diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:49:42 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:49:42 -0700 |
| commit | ea998ddff456cfc9e3269c56933bf0f10194ec14 (patch) | |
| tree | 1e3439bf22a76d7736688bc39aa28c385dce52b1 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 16793-8.txt | 4856 | ||||
| -rw-r--r-- | 16793-8.zip | bin | 0 -> 103194 bytes | |||
| -rw-r--r-- | 16793-h.zip | bin | 0 -> 4022011 bytes | |||
| -rw-r--r-- | 16793-h/16793-h.htm | 5353 | ||||
| -rw-r--r-- | 16793-h/images/img01-full.jpg | bin | 0 -> 98999 bytes | |||
| -rw-r--r-- | 16793-h/images/img01.jpg | bin | 0 -> 34989 bytes | |||
| -rw-r--r-- | 16793-h/images/img02-full.jpg | bin | 0 -> 95188 bytes | |||
| -rw-r--r-- | 16793-h/images/img02.jpg | bin | 0 -> 43372 bytes | |||
| -rw-r--r-- | 16793-h/images/img03-full.jpg | bin | 0 -> 62029 bytes | |||
| -rw-r--r-- | 16793-h/images/img03.jpg | bin | 0 -> 16338 bytes | |||
| -rw-r--r-- | 16793-h/images/img04-full.jpg | bin | 0 -> 68403 bytes | |||
| -rw-r--r-- | 16793-h/images/img04.jpg | bin | 0 -> 20166 bytes | |||
| -rw-r--r-- | 16793-h/images/img05-full.jpg | bin | 0 -> 72752 bytes | |||
| -rw-r--r-- | 16793-h/images/img05.jpg | bin | 0 -> 46082 bytes | |||
| -rw-r--r-- | 16793-h/images/img06-full.jpg | bin | 0 -> 62740 bytes | |||
| -rw-r--r-- | 16793-h/images/img06.jpg | bin | 0 -> 17559 bytes | |||
| -rw-r--r-- | 16793-h/images/img07-full.jpg | bin | 0 -> 45527 bytes | |||
| -rw-r--r-- | 16793-h/images/img07.jpg | bin | 0 -> 13172 bytes | |||
| -rw-r--r-- | 16793-h/images/img08-full.jpg | bin | 0 -> 97429 bytes | |||
| -rw-r--r-- | 16793-h/images/img08.jpg | bin | 0 -> 28248 bytes | |||
| -rw-r--r-- | 16793-h/images/img09-full.jpg | bin | 0 -> 91496 bytes | |||
| -rw-r--r-- | 16793-h/images/img09.jpg | bin | 0 -> 29443 bytes | |||
| -rw-r--r-- | 16793-h/images/img10-full.jpg | bin | 0 -> 41320 bytes | |||
| -rw-r--r-- | 16793-h/images/img10.jpg | bin | 0 -> 12199 bytes | |||
| -rw-r--r-- | 16793-h/images/img11-full.jpg | bin | 0 -> 48670 bytes | |||
| -rw-r--r-- | 16793-h/images/img11.jpg | bin | 0 -> 14327 bytes | |||
| -rw-r--r-- | 16793-h/images/img12-full.jpg | bin | 0 -> 100045 bytes | |||
| -rw-r--r-- | 16793-h/images/img12.jpg | bin | 0 -> 33750 bytes | |||
| -rw-r--r-- | 16793-h/images/img13-full.jpg | bin | 0 -> 29957 bytes | |||
| -rw-r--r-- | 16793-h/images/img13.jpg | bin | 0 -> 9716 bytes | |||
| -rw-r--r-- | 16793-h/images/img14-full.jpg | bin | 0 -> 43263 bytes | |||
| -rw-r--r-- | 16793-h/images/img14.jpg | bin | 0 -> 15087 bytes | |||
| -rw-r--r-- | 16793-h/images/img15-full.jpg | bin | 0 -> 39160 bytes | |||
| -rw-r--r-- | 16793-h/images/img15.jpg | bin | 0 -> 11742 bytes | |||
| -rw-r--r-- | 16793-h/images/img16-full.jpg | bin | 0 -> 42330 bytes | |||
| -rw-r--r-- | 16793-h/images/img16.jpg | bin | 0 -> 12099 bytes | |||
| -rw-r--r-- | 16793-h/images/img17-full.jpg | bin | 0 -> 53553 bytes | |||
| -rw-r--r-- | 16793-h/images/img17.jpg | bin | 0 -> 14820 bytes | |||
| -rw-r--r-- | 16793-h/images/img18-full.jpg | bin | 0 -> 52942 bytes | |||
| -rw-r--r-- | 16793-h/images/img18.jpg | bin | 0 -> 14223 bytes | |||
| -rw-r--r-- | 16793-h/images/img19-full.jpg | bin | 0 -> 85681 bytes | |||
| -rw-r--r-- | 16793-h/images/img19.jpg | bin | 0 -> 40296 bytes | |||
| -rw-r--r-- | 16793-h/images/img20-full.jpg | bin | 0 -> 84600 bytes | |||
| -rw-r--r-- | 16793-h/images/img20.jpg | bin | 0 -> 17047 bytes | |||
| -rw-r--r-- | 16793-h/images/img21-full.jpg | bin | 0 -> 94473 bytes | |||
| -rw-r--r-- | 16793-h/images/img21.jpg | bin | 0 -> 27662 bytes | |||
| -rw-r--r-- | 16793-h/images/img22-full.jpg | bin | 0 -> 84307 bytes | |||
| -rw-r--r-- | 16793-h/images/img22.jpg | bin | 0 -> 32250 bytes | |||
| -rw-r--r-- | 16793-h/images/img23-full.jpg | bin | 0 -> 89802 bytes | |||
| -rw-r--r-- | 16793-h/images/img23.jpg | bin | 0 -> 41772 bytes | |||
| -rw-r--r-- | 16793-h/images/img24-full.jpg | bin | 0 -> 83997 bytes | |||
| -rw-r--r-- | 16793-h/images/img24.jpg | bin | 0 -> 25013 bytes | |||
| -rw-r--r-- | 16793-h/images/img25-full.jpg | bin | 0 -> 100643 bytes | |||
| -rw-r--r-- | 16793-h/images/img25.jpg | bin | 0 -> 45103 bytes | |||
| -rw-r--r-- | 16793-h/images/img26-full.jpg | bin | 0 -> 41813 bytes | |||
| -rw-r--r-- | 16793-h/images/img26.jpg | bin | 0 -> 12436 bytes | |||
| -rw-r--r-- | 16793-h/images/img27-full.jpg | bin | 0 -> 39381 bytes | |||
| -rw-r--r-- | 16793-h/images/img27.jpg | bin | 0 -> 11674 bytes | |||
| -rw-r--r-- | 16793-h/images/img28-full.jpg | bin | 0 -> 92380 bytes | |||
| -rw-r--r-- | 16793-h/images/img28.jpg | bin | 0 -> 42351 bytes | |||
| -rw-r--r-- | 16793-h/images/img29-full.jpg | bin | 0 -> 95365 bytes | |||
| -rw-r--r-- | 16793-h/images/img29.jpg | bin | 0 -> 56313 bytes | |||
| -rw-r--r-- | 16793-h/images/img30-full.jpg | bin | 0 -> 100606 bytes | |||
| -rw-r--r-- | 16793-h/images/img30.jpg | bin | 0 -> 44370 bytes | |||
| -rw-r--r-- | 16793-h/images/img31-full.jpg | bin | 0 -> 92212 bytes | |||
| -rw-r--r-- | 16793-h/images/img31.jpg | bin | 0 -> 25410 bytes | |||
| -rw-r--r-- | 16793-h/images/img32-full.jpg | bin | 0 -> 87346 bytes | |||
| -rw-r--r-- | 16793-h/images/img32.jpg | bin | 0 -> 34935 bytes | |||
| -rw-r--r-- | 16793-h/images/img33-full.jpg | bin | 0 -> 89184 bytes | |||
| -rw-r--r-- | 16793-h/images/img33.jpg | bin | 0 -> 41109 bytes | |||
| -rw-r--r-- | 16793-h/images/img34-full.jpg | bin | 0 -> 49238 bytes | |||
| -rw-r--r-- | 16793-h/images/img34.jpg | bin | 0 -> 14234 bytes | |||
| -rw-r--r-- | 16793-h/images/img35-full.jpg | bin | 0 -> 55890 bytes | |||
| -rw-r--r-- | 16793-h/images/img35.jpg | bin | 0 -> 14390 bytes | |||
| -rw-r--r-- | 16793-h/images/img36-full.jpg | bin | 0 -> 30783 bytes | |||
| -rw-r--r-- | 16793-h/images/img36.jpg | bin | 0 -> 13442 bytes | |||
| -rw-r--r-- | 16793-h/images/img37-full.jpg | bin | 0 -> 34972 bytes | |||
| -rw-r--r-- | 16793-h/images/img37.jpg | bin | 0 -> 11599 bytes | |||
| -rw-r--r-- | 16793-h/images/img38-full.jpg | bin | 0 -> 86490 bytes | |||
| -rw-r--r-- | 16793-h/images/img38.jpg | bin | 0 -> 40747 bytes | |||
| -rw-r--r-- | 16793-h/images/img39-full.jpg | bin | 0 -> 101102 bytes | |||
| -rw-r--r-- | 16793-h/images/img39.jpg | bin | 0 -> 37981 bytes | |||
| -rw-r--r-- | 16793-h/images/img40-full.jpg | bin | 0 -> 93773 bytes | |||
| -rw-r--r-- | 16793-h/images/img40.jpg | bin | 0 -> 32500 bytes | |||
| -rw-r--r-- | 16793.txt | 4856 | ||||
| -rw-r--r-- | 16793.zip | bin | 0 -> 103140 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
89 files changed, 15081 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/16793-8.txt b/16793-8.txt new file mode 100644 index 0000000..1f7fd9e --- /dev/null +++ b/16793-8.txt @@ -0,0 +1,4856 @@ +The Project Gutenberg EBook of The River and I, by John G. Neihardt + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The River and I + +Author: John G. Neihardt + +Release Date: October 3, 2005 [EBook #16793] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE RIVER AND I *** + + + + +Produced by Audrey Longhurst, Julia Miller and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + +Transcriber's Note: Typographical errors and inconsistent spellings +found in the original publication have been maintained in this text. A +list of these is found at the end of the book. + + + + +THE RIVER AND I + + + + +_Other Books by_ +JOHN G. NEIHARDT + +INDIAN TALES AND OTHERS +POETIC VALUES +THE QUEST +THE SONG OF HUGH GLASS +THE SONG OF THE INDIAN WARS +THE SONG OF THREE FRIENDS +THE SPLENDID WAYFARING +TWO MOTHERS +COLLECTED POEMS + + + + +[Illustration: NIGHT IN CAMP.] + + + + + THE + RIVER AND + I + + + + + BY + JOHN G. NEIHARDT + + + + + _Illustrated + New Edition_ + + + + + New York + THE MACMILLAN COMPANY + 1927 + _All rights reserved_ + + + + + COPYRIGHT, 1910, + BY JOHN G. NEIHARDT. + + Set up and electrotyped. +Reissued in new format, October, 1927. + + + +PRINTED IN THE UNITED STATES OF AMERICA + BY THE CORNWALL PRESS + + + + + TO + MY MOTHER + + + + +NOTE + + +The following account of a youthful adventure was written during the +winter of 1908, ran as a serial in _Putnam's Magazine_ the following +year, and appeared as a book in 1910, five years before "The Song of +Hugh Glass," the first piece of my Western Cycle. Many who have cared +for my narrative poems, feeling the relation between those and this +earlier avowal of an old love, have urged that "The River and I" be +reprinted. + +J.G.N. + +St. Louis, 1927. + + + + +CONTENTS + + +CHAPTER PAGE + I. THE RIVER OF AN UNWRITTEN EPIC 1 + + II. SIXTEEN MILES OF AWE 22 + + III. HALF-WAY TO THE MOON 40 + + IV. MAKING A GETAWAY 65 + + V. THROUGH THE REGION OF WEIR 84 + + VI. GETTING DOWN TO BUSINESS 113 + + VII. ON TO THE YELLOWSTONE 137 + +VIII. DOWN FROM THE YELLOWSTONE 165 + + + + +ILLUSTRATIONS + +Night in Camp _Frontispiece_ + FACING PAGE +"Off on the Perilous Floods" 6 +Barriers Formed before Him 7 +The Boats Wrecked in an Ice Gorge 7 +After the Spring Break-Up 18 +"Hole-in-the-Wall" Rock on the Upper Missouri 19 +Palisades of the Upper Missouri 19 +Great Falls from Cliff Above 30 +Great Falls from the Front 31 +"This was Benton" 52 +Ruins of Old Fort Benton 52 +The House of the Bourgeois 53 +A Round-Up Outfit on the March 62 +Joe 62 +Montana Sheep 63 +A Montana Wool-Freighter 63 +The "Atom I" under Construction 74 +The Cable Ferry Towed Us Out 74 +Laid Up with a Broken Rudder 75 +"Atom" Sailing Up-Stream in a Head Wind 86 +Typical Rapids on Upper Missouri 87 +Wolf Point, the First Town in 500 Miles 98 +Entrance to the Bad Lands 99 +Fresh Meat! 110 +Supper! 111 +"Walking" Boats over Shallows 126 +Typical Upper Missouri River Reach 126 +The Mouth of the James 127 +Reveille! 142 +The Pen and Key Ranch 143 +Assiniboine Indian Chief 154 +Assiniboine Indian Camp 155 +On the Hurricane Deck of the "Expansion"; + Capt. Marsh Third from the Left 166 +Fort Union in 1837 167 +Site of Old Fort Union 167 +Boats Laid Up for the Winter at Washburn, N.D. 178 +Washburn, N.D. 178 +The Landing at Bismarck, N.D. 179 +The Yankton Landing in the Old Days 192 +"Atom II" Landing at Sioux City 193 + + + + +THE RIVER AND I + + + + +THE RIVER AND I + + +CHAPTER I + +THE RIVER OF AN UNWRITTEN EPIC + + +It was Carlyle--was it not?--who said that all great works produce an +unpleasant impression on first acquaintance. It is so with the Missouri +River. Carlyle was not, I think, speaking of rivers; but he was speaking +of masterpieces--and so am I. + +It makes little difference to me whether or not an epic goes at a +hexameter gallop through the ages, or whether it chooses to be a flood +of muddy water, ripping out a channel from the mountains to the sea. It +is merely a matter of how the great dynamic force shall express itself. + +I have seen trout streams that I thought were better lyrics than I or +any of my fellows can ever hope to create. I have heard the moaning of +rain winds among mountain pines that struck me as being equal, at least, +to _Adonais_. I have seen the solemn rearing of a mountain peak into the +pale dawn that gave me a deep religious appreciation of my significance +in the Grand Scheme, as though I had heard and understood a parable from +the holy lips of an Avatar. And the vast plains of my native country are +as a mystic scroll unrolled, scrawled with a cabalistic writ of infinite +things. + +In the same sense, I have come to look upon the Missouri as something +more than a stream of muddy water. It gave me my first big boy dreams. +It was my ocean. I remember well the first time I looked upon my +turbulent friend, who has since become as a brother to me. It was from a +bluff at Kansas City. I know I must have been a very little boy, for the +terror I felt made me reach up to the saving forefinger of my father, +lest this insane devil-thing before me should suddenly develop an +unreasoning hunger for little boys. My father seemed as tall as +Alexander--and quite as courageous. He seemed to fear it almost not at +all. And I should have felt little surprise had he taken me in his arms +and stepped easily over that mile or so of liquid madness. He talked +calmly about it--quite calmly. He explained at what angle one should +hold one's body in the current, and how one should conduct one's legs +and arms in the whirlpools, providing one should swim across. + +_Swim across!_ Why, it took a giant even to talk that way! For the +summer had smitten the distant mountains, and the June floods ran. Far +across the yellow swirl that spread out into the wooded bottom-lands, we +watched the demolition of a little town. The siege had reached the +proper stage for a sally, and the attacking forces were howling over the +walls. The sacking was in progress. Shacks, stores, outhouses suddenly +developed a frantic desire to go to St. Louis. It was a weird retreat in +very bad order. A cottage with a garret window that glared like the eye +of a Cyclops, trembled, rocked with the athletic lift of the flood, made +a panicky plunge into a convenient tree; groaned, dodged, and took off +through the brush like a scared cottontail. I felt a boy's pity and +sympathy for those houses that got up and took to their legs across the +yellow waste. It did not seem fair. I have since experienced the same +feeling for a jack-rabbit with the hounds a-yelp at its heels. + +But--to _swim_ this thing! To fight this cruel, invulnerable, resistless +giant that went roaring down the world with a huge uprooted oak tree in +its mouth for a toothpick! This yellow, sinuous beast with hell-broth +slavering from its jaws! This dare-devil boy-god that sauntered along +with a town in its pocket, and a steepled church under its arm for a +moment's toy! Swim _this_? + +For days I marvelled at the magnificence of being a fullgrown man, +unafraid of big rivers. + +But the first sight of the Missouri River was not enough for me. There +was a dreadful fascination about it--the fascination of all huge and +irresistible things. I had caught my first wee glimpse into the +infinite; I was six years old. + +Many a lazy Sunday stroll took us back to the river; and little by +little the dread became less, and the wonder grew--and a little love +crept in. In my boy heart I condoned its treachery and its giant sins. +For, after all, it sinned through excess of strength, not through +weakness. And that is the eternal way of virile things. We watched the +steamboats loading for what seemed to me far distant ports. (How the +world shrinks!) A double stream of "roosters" coming and going at a +dog-trot rushed the freight aboard; and at the foot of the gang-plank +the mate swore masterfully while the perspiration dripped from the point +of his nose. + +And then--the raucous whistles blew. They reminded me of the lions +roaring at the circus. The gang-plank went up, the hawsers went in. The +snub nose of the steamer swung out with a quiet majesty. Now she feels +the urge of the flood, and yields herself to it, already dwindled to +half her size. The pilot turns his wheel--he looks very big and quiet +and masterful up there. The boat veers round; bells jangle. And now the +engine wakens in earnest. She breathes with spurts of vapor! + +Breathed? No, it was sighing; for about it all clung an inexplicable +sadness for me--the sadness that clings about all strong and beautiful +things that must leave their moorings and go very, very far away. (I +have since heard it said that river boats are not beautiful!) My throat +felt as though it had smoke in it. I felt that this queenly thing really +wanted to stay; for far down the muddy swirl where she dwindled, +dwindled, I heard her sobbing hoarsely. + +Off on the perilous flood for "faërie lands forlorn"! It made the world +seem almost empty and very lonesome. + +And then the dog-days came, and I saw my river tawny, sinewy, gaunt--a +half-starved lion. The long dry bars were like the protruding ribs of +the beast when the prey is scarce, and the ropy main current was like +the lean, terrible muscles of its back. + +In the spring it had roared; now it only purred. But all the while I +felt in it a dreadful economy of force, just as I have since felt it in +the presence of a great lean jungle-cat at the zoo. Here was a thing +that crouched and purred--a mewing but terrific thing. Give it an +obstacle to overcome--fling it something to devour; and lo! the crushing +impact of its leap! + +And then again I saw it lying very quietly in the clutch of a bitter +winter--an awful hush upon it, and the white cerement of the snow flung +across its face. And yet, this did not seem like death; for still one +felt in it the subtle influence of a tremendous personality. It slept, +but sleeping it was still a giant. It seemed that at any moment the +sleeper might turn over, toss the white cover aside and, yawning, +saunter down the valley with its thunderous seven-league boots. And +still, back and forth across this heavy sleeper went the pigmy wagons of +the farmers taking corn to market! + +[Illustration: "OFF ON THE PERILOUS FLOODS."] + +[Illustration: BARRIERS FORMED BEFORE HIM.] + +[Illustration: THE BOATS WRECKED IN AN ICE GORGE.] + +But one day in March the far-flung arrows of the geese went over. _Honk! +honk!_ A vague, prophetic sense crept into the world out of +nowhere--part sound, part scent, and yet too vague for either. Sap +seeped from the maples. Weird mist-things went moaning through the +night. And then, for the first time, I saw my big brother win a fight! + +For days, strange premonitory noises had run across the shivering +surface of the ice. Through the foggy nights, a muffled intermittent +booming went on under the wild scurrying stars. Now and then a staccato +crackling ran up the icy reaches of the river, like the sequent +bickering of Krags down a firing line. Long seams opened in the +disturbed surface, and from them came a harsh sibilance as of a line of +cavalry unsheathing sabres. + +But all the while, no show of violence--only the awful quietness with +deluge potential in it. The lion was crouching for the leap. + +Then one day under the warm sun a booming as of distant big guns began. +Faster and louder came the dull shaking thunders, and passed swiftly up +and down, drawling into the distance. Fissures yawned, and the sound of +the grumbling black water beneath came up. Here and there the surface +lifted--bent--broke with shriekings, groanings, thunderings. And +then---- + +The giant turned over, yawned and got to his feet, flinging his arms +about him! Barriers formed before him. Confidently he set his massive +shoulders against them--smashed them into little blocks, and went on +singing, shouting, toward the sea. It was a glorious victory. It made me +very proud of my big brother. And yet all the while I dreaded him--just +as I dread the caged tiger that I long to caress because he is so strong +and so beautiful. + +Since then I have changed somewhat, though I am hardly as tall, and +certainly not so courageous as Alexander. But I have felt the sinews of +the old yellow giant tighen about my naked body. I have been bent upon +his hip. I have presumed to throw against his Titan strength the craft +of man. I have often swum in what seemed liquid madness to my boyhood. +And we have become acquainted through battle. No friends like fair foes +reconciled! + +And I have been panting on his bars, while all about me went the lisping +laughter of my brother. For he has the strength of a god, the headlong +temper of a comet; but along with these he has the glad, mad, +irresponsible spirit of a boy. Thus ever are the epic things. + +The Missouri is unique among rivers. I think God wished to teach the +beauty of a virile soul fighting its way toward peace--and His precept +was the Missouri. To me, the Amazon is a basking alligator; the Tiber is +a dream of dead glory; the Rhine is a fantastic fairy-tale; the Nile a +mummy, periodically resurrected; the Mississippi, a convenient +geographical boundary line; the Hudson, an epicurean philosopher. + +But the Missouri--my brother--is the eternal Fighting Man! + +I love things that yearn toward far seas: the singing Tennysonian brooks +that flow by "Philip's farm" but "go on forever"; the little Ik Walton +rivers, where one may "study to be quiet and go a-fishing"! The +Babylonian streams by which we have all pined in captivity; the +sentimental Danube's which we can never forget because of "that night in +June"; and at a very early age I had already developed a decent respect +for the verbose manner in which the "waters come down at Lodore." + +But the Missouri is more than a sentiment--even more than an epic. It is +the symbol of my own soul, which is, I surmise, not unlike other souls. +In it I see flung before me all the stern world-old struggle become +materialized. Here is the concrete representation of the earnest desire, +the momentarily frustrate purpose, the beating at the bars, the +breathless fighting of the half-whipped but never-to-be-conquered +spirit, the sobbing of the wind-broken runner, the anger, the madness, +the laughter. And in it all the unwearying urge of a purpose, the +unswerving belief in the peace of a far away ocean. + +If in a moment of despair I should reel for a breathing space away from +the fight, with no heart for battle-cries, and with only a desire to +pray, I could do it in no better manner than to lift my arms above the +river and cry out into the big spaces: "You who somehow +understand--behold this river! It expresses what is voiceless in me. It +prays for me!" + +Not only in its physical aspect does the Missouri appeal to the +imagination. From Three Forks to its mouth--a distance of three thousand +miles--this zigzag watercourse is haunted with great memories. Perhaps +never before in the history of the world has a river been the +thoroughfare of a movement so tremendously epic in its human appeal, so +vastly significant in its relation to the development of man. And in the +building of the continent Nature fashioned well the scenery for the +great human story that was to be enacted here in the fullness of years. +She built her stage on a large scale, taking no account of miles; for +the coming actors were to be big men, mighty travelers, intrepid +fighters, laughers at time and space. Plains limited only by the rim of +sky; mountains severe, huge, tragic as fate; deserts for the trying of +strong spirits; grotesque volcanic lands--dead, utterly +ultra-human--where athletic souls might struggle with despair; impetuous +streams with their rapids terrible as Scylla, where men might go down +fighting: thus Nature built the stage and set the scenes. And that the +arrangements might be complete, she left a vast tract unfinished, where +still the building of the world goes on--a place of awe in which to feel +the mighty Doer of Things at work. Indeed, a setting vast and weird +enough for the coming epic. And as the essence of all story is struggle, +tribes of wild fighting men grew up in the land to oppose the coming +masters; and over the limitless wastes swept the blizzards. + +I remember when I first read the words of Vergil beginning _Ubi tot +Simois_, "where the Simois rolls along so many shields and helmets and +strong bodies of brave men snatched beneath its floods." The far-seeing +sadness of the lines thrilled me; for it was not of the little stream of +the _Æneid_ that I thought while the Latin professor quizzed me as to +constructions, but of that great river of my own epic country--the +Missouri. Was I unfair to old Vergil, think you? As for me, I think I +flattered him a bit! And in this modern application, the ancient lines +ring true. For the Missouri from Great Falls to its mouth is one long +grave of men and boats. And such men! + +It is a time-honored habit to look back through the ages for the epic +things. Modern affairs seem a bit commonplace to some of us. A horde of +semi-savages tears down a town in order to avenge the theft of a +faithless wife who was probably no better than she should have been--and +we have the _Iliad_. A petty king sets sail for his native land, somehow +losing himself ten years among the isles of Greece--and we have the +_Odyssey_. (I would back a Missouri River "rat" to make the distance in +a row boat within a few months!) An Argive captain returns home after an +absence of ten years to find his wife interested overmuch in a friend +who went not forth to battle; a wrangle ensues; the tender spouse +finishes her lord with an axe--and you have the _Agamemnon_. (To-day we +should merely have a sensational trial, and hysterical scareheads in the +newspapers.) Such were the ancient stories that move us all--sordid +enough, be sure, when you push them hard for fact. But time and genius +have glorified them. Not the deeds, but Homer and Æschylus and the +hallowing years are great. + +We no longer write epics--we live them. To create an epic, it has been +said somewhere, the poet must write with the belief that the immortal +gods are looking over his shoulder. + +We no longer prostrate ourselves before the immortal gods. We have long +since discovered the divinity within ourselves, and so we have flung +across the continents and the seas the visible epics of will. + +The history of the American fur trade alone makes the Trojan War look +like a Punch and Judy show! and the Missouri River was the path of the +conquerors. We have the facts--but we have not Homer. + +An epic story in its essence is the story of heroic men battling, aided +or frustrated by the superhuman. And in the fur trade era there was no +dearth of battling men, and the elements left no lack of superhuman +obstacles. + +I am more thrilled by the history of the Lewis and Clark expedition than +by the tale of Jason. John Colter, wandering three years in the +wilderness and discovering the Yellowstone Park, is infinitely more +heroic to me that Theseus. Alexander Harvey makes Æneas look like a +degenerate. It was Harvey, you know, who fell out with the powers at +Fort Union, with the result that he was ordered to report at the +American Fur Company's office at St. Louis before he could be reinstated +in the service. This was at Christmas time--Christmas of a Western +winter. The distance was seventeen hundred miles, as the crow flies. +"Give me a dog to carry my blankets," said he, "and by God I'll report +before the ice goes out!" He started afoot through the hostile tribes +and blizzards. He reported at St. Louis early in March, returning to +Union by the first boat out that year. And when he arrived at the Fort, +he called out the man who was responsible for the trouble, and quietly +killed him. That is the stern human stuff with which you build realms. +What could not Homer do with such a man? And when one follows him +through his recorded career, even Achilles seems a bit ladylike beside +him! + +The killing of Carpenter by his treacherous friend, Mike Fink, would +easily make a whole book of hexameters--with a nice assortment of gods +and goddesses thrown in. There was a woman in the case--a half-breed. +Well, this half-breed woman fascinates me quite as much as she whose +face "launched a thousand ships and burnt the topless towers of Ilium"! +In ancient times the immortal gods scourged nations for impieties; and, +as we read, we feel the black shadow of inexorable fate moving through +the terrific gloom of things. But the smallpox scourge that broke out at +Fort Union in 1837, sweeping with desolation through the prairie tribes, +moves me more than the storied catastrophes of old. It was a Reign of +Terror. Even Larpenteur's bald statement of it fills me with the fine +old Greek sense of fate. Men sickened at dawn and were dead at sunset. +Every day a cartload or two of corpses went over the bluff into the +river; and men became reckless. Larpenteur and his friend joked daily +about the carting of the gruesome freight. They felt the irresistible, +and they laughed at it, since struggle was out of the question. Some +drank deeply and indulged in hysterical orgies. Some hollowed out their +own graves and waited patiently beside them for the hidden hand to +strike. At least fifteen thousand died--Audubon says one hundred and +fifty thousand; and the buffalo increased rapidly--because the hunters +were few. + +Would not such a story--here briefly sketched--move old Sophocles? + +The story of the half-breed woman--a giantess--who had a dozen sons, has +about it for me all the glamour of an ancient yarn. The sons were +free-trappers, you know, and, incidentally, thieves and murderers. (I +suspect some of our classic heroes were as much!) But they were +doubtless living up to the light that was in them, and they were game to +the finish. So was the old woman; they called her "the mother of the +devils." Trappers from the various posts organized to hunt them down, +and the mother and the sons barricaded their home. The fight was a hard +one. One by one the "devils" fell fighting about their mother. And then +the besieging party fired the house. With all her sons wounded or dead, +the old woman sallied forth. She fought like a grizzly and went down +like a heroine. + +A sordid, brutal story? Ah, but it was life! Fling about this story of +savage mother-love the glamour of time and genius, and it will move you! + +And the story of old Hugh Glass! Is it not fateful enough to be the +foundation of a tremendous Æschylean drama? A big man he was--old and +bearded. A devil to fight, a giant to endure, and an angel to forgive! +He was in the Leavenworth campaign against the Aricaras, and afterward +he went as a hunter with the Henry expedition. He had a friend--a mere +boy--and these two were very close. One day Glass, who was in advance of +the party, beating up the country for game, fell in with a grizzly; and +when the main party came up, he lay horribly mangled with the bear +standing over him. They killed the bear, but the old man seemed done +for; his face had all the features scraped off, and one of his legs went +wabbly when they lifted him. + +It was merely a matter of one more man being dead, so the expedition +pushed on, leaving the young friend with several others to see the old +man under ground. But the old man was a fighter and refused to die, +though he was unconscious: held on stubbornly for several days, but it +seemed plain enough that he would have to let go soon. So the young +friend and the others left the old man in the wilderness to finish up +the job by himself. They took his weapons and hastened after the main +party, for the country was hostile. + +But one day old Glass woke up and got one of his eyes open. And when he +saw how things stood, he swore to God he would live, merely for the sake +of killing his false friend. He crawled to a spring near by, where he +found a bush of ripe bull-berries. He waited day after day for strength, +and finally started out to _crawl_ a small matter of one hundred miles +to the nearest fort. And he did it, too! Also he found his friend after +much wandering--and forgave him. + +Fancy Æschylus working up that story with the Furies for a chorus and +Nemesis appearing at intervals to nerve the old hero! + +[Illustration: AFTER THE SPRING BREAK-UP.] + +[Illustration: "HOLE-IN-THE-WALL" ON THE UPPER MISSOURI.] + +[Illustration: PALISADES OF THE UPPER MISSOURI.] + +And Rose the Renegade, who became the chief of a powerful tribe of +Indians! And Father de Smet, one of the noblest figures in history, +carrying the gospel into the wilderness! And Le Barge, the famous pilot, +whose biography reads like a romance! In the history of the Missouri +River there were hundreds of these heroes, these builders of the epic +West. Some of them were violent at times; some were good men and some +were bad. But they were masterful always. They met obstacles and +overcame them. They struck their foes in front. They thirsted in +deserts, hungered in the wilderness, froze in the blizzards, died with +the plagues, and were massacred by the savages. Yet they conquered. +Heroes of an unwritten epic! And their pathway to defeat and victory was +the Missouri River. + +If you wish to have your epic spiced with the glamour of kings, the +history of the river will not fail you; for in those days there were +kings as well as giants in the land. Though it was not called such, all +the blank space of the map of the Missouri River country and even to the +Pacific, was one vast empire--the empire of the American Fur Company; +and J.J. Astor in New York spoke the words that filled the wilderness +with deeds. Thus democratic America once beheld within her own confines +the paradox of an empire truly Roman in character. + +Here and there on the banks of the great waterway--an imperial road that +would have delighted Cæsar--many forts were built. These were the +ganglia of that tremendous organism of which Astor was the brain. The +bourgeois of one of these posts was virtually proconsul with absolute +power in his territory. Mackenzie at Union--which might be called the +capital of the Upper Missouri country--was called "King of the +Missouri." He had an eye for seeing purple. At one time he ordered a +complete suit of armor from England; and even went so far as to have +medals struck, in true imperial fashion, to be distributed among his +loyal followers. + +Far and wide these Western American kings flung the trappers, their +subjects, into the wilderness. Verily, in the unwritten "Missouriad" +there is no lack of regal glamour. + +The ancients had a way of making vast things small enough to be +familiar. They make gods of the elements, and natural phenomena became +to them the awful acts of the gods. + +These moderns made no gods of the elements--they merely conquered them! +The ancients idealized the material. These moderns materialized the +ideal. The latter method is much more appealing to me--an American--than +the former. I love the ancient stories; but it is for the modern +marvellous facts that I reserve my admiration. + +When one looks upon his own country as from a height of years, old tales +lose something of their wonder for him. It is owing to this attitude +that the prospect of descending the great river in a power canoe from +the head of navigation gave me delight. + +Days and nights filled with the singing and muttering of my big brother! +And I would need only to close my eyes, and all about me would come and +go the ghosts of the mighty doers--who are my kin. Big men, bearded and +powerful, pushing up stream with the cordelle on their shoulders! +Voyageurs chanting at the paddles! Mackinaws descending with precious +freights of furs! Steamboats grunting and snoring up stream! Old forts +sprung up again out of the dusk of things forgotten, with all the old +turbulent life, where in reality to-day the plough of the farmer goes or +the steers browse! Forgotten battles blowing by in the wind! And from a +bluff's summit, here and there, ghostly war parties peering down upon +me--the lesser kin of their old enemies--taking a summer's outing where +of old went forth the fighting men, the builders of the unwritten epic! + + + + +CHAPTER II + +SIXTEEN MILES OF AWE + + +Our party of three left the railroad at Great Falls, a good two-days' +walk up river from Benton, the head of Missouri River navigation, to +which point our boat material had been shipped and our baggage checked. + +A vast sun-burned waste of buffalo-grass, prickly pears, and sagebrush +stretched before us to the north and east; and on the west the filmy +blue contour of the Highwoods Mountains lifted like sun-smitten thunder +clouds in the July swelter. One squinting far look, however, told you +that these were not rain clouds. The very thought of rain came to you +with the vagueness of some birth-surviving memory of a former time. You +looked far up and out to the westward and caught the glint of snow on +the higher peaks. But the sight was unconvincing; it was like a story +told without the "vital impulse." Always had these plains blistered +under this July sun; always had the spots of alkali made the only +whiteness; and the dry harsh snarl and snap of the grasshoppers' wings +had pricked this torrid silence through all eternity. + +A stern and pitiless prospect for the amateur pedestrian, to be sure; +for devotees of the staff and pack have come to associate pedestrianism +with the idyllic, and the idyllic nourishes only in a land of frequent +showers. Theocritus and prickly pears are not compatible. Yet it was not +without a certain thrill of exaltation that we strapped on our packs and +stretched our legs after four days on the dusty plush. + +And though ahead of us lay no shady, amiably crooked country roads and +bosky dells, wherein one might lounge and dawdle over Hazlitt, yet we +knew how crisscross cattle-trails should take us skirting down the +river's sixteen miles of awe. + +Five hundred miles below its source, the falls of the Missouri begin +with a vertical plunge of sixty feet. This is the Black Eagle Falls, +presumably named so by Lewis and Clark and other explorers, because of +the black eagles found there. + +With all due courtesy to my big surly grumbling friend, the Black Eagle +Falls, I must say that I was a bit disappointed in him. Oh! he is quite +magnificent enough, and every inch a Titan, to be sure; but of late +years it seems he has taken up with company rather beneath him. First of +all, he has gone to work in a most plebeian, almost slave-like fashion, +turning wheels and making lights and dragging silly little trolley cars +about a straggling town. Also, he hobnobs continually with a sprawling, +brawling, bad-breathed smelter, as no respectable Titan should do. And +on top of it all--and this was the straw that broke the back of my +sentimental camel--he allows them to maintain a park on the cliffs above +him, where the merest white-skinned, counter-jumping pigmy may come of a +Sunday for his glass of pop and a careless squint at the toiling Titan. +Puny Philistines eating peanuts and watching Samson at his Gaza stunt! I +like it not. Rather would I see the Muse Clio pealing potatoes or +Persephone busy with a banana cart! Encleadus wriggling under a mountain +is well enough; but Enceladus composedly turning a crank for little +men--he seemed too heavy for that light work. + +Leaning on the frame observation platform, I closed my eyes, and in the +dull roar that seemed the voices of countless ages, the park and the +smelter and the silly bustling trolley cars and the ginger-ale and the +peanuts and my physical self--all but my own soul--were swallowed up. I +saw my Titan brother as he was made--four hundred yards of writhing, +liquid sinew, strenuously idle, magnificently worthless, flinging +meaningless thunders over the vast arid plain, splendidly empty under +sun and stars! I saw him as La Verendrye must have seen him--busy only +at the divine business of being a giant. And for a moment behind shut +eyes, it seemed very inconsequential to me that cranks should be turned +and that trolley cars should run up and down precisely in the same +place, never getting anywhere, and that there should be anything in all +that tract but an austere black eagle or two, and my own soul, and my +Titan brother. + +When I looked again, I could half imagine the old turbulent fellow +winking slyly at me and saying in that undertone you hear when you +forget the thunders for a moment: "Don't you worry about me, little man. +It's all a joke, and I don't mind. Only to-morrow and then another +to-morrow, and there won't be any smelters or trolley cars or ginger-ale +or peanuts or sentimentalizing outers like yourself. But I'll be here +howling under sun and stars." + +Whereupon I posed the toiling philosopher before the camera, pressed +the bulb, and descended from the summit of the cliff (as well as from my +point of view) to the trail skirting northward up the river, leaving +Encleadus grumbling at his crank. + +Perhaps, after all, cranks really have to be turned. Still, it seems too +bad, and I have long bewailed it almost as a personal grief, that +utility and ugliness should so often be running mates. + +They tell me that the Matterhorn never did a tap of work; and you +couldn't color one Easter egg with all the gorgeous sunsets of the +world! May we all become, some day, perfectly useless and beautiful! + +At the foot of the first fall, a mammoth spring wells up out of the +rock. Nobody tells you about it; you run across it by chance, and it +interests you much more in that way. It would seem that a spring +throwing out a stream equivalent to a river one hundred yards wide and +two feet deep would deserve a little exploitation. Down East they would +have a great white sprawling hotel built close by it wherein one could +drink spring water (at a quarter the quart), with half a pathology +pasted on the bottle as a label. But nobody seems to care much about so +small an ooze out there: everything else is so big. And so it has +nothing at all to do but go right on being one of the very biggest +springs of all the world. This is really something; and I like it better +than the quarter-per-quart idea. + +In sixteen miles the Missouri River falls four hundred feet. +Incidentally, this stretch of river is said to be capable of producing +the most tremendous water-power in the world. + +After skirting four miles of water that ran like a mill-race, we came +upon the Rainbow Falls, where a thousand feet of river takes a drop of +fifty feet over a precipice regular as a wall of masonry. This was much +more to my liking--a million horse-power or so busy making rainbows! +Bully! + +It was a very hot day and the sun was now high. I sat down to wipe the +sweat out of my eyes. I wished to get acquainted with this weaver of +iridescent nothings who knew so well the divine art of doing nothing at +all and doing it good and hard! After all, it isn't so easy to do +nothing and make it count! + +And in the end, when all broken lights have blended again with the +Source Light, I'm not so sure that rainbows will seem less important +than rows and rows of arc lights and clusters and clusters of +incandescent globes. Are you? I can contract an indefinable sort of +heartache from the blue sputter of a city light that snuffs out moon and +stars for tired scurrying folks: but the opalescent mist-drift of the +Rainbow Falls wove heavens for me in its sheen, and through its +whirlwind rifts and crystal flaws, far reaches opened up with all the +heart's desire at the other end. You shut your eyes with that thunder in +your ears and that gusty mist on your face, and you see it very +plainly--more plainly than ever so many arc lights could make you see +it--the ultimate meaning of things. To be sure, when you open your eyes +again, it's all gone--the storm-flung rainbows seem to hide it again. + +A mile below, we came upon the Crooked Falls of twenty feet. Leaving the +left bank and running almost parallel with it for some three hundred +yards, then turning and making a horseshoe, and returning to the right +bank almost opposite the place of first observation, this fall is nearly +a mile in length, being an unbroken sheet for that distance. This one, +also, does nothing at all, and in a beautifully irregular way. Somehow +it made me think of Walt Whitman! But we left it soon, swinging out +into the open parched country. We knew all this turbulence to be merely +the river's bow before the great stunt. + +As we swung along, kicking up the acrid alkali dust from the +cattle-trail that snaked its way through the cactus and sagebrush, the +roar behind us died; and before us, far away, dull muffled thunders grew +up in the hush of the burning noon. Thunders in a desert, and no cloud! +For an hour we swung along the trail, and ever the thunders +increased--like the undertone of the surf when the sea whitens. We were +approaching the Great Falls of the Missouri. There were no sign posts in +that lonesome tract; no one of whom to ask the way. Little did we need +direction. The voice of thunder crying in the desert led us surely. + +A half-hour more of clambering over shale-strewn gullies, up sun-baked +watercourses, and we found ourselves toiling up the ragged slope of a +bluff; and soon we stood upon a rocky ledge with the thunders beneath +us. Damp gusts beat upward over the blistering scarp of the cliff. I lay +down, and crawling to the edge, looked over. Two hundred feet below +me--straight down as a pebble drops--a watery Inferno raged, and +far-flung whirlwinds all but exhausted with the dizzy upward reach, +whisked cool, invisible mops of mist across my face. + +Flung down a preliminary mile of steep descent, choked in between +soaring walls of rock four hundred yards apart, innumerable crystal tons +rushed down ninety feet in one magnificent plunge. You saw the long bent +crest--shimmering with the changing colors of a peacock's back--smooth +as a lake when all winds sleep; and then the mighty river was snuffed +out in gulfs of angry gray. Capricious river draughts, sucking up the +damp defile, whipped upward into the blistering sunlight gray spiral +towers that leaped into opal fires and dissolved in showers of diamond +and pearl and amethyst. + +[Illustration: GREAT FALLS FROM CLIFF ABOVE.] + +[Illustration: GREAT FALLS FROM THE FRONT.] + +I caught myself tightly gripping the ledge and shrinking with a +shuddering instinctive fear. Then suddenly the thunders seemed to stifle +all memory of sound--and left only the silent universe with myself and +this terribly beautiful thing in the midst of utter emptiness. And I +loved it with a strange, desperate, tigerish love. It expressed itself +so magnificently; and that is really all a man, or a waterfall, or a +mountain, or a flower, or a grasshopper, or a meadow lark, or an ocean, +or a thunderstorm has to do in this world. And it was doing it right +out in the middle of a desert, bleak, sun-leprosied, forbidding, with +only the stars and the moon and the sun and a cliff-swallow or two to +behold. Thundering out its message into the waste places, careless of +audiences--like a Master! Bully, grizzled old Master-Bard singing--as +most of them do--to empty benches! And it had been doing that ten +thousand thousand years, and would do so for ten thousand thousand more, +and never pause for plaudits. I suspect the soul of old Homer did +that--and is still doing it, somehow, somewhere. After all there isn't +much difference between really tremendous things--Homer or waterfalls or +thunderstorms--is there? It's only a matter of how things happen to be +big. + +I was absent-mindedly chasing some big thundering line of Sophocles when +Bill, the little Cornishman, ran in between me and the evasive line: +"Lord! what a waste of power!" + +There is some difference in temperaments. Most men, I fancy, would have +enjoyed a talk with a civil engineer upon that ledge. I should have +liked to have Shelley there, myself! It's the difference between poetry +and horse-power, dithyrambics and dynamos, Keats and Kipling! What is +the energy exerted by the Great Falls of the Missouri? How many +horse-power did Shelley fling into the creation of his _West Wind_? How +many foot-pounds did the boy heart of Chatterton beat before it broke? +Something may be left to the imagination! + +We backtrailed to a point where the cliff fell away into a rock-strewn +incline, and clambered down a break-neck slope to the edge of the +crystal broil. There was a strange exhilaration about it--a novel sense +of discovering a natural wonder for ourselves. We seemed the first men +who had ever been there: that was the most gripping thing about it. + +Aloof, stupendous, terriffic, staggering in the intensity of its wild +beauty, you reach it by a trail. There are no 'busses running and you +can't buy a sandwich or a peanut or a glass of beer within ten miles of +its far-flung thunders. For twentieth century America, that is doing +rather well! + +Skirting the slippery rocks at the lip of the mad flood, we swung +ourselves about a ledge, dripping with the cool mist-drift; descended to +the level of the lower basin, where a soaking fog made us shiver; pushed +through a dripping, oozing, autumnal sort of twilight, and came out +again into the beat of the desert sun, to look squarely into the face of +the giant. + +A hawk wheeled and swooped and floated far up in the dazzling air. +Somehow that hawk seemed to make the lonely place doubly lonely. Did you +ever notice how a lone coyote on a snow-heaped prairie gives you a +heartache, whereas the empty waste would only have exhilarated you? +Always, it seemed, that veering hawk had hung there, and would hang so +always--outliving the rising of suns and the drifting of stars and the +visits of the moon. + +A vague sense of grief came over me at the thought of all this eternal +restlessness, this turbulent fixity; and, after all, it seemed much +greater to be even a very little man, living largely, dying, somehow, +into something big and new; than to be this Promethean sort of thing, a +giant waterfall in a waste. + +I have known men who felt dwarfed in the presence of vast and awful +things. I never felt bigger than when I first looked upon the ocean. The +skyward lift of a mountain peak makes me feel very, very tall. And when +a thunderstorm comes down upon the world out of the northwest, with +jagged blades of fire ripping up the black bellies of the clouds, I know +all about the heart of Attila and the Vikings and tigers and Alexander +the Great! So I think I grew a bit out there talking to that water-giant +who does nothing at all--not even a vaudeville stunt--and does it so +masterfully. + +By and by they'll build a hotel in the flat at the edge of the lower +basin; plant prim flowers in very prim beds; and rob you on the genteel +European plan. Comfortably sitting in a willow chair on the broad +veranda, one will read the signs on those cliffs--all about the best +shoes to wear, and what particular pill of all the pills that be, should +be taken for that ailing kidney. But it will not be I who shall sit in +that willow chair on that broad, as yet unbuilt, veranda. + +The sun was glinting at the rim of the cliffs, and the place of awe and +thunders was slowly filling with shadow. We found a steep trail, +inaccessible for vehicles, leading upward in the direction of Benton. It +was getting that time of day when even a sentimentalist wants a +beefsteak, especially if he has hiked over dusty scorching trails and +scrambled over rocks all day. + +Some kind man back in the town, with a fund of that most useless +article, information, had told us of a place called Goodale, +theoretically existing on the Great Northern Railroad between Great +Falls and Benton. We had provided only for luncheon, trusting to fate +and Goodale for supper. + +Goodale! A truly beautiful name! No doubt in some miraculous way the +character of the country changed suddenly just before you got there +merely to justify the name. Surely no one would have the temerity to +conjure up so beautiful a name for a desert town. Yet, half unwillingly, +I thought of a little place I once visited--against my will, since the +brakeman put me off there--by the name of Forest City. I remembered with +misgivings how there wasn't a tree within something like four hundred +miles. But I pushed that memory aside as a lying prophet. I believed in +Goodale and beefsteak. Goodale would be a neat, quiet little town, set +snugly in a verdant valley. We would come into it by starlight--down a +careless gypsying sort of country road; and there would be the sound of +a dear little trickling bickering cool stream out in the shadows of the +trees fringing the approach to Goodale. And we'd pass pretty little +cottages with vines growing over the doors, and hollyhocks peeping over +the fences, and cheerful lights in the windows. + +Goodale! And then, right in the middle of the town (no, _village_--the +word is cosier somehow)--right in the middle of the village there would +be a big restaurant, with such alluring scents of beefsteak all about +it. + +I set the pace up that trail. It was a swinging, loose, cavalry-horse +sort of pace--the kind that rubs the blue off the distance and paints +the back trail gray. Goodale was a sort of Mecca. I thought of it with +something like a religious awe. How far was Goodale, would you suppose? +Not far, certainly, once we found the railroad. + +We made the last steep climb breathlessly, and came out on the level. A +great, monotonous, heartachy prairie lay before us--utterly featureless +in the twilight. Far off across the scabby land a thin black line swept +out of the dusk into the dusk--straight as a crow's flight. It was the +railroad. We made a cross-cut for it, tumbling over gopher holes, +plunging through sagebrush, scrambling over gullies that told the +incredible tale of torrents having been there once. I ate quantities of +alkali dust and went on believing in Goodale and beefsteak. Beefsteak +became one of the principal stations on the Great Northern Railroad, so +far as I was concerned personally. That is what you might call the +geography of a healthy stomach. + +With the falling of the sun the climate of the country had changed. It +was no longer blistering. You sat down for a moment and a shiver went up +your spine. At noon I thought about all the lime-kilns I had ever met. +Now I could hear the hickory nuts dropping in the crisp silence down in +the old Missouri woods. + +We struck the railroad and went faster. Since my first experience with +railroad ties, I have continued to associate them with hunger. I need +only look an ordinary railroad tie in the face to contract a wonderful +appetite. It works on the principle of a memory system. So, as we put +the ties behind us, I increased my order at that restaurant in the sweet +little pedestrian's village of Goodale. "A couple of eggs on the side, +waiter," I said half audibly to the petite woman in the white apron who +served the tables in the restaurant there. She was very real to me. I +could count the rings on her fingers; and when she smiled, I noted that +her teeth were very white--doubtless they got that way from eating +quantities and quantities of thick juicy beefsteak! + +The track took a sudden turn ahead. "Around that bend," I said aloud, +"lies Goodale." We went faster. We rounded the bend, only to see the +dusky, heartachy, barren stretch. + +"Railroads," explained I to myself, "have a way of going somewhere; it +is one of their peculiarities." No doubt this track had been laid for +the express purpose of guiding hungry folks to the hospitable little +village. We plunged on for an hour. Meanwhile my orders to the trim +little woman in the white apron increased steadily. She smiled broadly +but winsomely, showing those charming beefsteak-polished teeth. They +shone like a beacon ahead of me, for it was now dark. + +Suddenly we came upon a signboard. We went up to it, struck a match, and +read breathlessly--"GOODALE." + +We looked about us. Goodale was a switch and a box car. + + Nothing beside remains, + +I quoted, + + 'round the decay + Of that colossal wreck, boundless and bare, + The lone and level sands stretch far away. + +Alas for the trim little lady with the white teeth and the smile and the +beefsteak! + +We said bitter things there in that waste about the man with the +information. We loaded his memory with anathemas. One cannot eat a +signboard, even with so inviting a name upon it. An idea struck me--it +seemed a very brilliant one at the moment. I sat down and delivered +myself of it to my companions, who also had lusted after the flesh-pots. +"We have wronged that man with the information," said I. "He was no +ordinary individual; he was a prophet: he simply got his dates mixed. In +precisely one hundred years from now, there will be a town on this +spot--and a restaurant! Shall we wait?" + +They cursed me bitterly. I suspect neither of them is a philosopher. +Thereat I proceeded to eat a thick juicy steak from the T-bone portion +of an unborn steer, served by the trim little lady of a hundred years +hence, there in that potential village of Goodale. And as I smoked my +cigarette, I felt very thankful for all the beautiful things that do not +exist. + +And I slept that night in the great front bedroom, the ceiling of which +is of diamond and turquoise. + + + + +CHAPTER III + +HALF-WAY TO THE MOON + + +At last the sinuous yellow road dropped over the bluff rim and, to all +appearances, dissolved into the sky--a gray-blue, genius-colored sky. + +It was sundown, and this was the end of the trail for us. Beneath the +bluff rim lay Benton. We flung ourselves down in the bunch-grass that +whispered dryly in a cool wind fresh from the creeping night-shade. Now +that Benton lay beneath us, I was in no hurry to look upon it. + +_Fort Benton?_ What a clarion cry that name had been to me! Old men--too +old for voyages--had talked about this place; a long time ago, 'way down +on the Kansas City docks, I had heard them. How far away it was then! +Reach after reach, bend after bend, grunting, snoring, toiling, sparring +over bars, bucking the currents, dodging the snags, went the snub-nosed +steamers--brave little steamers!--forging on toward Fort Benton. And it +was so very, very far away--half-way to the moon no doubt! St. Louis was +indeed very far away. But Fort Benton!---- + +Well, they spoke of the Fort Benton traffic as "the mountain trade," and +I had not then seen a mountain. You could stand on the very tallest +building in Kansas City, and you could look and look and never see a +mountain. And to think how far the brave little steamers had to go! How +_did_ they ever manage to get back? + +But the old men on the docks--they had been there and all the way back, +perhaps hundreds of times. And they were such heroes! Great paw-like +hands they had, toughened with the gripping of cables; eyes that had +that way of looking through and far beyond things. (Seamen and plainsmen +have it.) And they had such romantic, crinkly, wrinkly, leathery faces. +They got so on the way to Benton and back. And they talked about +it--those old men lounging on the docks--because it was so far away and +they were so old that they couldn't get there any more. + +What a picture I made out of their kaleidoscopic chatter; beautifully +inaccurate, impossibly romantic picture, in which big muscley men had +fights with yawping painted savages that always got gloriously licked, +in the approved story-book manner! I could shut my eyes and see it all +very plainly, away off there half-way to the moon. And I used to wonder +how my father could be such a strong man and never have any hankering to +go up there at all! The two facts were quite incompatible. He should +have been a captain and taken me on for cub pilot, or at least a +"striker" engineer; though I wouldn't have objected seriously to the +business of a cabin boy. I thought it would be very nice to engage in +the mountain trade. + +And then, after a while, in the new light that creeps in with years, I +began to rearrange my picture of things up there; and Benton crept a wee +bit closer--until I could see its four adobe walls and its two adobe +bastions, stern with portholes, sitting like bulldogs at the opposite +corners ready to bark at intruders. And in and out at the big gate went +the trappers--sturdy, rough-necked, hirsute fellows in buckskins, with +Northwest fusils on their shoulders; lean-bodied, capable fellows, with +souls as lean as their bodies, survivors of long hard trails, men who +could go far and eat little and never give up. I was very fond of that +sort of man. + +Little by little the picture grew. Indian bull boats flocked at the +river front beneath the stern adobe walls; moored mackinaws swayed in +the current, waiting to be loaded with peltries and loosed for the long +drift back to the States; and the keel-boats, looking very fat and lazy, +unloaded supplies in the late fall that were loaded at St. Louis in the +early spring. And these had come all the way without the stroke of a +piston or the crunch of a paddle-wheel or a pound of steam. Nothing but +grit and man-muscle to drag them a small matter of two or three thousand +miles up the current of the most eccentric old duffer of a river in the +world! + +What men it did take to do that! I saw them on the wild shelterless +banks of the yellow flood--a score or so of them--stripped and sweating +under the prairie sun, with the cordelle on their calloused shoulders, +straightening out to the work like honest oxen. What _males_ those +cordelle men were--what _stayers_! Fed on wild, red meat, lean and round +of waist, thick of chest, thewed for going on to the finish. Ten or +fifteen miles a day and every inch a fight! Be sure they didn't do it +merely for the two or three hundred dollars a year they got from the +Company. They did it because they were that sort of men, and had to +express themselves. Everything worth while is done that way. + +Do they raise that breed now? Never doubt it! You need only find your +keel-boats or their equivalents, and the men will come around for the +job, I'm sure. But when you speak enthusiastically of the old Greek +doers of things, I'd like to put in a few words for those old up-river +men. They belong to the unwritten American epic. + +And then the keel-boats and the bull-boats and the mackinaws and the +up-river men flashed out--like a stereopticon picture when the man moves +the slide; and I saw a little ragged village of log houses scattered +along the water front. I saw the levees piled with merchandise, and a +score or more of packets rushing fresh cargoes ashore--mates bawling +commands down the gangplanks where the roustabouts came and went at a +trot. Gold-mad hundreds thronged the wagon-rutted streets of this raw +little village, the commercial center of a vast new empire. Six-horse +freighters trundled away toward the gold fields; and others trundled in, +their horses jaded with the precious freight they pulled. And I saw +steamers dropping out for the long voyage back to the States, freighted +with cargoes of gold dust--really truly story-book treasure-ships that +would have made old Captain Kidd's men mad with delight. + +As I lay dreaming in the bunch-grass, it all grew up so real that I had +to get up and take my first look, half expecting to find it all there +just as in the old days. + +We stood at the rim of the bluff and looked down into a cup-like valley +upon a quiet little village, winking with scattered lights in the +gloaming. Past it swept the river--glazed with the twilight and +silver-splotted with early stars. + +This was Benton--it could have been almost any other town as well. And +yet, once upon a time, it had filled my day-dreams with wonders--this +place that seemed half-way to the moon. + +The shrill shriek of a Great Northern locomotive, trundling freight cars +through the gloom, gave the death-stroke to the old boy-dream. It was +the cry of modernity. This boisterous, bustling, smoke-breathing thing, +plunging through the night with flame in its throat, had made the +change, dragged old Benton out of the far-off lunar regions and set +what is left of it right down in the back yard of the world. Even a very +little boy could get there now. + +"And yet," thought I, as we set out rapidly for the village in the +valley, "the difference between the poetry of mackinaws and Great +Northern locomotives is merely a matter of perspective. If those old +cordelle men could only come back for a while from their Walhalla, how +they would crowd about that wind-splitting, fire-eating, iron beast, +panting from its long run, and catching its breath for another plunge +into the waste places and the night! And I? I would be gazing +wide-mouthed at the cordelle men. It's only the human curiosity about +the other side of the moon. How perfect the nights would be if we could +only see that lost Pleiad!" + +Ankle-deep in the powdery sand, we entered the little town with its +business row facing the water front. One glance at the empty levees told +you of the town's dead glory. Not a steamboat's stacks, blackening in +the gloom, broke the peaceful glitter of the river under the stars. But +along the sidewalk where the electric-lighted bar-rooms buzzed and +hummed, brawny cow-men, booted and spurred, lounged about, talking in +that odd but not unpleasant Western English that could almost be called +a dialect. + +But it was not the Benton of the cow-men that I felt about me. It was +still for me the Benton of the fur trade and the steamboats and the gold +rush--my boyhood's Benton half-way to the moon--the ghost of a dead +town. + +At Goodale I had sought a substantial town and found a visionary one. At +Benton I had sought a visionary town and found a substantial one. +Philosophy was plainly indicated as the proper thing. And, after all, a +steaming plate of lamp chops in a Chinese chuck-house of a substantial +though disappointing town, is more acceptable to even a dreamer than the +visionary beefsteak I ate out there in that latent restaurant of a +potential village. + +This was a comfortable thought; and for a quarter of an hour, the far +weird cry of things that are no more, was of no avail. The rapid music +of knife and fork drowned out the asthmatic snoring of the ghostly +packets that buck the stream no more. How grub does win against +sentiment! + +Swallowing the last of the chops, "Where will I find the ruins of the +old fort?" I asked of my bronze-faced neighbor across the wreck of +supper. He looked bored and stiffened a horny practical thumb in the +general direction of the ruins. "Over there," he said laconically. + +I caught myself wondering if a modern Athenian would thus carelessly +direct you to the Acropolis. Is the comparison faulty? Surely a ruin is +sacred only for what men did there. We are indeed a headlong race. We +keep our ruins behind us. Perhaps that is why we get somewhere. And yet, +what beauty blooms flowerlike to the backward gaze! Music and +poetry--all the deepest, purest sentiments of the heart--are fed greatly +upon the memory of the things that were but can never be again. +Mnemosyne is the mother of all the Muses. + +I got up and went out. By the light of a thin moon, I found the place +"over there." An odd, pathetic little ruin it is, to be sure. Nothing +imposing about it. It doesn't compel through admiration: it woos through +pity--the great, impersonal kind of pity. + + "A single little turret that remains + On the plains"-- + +Browning tells about all there is to tell about it, though he never +heard of it; only they called it a "bastion" in the old days--the +little square adobe blockhouse that won't stand much longer. One +crumbling bastion and two gaunt fragments of adobe walls in a waste of +sand beside the river--that's Fort Benton. + +A thin pale grudging strip of moon lit it up: just the moon by which to +see ruins--a moon for backward looking and regrets. A full round +love-moon wouldn't have served at all. + +Out of pure moon-haze I restored the walls of the house where the +bourgeois lived. The fireplace and the great mud chimney are still +there, and the smut of the old log fires still clings inside. The man +who sat before that hearth was an American king. A simple word of +command spoken in that room was the thunder of the law in the wilderness +about, and men obeyed. There's a bat living there now. He tumbled about +me in the dull light, filling the silence with the harsh whir of +pinions. + +I thought about that night a long, long time ago when all the people +under the protection of the newly erected fort, gathered here for a +house-warming. How clearly I could hear that squawking, squeaking, +good-natured fiddle and the din of dancing feet! Only the sound got +mixed up with the dim, weird moonlight, until you didn't know whether +you were hearing or seeing or feeling it--the music of the fiddles and +the feet. Oh, the dim far music! + +I thought about the other ruins of the world, the exploited, +tourist-haunted ruins; and I wondered why the others attract so much +attention while this one attracts practically none at all. How they do +dig after old Troy--poor old long-buried, much-abused Troy! And nobody +even cares to steal a brick from this ruined citadel that took so great +a part in the American epic. Indeed, you would not be obliged to steal a +brick; there are no guards. + +Some one has said that the history of our country as taught in the +common schools is the history of a narrow strip of land along the +Atlantic coast. The statement is significant. The average school-teacher +knows very little about Fort Benton, I suspect. + +And yet, one of the most tremendous of all human movements centered +about it--the movement that brought about the settlement of the +Northwest. One of these days they will plant a potato patch there! + +But modern Benton? + +Get on a train in the East, snuggle up in your berth, plunge on to the +Western coast, and you run through the real West in the night. They are +getting Eastern out there at the rim of the big sea. Benton is in the +West--the big, free, heart-winning West; and it gives promise of staying +there for a while yet. + +Charter a bronco and canter out across the river for an hour, and it +will be very plain to you that the romantic West still lives--the West +of the cowboy and the bronco and the steer. Not the average story-book +West, to be sure. Perhaps that West never existed. But it is the West +that has bred and is still breeding a race of men as beautiful in a +virile way (and how else should men be beautiful?) as this dear old +mother of an Earth ever suckled. + +I stood once on the yellow slope of a hill and watched a round-up outfit +passing in the gulch below. Four-horse freighters grumbling up the dusty +trail; cook wagons trundling after; whips popping over the sweating +teams; a hundred or more saddle ponies trailing after in rolling clouds +of glinting dust; a score of bronze-faced, hard-fisted outriders, +mounted on gaunt, tough, wise little horses--such strong, outdoor, +masterful Americans, truly beautiful in a big manly way! + +The sight of it all put that glorious little achy feeling in my throat +that you get when they start the fife and drum, or when a cavalry column +wheels at the word of command, or when a regiment swings past with even +tread, or when you stand on a dock and watch a liner dropping out into +the fog. It's the feeling that you're a man and mighty proud of it. But +somehow it always makes you just a little sad. + +I felt proud of that bunch of strong capable fellows--proud as though I +had created them myself. + +[Illustration: "THIS WAS BENTON."] + +[Illustration: RUINS OF OLD FORT BENTON.] + +[Illustration: THE HOUSE OF THE BOURGEOIS.] + +And once again the glorious little achy feeling in the throat came. The +Congressman from Choteau County had returned from Washington with fresh +laurels; and Benton turned out to welcome her Great Man. Down the dusty, +poorly lighted, front street came the little band--a shirt-sleeved +squad. Halting under the dingy glow of a corner street-lamp, they struck +up the best-intentioned, noisiest noise I ever heard. The tuba raced +lumberingly after the galloping cornet, that ran neck-and-neck with the +wheezing clarinet; and the drums beat up behind, pounding like the hoofs +of stiff-kneed horses half a stretch behind. + +It was a mad, exciting race of sounds--a sort of handicap. The circular +glow of the street-lamp became the social center of Benton. At last the +mad race was ended. I think it was the cornet that won, with the +clarinet a close second. The tuba, as I recollect it, complacently +claimed third money, and the bass-drum finished last with a shameless, +resolute boom! + +A great hoarse cry went up--probably for the winning cornet; a +big-lunged, generous, warrior cry that made you think of a cavalry +charge in the face of bayonets. And the shirt-sleeved band swung off +down the street in the direction of the little cottage where the Great +Man lived. All Benton fell in behind--clerks and bar-keeps and sheepmen +and cowboys tumbling into fours. Under the yellow flare of the kerosene +torches they went down the street like a campaigning company in rout +step, scattering din and dust. + +Great, deep-chested, happy-looking, open air fellows, they were; big +lovers, big haters, good laughers, eaters, drinkers--and every one of +them potentially a fighting man. + +And suddenly, as I watched them pass, something deep down in me cried +out: "Great God! What a fighting force we can drum up out of the cactus +and the sagebrush when the time comes!" And when I looked again, not one +of the sun-bronzed faces was strange to me, but every one was the face +of a brother. Choteau's Congressman was my Congressman! Benton's Great +Man was my Great Man! I fell into line alongside a big bronco-buster +with his high-heeled boots and his clanking spurs and his bandy-legged, +firm-footed horseman's stride. Thirty yards farther on we were old +comrades. That is the Western way. + +Once again the little band struck up a march, which was very little more +than a rhythmic snarling and booming of the drums, with now and then the +shrill savage cry of the clarinet stabbing the general dim. Irresistibly +the whole line swung into step. + +What is it about the rhythmic stride of many men down a dusty road that +grips you by the throat and makes your lungs feel like overcharged +balloons? I felt something like the maddening, irritating tang of +powder-smoke in my throat. Trumpet cries that I had never heard, yet +somehow dimly remembered, wakened in the night about us--far and faint, +but haughty with command. It took very little imagination for me to +feel the whirlwind of battles I may never know, to hear the harsh +metallic snarl of high-power bullets I may never face. For, marching +there in the dusty, torch-painted night, with that ragged procession of +Westerners, a deep sense of the essential comradeship of free men had +come upon me; and I could think of these men in no other way than as +potential fighting men--the stern hard stuff with which you build and +keep your empires. What a row Napoleon could have kicked up with half a +million of these sagebrush boys to fling foeward under his +cannon-clouds! + +We reached the cottage of the Great Man with the fresh laurels. He met +us at the gate. He called us Jim and Bill and Frank and Kid something or +other. We called him Charlie. And he wasn't the least bit stiff or +proud, though we hadn't the least doubt that half of Washington was in +tears at his departure for the West. + +The sudden flare of a torch betrayed his moist eyes as he told us how he +loved us. And I'm sure he meant it. He said, with that Western drawl of +his: "Boys, while I was back there trying to do a little something for +you in Congress, I heard a lot of swell bands; but I didn't hear any +such music as this little old band of ours has made to-night!" The +unintentional humor somehow didn't make you want to laugh at all. + +We're all riding with his outfit; and next year we're going to send +Charlie back East again. May we all die sheepmen if we don't--and that's +the limit in Montana! + +Talking about sheepmen, reminds me of Joe, the big bronco-buster, and +his _mot_. I was doing the town with Joe, and he was carefully educating +me in the Western mysteries. He told me all about "day-wranglers" and +"night-hawks" and "war-bags" and "round-ups"; showed me how to tie a +"bull-noose" and a "sheep-shank" and a "Mexican hacamore"; put me onto +the twist-of-the-wrist and the quick arm-thrust that puts half-hitches +'round a steer's legs; showed me how a cowboy makes dance music with a +broom and a mouth-harp--and many other wonderful feats, none of which I +can myself perform. + +I wanted to feel the mettle of the big typical fellow, and so I said +playfully: "Say, Joe, come to confession--you're a sheepman, now aren't +you?" + +He clanked down a glass of long-range liquid, and glared down at me with +a monitory forefinger pointing straight between my eyes: "Now you look +here, Shorty," he drawled; "you're a friend of mine, and whatever you +say _goes_, as long as I ain't all caved in! But you cut that out, and +don't you say that out loud again, or you and me'll be having to scrap +the whole outfit!" + +He resumed his glass. I told him, still playfully, that a lot of mighty +good poetry had been written about sheep and sheepmen and crooks and +lambs and things like that, and that I considered my question +complimentary. + +"You're talkin' about sheepmen in the old country, Shorty," he drawled. +"There ain't any cattle ranges there, you know. Do you know the +difference between a sheepman in Scotland, say, and in Montana?" + +I did not. + +"Well," he proceeded, "over in Scotland when a feller sees a sheepman +coming down the road with his sheep, he says: 'Behold the gentle +shepherd with his fleecy flock!' That's poetry. Now in Montana, that +same feller says, when he sees the same feller coming over a ridge with +the same sheep: '_Look at that crazy blankety-blank with his woolies!_' +That's fact. You mind what I say, or you'll get spurred." + +I don't quite agree with Joe, however. Once, lying in my tent across +the river, I looked out over the breaks through that strange purple +moonlight, such as I had always believed to exist only in the staging of +a melodrama, and saw four thousand sheep descending to the ferry. + +Like lava from a crater they poured over the slope above me; and above +them, seeming prodigiously big against the weird sky, went the sheepman +with his staff in his hand and a war-bag over his arm, while at his +heels a wise collie followed. It was a picture done by chance very much +as Millet could have done it. And somehow Joe's _mot_ couldn't stand +before that picture. + +There is indeed a big Pindaric sort of poetry about a plunging mass of +cattle. And just as truly there is a sort of Theocritus poetry about +sheep. Only in the latter case, the poetical vanishing point is farther +away for me than is the case with cattle. I think I couldn't write very +good verses about a flock of sheep, unless I were at least five hundred +yards away from them. I haven't figured the exact distance as yet. But +when you have a large flock of sheep camping about you all night, making +you eat fine sand and driving you mad with that most idiotic of all +noises (which happened once to me), you don't get up in the morning +quoting Theocritus. You remember Joe's _mot_! + + * * * * * + +We found a convenient gravel bar on the farther side of the river, where +we established our navy-yard. There we proceeded to set up the keel of +the _Atom I_--a twenty-foot canoe with forty-inch beam, lightly ribbed +with oak and planked with quarter-inch cypress. + +No sooner had we screwed up the bolts in the keel, than our ship-yard +became a sort of free information bureau. Every evening the cable ferry +brought over a contingent of well-wishers, who were ardent in their +desire to encourage us in our undertaking, which was no less than that +of making a toboggan slide down the roof of the continent. + +The salient weakness of the _genus homo_, it has always seemed to me, is +an overwhelming desire to give advice. Through several weeks of toil, we +were treated to a most liberal education on marine matters. It appeared +that we had been laboring under a fatal misunderstanding regarding the +general subject of navigation. Our style of boat was indeed +admirable--for a lake, if you please, _but_--well, of course, they did +not wish to discourage us. It was quite possible that we were +unacquainted with the Upper Missouri. Now the Upper River (hanging out +that bleached rag of a sympathetic smile), the Upper River was _not_ the +Lower River, you know. (That really _did_ seem remarkably true, and we +became alarmed.) The Upper River, mind you, was terriffic. Why, those +frail ribs and that impossible planking would go to pieces on the first +rock--like an egshell! Of course, we were free to do as we pleased--they +would not discourage us for the world. And the engine! Gracious! Such a +boat would never stand the vibration of a four-horse, high-speed engine +driving a fourteen-inch screw! It appeared plainly that we were almost +criminally wrong in all our calculations. Shamefacedly we continued to +drive nails into the impossible hull, knowing full well--poor misguided +heroes--that we were only fashioning a death trap! There could be no +doubt about it. The free information bureau was unanimous. It was all +very pathetic. Nothing but the tonic of an habitual morning swim in the +clear cold river kept us game in the face of the inevitable! + +We saw it all. With a sort of forlorn cannon-torn-cavalry-column hope we +pushed on with the fatal work. Never before did I appreciate old Job in +the clutches of good advice. I used to accuse him of rabbit blood. In +the light of experience, I wish to record the fact that I beg his +pardon. He was in the house of his friends. I think Job and I understand +each other better now. It was not the boils, but the free advice! + +At last the final nail was driven and clenched, the canvas glued on and +ironed, the engine installed. The trim, slim little craft with her +admirable speed lines, tapering fore and aft like a fish, lay on the +ways ready for the plunge. + +We had arranged to christen her with beer. The Kid stood at the prow +with the bottle poised, awaiting his cue. The little Cornishman knelt at +the prow. He was _not_ bowed in prayer. He was holding a bucket under +the soon-to-be-broken bottle. "For," said he, "in a country where beer +is so dear and advice so cheap, let us save the beer that we may be +strong to stand the advice!" + +The argument was inded Socratic. + +"And now, little boat," said I, in that dark brown tone of voice of +which I am particularly proud, "be a good girl! Deliver me not unto the +laughter of my good advisers. I christen thee _Atom_!" + +The bottle broke--directly above that bucket. + +And now before us lay the impossible as plainly pointed out, not only by +local talent, but by no less a man that the august captain of a +government snag-boat. Several weeks before the launching, an event had +taken place at Benton. The first steamboat for sixteen years tied up +there one evening. She was a government snag-boat. Now a government +snag-boat may be defined as a boat maintained by the government for the +sole purpose of sailing the river _and dodging snags_. This particular +snag-boat, I learned afterward in the course of a long cruise behind +her, holds the snag-boat record. I consider her pilot a truly remarkable +man. He seemed to have dodged them all. + +All Benton turned out to view the big red and white government steamer. +There was something almost pathetic about the public demonstration when +you thought of the good old steamboat days. During her one day's visit +to the town, I met the captain. + +[Illustration: A ROUND-UP OUTFIT ON THE MARCH.] + +[Illustration: JOE.] + +[Illustration: MONTANA SHEEP.] + +[Illustration: A MONTANA WOOL-FREIGHTER.] + +He was very stiff and proud. He awed me. I stood before him fumbling my +hat. Said I to myself: "The personage before me is more than a snag-boat +captain. This is none other than the gentleman who invented the Missouri +River. No doubt even now he carries the patent in his pocket!" + +"Going down river in a power canoe, eh?" he growled, regarding me +critically. "Well, you'll never get down!" + +"That so?" croaked I, endeavoring to swallow my Adam's apple. + +"No, you won't!" + +"Why?" ventured I timidly, almost pleadingly; "isn't there--uh--isn't +there--uh--_water enough_?" + +"Water enough--yes!" growled the personage who invented the longest +river in the world and therefore knew what he was talking about. "Plenty +of water--_but you won't find it_!" + +Now as the _Atom_ slid into the stream, I thought of the captain's +words. Since that time the river had fallen three feet. We drew eighteen +inches. + +Sixty-five days after that oraculous utterance of the captain, the Kid +and I, half stripped, sun-burned, sweating at the oars, were forging +slowly against a head wind at the mouth of the Cheyenne, sixteen hundred +miles below the head of navigation. A big white and red steamer was +creeping up stream over the shallow crossing of the Cheyenne's bar, +sounding every foot of the water fallen far below the usual summer +level. + +It was the snag-boat. Crossing her bows and drifting past her slowly, I +stood up and shouted to the party in the pilot house: + +"I want to speak to the captain." + +He came out on the hurricane deck--the man who invented the river. He +was still stiff and proud, but a swift smile crossed his face as he +looked down upon us, half-naked and sun-blackened there in our dinky +little craft. + +"Captain," I cried, and perhaps there was the least vainglory in me; "I +talked to you at Benton." + +"Yes, sir." + +"Well, _I have found that water!_" + + + + +CHAPTER IV + +MAKING A GETAWAY + + +Tell a Teuton that he can't, and very likely he will show you that he +can. It's in the blood. Between the prophecy of the snag-boat captain +and my vainglorious answer at the Cheyenne crossing, I learned to +respect the words of the man who invented the eccentric old river. In +the face of heavy head winds, I quoted the words, "You'll never get +down"--and they bit deep like whip lashes. On many a sand-bar and gravel +reef, with the channel far away, I heard the words, "Plenty of water, +yes, but you won't find it!" And always something stronger than my +muscles cried out within me: "The devil I won't, O, you inventor of +rain-water creeks!" Hour by hour, day by day, against almost continual +head winds and with the lowest water in years, that discouraging +prophecy invaded me and was repulsed. And that is why we have pessimists +in the world. A pessimist is merely a counter-irritant. + +I stood on the bank for some time after the _Atom I_ slid into the +water, admiring her truly beautiful lines. Once I was captain of a trunk +lid that sailed a frog-pond down in Kansas City; and at that time I +thought I knew the meaning of pride. I did not. All three of us were a +bit puffed up over that boat. Something of that ride that goes before a +fall awoke in my captain's breast as I loved her with my eyes--that +trim, slim speed-thing, tugging at her forward line, graceful and +slender and strong and fleet as a Diana. + +I said at last: "I will now get in her, drop down to the town landing, +and proceed to put to shame a few of these local motor-tubs that make so +much fuss and don't go anywhere!" + +I loved her as a man should love all things that are swift and strong +and honest, keen for marks and goals--a big, clean-limbed, thoroughbred +horse that will break his heart to get under the wire first; a +high-power rifle, slim of muzzle, thick of breech, with its wicked +little throaty cry, doing its business over a flat trajectory a thousand +yards away: I love her as a man should love those. Little did I dream +that she would betray me. + +I took in the line and went aboard. At that moment I almost understood +the snag-boat captain's bearing. To be master of the _Atom I_ seemed +quite enough; but to be the really truly captain of a big red and white +snag-boat--it must have been overwhelming! + +I dropped out into the current that, fresh from its plunge of four +hundred feet in sixteen miles, ran briskly. Everything was in readiness. +I meant to put a crimp in the vanity of that free-information bureau. + +I turned on the switch, opened the needle valve, swung the throttle over +to the notch numbered with a big "2." I placed the crank on the wheel +and gave it a vigorous turn. + +"Poof!" said the engine sweetly, and the kind word encouraged me +immensely. Again I cranked. + +"Poof! Poof!" + +It seemed that I had somehow misunderstood the former communication, and +it was therefore repeated with emphasis. Like a model father who walks +the floor with the weeping child, tenderly seeking the offending pin, I +looked over the engine. "What have I neglected?" said I. I intended to +be quite logical and fair in the matter. + +I once presided over a country newspaper that ran its presses with a +gasoline engine with a most decided artistic temperament. That engine +used to have a way of communing silently with its own soul right in the +middle of press day. I remembered this with forebodings. I remembered +how firm but kind I was obliged to be with that old engine. I remembered +how it always put its hands in its pockets and took an extended vacation +every time I swore at it. I decided to be nothing but a perfect +gentleman with this engine. I even endeavored to be a jovial good +fellow. + +"What is it, Little One?" said I mentally; "does its little carburetor +hurt it? Or did the bad man strangle it with that horrid old gasoline?" + +I tenderly jiggled its air valve, fiddled gently with its spark-control +lever. I cranked it again. It barked at me like a dog! I had been kind +to it, and it barked right in my face. I wanted to slap it. I lifted my +eyes and saw that the rapid current would soon carry me past the town +landing. I seized a paddle and shoved her in. Of course, a member of the +free-information bureau was at the landing. He had with him a bland +smile and a choice bit of information. + +"Having trouble with your engine, aren't you?" he said as I leaped +ashore with the line. "There must be something wrong with it!" The +remark was indeed illuminating. It struck me with the force of an +inspiration. It seemed so true. + +"Strange that I hadn't thought of that!" I remarked. "That really must +be the trouble--there's something wrong with it. Thanks!" + +I tied the boat and went up-town, hoping to sidetrack the benevolent +member of that ubiquitous bureau. When I returned, I found half a dozen +other benevolent members at the landing. They were holding a +consultation, evidently; and the very air felt gummy with latent advice. + +"What's the matter with your engine?" they chorused. + +"Why, there's something wrong with it!" I explained cheerfully, as I +went aboard again. I began to crank, praying steadily for a miracle. Now +and then I managed to coax forth a gaseous chortle or two. The +convention on the landing understood every chortle in a truly marvellous +way. + +"It's the spark-plug, that's sure!" announced one with an air of +finality. "When an engine has run for a while (!) the spark-plug gets +all smutted up. Have you cleaned your spark-plug?" + +"No, Jim!" contradicted another, "it's all in the oil feed! Look how she +puffs! W'y it's in the oil feed--plain as day! Now if you'll take off +that carburetor and----" + +I cranked on heroically. + +"It's in the timer," voluntered another. "You see that little brass +lever back there? Well, you take and remove that and you'll find +that----" + +I cranked on shamelessly. + +"The batteries ain't no good!" growled a man with a big voice that +reminded me of a bass-drum booming up among the wind instruments in a +medley. Like the barber who owned the white owl, I stuck to my business. +I cranked on. + +"It ain't _in_ them batteries--them batteries is all right!" piped a +weazened little man who had been grinning wisely at the lack of +mechanical ability so shamelessly exposed by his fellows. + +"Now in a jump-spark engine," he explained leisurely, with a knowing +squint of his eyes and an uplifted explanatory forefinger: "in a +jump-spark engine, gentlemen, there is a number of things to consider. +Now if you'll take and remove that cylinder-head, pull out the piston, +and----" + +The voice of the expounder was suddenly drowned out by the earsplitting +rapid-fire of the exhaust! The miracle had happened! Hooray! + +I grasped the steering cords and jammed her rudder hard to port. Her +fourteen-inch screw, suddenly started at full speed ahead, made the +light, slim craft leap like a spike-spurred horse. + +But the turn was too short. She thrust her sharp haughty nose into the +air like an offended lady, and started up the bank after that +information bureau. If a tree had been convenient, I think she would +have climbed it. + +I shut her down. + +"_She went that time!_" chorused the information bureau. Coming from an +information bureau, the statement was marvellously correct. But I had +suddenly become too glad-hearted for a sharp retort. + +"If you will please throw me the line, and push me off," I said +confidently, "I'll drop out into the current." + +I dropped out. + +"Now for putting a crimp in some people's vanity!" I exulted. + +I cranked. Nothing doing! I cranked some more. No news from the crimping +department. I continued to crank; also, I continued to drift. Somehow +the current seemed to have increased alarmingly in speed. + +I thought I heard a sound of merriment. I looked up. The little weazened +man was gesticulating wildly with that forefinger of his. He was +explaining something. The information bureau, steadily dwindling into +the distance, was not listening. It seemed to be enjoying itself +immensely. + +I swallowed a half-spoken word that tasted bitter as it went down. Then +I cranked again. There seemed to be nothing else to do. It was a hot +day; hot sweat blinded me, and trickled off the tip of my nose. My hands +began to develop blisters. Finally, a deep disgust seized me. I once saw +a tender-hearted lady on her knees in the dust before a balky auto. I +remembered her half-sobbed words: "_You mean thing, you! What is the +matter with you, anyway! Oh, you mean, mean thing!_" + +I sat down in front of that engine and abandoned myself to a great +feeling of tenderness and chivalry for that unfortunate lady. In that +moment I believe I would have fought a bear for her! Oh that all the +gasoline engines in the world could be concentrated somehow into one +big woolly, scary black bear, how I could have set my teeth in its neck +and died chewing! + +I heard a roaring of waters that broke my vision of bear fights and +gentle ladies in distress. A hundred yards ahead of me I saw rapids. The +words of the information bureau came back to me with terrible +distinctness: "Why, her light timbers will go to pieces on the first +rock!" + +Although I am no hero, I didn't get frightened. I got sore. "Go ahead, +and smash yourself up, if you like!" I cried to the balky craft. And +then I waited to see her do it. She swung 'round sharply with the first +suck of the rapids, struck a rock, side-stepped, struck another, and +went on down, grinding and dragging on a stony reef. + +It suddenly came to me that this was what they called the Grocondunez +Rapids. I remembered that they said the name meant "the big bridge of +the nose." The name had a powerful fascination for me--I wanted to hit +something good and hard somewhere in that region! + +Finally she swung clear of the reef, caught the swirl of the main +current, and started for New Orleans with the bit in her teeth. I wasn't +ready to arrive in New Orleans at once; I had made other arrangements. +So I grasped a paddle and drove her into shallow water. I leaped out, +waist-deep in the cold stream, and threw my weight against her. +Pantingly, I wondered what was the exact distance to the nearest axe. I +resolved to crank her once more, and then for the axe hunt! + +I leaned over the gunwale and began to grind. For the life of me, I +don't know just what I did to her; but it seemed that she had taken some +offence. Without the least warning, she leaped forward at three-quarter +speed, and started up stream with that haughty head of her thrust +skyward! + +I clung desperately to her gunwale, and she dragged me insultingly in +the drink! She made a soppy rag of me! I managed to scramble +aboard--something after the fashion of a bronco-buster who mounts at a +gallop. + +But the way she _traveled_! I forgot the ducking and forgave her with +all my heart. I held her nose well out into the channel where the +current ran with swells, though no wind blew. + +[Illustration: THE "ATOM I" UNDER CONSTRUCTION.] + +[Illustration: THE CABLE FERRY TOWED US OUT.] + +[Illustration: LAID UP WITH A BROKEN RUDDER.] + +Bucking the rapids, she split the fast water over her nose and sent it +aft in two clean-cut masses, that hissed about her like angry skirts. A +light, V-shaped wake spread after, scarcely agitating the surface. She +dragged no water. There was no churning at her stern. Only the dull, +sub-aqueous drone, felt rather than heard beneath the rapid banging of +her exhaust, told me how the honest little screw thrust hard. + +I pushed the spark-lever close to the reversing point, and opened her +throttle wide. This acted like a bottle-fly on the flank of a spirited +mare. She shook herself, quivering through all her light, pliable +construction, lifted her prow another inch or two, and flung the rapids +behind her. + +Slim, fleet, clean-heeled, and hungry for distance, she raced toward the +Benton landing two miles up. + +In my anxiety to show her to the benevolent ones, I left the current and +took a crosscut over a rocky ford. Pebbles flung from her pounding heels +showered down upon me. I climbed forward and let her hammer away. She +cleared the gravel bar, and as she plunged past the now silent +information bureau on the landing, condescendingly I waved a hand at +them and went on splitting water. + +We shot under the bridge, forged into the crossing current, passed the +big brick hotel, where a considerable number came out to salute us. +They dubbed her the fastest boat that had ever climbed that current, I +learned afterward. Alas! I was getting my triumph early and in one big +chunk! I figure that that one huge breakfast of triumph, if properly +distributed, would have fed me through the whole two thousand miles of +back-strain and muscle-cramp. And yet, through all the days of +snail-paced toil that followed, I remained truly thankful for that early +breakfast. + +The Kid and the Cornishman, busy in camp with the packing for the +voyage, had shared in the gloom of my temporary defeat. But now, as I +plunged past them, I could see them leaping into the air and cracking +their heels together with delight. They had wet every plank of her with +their sweat, and they were as proud as I. In the light of the following +days, their delight dwindled into a pathetic thing. + +I held her on her course up-stream, reached the bend a mile above, swung +round and--discovered that she had only then begun to lift her heels! +With the rapid current to aid, her speed was truly wonderful. She could +have kept pace with any respectable freight train at least. + +I indulged in a little feverish mental calculation. She could make, with +the minimum current, eighteen miles per hour. Every day meant fifteen +hours of light. Sioux City was two thousand miles away. We could reach +Sioux City easily in ten days of actual running! + +While I was covering that fast mile back to camp I saw the _Atom I_ +passing Sioux City with an air of high-nosed contempt. I developed a +sort of unreasoning hunger for New Orleans--a kind of violent thirst for +the Gulf of Mexico! Nothing short of these, it seemed to me, could be +worthy of so fleet a craft. When I shoved her nose into the landing, I +found that my companions thoroughly agreed with me. + +All that night in my restless sleep I drove speed boats at a terrific +pace through impossible channels and rock-toothed Scyllas; and the +little Cornishman fought angry seas and heard a dream-wind shrieking in +the cordage, and felt the salt spume on his face. "I wonder why I am +always dreaming that," he said. "Atavism," I ventured; and he regarded +me narrowly, as though I might be maligning his character in some way. + +At dawn we had already eaten and were loading the _Atom_ for the voyage. +With her cargo she drew eighteen inches of water. At full speed, she +would squat four inches. It was the first of August and the water, +which had reached in the spring its highest point for twenty years, had +been falling rapidly, and now promised to go far below the average +low-water mark. We had ahead of us a long voyage, every mile of which +was strange water. + +Once again I went over that feverish calculation. This time I was more +generous. I decided upon fifteen days. The cable ferry towed us out +beyond the gravel bars that, during the last week, had been slowly +lifting their bleached masses higher. In mid-stream we cut loose. + +At the first turn the engine started. We were going at a good half-speed +clip, when suddenly the engine changed its mind. "Squash!" it said +wearily. Then it let off a gasoline sigh and went into a peaceful sleep. +We had reached the brick hotel. We pulled in with the paddles and tied +up. The information bureau was there, and at once went into +consultation. + +"I'm looking for an engine doctor," I said. "How about Mr. Blank? They +tell me he knows the unknowable." + +"Best man with an engine in town," sad one. + +"For gracious' sake, keep that man away from your engine if you don't +want it ruined!" said others. A man who can arouse a diversity of +opinions is at least a man of originality. I went after that man. + +He came--with an air of mystery and a monkey wrench. He sat down in +front of the patient (how that word _does_ fit!) and after some time he +said: "_Hm!_" + +He unscrewed this--and whistled awhile; he unscrewed that--and whistled +some more. Then he screwed up both this and that and cranked her. + +"Phew-oo-oo-oo!" said the engine. Whereat the doctor smiled knowingly. +It was plain that she was an open book to him. + +"What is the trouble?" said I, with that tone of voice you use in a +sick-room. + +It appeared to be appendicitis. + +"Spark-plug," muttered the doctor. + +"Shall I get another?" I asked, half apologetically. + +"Better," grunted the doctor. + +I chased down an automobile owner, and a launch owner and a man who had +a small pumping-engine. I was eloquent in my appeal for spark-plugs. I +made a very fine collection of them[1] and hastened back to the doctor. +He didn't seem to appreciate my efforts. He had the patient on the +operating table. Everything was either unscrewed or pulled out. He was +carefully scrutinizing the wreck--for more things to screw out! + +"Locate the trouble?" I ventured. + +"Buzzer's out of whack," replied the Man of Awe. "Have to get another +spark-coil!" In times of sickness even the sternest man submits to +medical tyranny. I ran down a man who once owned a power boat, and he +had a spark coil. He finally agreed to forgo the pleasure of possessing +it for a suitable reward. Considering the size of that reward, he had +undoubtedly become greatly attached to his spark-coil! + +I returned in triumph to the doctor. He was now screwing up all that he +had previously unscrewed. + +"Think she'll go now?" I pleaded. + +He screwed up several dozen things, and whistled a while. Then the +oracle gave voice: "'Fraid the batteries won't do; they're awful weak!" + +With a bitter heart, I turned on my heel and went forth once more. +Electrical supplies were not on sale at any of the stores. But I found a +number of gentlemen who were evidently connoisseurs in the battery +business. They had batteries of which they were extremely fond. They +parted with some of superior quality upon the consideration of a +friendly regard for me--and a slight emolument on my part. I was +evidently very popular. + +At a breathless speed I returned to--_not_ to the doctor. He had +vanished. Rumor had it that he had gone home to lunch, for the sun was +now high. So far as I know, he is still at lunch. + +Several things were yet unscrewed. I fell to work. Wherever anything +seemed to make a snug fit, I screwed it in. Other remaining things I +drove into convenient holes. All the while I begged blind fate to guide +me. Then I connected the batteries, supplied the new spark-coil, +selected a new spark-plug at random, and screwed it in. + +Having done various things, I carefully surveyed my environs for a lady. +There were no ladies present, so I spoke out freely. "And now," said I, +having exhausted my vocabulary, "I shall crank!" + +Bill and the Kid sat on a pile of rocks looking very sullen. For some +reason or other they seemed to doubt that engine. I don't know how long +I cranked. I know only that the impossible happened. The boat started +for the hotel piazza! + +I didn't shut her down this time. I leaped out and took her by the nose. +Putting our shoulders against the power of the screw, we walked her out +into the current, headed her down stream, and scrambled in, wet to the +ears. + +My logbook speaks for that day as follows: "Left Benton at 2:30 +P.M. Gypsied along under half gasoline for several hours, +safely crossing the Shonkin and Grocondunez bars. Struck a rock in +Fontenelle Rapids at 4:30, taking off rudder. Landed with difficulty on +a gravel-bar and repaired damages. At 5:30 engine bucked. A heavy wind +from the west beat us against a ragged shore for an hour and a half. +Impossible to proceed without power, except by cordelling--which we did, +walking waist-deep in the water much of the time. Paddles useless in +such a head wind. The wind falling at sunset, we drifted, again losing +our rudder while shooting Brule Rapids. Tied up at the head of Black +Bluff Rapids at dusk, having made twenty miles out of two thousand for +the first day's run. Have to extend that fifteen days! Just the same, +that information bureau saw us leave under power!" + +FOOTNOTES: + +[Footnote 1: Dear Reader: Should you undertake the Missouri River trip, +don't lay anything out on spark-plugs. I sowed them all along up there. +Take a drag-net. You will scoop up several hundred dry batteries, but +don't mind them; they are probably spoiled.] + + + + +CHAPTER V + +THROUGH THE REGION OF WEIR + + +We awoke with light hearts on the second morning of the voyage. All +about us was the sacred silence of the wilderness dawn. The coming sun +had smitten the chill night air into a ghostly fog that lay upon the +valley like a fairy lake. + +We were at the rim of the Bad Lands and there were no birds to sing; but +crows, wheeling about a sandstone summit, flung doleful voices downward +into the morning hush--the spirit of the place grown vocal. + +Cloaked with the fog, our breakfast fire of driftwood glowed ruddily. +What is there about the tang of wood-smoke in a lonesome place that +fills one with glories that seem half memory and half dream? Crouched on +my haunches, shivering just enough to feel the beauty there is in fire, +I needed only to close my eyes, smarting with the smoke, to feel myself +the first man huddled close to the first flame, blooming like a mystic +flower in the chill dawn of the world! + +Perhaps that is what an outing is for--to strip one down to the lean +essentials, press in upon one the glorious privilege of being one's +self, unique in all the universe of innumerable unique things. Crouched +close to your wilderness campfire, the great Vision comes easily out of +the smoke. Once again you feel the bigness of your world, the tremendous +significance of everything in it--including yourself--and a far-seeing +sadness grips you. Living in the flesh seems so transient, almost a +pitiful thing in the last analysis. But somehow you feel that there is +something bigger--not beyond it, but all about it continually. And you +wonder that you ever hated anyone. You know, somehow, there in the smoky +silence, why men are noble or ignoble; why they lie or die for a +principle; why they kill, or suffer martyrdom; why they love and hate +and fight; why women smile under burdens, sin splendidly or +sordidly--and why hearts sometimes break. + +And expanded by the bigness of the empty silent spaces about you, like a +spirit independent of it and outside of it all, you love the great red +straining Heart of Man more than you could ever love it at your desk in +town. And you want to get up and move--push on through purple +distances--whither? Oh, anywhere will do! What you seek is at the end of +the rainbow; it is in the azure of distance; it is just behind the glow +of the sunset, and close under the dawn. And the glorious thing about it +is that you know you'll never find it until you reach that lone, ghostly +land where the North Star sets, perhaps. You're merely glad to know that +you're not a vegetable--and that the trail never really ends anywhere. + +Just now, however, the longing for the abstract had the semblance of a +longing for the concrete. It always has that semblance, for that matter. +You never really want what you think you are seeking. Touch the +substance--and away you go after the shadow! + +[Illustration: "ATOM" SAILING UP-STREAM IN A HEAD WIND.] + +[Illustration: TYPICAL RAPIDS ON UPPER MISSOURI.] + +Around the bend lay Sioux City. Around what bend? What matter? Somewhere +down stream the last bend lay, and in between lay the playing of the +game. Any bend will do to sail around! There's a lot of fun in merely +being able to move about and do things. For this reason I am overwhelmed +with gratitude whenever I think that, through some slight error in the +cosmic process, the life forces that glow in me might have been flung +into a turnip--_but weren't_! The thought is truly appalling--isn't it? +The avoidance of that one awful possibility is enough to make any man +feel lucky all his life. It's such fun to awaken in the morning with all +your legs and arms and eyes and ears about you, waiting to be used +again! So strong was this thought in me when we cast off, that even the +memory of Bill's amateurish pancakes couldn't keep back the whistle. + +The current of the Black Bluffs Rapids whisked us from the bank with a +giddy speed, spun us about a right-angled bend, and landed us in a long +quiet lake. Contrary to the average opinion, the Upper Missouri is +merely a succession of lakes and rapids. In the low-water season, this +statement should be italicised. When you are pushing down with the power +of your arms alone the rapids show you how fast you want to go, and the +lakes show you that you can't go that fast. For the teaching of +patience, the arrangement is admirable. But when head winds blow, a +three-mile reach means about a two-hour fight. + +This being a very invigorating morning, however, the engine decided to +take a constitutional. It ran. Below the mouth of the Marias River, +twenty minutes later, we grounded on Archer's Bar and shut down. After +dragging her off the gravel, we discovered that the engine wished to +sleep. No amount of cranking could arouse it. Now and then it would say +"_squash_," feebly rolling its wheel a revolution or two--like a +sleepy-head brushing off a fly with a languid hand. + +A light breeze had sprung up out of the west. The stream ran east and +northeast. We hastily rigged a tarp on a pair of oars spliced for a +mast, and proceeded at a care-free pace. The light breeze ruffled the +surface of the slow stream; + + "----yet still the sail made on + A pleasant noise till noon." + +In the lazy heat of the mounting sun, tempered by the cool river +draught, the yellow sandstone bluffs, whimsically decorated with sparse +patches of greenery, seemed to waver as though seen through shimmering +silken gauze. And over it all was the hush of a dream, except when, in a +spasmodic freshening of the breeze, the rude mast creaked and a sleepy +watery murmur grew up for a moment at the wake. + +Now and then at a break in the bluffs, where a little coulee entered the +stream, the gray masses of the bull-berry bushes lifted like smoke, and +from them, flame-like, flashed the vivid scarlet of the berry-clusters, +smiting the general dreaminess like a haughty cry in a silence. + +A wilderness indeed! It seemed that waste land of which Tennyson sang, +"where no man comes nor hath come since the making of the world." I +thought of the steamboats and the mackinaws and the keel-boats and the +thousands of men who had pushed through this dream-world and the thought +was unconvincing. Fairies may have lived here, indeed; and in the youth +of the world, a glad young race of gods might have dreamed gloriously +among the yellow crags. But surely we were the first men who had ever +passed that way--and should be the last. + +Suddenly the light breeze boomed up into a gale. The _Atom_, with +bellying sail, leaped forward down the roughening water, swung about a +bend, raced with a quartering wind down the next reach, shot across +another bend--and lay drifting in a golden calm. Still above us the +great wind buzzed in the crags like a swarm of giant bees, and the +waters about us lay like a sheet of flawless glass. + +With paddles we pushed on lazily for an hour. At the next bend, where +the river turned into the west, the great gale that had been roaring +above us, suddenly struck us full in front. Sucking up river between the +wall rocks on either side, its force was terrific. You tried to talk +while facing it, and it took your breath away. In a few minutes, in +spite of our efforts with the paddles, we lay pounding on the shallows +of the opposite shore. + +We got out. Two went forward with the line and the third pushed at the +stern. Progress was slow--no more than a mile an hour. The clear water +of the upper river is always cold, and the great wind chilled the air. +Even under the August noon it took brisk work to keep one's teeth from +chattering. The bank we were following became a precipice rising sheer +from the river's edge, and the water deepened until we could no longer +wade. We got in and poled on to the next shallows, often for many +minutes at a time barely holding our own against the stiff gusts. For +two hours we dragged the heavily laden boat, sometimes walking the bank, +sometimes wading in mid-stream, sometimes poling, often swimming with +the line from one shallow to another. And the struggle ended as suddenly +as it began. Upon rounding the second bend the head wind became a stern +wind, driving us on at a jolly clip until nightfall. + +During the late afternoon, we came upon a place where the Great Northern +Railroad touches the river for the last time in five hundred miles. Here +we saw two Italian section hands whiling away their Sunday with fishing +rods. I went ashore, hoping to buy some fish. Neither of the two could +speak English, and Italian sounds to me merely like an unintelligible +singing. However, they gave me to understand that the fish were not for +sale, and my proffered coin had no persuasive powers. + +Still wanting those fish, I rolled a smoke, carelessly whistling the +while a strain from an opera I had once heard. For some reason or other +that strain had been in my head all day. I had gotten up in the morning +with it; I had whistled it during the fight with the head wind. The Kid +called it "that Dago tune." I think it was something from _Il +Trovatore_. + +Suddenly one of the little Italians dropped his rod, stood up to his +full height, lifted his arms very much after the manner of an orchestra +leader and joined in with me. I stopped--because I saw that he _could_ +whistle. He carried it on with much expression to the last thin note +with all the ache of the world in it. And then he grinned at me. + +"Verdi!" he said sweetly. + +I applauded. Whereat the little Italian produced a bag of tobacco. We +sat down on the rocks and smoked together, holding a wordless but +perfectly intelligble conversation of pleasant grins. + +That night we had fish for supper! I got them for a song--or, rather, +for a whistle. I was fed with more than fish. And I went to sleep that +night with a glorious thought for a pillow: Truth expressed as Art is +the universal language. One immortal strain from Verdi, poorly whistled +in a wilderness, had made a Dago and a Dutchman brothers! + +Scarcely had the crackling of the ruddy log lulled us to sleep, when the +night had flitted over like a shadow, and we were cooking breakfast. A +lone, gray wolf, sitting on his haunches a hundred paces away, regarded +us curiously. Doubtless we were new to his generation; for in the +evening dusk we had drifted well into the Bad Lands. + +Bad Lands? Rather the Land of Awe! + +A light stern wind came up with the sun. During the previous evening we +had rigged a cat-sail, and noiselessly we glided down the glinting trail +of crystal into the "Region of Weir." + +On either hand the sandstone cliffs reared their yellow masses against +the cloudless sky. Worn by the ebbing floods of a prehistoric sea, +carved by the winds and rains of ages, they presented a panorama of +wonders. + +Rows of huge colonial mansions with pillared porticoes looked from their +dizzy terraces across the stream to where soaring mosques and mystic +domes of worship caught the sun. It was all like the visible dream of a +master architect gone mad. Gaunt, sinister ruins of medieval castles +sprawled down the slopes of unassailable summits. Grim brown towers, +haughtily crenellated, scowled defiance on the unappearing foe. Titanic +stools of stone dotted barren garden slopes, where surely gods had once +strolled in that far time when the stars sang and the moon was young. +Dark red walls of regularly laid stone--huge as that the Chinese flung +before the advance of the Northern hordes--held imaginary empires +asunder. Poised on a dizzy peak, Jove's eagle stared into the eye of the +sun, and raised his wings for the flight deferred these many centuries. +Kneeling face to face upon a lonesome summit, their hands clasped before +them, their backs bent as with the burdens of the race, two women prayed +the old, old woman prayer. The snow-white ruins of a vast cathedral lay +along the water's edge, and all about it was a hush of worship. And near +it, arose the pointed pipes of a colossal organ--with the summer silence +for music. + +With a lazy sail we drifted through this place of awe; and for once I +had no regrets about that engine. The popping of the exhaust would have +seemed sacrilegious in this holy quiet. + +Seldom do men pass that way. It is out of the path of the tourist. No +excursion steamers ply those awesome river reaches. Across the sacred +whiteness of that cathedral's imposing mass, no sign has ever been +painted telling you the merits of the best five-cent cigar in the world! +Few besides the hawks and the crows would see it, if it were there. + +And yet, for all the quiet in this land of wonder, somehow you cannot +feel that the place is unpeopled. Surely, you think, invisible knights +clash in tourney under those frowning towers. Surely a lovelorn maiden +spins at that castle window, weaving her heartache into the magic +figures of her loom. Stately dames must move behind the shut doors of +those pillared mansions; devotees mutter Oriental prayers beneath those +sun-smitten domes. And amid the awful inner silence of that cathedral, +white-robed priests lift wan faces to their God. + +Under the beat of the high sun the light stern wind fell. The slack sail +drooped like a sick-hearted thing. Idly drifting on the slow glassy +flood, we seemed only an incidental portion of this dream in which the +deepest passions of man were bodied forth in eternal fixity. Towers of +battle, domes of prayer, fanes of worship, and then--the kneeling women! +Somehow one couldn't whistle there. Bill and the Kid, little given to +sentiment, sat quietly and stared. + +Late in the afternoon we found ourselves out of this "Region of Weir." +Great wall rocks soared above us. Consulting our map, we found that we +were nearing Eagle Rapids, the first of a turbulent series. I had fondly +anticipated shooting them all under power. So once more I decided to go +over that engine. We landed at the wooded mouth of a little ravine, +having made a trifle over twenty miles that day. + +With those tools of the engine doctor--an air of mystery and a +monkey-wrench--I unscrewed everything that appeared to have a thread on +it, and pulled out the other things. The odds, I figured, were in my +favor. A sick engine is useless, and I felt assured of either killing or +curing. I did something--I don't know what; but having achieved the +complete screwing up and driving in of things--_it went_! + +So on the morning of the fourth day, we were up early, eager for the +shooting of rapids. We had understood from the conversation of the +seemingly wise, that Eagle Rapids was the first of a series that made +the other rapids we had passed through look like mere ripples on the +surface. In some of those we had gone at a very good clip, and several +times we had lost our rudder. + +I remembered how the steamboats used to be obliged to throw out cables +and slowly wind themselves up with the power of the "steam nigger." I +also remembered the words of Father de Smet: "There are many rapids, ten +of which are very difficult to ascend and very dangerous to go down." + +We had intended from the very first to get wrecked in one or all of +these rapids. For this reason we had distributed forward, aft, and +amidships, eight five-gallon cans, soldered air-tight. The frail craft +would, we figured, be punctured. The cans would displace nearly three +hundred and fifty pounds of water, and the boat and engine, submerged, +would lose a certain weight. I had made the gruesome calculation with +fond attention to detail. I decided that she should be wrecked quite +arithmetically. We should be able, the figures said, to recover the +engine and patch the boat. We had provided three life-preservers, but +one had been stolen; so I had fancied what a bully fight one might have +if he should be thrown out into the mad waters without a life-preserver. + +I have never been able to explain it satisfactorily; it is one of the +paradoxes; but human nature seems to take a weird delight in placing in +jeopardy that which is dearest. Even a coward with his fingers clenched +desperately on the ragged edge of hazard, feels an inexplicable thrill +of glory. Having several times been decently scared, I know. + +One likes to take a sly peep behind the curtain of the big play, hoping +perhaps to get a slight hint as to what machinery hoists the moon, and +what sort of contrivance flings the thunder and lightning, and many +other things that are none of his business. Only, to be sure, he intends +to get away safely with his information. When you think you see your +finish bowing to receive you, something happens in your head. It's like +a sultry sheet of rapid fire lapping up for a moment the thunder-shaken +night--and discovering a strange land to you. And it's really good for +you. + +Under half speed we cruised through the windless golden morning; and the +lonesome canyon echoed and re-echoed with the joyful chortle of the +resurrected engine. We had covered about ten miles, when a strange +sighing sound grew up about us. It seemed to emanate from the soaring +walls of rock. It seemed faint, yet it arose above the din of the +explosions, drowned out the droning of the screw. + +Steadily the sound increased. Like the ghost of a great wind it moaned +and sighed about us. Little by little a new note crept in--a sibilant, +metallic note as of a tense sheet of silk drawn rapidly over a thin +steel edge. + +[Illustration: WOLF POINT, THE FIRST TOWN IN 500 MILES.] + +[Illustration: ENTRANCE TO THE BAD LANDS.] + +We knew it to be the mourning voice of the Eagle Rapids; but far as we +could see, the river was quiet as a lake. We jogged on for a mile, +with the invisible moaning presence about us. It was somewhat like the +intangible something you feel about a powerful but sinister personality. +The golden morning was saturated with it. + +Suddenly, turning a sharp bend about the wall of rock that flanked the +channel, a wind of noise struck us. It was like the hissing of +innumerable snakes against a tonal background of muffled continuous +thunder. A hundred yards before us was Eagle Rapids--a forbidding patch +of writhing, whitening water, pricked with the upward thrust of +toothlike rocks. + +The first sight of it turned the inside of me mist-gray. Temporarily, +wrecks and the arithmetic of them had little charm for me. I seized the +spark-lever, intending to shut down. Instead, I threw it wide open. With +the resulting leap of the craft, all the gray went out of me. + +I grasped the rudder ropes and aimed at a point where the sinuous +current sucked through a passage in the rocks like a lean flame through +a windy flue. Did you ever hear music that made you see purple? It was +that sort of purple I saw (or did I hear it like music?) when we plunged +under full speed into the first suck of the rapids. We seemed a +conscious arrow hurled through a gray, writhing world, the light of +which was noise. And then, suddenly, the quiet, golden morning flashed +back; and we were ripping the placid waters of a lake. + +The Kid broke out into boisterous laughter that irritated me strangely: +"Where the devil do you suppose our life-preservers are?" he bawled. +"They're clear down under all the cargo!" + +A world of wonderful beauty was forging past us. In the golden calm, the +scintillant sheet of water seemed to be rushing backward, splitting +itself over the prow, like a fabric woven of gold and silver drawn +rapidly against a keen stationary blade. + +The sheer cliffs had fallen away into pine-clad slopes, and vari-colored +rocks flung notes of scarlet and gold through the sombre green of the +pines--like the riotous treble cries of an organ pricking the sullen +murmur of the bass. So still were the clean waters that we seemed midway +between two skies. + +We skirted the base of a conical rock that towered three hundred feet +above us--a Titan sentinel. It was the famous Sentinel Rock of the old +steamboat days. I shut the engine down to quarter speed, for somehow +from the dizzy summit a sad dream fell upon me and bade me linger. + +I stared down into the cold crystal waters at the base of the rock. +Many-colored mosses, sickly green, pale, feverish red, yellow like fear, +black like despair, purple like the lips of a strangled man, clung +there. I remembered an old spring I used to haunt when I was just old +enough to be awed by the fact of life and frightened at the possibility +of death. Just such mosses grew in the depths of that spring. I used to +stare into it for hours. + +It fascinated me in a terrible way. I thought Death looked like that. +Even now I am afraid I could not swim long in clear waters with those +fearful colors under me. I am sure they found Ophelia floating like a +ghastly lily in such a place. + +Filled with a shadow of the old childish dread, I looked up to the +austere summit of the Sentinel. Scarred and haggard with time it caught +the sun. I thought of how long it had stood there just so, under the +intermittent flashing of moon and sun and star, since first its flinty +peak had pricked through the hot spume of prehistoric seas. + +Fantastic reptiles, winged and finned and fanged, had basked upon +it--grotesque, tentative vehicles of the Flame of Life! And then these +flashed out, and the wild sea fell, and the land arose--hideous and +naked, a steaming ooze fetid with gasping life. And all the while this +scarred Sentinel stared unmoved. And then a riot of giant vegetation all +about it--divinely extravagant, many-colored as fire. And this too +flashed out--like the impossible dream of a god too young. And the Great +Change came, and the paradox of frost was in the world, stripping life +down to the lean essentials till only the sane, capable things might +live. And still the Titan stared as in the beginning. And then, men were +in the land--gaunt, terrible, wolf-like men, loving and hating. And La +Verendrye forged past it; and Lewis and Clark toiled under it through +these waters of awful quiet. And then the bull boats and the mackinaws +and the packets. And all these flashed out; and still it stood unmoved. +And I came--and I too would flash out, and all men after me and all +life. + +I viewed the colossal watcher with something like terror--the aspect of +death about its base and that cynical glimmer of sunlight at its top. I +flung the throttle open, and we leaped forward through the river hush. +I wanted to get away from this thing that had seen so much of life and +cared so little. It depressed me strangely; it thrust bitter questions +within the charmed circle of my ego. It gave me an almost morbid desire +for speed, as though there were some place I should reach before the +terrible question should be answered against me. + +We fled down five or six miles of depressingly quiet waters. Once again +the wall rocks closed about us. We seemed to be going at a tediously +slow pace, yet the two thin streams of water rushed hissing from prow to +stern. A strange mood was upon me. Once when I was a boy and far from +home, I awoke in the night with a bed of railroad ties under me, and the +chill black blanket of the darkness about me. I wanted to get up and run +through that damned night--anywhere, just so I went fast +enough--stopping only when exhaustion should drag me down. And yet I was +afraid of nothing tangible; hunger and the stranger had sharpened +whatever blue steel there was in my nature. I was afraid of being still! +Were you ever a homesick boy, too proud to tell the truth about it? + +I felt something of that boy's ache as we shot in among the wall rocks +again. It was a psychic hunger for something that does not exist. Oh, to +attain the terrible speed one experiences in a fever-dream, to get +somewhere before it is too late, before the black curtain drops! + +To some this may sound merely like the grating of overwrought nerves. +But it is more than that. All religions grew out of that most human +mood. And whenever one is deeply moved, he feels it. For even the most +matter-of-fact person of us all has now and then a suspicion that this +life is merely episodic--that curtain after curtain of darkness is to be +pierced, world after world of consciousness and light to be passed +through. + +Once more the rocks took on grotesque shapes--utterly ultra-human in +their suggestiveness. Those who have marveled at the Hudson's beauty +should drop down this lonesome stretch. + +We shot through the Elbow Rapids at the base of the great +Hole-in-the-wall Rock. It was deep and safe--much like an exaggerated +mill-race. It ran in heavy swells, yet the day was windless. + +In the late afternoon we shot the Dead Man's Rapids, a very turbulent +and rocky stretch of water. We went through at a freight-train speed, +and began to develop a slight contempt for fast waters. That night we +camped at the mouth of the Judith River on the site of the now forgotten +Fort Chardon. We had made only ninety-eight miles in four days. It began +to appear that we might be obliged to finish on skates! + +We were up and off with the first gray of the morning. We knew Dauphin +Rapids to be about seventeen miles below, and since this particular +patch of water had by far the greatest reputation of all the rapids, we +were eager to make its acquaintance. + +The engine began to show unmistakable signs of getting tired of its job. +Now and then it barked spitefully, had half a notion to stop, changed +its mind, ran faster than it should, wheezed and slowed down--acting in +an altogether unreasonable way. But it kept the screw humming +nevertheless. + +Fortunately it was going at a mad clip when we sighted the Dauphin. +There was not that sibilance and thunder that had turned me a bit gray +inside at first sight of the Eagle. The channel was narrow, and no rocks +appeared above the surface. But speed _was_ there; and the almost +noiseless rolling of the swift flood ahead had a more formidable +appearance than that of the Eagle. Rocks above the surface are not much +to be feared when you have power and a good rudder. But we drew about +twenty-two inches of water, and I thought of the rocks under the +surface. + +I had, however, only a moment to think, for we were already traveling a +good eighteen miles, and when the main swirl of the rapids seized us, we +no doubt reached twenty-five. I was grasping the rudder ropes and we +were all grinning a sort of idiotic satisfaction at the amazing spurt of +speed, when---- + +Something was about to happen! + +The Kid and I were sitting behind the engine in order to hold her screw +down to solid water. Bill, decorated with a grin, sat amidships facing +us. I caught a pink flash in the swirl just under our bow, and then _it +happened_! + +The boat reared like a steeple-chaser taking a fence! The Kid shot +forward over the engine and knocked the grin off Bill's face! Clinging +desperately to the rudder ropes, I saw, for a brief moment, a good +three-fourths of the frail craft thrust skyward at an angle of about +forty-five degrees. Then she stuck her nose in the water and her screw +came up, howling like seven devils in the air behind me! Instinctively, +I struck the spark-lever; the howling stopped,--and we were floating in +the slow waters below Dauphin Rapids. + +All the cargo had forged forward, and the persons of Bill and the Kid +were considerably tangled. We laughed loud and long. Then we gathered +ourselves up and wondered if she might be taking water under the cargo. +It developed that she wasn't. But one of our grub boxes, containing all +the bacon, was missing. So were the short oars that we used for paddles. +While we laughed, these had found some convenient hiding-place. + +We had struck a smooth bowlder and leaped over it. A boat with the +ordinary launch construction would have opened at every seam. The light +springy tough construction of the _Atom_ had saved her. Whereat I +thought of the Information Bureau and was well pleased. + +Altogether we looked upon the incident as a purple spot. But we were +many miles from available bacon, and when, upon trial, the engine +refused to make a revolution, we began to get exceedingly hungry for +meat. + +Having a dead engine and no paddles, we drifted. We drifted very slowly. +The Kid asked if he might not go ashore and drive a stake in the bank. +For what purpose? Why, to ascertain whether we were going up or down +stream! While we drifted in the now blistering sun, we talked about +_meat_. With a devilish persistence we quite exhausted the subject. We +discussed the best methods for making a beefsteak delicious. It made us +very hungry for meat. The Kid announced that he could feel his backbone +sawing at the front of his shirt. But perhaps that was only the +hyperbole of youth. Bill confessed that he had once grumbled at his good +wife for serving the steak too rare. He now stated that at the first +telegraph station he would wire for forgiveness. I advised him to wire +for money instead and buy meat with it. Personally I felt a sort of +wistful tenderness for packing-houses. + +That day passed somehow, and the next morning we were still hungry for +meat. We spent most of the morning talking about it. In the blistering +windless afternoon, we drifted lazily. Now and then we took turns +cranking the engine. + +We were going stern foremost and I was cranking. We rounded a bend +where the wall rocks sloped back, leaving a narrow arid sagebrush strip +along both sides of the stream. I had straightened up to get the kink +out of my back and mop the sweat out of my eyes, when I saw something +that made my stomach turn a double somersault. + +A good eight hundred yards down stream at the point of a gravel-bar, +something that looked like and yet unlike a small cluster of drifting, +leafless brush moved slowly into the water. Now it appeared quite +distinct, and now it seemed that a film of oil all but blotted it out. I +blinked my eyes and peered hard through the baffling yellow glare. Then +I reached for the rifle and climbed over the gunwhale. I smelled raw +meat. + +Fortunately, we were drifting across a bar, and the slow water came only +to my shoulders. The thing eight hundred yards away was forging across +stream by this time--heading for the mouth of a coulee. I saw plainly +now that the brush grew out of a head. It was a buck with antlers. + +Just below the coulee's mouth, the wall rocks began again. The buck +would be obliged to land above the wall rocks, and the drifting boat +would keep him going. I reached shore and headed for that coulee. The +sagebrush concealed me. At the critical moment, I intended to show +myself and start him up the steep slope. Thus he would be forced to +approach me while fleeing me. When I felt that enough time had passed, I +stood up. The buck, shaking himself like a dog, stood against the yellow +sandstone at the mouth of the gulch. He saw me, looked back at the +drifting boat, and appeared to be undecided. + +I wondered what the range might be. Back home in the plowed field where +I frequently plug tin cans at various long ranges, I would have called +it six hundred yards--at first. Then suddenly it seemed three or four +hundred. Like a thing in a dream the buck seemed to waver back and forth +in the oily sunlight. + +"Call it four hundred and fifty," I said to myself, and let drive. A +spurt of yellow stone-dust leaped from the cliff a foot or so above the +deer's back. Only four hundred? But the deer had made up his mind. He +had urgent business on the other side of that slope--he appeared to be +overdue. + +[Illustration: FRESH MEAT.] + +[Illustration: SUPPER!] + +I pumped up another shell and drew fine at four hundred. That time +his rump quivered for a second as though a great weight had been dropped +on it. But he went on with increased speed. Once more I let him have it. +That time he lost an antler. He had now reached the summit, two hundred +feet up at the least. + +He hesitated--seemed to be shivering. I have hunted with a full stomach +and brought down game. But there's a difference when you are empty. In +that moment before you kill, you became the sort of fellow your mother +wouldn't like. Perhaps the average man would feel a little ashamed to +tell the truth about that savage moment. I got down on my knee and put a +final soft-nosed ball where it would do the most good. The buck reared, +stiffened, and came down, tumbling over and over. + +That night we pitched camp under a lone scrubby tree at the mouth of an +arid gulch that led back into the utterly God-forsaken Bad Lands. It was +the wilderness indeed. Coyotes howled far away in the night, and diving +beaver boomed out in the black stream. + +We built half a dozen fires and swung above them the choice portions of +our kill. And how we ate--with what glorious appetites! + +It is good to sit with a glad-hearted company flinging words of joyful +banter across very tall steins. It is good to draw up to a country table +at Christmas time with turkey and pumpkin-pies and old-fashioned +puddings before you, and the ones you love about you. I have been deeply +happy with apples and cider before an open fireplace. I have been +present when the brilliant sword-play of wit flashed across a banquet +table--and it thrilled me. _But_---- + +There is no feast like the feast in the open--the feast in the flaring +light of a night fire--the feast of your own kill, with the tang of the +wild and the tang of the smoke in it! + + + + +CHAPTER VI + +GETTING DOWN TO BUSINESS + + +It all came back there by the smoldering fires--the wonder and the +beauty and the awe of being alive. We had eaten hugely--a giant feast. +There had been no formalities about that meal. Lying on our blankets +under the smoke-drift, we had cut with our jack-knives the tender +morsels from a haunch as it roasted. When the haunch was at last cooked +to the bone, only the bone was left. + +Heavy with the feast, I lay on my back watching the gray smoke brush my +stars that seemed so near. _My stars!_ Soft and gentle and mystical! +Like a dark-browed Yotun woman wooing the latent giant in me, the night +pressed down. I closed my eyes, and through me ran the sensuous surface +fires of her dream-wrought limbs. Upon my face the weird magnetic lure +of ever-nearing, never-kissing lips made soundless music. Like a sister, +like a mother she caressed me, lazy with the huge feast; and yet, a +drowsy, half-voluptuous joy shimmered and rippled in my veins. + +Drowsing and dreaming under the drifting smoke-wrack, I felt the sense +of time and self drop away from me. No now, no to-morrow, no yesterday, +no I! Only eternity, one vast whole--sun-shot, star-sprent, love-filled, +changeless. And in it all, one spot of consciousness more acute than +other spots; and that was the something that had eaten hugely, and that +now felt the inward-flung glory of it all; the swooning, half-voluptuous +sense of awe and wonder, the rippling, shimmering, universal joy. + +And then suddenly and without shock--like the shifting of the wood +smoke--the mood veered, and there was nothing but I. Space and eternity +were I--vast projections of myself, tingling with my consciousness to +the remotest fringe of the outward swinging atom-drift; through +immeasurable night, pierced capriciously with shafts of paradoxic day; +through and beyond the awful circle of yearless duration, my ego lived +and knew itself and thrilled with the glory of being. The slowly +revolving Milky Way was only a glory within me; the great woman-star +jeweling the summit of a cliff, was only an ecstasy within me; the +murmuring of the river out in the dark was only the singing of my heart; +and the deep, deep blue of the heavens was only the splendid color of my +soul. + +Bill snored. Among the glowing fires moved the black bulk of the Kid, +turning the hunks of venison. And then the universe and I, curiously +mixed, swooned into nothing at all, and I was blinking at a golden glow, +and from the river came a shouting. + +It was broad day. We leaped up, and rubbing the sleep from our eyes, saw +a light skiff drifting toward us. It contained two men--Frank and +Charley. We had met them at Benton, and during an acquaintance of three +weeks we had learned of their remarkable ability as cooks. Frank was a +little Canadian Frenchman, and Charley was English. Both, in the +parlance of the road, were "floaters"; that is to say, no locality ever +knew them long; the earth was their floor, the sky their ceiling--and +their god was Whim. Naturally our trip had appealed to them, and one +month in Benton had aggravated that hopelessly incurable +disease--_Wanderlust_. + +So we had agreed that somewhere down river we would camp for a week and +wait for them. They would do the cooking, and we would take them in tow. +Two days after we dropped out of Benton, they had abruptly "jumped" an +unfinished job and put off after us in a skiff, rowing all day and most +of the night in order to overtake us. + +Certainly they had arrived at the moment most psychologically favorable +for the beginning of an odd sort of tyranny that followed. Cooking is a +weird mystery to me. As for Bill and the Kid, courtesy forbids detailed +comment. The Kid had been uniformly successful in disguising the most +familiar articles of diet; and Bill was perhaps least unsuccessful in +the making of flapjacks. According to his naïve statement, he had +discovered the trick of mixing the batter while manufacturing +photographer's mounting paste. His statement was never questioned. My +only criticism on his flapjacks was simply that he left too much to the +imagination. For these and kindred reasons, we gladly hailed the +newcomers. + +Ten minutes after the skiff touched shore, the camp consisted of two +cooks and three scullions. The Kid was a hewer and packer of wood, I was +a peeler and slicer of things, and Bill, sweetly oblivious of his +bewhiskered dignity, danced about in the humblest of moods, handing this +and that to the grub-lords. + +"You outfitted like greenhorns!" announced the usurpers. "What you want +is raw material. Run down to the boat, please, and bring me this! Oh, +yes, and bring me that! And you'll find the other in the bottom of the +skiff's forward locker! Put a little more wood on the fire, Kid; and +say, Bill, hand me that, won't you? Who's going to get a pail of water?" + +All three of us were going to get a pail of water, of course! It was the +one thing in the world we wanted to do very much--get a pail of water! + +But the raw materials--how they played on them! I regarded their +performance as a species of duet; and the raw materials, ranged in the +sand about the fire, were the keys. Frank touched this, Charley touched +that, and over the fire the music grew--perfectly stomach-ravishing! + +We had bought with much care all, or nearly all the ordinary +cooking-utensils. These the usurpers scorned. Three or four gasoline +cans, transformed by a jack-knife into skillets, ovens, platters, etc., +sufficed for these masters of their craft. The downright Greek +simplicity of their methods won me completely. + +"This is indeed Art," thought I; "first, the elimination of the +non-essential, and then the virile, unerring directness, the seemingly +easy accomplishment resulting from effort long forgotten; and, above +all, the final, convincing delivery of the goods." + +Out of the chaos of the raw material, beneath the touch of Charley's +wise hands, emerged a wondrous cosmos of biscuits, light as the heart of +a boy. And Frank, singing a French ditty, created wheat cakes. His +method struck me as poetic. He scorned the ordinary uninspired cook's +manner of turning the half-baked cake. One side being done, he waited +until the ditty reached a certain lilting upward leap in the refrain, +when, with a dexterous movement of the frying-pan, he tossed the cake +into the air, making it execute a joyful somersault, and catching it +with a sizzling _splat_ in the pan, just as the lilting measure ceased +abruptly. + +Why, I could taste that song in the pancakes! + +I wonder why domestic economy has so persistently overlooked the value +of song as an adjunct to cookery. _Gâteaux à la chansonnette!_ Who +wouldn't eat them for breakfast? + +At six in the evening we put off, Charley, the Kid and I manning the +power boat, Bill and Frank the skiff, which was towed by a thirty-foot +line. I had, during the day, transformed my unquestioned slavery into a +distinct advantage, having carefully impressed upon the Englishman the +honor I would do him by allowing him to become chief engineer of the +_Atom_. I carefully avoided the subject of cranking. I was tired +cranking. I felt that I had exhausted the possibilities of enjoyment in +that particular form of physical exercise. It had developed during the +day that Charley had once run a gasoline engine. I was careful to +emphasize my ridiculous lack of mechanical ability. Charley took the +bait beautifully. + +But just now the engine ran merrily. Above its barking I sang the +praises of the Englishman, with a comfortable feeling that, at least in +this, the tail would wag the dog. + +Through the clear quiet waters, between soaring canyon walls, we raced +eastward into the creeping twilight. Here and there the banks widened +out into valleys of wondrous beauty, flanked by jagged miniature +mountains transfigured in the slant evening light. It seemed the "færie +land forlorn" of which Keats dreamed, where year after year come only +the winds and the rains and the snow and the sunlight and the star-sheen +and the moon-glow. + +In the deepening evening our widening V-shaped wake glowed with +opalescent witch-fires. Watching the oily ripples, I steered wild and +lost the channel. We all got out and, wading in different directions, +went hunting for the Missouri River. It had flattened out into a lake +three or four hundred yards wide and eight inches deep. Slipping poles +under the power boat, we carried it several hundred yards to a point +where the stream deepened. It was now quite dark, and the engine quit +work for the day. The skiff towed us another mile or so to a camping +place. + +Having moored the boats, we lined up on the shore and had a song. It was +a quintet, consisting of a Frenchman, an Englishman, an Irishman, a +Cornishman, and a German. A very strong quintet it was; that is to say, +strong on volume. As to quality--we weren't thrusting ourselves upon an +audience. The river and the sky didn't seem to mind, and the cliffs sang +after us, lagging a beat or two. + +We wished to sing ever so beautifully; and, after all, it would be much +better to have the whole world wishing to sing melodiously, than to have +just a few masters here and there who really can! Did you ever hear a +barefooted, freckle-faced plowboy singing powerfully and quite out of +tune, the stubble fields about him still glistening with the morning +dew, and the meadow larks joining in from the fence-posts? I have: and +soaring above the faulty execution, I heard the lark-heart of the +never-aging world wooing the far-off eternal dawn. True song is merely a +hopeful condition of the soul. And so I am sure we sang very wonderfully +that night. + +And how the flapjacks disappeared as a result of that singing! We ate +until Charley refused to bake any more; then we rolled up in our +blankets by the fire and "swapped lies," dropping off one at a time into +sleep until the last speaker finished his story with only the drowsy +stars for an audience. At least I suppose it was so; I was not the last +speaker. + +Alas! too seldom were we to hail the evening star with song. So far we +had made in a week little more than one hundred and fifty miles. With +the exception of a few hours of head winds, that week had been a week of +dream. We now awoke fully to the fact that in low water season the +Missouri is not swift. In our early plans we had fallen in with the +popular fallacy that one need only cut loose and let the current do the +rest; whereas, in low water, one would probably never reach the end of +his journey by that method. In addition to this, our gasoline was +running low. We had trusted to irrigation plants for replenishing our +supply from time to time. But the great flood of the spring had swept +the valley clean. Where the year before there were prosperous ranch +establishments with gasoline pumping plants, there was only desolation +now. It was as though we traveled in the path of a devastating army. +Perhaps the summer of 1908 was the most unfavorable season for such a +trip in the last fifty years. Steamboating on the upper river is only a +memory. There are now no wood-yards as formerly. We found ourselves with +no certainty of procuring grub and oil; our engine became more and more +untrustworthy; our paddles had been lost. What winds we had generally +blew against us, and the character of the banks was changing. The cliffs +gave way to broad alluvial valleys, over which, at times, the gales +swept with terrific force. + +Our map told us of a number of river "towns." We had already been +partially disillusioned as to the character of those "towns." They were +pretty much in a class with Goodale, except that they lacked the switch +and the box-car and the sign. Just now Rocky Point lay ahead of us. +Rocky Point meant a new supply of food and oil. Stimulated by this +thought, Charley cranked heroically under the blistering sun and managed +to arouse the engine now and then into spasms of speed. He had not yet +begun to swear. Fearfully I awaited the first evidence of the new mood, +which I knew must come. + +At least once a day we put the machinery on the operating table. Each +time we succeeded only in developing new symptoms. + +At a point about fifty miles from the "town" so deeply longed for, a +lone cow-punch appeared on the bank. + +"How far to Rocky Point?" I cried. + +"Oh, something less than two hundred miles!" drawled the horseman. (How +carelessly they juggle with miles in that country!) + +"It's just a little place, isn't it?" I continued. + +"Little place!" answered the cow-puncher; "hell, no!" + +"What!" I cried in glee; "Is it really a town of importance?" I had +visions of a budding metropolis, full of gasoline and grub. + +"I guess it ain't a little place," explained the rider; "_w'y, they've +got nigh onto ten thousand cattle down there_!" + +Ten minutes after that, Charley, after a desperate but unsuccessful fit +of cranking, straightened the kink out of his back, mopped the +perspiration from his face--_and swore_! + +Almost immediately I felt, or at least thought I felt, a distinct change +in the temper of the crew--for the worse. We used the better part of two +days covering the last fifty miles into Rocky Point, only to find that +the place consisted of a log ranch-house, two women, an old man, and +"Texas." The cattle and the other men were scattered over a hundred +miles or so of range. The women either would not or could not supply us +with grub, explaining that the nearest railroad town was ninety miles +away. Gasoline was out of the question. We might be able to buy some at +the mouth of Milk River, _two hundred miles down stream_! + +"Texas," who made me think of Gargantua, and who had a chest like a +bison bull's, and a drawling fog-horn voice, ran a saloon in an odd +little shanty boat brought down by the flood. He solved the problem for +us. + +"You cain't get no gasoline short o' Milk River," he bellowed +drawlingly; "and you sure got to paddle, so you better buy whisky!" + +While we were deciding to accept the offered advice, "Texas" whittled a +stick and got off a few jokes of Rabelaisian directness. We laughed +heartily, and as a mark of his appreciation, he gave us five quarts for +a gallon. Which proved, in spite of his appearance, that "Texas" was +very human. + +We gave the engine a final trial. It ran by spasms--backwards. Then, +finally, it refused to run at all. We tried to make ourselves believe +that the gasoline was too low in the tank, that the pressure of the oil +had something to do with it. At first we really knew better. But days of +drudgery at the paddles transformed the makeshift hope into something +almost like a certainty. + +There was no lumber at Rocky Point. We rummaged through a pile of +driftwood and found some half-rotted two-by-sixes. These we hacked into +paddles. They weighed, when thoroughly soaked, at least fifteen pounds +apiece. + +Sending Bill and Frank on ahead with the skiff and the small store of +provisions, Charley and I, the Kid at the steering rope, set out pushing +the power canoe with the paddles. The skiff was very soon out of sight. + +The _Atom_, very fast under power, was, with paddles, the slowest boat +imaginable. There was no lift to her prow, no exhilarating leap as with +the typical light canoe driven by regulation paddles. And she was as +unwieldy as a log. A light wind blew up-stream, and the current was very +slow. After dark we caught up with Bill and Frank, who had supper +waiting. I had been tasting venison all day; but there was none for +supper. In spite of a night's smoking, all of it had spoiled. This left +us without meat. Our provisions now consisted mostly of flour. We had a +few potatoes and some toasted wind called "breakfast food." During six +or seven hours of hard work at the paddles, we had covered no more than +fifteen miles. These facts put together gave no promising result. In +addition to this, it was impossible to stir up a song. Even the liquor +wouldn't bring it out. And the flapjacks were not served _à la +chansonnette_ that night. I tried to explain why the trip was only +beginning to get interesting; but my words fell flat. And when the +irrepressible Kid essayed a joke, I alone laughed at it, though rather +out of gratitude than mirth. + +[Illustration: "WALKING" BOATS OVER SHALLOWS.] + +[Illustration: TYPICAL UPPER MISSOURI RIVER REACH.] + +[Illustration: THE MOUTH OF THE JAMES.] + +There are many men who live and die with the undisputed reputation of +being good fellows--your friends and mine--who, if put to the test, +would fail miserably. Fortunate is that man to whom it is not given to +test all of his friends. This is not cynicism; it is only human nature; +and I love human nature, being myself possessed of so much of it. I +admire it when it stands firmly upon its legs, and I love it when it +wabbles. But when it gains power with increasing odds, grows big with +obstacles, I worship it. + + "To thrill with the joy of girded men, + To go on forever and fail, and go on again-- + With the half of a broken hope for a pillow at night--" + +Thus it should have been. But that night, staring into the face of three +of the four, I saw the yellow streak. The Kid was not one of the three. +The first railroad station would hold out no temptation to him. He was a +kid, but manhood has little to do with age. It must exist from the +first like a tang of iron in the blood. Age does not really create +anything--it only develops. Your wonderful and beautiful things often +come as paradoxes. I looked for a man and found him in a boy. + +Bill talked about home and stared into the twilight. The "floaters" were +irritable, quarreling with the fire, the grub, the cooking-utensils, and +verbally sending the engine to the devil. + +Seeing about eighteen hundred miles of paddle work ahead, knowing that +at that season of the year the prevailing winds would be head winds, and +having very little faith in the engine under any conditions, I decided +to travel day and night, for the water was falling steadily and already +the channels were at times hard to find. Charley and Frank grumbled. I +told them we would split the grub fairly, a fifth to a man, and that +they might travel as slowly as they liked, the skiff being their +property. They stayed with us. + +We lashed the boats together and put off into the slow current. A +haggard, eerie fragment of moon slinked westward. Stars glinted in the +flawless chilly blue. The surface of the river was like polished +ebony--a dream-path wrought of gloom and gleam. The banks were lines of +dusk, except where some lone cottonwood loomed skyward like a giant +ghost clothed with a mantle that glistered and darkled in the chill +star-sheen. + +There was the feel of moving in eternity about it all. The very +limitation of the dusk gave the feeling of immensity. There was no sense +of motion, yet we moved. The sky seemed as much below as above. We +seemed suspended in a hollow globe. Now and then the boom of a diving +beaver's tail accented the clinging quiet; and by fits the drowsy +muttering of waterfowl awoke in the adjacent swamps, and droned back +into the universal hush. + +Frank and I stood watch, the three others rolling up in their blankets +among the luggage. It occurred to me for the first time that we had a +phonograph under the cargo. I went down after it. At random I chose a +record and set the machine going. It was a Chopin _Nocturne_ played on a +'cello--a vocal yearning, a wailing of frustrate aspirations, a brushing +of sick wings across the gates of heavens never to be entered; and then +the finale--an insistent, feverish repetition of the human ache, ceasing +as with utter exhaustion. + +I looked about me drinking in the night. How little this music really +expressed it! It seemed too humanly near-sighted, too egotistic, too +petty to sound out under those far-seeing stars, in that divine quiet. + +I slipped on another record. This time it was a beautiful little song, +full of the sweet melancholy of love. I shut it down. The thing wouldn't +do. In the evening--yes. But _now_! Truly there is something womanly +about Night, something loverlike in a vast impersonal way; but too +big--she is too terribly big to woo with human sentiment. Only a +windlike chant would do--something with an undertone of human despair, +outsoared by brave, savage flights of invincible soul-hope--great virile +singing man-cries, winged as the starlight, weird as space--Whitman +sublimated, David's soul poured out in symphony. + +I started another going. This time I did not stop it, for the Night was +singing--through its nose perhaps, but still it was singing--out of that +machine. It was Wagner's _Evening Star_ played by an orchestra. It +filled the night, swept the glittering reaches, groped about in the +glooms; and then, leaving the human theme behind, soul-like the upward +yearning violins took flight, dissolving at last into starlight and +immensity. Ages swept by me like a dream-wind. When I got back, the +machine, all but run down, was scratching hideously. + +Slowly we swung about in the scarcely perceptible current. Down among +the luggage the three snored discordantly. Frank's cigarette glowed +intermittently against the dim horizon, like a bonfire far off. +Somewhere out in the gloom coyotes chattered and yelped, and from far +across the dusky valley others answered--a doleful tenson. + +I dozed. Frank awoke us all with a shout. We leaped up and stared +blinkingly into the north. That whole region of the sky was aflame from +zenith to horizon with spectral fires. It was the aurora. Not the pale, +ragged glow, sputtering like the ghost of a huge lamp-flame, which is +familiar to every one, but a billowing of color, rainbows gone mad! In +the northeast the long rolling columns formed--many-colored clouds of +spectral light whipped up as by a whirlwind--flung from eastward to +westward, devouring Polaris and the Wain--rapid sequent towers of +smokeless fire! + +It dazzled and whirled and mounted and fell like the illumined filmy +skirts of some invisible Titanic serpentine dancer, madly pirouetting +across a carpet of stars. Then suddenly it all fell into a dull +ember-glow and flashed out. The ragged moon dropped out of the +southwestern sky. In the chill of the night, gray, dense fog wraiths +crawled upon the hidden face of the waters. + +Again I dozed and awakened with the sense of having stopped suddenly. A +light wind had arisen and we were fast on a bar. Frank and I took our +blankets out on the sand, rolled up and went to sleep. + +The red of dawn awoke us as though some one had shouted. Frank and I sat +up and stared about. A white-tail deer was drinking at the river's edge +three hundred yards away. So far as we were concerned, it was a +dream-deer. We blinked complacently at it until it disappeared in the +brush. Then we thought of the rifle. + +We were all stiff and chilled. The boats were motionless in shallow +water. We all got out in the stream that felt icy to us, and waded the +crafts into the channel. Incidentally we remembered Texas and his +wisdom. + +The time was early August; but nevertheless there was a tang of frost in +the air and the river seemed to flow not water but a thick frore fog. I +smelled persimmons distinctly--it was that cold; brown spicy persimmons +smashed on crisp autumn leaves down in old Missouri! The smell haunted +me all morning like a bitter-sweet regret. + +We breakfasted on flapjacks and, separating the boats, put off. The +skiff left us easily and disappeared. A head wind arose with the sun and +increased steadily. By eleven o'clock it blew so strongly that we could +make no headway with the rude paddles, and the waves, rolling at least +four feet from trough to crest, made it impossible to hold the boat in +course. We quit paddling, and got out in the water with the line. Two +pulled and one pushed. All day we waded, sometimes up to our necks; +sometimes we swam a bit, and sometimes we clung to the boat and kicked +it on to the next shallows. Our progress was ridiculously slow, but we +kept moving. When we stopped for a few minutes to smoke under the lee of +a bank, our legs cramped. + +To lay up one day would be only to establish a precedent for day after +day of inactivity. The prevailing winds would be head winds. We clung +to the shoddy hope held out by that magic name--Milk River. We knew too +well that Milk River was only a snare and a delusion; but one must fight +toward something--it makes little difference what you call that +something. A goal, in itself, is an empty thing; all the virtue lies in +the moving toward the goal. + +Often we sank deep in the mud; often at the bends we could scarcely +forge against the blast that held us leaning to the pull. Noon came and +still we had not overtaken the skiff. Dark came, and we had not yet +sighted it. But with the sun, the wind fell, and we paddled on, lank and +chilled. About ten o'clock we sighted the campfire. + +We ate flapjacks once more--delicious, butterless flapjacks!--and then +once more we put off into the chill night. We made twelve miles that +day, and every foot had been a fight. I wanted to raise it to +twenty-five before sunrise. No one grumbled this time; but in the light +of the campfire the faces looked cheerless--except the Kid's face. + +We huddled up in our blankets and, naturally, all of us went to sleep. A +great shock brought us to our feet. The moon had set and the sky was +overcast. Thick night clung around us. We saw nothing, but by the +rocking of the boats and the roaring of the river, we knew we were +shooting rapids. + +Still dazed with sleep, I had a curious sense of being whirled at a +terrific speed into some subterranean suck of waters. There was nothing +to do but wait. We struck rocks and went rolling, shipping buckets of +water at every dip. Then there was a long sickening swoop through utter +blackness. It ended abruptly with a thud that knocked us down. + +We found that we were no longer moving. We got out, hanging to the +gunwales. The boats were lodged on a reef of rock, and we were obliged +to "walk" them for some distance, when suddenly the water deepened, and +we all went up to our necks. And the night seemed bitterly cold. I never +shivered more in January. + +It was yet too dark to find a camping place; so we drifted on until the +east paled. Then we built a great log fire and baked ourselves until +sunrise. + +Day after day my log-book begins with the words, "Heavy head winds," and +ends with "Drifted most of the night." We covered about twenty-five +miles every twenty-four hours. Every day the cooks grumbled more; and +Bill had a way of staring wistfully into the distance and talking about +home, that produced in me an odd mixture of anger and pity. + +We had lost our map: we had no calendar. Time and distance, curiously +confused, were merely a weariness in the shoulders. + + + + +CHAPTER VII + +ON TO THE YELLOWSTONE + + +At last one evening (shall I confess it?) we had blue-crane soup for +supper! + +Now a flight of gray-blue cranes across a pearl-gray sky, shot with +threads of evening scarlet, makes a masterly picture: indeed, an effect +worthy of reproduction in Art. You see a Japanese screen done in heroic +size; and it is a sight to make you long exquisitely for things that are +not--like a poet. But---- + +Let us have no illusions about this matter! Crane soup is not +satisfactory. It looks gray-blue and tastes gray-blue, and gives to your +psychic inwardness a dull, gray-blue, melancholy tone. And when you +nibble at the boiled gray-blue meat of an adult crane, you catch +yourself wondering just what sort of _ragout_ could be made out of +boots; you have a morbid longing to know just how bad such a _ragout_ +would really be! + +Hereafter on whatever trails I may follow, blue cranes shall be used +chiefly for Japanese screen effects. Little by little (the latent +philosopher in me emerges to remark) by experience we place not only +ourselves but all things in their proper places in the universe. This +process of fitting things properly in one's cosmos seems to be one of +the chief aims of conscious life. Therefore I score one for +myself--having placed blue cranes permanently in that cosmic nook given +over to Japanese screen effects! + +Next morning we pushed on. The taste of that crane soup clung to me all +day like the memory of an old sorrow dulled by time. + +Deer tracks were plentiful, but it has long been conceded that the +tracks are by far the least edible things pertaining to an animal. +Cranes seemed to have multiplied rapidly. Impudently tame, they lined +the gravel-bars, and regarded us curiously as we fought our way past +them. Now and then a flock of wild ducks alighted several hundred yards +from us. We had only a rifle. To shoot a moving duck out of a moving +boat with a rifle is a feat attended with some difficulties. Once we +wounded a wild goose, but it got away; which offended our sense of +poetic justice. After crane soup one would seem to deserve roast goose. + +I scanned the dreary monotonous valleys stretching away from the river. +We had for several days been living on scenery, tobacco, and flapjacks. +The scenery had flattened out, tobacco was running low; but the +flapjacks bid fair to go on forever. I sought in my head for the exact +adjective, the particular epithet with the inevitable feel about it, +with which to describe that monotonous melancholy stretch. Every time I +tried, I came back to the word "_baconless_." The word took on exquisite +overtones of gray meaning, and I worked up those overtones until I had a +perfectly wrought melancholy poem of one word--"_Baconless_." For, after +all, a poem never existed upon paper, but lives subtly in the +consciousness of the poet, and in the minds of those who understand the +poet through the suggestiveness of his written symbols, and their own +remembered experiences. + +But during the next morning, poetic justice worked. A rider mounted on a +piebald pony appeared on the bank and shouted for us to pull in. + +I suddenly realized why a dog wags his tail at a stranger. But the +feeling I had was bigger than that. This mounted man became at once for +me the incarnation of the meaning of bacon! + +When two parties meet and each wants what the other can give, it doesn't +take long to get acquainted. The rider was a youth of about seventeen. +One glance at his face told you the story of his rearing. He was +unmistakably city-bred, and his hands showed that his life had begun too +easy for his own good. + +"From the East?" he questioned joyously. "Say, you know little old New +York, don't you? When were you there last?" + +The lad was hungry, but not for bacon. Alas! Our hunger was the +healthier one! We talked of New York. "Mother's in Paris," he +volunteered, "and Dad's in New York meeting her bills. But the Old Man's +got a grouch at me, and so he sent me 'way out here in this God-forsaken +country! Say, what did they make this country for? Got any tailor-made +cigarettes about you? How did Broadway look when you were there last? +Lights all there yet at night? I've been here two years--it seems like +two hundred! Talk about Robinson Crusoe! Say, I've got him distanced!" + +I helped him build up a momentary Broadway there in the wilderness--the +lights, the din, the hurrying, jostling theater crowds, the cafés, +faces, faces--anguished faces, eager faces, weary faces, painted faces, +squalor, brilliance. For me the memory of it only made me feel the pity +of it all. But the lad's eyes beamed. He was homesick for Broadway. + +I changed the subject from prose to poetry; that is, from Broadway to +bacon. + +"Wait here till I come back," said the lad, mounting. He spurred up a +gulch and disappeared. In an hour he reappeared with a half strip of the +precious stuff. "Take money for it? Not on your life!" he insisted. +"You've been down there, and that goes for a meal ticket with me!" + +Fried bacon! And flapjacks sopped in the grease of it! After all, a +banquet is very much a state of mind. + +When we pulled away, the ostracized New Yorker bade us farewell with a +snatch of a song once more or less popular: "Give my regards to +Broadway!" + +We pushed on vigorously now. The head wind came up. _The head wind!_ It +seemed one of the eternal things. We paddled and cordelled valiantly, +discussing Milk River the while. We had grown very credulous on that +subject. Somehow or other an unlimited supply of gasoline was all the +engine needed for the complete restoration of its health; and Milk River +stood for gasoline in liberal quantities. Hope is generally represented +by the poets as a thing winged and ethereal; nevertheless it can be fed +on bacon. + +The next morning we arrived at the mouth of what we took to be Hell +Creek, which flows (when it has any water in it!) out of the Bad Lands. +It didn't take much imagination to name that creek. The whole country +from which it debouches looks like Hell--"with the lights out," as +General Sully once remarked. A country of lifeless hills that had the +appearance of an endless succession of huge black cinder heaps from +prehistoric fires. + +The wind had increased steadily all day, and now we saw ahead of us a +long rolling stretch of wind-lashed river that discouraged us somewhat. +A gray mist rolled with the wind, and dull clouds scudded over. We +pitched camp in a clump of cottonwoods and made flapjacks; after which +the Kid and I, taking our blankets and the rifle, set out to explore +Hell Creek. + +[Illustration: REVEILLE!] + +[Illustration: THE PEN AND KEY RANCH.] + +The windings of the ravine soon hid us from the river, and we found +ourselves in a melancholy world, without life and without any human +significance. It was very easy to imagine one's self lost amid the drear +ashen craters of the moon. We pushed on up the creek, kicking up clouds +of alkali dust as we went. A creek of a burnt-out hell it was, to be +sure. It seemed almost blasphemous to call this arid gully a creek. Boys +swim in creeks, and fishes twinkle over the shallows where the sweet +eager waters make a merry sound. Creek, indeed! Did a cynic name this +dry ragged gash in the midst of a bleak black world where nothing lived, +where never laughter sounded? + +A seething, fiery ooze might have flowed there once, but surely never +did water make music there. + +We pushed on five or six miles, and the evening shade began to press in +about us. At last we issued forth into a flat basin, surrounded by the +weird hills--a grotesque, wind-carved amphitheater, admirably suited for +a witches' orgy. Some bleached bison heads with horns lay scattered +about the place, and a cluster of soapweeds grew there--God knows how! +They thrust their sere yellow sword-blades skyward with the pitiful +defiance of desperate things. It seemed natural enough that something +should be dead in this sepulcher; but the living weeds, fighting +bitterly for life, seemed out of place. + +I looked about and thought of Poe. Surely just beyond those summits +where the melancholy sky touched the melancholy hills, one would come +upon the "dank tarn of Auber" and the "ghoul-haunted woodland of Weir." + +We gathered a quantity of the dry sword-bladed soapweeds, and with one +of the blankets made a lean-to shelter against the steep hillside. The +place was becoming eerie in the gray evening that spread slowly over the +dead land. The mist driven by the moaning wind became a melancholy +drizzle. We dragged the soapweeds under cover and lit a fire with +difficulty. It was a half-hearted, smudgy, cheerless fire. + +And then the night fell--tremendous, overpowering night! The Kid and I, +huddled close in one blanket, thrust our heads out from under the +shelter and watched the ghastly world leap by fits out of the dark, when +the sheet lightning flared through the drizzle. It gave one an odd +shivery feeling. It was as though one groped about a strange dark room +and saw, for a brief moment in the spurting glow of a wind-blown +sulphur match, the staring face of a dead man. Over us the great wind +groaned. Water dripped through the blanket--like tears. We scraped the +last damp ends of the weeds together that the fire might live a little +longer. Byron's poem came back to me with a new force; and lying on my +stomach in the cheerless drip before a drowning fire, I chanted snatches +of it aloud to the Kid and to that sinister personality that was the +Night. + + I had a dream which was not all a dream; + The bright sun was extinguished, and the stars + Did wander darkling in eternal space, + Rayless and pathless; and the icy earth + Swung blind and blackening in the moonless air. + +Low thunder shook the ink-sopped night--I thought of it as the Spirit of +Byron applauding his own terrific lines. + + A fearful hope was all the world contained; + Forests were set on fire--but hour by hour + They fell and faded--and the crackling trunks + Extinguished with a crash--and all was black. + +Out in the wind-voiced darkness, swept by spasmodic deluges of rapid +flame and muffled thunder, it seemed I could hear the dream-forests of +the moody Master crackling and booming in the gloom. + + --looked up + With mad disquietude on the dull sky, + The pall of a past world. + +"Say, how long is that piece?" asked the Kid. + + And vipers crawled + And twined themselves among the multitude, + Hissing-- + +We wondered if there might not be some rattlesnakes in that vicinity. + + --They raked up + And, shivering, scraped with their cold skeleton hands + The feeble ashes, and their feeble breath + Blew for a little life, and made a flame + Which was a mockery; then they lifted up + Their eyes as it grew brighter, and beheld + Each other's aspects--saw and shrieked and died-- + +"Cut that out!" said the Kid. + +"Why?" I asked. + +"Because," said the Kid. + +But what are Bad Lands for? I had hoped to chant a bit of James Thomson, +the younger, also, there in that "dreadful night." I never was in a +place where it seemed to fit so well. + +But we huddled up in our blanket under the dripping shelter, and that +was a long night. The soppy gray morning came at length. A midsummer +morning after a night of rain--and yet, no bird, no hopeful greenery, no +sense of the upward yearning Earth-Soul! + +When we sighted the Missouri River again, the sun had broken through +upon the greengirt, glinting stream. It seemed like Paradise. + +By almost continuous travel we reached Lismus Ferry on the second +morning from Hell Creek. The ferryman had a bit of information for us. +We would find nothing at the mouth of Milk River but a sandbar, he +advised us. But he had some ointment to apply to the wound thus +inflicted, in that Glasgow, a town on the Great Northern, was only +twenty-five miles inland. The weekly stage had left on the morning +before; but the ferryman understood that the trail was not overcrowded +with pedestrians. + +It was a smarting ointment to apply to so fresh a wound; but we took the +medicine. Frank, Charley, and I set out at once for Glasgow, leaving the +others at camp to repair the leaking boat during our absence. The stage +trail led through an arid, undulating prairie of yellow buffalo grass. +There were creek beds, but they were filled with dust at this season of +the year. The Englishman set the pace with the stride of the +long-legged. The sun rose high; the dry runs reminded us unpleasantly of +our increasing thirst, and the puffing wind blew hot as from a distant +prairie fire. + +I followed at the Englishman's heels, and by and by it began to occur to +me that he could walk rather rapidly. The Frenchman trailed after at a +steadily increasing distance, until finally I could no longer hear his +forceful remarks (uttered in two languages) concerning a certain corn +which he possessed. We had been cramped up in a boat for several weeks, +and the frequent soakings in the cold water had done little good to our +joints. None of us was fit for walking. I kept back a limp until the +Englishman ahead of me began to step with a little jerking of the knees; +and then with an almost vicious delight, I gave over and limped. I never +knew before the great luxury of limping. We covered the distance in +something less than six hours. + +The next morning, in a drizzling rain, each packing a five-gallon can of +gasoline and some provisions, we set out for the Ferry; and it was a +sorry, bedraggled trio that limped up to camp eight hours later. We did +little more than creep the last five miles. And all for a spiteful +little engine that might prove ungrateful in the end! + +It rained all night--a cold, insistent downpour. Our log fire was +drowned out; the tent dripped steadily; our blankets got soppy; and +three of us were so stiff that the least movement gave keen pain. + +Soppy dawn--wet wood--bad grub for breakfast--and bad humor concealed +with difficulty; but through it all ran a faint note of victory at the +thought of the gasoline, and the way that engine would go! We lay in +camp all day--soppy, sore--waiting for the rain to let up. By way of +cheering up I read _L'Assomoir_; and a grim graveyard substitute for +cheer it was. But the next day broke with a windy, golden dawn. We +filled the tank, packed the luggage and lo! the engine worked! It took +all the soreness out of our legs to see it go. + +We rejoiced now in the heavy and steadily increasing head wind; for it +was like conquering an old enemy to go crashing through the rolling +water that had for so many days given us pitiless battle. + +For five or six miles we plunged on down the wind-tumbled river. There +was a distinct change in the temper of the crew. A vote at that time +would have been unanimous for finishing at New Orleans. + +_Squash!_ + +The engine stopped; the _Atom_ swung round in the trough of the waves, +and the tow-skiff rammed us, trying to climb over our gunwale. We +wallowed in the wash of a bar, and cranked by turns. At the end of an +hour no illusions were left us. Holding an inquest over the engine, we +pronounced it dead. + +In the drear fag end of the windy day, soaked from much wading and weary +of paddling with little headway, we made camp in a clump of scarlet +bull-berry bushes; and by the evening fire two talked of railroad +stations, one talked of home, and I thought of that one of the "soldiers +three" who "swore quietly into the sky." + +The Milk River illusion was lost. Two hundred miles below was the mouth +of the Yellowstone--the first station in the long journey. A few days +back we had longed for gasoline; but there was no one to sell. Now we +had fifteen gallons to sell--and there was no one to buy. The hope +without the gasoline was decidedly better than the gasoline without the +hope. Whereat the philosopher in me emerges to remark--but who cares? +Philosophy proceeds backward, and points out errors of thought and +action chiefly when it has become too late to mend them. But it is +possible to be poor in the possession of erstwhile prospective wealth, +and rich in retrospective poverty. Oh, blessed is he who is negatively +rich! + +Being a bit stunned by the death of the hope conceived in weariness, we +did not put off that night, but huddled up in our blankets close to the +log fire; for this midsummer night had in it a tang of frost. + +Day came--cloudy and cold--blown over the wilderness by a wind that made +the cottonwoods above us groan and pop. The waves were higher than we +had seen them before. We had little heart for cordelling, and no +paddling could make headway against that gale. It was Sunday. Everything +was damp and chilly. Shivers ran up our backs while we toasted our feet +and faces; and the wind-whipped smoke had a way of blowing in every +direction at once. Charley struggled with the engine, which now and then +made a few revolutions--backwards--by way of leading him on. He heaped +big curses upon it, and it replied periodically with snorts of rage. + +Bad blood developed, and mutiny ensued, which once gave promise of +pirate-story developments--fortunately warded off. Before the day was +done, it was made plain that the Kid and I would travel alone from the +mouth of the Yellowstone. "For," said the Kid with certain virile +decorations of speech, "I'm going with you if we have to buy skates!" + +The wind fell at sunset. A chill, moonless, starry night lured me, and I +decided to travel. The mutineers, eager to reach a railroad as soon as +possible, agreed to go. The skiff led and the _Atom_ followed with +paddles. A mile or so below we ran into shallows and grounded. We waded +far around in the cold water that chilled us to the marrow, but could +find neither entrance nor outlet to the pocket in which we found +ourselves. Wading ashore, we made a cheerless camp in the brush, leaving +the boats stuck in the shallows. For the first time, the division in the +camp was well marked. The Kid and I instinctively made our bed together +under one blanket, and the others bunked apart. We had become the main +party of the expedition; the others were now merely enforced camp +followers. It was funny in an unpleasant way. + +In the morning a sea of stiff fog hid our boats. Packing the camp stuff +on our backs, we waded about and found the crafts. + +At last, after a number of cheerless days and nights of continuous +travel, the great, open, rolling prairies ahead of us indicated our +approach toward the end of the journey's first stage. The country began +to look like North Dakota, though we were still nearly two hundred miles +away. The monotony of the landscape was depressing. It seemed a thousand +miles to the sunrise. The horizon was merely a blue haze--and the +endless land was sere. The river ran for days with a succession of +regularly occurring right-angled bends to the north and east. Each +headland shot out in the same way, with, it seemed, the same snags in +the water under it, and the same cottonwoods growing on it; and opposite +each headland was the same stony bluff, wind- and water-carved in the +same way: until at last we cried out against the tediousness of the +oft-repeated story, wondering whether or not we were continually passing +the same point, and somehow slipping back to pass it again. + +But at last we reached Wolf Point--the first town in five hundred miles. +We had seen no town since we left Benton. An odd little burlesque of a +town it was; but walking up its main street we felt very metropolitan +after weeks on those lonesome river stretches. + +Five Assiniboine Indian girls seemed to be the only women in the town. I +coaxed them to stand for a photograph on the incontestable grounds that +they were by far the prettiest women I had seen for many days! The +effect of my generous praise is fixed forever on the pictured faces +presented herewith. + +Here, during the day, Frank and Charley disposed of their skiff and we +saw them no more. We pushed on with little mourning. But in a spirit of +fairness, let me record that Charley's biscuits were marvels, and that +Frank's _gâteaux à la chansonnette_ were things of beauty and therefore +joys forever. + +[Illustration: ASSINIBOINE INDIAN CHIEF.] + +[Illustration: ASSINIBOINE INDIAN CAMP.] + +The days that followed were long and hard; and half the chilly nights +were spent in drying ourselves before a roaring fire. There were more +mosquitoes now. They began to torture us at about five o'clock in the +afternoon, and left off only when the cold of night came, relieving us +of one discomfort by the substitution of another. Bill, of whom I had +come to think as the expatriated turnip, gave me an opportunity to study +homesickness--at once pitiful and ludicrous in a man with abundant +whiskers. But he pulled strenuously at the forward paddle, every stroke +as he remarked often, taking him closer to home. + +The river had fallen alarmingly, and was still falling. Several times we +were obliged to unload the entire cargo, piling it high in the shallow +water, that we might be able to carry the empty boat to the channel. + +One evening we came upon a typical Montana ranch--the Pen and Key. The +residence, barns, sheds, fences were built of logs. The great rolling +country about it was thickly dotted with horses and cattle. The place +looked like home. It was a sight from Pisgah--a glimpse of a Promised +Land after the Wilderness. We pulled in, intending to buy some +provisions for the last stage of the journey to the Yellowstone. + +I went up to the main ranch-house, and was met at the door by one of +those blessed creatures that have "mother" written all over them. Hers +were not the eyes of a stranger. She looked at me as she must look at +one of her sons when he returns from an extended absence. I told at +once the purpose of my errand, explaining briefly what we were doing on +the river. Why, yes, certainly we could have provisions. But we weren't +going any farther that night--were we? The rancher appeared at this +moment--a retired major of the army, who looked the part--and decided +that we would stay for supper. How many were there in our party? Three? +"Three more plates," he said to the daughters of the house, busy about +the kitchen. + +Let's be frank! It really required no persuasion at all to make a guest +of me. Had I allowed myself adequate expression of my delight, I should +have startled the good mother by turning a somersault or a series of +cartwheels! Oh, the smell of an old-fashioned wholesome meal in process +of development! + +A short while back I sang the praises of the feast in the open--the +feast of your own kill, tanged with the wood smoke. And even here I +cling to the statement that of all meals, the feast of wild meat in the +wilderness takes precedence. But the supper we ate that evening takes +close second. Welcome on every face!--the sort of welcome that the most +lavish tips could not buy. And after the dishes were cleared away, they +brought out a phonograph, and we all sat round like one family, swapping +information and yarns even up, while the music went on. When we left +next morning at sunrise, it seemed that we were leaving home--and the +river reaches looked a bit dismal all that day. + +Having once been a vagabond in a non-professional way, I have a theory +about the physiognomy of houses. Some have a forbidding, +sick-the-dog-on-you aspect about them, not at all due, I am sure, to +architectural design. Experience has taught me to be suspicious of such +houses. Some houses have the appearance of death--their windows strike +you as eyeless sockets, the doors look like mouths that cannot speak. +The great houses along Fifth Avenue seemed like that to me. I could walk +past them in the night and feel like a ghost. I have seen cottages that +I wanted to kneel to; and I'm sure this feeling wasn't due to the vine +growing over the porch or the roses nodding in the yard. Knock at the +door of such a house, and the chances are in favor of your being met by +a quiet, motherly woman--one who will instantly make you think of your +own mother. Some very well constructed houses look surly, and some +shabby ones look kind, somehow. If you have ever been a book agent or a +tramp, how you will revel in this seeming digression! God grant that no +man in need may ever look wistfully at your house or at mine, and pass +on with a shake of the head. It is a subtle compliment to have book +agents and tramps frequently at one's door. + +Am I really digressing? My theme is a trip on a great river. Well, +kindness and nature are not so far apart, let us believe. + +Now this ranch-house looked hospitable; there was no mistaking it. +Wherefore I deduce that the spirit of the inhabitants must pierce +through and emanate from the senseless walls like an effluvium. Who +knows but that every house has its telltale aura, plain to a vision of +sufficient spiritual keenness? Perhaps some one will some day write a +book _On the Physio-Psychological Aspect of Houses_: and there will be +an advance sale of at least one copy on that book. + +At noon on the fourth day from the Pen and Key Ranch, we pulled up at +the Mondak landing two miles above the mouth of the Yellowstone. We were +thoroughly soaked, having dragged the boat the last two or three miles +through the shallows and intermittent deeps of an inside channel. The +outer channel was rolling viciously in that eternal thing, the head +wind. We had covered the first six hundred miles with a power boat +(called so, doubtless, because it required so much power to shove it +along!) in a little less than four weeks. During that time we had +received no mail, and I was making a break for the post-office, oozing +and feeling like an animated sponge, when a great wind-like voice roared +above me: "_Hey there!_" + +I looked up to the hurricane deck of a steamer that lay at the bank +taking on freight. A large elderly man, dressed like a farmer, with an +exaggerated straw hat shading a face that gripped my attention at once, +was looking down at me. It was the face of a born commander; it struck +me that I should like to have it cast in bronze to look at whenever a +vacillating mood might seize me. + +"_Come aboard!_" bawled the man under the ample hat. There was nothing +in the world just then that I wished for more than my mail; but somehow +I felt the will to obey--even the necessity of obeying. + +"You came from Benton?" he asked, when I had clambered up the forward +companionway and stood dripping before the captain of the steamer +_Expansion_. At this closer range, the strength of the face was even +more impressive, with its eagle beak and its lines of firmness; but a +light of kindness was shed through it, and the eyes took on a gentle +expression. + +"How did you find the water?" + +"Very low, sir; we cordelled much of the way." + +"I tried to get this boat to Benton," he said, "and got hung up on the +rocks above Lismus Ferry." + +"And we drifted over them helter-skelter at midnight!" + +He smiled, and we were friends. Thus I met Captain Grant Marsh, the +Grand Old Man of the Missouri River. He was freighting supplies up the +Yellowstone for the great Crane Creek irrigation dam, sixty miles above +the mouth. The _Expansion_ was to sail on the following day, and I was +invited to go along. Seeing that the Captain was short of help, I +insisted upon enlisting as a deck hand for the trip. + +It was work. I think I should prefer hod-carrying as a profession, for +we had a heavy cargo, ranging from lumber and tiling to flour and beer; +and there are no docks on the Yellowstone. The banks were steep, the sun +was very hot, and the cargo had to be landed by man power. My companions +in toil swore bitterly about everything in general and steamboating in +particular. + +"How much are you getting?" asked a young Dane of me, as we trudged up +the plank together. + +"Nothing at all," I said. + +He swore an oath of wonder, and stopped to look me over carefully for +the loose screw in my make-up. + +"--nothing but the fun of it," I added. + +He sniffed and looked bewildered. + +"Did it ever occur to you," said I, "that a man will do for nothing what +he wouldn't do for money?" + +I could see my conundrum playing peek-a-boo all about his stolid +features. After that the Dane treated me with an air of superiority--the +superiority of thirty dollars per month over nothing at all. + +We stopped twice to coal, and worked far into the night. There are no +coal chutes on the Yellowstone. We carried and wheeled the stuff aboard +from a pile on the bank. During a brief interval of rest, the young +Dane announced to the others that I was working for nothing; whereat +questioning eyes were turned upon me in the dull lantern light. And I +said to myself: I can conceive of heaven only as an improbable condition +in which all men would be willing and able to work for nothing at all. I +had read in the Dane's face the meaning of a price. Heaving coal, I +built Utopias. + +When the boat was under way, I sat in the pilot-house with the Captain, +watching the yellow flood and the yellow cliffs drift past like a +vision. And little by little, this old man who has followed the river +for over sixty years, pieced out the wonderful story of his life--a +story fit for Homer. That story may now be read in a book, so I need not +tell it here. But I came to think of him as the incarnation of the +river's mighty spirit; and I am proud that I served him as a deck hand. + +As we steamed out of the Yellowstone into the clear waters of the +Missouri, the Captain pointed out to me the spot upon which Fort Union +stood. Upon landing, I went there and found two heaps of stone at the +opposite corners of a rectangle traced by a shallow ditch where of old +the walls stood. This was all that remained of the powerful +fort--virtually the capital of the American Fur Company's Upper Missouri +empire--where Mackenzie ruled--Mackenzie who was called King! + +Long slough grass grew there, and blue waxen flowers struggled up amid +the rubble of what were once defiant bastions. I lay down in the +luxuriant grass, closed my eyes, and longed for a vision of heroic days. +I thought of the Prince who had been entertained there with his great +retinue; of the regality of the haughty Scotchman who ruled there; of +Alexander Harvey, who had killed his enemy on the very spot, doubtless, +where I lay: killed him as an outraged brave man kills--face to face +before the world. I thought of Bourbonais, the golden-haired Paris of +this fallen Ilium. I thought of the plague that raged there in '37, and +of Larpenteur and his friend, grim, jesting carters of the dead! + +It all passed before me--the unwritten Iliad of a stronghold forgotten. +But the vision wouldn't come. The river wind moaned through the grasses. + +I looked off a half mile to the modern town of Mondak, and wondered how +many in that town cared about this spot where so much had happened, and +where the grass grew so very tall now. + +I gathered blue flowers and quoted, with a slight change, the lines of +Stevenson: + + But ah, how deep the grass + Along the battlefield! + + + + +CHAPTER VIII + +DOWN FROM THE YELLOWSTONE + + +The geographer tells us that the mouth of the Missouri is about +seventeen miles above St. Louis, and that the mouth of the Yellowstone +is near Buford, North Dakota. It appeared to me that the fact is +inverted. The Missouri's mouth is near Buford, and the Yellowstone +empties directly into the Mississippi! + +I find that I am not alone in this opinion. Father de Smet and other +early travelers felt the truth of it; and Captain Marsh, who has piloted +river craft through every navigable foot of the entire system of rivers, +having sailed the Missouri within sound of the Falls and the Yellowstone +above Pompey's Pillar, feels that the Yellowstone is the main stem and +the Missouri a tributary. + +Where the two rivers join, even at low water, the Yellowstone pours a +vast turbulent flood, compared with which the clear and quieter +Missouri appears an overgrown rain-water creek. The Mississippi after +some miles obliterates all traces of its great western tributary; but +the Missouri at Buford is entirely lost in the Yellowstone within a few +hundred yards. All of the unique characteristics by which the Missouri +River is known are given to it by the Yellowstone--its turbulence, its +tawniness, its feline treachery, its giant caprices. + +Examine closely, and everything will take on before your eyes either +masculine or feminine traits. Gender, in a broad sense, is universal, +and nothing was created neuter. The Upper Missouri is decidedly female: +an Amazon, to be sure, but nevertheless not a man. Beautiful, she is, +alluring or terrible, but always womanlike. But when you strike the +ragged curdling line of muddy water where the Yellowstone comes in, it +is all changed. You feel the sinewy, nervous might of the man. + +So it is, that when you look upon the Missouri at Kansis City, it is the +Yellowstone that you behold! + +[Illustration: ON THE HURRICANE DECK OF THE "EXPANSION"; CAPT. MARSH +THIRD FROM THE LEFT.] + +[Illustration: FORT UNION IN 1837.] + +[Illustration: SITE OF OLD FORT UNION.] + +But names are idle sounds; and being of a peace-loving disposition, I +would rather withdraw my contention than seriously disturb the +geographical _status quo_! Let it be said that the Upper Missouri is the +mother and the Yellowstone the father of this turbulent Titan, who +inherits his father's might and wonder, and takes through courtesy the +maiden name of his mother. There! I am quite appeased, and the +geographers may retain their nomenclature. + +At Mondak, Luck stood bowing to receive us. The _Atom I_ had suffered +more from contact with snags and rocks than we had supposed. For several +hundred miles her intake of water had steadily increased. We had toiled +at the paddles with the water halfway to our knees much of the time; +though now and then--by spasms--we bailed her dry. She had become a +floating lump of discouragement, and still fourteen hundred miles lay +ahead. + +But on the day previous to our sailing, a nervous little man with a +wistful eye offered us a trade. He had a steel boat, eighteen feet long, +forty inches beam, which he had built in the hours between work and +sleep during the greater part of a year. + +His boat was some miles up the Yellowstone, but he spoke of her in so +artless and loving a manner--as a true workman might speak--and with +such a wistful eye cast upon our boat, that I believed in him and his +boat. He had no engine. It was the engine in our boat that attracted +him, as he wished to make a hunting trip up river in the fall. He stated +that his boat would float, that it was a dry boat, that it would row +with considerable ease. "Then," said I, "paddle her down to the mouth of +the Yellowstone, and the deal is made." After dark he returned to our +camp with a motor boat, ready to take us to our new craft, _Atom II_. + +Leaving all our impedimenta to be shipped by rail, that is, Bill, the +tent, extra blankets, phonograph--everything but a few cooking-utensils, +an ax, a tarp, and a pair of blankets--the Kid and I got in with the +little man and dropped down to the Yellowstone. The new boat was moored +under a mud bank. I climbed in, lit a match, and my heart leaped with +joy. She was staunch and beautiful--a work of love, which means a work +of honesty. Fore and aft were air-tight compartments. She had an oil +tank, a water tank, engine housing, steering wheel, lockers. She was +ready for the very engine I had ordered to be shipped to me at Bismarck. +She was dry as a bone, and broad enough to make a snug bed for two. + +The little man and the motor boat dropped out into the gloom and left us +gloating over our new possession, sending thankful rings of tobacco +smoke at the stars. When the first flush of triumph had passed, we +rolled up in the bottom of the boat, lulled to sleep by the cooing of +the fusing rivers, united under our gunwale. Such a sleep--a _dry_ +sleep! and the sides of the boat protected us against the chill night +wind. + +And the dawn came--shouting merrily like a boy! I once had a chum who +had a habit of whistling me out of bed now and then of a summer morning, +when the birds were just awakening, and the dew looked like frost on the +grass. And the sun that morning made me think of my old boy chum with +his blithe, persistent whistling. For the first hard stage of the +journey was done; all had left me but a brave lad who would take his +share of the hardships with a light heart. (All boys are instinctively +true sportsmen!) And before us lay the great winding stretch of a savage +river that I had loved long--the real Missouri of my boyhood. + +A new spirit had come upon us with the possession of the _Atom II_--the +spirit of the forced march. For nearly a month we had floundered, +trusting to a sick engine and inefficient paddles. Now we had a staunch, +dry boat, and eight-foot oars. We trusted only ourselves, and we were +one in the desire to push the crooked yellow miles behind us. During the +entire fourteen hundred miles that desire increased, until our progress +was little more than a retreat. We pitched no camps; we halted only when +we could proceed no further owing to sandbars encountered in the dark; +we ate as we found it convenient to do so. Regularly relieving each +other at the oars, one sat at the steering wheel, feeling for the +channel. And it was not long until I began to note a remarkable change +in the muscles of the Kid, for we toiled naked to the waist most of the +time. His muscles had shown little more than a girl's when we first swam +together at Benton. Now they began to stand out, clearly defined, those +of his chest sprawling rigidly downward to the lean ribs, and little +eloquent knots developed on the bronzed surface of his once smooth arms. +He was at the age of change, and he was growing into a man before my +eyes. It was good to see. + +All the first day the gods breathed gently upon us, and we made fifty +miles, passing Trenton and Williston before dark. But the following day, +our old enemy, the head wind, came with the dawn. We were now sailing a +river more than twice the size of the Upper Missouri, and the waves were +in proportion. Each at an oar, with the steering wheel lashed, we forged +on slowly but steadily. In midstream we found it impossible to control +the boat, and though we hugged the shore whenever possible, we were +obliged to cross with the channel at every bend. When the waves caught +us broadside, we were treated to many a compulsory bath, and our clothes +were thoroughly washed without being removed. An ordinary skiff would +have capsized early in the day, but the _Atom II_ could carry a full +cargo of water and still float. + +By sunset the wind fell, the river smoothed as a wrinkled brow at the +touch of peace. Aided by a fair current, we skulled along in the hush of +evening through a land of vast green pastures with "cattle upon a +thousand hills." The great wind had spread the heavens with ever +deepening clouds. The last reflected light of the sun fell red upon the +burnished surface of the water. It seemed we were sailing a river of +liquefied red flame; only for a short distance about us was the water +of that peculiar Missouri hue which makes one think of bad coffee +colored with condensed milk. + +Slowly the colors changed, until we were in the midst of a stream of +iridescent opal fires; and quite lost in the gorgeous spectacle, at +length we found ourselves upon a bar. + +We got out and waded around in water scarcely to our ankles, feeling for +a channel. The sand was hard; the bar seemed to extend across the entire +river; but a thin rippling line some fifty yards ahead told us where it +ended. We found it impossible to push the heavy boat over the shallows. +The clouds were deepening, and the night was coming rapidly. Setting the +Kid to work digging with an oar at the prow, I pushed and wriggled the +stern until I saw galaxies. Thus alternately digging and pushing, we at +last reached navigable depths. + +It was now quiet and dark. Low thunder was rolling, and now and then +vivid flashes of lightning discovered the moaning river to us--ghastly +and forbidding in the momentary glare. We decided to pull in for the +night; but in what direction should we pull? A drizzling rain had begun +to fall, and the sheet lightning glaring through it only confused +us--more than the sooty darkness that showered in upon us after the +rapid flashes. We sat still and waited. In the intermittent silences, +the rain hissed on the surface of the river like a shower of innumerable +heated pebbles. Ahead of us we heard the dull booming of the cut banks, +as the current undermined ponderous ledges of sand. + +Now, a boat that happens under a falling cut bank, passes at once into +the region of forgotten things. The boat would follow the main current; +the main current flows always under the cut banks. How long would it +take us to get there? Which way should we pull? Put a simpler question: +In which way were we moving? We hadn't the least conception of +direction. For us the night had only one dimension--_out_! + +Finally a great booming and splashing sounded to our left, and the boat +rocked violently a moment after. We grasped the oars and pulled blindly +in what we supposed to be the opposite direction, only to be met by +another roar of falling sand from that quarter. + +There seemed to be nothing to do but have faith in that divinity which +is said to superintend the goings and coming of fools and drunkards. +Therefore we abandoned the oars, twiddled our thumbs, and let her drift. +We couldn't even smoke, for the rain was now coming down merrily. The +Kid thought it a great lark, and laughed boisterously at our +predicament. By flashes I saw the drenched grin under his dripping nose. +But for me, some lines written by that sinister genius, Wainwright, came +back with a new force, and clamored to be spoken: + +_"Darkness--sooty, portentous darkness--shrouds the whole scene; as if +through a horrid rift in a murky ceiling, a rainy deluge--'sleety flaw, +discolored water'--streams down amain, spreading a grisly spectral +light, even more horrible than that palpable night."_ + +At length the sensation of sudden stopping dizzied us momentarily. We +thrust out an oar and felt a slowly sloping bar. Driving the oar +half-way into the soft sand, we wrapped the boat's chain about it and +went to bed, flinging the tarp over us. + +A raw dawn wind sprinkled a cheerless morning over us, and we got up +with our joints grinding rustily. We were in the midst of a desolate +waste of sand and water. The bar upon which we had lodged was utterly +bare. Drinking a can of condensed milk between us, we pushed on. + +That day we found ourselves in the country of red barns. It was like +warming cold hands before an open grate to look upon them. At noon we +saw the first wheat-field of the trip--an undulating golden flood, +dimpled with the tripping feet of the wind. These were two joys--quite +enough for one day. But in the afternoon the third came--the first +golden-rod. My first impulse was to take off my hat to it, offer it my +hand. + +That evening we pulled up to a great bank, black-veined with outcrops of +coal, and cooked supper over a civilized fire. For many miles along the +river in North Dakota, as well as along the Yellowstone in Montana, +these coal outcrops are in evidence. Doubtless, within another +generation, vast mining operations will be opened up in these +localities. Coal barges will be loaded at the mines and dropped down +stream to the nearest railroad point. + +We were in the midst of an idyllic country--green, sloping, lawn-like +pastures, dotted sparsely with grotesque scrub oaks. Far over these the +distant hills lifted in filmy blue. The bluffs along the water's edge +were streaked with black and red and yellow, their colors deepened by +the recent rains. Lazy with a liberal supper, we drifted idly and gave +ourselves over for a few minutes to the spell of this twilight +dreamland. I stared hard upon this scene that would have delighted +Theocritus; and with little effort, I placed a half-naked shepherd boy +under the umbrella top of that scrub oak away up yonder on the lawny +slope. With his knees huddled to his chin, I saw him, his fresh cheeks +bulged with the breath of music. I heard his pipe--clear, +dream-softened--the silent music of my own heart. Dream flocks sprawled +tinkling up the hills. + +With a wild burst of scarlet, the sunset flashed out. Black clouds +darkened the visible idyll. A chill gust swept across the stream, +showering rain and darkness. Each at an oar, we forged on, until we lost +the channel in the gloom. At the first peep of day we were off again, +after a breakfast of pancakes, bacon, and coffee. + +We were gradually becoming accustomed to the strain of constant rowing. +For at least sixteen hours a day we fought the wind, during which time +the oars were constantly dipping; and very often our day lengthened out +to twenty hours. We had no time-piece, and a night of drifting was +divided into two watches. These watches we determined either by the +dropping of a star toward the horizon, or by the position of the moon +when it shone. On dark nights, the sleeper trusted to the judgment of +his friend to call when the watch seemed sufficiently long. Daily the +water fell, and every inch of fall increased the difficulty of +traveling. + +We were now passing through the country of the Mandans, Gros Ventres, +and Ricarees, the country through which old Hugh Glass crawled his +hundred miles with only hate to sustain him. To the west lay the barren +lands of the Little Missouri, through which Sully pushed with his +military expedition against the Sioux on the Yellowstone. An army flung +boldly through a dead land--a land without forage, and waterless--a +labyrinth of dry ravines and ghastly hills! Sully called it "hell with +the lights out." A magnificent, Quixotic expedition that succeeded! I +compared it with the ancient expeditions--and I felt the eagle's wings +strain within me. _Sully!_ There were trumpets and purple banners for me +in the sound of the name! + +Late in the evening we reached the mouth of the Little Missouri. There +we found one of the few remaining mud lodges of the ancient type. We +landed and found ourselves in the midst of a forsaken little frontier +town. A shambling shack bore the legend, "Store," with the "S" looking +backward--perhaps toward dead municipal hopes. A few tumble-down frame +and log shanties sprawled up the desultory grass-grown main street, at +one end of which dwelt a Mandan Indian family in the mud lodge. + +A dozen curs from the lodge resented our intrusion with canine +vituperation. I thrust my head into the log-cased entrance of the +circular house of mud, and was greeted with a sound of scolding in the +Mandan jargon, delivered by a squaw of at least eighty years. She arose +from the fire that burned in the center of the great circular room, and +approached me with an "I-want-your-scalp" expression. One of her +daughters, a girl dressed in a caricature of the white girl's garments, +said to me: "She wants to know what you've got to trade." To this old +woman of the prairie, all white men were traders. + +"I want to buy," I said, "eggs, meat, bread, anything to eat." + +[Illustration: BOATS LAID UP FOR THE WINTER AT WASHBURN, N.D.] + +[Illustration: WASHBURN, N.D.] + +[Illustration: THE LANDING AT BISMARCK, N.D.] + +The old woman looked me over with a whimper of amused superiority, +and disappeared, soon reappearing with a dark brown object not wholly +unlike a loaf of bread. "Wahtoo," she remarked, pointing to the dark +brown substance. + +I gave her a half-dollar. Very quietly she took it and went back to her +fire. "But," said I, "do you sell your bread for fifty cents per loaf?" + +The girl giggled, and the old woman gave me another piece of her Mandan +mind. She had no change, it appeared. I then insisted upon taking the +balance in eggs. The old woman said she had no eggs. I pointed to a +flock of hens that was holding a sort of woman's club convention in the +yard, discussing the esthetics of egg-laying, doubtless, while +neglecting their nests. + +The old lady arose majestically, disappeared again, and reappeared with +three eggs. I protested. The Mandan lady forthwith explained (or at +least it appeared so to me) all the execrable points in my character. +They seemed to be numerous, and she appeared to be very frank about the +matter. My moral condition, apparently, was clearly defined in her own +mind. I withdrew in haste, fearing that the daughter at any moment might +begin to translate. + +We dropped down river a few miles, prepared supper, and attacked the +dark brown substance which the Indian lady had called "wahtoo." At the +first bite, I began to learn the Mandan tongue. I swallowed a chunk +whole, and then enlightened the Kid as to a portion of the Mandan +language. "Wahtoo," said I, "means 'indigestible'; it is an evident +fact." Then, being strengthened by our linguistic triumph, we fell upon +the dark brown substance again. But almost anything has its good points; +and I can conscientiously recommend Mandan bread for durability! + +Once more we had a rainy night. The tarp, stretched across the boat, +sagged with the water it caught, and poured little persistent streams +upon us. The chief of these streams, from the point of size, seemed +consciously aiming at my ear. Thirce I turned over, shifted my position; +thrice I was awakened by the sound of a merry brooklet pouring into that +persecuted member. + +Somewhere in the world the white cock was crowing sleepily when we put +off, stiff and soaked and shivering. + +Early in the day the fine sand from banks and bars began to lift in the +wind. It smarted our faces like little whip lashes. Very often we could +see no further than a hundred and fifty yards in any direction. Only by +a constant, rapid dipping of the oars could the boat be held +perpendicular to the choppy waves. One stroke missed meant hard work for +both of us in getting out of the trough. + +Fighting every foot of water, we wallowed through the swells--past Elbow +Woods, past Fort Berthold, past the forlorn, raggedy little town, +"Expansion." (We rechristened it "Contraction"!) + +During the day the gale swept the sky clear. The evening air was crisp +and invigorating. We cooked supper early and rowed on silently over the +mirroring waters, between two vast sheets of stars, through a semilucent +immensity. Far ahead of us a high cliff loomed black and huge against +the spangled blue-black velvet of the sky. On its summit a dark mass +soared higher. We thought it a tree, but surely a gigantic one. +Approaching it, the soaring mass became a medieval castle sitting +haughtily with frowning crenellations upon an impregnable rock; and the +Missouri became for the moment a larger Rhine. At last, rowing up under +the sheer cliff, the castle resolved itself into a huge grain elevator, +its base a hundred feet above the stream. + +Although it was late, we tied our boat, clambered up a zigzag path, and +found ourselves in one of the oddest little towns in the +West--Manhaven--one of the few remaining steamboat towns. + +The main street zigzagged carelessly through a jumble of little houses. +One light in all the street designated the social center of the town, so +we went there. It was the grocery store--a general emporium of ideas and +canned goods. + +Entering, we found ourselves in the midst of "the rustic cackle of the +burg." I am sure the municipal convention was verbally reconstructing +the universe; but upon our entrance, the matter was abruptly laid on the +table. When we withdrew, the entire convention, including the +grocery-man, adjourned, and accompanied us to the river where the +general merits of our boat were thoroughly discussed by lantern light. +Also, various conflicting versions of the distance to Bismarck were +given--each party being certain of his own infallibility. + +There is something curious about the average man's conception of +distance. During the entire trip we found no two men who agreed on this +general subject. After acquiring a book of river distances, we created +much amusement for ourselves by asking questions. The conversation very +often proceeded in this manner: + +"Will you please tell us how far it is to So-and-So?" + +"One hundred and fifty-two and a half miles!" (with an air of absolute +certainty). + +"But you are slightly mistaken, sir; the exact distance is sixty-two and +seven-tenths miles!" (Consternation on the face of the omniscient +informant.) + +Once a man told us that a certain town was one hundred and fifty miles +down stream. We reached the town in an hour and a half! + +However, we had more success with the Indian. One day we came upon an +old Mandan buck and squaw, who were taking a bath in the river, +doubtless feeling convinced that they needed it. The current took us +within fifty yards of them. Upon our approach, they got out of the water +and sat in the sand quite as nude and unashamed as our first parents +before the apple ripened. + +"Bismarck--how far?" I shouted, standing up in the boat. + +The buck rose in all his unclothed dignity, raised his two hands, shut +and opened them seven times, after which he lowered one arm, and again +opened and shut a hand. Then with a spear-like thrust of the arm toward +the southeast, he stiffened the index finger in the direction of +Bismarck. He meant "seventy-five miles as the crow flies." As near as I +could figure it out afterward, he was doubtless correct. + +At noon the next day we reached the mouth of the Knife River, near which +stood the Mandan village made famous by Lewis and Clark as their winter +quarters. Fort Clark also stood here. Nothing remains of the Fort but +the name and a few slight indentations in the ground. A modern steamboat +town, Deapolis occupies the site of the old post. Across the river there +are still to be seen the remains of trenches. A farmer pointed them out +to us as all that remains of the winter camp of the great explorers. + +In the late evening we passed Washburn, the "steamboat center" of the +upper river, fifty water miles from Bismarck. It made a very pretty +appearance with its neat houses climbing the hillside. Along the water +front, under the elevators, a half-dozen steamboats of the good +old-fashioned type, lay waiting for their cargoes. Two more boats were +building on the ways. + +Night caught us some five miles below the town, and, wrapping ourselves +in our blankets, we set to drifting. I went on watch and the Kid rolled +up forward and went to sleep. After sixteen hours of rowing in the wind, +it is a difficult matter to keep awake. The night was very calm; the +quiet waters crooned sleepily about the boat. I set myself the task of +watching the new moon dip toward the dim hills; I intended to keep +myself awake in that manner. The moon seemed to have stuck. Slowly I +passed into an impossible world, in which, with drowsy will, I struggled +against an exasperating moon that had somehow gotten itself tangled in +star-sheen and couldn't go down. + +I awoke with a start. My head was hanging over the gunwale--the dawn was +breaking through the night wall. A chill wind was rolling breakers upon +us, and we were fast upon a bar. I awakened the Kid and we put off. We +had no idea of the distance covered while sleeping. It must have been at +least twenty miles, for, against a heavy wind, we reached Bismarck at +one o'clock. + +We had covered about three hundred and fifty miles in six days, but we +had paid well for every mile. As we passed under the Bismarck bridge, +we confessed that we were thoroughly fagged. It was the thought of the +engine awaiting us at this town that had kept us from confessing +weariness before. + +I landed and made for the express office three miles away. A half-hour +later I stood, covered with humility and perspiration, in the awful +presence of the expressman, who regarded me with that lofty "God-and-I" +air, characteristic of some emperors and almost all railroad officials. +I stated to the august personage that I was looking for an engine +shipped to me by express. + +It seems that my statement was insulting. The man snarled and shook his +head. I have since thought that he was the owner of the Northern Pacific +system in disguise. I suggested that the personage might look about. The +personage couldn't stoop to that; but a clerk who overheard my insulting +remark (he had not yet become the owner of a vast transportation system) +condescended to make a desultory search. He succeeded in digging up a +spark-coil--and that is all I ever saw of the engine. + +During my waiting at Bismarck, I had a talk with Captain Baker, manager +of the Benton Packet Line. We agreed in regard to the Government's +neglect of duty toward the country's most important natural +thoroughfare, the Missouri River. About Sioux City, the Government +operates a snag-boat, the _Mandan_, at an expense ridiculously +disproportionate to its usefulness. The _Mandan_ is little more than an +excursion boat maintained for a few who are paid for indulging in the +excursions. A crew of several hundred men with shovels, picks, and +dynamite, could do more good during one low water season than such boats +could do during their entire existence. + +The value of the great river as an avenue of commerce is steadily +increasing; and those who discourage the idea of "reopening" navigation +of the river, are either railroad men or persons entirely ignorant of +the geography of the Northwest. Captain Marsh would say, "Reopen +navigation? I've sailed the river sixty years, and in that time +navigation has not ceased." + +Rocks could and should be removed from the various rapids, and the banks +at certain points should be protected against further cutting. A natural +canal, extending from New Orleans in the South and Cincinnati in the +East to the Rockies in the Northwest, is not to be neglected long by an +intelligent Government. + +As a slow freight thoroughfare, this vast natural system of waterways is +unequalled on the globe. Within another generation, doubtless, this +all-but-forgotten fact will be generally rediscovered. + +Having waited four days for the engine, we put off again with oars. It +was near sundown when we started, hungry for those thousand miles that +remained. When we had pulled in to the landing at Bismarck, we were like +boxers who stagger to their corners all but whipped. But we had +breathed, and were ready for another round. A kind of impersonal anger +at the failure of another hope nerved us; and this new fighting spirit +was like another man at the oars. Many of the hard days that followed +left on our memories little more than the impress of a troubled dream. +We developed a sort of contempt for our old enemy, the head wind--that +tireless, intangible giant that lashed us with whips of sand, drove us +into shallows, set its mighty shoulders against our prow, roared with +laughter at us when, soaked and weary, we walked and pushed our boat for +miles at a time. The quitter that is in all men more or less, often +whispered to us when we were weariest: "Why not take the train? What is +it all for?" Well, what is life for? We were expressing ourselves out +there on the windy river. The wind said we couldn't and our muscles said +we shouldn't, and the snag-boat captain had said we couldn't get +down--so we went on. We were now in full retreat--retreat from the +possibility of quitting. + +During the first night out, an odd circumstance befell us that, for some +hours, seemed likely to lose us our boat. As usual, we set to drifting +at dark. The moon, close on its half, was flying, pale and frightened, +through scudding clouds. However, the wind blew high and the surface of +the water was unruffled. There could be nothing more eerie than a night +of drifting on the Missouri, with a ghastly moon dodging in and out +among the clouds. The strange glimmer, peculiar to the surface of the +tawny river at night, gives it a forbidding aspect, and you seem +surrounded by a murmuring immensity. + +We were, presumably, drifting into a great sandy bend, for we heard the +constant booming of falling sand ahead. It was impossible to trace the +channel, so we swung idly about with the current. Suddenly, we stopped. +Our usual proceeding in such cases was to leap out and push the boat +off. That night, fortunately, we were chilly, and did not fancy a +midnight ducking. Each taking an oar, we thrust at the bar. The oars +went down to the grip in quicksand. Had we leaped out as usual, there +would have been two burials that night without the customary singing. + +We rocked the boat without result. We were trapped; so we smoked awhile, +thought about the matter, and decided to go to bed. In the morning we +would fasten on our cork belts and reach shore--perhaps. Having reached +shore, we would find a stray skiff and go on. But the _Atom II_ seemed +booked for a long wait on that quicksand bar. + +During the night a violent shaking of the boat awakened us. A heavy wind +was blowing, and the prow of the boat was swinging about. It soon +stopped with a chug. We stood up and rocked the boat vigorously. It +broke loose again, and swung half-way around. Continuing this for a +half-hour, we finally drifted into deep water. + +The next day we passed Cannon Ball River, and reached Standing Rock +Agency in the late evening. Sitting Bull is buried there. After a late +supper, we went in search of his grave. We found it after much lighting +of matches at headstones, in a weed-grown corner of the Agency +burying-ground. A slab of wood, painted white, bears the following +inscription in black: "In Memory of Sitting Bull. Died Dec. 15, 1890." + +Perched upon the ill-kept grave, we smoked for an hour under the flying +moon. A dog howled somewhere off in the gloomy waste. + +That night the Erinnyes, in the form of a swarm of mosquitoes, attacked +us lying in our boat. The weary Kid rolled and swore till dawn, when a +light wind sprang up _astern_. We hoisted our sail, and for one whole +day cruised merrily, making sixty miles by sunset. This took us to the +town of Mobridge. + +I was charmed with the novelty of driving our old enemy in harness. So, +letting the Kid go to sleep forward under the sail, I cruised on into +the night. The wind had fallen somewhat, but it kept the canvas filled. +The crooning of the water, the rustling of the sail, the thin voices of +bugs on shore, and the guttural song of the frogs, shocking the general +quiet--these sounds only intensified the weird calm of the night. The +sky was cloudless, and the moon shone so brightly that I wrote my day's +notes by its glow. + +The winking lights of Mobridge slowly dropped astern and faded into the +glimmering mist. + + Lonely seamen all the night + Sail astonished amid stars. + +The remembered lines gave me the divine itch for quoting verses. I did +so, until the poor tired Kid swore drowsily in his sleep under the mast. +The air was of that invigorating coolness that makes you think of cider +in its sociable stage of incipient snappiness. Sleepy dogs bayed far +away. Lone trees approached me, the motion seeming to belong to them +rather than to me, and drifted slowly past--austere spectral figures. +Somewhere about midnight I fell asleep and was awakened by a flapping +sail and a groaning mast, to find myself sprawling over the wheel. The +wind had changed; it was once more blowing up-stream, and a drizzling +rain was driving through the gloom. During my sleep the boat had gone +ashore. I moored her to a drift log, lowered sail, flung a tarp over us, +and went to sleep again. And the morning came--blanketed with gray +oozing fog. The greater part of that day we rowed on in the rain without +a covering. In the evening we reached Forest City, an odd little old +town, looking wistfully across stream at the youthful red and white +government buildings of the Cheyenne Agency. + +[Illustration: THE YANKTON LANDING IN THE OLD DAYS.] + +[Illustration: "ATOM II" LANDING AT SIOUX CITY.] + +Despite its name, this town is utterly treeless! I once knew a +particularly awkward, homely, and freckled young lady named "Lily." The +circumstance always seemed grimly humorous to me, and I remembered it as +we strolled through the town that couldn't live up to its name. + +We were ravenously hungry, and as soon as possible we got our feet under +the table of the town's dingy restaurant. A long, lean man came to take +our orders. He was a walking picture of that condition known to patent +medicine as "before taking." I looked for the fat, cheerful person who +should illustrate the effect of eating at that place, but in vain. When +the lean man reappeared with the two orders carefully tucked away in the +palms of his bony hands, I thought I grasped the etiology of his +thinness. It was indeed a frugal repast. We took in the situation at a +glance. + +"Please consider us four hearty men, if you will," I said kindly; "and +bring two more meals." The man obeyed. My _third_ order, it seems, met +objections from the cook. The lean man, after a half audible colloquy +with the presiding spirit of the kitchen, reported with a whipped +expression that the house was "all out of grub." I regretted the matter +very much, as I had looked forward to a long, unbroken series of meals +that evening. + +Setting out at moonrise, just after sunset, we reached Pascal Island, +fifteen miles below, before sleep came upon us in a manner not to be +resisted. All night coyotes yelped from the hilltops about us, +recounting their immemorial sorrows to the wandering moon. + +At sunset of the fifth day from Bismarck, we pulled in at Pierre. +Although I had never been there before, Carthage was not more hospitable +to storm-tossed Æneas than Pierre to the weather-beaten crew of the +_Atom_. At a reception given us by Mr. Doane Robinson, secretary of the +State Historical Society, I felt again the warmth of the great heart of +the West. + +During the first night out of Pierre, the Kid, having stood his watch, +called me at about one o'clock. The moon was sailing high. I grasped the +oars and fell to rowing with a resolute swing, meaning, in the shortest +possible time, to wear off the disagreeable stupor incident to arising +at that time of night. I had been rowing for some time when I noted a +tree on the bank near which the current ran. Still drowsy, I turned my +head away and pulled with a will. After another spell of energetic +rowing, I looked astern, expecting to see that tree at least a mile +behind. There was no tree in sight, and yet I could see in that +direction with sufficient clearness to discern the bulk of a tree if any +were there. + +"I am rowing to beat the devil!" thought I; "that tree is away around +the bend already!" So I increased the speed and length of my stroke, and +began to come out of my stupor. Some time later, I happened to look +behind me. _The tree in question was about three hundred yards ahead of +the boat!_ I had been rowing up-stream for at least a half-hour in a +strenuous race with that tree! The Kid, aroused by my laughter, asked +sleepily what in thunder tickled me. I told him I had merely thought of +a funny story; whereat he mumbled some unintelligble anathema, and +lapsed again into a snoring state. But I claim the distinction of being +the only man on record who ever raced a half-hour with a tree, and +finished three city blocks to the bad! + +The next day we rounded the great loop, in which the river makes a +detour of thirty miles. Having rowed the greater part of the day, we +found ourselves in the evening only two or three miles from a point we +had reached in the morning. + +In a drizzling rain we passed Brule Agency. In the evening, soppy and +chilled, we were pulling past a tumble-down shanty built under the +bluffs, when a man stepped from the door and hailed us. We pulled in. +"You fellers looks like you needed a drink of booze," said the man as we +stepped ashore. "Well, I got it for sale, and it ain't no harm to +advertise!" + +This strenuous liquor merchant bore about him all the wretched marks of +the stuff he sold. + +"Have your wife cook us two meals," said I, "and I'll deal with you." + +"Jump in my boat," said he. I got in his skiff, wondering what his whim +might mean. After several strokes of the oars, he pulled a flask from +his pocket, took my coin and rowed back to shore. "Government license," +he explained; "got to sell thirty feet from the bank." "Poor old +Government," thought I; "they beat you wherever they deal with you!" + +We went up to the wretched shanty, built of driftwood, and entered. The +interior was a mêlée of washtubs, rickety chairs, babies, and flies. The +woman of the house hung out a ragged smile upon her puckered mouth, +etched at the lips with many thin lines of worry, and aped hospitality +in a manner at once pathetic and ridiculous. A little girl, who looked +fifty or five, according to how you observed her, dexterously dodged the +drip from the cracks in the roof, as she backed away into a corner, from +whence she regarded us with eyes already saddened with the ache of life. + +After many days and nights in the great open, fraternizing with the +stars and the moon and the sun and the river, it gave me a heartache to +have the old bitter human fact thrust upon me again. "What is there left +here to live for?" thought I. And just then I noted, hanging on the wall +where the water did not drip, a neatly framed marriage certificate. This +was the one attempt at decoration. + +It was the household's 'scutcheon of respectability. This woman, even in +her degradation, true to the noblest instinct of her sex, clung to this +holy record of a faded glory. + +Two days later, pushing on in the starlit night, we heard ahead the +sullen boom of waters in turmoil. For a half-hour, as we proceeded, the +sound increased, until it seemed close under our prow. We knew there +was no cataract in the entire lower portion of the river; and yet, only +from a waterfall had I ever heard a sound like that. We pulled for the +shore, and went to bed with the sinister booming under our bow. + +Waking in the gray dawn, we found ourselves at the mouth of the Niobrara +River. Though a small stream compared with the Missouri, so great is its +speed, and so tremendous the impact of its flood, that the mightier, but +less impetuous Missouri is driven back a quarter of a mile. + +Reaching Springfield--twelve miles below--before breakfast, in the +evening we lifted Yankton out of a cloud of flying sand. The next day +Vermilion and Elk Point dropped behind; and then, thirty miles of the +two thousand remained. + +In the weird hour just before the first faint streak of dawn grows out +of dark, we were making coffee--the last outdoor coffee of the year. Oh, +the ambrosial stuff! + +We were under way when the stars paled. At sunrise the smoke of Sioux +City was waving huge ragged arms of welcome out of the southeast. At +noon we landed. We had rowed fourteen hundred miles against almost +continual head winds in a month, and we had finished our two thousand +miles in two months. It was hard work. And yet---- + +The clang of the trolleys, the rumble of the drays, the rushing of the +people! + +I prefer the drifting of the stars, the wandering of the moon, the +coming and going of the sun, the crooning of the river, the shout of the +big, manly, devil-may-care winds, the boom of the diving beaver in the +night. + +I never felt at home in a town. Up river when the night dropped over me, +somehow I always felt comfortably, kindly housed. Towns, after all, are +machines to facilitate getting psychically lost. + +When I started for the head of navigation a friend asked me what I +expected to find on the trip. "Some more of myself," I answered. + +And, after all, that is the Great Discovery. + + + +Transcriber's Note: + +The original text has a number of typographical errors and spelling +inconsistencies, which have been maintained in this text. The following +list details these errors: + +Original +Page No. Typographical error + 4 marvelled for marveled + 8 tighen for tighten + 9 Danube's for Danubes + 14 "... to me that Theseus. ..." "that" should read "than" + 24 pealing for peeling + 32 terriffic for terrific + 47 lamp for lamb + 60 egshell for eggshell + terriffic for terrific + 61 inded for indeed + 66 ride for pride + 70 voluntered for volunteered + 78 sad for said + 92 intelligble for intelligible +109 gunwhale for gunwale +119 "I was tired cranking." for "I was tired of cranking." +131 tenson for tension +166 Kansis for Kansas +171 skulled for sculled +180 Thirce for Thrice +195 unintelligble for unintelligible + +Inconsistencies + +cross-cut / crosscut +Encleadus / Enceladus +færie / faërie +half-way / halfway +Hole-in-the-Wall / Hole-in-the-wall +log-book / logbook +mid-stream / midstream +sand-bar / sandbar +"Texas" / Texas +wind-like / windlike + + + + + + +End of the Project Gutenberg EBook of The River and I, by John G. Neihardt + +*** END OF THIS PROJECT GUTENBERG EBOOK THE RIVER AND I *** + +***** This file should be named 16793-8.txt or 16793-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/7/9/16793/ + +Produced by Audrey Longhurst, Julia Miller and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/16793-8.zip b/16793-8.zip Binary files differnew file mode 100644 index 0000000..a5136f9 --- /dev/null +++ b/16793-8.zip diff --git a/16793-h.zip b/16793-h.zip Binary files differnew file mode 100644 index 0000000..5a62723 --- /dev/null +++ b/16793-h.zip diff --git a/16793-h/16793-h.htm b/16793-h/16793-h.htm new file mode 100644 index 0000000..a642059 --- /dev/null +++ b/16793-h/16793-h.htm @@ -0,0 +1,5353 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of The River And I, by John G. Neihardt. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + p.titlepage {margin-top: 2em; margin-bottom: 2em; text-align: center;} + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + h2.sectionhead {margin-top: 4em; font-weight: normal;} + h3.chapterhead {font-weight: normal;} + + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + hr.bb {width: 180px; border: solid black 1px; margin-top: 1em; margin-bottom: 1em;} + + table {margin-left: auto; margin-right: auto;} + table.images {width: 100%;} + + body{margin-left: 10%; + margin-right: 10%; + } + img {border: 0;} + + /* Ensure anchors work by positioning them all in the same way */ + a[name] { position:absolute; } + + .pagenum {position: absolute; left: 92%; font-size: smaller; text-align: right;} /* page numbers */ + + ul.TOC { list-style-type: none; + position: relative; + width: 88%;} + span.ralign {position: absolute; right: 0; top: auto;} + + .bbox {width: 220px; border: solid 2px; padding: 1px;} + .bbox2 {width: 213px; border: solid 1px; padding: 2px;} + + .center {text-align: center;} + .left {text-align: left;} + .right {text-align: right;} + .smcap {font-variant: small-caps;} + + .dropcap {font-size: 200%; float: left; padding-right: 0.1em; } + .nowrap { white-space: nowrap; } + + .caption {font-variant: small-caps;} + + .figcenter {margin-left: auto; margin-right: auto; margin-top: 20px; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .footnote {margin-left: 1em; text-indent: -1em; font-size: 0.9em; text-align: left; } + .footnote .label {font-size: 60%; vertical-align: 0.4em; } + .footnotea {text-decoration: none;} + .fnanchor {vertical-align: 0.3em; font-size: .8em; text-decoration: none;} + .fnline {width: 80px; border-top: solid 2px;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span.i0 {display: block; margin-left: 0em;} + .poem span.i2 {display: block; margin-left: 2em;} + .poem span.i4 {display: block; margin-left: 4em;} + .poem span.i1 {display: block; margin-left: 1em;} + .poem span.i5 {display: block; margin-left: 5em;} + + ins.correction {text-decoration:none; border-bottom: thin dotted gray;} + + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The River and I, by John G. Neihardt + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The River and I + +Author: John G. Neihardt + +Release Date: October 3, 2005 [EBook #16793] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE RIVER AND I *** + + + + +Produced by Audrey Longhurst, Julia Miller and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<table border="0" cellpadding="10" summary="Transcriber's Note"> +<tr> +<td valign="top">Transcriber's Notes:</td> +<td>Typographical errors and inconsistent spellings +found in the original publication have been maintained in this text. Misspelled words +are <ins class="correction" title="correction">marked</ins>, with the correction in the popup. A +<a href="#Note">list</a> of these is found at the end of the book.</td> +</tr> +</table> + +<hr style="width: 65%;" /> + +<p><a name="Page_i" id="Page_i"></a></p> + + + + + +<h1>THE RIVER AND I</h1> + + + + +<p><a name="Page_ii" id="Page_ii"></a></p> + +<hr style="width: 65%;" /> + +<table class="center" summary="Other Books by Neihardt"> +<tr> +<td><div class="bbox"> +<div class="bbox2"> +<i>Other Books by</i><br /> +JOHN G. NEIHARDT<br /> +<hr class="bb" /> +<p> <span class="smcap">Indian Tales and Others</span><br /> +<span class="smcap">Poetic Values</span><br /> +<span class="smcap">The Quest</span><br /> +<span class="smcap">The Song of Hugh Glass</span><br /> +<span class="smcap">The Song of the Indian Wars</span><br /> +<span class="smcap">The Song of Three Friends</span><br /> +<span class="smcap">The Splendid Wayfaring</span><br /> +<span class="smcap">Two Mothers</span><br /> +<span class="smcap">Collected Poems</span><br /></p> +</div> +</div></td> +</tr> +</table> + +<p><a name="Page_ii-f" id="Page_ii-f"></a></p> +<p><a name="Page_iii-f" id="Page_iii-f"></a></p> + +<hr style="width: 65%;" /> + +<div class="figcenter" style="width: 500px;"> +<a name="image01" id="image01"></a> +<a href="images/img01-full.jpg"> +<img src="images/img01.jpg" width="500" height="313" alt="Night in Camp." title="Night in Camp." /></a> +<span class="caption">Night in Camp.</span> +</div> + +<p><a name="Page_iii" id="Page_iii"></a></p> + +<hr style="width: 65%;" /> + + + +<h1 style="margin-top: 4em; margin-bottom: 2em;"> +THE<br /> +RIVER AND<br /> +I</h1> + +<h3>BY</h3> + +<h2>JOHN G. NEIHARDT</h2> + +<p class="titlepage"><i>Illustrated<br /> +New Edition</i></p> + + +<p class="titlepage">New York<br /> +THE MACMILLAN COMPANY<br /> +1927<br /> +<i>All rights reserved</i></p> + +<p><a name="Page_iv" id="Page_iv"></a></p> + +<hr style="width: 65%;" /> + + + +<p class="titlepage"> +<span class="smcap">Copyright, 1910,</span><br /> +<span class="smcap">By</span> JOHN G. NEIHARDT.</p> + +<p class="titlepage">Set up and electrotyped.<br /> +Reissued in new format, October, 1927.</p> + +<p class="titlepage"> +PRINTED IN THE UNITED STATES OF AMERICA<br /> +BY THE CORNWALL PRESS</p> + +<p><a name="Page_v" id="Page_v"></a></p> + +<hr style="width: 65%;" /> + + +<p class="center"> +TO<br /> +MY MOTHER<br /> +</p> + +<p><a name="Page_vi" id="Page_vi"></a></p> + + + +<hr style="width: 65%;" /> +<h2 class="sectionhead">NOTE</h2> + + +<p><span class="smcap">The</span> following account of a youthful adventure was written during the +winter of 1908, ran as a serial in <i>Putnam's Magazine</i> the following +year, and appeared as a book in 1910, five years before "The Song of +Hugh Glass," the first piece of my Western Cycle. Many who have cared +for my narrative poems, feeling the relation between those and this +earlier avowal of an old love, have urged that "The River and I" be +reprinted. </p> +<p style="text-align: right;">J.G.N.</p> + +<p>St. Louis, 1927.</p> + +<p><a name="Page_vii" id="Page_vii"></a></p> + + + +<hr style="width: 65%;" /> +<h2 class="sectionhead"><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2> + + +<ul class="TOC"> +<li>CHAPTER <span class="ralign">PAGE</span></li> +<li><br /> I. <span class="smcap">The River of an Unwritten Epic</span> <span class="ralign"><a href="#CHAPTER_I">1</a></span></li> +<li><br /> II. <span class="smcap">Sixteen Miles of Awe</span> <span class="ralign"><a href="#CHAPTER_II">22</a></span></li> +<li><br /> III. <span class="smcap">Half-Way to the Moon</span> <span class="ralign"><a href="#CHAPTER_III">40</a></span></li> +<li><br /> IV. <span class="smcap">Making a Getaway</span> <span class="ralign"><a href="#CHAPTER_IV">65</a></span></li> +<li><br /> V. <span class="smcap">Through the Region of Weir</span> <span class="ralign"><a href="#CHAPTER_V">84</a></span></li> +<li><br /> VI. <span class="smcap">Getting Down to Business</span> <span class="ralign"><a href="#CHAPTER_VI">113</a></span></li> +<li><br /> VII. <span class="smcap">On to the Yellowstone</span> <span class="ralign"><a href="#CHAPTER_VII">137</a></span></li> +<li><br />VIII. <span class="smcap">Down from the Yellowstone</span> <span class="ralign"><a href="#CHAPTER_VIII">165</a></span></li> +</ul> + +<p><a name="Page_viii" id="Page_viii"></a></p> +<p><a name="Page_ix" id="Page_ix"></a></p> + + + +<hr style="width: 65%;" /> +<h2 class="sectionhead"><a name="ILLUSTRATIONS" id="ILLUSTRATIONS"></a>ILLUSTRATIONS</h2> + +<ul class="TOC"> +<li> +Night in Camp <span class="ralign"><a href="#image01"><i>Frontispiece</i></a></span></li> +<li><br /> + <span class="ralign">FACING PAGE</span></li> +<li>"Off on the Perilous Floods" <span class="ralign"><a href="#image02">6</a></span></li> +<li>Barriers Formed before Him <span class="ralign"><a href="#image03">7</a></span></li> +<li>The Boats Wrecked in an Ice Gorge <span class="ralign"><a href="#image04">7</a></span></li> +<li>After the Spring Break-Up <span class="ralign"><a href="#image05">18</a></span></li> +<li>"Hole-in-the-Wall" Rock on the Upper Missouri <span class="ralign"><a href="#image06">19</a></span></li> +<li>Palisades of the Upper Missouri <span class="ralign"><a href="#image07">19</a></span></li> +<li>Great Falls from Cliff Above <span class="ralign"><a href="#image08">30</a></span></li> +<li>Great Falls from the Front <span class="ralign"><a href="#image09">31</a></span></li> +<li>"This was Benton" <span class="ralign"><a href="#image10">52</a></span></li> +<li>Ruins of Old Fort Benton <span class="ralign"><a href="#image11">52</a></span></li> +<li>The House of the Bourgeois <span class="ralign"><a href="#image12">53</a></span></li> +<li>A Round-Up Outfit on the March <span class="ralign"><a href="#image13">62</a></span></li> +<li>Joe <span class="ralign"><a href="#image14">62</a></span></li> +<li>Montana Sheep <span class="ralign"><a href="#image15">63</a></span></li> +<li>A Montana Wool-Freighter <span class="ralign"><a href="#image16">63</a></span></li> +<li>The "Atom I" under Construction <span class="ralign"><a href="#image17">74</a></span></li> +<li>The Cable Ferry Towed Us Out <span class="ralign"><a href="#image18">74</a></span></li> +<li>Laid Up with a Broken Rudder <span class="ralign"><a href="#image19">75</a></span></li> +<li>"Atom" Sailing Up-Stream in a Head Wind <span class="ralign"><a href="#image20">86</a></span></li> +<li>Typical Rapids on Upper Missouri <span class="ralign"><a href="#image21">87</a></span></li> +<li>Wolf Point, the First Town in 500 Miles <span class="ralign"><a href="#image22">98</a></span></li> +<li>Entrance to the Bad Lands <span class="ralign"><a href="#image23">99</a></span></li> +<li>Fresh Meat! <span class="ralign"><a href="#image24">110</a></span></li> +<li>Supper! <span class="ralign"><a href="#image25">111</a></span> + <a name="Page_x" id="Page_x"></a></li> +<li>"Walking" Boats over Shallows <span class="ralign"><a href="#image26">126</a></span></li> +<li>Typical Upper Missouri River Reach <span class="ralign"><a href="#image27">126</a></span></li> +<li>The Mouth of the James <span class="ralign"><a href="#image28">127</a></span></li> +<li>Reveille! <span class="ralign"><a href="#image29">142</a></span></li> +<li>The Pen and Key Ranch <span class="ralign"><a href="#image30">143</a></span></li> +<li>Assiniboine Indian Chief <span class="ralign"><a href="#image31">154</a></span></li> +<li>Assiniboine Indian Camp <span class="ralign"><a href="#image32">155</a></span></li> +<li>On the Hurricane Deck of the "Expansion"; Capt. Marsh Third from the Left <span class="ralign"><a href="#image33">166</a></span></li> +<li>Fort Union in 1837 <span class="ralign"><a href="#image34">167</a></span></li> +<li>Site of Old Fort Union <span class="ralign"><a href="#image35">167</a></span></li> +<li>Boats Laid Up for the Winter at Washburn, N.D. <span class="ralign"><a href="#image36">178</a></span></li> +<li>Washburn, N.D. <span class="ralign"><a href="#image37">178</a></span></li> +<li>The Landing at Bismarck, N.D. <span class="ralign"><a href="#image38">179</a></span></li> +<li>The Yankton Landing in the Old Days <span class="ralign"><a href="#image39">192</a></span></li> +<li>"Atom II" Landing at Sioux City <span class="ralign"><a href="#image40">193</a></span></li> +</ul> + + + +<hr style="width: 65%;" /> + +<p><a name="Page_xi" id="Page_xi"></a></p> + + +<p><a name="Page_xii" id="Page_xii"></a></p> +<p><a name="Page_1" id="Page_1"></a></p> +<p><a name="CHAPTER_I"></a></p> + +<h2 style="margin-top: 4em;">THE RIVER AND I</h2> + + +<h2 class="sectionhead" style="margin-top: 2em;">CHAPTER I</h2> + +<h3 class="chapterhead">THE RIVER OF AN UNWRITTEN EPIC</h3> + + +<p><span class="dropcap">I</span>T was Carlyle—was it not?—who said that all great works produce an +unpleasant impression on first acquaintance. It is so with the Missouri +River. Carlyle was not, I think, speaking of rivers; but he was speaking +of masterpieces—and so am I.</p> + +<p>It makes little difference to me whether or not an epic goes at a +hexameter gallop through the ages, or whether it chooses to be a flood +of muddy water, ripping out a channel from the mountains to the sea. It +is merely a matter of how the great dynamic force shall express itself.</p> + +<p>I have seen trout streams that I thought were better lyrics than I or +any of my fellows can ever hope to create. I have heard the moaning of +rain winds among mountain pines that struck me as being equal, at least, +to <i>Adonais</i>. I have seen the solemn rearing of a mountain peak into the +pale dawn that gave me a deep religious appreciation <a name="Page_2" id="Page_2"></a>of my significance +in the Grand Scheme, as though I had heard and understood a parable from +the holy lips of an Avatar. And the vast plains of my native country are +as a mystic scroll unrolled, scrawled with a cabalistic writ of infinite +things.</p> + +<p>In the same sense, I have come to look upon the Missouri as something +more than a stream of muddy water. It gave me my first big boy dreams. +It was my ocean. I remember well the first time I looked upon my +turbulent friend, who has since become as a brother to me. It was from a +bluff at Kansas City. I know I must have been a very little boy, for the +terror I felt made me reach up to the saving forefinger of my father, +lest this insane devil-thing before me should suddenly develop an +unreasoning hunger for little boys. My father seemed as tall as +Alexander—and quite as courageous. He seemed to fear it almost not at +all. And I should have felt little surprise had he taken me in his arms +and stepped easily over that mile or so of liquid madness. He talked +calmly about it—quite calmly. He explained at what angle one should +hold one's body in the current, and how one should conduct one's legs +and arms in the whirlpools, providing one should swim across.</p> + +<p><a name="Page_3" id="Page_3"></a></p> + +<p><i>Swim across!</i> Why, it took a giant even to talk that way! For the +summer had smitten the distant mountains, and the June floods ran. Far +across the yellow swirl that spread out into the wooded bottom-lands, we +watched the demolition of a little town. The siege had reached the +proper stage for a sally, and the attacking forces were howling over the +walls. The sacking was in progress. Shacks, stores, outhouses suddenly +developed a frantic desire to go to St. Louis. It was a weird retreat in +very bad order. A cottage with a garret window that glared like the eye +of a Cyclops, trembled, rocked with the athletic lift of the flood, made +a panicky plunge into a convenient tree; groaned, dodged, and took off +through the brush like a scared cottontail. I felt a boy's pity and +sympathy for those houses that got up and took to their legs across the +yellow waste. It did not seem fair. I have since experienced the same +feeling for a jack-rabbit with the hounds a-yelp at its heels.</p> + +<p>But—to <i>swim</i> this thing! To fight this cruel, invulnerable, resistless +giant that went roaring down the world with a huge uprooted oak tree in +its mouth for a toothpick! This yellow, sinuous beast with hell-broth +slavering from its jaws!<a name="Page_4" id="Page_4"></a> This dare-devil boy-god that sauntered along +with a town in its pocket, and a steepled church under its arm for a +moment's toy! Swim <i>this</i>?</p> + +<p>For days I <a name="marvelled" id="marvelled"></a> +<ins class="correction" title="marveled">marvelled</ins> at the magnificence of being a fullgrown man, +unafraid of big rivers.</p> + +<p>But the first sight of the Missouri River was not enough for me. There +was a dreadful fascination about it—the fascination of all huge and +irresistible things. I had caught my first wee glimpse into the +infinite; I was six years old.</p> + +<p>Many a lazy Sunday stroll took us back to the river; and little by +little the dread became less, and the wonder grew—and a little love +crept in. In my boy heart I condoned its treachery and its giant sins. +For, after all, it sinned through excess of strength, not through +weakness. And that is the eternal way of virile things. We watched the +steamboats loading for what seemed to me far distant ports. (How the +world shrinks!) A double stream of "roosters" coming and going at a +dog-trot rushed the freight aboard; and at the foot of the gang-plank +the mate swore masterfully while the perspiration dripped from the point +of his nose.</p> + +<p>And then—the raucous whistles blew. They reminded me of the lions +roaring at the circus.<a name="Page_5" id="Page_5"></a> The gang-plank went up, the hawsers went in. The +snub nose of the steamer swung out with a quiet majesty. Now she feels +the urge of the flood, and yields herself to it, already dwindled to +half her size. The pilot turns his wheel—he looks very big and quiet +and masterful up there. The boat veers round; bells jangle. And now the +engine wakens in earnest. She breathes with spurts of vapor!</p> + +<p>Breathed? No, it was sighing; for about it all clung an inexplicable +sadness for me—the sadness that clings about all strong and beautiful +things that must leave their moorings and go very, very far away. (I +have since heard it said that river boats are not beautiful!) My throat +felt as though it had smoke in it. I felt that this queenly thing really +wanted to stay; for far down the muddy swirl where she dwindled, +dwindled, I heard her sobbing hoarsely.</p> + +<p>Off on the perilous flood for "faërie lands forlorn"! It made the world +seem almost empty and very lonesome.</p> + +<p>And then the dog-days came, and I saw my river tawny, sinewy, gaunt—a +half-starved lion. The long dry bars were like the protruding ribs of +the beast when the prey is scarce, and the ropy <a name="Page_6" id="Page_6"></a>main current was like +the lean, terrible muscles of its back.</p> + +<p>In the spring it had roared; now it only purred. But all the while I +felt in it a dreadful economy of force, just as I have since felt it in +the presence of a great lean jungle-cat at the zoo. Here was a thing +that crouched and purred—a mewing but terrific thing. Give it an +obstacle to overcome—fling it something to devour; and lo! the crushing +impact of its leap!</p> + +<p>And then again I saw it lying very quietly in the clutch of a bitter +winter—an awful hush upon it, and the white cerement of the snow flung +across its face. And yet, this did not seem like death; for still one +felt in it the subtle influence of a tremendous personality. It slept, +but sleeping it was still a giant. It seemed that at any moment the +sleeper might turn over, toss the white cover aside and, yawning, +saunter down the valley with its thunderous seven-league boots. And +still, back and forth across this heavy sleeper went the pigmy wagons of +the farmers taking corn to market!</p> + + +<div class="figcenter" style="width: 500px;"> +<a name="image02" id="image02"></a> +<a href="images/img02-full.jpg"><img src="images/img02.jpg" width="500" height="337" alt=""Off on the Perilous Floods."" title=""Off on the Perilous Floods."" /></a> +<span class="caption">"Off on the Perilous Floods."</span> +</div> + +<table style="width: 500px;" summary="Images"> +<tr> +<td> +<div class="figleft" style="width: 200px;"> +<a name="image03" id="image03"> </a> +<a href="images/img03-full.jpg"><img src="images/img03.jpg" width="200" height="284" alt="Barriers Formed before Him." title="Barriers Formed before Him." /></a> +<span class="caption">Barriers Formed before Him.</span> +</div> + +<div class="figright" style="width: 208px;"> +<a name="image04" id="image04"> </a> +<a href="images/img04-full.jpg"><img src="images/img04.jpg" width="208" height="284" alt="The Boats Wrecked in an Ice Gorge." title="The Boats Wrecked in an Ice Gorge." /></a> +<span class="caption">The Boats Wrecked in an Ice Gorge.</span> +</div> +</td> +</tr> +</table> + +<p>But one day in March the far-flung arrows of the geese went over. <i>Honk! +honk!</i> A vague, prophetic sense crept into the world out of +<a name="Page_6-f" id="Page_6-f"></a><a name="Page_7-f" id="Page_7-f"></a><a name="Page_7" id="Page_7"></a> +nowhere—part sound, part scent, and yet too vague for either. Sap +seeped from the maples. Weird mist-things went moaning through the +night. And then, for the first time, I saw my big brother win a fight!</p> + +<p>For days, strange premonitory noises had run across the shivering +surface of the ice. Through the foggy nights, a muffled intermittent +booming went on under the wild scurrying stars. Now and then a staccato +crackling ran up the icy reaches of the river, like the sequent +bickering of Krags down a firing line. Long seams opened in the +disturbed surface, and from them came a harsh sibilance as of a line of +cavalry unsheathing sabres.</p> + +<p>But all the while, no show of violence—only the awful quietness with +deluge potential in it. The lion was crouching for the leap.</p> + +<p>Then one day under the warm sun a booming as of distant big guns began. +Faster and louder came the dull shaking thunders, and passed swiftly up +and down, drawling into the distance. Fissures yawned, and the sound of +the grumbling black water beneath came up. Here and there the surface +lifted—bent—broke with shriekings, groanings, thunderings. And +<span class="nowrap">then——</span></p> + +<p><a name="Page_8" id="Page_8"></a></p> + +<p>The giant turned over, yawned and got to his feet, flinging his arms +about him! Barriers formed before him. Confidently he set his massive +shoulders against them—smashed them into little blocks, and went on +singing, shouting, toward the sea. It was a glorious victory. It made me +very proud of my big brother. And yet all the while I dreaded him—just +as I dread the caged tiger that I long to caress because he is so strong +and so beautiful.</p> + +<p>Since then I have changed somewhat, though I am hardly as tall, and +certainly not so courageous as Alexander. But I have felt the sinews of +the old yellow giant <a name="tighen" id="tighen"></a><ins class="correction" title="tighten">tighen</ins> +about my naked body. I have been bent upon +his hip. I have presumed to throw against his Titan strength the craft +of man. I have often swum in what seemed liquid madness to my boyhood. +And we have become acquainted through battle. No friends like fair foes +reconciled!</p> + +<p>And I have been panting on his bars, while all about me went the lisping +laughter of my brother. For he has the strength of a god, the headlong +temper of a comet; but along with these he has the glad, mad, +irresponsible spirit of a boy. Thus ever are the epic things.</p> + +<p><a name="Page_9" id="Page_9"></a></p> + +<p>The Missouri is unique among rivers. I think God wished to teach the +beauty of a virile soul fighting its way toward peace—and His precept +was the Missouri. To me, the Amazon is a basking alligator; the Tiber is +a dream of dead glory; the Rhine is a fantastic fairy-tale; the Nile a +mummy, periodically resurrected; the Mississippi, a convenient +geographical boundary line; the Hudson, an epicurean philosopher.</p> + +<p>But the Missouri—my brother—is the eternal Fighting Man!</p> + +<p>I love things that yearn toward far seas: the singing Tennysonian brooks +that flow by "Philip's farm" but "go on forever"; the little Ik Walton +rivers, where one may "study to be quiet and go a-fishing"! The +Babylonian streams by which we have all pined in captivity; the +sentimental <a name="Danubes" id="Danubes"></a><ins class="correction" title="Danubes">Danube's</ins> +which we can never forget because of "that night in +June"; and at a very early age I had already developed a decent respect +for the verbose manner in which the "waters come down at Lodore."</p> + +<p>But the Missouri is more than a sentiment—even more than an epic. It is +the symbol of my own soul, which is, I surmise, not unlike other souls. +In it I see flung before me all the stern <a name="Page_10" id="Page_10"></a>world-old struggle become +materialized. Here is the concrete representation of the earnest desire, +the momentarily frustrate purpose, the beating at the bars, the +breathless fighting of the half-whipped but never-to-be-conquered +spirit, the sobbing of the wind-broken runner, the anger, the madness, +the laughter. And in it all the unwearying urge of a purpose, the +unswerving belief in the peace of a far away ocean.</p> + +<p>If in a moment of despair I should reel for a breathing space away from +the fight, with no heart for battle-cries, and with only a desire to +pray, I could do it in no better manner than to lift my arms above the +river and cry out into the big spaces: "You who somehow +understand—behold this river! It expresses what is voiceless in me. It +prays for me!"</p> + +<p>Not only in its physical aspect does the Missouri appeal to the +imagination. From Three Forks to its mouth—a distance of three thousand +miles—this zigzag watercourse is haunted with great memories. Perhaps +never before in the history of the world has a river been the +thoroughfare of a movement so tremendously epic in its human appeal, so +vastly significant in its relation to the development of man. And in the +building of the <a name="Page_11" id="Page_11"></a>continent Nature fashioned well the scenery for the +great human story that was to be enacted here in the fullness of years. +She built her stage on a large scale, taking no account of miles; for +the coming actors were to be big men, mighty travelers, intrepid +fighters, laughers at time and space. Plains limited only by the rim of +sky; mountains severe, huge, tragic as fate; deserts for the trying of +strong spirits; grotesque volcanic lands—dead, utterly +ultra-human—where athletic souls might struggle with despair; impetuous +streams with their rapids terrible as Scylla, where men might go down +fighting: thus Nature built the stage and set the scenes. And that the +arrangements might be complete, she left a vast tract unfinished, where +still the building of the world goes on—a place of awe in which to feel +the mighty Doer of Things at work. Indeed, a setting vast and weird +enough for the coming epic. And as the essence of all story is struggle, +tribes of wild fighting men grew up in the land to oppose the coming +masters; and over the limitless wastes swept the blizzards.</p> + +<p>I remember when I first read the words of Vergil beginning <i>Ubi tot +Simois</i>, "where the Simois rolls along so many shields and helmets and +strong <a name="Page_12" id="Page_12"></a>bodies of brave men snatched beneath its floods." The far-seeing +sadness of the lines thrilled me; for it was not of the little stream of +the <i>Æneid</i> that I thought while the Latin professor quizzed me as to +constructions, but of that great river of my own epic country—the +Missouri. Was I unfair to old Vergil, think you? As for me, I think I +flattered him a bit! And in this modern application, the ancient lines +ring true. For the Missouri from Great Falls to its mouth is one long +grave of men and boats. And such men!</p> + +<p>It is a time-honored habit to look back through the ages for the epic +things. Modern affairs seem a bit commonplace to some of us. A horde of +semi-savages tears down a town in order to avenge the theft of a +faithless wife who was probably no better than she should have been—and +we have the <i>Iliad</i>. A petty king sets sail for his native land, somehow +losing himself ten years among the isles of Greece—and we have the +<i>Odyssey</i>. (I would back a Missouri River "rat" to make the distance in +a row boat within a few months!) An Argive captain returns home after an +absence of ten years to find his wife interested overmuch in a friend +who went not forth to battle; a <a name="Page_13" id="Page_13"></a>wrangle ensues; the tender spouse +finishes her lord with an axe—and you have the <i>Agamemnon</i>. (To-day we +should merely have a sensational trial, and hysterical scareheads in the +newspapers.) Such were the ancient stories that move us all—sordid +enough, be sure, when you push them hard for fact. But time and genius +have glorified them. Not the deeds, but Homer and Æschylus and the +hallowing years are great.</p> + +<p>We no longer write epics—we live them. To create an epic, it has been +said somewhere, the poet must write with the belief that the immortal +gods are looking over his shoulder.</p> + +<p>We no longer prostrate ourselves before the immortal gods. We have long +since discovered the divinity within ourselves, and so we have flung +across the continents and the seas the visible epics of will.</p> + +<p>The history of the American fur trade alone makes the Trojan War look +like a Punch and Judy show! and the Missouri River was the path of the +conquerors. We have the facts—but we have not Homer.</p> + +<p>An epic story in its essence is the story of heroic men battling, aided +or frustrated by the super<a name="Page_14" id="Page_14"></a>human. And in the fur trade era there was no +dearth of battling men, and the elements left no lack of superhuman +obstacles.</p> + +<p>I am more thrilled by the history of the Lewis and Clark expedition than +by the tale of Jason. John Colter, wandering three years in the +wilderness and discovering the Yellowstone Park, is infinitely more +heroic to me <a name="that" id="that"></a><ins class="correction" title="than">that</ins> +Theseus. Alexander Harvey makes Æneas look like a +degenerate. It was Harvey, you know, who fell out with the powers at +Fort Union, with the result that he was ordered to report at the +American Fur Company's office at St. Louis before he could be reinstated +in the service. This was at Christmas time—Christmas of a Western +winter. The distance was seventeen hundred miles, as the crow flies. +"Give me a dog to carry my blankets," said he, "and by God I'll report +before the ice goes out!" He started afoot through the hostile tribes +and blizzards. He reported at St. Louis early in March, returning to +Union by the first boat out that year. And when he arrived at the Fort, +he called out the man who was responsible for the trouble, and quietly +killed him. That is the stern human stuff with which you build realms. +What could not Homer do with such a man? And <a name="Page_15" id="Page_15"></a>when one follows him +through his recorded career, even Achilles seems a bit ladylike beside +him!</p> + +<p>The killing of Carpenter by his treacherous friend, Mike Fink, would +easily make a whole book of hexameters—with a nice assortment of gods +and goddesses thrown in. There was a woman in the case—a half-breed. +Well, this half-breed woman fascinates me quite as much as she whose +face "launched a thousand ships and burnt the topless towers of Ilium"! +In ancient times the immortal gods scourged nations for impieties; and, +as we read, we feel the black shadow of inexorable fate moving through +the terrific gloom of things. But the smallpox scourge that broke out at +Fort Union in 1837, sweeping with desolation through the prairie tribes, +moves me more than the storied catastrophes of old. It was a Reign of +Terror. Even Larpenteur's bald statement of it fills me with the fine +old Greek sense of fate. Men sickened at dawn and were dead at sunset. +Every day a cartload or two of corpses went over the bluff into the +river; and men became reckless. Larpenteur and his friend joked daily +about the carting of the gruesome freight. They felt the irresistible, +and they laughed at it, since struggle <a name="Page_16" id="Page_16"></a>was out of the question. Some +drank deeply and indulged in hysterical orgies. Some hollowed out their +own graves and waited patiently beside them for the hidden hand to +strike. At least fifteen thousand died—Audubon says one hundred and +fifty thousand; and the buffalo increased rapidly—because the hunters +were few.</p> + +<p>Would not such a story—here briefly sketched—move old Sophocles?</p> + +<p>The story of the half-breed woman—a giantess—who had a dozen sons, has +about it for me all the glamour of an ancient yarn. The sons were +free-trappers, you know, and, incidentally, thieves and murderers. (I +suspect some of our classic heroes were as much!) But they were +doubtless living up to the light that was in them, and they were game to +the finish. So was the old woman; they called her "the mother of the +devils." Trappers from the various posts organized to hunt them down, +and the mother and the sons barricaded their home. The fight was a hard +one. One by one the "devils" fell fighting about their mother. And then +the besieging party fired the house. With all her sons wounded or dead, +the old woman sallied forth. She fought like a grizzly and went down +like a heroine.</p> + +<p><a name="Page_17" id="Page_17"></a></p> + +<p>A sordid, brutal story? Ah, but it was life! Fling about this story of +savage mother-love the glamour of time and genius, and it will move you!</p> + +<p>And the story of old Hugh Glass! Is it not fateful enough to be the +foundation of a tremendous Æschylean drama? A big man he was—old and +bearded. A devil to fight, a giant to endure, and an angel to forgive! +He was in the Leavenworth campaign against the Aricaras, and afterward +he went as a hunter with the Henry expedition. He had a friend—a mere +boy—and these two were very close. One day Glass, who was in advance of +the party, beating up the country for game, fell in with a grizzly; and +when the main party came up, he lay horribly mangled with the bear +standing over him. They killed the bear, but the old man seemed done +for; his face had all the features scraped off, and one of his legs went +wabbly when they lifted him.</p> + +<p>It was merely a matter of one more man being dead, so the expedition +pushed on, leaving the young friend with several others to see the old +man under ground. But the old man was a fighter and refused to die, +though he was unconscious: held on stubbornly for several days, but it +<a name="Page_18" id="Page_18"></a>seemed plain enough that he would have to let go soon. So the young +friend and the others left the old man in the wilderness to finish up +the job by himself. They took his weapons and hastened after the main +party, for the country was hostile.</p> + +<p>But one day old Glass woke up and got one of his eyes open. And when he +saw how things stood, he swore to God he would live, merely for the sake +of killing his false friend. He crawled to a spring near by, where he +found a bush of ripe bull-berries. He waited day after day for strength, +and finally started out to <i>crawl</i> a small matter of one hundred miles +to the nearest fort. And he did it, too! Also he found his friend after +much wandering—and forgave him.</p> + +<p>Fancy Æschylus working up that story with the Furies for a chorus and +Nemesis appearing at intervals to nerve the old hero!</p> + +<div class="figcenter" style="width: 500px;"> +<a name="image05" id="image05"></a> +<a href="images/img05-full.jpg"><img src="images/img05.jpg" width="500" height="309" alt="After the Spring Break-Up." title="After the Spring Break-Up." /></a> +<span class="caption">After the Spring Break-Up.</span> +</div> + +<table class="images" summary="Images"> +<tr><td valign="top"><div class="figcenter" style="width: 300px;"> +<a name="image06" id="image06"></a> +<a href="images/img06-full.jpg"><img src="images/img06.jpg" width="300" height="192" alt=""Hole-in-the-Wall" on the Upper Missouri." title=""Hole-in-the-Wall" on the Upper Missouri." /></a> +<span class="caption">"Hole-in-the-Wall" on the Upper Missouri.</span> +</div></td> + +<td valign="top"><div class="figcenter" style="width: 300px;"> +<a name="image07" id="image07"></a> +<a href="images/img07-full.jpg"><img src="images/img07.jpg" width="300" height="188" alt="Palisades of the Upper Missouri." title="Palisades of the Upper Missouri." /></a> +<span class="caption">Palisades of the Upper Missouri.</span> +</div></td> +</tr> +</table> + +<p>And Rose the Renegade, who became the chief of a powerful tribe of +Indians! And Father de Smet, one of the noblest figures in history, +carrying the gospel into the wilderness! And Le Barge, the famous pilot, +whose biography reads like a romance! In the history of the Missouri +River there were hundreds of these heroes, these builders of the epic +West. Some of them were <a name="Page_18-f" id="Page_18-f"></a><a name="Page_19-f" id="Page_19-f"></a> +<a name="Page_19" id="Page_19"></a>violent at times; some were good men and some +were bad. But they were masterful always. They met obstacles and +overcame them. They struck their foes in front. They thirsted in +deserts, hungered in the wilderness, froze in the blizzards, died with +the plagues, and were massacred by the savages. Yet they conquered. +Heroes of an unwritten epic! And their pathway to defeat and victory was +the Missouri River.</p> + +<p>If you wish to have your epic spiced with the glamour of kings, the +history of the river will not fail you; for in those days there were +kings as well as giants in the land. Though it was not called such, all +the blank space of the map of the Missouri River country and even to the +Pacific, was one vast empire—the empire of the American Fur Company; +and J.J. Astor in New York spoke the words that filled the wilderness +with deeds. Thus democratic America once beheld within her own confines +the paradox of an empire truly Roman in character.</p> + +<p>Here and there on the banks of the great waterway—an imperial road that +would have delighted Cæsar—many forts were built. These were the +ganglia of that tremendous organism of which Astor was the brain. The +bourgeois of one of <a name="Page_20" id="Page_20"></a>these posts was virtually proconsul with absolute +power in his territory. Mackenzie at Union—which might be called the +capital of the Upper Missouri country—was called "King of the +Missouri." He had an eye for seeing purple. At one time he ordered a +complete suit of armor from England; and even went so far as to have +medals struck, in true imperial fashion, to be distributed among his +loyal followers.</p> + +<p>Far and wide these Western American kings flung the trappers, their +subjects, into the wilderness. Verily, in the unwritten "Missouriad" +there is no lack of regal glamour.</p> + +<p>The ancients had a way of making vast things small enough to be +familiar. They make gods of the elements, and natural phenomena became +to them the awful acts of the gods.</p> + +<p>These moderns made no gods of the elements—they merely conquered them! +The ancients idealized the material. These moderns materialized the +ideal. The latter method is much more appealing to me—an American—than +the former. I love the ancient stories; but it is for the modern +marvellous facts that I reserve my admiration.</p> + +<p>When one looks upon his own country as from a height of years, old tales +lose something of their <a name="Page_21" id="Page_21"></a>wonder for him. It is owing to this attitude +that the prospect of descending the great river in a power canoe from +the head of navigation gave me delight.</p> + +<p>Days and nights filled with the singing and muttering of my big brother! +And I would need only to close my eyes, and all about me would come and +go the ghosts of the mighty doers—who are my kin. Big men, bearded and +powerful, pushing up stream with the cordelle on their shoulders! +Voyageurs chanting at the paddles! Mackinaws descending with precious +freights of furs! Steamboats grunting and snoring up stream! Old forts +sprung up again out of the dusk of things forgotten, with all the old +turbulent life, where in reality to-day the plough of the farmer goes or +the steers browse! Forgotten battles blowing by in the wind! And from a +bluff's summit, here and there, ghostly war parties peering down upon +me—the lesser kin of their old enemies—taking a summer's outing where +of old went forth the fighting men, the builders of the unwritten epic!</p> + +<p><a name="Page_22" id="Page_22"></a></p> + + + +<hr style="width: 65%;" /> +<p><a name="CHAPTER_II" id="CHAPTER_II"></a></p> + +<h2 class="sectionhead">CHAPTER II</h2> + +<h3 class="chapterhead">SIXTEEN MILES OF AWE</h3> + + +<p><span class="dropcap">O</span>UR party of three left the railroad at Great Falls, a good two-days' +walk up river from Benton, the head of Missouri River navigation, to +which point our boat material had been shipped and our baggage checked.</p> + +<p>A vast sun-burned waste of buffalo-grass, prickly pears, and sagebrush +stretched before us to the north and east; and on the west the filmy +blue contour of the Highwoods Mountains lifted like sun-smitten thunder +clouds in the July swelter. One squinting far look, however, told you +that these were not rain clouds. The very thought of rain came to you +with the vagueness of some birth-surviving memory of a former time. You +looked far up and out to the westward and caught the glint of snow on +the higher peaks. But the sight was unconvincing; it was like a story +told without the "vital impulse." Always had these plains blistered +under this July sun; always had the spots <a name="Page_23" id="Page_23"></a>of alkali made the only +whiteness; and the dry harsh snarl and snap of the grasshoppers' wings +had pricked this torrid silence through all eternity.</p> + +<p>A stern and pitiless prospect for the amateur pedestrian, to be sure; +for devotees of the staff and pack have come to associate pedestrianism +with the idyllic, and the idyllic nourishes only in a land of frequent +showers. Theocritus and prickly pears are not compatible. Yet it was not +without a certain thrill of exaltation that we strapped on our packs and +stretched our legs after four days on the dusty plush.</p> + +<p>And though ahead of us lay no shady, amiably crooked country roads and +bosky dells, wherein one might lounge and dawdle over Hazlitt, yet we +knew how crisscross cattle-trails should take us skirting down the +river's sixteen miles of awe.</p> + +<p>Five hundred miles below its source, the falls of the Missouri begin +with a vertical plunge of sixty feet. This is the Black Eagle Falls, +presumably named so by Lewis and Clark and other explorers, because of +the black eagles found there.</p> + +<p>With all due courtesy to my big surly grumbling friend, the Black Eagle +Falls, I must say that I was a bit disappointed in him. Oh! he is quite +magnificent enough, and every inch a Titan, to <a name="Page_24" id="Page_24"></a>be sure; but of late +years it seems he has taken up with company rather beneath him. First of +all, he has gone to work in a most plebeian, almost slave-like fashion, +turning wheels and making lights and dragging silly little trolley cars +about a straggling town. Also, he hobnobs continually with a sprawling, +brawling, bad-breathed smelter, as no respectable Titan should do. And +on top of it all—and this was the straw that broke the back of my +sentimental camel—he allows them to maintain a park on the cliffs above +him, where the merest white-skinned, counter-jumping pigmy may come of a +Sunday for his glass of pop and a careless squint at the toiling Titan. +Puny Philistines eating peanuts and watching Samson at his Gaza stunt! I +like it not. Rather would I see the Muse Clio <a name="pealing" id="pealing"></a> +<ins class="correction" title="peeling">pealing</ins> potatoes or +Persephone busy with a banana cart! Encleadus wriggling under a mountain +is well enough; but Enceladus composedly turning a crank for little +men—he seemed too heavy for that light work.</p> + +<p>Leaning on the frame observation platform, I closed my eyes, and in the +dull roar that seemed the voices of countless ages, the park and the +smelter and the silly bustling trolley cars and the ginger-ale and the +peanuts and my physical self—<a name="Page_25" id="Page_25"></a>all but my own soul—were swallowed up. I +saw my Titan brother as he was made—four hundred yards of writhing, +liquid sinew, strenuously idle, magnificently worthless, flinging +meaningless thunders over the vast arid plain, splendidly empty under +sun and stars! I saw him as La Verendrye must have seen him—busy only +at the divine business of being a giant. And for a moment behind shut +eyes, it seemed very inconsequential to me that cranks should be turned +and that trolley cars should run up and down precisely in the same +place, never getting anywhere, and that there should be anything in all +that tract but an austere black eagle or two, and my own soul, and my +Titan brother.</p> + +<p>When I looked again, I could half imagine the old turbulent fellow +winking slyly at me and saying in that undertone you hear when you +forget the thunders for a moment: "Don't you worry about me, little man. +It's all a joke, and I don't mind. Only to-morrow and then another +to-morrow, and there won't be any smelters or trolley cars or ginger-ale +or peanuts or sentimentalizing outers like yourself. But I'll be here +howling under sun and stars."</p> + +<p>Whereupon I posed the toiling philosopher <a name="Page_26" id="Page_26"></a>before the camera, pressed +the bulb, and descended from the summit of the cliff (as well as from my +point of view) to the trail skirting northward up the river, leaving +Encleadus grumbling at his crank.</p> + +<p>Perhaps, after all, cranks really have to be turned. Still, it seems too +bad, and I have long bewailed it almost as a personal grief, that +utility and ugliness should so often be running mates.</p> + +<p>They tell me that the Matterhorn never did a tap of work; and you +couldn't color one Easter egg with all the gorgeous sunsets of the +world! May we all become, some day, perfectly useless and beautiful!</p> + +<p>At the foot of the first fall, a mammoth spring wells up out of the +rock. Nobody tells you about it; you run across it by chance, and it +interests you much more in that way. It would seem that a spring +throwing out a stream equivalent to a river one hundred yards wide and +two feet deep would deserve a little exploitation. Down East they would +have a great white sprawling hotel built close by it wherein one could +drink spring water (at a quarter the quart), with half a pathology +pasted on the bottle as a label. But nobody seems to care much about so +small an ooze <a name="Page_27" id="Page_27"></a>out there: everything else is so big. And so it has +nothing at all to do but go right on being one of the very biggest +springs of all the world. This is really something; and I like it better +than the quarter-per-quart idea.</p> + +<p>In sixteen miles the Missouri River falls four hundred feet. +Incidentally, this stretch of river is said to be capable of producing +the most tremendous water-power in the world.</p> + +<p>After skirting four miles of water that ran like a mill-race, we came +upon the Rainbow Falls, where a thousand feet of river takes a drop of +fifty feet over a precipice regular as a wall of masonry. This was much +more to my liking—a million horse-power or so busy making rainbows! +Bully!</p> + +<p>It was a very hot day and the sun was now high. I sat down to wipe the +sweat out of my eyes. I wished to get acquainted with this weaver of +iridescent nothings who knew so well the divine art of doing nothing at +all and doing it good and hard! After all, it isn't so easy to do +nothing and make it count!</p> + +<p>And in the end, when all broken lights have blended again with the +Source Light, I'm not so sure that rainbows will seem less important +<a name="Page_28" id="Page_28"></a>than rows and rows of arc lights and clusters and clusters of +incandescent globes. Are you? I can contract an indefinable sort of +heartache from the blue sputter of a city light that snuffs out moon and +stars for tired scurrying folks: but the opalescent mist-drift of the +Rainbow Falls wove heavens for me in its sheen, and through its +whirlwind rifts and crystal flaws, far reaches opened up with all the +heart's desire at the other end. You shut your eyes with that thunder in +your ears and that gusty mist on your face, and you see it very +plainly—more plainly than ever so many arc lights could make you see +it—the ultimate meaning of things. To be sure, when you open your eyes +again, it's all gone—the storm-flung rainbows seem to hide it again.</p> + +<p>A mile below, we came upon the Crooked Falls of twenty feet. Leaving the +left bank and running almost parallel with it for some three hundred +yards, then turning and making a horseshoe, and returning to the right +bank almost opposite the place of first observation, this fall is nearly +a mile in length, being an unbroken sheet for that distance. This one, +also, does nothing at all, and in a beautifully irregular way. Somehow +it made me think of Walt Whitman! But we left it soon, <a name="Page_29" id="Page_29"></a>swinging out +into the open parched country. We knew all this turbulence to be merely +the river's bow before the great stunt.</p> + +<p>As we swung along, kicking up the acrid alkali dust from the +cattle-trail that snaked its way through the cactus and sagebrush, the +roar behind us died; and before us, far away, dull muffled thunders grew +up in the hush of the burning noon. Thunders in a desert, and no cloud! +For an hour we swung along the trail, and ever the thunders +increased—like the undertone of the surf when the sea whitens. We were +approaching the Great Falls of the Missouri. There were no sign posts in +that lonesome tract; no one of whom to ask the way. Little did we need +direction. The voice of thunder crying in the desert led us surely.</p> + +<p>A half-hour more of clambering over shale-strewn gullies, up sun-baked +watercourses, and we found ourselves toiling up the ragged slope of a +bluff; and soon we stood upon a rocky ledge with the thunders beneath +us. Damp gusts beat upward over the blistering scarp of the cliff. I lay +down, and crawling to the edge, looked over. Two hundred feet below +me—straight down as a pebble drops—a watery Inferno raged, and +far-flung whirlwinds all but exhausted with the dizzy <a name="Page_30" id="Page_30"></a>upward reach, +whisked cool, invisible mops of mist across my face.</p> + +<p>Flung down a preliminary mile of steep descent, choked in between +soaring walls of rock four hundred yards apart, innumerable crystal tons +rushed down ninety feet in one magnificent plunge. You saw the long bent +crest—shimmering with the changing colors of a peacock's back—smooth +as a lake when all winds sleep; and then the mighty river was snuffed +out in gulfs of angry gray. Capricious river draughts, sucking up the +damp defile, whipped upward into the blistering sunlight gray spiral +towers that leaped into opal fires and dissolved in showers of diamond +and pearl and amethyst.</p> + +<div class="figcenter" style="width: 270px;"> +<a name="image08" id="image08"></a> +<a href="images/img08-full.jpg"><img src="images/img08.jpg" width="270" height="400" alt="Great Falls from Cliff Above." title="Great Falls from Cliff Above." /></a> +<span class="caption">Great Falls from Cliff Above.</span> +</div> + +<div class="figcenter" style="width: 500px;"> +<a name="image09" id="image09"></a> +<a href="images/img09-full.jpg"><img src="images/img09.jpg" width="500" height="313" alt="Great Falls from the Front." title="Great Falls from the Front." /></a> +<span class="caption">Great Falls from the Front.</span> +</div> + +<p>I caught myself tightly gripping the ledge and shrinking with a +shuddering instinctive fear. Then suddenly the thunders seemed to stifle +all memory of sound—and left only the silent universe with myself and +this terribly beautiful thing in the midst of utter emptiness. And I +loved it with a strange, desperate, tigerish love. It expressed itself +so magnificently; and that is really all a man, or a waterfall, or a +mountain, or a flower, or a grasshopper, or a meadow lark, or an ocean, +or a thunderstorm has to do in this <a name="Page_30-f" id="Page_30-f"></a> +<a name="Page_31-f" id="Page_31-f"></a><a name="Page_31" id="Page_31"></a>world. And it was doing it right +out in the middle of a desert, bleak, sun-leprosied, forbidding, with +only the stars and the moon and the sun and a cliff-swallow or two to +behold. Thundering out its message into the waste places, careless of +audiences—like a Master! Bully, grizzled old Master-Bard singing—as +most of them do—to empty benches! And it had been doing that ten +thousand thousand years, and would do so for ten thousand thousand more, +and never pause for plaudits. I suspect the soul of old Homer did +that—and is still doing it, somehow, somewhere. After all there isn't +much difference between really tremendous things—Homer or waterfalls or +thunderstorms—is there? It's only a matter of how things happen to be +big.</p> + +<p>I was absent-mindedly chasing some big thundering line of Sophocles when +Bill, the little Cornishman, ran in between me and the evasive line: +"Lord! what a waste of power!"</p> + +<p>There is some difference in temperaments. Most men, I fancy, would have +enjoyed a talk with a civil engineer upon that ledge. I should have +liked to have Shelley there, myself! It's the difference between poetry +and horse-power, dithyrambics and dynamos, Keats and Kipling!<a name="Page_32" id="Page_32"></a> What is +the energy exerted by the Great Falls of the Missouri? How many +horse-power did Shelley fling into the creation of his <i>West Wind</i>? How +many foot-pounds did the boy heart of Chatterton beat before it broke? +Something may be left to the imagination!</p> + +<p>We backtrailed to a point where the cliff fell away into a rock-strewn +incline, and clambered down a break-neck slope to the edge of the +crystal broil. There was a strange exhilaration about it—a novel sense +of discovering a natural wonder for ourselves. We seemed the first men +who had ever been there: that was the most gripping thing about it.</p> + +<p>Aloof, stupendous, <a name="terriffic1" id="terriffic1"></a> +<ins class="correction" title="terrific">terriffic</ins>, staggering in the intensity of its wild +beauty, you reach it by a trail. There are no 'busses running and you +can't buy a sandwich or a peanut or a glass of beer within ten miles of +its far-flung thunders. For twentieth century America, that is doing +rather well!</p> + +<p>Skirting the slippery rocks at the lip of the mad flood, we swung +ourselves about a ledge, dripping with the cool mist-drift; descended to +the level of the lower basin, where a soaking fog made us shiver; pushed +through a dripping, oozing, <a name="Page_33" id="Page_33"></a>autumnal sort of twilight, and came out +again into the beat of the desert sun, to look squarely into the face of +the giant.</p> + +<p>A hawk wheeled and swooped and floated far up in the dazzling air. +Somehow that hawk seemed to make the lonely place doubly lonely. Did you +ever notice how a lone coyote on a snow-heaped prairie gives you a +heartache, whereas the empty waste would only have exhilarated you? +Always, it seemed, that veering hawk had hung there, and would hang so +always—outliving the rising of suns and the drifting of stars and the +visits of the moon.</p> + +<p>A vague sense of grief came over me at the thought of all this eternal +restlessness, this turbulent fixity; and, after all, it seemed much +greater to be even a very little man, living largely, dying, somehow, +into something big and new; than to be this Promethean sort of thing, a +giant waterfall in a waste.</p> + +<p>I have known men who felt dwarfed in the presence of vast and awful +things. I never felt bigger than when I first looked upon the ocean. The +skyward lift of a mountain peak makes me feel very, very tall. And when +a thunderstorm comes down upon the world out of the northwest, <a name="Page_34" id="Page_34"></a>with +jagged blades of fire ripping up the black bellies of the clouds, I know +all about the heart of Attila and the Vikings and tigers and Alexander +the Great! So I think I grew a bit out there talking to that water-giant +who does nothing at all—not even a vaudeville stunt—and does it so +masterfully.</p> + +<p>By and by they'll build a hotel in the flat at the edge of the lower +basin; plant prim flowers in very prim beds; and rob you on the genteel +European plan. Comfortably sitting in a willow chair on the broad +veranda, one will read the signs on those cliffs—all about the best +shoes to wear, and what particular pill of all the pills that be, should +be taken for that ailing kidney. But it will not be I who shall sit in +that willow chair on that broad, as yet unbuilt, veranda.</p> + +<p>The sun was glinting at the rim of the cliffs, and the place of awe and +thunders was slowly filling with shadow. We found a steep trail, +inaccessible for vehicles, leading upward in the direction of Benton. It +was getting that time of day when even a sentimentalist wants a +beefsteak, especially if he has hiked over dusty scorching trails and +scrambled over rocks all day.</p> + +<p><a name="Page_35" id="Page_35"></a></p> + +<p>Some kind man back in the town, with a fund of that most useless +article, information, had told us of a place called Goodale, +theoretically existing on the Great Northern Railroad between Great +Falls and Benton. We had provided only for luncheon, trusting to fate +and Goodale for supper.</p> + +<p>Goodale! A truly beautiful name! No doubt in some miraculous way the +character of the country changed suddenly just before you got there +merely to justify the name. Surely no one would have the temerity to +conjure up so beautiful a name for a desert town. Yet, half unwillingly, +I thought of a little place I once visited—against my will, since the +brakeman put me off there—by the name of Forest City. I remembered with +misgivings how there wasn't a tree within something like four hundred +miles. But I pushed that memory aside as a lying prophet. I believed in +Goodale and beefsteak. Goodale would be a neat, quiet little town, set +snugly in a verdant valley. We would come into it by starlight—down a +careless gypsying sort of country road; and there would be the sound of +a dear little trickling bickering cool stream out in the shadows of the +trees fringing the approach to Goodale. And we'd pass <a name="Page_36" id="Page_36"></a>pretty little +cottages with vines growing over the doors, and hollyhocks peeping over +the fences, and cheerful lights in the windows.</p> + +<p>Goodale! And then, right in the middle of the town (no, <i>village</i>—the +word is cosier somehow)—right in the middle of the village there would +be a big restaurant, with such alluring scents of beefsteak all about +it.</p> + +<p>I set the pace up that trail. It was a swinging, loose, cavalry-horse +sort of pace—the kind that rubs the blue off the distance and paints +the back trail gray. Goodale was a sort of Mecca. I thought of it with +something like a religious awe. How far was Goodale, would you suppose? +Not far, certainly, once we found the railroad.</p> + +<p>We made the last steep climb breathlessly, and came out on the level. A +great, monotonous, heartachy prairie lay before us—utterly featureless +in the twilight. Far off across the scabby land a thin black line swept +out of the dusk into the dusk—straight as a crow's flight. It was the +railroad. We made a cross-cut for it, tumbling over gopher holes, +plunging through sagebrush, scrambling over gullies that told the +incredible tale of torrents having been there once. I ate quantities of +alkali dust and went on believing in<a name="Page_37" id="Page_37"></a> Goodale and beefsteak. Beefsteak +became one of the principal stations on the Great Northern Railroad, so +far as I was concerned personally. That is what you might call the +geography of a healthy stomach.</p> + +<p>With the falling of the sun the climate of the country had changed. It +was no longer blistering. You sat down for a moment and a shiver went up +your spine. At noon I thought about all the lime-kilns I had ever met. +Now I could hear the hickory nuts dropping in the crisp silence down in +the old Missouri woods.</p> + +<p>We struck the railroad and went faster. Since my first experience with +railroad ties, I have continued to associate them with hunger. I need +only look an ordinary railroad tie in the face to contract a wonderful +appetite. It works on the principle of a memory system. So, as we put +the ties behind us, I increased my order at that restaurant in the sweet +little pedestrian's village of Goodale. "A couple of eggs on the side, +waiter," I said half audibly to the petite woman in the white apron who +served the tables in the restaurant there. She was very real to me. I +could count the rings on her fingers; and when she smiled, I noted that +her teeth were very white—<a name="Page_38" id="Page_38"></a>doubtless they got that way from eating +quantities and quantities of thick juicy beefsteak!</p> + +<p>The track took a sudden turn ahead. "Around that bend," I said aloud, +"lies Goodale." We went faster. We rounded the bend, only to see the +dusky, heartachy, barren stretch.</p> + +<p>"Railroads," explained I to myself, "have a way of going somewhere; it +is one of their peculiarities." No doubt this track had been laid for +the express purpose of guiding hungry folks to the hospitable little +village. We plunged on for an hour. Meanwhile my orders to the trim +little woman in the white apron increased steadily. She smiled broadly +but winsomely, showing those charming beefsteak-polished teeth. They +shone like a beacon ahead of me, for it was now dark.</p> + +<p>Suddenly we came upon a signboard. We went up to it, struck a match, and +read breathlessly—"<span class="smcap">Goodale</span>."</p> + +<p>We looked about us. Goodale was a switch and a box car.</p> + +<div class="poem"><div class="stanza"> +<span class="i4">Nothing beside remains,<br /></span> +</div></div> + +<p>I quoted,</p> + +<div class="poem"><div class="stanza"> +<span class="i5">'round the decay<br /></span> +<span class="i0">Of that colossal wreck, boundless and bare,<br /></span> +<span class="i0">The lone and level sands stretch far away.<br /></span> +</div></div> + +<p><a name="Page_39" id="Page_39"></a></p> + +<p>Alas for the trim little lady with the white teeth and the smile and the +beefsteak!</p> + +<p>We said bitter things there in that waste about the man with the +information. We loaded his memory with anathemas. One cannot eat a +signboard, even with so inviting a name upon it. An idea struck me—it +seemed a very brilliant one at the moment. I sat down and delivered +myself of it to my companions, who also had lusted after the flesh-pots. +"We have wronged that man with the information," said I. "He was no +ordinary individual; he was a prophet: he simply got his dates mixed. In +precisely one hundred years from now, there will be a town on this +spot—and a restaurant! Shall we wait?"</p> + +<p>They cursed me bitterly. I suspect neither of them is a philosopher. +Thereat I proceeded to eat a thick juicy steak from the T-bone portion +of an unborn steer, served by the trim little lady of a hundred years +hence, there in that potential village of Goodale. And as I smoked my +cigarette, I felt very thankful for all the beautiful things that do not +exist.</p> + +<p>And I slept that night in the great front bedroom, the ceiling of which +is of diamond and turquoise.</p> + +<p><a name="Page_40" id="Page_40"></a></p> + + + +<hr style="width: 65%;" /> +<p><a name="CHAPTER_III" id="CHAPTER_III"></a></p> + +<h2 class="sectionhead">CHAPTER III</h2> + +<h3 class="chapterhead">HALF-WAY TO THE MOON</h3> + + +<p><span class="dropcap">A</span>T last the sinuous yellow road dropped over the bluff rim and, to all +appearances, dissolved into the sky—a gray-blue, genius-colored sky.</p> + +<p>It was sundown, and this was the end of the trail for us. Beneath the +bluff rim lay Benton. We flung ourselves down in the bunch-grass that +whispered dryly in a cool wind fresh from the creeping night-shade. Now +that Benton lay beneath us, I was in no hurry to look upon it.</p> + +<p><i>Fort Benton?</i> What a clarion cry that name had been to me! Old men—too +old for voyages—had talked about this place; a long time ago, 'way down +on the Kansas City docks, I had heard them. How far away it was then! +Reach after reach, bend after bend, grunting, snoring, toiling, sparring +over bars, bucking the currents, dodging the snags, went the snub-nosed +steamers—brave little steamers!—forging on toward Fort Benton. +<a name="Page_41" id="Page_41"></a> And it +was so very, very far away—half-way to the moon no doubt! St. Louis was +indeed very far away. But Fort <span class="nowrap">Benton!——</span></p> + +<p>Well, they spoke of the Fort Benton traffic as "the mountain trade," and +I had not then seen a mountain. You could stand on the very tallest +building in Kansas City, and you could look and look and never see a +mountain. And to think how far the brave little steamers had to go! How +<i>did</i> they ever manage to get back?</p> + +<p>But the old men on the docks—they had been there and all the way back, +perhaps hundreds of times. And they were such heroes! Great paw-like +hands they had, toughened with the gripping of cables; eyes that had +that way of looking through and far beyond things. (Seamen and plainsmen +have it.) And they had such romantic, crinkly, wrinkly, leathery faces. +They got so on the way to Benton and back. And they talked about +it—those old men lounging on the docks—because it was so far away and +they were so old that they couldn't get there any more.</p> + +<p>What a picture I made out of their kaleidoscopic chatter; beautifully +inaccurate, impossibly romantic picture, in which big muscley men had +fights with yawping painted savages that always <a name="Page_42" id="Page_42"></a>got gloriously licked, +in the approved story-book manner! I could shut my eyes and see it all +very plainly, away off there half-way to the moon. And I used to wonder +how my father could be such a strong man and never have any hankering to +go up there at all! The two facts were quite incompatible. He should +have been a captain and taken me on for cub pilot, or at least a +"striker" engineer; though I wouldn't have objected seriously to the +business of a cabin boy. I thought it would be very nice to engage in +the mountain trade.</p> + +<p>And then, after a while, in the new light that creeps in with years, I +began to rearrange my picture of things up there; and Benton crept a wee +bit closer—until I could see its four adobe walls and its two adobe +bastions, stern with portholes, sitting like bulldogs at the opposite +corners ready to bark at intruders. And in and out at the big gate went +the trappers—sturdy, rough-necked, hirsute fellows in buckskins, with +Northwest fusils on their shoulders; lean-bodied, capable fellows, with +souls as lean as their bodies, survivors of long hard trails, men who +could go far and eat little and never give up. I was very fond of that +sort of man.</p> + +<p><a name="Page_43" id="Page_43"></a></p> + +<p>Little by little the picture grew. Indian bull boats flocked at the +river front beneath the stern adobe walls; moored mackinaws swayed in +the current, waiting to be loaded with peltries and loosed for the long +drift back to the States; and the keel-boats, looking very fat and lazy, +unloaded supplies in the late fall that were loaded at St. Louis in the +early spring. And these had come all the way without the stroke of a +piston or the crunch of a paddle-wheel or a pound of steam. Nothing but +grit and man-muscle to drag them a small matter of two or three thousand +miles up the current of the most eccentric old duffer of a river in the +world!</p> + +<p>What men it did take to do that! I saw them on the wild shelterless +banks of the yellow flood—a score or so of them—stripped and sweating +under the prairie sun, with the cordelle on their calloused shoulders, +straightening out to the work like honest oxen. What <i>males</i> those +cordelle men were—what <i>stayers</i>! Fed on wild, red meat, lean and round +of waist, thick of chest, thewed for going on to the finish. Ten or +fifteen miles a day and every inch a fight! Be sure they didn't do it +merely for the two or three hundred dollars a year they got from the +Company. They did it <a name="Page_44" id="Page_44"></a>because they were that sort of men, and had to +express themselves. Everything worth while is done that way.</p> + +<p>Do they raise that breed now? Never doubt it! You need only find your +keel-boats or their equivalents, and the men will come around for the +job, I'm sure. But when you speak enthusiastically of the old Greek +doers of things, I'd like to put in a few words for those old up-river +men. They belong to the unwritten American epic.</p> + +<p>And then the keel-boats and the bull-boats and the mackinaws and the +up-river men flashed out—like a stereopticon picture when the man moves +the slide; and I saw a little ragged village of log houses scattered +along the water front. I saw the levees piled with merchandise, and a +score or more of packets rushing fresh cargoes ashore—mates bawling +commands down the gangplanks where the roustabouts came and went at a +trot. Gold-mad hundreds thronged the wagon-rutted streets of this raw +little village, the commercial center of a vast new empire. Six-horse +freighters trundled away toward the gold fields; and others trundled in, +their horses jaded with the precious <a name="Page_45" id="Page_45"></a>freight they pulled. And I saw +steamers dropping out for the long voyage back to the States, freighted +with cargoes of gold dust—really truly story-book treasure-ships that +would have made old Captain Kidd's men mad with delight.</p> + +<p>As I lay dreaming in the bunch-grass, it all grew up so real that I had +to get up and take my first look, half expecting to find it all there +just as in the old days.</p> + +<p>We stood at the rim of the bluff and looked down into a cup-like valley +upon a quiet little village, winking with scattered lights in the +gloaming. Past it swept the river—glazed with the twilight and +silver-splotted with early stars.</p> + +<p>This was Benton—it could have been almost any other town as well. And +yet, once upon a time, it had filled my day-dreams with wonders—this +place that seemed half-way to the moon.</p> + +<p>The shrill shriek of a Great Northern locomotive, trundling freight cars +through the gloom, gave the death-stroke to the old boy-dream. It was +the cry of modernity. This boisterous, bustling, smoke-breathing thing, +plunging through the night with flame in its throat, had made the +change, dragged old Benton out of the far-off <a name="Page_46" id="Page_46"></a>lunar regions and set +what is left of it right down in the back yard of the world. Even a very +little boy could get there now.</p> + +<p>"And yet," thought I, as we set out rapidly for the village in the +valley, "the difference between the poetry of mackinaws and Great +Northern locomotives is merely a matter of perspective. If those old +cordelle men could only come back for a while from their Walhalla, how +they would crowd about that wind-splitting, fire-eating, iron beast, +panting from its long run, and catching its breath for another plunge +into the waste places and the night! And I? I would be gazing +wide-mouthed at the cordelle men. It's only the human curiosity about +the other side of the moon. How perfect the nights would be if we could +only see that lost Pleiad!"</p> + +<p>Ankle-deep in the powdery sand, we entered the little town with its +business row facing the water front. One glance at the empty levees told +you of the town's dead glory. Not a steamboat's stacks, blackening in +the gloom, broke the peaceful glitter of the river under the stars. But +along the sidewalk where the electric-lighted bar-rooms buzzed and +hummed, brawny cow-men, booted and spurred, lounged about, talking in +that odd <a name="Page_47" id="Page_47"></a>but not unpleasant Western English that could almost be called +a dialect.</p> + +<p>But it was not the Benton of the cow-men that I felt about me. It was +still for me the Benton of the fur trade and the steamboats and the gold +rush—my boyhood's Benton half-way to the moon—the ghost of a dead +town.</p> + +<p>At Goodale I had sought a substantial town and found a visionary one. At +Benton I had sought a visionary town and found a substantial one. +Philosophy was plainly indicated as the proper thing. And, after all, a +steaming plate of <a name="lamp" id="lamp"></a><ins class="correction" title="lamb">lamp</ins> +chops in a Chinese chuck-house of a substantial +though disappointing town, is more acceptable to even a dreamer than the +visionary beefsteak I ate out there in that latent restaurant of a +potential village.</p> + +<p>This was a comfortable thought; and for a quarter of an hour, the far +weird cry of things that are no more, was of no avail. The rapid music +of knife and fork drowned out the asthmatic snoring of the ghostly +packets that buck the stream no more. How grub does win against +sentiment!</p> + +<p>Swallowing the last of the chops, "Where will I find the ruins of the +old fort?" I asked of my bronze-faced neighbor across the wreck of +supper.<a name="Page_48" id="Page_48"></a> He looked bored and stiffened a horny practical thumb in the +general direction of the ruins. "Over there," he said laconically.</p> + +<p>I caught myself wondering if a modern Athenian would thus carelessly +direct you to the Acropolis. Is the comparison faulty? Surely a ruin is +sacred only for what men did there. We are indeed a headlong race. We +keep our ruins behind us. Perhaps that is why we get somewhere. And yet, +what beauty blooms flowerlike to the backward gaze! Music and +poetry—all the deepest, purest sentiments of the heart—are fed greatly +upon the memory of the things that were but can never be again. +Mnemosyne is the mother of all the Muses.</p> + +<p>I got up and went out. By the light of a thin moon, I found the place +"over there." An odd, pathetic little ruin it is, to be sure. Nothing +imposing about it. It doesn't compel through admiration: it woos through +pity—the great, impersonal kind of pity.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"A single little turret that remains<br /></span> +<span class="i0">On the plains"—<br /></span> +</div></div> + +<p>Browning tells about all there is to tell about it, though he never +heard of it; only they called it <a name="Page_49" id="Page_49"></a>a "bastion" in the old days—the +little square adobe blockhouse that won't stand much longer. One +crumbling bastion and two gaunt fragments of adobe walls in a waste of +sand beside the river—that's Fort Benton.</p> + +<p>A thin pale grudging strip of moon lit it up: just the moon by which to +see ruins—a moon for backward looking and regrets. A full round +love-moon wouldn't have served at all.</p> + +<p>Out of pure moon-haze I restored the walls of the house where the +bourgeois lived. The fireplace and the great mud chimney are still +there, and the smut of the old log fires still clings inside. The man +who sat before that hearth was an American king. A simple word of +command spoken in that room was the thunder of the law in the wilderness +about, and men obeyed. There's a bat living there now. He tumbled about +me in the dull light, filling the silence with the harsh whir of +pinions.</p> + +<p>I thought about that night a long, long time ago when all the people +under the protection of the newly erected fort, gathered here for a +house-warming. How clearly I could hear that squawking, squeaking, +good-natured fiddle and the din of dancing feet! Only the sound got +mixed up with <a name="Page_50" id="Page_50"></a>the dim, weird moonlight, until you didn't know whether +you were hearing or seeing or feeling it—the music of the fiddles and +the feet. Oh, the dim far music!</p> + +<p>I thought about the other ruins of the world, the exploited, +tourist-haunted ruins; and I wondered why the others attract so much +attention while this one attracts practically none at all. How they do +dig after old Troy—poor old long-buried, much-abused Troy! And nobody +even cares to steal a brick from this ruined citadel that took so great +a part in the American epic. Indeed, you would not be obliged to steal a +brick; there are no guards.</p> + +<p>Some one has said that the history of our country as taught in the +common schools is the history of a narrow strip of land along the +Atlantic coast. The statement is significant. The average school-teacher +knows very little about Fort Benton, I suspect.</p> + +<p>And yet, one of the most tremendous of all human movements centered +about it—the movement that brought about the settlement of the +Northwest. One of these days they will plant a potato patch there!</p> + +<p>But modern Benton?</p><p><a name="Page_51" id="Page_51"></a></p> + +<p>Get on a train in the East, snuggle up in your berth, plunge on to the +Western coast, and you run through the real West in the night. They are +getting Eastern out there at the rim of the big sea. Benton is in the +West—the big, free, heart-winning West; and it gives promise of staying +there for a while yet.</p> + +<p>Charter a bronco and canter out across the river for an hour, and it +will be very plain to you that the romantic West still lives—the West +of the cowboy and the bronco and the steer. Not the average story-book +West, to be sure. Perhaps that West never existed. But it is the West +that has bred and is still breeding a race of men as beautiful in a +virile way (and how else should men be beautiful?) as this dear old +mother of an Earth ever suckled.</p> + +<p>I stood once on the yellow slope of a hill and watched a round-up outfit +passing in the gulch below. Four-horse freighters grumbling up the dusty +trail; cook wagons trundling after; whips popping over the sweating +teams; a hundred or more saddle ponies trailing after in rolling clouds +of glinting dust; a score of bronze-faced, hard-fisted outriders, +mounted on gaunt, tough, wise little horses—such strong, outdoor, +masterful<a name="Page_52" id="Page_52"></a> Americans, truly beautiful in a big manly way!</p> + +<p>The sight of it all put that glorious little achy feeling in my throat +that you get when they start the fife and drum, or when a cavalry column +wheels at the word of command, or when a regiment swings past with even +tread, or when you stand on a dock and watch a liner dropping out into +the fog. It's the feeling that you're a man and mighty proud of it. But +somehow it always makes you just a little sad.</p> + +<p>I felt proud of that bunch of strong capable fellows—proud as though I +had created them myself.</p> + +<table class="images" summary="Images"> +<tr><td valign="top"><div class="figcenter" style="width: 300px;"> +<a name="image10" id="image10"></a> +<a href="images/img10-full.jpg"><img src="images/img10.jpg" width="300" height="183" alt=""This was Benton."" title=""This was Benton."" /></a> +<span class="caption">"This was Benton."</span> +</div></td> + +<td valign="top"><div class="figcenter" style="width: 300px;"> +<a name="image11" id="image11"></a> +<a href="images/img11-full.jpg"><img src="images/img11.jpg" width="300" height="179" alt="Ruins of Old Fort Benton." title="Ruins of Old Fort Benton." /></a> +<span class="caption">Ruins of Old Fort Benton.</span> +</div></td> +</tr> +</table> + +<div class="figcenter" style="width: 290px;"> +<a name="image12" id="image12"></a> +<a href="images/img12-full.jpg"><img src="images/img12.jpg" width="290" height="400" alt="The House of the Bourgeois." title="The House of the Bourgeois." /></a> +<span class="caption">The House of the Bourgeois.</span> +</div> + +<p>And once again the glorious little achy feeling in the throat came. The +Congressman from Choteau County had returned from Washington with fresh +laurels; and Benton turned out to welcome her Great Man. Down the dusty, +poorly lighted, front street came the little band—a shirt-sleeved +squad. Halting under the dingy glow of a corner street-lamp, they struck +up the best-intentioned, noisiest noise I ever heard. The tuba raced +lumberingly after the galloping cornet, that ran neck-and-neck with the +wheezing clarinet; and the drums beat up behind, pounding like the hoofs +of stiff-kneed horses half a stretch behind.</p> + +<p><a name="Page_52-f" id="Page_52-f"></a></p> +<p><a name="Page_53-f" id="Page_53-f"></a></p> +<p><a name="Page_53" id="Page_53"></a></p> + +<p>It was a mad, exciting race of sounds—a sort of handicap. The circular +glow of the street-lamp became the social center of Benton. At last the +mad race was ended. I think it was the cornet that won, with the +clarinet a close second. The tuba, as I recollect it, complacently +claimed third money, and the bass-drum finished last with a shameless, +resolute boom!</p> + +<p>A great hoarse cry went up—probably for the winning cornet; a +big-lunged, generous, warrior cry that made you think of a cavalry +charge in the face of bayonets. And the shirt-sleeved band swung off +down the street in the direction of the little cottage where the Great +Man lived. All Benton fell in behind—clerks and bar-keeps and sheepmen +and cowboys tumbling into fours. Under the yellow flare of the kerosene +torches they went down the street like a campaigning company in rout +step, scattering din and dust.</p> + +<p>Great, deep-chested, happy-looking, open air fellows, they were; big +lovers, big haters, good laughers, eaters, drinkers—and every one of +them potentially a fighting man.</p> + +<p>And suddenly, as I watched them pass, something deep down in me cried +out: "Great God! What a fighting force we can drum up out of the <a name="Page_54" id="Page_54"></a>cactus +and the sagebrush when the time comes!" And when I looked again, not one +of the sun-bronzed faces was strange to me, but every one was the face +of a brother. Choteau's Congressman was my Congressman! Benton's Great +Man was my Great Man! I fell into line alongside a big bronco-buster +with his high-heeled boots and his clanking spurs and his bandy-legged, +firm-footed horseman's stride. Thirty yards farther on we were old +comrades. That is the Western way.</p> + +<p>Once again the little band struck up a march, which was very little more +than a rhythmic snarling and booming of the drums, with now and then the +shrill savage cry of the clarinet stabbing the general dim. Irresistibly +the whole line swung into step.</p> + +<p>What is it about the rhythmic stride of many men down a dusty road that +grips you by the throat and makes your lungs feel like overcharged +balloons? I felt something like the maddening, irritating tang of +powder-smoke in my throat. Trumpet cries that I had never heard, yet +somehow dimly remembered, wakened in the night about us—far and faint, +but haughty with command. It took very little imagination for me <a name="Page_55" id="Page_55"></a>to +feel the whirlwind of battles I may never know, to hear the harsh +metallic snarl of high-power bullets I may never face. For, marching +there in the dusty, torch-painted night, with that ragged procession of +Westerners, a deep sense of the essential comradeship of free men had +come upon me; and I could think of these men in no other way than as +potential fighting men—the stern hard stuff with which you build and +keep your empires. What a row Napoleon could have kicked up with half a +million of these sagebrush boys to fling foeward under his +cannon-clouds!</p> + +<p>We reached the cottage of the Great Man with the fresh laurels. He met +us at the gate. He called us Jim and Bill and Frank and Kid something or +other. We called him Charlie. And he wasn't the least bit stiff or +proud, though we hadn't the least doubt that half of Washington was in +tears at his departure for the West.</p> + +<p>The sudden flare of a torch betrayed his moist eyes as he told us how he +loved us. And I'm sure he meant it. He said, with that Western drawl of +his: "Boys, while I was back there trying to do a little something for +you in Congress, I heard a lot of swell bands; but I didn't hear any +such music as this little old band of ours has made <a name="Page_56" id="Page_56"></a>to-night!" The +unintentional humor somehow didn't make you want to laugh at all.</p> + +<p>We're all riding with his outfit; and next year we're going to send +Charlie back East again. May we all die sheepmen if we don't—and that's +the limit in Montana!</p> + +<p>Talking about sheepmen, reminds me of Joe, the big bronco-buster, and +his <i>mot</i>. I was doing the town with Joe, and he was carefully educating +me in the Western mysteries. He told me all about "day-wranglers" and +"night-hawks" and "war-bags" and "round-ups"; showed me how to tie a +"bull-noose" and a "sheep-shank" and a "Mexican hacamore"; put me onto +the twist-of-the-wrist and the quick arm-thrust that puts half-hitches +'round a steer's legs; showed me how a cowboy makes dance music with a +broom and a mouth-harp—and many other wonderful feats, none of which I +can myself perform.</p> + +<p>I wanted to feel the mettle of the big typical fellow, and so I said +playfully: "Say, Joe, come to confession—you're a sheepman, now aren't +you?"</p> + +<p>He clanked down a glass of long-range liquid, and glared down at me with +a monitory forefinger pointing straight between my eyes: "Now you <a name="Page_57" id="Page_57"></a>look +here, Shorty," he drawled; "you're a friend of mine, and whatever you +say <i>goes</i>, as long as I ain't all caved in! But you cut that out, and +don't you say that out loud again, or you and me'll be having to scrap +the whole outfit!"</p> + +<p>He resumed his glass. I told him, still playfully, that a lot of mighty +good poetry had been written about sheep and sheepmen and crooks and +lambs and things like that, and that I considered my question +complimentary.</p> + +<p>"You're talkin' about sheepmen in the old country, Shorty," he drawled. +"There ain't any cattle ranges there, you know. Do you know the +difference between a sheepman in Scotland, say, and in Montana?"</p> + +<p>I did not.</p> + +<p>"Well," he proceeded, "over in Scotland when a feller sees a sheepman +coming down the road with his sheep, he says: 'Behold the gentle +shepherd with his fleecy flock!' That's poetry. Now in Montana, that +same feller says, when he sees the same feller coming over a ridge with +the same sheep: '<i>Look at that crazy blankety-blank with his woolies!</i>' +That's fact. You mind what I say, or you'll get spurred."</p> + +<p>I don't quite agree with Joe, however. Once, <a name="Page_58" id="Page_58"></a>lying in my tent across +the river, I looked out over the breaks through that strange purple +moonlight, such as I had always believed to exist only in the staging of +a melodrama, and saw four thousand sheep descending to the ferry.</p> + +<p>Like lava from a crater they poured over the slope above me; and above +them, seeming prodigiously big against the weird sky, went the sheepman +with his staff in his hand and a war-bag over his arm, while at his +heels a wise collie followed. It was a picture done by chance very much +as Millet could have done it. And somehow Joe's <i>mot</i> couldn't stand +before that picture.</p> + +<p>There is indeed a big Pindaric sort of poetry about a plunging mass of +cattle. And just as truly there is a sort of Theocritus poetry about +sheep. Only in the latter case, the poetical vanishing point is farther +away for me than is the case with cattle. I think I couldn't write very +good verses about a flock of sheep, unless I were at least five hundred +yards away from them. I haven't figured the exact distance as yet. But +when you have a large flock of sheep camping about you all night, making +you eat fine sand and driving you mad with that most idiotic of all +noises (which happened once <a name="Page_59" id="Page_59"></a>to me), you don't get up in the morning +quoting Theocritus. You remember Joe's <i>mot</i>!</p> + +<hr style="width: 45%;" /> + +<p>We found a convenient gravel bar on the farther side of the river, where +we established our navy-yard. There we proceeded to set up the keel of +the <i>Atom I</i>—a twenty-foot canoe with forty-inch beam, lightly ribbed +with oak and planked with quarter-inch cypress.</p> + +<p>No sooner had we screwed up the bolts in the keel, than our ship-yard +became a sort of free information bureau. Every evening the cable ferry +brought over a contingent of well-wishers, who were ardent in their +desire to encourage us in our undertaking, which was no less than that +of making a toboggan slide down the roof of the continent.</p> + +<p>The salient weakness of the <i>genus homo</i>, it has always seemed to me, is +an overwhelming desire to give advice. Through several weeks of toil, we +were treated to a most liberal education on marine matters. It appeared +that we had been laboring under a fatal misunderstanding regarding the +general subject of navigation. Our style of boat was indeed +admirable—for a lake, if you please, <i>but</i>—well, of course, they did +not wish to <a name="Page_60" id="Page_60"></a>discourage us. It was quite possible that we were +unacquainted with the Upper Missouri. Now the Upper River (hanging out +that bleached rag of a sympathetic smile), the Upper River was <i>not</i> the +Lower River, you know. (That really <i>did</i> seem remarkably true, and we +became alarmed.) The Upper River, mind you, was <a name="terriffic2" id="terriffic2"></a> +<ins class="correction" title="terrific">terriffic</ins>. Why, those +frail ribs and that impossible planking would go to pieces on the first +rock—like an <a name="egshell" id="egshell"></a> +<ins class="correction" title="eggshell">egshell</ins>! Of course, we were free to do as we pleased—they +would not discourage us for the world. And the engine! Gracious! Such a +boat would never stand the vibration of a four-horse, high-speed engine +driving a fourteen-inch screw! It appeared plainly that we were almost +criminally wrong in all our calculations. Shamefacedly we continued to +drive nails into the impossible hull, knowing full well—poor misguided +heroes—that we were only fashioning a death trap! There could be no +doubt about it. The free information bureau was unanimous. It was all +very pathetic. Nothing but the tonic of an habitual morning swim in the +clear cold river kept us game in the face of the inevitable!</p> + +<p>We saw it all. With a sort of forlorn cannon-torn-cavalry-column hope we +pushed on with the <a name="Page_61" id="Page_61"></a>fatal work. Never before did I appreciate old Job in +the clutches of good advice. I used to accuse him of rabbit blood. In +the light of experience, I wish to record the fact that I beg his +pardon. He was in the house of his friends. I think Job and I understand +each other better now. It was not the boils, but the free advice!</p> + +<p>At last the final nail was driven and clenched, the canvas glued on and +ironed, the engine installed. The trim, slim little craft with her +admirable speed lines, tapering fore and aft like a fish, lay on the +ways ready for the plunge.</p> + +<p>We had arranged to christen her with beer. The Kid stood at the prow +with the bottle poised, awaiting his cue. The little Cornishman knelt at +the prow. He was <i>not</i> bowed in prayer. He was holding a bucket under +the soon-to-be-broken bottle. "For," said he, "in a country where beer +is so dear and advice so cheap, let us save the beer that we may be +strong to stand the advice!"</p> + +<p>The argument was <a name="inded" id="inded"></a><ins class="correction" title="indeed">inded</ins> +Socratic.</p> + +<p>"And now, little boat," said I, in that dark brown tone of voice of +which I am particularly proud, "be a good girl! Deliver me not unto the +laughter of my good advisers. I christen thee <i>Atom</i>!"</p> + +<p><a name="Page_62" id="Page_62"></a></p> + +<p>The bottle broke—directly above that bucket.</p> + +<p>And now before us lay the impossible as plainly pointed out, not only by +local talent, but by no less a man that the august captain of a +government snag-boat. Several weeks before the launching, an event had +taken place at Benton. The first steamboat for sixteen years tied up +there one evening. She was a government snag-boat. Now a government +snag-boat may be defined as a boat maintained by the government for the +sole purpose of sailing the river <i>and dodging snags</i>. This particular +snag-boat, I learned afterward in the course of a long cruise behind +her, holds the snag-boat record. I consider her pilot a truly remarkable +man. He seemed to have dodged them all.</p> + +<p>All Benton turned out to view the big red and white government steamer. +There was something almost pathetic about the public demonstration when +you thought of the good old steamboat days. During her one day's visit +to the town, I met the captain.</p> + +<table class="images" summary="Images"> +<tr><td> +<div class="figcenter" style="width: 300px;"> +<a name="image13" id="image13"></a> +<a href="images/img13-full.jpg"><img src="images/img13.jpg" width="300" height="184" alt="A Round-Up Outfit on the March." title="A Round-Up Outfit on the March." /></a> +<span class="caption">A Round-Up Outfit on the March.</span> +</div></td> + +<td><div class="figcenter" style="width: 300px;"> +<a name="image14" id="image14"></a> +<a href="images/img14-full.jpg"><img src="images/img14.jpg" width="300" height="196" alt="Joe." title="Joe." /></a> +<span class="caption">Joe.</span> +</div></td> +</tr> +</table> + +<table class="images" summary="Images"> +<tr><td> +<div class="figcenter" style="width: 300px;"> +<a name="image15" id="image15"></a> +<a href="images/img15-full.jpg"><img src="images/img15.jpg" width="300" height="155" alt="Montana Sheep." title="Montana Sheep." /></a> +<span class="caption">Montana Sheep.</span> +</div></td> + +<td><div class="figcenter" style="width: 300px;"> +<a name="image16" id="image16"></a> +<a href="images/img16-full.jpg"><img src="images/img16.jpg" width="300" height="184" alt="A Montana Wool-Freighter." title="A Montana Wool-Freighter." /></a> +<span class="caption">A Montana Wool-Freighter.</span> +</div></td> +</tr> +</table> + +<p>He was very stiff and proud. He awed me. I stood before him fumbling my +hat. Said I to myself: "The personage before me is more than a snag-boat +captain. This is none other than the gentleman who invented the Missouri +River. No <a name="Page_62-f" id="Page_62-f"></a><a name="Page_63-f" id="Page_63-f"></a> +<a name="Page_63" id="Page_63"></a>doubt even now he carries the patent in his pocket!"</p> + +<p>"Going down river in a power canoe, eh?" he growled, regarding me +critically. "Well, you'll never get down!"</p> + +<p>"That so?" croaked I, endeavoring to swallow my Adam's apple.</p> + +<p>"No, you won't!"</p> + +<p>"Why?" ventured I timidly, almost pleadingly; "isn't there—uh—isn't +there—uh—<i>water enough</i>?"</p> + +<p>"Water enough—yes!" growled the personage who invented the longest +river in the world and therefore knew what he was talking about. "Plenty +of water—<i>but you won't find it!</i>"</p> + +<p>Now as the <i>Atom</i> slid into the stream, I thought of the captain's +words. Since that time the river had fallen three feet. We drew eighteen +inches.</p> + +<p>Sixty-five days after that oraculous utterance of the captain, the Kid +and I, half stripped, sun-burned, sweating at the oars, were forging +slowly against a head wind at the mouth of the Cheyenne, sixteen hundred +miles below the head of navigation. A big white and red steamer was +creeping up stream over the shallow crossing of the Chey<a name="Page_64" id="Page_64"></a>enne's bar, +sounding every foot of the water fallen far below the usual summer +level.</p> + +<p>It was the snag-boat. Crossing her bows and drifting past her slowly, I +stood up and shouted to the party in the pilot house:</p> + +<p>"I want to speak to the captain."</p> + +<p>He came out on the hurricane deck—the man who invented the river. He +was still stiff and proud, but a swift smile crossed his face as he +looked down upon us, half-naked and sun-blackened there in our dinky +little craft.</p> + +<p>"Captain," I cried, and perhaps there was the least vainglory in me; "I +talked to you at Benton."</p> + +<p>"Yes, sir."</p> + +<p>"Well, <i>I have found that water!</i>"</p> + +<p><a name="Page_65" id="Page_65"></a></p> + + + +<hr style="width: 65%;" /> +<p><a name="CHAPTER_IV" id="CHAPTER_IV"></a></p> + +<h2 class="sectionhead">CHAPTER IV</h2> + +<h3 class="chapterhead">MAKING A GETAWAY</h3> + + +<p><span class="dropcap">T</span>ELL a Teuton that he can't, and very likely he will show you that he +can. It's in the blood. Between the prophecy of the snag-boat captain +and my vainglorious answer at the Cheyenne crossing, I learned to +respect the words of the man who invented the eccentric old river. In +the face of heavy head winds, I quoted the words, "You'll never get +down"—and they bit deep like whip lashes. On many a sand-bar and gravel +reef, with the channel far away, I heard the words, "Plenty of water, +yes, but you won't find it!" And always something stronger than my +muscles cried out within me: "The devil I won't, O, you inventor of +rain-water creeks!" Hour by hour, day by day, against almost continual +head winds and with the lowest water in years, that discouraging +prophecy invaded me and was repulsed. And that is why we have pessimists +in the world. A pessimist is merely a counter-irritant.</p> + +<p>I stood on the bank for some time after the<a name="Page_66" id="Page_66"></a> <i>Atom I</i> slid into the +water, admiring her truly beautiful lines. Once I was captain of a trunk +lid that sailed a frog-pond down in Kansas City; and at that time I +thought I knew the meaning of pride. I did not. All three of us were a +bit puffed up over that boat. Something of that <a name="ride" id="ride"></a> +<ins class="correction" title="pride">ride</ins> that goes before a +fall awoke in my captain's breast as I loved her with my eyes—that +trim, slim speed-thing, tugging at her forward line, graceful and +slender and strong and fleet as a Diana.</p> + +<p>I said at last: "I will now get in her, drop down to the town landing, +and proceed to put to shame a few of these local motor-tubs that make so +much fuss and don't go anywhere!"</p> + +<p>I loved her as a man should love all things that are swift and strong +and honest, keen for marks and goals—a big, clean-limbed, thoroughbred +horse that will break his heart to get under the wire first; a +high-power rifle, slim of muzzle, thick of breech, with its wicked +little throaty cry, doing its business over a flat trajectory a thousand +yards away: I love her as a man should love those. Little did I dream +that she would betray me.</p> + +<p>I took in the line and went aboard. At that <a name="Page_67" id="Page_67"></a>moment I almost understood +the snag-boat captain's bearing. To be master of the <i>Atom I</i> seemed +quite enough; but to be the really truly captain of a big red and white +snag-boat—it must have been overwhelming!</p> + +<p>I dropped out into the current that, fresh from its plunge of four +hundred feet in sixteen miles, ran briskly. Everything was in readiness. +I meant to put a crimp in the vanity of that free-information bureau.</p> + +<p>I turned on the switch, opened the needle valve, swung the throttle over +to the notch numbered with a big "2." I placed the crank on the wheel +and gave it a vigorous turn.</p> + +<p>"Poof!" said the engine sweetly, and the kind word encouraged me +immensely. Again I cranked.</p> + +<p>"Poof! Poof!"</p> + +<p>It seemed that I had somehow misunderstood the former communication, and +it was therefore repeated with emphasis. Like a model father who walks +the floor with the weeping child, tenderly seeking the offending pin, I +looked over the engine. "What have I neglected?" said I. I intended to +be quite logical and fair in the matter.</p> + +<p>I once presided over a country newspaper that <a name="Page_68" id="Page_68"></a>ran its presses with a +gasoline engine with a most decided artistic temperament. That engine +used to have a way of communing silently with its own soul right in the +middle of press day. I remembered this with forebodings. I remembered +how firm but kind I was obliged to be with that old engine. I remembered +how it always put its hands in its pockets and took an extended vacation +every time I swore at it. I decided to be nothing but a perfect +gentleman with this engine. I even endeavored to be a jovial good +fellow.</p> + +<p>"What is it, Little One?" said I mentally; "does its little carburetor +hurt it? Or did the bad man strangle it with that horrid old gasoline?"</p> + +<p>I tenderly jiggled its air valve, fiddled gently with its spark-control +lever. I cranked it again. It barked at me like a dog! I had been kind +to it, and it barked right in my face. I wanted to slap it. I lifted my +eyes and saw that the rapid current would soon carry me past the town +landing. I seized a paddle and shoved her in. Of course, a member of the +free-information bureau was at the landing. He had with him a bland +smile and a choice bit of information.</p> + +<p>"Having trouble with your engine, aren't you?"<a name="Page_69" id="Page_69"></a> he said as I leaped +ashore with the line. "There must be something wrong with it!" The +remark was indeed illuminating. It struck me with the force of an +inspiration. It seemed so true.</p> + +<p>"Strange that I hadn't thought of that!" I remarked. "That really must +be the trouble—there's something wrong with it. Thanks!"</p> + +<p>I tied the boat and went up-town, hoping to sidetrack the benevolent +member of that ubiquitous bureau. When I returned, I found half a dozen +other benevolent members at the landing. They were holding a +consultation, evidently; and the very air felt gummy with latent advice.</p> + +<p>"What's the matter with your engine?" they chorused.</p> + +<p>"Why, there's something wrong with it!" I explained cheerfully, as I +went aboard again. I began to crank, praying steadily for a miracle. Now +and then I managed to coax forth a gaseous chortle or two. The +convention on the landing understood every chortle in a truly marvellous +way.</p> + +<p>"It's the spark-plug, that's sure!" announced one with an air of +finality. "When an engine has run for a while (!) the spark-plug gets +all smutted up. Have you cleaned your spark-plug?"</p> + +<p><a name="Page_70" id="Page_70"></a></p> + +<p>"No, Jim!" contradicted another, "it's all in the oil feed! Look how she +puffs! W'y it's in the oil feed—plain as day! Now if you'll take off +that carburetor <span class="nowrap">and——"</span></p> + +<p>I cranked on heroically.</p> + +<p>"It's in the timer," <a name="voluntered" id="voluntered"></a> +<ins class="correction" title="volunteered">voluntered</ins> another. "You see that little brass +lever back there? Well, you take and remove that and you'll find +<span class="nowrap">that——"</span></p> + +<p>I cranked on shamelessly.</p> + +<p>"The batteries ain't no good!" growled a man with a big voice that +reminded me of a bass-drum booming up among the wind instruments in a +medley. Like the barber who owned the white owl, I stuck to my business. +I cranked on.</p> + +<p>"It ain't <i>in</i> them batteries—them batteries is all right!" piped a +weazened little man who had been grinning wisely at the lack of +mechanical ability so shamelessly exposed by his fellows.</p> + +<p>"Now in a jump-spark engine," he explained leisurely, with a knowing +squint of his eyes and an uplifted explanatory forefinger: "in a +jump-spark engine, gentlemen, there is a number of things to consider. +Now if you'll take and remove that cylinder-head, pull out the piston, +<span class="nowrap">and——"</span></p> + +<p>The voice of the expounder was suddenly <a name="Page_71" id="Page_71"></a>drowned out by the earsplitting +rapid-fire of the exhaust! The miracle had happened! Hooray!</p> + +<p>I grasped the steering cords and jammed her rudder hard to port. Her +fourteen-inch screw, suddenly started at full speed ahead, made the +light, slim craft leap like a spike-spurred horse.</p> + +<p>But the turn was too short. She thrust her sharp haughty nose into the +air like an offended lady, and started up the bank after that +information bureau. If a tree had been convenient, I think she would +have climbed it.</p> + +<p>I shut her down.</p> + +<p>"<i>She went that time!</i>" chorused the information bureau. Coming from an +information bureau, the statement was marvellously correct. But I had +suddenly become too glad-hearted for a sharp retort.</p> + +<p>"If you will please throw me the line, and push me off," I said +confidently, "I'll drop out into the current."</p> + +<p>I dropped out.</p> + +<p>"Now for putting a crimp in some people's vanity!" I exulted.</p> + +<p>I cranked. Nothing doing! I cranked some more. No news from the crimping +department.<a name="Page_72" id="Page_72"></a> I continued to crank; also, I continued to drift. Somehow +the current seemed to have increased alarmingly in speed.</p> + +<p>I thought I heard a sound of merriment. I looked up. The little weazened +man was gesticulating wildly with that forefinger of his. He was +explaining something. The information bureau, steadily dwindling into +the distance, was not listening. It seemed to be enjoying itself +immensely.</p> + +<p>I swallowed a half-spoken word that tasted bitter as it went down. Then +I cranked again. There seemed to be nothing else to do. It was a hot +day; hot sweat blinded me, and trickled off the tip of my nose. My hands +began to develop blisters. Finally, a deep disgust seized me. I once saw +a tender-hearted lady on her knees in the dust before a balky auto. I +remembered her half-sobbed words: "<i>You mean thing, you! What is the +matter with you, anyway! Oh, you mean, mean thing!</i>"</p> + +<p>I sat down in front of that engine and abandoned myself to a great +feeling of tenderness and chivalry for that unfortunate lady. In that +moment I believe I would have fought a bear for her! Oh that all the +gasoline engines in the <a name="Page_73" id="Page_73"></a>world could be concentrated somehow into one +big woolly, scary black bear, how I could have set my teeth in its neck +and died chewing!</p> + +<p>I heard a roaring of waters that broke my vision of bear fights and +gentle ladies in distress. A hundred yards ahead of me I saw rapids. The +words of the information bureau came back to me with terrible +distinctness: "Why, her light timbers will go to pieces on the first +rock!"</p> + +<p>Although I am no hero, I didn't get frightened. I got sore. "Go ahead, +and smash yourself up, if you like!" I cried to the balky craft. And +then I waited to see her do it. She swung 'round sharply with the first +suck of the rapids, struck a rock, side-stepped, struck another, and +went on down, grinding and dragging on a stony reef.</p> + +<p>It suddenly came to me that this was what they called the Grocondunez +Rapids. I remembered that they said the name meant "the big bridge of +the nose." The name had a powerful fascination for me—I wanted to hit +something good and hard somewhere in that region!</p> + +<p>Finally she swung clear of the reef, caught the swirl of the main +current, and started for New Orleans with the bit in her teeth. I wasn't +ready to arrive in New Orleans at once; I had made <a name="Page_74" id="Page_74"></a>other arrangements. +So I grasped a paddle and drove her into shallow water. I leaped out, +waist-deep in the cold stream, and threw my weight against her. +Pantingly, I wondered what was the exact distance to the nearest axe. I +resolved to crank her once more, and then for the axe hunt!</p> + +<p>I leaned over the gunwale and began to grind. For the life of me, I +don't know just what I did to her; but it seemed that she had taken some +offence. Without the least warning, she leaped forward at three-quarter +speed, and started up stream with that haughty head of her thrust +skyward!</p> + +<p>I clung desperately to her gunwale, and she dragged me insultingly in +the drink! She made a soppy rag of me! I managed to scramble +aboard—something after the fashion of a bronco-buster who mounts at a +gallop.</p> + +<p>But the way she <i>traveled</i>! I forgot the ducking and forgave her with +all my heart. I held her nose well out into the channel where the +current ran with swells, though no wind blew.</p> + +<table class="images" summary="Images"> +<tr><td> +<div class="figcenter" style="width: 300px;"> +<a name="image17" id="image17"></a> +<a href="images/img17-full.jpg"><img src="images/img17.jpg" width="300" height="184" alt="The "Atom I" under Construction." title="The "Atom I" under Construction." /></a> +<span class="caption">The "Atom I" under Construction.</span> +</div></td> + +<td><div class="figcenter" style="width: 300px;"> +<a name="image18" id="image18"></a> +<a href="images/img18-full.jpg"><img src="images/img18.jpg" width="300" height="200" alt="The Cable Ferry Towed Us Out." title="The Cable Ferry Towed Us Out." /></a> +<span class="caption">The Cable Ferry Towed Us Out.</span> +</div></td> +</tr> +</table> + +<div class="figcenter" style="width: 500px;"> +<a name="image19" id="image19"></a> +<a href="images/img19-full.jpg"><img src="images/img19.jpg" width="500" height="287" alt="Laid Up with a Broken Rudder." title="Laid Up with a Broken Rudder." /></a> +<span class="caption">Laid Up with a Broken Rudder.</span> +</div> + +<p>Bucking the rapids, she split the fast water over her nose and sent it +aft in two clean-cut masses, that hissed about her like angry skirts. A +light, V-shaped wake spread after, scarcely agitating <a name="Page_74-f" id="Page_74-f"></a> +<a name="Page_75-f" id="Page_75-f"></a><a name="Page_75" id="Page_75"></a>the surface. She +dragged no water. There was no churning at her stern. Only the dull, +sub-aqueous drone, felt rather than heard beneath the rapid banging of +her exhaust, told me how the honest little screw thrust hard.</p> + +<p>I pushed the spark-lever close to the reversing point, and opened her +throttle wide. This acted like a bottle-fly on the flank of a spirited +mare. She shook herself, quivering through all her light, pliable +construction, lifted her prow another inch or two, and flung the rapids +behind her.</p> + +<p>Slim, fleet, clean-heeled, and hungry for distance, she raced toward the +Benton landing two miles up.</p> + +<p>In my anxiety to show her to the benevolent ones, I left the current and +took a crosscut over a rocky ford. Pebbles flung from her pounding heels +showered down upon me. I climbed forward and let her hammer away. She +cleared the gravel bar, and as she plunged past the now silent +information bureau on the landing, condescendingly I waved a hand at +them and went on splitting water.</p> + +<p>We shot under the bridge, forged into the crossing current, passed the +big brick hotel, where a considerable number came out to salute us.<a name="Page_76" id="Page_76"></a> +They dubbed her the fastest boat that had ever climbed that current, I +learned afterward. Alas! I was getting my triumph early and in one big +chunk! I figure that that one huge breakfast of triumph, if properly +distributed, would have fed me through the whole two thousand miles of +back-strain and muscle-cramp. And yet, through all the days of +snail-paced toil that followed, I remained truly thankful for that early +breakfast.</p> + +<p>The Kid and the Cornishman, busy in camp with the packing for the +voyage, had shared in the gloom of my temporary defeat. But now, as I +plunged past them, I could see them leaping into the air and cracking +their heels together with delight. They had wet every plank of her with +their sweat, and they were as proud as I. In the light of the following +days, their delight dwindled into a pathetic thing.</p> + +<p>I held her on her course up-stream, reached the bend a mile above, swung +round and—discovered that she had only then begun to lift her heels! +With the rapid current to aid, her speed was truly wonderful. She could +have kept pace with any respectable freight train at least.</p> + +<p>I indulged in a little feverish mental calculation. She could make, with +the minimum current, <a name="Page_77" id="Page_77"></a>eighteen miles per hour. Every day meant fifteen +hours of light. Sioux City was two thousand miles away. We could reach +Sioux City easily in ten days of actual running!</p> + +<p>While I was covering that fast mile back to camp I saw the <i>Atom I</i> +passing Sioux City with an air of high-nosed contempt. I developed a +sort of unreasoning hunger for New Orleans—a kind of violent thirst for +the Gulf of Mexico! Nothing short of these, it seemed to me, could be +worthy of so fleet a craft. When I shoved her nose into the landing, I +found that my companions thoroughly agreed with me.</p> + +<p>All that night in my restless sleep I drove speed boats at a terrific +pace through impossible channels and rock-toothed Scyllas; and the +little Cornishman fought angry seas and heard a dream-wind shrieking in +the cordage, and felt the salt spume on his face. "I wonder why I am +always dreaming that," he said. "Atavism," I ventured; and he regarded +me narrowly, as though I might be maligning his character in some way.</p> + +<p>At dawn we had already eaten and were loading the <i>Atom</i> for the voyage. +With her cargo she drew eighteen inches of water. At full speed, she +would squat four inches. It was the first of<a name="Page_78" id="Page_78"></a> August and the water, +which had reached in the spring its highest point for twenty years, had +been falling rapidly, and now promised to go far below the average +low-water mark. We had ahead of us a long voyage, every mile of which +was strange water.</p> + +<p>Once again I went over that feverish calculation. This time I was more +generous. I decided upon fifteen days. The cable ferry towed us out +beyond the gravel bars that, during the last week, had been slowly +lifting their bleached masses higher. In mid-stream we cut loose.</p> + +<p>At the first turn the engine started. We were going at a good half-speed +clip, when suddenly the engine changed its mind. "Squash!" it said +wearily. Then it let off a gasoline sigh and went into a peaceful sleep. +We had reached the brick hotel. We pulled in with the paddles and tied +up. The information bureau was there, and at once went into +consultation.</p> + +<p>"I'm looking for an engine doctor," I said. "How about Mr. Blank? They +tell me he knows the unknowable."</p> + +<p>"Best man with an engine in town," <a name="sad" id="sad"></a> +<ins class="correction" title="said">sad</ins> one.</p> + +<p>"For gracious' sake, keep that man away from <a name="Page_79" id="Page_79"></a>your engine if you don't +want it ruined!" said others. A man who can arouse a diversity of +opinions is at least a man of originality. I went after that man.</p> + +<p>He came—with an air of mystery and a monkey wrench. He sat down in +front of the patient (how that word <i>does</i> fit!) and after some time he +said: "<i>Hm!</i>"</p> + +<p>He unscrewed this—and whistled awhile; he unscrewed that—and whistled +some more. Then he screwed up both this and that and cranked her.</p> + +<p>"Phew-oo-oo-oo!" said the engine. Whereat the doctor smiled knowingly. +It was plain that she was an open book to him.</p> + +<p>"What is the trouble?" said I, with that tone of voice you use in a +sick-room.</p> + +<p>It appeared to be appendicitis.</p> + +<p>"Spark-plug," muttered the doctor.</p> + +<p>"Shall I get another?" I asked, half apologetically.</p> + +<p>"Better," grunted the doctor.</p> + +<p>I chased down an automobile owner, and a launch owner and a man who had +a small pumping-engine. I was eloquent in my appeal for spark-<a name="Page_80" id="Page_80"></a>plugs. I +made a very fine collection of them<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">1</a> and hastened back to the doctor. +He didn't seem to appreciate my efforts. He had the patient on the +operating table. Everything was either unscrewed or pulled out. He was +carefully scrutinizing the wreck—for more things to screw out!</p> + +<p>"Locate the trouble?" I ventured.</p> + +<p>"Buzzer's out of whack," replied the Man of Awe. "Have to get another +spark-coil!" In times of sickness even the sternest man submits to +medical tyranny. I ran down a man who once owned a power boat, and he +had a spark coil. He finally agreed to forgo the pleasure of possessing +it for a suitable reward. Considering the size of that reward, he had +undoubtedly become greatly attached to his spark-coil!</p> + +<p>I returned in triumph to the doctor. He was now screwing up all that he +had previously unscrewed.</p> + +<p>"Think she'll go now?" I pleaded.</p> + +<p>He screwed up several dozen things, and whistled a while. Then the +oracle gave voice:<a name="Page_81" id="Page_81"></a> "'Fraid the batteries won't do; they're awful weak!"</p> + +<p>With a bitter heart, I turned on my heel and went forth once more. +Electrical supplies were not on sale at any of the stores. But I found a +number of gentlemen who were evidently connoisseurs in the battery +business. They had batteries of which they were extremely fond. They +parted with some of superior quality upon the consideration of a +friendly regard for me—and a slight emolument on my part. I was +evidently very popular.</p> + +<p>At a breathless speed I returned to—<i>not</i> to the doctor. He had +vanished. Rumor had it that he had gone home to lunch, for the sun was +now high. So far as I know, he is still at lunch.</p> + +<p>Several things were yet unscrewed. I fell to work. Wherever anything +seemed to make a snug fit, I screwed it in. Other remaining things I +drove into convenient holes. All the while I begged blind fate to guide +me. Then I connected the batteries, supplied the new spark-coil, +selected a new spark-plug at random, and screwed it in.</p> + +<p>Having done various things, I carefully surveyed my environs for a lady. +There were no ladies present, so I spoke out freely. "And now,"<a name="Page_82" id="Page_82"></a> said I, +having exhausted my vocabulary, "I shall crank!"</p> + +<p>Bill and the Kid sat on a pile of rocks looking very sullen. For some +reason or other they seemed to doubt that engine. I don't know how long +I cranked. I know only that the impossible happened. The boat started +for the hotel piazza!</p> + +<p>I didn't shut her down this time. I leaped out and took her by the nose. +Putting our shoulders against the power of the screw, we walked her out +into the current, headed her down stream, and scrambled in, wet to the +ears.</p> + +<p>My logbook speaks for that day as follows: "Left Benton at 2:30 +<span class="smcap">p.m.</span> Gypsied along under half gasoline for several hours, +safely crossing the Shonkin and Grocondunez bars. Struck a rock in +Fontenelle Rapids at 4:30, taking off rudder. Landed with difficulty on +a gravel-bar and repaired damages. At 5:30 engine bucked. A heavy wind +from the west beat us against a ragged shore for an hour and a half. +Impossible to proceed without power, except by cordelling—which we did, +walking waist-deep in the water much of the time. Paddles useless in +such a head wind. The wind falling at sunset, we drifted, again losing +our rudder while shooting Brule Rapids.<a name="Page_83" id="Page_83"></a> Tied up at the head of Black +Bluff Rapids at dusk, having made twenty miles out of two thousand for +the first day's run. Have to extend that fifteen days! Just the same, +that information bureau saw us leave under power!"</p> + +<div class="fnline"> </div> + +<p class="footnote"> +<a name="Footnote_1_1" id="Footnote_1_1"></a> +<a class="footnotea" href="#FNanchor_1_1"><span class="label"> 1 </span></a> Dear Reader: +Should you undertake the Missouri River trip, +don't lay anything out on spark-plugs. I sowed them all along up there. +Take a drag-net. You will scoop up several hundred dry batteries, but +don't mind them; they are probably spoiled.</p> + +<p><a name="Page_84" id="Page_84"></a></p> + + + +<hr style="width: 65%;" /> +<p><a name="CHAPTER_V" id="CHAPTER_V"></a></p> + +<h2 class="sectionhead">CHAPTER V</h2> + +<h3 class="chapterhead">THROUGH THE REGION OF WEIR</h3> + + +<p><span class="dropcap">W</span>E awoke with light hearts on the second morning of the voyage. All +about us was the sacred silence of the wilderness dawn. The coming sun +had smitten the chill night air into a ghostly fog that lay upon the +valley like a fairy lake.</p> + +<p>We were at the rim of the Bad Lands and there were no birds to sing; but +crows, wheeling about a sandstone summit, flung doleful voices downward +into the morning hush—the spirit of the place grown vocal.</p> + +<p>Cloaked with the fog, our breakfast fire of driftwood glowed ruddily. +What is there about the tang of wood-smoke in a lonesome place that +fills one with glories that seem half memory and half dream? Crouched on +my haunches, shivering just enough to feel the beauty there is in fire, +I needed only to close my eyes, smarting with the smoke, to feel myself +the first man huddled <a name="Page_85" id="Page_85"></a>close to the first flame, blooming like a mystic +flower in the chill dawn of the world!</p> + +<p>Perhaps that is what an outing is for—to strip one down to the lean +essentials, press in upon one the glorious privilege of being one's +self, unique in all the universe of innumerable unique things. Crouched +close to your wilderness campfire, the great Vision comes easily out of +the smoke. Once again you feel the bigness of your world, the tremendous +significance of everything in it—including yourself—and a far-seeing +sadness grips you. Living in the flesh seems so transient, almost a +pitiful thing in the last analysis. But somehow you feel that there is +something bigger—not beyond it, but all about it continually. And you +wonder that you ever hated anyone. You know, somehow, there in the smoky +silence, why men are noble or ignoble; why they lie or die for a +principle; why they kill, or suffer martyrdom; why they love and hate +and fight; why women smile under burdens, sin splendidly or +sordidly—and why hearts sometimes break.</p> + +<p>And expanded by the bigness of the empty silent spaces about you, like a +spirit independent of it and outside of it all, you love the great red +straining Heart of Man more than you could <a name="Page_86" id="Page_86"></a>ever love it at your desk in +town. And you want to get up and move—push on through purple +distances—whither? Oh, anywhere will do! What you seek is at the end of +the rainbow; it is in the azure of distance; it is just behind the glow +of the sunset, and close under the dawn. And the glorious thing about it +is that you know you'll never find it until you reach that lone, ghostly +land where the North Star sets, perhaps. You're merely glad to know that +you're not a vegetable—and that the trail never really ends anywhere.</p> + +<p>Just now, however, the longing for the abstract had the semblance of a +longing for the concrete. It always has that semblance, for that matter. +You never really want what you think you are seeking. Touch the +substance—and away you go after the shadow!</p> + +<div class="figcenter" style="width: 500px;"> +<a name="image20" id="image20"></a> +<a href="images/img20-full.jpg"><img src="images/img20.jpg" width="500" height="287" alt=""Atom" Sailing Up-Stream in a Head Wind." title=""Atom" Sailing Up-Stream in a Head Wind." /></a> +<span class="caption">"Atom" Sailing Up-Stream in a Head Wind.</span> +</div> + +<div class="figcenter" style="width: 266px;"> +<a name="image21" id="image21"></a> +<a href="images/img21-full.jpg"><img src="images/img21.jpg" width="266" height="400" alt="Typical Rapids on Upper Missouri." title="Typical Rapids on Upper Missouri." /></a> +<span class="caption">Typical Rapids on Upper Missouri.</span> +</div> + +<p>Around the bend lay Sioux City. Around what bend? What matter? Somewhere +down stream the last bend lay, and in between lay the playing of the +game. Any bend will do to sail around! There's a lot of fun in merely +being able to move about and do things. For this reason I am overwhelmed +with gratitude whenever I think that, through some slight error in the +cosmic process, <a name="Page_86-f" id="Page_86-f"></a><a name="Page_87-f" id="Page_87-f"></a> +<a name="Page_87" id="Page_87"></a>the life forces that glow in me might have been flung +into a turnip—<i>but weren't</i>! The thought is truly appalling—isn't it? +The avoidance of that one awful possibility is enough to make any man +feel lucky all his life. It's such fun to awaken in the morning with all +your legs and arms and eyes and ears about you, waiting to be used +again! So strong was this thought in me when we cast off, that even the +memory of Bill's amateurish pancakes couldn't keep back the whistle.</p> + +<p>The current of the Black Bluffs Rapids whisked us from the bank with a +giddy speed, spun us about a right-angled bend, and landed us in a long +quiet lake. Contrary to the average opinion, the Upper Missouri is +merely a succession of lakes and rapids. In the low-water season, this +statement should be italicised. When you are pushing down with the power +of your arms alone the rapids show you how fast you want to go, and the +lakes show you that you can't go that fast. For the teaching of +patience, the arrangement is admirable. But when head winds blow, a +three-mile reach means about a two-hour fight.</p> + +<p>This being a very invigorating morning, however, the engine decided to +take a constitutional. It ran. Below the mouth of the Marias River, +<a name="Page_88" id="Page_88"></a>twenty minutes later, we grounded on Archer's Bar and shut down. After +dragging her off the gravel, we discovered that the engine wished to +sleep. No amount of cranking could arouse it. Now and then it would say +"<i>squash</i>," feebly rolling its wheel a revolution or two—like a +sleepy-head brushing off a fly with a languid hand.</p> + +<p>A light breeze had sprung up out of the west. The stream ran east and +northeast. We hastily rigged a tarp on a pair of oars spliced for a +mast, and proceeded at a care-free pace. The light breeze ruffled the +surface of the slow stream;</p> + +<div class="poem"><div class="stanza"> +<span class="i2">"——yet still the sail made on<br /></span> +<span class="i0">A pleasant noise till noon."<br /></span> +</div></div> + +<p>In the lazy heat of the mounting sun, tempered by the cool river +draught, the yellow sandstone bluffs, whimsically decorated with sparse +patches of greenery, seemed to waver as though seen through shimmering +silken gauze. And over it all was the hush of a dream, except when, in a +spasmodic freshening of the breeze, the rude mast creaked and a sleepy +watery murmur grew up for a moment at the wake.</p> + +<p>Now and then at a break in the bluffs, where a little coulee entered the +stream, the gray masses <a name="Page_89" id="Page_89"></a>of the bull-berry bushes lifted like smoke, and +from them, flame-like, flashed the vivid scarlet of the berry-clusters, +smiting the general dreaminess like a haughty cry in a silence.</p> + +<p>A wilderness indeed! It seemed that waste land of which Tennyson sang, +"where no man comes nor hath come since the making of the world." I +thought of the steamboats and the mackinaws and the keel-boats and the +thousands of men who had pushed through this dream-world and the thought +was unconvincing. Fairies may have lived here, indeed; and in the youth +of the world, a glad young race of gods might have dreamed gloriously +among the yellow crags. But surely we were the first men who had ever +passed that way—and should be the last.</p> + +<p>Suddenly the light breeze boomed up into a gale. The <i>Atom</i>, with +bellying sail, leaped forward down the roughening water, swung about a +bend, raced with a quartering wind down the next reach, shot across +another bend—and lay drifting in a golden calm. Still above us the +great wind buzzed in the crags like a swarm of giant bees, and the +waters about us lay like a sheet of flawless glass.</p> + +<p>With paddles we pushed on lazily for an hour.<a name="Page_90" id="Page_90"></a> At the next bend, where +the river turned into the west, the great gale that had been roaring +above us, suddenly struck us full in front. Sucking up river between the +wall rocks on either side, its force was terrific. You tried to talk +while facing it, and it took your breath away. In a few minutes, in +spite of our efforts with the paddles, we lay pounding on the shallows +of the opposite shore.</p> + +<p>We got out. Two went forward with the line and the third pushed at the +stern. Progress was slow—no more than a mile an hour. The clear water +of the upper river is always cold, and the great wind chilled the air. +Even under the August noon it took brisk work to keep one's teeth from +chattering. The bank we were following became a precipice rising sheer +from the river's edge, and the water deepened until we could no longer +wade. We got in and poled on to the next shallows, often for many +minutes at a time barely holding our own against the stiff gusts. For +two hours we dragged the heavily laden boat, sometimes walking the bank, +sometimes wading in mid-stream, sometimes poling, often swimming with +the line from one shallow to another. And the struggle ended as suddenly +as it began. Upon rounding <a name="Page_91" id="Page_91"></a>the second bend the head wind became a stern +wind, driving us on at a jolly clip until nightfall.</p> + +<p>During the late afternoon, we came upon a place where the Great Northern +Railroad touches the river for the last time in five hundred miles. Here +we saw two Italian section hands whiling away their Sunday with fishing +rods. I went ashore, hoping to buy some fish. Neither of the two could +speak English, and Italian sounds to me merely like an unintelligible +singing. However, they gave me to understand that the fish were not for +sale, and my proffered coin had no persuasive powers.</p> + +<p>Still wanting those fish, I rolled a smoke, carelessly whistling the +while a strain from an opera I had once heard. For some reason or other +that strain had been in my head all day. I had gotten up in the morning +with it; I had whistled it during the fight with the head wind. The Kid +called it "that Dago tune." I think it was something from <i>Il +Trovatore</i>.</p> + +<p>Suddenly one of the little Italians dropped his rod, stood up to his +full height, lifted his arms very much after the manner of an orchestra +leader and joined in with me. I stopped—because I saw that he <i>could</i> +whistle. He carried it on <a name="Page_92" id="Page_92"></a>with much expression to the last thin note +with all the ache of the world in it. And then he grinned at me.</p> + +<p>"Verdi!" he said sweetly.</p> + +<p>I applauded. Whereat the little Italian produced a bag of tobacco. We +sat down on the rocks and smoked together, holding a wordless but +perfectly <a name="intelligble" id="intelligble"></a> +<ins class="correction" title="intelligible">intelligble</ins> conversation of pleasant grins.</p> + +<p>That night we had fish for supper! I got them for a song—or, rather, +for a whistle. I was fed with more than fish. And I went to sleep that +night with a glorious thought for a pillow: Truth expressed as Art is +the universal language. One immortal strain from Verdi, poorly whistled +in a wilderness, had made a Dago and a Dutchman brothers!</p> + +<p>Scarcely had the crackling of the ruddy log lulled us to sleep, when the +night had flitted over like a shadow, and we were cooking breakfast. A +lone, gray wolf, sitting on his haunches a hundred paces away, regarded +us curiously. Doubtless we were new to his generation; for in the +evening dusk we had drifted well into the Bad Lands.</p> + +<p>Bad Lands? Rather the Land of Awe!</p> + +<p><a name="Page_93" id="Page_93"></a></p> + +<p>A light stern wind came up with the sun. During the previous evening we +had rigged a cat-sail, and noiselessly we glided down the glinting trail +of crystal into the "Region of Weir."</p> + +<p>On either hand the sandstone cliffs reared their yellow masses against +the cloudless sky. Worn by the ebbing floods of a prehistoric sea, +carved by the winds and rains of ages, they presented a panorama of +wonders.</p> + +<p>Rows of huge colonial mansions with pillared porticoes looked from their +dizzy terraces across the stream to where soaring mosques and mystic +domes of worship caught the sun. It was all like the visible dream of a +master architect gone mad. Gaunt, sinister ruins of medieval castles +sprawled down the slopes of unassailable summits. Grim brown towers, +haughtily crenellated, scowled defiance on the unappearing foe. Titanic +stools of stone dotted barren garden slopes, where surely gods had once +strolled in that far time when the stars sang and the moon was young. +Dark red walls of regularly laid stone—huge as that the Chinese flung +before the advance of the Northern hordes—held imaginary empires +asunder. Poised on a dizzy peak, Jove's eagle stared into the eye of the +sun, and raised his wings for the flight <a name="Page_94" id="Page_94"></a>deferred these many centuries. +Kneeling face to face upon a lonesome summit, their hands clasped before +them, their backs bent as with the burdens of the race, two women prayed +the old, old woman prayer. The snow-white ruins of a vast cathedral lay +along the water's edge, and all about it was a hush of worship. And near +it, arose the pointed pipes of a colossal organ—with the summer silence +for music.</p> + +<p>With a lazy sail we drifted through this place of awe; and for once I +had no regrets about that engine. The popping of the exhaust would have +seemed sacrilegious in this holy quiet.</p> + +<p>Seldom do men pass that way. It is out of the path of the tourist. No +excursion steamers ply those awesome river reaches. Across the sacred +whiteness of that cathedral's imposing mass, no sign has ever been +painted telling you the merits of the best five-cent cigar in the world! +Few besides the hawks and the crows would see it, if it were there.</p> + +<p>And yet, for all the quiet in this land of wonder, somehow you cannot +feel that the place is unpeopled. Surely, you think, invisible knights +clash in tourney under those frowning towers. Surely a lovelorn maiden +spins at that castle win<a name="Page_95" id="Page_95"></a>dow, weaving her heartache into the magic +figures of her loom. Stately dames must move behind the shut doors of +those pillared mansions; devotees mutter Oriental prayers beneath those +sun-smitten domes. And amid the awful inner silence of that cathedral, +white-robed priests lift wan faces to their God.</p> + +<p>Under the beat of the high sun the light stern wind fell. The slack sail +drooped like a sick-hearted thing. Idly drifting on the slow glassy +flood, we seemed only an incidental portion of this dream in which the +deepest passions of man were bodied forth in eternal fixity. Towers of +battle, domes of prayer, fanes of worship, and then—the kneeling women! +Somehow one couldn't whistle there. Bill and the Kid, little given to +sentiment, sat quietly and stared.</p> + +<p>Late in the afternoon we found ourselves out of this "Region of Weir." +Great wall rocks soared above us. Consulting our map, we found that we +were nearing Eagle Rapids, the first of a turbulent series. I had fondly +anticipated shooting them all under power. So once more I decided to go +over that engine. We landed at the wooded mouth of a little ravine, +having made a trifle over twenty miles that day.</p> + +<p><a name="Page_96" id="Page_96"></a></p> + +<p>With those tools of the engine doctor—an air of mystery and a +monkey-wrench—I unscrewed everything that appeared to have a thread on +it, and pulled out the other things. The odds, I figured, were in my +favor. A sick engine is useless, and I felt assured of either killing or +curing. I did something—I don't know what; but having achieved the +complete screwing up and driving in of things—<i>it went</i>!</p> + +<p>So on the morning of the fourth day, we were up early, eager for the +shooting of rapids. We had understood from the conversation of the +seemingly wise, that Eagle Rapids was the first of a series that made +the other rapids we had passed through look like mere ripples on the +surface. In some of those we had gone at a very good clip, and several +times we had lost our rudder.</p> + +<p>I remembered how the steamboats used to be obliged to throw out cables +and slowly wind themselves up with the power of the "steam nigger." I +also remembered the words of Father de Smet: "There are many rapids, ten +of which are very difficult to ascend and very dangerous to go down."</p> + +<p>We had intended from the very first to get <a name="Page_97" id="Page_97"></a>wrecked in one or all of +these rapids. For this reason we had distributed forward, aft, and +amidships, eight five-gallon cans, soldered air-tight. The frail craft +would, we figured, be punctured. The cans would displace nearly three +hundred and fifty pounds of water, and the boat and engine, submerged, +would lose a certain weight. I had made the gruesome calculation with +fond attention to detail. I decided that she should be wrecked quite +arithmetically. We should be able, the figures said, to recover the +engine and patch the boat. We had provided three life-preservers, but +one had been stolen; so I had fancied what a bully fight one might have +if he should be thrown out into the mad waters without a life-preserver.</p> + +<p>I have never been able to explain it satisfactorily; it is one of the +paradoxes; but human nature seems to take a weird delight in placing in +jeopardy that which is dearest. Even a coward with his fingers clenched +desperately on the ragged edge of hazard, feels an inexplicable thrill +of glory. Having several times been decently scared, I know.</p> + +<p>One likes to take a sly peep behind the curtain of the big play, hoping +perhaps to get a slight <a name="Page_98" id="Page_98"></a>hint as to what machinery hoists the moon, and +what sort of contrivance flings the thunder and lightning, and many +other things that are none of his business. Only, to be sure, he intends +to get away safely with his information. When you think you see your +finish bowing to receive you, something happens in your head. It's like +a sultry sheet of rapid fire lapping up for a moment the thunder-shaken +night—and discovering a strange land to you. And it's really good for +you.</p> + +<p>Under half speed we cruised through the windless golden morning; and the +lonesome canyon echoed and re-echoed with the joyful chortle of the +resurrected engine. We had covered about ten miles, when a strange +sighing sound grew up about us. It seemed to emanate from the soaring +walls of rock. It seemed faint, yet it arose above the din of the +explosions, drowned out the droning of the screw.</p> + +<p>Steadily the sound increased. Like the ghost of a great wind it moaned +and sighed about us. Little by little a new note crept in—a sibilant, +metallic note as of a tense sheet of silk drawn rapidly over a thin +steel edge.</p> + +<div class="figcenter" style="width: 500px;"> +<a name="image22" id="image22"></a> +<a href="images/img22-full.jpg"><img src="images/img22.jpg" width="500" height="311" alt="Wolf Point, the First Town in 500 Miles." title="Wolf Point, the First Town in 500 Miles." /></a> +<span class="caption">Wolf Point, the First Town in 500 Miles.</span> +</div> + +<div class="figcenter" style="width: 500px;"> +<a name="image23" id="image23"></a> +<a href="images/img23-full.jpg"><img src="images/img23.jpg" width="500" height="309" alt="Entrance to the Bad Lands." title="Entrance to the Bad Lands." /></a> +<span class="caption">Entrance to the Bad Lands.</span> +</div> + +<p>We knew it to be the mourning voice of the Eagle Rapids; but far as we +could see, the river <a name="Page_98-f" id="Page_98-f"></a><a name="Page_99-f" id="Page_99-f"></a> +<a name="Page_99" id="Page_99"></a>was quiet as a lake. We jogged on for a mile, +with the invisible moaning presence about us. It was somewhat like the +intangible something you feel about a powerful but sinister personality. +The golden morning was saturated with it.</p> + +<p>Suddenly, turning a sharp bend about the wall of rock that flanked the +channel, a wind of noise struck us. It was like the hissing of +innumerable snakes against a tonal background of muffled continuous +thunder. A hundred yards before us was Eagle Rapids—a forbidding patch +of writhing, whitening water, pricked with the upward thrust of +toothlike rocks.</p> + +<p>The first sight of it turned the inside of me mist-gray. Temporarily, +wrecks and the arithmetic of them had little charm for me. I seized the +spark-lever, intending to shut down. Instead, I threw it wide open. With +the resulting leap of the craft, all the gray went out of me.</p> + +<p>I grasped the rudder ropes and aimed at a point where the sinuous +current sucked through a passage in the rocks like a lean flame through +a windy flue. Did you ever hear music that made you see purple? It was +that sort of purple I saw (or did I hear it like music?) when we plunged +under full speed into the first suck of the rapids.<a name="Page_100" id="Page_100"></a> We seemed a +conscious arrow hurled through a gray, writhing world, the light of +which was noise. And then, suddenly, the quiet, golden morning flashed +back; and we were ripping the placid waters of a lake.</p> + +<p>The Kid broke out into boisterous laughter that irritated me strangely: +"Where the devil do you suppose our life-preservers are?" he bawled. +"They're clear down under all the cargo!"</p> + +<p>A world of wonderful beauty was forging past us. In the golden calm, the +scintillant sheet of water seemed to be rushing backward, splitting +itself over the prow, like a fabric woven of gold and silver drawn +rapidly against a keen stationary blade.</p> + +<p>The sheer cliffs had fallen away into pine-clad slopes, and vari-colored +rocks flung notes of scarlet and gold through the sombre green of the +pines—like the riotous treble cries of an organ pricking the sullen +murmur of the bass. So still were the clean waters that we seemed midway +between two skies.</p> + +<p>We skirted the base of a conical rock that towered three hundred feet +above us—a Titan sentinel. It was the famous Sentinel Rock of the old +steamboat days. I shut the engine down to <a name="Page_101" id="Page_101"></a>quarter speed, for somehow +from the dizzy summit a sad dream fell upon me and bade me linger.</p> + +<p>I stared down into the cold crystal waters at the base of the rock. +Many-colored mosses, sickly green, pale, feverish red, yellow like fear, +black like despair, purple like the lips of a strangled man, clung +there. I remembered an old spring I used to haunt when I was just old +enough to be awed by the fact of life and frightened at the possibility +of death. Just such mosses grew in the depths of that spring. I used to +stare into it for hours.</p> + +<p>It fascinated me in a terrible way. I thought Death looked like that. +Even now I am afraid I could not swim long in clear waters with those +fearful colors under me. I am sure they found Ophelia floating like a +ghastly lily in such a place.</p> + +<p>Filled with a shadow of the old childish dread, I looked up to the +austere summit of the Sentinel. Scarred and haggard with time it caught +the sun. I thought of how long it had stood there just so, under the +intermittent flashing of moon and sun and star, since first its flinty +peak had pricked through the hot spume of prehistoric seas.</p> + +<p>Fantastic reptiles, winged and finned and <a name="Page_102" id="Page_102"></a>fanged, had basked upon +it—grotesque, tentative vehicles of the Flame of Life! And then these +flashed out, and the wild sea fell, and the land arose—hideous and +naked, a steaming ooze fetid with gasping life. And all the while this +scarred Sentinel stared unmoved. And then a riot of giant vegetation all +about it—divinely extravagant, many-colored as fire. And this too +flashed out—like the impossible dream of a god too young. And the Great +Change came, and the paradox of frost was in the world, stripping life +down to the lean essentials till only the sane, capable things might +live. And still the Titan stared as in the beginning. And then, men were +in the land—gaunt, terrible, wolf-like men, loving and hating. And La +Verendrye forged past it; and Lewis and Clark toiled under it through +these waters of awful quiet. And then the bull boats and the mackinaws +and the packets. And all these flashed out; and still it stood unmoved. +And I came—and I too would flash out, and all men after me and all +life.</p> + +<p>I viewed the colossal watcher with something like terror—the aspect of +death about its base and that cynical glimmer of sunlight at its top. I +flung the throttle open, and we leaped forward <a name="Page_103" id="Page_103"></a>through the river hush. +I wanted to get away from this thing that had seen so much of life and +cared so little. It depressed me strangely; it thrust bitter questions +within the charmed circle of my ego. It gave me an almost morbid desire +for speed, as though there were some place I should reach before the +terrible question should be answered against me.</p> + +<p>We fled down five or six miles of depressingly quiet waters. Once again +the wall rocks closed about us. We seemed to be going at a tediously +slow pace, yet the two thin streams of water rushed hissing from prow to +stern. A strange mood was upon me. Once when I was a boy and far from +home, I awoke in the night with a bed of railroad ties under me, and the +chill black blanket of the darkness about me. I wanted to get up and run +through that damned night—anywhere, just so I went fast +enough—stopping only when exhaustion should drag me down. And yet I was +afraid of nothing tangible; hunger and the stranger had sharpened +whatever blue steel there was in my nature. I was afraid of being still! +Were you ever a homesick boy, too proud to tell the truth about it?</p> + +<p>I felt something of that boy's ache as we shot <a name="Page_104" id="Page_104"></a>in among the wall rocks +again. It was a psychic hunger for something that does not exist. Oh, to +attain the terrible speed one experiences in a fever-dream, to get +somewhere before it is too late, before the black curtain drops!</p> + +<p>To some this may sound merely like the grating of overwrought nerves. +But it is more than that. All religions grew out of that most human +mood. And whenever one is deeply moved, he feels it. For even the most +matter-of-fact person of us all has now and then a suspicion that this +life is merely episodic—that curtain after curtain of darkness is to be +pierced, world after world of consciousness and light to be passed +through.</p> + +<p>Once more the rocks took on grotesque shapes—utterly ultra-human in +their suggestiveness. Those who have marveled at the Hudson's beauty +should drop down this lonesome stretch.</p> + +<p>We shot through the Elbow Rapids at the base of the great +Hole-in-the-wall Rock. It was deep and safe—much like an exaggerated +mill-race. It ran in heavy swells, yet the day was windless.</p> + +<p>In the late afternoon we shot the Dead Man's Rapids, a very turbulent +and rocky stretch of <a name="Page_105" id="Page_105"></a>water. We went through at a freight-train speed, +and began to develop a slight contempt for fast waters. That night we +camped at the mouth of the Judith River on the site of the now forgotten +Fort Chardon. We had made only ninety-eight miles in four days. It began +to appear that we might be obliged to finish on skates!</p> + +<p>We were up and off with the first gray of the morning. We knew Dauphin +Rapids to be about seventeen miles below, and since this particular +patch of water had by far the greatest reputation of all the rapids, we +were eager to make its acquaintance.</p> + +<p>The engine began to show unmistakable signs of getting tired of its job. +Now and then it barked spitefully, had half a notion to stop, changed +its mind, ran faster than it should, wheezed and slowed down—acting in +an altogether unreasonable way. But it kept the screw humming +nevertheless.</p> + +<p>Fortunately it was going at a mad clip when we sighted the Dauphin. +There was not that sibilance and thunder that had turned me a bit gray +inside at first sight of the Eagle. The channel was narrow, and no rocks +appeared above the surface. But speed <i>was</i> there; and the almost +<a name="Page_106" id="Page_106"></a>noiseless rolling of the swift flood ahead had a more formidable +appearance than that of the Eagle. Rocks above the surface are not much +to be feared when you have power and a good rudder. But we drew about +twenty-two inches of water, and I thought of the rocks under the +surface.</p> + +<p>I had, however, only a moment to think, for we were already traveling a +good eighteen miles, and when the main swirl of the rapids seized us, we +no doubt reached twenty-five. I was grasping the rudder ropes and we +were all grinning a sort of idiotic satisfaction at the amazing spurt of +speed, <span class="nowrap">when——</span></p> + +<p>Something was about to happen!</p> + +<p>The Kid and I were sitting behind the engine in order to hold her screw +down to solid water. Bill, decorated with a grin, sat amidships facing +us. I caught a pink flash in the swirl just under our bow, and then <i>it +happened</i>!</p> + +<p>The boat reared like a steeple-chaser taking a fence! The Kid shot +forward over the engine and knocked the grin off Bill's face! Clinging +desperately to the rudder ropes, I saw, for a brief moment, a good +three-fourths of the frail craft thrust skyward at an angle of about +forty-five <a name="Page_107" id="Page_107"></a>degrees. Then she stuck her nose in the water and her screw +came up, howling like seven devils in the air behind me! Instinctively, +I struck the spark-lever; the howling stopped,—and we were floating in +the slow waters below Dauphin Rapids.</p> + +<p>All the cargo had forged forward, and the persons of Bill and the Kid +were considerably tangled. We laughed loud and long. Then we gathered +ourselves up and wondered if she might be taking water under the cargo. +It developed that she wasn't. But one of our grub boxes, containing all +the bacon, was missing. So were the short oars that we used for paddles. +While we laughed, these had found some convenient hiding-place.</p> + +<p>We had struck a smooth bowlder and leaped over it. A boat with the +ordinary launch construction would have opened at every seam. The light +springy tough construction of the <i>Atom</i> had saved her. Whereat I +thought of the Information Bureau and was well pleased.</p> + +<p>Altogether we looked upon the incident as a purple spot. But we were +many miles from available bacon, and when, upon trial, the engine +refused to make a revolution, we began to get exceedingly hungry for +meat.</p> + +<p><a name="Page_108" id="Page_108"></a></p> + +<p>Having a dead engine and no paddles, we drifted. We drifted very slowly. +The Kid asked if he might not go ashore and drive a stake in the bank. +For what purpose? Why, to ascertain whether we were going up or down +stream! While we drifted in the now blistering sun, we talked about +<i>meat</i>. With a devilish persistence we quite exhausted the subject. We +discussed the best methods for making a beefsteak delicious. It made us +very hungry for meat. The Kid announced that he could feel his backbone +sawing at the front of his shirt. But perhaps that was only the +hyperbole of youth. Bill confessed that he had once grumbled at his good +wife for serving the steak too rare. He now stated that at the first +telegraph station he would wire for forgiveness. I advised him to wire +for money instead and buy meat with it. Personally I felt a sort of +wistful tenderness for packing-houses.</p> + +<p>That day passed somehow, and the next morning we were still hungry for +meat. We spent most of the morning talking about it. In the blistering +windless afternoon, we drifted lazily. Now and then we took turns +cranking the engine.</p> + +<p>We were going stern foremost and I was <a name="Page_109" id="Page_109"></a>cranking. We rounded a bend +where the wall rocks sloped back, leaving a narrow arid sagebrush strip +along both sides of the stream. I had straightened up to get the kink +out of my back and mop the sweat out of my eyes, when I saw something +that made my stomach turn a double somersault.</p> + +<p>A good eight hundred yards down stream at the point of a gravel-bar, +something that looked like and yet unlike a small cluster of drifting, +leafless brush moved slowly into the water. Now it appeared quite +distinct, and now it seemed that a film of oil all but blotted it out. I +blinked my eyes and peered hard through the baffling yellow glare. Then +I reached for the rifle and climbed over the <a name="gunwhale" id="gunwhale"></a> +<ins class="correction" title="gunwale">gunwhale</ins>. I smelled raw +meat.</p> + +<p>Fortunately, we were drifting across a bar, and the slow water came only +to my shoulders. The thing eight hundred yards away was forging across +stream by this time—heading for the mouth of a coulee. I saw plainly +now that the brush grew out of a head. It was a buck with antlers.</p> + +<p>Just below the coulee's mouth, the wall rocks began again. The buck +would be obliged to land above the wall rocks, and the drifting boat +<a name="Page_110" id="Page_110"></a>would keep him going. I reached shore and headed for that coulee. The +sagebrush concealed me. At the critical moment, I intended to show +myself and start him up the steep slope. Thus he would be forced to +approach me while fleeing me. When I felt that enough time had passed, I +stood up. The buck, shaking himself like a dog, stood against the yellow +sandstone at the mouth of the gulch. He saw me, looked back at the +drifting boat, and appeared to be undecided.</p> + +<p>I wondered what the range might be. Back home in the plowed field where +I frequently plug tin cans at various long ranges, I would have called +it six hundred yards—at first. Then suddenly it seemed three or four +hundred. Like a thing in a dream the buck seemed to waver back and forth +in the oily sunlight.</p> + +<p>"Call it four hundred and fifty," I said to myself, and let drive. A +spurt of yellow stone-dust leaped from the cliff a foot or so above the +deer's back. Only four hundred? But the deer had made up his mind. He +had urgent business on the other side of that slope—he appeared to be +overdue.</p> + +<div class="figcenter" style="width: 500px;"> +<a name="image24" id="image24"></a> +<a href="images/img24-full.jpg"><img src="images/img24.jpg" width="500" height="300" alt="Fresh Meat." title="Fresh Meat." /></a> +<span class="caption">Fresh Meat.</span> +</div> + +<div class="figcenter" style="width: 500px;"> +<a name="image25" id="image25"></a> +<a href="images/img25-full.jpg"><img src="images/img25.jpg" width="500" height="308" alt="Supper!" title="Supper!" /></a> +<span class="caption">Supper!</span> +</div> + +<p>I pumped up another shell and drew fine at <a name="Page_110-f" id="Page_110-f"></a> +<a name="Page_111-f" id="Page_111-f"></a><a name="Page_111" id="Page_111"></a>four hundred. That time +his rump quivered for a second as though a great weight had been dropped +on it. But he went on with increased speed. Once more I let him have it. +That time he lost an antler. He had now reached the summit, two hundred +feet up at the least.</p> + +<p>He hesitated—seemed to be shivering. I have hunted with a full stomach +and brought down game. But there's a difference when you are empty. In +that moment before you kill, you became the sort of fellow your mother +wouldn't like. Perhaps the average man would feel a little ashamed to +tell the truth about that savage moment. I got down on my knee and put a +final soft-nosed ball where it would do the most good. The buck reared, +stiffened, and came down, tumbling over and over.</p> + +<p>That night we pitched camp under a lone scrubby tree at the mouth of an +arid gulch that led back into the utterly God-forsaken Bad Lands. It was +the wilderness indeed. Coyotes howled far away in the night, and diving +beaver boomed out in the black stream.</p> + +<p>We built half a dozen fires and swung above them the choice portions of +our kill. And how we ate—with what glorious appetites!</p> + +<p><a name="Page_112" id="Page_112"></a></p> + +<p>It is good to sit with a glad-hearted company flinging words of joyful +banter across very tall steins. It is good to draw up to a country table +at Christmas time with turkey and pumpkin-pies and old-fashioned +puddings before you, and the ones you love about you. I have been deeply +happy with apples and cider before an open fireplace. I have been +present when the brilliant sword-play of wit flashed across a banquet +table—and it thrilled me. <span class="nowrap"><i>But</i>——</span></p> + +<p>There is no feast like the feast in the open—the feast in the flaring +light of a night fire—the feast of your own kill, with the tang of the +wild and the tang of the smoke in it!</p> + +<p><a name="Page_113" id="Page_113"></a></p> + + + +<hr style="width: 65%;" /> +<p><a name="CHAPTER_VI" id="CHAPTER_VI"></a></p> + +<h2 class="sectionhead">CHAPTER VI</h2> + +<h3 class="chapterhead">GETTING DOWN TO BUSINESS</h3> + + +<p><span class="dropcap">I</span>T all came back there by the smoldering fires—the wonder and the +beauty and the awe of being alive. We had eaten hugely—a giant feast. +There had been no formalities about that meal. Lying on our blankets +under the smoke-drift, we had cut with our jack-knives the tender +morsels from a haunch as it roasted. When the haunch was at last cooked +to the bone, only the bone was left.</p> + +<p>Heavy with the feast, I lay on my back watching the gray smoke brush my +stars that seemed so near. <i>My stars!</i> Soft and gentle and mystical! +Like a dark-browed Yotun woman wooing the latent giant in me, the night +pressed down. I closed my eyes, and through me ran the sensuous surface +fires of her dream-wrought limbs. Upon my face the weird magnetic lure +of ever-nearing, never-kissing lips made soundless music. Like a sister, +like a mother she caressed me, lazy <a name="Page_114" id="Page_114"></a>with the huge feast; and yet, a +drowsy, half-voluptuous joy shimmered and rippled in my veins.</p> + +<p>Drowsing and dreaming under the drifting smoke-wrack, I felt the sense +of time and self drop away from me. No now, no to-morrow, no yesterday, +no I! Only eternity, one vast whole—sun-shot, star-sprent, love-filled, +changeless. And in it all, one spot of consciousness more acute than +other spots; and that was the something that had eaten hugely, and that +now felt the inward-flung glory of it all; the swooning, half-voluptuous +sense of awe and wonder, the rippling, shimmering, universal joy.</p> + +<p>And then suddenly and without shock—like the shifting of the wood +smoke—the mood veered, and there was nothing but I. Space and eternity +were I—vast projections of myself, tingling with my consciousness to +the remotest fringe of the outward swinging atom-drift; through +immeasurable night, pierced capriciously with shafts of paradoxic day; +through and beyond the awful circle of yearless duration, my ego lived +and knew itself and thrilled with the glory of being. The slowly +revolving Milky Way was only a glory within me; the great woman-star +jeweling the <a name="Page_115" id="Page_115"></a>summit of a cliff, was only an ecstasy within me; the +murmuring of the river out in the dark was only the singing of my heart; +and the deep, deep blue of the heavens was only the splendid color of my +soul.</p> + +<p>Bill snored. Among the glowing fires moved the black bulk of the Kid, +turning the hunks of venison. And then the universe and I, curiously +mixed, swooned into nothing at all, and I was blinking at a golden glow, +and from the river came a shouting.</p> + +<p>It was broad day. We leaped up, and rubbing the sleep from our eyes, saw +a light skiff drifting toward us. It contained two men—Frank and +Charley. We had met them at Benton, and during an acquaintance of three +weeks we had learned of their remarkable ability as cooks. Frank was a +little Canadian Frenchman, and Charley was English. Both, in the +parlance of the road, were "floaters"; that is to say, no locality ever +knew them long; the earth was their floor, the sky their ceiling—and +their god was Whim. Naturally our trip had appealed to them, and one +month in Benton had aggravated that hopelessly incurable +disease—<i>Wanderlust</i>.</p> + +<p>So we had agreed that somewhere down river <a name="Page_116" id="Page_116"></a>we would camp for a week and +wait for them. They would do the cooking, and we would take them in tow. +Two days after we dropped out of Benton, they had abruptly "jumped" an +unfinished job and put off after us in a skiff, rowing all day and most +of the night in order to overtake us.</p> + +<p>Certainly they had arrived at the moment most psychologically favorable +for the beginning of an odd sort of tyranny that followed. Cooking is a +weird mystery to me. As for Bill and the Kid, courtesy forbids detailed +comment. The Kid had been uniformly successful in disguising the most +familiar articles of diet; and Bill was perhaps least unsuccessful in +the making of flapjacks. According to his naïve statement, he had +discovered the trick of mixing the batter while manufacturing +photographer's mounting paste. His statement was never questioned. My +only criticism on his flapjacks was simply that he left too much to the +imagination. For these and kindred reasons, we gladly hailed the +newcomers.</p> + +<p>Ten minutes after the skiff touched shore, the camp consisted of two +cooks and three scullions. The Kid was a hewer and packer of wood, I was +<a name="Page_117" id="Page_117"></a>a peeler and slicer of things, and Bill, sweetly oblivious of his +bewhiskered dignity, danced about in the humblest of moods, handing this +and that to the grub-lords.</p> + +<p>"You outfitted like greenhorns!" announced the usurpers. "What you want +is raw material. Run down to the boat, please, and bring me this! Oh, +yes, and bring me that! And you'll find the other in the bottom of the +skiff's forward locker! Put a little more wood on the fire, Kid; and +say, Bill, hand me that, won't you? Who's going to get a pail of water?"</p> + +<p>All three of us were going to get a pail of water, of course! It was the +one thing in the world we wanted to do very much—get a pail of water!</p> + +<p>But the raw materials—how they played on them! I regarded their +performance as a species of duet; and the raw materials, ranged in the +sand about the fire, were the keys. Frank touched this, Charley touched +that, and over the fire the music grew—perfectly stomach-ravishing!</p> + +<p>We had bought with much care all, or nearly all the ordinary +cooking-utensils. These the usurpers scorned. Three or four gasoline +cans, transformed by a jack-knife into skillets, ovens, <a name="Page_118" id="Page_118"></a>platters, etc., +sufficed for these masters of their craft. The downright Greek +simplicity of their methods won me completely.</p> + +<p>"This is indeed Art," thought I; "first, the elimination of the +non-essential, and then the virile, unerring directness, the seemingly +easy accomplishment resulting from effort long forgotten; and, above +all, the final, convincing delivery of the goods."</p> + +<p>Out of the chaos of the raw material, beneath the touch of Charley's +wise hands, emerged a wondrous cosmos of biscuits, light as the heart of +a boy. And Frank, singing a French ditty, created wheat cakes. His +method struck me as poetic. He scorned the ordinary uninspired cook's +manner of turning the half-baked cake. One side being done, he waited +until the ditty reached a certain lilting upward leap in the refrain, +when, with a dexterous movement of the frying-pan, he tossed the cake +into the air, making it execute a joyful somersault, and catching it +with a sizzling <i>splat</i> in the pan, just as the lilting measure ceased +abruptly.</p> + +<p>Why, I could taste that song in the pancakes!</p> + +<p>I wonder why domestic economy has so persistently overlooked the value +of song as an <a name="Page_119" id="Page_119"></a>adjunct to cookery. <i>Gâteaux à la chansonnette!</i> Who +wouldn't eat them for breakfast?</p> + +<p>At six in the evening we put off, Charley, the Kid and I manning the +power boat, Bill and Frank the skiff, which was towed by a thirty-foot +line. I had, during the day, transformed my unquestioned slavery into a +distinct advantage, having carefully impressed upon the Englishman the +honor I would do him by allowing him to become chief engineer of the +<i>Atom</i>. I carefully avoided the subject of cranking. I was <a name="of" id="of"></a> +<ins class="correction" title="tired of cranking">tired +cranking</ins>. I felt that I had exhausted the possibilities of enjoyment in +that particular form of physical exercise. It had developed during the +day that Charley had once run a gasoline engine. I was careful to +emphasize my ridiculous lack of mechanical ability. Charley took the +bait beautifully.</p> + +<p>But just now the engine ran merrily. Above its barking I sang the +praises of the Englishman, with a comfortable feeling that, at least in +this, the tail would wag the dog.</p> + +<p>Through the clear quiet waters, between soaring canyon walls, we raced +eastward into the creeping twilight. Here and there the banks widened +out into valleys of wondrous beauty, flanked by jagged miniature +mountains transfigured in the <a name="Page_120" id="Page_120"></a>slant evening light. It seemed the "færie +land forlorn" of which Keats dreamed, where year after year come only +the winds and the rains and the snow and the sunlight and the star-sheen +and the moon-glow.</p> + +<p>In the deepening evening our widening V-shaped wake glowed with +opalescent witch-fires. Watching the oily ripples, I steered wild and +lost the channel. We all got out and, wading in different directions, +went hunting for the Missouri River. It had flattened out into a lake +three or four hundred yards wide and eight inches deep. Slipping poles +under the power boat, we carried it several hundred yards to a point +where the stream deepened. It was now quite dark, and the engine quit +work for the day. The skiff towed us another mile or so to a camping +place.</p> + +<p>Having moored the boats, we lined up on the shore and had a song. It was +a quintet, consisting of a Frenchman, an Englishman, an Irishman, a +Cornishman, and a German. A very strong quintet it was; that is to say, +strong on volume. As to quality—we weren't thrusting ourselves upon an +audience. The river and the sky didn't seem to mind, and the cliffs sang +after us, lagging a beat or two.</p> + +<p><a name="Page_121" id="Page_121"></a></p> + +<p>We wished to sing ever so beautifully; and, after all, it would be much +better to have the whole world wishing to sing melodiously, than to have +just a few masters here and there who really can! Did you ever hear a +barefooted, freckle-faced plowboy singing powerfully and quite out of +tune, the stubble fields about him still glistening with the morning +dew, and the meadow larks joining in from the fence-posts? I have: and +soaring above the faulty execution, I heard the lark-heart of the +never-aging world wooing the far-off eternal dawn. True song is merely a +hopeful condition of the soul. And so I am sure we sang very wonderfully +that night.</p> + +<p>And how the flapjacks disappeared as a result of that singing! We ate +until Charley refused to bake any more; then we rolled up in our +blankets by the fire and "swapped lies," dropping off one at a time into +sleep until the last speaker finished his story with only the drowsy +stars for an audience. At least I suppose it was so; I was not the last +speaker.</p> + +<p>Alas! too seldom were we to hail the evening star with song. So far we +had made in a week little more than one hundred and fifty miles.<a name="Page_122" id="Page_122"></a> With +the exception of a few hours of head winds, that week had been a week of +dream. We now awoke fully to the fact that in low water season the +Missouri is not swift. In our early plans we had fallen in with the +popular fallacy that one need only cut loose and let the current do the +rest; whereas, in low water, one would probably never reach the end of +his journey by that method. In addition to this, our gasoline was +running low. We had trusted to irrigation plants for replenishing our +supply from time to time. But the great flood of the spring had swept +the valley clean. Where the year before there were prosperous ranch +establishments with gasoline pumping plants, there was only desolation +now. It was as though we traveled in the path of a devastating army. +Perhaps the summer of 1908 was the most unfavorable season for such a +trip in the last fifty years. Steamboating on the upper river is only a +memory. There are now no wood-yards as formerly. We found ourselves with +no certainty of procuring grub and oil; our engine became more and more +untrustworthy; our paddles had been lost. What winds we had generally +blew against us, and the character of the banks was changing. The cliffs +gave way to broad <a name="Page_123" id="Page_123"></a>alluvial valleys, over which, at times, the gales +swept with terrific force.</p> + +<p>Our map told us of a number of river "towns." We had already been +partially disillusioned as to the character of those "towns." They were +pretty much in a class with Goodale, except that they lacked the switch +and the box-car and the sign. Just now Rocky Point lay ahead of us. +Rocky Point meant a new supply of food and oil. Stimulated by this +thought, Charley cranked heroically under the blistering sun and managed +to arouse the engine now and then into spasms of speed. He had not yet +begun to swear. Fearfully I awaited the first evidence of the new mood, +which I knew must come.</p> + +<p>At least once a day we put the machinery on the operating table. Each +time we succeeded only in developing new symptoms.</p> + +<p>At a point about fifty miles from the "town" so deeply longed for, a +lone cow-punch appeared on the bank.</p> + +<p>"How far to Rocky Point?" I cried.</p> + +<p>"Oh, something less than two hundred miles!" drawled the horseman. (How +carelessly they juggle with miles in that country!)</p> + +<p>"It's just a little place, isn't it?" I continued.</p> + +<p><a name="Page_124" id="Page_124"></a></p> + +<p>"Little place!" answered the cow-puncher; "hell, no!"</p> + +<p>"What!" I cried in glee; "Is it really a town of importance?" I had +visions of a budding metropolis, full of gasoline and grub.</p> + +<p>"I guess it ain't a little place," explained the rider; "<i>w'y, they've +got nigh onto ten thousand cattle down there</i>!"</p> + +<p>Ten minutes after that, Charley, after a desperate but unsuccessful fit +of cranking, straightened the kink out of his back, mopped the +perspiration from his face—<i>and swore</i>!</p> + +<p>Almost immediately I felt, or at least thought I felt, a distinct change +in the temper of the crew—for the worse. We used the better part of two +days covering the last fifty miles into Rocky Point, only to find that +the place consisted of a log ranch-house, two women, an old man, and +"Texas." The cattle and the other men were scattered over a hundred +miles or so of range. The women either would not or could not supply us +with grub, explaining that the nearest railroad town was ninety miles +away. Gasoline was out of the question. We might be able to buy some at +the mouth of Milk River, <i>two hundred miles down stream</i>!</p> +<p><a name="Page_125" id="Page_125"></a></p> + +<p>"Texas," who made me think of Gargantua, and who had a chest like a +bison bull's, and a drawling fog-horn voice, ran a saloon in an odd +little shanty boat brought down by the flood. He solved the problem for +us.</p> + +<p>"You cain't get no gasoline short o' Milk River," he bellowed +drawlingly; "and you sure got to paddle, so you better buy whisky!"</p> + +<p>While we were deciding to accept the offered advice, "Texas" whittled a +stick and got off a few jokes of Rabelaisian directness. We laughed +heartily, and as a mark of his appreciation, he gave us five quarts for +a gallon. Which proved, in spite of his appearance, that "Texas" was +very human.</p> + +<p>We gave the engine a final trial. It ran by spasms—backwards. Then, +finally, it refused to run at all. We tried to make ourselves believe +that the gasoline was too low in the tank, that the pressure of the oil +had something to do with it. At first we really knew better. But days of +drudgery at the paddles transformed the makeshift hope into something +almost like a certainty.</p> + +<p>There was no lumber at Rocky Point. We rummaged through a pile of +driftwood and found some half-rotted two-by-sixes. These we hacked <a name="Page_126" id="Page_126"></a>into +paddles. They weighed, when thoroughly soaked, at least fifteen pounds +apiece.</p> + +<p>Sending Bill and Frank on ahead with the skiff and the small store of +provisions, Charley and I, the Kid at the steering rope, set out pushing +the power canoe with the paddles. The skiff was very soon out of sight.</p> + +<p>The <i>Atom</i>, very fast under power, was, with paddles, the slowest boat +imaginable. There was no lift to her prow, no exhilarating leap as with +the typical light canoe driven by regulation paddles. And she was as +unwieldy as a log. A light wind blew up-stream, and the current was very +slow. After dark we caught up with Bill and Frank, who had supper +waiting. I had been tasting venison all day; but there was none for +supper. In spite of a night's smoking, all of it had spoiled. This left +us without meat. Our provisions now consisted mostly of flour. We had a +few potatoes and some toasted wind called "breakfast food." During six +or seven hours of hard work at the paddles, we had covered no more than +fifteen miles. These facts put together gave no promising result. In +addition to this, it was impossible to stir up a song. Even the liquor +wouldn't bring it out. And the flapjacks <a name="Page_126-f" id="Page_126-f"></a> +<a name="Page_127-f" id="Page_127-f"></a><a name="Page_127" id="Page_127"></a>were not served <i>à la +chansonnette</i> that night. I tried to explain why the trip was only +beginning to get interesting; but my words fell flat. And when the +irrepressible Kid essayed a joke, I alone laughed at it, though rather +out of gratitude than mirth.</p> + +<table class="images" summary="Images"> +<tr><td valign="bottom"> +<div class="figcenter" style="width: 300px;"> +<a name="image26" id="image26"></a> +<a href="images/img26-full.jpg"><img src="images/img26.jpg" width="300" height="211" alt=""Walking" Boats over Shallows." title=""Walking" Boats over Shallows." /></a> +<span class="caption">"Walking" Boats over Shallows.</span> +</div></td> + +<td valign="bottom"><div class="figcenter" style="width: 300px;"> +<a name="image27" id="image27"></a> +<a href="images/img27-full.jpg"><img src="images/img27.jpg" width="300" height="185" alt="Typical Upper Missouri River Reach." title="Typical Upper Missouri River Reach." /></a> +<span class="caption">Typical Upper Missouri River Reach.</span> +</div></td> +</tr> +</table> + +<div class="figcenter" style="width: 500px;"> +<a name="image28" id="image28"></a> +<a href="images/img28-full.jpg"><img src="images/img28.jpg" width="500" height="293" alt="The Mouth of the James." title="The Mouth of the James." /></a> +<span class="caption">The Mouth of the James.</span> +</div> + +<p>There are many men who live and die with the undisputed reputation of +being good fellows—your friends and mine—who, if put to the test, +would fail miserably. Fortunate is that man to whom it is not given to +test all of his friends. This is not cynicism; it is only human nature; +and I love human nature, being myself possessed of so much of it. I +admire it when it stands firmly upon its legs, and I love it when it +wabbles. But when it gains power with increasing odds, grows big with +obstacles, I worship it.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"To thrill with the joy of girded men,<br /></span> +<span class="i0">To go on forever and fail, and go on again—<br /></span> +<span class="i0">With the half of a broken hope for a pillow at night—"<br /></span> +</div></div> + +<p>Thus it should have been. But that night, staring into the face of three +of the four, I saw the yellow streak. The Kid was not one of the three. +The first railroad station would hold out no temptation to him. He was a +kid, but manhood has <a name="Page_128" id="Page_128"></a>little to do with age. It must exist from the +first like a tang of iron in the blood. Age does not really create +anything—it only develops. Your wonderful and beautiful things often +come as paradoxes. I looked for a man and found him in a boy.</p> + +<p>Bill talked about home and stared into the twilight. The "floaters" were +irritable, quarreling with the fire, the grub, the cooking-utensils, and +verbally sending the engine to the devil.</p> + +<p>Seeing about eighteen hundred miles of paddle work ahead, knowing that +at that season of the year the prevailing winds would be head winds, and +having very little faith in the engine under any conditions, I decided +to travel day and night, for the water was falling steadily and already +the channels were at times hard to find. Charley and Frank grumbled. I +told them we would split the grub fairly, a fifth to a man, and that +they might travel as slowly as they liked, the skiff being their +property. They stayed with us.</p> + +<p>We lashed the boats together and put off into the slow current. A +haggard, eerie fragment of moon slinked westward. Stars glinted in the +flawless chilly blue. The surface of the river was like polished +ebony—a dream-path wrought <a name="Page_129" id="Page_129"></a>of gloom and gleam. The banks were lines of +dusk, except where some lone cottonwood loomed skyward like a giant +ghost clothed with a mantle that glistered and darkled in the chill +star-sheen.</p> + +<p>There was the feel of moving in eternity about it all. The very +limitation of the dusk gave the feeling of immensity. There was no sense +of motion, yet we moved. The sky seemed as much below as above. We +seemed suspended in a hollow globe. Now and then the boom of a diving +beaver's tail accented the clinging quiet; and by fits the drowsy +muttering of waterfowl awoke in the adjacent swamps, and droned back +into the universal hush.</p> + +<p>Frank and I stood watch, the three others rolling up in their blankets +among the luggage. It occurred to me for the first time that we had a +phonograph under the cargo. I went down after it. At random I chose a +record and set the machine going. It was a Chopin <i>Nocturne</i> played on a +'cello—a vocal yearning, a wailing of frustrate aspirations, a brushing +of sick wings across the gates of heavens never to be entered; and then +the finale—an insistent, feverish repetition of the human ache, ceasing +as with utter exhaustion.</p> + +<p><a name="Page_130" id="Page_130"></a></p> + +<p>I looked about me drinking in the night. How little this music really +expressed it! It seemed too humanly near-sighted, too egotistic, too +petty to sound out under those far-seeing stars, in that divine quiet.</p> + +<p>I slipped on another record. This time it was a beautiful little song, +full of the sweet melancholy of love. I shut it down. The thing wouldn't +do. In the evening—yes. But <i>now</i>! Truly there is something womanly +about Night, something loverlike in a vast impersonal way; but too +big—she is too terribly big to woo with human sentiment. Only a +windlike chant would do—something with an undertone of human despair, +outsoared by brave, savage flights of invincible soul-hope—great virile +singing man-cries, winged as the starlight, weird as space—Whitman +sublimated, David's soul poured out in symphony.</p> + +<p>I started another going. This time I did not stop it, for the Night was +singing—through its nose perhaps, but still it was singing—out of that +machine. It was Wagner's <i>Evening Star</i> played by an orchestra. It +filled the night, swept the glittering reaches, groped about in the +glooms; and then, leaving the human theme behind, soul-<a name="Page_131" id="Page_131"></a>like the upward +yearning violins took flight, dissolving at last into starlight and +immensity. Ages swept by me like a dream-wind. When I got back, the +machine, all but run down, was scratching hideously.</p> + +<p>Slowly we swung about in the scarcely perceptible current. Down among +the luggage the three snored discordantly. Frank's cigarette glowed +intermittently against the dim horizon, like a bonfire far off. +Somewhere out in the gloom coyotes chattered and yelped, and from far +across the dusky valley others answered—a doleful <a name="tenson" id="tenson"></a> +<ins class="correction" title="tension">tenson</ins>.</p> + +<p>I dozed. Frank awoke us all with a shout. We leaped up and stared +blinkingly into the north. That whole region of the sky was aflame from +zenith to horizon with spectral fires. It was the aurora. Not the pale, +ragged glow, sputtering like the ghost of a huge lamp-flame, which is +familiar to every one, but a billowing of color, rainbows gone mad! In +the northeast the long rolling columns formed—many-colored clouds of +spectral light whipped up as by a whirlwind—flung from eastward to +westward, devouring Polaris and the Wain—rapid sequent towers of +smokeless fire!</p> + +<p><a name="Page_132" id="Page_132"></a></p> + +<p>It dazzled and whirled and mounted and fell like the illumined filmy +skirts of some invisible Titanic serpentine dancer, madly pirouetting +across a carpet of stars. Then suddenly it all fell into a dull +ember-glow and flashed out. The ragged moon dropped out of the +southwestern sky. In the chill of the night, gray, dense fog wraiths +crawled upon the hidden face of the waters.</p> + +<p>Again I dozed and awakened with the sense of having stopped suddenly. A +light wind had arisen and we were fast on a bar. Frank and I took our +blankets out on the sand, rolled up and went to sleep.</p> + +<p>The red of dawn awoke us as though some one had shouted. Frank and I sat +up and stared about. A white-tail deer was drinking at the river's edge +three hundred yards away. So far as we were concerned, it was a +dream-deer. We blinked complacently at it until it disappeared in the +brush. Then we thought of the rifle.</p> + +<p>We were all stiff and chilled. The boats were motionless in shallow +water. We all got out in the stream that felt icy to us, and waded the +crafts into the channel. Incidentally we remembered Texas and his +wisdom.</p> + +<p><a name="Page_133" id="Page_133"></a></p> + +<p>The time was early August; but nevertheless there was a tang of frost in +the air and the river seemed to flow not water but a thick frore fog. I +smelled persimmons distinctly—it was that cold; brown spicy persimmons +smashed on crisp autumn leaves down in old Missouri! The smell haunted +me all morning like a bitter-sweet regret.</p> + +<p>We breakfasted on flapjacks and, separating the boats, put off. The +skiff left us easily and disappeared. A head wind arose with the sun and +increased steadily. By eleven o'clock it blew so strongly that we could +make no headway with the rude paddles, and the waves, rolling at least +four feet from trough to crest, made it impossible to hold the boat in +course. We quit paddling, and got out in the water with the line. Two +pulled and one pushed. All day we waded, sometimes up to our necks; +sometimes we swam a bit, and sometimes we clung to the boat and kicked +it on to the next shallows. Our progress was ridiculously slow, but we +kept moving. When we stopped for a few minutes to smoke under the lee of +a bank, our legs cramped.</p> + +<p>To lay up one day would be only to establish a precedent for day after +day of inactivity. The prevailing winds would be head winds. We clung +<a name="Page_134" id="Page_134"></a>to the shoddy hope held out by that magic name—Milk River. We knew too +well that Milk River was only a snare and a delusion; but one must fight +toward something—it makes little difference what you call that +something. A goal, in itself, is an empty thing; all the virtue lies in +the moving toward the goal.</p> + +<p>Often we sank deep in the mud; often at the bends we could scarcely +forge against the blast that held us leaning to the pull. Noon came and +still we had not overtaken the skiff. Dark came, and we had not yet +sighted it. But with the sun, the wind fell, and we paddled on, lank and +chilled. About ten o'clock we sighted the campfire.</p> + +<p>We ate flapjacks once more—delicious, butterless flapjacks!—and then +once more we put off into the chill night. We made twelve miles that +day, and every foot had been a fight. I wanted to raise it to +twenty-five before sunrise. No one grumbled this time; but in the light +of the campfire the faces looked cheerless—except the Kid's face.</p> + +<p>We huddled up in our blankets and, naturally, all of us went to sleep. A +great shock brought us to our feet. The moon had set and the sky <a name="Page_135" id="Page_135"></a>was +overcast. Thick night clung around us. We saw nothing, but by the +rocking of the boats and the roaring of the river, we knew we were +shooting rapids.</p> + +<p>Still dazed with sleep, I had a curious sense of being whirled at a +terrific speed into some subterranean suck of waters. There was nothing +to do but wait. We struck rocks and went rolling, shipping buckets of +water at every dip. Then there was a long sickening swoop through utter +blackness. It ended abruptly with a thud that knocked us down.</p> + +<p>We found that we were no longer moving. We got out, hanging to the +gunwales. The boats were lodged on a reef of rock, and we were obliged +to "walk" them for some distance, when suddenly the water deepened, and +we all went up to our necks. And the night seemed bitterly cold. I never +shivered more in January.</p> + +<p>It was yet too dark to find a camping place; so we drifted on until the +east paled. Then we built a great log fire and baked ourselves until +sunrise.</p> + +<p>Day after day my log-book begins with the words, "Heavy head winds," and +ends with "Drifted most of the night." We covered about <a name="Page_136" id="Page_136"></a>twenty-five +miles every twenty-four hours. Every day the cooks grumbled more; and +Bill had a way of staring wistfully into the distance and talking about +home, that produced in me an odd mixture of anger and pity.</p> + +<p>We had lost our map: we had no calendar. Time and distance, curiously +confused, were merely a weariness in the shoulders.</p> + +<p><a name="Page_137" id="Page_137"></a></p> + + + +<hr style="width: 65%;" /> +<p><a name="CHAPTER_VII" id="CHAPTER_VII"></a></p> + +<h2 class="sectionhead">CHAPTER VII</h2> + +<h3 class="chapterhead">ON TO THE YELLOWSTONE</h3> + + +<p><span class="dropcap">A</span>T last one evening (shall I confess it?) we had blue-crane soup for +supper!</p> + +<p>Now a flight of gray-blue cranes across a pearl-gray sky, shot with +threads of evening scarlet, makes a masterly picture: indeed, an effect +worthy of reproduction in Art. You see a Japanese screen done in heroic +size; and it is a sight to make you long exquisitely for things that are +not—like a poet. <span class="nowrap">But——</span></p> + +<p>Let us have no illusions about this matter! Crane soup is not +satisfactory. It looks gray-blue and tastes gray-blue, and gives to your +psychic inwardness a dull, gray-blue, melancholy tone. And when you +nibble at the boiled gray-blue meat of an adult crane, you catch +yourself wondering just what sort of <i>ragout</i> could be made out of +boots; you have a morbid longing to know just how bad such a <i>ragout</i> +would really be!</p> + +<p>Hereafter on whatever trails I may follow, blue cranes shall be used +chiefly for Japanese <a name="Page_138" id="Page_138"></a>screen effects. Little by little (the latent +philosopher in me emerges to remark) by experience we place not only +ourselves but all things in their proper places in the universe. This +process of fitting things properly in one's cosmos seems to be one of +the chief aims of conscious life. Therefore I score one for +myself—having placed blue cranes permanently in that cosmic nook given +over to Japanese screen effects!</p> + +<p>Next morning we pushed on. The taste of that crane soup clung to me all +day like the memory of an old sorrow dulled by time.</p> + +<p>Deer tracks were plentiful, but it has long been conceded that the +tracks are by far the least edible things pertaining to an animal. +Cranes seemed to have multiplied rapidly. Impudently tame, they lined +the gravel-bars, and regarded us curiously as we fought our way past +them. Now and then a flock of wild ducks alighted several hundred yards +from us. We had only a rifle. To shoot a moving duck out of a moving +boat with a rifle is a feat attended with some difficulties. Once we +wounded a wild goose, but it got away; which offended our sense of +poetic justice. After crane soup one would seem to deserve roast goose.</p> + +<p><a name="Page_139" id="Page_139"></a></p> + +<p>I scanned the dreary monotonous valleys stretching away from the river. +We had for several days been living on scenery, tobacco, and flapjacks. +The scenery had flattened out, tobacco was running low; but the +flapjacks bid fair to go on forever. I sought in my head for the exact +adjective, the particular epithet with the inevitable feel about it, +with which to describe that monotonous melancholy stretch. Every time I +tried, I came back to the word "<i>baconless</i>." The word took on exquisite +overtones of gray meaning, and I worked up those overtones until I had a +perfectly wrought melancholy poem of one word—"<i>Baconless</i>." For, after +all, a poem never existed upon paper, but lives subtly in the +consciousness of the poet, and in the minds of those who understand the +poet through the suggestiveness of his written symbols, and their own +remembered experiences.</p> + +<p>But during the next morning, poetic justice worked. A rider mounted on a +piebald pony appeared on the bank and shouted for us to pull in.</p> + +<p>I suddenly realized why a dog wags his tail at a stranger. But the +feeling I had was bigger than that. This mounted man became at once <a name="Page_140" id="Page_140"></a>for +me the incarnation of the meaning of bacon!</p> + +<p>When two parties meet and each wants what the other can give, it doesn't +take long to get acquainted. The rider was a youth of about seventeen. +One glance at his face told you the story of his rearing. He was +unmistakably city-bred, and his hands showed that his life had begun too +easy for his own good.</p> + +<p>"From the East?" he questioned joyously. "Say, you know little old New +York, don't you? When were you there last?"</p> + +<p>The lad was hungry, but not for bacon. Alas! Our hunger was the +healthier one! We talked of New York. "Mother's in Paris," he +volunteered, "and Dad's in New York meeting her bills. But the Old Man's +got a grouch at me, and so he sent me 'way out here in this God-forsaken +country! Say, what did they make this country for? Got any tailor-made +cigarettes about you? How did Broadway look when you were there last? +Lights all there yet at night? I've been here two years—it seems like +two hundred! Talk about Robinson Crusoe! Say, I've got him distanced!"</p> + +<p>I helped him build up a momentary Broadway <a name="Page_141" id="Page_141"></a>there in the wilderness—the +lights, the din, the hurrying, jostling theater crowds, the cafés, +faces, faces—anguished faces, eager faces, weary faces, painted faces, +squalor, brilliance. For me the memory of it only made me feel the pity +of it all. But the lad's eyes beamed. He was homesick for Broadway.</p> + +<p>I changed the subject from prose to poetry; that is, from Broadway to +bacon.</p> + +<p>"Wait here till I come back," said the lad, mounting. He spurred up a +gulch and disappeared. In an hour he reappeared with a half strip of the +precious stuff. "Take money for it? Not on your life!" he insisted. +"You've been down there, and that goes for a meal ticket with me!"</p> + +<p>Fried bacon! And flapjacks sopped in the grease of it! After all, a +banquet is very much a state of mind.</p> + +<p>When we pulled away, the ostracized New Yorker bade us farewell with a +snatch of a song once more or less popular: "Give my regards to +Broadway!"</p> + +<p>We pushed on vigorously now. The head wind came up. <i>The head wind</i>! It +seemed one of the eternal things. We paddled and cordelled valiantly, +discussing Milk River the while. We <a name="Page_142" id="Page_142"></a>had grown very credulous on that +subject. Somehow or other an unlimited supply of gasoline was all the +engine needed for the complete restoration of its health; and Milk River +stood for gasoline in liberal quantities. Hope is generally represented +by the poets as a thing winged and ethereal; nevertheless it can be fed +on bacon.</p> + +<p>The next morning we arrived at the mouth of what we took to be Hell +Creek, which flows (when it has any water in it!) out of the Bad Lands. +It didn't take much imagination to name that creek. The whole country +from which it debouches looks like Hell—"with the lights out," as +General Sully once remarked. A country of lifeless hills that had the +appearance of an endless succession of huge black cinder heaps from +prehistoric fires.</p> + +<p>The wind had increased steadily all day, and now we saw ahead of us a +long rolling stretch of wind-lashed river that discouraged us somewhat. +A gray mist rolled with the wind, and dull clouds scudded over. We +pitched camp in a clump of cottonwoods and made flapjacks; after which +the Kid and I, taking our blankets and the rifle, set out to explore +Hell Creek.</p> + +<div class="figcenter" style="width: 500px;"> +<a name="image29" id="image29"></a> +<a href="images/img29-full.jpg"><img src="images/img29.jpg" width="500" height="313" alt="Reveille!" title="Reveille!" /></a> +<span class="caption">Reveille!</span> +</div> + +<div class="figcenter" style="width: 500px;"> +<a name="image30" id="image30"></a> +<a href="images/img30-full.jpg"><img src="images/img30.jpg" width="500" height="310" alt="The Pen and Key Ranch." title="The Pen and Key Ranch." /></a> +<span class="caption">The Pen and Key Ranch.</span> +</div> + +<p>The windings of the ravine soon hid us from <a name="Page_142-f" id="Page_142-f"></a> +<a name="Page_143-f" id="Page_143-f"></a><a name="Page_143" id="Page_143"></a>the river, and we found +ourselves in a melancholy world, without life and without any human +significance. It was very easy to imagine one's self lost amid the drear +ashen craters of the moon. We pushed on up the creek, kicking up clouds +of alkali dust as we went. A creek of a burnt-out hell it was, to be +sure. It seemed almost blasphemous to call this arid gully a creek. Boys +swim in creeks, and fishes twinkle over the shallows where the sweet +eager waters make a merry sound. Creek, indeed! Did a cynic name this +dry ragged gash in the midst of a bleak black world where nothing lived, +where never laughter sounded?</p> + +<p>A seething, fiery ooze might have flowed there once, but surely never +did water make music there.</p> + +<p>We pushed on five or six miles, and the evening shade began to press in +about us. At last we issued forth into a flat basin, surrounded by the +weird hills—a grotesque, wind-carved amphitheater, admirably suited for +a witches' orgy. Some bleached bison heads with horns lay scattered +about the place, and a cluster of soapweeds grew there—God knows how! +They thrust their sere yellow sword-blades skyward with the pitiful +<a name="Page_144" id="Page_144"></a>defiance of desperate things. It seemed natural enough that something +should be dead in this sepulcher; but the living weeds, fighting +bitterly for life, seemed out of place.</p> + +<p>I looked about and thought of Poe. Surely just beyond those summits +where the melancholy sky touched the melancholy hills, one would come +upon the "dank tarn of Auber" and the "ghoul-haunted woodland of Weir."</p> + +<p>We gathered a quantity of the dry sword-bladed soapweeds, and with one +of the blankets made a lean-to shelter against the steep hillside. The +place was becoming eerie in the gray evening that spread slowly over the +dead land. The mist driven by the moaning wind became a melancholy +drizzle. We dragged the soapweeds under cover and lit a fire with +difficulty. It was a half-hearted, smudgy, cheerless fire.</p> + +<p>And then the night fell—tremendous, overpowering night! The Kid and I, +huddled close in one blanket, thrust our heads out from under the +shelter and watched the ghastly world leap by fits out of the dark, when +the sheet lightning flared through the drizzle. It gave one an odd +shivery feeling. It was as though one groped about a strange dark room +and saw, for a brief <a name="Page_145" id="Page_145"></a>moment in the spurting glow of a wind-blown +sulphur match, the staring face of a dead man. Over us the great wind +groaned. Water dripped through the blanket—like tears. We scraped the +last damp ends of the weeds together that the fire might live a little +longer. Byron's poem came back to me with a new force; and lying on my +stomach in the cheerless drip before a drowning fire, I chanted snatches +of it aloud to the Kid and to that sinister personality that was the +Night.</p> + +<div class="poem"><div class="stanza"> +<span class="i2">I had a dream which was not all a dream;<br /></span> +<span class="i0">The bright sun was extinguished, and the stars<br /></span> +<span class="i4">Did wander darkling in eternal space,<br /></span> +<span class="i4">Rayless and pathless; and the icy earth<br /></span> +<span class="i0">Swung blind and blackening in the moonless air.<br /></span> +</div></div> + +<p>Low thunder shook the ink-sopped night—I thought of it as the Spirit of +Byron applauding his own terrific lines.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">A fearful hope was all the world contained;<br /></span> +<span class="i0">Forests were set on fire—but hour by hour<br /></span> +<span class="i0">They fell and faded—and the crackling trunks<br /></span> +<span class="i0">Extinguished with a crash—and all was black.<br /></span> +</div></div> + +<p>Out in the wind-voiced darkness, swept by spasmodic deluges of rapid +flame and muffled thunder, it seemed I could hear the dream-forests <a name="Page_146" id="Page_146"></a>of +the moody Master crackling and booming in the gloom.</p> + +<div class="poem"><div class="stanza"> +<span class="i1">—looked up<br /></span> +<span class="i0">With mad disquietude on the dull sky,<br /></span> +<span class="i0">The pall of a past world.<br /></span> +</div></div> + +<p>"Say, how long is that piece?" asked the Kid.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">And vipers crawled<br /></span> +<span class="i0">And twined themselves among the multitude,<br /></span> +<span class="i0">Hissing—<br /></span> +</div></div> + +<p>We wondered if there might not be some rattlesnakes in that vicinity.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">—They raked up<br /></span> +<span class="i0">And, shivering, scraped with their cold skeleton hands<br /></span> +<span class="i0">The feeble ashes, and their feeble breath<br /></span> +<span class="i0">Blew for a little life, and made a flame<br /></span> +<span class="i0">Which was a mockery; then they lifted up<br /></span> +<span class="i0">Their eyes as it grew brighter, and beheld<br /></span> +<span class="i0">Each other's aspects—saw and shrieked and died—<br /></span> +</div></div> + +<p>"Cut that out!" said the Kid.</p> + +<p>"Why?" I asked.</p> + +<p>"Because," said the Kid.</p> + +<p>But what are Bad Lands for? I had hoped to chant a bit of James Thomson, +the younger, also, there in that "dreadful night." I never was in a +place where it seemed to fit so well.</p> + +<p>But we huddled up in our blanket under the <a name="Page_147" id="Page_147"></a>dripping shelter, and that +was a long night. The soppy gray morning came at length. A midsummer +morning after a night of rain—and yet, no bird, no hopeful greenery, no +sense of the upward yearning Earth-Soul!</p> + +<p>When we sighted the Missouri River again, the sun had broken through +upon the greengirt, glinting stream. It seemed like Paradise.</p> + +<p>By almost continuous travel we reached Lismus Ferry on the second +morning from Hell Creek. The ferryman had a bit of information for us. +We would find nothing at the mouth of Milk River but a sandbar, he +advised us. But he had some ointment to apply to the wound thus +inflicted, in that Glasgow, a town on the Great Northern, was only +twenty-five miles inland. The weekly stage had left on the morning +before; but the ferryman understood that the trail was not overcrowded +with pedestrians.</p> + +<p>It was a smarting ointment to apply to so fresh a wound; but we took the +medicine. Frank, Charley, and I set out at once for Glasgow, leaving the +others at camp to repair the leaking boat during our absence. The stage +trail led through an arid, undulating prairie of yellow buffalo grass. +There were creek beds, but they were filled with <a name="Page_148" id="Page_148"></a>dust at this season of +the year. The Englishman set the pace with the stride of the +long-legged. The sun rose high; the dry runs reminded us unpleasantly of +our increasing thirst, and the puffing wind blew hot as from a distant +prairie fire.</p> + +<p>I followed at the Englishman's heels, and by and by it began to occur to +me that he could walk rather rapidly. The Frenchman trailed after at a +steadily increasing distance, until finally I could no longer hear his +forceful remarks (uttered in two languages) concerning a certain corn +which he possessed. We had been cramped up in a boat for several weeks, +and the frequent soakings in the cold water had done little good to our +joints. None of us was fit for walking. I kept back a limp until the +Englishman ahead of me began to step with a little jerking of the knees; +and then with an almost vicious delight, I gave over and limped. I never +knew before the great luxury of limping. We covered the distance in +something less than six hours.</p> + +<p>The next morning, in a drizzling rain, each packing a five-gallon can of +gasoline and some provisions, we set out for the Ferry; and it was a +sorry, bedraggled trio that limped up to camp <a name="Page_149" id="Page_149"></a>eight hours later. We did +little more than creep the last five miles. And all for a spiteful +little engine that might prove ungrateful in the end!</p> + +<p>It rained all night—a cold, insistent downpour. Our log fire was +drowned out; the tent dripped steadily; our blankets got soppy; and +three of us were so stiff that the least movement gave keen pain.</p> + +<p>Soppy dawn—wet wood—bad grub for breakfast—and bad humor concealed +with difficulty; but through it all ran a faint note of victory at the +thought of the gasoline, and the way that engine would go! We lay in +camp all day—soppy, sore—waiting for the rain to let up. By way of +cheering up I read <i>L'Assomoir</i>; and a grim graveyard substitute for +cheer it was. But the next day broke with a windy, golden dawn. We +filled the tank, packed the luggage and lo! the engine worked! It took +all the soreness out of our legs to see it go.</p> + +<p>We rejoiced now in the heavy and steadily increasing head wind; for it +was like conquering an old enemy to go crashing through the rolling +water that had for so many days given us pitiless battle.</p> + +<p>For five or six miles we plunged on down the <a name="Page_150" id="Page_150"></a>wind-tumbled river. There +was a distinct change in the temper of the crew. A vote at that time +would have been unanimous for finishing at New Orleans.</p> + +<p><i>Squash!</i></p> + +<p>The engine stopped; the <i>Atom</i> swung round in the trough of the waves, +and the tow-skiff rammed us, trying to climb over our gunwale. We +wallowed in the wash of a bar, and cranked by turns. At the end of an +hour no illusions were left us. Holding an inquest over the engine, we +pronounced it dead.</p> + +<p>In the drear fag end of the windy day, soaked from much wading and weary +of paddling with little headway, we made camp in a clump of scarlet +bull-berry bushes; and by the evening fire two talked of railroad +stations, one talked of home, and I thought of that one of the "soldiers +three" who "swore quietly into the sky."</p> + +<p>The Milk River illusion was lost. Two hundred miles below was the mouth +of the Yellowstone—the first station in the long journey. A few days +back we had longed for gasoline; but there was no one to sell. Now we +had fifteen gallons to sell—and there was no one to buy. The hope +without the gasoline was decidedly bet<a name="Page_151" id="Page_151"></a>ter than the gasoline without the +hope. Whereat the philosopher in me emerges to remark—but who cares? +Philosophy proceeds backward, and points out errors of thought and +action chiefly when it has become too late to mend them. But it is +possible to be poor in the possession of erstwhile prospective wealth, +and rich in retrospective poverty. Oh, blessed is he who is negatively +rich!</p> + +<p>Being a bit stunned by the death of the hope conceived in weariness, we +did not put off that night, but huddled up in our blankets close to the +log fire; for this midsummer night had in it a tang of frost.</p> + +<p>Day came—cloudy and cold—blown over the wilderness by a wind that made +the cottonwoods above us groan and pop. The waves were higher than we +had seen them before. We had little heart for cordelling, and no +paddling could make headway against that gale. It was Sunday. Everything +was damp and chilly. Shivers ran up our backs while we toasted our feet +and faces; and the wind-whipped smoke had a way of blowing in every +direction at once. Charley struggled with the engine, which now and then +made a few revolutions—backwards—by way of leading him <a name="Page_152" id="Page_152"></a>on. He heaped +big curses upon it, and it replied periodically with snorts of rage.</p> + +<p>Bad blood developed, and mutiny ensued, which once gave promise of +pirate-story developments—fortunately warded off. Before the day was +done, it was made plain that the Kid and I would travel alone from the +mouth of the Yellowstone. "For," said the Kid with certain virile +decorations of speech, "I'm going with you if we have to buy skates!"</p> + +<p>The wind fell at sunset. A chill, moonless, starry night lured me, and I +decided to travel. The mutineers, eager to reach a railroad as soon as +possible, agreed to go. The skiff led and the <i>Atom</i> followed with +paddles. A mile or so below we ran into shallows and grounded. We waded +far around in the cold water that chilled us to the marrow, but could +find neither entrance nor outlet to the pocket in which we found +ourselves. Wading ashore, we made a cheerless camp in the brush, leaving +the boats stuck in the shallows. For the first time, the division in the +camp was well marked. The Kid and I instinctively made our bed together +under one blanket, and the others bunked apart. We had become the main +party of the expedition; the others were now <a name="Page_153" id="Page_153"></a>merely enforced camp +followers. It was funny in an unpleasant way.</p> + +<p>In the morning a sea of stiff fog hid our boats. Packing the camp stuff +on our backs, we waded about and found the crafts.</p> + +<p>At last, after a number of cheerless days and nights of continuous +travel, the great, open, rolling prairies ahead of us indicated our +approach toward the end of the journey's first stage. The country began +to look like North Dakota, though we were still nearly two hundred miles +away. The monotony of the landscape was depressing. It seemed a thousand +miles to the sunrise. The horizon was merely a blue haze—and the +endless land was sere. The river ran for days with a succession of +regularly occurring right-angled bends to the north and east. Each +headland shot out in the same way, with, it seemed, the same snags in +the water under it, and the same cottonwoods growing on it; and opposite +each headland was the same stony bluff, wind- and water-carved in the +same way: until at last we cried out against the tediousness of the +oft-repeated story, wondering whether or not we were continually passing +the same point, and somehow slipping back to pass it again.</p><p><a name="Page_154" id="Page_154"></a></p> + +<p>But at last we reached Wolf Point—the first town in five hundred miles. +We had seen no town since we left Benton. An odd little burlesque of a +town it was; but walking up its main street we felt very metropolitan +after weeks on those lonesome river stretches.</p> + +<p>Five Assiniboine Indian girls seemed to be the only women in the town. I +coaxed them to stand for a photograph on the incontestable grounds that +they were by far the prettiest women I had seen for many days! The +effect of my generous praise is fixed forever on the pictured faces +presented herewith.</p> + +<p>Here, during the day, Frank and Charley disposed of their skiff and we +saw them no more. We pushed on with little mourning. But in a spirit of +fairness, let me record that Charley's biscuits were marvels, and that +Frank's <i>gâteaux à la chansonnette</i> were things of beauty and therefore +joys forever.</p> + +<div class="figcenter" style="width: 290px;"> +<a name="image31" id="image31"></a> +<a href="images/img31-full.jpg"><img src="images/img31.jpg" width="290" height="400" alt="Assiniboine Indian Chief." title="Assiniboine Indian Chief." /></a> +<span class="caption">Assiniboine Indian Chief.</span> +</div> + +<div class="figcenter" style="width: 500px;"> +<a name="image32" id="image32"></a> +<a href="images/img32-full.jpg"><img src="images/img32.jpg" width="500" height="327" alt="Assiniboine Indian Camp." title="Assiniboine Indian Camp." /></a> +<span class="caption">Assiniboine Indian Camp.</span> +</div> + +<p>The days that followed were long and hard; and half the chilly nights +were spent in drying ourselves before a roaring fire. There were more +mosquitoes now. They began to torture us at about five o'clock in the +afternoon, and left off only when the cold of night came, relieving us +<a name="Page_154-f" id="Page_154-f"></a><a name="Page_155-f" id="Page_155-f"></a> +<a name="Page_155" id="Page_155"></a>of one discomfort by the substitution of another. Bill, of whom I had +come to think as the expatriated turnip, gave me an opportunity to study +homesickness—at once pitiful and ludicrous in a man with abundant +whiskers. But he pulled strenuously at the forward paddle, every stroke +as he remarked often, taking him closer to home.</p> + +<p>The river had fallen alarmingly, and was still falling. Several times we +were obliged to unload the entire cargo, piling it high in the shallow +water, that we might be able to carry the empty boat to the channel.</p> + +<p>One evening we came upon a typical Montana ranch—the Pen and Key. The +residence, barns, sheds, fences were built of logs. The great rolling +country about it was thickly dotted with horses and cattle. The place +looked like home. It was a sight from Pisgah—a glimpse of a Promised +Land after the Wilderness. We pulled in, intending to buy some +provisions for the last stage of the journey to the Yellowstone.</p> + +<p>I went up to the main ranch-house, and was met at the door by one of +those blessed creatures that have "mother" written all over them. Hers +were not the eyes of a stranger. She looked at me as she must look at +one of her sons when <a name="Page_156" id="Page_156"></a>he returns from an extended absence. I told at +once the purpose of my errand, explaining briefly what we were doing on +the river. Why, yes, certainly we could have provisions. But we weren't +going any farther that night—were we? The rancher appeared at this +moment—a retired major of the army, who looked the part—and decided +that we would stay for supper. How many were there in our party? Three? +"Three more plates," he said to the daughters of the house, busy about +the kitchen.</p> + +<p>Let's be frank! It really required no persuasion at all to make a guest +of me. Had I allowed myself adequate expression of my delight, I should +have startled the good mother by turning a somersault or a series of +cartwheels! Oh, the smell of an old-fashioned wholesome meal in process +of development!</p> + +<p>A short while back I sang the praises of the feast in the open—the +feast of your own kill, tanged with the wood smoke. And even here I +cling to the statement that of all meals, the feast of wild meat in the +wilderness takes precedence. But the supper we ate that evening takes +close second. Welcome on every face!—the sort of welcome that the most +lavish tips could not <a name="Page_157" id="Page_157"></a>buy. And after the dishes were cleared away, they +brought out a phonograph, and we all sat round like one family, swapping +information and yarns even up, while the music went on. When we left +next morning at sunrise, it seemed that we were leaving home—and the +river reaches looked a bit dismal all that day.</p> + +<p>Having once been a vagabond in a non-professional way, I have a theory +about the physiognomy of houses. Some have a forbidding, +sick-the-dog-on-you aspect about them, not at all due, I am sure, to +architectural design. Experience has taught me to be suspicious of such +houses. Some houses have the appearance of death—their windows strike +you as eyeless sockets, the doors look like mouths that cannot speak. +The great houses along Fifth Avenue seemed like that to me. I could walk +past them in the night and feel like a ghost. I have seen cottages that +I wanted to kneel to; and I'm sure this feeling wasn't due to the vine +growing over the porch or the roses nodding in the yard. Knock at the +door of such a house, and the chances are in favor of your being met by +a quiet, motherly woman—one who will instantly make you think of your +own mother. Some very well constructed <a name="Page_158" id="Page_158"></a>houses look surly, and some +shabby ones look kind, somehow. If you have ever been a book agent or a +tramp, how you will revel in this seeming digression! God grant that no +man in need may ever look wistfully at your house or at mine, and pass +on with a shake of the head. It is a subtle compliment to have book +agents and tramps frequently at one's door.</p> + +<p>Am I really digressing? My theme is a trip on a great river. Well, +kindness and nature are not so far apart, let us believe.</p> + +<p>Now this ranch-house looked hospitable; there was no mistaking it. +Wherefore I deduce that the spirit of the inhabitants must pierce +through and emanate from the senseless walls like an effluvium. Who +knows but that every house has its telltale aura, plain to a vision of +sufficient spiritual keenness? Perhaps some one will some day write a +book <i>On the Physio-Psychological Aspect of Houses</i>: and there will be +an advance sale of at least one copy on that book.</p> + +<p>At noon on the fourth day from the Pen and Key Ranch, we pulled up at +the Mondak landing two miles above the mouth of the Yellowstone. We were +thoroughly soaked, having dragged the boat the last two or three miles +through the <a name="Page_159" id="Page_159"></a>shallows and intermittent deeps of an inside channel. The +outer channel was rolling viciously in that eternal thing, the head +wind. We had covered the first six hundred miles with a power boat +(called so, doubtless, because it required so much power to shove it +along!) in a little less than four weeks. During that time we had +received no mail, and I was making a break for the post-office, oozing +and feeling like an animated sponge, when a great wind-like voice roared +above me: "<i>Hey there</i>!"</p> + +<p>I looked up to the hurricane deck of a steamer that lay at the bank +taking on freight. A large elderly man, dressed like a farmer, with an +exaggerated straw hat shading a face that gripped my attention at once, +was looking down at me. It was the face of a born commander; it struck +me that I should like to have it cast in bronze to look at whenever a +vacillating mood might seize me.</p> + +<p>"<i>Come aboard</i>!" bawled the man under the ample hat. There was nothing +in the world just then that I wished for more than my mail; but somehow +I felt the will to obey—even the necessity of obeying.</p> + +<p>"You came from Benton?" he asked, when I <a name="Page_160" id="Page_160"></a>had clambered up the forward +companionway and stood dripping before the captain of the steamer +<i>Expansion</i>. At this closer range, the strength of the face was even +more impressive, with its eagle beak and its lines of firmness; but a +light of kindness was shed through it, and the eyes took on a gentle +expression.</p> + +<p>"How did you find the water?"</p> + +<p>"Very low, sir; we cordelled much of the way."</p> + +<p>"I tried to get this boat to Benton," he said, "and got hung up on the +rocks above Lismus Ferry."</p> + +<p>"And we drifted over them helter-skelter at midnight!"</p> + +<p>He smiled, and we were friends. Thus I met Captain Grant Marsh, the +Grand Old Man of the Missouri River. He was freighting supplies up the +Yellowstone for the great Crane Creek irrigation dam, sixty miles above +the mouth. The <i>Expansion</i> was to sail on the following day, and I was +invited to go along. Seeing that the Captain was short of help, I +insisted upon enlisting as a deck hand for the trip.</p> + +<p>It was work. I think I should prefer hod-carrying as a profession, for +we had a heavy cargo, ranging from lumber and tiling to flour <a name="Page_161" id="Page_161"></a>and beer; +and there are no docks on the Yellowstone. The banks were steep, the sun +was very hot, and the cargo had to be landed by man power. My companions +in toil swore bitterly about everything in general and steamboating in +particular.</p> + +<p>"How much are you getting?" asked a young Dane of me, as we trudged up +the plank together.</p> + +<p>"Nothing at all," I said.</p> + +<p>He swore an oath of wonder, and stopped to look me over carefully for +the loose screw in my make-up.</p> + +<p>"—nothing but the fun of it," I added.</p> + +<p>He sniffed and looked bewildered.</p> + +<p>"Did it ever occur to you," said I, "that a man will do for nothing what +he wouldn't do for money?"</p> + +<p>I could see my conundrum playing peek-a-boo all about his stolid +features. After that the Dane treated me with an air of superiority—the +superiority of thirty dollars per month over nothing at all.</p> + +<p>We stopped twice to coal, and worked far into the night. There are no +coal chutes on the Yellowstone. We carried and wheeled the stuff aboard +from a pile on the bank. During a brief <a name="Page_162" id="Page_162"></a>interval of rest, the young +Dane announced to the others that I was working for nothing; whereat +questioning eyes were turned upon me in the dull lantern light. And I +said to myself: I can conceive of heaven only as an improbable condition +in which all men would be willing and able to work for nothing at all. I +had read in the Dane's face the meaning of a price. Heaving coal, I +built Utopias.</p> + +<p>When the boat was under way, I sat in the pilot-house with the Captain, +watching the yellow flood and the yellow cliffs drift past like a +vision. And little by little, this old man who has followed the river +for over sixty years, pieced out the wonderful story of his life—a +story fit for Homer. That story may now be read in a book, so I need not +tell it here. But I came to think of him as the incarnation of the +river's mighty spirit; and I am proud that I served him as a deck hand.</p> + +<p>As we steamed out of the Yellowstone into the clear waters of the +Missouri, the Captain pointed out to me the spot upon which Fort Union +stood. Upon landing, I went there and found two heaps of stone at the +opposite corners of a rectangle traced by a shallow ditch where of old +the walls stood. This was all that remained of the power<a name="Page_163" id="Page_163"></a>ful +fort—virtually the capital of the American Fur Company's Upper Missouri +empire—where Mackenzie ruled—Mackenzie who was called King!</p> + +<p>Long slough grass grew there, and blue waxen flowers struggled up amid +the rubble of what were once defiant bastions. I lay down in the +luxuriant grass, closed my eyes, and longed for a vision of heroic days. +I thought of the Prince who had been entertained there with his great +retinue; of the regality of the haughty Scotchman who ruled there; of +Alexander Harvey, who had killed his enemy on the very spot, doubtless, +where I lay: killed him as an outraged brave man kills—face to face +before the world. I thought of Bourbonais, the golden-haired Paris of +this fallen Ilium. I thought of the plague that raged there in '37, and +of Larpenteur and his friend, grim, jesting carters of the dead!</p> + +<p>It all passed before me—the unwritten Iliad of a stronghold forgotten. +But the vision wouldn't come. The river wind moaned through the grasses.</p> + +<p>I looked off a half mile to the modern town of Mondak, and wondered how +many in that town cared about this spot where so much had <a name="Page_164" id="Page_164"></a>happened, and +where the grass grew so very tall now.</p> + +<p>I gathered blue flowers and quoted, with a slight change, the lines of +Stevenson:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">But ah, how deep the grass<br /></span> +<span class="i0">Along the battlefield!<br /></span> +</div></div> + +<p><a name="Page_165" id="Page_165"></a></p> + + + +<hr style="width: 65%;" /> +<p><a name="CHAPTER_VIII" id="CHAPTER_VIII"></a></p> + +<h2 class="sectionhead">CHAPTER VIII</h2> + +<h3 class="chapterhead">DOWN FROM THE YELLOWSTONE</h3> + + +<p><span class="dropcap">T</span>HE geographer tells us that the mouth of the Missouri is about +seventeen miles above St. Louis, and that the mouth of the Yellowstone +is near Buford, North Dakota. It appeared to me that the fact is +inverted. The Missouri's mouth is near Buford, and the Yellowstone +empties directly into the Mississippi!</p> + +<p>I find that I am not alone in this opinion. Father de Smet and other +early travelers felt the truth of it; and Captain Marsh, who has piloted +river craft through every navigable foot of the entire system of rivers, +having sailed the Missouri within sound of the Falls and the Yellowstone +above Pompey's Pillar, feels that the Yellowstone is the main stem and +the Missouri a tributary.</p> + +<p>Where the two rivers join, even at low water, the Yellowstone pours a +vast turbulent flood, com<a name="Page_166" id="Page_166"></a>pared with which the clear and quieter +Missouri appears an overgrown rain-water creek. The Mississippi after +some miles obliterates all traces of its great western tributary; but +the Missouri at Buford is entirely lost in the Yellowstone within a few +hundred yards. All of the unique characteristics by which the Missouri +River is known are given to it by the Yellowstone—its turbulence, its +tawniness, its feline treachery, its giant caprices.</p> + +<p>Examine closely, and everything will take on before your eyes either +masculine or feminine traits. Gender, in a broad sense, is universal, +and nothing was created neuter. The Upper Missouri is decidedly female: +an Amazon, to be sure, but nevertheless not a man. Beautiful, she is, +alluring or terrible, but always womanlike. But when you strike the +ragged curdling line of muddy water where the Yellowstone comes in, it +is all changed. You feel the sinewy, nervous might of the man.</p> + +<p>So it is, that when you look upon the Missouri at <a name="Kansis" id="Kansis"></a> +<ins class="correction" title="Kansas">Kansis</ins> City, it is the +Yellowstone that you behold!</p> + +<div class="figcenter" style="width: 500px;"> +<a name="image33" id="image33"></a> +<a href="images/img33-full.jpg"><img src="images/img33.jpg" width="500" height="313" alt="On the Hurricane Deck of the "Expansion"; Capt. Marsh +Third from the Left." title="On the Hurricane Deck of the "Expansion"; Capt. Marsh +Third from the Left." /></a> +<span class="caption">On the Hurricane Deck of the "Expansion"; Capt. Marsh +Third from the Left.</span> +</div> + +<table class="images" summary="Images"> +<tr><td> +<div class="figcenter" style="width: 300px;"> +<a name="image34" id="image34"></a> +<a href="images/img34-full.jpg"><img src="images/img34.jpg" width="300" height="195" alt="Fort Union in 1837." title="Fort Union in 1837." /></a> +<span class="caption">Fort Union in</span> 1837. +</div></td> + +<td><div class="figcenter" style="width: 300px;"> +<a name="image35" id="image35"></a> +<a href="images/img35-full.jpg"><img src="images/img35.jpg" width="300" height="192" alt="Site of Old Fort Union." title="Site of Old Fort Union." /></a> +<span class="caption">Site of Old Fort Union.</span> +</div></td> +</tr> +</table> + +<p>But names are idle sounds; and being of a peace-loving disposition, I +would rather withdraw <a name="Page_166-f" id="Page_166-f"></a> +<a name="Page_167-f" id="Page_167-f"></a><a name="Page_167" id="Page_167"></a>my contention than seriously disturb the +geographical <i>status quo</i>! Let it be said that the Upper Missouri is the +mother and the Yellowstone the father of this turbulent Titan, who +inherits his father's might and wonder, and takes through courtesy the +maiden name of his mother. There! I am quite appeased, and the +geographers may retain their nomenclature.</p> + +<p>At Mondak, Luck stood bowing to receive us. The <i>Atom I</i> had suffered +more from contact with snags and rocks than we had supposed. For several +hundred miles her intake of water had steadily increased. We had toiled +at the paddles with the water halfway to our knees much of the time; +though now and then—by spasms—we bailed her dry. She had become a +floating lump of discouragement, and still fourteen hundred miles lay +ahead.</p> + +<p>But on the day previous to our sailing, a nervous little man with a +wistful eye offered us a trade. He had a steel boat, eighteen feet long, +forty inches beam, which he had built in the hours between work and +sleep during the greater part of a year.</p> + +<p>His boat was some miles up the Yellowstone, but he spoke of her in so +artless and loving a <a name="Page_168" id="Page_168"></a>manner—as a true workman might speak—and with +such a wistful eye cast upon our boat, that I believed in him and his +boat. He had no engine. It was the engine in our boat that attracted +him, as he wished to make a hunting trip up river in the fall. He stated +that his boat would float, that it was a dry boat, that it would row +with considerable ease. "Then," said I, "paddle her down to the mouth of +the Yellowstone, and the deal is made." After dark he returned to our +camp with a motor boat, ready to take us to our new craft, <i>Atom II</i>.</p> + +<p>Leaving all our impedimenta to be shipped by rail, that is, Bill, the +tent, extra blankets, phonograph—everything but a few cooking-utensils, +an ax, a tarp, and a pair of blankets—the Kid and I got in with the +little man and dropped down to the Yellowstone. The new boat was moored +under a mud bank. I climbed in, lit a match, and my heart leaped with +joy. She was staunch and beautiful—a work of love, which means a work +of honesty. Fore and aft were air-tight compartments. She had an oil +tank, a water tank, engine housing, steering wheel, lockers. She was +ready for the very engine I had ordered to be shipped to me at Bismarck. +She was dry as a <a name="Page_169" id="Page_169"></a>bone, and broad enough to make a snug bed for two.</p> + +<p>The little man and the motor boat dropped out into the gloom and left us +gloating over our new possession, sending thankful rings of tobacco +smoke at the stars. When the first flush of triumph had passed, we +rolled up in the bottom of the boat, lulled to sleep by the cooing of +the fusing rivers, united under our gunwale. Such a sleep—a <i>dry</i> +sleep! and the sides of the boat protected us against the chill night +wind.</p> + +<p>And the dawn came—shouting merrily like a boy! I once had a chum who +had a habit of whistling me out of bed now and then of a summer morning, +when the birds were just awakening, and the dew looked like frost on the +grass. And the sun that morning made me think of my old boy chum with +his blithe, persistent whistling. For the first hard stage of the +journey was done; all had left me but a brave lad who would take his +share of the hardships with a light heart. (All boys are instinctively +true sportsmen!) And before us lay the great winding stretch of a savage +river that I had loved long—the real Missouri of my boyhood.</p> + +<p>A new spirit had come upon us with the pos<a name="Page_170" id="Page_170"></a>session of the <i>Atom II</i>—the +spirit of the forced march. For nearly a month we had floundered, +trusting to a sick engine and inefficient paddles. Now we had a staunch, +dry boat, and eight-foot oars. We trusted only ourselves, and we were +one in the desire to push the crooked yellow miles behind us. During the +entire fourteen hundred miles that desire increased, until our progress +was little more than a retreat. We pitched no camps; we halted only when +we could proceed no further owing to sandbars encountered in the dark; +we ate as we found it convenient to do so. Regularly relieving each +other at the oars, one sat at the steering wheel, feeling for the +channel. And it was not long until I began to note a remarkable change +in the muscles of the Kid, for we toiled naked to the waist most of the +time. His muscles had shown little more than a girl's when we first swam +together at Benton. Now they began to stand out, clearly defined, those +of his chest sprawling rigidly downward to the lean ribs, and little +eloquent knots developed on the bronzed surface of his once smooth arms. +He was at the age of change, and he was growing into a man before my +eyes. It was good to see.</p> + +<p>All the first day the gods breathed gently upon <a name="Page_171" id="Page_171"></a>us, and we made fifty +miles, passing Trenton and Williston before dark. But the following day, +our old enemy, the head wind, came with the dawn. We were now sailing a +river more than twice the size of the Upper Missouri, and the waves were +in proportion. Each at an oar, with the steering wheel lashed, we forged +on slowly but steadily. In midstream we found it impossible to control +the boat, and though we hugged the shore whenever possible, we were +obliged to cross with the channel at every bend. When the waves caught +us broadside, we were treated to many a compulsory bath, and our clothes +were thoroughly washed without being removed. An ordinary skiff would +have capsized early in the day, but the <i>Atom II</i> could carry a full +cargo of water and still float.</p> + +<p>By sunset the wind fell, the river smoothed as a wrinkled brow at the +touch of peace. Aided by a fair current, we <a name="skulled" id="skulled"></a> +<ins class="correction" title="sculled">skulled</ins> along in the hush of +evening through a land of vast green pastures with "cattle upon a +thousand hills." The great wind had spread the heavens with ever +deepening clouds. The last reflected light of the sun fell red upon the +burnished surface of the water. It seemed we were sailing a river of +liquefied red <a name="Page_172" id="Page_172"></a>flame; only for a short distance about us was the water +of that peculiar Missouri hue which makes one think of bad coffee +colored with condensed milk.</p> + +<p>Slowly the colors changed, until we were in the midst of a stream of +iridescent opal fires; and quite lost in the gorgeous spectacle, at +length we found ourselves upon a bar.</p> + +<p>We got out and waded around in water scarcely to our ankles, feeling for +a channel. The sand was hard; the bar seemed to extend across the entire +river; but a thin rippling line some fifty yards ahead told us where it +ended. We found it impossible to push the heavy boat over the shallows. +The clouds were deepening, and the night was coming rapidly. Setting the +Kid to work digging with an oar at the prow, I pushed and wriggled the +stern until I saw galaxies. Thus alternately digging and pushing, we at +last reached navigable depths.</p> + +<p>It was now quiet and dark. Low thunder was rolling, and now and then +vivid flashes of lightning discovered the moaning river to us—ghastly +and forbidding in the momentary glare. We decided to pull in for the +night; but in what direction should we pull? A drizzling rain had <a name="Page_173" id="Page_173"></a>begun +to fall, and the sheet lightning glaring through it only confused +us—more than the sooty darkness that showered in upon us after the +rapid flashes. We sat still and waited. In the intermittent silences, +the rain hissed on the surface of the river like a shower of innumerable +heated pebbles. Ahead of us we heard the dull booming of the cut banks, +as the current undermined ponderous ledges of sand.</p> + +<p>Now, a boat that happens under a falling cut bank, passes at once into +the region of forgotten things. The boat would follow the main current; +the main current flows always under the cut banks. How long would it +take us to get there? Which way should we pull? Put a simpler question: +In which way were we moving? We hadn't the least conception of +direction. For us the night had only one dimension—<i>out</i>!</p> + +<p>Finally a great booming and splashing sounded to our left, and the boat +rocked violently a moment after. We grasped the oars and pulled blindly +in what we supposed to be the opposite direction, only to be met by +another roar of falling sand from that quarter.</p> + +<p>There seemed to be nothing to do but have faith in that divinity which +is said to superintend <a name="Page_174" id="Page_174"></a>the goings and coming of fools and drunkards. +Therefore we abandoned the oars, twiddled our thumbs, and let her drift. +We couldn't even smoke, for the rain was now coming down merrily. The +Kid thought it a great lark, and laughed boisterously at our +predicament. By flashes I saw the drenched grin under his dripping nose. +But for me, some lines written by that sinister genius, Wainwright, came +back with a new force, and clamored to be spoken:</p> + +<p><i>"Darkness—sooty, portentous darkness—shrouds the whole scene; as if +through a horrid rift in a murky ceiling, a rainy deluge—'sleety flaw, +discolored water'—streams down amain, spreading a grisly spectral +light, even more horrible than that palpable night."</i></p> + +<p>At length the sensation of sudden stopping dizzied us momentarily. We +thrust out an oar and felt a slowly sloping bar. Driving the oar +half-way into the soft sand, we wrapped the boat's chain about it and +went to bed, flinging the tarp over us.</p> + +<p>A raw dawn wind sprinkled a cheerless morning over us, and we got up +with our joints grinding rustily. We were in the midst of a desolate +waste of sand and water. The bar upon which we had <a name="Page_175" id="Page_175"></a>lodged was utterly +bare. Drinking a can of condensed milk between us, we pushed on.</p> + +<p>That day we found ourselves in the country of red barns. It was like +warming cold hands before an open grate to look upon them. At noon we +saw the first wheat-field of the trip—an undulating golden flood, +dimpled with the tripping feet of the wind. These were two joys—quite +enough for one day. But in the afternoon the third came—the first +golden-rod. My first impulse was to take off my hat to it, offer it my +hand.</p> + +<p>That evening we pulled up to a great bank, black-veined with outcrops of +coal, and cooked supper over a civilized fire. For many miles along the +river in North Dakota, as well as along the Yellowstone in Montana, +these coal outcrops are in evidence. Doubtless, within another +generation, vast mining operations will be opened up in these +localities. Coal barges will be loaded at the mines and dropped down +stream to the nearest railroad point.</p> + +<p>We were in the midst of an idyllic country—green, sloping, lawn-like +pastures, dotted sparsely with grotesque scrub oaks. Far over these the +distant hills lifted in filmy blue. The bluffs along <a name="Page_176" id="Page_176"></a>the water's edge +were streaked with black and red and yellow, their colors deepened by +the recent rains. Lazy with a liberal supper, we drifted idly and gave +ourselves over for a few minutes to the spell of this twilight +dreamland. I stared hard upon this scene that would have delighted +Theocritus; and with little effort, I placed a half-naked shepherd boy +under the umbrella top of that scrub oak away up yonder on the lawny +slope. With his knees huddled to his chin, I saw him, his fresh cheeks +bulged with the breath of music. I heard his pipe—clear, +dream-softened—the silent music of my own heart. Dream flocks sprawled +tinkling up the hills.</p> + +<p>With a wild burst of scarlet, the sunset flashed out. Black clouds +darkened the visible idyll. A chill gust swept across the stream, +showering rain and darkness. Each at an oar, we forged on, until we lost +the channel in the gloom. At the first peep of day we were off again, +after a breakfast of pancakes, bacon, and coffee.</p> + +<p>We were gradually becoming accustomed to the strain of constant rowing. +For at least sixteen hours a day we fought the wind, during which time +the oars were constantly dipping; and very often our day lengthened out +to twenty hours.<a name="Page_177" id="Page_177"></a> We had no time-piece, and a night of drifting was +divided into two watches. These watches we determined either by the +dropping of a star toward the horizon, or by the position of the moon +when it shone. On dark nights, the sleeper trusted to the judgment of +his friend to call when the watch seemed sufficiently long. Daily the +water fell, and every inch of fall increased the difficulty of +traveling.</p> + +<p>We were now passing through the country of the Mandans, Gros Ventres, +and Ricarees, the country through which old Hugh Glass crawled his +hundred miles with only hate to sustain him. To the west lay the barren +lands of the Little Missouri, through which Sully pushed with his +military expedition against the Sioux on the Yellowstone. An army flung +boldly through a dead land—a land without forage, and waterless—a +labyrinth of dry ravines and ghastly hills! Sully called it "hell with +the lights out." A magnificent, Quixotic expedition that succeeded! I +compared it with the ancient expeditions—and I felt the eagle's wings +strain within me. <i>Sully!</i> There were trumpets and purple banners for me +in the sound of the name!</p> + +<p>Late in the evening we reached the mouth of <a name="Page_178" id="Page_178"></a>the Little Missouri. There +we found one of the few remaining mud lodges of the ancient type. We +landed and found ourselves in the midst of a forsaken little frontier +town. A shambling shack bore the legend, "Store," with the "S" looking +backward—perhaps toward dead municipal hopes. A few tumble-down frame +and log shanties sprawled up the desultory grass-grown main street, at +one end of which dwelt a Mandan Indian family in the mud lodge.</p> + +<p>A dozen curs from the lodge resented our intrusion with canine +vituperation. I thrust my head into the log-cased entrance of the +circular house of mud, and was greeted with a sound of scolding in the +Mandan jargon, delivered by a squaw of at least eighty years. She arose +from the fire that burned in the center of the great circular room, and +approached me with an "I-want-your-scalp" expression. One of her +daughters, a girl dressed in a caricature of the white girl's garments, +said to me: "She wants to know what you've got to trade." To this old +woman of the prairie, all white men were traders.</p> + +<p>"I want to buy," I said, "eggs, meat, bread, anything to eat."</p> + +<table class="images" summary="Images"> +<tr><td valign="top"> +<div class="figcenter" style="width: 300px;"> +<a name="image36" id="image36"></a> +<a href="images/img36-full.jpg"><img src="images/img36.jpg" width="300" height="186" alt="Boats Laid Up for the Winter at Washburn, N.D." title="Boats Laid Up for the Winter at Washburn, N.D." /></a> +<span class="caption">Boats Laid Up for the Winter at Washburn, N.D.</span> +</div></td> + +<td valign="top"><div class="figcenter" style="width: 300px;"> +<a name="image37" id="image37"></a> +<a href="images/img37-full.jpg"><img src="images/img37.jpg" width="300" height="188" alt="Washburn, N.D." title="Washburn, N.D." /></a> +<span class="caption">Washburn, N.D.</span> +</div></td> +</tr> +</table> + +<div class="figcenter" style="width: 500px;"> +<a name="image38" id="image38"></a> +<a href="images/img38-full.jpg"><img src="images/img38.jpg" width="500" height="295" alt="The Landing at Bismarck, N.D." title="The Landing at Bismarck, N.D." /></a> +<span class="caption">The Landing at Bismarck, N.D.</span> +</div> + +<p>The old woman looked me over with a whimper <a name="Page_178-f" id="Page_178-f"></a> +<a name="Page_179-f" id="Page_179-f"></a><a name="Page_179" id="Page_179"></a>of amused superiority, +and disappeared, soon reappearing with a dark brown object not wholly +unlike a loaf of bread. "Wahtoo," she remarked, pointing to the dark +brown substance.</p> + +<p>I gave her a half-dollar. Very quietly she took it and went back to her +fire. "But," said I, "do you sell your bread for fifty cents per loaf?"</p> + +<p>The girl giggled, and the old woman gave me another piece of her Mandan +mind. She had no change, it appeared. I then insisted upon taking the +balance in eggs. The old woman said she had no eggs. I pointed to a +flock of hens that was holding a sort of woman's club convention in the +yard, discussing the esthetics of egg-laying, doubtless, while +neglecting their nests.</p> + +<p>The old lady arose majestically, disappeared again, and reappeared with +three eggs. I protested. The Mandan lady forthwith explained (or at +least it appeared so to me) all the execrable points in my character. +They seemed to be numerous, and she appeared to be very frank about the +matter. My moral condition, apparently, was clearly defined in her own +mind. I withdrew in haste, fearing that the daughter at any moment might +begin to translate.</p> + +<p>We dropped down river a few miles, prepared <a name="Page_180" id="Page_180"></a>supper, and attacked the +dark brown substance which the Indian lady had called "wahtoo." At the +first bite, I began to learn the Mandan tongue. I swallowed a chunk +whole, and then enlightened the Kid as to a portion of the Mandan +language. "Wahtoo," said I, "means 'indigestible'; it is an evident +fact." Then, being strengthened by our linguistic triumph, we fell upon +the dark brown substance again. But almost anything has its good points; +and I can conscientiously recommend Mandan bread for durability!</p> + +<p>Once more we had a rainy night. The tarp, stretched across the boat, +sagged with the water it caught, and poured little persistent streams +upon us. The chief of these streams, from the point of size, seemed +consciously aiming at my ear. <a name="Thirce" id="Thirce"></a> +<ins class="correction" title="Thrice">Thirce</ins> I turned over, shifted my position; +thrice I was awakened by the sound of a merry brooklet pouring into that +persecuted member.</p> + +<p>Somewhere in the world the white cock was crowing sleepily when we put +off, stiff and soaked and shivering.</p> + +<p>Early in the day the fine sand from banks and bars began to lift in the +wind. It smarted our faces like little whip lashes. Very often we could +see no further than a hundred and fifty yards in <a name="Page_181" id="Page_181"></a>any direction. Only by +a constant, rapid dipping of the oars could the boat be held +perpendicular to the choppy waves. One stroke missed meant hard work for +both of us in getting out of the trough.</p> + +<p>Fighting every foot of water, we wallowed through the swells—past Elbow +Woods, past Fort Berthold, past the forlorn, raggedy little town, +"Expansion." (We rechristened it "Contraction"!)</p> + +<p>During the day the gale swept the sky clear. The evening air was crisp +and invigorating. We cooked supper early and rowed on silently over the +mirroring waters, between two vast sheets of stars, through a semilucent +immensity. Far ahead of us a high cliff loomed black and huge against +the spangled blue-black velvet of the sky. On its summit a dark mass +soared higher. We thought it a tree, but surely a gigantic one. +Approaching it, the soaring mass became a medieval castle sitting +haughtily with frowning crenellations upon an impregnable rock; and the +Missouri became for the moment a larger Rhine. At last, rowing up under +the sheer cliff, the castle resolved itself into a huge grain elevator, +its base a hundred feet above the stream.</p> + +<p><a name="Page_182" id="Page_182"></a></p> + +<p>Although it was late, we tied our boat, clambered up a zigzag path, and +found ourselves in one of the oddest little towns in the +West—Manhaven—one of the few remaining steamboat towns.</p> + +<p>The main street zigzagged carelessly through a jumble of little houses. +One light in all the street designated the social center of the town, so +we went there. It was the grocery store—a general emporium of ideas and +canned goods.</p> + +<p>Entering, we found ourselves in the midst of "the rustic cackle of the +burg." I am sure the municipal convention was verbally reconstructing +the universe; but upon our entrance, the matter was abruptly laid on the +table. When we withdrew, the entire convention, including the +grocery-man, adjourned, and accompanied us to the river where the +general merits of our boat were thoroughly discussed by lantern light. +Also, various conflicting versions of the distance to Bismarck were +given—each party being certain of his own infallibility.</p> + +<p>There is something curious about the average man's conception of +distance. During the entire trip we found no two men who agreed on this +general subject. After acquiring a book of river <a name="Page_183" id="Page_183"></a>distances, we created +much amusement for ourselves by asking questions. The conversation very +often proceeded in this manner:</p> + +<p>"Will you please tell us how far it is to So-and-So?"</p> + +<p>"One hundred and fifty-two and a half miles!" (with an air of absolute +certainty).</p> + +<p>"But you are slightly mistaken, sir; the exact distance is sixty-two and +seven-tenths miles!" (Consternation on the face of the omniscient +informant.)</p> + +<p>Once a man told us that a certain town was one hundred and fifty miles +down stream. We reached the town in an hour and a half!</p> + +<p>However, we had more success with the Indian. One day we came upon an +old Mandan buck and squaw, who were taking a bath in the river, +doubtless feeling convinced that they needed it. The current took us +within fifty yards of them. Upon our approach, they got out of the water +and sat in the sand quite as nude and unashamed as our first parents +before the apple ripened.</p> + +<p>"Bismarck—how far?" I shouted, standing up in the boat.</p> + +<p>The buck rose in all his unclothed dignity, raised his two hands, shut +and opened them seven <a name="Page_184" id="Page_184"></a>times, after which he lowered one arm, and again +opened and shut a hand. Then with a spear-like thrust of the arm toward +the southeast, he stiffened the index finger in the direction of +Bismarck. He meant "seventy-five miles as the crow flies." As near as I +could figure it out afterward, he was doubtless correct.</p> + +<p>At noon the next day we reached the mouth of the Knife River, near which +stood the Mandan village made famous by Lewis and Clark as their winter +quarters. Fort Clark also stood here. Nothing remains of the Fort but +the name and a few slight indentations in the ground. A modern steamboat +town, Deapolis occupies the site of the old post. Across the river there +are still to be seen the remains of trenches. A farmer pointed them out +to us as all that remains of the winter camp of the great explorers.</p> + +<p>In the late evening we passed Washburn, the "steamboat center" of the +upper river, fifty water miles from Bismarck. It made a very pretty +appearance with its neat houses climbing the hillside. Along the water +front, under the elevators, a half-dozen steamboats of the good +old-fashioned type, lay waiting for their cargoes. Two more boats were +building on the ways.</p> + +<p><a name="Page_185" id="Page_185"></a></p> + +<p>Night caught us some five miles below the town, and, wrapping ourselves +in our blankets, we set to drifting. I went on watch and the Kid rolled +up forward and went to sleep. After sixteen hours of rowing in the wind, +it is a difficult matter to keep awake. The night was very calm; the +quiet waters crooned sleepily about the boat. I set myself the task of +watching the new moon dip toward the dim hills; I intended to keep +myself awake in that manner. The moon seemed to have stuck. Slowly I +passed into an impossible world, in which, with drowsy will, I struggled +against an exasperating moon that had somehow gotten itself tangled in +star-sheen and couldn't go down.</p> + +<p>I awoke with a start. My head was hanging over the gunwale—the dawn was +breaking through the night wall. A chill wind was rolling breakers upon +us, and we were fast upon a bar. I awakened the Kid and we put off. We +had no idea of the distance covered while sleeping. It must have been at +least twenty miles, for, against a heavy wind, we reached Bismarck at +one o'clock.</p> + +<p>We had covered about three hundred and fifty miles in six days, but we +had paid well for every <a name="Page_186" id="Page_186"></a>mile. As we passed under the Bismarck bridge, +we confessed that we were thoroughly fagged. It was the thought of the +engine awaiting us at this town that had kept us from confessing +weariness before.</p> + +<p>I landed and made for the express office three miles away. A half-hour +later I stood, covered with humility and perspiration, in the awful +presence of the expressman, who regarded me with that lofty "God-and-I" +air, characteristic of some emperors and almost all railroad officials. +I stated to the august personage that I was looking for an engine +shipped to me by express.</p> + +<p>It seems that my statement was insulting. The man snarled and shook his +head. I have since thought that he was the owner of the Northern Pacific +system in disguise. I suggested that the personage might look about. The +personage couldn't stoop to that; but a clerk who overheard my insulting +remark (he had not yet become the owner of a vast transportation system) +condescended to make a desultory search. He succeeded in digging up a +spark-coil—and that is all I ever saw of the engine.</p> + +<p>During my waiting at Bismarck, I had a talk with Captain Baker, manager +of the Benton<a name="Page_187" id="Page_187"></a> Packet Line. We agreed in regard to the Government's +neglect of duty toward the country's most important natural +thoroughfare, the Missouri River. About Sioux City, the Government +operates a snag-boat, the <i>Mandan</i>, at an expense ridiculously +disproportionate to its usefulness. The <i>Mandan</i> is little more than an +excursion boat maintained for a few who are paid for indulging in the +excursions. A crew of several hundred men with shovels, picks, and +dynamite, could do more good during one low water season than such boats +could do during their entire existence.</p> + +<p>The value of the great river as an avenue of commerce is steadily +increasing; and those who discourage the idea of "reopening" navigation +of the river, are either railroad men or persons entirely ignorant of +the geography of the Northwest. Captain Marsh would say, "Reopen +navigation? I've sailed the river sixty years, and in that time +navigation has not ceased."</p> + +<p>Rocks could and should be removed from the various rapids, and the banks +at certain points should be protected against further cutting. A natural +canal, extending from New Orleans in the South and Cincinnati in the +East to the<a name="Page_188" id="Page_188"></a> Rockies in the Northwest, is not to be neglected long by an +intelligent Government.</p> + +<p>As a slow freight thoroughfare, this vast natural system of waterways is +unequalled on the globe. Within another generation, doubtless, this +all-but-forgotten fact will be generally rediscovered.</p> + +<p>Having waited four days for the engine, we put off again with oars. It +was near sundown when we started, hungry for those thousand miles that +remained. When we had pulled in to the landing at Bismarck, we were like +boxers who stagger to their corners all but whipped. But we had +breathed, and were ready for another round. A kind of impersonal anger +at the failure of another hope nerved us; and this new fighting spirit +was like another man at the oars. Many of the hard days that followed +left on our memories little more than the impress of a troubled dream. +We developed a sort of contempt for our old enemy, the head wind—that +tireless, intangible giant that lashed us with whips of sand, drove us +into shallows, set its mighty shoulders against our prow, roared with +laughter at us when, soaked and weary, we walked and pushed our boat for +miles at a time. The quitter <a name="Page_189" id="Page_189"></a>that is in all men more or less, often +whispered to us when we were weariest: "Why not take the train? What is +it all for?" Well, what is life for? We were expressing ourselves out +there on the windy river. The wind said we couldn't and our muscles said +we shouldn't, and the snag-boat captain had said we couldn't get +down—so we went on. We were now in full retreat—retreat from the +possibility of quitting.</p> + +<p>During the first night out, an odd circumstance befell us that, for some +hours, seemed likely to lose us our boat. As usual, we set to drifting +at dark. The moon, close on its half, was flying, pale and frightened, +through scudding clouds. However, the wind blew high and the surface of +the water was unruffled. There could be nothing more eerie than a night +of drifting on the Missouri, with a ghastly moon dodging in and out +among the clouds. The strange glimmer, peculiar to the surface of the +tawny river at night, gives it a forbidding aspect, and you seem +surrounded by a murmuring immensity.</p> + +<p>We were, presumably, drifting into a great sandy bend, for we heard the +constant booming of falling sand ahead. It was impossible to trace the +channel, so we swung idly about with the <a name="Page_190" id="Page_190"></a>current. Suddenly, we stopped. +Our usual proceeding in such cases was to leap out and push the boat +off. That night, fortunately, we were chilly, and did not fancy a +midnight ducking. Each taking an oar, we thrust at the bar. The oars +went down to the grip in quicksand. Had we leaped out as usual, there +would have been two burials that night without the customary singing.</p> + +<p>We rocked the boat without result. We were trapped; so we smoked awhile, +thought about the matter, and decided to go to bed. In the morning we +would fasten on our cork belts and reach shore—perhaps. Having reached +shore, we would find a stray skiff and go on. But the <i>Atom II</i> seemed +booked for a long wait on that quicksand bar.</p> + +<p>During the night a violent shaking of the boat awakened us. A heavy wind +was blowing, and the prow of the boat was swinging about. It soon +stopped with a chug. We stood up and rocked the boat vigorously. It +broke loose again, and swung half-way around. Continuing this for a +half-hour, we finally drifted into deep water.</p> + +<p>The next day we passed Cannon Ball River, and reached Standing Rock +Agency in the late evening. Sitting Bull is buried there. After a late +supper, we went in search of his grave. We found <a name="Page_191" id="Page_191"></a>it after much lighting +of matches at headstones, in a weed-grown corner of the Agency +burying-ground. A slab of wood, painted white, bears the following +inscription in black: "In Memory of Sitting Bull. Died Dec. 15, 1890."</p> + +<p>Perched upon the ill-kept grave, we smoked for an hour under the flying +moon. A dog howled somewhere off in the gloomy waste.</p> + +<p>That night the Erinnyes, in the form of a swarm of mosquitoes, attacked +us lying in our boat. The weary Kid rolled and swore till dawn, when a +light wind sprang up <i>astern</i>. We hoisted our sail, and for one whole +day cruised merrily, making sixty miles by sunset. This took us to the +town of Mobridge.</p> + +<p>I was charmed with the novelty of driving our old enemy in harness. So, +letting the Kid go to sleep forward under the sail, I cruised on into +the night. The wind had fallen somewhat, but it kept the canvas filled. +The crooning of the water, the rustling of the sail, the thin voices of +bugs on shore, and the guttural song of the frogs, shocking the general +quiet—these sounds only intensified the weird calm of the night. The +sky was cloudless, and the moon shone so brightly that I wrote my day's +notes by its glow.</p> + +<p><a name="Page_192" id="Page_192"></a></p> + +<p>The winking lights of Mobridge slowly dropped astern and faded into the +glimmering mist.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">Lonely seamen all the night<br /></span> +<span class="i0">Sail astonished amid stars.<br /></span> +</div></div> + +<p>The remembered lines gave me the divine itch for quoting verses. I did +so, until the poor tired Kid swore drowsily in his sleep under the mast. +The air was of that invigorating coolness that makes you think of cider +in its sociable stage of incipient snappiness. Sleepy dogs bayed far +away. Lone trees approached me, the motion seeming to belong to them +rather than to me, and drifted slowly past—austere spectral figures. +Somewhere about midnight I fell asleep and was awakened by a flapping +sail and a groaning mast, to find myself sprawling over the wheel. The +wind had changed; it was once more blowing up-stream, and a drizzling +rain was driving through the gloom. During my sleep the boat had gone +ashore. I moored her to a drift log, lowered sail, flung a tarp over us, +and went to sleep again. And the morning came—blanketed with gray +oozing fog. The greater part of that day we rowed on in the rain without +a covering. In the evening we reached Forest City, an odd little old +town, <a name="Page_192-f" id="Page_192-f"></a><a name="Page_193-f" id="Page_193-f"></a> +<a name="Page_193" id="Page_193"></a>looking wistfully across stream at the youthful red and white +government buildings of the Cheyenne Agency.</p> + +<div class="figcenter" style="width: 500px;"> +<a name="image39" id="image39"></a> +<a href="images/img39-full.jpg"><img src="images/img39.jpg" width="500" height="298" alt="The Yankton Landing in the Old Days." title="The Yankton Landing in the Old Days." /></a> +<span class="caption">The Yankton Landing in the Old Days.</span> +</div> + +<div class="figcenter" style="width: 500px;"> +<a name="image40" id="image40"></a> +<a href="images/img40-full.jpg"><img src="images/img40.jpg" width="500" height="292" alt=""Atom II" Landing at Sioux City." title=""Atom II" Landing at Sioux City." /></a> +<span class="caption">"Atom II" Landing at Sioux City.</span> +</div> + +<p>Despite its name, this town is utterly treeless! I once knew a +particularly awkward, homely, and freckled young lady named "Lily." The +circumstance always seemed grimly humorous to me, and I remembered it as +we strolled through the town that couldn't live up to its name.</p> + +<p>We were ravenously hungry, and as soon as possible we got our feet under +the table of the town's dingy restaurant. A long, lean man came to take +our orders. He was a walking picture of that condition known to patent +medicine as "before taking." I looked for the fat, cheerful person who +should illustrate the effect of eating at that place, but in vain. When +the lean man reappeared with the two orders carefully tucked away in the +palms of his bony hands, I thought I grasped the etiology of his +thinness. It was indeed a frugal repast. We took in the situation at a +glance.</p> + +<p>"Please consider us four hearty men, if you will," I said kindly; "and +bring two more meals." The man obeyed. My <i>third</i> order, it seems, met +objections from the cook. The lean man, after a <a name="Page_194" id="Page_194"></a>half audible colloquy +with the presiding spirit of the kitchen, reported with a whipped +expression that the house was "all out of grub." I regretted the matter +very much, as I had looked forward to a long, unbroken series of meals +that evening.</p> + +<p>Setting out at moonrise, just after sunset, we reached Pascal Island, +fifteen miles below, before sleep came upon us in a manner not to be +resisted. All night coyotes yelped from the hilltops about us, +recounting their immemorial sorrows to the wandering moon.</p> + +<p>At sunset of the fifth day from Bismarck, we pulled in at Pierre. +Although I had never been there before, Carthage was not more hospitable +to storm-tossed Æneas than Pierre to the weather-beaten crew of the +<i>Atom</i>. At a reception given us by Mr. Doane Robinson, secretary of the +State Historical Society, I felt again the warmth of the great heart of +the West.</p> + +<p>During the first night out of Pierre, the Kid, having stood his watch, +called me at about one o'clock. The moon was sailing high. I grasped the +oars and fell to rowing with a resolute swing, meaning, in the shortest +possible time, to wear off the disagreeable stupor incident to arising +at that time of night. I had been rowing for some <a name="Page_195" id="Page_195"></a>time when I noted a +tree on the bank near which the current ran. Still drowsy, I turned my +head away and pulled with a will. After another spell of energetic +rowing, I looked astern, expecting to see that tree at least a mile +behind. There was no tree in sight, and yet I could see in that +direction with sufficient clearness to discern the bulk of a tree if any +were there.</p> + +<p>"I am rowing to beat the devil!" thought I; "that tree is away around +the bend already!" So I increased the speed and length of my stroke, and +began to come out of my stupor. Some time later, I happened to look +behind me. <i>The tree in question was about three hundred yards ahead of +the boat!</i> I had been rowing up-stream for at least a half-hour in a +strenuous race with that tree! The Kid, aroused by my laughter, asked +sleepily what in thunder tickled me. I told him I had merely thought of +a funny story; whereat he mumbled some <a name="unintelligble" id="unintelligble"></a> +<ins class="correction" title="unintelligible">unintelligble</ins> anathema, and +lapsed again into a snoring state. But I claim the distinction of being +the only man on record who ever raced a half-hour with a tree, and +finished three city blocks to the bad!</p> + +<p>The next day we rounded the great loop, in which the river makes a +detour of thirty miles.<a name="Page_196" id="Page_196"></a> Having rowed the greater part of the day, we +found ourselves in the evening only two or three miles from a point we +had reached in the morning.</p> + +<p>In a drizzling rain we passed Brule Agency. In the evening, soppy and +chilled, we were pulling past a tumble-down shanty built under the +bluffs, when a man stepped from the door and hailed us. We pulled in. +"You fellers looks like you needed a drink of booze," said the man as we +stepped ashore. "Well, I got it for sale, and it ain't no harm to +advertise!"</p> + +<p>This strenuous liquor merchant bore about him all the wretched marks of +the stuff he sold.</p> + +<p>"Have your wife cook us two meals," said I, "and I'll deal with you."</p> + +<p>"Jump in my boat," said he. I got in his skiff, wondering what his whim +might mean. After several strokes of the oars, he pulled a flask from +his pocket, took my coin and rowed back to shore. "Government license," +he explained; "got to sell thirty feet from the bank." "Poor old +Government," thought I; "they beat you wherever they deal with you!"</p> + +<p>We went up to the wretched shanty, built of driftwood, and entered. The +interior was a mêlée of washtubs, rickety chairs, babies, and flies. The +<a name="Page_197" id="Page_197"></a>woman of the house hung out a ragged smile upon her puckered mouth, +etched at the lips with many thin lines of worry, and aped hospitality +in a manner at once pathetic and ridiculous. A little girl, who looked +fifty or five, according to how you observed her, dexterously dodged the +drip from the cracks in the roof, as she backed away into a corner, from +whence she regarded us with eyes already saddened with the ache of life.</p> + +<p>After many days and nights in the great open, fraternizing with the +stars and the moon and the sun and the river, it gave me a heartache to +have the old bitter human fact thrust upon me again. "What is there left +here to live for?" thought I. And just then I noted, hanging on the wall +where the water did not drip, a neatly framed marriage certificate. This +was the one attempt at decoration.</p> + +<p>It was the household's 'scutcheon of respectability. This woman, even in +her degradation, true to the noblest instinct of her sex, clung to this +holy record of a faded glory.</p> + +<p>Two days later, pushing on in the starlit night, we heard ahead the +sullen boom of waters in turmoil. For a half-hour, as we proceeded, the +sound increased, until it seemed close under our <a name="Page_198" id="Page_198"></a>prow. We knew there +was no cataract in the entire lower portion of the river; and yet, only +from a waterfall had I ever heard a sound like that. We pulled for the +shore, and went to bed with the sinister booming under our bow.</p> + +<p>Waking in the gray dawn, we found ourselves at the mouth of the Niobrara +River. Though a small stream compared with the Missouri, so great is its +speed, and so tremendous the impact of its flood, that the mightier, but +less impetuous Missouri is driven back a quarter of a mile.</p> + +<p>Reaching Springfield—twelve miles below—before breakfast, in the +evening we lifted Yankton out of a cloud of flying sand. The next day +Vermilion and Elk Point dropped behind; and then, thirty miles of the +two thousand remained.</p> + +<p>In the weird hour just before the first faint streak of dawn grows out +of dark, we were making coffee—the last outdoor coffee of the year. Oh, +the ambrosial stuff!</p> + +<p>We were under way when the stars paled. At sunrise the smoke of Sioux +City was waving huge ragged arms of welcome out of the southeast. At +noon we landed. We had rowed fourteen hundred miles against almost +continual head winds in a month, and we had finished our two thousand +<a name="Page_199" id="Page_199"></a>miles in two months. It was hard work. And <span class="nowrap">yet——</span></p> + +<p>The clang of the trolleys, the rumble of the drays, the rushing of the +people!</p> + +<p>I prefer the drifting of the stars, the wandering of the moon, the +coming and going of the sun, the crooning of the river, the shout of the +big, manly, devil-may-care winds, the boom of the diving beaver in the +night.</p> + +<p>I never felt at home in a town. Up river when the night dropped over me, +somehow I always felt comfortably, kindly housed. Towns, after all, are +machines to facilitate getting psychically lost.</p> + +<p>When I started for the head of navigation a friend asked me what I +expected to find on the trip. "Some more of myself," I answered.</p> + +<p>And, after all, that is the Great Discovery.</p> + +<hr style="width: 65%;" /> + +<p><a name="Note" id="Note"></a>Transcriber's Note:</p> + +<p>The original text has a number of typographical errors and spelling +inconsistencies, which have been maintained in this text. The following +list details these errors:</p> + +<table style="width: 100%;" summary="Typographical Errors"> +<tr><td valign="bottom">Original<br /> +Page No.</td> <td valign="bottom">Typographical error</td></tr> +<tr><td> 4</td> <td><a href="#marvelled">marvelled</a> for marveled</td></tr> +<tr><td> 8</td> <td><a href="#tighen">tighen</a> for tighten</td></tr> +<tr><td> 9</td> <td><a href="#Danubes">Danube's</a> for Danubes</td></tr> +<tr><td> 14</td> <td>"... <a href="#that">to me that Theseus.</a> ..." "that" should read "than"</td></tr> +<tr><td> 24</td> <td><a href="#pealing">pealing</a> for peeling</td></tr> +<tr><td> 32</td> <td><a href="#terriffic1">terriffic</a> for terrific</td></tr> +<tr><td> 47</td> <td><a href="#lamp">lamp</a> for lamb</td></tr> +<tr><td> 60</td> <td><a href="#egshell">egshell</a> for eggshell<br /> + <a href="#terriffic2">terriffic</a> for terrific</td></tr> +<tr><td> 61</td> <td><a href="#inded">inded</a> for indeed</td></tr> +<tr><td> 66</td> <td><a href="#ride">ride</a> for pride</td></tr> +<tr><td> 70</td> <td><a href="#voluntered">voluntered</a> for volunteered</td></tr> +<tr><td> 78</td> <td><a href="#sad">sad</a> for said</td></tr> +<tr><td> 92</td> <td><a href="#intelligble">intelligble</a> for intelligible</td></tr> +<tr><td>109</td> <td><a href="#gunwhale">gunwhale</a> for gunwale</td></tr> +<tr><td>119</td> <td><a href="#of">"I was tired cranking."</a> for "I was tired of cranking."</td></tr> +<tr><td>131</td> <td><a href="#tenson">tenson</a> for tension</td></tr> +<tr><td>166</td> <td><a href="#Kansis">Kansis</a> for Kansas</td></tr> +<tr><td>171</td> <td><a href="#skulled">skulled</a> for sculled</td></tr> +<tr><td>180</td> <td><a href="#Thirce">Thirce</a> for Thrice</td></tr> +<tr><td>195</td> <td><a href="#unintelligble">unintelligble</a> for unintelligible</td></tr> +</table> + + +<p>Inconsistent spellings</p> + +<p>cross-cut / crosscut<br /> +Encleadus / Enceladus<br /> +færie / faërie<br /> +half-way / halfway<br /> +Hole-in-the-Wall / Hole-in-the-wall<br /> +log-book / logbook<br /> +mid-stream / midstream<br /> +sand-bar / sandbar<br /> +"Texas" / Texas<br /> +wind-like / windlike</p> + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The River and I, by John G. Neihardt + +*** END OF THIS PROJECT GUTENBERG EBOOK THE RIVER AND I *** + +***** This file should be named 16793-h.htm or 16793-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/7/9/16793/ + +Produced by Audrey Longhurst, Julia Miller and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/16793-h/images/img01-full.jpg b/16793-h/images/img01-full.jpg Binary files differnew file mode 100644 index 0000000..5aa296a --- /dev/null +++ b/16793-h/images/img01-full.jpg diff --git a/16793-h/images/img01.jpg b/16793-h/images/img01.jpg Binary files differnew file mode 100644 index 0000000..2522b70 --- /dev/null +++ b/16793-h/images/img01.jpg diff --git a/16793-h/images/img02-full.jpg b/16793-h/images/img02-full.jpg Binary files differnew file mode 100644 index 0000000..06d66f1 --- /dev/null +++ b/16793-h/images/img02-full.jpg diff --git a/16793-h/images/img02.jpg b/16793-h/images/img02.jpg Binary files differnew file mode 100644 index 0000000..c16c65f --- /dev/null +++ b/16793-h/images/img02.jpg diff --git a/16793-h/images/img03-full.jpg b/16793-h/images/img03-full.jpg Binary files differnew file mode 100644 index 0000000..53be176 --- /dev/null +++ b/16793-h/images/img03-full.jpg diff --git a/16793-h/images/img03.jpg b/16793-h/images/img03.jpg Binary files differnew file mode 100644 index 0000000..53d6e3a --- /dev/null +++ b/16793-h/images/img03.jpg diff --git a/16793-h/images/img04-full.jpg b/16793-h/images/img04-full.jpg Binary files differnew file mode 100644 index 0000000..49867a4 --- /dev/null +++ b/16793-h/images/img04-full.jpg diff --git a/16793-h/images/img04.jpg b/16793-h/images/img04.jpg Binary files differnew file mode 100644 index 0000000..1d42846 --- /dev/null +++ b/16793-h/images/img04.jpg diff --git a/16793-h/images/img05-full.jpg b/16793-h/images/img05-full.jpg Binary files differnew file mode 100644 index 0000000..b1f8256 --- /dev/null +++ b/16793-h/images/img05-full.jpg diff --git a/16793-h/images/img05.jpg b/16793-h/images/img05.jpg Binary files differnew file mode 100644 index 0000000..2e21c24 --- /dev/null +++ b/16793-h/images/img05.jpg diff --git a/16793-h/images/img06-full.jpg b/16793-h/images/img06-full.jpg Binary files differnew file mode 100644 index 0000000..21b6179 --- /dev/null +++ b/16793-h/images/img06-full.jpg diff --git a/16793-h/images/img06.jpg b/16793-h/images/img06.jpg Binary files differnew file mode 100644 index 0000000..fd25d0e --- /dev/null +++ b/16793-h/images/img06.jpg diff --git a/16793-h/images/img07-full.jpg b/16793-h/images/img07-full.jpg Binary files differnew file mode 100644 index 0000000..f4cbf0d --- /dev/null +++ b/16793-h/images/img07-full.jpg diff --git a/16793-h/images/img07.jpg b/16793-h/images/img07.jpg Binary files differnew file mode 100644 index 0000000..e460427 --- /dev/null +++ b/16793-h/images/img07.jpg diff --git a/16793-h/images/img08-full.jpg b/16793-h/images/img08-full.jpg Binary files differnew file mode 100644 index 0000000..cd410b1 --- /dev/null +++ b/16793-h/images/img08-full.jpg diff --git a/16793-h/images/img08.jpg b/16793-h/images/img08.jpg Binary files differnew file mode 100644 index 0000000..0aca35c --- /dev/null +++ b/16793-h/images/img08.jpg diff --git a/16793-h/images/img09-full.jpg b/16793-h/images/img09-full.jpg Binary files differnew file mode 100644 index 0000000..732f325 --- /dev/null +++ b/16793-h/images/img09-full.jpg diff --git a/16793-h/images/img09.jpg b/16793-h/images/img09.jpg Binary files differnew file mode 100644 index 0000000..e201f65 --- /dev/null +++ b/16793-h/images/img09.jpg diff --git a/16793-h/images/img10-full.jpg b/16793-h/images/img10-full.jpg Binary files differnew file mode 100644 index 0000000..749b8c1 --- /dev/null +++ b/16793-h/images/img10-full.jpg diff --git a/16793-h/images/img10.jpg b/16793-h/images/img10.jpg Binary files differnew file mode 100644 index 0000000..7cbea20 --- /dev/null +++ b/16793-h/images/img10.jpg diff --git a/16793-h/images/img11-full.jpg b/16793-h/images/img11-full.jpg Binary files differnew file mode 100644 index 0000000..f2fa5cd --- /dev/null +++ b/16793-h/images/img11-full.jpg diff --git a/16793-h/images/img11.jpg b/16793-h/images/img11.jpg Binary files differnew file mode 100644 index 0000000..15b8f10 --- /dev/null +++ b/16793-h/images/img11.jpg diff --git a/16793-h/images/img12-full.jpg b/16793-h/images/img12-full.jpg Binary files differnew file mode 100644 index 0000000..2bf3c84 --- /dev/null +++ b/16793-h/images/img12-full.jpg diff --git a/16793-h/images/img12.jpg b/16793-h/images/img12.jpg Binary files differnew file mode 100644 index 0000000..e1410c0 --- /dev/null +++ b/16793-h/images/img12.jpg diff --git a/16793-h/images/img13-full.jpg b/16793-h/images/img13-full.jpg Binary files differnew file mode 100644 index 0000000..3fa7f26 --- /dev/null +++ b/16793-h/images/img13-full.jpg diff --git a/16793-h/images/img13.jpg b/16793-h/images/img13.jpg Binary files differnew file mode 100644 index 0000000..1bfebf7 --- /dev/null +++ b/16793-h/images/img13.jpg diff --git a/16793-h/images/img14-full.jpg b/16793-h/images/img14-full.jpg Binary files differnew file mode 100644 index 0000000..803c9fa --- /dev/null +++ b/16793-h/images/img14-full.jpg diff --git a/16793-h/images/img14.jpg b/16793-h/images/img14.jpg Binary files differnew file mode 100644 index 0000000..209832c --- /dev/null +++ b/16793-h/images/img14.jpg diff --git a/16793-h/images/img15-full.jpg b/16793-h/images/img15-full.jpg Binary files differnew file mode 100644 index 0000000..45eedfa --- /dev/null +++ b/16793-h/images/img15-full.jpg diff --git a/16793-h/images/img15.jpg b/16793-h/images/img15.jpg Binary files differnew file mode 100644 index 0000000..ea15817 --- /dev/null +++ b/16793-h/images/img15.jpg diff --git a/16793-h/images/img16-full.jpg b/16793-h/images/img16-full.jpg Binary files differnew file mode 100644 index 0000000..efa9e66 --- /dev/null +++ b/16793-h/images/img16-full.jpg diff --git a/16793-h/images/img16.jpg b/16793-h/images/img16.jpg Binary files differnew file mode 100644 index 0000000..9b825b3 --- /dev/null +++ b/16793-h/images/img16.jpg diff --git a/16793-h/images/img17-full.jpg b/16793-h/images/img17-full.jpg Binary files differnew file mode 100644 index 0000000..ad39b71 --- /dev/null +++ b/16793-h/images/img17-full.jpg diff --git a/16793-h/images/img17.jpg b/16793-h/images/img17.jpg Binary files differnew file mode 100644 index 0000000..ea9e923 --- /dev/null +++ b/16793-h/images/img17.jpg diff --git a/16793-h/images/img18-full.jpg b/16793-h/images/img18-full.jpg Binary files differnew file mode 100644 index 0000000..78c77f2 --- /dev/null +++ b/16793-h/images/img18-full.jpg diff --git a/16793-h/images/img18.jpg b/16793-h/images/img18.jpg Binary files differnew file mode 100644 index 0000000..3d9ebb7 --- /dev/null +++ b/16793-h/images/img18.jpg diff --git a/16793-h/images/img19-full.jpg b/16793-h/images/img19-full.jpg Binary files differnew file mode 100644 index 0000000..1683001 --- /dev/null +++ b/16793-h/images/img19-full.jpg diff --git a/16793-h/images/img19.jpg b/16793-h/images/img19.jpg Binary files differnew file mode 100644 index 0000000..f6f0d96 --- /dev/null +++ b/16793-h/images/img19.jpg diff --git a/16793-h/images/img20-full.jpg b/16793-h/images/img20-full.jpg Binary files differnew file mode 100644 index 0000000..8de46b6 --- /dev/null +++ b/16793-h/images/img20-full.jpg diff --git a/16793-h/images/img20.jpg b/16793-h/images/img20.jpg Binary files differnew file mode 100644 index 0000000..b8bb126 --- /dev/null +++ b/16793-h/images/img20.jpg diff --git a/16793-h/images/img21-full.jpg b/16793-h/images/img21-full.jpg Binary files differnew file mode 100644 index 0000000..b1957ef --- /dev/null +++ b/16793-h/images/img21-full.jpg diff --git a/16793-h/images/img21.jpg b/16793-h/images/img21.jpg Binary files differnew file mode 100644 index 0000000..64e80f9 --- /dev/null +++ b/16793-h/images/img21.jpg diff --git a/16793-h/images/img22-full.jpg b/16793-h/images/img22-full.jpg Binary files differnew file mode 100644 index 0000000..6e6043b --- /dev/null +++ b/16793-h/images/img22-full.jpg diff --git a/16793-h/images/img22.jpg b/16793-h/images/img22.jpg Binary files differnew file mode 100644 index 0000000..5df7dfb --- /dev/null +++ b/16793-h/images/img22.jpg diff --git a/16793-h/images/img23-full.jpg b/16793-h/images/img23-full.jpg Binary files differnew file mode 100644 index 0000000..1d5c37d --- /dev/null +++ b/16793-h/images/img23-full.jpg diff --git a/16793-h/images/img23.jpg b/16793-h/images/img23.jpg Binary files differnew file mode 100644 index 0000000..5b4f388 --- /dev/null +++ b/16793-h/images/img23.jpg diff --git a/16793-h/images/img24-full.jpg b/16793-h/images/img24-full.jpg Binary files differnew file mode 100644 index 0000000..6a62902 --- /dev/null +++ b/16793-h/images/img24-full.jpg diff --git a/16793-h/images/img24.jpg b/16793-h/images/img24.jpg Binary files differnew file mode 100644 index 0000000..0584979 --- /dev/null +++ b/16793-h/images/img24.jpg diff --git a/16793-h/images/img25-full.jpg b/16793-h/images/img25-full.jpg Binary files differnew file mode 100644 index 0000000..cb7d000 --- /dev/null +++ b/16793-h/images/img25-full.jpg diff --git a/16793-h/images/img25.jpg b/16793-h/images/img25.jpg Binary files differnew file mode 100644 index 0000000..2532f49 --- /dev/null +++ b/16793-h/images/img25.jpg diff --git a/16793-h/images/img26-full.jpg b/16793-h/images/img26-full.jpg Binary files differnew file mode 100644 index 0000000..8af4b41 --- /dev/null +++ b/16793-h/images/img26-full.jpg diff --git a/16793-h/images/img26.jpg b/16793-h/images/img26.jpg Binary files differnew file mode 100644 index 0000000..7ffa212 --- /dev/null +++ b/16793-h/images/img26.jpg diff --git a/16793-h/images/img27-full.jpg b/16793-h/images/img27-full.jpg Binary files differnew file mode 100644 index 0000000..94d6b12 --- /dev/null +++ b/16793-h/images/img27-full.jpg diff --git a/16793-h/images/img27.jpg b/16793-h/images/img27.jpg Binary files differnew file mode 100644 index 0000000..7ba8cda --- /dev/null +++ b/16793-h/images/img27.jpg diff --git a/16793-h/images/img28-full.jpg b/16793-h/images/img28-full.jpg Binary files differnew file mode 100644 index 0000000..fae4472 --- /dev/null +++ b/16793-h/images/img28-full.jpg diff --git a/16793-h/images/img28.jpg b/16793-h/images/img28.jpg Binary files differnew file mode 100644 index 0000000..e90daca --- /dev/null +++ b/16793-h/images/img28.jpg diff --git a/16793-h/images/img29-full.jpg b/16793-h/images/img29-full.jpg Binary files differnew file mode 100644 index 0000000..ab1fc60 --- /dev/null +++ b/16793-h/images/img29-full.jpg diff --git a/16793-h/images/img29.jpg b/16793-h/images/img29.jpg Binary files differnew file mode 100644 index 0000000..67c0397 --- /dev/null +++ b/16793-h/images/img29.jpg diff --git a/16793-h/images/img30-full.jpg b/16793-h/images/img30-full.jpg Binary files differnew file mode 100644 index 0000000..76d382f --- /dev/null +++ b/16793-h/images/img30-full.jpg diff --git a/16793-h/images/img30.jpg b/16793-h/images/img30.jpg Binary files differnew file mode 100644 index 0000000..282397a --- /dev/null +++ b/16793-h/images/img30.jpg diff --git a/16793-h/images/img31-full.jpg b/16793-h/images/img31-full.jpg Binary files differnew file mode 100644 index 0000000..b47a9cc --- /dev/null +++ b/16793-h/images/img31-full.jpg diff --git a/16793-h/images/img31.jpg b/16793-h/images/img31.jpg Binary files differnew file mode 100644 index 0000000..61f5a7f --- /dev/null +++ b/16793-h/images/img31.jpg diff --git a/16793-h/images/img32-full.jpg b/16793-h/images/img32-full.jpg Binary files differnew file mode 100644 index 0000000..a227f46 --- /dev/null +++ b/16793-h/images/img32-full.jpg diff --git a/16793-h/images/img32.jpg b/16793-h/images/img32.jpg Binary files differnew file mode 100644 index 0000000..5095714 --- /dev/null +++ b/16793-h/images/img32.jpg diff --git a/16793-h/images/img33-full.jpg b/16793-h/images/img33-full.jpg Binary files differnew file mode 100644 index 0000000..3f1e608 --- /dev/null +++ b/16793-h/images/img33-full.jpg diff --git a/16793-h/images/img33.jpg b/16793-h/images/img33.jpg Binary files differnew file mode 100644 index 0000000..73def86 --- /dev/null +++ b/16793-h/images/img33.jpg diff --git a/16793-h/images/img34-full.jpg b/16793-h/images/img34-full.jpg Binary files differnew file mode 100644 index 0000000..e4fa2b2 --- /dev/null +++ b/16793-h/images/img34-full.jpg diff --git a/16793-h/images/img34.jpg b/16793-h/images/img34.jpg Binary files differnew file mode 100644 index 0000000..2320fa1 --- /dev/null +++ b/16793-h/images/img34.jpg diff --git a/16793-h/images/img35-full.jpg b/16793-h/images/img35-full.jpg Binary files differnew file mode 100644 index 0000000..ae0347b --- /dev/null +++ b/16793-h/images/img35-full.jpg diff --git a/16793-h/images/img35.jpg b/16793-h/images/img35.jpg Binary files differnew file mode 100644 index 0000000..ea64fa0 --- /dev/null +++ b/16793-h/images/img35.jpg diff --git a/16793-h/images/img36-full.jpg b/16793-h/images/img36-full.jpg Binary files differnew file mode 100644 index 0000000..acade7a --- /dev/null +++ b/16793-h/images/img36-full.jpg diff --git a/16793-h/images/img36.jpg b/16793-h/images/img36.jpg Binary files differnew file mode 100644 index 0000000..c3daf5b --- /dev/null +++ b/16793-h/images/img36.jpg diff --git a/16793-h/images/img37-full.jpg b/16793-h/images/img37-full.jpg Binary files differnew file mode 100644 index 0000000..88b49c1 --- /dev/null +++ b/16793-h/images/img37-full.jpg diff --git a/16793-h/images/img37.jpg b/16793-h/images/img37.jpg Binary files differnew file mode 100644 index 0000000..d3686bb --- /dev/null +++ b/16793-h/images/img37.jpg diff --git a/16793-h/images/img38-full.jpg b/16793-h/images/img38-full.jpg Binary files differnew file mode 100644 index 0000000..5eaf9bb --- /dev/null +++ b/16793-h/images/img38-full.jpg diff --git a/16793-h/images/img38.jpg b/16793-h/images/img38.jpg Binary files differnew file mode 100644 index 0000000..6a284f1 --- /dev/null +++ b/16793-h/images/img38.jpg diff --git a/16793-h/images/img39-full.jpg b/16793-h/images/img39-full.jpg Binary files differnew file mode 100644 index 0000000..5455819 --- /dev/null +++ b/16793-h/images/img39-full.jpg diff --git a/16793-h/images/img39.jpg b/16793-h/images/img39.jpg Binary files differnew file mode 100644 index 0000000..4f93830 --- /dev/null +++ b/16793-h/images/img39.jpg diff --git a/16793-h/images/img40-full.jpg b/16793-h/images/img40-full.jpg Binary files differnew file mode 100644 index 0000000..ee2fa59 --- /dev/null +++ b/16793-h/images/img40-full.jpg diff --git a/16793-h/images/img40.jpg b/16793-h/images/img40.jpg Binary files differnew file mode 100644 index 0000000..cd3482e --- /dev/null +++ b/16793-h/images/img40.jpg diff --git a/16793.txt b/16793.txt new file mode 100644 index 0000000..68a6e7a --- /dev/null +++ b/16793.txt @@ -0,0 +1,4856 @@ +The Project Gutenberg EBook of The River and I, by John G. Neihardt + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The River and I + +Author: John G. Neihardt + +Release Date: October 3, 2005 [EBook #16793] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE RIVER AND I *** + + + + +Produced by Audrey Longhurst, Julia Miller and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + +Transcriber's Note: Typographical errors and inconsistent spellings +found in the original publication have been maintained in this text. A +list of these is found at the end of the book. + + + + +THE RIVER AND I + + + + +_Other Books by_ +JOHN G. NEIHARDT + +INDIAN TALES AND OTHERS +POETIC VALUES +THE QUEST +THE SONG OF HUGH GLASS +THE SONG OF THE INDIAN WARS +THE SONG OF THREE FRIENDS +THE SPLENDID WAYFARING +TWO MOTHERS +COLLECTED POEMS + + + + +[Illustration: NIGHT IN CAMP.] + + + + + THE + RIVER AND + I + + + + + BY + JOHN G. NEIHARDT + + + + + _Illustrated + New Edition_ + + + + + New York + THE MACMILLAN COMPANY + 1927 + _All rights reserved_ + + + + + COPYRIGHT, 1910, + BY JOHN G. NEIHARDT. + + Set up and electrotyped. +Reissued in new format, October, 1927. + + + +PRINTED IN THE UNITED STATES OF AMERICA + BY THE CORNWALL PRESS + + + + + TO + MY MOTHER + + + + +NOTE + + +The following account of a youthful adventure was written during the +winter of 1908, ran as a serial in _Putnam's Magazine_ the following +year, and appeared as a book in 1910, five years before "The Song of +Hugh Glass," the first piece of my Western Cycle. Many who have cared +for my narrative poems, feeling the relation between those and this +earlier avowal of an old love, have urged that "The River and I" be +reprinted. + +J.G.N. + +St. Louis, 1927. + + + + +CONTENTS + + +CHAPTER PAGE + I. THE RIVER OF AN UNWRITTEN EPIC 1 + + II. SIXTEEN MILES OF AWE 22 + + III. HALF-WAY TO THE MOON 40 + + IV. MAKING A GETAWAY 65 + + V. THROUGH THE REGION OF WEIR 84 + + VI. GETTING DOWN TO BUSINESS 113 + + VII. ON TO THE YELLOWSTONE 137 + +VIII. DOWN FROM THE YELLOWSTONE 165 + + + + +ILLUSTRATIONS + +Night in Camp _Frontispiece_ + FACING PAGE +"Off on the Perilous Floods" 6 +Barriers Formed before Him 7 +The Boats Wrecked in an Ice Gorge 7 +After the Spring Break-Up 18 +"Hole-in-the-Wall" Rock on the Upper Missouri 19 +Palisades of the Upper Missouri 19 +Great Falls from Cliff Above 30 +Great Falls from the Front 31 +"This was Benton" 52 +Ruins of Old Fort Benton 52 +The House of the Bourgeois 53 +A Round-Up Outfit on the March 62 +Joe 62 +Montana Sheep 63 +A Montana Wool-Freighter 63 +The "Atom I" under Construction 74 +The Cable Ferry Towed Us Out 74 +Laid Up with a Broken Rudder 75 +"Atom" Sailing Up-Stream in a Head Wind 86 +Typical Rapids on Upper Missouri 87 +Wolf Point, the First Town in 500 Miles 98 +Entrance to the Bad Lands 99 +Fresh Meat! 110 +Supper! 111 +"Walking" Boats over Shallows 126 +Typical Upper Missouri River Reach 126 +The Mouth of the James 127 +Reveille! 142 +The Pen and Key Ranch 143 +Assiniboine Indian Chief 154 +Assiniboine Indian Camp 155 +On the Hurricane Deck of the "Expansion"; + Capt. Marsh Third from the Left 166 +Fort Union in 1837 167 +Site of Old Fort Union 167 +Boats Laid Up for the Winter at Washburn, N.D. 178 +Washburn, N.D. 178 +The Landing at Bismarck, N.D. 179 +The Yankton Landing in the Old Days 192 +"Atom II" Landing at Sioux City 193 + + + + +THE RIVER AND I + + + + +THE RIVER AND I + + +CHAPTER I + +THE RIVER OF AN UNWRITTEN EPIC + + +It was Carlyle--was it not?--who said that all great works produce an +unpleasant impression on first acquaintance. It is so with the Missouri +River. Carlyle was not, I think, speaking of rivers; but he was speaking +of masterpieces--and so am I. + +It makes little difference to me whether or not an epic goes at a +hexameter gallop through the ages, or whether it chooses to be a flood +of muddy water, ripping out a channel from the mountains to the sea. It +is merely a matter of how the great dynamic force shall express itself. + +I have seen trout streams that I thought were better lyrics than I or +any of my fellows can ever hope to create. I have heard the moaning of +rain winds among mountain pines that struck me as being equal, at least, +to _Adonais_. I have seen the solemn rearing of a mountain peak into the +pale dawn that gave me a deep religious appreciation of my significance +in the Grand Scheme, as though I had heard and understood a parable from +the holy lips of an Avatar. And the vast plains of my native country are +as a mystic scroll unrolled, scrawled with a cabalistic writ of infinite +things. + +In the same sense, I have come to look upon the Missouri as something +more than a stream of muddy water. It gave me my first big boy dreams. +It was my ocean. I remember well the first time I looked upon my +turbulent friend, who has since become as a brother to me. It was from a +bluff at Kansas City. I know I must have been a very little boy, for the +terror I felt made me reach up to the saving forefinger of my father, +lest this insane devil-thing before me should suddenly develop an +unreasoning hunger for little boys. My father seemed as tall as +Alexander--and quite as courageous. He seemed to fear it almost not at +all. And I should have felt little surprise had he taken me in his arms +and stepped easily over that mile or so of liquid madness. He talked +calmly about it--quite calmly. He explained at what angle one should +hold one's body in the current, and how one should conduct one's legs +and arms in the whirlpools, providing one should swim across. + +_Swim across!_ Why, it took a giant even to talk that way! For the +summer had smitten the distant mountains, and the June floods ran. Far +across the yellow swirl that spread out into the wooded bottom-lands, we +watched the demolition of a little town. The siege had reached the +proper stage for a sally, and the attacking forces were howling over the +walls. The sacking was in progress. Shacks, stores, outhouses suddenly +developed a frantic desire to go to St. Louis. It was a weird retreat in +very bad order. A cottage with a garret window that glared like the eye +of a Cyclops, trembled, rocked with the athletic lift of the flood, made +a panicky plunge into a convenient tree; groaned, dodged, and took off +through the brush like a scared cottontail. I felt a boy's pity and +sympathy for those houses that got up and took to their legs across the +yellow waste. It did not seem fair. I have since experienced the same +feeling for a jack-rabbit with the hounds a-yelp at its heels. + +But--to _swim_ this thing! To fight this cruel, invulnerable, resistless +giant that went roaring down the world with a huge uprooted oak tree in +its mouth for a toothpick! This yellow, sinuous beast with hell-broth +slavering from its jaws! This dare-devil boy-god that sauntered along +with a town in its pocket, and a steepled church under its arm for a +moment's toy! Swim _this_? + +For days I marvelled at the magnificence of being a fullgrown man, +unafraid of big rivers. + +But the first sight of the Missouri River was not enough for me. There +was a dreadful fascination about it--the fascination of all huge and +irresistible things. I had caught my first wee glimpse into the +infinite; I was six years old. + +Many a lazy Sunday stroll took us back to the river; and little by +little the dread became less, and the wonder grew--and a little love +crept in. In my boy heart I condoned its treachery and its giant sins. +For, after all, it sinned through excess of strength, not through +weakness. And that is the eternal way of virile things. We watched the +steamboats loading for what seemed to me far distant ports. (How the +world shrinks!) A double stream of "roosters" coming and going at a +dog-trot rushed the freight aboard; and at the foot of the gang-plank +the mate swore masterfully while the perspiration dripped from the point +of his nose. + +And then--the raucous whistles blew. They reminded me of the lions +roaring at the circus. The gang-plank went up, the hawsers went in. The +snub nose of the steamer swung out with a quiet majesty. Now she feels +the urge of the flood, and yields herself to it, already dwindled to +half her size. The pilot turns his wheel--he looks very big and quiet +and masterful up there. The boat veers round; bells jangle. And now the +engine wakens in earnest. She breathes with spurts of vapor! + +Breathed? No, it was sighing; for about it all clung an inexplicable +sadness for me--the sadness that clings about all strong and beautiful +things that must leave their moorings and go very, very far away. (I +have since heard it said that river boats are not beautiful!) My throat +felt as though it had smoke in it. I felt that this queenly thing really +wanted to stay; for far down the muddy swirl where she dwindled, +dwindled, I heard her sobbing hoarsely. + +Off on the perilous flood for "faerie lands forlorn"! It made the world +seem almost empty and very lonesome. + +And then the dog-days came, and I saw my river tawny, sinewy, gaunt--a +half-starved lion. The long dry bars were like the protruding ribs of +the beast when the prey is scarce, and the ropy main current was like +the lean, terrible muscles of its back. + +In the spring it had roared; now it only purred. But all the while I +felt in it a dreadful economy of force, just as I have since felt it in +the presence of a great lean jungle-cat at the zoo. Here was a thing +that crouched and purred--a mewing but terrific thing. Give it an +obstacle to overcome--fling it something to devour; and lo! the crushing +impact of its leap! + +And then again I saw it lying very quietly in the clutch of a bitter +winter--an awful hush upon it, and the white cerement of the snow flung +across its face. And yet, this did not seem like death; for still one +felt in it the subtle influence of a tremendous personality. It slept, +but sleeping it was still a giant. It seemed that at any moment the +sleeper might turn over, toss the white cover aside and, yawning, +saunter down the valley with its thunderous seven-league boots. And +still, back and forth across this heavy sleeper went the pigmy wagons of +the farmers taking corn to market! + +[Illustration: "OFF ON THE PERILOUS FLOODS."] + +[Illustration: BARRIERS FORMED BEFORE HIM.] + +[Illustration: THE BOATS WRECKED IN AN ICE GORGE.] + +But one day in March the far-flung arrows of the geese went over. _Honk! +honk!_ A vague, prophetic sense crept into the world out of +nowhere--part sound, part scent, and yet too vague for either. Sap +seeped from the maples. Weird mist-things went moaning through the +night. And then, for the first time, I saw my big brother win a fight! + +For days, strange premonitory noises had run across the shivering +surface of the ice. Through the foggy nights, a muffled intermittent +booming went on under the wild scurrying stars. Now and then a staccato +crackling ran up the icy reaches of the river, like the sequent +bickering of Krags down a firing line. Long seams opened in the +disturbed surface, and from them came a harsh sibilance as of a line of +cavalry unsheathing sabres. + +But all the while, no show of violence--only the awful quietness with +deluge potential in it. The lion was crouching for the leap. + +Then one day under the warm sun a booming as of distant big guns began. +Faster and louder came the dull shaking thunders, and passed swiftly up +and down, drawling into the distance. Fissures yawned, and the sound of +the grumbling black water beneath came up. Here and there the surface +lifted--bent--broke with shriekings, groanings, thunderings. And +then---- + +The giant turned over, yawned and got to his feet, flinging his arms +about him! Barriers formed before him. Confidently he set his massive +shoulders against them--smashed them into little blocks, and went on +singing, shouting, toward the sea. It was a glorious victory. It made me +very proud of my big brother. And yet all the while I dreaded him--just +as I dread the caged tiger that I long to caress because he is so strong +and so beautiful. + +Since then I have changed somewhat, though I am hardly as tall, and +certainly not so courageous as Alexander. But I have felt the sinews of +the old yellow giant tighen about my naked body. I have been bent upon +his hip. I have presumed to throw against his Titan strength the craft +of man. I have often swum in what seemed liquid madness to my boyhood. +And we have become acquainted through battle. No friends like fair foes +reconciled! + +And I have been panting on his bars, while all about me went the lisping +laughter of my brother. For he has the strength of a god, the headlong +temper of a comet; but along with these he has the glad, mad, +irresponsible spirit of a boy. Thus ever are the epic things. + +The Missouri is unique among rivers. I think God wished to teach the +beauty of a virile soul fighting its way toward peace--and His precept +was the Missouri. To me, the Amazon is a basking alligator; the Tiber is +a dream of dead glory; the Rhine is a fantastic fairy-tale; the Nile a +mummy, periodically resurrected; the Mississippi, a convenient +geographical boundary line; the Hudson, an epicurean philosopher. + +But the Missouri--my brother--is the eternal Fighting Man! + +I love things that yearn toward far seas: the singing Tennysonian brooks +that flow by "Philip's farm" but "go on forever"; the little Ik Walton +rivers, where one may "study to be quiet and go a-fishing"! The +Babylonian streams by which we have all pined in captivity; the +sentimental Danube's which we can never forget because of "that night in +June"; and at a very early age I had already developed a decent respect +for the verbose manner in which the "waters come down at Lodore." + +But the Missouri is more than a sentiment--even more than an epic. It is +the symbol of my own soul, which is, I surmise, not unlike other souls. +In it I see flung before me all the stern world-old struggle become +materialized. Here is the concrete representation of the earnest desire, +the momentarily frustrate purpose, the beating at the bars, the +breathless fighting of the half-whipped but never-to-be-conquered +spirit, the sobbing of the wind-broken runner, the anger, the madness, +the laughter. And in it all the unwearying urge of a purpose, the +unswerving belief in the peace of a far away ocean. + +If in a moment of despair I should reel for a breathing space away from +the fight, with no heart for battle-cries, and with only a desire to +pray, I could do it in no better manner than to lift my arms above the +river and cry out into the big spaces: "You who somehow +understand--behold this river! It expresses what is voiceless in me. It +prays for me!" + +Not only in its physical aspect does the Missouri appeal to the +imagination. From Three Forks to its mouth--a distance of three thousand +miles--this zigzag watercourse is haunted with great memories. Perhaps +never before in the history of the world has a river been the +thoroughfare of a movement so tremendously epic in its human appeal, so +vastly significant in its relation to the development of man. And in the +building of the continent Nature fashioned well the scenery for the +great human story that was to be enacted here in the fullness of years. +She built her stage on a large scale, taking no account of miles; for +the coming actors were to be big men, mighty travelers, intrepid +fighters, laughers at time and space. Plains limited only by the rim of +sky; mountains severe, huge, tragic as fate; deserts for the trying of +strong spirits; grotesque volcanic lands--dead, utterly +ultra-human--where athletic souls might struggle with despair; impetuous +streams with their rapids terrible as Scylla, where men might go down +fighting: thus Nature built the stage and set the scenes. And that the +arrangements might be complete, she left a vast tract unfinished, where +still the building of the world goes on--a place of awe in which to feel +the mighty Doer of Things at work. Indeed, a setting vast and weird +enough for the coming epic. And as the essence of all story is struggle, +tribes of wild fighting men grew up in the land to oppose the coming +masters; and over the limitless wastes swept the blizzards. + +I remember when I first read the words of Vergil beginning _Ubi tot +Simois_, "where the Simois rolls along so many shields and helmets and +strong bodies of brave men snatched beneath its floods." The far-seeing +sadness of the lines thrilled me; for it was not of the little stream of +the _AEneid_ that I thought while the Latin professor quizzed me as to +constructions, but of that great river of my own epic country--the +Missouri. Was I unfair to old Vergil, think you? As for me, I think I +flattered him a bit! And in this modern application, the ancient lines +ring true. For the Missouri from Great Falls to its mouth is one long +grave of men and boats. And such men! + +It is a time-honored habit to look back through the ages for the epic +things. Modern affairs seem a bit commonplace to some of us. A horde of +semi-savages tears down a town in order to avenge the theft of a +faithless wife who was probably no better than she should have been--and +we have the _Iliad_. A petty king sets sail for his native land, somehow +losing himself ten years among the isles of Greece--and we have the +_Odyssey_. (I would back a Missouri River "rat" to make the distance in +a row boat within a few months!) An Argive captain returns home after an +absence of ten years to find his wife interested overmuch in a friend +who went not forth to battle; a wrangle ensues; the tender spouse +finishes her lord with an axe--and you have the _Agamemnon_. (To-day we +should merely have a sensational trial, and hysterical scareheads in the +newspapers.) Such were the ancient stories that move us all--sordid +enough, be sure, when you push them hard for fact. But time and genius +have glorified them. Not the deeds, but Homer and AEschylus and the +hallowing years are great. + +We no longer write epics--we live them. To create an epic, it has been +said somewhere, the poet must write with the belief that the immortal +gods are looking over his shoulder. + +We no longer prostrate ourselves before the immortal gods. We have long +since discovered the divinity within ourselves, and so we have flung +across the continents and the seas the visible epics of will. + +The history of the American fur trade alone makes the Trojan War look +like a Punch and Judy show! and the Missouri River was the path of the +conquerors. We have the facts--but we have not Homer. + +An epic story in its essence is the story of heroic men battling, aided +or frustrated by the superhuman. And in the fur trade era there was no +dearth of battling men, and the elements left no lack of superhuman +obstacles. + +I am more thrilled by the history of the Lewis and Clark expedition than +by the tale of Jason. John Colter, wandering three years in the +wilderness and discovering the Yellowstone Park, is infinitely more +heroic to me that Theseus. Alexander Harvey makes AEneas look like a +degenerate. It was Harvey, you know, who fell out with the powers at +Fort Union, with the result that he was ordered to report at the +American Fur Company's office at St. Louis before he could be reinstated +in the service. This was at Christmas time--Christmas of a Western +winter. The distance was seventeen hundred miles, as the crow flies. +"Give me a dog to carry my blankets," said he, "and by God I'll report +before the ice goes out!" He started afoot through the hostile tribes +and blizzards. He reported at St. Louis early in March, returning to +Union by the first boat out that year. And when he arrived at the Fort, +he called out the man who was responsible for the trouble, and quietly +killed him. That is the stern human stuff with which you build realms. +What could not Homer do with such a man? And when one follows him +through his recorded career, even Achilles seems a bit ladylike beside +him! + +The killing of Carpenter by his treacherous friend, Mike Fink, would +easily make a whole book of hexameters--with a nice assortment of gods +and goddesses thrown in. There was a woman in the case--a half-breed. +Well, this half-breed woman fascinates me quite as much as she whose +face "launched a thousand ships and burnt the topless towers of Ilium"! +In ancient times the immortal gods scourged nations for impieties; and, +as we read, we feel the black shadow of inexorable fate moving through +the terrific gloom of things. But the smallpox scourge that broke out at +Fort Union in 1837, sweeping with desolation through the prairie tribes, +moves me more than the storied catastrophes of old. It was a Reign of +Terror. Even Larpenteur's bald statement of it fills me with the fine +old Greek sense of fate. Men sickened at dawn and were dead at sunset. +Every day a cartload or two of corpses went over the bluff into the +river; and men became reckless. Larpenteur and his friend joked daily +about the carting of the gruesome freight. They felt the irresistible, +and they laughed at it, since struggle was out of the question. Some +drank deeply and indulged in hysterical orgies. Some hollowed out their +own graves and waited patiently beside them for the hidden hand to +strike. At least fifteen thousand died--Audubon says one hundred and +fifty thousand; and the buffalo increased rapidly--because the hunters +were few. + +Would not such a story--here briefly sketched--move old Sophocles? + +The story of the half-breed woman--a giantess--who had a dozen sons, has +about it for me all the glamour of an ancient yarn. The sons were +free-trappers, you know, and, incidentally, thieves and murderers. (I +suspect some of our classic heroes were as much!) But they were +doubtless living up to the light that was in them, and they were game to +the finish. So was the old woman; they called her "the mother of the +devils." Trappers from the various posts organized to hunt them down, +and the mother and the sons barricaded their home. The fight was a hard +one. One by one the "devils" fell fighting about their mother. And then +the besieging party fired the house. With all her sons wounded or dead, +the old woman sallied forth. She fought like a grizzly and went down +like a heroine. + +A sordid, brutal story? Ah, but it was life! Fling about this story of +savage mother-love the glamour of time and genius, and it will move you! + +And the story of old Hugh Glass! Is it not fateful enough to be the +foundation of a tremendous AEschylean drama? A big man he was--old and +bearded. A devil to fight, a giant to endure, and an angel to forgive! +He was in the Leavenworth campaign against the Aricaras, and afterward +he went as a hunter with the Henry expedition. He had a friend--a mere +boy--and these two were very close. One day Glass, who was in advance of +the party, beating up the country for game, fell in with a grizzly; and +when the main party came up, he lay horribly mangled with the bear +standing over him. They killed the bear, but the old man seemed done +for; his face had all the features scraped off, and one of his legs went +wabbly when they lifted him. + +It was merely a matter of one more man being dead, so the expedition +pushed on, leaving the young friend with several others to see the old +man under ground. But the old man was a fighter and refused to die, +though he was unconscious: held on stubbornly for several days, but it +seemed plain enough that he would have to let go soon. So the young +friend and the others left the old man in the wilderness to finish up +the job by himself. They took his weapons and hastened after the main +party, for the country was hostile. + +But one day old Glass woke up and got one of his eyes open. And when he +saw how things stood, he swore to God he would live, merely for the sake +of killing his false friend. He crawled to a spring near by, where he +found a bush of ripe bull-berries. He waited day after day for strength, +and finally started out to _crawl_ a small matter of one hundred miles +to the nearest fort. And he did it, too! Also he found his friend after +much wandering--and forgave him. + +Fancy AEschylus working up that story with the Furies for a chorus and +Nemesis appearing at intervals to nerve the old hero! + +[Illustration: AFTER THE SPRING BREAK-UP.] + +[Illustration: "HOLE-IN-THE-WALL" ON THE UPPER MISSOURI.] + +[Illustration: PALISADES OF THE UPPER MISSOURI.] + +And Rose the Renegade, who became the chief of a powerful tribe of +Indians! And Father de Smet, one of the noblest figures in history, +carrying the gospel into the wilderness! And Le Barge, the famous pilot, +whose biography reads like a romance! In the history of the Missouri +River there were hundreds of these heroes, these builders of the epic +West. Some of them were violent at times; some were good men and some +were bad. But they were masterful always. They met obstacles and +overcame them. They struck their foes in front. They thirsted in +deserts, hungered in the wilderness, froze in the blizzards, died with +the plagues, and were massacred by the savages. Yet they conquered. +Heroes of an unwritten epic! And their pathway to defeat and victory was +the Missouri River. + +If you wish to have your epic spiced with the glamour of kings, the +history of the river will not fail you; for in those days there were +kings as well as giants in the land. Though it was not called such, all +the blank space of the map of the Missouri River country and even to the +Pacific, was one vast empire--the empire of the American Fur Company; +and J.J. Astor in New York spoke the words that filled the wilderness +with deeds. Thus democratic America once beheld within her own confines +the paradox of an empire truly Roman in character. + +Here and there on the banks of the great waterway--an imperial road that +would have delighted Caesar--many forts were built. These were the +ganglia of that tremendous organism of which Astor was the brain. The +bourgeois of one of these posts was virtually proconsul with absolute +power in his territory. Mackenzie at Union--which might be called the +capital of the Upper Missouri country--was called "King of the +Missouri." He had an eye for seeing purple. At one time he ordered a +complete suit of armor from England; and even went so far as to have +medals struck, in true imperial fashion, to be distributed among his +loyal followers. + +Far and wide these Western American kings flung the trappers, their +subjects, into the wilderness. Verily, in the unwritten "Missouriad" +there is no lack of regal glamour. + +The ancients had a way of making vast things small enough to be +familiar. They make gods of the elements, and natural phenomena became +to them the awful acts of the gods. + +These moderns made no gods of the elements--they merely conquered them! +The ancients idealized the material. These moderns materialized the +ideal. The latter method is much more appealing to me--an American--than +the former. I love the ancient stories; but it is for the modern +marvellous facts that I reserve my admiration. + +When one looks upon his own country as from a height of years, old tales +lose something of their wonder for him. It is owing to this attitude +that the prospect of descending the great river in a power canoe from +the head of navigation gave me delight. + +Days and nights filled with the singing and muttering of my big brother! +And I would need only to close my eyes, and all about me would come and +go the ghosts of the mighty doers--who are my kin. Big men, bearded and +powerful, pushing up stream with the cordelle on their shoulders! +Voyageurs chanting at the paddles! Mackinaws descending with precious +freights of furs! Steamboats grunting and snoring up stream! Old forts +sprung up again out of the dusk of things forgotten, with all the old +turbulent life, where in reality to-day the plough of the farmer goes or +the steers browse! Forgotten battles blowing by in the wind! And from a +bluff's summit, here and there, ghostly war parties peering down upon +me--the lesser kin of their old enemies--taking a summer's outing where +of old went forth the fighting men, the builders of the unwritten epic! + + + + +CHAPTER II + +SIXTEEN MILES OF AWE + + +Our party of three left the railroad at Great Falls, a good two-days' +walk up river from Benton, the head of Missouri River navigation, to +which point our boat material had been shipped and our baggage checked. + +A vast sun-burned waste of buffalo-grass, prickly pears, and sagebrush +stretched before us to the north and east; and on the west the filmy +blue contour of the Highwoods Mountains lifted like sun-smitten thunder +clouds in the July swelter. One squinting far look, however, told you +that these were not rain clouds. The very thought of rain came to you +with the vagueness of some birth-surviving memory of a former time. You +looked far up and out to the westward and caught the glint of snow on +the higher peaks. But the sight was unconvincing; it was like a story +told without the "vital impulse." Always had these plains blistered +under this July sun; always had the spots of alkali made the only +whiteness; and the dry harsh snarl and snap of the grasshoppers' wings +had pricked this torrid silence through all eternity. + +A stern and pitiless prospect for the amateur pedestrian, to be sure; +for devotees of the staff and pack have come to associate pedestrianism +with the idyllic, and the idyllic nourishes only in a land of frequent +showers. Theocritus and prickly pears are not compatible. Yet it was not +without a certain thrill of exaltation that we strapped on our packs and +stretched our legs after four days on the dusty plush. + +And though ahead of us lay no shady, amiably crooked country roads and +bosky dells, wherein one might lounge and dawdle over Hazlitt, yet we +knew how crisscross cattle-trails should take us skirting down the +river's sixteen miles of awe. + +Five hundred miles below its source, the falls of the Missouri begin +with a vertical plunge of sixty feet. This is the Black Eagle Falls, +presumably named so by Lewis and Clark and other explorers, because of +the black eagles found there. + +With all due courtesy to my big surly grumbling friend, the Black Eagle +Falls, I must say that I was a bit disappointed in him. Oh! he is quite +magnificent enough, and every inch a Titan, to be sure; but of late +years it seems he has taken up with company rather beneath him. First of +all, he has gone to work in a most plebeian, almost slave-like fashion, +turning wheels and making lights and dragging silly little trolley cars +about a straggling town. Also, he hobnobs continually with a sprawling, +brawling, bad-breathed smelter, as no respectable Titan should do. And +on top of it all--and this was the straw that broke the back of my +sentimental camel--he allows them to maintain a park on the cliffs above +him, where the merest white-skinned, counter-jumping pigmy may come of a +Sunday for his glass of pop and a careless squint at the toiling Titan. +Puny Philistines eating peanuts and watching Samson at his Gaza stunt! I +like it not. Rather would I see the Muse Clio pealing potatoes or +Persephone busy with a banana cart! Encleadus wriggling under a mountain +is well enough; but Enceladus composedly turning a crank for little +men--he seemed too heavy for that light work. + +Leaning on the frame observation platform, I closed my eyes, and in the +dull roar that seemed the voices of countless ages, the park and the +smelter and the silly bustling trolley cars and the ginger-ale and the +peanuts and my physical self--all but my own soul--were swallowed up. I +saw my Titan brother as he was made--four hundred yards of writhing, +liquid sinew, strenuously idle, magnificently worthless, flinging +meaningless thunders over the vast arid plain, splendidly empty under +sun and stars! I saw him as La Verendrye must have seen him--busy only +at the divine business of being a giant. And for a moment behind shut +eyes, it seemed very inconsequential to me that cranks should be turned +and that trolley cars should run up and down precisely in the same +place, never getting anywhere, and that there should be anything in all +that tract but an austere black eagle or two, and my own soul, and my +Titan brother. + +When I looked again, I could half imagine the old turbulent fellow +winking slyly at me and saying in that undertone you hear when you +forget the thunders for a moment: "Don't you worry about me, little man. +It's all a joke, and I don't mind. Only to-morrow and then another +to-morrow, and there won't be any smelters or trolley cars or ginger-ale +or peanuts or sentimentalizing outers like yourself. But I'll be here +howling under sun and stars." + +Whereupon I posed the toiling philosopher before the camera, pressed +the bulb, and descended from the summit of the cliff (as well as from my +point of view) to the trail skirting northward up the river, leaving +Encleadus grumbling at his crank. + +Perhaps, after all, cranks really have to be turned. Still, it seems too +bad, and I have long bewailed it almost as a personal grief, that +utility and ugliness should so often be running mates. + +They tell me that the Matterhorn never did a tap of work; and you +couldn't color one Easter egg with all the gorgeous sunsets of the +world! May we all become, some day, perfectly useless and beautiful! + +At the foot of the first fall, a mammoth spring wells up out of the +rock. Nobody tells you about it; you run across it by chance, and it +interests you much more in that way. It would seem that a spring +throwing out a stream equivalent to a river one hundred yards wide and +two feet deep would deserve a little exploitation. Down East they would +have a great white sprawling hotel built close by it wherein one could +drink spring water (at a quarter the quart), with half a pathology +pasted on the bottle as a label. But nobody seems to care much about so +small an ooze out there: everything else is so big. And so it has +nothing at all to do but go right on being one of the very biggest +springs of all the world. This is really something; and I like it better +than the quarter-per-quart idea. + +In sixteen miles the Missouri River falls four hundred feet. +Incidentally, this stretch of river is said to be capable of producing +the most tremendous water-power in the world. + +After skirting four miles of water that ran like a mill-race, we came +upon the Rainbow Falls, where a thousand feet of river takes a drop of +fifty feet over a precipice regular as a wall of masonry. This was much +more to my liking--a million horse-power or so busy making rainbows! +Bully! + +It was a very hot day and the sun was now high. I sat down to wipe the +sweat out of my eyes. I wished to get acquainted with this weaver of +iridescent nothings who knew so well the divine art of doing nothing at +all and doing it good and hard! After all, it isn't so easy to do +nothing and make it count! + +And in the end, when all broken lights have blended again with the +Source Light, I'm not so sure that rainbows will seem less important +than rows and rows of arc lights and clusters and clusters of +incandescent globes. Are you? I can contract an indefinable sort of +heartache from the blue sputter of a city light that snuffs out moon and +stars for tired scurrying folks: but the opalescent mist-drift of the +Rainbow Falls wove heavens for me in its sheen, and through its +whirlwind rifts and crystal flaws, far reaches opened up with all the +heart's desire at the other end. You shut your eyes with that thunder in +your ears and that gusty mist on your face, and you see it very +plainly--more plainly than ever so many arc lights could make you see +it--the ultimate meaning of things. To be sure, when you open your eyes +again, it's all gone--the storm-flung rainbows seem to hide it again. + +A mile below, we came upon the Crooked Falls of twenty feet. Leaving the +left bank and running almost parallel with it for some three hundred +yards, then turning and making a horseshoe, and returning to the right +bank almost opposite the place of first observation, this fall is nearly +a mile in length, being an unbroken sheet for that distance. This one, +also, does nothing at all, and in a beautifully irregular way. Somehow +it made me think of Walt Whitman! But we left it soon, swinging out +into the open parched country. We knew all this turbulence to be merely +the river's bow before the great stunt. + +As we swung along, kicking up the acrid alkali dust from the +cattle-trail that snaked its way through the cactus and sagebrush, the +roar behind us died; and before us, far away, dull muffled thunders grew +up in the hush of the burning noon. Thunders in a desert, and no cloud! +For an hour we swung along the trail, and ever the thunders +increased--like the undertone of the surf when the sea whitens. We were +approaching the Great Falls of the Missouri. There were no sign posts in +that lonesome tract; no one of whom to ask the way. Little did we need +direction. The voice of thunder crying in the desert led us surely. + +A half-hour more of clambering over shale-strewn gullies, up sun-baked +watercourses, and we found ourselves toiling up the ragged slope of a +bluff; and soon we stood upon a rocky ledge with the thunders beneath +us. Damp gusts beat upward over the blistering scarp of the cliff. I lay +down, and crawling to the edge, looked over. Two hundred feet below +me--straight down as a pebble drops--a watery Inferno raged, and +far-flung whirlwinds all but exhausted with the dizzy upward reach, +whisked cool, invisible mops of mist across my face. + +Flung down a preliminary mile of steep descent, choked in between +soaring walls of rock four hundred yards apart, innumerable crystal tons +rushed down ninety feet in one magnificent plunge. You saw the long bent +crest--shimmering with the changing colors of a peacock's back--smooth +as a lake when all winds sleep; and then the mighty river was snuffed +out in gulfs of angry gray. Capricious river draughts, sucking up the +damp defile, whipped upward into the blistering sunlight gray spiral +towers that leaped into opal fires and dissolved in showers of diamond +and pearl and amethyst. + +[Illustration: GREAT FALLS FROM CLIFF ABOVE.] + +[Illustration: GREAT FALLS FROM THE FRONT.] + +I caught myself tightly gripping the ledge and shrinking with a +shuddering instinctive fear. Then suddenly the thunders seemed to stifle +all memory of sound--and left only the silent universe with myself and +this terribly beautiful thing in the midst of utter emptiness. And I +loved it with a strange, desperate, tigerish love. It expressed itself +so magnificently; and that is really all a man, or a waterfall, or a +mountain, or a flower, or a grasshopper, or a meadow lark, or an ocean, +or a thunderstorm has to do in this world. And it was doing it right +out in the middle of a desert, bleak, sun-leprosied, forbidding, with +only the stars and the moon and the sun and a cliff-swallow or two to +behold. Thundering out its message into the waste places, careless of +audiences--like a Master! Bully, grizzled old Master-Bard singing--as +most of them do--to empty benches! And it had been doing that ten +thousand thousand years, and would do so for ten thousand thousand more, +and never pause for plaudits. I suspect the soul of old Homer did +that--and is still doing it, somehow, somewhere. After all there isn't +much difference between really tremendous things--Homer or waterfalls or +thunderstorms--is there? It's only a matter of how things happen to be +big. + +I was absent-mindedly chasing some big thundering line of Sophocles when +Bill, the little Cornishman, ran in between me and the evasive line: +"Lord! what a waste of power!" + +There is some difference in temperaments. Most men, I fancy, would have +enjoyed a talk with a civil engineer upon that ledge. I should have +liked to have Shelley there, myself! It's the difference between poetry +and horse-power, dithyrambics and dynamos, Keats and Kipling! What is +the energy exerted by the Great Falls of the Missouri? How many +horse-power did Shelley fling into the creation of his _West Wind_? How +many foot-pounds did the boy heart of Chatterton beat before it broke? +Something may be left to the imagination! + +We backtrailed to a point where the cliff fell away into a rock-strewn +incline, and clambered down a break-neck slope to the edge of the +crystal broil. There was a strange exhilaration about it--a novel sense +of discovering a natural wonder for ourselves. We seemed the first men +who had ever been there: that was the most gripping thing about it. + +Aloof, stupendous, terriffic, staggering in the intensity of its wild +beauty, you reach it by a trail. There are no 'busses running and you +can't buy a sandwich or a peanut or a glass of beer within ten miles of +its far-flung thunders. For twentieth century America, that is doing +rather well! + +Skirting the slippery rocks at the lip of the mad flood, we swung +ourselves about a ledge, dripping with the cool mist-drift; descended to +the level of the lower basin, where a soaking fog made us shiver; pushed +through a dripping, oozing, autumnal sort of twilight, and came out +again into the beat of the desert sun, to look squarely into the face of +the giant. + +A hawk wheeled and swooped and floated far up in the dazzling air. +Somehow that hawk seemed to make the lonely place doubly lonely. Did you +ever notice how a lone coyote on a snow-heaped prairie gives you a +heartache, whereas the empty waste would only have exhilarated you? +Always, it seemed, that veering hawk had hung there, and would hang so +always--outliving the rising of suns and the drifting of stars and the +visits of the moon. + +A vague sense of grief came over me at the thought of all this eternal +restlessness, this turbulent fixity; and, after all, it seemed much +greater to be even a very little man, living largely, dying, somehow, +into something big and new; than to be this Promethean sort of thing, a +giant waterfall in a waste. + +I have known men who felt dwarfed in the presence of vast and awful +things. I never felt bigger than when I first looked upon the ocean. The +skyward lift of a mountain peak makes me feel very, very tall. And when +a thunderstorm comes down upon the world out of the northwest, with +jagged blades of fire ripping up the black bellies of the clouds, I know +all about the heart of Attila and the Vikings and tigers and Alexander +the Great! So I think I grew a bit out there talking to that water-giant +who does nothing at all--not even a vaudeville stunt--and does it so +masterfully. + +By and by they'll build a hotel in the flat at the edge of the lower +basin; plant prim flowers in very prim beds; and rob you on the genteel +European plan. Comfortably sitting in a willow chair on the broad +veranda, one will read the signs on those cliffs--all about the best +shoes to wear, and what particular pill of all the pills that be, should +be taken for that ailing kidney. But it will not be I who shall sit in +that willow chair on that broad, as yet unbuilt, veranda. + +The sun was glinting at the rim of the cliffs, and the place of awe and +thunders was slowly filling with shadow. We found a steep trail, +inaccessible for vehicles, leading upward in the direction of Benton. It +was getting that time of day when even a sentimentalist wants a +beefsteak, especially if he has hiked over dusty scorching trails and +scrambled over rocks all day. + +Some kind man back in the town, with a fund of that most useless +article, information, had told us of a place called Goodale, +theoretically existing on the Great Northern Railroad between Great +Falls and Benton. We had provided only for luncheon, trusting to fate +and Goodale for supper. + +Goodale! A truly beautiful name! No doubt in some miraculous way the +character of the country changed suddenly just before you got there +merely to justify the name. Surely no one would have the temerity to +conjure up so beautiful a name for a desert town. Yet, half unwillingly, +I thought of a little place I once visited--against my will, since the +brakeman put me off there--by the name of Forest City. I remembered with +misgivings how there wasn't a tree within something like four hundred +miles. But I pushed that memory aside as a lying prophet. I believed in +Goodale and beefsteak. Goodale would be a neat, quiet little town, set +snugly in a verdant valley. We would come into it by starlight--down a +careless gypsying sort of country road; and there would be the sound of +a dear little trickling bickering cool stream out in the shadows of the +trees fringing the approach to Goodale. And we'd pass pretty little +cottages with vines growing over the doors, and hollyhocks peeping over +the fences, and cheerful lights in the windows. + +Goodale! And then, right in the middle of the town (no, _village_--the +word is cosier somehow)--right in the middle of the village there would +be a big restaurant, with such alluring scents of beefsteak all about +it. + +I set the pace up that trail. It was a swinging, loose, cavalry-horse +sort of pace--the kind that rubs the blue off the distance and paints +the back trail gray. Goodale was a sort of Mecca. I thought of it with +something like a religious awe. How far was Goodale, would you suppose? +Not far, certainly, once we found the railroad. + +We made the last steep climb breathlessly, and came out on the level. A +great, monotonous, heartachy prairie lay before us--utterly featureless +in the twilight. Far off across the scabby land a thin black line swept +out of the dusk into the dusk--straight as a crow's flight. It was the +railroad. We made a cross-cut for it, tumbling over gopher holes, +plunging through sagebrush, scrambling over gullies that told the +incredible tale of torrents having been there once. I ate quantities of +alkali dust and went on believing in Goodale and beefsteak. Beefsteak +became one of the principal stations on the Great Northern Railroad, so +far as I was concerned personally. That is what you might call the +geography of a healthy stomach. + +With the falling of the sun the climate of the country had changed. It +was no longer blistering. You sat down for a moment and a shiver went up +your spine. At noon I thought about all the lime-kilns I had ever met. +Now I could hear the hickory nuts dropping in the crisp silence down in +the old Missouri woods. + +We struck the railroad and went faster. Since my first experience with +railroad ties, I have continued to associate them with hunger. I need +only look an ordinary railroad tie in the face to contract a wonderful +appetite. It works on the principle of a memory system. So, as we put +the ties behind us, I increased my order at that restaurant in the sweet +little pedestrian's village of Goodale. "A couple of eggs on the side, +waiter," I said half audibly to the petite woman in the white apron who +served the tables in the restaurant there. She was very real to me. I +could count the rings on her fingers; and when she smiled, I noted that +her teeth were very white--doubtless they got that way from eating +quantities and quantities of thick juicy beefsteak! + +The track took a sudden turn ahead. "Around that bend," I said aloud, +"lies Goodale." We went faster. We rounded the bend, only to see the +dusky, heartachy, barren stretch. + +"Railroads," explained I to myself, "have a way of going somewhere; it +is one of their peculiarities." No doubt this track had been laid for +the express purpose of guiding hungry folks to the hospitable little +village. We plunged on for an hour. Meanwhile my orders to the trim +little woman in the white apron increased steadily. She smiled broadly +but winsomely, showing those charming beefsteak-polished teeth. They +shone like a beacon ahead of me, for it was now dark. + +Suddenly we came upon a signboard. We went up to it, struck a match, and +read breathlessly--"GOODALE." + +We looked about us. Goodale was a switch and a box car. + + Nothing beside remains, + +I quoted, + + 'round the decay + Of that colossal wreck, boundless and bare, + The lone and level sands stretch far away. + +Alas for the trim little lady with the white teeth and the smile and the +beefsteak! + +We said bitter things there in that waste about the man with the +information. We loaded his memory with anathemas. One cannot eat a +signboard, even with so inviting a name upon it. An idea struck me--it +seemed a very brilliant one at the moment. I sat down and delivered +myself of it to my companions, who also had lusted after the flesh-pots. +"We have wronged that man with the information," said I. "He was no +ordinary individual; he was a prophet: he simply got his dates mixed. In +precisely one hundred years from now, there will be a town on this +spot--and a restaurant! Shall we wait?" + +They cursed me bitterly. I suspect neither of them is a philosopher. +Thereat I proceeded to eat a thick juicy steak from the T-bone portion +of an unborn steer, served by the trim little lady of a hundred years +hence, there in that potential village of Goodale. And as I smoked my +cigarette, I felt very thankful for all the beautiful things that do not +exist. + +And I slept that night in the great front bedroom, the ceiling of which +is of diamond and turquoise. + + + + +CHAPTER III + +HALF-WAY TO THE MOON + + +At last the sinuous yellow road dropped over the bluff rim and, to all +appearances, dissolved into the sky--a gray-blue, genius-colored sky. + +It was sundown, and this was the end of the trail for us. Beneath the +bluff rim lay Benton. We flung ourselves down in the bunch-grass that +whispered dryly in a cool wind fresh from the creeping night-shade. Now +that Benton lay beneath us, I was in no hurry to look upon it. + +_Fort Benton?_ What a clarion cry that name had been to me! Old men--too +old for voyages--had talked about this place; a long time ago, 'way down +on the Kansas City docks, I had heard them. How far away it was then! +Reach after reach, bend after bend, grunting, snoring, toiling, sparring +over bars, bucking the currents, dodging the snags, went the snub-nosed +steamers--brave little steamers!--forging on toward Fort Benton. And it +was so very, very far away--half-way to the moon no doubt! St. Louis was +indeed very far away. But Fort Benton!---- + +Well, they spoke of the Fort Benton traffic as "the mountain trade," and +I had not then seen a mountain. You could stand on the very tallest +building in Kansas City, and you could look and look and never see a +mountain. And to think how far the brave little steamers had to go! How +_did_ they ever manage to get back? + +But the old men on the docks--they had been there and all the way back, +perhaps hundreds of times. And they were such heroes! Great paw-like +hands they had, toughened with the gripping of cables; eyes that had +that way of looking through and far beyond things. (Seamen and plainsmen +have it.) And they had such romantic, crinkly, wrinkly, leathery faces. +They got so on the way to Benton and back. And they talked about +it--those old men lounging on the docks--because it was so far away and +they were so old that they couldn't get there any more. + +What a picture I made out of their kaleidoscopic chatter; beautifully +inaccurate, impossibly romantic picture, in which big muscley men had +fights with yawping painted savages that always got gloriously licked, +in the approved story-book manner! I could shut my eyes and see it all +very plainly, away off there half-way to the moon. And I used to wonder +how my father could be such a strong man and never have any hankering to +go up there at all! The two facts were quite incompatible. He should +have been a captain and taken me on for cub pilot, or at least a +"striker" engineer; though I wouldn't have objected seriously to the +business of a cabin boy. I thought it would be very nice to engage in +the mountain trade. + +And then, after a while, in the new light that creeps in with years, I +began to rearrange my picture of things up there; and Benton crept a wee +bit closer--until I could see its four adobe walls and its two adobe +bastions, stern with portholes, sitting like bulldogs at the opposite +corners ready to bark at intruders. And in and out at the big gate went +the trappers--sturdy, rough-necked, hirsute fellows in buckskins, with +Northwest fusils on their shoulders; lean-bodied, capable fellows, with +souls as lean as their bodies, survivors of long hard trails, men who +could go far and eat little and never give up. I was very fond of that +sort of man. + +Little by little the picture grew. Indian bull boats flocked at the +river front beneath the stern adobe walls; moored mackinaws swayed in +the current, waiting to be loaded with peltries and loosed for the long +drift back to the States; and the keel-boats, looking very fat and lazy, +unloaded supplies in the late fall that were loaded at St. Louis in the +early spring. And these had come all the way without the stroke of a +piston or the crunch of a paddle-wheel or a pound of steam. Nothing but +grit and man-muscle to drag them a small matter of two or three thousand +miles up the current of the most eccentric old duffer of a river in the +world! + +What men it did take to do that! I saw them on the wild shelterless +banks of the yellow flood--a score or so of them--stripped and sweating +under the prairie sun, with the cordelle on their calloused shoulders, +straightening out to the work like honest oxen. What _males_ those +cordelle men were--what _stayers_! Fed on wild, red meat, lean and round +of waist, thick of chest, thewed for going on to the finish. Ten or +fifteen miles a day and every inch a fight! Be sure they didn't do it +merely for the two or three hundred dollars a year they got from the +Company. They did it because they were that sort of men, and had to +express themselves. Everything worth while is done that way. + +Do they raise that breed now? Never doubt it! You need only find your +keel-boats or their equivalents, and the men will come around for the +job, I'm sure. But when you speak enthusiastically of the old Greek +doers of things, I'd like to put in a few words for those old up-river +men. They belong to the unwritten American epic. + +And then the keel-boats and the bull-boats and the mackinaws and the +up-river men flashed out--like a stereopticon picture when the man moves +the slide; and I saw a little ragged village of log houses scattered +along the water front. I saw the levees piled with merchandise, and a +score or more of packets rushing fresh cargoes ashore--mates bawling +commands down the gangplanks where the roustabouts came and went at a +trot. Gold-mad hundreds thronged the wagon-rutted streets of this raw +little village, the commercial center of a vast new empire. Six-horse +freighters trundled away toward the gold fields; and others trundled in, +their horses jaded with the precious freight they pulled. And I saw +steamers dropping out for the long voyage back to the States, freighted +with cargoes of gold dust--really truly story-book treasure-ships that +would have made old Captain Kidd's men mad with delight. + +As I lay dreaming in the bunch-grass, it all grew up so real that I had +to get up and take my first look, half expecting to find it all there +just as in the old days. + +We stood at the rim of the bluff and looked down into a cup-like valley +upon a quiet little village, winking with scattered lights in the +gloaming. Past it swept the river--glazed with the twilight and +silver-splotted with early stars. + +This was Benton--it could have been almost any other town as well. And +yet, once upon a time, it had filled my day-dreams with wonders--this +place that seemed half-way to the moon. + +The shrill shriek of a Great Northern locomotive, trundling freight cars +through the gloom, gave the death-stroke to the old boy-dream. It was +the cry of modernity. This boisterous, bustling, smoke-breathing thing, +plunging through the night with flame in its throat, had made the +change, dragged old Benton out of the far-off lunar regions and set +what is left of it right down in the back yard of the world. Even a very +little boy could get there now. + +"And yet," thought I, as we set out rapidly for the village in the +valley, "the difference between the poetry of mackinaws and Great +Northern locomotives is merely a matter of perspective. If those old +cordelle men could only come back for a while from their Walhalla, how +they would crowd about that wind-splitting, fire-eating, iron beast, +panting from its long run, and catching its breath for another plunge +into the waste places and the night! And I? I would be gazing +wide-mouthed at the cordelle men. It's only the human curiosity about +the other side of the moon. How perfect the nights would be if we could +only see that lost Pleiad!" + +Ankle-deep in the powdery sand, we entered the little town with its +business row facing the water front. One glance at the empty levees told +you of the town's dead glory. Not a steamboat's stacks, blackening in +the gloom, broke the peaceful glitter of the river under the stars. But +along the sidewalk where the electric-lighted bar-rooms buzzed and +hummed, brawny cow-men, booted and spurred, lounged about, talking in +that odd but not unpleasant Western English that could almost be called +a dialect. + +But it was not the Benton of the cow-men that I felt about me. It was +still for me the Benton of the fur trade and the steamboats and the gold +rush--my boyhood's Benton half-way to the moon--the ghost of a dead +town. + +At Goodale I had sought a substantial town and found a visionary one. At +Benton I had sought a visionary town and found a substantial one. +Philosophy was plainly indicated as the proper thing. And, after all, a +steaming plate of lamp chops in a Chinese chuck-house of a substantial +though disappointing town, is more acceptable to even a dreamer than the +visionary beefsteak I ate out there in that latent restaurant of a +potential village. + +This was a comfortable thought; and for a quarter of an hour, the far +weird cry of things that are no more, was of no avail. The rapid music +of knife and fork drowned out the asthmatic snoring of the ghostly +packets that buck the stream no more. How grub does win against +sentiment! + +Swallowing the last of the chops, "Where will I find the ruins of the +old fort?" I asked of my bronze-faced neighbor across the wreck of +supper. He looked bored and stiffened a horny practical thumb in the +general direction of the ruins. "Over there," he said laconically. + +I caught myself wondering if a modern Athenian would thus carelessly +direct you to the Acropolis. Is the comparison faulty? Surely a ruin is +sacred only for what men did there. We are indeed a headlong race. We +keep our ruins behind us. Perhaps that is why we get somewhere. And yet, +what beauty blooms flowerlike to the backward gaze! Music and +poetry--all the deepest, purest sentiments of the heart--are fed greatly +upon the memory of the things that were but can never be again. +Mnemosyne is the mother of all the Muses. + +I got up and went out. By the light of a thin moon, I found the place +"over there." An odd, pathetic little ruin it is, to be sure. Nothing +imposing about it. It doesn't compel through admiration: it woos through +pity--the great, impersonal kind of pity. + + "A single little turret that remains + On the plains"-- + +Browning tells about all there is to tell about it, though he never +heard of it; only they called it a "bastion" in the old days--the +little square adobe blockhouse that won't stand much longer. One +crumbling bastion and two gaunt fragments of adobe walls in a waste of +sand beside the river--that's Fort Benton. + +A thin pale grudging strip of moon lit it up: just the moon by which to +see ruins--a moon for backward looking and regrets. A full round +love-moon wouldn't have served at all. + +Out of pure moon-haze I restored the walls of the house where the +bourgeois lived. The fireplace and the great mud chimney are still +there, and the smut of the old log fires still clings inside. The man +who sat before that hearth was an American king. A simple word of +command spoken in that room was the thunder of the law in the wilderness +about, and men obeyed. There's a bat living there now. He tumbled about +me in the dull light, filling the silence with the harsh whir of +pinions. + +I thought about that night a long, long time ago when all the people +under the protection of the newly erected fort, gathered here for a +house-warming. How clearly I could hear that squawking, squeaking, +good-natured fiddle and the din of dancing feet! Only the sound got +mixed up with the dim, weird moonlight, until you didn't know whether +you were hearing or seeing or feeling it--the music of the fiddles and +the feet. Oh, the dim far music! + +I thought about the other ruins of the world, the exploited, +tourist-haunted ruins; and I wondered why the others attract so much +attention while this one attracts practically none at all. How they do +dig after old Troy--poor old long-buried, much-abused Troy! And nobody +even cares to steal a brick from this ruined citadel that took so great +a part in the American epic. Indeed, you would not be obliged to steal a +brick; there are no guards. + +Some one has said that the history of our country as taught in the +common schools is the history of a narrow strip of land along the +Atlantic coast. The statement is significant. The average school-teacher +knows very little about Fort Benton, I suspect. + +And yet, one of the most tremendous of all human movements centered +about it--the movement that brought about the settlement of the +Northwest. One of these days they will plant a potato patch there! + +But modern Benton? + +Get on a train in the East, snuggle up in your berth, plunge on to the +Western coast, and you run through the real West in the night. They are +getting Eastern out there at the rim of the big sea. Benton is in the +West--the big, free, heart-winning West; and it gives promise of staying +there for a while yet. + +Charter a bronco and canter out across the river for an hour, and it +will be very plain to you that the romantic West still lives--the West +of the cowboy and the bronco and the steer. Not the average story-book +West, to be sure. Perhaps that West never existed. But it is the West +that has bred and is still breeding a race of men as beautiful in a +virile way (and how else should men be beautiful?) as this dear old +mother of an Earth ever suckled. + +I stood once on the yellow slope of a hill and watched a round-up outfit +passing in the gulch below. Four-horse freighters grumbling up the dusty +trail; cook wagons trundling after; whips popping over the sweating +teams; a hundred or more saddle ponies trailing after in rolling clouds +of glinting dust; a score of bronze-faced, hard-fisted outriders, +mounted on gaunt, tough, wise little horses--such strong, outdoor, +masterful Americans, truly beautiful in a big manly way! + +The sight of it all put that glorious little achy feeling in my throat +that you get when they start the fife and drum, or when a cavalry column +wheels at the word of command, or when a regiment swings past with even +tread, or when you stand on a dock and watch a liner dropping out into +the fog. It's the feeling that you're a man and mighty proud of it. But +somehow it always makes you just a little sad. + +I felt proud of that bunch of strong capable fellows--proud as though I +had created them myself. + +[Illustration: "THIS WAS BENTON."] + +[Illustration: RUINS OF OLD FORT BENTON.] + +[Illustration: THE HOUSE OF THE BOURGEOIS.] + +And once again the glorious little achy feeling in the throat came. The +Congressman from Choteau County had returned from Washington with fresh +laurels; and Benton turned out to welcome her Great Man. Down the dusty, +poorly lighted, front street came the little band--a shirt-sleeved +squad. Halting under the dingy glow of a corner street-lamp, they struck +up the best-intentioned, noisiest noise I ever heard. The tuba raced +lumberingly after the galloping cornet, that ran neck-and-neck with the +wheezing clarinet; and the drums beat up behind, pounding like the hoofs +of stiff-kneed horses half a stretch behind. + +It was a mad, exciting race of sounds--a sort of handicap. The circular +glow of the street-lamp became the social center of Benton. At last the +mad race was ended. I think it was the cornet that won, with the +clarinet a close second. The tuba, as I recollect it, complacently +claimed third money, and the bass-drum finished last with a shameless, +resolute boom! + +A great hoarse cry went up--probably for the winning cornet; a +big-lunged, generous, warrior cry that made you think of a cavalry +charge in the face of bayonets. And the shirt-sleeved band swung off +down the street in the direction of the little cottage where the Great +Man lived. All Benton fell in behind--clerks and bar-keeps and sheepmen +and cowboys tumbling into fours. Under the yellow flare of the kerosene +torches they went down the street like a campaigning company in rout +step, scattering din and dust. + +Great, deep-chested, happy-looking, open air fellows, they were; big +lovers, big haters, good laughers, eaters, drinkers--and every one of +them potentially a fighting man. + +And suddenly, as I watched them pass, something deep down in me cried +out: "Great God! What a fighting force we can drum up out of the cactus +and the sagebrush when the time comes!" And when I looked again, not one +of the sun-bronzed faces was strange to me, but every one was the face +of a brother. Choteau's Congressman was my Congressman! Benton's Great +Man was my Great Man! I fell into line alongside a big bronco-buster +with his high-heeled boots and his clanking spurs and his bandy-legged, +firm-footed horseman's stride. Thirty yards farther on we were old +comrades. That is the Western way. + +Once again the little band struck up a march, which was very little more +than a rhythmic snarling and booming of the drums, with now and then the +shrill savage cry of the clarinet stabbing the general dim. Irresistibly +the whole line swung into step. + +What is it about the rhythmic stride of many men down a dusty road that +grips you by the throat and makes your lungs feel like overcharged +balloons? I felt something like the maddening, irritating tang of +powder-smoke in my throat. Trumpet cries that I had never heard, yet +somehow dimly remembered, wakened in the night about us--far and faint, +but haughty with command. It took very little imagination for me to +feel the whirlwind of battles I may never know, to hear the harsh +metallic snarl of high-power bullets I may never face. For, marching +there in the dusty, torch-painted night, with that ragged procession of +Westerners, a deep sense of the essential comradeship of free men had +come upon me; and I could think of these men in no other way than as +potential fighting men--the stern hard stuff with which you build and +keep your empires. What a row Napoleon could have kicked up with half a +million of these sagebrush boys to fling foeward under his +cannon-clouds! + +We reached the cottage of the Great Man with the fresh laurels. He met +us at the gate. He called us Jim and Bill and Frank and Kid something or +other. We called him Charlie. And he wasn't the least bit stiff or +proud, though we hadn't the least doubt that half of Washington was in +tears at his departure for the West. + +The sudden flare of a torch betrayed his moist eyes as he told us how he +loved us. And I'm sure he meant it. He said, with that Western drawl of +his: "Boys, while I was back there trying to do a little something for +you in Congress, I heard a lot of swell bands; but I didn't hear any +such music as this little old band of ours has made to-night!" The +unintentional humor somehow didn't make you want to laugh at all. + +We're all riding with his outfit; and next year we're going to send +Charlie back East again. May we all die sheepmen if we don't--and that's +the limit in Montana! + +Talking about sheepmen, reminds me of Joe, the big bronco-buster, and +his _mot_. I was doing the town with Joe, and he was carefully educating +me in the Western mysteries. He told me all about "day-wranglers" and +"night-hawks" and "war-bags" and "round-ups"; showed me how to tie a +"bull-noose" and a "sheep-shank" and a "Mexican hacamore"; put me onto +the twist-of-the-wrist and the quick arm-thrust that puts half-hitches +'round a steer's legs; showed me how a cowboy makes dance music with a +broom and a mouth-harp--and many other wonderful feats, none of which I +can myself perform. + +I wanted to feel the mettle of the big typical fellow, and so I said +playfully: "Say, Joe, come to confession--you're a sheepman, now aren't +you?" + +He clanked down a glass of long-range liquid, and glared down at me with +a monitory forefinger pointing straight between my eyes: "Now you look +here, Shorty," he drawled; "you're a friend of mine, and whatever you +say _goes_, as long as I ain't all caved in! But you cut that out, and +don't you say that out loud again, or you and me'll be having to scrap +the whole outfit!" + +He resumed his glass. I told him, still playfully, that a lot of mighty +good poetry had been written about sheep and sheepmen and crooks and +lambs and things like that, and that I considered my question +complimentary. + +"You're talkin' about sheepmen in the old country, Shorty," he drawled. +"There ain't any cattle ranges there, you know. Do you know the +difference between a sheepman in Scotland, say, and in Montana?" + +I did not. + +"Well," he proceeded, "over in Scotland when a feller sees a sheepman +coming down the road with his sheep, he says: 'Behold the gentle +shepherd with his fleecy flock!' That's poetry. Now in Montana, that +same feller says, when he sees the same feller coming over a ridge with +the same sheep: '_Look at that crazy blankety-blank with his woolies!_' +That's fact. You mind what I say, or you'll get spurred." + +I don't quite agree with Joe, however. Once, lying in my tent across +the river, I looked out over the breaks through that strange purple +moonlight, such as I had always believed to exist only in the staging of +a melodrama, and saw four thousand sheep descending to the ferry. + +Like lava from a crater they poured over the slope above me; and above +them, seeming prodigiously big against the weird sky, went the sheepman +with his staff in his hand and a war-bag over his arm, while at his +heels a wise collie followed. It was a picture done by chance very much +as Millet could have done it. And somehow Joe's _mot_ couldn't stand +before that picture. + +There is indeed a big Pindaric sort of poetry about a plunging mass of +cattle. And just as truly there is a sort of Theocritus poetry about +sheep. Only in the latter case, the poetical vanishing point is farther +away for me than is the case with cattle. I think I couldn't write very +good verses about a flock of sheep, unless I were at least five hundred +yards away from them. I haven't figured the exact distance as yet. But +when you have a large flock of sheep camping about you all night, making +you eat fine sand and driving you mad with that most idiotic of all +noises (which happened once to me), you don't get up in the morning +quoting Theocritus. You remember Joe's _mot_! + + * * * * * + +We found a convenient gravel bar on the farther side of the river, where +we established our navy-yard. There we proceeded to set up the keel of +the _Atom I_--a twenty-foot canoe with forty-inch beam, lightly ribbed +with oak and planked with quarter-inch cypress. + +No sooner had we screwed up the bolts in the keel, than our ship-yard +became a sort of free information bureau. Every evening the cable ferry +brought over a contingent of well-wishers, who were ardent in their +desire to encourage us in our undertaking, which was no less than that +of making a toboggan slide down the roof of the continent. + +The salient weakness of the _genus homo_, it has always seemed to me, is +an overwhelming desire to give advice. Through several weeks of toil, we +were treated to a most liberal education on marine matters. It appeared +that we had been laboring under a fatal misunderstanding regarding the +general subject of navigation. Our style of boat was indeed +admirable--for a lake, if you please, _but_--well, of course, they did +not wish to discourage us. It was quite possible that we were +unacquainted with the Upper Missouri. Now the Upper River (hanging out +that bleached rag of a sympathetic smile), the Upper River was _not_ the +Lower River, you know. (That really _did_ seem remarkably true, and we +became alarmed.) The Upper River, mind you, was terriffic. Why, those +frail ribs and that impossible planking would go to pieces on the first +rock--like an egshell! Of course, we were free to do as we pleased--they +would not discourage us for the world. And the engine! Gracious! Such a +boat would never stand the vibration of a four-horse, high-speed engine +driving a fourteen-inch screw! It appeared plainly that we were almost +criminally wrong in all our calculations. Shamefacedly we continued to +drive nails into the impossible hull, knowing full well--poor misguided +heroes--that we were only fashioning a death trap! There could be no +doubt about it. The free information bureau was unanimous. It was all +very pathetic. Nothing but the tonic of an habitual morning swim in the +clear cold river kept us game in the face of the inevitable! + +We saw it all. With a sort of forlorn cannon-torn-cavalry-column hope we +pushed on with the fatal work. Never before did I appreciate old Job in +the clutches of good advice. I used to accuse him of rabbit blood. In +the light of experience, I wish to record the fact that I beg his +pardon. He was in the house of his friends. I think Job and I understand +each other better now. It was not the boils, but the free advice! + +At last the final nail was driven and clenched, the canvas glued on and +ironed, the engine installed. The trim, slim little craft with her +admirable speed lines, tapering fore and aft like a fish, lay on the +ways ready for the plunge. + +We had arranged to christen her with beer. The Kid stood at the prow +with the bottle poised, awaiting his cue. The little Cornishman knelt at +the prow. He was _not_ bowed in prayer. He was holding a bucket under +the soon-to-be-broken bottle. "For," said he, "in a country where beer +is so dear and advice so cheap, let us save the beer that we may be +strong to stand the advice!" + +The argument was inded Socratic. + +"And now, little boat," said I, in that dark brown tone of voice of +which I am particularly proud, "be a good girl! Deliver me not unto the +laughter of my good advisers. I christen thee _Atom_!" + +The bottle broke--directly above that bucket. + +And now before us lay the impossible as plainly pointed out, not only by +local talent, but by no less a man that the august captain of a +government snag-boat. Several weeks before the launching, an event had +taken place at Benton. The first steamboat for sixteen years tied up +there one evening. She was a government snag-boat. Now a government +snag-boat may be defined as a boat maintained by the government for the +sole purpose of sailing the river _and dodging snags_. This particular +snag-boat, I learned afterward in the course of a long cruise behind +her, holds the snag-boat record. I consider her pilot a truly remarkable +man. He seemed to have dodged them all. + +All Benton turned out to view the big red and white government steamer. +There was something almost pathetic about the public demonstration when +you thought of the good old steamboat days. During her one day's visit +to the town, I met the captain. + +[Illustration: A ROUND-UP OUTFIT ON THE MARCH.] + +[Illustration: JOE.] + +[Illustration: MONTANA SHEEP.] + +[Illustration: A MONTANA WOOL-FREIGHTER.] + +He was very stiff and proud. He awed me. I stood before him fumbling my +hat. Said I to myself: "The personage before me is more than a snag-boat +captain. This is none other than the gentleman who invented the Missouri +River. No doubt even now he carries the patent in his pocket!" + +"Going down river in a power canoe, eh?" he growled, regarding me +critically. "Well, you'll never get down!" + +"That so?" croaked I, endeavoring to swallow my Adam's apple. + +"No, you won't!" + +"Why?" ventured I timidly, almost pleadingly; "isn't there--uh--isn't +there--uh--_water enough_?" + +"Water enough--yes!" growled the personage who invented the longest +river in the world and therefore knew what he was talking about. "Plenty +of water--_but you won't find it_!" + +Now as the _Atom_ slid into the stream, I thought of the captain's +words. Since that time the river had fallen three feet. We drew eighteen +inches. + +Sixty-five days after that oraculous utterance of the captain, the Kid +and I, half stripped, sun-burned, sweating at the oars, were forging +slowly against a head wind at the mouth of the Cheyenne, sixteen hundred +miles below the head of navigation. A big white and red steamer was +creeping up stream over the shallow crossing of the Cheyenne's bar, +sounding every foot of the water fallen far below the usual summer +level. + +It was the snag-boat. Crossing her bows and drifting past her slowly, I +stood up and shouted to the party in the pilot house: + +"I want to speak to the captain." + +He came out on the hurricane deck--the man who invented the river. He +was still stiff and proud, but a swift smile crossed his face as he +looked down upon us, half-naked and sun-blackened there in our dinky +little craft. + +"Captain," I cried, and perhaps there was the least vainglory in me; "I +talked to you at Benton." + +"Yes, sir." + +"Well, _I have found that water!_" + + + + +CHAPTER IV + +MAKING A GETAWAY + + +Tell a Teuton that he can't, and very likely he will show you that he +can. It's in the blood. Between the prophecy of the snag-boat captain +and my vainglorious answer at the Cheyenne crossing, I learned to +respect the words of the man who invented the eccentric old river. In +the face of heavy head winds, I quoted the words, "You'll never get +down"--and they bit deep like whip lashes. On many a sand-bar and gravel +reef, with the channel far away, I heard the words, "Plenty of water, +yes, but you won't find it!" And always something stronger than my +muscles cried out within me: "The devil I won't, O, you inventor of +rain-water creeks!" Hour by hour, day by day, against almost continual +head winds and with the lowest water in years, that discouraging +prophecy invaded me and was repulsed. And that is why we have pessimists +in the world. A pessimist is merely a counter-irritant. + +I stood on the bank for some time after the _Atom I_ slid into the +water, admiring her truly beautiful lines. Once I was captain of a trunk +lid that sailed a frog-pond down in Kansas City; and at that time I +thought I knew the meaning of pride. I did not. All three of us were a +bit puffed up over that boat. Something of that ride that goes before a +fall awoke in my captain's breast as I loved her with my eyes--that +trim, slim speed-thing, tugging at her forward line, graceful and +slender and strong and fleet as a Diana. + +I said at last: "I will now get in her, drop down to the town landing, +and proceed to put to shame a few of these local motor-tubs that make so +much fuss and don't go anywhere!" + +I loved her as a man should love all things that are swift and strong +and honest, keen for marks and goals--a big, clean-limbed, thoroughbred +horse that will break his heart to get under the wire first; a +high-power rifle, slim of muzzle, thick of breech, with its wicked +little throaty cry, doing its business over a flat trajectory a thousand +yards away: I love her as a man should love those. Little did I dream +that she would betray me. + +I took in the line and went aboard. At that moment I almost understood +the snag-boat captain's bearing. To be master of the _Atom I_ seemed +quite enough; but to be the really truly captain of a big red and white +snag-boat--it must have been overwhelming! + +I dropped out into the current that, fresh from its plunge of four +hundred feet in sixteen miles, ran briskly. Everything was in readiness. +I meant to put a crimp in the vanity of that free-information bureau. + +I turned on the switch, opened the needle valve, swung the throttle over +to the notch numbered with a big "2." I placed the crank on the wheel +and gave it a vigorous turn. + +"Poof!" said the engine sweetly, and the kind word encouraged me +immensely. Again I cranked. + +"Poof! Poof!" + +It seemed that I had somehow misunderstood the former communication, and +it was therefore repeated with emphasis. Like a model father who walks +the floor with the weeping child, tenderly seeking the offending pin, I +looked over the engine. "What have I neglected?" said I. I intended to +be quite logical and fair in the matter. + +I once presided over a country newspaper that ran its presses with a +gasoline engine with a most decided artistic temperament. That engine +used to have a way of communing silently with its own soul right in the +middle of press day. I remembered this with forebodings. I remembered +how firm but kind I was obliged to be with that old engine. I remembered +how it always put its hands in its pockets and took an extended vacation +every time I swore at it. I decided to be nothing but a perfect +gentleman with this engine. I even endeavored to be a jovial good +fellow. + +"What is it, Little One?" said I mentally; "does its little carburetor +hurt it? Or did the bad man strangle it with that horrid old gasoline?" + +I tenderly jiggled its air valve, fiddled gently with its spark-control +lever. I cranked it again. It barked at me like a dog! I had been kind +to it, and it barked right in my face. I wanted to slap it. I lifted my +eyes and saw that the rapid current would soon carry me past the town +landing. I seized a paddle and shoved her in. Of course, a member of the +free-information bureau was at the landing. He had with him a bland +smile and a choice bit of information. + +"Having trouble with your engine, aren't you?" he said as I leaped +ashore with the line. "There must be something wrong with it!" The +remark was indeed illuminating. It struck me with the force of an +inspiration. It seemed so true. + +"Strange that I hadn't thought of that!" I remarked. "That really must +be the trouble--there's something wrong with it. Thanks!" + +I tied the boat and went up-town, hoping to sidetrack the benevolent +member of that ubiquitous bureau. When I returned, I found half a dozen +other benevolent members at the landing. They were holding a +consultation, evidently; and the very air felt gummy with latent advice. + +"What's the matter with your engine?" they chorused. + +"Why, there's something wrong with it!" I explained cheerfully, as I +went aboard again. I began to crank, praying steadily for a miracle. Now +and then I managed to coax forth a gaseous chortle or two. The +convention on the landing understood every chortle in a truly marvellous +way. + +"It's the spark-plug, that's sure!" announced one with an air of +finality. "When an engine has run for a while (!) the spark-plug gets +all smutted up. Have you cleaned your spark-plug?" + +"No, Jim!" contradicted another, "it's all in the oil feed! Look how she +puffs! W'y it's in the oil feed--plain as day! Now if you'll take off +that carburetor and----" + +I cranked on heroically. + +"It's in the timer," voluntered another. "You see that little brass +lever back there? Well, you take and remove that and you'll find +that----" + +I cranked on shamelessly. + +"The batteries ain't no good!" growled a man with a big voice that +reminded me of a bass-drum booming up among the wind instruments in a +medley. Like the barber who owned the white owl, I stuck to my business. +I cranked on. + +"It ain't _in_ them batteries--them batteries is all right!" piped a +weazened little man who had been grinning wisely at the lack of +mechanical ability so shamelessly exposed by his fellows. + +"Now in a jump-spark engine," he explained leisurely, with a knowing +squint of his eyes and an uplifted explanatory forefinger: "in a +jump-spark engine, gentlemen, there is a number of things to consider. +Now if you'll take and remove that cylinder-head, pull out the piston, +and----" + +The voice of the expounder was suddenly drowned out by the earsplitting +rapid-fire of the exhaust! The miracle had happened! Hooray! + +I grasped the steering cords and jammed her rudder hard to port. Her +fourteen-inch screw, suddenly started at full speed ahead, made the +light, slim craft leap like a spike-spurred horse. + +But the turn was too short. She thrust her sharp haughty nose into the +air like an offended lady, and started up the bank after that +information bureau. If a tree had been convenient, I think she would +have climbed it. + +I shut her down. + +"_She went that time!_" chorused the information bureau. Coming from an +information bureau, the statement was marvellously correct. But I had +suddenly become too glad-hearted for a sharp retort. + +"If you will please throw me the line, and push me off," I said +confidently, "I'll drop out into the current." + +I dropped out. + +"Now for putting a crimp in some people's vanity!" I exulted. + +I cranked. Nothing doing! I cranked some more. No news from the crimping +department. I continued to crank; also, I continued to drift. Somehow +the current seemed to have increased alarmingly in speed. + +I thought I heard a sound of merriment. I looked up. The little weazened +man was gesticulating wildly with that forefinger of his. He was +explaining something. The information bureau, steadily dwindling into +the distance, was not listening. It seemed to be enjoying itself +immensely. + +I swallowed a half-spoken word that tasted bitter as it went down. Then +I cranked again. There seemed to be nothing else to do. It was a hot +day; hot sweat blinded me, and trickled off the tip of my nose. My hands +began to develop blisters. Finally, a deep disgust seized me. I once saw +a tender-hearted lady on her knees in the dust before a balky auto. I +remembered her half-sobbed words: "_You mean thing, you! What is the +matter with you, anyway! Oh, you mean, mean thing!_" + +I sat down in front of that engine and abandoned myself to a great +feeling of tenderness and chivalry for that unfortunate lady. In that +moment I believe I would have fought a bear for her! Oh that all the +gasoline engines in the world could be concentrated somehow into one +big woolly, scary black bear, how I could have set my teeth in its neck +and died chewing! + +I heard a roaring of waters that broke my vision of bear fights and +gentle ladies in distress. A hundred yards ahead of me I saw rapids. The +words of the information bureau came back to me with terrible +distinctness: "Why, her light timbers will go to pieces on the first +rock!" + +Although I am no hero, I didn't get frightened. I got sore. "Go ahead, +and smash yourself up, if you like!" I cried to the balky craft. And +then I waited to see her do it. She swung 'round sharply with the first +suck of the rapids, struck a rock, side-stepped, struck another, and +went on down, grinding and dragging on a stony reef. + +It suddenly came to me that this was what they called the Grocondunez +Rapids. I remembered that they said the name meant "the big bridge of +the nose." The name had a powerful fascination for me--I wanted to hit +something good and hard somewhere in that region! + +Finally she swung clear of the reef, caught the swirl of the main +current, and started for New Orleans with the bit in her teeth. I wasn't +ready to arrive in New Orleans at once; I had made other arrangements. +So I grasped a paddle and drove her into shallow water. I leaped out, +waist-deep in the cold stream, and threw my weight against her. +Pantingly, I wondered what was the exact distance to the nearest axe. I +resolved to crank her once more, and then for the axe hunt! + +I leaned over the gunwale and began to grind. For the life of me, I +don't know just what I did to her; but it seemed that she had taken some +offence. Without the least warning, she leaped forward at three-quarter +speed, and started up stream with that haughty head of her thrust +skyward! + +I clung desperately to her gunwale, and she dragged me insultingly in +the drink! She made a soppy rag of me! I managed to scramble +aboard--something after the fashion of a bronco-buster who mounts at a +gallop. + +But the way she _traveled_! I forgot the ducking and forgave her with +all my heart. I held her nose well out into the channel where the +current ran with swells, though no wind blew. + +[Illustration: THE "ATOM I" UNDER CONSTRUCTION.] + +[Illustration: THE CABLE FERRY TOWED US OUT.] + +[Illustration: LAID UP WITH A BROKEN RUDDER.] + +Bucking the rapids, she split the fast water over her nose and sent it +aft in two clean-cut masses, that hissed about her like angry skirts. A +light, V-shaped wake spread after, scarcely agitating the surface. She +dragged no water. There was no churning at her stern. Only the dull, +sub-aqueous drone, felt rather than heard beneath the rapid banging of +her exhaust, told me how the honest little screw thrust hard. + +I pushed the spark-lever close to the reversing point, and opened her +throttle wide. This acted like a bottle-fly on the flank of a spirited +mare. She shook herself, quivering through all her light, pliable +construction, lifted her prow another inch or two, and flung the rapids +behind her. + +Slim, fleet, clean-heeled, and hungry for distance, she raced toward the +Benton landing two miles up. + +In my anxiety to show her to the benevolent ones, I left the current and +took a crosscut over a rocky ford. Pebbles flung from her pounding heels +showered down upon me. I climbed forward and let her hammer away. She +cleared the gravel bar, and as she plunged past the now silent +information bureau on the landing, condescendingly I waved a hand at +them and went on splitting water. + +We shot under the bridge, forged into the crossing current, passed the +big brick hotel, where a considerable number came out to salute us. +They dubbed her the fastest boat that had ever climbed that current, I +learned afterward. Alas! I was getting my triumph early and in one big +chunk! I figure that that one huge breakfast of triumph, if properly +distributed, would have fed me through the whole two thousand miles of +back-strain and muscle-cramp. And yet, through all the days of +snail-paced toil that followed, I remained truly thankful for that early +breakfast. + +The Kid and the Cornishman, busy in camp with the packing for the +voyage, had shared in the gloom of my temporary defeat. But now, as I +plunged past them, I could see them leaping into the air and cracking +their heels together with delight. They had wet every plank of her with +their sweat, and they were as proud as I. In the light of the following +days, their delight dwindled into a pathetic thing. + +I held her on her course up-stream, reached the bend a mile above, swung +round and--discovered that she had only then begun to lift her heels! +With the rapid current to aid, her speed was truly wonderful. She could +have kept pace with any respectable freight train at least. + +I indulged in a little feverish mental calculation. She could make, with +the minimum current, eighteen miles per hour. Every day meant fifteen +hours of light. Sioux City was two thousand miles away. We could reach +Sioux City easily in ten days of actual running! + +While I was covering that fast mile back to camp I saw the _Atom I_ +passing Sioux City with an air of high-nosed contempt. I developed a +sort of unreasoning hunger for New Orleans--a kind of violent thirst for +the Gulf of Mexico! Nothing short of these, it seemed to me, could be +worthy of so fleet a craft. When I shoved her nose into the landing, I +found that my companions thoroughly agreed with me. + +All that night in my restless sleep I drove speed boats at a terrific +pace through impossible channels and rock-toothed Scyllas; and the +little Cornishman fought angry seas and heard a dream-wind shrieking in +the cordage, and felt the salt spume on his face. "I wonder why I am +always dreaming that," he said. "Atavism," I ventured; and he regarded +me narrowly, as though I might be maligning his character in some way. + +At dawn we had already eaten and were loading the _Atom_ for the voyage. +With her cargo she drew eighteen inches of water. At full speed, she +would squat four inches. It was the first of August and the water, +which had reached in the spring its highest point for twenty years, had +been falling rapidly, and now promised to go far below the average +low-water mark. We had ahead of us a long voyage, every mile of which +was strange water. + +Once again I went over that feverish calculation. This time I was more +generous. I decided upon fifteen days. The cable ferry towed us out +beyond the gravel bars that, during the last week, had been slowly +lifting their bleached masses higher. In mid-stream we cut loose. + +At the first turn the engine started. We were going at a good half-speed +clip, when suddenly the engine changed its mind. "Squash!" it said +wearily. Then it let off a gasoline sigh and went into a peaceful sleep. +We had reached the brick hotel. We pulled in with the paddles and tied +up. The information bureau was there, and at once went into +consultation. + +"I'm looking for an engine doctor," I said. "How about Mr. Blank? They +tell me he knows the unknowable." + +"Best man with an engine in town," sad one. + +"For gracious' sake, keep that man away from your engine if you don't +want it ruined!" said others. A man who can arouse a diversity of +opinions is at least a man of originality. I went after that man. + +He came--with an air of mystery and a monkey wrench. He sat down in +front of the patient (how that word _does_ fit!) and after some time he +said: "_Hm!_" + +He unscrewed this--and whistled awhile; he unscrewed that--and whistled +some more. Then he screwed up both this and that and cranked her. + +"Phew-oo-oo-oo!" said the engine. Whereat the doctor smiled knowingly. +It was plain that she was an open book to him. + +"What is the trouble?" said I, with that tone of voice you use in a +sick-room. + +It appeared to be appendicitis. + +"Spark-plug," muttered the doctor. + +"Shall I get another?" I asked, half apologetically. + +"Better," grunted the doctor. + +I chased down an automobile owner, and a launch owner and a man who had +a small pumping-engine. I was eloquent in my appeal for spark-plugs. I +made a very fine collection of them[1] and hastened back to the doctor. +He didn't seem to appreciate my efforts. He had the patient on the +operating table. Everything was either unscrewed or pulled out. He was +carefully scrutinizing the wreck--for more things to screw out! + +"Locate the trouble?" I ventured. + +"Buzzer's out of whack," replied the Man of Awe. "Have to get another +spark-coil!" In times of sickness even the sternest man submits to +medical tyranny. I ran down a man who once owned a power boat, and he +had a spark coil. He finally agreed to forgo the pleasure of possessing +it for a suitable reward. Considering the size of that reward, he had +undoubtedly become greatly attached to his spark-coil! + +I returned in triumph to the doctor. He was now screwing up all that he +had previously unscrewed. + +"Think she'll go now?" I pleaded. + +He screwed up several dozen things, and whistled a while. Then the +oracle gave voice: "'Fraid the batteries won't do; they're awful weak!" + +With a bitter heart, I turned on my heel and went forth once more. +Electrical supplies were not on sale at any of the stores. But I found a +number of gentlemen who were evidently connoisseurs in the battery +business. They had batteries of which they were extremely fond. They +parted with some of superior quality upon the consideration of a +friendly regard for me--and a slight emolument on my part. I was +evidently very popular. + +At a breathless speed I returned to--_not_ to the doctor. He had +vanished. Rumor had it that he had gone home to lunch, for the sun was +now high. So far as I know, he is still at lunch. + +Several things were yet unscrewed. I fell to work. Wherever anything +seemed to make a snug fit, I screwed it in. Other remaining things I +drove into convenient holes. All the while I begged blind fate to guide +me. Then I connected the batteries, supplied the new spark-coil, +selected a new spark-plug at random, and screwed it in. + +Having done various things, I carefully surveyed my environs for a lady. +There were no ladies present, so I spoke out freely. "And now," said I, +having exhausted my vocabulary, "I shall crank!" + +Bill and the Kid sat on a pile of rocks looking very sullen. For some +reason or other they seemed to doubt that engine. I don't know how long +I cranked. I know only that the impossible happened. The boat started +for the hotel piazza! + +I didn't shut her down this time. I leaped out and took her by the nose. +Putting our shoulders against the power of the screw, we walked her out +into the current, headed her down stream, and scrambled in, wet to the +ears. + +My logbook speaks for that day as follows: "Left Benton at 2:30 +P.M. Gypsied along under half gasoline for several hours, +safely crossing the Shonkin and Grocondunez bars. Struck a rock in +Fontenelle Rapids at 4:30, taking off rudder. Landed with difficulty on +a gravel-bar and repaired damages. At 5:30 engine bucked. A heavy wind +from the west beat us against a ragged shore for an hour and a half. +Impossible to proceed without power, except by cordelling--which we did, +walking waist-deep in the water much of the time. Paddles useless in +such a head wind. The wind falling at sunset, we drifted, again losing +our rudder while shooting Brule Rapids. Tied up at the head of Black +Bluff Rapids at dusk, having made twenty miles out of two thousand for +the first day's run. Have to extend that fifteen days! Just the same, +that information bureau saw us leave under power!" + +FOOTNOTES: + +[Footnote 1: Dear Reader: Should you undertake the Missouri River trip, +don't lay anything out on spark-plugs. I sowed them all along up there. +Take a drag-net. You will scoop up several hundred dry batteries, but +don't mind them; they are probably spoiled.] + + + + +CHAPTER V + +THROUGH THE REGION OF WEIR + + +We awoke with light hearts on the second morning of the voyage. All +about us was the sacred silence of the wilderness dawn. The coming sun +had smitten the chill night air into a ghostly fog that lay upon the +valley like a fairy lake. + +We were at the rim of the Bad Lands and there were no birds to sing; but +crows, wheeling about a sandstone summit, flung doleful voices downward +into the morning hush--the spirit of the place grown vocal. + +Cloaked with the fog, our breakfast fire of driftwood glowed ruddily. +What is there about the tang of wood-smoke in a lonesome place that +fills one with glories that seem half memory and half dream? Crouched on +my haunches, shivering just enough to feel the beauty there is in fire, +I needed only to close my eyes, smarting with the smoke, to feel myself +the first man huddled close to the first flame, blooming like a mystic +flower in the chill dawn of the world! + +Perhaps that is what an outing is for--to strip one down to the lean +essentials, press in upon one the glorious privilege of being one's +self, unique in all the universe of innumerable unique things. Crouched +close to your wilderness campfire, the great Vision comes easily out of +the smoke. Once again you feel the bigness of your world, the tremendous +significance of everything in it--including yourself--and a far-seeing +sadness grips you. Living in the flesh seems so transient, almost a +pitiful thing in the last analysis. But somehow you feel that there is +something bigger--not beyond it, but all about it continually. And you +wonder that you ever hated anyone. You know, somehow, there in the smoky +silence, why men are noble or ignoble; why they lie or die for a +principle; why they kill, or suffer martyrdom; why they love and hate +and fight; why women smile under burdens, sin splendidly or +sordidly--and why hearts sometimes break. + +And expanded by the bigness of the empty silent spaces about you, like a +spirit independent of it and outside of it all, you love the great red +straining Heart of Man more than you could ever love it at your desk in +town. And you want to get up and move--push on through purple +distances--whither? Oh, anywhere will do! What you seek is at the end of +the rainbow; it is in the azure of distance; it is just behind the glow +of the sunset, and close under the dawn. And the glorious thing about it +is that you know you'll never find it until you reach that lone, ghostly +land where the North Star sets, perhaps. You're merely glad to know that +you're not a vegetable--and that the trail never really ends anywhere. + +Just now, however, the longing for the abstract had the semblance of a +longing for the concrete. It always has that semblance, for that matter. +You never really want what you think you are seeking. Touch the +substance--and away you go after the shadow! + +[Illustration: "ATOM" SAILING UP-STREAM IN A HEAD WIND.] + +[Illustration: TYPICAL RAPIDS ON UPPER MISSOURI.] + +Around the bend lay Sioux City. Around what bend? What matter? Somewhere +down stream the last bend lay, and in between lay the playing of the +game. Any bend will do to sail around! There's a lot of fun in merely +being able to move about and do things. For this reason I am overwhelmed +with gratitude whenever I think that, through some slight error in the +cosmic process, the life forces that glow in me might have been flung +into a turnip--_but weren't_! The thought is truly appalling--isn't it? +The avoidance of that one awful possibility is enough to make any man +feel lucky all his life. It's such fun to awaken in the morning with all +your legs and arms and eyes and ears about you, waiting to be used +again! So strong was this thought in me when we cast off, that even the +memory of Bill's amateurish pancakes couldn't keep back the whistle. + +The current of the Black Bluffs Rapids whisked us from the bank with a +giddy speed, spun us about a right-angled bend, and landed us in a long +quiet lake. Contrary to the average opinion, the Upper Missouri is +merely a succession of lakes and rapids. In the low-water season, this +statement should be italicised. When you are pushing down with the power +of your arms alone the rapids show you how fast you want to go, and the +lakes show you that you can't go that fast. For the teaching of +patience, the arrangement is admirable. But when head winds blow, a +three-mile reach means about a two-hour fight. + +This being a very invigorating morning, however, the engine decided to +take a constitutional. It ran. Below the mouth of the Marias River, +twenty minutes later, we grounded on Archer's Bar and shut down. After +dragging her off the gravel, we discovered that the engine wished to +sleep. No amount of cranking could arouse it. Now and then it would say +"_squash_," feebly rolling its wheel a revolution or two--like a +sleepy-head brushing off a fly with a languid hand. + +A light breeze had sprung up out of the west. The stream ran east and +northeast. We hastily rigged a tarp on a pair of oars spliced for a +mast, and proceeded at a care-free pace. The light breeze ruffled the +surface of the slow stream; + + "----yet still the sail made on + A pleasant noise till noon." + +In the lazy heat of the mounting sun, tempered by the cool river +draught, the yellow sandstone bluffs, whimsically decorated with sparse +patches of greenery, seemed to waver as though seen through shimmering +silken gauze. And over it all was the hush of a dream, except when, in a +spasmodic freshening of the breeze, the rude mast creaked and a sleepy +watery murmur grew up for a moment at the wake. + +Now and then at a break in the bluffs, where a little coulee entered the +stream, the gray masses of the bull-berry bushes lifted like smoke, and +from them, flame-like, flashed the vivid scarlet of the berry-clusters, +smiting the general dreaminess like a haughty cry in a silence. + +A wilderness indeed! It seemed that waste land of which Tennyson sang, +"where no man comes nor hath come since the making of the world." I +thought of the steamboats and the mackinaws and the keel-boats and the +thousands of men who had pushed through this dream-world and the thought +was unconvincing. Fairies may have lived here, indeed; and in the youth +of the world, a glad young race of gods might have dreamed gloriously +among the yellow crags. But surely we were the first men who had ever +passed that way--and should be the last. + +Suddenly the light breeze boomed up into a gale. The _Atom_, with +bellying sail, leaped forward down the roughening water, swung about a +bend, raced with a quartering wind down the next reach, shot across +another bend--and lay drifting in a golden calm. Still above us the +great wind buzzed in the crags like a swarm of giant bees, and the +waters about us lay like a sheet of flawless glass. + +With paddles we pushed on lazily for an hour. At the next bend, where +the river turned into the west, the great gale that had been roaring +above us, suddenly struck us full in front. Sucking up river between the +wall rocks on either side, its force was terrific. You tried to talk +while facing it, and it took your breath away. In a few minutes, in +spite of our efforts with the paddles, we lay pounding on the shallows +of the opposite shore. + +We got out. Two went forward with the line and the third pushed at the +stern. Progress was slow--no more than a mile an hour. The clear water +of the upper river is always cold, and the great wind chilled the air. +Even under the August noon it took brisk work to keep one's teeth from +chattering. The bank we were following became a precipice rising sheer +from the river's edge, and the water deepened until we could no longer +wade. We got in and poled on to the next shallows, often for many +minutes at a time barely holding our own against the stiff gusts. For +two hours we dragged the heavily laden boat, sometimes walking the bank, +sometimes wading in mid-stream, sometimes poling, often swimming with +the line from one shallow to another. And the struggle ended as suddenly +as it began. Upon rounding the second bend the head wind became a stern +wind, driving us on at a jolly clip until nightfall. + +During the late afternoon, we came upon a place where the Great Northern +Railroad touches the river for the last time in five hundred miles. Here +we saw two Italian section hands whiling away their Sunday with fishing +rods. I went ashore, hoping to buy some fish. Neither of the two could +speak English, and Italian sounds to me merely like an unintelligible +singing. However, they gave me to understand that the fish were not for +sale, and my proffered coin had no persuasive powers. + +Still wanting those fish, I rolled a smoke, carelessly whistling the +while a strain from an opera I had once heard. For some reason or other +that strain had been in my head all day. I had gotten up in the morning +with it; I had whistled it during the fight with the head wind. The Kid +called it "that Dago tune." I think it was something from _Il +Trovatore_. + +Suddenly one of the little Italians dropped his rod, stood up to his +full height, lifted his arms very much after the manner of an orchestra +leader and joined in with me. I stopped--because I saw that he _could_ +whistle. He carried it on with much expression to the last thin note +with all the ache of the world in it. And then he grinned at me. + +"Verdi!" he said sweetly. + +I applauded. Whereat the little Italian produced a bag of tobacco. We +sat down on the rocks and smoked together, holding a wordless but +perfectly intelligble conversation of pleasant grins. + +That night we had fish for supper! I got them for a song--or, rather, +for a whistle. I was fed with more than fish. And I went to sleep that +night with a glorious thought for a pillow: Truth expressed as Art is +the universal language. One immortal strain from Verdi, poorly whistled +in a wilderness, had made a Dago and a Dutchman brothers! + +Scarcely had the crackling of the ruddy log lulled us to sleep, when the +night had flitted over like a shadow, and we were cooking breakfast. A +lone, gray wolf, sitting on his haunches a hundred paces away, regarded +us curiously. Doubtless we were new to his generation; for in the +evening dusk we had drifted well into the Bad Lands. + +Bad Lands? Rather the Land of Awe! + +A light stern wind came up with the sun. During the previous evening we +had rigged a cat-sail, and noiselessly we glided down the glinting trail +of crystal into the "Region of Weir." + +On either hand the sandstone cliffs reared their yellow masses against +the cloudless sky. Worn by the ebbing floods of a prehistoric sea, +carved by the winds and rains of ages, they presented a panorama of +wonders. + +Rows of huge colonial mansions with pillared porticoes looked from their +dizzy terraces across the stream to where soaring mosques and mystic +domes of worship caught the sun. It was all like the visible dream of a +master architect gone mad. Gaunt, sinister ruins of medieval castles +sprawled down the slopes of unassailable summits. Grim brown towers, +haughtily crenellated, scowled defiance on the unappearing foe. Titanic +stools of stone dotted barren garden slopes, where surely gods had once +strolled in that far time when the stars sang and the moon was young. +Dark red walls of regularly laid stone--huge as that the Chinese flung +before the advance of the Northern hordes--held imaginary empires +asunder. Poised on a dizzy peak, Jove's eagle stared into the eye of the +sun, and raised his wings for the flight deferred these many centuries. +Kneeling face to face upon a lonesome summit, their hands clasped before +them, their backs bent as with the burdens of the race, two women prayed +the old, old woman prayer. The snow-white ruins of a vast cathedral lay +along the water's edge, and all about it was a hush of worship. And near +it, arose the pointed pipes of a colossal organ--with the summer silence +for music. + +With a lazy sail we drifted through this place of awe; and for once I +had no regrets about that engine. The popping of the exhaust would have +seemed sacrilegious in this holy quiet. + +Seldom do men pass that way. It is out of the path of the tourist. No +excursion steamers ply those awesome river reaches. Across the sacred +whiteness of that cathedral's imposing mass, no sign has ever been +painted telling you the merits of the best five-cent cigar in the world! +Few besides the hawks and the crows would see it, if it were there. + +And yet, for all the quiet in this land of wonder, somehow you cannot +feel that the place is unpeopled. Surely, you think, invisible knights +clash in tourney under those frowning towers. Surely a lovelorn maiden +spins at that castle window, weaving her heartache into the magic +figures of her loom. Stately dames must move behind the shut doors of +those pillared mansions; devotees mutter Oriental prayers beneath those +sun-smitten domes. And amid the awful inner silence of that cathedral, +white-robed priests lift wan faces to their God. + +Under the beat of the high sun the light stern wind fell. The slack sail +drooped like a sick-hearted thing. Idly drifting on the slow glassy +flood, we seemed only an incidental portion of this dream in which the +deepest passions of man were bodied forth in eternal fixity. Towers of +battle, domes of prayer, fanes of worship, and then--the kneeling women! +Somehow one couldn't whistle there. Bill and the Kid, little given to +sentiment, sat quietly and stared. + +Late in the afternoon we found ourselves out of this "Region of Weir." +Great wall rocks soared above us. Consulting our map, we found that we +were nearing Eagle Rapids, the first of a turbulent series. I had fondly +anticipated shooting them all under power. So once more I decided to go +over that engine. We landed at the wooded mouth of a little ravine, +having made a trifle over twenty miles that day. + +With those tools of the engine doctor--an air of mystery and a +monkey-wrench--I unscrewed everything that appeared to have a thread on +it, and pulled out the other things. The odds, I figured, were in my +favor. A sick engine is useless, and I felt assured of either killing or +curing. I did something--I don't know what; but having achieved the +complete screwing up and driving in of things--_it went_! + +So on the morning of the fourth day, we were up early, eager for the +shooting of rapids. We had understood from the conversation of the +seemingly wise, that Eagle Rapids was the first of a series that made +the other rapids we had passed through look like mere ripples on the +surface. In some of those we had gone at a very good clip, and several +times we had lost our rudder. + +I remembered how the steamboats used to be obliged to throw out cables +and slowly wind themselves up with the power of the "steam nigger." I +also remembered the words of Father de Smet: "There are many rapids, ten +of which are very difficult to ascend and very dangerous to go down." + +We had intended from the very first to get wrecked in one or all of +these rapids. For this reason we had distributed forward, aft, and +amidships, eight five-gallon cans, soldered air-tight. The frail craft +would, we figured, be punctured. The cans would displace nearly three +hundred and fifty pounds of water, and the boat and engine, submerged, +would lose a certain weight. I had made the gruesome calculation with +fond attention to detail. I decided that she should be wrecked quite +arithmetically. We should be able, the figures said, to recover the +engine and patch the boat. We had provided three life-preservers, but +one had been stolen; so I had fancied what a bully fight one might have +if he should be thrown out into the mad waters without a life-preserver. + +I have never been able to explain it satisfactorily; it is one of the +paradoxes; but human nature seems to take a weird delight in placing in +jeopardy that which is dearest. Even a coward with his fingers clenched +desperately on the ragged edge of hazard, feels an inexplicable thrill +of glory. Having several times been decently scared, I know. + +One likes to take a sly peep behind the curtain of the big play, hoping +perhaps to get a slight hint as to what machinery hoists the moon, and +what sort of contrivance flings the thunder and lightning, and many +other things that are none of his business. Only, to be sure, he intends +to get away safely with his information. When you think you see your +finish bowing to receive you, something happens in your head. It's like +a sultry sheet of rapid fire lapping up for a moment the thunder-shaken +night--and discovering a strange land to you. And it's really good for +you. + +Under half speed we cruised through the windless golden morning; and the +lonesome canyon echoed and re-echoed with the joyful chortle of the +resurrected engine. We had covered about ten miles, when a strange +sighing sound grew up about us. It seemed to emanate from the soaring +walls of rock. It seemed faint, yet it arose above the din of the +explosions, drowned out the droning of the screw. + +Steadily the sound increased. Like the ghost of a great wind it moaned +and sighed about us. Little by little a new note crept in--a sibilant, +metallic note as of a tense sheet of silk drawn rapidly over a thin +steel edge. + +[Illustration: WOLF POINT, THE FIRST TOWN IN 500 MILES.] + +[Illustration: ENTRANCE TO THE BAD LANDS.] + +We knew it to be the mourning voice of the Eagle Rapids; but far as we +could see, the river was quiet as a lake. We jogged on for a mile, +with the invisible moaning presence about us. It was somewhat like the +intangible something you feel about a powerful but sinister personality. +The golden morning was saturated with it. + +Suddenly, turning a sharp bend about the wall of rock that flanked the +channel, a wind of noise struck us. It was like the hissing of +innumerable snakes against a tonal background of muffled continuous +thunder. A hundred yards before us was Eagle Rapids--a forbidding patch +of writhing, whitening water, pricked with the upward thrust of +toothlike rocks. + +The first sight of it turned the inside of me mist-gray. Temporarily, +wrecks and the arithmetic of them had little charm for me. I seized the +spark-lever, intending to shut down. Instead, I threw it wide open. With +the resulting leap of the craft, all the gray went out of me. + +I grasped the rudder ropes and aimed at a point where the sinuous +current sucked through a passage in the rocks like a lean flame through +a windy flue. Did you ever hear music that made you see purple? It was +that sort of purple I saw (or did I hear it like music?) when we plunged +under full speed into the first suck of the rapids. We seemed a +conscious arrow hurled through a gray, writhing world, the light of +which was noise. And then, suddenly, the quiet, golden morning flashed +back; and we were ripping the placid waters of a lake. + +The Kid broke out into boisterous laughter that irritated me strangely: +"Where the devil do you suppose our life-preservers are?" he bawled. +"They're clear down under all the cargo!" + +A world of wonderful beauty was forging past us. In the golden calm, the +scintillant sheet of water seemed to be rushing backward, splitting +itself over the prow, like a fabric woven of gold and silver drawn +rapidly against a keen stationary blade. + +The sheer cliffs had fallen away into pine-clad slopes, and vari-colored +rocks flung notes of scarlet and gold through the sombre green of the +pines--like the riotous treble cries of an organ pricking the sullen +murmur of the bass. So still were the clean waters that we seemed midway +between two skies. + +We skirted the base of a conical rock that towered three hundred feet +above us--a Titan sentinel. It was the famous Sentinel Rock of the old +steamboat days. I shut the engine down to quarter speed, for somehow +from the dizzy summit a sad dream fell upon me and bade me linger. + +I stared down into the cold crystal waters at the base of the rock. +Many-colored mosses, sickly green, pale, feverish red, yellow like fear, +black like despair, purple like the lips of a strangled man, clung +there. I remembered an old spring I used to haunt when I was just old +enough to be awed by the fact of life and frightened at the possibility +of death. Just such mosses grew in the depths of that spring. I used to +stare into it for hours. + +It fascinated me in a terrible way. I thought Death looked like that. +Even now I am afraid I could not swim long in clear waters with those +fearful colors under me. I am sure they found Ophelia floating like a +ghastly lily in such a place. + +Filled with a shadow of the old childish dread, I looked up to the +austere summit of the Sentinel. Scarred and haggard with time it caught +the sun. I thought of how long it had stood there just so, under the +intermittent flashing of moon and sun and star, since first its flinty +peak had pricked through the hot spume of prehistoric seas. + +Fantastic reptiles, winged and finned and fanged, had basked upon +it--grotesque, tentative vehicles of the Flame of Life! And then these +flashed out, and the wild sea fell, and the land arose--hideous and +naked, a steaming ooze fetid with gasping life. And all the while this +scarred Sentinel stared unmoved. And then a riot of giant vegetation all +about it--divinely extravagant, many-colored as fire. And this too +flashed out--like the impossible dream of a god too young. And the Great +Change came, and the paradox of frost was in the world, stripping life +down to the lean essentials till only the sane, capable things might +live. And still the Titan stared as in the beginning. And then, men were +in the land--gaunt, terrible, wolf-like men, loving and hating. And La +Verendrye forged past it; and Lewis and Clark toiled under it through +these waters of awful quiet. And then the bull boats and the mackinaws +and the packets. And all these flashed out; and still it stood unmoved. +And I came--and I too would flash out, and all men after me and all +life. + +I viewed the colossal watcher with something like terror--the aspect of +death about its base and that cynical glimmer of sunlight at its top. I +flung the throttle open, and we leaped forward through the river hush. +I wanted to get away from this thing that had seen so much of life and +cared so little. It depressed me strangely; it thrust bitter questions +within the charmed circle of my ego. It gave me an almost morbid desire +for speed, as though there were some place I should reach before the +terrible question should be answered against me. + +We fled down five or six miles of depressingly quiet waters. Once again +the wall rocks closed about us. We seemed to be going at a tediously +slow pace, yet the two thin streams of water rushed hissing from prow to +stern. A strange mood was upon me. Once when I was a boy and far from +home, I awoke in the night with a bed of railroad ties under me, and the +chill black blanket of the darkness about me. I wanted to get up and run +through that damned night--anywhere, just so I went fast +enough--stopping only when exhaustion should drag me down. And yet I was +afraid of nothing tangible; hunger and the stranger had sharpened +whatever blue steel there was in my nature. I was afraid of being still! +Were you ever a homesick boy, too proud to tell the truth about it? + +I felt something of that boy's ache as we shot in among the wall rocks +again. It was a psychic hunger for something that does not exist. Oh, to +attain the terrible speed one experiences in a fever-dream, to get +somewhere before it is too late, before the black curtain drops! + +To some this may sound merely like the grating of overwrought nerves. +But it is more than that. All religions grew out of that most human +mood. And whenever one is deeply moved, he feels it. For even the most +matter-of-fact person of us all has now and then a suspicion that this +life is merely episodic--that curtain after curtain of darkness is to be +pierced, world after world of consciousness and light to be passed +through. + +Once more the rocks took on grotesque shapes--utterly ultra-human in +their suggestiveness. Those who have marveled at the Hudson's beauty +should drop down this lonesome stretch. + +We shot through the Elbow Rapids at the base of the great +Hole-in-the-wall Rock. It was deep and safe--much like an exaggerated +mill-race. It ran in heavy swells, yet the day was windless. + +In the late afternoon we shot the Dead Man's Rapids, a very turbulent +and rocky stretch of water. We went through at a freight-train speed, +and began to develop a slight contempt for fast waters. That night we +camped at the mouth of the Judith River on the site of the now forgotten +Fort Chardon. We had made only ninety-eight miles in four days. It began +to appear that we might be obliged to finish on skates! + +We were up and off with the first gray of the morning. We knew Dauphin +Rapids to be about seventeen miles below, and since this particular +patch of water had by far the greatest reputation of all the rapids, we +were eager to make its acquaintance. + +The engine began to show unmistakable signs of getting tired of its job. +Now and then it barked spitefully, had half a notion to stop, changed +its mind, ran faster than it should, wheezed and slowed down--acting in +an altogether unreasonable way. But it kept the screw humming +nevertheless. + +Fortunately it was going at a mad clip when we sighted the Dauphin. +There was not that sibilance and thunder that had turned me a bit gray +inside at first sight of the Eagle. The channel was narrow, and no rocks +appeared above the surface. But speed _was_ there; and the almost +noiseless rolling of the swift flood ahead had a more formidable +appearance than that of the Eagle. Rocks above the surface are not much +to be feared when you have power and a good rudder. But we drew about +twenty-two inches of water, and I thought of the rocks under the +surface. + +I had, however, only a moment to think, for we were already traveling a +good eighteen miles, and when the main swirl of the rapids seized us, we +no doubt reached twenty-five. I was grasping the rudder ropes and we +were all grinning a sort of idiotic satisfaction at the amazing spurt of +speed, when---- + +Something was about to happen! + +The Kid and I were sitting behind the engine in order to hold her screw +down to solid water. Bill, decorated with a grin, sat amidships facing +us. I caught a pink flash in the swirl just under our bow, and then _it +happened_! + +The boat reared like a steeple-chaser taking a fence! The Kid shot +forward over the engine and knocked the grin off Bill's face! Clinging +desperately to the rudder ropes, I saw, for a brief moment, a good +three-fourths of the frail craft thrust skyward at an angle of about +forty-five degrees. Then she stuck her nose in the water and her screw +came up, howling like seven devils in the air behind me! Instinctively, +I struck the spark-lever; the howling stopped,--and we were floating in +the slow waters below Dauphin Rapids. + +All the cargo had forged forward, and the persons of Bill and the Kid +were considerably tangled. We laughed loud and long. Then we gathered +ourselves up and wondered if she might be taking water under the cargo. +It developed that she wasn't. But one of our grub boxes, containing all +the bacon, was missing. So were the short oars that we used for paddles. +While we laughed, these had found some convenient hiding-place. + +We had struck a smooth bowlder and leaped over it. A boat with the +ordinary launch construction would have opened at every seam. The light +springy tough construction of the _Atom_ had saved her. Whereat I +thought of the Information Bureau and was well pleased. + +Altogether we looked upon the incident as a purple spot. But we were +many miles from available bacon, and when, upon trial, the engine +refused to make a revolution, we began to get exceedingly hungry for +meat. + +Having a dead engine and no paddles, we drifted. We drifted very slowly. +The Kid asked if he might not go ashore and drive a stake in the bank. +For what purpose? Why, to ascertain whether we were going up or down +stream! While we drifted in the now blistering sun, we talked about +_meat_. With a devilish persistence we quite exhausted the subject. We +discussed the best methods for making a beefsteak delicious. It made us +very hungry for meat. The Kid announced that he could feel his backbone +sawing at the front of his shirt. But perhaps that was only the +hyperbole of youth. Bill confessed that he had once grumbled at his good +wife for serving the steak too rare. He now stated that at the first +telegraph station he would wire for forgiveness. I advised him to wire +for money instead and buy meat with it. Personally I felt a sort of +wistful tenderness for packing-houses. + +That day passed somehow, and the next morning we were still hungry for +meat. We spent most of the morning talking about it. In the blistering +windless afternoon, we drifted lazily. Now and then we took turns +cranking the engine. + +We were going stern foremost and I was cranking. We rounded a bend +where the wall rocks sloped back, leaving a narrow arid sagebrush strip +along both sides of the stream. I had straightened up to get the kink +out of my back and mop the sweat out of my eyes, when I saw something +that made my stomach turn a double somersault. + +A good eight hundred yards down stream at the point of a gravel-bar, +something that looked like and yet unlike a small cluster of drifting, +leafless brush moved slowly into the water. Now it appeared quite +distinct, and now it seemed that a film of oil all but blotted it out. I +blinked my eyes and peered hard through the baffling yellow glare. Then +I reached for the rifle and climbed over the gunwhale. I smelled raw +meat. + +Fortunately, we were drifting across a bar, and the slow water came only +to my shoulders. The thing eight hundred yards away was forging across +stream by this time--heading for the mouth of a coulee. I saw plainly +now that the brush grew out of a head. It was a buck with antlers. + +Just below the coulee's mouth, the wall rocks began again. The buck +would be obliged to land above the wall rocks, and the drifting boat +would keep him going. I reached shore and headed for that coulee. The +sagebrush concealed me. At the critical moment, I intended to show +myself and start him up the steep slope. Thus he would be forced to +approach me while fleeing me. When I felt that enough time had passed, I +stood up. The buck, shaking himself like a dog, stood against the yellow +sandstone at the mouth of the gulch. He saw me, looked back at the +drifting boat, and appeared to be undecided. + +I wondered what the range might be. Back home in the plowed field where +I frequently plug tin cans at various long ranges, I would have called +it six hundred yards--at first. Then suddenly it seemed three or four +hundred. Like a thing in a dream the buck seemed to waver back and forth +in the oily sunlight. + +"Call it four hundred and fifty," I said to myself, and let drive. A +spurt of yellow stone-dust leaped from the cliff a foot or so above the +deer's back. Only four hundred? But the deer had made up his mind. He +had urgent business on the other side of that slope--he appeared to be +overdue. + +[Illustration: FRESH MEAT.] + +[Illustration: SUPPER!] + +I pumped up another shell and drew fine at four hundred. That time +his rump quivered for a second as though a great weight had been dropped +on it. But he went on with increased speed. Once more I let him have it. +That time he lost an antler. He had now reached the summit, two hundred +feet up at the least. + +He hesitated--seemed to be shivering. I have hunted with a full stomach +and brought down game. But there's a difference when you are empty. In +that moment before you kill, you became the sort of fellow your mother +wouldn't like. Perhaps the average man would feel a little ashamed to +tell the truth about that savage moment. I got down on my knee and put a +final soft-nosed ball where it would do the most good. The buck reared, +stiffened, and came down, tumbling over and over. + +That night we pitched camp under a lone scrubby tree at the mouth of an +arid gulch that led back into the utterly God-forsaken Bad Lands. It was +the wilderness indeed. Coyotes howled far away in the night, and diving +beaver boomed out in the black stream. + +We built half a dozen fires and swung above them the choice portions of +our kill. And how we ate--with what glorious appetites! + +It is good to sit with a glad-hearted company flinging words of joyful +banter across very tall steins. It is good to draw up to a country table +at Christmas time with turkey and pumpkin-pies and old-fashioned +puddings before you, and the ones you love about you. I have been deeply +happy with apples and cider before an open fireplace. I have been +present when the brilliant sword-play of wit flashed across a banquet +table--and it thrilled me. _But_---- + +There is no feast like the feast in the open--the feast in the flaring +light of a night fire--the feast of your own kill, with the tang of the +wild and the tang of the smoke in it! + + + + +CHAPTER VI + +GETTING DOWN TO BUSINESS + + +It all came back there by the smoldering fires--the wonder and the +beauty and the awe of being alive. We had eaten hugely--a giant feast. +There had been no formalities about that meal. Lying on our blankets +under the smoke-drift, we had cut with our jack-knives the tender +morsels from a haunch as it roasted. When the haunch was at last cooked +to the bone, only the bone was left. + +Heavy with the feast, I lay on my back watching the gray smoke brush my +stars that seemed so near. _My stars!_ Soft and gentle and mystical! +Like a dark-browed Yotun woman wooing the latent giant in me, the night +pressed down. I closed my eyes, and through me ran the sensuous surface +fires of her dream-wrought limbs. Upon my face the weird magnetic lure +of ever-nearing, never-kissing lips made soundless music. Like a sister, +like a mother she caressed me, lazy with the huge feast; and yet, a +drowsy, half-voluptuous joy shimmered and rippled in my veins. + +Drowsing and dreaming under the drifting smoke-wrack, I felt the sense +of time and self drop away from me. No now, no to-morrow, no yesterday, +no I! Only eternity, one vast whole--sun-shot, star-sprent, love-filled, +changeless. And in it all, one spot of consciousness more acute than +other spots; and that was the something that had eaten hugely, and that +now felt the inward-flung glory of it all; the swooning, half-voluptuous +sense of awe and wonder, the rippling, shimmering, universal joy. + +And then suddenly and without shock--like the shifting of the wood +smoke--the mood veered, and there was nothing but I. Space and eternity +were I--vast projections of myself, tingling with my consciousness to +the remotest fringe of the outward swinging atom-drift; through +immeasurable night, pierced capriciously with shafts of paradoxic day; +through and beyond the awful circle of yearless duration, my ego lived +and knew itself and thrilled with the glory of being. The slowly +revolving Milky Way was only a glory within me; the great woman-star +jeweling the summit of a cliff, was only an ecstasy within me; the +murmuring of the river out in the dark was only the singing of my heart; +and the deep, deep blue of the heavens was only the splendid color of my +soul. + +Bill snored. Among the glowing fires moved the black bulk of the Kid, +turning the hunks of venison. And then the universe and I, curiously +mixed, swooned into nothing at all, and I was blinking at a golden glow, +and from the river came a shouting. + +It was broad day. We leaped up, and rubbing the sleep from our eyes, saw +a light skiff drifting toward us. It contained two men--Frank and +Charley. We had met them at Benton, and during an acquaintance of three +weeks we had learned of their remarkable ability as cooks. Frank was a +little Canadian Frenchman, and Charley was English. Both, in the +parlance of the road, were "floaters"; that is to say, no locality ever +knew them long; the earth was their floor, the sky their ceiling--and +their god was Whim. Naturally our trip had appealed to them, and one +month in Benton had aggravated that hopelessly incurable +disease--_Wanderlust_. + +So we had agreed that somewhere down river we would camp for a week and +wait for them. They would do the cooking, and we would take them in tow. +Two days after we dropped out of Benton, they had abruptly "jumped" an +unfinished job and put off after us in a skiff, rowing all day and most +of the night in order to overtake us. + +Certainly they had arrived at the moment most psychologically favorable +for the beginning of an odd sort of tyranny that followed. Cooking is a +weird mystery to me. As for Bill and the Kid, courtesy forbids detailed +comment. The Kid had been uniformly successful in disguising the most +familiar articles of diet; and Bill was perhaps least unsuccessful in +the making of flapjacks. According to his naive statement, he had +discovered the trick of mixing the batter while manufacturing +photographer's mounting paste. His statement was never questioned. My +only criticism on his flapjacks was simply that he left too much to the +imagination. For these and kindred reasons, we gladly hailed the +newcomers. + +Ten minutes after the skiff touched shore, the camp consisted of two +cooks and three scullions. The Kid was a hewer and packer of wood, I was +a peeler and slicer of things, and Bill, sweetly oblivious of his +bewhiskered dignity, danced about in the humblest of moods, handing this +and that to the grub-lords. + +"You outfitted like greenhorns!" announced the usurpers. "What you want +is raw material. Run down to the boat, please, and bring me this! Oh, +yes, and bring me that! And you'll find the other in the bottom of the +skiff's forward locker! Put a little more wood on the fire, Kid; and +say, Bill, hand me that, won't you? Who's going to get a pail of water?" + +All three of us were going to get a pail of water, of course! It was the +one thing in the world we wanted to do very much--get a pail of water! + +But the raw materials--how they played on them! I regarded their +performance as a species of duet; and the raw materials, ranged in the +sand about the fire, were the keys. Frank touched this, Charley touched +that, and over the fire the music grew--perfectly stomach-ravishing! + +We had bought with much care all, or nearly all the ordinary +cooking-utensils. These the usurpers scorned. Three or four gasoline +cans, transformed by a jack-knife into skillets, ovens, platters, etc., +sufficed for these masters of their craft. The downright Greek +simplicity of their methods won me completely. + +"This is indeed Art," thought I; "first, the elimination of the +non-essential, and then the virile, unerring directness, the seemingly +easy accomplishment resulting from effort long forgotten; and, above +all, the final, convincing delivery of the goods." + +Out of the chaos of the raw material, beneath the touch of Charley's +wise hands, emerged a wondrous cosmos of biscuits, light as the heart of +a boy. And Frank, singing a French ditty, created wheat cakes. His +method struck me as poetic. He scorned the ordinary uninspired cook's +manner of turning the half-baked cake. One side being done, he waited +until the ditty reached a certain lilting upward leap in the refrain, +when, with a dexterous movement of the frying-pan, he tossed the cake +into the air, making it execute a joyful somersault, and catching it +with a sizzling _splat_ in the pan, just as the lilting measure ceased +abruptly. + +Why, I could taste that song in the pancakes! + +I wonder why domestic economy has so persistently overlooked the value +of song as an adjunct to cookery. _Gateaux a la chansonnette!_ Who +wouldn't eat them for breakfast? + +At six in the evening we put off, Charley, the Kid and I manning the +power boat, Bill and Frank the skiff, which was towed by a thirty-foot +line. I had, during the day, transformed my unquestioned slavery into a +distinct advantage, having carefully impressed upon the Englishman the +honor I would do him by allowing him to become chief engineer of the +_Atom_. I carefully avoided the subject of cranking. I was tired +cranking. I felt that I had exhausted the possibilities of enjoyment in +that particular form of physical exercise. It had developed during the +day that Charley had once run a gasoline engine. I was careful to +emphasize my ridiculous lack of mechanical ability. Charley took the +bait beautifully. + +But just now the engine ran merrily. Above its barking I sang the +praises of the Englishman, with a comfortable feeling that, at least in +this, the tail would wag the dog. + +Through the clear quiet waters, between soaring canyon walls, we raced +eastward into the creeping twilight. Here and there the banks widened +out into valleys of wondrous beauty, flanked by jagged miniature +mountains transfigured in the slant evening light. It seemed the "faerie +land forlorn" of which Keats dreamed, where year after year come only +the winds and the rains and the snow and the sunlight and the star-sheen +and the moon-glow. + +In the deepening evening our widening V-shaped wake glowed with +opalescent witch-fires. Watching the oily ripples, I steered wild and +lost the channel. We all got out and, wading in different directions, +went hunting for the Missouri River. It had flattened out into a lake +three or four hundred yards wide and eight inches deep. Slipping poles +under the power boat, we carried it several hundred yards to a point +where the stream deepened. It was now quite dark, and the engine quit +work for the day. The skiff towed us another mile or so to a camping +place. + +Having moored the boats, we lined up on the shore and had a song. It was +a quintet, consisting of a Frenchman, an Englishman, an Irishman, a +Cornishman, and a German. A very strong quintet it was; that is to say, +strong on volume. As to quality--we weren't thrusting ourselves upon an +audience. The river and the sky didn't seem to mind, and the cliffs sang +after us, lagging a beat or two. + +We wished to sing ever so beautifully; and, after all, it would be much +better to have the whole world wishing to sing melodiously, than to have +just a few masters here and there who really can! Did you ever hear a +barefooted, freckle-faced plowboy singing powerfully and quite out of +tune, the stubble fields about him still glistening with the morning +dew, and the meadow larks joining in from the fence-posts? I have: and +soaring above the faulty execution, I heard the lark-heart of the +never-aging world wooing the far-off eternal dawn. True song is merely a +hopeful condition of the soul. And so I am sure we sang very wonderfully +that night. + +And how the flapjacks disappeared as a result of that singing! We ate +until Charley refused to bake any more; then we rolled up in our +blankets by the fire and "swapped lies," dropping off one at a time into +sleep until the last speaker finished his story with only the drowsy +stars for an audience. At least I suppose it was so; I was not the last +speaker. + +Alas! too seldom were we to hail the evening star with song. So far we +had made in a week little more than one hundred and fifty miles. With +the exception of a few hours of head winds, that week had been a week of +dream. We now awoke fully to the fact that in low water season the +Missouri is not swift. In our early plans we had fallen in with the +popular fallacy that one need only cut loose and let the current do the +rest; whereas, in low water, one would probably never reach the end of +his journey by that method. In addition to this, our gasoline was +running low. We had trusted to irrigation plants for replenishing our +supply from time to time. But the great flood of the spring had swept +the valley clean. Where the year before there were prosperous ranch +establishments with gasoline pumping plants, there was only desolation +now. It was as though we traveled in the path of a devastating army. +Perhaps the summer of 1908 was the most unfavorable season for such a +trip in the last fifty years. Steamboating on the upper river is only a +memory. There are now no wood-yards as formerly. We found ourselves with +no certainty of procuring grub and oil; our engine became more and more +untrustworthy; our paddles had been lost. What winds we had generally +blew against us, and the character of the banks was changing. The cliffs +gave way to broad alluvial valleys, over which, at times, the gales +swept with terrific force. + +Our map told us of a number of river "towns." We had already been +partially disillusioned as to the character of those "towns." They were +pretty much in a class with Goodale, except that they lacked the switch +and the box-car and the sign. Just now Rocky Point lay ahead of us. +Rocky Point meant a new supply of food and oil. Stimulated by this +thought, Charley cranked heroically under the blistering sun and managed +to arouse the engine now and then into spasms of speed. He had not yet +begun to swear. Fearfully I awaited the first evidence of the new mood, +which I knew must come. + +At least once a day we put the machinery on the operating table. Each +time we succeeded only in developing new symptoms. + +At a point about fifty miles from the "town" so deeply longed for, a +lone cow-punch appeared on the bank. + +"How far to Rocky Point?" I cried. + +"Oh, something less than two hundred miles!" drawled the horseman. (How +carelessly they juggle with miles in that country!) + +"It's just a little place, isn't it?" I continued. + +"Little place!" answered the cow-puncher; "hell, no!" + +"What!" I cried in glee; "Is it really a town of importance?" I had +visions of a budding metropolis, full of gasoline and grub. + +"I guess it ain't a little place," explained the rider; "_w'y, they've +got nigh onto ten thousand cattle down there_!" + +Ten minutes after that, Charley, after a desperate but unsuccessful fit +of cranking, straightened the kink out of his back, mopped the +perspiration from his face--_and swore_! + +Almost immediately I felt, or at least thought I felt, a distinct change +in the temper of the crew--for the worse. We used the better part of two +days covering the last fifty miles into Rocky Point, only to find that +the place consisted of a log ranch-house, two women, an old man, and +"Texas." The cattle and the other men were scattered over a hundred +miles or so of range. The women either would not or could not supply us +with grub, explaining that the nearest railroad town was ninety miles +away. Gasoline was out of the question. We might be able to buy some at +the mouth of Milk River, _two hundred miles down stream_! + +"Texas," who made me think of Gargantua, and who had a chest like a +bison bull's, and a drawling fog-horn voice, ran a saloon in an odd +little shanty boat brought down by the flood. He solved the problem for +us. + +"You cain't get no gasoline short o' Milk River," he bellowed +drawlingly; "and you sure got to paddle, so you better buy whisky!" + +While we were deciding to accept the offered advice, "Texas" whittled a +stick and got off a few jokes of Rabelaisian directness. We laughed +heartily, and as a mark of his appreciation, he gave us five quarts for +a gallon. Which proved, in spite of his appearance, that "Texas" was +very human. + +We gave the engine a final trial. It ran by spasms--backwards. Then, +finally, it refused to run at all. We tried to make ourselves believe +that the gasoline was too low in the tank, that the pressure of the oil +had something to do with it. At first we really knew better. But days of +drudgery at the paddles transformed the makeshift hope into something +almost like a certainty. + +There was no lumber at Rocky Point. We rummaged through a pile of +driftwood and found some half-rotted two-by-sixes. These we hacked into +paddles. They weighed, when thoroughly soaked, at least fifteen pounds +apiece. + +Sending Bill and Frank on ahead with the skiff and the small store of +provisions, Charley and I, the Kid at the steering rope, set out pushing +the power canoe with the paddles. The skiff was very soon out of sight. + +The _Atom_, very fast under power, was, with paddles, the slowest boat +imaginable. There was no lift to her prow, no exhilarating leap as with +the typical light canoe driven by regulation paddles. And she was as +unwieldy as a log. A light wind blew up-stream, and the current was very +slow. After dark we caught up with Bill and Frank, who had supper +waiting. I had been tasting venison all day; but there was none for +supper. In spite of a night's smoking, all of it had spoiled. This left +us without meat. Our provisions now consisted mostly of flour. We had a +few potatoes and some toasted wind called "breakfast food." During six +or seven hours of hard work at the paddles, we had covered no more than +fifteen miles. These facts put together gave no promising result. In +addition to this, it was impossible to stir up a song. Even the liquor +wouldn't bring it out. And the flapjacks were not served _a la +chansonnette_ that night. I tried to explain why the trip was only +beginning to get interesting; but my words fell flat. And when the +irrepressible Kid essayed a joke, I alone laughed at it, though rather +out of gratitude than mirth. + +[Illustration: "WALKING" BOATS OVER SHALLOWS.] + +[Illustration: TYPICAL UPPER MISSOURI RIVER REACH.] + +[Illustration: THE MOUTH OF THE JAMES.] + +There are many men who live and die with the undisputed reputation of +being good fellows--your friends and mine--who, if put to the test, +would fail miserably. Fortunate is that man to whom it is not given to +test all of his friends. This is not cynicism; it is only human nature; +and I love human nature, being myself possessed of so much of it. I +admire it when it stands firmly upon its legs, and I love it when it +wabbles. But when it gains power with increasing odds, grows big with +obstacles, I worship it. + + "To thrill with the joy of girded men, + To go on forever and fail, and go on again-- + With the half of a broken hope for a pillow at night--" + +Thus it should have been. But that night, staring into the face of three +of the four, I saw the yellow streak. The Kid was not one of the three. +The first railroad station would hold out no temptation to him. He was a +kid, but manhood has little to do with age. It must exist from the +first like a tang of iron in the blood. Age does not really create +anything--it only develops. Your wonderful and beautiful things often +come as paradoxes. I looked for a man and found him in a boy. + +Bill talked about home and stared into the twilight. The "floaters" were +irritable, quarreling with the fire, the grub, the cooking-utensils, and +verbally sending the engine to the devil. + +Seeing about eighteen hundred miles of paddle work ahead, knowing that +at that season of the year the prevailing winds would be head winds, and +having very little faith in the engine under any conditions, I decided +to travel day and night, for the water was falling steadily and already +the channels were at times hard to find. Charley and Frank grumbled. I +told them we would split the grub fairly, a fifth to a man, and that +they might travel as slowly as they liked, the skiff being their +property. They stayed with us. + +We lashed the boats together and put off into the slow current. A +haggard, eerie fragment of moon slinked westward. Stars glinted in the +flawless chilly blue. The surface of the river was like polished +ebony--a dream-path wrought of gloom and gleam. The banks were lines of +dusk, except where some lone cottonwood loomed skyward like a giant +ghost clothed with a mantle that glistered and darkled in the chill +star-sheen. + +There was the feel of moving in eternity about it all. The very +limitation of the dusk gave the feeling of immensity. There was no sense +of motion, yet we moved. The sky seemed as much below as above. We +seemed suspended in a hollow globe. Now and then the boom of a diving +beaver's tail accented the clinging quiet; and by fits the drowsy +muttering of waterfowl awoke in the adjacent swamps, and droned back +into the universal hush. + +Frank and I stood watch, the three others rolling up in their blankets +among the luggage. It occurred to me for the first time that we had a +phonograph under the cargo. I went down after it. At random I chose a +record and set the machine going. It was a Chopin _Nocturne_ played on a +'cello--a vocal yearning, a wailing of frustrate aspirations, a brushing +of sick wings across the gates of heavens never to be entered; and then +the finale--an insistent, feverish repetition of the human ache, ceasing +as with utter exhaustion. + +I looked about me drinking in the night. How little this music really +expressed it! It seemed too humanly near-sighted, too egotistic, too +petty to sound out under those far-seeing stars, in that divine quiet. + +I slipped on another record. This time it was a beautiful little song, +full of the sweet melancholy of love. I shut it down. The thing wouldn't +do. In the evening--yes. But _now_! Truly there is something womanly +about Night, something loverlike in a vast impersonal way; but too +big--she is too terribly big to woo with human sentiment. Only a +windlike chant would do--something with an undertone of human despair, +outsoared by brave, savage flights of invincible soul-hope--great virile +singing man-cries, winged as the starlight, weird as space--Whitman +sublimated, David's soul poured out in symphony. + +I started another going. This time I did not stop it, for the Night was +singing--through its nose perhaps, but still it was singing--out of that +machine. It was Wagner's _Evening Star_ played by an orchestra. It +filled the night, swept the glittering reaches, groped about in the +glooms; and then, leaving the human theme behind, soul-like the upward +yearning violins took flight, dissolving at last into starlight and +immensity. Ages swept by me like a dream-wind. When I got back, the +machine, all but run down, was scratching hideously. + +Slowly we swung about in the scarcely perceptible current. Down among +the luggage the three snored discordantly. Frank's cigarette glowed +intermittently against the dim horizon, like a bonfire far off. +Somewhere out in the gloom coyotes chattered and yelped, and from far +across the dusky valley others answered--a doleful tenson. + +I dozed. Frank awoke us all with a shout. We leaped up and stared +blinkingly into the north. That whole region of the sky was aflame from +zenith to horizon with spectral fires. It was the aurora. Not the pale, +ragged glow, sputtering like the ghost of a huge lamp-flame, which is +familiar to every one, but a billowing of color, rainbows gone mad! In +the northeast the long rolling columns formed--many-colored clouds of +spectral light whipped up as by a whirlwind--flung from eastward to +westward, devouring Polaris and the Wain--rapid sequent towers of +smokeless fire! + +It dazzled and whirled and mounted and fell like the illumined filmy +skirts of some invisible Titanic serpentine dancer, madly pirouetting +across a carpet of stars. Then suddenly it all fell into a dull +ember-glow and flashed out. The ragged moon dropped out of the +southwestern sky. In the chill of the night, gray, dense fog wraiths +crawled upon the hidden face of the waters. + +Again I dozed and awakened with the sense of having stopped suddenly. A +light wind had arisen and we were fast on a bar. Frank and I took our +blankets out on the sand, rolled up and went to sleep. + +The red of dawn awoke us as though some one had shouted. Frank and I sat +up and stared about. A white-tail deer was drinking at the river's edge +three hundred yards away. So far as we were concerned, it was a +dream-deer. We blinked complacently at it until it disappeared in the +brush. Then we thought of the rifle. + +We were all stiff and chilled. The boats were motionless in shallow +water. We all got out in the stream that felt icy to us, and waded the +crafts into the channel. Incidentally we remembered Texas and his +wisdom. + +The time was early August; but nevertheless there was a tang of frost in +the air and the river seemed to flow not water but a thick frore fog. I +smelled persimmons distinctly--it was that cold; brown spicy persimmons +smashed on crisp autumn leaves down in old Missouri! The smell haunted +me all morning like a bitter-sweet regret. + +We breakfasted on flapjacks and, separating the boats, put off. The +skiff left us easily and disappeared. A head wind arose with the sun and +increased steadily. By eleven o'clock it blew so strongly that we could +make no headway with the rude paddles, and the waves, rolling at least +four feet from trough to crest, made it impossible to hold the boat in +course. We quit paddling, and got out in the water with the line. Two +pulled and one pushed. All day we waded, sometimes up to our necks; +sometimes we swam a bit, and sometimes we clung to the boat and kicked +it on to the next shallows. Our progress was ridiculously slow, but we +kept moving. When we stopped for a few minutes to smoke under the lee of +a bank, our legs cramped. + +To lay up one day would be only to establish a precedent for day after +day of inactivity. The prevailing winds would be head winds. We clung +to the shoddy hope held out by that magic name--Milk River. We knew too +well that Milk River was only a snare and a delusion; but one must fight +toward something--it makes little difference what you call that +something. A goal, in itself, is an empty thing; all the virtue lies in +the moving toward the goal. + +Often we sank deep in the mud; often at the bends we could scarcely +forge against the blast that held us leaning to the pull. Noon came and +still we had not overtaken the skiff. Dark came, and we had not yet +sighted it. But with the sun, the wind fell, and we paddled on, lank and +chilled. About ten o'clock we sighted the campfire. + +We ate flapjacks once more--delicious, butterless flapjacks!--and then +once more we put off into the chill night. We made twelve miles that +day, and every foot had been a fight. I wanted to raise it to +twenty-five before sunrise. No one grumbled this time; but in the light +of the campfire the faces looked cheerless--except the Kid's face. + +We huddled up in our blankets and, naturally, all of us went to sleep. A +great shock brought us to our feet. The moon had set and the sky was +overcast. Thick night clung around us. We saw nothing, but by the +rocking of the boats and the roaring of the river, we knew we were +shooting rapids. + +Still dazed with sleep, I had a curious sense of being whirled at a +terrific speed into some subterranean suck of waters. There was nothing +to do but wait. We struck rocks and went rolling, shipping buckets of +water at every dip. Then there was a long sickening swoop through utter +blackness. It ended abruptly with a thud that knocked us down. + +We found that we were no longer moving. We got out, hanging to the +gunwales. The boats were lodged on a reef of rock, and we were obliged +to "walk" them for some distance, when suddenly the water deepened, and +we all went up to our necks. And the night seemed bitterly cold. I never +shivered more in January. + +It was yet too dark to find a camping place; so we drifted on until the +east paled. Then we built a great log fire and baked ourselves until +sunrise. + +Day after day my log-book begins with the words, "Heavy head winds," and +ends with "Drifted most of the night." We covered about twenty-five +miles every twenty-four hours. Every day the cooks grumbled more; and +Bill had a way of staring wistfully into the distance and talking about +home, that produced in me an odd mixture of anger and pity. + +We had lost our map: we had no calendar. Time and distance, curiously +confused, were merely a weariness in the shoulders. + + + + +CHAPTER VII + +ON TO THE YELLOWSTONE + + +At last one evening (shall I confess it?) we had blue-crane soup for +supper! + +Now a flight of gray-blue cranes across a pearl-gray sky, shot with +threads of evening scarlet, makes a masterly picture: indeed, an effect +worthy of reproduction in Art. You see a Japanese screen done in heroic +size; and it is a sight to make you long exquisitely for things that are +not--like a poet. But---- + +Let us have no illusions about this matter! Crane soup is not +satisfactory. It looks gray-blue and tastes gray-blue, and gives to your +psychic inwardness a dull, gray-blue, melancholy tone. And when you +nibble at the boiled gray-blue meat of an adult crane, you catch +yourself wondering just what sort of _ragout_ could be made out of +boots; you have a morbid longing to know just how bad such a _ragout_ +would really be! + +Hereafter on whatever trails I may follow, blue cranes shall be used +chiefly for Japanese screen effects. Little by little (the latent +philosopher in me emerges to remark) by experience we place not only +ourselves but all things in their proper places in the universe. This +process of fitting things properly in one's cosmos seems to be one of +the chief aims of conscious life. Therefore I score one for +myself--having placed blue cranes permanently in that cosmic nook given +over to Japanese screen effects! + +Next morning we pushed on. The taste of that crane soup clung to me all +day like the memory of an old sorrow dulled by time. + +Deer tracks were plentiful, but it has long been conceded that the +tracks are by far the least edible things pertaining to an animal. +Cranes seemed to have multiplied rapidly. Impudently tame, they lined +the gravel-bars, and regarded us curiously as we fought our way past +them. Now and then a flock of wild ducks alighted several hundred yards +from us. We had only a rifle. To shoot a moving duck out of a moving +boat with a rifle is a feat attended with some difficulties. Once we +wounded a wild goose, but it got away; which offended our sense of +poetic justice. After crane soup one would seem to deserve roast goose. + +I scanned the dreary monotonous valleys stretching away from the river. +We had for several days been living on scenery, tobacco, and flapjacks. +The scenery had flattened out, tobacco was running low; but the +flapjacks bid fair to go on forever. I sought in my head for the exact +adjective, the particular epithet with the inevitable feel about it, +with which to describe that monotonous melancholy stretch. Every time I +tried, I came back to the word "_baconless_." The word took on exquisite +overtones of gray meaning, and I worked up those overtones until I had a +perfectly wrought melancholy poem of one word--"_Baconless_." For, after +all, a poem never existed upon paper, but lives subtly in the +consciousness of the poet, and in the minds of those who understand the +poet through the suggestiveness of his written symbols, and their own +remembered experiences. + +But during the next morning, poetic justice worked. A rider mounted on a +piebald pony appeared on the bank and shouted for us to pull in. + +I suddenly realized why a dog wags his tail at a stranger. But the +feeling I had was bigger than that. This mounted man became at once for +me the incarnation of the meaning of bacon! + +When two parties meet and each wants what the other can give, it doesn't +take long to get acquainted. The rider was a youth of about seventeen. +One glance at his face told you the story of his rearing. He was +unmistakably city-bred, and his hands showed that his life had begun too +easy for his own good. + +"From the East?" he questioned joyously. "Say, you know little old New +York, don't you? When were you there last?" + +The lad was hungry, but not for bacon. Alas! Our hunger was the +healthier one! We talked of New York. "Mother's in Paris," he +volunteered, "and Dad's in New York meeting her bills. But the Old Man's +got a grouch at me, and so he sent me 'way out here in this God-forsaken +country! Say, what did they make this country for? Got any tailor-made +cigarettes about you? How did Broadway look when you were there last? +Lights all there yet at night? I've been here two years--it seems like +two hundred! Talk about Robinson Crusoe! Say, I've got him distanced!" + +I helped him build up a momentary Broadway there in the wilderness--the +lights, the din, the hurrying, jostling theater crowds, the cafes, +faces, faces--anguished faces, eager faces, weary faces, painted faces, +squalor, brilliance. For me the memory of it only made me feel the pity +of it all. But the lad's eyes beamed. He was homesick for Broadway. + +I changed the subject from prose to poetry; that is, from Broadway to +bacon. + +"Wait here till I come back," said the lad, mounting. He spurred up a +gulch and disappeared. In an hour he reappeared with a half strip of the +precious stuff. "Take money for it? Not on your life!" he insisted. +"You've been down there, and that goes for a meal ticket with me!" + +Fried bacon! And flapjacks sopped in the grease of it! After all, a +banquet is very much a state of mind. + +When we pulled away, the ostracized New Yorker bade us farewell with a +snatch of a song once more or less popular: "Give my regards to +Broadway!" + +We pushed on vigorously now. The head wind came up. _The head wind!_ It +seemed one of the eternal things. We paddled and cordelled valiantly, +discussing Milk River the while. We had grown very credulous on that +subject. Somehow or other an unlimited supply of gasoline was all the +engine needed for the complete restoration of its health; and Milk River +stood for gasoline in liberal quantities. Hope is generally represented +by the poets as a thing winged and ethereal; nevertheless it can be fed +on bacon. + +The next morning we arrived at the mouth of what we took to be Hell +Creek, which flows (when it has any water in it!) out of the Bad Lands. +It didn't take much imagination to name that creek. The whole country +from which it debouches looks like Hell--"with the lights out," as +General Sully once remarked. A country of lifeless hills that had the +appearance of an endless succession of huge black cinder heaps from +prehistoric fires. + +The wind had increased steadily all day, and now we saw ahead of us a +long rolling stretch of wind-lashed river that discouraged us somewhat. +A gray mist rolled with the wind, and dull clouds scudded over. We +pitched camp in a clump of cottonwoods and made flapjacks; after which +the Kid and I, taking our blankets and the rifle, set out to explore +Hell Creek. + +[Illustration: REVEILLE!] + +[Illustration: THE PEN AND KEY RANCH.] + +The windings of the ravine soon hid us from the river, and we found +ourselves in a melancholy world, without life and without any human +significance. It was very easy to imagine one's self lost amid the drear +ashen craters of the moon. We pushed on up the creek, kicking up clouds +of alkali dust as we went. A creek of a burnt-out hell it was, to be +sure. It seemed almost blasphemous to call this arid gully a creek. Boys +swim in creeks, and fishes twinkle over the shallows where the sweet +eager waters make a merry sound. Creek, indeed! Did a cynic name this +dry ragged gash in the midst of a bleak black world where nothing lived, +where never laughter sounded? + +A seething, fiery ooze might have flowed there once, but surely never +did water make music there. + +We pushed on five or six miles, and the evening shade began to press in +about us. At last we issued forth into a flat basin, surrounded by the +weird hills--a grotesque, wind-carved amphitheater, admirably suited for +a witches' orgy. Some bleached bison heads with horns lay scattered +about the place, and a cluster of soapweeds grew there--God knows how! +They thrust their sere yellow sword-blades skyward with the pitiful +defiance of desperate things. It seemed natural enough that something +should be dead in this sepulcher; but the living weeds, fighting +bitterly for life, seemed out of place. + +I looked about and thought of Poe. Surely just beyond those summits +where the melancholy sky touched the melancholy hills, one would come +upon the "dank tarn of Auber" and the "ghoul-haunted woodland of Weir." + +We gathered a quantity of the dry sword-bladed soapweeds, and with one +of the blankets made a lean-to shelter against the steep hillside. The +place was becoming eerie in the gray evening that spread slowly over the +dead land. The mist driven by the moaning wind became a melancholy +drizzle. We dragged the soapweeds under cover and lit a fire with +difficulty. It was a half-hearted, smudgy, cheerless fire. + +And then the night fell--tremendous, overpowering night! The Kid and I, +huddled close in one blanket, thrust our heads out from under the +shelter and watched the ghastly world leap by fits out of the dark, when +the sheet lightning flared through the drizzle. It gave one an odd +shivery feeling. It was as though one groped about a strange dark room +and saw, for a brief moment in the spurting glow of a wind-blown +sulphur match, the staring face of a dead man. Over us the great wind +groaned. Water dripped through the blanket--like tears. We scraped the +last damp ends of the weeds together that the fire might live a little +longer. Byron's poem came back to me with a new force; and lying on my +stomach in the cheerless drip before a drowning fire, I chanted snatches +of it aloud to the Kid and to that sinister personality that was the +Night. + + I had a dream which was not all a dream; + The bright sun was extinguished, and the stars + Did wander darkling in eternal space, + Rayless and pathless; and the icy earth + Swung blind and blackening in the moonless air. + +Low thunder shook the ink-sopped night--I thought of it as the Spirit of +Byron applauding his own terrific lines. + + A fearful hope was all the world contained; + Forests were set on fire--but hour by hour + They fell and faded--and the crackling trunks + Extinguished with a crash--and all was black. + +Out in the wind-voiced darkness, swept by spasmodic deluges of rapid +flame and muffled thunder, it seemed I could hear the dream-forests of +the moody Master crackling and booming in the gloom. + + --looked up + With mad disquietude on the dull sky, + The pall of a past world. + +"Say, how long is that piece?" asked the Kid. + + And vipers crawled + And twined themselves among the multitude, + Hissing-- + +We wondered if there might not be some rattlesnakes in that vicinity. + + --They raked up + And, shivering, scraped with their cold skeleton hands + The feeble ashes, and their feeble breath + Blew for a little life, and made a flame + Which was a mockery; then they lifted up + Their eyes as it grew brighter, and beheld + Each other's aspects--saw and shrieked and died-- + +"Cut that out!" said the Kid. + +"Why?" I asked. + +"Because," said the Kid. + +But what are Bad Lands for? I had hoped to chant a bit of James Thomson, +the younger, also, there in that "dreadful night." I never was in a +place where it seemed to fit so well. + +But we huddled up in our blanket under the dripping shelter, and that +was a long night. The soppy gray morning came at length. A midsummer +morning after a night of rain--and yet, no bird, no hopeful greenery, no +sense of the upward yearning Earth-Soul! + +When we sighted the Missouri River again, the sun had broken through +upon the greengirt, glinting stream. It seemed like Paradise. + +By almost continuous travel we reached Lismus Ferry on the second +morning from Hell Creek. The ferryman had a bit of information for us. +We would find nothing at the mouth of Milk River but a sandbar, he +advised us. But he had some ointment to apply to the wound thus +inflicted, in that Glasgow, a town on the Great Northern, was only +twenty-five miles inland. The weekly stage had left on the morning +before; but the ferryman understood that the trail was not overcrowded +with pedestrians. + +It was a smarting ointment to apply to so fresh a wound; but we took the +medicine. Frank, Charley, and I set out at once for Glasgow, leaving the +others at camp to repair the leaking boat during our absence. The stage +trail led through an arid, undulating prairie of yellow buffalo grass. +There were creek beds, but they were filled with dust at this season of +the year. The Englishman set the pace with the stride of the +long-legged. The sun rose high; the dry runs reminded us unpleasantly of +our increasing thirst, and the puffing wind blew hot as from a distant +prairie fire. + +I followed at the Englishman's heels, and by and by it began to occur to +me that he could walk rather rapidly. The Frenchman trailed after at a +steadily increasing distance, until finally I could no longer hear his +forceful remarks (uttered in two languages) concerning a certain corn +which he possessed. We had been cramped up in a boat for several weeks, +and the frequent soakings in the cold water had done little good to our +joints. None of us was fit for walking. I kept back a limp until the +Englishman ahead of me began to step with a little jerking of the knees; +and then with an almost vicious delight, I gave over and limped. I never +knew before the great luxury of limping. We covered the distance in +something less than six hours. + +The next morning, in a drizzling rain, each packing a five-gallon can of +gasoline and some provisions, we set out for the Ferry; and it was a +sorry, bedraggled trio that limped up to camp eight hours later. We did +little more than creep the last five miles. And all for a spiteful +little engine that might prove ungrateful in the end! + +It rained all night--a cold, insistent downpour. Our log fire was +drowned out; the tent dripped steadily; our blankets got soppy; and +three of us were so stiff that the least movement gave keen pain. + +Soppy dawn--wet wood--bad grub for breakfast--and bad humor concealed +with difficulty; but through it all ran a faint note of victory at the +thought of the gasoline, and the way that engine would go! We lay in +camp all day--soppy, sore--waiting for the rain to let up. By way of +cheering up I read _L'Assomoir_; and a grim graveyard substitute for +cheer it was. But the next day broke with a windy, golden dawn. We +filled the tank, packed the luggage and lo! the engine worked! It took +all the soreness out of our legs to see it go. + +We rejoiced now in the heavy and steadily increasing head wind; for it +was like conquering an old enemy to go crashing through the rolling +water that had for so many days given us pitiless battle. + +For five or six miles we plunged on down the wind-tumbled river. There +was a distinct change in the temper of the crew. A vote at that time +would have been unanimous for finishing at New Orleans. + +_Squash!_ + +The engine stopped; the _Atom_ swung round in the trough of the waves, +and the tow-skiff rammed us, trying to climb over our gunwale. We +wallowed in the wash of a bar, and cranked by turns. At the end of an +hour no illusions were left us. Holding an inquest over the engine, we +pronounced it dead. + +In the drear fag end of the windy day, soaked from much wading and weary +of paddling with little headway, we made camp in a clump of scarlet +bull-berry bushes; and by the evening fire two talked of railroad +stations, one talked of home, and I thought of that one of the "soldiers +three" who "swore quietly into the sky." + +The Milk River illusion was lost. Two hundred miles below was the mouth +of the Yellowstone--the first station in the long journey. A few days +back we had longed for gasoline; but there was no one to sell. Now we +had fifteen gallons to sell--and there was no one to buy. The hope +without the gasoline was decidedly better than the gasoline without the +hope. Whereat the philosopher in me emerges to remark--but who cares? +Philosophy proceeds backward, and points out errors of thought and +action chiefly when it has become too late to mend them. But it is +possible to be poor in the possession of erstwhile prospective wealth, +and rich in retrospective poverty. Oh, blessed is he who is negatively +rich! + +Being a bit stunned by the death of the hope conceived in weariness, we +did not put off that night, but huddled up in our blankets close to the +log fire; for this midsummer night had in it a tang of frost. + +Day came--cloudy and cold--blown over the wilderness by a wind that made +the cottonwoods above us groan and pop. The waves were higher than we +had seen them before. We had little heart for cordelling, and no +paddling could make headway against that gale. It was Sunday. Everything +was damp and chilly. Shivers ran up our backs while we toasted our feet +and faces; and the wind-whipped smoke had a way of blowing in every +direction at once. Charley struggled with the engine, which now and then +made a few revolutions--backwards--by way of leading him on. He heaped +big curses upon it, and it replied periodically with snorts of rage. + +Bad blood developed, and mutiny ensued, which once gave promise of +pirate-story developments--fortunately warded off. Before the day was +done, it was made plain that the Kid and I would travel alone from the +mouth of the Yellowstone. "For," said the Kid with certain virile +decorations of speech, "I'm going with you if we have to buy skates!" + +The wind fell at sunset. A chill, moonless, starry night lured me, and I +decided to travel. The mutineers, eager to reach a railroad as soon as +possible, agreed to go. The skiff led and the _Atom_ followed with +paddles. A mile or so below we ran into shallows and grounded. We waded +far around in the cold water that chilled us to the marrow, but could +find neither entrance nor outlet to the pocket in which we found +ourselves. Wading ashore, we made a cheerless camp in the brush, leaving +the boats stuck in the shallows. For the first time, the division in the +camp was well marked. The Kid and I instinctively made our bed together +under one blanket, and the others bunked apart. We had become the main +party of the expedition; the others were now merely enforced camp +followers. It was funny in an unpleasant way. + +In the morning a sea of stiff fog hid our boats. Packing the camp stuff +on our backs, we waded about and found the crafts. + +At last, after a number of cheerless days and nights of continuous +travel, the great, open, rolling prairies ahead of us indicated our +approach toward the end of the journey's first stage. The country began +to look like North Dakota, though we were still nearly two hundred miles +away. The monotony of the landscape was depressing. It seemed a thousand +miles to the sunrise. The horizon was merely a blue haze--and the +endless land was sere. The river ran for days with a succession of +regularly occurring right-angled bends to the north and east. Each +headland shot out in the same way, with, it seemed, the same snags in +the water under it, and the same cottonwoods growing on it; and opposite +each headland was the same stony bluff, wind- and water-carved in the +same way: until at last we cried out against the tediousness of the +oft-repeated story, wondering whether or not we were continually passing +the same point, and somehow slipping back to pass it again. + +But at last we reached Wolf Point--the first town in five hundred miles. +We had seen no town since we left Benton. An odd little burlesque of a +town it was; but walking up its main street we felt very metropolitan +after weeks on those lonesome river stretches. + +Five Assiniboine Indian girls seemed to be the only women in the town. I +coaxed them to stand for a photograph on the incontestable grounds that +they were by far the prettiest women I had seen for many days! The +effect of my generous praise is fixed forever on the pictured faces +presented herewith. + +Here, during the day, Frank and Charley disposed of their skiff and we +saw them no more. We pushed on with little mourning. But in a spirit of +fairness, let me record that Charley's biscuits were marvels, and that +Frank's _gateaux a la chansonnette_ were things of beauty and therefore +joys forever. + +[Illustration: ASSINIBOINE INDIAN CHIEF.] + +[Illustration: ASSINIBOINE INDIAN CAMP.] + +The days that followed were long and hard; and half the chilly nights +were spent in drying ourselves before a roaring fire. There were more +mosquitoes now. They began to torture us at about five o'clock in the +afternoon, and left off only when the cold of night came, relieving us +of one discomfort by the substitution of another. Bill, of whom I had +come to think as the expatriated turnip, gave me an opportunity to study +homesickness--at once pitiful and ludicrous in a man with abundant +whiskers. But he pulled strenuously at the forward paddle, every stroke +as he remarked often, taking him closer to home. + +The river had fallen alarmingly, and was still falling. Several times we +were obliged to unload the entire cargo, piling it high in the shallow +water, that we might be able to carry the empty boat to the channel. + +One evening we came upon a typical Montana ranch--the Pen and Key. The +residence, barns, sheds, fences were built of logs. The great rolling +country about it was thickly dotted with horses and cattle. The place +looked like home. It was a sight from Pisgah--a glimpse of a Promised +Land after the Wilderness. We pulled in, intending to buy some +provisions for the last stage of the journey to the Yellowstone. + +I went up to the main ranch-house, and was met at the door by one of +those blessed creatures that have "mother" written all over them. Hers +were not the eyes of a stranger. She looked at me as she must look at +one of her sons when he returns from an extended absence. I told at +once the purpose of my errand, explaining briefly what we were doing on +the river. Why, yes, certainly we could have provisions. But we weren't +going any farther that night--were we? The rancher appeared at this +moment--a retired major of the army, who looked the part--and decided +that we would stay for supper. How many were there in our party? Three? +"Three more plates," he said to the daughters of the house, busy about +the kitchen. + +Let's be frank! It really required no persuasion at all to make a guest +of me. Had I allowed myself adequate expression of my delight, I should +have startled the good mother by turning a somersault or a series of +cartwheels! Oh, the smell of an old-fashioned wholesome meal in process +of development! + +A short while back I sang the praises of the feast in the open--the +feast of your own kill, tanged with the wood smoke. And even here I +cling to the statement that of all meals, the feast of wild meat in the +wilderness takes precedence. But the supper we ate that evening takes +close second. Welcome on every face!--the sort of welcome that the most +lavish tips could not buy. And after the dishes were cleared away, they +brought out a phonograph, and we all sat round like one family, swapping +information and yarns even up, while the music went on. When we left +next morning at sunrise, it seemed that we were leaving home--and the +river reaches looked a bit dismal all that day. + +Having once been a vagabond in a non-professional way, I have a theory +about the physiognomy of houses. Some have a forbidding, +sick-the-dog-on-you aspect about them, not at all due, I am sure, to +architectural design. Experience has taught me to be suspicious of such +houses. Some houses have the appearance of death--their windows strike +you as eyeless sockets, the doors look like mouths that cannot speak. +The great houses along Fifth Avenue seemed like that to me. I could walk +past them in the night and feel like a ghost. I have seen cottages that +I wanted to kneel to; and I'm sure this feeling wasn't due to the vine +growing over the porch or the roses nodding in the yard. Knock at the +door of such a house, and the chances are in favor of your being met by +a quiet, motherly woman--one who will instantly make you think of your +own mother. Some very well constructed houses look surly, and some +shabby ones look kind, somehow. If you have ever been a book agent or a +tramp, how you will revel in this seeming digression! God grant that no +man in need may ever look wistfully at your house or at mine, and pass +on with a shake of the head. It is a subtle compliment to have book +agents and tramps frequently at one's door. + +Am I really digressing? My theme is a trip on a great river. Well, +kindness and nature are not so far apart, let us believe. + +Now this ranch-house looked hospitable; there was no mistaking it. +Wherefore I deduce that the spirit of the inhabitants must pierce +through and emanate from the senseless walls like an effluvium. Who +knows but that every house has its telltale aura, plain to a vision of +sufficient spiritual keenness? Perhaps some one will some day write a +book _On the Physio-Psychological Aspect of Houses_: and there will be +an advance sale of at least one copy on that book. + +At noon on the fourth day from the Pen and Key Ranch, we pulled up at +the Mondak landing two miles above the mouth of the Yellowstone. We were +thoroughly soaked, having dragged the boat the last two or three miles +through the shallows and intermittent deeps of an inside channel. The +outer channel was rolling viciously in that eternal thing, the head +wind. We had covered the first six hundred miles with a power boat +(called so, doubtless, because it required so much power to shove it +along!) in a little less than four weeks. During that time we had +received no mail, and I was making a break for the post-office, oozing +and feeling like an animated sponge, when a great wind-like voice roared +above me: "_Hey there!_" + +I looked up to the hurricane deck of a steamer that lay at the bank +taking on freight. A large elderly man, dressed like a farmer, with an +exaggerated straw hat shading a face that gripped my attention at once, +was looking down at me. It was the face of a born commander; it struck +me that I should like to have it cast in bronze to look at whenever a +vacillating mood might seize me. + +"_Come aboard!_" bawled the man under the ample hat. There was nothing +in the world just then that I wished for more than my mail; but somehow +I felt the will to obey--even the necessity of obeying. + +"You came from Benton?" he asked, when I had clambered up the forward +companionway and stood dripping before the captain of the steamer +_Expansion_. At this closer range, the strength of the face was even +more impressive, with its eagle beak and its lines of firmness; but a +light of kindness was shed through it, and the eyes took on a gentle +expression. + +"How did you find the water?" + +"Very low, sir; we cordelled much of the way." + +"I tried to get this boat to Benton," he said, "and got hung up on the +rocks above Lismus Ferry." + +"And we drifted over them helter-skelter at midnight!" + +He smiled, and we were friends. Thus I met Captain Grant Marsh, the +Grand Old Man of the Missouri River. He was freighting supplies up the +Yellowstone for the great Crane Creek irrigation dam, sixty miles above +the mouth. The _Expansion_ was to sail on the following day, and I was +invited to go along. Seeing that the Captain was short of help, I +insisted upon enlisting as a deck hand for the trip. + +It was work. I think I should prefer hod-carrying as a profession, for +we had a heavy cargo, ranging from lumber and tiling to flour and beer; +and there are no docks on the Yellowstone. The banks were steep, the sun +was very hot, and the cargo had to be landed by man power. My companions +in toil swore bitterly about everything in general and steamboating in +particular. + +"How much are you getting?" asked a young Dane of me, as we trudged up +the plank together. + +"Nothing at all," I said. + +He swore an oath of wonder, and stopped to look me over carefully for +the loose screw in my make-up. + +"--nothing but the fun of it," I added. + +He sniffed and looked bewildered. + +"Did it ever occur to you," said I, "that a man will do for nothing what +he wouldn't do for money?" + +I could see my conundrum playing peek-a-boo all about his stolid +features. After that the Dane treated me with an air of superiority--the +superiority of thirty dollars per month over nothing at all. + +We stopped twice to coal, and worked far into the night. There are no +coal chutes on the Yellowstone. We carried and wheeled the stuff aboard +from a pile on the bank. During a brief interval of rest, the young +Dane announced to the others that I was working for nothing; whereat +questioning eyes were turned upon me in the dull lantern light. And I +said to myself: I can conceive of heaven only as an improbable condition +in which all men would be willing and able to work for nothing at all. I +had read in the Dane's face the meaning of a price. Heaving coal, I +built Utopias. + +When the boat was under way, I sat in the pilot-house with the Captain, +watching the yellow flood and the yellow cliffs drift past like a +vision. And little by little, this old man who has followed the river +for over sixty years, pieced out the wonderful story of his life--a +story fit for Homer. That story may now be read in a book, so I need not +tell it here. But I came to think of him as the incarnation of the +river's mighty spirit; and I am proud that I served him as a deck hand. + +As we steamed out of the Yellowstone into the clear waters of the +Missouri, the Captain pointed out to me the spot upon which Fort Union +stood. Upon landing, I went there and found two heaps of stone at the +opposite corners of a rectangle traced by a shallow ditch where of old +the walls stood. This was all that remained of the powerful +fort--virtually the capital of the American Fur Company's Upper Missouri +empire--where Mackenzie ruled--Mackenzie who was called King! + +Long slough grass grew there, and blue waxen flowers struggled up amid +the rubble of what were once defiant bastions. I lay down in the +luxuriant grass, closed my eyes, and longed for a vision of heroic days. +I thought of the Prince who had been entertained there with his great +retinue; of the regality of the haughty Scotchman who ruled there; of +Alexander Harvey, who had killed his enemy on the very spot, doubtless, +where I lay: killed him as an outraged brave man kills--face to face +before the world. I thought of Bourbonais, the golden-haired Paris of +this fallen Ilium. I thought of the plague that raged there in '37, and +of Larpenteur and his friend, grim, jesting carters of the dead! + +It all passed before me--the unwritten Iliad of a stronghold forgotten. +But the vision wouldn't come. The river wind moaned through the grasses. + +I looked off a half mile to the modern town of Mondak, and wondered how +many in that town cared about this spot where so much had happened, and +where the grass grew so very tall now. + +I gathered blue flowers and quoted, with a slight change, the lines of +Stevenson: + + But ah, how deep the grass + Along the battlefield! + + + + +CHAPTER VIII + +DOWN FROM THE YELLOWSTONE + + +The geographer tells us that the mouth of the Missouri is about +seventeen miles above St. Louis, and that the mouth of the Yellowstone +is near Buford, North Dakota. It appeared to me that the fact is +inverted. The Missouri's mouth is near Buford, and the Yellowstone +empties directly into the Mississippi! + +I find that I am not alone in this opinion. Father de Smet and other +early travelers felt the truth of it; and Captain Marsh, who has piloted +river craft through every navigable foot of the entire system of rivers, +having sailed the Missouri within sound of the Falls and the Yellowstone +above Pompey's Pillar, feels that the Yellowstone is the main stem and +the Missouri a tributary. + +Where the two rivers join, even at low water, the Yellowstone pours a +vast turbulent flood, compared with which the clear and quieter +Missouri appears an overgrown rain-water creek. The Mississippi after +some miles obliterates all traces of its great western tributary; but +the Missouri at Buford is entirely lost in the Yellowstone within a few +hundred yards. All of the unique characteristics by which the Missouri +River is known are given to it by the Yellowstone--its turbulence, its +tawniness, its feline treachery, its giant caprices. + +Examine closely, and everything will take on before your eyes either +masculine or feminine traits. Gender, in a broad sense, is universal, +and nothing was created neuter. The Upper Missouri is decidedly female: +an Amazon, to be sure, but nevertheless not a man. Beautiful, she is, +alluring or terrible, but always womanlike. But when you strike the +ragged curdling line of muddy water where the Yellowstone comes in, it +is all changed. You feel the sinewy, nervous might of the man. + +So it is, that when you look upon the Missouri at Kansis City, it is the +Yellowstone that you behold! + +[Illustration: ON THE HURRICANE DECK OF THE "EXPANSION"; CAPT. MARSH +THIRD FROM THE LEFT.] + +[Illustration: FORT UNION IN 1837.] + +[Illustration: SITE OF OLD FORT UNION.] + +But names are idle sounds; and being of a peace-loving disposition, I +would rather withdraw my contention than seriously disturb the +geographical _status quo_! Let it be said that the Upper Missouri is the +mother and the Yellowstone the father of this turbulent Titan, who +inherits his father's might and wonder, and takes through courtesy the +maiden name of his mother. There! I am quite appeased, and the +geographers may retain their nomenclature. + +At Mondak, Luck stood bowing to receive us. The _Atom I_ had suffered +more from contact with snags and rocks than we had supposed. For several +hundred miles her intake of water had steadily increased. We had toiled +at the paddles with the water halfway to our knees much of the time; +though now and then--by spasms--we bailed her dry. She had become a +floating lump of discouragement, and still fourteen hundred miles lay +ahead. + +But on the day previous to our sailing, a nervous little man with a +wistful eye offered us a trade. He had a steel boat, eighteen feet long, +forty inches beam, which he had built in the hours between work and +sleep during the greater part of a year. + +His boat was some miles up the Yellowstone, but he spoke of her in so +artless and loving a manner--as a true workman might speak--and with +such a wistful eye cast upon our boat, that I believed in him and his +boat. He had no engine. It was the engine in our boat that attracted +him, as he wished to make a hunting trip up river in the fall. He stated +that his boat would float, that it was a dry boat, that it would row +with considerable ease. "Then," said I, "paddle her down to the mouth of +the Yellowstone, and the deal is made." After dark he returned to our +camp with a motor boat, ready to take us to our new craft, _Atom II_. + +Leaving all our impedimenta to be shipped by rail, that is, Bill, the +tent, extra blankets, phonograph--everything but a few cooking-utensils, +an ax, a tarp, and a pair of blankets--the Kid and I got in with the +little man and dropped down to the Yellowstone. The new boat was moored +under a mud bank. I climbed in, lit a match, and my heart leaped with +joy. She was staunch and beautiful--a work of love, which means a work +of honesty. Fore and aft were air-tight compartments. She had an oil +tank, a water tank, engine housing, steering wheel, lockers. She was +ready for the very engine I had ordered to be shipped to me at Bismarck. +She was dry as a bone, and broad enough to make a snug bed for two. + +The little man and the motor boat dropped out into the gloom and left us +gloating over our new possession, sending thankful rings of tobacco +smoke at the stars. When the first flush of triumph had passed, we +rolled up in the bottom of the boat, lulled to sleep by the cooing of +the fusing rivers, united under our gunwale. Such a sleep--a _dry_ +sleep! and the sides of the boat protected us against the chill night +wind. + +And the dawn came--shouting merrily like a boy! I once had a chum who +had a habit of whistling me out of bed now and then of a summer morning, +when the birds were just awakening, and the dew looked like frost on the +grass. And the sun that morning made me think of my old boy chum with +his blithe, persistent whistling. For the first hard stage of the +journey was done; all had left me but a brave lad who would take his +share of the hardships with a light heart. (All boys are instinctively +true sportsmen!) And before us lay the great winding stretch of a savage +river that I had loved long--the real Missouri of my boyhood. + +A new spirit had come upon us with the possession of the _Atom II_--the +spirit of the forced march. For nearly a month we had floundered, +trusting to a sick engine and inefficient paddles. Now we had a staunch, +dry boat, and eight-foot oars. We trusted only ourselves, and we were +one in the desire to push the crooked yellow miles behind us. During the +entire fourteen hundred miles that desire increased, until our progress +was little more than a retreat. We pitched no camps; we halted only when +we could proceed no further owing to sandbars encountered in the dark; +we ate as we found it convenient to do so. Regularly relieving each +other at the oars, one sat at the steering wheel, feeling for the +channel. And it was not long until I began to note a remarkable change +in the muscles of the Kid, for we toiled naked to the waist most of the +time. His muscles had shown little more than a girl's when we first swam +together at Benton. Now they began to stand out, clearly defined, those +of his chest sprawling rigidly downward to the lean ribs, and little +eloquent knots developed on the bronzed surface of his once smooth arms. +He was at the age of change, and he was growing into a man before my +eyes. It was good to see. + +All the first day the gods breathed gently upon us, and we made fifty +miles, passing Trenton and Williston before dark. But the following day, +our old enemy, the head wind, came with the dawn. We were now sailing a +river more than twice the size of the Upper Missouri, and the waves were +in proportion. Each at an oar, with the steering wheel lashed, we forged +on slowly but steadily. In midstream we found it impossible to control +the boat, and though we hugged the shore whenever possible, we were +obliged to cross with the channel at every bend. When the waves caught +us broadside, we were treated to many a compulsory bath, and our clothes +were thoroughly washed without being removed. An ordinary skiff would +have capsized early in the day, but the _Atom II_ could carry a full +cargo of water and still float. + +By sunset the wind fell, the river smoothed as a wrinkled brow at the +touch of peace. Aided by a fair current, we skulled along in the hush of +evening through a land of vast green pastures with "cattle upon a +thousand hills." The great wind had spread the heavens with ever +deepening clouds. The last reflected light of the sun fell red upon the +burnished surface of the water. It seemed we were sailing a river of +liquefied red flame; only for a short distance about us was the water +of that peculiar Missouri hue which makes one think of bad coffee +colored with condensed milk. + +Slowly the colors changed, until we were in the midst of a stream of +iridescent opal fires; and quite lost in the gorgeous spectacle, at +length we found ourselves upon a bar. + +We got out and waded around in water scarcely to our ankles, feeling for +a channel. The sand was hard; the bar seemed to extend across the entire +river; but a thin rippling line some fifty yards ahead told us where it +ended. We found it impossible to push the heavy boat over the shallows. +The clouds were deepening, and the night was coming rapidly. Setting the +Kid to work digging with an oar at the prow, I pushed and wriggled the +stern until I saw galaxies. Thus alternately digging and pushing, we at +last reached navigable depths. + +It was now quiet and dark. Low thunder was rolling, and now and then +vivid flashes of lightning discovered the moaning river to us--ghastly +and forbidding in the momentary glare. We decided to pull in for the +night; but in what direction should we pull? A drizzling rain had begun +to fall, and the sheet lightning glaring through it only confused +us--more than the sooty darkness that showered in upon us after the +rapid flashes. We sat still and waited. In the intermittent silences, +the rain hissed on the surface of the river like a shower of innumerable +heated pebbles. Ahead of us we heard the dull booming of the cut banks, +as the current undermined ponderous ledges of sand. + +Now, a boat that happens under a falling cut bank, passes at once into +the region of forgotten things. The boat would follow the main current; +the main current flows always under the cut banks. How long would it +take us to get there? Which way should we pull? Put a simpler question: +In which way were we moving? We hadn't the least conception of +direction. For us the night had only one dimension--_out_! + +Finally a great booming and splashing sounded to our left, and the boat +rocked violently a moment after. We grasped the oars and pulled blindly +in what we supposed to be the opposite direction, only to be met by +another roar of falling sand from that quarter. + +There seemed to be nothing to do but have faith in that divinity which +is said to superintend the goings and coming of fools and drunkards. +Therefore we abandoned the oars, twiddled our thumbs, and let her drift. +We couldn't even smoke, for the rain was now coming down merrily. The +Kid thought it a great lark, and laughed boisterously at our +predicament. By flashes I saw the drenched grin under his dripping nose. +But for me, some lines written by that sinister genius, Wainwright, came +back with a new force, and clamored to be spoken: + +_"Darkness--sooty, portentous darkness--shrouds the whole scene; as if +through a horrid rift in a murky ceiling, a rainy deluge--'sleety flaw, +discolored water'--streams down amain, spreading a grisly spectral +light, even more horrible than that palpable night."_ + +At length the sensation of sudden stopping dizzied us momentarily. We +thrust out an oar and felt a slowly sloping bar. Driving the oar +half-way into the soft sand, we wrapped the boat's chain about it and +went to bed, flinging the tarp over us. + +A raw dawn wind sprinkled a cheerless morning over us, and we got up +with our joints grinding rustily. We were in the midst of a desolate +waste of sand and water. The bar upon which we had lodged was utterly +bare. Drinking a can of condensed milk between us, we pushed on. + +That day we found ourselves in the country of red barns. It was like +warming cold hands before an open grate to look upon them. At noon we +saw the first wheat-field of the trip--an undulating golden flood, +dimpled with the tripping feet of the wind. These were two joys--quite +enough for one day. But in the afternoon the third came--the first +golden-rod. My first impulse was to take off my hat to it, offer it my +hand. + +That evening we pulled up to a great bank, black-veined with outcrops of +coal, and cooked supper over a civilized fire. For many miles along the +river in North Dakota, as well as along the Yellowstone in Montana, +these coal outcrops are in evidence. Doubtless, within another +generation, vast mining operations will be opened up in these +localities. Coal barges will be loaded at the mines and dropped down +stream to the nearest railroad point. + +We were in the midst of an idyllic country--green, sloping, lawn-like +pastures, dotted sparsely with grotesque scrub oaks. Far over these the +distant hills lifted in filmy blue. The bluffs along the water's edge +were streaked with black and red and yellow, their colors deepened by +the recent rains. Lazy with a liberal supper, we drifted idly and gave +ourselves over for a few minutes to the spell of this twilight +dreamland. I stared hard upon this scene that would have delighted +Theocritus; and with little effort, I placed a half-naked shepherd boy +under the umbrella top of that scrub oak away up yonder on the lawny +slope. With his knees huddled to his chin, I saw him, his fresh cheeks +bulged with the breath of music. I heard his pipe--clear, +dream-softened--the silent music of my own heart. Dream flocks sprawled +tinkling up the hills. + +With a wild burst of scarlet, the sunset flashed out. Black clouds +darkened the visible idyll. A chill gust swept across the stream, +showering rain and darkness. Each at an oar, we forged on, until we lost +the channel in the gloom. At the first peep of day we were off again, +after a breakfast of pancakes, bacon, and coffee. + +We were gradually becoming accustomed to the strain of constant rowing. +For at least sixteen hours a day we fought the wind, during which time +the oars were constantly dipping; and very often our day lengthened out +to twenty hours. We had no time-piece, and a night of drifting was +divided into two watches. These watches we determined either by the +dropping of a star toward the horizon, or by the position of the moon +when it shone. On dark nights, the sleeper trusted to the judgment of +his friend to call when the watch seemed sufficiently long. Daily the +water fell, and every inch of fall increased the difficulty of +traveling. + +We were now passing through the country of the Mandans, Gros Ventres, +and Ricarees, the country through which old Hugh Glass crawled his +hundred miles with only hate to sustain him. To the west lay the barren +lands of the Little Missouri, through which Sully pushed with his +military expedition against the Sioux on the Yellowstone. An army flung +boldly through a dead land--a land without forage, and waterless--a +labyrinth of dry ravines and ghastly hills! Sully called it "hell with +the lights out." A magnificent, Quixotic expedition that succeeded! I +compared it with the ancient expeditions--and I felt the eagle's wings +strain within me. _Sully!_ There were trumpets and purple banners for me +in the sound of the name! + +Late in the evening we reached the mouth of the Little Missouri. There +we found one of the few remaining mud lodges of the ancient type. We +landed and found ourselves in the midst of a forsaken little frontier +town. A shambling shack bore the legend, "Store," with the "S" looking +backward--perhaps toward dead municipal hopes. A few tumble-down frame +and log shanties sprawled up the desultory grass-grown main street, at +one end of which dwelt a Mandan Indian family in the mud lodge. + +A dozen curs from the lodge resented our intrusion with canine +vituperation. I thrust my head into the log-cased entrance of the +circular house of mud, and was greeted with a sound of scolding in the +Mandan jargon, delivered by a squaw of at least eighty years. She arose +from the fire that burned in the center of the great circular room, and +approached me with an "I-want-your-scalp" expression. One of her +daughters, a girl dressed in a caricature of the white girl's garments, +said to me: "She wants to know what you've got to trade." To this old +woman of the prairie, all white men were traders. + +"I want to buy," I said, "eggs, meat, bread, anything to eat." + +[Illustration: BOATS LAID UP FOR THE WINTER AT WASHBURN, N.D.] + +[Illustration: WASHBURN, N.D.] + +[Illustration: THE LANDING AT BISMARCK, N.D.] + +The old woman looked me over with a whimper of amused superiority, +and disappeared, soon reappearing with a dark brown object not wholly +unlike a loaf of bread. "Wahtoo," she remarked, pointing to the dark +brown substance. + +I gave her a half-dollar. Very quietly she took it and went back to her +fire. "But," said I, "do you sell your bread for fifty cents per loaf?" + +The girl giggled, and the old woman gave me another piece of her Mandan +mind. She had no change, it appeared. I then insisted upon taking the +balance in eggs. The old woman said she had no eggs. I pointed to a +flock of hens that was holding a sort of woman's club convention in the +yard, discussing the esthetics of egg-laying, doubtless, while +neglecting their nests. + +The old lady arose majestically, disappeared again, and reappeared with +three eggs. I protested. The Mandan lady forthwith explained (or at +least it appeared so to me) all the execrable points in my character. +They seemed to be numerous, and she appeared to be very frank about the +matter. My moral condition, apparently, was clearly defined in her own +mind. I withdrew in haste, fearing that the daughter at any moment might +begin to translate. + +We dropped down river a few miles, prepared supper, and attacked the +dark brown substance which the Indian lady had called "wahtoo." At the +first bite, I began to learn the Mandan tongue. I swallowed a chunk +whole, and then enlightened the Kid as to a portion of the Mandan +language. "Wahtoo," said I, "means 'indigestible'; it is an evident +fact." Then, being strengthened by our linguistic triumph, we fell upon +the dark brown substance again. But almost anything has its good points; +and I can conscientiously recommend Mandan bread for durability! + +Once more we had a rainy night. The tarp, stretched across the boat, +sagged with the water it caught, and poured little persistent streams +upon us. The chief of these streams, from the point of size, seemed +consciously aiming at my ear. Thirce I turned over, shifted my position; +thrice I was awakened by the sound of a merry brooklet pouring into that +persecuted member. + +Somewhere in the world the white cock was crowing sleepily when we put +off, stiff and soaked and shivering. + +Early in the day the fine sand from banks and bars began to lift in the +wind. It smarted our faces like little whip lashes. Very often we could +see no further than a hundred and fifty yards in any direction. Only by +a constant, rapid dipping of the oars could the boat be held +perpendicular to the choppy waves. One stroke missed meant hard work for +both of us in getting out of the trough. + +Fighting every foot of water, we wallowed through the swells--past Elbow +Woods, past Fort Berthold, past the forlorn, raggedy little town, +"Expansion." (We rechristened it "Contraction"!) + +During the day the gale swept the sky clear. The evening air was crisp +and invigorating. We cooked supper early and rowed on silently over the +mirroring waters, between two vast sheets of stars, through a semilucent +immensity. Far ahead of us a high cliff loomed black and huge against +the spangled blue-black velvet of the sky. On its summit a dark mass +soared higher. We thought it a tree, but surely a gigantic one. +Approaching it, the soaring mass became a medieval castle sitting +haughtily with frowning crenellations upon an impregnable rock; and the +Missouri became for the moment a larger Rhine. At last, rowing up under +the sheer cliff, the castle resolved itself into a huge grain elevator, +its base a hundred feet above the stream. + +Although it was late, we tied our boat, clambered up a zigzag path, and +found ourselves in one of the oddest little towns in the +West--Manhaven--one of the few remaining steamboat towns. + +The main street zigzagged carelessly through a jumble of little houses. +One light in all the street designated the social center of the town, so +we went there. It was the grocery store--a general emporium of ideas and +canned goods. + +Entering, we found ourselves in the midst of "the rustic cackle of the +burg." I am sure the municipal convention was verbally reconstructing +the universe; but upon our entrance, the matter was abruptly laid on the +table. When we withdrew, the entire convention, including the +grocery-man, adjourned, and accompanied us to the river where the +general merits of our boat were thoroughly discussed by lantern light. +Also, various conflicting versions of the distance to Bismarck were +given--each party being certain of his own infallibility. + +There is something curious about the average man's conception of +distance. During the entire trip we found no two men who agreed on this +general subject. After acquiring a book of river distances, we created +much amusement for ourselves by asking questions. The conversation very +often proceeded in this manner: + +"Will you please tell us how far it is to So-and-So?" + +"One hundred and fifty-two and a half miles!" (with an air of absolute +certainty). + +"But you are slightly mistaken, sir; the exact distance is sixty-two and +seven-tenths miles!" (Consternation on the face of the omniscient +informant.) + +Once a man told us that a certain town was one hundred and fifty miles +down stream. We reached the town in an hour and a half! + +However, we had more success with the Indian. One day we came upon an +old Mandan buck and squaw, who were taking a bath in the river, +doubtless feeling convinced that they needed it. The current took us +within fifty yards of them. Upon our approach, they got out of the water +and sat in the sand quite as nude and unashamed as our first parents +before the apple ripened. + +"Bismarck--how far?" I shouted, standing up in the boat. + +The buck rose in all his unclothed dignity, raised his two hands, shut +and opened them seven times, after which he lowered one arm, and again +opened and shut a hand. Then with a spear-like thrust of the arm toward +the southeast, he stiffened the index finger in the direction of +Bismarck. He meant "seventy-five miles as the crow flies." As near as I +could figure it out afterward, he was doubtless correct. + +At noon the next day we reached the mouth of the Knife River, near which +stood the Mandan village made famous by Lewis and Clark as their winter +quarters. Fort Clark also stood here. Nothing remains of the Fort but +the name and a few slight indentations in the ground. A modern steamboat +town, Deapolis occupies the site of the old post. Across the river there +are still to be seen the remains of trenches. A farmer pointed them out +to us as all that remains of the winter camp of the great explorers. + +In the late evening we passed Washburn, the "steamboat center" of the +upper river, fifty water miles from Bismarck. It made a very pretty +appearance with its neat houses climbing the hillside. Along the water +front, under the elevators, a half-dozen steamboats of the good +old-fashioned type, lay waiting for their cargoes. Two more boats were +building on the ways. + +Night caught us some five miles below the town, and, wrapping ourselves +in our blankets, we set to drifting. I went on watch and the Kid rolled +up forward and went to sleep. After sixteen hours of rowing in the wind, +it is a difficult matter to keep awake. The night was very calm; the +quiet waters crooned sleepily about the boat. I set myself the task of +watching the new moon dip toward the dim hills; I intended to keep +myself awake in that manner. The moon seemed to have stuck. Slowly I +passed into an impossible world, in which, with drowsy will, I struggled +against an exasperating moon that had somehow gotten itself tangled in +star-sheen and couldn't go down. + +I awoke with a start. My head was hanging over the gunwale--the dawn was +breaking through the night wall. A chill wind was rolling breakers upon +us, and we were fast upon a bar. I awakened the Kid and we put off. We +had no idea of the distance covered while sleeping. It must have been at +least twenty miles, for, against a heavy wind, we reached Bismarck at +one o'clock. + +We had covered about three hundred and fifty miles in six days, but we +had paid well for every mile. As we passed under the Bismarck bridge, +we confessed that we were thoroughly fagged. It was the thought of the +engine awaiting us at this town that had kept us from confessing +weariness before. + +I landed and made for the express office three miles away. A half-hour +later I stood, covered with humility and perspiration, in the awful +presence of the expressman, who regarded me with that lofty "God-and-I" +air, characteristic of some emperors and almost all railroad officials. +I stated to the august personage that I was looking for an engine +shipped to me by express. + +It seems that my statement was insulting. The man snarled and shook his +head. I have since thought that he was the owner of the Northern Pacific +system in disguise. I suggested that the personage might look about. The +personage couldn't stoop to that; but a clerk who overheard my insulting +remark (he had not yet become the owner of a vast transportation system) +condescended to make a desultory search. He succeeded in digging up a +spark-coil--and that is all I ever saw of the engine. + +During my waiting at Bismarck, I had a talk with Captain Baker, manager +of the Benton Packet Line. We agreed in regard to the Government's +neglect of duty toward the country's most important natural +thoroughfare, the Missouri River. About Sioux City, the Government +operates a snag-boat, the _Mandan_, at an expense ridiculously +disproportionate to its usefulness. The _Mandan_ is little more than an +excursion boat maintained for a few who are paid for indulging in the +excursions. A crew of several hundred men with shovels, picks, and +dynamite, could do more good during one low water season than such boats +could do during their entire existence. + +The value of the great river as an avenue of commerce is steadily +increasing; and those who discourage the idea of "reopening" navigation +of the river, are either railroad men or persons entirely ignorant of +the geography of the Northwest. Captain Marsh would say, "Reopen +navigation? I've sailed the river sixty years, and in that time +navigation has not ceased." + +Rocks could and should be removed from the various rapids, and the banks +at certain points should be protected against further cutting. A natural +canal, extending from New Orleans in the South and Cincinnati in the +East to the Rockies in the Northwest, is not to be neglected long by an +intelligent Government. + +As a slow freight thoroughfare, this vast natural system of waterways is +unequalled on the globe. Within another generation, doubtless, this +all-but-forgotten fact will be generally rediscovered. + +Having waited four days for the engine, we put off again with oars. It +was near sundown when we started, hungry for those thousand miles that +remained. When we had pulled in to the landing at Bismarck, we were like +boxers who stagger to their corners all but whipped. But we had +breathed, and were ready for another round. A kind of impersonal anger +at the failure of another hope nerved us; and this new fighting spirit +was like another man at the oars. Many of the hard days that followed +left on our memories little more than the impress of a troubled dream. +We developed a sort of contempt for our old enemy, the head wind--that +tireless, intangible giant that lashed us with whips of sand, drove us +into shallows, set its mighty shoulders against our prow, roared with +laughter at us when, soaked and weary, we walked and pushed our boat for +miles at a time. The quitter that is in all men more or less, often +whispered to us when we were weariest: "Why not take the train? What is +it all for?" Well, what is life for? We were expressing ourselves out +there on the windy river. The wind said we couldn't and our muscles said +we shouldn't, and the snag-boat captain had said we couldn't get +down--so we went on. We were now in full retreat--retreat from the +possibility of quitting. + +During the first night out, an odd circumstance befell us that, for some +hours, seemed likely to lose us our boat. As usual, we set to drifting +at dark. The moon, close on its half, was flying, pale and frightened, +through scudding clouds. However, the wind blew high and the surface of +the water was unruffled. There could be nothing more eerie than a night +of drifting on the Missouri, with a ghastly moon dodging in and out +among the clouds. The strange glimmer, peculiar to the surface of the +tawny river at night, gives it a forbidding aspect, and you seem +surrounded by a murmuring immensity. + +We were, presumably, drifting into a great sandy bend, for we heard the +constant booming of falling sand ahead. It was impossible to trace the +channel, so we swung idly about with the current. Suddenly, we stopped. +Our usual proceeding in such cases was to leap out and push the boat +off. That night, fortunately, we were chilly, and did not fancy a +midnight ducking. Each taking an oar, we thrust at the bar. The oars +went down to the grip in quicksand. Had we leaped out as usual, there +would have been two burials that night without the customary singing. + +We rocked the boat without result. We were trapped; so we smoked awhile, +thought about the matter, and decided to go to bed. In the morning we +would fasten on our cork belts and reach shore--perhaps. Having reached +shore, we would find a stray skiff and go on. But the _Atom II_ seemed +booked for a long wait on that quicksand bar. + +During the night a violent shaking of the boat awakened us. A heavy wind +was blowing, and the prow of the boat was swinging about. It soon +stopped with a chug. We stood up and rocked the boat vigorously. It +broke loose again, and swung half-way around. Continuing this for a +half-hour, we finally drifted into deep water. + +The next day we passed Cannon Ball River, and reached Standing Rock +Agency in the late evening. Sitting Bull is buried there. After a late +supper, we went in search of his grave. We found it after much lighting +of matches at headstones, in a weed-grown corner of the Agency +burying-ground. A slab of wood, painted white, bears the following +inscription in black: "In Memory of Sitting Bull. Died Dec. 15, 1890." + +Perched upon the ill-kept grave, we smoked for an hour under the flying +moon. A dog howled somewhere off in the gloomy waste. + +That night the Erinnyes, in the form of a swarm of mosquitoes, attacked +us lying in our boat. The weary Kid rolled and swore till dawn, when a +light wind sprang up _astern_. We hoisted our sail, and for one whole +day cruised merrily, making sixty miles by sunset. This took us to the +town of Mobridge. + +I was charmed with the novelty of driving our old enemy in harness. So, +letting the Kid go to sleep forward under the sail, I cruised on into +the night. The wind had fallen somewhat, but it kept the canvas filled. +The crooning of the water, the rustling of the sail, the thin voices of +bugs on shore, and the guttural song of the frogs, shocking the general +quiet--these sounds only intensified the weird calm of the night. The +sky was cloudless, and the moon shone so brightly that I wrote my day's +notes by its glow. + +The winking lights of Mobridge slowly dropped astern and faded into the +glimmering mist. + + Lonely seamen all the night + Sail astonished amid stars. + +The remembered lines gave me the divine itch for quoting verses. I did +so, until the poor tired Kid swore drowsily in his sleep under the mast. +The air was of that invigorating coolness that makes you think of cider +in its sociable stage of incipient snappiness. Sleepy dogs bayed far +away. Lone trees approached me, the motion seeming to belong to them +rather than to me, and drifted slowly past--austere spectral figures. +Somewhere about midnight I fell asleep and was awakened by a flapping +sail and a groaning mast, to find myself sprawling over the wheel. The +wind had changed; it was once more blowing up-stream, and a drizzling +rain was driving through the gloom. During my sleep the boat had gone +ashore. I moored her to a drift log, lowered sail, flung a tarp over us, +and went to sleep again. And the morning came--blanketed with gray +oozing fog. The greater part of that day we rowed on in the rain without +a covering. In the evening we reached Forest City, an odd little old +town, looking wistfully across stream at the youthful red and white +government buildings of the Cheyenne Agency. + +[Illustration: THE YANKTON LANDING IN THE OLD DAYS.] + +[Illustration: "ATOM II" LANDING AT SIOUX CITY.] + +Despite its name, this town is utterly treeless! I once knew a +particularly awkward, homely, and freckled young lady named "Lily." The +circumstance always seemed grimly humorous to me, and I remembered it as +we strolled through the town that couldn't live up to its name. + +We were ravenously hungry, and as soon as possible we got our feet under +the table of the town's dingy restaurant. A long, lean man came to take +our orders. He was a walking picture of that condition known to patent +medicine as "before taking." I looked for the fat, cheerful person who +should illustrate the effect of eating at that place, but in vain. When +the lean man reappeared with the two orders carefully tucked away in the +palms of his bony hands, I thought I grasped the etiology of his +thinness. It was indeed a frugal repast. We took in the situation at a +glance. + +"Please consider us four hearty men, if you will," I said kindly; "and +bring two more meals." The man obeyed. My _third_ order, it seems, met +objections from the cook. The lean man, after a half audible colloquy +with the presiding spirit of the kitchen, reported with a whipped +expression that the house was "all out of grub." I regretted the matter +very much, as I had looked forward to a long, unbroken series of meals +that evening. + +Setting out at moonrise, just after sunset, we reached Pascal Island, +fifteen miles below, before sleep came upon us in a manner not to be +resisted. All night coyotes yelped from the hilltops about us, +recounting their immemorial sorrows to the wandering moon. + +At sunset of the fifth day from Bismarck, we pulled in at Pierre. +Although I had never been there before, Carthage was not more hospitable +to storm-tossed AEneas than Pierre to the weather-beaten crew of the +_Atom_. At a reception given us by Mr. Doane Robinson, secretary of the +State Historical Society, I felt again the warmth of the great heart of +the West. + +During the first night out of Pierre, the Kid, having stood his watch, +called me at about one o'clock. The moon was sailing high. I grasped the +oars and fell to rowing with a resolute swing, meaning, in the shortest +possible time, to wear off the disagreeable stupor incident to arising +at that time of night. I had been rowing for some time when I noted a +tree on the bank near which the current ran. Still drowsy, I turned my +head away and pulled with a will. After another spell of energetic +rowing, I looked astern, expecting to see that tree at least a mile +behind. There was no tree in sight, and yet I could see in that +direction with sufficient clearness to discern the bulk of a tree if any +were there. + +"I am rowing to beat the devil!" thought I; "that tree is away around +the bend already!" So I increased the speed and length of my stroke, and +began to come out of my stupor. Some time later, I happened to look +behind me. _The tree in question was about three hundred yards ahead of +the boat!_ I had been rowing up-stream for at least a half-hour in a +strenuous race with that tree! The Kid, aroused by my laughter, asked +sleepily what in thunder tickled me. I told him I had merely thought of +a funny story; whereat he mumbled some unintelligble anathema, and +lapsed again into a snoring state. But I claim the distinction of being +the only man on record who ever raced a half-hour with a tree, and +finished three city blocks to the bad! + +The next day we rounded the great loop, in which the river makes a +detour of thirty miles. Having rowed the greater part of the day, we +found ourselves in the evening only two or three miles from a point we +had reached in the morning. + +In a drizzling rain we passed Brule Agency. In the evening, soppy and +chilled, we were pulling past a tumble-down shanty built under the +bluffs, when a man stepped from the door and hailed us. We pulled in. +"You fellers looks like you needed a drink of booze," said the man as we +stepped ashore. "Well, I got it for sale, and it ain't no harm to +advertise!" + +This strenuous liquor merchant bore about him all the wretched marks of +the stuff he sold. + +"Have your wife cook us two meals," said I, "and I'll deal with you." + +"Jump in my boat," said he. I got in his skiff, wondering what his whim +might mean. After several strokes of the oars, he pulled a flask from +his pocket, took my coin and rowed back to shore. "Government license," +he explained; "got to sell thirty feet from the bank." "Poor old +Government," thought I; "they beat you wherever they deal with you!" + +We went up to the wretched shanty, built of driftwood, and entered. The +interior was a melee of washtubs, rickety chairs, babies, and flies. The +woman of the house hung out a ragged smile upon her puckered mouth, +etched at the lips with many thin lines of worry, and aped hospitality +in a manner at once pathetic and ridiculous. A little girl, who looked +fifty or five, according to how you observed her, dexterously dodged the +drip from the cracks in the roof, as she backed away into a corner, from +whence she regarded us with eyes already saddened with the ache of life. + +After many days and nights in the great open, fraternizing with the +stars and the moon and the sun and the river, it gave me a heartache to +have the old bitter human fact thrust upon me again. "What is there left +here to live for?" thought I. And just then I noted, hanging on the wall +where the water did not drip, a neatly framed marriage certificate. This +was the one attempt at decoration. + +It was the household's 'scutcheon of respectability. This woman, even in +her degradation, true to the noblest instinct of her sex, clung to this +holy record of a faded glory. + +Two days later, pushing on in the starlit night, we heard ahead the +sullen boom of waters in turmoil. For a half-hour, as we proceeded, the +sound increased, until it seemed close under our prow. We knew there +was no cataract in the entire lower portion of the river; and yet, only +from a waterfall had I ever heard a sound like that. We pulled for the +shore, and went to bed with the sinister booming under our bow. + +Waking in the gray dawn, we found ourselves at the mouth of the Niobrara +River. Though a small stream compared with the Missouri, so great is its +speed, and so tremendous the impact of its flood, that the mightier, but +less impetuous Missouri is driven back a quarter of a mile. + +Reaching Springfield--twelve miles below--before breakfast, in the +evening we lifted Yankton out of a cloud of flying sand. The next day +Vermilion and Elk Point dropped behind; and then, thirty miles of the +two thousand remained. + +In the weird hour just before the first faint streak of dawn grows out +of dark, we were making coffee--the last outdoor coffee of the year. Oh, +the ambrosial stuff! + +We were under way when the stars paled. At sunrise the smoke of Sioux +City was waving huge ragged arms of welcome out of the southeast. At +noon we landed. We had rowed fourteen hundred miles against almost +continual head winds in a month, and we had finished our two thousand +miles in two months. It was hard work. And yet---- + +The clang of the trolleys, the rumble of the drays, the rushing of the +people! + +I prefer the drifting of the stars, the wandering of the moon, the +coming and going of the sun, the crooning of the river, the shout of the +big, manly, devil-may-care winds, the boom of the diving beaver in the +night. + +I never felt at home in a town. Up river when the night dropped over me, +somehow I always felt comfortably, kindly housed. Towns, after all, are +machines to facilitate getting psychically lost. + +When I started for the head of navigation a friend asked me what I +expected to find on the trip. "Some more of myself," I answered. + +And, after all, that is the Great Discovery. + + + +Transcriber's Note: + +The original text has a number of typographical errors and spelling +inconsistencies, which have been maintained in this text. The following +list details these errors: + +Original +Page No. Typographical error + 4 marvelled for marveled + 8 tighen for tighten + 9 Danube's for Danubes + 14 "... to me that Theseus. ..." "that" should read "than" + 24 pealing for peeling + 32 terriffic for terrific + 47 lamp for lamb + 60 egshell for eggshell + terriffic for terrific + 61 inded for indeed + 66 ride for pride + 70 voluntered for volunteered + 78 sad for said + 92 intelligble for intelligible +109 gunwhale for gunwale +119 "I was tired cranking." for "I was tired of cranking." +131 tenson for tension +166 Kansis for Kansas +171 skulled for sculled +180 Thirce for Thrice +195 unintelligble for unintelligible + +Inconsistencies + +cross-cut / crosscut +Encleadus / Enceladus +faerie / faerie +half-way / halfway +Hole-in-the-Wall / Hole-in-the-wall +log-book / logbook +mid-stream / midstream +sand-bar / sandbar +"Texas" / Texas +wind-like / windlike + + + + + + +End of the Project Gutenberg EBook of The River and I, by John G. Neihardt + +*** END OF THIS PROJECT GUTENBERG EBOOK THE RIVER AND I *** + +***** This file should be named 16793.txt or 16793.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/7/9/16793/ + +Produced by Audrey Longhurst, Julia Miller and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/16793.zip b/16793.zip Binary files differnew file mode 100644 index 0000000..eaf06c9 --- /dev/null +++ b/16793.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..f6ffb94 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #16793 (https://www.gutenberg.org/ebooks/16793) |
