maiden who has just now appeared to the bewitched
+ man in the street.
+ </p>
+ <p>
+ Though each of these apprentices, even the eldest, paid a round sum for
+ his board, not one of them would have been bold enough to remain at the
+ master&rsquo;s table when dessert was served. When Madame Guillaume talked of
+ dressing the salad, the hapless youths trembled as they thought of the
+ thrift with which her prudent hand dispensed the oil. They could never
+ think of spending a night away from the house without having given, long
+ before, a plausible reason for such an irregularity. Every Sunday, each in
+ his turn, two of them accompanied the Guillaume family to Mass at
+ Saint-Leu, and to vespers. Mesdemoiselles Virginie and Augustine, simply
+ attired in cotton print, each took the arm of an apprentice and walked in
+ front, under the piercing eye of their mother, who closed the little
+ family procession with her husband, accustomed by her to carry two large
+ prayer-books, bound in black morocco. The second apprentice received no
+ salary. As for the eldest, whose twelve years of perseverance and
+ discretion had initiated him into the secrets of the house, he was paid
+ eight hundred francs a year as the reward of his labors. On certain family
+ festivals he received as a gratuity some little gift, to which Madame
+ Guillaume&rsquo;s dry and wrinkled hand alone gave value&mdash;netted purses,
+ which she took care to stuff with cotton wool, to show off the fancy
+ stitches, braces of the strongest make, or heavy silk stockings.
+ Sometimes, but rarely, this prime minister was admitted to share the
+ pleasures of the family when they went into the country, or when, after
+ waiting for months, they made up their mind to exert the right acquired by
+ taking a box at the theatre to command a piece which Paris had already
+ forgotten.
+ </p>
+ <p>
+ As to the other assistants, the barrier of respect which formerly divided
+ a master draper from his apprentices was that they would have been more
+ likely to steal a piece of cloth than to infringe this time-honored
+ etiquette. Such reserve may now appear ridiculous; but these old houses
+ were a school of honesty and sound morals. The masters adopted their
+ apprentices. The young man&rsquo;s linen was cared for, mended, and often
+ replaced by the mistress of the house. If an apprentice fell ill, he was
+ the object of truly maternal attention. In a case of danger the master
+ lavished his money in calling in the most celebrated physicians, for he
+ was not answerable to their parents merely for the good conduct and
+ training of the lads. If one of them, whose character was unimpeachable,
+ suffered misfortune, these old tradesmen knew how to value the
+ intelligence he had displayed, and they did not hesitate to entrust the
+ happiness of their daughters to men whom they had long trusted with their
+ fortunes. Guillaume was one of these men of the old school, and if he had
+ their ridiculous side, he had all their good qualities; and Joseph Lebas,
+ the chief assistant, an orphan without any fortune, was in his mind
+ destined to be the husband of Virginie, his elder daughter. But Joseph did
+ not share the symmetrical ideas of his master, who would not for an empire
+ have given his second daughter in marriage before the elder. The unhappy
+ assistant felt that his heart was wholly given to Mademoiselle Augustine,
+ the younger. In order to justify this passion, which had grown up in
+ secret, it is necessary to inquire a little further into the springs of
+ the absolute government which ruled the old cloth-merchant&rsquo;s household.
+ </p>
+ <p>
+ Guillaume had two daughters. The elder, Mademoiselle Virginie, was the
+ very image of her mother. Madame Guillaume, daughter of the Sieur Chevrel,
+ sat so upright in the stool behind her desk, that more than once she had
+ heard some wag bet that she was a stuffed figure. Her long, thin face
+ betrayed exaggerated piety. Devoid of attractions or of amiable manners,
+ Madame Guillaume commonly decorated her head&mdash;that of a woman near on
+ sixty&mdash;with a cap of a particular and unvarying shape, with long
+ lappets, like that of a widow. In all the neighborhood she was known as
+ the &ldquo;portress nun.&rdquo; Her speech was curt, and her movements had the stiff
+ precision of a semaphore. Her eye, with a gleam in it like a cat&rsquo;s, seemed
+ to spite the world because she was so ugly. Mademoiselle Virginie, brought
+ up, like her younger sister, under the domestic rule of her mother, had
+ reached the age of eight-and-twenty. Youth mitigated the graceless effect
+ which her likeness to her mother sometimes gave to her features, but
+ maternal austerity had endowed her with two great qualities which made up
+ for everything. She was patient and gentle. Mademoiselle Augustine, who
+ was but just eighteen, was not like either her father or her mother. She
+ was one of those daughters whose total absence of any physical affinity
+ with their parents makes one believe in the adage: &ldquo;God gives children.&rdquo;
+ Augustine was little, or, to describe her more truly, delicately made.
+ Full of gracious candor, a man of the world could have found no fault in
+ the charming girl beyond a certain meanness of gesture or vulgarity of
+ attitude, and sometimes a want of ease. Her silent and placid face was
+ full of the transient melancholy which comes over all young girls who are
+ too weak to dare to resist their mother&rsquo;s will.
+ </p>
+ <p>
+ The two sisters, always plainly dressed, could not gratify the innate
+ vanity of womanhood but by a luxury of cleanliness which became them
+ wonderfully, and made them harmonize with the polished counters and the
+ shining shelves, on which the old man-servant never left a speck of dust,
+ and with the old-world simplicity of all they saw about them. As their
+ style of living compelled them to find the elements of happiness in
+ persistent work, Augustine and Virginie had hitherto always satisfied
+ their mother, who secretly prided herself on the perfect characters of her
+ two daughters. It is easy to imagine the results of the training they had
+ received. Brought up to a commercial life, accustomed to hear nothing but
+ dreary arguments and calculations about trade, having studied nothing but
+ grammar, book-keeping, a little Bible-history, and the history of France
+ in Le Ragois, and never reading any book but what their mother would
+ sanction, their ideas had not acquired much scope. They knew perfectly how
+ to keep house; they were familiar with the prices of things; they
+ understood the difficulty of amassing money; they were economical, and had
+ a great respect for the qualities that make a man of business. Although
+ their father was rich, they were as skilled in darning as in embroidery;
+ their mother often talked of having them taught to cook, so that they
+ might know how to order a dinner and scold a cook with due knowledge. They
+ knew nothing of the pleasures of the world; and, seeing how their parents
+ spent their exemplary lives, they very rarely suffered their eyes to
+ wander beyond the walls of their hereditary home, which to their mother
+ was the whole universe. The meetings to which family anniversaries gave
+ rise filled in the future of earthly joy to them.
+ </p>
+ <p>
+ When the great drawing-room on the second floor was to be prepared to
+ receive company&mdash;Madame Roguin, a Demoiselle Chevrel, fifteen months
+ younger than her cousin, and bedecked with diamonds; young Rabourdin,
+ employed in the Finance Office; Monsieur Cesar Birotteau, the rich
+ perfumer, and his wife, known as Madame Cesar; Monsieur Camusot, the
+ richest silk mercer in the Rue des Bourdonnais, with his father-in-law,
+ Monsieur Cardot, two or three old bankers, and some immaculate ladies&mdash;the
+ arrangements, made necessary by the way in which everything was packed
+ away&mdash;the plate, the Dresden china, the candlesticks, and the glass&mdash;made
+ a variety in the monotonous lives of the three women, who came and went
+ and exerted themselves as nuns would to receive their bishop. Then, in the
+ evening, when all three were tired out with having wiped, rubbed,
+ unpacked, and arranged all the gauds of the festival, as the girls helped
+ their mother to undress, Madame Guillaume would say to them, &ldquo;Children, we
+ have done nothing today.&rdquo;
+ </p>
+ <p>
+ When, on very great occasions, &ldquo;the portress nun&rdquo; allowed dancing,
+ restricting the games of boston, whist, and backgammon within the limits
+ of her bedroom, such a concession was accounted as the most unhoped
+ felicity, and made them happier than going to the great balls, to two or
+ three of which Guillaume would take the girls at the time of the Carnival.
+ </p>
+ <p>
+ And once a year the worthy draper gave an entertainment, when he spared no
+ expense. However rich and fashionable the persons invited might be, they
+ were careful not to be absent; for the most important houses on the
+ exchange had recourse to the immense credit, the fortune, or the
+ time-honored experience of Monsieur Guillaume. Still, the excellent
+ merchant&rsquo;s daughters did not benefit as much as might be supposed by the
+ lessons the world has to offer to young spirits. At these parties, which
+ were indeed set down in the ledger to the credit of the house, they wore
+ dresses the shabbiness of which made them blush. Their style of dancing
+ was not in any way remarkable, and their mother&rsquo;s surveillance did not
+ allow of their holding any conversation with their partners beyond Yes and
+ No. Also, the law of the old sign of the Cat and Racket commanded that
+ they should be home by eleven o&rsquo;clock, the hour when balls and fetes begin
+ to be lively. Thus their pleasures, which seemed to conform very fairly to
+ their father&rsquo;s position, were often made insipid by circumstances which
+ were part of the family habits and principles.
+ </p>
+ <p>
+ As to their usual life, one remark will sufficiently paint it. Madame
+ Guillaume required her daughters to be dressed very early in the morning,
+ to come down every day at the same hour, and she ordered their employments
+ with monastic regularity. Augustine, however, had been gifted by chance
+ with a spirit lofty enough to feel the emptiness of such a life. Her blue
+ eyes would sometimes be raised as if to pierce the depths of that gloomy
+ staircase and those damp store-rooms. After sounding the profound
+ cloistral silence, she seemed to be listening to remote, inarticulate
+ revelations of the life of passion, which accounts feelings as of higher
+ value than things. And at such moments her cheek would flush, her idle
+ hands would lay the muslin sewing on the polished oak counter, and
+ presently her mother would say in a voice, of which even the softest tones
+ were sour, &ldquo;Augustine, my treasure, what are you thinking about?&rdquo; It is
+ possible that two romances discovered by Augustine in the cupboard of a
+ cook Madame Guillaume had lately discharged&mdash;<i>Hippolyte Comte de
+ Douglas</i> and <i>Le Comte de Comminges</i>&mdash;may have contributed to
+ develop the ideas of the young girl, who had devoured them in secret,
+ during the long nights of the past winter.
+ </p>
+ <p>
+ And so Augustine&rsquo;s expression of vague longing, her gentle voice, her
+ jasmine skin, and her blue eyes had lighted in poor Lebas&rsquo; soul a flame as
+ ardent as it was reverent. From an easily understood caprice, Augustine
+ felt no affection for the orphan; perhaps she did not know that he loved
+ her. On the other hand, the senior apprentice, with his long legs, his
+ chestnut hair, his big hands and powerful frame, had found a secret
+ admirer in Mademoiselle Virginie, who, in spite of her dower of fifty
+ thousand crowns, had as yet no suitor. Nothing could be more natural than
+ these two passions at cross-purposes, born in the silence of the dingy
+ shop, as violets bloom in the depths of a wood. The mute and constant
+ looks which made the young people&rsquo;s eyes meet by sheer need of change in
+ the midst of persistent work and cloistered peace, was sure, sooner or
+ later, to give rise to feelings of love. The habit of seeing always the
+ same face leads insensibly to our reading there the qualities of the soul,
+ and at last effaces all its defects.
+ </p>
+ <p>
+ &ldquo;At the pace at which that man goes, our girls will soon have to go on
+ their knees to a suitor!&rdquo; said Monsieur Guillaume to himself, as he read
+ the first decree by which Napoleon drew in advance on the conscript
+ classes.
+ </p>
+ <p>
+ From that day the old merchant, grieved at seeing his eldest daughter
+ fade, remembered how he had married Mademoiselle Chevrel under much the
+ same circumstances as those of Joseph Lebas and Virginie. A good bit of
+ business, to marry off his daughter, and discharge a sacred debt by
+ repaying to an orphan the benefit he had formerly received from his
+ predecessor under similar conditions! Joseph Lebas, who was now
+ three-and-thirty, was aware of the obstacle which a difference of fifteen
+ years placed between Augustine and himself. Being also too clear-sighted
+ not to understand Monsieur Guillaume&rsquo;s purpose, he knew his inexorable
+ principles well enough to feel sure that the second would never marry
+ before the elder. So the hapless assistant, whose heart was as warm as his
+ legs were long and his chest deep, suffered in silence.
+ </p>
+ <p>
+ This was the state of the affairs in the tiny republic which, in the heart
+ of the Rue Saint-Denis, was not unlike a dependency of La Trappe. But to
+ give a full account of events as well as of feelings, it is needful to go
+ back to some months before the scene with which this story opens. At dusk
+ one evening, a young man passing the darkened shop of the Cat and Racket,
+ had paused for a moment to gaze at a picture which might have arrested
+ every painter in the world. The shop was not yet lighted, and was as a
+ dark cave beyond which the dining-room was visible. A hanging lamp shed
+ the yellow light which lends such charm to pictures of the Dutch school.
+ The white linen, the silver, the cut glass, were brilliant accessories,
+ and made more picturesque by strong contrasts of light and shade. The
+ figures of the head of the family and his wife, the faces of the
+ apprentices, and the pure form of Augustine, near whom a fat
+ chubby-cheeked maid was standing, composed so strange a group; the heads
+ were so singular, and every face had so candid an expression; it was so
+ easy to read the peace, the silence, the modest way of life in this
+ family, that to an artist accustomed to render nature, there was something
+ hopeless in any attempt to depict this scene, come upon by chance. The
+ stranger was a young painter, who, seven years before, had gained the
+ first prize for painting. He had now just come back from Rome. His soul,
+ full-fed with poetry; his eyes, satiated with Raphael and Michael Angelo,
+ thirsted for real nature after long dwelling in the pompous land where art
+ has everywhere left something grandiose. Right or wrong, this was his
+ personal feeling. His heart, which had long been a prey to the fire of
+ Italian passion, craved one of those modest and meditative maidens whom in
+ Rome he had unfortunately seen only in painting. From the enthusiasm
+ produced in his excited fancy by the living picture before him, he
+ naturally passed to a profound admiration for the principal figure;
+ Augustine seemed to be pensive, and did not eat; by the arrangement of the
+ lamp the light fell full on her face, and her bust seemed to move in a
+ circle of fire, which threw up the shape of her head and illuminated it
+ with almost supernatural effect. The artist involuntarily compared her to
+ an exiled angel dreaming of heaven. An almost unknown emotion, a limpid,
+ seething love flooded his heart. After remaining a minute, overwhelmed by
+ the weight of his ideas, he tore himself from his bliss, went home, ate
+ nothing, and could not sleep.
+ </p>
+ <p>
+ The next day he went to his studio, and did not come out of it till he had
+ placed on canvas the magic of the scene of which the memory had, in a
+ sense, made him a devotee; his happiness was incomplete till he should
+ possess a faithful portrait of his idol. He went many times past the house
+ of the Cat and Racket; he even ventured in once or twice, under a
+ disguise, to get a closer view of the bewitching creature that Madame
+ Guillaume covered with her wing. For eight whole months, devoted to his
+ love and to his brush, he was lost to the sight of his most intimate
+ friends forgetting the world, the theatre, poetry, music, and all his
+ dearest habits. One morning Girodet broke through all the barriers with
+ which artists are familiar, and which they know how to evade, went into
+ his room, and woke him by asking, &ldquo;What are you going to send to the
+ Salon?&rdquo; The artist grasped his friend&rsquo;s hand, dragged him off to the
+ studio, uncovered a small easel picture and a portrait. After a long and
+ eager study of the two masterpieces, Girodet threw himself on his
+ comrade&rsquo;s neck and hugged him, without speaking a word. His feelings could
+ only be expressed as he felt them&mdash;soul to soul.
+ </p>
+ <p>
+ &ldquo;You are in love?&rdquo; said Girodet.
+ </p>
+ <p>
+ They both knew that the finest portraits by Titian, Raphael, and Leonardo
+ da Vinci, were the outcome of the enthusiastic sentiments by which,
+ indeed, under various conditions, every masterpiece is engendered. The
+ artist only bent his head in reply.
+ </p>
+ <p>
+ &ldquo;How happy are you to be able to be in love, here, after coming back from
+ Italy! But I do not advise you to send such works as these to the Salon,&rdquo;
+ the great painter went on. &ldquo;You see, these two works will not be
+ appreciated. Such true coloring, such prodigious work, cannot yet be
+ understood; the public is not accustomed to such depths. The pictures we
+ paint, my dear fellow, are mere screens. We should do better to turn
+ rhymes, and translate the antique poets! There is more glory to be looked
+ for there than from our luckless canvases!&rdquo;
+ </p>
+ <p>
+ Notwithstanding this charitable advice, the two pictures were exhibited.
+ The <i>Interior</i> made a revolution in painting. It gave birth to the
+ pictures of genre which pour into all our exhibitions in such prodigious
+ quantity that they might be supposed to be produced by machinery. As to
+ the portrait, few artists have forgotten that lifelike work; and the
+ public, which as a body is sometimes discerning, awarded it the crown
+ which Girodet himself had hung over it. The two pictures were surrounded
+ by a vast throng. They fought for places, as women say. Speculators and
+ moneyed men would have covered the canvas with double napoleons, but the
+ artist obstinately refused to sell or to make replicas. An enormous sum
+ was offered him for the right of engraving them, and the print-sellers
+ were not more favored than the amateurs.
+ </p>
+ <p>
+ Though these incidents occupied the world, they were not of a nature to
+ penetrate the recesses of the monastic solitude in the Rue Saint-Denis.
+ However, when paying a visit to Madame Guillaume, the notary&rsquo;s wife spoke
+ of the exhibition before Augustine, of whom she was very fond, and
+ explained its purpose. Madame Roguin&rsquo;s gossip naturally inspired Augustine
+ with a wish to see the pictures, and with courage enough to ask her cousin
+ secretly to take her to the Louvre. Her cousin succeeded in the
+ negotiations she opened with Madame Guillaume for permission to release
+ the young girl for two hours from her dull labors. Augustine was thus able
+ to make her way through the crowd to see the crowned work. A fit of
+ trembling shook her like an aspen leaf as she recognized herself. She was
+ terrified, and looked about her to find Madame Roguin, from whom she had
+ been separated by a tide of people. At that moment her frightened eyes
+ fell on the impassioned face of the young painter. She at once recalled
+ the figure of a loiterer whom, being curious, she had frequently observed,
+ believing him to be a new neighbor.
+ </p>
+ <p>
+ &ldquo;You see how love has inspired me,&rdquo; said the artist in the timid
+ creature&rsquo;s ear, and she stood in dismay at the words.
+ </p>
+ <p>
+ She found supernatural courage to enable her to push through the crowd and
+ join her cousin, who was still struggling with the mass of people that
+ hindered her from getting to the picture.
+ </p>
+ <p>
+ &ldquo;You will be stifled!&rdquo; cried Augustine. &ldquo;Let us go.&rdquo;
+ </p>
+ <p>
+ But there are moments, at the Salon, when two women are not always free to
+ direct their steps through the galleries. By the irregular course to which
+ they were compelled by the press, Mademoiselle Guillaume and her cousin
+ were pushed to within a few steps of the second picture. Chance thus
+ brought them, both together, to where they could easily see the canvas
+ made famous by fashion, for once in agreement with talent. Madame Roguin&rsquo;s
+ exclamation of surprise was lost in the hubbub and buzz of the crowd;
+ Augustine involuntarily shed tears at the sight of this wonderful study.
+ Then, by an almost unaccountable impulse, she laid her finger on her lips,
+ as she perceived quite near her the ecstatic face of the young painter.
+ The stranger replied by a nod, and pointed to Madame Roguin, as a
+ spoil-sport, to show Augustine that he had understood. This pantomime
+ struck the young girl like hot coals on her flesh; she felt quite guilty
+ as she perceived that there was a compact between herself and the artist.
+ The suffocating heat, the dazzling sight of beautiful dresses, the
+ bewilderment produced in Augustine&rsquo;s brain by the truth of coloring, the
+ multitude of living or painted figures, the profusion of gilt frames, gave
+ her a sense of intoxication which doubled her alarms. She would perhaps
+ have fainted if an unknown rapture had not surged up in her heart to
+ vivify her whole being, in spite of this chaos of sensations. She
+ nevertheless believed herself to be under the power of the Devil, of whose
+ awful snares she had been warned of by the thundering words of preachers.
+ This moment was to her like a moment of madness. She found herself
+ accompanied to her cousin&rsquo;s carriage by the young man, radiant with joy
+ and love. Augustine, a prey to an agitation new to her experience, an
+ intoxication which seemed to abandon her to nature, listened to the
+ eloquent voice of her heart, and looked again and again at the young
+ painter, betraying the emotion that came over her. Never had the bright
+ rose of her cheeks shown in stronger contrast with the whiteness of her
+ skin. The artist saw her beauty in all its bloom, her maiden modesty in
+ all its glory. She herself felt a sort of rapture mingled with terror at
+ thinking that her presence had brought happiness to him whose name was on
+ every lip, and whose talent lent immortality to transient scenes. She was
+ loved! It was impossible to doubt it. When she no longer saw the artist,
+ these simple words still echoed in her ear, &ldquo;You see how love has inspired
+ me!&rdquo; And the throbs of her heart, as they grew deeper, seemed a pain, her
+ heated blood revealed so many unknown forces in her being. She affected a
+ severe headache to avoid replying to her cousin&rsquo;s questions concerning the
+ pictures; but on their return Madame Roguin could not forbear from
+ speaking to Madame Guillaume of the fame that had fallen on the house of
+ the Cat and Racket, and Augustine quaked in every limb as she heard her
+ mother say that she should go to the Salon to see her house there. The
+ young girl again declared herself suffering, and obtained leave to go to
+ bed.
+ </p>
+ <p>
+ &ldquo;That is what comes of sight-seeing,&rdquo; exclaimed Monsieur Guillaume&mdash;&ldquo;a
+ headache. And is it so very amusing to see in a picture what you can see
+ any day in your own street? Don&rsquo;t talk to me of your artists! Like
+ writers, they are a starveling crew. Why the devil need they choose my
+ house to flout it in their pictures?&rdquo;
+ </p>
+ <p>
+ &ldquo;It may help to sell a few ells more of cloth,&rdquo; said Joseph Lebas.
+ </p>
+ <p>
+ This remark did not protect art and thought from being condemned once
+ again before the judgment-seat of trade. As may be supposed, these
+ speeches did not infuse much hope into Augustine, who, during the night,
+ gave herself up to the first meditations of love. The events of the day
+ were like a dream, which it was a joy to recall to her mind. She was
+ initiated into the fears, the hopes, the remorse, all the ebb and flow of
+ feeling which could not fail to toss a heart so simple and timid as hers.
+ What a void she perceived in this gloomy house! What a treasure she found
+ in her soul! To be the wife of a genius, to share his glory! What ravages
+ must such a vision make in the heart of a girl brought up among such a
+ family! What hopes must it raise in a young creature who, in the midst of
+ sordid elements, had pined for a life of elegance! A sunbeam had fallen
+ into the prison. Augustine was suddenly in love. So many of her feelings
+ were soothed that she succumbed without reflection. At eighteen does not
+ love hold a prism between the world and the eyes of a young girl? She was
+ incapable of suspecting the hard facts which result from the union of a
+ loving woman with a man of imagination, and she believed herself called to
+ make him happy, not seeing any disparity between herself and him. To her
+ the future would be as the present. When, next day, her father and mother
+ returned from the Salon, their dejected faces proclaimed some
+ disappointment. In the first place, the painter had removed the two
+ pictures; and then Madame Guillaume had lost her cashmere shawl. But the
+ news that the pictures had disappeared from the walls since her visit
+ revealed to Augustine a delicacy of sentiment which a woman can always
+ appreciate, even by instinct.
+ </p>
+ <p>
+ On the morning when, on his way home from a ball, Theodore de Sommervieux&mdash;for
+ this was the name which fame had stamped on Augustine&rsquo;s heart&mdash;had
+ been squirted on by the apprentices while awaiting the appearance of his
+ artless little friend, who certainly did not know that he was there, the
+ lovers had seen each other for the fourth time only since their meeting at
+ the Salon. The difficulties which the rule of the house placed in the way
+ of the painter&rsquo;s ardent nature gave added violence to his passion for
+ Augustine.
+ </p>
+ <p>
+ How could he get near to a young girl seated in a counting-house between
+ two such women as Mademoiselle Virginie and Madame Guillaume? How could he
+ correspond with her when her mother never left her side? Ingenious, as
+ lovers are, to imagine woes, Theodore saw a rival in one of the
+ assistants, to whose interests he supposed the others to be devoted. If he
+ should evade these sons of Argus, he would yet be wrecked under the stern
+ eye of the old draper or of Madame Guillaume. The very vehemence of his
+ passion hindered the young painter from hitting on the ingenious
+ expedients which, in prisoners and in lovers, seem to be the last effort
+ of intelligence spurred by a wild craving for liberty, or by the fire of
+ love. Theodore wandered about the neighborhood with the restlessness of a
+ madman, as though movement might inspire him with some device. After
+ racking his imagination, it occurred to him to bribe the blowsy
+ waiting-maid with gold. Thus a few notes were exchanged at long intervals
+ during the fortnight following the ill-starred morning when Monsieur
+ Guillaume and Theodore had so scrutinized one another. At the present
+ moment the young couple had agreed to see each other at a certain hour of
+ the day, and on Sunday, at Saint-Leu, during Mass and vespers. Augustine
+ had sent her dear Theodore a list of the relations and friends of the
+ family, to whom the young painter tried to get access, in the hope of
+ interesting, if it were possible, in his love affairs, one of these souls
+ absorbed in money and trade, to whom a genuine passion must appear a quite
+ monstrous speculation, a thing unheard-of. Nothing meanwhile, was altered
+ at the sign of the Cat and Racket. If Augustine was absent-minded, if,
+ against all obedience to the domestic code, she stole up to her room to
+ make signals by means of a jar of flowers, if she sighed, if she were lost
+ in thought, no one observed it, not even her mother. This will cause some
+ surprise to those who have entered into the spirit of the household, where
+ an idea tainted with poetry would be in startling contrast to persons and
+ things, where no one could venture on a gesture or a look which would not
+ be seen and analyzed. Nothing, however, could be more natural: the quiet
+ barque that navigated the stormy waters of the Paris Exchange, under the
+ flag of the Cat and Racket, was just now in the toils of one of these
+ tempests which, returning periodically, might be termed equinoctial. For
+ the last fortnight the five men forming the crew, with Madame Guillaume
+ and Mademoiselle Virginie, had been devoting themselves to the hard labor,
+ known as stock-taking.
+ </p>
+ <p>
+ Every bale was turned over, and the length verified to ascertain the exact
+ value of the remnant. The ticket attached to each parcel was carefully
+ examined to see at what time the piece had been bought. The retail price
+ was fixed. Monsieur Guillaume, always on his feet, his pen behind his ear,
+ was like a captain commanding the working of the ship. His sharp tones,
+ spoken through a trap-door, to inquire into the depths of the hold in the
+ cellar-store, gave utterance to the barbarous formulas of trade-jargon,
+ which find expression only in cipher. &ldquo;How much H. N. Z.?&rdquo;&mdash;&ldquo;All
+ sold.&rdquo;&mdash;&ldquo;What is left of Q. X.?&rdquo;&mdash;&ldquo;Two ells.&rdquo;&mdash;&ldquo;At what
+ price?&rdquo;&mdash;&ldquo;Fifty-five three.&rdquo;&mdash;&ldquo;Set down A. at three, with all of
+ J. J., all of M. P., and what is left of V. D. O.&rdquo;&mdash;A hundred other
+ injunctions equally intelligible were spouted over the counters like
+ verses of modern poetry, quoted by romantic spirits, to excite each
+ other&rsquo;s enthusiasm for one of their poets. In the evening Guillaume, shut
+ up with his assistant and his wife, balanced his accounts, carried on the
+ balance, wrote to debtors in arrears, and made out bills. All three were
+ busy over this enormous labor, of which the result could be stated on a
+ sheet of foolscap, proving to the head of the house that there was so much
+ to the good in hard cash, so much in goods, so much in bills and notes;
+ that he did not owe a sou; that a hundred or two hundred thousand francs
+ were owing to him; that the capital had been increased; that the
+ farmlands, the houses, or the investments were extended, or repaired, or
+ doubled. Whence it became necessary to begin again with increased ardor,
+ to accumulate more crown-pieces, without its ever entering the brain of
+ these laborious ants to ask&mdash;&ldquo;To what end?&rdquo;
+ </p>
+ <p>
+ Favored by this annual turmoil, the happy Augustine escaped the
+ investigations of her Argus-eyed relations. At last, one Saturday evening,
+ the stock-taking was finished. The figures of the sum-total showed a row
+ of 0&rdquo;s long enough to allow Guillaume for once to relax the stern rule as
+ to dessert which reigned throughout the year. The shrewd old draper rubbed
+ his hands, and allowed his assistants to remain at table. The members of
+ the crew had hardly swallowed their thimbleful of some home-made liqueur,
+ when the rumble of a carriage was heard. The family party were going to
+ see <i>Cendrillon</i> at the Varietes, while the two younger apprentices
+ each received a crown of six francs, with permission to go wherever they
+ chose, provided they were in by midnight.
+ </p>
+ <p>
+ Notwithstanding this debauch, the old cloth-merchant was shaving himself
+ at six next morning, put on his maroon-colored coat, of which the glowing
+ lights afforded him perennial enjoyment, fastened a pair of gold buckles
+ on the knee-straps of his ample satin breeches; and then, at about seven
+ o&rsquo;clock, while all were still sleeping in the house, he made his way to
+ the little office adjoining the shop on the first floor. Daylight came in
+ through a window, fortified by iron bars, and looking out on a small yard
+ surrounded by such black walls that it was very like a well. The old
+ merchant opened the iron-lined shutters, which were so familiar to him,
+ and threw up the lower half of the sash window. The icy air of the
+ courtyard came in to cool the hot atmosphere of the little room, full of
+ the odor peculiar to offices.
+ </p>
+ <p>
+ The merchant remained standing, his hand resting on the greasy arm of a
+ large cane chair lined with morocco, of which the original hue had
+ disappeared; he seemed to hesitate as to seating himself. He looked with
+ affection at the double desk, where his wife&rsquo;s seat, opposite his own, was
+ fitted into a little niche in the wall. He contemplated the numbered
+ boxes, the files, the implements, the cash box&mdash;objects all of
+ immemorial origin, and fancied himself in the room with the shade of
+ Master Chevrel. He even pulled out the high stool on which he had once sat
+ in the presence of his departed master. This stool, covered with black
+ leather, the horse-hair showing at every corner&mdash;as it had long done,
+ without, however, coming out&mdash;he placed with a shaking hand on the
+ very spot where his predecessor had put it, and then, with an emotion
+ difficult to describe, he pulled a bell, which rang at the head of Joseph
+ Lebas&rsquo; bed. When this decisive blow had been struck, the old man, for
+ whom, no doubt, these reminiscences were too much, took up three or four
+ bills of exchange, and looked at them without seeing them.
+ </p>
+ <p>
+ Suddenly Joseph Lebas stood before him.
+ </p>
+ <p>
+ &ldquo;Sit down there,&rdquo; said Guillaume, pointing to the stool.
+ </p>
+ <p>
+ As the old master draper had never yet bid his assistant be seated in his
+ presence, Joseph Lebas was startled.
+ </p>
+ <p>
+ &ldquo;What do you think of these notes?&rdquo; asked Guillaume.
+ </p>
+ <p>
+ &ldquo;They will never be paid.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I heard the day before yesterday Etienne and Co. had made their
+ payments in gold.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, oh!&rdquo; said the draper. &ldquo;Well, one must be very ill to show one&rsquo;s bile.
+ Let us speak of something else.&mdash;Joseph, the stock-taking is done.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, monsieur, and the dividend is one of the best you have ever made.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not use new-fangled words. Say the profits, Joseph. Do you know, my
+ boy, that this result is partly owing to you? And I do not intend to pay
+ you a salary any longer. Madame Guillaume has suggested to me to take you
+ into partnership.&mdash;&lsquo;Guillaume and Lebas;&rsquo; will not that make a good
+ business name? We might add, &lsquo;and Co.&rsquo; to round off the firm&rsquo;s signature.&rdquo;
+ </p>
+ <p>
+ Tears rose to the eyes of Joseph Lebas, who tried to hide them.
+ </p>
+ <p>
+ &ldquo;Oh, Monsieur Guillaume, how have I deserved such kindness? I only do my
+ duty. It was so much already that you should take an interest in a poor
+ orph&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He was brushing the cuff of his left sleeve with his right hand, and dared
+ not look at the old man, who smiled as he thought that this modest young
+ fellow no doubt needed, as he had needed once on a time, some
+ encouragement to complete his explanation.
+ </p>
+ <p>
+ &ldquo;To be sure,&rdquo; said Virginie&rsquo;s father, &ldquo;you do not altogether deserve this
+ favor, Joseph. You have not so much confidence in me as I have in you.&rdquo;
+ (The young man looked up quickly.) &ldquo;You know all the secrets of the
+ cash-box. For the last two years I have told you almost all my concerns. I
+ have sent you to travel in our goods. In short, I have nothing on my
+ conscience as regards you. But you&mdash;you have a soft place, and you
+ have never breathed a word of it.&rdquo; Joseph Lebas blushed. &ldquo;Ah, ha!&rdquo; cried
+ Guillaume, &ldquo;so you thought you could deceive an old fox like me? When you
+ knew that I had scented the Lecocq bankruptcy?&rdquo;
+ </p>
+ <p>
+ &ldquo;What, monsieur?&rdquo; replied Joseph Lebas, looking at his master as keenly as
+ his master looked at him, &ldquo;you knew that I was in love?&rdquo;
+ </p>
+ <p>
+ &ldquo;I know everything, you rascal,&rdquo; said the worthy and cunning old merchant,
+ pulling the assistant&rsquo;s ear. &ldquo;And I forgive you&mdash;I did the same
+ myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you will give her to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;with fifty thousand crowns; and I will leave you as much by
+ will, and we will start on our new career under the name of a new firm. We
+ will do good business yet, my boy!&rdquo; added the old man, getting up and
+ flourishing his arms. &ldquo;I tell you, son-in-law, there is nothing like
+ trade. Those who ask what pleasure is to be found in it are simpletons. To
+ be on the scent of a good bargain, to hold your own on &lsquo;Change, to watch
+ as anxiously as at the gaming-table whether Etienne and Co. will fail or
+ no, to see a regiment of Guards march past all dressed in your cloth, to
+ trip your neighbor up&mdash;honestly of course!&mdash;to make the goods
+ cheaper than others can; then to carry out an undertaking which you have
+ planned, which begins, grows, totters, and succeeds! to know the workings
+ of every house of business as well as a minister of police, so as never to
+ make a mistake; to hold up your head in the midst of wrecks, to have
+ friends by correspondence in every manufacturing town; is not that a
+ perpetual game, Joseph? That is life, that is! I shall die in that
+ harness, like old Chevrel, but taking it easy now, all the same.&rdquo;
+ </p>
+ <p>
+ In the heat of his eager rhetoric, old Guillaume had scarcely looked at
+ his assistant, who was weeping copiously. &ldquo;Why, Joseph, my poor boy, what
+ is the matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I love her so! Monsieur Guillaume, that my heart fails me; I believe&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well, boy,&rdquo; said the old man, touched, &ldquo;you are happier than you
+ know, by God! For she loves you. I know it.&rdquo;
+ </p>
+ <p>
+ And he blinked his little green eyes as he looked at the young man.
+ </p>
+ <p>
+ &ldquo;Mademoiselle Augustine! Mademoiselle Augustine!&rdquo; exclaimed Joseph Lebas
+ in his rapture.
+ </p>
+ <p>
+ He was about to rush out of the room when he felt himself clutched by a
+ hand of iron, and his astonished master spun him round in front of him
+ once more.
+ </p>
+ <p>
+ &ldquo;What has Augustine to do with this matter?&rdquo; he asked, in a voice which
+ instantly froze the luckless Joseph.
+ </p>
+ <p>
+ &ldquo;Is it not she that&mdash;that&mdash;I love?&rdquo; stammered the assistant.
+ </p>
+ <p>
+ Much put out by his own want of perspicacity, Guillaume sat down again,
+ and rested his long head in his hands to consider the perplexing situation
+ in which he found himself. Joseph Lebas, shamefaced and in despair,
+ remained standing.
+ </p>
+ <p>
+ &ldquo;Joseph,&rdquo; the draper said with frigid dignity, &ldquo;I was speaking of
+ Virginie. Love cannot be made to order, I know. I know, too, that you can
+ be trusted. We will forget all this. I will not let Augustine marry before
+ Virginie.&mdash;Your interest will be ten per cent.&rdquo;
+ </p>
+ <p>
+ The young man, to whom love gave I know not what power of courage and
+ eloquence, clasped his hand, and spoke in his turn&mdash;spoke for a
+ quarter of an hour, with so much warmth and feeling, that he altered the
+ situation. If the question had been a matter of business the old tradesman
+ would have had fixed principles to guide his decision; but, tossed a
+ thousand miles from commerce, on the ocean of sentiment, without a
+ compass, he floated, as he told himself, undecided in the face of such an
+ unexpected event. Carried away by his fatherly kindness, he began to beat
+ about the bush.
+ </p>
+ <p>
+ &ldquo;Deuce take it, Joseph, you must know that there are ten years between my
+ two children. Mademoiselle Chevrel was no beauty, still she has had
+ nothing to complain of in me. Do as I did. Come, come, don&rsquo;t cry. Can you
+ be so silly? What is to be done? It can be managed perhaps. There is
+ always some way out of a scrape. And we men are not always devoted
+ Celadons to our wives&mdash;you understand? Madame Guillaume is very
+ pious. ... Come. By Gad, boy, give your arm to Augustine this morning as
+ we go to Mass.&rdquo;
+ </p>
+ <p>
+ These were the phrases spoken at random by the old draper, and their
+ conclusion made the lover happy. He was already thinking of a friend of
+ his as a match for Mademoiselle Virginie, as he went out of the smoky
+ office, pressing his future father-in-law&rsquo;s hand, after saying with a
+ knowing look that all would turn out for the best.
+ </p>
+ <p>
+ &ldquo;What will Madame Guillaume say to it?&rdquo; was the idea that greatly troubled
+ the worthy merchant when he found himself alone.
+ </p>
+ <p>
+ At breakfast Madame Guillaume and Virginie, to whom the draper had not yet
+ confided his disappointment, cast meaning glances at Joseph Lebas, who was
+ extremely embarrassed. The young assistant&rsquo;s bashfulness commended him to
+ his mother-in-law&rsquo;s good graces. The matron became so cheerful that she
+ smiled as she looked at her husband, and allowed herself some little
+ pleasantries of time-honored acceptance in such simple families. She
+ wondered whether Joseph or Virginie were the taller, to ask them to
+ compare their height. This preliminary fooling brought a cloud to the
+ master&rsquo;s brow, and he even made such a point of decorum that he desired
+ Augustine to take the assistant&rsquo;s arm on their way to Saint-Leu. Madame
+ Guillaume, surprised at this manly delicacy, honored her husband with a
+ nod of approval. So the procession left the house in such order as to
+ suggest no suspicious meaning to the neighbors.
+ </p>
+ <p>
+ &ldquo;Does it not seem to you, Mademoiselle Augustine,&rdquo; said the assistant, and
+ he trembled, &ldquo;that the wife of a merchant whose credit is as good as
+ Monsieur Guillaume&rsquo;s, for instance, might enjoy herself a little more than
+ Madame your mother does? Might wear diamonds&mdash;or keep a carriage? For
+ my part, if I were to marry, I should be glad to take all the work, and
+ see my wife happy. I would not put her into the counting-house. In the
+ drapery business, you see, a woman is not so necessary now as formerly.
+ Monsieur Guillaume was quite right to act as he did&mdash;and besides, his
+ wife liked it. But so long as a woman knows how to turn her hand to the
+ book-keeping, the correspondence, the retail business, the orders, and her
+ housekeeping, so as not to sit idle, that is enough. At seven o&rsquo;clock,
+ when the shop is shut, I shall take my pleasures, go to the play, and into
+ company.&mdash;But you are not listening to me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, indeed, Monsieur Joseph. What do you think of painting? That is a
+ fine calling.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. I know a master house-painter, Monsieur Lourdois. He is well-to-do.&rdquo;
+ </p>
+ <p>
+ Thus conversing, the family reached the Church of Saint-Leu. There Madame
+ Guillaume reasserted her rights, and, for the first time, placed Augustine
+ next herself, Virginie taking her place on the fourth chair, next to
+ Lebas. During the sermon all went well between Augustine and Theodore,
+ who, standing behind a pillar, worshiped his Madonna with fervent
+ devotion; but at the elevation of the Host, Madame Guillaume discovered,
+ rather late, that her daughter Augustine was holding her prayer-book
+ upside down. She was about to speak to her strongly, when, lowering her
+ veil, she interrupted her own devotions to look in the direction where her
+ daughter&rsquo;s eyes found attraction. By the help of her spectacles she saw
+ the young artist, whose fashionable elegance seemed to proclaim him a
+ cavalry officer on leave rather than a tradesman of the neighborhood. It
+ is difficult to conceive of the state of violent agitation in which Madame
+ Guillaume found herself&mdash;she, who flattered herself on having brought
+ up her daughters to perfection&mdash;on discovering in Augustine a
+ clandestine passion of which her prudery and ignorance exaggerated the
+ perils. She believed her daughter to be cankered to the core.
+ </p>
+ <p>
+ &ldquo;Hold your book right way up, miss,&rdquo; she muttered in a low voice,
+ tremulous with wrath. She snatched away the tell-tale prayer-book and
+ returned it with the letter-press right way up. &ldquo;Do not allow your eyes to
+ look anywhere but at your prayers,&rdquo; she added, &ldquo;or I shall have something
+ to say to you. Your father and I will talk to you after church.&rdquo;
+ </p>
+ <p>
+ These words came like a thunderbolt on poor Augustine. She felt faint;
+ but, torn between the distress she felt and the dread of causing a
+ commotion in church she bravely concealed her anguish. It was, however,
+ easy to discern the stormy state of her soul from the trembling of her
+ prayer-book, and the tears which dropped on every page she turned. From
+ the furious glare shot at him by Madame Guillaume the artist saw the peril
+ into which his love affair had fallen; he went out, with a raging soul,
+ determined to venture all.
+ </p>
+ <p>
+ &ldquo;Go to your room, miss!&rdquo; said Madame Guillaume, on their return home; &ldquo;we
+ will send for you, but take care not to quit it.&rdquo;
+ </p>
+ <p>
+ The conference between the husband and wife was conducted so secretly that
+ at first nothing was heard of it. Virginie, however, who had tried to give
+ her sister courage by a variety of gentle remonstrances, carried her good
+ nature so far as to listen at the door of her mother&rsquo;s bedroom where the
+ discussion was held, to catch a word or two. The first time she went down
+ to the lower floor she heard her father exclaim, &ldquo;Then, madame, do you
+ wish to kill your daughter?&rdquo;
+ </p>
+ <p>
+ &ldquo;My poor dear!&rdquo; said Virginie, in tears, &ldquo;papa takes your part.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what do they want to do to Theodore?&rdquo; asked the innocent girl.
+ </p>
+ <p>
+ Virginie, inquisitive, went down again; but this time she stayed longer;
+ she learned that Joseph Lebas loved Augustine. It was written that on this
+ memorable day, this house, generally so peaceful, should be a hell.
+ Monsieur Guillaume brought Joseph Lebas to despair by telling him of
+ Augustine&rsquo;s love for a stranger. Lebas, who had advised his friend to
+ become a suitor for Mademoiselle Virginie, saw all his hopes wrecked.
+ Mademoiselle Virginie, overcome by hearing that Joseph had, in a way,
+ refused her, had a sick headache. The dispute that had arisen from the
+ discussion between Monsieur and Madame Guillaume, when, for the third time
+ in their lives, they had been of antagonistic opinions, had shown itself
+ in a terrible form. Finally, at half-past four in the afternoon,
+ Augustine, pale, trembling, and with red eyes, was haled before her father
+ and mother. The poor child artlessly related the too brief tale of her
+ love. Reassured by a speech from her father, who promised to listen to her
+ in silence, she gathered courage as she pronounced to her parents the name
+ of Theodore de Sommervieux, with a mischievous little emphasis on the
+ aristocratic <i>de</i>. And yielding to the unknown charm of talking of
+ her feelings, she was brave enough to declare with innocent decision that
+ she loved Monsieur de Sommervieux, that she had written to him, and she
+ added, with tears in her eyes: &ldquo;To sacrifice me to another man would make
+ me wretched.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, Augustine, you cannot surely know what a painter is?&rdquo; cried her
+ mother with horror.
+ </p>
+ <p>
+ &ldquo;Madame Guillaume!&rdquo; said the old man, compelling her to silence.&mdash;&ldquo;Augustine,&rdquo;
+ he went on, &ldquo;artists are generally little better than beggars. They are
+ too extravagant not to be always a bad sort. I served the late Monsieur
+ Joseph Vernet, the late Monsieur Lekain, and the late Monsieur Noverre.
+ Oh, if you could only know the tricks played on poor Father Chevrel by
+ that Monsieur Noverre, by the Chevalier de Saint-Georges, and especially
+ by Monsieur Philidor! They are a set of rascals; I know them well! They
+ all have a gab and nice manners. Ah, your Monsieur Sumer&mdash;, Somm&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;De Sommervieux, papa.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, well, de Sommervieux, well and good. He can never have been half so
+ sweet to you as Monsieur le Chevalier de Saint-Georges was to me the day I
+ got a verdict of the consuls against him. And in those days they were
+ gentlemen of quality.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, father, Monsieur Theodore is of good family, and he wrote me that he
+ is rich; his father was called Chevalier de Sommervieux before the
+ Revolution.&rdquo;
+ </p>
+ <p>
+ At these words Monsieur Guillaume looked at his terrible better half, who,
+ like an angry woman, sat tapping the floor with her foot while keeping
+ sullen silence; she avoided even casting wrathful looks at Augustine,
+ appearing to leave to Monsieur Guillaume the whole responsibility in so
+ grave a matter, since her opinion was not listened to. Nevertheless, in
+ spite of her apparent self-control, when she saw her husband giving way so
+ mildly under a catastrophe which had no concern with business, she
+ exclaimed:
+ </p>
+ <p>
+ &ldquo;Really, monsieur, you are so weak with your daughters! However&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ The sound of a carriage, which stopped at the door, interrupted the rating
+ which the old draper already quaked at. In a minute Madame Roguin was
+ standing in the middle of the room, and looking at the actors in this
+ domestic scene: &ldquo;I know all, my dear cousin,&rdquo; said she, with a patronizing
+ air.
+ </p>
+ <p>
+ Madame Roguin made the great mistake of supposing that a Paris notary&rsquo;s
+ wife could play the part of a favorite of fashion.
+ </p>
+ <p>
+ &ldquo;I know all,&rdquo; she repeated, &ldquo;and I have come into Noah&rsquo;s Ark, like the
+ dove, with the olive-branch. I read that allegory in the <i>Genie du
+ Christianisme</i>,&rdquo; she added, turning to Madame Guillaume; &ldquo;the allusion
+ ought to please you, cousin. Do you know,&rdquo; she went on, smiling at
+ Augustine, &ldquo;that Monsieur de Sommervieux is a charming man? He gave me my
+ portrait this morning, painted by a master&rsquo;s hand. It is worth at least
+ six thousand francs.&rdquo; And at these words she patted Monsieur Guillaume on
+ the arm. The old draper could not help making a grimace with his lips,
+ which was peculiar to him.
+ </p>
+ <p>
+ &ldquo;I know Monsieur de Sommervieux very well,&rdquo; the Dove ran on. &ldquo;He has come
+ to my evenings this fortnight past, and made them delightful. He has told
+ me all his woes, and commissioned me to plead for him. I know since this
+ morning that he adores Augustine, and he shall have her. Ah, cousin, do
+ not shake your head in refusal. He will be created Baron, I can tell you,
+ and has just been made Chevalier of the Legion of Honor, by the Emperor
+ himself, at the Salon. Roguin is now his lawyer, and knows all his
+ affairs. Well! Monsieur de Sommervieux has twelve thousand francs a year
+ in good landed estate. Do you know that the father-in-law of such a man
+ may get a rise in life&mdash;be mayor of his <i>arrondissement</i>, for
+ instance. Have we not seen Monsieur Dupont become a Count of the Empire,
+ and a senator, all because he went as mayor to congratulate the Emperor on
+ his entry into Vienna? Oh, this marriage must take place! For my part, I
+ adore the dear young man. His behavior to Augustine is only met with in
+ romances. Be easy, little one, you shall be happy, and every girl will
+ wish she were in your place. Madame la Duchesse de Carigliano, who comes
+ to my &lsquo;At Homes,&rsquo; raves about Monsieur de Sommervieux. Some spiteful
+ people say she only comes to me to meet him; as if a duchesse of yesterday
+ was doing too much honor to a Chevrel, whose family have been respected
+ citizens these hundred years!
+ </p>
+ <p>
+ &ldquo;Augustine,&rdquo; Madame Roguin went on, after a short pause, &ldquo;I have seen the
+ portrait. Heavens! How lovely it is! Do you know that the Emperor wanted
+ to have it? He laughed, and said to the Deputy High Constable that if
+ there were many women like that in his court while all the kings visited
+ it, he should have no difficulty about preserving the peace of Europe. Is
+ not that a compliment?&rdquo;
+ </p>
+ <p>
+ The tempests with which the day had begun were to resemble those of
+ nature, by ending in clear and serene weather. Madame Roguin displayed so
+ much address in her harangue, she was able to touch so many strings in the
+ dry hearts of Monsieur and Madame Guillaume, that at last she hit on one
+ which she could work upon. At this strange period commerce and finance
+ were more than ever possessed by the crazy mania for seeking alliance with
+ rank; and the generals of the Empire took full advantage of this desire.
+ Monsieur Guillaume, as a singular exception, opposed this deplorable
+ craving. His favorite axioms were that, to secure happiness, a woman must
+ marry a man of her own class; that every one was punished sooner or later
+ for having climbed too high; that love could so little endure under the
+ worries of a household, that both husband and wife needed sound good
+ qualities to be happy, that it would not do for one to be far in advance
+ of the other, because, above everything, they must understand each other;
+ if a man spoke Greek and his wife Latin, they might come to die of hunger.
+ He had himself invented this sort of adage. And he compared such marriages
+ to old-fashioned materials of mixed silk and wool. Still, there is so much
+ vanity at the bottom of man&rsquo;s heart that the prudence of the pilot who
+ steered the Cat and Racket so wisely gave way before Madame Roguin&rsquo;s
+ aggressive volubility. Austere Madame Guillaume was the first to see in
+ her daughter&rsquo;s affection a reason for abdicating her principles and for
+ consenting to receive Monsieur de Sommervieux, whom she promised herself
+ she would put under severe inquisition.
+ </p>
+ <p>
+ The old draper went to look for Joseph Lebas, and inform him of the state
+ of affairs. At half-past six, the dining-room immortalized by the artist
+ saw, united under its skylight, Monsieur and Madame Roguin, the young
+ painter and his charming Augustine, Joseph Lebas, who found his happiness
+ in patience, and Mademoiselle Virginie, convalescent from her headache.
+ Monsieur and Madame Guillaume saw in perspective both their children
+ married, and the fortunes of the Cat and Racket once more in skilful
+ hands. Their satisfaction was at its height when, at dessert, Theodore
+ made them a present of the wonderful picture which they had failed to see,
+ representing the interior of the old shop, and to which they all owed so
+ much happiness.
+ </p>
+ <p>
+ &ldquo;Isn&rsquo;t it pretty!&rdquo; cried Guillaume. &ldquo;And to think that any one would pay
+ thirty thousand francs for that!&rdquo;
+ </p>
+ <p>
+ &ldquo;Because you can see my lappets in it,&rdquo; said Madame Guillaume.
+ </p>
+ <p>
+ &ldquo;And the cloth unrolled!&rdquo; added Lebas; &ldquo;you might take it up in your
+ hand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Drapery always comes out well,&rdquo; replied the painter. &ldquo;We should be only
+ too happy, we modern artists, if we could touch the perfection of antique
+ drapery.&rdquo;
+ </p>
+ <p>
+ &ldquo;So you like drapery!&rdquo; cried old Guillaume. &ldquo;Well, then, by Gad! shake
+ hands on that, my young friend. Since you can respect trade, we shall
+ understand each other. And why should it be despised? The world began with
+ trade, since Adam sold Paradise for an apple. He did not strike a good
+ bargain though!&rdquo; And the old man roared with honest laughter, encouraged
+ by the champagne, which he sent round with a liberal hand. The band that
+ covered the young artist&rsquo;s eyes was so thick that he thought his future
+ parents amiable. He was not above enlivening them by a few jests in the
+ best taste. So he too pleased every one. In the evening, when the
+ drawing-room, furnished with what Madame Guillaume called &ldquo;everything
+ handsome,&rdquo; was deserted, and while she flitted from the table to the
+ chimney-piece, from the candelabra to the tall candlesticks, hastily
+ blowing out the wax-lights, the worthy draper, who was always
+ clear-sighted when money was in question, called Augustine to him, and
+ seating her on his knee, spoke as follows:&mdash;
+ </p>
+ <p>
+ &ldquo;My dear child, you shall marry your Sommervieux since you insist; you
+ may, if you like, risk your capital in happiness. But I am not going to be
+ hoodwinked by the thirty thousand francs to be made by spoiling good
+ canvas. Money that is lightly earned is lightly spent. Did I not hear that
+ hare-brained youngster declare this evening that money was made round that
+ it might roll. If it is round for spendthrifts, it is flat for saving
+ folks who pile it up. Now, my child, that fine gentleman talks of giving
+ you carriages and diamonds! He has money, let him spend it on you; so be
+ it. It is no concern of mine. But as to what I can give you, I will not
+ have the crown-pieces I have picked up with so much toil wasted in
+ carriages and frippery. Those who spend too fast never grow rich. A
+ hundred thousand crowns, which is your fortune, will not buy up Paris. It
+ is all very well to look forward to a few hundred thousand francs to be
+ yours some day; I shall keep you waiting for them as long as possible, by
+ Gad! So I took your lover aside, and a man who managed the Lecocq
+ bankruptcy had not much difficulty in persuading the artist to marry under
+ a settlement of his wife&rsquo;s money on herself. I will keep an eye on the
+ marriage contract to see that what he is to settle on you is safely tied
+ up. So now, my child, I hope to be a grandfather, by Gad! I will begin at
+ once to lay up for my grandchildren; but swear to me, here and now, never
+ to sign any papers relating to money without my advice; and if I go soon
+ to join old Father Chevrel, promise to consult young Lebas, your
+ brother-in-law.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, father, I swear it.&rdquo;
+ </p>
+ <p>
+ At these words, spoken in a gentle voice, the old man kissed his daughter
+ on both cheeks. That night the lovers slept as soundly as Monsieur and
+ Madame Guillaume.
+ </p>
+ <p>
+ Some few months after this memorable Sunday the high altar of Saint-Leu
+ was the scene of two very different weddings. Augustine and Theodore
+ appeared in all the radiance of happiness, their eyes beaming with love,
+ dressed with elegance, while a fine carriage waited for them. Virginie,
+ who had come in a good hired fly with the rest of the family, humbly
+ followed her younger sister, dressed in the simplest fashion like a shadow
+ necessary to the harmony of the picture. Monsieur Guillaume had exerted
+ himself to the utmost in the church to get Virginie married before
+ Augustine, but the priests, high and low, persisted in addressing the more
+ elegant of the two brides. He heard some of his neighbors highly approving
+ the good sense of Mademoiselle Virginie, who was making, as they said, the
+ more substantial match, and remaining faithful to the neighborhood; while
+ they fired a few taunts, prompted by envy of Augustine, who was marrying
+ an artist and a man of rank; adding, with a sort of dismay, that if the
+ Guillaumes were ambitious, there was an end to the business. An old
+ fan-maker having remarked that such a prodigal would soon bring his wife
+ to beggary, father Guillaume prided himself <i>in petto</i> for his
+ prudence in the matter of marriage settlements. In the evening, after a
+ splendid ball, followed by one of those substantial suppers of which the
+ memory is dying out in the present generation, Monsieur and Madame
+ Guillaume remained in a fine house belonging to them in the Rue du
+ Colombier, where the wedding had been held; Monsieur and Madame Lebas
+ returned in their fly to the old home in the Rue Saint-Denis, to steer the
+ good ship Cat and Racket. The artist, intoxicated with happiness, carried
+ off his beloved Augustine, and eagerly lifting her out of their carriage
+ when it reached the Rue des Trois-Freres, led her to an apartment
+ embellished by all the arts.
+ </p>
+ <p>
+ The fever of passion which possessed Theodore made a year fly over the
+ young couple without a single cloud to dim the blue sky under which they
+ lived. Life did not hang heavy on the lovers&rsquo; hands. Theodore lavished on
+ every day inexhaustible <i>fioriture</i> of enjoyment, and he delighted to
+ vary the transports of passion by the soft languor of those hours of
+ repose when souls soar so high that they seem to have forgotten all bodily
+ union. Augustine was too happy for reflection; she floated on an
+ undulating tide of rapture; she thought she could not do enough by
+ abandoning herself to sanctioned and sacred married love; simple and
+ artless, she had no coquetry, no reserves, none of the dominion which a
+ worldly-minded girl acquires over her husband by ingenious caprice; she
+ loved too well to calculate for the future, and never imagined that so
+ exquisite a life could come to an end. Happy in being her husband&rsquo;s sole
+ delight, she believed that her inextinguishable love would always be her
+ greatest grace in his eyes, as her devotion and obedience would be a
+ perennial charm. And, indeed, the ecstasy of love had made her so
+ brilliantly lovely that her beauty filled her with pride, and gave her
+ confidence that she could always reign over a man so easy to kindle as
+ Monsieur de Sommervieux. Thus her position as a wife brought her no
+ knowledge but the lessons of love.
+ </p>
+ <p>
+ In the midst of her happiness, she was still the simple child who had
+ lived in obscurity in the Rue Saint-Denis, and who never thought of
+ acquiring the manners, the information, the tone of the world she had to
+ live in. Her words being the words of love, she revealed in them, no
+ doubt, a certain pliancy of mind and a certain refinement of speech; but
+ she used the language common to all women when they find themselves
+ plunged in passion, which seems to be their element. When, by chance,
+ Augustine expressed an idea that did not harmonize with Theodore&rsquo;s, the
+ young artist laughed, as we laugh at the first mistakes of a foreigner,
+ though they end by annoying us if they are not corrected.
+ </p>
+ <p>
+ In spite of all this love-making, by the end of this year, as delightful
+ as it was swift, Sommervieux felt one morning the need for resuming his
+ work and his old habits. His wife was expecting their first child. He saw
+ some friends again. During the tedious discomforts of the year when a
+ young wife is nursing an infant for the first time, he worked, no doubt,
+ with zeal, but he occasionally sought diversion in the fashionable world.
+ The house which he was best pleased to frequent was that of the Duchesse
+ de Carigliano, who had at last attracted the celebrated artist to her
+ parties. When Augustine was quite well again, and her boy no longer
+ required the assiduous care which debars a mother from social pleasures,
+ Theodore had come to the stage of wishing to know the joys of satisfied
+ vanity to be found in society by a man who shows himself with a handsome
+ woman, the object of envy and admiration.
+ </p>
+ <p>
+ To figure in drawing-rooms with the reflected lustre of her husband&rsquo;s
+ fame, and to find other women envious of her, was to Augustine a new
+ harvest of pleasures; but it was the last gleam of conjugal happiness. She
+ first wounded her husband&rsquo;s vanity when, in spite of vain efforts, she
+ betrayed her ignorance, the inelegance of her language, and the narrowness
+ of her ideas. Sommervieux&rsquo;s nature, subjugated for nearly two years and a
+ half by the first transports of love, now, in the calm of less new
+ possession, recovered its bent and habits, for a while diverted from their
+ channel. Poetry, painting, and the subtle joys of imagination have
+ inalienable rights over a lofty spirit. These cravings of a powerful soul
+ had not been starved in Theodore during these two years; they had only
+ found fresh pasture. As soon as the meadows of love had been ransacked,
+ and the artist had gathered roses and cornflowers as the children do, so
+ greedily that he did not see that his hands could hold no more, the scene
+ changed. When the painter showed his wife the sketches for his finest
+ compositions he heard her exclaim, as her father had done, &ldquo;How pretty!&rdquo;
+ This tepid admiration was not the outcome of conscientious feeling, but of
+ her faith on the strength of love.
+ </p>
+ <p>
+ Augustine cared more for a look than for the finest picture. The only
+ sublime she knew was that of the heart. At last Theodore could not resist
+ the evidence of the cruel fact&mdash;his wife was insensible to poetry,
+ she did not dwell in his sphere, she could not follow him in all his
+ vagaries, his inventions, his joys and his sorrows; she walked groveling
+ in the world of reality, while his head was in the skies. Common minds
+ cannot appreciate the perennial sufferings of a being who, while bound to
+ another by the most intimate affections, is obliged constantly to suppress
+ the dearest flights of his soul, and to thrust down into the void those
+ images which a magic power compels him to create. To him the torture is
+ all the more intolerable because his feeling towards his companion
+ enjoins, as its first law, that they should have no concealments, but
+ mingle the aspirations of their thought as perfectly as the effusions of
+ their soul. The demands of nature are not to be cheated. She is as
+ inexorable as necessity, which is, indeed, a sort of social nature.
+ Sommervieux took refuge in the peace and silence of his studio, hoping
+ that the habit of living with artists might mould his wife and develop in
+ her the dormant germs of lofty intelligence which some superior minds
+ suppose must exist in every being. But Augustine was too sincerely
+ religious not to take fright at the tone of artists. At the first dinner
+ Theodore gave, she heard a young painter say, with the childlike
+ lightness, which to her was unintelligible, and which redeems a jest from
+ the taint of profanity, &ldquo;But, madame, your Paradise cannot be more
+ beautiful than Raphael&rsquo;s Transfiguration!&mdash;Well, and I got tired of
+ looking at that.&rdquo;
+ </p>
+ <p>
+ Thus Augustine came among this sparkling set in a spirit of distrust which
+ no one could fail to see. She was a restraint on their freedom. Now an
+ artist who feels restraint is pitiless; he stays away, or laughs it to
+ scorn. Madame Guillaume, among other absurdities, had an excessive notion
+ of the dignity she considered the prerogative of a married woman; and
+ Augustine, though she had often made fun of it, could not help a slight
+ imitation of her mother&rsquo;s primness. This extreme propriety, which virtuous
+ wives do not always avoid, suggested a few epigrams in the form of
+ sketches, in which the harmless jest was in such good taste that
+ Sommervieux could not take offence; and even if they had been more severe,
+ these pleasantries were after all only reprisals from his friends. Still,
+ nothing could seem a trifle to a spirit so open as Theodore&rsquo;s to
+ impressions from without. A coldness insensibly crept over him, and
+ inevitably spread. To attain conjugal happiness we must climb a hill whose
+ summit is a narrow ridge, close to a steep and slippery descent: the
+ painter&rsquo;s love was falling down it. He regarded his wife as incapable of
+ appreciating the moral considerations which justified him in his own eyes
+ for his singular behavior to her, and believed himself quite innocent in
+ hiding from her thoughts she could not enter into, and peccadilloes
+ outside the jurisdiction of a <i>bourgeois</i> conscience. Augustine
+ wrapped herself in sullen and silent grief. These unconfessed feelings
+ placed a shroud between the husband and wife which could not fail to grow
+ thicker day by day. Though her husband never failed in consideration for
+ her, Augustine could not help trembling as she saw that he kept for the
+ outer world those treasures of wit and grace that he formerly would lay at
+ her feet. She soon began to find sinister meaning in the jocular speeches
+ that are current in the world as to the inconstancy of men. She made no
+ complaints, but her demeanor conveyed reproach.
+ </p>
+ <p>
+ Three years after her marriage this pretty young woman, who dashed past in
+ her handsome carriage, and lived in a sphere of glory and riches to the
+ envy of heedless folk incapable of taking a just view of the situations of
+ life, was a prey to intense grief. She lost her color; she reflected; she
+ made comparisons; then sorrow unfolded to her the first lessons of
+ experience. She determined to restrict herself bravely within the round of
+ duty, hoping that by this generous conduct she might sooner or later win
+ back her husband&rsquo;s love. But it was not so. When Sommervieux, fired with
+ work, came in from his studio, Augustine did not put away her work so
+ quickly but that the painter might find his wife mending the household
+ linen, and his own, with all the care of a good housewife. She supplied
+ generously and without a murmur the money needed for his lavishness; but
+ in her anxiety to husband her dear Theodore&rsquo;s fortune, she was strictly
+ economical for herself and in certain details of domestic management. Such
+ conduct is incompatible with the easy-going habits of artists, who, at the
+ end of their life, have enjoyed it so keenly that they never inquire into
+ the causes of their ruin.
+ </p>
+ <p>
+ It is useless to note every tint of shadow by which the brilliant hues of
+ their honeymoon were overcast till they were lost in utter blackness. One
+ evening poor Augustine, who had for some time heard her husband speak with
+ enthusiasm of the Duchesse de Carigliano, received from a friend certain
+ malignantly charitable warnings as to the nature of the attachment which
+ Sommervieux had formed for this celebrated flirt of the Imperial Court. At
+ one-and-twenty, in all the splendor of youth and beauty, Augustine saw
+ herself deserted for a woman of six-and-thirty. Feeling herself so
+ wretched in the midst of a world of festivity which to her was a blank,
+ the poor little thing could no longer understand the admiration she
+ excited, or the envy of which she was the object. Her face assumed a
+ different expression. Melancholy, tinged her features with the sweetness
+ of resignation and the pallor of scorned love. Ere long she too was
+ courted by the most fascinating men; but she remained lonely and virtuous.
+ Some contemptuous words which escaped her husband filled her with
+ incredible despair. A sinister flash showed her the breaches which, as a
+ result of her sordid education, hindered the perfect union of her soul
+ with Theodore&rsquo;s; she loved him well enough to absolve him and condemn
+ herself. She shed tears of blood, and perceived, too late, that there are
+ <i>mesalliances</i> of the spirit as well as of rank and habits. As she
+ recalled the early raptures of their union, she understood the full extent
+ of that lost happiness, and accepted the conclusion that so rich a harvest
+ of love was in itself a whole life, which only sorrow could pay for. At
+ the same time, she loved too truly to lose all hope. At one-and-twenty she
+ dared undertake to educate herself, and make her imagination, at least,
+ worthy of that she admired. &ldquo;If I am not a poet,&rdquo; thought she, &ldquo;at any
+ rate, I will understand poetry.&rdquo;
+ </p>
+ <p>
+ Then, with all the strength of will, all the energy which every woman can
+ display when she loves, Madame de Sommervieux tried to alter her
+ character, her manners, and her habits; but by dint of devouring books and
+ learning undauntedly, she only succeeded in becoming less ignorant.
+ Lightness of wit and the graces of conversation are a gift of nature, or
+ the fruit of education begun in the cradle. She could appreciate music and
+ enjoy it, but she could not sing with taste. She understood literature and
+ the beauties of poetry, but it was too late to cultivate her refractory
+ memory. She listened with pleasure to social conversation, but she could
+ contribute nothing brilliant. Her religious notions and home-grown
+ prejudices were antagonistic to the complete emancipation of her
+ intelligence. Finally, a foregone conclusion against her had stolen into
+ Theodore&rsquo;s mind, and this she could not conquer. The artist would laugh,
+ at those who flattered him about his wife, and his irony had some
+ foundation; he so overawed the pathetic young creature that, in his
+ presence, or alone with him, she trembled. Hampered by her too eager
+ desire to please, her wits and her knowledge vanished in one absorbing
+ feeling. Even her fidelity vexed the unfaithful husband, who seemed to bid
+ her do wrong by stigmatizing her virtue as insensibility. Augustine tried
+ in vain to abdicate her reason, to yield to her husband&rsquo;s caprices and
+ whims, to devote herself to the selfishness of his vanity. Her sacrifices
+ bore no fruit. Perhaps they had both let the moment slip when souls may
+ meet in comprehension. One day the young wife&rsquo;s too sensitive heart
+ received one of those blows which so strain the bonds of feeling that they
+ seem to be broken. She withdrew into solitude. But before long a fatal
+ idea suggested to her to seek counsel and comfort in the bosom of her
+ family.
+ </p>
+ <p>
+ So one morning she made her way towards the grotesque facade of the
+ humble, silent home where she had spent her childhood. She sighed as she
+ looked up at the sash-window, whence one day she had sent her first kiss
+ to him who now shed as much sorrow as glory on her life. Nothing was
+ changed in the cavern, where the drapery business had, however, started on
+ a new life. Augustine&rsquo;s sister filled her mother&rsquo;s old place at the desk.
+ The unhappy young woman met her brother-in-law with his pen behind his
+ ear; he hardly listened to her, he was so full of business. The formidable
+ symptoms of stock-taking were visible all round him; he begged her to
+ excuse him. She was received coldly enough by her sister, who owed her a
+ grudge. In fact, Augustine, in her finery, and stepping out of a handsome
+ carriage, had never been to see her but when passing by. The wife of the
+ prudent Lebas, imagining that want of money was the prime cause of this
+ early call, tried to keep up a tone of reserve which more than once made
+ Augustine smile. The painter&rsquo;s wife perceived that, apart from the cap and
+ lappets, her mother had found in Virginie a successor who could uphold the
+ ancient honor of the Cat and Racket. At breakfast she observed certain
+ changes in the management of the house which did honor to Lebas&rsquo; good
+ sense; the assistants did not rise before dessert; they were allowed to
+ talk, and the abundant meal spoke of ease without luxury. The fashionable
+ woman found some tickets for a box at the Francais, where she remembered
+ having seen her sister from time to time. Madame Lebas had a cashmere
+ shawl over her shoulders, of which the value bore witness to her husband&rsquo;s
+ generosity to her. In short, the couple were keeping pace with the times.
+ During the two-thirds of the day she spent there, Augustine was touched to
+ the heart by the equable happiness, devoid, to be sure, of all emotion,
+ but equally free from storms, enjoyed by this well-matched couple. They
+ had accepted life as a commercial enterprise, in which, above all, they
+ must do credit to the business. Not finding any great love in her husband,
+ Virginie had set to work to create it. Having by degrees learned to esteem
+ and care for his wife, the time that his happiness had taken to germinate
+ was to Joseph Lebas a guarantee of its durability. Hence, when Augustine
+ plaintively set forth her painful position, she had to face the deluge of
+ commonplace morality which the traditions of the Rue Saint-Denis furnished
+ to her sister.
+ </p>
+ <p>
+ &ldquo;The mischief is done, wife,&rdquo; said Joseph Lebas; &ldquo;we must try to give our
+ sister good advice.&rdquo; Then the clever tradesman ponderously analyzed the
+ resources which law and custom might offer Augustine as a means of escape
+ at this crisis; he ticketed every argument, so to speak, and arranged them
+ in their degrees of weight under various categories, as though they were
+ articles of merchandise of different qualities; then he put them in the
+ scale, weighed them, and ended by showing the necessity for his
+ sister-in-law&rsquo;s taking violent steps which could not satisfy the love she
+ still had for her husband; and, indeed, the feeling had revived in all its
+ strength when she heard Joseph Lebas speak of legal proceedings. Augustine
+ thanked them, and returned home even more undecided than she had been
+ before consulting them. She now ventured to go to the house in the Rue du
+ Colombier, intending to confide her troubles to her father and mother; for
+ she was like a sick man who, in his desperate plight, tries every
+ prescription, and even puts faith in old wives&rsquo; remedies.
+ </p>
+ <p>
+ The old people received their daughter with an effusiveness that touched
+ her deeply. Her visit brought them some little change, and that to them
+ was worth a fortune. For the last four years they had gone their way like
+ navigators without a goal or a compass. Sitting by the chimney corner,
+ they would talk over their disasters under the old law of <i>maximum</i>,
+ of their great investments in cloth, of the way they had weathered
+ bankruptcies, and, above all, the famous failure of Lecocq, Monsieur
+ Guillaume&rsquo;s battle of Marengo. Then, when they had exhausted the tale of
+ lawsuits, they recapitulated the sum total of their most profitable
+ stock-takings, and told each other old stories of the Saint-Denis quarter.
+ At two o&rsquo;clock old Guillaume went to cast an eye on the business at the
+ Cat and Racket; on his way back he called at all the shops, formerly the
+ rivals of his own, where the young proprietors hoped to inveigle the old
+ draper into some risky discount, which, as was his wont, he never refused
+ point-blank. Two good Normandy horses were dying of their own fat in the
+ stables of the big house; Madame Guillaume never used them but to drag her
+ on Sundays to high Mass at the parish church. Three times a week the
+ worthy couple kept open house. By the influence of his son-in-law
+ Sommervieux, Monsieur Guillaume had been named a member of the consulting
+ board for the clothing of the Army. Since her husband had stood so high in
+ office, Madame Guillaume had decided that she must receive; her rooms were
+ so crammed with gold and silver ornaments, and furniture, tasteless but of
+ undoubted value, that the simplest room in the house looked like a chapel.
+ Economy and expense seemed to be struggling for the upper hand in every
+ accessory. It was as though Monsieur Guillaume had looked to a good
+ investment, even in the purchase of a candlestick. In the midst of this
+ bazaar, where splendor revealed the owner&rsquo;s want of occupation,
+ Sommervieux&rsquo;s famous picture filled the place of honor, and in it Monsieur
+ and Madame Guillaume found their chief consolation, turning their eyes,
+ harnessed with eye-glasses, twenty times a day on this presentment of
+ their past life, to them so active and amusing. The appearance of this
+ mansion and these rooms, where everything had an aroma of staleness and
+ mediocrity, the spectacle offered by these two beings, cast away, as it
+ were, on a rock far from the world and the ideas which are life, startled
+ Augustine; she could here contemplate the sequel of the scene of which the
+ first part had struck her at the house of Lebas&mdash;a life of stir
+ without movement, a mechanical and instinctive existence like that of the
+ beaver; and then she felt an indefinable pride in her troubles, as she
+ reflected that they had their source in eighteen months of such happiness
+ as, in her eyes, was worth a thousand lives like this; its vacuity seemed
+ to her horrible. However, she concealed this not very charitable feeling,
+ and displayed for her parents her newly-acquired accomplishments of mind,
+ and the ingratiating tenderness that love had revealed to her, disposing
+ them to listen to her matrimonial grievances. Old people have a weakness
+ for this kind of confidence. Madame Guillaume wanted to know the most
+ trivial details of that alien life, which to her seemed almost fabulous.
+ The travels of Baron da la Houtan, which she began again and again and
+ never finished, told her nothing more unheard-of concerning the Canadian
+ savages.
+ </p>
+ <p>
+ &ldquo;What, child, your husband shuts himself into a room with naked women! And
+ you are so simple as to believe that he draws them?&rdquo;
+ </p>
+ <p>
+ As she uttered this exclamation, the grandmother laid her spectacles on a
+ little work-table, shook her skirts, and clasped her hands on her knees,
+ raised by a foot-warmer, her favorite pedestal.
+ </p>
+ <p>
+ &ldquo;But, mother, all artists are obliged to have models.&rdquo;
+ </p>
+ <p>
+ &ldquo;He took good care not to tell us that when he asked leave to marry you.
+ If I had known it, I would never had given my daughter to a man who
+ followed such a trade. Religion forbids such horrors; they are immoral.
+ And at what time of night do you say he comes home?&rdquo;
+ </p>
+ <p>
+ &ldquo;At one o&rsquo;clock&mdash;two&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ The old folks looked at each other in utter amazement.
+ </p>
+ <p>
+ &ldquo;Then he gambles?&rdquo; said Monsieur Guillaume. &ldquo;In my day only gamblers
+ stayed out so late.&rdquo;
+ </p>
+ <p>
+ Augustine made a face that scorned the accusation.
+ </p>
+ <p>
+ &ldquo;He must keep you up through dreadful nights waiting for him,&rdquo; said Madame
+ Guillaume. &ldquo;But you go to bed, don&rsquo;t you? And when he has lost, the wretch
+ wakes you.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, mamma, on the contrary, he is sometimes in very good spirits. Not
+ unfrequently, indeed, when it is fine, he suggests that I should get up
+ and go into the woods.&rdquo;
+ </p>
+ <p>
+ &ldquo;The woods! At that hour? Then have you such a small set of rooms that his
+ bedroom and his sitting-room are not enough, and that he must run about?
+ But it is just to give you cold that the wretch proposes such expeditions.
+ He wants to get rid of you. Did one ever hear of a man settled in life, a
+ well-behaved, quiet man galloping about like a warlock?&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my dear mother, you do not understand that he must have excitement
+ to fire his genius. He is fond of scenes which&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I would make scenes for him, fine scenes!&rdquo; cried Madame Guillaume,
+ interrupting her daughter. &ldquo;How can you show any consideration to such a
+ man? In the first place, I don&rsquo;t like his drinking water only; it is not
+ wholesome. Why does he object to see a woman eating? What queer notion is
+ that! But he is mad. All you tell us about him is impossible. A man cannot
+ leave his home without a word, and never come back for ten days. And then
+ he tells you he has been to Dieppe to paint the sea. As if any one painted
+ the sea! He crams you with a pack of tales that are too absurd.&rdquo;
+ </p>
+ <p>
+ Augustine opened her lips to defend her husband; but Madame Guillaume
+ enjoined silence with a wave of her hand, which she obeyed by a survival
+ of habit, and her mother went on in harsh tones: &ldquo;Don&rsquo;t talk to me about
+ the man! He never set foot in church excepting to see you and to be
+ married. People without religion are capable of anything. Did Guillaume
+ ever dream of hiding anything from me, of spending three days without
+ saying a word to me, and of chattering afterwards like a blind magpie?&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear mother, you judge superior people too severely. If their ideas
+ were the same as other folks&rsquo;, they would not be men of genius.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, then let men of genius stop at home and not get married. What!
+ A man of genius is to make his wife miserable? And because he is a genius
+ it is all right! Genius, genius! It is not so very clever to say black one
+ minute and white the next, as he does, to interrupt other people, to dance
+ such rigs at home, never to let you know which foot you are to stand on,
+ to compel his wife never to be amused unless my lord is in gay spirits,
+ and to be dull when he is dull.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, mother, the very nature of such imaginations&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What are such &lsquo;imaginations&rsquo;?&rdquo; Madame Guillaume went on, interrupting her
+ daughter again. &ldquo;Fine ones his are, my word! What possesses a man that all
+ on a sudden, without consulting a doctor, he takes it into his head to eat
+ nothing but vegetables? If indeed it were from religious motives, it might
+ do him some good&mdash;but he has no more religion than a Huguenot. Was
+ there ever a man known who, like him, loved horses better than his
+ fellow-creatures, had his hair curled like a heathen, laid statues under
+ muslin coverlets, shut his shutters in broad day to work by lamp-light?
+ There, get along; if he were not so grossly immoral, he would be fit to
+ shut up in a lunatic asylum. Consult Monsieur Loraux, the priest at Saint
+ Sulpice, ask his opinion about it all, and he will tell you that your
+ husband, does not behave like a Christian.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, mother, can you believe&mdash;&mdash;?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I do believe. You loved him, and you can see none of these things.
+ But I can remember in the early days after your marriage. I met him in the
+ Champs-Elysees. He was on horseback. Well, at one minute he was galloping
+ as hard as he could tear, and then pulled up to a walk. I said to myself
+ at that moment, &lsquo;There is a man devoid of judgement.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, ha!&rdquo; cried Monsieur Guillaume, &ldquo;how wise I was to have your money
+ settled on yourself with such a queer fellow for a husband!&rdquo;
+ </p>
+ <p>
+ When Augustine was so imprudent as to set forth her serious grievances
+ against her husband, the two old people were speechless with indignation.
+ But the word &ldquo;divorce&rdquo; was ere long spoken by Madame Guillaume. At the
+ sound of the word divorce the apathetic old draper seemed to wake up.
+ Prompted by his love for his daughter, and also by the excitement which
+ the proceedings would bring into his uneventful life, father Guillaume
+ took up the matter. He made himself the leader of the application for a
+ divorce, laid down the lines of it, almost argued the case; he offered to
+ be at all the charges, to see the lawyers, the pleaders, the judges, to
+ move heaven and earth. Madame de Sommervieux was frightened, she refused
+ her father&rsquo;s services, said she would not be separated from her husband
+ even if she were ten times as unhappy, and talked no more about her
+ sorrows. After being overwhelmed by her parents with all the little
+ wordless and consoling kindnesses by which the old couple tried in vain to
+ make up to her for her distress of heart, Augustine went away, feeling the
+ impossibility of making a superior mind intelligible to weak intellects.
+ She had learned that a wife must hide from every one, even from her
+ parents, woes for which it is so difficult to find sympathy. The storms
+ and sufferings of the upper spheres are appreciated only by the lofty
+ spirits who inhabit there. In any circumstance we can only be judged by
+ our equals.
+ </p>
+ <p>
+ Thus poor Augustine found herself thrown back on the horror of her
+ meditations, in the cold atmosphere of her home. Study was indifferent to
+ her, since study had not brought her back her husband&rsquo;s heart. Initiated
+ into the secret of these souls of fire, but bereft of their resources, she
+ was compelled to share their sorrows without sharing their pleasures. She
+ was disgusted with the world, which to her seemed mean and small as
+ compared with the incidents of passion. In short, her life was a failure.
+ </p>
+ <p>
+ One evening an idea flashed upon her that lighted up her dark grief like a
+ beam from heaven. Such an idea could never have smiled on a heart less
+ pure, less virtuous than hers. She determined to go to the Duchesse de
+ Carigliano, not to ask her to give her back her husband&rsquo;s heart, but to
+ learn the arts by which it had been captured; to engage the interest of
+ this haughty fine lady for the mother of her lover&rsquo;s children; to appeal
+ to her and make her the instrument of her future happiness, since she was
+ the cause of her present wretchedness.
+ </p>
+ <p>
+ So one day Augustine, timid as she was, but armed with supernatural
+ courage, got into her carriage at two in the afternoon to try for
+ admittance to the boudoir of the famous coquette, who was never visible
+ till that hour. Madame de Sommervieux had not yet seen any of the ancient
+ and magnificent mansions of the Faubourg Saint-Germain. As she made her
+ way through the stately corridors, the handsome staircases, the vast
+ drawing-rooms&mdash;full of flowers, though it was in the depth of winter,
+ and decorated with the taste peculiar to women born to opulence or to the
+ elegant habits of the aristocracy, Augustine felt a terrible clutch at her
+ heart; she coveted the secrets of an elegance of which she had never had
+ an idea; she breathed in an air of grandeur which explained the attraction
+ of the house for her husband. When she reached the private rooms of the
+ Duchess she was filled with jealousy and a sort of despair, as she admired
+ the luxurious arrangement of the furniture, the draperies and the
+ hangings. Here disorder was a grace, here luxury affected a certain
+ contempt of splendor. The fragrance that floated in the warm air flattered
+ the sense of smell without offending it. The accessories of the rooms were
+ in harmony with a view, through plate-glass windows, of the lawns in a
+ garden planted with evergreen trees. It was all bewitching, and the art of
+ it was not perceptible. The whole spirit of the mistress of these rooms
+ pervaded the drawing-room where Augustine awaited her. She tried to divine
+ her rival&rsquo;s character from the aspect of the scattered objects; but there
+ was here something as impenetrable in the disorder as in the symmetry, and
+ to the simple-minded young wife all was a sealed letter. All that she
+ could discern was that, as a woman, the Duchess was a superior person.
+ Then a painful thought came over her.
+ </p>
+ <p>
+ &ldquo;Alas! And is it true,&rdquo; she wondered, &ldquo;that a simple and loving heart is
+ not all-sufficient to an artist; that to balance the weight of these
+ powerful souls they need a union with feminine souls of a strength equal
+ to their own? If I had been brought up like this siren, our weapons at
+ least might have been equal in the hour of struggle.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I am not at home!&rdquo; The sharp, harsh words, though spoken in an
+ undertone in the adjoining boudoir, were heard by Augustine, and her heart
+ beat violently.
+ </p>
+ <p>
+ &ldquo;The lady is in there,&rdquo; replied the maid.
+ </p>
+ <p>
+ &ldquo;You are an idiot! Show her in,&rdquo; replied the Duchess, whose voice was
+ sweeter, and had assumed the dulcet tones of politeness. She evidently now
+ meant to be heard.
+ </p>
+ <p>
+ Augustine shyly entered the room. At the end of the dainty boudoir she saw
+ the Duchess lounging luxuriously on an ottoman covered with brown velvet
+ and placed in the centre of a sort of apse outlined by soft folds of white
+ muslin over a yellow lining. Ornaments of gilt bronze, arranged with
+ exquisite taste, enhanced this sort of dais, under which the Duchess
+ reclined like a Greek statue. The dark hue of the velvet gave relief to
+ every fascinating charm. A subdued light, friendly to her beauty, fell
+ like a reflection rather than a direct illumination. A few rare flowers
+ raised their perfumed heads from costly Sevres vases. At the moment when
+ this picture was presented to Augustine&rsquo;s astonished eyes, she was
+ approaching so noiselessly that she caught a glance from those of the
+ enchantress. This look seemed to say to some one whom Augustine did not at
+ first perceive, &ldquo;Stay; you will see a pretty woman, and make her visit
+ seem less of a bore.&rdquo;
+ </p>
+ <p>
+ On seeing Augustine, the Duchess rose and made her sit down by her.
+ </p>
+ <p>
+ &ldquo;And to what do I owe the pleasure of this visit, madame?&rdquo; she said with a
+ most gracious smile.
+ </p>
+ <p>
+ &ldquo;Why all the falseness?&rdquo; thought Augustine, replying only with a bow.
+ </p>
+ <p>
+ Her silence was compulsory. The young woman saw before her a superfluous
+ witness of the scene. This personage was, of all the Colonels in the army,
+ the youngest, the most fashionable, and the finest man. His face, full of
+ life and youth, but already expressive, was further enhanced by a small
+ moustache twirled up into points, and as black as jet, by a full imperial,
+ by whiskers carefully combed, and a forest of black hair in some disorder.
+ He was whisking a riding whip with an air of ease and freedom which suited
+ his self-satisfied expression and the elegance of his dress; the ribbons
+ attached to his button-hole were carelessly tied, and he seemed to pride
+ himself much more on his smart appearance than on his courage. Augustine
+ looked at the Duchesse de Carigliano, and indicated the Colonel by a
+ sidelong glance. All its mute appeal was understood.
+ </p>
+ <p>
+ &ldquo;Good-bye, then, Monsieur d&rsquo;Aiglemont, we shall meet in the Bois de
+ Boulogne.&rdquo;
+ </p>
+ <p>
+ These words were spoken by the siren as though they were the result of an
+ agreement made before Augustine&rsquo;s arrival, and she winged them with a
+ threatening look that the officer deserved perhaps for the admiration he
+ showed in gazing at the modest flower, which contrasted so well with the
+ haughty Duchess. The young fop bowed in silence, turned on the heels of
+ his boots, and gracefully quitted the boudoir. At this instant, Augustine,
+ watching her rival, whose eyes seemed to follow the brilliant officer,
+ detected in that glance a sentiment of which the transient expression is
+ known to every woman. She perceived with the deepest anguish that her
+ visit would be useless; this lady, full of artifice, was too greedy of
+ homage not to have a ruthless heart.
+ </p>
+ <p>
+ &ldquo;Madame,&rdquo; said Augustine in a broken voice, &ldquo;the step I am about to take
+ will seem to you very strange; but there is a madness of despair which
+ ought to excuse anything. I understand only too well why Theodore prefers
+ your house to any other, and why your mind has so much power over his.
+ Alas! I have only to look into myself to find more than ample reasons. But
+ I am devoted to my husband, madame. Two years of tears have not effaced
+ his image from my heart, though I have lost his. In my folly I dared to
+ dream of a contest with you; and I have come to you to ask you by what
+ means I may triumph over yourself. Oh, madame,&rdquo; cried the young wife,
+ ardently seizing the hand which her rival allowed her to hold, &ldquo;I will
+ never pray to God for my own happiness with so much fervor as I will
+ beseech Him for yours, if you will help me to win back Sommervieux&rsquo;s
+ regard&mdash;I will not say his love. I have no hope but in you. Ah! tell
+ me how you could please him, and make him forget the first days&mdash;&mdash;&rdquo;
+ At these words Augustine broke down, suffocated with sobs she could not
+ suppress. Ashamed of her weakness, she hid her face in her handkerchief,
+ which she bathed with tears.
+ </p>
+ <p>
+ &ldquo;What a child you are, my dear little beauty!&rdquo; said the Duchess, carried
+ away by the novelty of such a scene, and touched, in spite of herself, at
+ receiving such homage from the most perfect virtue perhaps in Paris. She
+ took the young wife&rsquo;s handkerchief, and herself wiped the tears from her
+ eyes, soothing her by a few monosyllables murmured with gracious
+ compassion. After a moment&rsquo;s silence the Duchess, grasping poor
+ Augustine&rsquo;s hands in both her own&mdash;hands that had a rare character of
+ dignity and powerful beauty&mdash;said in a gentle and friendly voice: &ldquo;My
+ first warning is to advise you not to weep so bitterly; tears are
+ disfiguring. We must learn to deal firmly with the sorrows that make us
+ ill, for love does not linger long by a sick-bed. Melancholy, at first, no
+ doubt, lends a certain attractive grace, but it ends by dragging the
+ features and blighting the loveliest face. And besides, our tyrants are so
+ vain as to insist that their slaves should be always cheerful.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, madame, it is not in my power not to feel. How is it possible,
+ without suffering a thousand deaths, to see the face which once beamed
+ with love and gladness turn chill, colorless, and indifferent? I cannot
+ control my heart!&rdquo;
+ </p>
+ <p>
+ &ldquo;So much the worse, sweet child. But I fancy I know all your story. In the
+ first place, if your husband is unfaithful to you, understand clearly that
+ I am not his accomplice. If I was anxious to have him in my drawing-room,
+ it was, I own, out of vanity; he was famous, and he went nowhere. I like
+ you too much already to tell you all the mad things he has done for my
+ sake. I will only reveal one, because it may perhaps help us to bring him
+ back to you, and to punish him for the audacity of his behavior to me. He
+ will end by compromising me. I know the world too well, my dear, to
+ abandon myself to the discretion of a too superior man. You should know
+ that one may allow them to court one, but marry them&mdash;that is a
+ mistake! We women ought to admire men of genius, and delight in them as a
+ spectacle, but as to living with them? Never.&mdash;No, no. It is like
+ wanting to find pleasure in inspecting the machinery of the opera instead
+ of sitting in a box to enjoy its brilliant illusions. But this misfortune
+ has fallen on you, my poor child, has it not? Well, then, you must try to
+ arm yourself against tyranny.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, madame, before coming in here, only seeing you as I came in, I
+ already detected some arts of which I had no suspicion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, come and see me sometimes, and it will not be long before you have
+ mastered the knowledge of these trifles, important, too, in their way.
+ Outward things are, to fools, half of life; and in that matter more than
+ one clever man is a fool, in spite of all his talent. But I dare wager you
+ never could refuse your Theodore anything!&rdquo;
+ </p>
+ <p>
+ &ldquo;How refuse anything, madame, if one loves a man?&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor innocent, I could adore you for your simplicity. You should know
+ that the more we love the less we should allow a man, above all, a
+ husband, to see the whole extent of our passion. The one who loves most is
+ tyrannized over, and, which is worse, is sooner or later neglected. The
+ one who wishes to rule should&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What, madame, must I then dissimulate, calculate, become false, form an
+ artificial character, and live in it? How is it possible to live in such a
+ way? Can you&mdash;&mdash;&rdquo; she hesitated; the Duchess smiled.
+ </p>
+ <p>
+ &ldquo;My dear child,&rdquo; the great lady went on in a serious tone, &ldquo;conjugal
+ happiness has in all times been a speculation, a business demanding
+ particular attention. If you persist in talking passion while I am talking
+ marriage, we shall soon cease to understand each other. Listen to me,&rdquo; she
+ went on, assuming a confidential tone. &ldquo;I have been in the way of seeing
+ some of the superior men of our day. Those who have married have for the
+ most part chosen quite insignificant wives. Well, those wives governed
+ them, as the Emperor governs us; and if they were not loved, they were at
+ least respected. I like secrets&mdash;especially those which concern women&mdash;well
+ enough to have amused myself by seeking the clue to the riddle. Well, my
+ sweet child, those worthy women had the gift of analyzing their husbands&rsquo;
+ nature; instead of taking fright, like you, at their superiority, they
+ very acutely noted the qualities they lacked, and either by possessing
+ those qualities, or by feigning to possess them, they found means of
+ making such a handsome display of them in their husbands&rsquo; eyes that in the
+ end they impressed them. Also, I must tell you, all these souls which
+ appear so lofty have just a speck of madness in them, which we ought to
+ know how to take advantage of. By firmly resolving to have the upper hand
+ and never deviating from that aim, by bringing all our actions to bear on
+ it, all our ideas, our cajolery, we subjugate these eminently capricious
+ natures, which, by the very mutability of their thoughts, lend us the
+ means of influencing them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good heavens!&rdquo; cried the young wife in dismay. &ldquo;And this is life. It is a
+ warfare&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;In which we must always threaten,&rdquo; said the Duchess, laughing. &ldquo;Our power
+ is wholly factitious. And we must never allow a man to despise us; it is
+ impossible to recover from such a descent but by odious manoeuvring.
+ Come,&rdquo; she added, &ldquo;I will give you a means of bringing your husband to his
+ senses.&rdquo;
+ </p>
+ <p>
+ She rose with a smile to guide the young and guileless apprentice to
+ conjugal arts through the labyrinth of her palace. They came to a
+ back-staircase, which led up to the reception rooms. As Madame de
+ Carigliano pressed the secret springlock of the door she stopped, looking
+ at Augustine with an inimitable gleam of shrewdness and grace. &ldquo;The Duc de
+ Carigliano adores me,&rdquo; said she. &ldquo;Well, he dare not enter by this door
+ without my leave. And he is a man in the habit of commanding thousands of
+ soldiers. He knows how to face a battery, but before me,&mdash;he is
+ afraid!&rdquo;
+ </p>
+ <p>
+ Augustine sighed. They entered a sumptuous gallery, where the painter&rsquo;s
+ wife was led by the Duchess up to the portrait painted by Theodore of
+ Mademoiselle Guillaume. On seeing it, Augustine uttered a cry.
+ </p>
+ <p>
+ &ldquo;I knew it was no longer in my house,&rdquo; she said, &ldquo;but&mdash;here!&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear child, I asked for it merely to see what pitch of idiocy a man of
+ genius may attain to. Sooner or later I should have returned it to you,
+ for I never expected the pleasure of seeing the original here face to face
+ with the copy. While we finish our conversation I will have it carried
+ down to your carriage. And if, armed with such a talisman, you are not
+ your husband&rsquo;s mistress for a hundred years, you are not a woman, and you
+ deserve your fate.&rdquo;
+ </p>
+ <p>
+ Augustine kissed the Duchess&rsquo; hand, and the lady clasped her to her heart,
+ with all the more tenderness because she would forget her by the morrow.
+ This scene might perhaps have destroyed for ever the candor and purity of
+ a less virtuous woman than Augustine, for the astute politics of the
+ higher social spheres were no more consonant to Augustine than the narrow
+ reasoning of Joseph Lebas, or Madame Guillaume&rsquo;s vapid morality. Strange
+ are the results of the false positions into which we may be brought by the
+ slightest mistake in the conduct of life! Augustine was like an Alpine
+ cowherd surprised by an avalanche; if he hesitates, if he listens to the
+ shouts of his comrades, he is almost certainly lost. In such a crisis the
+ heart steels itself or breaks.
+ </p>
+ <p>
+ Madame de Sommervieux returned home a prey to such agitation as it is
+ difficult to describe. Her conversation with the Duchesse de Carigliano
+ had roused in her mind a crowd of contradictory thoughts. Like the sheep
+ in the fable, full of courage in the wolf&rsquo;s absence, she preached to
+ herself, and laid down admirable plans of conduct; she devised a thousand
+ coquettish stratagems; she even talked to her husband, finding, away from
+ him, all the springs of true eloquence which never desert a woman; then,
+ as she pictured to herself Theodore&rsquo;s clear and steadfast gaze, she began
+ to quake. When she asked whether monsieur were at home her voice shook. On
+ learning that he would not be in to dinner, she felt an unaccountable
+ thrill of joy. Like a criminal who has appealed against sentence of death,
+ a respite, however short, seemed to her a lifetime. She placed the
+ portrait in her room, and waited for her husband in all the agonies of
+ hope. That this venture must decide her future life, she felt too keenly
+ not to shiver at every sound, even the low ticking of the clock, which
+ seemed to aggravate her terrors by doling them out to her. She tried to
+ cheat time by various devices. The idea struck her of dressing in a way
+ which would make her exactly like the portrait. Then, knowing her
+ husband&rsquo;s restless temper, she had her room lighted up with unusual
+ brightness, feeling sure that when he came in curiosity would bring him
+ there at once. Midnight had struck when, at the call of the groom, the
+ street gate was opened, and the artist&rsquo;s carriage rumbled in over the
+ stones of the silent courtyard.
+ </p>
+ <p>
+ &ldquo;What is the meaning of this illumination?&rdquo; asked Theodore in glad tones,
+ as he came into her room.
+ </p>
+ <p>
+ Augustine skilfully seized the auspicious moment; she threw herself into
+ her husband&rsquo;s arms, and pointed to the portrait. The artist stood rigid as
+ a rock, and his eyes turned alternately on Augustine, on the accusing
+ dress. The frightened wife, half-dead, as she watched her husband&rsquo;s
+ changeful brow&mdash;that terrible brow&mdash;saw the expressive furrows
+ gathering like clouds; then she felt her blood curdling in her veins when,
+ with a glaring look, and in a deep hollow voice, he began to question her:
+ </p>
+ <p>
+ &ldquo;Where did you find that picture?&rdquo;
+ </p>
+ <p>
+ &ldquo;The Duchess de Carigliano returned it to me.&rdquo;
+ </p>
+ <p>
+ &ldquo;You asked her for it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did not know that she had it.&rdquo;
+ </p>
+ <p>
+ The gentleness, or rather the exquisite sweetness of this angel&rsquo;s voice,
+ might have touched a cannibal, but not an artist in the clutches of
+ wounded vanity.
+ </p>
+ <p>
+ &ldquo;It is worthy of her!&rdquo; exclaimed the painter in a voice of thunder. &ldquo;I
+ will be avenged!&rdquo; he cried, striding up and down the room. &ldquo;She shall die
+ of shame; I will paint her! Yes, I will paint her as Messalina stealing
+ out at night from the palace of Claudius.&rdquo;
+ </p>
+ <p>
+ &ldquo;Theodore!&rdquo; said a faint voice.
+ </p>
+ <p>
+ &ldquo;I will kill her!&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;She is in love with that little cavalry colonel, because he rides well&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Theodore!&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me be!&rdquo; said the painter in a tone almost like a roar.
+ </p>
+ <p>
+ It would be odious to describe the whole scene. In the end the frenzy of
+ passion prompted the artist to acts and words which any woman not so young
+ as Augustine would have ascribed to madness.
+ </p>
+ <p>
+ At eight o&rsquo;clock next morning Madame Guillaume, surprising her daughter,
+ found her pale, with red eyes, her hair in disorder, holding a
+ handkerchief soaked with tears, while she gazed at the floor strewn with
+ the torn fragments of a dress and the broken fragments of a large gilt
+ picture-frame. Augustine, almost senseless with grief, pointed to the
+ wreck with a gesture of deep despair.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know that the loss is very great!&rdquo; cried the old mistress of the
+ Cat and Racket. &ldquo;It was like you, no doubt; but I am told that there is a
+ man on the boulevard who paints lovely portraits for fifty crowns.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, mother!&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor child, you are quite right,&rdquo; replied Madame Guillaume, who
+ misinterpreted the expression of her daughter&rsquo;s glance at her. &ldquo;True, my
+ child, no one ever can love you as fondly as a mother. My darling, I guess
+ it all; but confide your sorrows to me, and I will comfort you. Did I not
+ tell you long ago that the man was mad! Your maid has told me pretty
+ stories. Why, he must be a perfect monster!&rdquo;
+ </p>
+ <p>
+ Augustine laid a finger on her white lips, as if to implore a moment&rsquo;s
+ silence. During this dreadful night misery had led her to that patient
+ resignation which in mothers and loving wives transcends in its effects
+ all human energy, and perhaps reveals in the heart of women the existence
+ of certain chords which God has withheld from men.
+ </p>
+ <p>
+ An inscription engraved on a broken column in the cemetery at Montmartre
+ states that Madame de Sommervieux died at the age of twenty-seven. In the
+ simple words of this epitaph one of the timid creature&rsquo;s friends can read
+ the last scene of a tragedy. Every year, on the second of November, the
+ solemn day of the dead, he never passes this youthful monument without
+ wondering whether it does not need a stronger woman than Augustine to
+ endure the violent embrace of genius?
+ </p>
+ <p>
+ &ldquo;The humble and modest flowers that bloom in the valley,&rdquo; he reflects,
+ &ldquo;perish perhaps when they are transplanted too near the skies, to the
+ region where storms gather and the sun is scorching.&rdquo;
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ ADDENDUM
+ </h2>
+ <h3>
+ The following personages appear in other stories of the Human Comedy.
+ </h3>
+<pre xml:space="preserve">
+ Aiglemont, General, Marquis Victor d&rsquo;
+ The Firm of Nucingen
+ A Woman of Thirty
+
+ Birotteau, Cesar
+ Cesar Birotteau
+ A Bachelor&rsquo;s Establishment
+
+ Camusot
+ A Distinguished Provincial at Paris
+ A Bachelor&rsquo;s Establishment
+ Cousin Pons
+ The Muse of the Department
+ Cesar Birotteau
+
+ Cardot, Jean-Jerome-Severin
+ A Start in Life
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor&rsquo;s Establishment
+ Cesar Birotteau
+
+ Carigliano, Marechal, Duc de
+ Father Goriot
+ Sarrasine
+
+ Carigliano, Duchesse de
+ A Distinguished Provincial at Paris
+ The Peasantry
+ The Member for Arcis
+
+ Guillaume
+ Cesar Birotteau
+
+ Lebas, Joseph
+ Cesar Birotteau
+ Cousin Betty
+
+ Lebas, Madame Joseph (Virginie)
+ Cesar Birotteau
+ Cousin Betty
+
+ Lourdois
+ Cesar Birotteau
+
+ Rabourdin, Xavier
+ The Government Clerks
+ Cesar Birotteau
+ The Middle Classes
+
+ Roguin, Madame
+ Cesar Birotteau
+ Pierrette
+ A Second Home
+ A Daughter of Eve
+
+ Sommervieux, Theodore de
+ The Government Clerks
+ Modeste Mignon
+
+ Sommervieux, Madame Theodore de (Augustine)
+ At the Sign of the Cat and Racket
+ Cesar Birotteau
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of At the Sign of the Cat and Racket, by
+Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+***** This file should be named 1680-h.htm or 1680-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/8/1680/
+
+Produced by John Bickers, and Dagny, and David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/1680.txt b/1680.txt
new file mode 100644
index 0000000..7514d44
--- /dev/null
+++ b/1680.txt
@@ -0,0 +1,2507 @@
+Project Gutenberg's At the Sign of the Cat and Racket, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: At the Sign of the Cat and Racket
+
+Author: Honore de Balzac
+
+Translator: Clara Bell
+
+Release Date: March, 1998 [Etext #1680]
+Posting Date: February 28, 2010
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+
+
+
+Produced by John Bickers, and Dagny
+
+
+
+
+
+AT THE SIGN OF THE CAT AND RACKET
+
+
+By Honore De Balzac
+
+
+Translated by Clara Bell
+
+
+
+
+ DEDICATION
+
+ To Mademoiselle Marie de Montheau
+
+
+
+
+
+AT THE SIGN OF THE CAT AND RACKET
+
+
+Half-way down the Rue Saint-Denis, almost at the corner of the Rue du
+Petit-Lion, there stood formerly one of those delightful houses which
+enable historians to reconstruct old Paris by analogy. The threatening
+walls of this tumbledown abode seemed to have been decorated with
+hieroglyphics. For what other name could the passer-by give to the Xs
+and Vs which the horizontal or diagonal timbers traced on the front,
+outlined by little parallel cracks in the plaster? It was evident that
+every beam quivered in its mortices at the passing of the lightest
+vehicle. This venerable structure was crowned by a triangular roof of
+which no example will, ere long, be seen in Paris. This covering, warped
+by the extremes of the Paris climate, projected three feet over the
+roadway, as much to protect the threshold from the rainfall as to
+shelter the wall of a loft and its sill-less dormer-window. This upper
+story was built of planks, overlapping each other like slates, in order,
+no doubt, not to overweight the frail house.
+
+One rainy morning in the month of March, a young man, carefully wrapped
+in his cloak, stood under the awning of a shop opposite this old house,
+which he was studying with the enthusiasm of an antiquary. In point of
+fact, this relic of the civic life of the sixteenth century offered
+more than one problem to the consideration of an observer. Each story
+presented some singularity; on the first floor four tall, narrow
+windows, close together, were filled as to the lower panes with boards,
+so as to produce the doubtful light by which a clever salesman can
+ascribe to his goods the color his customers inquire for. The young man
+seemed very scornful of this part of the house; his eyes had not yet
+rested on it. The windows of the second floor, where the Venetian blinds
+were drawn up, revealing little dingy muslin curtains behind the large
+Bohemian glass panes, did not interest him either. His attention was
+attracted to the third floor, to the modest sash-frames of wood, so
+clumsily wrought that they might have found a place in the Museum of
+Arts and Crafts to illustrate the early efforts of French carpentry.
+These windows were glazed with small squares of glass so green that, but
+for his good eyes, the young man could not have seen the blue-checked
+cotton curtains which screened the mysteries of the room from profane
+eyes. Now and then the watcher, weary of his fruitless contemplation,
+or of the silence in which the house was buried, like the whole
+neighborhood, dropped his eyes towards the lower regions. An involuntary
+smile parted his lips each time he looked at the shop, where, in fact,
+there were some laughable details.
+
+A formidable wooden beam, resting on four pillars, which appeared to
+have bent under the weight of the decrepit house, had been encrusted
+with as many coats of different paint as there are of rouge on an old
+duchess' cheek. In the middle of this broad and fantastically carved
+joist there was an old painting representing a cat playing rackets. This
+picture was what moved the young man to mirth. But it must be said
+that the wittiest of modern painters could not invent so comical a
+caricature. The animal held in one of its forepaws a racket as big as
+itself, and stood on its hind legs to aim at hitting an enormous ball,
+returned by a man in a fine embroidered coat. Drawing, color, and
+accessories, all were treated in such a way as to suggest that the
+artist had meant to make game of the shop-owner and of the passing
+observer. Time, while impairing this artless painting, had made it yet
+more grotesque by introducing some uncertain features which must have
+puzzled the conscientious idler. For instance, the cat's tail had been
+eaten into in such a way that it might now have been taken for the
+figure of a spectator--so long, and thick, and furry were the tails of
+our forefathers' cats. To the right of the picture, on an azure field
+which ill-disguised the decay of the wood, might be read the name
+"Guillaume," and to the left, "Successor to Master Chevrel." Sun and
+rain had worn away most of the gilding parsimoniously applied to the
+letters of this superscription, in which the Us and Vs had changed
+places in obedience to the laws of old-world orthography.
+
+To quench the pride of those who believe that the world is growing
+cleverer day by day, and that modern humbug surpasses everything, it may
+be observed that these signs, of which the origin seems so whimsical to
+many Paris merchants, are the dead pictures of once living pictures
+by which our roguish ancestors contrived to tempt customers into their
+houses. Thus the Spinning Sow, the Green Monkey, and others, were
+animals in cages whose skills astonished the passer-by, and whose
+accomplishments prove the patience of the fifteenth-century artisan.
+Such curiosities did more to enrich their fortunate owners than the
+signs of "Providence," "Good-faith," "Grace of God," and "Decapitation
+of John the Baptist," which may still be seen in the Rue Saint-Denis.
+
+However, our stranger was certainly not standing there to admire the
+cat, which a minute's attention sufficed to stamp on his memory. The
+young man himself had his peculiarities. His cloak, folded after the
+manner of an antique drapery, showed a smart pair of shoes, all the more
+remarkable in the midst of the Paris mud, because he wore white silk
+stockings, on which the splashes betrayed his impatience. He had just
+come, no doubt, from a wedding or a ball; for at this early hour he had
+in his hand a pair of white gloves, and his black hair, now out of curl,
+and flowing over his shoulders, showed that it had been dressed _a la
+Caracalla_, a fashion introduced as much by David's school of painting
+as by the mania for Greek and Roman styles which characterized the early
+years of this century.
+
+In spite of the noise made by a few market gardeners, who, being late,
+rattled past towards the great market-place at a gallop, the busy street
+lay in a stillness of which the magic charm is known only to those who
+have wandered through deserted Paris at the hours when its roar, hushed
+for a moment, rises and spreads in the distance like the great voice
+of the sea. This strange young man must have seemed as curious to the
+shopkeeping folk of the "Cat and Racket" as the "Cat and Racket" was
+to him. A dazzlingly white cravat made his anxious face look even paler
+than it really was. The fire that flashed in his black eyes, gloomy
+and sparkling by turns, was in harmony with the singular outline of
+his features, with his wide, flexible mouth, hardened into a smile. His
+forehead, knit with violent annoyance, had a stamp of doom. Is not the
+forehead the most prophetic feature of a man? When the stranger's
+brow expressed passion the furrows formed in it were terrible in their
+strength and energy; but when he recovered his calmness, so easily
+upset, it beamed with a luminous grace which gave great attractiveness
+to a countenance in which joy, grief, love, anger, or scorn blazed out
+so contagiously that the coldest man could not fail to be impressed.
+
+He was so thoroughly vexed by the time when the dormer-window of the
+loft was suddenly flung open, that he did not observe the apparition of
+three laughing faces, pink and white and chubby, but as vulgar as the
+face of Commerce as it is seen in sculpture on certain monuments. These
+three faces, framed by the window, recalled the puffy cherubs floating
+among the clouds that surround God the Father. The apprentices snuffed
+up the exhalations of the street with an eagerness that showed how hot
+and poisonous the atmosphere of their garret must be. After pointing to
+the singular sentinel, the most jovial, as he seemed, of the apprentices
+retired and came back holding an instrument whose hard metal pipe is now
+superseded by a leather tube; and they all grinned with mischief as they
+looked down on the loiterer, and sprinkled him with a fine white
+shower of which the scent proved that three chins had just been shaved.
+Standing on tiptoe, in the farthest corner of their loft, to enjoy
+their victim's rage, the lads ceased laughing on seeing the haughty
+indifference with which the young man shook his cloak, and the
+intense contempt expressed by his face as he glanced up at the empty
+window-frame.
+
+At this moment a slender white hand threw up the lower half of one of
+the clumsy windows on the third floor by the aid of the sash runners,
+of which the pulley so often suddenly gives way and releases the heavy
+panes it ought to hold up. The watcher was then rewarded for his long
+waiting. The face of a young girl appeared, as fresh as one of the
+white cups that bloom on the bosom of the waters, crowned by a frill
+of tumbled muslin, which gave her head a look of exquisite innocence.
+Though wrapped in brown stuff, her neck and shoulders gleamed here
+and there through little openings left by her movements in sleep. No
+expression of embarrassment detracted from the candor of her face, or
+the calm look of eyes immortalized long since in the sublime works of
+Raphael; here were the same grace, the same repose as in those Virgins,
+and now proverbial. There was a delightful contrast between the cheeks
+of that face on which sleep had, as it were, given high relief to a
+superabundance of life, and the antiquity of the heavy window with its
+clumsy shape and black sill. Like those day-blowing flowers, which
+in the early morning have not yet unfurled their cups, twisted by the
+chills of night, the girl, as yet hardly awake, let her blue eyes wander
+beyond the neighboring roofs to look at the sky; then, from habit,
+she cast them down on the gloomy depths of the street, where they
+immediately met those of her adorer. Vanity, no doubt, distressed her at
+being seen in undress; she started back, the worn pulley gave way, and
+the sash fell with the rapid run, which in our day has earned for this
+artless invention of our forefathers an odious name, _Fenetre a la
+Guillotine_. The vision had disappeared. To the young man the most
+radiant star of morning seemed to be hidden by a cloud.
+
+During these little incidents the heavy inside shutters that protected
+the slight windows of the shop of the "Cat and Racket" had been removed
+as if by magic. The old door with its knocker was opened back against
+the wall of the entry by a man-servant, apparently coeval with the sign,
+who, with a shaking hand, hung upon it a square of cloth, on which were
+embroidered in yellow silk the words: "Guillaume, successor to Chevrel."
+Many a passer-by would have found it difficult to guess the class of
+trade carried on by Monsieur Guillaume. Between the strong iron bars
+which protected his shop windows on the outside, certain packages,
+wrapped in brown linen, were hardly visible, though as numerous as
+herrings swimming in a shoal. Notwithstanding the primitive aspect of
+the Gothic front, Monsieur Guillaume, of all the merchant clothiers in
+Paris, was the one whose stores were always the best provided, whose
+connections were the most extensive, and whose commercial honesty never
+lay under the slightest suspicion. If some of his brethren in business
+made a contract with the Government, and had not the required quantity
+of cloth, he was always ready to deliver it, however large the number of
+pieces tendered for. The wily dealer knew a thousand ways of extracting
+the largest profits without being obliged, like them, to court
+patrons, cringing to them, or making them costly presents. When his
+fellow-tradesmen could only pay in good bills of long date, he would
+mention his notary as an accommodating man, and managed to get a second
+profit out of the bargain, thanks to this arrangement, which had made it
+a proverb among the traders of the Rue Saint-Denis: "Heaven preserve you
+from Monsieur Guillaume's notary!" to signify a heavy discount.
+
+The old merchant was to be seen standing on the threshold of his shop,
+as if by a miracle, the instant the servant withdrew. Monsieur Guillaume
+looked at the Rue Saint-Denis, at the neighboring shops, and at the
+weather, like a man disembarking at Havre, and seeing France once more
+after a long voyage. Having convinced himself that nothing had changed
+while he was asleep, he presently perceived the stranger on guard, and
+he, on his part, gazed at the patriarchal draper as Humboldt may have
+scrutinized the first electric eel he saw in America. Monsieur Guillaume
+wore loose black velvet breeches, pepper-and-salt stockings, and square
+toed shoes with silver buckles. His coat, with square-cut fronts,
+square-cut tails, and square-cut collar clothed his slightly bent figure
+in greenish cloth, finished with white metal buttons, tawny from wear.
+His gray hair was so accurately combed and flattened over his yellow
+pate that it made it look like a furrowed field. His little green eyes,
+that might have been pierced with a gimlet, flashed beneath arches
+faintly tinged with red in the place of eyebrows. Anxieties had wrinkled
+his forehead with as many horizontal lines as there were creases in his
+coat. This colorless face expressed patience, commercial shrewdness,
+and the sort of wily cupidity which is needful in business. At that
+time these old families were less rare than they are now, in which the
+characteristic habits and costume of their calling, surviving in
+the midst of more recent civilization, were preserved as cherished
+traditions, like the antediluvian remains found by Cuvier in the
+quarries.
+
+The head of the Guillaume family was a notable upholder of ancient
+practices; he might be heard to regret the Provost of Merchants, and
+never did he mention a decision of the Tribunal of Commerce without
+calling it the _Sentence of the Consuls_. Up and dressed the first of
+the household, in obedience, no doubt, to these old customs, he stood
+sternly awaiting the appearance of his three assistants, ready to scold
+them in case they were late. These young disciples of Mercury knew
+nothing more terrible than the wordless assiduity with which the master
+scrutinized their faces and their movements on Monday in search of
+evidence or traces of their pranks. But at this moment the old clothier
+paid no heed to his apprentices; he was absorbed in trying to divine the
+motive of the anxious looks which the young man in silk stockings and a
+cloak cast alternately at his signboard and into the depths of his shop.
+The daylight was now brighter, and enabled the stranger to discern the
+cashier's corner enclosed by a railing and screened by old green silk
+curtains, where were kept the immense ledgers, the silent oracles of the
+house. The too inquisitive gazer seemed to covet this little nook,
+and to be taking the plan of a dining-room at one side, lighted by
+a skylight, whence the family at meals could easily see the smallest
+incident that might occur at the shop-door. So much affection for his
+dwelling seemed suspicious to a trader who had lived long enough to
+remember the law of maximum prices; Monsieur Guillaume naturally thought
+that this sinister personage had an eye to the till of the Cat and
+Racket. After quietly observing the mute duel which was going on between
+his master and the stranger, the eldest of the apprentices, having seen
+that the young man was stealthily watching the windows of the third
+floor, ventured to place himself on the stone flag where Monsieur
+Guillaume was standing. He took two steps out into the street, raised
+his head, and fancied that he caught sight of Mademoiselle Augustine
+Guillaume in hasty retreat. The draper, annoyed by his assistant's
+perspicacity, shot a side glance at him; but the draper and his amorous
+apprentice were suddenly relieved from the fears which the young man's
+presence had excited in their minds. He hailed a hackney cab on its
+way to a neighboring stand, and jumped into it with an air of affected
+indifference. This departure was a balm to the hearts of the other two
+lads, who had been somewhat uneasy as to meeting the victim of their
+practical joke.
+
+"Well, gentlemen, what ails you that you are standing there with your
+arms folded?" said Monsieur Guillaume to his three neophytes. "In former
+days, bless you, when I was in Master Chevrel's service, I should have
+overhauled more than two pieces of cloth by this time."
+
+"Then it was daylight earlier," said the second assistant, whose duty
+this was.
+
+The old shopkeeper could not help smiling. Though two of these
+young fellows, who were confided to his care by their fathers, rich
+manufacturers at Louviers and at Sedan, had only to ask and to have a
+hundred thousand francs the day when they were old enough to settle in
+life, Guillaume regarded it as his duty to keep them under the rod of an
+old-world despotism, unknown nowadays in the showy modern shops, where
+the apprentices expect to be rich men at thirty. He made them work like
+Negroes. These three assistants were equal to a business which would
+harry ten such clerks as those whose sybaritical tastes now swell the
+columns of the budget. Not a sound disturbed the peace of this solemn
+house, where the hinges were always oiled, and where the meanest article
+of furniture showed the respectable cleanliness which reveals strict
+order and economy. The most waggish of the three youths often amused
+himself by writing the date of its first appearance on the Gruyere
+cheese which was left to their tender mercies at breakfast, and which it
+was their pleasure to leave untouched. This bit of mischief, and a few
+others of the same stamp, would sometimes bring a smile on the face of
+the younger of Guillaume's daughters, the pretty maiden who has just now
+appeared to the bewitched man in the street.
+
+Though each of these apprentices, even the eldest, paid a round sum for
+his board, not one of them would have been bold enough to remain at the
+master's table when dessert was served. When Madame Guillaume talked of
+dressing the salad, the hapless youths trembled as they thought of the
+thrift with which her prudent hand dispensed the oil. They could never
+think of spending a night away from the house without having given, long
+before, a plausible reason for such an irregularity. Every Sunday, each
+in his turn, two of them accompanied the Guillaume family to Mass at
+Saint-Leu, and to vespers. Mesdemoiselles Virginie and Augustine, simply
+attired in cotton print, each took the arm of an apprentice and walked
+in front, under the piercing eye of their mother, who closed the little
+family procession with her husband, accustomed by her to carry two large
+prayer-books, bound in black morocco. The second apprentice received
+no salary. As for the eldest, whose twelve years of perseverance and
+discretion had initiated him into the secrets of the house, he was paid
+eight hundred francs a year as the reward of his labors. On certain
+family festivals he received as a gratuity some little gift, to which
+Madame Guillaume's dry and wrinkled hand alone gave value--netted
+purses, which she took care to stuff with cotton wool, to show off the
+fancy stitches, braces of the strongest make, or heavy silk stockings.
+Sometimes, but rarely, this prime minister was admitted to share the
+pleasures of the family when they went into the country, or when, after
+waiting for months, they made up their mind to exert the right acquired
+by taking a box at the theatre to command a piece which Paris had
+already forgotten.
+
+As to the other assistants, the barrier of respect which formerly
+divided a master draper from his apprentices was that they would
+have been more likely to steal a piece of cloth than to infringe this
+time-honored etiquette. Such reserve may now appear ridiculous; but
+these old houses were a school of honesty and sound morals. The masters
+adopted their apprentices. The young man's linen was cared for, mended,
+and often replaced by the mistress of the house. If an apprentice fell
+ill, he was the object of truly maternal attention. In a case of
+danger the master lavished his money in calling in the most celebrated
+physicians, for he was not answerable to their parents merely for the
+good conduct and training of the lads. If one of them, whose character
+was unimpeachable, suffered misfortune, these old tradesmen knew how to
+value the intelligence he had displayed, and they did not hesitate
+to entrust the happiness of their daughters to men whom they had long
+trusted with their fortunes. Guillaume was one of these men of the
+old school, and if he had their ridiculous side, he had all their good
+qualities; and Joseph Lebas, the chief assistant, an orphan without any
+fortune, was in his mind destined to be the husband of Virginie, his
+elder daughter. But Joseph did not share the symmetrical ideas of his
+master, who would not for an empire have given his second daughter in
+marriage before the elder. The unhappy assistant felt that his heart was
+wholly given to Mademoiselle Augustine, the younger. In order to justify
+this passion, which had grown up in secret, it is necessary to inquire
+a little further into the springs of the absolute government which ruled
+the old cloth-merchant's household.
+
+Guillaume had two daughters. The elder, Mademoiselle Virginie, was
+the very image of her mother. Madame Guillaume, daughter of the Sieur
+Chevrel, sat so upright in the stool behind her desk, that more than
+once she had heard some wag bet that she was a stuffed figure. Her
+long, thin face betrayed exaggerated piety. Devoid of attractions or of
+amiable manners, Madame Guillaume commonly decorated her head--that of
+a woman near on sixty--with a cap of a particular and unvarying shape,
+with long lappets, like that of a widow. In all the neighborhood she was
+known as the "portress nun." Her speech was curt, and her movements had
+the stiff precision of a semaphore. Her eye, with a gleam in it like a
+cat's, seemed to spite the world because she was so ugly. Mademoiselle
+Virginie, brought up, like her younger sister, under the domestic rule
+of her mother, had reached the age of eight-and-twenty. Youth mitigated
+the graceless effect which her likeness to her mother sometimes gave
+to her features, but maternal austerity had endowed her with two great
+qualities which made up for everything. She was patient and gentle.
+Mademoiselle Augustine, who was but just eighteen, was not like either
+her father or her mother. She was one of those daughters whose total
+absence of any physical affinity with their parents makes one believe in
+the adage: "God gives children." Augustine was little, or, to describe
+her more truly, delicately made. Full of gracious candor, a man of the
+world could have found no fault in the charming girl beyond a certain
+meanness of gesture or vulgarity of attitude, and sometimes a want of
+ease. Her silent and placid face was full of the transient melancholy
+which comes over all young girls who are too weak to dare to resist
+their mother's will.
+
+The two sisters, always plainly dressed, could not gratify the innate
+vanity of womanhood but by a luxury of cleanliness which became them
+wonderfully, and made them harmonize with the polished counters and
+the shining shelves, on which the old man-servant never left a speck of
+dust, and with the old-world simplicity of all they saw about them. As
+their style of living compelled them to find the elements of happiness
+in persistent work, Augustine and Virginie had hitherto always satisfied
+their mother, who secretly prided herself on the perfect characters of
+her two daughters. It is easy to imagine the results of the training
+they had received. Brought up to a commercial life, accustomed to
+hear nothing but dreary arguments and calculations about trade, having
+studied nothing but grammar, book-keeping, a little Bible-history, and
+the history of France in Le Ragois, and never reading any book but what
+their mother would sanction, their ideas had not acquired much scope.
+They knew perfectly how to keep house; they were familiar with the
+prices of things; they understood the difficulty of amassing money; they
+were economical, and had a great respect for the qualities that make a
+man of business. Although their father was rich, they were as skilled
+in darning as in embroidery; their mother often talked of having them
+taught to cook, so that they might know how to order a dinner and scold
+a cook with due knowledge. They knew nothing of the pleasures of the
+world; and, seeing how their parents spent their exemplary lives, they
+very rarely suffered their eyes to wander beyond the walls of their
+hereditary home, which to their mother was the whole universe. The
+meetings to which family anniversaries gave rise filled in the future of
+earthly joy to them.
+
+When the great drawing-room on the second floor was to be prepared to
+receive company--Madame Roguin, a Demoiselle Chevrel, fifteen months
+younger than her cousin, and bedecked with diamonds; young Rabourdin,
+employed in the Finance Office; Monsieur Cesar Birotteau, the rich
+perfumer, and his wife, known as Madame Cesar; Monsieur Camusot, the
+richest silk mercer in the Rue des Bourdonnais, with his father-in-law,
+Monsieur Cardot, two or three old bankers, and some immaculate
+ladies--the arrangements, made necessary by the way in which everything
+was packed away--the plate, the Dresden china, the candlesticks, and the
+glass--made a variety in the monotonous lives of the three women, who
+came and went and exerted themselves as nuns would to receive their
+bishop. Then, in the evening, when all three were tired out with having
+wiped, rubbed, unpacked, and arranged all the gauds of the festival, as
+the girls helped their mother to undress, Madame Guillaume would say to
+them, "Children, we have done nothing today."
+
+When, on very great occasions, "the portress nun" allowed dancing,
+restricting the games of boston, whist, and backgammon within the limits
+of her bedroom, such a concession was accounted as the most unhoped
+felicity, and made them happier than going to the great balls, to two
+or three of which Guillaume would take the girls at the time of the
+Carnival.
+
+And once a year the worthy draper gave an entertainment, when he spared
+no expense. However rich and fashionable the persons invited might be,
+they were careful not to be absent; for the most important houses on
+the exchange had recourse to the immense credit, the fortune, or the
+time-honored experience of Monsieur Guillaume. Still, the excellent
+merchant's daughters did not benefit as much as might be supposed by the
+lessons the world has to offer to young spirits. At these parties, which
+were indeed set down in the ledger to the credit of the house, they wore
+dresses the shabbiness of which made them blush. Their style of dancing
+was not in any way remarkable, and their mother's surveillance did not
+allow of their holding any conversation with their partners beyond Yes
+and No. Also, the law of the old sign of the Cat and Racket commanded
+that they should be home by eleven o'clock, the hour when balls and
+fetes begin to be lively. Thus their pleasures, which seemed to conform
+very fairly to their father's position, were often made insipid by
+circumstances which were part of the family habits and principles.
+
+As to their usual life, one remark will sufficiently paint it. Madame
+Guillaume required her daughters to be dressed very early in the
+morning, to come down every day at the same hour, and she ordered their
+employments with monastic regularity. Augustine, however, had been
+gifted by chance with a spirit lofty enough to feel the emptiness of
+such a life. Her blue eyes would sometimes be raised as if to pierce
+the depths of that gloomy staircase and those damp store-rooms. After
+sounding the profound cloistral silence, she seemed to be listening to
+remote, inarticulate revelations of the life of passion, which accounts
+feelings as of higher value than things. And at such moments her cheek
+would flush, her idle hands would lay the muslin sewing on the polished
+oak counter, and presently her mother would say in a voice, of which
+even the softest tones were sour, "Augustine, my treasure, what are
+you thinking about?" It is possible that two romances discovered
+by Augustine in the cupboard of a cook Madame Guillaume had
+lately discharged--_Hippolyte Comte de Douglas_ and _Le Comte de
+Comminges_--may have contributed to develop the ideas of the young girl,
+who had devoured them in secret, during the long nights of the past
+winter.
+
+And so Augustine's expression of vague longing, her gentle voice, her
+jasmine skin, and her blue eyes had lighted in poor Lebas' soul a
+flame as ardent as it was reverent. From an easily understood caprice,
+Augustine felt no affection for the orphan; perhaps she did not know
+that he loved her. On the other hand, the senior apprentice, with his
+long legs, his chestnut hair, his big hands and powerful frame, had
+found a secret admirer in Mademoiselle Virginie, who, in spite of her
+dower of fifty thousand crowns, had as yet no suitor. Nothing could
+be more natural than these two passions at cross-purposes, born in the
+silence of the dingy shop, as violets bloom in the depths of a wood. The
+mute and constant looks which made the young people's eyes meet by sheer
+need of change in the midst of persistent work and cloistered peace, was
+sure, sooner or later, to give rise to feelings of love. The habit of
+seeing always the same face leads insensibly to our reading there the
+qualities of the soul, and at last effaces all its defects.
+
+"At the pace at which that man goes, our girls will soon have to go on
+their knees to a suitor!" said Monsieur Guillaume to himself, as he
+read the first decree by which Napoleon drew in advance on the conscript
+classes.
+
+From that day the old merchant, grieved at seeing his eldest daughter
+fade, remembered how he had married Mademoiselle Chevrel under much the
+same circumstances as those of Joseph Lebas and Virginie. A good bit
+of business, to marry off his daughter, and discharge a sacred debt
+by repaying to an orphan the benefit he had formerly received from
+his predecessor under similar conditions! Joseph Lebas, who was now
+three-and-thirty, was aware of the obstacle which a difference of
+fifteen years placed between Augustine and himself. Being also too
+clear-sighted not to understand Monsieur Guillaume's purpose, he knew
+his inexorable principles well enough to feel sure that the second would
+never marry before the elder. So the hapless assistant, whose heart was
+as warm as his legs were long and his chest deep, suffered in silence.
+
+This was the state of the affairs in the tiny republic which, in the
+heart of the Rue Saint-Denis, was not unlike a dependency of La Trappe.
+But to give a full account of events as well as of feelings, it is
+needful to go back to some months before the scene with which this story
+opens. At dusk one evening, a young man passing the darkened shop of the
+Cat and Racket, had paused for a moment to gaze at a picture which might
+have arrested every painter in the world. The shop was not yet lighted,
+and was as a dark cave beyond which the dining-room was visible. A
+hanging lamp shed the yellow light which lends such charm to pictures
+of the Dutch school. The white linen, the silver, the cut glass, were
+brilliant accessories, and made more picturesque by strong contrasts of
+light and shade. The figures of the head of the family and his wife, the
+faces of the apprentices, and the pure form of Augustine, near whom a
+fat chubby-cheeked maid was standing, composed so strange a group; the
+heads were so singular, and every face had so candid an expression; it
+was so easy to read the peace, the silence, the modest way of life in
+this family, that to an artist accustomed to render nature, there was
+something hopeless in any attempt to depict this scene, come upon by
+chance. The stranger was a young painter, who, seven years before, had
+gained the first prize for painting. He had now just come back from
+Rome. His soul, full-fed with poetry; his eyes, satiated with Raphael
+and Michael Angelo, thirsted for real nature after long dwelling in the
+pompous land where art has everywhere left something grandiose. Right or
+wrong, this was his personal feeling. His heart, which had long been
+a prey to the fire of Italian passion, craved one of those modest
+and meditative maidens whom in Rome he had unfortunately seen only
+in painting. From the enthusiasm produced in his excited fancy by the
+living picture before him, he naturally passed to a profound admiration
+for the principal figure; Augustine seemed to be pensive, and did not
+eat; by the arrangement of the lamp the light fell full on her face, and
+her bust seemed to move in a circle of fire, which threw up the shape of
+her head and illuminated it with almost supernatural effect. The artist
+involuntarily compared her to an exiled angel dreaming of heaven. An
+almost unknown emotion, a limpid, seething love flooded his heart. After
+remaining a minute, overwhelmed by the weight of his ideas, he tore
+himself from his bliss, went home, ate nothing, and could not sleep.
+
+The next day he went to his studio, and did not come out of it till he
+had placed on canvas the magic of the scene of which the memory had, in
+a sense, made him a devotee; his happiness was incomplete till he should
+possess a faithful portrait of his idol. He went many times past the
+house of the Cat and Racket; he even ventured in once or twice, under
+a disguise, to get a closer view of the bewitching creature that Madame
+Guillaume covered with her wing. For eight whole months, devoted to his
+love and to his brush, he was lost to the sight of his most intimate
+friends forgetting the world, the theatre, poetry, music, and all his
+dearest habits. One morning Girodet broke through all the barriers with
+which artists are familiar, and which they know how to evade, went into
+his room, and woke him by asking, "What are you going to send to the
+Salon?" The artist grasped his friend's hand, dragged him off to the
+studio, uncovered a small easel picture and a portrait. After a long
+and eager study of the two masterpieces, Girodet threw himself on his
+comrade's neck and hugged him, without speaking a word. His feelings
+could only be expressed as he felt them--soul to soul.
+
+"You are in love?" said Girodet.
+
+They both knew that the finest portraits by Titian, Raphael, and
+Leonardo da Vinci, were the outcome of the enthusiastic sentiments
+by which, indeed, under various conditions, every masterpiece is
+engendered. The artist only bent his head in reply.
+
+"How happy are you to be able to be in love, here, after coming back
+from Italy! But I do not advise you to send such works as these to the
+Salon," the great painter went on. "You see, these two works will not
+be appreciated. Such true coloring, such prodigious work, cannot yet be
+understood; the public is not accustomed to such depths. The pictures
+we paint, my dear fellow, are mere screens. We should do better to
+turn rhymes, and translate the antique poets! There is more glory to be
+looked for there than from our luckless canvases!"
+
+Notwithstanding this charitable advice, the two pictures were exhibited.
+The _Interior_ made a revolution in painting. It gave birth to the
+pictures of genre which pour into all our exhibitions in such prodigious
+quantity that they might be supposed to be produced by machinery. As
+to the portrait, few artists have forgotten that lifelike work; and the
+public, which as a body is sometimes discerning, awarded it the crown
+which Girodet himself had hung over it. The two pictures were surrounded
+by a vast throng. They fought for places, as women say. Speculators and
+moneyed men would have covered the canvas with double napoleons, but the
+artist obstinately refused to sell or to make replicas. An enormous sum
+was offered him for the right of engraving them, and the print-sellers
+were not more favored than the amateurs.
+
+Though these incidents occupied the world, they were not of a nature to
+penetrate the recesses of the monastic solitude in the Rue Saint-Denis.
+However, when paying a visit to Madame Guillaume, the notary's wife
+spoke of the exhibition before Augustine, of whom she was very fond,
+and explained its purpose. Madame Roguin's gossip naturally inspired
+Augustine with a wish to see the pictures, and with courage enough to
+ask her cousin secretly to take her to the Louvre. Her cousin succeeded
+in the negotiations she opened with Madame Guillaume for permission to
+release the young girl for two hours from her dull labors. Augustine was
+thus able to make her way through the crowd to see the crowned work. A
+fit of trembling shook her like an aspen leaf as she recognized herself.
+She was terrified, and looked about her to find Madame Roguin, from
+whom she had been separated by a tide of people. At that moment her
+frightened eyes fell on the impassioned face of the young painter. She
+at once recalled the figure of a loiterer whom, being curious, she had
+frequently observed, believing him to be a new neighbor.
+
+"You see how love has inspired me," said the artist in the timid
+creature's ear, and she stood in dismay at the words.
+
+She found supernatural courage to enable her to push through the crowd
+and join her cousin, who was still struggling with the mass of people
+that hindered her from getting to the picture.
+
+"You will be stifled!" cried Augustine. "Let us go."
+
+But there are moments, at the Salon, when two women are not always free
+to direct their steps through the galleries. By the irregular course to
+which they were compelled by the press, Mademoiselle Guillaume and her
+cousin were pushed to within a few steps of the second picture. Chance
+thus brought them, both together, to where they could easily see the
+canvas made famous by fashion, for once in agreement with talent. Madame
+Roguin's exclamation of surprise was lost in the hubbub and buzz of the
+crowd; Augustine involuntarily shed tears at the sight of this wonderful
+study. Then, by an almost unaccountable impulse, she laid her finger on
+her lips, as she perceived quite near her the ecstatic face of the young
+painter. The stranger replied by a nod, and pointed to Madame Roguin, as
+a spoil-sport, to show Augustine that he had understood. This pantomime
+struck the young girl like hot coals on her flesh; she felt quite
+guilty as she perceived that there was a compact between herself and the
+artist. The suffocating heat, the dazzling sight of beautiful dresses,
+the bewilderment produced in Augustine's brain by the truth of coloring,
+the multitude of living or painted figures, the profusion of gilt
+frames, gave her a sense of intoxication which doubled her alarms. She
+would perhaps have fainted if an unknown rapture had not surged up
+in her heart to vivify her whole being, in spite of this chaos of
+sensations. She nevertheless believed herself to be under the power
+of the Devil, of whose awful snares she had been warned of by the
+thundering words of preachers. This moment was to her like a moment of
+madness. She found herself accompanied to her cousin's carriage by the
+young man, radiant with joy and love. Augustine, a prey to an agitation
+new to her experience, an intoxication which seemed to abandon her to
+nature, listened to the eloquent voice of her heart, and looked again
+and again at the young painter, betraying the emotion that came over
+her. Never had the bright rose of her cheeks shown in stronger contrast
+with the whiteness of her skin. The artist saw her beauty in all its
+bloom, her maiden modesty in all its glory. She herself felt a sort of
+rapture mingled with terror at thinking that her presence had brought
+happiness to him whose name was on every lip, and whose talent lent
+immortality to transient scenes. She was loved! It was impossible to
+doubt it. When she no longer saw the artist, these simple words still
+echoed in her ear, "You see how love has inspired me!" And the throbs of
+her heart, as they grew deeper, seemed a pain, her heated blood revealed
+so many unknown forces in her being. She affected a severe headache to
+avoid replying to her cousin's questions concerning the pictures; but
+on their return Madame Roguin could not forbear from speaking to Madame
+Guillaume of the fame that had fallen on the house of the Cat and
+Racket, and Augustine quaked in every limb as she heard her mother say
+that she should go to the Salon to see her house there. The young girl
+again declared herself suffering, and obtained leave to go to bed.
+
+"That is what comes of sight-seeing," exclaimed Monsieur Guillaume--"a
+headache. And is it so very amusing to see in a picture what you can
+see any day in your own street? Don't talk to me of your artists! Like
+writers, they are a starveling crew. Why the devil need they choose my
+house to flout it in their pictures?"
+
+"It may help to sell a few ells more of cloth," said Joseph Lebas.
+
+This remark did not protect art and thought from being condemned once
+again before the judgment-seat of trade. As may be supposed, these
+speeches did not infuse much hope into Augustine, who, during the night,
+gave herself up to the first meditations of love. The events of the day
+were like a dream, which it was a joy to recall to her mind. She was
+initiated into the fears, the hopes, the remorse, all the ebb and flow
+of feeling which could not fail to toss a heart so simple and timid as
+hers. What a void she perceived in this gloomy house! What a treasure
+she found in her soul! To be the wife of a genius, to share his glory!
+What ravages must such a vision make in the heart of a girl brought up
+among such a family! What hopes must it raise in a young creature who,
+in the midst of sordid elements, had pined for a life of elegance! A
+sunbeam had fallen into the prison. Augustine was suddenly in love. So
+many of her feelings were soothed that she succumbed without reflection.
+At eighteen does not love hold a prism between the world and the eyes
+of a young girl? She was incapable of suspecting the hard facts which
+result from the union of a loving woman with a man of imagination, and
+she believed herself called to make him happy, not seeing any disparity
+between herself and him. To her the future would be as the present.
+When, next day, her father and mother returned from the Salon, their
+dejected faces proclaimed some disappointment. In the first place, the
+painter had removed the two pictures; and then Madame Guillaume had lost
+her cashmere shawl. But the news that the pictures had disappeared from
+the walls since her visit revealed to Augustine a delicacy of sentiment
+which a woman can always appreciate, even by instinct.
+
+On the morning when, on his way home from a ball, Theodore de
+Sommervieux--for this was the name which fame had stamped on Augustine's
+heart--had been squirted on by the apprentices while awaiting the
+appearance of his artless little friend, who certainly did not know that
+he was there, the lovers had seen each other for the fourth time only
+since their meeting at the Salon. The difficulties which the rule of
+the house placed in the way of the painter's ardent nature gave added
+violence to his passion for Augustine.
+
+How could he get near to a young girl seated in a counting-house between
+two such women as Mademoiselle Virginie and Madame Guillaume? How could
+he correspond with her when her mother never left her side? Ingenious,
+as lovers are, to imagine woes, Theodore saw a rival in one of the
+assistants, to whose interests he supposed the others to be devoted. If
+he should evade these sons of Argus, he would yet be wrecked under the
+stern eye of the old draper or of Madame Guillaume. The very vehemence
+of his passion hindered the young painter from hitting on the ingenious
+expedients which, in prisoners and in lovers, seem to be the last effort
+of intelligence spurred by a wild craving for liberty, or by the fire of
+love. Theodore wandered about the neighborhood with the restlessness of
+a madman, as though movement might inspire him with some device.
+After racking his imagination, it occurred to him to bribe the blowsy
+waiting-maid with gold. Thus a few notes were exchanged at long
+intervals during the fortnight following the ill-starred morning when
+Monsieur Guillaume and Theodore had so scrutinized one another. At
+the present moment the young couple had agreed to see each other at a
+certain hour of the day, and on Sunday, at Saint-Leu, during Mass and
+vespers. Augustine had sent her dear Theodore a list of the relations
+and friends of the family, to whom the young painter tried to get
+access, in the hope of interesting, if it were possible, in his love
+affairs, one of these souls absorbed in money and trade, to whom a
+genuine passion must appear a quite monstrous speculation, a thing
+unheard-of. Nothing meanwhile, was altered at the sign of the Cat and
+Racket. If Augustine was absent-minded, if, against all obedience to the
+domestic code, she stole up to her room to make signals by means of
+a jar of flowers, if she sighed, if she were lost in thought, no one
+observed it, not even her mother. This will cause some surprise to those
+who have entered into the spirit of the household, where an idea tainted
+with poetry would be in startling contrast to persons and things, where
+no one could venture on a gesture or a look which would not be seen and
+analyzed. Nothing, however, could be more natural: the quiet barque that
+navigated the stormy waters of the Paris Exchange, under the flag of
+the Cat and Racket, was just now in the toils of one of these tempests
+which, returning periodically, might be termed equinoctial. For the
+last fortnight the five men forming the crew, with Madame Guillaume and
+Mademoiselle Virginie, had been devoting themselves to the hard labor,
+known as stock-taking.
+
+Every bale was turned over, and the length verified to ascertain the
+exact value of the remnant. The ticket attached to each parcel was
+carefully examined to see at what time the piece had been bought. The
+retail price was fixed. Monsieur Guillaume, always on his feet, his pen
+behind his ear, was like a captain commanding the working of the ship.
+His sharp tones, spoken through a trap-door, to inquire into the
+depths of the hold in the cellar-store, gave utterance to the barbarous
+formulas of trade-jargon, which find expression only in cipher. "How
+much H. N. Z.?"--"All sold."--"What is left of Q. X.?"--"Two ells."--"At
+what price?"--"Fifty-five three."--"Set down A. at three, with all of
+J. J., all of M. P., and what is left of V. D. O."--A hundred other
+injunctions equally intelligible were spouted over the counters like
+verses of modern poetry, quoted by romantic spirits, to excite each
+other's enthusiasm for one of their poets. In the evening Guillaume,
+shut up with his assistant and his wife, balanced his accounts, carried
+on the balance, wrote to debtors in arrears, and made out bills. All
+three were busy over this enormous labor, of which the result could be
+stated on a sheet of foolscap, proving to the head of the house that
+there was so much to the good in hard cash, so much in goods, so much
+in bills and notes; that he did not owe a sou; that a hundred or two
+hundred thousand francs were owing to him; that the capital had been
+increased; that the farmlands, the houses, or the investments were
+extended, or repaired, or doubled. Whence it became necessary to begin
+again with increased ardor, to accumulate more crown-pieces, without its
+ever entering the brain of these laborious ants to ask--"To what end?"
+
+Favored by this annual turmoil, the happy Augustine escaped the
+investigations of her Argus-eyed relations. At last, one Saturday
+evening, the stock-taking was finished. The figures of the sum-total
+showed a row of 0's long enough to allow Guillaume for once to relax the
+stern rule as to dessert which reigned throughout the year. The shrewd
+old draper rubbed his hands, and allowed his assistants to remain at
+table. The members of the crew had hardly swallowed their thimbleful
+of some home-made liqueur, when the rumble of a carriage was heard. The
+family party were going to see _Cendrillon_ at the Varietes, while
+the two younger apprentices each received a crown of six francs, with
+permission to go wherever they chose, provided they were in by midnight.
+
+Notwithstanding this debauch, the old cloth-merchant was shaving himself
+at six next morning, put on his maroon-colored coat, of which the
+glowing lights afforded him perennial enjoyment, fastened a pair of gold
+buckles on the knee-straps of his ample satin breeches; and then, at
+about seven o'clock, while all were still sleeping in the house, he
+made his way to the little office adjoining the shop on the first floor.
+Daylight came in through a window, fortified by iron bars, and looking
+out on a small yard surrounded by such black walls that it was very like
+a well. The old merchant opened the iron-lined shutters, which were so
+familiar to him, and threw up the lower half of the sash window. The icy
+air of the courtyard came in to cool the hot atmosphere of the little
+room, full of the odor peculiar to offices.
+
+The merchant remained standing, his hand resting on the greasy arm of
+a large cane chair lined with morocco, of which the original hue had
+disappeared; he seemed to hesitate as to seating himself. He looked with
+affection at the double desk, where his wife's seat, opposite his own,
+was fitted into a little niche in the wall. He contemplated the
+numbered boxes, the files, the implements, the cash box--objects all
+of immemorial origin, and fancied himself in the room with the shade of
+Master Chevrel. He even pulled out the high stool on which he had once
+sat in the presence of his departed master. This stool, covered with
+black leather, the horse-hair showing at every corner--as it had long
+done, without, however, coming out--he placed with a shaking hand on the
+very spot where his predecessor had put it, and then, with an emotion
+difficult to describe, he pulled a bell, which rang at the head of
+Joseph Lebas' bed. When this decisive blow had been struck, the old man,
+for whom, no doubt, these reminiscences were too much, took up three or
+four bills of exchange, and looked at them without seeing them.
+
+Suddenly Joseph Lebas stood before him.
+
+"Sit down there," said Guillaume, pointing to the stool.
+
+As the old master draper had never yet bid his assistant be seated in
+his presence, Joseph Lebas was startled.
+
+"What do you think of these notes?" asked Guillaume.
+
+"They will never be paid."
+
+"Why?"
+
+"Well, I heard the day before yesterday Etienne and Co. had made their
+payments in gold."
+
+"Oh, oh!" said the draper. "Well, one must be very ill to show one's
+bile. Let us speak of something else.--Joseph, the stock-taking is
+done."
+
+"Yes, monsieur, and the dividend is one of the best you have ever made."
+
+"Do not use new-fangled words. Say the profits, Joseph. Do you know, my
+boy, that this result is partly owing to you? And I do not intend to pay
+you a salary any longer. Madame Guillaume has suggested to me to take
+you into partnership.--'Guillaume and Lebas;' will not that make a
+good business name? We might add, 'and Co.' to round off the firm's
+signature."
+
+Tears rose to the eyes of Joseph Lebas, who tried to hide them.
+
+"Oh, Monsieur Guillaume, how have I deserved such kindness? I only do my
+duty. It was so much already that you should take an interest in a poor
+orph----"
+
+He was brushing the cuff of his left sleeve with his right hand, and
+dared not look at the old man, who smiled as he thought that this modest
+young fellow no doubt needed, as he had needed once on a time, some
+encouragement to complete his explanation.
+
+"To be sure," said Virginie's father, "you do not altogether deserve
+this favor, Joseph. You have not so much confidence in me as I have in
+you." (The young man looked up quickly.) "You know all the secrets
+of the cash-box. For the last two years I have told you almost all
+my concerns. I have sent you to travel in our goods. In short, I have
+nothing on my conscience as regards you. But you--you have a soft place,
+and you have never breathed a word of it." Joseph Lebas blushed. "Ah,
+ha!" cried Guillaume, "so you thought you could deceive an old fox like
+me? When you knew that I had scented the Lecocq bankruptcy?"
+
+"What, monsieur?" replied Joseph Lebas, looking at his master as keenly
+as his master looked at him, "you knew that I was in love?"
+
+"I know everything, you rascal," said the worthy and cunning old
+merchant, pulling the assistant's ear. "And I forgive you--I did the
+same myself."
+
+"And you will give her to me?"
+
+"Yes--with fifty thousand crowns; and I will leave you as much by will,
+and we will start on our new career under the name of a new firm. We
+will do good business yet, my boy!" added the old man, getting up and
+flourishing his arms. "I tell you, son-in-law, there is nothing like
+trade. Those who ask what pleasure is to be found in it are simpletons.
+To be on the scent of a good bargain, to hold your own on 'Change, to
+watch as anxiously as at the gaming-table whether Etienne and Co. will
+fail or no, to see a regiment of Guards march past all dressed in your
+cloth, to trip your neighbor up--honestly of course!--to make the goods
+cheaper than others can; then to carry out an undertaking which you
+have planned, which begins, grows, totters, and succeeds! to know the
+workings of every house of business as well as a minister of police, so
+as never to make a mistake; to hold up your head in the midst of wrecks,
+to have friends by correspondence in every manufacturing town; is not
+that a perpetual game, Joseph? That is life, that is! I shall die in
+that harness, like old Chevrel, but taking it easy now, all the same."
+
+In the heat of his eager rhetoric, old Guillaume had scarcely looked
+at his assistant, who was weeping copiously. "Why, Joseph, my poor boy,
+what is the matter?"
+
+"Oh, I love her so! Monsieur Guillaume, that my heart fails me; I
+believe----"
+
+"Well, well, boy," said the old man, touched, "you are happier than you
+know, by God! For she loves you. I know it."
+
+And he blinked his little green eyes as he looked at the young man.
+
+"Mademoiselle Augustine! Mademoiselle Augustine!" exclaimed Joseph Lebas
+in his rapture.
+
+He was about to rush out of the room when he felt himself clutched by a
+hand of iron, and his astonished master spun him round in front of him
+once more.
+
+"What has Augustine to do with this matter?" he asked, in a voice which
+instantly froze the luckless Joseph.
+
+"Is it not she that--that--I love?" stammered the assistant.
+
+Much put out by his own want of perspicacity, Guillaume sat down
+again, and rested his long head in his hands to consider the perplexing
+situation in which he found himself. Joseph Lebas, shamefaced and in
+despair, remained standing.
+
+"Joseph," the draper said with frigid dignity, "I was speaking of
+Virginie. Love cannot be made to order, I know. I know, too, that you
+can be trusted. We will forget all this. I will not let Augustine marry
+before Virginie.--Your interest will be ten per cent."
+
+The young man, to whom love gave I know not what power of courage and
+eloquence, clasped his hand, and spoke in his turn--spoke for a quarter
+of an hour, with so much warmth and feeling, that he altered the
+situation. If the question had been a matter of business the old
+tradesman would have had fixed principles to guide his decision; but,
+tossed a thousand miles from commerce, on the ocean of sentiment,
+without a compass, he floated, as he told himself, undecided in the face
+of such an unexpected event. Carried away by his fatherly kindness, he
+began to beat about the bush.
+
+"Deuce take it, Joseph, you must know that there are ten years between
+my two children. Mademoiselle Chevrel was no beauty, still she has had
+nothing to complain of in me. Do as I did. Come, come, don't cry. Can
+you be so silly? What is to be done? It can be managed perhaps. There
+is always some way out of a scrape. And we men are not always devoted
+Celadons to our wives--you understand? Madame Guillaume is very pious.
+... Come. By Gad, boy, give your arm to Augustine this morning as we go
+to Mass."
+
+These were the phrases spoken at random by the old draper, and their
+conclusion made the lover happy. He was already thinking of a friend of
+his as a match for Mademoiselle Virginie, as he went out of the smoky
+office, pressing his future father-in-law's hand, after saying with a
+knowing look that all would turn out for the best.
+
+"What will Madame Guillaume say to it?" was the idea that greatly
+troubled the worthy merchant when he found himself alone.
+
+At breakfast Madame Guillaume and Virginie, to whom the draper had not
+yet confided his disappointment, cast meaning glances at Joseph Lebas,
+who was extremely embarrassed. The young assistant's bashfulness
+commended him to his mother-in-law's good graces. The matron became
+so cheerful that she smiled as she looked at her husband, and allowed
+herself some little pleasantries of time-honored acceptance in such
+simple families. She wondered whether Joseph or Virginie were the
+taller, to ask them to compare their height. This preliminary fooling
+brought a cloud to the master's brow, and he even made such a point of
+decorum that he desired Augustine to take the assistant's arm on their
+way to Saint-Leu. Madame Guillaume, surprised at this manly delicacy,
+honored her husband with a nod of approval. So the procession left
+the house in such order as to suggest no suspicious meaning to the
+neighbors.
+
+"Does it not seem to you, Mademoiselle Augustine," said the assistant,
+and he trembled, "that the wife of a merchant whose credit is as good
+as Monsieur Guillaume's, for instance, might enjoy herself a little more
+than Madame your mother does? Might wear diamonds--or keep a carriage?
+For my part, if I were to marry, I should be glad to take all the work,
+and see my wife happy. I would not put her into the counting-house.
+In the drapery business, you see, a woman is not so necessary now as
+formerly. Monsieur Guillaume was quite right to act as he did--and
+besides, his wife liked it. But so long as a woman knows how to turn her
+hand to the book-keeping, the correspondence, the retail business, the
+orders, and her housekeeping, so as not to sit idle, that is enough. At
+seven o'clock, when the shop is shut, I shall take my pleasures, go to
+the play, and into company.--But you are not listening to me."
+
+"Yes, indeed, Monsieur Joseph. What do you think of painting? That is a
+fine calling."
+
+"Yes. I know a master house-painter, Monsieur Lourdois. He is
+well-to-do."
+
+Thus conversing, the family reached the Church of Saint-Leu. There
+Madame Guillaume reasserted her rights, and, for the first time, placed
+Augustine next herself, Virginie taking her place on the fourth chair,
+next to Lebas. During the sermon all went well between Augustine and
+Theodore, who, standing behind a pillar, worshiped his Madonna with
+fervent devotion; but at the elevation of the Host, Madame Guillaume
+discovered, rather late, that her daughter Augustine was holding her
+prayer-book upside down. She was about to speak to her strongly, when,
+lowering her veil, she interrupted her own devotions to look in the
+direction where her daughter's eyes found attraction. By the help of her
+spectacles she saw the young artist, whose fashionable elegance seemed
+to proclaim him a cavalry officer on leave rather than a tradesman of
+the neighborhood. It is difficult to conceive of the state of violent
+agitation in which Madame Guillaume found herself--she, who flattered
+herself on having brought up her daughters to perfection--on discovering
+in Augustine a clandestine passion of which her prudery and ignorance
+exaggerated the perils. She believed her daughter to be cankered to the
+core.
+
+"Hold your book right way up, miss," she muttered in a low voice,
+tremulous with wrath. She snatched away the tell-tale prayer-book and
+returned it with the letter-press right way up. "Do not allow your
+eyes to look anywhere but at your prayers," she added, "or I shall
+have something to say to you. Your father and I will talk to you after
+church."
+
+These words came like a thunderbolt on poor Augustine. She felt faint;
+but, torn between the distress she felt and the dread of causing a
+commotion in church she bravely concealed her anguish. It was, however,
+easy to discern the stormy state of her soul from the trembling of her
+prayer-book, and the tears which dropped on every page she turned. From
+the furious glare shot at him by Madame Guillaume the artist saw the
+peril into which his love affair had fallen; he went out, with a raging
+soul, determined to venture all.
+
+"Go to your room, miss!" said Madame Guillaume, on their return home;
+"we will send for you, but take care not to quit it."
+
+The conference between the husband and wife was conducted so secretly
+that at first nothing was heard of it. Virginie, however, who had tried
+to give her sister courage by a variety of gentle remonstrances, carried
+her good nature so far as to listen at the door of her mother's bedroom
+where the discussion was held, to catch a word or two. The first time
+she went down to the lower floor she heard her father exclaim, "Then,
+madame, do you wish to kill your daughter?"
+
+"My poor dear!" said Virginie, in tears, "papa takes your part."
+
+"And what do they want to do to Theodore?" asked the innocent girl.
+
+Virginie, inquisitive, went down again; but this time she stayed longer;
+she learned that Joseph Lebas loved Augustine. It was written that on
+this memorable day, this house, generally so peaceful, should be a hell.
+Monsieur Guillaume brought Joseph Lebas to despair by telling him of
+Augustine's love for a stranger. Lebas, who had advised his friend to
+become a suitor for Mademoiselle Virginie, saw all his hopes wrecked.
+Mademoiselle Virginie, overcome by hearing that Joseph had, in a way,
+refused her, had a sick headache. The dispute that had arisen from the
+discussion between Monsieur and Madame Guillaume, when, for the third
+time in their lives, they had been of antagonistic opinions, had shown
+itself in a terrible form. Finally, at half-past four in the afternoon,
+Augustine, pale, trembling, and with red eyes, was haled before her
+father and mother. The poor child artlessly related the too brief tale
+of her love. Reassured by a speech from her father, who promised to
+listen to her in silence, she gathered courage as she pronounced to her
+parents the name of Theodore de Sommervieux, with a mischievous little
+emphasis on the aristocratic _de_. And yielding to the unknown charm of
+talking of her feelings, she was brave enough to declare with innocent
+decision that she loved Monsieur de Sommervieux, that she had written to
+him, and she added, with tears in her eyes: "To sacrifice me to another
+man would make me wretched."
+
+"But, Augustine, you cannot surely know what a painter is?" cried her
+mother with horror.
+
+"Madame Guillaume!" said the old man, compelling her to
+silence.--"Augustine," he went on, "artists are generally little better
+than beggars. They are too extravagant not to be always a bad sort. I
+served the late Monsieur Joseph Vernet, the late Monsieur Lekain, and
+the late Monsieur Noverre. Oh, if you could only know the tricks played
+on poor Father Chevrel by that Monsieur Noverre, by the Chevalier de
+Saint-Georges, and especially by Monsieur Philidor! They are a set of
+rascals; I know them well! They all have a gab and nice manners. Ah,
+your Monsieur Sumer--, Somm----"
+
+"De Sommervieux, papa."
+
+"Well, well, de Sommervieux, well and good. He can never have been half
+so sweet to you as Monsieur le Chevalier de Saint-Georges was to me the
+day I got a verdict of the consuls against him. And in those days they
+were gentlemen of quality."
+
+"But, father, Monsieur Theodore is of good family, and he wrote me that
+he is rich; his father was called Chevalier de Sommervieux before the
+Revolution."
+
+At these words Monsieur Guillaume looked at his terrible better half,
+who, like an angry woman, sat tapping the floor with her foot while
+keeping sullen silence; she avoided even casting wrathful looks
+at Augustine, appearing to leave to Monsieur Guillaume the whole
+responsibility in so grave a matter, since her opinion was not listened
+to. Nevertheless, in spite of her apparent self-control, when she
+saw her husband giving way so mildly under a catastrophe which had no
+concern with business, she exclaimed:
+
+"Really, monsieur, you are so weak with your daughters! However----"
+
+The sound of a carriage, which stopped at the door, interrupted the
+rating which the old draper already quaked at. In a minute Madame Roguin
+was standing in the middle of the room, and looking at the actors in
+this domestic scene: "I know all, my dear cousin," said she, with a
+patronizing air.
+
+Madame Roguin made the great mistake of supposing that a Paris notary's
+wife could play the part of a favorite of fashion.
+
+"I know all," she repeated, "and I have come into Noah's Ark, like
+the dove, with the olive-branch. I read that allegory in the _Genie du
+Christianisme_," she added, turning to Madame Guillaume; "the allusion
+ought to please you, cousin. Do you know," she went on, smiling at
+Augustine, "that Monsieur de Sommervieux is a charming man? He gave me
+my portrait this morning, painted by a master's hand. It is worth at
+least six thousand francs." And at these words she patted Monsieur
+Guillaume on the arm. The old draper could not help making a grimace
+with his lips, which was peculiar to him.
+
+"I know Monsieur de Sommervieux very well," the Dove ran on. "He has
+come to my evenings this fortnight past, and made them delightful. He
+has told me all his woes, and commissioned me to plead for him. I know
+since this morning that he adores Augustine, and he shall have her. Ah,
+cousin, do not shake your head in refusal. He will be created Baron, I
+can tell you, and has just been made Chevalier of the Legion of Honor,
+by the Emperor himself, at the Salon. Roguin is now his lawyer, and
+knows all his affairs. Well! Monsieur de Sommervieux has twelve thousand
+francs a year in good landed estate. Do you know that the father-in-law
+of such a man may get a rise in life--be mayor of his _arrondissement_,
+for instance. Have we not seen Monsieur Dupont become a Count of the
+Empire, and a senator, all because he went as mayor to congratulate the
+Emperor on his entry into Vienna? Oh, this marriage must take place! For
+my part, I adore the dear young man. His behavior to Augustine is only
+met with in romances. Be easy, little one, you shall be happy, and every
+girl will wish she were in your place. Madame la Duchesse de Carigliano,
+who comes to my 'At Homes,' raves about Monsieur de Sommervieux. Some
+spiteful people say she only comes to me to meet him; as if a duchesse
+of yesterday was doing too much honor to a Chevrel, whose family have
+been respected citizens these hundred years!
+
+"Augustine," Madame Roguin went on, after a short pause, "I have seen
+the portrait. Heavens! How lovely it is! Do you know that the Emperor
+wanted to have it? He laughed, and said to the Deputy High Constable
+that if there were many women like that in his court while all the kings
+visited it, he should have no difficulty about preserving the peace of
+Europe. Is not that a compliment?"
+
+The tempests with which the day had begun were to resemble those of
+nature, by ending in clear and serene weather. Madame Roguin displayed
+so much address in her harangue, she was able to touch so many strings
+in the dry hearts of Monsieur and Madame Guillaume, that at last she hit
+on one which she could work upon. At this strange period commerce and
+finance were more than ever possessed by the crazy mania for seeking
+alliance with rank; and the generals of the Empire took full advantage
+of this desire. Monsieur Guillaume, as a singular exception, opposed
+this deplorable craving. His favorite axioms were that, to secure
+happiness, a woman must marry a man of her own class; that every one was
+punished sooner or later for having climbed too high; that love could
+so little endure under the worries of a household, that both husband and
+wife needed sound good qualities to be happy, that it would not do for
+one to be far in advance of the other, because, above everything, they
+must understand each other; if a man spoke Greek and his wife Latin,
+they might come to die of hunger. He had himself invented this sort
+of adage. And he compared such marriages to old-fashioned materials of
+mixed silk and wool. Still, there is so much vanity at the bottom of
+man's heart that the prudence of the pilot who steered the Cat and
+Racket so wisely gave way before Madame Roguin's aggressive volubility.
+Austere Madame Guillaume was the first to see in her daughter's
+affection a reason for abdicating her principles and for consenting to
+receive Monsieur de Sommervieux, whom she promised herself she would put
+under severe inquisition.
+
+The old draper went to look for Joseph Lebas, and inform him of the
+state of affairs. At half-past six, the dining-room immortalized by the
+artist saw, united under its skylight, Monsieur and Madame Roguin, the
+young painter and his charming Augustine, Joseph Lebas, who found his
+happiness in patience, and Mademoiselle Virginie, convalescent from her
+headache. Monsieur and Madame Guillaume saw in perspective both their
+children married, and the fortunes of the Cat and Racket once more in
+skilful hands. Their satisfaction was at its height when, at dessert,
+Theodore made them a present of the wonderful picture which they had
+failed to see, representing the interior of the old shop, and to which
+they all owed so much happiness.
+
+"Isn't it pretty!" cried Guillaume. "And to think that any one would pay
+thirty thousand francs for that!"
+
+"Because you can see my lappets in it," said Madame Guillaume.
+
+"And the cloth unrolled!" added Lebas; "you might take it up in your
+hand."
+
+"Drapery always comes out well," replied the painter. "We should be
+only too happy, we modern artists, if we could touch the perfection of
+antique drapery."
+
+"So you like drapery!" cried old Guillaume. "Well, then, by Gad! shake
+hands on that, my young friend. Since you can respect trade, we shall
+understand each other. And why should it be despised? The world began
+with trade, since Adam sold Paradise for an apple. He did not strike
+a good bargain though!" And the old man roared with honest laughter,
+encouraged by the champagne, which he sent round with a liberal hand.
+The band that covered the young artist's eyes was so thick that he
+thought his future parents amiable. He was not above enlivening them
+by a few jests in the best taste. So he too pleased every one. In the
+evening, when the drawing-room, furnished with what Madame Guillaume
+called "everything handsome," was deserted, and while she flitted
+from the table to the chimney-piece, from the candelabra to the tall
+candlesticks, hastily blowing out the wax-lights, the worthy draper, who
+was always clear-sighted when money was in question, called Augustine to
+him, and seating her on his knee, spoke as follows:--
+
+"My dear child, you shall marry your Sommervieux since you insist; you
+may, if you like, risk your capital in happiness. But I am not going to
+be hoodwinked by the thirty thousand francs to be made by spoiling good
+canvas. Money that is lightly earned is lightly spent. Did I not hear
+that hare-brained youngster declare this evening that money was made
+round that it might roll. If it is round for spendthrifts, it is flat
+for saving folks who pile it up. Now, my child, that fine gentleman
+talks of giving you carriages and diamonds! He has money, let him spend
+it on you; so be it. It is no concern of mine. But as to what I can give
+you, I will not have the crown-pieces I have picked up with so much toil
+wasted in carriages and frippery. Those who spend too fast never grow
+rich. A hundred thousand crowns, which is your fortune, will not buy
+up Paris. It is all very well to look forward to a few hundred thousand
+francs to be yours some day; I shall keep you waiting for them as long
+as possible, by Gad! So I took your lover aside, and a man who managed
+the Lecocq bankruptcy had not much difficulty in persuading the artist
+to marry under a settlement of his wife's money on herself. I will keep
+an eye on the marriage contract to see that what he is to settle on you
+is safely tied up. So now, my child, I hope to be a grandfather, by Gad!
+I will begin at once to lay up for my grandchildren; but swear to me,
+here and now, never to sign any papers relating to money without my
+advice; and if I go soon to join old Father Chevrel, promise to consult
+young Lebas, your brother-in-law."
+
+"Yes, father, I swear it."
+
+At these words, spoken in a gentle voice, the old man kissed his
+daughter on both cheeks. That night the lovers slept as soundly as
+Monsieur and Madame Guillaume.
+
+
+
+Some few months after this memorable Sunday the high altar of Saint-Leu
+was the scene of two very different weddings. Augustine and Theodore
+appeared in all the radiance of happiness, their eyes beaming with love,
+dressed with elegance, while a fine carriage waited for them. Virginie,
+who had come in a good hired fly with the rest of the family, humbly
+followed her younger sister, dressed in the simplest fashion like a
+shadow necessary to the harmony of the picture. Monsieur Guillaume had
+exerted himself to the utmost in the church to get Virginie married
+before Augustine, but the priests, high and low, persisted in addressing
+the more elegant of the two brides. He heard some of his neighbors
+highly approving the good sense of Mademoiselle Virginie, who was
+making, as they said, the more substantial match, and remaining faithful
+to the neighborhood; while they fired a few taunts, prompted by envy of
+Augustine, who was marrying an artist and a man of rank; adding, with a
+sort of dismay, that if the Guillaumes were ambitious, there was an end
+to the business. An old fan-maker having remarked that such a prodigal
+would soon bring his wife to beggary, father Guillaume prided himself
+_in petto_ for his prudence in the matter of marriage settlements. In
+the evening, after a splendid ball, followed by one of those substantial
+suppers of which the memory is dying out in the present generation,
+Monsieur and Madame Guillaume remained in a fine house belonging to them
+in the Rue du Colombier, where the wedding had been held; Monsieur
+and Madame Lebas returned in their fly to the old home in the Rue
+Saint-Denis, to steer the good ship Cat and Racket. The artist,
+intoxicated with happiness, carried off his beloved Augustine, and
+eagerly lifting her out of their carriage when it reached the Rue des
+Trois-Freres, led her to an apartment embellished by all the arts.
+
+The fever of passion which possessed Theodore made a year fly over the
+young couple without a single cloud to dim the blue sky under which they
+lived. Life did not hang heavy on the lovers' hands. Theodore lavished
+on every day inexhaustible _fioriture_ of enjoyment, and he delighted
+to vary the transports of passion by the soft languor of those hours
+of repose when souls soar so high that they seem to have forgotten all
+bodily union. Augustine was too happy for reflection; she floated on
+an undulating tide of rapture; she thought she could not do enough by
+abandoning herself to sanctioned and sacred married love; simple and
+artless, she had no coquetry, no reserves, none of the dominion which a
+worldly-minded girl acquires over her husband by ingenious caprice; she
+loved too well to calculate for the future, and never imagined that so
+exquisite a life could come to an end. Happy in being her husband's sole
+delight, she believed that her inextinguishable love would always be
+her greatest grace in his eyes, as her devotion and obedience would be
+a perennial charm. And, indeed, the ecstasy of love had made her so
+brilliantly lovely that her beauty filled her with pride, and gave her
+confidence that she could always reign over a man so easy to kindle
+as Monsieur de Sommervieux. Thus her position as a wife brought her no
+knowledge but the lessons of love.
+
+In the midst of her happiness, she was still the simple child who had
+lived in obscurity in the Rue Saint-Denis, and who never thought of
+acquiring the manners, the information, the tone of the world she had
+to live in. Her words being the words of love, she revealed in them, no
+doubt, a certain pliancy of mind and a certain refinement of speech;
+but she used the language common to all women when they find themselves
+plunged in passion, which seems to be their element. When, by chance,
+Augustine expressed an idea that did not harmonize with Theodore's, the
+young artist laughed, as we laugh at the first mistakes of a foreigner,
+though they end by annoying us if they are not corrected.
+
+In spite of all this love-making, by the end of this year, as delightful
+as it was swift, Sommervieux felt one morning the need for resuming his
+work and his old habits. His wife was expecting their first child. He
+saw some friends again. During the tedious discomforts of the year when
+a young wife is nursing an infant for the first time, he worked,
+no doubt, with zeal, but he occasionally sought diversion in the
+fashionable world. The house which he was best pleased to frequent
+was that of the Duchesse de Carigliano, who had at last attracted the
+celebrated artist to her parties. When Augustine was quite well again,
+and her boy no longer required the assiduous care which debars a mother
+from social pleasures, Theodore had come to the stage of wishing to know
+the joys of satisfied vanity to be found in society by a man who shows
+himself with a handsome woman, the object of envy and admiration.
+
+To figure in drawing-rooms with the reflected lustre of her husband's
+fame, and to find other women envious of her, was to Augustine a new
+harvest of pleasures; but it was the last gleam of conjugal happiness.
+She first wounded her husband's vanity when, in spite of vain efforts,
+she betrayed her ignorance, the inelegance of her language, and the
+narrowness of her ideas. Sommervieux's nature, subjugated for nearly two
+years and a half by the first transports of love, now, in the calm of
+less new possession, recovered its bent and habits, for a while diverted
+from their channel. Poetry, painting, and the subtle joys of imagination
+have inalienable rights over a lofty spirit. These cravings of a
+powerful soul had not been starved in Theodore during these two years;
+they had only found fresh pasture. As soon as the meadows of love had
+been ransacked, and the artist had gathered roses and cornflowers as the
+children do, so greedily that he did not see that his hands could
+hold no more, the scene changed. When the painter showed his wife the
+sketches for his finest compositions he heard her exclaim, as her father
+had done, "How pretty!" This tepid admiration was not the outcome of
+conscientious feeling, but of her faith on the strength of love.
+
+Augustine cared more for a look than for the finest picture. The only
+sublime she knew was that of the heart. At last Theodore could not
+resist the evidence of the cruel fact--his wife was insensible to
+poetry, she did not dwell in his sphere, she could not follow him in
+all his vagaries, his inventions, his joys and his sorrows; she walked
+groveling in the world of reality, while his head was in the skies.
+Common minds cannot appreciate the perennial sufferings of a being
+who, while bound to another by the most intimate affections, is obliged
+constantly to suppress the dearest flights of his soul, and to thrust
+down into the void those images which a magic power compels him to
+create. To him the torture is all the more intolerable because his
+feeling towards his companion enjoins, as its first law, that they
+should have no concealments, but mingle the aspirations of their thought
+as perfectly as the effusions of their soul. The demands of nature are
+not to be cheated. She is as inexorable as necessity, which is, indeed,
+a sort of social nature. Sommervieux took refuge in the peace and
+silence of his studio, hoping that the habit of living with artists
+might mould his wife and develop in her the dormant germs of lofty
+intelligence which some superior minds suppose must exist in every
+being. But Augustine was too sincerely religious not to take fright
+at the tone of artists. At the first dinner Theodore gave, she heard
+a young painter say, with the childlike lightness, which to her was
+unintelligible, and which redeems a jest from the taint of profanity,
+"But, madame, your Paradise cannot be more beautiful than Raphael's
+Transfiguration!--Well, and I got tired of looking at that."
+
+Thus Augustine came among this sparkling set in a spirit of distrust
+which no one could fail to see. She was a restraint on their freedom.
+Now an artist who feels restraint is pitiless; he stays away, or laughs
+it to scorn. Madame Guillaume, among other absurdities, had an excessive
+notion of the dignity she considered the prerogative of a married woman;
+and Augustine, though she had often made fun of it, could not help a
+slight imitation of her mother's primness. This extreme propriety, which
+virtuous wives do not always avoid, suggested a few epigrams in the
+form of sketches, in which the harmless jest was in such good taste
+that Sommervieux could not take offence; and even if they had been
+more severe, these pleasantries were after all only reprisals from
+his friends. Still, nothing could seem a trifle to a spirit so open as
+Theodore's to impressions from without. A coldness insensibly crept over
+him, and inevitably spread. To attain conjugal happiness we must climb
+a hill whose summit is a narrow ridge, close to a steep and slippery
+descent: the painter's love was falling down it. He regarded his wife as
+incapable of appreciating the moral considerations which justified him
+in his own eyes for his singular behavior to her, and believed himself
+quite innocent in hiding from her thoughts she could not enter into,
+and peccadilloes outside the jurisdiction of a _bourgeois_ conscience.
+Augustine wrapped herself in sullen and silent grief. These unconfessed
+feelings placed a shroud between the husband and wife which could not
+fail to grow thicker day by day. Though her husband never failed in
+consideration for her, Augustine could not help trembling as she saw
+that he kept for the outer world those treasures of wit and grace that
+he formerly would lay at her feet. She soon began to find sinister
+meaning in the jocular speeches that are current in the world as to the
+inconstancy of men. She made no complaints, but her demeanor conveyed
+reproach.
+
+Three years after her marriage this pretty young woman, who dashed past
+in her handsome carriage, and lived in a sphere of glory and riches
+to the envy of heedless folk incapable of taking a just view of the
+situations of life, was a prey to intense grief. She lost her color; she
+reflected; she made comparisons; then sorrow unfolded to her the first
+lessons of experience. She determined to restrict herself bravely within
+the round of duty, hoping that by this generous conduct she might
+sooner or later win back her husband's love. But it was not so. When
+Sommervieux, fired with work, came in from his studio, Augustine did not
+put away her work so quickly but that the painter might find his wife
+mending the household linen, and his own, with all the care of a good
+housewife. She supplied generously and without a murmur the money needed
+for his lavishness; but in her anxiety to husband her dear Theodore's
+fortune, she was strictly economical for herself and in certain details
+of domestic management. Such conduct is incompatible with the easy-going
+habits of artists, who, at the end of their life, have enjoyed it so
+keenly that they never inquire into the causes of their ruin.
+
+It is useless to note every tint of shadow by which the brilliant hues
+of their honeymoon were overcast till they were lost in utter blackness.
+One evening poor Augustine, who had for some time heard her husband
+speak with enthusiasm of the Duchesse de Carigliano, received from a
+friend certain malignantly charitable warnings as to the nature of the
+attachment which Sommervieux had formed for this celebrated flirt of
+the Imperial Court. At one-and-twenty, in all the splendor of youth and
+beauty, Augustine saw herself deserted for a woman of six-and-thirty.
+Feeling herself so wretched in the midst of a world of festivity which
+to her was a blank, the poor little thing could no longer understand
+the admiration she excited, or the envy of which she was the object.
+Her face assumed a different expression. Melancholy, tinged her features
+with the sweetness of resignation and the pallor of scorned love. Ere
+long she too was courted by the most fascinating men; but she remained
+lonely and virtuous. Some contemptuous words which escaped her husband
+filled her with incredible despair. A sinister flash showed her the
+breaches which, as a result of her sordid education, hindered the
+perfect union of her soul with Theodore's; she loved him well enough to
+absolve him and condemn herself. She shed tears of blood, and perceived,
+too late, that there are _mesalliances_ of the spirit as well as of
+rank and habits. As she recalled the early raptures of their union,
+she understood the full extent of that lost happiness, and accepted the
+conclusion that so rich a harvest of love was in itself a whole life,
+which only sorrow could pay for. At the same time, she loved too truly
+to lose all hope. At one-and-twenty she dared undertake to educate
+herself, and make her imagination, at least, worthy of that she admired.
+"If I am not a poet," thought she, "at any rate, I will understand
+poetry."
+
+Then, with all the strength of will, all the energy which every woman
+can display when she loves, Madame de Sommervieux tried to alter her
+character, her manners, and her habits; but by dint of devouring books
+and learning undauntedly, she only succeeded in becoming less ignorant.
+Lightness of wit and the graces of conversation are a gift of nature, or
+the fruit of education begun in the cradle. She could appreciate
+music and enjoy it, but she could not sing with taste. She understood
+literature and the beauties of poetry, but it was too late to
+cultivate her refractory memory. She listened with pleasure to social
+conversation, but she could contribute nothing brilliant. Her religious
+notions and home-grown prejudices were antagonistic to the complete
+emancipation of her intelligence. Finally, a foregone conclusion against
+her had stolen into Theodore's mind, and this she could not conquer. The
+artist would laugh, at those who flattered him about his wife, and his
+irony had some foundation; he so overawed the pathetic young creature
+that, in his presence, or alone with him, she trembled. Hampered by her
+too eager desire to please, her wits and her knowledge vanished in one
+absorbing feeling. Even her fidelity vexed the unfaithful husband, who
+seemed to bid her do wrong by stigmatizing her virtue as insensibility.
+Augustine tried in vain to abdicate her reason, to yield to her
+husband's caprices and whims, to devote herself to the selfishness of
+his vanity. Her sacrifices bore no fruit. Perhaps they had both let
+the moment slip when souls may meet in comprehension. One day the young
+wife's too sensitive heart received one of those blows which so strain
+the bonds of feeling that they seem to be broken. She withdrew into
+solitude. But before long a fatal idea suggested to her to seek counsel
+and comfort in the bosom of her family.
+
+So one morning she made her way towards the grotesque facade of the
+humble, silent home where she had spent her childhood. She sighed as she
+looked up at the sash-window, whence one day she had sent her first kiss
+to him who now shed as much sorrow as glory on her life. Nothing was
+changed in the cavern, where the drapery business had, however, started
+on a new life. Augustine's sister filled her mother's old place at the
+desk. The unhappy young woman met her brother-in-law with his pen behind
+his ear; he hardly listened to her, he was so full of business. The
+formidable symptoms of stock-taking were visible all round him; he
+begged her to excuse him. She was received coldly enough by her sister,
+who owed her a grudge. In fact, Augustine, in her finery, and stepping
+out of a handsome carriage, had never been to see her but when passing
+by. The wife of the prudent Lebas, imagining that want of money was the
+prime cause of this early call, tried to keep up a tone of reserve which
+more than once made Augustine smile. The painter's wife perceived that,
+apart from the cap and lappets, her mother had found in Virginie a
+successor who could uphold the ancient honor of the Cat and Racket. At
+breakfast she observed certain changes in the management of the house
+which did honor to Lebas' good sense; the assistants did not rise before
+dessert; they were allowed to talk, and the abundant meal spoke of ease
+without luxury. The fashionable woman found some tickets for a box at
+the Francais, where she remembered having seen her sister from time to
+time. Madame Lebas had a cashmere shawl over her shoulders, of which
+the value bore witness to her husband's generosity to her. In short, the
+couple were keeping pace with the times. During the two-thirds of the
+day she spent there, Augustine was touched to the heart by the equable
+happiness, devoid, to be sure, of all emotion, but equally free from
+storms, enjoyed by this well-matched couple. They had accepted life as
+a commercial enterprise, in which, above all, they must do credit to the
+business. Not finding any great love in her husband, Virginie had set to
+work to create it. Having by degrees learned to esteem and care for his
+wife, the time that his happiness had taken to germinate was to Joseph
+Lebas a guarantee of its durability. Hence, when Augustine plaintively
+set forth her painful position, she had to face the deluge of
+commonplace morality which the traditions of the Rue Saint-Denis
+furnished to her sister.
+
+"The mischief is done, wife," said Joseph Lebas; "we must try to give
+our sister good advice." Then the clever tradesman ponderously analyzed
+the resources which law and custom might offer Augustine as a means
+of escape at this crisis; he ticketed every argument, so to speak, and
+arranged them in their degrees of weight under various categories, as
+though they were articles of merchandise of different qualities; then he
+put them in the scale, weighed them, and ended by showing the necessity
+for his sister-in-law's taking violent steps which could not satisfy the
+love she still had for her husband; and, indeed, the feeling had
+revived in all its strength when she heard Joseph Lebas speak of
+legal proceedings. Augustine thanked them, and returned home even more
+undecided than she had been before consulting them. She now ventured
+to go to the house in the Rue du Colombier, intending to confide her
+troubles to her father and mother; for she was like a sick man who, in
+his desperate plight, tries every prescription, and even puts faith in
+old wives' remedies.
+
+The old people received their daughter with an effusiveness that touched
+her deeply. Her visit brought them some little change, and that to them
+was worth a fortune. For the last four years they had gone their way
+like navigators without a goal or a compass. Sitting by the chimney
+corner, they would talk over their disasters under the old law of
+_maximum_, of their great investments in cloth, of the way they had
+weathered bankruptcies, and, above all, the famous failure of Lecocq,
+Monsieur Guillaume's battle of Marengo. Then, when they had exhausted
+the tale of lawsuits, they recapitulated the sum total of their most
+profitable stock-takings, and told each other old stories of the
+Saint-Denis quarter. At two o'clock old Guillaume went to cast an eye on
+the business at the Cat and Racket; on his way back he called at all the
+shops, formerly the rivals of his own, where the young proprietors hoped
+to inveigle the old draper into some risky discount, which, as was his
+wont, he never refused point-blank. Two good Normandy horses were dying
+of their own fat in the stables of the big house; Madame Guillaume never
+used them but to drag her on Sundays to high Mass at the parish church.
+Three times a week the worthy couple kept open house. By the influence
+of his son-in-law Sommervieux, Monsieur Guillaume had been named a
+member of the consulting board for the clothing of the Army. Since her
+husband had stood so high in office, Madame Guillaume had decided
+that she must receive; her rooms were so crammed with gold and silver
+ornaments, and furniture, tasteless but of undoubted value, that the
+simplest room in the house looked like a chapel. Economy and expense
+seemed to be struggling for the upper hand in every accessory. It was as
+though Monsieur Guillaume had looked to a good investment, even in the
+purchase of a candlestick. In the midst of this bazaar, where splendor
+revealed the owner's want of occupation, Sommervieux's famous picture
+filled the place of honor, and in it Monsieur and Madame Guillaume found
+their chief consolation, turning their eyes, harnessed with eye-glasses,
+twenty times a day on this presentment of their past life, to them so
+active and amusing. The appearance of this mansion and these rooms,
+where everything had an aroma of staleness and mediocrity, the spectacle
+offered by these two beings, cast away, as it were, on a rock far from
+the world and the ideas which are life, startled Augustine; she could
+here contemplate the sequel of the scene of which the first part had
+struck her at the house of Lebas--a life of stir without movement, a
+mechanical and instinctive existence like that of the beaver; and then
+she felt an indefinable pride in her troubles, as she reflected that
+they had their source in eighteen months of such happiness as, in her
+eyes, was worth a thousand lives like this; its vacuity seemed to her
+horrible. However, she concealed this not very charitable feeling, and
+displayed for her parents her newly-acquired accomplishments of mind,
+and the ingratiating tenderness that love had revealed to her, disposing
+them to listen to her matrimonial grievances. Old people have a weakness
+for this kind of confidence. Madame Guillaume wanted to know the most
+trivial details of that alien life, which to her seemed almost fabulous.
+The travels of Baron da la Houtan, which she began again and again and
+never finished, told her nothing more unheard-of concerning the Canadian
+savages.
+
+"What, child, your husband shuts himself into a room with naked women!
+And you are so simple as to believe that he draws them?"
+
+As she uttered this exclamation, the grandmother laid her spectacles
+on a little work-table, shook her skirts, and clasped her hands on her
+knees, raised by a foot-warmer, her favorite pedestal.
+
+"But, mother, all artists are obliged to have models."
+
+"He took good care not to tell us that when he asked leave to marry
+you. If I had known it, I would never had given my daughter to a man who
+followed such a trade. Religion forbids such horrors; they are immoral.
+And at what time of night do you say he comes home?"
+
+"At one o'clock--two----"
+
+The old folks looked at each other in utter amazement.
+
+"Then he gambles?" said Monsieur Guillaume. "In my day only gamblers
+stayed out so late."
+
+Augustine made a face that scorned the accusation.
+
+"He must keep you up through dreadful nights waiting for him," said
+Madame Guillaume. "But you go to bed, don't you? And when he has lost,
+the wretch wakes you."
+
+"No, mamma, on the contrary, he is sometimes in very good spirits. Not
+unfrequently, indeed, when it is fine, he suggests that I should get up
+and go into the woods."
+
+"The woods! At that hour? Then have you such a small set of rooms that
+his bedroom and his sitting-room are not enough, and that he must run
+about? But it is just to give you cold that the wretch proposes such
+expeditions. He wants to get rid of you. Did one ever hear of a man
+settled in life, a well-behaved, quiet man galloping about like a
+warlock?"
+
+"But, my dear mother, you do not understand that he must have excitement
+to fire his genius. He is fond of scenes which----"
+
+"I would make scenes for him, fine scenes!" cried Madame Guillaume,
+interrupting her daughter. "How can you show any consideration to such a
+man? In the first place, I don't like his drinking water only; it is not
+wholesome. Why does he object to see a woman eating? What queer notion
+is that! But he is mad. All you tell us about him is impossible. A man
+cannot leave his home without a word, and never come back for ten days.
+And then he tells you he has been to Dieppe to paint the sea. As if
+any one painted the sea! He crams you with a pack of tales that are too
+absurd."
+
+Augustine opened her lips to defend her husband; but Madame Guillaume
+enjoined silence with a wave of her hand, which she obeyed by a survival
+of habit, and her mother went on in harsh tones: "Don't talk to me about
+the man! He never set foot in church excepting to see you and to be
+married. People without religion are capable of anything. Did Guillaume
+ever dream of hiding anything from me, of spending three days without
+saying a word to me, and of chattering afterwards like a blind magpie?"
+
+"My dear mother, you judge superior people too severely. If their ideas
+were the same as other folks', they would not be men of genius."
+
+"Very well, then let men of genius stop at home and not get married.
+What! A man of genius is to make his wife miserable? And because he is a
+genius it is all right! Genius, genius! It is not so very clever to
+say black one minute and white the next, as he does, to interrupt other
+people, to dance such rigs at home, never to let you know which foot you
+are to stand on, to compel his wife never to be amused unless my lord is
+in gay spirits, and to be dull when he is dull."
+
+"But, mother, the very nature of such imaginations----"
+
+"What are such 'imaginations'?" Madame Guillaume went on, interrupting
+her daughter again. "Fine ones his are, my word! What possesses a man
+that all on a sudden, without consulting a doctor, he takes it into his
+head to eat nothing but vegetables? If indeed it were from religious
+motives, it might do him some good--but he has no more religion than a
+Huguenot. Was there ever a man known who, like him, loved horses better
+than his fellow-creatures, had his hair curled like a heathen, laid
+statues under muslin coverlets, shut his shutters in broad day to work
+by lamp-light? There, get along; if he were not so grossly immoral, he
+would be fit to shut up in a lunatic asylum. Consult Monsieur Loraux,
+the priest at Saint Sulpice, ask his opinion about it all, and he will
+tell you that your husband, does not behave like a Christian."
+
+"Oh, mother, can you believe----?"
+
+"Yes, I do believe. You loved him, and you can see none of these things.
+But I can remember in the early days after your marriage. I met him
+in the Champs-Elysees. He was on horseback. Well, at one minute he was
+galloping as hard as he could tear, and then pulled up to a walk. I said
+to myself at that moment, 'There is a man devoid of judgement.'"
+
+"Ah, ha!" cried Monsieur Guillaume, "how wise I was to have your money
+settled on yourself with such a queer fellow for a husband!"
+
+When Augustine was so imprudent as to set forth her serious grievances
+against her husband, the two old people were speechless with
+indignation. But the word "divorce" was ere long spoken by Madame
+Guillaume. At the sound of the word divorce the apathetic old draper
+seemed to wake up. Prompted by his love for his daughter, and also by
+the excitement which the proceedings would bring into his uneventful
+life, father Guillaume took up the matter. He made himself the leader of
+the application for a divorce, laid down the lines of it, almost argued
+the case; he offered to be at all the charges, to see the lawyers, the
+pleaders, the judges, to move heaven and earth. Madame de Sommervieux
+was frightened, she refused her father's services, said she would not
+be separated from her husband even if she were ten times as unhappy, and
+talked no more about her sorrows. After being overwhelmed by her parents
+with all the little wordless and consoling kindnesses by which the
+old couple tried in vain to make up to her for her distress of heart,
+Augustine went away, feeling the impossibility of making a superior mind
+intelligible to weak intellects. She had learned that a wife must hide
+from every one, even from her parents, woes for which it is so difficult
+to find sympathy. The storms and sufferings of the upper spheres
+are appreciated only by the lofty spirits who inhabit there. In any
+circumstance we can only be judged by our equals.
+
+Thus poor Augustine found herself thrown back on the horror of her
+meditations, in the cold atmosphere of her home. Study was indifferent
+to her, since study had not brought her back her husband's heart.
+Initiated into the secret of these souls of fire, but bereft of their
+resources, she was compelled to share their sorrows without sharing
+their pleasures. She was disgusted with the world, which to her seemed
+mean and small as compared with the incidents of passion. In short, her
+life was a failure.
+
+One evening an idea flashed upon her that lighted up her dark grief like
+a beam from heaven. Such an idea could never have smiled on a heart less
+pure, less virtuous than hers. She determined to go to the Duchesse de
+Carigliano, not to ask her to give her back her husband's heart, but to
+learn the arts by which it had been captured; to engage the interest of
+this haughty fine lady for the mother of her lover's children; to appeal
+to her and make her the instrument of her future happiness, since she
+was the cause of her present wretchedness.
+
+So one day Augustine, timid as she was, but armed with supernatural
+courage, got into her carriage at two in the afternoon to try for
+admittance to the boudoir of the famous coquette, who was never visible
+till that hour. Madame de Sommervieux had not yet seen any of the
+ancient and magnificent mansions of the Faubourg Saint-Germain. As she
+made her way through the stately corridors, the handsome staircases,
+the vast drawing-rooms--full of flowers, though it was in the depth of
+winter, and decorated with the taste peculiar to women born to opulence
+or to the elegant habits of the aristocracy, Augustine felt a terrible
+clutch at her heart; she coveted the secrets of an elegance of which
+she had never had an idea; she breathed in an air of grandeur which
+explained the attraction of the house for her husband. When she reached
+the private rooms of the Duchess she was filled with jealousy and a sort
+of despair, as she admired the luxurious arrangement of the furniture,
+the draperies and the hangings. Here disorder was a grace, here luxury
+affected a certain contempt of splendor. The fragrance that floated
+in the warm air flattered the sense of smell without offending it.
+The accessories of the rooms were in harmony with a view, through
+plate-glass windows, of the lawns in a garden planted with evergreen
+trees. It was all bewitching, and the art of it was not perceptible. The
+whole spirit of the mistress of these rooms pervaded the drawing-room
+where Augustine awaited her. She tried to divine her rival's character
+from the aspect of the scattered objects; but there was here something
+as impenetrable in the disorder as in the symmetry, and to the
+simple-minded young wife all was a sealed letter. All that she could
+discern was that, as a woman, the Duchess was a superior person. Then a
+painful thought came over her.
+
+"Alas! And is it true," she wondered, "that a simple and loving heart
+is not all-sufficient to an artist; that to balance the weight of these
+powerful souls they need a union with feminine souls of a strength equal
+to their own? If I had been brought up like this siren, our weapons at
+least might have been equal in the hour of struggle."
+
+"But I am not at home!" The sharp, harsh words, though spoken in an
+undertone in the adjoining boudoir, were heard by Augustine, and her
+heart beat violently.
+
+"The lady is in there," replied the maid.
+
+"You are an idiot! Show her in," replied the Duchess, whose voice was
+sweeter, and had assumed the dulcet tones of politeness. She evidently
+now meant to be heard.
+
+Augustine shyly entered the room. At the end of the dainty boudoir she
+saw the Duchess lounging luxuriously on an ottoman covered with brown
+velvet and placed in the centre of a sort of apse outlined by soft folds
+of white muslin over a yellow lining. Ornaments of gilt bronze, arranged
+with exquisite taste, enhanced this sort of dais, under which the
+Duchess reclined like a Greek statue. The dark hue of the velvet gave
+relief to every fascinating charm. A subdued light, friendly to her
+beauty, fell like a reflection rather than a direct illumination. A few
+rare flowers raised their perfumed heads from costly Sevres vases. At
+the moment when this picture was presented to Augustine's astonished
+eyes, she was approaching so noiselessly that she caught a glance from
+those of the enchantress. This look seemed to say to some one whom
+Augustine did not at first perceive, "Stay; you will see a pretty woman,
+and make her visit seem less of a bore."
+
+On seeing Augustine, the Duchess rose and made her sit down by her.
+
+"And to what do I owe the pleasure of this visit, madame?" she said with
+a most gracious smile.
+
+"Why all the falseness?" thought Augustine, replying only with a bow.
+
+Her silence was compulsory. The young woman saw before her a superfluous
+witness of the scene. This personage was, of all the Colonels in the
+army, the youngest, the most fashionable, and the finest man. His face,
+full of life and youth, but already expressive, was further enhanced by
+a small moustache twirled up into points, and as black as jet, by a full
+imperial, by whiskers carefully combed, and a forest of black hair in
+some disorder. He was whisking a riding whip with an air of ease and
+freedom which suited his self-satisfied expression and the elegance of
+his dress; the ribbons attached to his button-hole were carelessly tied,
+and he seemed to pride himself much more on his smart appearance than
+on his courage. Augustine looked at the Duchesse de Carigliano, and
+indicated the Colonel by a sidelong glance. All its mute appeal was
+understood.
+
+"Good-bye, then, Monsieur d'Aiglemont, we shall meet in the Bois de
+Boulogne."
+
+These words were spoken by the siren as though they were the result of
+an agreement made before Augustine's arrival, and she winged them with a
+threatening look that the officer deserved perhaps for the admiration he
+showed in gazing at the modest flower, which contrasted so well with the
+haughty Duchess. The young fop bowed in silence, turned on the heels
+of his boots, and gracefully quitted the boudoir. At this instant,
+Augustine, watching her rival, whose eyes seemed to follow the brilliant
+officer, detected in that glance a sentiment of which the transient
+expression is known to every woman. She perceived with the deepest
+anguish that her visit would be useless; this lady, full of artifice,
+was too greedy of homage not to have a ruthless heart.
+
+"Madame," said Augustine in a broken voice, "the step I am about to take
+will seem to you very strange; but there is a madness of despair which
+ought to excuse anything. I understand only too well why Theodore
+prefers your house to any other, and why your mind has so much power
+over his. Alas! I have only to look into myself to find more than ample
+reasons. But I am devoted to my husband, madame. Two years of tears have
+not effaced his image from my heart, though I have lost his. In my folly
+I dared to dream of a contest with you; and I have come to you to ask
+you by what means I may triumph over yourself. Oh, madame," cried the
+young wife, ardently seizing the hand which her rival allowed her to
+hold, "I will never pray to God for my own happiness with so much
+fervor as I will beseech Him for yours, if you will help me to win back
+Sommervieux's regard--I will not say his love. I have no hope but in
+you. Ah! tell me how you could please him, and make him forget the first
+days----" At these words Augustine broke down, suffocated with sobs she
+could not suppress. Ashamed of her weakness, she hid her face in her
+handkerchief, which she bathed with tears.
+
+"What a child you are, my dear little beauty!" said the Duchess, carried
+away by the novelty of such a scene, and touched, in spite of herself,
+at receiving such homage from the most perfect virtue perhaps in Paris.
+She took the young wife's handkerchief, and herself wiped the tears from
+her eyes, soothing her by a few monosyllables murmured with gracious
+compassion. After a moment's silence the Duchess, grasping poor
+Augustine's hands in both her own--hands that had a rare character of
+dignity and powerful beauty--said in a gentle and friendly voice:
+"My first warning is to advise you not to weep so bitterly; tears are
+disfiguring. We must learn to deal firmly with the sorrows that make us
+ill, for love does not linger long by a sick-bed. Melancholy, at first,
+no doubt, lends a certain attractive grace, but it ends by dragging the
+features and blighting the loveliest face. And besides, our tyrants are
+so vain as to insist that their slaves should be always cheerful."
+
+"But, madame, it is not in my power not to feel. How is it possible,
+without suffering a thousand deaths, to see the face which once beamed
+with love and gladness turn chill, colorless, and indifferent? I cannot
+control my heart!"
+
+"So much the worse, sweet child. But I fancy I know all your story.
+In the first place, if your husband is unfaithful to you, understand
+clearly that I am not his accomplice. If I was anxious to have him in my
+drawing-room, it was, I own, out of vanity; he was famous, and he went
+nowhere. I like you too much already to tell you all the mad things he
+has done for my sake. I will only reveal one, because it may perhaps
+help us to bring him back to you, and to punish him for the audacity of
+his behavior to me. He will end by compromising me. I know the world
+too well, my dear, to abandon myself to the discretion of a too superior
+man. You should know that one may allow them to court one, but marry
+them--that is a mistake! We women ought to admire men of genius, and
+delight in them as a spectacle, but as to living with them? Never.--No,
+no. It is like wanting to find pleasure in inspecting the machinery of
+the opera instead of sitting in a box to enjoy its brilliant illusions.
+But this misfortune has fallen on you, my poor child, has it not? Well,
+then, you must try to arm yourself against tyranny."
+
+"Ah, madame, before coming in here, only seeing you as I came in, I
+already detected some arts of which I had no suspicion."
+
+"Well, come and see me sometimes, and it will not be long before you
+have mastered the knowledge of these trifles, important, too, in their
+way. Outward things are, to fools, half of life; and in that matter more
+than one clever man is a fool, in spite of all his talent. But I dare
+wager you never could refuse your Theodore anything!"
+
+"How refuse anything, madame, if one loves a man?"
+
+"Poor innocent, I could adore you for your simplicity. You should know
+that the more we love the less we should allow a man, above all, a
+husband, to see the whole extent of our passion. The one who loves most
+is tyrannized over, and, which is worse, is sooner or later neglected.
+The one who wishes to rule should----"
+
+"What, madame, must I then dissimulate, calculate, become false, form an
+artificial character, and live in it? How is it possible to live in such
+a way? Can you----" she hesitated; the Duchess smiled.
+
+"My dear child," the great lady went on in a serious tone, "conjugal
+happiness has in all times been a speculation, a business demanding
+particular attention. If you persist in talking passion while I am
+talking marriage, we shall soon cease to understand each other. Listen
+to me," she went on, assuming a confidential tone. "I have been in
+the way of seeing some of the superior men of our day. Those who have
+married have for the most part chosen quite insignificant wives. Well,
+those wives governed them, as the Emperor governs us; and if they were
+not loved, they were at least respected. I like secrets--especially
+those which concern women--well enough to have amused myself by seeking
+the clue to the riddle. Well, my sweet child, those worthy women had the
+gift of analyzing their husbands' nature; instead of taking fright, like
+you, at their superiority, they very acutely noted the qualities they
+lacked, and either by possessing those qualities, or by feigning to
+possess them, they found means of making such a handsome display of them
+in their husbands' eyes that in the end they impressed them. Also, I
+must tell you, all these souls which appear so lofty have just a speck
+of madness in them, which we ought to know how to take advantage of. By
+firmly resolving to have the upper hand and never deviating from that
+aim, by bringing all our actions to bear on it, all our ideas, our
+cajolery, we subjugate these eminently capricious natures, which, by
+the very mutability of their thoughts, lend us the means of influencing
+them."
+
+"Good heavens!" cried the young wife in dismay. "And this is life. It is
+a warfare----"
+
+"In which we must always threaten," said the Duchess, laughing. "Our
+power is wholly factitious. And we must never allow a man to despise
+us; it is impossible to recover from such a descent but by odious
+manoeuvring. Come," she added, "I will give you a means of bringing your
+husband to his senses."
+
+She rose with a smile to guide the young and guileless apprentice
+to conjugal arts through the labyrinth of her palace. They came to
+a back-staircase, which led up to the reception rooms. As Madame de
+Carigliano pressed the secret springlock of the door she stopped,
+looking at Augustine with an inimitable gleam of shrewdness and grace.
+"The Duc de Carigliano adores me," said she. "Well, he dare not enter by
+this door without my leave. And he is a man in the habit of commanding
+thousands of soldiers. He knows how to face a battery, but before
+me,--he is afraid!"
+
+Augustine sighed. They entered a sumptuous gallery, where the painter's
+wife was led by the Duchess up to the portrait painted by Theodore of
+Mademoiselle Guillaume. On seeing it, Augustine uttered a cry.
+
+"I knew it was no longer in my house," she said, "but--here!----"
+
+"My dear child, I asked for it merely to see what pitch of idiocy a man
+of genius may attain to. Sooner or later I should have returned it to
+you, for I never expected the pleasure of seeing the original here face
+to face with the copy. While we finish our conversation I will have it
+carried down to your carriage. And if, armed with such a talisman,
+you are not your husband's mistress for a hundred years, you are not a
+woman, and you deserve your fate."
+
+Augustine kissed the Duchess' hand, and the lady clasped her to her
+heart, with all the more tenderness because she would forget her by the
+morrow. This scene might perhaps have destroyed for ever the candor and
+purity of a less virtuous woman than Augustine, for the astute politics
+of the higher social spheres were no more consonant to Augustine than
+the narrow reasoning of Joseph Lebas, or Madame Guillaume's vapid
+morality. Strange are the results of the false positions into which
+we may be brought by the slightest mistake in the conduct of life!
+Augustine was like an Alpine cowherd surprised by an avalanche; if he
+hesitates, if he listens to the shouts of his comrades, he is almost
+certainly lost. In such a crisis the heart steels itself or breaks.
+
+Madame de Sommervieux returned home a prey to such agitation as it is
+difficult to describe. Her conversation with the Duchesse de Carigliano
+had roused in her mind a crowd of contradictory thoughts. Like the sheep
+in the fable, full of courage in the wolf's absence, she preached
+to herself, and laid down admirable plans of conduct; she devised a
+thousand coquettish stratagems; she even talked to her husband, finding,
+away from him, all the springs of true eloquence which never desert a
+woman; then, as she pictured to herself Theodore's clear and steadfast
+gaze, she began to quake. When she asked whether monsieur were at home
+her voice shook. On learning that he would not be in to dinner, she felt
+an unaccountable thrill of joy. Like a criminal who has appealed against
+sentence of death, a respite, however short, seemed to her a lifetime.
+She placed the portrait in her room, and waited for her husband in all
+the agonies of hope. That this venture must decide her future life, she
+felt too keenly not to shiver at every sound, even the low ticking of
+the clock, which seemed to aggravate her terrors by doling them out to
+her. She tried to cheat time by various devices. The idea struck her of
+dressing in a way which would make her exactly like the portrait. Then,
+knowing her husband's restless temper, she had her room lighted up with
+unusual brightness, feeling sure that when he came in curiosity would
+bring him there at once. Midnight had struck when, at the call of the
+groom, the street gate was opened, and the artist's carriage rumbled in
+over the stones of the silent courtyard.
+
+"What is the meaning of this illumination?" asked Theodore in glad
+tones, as he came into her room.
+
+Augustine skilfully seized the auspicious moment; she threw herself into
+her husband's arms, and pointed to the portrait. The artist stood rigid
+as a rock, and his eyes turned alternately on Augustine, on the accusing
+dress. The frightened wife, half-dead, as she watched her husband's
+changeful brow--that terrible brow--saw the expressive furrows gathering
+like clouds; then she felt her blood curdling in her veins when, with a
+glaring look, and in a deep hollow voice, he began to question her:
+
+"Where did you find that picture?"
+
+"The Duchess de Carigliano returned it to me."
+
+"You asked her for it?"
+
+"I did not know that she had it."
+
+The gentleness, or rather the exquisite sweetness of this angel's voice,
+might have touched a cannibal, but not an artist in the clutches of
+wounded vanity.
+
+"It is worthy of her!" exclaimed the painter in a voice of thunder. "I
+will be avenged!" he cried, striding up and down the room. "She shall
+die of shame; I will paint her! Yes, I will paint her as Messalina
+stealing out at night from the palace of Claudius."
+
+"Theodore!" said a faint voice.
+
+"I will kill her!"
+
+"My dear----"
+
+"She is in love with that little cavalry colonel, because he rides
+well----"
+
+"Theodore!"
+
+"Let me be!" said the painter in a tone almost like a roar.
+
+It would be odious to describe the whole scene. In the end the frenzy
+of passion prompted the artist to acts and words which any woman not so
+young as Augustine would have ascribed to madness.
+
+At eight o'clock next morning Madame Guillaume, surprising her
+daughter, found her pale, with red eyes, her hair in disorder, holding a
+handkerchief soaked with tears, while she gazed at the floor strewn with
+the torn fragments of a dress and the broken fragments of a large gilt
+picture-frame. Augustine, almost senseless with grief, pointed to the
+wreck with a gesture of deep despair.
+
+"I don't know that the loss is very great!" cried the old mistress of
+the Cat and Racket. "It was like you, no doubt; but I am told that there
+is a man on the boulevard who paints lovely portraits for fifty crowns."
+
+"Oh, mother!"
+
+"Poor child, you are quite right," replied Madame Guillaume, who
+misinterpreted the expression of her daughter's glance at her. "True,
+my child, no one ever can love you as fondly as a mother. My darling,
+I guess it all; but confide your sorrows to me, and I will comfort you.
+Did I not tell you long ago that the man was mad! Your maid has told me
+pretty stories. Why, he must be a perfect monster!"
+
+Augustine laid a finger on her white lips, as if to implore a moment's
+silence. During this dreadful night misery had led her to that patient
+resignation which in mothers and loving wives transcends in its
+effects all human energy, and perhaps reveals in the heart of women the
+existence of certain chords which God has withheld from men.
+
+
+
+An inscription engraved on a broken column in the cemetery at Montmartre
+states that Madame de Sommervieux died at the age of twenty-seven. In
+the simple words of this epitaph one of the timid creature's friends can
+read the last scene of a tragedy. Every year, on the second of November,
+the solemn day of the dead, he never passes this youthful monument
+without wondering whether it does not need a stronger woman than
+Augustine to endure the violent embrace of genius?
+
+"The humble and modest flowers that bloom in the valley," he reflects,
+"perish perhaps when they are transplanted too near the skies, to the
+region where storms gather and the sun is scorching."
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+ Aiglemont, General, Marquis Victor d'
+ The Firm of Nucingen
+ A Woman of Thirty
+
+ Birotteau, Cesar
+ Cesar Birotteau
+ A Bachelor's Establishment
+
+ Camusot
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ Cousin Pons
+ The Muse of the Department
+ Cesar Birotteau
+
+ Cardot, Jean-Jerome-Severin
+ A Start in Life
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ Cesar Birotteau
+
+ Carigliano, Marechal, Duc de
+ Father Goriot
+ Sarrasine
+
+ Carigliano, Duchesse de
+ A Distinguished Provincial at Paris
+ The Peasantry
+ The Member for Arcis
+
+ Guillaume
+ Cesar Birotteau
+
+ Lebas, Joseph
+ Cesar Birotteau
+ Cousin Betty
+
+ Lebas, Madame Joseph (Virginie)
+ Cesar Birotteau
+ Cousin Betty
+
+ Lourdois
+ Cesar Birotteau
+
+ Rabourdin, Xavier
+ The Government Clerks
+ Cesar Birotteau
+ The Middle Classes
+
+ Roguin, Madame
+ Cesar Birotteau
+ Pierrette
+ A Second Home
+ A Daughter of Eve
+
+ Sommervieux, Theodore de
+ The Government Clerks
+ Modeste Mignon
+
+ Sommervieux, Madame Theodore de (Augustine)
+ At the Sign of the Cat and Racket
+ Cesar Birotteau
+
+
+
+
+
+
+End of the Project Gutenberg EBook of At the Sign of the Cat and Racket, by
+Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+***** This file should be named 1680.txt or 1680.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/6/8/1680/
+
+Produced by John Bickers, and Dagny
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/1680.zip b/1680.zip
new file mode 100644
index 0000000..2e6c2c6
--- /dev/null
+++ b/1680.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..4b448d1
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #1680 (https://www.gutenberg.org/ebooks/1680)
diff --git a/old/20040611-1680-h.zip b/old/20040611-1680-h.zip
new file mode 100644
index 0000000..8cde5b2
--- /dev/null
+++ b/old/20040611-1680-h.zip
Binary files differ
diff --git a/old/20040611-1680.txt b/old/20040611-1680.txt
new file mode 100644
index 0000000..a4d587d
--- /dev/null
+++ b/old/20040611-1680.txt
@@ -0,0 +1,2596 @@
+Project Gutenberg's At the Sign of the Cat and Racket, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+
+Title: At the Sign of the Cat and Racket
+
+Author: Honore de Balzac
+
+Release Date: June 11, 2004 [EBook #1680]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+
+
+
+Produced by Dagny; and John Bickers
+
+
+
+
+ AT THE SIGN OF THE CAT AND RACKET
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+
+ Translated by Clara Bell
+
+
+
+
+ DEDICATION
+
+ To Mademoiselle Marie de Montheau
+
+
+
+
+ AT THE SIGN OF THE CAT AND RACKET
+
+
+
+Half-way down the Rue Saint-Denis, almost at the corner of the Rue du
+Petit-Lion, there stood formerly one of those delightful houses which
+enable historians to reconstruct old Paris by analogy. The threatening
+walls of this tumbledown abode seemed to have been decorated with
+hieroglyphics. For what other name could the passer-by give to the Xs
+and Vs which the horizontal or diagonal timbers traced on the front,
+outlined by little parallel cracks in the plaster? It was evident that
+every beam quivered in its mortices at the passing of the lightest
+vehicle. This venerable structure was crowned by a triangular roof of
+which no example will, ere long, be seen in Paris. This covering,
+warped by the extremes of the Paris climate, projected three feet over
+the roadway, as much to protect the threshold from the rainfall as to
+shelter the wall of a loft and its sill-less dormer-window. This upper
+story was built of planks, overlapping each other like slates, in
+order, no doubt, not to overweight the frail house.
+
+One rainy morning in the month of March, a young man, carefully
+wrapped in his cloak, stood under the awning of a shop opposite this
+old house, which he was studying with the enthusiasm of an antiquary.
+In point of fact, this relic of the civic life of the sixteenth
+century offered more than one problem to the consideration of an
+observer. Each story presented some singularity; on the first floor
+four tall, narrow windows, close together, were filled as to the lower
+panes with boards, so as to produce the doubtful light by which a
+clever salesman can ascribe to his goods the color his customers
+inquire for. The young man seemed very scornful of this part of the
+house; his eyes had not yet rested on it. The windows of the second
+floor, where the Venetian blinds were drawn up, revealing little dingy
+muslin curtains behind the large Bohemian glass panes, did not
+interest him either. His attention was attracted to the third floor,
+to the modest sash-frames of wood, so clumsily wrought that they might
+have found a place in the Museum of Arts and Crafts to illustrate the
+early efforts of French carpentry. These windows were glazed with
+small squares of glass so green that, but for his good eyes, the young
+man could not have seen the blue-checked cotton curtains which
+screened the mysteries of the room from profane eyes. Now and then the
+watcher, weary of his fruitless contemplation, or of the silence in
+which the house was buried, like the whole neighborhood, dropped his
+eyes towards the lower regions. An involuntary smile parted his lips
+each time he looked at the shop, where, in fact, there were some
+laughable details.
+
+A formidable wooden beam, resting on four pillars, which appeared to
+have bent under the weight of the decrepit house, had been encrusted
+with as many coats of different paint as there are of rouge on an old
+duchess' cheek. In the middle of this broad and fantastically carved
+joist there was an old painting representing a cat playing rackets.
+This picture was what moved the young man to mirth. But it must be
+said that the wittiest of modern painters could not invent so comical
+a caricature. The animal held in one of its forepaws a racket as big
+as itself, and stood on its hind legs to aim at hitting an enormous
+ball, returned by a man in a fine embroidered coat. Drawing, color,
+and accessories, all were treated in such a way as to suggest that the
+artist had meant to make game of the shop-owner and of the passing
+observer. Time, while impairing this artless painting, had made it yet
+more grotesque by introducing some uncertain features which must have
+puzzled the conscientious idler. For instance, the cat's tail had been
+eaten into in such a way that it might now have been taken for the
+figure of a spectator--so long, and thick, and furry were the tails of
+our forefathers' cats. To the right of the picture, on an azure field
+which ill-disguised the decay of the wood, might be read the name
+"Guillaume," and to the left, "Successor to Master Chevrel." Sun and
+rain had worn away most of the gilding parsimoniously applied to the
+letters of this superscription, in which the Us and Vs had changed
+places in obedience to the laws of old-world orthography.
+
+To quench the pride of those who believe that the world is growing
+cleverer day by day, and that modern humbug surpasses everything, it
+may be observed that these signs, of which the origin seems so
+whimsical to many Paris merchants, are the dead pictures of once
+living pictures by which our roguish ancestors contrived to tempt
+customers into their houses. Thus the Spinning Sow, the Green Monkey,
+and others, were animals in cages whose skills astonished the
+passer-by, and whose accomplishments prove the patience of the
+fifteenth-century artisan. Such curiosities did more to enrich their
+fortunate owners than the signs of "Providence," "Good-faith," "Grace
+of God," and "Decapitation of John the Baptist," which may still be
+seen in the Rue Saint-Denis.
+
+However, our stranger was certainly not standing there to admire the
+cat, which a minute's attention sufficed to stamp on his memory. The
+young man himself had his peculiarities. His cloak, folded after the
+manner of an antique drapery, showed a smart pair of shoes, all the
+more remarkable in the midst of the Paris mud, because he wore white
+silk stockings, on which the splashes betrayed his impatience. He had
+just come, no doubt, from a wedding or a ball; for at this early hour
+he had in his hand a pair of white gloves, and his black hair, now out
+of curl, and flowing over his shoulders, showed that it had been
+dressed _a la Caracalla_, a fashion introduced as much by David's
+school of painting as by the mania for Greek and Roman styles which
+characterized the early years of this century.
+
+In spite of the noise made by a few market gardeners, who, being late,
+rattled past towards the great market-place at a gallop, the busy
+street lay in a stillness of which the magic charm is known only to
+those who have wandered through deserted Paris at the hours when its
+roar, hushed for a moment, rises and spreads in the distance like the
+great voice of the sea. This strange young man must have seemed as
+curious to the shopkeeping folk of the "Cat and Racket" as the "Cat
+and Racket" was to him. A dazzlingly white cravat made his anxious
+face look even paler than it really was. The fire that flashed in his
+black eyes, gloomy and sparkling by turns, was in harmony with the
+singular outline of his features, with his wide, flexible mouth,
+hardened into a smile. His forehead, knit with violent annoyance, had
+a stamp of doom. Is not the forehead the most prophetic feature of a
+man? When the stranger's brow expressed passion the furrows formed in
+it were terrible in their strength and energy; but when he recovered
+his calmness, so easily upset, it beamed with a luminous grace which
+gave great attractiveness to a countenance in which joy, grief, love,
+anger, or scorn blazed out so contagiously that the coldest man could
+not fail to be impressed.
+
+He was so thoroughly vexed by the time when the dormer-window of the
+loft was suddenly flung open, that he did not observe the apparition
+of three laughing faces, pink and white and chubby, but as vulgar as
+the face of Commerce as it is seen in sculpture on certain monuments.
+These three faces, framed by the window, recalled the puffy cherubs
+floating among the clouds that surround God the Father. The
+apprentices snuffed up the exhalations of the street with an eagerness
+that showed how hot and poisonous the atmosphere of their garret must
+be. After pointing to the singular sentinel, the most jovial, as he
+seemed, of the apprentices retired and came back holding an instrument
+whose hard metal pipe is now superseded by a leather tube; and they
+all grinned with mischief as they looked down on the loiterer, and
+sprinkled him with a fine white shower of which the scent proved that
+three chins had just been shaved. Standing on tiptoe, in the farthest
+corner of their loft, to enjoy their victim's rage, the lads ceased
+laughing on seeing the haughty indifference with which the young man
+shook his cloak, and the intense contempt expressed by his face as he
+glanced up at the empty window-frame.
+
+At this moment a slender white hand threw up the lower half of one of
+the clumsy windows on the third floor by the aid of the sash runners,
+of which the pulley so often suddenly gives way and releases the heavy
+panes it ought to hold up. The watcher was then rewarded for his long
+waiting. The face of a young girl appeared, as fresh as one of the
+white cups that bloom on the bosom of the waters, crowned by a frill
+of tumbled muslin, which gave her head a look of exquisite innocence.
+Though wrapped in brown stuff, her neck and shoulders gleamed here and
+there through little openings left by her movements in sleep. No
+expression of embarrassment detracted from the candor of her face, or
+the calm look of eyes immortalized long since in the sublime works of
+Raphael; here were the same grace, the same repose as in those
+Virgins, and now proverbial. There was a delightful contrast between
+the cheeks of that face on which sleep had, as it were, given high
+relief to a superabundance of life, and the antiquity of the heavy
+window with its clumsy shape and black sill. Like those day-blowing
+flowers, which in the early morning have not yet unfurled their cups,
+twisted by the chills of night, the girl, as yet hardly awake, let her
+blue eyes wander beyond the neighboring roofs to look at the sky;
+then, from habit, she cast them down on the gloomy depths of the
+street, where they immediately met those of her adorer. Vanity, no
+doubt, distressed her at being seen in undress; she started back, the
+worn pulley gave way, and the sash fell with the rapid run, which in
+our day has earned for this artless invention of our forefathers an
+odious name, _Fenetre a la Guillotine_. The vision had disappeared. To
+the young man the most radiant star of morning seemed to be hidden by
+a cloud.
+
+During these little incidents the heavy inside shutters that protected
+the slight windows of the shop of the "Cat and Racket" had been
+removed as if by magic. The old door with its knocker was opened back
+against the wall of the entry by a man-servant, apparently coeval with
+the sign, who, with a shaking hand, hung upon it a square of cloth, on
+which were embroidered in yellow silk the words: "Guillaume, successor
+to Chevrel." Many a passer-by would have found it difficult to guess
+the class of trade carried on by Monsieur Guillaume. Between the
+strong iron bars which protected his shop windows on the outside,
+certain packages, wrapped in brown linen, were hardly visible, though
+as numerous as herrings swimming in a shoal. Notwithstanding the
+primitive aspect of the Gothic front, Monsieur Guillaume, of all the
+merchant clothiers in Paris, was the one whose stores were always the
+best provided, whose connections were the most extensive, and whose
+commercial honesty never lay under the slightest suspicion. If some of
+his brethren in business made a contract with the Government, and had
+not the required quantity of cloth, he was always ready to deliver it,
+however large the number of pieces tendered for. The wily dealer knew
+a thousand ways of extracting the largest profits without being
+obliged, like them, to court patrons, cringing to them, or making them
+costly presents. When his fellow-tradesmen could only pay in good
+bills of long date, he would mention his notary as an accommodating
+man, and managed to get a second profit out of the bargain, thanks to
+this arrangement, which had made it a proverb among the traders of the
+Rue Saint-Denis: "Heaven preserve you from Monsieur Guillaume's
+notary!" to signify a heavy discount.
+
+The old merchant was to be seen standing on the threshold of his shop,
+as if by a miracle, the instant the servant withdrew. Monsieur
+Guillaume looked at the Rue Saint-Denis, at the neighboring shops, and
+at the weather, like a man disembarking at Havre, and seeing France
+once more after a long voyage. Having convinced himself that nothing
+had changed while he was asleep, he presently perceived the stranger
+on guard, and he, on his part, gazed at the patriarchal draper as
+Humboldt may have scrutinized the first electric eel he saw in
+America. Monsieur Guillaume wore loose black velvet breeches,
+pepper-and-salt stockings, and square toed shoes with silver buckles.
+His coat, with square-cut fronts, square-cut tails, and square-cut
+collar clothed his slightly bent figure in greenish cloth, finished with
+white metal buttons, tawny from wear. His gray hair was so accurately
+combed and flattened over his yellow pate that it made it look like a
+furrowed field. His little green eyes, that might have been pierced
+with a gimlet, flashed beneath arches faintly tinged with red in the
+place of eyebrows. Anxieties had wrinkled his forehead with as many
+horizontal lines as there were creases in his coat. This colorless
+face expressed patience, commercial shrewdness, and the sort of wily
+cupidity which is needful in business. At that time these old families
+were less rare than they are now, in which the characteristic habits
+and costume of their calling, surviving in the midst of more recent
+civilization, were preserved as cherished traditions, like the
+antediluvian remains found by Cuvier in the quarries.
+
+The head of the Guillaume family was a notable upholder of ancient
+practices; he might be heard to regret the Provost of Merchants, and
+never did he mention a decision of the Tribunal of Commerce without
+calling it the _Sentence of the Consuls_. Up and dressed the first of
+the household, in obedience, no doubt, to these old customs, he stood
+sternly awaiting the appearance of his three assistants, ready to
+scold them in case they were late. These young disciples of Mercury
+knew nothing more terrible than the wordless assiduity with which the
+master scrutinized their faces and their movements on Monday in search
+of evidence or traces of their pranks. But at this moment the old
+clothier paid no heed to his apprentices; he was absorbed in trying to
+divine the motive of the anxious looks which the young man in silk
+stockings and a cloak cast alternately at his signboard and into the
+depths of his shop. The daylight was now brighter, and enabled the
+stranger to discern the cashier's corner enclosed by a railing and
+screened by old green silk curtains, where were kept the immense
+ledgers, the silent oracles of the house. The too inquisitive gazer
+seemed to covet this little nook, and to be taking the plan of a
+dining-room at one side, lighted by a skylight, whence the family at
+meals could easily see the smallest incident that might occur at the
+shop-door. So much affection for his dwelling seemed suspicious to a
+trader who had lived long enough to remember the law of maximum
+prices; Monsieur Guillaume naturally thought that this sinister
+personage had an eye to the till of the Cat and Racket. After quietly
+observing the mute duel which was going on between his master and the
+stranger, the eldest of the apprentices, having seen that the young
+man was stealthily watching the windows of the third floor, ventured
+to place himself on the stone flag where Monsieur Guillaume was
+standing. He took two steps out into the street, raised his head, and
+fancied that he caught sight of Mademoiselle Augustine Guillaume in
+hasty retreat. The draper, annoyed by his assistant's perspicacity,
+shot a side glance at him; but the draper and his amorous apprentice
+were suddenly relieved from the fears which the young man's presence
+had excited in their minds. He hailed a hackney cab on its way to a
+neighboring stand, and jumped into it with an air of affected
+indifference. This departure was a balm to the hearts of the other two
+lads, who had been somewhat uneasy as to meeting the victim of their
+practical joke.
+
+"Well, gentlemen, what ails you that you are standing there with your
+arms folded?" said Monsieur Guillaume to his three neophytes. "In
+former days, bless you, when I was in Master Chevrel's service, I
+should have overhauled more than two pieces of cloth by this time."
+
+"Then it was daylight earlier," said the second assistant, whose duty
+this was.
+
+The old shopkeeper could not help smiling. Though two of these young
+fellows, who were confided to his care by their fathers, rich
+manufacturers at Louviers and at Sedan, had only to ask and to have a
+hundred thousand francs the day when they were old enough to settle in
+life, Guillaume regarded it as his duty to keep them under the rod of
+an old-world despotism, unknown nowadays in the showy modern shops,
+where the apprentices expect to be rich men at thirty. He made them
+work like Negroes. These three assistants were equal to a business
+which would harry ten such clerks as those whose sybaritical tastes
+now swell the columns of the budget. Not a sound disturbed the peace
+of this solemn house, where the hinges were always oiled, and where
+the meanest article of furniture showed the respectable cleanliness
+which reveals strict order and economy. The most waggish of the three
+youths often amused himself by writing the date of its first
+appearance on the Gruyere cheese which was left to their tender
+mercies at breakfast, and which it was their pleasure to leave
+untouched. This bit of mischief, and a few others of the same stamp,
+would sometimes bring a smile on the face of the younger of
+Guillaume's daughters, the pretty maiden who has just now appeared to
+the bewitched man in the street.
+
+Though each of these apprentices, even the eldest, paid a round sum
+for his board, not one of them would have been bold enough to remain
+at the master's table when dessert was served. When Madame Guillaume
+talked of dressing the salad, the hapless youths trembled as they
+thought of the thrift with which her prudent hand dispensed the oil.
+They could never think of spending a night away from the house without
+having given, long before, a plausible reason for such an
+irregularity. Every Sunday, each in his turn, two of them accompanied
+the Guillaume family to Mass at Saint-Leu, and to vespers.
+Mesdemoiselles Virginie and Augustine, simply attired in cotton print,
+each took the arm of an apprentice and walked in front, under the
+piercing eye of their mother, who closed the little family procession
+with her husband, accustomed by her to carry two large prayer-books,
+bound in black morocco. The second apprentice received no salary. As
+for the eldest, whose twelve years of perseverance and discretion had
+initiated him into the secrets of the house, he was paid eight hundred
+francs a year as the reward of his labors. On certain family festivals
+he received as a gratuity some little gift, to which Madame
+Guillaume's dry and wrinkled hand alone gave value--netted purses,
+which she took care to stuff with cotton wool, to show off the fancy
+stitches, braces of the strongest make, or heavy silk stockings.
+Sometimes, but rarely, this prime minister was admitted to share the
+pleasures of the family when they went into the country, or when,
+after waiting for months, they made up their mind to exert the right
+acquired by taking a box at the theatre to command a piece which Paris
+had already forgotten.
+
+As to the other assistants, the barrier of respect which formerly
+divided a master draper from his apprentices was that they would have
+been more likely to steal a piece of cloth than to infringe this
+time-honored etiquette. Such reserve may now appear ridiculous; but
+these old houses were a school of honesty and sound morals. The
+masters adopted their apprentices. The young man's linen was cared
+for, mended, and often replaced by the mistress of the house. If an
+apprentice fell ill, he was the object of truly maternal attention. In
+a case of danger the master lavished his money in calling in the most
+celebrated physicians, for he was not answerable to their parents
+merely for the good conduct and training of the lads. If one of them,
+whose character was unimpeachable, suffered misfortune, these old
+tradesmen knew how to value the intelligence he had displayed, and
+they did not hesitate to entrust the happiness of their daughters to
+men whom they had long trusted with their fortunes. Guillaume was one
+of these men of the old school, and if he had their ridiculous side,
+he had all their good qualities; and Joseph Lebas, the chief
+assistant, an orphan without any fortune, was in his mind destined to
+be the husband of Virginie, his elder daughter. But Joseph did not
+share the symmetrical ideas of his master, who would not for an empire
+have given his second daughter in marriage before the elder. The
+unhappy assistant felt that his heart was wholly given to Mademoiselle
+Augustine, the younger. In order to justify this passion, which had
+grown up in secret, it is necessary to inquire a little further into
+the springs of the absolute government which ruled the old
+cloth-merchant's household.
+
+Guillaume had two daughters. The elder, Mademoiselle Virginie, was the
+very image of her mother. Madame Guillaume, daughter of the Sieur
+Chevrel, sat so upright in the stool behind her desk, that more than
+once she had heard some wag bet that she was a stuffed figure. Her
+long, thin face betrayed exaggerated piety. Devoid of attractions or
+of amiable manners, Madame Guillaume commonly decorated her head--that
+of a woman near on sixty--with a cap of a particular and unvarying
+shape, with long lappets, like that of a widow. In all the
+neighborhood she was known as the "portress nun." Her speech was curt,
+and her movements had the stiff precision of a semaphore. Her eye,
+with a gleam in it like a cat's, seemed to spite the world because she
+was so ugly. Mademoiselle Virginie, brought up, like her younger
+sister, under the domestic rule of her mother, had reached the age of
+eight-and-twenty. Youth mitigated the graceless effect which her
+likeness to her mother sometimes gave to her features, but maternal
+austerity had endowed her with two great qualities which made up for
+everything. She was patient and gentle. Mademoiselle Augustine, who
+was but just eighteen, was not like either her father or her mother.
+She was one of those daughters whose total absence of any physical
+affinity with their parents makes one believe in the adage: "God gives
+children." Augustine was little, or, to describe her more truly,
+delicately made. Full of gracious candor, a man of the world could
+have found no fault in the charming girl beyond a certain meanness of
+gesture or vulgarity of attitude, and sometimes a want of ease. Her
+silent and placid face was full of the transient melancholy which
+comes over all young girls who are too weak to dare to resist their
+mother's will.
+
+The two sisters, always plainly dressed, could not gratify the innate
+vanity of womanhood but by a luxury of cleanliness which became them
+wonderfully, and made them harmonize with the polished counters and
+the shining shelves, on which the old man-servant never left a speck
+of dust, and with the old-world simplicity of all they saw about them.
+As their style of living compelled them to find the elements of
+happiness in persistent work, Augustine and Virginie had hitherto
+always satisfied their mother, who secretly prided herself on the
+perfect characters of her two daughters. It is easy to imagine the
+results of the training they had received. Brought up to a commercial
+life, accustomed to hear nothing but dreary arguments and calculations
+about trade, having studied nothing but grammar, book-keeping, a
+little Bible-history, and the history of France in Le Ragois, and
+never reading any book but what their mother would sanction, their
+ideas had not acquired much scope. They knew perfectly how to keep
+house; they were familiar with the prices of things; they understood
+the difficulty of amassing money; they were economical, and had a
+great respect for the qualities that make a man of business. Although
+their father was rich, they were as skilled in darning as in
+embroidery; their mother often talked of having them taught to cook,
+so that they might know how to order a dinner and scold a cook with
+due knowledge. They knew nothing of the pleasures of the world; and,
+seeing how their parents spent their exemplary lives, they very rarely
+suffered their eyes to wander beyond the walls of their hereditary
+home, which to their mother was the whole universe. The meetings to
+which family anniversaries gave rise filled in the future of earthly
+joy to them.
+
+When the great drawing-room on the second floor was to be prepared to
+receive company--Madame Roguin, a Demoiselle Chevrel, fifteen months
+younger than her cousin, and bedecked with diamonds; young Rabourdin,
+employed in the Finance Office; Monsieur Cesar Birotteau, the rich
+perfumer, and his wife, known as Madame Cesar; Monsieur Camusot, the
+richest silk mercer in the Rue des Bourdonnais, with his
+father-in-law, Monsieur Cardot, two or three old bankers, and some
+immaculate ladies--the arrangements, made necessary by the way in
+which everything was packed away--the plate, the Dresden china, the
+candlesticks, and the glass--made a variety in the monotonous lives of
+the three women, who came and went and exerted themselves as nuns
+would to receive their bishop. Then, in the evening, when all three
+were tired out with having wiped, rubbed, unpacked, and arranged all
+the gauds of the festival, as the girls helped their mother to
+undress, Madame Guillaume would say to them, "Children, we have done
+nothing today."
+
+When, on very great occasions, "the portress nun" allowed dancing,
+restricting the games of boston, whist, and backgammon within the
+limits of her bedroom, such a concession was accounted as the most
+unhoped felicity, and made them happier than going to the great balls,
+to two or three of which Guillaume would take the girls at the time of
+the Carnival.
+
+And once a year the worthy draper gave an entertainment, when he
+spared no expense. However rich and fashionable the persons invited
+might be, they were careful not to be absent; for the most important
+houses on the exchange had recourse to the immense credit, the
+fortune, or the time-honored experience of Monsieur Guillaume. Still,
+the excellent merchant's daughters did not benefit as much as might be
+supposed by the lessons the world has to offer to young spirits. At
+these parties, which were indeed set down in the ledger to the credit
+of the house, they wore dresses the shabbiness of which made them
+blush. Their style of dancing was not in any way remarkable, and their
+mother's surveillance did not allow of their holding any conversation
+with their partners beyond Yes and No. Also, the law of the old sign
+of the Cat and Racket commanded that they should be home by eleven
+o'clock, the hour when balls and fetes begin to be lively. Thus their
+pleasures, which seemed to conform very fairly to their father's
+position, were often made insipid by circumstances which were part of
+the family habits and principles.
+
+As to their usual life, one remark will sufficiently paint it. Madame
+Guillaume required her daughters to be dressed very early in the
+morning, to come down every day at the same hour, and she ordered
+their employments with monastic regularity. Augustine, however, had
+been gifted by chance with a spirit lofty enough to feel the emptiness
+of such a life. Her blue eyes would sometimes be raised as if to
+pierce the depths of that gloomy staircase and those damp store-rooms.
+After sounding the profound cloistral silence, she seemed to be
+listening to remote, inarticulate revelations of the life of passion,
+which accounts feelings as of higher value than things. And at such
+moments her cheek would flush, her idle hands would lay the muslin
+sewing on the polished oak counter, and presently her mother would say
+in a voice, of which even the softest tones were sour, "Augustine, my
+treasure, what are you thinking about?" It is possible that two
+romances discovered by Augustine in the cupboard of a cook Madame
+Guillaume had lately discharged--_Hippolyte Comte de Douglas_ and _Le
+Comte de Comminges_--may have contributed to develop the ideas of the
+young girl, who had devoured them in secret, during the long nights of
+the past winter.
+
+And so Augustine's expression of vague longing, her gentle voice, her
+jasmine skin, and her blue eyes had lighted in poor Lebas' soul a
+flame as ardent as it was reverent. From an easily understood caprice,
+Augustine felt no affection for the orphan; perhaps she did not know
+that he loved her. On the other hand, the senior apprentice, with his
+long legs, his chestnut hair, his big hands and powerful frame, had
+found a secret admirer in Mademoiselle Virginie, who, in spite of her
+dower of fifty thousand crowns, had as yet no suitor. Nothing could be
+more natural than these two passions at cross-purposes, born in the
+silence of the dingy shop, as violets bloom in the depths of a wood.
+The mute and constant looks which made the young people's eyes meet by
+sheer need of change in the midst of persistent work and cloistered
+peace, was sure, sooner or later, to give rise to feelings of love.
+The habit of seeing always the same face leads insensibly to our
+reading there the qualities of the soul, and at last effaces all its
+defects.
+
+"At the pace at which that man goes, our girls will soon have to go on
+their knees to a suitor!" said Monsieur Guillaume to himself, as he
+read the first decree by which Napoleon drew in advance on the
+conscript classes.
+
+From that day the old merchant, grieved at seeing his eldest daughter
+fade, remembered how he had married Mademoiselle Chevrel under much
+the same circumstances as those of Joseph Lebas and Virginie. A good
+bit of business, to marry off his daughter, and discharge a sacred
+debt by repaying to an orphan the benefit he had formerly received
+from his predecessor under similar conditions! Joseph Lebas, who was
+now three-and-thirty, was aware of the obstacle which a difference of
+fifteen years placed between Augustine and himself. Being also too
+clear-sighted not to understand Monsieur Guillaume's purpose, he knew
+his inexorable principles well enough to feel sure that the second
+would never marry before the elder. So the hapless assistant, whose
+heart was as warm as his legs were long and his chest deep, suffered
+in silence.
+
+This was the state of the affairs in the tiny republic which, in the
+heart of the Rue Saint-Denis, was not unlike a dependency of La
+Trappe. But to give a full account of events as well as of feelings,
+it is needful to go back to some months before the scene with which
+this story opens. At dusk one evening, a young man passing the
+darkened shop of the Cat and Racket, had paused for a moment to gaze
+at a picture which might have arrested every painter in the world. The
+shop was not yet lighted, and was as a dark cave beyond which the
+dining-room was visible. A hanging lamp shed the yellow light which
+lends such charm to pictures of the Dutch school. The white linen, the
+silver, the cut glass, were brilliant accessories, and made more
+picturesque by strong contrasts of light and shade. The figures of the
+head of the family and his wife, the faces of the apprentices, and the
+pure form of Augustine, near whom a fat chubby-cheeked maid was
+standing, composed so strange a group; the heads were so singular, and
+every face had so candid an expression; it was so easy to read the
+peace, the silence, the modest way of life in this family, that to an
+artist accustomed to render nature, there was something hopeless in
+any attempt to depict this scene, come upon by chance. The stranger
+was a young painter, who, seven years before, had gained the first
+prize for painting. He had now just come back from Rome. His soul,
+full-fed with poetry; his eyes, satiated with Raphael and Michael
+Angelo, thirsted for real nature after long dwelling in the pompous
+land where art has everywhere left something grandiose. Right or
+wrong, this was his personal feeling. His heart, which had long been a
+prey to the fire of Italian passion, craved one of those modest and
+meditative maidens whom in Rome he had unfortunately seen only in
+painting. From the enthusiasm produced in his excited fancy by the
+living picture before him, he naturally passed to a profound
+admiration for the principal figure; Augustine seemed to be pensive,
+and did not eat; by the arrangement of the lamp the light fell full on
+her face, and her bust seemed to move in a circle of fire, which threw
+up the shape of her head and illuminated it with almost supernatural
+effect. The artist involuntarily compared her to an exiled angel
+dreaming of heaven. An almost unknown emotion, a limpid, seething love
+flooded his heart. After remaining a minute, overwhelmed by the weight
+of his ideas, he tore himself from his bliss, went home, ate nothing,
+and could not sleep.
+
+The next day he went to his studio, and did not come out of it till he
+had placed on canvas the magic of the scene of which the memory had,
+in a sense, made him a devotee; his happiness was incomplete till he
+should possess a faithful portrait of his idol. He went many times
+past the house of the Cat and Racket; he even ventured in once or
+twice, under a disguise, to get a closer view of the bewitching
+creature that Madame Guillaume covered with her wing. For eight whole
+months, devoted to his love and to his brush, he was lost to the sight
+of his most intimate friends forgetting the world, the theatre,
+poetry, music, and all his dearest habits. One morning Girodet broke
+through all the barriers with which artists are familiar, and which
+they know how to evade, went into his room, and woke him by asking,
+"What are you going to send to the Salon?" The artist grasped his
+friend's hand, dragged him off to the studio, uncovered a small easel
+picture and a portrait. After a long and eager study of the two
+masterpieces, Girodet threw himself on his comrade's neck and hugged
+him, without speaking a word. His feelings could only be expressed as
+he felt them--soul to soul.
+
+"You are in love?" said Girodet.
+
+They both knew that the finest portraits by Titian, Raphael, and
+Leonardo da Vinci, were the outcome of the enthusiastic sentiments by
+which, indeed, under various conditions, every masterpiece is
+engendered. The artist only bent his head in reply.
+
+"How happy are you to be able to be in love, here, after coming back
+from Italy! But I do not advise you to send such works as these to the
+Salon," the great painter went on. "You see, these two works will not
+be appreciated. Such true coloring, such prodigious work, cannot yet
+be understood; the public is not accustomed to such depths. The
+pictures we paint, my dear fellow, are mere screens. We should do
+better to turn rhymes, and translate the antique poets! There is more
+glory to be looked for there than from our luckless canvases!"
+
+Notwithstanding this charitable advice, the two pictures were
+exhibited. The _Interior_ made a revolution in painting. It gave birth
+to the pictures of genre which pour into all our exhibitions in such
+prodigious quantity that they might be supposed to be produced by
+machinery. As to the portrait, few artists have forgotten that
+lifelike work; and the public, which as a body is sometimes
+discerning, awarded it the crown which Girodet himself had hung over
+it. The two pictures were surrounded by a vast throng. They fought for
+places, as women say. Speculators and moneyed men would have covered
+the canvas with double napoleons, but the artist obstinately refused
+to sell or to make replicas. An enormous sum was offered him for the
+right of engraving them, and the print-sellers were not more favored
+than the amateurs.
+
+Though these incidents occupied the world, they were not of a nature
+to penetrate the recesses of the monastic solitude in the Rue
+Saint-Denis. However, when paying a visit to Madame Guillaume, the
+notary's wife spoke of the exhibition before Augustine, of whom she was
+very fond, and explained its purpose. Madame Roguin's gossip naturally
+inspired Augustine with a wish to see the pictures, and with courage
+enough to ask her cousin secretly to take her to the Louvre. Her
+cousin succeeded in the negotiations she opened with Madame Guillaume
+for permission to release the young girl for two hours from her dull
+labors. Augustine was thus able to make her way through the crowd to
+see the crowned work. A fit of trembling shook her like an aspen leaf
+as she recognized herself. She was terrified, and looked about her to
+find Madame Roguin, from whom she had been separated by a tide of
+people. At that moment her frightened eyes fell on the impassioned
+face of the young painter. She at once recalled the figure of a
+loiterer whom, being curious, she had frequently observed, believing
+him to be a new neighbor.
+
+"You see how love has inspired me," said the artist in the timid
+creature's ear, and she stood in dismay at the words.
+
+She found supernatural courage to enable her to push through the crowd
+and join her cousin, who was still struggling with the mass of people
+that hindered her from getting to the picture.
+
+"You will be stifled!" cried Augustine. "Let us go."
+
+But there are moments, at the Salon, when two women are not always
+free to direct their steps through the galleries. By the irregular
+course to which they were compelled by the press, Mademoiselle
+Guillaume and her cousin were pushed to within a few steps of the
+second picture. Chance thus brought them, both together, to where they
+could easily see the canvas made famous by fashion, for once in
+agreement with talent. Madame Roguin's exclamation of surprise was
+lost in the hubbub and buzz of the crowd; Augustine involuntarily shed
+tears at the sight of this wonderful study. Then, by an almost
+unaccountable impulse, she laid her finger on her lips, as she
+perceived quite near her the ecstatic face of the young painter. The
+stranger replied by a nod, and pointed to Madame Roguin, as a
+spoil-sport, to show Augustine that he had understood. This pantomime
+struck the young girl like hot coals on her flesh; she felt quite guilty
+as she perceived that there was a compact between herself and the artist.
+The suffocating heat, the dazzling sight of beautiful dresses, the
+bewilderment produced in Augustine's brain by the truth of coloring,
+the multitude of living or painted figures, the profusion of gilt
+frames, gave her a sense of intoxication which doubled her alarms. She
+would perhaps have fainted if an unknown rapture had not surged up in
+her heart to vivify her whole being, in spite of this chaos of
+sensations. She nevertheless believed herself to be under the power of
+the Devil, of whose awful snares she had been warned of by the
+thundering words of preachers. This moment was to her like a moment of
+madness. She found herself accompanied to her cousin's carriage by the
+young man, radiant with joy and love. Augustine, a prey to an
+agitation new to her experience, an intoxication which seemed to
+abandon her to nature, listened to the eloquent voice of her heart,
+and looked again and again at the young painter, betraying the emotion
+that came over her. Never had the bright rose of her cheeks shown in
+stronger contrast with the whiteness of her skin. The artist saw her
+beauty in all its bloom, her maiden modesty in all its glory. She
+herself felt a sort of rapture mingled with terror at thinking that
+her presence had brought happiness to him whose name was on every lip,
+and whose talent lent immortality to transient scenes. She was loved!
+It was impossible to doubt it. When she no longer saw the artist,
+these simple words still echoed in her ear, "You see how love has
+inspired me!" And the throbs of her heart, as they grew deeper, seemed
+a pain, her heated blood revealed so many unknown forces in her being.
+She affected a severe headache to avoid replying to her cousin's
+questions concerning the pictures; but on their return Madame Roguin
+could not forbear from speaking to Madame Guillaume of the fame that
+had fallen on the house of the Cat and Racket, and Augustine quaked in
+every limb as she heard her mother say that she should go to the Salon
+to see her house there. The young girl again declared herself
+suffering, and obtained leave to go to bed.
+
+"That is what comes of sight-seeing," exclaimed Monsieur Guillaume--"a
+headache. And is it so very amusing to see in a picture what you can
+see any day in your own street? Don't talk to me of your artists! Like
+writers, they are a starveling crew. Why the devil need they choose my
+house to flout it in their pictures?"
+
+"It may help to sell a few ells more of cloth," said Joseph Lebas.
+
+This remark did not protect art and thought from being condemned once
+again before the judgment-seat of trade. As may be supposed, these
+speeches did not infuse much hope into Augustine, who, during the
+night, gave herself up to the first meditations of love. The events of
+the day were like a dream, which it was a joy to recall to her mind.
+She was initiated into the fears, the hopes, the remorse, all the ebb
+and flow of feeling which could not fail to toss a heart so simple and
+timid as hers. What a void she perceived in this gloomy house! What a
+treasure she found in her soul! To be the wife of a genius, to share
+his glory! What ravages must such a vision make in the heart of a girl
+brought up among such a family! What hopes must it raise in a young
+creature who, in the midst of sordid elements, had pined for a life of
+elegance! A sunbeam had fallen into the prison. Augustine was suddenly
+in love. So many of her feelings were soothed that she succumbed
+without reflection. At eighteen does not love hold a prism between the
+world and the eyes of a young girl? She was incapable of suspecting
+the hard facts which result from the union of a loving woman with a
+man of imagination, and she believed herself called to make him happy,
+not seeing any disparity between herself and him. To her the future
+would be as the present. When, next day, her father and mother
+returned from the Salon, their dejected faces proclaimed some
+disappointment. In the first place, the painter had removed the two
+pictures; and then Madame Guillaume had lost her cashmere shawl. But
+the news that the pictures had disappeared from the walls since her
+visit revealed to Augustine a delicacy of sentiment which a woman can
+always appreciate, even by instinct.
+
+On the morning when, on his way home from a ball, Theodore de
+Sommervieux--for this was the name which fame had stamped on
+Augustine's heart--had been squirted on by the apprentices while
+awaiting the appearance of his artless little friend, who certainly
+did not know that he was there, the lovers had seen each other for the
+fourth time only since their meeting at the Salon. The difficulties
+which the rule of the house placed in the way of the painter's ardent
+nature gave added violence to his passion for Augustine.
+
+How could he get near to a young girl seated in a counting-house
+between two such women as Mademoiselle Virginie and Madame Guillaume?
+How could he correspond with her when her mother never left her side?
+Ingenious, as lovers are, to imagine woes, Theodore saw a rival in one
+of the assistants, to whose interests he supposed the others to be
+devoted. If he should evade these sons of Argus, he would yet be
+wrecked under the stern eye of the old draper or of Madame Guillaume.
+The very vehemence of his passion hindered the young painter from
+hitting on the ingenious expedients which, in prisoners and in lovers,
+seem to be the last effort of intelligence spurred by a wild craving
+for liberty, or by the fire of love. Theodore wandered about the
+neighborhood with the restlessness of a madman, as though movement
+might inspire him with some device. After racking his imagination, it
+occurred to him to bribe the blowsy waiting-maid with gold. Thus a few
+notes were exchanged at long intervals during the fortnight following
+the ill-starred morning when Monsieur Guillaume and Theodore had so
+scrutinized one another. At the present moment the young couple had
+agreed to see each other at a certain hour of the day, and on Sunday,
+at Saint-Leu, during Mass and vespers. Augustine had sent her dear
+Theodore a list of the relations and friends of the family, to whom
+the young painter tried to get access, in the hope of interesting, if
+it were possible, in his love affairs, one of these souls absorbed in
+money and trade, to whom a genuine passion must appear a quite
+monstrous speculation, a thing unheard-of. Nothing meanwhile, was
+altered at the sign of the Cat and Racket. If Augustine was
+absent-minded, if, against all obedience to the domestic code, she stole
+up to her room to make signals by means of a jar of flowers, if she
+sighed, if she were lost in thought, no one observed it, not even her
+mother. This will cause some surprise to those who have entered into
+the spirit of the household, where an idea tainted with poetry would
+be in startling contrast to persons and things, where no one could
+venture on a gesture or a look which would not be seen and analyzed.
+Nothing, however, could be more natural: the quiet barque that
+navigated the stormy waters of the Paris Exchange, under the flag of
+the Cat and Racket, was just now in the toils of one of these tempests
+which, returning periodically, might be termed equinoctial. For the
+last fortnight the five men forming the crew, with Madame Guillaume
+and Mademoiselle Virginie, had been devoting themselves to the hard
+labor, known as stock-taking.
+
+Every bale was turned over, and the length verified to ascertain the
+exact value of the remnant. The ticket attached to each parcel was
+carefully examined to see at what time the piece had been bought. The
+retail price was fixed. Monsieur Guillaume, always on his feet, his
+pen behind his ear, was like a captain commanding the working of the
+ship. His sharp tones, spoken through a trap-door, to inquire into the
+depths of the hold in the cellar-store, gave utterance to the
+barbarous formulas of trade-jargon, which find expression only in
+cipher. "How much H. N. Z.?"--"All sold."--"What is left of Q. X.?"
+--"Two ells."--"At what price?"--"Fifty-five three."--"Set down A. at
+three, with all of J. J., all of M. P., and what is left of V. D. O."
+--A hundred other injunctions equally intelligible were spouted over
+the counters like verses of modern poetry, quoted by romantic spirits,
+to excite each other's enthusiasm for one of their poets. In the
+evening Guillaume, shut up with his assistant and his wife, balanced
+his accounts, carried on the balance, wrote to debtors in arrears, and
+made out bills. All three were busy over this enormous labor, of which
+the result could be stated on a sheet of foolscap, proving to the head
+of the house that there was so much to the good in hard cash, so much
+in goods, so much in bills and notes; that he did not owe a sou; that
+a hundred or two hundred thousand francs were owing to him; that the
+capital had been increased; that the farmlands, the houses, or the
+investments were extended, or repaired, or doubled. Whence it became
+necessary to begin again with increased ardor, to accumulate more
+crown-pieces, without its ever entering the brain of these laborious
+ants to ask--"To what end?"
+
+Favored by this annual turmoil, the happy Augustine escaped the
+investigations of her Argus-eyed relations. At last, one Saturday
+evening, the stock-taking was finished. The figures of the sum-total
+showed a row of 0's long enough to allow Guillaume for once to relax
+the stern rule as to dessert which reigned throughout the year. The
+shrewd old draper rubbed his hands, and allowed his assistants to
+remain at table. The members of the crew had hardly swallowed their
+thimbleful of some home-made liqueur, when the rumble of a carriage
+was heard. The family party were going to see _Cendrillon_ at the
+Varietes, while the two younger apprentices each received a crown of
+six francs, with permission to go wherever they chose, provided they
+were in by midnight.
+
+Notwithstanding this debauch, the old cloth-merchant was shaving
+himself at six next morning, put on his maroon-colored coat, of which
+the glowing lights afforded him perennial enjoyment, fastened a pair
+of gold buckles on the knee-straps of his ample satin breeches; and
+then, at about seven o'clock, while all were still sleeping in the
+house, he made his way to the little office adjoining the shop on the
+first floor. Daylight came in through a window, fortified by iron
+bars, and looking out on a small yard surrounded by such black walls
+that it was very like a well. The old merchant opened the iron-lined
+shutters, which were so familiar to him, and threw up the lower half
+of the sash window. The icy air of the courtyard came in to cool the
+hot atmosphere of the little room, full of the odor peculiar to
+offices.
+
+The merchant remained standing, his hand resting on the greasy arm of
+a large cane chair lined with morocco, of which the original hue had
+disappeared; he seemed to hesitate as to seating himself. He looked
+with affection at the double desk, where his wife's seat, opposite his
+own, was fitted into a little niche in the wall. He contemplated the
+numbered boxes, the files, the implements, the cash box--objects all
+of immemorial origin, and fancied himself in the room with the shade
+of Master Chevrel. He even pulled out the high stool on which he had
+once sat in the presence of his departed master. This stool, covered
+with black leather, the horse-hair showing at every corner--as it had
+long done, without, however, coming out--he placed with a shaking hand
+on the very spot where his predecessor had put it, and then, with an
+emotion difficult to describe, he pulled a bell, which rang at the
+head of Joseph Lebas' bed. When this decisive blow had been struck,
+the old man, for whom, no doubt, these reminiscences were too much,
+took up three or four bills of exchange, and looked at them without
+seeing them.
+
+Suddenly Joseph Lebas stood before him.
+
+"Sit down there," said Guillaume, pointing to the stool.
+
+As the old master draper had never yet bid his assistant be seated in
+his presence, Joseph Lebas was startled.
+
+"What do you think of these notes?" asked Guillaume.
+
+"They will never be paid."
+
+"Why?"
+
+"Well, I heard the day before yesterday Etienne and Co. had made their
+payments in gold."
+
+"Oh, oh!" said the draper. "Well, one must be very ill to show one's
+bile. Let us speak of something else.--Joseph, the stock-taking is
+done."
+
+"Yes, monsieur, and the dividend is one of the best you have ever
+made."
+
+"Do not use new-fangled words. Say the profits, Joseph. Do you know,
+my boy, that this result is partly owing to you? And I do not intend
+to pay you a salary any longer. Madame Guillaume has suggested to me
+to take you into partnership.--'Guillaume and Lebas;' will not that
+make a good business name? We might add, 'and Co.' to round off the
+firm's signature."
+
+Tears rose to the eyes of Joseph Lebas, who tried to hide them.
+
+"Oh, Monsieur Guillaume, how have I deserved such kindness? I only do
+my duty. It was so much already that you should take an interest in a
+poor orph----"
+
+He was brushing the cuff of his left sleeve with his right hand, and
+dared not look at the old man, who smiled as he thought that this
+modest young fellow no doubt needed, as he had needed once on a time,
+some encouragement to complete his explanation.
+
+"To be sure," said Virginie's father, "you do not altogether deserve
+this favor, Joseph. You have not so much confidence in me as I have in
+you." (The young man looked up quickly.) "You know all the secrets of
+the cash-box. For the last two years I have told you almost all my
+concerns. I have sent you to travel in our goods. In short, I have
+nothing on my conscience as regards you. But you--you have a soft
+place, and you have never breathed a word of it." Joseph Lebas
+blushed. "Ah, ha!" cried Guillaume, "so you thought you could deceive
+an old fox like me? When you knew that I had scented the Lecocq
+bankruptcy?"
+
+"What, monsieur?" replied Joseph Lebas, looking at his master as
+keenly as his master looked at him, "you knew that I was in love?"
+
+"I know everything, you rascal," said the worthy and cunning old
+merchant, pulling the assistant's ear. "And I forgive you--I did the
+same myself."
+
+"And you will give her to me?"
+
+"Yes--with fifty thousand crowns; and I will leave you as much by
+will, and we will start on our new career under the name of a new
+firm. We will do good business yet, my boy!" added the old man,
+getting up and flourishing his arms. "I tell you, son-in-law, there is
+nothing like trade. Those who ask what pleasure is to be found in it
+are simpletons. To be on the scent of a good bargain, to hold your own
+on 'Change, to watch as anxiously as at the gaming-table whether
+Etienne and Co. will fail or no, to see a regiment of Guards march
+past all dressed in your cloth, to trip your neighbor up--honestly of
+course!--to make the goods cheaper than others can; then to carry out
+an undertaking which you have planned, which begins, grows, totters,
+and succeeds! to know the workings of every house of business as well
+as a minister of police, so as never to make a mistake; to hold up
+your head in the midst of wrecks, to have friends by correspondence in
+every manufacturing town; is not that a perpetual game, Joseph? That
+is life, that is! I shall die in that harness, like old Chevrel, but
+taking it easy now, all the same."
+
+In the heat of his eager rhetoric, old Guillaume had scarcely looked
+at his assistant, who was weeping copiously. "Why, Joseph, my poor
+boy, what is the matter?"
+
+"Oh, I love her so! Monsieur Guillaume, that my heart fails me; I
+believe----"
+
+"Well, well, boy," said the old man, touched, "you are happier than
+you know, by God! For she loves you. I know it."
+
+And he blinked his little green eyes as he looked at the young man.
+
+"Mademoiselle Augustine! Mademoiselle Augustine!" exclaimed Joseph
+Lebas in his rapture.
+
+He was about to rush out of the room when he felt himself clutched by
+a hand of iron, and his astonished master spun him round in front of
+him once more.
+
+"What has Augustine to do with this matter?" he asked, in a voice
+which instantly froze the luckless Joseph.
+
+"Is it not she that--that--I love?" stammered the assistant.
+
+Much put out by his own want of perspicacity, Guillaume sat down
+again, and rested his long head in his hands to consider the
+perplexing situation in which he found himself. Joseph Lebas,
+shamefaced and in despair, remained standing.
+
+"Joseph," the draper said with frigid dignity, "I was speaking of
+Virginie. Love cannot be made to order, I know. I know, too, that you
+can be trusted. We will forget all this. I will not let Augustine
+marry before Virginie.--Your interest will be ten per cent."
+
+The young man, to whom love gave I know not what power of courage and
+eloquence, clasped his hand, and spoke in his turn--spoke for a
+quarter of an hour, with so much warmth and feeling, that he altered
+the situation. If the question had been a matter of business the old
+tradesman would have had fixed principles to guide his decision; but,
+tossed a thousand miles from commerce, on the ocean of sentiment,
+without a compass, he floated, as he told himself, undecided in the
+face of such an unexpected event. Carried away by his fatherly
+kindness, he began to beat about the bush.
+
+"Deuce take it, Joseph, you must know that there are ten years between
+my two children. Mademoiselle Chevrel was no beauty, still she has had
+nothing to complain of in me. Do as I did. Come, come, don't cry. Can
+you be so silly? What is to be done? It can be managed perhaps. There
+is always some way out of a scrape. And we men are not always devoted
+Celadons to our wives--you understand? Madame Guillaume is very pious.
+. . . Come. By Gad, boy, give your arm to Augustine this morning as we
+go to Mass."
+
+These were the phrases spoken at random by the old draper, and their
+conclusion made the lover happy. He was already thinking of a friend
+of his as a match for Mademoiselle Virginie, as he went out of the
+smoky office, pressing his future father-in-law's hand, after saying
+with a knowing look that all would turn out for the best.
+
+"What will Madame Guillaume say to it?" was the idea that greatly
+troubled the worthy merchant when he found himself alone.
+
+At breakfast Madame Guillaume and Virginie, to whom the draper had not
+yet confided his disappointment, cast meaning glances at Joseph Lebas,
+who was extremely embarrassed. The young assistant's bashfulness
+commended him to his mother-in-law's good graces. The matron became so
+cheerful that she smiled as she looked at her husband, and allowed
+herself some little pleasantries of time-honored acceptance in such
+simple families. She wondered whether Joseph or Virginie were the
+taller, to ask them to compare their height. This preliminary fooling
+brought a cloud to the master's brow, and he even made such a point of
+decorum that he desired Augustine to take the assistant's arm on their
+way to Saint-Leu. Madame Guillaume, surprised at this manly delicacy,
+honored her husband with a nod of approval. So the procession left the
+house in such order as to suggest no suspicious meaning to the
+neighbors.
+
+"Does it not seem to you, Mademoiselle Augustine," said the assistant,
+and he trembled, "that the wife of a merchant whose credit is as good
+as Monsieur Guillaume's, for instance, might enjoy herself a little
+more than Madame your mother does? Might wear diamonds--or keep a
+carriage? For my part, if I were to marry, I should be glad to take
+all the work, and see my wife happy. I would not put her into the
+counting-house. In the drapery business, you see, a woman is not so
+necessary now as formerly. Monsieur Guillaume was quite right to act
+as he did--and besides, his wife liked it. But so long as a woman
+knows how to turn her hand to the book-keeping, the correspondence,
+the retail business, the orders, and her housekeeping, so as not to
+sit idle, that is enough. At seven o'clock, when the shop is shut, I
+shall take my pleasures, go to the play, and into company.--But you
+are not listening to me."
+
+"Yes, indeed, Monsieur Joseph. What do you think of painting? That is
+a fine calling."
+
+"Yes. I know a master house-painter, Monsieur Lourdois. He is
+well-to-do."
+
+Thus conversing, the family reached the Church of Saint-Leu. There
+Madame Guillaume reasserted her rights, and, for the first time,
+placed Augustine next herself, Virginie taking her place on the fourth
+chair, next to Lebas. During the sermon all went well between
+Augustine and Theodore, who, standing behind a pillar, worshiped his
+Madonna with fervent devotion; but at the elevation of the Host,
+Madame Guillaume discovered, rather late, that her daughter Augustine
+was holding her prayer-book upside down. She was about to speak to her
+strongly, when, lowering her veil, she interrupted her own devotions
+to look in the direction where her daughter's eyes found attraction.
+By the help of her spectacles she saw the young artist, whose
+fashionable elegance seemed to proclaim him a cavalry officer on leave
+rather than a tradesman of the neighborhood. It is difficult to
+conceive of the state of violent agitation in which Madame Guillaume
+found herself--she, who flattered herself on having brought up her
+daughters to perfection--on discovering in Augustine a clandestine
+passion of which her prudery and ignorance exaggerated the perils. She
+believed her daughter to be cankered to the core.
+
+"Hold your book right way up, miss," she muttered in a low voice,
+tremulous with wrath. She snatched away the tell-tale prayer-book and
+returned it with the letter-press right way up. "Do not allow your
+eyes to look anywhere but at your prayers," she added, "or I shall
+have something to say to you. Your father and I will talk to you after
+church."
+
+These words came like a thunderbolt on poor Augustine. She felt faint;
+but, torn between the distress she felt and the dread of causing a
+commotion in church she bravely concealed her anguish. It was,
+however, easy to discern the stormy state of her soul from the
+trembling of her prayer-book, and the tears which dropped on every
+page she turned. From the furious glare shot at him by Madame
+Guillaume the artist saw the peril into which his love affair had
+fallen; he went out, with a raging soul, determined to venture all.
+
+"Go to your room, miss!" said Madame Guillaume, on their return home;
+"we will send for you, but take care not to quit it."
+
+The conference between the husband and wife was conducted so secretly
+that at first nothing was heard of it. Virginie, however, who had
+tried to give her sister courage by a variety of gentle remonstrances,
+carried her good nature so far as to listen at the door of her
+mother's bedroom where the discussion was held, to catch a word or
+two. The first time she went down to the lower floor she heard her
+father exclaim, "Then, madame, do you wish to kill your daughter?"
+
+"My poor dear!" said Virginie, in tears, "papa takes your part."
+
+"And what do they want to do to Theodore?" asked the innocent girl.
+
+Virginie, inquisitive, went down again; but this time she stayed
+longer; she learned that Joseph Lebas loved Augustine. It was written
+that on this memorable day, this house, generally so peaceful, should
+be a hell. Monsieur Guillaume brought Joseph Lebas to despair by
+telling him of Augustine's love for a stranger. Lebas, who had advised
+his friend to become a suitor for Mademoiselle Virginie, saw all his
+hopes wrecked. Mademoiselle Virginie, overcome by hearing that Joseph
+had, in a way, refused her, had a sick headache. The dispute that had
+arisen from the discussion between Monsieur and Madame Guillaume,
+when, for the third time in their lives, they had been of antagonistic
+opinions, had shown itself in a terrible form. Finally, at half-past
+four in the afternoon, Augustine, pale, trembling, and with red eyes,
+was haled before her father and mother. The poor child artlessly
+related the too brief tale of her love. Reassured by a speech from her
+father, who promised to listen to her in silence, she gathered courage
+as she pronounced to her parents the name of Theodore de Sommervieux,
+with a mischievous little emphasis on the aristocratic _de_. And
+yielding to the unknown charm of talking of her feelings, she was
+brave enough to declare with innocent decision that she loved Monsieur
+de Sommervieux, that she had written to him, and she added, with tears
+in her eyes: "To sacrifice me to another man would make me wretched."
+
+"But, Augustine, you cannot surely know what a painter is?" cried her
+mother with horror.
+
+"Madame Guillaume!" said the old man, compelling her to silence.
+--"Augustine," he went on, "artists are generally little better than
+beggars. They are too extravagant not to be always a bad sort. I
+served the late Monsieur Joseph Vernet, the late Monsieur Lekain, and
+the late Monsieur Noverre. Oh, if you could only know the tricks
+played on poor Father Chevrel by that Monsieur Noverre, by the
+Chevalier de Saint-Georges, and especially by Monsieur Philidor! They
+are a set of rascals; I know them well! They all have a gab and nice
+manners. Ah, your Monsieur Sumer--, Somm----"
+
+"De Sommervieux, papa."
+
+"Well, well, de Sommervieux, well and good. He can never have been
+half so sweet to you as Monsieur le Chevalier de Saint-Georges was to
+me the day I got a verdict of the consuls against him. And in those
+days they were gentlemen of quality."
+
+"But, father, Monsieur Theodore is of good family, and he wrote me
+that he is rich; his father was called Chevalier de Sommervieux before
+the Revolution."
+
+At these words Monsieur Guillaume looked at his terrible better half,
+who, like an angry woman, sat tapping the floor with her foot while
+keeping sullen silence; she avoided even casting wrathful looks at
+Augustine, appearing to leave to Monsieur Guillaume the whole
+responsibility in so grave a matter, since her opinion was not
+listened to. Nevertheless, in spite of her apparent self-control, when
+she saw her husband giving way so mildly under a catastrophe which had
+no concern with business, she exclaimed:
+
+"Really, monsieur, you are so weak with your daughters! However----"
+
+The sound of a carriage, which stopped at the door, interrupted the
+rating which the old draper already quaked at. In a minute Madame
+Roguin was standing in the middle of the room, and looking at the
+actors in this domestic scene: "I know all, my dear cousin," said she,
+with a patronizing air.
+
+Madame Roguin made the great mistake of supposing that a Paris
+notary's wife could play the part of a favorite of fashion.
+
+"I know all," she repeated, "and I have come into Noah's Ark, like the
+dove, with the olive-branch. I read that allegory in the _Genie du
+Christianisme_," she added, turning to Madame Guillaume; "the allusion
+ought to please you, cousin. Do you know," she went on, smiling at
+Augustine, "that Monsieur de Sommervieux is a charming man? He gave me
+my portrait this morning, painted by a master's hand. It is worth at
+least six thousand francs." And at these words she patted Monsieur
+Guillaume on the arm. The old draper could not help making a grimace
+with his lips, which was peculiar to him.
+
+"I know Monsieur de Sommervieux very well," the Dove ran on. "He has
+come to my evenings this fortnight past, and made them delightful. He
+has told me all his woes, and commissioned me to plead for him. I know
+since this morning that he adores Augustine, and he shall have her.
+Ah, cousin, do not shake your head in refusal. He will be created
+Baron, I can tell you, and has just been made Chevalier of the Legion
+of Honor, by the Emperor himself, at the Salon. Roguin is now his
+lawyer, and knows all his affairs. Well! Monsieur de Sommervieux has
+twelve thousand francs a year in good landed estate. Do you know that
+the father-in-law of such a man may get a rise in life--be mayor of
+his _arrondissement_, for instance. Have we not seen Monsieur Dupont
+become a Count of the Empire, and a senator, all because he went as
+mayor to congratulate the Emperor on his entry into Vienna? Oh, this
+marriage must take place! For my part, I adore the dear young man. His
+behavior to Augustine is only met with in romances. Be easy, little
+one, you shall be happy, and every girl will wish she were in your
+place. Madame la Duchesse de Carigliano, who comes to my 'At Homes,'
+raves about Monsieur de Sommervieux. Some spiteful people say she only
+comes to me to meet him; as if a duchesse of yesterday was doing too
+much honor to a Chevrel, whose family have been respected citizens
+these hundred years!
+
+"Augustine," Madame Roguin went on, after a short pause, "I have seen
+the portrait. Heavens! How lovely it is! Do you know that the Emperor
+wanted to have it? He laughed, and said to the Deputy High Constable
+that if there were many women like that in his court while all the
+kings visited it, he should have no difficulty about preserving the
+peace of Europe. Is not that a compliment?"
+
+The tempests with which the day had begun were to resemble those of
+nature, by ending in clear and serene weather. Madame Roguin displayed
+so much address in her harangue, she was able to touch so many strings
+in the dry hearts of Monsieur and Madame Guillaume, that at last she
+hit on one which she could work upon. At this strange period commerce
+and finance were more than ever possessed by the crazy mania for
+seeking alliance with rank; and the generals of the Empire took full
+advantage of this desire. Monsieur Guillaume, as a singular exception,
+opposed this deplorable craving. His favorite axioms were that, to
+secure happiness, a woman must marry a man of her own class; that
+every one was punished sooner or later for having climbed too high;
+that love could so little endure under the worries of a household,
+that both husband and wife needed sound good qualities to be happy,
+that it would not do for one to be far in advance of the other,
+because, above everything, they must understand each other; if a man
+spoke Greek and his wife Latin, they might come to die of hunger. He
+had himself invented this sort of adage. And he compared such
+marriages to old-fashioned materials of mixed silk and wool. Still,
+there is so much vanity at the bottom of man's heart that the prudence
+of the pilot who steered the Cat and Racket so wisely gave way before
+Madame Roguin's aggressive volubility. Austere Madame Guillaume was
+the first to see in her daughter's affection a reason for abdicating
+her principles and for consenting to receive Monsieur de Sommervieux,
+whom she promised herself she would put under severe inquisition.
+
+The old draper went to look for Joseph Lebas, and inform him of the
+state of affairs. At half-past six, the dining-room immortalized by
+the artist saw, united under its skylight, Monsieur and Madame Roguin,
+the young painter and his charming Augustine, Joseph Lebas, who found
+his happiness in patience, and Mademoiselle Virginie, convalescent
+from her headache. Monsieur and Madame Guillaume saw in perspective
+both their children married, and the fortunes of the Cat and Racket
+once more in skilful hands. Their satisfaction was at its height when,
+at dessert, Theodore made them a present of the wonderful picture
+which they had failed to see, representing the interior of the old
+shop, and to which they all owed so much happiness.
+
+"Isn't it pretty!" cried Guillaume. "And to think that any one would
+pay thirty thousand francs for that!"
+
+"Because you can see my lappets in it," said Madame Guillaume.
+
+"And the cloth unrolled!" added Lebas; "you might take it up in your
+hand."
+
+"Drapery always comes out well," replied the painter. "We should be
+only too happy, we modern artists, if we could touch the perfection of
+antique drapery."
+
+"So you like drapery!" cried old Guillaume. "Well, then, by Gad! shake
+hands on that, my young friend. Since you can respect trade, we shall
+understand each other. And why should it be despised? The world began
+with trade, since Adam sold Paradise for an apple. He did not strike a
+good bargain though!" And the old man roared with honest laughter,
+encouraged by the champagne, which he sent round with a liberal hand.
+The band that covered the young artist's eyes was so thick that he
+thought his future parents amiable. He was not above enlivening them
+by a few jests in the best taste. So he too pleased every one. In the
+evening, when the drawing-room, furnished with what Madame Guillaume
+called "everything handsome," was deserted, and while she flitted from
+the table to the chimney-piece, from the candelabra to the tall
+candlesticks, hastily blowing out the wax-lights, the worthy draper,
+who was always clear-sighted when money was in question, called
+Augustine to him, and seating her on his knee, spoke as follows:--
+
+"My dear child, you shall marry your Sommervieux since you insist; you
+may, if you like, risk your capital in happiness. But I am not going
+to be hoodwinked by the thirty thousand francs to be made by spoiling
+good canvas. Money that is lightly earned is lightly spent. Did I not
+hear that hare-brained youngster declare this evening that money was
+made round that it might roll. If it is round for spendthrifts, it is
+flat for saving folks who pile it up. Now, my child, that fine
+gentleman talks of giving you carriages and diamonds! He has money,
+let him spend it on you; so be it. It is no concern of mine. But as to
+what I can give you, I will not have the crown-pieces I have picked up
+with so much toil wasted in carriages and frippery. Those who spend
+too fast never grow rich. A hundred thousand crowns, which is your
+fortune, will not buy up Paris. It is all very well to look forward to
+a few hundred thousand francs to be yours some day; I shall keep you
+waiting for them as long as possible, by Gad! So I took your lover
+aside, and a man who managed the Lecocq bankruptcy had not much
+difficulty in persuading the artist to marry under a settlement of his
+wife's money on herself. I will keep an eye on the marriage contract
+to see that what he is to settle on you is safely tied up. So now, my
+child, I hope to be a grandfather, by Gad! I will begin at once to lay
+up for my grandchildren; but swear to me, here and now, never to sign
+any papers relating to money without my advice; and if I go soon to
+join old Father Chevrel, promise to consult young Lebas, your
+brother-in-law."
+
+"Yes, father, I swear it."
+
+At these words, spoken in a gentle voice, the old man kissed his
+daughter on both cheeks. That night the lovers slept as soundly as
+Monsieur and Madame Guillaume.
+
+
+
+Some few months after this memorable Sunday the high altar of
+Saint-Leu was the scene of two very different weddings. Augustine and
+Theodore appeared in all the radiance of happiness, their eyes beaming
+with love, dressed with elegance, while a fine carriage waited for
+them. Virginie, who had come in a good hired fly with the rest of the
+family, humbly followed her younger sister, dressed in the simplest
+fashion like a shadow necessary to the harmony of the picture.
+Monsieur Guillaume had exerted himself to the utmost in the church to
+get Virginie married before Augustine, but the priests, high and low,
+persisted in addressing the more elegant of the two brides. He heard
+some of his neighbors highly approving the good sense of Mademoiselle
+Virginie, who was making, as they said, the more substantial match,
+and remaining faithful to the neighborhood; while they fired a few
+taunts, prompted by envy of Augustine, who was marrying an artist and
+a man of rank; adding, with a sort of dismay, that if the Guillaumes
+were ambitious, there was an end to the business. An old fan-maker
+having remarked that such a prodigal would soon bring his wife to
+beggary, father Guillaume prided himself _in petto_ for his prudence
+in the matter of marriage settlements. In the evening, after a
+splendid ball, followed by one of those substantial suppers of which
+the memory is dying out in the present generation, Monsieur and Madame
+Guillaume remained in a fine house belonging to them in the Rue du
+Colombier, where the wedding had been held; Monsieur and Madame Lebas
+returned in their fly to the old home in the Rue Saint-Denis, to steer
+the good ship Cat and Racket. The artist, intoxicated with happiness,
+carried off his beloved Augustine, and eagerly lifting her out of
+their carriage when it reached the Rue des Trois-Freres, led her to an
+apartment embellished by all the arts.
+
+The fever of passion which possessed Theodore made a year fly over the
+young couple without a single cloud to dim the blue sky under which
+they lived. Life did not hang heavy on the lovers' hands. Theodore
+lavished on every day inexhaustible _fioriture_ of enjoyment, and he
+delighted to vary the transports of passion by the soft languor of
+those hours of repose when souls soar so high that they seem to have
+forgotten all bodily union. Augustine was too happy for reflection;
+she floated on an undulating tide of rapture; she thought she could
+not do enough by abandoning herself to sanctioned and sacred married
+love; simple and artless, she had no coquetry, no reserves, none of
+the dominion which a worldly-minded girl acquires over her husband by
+ingenious caprice; she loved too well to calculate for the future, and
+never imagined that so exquisite a life could come to an end. Happy in
+being her husband's sole delight, she believed that her
+inextinguishable love would always be her greatest grace in his eyes,
+as her devotion and obedience would be a perennial charm. And, indeed,
+the ecstasy of love had made her so brilliantly lovely that her beauty
+filled her with pride, and gave her confidence that she could always
+reign over a man so easy to kindle as Monsieur de Sommervieux. Thus
+her position as a wife brought her no knowledge but the lessons of
+love.
+
+In the midst of her happiness, she was still the simple child who had
+lived in obscurity in the Rue Saint-Denis, and who never thought of
+acquiring the manners, the information, the tone of the world she had
+to live in. Her words being the words of love, she revealed in them,
+no doubt, a certain pliancy of mind and a certain refinement of
+speech; but she used the language common to all women when they find
+themselves plunged in passion, which seems to be their element. When,
+by chance, Augustine expressed an idea that did not harmonize with
+Theodore's, the young artist laughed, as we laugh at the first
+mistakes of a foreigner, though they end by annoying us if they are
+not corrected.
+
+In spite of all this love-making, by the end of this year, as
+delightful as it was swift, Sommervieux felt one morning the need for
+resuming his work and his old habits. His wife was expecting their
+first child. He saw some friends again. During the tedious discomforts
+of the year when a young wife is nursing an infant for the first time,
+he worked, no doubt, with zeal, but he occasionally sought diversion
+in the fashionable world. The house which he was best pleased to
+frequent was that of the Duchesse de Carigliano, who had at last
+attracted the celebrated artist to her parties. When Augustine was
+quite well again, and her boy no longer required the assiduous care
+which debars a mother from social pleasures, Theodore had come to the
+stage of wishing to know the joys of satisfied vanity to be found in
+society by a man who shows himself with a handsome woman, the object
+of envy and admiration.
+
+To figure in drawing-rooms with the reflected lustre of her husband's
+fame, and to find other women envious of her, was to Augustine a new
+harvest of pleasures; but it was the last gleam of conjugal happiness.
+She first wounded her husband's vanity when, in spite of vain efforts,
+she betrayed her ignorance, the inelegance of her language, and the
+narrowness of her ideas. Sommervieux's nature, subjugated for nearly
+two years and a half by the first transports of love, now, in the calm
+of less new possession, recovered its bent and habits, for a while
+diverted from their channel. Poetry, painting, and the subtle joys of
+imagination have inalienable rights over a lofty spirit. These
+cravings of a powerful soul had not been starved in Theodore during
+these two years; they had only found fresh pasture. As soon as the
+meadows of love had been ransacked, and the artist had gathered roses
+and cornflowers as the children do, so greedily that he did not see
+that his hands could hold no more, the scene changed. When the painter
+showed his wife the sketches for his finest compositions he heard her
+exclaim, as her father had done, "How pretty!" This tepid admiration
+was not the outcome of conscientious feeling, but of her faith on the
+strength of love.
+
+Augustine cared more for a look than for the finest picture. The only
+sublime she knew was that of the heart. At last Theodore could not
+resist the evidence of the cruel fact--his wife was insensible to
+poetry, she did not dwell in his sphere, she could not follow him in
+all his vagaries, his inventions, his joys and his sorrows; she walked
+groveling in the world of reality, while his head was in the skies.
+Common minds cannot appreciate the perennial sufferings of a being
+who, while bound to another by the most intimate affections, is
+obliged constantly to suppress the dearest flights of his soul, and to
+thrust down into the void those images which a magic power compels him
+to create. To him the torture is all the more intolerable because his
+feeling towards his companion enjoins, as its first law, that they
+should have no concealments, but mingle the aspirations of their
+thought as perfectly as the effusions of their soul. The demands of
+nature are not to be cheated. She is as inexorable as necessity, which
+is, indeed, a sort of social nature. Sommervieux took refuge in the
+peace and silence of his studio, hoping that the habit of living with
+artists might mould his wife and develop in her the dormant germs of
+lofty intelligence which some superior minds suppose must exist in
+every being. But Augustine was too sincerely religious not to take
+fright at the tone of artists. At the first dinner Theodore gave, she
+heard a young painter say, with the childlike lightness, which to her
+was unintelligible, and which redeems a jest from the taint of
+profanity, "But, madame, your Paradise cannot be more beautiful than
+Raphael's Transfiguration!--Well, and I got tired of looking at that."
+
+Thus Augustine came among this sparkling set in a spirit of distrust
+which no one could fail to see. She was a restraint on their freedom.
+Now an artist who feels restraint is pitiless; he stays away, or
+laughs it to scorn. Madame Guillaume, among other absurdities, had an
+excessive notion of the dignity she considered the prerogative of a
+married woman; and Augustine, though she had often made fun of it,
+could not help a slight imitation of her mother's primness. This
+extreme propriety, which virtuous wives do not always avoid, suggested
+a few epigrams in the form of sketches, in which the harmless jest was
+in such good taste that Sommervieux could not take offence; and even
+if they had been more severe, these pleasantries were after all only
+reprisals from his friends. Still, nothing could seem a trifle to a
+spirit so open as Theodore's to impressions from without. A coldness
+insensibly crept over him, and inevitably spread. To attain conjugal
+happiness we must climb a hill whose summit is a narrow ridge, close
+to a steep and slippery descent: the painter's love was falling down
+it. He regarded his wife as incapable of appreciating the moral
+considerations which justified him in his own eyes for his singular
+behavior to her, and believed himself quite innocent in hiding from
+her thoughts she could not enter into, and peccadilloes outside the
+jurisdiction of a _bourgeois_ conscience. Augustine wrapped herself in
+sullen and silent grief. These unconfessed feelings placed a shroud
+between the husband and wife which could not fail to grow thicker day
+by day. Though her husband never failed in consideration for her,
+Augustine could not help trembling as she saw that he kept for the
+outer world those treasures of wit and grace that he formerly would
+lay at her feet. She soon began to find sinister meaning in the
+jocular speeches that are current in the world as to the inconstancy
+of men. She made no complaints, but her demeanor conveyed reproach.
+
+Three years after her marriage this pretty young woman, who dashed
+past in her handsome carriage, and lived in a sphere of glory and
+riches to the envy of heedless folk incapable of taking a just view of
+the situations of life, was a prey to intense grief. She lost her
+color; she reflected; she made comparisons; then sorrow unfolded to
+her the first lessons of experience. She determined to restrict
+herself bravely within the round of duty, hoping that by this generous
+conduct she might sooner or later win back her husband's love. But it
+was not so. When Sommervieux, fired with work, came in from his
+studio, Augustine did not put away her work so quickly but that the
+painter might find his wife mending the household linen, and his own,
+with all the care of a good housewife. She supplied generously and
+without a murmur the money needed for his lavishness; but in her
+anxiety to husband her dear Theodore's fortune, she was strictly
+economical for herself and in certain details of domestic management.
+Such conduct is incompatible with the easy-going habits of artists,
+who, at the end of their life, have enjoyed it so keenly that they
+never inquire into the causes of their ruin.
+
+It is useless to note every tint of shadow by which the brilliant hues
+of their honeymoon were overcast till they were lost in utter
+blackness. One evening poor Augustine, who had for some time heard her
+husband speak with enthusiasm of the Duchesse de Carigliano, received
+from a friend certain malignantly charitable warnings as to the nature
+of the attachment which Sommervieux had formed for this celebrated
+flirt of the Imperial Court. At one-and-twenty, in all the splendor of
+youth and beauty, Augustine saw herself deserted for a woman of
+six-and-thirty. Feeling herself so wretched in the midst of a world of
+festivity which to her was a blank, the poor little thing could no
+longer understand the admiration she excited, or the envy of which she
+was the object. Her face assumed a different expression. Melancholy,
+tinged her features with the sweetness of resignation and the pallor
+of scorned love. Ere long she too was courted by the most fascinating
+men; but she remained lonely and virtuous. Some contemptuous words
+which escaped her husband filled her with incredible despair. A
+sinister flash showed her the breaches which, as a result of her
+sordid education, hindered the perfect union of her soul with
+Theodore's; she loved him well enough to absolve him and condemn
+herself. She shed tears of blood, and perceived, too late, that there
+are _mesalliances_ of the spirit as well as of rank and habits. As she
+recalled the early raptures of their union, she understood the full
+extent of that lost happiness, and accepted the conclusion that so
+rich a harvest of love was in itself a whole life, which only sorrow
+could pay for. At the same time, she loved too truly to lose all hope.
+At one-and-twenty she dared undertake to educate herself, and make her
+imagination, at least, worthy of that she admired. "If I am not a
+poet," thought she, "at any rate, I will understand poetry."
+
+Then, with all the strength of will, all the energy which every woman
+can display when she loves, Madame de Sommervieux tried to alter her
+character, her manners, and her habits; but by dint of devouring books
+and learning undauntedly, she only succeeded in becoming less
+ignorant. Lightness of wit and the graces of conversation are a gift
+of nature, or the fruit of education begun in the cradle. She could
+appreciate music and enjoy it, but she could not sing with taste. She
+understood literature and the beauties of poetry, but it was too late
+to cultivate her refractory memory. She listened with pleasure to
+social conversation, but she could contribute nothing brilliant. Her
+religious notions and home-grown prejudices were antagonistic to the
+complete emancipation of her intelligence. Finally, a foregone
+conclusion against her had stolen into Theodore's mind, and this she
+could not conquer. The artist would laugh, at those who flattered him
+about his wife, and his irony had some foundation; he so overawed the
+pathetic young creature that, in his presence, or alone with him, she
+trembled. Hampered by her too eager desire to please, her wits and her
+knowledge vanished in one absorbing feeling. Even her fidelity vexed
+the unfaithful husband, who seemed to bid her do wrong by stigmatizing
+her virtue as insensibility. Augustine tried in vain to abdicate her
+reason, to yield to her husband's caprices and whims, to devote
+herself to the selfishness of his vanity. Her sacrifices bore no
+fruit. Perhaps they had both let the moment slip when souls may meet
+in comprehension. One day the young wife's too sensitive heart
+received one of those blows which so strain the bonds of feeling that
+they seem to be broken. She withdrew into solitude. But before long a
+fatal idea suggested to her to seek counsel and comfort in the bosom
+of her family.
+
+So one morning she made her way towards the grotesque facade of the
+humble, silent home where she had spent her childhood. She sighed as
+she looked up at the sash-window, whence one day she had sent her
+first kiss to him who now shed as much sorrow as glory on her life.
+Nothing was changed in the cavern, where the drapery business had,
+however, started on a new life. Augustine's sister filled her mother's
+old place at the desk. The unhappy young woman met her brother-in-law
+with his pen behind his ear; he hardly listened to her, he was so full
+of business. The formidable symptoms of stock-taking were visible all
+round him; he begged her to excuse him. She was received coldly enough
+by her sister, who owed her a grudge. In fact, Augustine, in her
+finery, and stepping out of a handsome carriage, had never been to see
+her but when passing by. The wife of the prudent Lebas, imagining that
+want of money was the prime cause of this early call, tried to keep up
+a tone of reserve which more than once made Augustine smile. The
+painter's wife perceived that, apart from the cap and lappets, her
+mother had found in Virginie a successor who could uphold the ancient
+honor of the Cat and Racket. At breakfast she observed certain changes
+in the management of the house which did honor to Lebas' good sense;
+the assistants did not rise before dessert; they were allowed to talk,
+and the abundant meal spoke of ease without luxury. The fashionable
+woman found some tickets for a box at the Francais, where she
+remembered having seen her sister from time to time. Madame Lebas had
+a cashmere shawl over her shoulders, of which the value bore witness
+to her husband's generosity to her. In short, the couple were keeping
+pace with the times. During the two-thirds of the day she spent there,
+Augustine was touched to the heart by the equable happiness, devoid,
+to be sure, of all emotion, but equally free from storms, enjoyed by
+this well-matched couple. They had accepted life as a commercial
+enterprise, in which, above all, they must do credit to the business.
+Not finding any great love in her husband, Virginie had set to work to
+create it. Having by degrees learned to esteem and care for his wife,
+the time that his happiness had taken to germinate was to Joseph Lebas
+a guarantee of its durability. Hence, when Augustine plaintively set
+forth her painful position, she had to face the deluge of commonplace
+morality which the traditions of the Rue Saint-Denis furnished to her
+sister.
+
+"The mischief is done, wife," said Joseph Lebas; "we must try to give
+our sister good advice." Then the clever tradesman ponderously
+analyzed the resources which law and custom might offer Augustine as a
+means of escape at this crisis; he ticketed every argument, so to
+speak, and arranged them in their degrees of weight under various
+categories, as though they were articles of merchandise of different
+qualities; then he put them in the scale, weighed them, and ended by
+showing the necessity for his sister-in-law's taking violent steps
+which could not satisfy the love she still had for her husband; and,
+indeed, the feeling had revived in all its strength when she heard
+Joseph Lebas speak of legal proceedings. Augustine thanked them, and
+returned home even more undecided than she had been before consulting
+them. She now ventured to go to the house in the Rue du Colombier,
+intending to confide her troubles to her father and mother; for she
+was like a sick man who, in his desperate plight, tries every
+prescription, and even puts faith in old wives' remedies.
+
+The old people received their daughter with an effusiveness that
+touched her deeply. Her visit brought them some little change, and
+that to them was worth a fortune. For the last four years they had
+gone their way like navigators without a goal or a compass. Sitting by
+the chimney corner, they would talk over their disasters under the old
+law of _maximum_, of their great investments in cloth, of the way they
+had weathered bankruptcies, and, above all, the famous failure of
+Lecocq, Monsieur Guillaume's battle of Marengo. Then, when they had
+exhausted the tale of lawsuits, they recapitulated the sum total of
+their most profitable stock-takings, and told each other old stories
+of the Saint-Denis quarter. At two o'clock old Guillaume went to cast
+an eye on the business at the Cat and Racket; on his way back he
+called at all the shops, formerly the rivals of his own, where the
+young proprietors hoped to inveigle the old draper into some risky
+discount, which, as was his wont, he never refused point-blank. Two
+good Normandy horses were dying of their own fat in the stables of the
+big house; Madame Guillaume never used them but to drag her on Sundays
+to high Mass at the parish church. Three times a week the worthy
+couple kept open house. By the influence of his son-in-law
+Sommervieux, Monsieur Guillaume had been named a member of the
+consulting board for the clothing of the Army. Since her husband had
+stood so high in office, Madame Guillaume had decided that she must
+receive; her rooms were so crammed with gold and silver ornaments, and
+furniture, tasteless but of undoubted value, that the simplest room in
+the house looked like a chapel. Economy and expense seemed to be
+struggling for the upper hand in every accessory. It was as though
+Monsieur Guillaume had looked to a good investment, even in the
+purchase of a candlestick. In the midst of this bazaar, where splendor
+revealed the owner's want of occupation, Sommervieux's famous picture
+filled the place of honor, and in it Monsieur and Madame Guillaume
+found their chief consolation, turning their eyes, harnessed with
+eye-glasses, twenty times a day on this presentment of their past life,
+to them so active and amusing. The appearance of this mansion and these
+rooms, where everything had an aroma of staleness and mediocrity, the
+spectacle offered by these two beings, cast away, as it were, on a
+rock far from the world and the ideas which are life, startled
+Augustine; she could here contemplate the sequel of the scene of which
+the first part had struck her at the house of Lebas--a life of stir
+without movement, a mechanical and instinctive existence like that of
+the beaver; and then she felt an indefinable pride in her troubles, as
+she reflected that they had their source in eighteen months of such
+happiness as, in her eyes, was worth a thousand lives like this; its
+vacuity seemed to her horrible. However, she concealed this not very
+charitable feeling, and displayed for her parents her newly-acquired
+accomplishments of mind, and the ingratiating tenderness that love had
+revealed to her, disposing them to listen to her matrimonial
+grievances. Old people have a weakness for this kind of confidence.
+Madame Guillaume wanted to know the most trivial details of that alien
+life, which to her seemed almost fabulous. The travels of Baron da la
+Houtan, which she began again and again and never finished, told her
+nothing more unheard-of concerning the Canadian savages.
+
+"What, child, your husband shuts himself into a room with naked women!
+And you are so simple as to believe that he draws them?"
+
+As she uttered this exclamation, the grandmother laid her spectacles
+on a little work-table, shook her skirts, and clasped her hands on her
+knees, raised by a foot-warmer, her favorite pedestal.
+
+"But, mother, all artists are obliged to have models."
+
+"He took good care not to tell us that when he asked leave to marry
+you. If I had known it, I would never had given my daughter to a man
+who followed such a trade. Religion forbids such horrors; they are
+immoral. And at what time of night do you say he comes home?"
+
+"At one o'clock--two----"
+
+The old folks looked at each other in utter amazement.
+
+"Then he gambles?" said Monsieur Guillaume. "In my day only gamblers
+stayed out so late."
+
+Augustine made a face that scorned the accusation.
+
+"He must keep you up through dreadful nights waiting for him," said
+Madame Guillaume. "But you go to bed, don't you? And when he has lost,
+the wretch wakes you."
+
+"No, mamma, on the contrary, he is sometimes in very good spirits. Not
+unfrequently, indeed, when it is fine, he suggests that I should get
+up and go into the woods."
+
+"The woods! At that hour? Then have you such a small set of rooms that
+his bedroom and his sitting-room are not enough, and that he must run
+about? But it is just to give you cold that the wretch proposes such
+expeditions. He wants to get rid of you. Did one ever hear of a man
+settled in life, a well-behaved, quiet man galloping about like a
+warlock?"
+
+"But, my dear mother, you do not understand that he must have
+excitement to fire his genius. He is fond of scenes which----"
+
+"I would make scenes for him, fine scenes!" cried Madame Guillaume,
+interrupting her daughter. "How can you show any consideration to such
+a man? In the first place, I don't like his drinking water only; it is
+not wholesome. Why does he object to see a woman eating? What queer
+notion is that! But he is mad. All you tell us about him is
+impossible. A man cannot leave his home without a word, and never come
+back for ten days. And then he tells you he has been to Dieppe to
+paint the sea. As if any one painted the sea! He crams you with a pack
+of tales that are too absurd."
+
+Augustine opened her lips to defend her husband; but Madame Guillaume
+enjoined silence with a wave of her hand, which she obeyed by a
+survival of habit, and her mother went on in harsh tones: "Don't talk
+to me about the man! He never set foot in church excepting to see you
+and to be married. People without religion are capable of anything.
+Did Guillaume ever dream of hiding anything from me, of spending three
+days without saying a word to me, and of chattering afterwards like a
+blind magpie?"
+
+"My dear mother, you judge superior people too severely. If their
+ideas were the same as other folks', they would not be men of genius."
+
+"Very well, then let men of genius stop at home and not get married.
+What! A man of genius is to make his wife miserable? And because he is
+a genius it is all right! Genius, genius! It is not so very clever to
+say black one minute and white the next, as he does, to interrupt
+other people, to dance such rigs at home, never to let you know which
+foot you are to stand on, to compel his wife never to be amused unless
+my lord is in gay spirits, and to be dull when he is dull."
+
+"But, mother, the very nature of such imaginations----"
+
+"What are such 'imaginations'?" Madame Guillaume went on, interrupting
+her daughter again. "Fine ones his are, my word! What possesses a man
+that all on a sudden, without consulting a doctor, he takes it into
+his head to eat nothing but vegetables? If indeed it were from
+religious motives, it might do him some good--but he has no more
+religion than a Huguenot. Was there ever a man known who, like him,
+loved horses better than his fellow-creatures, had his hair curled
+like a heathen, laid statues under muslin coverlets, shut his shutters
+in broad day to work by lamp-light? There, get along; if he were not
+so grossly immoral, he would be fit to shut up in a lunatic asylum.
+Consult Monsieur Loraux, the priest at Saint Sulpice, ask his opinion
+about it all, and he will tell you that your husband, does not behave
+like a Christian."
+
+"Oh, mother, can you believe----?"
+
+"Yes, I do believe. You loved him, and you can see none of these
+things. But I can remember in the early days after your marriage. I
+met him in the Champs-Elysees. He was on horseback. Well, at one
+minute he was galloping as hard as he could tear, and then pulled up
+to a walk. I said to myself at that moment, 'There is a man devoid of
+judgement.'"
+
+"Ah, ha!" cried Monsieur Guillaume, "how wise I was to have your money
+settled on yourself with such a queer fellow for a husband!"
+
+When Augustine was so imprudent as to set forth her serious grievances
+against her husband, the two old people were speechless with
+indignation. But the word "divorce" was ere long spoken by Madame
+Guillaume. At the sound of the word divorce the apathetic old draper
+seemed to wake up. Prompted by his love for his daughter, and also by
+the excitement which the proceedings would bring into his uneventful
+life, father Guillaume took up the matter. He made himself the leader
+of the application for a divorce, laid down the lines of it, almost
+argued the case; he offered to be at all the charges, to see the
+lawyers, the pleaders, the judges, to move heaven and earth. Madame de
+Sommervieux was frightened, she refused her father's services, said
+she would not be separated from her husband even if she were ten times
+as unhappy, and talked no more about her sorrows. After being
+overwhelmed by her parents with all the little wordless and consoling
+kindnesses by which the old couple tried in vain to make up to her for
+her distress of heart, Augustine went away, feeling the impossibility
+of making a superior mind intelligible to weak intellects. She had
+learned that a wife must hide from every one, even from her parents,
+woes for which it is so difficult to find sympathy. The storms and
+sufferings of the upper spheres are appreciated only by the lofty
+spirits who inhabit there. In any circumstance we can only be judged
+by our equals.
+
+Thus poor Augustine found herself thrown back on the horror of her
+meditations, in the cold atmosphere of her home. Study was indifferent
+to her, since study had not brought her back her husband's heart.
+Initiated into the secret of these souls of fire, but bereft of their
+resources, she was compelled to share their sorrows without sharing
+their pleasures. She was disgusted with the world, which to her seemed
+mean and small as compared with the incidents of passion. In short,
+her life was a failure.
+
+One evening an idea flashed upon her that lighted up her dark grief
+like a beam from heaven. Such an idea could never have smiled on a
+heart less pure, less virtuous than hers. She determined to go to the
+Duchesse de Carigliano, not to ask her to give her back her husband's
+heart, but to learn the arts by which it had been captured; to engage
+the interest of this haughty fine lady for the mother of her lover's
+children; to appeal to her and make her the instrument of her future
+happiness, since she was the cause of her present wretchedness.
+
+So one day Augustine, timid as she was, but armed with supernatural
+courage, got into her carriage at two in the afternoon to try for
+admittance to the boudoir of the famous coquette, who was never
+visible till that hour. Madame de Sommervieux had not yet seen any of
+the ancient and magnificent mansions of the Faubourg Saint-Germain. As
+she made her way through the stately corridors, the handsome
+staircases, the vast drawing-rooms--full of flowers, though it was in
+the depth of winter, and decorated with the taste peculiar to women
+born to opulence or to the elegant habits of the aristocracy,
+Augustine felt a terrible clutch at her heart; she coveted the secrets
+of an elegance of which she had never had an idea; she breathed in an
+air of grandeur which explained the attraction of the house for her
+husband. When she reached the private rooms of the Duchess she was
+filled with jealousy and a sort of despair, as she admired the
+luxurious arrangement of the furniture, the draperies and the
+hangings. Here disorder was a grace, here luxury affected a certain
+contempt of splendor. The fragrance that floated in the warm air
+flattered the sense of smell without offending it. The accessories of
+the rooms were in harmony with a view, through plate-glass windows, of
+the lawns in a garden planted with evergreen trees. It was all
+bewitching, and the art of it was not perceptible. The whole spirit of
+the mistress of these rooms pervaded the drawing-room where Augustine
+awaited her. She tried to divine her rival's character from the aspect
+of the scattered objects; but there was here something as impenetrable
+in the disorder as in the symmetry, and to the simple-minded young
+wife all was a sealed letter. All that she could discern was that, as
+a woman, the Duchess was a superior person. Then a painful thought
+came over her.
+
+"Alas! And is it true," she wondered, "that a simple and loving heart
+is not all-sufficient to an artist; that to balance the weight of
+these powerful souls they need a union with feminine souls of a
+strength equal to their own? If I had been brought up like this siren,
+our weapons at least might have been equal in the hour of struggle."
+
+"But I am not at home!" The sharp, harsh words, though spoken in an
+undertone in the adjoining boudoir, were heard by Augustine, and her
+heart beat violently.
+
+"The lady is in there," replied the maid.
+
+"You are an idiot! Show her in," replied the Duchess, whose voice was
+sweeter, and had assumed the dulcet tones of politeness. She evidently
+now meant to be heard.
+
+Augustine shyly entered the room. At the end of the dainty boudoir she
+saw the Duchess lounging luxuriously on an ottoman covered with brown
+velvet and placed in the centre of a sort of apse outlined by soft
+folds of white muslin over a yellow lining. Ornaments of gilt bronze,
+arranged with exquisite taste, enhanced this sort of dais, under which
+the Duchess reclined like a Greek statue. The dark hue of the velvet
+gave relief to every fascinating charm. A subdued light, friendly to
+her beauty, fell like a reflection rather than a direct illumination.
+A few rare flowers raised their perfumed heads from costly Sevres
+vases. At the moment when this picture was presented to Augustine's
+astonished eyes, she was approaching so noiselessly that she caught a
+glance from those of the enchantress. This look seemed to say to some
+one whom Augustine did not at first perceive, "Stay; you will see a
+pretty woman, and make her visit seem less of a bore."
+
+On seeing Augustine, the Duchess rose and made her sit down by her.
+
+"And to what do I owe the pleasure of this visit, madame?" she said
+with a most gracious smile.
+
+"Why all the falseness?" thought Augustine, replying only with a bow.
+
+Her silence was compulsory. The young woman saw before her a
+superfluous witness of the scene. This personage was, of all the
+Colonels in the army, the youngest, the most fashionable, and the
+finest man. His face, full of life and youth, but already expressive,
+was further enhanced by a small moustache twirled up into points, and
+as black as jet, by a full imperial, by whiskers carefully combed, and
+a forest of black hair in some disorder. He was whisking a riding whip
+with an air of ease and freedom which suited his self-satisfied
+expression and the elegance of his dress; the ribbons attached to his
+button-hole were carelessly tied, and he seemed to pride himself much
+more on his smart appearance than on his courage. Augustine looked at
+the Duchesse de Carigliano, and indicated the Colonel by a sidelong
+glance. All its mute appeal was understood.
+
+"Good-bye, then, Monsieur d'Aiglemont, we shall meet in the Bois de
+Boulogne."
+
+These words were spoken by the siren as though they were the result of
+an agreement made before Augustine's arrival, and she winged them with
+a threatening look that the officer deserved perhaps for the
+admiration he showed in gazing at the modest flower, which contrasted
+so well with the haughty Duchess. The young fop bowed in silence,
+turned on the heels of his boots, and gracefully quitted the boudoir.
+At this instant, Augustine, watching her rival, whose eyes seemed to
+follow the brilliant officer, detected in that glance a sentiment of
+which the transient expression is known to every woman. She perceived
+with the deepest anguish that her visit would be useless; this lady,
+full of artifice, was too greedy of homage not to have a ruthless
+heart.
+
+"Madame," said Augustine in a broken voice, "the step I am about to
+take will seem to you very strange; but there is a madness of despair
+which ought to excuse anything. I understand only too well why
+Theodore prefers your house to any other, and why your mind has so
+much power over his. Alas! I have only to look into myself to find
+more than ample reasons. But I am devoted to my husband, madame. Two
+years of tears have not effaced his image from my heart, though I have
+lost his. In my folly I dared to dream of a contest with you; and I
+have come to you to ask you by what means I may triumph over yourself.
+Oh, madame," cried the young wife, ardently seizing the hand which her
+rival allowed her to hold, "I will never pray to God for my own
+happiness with so much fervor as I will beseech Him for yours, if you
+will help me to win back Sommervieux's regard--I will not say his
+love. I have no hope but in you. Ah! tell me how you could please him,
+and make him forget the first days----" At these words Augustine broke
+down, suffocated with sobs she could not suppress. Ashamed of her
+weakness, she hid her face in her handkerchief, which she bathed with
+tears.
+
+"What a child you are, my dear little beauty!" said the Duchess,
+carried away by the novelty of such a scene, and touched, in spite of
+herself, at receiving such homage from the most perfect virtue perhaps
+in Paris. She took the young wife's handkerchief, and herself wiped
+the tears from her eyes, soothing her by a few monosyllables murmured
+with gracious compassion. After a moment's silence the Duchess,
+grasping poor Augustine's hands in both her own--hands that had a rare
+character of dignity and powerful beauty--said in a gentle and
+friendly voice: "My first warning is to advise you not to weep so
+bitterly; tears are disfiguring. We must learn to deal firmly with the
+sorrows that make us ill, for love does not linger long by a sick-bed.
+Melancholy, at first, no doubt, lends a certain attractive grace, but
+it ends by dragging the features and blighting the loveliest face. And
+besides, our tyrants are so vain as to insist that their slaves should
+be always cheerful."
+
+"But, madame, it is not in my power not to feel. How is it possible,
+without suffering a thousand deaths, to see the face which once beamed
+with love and gladness turn chill, colorless, and indifferent? I
+cannot control my heart!"
+
+"So much the worse, sweet child. But I fancy I know all your story. In
+the first place, if your husband is unfaithful to you, understand
+clearly that I am not his accomplice. If I was anxious to have him in
+my drawing-room, it was, I own, out of vanity; he was famous, and he
+went nowhere. I like you too much already to tell you all the mad
+things he has done for my sake. I will only reveal one, because it may
+perhaps help us to bring him back to you, and to punish him for the
+audacity of his behavior to me. He will end by compromising me. I know
+the world too well, my dear, to abandon myself to the discretion of a
+too superior man. You should know that one may allow them to court
+one, but marry them--that is a mistake! We women ought to admire men
+of genius, and delight in them as a spectacle, but as to living with
+them? Never.--No, no. It is like wanting to find pleasure in
+inspecting the machinery of the opera instead of sitting in a box to
+enjoy its brilliant illusions. But this misfortune has fallen on you,
+my poor child, has it not? Well, then, you must try to arm yourself
+against tyranny."
+
+"Ah, madame, before coming in here, only seeing you as I came in, I
+already detected some arts of which I had no suspicion."
+
+"Well, come and see me sometimes, and it will not be long before you
+have mastered the knowledge of these trifles, important, too, in their
+way. Outward things are, to fools, half of life; and in that matter
+more than one clever man is a fool, in spite of all his talent. But I
+dare wager you never could refuse your Theodore anything!"
+
+"How refuse anything, madame, if one loves a man?"
+
+"Poor innocent, I could adore you for your simplicity. You should know
+that the more we love the less we should allow a man, above all, a
+husband, to see the whole extent of our passion. The one who loves
+most is tyrannized over, and, which is worse, is sooner or later
+neglected. The one who wishes to rule should----"
+
+"What, madame, must I then dissimulate, calculate, become false, form
+an artificial character, and live in it? How is it possible to live in
+such a way? Can you----" she hesitated; the Duchess smiled.
+
+"My dear child," the great lady went on in a serious tone, "conjugal
+happiness has in all times been a speculation, a business demanding
+particular attention. If you persist in talking passion while I am
+talking marriage, we shall soon cease to understand each other. Listen
+to me," she went on, assuming a confidential tone. "I have been in the
+way of seeing some of the superior men of our day. Those who have
+married have for the most part chosen quite insignificant wives. Well,
+those wives governed them, as the Emperor governs us; and if they were
+not loved, they were at least respected. I like secrets--especially
+those which concern women--well enough to have amused myself by
+seeking the clue to the riddle. Well, my sweet child, those worthy
+women had the gift of analyzing their husbands' nature; instead of
+taking fright, like you, at their superiority, they very acutely noted
+the qualities they lacked, and either by possessing those qualities,
+or by feigning to possess them, they found means of making such a
+handsome display of them in their husbands' eyes that in the end they
+impressed them. Also, I must tell you, all these souls which appear so
+lofty have just a speck of madness in them, which we ought to know how
+to take advantage of. By firmly resolving to have the upper hand and
+never deviating from that aim, by bringing all our actions to bear on
+it, all our ideas, our cajolery, we subjugate these eminently
+capricious natures, which, by the very mutability of their thoughts,
+lend us the means of influencing them."
+
+"Good heavens!" cried the young wife in dismay. "And this is life. It
+is a warfare----"
+
+"In which we must always threaten," said the Duchess, laughing. "Our
+power is wholly factitious. And we must never allow a man to despise
+us; it is impossible to recover from such a descent but by odious
+manoeuvring. Come," she added, "I will give you a means of bringing
+your husband to his senses."
+
+She rose with a smile to guide the young and guileless apprentice to
+conjugal arts through the labyrinth of her palace. They came to a
+back-staircase, which led up to the reception rooms. As Madame de
+Carigliano pressed the secret springlock of the door she stopped,
+looking at Augustine with an inimitable gleam of shrewdness and grace.
+"The Duc de Carigliano adores me," said she. "Well, he dare not enter
+by this door without my leave. And he is a man in the habit of
+commanding thousands of soldiers. He knows how to face a battery, but
+before me,--he is afraid!"
+
+Augustine sighed. They entered a sumptuous gallery, where the
+painter's wife was led by the Duchess up to the portrait painted by
+Theodore of Mademoiselle Guillaume. On seeing it, Augustine uttered a
+cry.
+
+"I knew it was no longer in my house," she said, "but--here!----"
+
+"My dear child, I asked for it merely to see what pitch of idiocy a
+man of genius may attain to. Sooner or later I should have returned it
+to you, for I never expected the pleasure of seeing the original here
+face to face with the copy. While we finish our conversation I will
+have it carried down to your carriage. And if, armed with such a
+talisman, you are not your husband's mistress for a hundred years, you
+are not a woman, and you deserve your fate."
+
+Augustine kissed the Duchess' hand, and the lady clasped her to her
+heart, with all the more tenderness because she would forget her by
+the morrow. This scene might perhaps have destroyed for ever the
+candor and purity of a less virtuous woman than Augustine, for the
+astute politics of the higher social spheres were no more consonant to
+Augustine than the narrow reasoning of Joseph Lebas, or Madame
+Guillaume's vapid morality. Strange are the results of the false
+positions into which we may be brought by the slightest mistake in the
+conduct of life! Augustine was like an Alpine cowherd surprised by an
+avalanche; if he hesitates, if he listens to the shouts of his
+comrades, he is almost certainly lost. In such a crisis the heart
+steels itself or breaks.
+
+Madame de Sommervieux returned home a prey to such agitation as it is
+difficult to describe. Her conversation with the Duchesse de
+Carigliano had roused in her mind a crowd of contradictory thoughts.
+Like the sheep in the fable, full of courage in the wolf's absence,
+she preached to herself, and laid down admirable plans of conduct; she
+devised a thousand coquettish stratagems; she even talked to her
+husband, finding, away from him, all the springs of true eloquence
+which never desert a woman; then, as she pictured to herself
+Theodore's clear and steadfast gaze, she began to quake. When she
+asked whether monsieur were at home her voice shook. On learning that
+he would not be in to dinner, she felt an unaccountable thrill of joy.
+Like a criminal who has appealed against sentence of death, a respite,
+however short, seemed to her a lifetime. She placed the portrait in
+her room, and waited for her husband in all the agonies of hope. That
+this venture must decide her future life, she felt too keenly not to
+shiver at every sound, even the low ticking of the clock, which seemed
+to aggravate her terrors by doling them out to her. She tried to cheat
+time by various devices. The idea struck her of dressing in a way
+which would make her exactly like the portrait. Then, knowing her
+husband's restless temper, she had her room lighted up with unusual
+brightness, feeling sure that when he came in curiosity would bring
+him there at once. Midnight had struck when, at the call of the groom,
+the street gate was opened, and the artist's carriage rumbled in over
+the stones of the silent courtyard.
+
+"What is the meaning of this illumination?" asked Theodore in glad
+tones, as he came into her room.
+
+Augustine skilfully seized the auspicious moment; she threw herself
+into her husband's arms, and pointed to the portrait. The artist stood
+rigid as a rock, and his eyes turned alternately on Augustine, on the
+accusing dress. The frightened wife, half-dead, as she watched her
+husband's changeful brow--that terrible brow--saw the expressive
+furrows gathering like clouds; then she felt her blood curdling in her
+veins when, with a glaring look, and in a deep hollow voice, he began
+to question her:
+
+"Where did you find that picture?"
+
+"The Duchess de Carigliano returned it to me."
+
+"You asked her for it?"
+
+"I did not know that she had it."
+
+The gentleness, or rather the exquisite sweetness of this angel's
+voice, might have touched a cannibal, but not an artist in the
+clutches of wounded vanity.
+
+"It is worthy of her!" exclaimed the painter in a voice of thunder. "I
+will be avenged!" he cried, striding up and down the room. "She shall
+die of shame; I will paint her! Yes, I will paint her as Messalina
+stealing out at night from the palace of Claudius."
+
+"Theodore!" said a faint voice.
+
+"I will kill her!"
+
+"My dear----"
+
+"She is in love with that little cavalry colonel, because he rides
+well----"
+
+"Theodore!"
+
+"Let me be!" said the painter in a tone almost like a roar.
+
+It would be odious to describe the whole scene. In the end the frenzy
+of passion prompted the artist to acts and words which any woman not
+so young as Augustine would have ascribed to madness.
+
+At eight o'clock next morning Madame Guillaume, surprising her
+daughter, found her pale, with red eyes, her hair in disorder, holding
+a handkerchief soaked with tears, while she gazed at the floor strewn
+with the torn fragments of a dress and the broken fragments of a large
+gilt picture-frame. Augustine, almost senseless with grief, pointed to
+the wreck with a gesture of deep despair.
+
+"I don't know that the loss is very great!" cried the old mistress of
+the Cat and Racket. "It was like you, no doubt; but I am told that
+there is a man on the boulevard who paints lovely portraits for fifty
+crowns."
+
+"Oh, mother!"
+
+"Poor child, you are quite right," replied Madame Guillaume, who
+misinterpreted the expression of her daughter's glance at her. "True,
+my child, no one ever can love you as fondly as a mother. My darling,
+I guess it all; but confide your sorrows to me, and I will comfort
+you. Did I not tell you long ago that the man was mad! Your maid has
+told me pretty stories. Why, he must be a perfect monster!"
+
+Augustine laid a finger on her white lips, as if to implore a moment's
+silence. During this dreadful night misery had led her to that patient
+resignation which in mothers and loving wives transcends in its
+effects all human energy, and perhaps reveals in the heart of women
+the existence of certain chords which God has withheld from men.
+
+
+
+An inscription engraved on a broken column in the cemetery at
+Montmartre states that Madame de Sommervieux died at the age of
+twenty-seven. In the simple words of this epitaph one of the timid
+creature's friends can read the last scene of a tragedy. Every year,
+on the second of November, the solemn day of the dead, he never passes
+this youthful monument without wondering whether it does not need a
+stronger woman than Augustine to endure the violent embrace of genius?
+
+"The humble and modest flowers that bloom in the valley," he reflects,
+"perish perhaps when they are transplanted too near the skies, to the
+region where storms gather and the sun is scorching."
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+Aiglemont, General, Marquis Victor d'
+ The Firm of Nucingen
+ A Woman of Thirty
+
+Birotteau, Cesar
+ Cesar Birotteau
+ A Bachelor's Establishment
+
+Camusot
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ Cousin Pons
+ The Muse of the Department
+ Cesar Birotteau
+
+Cardot, Jean-Jerome-Severin
+ A Start in Life
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ Cesar Birotteau
+
+Carigliano, Marechal, Duc de
+ Father Goriot
+ Sarrasine
+
+Carigliano, Duchesse de
+ A Distinguished Provincial at Paris
+ The Peasantry
+ The Member for Arcis
+
+Guillaume
+ Cesar Birotteau
+
+Lebas, Joseph
+ Cesar Birotteau
+ Cousin Betty
+
+Lebas, Madame Joseph (Virginie)
+ Cesar Birotteau
+ Cousin Betty
+
+Lourdois
+ Cesar Birotteau
+
+Rabourdin, Xavier
+ The Government Clerks
+ Cesar Birotteau
+ The Middle Classes
+
+Roguin, Madame
+ Cesar Birotteau
+ Pierrette
+ A Second Home
+ A Daughter of Eve
+
+Sommervieux, Theodore de
+ The Government Clerks
+ Modeste Mignon
+
+Sommervieux, Madame Theodore de (Augustine)
+ At the Sign of the Cat and Racket
+ Cesar Birotteau
+
+
+
+
+
+End of the Project Gutenberg EBook of At the Sign of the Cat and Racket
+by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK AT THE SIGN OF THE CAT AND RACKET ***
+
+***** This file should be named 1680.txt or 1680.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.net/1/6/8/1680/
+
+Produced by Dagny; and John Bickers
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.net/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.net
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ http://www.gutenberg.net/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ http://www.gutenberg.net/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ http://www.gutenberg.net/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ http://www.gutenberg.net/GUTINDEX.ALL
+
+
diff --git a/old/20040611-1680.zip b/old/20040611-1680.zip
new file mode 100644
index 0000000..b157f52
--- /dev/null
+++ b/old/20040611-1680.zip
Binary files differ
diff --git a/old/ctrkt10.txt b/old/ctrkt10.txt
new file mode 100644
index 0000000..d423430
--- /dev/null
+++ b/old/ctrkt10.txt
@@ -0,0 +1,2467 @@
+Project Gutenberg Etext At the Sign of the Cat & Racket by Balzac
+#58 in our series by Honore de Balzac
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+At the Sign of the Cat and Racket
+
+by Honore de Balzac
+
+Translated by Clara Bell
+
+March, 1998 [Etext #1680]
+
+
+Project Gutenberg Etext At the Sign of the Cat & Racket by Balzac
+******This file should be named ctrkt10.txt or ctrkt10.zip*******
+
+Corrected EDITIONS of our etexts get a new NUMBER, ctrkt11.txt.
+VERSIONS based on separate sources get new LETTER, ctrkt10a.txt.
+
+
+Etext prepared by Dagny, dagnyj@hotmail.com
+and John Bickers, jbickers@templar.actrix.gen.nz
+
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we do NOT keep these books
+in compliance with any particular paper edition, usually otherwise.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp sunsite.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+
+
+
+
+
+Etext prepared by Dagny, dagnyj@hotmail.com
+and John Bickers, jbickers@templar.actrix.gen.nz
+
+
+
+
+
+At the Sign of the Cat and Racket
+
+by Honore de Balzac
+
+
+
+
+Translated by Clara Bell
+
+
+
+
+DEDICATION
+
+To Mademoiselle Marie de Montheau
+
+
+
+
+AT THE SIGN OF THE CAT AND RACKET
+
+
+
+Half-way down the Rue Saint-Denis, almost at the corner of the Rue du
+Petit-Lion, there stood formerly one of those delightful houses which
+enable historians to reconstruct old Paris by analogy. The threatening
+walls of this tumbledown abode seemed to have been decorated with
+hieroglyphics. For what other name could the passer-by give to the Xs
+and Vs which the horizontal or diagonal timbers traced on the front,
+outlined by little parallel cracks in the plaster? It was evident that
+every beam quivered in its mortices at the passing of the lightest
+vehicle. This venerable structure was crowned by a triangular roof of
+which no example will, ere long, be seen in Paris. This covering,
+warped by the extremes of the Paris climate, projected three feet over
+the roadway, as much to protect the threshold from the rainfall as to
+shelter the wall of a loft and its sill-less dormer-window. This upper
+story was built of planks, overlapping each other like slates, in
+order, no doubt, not to overweight the frail house.
+
+One rainy morning in the month of March, a young man, carefully
+wrapped in his cloak, stood under the awning of a shop opposite this
+old house, which he was studying with the enthusiasm of an antiquary.
+In point of fact, this relic of the civic life of the sixteenth
+century offered more than one problem to the consideration of an
+observer. Each story presented some singularity; on the first floor
+four tall, narrow windows, close together, were filled as to the lower
+panes with boards, so as to produce the doubtful light by which a
+clever salesman can ascribe to his goods the color his customers
+inquire for. The young man seemed very scornful of this part of the
+house; his eyes had not yet rested on it. The windows of the second
+floor, where the Venetian blinds were drawn up, revealing little dingy
+muslin curtains behind the large Bohemian glass panes, did not
+interest him either. His attention was attracted to the third floor,
+to the modest sash-frames of wood, so clumsily wrought that they might
+have found a place in the Museum of Arts and Crafts to illustrate the
+early efforts of French carpentry. These windows were glazed with
+small squares of glass so green that, but for his good eyes, the young
+man could not have seen the blue-checked cotton curtains which
+screened the mysteries of the room from profane eyes. Now and then the
+watcher, weary of his fruitless contemplation, or of the silence in
+which the house was buried, like the whole neighborhood, dropped his
+eyes towards the lower regions. An involuntary smile parted his lips
+each time he looked at the shop, where, in fact, there were some
+laughable details.
+
+A formidable wooden beam, resting on four pillars, which appeared to
+have bent under the weight of the decrepit house, had been encrusted
+with as many coats of different paint as there are of rouge on an old
+duchess' cheek. In the middle of this broad and fantastically carved
+joist there was an old painting representing a cat playing rackets.
+This picture was what moved the young man to mirth. But it must be
+said that the wittiest of modern painters could not invent so comical
+a caricature. The animal held in one of its forepaws a racket as big
+as itself, and stood on its hind legs to aim at hitting an enormous
+ball, returned by a man in a fine embroidered coat. Drawing, color,
+and accessories, all were treated in such a way as to suggest that the
+artist had meant to make game of the shop-owner and of the passing
+observer. Time, while impairing this artless painting, had made it yet
+more grotesque by introducing some uncertain features which must have
+puzzled the conscientious idler. For instance, the cat's tail had been
+eaten into in such a way that it might now have been taken for the
+figure of a spectator--so long, and thick, and furry were the tails of
+our forefathers' cats. To the right of the picture, on an azure field
+which ill-disguised the decay of the wood, might be read the name
+"Guillaume," and to the left, "Successor to Master Chevrel." Sun and
+rain had worn away most of the gilding parsimoniously applied to the
+letters of this superscription, in which the Us and Vs had changed
+places in obedience to the laws of old-world orthography.
+
+To quench the pride of those who believe that the world is growing
+cleverer day by day, and that modern humbug surpasses everything, it
+may be observed that these signs, of which the origin seems so
+whimsical to many Paris merchants, are the dead pictures of once
+living pictures by which our roguish ancestors contrived to tempt
+customers into their houses. Thus the Spinning Sow, the Green Monkey,
+and others, were animals in cages whose skills astonished the passer-
+by, and whose accomplishments prove the patience of the fifteenth-
+century artisan. Such curiosities did more to enrich their fortunate
+owners than the signs of "Providence," "Good-faith," Grace of God,"
+and "Decapitation of John the Baptist," which may still be seen in the
+Rue Saint-Denis.
+
+However, our stranger was certainly not standing there to admire the
+cat, which a minute's attention sufficed to stamp on his memory. The
+young man himself had his peculiarities. His cloak, folded after the
+manner of an antique drapery, showed a smart pair of shoes, all the
+more remarkable in the midst of the Paris mud, because he wore white
+silk stockings, on which the splashes betrayed his impatience. He had
+just come, no doubt, from a wedding or a ball; for at this early hour
+he had in his hand a pair of white gloves, and his black hair, now out
+of curl, and flowing over his shoulders, showed that it had been
+dressed /a la Caracalla/, a fashion introduced as much by David's
+school of painting as by the mania for Greek and Roman styles which
+characterized the early years of this century.
+
+In spite of the noise made by a few market gardeners, who, being late,
+rattled past towards the great market-place at a gallop, the busy
+street lay in a stillness of which the magic charm is known only to
+those who have wandered through deserted Paris at the hours when its
+roar, hushed for a moment, rises and spreads in the distance like the
+great voice of the sea. This strange young man must have seemed as
+curious to the shopkeeping folk of the "Cat and Racket" as the "Cat
+and Racket" was to him. A dazzlingly white cravat made his anxious
+face look even paler than it really was. The fire that flashed in his
+black eyes, gloomy and sparkling by turns, was in harmony with the
+singular outline of his features, with his wide, flexible mouth,
+hardened into a smile. His forehead, knit with violent annoyance, had
+a stamp of doom. Is not the forehead the most prophetic feature of a
+man? When the stranger's brow expressed passion the furrows formed in
+it were terrible in their strength and energy; but when he recovered
+his calmness, so easily upset, it beamed with a luminous grace which
+gave great attractiveness to a countenance in which joy, grief, love,
+anger, or scorn blazed out so contagiously that the coldest man could
+not fail to be impressed.
+
+He was so thoroughly vexed by the time when the dormer-window of the
+loft was suddenly flung open, that he did not observe the apparition
+of three laughing faces, pink and white and chubby, but as vulgar as
+the face of Commerce as it is seen in sculpture on certain monuments.
+These three faces, framed by the window, recalled the puffy cherubs
+floating among the clouds that surround God the Father. The
+apprentices snuffed up the exhalations of the street with an eagerness
+that showed how hot and poisonous the atmosphere of their garret must
+be. After pointing to the singular sentinel, the most jovial, as he
+seemed, of the apprentices retired and came back holding an instrument
+whose hard metal pipe is now superseded by a leather tube; and they
+all grinned with mischief as they looked down on the loiterer, and
+sprinkled him with a fine white shower of which the scent proved that
+three chins had just been shaved. Standing on tiptoe, in the farthest
+corner of their loft, to enjoy their victim's rage, the lads ceased
+laughing on seeing the haughty indifference with which the young man
+shook his cloak, and the intense contempt expressed by his face as he
+glanced up at the empty window-frame.
+
+At this moment a slender white hand threw up the lower half of one of
+the clumsy windows on the third floor by the aid of the sash runners,
+of which the pulley so often suddenly gives way and releases the heavy
+panes it ought to hold up. The watcher was then rewarded for his long
+waiting. The face of a young girl appeared, as fresh as one of the
+white cups that bloom on the bosom of the waters, crowned by a frill
+of tumbled muslin, which gave her head a look of exquisite innocence.
+Though wrapped in brown stuff, her neck and shoulders gleamed here and
+there through little openings left by her movements in sleep. No
+expression of embarrassment detracted from the candor of her face, or
+the calm look of eyes immortalized long since in the sublime works of
+Raphael; here were the same grace, the same repose as in those
+Virgins, and now proverbial. There was a delightful contrast between
+the cheeks of that face on which sleep had, as it were, given high
+relief to a superabundance of life, and the antiquity of the heavy
+window with its clumsy shape and black sill. Like those day-blowing
+flowers, which in the early morning have not yet unfurled their cups,
+twisted by the chills of night, the girl, as yet hardly awake, let her
+blue eyes wander beyond the neighboring roofs to look at the sky;
+then, from habit, she cast them down on the gloomy depths of the
+street, where they immediately met those of her adorer. Vanity, no
+doubt, distressed her at being seen in undress; she started back, the
+worn pulley gave way, and the sash fell with the rapid run, which in
+our day has earned for this artless invention of our forefathers an
+odious name, /Fenetre a la Guillotine/. The vision had disappeared. To
+the young man the most radiant star of morning seemed to be hidden by
+a cloud.
+
+During these little incidents the heavy inside shutters that protected
+the slight windows of the shop of the "Cat and Racket" had been
+removed as if by magic. The old door with its knocker was opened back
+against the wall of the entry by a man-servant, apparently coeval with
+the sign, who, with a shaking hand, hung upon it a square of cloth, on
+which were embroidered in yellow silk the words: "Guillaume, successor
+to Chevrel." Many a passer-by would have found it difficult to guess
+the class of trade carried on by Monsieur Guillaume. Between the
+strong iron bars which protected his shop windows on the outside,
+certain packages, wrapped in brown linen, were hardly visible, though
+as numerous as herrings swimming in a shoal. Notwithstanding the
+primitive aspect of the Gothic front, Monsieur Guillaume, of all the
+merchant clothiers in Paris, was the one whose stores were always the
+best provided, whose connections were the most extensive, and whose
+commercial honesty never lay under the slightest suspicion. If some of
+his brethren in business made a contract with the Government, and had
+not the required quantity of cloth, he was always ready to deliver it,
+however large the number of pieces tendered for. The wily dealer knew
+a thousand ways of extracting the largest profits without being
+obliged, like them, to court patrons, cringing to them, or making them
+costly presents. When his fellow-tradesmen could only pay in good
+bills of long date, he would mention his notary as an accommodating
+man, and managed to get a second profit out of the bargain, thanks to
+this arrangement, which had made it a proverb among the traders of the
+Rue Saint-Denis: "Heaven preserve you from Monsieur Guillaume's
+notary!" to signify a heavy discount.
+
+The old merchant was to be seen standing on the threshold of his shop,
+as if by a miracle, the instant the servant withdrew. Monsieur
+Guillaume looked at the Rue Saint-Denis, at the neighboring shops, and
+at the weather, like a man disembarking at Havre, and seeing France
+once more after a long voyage. Having convinced himself that nothing
+had changed while he was asleep, he presently perceived the stranger
+on guard, and he, on his part, gazed at the patriarchal draper as
+Humboldt may have scrutinized the first electric eel he saw in
+America. Monsieur Guillaume wore loose black velvet breeches, pepper-
+and-salt stockings, and square toed shoes with silver buckles. His
+coat, with square-cut fronts, square-cut tails, and square-cut collar
+clothed his slightly bent figure in greenish cloth, finished with
+white metal buttons, tawny from wear. His gray hair was so accurately
+combed and flattened over his yellow pate that it made it look like a
+furrowed field. His little green eyes, that might have been pierced
+with a gimlet, flashed beneath arches faintly tinged with red in the
+place of eyebrows. Anxieties had wrinkled his forehead with as many
+horizontal lines as there were creases in his coat. This colorless
+face expressed patience, commercial shrewdness, and the sort of wily
+cupidity which is needful in business. At that time these old families
+were less rare than they are now, in which the characteristic habits
+and costume of their calling, surviving in the midst of more recent
+civilization, were preserved as cherished traditions, like the
+antediluvian remains found by Cuvier in the quarries.
+
+The head of the Guillaume family was a notable upholder of ancient
+practices; he might be heard to regret the Provost of Merchants, and
+never did he mention a decision of the Tribunal of Commerce without
+calling it the /Sentence of the Consuls/. Up and dressed the first of
+the household, in obedience, no doubt, to these old customs, he stood
+sternly awaiting the appearance of his three assistants, ready to
+scold them in case they were late. These young disciples of Mercury
+knew nothing more terrible than the wordless assiduity with which the
+master scrutinized their faces and their movements on Monday in search
+of evidence or traces of their pranks. But at this moment the old
+clothier paid no heed to his apprentices; he was absorbed in trying to
+divine the motive of the anxious looks which the young man in silk
+stockings and a cloak cast alternately at his signboard and into the
+depths of his shop. The daylight was now brighter, and enabled the
+stranger to discern the cashier's corner enclosed by a railing and
+screened by old green silk curtains, where were kept the immense
+ledgers, the silent oracles of the house. The too inquisitive gazer
+seemed to covet this little nook, and to be taking the plan of a
+dining-room at one side, lighted by a skylight, whence the family at
+meals could easily see the smallest incident that might occur at the
+shop-door. So much affection for his dwelling seemed suspicious to a
+trader who had lived long enough to remember the law of maximum
+prices; Monsieur Guillaume naturally thought that this sinister
+personage had an eye to the till of the Cat and Racket. After quietly
+observing the mute duel which was going on between his master and the
+stranger, the eldest of the apprentices, having seen that the young
+man was stealthily watching the windows of the third floor, ventured
+to place himself on the stone flag where Monsieur Guillaume was
+standing. He took two steps out into the street, raised his head, and
+fancied that he caught sight of Mademoiselle Augustine Guillaume in
+hasty retreat. The draper, annoyed by his assistant's perspicacity,
+shot a side glance at him; but the draper and his amorous apprentice
+were suddenly relieved from the fears which the young man's presence
+had excited in their minds. He hailed a hackney cab on its way to a
+neighboring stand, and jumped into it with an air of affected
+indifference. This departure was a balm to the hearts of the other two
+lads, who had been somewhat uneasy as to meeting the victim of their
+practical joke.
+
+"Well, gentlemen, what ails you that you are standing there with your
+arms folded?" said Monsieur Guillaume to his three neophytes. "In
+former days, bless you, when I was in Master Chevrel's service, I
+should have overhauled more than two pieces of cloth by this time."
+
+"Then it was daylight earlier," said the second assistant, whose duty
+this was.
+
+The old shopkeeper could not help smiling. Though two of these young
+fellows, who were confided to his care by their fathers, rich
+manufacturers at Louviers and at Sedan, had only to ask and to have a
+hundred thousand francs the day when they were old enough to settle in
+life, Guillaume regarded it as his duty to keep them under the rod of
+an old-world despotism, unknown nowadays in the showy modern shops,
+where the apprentices expect to be rich men at thirty. He made them
+work like Negroes. These three assistants were equal to a business
+which would harry ten such clerks as those whose sybaritical tastes
+now swell the columns of the budget. Not a sound disturbed the peace
+of this solemn house, where the hinges were always oiled, and where
+the meanest article of furniture showed the respectable cleanliness
+which reveals strict order and economy. The most waggish of the three
+youths often amused himself by writing the date of its first
+appearance on the Gruyere cheese which was left to their tender
+mercies at breakfast, and which it was their pleasure to leave
+untouched. This bit of mischief, and a few others of the same stamp,
+would sometimes bring a smile on the face of the younger of
+Guillaume's daughters, the pretty maiden who has just now appeared to
+the bewitched man in the street.
+
+Though each of these apprentices, even the eldest, paid a round sum
+for his board, not one of them would have been bold enough to remain
+at the master's table when dessert was served. When Madame Guillaume
+talked of dressing the salad, the hapless youths trembled as they
+thought of the thrift with which her prudent hand dispensed the oil.
+They could never think of spending a night away from the house without
+having given, long before, a plausible reason for such an
+irregularity. Every Sunday, each in his turn, two of them accompanied
+the Guillaume family to Mass at Saint-Leu, and to vespers.
+Mesdemoiselles Virginie and Augustine, simply attired in cotton print,
+each took the arm of an apprentice and walked in front, under the
+piercing eye of their mother, who closed the little family procession
+with her husband, accustomed by her to carry two large prayer-books,
+bound in black morocco. The second apprentice received no salary. As
+for the eldest, whose twelve years of perseverance and discretion had
+initiated him into the secrets of the house, he was paid eight hundred
+francs a year as the reward of his labors. On certain family festivals
+he received as a gratuity some little gift, to which Madame
+Guillaume's dry and wrinkled hand alone gave value--netted purses,
+which she took care to stuff with cotton wool, to show off the fancy
+stitches, braces of the strongest make, or heavy silk stockings.
+Sometimes, but rarely, this prime minister was admitted to share the
+pleasures of the family when they went into the country, or when,
+after waiting for months, they made up their mind to exert the right
+acquired by taking a box at the theatre to command a piece which Paris
+had already forgotten.
+
+As to the other assistants, the barrier of respect which formerly
+divided a master draper from his apprentices was that they would have
+been more likely to steal a piece of cloth than to infringe this
+time-honored etiquette. Such reserve may now appear ridiculous; but
+these old houses were a school of honesty and sound morals. The
+masters adopted their apprentices. The young man's linen was cared
+for, mended, and often replaced by the mistress of the house. If an
+apprentice fell ill, he was the object of truly maternal attention. In
+a case of danger the master lavished his money in calling in the most
+celebrated physicians, for he was not answerable to their parents
+merely for the good conduct and training of the lads. If one of them,
+whose character was unimpeachable, suffered misfortune, these old
+tradesmen knew how to value the intelligence he had displayed, and
+they did not hesitate to entrust the happiness of their daughters to
+men whom they had long trusted with their fortunes. Guillaume was one
+of these men of the old school, and if he had their ridiculous side,
+he had all their good qualities; and Joseph Lebas, the chief
+assistant, an orphan without any fortune, was in his mind destined to
+be the husband of Virginie, his elder daughter. But Joseph did not
+share the symmetrical ideas of his master, who would not for an empire
+have given his second daughter in marriage before the elder. The
+unhappy assistant felt that his heart was wholly given to Mademoiselle
+Augustine, the younger. In order to justify this passion, which had
+grown up in secret, it is necessary to inquire a little further into
+the springs of the absolute government which ruled the old cloth-
+merchant's household.
+
+Guillaume had two daughters. The elder, Mademoiselle Virginie, was the
+very image of her mother. Madame Guillaume, daughter of the Sieur
+Chevrel, sat so upright in the stool behind her desk, that more than
+once she had heard some wag bet that she was a stuffed figure. Her
+long, thin face betrayed exaggerated piety. Devoid of attractions or
+of amiable manners, Madame Guillaume commonly decorated her head--that
+of a woman near on sixty--with a cap of a particular and unvarying
+shape, with long lappets, like that of a widow. In all the
+neighborhood she was known as the "portress nun." Her speech was curt,
+and her movements had the stiff precision of a semaphore. Her eye,
+with a gleam in it like a cat's, seemed to spite the world because she
+was so ugly. Mademoiselle Virginie, brought up, like her younger
+sister, under the domestic rule of her mother, had reached the age of
+eight-and-twenty. Youth mitigated the graceless effect which her
+likeness to her mother sometimes gave to her features, but maternal
+austerity had endowed her with two great qualities which made up for
+everything. She was patient and gentle. Mademoiselle Augustine, who
+was but just eighteen, was not like either her father or her mother.
+She was one of those daughters whose total absence of any physical
+affinity with their parents makes one believe in the adage: "God gives
+children." Augustine was little, or, to describe her more truly,
+delicately made. Full of gracious candor, a man of the world could
+have found no fault in the charming girl beyond a certain meanness of
+gesture or vulgarity of attitude, and sometimes a want of ease. Her
+silent and placid face was full of the transient melancholy which
+comes over all young girls who are too weak to dare to resist their
+mother's will.
+
+The two sisters, always plainly dressed, could not gratify the innate
+vanity of womanhood but by a luxury of cleanliness which became them
+wonderfully, and made them harmonize with the polished counters and
+the shining shelves, on which the old man-servant never left a speck
+of dust, and with the old-world simplicity of all they saw about them.
+As their style of living compelled them to find the elements of
+happiness in persistent work, Augustine and Virginie had hitherto
+always satisfied their mother, who secretly prided herself on the
+perfect characters of her two daughters. It is easy to imagine the
+results of the training they had received. Brought up to a commercial
+life, accustomed to hear nothing but dreary arguments and calculations
+about trade, having studied nothing but grammar, book-keeping, a
+little Bible-history, and the history of France in Le Ragois, and
+never reading any book but what their mother would sanction, their
+ideas had not acquired much scope. They knew perfectly how to keep
+house; they were familiar with the prices of things; they understood
+the difficulty of amassing money; they were economical, and had a
+great respect for the qualities that make a man of business. Although
+their father was rich, they were as skilled in darning as in
+embroidery; their mother often talked of having them taught to cook,
+so that they might know how to order a dinner and scold a cook with
+due knowledge. They knew nothing of the pleasures of the world; and,
+seeing how their parents spent their exemplary lives, they very rarely
+suffered their eyes to wander beyond the walls of their hereditary
+home, which to their mother was the whole universe. The meetings to
+which family anniversaries gave rise filled in the future of earthly
+joy to them.
+
+When the great drawing-room on the second floor was to be prepared to
+receive company--Madame Roguin, a Demoiselle Chevrel, fifteen months
+younger than her cousin, and bedecked with diamonds; young Rabourdin,
+employed in the Finance Office; Monsieur Cesar Birotteau, the rich
+perfumer, and his wife, known as Madame Cesar; Monsieur Camusot, the
+richest silk mercer in the Rue des Bourdonnais, with his father-in-
+law, Monsieur Cardot, two or three old bankers, and some immaculate
+ladies--the arrangements, made necessary by the way in which
+everything was packed away--the plate, the Dresden china, the
+candlesticks, and the glass--made a variety in the monotonous lives of
+the three women, who came and went and exerted themselves as nuns
+would to receive their bishop. Then, in the evening, when all three
+were tired out with having wiped, rubbed, unpacked, and arranged all
+the gauds of the festival, as the girls helped their mother to
+undress, Madame Guillaume would say to them, "Children, we have done
+nothing today."
+
+When, on very great occasions, "the portress nun" allowed dancing,
+restricting the games of boston, whist, and backgammon within the
+limits of her bedroom, such a concession was accounted as the most
+unhoped felicity, and made them happier than going to the great balls,
+to two or three of which Guillaume would take the girls at the time of
+the Carnival.
+
+And once a year the worthy draper gave an entertainment, when he
+spared no expense. However rich and fashionable the persons invited
+might be, they were careful not to be absent; for the most important
+houses on the exchange had recourse to the immense credit, the
+fortune, or the time-honored experience of Monsieur Guillaume. Still,
+the excellent merchant's daughters did not benefit as much as might be
+supposed by the lessons the world has to offer to young spirits. At
+these parties, which were indeed set down in the ledger to the credit
+of the house, they wore dresses the shabbiness of which made them
+blush. Their style of dancing was not in any way remarkable, and their
+mother's surveillance did not allow of their holding any conversation
+with their partners beyond Yes and No. Also, the law of the old sign
+of the Cat and Racket commanded that they should be home by eleven
+o'clock, the hour when balls and fetes begin to be lively. Thus their
+pleasures, which seemed to conform very fairly to their father's
+position, were often made insipid by circumstances which were part of
+the family habits and principles.
+
+As to their usual life, one remark will sufficiently paint it. Madame
+Guillaume required her daughters to be dressed very early in the
+morning, to come down every day at the same hour, and she ordered
+their employments with monastic regularity. Augustine, however, had
+been gifted by chance with a spirit lofty enough to feel the emptiness
+of such a life. Her blue eyes would sometimes be raised as if to
+pierce the depths of that gloomy staircase and those damp store-rooms.
+After sounding the profound cloistral silence, she seemed to be
+listening to remote, inarticulate revelations of the life of passion,
+which accounts feelings as of higher value than things. And at such
+moments her cheek would flush, her idle hands would lay the muslin
+sewing on the polished oak counter, and presently her mother would say
+in a voice, of which even the softest tones were sour, "Augustine, my
+treasure, what are you thinking about?" It is possible that two
+romances discovered by Augustine in the cupboard of a cook Madame
+Guillaume had lately discharged--/Hippolyte Comte de Douglas/ and /Le
+Comte de Comminges/--may have contributed to develop the ideas of the
+young girl, who had devoured them in secret, during the long nights of
+the past winter.
+
+And so Augustine's expression of vague longing, her gentle voice, her
+jasmine skin, and her blue eyes had lighted in poor Lebas' soul a
+flame as ardent as it was reverent. From an easily understood caprice,
+Augustine felt no affection for the orphan; perhaps she did not know
+that he loved her. On the other hand, the senior apprentice, with his
+long legs, his chestnut hair, his big hands and powerful frame, had
+found a secret admirer in Mademoiselle Virginie, who, in spite of her
+dower of fifty thousand crowns, had as yet no suitor. Nothing could be
+more natural than these two passions at cross-purposes, born in the
+silence of the dingy shop, as violets bloom in the depths of a wood.
+The mute and constant looks which made the young people's eyes meet by
+sheer need of change in the midst of persistent work and cloistered
+peace, was sure, sooner or later, to give rise to feelings of love.
+The habit of seeing always the same face leads insensibly to our
+reading there the qualities of the soul, and at last effaces all its
+defects.
+
+"At the pace at which that man goes, our girls will soon have to go on
+their knees to a suitor!" said Monsieur Guillaume to himself, as he
+read the first decree by which Napoleon drew in advance on the
+conscript classes.
+
+From that day the old merchant, grieved at seeing his eldest daughter
+fade, remembered how he had married Mademoiselle Chevrel under much
+the same circumstances as those of Joseph Lebas and Virginie. A good
+bit of business, to marry off his daughter, and discharge a sacred
+debt by repaying to an orphan the benefit he had formerly received
+from his predecessor under similar conditions! Joseph Lebas, who was
+now three-and-thirty, was aware of the obstacle which a difference of
+fifteen years placed between Augustine and himself. Being also too
+clear-sighted not to understand Monsieur Guillaume's purpose, he knew
+his inexorable principles well enough to feel sure that the second
+would never marry before the elder. So the hapless assistant, whose
+heart was as warm as his legs were long and his chest deep, suffered
+in silence.
+
+This was the state of the affairs in the tiny republic which, in the
+heart of the Rue Saint-Denis, was not unlike a dependency of La
+Trappe. But to give a full account of events as well as of feelings,
+it is needful to go back to some months before the scene with which
+this story opens. At dusk one evening, a young man passing the
+darkened shop of the Cat and Racket, had paused for a moment to gaze
+at a picture which might have arrested every painter in the world. The
+shop was not yet lighted, and was as a dark cave beyond which the
+dining-room was visible. A hanging lamp shed the yellow light which
+lends such charm to pictures of the Dutch school. The white linen, the
+silver, the cut glass, were brilliant accessories, and made more
+picturesque by strong contrasts of light and shade. The figures of the
+head of the family and his wife, the faces of the apprentices, and the
+pure form of Augustine, near whom a fat chubby-cheeked maid was
+standing, composed so strange a group; the heads were so singular, and
+every face had so candid an expression; it was so easy to read the
+peace, the silence, the modest way of life in this family, that to an
+artist accustomed to render nature, there was something hopeless in
+any attempt to depict this scene, come upon by chance. The stranger
+was a young painter, who, seven years before, had gained the first
+prize for painting. He had now just come back from Rome. His soul,
+full-fed with poetry; his eyes, satiated with Raphael and Michael
+Angelo, thirsted for real nature after long dwelling in the pompous
+land where art has everywhere left something grandiose. Right or
+wrong, this was his personal feeling. His heart, which had long been a
+prey to the fire of Italian passion, craved one of those modest and
+meditative maidens whom in Rome he had unfortunately seen only in
+painting. From the enthusiasm produced in his excited fancy by the
+living picture before him, he naturally passed to a profound
+admiration for the principal figure; Augustine seemed to be pensive,
+and did not eat; by the arrangement of the lamp the light fell full on
+her face, and her bust seemed to move in a circle of fire, which threw
+up the shape of her head and illuminated it with almost supernatural
+effect. The artist involuntarily compared her to an exiled angel
+dreaming of heaven. An almost unknown emotion, a limpid, seething love
+flooded his heart. After remaining a minute, overwhelmed by the weight
+of his ideas, he tore himself from his bliss, went home, ate nothing,
+and could not sleep.
+
+The next day he went to his studio, and did not come out of it till he
+had placed on canvas the magic of the scene of which the memory had,
+in a sense, made him a devotee; his happiness was incomplete till he
+should possess a faithful portrait of his idol. He went many times
+past the house of the Cat and Racket; he even ventured in once or
+twice, under a disguise, to get a closer view of the bewitching
+creature that Madame Guillaume covered with her wing. For eight whole
+months, devoted to his love and to his brush, he was lost to the sight
+of his most intimate friends forgetting the world, the theatre,
+poetry, music, and all his dearest habits. One morning Girodet broke
+through all the barriers with which artists are familiar, and which
+they know how to evade, went into his room, and woke him by asking,
+"What are you going to send to the Salon?" The artist grasped his
+friend's hand, dragged him off to the studio, uncovered a small easel
+picture and a portrait. After a long and eager study of the two
+masterpieces, Girodet threw himself on his comrade's neck and hugged
+him, without speaking a word. His feelings could only be expressed as
+he felt them--soul to soul.
+
+"You are in love?" said Girodet.
+
+They both knew that the finest portraits by Titian, Raphael, and
+Leonardo da Vinci, were the outcome of the enthusiastic sentiments by
+which, indeed, under various conditions, every masterpiece is
+engendered. The artist only bent his head in reply.
+
+"How happy are you to be able to be in love, here, after coming back
+from Italy! But I do not advise you to send such works as these to the
+Salon," the great painter went on. "You see, these two works will not
+be appreciated. Such true coloring, such prodigious work, cannot yet
+be understood; the public is not accustomed to such depths. The
+pictures we paint, my dear fellow, are mere screens. We should do
+better to turn rhymes, and translate the antique poets! There is more
+glory to be looked for there than from our luckless canvases!"
+
+Notwithstanding this charitable advice, the two pictures were
+exhibited. The /Interior/ made a revolution in painting. It gave birth
+to the pictures of genre which pour into all our exhibitions in such
+prodigious quantity that they might be supposed to be produced by
+machinery. As to the portrait, few artists have forgotten that
+lifelike work; and the public, which as a body is sometimes
+discerning, awarded it the crown which Girodet himself had hung over
+it. The two pictures were surrounded by a vast throng. They fought for
+places, as women say. Speculators and moneyed men would have covered
+the canvas with double napoleons, but the artist obstinately refused
+to sell or to make replicas. An enormous sum was offered him for the
+right of engraving them, and the print-sellers were not more favored
+than the amateurs.
+
+Though these incidents occupied the world, they were not of a nature
+to penetrate the recesses of the monastic solitude in the Rue Saint-
+Denis. However, when paying a visit to Madame Guillaume, the notary's
+wife spoke of the exhibition before Augustine, of whom she was very
+fond, and explained its purpose. Madame Roguin's gossip naturally
+inspired Augustine with a wish to see the pictures, and with courage
+enough to ask her cousin secretly to take her to the Louvre. Her
+cousin succeeded in the negotiations she opened with Madame Guillaume
+for permission to release the young girl for two hours from her dull
+labors. Augustine was thus able to make her way through the crowd to
+see the crowned work. A fit of trembling shook her like an aspen leaf
+as she recognized herself. She was terrified, and looked about her to
+find Madame Roguin, from whom she had been separated by a tide of
+people. At that moment her frightened eyes fell on the impassioned
+face of the young painter. She at once recalled the figure of a
+loiterer whom, being curious, she had frequently observed, believing
+him to be a new neighbor.
+
+"You see how love has inspired me," said the artist in the timid
+creature's ear, and she stood in dismay at the words.
+
+She found supernatural courage to enable her to push through the crowd
+and join her cousin, who was still struggling with the mass of people
+that hindered her from getting to the picture.
+
+"You will be stifled!" cried Augustine. "Let us go."
+
+But there are moments, at the Salon, when two women are not always
+free to direct their steps through the galleries. By the irregular
+course to which they were compelled by the press, Mademoiselle
+Guillaume and her cousin were pushed to within a few steps of the
+second picture. Chance thus brought them, both together, to where they
+could easily see the canvas made famous by fashion, for once in
+agreement with talent. Madame Roguin's exclamation of surprise was
+lost in the hubbub and buzz of the crowd; Augustine involuntarily shed
+tears at the sight of this wonderful study. Then, by an almost
+unaccountable impulse, she laid her finger on her lips, as she
+perceived quite near her the ecstatic face of the young painter. The
+stranger replied by a nod, and pointed to Madame Roguin, as a spoil-
+sport, to show Augustine that he had understood. This pantomime struck
+the young girl like hot coals on her flesh; she felt quite guilty as
+she perceived that there was a compact between herself and the artist.
+The suffocating heat, the dazzling sight of beautiful dresses, the
+bewilderment produced in Augustine's brain by the truth of coloring,
+the multitude of living or painted figures, the profusion of gilt
+frames, gave her a sense of intoxication which doubled her alarms. She
+would perhaps have fainted if an unknown rapture had not surged up in
+her heart to vivify her whole being, in spite of this chaos of
+sensations. She nevertheless believed herself to be under the power of
+the Devil, of whose awful snares she had been warned of by the
+thundering words of preachers. This moment was to her like a moment of
+madness. She found herself accompanied to her cousin's carriage by the
+young man, radiant with joy and love. Augustine, a prey to an
+agitation new to her experience, an intoxication which seemed to
+abandon her to nature, listened to the eloquent voice of her heart,
+and looked again and again at the young painter, betraying the emotion
+that came over her. Never had the bright rose of her cheeks shown in
+stronger contrast with the whiteness of her skin. The artist saw her
+beauty in all its bloom, her maiden modesty in all its glory. She
+herself felt a sort of rapture mingled with terror at thinking that
+her presence had brought happiness to him whose name was on every lip,
+and whose talent lent immortality to transient scenes. She was loved!
+It was impossible to doubt it. When she no longer saw the artist,
+these simple words still echoed in her ear, "You see how love has
+inspired me!" And the throbs of her heart, as they grew deeper, seemed
+a pain, her heated blood revealed so many unknown forces in her being.
+She affected a severe headache to avoid replying to her cousin's
+questions concerning the pictures; but on their return Madame Roguin
+could not forbear from speaking to Madame Guillaume of the fame that
+had fallen on the house of the Cat and Racket, and Augustine quaked in
+every limb as she heard her mother say that she should go to the Salon
+to see her house there. The young girl again declared herself
+suffering, and obtained leave to go to bed.
+
+"That is what comes of sight-seeing," exclaimed Monsieur Guillaume--"a
+headache. And is it so very amusing to see in a picture what you can
+see any day in your own street? Don't talk to me of your artists! Like
+writers, they are a starveling crew. Why the devil need they choose my
+house to flout it in their pictures?"
+
+"It may help to sell a few ells more of cloth," said Joseph Lebas.
+
+This remark did not protect art and thought from being condemned once
+again before the judgment-seat of trade. As may be supposed, these
+speeches did not infuse much hope into Augustine, who, during the
+night, gave herself up to the first meditations of love. The events of
+the day were like a dream, which it was a joy to recall to her mind.
+She was initiated into the fears, the hopes, the remorse, all the ebb
+and flow of feeling which could not fail to toss a heart so simple and
+timid as hers. What a void she perceived in this gloomy house! What a
+treasure she found in her soul! To be the wife of a genius, to share
+his glory! What ravages must such a vision make in the heart of a girl
+brought up among such a family! What hopes must it raise in a young
+creature who, in the midst of sordid elements, had pined for a life of
+elegance! A sunbeam had fallen into the prison. Augustine was suddenly
+in love. So many of her feelings were soothed that she succumbed
+without reflection. At eighteen does not love hold a prism between the
+world and the eyes of a young girl? She was incapable of suspecting
+the hard facts which result from the union of a loving woman with a
+man of imagination, and she believed herself called to make him happy,
+not seeing any disparity between herself and him. To her the future
+would be as the present. When, next day, her father and mother
+returned from the Salon, their dejected faces proclaimed some
+disappointment. In the first place, the painter had removed the two
+pictures; and then Madame Guillaume had lost her cashmere shawl. But
+the news that the pictures had disappeared from the walls since her
+visit revealed to Augustine a delicacy of sentiment which a woman can
+always appreciate, even by instinct.
+
+On the morning when, on his way home from a ball, Theodore de
+Sommervieux--for this was the name which fame had stamped on
+Augustine's heart--had been squirted on by the apprentices while
+awaiting the appearance of his artless little friend, who certainly
+did not know that he was there, the lovers had seen each other for the
+fourth time only since their meeting at the Salon. The difficulties
+which the rule of the house placed in the way of the painter's ardent
+nature gave added violence to his passion for Augustine.
+
+How could he get near to a young girl seated in a counting-house
+between two such women as Mademoiselle Virginie and Madame Guillaume?
+How could he correspond with her when her mother never left her side?
+Ingenious, as lovers are, to imagine woes, Theodore saw a rival in one
+of the assistants, to whose interests he supposed the others to be
+devoted. If he should evade these sons of Argus, he would yet be
+wrecked under the stern eye of the old draper or of Madame Guillaume.
+The very vehemence of his passion hindered the young painter from
+hitting on the ingenious expedients which, in prisoners and in lovers,
+seem to be the last effort of intelligence spurred by a wild craving
+for liberty, or by the fire of love. Theodore wandered about the
+neighborhood with the restlessness of a madman, as though movement
+might inspire him with some device. After racking his imagination, it
+occurred to him to bribe the blowsy waiting-maid with gold. Thus a few
+notes were exchanged at long intervals during the fortnight following
+the ill-starred morning when Monsieur Guillaume and Theodore had so
+scrutinized one another. At the present moment the young couple had
+agreed to see each other at a certain hour of the day, and on Sunday,
+at Saint-Leu, during Mass and vespers. Augustine had sent her dear
+Theodore a list of the relations and friends of the family, to whom
+the young painter tried to get access, in the hope of interesting, if
+it were possible, in his love affairs, one of these souls absorbed in
+money and trade, to whom a genuine passion must appear a quite
+monstrous speculation, a thing unheard-of. Nothing meanwhile, was
+altered at the sign of the Cat and Racket. If Augustine was absent-
+minded, if, against all obedience to the domestic code, she stole up
+to her room to make signals by means of a jar of flowers, if she
+sighed, if she were lost in thought, no one observed it, not even her
+mother. This will cause some surprise to those who have entered into
+the spirit of the household, where an idea tainted with poetry would
+be in startling contrast to persons and things, where no one could
+venture on a gesture or a look which would not be seen and analyzed.
+Nothing, however, could be more natural: the quiet barque that
+navigated the stormy waters of the Paris Exchange, under the flag of
+the Cat and Racket, was just now in the toils of one of these tempests
+which, returning periodically, might be termed equinoctial. For the
+last fortnight the five men forming the crew, with Madame Guillaume
+and Mademoiselle Virginie, had been devoting themselves to the hard
+labor, known as stock-taking.
+
+Every bale was turned over, and the length verified to ascertain the
+exact value of the remnant. The ticket attached to each parcel was
+carefully examined to see at what time the piece had been bought. The
+retail price was fixed. Monsieur Guillaume, always on his feet, his
+pen behind his ear, was like a captain commanding the working of the
+ship. His sharp tones, spoken through a trap-door, to inquire into the
+depths of the hold in the cellar-store, gave utterance to the
+barbarous formulas of trade-jargon, which find expression only in
+cipher. "How much H. N. Z.?"--"All sold."--"What is left of Q. X.?"--
+Two ells."--"At what price?"--"Fifty-five three."--"Set down A. at
+three, with all of J. J., all of M. P., and what is left of V. D. O."
+--A hundred other injunctions equally intelligible were spouted over
+the counters like verses of modern poetry, quoted by romantic spirits,
+to excite each other's enthusiasm for one of their poets. In the
+evening Guillaume, shut up with his assistant and his wife, balanced
+his accounts, carried on the balance, wrote to debtors in arrears, and
+made out bills. All three were busy over this enormous labor, of which
+the result could be stated on a sheet of foolscap, proving to the head
+of the house that there was so much to the good in hard cash, so much
+in goods, so much in bills and notes; that he did not owe a sou; that
+a hundred or two hundred thousand francs were owing to him; that the
+capital had been increased; that the farmlands, the houses, or the
+investments were extended, or repaired, or doubled. Whence it became
+necessary to begin again with increased ardor, to accumulate more
+crown-pieces, without its ever entering the brain of these laborious
+ants to ask--"To what end?"
+
+Favored by this annual turmoil, the happy Augustine escaped the
+investigations of her Argus-eyed relations. At last, one Saturday
+evening, the stock-taking was finished. The figures of the sum-total
+showed a row of 0's long enough to allow Guillaume for once to relax
+the stern rule as to dessert which reigned throughout the year. The
+shrewd old draper rubbed his hands, and allowed his assistants to
+remain at table. The members of the crew had hardly swallowed their
+thimbleful of some home-made liqueur, when the rumble of a carriage
+was heard. The family party were going to see /Cendrillon/ at the
+Varietes, while the two younger apprentices each received a crown of
+six francs, with permission to go wherever they chose, provided they
+were in by midnight.
+
+Notwithstanding this debauch, the old cloth-merchant was shaving
+himself at six next morning, put on his maroon-colored coat, of which
+the glowing lights afforded him perennial enjoyment, fastened a pair
+of gold buckles on the knee-straps of his ample satin breeches; and
+then, at about seven o'clock, while all were still sleeping in the
+house, he made his way to the little office adjoining the shop on the
+first floor. Daylight came in through a window, fortified by iron
+bars, and looking out on a small yard surrounded by such black walls
+that it was very like a well. The old merchant opened the iron-lined
+shutters, which were so familiar to him, and threw up the lower half
+of the sash window. The icy air of the courtyard came in to cool the
+hot atmosphere of the little room, full of the odor peculiar to
+offices.
+
+The merchant remained standing, his hand resting on the greasy arm of
+a large cane chair lined with morocco, of which the original hue had
+disappeared; he seemed to hesitate as to seating himself. He looked
+with affection at the double desk, where his wife's seat, opposite his
+own, was fitted into a little niche in the wall. He contemplated the
+numbered boxes, the files, the implements, the cash box--objects all
+of immemorial origin, and fancied himself in the room with the shade
+of Master Chevrel. He even pulled out the high stool on which he had
+once sat in the presence of his departed master. This stool, covered
+with black leather, the horse-hair showing at every corner--as it had
+long done, without, however, coming out--he placed with a shaking hand
+on the very spot where his predecessor had put it, and then, with an
+emotion difficult to describe, he pulled a bell, which rang at the
+head of Joseph Lebas' bed. When this decisive blow had been struck,
+the old man, for whom, no doubt, these reminiscences were too much,
+took up three or four bills of exchange, and looked at them without
+seeing them.
+
+Suddenly Joseph Lebas stood before him.
+
+"Sit down there," said Guillaume, pointing to the stool.
+
+As the old master draper had never yet bid his assistant be seated in
+his presence, Joseph Lebas was startled.
+
+"What do you think of these notes?" asked Guillaume.
+
+"They will never be paid."
+
+"Why?"
+
+"Well, I heard the day before yesterday Etienne and Co. had made their
+payments in gold."
+
+"Oh, oh!" said the draper. "Well, one must be very ill to show one's
+bile. Let us speak of something else.--Joseph, the stock-taking is
+done."
+
+"Yes, monsieur, and the dividend is one of the best you have ever
+made."
+
+"Do not use new-fangled words. Say the profits, Joseph. Do you know,
+my boy, that this result is partly owing to you? And I do not intend
+to pay you a salary any longer. Madame Guillaume has suggested to me
+to take you into partnership.--'Guillaume and Lebas;' will not that
+make a good business name? We might add, 'and Co.' to round off the
+firm's signature."
+
+Tears rose to the eyes of Joseph Lebas, who tried to hide them.
+
+"Oh, Monsieur Guillaume, how have I deserved such kindness? I only do
+my duty. It was so much already that you should take an interest in a
+poor orph----"
+
+He was brushing the cuff of his left sleeve with his right hand, and
+dared not look at the old man, who smiled as he thought that this
+modest young fellow no doubt needed, as he had needed once on a time,
+some encouragement to complete his explanation.
+
+"To be sure," said Virginie's father, "you do not altogether deserve
+this favor, Joseph. You have not so much confidence in me as I have in
+you." (The young man looked up quickly.) "You know all the secrets of
+the cash-box. For the last two years I have told you almost all my
+concerns. I have sent you to travel in our goods. In short, I have
+nothing on my conscience as regards you. But you--you have a soft
+place, and you have never breathed a word of it." Joseph Lebas
+blushed. "Ah, ha!" cried Guillaume, "so you thought you could deceive
+an old fox like me? When you knew that I had scented the Lecocq
+bankruptcy?"
+
+"What, monsieur?" replied Joseph Lebas, looking at his master as
+keenly as his master looked at him, "you knew that I was in love?"
+
+"I know everything, you rascal," said the worthy and cunning old
+merchant, pulling the assistant's ear. "And I forgive you--I did the
+same myself."
+
+"And you will give her to me?"
+
+"Yes--with fifty thousand crowns; and I will leave you as much by
+will, and we will start on our new career under the name of a new
+firm. We will do good business yet, my boy!" added the old man,
+getting up and flourishing his arms. "I tell you, son-in-law, there is
+nothing like trade. Those who ask what pleasure is to be found in it
+are simpletons. To be on the scent of a good bargain, to hold your own
+on 'Change, to watch as anxiously as at the gaming-table whether
+Etienne and Co. will fail or no, to see a regiment of Guards march
+past all dressed in your cloth, to trip your neighbor up--honestly of
+course!--to make the goods cheaper than others can; then to carry out
+an undertaking which you have planned, which begins, grows, totters,
+and succeeds! to know the workings of every house of business as well
+as a minister of police, so as never to make a mistake; to hold up
+your head in the midst of wrecks, to have friends by correspondence in
+every manufacturing town; is not that a perpetual game, Joseph? That
+is life, that is! I shall die in that harness, like old Chevrel, but
+taking it easy now, all the same."
+
+In the heat of his eager rhetoric, old Guillaume had scarcely looked
+at his assistant, who was weeping copiously. "Why, Joseph, my poor
+boy, what is the matter?"
+
+"Oh, I love her so! Monsieur Guillaume, that my heart fails me; I
+believe----"
+
+"Well, well, boy," said the old man, touched, "you are happier than
+you know, by God! For she loves you. I know it."
+
+And he blinked his little green eyes as he looked at the young man.
+
+"Mademoiselle Augustine! Mademoiselle Augustine!" exclaimed Joseph
+Lebas in his rapture.
+
+He was about to rush out of the room when he felt himself clutched by
+a hand of iron, and his astonished master spun him round in front of
+him once more.
+
+"What has Augustine to do with this matter?" he asked, in a voice
+which instantly froze the luckless Joseph.
+
+"Is it not she that--that--I love?" stammered the assistant.
+
+Much put out by his own want of perspicacity, Guillaume sat down
+again, and rested his long head in his hands to consider the
+perplexing situation in which he found himself. Joseph Lebas,
+shamefaced and in despair, remained standing.
+
+"Joseph," the draper said with frigid dignity, "I was speaking of
+Virginie. Love cannot be made to order, I know. I know, too, that you
+can be trusted. We will forget all this. I will not let Augustine
+marry before Virginie.--Your interest will be ten per cent."
+
+The young man, to whom love gave I know not what power of courage and
+eloquence, clasped his hand, and spoke in his turn--spoke for a
+quarter of an hour, with so much warmth and feeling, that he altered
+the situation. If the question had been a matter of business the old
+tradesman would have had fixed principles to guide his decision; but,
+tossed a thousand miles from commerce, on the ocean of sentiment,
+without a compass, he floated, as he told himself, undecided in the
+face of such an unexpected event. Carried away by his fatherly
+kindness, he began to beat about the bush.
+
+"Deuce take it, Joseph, you must know that there are ten years between
+my two children. Mademoiselle Chevrel was no beauty, still she has had
+nothing to complain of in me. Do as I did. Come, come, don't cry. Can
+you be so silly? What is to be done? It can be managed perhaps. There
+is always some way out of a scrape. And we men are not always devoted
+Celadons to our wives--you understand? Madame Guillaume is very pious.
+. . . Come. By Gad, boy, give your arm to Augustine this morning as we
+go to Mass."
+
+These were the phrases spoken at random by the old draper, and their
+conclusion made the lover happy. He was already thinking of a friend
+of his as a match for Mademoiselle Virginie, as he went out of the
+smoky office, pressing his future father-in-law's hand, after saying
+with a knowing look that all would turn out for the best.
+
+"What will Madame Guillaume say to it?" was the idea that greatly
+troubled the worthy merchant when he found himself alone.
+
+At breakfast Madame Guillaume and Virginie, to whom the draper had not
+yet confided his disappointment, cast meaning glances at Joseph Lebas,
+who was extremely embarrassed. The young assistant's bashfulness
+commended him to his mother-in-law's good graces. The matron became so
+cheerful that she smiled as she looked at her husband, and allowed
+herself some little pleasantries of time-honored acceptance in such
+simple families. She wondered whether Joseph or Virginie were the
+taller, to ask them to compare their height. This preliminary fooling
+brought a cloud to the master's brow, and he even made such a point of
+decorum that he desired Augustine to take the assistant's arm on their
+way to Saint-Leu. Madame Guillaume, surprised at this manly delicacy,
+honored her husband with a nod of approval. So the procession left the
+house in such order as to suggest no suspicious meaning to the
+neighbors.
+
+"Does it not seem to you, Mademoiselle Augustine," said the assistant,
+and he trembled, "that the wife of a merchant whose credit is as good
+as Monsieur Guillaume's, for instance, might enjoy herself a little
+more than Madame your mother does? Might wear diamonds--or keep a
+carriage? For my part, if I were to marry, I should be glad to take
+all the work, and see my wife happy. I would not put her into the
+counting-house. In the drapery business, you see, a woman is not so
+necessary now as formerly. Monsieur Guillaume was quite right to act
+as he did--and besides, his wife liked it. But so long as a woman
+knows how to turn her hand to the book-keeping, the correspondence,
+the retail business, the orders, and her housekeeping, so as not to
+sit idle, that is enough. At seven o'clock, when the shop is shut, I
+shall take my pleasures, go to the play, and into company.--But you
+are not listening to me."
+
+"Yes, indeed, Monsieur Joseph. What do you think of painting? That is
+a fine calling."
+
+"Yes. I know a master house-painter, Monsieur Lourdois. He is well-to-
+do."
+
+Thus conversing, the family reached the Church of Saint-Leu. There
+Madame Guillaume reasserted her rights, and, for the first time,
+placed Augustine next herself, Virginie taking her place on the fourth
+chair, next to Lebas. During the sermon all went well between
+Augustine and Theodore, who, standing behind a pillar, worshiped his
+Madonna with fervent devotion; but at the elevation of the Host,
+Madame Guillaume discovered, rather late, that her daughter Augustine
+was holding her prayer-book upside down. She was about to speak to her
+strongly, when, lowering her veil, she interrupted her own devotions
+to look in the direction where her daughter's eyes found attraction.
+By the help of her spectacles she saw the young artist, whose
+fashionable elegance seemed to proclaim him a cavalry officer on leave
+rather than a tradesman of the neighborhood. It is difficult to
+conceive of the state of violent agitation in which Madame Guillaume
+found herself--she, who flattered herself on having brought up her
+daughters to perfection--on discovering in Augustine a clandestine
+passion of which her prudery and ignorance exaggerated the perils. She
+believed her daughter to be cankered to the core.
+
+"Hold your book right way up, miss," she muttered in a low voice,
+tremulous with wrath. She snatched away the tell-tale prayer-book and
+returned it with the letter-press right way up. "Do not allow your
+eyes to look anywhere but at your prayers," she added, "or I shall
+have something to say to you. Your father and I will talk to you after
+church."
+
+These words came like a thunderbolt on poor Augustine. She felt faint;
+but, torn between the distress she felt and the dread of causing a
+commotion in church she bravely concealed her anguish. It was,
+however, easy to discern the stormy state of her soul from the
+trembling of her prayer-book, and the tears which dropped on every
+page she turned. From the furious glare shot at him by Madame
+Guillaume the artist saw the peril into which his love affair had
+fallen; he went out, with a raging soul, determined to venture all.
+
+"Go to your room, miss!" said Madame Guillaume, on their return home;
+"we will send for you, but take care not to quit it."
+
+The conference between the husband and wife was conducted so secretly
+that at first nothing was heard of it. Virginie, however, who had
+tried to give her sister courage by a variety of gentle remonstrances,
+carried her good nature so far as to listen at the door of her
+mother's bedroom where the discussion was held, to catch a word or
+two. The first time she went down to the lower floor she heard her
+father exclaim, "Then, madame, do you wish to kill your daughter?"
+
+"My poor dear!" said Virginie, in tears, "papa takes your part."
+
+"And what do they want to do to Theodore?" asked the innocent girl.
+
+Virginie, inquisitive, went down again; but this time she stayed
+longer; she learned that Joseph Lebas loved Augustine. It was written
+that on this memorable day, this house, generally so peaceful, should
+be a hell. Monsieur Guillaume brought Joseph Lebas to despair by
+telling him of Augustine's love for a stranger. Lebas, who had advised
+his friend to become a suitor for Mademoiselle Virginie, saw all his
+hopes wrecked. Mademoiselle Virginie, overcome by hearing that Joseph
+had, in a way, refused her, had a sick headache. The dispute that had
+arisen from the discussion between Monsieur and Madame Guillaume,
+when, for the third time in their lives, they had been of antagonistic
+opinions, had shown itself in a terrible form. Finally, at half-past
+four in the afternoon, Augustine, pale, trembling, and with red eyes,
+was haled before her father and mother. The poor child artlessly
+related the too brief tale of her love. Reassured by a speech from her
+father, who promised to listen to her in silence, she gathered courage
+as she pronounced to her parents the name of Theodore de Sommervieux,
+with a mischievous little emphasis on the aristocratic /de/. And
+yielding to the unknown charm of talking of her feelings, she was
+brave enough to declare with innocent decision that she loved Monsieur
+de Sommervieux, that she had written to him, and she added, with tears
+in her eyes: "To sacrifice me to another man would make me wretched."
+
+"But, Augustine, you cannot surely know what a painter is?" cried her
+mother with horror.
+
+"Madame Guillaume!" said the old man, compelling her to silence.--
+"Augustine," he went on, "artists are generally little better than
+beggars. They are too extravagant not to be always a bad sort. I
+served the late Monsieur Joseph Vernet, the late Monsieur Lekain, and
+the late Monsieur Noverre. Oh, if you could only know the tricks
+played on poor Father Chevrel by that Monsieur Noverre, by the
+Chevalier de Saint-Georges, and especially by Monsieur Philidor! They
+are a set of rascals; I know them well! They all have a gab and nice
+manners. Ah, your Monsieur Sumer--, Somm----"
+
+"De Sommervieux, papa."
+
+"Well, well, de Sommervieux, well and good. He can never have been
+half so sweet to you as Monsieur le Chevalier de Saint-Georges was to
+me the day I got a verdict of the consuls against him. And in those
+days they were gentlemen of quality."
+
+"But, father, Monsieur Theodore is of good family, and he wrote me
+that he is rich; his father was called Chevalier de Sommervieux before
+the Revolution."
+
+At these words Monsieur Guillaume looked at his terrible better half,
+who, like an angry woman, sat tapping the floor with her foot while
+keeping sullen silence; she avoided even casting wrathful looks at
+Augustine, appearing to leave to Monsieur Guillaume the whole
+responsibility in so grave a matter, since her opinion was not
+listened to. Nevertheless, in spite of her apparent self-control, when
+she saw her husband giving way so mildly under a catastrophe which had
+no concern with business, she exclaimed:
+
+"Really, monsieur, you are so weak with your daughters! However----"
+
+The sound of a carriage, which stopped at the door, interrupted the
+rating which the old draper already quaked at. In a minute Madame
+Roguin was standing in the middle of the room, and looking at the
+actors in this domestic scene: "I know all, my dear cousin," said she,
+with a patronizing air.
+
+Madame Roguin made the great mistake of supposing that a Paris
+notary's wife could play the part of a favorite of fashion.
+
+"I know all," she repeated, "and I have come into Noah's Ark, like the
+dove, with the olive-branch. I read that allegory in the /Genie du
+Christianisme/," she added, turning to Madame Guillaume; "the allusion
+ought to please you, cousin. Do you know," she went on, smiling at
+Augustine, "that Monsieur de Sommervieux is a charming man? He gave me
+my portrait this morning, painted by a master's hand. It is worth at
+least six thousand francs." And at these words she patted Monsieur
+Guillaume on the arm. The old draper could not help making a grimace
+with his lips, which was peculiar to him.
+
+"I know Monsieur de Sommervieux very well," the Dove ran on. "He has
+come to my evenings this fortnight past, and made them delightful. He
+has told me all his woes, and commissioned me to plead for him. I know
+since this morning that he adores Augustine, and he shall have her.
+Ah, cousin, do not shake your head in refusal. He will be created
+Baron, I can tell you, and has just been made Chevalier of the Legion
+of Honor, by the Emperor himself, at the Salon. Roguin is now his
+lawyer, and knows all his affairs. Well! Monsieur de Sommervieux has
+twelve thousand francs a year in good landed estate. Do you know that
+the father-in-law of such a man may get a rise in life--be mayor of
+his /arrondissement/, for instance. Have we not seen Monsieur Dupont
+become a Count of the Empire, and a senator, all because he went as
+mayor to congratulate the Emperor on his entry into Vienna? Oh, this
+marriage must take place! For my part, I adore the dear young man. His
+behavior to Augustine is only met with in romances. Be easy, little
+one, you shall be happy, and every girl will wish she were in your
+place. Madame la Duchesse de Carigliano, who comes to my 'At Homes,'
+raves about Monsieur de Sommervieux. Some spiteful people say she only
+comes to me to meet him; as if a duchesse of yesterday was doing too
+much honor to a Chevrel, whose family have been respected citizens
+these hundred years!
+
+"Augustine," Madame Roguin went on, after a short pause, "I have seen
+the portrait. Heavens! How lovely it is! Do you know that the Emperor
+wanted to have it? He laughed, and said to the Deputy High Constable
+that if there were many women like that in his court while all the
+kings visited it, he should have no difficulty about preserving the
+peace of Europe. Is not that a compliment?"
+
+The tempests with which the day had begun were to resemble those of
+nature, by ending in clear and serene weather. Madame Roguin displayed
+so much address in her harangue, she was able to touch so many strings
+in the dry hearts of Monsieur and Madame Guillaume, that at last she
+hit on one which she could work upon. At this strange period commerce
+and finance were more than ever possessed by the crazy mania for
+seeking alliance with rank; and the generals of the Empire took full
+advantage of this desire. Monsieur Guillaume, as a singular exception,
+opposed this deplorable craving. His favorite axioms were that, to
+secure happiness, a woman must marry a man of her own class; that
+every one was punished sooner or later for having climbed too high;
+that love could so little endure under the worries of a household,
+that both husband and wife needed sound good qualities to be happy,
+that it would not do for one to be far in advance of the other,
+because, above everything, they must understand each other; if a man
+spoke Greek and his wife Latin, they might come to die of hunger. He
+had himself invented this sort of adage. And he compared such
+marriages to old-fashioned materials of mixed silk and wool. Still,
+there is so much vanity at the bottom of man's heart that the prudence
+of the pilot who steered the Cat and Racket so wisely gave way before
+Madame Roguin's aggressive volubility. Austere Madame Guillaume was
+the first to see in her daughter's affection a reason for abdicating
+her principles and for consenting to receive Monsieur de Sommervieux,
+whom she promised herself she would put under severe inquisition.
+
+The old draper went to look for Joseph Lebas, and inform him of the
+state of affairs. At half-past six, the dining-room immortalized by
+the artist saw, united under its skylight, Monsieur and Madame Roguin,
+the young painter and his charming Augustine, Joseph Lebas, who found
+his happiness in patience, and Mademoiselle Virginie, convalescent
+from her headache. Monsieur and Madame Guillaume saw in perspective
+both their children married, and the fortunes of the Cat and Racket
+once more in skilful hands. Their satisfaction was at its height when,
+at dessert, Theodore made them a present of the wonderful picture
+which they had failed to see, representing the interior of the old
+shop, and to which they all owed so much happiness.
+
+"Isn't it pretty!" cried Guillaume. "And to think that any one would
+pay thirty thousand francs for that!"
+
+"Because you can see my lappets in it," said Madame Guillaume.
+
+"And the cloth unrolled!" added Lebas; "you might take it up in your
+hand."
+
+"Drapery always comes out well," replied the painter. "We should be
+only too happy, we modern artists, if we could touch the perfection of
+antique drapery."
+
+"So you like drapery!" cried old Guillaume. "Well, then, by Gad! shake
+hands on that, my young friend. Since you can respect trade, we shall
+understand each other. And why should it be despised? The world began
+with trade, since Adam sold Paradise for an apple. He did not strike a
+good bargain though!" And the old man roared with honest laughter,
+encouraged by the champagne, which he sent round with a liberal hand.
+The band that covered the young artist's eyes was so thick that he
+thought his future parents amiable. He was not above enlivening them
+by a few jests in the best taste. So he too pleased every one. In the
+evening, when the drawing-room, furnished with what Madame Guillaume
+called "everything handsome," was deserted, and while she flitted from
+the table to the chimney-piece, from the candelabra to the tall
+candlesticks, hastily blowing out the wax-lights, the worthy draper,
+who was always clear-sighted when money was in question, called
+Augustine to him, and seating her on his knee, spoke as follows:--
+
+"My dear child, you shall marry your Sommervieux since you insist; you
+may, if you like, risk your capital in happiness. But I am not going
+to be hoodwinked by the thirty thousand francs to be made by spoiling
+good canvas. Money that is lightly earned is lightly spent. Did I not
+hear that hare-brained youngster declare this evening that money was
+made round that it might roll. If it is round for spendthrifts, it is
+flat for saving folks who pile it up. Now, my child, that fine
+gentleman talks of giving you carriages and diamonds! He has money,
+let him spend it on you; so be it. It is no concern of mine. But as to
+what I can give you, I will not have the crown-pieces I have picked up
+with so much toil wasted in carriages and frippery. Those who spend
+too fast never grow rich. A hundred thousand crowns, which is your
+fortune, will not buy up Paris. It is all very well to look forward to
+a few hundred thousand francs to be yours some day; I shall keep you
+waiting for them as long as possible, by Gad! So I took your lover
+aside, and a man who managed the Lecocq bankruptcy had not much
+difficulty in persuading the artist to marry under a settlement of his
+wife's money on herself. I will keep an eye on the marriage contract
+to see that what he is to settle on you is safely tied up. So now, my
+child, I hope to be a grandfather, by Gad! I will begin at once to lay
+up for my grandchildren; but swear to me, here and now, never to sign
+any papers relating to money without my advice; and if I go soon to
+join old Father Chevrel, promise to consult young Lebas, your brother-
+in-law."
+
+"Yes, father, I swear it."
+
+At these words, spoken in a gentle voice, the old man kissed his
+daughter on both cheeks. That night the lovers slept as soundly as
+Monsieur and Madame Guillaume.
+
+
+
+Some few months after this memorable Sunday the high altar of Saint-
+Leu was the scene of two very different weddings. Augustine and
+Theodore appeared in all the radiance of happiness, their eyes beaming
+with love, dressed with elegance, while a fine carriage waited for
+them. Virginie, who had come in a good hired fly with the rest of the
+family, humbly followed her younger sister, dressed in the simplest
+fashion like a shadow necessary to the harmony of the picture.
+Monsieur Guillaume had exerted himself to the utmost in the church to
+get Virginie married before Augustine, but the priests, high and low,
+persisted in addressing the more elegant of the two brides. He heard
+some of his neighbors highly approving the good sense of Mademoiselle
+Virginie, who was making, as they said, the more substantial match,
+and remaining faithful to the neighborhood; while they fired a few
+taunts, prompted by envy of Augustine, who was marrying an artist and
+a man of rank; adding, with a sort of dismay, that if the Guillaumes
+were ambitious, there was an end to the business. An old fan-maker
+having remarked that such a prodigal would soon bring his wife to
+beggary, father Guillaume prided himself /in petto/ for his prudence
+in the matter of marriage settlements. In the evening, after a
+splendid ball, followed by one of those substantial suppers of which
+the memory is dying out in the present generation, Monsieur and Madame
+Guillaume remained in a fine house belonging to them in the Rue du
+Colombier, where the wedding had been held; Monsieur and Madame Lebas
+returned in their fly to the old home in the Rue Saint-Denis, to steer
+the good ship Cat and Racket. The artist, intoxicated with happiness,
+carried off his beloved Augustine, and eagerly lifting her out of
+their carriage when it reached the Rue des Trois-Freres, led her to an
+apartment embellished by all the arts.
+
+The fever of passion which possessed Theodore made a year fly over the
+young couple without a single cloud to dim the blue sky under which
+they lived. Life did not hang heavy on the lovers' hands. Theodore
+lavished on every day inexhaustible /fioriture/ of enjoyment, and he
+delighted to vary the transports of passion by the soft languor of
+those hours of repose when souls soar so high that they seem to have
+forgotten all bodily union. Augustine was too happy for reflection;
+she floated on an undulating tide of rapture; she thought she could
+not do enough by abandoning herself to sanctioned and sacred married
+love; simple and artless, she had no coquetry, no reserves, none of
+the dominion which a worldly-minded girl acquires over her husband by
+ingenious caprice; she loved too well to calculate for the future, and
+never imagined that so exquisite a life could come to an end. Happy in
+being her husband's sole delight, she believed that her
+inextinguishable love would always be her greatest grace in his eyes,
+as her devotion and obedience would be a perennial charm. And, indeed,
+the ecstasy of love had made her so brilliantly lovely that her beauty
+filled her with pride, and gave her confidence that she could always
+reign over a man so easy to kindle as Monsieur de Sommervieux. Thus
+her position as a wife brought her no knowledge but the lessons of
+love.
+
+In the midst of her happiness, she was still the simple child who had
+lived in obscurity in the Rue Saint-Denis, and who never thought of
+acquiring the manners, the information, the tone of the world she had
+to live in. Her words being the words of love, she revealed in them,
+no doubt, a certain pliancy of mind and a certain refinement of
+speech; but she used the language common to all women when they find
+themselves plunged in passion, which seems to be their element. When,
+by chance, Augustine expressed an idea that did not harmonize with
+Theodore's, the young artist laughed, as we laugh at the first
+mistakes of a foreigner, though they end by annoying us if they are
+not corrected.
+
+In spite of all this love-making, by the end of this year, as
+delightful as it was swift, Sommervieux felt one morning the need for
+resuming his work and his old habits. His wife was expecting their
+first child. He saw some friends again. During the tedious discomforts
+of the year when a young wife is nursing an infant for the first time,
+he worked, no doubt, with zeal, but he occasionally sought diversion
+in the fashionable world. The house which he was best pleased to
+frequent was that of the Duchesse de Carigliano, who had at last
+attracted the celebrated artist to her parties. When Augustine was
+quite well again, and her boy no longer required the assiduous care
+which debars a mother from social pleasures, Theodore had come to the
+stage of wishing to know the joys of satisfied vanity to be found in
+society by a man who shows himself with a handsome woman, the object
+of envy and admiration.
+
+To figure in drawing-rooms with the reflected lustre of her husband's
+fame, and to find other women envious of her, was to Augustine a new
+harvest of pleasures; but it was the last gleam of conjugal happiness.
+She first wounded her husband's vanity when, in spite of vain efforts,
+she betrayed her ignorance, the inelegance of her language, and the
+narrowness of her ideas. Sommervieux's nature, subjugated for nearly
+two years and a half by the first transports of love, now, in the calm
+of less new possession, recovered its bent and habits, for a while
+diverted from their channel. Poetry, painting, and the subtle joys of
+imagination have inalienable rights over a lofty spirit. These
+cravings of a powerful soul had not been starved in Theodore during
+these two years; they had only found fresh pasture. As soon as the
+meadows of love had been ransacked, and the artist had gathered roses
+and cornflowers as the children do, so greedily that he did not see
+that his hands could hold no more, the scene changed. When the painter
+showed his wife the sketches for his finest compositions he heard her
+exclaim, as her father had done, "How pretty!" This tepid admiration
+was not the outcome of conscientious feeling, but of her faith on the
+strength of love.
+
+Augustine cared more for a look than for the finest picture. The only
+sublime she knew was that of the heart. At last Theodore could not
+resist the evidence of the cruel fact--his wife was insensible to
+poetry, she did not dwell in his sphere, she could not follow him in
+all his vagaries, his inventions, his joys and his sorrows; she walked
+groveling in the world of reality, while his head was in the skies.
+Common minds cannot appreciate the perennial sufferings of a being
+who, while bound to another by the most intimate affections, is
+obliged constantly to suppress the dearest flights of his soul, and to
+thrust down into the void those images which a magic power compels him
+to create. To him the torture is all the more intolerable because his
+feeling towards his companion enjoins, as its first law, that they
+should have no concealments, but mingle the aspirations of their
+thought as perfectly as the effusions of their soul. The demands of
+nature are not to be cheated. She is as inexorable as necessity, which
+is, indeed, a sort of social nature. Sommervieux took refuge in the
+peace and silence of his studio, hoping that the habit of living with
+artists might mould his wife and develop in her the dormant germs of
+lofty intelligence which some superior minds suppose must exist in
+every being. But Augustine was too sincerely religious not to take
+fright at the tone of artists. At the first dinner Theodore gave, she
+heard a young painter say, with the childlike lightness, which to her
+was unintelligible, and which redeems a jest from the taint of
+profanity, "But, madame, your Paradise cannot be more beautiful than
+Raphael's Transfiguration!--Well, and I got tired of looking at that."
+
+Thus Augustine came among this sparkling set in a spirit of distrust
+which no one could fail to see. She was a restraint on their freedom.
+Now an artist who feels restraint is pitiless; he stays away, or
+laughs it to scorn. Madame Guillaume, among other absurdities, had an
+excessive notion of the dignity she considered the prerogative of a
+married woman; and Augustine, though she had often made fun of it,
+could not help a slight imitation of her mother's primness. This
+extreme propriety, which virtuous wives do not always avoid, suggested
+a few epigrams in the form of sketches, in which the harmless jest was
+in such good taste that Sommervieux could not take offence; and even
+if they had been more severe, these pleasantries were after all only
+reprisals from his friends. Still, nothing could seem a trifle to a
+spirit so open as Theodore's to impressions from without. A coldness
+insensibly crept over him, and inevitably spread. To attain conjugal
+happiness we must climb a hill whose summit is a narrow ridge, close
+to a steep and slippery descent: the painter's love was falling down
+it. He regarded his wife as incapable of appreciating the moral
+considerations which justified him in his own eyes for his singular
+behavior to her, and believed himself quite innocent in hiding from
+her thoughts she could not enter into, and peccadilloes outside the
+jurisdiction of a /bourgeois/ conscience. Augustine wrapped herself in
+sullen and silent grief. These unconfessed feelings placed a shroud
+between the husband and wife which could not fail to grow thicker day
+by day. Though her husband never failed in consideration for her,
+Augustine could not help trembling as she saw that he kept for the
+outer world those treasures of wit and grace that he formerly would
+lay at her feet. She soon began to find sinister meaning in the
+jocular speeches that are current in the world as to the inconstancy
+of men. She made no complaints, but her demeanor conveyed reproach.
+
+Three years after her marriage this pretty young woman, who dashed
+past in her handsome carriage, and lived in a sphere of glory and
+riches to the envy of heedless folk incapable of taking a just view of
+the situations of life, was a prey to intense grief. She lost her
+color; she reflected; she made comparisons; then sorrow unfolded to
+her the first lessons of experience. She determined to restrict
+herself bravely within the round of duty, hoping that by this generous
+conduct she might sooner or later win back her husband's love. But it
+was not so. When Sommervieux, fired with work, came in from his
+studio, Augustine did not put away her work so quickly but that the
+painter might find his wife mending the household linen, and his own,
+with all the care of a good housewife. She supplied generously and
+without a murmur the money needed for his lavishness; but in her
+anxiety to husband her dear Theodore's fortune, she was strictly
+economical for herself and in certain details of domestic management.
+Such conduct is incompatible with the easy-going habits of artists,
+who, at the end of their life, have enjoyed it so keenly that they
+never inquire into the causes of their ruin.
+
+It is useless to note every tint of shadow by which the brilliant hues
+of their honeymoon were overcast till they were lost in utter
+blackness. One evening poor Augustine, who had for some time heard her
+husband speak with enthusiasm of the Duchesse de Carigliano, received
+from a friend certain malignantly charitable warnings as to the nature
+of the attachment which Sommervieux had formed for this celebrated
+flirt of the Imperial Court. At one-and-twenty, in all the splendor of
+youth and beauty, Augustine saw herself deserted for a woman of
+six-and-thirty. Feeling herself so wretched in the midst of a world of
+festivity which to her was a blank, the poor little thing could no
+longer understand the admiration she excited, or the envy of which she
+was the object. Her face assumed a different expression. Melancholy,
+tinged her features with the sweetness of resignation and the pallor
+of scorned love. Ere long she too was courted by the most fascinating
+men; but she remained lonely and virtuous. Some contemptuous words
+which escaped her husband filled her with incredible despair. A
+sinister flash showed her the breaches which, as a result of her
+sordid education, hindered the perfect union of her soul with
+Theodore's; she loved him well enough to absolve him and condemn
+herself. She shed tears of blood, and perceived, too late, that there
+are /mesalliances/ of the spirit as well as of rank and habits. As she
+recalled the early raptures of their union, she understood the full
+extent of that lost happiness, and accepted the conclusion that so
+rich a harvest of love was in itself a whole life, which only sorrow
+could pay for. At the same time, she loved too truly to lose all hope.
+At one-and-twenty she dared undertake to educate herself, and make her
+imagination, at least, worthy of that she admired. "If I am not a
+poet," thought she, "at any rate, I will understand poetry."
+
+Then, with all the strength of will, all the energy which every woman
+can display when she loves, Madame de Sommervieux tried to alter her
+character, her manners, and her habits; but by dint of devouring books
+and learning undauntedly, she only succeeded in becoming less
+ignorant. Lightness of wit and the graces of conversation are a gift
+of nature, or the fruit of education begun in the cradle. She could
+appreciate music and enjoy it, but she could not sing with taste. She
+understood literature and the beauties of poetry, but it was too late
+to cultivate her refractory memory. She listened with pleasure to
+social conversation, but she could contribute nothing brilliant. Her
+religious notions and home-grown prejudices were antagonistic to the
+complete emancipation of her intelligence. Finally, a foregone
+conclusion against her had stolen into Theodore's mind, and this she
+could not conquer. The artist would laugh, at those who flattered him
+about his wife, and his irony had some foundation; he so overawed the
+pathetic young creature that, in his presence, or alone with him, she
+trembled. Hampered by her too eager desire to please, her wits and her
+knowledge vanished in one absorbing feeling. Even her fidelity vexed
+the unfaithful husband, who seemed to bid her do wrong by stigmatizing
+her virtue as insensibility. Augustine tried in vain to abdicate her
+reason, to yield to her husband's caprices and whims, to devote
+herself to the selfishness of his vanity. Her sacrifices bore no
+fruit. Perhaps they had both let the moment slip when souls may meet
+in comprehension. One day the young wife's too sensitive heart
+received one of those blows which so strain the bonds of feeling that
+they seem to be broken. She withdrew into solitude. But before long a
+fatal idea suggested to her to seek counsel and comfort in the bosom
+of her family.
+
+So one morning she made her way towards the grotesque facade of the
+humble, silent home where she had spent her childhood. She sighed as
+she looked up at the sash-window, whence one day she had sent her
+first kiss to him who now shed as much sorrow as glory on her life.
+Nothing was changed in the cavern, where the drapery business had,
+however, started on a new life. Augustine's sister filled her mother's
+old place at the desk. The unhappy young woman met her brother-in-law
+with his pen behind his ear; he hardly listened to her, he was so full
+of business. The formidable symptoms of stock-taking were visible all
+round him; he begged her to excuse him. She was received coldly enough
+by her sister, who owed her a grudge. In fact, Augustine, in her
+finery, and stepping out of a handsome carriage, had never been to see
+her but when passing by. The wife of the prudent Lebas, imagining that
+want of money was the prime cause of this early call, tried to keep up
+a tone of reserve which more than once made Augustine smile. The
+painter's wife perceived that, apart from the cap and lappets, her
+mother had found in Virginie a successor who could uphold the ancient
+honor of the Cat and Racket. At breakfast she observed certain changes
+in the management of the house which did honor to Lebas' good sense;
+the assistants did not rise before dessert; they were allowed to talk,
+and the abundant meal spoke of ease without luxury. The fashionable
+woman found some tickets for a box at the Francais, where she
+remembered having seen her sister from time to time. Madame Lebas had
+a cashmere shawl over her shoulders, of which the value bore witness
+to her husband's generosity to her. In short, the couple were keeping
+pace with the times. During the two-thirds of the day she spent there,
+Augustine was touched to the heart by the equable happiness, devoid,
+to be sure, of all emotion, but equally free from storms, enjoyed by
+this well-matched couple. They had accepted life as a commercial
+enterprise, in which, above all, they must do credit to the business.
+Not finding any great love in her husband, Virginie had set to work to
+create it. Having by degrees learned to esteem and care for his wife,
+the time that his happiness had taken to germinate was to Joseph Lebas
+a guarantee of its durability. Hence, when Augustine plaintively set
+forth her painful position, she had to face the deluge of commonplace
+morality which the traditions of the Rue Saint-Denis furnished to her
+sister.
+
+"The mischief is done, wife," said Joseph Lebas; "we must try to give
+our sister good advice." Then the clever tradesman ponderously
+analyzed the resources which law and custom might offer Augustine as a
+means of escape at this crisis; he ticketed every argument, so to
+speak, and arranged them in their degrees of weight under various
+categories, as though they were articles of merchandise of different
+qualities; then he put them in the scale, weighed them, and ended by
+showing the necessity for his sister-in-law's taking violent steps
+which could not satisfy the love she still had for her husband; and,
+indeed, the feeling had revived in all its strength when she heard
+Joseph Lebas speak of legal proceedings. Augustine thanked them, and
+returned home even more undecided than she had been before consulting
+them. She now ventured to go to the house in the Rue du Colombier,
+intending to confide her troubles to her father and mother; for she
+was like a sick man who, in his desperate plight, tries every
+prescription, and even puts faith in old wives' remedies.
+
+The old people received their daughter with an effusiveness that
+touched her deeply. Her visit brought them some little change, and
+that to them was worth a fortune. For the last four years they had
+gone their way like navigators without a goal or a compass. Sitting by
+the chimney corner, they would talk over their disasters under the old
+law of /maximum/, of their great investments in cloth, of the way they
+had weathered bankruptcies, and, above all, the famous failure of
+Lecocq, Monsieur Guillaume's battle of Marengo. Then, when they had
+exhausted the tale of lawsuits, they recapitulated the sum total of
+their most profitable stock-takings, and told each other old stories
+of the Saint-Denis quarter. At two o'clock old Guillaume went to cast
+an eye on the business at the Cat and Racket; on his way back he
+called at all the shops, formerly the rivals of his own, where the
+young proprietors hoped to inveigle the old draper into some risky
+discount, which, as was his wont, he never refused point-blank. Two
+good Normandy horses were dying of their own fat in the stables of the
+big house; Madame Guillaume never used them but to drag her on Sundays
+to high Mass at the parish church. Three times a week the worthy
+couple kept open house. By the influence of his son-in-law
+Sommervieux, Monsieur Guillaume had been named a member of the
+consulting board for the clothing of the Army. Since her husband had
+stood so high in office, Madame Guillaume had decided that she must
+receive; her rooms were so crammed with gold and silver ornaments, and
+furniture, tasteless but of undoubted value, that the simplest room in
+the house looked like a chapel. Economy and expense seemed to be
+struggling for the upper hand in every accessory. It was as though
+Monsieur Guillaume had looked to a good investment, even in the
+purchase of a candlestick. In the midst of this bazaar, where splendor
+revealed the owner's want of occupation, Sommervieux's famous picture
+filled the place of honor, and in it Monsieur and Madame Guillaume
+found their chief consolation, turning their eyes, harnessed with eye-
+glasses, twenty times a day on this presentment of their past life, to
+them so active and amusing. The appearance of this mansion and these
+rooms, where everything had an aroma of staleness and mediocrity, the
+spectacle offered by these two beings, cast away, as it were, on a
+rock far from the world and the ideas which are life, startled
+Augustine; she could here contemplate the sequel of the scene of which
+the first part had struck her at the house of Lebas--a life of stir
+without movement, a mechanical and instinctive existence like that of
+the beaver; and then she felt an indefinable pride in her troubles, as
+she reflected that they had their source in eighteen months of such
+happiness as, in her eyes, was worth a thousand lives like this; its
+vacuity seemed to her horrible. However, she concealed this not very
+charitable feeling, and displayed for her parents her newly-acquired
+accomplishments of mind, and the ingratiating tenderness that love had
+revealed to her, disposing them to listen to her matrimonial
+grievances. Old people have a weakness for this kind of confidence.
+Madame Guillaume wanted to know the most trivial details of that alien
+life, which to her seemed almost fabulous. The travels of Baron da la
+Houtan, which she began again and again and never finished, told her
+nothing more unheard-of concerning the Canadian savages.
+
+"What, child, your husband shuts himself into a room with naked women!
+And you are so simple as to believe that he draws them?"
+
+As she uttered this exclamation, the grandmother laid her spectacles
+on a little work-table, shook her skirts, and clasped her hands on her
+knees, raised by a foot-warmer, her favorite pedestal.
+
+"But, mother, all artists are obliged to have models."
+
+"He took good care not to tell us that when he asked leave to marry
+you. If I had known it, I would never had given my daughter to a man
+who followed such a trade. Religion forbids such horrors; they are
+immoral. And at what time of night do you say he comes home?"
+
+"At one o'clock--two----"
+
+The old folks looked at each other in utter amazement.
+
+"Then he gambles?" said Monsieur Guillaume. "In my day only gamblers
+stayed out so late."
+
+Augustine made a face that scorned the accusation.
+
+"He must keep you up through dreadful nights waiting for him," said
+Madame Guillaume. "But you go to bed, don't you? And when he has lost,
+the wretch wakes you."
+
+"No, mamma, on the contrary, he is sometimes in very good spirits. Not
+unfrequently, indeed, when it is fine, he suggests that I should get
+up and go into the woods."
+
+"The woods! At that hour? Then have you such a small set of rooms that
+his bedroom and his sitting-room are not enough, and that he must run
+about? But it is just to give you cold that the wretch proposes such
+expeditions. He wants to get rid of you. Did one ever hear of a man
+settled in life, a well-behaved, quiet man galloping about like a
+warlock?"
+
+"But, my dear mother, you do not understand that he must have
+excitement to fire his genius. He is fond of scenes which----"
+
+"I would make scenes for him, fine scenes!" cried Madame Guillaume,
+interrupting her daughter. "How can you show any consideration to such
+a man? In the first place, I don't like his drinking water only; it is
+not wholesome. Why does he object to see a woman eating? What queer
+notion is that! But he is mad. All you tell us about him is
+impossible. A man cannot leave his home without a word, and never come
+back for ten days. And then he tells you he has been to Dieppe to
+paint the sea. As if any one painted the sea! He crams you with a pack
+of tales that are too absurd."
+
+Augustine opened her lips to defend her husband; but Madame Guillaume
+enjoined silence with a wave of her hand, which she obeyed by a
+survival of habit, and her mother went on in harsh tones: "Don't talk
+to me about the man! He never set foot in church excepting to see you
+and to be married. People without religion are capable of anything.
+Did Guillaume ever dream of hiding anything from me, of spending three
+days without saying a word to me, and of chattering afterwards like a
+blind magpie?"
+
+"My dear mother, you judge superior people too severely. If their
+ideas were the same as other folks', they would not be men of genius."
+
+"Very well, then let men of genius stop at home and not get married.
+What! A man of genius is to make his wife miserable? And because he is
+a genius it is all right! Genius, genius! It is not so very clever to
+say black one minute and white the next, as he does, to interrupt
+other people, to dance such rigs at home, never to let you know which
+foot you are to stand on, to compel his wife never to be amused unless
+my lord is in gay spirits, and to be dull when he is dull."
+
+"But, mother, the very nature of such imaginations----"
+
+"What are such 'imaginations'?" Madame Guillaume went on, interrupting
+her daughter again. "Fine ones his are, my word! What possesses a man
+that all on a sudden, without consulting a doctor, he takes it into
+his head to eat nothing but vegetables? If indeed it were from
+religious motives, it might do him some good--but he has no more
+religion than a Huguenot. Was there ever a man known who, like him,
+loved horses better than his fellow-creatures, had his hair curled
+like a heathen, laid statues under muslin coverlets, shut his shutters
+in broad day to work by lamp-light? There, get along; if he were not
+so grossly immoral, he would be fit to shut up in a lunatic asylum.
+Consult Monsieur Loraux, the priest at Saint Sulpice, ask his opinion
+about it all, and he will tell you that your husband, does not behave
+like a Christian."
+
+"Oh, mother, can you believe----?"
+
+"Yes, I do believe. You loved him, and you can see none of these
+things. But I can remember in the early days after your marriage. I
+met him in the Champs-Elysees. He was on horseback. Well, at one
+minute he was galloping as hard as he could tear, and then pulled up
+to a walk. I said to myself at that moment, 'There is a man devoid of
+judgement.' "
+
+"Ah, ha!" cried Monsieur Guillaume, "how wise I was to have your money
+settled on yourself with such a queer fellow for a husband!"
+
+When Augustine was so imprudent as to set forth her serious grievances
+against her husband, the two old people were speechless with
+indignation. But the word "divorce" was ere long spoken by Madame
+Guillaume. At the sound of the word divorce the apathetic old draper
+seemed to wake up. Prompted by his love for his daughter, and also by
+the excitement which the proceedings would bring into his uneventful
+life, father Guillaume took up the matter. He made himself the leader
+of the application for a divorce, laid down the lines of it, almost
+argued the case; he offered to be at all the charges, to see the
+lawyers, the pleaders, the judges, to move heaven and earth. Madame de
+Sommervieux was frightened, she refused her father's services, said
+she would not be separated from her husband even if she were ten times
+as unhappy, and talked no more about her sorrows. After being
+overwhelmed by her parents with all the little wordless and consoling
+kindnesses by which the old couple tried in vain to make up to her for
+her distress of heart, Augustine went away, feeling the impossibility
+of making a superior mind intelligible to weak intellects. She had
+learned that a wife must hide from every one, even from her parents,
+woes for which it is so difficult to find sympathy. The storms and
+sufferings of the upper spheres are appreciated only by the lofty
+spirits who inhabit there. In any circumstance we can only be judged
+by our equals.
+
+Thus poor Augustine found herself thrown back on the horror of her
+meditations, in the cold atmosphere of her home. Study was indifferent
+to her, since study had not brought her back her husband's heart.
+Initiated into the secret of these souls of fire, but bereft of their
+resources, she was compelled to share their sorrows without sharing
+their pleasures. She was disgusted with the world, which to her seemed
+mean and small as compared with the incidents of passion. In short,
+her life was a failure.
+
+One evening an idea flashed upon her that lighted up her dark grief
+like a beam from heaven. Such an idea could never have smiled on a
+heart less pure, less virtuous than hers. She determined to go to the
+Duchesse de Carigliano, not to ask her to give her back her husband's
+heart, but to learn the arts by which it had been captured; to engage
+the interest of this haughty fine lady for the mother of her lover's
+children; to appeal to her and make her the instrument of her future
+happiness, since she was the cause of her present wretchedness.
+
+So one day Augustine, timid as she was, but armed with supernatural
+courage, got into her carriage at two in the afternoon to try for
+admittance to the boudoir of the famous coquette, who was never
+visible till that hour. Madame de Sommervieux had not yet seen any of
+the ancient and magnificent mansions of the Faubourg Saint-Germain. As
+she made her way through the stately corridors, the handsome
+staircases, the vast drawing-rooms--full of flowers, though it was in
+the depth of winter, and decorated with the taste peculiar to women
+born to opulence or to the elegant habits of the aristocracy,
+Augustine felt a terrible clutch at her heart; she coveted the secrets
+of an elegance of which she had never had an idea; she breathed in an
+air of grandeur which explained the attraction of the house for her
+husband. When she reached the private rooms of the Duchess she was
+filled with jealousy and a sort of despair, as she admired the
+luxurious arrangement of the furniture, the draperies and the
+hangings. Here disorder was a grace, here luxury affected a certain
+contempt of splendor. The fragrance that floated in the warm air
+flattered the sense of smell without offending it. The accessories of
+the rooms were in harmony with a view, through plate-glass windows, of
+the lawns in a garden planted with evergreen trees. It was all
+bewitching, and the art of it was not perceptible. The whole spirit of
+the mistress of these rooms pervaded the drawing-room where Augustine
+awaited her. She tried to divine her rival's character from the aspect
+of the scattered objects; but there was here something as impenetrable
+in the disorder as in the symmetry, and to the simple-minded young
+wife all was a sealed letter. All that she could discern was that, as
+a woman, the Duchess was a superior person. Then a painful thought
+came over her.
+
+"Alas! And is it true," she wondered, "that a simple and loving heart
+is not all-sufficient to an artist; that to balance the weight of
+these powerful souls they need a union with feminine souls of a
+strength equal to their own? If I had been brought up like this siren,
+our weapons at least might have been equal in the hour of struggle."
+
+"But I am not at home!" The sharp, harsh words, though spoken in an
+undertone in the adjoining boudoir, were heard by Augustine, and her
+heart beat violently.
+
+"The lady is in there," replied the maid.
+
+"You are an idiot! Show her in," replied the Duchess, whose voice was
+sweeter, and had assumed the dulcet tones of politeness. She evidently
+now meant to be heard.
+
+Augustine shyly entered the room. At the end of the dainty boudoir she
+saw the Duchess lounging luxuriously on an ottoman covered with brown
+velvet and placed in the centre of a sort of apse outlined by soft
+folds of white muslin over a yellow lining. Ornaments of gilt bronze,
+arranged with exquisite taste, enhanced this sort of dais, under which
+the Duchess reclined like a Greek statue. The dark hue of the velvet
+gave relief to every fascinating charm. A subdued light, friendly to
+her beauty, fell like a reflection rather than a direct illumination.
+A few rare flowers raised their perfumed heads from costly Sevres
+vases. At the moment when this picture was presented to Augustine's
+astonished eyes, she was approaching so noiselessly that she caught a
+glance from those of the enchantress. This look seemed to say to some
+one whom Augustine did not at first perceive, "Stay; you will see a
+pretty woman, and make her visit seem less of a bore."
+
+On seeing Augustine, the Duchess rose and made her sit down by her.
+
+"And to what do I owe the pleasure of this visit, madame?" she said
+with a most gracious smile.
+
+"Why all the falseness?" thought Augustine, replying only with a bow.
+
+Her silence was compulsory. The young woman saw before her a
+superfluous witness of the scene. This personage was, of all the
+Colonels in the army, the youngest, the most fashionable, and the
+finest man. His face, full of life and youth, but already expressive,
+was further enhanced by a small moustache twirled up into points, and
+as black as jet, by a full imperial, by whiskers carefully combed, and
+a forest of black hair in some disorder. He was whisking a riding whip
+with an air of ease and freedom which suited his self-satisfied
+expression and the elegance of his dress; the ribbons attached to his
+button-hole were carelessly tied, and he seemed to pride himself much
+more on his smart appearance than on his courage. Augustine looked at
+the Duchesse de Carigliano, and indicated the Colonel by a sidelong
+glance. All its mute appeal was understood.
+
+"Good-bye, then, Monsieur d'Aiglemont, we shall meet in the Bois de
+Boulogne."
+
+These words were spoken by the siren as though they were the result of
+an agreement made before Augustine's arrival, and she winged them with
+a threatening look that the officer deserved perhaps for the
+admiration he showed in gazing at the modest flower, which contrasted
+so well with the haughty Duchess. The young fop bowed in silence,
+turned on the heels of his boots, and gracefully quitted the boudoir.
+At this instant, Augustine, watching her rival, whose eyes seemed to
+follow the brilliant officer, detected in that glance a sentiment of
+which the transient expression is known to every woman. She perceived
+with the deepest anguish that her visit would be useless; this lady,
+full of artifice, was too greedy of homage not to have a ruthless
+heart.
+
+"Madame," said Augustine in a broken voice, "the step I am about to
+take will seem to you very strange; but there is a madness of despair
+which ought to excuse anything. I understand only too well why
+Theodore prefers your house to any other, and why your mind has so
+much power over his. Alas! I have only to look into myself to find
+more than ample reasons. But I am devoted to my husband, madame. Two
+years of tears have not effaced his image from my heart, though I have
+lost his. In my folly I dared to dream of a contest with you; and I
+have come to you to ask you by what means I may triumph over yourself.
+Oh, madame," cried the young wife, ardently seizing the hand which her
+rival allowed her to hold, "I will never pray to God for my own
+happiness with so much fervor as I will beseech Him for yours, if you
+will help me to win back Sommervieux's regard--I will not say his
+love. I have no hope but in you. Ah! tell me how you could please him,
+and make him forget the first days----" At these words Augustine broke
+down, suffocated with sobs she could not suppress. Ashamed of her
+weakness, she hid her face in her handkerchief, which she bathed with
+tears.
+
+"What a child you are, my dear little beauty!" said the Duchess,
+carried away by the novelty of such a scene, and touched, in spite of
+herself, at receiving such homage from the most perfect virtue perhaps
+in Paris. She took the young wife's handkerchief, and herself wiped
+the tears from her eyes, soothing her by a few monosyllables murmured
+with gracious compassion. After a moment's silence the Duchess,
+grasping poor Augustine's hands in both her own--hands that had a rare
+character of dignity and powerful beauty--said in a gentle and
+friendly voice: "My first warning is to advise you not to weep so
+bitterly; tears are disfiguring. We must learn to deal firmly with the
+sorrows that make us ill, for love does not linger long by a sick-bed.
+Melancholy, at first, no doubt, lends a certain attractive grace, but
+it ends by dragging the features and blighting the loveliest face. And
+besides, our tyrants are so vain as to insist that their slaves should
+be always cheerful."
+
+"But, madame, it is not in my power not to feel. How is it possible,
+without suffering a thousand deaths, to see the face which once beamed
+with love and gladness turn chill, colorless, and indifferent? I
+cannot control my heart!"
+
+"So much the worse, sweet child. But I fancy I know all your story. In
+the first place, if your husband is unfaithful to you, understand
+clearly that I am not his accomplice. If I was anxious to have him in
+my drawing-room, it was, I own, out of vanity; he was famous, and he
+went nowhere. I like you too much already to tell you all the mad
+things he has done for my sake. I will only reveal one, because it may
+perhaps help us to bring him back to you, and to punish him for the
+audacity of his behavior to me. He will end by compromising me. I know
+the world too well, my dear, to abandon myself to the discretion of a
+too superior man. You should know that one may allow them to court
+one, but marry them--that is a mistake! We women ought to admire men
+of genius, and delight in them as a spectacle, but as to living with
+them? Never.--No, no. It is like wanting to find pleasure in
+inspecting the machinery of the opera instead of sitting in a box to
+enjoy its brilliant illusions. But this misfortune has fallen on you,
+my poor child, has it not? Well, then, you must try to arm yourself
+against tyranny."
+
+"Ah, madame, before coming in here, only seeing you as I came in, I
+already detected some arts of which I had no suspicion."
+
+"Well, come and see me sometimes, and it will not be long before you
+have mastered the knowledge of these trifles, important, too, in their
+way. Outward things are, to fools, half of life; and in that matter
+more than one clever man is a fool, in spite of all his talent. But I
+dare wager you never could refuse your Theodore anything!"
+
+"How refuse anything, madame, if one loves a man?"
+
+"Poor innocent, I could adore you for your simplicity. You should know
+that the more we love the less we should allow a man, above all, a
+husband, to see the whole extent of our passion. The one who loves
+most is tyrannized over, and, which is worse, is sooner or later
+neglected. The one who wishes to rule should----"
+
+"What, madame, must I then dissimulate, calculate, become false, form
+an artificial character, and live in it? How is it possible to live in
+such a way? Can you----" she hesitated; the Duchess smiled.
+
+"My dear child," the great lady went on in a serious tone, "conjugal
+happiness has in all times been a speculation, a business demanding
+particular attention. If you persist in talking passion while I am
+talking marriage, we shall soon cease to understand each other. Listen
+to me," she went on, assuming a confidential tone. "I have been in the
+way of seeing some of the superior men of our day. Those who have
+married have for the most part chosen quite insignificant wives. Well,
+those wives governed them, as the Emperor governs us; and if they were
+not loved, they were at least respected. I like secrets--especially
+those which concern women--well enough to have amused myself by
+seeking the clue to the riddle. Well, my sweet child, those worthy
+women had the gift of analyzing their husbands' nature; instead of
+taking fright, like you, at their superiority, they very acutely noted
+the qualities they lacked, and either by possessing those qualities,
+or by feigning to possess them, they found means of making such a
+handsome display of them in their husbands' eyes that in the end they
+impressed them. Also, I must tell you, all these souls which appear so
+lofty have just a speck of madness in them, which we ought to know how
+to take advantage of. By firmly resolving to have the upper hand and
+never deviating from that aim, by bringing all our actions to bear on
+it, all our ideas, our cajolery, we subjugate these eminently
+capricious natures, which, by the very mutability of their thoughts,
+lend us the means of influencing them."
+
+"Good heavens!" cried the young wife in dismay. "And this is life. It
+is a warfare----"
+
+"In which we must always threaten," said the Duchess, laughing. "Our
+power is wholly factitious. And we must never allow a man to despise
+us; it is impossible to recover from such a descent but by odious
+manoeuvring. Come," she added, "I will give you a means of bringing
+your husband to his senses."
+
+She rose with a smile to guide the young and guileless apprentice to
+conjugal arts through the labyrinth of her palace. They came to a
+back-staircase, which led up to the reception rooms. As Madame de
+Carigliano pressed the secret springlock of the door she stopped,
+looking at Augustine with an inimitable gleam of shrewdness and grace.
+"The Duc de Carigliano adores me," said she. "Well, he dare not enter
+by this door without my leave. And he is a man in the habit of
+commanding thousands of soldiers. He knows how to face a battery, but
+before me,--he is afraid!"
+
+Augustine sighed. They entered a sumptuous gallery, where the
+painter's wife was led by the Duchess up to the portrait painted by
+Theodore of Mademoiselle Guillaume. On seeing it, Augustine uttered a
+cry.
+
+"I knew it was no longer in my house," she said, "but--here!----"
+
+"My dear child, I asked for it merely to see what pitch of idiocy a
+man of genius may attain to. Sooner or later I should have returned it
+to you, for I never expected the pleasure of seeing the original here
+face to face with the copy. While we finish our conversation I will
+have it carried down to your carriage. And if, armed with such a
+talisman, you are not your husband's mistress for a hundred years, you
+are not a woman, and you deserve your fate."
+
+Augustine kissed the Duchess' hand, and the lady clasped her to her
+heart, with all the more tenderness because she would forget her by
+the morrow. This scene might perhaps have destroyed for ever the
+candor and purity of a less virtuous woman than Augustine, for the
+astute politics of the higher social spheres were no more consonant to
+Augustine than the narrow reasoning of Joseph Lebas, or Madame
+Guillaume's vapid morality. Strange are the results of the false
+positions into which we may be brought by the slightest mistake in the
+conduct of life! Augustine was like an Alpine cowherd surprised by an
+avalanche; if he hesitates, if he listens to the shouts of his
+comrades, he is almost certainly lost. In such a crisis the heart
+steels itself or breaks.
+
+Madame de Sommervieux returned home a prey to such agitation as it is
+difficult to describe. Her conversation with the Duchesse de
+Carigliano had roused in her mind a crowd of contradictory thoughts.
+Like the sheep in the fable, full of courage in the wolf's absence,
+she preached to herself, and laid down admirable plans of conduct; she
+devised a thousand coquettish stratagems; she even talked to her
+husband, finding, away from him, all the springs of true eloquence
+which never desert a woman; then, as she pictured to herself
+Theodore's clear and steadfast gaze, she began to quake. When she
+asked whether monsieur were at home her voice shook. On learning that
+he would not be in to dinner, she felt an unaccountable thrill of joy.
+Like a criminal who has appealed against sentence of death, a respite,
+however short, seemed to her a lifetime. She placed the portrait in
+her room, and waited for her husband in all the agonies of hope. That
+this venture must decide her future life, she felt too keenly not to
+shiver at every sound, even the low ticking of the clock, which seemed
+to aggravate her terrors by doling them out to her. She tried to cheat
+time by various devices. The idea struck her of dressing in a way
+which would make her exactly like the portrait. Then, knowing her
+husband's restless temper, she had her room lighted up with unusual
+brightness, feeling sure that when he came in curiosity would bring
+him there at once. Midnight had struck when, at the call of the groom,
+the street gate was opened, and the artist's carriage rumbled in over
+the stones of the silent courtyard.
+
+"What is the meaning of this illumination?" asked Theodore in glad
+tones, as he came into her room.
+
+Augustine skilfully seized the auspicious moment; she threw herself
+into her husband's arms, and pointed to the portrait. The artist stood
+rigid as a rock, and his eyes turned alternately on Augustine, on the
+accusing dress. The frightened wife, half-dead, as she watched her
+husband's changeful brow--that terrible brow--saw the expressive
+furrows gathering like clouds; then she felt her blood curdling in her
+veins when, with a glaring look, and in a deep hollow voice, he began
+to question her:
+
+"Where did you find that picture?"
+
+"The Duchess de Carigliano returned it to me."
+
+"You asked her for it?"
+
+"I did not know that she had it."
+
+The gentleness, or rather the exquisite sweetness of this angel's
+voice, might have touched a cannibal, but not an artist in the
+clutches of wounded vanity.
+
+"It is worthy of her!" exclaimed the painter in a voice of thunder. "I
+will be avenged!" he cried, striding up and down the room. "She shall
+die of shame; I will paint her! Yes, I will paint her as Messalina
+stealing out at night from the palace of Claudius."
+
+"Theodore!" said a faint voice.
+
+"I will kill her!"
+
+"My dear----"
+
+"She is in love with that little cavalry colonel, because he rides
+well----"
+
+"Theodore!"
+
+"Let me be!" said the painter in a tone almost like a roar.
+
+It would be odious to describe the whole scene. In the end the frenzy
+of passion prompted the artist to acts and words which any woman not
+so young as Augustine would have ascribed to madness.
+
+At eight o'clock next morning Madame Guillaume, surprising her
+daughter, found her pale, with red eyes, her hair in disorder, holding
+a handkerchief soaked with tears, while she gazed at the floor strewn
+with the torn fragments of a dress and the broken fragments of a large
+gilt picture-frame. Augustine, almost senseless with grief, pointed to
+the wreck with a gesture of deep despair.
+
+"I don't know that the loss is very great!" cried the old mistress of
+the Cat and Racket. "It was like you, no doubt; but I am told that
+there is a man on the boulevard who paints lovely portraits for fifty
+crowns."
+
+"Oh, mother!"
+
+"Poor child, you are quite right," replied Madame Guillaume, who
+misinterpreted the expression of her daughter's glance at her. "True,
+my child, no one ever can love you as fondly as a mother. My darling,
+I guess it all; but confide your sorrows to me, and I will comfort
+you. Did I not tell you long ago that the man was mad! Your maid has
+told me pretty stories. Why, he must be a perfect monster!"
+
+Augustine laid a finger on her white lips, as if to implore a moment's
+silence. During this dreadful night misery had led her to that patient
+resignation which in mothers and loving wives transcends in its
+effects all human energy, and perhaps reveals in the heart of women
+the existence of certain chords which God has withheld from men.
+
+
+
+An inscription engraved on a broken column in the cemetery at
+Montmartre states that Madame de Sommervieux died at the age of
+twenty-seven. In the simple words of this epitaph one of the timid
+creature's friends can read the last scene of a tragedy. Every year,
+on the second of November, the solemn day of the dead, he never passes
+this youthful monument without wondering whether it does not need a
+stronger woman than Augustine to endure the violent embrace of genius?
+
+"The humble and modest flowers that bloom in the valley," he reflects,
+"perish perhaps when they are transplanted too near the skies, to the
+region where storms gather and the sun is scorching."
+
+
+
+
+ADDENDUM
+
+The following personages appear in other stories of the Human Comedy.
+
+Aiglemont, General, Marquis Victor d'
+ The Firm of Nucingen
+ A Woman of Thirty
+
+Birotteau, Cesar
+ Cesar Birotteau
+ A Bachelor's Establishment
+
+Camusot
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ Cousin Pons
+ The Muse of the Department
+ Cesar Birotteau
+
+Cardot, Jean-Jerome-Severin
+ A Start in Life
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Bachelor's Establishment
+ Cesar Birotteau
+
+Carigliano, Marechal, Duc de
+ Father Goriot
+ Sarrasine
+
+Carigliano, Duchesse de
+ A Distinguished Provincial at Paris
+ The Peasantry
+ The Member for Arcis
+
+Guillaume
+ Cesar Birotteau
+
+Lebas, Joseph
+ Cesar Birotteau
+ Cousin Betty
+
+Lebas, Madame Joseph (Virginie)
+ Cesar Birotteau
+ Cousin Betty
+
+Lourdois
+ Cesar Birotteau
+
+Rabourdin, Xavier
+ The Government Clerks
+ Cesar Birotteau
+ The Middle Classes
+
+Roguin, Madame
+ Cesar Birotteau
+ Pierrette
+ A Second Home
+ A Daughter of Eve
+
+Sommervieux, Theodore de
+ The Government Clerks
+ Modeste Mignon
+
+Sommervieux, Madame Theodore de (Augustine)
+ At the Sign of the Cat and Racket
+ Cesar Birotteau
+
+
+
+
+
+End of Project Gutenberg Etext At the Sign of the Cat & Racket by Balzac
+
diff --git a/old/ctrkt10.zip b/old/ctrkt10.zip
new file mode 100644
index 0000000..9d4cf7e
--- /dev/null
+++ b/old/ctrkt10.zip
Binary files differ
diff --git a/old/ctrkt10h.zip b/old/ctrkt10h.zip
new file mode 100644
index 0000000..2c15b72
--- /dev/null
+++ b/old/ctrkt10h.zip
Binary files differ